classes ::: subject,
children :::
branches ::: Dance
see also :::

Instances - Definitions - Quotes - Chapters - Wordnet - Webgen


object:Dance
object:Dancing
class:subject

dancing game, to some interval after a certain amount of time, try to switch up what you do, and try to never repeat oneself. like physical freestyling



--- ESOTERIC
2020-08-18 ::: after a spontaneous dance session the good reminder all can be turned towards God and there lies the value of anything. To bring with it a remembrace. She is the music for His Joy, she the Dancer, Dance and Stage for His Entertainment. And so, when dancing let Her dance for Him or dance for Him yourself if you think yourself the dancer.




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OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
Collected_Poems
DND_DM_Guide_5E
Full_Circle
General_Principles_of_Kabbalah
Guru_Bhakti_Yoga
Heart_of_Matter
Integral_Life_Practice_(book)
Let_Me_Explain
Letters_On_Poetry_And_Art
Letters_On_Yoga
Letters_On_Yoga_II
Liber_157_-_The_Tao_Teh_King
Life_without_Death
Mantras_Of_The_Mother
Meditation__The_First_and_Last_Freedom
Modern_Man_in_Search_of_a_Soul
On_Interpretation
Plotinus_-_Complete_Works_Vol_01
Plotinus_-_Complete_Works_Vol_02
Plotinus_-_Complete_Works_Vol_03
Plotinus_-_Complete_Works_Vol_04
Process_and_Reality
Questions_And_Answers_1929-1931
Questions_And_Answers_1955
Questions_And_Answers_1957-1958
Savitri
The_Bible
The_Blue_Cliff_Records
The_Divine_Milieu
The_Heros_Journey
The_Imitation_of_Christ
The_Ladder_of_Divine_Ascent
The_Lotus_Sutra
The_Republic
The_Tibetan_Yogas_of_Dream_and_Sleep
The_Wit_and_Wisdom_of_Alfred_North_Whitehead
The_Yoga_Sutras
Toward_the_Future

IN CHAPTERS TITLE
1.4.01_-_The_Divine_Grace_and_Guidance
1929-07-28_-_Art_and_Yoga_-_Art_and_life_-_Music,_dance_-_World_of_Harmony
1955-12-07_-_Emotional_impulse_of_self-giving_-_A_young_dancer_in_France_-_The_heart_has_wings,_not_the_head_-_Only_joy_can_conquer_the_Adversary
1957-01-30_-_Artistry_is_just_contrast_-_How_to_perceive_the_Divine_Guidance?
1.bs_-_Your_love_has_made_me_dance_all_over
1.cllg_-_A_Dance_of_Unwavering_Devotion
1.fs_-_The_Dance
1.jwvg_-_Reciprocal_Invitation_To_The_Dance
1.lla_-_Dance,_Lalla,_with_nothing_on
1.rmr_-_Spanish_Dancer
1.rmr_-_The_Spanish_Dancer
1.wby_-_Crazy_Jane_Grown_Old_Looks_At_The_Dancers
1.wby_-_Michael_Robartes_And_The_Dancer
1.wby_-_Owen_Aherne_And_His_Dancers
1.wby_-_Sweet_Dancer
1.wby_-_The_Dancer_At_Cruachan_And_Cro-Patrick
3.4.2.04_-_Dance_and_Sadhana
7.4.03_-_The_Cosmic_Dance

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.01_-_The_Approach_to_Mysticism
00.03_-_Upanishadic_Symbolism
000_-_Humans_in_Universe
0.00_-_The_Wellspring_of_Reality
0.01_-_Introduction
0.03_-_III_-_The_Evening_Sittings
0.06_-_INTRODUCTION
0.06_-_Letters_to_a_Young_Sadhak
01.02_-_Natures_Own_Yoga
01.02_-_Sri_Aurobindo_-_Ahana_and_Other_Poems
01.02_-_The_Issue
01.03_-_Mystic_Poetry
01.03_-_The_Yoga_of_the_King__The_Yoga_of_the_Souls_Release
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Secret_Knowledge
01.05_-_The_Nietzschean_Antichrist
01.06_-_Vivekananda
01.08_-_Walter_Hilton:_The_Scale_of_Perfection
0.10_-_Letters_to_a_Young_Captain
01.13_-_T._S._Eliot:_Four_Quartets
0.11_-_Letters_to_a_Sadhak
02.01_-_Metaphysical_Thought_and_the_Supreme_Truth
02.01_-_Our_Ideal
02.02_-_The_Kingdom_of_Subtle_Matter
02.03_-_The_Glory_and_the_Fall_of_Life
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.10_-_Independence_and_its_Sanction
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.10_-_Two_Mystic_Poems_in_Modern_Bengali
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.13_-_On_Social_Reconstruction
02.14_-_The_World-Soul
03.02_-_Aspects_of_Modernism
03.02_-_Yogic_Initiation_and_Aptitude
03.03_-_Arjuna_or_the_Ideal_Disciple
03.03_-_The_House_of_the_Spirit_and_the_New_Creation
03.04_-_The_Body_Human
03.04_-_The_Vision_and_the_Boon
03.05_-_The_Spiritual_Genius_of_India
03.05_-_The_World_is_One
03.07_-_The_Sunlit_Path
03.08_-_The_Standpoint_of_Indian_Art
03.09_-_Sectarianism_or_Loyalty
03.10_-_Hamlet:_A_Crisis_of_the_Evolving_Soul
03.11_-_Modernist_Poetry
03.11_-_The_Language_Problem_and_India
04.01_-_The_Birth_and_Childhood_of_the_Flame
04.02_-_The_Growth_of_the_Flame
04.03_-_Consciousness_as_Energy
04.04_-_A_Global_Humanity
04.04_-_The_Quest
04.41_-_To_the_Heights-XLI
05.01_-_The_Destined_Meeting-Place
05.09_-_Varieties_of_Religious_Experience
05.29_-_Vengeance_is_Mine
06.01_-_The_Word_of_Fate
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.03_-_Types_of_Meditation
06.10_-_Fatigue_and_Work
06.12_-_The_Expanding_Body-Consciousness
06.19_-_Mental_Silence
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.03_-_The_Entry_into_the_Inner_Countries
07.04_-_The_Triple_Soul-Forces
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.07_-_Freedom_and_Destiny
07.25_-_Prayer_and_Aspiration
07.27_-_Equality_of_the_Body,_Equality_of_the_Soul
08.05_-_Will_and_Desire
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
09.05_-_The_Story_of_Love
100.00_-_Synergy
10.01_-_A_Dream
10.02_-_The_Gospel_of_Death_and_Vanity_of_the_Ideal
10.03_-_The_Debate_of_Love_and_Death
10.04_-_Lord_of_Time
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
1.007_-_Initial_Steps_in_Yoga_Practice
10.07_-_The_World_is_One
10.09_-_Education_as_the_Growth_of_Consciousness
1.009_-_Perception_and_Reality
1.00c_-_DIVISION_C_-_THE_ETHERIC_BODY_AND_PRANA
1.00_-_Gospel
1.00_-_Gospel_Preface
1.00_-_Main
1.00_-_Preface
1.00_-_PRELUDE_AT_THE_THEATRE
1.00_-_The_Constitution_of_the_Human_Being
10.10_-_A_Poem
1.010_-_Self-Control_-_The_Alpha_and_Omega_of_Yoga
10.12_-_Awake_Mother
1.012_-_Sublimation_-_A_Way_to_Reshuffle_Thought
10.15_-_The_Evolution_of_Language
1.01_-_About_the_Elements
1.01_-_A_NOTE_ON_PROGRESS
1.01_-_Archetypes_of_the_Collective_Unconscious
1.01_-_Economy
1.01_-_Foreward
1.01_-_Historical_Survey
1.01_-_How_is_Knowledge_Of_The_Higher_Worlds_Attained?
1.01_-_MAPS_OF_EXPERIENCE_-_OBJECT_AND_MEANING
1.01_-_MAXIMS_AND_MISSILES
1.01_-_On_Love
1.01_-_The_Four_Aids
1.01_-_The_Highest_Meaning_of_the_Holy_Truths
1.01_-_The_Human_Aspiration
1.01_-_The_King_of_the_Wood
1.01_-_The_Unexpected
1.01_-_What_is_Magick?
10.23_-_Prayers_and_Meditations_of_the_Mother
10.27_-_Consciousness
1.02_-_BEFORE_THE_CITY-GATE
1.02_-_Education
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_Meditating_on_Tara
1.02_-_Self-Consecration
1.02_-_Skillful_Means
1.02_-_SOCIAL_HEREDITY_AND_PROGRESS
1.02_-_The_7_Habits__An_Overview
1.02_-_The_Age_of_Individualism_and_Reason
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Divine_Teacher
1.02_-_The_Eternal_Law
1.02_-_The_Magic_Circle
1.02_-_THE_NATURE_OF_THE_GROUND
1.02_-_The_Recovery
1.02_-_The_Stages_of_Initiation
1.02_-_The_Three_European_Worlds
1.02_-_The_Ultimate_Path_is_Without_Difficulty
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.031_-_Intense_Aspiration
10.33_-_On_Discipline
1.036_-_The_Rise_of_Obstacles_in_Yoga_Practice
1.037_-_Preventing_the_Fall_in_Yoga
1.03_-_A_Parable
1.03_-_APPRENTICESHIP_AND_ENCULTURATION_-_ADOPTION_OF_A_SHARED_MAP
1.03_-_A_Sapphire_Tale
1.03_-_Concerning_the_Archetypes,_with_Special_Reference_to_the_Anima_Concept
1.03_-_Invocation_of_Tara
1.03_-_Meeting_the_Master_-_Meeting_with_others
1.03_-_On_exile_or_pilgrimage
1.03_-_Preparing_for_the_Miraculous
1.03_-_Questions_and_Answers
1.03_-_Self-Surrender_in_Works_-_The_Way_of_The_Gita
1.03_-_Sympathetic_Magic
1.03_-_The_Desert
1.03_-_THE_EARTH_IN_ITS_EARLY_STAGES
1.03_-_The_End_of_the_Intellect
1.03_-_The_Gods,_Superior_Beings_and_Adverse_Forces
1.03_-_The_House_Of_The_Lord
1.03_-_The_Human_Disciple
1.03_-_THE_ORPHAN,_THE_WIDOW,_AND_THE_MOON
1.03_-_The_Sephiros
1.03_-_The_Spiritual_Being_of_Man
1.03_-_The_Syzygy_-_Anima_and_Animus
1.03_-_The_Tale_of_the_Alchemist_Who_Sold_His_Soul
1.03_-_To_Layman_Ishii
1.04_-_Magic_and_Religion
1.04_-_Te_Shan_Carrying_His_Bundle
1.04_-_The_Aims_of_Psycho_therapy
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Conditions_of_Esoteric_Training
1.04_-_The_Crossing_of_the_First_Threshold
1.04_-_The_Divine_Mother_-_This_Is_She
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Paths
1.04_-_The_Praise
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_THE_STUDY_(The_Compact)
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.056_-_Lack_of_Knowledge_is_the_Cause_of_Suffering
1.05_-_Christ,_A_Symbol_of_the_Self
1.05_-_Computing_Machines_and_the_Nervous_System
1.05_-_Hymns_of_Bharadwaja
1.05_-_Pratyahara_and_Dharana
1.05_-_Qualifications_of_the_Aspirant_and_the_Teacher
1.05_-_Ritam
1.05_-_Some_Results_of_Initiation
1.05_-_The_Ascent_of_the_Sacrifice_-_The_Psychic_Being
1.05_-_The_Belly_of_the_Whale
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_NEW_SPIRIT
1.05_-_The_True_Doer_of_Works
1.06_-_Confutation_Of_Other_Philosophers
1.06_-_Magicians_as_Kings
1.06_-_MORTIFICATION,_NON-ATTACHMENT,_RIGHT_LIVELIHOOD
1.06_-_On_remembrance_of_death.
1.06_-_On_Thought
1.06_-_Quieting_the_Vital
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.06_-_THE_FOUR_GREAT_ERRORS
1.06_-_The_Four_Powers_of_the_Mother
1.06_-_The_Greatness_of_the_Individual
1.06_-_The_Objective_and_Subjective_Views_of_Life
1.06_-_The_Sign_of_the_Fishes
1.06_-_The_Transformation_of_Dream_Life
1.06_-_Wealth_and_Government
1.078_-_Kumbhaka_and_Concentration_of_Mind
1.07_-_A_Song_of_Longing_for_Tara,_the_Infallible
1.07_-_BOOK_THE_SEVENTH
1.07_-_Bridge_across_the_Afterlife
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Incarnate_Human_Gods
1.07_-_Note_on_the_word_Go
1.07_-_On_Our_Knowledge_of_General_Principles
1.07_-_ON_READING_AND_WRITING
1.07_-_Raja-Yoga_in_Brief
1.07_-_Savitri
1.07_-_The_Farther_Reaches_of_Human_Nature
1.07_-_The_Fourth_Circle__The_Avaricious_and_the_Prodigal._Plutus._Fortune_and_her_Wheel._The_Fifth_Circle__The_Irascible_and_the_Sullen._Styx.
1.07_-_The_Infinity_Of_The_Universe
1.07_-_The_Prophecies_of_Nostradamus
1.08a_-_The_Ladder
1.08_-_Attendants
1.08_-_BOOK_THE_EIGHTH
1.08_-_Information,_Language,_and_Society
1.08_-_Phlegyas._Philippo_Argenti._The_Gate_of_the_City_of_Dis.
1.08_-_Psycho_therapy_Today
1.08_-_The_Four_Austerities_and_the_Four_Liberations
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.08_-_The_Methods_of_Vedantic_Knowledge
1.08_-_The_Supreme_Will
1.08_-_The_Three_Schools_of_Magick_3
1.08_-_THINGS_THE_GERMANS_LACK
1.097_-_Sublimation_of_Object-Consciousness
1.098_-_The_Transformation_from_Human_to_Divine
1.09_-_A_System_of_Vedic_Psychology
1.09_-_Fundamental_Questions_of_Psycho_therapy
1.09_-_Saraswati_and_Her_Consorts
1.09_-_SKIRMISHES_IN_A_WAY_WITH_THE_AGE
1.09_-_Sri_Aurobindo_and_the_Big_Bang
1.09_-_Talks
1.09_-_The_Guardian_of_the_Threshold
1.09_-_The_Pure_Existent
1.09_-_The_Worship_of_Trees
1.1.01_-_Seeking_the_Divine
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
1.107_-_The_Bestowal_of_a_Divine_Gift
1.10_-_Conscious_Force
1.10_-_Relics_of_Tree_Worship_in_Modern_Europe
1.10_-_THE_FORMATION_OF_THE_NOOSPHERE
1.10_-_The_Image_of_the_Oceans_and_the_Rivers
1.10_-_The_Methods_and_the_Means
1.10_-_THINGS_I_OWE_TO_THE_ANCIENTS
1.11_-_Correspondence_and_Interviews
1.11_-_Oneness
1.11_-_The_Influence_of_the_Sexes_on_Vegetation
1.11_-_The_Kalki_Avatar
1.11_-_The_Master_of_the_Work
1.11_-_The_Seven_Rivers
1.11_-_The_Soul_or_the_Astral_Body
1.12_-_God_Departs
1.12_-_On_lying.
1.12_-_Sleep_and_Dreams
1.12_-_The_Divine_Work
1.12_-_The_Sacred_Marriage
1.12_-_TIME_AND_ETERNITY
1.12_-_Truth_and_Knowledge
1.13_-_Gnostic_Symbols_of_the_Self
1.1.3_-_Mental_Difficulties_and_the_Need_of_Quietude
1.13_-_THE_HUMAN_REBOUND_OF_EVOLUTION_AND_ITS_CONSEQUENCES
1.14_-_The_Sand_Waste_and_the_Rain_of_Fire._The_Violent_against_God._Capaneus._The_Statue_of_Time,_and_the_Four_Infernal_Rivers.
1.14_-_The_Suprarational_Beauty
1.15_-_In_the_Domain_of_the_Spirit_Beings
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.15_-_Prayers
1.15_-_SILENCE
1.1.5_-_Thought_and_Knowledge
1.16_-_Man,_A_Transitional_Being
1.16_-_The_Season_of_Truth
1.16_-_The_Suprarational_Ultimate_of_Life
1.17_-_AT_THE_FOUNTAIN
1.17_-_Religion_as_the_Law_of_Life
1.17_-_The_Burden_of_Royalty
1.17_-_The_Transformation
1.18_-_Evocation
1.18_-_THE_HEART_OF_THE_PROBLEM
1.18_-_The_Infrarational_Age_of_the_Cycle
1.19_-_Life
1.19_-_NIGHT
1.19_-_Tabooed_Acts
1.19_-_The_Act_of_Truth
1.19_-_The_Practice_of_Magical_Evocation
1.200-1.224_Talks
1.201_-_Socrates
1.2.02_-_Qualities_Needed_for_Sadhana
1.2.06_-_Rejection
1.2.07_-_Surrender
1.2.08_-_Faith
1.2.09_-_Consecration_and_Offering
1.20_-_On_bodily_vigil_and_how_to_use_it_to_attain_spiritual_vigil_and_how_to_practise_it.
1.20_-_Tabooed_Persons
1.20_-_The_End_of_the_Curve_of_Reason
1.21_-_Chih_Men's_Lotus_Flower,_Lotus_Leaves
1.21_-_FROM_THE_PRE-HUMAN_TO_THE_ULTRA-HUMAN,_THE_PHASES_OF_A_LIVING_PLANET
1.21_-_The_Fifth_Bolgia__Peculators._The_Elder_of_Santa_Zita._Malacoda_and_other_Devils.
1.21_-_WALPURGIS-NIGHT
1.22_-_Ciampolo,_Friar_Gomita,_and_Michael_Zanche._The_Malabranche_quarrel.
1.22_-_EMOTIONALISM
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.22_-_On_Prayer
1.22_-_Tabooed_Words
1.22_-_THE_END_OF_THE_SPECIES
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.22_-_The_Problem_of_Life
1.23_-_Our_Debt_to_the_Savage
1.23_-_The_Double_Soul_in_Man
1.240_-_1.300_Talks
1.240_-_Talks_2
1.24_-_RITUAL,_SYMBOL,_SACRAMENT
1.24_-_The_Advent_and_Progress_of_the_Spiritual_Age
1.24_-_The_Killing_of_the_Divine_King
1.25_-_DUNGEON
1.25_-_On_the_destroyer_of_the_passions,_most_sublime_humility,_which_is_rooted_in_spiritual_feeling.
1.25_-_Temporary_Kings
1.26_-_On_discernment_of_thoughts,_passions_and_virtues
1.26_-_The_Ascending_Series_of_Substance
1.27_-_On_holy_solitude_of_body_and_soul.
1.27_-_The_Sevenfold_Chord_of_Being
1.28_-_Need_to_Define_God,_Self,_etc.
1.28_-_The_Killing_of_the_Tree-Spirit
1.29_-_What_is_Certainty?
1.300_-_1.400_Talks
13.03_-_A_Programme_for_the_Second_Century_of_the_Divine_Manifestation
1.30_-_Concerning_the_linking_together_of_the_supreme_trinity_among_the_virtues.
1.31_-_Adonis_in_Cyprus
1.32_-_How_can_a_Yogi_ever_be_Worried?
1.33_-_The_Gardens_of_Adonis
1.33_-_The_Golden_Mean
1.34_-_The_Myth_and_Ritual_of_Attis
1.35_-_Attis_as_a_God_of_Vegetation
1.400_-_1.450_Talks
1.4.01_-_The_Divine_Grace_and_Guidance
1.4.02_-_The_Divine_Force
1.4.03_-_The_Guru
1.40_-_Coincidence
1.40_-_The_Nature_of_Osiris
1.41_-_Isis
1.439
1.43_-_Dionysus
1.44_-_Demeter_and_Persephone
1.450_-_1.500_Talks
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.46_-_The_Corn-Mother_in_Many_Lands
1.47_-_Lityerses
1.48_-_The_Corn-Spirit_as_an_Animal
1.49_-_Ancient_Deities_of_Vegetation_as_Animals
1.49_-_Thelemic_Morality
15.05_-_Twin_Prayers
1.50_-_A.C._and_the_Masters;_Why_they_Chose_him,_etc.
1.50_-_Eating_the_God
1.51_-_How_to_Recognise_Masters,_Angels,_etc.,_and_how_they_Work
1.52_-_Family_-_Public_Enemy_No._1
1.52_-_Killing_the_Divine_Animal
1.53_-_The_Propitation_of_Wild_Animals_By_Hunters
1.54_-_Types_of_Animal_Sacrament
1.550_-_1.600_Talks
1.55_-_The_Transference_of_Evil
1.56_-_The_Public_Expulsion_of_Evils
1.57_-_Public_Scapegoats
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.59_-_Killing_the_God_in_Mexico
1.60_-_Between_Heaven_and_Earth
1.62_-_The_Fire-Festivals_of_Europe
1.63_-_Fear,_a_Bad_Astral_Vision
1.63_-_The_Interpretation_of_the_Fire-Festivals
1.64_-_The_Burning_of_Human_Beings_in_the_Fires
1.66_-_The_External_Soul_in_Folk-Tales
1.66_-_Vampires
1.67_-_The_External_Soul_in_Folk-Custom
1.69_-_Farewell_to_Nemi
17.02_-_Hymn_to_the_Sun
1.77_-_Work_Worthwhile_-_Why?
18.01_-_Padavali
18.02_-_Ramprasad
18.03_-_Tagore
18.04_-_Modern_Poems
1.82_-_Epistola_Penultima_-_The_Two_Ways_to_Reality
1.83_-_Epistola_Ultima
19.02_-_Vigilance
1912_11_02p
1912_11_03p
1912_11_19p
1912_11_26p
1912_11_28p
1912_12_02p
1912_12_03p
1912_12_05p
1912_12_07p
1912_12_10p
1912_12_11p
1913_02_05p
1913_02_08p
1913_02_10p
1913_02_12p
1913_03_13p
1913_05_11p
1913_06_18p
1913_07_21p
1913_11_28p
1914_01_04p
1914_01_24p
1914_02_01p
1914_02_14p
1914_02_15p
1914_03_07p
1914_03_08p
1914_03_09p
1914_03_25p
1914_04_10p
1914_04_17p
1914_05_12p
1914_05_21p
1914_05_22p
1914_05_26p
1914_08_27p
1914_08_31p
1914_09_01p
1914_09_24p
1914_09_25p
1914_09_28p
1914_09_30p
1914_10_05p
1914_10_07p
1914_10_14p
1914_10_16p
1914_10_25p
1914_11_08p
1915_02_15p
1915_03_03p
1915_03_07p
1915_03_08p
1915_05_24p
1915_11_26p
1916_12_26p
1916_12_27p
1916_12_29p
1917_01_04p
1917_03_30p
1917_03_31p
1917_04_07p
1917_04_28p
1917_09_24p
1917_10_15p
1917_11_25p
1918_07_12p
1919_09_03p
1920_06_22p
1929-04-14_-_Dangers_of_Yoga_-_Two_paths,_tapasya_and_surrender_-_Impulses,_desires_and_Yoga_-_Difficulties_-_Unification_around_the_psychic_being_-_Ambition,_undoing_of_many_Yogis_-_Powers,_misuse_and_right_use_of_-_How_to_recognise_the_Divine_Will_-_Accept_things_that_come_from_Divine_-_Vital_devotion_-_Need_of_strong_body_and_nerves_-_Inner_being,_invariable
1929-04-28_-_Offering,_general_and_detailed_-_Integral_Yoga_-_Remembrance_of_the_Divine_-_Reading_and_Yoga_-_Necessity,_predetermination_-_Freedom_-_Miracles_-_Aim_of_creation
1929-05-26_-_Individual,_illusion_of_separateness_-_Hostile_forces_and_the_mental_plane_-_Psychic_world,_psychic_being_-_Spiritual_and_psychic_-_Words,_understanding_speech_and_reading_-_Hostile_forces,_their_utility_-_Illusion_of_action,_true_action
1929-07-28_-_Art_and_Yoga_-_Art_and_life_-_Music,_dance_-_World_of_Harmony
1931_11_24p
1937_10_23p
1950-12-21_-_The_Mother_of_Dreams
1951-01-08_-_True_vision_and_understanding_of_the_world._Progress,_equilibrium._Inner_reality_-_the_psychic._Animals_and_the_psychic.
1951-02-08_-_Unifying_the_being_-_ideas_of_good_and_bad_-_Miracles_-_determinism_-_Supreme_Will_-_Distinguishing_the_voice_of_the_Divine
1951-02-12_-_Divine_force_-_Signs_indicating_readiness_-_Weakness_in_mind,_vital_-_concentration_-_Divine_perception,_human_notion_of_good,_bad_-_Conversion,_consecration_-_progress_-_Signs_of_entering_the_path_-_kinds_of_meditation_-_aspiration
1951-03-10_-_Fairy_Tales-_serpent_guarding_treasure_-_Vital_beings-_their_incarnations_-_The_vital_being_after_death_-_Nightmares-_vital_and_mental_-_Mind_and_vital_after_death_-_The_spirit_of_the_form-_Egyptian_mummies
1951-04-09_-_Modern_Art_-_Trend_of_art_in_Europe_in_the_twentieth_century_-_Effect_of_the_Wars_-_descent_of_vital_worlds_-_Formation_of_character_-_If_there_is_another_war
1951-05-03_-_Money_and_its_use_for_the_divine_work_-_problems_-_Mastery_over_desire-_individual_and_collective_change
1951-05-05_-_Needs_and_desires_-_Discernment_-_sincerity_and_true_perception_-_Mantra_and_its_effects_-_Object_in_action-_to_serve_-_relying_only_on_the_Divine
1953-04-22
1953-05-20
1953-07-01
1953-10-07
1953-10-28
1953-11-11
1953-12-30
1954-03-24_-_Dreams_and_the_condition_of_the_stomach_-_Tobacco_and_alcohol_-_Nervousness_-_The_centres_and_the_Kundalini_-_Control_of_the_senses
1954-05-05_-_Faith,_trust,_confidence_-_Insincerity_and_unconsciousness
1954-05-19_-_Affection_and_love_-_Psychic_vision_Divine_-_Love_and_receptivity_-_Get_out_of_the_ego
1954-07-14_-_The_Divine_and_the_Shakti_-_Personal_effort_-_Speaking_and_thinking_-_Doubt_-_Self-giving,_consecration_and_surrender_-_Mothers_use_of_flowers_-_Ornaments_and_protection
1954-08-18_-_Mahalakshmi_-_Maheshwari_-_Mahasaraswati_-_Determinism_and_freedom_-_Suffering_and_knowledge_-_Aspects_of_the_Mother
1954-09-29_-_The_right_spirit_-_The_Divine_comes_first_-_Finding_the_Divine_-_Mistakes_-_Rejecting_impulses_-_Making_the_consciousness_vast_-_Firm_resolution
1954-11-24_-_Aspiration_mixed_with_desire_-_Willing_and_desiring_-_Children_and_desires_-_Supermind_and_the_higher_ranges_of_mind_-_Stages_in_the_supramental_manifestation
1955-03-02_-_Right_spirit,_aspiration_and_desire_-_Sleep_and_yogic_repose,_how_to_sleep_-_Remembering_dreams_-_Concentration_and_outer_activity_-_Mother_opens_the_door_inside_everyone_-_Sleep,_a_school_for_inner_knowledge_-_Source_of_energy
1955-04-13_-_Psychoanalysts_-_The_underground_super-ego,_dreams,_sleep,_control_-_Archetypes,_Overmind_and_higher_-_Dream_of_someone_dying_-_Integral_repose,_entering_Sachchidananda_-_Organising_ones_life,_concentration,_repose
1955-05-18_-_The_Problem_of_Woman_-_Men_and_women_-_The_Supreme_Mother,_the_new_creation_-_Gods_and_goddesses_-_A_story_of_Creation,_earth_-_Psychic_being_only_on_earth,_beings_everywhere_-_Going_to_other_worlds_by_occult_means
1955-05-25_-_Religion_and_reason_-_true_role_and_field_-_an_obstacle_to_or_minister_of_the_Spirit_-_developing_and_meaning_-_Learning_how_to_live,_the_elite_-_Reason_controls_and_organises_life_-_Nature_is_infrarational
1955-08-17_-_Vertical_ascent_and_horizontal_opening_-_Liberation_of_the_psychic_being_-_Images_for_discovery_of_the_psychic_being_-_Sadhana_to_contact_the_psychic_being
1955-11-16_-_The_significance_of_numbers_-_Numbers,_astrology,_true_knowledge_-_Divines_Love_flowers_for_Kali_puja_-_Desire,_aspiration_and_progress_-_Determining_ones_approach_to_the_Divine_-_Liberation_is_obtained_through_austerities_-_...
1955-11-23_-_One_reality,_multiple_manifestations_-_Integral_Yoga,_approach_by_all_paths_-_The_supreme_man_and_the_divine_man_-_Miracles_and_the_logic_of_events
1955-12-07_-_Emotional_impulse_of_self-giving_-_A_young_dancer_in_France_-_The_heart_has_wings,_not_the_head_-_Only_joy_can_conquer_the_Adversary
1956-01-04_-_Integral_idea_of_the_Divine_-_All_things_attracted_by_the_Divine_-_Bad_things_not_in_place_-_Integral_yoga_-_Moving_idea-force,_ideas_-_Consequences_of_manifestation_-_Work_of_Spirit_via_Nature_-_Change_consciousness,_change_world
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-04-25_-_God,_human_conception_and_the_true_Divine_-_Earthly_existence,_to_realise_the_Divine_-_Ananda,_divine_pleasure_-_Relations_with_the_divine_Presence_-_Asking_the_Divine_for_what_one_needs_-_Allowing_the_Divine_to_lead_one
1956-05-30_-_Forms_as_symbols_of_the_Force_behind_-_Art_as_expression_of_contact_with_the_Divine_-_Supramental_psychological_perfection_-_Division_of_works_-_The_Ashram,_idle_stupidities
1956-06-13_-_Effects_of_the_Supramental_action_-_Education_and_the_Supermind_-_Right_to_remain_ignorant_-_Concentration_of_mind_-_Reason,_not_supreme_capacity_-_Physical_education_and_studies_-_inner_discipline_-_True_usefulness_of_teachers
1956-06-20_-_Hearts_mystic_light,_intuition_-_Psychic_being,_contact_-_Secular_ethics_-_True_role_of_mind_-_Realise_the_Divine_by_love_-_Depression,_pleasure,_joy_-_Heart_mixture_-_To_follow_the_soul_-_Physical_process_-_remember_the_Mother
1956-06-27_-_Birth,_entry_of_soul_into_body_-_Formation_of_the_supramental_world_-_Aspiration_for_progress_-_Bad_thoughts_-_Cerebral_filter_-_Progress_and_resistance
1956-07-11_-_Beauty_restored_to_its_priesthood_-_Occult_worlds,_occult_beings_-_Difficulties_and_the_supramental_force
1956-07-18_-_Unlived_dreams_-_Radha-consciousness_-_Separation_and_identification_-_Ananda_of_identity_and_Ananda_of_union_-_Sincerity,_meditation_and_prayer_-_Enemies_of_the_Divine_-_The_universe_is_progressive
1956-08-15_-_Protection,_purification,_fear_-_Atmosphere_at_the_Ashram_on_Darshan_days_-_Darshan_messages_-_Significance_of_15-08_-_State_of_surrender_-_Divine_Grace_always_all-powerful_-_Assumption_of_Virgin_Mary_-_SA_message_of_1947-08-15
1956-08-29_-_To_live_spontaneously_-_Mental_formations_Absolute_sincerity_-_Balance_is_indispensable,_the_middle_path_-_When_in_difficulty,_widen_the_consciousness_-_Easiest_way_of_forgetting_oneself
1956-10-03_-_The_Mothers_different_ways_of_speaking_-_new_manifestation_-_new_element,_possibilities_-_child_prodigies_-_Laws_of_Nature,_supramental_-_Logic_of_the_unforeseen_-_Creative_writers,_hands_of_musicians_-_Prodigious_children,_men
1956-10-10_-_The_supramental_race__in_a_few_centuries_-_Condition_for_new_realisation_-_Everyone_must_follow_his_own_path_-_Progress,_no_two_paths_alike
1956-11-07_-_Thoughts_created_by_forces_of_universal_-_Mind_Our_own_thought_hardly_exists_-_Idea,_origin_higher_than_mind_-_The_Synthesis_of_Yoga,_effect_of_reading
1956-11-28_-_Desire,_ego,_animal_nature_-_Consciousness,_a_progressive_state_-_Ananda,_desireless_state_beyond_enjoyings_-_Personal_effort_that_is_mental_-_Reason,_when_to_disregard_it_-_Reason_and_reasons
1956-12-05_-_Even_and_objectless_ecstasy_-_Transform_the_animal_-_Individual_personality_and_world-personality_-_Characteristic_features_of_a_world-personality_-_Expressing_a_universal_state_of_consciousness_-_Food_and_sleep_-_Ordered_intuition
1956-12-26_-_Defeated_victories_-_Change_of_consciousness_-_Experiences_that_indicate_the_road_to_take_-_Choice_and_preference_-_Diversity_of_the_manifestation
1957-01-30_-_Artistry_is_just_contrast_-_How_to_perceive_the_Divine_Guidance?
1957-04-10_-_Sports_and_yoga_-_Organising_ones_life
1957-05-08_-_Vital_excitement,_reason,_instinct
1957-06-05_-_Questions_and_silence_-_Methods_of_meditation
1957-07-03_-_Collective_yoga,_vision_of_a_huge_hotel
1957-07-31_-_Awakening_aspiration_in_the_body
1957-08-21_-_The_Ashram_and_true_communal_life_-_Level_of_consciousness_in_the_Ashram
1957-10-09_-_As_many_universes_as_individuals_-_Passage_to_the_higher_hemisphere
1957-10-30_-_Double_movement_of_evolution_-_Disappearance_of_a_species
1957-12-11_-_Appearance_of_the_first_men
1957-12-18_-_Modern_science_and_illusion_-_Value_of_experience,_its_transforming_power_-_Supramental_power,_first_aspect_to_manifest
1958-01-01
1958-01-01_-_The_collaboration_of_material_Nature_-_Miracles_visible_to_a_deep_vision_of_things_-_Explanation_of_New_Year_Message
1958-01-29_-_The_plan_of_the_universe_-_Self-awareness
1958-02-03a
1958-03-05_-_Vibrations_and_words_-_Power_of_thought,_the_gift_of_tongues
1958-06-11_-_Is_there_a_spiritual_being_in_everybody?
1958-07-06
1958-07-23_-_How_to_develop_intuition_-_Concentration
1958-09-16_-_OM_NAMO_BHAGAVATEH
1958-09-24_-_Living_the_truth_-_Words_and_experience
1959-05-28
1959-06-03
1960-03-03
1960_06_03
1960-10-02a
1960-12-31
1961-03-11
1961-09-16
1962-01-21
1962-02-24
1962-03-03
1962-07-21
1962-11-17
1962-11-23
1963-03-09
1963-04-20
1963-06-15
1963_08_11?_-_94
1963-08-17
1963-09-25
1963-10-19
1963-12-21
1964-07-25
1965-01-24
1965-02-19
1965-07-10
1966-10-26
1967-11-15
1968-08-28
1969-04-19
1969-04-30
1970-04-01
1970-06-03
1971-08-21
1.ac_-_A_Birthday
1.ac_-_Au_Bal
1.ac_-_Lyric_of_Love_to_Leah
1.ac_-_Prologue_to_Rodin_in_Rime
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Priestess_of_Panormita
1.ac_-_The_Twins
1.ac_-_The_Wizard_Way
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1.anon_-_If_this_were_a_world
1.anon_-_The_Epic_of_Gilgamesh_Tablet_XI_The_Story_of_the_Flood
1.bs_-_He_Who_is_Stricken_by_Love
1.bs_-_The_moment_I_bowed_down
1.bs_-_this_love_--_O_Bulleh_--_tormenting,_unique
1.bs_-_Your_love_has_made_me_dance_all_over
1.bs_-_Your_passion_stirs_me
1.cllg_-_A_Dance_of_Unwavering_Devotion
1.da_-_Lead_us_up_beyond_light
1.dd_-_So_priceless_is_the_birth,_O_brother
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Facts_concerning_the_Late
1f.lovecraft_-_He
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Old_Bugs
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Pickmans_Model
1f.lovecraft_-_The_Beast_in_the_Cave
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Colour_out_of_Space
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Doom_That_Came_to_Sarnath
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_Horror_at_Martins_Beach
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Loved_Dead
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Music_of_Erich_Zann
1f.lovecraft_-_The_Other_Gods
1f.lovecraft_-_The_Quest_of_Iranon
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Silver_Key
1f.lovecraft_-_The_Statement_of_Randolph_Carter
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Thing_on_the_Doorstep
1f.lovecraft_-_The_Tomb
1f.lovecraft_-_The_Trap
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Under_the_Pyramids
1.fs_-_A_Funeral_Fantasie
1.fs_-_Cassandra
1.fs_-_Count_Eberhard,_The_Groaner_Of_Wurtembert._A_War_Song
1.fs_-_Elegy_On_The_Death_Of_A_Young_Man
1.fs_-_Elysium
1.fs_-_Human_Knowledge
1.fs_-_Pompeii_And_Herculaneum
1.fs_-_Rapture_--_To_Laura
1.fs_-_Shakespeare's_Ghost_-_A_Parody
1.fs_-_The_Artists
1.fs_-_The_Battle
1.fs_-_The_Complaint_Of_Ceres
1.fs_-_The_Cranes_Of_Ibycus
1.fs_-_The_Dance
1.fs_-_The_Eleusinian_Festival
1.fs_-_The_Gods_Of_Greece
1.fs_-_The_Ideals
1.fs_-_The_Lay_Of_The_Bell
1.fs_-_The_Lay_Of_The_Mountain
1.fs_-_The_Pilgrim
1.fs_-_The_Poetry_Of_Life
1.fs_-_The_Walk
1.fs_-_The_Youth_By_The_Brook
1.fua_-_A_slaves_freedom
1.fua_-_The_moths_and_the_flame
1.hcyc_-_39_-_Right_here_it_is_eternally_full_and_serene_(from_The_Shodoka)
1.hcyc_-_55_-_When_all_is_finally_seen_as_it_is,_(from_The_Shodoka)
1.hs_-_A_Golden_Compass
1.hs_-_A_New_World
1.hs_-_It_Is_Time_to_Wake_Up!
1.hs_-_Silence
1.hs_-_Sweet_Melody
1.hs_-_The_Day_Of_Hope
1.hs_-_Tidings_Of_Union
1.jda_-_When_spring_came,_tender-limbed_Radha_wandered_(from_The_Gitagovinda)
1.jk_-_An_Extempore
1.jk_-_Endymion_-_Book_I
1.jk_-_Endymion_-_Book_III
1.jk_-_Endymion_-_Book_IV
1.jk_-_Epistle_To_John_Hamilton_Reynolds
1.jk_-_Ode_To_A_Nightingale
1.jk_-_Ode_To_Fanny
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Sleep_And_Poetry
1.jk_-_Song._Hush,_Hush!_Tread_Softly!
1.jk_-_Song_Of_The_Indian_Maid,_From_Endymion
1.jk_-_Song._Written_On_A_Blank_Page_In_Beaumont_And_Fletchers_Works
1.jk_-_Sonnet_VI._To_G._A._W.
1.jk_-_Specimen_Of_An_Induction_To_A_Poem
1.jk_-_Teignmouth_-_Some_Doggerel,_Sent_In_A_Letter_To_B._R._Haydon
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jk_-_The_Eve_Of_Saint_Mark._A_Fragment
1.jk_-_To_......
1.jk_-_Woman!_When_I_Behold_Thee_Flippant,_Vain
1.jlb_-_Empty_Drawing_Room
1.jr_-_Book_1_-_Prologue
1.jr_-_Fasting
1.jr_-_How_long_will_you_say,_I_will_conquer_the_whole_world
1.jr_-_If_continually_you_keep_your_hope
1.jr_-_Like_This
1.jr_-_Sacrifice_your_intellect_in_love_for_the_Friend
1.jr_-_Suddenly,_in_the_sky_at_dawn,_a_moon_appeared
1.jr_-_The_grapes_of_my_body_can_only_become_wine
1.jr_-_The_real_work_belongs_to_someone_who_desires_God
1.jr_-_What_can_I_do,_Muslims?_I_do_not_know_myself
1.jt_-_As_air_carries_light_poured_out_by_the_rising_sun
1.jt_-_In_losing_all,_the_soul_has_risen_(from_Self-Annihilation_and_Charity_Lead_the_Soul...)
1.jwvg_-_Anniversary_Song
1.jwvg_-_Mahomets_Song
1.jwvg_-_Night_Thoughts
1.jwvg_-_Presence
1.jwvg_-_Reciprocal_Invitation_To_The_Dance
1.jwvg_-_Wont_And_Done
1.kbr_-_What_Kind_Of_God?
1.kbr_-_When_The_Day_Came
1.kbr_-_When_the_Day_Came
1.ki_-_In_my_hut
1.ki_-_stillness
1.lb_-_Alone_And_Drinking_Under_The_Moon
1.lb_-_Alone_and_Drinking_Under_the_Moon
1.lb_-_Amidst_the_Flowers_a_Jug_of_Wine
1.lb_-_Before_The_Cask_of_Wine
1.lb_-_Drinking_Alone_in_the_Moonlight
1.lb_-_Exile's_Letter
1.lb_-_Green_Mountain
1.lb_-_On_Dragon_Hill
1.lb_-_Poem_by_The_Bridge_at_Ten-Shin
1.lb_-_Song_Of_The_Jade_Cup
1.lb_-_The_Roosting_Crows
1.lla_-_Dance,_Lalla,_with_nothing_on
1.lla_-_Meditate_within_eternity
1.lla_-_The_soul,_like_the_moon
1.lovecraft_-_Festival
1.lovecraft_-_Fungi_From_Yuggoth
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.lovecraft_-_The_Poe-ets_Nightmare
1.lovecraft_-_The_Teutons_Battle-Song
1.lovecraft_-_Waste_Paper-_A_Poem_Of_Profound_Insignificance
1.mb_-_Mira_is_Steadfast
1.mb_-_No_one_knows_my_invisible_life
1.mbn_-_Prayers_for_the_Protection_and_Opening_of_the_Heart
1.mb_-_The_Beloved_Comes_Home
1.mb_-_The_Music
1.mm_-_Then_shall_I_leap_into_love
1.okym_-_45_-_But_leave_the_Wise_to_wrangle,_and_with_me
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Feelings_Of_A_Republican_On_The_Fall_Of_Bonaparte
1.pbs_-_Fiordispina
1.pbs_-_Fragment,_Or_The_Triumph_Of_Conscience
1.pbs_-_HERE_I_sit_with_my_paper
1.pbs_-_Homers_Hymn_To_The_Earth_-_Mother_Of_All
1.pbs_-_Hymn_To_Mercury
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Lines_Written_During_The_Castlereagh_Administration
1.pbs_-_Marenghi
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_IV.
1.pbs_-_Scenes_From_The_Faust_Of_Goethe
1.pbs_-_Song._Sorrow
1.pbs_-_St._Irvynes_Tower
1.pbs_-_The_Cloud
1.pbs_-_The_Cyclops
1.pbs_-_The_Devils_Walk._A_Ballad
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Sensitive_Plant
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_To_Sophia_(Miss_Stacey)
1.poe_-_Al_Aaraaf-_Part_2
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_The_Bells
1.poe_-_To_One_In_Paradise
1.rb_-_A_Grammarian's_Funeral_Shortly_After_The_Revival_Of_Learning
1.rb_-_A_Toccata_Of_Galuppi's
1.rb_-_Bishop_Blougram's_Apology
1.rb_-_By_The_Fire-Side
1.rb_-_Caliban_upon_Setebos_or,_Natural_Theology_in_the_Island
1.rb_-_Fra_Lippo_Lippi
1.rb_-_Garden_Francies
1.rb_-_Holy-Cross_Day
1.rb_-_Paracelsus_-_Part_III_-_Paracelsus
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Rabbi_Ben_Ezra
1.rb_-_Sordello_-_Book_the_First
1.rb_-_Sordello_-_Book_the_Fourth
1.rb_-_Sordello_-_Book_the_Second
1.rb_-_Sordello_-_Book_the_Sixth
1.rb_-_The_Flight_Of_The_Duchess
1.rb_-_The_Laboratory-Ancien_Rgime
1.rb_-_The_Pied_Piper_Of_Hamelin
1.rb_-_Women_And_Roses
1.rmpsd_-_Love_Her,_Mind
1.rmpsd_-_Ma,_Youre_inside_me
1.rmpsd_-_So_I_say-_Mind,_dont_you_sleep
1.rmr_-_Child_In_Red
1.rmr_-_Elegy_IV
1.rmr_-_Spanish_Dancer
1.rmr_-_The_Panther
1.rmr_-_The_Sonnets_To_Orpheus_-_XXV
1.rmr_-_The_Spanish_Dancer
1.rt_-_Broken_Song
1.rt_-_Clouds_And_Waves
1.rt_-_Colored_Toys
1.rt_-_Fireflies
1.rt_-_Gitanjali
1.rt_-_I_Found_A_Few_Old_Letters
1.rt_-_Kinu_Goalas_Alley
1.rt_-_Light
1.rt_-_Lovers_Gifts_LIV_-_In_The_Beginning_Of_Time
1.rt_-_Lovers_Gifts_LVIII_-_Things_Throng_And_Laugh
1.rt_-_Lovers_Gifts_LXX_-_Take_Back_Your_Coins
1.rt_-_Lovers_Gifts_XXII_-_I_Shall_Gladly_Suffer
1.rt_-_On_The_Seashore
1.rt_-_Passing_Breeze
1.rt_-_Poems_On_Time
1.rt_-_Stray_Birds_51_-_60
1.rt_-_Stray_Birds_71_-_80
1.rt_-_Stream_Of_Life
1.rt_-_The_Banyan_Tree
1.rt_-_The_Champa_Flower
1.rt_-_The_Flower-School
1.rt_-_The_Gardener_LXVIII_-_None_Lives_For_Ever,_Brother
1.rt_-_The_Gardener_XLII_-_O_Mad,_Superbly_Drunk
1.rt_-_The_Gardener_XLV_-_To_The_Guests
1.rt_-_The_Journey
1.rt_-_The_Portrait
1.rt_-_The_Unheeded_Pageant
1.rt_-_Urvashi
1.rt_-_When_And_Why
1.rwe_-_Dmonic_Love
1.rwe_-_Manners
1.rwe_-_May-Day
1.rwe_-_Merlin_II
1.rwe_-_Monadnoc
1.rwe_-_The_Poet
1.rwe_-_The_Romany_Girl
1.rwe_-_To_Eva
1.sjc_-_I_Entered_the_Unknown
1.snk_-_You_are_my_true_self,_O_Lord
1.snt_-_O_totally_strange_and_inexpressible_marvel!
1.srm_-_The_Necklet_of_Nine_Gems
1.stav_-_In_the_Hands_of_God
1.sv_-_Kali_the_Mother
1.tr_-_How_Can_I_Possibly_Sleep
1.wb_-_Auguries_of_Innocence
1.wby_-_A_Dramatic_Poem
1.wby_-_A_Drunken_Mans_Praise_Of_Sobriety
1.wby_-_All_Souls_Night
1.wby_-_A_Lovers_Quarrel_Among_the_Fairies
1.wby_-_A_Man_Young_And_Old_-_Complete
1.wby_-_A_Man_Young_And_Old_-_XI._From_Oedipus_At_Colonus
1.wby_-_Among_School_Children
1.wby_-_At_Galway_Races
1.wby_-_Byzantium
1.wby_-_Coole_Park_1929
1.wby_-_Crazy_Jane_Grown_Old_Looks_At_The_Dancers
1.wby_-_Fiddler_Of_Dooney
1.wby_-_I_Am_Of_Ireland
1.wby_-_Imitated_From_The_Japanese
1.wby_-_Michael_Robartes_And_The_Dancer
1.wby_-_Mohini_Chatterjee
1.wby_-_News_For_The_Delphic_Oracle
1.wby_-_Nineteen_Hundred_And_Nineteen
1.wby_-_On_Woman
1.wby_-_Owen_Aherne_And_His_Dancers
1.wby_-_Sweet_Dancer
1.wby_-_The_Cat_And_The_Moon
1.wby_-_The_Countess_Cathleen_In_Paradise
1.wby_-_The_Crazed_Moon
1.wby_-_The_Curse_Of_Cromwell
1.wby_-_The_Dancer_At_Cruachan_And_Cro-Patrick
1.wby_-_The_Double_Vision_Of_Michael_Robartes
1.wby_-_The_Fairy_Pendant
1.wby_-_The_Host_Of_The_Air
1.wby_-_The_Indian_To_His_Love
1.wby_-_The_Man_Who_Dreamed_Of_Faeryland
1.wby_-_The_Meditation_Of_The_Old_Fisherman
1.wby_-_The_Mountain_Tomb
1.wby_-_The_Poet_Pleads_With_The_Elemental_Powers
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Spur
1.wby_-_The_Stolen_Child
1.wby_-_The_Two_Kings
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wild_Old_Wicked_Man
1.wby_-_The_Withering_Of_The_Boughs
1.wby_-_Three_Things
1.wby_-_To_A_Child_Dancing_In_The_Wind
1.wby_-_Tom_ORoughley
1.wby_-_Who_Goes_With_Fergus?
1.wby_-_Wisdom
1.whitman_-_American_Feuillage
1.whitman_-_Carol_Of_Words
1.whitman_-_Native_Moments
1.whitman_-_Not_Youth_Pertains_To_Me
1.whitman_-_Poems_Of_Joys
1.whitman_-_Proud_Music_Of_The_Storm
1.whitman_-_Respondez!
1.whitman_-_Salut_Au_Monde
1.whitman_-_Song_of_Myself
1.whitman_-_Song_Of_Myself-_III
1.whitman_-_Song_Of_Myself-_XV
1.whitman_-_Song_Of_Myself-_XXXIII
1.whitman_-_Song_Of_The_Broad-Axe
1.whitman_-_Song_Of_The_Exposition
1.whitman_-_Song_Of_The_Open_Road
1.whitman_-_The_Sleepers
1.ww_-_3_-_I_have_heard_what_the_talkers_were_talking,_the_talk_of_the_beginning_and_the_end
1.ww_-_4_-_Trippers_and_askers_surround_me
1.ww_-_A_Poet!_He_Hath_Put_His_Heart_To_School
1.ww_-_A_Whirl-Blast_From_Behind_The_Hill
1.ww_-_Book_Eighth-_Retrospect--Love_Of_Nature_Leading_To_Love_Of_Man
1.ww_-_Book_Fourth_[Summer_Vacation]
1.ww_-_Book_Ninth_[Residence_in_France]
1.ww_-_Book_Seventh_[Residence_in_London]
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Daffodils
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Hart-Leap_Well
1.ww_-_Laodamia
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1803
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_Ode_to_Duty
1.ww_-_On_The_Same_Occasion
1.ww_-_Ruth
1.ww_-_Stray_Pleasures
1.ww_-_The_Excursion-_IV-_Book_Third-_Despondency
1.ww_-_The_Excursion-_V-_Book_Fouth-_Despondency_Corrected
1.ww_-_The_Excursion-_VII-_Book_Sixth-_The_Churchyard_Among_the_Mountains
1.ww_-_The_Fary_Chasm
1.ww_-_The_Mother's_Return
1.ww_-_The_Recluse_-_Book_First
1.ww_-_The_Two_April_Mornings
1.ww_-_The_Waggoner_-_Canto_Second
1.ww_-_Three_Years_She_Grew_in_Sun_and_Shower
1.ww_-_Troilus_And_Cresida
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
20.03_-_Act_I:The_Descent
20.04_-_Act_II:_The_Play_on_Earth
20.05_-_Act_III:_The_Return
2.01_-_Indeterminates,_Cosmic_Determinations_and_the_Indeterminable
2.01_-_Mandala_One
2.01_-_On_Books
2.01_-_THE_ADVENT_OF_LIFE
2.01_-_The_Picture
2.01_-_The_Road_of_Trials
2.01_-_The_Sefirot
2.01_-_The_Two_Natures
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_Indra,_Giver_of_Light
2.02_-_IN_THE_COMPANY_OF_DEVOTEES
2.02_-_On_Letters
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.02_-_The_Synthesis_of_Devotion_and_Knowledge
2.02_-_Yoga
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_Indra_and_the_Thought-Forces
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.03_-_On_Medicine
2.03_-_THE_ENIGMA_OF_BOLOGNA
2.04_-_ADVICE_TO_HOUSEHOLDERS
2.04_-_Agni,_the_Illumined_Will
2.04_-_The_Divine_and_the_Undivine
2.05_-_Apotheosis
2.05_-_Habit_3__Put_First_Things_First
2.05_-_The_Cosmic_Illusion;_Mind,_Dream_and_Hallucination
2.05_-_The_Line_of_Light_and_The_Impression
2.05_-_The_Tale_of_the_Vampires_Kingdom
2.06_-_On_Beauty
2.06_-_Reality_and_the_Cosmic_Illusion
2.06_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES
2.06_-_Two_Tales_of_Seeking_and_Losing
2.06_-_Union_with_the_Divine_Consciousness_and_Will
2.07_-_ON_THE_TARANTULAS
2.07_-_THE_MASTER_AND_VIJAY_GOSWAMI
2.07_-_The_Mother__Relations_with_Others
2.08_-_God_in_Power_of_Becoming
2.08_-_On_Non-Violence
2.08_-_The_Branches_of_The_Archetypal_Man
2.08_-_THE_MASTERS_BIRTHDAY_CELEBRATION_AT_DAKSHINESWAR
2.09_-_ADVICE_TO_THE_BRAHMOS
2.09_-_On_Sadhana
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.0_-_THE_ANTICHRIST
2.1.02_-_Classification_of_the_Parts_of_the_Being
2.1.02_-_Nature_The_World-Manifestation
2.10_-_THE_DANCING_SONG
2.10_-_THE_MASTER_WITH_THE_BRAHMO_DEVOTEES_(II)
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.11_-_The_Guru
2.1.1_-_The_Nature_of_the_Vital
2.11_-_THE_TOMB_SONG
2.12_-_THE_FESTIVAL_AT_PNIHTI
2.1.2_-_The_Vital_and_Other_Levels_of_Being
2.1.3.1_-_Students
2.13_-_THE_MASTER_AND_M.
2.1.3_-_Wrong_Movements_of_the_Vital
2.1.4.2_-_Teaching
2.14_-_INSTRUCTION_TO_VAISHNAVS_AND_BRHMOS
2.1.4_-_The_Lower_Vital_Being
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.14_-_The_Unpacking_of_God
2.1.5.2_-_Languages
2.16_-_The_Integral_Knowledge_and_the_Aim_of_Life;_Four_Theories_of_Existence
2.16_-_The_Magick_Fire
2.16_-_WITH_THE_DEVOTEES_AT_DAKSHINESWAR
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.17_-_December_1938
2.17_-_M._AT_DAKSHINEWAR
2.17_-_The_Progress_to_Knowledge_-_God,_Man_and_Nature
2.18_-_January_1939
2.18_-_M._AT_DAKSHINESWAR
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
2.19_-_THE_MASTER_AND_HIS_INJURED_ARM
2.19_-_Union,_Gestation,_Birth
2.2.01_-_Work_and_Yoga
2.20_-_2.29_-_RULES_FOR_HOUSEHOLDERS_AND_MONKS
2.2.02_-_Becoming_Conscious_in_Work
2.2.03_-_The_Science_of_Consciousness
2.20_-_The_Infancy_and_Maturity_of_ZO,_Father_and_Mother,_Israel_The_Ancient_and_Understanding
2.2.1.01_-_The_World's_Greatest_Poets
2.21_-_1940
2.21_-_The_Order_of_the_Worlds
2.21_-_The_Three_Heads,_The_Beard_and_The_Mazela
2.21_-_Towards_the_Supreme_Secret
2.22_-_Rebirth_and_Other_Worlds;_Karma,_the_Soul_and_Immortality
2.2.2_-_Sorrow_and_Suffering
2.22_-_The_Supreme_Secret
2.2.3_-_Depression_and_Despondency
2.23_-_Man_and_the_Evolution
2.23_-_The_Core_of_the_Gita.s_Meaning
2.24_-_Gnosis_and_Ananda
2.24_-_The_Evolution_of_the_Spiritual_Man
2.24_-_The_Message_of_the_Gita
2.25_-_Mercies_and_Judgements_of_Knowledge
2.25_-_The_Triple_Transformation
2.26_-_The_Ascent_towards_Supermind
2.27_-_The_Gnostic_Being
2.28_-_The_Divine_Life
2.3.01_-_Aspiration_and_Surrender_to_the_Mother
2.3.01_-_Concentration_and_Meditation
2.30_-_2.39_-_THE_MASTER_IN_VARIOUS_MOODS
2.3.02_-_Opening,_Sincerity_and_the_Mother's_Grace
2.3.02_-_The_Supermind_or_Supramental
2.3.03_-_The_Mother's_Presence
2.3.04_-_The_Mother's_Force
2.3.05_-_Sadhana_through_Work_for_the_Mother
2.3.06_-_The_Mind
2.3.08_-_The_Mother's_Help_in_Difficulties
2.30_-_The_Uniting_of_the_Names_45_and_52
2.3.1_-_Ego_and_Its_Forms
2.3.2_-_Desire
2.4.02.09_-_Contact_and_Union_with_the_Divine
2.40_-_2.49_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.4.02_-_Bhakti,_Devotion,_Worship
2.4.3_-_Problems_in_Human_Relations
26.09_-_Le_Periple_d_Or_(Pome_dans_par_Yvonne_Artaud)
27.03_-_The_Great_Holocaust_-_Chhinnamasta
29.03_-_In_Her_Company
2_-_Other_Hymns_to_Agni
30.01_-_World-Literature
30.02_-_Greek_Drama
3.00.2_-_Introduction
30.04_-_Intuition_and_Inspiration_in_Art
30.05_-_Rhythm_in_Poetry
30.06_-_The_Poet_and_The_Seer
30.07_-_The_Poet_and_the_Yogi
30.09_-_Lines_of_Tantra_(Charyapada)
3.00_-_Introduction
30.10_-_The_Greatness_of_Poetry
30.13_-_Rabindranath_the_Artist
30.14_-_Rabindranath_and_Modernism
30.15_-_The_Language_of_Rabindranath
30.17_-_Rabindranath,_Traveller_of_the_Infinite
3.02_-_King_and_Queen
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.02_-_The_Practice_Use_of_Dream-Analysis
3.02_-_The_Psychology_of_Rebirth
3.03_-_Faith_and_the_Divine_Grace
3.03_-_The_Four_Foundational_Practices
3.03_-_The_Godward_Emotions
3.03_-_The_Naked_Truth
3.04_-_BEFORE_SUNRISE
3.04_-_On_Thought_-_III
3.04_-_The_Formula_of_ALHIM
3.04_-_The_Spirit_in_Spirit-Land_after_Death
3.05_-_ON_VIRTUE_THAT_MAKES_SMALL
3.05_-_SAL
3.05_-_The_Physical_World_and_its_Connection_with_the_Soul_and_Spirit-Lands
3.06_-_Death
3.06_-_Thought-Forms_and_the_Human_Aura
3.08_-_ON_APOSTATES
3.09_-_Of_Silence_and_Secrecy
3.09_-_The_Return_of_the_Soul
3.1.02_-_Spiritual_Evolution_and_the_Supramental
31.06_-_Jagadish_Chandra_Bose
3.10_-_Of_the_Gestures
3.10_-_ON_THE_THREE_EVILS
3.10_-_The_New_Birth
3.11_-_Of_Our_Lady_Babalon
3.11_-_ON_THE_SPIRIT_OF_GRAVITY
3.11_-_Spells
3.12_-_ON_OLD_AND_NEW_TABLETS
3.13_-_THE_CONVALESCENT
3.14_-_Of_the_Consecrations
3.14_-_ON_THE_GREAT_LONGING
3.15_-_Of_the_Invocation
3.15_-_THE_OTHER_DANCING_SONG
3.16.1_-_Of_the_Oath
3.16.2_-_Of_the_Charge_of_the_Spirit
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.17_-_Of_the_License_to_Depart
3.19_-_Of_Dramatic_Rituals
3.2.04_-_Sankhya_and_Yoga
3.2.07_-_Tantra
3.2.08_-_Bhakti_Yoga_and_Vaishnavism
3.20_-_Of_the_Eucharist
32.10_-_A_Letter
32.11_-_Life_and_Self-Control_(A_Letter)
3.2.1_-_Food
3.2.4_-_Sex
3.3.02_-_All-Will_and_Free-Will
33.03_-_Muraripukur_-_I
3.3.03_-_The_Delight_of_Works
33.14_-_I_Played_Football
33.15_-_My_Athletics
33.18_-_I_Bow_to_the_Mother
3.3.1_-_Agni,_the_Divine_Will-Force
34.03_-_Hymn_To_Dawn
3.4.1_-_The_Subconscient_and_the_Integral_Yoga
3.4.2.04_-_Dance_and_Sadhana
35.01_-_Hymn_To_The_Sweet_Lord
35.02_-_Hymn_to_Hara-Gauri
3-5_Full_Circle
3.6.01_-_Heraclitus
36.07_-_An_Introduction_To_The_Vedas
36.08_-_A_Commentary_on_the_First_Six_Suktas_of_Rigveda
37.01_-_Yama_-_Nachiketa_(Katha_Upanishad)
37.03_-_Satyakama_And_Upakoshala
3.7.1.04_-_Rebirth_and_Soul_Evolution
3.7.1.07_-_Involution_and_Evolution
3.7.1.08_-_Karma
3.7.1.09_-_Karma_and_Freedom
3.7.1.12_-_Karma_and_Justice
3.7.2.01_-_The_Foundation
3.7.2.03_-_Mind_Nature_and_Law_of_Karma
3.7.2.05_-_Appendix_I_-_The_Tangle_of_Karma
38.04_-_Great_Time
38.06_-_Ravana_Vanquished
38.07_-_A_Poem
3.8.1.03_-_Meditation
3_-_Commentaries_and_Annotated_Translations
40.01_-_November_24,_1926
4.01_-_Circumstances
4.01_-_Introduction
4.01_-_THE_COLLECTIVE_ISSUE
4.01_-_The_Presence_of_God_in_the_World
4.01_-_The_Principle_of_the_Integral_Yoga
4.02_-_BEYOND_THE_COLLECTIVE_-_THE_HYPER-PERSONAL
4.02_-_GOLD_AND_SPIRIT
4.02_-_Humanity_in_Progress
4.02_-_THE_CRY_OF_DISTRESS
4.03_-_The_Psychology_of_Self-Perfection
4.03_-_The_Special_Phenomenology_of_the_Child_Archetype
4.04_-_Conclusion
4.04_-_In_the_Total_Christ
4.04_-_Some_Vital_Functions
4.04_-_THE_REGENERATION_OF_THE_KING
4.04_-_Weaknesses
4.07_-_THE_RELATION_OF_THE_KING-SYMBOL_TO_CONSCIOUSNESS
4.08_-_THE_RELIGIOUS_PROBLEM_OF_THE_KINGS_RENEWAL
4.09_-_The_Liberation_of_the_Nature
4.09_-_THE_SHADOW
4.0_-_The_Path_of_Knowledge
4.10_-_AT_NOON
4.10_-_The_Elements_of_Perfection
4.1.1.05_-_The_Central_Process_of_the_Yoga
4.1.1_-_The_Difficulties_of_Yoga
4.11_-_The_Perfection_of_Equality
4.11_-_THE_WELCOME
4.12_-_The_Way_of_Equality
4.1.3_-_Imperfections_and_Periods_of_Arrest
4.13_-_ON_THE_HIGHER_MAN
4.14_-_The_Power_of_the_Instruments
4.16_-_AMONG_DAUGHTERS_OF_THE_WILDERNESS
4.16_-_The_Divine_Shakti
4.18_-_Faith_and_shakti
4.18_-_THE_ASS_FESTIVAL
4.19_-_THE_DRUNKEN_SONG
4.19_-_The_Nature_of_the_supermind
4.2.01_-_The_Mother_of_Dreams
4.2.02_-_An_Image
4.2.04_-_Epiphany
4.20_-_The_Intuitive_Mind
4.2.1.02_-_The_Role_of_the_Psychic_in_Sadhana
4.2.1_-_The_Right_Attitude_towards_Difficulties
4.2.2_-_Steps_towards_Overcoming_Difficulties
4.22_-_The_supramental_Thought_and_Knowledge
4.23_-_The_supramental_Instruments_--_Thought-process
4.24_-_The_supramental_Sense
4.25_-_Towards_the_supramental_Time_Vision
4.3.4_-_Accidents,_Possession,_Madness
4.4.3.03_-_Preparatory_Experiences_and_Descent
4.4.4.05_-_The_Descent_of_Force_or_Power
5.01_-_Message
5.02_-_Two_Parallel_Movements
5.04_-_THE_POLARITY_OF_ADAM
5.05_-_THE_OLD_ADAM
5.05_-_The_War
5.07_-_Beginnings_Of_Civilization
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.8_-_The_Book_of_the_Gods
5.1.02_-_Ahana
5.1.02_-_The_Gods
5.2.01_-_The_Descent_of_Ahana
5.2.03_-_The_An_Family
5.4.01_-_Notes_on_Root-Sounds
5.4.01_-_Occult_Knowledge
5_-_The_Phenomenology_of_the_Spirit_in_Fairytales
6.06_-_SELF-KNOWLEDGE
6.07_-_THE_MONOCOLUS
6.08_-_THE_CONTENT_AND_MEANING_OF_THE_FIRST_TWO_STAGES
6.0_-_Conscious,_Unconscious,_and_Individuation
7.01_-_The_Soul_(the_Psychic)
7.02_-_The_Mind
7.03_-_The_Heart
7.06_-_The_Simple_Life
7.08_-_Sincerity
7.16_-_Sympathy
7.2.03_-_The_Other_Earths
7.4.03_-_The_Cosmic_Dance
7.5.30_-_The_Godhead
7.5.33_-_Shiva
7.6.02_-_The_World_Game
Aeneid
Apology
Appendix_4_-_Priest_Spells
Blazing_P1_-_Preconventional_consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
Book_1_-_The_Council_of_the_Gods
BOOK_I._-_Augustine_censures_the_pagans,_who_attri_buted_the_calamities_of_the_world,_and_especially_the_sack_of_Rome_by_the_Goths,_to_the_Christian_religion_and_its_prohibition_of_the_worship_of_the_gods
BOOK_II._-_A_review_of_the_calamities_suffered_by_the_Romans_before_the_time_of_Christ,_showing_that_their_gods_had_plunged_them_into_corruption_and_vice
BOOK_III._-_The_external_calamities_of_Rome
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
Book_of_Exodus
Book_of_Imaginary_Beings_(text)
Book_of_Proverbs
BOOK_VII._-_Of_the_select_gods_of_the_civil_theology,_and_that_eternal_life_is_not_obtained_by_worshipping_them
BOOK_V._-_Of_fate,_freewill,_and_God's_prescience,_and_of_the_source_of_the_virtues_of_the_ancient_Romans
BOOK_XI._-_Augustine_passes_to_the_second_part_of_the_work,_in_which_the_origin,_progress,_and_destinies_of_the_earthly_and_heavenly_cities_are_discussed.Speculations_regarding_the_creation_of_the_world
BOOK_XIII._-_That_death_is_penal,_and_had_its_origin_in_Adam's_sin
BOOK_XII._-_Of_the_creation_of_angels_and_men,_and_of_the_origin_of_evil
BOOK_XIV._-_Of_the_punishment_and_results_of_mans_first_sin,_and_of_the_propagation_of_man_without_lust
BOOK_XIX._-_A_review_of_the_philosophical_opinions_regarding_the_Supreme_Good,_and_a_comparison_of_these_opinions_with_the_Christian_belief_regarding_happiness
BOOK_X._-_Porphyrys_doctrine_of_redemption
BOOK_XVIII._-_A_parallel_history_of_the_earthly_and_heavenly_cities_from_the_time_of_Abraham_to_the_end_of_the_world
BOOK_XVII._-_The_history_of_the_city_of_God_from_the_times_of_the_prophets_to_Christ
BOOK_XVI._-_The_history_of_the_city_of_God_from_Noah_to_the_time_of_the_kings_of_Israel
BOOK_XV._-_The_progress_of_the_earthly_and_heavenly_cities_traced_by_the_sacred_history
BOOK_XXII._-_Of_the_eternal_happiness_of_the_saints,_the_resurrection_of_the_body,_and_the_miracles_of_the_early_Church
BOOK_XXI._-_Of_the_eternal_punishment_of_the_wicked_in_hell,_and_of_the_various_objections_urged_against_it
BOOK_XX._-_Of_the_last_judgment,_and_the_declarations_regarding_it_in_the_Old_and_New_Testaments
BS_1_-_Introduction_to_the_Idea_of_God
CHAPTER_32_-_Expounds_these_words_of_the_Paternoster__"Fiat_voluntas_tua_sicut
Conversations_with_Sri_Aurobindo
COSA_-_BOOK_I
COSA_-_BOOK_II
COSA_-_BOOK_IV
COSA_-_BOOK_V
COSA_-_BOOK_VI
COSA_-_BOOK_XI
COSA_-_BOOK_XII
COSA_-_BOOK_XIII
Cratylus
DS3
DS4
ENNEAD_01.07_-_Of_the_First_Good,_and_of_the_Other_Goods.
ENNEAD_02.01_-_Of_the_Heaven.
ENNEAD_02.03_-_Whether_Astrology_is_of_any_Value.
ENNEAD_02.09_-_Against_the_Gnostics;_or,_That_the_Creator_and_the_World_are_Not_Evil.
ENNEAD_03.02_-_Of_Providence.
ENNEAD_03.04_-_Of_Our_Individual_Guardian.
ENNEAD_03.05_-_Of_Love,_or_Eros.
ENNEAD_03.06_-_Of_the_Impassibility_of_Incorporeal_Entities_(Soul_and_and_Matter).
ENNEAD_03.07_-_Of_Time_and_Eternity.
ENNEAD_04.02_-_How_the_Soul_Mediates_Between_Indivisible_and_Divisible_Essence.
ENNEAD_04.03_-_Psychological_Questions.
ENNEAD_04.04_-_Questions_About_the_Soul.
ENNEAD_05.02_-_Of_Generation,_and_of_the_Order_of_things_that_Rank_Next_After_the_First.
ENNEAD_06.01_-_Of_the_Ten_Aristotelian_and_Four_Stoic_Categories.
ENNEAD_06.03_-_Plotinos_Own_Sense-Categories.
ENNEAD_06.05_-_The_One_and_Identical_Being_is_Everywhere_Present_In_Its_Entirety.345
ENNEAD_06.07_-_How_Ideas_Multiplied,_and_the_Good.
ENNEAD_06.09_-_Of_the_Good_and_the_One.
Euthyphro
Gorgias
Guru_Granth_Sahib_first_part
Ion
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
LUX.03_-_INVOCATION
Medea_-_A_Vergillian_Cento
Meno
Phaedo
r1912_07_15
r1912_11_17
r1912_12_05
r1912_12_09
r1913_01_01
r1913_01_17
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r1913_01_24
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r1913_01_31
r1913_02_02
r1913_02_03
r1913_05_21
r1913_06_16
r1913_06_16b
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r1913_06_27
r1913_07_11
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Sayings_of_Sri_Ramakrishna_(text)
SB_1.1_-_Questions_by_the_Sages
Sophist
Symposium
Talks_001-025
Talks_026-050
Talks_051-075
Talks_125-150
Talks_151-175
Talks_225-239
Talks_500-550
Talks_600-652
Talks_With_Sri_Aurobindo_1
Talks_With_Sri_Aurobindo_2
The_Act_of_Creation_text
Theaetetus
The_Anapanasati_Sutta__A_Practical_Guide_to_Mindfullness_of_Breathing_and_Tranquil_Wisdom_Meditation
The_Coming_Race_Contents
The_Dwellings_of_the_Philosophers
the_Eternal_Wisdom
The_Golden_Sentences_of_Democrates
The_Gospel_According_to_Luke
The_Gospel_According_to_Mark
The_Gospel_According_to_Matthew
The_Gospel_of_Thomas
The_Last_Question
The_Logomachy_of_Zos
The_One_Who_Walks_Away
The_Pilgrims_Progress
The_Poems_of_Cold_Mountain
The_Riddle_of_this_World
The_Shadow_Out_Of_Time
The_Way_of_Perfection
Thus_Spoke_Zarathustra_text
Timaeus
Verses_of_Vemana

PRIMARY CLASS

subject
SIMILAR TITLES
Ascendance of a Bookworm
Dance

DEFINITIONS

Dance: The art of following musical rhythm with the movement of the human body. It is considered the most elementary art because the product is not detached from the body of the artist. -- L.V.

danced ::: imp. & p. p. --> of Dance

dance-fantasia

danceress ::: n. --> A female dancer.

dancer ::: n. --> One who dances or who practices dancing.

dancette ::: a. --> Deeply indented; having large teeth; thus, a fess dancette has only three teeth in the whole width of the escutcheon.

dance ::: v. i. --> To move with measured steps, or to a musical accompaniment; to go through, either alone or in company with others, with a regulated succession of movements, (commonly) to the sound of music; to trip or leap rhythmically.
To move nimbly or merrily; to express pleasure by motion; to caper; to frisk; to skip about.
The leaping, tripping, or measured stepping of one who dances; an amusement, in which the movements of the persons are




QUOTES [126 / 126 - 500 / 15721]


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   61 Sri Aurobindo
   11 The Mother
   4 Friedrich Nietzsche
   3 Aleister Crowley
   2 Sri Ramana Maharshi
   2 Robert Anton Wilson
   2 Jalaluddin Rumi
   2 Anthony Robbins
   1 सर्वदास
   1 Wikipedia
   1 Voltaire
   1 Vikings
   1 Tom Butler-Bowdon
   1 The Wrathful Compassion of Guru Dorje Drollo
   1 Saul Williams
   1 Santoka Taneda
   1 Saint John Climacus
   1 Phil Hine
   1 Oriah Mountain Dreamer
   1 Nikola Tesla
   1 Neil Gaiman
   1 Meister Eckhart
   1 Manly P. Hall
   1 Maimonides
   1 Lewis Carroll
   1 Khalil Gibran
   1 Ken Wilber
   1 Joseph Campbell
   1 Japanese Proverb
   1 James S A Corey
   1 Israel Regardie
   1 Irvin D Yalom
   1 H P Lovecraft
   1 Heraclitus
   1 Haruki Murakami
   1 Gary Zukav
   1 Friedrich Schiller
   1 Franklin D Roosevelt
   1 Francis H Cook
   1 Dion Fortune
   1 Bram Stoker
   1 Arundhati Roy
   1 Arthur C Clarke
   1 Alice Duer Miller
   1 Alfred Korzybski
   1 Albert Einstein
   1 ?

NEW FULL DB (2.4M)

   11 Rumi
   9 Martha Graham
   5 Kurt Vonnegut
   4 Mikhail Baryshnikov
   4 Marcus Tullius Cicero
   4 George Balanchine
   4 Eckhart Tolle
   3 Yoko Ono
   3 Wayne Dyer
   3 Stephen Richards
   3 Samuel Beckett
   3 Plato
   3 Mason Cooley
   3 Mark Twain
   3 Judith Jamison
   3 Isadora Duncan
   3 Friedrich Nietzsche
   3 Anonymous
   3 Alexander Pope
   3 Aeschylus

1:Abidance in God is the only true posture. ~ Sri Ramana Maharshi, Talk, 234,
2:Dance represents the triumph of the spirit over the flesh. ~ Aleister Crowley, [T7],
3:We're fools whether we dance or not, so we might as well dance.
   ~ Japanese Proverb,
4:Milky Way :::

the milky way
at midnight
a drunkard dances ~ Santoka Taneda,
5:We should consider every day lost on which we have not danced at least once. ~ Friedrich Nietzsche,
6:Let us read, and let us dance; these two amusements will never do any harm to the world.
   ~ Voltaire,
7:Abundance of knowledge does not teach men to be wise. ~ Heraclitus,
8:In accordance with the divine wisdom, genesis can only take place through destruction. ~ Maimonides,
9:Magick is the art of causing changes in consciousness to occur in accordance with the will.
   ~ Dion Fortune,
10:Now I am light, now I fly, now I see myself beneath me, now a god dances through me. ~ Friedrich Nietzsche, ‘On Reading & Writing’,
11:The Divine Grace comes in to help and save. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
12:If you knew what the Gods have in store for you, you would run naked and dance on the beach.
   ~ Vikings, The Seer to Rollo, Vikings,
13:One has not only to be sincere but to be faithful through all. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
14:As with the figure of a symbol dance
The screened Omniscient plays at Ignorance. ~ Sri Aurobindo, Collected Poems, The Dual Being,
15:The blue sea dances like a girl
With sapphire and with pearl
Crowning her locks. ~ Sri Aurobindo, Collected Poems, Songs to Myrtilla,
16:At present I am light, now I fly, now I see myself below me, now a god dances through me. ~ Friedrich Nietzsche, Thus Spoke Zarathustra, trans. Kaufmann,
17:He who would learn to fly one day must first learn to stand and walk and run and climb and dance; one cannot fly into flying.
   ~ Friedrich Nietzsche, [T7],
18:Like the thought-screened infinities that lie
Behind the rapt smile of the Almighty’s dance. ~ Sri Aurobindo, Savitri, The Destined Meeting-place,
19:When my Lord is not playing His flute, He dances. And all that He does He does so beautifully. But in subduing evil, my Lord is at His most beautiful.
   ~ सर्वदास,
20:The world-interpreting movements of the dance
Moulded idea and mood to a rhythmic sway
And posture. ~ Sri Aurobindo, Savitri, The Growth of the Flame,
21:It can come early or it can come late, but come it will if one is faithful in one’s call. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
22:The dance of Brindaban is not complete without the death-dance of Kurukshetra; ~ Sri Aurobindo, Essays in Philosophy and Yoga, The Greatness of the Individual,
23:World-existence is the ecstatic dance of Shiva which multiplies the body of the God numberlessly to the view: it leaves that white existence precisely where and what it was, ever is and ever will be; its sole absolute object is the joy of the dancing. ~ Sri Aurobindo, The Life Divine, The Pure Existent
24:I would hate to be taken seriously. Serious people are always so grim and uptight that they make me want to dance naked on the lawn playing a flute. ~ Robert Anton Wilson,
25:The Energy acts, the stable is its seal:
On Shiva’s breast is stayed the enormous dance. ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Little Mind,
26:The Divine knows best and one has to have trust in His wisdom and attune oneself with His will. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
27:He props her dance upon a rigid base,
His timeless still immutability
Must standardise her creation’s miracle. ~ Sri Aurobindo, Savitri, The Glory and Fall of Life,
28:Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
   ~ Jalaluddin Rumi,
29:The Divine's will is that we should be like channels always open, always more wide, so that His forces may pour their abundance into the mould.
   ~ The Mother, Words Of The Mother II,
30:Happy, inert, he lies beneath her feet:
His breast he offers for her cosmic dance
Of which our lives are the quivering theatre, ~ Sri Aurobindo, Savitri, The Secret Knowledge,
31:The philosopher's soul dwells in his head, the poet's soul is in his heart; the singer's soul lingers about his throat, but the soul of the dancer abides in all her body.
   ~ Khalil Gibran,
32:In your light I learn how to love. In your beauty, how to make poems. You dance inside my chest where no-one sees you, but sometimes I do, and that sight becomes this art. ~ Jalaluddin Rumi,
33:An ocean of electric Energy
Formlessly formed its strange wave-particles
Constructing by their dance this solid scheme, ~ Sri Aurobindo, Savitri, The Godheads of the Little Life,
34:Its aspect of a fixed stability
Is the cover of a captive motion’s swirl,
An order of the steps of Energy’s dance ~ Sri Aurobindo, Savitri, The Gospel of Death and Vanity of the Ideal,
35:Without the Grace of the Divine nothing can be done, but for the full Grace to manifest the sadhak must make himself ready. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
36:These static objects in the cosmic dance
That are but Energy’s self-repeating whorls
Prolonged by the spirit of the brooding Void, ~ Sri Aurobindo, Savitri, The Godheads of the Little Life,
37:Through a glamour of shifting hues of air
The seasons drew in linked significant dance
The symbol pageant of the changing year. ~ Sri Aurobindo, Savitri, The Birth and Childhood of the Flame,
38:My mind is awake in stirless trance,
Hushed my heart, a burden of delight;
Dispelled is the senses’ flicker-dance,
Mute the body aureate with light. ~ Sri Aurobindo, Collected Poems, Trance,
39:Creation and destruction waltzed inarmed
On the bosom of a torn and quaking earth;
All reeled into a world of Kali’s dance. ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Little Mind,
40:Strange and terrible books were drawn voluminously from the stack shelves and from secure places of storage; and diagrams and formulae were copied with feverish haste and in bewildering abundance. ~ H P Lovecraft,
41:Indifference, pain and joy, a triple disguise,
Attire of the rapturous Dancer in the ways,
Withhold from thee the body of God’s bliss. ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
42:Our souls, upon the wheel of God
For ever turning, they arrive and go,
Married and sundered in the magic round
Of the great Dancer of the boundless dance. ~ Sri Aurobindo, Savitri, The Word of Fate,
43:The only way for us to have long-term happiness is to live by our highest ideals, to consistently act in acccordance with what we believe our life is truly about. ~ Anthony Robbins, Awaken the Giant Within, p. 345,
44:Length of time is no proof of an ultimate incapacity to arrive—it is only a sign that there is something in oneself which has to be overcome. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
45:Grace may sometimes bring undeserved or apparently undeserved fruits, but one can’t demand Grace as a right and privilege—for then it would not be Grace. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
46:Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning. ~ Arundhati Roy,
47:An overmastering impulse is not necessarily an inspiration of true guidance; in following always such impulses one is more likely to become a creature of random caprices. ~ Sri Aurobindo, Letters on Yoga - IV, The Nature of the Vital,
48:Now from his cycle sleepless and vast round the dance of the earth-globe
Gold Hyperion rose in the wake of the dawn like the eyeball
Flaming of God revealed by his uplifted luminous eyelid. ~ Sri Aurobindo, Collected Poems, Ilion,
49:The Master who bends o’er His creatures,
Suffers their sins and their errors and guides them screening the guidance;
Each through his nature He leads and the world by the lure of His wisdom. ~ Sri Aurobindo, Collected Poems, Ilion,
50:Faith, more faith! Faith in your possibilities, faith in the Power that is at work behind the veil, faith in the work that is to be done and the offered guidance. ~ Sri Aurobindo, Letters on Yoga - IV, Steps towards Overcoming Difficulties,
51:The minority who actually loves its work seems to be made up chiefly of the writers, dancers, actors and other artists, most scientists above the technician-troll level, computer freaks, and the righteous dope-dealers of California. ~ Robert Anton Wilson,
52:With each person the guidance works differently according to his nature, the conditions of his life, his cast of consciousness, his stage of development, his need of farther experience. ~ Sri Aurobindo, Letters on Yoga - II, The Divine Grace and Guidance,
53:Happy, inert, he lies beneath her feet:
   His breast he offers for her cosmic dance
   Of which our lives are the quivering theatre,
   And none could bear but for his strength within,
   Yet none would leave because of his delight.
   ~ Sri Aurobindo, Savitri, The Secret Knowledge,
54:The Wu Li Masters know that science and religion are only dances, and that those who follow them are only dancers. The dancers may claim to follow 'truth' or claim to seek 'reality' but the Wu Li Masters know better. They know that the true love of all dancers is dancing. ~ Gary Zukav,
55:A giant dance of Shiva tore the past;
There was a thunder as of worlds that fall;
Earth was o’errun with fire and the roar of Death
Clamouring to slay a world his hunger had made;
There was a clangour of Destruction’s wings: ~ Sri Aurobindo, Savitri, The Vision and the Boon,
56:His flute with its sweetness ensnaring
Sounds in our ears in the night and our souls of their teguments baring
Hales us out naked and absolute, out to his woodlands eternal,
Out to his moonlit dances, his dalliance sweet and supernal,
And we go st ~ Sri Aurobindo, Collected Poems, Ahana,
57:In earth’s rhythm of shadow and sunlight
Storm is the dance of the locks of the God assenting to greatness,
Zeus who with secret compulsion orders the ways of our nature;
Veiled in events he lives and working disguised in the mortal
Builds our str ~ Sri Aurobindo, Collected Poems, Ilion,
58:Everything is determined, the beginning as well as the end, by forces over which we have no control. It is determined for the insect, as well as for the star. Human beings, vegetables, or cosmic dust, we all dance to a mysterious tune, intoned in the distance by an invisible piper. ~ Albert Einstein, The Ultimate Quotable Einstein,
59:Imposing schemes of knowledge on the Vast
They clamped to syllogisms of finite thought
The free logic of an infinite Consciousness,
Grammared the hidden rhythms of Nature’s dance,
Critiqued the plot of the drama of the worlds,
Made figure and nu ~ Sri Aurobindo, Savitri, The Kingdoms and Godheads of the Greater Mind,
60:Divine Mother, I have had a feeling of wanting to move into a separate house lately. I do not know whether I am right in this. May I have your divine guidance in this?

   Exterior things must be of little importance when one does 'sadhana'. The needed inner peace can be established in any surroundings. With love and blessings.
   ~ The Mother, Words Of The Mother II,
61:Kata is a term used by some programmers in the Software Craftsmanship[9] movement. Computer programmers who call themselves Software Craftsmen[10] will write Kata[11]
   - small snippets of code that they write in one sitting, sometimes repeatedly,[12] often daily, in order to build muscle memory and practise their craft, much like a soldier, a musician, a doctor or a dancer.[13] ~ ?,
62:I know how Gods begin, Roger. We start as Dreams. Then we walk out of Dreams into the Land. We are worshiped and loved, and take power to ourselves.
And then, one day, there's no one left to worship us.
And in the end, each little God and Goddess takes its last journey back into Dreams... and what comes after, not even WE know.
I'm going to dance now, I'm afraid.
   ~ Neil Gaiman,
63:Perhaps the world is an error of our sight,
A trick repeated in each flash of sense,
An unreal mind hallucinates the soul
With a stress-vision of false reality,
Or a dance of Maya veils the void Unborn. ~ Sri Aurobindo, Savitri, The Triple Soul-Forces
Illusion (World)
A great Illusion then has built the stars. ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
64:An ocean of electric Energy
Formlessly formed its strange wave-particles
Constructing by their dance this solid scheme, ~ Sri Aurobindo, Savitri, The Godheads of the Little Life
Wave-particles
The dictum that each has his own way is not true; each has his own way of following the common way and the \“own way\” may often be very defective. ~ Sri Aurobindo, Letters on Yoga - IV, Mental Development and Sadhana,
65:In this nation I see tens of millions of its citizens, a substantial part of its whole population, who at this very moment are denied the greater part of what the very lowest standards of today call the necessities of life. I see one third of a nation ill-housed, ill-clad, ill-nourished. The test of our progress is not whether we add more to the abundance of those who have much, it is whether we provide enough for those who have too little. ~ Franklin D Roosevelt,
66:One who came love and lover and beloved
Eternal, built himself a wonderous field
   And wore the measures of a marvellous dance.
   There in its circles and its magic turns
   Attracted he arrives, repelled he flees.
   In the wild devious promptings of his mind ...
   Repenting, and has laughter and wrath,
   And both are a broken music of the soul
   Which seeks out reconciled its heavenly rhyme.
   ~ Sri Aurobindo, Savitri, The Gospel of Death and Vanity of the Ideal,
67:This encounter, the very heart of psychotherapy, is a caring, deeply human meeting between two people, one (generally, but not always, the patient) more troubled than the other. Therapists have a dual role: they must both observe and participate in the lives of their patients. As observer, one must be sufficiently objective to provide necessary rudimentary guidance to the patient. As participant, one enters into the life of the patient and is affected and sometimes changed by the encounter. ~ Irvin D Yalom,
68:Talk 10.

A visitor asked how to realise oneself in accordance with Maharshi's instructions, contained in his text of Truth Revealed, verse 9, supplement. The difficulty was in controlling the mind.

M.: It is to be done by controlling the breath. If you practise it by yourself without other help, then the mind is controlled. Otherwise the mind comes under control spontaneously in the presence of a superior power. Such is the greatness of association with the wise (satsanga). ~ Sri Ramana Maharshi, Talks with Sri Ramana Maharshi, Sri Ramanasramam,
69:As in a mystic and dynamic dance
   A priestess of immaculate ecstasies
   Inspired and ruled from Truth's revealing vault
   Moves in some prophet cavern of the gods
   A heart of silence in the hands of joy
   Inhabited with rich creative beats
   A body like a parable of dawn
   That seemed a niche for veiled divinity
   Or golden temple-door to things beyond.
   Immortal rhythms swayed in her time-born steps;
   Her look, her smile awoke celestial sense
   Even in earth-stuff, and their intense delight
   Poured a supernal beauty on men's lives.
   ~ Sri Aurobindo, Savitri, The Issue,
70:High priests of wisdom, sweetness, might and bliss,
Discoverers of beauty's sunlit ways
And swimmers of Love's laughing fiery floods
And dancers within rapture's golden doors,
Their tread one day shall change the suffering earth
And justify the light on Nature's face.
Although Fate lingers in the high Beyond
And the work seems vain on which our heart's force was spent,
All shall be done for which our pain was borne.
Even as of old man came behind the beast
This high divine successor surely shall come
~ Sri Aurobindo, Savitri, The Vision and the Boon,
71:Invocation
NIGHT after night within the grove
The night wind spares the sacred fire -­
The breath made visible of love,
Of worship and desire.
I set the tripod at thy shrine;
The silver bowl, the amber flame,
And in the dark where no stars shine
I speak thy name.
By the high name I call on thee
Which only I, thy priestess, know.
I tread thy dance in ecstasy,
Sweet steps and slow.
O God, the hour has come. Appear!
I have performed the appointed rite -­
The dance, the fire; I long to hear
Wings in the night.
~ Alice Duer Miller,
72:There are not many, those who have no secret garden of the mind. For this garden alone can give refreshment when life is barren of peace or sustenance or satisfactory answer. Such sanctuaries may be reached by a certain philosophy or faith, by the guidance of a beloved author or an understanding friend, by way of the temples of music and art, or by groping after truth through the vast kingdoms of knowledge. They encompass almost always truth and beauty, and are radiant with the light that never was on sea or land. - Clare Cameron, Green Fields of England ~ Israel Regardie, A Garden Of Pomegranates,
73:We ought not to have or let ourselves be satisfied with any thought of God. When the thought goes, our God goes with it. No, what we want is a real (subsistent) God who far transcends the thoughts of men and creatures. This God does not disappear unless we turn our back on him of our own accord. He who has God thus, in reality, has gotten God divinely; to him God is apparent in all things. Everything smacks to him of God; everywhere God's image stares him in the face. God is gleaming in him all the time. In him there is riddance and return; the vision of his God is ever present to his mind. ~ Meister Eckhart,
74:It is a strange world, a sad world, a world full of miseries, and woes, and troubles. And yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall, all dance together to the music that he make with that smileless mouth of him. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come, and like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again, and we bear to go on with our labor, what it may be.
   ~ Bram Stoker,
75:But while it is difficult for man to believe in something unseen within himself, it is easy for him to believe in something which he can image as extraneous to himself. The spiritual progress of most human beings demands an extraneous support, an object of faith outside us. It needs an external image of God; or it needs a human representative, - Incarnation, Prophet or Guru; or it demands both and receives them. For according to the need of the human soul the Divine manifests himself as deity, as human divine or in simple humanity - using that thick disguise, which so successfully conceals the Godhead, for a means of transmission of his guidance. ~ Sri Aurobindo, The Synthesis Of Yoga,
76:The ego cannot see where it is being led; it revolts against the leading, loses confidence, loses courage. These failings would not matter; for the divine Guide within is not offended by our revolt, not discouraged by our want of faith or repelled by our weakness; he has the entire love of the mother and the entire patience of the teacheR But by withdrawing our assent from the guidance we lose the consciousness, though not all the actuality-not, in any case, the eventuality -of its benefit. And we withdraw our assent because we fail to distinguish our higher Self from the lower through which he is preparing his self-revelation.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Four Aids, 64,
77:If a division of works has to be made, it is between those that are nearest to the heart of the sacred flame and those that are least touched or illumined by it because they are more at a distance, or between the fuel that burns strongly or brightly and the logs that if too thickly heaped on the altar may impede the ardour of the fire by their damp, heavy and diffused abundance. But otherwise, apart from this division, all activities of knowledge that seek after or express Truth are in themselves rightful materials for a complete offering ; none ought necessarily to be excluded from the wide framework of the divine life. ~ Sri Aurobindo, The Synthesis Of Yoga, The Ascent of the Sacrifice - 1, 141,
78:The oil consecrates everything that is touched with it; it is his aspiration; all acts performed in accordance with that are holy. The scourge tortures him; the dagger wounds him; the chain binds him. It is by virtue of these three that his aspiration remains pure, and is able to consecrate all other things. He wears a crown to affirm his lordship, his divinity; a robe to symbolize silence, and a lamen to declare his work. The book of spells or conjurations is his magical record, his Karma. In the East is the Magick Fire, in which all burns up at last. We will now consider each of these matters in detail.
   ~ Aleister Crowley, Liber ABA, Book 4, Magick, Part II - Magick (elemental theory), Preliminary Marks,
79:The contribution of the psychic being to the sadhana is: (1) love and bhakti, a love not vital, demanding and egoistic but unconditioned and without claims, self-existent; (2) the contact or the presence of the Mother within; (3) the unerring guidance from within; (4) a quieting and purification of the mind, vital and physical consciousness by their subjection to the psychic influence and guidance; (5) the opening up of all this lower consciousness to the higher spiritual consciousness above for its descent into a nature prepared to receive it with a complete receptivity and right attitude - for the psychic brings in everything, right thought, right perception, right feeling, right attitude. ~ Sri Aurobindo, Letters On Yoga - III,
80:Ask the Divine :::
If, for example, one wants to know something or one needs guidance, or something else, how can one have it from the Divine, according to one's need?
By asking the Divine for it. If you do not ask Him, how can you have it?
   If you turn to the Divine and have full trust and ask Him, you will get what you need - not necessarily what you imagine you need; but the true thing you need, you will get. But you must ask Him for it. You must make the experiment sincerely; you must not endeavour to get it by all sorts of external means and then expect the Divine to give it to you, without even having asked Him. Indeed, when you want somebody to give you something, you ask him for it, don't you? And why do you expect the Divine to give it to you without your having asked Him for it? ~ The Mother, [T5],
81:Far away in the heavenly abode of the great god Indra, there is a wonderful net which has been hung by some cunning artificer in such a manner that it stretches out infinitely in all directions. In accordance with the extravagant tastes of deities, the artificer has hung a single glittering jewel in each eye of the net, and since the net itself is infinite in dimension, the jewels are infinite in number. There hang the jewels, glittering like stars in the first magnitude, a wonderful sight to behold. If we now arbitrarily select one of these jewels for inspection and look closely at it, we will discover that in its polished surface there are reflected all the other jewels in the net, infinite in number. Not only that, but each of the jewels reflected in this one jewel is also reflecting all the other jewels, so that there is an infinite reflecting process occurring.
   ~ Francis H Cook,
82:The usual sadhanas have for aim the union with the Supreme Consciousness (Sat-chit-ananda). And those who reach there are satisfied with their own liberation and leave the world to its unhappy plight. On the contrary, Sri Aurobindo's sadhana starts where the others end. Once the union with the Supreme is realised one must bring down that realisation to the exterior world and change the conditions of life upon the earth until a total transformation is accomplished. In accordance with this aim, the sadhaks of the integral yoga do not retire from the world to lead a life of contemplation and meditation. Each one must devote at least one third of his time to a useful work. All activities are represented in the Ashram and each one chooses the work most congenial to his nature, but must do it in a spirit of service and unselfishness, keeping always in view the aim of integral transformation. ~ The Mother, Words Of The Mother I,
83:In the terrestrial formulation of Knowledge and Power, this correlation is not altogether apparent because there consciousness itself is concealed in an original Inconscience and the natural strength and rhythm of its powers in their emergence are diminished and disturbed by the discordances and the veils of the Ignorance. The Inconscient there is the original, potent and automatically effective Force, the conscious mind is only a small labouring agent; but that is because the conscious mind in us has a limited individual action and the Inconscient is an immense action of a universal concealed Consciousness: the cosmic Force, masked as a material Energy, hides from our view by its insistent materiality of process the occult fact that the working of the Inconscient is really the expression of a vast universal Life, a veiled universal Mind, a hooded Gnosis, and without these origins of itself it could have no power of action, no organising coherence. ~ Sri Aurobindo, The Life Divine, 2.28 - The Divine Life,
84:Nature may reach the same result in many ways. Like a wave in the physical world, in the infinite ocean of the medium which pervades all, so in the world of organisms, in life, an impulse started proceeds onward, at times, may be, with the speed of light, at times, again, so slowly that for ages and ages it seems to stay, passing through processes of a complexity inconceivable to men, but in all its forms, in all its stages, its energy ever and ever integrally present.
   A single ray of light from a distant star falling upon the eye of a tyrant in bygone times may have altered the course of his life, may have changed the destiny of nations, may have transformed the surface of the globe, so intricate, so inconceivably complex are the processes in Nature. In no way can we get such an overwhelming idea of the grandeur of Nature than when we consider, that in accordance with the law of the conservation of energy, throughout the Infinite, the forces are in a perfect balance, and hence the energy of a single thought may determine the motion of a universe. ~ Nikola Tesla,
85:But a time will come when you will feel more and more that you are the instrument and not the worker. For first by the force of your devotion your contact with the Divine Mother will become so intimate that at all times you will have only to concentrate and to put everything into her hands to have her present guidance, her direct command or impulse, the sure indication of the thing to be done and the way to do it and the result. And afterwards you will realise that the divine Shakti not only inspires and guides, but initiates and carries out your works; all your movements are originated by her, all your powers are hers, mind, life and body are conscious and joyful instruments of her action, means for her play, moulds for her manifestation in the physical universe. There can be no more happy condition than this union and dependence; for this step carries you back beyond the border-line from the life of stress and suffering in the ignorance into the truth of your spiritual being, into its deep peace and its intense Ananda. ~ Sri Aurobindo, The Mother With Letters On The Mother, 12,
86:The tide of materialistic thoughts is always on the watch, waiting for the least weakness, and if we relax but one moment from our vigilance, if we are even slightly negligent, it rushes in and invades us from all sides, submerging under its heavy flood the result sometimes of numberless efforts. Then the being enters a sort of torpor, its physical needs of food and sleep increase, its intelligence is clouded, its inner vision veiled, and in spite of the little interest it really finds in such superficial activities, they occupy it almost exclusively. This state is extremely painful and tiring, for nothing is more tiring then materialistic thoughts, and the mind, worn out, suffers like a caged bird which cannot spread its wings and yet longs to be able to soar freely.
   But perhaps this state has its own use which I do not see.... In any case, I do not struggle; and like a child in its mother's arms, like a fervent disciple at the feet of his master, I trust myself to Thee and surrender to Thy guidance, sure of Thy victory.
   ~ The Mother, Prayers And Meditations, January 4th, 1914,
87:16. Master of Two Worlds:Freedom to pass back and forth across the world division, from the perspective of the apparitions of time to that of the causal deep and back-not contaminating the principles of the one with those of the other, yet permitting the mind to know the one by virtue of the other-is the talent of the master. The Cosmic Dancer, declares Nietzsche, does not rest heavily in a single spot, but gaily, lightly, turns and leaps from one position to another. It is possible to speak from only one point at a time, but that does not invalidate the insights of the rest. The individual, through prolonged psychological disciplines, gives up completely all attachment to his personal limitations, idiosyncrasies, hopes and fears, no longer resists the self-annihilation that is prerequisite to rebirth in the realization of truth, and so becomes ripe, at last, for the great at-one-ment. His personal ambitions being totally dissolved, he no longer tries to live but willingly relaxes to whatever may come to pass in him; he becomes, that is to say, an anonymity. ~ Joseph Campbell,
88:"Oi, Pampaw," Diogo said as the door to the public hall slid open. "You hear that Eros started talking?"
Miller lifted himself to one elbow.
"Sí," Diogo said. "Whatever that shit is, it started broadcasting. There's even words and shit. I've got a feed. You want a listen?"
No, Miller thought. No, I have seen those corridors. What's happened to those people almost happened to me. I don't want anything to do with that abomination.
"Sure," he said.
Diogo scooped up his own hand terminal and keyed in something. Miller's terminal chimed that it had received the new feed route. "Chica perdída in ops been mixing a bunch of it to bhangra," Diogo said, making a shifting dance move with his hips. "Hard-core, eh?"
Diogo and the other OPA irregulars had breached a high-value research station, faced down one of the most powerful and evil corporations in a history of power and evil. And now they were making music from the screams of the dying. Of the dead. They were dancing to it in the low-rent clubs. What it must be like, Miller thought, to be young and soulless. ~ James S A Corey, Leviathan Wakes,
89:The pure existent is then a fact and no mere concept; it is the fundamental reality. But, let us hasten to add, the movement, the energy, the becoming are also a fact, also a reality. The supreme intuition and its corresponding experience may correct the other, may go beyond, may suspend, but do not abolish it. We have therefore two fundamental facts of pure existence and of worldexistence, a fact of Being, a fact of Becoming. To deny one or the other is easy; to recognise the facts of consciousness and find out their relation is the true and fruitful wisdom.

Stability and movement, we must remember, are only our psychological representations of the Absolute, even as are oneness and multitude. The Absolute is beyond stability and movement as it is beyond unity and multiplicity. But it takes its eternal poise in the one and the stable and whirls round itself infinitely, inconceivably, securely in the moving and multitudinous. World-existence is the ecstatic dance of Shiva which multiplies the body of the God numberlessly to the view: it leaves that white existence precisely where and what it was, ever is and ever will be; its sole absolute object is the joy of the dancing. ~ Sri Aurobindo, The Life Divine, The Pure Existent, 85,
90:Raise Your Standards
Any time you sincerely want to make a change, the first thing you must do is to raise your standards. When people ask me what really changed my life eight years ago, I tell them that absolutely the most important thing was changing what I demanded of myself. I wrote down all the things I would no longer accept in my life, all the things I would no longer tolerate, and all the things that I aspired to becoming.
Think of the far-reaching consequences set in motion by men and women who raised their standards and acted in accordance with them, deciding they would tolerate no less. History chronicles the inspiring examples of people like Leonardo da Vinci, Abraham Lincoln, Helen Keller, Mahatma Gandhi, Martin Luther King, Jr., Rosa Parks, Albeit Einstein, Cesar Chavez, Soichiro Honda, and many others who took the magnificently powerful step of raising their standards. The same power that was available to them is available to you, if you have the courage to claim it. Changing an organization, acompany, a country-or a world-begins with the simple step of changing yourself.


STEP TWO

Change Your Limiting Beliefs ~ Anthony Robbins, How to take Immediate Control of Your Mental Emotional Physical and Financial Destiny,
91:Truly speaking, I have no opinion. According to a vision of truth, everything is still terribly mixed, a more or less favourable combination of light and darkness, truth and falsehood, knowledge and ignorance, and so long as decisions are made and action is undertaken according to opinions, it will always be like that.
   We want to give the example of an action that is undertaken in accordance with a vision of truth, but unfortunately we are still very far from realising this ideal, and even if the vision of truth expresses itself, it is immediately distorted in its implementation.
   So, in the present state of affairs, it is impossible to say, "This is true and that is false, this leads us away from the goal and that brings us nearer the goal."
   Everything can be used for the progress to be made; everything can be useful if we know how to use it.
   The important thing is never to lose sight of the ideal we want to realise and to make use of all circumstances in view of this goal.
   And finally, it is always better not to make an arbitrary decision for or against things, and to watch the unfolding of events with the impartiality of a witness, relying on the Divine Wisdom which will decide for the best and do what is necessary. 29 July 1961 ~ The Mother, Words Of The Mother I, [T8],
92:And now, out among the stars, evolution was driving toward new goals. The first explorers of Earth had long since come to the limits of flesh and blood; as soon as their machines were better than their bodies, it was time to move. First their brains, and then their thoughts alone, they transferred into shining new homes of metal and of plastic.

In these, they roamed among the stars. They no longer built spaceships. They were spaceships.

But the age of the Machine-entities swiftly passed. In their ceaseless experimenting, they had learned to store knowledge in the structure of space itself, and to preserve their thoughts for eternity in frozen lattices of light. They could become creatures of radiation, free at last from the tyranny of matter.

Into pure energy, therefore, they presently transformed themselves; and on a thousand worlds, the empty shells they had discarded twitched for a while in a mindless dance of death, then crumbled into rust.

Now they were lords of the galaxy, and beyond the reach of time. They could rove at will among the stars, and sink like a subtle mist through the very interstices of space. But despite their godlike powers, they had not wholly forgotten their origin, in the warm slime of a vanished sea.

And they still watched over the experiments their ancestors had started, so long ago.
   ~ Arthur C Clarke, 2001: A Space Odyssey,
93:Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

An you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really oveR But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.~ Haruki Murakami,
94:These are the conditions of our effort and they point to an ideal which can be expressed in these or in equivalent formulae. To live in God and not in the ego; to move, vastly founded, not in the little egoistic consciousness, but in the consciousness of the All-Soul and the Transcendent. To be perfectly equal in all happenings and to all beings, and to see and feel them as one with oneself and one with the Divine; to feel all in oneself and all in God; to feel God in all, oneself in all. To act in God and not in the ego. And here, first, not to choose action by reference to personal needs and standards, but in obedience to the dictates of the living highest Truth above us. Next, as soon as we are sufficiently founded in the spiritual consciousness, not to act any longer by our separate will or movement, but more and more to allow action to happen and develop under the impulsion and guidance of a divine Will that surpasses us. And last, the supreme result, to be exalted into an identity in knowledge, force, consciousness, act, joy of existence with the Divine Shakti; to feel a dynamic movement not dominated by mortal desire and vital instinct and impulse and illusive mental free-will, but luminously conceived and evolved in an immortal self-delight and an infinite self-knowledge. For this is the action that comes by a conscious subjection and merging of the natural man into the divine Self and eternal Spirit; it is the Spirit that for ever transcends and guides this world-Nature.
   ~ Sri Aurobindo, The Synthesis Of Yoga, The Yoga of Divine Works, Self-Surrender in Works - The Way of the Gita, [101],
95:The whole history of mankind and especially the present condition of the world unite in showing that far from being merely hypothetical, the case supposed has always been actual and is actual to-day on a vaster scale than ever before. My contention is that while progress in some of the great matters of human concern has been long proceeding in accordance with the law of a rapidly increasing geometric progression, progress in the other matters of no less importance has advanced only at the rate of an arithmetical progression or at best at the rate of some geometric progression of relatively slow growth. To see it and to understand it we have to pay the small price of a little observation and a little meditation.
   Some technological invention is made, like that of a steam engine or a printing press, for example; or some discovery of scientific method, like that of analytical geometry or the infinitesimal calculus; or some discovery of natural law, like that of falling bodies or the Newtonian law of gravitation. What happens? What is the effect upon the progress of knowledge and invention? The effect is stimulation. Each invention leads to new inventions and each discovery to new discoveries; invention breeds invention, science begets science, the children of knowledge produce their kind in larger and larger families; the process goes on from decade to decade, from generation to generation, and the spectacle we behold is that of advancement in scientific knowledge and technological power according to the law and rate of a rapidly increasing geometric progression or logarithmic function. ~ Alfred Korzybski, Manhood of Humanity,
96:Instruction about Sadhana to a disciple:
   Disciple: What is the nature of realisation in this yoga?
   Sri Aurobindo: In this yoga we want to bring down the Truth-consciousness into the whole being - no part being left out. This can be done by the Higher Power itself. What you have to do is to open yourself to it.
   Disciple: As the Higher Power is there why does it not work in all men - consciously?
   Sri Aurobindo: Because man, at present, is shut up in his mental being, his vital nature and physical consciousness and their limitations. You have to open yourself. By an opening I mean an aspiration in the heart for the coming down of the Power that is above, and a will in the Mind, or above the Mind, open to it.
   The first thing this working of the Higher Power does is to establish Shanti - peace - in all the parts of the being and an opening above. This peace is not mere mental Shanti, it is full of power and, whatever action takes place in it, Samata, equality, is its basis and the Shanti and Samata are never disturbed. What comes from Above is peace, power and joy. It also brings about changes in various parts of our nature so that they can bear the pressure of the Higher Power.
   Knowledge also progressively develops showing all in our being that is to be thrown out and what is to be retained. In fact, knowledge and guidance both come and you have constantly to consent to the guidance. The progress may be more in one direction than in anotheR But it is the Higher Power that works. The rest is a matter of experience and the movement of the Shakti. ~ Sri Aurobindo, EVENING TALKS WITH SRI AUROBINDO, RECORDED BY A B PURANI (28-09-1923),
97:35 - Men are still in love with grief; when they see one who is too high for grief or joy, they curse him and cry, "O thou insensible!" Therefore Christ still hangs on the cross in Jerusalem.

36 - Men are in love with sin; when they see one who is too high for vice or virtue, they curse him and cry, "O thou breaker of bonds, thou wicked and immoral one!" Therefore Sri Krishna does not live as yet in Brindavan.(5)
- Sri Aurobindo

I would like to have an explanation of these two aphorisms.

When Christ came upon earth, he brought a message of brotherhood, love and peace. But he had to die in pain, on the cross, so that his message might be heard. For men cherish suffering and hatred and want their God to suffer with them. They wanted this when Christ came and, in spite of his teaching and sacrifice, they still want it; and they are so attached to their pain that, symbolically, Christ is still bound to his cross, suffering perpetually for the salvation of men.

As for Krishna, he came upon earth to bring freedom and delight. He came to announce to men, enslaved to Nature, to their passions and errors, that if they took refuge in the Supreme Lord they would be free from all bondage and sin. But men are very attached to their vices and virtues (for without vice there would be no virtue); they are in love with their sins and cannot tolerate anyone being free and above all error.

That is why Krishna, although immortal, is not present at Brindavan in a body at this moment.
3 June 1960

(5 The village where Shri Krishna Spent His Childhood, and where He danced with Radha and other Gopis.) ~ The Mother, On Thoughts And Aphorisms, volume-10, page no.59-60,
98:the aim of our yoga :::
   The aim set before our Yoga is nothing less than to hasten this supreme object of our existence here. Its process leaves behind the ordinary tardy method of slow and confused growth through the evolution of Nature. For the natural evolution is at its best an uncertain growth under cover, partly by the pressure of the environment, partly by a groping education and an ill-lighted purposeful effort, an only partially illumined and half-automatic use of opportunities with many blunders and lapses and relapses; a great portion of it is made up of apparent accidents and circumstances and vicissitudes, - though veiling a secret divine intervention and guidance. In Yoga we replace this confused crooked crab-motion by a rapid, conscious and self-directed evolution which is planned to carry us, as far as can be, in a straight line towards the goal set before us. In a certain sense it may be an error to speak of a goal anywhere in a progression which may well be infinite. Still we can conceive of an immediate goal, an ulterior objective beyond our present achievement towards which the soul in man can aspire. There lies before him the possibility of a new birth; there can be an ascent into a higher and wider plane of being and its descent to transform his members. An enlarged and illumined consciousness is possible that shall make of him a liberated spirit and a perfected force - and, if spread beyond the individual, it might even constitute a divine humanity or else a new, a supramental and therefore a superhuman race. It is this new birth that we make our aim: a growth into a divine consciousness is the whole meaning of our Yoga, an integral conversion to divinity not only of the soul but of all the parts of our nature.
   ~ Sri Aurobindo, The Synthesis Of Yoga, Self-Surrender in Works - The Way of the Gita, 89-90,
99:The obsession clouds all reason, impairs the ability to act, makes anything secondary to it seem unimportant. It's a double-bind tug o'war. The desire to maintain the fantasy may be stronger than the desire to make it real.
   In classical occult terms I am describing a thought-form, a monster bred from the darker reccesses of mind, fed by psychic energy, clothed in imagination and nurtured by umbilical cords which twist through years of growth. we all have our personal Tunnels of Set; set in our ways through habit and patterns piling on top of each other. The thought-form rides us like a monkey; it's tail wrapped firmly about the spine of a self lost to us years ago; an earlier version threshing blindly in a moment of fear, pain, or desire.
   Thus we are formed; and in a moment of loss we feel the monster's hot breath against our backs, it's claws digging into muscle and flesh. we dance to the pull of strings that were woven years ago, and in a lightning flash of insight, or better yet, the gentle admonitions of a friend, we may see the lie; the program. it is first necessary to see that there is a program. To say perhaps, this creature is mine, but not wholly me. What follows then is that the prey becomes the hunter, pulling apart the obsession, naming its parts, searching for fragments of understanding in its entrails. Shrinking it, devouring it, peeling the layers of onion-skin.
   This is in itself a magick as powerful as any sorcery. Unbinding the knots that we have tied and tangled; sorting out the threads of experience and colour-coding the chains of chance. It may leave us freer, more able to act effectively and less likely to repeat old mistakes. The thing has a chinese puzzle-like nature. We can perceive only the present, and it requires intense sifting through memory to see the scaffolding beneath.
   ~ Phil Hine, Oven Ready Chaos,
100:Shastra is the knowledge and teaching laid down by intuition, experience and wisdom, the science and art and ethic of life, the best standards available to the race. The half-awakened man who leaves the observance of its rule to follow the guidance of his instincts and desires, can get pleasure but not happiness; for the inner happiness can only come by right living. He cannot move to perfection, cannot acquire the highest spiritual status. The law of instinct and desire seems to come first in the animal world, but the manhood of man grows by the pursuit of truth and religion and knowledge and a right life. The Shastra, the recognised Right that he has set up to govern his lower members by his reason and intelligent will, must therefore first be observed and made the authority for conduct and works and for what should or should not be done, till the instinctive desire nature is schooled and abated and put down by the habit of self-control and man is ready first for a freer intelligent self-guidance and then for the highest supreme law and supreme liberty of the spiritual nature.
   For the Shastra in its ordinary aspect is not that spiritual law, although at its loftiest point, when it becomes a science and art of spiritual living, Adhyatma-shastra, - the Gita itself describes its own teaching as the highest and most secret Shastra, - it formulates a rule of the self-transcendence of the sattwic nature and develops the discipline which leads to spiritual transmutation. Yet all Shastra is built on a number of preparatory conditions, dharmas; it is a means, not an end. The supreme end is the freedom of the spirit when abandoning all dharmas the soul turns to God for its sole law of action, acts straight from the divine will and lives in the freedom of the divine nature, not in the Law, but in the Spirit. This is the development of the teaching which is prepared by the next question of Arjuna. ~ Sri Aurobindo, Essays On The Gita,
101:See how, like lightest waves at play, the airy dancers fleet;
   And scarcely feels the floor the wings of those harmonious feet.
   Ob, are they flying shadows from their native forms set free?
   Or phantoms in the fairy ring that summer moonbeams see?
   As, by the gentle zephyr blown, some light mist flees in air,
   As skiffs that skim adown the tide, when silver waves are fair,
   So sports the docile footstep to the heave of that sweet measure,
   As music wafts the form aloft at its melodious pleasure,
   Now breaking through the woven chain of the entangled dance,
   From where the ranks the thickest press, a bolder pair advance,
   The path they leave behind them lost--wide open the path beyond,
   The way unfolds or closes up as by a magic wand.
   See now, they vanish from the gaze in wild confusion blended;
   All, in sweet chaos whirled again, that gentle world is ended!
   No!--disentangled glides the knot, the gay disorder ranges--
   The only system ruling here, a grace that ever changes.
   For ay destroyed--for ay renewed, whirls on that fair creation;
   And yet one peaceful law can still pervade in each mutation.
   And what can to the reeling maze breathe harmony and vigor,
   And give an order and repose to every gliding figure?
   That each a ruler to himself doth but himself obey,
   Yet through the hurrying course still keeps his own appointed way.
   What, would'st thou know? It is in truth the mighty power of tune,
   A power that every step obeys, as tides obey the moon;
   That threadeth with a golden clue the intricate employment,
   Curbs bounding strength to tranquil grace, and tames the wild enjoyment.
   And comes the world's wide harmony in vain upon thine ears?
   The stream of music borne aloft from yonder choral spheres?
   And feel'st thou not the measure which eternal Nature keeps?
   The whirling dance forever held in yonder azure deeps?
   The suns that wheel in varying maze?--That music thou discernest?
   No! Thou canst honor that in sport which thou forgettest in earnest.
   ~ Friedrich Schiller,
102:It doesnt interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your hearts longing. It doesnt interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesnt interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by lifes betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesnt interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy. I want to know if you can see beauty even when its not pretty, every day,and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, Yes! It doesnt interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesnt interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesnt interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
   ~ Oriah Mountain Dreamer,
103:The guiding law of spiritual experience can only come by an opening of human consciousness to the Divine Consciousness; there must be the power to receive in us the working and command and dynamic presence of the Divine Shakti and surrender ourselves to her control; it is that surrender and that control which bring the guidance. But the surrender is not sure, there is no absolute certitude of the guidance so long as we are besieged by mind formations and life impulses and instigations of ego which may easily betray us into the hands of a false experience. This danger can only be countered by the opening of a now nine-tenths concealed inmost soul or psychic being that is already there but not commonly active within us. That is the inner light we must liberate; for the light of this inmost soul is our one sure illumination so long as we walk still amidst the siege of the Ignorance and the Truth-consciousness has not taken up the entire control of our Godward endeavour. The working of the Divine Force in us under the conditions of the transition and the light of the psychic being turning us always towards a conscious and seeing obedience to that higher impulsion and away from the demands and instigations of the Forces of the Ignorance, these between them create an ever progressive inner law of our action which continues till the spiritual and supramental can be established in our nature. In the transition there may well be a period in which we take up all life and action and offer them to the Divine for purification, change and deliverance of the truth within them, another period in which we draw back and build a spiritual wall around us admitting through its gates only such activities as consent to undergo the law of the spiritual transformation, a third in which a free and all-embracing action, but with new forms fit for the utter truth of the Spirit, can again be made possible. These things, however, will be decided by no mental rule but in the light of the soul within us and by the ordaining force and progressive guidance of the Divine Power that secretly or overtly first impels, then begins clearly to control and order and finally takes up the whole burden of the Yoga. ~ Sri Aurobindo, The Synthesis Of Yoga, The Ascent of the Sacrifice - 1, 138,
104:But even before that highest approach to identity is achieved, something of the supreme Will can manifest in us as an imperative impulsion, a God-driven action; we then act by a spontaneous self-determining Force but a fuller knowledge of meaning and aim arises only afterwards. Or the impulse to action may come as an inspiration or intuition, but rather in the heart and body than in the mind; here an effective sight enters in but the complete and exact knowledge is still deferred and comes, if at all, lateR But the divine Will may descend too as a luminous single command or a total perception or a continuous current of perception of what is to be done into the will or into the thought or as a direction from above spontaneously fulfilled by the lower members. When the Yoga is imperfect, only some actions can be done in this way, or else a general action may so proceed but only during periods of exaltation and illumination. When the Yoga is perfect, all action becomes of this character. We may indeed distinguish three stages of a growing progress by which, first, the personal will is occasionally or frequently enlightened or moved by a supreme Will or conscious Force beyond it, then constantly replaced and, last, identified and merged in that divine Power-action. The first is the stage when we are still governed by the intellect, heart and senses; these have to seek or wait for the divine inspiration and guidance and do not always find or receive it. The second is the stage when human intelligence is more and more replaced by a high illumined or intuitive spiritualised mind, the external human heart by the inner psychic heart, the senses by a purified and selfless vital force. The third is the stage when we rise even above spiritualised mind to the supramental levels. In all three stages the fundamental character of the liberated action is the same, a spontaneous working of Prakriti no longer through or for the ego but at the will and for the enjoyment of the supreme Purusha. At a higher level this becomes the Truth of the absolute and universal Supreme expressed through the individual soul and worked out consciously through the nature, - no longer through a half-perception and a diminished or distorted effectuation by the stumbling, ignorant and all-deforming energy of lower nature in us but by the all-wise transcendent and universal Mother. ~ Sri Aurobindo, The Synthesis Of Yoga, The Supreme Will, 218,
105:reading :::
   50 Spiritual Classics: List of Books Covered:
   Muhammad Asad - The Road To Mecca (1954)
   St Augustine - Confessions (400)
   Richard Bach - Jonathan Livingston Seagull (1970)
   Black Elk Black - Elk Speaks (1932)
   Richard Maurice Bucke - Cosmic Consciousness (1901)
   Fritjof Capra - The Tao of Physics (1976)
   Carlos Castaneda - Journey to Ixtlan (1972)
   GK Chesterton - St Francis of Assisi (1922)
   Pema Chodron - The Places That Scare You (2001)
   Chuang Tzu - The Book of Chuang Tzu (4th century BCE)
   Ram Dass - Be Here Now (1971)
   Epictetus - Enchiridion (1st century)
   Mohandas Gandhi - An Autobiography: The Story of My Experiments With Truth (1927)
   Al-Ghazzali - The Alchemy of Happiness (1097)
   Kahlil Gibran - The Prophet (1923)
   GI Gurdjieff - Meetings With Remarkable Men (1960)
   Dag Hammarskjold - Markings (1963)
   Abraham Joshua Heschel - The Sabbath (1951)
   Hermann Hesse - Siddartha (1922)
   Aldous Huxley - The Doors of Perception (1954)
   William James - The Varieties of Religious Experience (1902)
   Carl Gustav Jung - Memories, Dreams, Reflections (1955)
   Margery Kempe - The Book of Margery Kempe (1436)
   J Krishnamurti - Think On These Things (1964)
   CS Lewis - The Screwtape Letters (1942)
   Malcolm X - The Autobiography of Malcolm X (1964)
   Daniel C Matt - The Essential Kabbalah (1994)
   Dan Millman - The Way of the Peaceful Warrior (1989)
   W Somerset Maugham - The Razor's Edge (1944)
   Thich Nhat Hanh - The Miracle of Mindfulness (1975)
   Michael Newton - Journey of Souls (1994)
   John O'Donohue - Anam Cara: A Book of Celtic Wisdom (1998)
   Robert M Pirsig - Zen and the Art of Motorcycle Maintenance (1974)
   James Redfield - The Celestine Prophecy (1994)
   Miguel Ruiz - The Four Agreements (1997)
   Helen Schucman & William Thetford - A Course in Miracles (1976)
   Idries Shah - The Way of the Sufi (1968)
   Starhawk - The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess (1979)
   Shunryu Suzuki - Zen Mind, Beginner's Mind (1970)
   Emanuel Swedenborg - Heaven and Hell (1758)
   Teresa of Avila - Interior Castle (1570)
   Mother Teresa - A Simple Path (1994)
   Eckhart Tolle - The Power of Now (1998)
   Chogyam Trungpa - Cutting Through Spiritual Materialism (1973)
   Neale Donald Walsch - Conversations With God (1998)
   Rick Warren - The Purpose-Driven Life (2002)
   Simone Weil - Waiting For God (1979)
   Ken Wilber - A Theory of Everything (2000)
   Paramahansa Yogananda - Autobiography of a Yogi (1974)
   Gary Zukav - The Seat of the Soul (1990)
   ~ Tom Butler-Bowdon, 50 Spirital Classics (2017 Edition),
106:Ekajaṭī or Ekajaṭā, (Sanskrit: "One Plait Woman"; Wylie: ral gcig ma: one who has one knot of hair),[1] also known as Māhacīnatārā,[2] is one of the 21 Taras. Ekajati is, along with Palden Lhamo deity, one of the most powerful and fierce goddesses of Vajrayana Buddhist mythology.[1][3] According to Tibetan legends, her right eye was pierced by the tantric master Padmasambhava so that she could much more effectively help him subjugate Tibetan demons.

Ekajati is also known as "Blue Tara", Vajra Tara or "Ugra Tara".[1][3] She is generally considered one of the three principal protectors of the Nyingma school along with Rāhula and Vajrasādhu (Wylie: rdo rje legs pa).

Often Ekajati appears as liberator in the mandala of the Green Tara. Along with that, her ascribed powers are removing the fear of enemies, spreading joy, and removing personal hindrances on the path to enlightenment.

Ekajati is the protector of secret mantras and "as the mother of the mothers of all the Buddhas" represents the ultimate unity. As such, her own mantra is also secret. She is the most important protector of the Vajrayana teachings, especially the Inner Tantras and termas. As the protector of mantra, she supports the practitioner in deciphering symbolic dakini codes and properly determines appropriate times and circumstances for revealing tantric teachings. Because she completely realizes the texts and mantras under her care, she reminds the practitioner of their preciousness and secrecy.[4] Düsum Khyenpa, 1st Karmapa Lama meditated upon her in early childhood.

According to Namkhai Norbu, Ekajati is the principal guardian of the Dzogchen teachings and is "a personification of the essentially non-dual nature of primordial energy."[5]

Dzogchen is the most closely guarded teaching in Tibetan Buddhism, of which Ekajati is a main guardian as mentioned above. It is said that Sri Singha (Sanskrit: Śrī Siṃha) himself entrusted the "Heart Essence" (Wylie: snying thig) teachings to her care. To the great master Longchenpa, who initiated the dissemination of certain Dzogchen teachings, Ekajati offered uncharacteristically personal guidance. In his thirty-second year, Ekajati appeared to Longchenpa, supervising every ritual detail of the Heart Essence of the Dakinis empowerment, insisting on the use of a peacock feather and removing unnecessary basin. When Longchenpa performed the ritual, she nodded her head in approval but corrected his pronunciation. When he recited the mantra, Ekajati admonished him, saying, "Imitate me," and sang it in a strange, harmonious melody in the dakini's language. Later she appeared at the gathering and joyously danced, proclaiming the approval of Padmasambhava and the dakinis.[6] ~ Wikipedia,
107:Mother of Dreams :::

Goddess supreme, Mother of Dream, by thy ivory doors when thou standest,
Who are they then that come down unto men in thy visions that troop, group upon group, down the path of the shadows slanting?
Dream after dream, they flash and they gleam with the flame of the stars still around them;
Shadows at thy side in a darkness ride where the wild fires dance, stars glow and glance and the random meteor glistens;
There are voices that cry to their kin who reply; voices sweet, at the heart they beat and ravish the soul as it listens.

What then are these lands and these golden sands and these seas more radiant than earth can imagine?
Who are those that pace by the purple waves that race to the cliff-bound floor of thy jasper shore under skies in which mystery muses,
Lapped in moonlight not of our night or plunged in sunshine that is not diurnal?
Who are they coming thy Oceans roaming with sails whose strands are not made by hands, an unearthly wind advances?
Why do they join in a mystic line with those on the sands linking hands in strange and stately dances?

Thou in the air, with a flame in thy hair, the whirl of thy wonders watching,
Holdest the night in thy ancient right, Mother divine, hyacinthine, with a girdle of beauty defended.
Sworded with fire, attracting desire, thy tenebrous kingdom thou keepest,
Starry-sweet, with the moon at thy feet, now hidden now seen the clouds between in the gloom and the drift of thy tresses.
Only to those whom thy fancy chose, O thou heart-free, is it given to see thy witchcraft and feel thy caresses.

Open the gate where thy children wait in their world of a beauty undarkened.
High-throned on a cloud, victorious, proud I have espied Maghavan ride when the armies of wind are behind him;
Food has been given for my tasting from heaven and fruit of immortal sweetness;
I have drunk wine of the kingdoms divine and have healed the change of music strange from a lyre which our hands cannot master,
Doors have swung wide in the chambers of pride where the Gods reside and the Apsaras dance in their circles faster and faster.

For thou art she whom we first can see when we pass the bounds of the mortal;
There at the gates of the heavenly states thou hast planted thy wand enchanted over the head of the Yogin waving.
From thee are the dream and the shadows that seem and the fugitive lights that delude us;
Thine is the shade in which visions are made; sped by thy hands from celestial lands come the souls that rejoice for ever.
Into thy dream-worlds we pass or look in thy magic glass, then beyond thee we climb out of Space and Time to the peak of divine endeavour. ~ Sri Aurobindo, Collected Poems,
108:If we look at this picture of the Self-Existence and its works as a unitary unlimited whole of vision, it stands together and imposes itself by its convincing totality: but to the analysis of the logical intellect it offers an abundance of difficulties, such as all attempts to erect a logical system out of a perception of an illimitable Existence must necessarily create; for any such endeavour must either effect consistency by an arbitrary sectioning of the complex truth of things or else by its comprehensiveness become logically untenable. For we see that the Indeterminable determines itself as infinite and finite, the Immutable admits a constant mutability and endless differences, the One becomes an innumerable multitude, the Impersonal creates or supports personality, is itself a Person; the Self has a nature and is yet other than its nature; Being turns into becoming and yet it is always itself and other than its becomings; the Universal individualises itself and the Individual universalises himself; Brahman is at once void of qualities and capable of infinite qualities, the Lord and Doer of works, yet a non-doer and a silent witness of the workings of Nature. If we look carefully at these workings of Nature, once we put aside the veil of familiarity and our unthinking acquiescence in the process of things as natural because so they always happen, we discover that all she does in whole or in parts is a miracle, an act of some incomprehensible magic. The being of the Self-existence and the world that has appeared in it are, each of them and both together, a suprarational mystery. There seems to us to be a reason in things because the processes of the physical finite are consistent to our view and their law determinable, but this reason in things, when closely examined, seems to stumble at every moment against the irrational or infrarational and the suprarational: the consistency, the determinability of process seems to lessen rather than increase as we pass from matter to life and from life to mentality; if the finite consents to some extent to look as if it were rational, the infinitesimal refuses to be bound by the same laws and the infinite is unseizable. As for the action of the universe and its significance, it escapes us altogether; if Self, God or Spirit there be, his dealings with the world and us are incomprehensible, offer no clue that we can follow. God and Nature and even ourselves move in a mysterious way which is only partially and at points intelligible, but as a whole escapes our comprehension. All the works of Maya look like the production of a suprarational magical Power which arranges things according to its wisdom or its phantasy, but a wisdom which is not ours and a phantasy which baffles our imagination. ~ Sri Aurobindo, The Life Divine, 2.02,
109:
   Sweet Mother, is there a spiritual being in everybody?

That depends on what we call "being". If for "being" we substitute "presence", yes, there is a spiritual presence in everyone. If we call "being" an organised entity, fully conscious of itself, independent, and having the power of asserting itself and ruling the rest of the nature - no! The possibility of this independent and all-powerful being is in everybody, but the realisation is the result of long efforts which sometimes extend over many lives.

In everyone, even at the very beginning, this spiritual presence, this inner light is there.... In fact, it is everywhere. I have seen it many a time in certain animals. It is like a shining point which is the basis of a certain control and protection, something which, even in half-consciousness, makes possible a certain harmony with the rest of creation so that irreparable catastrophes may not be constant and general. Without this presence the disorder created by the violences and passions of the vital would be so great that at any moment they could bring about a general catastrophe, a sort of total destruction which would prevent the progress of Nature. That presence, that spiritual light - which could almost be called a spiritual consciousness - is within each being and all things, and because of it, in spite of all discordance, all passion, all violence, there is a minimum of general harmony which allows Nature's work to be accomplished.

And this presence becomes quite obvious in the human being, even the most rudimentary. Even in the most monstrous human being, in one who gives the impression of being an incarnation of a devil or a monster, there is something within exercising a sort of irresistible control - even in the worst, some things are impossible. And without this presence, if the being were controlled exclusively by the adverse forces, the forces of the vital, this impossibility would not exist.

Each time a wave of these monstrous adverse forces sweeps over the earth, one feels that nothing can ever stop the disorder and horror from spreading, and always, at a certain time, unexpectedly and inexplicably a control intervenes, and the wave is arrested, the catastrophe is not total. And this is because of the Presence, the supreme Presence, in matter.

But only in a few exceptional beings and after a long, very long work of preparation extending over many, many lives does this Presence change into a conscious, independent, fully organised being, all-powerful master of his dwelling-place, conscious enough, powerful enough, to be able to control not only this dwelling but what surrounds it and in a field of radiation and action that is more and more extensive... and effective.
   ~ The Mother, Questions And Answers 1957-1958, 339-340,
110:It is then by a transformation of life in its very principle, not by an external manipulation of its phenomena, that the integral Yoga proposes to change it from a troubled and ignorant into a luminous and harmonious movement of Nature. There are three conditions which are indispensable for the achievement of this central inner revolution and new formation; none of them is altogether sufficient in itself, but by their united threefold power the uplifting can be done, the conversion made and completely made. For, first, life as it is is a movement of desire and it has built in us as its centre a desire-soul which refers to itself all the motions of life and puts in them its own troubled hue and pain of an ignorant, half-lit, baffled endeavour: for a divine living, desire must be abolished and replaced by a purer and firmer motive-power, the tormented soul of desire dissolved and in its stead there must emerge the calm, strength, happiness of a true vital being now concealed within us. Next, life as it is is driven or led partly by the impulse of the life-force, partly by a mind which is mostly a servant and abettor of the ignorant life-impulse, but in part also its uneasy and not too luminous or competent guide and mentor; for a divine life the mind and the life-impulse must cease to be anything but instruments and the inmost psychic being must take their place as the leader on the path and the indicator of a divine guidance. Last, life as it is is turned towards the satisfaction of the separative ego; ego must disappear and be replaced by the true spiritual person, the central being, and life itself must be turned towards the fulfilment of the Divine in terrestrial existence; it must feel a Divine Force awaking within it and become an obedient instrumentation of its purpose.
   There is nothing that is not ancient and familiar in the first of these three transforming inner movements; for it has always been one of the principal objects of spiritual discipline. It has been best formulated in the already expressed doctrine of the Gita by which a complete renouncement of desire for the fruits as the motive of action, a complete annulment of desire itself, the complete achievement of a perfect equality are put forward as the normal status of a spiritual being. A perfect spiritual equality is the one true and infallible sign of the cessation of desire, - to be equal-souled to all things, unmoved by joy and sorrow, the pleasant and the unpleasant, success or failure, to look with an equal eye on high and low, friend and enemy, the virtuous and the sinner, to see in all beings the manifold manifestation of the One and in all things the multitudinous play or the slow masked evolution of the embodied Spirit. ~ Sri Aurobindo, The Synthesis Of Yoga, The Ascent of the Sacrifice - 2, 176,
111:[desire and its divine form:]
   Into all our endeavour upward the lower element of desire will at first naturally enter. For what the enlightened will sees as the thing to be done and pursues as the crown to be conquered, what the heart embraces as the one thing delightful, that in us which feels itself limited and opposed and, because it is limited, craves and struggles, will seek with the troubled passion of an egoistic desire. This craving life-force or desire-soul in us has to be accepted at first, but only in order that it may be transformed. Even from the very beginning it has to be taught to renounce all other desires and concentrate itself on the passion for the Divine. This capital point gained, it has to be aught to desire, not for its own separate sake, but for God in the world and for the Divine in ourselves; it has to fix itself upon no personal spiritual gain, though of all possible spiritual gains we are sure, but on the great work to be done in us and others, on the high coming manifestation which is to be the glorious fulfilment of the Divine in the world, on the Truth that has to be sought and lived and enthroned for eveR But last, most difficult for it, more difficult than to seek with the right object, it has to be taught to seek in the right manner; for it must learn to desire, not in its own egoistic way, but in the way of the Divine. It must insist no longer, as the strong separative will always insists, on its own manner of fulfilment, its own dream of possession, its own idea of the right and the desirable; it must yearn to fulfil a larger and greater Will and consent to wait upon a less interested and ignorant guidance. Thus trained, Desire, that great unquiet harasser and troubler of man and cause of every kind of stumbling, will become fit to be transformed into its divine counterpart. For desire and passion too have their divine forms; there is a pure ecstasy of the soul's seeking beyond all craving and grief, there is a Will of Ananda that sits glorified in the possession of the supreme beatitudes.
   When once the object of concentration has possessed and is possessed by the three master instruments, the thought, the heart and the will,-a consummation fully possible only when the desire-soul in us has submitted to the Divine Law,-the perfection of mind and life and body can be effectively fulfilled in our transmuted nature. This will be done, not for the personal satisfaction of the ego, but that the whole may constitute a fit temple for the Divine Presence, a faultless instrument for the divine work. For that work can be truly performed only when the instrument, consecrated and perfected, has grown fit for a selfless action,-and that will be when personal desire and egoism are abolished, but not the liberated individual. Even when the little ego has been abolished, the true spiritual Person can still remain and God's will and work and delight in him and the spiritual use of his perfection and fulfilment. Our works will then be divine and done divinely; our mind and life and will, devoted to the Divine, will be used to help fulfil in others and in the world that which has been first realised in ourselves,- all that we can manifest of the embodied Unity, Love, Freedom, Strength, Power, Splendour, immortal Joy which is the goal of the Spirit's terrestrial adventure.
   ~ Sri Aurobindo, The Synthesis Of Yoga, Self-Consecration [83] [T1],
112::::
   As an inner equality increases and with it the sense of the true vital being waiting for the greater direction it has to serve, as the psychic call too increases in all the members of our nature, That to which the call is addressed begins to reveal itself, descends to take possession of the life and its energies and fills them with the height, intimacy, vastness of its presence and its purpose. In many, if not most, it manifests something of itself even before the equality and the open psychic urge or guidance are there. A call of the veiled psychic element oppressed by the mass of the outer ignorance and crying for deliverance, a stress of eager meditation and seeking for knowledge, a longing of the heart, a passionate will ignorant yet but sincere may break the lid that shuts off that Higher from this Lower Nature and open the floodgates. A little of the Divine Person may reveal itself or some Light, Power, Bliss, Love out of the Infinite. This may be a momentary revelation, a flash or a brief-lived gleam that soon withdraws and waits for the preparation of the nature; but also it may repeat itself, grow, endure. A long and large and comprehensive working will then have begun, sometimes luminous or intense, sometimes slow and obscure. A Divine Power comes in front at times and leads and compels or instructs and enlightens; at others it withdraws into the background and seems to leave the being to its own resources. All that is ignorant, obscure, perverted or simply imperfect and inferior in the being is raised up, perhaps brought to its acme, dealt with, corrected, exhausted, shown its own disastrous results, compelled to call for its own cessation or transformation or expelled as worthless or incorrigible from the nature. This cannot be a smooth and even process; alternations there are of day and night, illumination and darkness, calm and construction or battle and upheaval, the presence of the growing Divine Consciousness and its absence, heights of hope and abysses of despair, the clasp of the Beloved and the anguish of its absence, the overwhelming invasion, the compelling deceit, the fierce opposition, the disabling mockery of hostile Powers or the help and comfort and communion of the Gods and the Divine Messengers. A great and long revolution and churning of the ocean of Life with strong emergences of its nectar and its poison is enforced till all is ready and the increasing Descent finds a being, a nature prepared and conditioned for its complete rule and its all-encompassing presence. But if the equality and the psychic light and will are already there, then this process, though it cannot be dispensed with, can still be much lightened and facilitated: it will be rid of its worst dangers; an inner calm, happiness, confidence will support the steps through all the difficulties and trials of the transformation and the growing Force profiting by the full assent of the nature will rapidly diminish and eliminate the power of the opposing forces. A sure guidance and protection will be present throughout, sometimes standing in front, sometimes working behind the veil, and the power of the end will be already there even in the beginning and in the long middle stages of the great endeavour. For at all times the seeker will be aware of the Divine Guide and Protector or the working of the supreme Mother-Force; he will know that all is done for the best, the progress assured, the victory inevitable. In either case the process is the same and unavoidable, a taking up of the whole nature, of the whole life, of the internal and of the external, to reveal and handle and transform its forces and their movements under the pressure of a diviner Life from above, until all here has been possessed by greater spiritual powers and made an instrumentation of a spiritual action and a divine purpose. ~ Sri Aurobindo, The Synthesis Of Yoga, The Ascent of the Sacrifice - 2, 179,
113:I have never been able to share your constantly recurring doubts about your capacity or the despair that arises in you so violently when there are these attacks, nor is their persistent recurrence a valid ground for believing that they can never be overcome. Such a persistent recurrence has been a feature in the sadhana of many who have finally emerged and reached the goal; even the sadhana of very great Yogis has not been exempt from such violent and constant recurrences; they have sometimes been special objects of such persistent assaults, as I have indeed indicated in Savitri in more places than one - and that was indeed founded on my own experience. In the nature of these recurrences there is usually a constant return of the same adverse experiences, the same adverse resistance, thoughts destructive of all belief and faith and confidence in the future of the sadhana, frustrating doubts of what one has known as the truth, voices of despondency and despair, urgings to abandonment of the Yoga or to suicide or else other disastrous counsels of déchéance. The course taken by the attacks is not indeed the same for all, but still they have strong family resemblance. One can eventually overcome if one begins to realise the nature and source of these assaults and acquires the faculty of observing them, bearing, without being involved or absorbed into their gulf, finally becoming the witness of their phenomena and understanding them and refusing the mind's sanction even when the vital is still tossed in the whirl or the most outward physical mind still reflects the adverse suggestions. In the end these attacks lose their power and fall away from the nature; the recurrence becomes feeble or has no power to last: even, if the detachment is strong enough, they can be cut out very soon or at once. The strongest attitude to take is to regard these things as what they really are, incursions of dark forces from outside taking advantage of certain openings in the physical mind or the vital part, but not a real part of oneself or spontaneous creation in one's own nature. To create a confusion and darkness in the physical mind and throw into it or awake in it mistaken ideas, dark thoughts, false impressions is a favourite method of these assailants, and if they can get the support of this mind from over-confidence in its own correctness or the natural rightness of its impressions and inferences, then they can have a field day until the true mind reasserts itself and blows the clouds away. Another device of theirs is to awake some hurt or rankling sense of grievance in the lower vital parts and keep them hurt or rankling as long as possible. In that case one has to discover these openings in one's nature and learn to close them permanently to such attacks or else to throw out intruders at once or as soon as possible. The recurrence is no proof of a fundamental incapacity; if one takes the right inner attitude, it can and will be overcome. The idea of suicide ought never to be accepted; there is no real ground for it and in any case it cannot be a remedy or a real escape: at most it can only be postponement of difficulties and the necessity for their solution under no better circumstances in another life. One must have faith in the Master of our life and works, even if for a long time he conceals himself, and then in his own right time he will reveal his Presence.
   I have tried to dispel all the misconceptions, explain things as they are and meet all the points at issue. It is not that you really cannot make progress or have not made any progress; on the contrary, you yourself have admitted that you have made a good advance in many directions and there is no reason why, if you persevere, the rest should not come. You have always believed in the Guruvada: I would ask you then to put your faith in the Guru and the guidance and rely on the Ishwara for the fulfilment, to have faith in my abiding love and affection, in the affection and divine goodwill and loving kindness of the Mother, stand firm against all attacks and go forward perseveringly towards the spiritual goal and the all-fulfilling and all-satisfying touch of the All-Blissful, the Ishwara.
   ~ Sri Aurobindo, Letters On Yoga - IV,
114:Coded Language

Whereas, breakbeats have been the missing link connecting the diasporic community to its drum woven past

Whereas the quantised drum has allowed the whirling mathematicians to calculate the ever changing distance between rock and stardom.

Whereas the velocity of the spinning vinyl, cross-faded, spun backwards, and re-released at the same given moment of recorded history , yet at a different moment in time's continuum has allowed history to catch up with the present.

We do hereby declare reality unkempt by the changing standards of dialogue.

Statements, such as, "keep it real", especially when punctuating or anticipating modes of ultra-violence inflicted psychologically or physically or depicting an unchanging rule of events will hence forth be seen as retro-active and not representative of the individually determined is.

Furthermore, as determined by the collective consciousness of this state of being and the lessened distance between thought patterns and their secular manifestations, the role of men as listening receptacles is to be increased by a number no less than 70 percent of the current enlisted as vocal aggressors.

Motherfuckers better realize, now is the time to self-actualize

We have found evidence that hip hops standard 85 rpm when increased by a number as least half the rate of it's standard or decreased at ¾ of it's speed may be a determining factor in heightening consciousness.

Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth.

Equate rhyme with reason, Sun with season

Our cyclical relationship to phenomenon has encouraged scholars to erase the centers of periods, thus symbolizing the non-linear character of cause and effect

Reject mediocrity!

Your current frequencies of understanding outweigh that which as been given for you to understand.

The current standard is the equivalent of an adolescent restricted to the diet of an infant.

The rapidly changing body would acquire dysfunctional and deformative symptoms and could not properly mature on a diet of apple sauce and crushed pears

Light years are interchangeable with years of living in darkness.

The role of darkness is not to be seen as, or equated with, Ignorance, but with the unknown, and the mysteries of the unseen.

Thus, in the name of:

ROBESON, GOD'S SON, HURSTON, AHKENATON, HATHSHEPUT, BLACKFOOT, HELEN
LENNON, KHALO, KALI, THE THREE MARIAS, TARA, LILITH, LOURDE, WHITMAN
BALDWIN, GINSBERG, KAUFMAN, LUMUMBA, GHANDI, GIBRAN, SHABAZZ, SIDDHARTHA
MEDUSA, GUEVARA, GURDJIEFF, RAND, WRIGHT, BANNEKER, TUBMAN, HAMER, HOLIDAY
DAVIS, COLTRANE, MORRISON, JOPLIN, DUBOIS, CLARKE, SHAKESPEARE, RACHMANINOV
ELLINGTON, CARTER, GAYE, HATHAWAY, HENDRIX, KUTI, DICKINSON, RIPPERTON
MARY, ISIS, THERESA, HANSBURY, TESLA, PLATH, RUMI, FELLINI, MICHAUX, NOSTRADAMUS, NEFERTITI
LA ROCK, SHIVA, GANESHA, YEMAJA, OSHUN, OBATALA, OGUN, KENNEDY, KING, FOUR
LITTLE GIRLS, HIROSHIMA, NAGASAKI, KELLER, BIKO, PERÓN, MARLEY, MAGDALENE, COSBY
SHAKUR, THOSE WHO BURN, THOSE STILL AFLAME, AND THE COUNTLESS UNNAMED

We claim the present as the pre-sent, as the hereafter.

We are unraveling our navels so that we may ingest the sun.

We are not afraid of the darkness, we trust that the moon shall guide us.

We are determining the future at this very moment.

We now know that the heart is the philosophers' stone

Our music is our alchemy

We stand as the manifested equivalent of 3 buckets of water and a hand full of minerals, thus realizing that those very buckets turned upside down supply the percussion factor of forever.

If you must count to keep the beat then count.

Find you mantra and awaken your subconscious.

Curve you circles counterclockwise

Use your cipher to decipher, Coded Language, man made laws.

Climb waterfalls and trees, commune with nature, snakes and bees.

Let your children name themselves and claim themselves as the new day for today we are determined to be the channelers of these changing frequencies into songs, paintings, writings, dance, drama, photography, carpentry, crafts, love, and love.

We enlist every instrument: Acoustic, electronic.

Every so-called race, gender, and sexual preference.

Every per-son as beings of sound to acknowledge their responsibility to uplift the consciousness of the entire fucking World.

Any utterance will be un-aimed, will be disclaimed - two rappers slain

Any utterance will be un-aimed, will be disclaimed - two rappers slain
~ Saul Williams,
115:It is natural from the point of view of the Yoga to divide into two categories the activities of the human mind in its pursuit of knowledge. There is the supreme supra-intellectual knowledge which concentrates itself on the discovery of the One and Infinite in its transcendence or tries to penetrate by intuition, contemplation, direct inner contact into the ultimate truths behind the appearances of Nature; there is the lower science which diffuses itself in an outward knowledge of phenomena, the disguises of the One and Infinite as it appears to us in or through the more exterior forms of the world-manifestation around us. These two, an upper and a lower hemisphere, in the form of them constructed or conceived by men within the mind's ignorant limits, have even there separated themselves, as they developed, with some sharpness.... Philosophy, sometimes spiritual or at least intuitive, sometimes abstract and intellectual, sometimes intellectualising spiritual experience or supporting with a logical apparatus the discoveries of the spirit, has claimed always to take the fixation of ultimate Truth as its province. But even when it did not separate itself on rarefied metaphysical heights from the knowledge that belongs to the practical world and the pursuit of ephemeral objects, intellectual Philosophy by its habit of abstraction has seldom been a power for life. It has been sometimes powerful for high speculation, pursuing mental Truth for its own sake without any ulterior utility or object, sometimes for a subtle gymnastic of the mind in a mistily bright cloud-land of words and ideas, but it has walked or acrobatised far from the more tangible realities of existence. Ancient Philosophy in Europe was more dynamic, but only for the few; in India in its more spiritualised forms, it strongly influenced but without transforming the life of the race.... Religion did not attempt, like Philosophy, to live alone on the heights; its aim was rather to take hold of man's parts of life even more than his parts of mind and draw them Godwards; it professed to build a bridge between spiritual Truth and the vital and material human existence; it strove to subordinate and reconcile the lower to the higher, make life serviceable to God, Earth obedient to Heaven. It has to be admitted that too often this necessary effort had the opposite result of making Heaven a sanction for Earth's desires; for, continually, the religious idea has been turned into an excuse for the worship and service of the human ego. Religion, leaving constantly its little shining core of spiritual experience, has lost itself in the obscure mass of its ever extending ambiguous compromises with life: in attempting to satisfy the thinking mind, it more often succeeded in oppressing or fettering it with a mass of theological dogmas; while seeking to net the human heart, it fell itself into pits of pietistic emotionalism and sensationalism; in the act of annexing the vital nature of man to dominate it, it grew itself vitiated and fell a prey to all the fanaticism, homicidal fury, savage or harsh turn for oppression, pullulating falsehood, obstinate attachment to ignorance to which that vital nature is prone; its desire to draw the physical in man towards God betrayed it into chaining itself to ecclesiastic mechanism, hollow ceremony and lifeless ritual. The corruption of the best produced the worst by that strange chemistry of the power of life which generates evil out of good even as it can also generate good out of evil. At the same time in a vain effort at self-defence against this downward gravitation, Religion was driven to cut existence into two by a division of knowledge, works, art, life itself into two opposite categories, the spiritual and the worldly, religious and mundane, sacred and profane; but this defensive distinction itself became conventional and artificial and aggravated rather than healed the disease.... On their side Science and Art and the knowledge of Life, although at first they served or lived in the shadow of Religion, ended by emancipating themselves, became estranged or hostile, or have even recoiled with indifference, contempt or scepticism from what seem to them the cold, barren and distant or unsubstantial and illusory heights of unreality to which metaphysical Philosophy and Religion aspire. For a time the divorce has been as complete as the one-sided intolerance of the human mind could make it and threatened even to end in a complete extinction of all attempt at a higher or a more spiritual knowledge. Yet even in the earthward life a higher knowledge is indeed the one thing that is throughout needful, and without it the lower sciences and pursuits, however fruitful, however rich, free, miraculous in the abundance of their results, become easily a sacrifice offered without due order and to false gods; corrupting, hardening in the end the heart of man, limiting his mind's horizons, they confine in a stony material imprisonment or lead to a final baffling incertitude and disillusionment. A sterile agnosticism awaits us above the brilliant phosphorescence of a half-knowledge that is still the Ignorance. ~ Sri Aurobindo, The Synthesis Of Yoga, The Ascent of the Sacrifice - 1,
116:Chapter LXXXII: Epistola Penultima: The Two Ways to Reality
Cara Soror,
Do what thou wilt shall be the whole of the Law.

How very sensible of you, though I admit somewhat exacting!

You write-Will you tell me exactly why I should devote so much of my valuable time to subjects like Magick and Yoga.

That is all very well. But you ask me to put it in syllogistic form. I have no doubt this can be done, though the task seems somewhat complicated. I think I will leave it to you to construct your series of syllogisms yourself from the arguments of this letter.

In your main question the operative word is "valuable. Why, I ask, in my turn, should you consider your time valuable? It certainly is not valuable unless the universe has a meaning, and what is more, unless you know what that meaning is-at least roughly-it is millions to one that you will find yourself barking up the wrong tree.

First of all let us consider this question of the meaning of the universe. It is its own evidence to design, and that design intelligent design. There is no question of any moral significance-"one man's meat is another man's poison" and so on. But there can be no possible doubt about the existence of some kind of intelligence, and that kind is far superior to anything of which we know as human.

How then are we to explore, and finally to interpret this intelligence?

It seems to me that there are two ways and only two. Imagine for a moment that you are an orphan in charge of a guardian, inconceivably learned from your point of view.

Suppose therefore that you are puzzled by some problem suitable to your childish nature, your obvious and most simple way is to approach your guardian and ask him to enlighten you. It is clearly part of his function as guardian to do his best to help you. Very good, that is the first method, and close parallel with what we understand by the word Magick.

We are bothered by some difficulty about one of the elements-say Fire-it is therefore natural to evoke a Salamander to instruct you on the difficult point. But you must remember that your Holy Guardian Angel is not only far more fully instructed than yourself on every point that you can conceive, but you may go so far as to say that it is definitely his work, or part of his work; remembering always that he inhabits a sphere or plane which is entirely different from anything of which you are normally aware.

To attain to the Knowledge and Conversation of the Holy Guardian Angel is consequently without doubt by far the simplest way by which you can yourself approach that higher order of being.

That, then, is a clearly intelligible method of procedure. We call it Magick.

It is of course possible to strengthen the link between him and yourself so that in course of time you became capable of moving and, generally speaking, operating on that plane which is his natural habitat.

There is however one other way, and one only, as far as I can see, of reaching this state.

It is at least theoretically possible to exalt the whole of your own consciousness until it becomes as free to move on that exalted plane as it is for him. You should note, by the way, that in this case the postulation of another being is not necessary. There is no way of refuting the solipsism if you feel like that. Personally I cannot accede to its axiom. The evidence for an external universe appears to me perfectly adequate.

Still there is no extra charge for thinking on those lines if you so wish.

I have paid a great deal of attention in the course of my life to the method of exalting the human consciousness in this way; and it is really quite legitimate to identify my teaching with that of the Yogis.

I must however point out that in the course of my instruction I have given continual warnings as to the dangers of this line of research. For one thing there is no means of checking your results in the ordinary scientific sense. It is always perfectly easy to find a subjective explanation of any phenomenon; and when one considers that the greatest of all the dangers in any line of research arise from egocentric vanity, I do not think I have exceeded my duty in anything that I have said to deter students from undertaking so dangerous a course as Yoga.

It is, of course, much safer if you are in a position to pursue in the Indian Jungles, provided that your health will stand the climate and also, I must say, unless you have a really sound teacher on whom you can safely rely. But then, if we once introduce a teacher, why not go to the Fountain-head and press towards the Knowledge and conversation of the Holy Guardian Angel?

In any case your Indian teacher will ultimately direct you to seek guidance from that source, so it seems to me that you have gone to a great deal of extra trouble and incurred a great deal of unnecessary danger by not leaving yourself in the first place in the hands of the Holy Guardian Angel.

In any case there are the two methods which stand as alternatives. I do not know of any third one which can be of any use whatever. Logically, since you have asked me to be logical, there is certainly no third way; there is the external way of Magick, and the internal way of Yoga: there you have your alternatives, and there they cease.

Love is the law, love under will.

Fraternally,

666 ~ Aleister Crowley, Magick Without Tears,
117:summary of the entire process of psychic awakening :::
You have asked what is the discipline to be followed in order to convert the mental seeking into a living spiritual experience. The first necessity is the practice of concentration of your consciousness within yourself. The ordinary human mind has an activity on the surface which veils the real Self. But there is another, a hidden consciousness within behind the surface one in which we can become aware of the real Self and of a larger deeper truth of nature, can realise the Self and liberate and transform the nature. To quiet the surface mind and begin to live within is the object of this concentration. Of this true consciousness other then the superficial there are two main centres, one in the heart (not the physical heart, but the cardiac centre in the middle of the chest), one in the head. The concentration in the heart opens within and by following this inward opening and going deep one becomes aware of the soul or psychic being, the divine element in the individual. This being unveiled begins to come forward, to govern the nature, to turn it an d all its movements towards the Truth, towards the Divine, and to call down into it all that is above. It brings the consciousness of the Presence, the dedication of the being to the Highest and invites the descent into our nature of a greater Force and Consciousness which is waiting above us. To concentrate in the heart centre with the offering of oneself to the Divine and the aspiration for this inward opening and for the Presence in the heart is the first way and, if it can be done, the natural beginning; for its result once obtained makes the spiritual path far more easy and safe than if one begins the other way.
   That other way is the concentration in the head, in the mental centre. This, if it brings about the silence of the surface mind, opens up an inner, larger, deeper mind within which is more capable of receiving spiritual experience and spiritual knowledge. But once concentrated here one must open the silent mental consciousness upward to all that is above mind. After a time one feels the consciousness rising upward and it the end it rises beyond the lid which has so long kept it tied in the body and finds a centre above the head where it is liberated into the Infinite. There it behind to come into contact with the universal Self, the Divine Peace, Light, Power, Knowledge, Bliss, to enter into that and become that, to feel the descent of these things into the nature. To concentrate in the head with the aspiration for quietude in the mind and the realisation of the Self and Divine above is the second way of concentration. It is important, however, to remember that the concentration of the consciousness in the head is only a preparation for its rising to the centre above; otherwise, one may get shut up in one's own mind and its experiences or at best attain only to a reflection of the Truth above instead of rising into the spiritual transcendence to live there. For some the mental consciousness is easier, for some the concentration in the heart centre; some are capable of doing both alternatively - but to begin with the heart centre, if one can do it, is the more desirable.
   The other side of the discipline is with regard to the activities of the nature, of the mind, of the life-self or vital, of the physical being. Here the principle is to accord the nature with the inner realisation so that one may not be divided into two discordant parts. There are here several disciplines or processes possible. One is to offer all the activities to the Divine and call for the inner guidance and the taking up of one's nature by a Higher Power. If there is the inward soul-opening, if the psychic being comes forward, then there is no great difficulty - there comes with it a psychic discrimination, a constant intimation, finally a governance which discloses and quietly and patiently removes all imperfections, bring the right mental and vital movements and reshapes the physical consciousness also. Another method is to stand back detached from the movements of the mind, life, physical being, to regard their activities as only a habitual formation of general Nature in the individual imposed on us by past workings, not as any part of our real being; in proportion as one succeeds in this, becomes detached, sees mind and its activities as not oneself, life and its activities as not oneself, the body and its activities as not oneself, one becomes aware of an inner Being within us - inner mental, inner vital, inner physical - silent, calm, unbound, unattached which reflects the true Self above and can be its direct representative; from this inner silent Being proceeds a rejection of all that is to be rejected, an acceptance only of what can be kept and transformed, an inmost Will to perfection or a call to the Divine Power to do at each step what is necessary for the change of the Nature. It can also open mind, life and body to the inmost psychic entity and its guiding influence or its direct guidance. In most cases these two methods emerge and work together and finally fuse into one. But one can being with either, the one that one feels most natural and easy to follow.
   Finally, in all difficulties where personal effort is hampered, the help of the Teacher can intervene and bring above what is needed for the realisation or for the immediate step that is necessary.
   ~ Sri Aurobindo, Letters On Yoga - II, 6, {871},
118:Education

THE EDUCATION of a human being should begin at birth and continue throughout his life.

   Indeed, if we want this education to have its maximum result, it should begin even before birth; in this case it is the mother herself who proceeds with this education by means of a twofold action: first, upon herself for her own improvement, and secondly, upon the child whom she is forming physically. For it is certain that the nature of the child to be born depends very much upon the mother who forms it, upon her aspiration and will as well as upon the material surroundings in which she lives. To see that her thoughts are always beautiful and pure, her feelings always noble and fine, her material surroundings as harmonious as possible and full of a great simplicity - this is the part of education which should apply to the mother herself. And if she has in addition a conscious and definite will to form the child according to the highest ideal she can conceive, then the very best conditions will be realised so that the child can come into the world with his utmost potentialities. How many difficult efforts and useless complications would be avoided in this way!

   Education to be complete must have five principal aspects corresponding to the five principal activities of the human being: the physical, the vital, the mental, the psychic and the spiritual. Usually, these phases of education follow chronologically the growth of the individual; this, however, does not mean that one of them should replace another, but that all must continue, completing one another until the end of his life.

   We propose to study these five aspects of education one by one and also their interrelationships. But before we enter into the details of the subject, I wish to make a recommendation to parents. Most parents, for various reasons, give very little thought to the true education which should be imparted to children. When they have brought a child into the world, provided him with food, satisfied his various material needs and looked after his health more or less carefully, they think they have fully discharged their duty. Later on, they will send him to school and hand over to the teachers the responsibility for his education.

   There are other parents who know that their children must be educated and who try to do what they can. But very few, even among those who are most serious and sincere, know that the first thing to do, in order to be able to educate a child, is to educate oneself, to become conscious and master of oneself so that one never sets a bad example to one's child. For it is above all through example that education becomes effective. To speak good words and to give wise advice to a child has very little effect if one does not oneself give him an example of what one teaches. Sincerity, honesty, straightforwardness, courage, disinterestedness, unselfishness, patience, endurance, perseverance, peace, calm, self-control are all things that are taught infinitely better by example than by beautiful speeches. Parents, have a high ideal and always act in accordance with it and you will see that little by little your child will reflect this ideal in himself and spontaneously manifest the qualities you would like to see expressed in his nature. Quite naturally a child has respect and admiration for his parents; unless they are quite unworthy, they will always appear to their child as demigods whom he will try to imitate as best he can.

   With very few exceptions, parents are not aware of the disastrous influence that their own defects, impulses, weaknesses and lack of self-control have on their children. If you wish to be respected by a child, have respect for yourself and be worthy of respect at every moment. Never be authoritarian, despotic, impatient or ill-tempered. When your child asks you a question, do not give him a stupid or silly answer under the pretext that he cannot understand you. You can always make yourself understood if you take enough trouble; and in spite of the popular saying that it is not always good to tell the truth, I affirm that it is always good to tell the truth, but that the art consists in telling it in such a way as to make it accessible to the mind of the hearer. In early life, until he is twelve or fourteen, the child's mind is hardly open to abstract notions and general ideas. And yet you can train it to understand these things by using concrete images, symbols or parables. Up to quite an advanced age and for some who mentally always remain children, a narrative, a story, a tale well told teach much more than any number of theoretical explanations.

   Another pitfall to avoid: do not scold your child without good reason and only when it is quite indispensable. A child who is too often scolded gets hardened to rebuke and no longer attaches much importance to words or severity of tone. And above all, take good care never to scold him for a fault which you yourself commit. Children are very keen and clear-sighted observers; they soon find out your weaknesses and note them without pity.

   When a child has done something wrong, see that he confesses it to you spontaneously and frankly; and when he has confessed, with kindness and affection make him understand what was wrong in his movement so that he will not repeat it, but never scold him; a fault confessed must always be forgiven. You should not allow any fear to come between you and your child; fear is a pernicious means of education: it invariably gives birth to deceit and lying. Only a discerning affection that is firm yet gentle and an adequate practical knowledge will create the bonds of trust that are indispensable for you to be able to educate your child effectively. And do not forget that you have to control yourself constantly in order to be equal to your task and truly fulfil the duty which you owe your child by the mere fact of having brought him into the world.

   Bulletin, February 1951

   ~ The Mother, On Education,
119:Intuition And The Value Of Concentration :::
   Mother, how can the faculty of intuition be developed?

   ... There are different kinds of intuition, and we carry these capacities within us. They are always active to some extent but we don't notice them because we don't pay enough attention to what is going on in us. Behind the emotions, deep within the being, in a consciousness seated somewhere near the level of the solar plexus, there is a sort of prescience, a kind of capacity for foresight, but not in the form of ideas: rather in the form of feelings, almost a perception of sensations. For instance, when one is going to decide to do something, there is sometimes a kind of uneasiness or inner refusal, and usually, if one listens to this deeper indication, one realises that it was justified. In other cases there is something that urges, indicates, insists - I am not speaking of impulses, you understand, of all the movements which come from the vital and much lower still - indications which are behind the feelings, which come from the affective part of the being; there too one can receive a fairly sure indication of the thing to be done. These are forms of intuition or of a higher instinct which can be cultivated by observation and also by studying the results. Naturally, it must be done very sincerely, objectively, without prejudice. If one wants to see things in a particular way and at the same time practise this observation, it is all useless. One must do it as if one were looking at what is happening from outside oneself, in someone else. It is one form of intuition and perhaps the first one that usually manifests. There is also another form but that one is much more difficult to observe because for those who are accustomed to think, to act by reason - not by impulse but by reason - to reflect before doing anything, there is an extremely swift process from cause to effect in the half-conscious thought which prevents you from seeing the line, the whole line of reasoning and so you don't think that it is a chain of reasoning, and that is quite deceptive. You have the impression of an intuition but it is not an intuition, it is an extremely rapid subconscious reasoning, which takes up a problem and goes straight to the conclusions. This must not be mistaken for intuition. In the ordinary functioning of the brain, intuition is something which suddenly falls like a drop of light. If one has the faculty, the beginning of a faculty of mental vision, it gives the impression of something coming from outside or above, like a little impact of a drop of light in the brain, absolutely independent of all reasoning. This is perceived more easily when one is able to silence one's mind, hold it still and attentive, arresting its usual functioning, as if the mind were changed into a kind of mirror turned towards a higher faculty in a sustained and silent attention. That too one can learn to do. One must learn to do it, it is a necessary discipline.
   When you have a question to solve, whatever it may be, usually you concentrate your attention here (pointing between the eyebrows), at the centre just above the eyes, the centre of the conscious will. But then if you do that, you cannot be in contact with intuition. You can be in contact with the source of the will, of effort, even of a certain kind of knowledge, but in the outer, almost material field; whereas, if you want to contact the intuition, you must keep this (Mother indicates the forehead) completely immobile. Active thought must be stopped as far as possible and the entire mental faculty must form - at the top of the head and a little further above if possible - a kind of mirror, very quiet, very still, turned upwards, in silent, very concentrated attention. If you succeed, you can - perhaps not immediately - but you can have the perception of the drops of light falling upon the mirror from a still unknown region and expressing themselves as a conscious thought which has no connection with all the rest of your thought since you have been able to keep it silent. That is the real beginning of the intellectual intuition.
   It is a discipline to be followed. For a long time one may try and not succeed, but as soon as one succeeds in making a mirror, still and attentive, one always obtains a result, not necessarily with a precise form of thought but always with the sensations of a light coming from above. And then, if one can receive this light coming from above without entering immediately into a whirl of activity, receive it in calm and silence and let it penetrate deep into the being, then after a while it expresses itself either as a luminous thought or as a very precise indication here (Mother indicates the heart), in this other centre.
   Naturally, first these two faculties must be developed; then, as soon as there is any result, one must observe the result, as I said, and see the connection with what is happening, the consequences: see, observe very attentively what has come in, what may have caused a distortion, what one has added by way of more or less conscious reasoning or the intervention of a lower will, also more or less conscious; and it is by a very deep study - indeed, almost of every moment, in any case daily and very frequent - that one succeeds in developing one's intuition. It takes a long time. It takes a long time and there are ambushes: one can deceive oneself, take for intuitions subconscious wills which try to manifest, indications given by impulses one has refused to receive openly, indeed all sorts of difficulties. One must be prepared for that. But if one persists, one is sure to succeed.
   And there comes a time when one feels a kind of inner guidance, something which is leading one very perceptibly in all that one does. But then, for the guidance to have its maximum power, one must naturally add to it a conscious surrender: one must be sincerely determined to follow the indication given by the higher force. If one does that, then... one saves years of study, one can seize the result extremely rapidly. If one also does that, the result comes very rapidly. But for that, it must be done with sincerity and... a kind of inner spontaneity. If one wants to try without this surrender, one may succeed - as one can also succeed in developing one's personal will and making it into a very considerable power - but that takes a very long time and one meets many obstacles and the result is very precarious; one must be very persistent, obstinate, persevering, and one is sure to succeed, but only after a great labour.
   Make your surrender with a sincere, complete self-giving, and you will go ahead at full speed, you will go much faster - but you must not do this calculatingly, for that spoils everything! (Silence) Moreover, whatever you may want to do in life, one thing is absolutely indispensable and at the basis of everything, the capacity of concentrating the attention. If you are able to gather together the rays of attention and consciousness on one point and can maintain this concentration with a persistent will, nothing can resist it - whatever it may be, from the most material physical development to the highest spiritual one. But this discipline must be followed in a constant and, it may be said, imperturbable way; not that you should always be concentrated on the same thing - that's not what I mean, I mean learning to concentrate.
   And materially, for studies, sports, all physical or mental development, it is absolutely indispensable. And the value of an individual is proportionate to the value of his attention.
   And from the spiritual point of view it is still more important.
   There is no spiritual obstacle which can resist a penetrating power of concentration. For instance, the discovery of the psychic being, union with the inner Divine, opening to the higher spheres, all can be obtained by an intense and obstinate power of concentration - but one must learn how to do it. There is nothing in the human or even in the superhuman field, to which the power of concentration is not the key. You can be the best athlete, you can be the best student, you can be an artistic, literary or scientific genius, you can be the greatest saint with that faculty. And everyone has in himself a tiny little beginning of it - it is given to everybody, but people do not cultivate it.
   ~ The Mother, Questions And Answers 1957-1958,
120:One little picture in this book, the Magic Locket, was drawn by 'Miss Alice Havers.' I did not state this on the title-page, since it seemed only due, to the artist of all these (to my mind) wonderful pictures, that his name should stand there alone.
The descriptions, of Sunday as spent by children of the last generation, are quoted verbatim from a speech made to me by a child-friend and a letter written to me by a lady-friend.
The Chapters, headed 'Fairy Sylvie' and 'Bruno's Revenge,' are a reprint, with a few alterations, of a little fairy-tale which I wrote in the year 1867, at the request of the late Mrs. Gatty, for 'Aunt Judy's Magazine,' which she was then editing.
It was in 1874, I believe, that the idea first occurred to me of making it the nucleus of a longer story.
As the years went on, I jotted down, at odd moments, all sorts of odd ideas, and fragments of dialogue, that occurred to me--who knows how?--with a transitory suddenness that left me no choice but either to record them then and there, or to abandon them to oblivion. Sometimes one could trace to their source these random flashes of thought--as being suggested by the book one was reading, or struck out from the 'flint' of one's own mind by the 'steel' of a friend's chance remark but they had also a way of their own, of occurring, a propos of nothing --specimens of that hopelessly illogical phenomenon, 'an effect without a cause.' Such, for example, was the last line of 'The Hunting of the Snark,' which came into my head (as I have already related in 'The Theatre' for April, 1887) quite suddenly, during a solitary walk: and such, again, have been passages which occurred in dreams, and which I cannot trace to any antecedent cause whatever. There are at least two instances of such dream-suggestions in this book--one, my Lady's remark, 'it often runs in families, just as a love for pastry does', the other, Eric Lindon's badinage about having been in domestic service.

And thus it came to pass that I found myself at last in possession of a huge unwieldy mass of litterature--if the reader will kindly excuse the spelling --which only needed stringing together, upon the thread of a consecutive story, to constitute the book I hoped to write. Only! The task, at first, seemed absolutely hopeless, and gave me a far clearer idea, than I ever had before, of the meaning of the word 'chaos': and I think it must have been ten years, or more, before I had succeeded in classifying these odds-and-ends sufficiently to see what sort of a story they indicated: for the story had to grow out of the incidents, not the incidents out of the story I am telling all this, in no spirit of egoism, but because I really believe that some of my readers will be interested in these details of the 'genesis' of a book, which looks so simple and straight-forward a matter, when completed, that they might suppose it to have been written straight off, page by page, as one would write a letter, beginning at the beginning; and ending at the end.

It is, no doubt, possible to write a story in that way: and, if it be not vanity to say so, I believe that I could, myself,--if I were in the unfortunate position (for I do hold it to be a real misfortune) of being obliged to produce a given amount of fiction in a given time,--that I could 'fulfil my task,' and produce my 'tale of bricks,' as other slaves have done. One thing, at any rate, I could guarantee as to the story so produced--that it should be utterly commonplace, should contain no new ideas whatever, and should be very very weary reading!
This species of literature has received the very appropriate name of 'padding' which might fitly be defined as 'that which all can write and none can read.' That the present volume contains no such writing I dare not avow: sometimes, in order to bring a picture into its proper place, it has been necessary to eke out a page with two or three extra lines : but I can honestly say I have put in no more than I was absolutely compelled to do.
My readers may perhaps like to amuse themselves by trying to detect, in a given passage, the one piece of 'padding' it contains. While arranging the 'slips' into pages, I found that the passage was 3 lines too short. I supplied the deficiency, not by interpolating a word here and a word there, but by writing in 3 consecutive lines. Now can my readers guess which they are?

A harder puzzle if a harder be desired would be to determine, as to the Gardener's Song, in which cases (if any) the stanza was adapted to the surrounding text, and in which (if any) the text was adapted to the stanza.
Perhaps the hardest thing in all literature--at least I have found it so: by no voluntary effort can I accomplish it: I have to take it as it come's is to write anything original. And perhaps the easiest is, when once an original line has been struck out, to follow it up, and to write any amount more to the same tune. I do not know if 'Alice in Wonderland' was an original story--I was, at least, no conscious imitator in writing it--but I do know that, since it came out, something like a dozen storybooks have appeared, on identically the same pattern. The path I timidly explored believing myself to be 'the first that ever burst into that silent sea'--is now a beaten high-road: all the way-side flowers have long ago been trampled into the dust: and it would be courting disaster for me to attempt that style again.

Hence it is that, in 'Sylvie and Bruno,' I have striven with I know not what success to strike out yet another new path: be it bad or good, it is the best I can do. It is written, not for money, and not for fame, but in the hope of supplying, for the children whom I love, some thoughts that may suit those hours of innocent merriment which are the very life of Childhood; and also in the hope of suggesting, to them and to others, some thoughts that may prove, I would fain hope, not wholly out of harmony with the graver cadences of Life.
If I have not already exhausted the patience of my readers, I would like to seize this opportunity perhaps the last I shall have of addressing so many friends at once of putting on record some ideas that have occurred to me, as to books desirable to be written--which I should much like to attempt, but may not ever have the time or power to carry through--in the hope that, if I should fail (and the years are gliding away very fast) to finish the task I have set myself, other hands may take it up.
First, a Child's Bible. The only real essentials of this would be, carefully selected passages, suitable for a child's reading, and pictures. One principle of selection, which I would adopt, would be that Religion should be put before a child as a revelation of love--no need to pain and puzzle the young mind with the history of crime and punishment. (On such a principle I should, for example, omit the history of the Flood.) The supplying of the pictures would involve no great difficulty: no new ones would be needed : hundreds of excellent pictures already exist, the copyright of which has long ago expired, and which simply need photo-zincography, or some similar process, for their successful reproduction. The book should be handy in size with a pretty attractive looking cover--in a clear legible type--and, above all, with abundance of pictures, pictures, pictures!
Secondly, a book of pieces selected from the Bible--not single texts, but passages of from 10 to 20 verses each--to be committed to memory. Such passages would be found useful, to repeat to one's self and to ponder over, on many occasions when reading is difficult, if not impossible: for instance, when lying awake at night--on a railway-journey --when taking a solitary walk-in old age, when eyesight is failing or wholly lost--and, best of all, when illness, while incapacitating us for reading or any other occupation, condemns us to lie awake through many weary silent hours: at such a time how keenly one may realise the truth of David's rapturous cry "O how sweet are thy words unto my throat: yea, sweeter than honey unto my mouth!"
I have said 'passages,' rather than single texts, because we have no means of recalling single texts: memory needs links, and here are none: one may have a hundred texts stored in the memory, and not be able to recall, at will, more than half-a-dozen--and those by mere chance: whereas, once get hold of any portion of a chapter that has been committed to memory, and the whole can be recovered: all hangs together.
Thirdly, a collection of passages, both prose and verse, from books other than the Bible. There is not perhaps much, in what is called 'un-inspired' literature (a misnomer, I hold: if Shakespeare was not inspired, one may well doubt if any man ever was), that will bear the process of being pondered over, a hundred times: still there are such passages--enough, I think, to make a goodly store for the memory.
These two books of sacred, and secular, passages for memory--will serve other good purposes besides merely occupying vacant hours: they will help to keep at bay many anxious thoughts, worrying thoughts, uncharitable thoughts, unholy thoughts. Let me say this, in better words than my own, by copying a passage from that most interesting book, Robertson's Lectures on the Epistles to the Corinthians, Lecture XLIX. "If a man finds himself haunted by evil desires and unholy images, which will generally be at periodical hours, let him commit to memory passages of Scripture, or passages from the best writers in verse or prose. Let him store his mind with these, as safeguards to repeat when he lies awake in some restless night, or when despairing imaginations, or gloomy, suicidal thoughts, beset him. Let these be to him the sword, turning everywhere to keep the way of the Garden of Life from the intrusion of profaner footsteps."
Fourthly, a "Shakespeare" for girls: that is, an edition in which everything, not suitable for the perusal of girls of (say) from 10 to 17, should be omitted. Few children under 10 would be likely to understand or enjoy the greatest of poets: and those, who have passed out of girlhood, may safely be left to read Shakespeare, in any edition, 'expurgated' or not, that they may prefer: but it seems a pity that so many children, in the intermediate stage, should be debarred from a great pleasure for want of an edition suitable to them. Neither Bowdler's, Chambers's, Brandram's, nor Cundell's 'Boudoir' Shakespeare, seems to me to meet the want: they are not sufficiently 'expurgated.' Bowdler's is the most extraordinary of all: looking through it, I am filled with a deep sense of wonder, considering what he has left in, that he should have cut anything out! Besides relentlessly erasing all that is unsuitable on the score of reverence or decency, I should be inclined to omit also all that seems too difficult, or not likely to interest young readers. The resulting book might be slightly fragmentary: but it would be a real treasure to all British maidens who have any taste for poetry.
If it be needful to apologize to any one for the new departure I have taken in this story--by introducing, along with what will, I hope, prove to be acceptable nonsense for children, some of the graver thoughts of human life--it must be to one who has learned the Art of keeping such thoughts wholly at a distance in hours of mirth and careless ease. To him such a mixture will seem, no doubt, ill-judged and repulsive. And that such an Art exists I do not dispute: with youth, good health, and sufficient money, it seems quite possible to lead, for years together, a life of unmixed gaiety--with the exception of one solemn fact, with which we are liable to be confronted at any moment, even in the midst of the most brilliant company or the most sparkling entertainment. A man may fix his own times for admitting serious thought, for attending public worship, for prayer, for reading the Bible: all such matters he can defer to that 'convenient season', which is so apt never to occur at all: but he cannot defer, for one single moment, the necessity of attending to a message, which may come before he has finished reading this page,' this night shalt thy soul be required of thee.'
The ever-present sense of this grim possibility has been, in all ages, 1 an incubus that men have striven to shake off. Few more interesting subjects of enquiry could be found, by a student of history, than the various weapons that have been used against this shadowy foe. Saddest of all must have been the thoughts of those who saw indeed an existence beyond the grave, but an existence far more terrible than annihilation--an existence as filmy, impalpable, all but invisible spectres, drifting about, through endless ages, in a world of shadows, with nothing to do, nothing to hope for, nothing to love! In the midst of the gay verses of that genial 'bon vivant' Horace, there stands one dreary word whose utter sadness goes to one's heart. It is the word 'exilium' in the well-known passage

Omnes eodem cogimur, omnium
Versatur urna serius ocius
Sors exitura et nos in aeternum
Exilium impositura cymbae.

Yes, to him this present life--spite of all its weariness and all its sorrow--was the only life worth having: all else was 'exile'! Does it not seem almost incredible that one, holding such a creed, should ever have smiled?
And many in this day, I fear, even though believing in an existence beyond the grave far more real than Horace ever dreamed of, yet regard it as a sort of 'exile' from all the joys of life, and so adopt Horace's theory, and say 'let us eat and drink, for to-morrow we die.'
We go to entertainments, such as the theatre--I say 'we', for I also go to the play, whenever I get a chance of seeing a really good one and keep at arm's length, if possible, the thought that we may not return alive. Yet how do you know--dear friend, whose patience has carried you through this garrulous preface that it may not be your lot, when mirth is fastest and most furious, to feel the sharp pang, or the deadly faintness, which heralds the final crisis--to see, with vague wonder, anxious friends bending over you to hear their troubled whispers perhaps yourself to shape the question, with trembling lips, "Is it serious?", and to be told "Yes: the end is near" (and oh, how different all Life will look when those words are said!)--how do you know, I say, that all this may not happen to you, this night?
And dare you, knowing this, say to yourself "Well, perhaps it is an immoral play: perhaps the situations are a little too 'risky', the dialogue a little too strong, the 'business' a little too suggestive.
I don't say that conscience is quite easy: but the piece is so clever, I must see it this once! I'll begin a stricter life to-morrow." To-morrow, and to-morrow, and tomorrow!

"Who sins in hope, who, sinning, says,
'Sorrow for sin God's judgement stays!'
Against God's Spirit he lies; quite stops Mercy with insult; dares, and drops,
Like a scorch'd fly, that spins in vain
Upon the axis of its pain,
Then takes its doom, to limp and crawl,
Blind and forgot, from fall to fall."

Let me pause for a moment to say that I believe this thought, of the possibility of death--if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.
But, once realise what the true object is in life--that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds'--but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man--and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!
One other matter may perhaps seem to call for apology--that I should have treated with such entire want of sympathy the British passion for 'Sport', which no doubt has been in by-gone days, and is still, in some forms of it, an excellent school for hardihood and for coolness in moments of danger.
But I am not entirely without sympathy for genuine 'Sport': I can heartily admire the courage of the man who, with severe bodily toil, and at the risk of his life, hunts down some 'man-eating' tiger: and I can heartily sympathize with him when he exults in the glorious excitement of the chase and the hand-to-hand struggle with the monster brought to bay. But I can but look with deep wonder and sorrow on the hunter who, at his ease and in safety, can find pleasure in what involves, for some defenceless creature, wild terror and a death of agony: deeper, if the hunter be one who has pledged himself to preach to men the Religion of universal Love: deepest of all, if it be one of those 'tender and delicate' beings, whose very name serves as a symbol of Love--'thy love to me was wonderful, passing the love of women'--whose mission here is surely to help and comfort all that are in pain or sorrow!

'Farewell, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.
He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.' ~ Lewis Carroll, Sylvie and Bruno,
121:Increasing knowledge is important, but we must also remember that we already know far more than we are willing or able to apply. The human race is not wandering in darkness without guidance or direction. It is not necessary to be universally enlightened in order to live a constructive code. The conflict is in the individual. He must decide for himself the degree to which he is willing to control and re-educate his own appetites and instincts. The inducements to per­sonality reorientation are real, evident, and undeniable. ~ Manly P. Hall, Horizon Magazine, Winter 1950, p. 16,
122:The Nirmanakaya manifestation of Amitabha, I,
the Indian Scholar, the Lotus Born,
From the self-blossoming center of a lotus,
Came to this realm of existence through miraculous powers
To be the prince of the king of Oddiyana.
Then, I sustained the kingdom in accordance with Dharma.
Wandering throughout all directions of India,
I severed all spiritual doubts without exception.
Engaging in fearless activity in the eight burial grounds,
I achieved all supreme and common siddhis.
Then, according to the wishes of King Trisong Detsen
And by the power of previous prayers, I journeyed to Tibet.
By subduing the cruel gods, nagas, yakshas, rakshas,
and all spirits who harm beings,
The light of the teachings of secret mantra has been illuminated.
Then, when the time came to depart for the continent of Lanka,
I did so to provide refuge from the fear of rakshas
For all the inhabitants of this world, including Tibet.
I blessed Nirmanakaya emanations to be representatives of my body.
I made sacred treasures as representatives of my holy speech.
I poured enlightened wisdom into the hearts of those with fortunate karma.
Until samsara is emptied, for the benefit of sentient beings,
I will manifest unceasingly in whatever ways are necessary.
Through profound kindness, I have brought great benefit for all.
If you who are fortunate have the mind of aspiration,
May you pray so that blessings will be received.
All followers, believe in me with determination.
Samaya. ~ The Wrathful Compassion of Guru Dorje Drollo, Vajra Master Dudjom Yeshe Dorje, translated by Dungse Thinley Norbu Rinpoche,
123:It is no use reading books of guidance if one is not determined to live what they teach. Blessings ~ The Mother,
124:The messengers of the Incommunicable,
The architects of immortality.
Into the fallen human sphere they came,
Faces that wore the Immortal's glory still,
Voices that communed still with the thoughts of God,
Bodies made beautiful by the spirit's light,
Carrying the magic word, the mystic fire,
Carrying the Dionysian cup of joy,
Approaching eyes of a diviner man,
Lips chanting an unknown anthem of the soul,
Feet echoing in the corridors of Time.
High priests of wisdom, sweetness, might and bliss,
Discoverers of beauty's sunlit ways
And swimmers of Love's laughing fiery floods
And dancers within rapture's golden doors,
Their tread one day shall change the suffering earth
And justify the light on Nature's face. ~ Sri Aurobindo, Savitri, 3:4,
125:"The lessening of evil breeds abstinence from evil; and
abstinence from evil is the beginning of repentance; and
the beginning of repentance is the beginning of salvation; and
the beginning of salvation is a good resolve; and
a good resolve is the mother of labors. And
the beginning of labors is the virtues; and
the beginning of the virtues is a flowering, and
the flowering of virtue is the beginning of activity. And
the offspring of virtue is perseverance; and
the fruit and offspring of persevering practice is habit, and
the child of habit is character. And
good character is the mother of fear; and
fear gives birth to the keeping of commandments in which I include both Heavenly and earthly. And
the keeping of the commandments is a sign of love; and
the beginning of love is an abundance of humility; and
an abundance of humility is the daughter of dispassion; and
the acquisition of the latter is the fullness of love, that is to say, the perfect indwelling of God in those who through dispassion are pure in heart, for they shall see God.
And to Him the glory for all eternity. Amen" ~ Saint John Climacus, The Ladder of Divine Ascent,
126:Suffering is pain plus avoidance. ~ Ken Wilber, Spirituality in the Modern World [DVD], https://www.youtube.com/watch?v=QWO5Oj4yG-Q, 2006 in New York.

*** NEWFULLDB 2.4M ***

1:dance the pain ~ Sona Charaipotra
2:live love dance ~ Richard McKenna
3:Dance it off. ~ Jennifer Lynn Barnes
4:The moon has become a dancer ~ Rumi
5:Every savage can dance. ~ Jane Austen
6:He moves like a dancer. ~ Lisa McMann
7:How we danced" - Sadie ~ Stephen King
8:I dance like the wind. ~ Edward Albee
9:Last dance with Mary Jane ~ Tom Petty
10:Love is only a dance. ~ Howard Dietz
11:When in doubt dance out ~ Miley Cyrus
12:Dance the orange. ~ Rainer Maria Rilke
13:From abundance springs satiety. ~ Livy
14:How we danced!" - Sadie ~ Stephen King
15:I can't sing or dance. ~ Joel Edgerton
16:I'm a terrible dancer. ~ Rupert Friend
17:I often work by avoidance. ~ Brian Eno
18:Life is a dance of nature. ~ Toba Beta
19:VLADIMIR: Dance, hog! ~ Samuel Beckett
20:Abundance destroys value. ~ Simon Sinek
21:I am not a natural dancer. ~ Ricki Lake
22:My heart's a dance of fear. ~ Aeschylus
23:To dance is to live! ~ Charles M Schulz
24:Come Dance with Me , come dance. ~ Hafez
25:Dance until you shatter yourself. ~ Rumi
26:Dance when you're perfectly free. ~ Rumi
27:I dance with the dancers. ~ Walt Whitman
28:I’m a dancer who cannot dance. ~ Marilyn
29:Words his soul danced to. ~ David Malouf
30:Dance like nobody's looking. ~ Mark Twain
31:guidance on the question. ~ Joseph Murphy
32:He was a dancer of death. ~ Richelle Mead
33:I can make the stars dance ~ Selena Gomez
34:I don't dance, But here I am ~ Lee Brice
35:I'm not a big dancer! ~ Kristin Cavallari
36:I'm not much of a dancer. ~ Billy Eichner
37:Nesara. So dance. ~ Amelia Atwater Rhodes
38:The God of Abundance. Psalm ~ Joel Osteen
39:Dance first, think later. ~ Samuel Beckett
40:I only dance when I go out. ~ Diane Kruger
41:This dance is the joy of existence. ~ Rumi
42:God dances with the outcast. ~ Steven James
43:Music and dance are all you need. ~ Moliere
44:There is no avoidance in delay. ~ Aeschylus
45:Dance like nobody's watching. ~ Kathy Mattea
46:Enough is abundance to the wise. ~ Euripides
47:God takes attendance every day. ~ Glenn Beck
48:I can't dance at all by myself. ~ Cat Deeley
49:In abundance prepare for scarcity. ~ Mencius
50:I used to teach dance lessons. ~ Eartha Kitt
51:Never dance on a small boat. ~ Holly Throsby
52:Never trust a man who can dance. ~ E L James
53:The way I dance is by writing. ~ Anne Lamott
54:Trust me. You can dance.” - Vodka ~ Sara Ney
55:TRYING TO CONTROL THE DANCE! ~ Amanda Palmer
56:Why should your heart not dance? ~ C S Lewis
57:Good-by and good riddance! ~ Franklin W Dixon
58:In all abundance there is lack. ~ Hippocrates
59:My first vocation was dance. ~ Victoria Abril
60:Thanksgiving creates abundance. ~ Ann Voskamp
61:A dance to the music of time. ~ Anthony Powell
62:And just dance a little. ~ Mary Anne Radmacher
63:Avoidance. It’s what I do best. ~ Rebecca Shea
64:But God dances amidst the common. ~ Max Lucado
65:Dance brings us all together. ~ Kreesha Turner
66:Dance, dance, dance till you drop. ~ W H Auden
67:Dance until the earth dance. ~ Hilda Doolittle
68:Fuck Art, let's Dance! ~ Lawrence Ferlinghetti
69:Giving is the secret of abundance. ~ Sivananda
70:I love music and I love to dance. ~ Jami Gertz
71:I'm not looking for guidance. ~ Liam Gallagher
72:Nobody is born a dancer. ~ Mikhail Baryshnikov
73:People dance at any age. ~ Mikhail Baryshnikov
74:Without dance, a man can do nothing. ~ Moliere
75:Dance is music made visible ~ George Balanchine
76:Discordance is evil. Harmony is virtue. ~ Plato
77:Flashlight beams danced crazily ~ Kurt Vonnegut
78:Happiness like an unmoving dancer. ~ Kinga Fabo
79:Having a pants-off dance-off? ~ Claire Kingsley
80:I always wanted to go to Sundance. ~ Eve Hewson
81:music as we danced our way in both ~ Pat Conroy
82:No sane man will dance. ~ Marcus Tullius Cicero
83:No sober person dances. ~ Marcus Tullius Cicero
84:Who Says Elephants Can’t Dance? ~ Carol S Dweck
85:Yoga, unlike dance or mime, ~ T K V Desikachar
86:Dance with the one who brung you. ~ Randy Pausch
87:Don’t forget to dance in the rain… ~ Nina Levine
88:Emergency dance party--go away. ~ Rainbow Rowell
89:I could have danced all night! ~ Alan Jay Lerner
90:I sing and dance. That's my job. ~ Dick Van Dyke
91:Life calls the tune, we dance. ~ John Galsworthy
92:Watching my four year old daughter dance ~ Ikkyu
93:Wine is connected to abundance. ~ Carole Bouquet
94:Abundance can be its own obstacle. ~ Ryan Holiday
95:Any chance I get, I will dance. ~ Hillary Clinton
96:Dance with the one that brought you ~ Hannah Hart
97:I explained it when I danced it. ~ Margot Fonteyn
98:I'm a terrible dancer. The worst. ~ Sheena Easton
99:It dances today, my heart, ~ Rabindranath Tagore
100:Tell me something I can dance to. ~ Mark Sheppard
101:To dance is human, to polka is divine. ~ K D Lang
102:Dance, dance, otherwise we are lost. ~ Pina Bausch
103:Dancers are the athletes of God. ~ Albert Einstein
104:Dance with me, Death, I am ready. ~ Terry Goodkind
105:hopes dance best on bald men's hair ~ e e cummings
106:I can dance with life again. ~ Jacqueline Winspear
107:I like to dance, but I'm not a dancer. ~ Jon M Chu
108:I'm not much of a song-and-dance man. ~ Nick Nolte
109:I will always dance in the street. ~ Martha Reeves
110:My favorite dancer is Sylvie Guillem. ~ Jerry Hall
111:See the music, hear the dance. ~ George Balanchine
112:There’s a dance in the old dame yet. ~ Don Marquis
113:Who hasn't danced in their underwear? ~ Tom Cruise
114:Winds of May, that dance on the sea, ~ James Joyce
115:A blocked path also offers guidance. ~ Mason Cooley
116:At the still point, there the dance is. ~ T S Eliot
117:Both light and shadow are the dance of Love. ~ Rumi
118:"Dance, when you're broken open." ~ Jalaluddin Rumi
119:Giving opens up avenues for abundance. ~ Jen Lilley
120:I'm a singer who moves like a dancer. ~ Bobby Darin
121:It's not sexual--it's modern dance. ~ Matthew Quick
122:They danced by the light of the moon. ~ Edward Lear
123:What a joy it is to dance and sing! ~ Angela Carter
124:All we really want to do is dance. ~ Joseph Campbell
125:Avoidance is a wonderful therapy ~ Maggie Stiefvater
126:Boys who dance are genetic volcanoes. ~ Andrew Smith
127:Dance... enjoy each step along the way. ~ Wayne Dyer
128:I'd rather fight a buzzsaw than dance. ~ Johnny Depp
129:If you're a dancer, study singing. ~ Debbie Reynolds
130:I like to dance, but not in the air. ~ Billy the Kid
131:Sometimes you just gotta dance it out. ~ Chloe Neill
132:Americans are good at making dance music. ~ Ed Simons
133:Art is a never-ending dance of illusions. ~ Bob Dylan
134:Dance is the landscape of man's soul. ~ Martha Graham
135:Fancy pants, the monk can dance! ~ Fyodor Dostoyevsky
136:If I find I need guidance, I’ll ask. ~ Diana Gabaldon
137:Je suis Marxiste, tendance Groucho. ~ Jean Luc Godard
138:Nobody cares if you can't dance well. ~ Martha Graham
139:One is born to be a great dancer. ~ George Balanchine
140:One you've danced, you always dance. ~ Judith Jamison
141:On with the dance! let joy be unconfin'd ~ Lord Byron
142:The butterfly danced on the flower. ~ Kerry Greenwood
143:You've never seen me dance, have you? ~ Roger Federer
144:You want to dance with me, angel tits? ~ Edward Albee
145:Abundance is, in large part, an attitude. ~ Sue Thoele
146:A dancer's life is all about repetition. ~ Twyla Tharp
147:All are not merry that dance lightly. ~ George Herbert
148:Both light and shadow
are the dance of Love. ~ Rumi
149:Fear is the politicians dance partner. ~ Penn Jillette
150:I'd like to be a song and dance man. ~ Walter Cronkite
151:I smiled, danced and cried my way out. ~ Adrien Broner
152:It's a marvelous night for a moondance! ~ Van Morrison
153:my spirit was programmed to abundance. ~ Charles Capps
154:Pride sings and dances; humility sighs. ~ Mason Cooley
155:When the music changes, so does the dance. ~ Anonymous
156:You don't pick dance. Dance picks you. ~ Martha Graham
157:You have to be selfish to be an actor. ~ Charles Dance
158:Dance is such a stressful environment. ~ Mia Wasikowska
159:Dancers are both athletes and artists. ~ Margot Fonteyn
160:Dancers aren't pompous; they're too tired. ~ Jose Limon
161:Dancers are the messengers of the gods. ~ Martha Graham
162:Dance to this and you're gonna get thinner. ~ MC Hammer
163:Either the camera will dance, or I will. ~ Fred Astaire
164:farmer barn dances, although the ~ Lois McMaster Bujold
165:Gratitude builds a bridge to abundance. ~ Roy T Bennett
166:I can't dance and I can't sing too well. ~ Michael Kors
167:If there is no dance, there is not music. ~ Tito Puente
168:If you can't dance then you are a loser. ~ Harry Truman
169:I haven't danced since 1973; I'm too old. ~ Len Goodman
170:I think we need a big national dance. ~ Hillary Clinton
171:Julian Edelman. He's the worst dancer. ~ Rob Gronkowski
172:This deadly body of mine can dance, too. ~ Muriel Spark
173:We didn't have wings, but we could dance. ~ Megan Crane
174:You're swimming in a sea of abundance. ~ Victoria Moran
175:10. Manage for abundance, not scarcity. ~ Chris Anderson
176:Dance is about never-ending aspiration. ~ Judith Jamison
177:Dance is the hidden language of the soul ~ Martha Graham
178:He danced there like an overturned centipede. ~ Ben Okri
179:I do a death dance,
I lay a snake skin… ~ Anne Sexton
180:I have a bit of a frustrated dancer in me. ~ Naomi Watts
181:I never force myself to dance or sing. ~ Brigitte Bardot
182:Let me see you do the 'rag time dance'... ~ Scott Joplin
183:Men give advice; God gives guidance. ~ Leonard Ravenhill
184:My furries need guidance. And, I'm bored. ~ Alanea Alder
185:Never give a sword to a man who can't dance. ~ Confucius
186:No great city has an abundance of parking. ~ Yves Engler
187:No man in his senses will dance. ~ Marcus Tullius Cicero
188:When you're inspired you attract abundance. ~ Wayne Dyer
189:Wherever a dancer stands is holy ground. ~ Martha Graham
190:You dance inside my chest, where no one sees you. ~ Rumi
191:Actually I dance really well on the floor. ~ Oksana Baiul
192:Avoidance always prolongs pain, in the end. ~ Henry Cloud
193:Dance from here to the other world-and don't stop. ~ Rumi
194:Dance, you jazz-mad puppets of fate, and ~ Dorothy Parker
195:Disco is just pop music you can dance to. ~ Sheena Easton
196:F**king dance whenever you want to dance. ~ Alex Gaskarth
197:Gay nightclubs offer better dance music. ~ Jack Davenport
198:He danced like a grasshopper on fire, ~ Louisa May Alcott
199:I can sing and dance. I can smile - a lot. ~ Chris Colfer
200:If you can't dance then you are a loser. ~ Harry S Truman
201:I love to dance and dance all night long. ~ Douglas Booth
202:In the abundance of water a fool is thirsty. ~ Bob Marley
203:It's literally murder on the dancefloor. ~ Dermot O Leary
204:I was never a dancer before 'Shake It Up'. ~ Bella Thorne
205:Life is the dancer and you are the dance. ~ Eckhart Tolle
206:Life is too short to dance with ugly men ~ Christina Dodd
207:Pat, it's not sexual – it's modern dance. ~ Matthew Quick
208:Put on your red shoes, and dance the blues. ~ David Bowie
209:She danced the dance of flames and fire, ~ Khalil Gibran
210:The preserver of abundance is excellence. ~ Wendell Berry
211:An abundance of commonsense is called wisdom. ~ Shiv Khera
212:and his fingers dance against the trigger. ~ Lauren Oliver
213:I became a dancer late and an actor late. ~ Mads Mikkelsen
214:I've been doing African dance all my life. ~ Naima Adedapo
215:Life is the dancer, and you are the dance. ~ Eckhart Tolle
216:life is too short to dance with an ugly woman ~ Rick Bragg
217:On with the dance, let the joy be unconfined. ~ Mark Twain
218:The abundance of books is distraction ~ Seneca the Younger
219:The Universe is a masterpiece of abundance. ~ Rhonda Byrne
220:We dance in splendor and self amazement. ~ Jalaluddin Rumi
221:We have heeded no wisdom offering guidance. ~ Dora Russell
222:Avoidance, my coping mechanism of choice. ~ Kate Canterbary
223:Dance till the stars come down from the rafters ~ W H Auden
224:diplomacy. A dance of shadows in the darkness. ~ C S Harris
225:I danced with passion to spite the music. ~ Gelsey Kirkland
226:I learned to love dance for its own sake. ~ Suzanne Farrell
227:It's better to dance than to march through life. ~ Yoko Ono
228:I've learned to dance with a hand in my pants. ~ Billy Joel
229:I was still blind, but twinkling stars did dance ~ Novalis
230:Life is a dance... Enjoy every step. ~ Anthony D Williams
231:Love dances in the freshness of the unknown ~ Deepak Chopra
232:My sweet, innocent dancer is a dirty girl. By ~ Alexa Riley
233:Poetry is an echo asking a shadow to dance. ~ Carl Sandburg
234:SWORD stood for: Serve Worship Order Rest Dance ~ Jon Acuff
235:Those women like to see their tongues dance. ~ Ray Bradbury
236:We live in a time of unprecedented abundance. ~ David Wolfe
237:Well, it's a marvelous night for a Moondance ~ Van Morrison
238:Where dance is, there is the devil. ~ Saint John Chrysostom
239:Who will dance on the floor in the round? ~ Michael Jackson
240:You are never bereft of your inner guidance. ~ Jane Roberts
241:All Indians must dance, everywhere keep on dancing. ~ Wovoka
242:A Nation's character is typified by its dancers. ~ Confucius
243:Anywhere everywhere! Anything anyhow! just dance! ~ Rajneesh
244:As for time, all men have it in abundance. ~ George S Clason
245:Avoidance of risk is the greatest risk of all. ~ Henry Cloud
246:How to dance
in blood and
remain sane? ~ Sonia Sanchez
247:I am satisfied ... I see, dance, laugh, sing. ~ Walt Whitman
248:I'll dance to anything: Bob Marley or rap. ~ Francesca Annis
249:I'll never play a drum solo you can't dance to. ~ Gene Krupa
250:in clear violation of the Galactic Concordance. ~ Greg Rucka
251:I never thought I would go into the dance charts. ~ Yoko Ono
252:In the abundance of water - the fool is thirsty ~ Bob Marley
253:I still got a few more dances with the devil... ~ Tim McGraw
254:It was penance, my own slow dance in purgatory. ~ Amy Harmon
255:Let's go in and dance the night away." Cliff ~ Stacy Claflin
256:Often life is a frantic avoidance of the truth. ~ Adyashanti
257:Poetry is an echo, asking a shadow to dance. ~ Carl Sandburg
258:Some things were worth the dance with danger. ~ Nalini Singh
259:Vanz can't dance, but he'll steal your money. ~ John Fogerty
260:We have but one dance to a lifetime of songs. ~ Laura Miller
261:As a dancer, I out-Fred the nimblest Astaire. ~ P G Wodehouse
262:danced like a goat with a rock stuck in its ass. ~ Junot D az
263:Dance must have a precision without fault. ~ Arielle Dombasle
264:Everyone dances to his own personal boomboom. ~ Tristan Tzara
265:Good riddance to that wuthering height. ~ Winston S Churchill
266:I can't walk in high heels, never mind dance in them. ~ Kesha
267:If you want to make dough, do a bun dance. ~ Stephen Richards
268:Life's a dance you learn as you go. ~ John Michael Montgomery
269:nature of epilepsy or St. Vitus’s dance, ~ Fyodor Dostoyevsky
270:No art is possible without a dance with death ~ Kurt Vonnegut
271:Out of 10 how enthusiastic a dancer am I? 11 ~ Tom Hiddleston
272:The letters dance before my eyes. Who am I? ~ Patrick Modiano
273:Une danse est un poe' me. A dance is a poem. ~ Denis Diderot
274:Use your internal grandmother for guidance and advice. ~ Sark
275:I am love, I am music, she thinks. Let’s dance. ~ Paulo Coelho
276:I did not choose to be a dancer. I was chosen. ~ Martha Graham
277:I don't suffer from an abundance of politeness. ~ Randy Pausch
278:If I can't dance to it, it's not my revolution. ~ Emma Goldman
279:If I could explain, I wouldn't need to dance! ~ Isadora Duncan
280:I love to dance to Robyn, Nicki Minaj and Boney M. ~ Nomi Ruiz
281:No art is possible without a dance with death. ~ George Carlin
282:No art is possible without a dance with death, ~ Kurt Vonnegut
283:No art is possible without a dance with death. ~ Kurt Vonnegut
284:Oh! if to dance all night, and dress all day, ~ Alexander Pope
285:Thank God my parents had an abundance of patience. ~ Lexa Doig
286:Those move easiest who have learn'd to dance. ~ Alexander Pope
287:Where there is abundance you can afford waste. ~ Wyndham Lewis
288:abundance is something to be, not seek or await. ~ Tosha Silver
289:Abundance means freedom from trade-offs. ~ Sendhil Mullainathan
290:Gratitude is the open door to abundance. ~ Harbhajan Singh Yogi
291:I also tried to avoid doing obvious dance records. ~ Boy George
292:I am dumb when it comes to learning dance steps. ~ Mia Kirshner
293:I don't do well with snakes and I can't dance. ~ Robin Williams
294:I'm going to dance in all the galaxies. ~ Elisabeth Kubler Ross
295:I was a professional dancer before I was an actor. ~ Alex Meraz
296:Learning to dance felt like learning to belong. ~ Tara Westover
297:Music must be seen, and dance must be heard ~ George Balanchine
298:participating in mankind’s dumbest dance—rush hour. ~ Mike Omer
299:The dance is the mother of all languages. ~ Robin G Collingwood
300:The deft white-stockinged dance in thick-soled ~ Marianne Moore
301:Dance has a transformative effect on bodily trauma. ~ Eve Ensler
302:Don't wait to find solid ground. Dance in emptiness. ~ Surya Das
303:Each dancer has a different dialect that they speak. ~ Jon M Chu
304:Even beauty, in abundance, turns creepy. ~ Karen Thompson Walker
305:I always had the thought I could attract abundance. ~ Wayne Dyer
306:If they ask you to stand still, you should dance. ~ Colum McCann
307:I've done everything but tap dance across the table. ~ Rod Paige
308:Je réclame l'indépendance dans l'interdépendance. ~ Albert Camus
309:Kisses that danced with smiles tasted amazing. ~ Debra Anastasia
310:Make merry each day, dance and play day and night!3 ~ David Rose
311:My dad taught me about music. He used to tap dance. ~ Ray Davies
312:Obsolescence is the moment of superabundance. ~ Marshall McLuhan
313:shall the virgin rejoice in the dance, and the young ~ Anonymous
314:Sooner or later, we all dance with the devil. ~ Sherrilyn Kenyon
315:The avoidance of suffering is a form of suffering. ~ Mark Manson
316:To dance is to give channel to the Creator. ~ Ali Abdullah Saleh
317:Use your internal grandmother for guidance and advice. ~ S A R K
318:When the lyrical muse sings the creative pen dances. ~ Aberjhani
319:You live if you dance to the voice that ails you. ~ Lorrie Moore
320:abundance comes only to those who already have it ~ Eckhart Tolle
321:And that’s why I prefer to dance in the bedroom. ~ Samantha Towle
322:As those move easiest who have learn'd to dance. ~ Alexander Pope
323:Avoidance helped settle the emotions. Considerably. ~ Chloe Neill
324:Ballet is a dance executed by the human soul. ~ Alexander Pushkin
325:Conflict avoidance often causes greater conflict. ~ Bryant McGill
326:Dance is the fastest, most direct route to the truth. ~ Gabrielle
327:Dance well with a woman, and she's halfway yours. ~ Robert Jordan
328:How can we know the dancer from the dance? ~ William Butler Yeats
329:I am not quite sure whether clever men ever dance. ~ George Eliot
330:If I could say it, I would not have to dance it. ~ Isadora Duncan
331:I met my wife, Doreen, who was a dancer in the show. ~ Ernie Wise
332:I really can't wait to dance with Ellen DeGeneres! ~ Sharon Jones
333:Life in abundance comes only through great love. ~ Elbert Hubbard
334:Life is a dance. Mindfulness is witnessing that dance. ~ Amit Ray
335:Mark spoke like a poem and walked like a dance. ~ Cassandra Clare
336:Neurosis is the natural by-product of pain avoidance. ~ Carl Jung
337:No art is possible without a dance
with death ~ Kurt Vonnegut
338:No one dances sober, unless he is insane. ~ Marcus Tullius Cicero
339:Not all men were meant to dance with dragons. ~ George R R Martin
340:Please come to the dance, because you're my music. ~ Jodi Picoult
341:Pray for divine guidance in your goal setting ~ M Russell Ballard
342:Simplicity. Ah, that I can offer in abundance. ~ Philippa Gregory
343:Sing your song. Dance your dance. Tell your tale. ~ Frank McCourt
344:The avoidance of pain is the avoidance of life. ~ Stefan Molyneux
345:The dance is the highest symbol of life itself. ~ Joseph Campbell
346:We can all dance when we find music that we love. ~ Giles Andreae
347:Whosoever knoweth the power of the dance, dwelleth in God. ~ Rumi
348:Wives are people who feel they don't dance enough. ~ Groucho Marx
349:You can't dance if you got too much muck in your head. ~ Yoko Ono
350:You have to be a little crazy to be a dancer. ~ Elizabeth Berkley
351:Abundance comes only to those who already have it. ~ Eckhart Tolle
352:Abundance of knowledge does not teach men to be wise. ~ Heraclitus
353:All beings may dance at ease in the breeze with minds ~ Buddhadasa
354:A longing for the dance stirs in the buried life. ~ Stanley Kunitz
355:August passed like a dancer, graceful and sweating. ~ Laura London
356:Dance first. Think later. It's the natural order. ~ Samuel Beckett
357:Doing anything on a movie at Sundance is great. ~ Nicholas Jarecki
358:Have you ever danced with the Devil in the pale moonlight? ~ Joker
359:Holland is to dance music what Nashville is to country. ~ Afrojack
360:If you end up going to prom, save me a dance, okay? ~ Cynthia Hand
361:I got kicked out of Riverdance for using my arms. ~ Gary Valentine
362:I like to shop, but I don't like to go out to dances. ~ Etta James
363:I love tango, and I used to dance when I was young. ~ Pope Francis
364:I'm not a singer, and I'm not a brilliant dancer. ~ Jeremy Bulloch
365:In the beginning, I didnt dance that much and stuff. ~ Namie Amuro
366:I was a terrible dancer. I dance like an Englishman. ~ John Cleese
367:Man's duty is to give the guidance of the soul to reason. ~ Hermes
368:Metrosexuality is dead. And good riddance to it. ~ David Zinczenko
369:Midnight shout and revelry, Tipsy dance and jollity. ~ John Milton
370:out of the abundance of the heart, the mouth speaks’? ~ Kit Morgan
371:Patience was a virtue he possessed in abundance. ~ Sylvain Reynard
372:So the well educated man can learn to sing and dance well. ~ Plato
373:The abundance mindset makes it easier to be graceful. ~ Seth Godin
374:Those who miss meditation miss the whole dance of life. ~ Rajneesh
375:Tough guys don't dance. You had better believe it. ~ Norman Mailer
376:Two things are always the same the dance and war. ~ Gertrude Stein
377:When you dance tango fast, you have to think slow. ~ Robert Duvall
378:World is a dance. Mindfulness is witnessing that dance. ~ Amit Ray
379:You gotta dance with the devil to get out of Hell. ~ Jamie McGuire
380:You're here, and the only dance I want is this one. ~ Julie Kagawa
381:Abundance of knowledge does not teach men to be wise. ~ Heraclitus,
382:Amber won’t mind if we both dance with her, will you? ~ Gail McHugh
383:And let the winds of the heavens dance between you. ~ Khalil Gibran
384:Are the Democrats going to dance the mandate Macarena? ~ Dan Rather
385:Because we might as well dance while we wait. ~ Sarah Lyons Fleming
386:dance floors would bleed from the knife of her dress ~ Dionne Brand
387:Dance is a song of the body. Either of joy or pain. ~ Martha Graham
388:Dance is one of the most revealing art forms. ~ Mikhail Baryshnikov
389:Dance like nobody’s watching. Fuck like everyone is. ~ Kresley Cole
390:Dancers dance through their pain I shrink from mine. ~ Mason Cooley
391:Dance with me.
Bring my demons
to their knees. ~ Nicole Lyons
392:Hic Rhodus, hic salta!
Here is the rose, here dance! ~ Karl Marx
393:I hope to do with words what dancers do with limbs. ~ Upile Chisala
394:I've always liked to dance - I've got a natural rhythm. ~ Tom Jones
395:Make connections; let rip; and dance where you can. ~ Annie Dillard
396:Man's duty is to give the guidance of the soul to reason. ~ Hermes,
397:My mom put me in dance classes when I was 5 years old. ~ Danny Pudi
398:“Neurosis is the natural by-product of pain avoidance.” ~ Carl Jung
399:No matter how hard you dance, not everyone will clap ~ Joan Erikson
400:Politics is a dance until the moment it becomes a war. ~ V E Schwab
401:Robot. Is. Sad. Because silly bitch. Will. Not. Dance. ~ Libba Bray
402:The dancer becomes the dance. And I am the writing. ~ Louis L Amour
403:Thy tongue sounds in accordance with thy form. (Vulcan) ~ Aeschylus
404:True abundance is an inside job. #MiraclesNow ~ Gabrielle Bernstein
405:You can't stand around and wait to be asked to dance. ~ Amy Poehler
406:You have to attempt to be objective about yourself. ~ Charles Dance
407:A DANCE WITH DRAGONS Book Five of A Song of Ice and Fire ~ Anonymous
408:At our most primitive we are storytellers and dancers. ~ Anne Lamott
409:Buff Bagwell ain't nothin' but a chippendale dancer! ~ Scott Steiner
410:Despise not sweet inviting love-making nor the merry dance. ~ Horace
411:Every dancer lives on the threshold of chucking it. ~ Judith Jamison
412:flame danced in flickering waves that grew taller as ~ Heather Burch
413:He bowed. 'The young lady must not dance alone. ~ Gail Carson Levine
414:I'd rather dance in a corner than dance in a circle. ~ Harry Shum Jr
415:I just wanted to perform, to sing, dance and act. ~ Jennifer Ellison
416:I would only believe in a god who could dance. ~ Friedrich Nietzsche
417:Nagging and denial - the dance of marital intimacy ~ Magda Szubanski
418:Sometimes, when the music calls, you just gotta dance. ~ Edie Claire
419:So we support the dance but it does not support us. ~ Mineko Iwasaki
420:Tequila makes me dream up things like dance battles. ~ Rachel Hollis
421:The subtle dance of the body joins us to the world. ~ George Leonard
422:Today, I behold all the abundance that surrounds me. ~ Deepak Chopra
423:(What band does the necromancer dance to? Boney M.) ~ Charles Stross
424:When you dance you can enjoy the luxury of being you. ~ Paulo Coelho
425:Calling all dance music producers! I'm available. ~ Kristin Chenoweth
426:Dance with me” ...
“Every single day of my life. ~ Natasha Madison
427:Did I want to dance? Of course I did and that's not all. ~ Erica Jong
428:I am not the first straight dancer or the last. ~ Mikhail Baryshnikov
429:I am wealth, I am abundance, I am Cosmic Ordering. ~ Stephen Richards
430:If I can not dance, I want no part in your revolution. ~ Emma Goldman
431:I love to dance.I've been told I'm actually really good. ~ Lucas Till
432:I play the dance because girls fuck men who play the dance. ~ Roosh V
433:It was big enough for five village dances and a riot. ~ Barry Hughart
434:I will dance to the music of words, for one more time. ~ Tan Twan Eng
435:Life is not notable for its overabundance of certainty. ~ Jim Butcher
436:Music touching my soul, the spirit dance was unfolding. ~ John Lennon
437:My dream role would be anything where I get to tap-dance. ~ Dule Hill
438:My power is a dance. I am its partner, not its slave. ~ Tessa Gratton
439:Now, let’s dance! Dancin’ makes the world go round. ~ Terry Pratchett
440:Post-Scarcity Age, you don't pay for things. Abundance. ~ Jason Silva
441:Poverty is in separatism. Abundance is in unity. ~ Torkom Saraydarian
442:The dance goes on forever. So shall I. So shall we. ~ Gelsey Kirkland
443:The subconscious mind works under a law of abundance. ~ Joseph Murphy
444:We all got up to dance. Oh, but we never got the chance! ~ Don McLean
445:We can't always control what we don't like, Tiny Dancer. ~ Nyrae Dawn
446:Yes, it takes two to dance. But somebody has to lead. ~ Ellen Hopkins
447:You dance love, and you dance joy, and you dance dreams. ~ Gene Kelly
448:You got to dance, even when there ain't no music. ~ Laura Lane McNeal
449:You're gonna be ok, dum de dum dum dum, just dance. ~ Ellen DeGeneres
450:Any Michael Jackson song will make any dancer go nuts. ~ Harry Shum Jr
451:As a dancer, I love music that makes me want to move. ~ Carmen Electra
452:Castle’s easy grin dances into the room before he does. ~ Tahereh Mafi
453:Dance is the hidden langauge of the soul, of the body. ~ Martha Graham
454:Eroticism is like a dance: one always leads the other. ~ Milan Kundera
455:Forget every touch or sound that did not teach you how to dance ~ Rumi
456:Gay is when two girls get together, dance and have fun. ~ Kate Clinton
457:I danced along a colored wind/ Dangled from a rope of sand ~ Tom Waits
458:I do a happy dance even when I get a guest-star role. ~ Robert Knepper
459:I have brought you to the ring, now you must dance. ~ Robert the Bruce
460:I'm the Lord of the Dance! F-k Michael Flatley, it's me! ~ Denis Leary
461:In my dreams I am not crippled. In my dreams, I dance. ~ Louise Brooks
462:I run on the road long before I dance under the lights. ~ Muhammad Ali
463:Let’s put our crazy away for three minutes and just dance, ~ B N Toler
464:Nobody who was shooting dice wanted to get a dance. ~ Daunte Culpepper
465:Riches are able to solder up abundance of flaws. ~ Miguel de Cervantes
466:Tanacity is the dance within the art of opportunity ~ Rasheed Ogunlaru
467:The devil dances with those who walk alone on an edge. ~ Katie McGarry
468:The slave who dances is free ... while he is dancing. ~ Isabel Allende
469:To dance is to live. What I want is a school of life. ~ Isadora Duncan
470:under the decree and guidance of the great King Sejong. ~ Pearl S Buck
471:Weaving olden dances; mingling hands and mingling glances. ~ W B Yeats
472:We sing in a church, why can we not dance there? ~ George Bernard Shaw
473:A day when you haven't danced, you haven't lived. ~ Friedrich Nietzsche
474:Be moderate in order to taste the joys of life in abundance. ~ Epicurus
475:Come now, what masques, what dances shall we have ~ William Shakespeare
476:Creating abundance must start from within ourselves. ~ Stephen Richards
477:Dance with me through moments of surreality. We are one. ~ Truth Devour
478:If you want love and abundance in your life, give it away. ~ Mark Twain
479:I have brought you to the ring, now dance if you can! ~ William Wallace
480:I just like to hop up on the dance floor and do my thing. ~ Kyle Massey
481:I should not believe in a God who does not dance. ~ Friedrich Nietzsche
482:It was time to move on, to dance with life again. ~ Jacqueline Winspear
483:Knowledge makes one laugh, but wealth makes one dance. ~ George Herbert
484:loose tendons; dance world's loss; performance art's gain ~ Donna Tartt
485:My brother, bless him, would dance you into the floor. ~ Kiersten White
486:Never despair while under the guidance and auspices of Teucer. ~ Horace
487:Once you dance with Dame Death? No other partner will do. ~ Steve Perry
488:She was the most painful, most glorious dance of his life ~ Anne Bishop
489:Show me how you dance and I will know where you are from. ~ Claire Holt
490:the Maker Movement has serious abundance potential. ~ Peter H Diamandis
491:The true lady treats the whole world as her dance floor, ~ Sarah Zettel
492:We listen for guidance everywhere except from within. ~ Parker J Palmer
493:Why say it when you could sing it, dance it and feel it? ~ M K Schiller
494:yellow fingers because he smoked a lot. And he danced ~ Carole Matthews
495:Abundance is scooped from abundance yet abundance remains. ~ Anne Sexton
496:A good education consists in knowing how to sing and dance well. ~ Plato
497:Can't act. Can't sing. Slightly bald. Can dance a little. ~ Fred Astaire
498:Constancy is nothing but a languishing and wavering dance ~ Jerry Dennis
499:Do not wait for the storm to pass. Learn to dance in the rain. ~ Unknown
500:Giving thanks for abundance is sweeter than the abundance itself. ~ Rumi

IN CHAPTERS



  330 Poetry
   93 Integral Yoga
   67 Mysticism
   65 Philosophy
   58 Occultism
   57 Fiction
   12 Christianity
   11 Psychology
   8 Philsophy
   4 Mythology
   2 Yoga
   2 Hinduism
   1 Zen
   1 Cybernetics
   1 Buddhism


   76 Sri Aurobindo
   42 William Butler Yeats
   38 H P Lovecraft
   33 James George Frazer
   32 The Mother
   31 Nolini Kanta Gupta
   28 Satprem
   26 William Wordsworth
   25 Rabindranath Tagore
   23 Percy Bysshe Shelley
   23 Friedrich Nietzsche
   22 Friedrich Schiller
   19 Aleister Crowley
   18 John Keats
   16 Walt Whitman
   16 Robert Browning
   15 Sri Ramakrishna
   14 Johann Wolfgang von Goethe
   9 Plotinus
   9 Li Bai
   8 Ralph Waldo Emerson
   6 Jalaluddin Rumi
   5 Rainer Maria Rilke
   5 Hafiz
   5 Carl Jung
   5 Bulleh Shah
   4 Mirabai
   4 Jordan Peterson
   3 Swami Vivekananda
   3 Saint Augustine of Hippo
   3 Ramprasad
   3 Plato
   3 Lucretius
   3 Edgar Allan Poe
   3 Aldous Huxley
   2 Sri Ramana Maharshi
   2 Ovid
   2 Lalla
   2 Kobayashi Issa
   2 Joseph Campbell
   2 Hsuan Chueh of Yung Chia
   2 George Van Vrekhem
   2 Farid ud-Din Attar
   2 A B Purani


   42 Yeats - Poems
   38 Lovecraft - Poems
   33 The Golden Bough
   27 Savitri
   26 Wordsworth - Poems
   25 Tagore - Poems
   23 Shelley - Poems
   22 Schiller - Poems
   20 Thus Spoke Zarathustra
   18 The Gospel of Sri Ramakrishna
   18 Keats - Poems
   16 Browning - Poems
   15 Collected Poems
   14 Whitman - Poems
   9 Li Bai - Poems
   9 Collected Works of Nolini Kanta Gupta - Vol 07
   8 Faust
   8 Emerson - Poems
   8 Crowley - Poems
   8 Collected Works of Nolini Kanta Gupta - Vol 05
   7 Collected Works of Nolini Kanta Gupta - Vol 08
   6 Magick Without Tears
   6 Goethe - Poems
   6 5.1.01 - Ilion
   5 Rilke - Poems
   5 Liber ABA
   5 Collected Works of Nolini Kanta Gupta - Vol 02
   5 Agenda Vol 01
   4 Writings In Bengali and Sanskrit
   4 The Bible
   4 Sri Aurobindo or the Adventure of Consciousness
   4 Maps of Meaning
   4 Essays In Philosophy And Yoga
   4 Agenda Vol 04
   4 Agenda Vol 03
   3 Vedic and Philological Studies
   3 Twilight of the Idols
   3 The Perennial Philosophy
   3 The Divine Comedy
   3 The Archetypes and the Collective Unconscious
   3 Talks
   3 Questions And Answers 1929-1931
   3 Poe - Poems
   3 Plotinus - Complete Works Vol 03
   3 Plotinus - Complete Works Vol 02
   3 Of The Nature Of Things
   3 Hafiz - Poems
   3 City of God
   3 Agenda Vol 06
   2 Words Of Long Ago
   2 Walden
   2 The Secret Doctrine
   2 The Life Divine
   2 The Hero with a Thousand Faces
   2 Song of Myself
   2 Rumi - Poems
   2 Raja-Yoga
   2 Questions And Answers 1950-1951
   2 Preparing for the Miraculous
   2 Plotinus - Complete Works Vol 04
   2 Metamorphoses
   2 Letters On Yoga II
   2 Letters On Poetry And Art
   2 Evening Talks With Sri Aurobindo
   2 Agenda Vol 02


01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Hales them out naked and absolute, out to his wood lands eternal,
   Out to his moonlit Dances, his dalliance sweet and supernal;10
  

01.02 - The Issue, #Savitri, #Sri Aurobindo, #Integral Yoga
    Passionate in flow, had not one turbid wave.
    As in a mystic and dynamic Dance
    A priestess of immaculate ecstasies

01.03 - Mystic Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
  
   When the Spirit speaks its own language in its own name, we have spiritual poetry. If, however, the Spirit speaksfrom choice or necessity-an alien language and manner, e.g., that of a profane consciousness, or of the consciousness of another domain, idealistic or philosophical or even occult, puts on or imitates spirit's language and manner, we have what we propose to call mystic poetry proper. When Samain sings of the body of the Dancer:
  

01.03 - The Yoga of the King The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
  Out of the rich wonders and the intricate whorls
  Of the spirit's Dance with Matter as its mask
  The balance of the world's design grew clear,

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  Happy, inert, he lies beneath her feet:
  His breast he offers for her cosmic Dance
  Of which our lives are the quivering theatre,

01.06 - Vivekananda, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
  
   The answer is as old as that of Nachiketas: "These horses and these songs and Dances of yours, let them remain yours, man is not appeased with riches"; or that of Maitreyi, "What am I to do with that which will not bring me immortality?" This is then man's mission upon earth:
  

01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   At the still point of the turning world. Neither flesh nor fleshless;
   Neither from nor towards; at the still point, there the Dance is,
   But neither arrest nor movement. And do not call it fixity,
  --
   Neither ascent nor decline. Except for the point, the still point,
   There would be no Dance, and there is only the Dance.6
  
  --
  
   The Dance along the artery
   The circulation of the lymph

02.02 - The Kingdom of Subtle Matter, #Savitri, #Sri Aurobindo, #Integral Yoga
  A joyful anguish trembles in our limbs;
  A dream of beauty Dances through the heart,
  A thought from the eternal Mind draws near,

02.03 - The Glory and the Fall of Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  His wisdom's call steadies her careless feet,
  He props her Dance upon a rigid base,
  His timeless still immutability

02.05 - The Godheads of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  Formlessly formed its strange wave-particles
  Constructing by their Dance this solid scheme,
  Its mightiness in the atom shut to rest;
  --
  These mobile rounds that stereotype a flux,
  These static objects in the cosmic Dance
  That are but Energy's self-repeating whorls

02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  And strove to capture in their burdened drift
  The Dance-fantasia of her sequences
  Escaping into rhythmic mystery,
  --
  A perpetual repetition through the hours,
  Thought's Dance of dragonflies on mystery's stream
  That skim but never test its murmurs' race,

02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  The Energy acts, the stable is its seal:
  On Shiva's breast is stayed the enormous Dance.
  A fiery spirit came, next of the three.
  --
  She lost her clear conserved constructed world.
  A quantum Dance remained, a sprawl of chance
  In Energy's stupendous tripping whirl:
  --
  On the bosom of a torn and quaking earth;
  All reeled into a world of Kali's Dance.
  Thus tumbled, sinking, sprawling in the Void,
  --
  Its darkness is a blackened knot of light;
  Thought Dances hand in hand with Nescience
  On the grey road that winds towards the Sun.

02.10 - Two Mystic Poems in Modern Bengali, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Swing, like bats on branches;
   Is now the time for the Dance?
   Come, let us all move together, one and all.
  --
  
   There is a call for all the parts of the being to precipitate to the very foundation of the being, coalesce and evoke a wild and weird, doleful and discordant symphonya painful cry. Unrealised dreams, that had faded into oblivion, are now like possessed beings and hang like bats on darkling branches:they are about to begin their phantom Dance. Even so, the body, the material precipitate into which they gather, gives them a basic unity. These elements with their ardour and zeal kindle a common Fire. There is a divine Flame, Agni, burning within the flesh, burning brighter and brighter, making the bones whiter and whiter, as it were the purificatory Flame,Pvaka, of which the Vedic Rishis spoke, Master of the House, ghapati, dwelling in the inner heart of the human being, impelling it to rise to purer and larger Truth. But here our modern poet replaces the Heart by the Liver and makes of this organ the central altar of human aspiration and inspiration. We may remember in this connection that the French poet Baudelaire gave a similar high position and functionto the other collateral organ, the spleen. The modern Bengali poet considers that man's consciousness, even his poetic inspiration, is soaked in the secretion of that bilious organ. For man's destiny here upon earth is not delight but grief, not sweetness but gall and bitterness; there is no consolation, no satisfaction here; there is only thirst, no generosity but narrowness, no consideration for others, but a huge sinister egoism.
  

02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  They seized and held by their precisian eye
  And made a figurante in the cosmic Dance.
  Its free caprice they bound by rhythmic laws
  --
  The free logic of an infinite Consciousness,
  Grammared the hidden rhythms of Nature's Dance,
  Critiqued the plot of the drama of the worlds,
  --
  Compelling the blinded Godhead to emerge,
  Determining Necessity's nude Dance
  As she passes through the circuit of the hours

02.14 - The World-Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  Travelled the roads of a solitary heart;
  Its Dance solaced an eternal loneliness:
  An old forgotten sweetness sobbing came.

03.03 - The House of the Spirit and the New Creation, #Savitri, #Sri Aurobindo, #Integral Yoga
  The ever-changing incalculable steps,
  The seeming-reckless Dance's subtle plan
  Of immense world-forces in their perfect play.
  --
  The Superconscient conscious grow on earth,
  The Eternal's wonders join the Dance of Time.
  But now all seemed a vainly teeming vast

03.04 - The Vision and the Boon, #Savitri, #Sri Aurobindo, #Integral Yoga
  The unfolding Image showed the things to come.
  A giant Dance of Shiva tore the past;
  There was a thunder as of worlds that fall;
  --
  And swimmers of Love's laughing fiery floods
  And Dancers within rapture's golden doors,
  Their tread one day shall change the suffering earth

04.01 - The Birth and Childhood of the Flame, #Savitri, #Sri Aurobindo, #Integral Yoga
  And through a glamour of shifting hues of air
  The seasons drew in linked significant Dance
  The symbol pageant of the changing year.

04.02 - The Growth of the Flame, #Savitri, #Sri Aurobindo, #Integral Yoga
  Linking the human with the cosmic cry;
  The world-interpreting movements of the Dance
  Moulded idea and mood to a rhythmic sway

04.04 - The Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
  And vanished into a bright and featureless Vast:
  Some silent watched the universal Dance,
  Or helped the world by world-indifference.

05.01 - The Destined Meeting-Place, #Savitri, #Sri Aurobindo, #Integral Yoga
  Like the thought-screened infinities that lie
  Behind the rapt smile of the Almighty's Dance.
  

06.01 - The Word of Fate, #Savitri, #Sri Aurobindo, #Integral Yoga
  Displayed its triple power to build and form,
  Its infinitesimal wave-sparks' weaving Dance,
  Its nebulous units grounding shape and mass,
  --
  Married and sundered in the magic round
  Of the great Dancer of the boundless Dance.
  

06.02 - The Way of Fate and the Problem of Pain, #Savitri, #Sri Aurobindo, #Integral Yoga
  Indifference, pain and joy, a triple disguise,
  Attire of the rapturous Dancer in the ways,
  Withhold from thee the body of God's bliss.

07.02 - The Parable of the Search for the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  The regent sits at work and never rests:
  He is a puppet of the Dance of Time;
  He is driven by the hours, the moment's call

07.03 - The Entry into the Inner Countries, #Savitri, #Sri Aurobindo, #Integral Yoga
  The imaged shape of unaccomplished things
  And the summons to a Circean transmuting Dance
  And passion's tenancy of the courts of love
  --
  Cut down were her squanderings in desire's bazaar,
  Coerced her despot will, her fancy's Dance,
  A cold stolidity bound the riot of sense.

07.04 - The Triple Soul-Forces, #Savitri, #Sri Aurobindo, #Integral Yoga
  With a stress-vision of false reality,
  Or a Dance of Maya veils the void Unborn.
  

07.06 - Nirvana and the Discovery of the All-Negating Absolute, #Savitri, #Sri Aurobindo, #Integral Yoga
  A light invaded all from her being's light;
  Her heart-beats' Dance communicated bliss:
  Happiness grew happier, shared with her, by her touch
  --
  Thy mind's selection from the Infinite,
  Thy senses' gloss on the Infinitesimal's Dance,
  Then shalt thou know how the great bondage came.

07.27 - Equality of the Body, Equality of the Soul, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
  
   Equality of the external being means good health, a solid body, controlled nerveswhen you are not shaken by the least shock, when you are calm, quiet, poised, balanced. In that condition you can receive into you a great force in yourself from above (or, from the environing energy around you) and yet not get upset. If one of you at any time had received some such force, he must have known by experience that without a perfectly sound physical health, one could not contain or hold it. You cannot remain still, you are restless, you move about, talk, cry, weep, jump or Dance, just to throw out the energy you are unable to hold. You scatter about what it is not possible for you to gather and assimilate. In order to be able to gather and assimilate the force, the body and the nerves must be quiet and strong.
  

09.02 - The Journey in Eternal Night and the Voice of the Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
  Of brief emotions made and glittering thoughts,
  A thin Dance of fireflies speeding through the night,
  A sparkling ferment in life's sunlit mire?

10.01 - A Dream, #Writings In Bengali and Sanskrit, #Sri Aurobindo, #Integral Yoga
  
  Harimohon saw again that the ascetic had been starving for many days, and for the last two his body had experienced extreme suffering because of hunger and thirst. Reproachingly Harimohon asked, Whats this, Keshta? Babaji loves you so much and still he has to suffer from hunger and thirst? Have you no common sense? Who shall feed him in this lonely forest home of tigers? The boy answered, I will feed him. But look here for another bit of fun. Harimohon saw the tiger go straight to an ant-hill which was close by and break it with a single stroke of the paw. Hundreds of ants scurried out and began stinging the ascetic angrily. The ascetic remained plunged in meditation, undisturbed, unmoved. Then the boy sweetly breathed in his ears, Beloved! The ascetic opened his eyes. At first he felt no pain from the stings; the all-enchanting flute-call which the whole world longs for, was still ringing in his earsas it had once rung in Radhas ears at Vrindavan. At last, the innumerable repeated stings made him conscious of his body. But he did not stir. Astonished, he began muttering to himself, How strange! I have never known such things! Obviously it is Sri Krishna who is playing with me. In the guise of these insignificant ants he is stinging me. Harimohon saw that the burning sensation no longer reached the ascetics mind. Rather every sting produced in him an intense ecstasy all over his body, and, drunk with that ecstasy, he began to Dance, clapping his hands and singing the praise of Sri Krishna. The ants dropped down from his body and fled.
  

WORDNET



--- Overview of noun dance

The noun dance has 4 senses (first 3 from tagged texts)
                    
1. (15) dance ::: (an artistic form of nonverbal communication)
2. (3) dance ::: (a party of people assembled for dancing)
3. (1) dancing, dance, terpsichore, saltation ::: (taking a series of rhythmical steps (and movements) in time to music)
4. dance ::: (a party for social dancing)

--- Overview of verb dance

The verb dance has 3 senses (first 3 from tagged texts)
                    
1. (17) dance ::: (move in a graceful and rhythmical way; "The young girl danced into the room")
2. (14) dance, trip the light fantastic, trip the light fantastic toe ::: (move in a pattern; usually to musical accompaniment; do or perform a dance; "My husband and I like to dance at home to the radio")
3. (2) dance ::: (skip, leap, or move up and down or sideways; "Dancing flames"; "The children danced with joy")




--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun dance

4 senses of dance                          

Sense 1
dance
   => art, fine art
     => creation
       => artifact, artefact
         => whole, unit
           => object, physical object
             => physical entity
               => entity

Sense 2
dance
   => party
     => social gathering, social affair
       => gathering, assemblage
         => social group
           => group, grouping
             => abstraction, abstract entity
               => entity

Sense 3
dancing, dance, terpsichore, saltation
   => diversion, recreation
     => activity
       => act, deed, human action, human activity
         => event
           => psychological feature
             => abstraction, abstract entity
               => entity
   => performing arts
     => humanistic discipline, humanities, liberal arts, arts
       => discipline, subject, subject area, subject field, field, field of study, study, bailiwick
         => knowledge domain, knowledge base, domain
           => content, cognitive content, mental object
             => cognition, knowledge, noesis
               => psychological feature
                 => abstraction, abstract entity
                   => entity

Sense 4
dance
   => party
     => affair, occasion, social occasion, function, social function
       => social event
         => event
           => psychological feature
             => abstraction, abstract entity
               => entity




--- Hyponyms of noun dance

4 senses of dance                          

Sense 1
dance
   => extension
   => choreography

Sense 2
dance
   => ball

Sense 3
dancing, dance, terpsichore, saltation
   => adagio
   => break dancing, break dance
   => courante
   => nautch, nauch, nautch dance
   => pavane, pavan
   => phrase
   => saraband
   => skank
   => slam dancing, slam dance
   => step dancing, hoofing
   => toe dancing, toe dance
   => stage dancing, choreography
   => pas seul, variation
   => pas de deux, duet
   => pas de trois
   => pas de quatre
   => social dancing
   => mambo
   => ritual dancing, ritual dance, ceremonial dance

Sense 4
dance
   => ball, formal
   => barn dance
   => hop, record hop
   => rave




--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun dance

4 senses of dance                          

Sense 1
dance
   => art, fine art

Sense 2
dance
   => party

Sense 3
dancing, dance, terpsichore, saltation
   => diversion, recreation
   => performing arts

Sense 4
dance
   => party










--- Coordinate Terms (sisters) of noun dance

4 senses of dance                          

Sense 1
dance
  -> art, fine art
   => artificial flower
   => commercial art
   => cyberart
   => decoupage
   => diptych
   => gem, treasure
   => genre
   => graphic art
   => grotesque
   => kitsch
   => mosaic
   => plastic art
   => triptych
   => work of art
   => dance

Sense 2
dance
  -> party
   => shindig, shindy
   => dance
   => masquerade, masquerade party, masque, mask
   => dinner, dinner party
   => reception
   => open house
   => housewarming
   => soiree
   => garden party, lawn party, fete champetre
   => shower
   => stag party, smoker
   => hen party
   => slumber party
   => sociable, social, mixer
   => wedding, wedding party
   => reunion

Sense 3
dancing, dance, terpsichore, saltation
  -> diversion, recreation
   => antic, joke, prank, trick, caper, put-on
   => bathing
   => celebration, festivity
   => dancing, dance, terpsichore, saltation
   => entertainment, amusement
   => escapade, lark
   => escape, escapism
   => eurythmy, eurhythmy, eurythmics, eurhythmics
   => fun, merriment, playfulness
   => gambling, gaming, play
   => game
   => jest, joke, jocularity
   => nightlife, night life
   => pastime, interest, pursuit
   => play, child's play
   => play, frolic, romp, gambol, caper
   => sport, athletics
  -> performing arts
   => musical performance
   => dancing, dance, terpsichore, saltation
   => acting, playing, playacting, performing

Sense 4
dance
  -> party
   => bash, do, brawl
   => birthday party
   => bunfight, bun-fight
   => ceilidh
   => cocktail party
   => dance
   => fete, feast, fiesta
   => house party
   => jolly
   => tea party
   => whist drive










--- Grep of noun dance
abidance
abundance
accordance
acoustic impedance
apache dance
apache devil dance
ascendance
attendance
avoidance
ballroom dance
barn dance
belly dance
break dance
bubble dance
celestial guidance
ceremonial dance
clog dance
coefficient of concordance
command guidance
concert dance
concordance
conditioned avoidance
contradance
corn dance
country-dance
dance
dance band
dance floor
dance hall
dance lesson
dance master
dance music
dance of death
dance orchestra
dance palace
dance school
dance step
dancer
danceroom music
dependance
discordance
divine guidance
exceedance
fan dance
folk dance
forbiddance
ghost dance
guidance
impedance
inertial guidance
interpretative dance
interpretive dance
longways dance
modern dance
morris dance
nautch dance
nonattendance
overabundance
rain dance
redundance
riddance
ring dance
ritual dance
round dance
saint vitus dance
slam dance
snake dance
song and dance
square-dance music
square dance
st. vitus dance
sun dance
superabundance
sword dance
tap dance
tax avoidance
terrestrial guidance
toe dance
voidance
war dance





IN WEBGEN [10000/6656]

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https://www.goodreads.com/author/show/17194017.Abondance_Matanda
https://www.goodreads.com/author/show/19198610.Gillian_Dance
https://www.goodreads.com/author/show/1959722.France_Winddance_Twine
https://www.goodreads.com/author/show/246745.Kyra_Sundance
https://www.goodreads.com/author/show/2724803.J_B__Dancer
https://www.goodreads.com/author/show/297044.Robin_Dance
https://www.goodreads.com/author/show/361612.Robert_Dance
https://www.goodreads.com/author/show/6999586.Jennifer_Dance
http://csr.wikia.com/wiki/Category:Salinvan_Guidance_Mercenary_Gang
https://dances-with-the-dragons.wikia.com/api.php
https://familypedia.wikia.org/wiki/File:AlutiiqDancer.jpg
https://familypedia.wikia.org/wiki/Help:Test_Portal/Guidance
http://sketdance.wikia.com/wiki/Sket_Dance_Wiki
https://lanormejuridique.wikia.org/wiki/La_norme_juridique:L'Atelier_des_Correspondances
https://military.wikia.org/wiki/Category:Weapon_guidance
https://religion.wikia.org/wiki/Category:Dance_in_Israel
https://religion.wikia.org/wiki/Category:Himalayan_dances
https://religion.wikia.org/wiki/Cham_Dance
https://religion.wikia.org/wiki/Cham_Dance#Bhutan
https://religion.wikia.org/wiki/Cham_Dance#Cham_Dance_as_morality_play_and_mystery_rite
https://religion.wikia.org/wiki/Cham_Dance#Cham_Dance_of_the_Council_of_Samye_held_in_Kum-Bum_Dshamba_Ling
https://religion.wikia.org/wiki/Cham_Dance#Further_information
https://religion.wikia.org/wiki/Cham_Dance#Localities
https://religion.wikia.org/wiki/Cham_Dance#Meditative_rite_and_offering
https://religion.wikia.org/wiki/Cham_Dance#Nomenclature_and_etymology
https://religion.wikia.org/wiki/Cham_Dance#Padmasambhava
https://religion.wikia.org/wiki/Cham_Dance#References
https://religion.wikia.org/wiki/Cham_Dance#See_also
https://religion.wikia.org/wiki/Cham_Dance#Tibet
https://religion.wikia.org/wiki/Dance_in_mythology_and_religion
https://religion.wikia.org/wiki/File:ChamDance.jpg
https://religion.wikia.org/wiki/File:Shiva_as_the_Lord_of_Dance_LACMA_edit.jpg
https://religion.wikia.org/wiki/File:The_Childrens_Museum_of_Indianapolis_-_Egungun_masquerade_dance_garment.jpg
https://religion.wikia.org/wiki/Fourth_Way#Working_conditions_and_sacred_dances
https://religion.wikia.org/wiki/Ghost_Dance
https://religion.wikia.org/wiki/Guidance_for_all
https://religion.wikia.org/wiki/Guru_Granth_Sahib's_guidance_for_Muslims
https://religion.wikia.org/wiki/Karana_dance
https://religion.wikia.org/wiki/Sri_Guru_Granth_Sahib_on_dance
https://religion.wikia.org/wiki/Talk:Cham_Dance
https://religion.wikia.org/wiki/Talk:Ghost_Dance
https://religion.wikia.org/wiki/Temple_dance
https://religion.wikia.org/wiki/Veil#Veils_in_dance
https://tapdance.wikia.com/
auromere - guidance-by-random-book-opening
auromere - guidance-by-random-book-opening
auromere - receiving-guidance-from-masters-of-a-bygone-age
Integral World - Inca-Andean Principles As guidance for Possible Intgral Otherworldly Encounters, Giorgio Piacenza
Supermind and the Primordial Avoidance
selforum - krishnas dance of harmony
selforum - dance to remember calculate and plan
selforum - dance of commodities
selforum - unfailing guidance of sri aurobindo for
dedroidify.blogspot - dead-can-dance-carnival-is-over
dedroidify.blogspot - illuminati-dutch-dance
dedroidify.blogspot - good-riddance-weight-of-world
dedroidify.blogspot - dance-way-ride
dedroidify.blogspot - mind-blown-machine-elves-dance-around
wiki.auroville - Write_Dance
Dharmapedia - List_of_mudras_(dance
Psychology Wiki - Dance
Psychology Wiki - Human_sex_differences#Avoidance_or_approach_to_moderately_negative_stimuli
Stanford Encyclopedia of Philosophy - dance
https://tvtropes.org/pmwiki/pmwiki.php/Analysis/PottyDance
https://tvtropes.org/pmwiki/pmwiki.php/Anime/DanceWithDevils
https://tvtropes.org/pmwiki/pmwiki.php/Anime/JewelpetTheMovieSweetsDancePrincess
https://tvtropes.org/pmwiki/pmwiki.php/BellyDancer/AnimeAndManga
https://tvtropes.org/pmwiki/pmwiki.php/BellyDancer/FanWorks
https://tvtropes.org/pmwiki/pmwiki.php/BellyDancer/LiveActionFilms
https://tvtropes.org/pmwiki/pmwiki.php/BellyDancer/LiveActionTV
https://tvtropes.org/pmwiki/pmwiki.php/BellyDancer/WesternAnimation
https://tvtropes.org/pmwiki/pmwiki.php/Blog/AskHighSchoolCadance
https://tvtropes.org/pmwiki/pmwiki.php/Characters/AscendanceOfABookworm
https://tvtropes.org/pmwiki/pmwiki.php/Characters/AscendanceOfABookwormFerdinand
https://tvtropes.org/pmwiki/pmwiki.php/Characters/AscendanceOfABookwormMyne
https://tvtropes.org/pmwiki/pmwiki.php/Characters/DanceMoms
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https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/OmahaTheCatDancer
https://tvtropes.org/pmwiki/pmwiki.php/Creator/CharlesDance
https://tvtropes.org/pmwiki/pmwiki.php/Creator/SkydanceMedia
https://tvtropes.org/pmwiki/pmwiki.php/FanFic/ADanceOnTheMats
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https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/DanceWithTheDemons
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https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/MayIHaveThisDance
https://tvtropes.org/pmwiki/pmwiki.php/FanficRecs/CryptOfTheNecroDancer
https://tvtropes.org/pmwiki/pmwiki.php/FanficRecs/SkyDancers
https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/TheCadanceverse
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https://tvtropes.org/pmwiki/pmwiki.php/Film/CMeDance
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https://tvtropes.org/pmwiki/pmwiki.php/Film/DanceGirlDance
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https://tvtropes.org/pmwiki/pmwiki.php/Film/DanceMeOutside
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https://tvtropes.org/pmwiki/pmwiki.php/Film/DancerInTheDark
https://tvtropes.org/pmwiki/pmwiki.php/Film/DancesWithWolves
https://tvtropes.org/pmwiki/pmwiki.php/Film/Flashdance
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https://tvtropes.org/pmwiki/pmwiki.php/Film/SaveTheLastDance
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https://tvtropes.org/pmwiki/pmwiki.php/Film/TheGravedancers
https://tvtropes.org/pmwiki/pmwiki.php/Film/ToughGuysDontDance
https://tvtropes.org/pmwiki/pmwiki.php/FusionDance/AnimeAndManga
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https://tvtropes.org/pmwiki/pmwiki.php/FusionDance/FanWorks
https://tvtropes.org/pmwiki/pmwiki.php/FusionDance/LiveActionTV
https://tvtropes.org/pmwiki/pmwiki.php/FusionDance/VideoGames
https://tvtropes.org/pmwiki/pmwiki.php/FusionDance/WesternAnimation
https://tvtropes.org/pmwiki/pmwiki.php/GenreMotif/ElectronicDance
https://tvtropes.org/pmwiki/pmwiki.php/ImageLinks/FusionDance
https://tvtropes.org/pmwiki/pmwiki.php/JustForFun/FusionDance
https://tvtropes.org/pmwiki/pmwiki.php/Laconic/AlternativeDance
https://tvtropes.org/pmwiki/pmwiki.php/Laconic/BellyDancer
https://tvtropes.org/pmwiki/pmwiki.php/Laconic/FusionDance
https://tvtropes.org/pmwiki/pmwiki.php/LightNovel/AscendanceOfABookworm
https://tvtropes.org/pmwiki/pmwiki.php/LightNovel/BladedanceOfElementalers
https://tvtropes.org/pmwiki/pmwiki.php/LightNovel/DancesWithTheDragons
https://tvtropes.org/pmwiki/pmwiki.php/Literature/ADanceWithDragons
https://tvtropes.org/pmwiki/pmwiki.php/Literature/AnAbundanceOfKatherines
https://tvtropes.org/pmwiki/pmwiki.php/Literature/BoneDance
https://tvtropes.org/pmwiki/pmwiki.php/Literature/CemeteryDance
https://tvtropes.org/pmwiki/pmwiki.php/Literature/DanceOfDeath
https://tvtropes.org/pmwiki/pmwiki.php/Literature/DanceOfTheButterfly
https://tvtropes.org/pmwiki/pmwiki.php/Literature/DanceoftheButterfly
https://tvtropes.org/pmwiki/pmwiki.php/Literature/Edgedancer
https://tvtropes.org/pmwiki/pmwiki.php/Literature/GoatDance
https://tvtropes.org/pmwiki/pmwiki.php/Literature/MirrorDance
https://tvtropes.org/pmwiki/pmwiki.php/Literature/ShadowdanceTrilogy
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheDevilDancesTrilogy
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheStoneDanceOfTheChameleon
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https://tvtropes.org/pmwiki/pmwiki.php/Main/DanceBattler
https://tvtropes.org/pmwiki/pmwiki.php/Main/DanceLine
https://tvtropes.org/pmwiki/pmwiki.php/Main/DanceOfDespair
https://tvtropes.org/pmwiki/pmwiki.php/Main/DanceOff
https://tvtropes.org/pmwiki/pmwiki.php/Main/DanceOfRomance
https://tvtropes.org/pmwiki/pmwiki.php/Main/DancePartyEnding
https://tvtropes.org/pmwiki/pmwiki.php/Main/DancePunk
https://tvtropes.org/pmwiki/pmwiki.php/Main/DancesAndBalls
https://tvtropes.org/pmwiki/pmwiki.php/Main/DanceSensation
https://tvtropes.org/pmwiki/pmwiki.php/Main/DefectorFromDecadance
https://tvtropes.org/pmwiki/pmwiki.php/Main/DerangedDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/ElectronicDanceMusic
https://tvtropes.org/pmwiki/pmwiki.php/Main/EverythingDances
https://tvtropes.org/pmwiki/pmwiki.php/Main/FusionDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/HappyDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/HighSchoolDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/HybridOverKillAvoidance
https://tvtropes.org/pmwiki/pmwiki.php/Main/HybridOverkillAvoidance
https://tvtropes.org/pmwiki/pmwiki.php/Main/ICantDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/InvoluntaryDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/LetsDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/MagicDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/MatingDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/MixedAncestry
https://tvtropes.org/pmwiki/pmwiki.php/Main/MoonwalkDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/NudeNatureDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/ObsessedWithPerfectAttendance
https://tvtropes.org/pmwiki/pmwiki.php/Main/PottyDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/RainDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/RiskyBusinessDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/StayingAliveDancePose
https://tvtropes.org/pmwiki/pmwiki.php/Main/StupidStatementDanceMix
https://tvtropes.org/pmwiki/pmwiki.php/Main/SummonBackupDancers
https://tvtropes.org/pmwiki/pmwiki.php/Main/ThatRussianSquatDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDeadCanDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/TheLastDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/TimeDancer
https://tvtropes.org/pmwiki/pmwiki.php/Main/UniverseConcordance
https://tvtropes.org/pmwiki/pmwiki.php/Main/VampireDance
https://tvtropes.org/pmwiki/pmwiki.php/Main/YouSaidYouCouldntDance
https://tvtropes.org/pmwiki/pmwiki.php/Manga/DanceInTheVampireBund
https://tvtropes.org/pmwiki/pmwiki.php/Manga/SKETDance
https://tvtropes.org/pmwiki/pmwiki.php/Manga/SketDance
https://tvtropes.org/pmwiki/pmwiki.php/Manga/StraightenUpWelcomeToShikaHighsCompetitiveDanceClub
https://tvtropes.org/pmwiki/pmwiki.php/Music/BloodOnTheDanceFloor
https://tvtropes.org/pmwiki/pmwiki.php/Music/ConfessionsOnADanceFloor
https://tvtropes.org/pmwiki/pmwiki.php/Music/DanceClubMassacre
https://tvtropes.org/pmwiki/pmwiki.php/Music/DanceGavinDance
https://tvtropes.org/pmwiki/pmwiki.php/Music/DanceManiaVol1
https://tvtropes.org/pmwiki/pmwiki.php/Music/DeadCanDance
https://tvtropes.org/pmwiki/pmwiki.php/Music/DiscordanceAxis
https://tvtropes.org/pmwiki/pmwiki.php/Music/LetsDance
https://tvtropes.org/pmwiki/pmwiki.php/Music/TheLastDance
https://tvtropes.org/pmwiki/pmwiki.php/Music/TheTonyDanzaTapdanceExtravaganza
https://tvtropes.org/pmwiki/pmwiki.php/Music/UrbanDanceSquad
https://tvtropes.org/pmwiki/pmwiki.php/Music/WeCantDance
https://tvtropes.org/pmwiki/pmwiki.php/PlayingWith/BellyDancer
https://tvtropes.org/pmwiki/pmwiki.php/Quotes/FusionDance
https://tvtropes.org/pmwiki/pmwiki.php/Recap/BlackMirrorShutUpAndDance
https://tvtropes.org/pmwiki/pmwiki.php/Recap/DoctorWhoS20E2Snakedance
https://tvtropes.org/pmwiki/pmwiki.php/Recap/DoctorWhoS27E10TheDoctorDances
https://tvtropes.org/pmwiki/pmwiki.php/Recap/JauneArcLordOfHungerDance
https://tvtropes.org/pmwiki/pmwiki.php/Recap/SwordArtOnlineFairyDanceArc
https://tvtropes.org/pmwiki/pmwiki.php/Sandbox/Sundance
https://tvtropes.org/pmwiki/pmwiki.php/Series/DanceAcademy
https://tvtropes.org/pmwiki/pmwiki.php/Series/DanceFever
https://tvtropes.org/pmwiki/pmwiki.php/Series/DanceMoms
https://tvtropes.org/pmwiki/pmwiki.php/Series/SoYouThinkYouCanDance
https://tvtropes.org/pmwiki/pmwiki.php/Series/TheMaskedDancer
https://tvtropes.org/pmwiki/pmwiki.php/Tropers/Unicorndance
https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/Dancers
https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/MikuMikuDance
https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/ParentalGuidanceSuggestedRating
https://tvtropes.org/pmwiki/pmwiki.php/VideoExamples/BellyDancer
https://tvtropes.org/pmwiki/pmwiki.php/VideoExamples/FusionDance
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/ADanceWithRogues
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/CannonDancer
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/CryptOfTheNecroDancer
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/CryptOfTheNecrodancer
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DanceCentral
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DanceDanceRevolution
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DanceDanceRevolutionMarioMix
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DanceMasters
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DanceOfDeathDuLacAndFey
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/JustDance
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/OperationDance
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/ShadowDancer
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/SwordDancer
https://tvtropes.org/pmwiki/pmwiki.php/WebAnimation/SevenGuidancesToWishfulSafety
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/DevilMayDance
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/CatsDontDance
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/SkyDancers
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/TheSkeletonDance
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Dancecommander
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Danceljoy
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Danceswithswords
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/DecepticonDanceParty
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/DiscoDancer
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/LunarDance
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/SilverMoonDance
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/SilvieSkydancer
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Unicorndance
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Zombiesanddanceoffs
https://en.wikiquote.org/wiki/Abundance
https://en.wikiquote.org/wiki/Blood_on_the_Dance_Floor_(band)
https://en.wikiquote.org/wiki/Blood_on_the_Dance_Floor_(duo)
https://en.wikiquote.org/wiki/Butch_Cassidy_and_the_Sundance_Kid
https://en.wikiquote.org/wiki/Category:Alternative_dance
https://en.wikiquote.org/wiki/Category:Dance
https://en.wikiquote.org/wiki/Category:Dance_films
https://en.wikiquote.org/wiki/Category:Dancers
https://en.wikiquote.org/wiki/Category:Dancers_from_Taiwan
https://en.wikiquote.org/wiki/Category:Dancers_from_the_United_States
https://en.wikiquote.org/wiki/Category:Russian_dancers
https://en.wikiquote.org/wiki/Category:Sundance_Film_Festival
https://en.wikiquote.org/wiki/Category:Sundance_Film_Festival_award_winners
https://en.wikiquote.org/wiki/Charles_Dance
https://en.wikiquote.org/wiki/Dance
https://en.wikiquote.org/wiki/Dance_of_Death_(novel)
https://en.wikiquote.org/wiki/Dance_of_the_Dead_(2008_film)
https://en.wikiquote.org/wiki/Dances
https://en.wikiquote.org/wiki/Dances_with_Wolves
https://en.wikiquote.org/wiki/Disco_Dancer
https://en.wikiquote.org/wiki/File:Charles_Dance_2012_(cropped).jpg
https://en.wikiquote.org/wiki/File:Dance_Dance_Revolution_Solo_2000_arcade_machine.jpg
https://en.wikiquote.org/wiki/File:Indian_dance_6_nataraja.jpg
https://en.wikiquote.org/wiki/File:Saman_dance.jpg
https://en.wikiquote.org/wiki/File:SlaveDanceand_Music.jpg
https://en.wikiquote.org/wiki/Manipuri_dance
https://en.wikiquote.org/wiki/So_You_Think_You_Can_Dance_(American_TV_series)
Wikipedia - 1975 Holton-Arms School senior prom -- 1975 high school dance held at the White House
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Wikipedia - 2019 Sundance Film Festival -- Film festival
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Wikipedia - Death of Joseph Smith -- 1844 extrajudicial murder of the founder and leader of the <!-- "LDS Church" is in accordance with the Wikipedia Manual of Style, and disagreements should be addressed at https://en.wikipedia.org/wiki/Wikipedia:Manual_of_Style/Latter_Day_Saints. Any change made to "LDS Church" or "Latter Day Saint Movement" will be reverted. -->Latter Day Saint movement
Wikipedia - Debashree Roy -- Indian actress, dancer, choreographer and animal rights activist
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Wikipedia - Geeta Kapoor -- Indian dancer and choreographer
Wikipedia - Gemini Guidance Computer
Wikipedia - Gem Ramos -- Filipino actress, dancer and singer
Wikipedia - Gene Heffron -- American ice dancer
Wikipedia - Gene Kelly -- American dancer, actor, singer, director, producer and choreographer
Wikipedia - Gene Nelson -- US actor, dancer, screenwriter, director
Wikipedia - Gennady Kaskov -- Soviet ice dancer
Wikipedia - Gentry de Paris -- French burlesque dancer
Wikipedia - Geoffrey Brissaud -- French ice dancer
Wikipedia - Geoffrey Holder -- Trinidadian-American actor and dancer
Wikipedia - George Balanchine -- Georgian-American choreographer, dancer and ballet master
Wikipedia - George Chakiris -- American dancer, singer and actor
Wikipedia - George FM -- New Zealand dance music radio station
Wikipedia - George Skibine -- Russian ballet dancer, teacher and choreographer
Wikipedia - George Waddell (figure skater) -- British ice dancer
Wikipedia - Georgian dance
Wikipedia - Georgina Parkinson -- British ballet dancer
Wikipedia - Georgina Pazcoguin -- American ballet dancer
Wikipedia - Geraldine Fenton -- Canadian ice dancer
Wikipedia - Germaine Acogny -- Senegalese dancer and choreographer
Wikipedia - Gertrude Lawrence -- English actress, singer, dancer and musical comedy performer
Wikipedia - Gery-Nikol -- Bulgarian singer,model,dancer and producer.
Wikipedia - Ghost Dance
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Wikipedia - Gillian Lynne -- English dancer, choreographer, actress and director
Wikipedia - Gillian Murphy -- American ballet dancer
Wikipedia - Ginger Rogers -- American actress and dancer
Wikipedia - Ginuwine -- American singer, songwriter, dancer, and actor from Maryland
Wikipedia - Giona Terzo Ortenzi -- Italian ice dancer
Wikipedia - Giulia Dotta -- Italian dancer and choreographer
Wikipedia - Giulio Dilemmi -- Italian dancer
Wikipedia - Giuseppe Bausilio -- Swiss actor, dancer, singer And Producer
Wikipedia - Giuseppe Giofre -- Italian dancer
Wikipedia - Giuseppina Bozzacchi -- Italian ballet dancer
Wikipedia - Gleb Savchenko -- Russian dancer, choreographer, and model
Wikipedia - Gleb Smolkin -- Ice dancer
Wikipedia - Global Ocean Ecosystem Dynamics -- A core project for understanding how global change will affect the abundance, diversity and productivity of marine populations
Wikipedia - Glossary of belly dance terms -- Wikipedia glossary
Wikipedia - Glossary of country dance terms -- Wikipedia glossary
Wikipedia - Glossary of dance moves -- Wikipedia glossary
Wikipedia - Glossary of partner dance terms -- Wikipedia glossary
Wikipedia - Glynis Johns -- British actress, dancer, pianist and singer
Wikipedia - Glyn Watts -- British ice dancer
Wikipedia - God Is a Dancer -- 2019 single by TiM-CM-+sto and Mabel
Wikipedia - God's Money (album) -- album by Gang Gang Dance
Wikipedia - Go into Your Dance -- 1935 film by Archie Mayo
Wikipedia - Golden Features -- Australian deep house/dance producer
Wikipedia - Gonna Make You Sweat (Everybody Dance Now) -- 1990 single by C+C Music Factory
Wikipedia - Good Riddance (band) -- American punk rock band from Santa Cruz, California
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Wikipedia - Google tax avoidance
Wikipedia - Goombay Dance Band -- Band from Hamburg, Germany
Wikipedia - Gopal Prasad Dubey -- Indian classical dancer
Wikipedia - Grammaticality -- Judgement on the well-formedness of a linguistic utterance, based on whether the sentence is produced and interpreted in accordance with the rules and constraints of the relevant grammar
Wikipedia - Grammy Award for Best Dance Recording
Wikipedia - Graziano Di Prima -- Italian dancer and choreographer
Wikipedia - Grease Dance -- Video game
Wikipedia - Great Bear (band) -- North American contra dance band
Wikipedia - Greek dances
Wikipedia - Greg Zuerlein (figure skater) -- American ice dancer
Wikipedia - Greta Hodgkinson -- American Canadian ballet dancer
Wikipedia - Greta Wrage von Pustau -- German dancer
Wikipedia - Grethe Grunberg -- Estonian ice dancer
Wikipedia - Grigory Smirnov -- Russian ice dancer
Wikipedia - Grinding (dance) -- Suggestive club dancing
Wikipedia - Grooming dance -- Dance performed by honeybees
Wikipedia - Groove Coverage -- German dance band
Wikipedia - Grotesque dance -- Dance
Wikipedia - Guan Xueting -- Chinese ice dancer
Wikipedia - Gudrun Bojesen -- Danish ballet dancer
Wikipedia - Guidance counsellor
Wikipedia - Guidance (film) -- 2014 film by Pat Mills
Wikipedia - Guidance system
Wikipedia - Guidance (web series) -- Web series
Wikipedia - Guido Lauri -- Italian dancer
Wikipedia - Guillaume Cizeron -- French ice dancer
Wikipedia - Guillaume Cote -- Canadian ballet dancer
Wikipedia - Guillaume Gfeller -- Canadian ice dancer
Wikipedia - Gunchei -- Dance found in Mexican culture
Wikipedia - Guo Jiameimei -- Chinese ice dancer
Wikipedia - Guz Hardy & J Luke -- Italian electronic dance music band
Wikipedia - Gwendal Peizerat -- French ice dancer
Wikipedia - Gwen Verdon -- American actress and dancer
Wikipedia - Gyorgy Elek -- Hungarian ice dancer
Wikipedia - Hacha'a -- Iraqi dance style
Wikipedia - Hadassah (dancer) -- Jerusalem-born American dancer, choreographer, and instructor
Wikipedia - Haka -- Traditional chanting dance or challenge of the Maori people of New Zealand
Wikipedia - Halina Gordon-Poltorak -- Polish ice dancer
Wikipedia - Halling (dance) -- Traditional Norwegian dance
Wikipedia - Hammersmith Palais -- 1919-2007 dance hall and entertainment venue in Hammersmith, London, England
Wikipedia - Hampster Dance -- One of the earliest examples of an Internet meme
Wikipedia - Han Bing -- Chinese ice dancer
Wikipedia - Hanka Ordonowna -- singer, dancer and actress
Wikipedia - Harold Hartshorne -- American ice dancer
Wikipedia - Harold Hecht -- American film producer, actor, dance director and talent agent
Wikipedia - Harold Nicholas -- tap dancer
Wikipedia - Harvey Millier -- American ice dancer
Wikipedia - Hatzichristos -- Greek folk dance
Wikipedia - Hayley McFarland -- American actress, singer and dancer
Wikipedia - Hazel Newberry -- British dancer
Wikipedia - Head Hunter (song) -- 2019 song by Dance Gavin Dance
Wikipedia - Heartbreak (Make Me a Dancer) -- 2009 single by Freemasons
Wikipedia - Heart Dance -- British radio station
Wikipedia - Heather Morris -- American actress, dancer, singer and model
Wikipedia - Heather Ogden -- Canadian ballet dancer
Wikipedia - Hedi Schoop -- German dancer, cabaret artist, sculptor, painter and manufacturer
Wikipedia - Hee Seo -- South Korean ballet dancer
Wikipedia - Helena Grossowna -- Polish actress and dancer
Wikipedia - Helen Anker -- British actress, singer, and dancer
Wikipedia - Helene Bouchet -- French ballet dancer
Wikipedia - Helene Yorke -- Canadian actress, singer, and dancer
Wikipedia - Hema Malini -- Indian actress, dancer and politician
Wikipedia - Hendryk Schamberger -- German ice dancer
Wikipedia - Henna Lindholm -- Finnish ice dancer
Wikipedia - Henri Chatin-Hofmann -- American dancer
Wikipedia - Henriette Froschl -- German ice dancer
Wikipedia - Henri Justamant -- French choreographer and dancer
Wikipedia - Hercules and Love Affair -- American dance music group
Wikipedia - Her Highness Dances the Waltz (1926 film) -- 1926 film
Wikipedia - Hester Santlow -- 18th-century British dancer and actress
Wikipedia - Heyoon Jeong -- South Korean dancer, singer, rapper and choreographer
Wikipedia - High-nutrient, low-chlorophyll regions -- Regions of the ocean where the abundance of phytoplankton is low and fairly constant despite the availability of macronutrients
Wikipedia - Hikaru Kobayashi -- Japanese ballet dancer
Wikipedia - Himali Siriwardena -- Sri Lankan actress and dancer
Wikipedia - Hi-NRG -- Genre of uptempo disco or electronic dance music
Wikipedia - Hip hop -- Subculture including music, dance and graffiti
Wikipedia - Hiroyuki Suzuki (figure skater) -- Japanese ice dancer
Wikipedia - History of dance
Wikipedia - History of the Diablada -- Dance costume
Wikipedia - Hobbididance
Wikipedia - Hollie Robertson -- British dancer
Wikipedia - Holly Cruikshank -- American dancer
Wikipedia - Holly Dorger -- American ballet dancer
Wikipedia - Holly Taylor -- Canadian-born American actress and dancer
Wikipedia - Honey (2003 film) -- 2003 US dance drama film by Bille Woodruff
Wikipedia - Honey Bruce -- American exotic dancer
Wikipedia - Honeyroot -- Ambient dance collaboration between Glenn Gregory and Keith Lowndes
Wikipedia - Honorata Gorna -- Polish ice dancer
Wikipedia - Hoori Noorani -- Pakistani classical dancer, artist and publisher
Wikipedia - Hora (dance)
Wikipedia - Howard Sims -- American tap dancer
Wikipedia - How many angels can dance on the head of a pin? -- reductio ad absurdum of angelology; idiom for wasting time debating pointless issues
Wikipedia - Huang Xintong -- Chinese ice dancer
Wikipedia - Hula -- Polynesian dance
Wikipedia - Hungarian dance
Wikipedia - Hunter Johnson (choreographer) -- American ballroom dancer and choreographer
Wikipedia - Hwang Jini -- Korean gisaeng, poet, dancer and philosopher
Wikipedia - Iana Salenko -- Ukrainian-German ballet dancer
Wikipedia - Ian Casady -- American professional ballet dancer
Wikipedia - Ian Lorello -- American ice dancer
Wikipedia - I Bet You Look Good on the Dancefloor -- 2005 single by Arctic Monkeys
Wikipedia - I Can't Dance -- 1991 single by Genesis
Wikipedia - Ice dance -- Discipline of figure skating that draws from ballroom dancing
Wikipedia - Icknield Way Morris Men -- British traditional dance troupe
Wikipedia - Ida Praetorius -- Danish ballet dancer
Wikipedia - Ieva SodeikienM-DM-^W -- Lithuanian dancer
Wikipedia - Igor Eremenko -- Russian competitive ice dancer
Wikipedia - Igor Moiseyev -- Soviet dancer
Wikipedia - Ilia Averbukh -- Russian ice dancer
Wikipedia - Ilia Isaev -- Russian ice dancer
Wikipedia - Ilias Ali (figure skater) -- Kazakhstani former ice dancer
Wikipedia - Ilie Dancea -- Romanian weightlifter
Wikipedia - Ilona Murai Kerman -- American dancer
Wikipedia - Imilo Lechanceux -- Ivorian-Burkinabe singer, dancer and DJ
Wikipedia - Immodesty Blaize -- British dancer
Wikipedia - Impedance cardiography
Wikipedia - Impedance control
Wikipedia - Impedance matching
Wikipedia - Impedance phlebography -- Medical test to measure small changes in electrical resistance of the chest
Wikipedia - Ina Demireva -- Bulgarian ice dancer
Wikipedia - Ina Feleo -- Filipino actress, figure skater, dancer, and writer
Wikipedia - Inai (dance) -- Malay traditional dance
Wikipedia - Inbreeding avoidance -- Evolutionary biology concept of prevention of negative inbreeding effects
Wikipedia - Index of dance articles -- Wikipedia index
Wikipedia - Indian classical dance -- Performance arts rooted in religious Hindu musical theatre
Wikipedia - India's Best Dancer -- Indian TV reality show
Wikipedia - Indira P. P. Bora -- Indian Satriya dancer
Wikipedia - Industrial dance music
Wikipedia - Inertial guidance system
Wikipedia - Inertial guidance
Wikipedia - Infernal (Danish band) -- Danish dance-pop group
Wikipedia - Ingrid Silva -- Brazilian ballet dancer
Wikipedia - In Song and Dance -- 1964 film
Wikipedia - Instructional theory -- Theory that offers explicit guidance on how to better help people learn and develop
Wikipedia - Instrument landing system localizer -- Horizontal guidance system
Wikipedia - International Dance Music Awards -- Annual awards ceremony
Wikipedia - International folk dance -- Variety of ethnic dance traditions
Wikipedia - Irena Milovan -- Yugoslav ballet dancer
Wikipedia - Irene Vera Young -- Australian dancer and dance educator
Wikipedia - Irina Khavronina -- Russian ice dancer
Wikipedia - Irina Lobacheva -- Russian ice dancer
Wikipedia - Irina Moiseeva -- Russian ice dancer
Wikipedia - Irina Shtork -- Estonian ice dancer
Wikipedia - Iris Barbura -- Romanian dancer
Wikipedia - Iris Burton -- American dancer and talent agent
Wikipedia - Iris Chacon -- Puerto Rican dancer, actress and singer
Wikipedia - Irish dance -- Group of traditional dance forms originating in Ireland
Wikipedia - Irish stepdance -- Style of performance dance with its roots in traditional Irish dance
Wikipedia - Iron peak -- Comparatively high abundance of elements with atomic numbers near iron.
Wikipedia - Isabel Edvardsson -- Swedish dancer
Wikipedia - Isabella Cannuscio -- American former competitive ice dancer
Wikipedia - Isabella Micheli -- Italian ice dancer
Wikipedia - Isabella Rizzi -- Italian ice dancer
Wikipedia - Isabella Tobias -- American-born Israeli ice dancer
Wikipedia - Isabelle Ciaravola -- French ballet dancer
Wikipedia - Isabelle Delobel -- French ice dancer
Wikipedia - Isabelle Duchesnay -- French ice dancer
Wikipedia - Isabelle Sarech -- French ice dancer
Wikipedia - Isadora Duncan -- American dancer and choreographer
Wikipedia - Isa Soares -- Argentine-Brazilian dancer
Wikipedia - ISO 21500 -- Guidance on project management
Wikipedia - Israeli dance
Wikipedia - Istvan Martin -- Frenco-Hungarian ballet dancer
Wikipedia - Istvan Sugar -- Hungarian ice dancer
Wikipedia - Italian folk dance -- Part of Italian culture
Wikipedia - Itziar Mendizabal -- Spanish ballet dancer]
Wikipedia - Iva Kitchell -- American dancer
Wikipedia - Ivana DlhopolM-DM-^Mekova -- Slovak ice dancer
Wikipedia - Ivan Bukin -- Russian ice dancer
Wikipedia - Ivan Havranek -- Czechoslovak ice dancer
Wikipedia - Ivan Shefer -- Russian ice dancer
Wikipedia - I've danced with a man, who's danced with a girl, who's danced with the Prince of Wales -- 1927 song by Herbert Farjeon and Harold Scott
Wikipedia - I Wanna Dance Wit' Choo (Doo Dat Dance) -- 1975 song by Disco-Tex and the Sex-O-Lettes
Wikipedia - Iwona Bielas -- Polish ice dancer
Wikipedia - Iwona Filipowicz -- Polish ice dancer
Wikipedia - IYASA -- Dance group from Bulawayo, Zimbabwe
Wikipedia - Iyaz -- Singer-songwriter and dancer from the British Virgin Islands
Wikipedia - Izabella Miko -- Polish actress, dancer, producer, and environmental activist
Wikipedia - Iza Calzado -- Filipino actress, television host, dancer, and model
Wikipedia - Jaap Flier -- Dutch dancer and choreographer
Wikipedia - Jabbawockeez -- American hip-hop dance crew
Wikipedia - Jacek Jasiaczek -- Polish ice dancer
Wikipedia - Jack Anderson (dance critic) -- American poet, dance critic, and dance historian
Wikipedia - Jaclyn Betham -- American actress and ballet dancer
Wikipedia - Jacob Artist -- American actor, singer, and dancer
Wikipedia - Jacob Clemente -- American actor and dancer
Wikipedia - Jacqueline Green -- American dancer (born 1989)
Wikipedia - Jacqueline Petr -- Canadian retired ice dancer
Wikipedia - Jacques d'Amboise (dancer) -- American dancer and choreographer
Wikipedia - Jadagrace -- American actress, dancer, and singer
Wikipedia - Jade Chynoweth -- American actress and dancer
Wikipedia - J'aime Crandall -- American ballet dancer
Wikipedia - James B. Whiteside -- American ballet dancer
Wikipedia - James Cagney -- American actor and dancer
Wikipedia - James Millns -- American ice dancer
Wikipedia - Jameson Blake -- American Actor, Dancer, Model and Television personality
Wikipedia - Jamhuri Jazz Band -- Dance band founded In Tanzania
Wikipedia - Jamileh (dancer) -- Iranian actress, cabaret performer, and dancer
Wikipedia - Jamming avoidance response -- Behavior performed by weakly electric fish to prevent jamming of their sense of electroreception
Wikipedia - Jana Khokhlova -- Russian ice dancer
Wikipedia - Jan Broberg Felt -- American actress, singer and dancer
Wikipedia - Jane Avril -- French can-can dancer made famous by Henri de Toulouse-Lautrec through his painting
Wikipedia - Jane De Leon -- Filipina teen dancer, actress, singer and model
Wikipedia - Jane Thomson (1827-1901) -- Australian stage actor and dancer
Wikipedia - Janet Jackson -- American singer, songwriter, dancer, and actress
Wikipedia - Janet Lilly -- American modern dancer
Wikipedia - Jan MoM-EM-^[cicki -- Polish ice dancer
Wikipedia - Jan Van Dyke -- American modern dancer
Wikipedia - Japanese traditional dance -- Traditional styles of Japanese dance
Wikipedia - Jared Redick -- American ballet dancer
Wikipedia - Jaromir Holan -- Czech ice dancer
Wikipedia - Jasmine Curtis-Smith -- Australian-Filipina actress, dancer, endorser, writer and commercial model
Wikipedia - Jason Derulo -- American singer, songwriter, and dancer from Florida
Wikipedia - Jason Orange -- English singer-songwriter, dancer, musician and actor
Wikipedia - Jason Wise -- American dancer & choreographer
Wikipedia - Jay Park -- Korean-American musician, dancer, actor and entrepreneur
Wikipedia - Jazz dance -- Performance dance technique
Wikipedia - Jean Baptiste Hippolyte Dance
Wikipedia - Jean Butler -- American dancer, choreographer and actress
Wikipedia - Jean Erdman -- American dancer
Wikipedia - Jean-Louis Morin (dancer) -- Canadican choreographer
Wikipedia - Jean-Luc Baker -- American ice dancer
Wikipedia - Jeanne Coyne -- American Broadway dancer, choreographer and actress
Wikipedia - Jeanne Robinson -- American-born Canadian dancer and writer
Wikipedia - Jeannie Hsieh -- Taiwanese singer-songwriter, dancer, actress, and model
Wikipedia - Jean Paul Guhel -- French ice dancer
Wikipedia - Jean Westwood (figure skater) -- British ice dancer
Wikipedia - Jeffrey Cirio -- American classical ballet dancer
Wikipedia - Jelani Alladin -- American actor, singer, and dancer
Wikipedia - Jelko Yuresha -- British ballet dancer
Wikipedia - Jemma Siles -- Australian singer/songwriter, actress and dancer
Wikipedia - Jenna Johnson (dancer) -- American professional dancer
Wikipedia - Jennifer Cody -- American dancer and actress
Wikipedia - Jennifer Lopez -- American actress, singer, dancer, and producer
Wikipedia - Jennifer Monson -- American dancer and choreographer
Wikipedia - Jenny Brandt -- Swedish ballet dancer
Wikipedia - Jenny Hasselquist -- Swedish dancer, actress
Wikipedia - Jens van Daele -- Dutch dancer and choreographer
Wikipedia - Jeremie Flemin -- French-Polish ice dancer
Wikipedia - Jess Curtis/Gravity -- American dance company
Wikipedia - Jessica Sutta -- American singer, dancer, songwriter and actress
Wikipedia - Jessica Vanessa -- American dancer and internet personality
Wikipedia - Jett Adore -- American burlesque dancer
Wikipedia - Jewish dance
Wikipedia - Jhong Hilario -- Filipino actor, dancer and politician
Wikipedia - J-Hope -- South Korean rapper, dancer, singer, songwriter, and record producer
Wikipedia - Jhumair -- Folk dance of East India
Wikipedia - Jiang Hui (figure skater) -- Chinese ice dancer
Wikipedia - Jill Green -- American dance educator and scholar
Wikipedia - Jillian Vanstone -- Canadian ballet dancer
Wikipedia - Jill Vernekohl -- German ice dancer
Wikipedia - JiM-EM-^Yi Prochazka -- Czech ice dancer
Wikipedia - Jimin (singer, born 1995) -- South Korean singer, songwriter, and dancer
Wikipedia - Jimmy Slyde -- American tap dancer
Wikipedia - Jindra Hola -- Czech ice dancer
Wikipedia - Jitka Babicka -- Czech ice dancer
Wikipedia - JiveBop TV Dance Party -- American TV program
Wikipedia - Jive (dance) -- Dance style
Wikipedia - Joachim von Seewitz -- German dancer
Wikipedia - Joan Acocella -- American journalist, dance critic and writer
Wikipedia - Joan Gadsdon -- Australian ballet dancer, actor and artist
Wikipedia - Joan Myers Brown -- American dance instructor
Wikipedia - Joanna Budner -- Polish ice dancer
Wikipedia - Joanna Lenko -- Canadian ice dancer
Wikipedia - Joanne Clifton -- English professional dancer, presenter, actress, and singer
Wikipedia - Joan Winters -- American dancer
Wikipedia - Joan Zamboni -- American ice dancer
Wikipedia - Jocelyn Enriquez -- Philippin-American dance-pop singer (born 1974)
Wikipedia - Jody Sperling -- American dancer and choreographer
Wikipedia - Joe Langworth -- American dancer
Wikipedia - Joel Benjamin (singer) -- American singer and dancer
Wikipedia - Joel Grey -- American actor, singer, dancer, director, and photographer
Wikipedia - Joe V. Nash -- American dancer and historian
Wikipedia - Johannes Radebe -- South African dancer
Wikipedia - John Cole (choreographer) -- Zimbabwean dancer and choreographer
Wikipedia - John Corona -- American former competitive ice dancer
Wikipedia - John Dowding (figure skater) -- Canadian ice dancer
Wikipedia - John Kerr (figure skater) -- Scottish ice dancer
Wikipedia - Johnny Ray (comedian) -- American actor, comedian and dancer
Wikipedia - John Philip Bughaw -- Filipino child dancer and actor
Wikipedia - John Prats -- Filipino actor, director, dancer and comedian
Wikipedia - John Scott Dance -- Modern dance company based in Dublin, Ireland
Wikipedia - John Summers (figure skater) -- American ice dancer
Wikipedia - John Thomas (figure skater) -- Canadian ice dancer
Wikipedia - John W. Bubbles -- American dancer and musician
Wikipedia - JoJo Siwa -- American dancer, singer, actress, and YouTube personality
Wikipedia - Jolanta Wesolowska -- Polish ice dancer
Wikipedia - Jo Lechay -- American/Canadian dancer, choreographer, painter
Wikipedia - Jonathan Hollander -- American dancer and founder of the Battery Dance Company
Wikipedia - Jonathan Stafford -- American ballet dancer and artistic director
Wikipedia - Jonathon O'Dougherty -- Welsh ice dancer
Wikipedia - Jonny Fines -- English actor, singer and dancer
Wikipedia - Joo Won Ahn -- South Korean ballet dancer
Wikipedia - Jopay -- Filipino actor, singer and dancer
Wikipedia - Jordan Banjo -- British street dancer
Wikipedia - Jordan Fisher -- American actor, singer, dancer,and gamer
Wikipedia - Jordi Caballero -- Actor, dancer, choreographer and producer for stage
Wikipedia - Jorge Blanco (musician) -- Mexican musician, singer, dancer, and actor
Wikipedia - Jorge Perez Evelyn -- Argentinian Actor-singer and dancer
Wikipedia - Josee Piche -- Canadian ice dancer
Wikipedia - Joseph Caley -- English ballet dancer
Wikipedia - Joseph Druar -- American ice dancer
Wikipedia - Joseph Grimaldi -- English actor, comedian and dancer
Wikipedia - Josephine Baker -- American-born French dancer, singer, actress, and World War Two spy for the Americans
Wikipedia - Joseph Lanner -- Austrian dance music composer
Wikipedia - Joshua McGrath -- Canadian ice dancer
Wikipedia - Joyce Blair -- English actress and dancer
Wikipedia - Joy Dunlop -- Scottish step dancer, journalist, presenter
Wikipedia - Juanita Boisseau -- American dancer
Wikipedia - Judi Genovesi -- American ice dancer
Wikipedia - Judson Dance Theater
Wikipedia - Judy Blumberg -- American former competitive ice dancer
Wikipedia - Judy Tyrus -- American ballet dancer
Wikipedia - Juha Valkama -- Finnish ice dancer
Wikipedia - Juho Pirinen -- Finnish ice dancer
Wikipedia - Julia Golovina -- Ukrainian ice dancer
Wikipedia - Julia Marcus -- Swiss dancer
Wikipedia - Julianne Hough -- American dancer, actress, singer, and songwriter (born 1988)
Wikipedia - Julian Trono -- Filipino actor and dancer
Wikipedia - Julia Wagret -- French ice dancer
Wikipedia - Julie Carmen -- American actress, dancer and psychotherapist
Wikipedia - Julie Kent (dancer) -- American ballet dancer
Wikipedia - Juliet Prowse -- Dancer, actress
Wikipedia - Juliette Binoche -- French actress, artist and dancer
Wikipedia - Juliette Price -- Danish ballet dancer
Wikipedia - Julio Camejo -- Cuban Mexican actor and dancer
Wikipedia - Julio Kopseng -- Colombian-born Norwegian former dancer and convicted serial rapist
Wikipedia - June Angela -- American actress, singer, and dancer
Wikipedia - Junior Reid -- Jamaican reggae and dancehall musician
Wikipedia - Junk Ensemble -- Irish dance theatre company
Wikipedia - Jurgita Dronina -- Russian-Lithuanian ballet dancer
Wikipedia - Juri Kurakin -- Estonian ice dancer
Wikipedia - Jussiville Partanen -- Finnish ice dancer
Wikipedia - Jussi VM-CM-$M-CM-$nM-CM-$nen -- Finnish dancer
Wikipedia - Just Dance 2014 -- 2013 video game
Wikipedia - Just Dance 2017 -- 2016 dance video game
Wikipedia - Just Dance 2018 -- 2017 dance rhythm game developed by Ubisoft
Wikipedia - Just Dance 2019 -- 2018 video game
Wikipedia - Just Dance 2020 -- 2019 video game
Wikipedia - Just Dance Now -- 2014 video game
Wikipedia - Just Dance (song) -- 2008 single by Lady Gaga
Wikipedia - Just Dance (South Korean TV series) -- 2018 South Korean television series
Wikipedia - Just Dance (video game series) -- Dancing video game series
Wikipedia - Justin Lanning -- English ice dancer
Wikipedia - Justin Pekarek -- American ice dancer
Wikipedia - Justin Tornow -- American modern dancer and choreographer
Wikipedia - Justyna Plutowska -- Polish ice dancer
Wikipedia - Jutta Deutschland -- German ballet dancer and choreographer
Wikipedia - Kabasaran -- Indonesian traditional tribal war dance
Wikipedia - Kabuki -- Classical Japanese dance-drama
Wikipedia - Kagura -- A specific type of Shinto theatrical dance
Wikipedia - Kaka (singer) -- Danish reggae, dancehall and hip hop artist
Wikipedia - Kalamata Dance Megaron -- Dance Hall in Kalamata, Greece
Wikipedia - Kalanidhi Narayanan -- Indian dancer
Wikipedia - Kalani Hilliker -- American dancer, actress, model, fashion designer and YouTuber
Wikipedia - Kalbelia -- Dance from Rajasthan, India
Wikipedia - Kamila Przyk -- Polish ice dancer
Wikipedia - Kamilla Carvalho -- Brazilian samba dancer
Wikipedia - Kamo Mphela -- South African dancer and singer
Wikipedia - Kana Muramoto -- Japanese ice dancer
Wikipedia - Kandyan dance
Wikipedia - Kangilu -- Traditional Udupi and Karnataka folk dance from India
Wikipedia - Karen Barber -- English ice dancer
Wikipedia - Karen Byrne -- Irish dancer and choreographer
Wikipedia - Karen Dejo -- Peruvian actress and dancer
Wikipedia - Karen Routhier -- Canadian ice dancer
Wikipedia - Karen Taft -- Danish ballet dancer and choreographer
Wikipedia - Karen Ziemba -- American actress, singer and dancer
Wikipedia - Karina Manta -- American ice dancer
Wikipedia - Karina the Dancer -- 1928 film
Wikipedia - Karin von Aroldingen -- German ballet dancer
Wikipedia - Karole Armitage -- American dancer and choreographer
Wikipedia - Karoly Csanadi -- Hungarian ice dancer
Wikipedia - Karthika NaM-CM-/r -- French-Indian poet and dancer
Wikipedia - Kartik Naach -- Dance musical
Wikipedia - Karyn Garossino -- Canadian ice dancer
Wikipedia - Kasturi Pattanaik -- Indian dancer and choreographer
Wikipedia - Kat DeLuna -- American singer, songwriter and dancer
Wikipedia - Katelyn Good -- Canadian ice dancer
Wikipedia - KateM-EM-^Yina Mrazova -- Czech ice dancer
Wikipedia - Kate Prince -- British choreographer and dancer
Wikipedia - Kathakali -- One of the classical dances of India
Wikipedia - Kathak -- Indian classical dance
Wikipedia - Katharina Muller -- German ice dancer
Wikipedia - Katherine Bailess -- American actress, singer, and dancer
Wikipedia - Katherine Dunham -- American dancer and choreographer
Wikipedia - Kathleen Breen Combes -- American ballet dancer
Wikipedia - Kathleen Dillon -- British dancer and theatre designer
Wikipedia - Kathleen Lynch (performer) -- American dancer and performance artist
Wikipedia - Kathrin Beck -- Austrian actress and former ice dancer
Wikipedia - Kathryn Doby -- Hungarian dancer, actress, choreographer
Wikipedia - Kathryn Evans -- British stage actress, singer and dancer
Wikipedia - Kathryn Morgan -- American ballet dancer
Wikipedia - Kathryn Winter -- British ice dancer
Wikipedia - Kati Winkler -- German ice dancer
Wikipedia - Katja Koukkula -- Finnish dancer and dance teacher
Wikipedia - Katja Wulff -- German-Swiss dancer
Wikipedia - Katy Pyle -- American ballet dancer and choreographer
Wikipedia - Kaura (dance) -- Folk musical performance, Nepal
Wikipedia - Kava Kava (band) -- British rock band/live dance act
Wikipedia - Kavita Lorenz -- German ice dancer
Wikipedia - Kay Barsdell -- British ice dancer
Wikipedia - Kay Walsh -- English actress and dancer
Wikipedia - Keenan Kampa -- American actress and dancer
Wikipedia - Keiffer Hubbell -- American ice dancer
Wikipedia - Keith Flint -- English dancer and vocalist
Wikipedia - Keith Gagnon -- Canadian ice dancer
Wikipedia - Keiynan Lonsdale -- Australian actor, dancer, and singer
Wikipedia - Kelly Bishop -- American actress and dancer
Wikipedia - Kelly Johnson (figure skater) -- Canadian ice dancer
Wikipedia - Kelly Kelly -- American professional wrestler, model, dancer, ring announcer, professional wrestling valet and television personality
Wikipedia - Kelvin Taylor (actor) -- American actor, dancer, model, and voice actor
Wikipedia - Ken and Miye Ota -- Ballroom dancers and martial artists
Wikipedia - Ken Berry -- American actor, dancer and singer.
Wikipedia - Kenjiro Yamashita -- Japanese dancer, actor and radio personality
Wikipedia - Kenneth Foster (figure skater) -- British ice dancer
Wikipedia - Kenneth Ormsby -- Canadian ice dancer
Wikipedia - Kenneth Sein -- Burmese dancer and singer
Wikipedia - Kenneth Widmerpool -- Fictional character in Anthony Powell's novel sequence A Dance to the Music of Time
Wikipedia - Ken "Snakehips" Johnson -- British jazz band leader and dancer
Wikipedia - Kenton Duty -- American actor, singer, and dancer
Wikipedia - Kent Weigle -- American ice dancer
Wikipedia - Kerkiraikos -- Greek folk dance
Wikipedia - Ketil Gudim -- Norwegian dancer and actor
Wikipedia - Kevin Clifton -- British dancer
Wikipedia - Kevin McHale (actor) -- American actor, singer, dancer and radio personality
Wikipedia - Keystone species -- Species that has a disproportionately large effect on its environment relative to its abundance
Wikipedia - Khabonina Qubeka -- South African Actress, Dancer and Businesswoman
Wikipedia - Khandi Alexander -- American dancer, choreographer, and actress
Wikipedia - Kharis Ralph -- Canadian ice dancer
Wikipedia - Khattak dance -- Tribal dance
Wikipedia - Khristina Boyanova -- Bulgarian ice dancer
Wikipedia - Khumar Zulfugarova -- Azerbaijani dancer and choreographer
Wikipedia - Kilgore College Rangerettes -- Precision dance team from Texas, US
Wikipedia - Kilian O'Callaghan -- `Irish ballet dancer, teacher and choreographer, and academic administrator
Wikipedia - Kimberley Walsh -- English singer, model, television presenter, actress and dancer
Wikipedia - Kimberly Navarro -- American former competitive ice dancer
Wikipedia - Kimberly Wyatt -- American recording artist, dancer and choreographer (born 2000000000)
Wikipedia - Kim Esty -- Canadian Eurodance musician
Wikipedia - Kim Hye-min -- South Korean ice dancer
Wikipedia - Kim Last -- Filipino-British actor, dancer and endorser
Wikipedia - Kim Min-woo (figure skater) -- South Korean ice dancer
Wikipedia - King of the Dancehall (film) -- 2016 film
Wikipedia - Kings of Dance (season 2) -- Television series
Wikipedia - Kip Gamblin -- Australian ballet dancer and actor
Wikipedia - Kirill Aleshin -- Russian ice dancer
Wikipedia - Kirill Khaliavin -- Russian-Spanish ice dancer
Wikipedia - Kirill Minov -- Russian ice dancer
Wikipedia - Kirvan Fortuin -- South African dancer
Wikipedia - Kiss FM Australia -- Dance music station in Melbourne
Wikipedia - Kizomba -- Music and dance genre
Wikipedia - Kizzy Matiakis -- English ballet dancer
Wikipedia - Klumben -- Danish dancehall / hip hop / reggae act
Wikipedia - Koharu Sugawara -- Japanese dancer, choreographer, and model
Wikipedia - Koi no Dance Site -- 2000 single by Morning Musume
Wikipedia - Kokoy de Santos -- Filipino actor, singer, and dancer
Wikipedia - Kolo (dance)
Wikipedia - Komala Varadan -- Indian classical dancer of Bharatnatyam
Wikipedia - Konrad Schaub -- Canadian ice dancer
Wikipedia - Konshens -- Dancehall musician
Wikipedia - Korean dance
Wikipedia - Korhan Basaran -- Turkish modern dancer and choreographer
Wikipedia - Korn Khunatipapisiri -- Thai actor, model and dancer
Wikipedia - K-pop Dance Festival -- 2013 dance video game
Wikipedia - Kris Barber -- Canadian ice dancer
Wikipedia - Kristel Moreno -- Filipino actor and dancer
Wikipedia - Kristina Gorshkova -- Russian ice dancer
Wikipedia - Kristina Tremasova -- Bulgarian ice dancer
Wikipedia - Kristin Fortune -- American ice dancer
Wikipedia - Kristin Fraser -- American former competitive ice dancer
Wikipedia - Kristinia DeBarge -- American singer, songwriter, dancer and actress
Wikipedia - Kristin Lehman -- Canadian actress and dancer
Wikipedia - Kristjan Rand -- Estonian ice dancer
Wikipedia - Krisztina Barta -- Hungarian former competitive ice dancer
Wikipedia - Krisztina RegM-EM-^Qczy -- Hungarian ice dancer
Wikipedia - Krumping -- Type of street dance originating from the United States
Wikipedia - Ksenia Antonova -- Russian ice dancer
Wikipedia - Ksenia Konkina -- Russian ice dancer
Wikipedia - Ksenia Monko -- Russian ice dancer
Wikipedia - Ksenia Pecherkina -- Latvian ice dancer
Wikipedia - Ksenia Tripolitova -- Lithuanian-born Russian ballet dancer
Wikipedia - Ksenia Zsikhotska -- Ukrainian dancer and choreographer
Wikipedia - K. Sivasankar -- Indian dance choreographer
Wikipedia - Kuchipudi -- One of the classical dances of India
Wikipedia - Kuchuk Hanem -- Egyptian dancer
Wikipedia - Kumudini Lakhia -- Indian dancer and choreographer
Wikipedia - Kunduz Mirkarimova -- Uzbek dancer, choreographer and teacher
Wikipedia - Kusalakumari -- Indian film actress and dancer
Wikipedia - Kushan dance -- Bengali folk dance
Wikipedia - Kylee Vincent -- South African dancer and choreographer
Wikipedia - Kylie Jones -- British dancer
Wikipedia - Kylie Shea -- American ballet dancer
Wikipedia - Kym Herjavec -- Australian ballroom dancer and TV performer
Wikipedia - Laajawab Talent Show -- TV dance talent show in India
Wikipedia - La Bamba (song) -- Traditional Mexican folk song and dance
Wikipedia - La Belle Otero -- Spanish dancer, actress and courtesan in France
Wikipedia - Labi-labi (dance) -- Malay traditional dance
Wikipedia - La Bouche -- German-American electronic dance band
Wikipedia - Lady, Let's Dance -- 1944 film by Frank Woodruff
Wikipedia - Lakhon Khol -- Cambodian dance drama genre
Wikipedia - Lamar Morris (British singer) -- British singer, songwriter, actor and dancer
Wikipedia - Lambada -- Brazilian dance
Wikipedia - Lamberto Ceserani -- Italian ice dancer
Wikipedia - Lana Jones -- Australian ballet dancer
Wikipedia - Lana (wrestler) -- American professional wrestling manager, professional wrestler, model, actress, dancer
Wikipedia - Langston Fishburne -- American actor and ballet dancer
Wikipedia - Lap dance -- Type of erotic dance
Wikipedia - Lara Jean Marshall -- English-born Australian actress, singer, and dancer
Wikipedia - Larissa Saveliev -- Russian dancer
Wikipedia - Larry Lavender -- American dancer and academic
Wikipedia - Laryssa Dias -- Brazilian actress and dancer
Wikipedia - Last Chants for a Slow Dance -- 1977 film
Wikipedia - Last Dance (Dua Lipa song)
Wikipedia - Latin dance -- Wide range of dances originating in Latin America, Cuba and Puerto Rico
Wikipedia - LaTonya Swann -- American dancer
Wikipedia - Launda Naach -- Bhojpuri Folk dance
Wikipedia - Laura Morera -- Spanish ballet dancer
Wikipedia - Laura Nolan -- Irish dancer and choreographer
Wikipedia - Laurel Lawson -- Modern dancer
Wikipedia - Lauren Bennett -- Singer, Dancer
Wikipedia - Laurence Fournier Beaudry -- Canadian ice dancer
Wikipedia - Lauri Bonacorsi -- American ice dancer
Wikipedia - Laurretta Summerscales -- British ballet dancer
Wikipedia - LaVaughn Robinson -- American dancer, choreographer, and instructor
Wikipedia - Lavinia Schulz -- German dancer, actress
Wikipedia - Lawrence Demmy -- British ice dancer
Wikipedia - Lawrence Leritz -- American ballet dancer and choreographer
Wikipedia - Layla El -- British professional wrestler, dancer, and model
Wikipedia - Layla Taj -- American-born belly dancer who promotes Egyptian culture.
Wikipedia - Lea Ved -- American dancer
Wikipedia - Leeah D. Jackson -- American teen actress, singer, chef, and dancer
Wikipedia - Lee Ho-jung -- South Korean ice dancer
Wikipedia - Lee Yong-woo -- South Korean actor and dancer
Wikipedia - Leif Gislason -- Canadian ice dancer
Wikipedia - Leland Palmer (actress) -- American actress, dancer and singer
Wikipedia - Lena Amsel -- German dancer and actor
Wikipedia - Lena Horne -- American singer, actress, civil rights activist and dancer
Wikipedia - Leni Riefenstahl -- German film director, photographer, actress, dancer, and Nazi propagandist
Wikipedia - Leni Wylliams -- American dancer and choreographer
Wikipedia - Leo Kersley -- British ballet dancer
Wikipedia - Leonard Reed -- American tap dancer
Wikipedia - Lesia Valadzenkava -- Belarusian ice dancer
Wikipedia - Leslie Odom Jr. -- American dancer, film actor and singer
Wikipedia - Leslie Shaw -- Peruvian model, singer, dancer and actress
Wikipedia - Let's All Go (To the Fire Dances) -- Song by Killing Joke
Wikipedia - Let's Dance (1950 film) -- 1950 film by Norman Z. McLeod
Wikipedia - Let's Dance 2014 -- Season of television series
Wikipedia - Let's Dance 2017 -- Season of television series
Wikipedia - Let's Dance 2020 -- Season of television series
Wikipedia - Let's Dance (Benny Goodman song) -- Song
Wikipedia - Let's Dance (David Bowie song) -- 1983 single by David Bowie
Wikipedia - Let's Dance (Five song) -- 2001 single by Five
Wikipedia - Let's Dance (German season 12) -- season of a television series
Wikipedia - Let's Dance - Let's Christmas (German TV series) -- Season of television series
Wikipedia - Let's trim our hair in accordance with the socialist lifestyle -- North Korean government propaganda campaign
Wikipedia - Letty Lind -- British actor and dancer
Wikipedia - Lewis Gibson (figure skater) -- Scottish ice dancer
Wikipedia - Leyla Bedir Khan -- Kurdish dancer
Wikipedia - Lia Cirio -- American ballet dancer
Wikipedia - Liam Dougherty -- Canadian ice dancer
Wikipedia - Liane de Pougy -- French courtesan, dancer and novelist
Wikipedia - Lidija Franklin -- American dancer
Wikipedia - Likok Pulo -- Indonesian traditional dance
Wikipedia - Lilah Fear -- British ice dancer
Wikipedia - Lilliana Ketchman -- American dancer and YouTuber
Wikipedia - Lina Bradford -- American disc jockey, dancer, and actress
Wikipedia - Lina ChatkeviM-DM-^MiM-EM-+tM-DM-^W -- Lithuanian ballroom dancer
Wikipedia - Lindy Hop -- American dance
Wikipedia - Line dance -- Choreographed dance
Wikipedia - Line Impedance Stabilization Network -- Tool used in emissions testing
Wikipedia - Lion dance
Wikipedia - Liraz Charhi -- Israeli actress, singer and dancer
Wikipedia - Lisa Bufano -- American dancer and artist
Wikipedia - Lisa (rapper) -- Thai rapper, singer and dancer
Wikipedia - Lisa Rinehart -- Former dancer with American Ballet Theatre
Wikipedia - Liselotte Maikl -- Austrian soprano and ballett dancer
Wikipedia - Lis Jeppesen -- Danish ballet dancer
Wikipedia - List of accolades received by Dances with Wolves -- Wikipedia list article
Wikipedia - List of Albanian dances
Wikipedia - List of artists who reached number one on the U.S. dance airplay chart
Wikipedia - List of artists who reached number one on the U.S. Dance Club Songs chart -- Wikipedia list article
Wikipedia - List of Ascendance of a Bookworm episodes -- Anime series
Wikipedia - List of Asian Games medalists in dancesport -- Wikimedia list article
Wikipedia - List of attendance figures at domestic professional sports leagues -- Wikipedia list article
Wikipedia - List of Billboard Dance Club Songs number ones of 2015 -- Wikimedia list article
Wikipedia - List of Billboard Hot Dance Music/Club Play number ones of 2000 -- Wikimedia list article
Wikipedia - List of Billboard number-one dance club songs -- Wikipedia list article
Wikipedia - List of Christian dance, electronic, and techno artists
Wikipedia - List of Dance Academy episodes -- Wikipedia list article
Wikipedia - List of dance awards -- Wikipedia list article
Wikipedia - List of dance companies in Canada -- Wikipedia list article
Wikipedia - List of dance companies -- Wikimedia list article
Wikipedia - List of dance critics
Wikipedia - List of Dance Dance Revolution songs -- Wikimedia list article
Wikipedia - List of Dance Dance Revolution video games -- Wikipedia list article
Wikipedia - List of Dance India Dance participants -- Wikipedia list article
Wikipedia - List of Dance in the Vampire Bund episodes -- Wikipedia list article
Wikipedia - List of Dance Moms episodes -- Wikipedia list article
Wikipedia - List of dance occupations -- Wikimedia list article
Wikipedia - List of dance personalities -- Wikimedia list article
Wikipedia - List of Dance Praise songs -- Wikipedia list article
Wikipedia - List of dancers -- Wikipedia list article
Wikipedia - List of dances and marches by Karl Michael Ziehrer -- Wikipedia list article
Wikipedia - List of DanceSport dances -- Wikipedia list article
Wikipedia - List of dance style categories -- Wikipedia list article
Wikipedia - List of dances -- List of dances
Wikipedia - List of dancewear -- Wikipedia list article
Wikipedia - List of ethnic, regional, and folk dances by origin -- Wikimedia list article
Wikipedia - List of Eurodance songs -- Wikipedia list article
Wikipedia - List of female dancers -- Wikipedia list article
Wikipedia - List of films at the 2008 Sundance Film Festival -- Wikipedia list article
Wikipedia - List of films at the 2009 Sundance Film Festival -- Wikimedia list article
Wikipedia - List of films at the 2010 Sundance Film Festival -- Wikipedia list article
Wikipedia - List of films at the 2011 Sundance Film Festival -- Wikipedia list article
Wikipedia - List of films at the 2014 Sundance Film Festival -- Wikipedia list article
Wikipedia - List of films at the 2015 Sundance Film Festival -- Wikipedia list article
Wikipedia - List of Indian folk dances -- Wikipedia list article
Wikipedia - List of Indian women in dance -- Wikipedia list article
Wikipedia - List of Italian dancers -- Wikipedia list article
Wikipedia - List of Let's Dance (Slovak TV series) contestants -- Wikimedia list article
Wikipedia - List of mudras (dance) -- Hand gestures in Indian classical dance
Wikipedia - List of national dances -- Wikipedia list article
Wikipedia - List of New York City Ballet dancers -- Wikipedia list article
Wikipedia - List of number-one dance singles of 1991 (U.S.) -- Wikipedia list article
Wikipedia - List of number-one dance singles of 2019 (Australia) -- Wikipedia list article
Wikipedia - List of partner dance books
Wikipedia - List of professional wrestling attendance records in Europe -- list of the largest attendances in the history of European professional wrestling
Wikipedia - List of professional wrestling attendance records in Japan -- list of the largest attendances in the history of Japanese professional wrestling
Wikipedia - List of professional wrestling attendance records in Puerto Rico -- list of the largest attendances in the history of the American professional wrestling
Wikipedia - List of professional wrestling attendance records in the United Kingdom -- list of the largest attendances in the history of British professional wrestling
Wikipedia - List of professional wrestling attendance records -- list of the largest attendances in the history of professional wrestling
Wikipedia - List of programs broadcast by Sundance TV -- Wikipedia list article
Wikipedia - List of record home attendances of Australian soccer clubs -- Wikimedia list article
Wikipedia - List of RPM number-one dance singles of 1991 -- Wikipedia list article
Wikipedia - List of Russian ballet dancers -- Wikipedia list article
Wikipedia - List of shows produced by Skydance Television -- Wikipedia list article
Wikipedia - List of Sket Dance episodes -- Wikipedia list article
Wikipedia - List of Slovenian dancers
Wikipedia - List of sporting venues with a highest attendance of 100,000 or more -- Wikimedia list article
Wikipedia - List of Sundance Film Festival award winners -- Wikipedia list article
Wikipedia - List of theaters for dance -- Wikipedia list article
Wikipedia - List of UK Dance Singles Chart number ones of 2003 -- Wikimedia list article
Wikipedia - List of U.S. state dances -- Wikipedia list article
Wikipedia - List of WWE attendance records -- list of the largest attendances in the history of the American professional wrestling promotion WWE
Wikipedia - Lists of UK Dance Albums Chart number ones -- Wikipedia list article
Wikipedia - Liu Xinyu -- Chinese ice dancer
Wikipedia - Liu Yuxin (singer) -- Chinese singer, rapper and dancer (born 1997)
Wikipedia - Liz Aggiss -- British live artist, dance performer, choreographer and filmmaker
Wikipedia - Liz Renay -- American actress and dancer
Wikipedia - Lloyd Jones (figure skater) -- Welsh-French ice dancer
Wikipedia - Lloyd (singer) -- American singer, songwriter, dancer, and actor from Georgia
Wikipedia - LM-CM-)onide Massine -- Russian choreographer and ballet dancer
Wikipedia - LM-CM-)onore Baulac -- ballet dancer
Wikipedia - Lockheed X-7 -- Experimental aircraft to test ramjet engines and missile guidance technology
Wikipedia - Locking (dance) -- Type of dance step
Wikipedia - Lodovica Comello -- Italian actress, singer and dancer
Wikipedia - Logan Bye -- American ice dancer
Wikipedia - Logan Giulietti-Schmitt -- American ice dancer
Wikipedia - Lo Hesse -- German dancer
Wikipedia - Loie Fuller -- American dancer
Wikipedia - Loisa Andalio -- Filipino actress, dancer and singer
Wikipedia - Lola Flores -- Spanish actor, singer and dancer
Wikipedia - Lola M-CM-^Mndigo -- Spanish singer, songwriter and dancer
Wikipedia - Lola Montez, the King's Dancer -- 1922 film
Wikipedia - Lola Montez -- Irish dancer and actress
Wikipedia - Lolita Yermak -- Ukrainian ice dancer
Wikipedia - LoM-CM-/cia Demougeot -- French ice dancer
Wikipedia - Lorcia Cooper -- South African actress and dancer
Wikipedia - Lord Est -- Finnish dancehall reggae duo
Wikipedia - Loremil Machado -- Teacher and performer of Afro-Brazilian dance
Wikipedia - Lorena Ermocida -- Argentine tango dancer
Wikipedia - Lorenza Alessandrini -- Italian ice dancer
Wikipedia - Lorna Dyer -- American ice dancer
Wikipedia - Lorna Wighton -- Canadian ice dancer
Wikipedia - Lorraine McNamara -- American ice dancer
Wikipedia - Lorraine Thomson -- Canadian dancer
Wikipedia - Lose Yourself to Dance -- 2013 single by Daft Punk
Wikipedia - Louise Brooks -- American film actress and dancer
Wikipedia - Louise Wightman -- American bodybuilder and erotic dancer
Wikipedia - Louis Falco -- American dancer and choreographer
Wikipedia - Louis Thauron -- French ice dancer
Wikipedia - Lourdes Chacon -- Puerto Rican actress, singer and dancer
Wikipedia - Lourett Russell Grant -- American singer and dancer
Wikipedia - Love & Dance -- 2006 film
Wikipedia - Lovely Abella -- Filipina actress, dancer, host, comedian, model, and entrepreneur
Wikipedia - Love Shack -- 1989 dance song by the B-52's
Wikipedia - Luca Lanotte -- Italian ice dancer
Wikipedia - Lucette Destouches -- French dancer
Wikipedia - Lucia Caraballo -- Spanish actress and dancer
Wikipedia - Lucia Catullo -- Italian actress and dancer
Wikipedia - Lucia Joyce -- professional dancer
Wikipedia - Lucia Lacarra -- Spanish ballet dancer
Wikipedia - Luciano Milo -- Italian former ice dancer
Wikipedia - Lucie KadlM-DM-^Makova -- Czech ice dancer
Wikipedia - Lucinda Dickey -- American former dancer and actress
Wikipedia - Luc MonM-CM-)ger -- French ice dancer
Wikipedia - Ludie Jones -- American dancer
Wikipedia - Luigi Freroni -- Italian ice dancer
Wikipedia - Luisa Espinel -- American singer, dancer and actress
Wikipedia - Luis Fenero -- Spanish ice dancer
Wikipedia - Luke Munana -- American ice dancer
Wikipedia - Lu Keran -- Chinese singer and dancer
Wikipedia - Luna Andermatt -- Portuguese ballet dancer, ballet teacher and choreographer
Wikipedia - Luz Cipriota -- Argentine actress, dancer and model
Wikipedia - Lycette Darsonval -- French dancer
Wikipedia - Lydia Cecilia Hill -- British dancer
Wikipedia - Lydia Kyasht -- Russian-British ballet dancer and teacher
Wikipedia - Lydia Lopokova -- Russian ballet dancer (1892-1981)
Wikipedia - Lynsey Bartilson -- American actress, dancer, and singer
Wikipedia - Mable Lee -- American jazz tap dancer, singer and entertainer
Wikipedia - Maciej Bernadowski -- Polish ice dancer
Wikipedia - Mackenzie Bent -- Canadian ice dancer
Wikipedia - Mackenzie Ziegler -- Child actor, singer and dancer
Wikipedia - Maddie Ziegler -- American dancer, actress and model
Wikipedia - Madeleine Eastoe -- Australian ballet dancer
Wikipedia - Madeline Edwards -- Canadian ice dancer
Wikipedia - Mad'House -- French/Dutch Eurodance group
Wikipedia - Madhu Nataraj -- Indian dancer (b. 1971)
Wikipedia - Madison Hubbell -- American ice dancer
Wikipedia - Madoka Sugai -- Japanese ballet dancer
Wikipedia - Mads Blangstrup -- Danish ballet dancer
Wikipedia - Mae Murray -- Actress, dancer, film producer, screenwriter
Wikipedia - Magali Sauri -- French ice dancer
Wikipedia - Magdalena Treitschke -- Austrian ballet dancer
Wikipedia - Magic Dance -- Song by David Bowie
Wikipedia - Maharashtra's Best Dancer -- Indian Marathi TV reality show
Wikipedia - Mahmoud Reda -- Egyptian choreographer and dancer
Wikipedia - Ma Htwe Lay -- traditional Burmese dance performer
Wikipedia - Mahvash -- Iranian singer, dancer, movie actress and stage performer in the 1950s and 1960s
Wikipedia - Maia Makhateli -- Georgian ballet dancer
Wikipedia - Maia Shibutani -- American ice dancer
Wikipedia - Major League Soccer attendance -- Attendance figures for Major League Soccer in the United States and Canada
Wikipedia - Make You Dance -- 2020 single by Meghan Trainor
Wikipedia - Maksym Spodyriev -- Polish ice dancer
Wikipedia - Malay gamelan -- Malay musical instrument and dance
Wikipedia - Maldito Ramirez -- Canarian singer, songwriter and dancer
Wikipedia - Malgorzata Grajcar -- Polish ice dancer
Wikipedia - Malu Trevejo -- Cuban dancer and singer-songwriter
Wikipedia - Mambo (dance) -- Dance
Wikipedia - Mangala Bhatt -- Indian dancer
Wikipedia - Manipuri dance -- One of the classical dances of India
Wikipedia - Manjari Chaturvedi -- Indian Kathak dancer
Wikipedia - Manlee Kongprapad -- Thai dancer
Wikipedia - Mantra-Rock Dance -- 1967 counterculture music event
Wikipedia - Manuela Vargas (flamenco dancer) -- Spanish flamenco dancer and choreographer
Wikipedia - Marama Corlett -- Maltese actress and dancer
Wikipedia - Marc-AndrM-CM-) Servant -- Canadian ice dancer
Wikipedia - Marcelino SambM-CM-) -- Portuguese ballet dancer
Wikipedia - Marcin Glowacki -- Polish ice dancer
Wikipedia - Marcin Kozubek -- Polish ice dancer
Wikipedia - Marcin Mroczek -- Polish actor and dancer
Wikipedia - Marcin TrM-DM-^Ybacki -- Polish ice dancer
Wikipedia - Marco Da Silva (dancer) -- Portuguese dancer and choreographer
Wikipedia - Marco Fabbri -- Italian ice dancer
Wikipedia - Marco Garavaglia -- Italian ice dancer
Wikipedia - Marcus Canty -- American R&B and soul singer and dancer
Wikipedia - Margaret Pellegrini -- American actress, vaudeville performer, and dancer
Wikipedia - Margaret Scott (dancer) -- Australian ballerina
Wikipedia - Margaret Severn -- American dancer
Wikipedia - Margarita Drobiazko -- Lithuanian ice dancer
Wikipedia - Marge Champion -- American dancer, choreographer, and actress
Wikipedia - Margie Gillis -- Canadian choreographer and dancer
Wikipedia - Maria Borounov -- Australian former competitive ice dancer
Wikipedia - Maria Eichwald -- Kazakhstani ballet dancer
Wikipedia - Maria Ford -- Latin American actress, model and dancer
Wikipedia - Maria Kochetkova -- Russian ballet dancer
Wikipedia - Maria Kowroski -- American ballet dancer
Wikipedia - Maria Monko -- Russian ice dancer
Wikipedia - Mariana Kozlova -- Ukrainian ice dancer and coach
Wikipedia - Marian Chace -- American dance therapist
Wikipedia - Marianela NuM-CM-1ez -- Argentine ballet dancer
Wikipedia - Maria Nosulia -- Ukrainian ice dancer
Wikipedia - Maria Simonova -- Russian ice dancer
Wikipedia - Maria ViganM-CM-2 -- Austrian ballet dancer
Wikipedia - Marie-Agnes Gillot -- French ballet dancer
Wikipedia - Marie-Jade Lauriault -- Canadian-French ice dancer
Wikipedia - Mariemma -- Spanish dancer and choreographer
Wikipedia - Marie Rose Guiraud -- Ivorian dancer
Wikipedia - Marie SallM-CM-) -- French ballet dancer
Wikipedia - Mariett Dances Today -- 1928 film
Wikipedia - Marie Walton-Mahon -- Australian ballet dancer and teacher
Wikipedia - Marika Besobrasova -- Russian-Monegasque dancer
Wikipedia - Marika Humphreys -- British ice dancer
Wikipedia - Marika Rokk -- Hungarian-born actress, singer, dancer
Wikipedia - Marina Anissina -- French-Russian ice dancer
Wikipedia - Marina Antipova -- Russian ice dancer
Wikipedia - Marina Eglevsky -- American ballet dancer
Wikipedia - Marina Semyonova -- Soviet ballet dancer
Wikipedia - Marina Timofeieva -- Estonian ice dancer
Wikipedia - Marjorie Guthrie -- American female dancer
Wikipedia - Marjorie Hollinshed -- Ballet dancer and teacher (b. 1905, d. 1995)
Wikipedia - Marjorie Lajoie -- Canadian ice dancer
Wikipedia - Mark Ballas -- American dancer, musician, and actor
Wikipedia - Mark Janoschak -- Canadian ice dancer
Wikipedia - Mark Mitchell (Canadian figure skater) -- Canadian ice dancer
Wikipedia - Mark Reed (figure skater) -- British ice dancer
Wikipedia - Mark Tompkins (dancer) -- Artist
Wikipedia - Marlon Jackson -- American entertainer, singer, and dancer
Wikipedia - Marriage Guidance Counsellor -- Monty Python sketch
Wikipedia - Marriage guidance
Wikipedia - Marta Paoletti -- Italian ice dancer
Wikipedia - Martha Graham -- American dancer and choreographer
Wikipedia - Martial Jaffredo -- French ice dancer
Wikipedia - Martine Olivier -- French ice dancer
Wikipedia - Martine Patenaude -- Canadian ice dancer
Wikipedia - Martin M-EM- imeM-DM-^Mek -- Czech ice dancer
Wikipedia - Martin Smith (figure skater) -- Canadian ice dancer
Wikipedia - Mary Bulkley -- English dancer and comedy stage actress
Wikipedia - Mary Campbell (figure skater) -- American former competitive ice dancer
Wikipedia - Mary Ellen Bromfield -- American actress, dancer, and author
Wikipedia - Mary Fulkerson -- American dance teacher and choreographer
Wikipedia - Maryhelen Mayfield -- American ballet dancer and arts director
Wikipedia - Mary Hinkson -- American dancer
Wikipedia - Mary Jo Freshley -- Korean dance professor at the University of Hawaii
Wikipedia - Mary Meerson -- French ballet dancer and model
Wikipedia - Masha Dashkina Maddux -- Ukrainian modern dancer
Wikipedia - Masque -- Courtly entertainment with music and dance
Wikipedia - Massimo Scali -- Italian ice dancer
Wikipedia - Master Juba -- American dancer (c1825-c1852/3)
Wikipedia - Matachines -- Ritual dancers
Wikipedia - Mata Hari -- Dutch exotic dancer, courtesan and spy (1876-1917)
Wikipedia - Matilde Ciccia -- Italian former ice dancer
Wikipedia - MatM-CM-) Fejes -- Hungarian ice dancer
Wikipedia - Matteo Zanni -- Italian ice dancer
Wikipedia - Matthew Ball (dancer) -- British ballet dancer
Wikipedia - Matthew Morrison -- American actor, dancer, and singer-songwriter
Wikipedia - Matthieu Jost -- French ice dancer
Wikipedia - Matt Lattanzi -- American actor and dancer
Wikipedia - Mauli Dave -- Indian singer, actress, dancer, and television host
Wikipedia - Maurice BM-CM-)jart -- French-born Swiss ballet dancer and choreographer
Wikipedia - Max Ehrich -- American actor, singer, and dancer
Wikipedia - Maxim Bolotin -- Russian former competitive ice dancer
Wikipedia - Maxim Nekrasov -- Russian ice dancer
Wikipedia - Maxim Nikitin -- Ukrainian ice dancer
Wikipedia - Max Schneider -- American singer-songwriter, dancer, actor, model, and musician
Wikipedia - Maya dance -- Ceremonial dance in pre-Columbian Maya civilization
Wikipedia - Mayara Magri (dancer) -- Brazilian ballet dancer
Wikipedia - Maya Usova -- Russian ice dancer
Wikipedia - May May Win -- Burmese actress and dancer
Wikipedia - Mayton Eugenio -- Filipina commercial model, actress and dancer
Wikipedia - Mayuri Upadhya -- Indian choreographer, dancer (born 1979)
Wikipedia - Mazurkas, Op. 33 (Chopin) -- Polish dances by Chopin
Wikipedia - Mbiwi -- Traditional instrument accompanied by song and dance
Wikipedia - McCoy de Leon -- Filipino actor and dancer
Wikipedia - M-CM-^Adam Lukacs -- Hungarian ice dancer
Wikipedia - M-CM-^Adam Toth -- Hungarian ice dancer
Wikipedia - Medieval dance
Wikipedia - Meenakshi Seshadri -- Indian film actress, model and dancer
Wikipedia - Meenakshi Srinivasan -- Indian dancer and architect
Wikipedia - Mega Banton -- Jamaican dancehall deejay
Wikipedia - Megachurch -- Protestant house of worship with an average weekend attendance of 2000 or more people
Wikipedia - Megan Fairchild -- American ballet dancer
Wikipedia - Megan LeCrone -- American ballet dancer
Wikipedia - Megan Leigh -- American pornographic actress and dancer (1964-1990
Wikipedia - Megan Wing -- Canadian ice dancer
Wikipedia - Mehak Malik -- Pakistani transgender dancer
Wikipedia - Mekia Cox -- American actress and dancer
Wikipedia - Melanie Bruce -- English ice dancer
Wikipedia - Melanie Cole -- Canadian ice dancer
Wikipedia - Melanie Greene -- American dancer and choreographer
Wikipedia - Melbourne shuffle -- Rave dance from the 1980s
Wikipedia - Melina Almodovar -- Puerto Rican salsa singer-songwriter, dancer, and entertainer
Wikipedia - Melissa Gregory -- American ice dancer
Wikipedia - Melissa Hamilton -- Northern Irish ballet dancer
Wikipedia - Melissa Hough -- American ballet dancer
Wikipedia - Melissa Piperno -- Canadian ice dancer
Wikipedia - Mel Tomlinson -- American ballet dancer
Wikipedia - M-EM-^Aukasz JoM-EM-:wiak -- Polish ice dancer
Wikipedia - M-EM-^Aukasz Zalewski -- Polish ice dancer
Wikipedia - Menang -- Traditional dance of Cameroon
Wikipedia - Meng Fei (figure skater) -- Chinese ice dancer
Wikipedia - Merenhouse -- Hip hop music style formed by blending Dominican merengue music with rap, dancehall reggae and hip hop
Wikipedia - Meriota the Dancer -- 1922 film
Wikipedia - Merritt Moore -- American ballet dancer and quantum physicist
Wikipedia - Meryl Davis -- American ice dancer
Wikipedia - Mette Bodtcher -- Danish ballet dancer
Wikipedia - Mette Honningen -- Danish ballet dancer
Wikipedia - Mette Ingvartsen -- Danish dancer and choreographer
Wikipedia - Mexican hip hop -- Form of dance and music in Mexico
Wikipedia - Michaela DePrince -- Sierra Leonean-American ballet dancer
Wikipedia - Michael Chambers -- American dancer and actor
Wikipedia - Michael Clark (dancer) -- Scottish dancer and choreographer
Wikipedia - Michael Coreno -- Canadian ice dancer
Wikipedia - Michael Farrington -- Canadian ice dancer
Wikipedia - Michael Flatley -- Irish-American step dancer
Wikipedia - Michael Jackson -- American singer, songwriter, and dancer
Wikipedia - Michael Kasaija -- Ugandan actor, dancer
Wikipedia - Michael McGean -- American ice dancer
Wikipedia - Michael Mee -- Canadian ice dancer
Wikipedia - Michael Parsons (figure skater) -- American ice dancer
Wikipedia - Michael Peters -- American choreographer, dancer (1948-1994)
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Wikipedia - Michael Sundin -- Television presenter, actor, dancer, trampolinist
Wikipedia - Michal Amdursky -- Israeli dancer and singer
Wikipedia - Michal Kaliszek -- Polish ice dancer
Wikipedia - Michal Szumski -- Polish ice dancer
Wikipedia - Michal Tomaszewski -- Polish ice dancer
Wikipedia - Michal Zych -- Polish ice dancer
Wikipedia - Michel Brunet (figure skater) -- Canadian former ice dancer
Wikipedia - Michelle Ellsworth -- American dancer and performance artist
Wikipedia - Michelle McDonald -- Canadian ice dancer
Wikipedia - Mignonette Kokin -- American singer and dancer
Wikipedia - Migo Adecer -- Filipino-Australian singer, songwriter, dancer, model, and actor
Wikipedia - Miguel Campaneria -- Cuban ballet dancer and choreographer
Wikipedia - Miguel Gutierrez (choreographer) -- American dance and music artist
Wikipedia - Mihr (theatre) -- Armenian contemporary dance theatre
Wikipedia - Mikhail Baryshnikov -- Soviet-American dancer, choreographer, and actor
Wikipedia - Mikiko (choreographer) -- Japanese choreographer and dancer
Wikipedia - Miku Makita -- Canadian ice dancer
Wikipedia - Milan BrzM-CM-= -- Czech ice dancer
Wikipedia - Milonga (dance event) -- event where Argentine tango is danced
Wikipedia - Minati Mishra -- Indian dancer and actress
Wikipedia - Ministry of Culture and Islamic Guidance -- Ministry of culture
Wikipedia - Ministry of Dance -- Australian dance school
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Wikipedia - Mira quiM-CM-)n baila (season 8) -- Spanish TV dance competition season 8
Wikipedia - Miriam Steinel -- German ice dancer
Wikipedia - Mirror Dance -- Novel by Lois McMaster Bujold
Wikipedia - Misato Komatsubara -- Japanese ice dancer
Wikipedia - MISSPSTAR -- American rapper, dancer, model, singer, actress, director, and disc jockey
Wikipedia - Misty Copeland -- American ballet dancer
Wikipedia - Mitchell Islam -- Canadian ice dancer
Wikipedia - Mixmag -- British electronic dance and clubbing media brand and magazine
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Wikipedia - Modern dance
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Wikipedia - Monolink -- German DJ, singer-songwriter and electronic dance music producer
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Wikipedia - Muriel Jones -- South African dancer and philanthropist
Wikipedia - Musical theatre -- Stage work that combines songs, music, spoken dialogue, acting, and dance
Wikipedia - Music of Latin America -- Collective term for the dances, rhythms and styles of music from Latin America
Wikipedia - Muslim Sattarov -- Uzbekistani ice dancer
Wikipedia - Mya Chay Gyin Ma Ngwe Myaing -- Burmese dance performer
Wikipedia - Mykhailo Kasalo -- Ukrainian ice dancer
Wikipedia - Mylene Girard -- Canadian ice dancer
Wikipedia - Mylene Lamoureux -- Canadian ice dancer
Wikipedia - My Own Dance -- Song by Kesha
Wikipedia - Nada (musician) -- South Korean rapper, singer, dancer and model
Wikipedia - Nadezhda Frolenkova -- Ukrainian ice dancer
Wikipedia - Nadia Yanowsky -- Spanish ballet dancer
Wikipedia - Nadine George-Graves -- Professor of Theater and Dance at the University of California, San Diego
Wikipedia - Nadine Lustre -- Filipino actress, singer, dancer, and music video director (born 1993)
Wikipedia - Nae Nae -- Hip-hop dance
Wikipedia - Nagwa Fouad -- Egyptian belly dancer
Wikipedia - Nahid Siddiqui -- Pakistani Kathak dancer
Wikipedia - Naima Adedapo -- American singer and dancer
Wikipedia - Nakako Tsuzuki -- Japanese ice dancer
Wikipedia - Nam Hyun-joon -- South Korean dancer, singer and rapper
Wikipedia - Nancy Osbaldeston -- English ballet dancer
Wikipedia - Nancy Stark Smith -- American dancer
Wikipedia - Nanette Fabray -- American actress, singer and dancer (1920-2018)
Wikipedia - Naoki Kobayashi -- Japanese dancer, actor, choreographer and model
Wikipedia - Naomi Lang -- American ice dancer
Wikipedia - Naomi (wrestler) -- American professional wrestler and dancer
Wikipedia - Naoto (dancer) -- Japanese dancer, actor, rapper and creative director.
Wikipedia - Natacha Lagouge -- French ice dancer
Wikipedia - Natalia Annenko -- Russian ice dancer
Wikipedia - Natalia Bestemianova -- Russian ice dancer
Wikipedia - Natalia Gudina -- Israeli ice dancer
Wikipedia - Natalia Kaliszek -- Polish ice dancer
Wikipedia - Natalia Makarova -- Soviet and American ballet dancer
Wikipedia - Natalia Mikhailova -- Russian former competitive ice dancer
Wikipedia - Natalia Romaniuta -- Russian ice dancer
Wikipedia - Natalie Buck -- Australian ice dancer
Wikipedia - Natalie Taschlerova -- Czech ice dancer
Wikipedia - Natalya Panina -- Ukrainian ballroom dancer
Wikipedia - NataM-EM-!a Stankovic -- Serbian actress, model and dancer
Wikipedia - Nataraja -- Hindu God Shiva depicted as Lord of Dance
Wikipedia - Natascha Mair -- Austrian ballet dancer
Wikipedia - Natasja Saad -- Danish reggae fusion, dancehall and hip-hop singer
Wikipedia - Nathalie HervM-CM-) -- French ice dancer
Wikipedia - Nathalie PM-CM-)chalat -- French ice dancer
Wikipedia - National Dance Association -- Defunct association of SHAPEAmerica
Wikipedia - National Dance Education Organization -- Dance education in the United States
Wikipedia - National Museum of Dance and Hall of Fame -- Museum in Saratoga Springs, New York, United States
Wikipedia - Native American Hoop Dance -- Form of Native American dance
Wikipedia - Native Dancer (album) -- 1975 Wayne Shorter album
Wikipedia - Natural abundance -- Relative proportion of an isotope as found in nature
Wikipedia - Nautch -- Popular court dance in royal India
Wikipedia - Navarro the Dancer -- 1922 film
Wikipedia - Nayeon -- South Korean singer and dancer
Wikipedia - Ndombolo -- Congolese dance music genre
Wikipedia - Neena Prasad -- Indian dancer
Wikipedia - Neil Brown (figure skater) -- French ice dancer
Wikipedia - Nejib Ben Khalfallah -- Tunisian dancer
Wikipedia - Nelida Tirado -- American flamenco dancer
Wikipedia - Nellie Campobello -- Mexican ballet dancer
Wikipedia - Nelli Zhiganshina -- German ice dancer
Wikipedia - Nelson Batista -- Cuban salsa dancer
Wikipedia - Nepalese hip hop -- Form of dance and music in Nepal
Wikipedia - Nerve guidance conduit -- Method of nerve regeneration
Wikipedia - Netrin -- Class of proteins involved in axon guidance
Wikipedia - New Dance Group -- American dance organization
Wikipedia - New England Folk Festival -- Annual traditional dance and music festival
Wikipedia - Nice Dancer -- Canadian Thoroughbred racehorse
Wikipedia - Nick Adams (actor, born 1983) -- Actor, singer, and dancer
Wikipedia - Nico Archambault -- Canadian dancer and choreographer
Wikipedia - Nicole Fosse -- American actress, dancer, and producer
Wikipedia - Nicole Kuzmichova -- Canadian ice dancer
Wikipedia - Nicole Orford -- Canadian ice dancer
Wikipedia - Nicole Scherzinger -- American singer, songwriter, and dancer
Wikipedia - Niggo -- Pakistani mujra dancer and actress
Wikipedia - Nikisha Fogo -- Swedish ballet dancer
Wikipedia - Nikita Katsalapov -- Russian ice dancer
Wikipedia - Nikita Nazarov -- Russian ice dancer
Wikipedia - Nikki Blonsky -- American actress, singer, and dancer
Wikipedia - Nikki Bohne -- American singer, actress, and dancer
Wikipedia - Nikolai Fadeyechev -- Russian ballet dancer
Wikipedia - Nikolaj Sorensen -- Danish ice dancer
Wikipedia - Nikolas Wamsteeker -- Canadian ice dancer
Wikipedia - Nina Corti -- Swiss flamenco dancer
Wikipedia - Nina Popova -- Russian-American ballet dancer
Wikipedia - Nina Ulanova -- Russian ice dancer
Wikipedia - Ninette de Valois -- Irish-born British dancer, teacher and choreographer, founder of The Royal Ballet and what became the Birmingham Royal Ballet, and of the Royal Ballet School
Wikipedia - Niveditha Arjun -- Indian actress, producer and dancer
Wikipedia - Niyati Fatnani -- Indian television actress and dancer
Wikipedia - Noah Urrea -- American actor, singer, dancer and model
Wikipedia - Noble Dancer -- British racehorse
Wikipedia - Noelani Pantastico -- American ballet dancer
Wikipedia - No Good (Start the Dance) -- 1994 single by The Prodigy
Wikipedia - No Guidance -- 2019 single by Chris Brown featuring Drake
Wikipedia - Noh -- Classical Japanese dance-drama theatre
Wikipedia - Nora Fatehi -- Canadian dancer, model, and actress
Wikipedia - Nora von Bergen -- Swiss ice dancer
Wikipedia - Norka Rouskaya -- Swiss dancer
Wikipedia - Norma Doggett -- American dancer and actress
Wikipedia - Norma Miller -- American lindy hop dancer
Wikipedia - Normani -- American singer and dancer
Wikipedia - Norma Viola -- Argentine dancer
Wikipedia - Northern Dancer Stakes -- American Thoroughbred horse race
Wikipedia - Northern Dancer Turf Stakes -- Turf horse race in Canada
Wikipedia - Northern soul -- Music and dance movement that emerged, initially in Northern England in the late 1960s
Wikipedia - Northwestern University Dance Marathon -- US annual philanthropic dance marathon
Wikipedia - Novaspace -- German Eurodance band
Wikipedia - Nozomi Watanabe -- Japanese ice dancer
Wikipedia - Ntournerakia -- Cretan folk dance from Rethymno, Greece
Wikipedia - Nu-disco -- Disco-associated dance music genre
Wikipedia - Oana Botez -- Romanian-American theatre, opera, dance and film designer, artist and activist
Wikipedia - Object-relational impedance mismatch
Wikipedia - Obstacle avoidance
Wikipedia - Occupancy-abundance relationship -- Ecological relationship between species' range sizes and abundance
Wikipedia - Ocean Drive (band) -- French dance music project
Wikipedia - Odissi -- One of the classical oddisha dances of Indian
Wikipedia - Oksana Domnina -- Russian ice dancer
Wikipedia - Oksana Grishuk -- Russian ice dancer
Wikipedia - Oksana Klimova -- Russian ice dancer
Wikipedia - Old measures -- Dances made for festivals
Wikipedia - Oleg Fediukov -- American ice dancer
Wikipedia - Oleg Ovsyannikov -- Russian ice dancer
Wikipedia - Oleg Voyko -- Ukrainian ice dancer
Wikipedia - Oleksandra Nazarova -- Ukrainian ice dancer
Wikipedia - Oleksandr Sosnenko -- Ukrainian ice dancer
Wikipedia - Oleksii Oliinyk -- Ukrainian ice dancer
Wikipedia - Oleksii Shumskyi -- Ukrainian ice dancer
Wikipedia - Olga Akimova -- Uzbekistani ice dancer
Wikipedia - Olga Breeskin -- Mexican violinist, dancer and actress
Wikipedia - Olga Lepeshinskaya (dancer) -- Soviet ballerina
Wikipedia - Olga Pericet -- Spanish flamenco and contemporary dancer
Wikipedia - Olga Pershankova -- Russian ice dancer
Wikipedia - Olga Sharutenko -- Russian former competitive ice dancer
Wikipedia - Olive Ann Alcorn -- American actress, model, and dancer
Wikipedia - Oliver Zhang -- Canadian-Japanese ice dancer
Wikipedia - Olivia Alexander -- Actress, singer, dancer
Wikipedia - Olivia Boisson -- American ballet dancer
Wikipedia - Olivia McIsaac -- Canadian ice dancer
Wikipedia - Olivia Nicole Martins -- Canadian ice dancer
Wikipedia - OliviaT -- German dancer and musician
Wikipedia - Olivier Chapuis -- French retired competitive ice dancer
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Wikipedia - Olivier Schoenfelder -- French ice dancer
Wikipedia - Omarion -- American singer, songwriter, actor and dancer
Wikipedia - One Dance -- 2016 single by Drake
Wikipedia - One More Dance -- Song written by C. C. Carter
Wikipedia - On with the Dance (1920 film) -- 1920 film by George Fitzmaurice
Wikipedia - Oriella Dorella -- Italian ballet dancer
Wikipedia - Oriental folk dances -- Traditional folk and traditional dances of the Arab World
Wikipedia - OritsM-CM-) Williams -- English singer and dancer
Wikipedia - Or Kahlon -- Israeli dancer
Wikipedia - Oro (eagle dance)
Wikipedia - Oscar Rabin Band -- British dance band
Wikipedia - Osman Taka -- Albanian dancer
Wikipedia - Ossi Kanervo -- Finnish ice dancer
Wikipedia - Otar Japaridze -- Georgian ice dancer
Wikipedia - Othella Dallas -- American dancer and jazz singer
Wikipedia - Our Lady of Guidance
Wikipedia - Outline of dance
Wikipedia - Owen Edwards (figure skater) -- Welsh ice dancer
Wikipedia - Oxford Concordance Program -- 1981 text analysis software
Wikipedia - Oxford University Dancesport Club
Wikipedia - Oxygen isotope ratio cycle -- Cyclical variations in the ratio of the abundance of oxygen
Wikipedia - Paadum Vaanampadi -- 1985 Tamil dance musical film by M. Jayakumar
Wikipedia - Padma Subrahmanyam -- Indian classical Bharata Natyam dancer
Wikipedia - Paffendorf -- German dance project
Wikipedia - Paid to Dance -- 1937 film by Charles C. Coleman
Wikipedia - Pak Un-sil -- North Korean ice dancer
Wikipedia - Palais Royale -- Dance hall in Toronto, Canada
Wikipedia - Pal Vasarhelyi -- Hungarian ice dancer
Wikipedia - Pamela Cortes -- Ecuadorian singer, actress and dancer
Wikipedia - Pamela O'Connor (figure skater) -- Scottish ice dancer
Wikipedia - Pancha Sabhai -- Five temples in Tamil Nadu, India, where Lord Nataraja (Shiva) performed the Cosmic Dance
Wikipedia - Papa Stour Sword Dance -- British linked sword dance
Wikipedia - Parayan Thullal -- A dance and poetic performance form prevailed in Kerala
Wikipedia - Parental Guidance (film) -- 2012 film by Andy Fickman
Wikipedia - Park Ji-woo -- South Korean dancer
Wikipedia - Parvathy Jayaram -- Indian actress and classical dancer
Wikipedia - Pasambahan dance -- Indonesian traditional dance
Wikipedia - Pascal Denis -- Canadian ice dancer
Wikipedia - Pascal Lavanchy -- French ice dancer
Wikipedia - Pasha Kovalev -- Russian dancer
Wikipedia - Pasodoble -- Music genre and dance
Wikipedia - Pasquale Camerlengo -- Italian ice dancer
Wikipedia - Pasquale La Rocca -- Italian dancer and choreographer
Wikipedia - Pat Davis -- American dancer
Wikipedia - Patricia Dal -- Argentine actress and dancer
Wikipedia - Patricia Mulholland -- Irish violinist, choreographer, teacher and dancer.
Wikipedia - Paula Abdul -- American-Canadian singer, dancer, and television personality
Wikipedia - Paula Kelly (actress) -- American actress and dancer
Wikipedia - Paul Ayer -- Canadian ice dancer
Wikipedia - Paul Boll -- German ice dancer
Wikipedia - Paulette Doan -- Canadian ice dancer
Wikipedia - Paul Frame -- American ballet dancer and chiropractor
Wikipedia - Paul Hartman -- American actor and dancer
Wikipedia - Paulo Angeles -- Filipino actor, singer and dancer
Wikipedia - Paul Poirier -- Canadian ice dancer
Wikipedia - Paul Swan (dancer) -- American artist and dancer
Wikipedia - Pavel Drozd -- Russian ice dancer
Wikipedia - Pavel Filchenkov -- Russian ice dancer
Wikipedia - Pedestrian crash avoidance mitigation -- system that recognizes pedestrians and bicycles in an automobile's path
Wikipedia - Pedro Aguilar -- Puerto Rican mambo dancer
Wikipedia - Peggy Hopkins Joyce -- American actress, model and dancer
Wikipedia - Peggy Ryan -- American actress and dancer
Wikipedia - Penny Coomes -- English ice dancer
Wikipedia - Pernelle Carron -- French ice dancer
Wikipedia - Petal Dance -- 2013 film by Hiroshi Ishikawa
Wikipedia - Peta Murgatroyd -- New Zealand-born American professional Latin dancer
Wikipedia - Peter Breen (figure skater) -- American ice dancer
Wikipedia - Peter Frame -- American ballet dancer
Wikipedia - Peter Gerber (ice dancer) -- Polish ice dancer
Wikipedia - Peter Sparling -- American dancer and academic
Wikipedia - Peter Tchernyshev -- Russian-American ice dancer
Wikipedia - Petra Born -- German ice dancer
Wikipedia - Philippine dance
Wikipedia - Pierre BM-CM-)chu -- French ice dancer
Wikipedia - Pierre-Loup Bouquet -- French ice dancer
Wikipedia - Pierre Souquet -- French ice dancer
Wikipedia - Pietro Papetti -- Italian ice dancer
Wikipedia - Pigmeat Markham -- Comedian, actor, singer, dancer
Wikipedia - Pilar Bosley -- American ice dancer
Wikipedia - Pilar Delgado -- Mexican actress model and dancer
Wikipedia - Pina Bausch -- German dancer, choreographer, dance teacher and ballet director
Wikipedia - Pineapple Dance Studios (TV series) -- Television series
Wikipedia - Pinewoods Camp -- Traditional dance and music camp in Plymouth, Massachusetts, United States
Wikipedia - Piotr Bojanczyk -- Polish ice dancer
Wikipedia - Piper Gilles -- American ice dancer
Wikipedia - Piring dance -- Indonesian traditional dance
Wikipedia - Pizzica -- Italian tarantella folk dance
Wikipedia - Plant ecology -- The study of effect of the environment on the abundance and distribution of plants
Wikipedia - Plena -- Genre of music and dance native to Puerto Rico
Wikipedia - Pole dance -- Form of performing art
Wikipedia - Polina Semionova -- Russian ballet dancer
Wikipedia - Polish folk dances
Wikipedia - Polka -- style of music and dance of Bohemian origin
Wikipedia - Polonaise (dance)
Wikipedia - Polonaise -- Dance of Polish origin
Wikipedia - Polska (dance)
Wikipedia - Pomona (mythology) -- Nymph and goddess of fruitful abundance
Wikipedia - Pond of Abundance -- Pond or river in Paradise in Islam
Wikipedia - Popcaan -- Jamaican dancehall artist, singer, and actor
Wikipedia - Pop Noir -- American indie dancerock duo
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Wikipedia - Po Sein -- Burmese dance actor
Wikipedia - Postmodern dance
Wikipedia - Povilas Vanagas -- Lithuanian ice dancer
Wikipedia - Prachi Save Saathi -- Indian dancer, actress, and voice-dubbing actress
Wikipedia - Precious Adams -- American ballet dancer
Wikipedia - Precious Wilson -- Jamaican-born Soul, Dance-pop and Disco singer
Wikipedia - Precordial concordance -- Electrocardiogram status and indicator of heart health
Wikipedia - Prima ballerina assoluta -- Title awarded to the most notable of female ballet dancers
Wikipedia - Prince of Dance -- Irish-bred Thoroughbred racehorse
Wikipedia - Principal dancer
Wikipedia - Priscilla Lopez -- American singer, dancer, and actress
Wikipedia - Priyambada Mohanty Hejmadi -- Indian biologist and dancer
Wikipedia - Procrastination -- Avoidance of doing a task that needs to be accomplished by a certain deadline
Wikipedia - Prom -- formal dance or gathering of students at the end of the high school academic year
Wikipedia - Proneeta Swargiary -- Indian dancer
Wikipedia - Psychology of dance -- psychological perspectives about dance
Wikipedia - Pukllay -- Yampara dance
Wikipedia - Puma Swede -- Swedish pornographic actress and feature dancer (born 1976)
Wikipedia - Punit Pathak -- Indian dancer, choreographer, and film actor
Wikipedia - Puritan Sabbatarianism -- Devotion of the entire Sabbath to worship and avoidance of recreational activities
Wikipedia - Puru Dadheech -- Indian Kathak dancer
Wikipedia - Puyo Puyo DA! -- Dance video game
Wikipedia - Qadi -- judge ruling in accordance with Islamic religious law
Wikipedia - Q-guidance
Wikipedia - Qi Jia -- Chinese ice dancer
Wikipedia - Quadrille -- Dance
Wikipedia - Quest Crew -- American hip-hop dance crew
Wikipedia - Quinn Carpenter -- American ice dancer
Wikipedia - Qween Amor -- Erotic dancer
Wikipedia - Rachael McLaren -- Canadian dancer
Wikipedia - Rachel Mayer -- American ice dancer
Wikipedia - Rachel Parsons (figure skater) -- American ice dancer
Wikipedia - Rafael Camino -- Ecuadorian dancer
Wikipedia - Rafiath Rashid Mithila -- Bangladeshi singer, songwriter, model, actress, dancer, and teacher
Wikipedia - Ragamala Dance Company -- Independent dance company based in Minneapolis, Minnesota, United States
Wikipedia - Ragga -- Sub-genre of dancehall music or reggae
Wikipedia - Raghuram -- Indian dance choreographer (1949-2013)
Wikipedia - Raibenshe -- Bengali folk dance
Wikipedia - Rainer Schonborn -- German ice dancer
Wikipedia - Raissa Calza -- Ukrainian archaeologist of Ostia Antica, ballet dancer, and actor
Wikipedia - Raka Rasmi -- Balinese dancer
Wikipedia - Rambert Dance Company -- British dance company
Wikipedia - Ramil Sarkulov -- Uzbekistani ice dancer
Wikipedia - Ramona Elsener -- Swiss ice dancer
Wikipedia - Randy Martin -- professor, socialist activist, and dancer
Wikipedia - Raoul Trujillo -- American actor and dancer
Wikipedia - Rapper sword -- Variation of sword dance from the pit villages of Tyneside in North East England
Wikipedia - Rasta Thomas -- American ballet dancer
Wikipedia - Rave -- Dance party
Wikipedia - Ravi Dubey -- Indian model, comedian, dancer, presenter and actor.
Wikipedia - Raw Stylus -- Dance music outfit
Wikipedia - Ray Malone -- Choreographer and dancer
Wikipedia - Raymond Duncan (dancer)
Wikipedia - Ray Quinn -- English actor, dancer and singer
Wikipedia - Ray's Male Heterosexual Dance Hall -- 1987 film
Wikipedia - Rebecca Krohn -- American ballet dancer
Wikipedia - Reena Basheer -- Indian film actress and dancer
Wikipedia - Regina Woodward -- Hungarian ice dancer
Wikipedia - Rejang dance {{DISPLAYTITLE:''Rejang'' dance -- Rejang dance {{DISPLAYTITLE:''Rejang'' dance
Wikipedia - Relative abundance distribution -- Metric in ecology
Wikipedia - Relic Dances -- 2005 studio album by Silent Stream of Godless Elegy
Wikipedia - Remedios de Oteyza -- Filipino dancer and choreographer
Wikipedia - Renaissance dance
Wikipedia - Revue -- Theatrical entertainment that combines music, dance and sketches
Wikipedia - Rex Harrington -- Greek-Canadian ballet dancer
Wikipedia - Rhyon Nicole Brown -- American actress, singer, and dancer
Wikipedia - Rhythm Club fire -- 1940 dance hall fire in Mississippi that killed 209
Wikipedia - Rhythm Is a Dancer -- 1992 single by Snap!
Wikipedia - Ria Schiffner -- German ice dancer
Wikipedia - Ria Schwendinger -- German ice dancer
Wikipedia - Ria Thiele -- German actress, dancer and choreographer
Wikipedia - Riccardo Buscarini -- Italian dancer and choreographer
Wikipedia - Richard Cragun -- American ballet dancer
Wikipedia - Richard Dalley -- American former competitive ice dancer
Wikipedia - Richard Thomas (dancer) -- American ballet dancer, born 1925
Wikipedia - Richmond German Christmas Dance -- Annual ball in Richmond, Virginia
Wikipedia - Rick James -- American singer, songwriter, dancer, bandleader and record producer
Wikipedia - Riddim (genre) -- Genre of electronic dance music
Wikipedia - Rie Arikawa -- Japanese ice dancer and coach
Wikipedia - Rikako Fukase -- Japanese ice dancer
Wikipedia - Riku Nieminen -- Finnish actor and dancer
Wikipedia - Rima Pipoyan -- Armenian choreographer, dancer
Wikipedia - Rinat Farkhoutdinov -- Russian-born ice dancer
Wikipedia - Rina Thieleke -- German ice dancer
Wikipedia - Rinkafadda -- Irish country dance
Wikipedia - Rita Hayworth -- American actress, dancer and director (1918-1987)
Wikipedia - Rita Moreno -- Puerto Rican singer, dancer, and actress
Wikipedia - Ritual Fire Dance -- Piece of music by Manuel de Falla
Wikipedia - Riverdance -- Irish musical and dance production
Wikipedia - Riyo Mori -- Japanese dancer, actress, model, and beauty queen
Wikipedia - RM-CM-)pM-CM-)titeur -- Accompanist or coach of ballet dancers or opera singers
Wikipedia - Robert Banas -- American dancer and actor
Wikipedia - Robert Dineen -- American ice dancer
Wikipedia - Robert Harydance -- 16th-century English politician
Wikipedia - Robert Munz -- American ice dancer
Wikipedia - Robert Nichols (actor) -- American character actor, singer, and dancer
Wikipedia - Robert Shmalo -- American ice dancer
Wikipedia - Robin Gee -- American dancer, choreographer, and filmmaker
Wikipedia - Robin Thicke -- American-Canadian musician, dancer, record producer, and actor
Wikipedia - Robin Windsor -- British dancer
Wikipedia - Robyn Blythe -- American former dancer and actress
Wikipedia - Robyn Hendricks -- South African ballet dancer
Wikipedia - Rochelle Pangilinan -- Filipino actress, dancer and musician
Wikipedia - Rock This Party (Everybody Dance Now) -- 2006 single by Bob Sinclar & Cutee B featuring Dollarman, Big Ali and Makedah
Wikipedia - Rodeo: Four Dance Episodes -- Ballet by Justin Peck to music by Aaron Copland
Wikipedia - Rod Garossino -- Canadian ice dancer
Wikipedia - Rodney Bell -- New Zealand dancer
Wikipedia - Rodney Clarke (figure skater) -- Australian former ice dancer
Wikipedia - Roger Berry (figure skater) -- American ice dancer
Wikipedia - Roger de Coverley -- Country dance
Wikipedia - Rohan Browne -- Australian dancer, actor and singer
Wikipedia - Rohini Bhate -- Indian dancer
Wikipedia - Roisin Mullins -- British dancer and TV presenter of Romany descent
Wikipedia - Romain Le Gac -- French ice dancer
Wikipedia - Romanian Folk Dances -- BM-CM-)la Bartok suite of six piano pieces (1915)
Wikipedia - Roman Kostomarov -- Russian ice dancer
Wikipedia - Roman Mylnikov -- Russian ice dancer
Wikipedia - Romy Haag -- Dutch dancer and singer
Wikipedia - Rona Bailey -- New Zealand activist, dancer, teacher (1914-2005)
Wikipedia - Ronald S. Dancer -- American Republican Party politician
Wikipedia - Ron Kravette -- American ice dancer
Wikipedia - Ronne Arnold -- Australian dancer
Wikipedia - Ronnie Alonte -- Filipino actor, model and dancer
Wikipedia - Rosalyn Dance -- American politician
Wikipedia - Rosario Guerrero -- Spanish dancer
Wikipedia - Rose Chan -- Malaysian erotic dancer
Wikipedia - Rosemarie Lindt -- German actress and ballet dancer
Wikipedia - Roshan Ara Bokhari -- Pakistani dance and choreographer
Wikipedia - RosM-CM-) (singer) -- New Zealand singer and dancer based in South Korea
Wikipedia - Rostock University of Music and Theatre -- German music, theatre, and dance university
Wikipedia - Roxane Petetin -- French ice dancer
Wikipedia - Royal Academy of Dance
Wikipedia - Roy Assaf (choreographer) -- Israeli dancer and choreographer
Wikipedia - Rozita Auer -- Swedish belly dancer, actress and singer
Wikipedia - RR Enriquez -- Filipino model and dancer
Wikipedia - Ruby Keeler -- Canadian-born American actress, dancer, singer
Wikipedia - Rudat dance -- Traditional Indonesian dance
Wikipedia - Rudi van Dantzig -- Dutch dancer and choreographer
Wikipedia - Rudolf Nureyev -- Soviet ballet dancer and choreographer
Wikipedia - Rufus Du Sol -- Australian alternative dance group from Sydney
Wikipedia - Rugova (sword dance)
Wikipedia - Rukmini Vijayakumar -- Indian dancer and actress (born 1981)
Wikipedia - Ruslan Honcharov -- Ukrainian ice dancer
Wikipedia - Ruslan Zhiganshin -- Russian ice dancer
Wikipedia - Ruth Sobotka -- Austrian-born American dancer, costume designer, art director, painter, and actress
Wikipedia - Ryan O'Meara -- American ice dancer
Wikipedia - Ryu Gwang-ho -- North Korean ice dancer
Wikipedia - Ryuto Kazuhara -- Japanese singer and dancer
Wikipedia - Sabra Johnson -- American dancer
Wikipedia - Sabre Dance -- Movement in Khachaturian's ballet Gayane
Wikipedia - Sabrina Brazzo -- Italian ballet dancer
Wikipedia - Sachini Nipunsala -- Sri Lankan TV presenter and dancer
Wikipedia - Sacred dance -- Use of dance in religious ceremonies and rituals
Wikipedia - Sadaise Arencibia -- Cuban ballet dancer
Wikipedia - Sai Pallavi -- Indian Film actress and dancer
Wikipedia - Sajna Najam -- Indian dance choreographer
Wikipedia - Sakis Arseniou -- Greek singer and dancer
Wikipedia - Sallqaqucha wallata warak'ay -- Peruvian Native American dance
Wikipedia - Sally Banes -- Dance historian
Wikipedia - Sally Bomer -- American dancer and choreographer
Wikipedia - Sally Brayley -- Canadian-American ballet dancer
Wikipedia - Sally Gilmour -- British ballet dancer
Wikipedia - Sally Pressman -- American actress and dancer
Wikipedia - Salsa (dance) -- Dance form
Wikipedia - Salty Dog Rag -- American schottische dance
Wikipedia - Samentha Fernandes -- Indian dancer and television actress
Wikipedia - Same Old Song and Dance -- Song by Aerosmith
Wikipedia - Samia Gamal -- Egyptian belly dancer and actress
Wikipedia - Sammy Davis Sr. -- American dancer
Wikipedia - Samri -- Folkloric music and dance native to Najd
Wikipedia - Sandor Nagy (figure skater) -- Hungarian ice dancer
Wikipedia - Sandra Colton -- American dancer, singer and actress
Wikipedia - Sandra McCoy -- American actress and dancer
Wikipedia - Sandungueo -- Style of reggaeton dance and party music from Puerto Rico
Wikipedia - Sangeeta Isvaran -- Bharatnatyam dancer, research scholar and social worker
Wikipedia - Sanjida Preeti -- Bangladeshi actress, model and dancer
Wikipedia - Sara Aghai -- Canadian ice dancer
Wikipedia - Sara Carlson -- American singer, songwriter and dancer
Wikipedia - Sarah Arnold -- Canadian ice dancer
Wikipedia - Sarah Jeffery -- Canadian actress, singer and dancer
Wikipedia - Sarah Lane -- American ballet dancer
Wikipedia - Sara Hurtado -- Spanish ice dancer
Wikipedia - Sarah Van Patten -- American ballet dancer
Wikipedia - Sara Juli -- American dancer and choreographer
Wikipedia - Sara Leland -- American ballet dancer
Wikipedia - Sara Mazo Kuniyoshi -- American dancer and actress
Wikipedia - Sara Mearns -- American ballet dancer
Wikipedia - Sardana -- Catalan musical genre and cultural dance
Wikipedia - Saroj Khan -- Indian dancer and choreographer
Wikipedia - Sasha De Sola -- American ballet dancer
Wikipedia - Sasha Farber -- Australian professional dancer
Wikipedia - Sasha Fear -- British ice dancer
Wikipedia - Sasha PalomM-CM-$ki -- Finnish ice dancer
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Wikipedia - Sattriya -- One of the classical dances of India
Wikipedia - Saulo Sarmiento -- Spanish acrobat and pole dancer
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Wikipedia - Save the Last Dance -- 2001 film by Thomas Carter
Wikipedia - Savitha Sastry -- Indian dancer
Wikipedia - School Dance (film) -- 2014 film by Nick Cannon
Wikipedia - School-leaving age -- Minimum age a person is legally allowed to cease attendance at a compulsory secondary education institute
Wikipedia - Schottische -- Partnered country dance derived from polka, of continental European origin
Wikipedia - Scooch -- British bubblegum dance group
Wikipedia - Scott Gregory (ice skater) -- American ice dancer
Wikipedia - Scottish Dance Theatre -- Dance troupe in Dundee City, Scotland, UK
Wikipedia - Scottish highland dance
Wikipedia - Scott Moir -- Canadian ice dancer
Wikipedia - Sean Cheesman -- Canadian dancer and choreographer
Wikipedia - Sean-nos dance -- Traditional solo Irish percussive dance
Wikipedia - Sebastian Kolasinski -- Polish ice dancer
Wikipedia - Seb Dance -- British politician
Wikipedia - Second Dance -- 1983 film
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Wikipedia - Seguidilla -- Old Castilian folk song and dance form
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Wikipedia - Serbian dances
Wikipedia - Sergei Baranov (figure skater) -- Ukrainian former competitive ice dancer
Wikipedia - Sergei Chernyshev (breakdancer) -- Russian breakdancer
Wikipedia - Sergei Novitski -- Russian ice dancer
Wikipedia - Sergei Polunin -- Soviet-born ballet dancer, actor and model
Wikipedia - Sergei Ponomarenko -- Russian ice dancer
Wikipedia - Sergei Sakhnovski -- Israeli ice dancer
Wikipedia - Sergei Verbillo -- Ukrainian ice dancer
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Wikipedia - Sergio Garcia (actor) -- Filipino actor and dancer
Wikipedia - Sergio Trujillo -- Colombian dancer
Wikipedia - Serjeant Musgrave's Dance
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Wikipedia - SF International HipHop DanceFest -- Annual event in San Francisco, CA, US
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Wikipedia - Shabba Ranks -- Jamaican dancehall musician
Wikipedia - Shadow Dancer (film) -- 2012 film
Wikipedia - Shahadi Wright Joseph -- American actress, singer and dancer
Wikipedia - Shakespearean dance -- dancing in the time and plays of William Shakespeare and his contemporaries
Wikipedia - Shalako -- Zuni ceremonial dance
Wikipedia - Shall We Dance? (2004 film) -- 2004 romantic comedy movie by Peter Chelsom
Wikipedia - Shall We Dance? (TV series) -- Philippine reality television program
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Wikipedia - Shane Warren Jones -- Canadian actor, writer, and dancer
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Wikipedia - Shari Koch -- German ice dancer
Wikipedia - Sharmila Mukerjee -- Indian dancer.
Wikipedia - Sharmistha Mukherjee -- Indian Kathak dancer, choreographer and politician
Wikipedia - Sharna Burgess -- Australian ballroom dancer
Wikipedia - Sharon Davis (figure skater) -- Canadian ice dancer
Wikipedia - Shashadhar Acharya -- Chhau dance exponent
Wikipedia - Sheethankan Thullal -- A dance and poetic performance form in Kerala, India.
Wikipedia - Sheila MacRae -- American actress, singer, dancer
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Wikipedia - Sheri Moon Zombie -- American actress, fashion designer, model, and dancer
Wikipedia - She Wants to Dance with Me -- 1988 single by Rick Astley
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Wikipedia - Shirley Booz -- American model and dancer
Wikipedia - Shirley MacLaine -- American actress, singer, dancer, activist, and author
Wikipedia - Shivam Patil -- Indian actor and dancer
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Wikipedia - Shona Dunlop MacTavish -- New Zealand dancer and choreographer
Wikipedia - Short circuit -- Electrical circuit with negligible impedance
Wikipedia - Shota (dance) -- Albanian traditional dance
Wikipedia - Showgirl -- A performer who highlights their physical attributes through dance and movement
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Wikipedia - Shut Up and Dance (Aerosmith song) -- 1994 song by Aerosmith
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Wikipedia - Tango (dance)
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Wikipedia - Template talk:Guidance computers
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Wikipedia - Ten Cents a Dance (1931 film) -- 1931 film
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Wikipedia - The Dance of Death (1912 film) -- 1912 film
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Wikipedia - The Movement (dance band) -- American techno group
Wikipedia - The Nitro Girls -- Professional wrestling dance troupe
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Wikipedia - The Old Barn Dance -- 1938 western film by Joseph Kane
Wikipedia - The Orchid Dancer -- 1928 film
Wikipedia - The Peasant Dance -- Painting by Pieter Bruegel the Elder
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Wikipedia - The Prodigy -- English electronic dance music group
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Wikipedia - The Skeleton Dance -- 1929 film
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Wikipedia - The Taxi Dancer -- 1927 film
Wikipedia - The Three Dances of Mary Wilford -- 1920 film
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Wikipedia - The Ultimate Dance Battle -- Dutch and Flemish dance competition for professional level choreographers and dancers
Wikipedia - The Unknown Dancer -- 1929 film
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Wikipedia - The Wedding Dance -- Painting by Pieter Bruegel the Elder
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Wikipedia - Those Who Dance (1924 film) -- 1924 film
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Wikipedia - Tiana Brown -- American dancer
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Wikipedia - Tiffany Hyden -- American ice dancer
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Wikipedia - Tommy Batchelor -- American dancer
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Wikipedia - University of Dance and Circus
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Wikipedia - Vijay Madhavan -- Indian dancer
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Wikipedia - Vitali Kurkudym -- Ukrainian ice dancer
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Wikipedia - Death of Joseph Smith -- 1844 extrajudicial murder of the founder and leader of the <!-- "LDS Church" is in accordance with the Wikipedia Manual of Style, and disagreements should be addressed at https://en.wikipedia.org/wiki/Wikipedia:Manual_of_Style/Latter_Day_Saints. Any change made to "LDS Church" or "Latter Day Saint Movement" will be reverted. -->Latter Day Saint movement
Wikipedia - Waggle dance -- Particular figure-eight dance of the honey bee
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Wikipedia - Walter Cecconi -- Italian ice dancer
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Wikipedia - Waltz -- Ballroom and folk dance
Wikipedia - Wang Chen (figure skater) -- Chinese ice dancer
Wikipedia - Wang Jiayue -- Chinese ice dancer
Wikipedia - Wang Meng (figure skater) -- Chinese ice dancer
Wikipedia - Wang Rui (figure skater) -- Chinese ice dancer
Wikipedia - Wang Shiyue -- Chinese ice dancer
Wikipedia - Wang Yibo -- Chinese actor, dancer, singer and member of the UNIQ
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Wikipedia - We Danced Around the World -- 1939 film
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Wikipedia - Wikipedia:Categorization -- Guidance on the proper use of the categorization function in Wikipedia
Wikipedia - Wikipedia:WikiProject Women in Red/Dance -- Crowd-sourced redlist concerned with dance
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Wikipedia - Young's Analytical Concordance to the Bible -- Concordance to the Bible compiled by Robert Young first published in 1879
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Wikipedia - Yulia Zagoruychenko -- Russian dancer (born 1981)
Wikipedia - Yuri Hulitski -- Belarusian ice dancer
Wikipedia - Yurii Bieliaiev -- Belarusian ice dancer
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Wikipedia - ZoM-CM-) Blanc -- French ice dancer
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Wikipedia - Zouglou -- Ivorian dance music genre
Wikipedia - Zsuzsanna Nagy -- Hungarian ice dancer
PB&J Otter (1998 - 2000) - Peanut (the big brother), Jelly (his sister), and Baby Butter (their baby sister) Otter live on a houseboat on the shore of Lake Hoohaw, along with all of their friends. Whenever they get into a situation where they need to think, they perform "The Noodle Dance" until one of them gets an idea.This s...
Soul Train (1971 - 2006) - Soul Train is the groundbreaking television dance show that is centered around American black music, black artists, and (especially) black dance. The show is the longest running first run syndicated program in television history. Especially known for the notorious Soul Train Line and Scrambleboard....
Fame (1982 - 1987) - The Art School was always their dream.They want to dance, they want to sing, to play music, to act but above all they want to live their lives while they are still young and full of energy. Coco, Leroy, Danny, Jesse, Chris, and all the others try hard because they know that they've got a long way to...
Solid Gold (1980 - 1988) - First appearing before music videos had become commonplace, this show featured the week's top hits in pop music. Guest performers would occasionally appear on the show to play their songs. But the show is most widely know for the infamous Solid Gold Dancers, a dozen or so dancers, in leotard-type ou...
Touched by an Angel (1994 - 2003) - Angels are dispatched from heaven to inspire people who are at a crossroads in their lives. Monica, an angel who at times still needs some guidance with her earthly assignments, reports to Tess, her tough, wise, and always loving supervisor. Joining them is Andrew, who, in addition to his duties as...
American Bandstand (1952 - 1989) - In 1952, an afternoon dance show began airing on television in the Philadelphia area. In 1956, Dick Clark became the host of that show, and on August 5, 1957, he brought American Bandstand to the national airwaves for the first time. The show aired weekday afternoons and went on to play over 65,000...
Dance Fever (1979 - 1987) -
New York Hot Tracks (1983 - 1997) - 90 minute music video show produced and syndicated by WABC in New York, mostly to other ABC stations. The show debuted summer July 22 1983, a full week before Friday Night Videos. The original host was WKTU DJ Carlos DeJesus who would introduce the videos from various locations, usually dance clubs....
Dancing With the Stars (2005 - Current) - A dancing contest where professional dancers are paired with a celebrity and must dance in front of a celebrity panel.
So You Think You Can Dance? (2005 - 2013) - Based on American Idol the show runs in the same format but is based on dance instead of singing.
The Benny Hill Show (1969 - 1989) - A comedy show starring British comedian Benny Hill.The series featured Hill's trademark, bawdy style humor,and burlesque dancing routines by"The Hill's Angels"dance troupe.
Dance Party USA (1986 - 1992) -
Butch Cassidy and the Sundance Kids (1973 - 1974) - Butch Cassidy and the Sundance Kids was a Saturday morning cartoon produced by Hanna-Barbera Productions in 1973 for NBC. Very similar to both Scooby-Doo, Where Are You! and Josie and the Pussycats, the show depicted the adventures of a team of teenage intelligence agents (Butch, Merilee, Stephanie,...
The Rez (1995 - 1998) - This series, based on W.P Kinsella's Dance Me Outside, chronicled life in a First Nations community in Ontario.
Dive Olly Dive! (2005 - 2012) - Dive Olly Dive follows the adventures of Olly, a young submarine-in-training, and Beth, his best friend and fellow sub-in-training. Stationed at the Special Underwater Research Facility (S.U.R.F.) under the guidance of Diver Doug, the young subs explore their spectacular underwater world.
Sorcerer Hunters (1995 - 1995) - In the continent of spooner, sorcerers, who are the continent's aristocrats, have begun to abuse their powers. Under the guidance of Big Momma (their boss) Carrot (who turns into a giant monster every time he's placed under a magic spell), Gateau (a bodybuilder), Marron (a mage), Chocolate and Tira...
Shake It Up (2010 - 2013) - This American sitcom follows the adventures of CeCe Jones (Bella Thorne) and Rocky Blue (Zendaya) as they star as background dancers on a local show in Chicago.
Ready Jet Go! (2016 - Current) - a preschool CGI animated television series produced by Wind Dancer Films. The series premiered on PBS Kids on February 15, 2016. It was created by animator Craig Bartlett,[1] and is produced in cooperation with NASA's Jet Propulsion Laboratory. The show is aimed at kids ages 3 to 8. On August 17, 20...
Angelina Ballerina (2002 - 2006) - a British animated children's television series, based on the Angelina Ballerina series of children's books by author Katharine Holabird and illustrator Helen Craig. The series is about Angelina Mouseling, a young mouse who loves to dance ballet, and her family and classmates. Finty Williams perform...
Sket dance (2011 - 2013) - An anime adaptation, produced by Tatsunoko Production, premiered on April 7, 2011 on TV Tokyo.[2] On March 30, 2011, Crunchyroll announced that it would simulcast the Sket Dance anime series.
Lamb Chop's Play Along (1992 - 1997) - Lamb Chop's Play Along was a TV show starring puppet actress Shari Lewis and her titled creation, Lab Chop along with her friends Charlie Horse and Hush Puppy. Each episode took place on a farm where Shari and her friend, puppet and human would sing, dance, tell jokes, play games and do tricks. The...
Superstars of Dance (1986 - 1987) - Hanna-Barbera's Superstars, ten full-length animated features, is produced for television syndication, with the titles: The Good, the Bad and the Huckleberry, Rockin' with Judy Jetson, Scooby-Doo and the Ghoul School, The Jetsons Meet the Flintstones, Scooby-Doo and the Reluctant Werewolf, Scooby-Do...
Second Chance/Boys Will Be Boys (1987 - 1988) - A 1987 Fox Sitcom about a deceased man(Kiel Martin) who returns to Earth to give moral guidance to his younger self(Matthew Perry).After a few,low rated, episodes the show was retooled as"Boys Will Be Boys" before going off the air in 1988.
Dance Revolution (2006 - 2007) - Hosted by DJ Rick and featuring music from the house band The Slumber Party Girls, Dance Revolution involved Dance Crews performing their own dance routines choreographed by a choreographer. The judges declared who the winning Dance Crew was.
Mickey Mouse Mixed-Up Adventures (2019 - Current) - The new Mickey series replacing Mickey and the Roadster Racers. When Mixed-Up adventures premiered, reruns of Mickey and The Roadster Racers were renamed "Mickey Mouse Roadster Racers." Mixed-Up Adventures has the new Hot Dog Dance.
Cats Don't Dance(1997) - A Cat Named Danny Goes To Hollywood, CA To Become A Star But He Doesn't Know That In Hollywood, CA That Cats Can Only Say "Meow", He Meets New Friends Including Woolie, Cranston, Tillie And Sawyer, He Also Meets Darla Dimple, Danny And His Friends Must Work Together To Achieve Their Dreams While Dea...
Home Alone 3(1997) - Harry (Joe Pesci) And Marv (Daniel Stern) Acquire A Missile Guidance System Computer Chip And Smuggle It Through An Airport Inside A Remote Controlled Toy Car, Because Of Baggage Confusion, Kate (Catherine O'Hara) Gets The Toy Car, She Gives It To Kevin McCallister (Macaulay Culkin) Just Before Harr...
Dirty Dancing(1987) - Baby goes on vacation with her family and meets bad boy Johnny who at first is reluctant to teach her to dance, but then they fall in love and he teaches her how to grow up and not being a daddy's girl anymore.
Angus(1995) - Angus is a large, pathetic 14 year old whose thoughts are most often filled with the image of one Melissa Lefevre. Angus is shy and thinks that he has no chance of ever 'getting' her. Being especially uncool, he is incredibly surprised (along with the rest of the school) that he is chosen to dance w...
Hairspray(1988) - 'Pleasantly Plump' teenager Tracy Turnblad achieves her dream of becoming a regular on the Corny Collins Dance Show. Now a teen hero, she starts using her fame to speak out for the causes she believes in, most of all integration. In doing so, she earns the wrath of the show's former star, Amber Von...
Wee Sing: Grandpa's Magical Toys(1988) - Join Peter, Sara, and David on their visit to Grandpa's. When Grandpa leaves the room, the magic begins. The children shrink to toy-size and meet Grandpa's Toys. Meet Punchinello, the clown, a muffin man, a farmer, some Scottish dancers, and more as they serve up plenty of laughs.
It's Flashbeagle, Charlie Brown(1984) - No wonder Snoopy's too tired to do what other dogs do, Charlie Brown. He's Flashbeagle, who dances all night and sleeps al
Breakin'(1984) - A struggling young jazz dancer Kelly (Lucinda Dickey) meets up with two break-dancers, Ozone (Adolfo Quinones) and Turbo (Michael Chambers). Together they become the sensation of the street crowds. Features ICE-T in his film debut as a club MC.
Road House(1989) - Dalton (Patrick Swayze) is a famous cooler...The man who the bar owners go to when their bouncers aren't doing a good job. Lured away from a fancy dance club, he finds himself kicking ass and taking in names in a raucous small-town bar called the Double Deuce. Along the way, he falls in love with a...
Footloose(1984) - Classic tale of teen rebellion and repression features a delightful combination of dance choreography and realistic and touching performances. When teenager Ren (Kevin Bacon) and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock. Though he tr...
Saturday Night Fever(1977) - Tony Manero (John Travolta) is king of the dancefloor at his local disco. Outside, though, he's stuck in a dead-end life, hanging around with greaser assholes and not getting anywhere with employment. His one chance for escape is getting the love of his dance partner Stephanie Mangano (Karen Lynn Go...
Student Bodies(1981) - Less than two decades before Scary Movie spoofed horror, there was a little slasher movie satire called Student Bodies. It's a big day for the students and teachers of Lamab High School and everything is happening from the big parade to the big football game to the big dance. But the happy events...
Dances with Wolves(1990) - A Union solider, fed up with fighting in the Civl War leaves his unit to live among the Native Americans and animals.
Flashdance(1983) - A young steel worker/exotic dancer(Jennifer Beals) follows her dreams of becoming a professional dancer.
Meatballs 4(1992) - Ricky is the hottest water-ski instructor around and he has just be rehired by his former employer/camp to whip up attendance. But the camp is in serious financial trouble and the owner of a rival, more popular, camp wants to buy them out. Therefore they will have to engage in a mean, winner-takes-a...
Once Bitten(1985) - Over the course of the centuries, the countess has collected a stable of young men and women who will accompany her on her journey through eternal night. While the high school prepares for a Halloween dance, she sets her sights on the teenager that will give her the additional years of life that she...
Ghosts(1997) - This short film is actually a long-form music video, produced to promote Michael Jackson's 1997 album Blood on the Dance Floor, and it features two songs from that release. The obese and overbearing mayor of a small town, like most of his constituents, lives in fear of the "ghosts" that inhabit a ha...
Girls Just Want To Have Fun(1985) - Janey Glenn (Sarah Jessica Parker) is an Army Brat who loves to dance. When she moves to a new town, she meets a fellow dance enthusiast named Lynne Stone (Helen Hunt) at the parochial school she attends. Although they have many difficulties with authority figures and other teenage issues, they achi...
JFK(1991) - The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable...
Rock 'n' Roll High School Forever(1991) - Those rambunctious kids are back in school and back in trouble in a smash sequel to the 1978 worldwide hit. Corey Feldman leads a rock and roll rally at Ronald Reagon High, but must triumph over the evil plans of the school's fascist principal, Vadar, who wants to halt the school dance and run their...
FM(1978) - Los Angeles radio station QSKY has become a ratings juggernaut under the guidance of hip, passionate program director Jeff Dugan (played by Michael Brandon). The executives who own the station naturally see it as an opportunity to make lots and lots of money by flooding the airwaves with ads. Meanwh...
Fast Forward(1985) - Eight young people from Ohio who are dancers, come to New York, to compete in a major talent competition. But when they get there, they learn that they have to wait 3 weeks before they take part in it. So they try to do their best to survive in the Big Apple before competition, and get some lessons...
Curly Sue(1991) - Bill Dancer and his young companion Curly Sue are the classic homeless folks with hearts of gold. Their scams are aimed not at turning a profit, but at getting enough to eat. When they scam the rich and beautiful Grey Ellison into believing she backed her Mercedes into Bill, they're only hoping for...
Breakin' 2: Electric Boogaloo(1985) - A developer tries to bulldoze a community recreation center. The local breakdancers try to stop it.
One Crazy Summer(1986) - What was the craziest summer you ever had? Probably pales in comparison to this classic romantic comedy. Hoops McCann may not be any good at the sport whose name he bears, but he IS a talented cartoonist, if only he can find the right angle. To give him a bit of guidance, his friend, George takes...
No Place to Hide(1993) - In this gory thriller, a troubled dancer has just enough time to convince her little sister to hide a videotape before she is stabbed to death by an unseen killer, leaving the surviving sister in grave danger. Fortunately, a cynical but determined cop comes on the case to help her. Sandra Bren...
Mafia!(1998) - Satirist Jim Arahams returned with this comedy spoofing the Godfather trilogy, and other films and TV, including Jurassic Park, Lord of the Dance, and Barney. The opening emulates a Saul Bass sequence with Anthony Cortino (Jay Mohr) in a flight amid flames much like Robert De Niro in the Casino cred...
The Sting(1973) - Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Se...
For the Boys(1992) - In this ambitious musical saga, unknown USO singer Dixie Leonard (Bette Midler) is teamed up with one of America's beloved song-and-dance men--Eddie Sparks (James Caan)--in England during World War II, beginning a 50-year partnership of music, laughter, and tears. Eddie is a seductive comedian and s...
Brewster McCloud(1971) - Brewster McCloud lives in the fallout shelter of the Houston Astrodome sports arena, where he spends his days building a winged contraption and doing pull-ups under the guidance of Louise, a mysterious guardian angel. When a serial killer begins running rampant in Houston, ace San Francisco detectiv...
My Date with the President's Daughter(1998) - Duncan Fletcher is an average teenager in search of a date to his school's spring dance. While at the mall with his friends, he meets a girl, Hallie, who just happens to be the daughter of the President of the United States, George Richmond. Duncan, not realizing this, asks her to his school's dance...
Thank God It's Friday(1978) - After a long week of work and school we all need a break and Friday night has finally arrived and everybody is headed to the big dance contest at the hottest disco in town: The Zoo. Among the contests, a pair of underage girls who need to find a way inside and a man in leather who can dance his way...
Ginger and Fred(1986) - Amelia (Giulietta Masina) and Pippo (Marcello Mastroianni) danced in the style of Ginger Rogers and Fred Astaire several decades back. They're reunited on Italian television to perform once more, but they have to deal with assorted strange performers and the troubles of their own pasts.
Rushmore(1998) - Max Fischer (Jason Schwartzman, THE DARJEELING LIMITED, SHOPGIRL) is a precocious 15-year-old whose reason for living is his attendance at Rushmore, a private school where he's not doing well in any of his classes, but where he's the king of extracurricular activities - from being in the beekeeping...
Dance 'Til Dawn(1988) - Another of the many NBC made for tv comedies featuring stars(Christina Applegate,Alyssa Milano,Kelsey Grammer,Alan Thicke) of then popular 80's sitcoms.This movie revolves around the ups and downs that teenagers,and their adult chaperons,face during an all night prom.
Wild Things(1998) - In this erotic thriller, high school guidance counselor Sam Lombardo (Matt Dillon) falls under the fire of accusations of raping students Kelly Van Ryan (Denise Richards) and Suzie Toller (Neve Campbell). What follows is a string of twists, turns and acts of vengeance. From director John McNaughton...
White Nights(1985) - Nikolai Rodchenko (Mikhail Baryshnikov) defected from Soviet Russia and became one of America's best ballet dancers. While on a plane for a trip, he flies over Russia. Unfortunately, when a malfunction happens to the plane, the plane must enter the land he exited. The government wants him to be part...
Staying Alive(1983) - It's now 6 years after the events of "Saturday Night Fever". Tony Manero (John Travolta) has made it into Manhattan. His new goal is to become a dancer on Broadway, but life keeps throwing problems at him. From a dalliance with a dancer name Laura (Finola Hughes) to trouble with choreographers who d...
A Chorus Line(1985) - Although several songs have been re-tooled or added, this is an adaptation of the famed Broadway musical about aspiring dancers looking for a place in the chorus line of a big Broadway production.
Wee Sing Train(1993) - All aboard for fun and adventure! Children everywhere will clap, hop, and sing along to the exhilarating song and dance numbers of the Wee Sing Train. Imagine playing with a toy train and suddenly becoming a passenger---this could only happen with a spark of Wee Sing magic! Casey and Carter have fin...
The Forbidden Dance(1990) - Nisa (Laura Harring) is the princess of a Brazilian tribe who comes to Los Angeles to stop an American corporation from destroying her rainforest home. With her is tribal shaman Joa (Sid Haig), who uses black magic to get past the company guards and see the chairman of the corporation, resulting in...
Wee Sing in the Marvelous Musical Mansion(1992) - A mysterious package from Timbuktu? A door knocker that rattles off riddles? Music boxes that come to life? Piccolo Pizza and Piano Pudding? Where will you find such magical, musical, mysterious things? At Uncle Rubatos Marvelous Musical Mansion! Dance and sing in every room with encha...
Dance With Death(1992) - To uncover the story behind the serial murders of strippers, a reporter named Kelly (Barbara Alyn Woods) enters their world to learn more about the case, eventually ending up in danger herself.
Major League(1989) - An exotic dancer marries the owner of a baseball club. He does not survive the honeymoon and she is in control of his ball club. Looking at a small stadium, she wants to move to warmer climes where some new stadiums have been built, but her lease has only one escape clause, poor attendance. She fiel...
The Item(1999) - This outrageously weird oddity from Dan Clark was the first entry in the Sundance Film Festival's Dramatic Competition shot entirely on Digital Beta video, then transferred to film. This nightmarish and hyper-violent exercise involves the efforts of a group of homicidal thugs to obtain and safeguard...
Yankee Doodle Dandy(1942) - A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.
Butch And Sundance:The Early Days(1979) - A prequel to"Butch Cassidy And The Sundance Kid"(1969),detailing the origins of the famous bandits.Starring Tom Berenger and William Katt.
Wanted:The Sundance Woman(1976) - In this sequel to"Butch Cassidy And The Sundance Kid",Etta Place goes to Mexico,and runs guns for Pancho Villa.Starring Katherine Ross and Hector Elizondo
Showgirls(1995) - Nomi Malone (Elizabeth Berkeley) has had a rough life. From her youth, she was always in trouble of various sorts. Through it all, though, she's had dreams of show business success. She decides to go to Las Vegas to achieve her fame. She wants to be a dancer, and while she ends up becoming one, it's...
W.W. and the Dixie Dancekings(1975) - Back in 1957, sweet-talking W.W. lived in a '55 Olds, loved bubble gum, Errol Flynn, country music, fried chicken, robbing filling stations, and a girl named Dixie. Not necessarily in tha
Dance With A Stranger(1985) - Ruth Ellis lives with her 10-year old son Andy next to a night club. One night she meets David Blakely, and they start a love affair. However, for David with his upper-class background it is impossible to uphold the relationship. He leaves her, something which makes her very upset... So, she murdere...
Godspell(1973) - Based on the gospel according to St. Matthew and the Broadway musical, a group of disciples are called upon by John the Baptist to follow and learn Jesus through the streets of modern day New York City. Enacting the parables through song, dance, comedy and mime the day ends with the last supper and...
Lust in the Dust(1985) - A dance hall woman(Divine),a saloon owner(Lainie Kazan),and a gunman(Tab Hunter)seek buried treasure in the old west.
Limelight(1952) - A washed up comedian(Charles Chaplin)helps a despondent young dancer(Claire Bloom)realize her dreams of stardom.
The Triplets of Belleville(2003) - When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters--an aged song-and-dance team from the days of Fred Astaire--to rescue him.
G.I. Blues(1960) - Tulsa is a specialist in the US Army stationed in Germany. He loves to sing and has dreams to run his own nightclub when he leaves the army....but dreams don't come cheap. Tulsa places a bet with his friend Dynamite that he can spend the night with a club dancer named Lili, who is rumored to be hard...
Take The Lead(2006) - The real story of a dance teacher who believed in the talent of a group of problem kids.
Tap(1989) - Just released from prison, Max Washington must decide which of his previous professions to return to: burglar or tap dancer.
Dance, Girl, Dance(1940) - Dance, Girl, Dance is a film released in 1940 and directed by Dorothy Arzner. Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless...
Wombling Free(1977) - The adventures of The Wombles, strange creatures who live on Wimbledon Common and pick up the litter left by the humans. There's always time for a nice song and dance as well. This was a film version of the popular childrens TV show.
The Gymnast(2006) - The stunning Dreya Weber stars as a former top gymnast who discovers love and a new life path when she teams up with a dancer (played by former L.A. Lakers cheerleader Addie Yungmee) for an ambitious Las Vegas aerial act show.
Let It Be Me(1995) - Wanting to learn some dance moves in order to cut a mean rug with his beloved at their upcoming wedding, a young man finds nothing but trouble after he starts taking lessons from a gorgeous teacher.
The Santa Claus Brothers(2001) - Santa Claus has three sons; Mel, Daryl and Roy, but he can't decide who will take over the family business. Even though the triplets have had at least one hundred years of training under the guidance of the chief elf Snorkel, none of them seem to know what the true meaning of Christmas is. Santa sen...
Les Girls(1957) - After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon (1950)-style narrative presents the story from three points of view. Sybil accuses Angele of having an affair...
The Prankster(2010) - The Pranksters are a secret society that rights the wrongs of high school. Its leader, Chris, longs for more with graduation looming. Under the guidance of his eccentric Uncle Nick, Chris embarks on a challenging path of self-discovery and romance.
It's Always Fair Weather(1955) - It's Always Fair Weather is a 1955 MGM musical satire scripted by Betty Comden and Adolph Green, who also wrote the show's lyrics, with music by Andr Previn and starring Gene Kelly, Dan Dailey, Cyd Charisse, Dolores Gray, and dancer/choreographer Michael Kidd in his first film actin
breakin (aka breakdance)(1984) - th
Pieces of April(2003) - Pieces of April is a 2003 American comedy-drama film written and directed by Peter Hedges. The film debuted at the Sundance Film Festival. The name is taken from a 1972 hit song by Three Dog Night, which reached No. 19 on the Billboard Ho
Gypsy(1962) - Based on the Broadway hit about the life and times of burlesque dancer Gypsy Rose Lee and her aggressive stage mother, Mama Rose.
Broadway Melody Of 1940(1940) - Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Alexander's Ragtime Band(1938) - This send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.
Shirley MacLaine At The Lido(1979) - This 1979 CBS special later aired on HBO under the title "Lido De Paris". Shirley MacLaine sings and dances with special guests Tom Jones and Charles Aznavour.
Street Girls(1975) - When a middle-aged father searches for his dropout daughter, Angel, his quest takes him into the underworld of prostitutes, pimps, drug addicts and thieves. Angel has become a dancer in a topless bar, and her dealer boyfriend is turning her on to heroin.
Dancehall Queen(1997) - A single street vendor disguises herself for a dance contest, and pits her enemies against each other.
Damien: Omen II(1978) - Damien the Antichrist, now age 13, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark mystical forces begin to eliminate all those who suspect the child's true identity.
Stripteaser(1995) - As Zipper's Clown Palace (a strip bar) closes, Neil wanders in and decides to hold the dancers, bartender, and remaining customers hostage. He torments them with little tasks he wants performed, playing on their weaknesses and relying on his gun for intimidation. Eventually the hostages begin formul...
Stripped To Kill(1987) - When Detective Cody Sheehan discovers the body of a stripper from the Rock Bottom dance club, she wants the case. Her partner, Detective Heineman, is equally anxious to make the jump to the prestigious homicide division, but the only way Cody can get the assignment is to go undercover - uncovered -...
The Diabolical Dr. Z(1966) - A woman seeks to avenge her father's death by using a local dancer, with long poisonous fingernails, to do her bidding.
Black Swan(2010) - A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Salome's Last Dance(1988) - Late on Guy Fawkes Day, 1892, Oscar Wilde arrives at a high-class brothel where a surprise awaits: a staging of his play "Salome," with parts played by prostitutes, Wilde's host, his lover Bosey, and Lady Alice. The movie moves between the play and Wilde's night. In the play, Herod begs his pubescen...
Les Boys(1997) - Les Boys is a 1997 Quebec-made comedy film directed by Louis Saia. It has spawned three sequels and by any measure (profit, box office or attendance) is the most successful Quebec made film series of all time, and one of the most successful Canadian-made film series of all time.
You Got Served(2004) - In order to achieve their dream of opening a recording studio, two friends must first win their city's dance contest -- a fierce competition that pits them against a group of tough street dancers.
Butch Cassidy And The Sundance Kid(1969) - Two Western bank/train robbers flee to Bolivia when the law gets too close.
Scandal(1989) - An English bon-vivant osteopath is enchanted with a young exotic dancer and invites her to live with him. He serves as friend and mentor, and through his contacts and parties she and her friend meet and date members of the Conservative Party. Eventually a scandal occurs when her affair with the Mini...
Holiday Inn(1942) - Bing Crosby and Fred Astaire star in Holiday Inn as a popular nightclub song-and-dance team. When his heart is broken by his girlfriend, Crosby decides to retire from the hustle-bustle of big city showbiz. He purchases a rustic New England farm and converts it to an inn, which he opens to the public...
Step Up(2006) - Step Up is a 2006 American romantic dance film directed by Anne Fletcher starring Channing Tatum and Jenna Dew
Stomp the Yard(2007) - Stomp the Yard is a 2007 drama and dance film produced by Rainforest Films and released through Sony Pictures' Screen Gems division on January 12, 2007. Directed by Sylvain White, Stomp the Yard centers around DJ Williams, a college student at a fictional historically Black university who pledges to...
Lilo & Stitch 2: Stitch Has a Glitch(2005) - Lilo and her classmates are preparing to perform at the local May Day festival. Each student is required to create an original dance. When Lilo learns that her mother won the competition when she was her age she becomes determined to win it. While preparing for the competition, Stitch's past comes b...
Center Stage(2000) - A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Dance With Me(1998) - Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a dance studio, and everyone prepares for the World Open Dance championship in Las Vegas. It soon becomes clear Ra...
Michael Jackson's This Is It(2009) - Documentary film directed by Kenny Ortega. The movie follows the late king of pop Michael Jackson and his rehearsals for the concert series of the same name which were later cancelled after his death in June 2009. The film features Jackson's rehearsals of dances and directing his team as well as beh...
Save The Last Dance(2001) - A white midwestern girl moves to Chicago, where her new boyfriend is a black teen from the South Side with a rough, semi-criminal past.
Dance Flick(2009) - Suburban girl Megan gets into a series of misadventures when she moves to the inner-city and pursues dance. A nerdy street boy named Thomas is passionate about street dancing, but he is stuck working for a hungry obese gang lord who only loves food. Megan later befriends Thomas' ghetto sister Charit...
Hairspray(2007)(2007) - Based on the 2002 Broadway musical of the same name, which in turn was based on John Waters's 1988 comedy film of the same name. Set in 1962 Baltimore, Maryland, the film follows the "pleasantly plump" teenager Tracy Turnblad as she pursues stardom as a dancer on a local TV show and rallies against...
The Chronicles Of Narnia (2005)(2005) - Subtitle: The Lion, The Witch And The Wardrobe. Four kids travel through a wardrobe to the land of Narnia and learn of their destiny to free it with the guidance of a mystical lion
Slam Dance(1987) - An artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.
The Company(2003) - Ensemble drama centered around a group of ballet dancers, with a focus on one young dancer who's poised to become a principal performer.
Princess of the Nile(1954) - Debra Paget is Princess Shalimar who is also known outside the palace as the popular dancer Taura. She struggles to help her people against the forces of Rama Khan and his army. Only with the help of Prince Haidi (Jeffery Hunter) and some allies can the war be ended.
War Dance(2007) - Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
Every Little Step(2008) - Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of "A Chorus Line". Also investigates the history of the show and the creative minds behind the original and current incarnations.
Tough Guys Don't Dance(1987) - A writer named Tim Madden finds himself in a dark web of chaos after an alcoholic blackout.
Jo Jo Dancer, Your Life Is Calling(1986) - After severely burning himself in a drug incident, a comedian has a near death experience in which he reviews his life.
Dance Along!(1990) - Dance Along! is a 1990 Sesame Street direct-to-video compilation in the "Sesame Songs"
Jailbird Rock(1988) - A young dancer protecting her mother from her abusive stepfather is forced to shoot him. She is convicted and sent to prison. The inmates hatch an escape plan, part of which is to put on a musical show to cover the attempted breakout.
Dance, Fools, Dance(1931) - Dance, Fools, Dance (1931) is a pre-Code Metro-Goldwyn-Mayer movie starring Joan Crawford, Clark Gable, and Lester Vail in a story about a reporter investigating the murder of a colleague. Story and dialogue were created by Aurania Rouverol, and the film was directed by Harry Beaumont. Dance, Fools,...
The Jazz Singer(1927) - The Jazz Singer is a 1927 American musical drama film directed by Alan Crosland. It is the first feature-length motion picture with not only a synchronized recorded music score but also lip-synchronous singing and speech in several isolated sequences. Its release heralded the commercial ascendance o...
Off Beat(1986) - Joe Gower's job is skating through library shelves, fetching books. A police officer and friend of his is chosen to participate in a charity dance performance. Gower agrees to take his place in the show by posing as a police officer. He falls for a female officer in the show, and gets into various s...
The Jolson Story(1946) - This movie shows the idealized career of the singer Al Jolson, a little Jewish boy who goes against the will of his father in order to be in showbiz. He becomes a star, falls in love with a non-Jewish dancer, and marries her. In the end he chooses success on the stage.
Bring It On: Worldwide Cheersmack(2017) - In an attempt to take down rival cheer squad The Truth, cheer captain Destiny decides that she will bring Blake and his male street dancers onto her squad, The Rebels. Despite best intentions, the two groups do not mesh well together initially.
Sweet Charity(1969) - Charity Hope Valentine (Shirley MacLaine) always tries to look on the bright side of life, despite working in a rundown dance hall and contending with a seemingly endless run of bad dates. Determined to find love, Charity falls for suave actor Vittorio Vidal (Ricardo Montalban), but their romance is...
Top Hat(1935) - An American dancer comes to Britain and falls for a model whom he initially annoyed, but she mistakes him for his goofy producer.
The Raccoons: Let's Dance!(1984) - The Raccoons Lets Dance the last of four special films made
Lambada(1990) - Kevin Laird is a Beverly Hills school teacher by day and a mystery man by night. Using his lambada dance moves to first earn the kid's respect and acceptance, Kevin then teaches them academics. But when a jealous student exposes Kevin's double life, his two worlds collide, threatening his job and re...
Mata Hari(1985) - Based loosely on the real-life story of the World War I spy. The exotic dancer uses her contacts in European high society, along with her seductive charm, to collect military secrets during the war. She successfully plays both sides against each other until at last her deceptions catch up with her.
Salome(1986) - John the Baptist, the prophet of Israel, is imprisoned by Herod, governor of Judea for protesting Herod's marriage to his brother's wife. Jealousies rage and Herod's step-daughter and niece Salome seduces Herod by means of a torrid dance to give her the head of the prophet - but then tries to save t...
Karatix(1986) - Tiana Alexandra (the only woman to be trained by Bruce Lee) is the innovator of KARATIX, a unique exercise and self-defense training program. It combines elements of dance and combat art disciplines to develop self defense skills which the beginner can learn at home through regular practice. Tiana A...
Growing Up Wild(2016) - Travel to the wildest corners of the planet as five courageous animals tackle the very first challenges of their young lives. With a little guidance from sage family members, each must figure out how to find food and recognize danger.
https://myanimelist.net/anime/10775/SKET_Dance__Tettei_Bunseki_Special --
https://myanimelist.net/anime/10934/Itsuka_Tenma_no_Kuro_Usagi__Kokoro_Utsuri_no_Toukoubi_-_School_Attendance_Day -- Comedy, Supernatural, Romance, Ecchi, Vampire, Shounen
https://myanimelist.net/anime/11569/Precure_All_Stars_DX_the_Dance_Live__Miracle_Dance_Stage_e_Youkoso -- Fantasy, Magic, Music, Shoujo
https://myanimelist.net/anime/12965/Jewelpet_Movie__Sweets_Dance_Princess -- Fantasy, Magic, Shoujo
https://myanimelist.net/anime/16395/SKET_Dance__Imouto_no_Nayami_ni_Nayamu_Ani_ni_Nayamu_Imouto_to_Sono_Nakama-tachi -- Comedy, School, Shounen
https://myanimelist.net/anime/16718/SKET_Dance__SD_Character_Flash_Anime -- Comedy, School, Shounen
https://myanimelist.net/anime/18851/Fate_kaleid_liner_PrismaIllya__Undoukai_de_Dance -- Comedy, Magic, Fantasy
https://myanimelist.net/anime/19235/Dance_Dance_Dance -- Fantasy, Music
https://myanimelist.net/anime/22877/Seireitsukai_no_Blade_Dance --
https://myanimelist.net/anime/2385/One_Piece__Jango_no_Dance_Carnival --
https://myanimelist.net/anime/25285/Seireitsukai_no_Blade_Dance_Specials --
https://myanimelist.net/anime/29976/Dance_with_Devils -- Harem, Demons, Supernatural, Romance, Vampire, Shoujo
https://myanimelist.net/anime/34830/Dance_with_Devils__Fortuna -- Harem, Demons, Supernatural, Romance, Vampire, Shoujo
https://myanimelist.net/anime/37553/Bytheway_Dance -- Music
https://myanimelist.net/anime/38054/Pop_in_Q_Dance_MV -- Music
https://myanimelist.net/anime/39204/Demon_Dance_Tokyo -- Music
https://myanimelist.net/anime/6747/Dance_in_the_Vampire_Bund -- Action, Supernatural, Vampire
https://myanimelist.net/anime/8211/Dance_in_the_Vampire_Bund__Special_Edition -- Action, Supernatural, Vampire
https://myanimelist.net/anime/8643/Asatte_Dance -- Ecchi, Comedy, Romance, Drama, Seinen
https://myanimelist.net/anime/9863/SKET_Dance -- Comedy, School, Shounen
https://myanimelist.net/manga/127120/Wondance
https://myanimelist.net/manga/1414/SKET_Dance
https://myanimelist.net/manga/20065/SKET_Dance
https://myanimelist.net/manga/32939/Seireitsukai_no_Blade_Dance
https://myanimelist.net/manga/34553/Seireitsukai_no_Blade_Dance
https://myanimelist.net/manga/43509/Seireitsukai_no_Blade_Dance
https://myanimelist.net/manga/44733/Sword_Art_Online__Fairy_Dance
https://myanimelist.net/manga/51027/Dance_in_the_Vampire_Bund__Sledge_Hammer_no_Tsuioku
https://myanimelist.net/manga/61185/Scarlet_Order__Dance_in_the_Vampire_Bund_2
https://myanimelist.net/manga/7627/Dance_in_the_Vampire_Bund
https://myanimelist.net/manga/88442/Sesuji_wo_Pin_to__Shikakou_Kyougi_Dance-bu_e_Youkoso
https://myanimelist.net/manga/92332/Kurayami_Dance
8 Simple Rules ::: 8 Simple Rules... for Dating My Teenage Daughter (original tit ::: TV-PG | 30min | Comedy, Drama | TV Series (20022005) -- The Hennessy clan -- mother Cate, daughters Bridget and Kerry, and son Rory -- look to one another for guidance and support after the death of Paul, the family patriarch. Cate's parents lend a hand. Creator:
All That Jazz (1979) ::: 7.9/10 -- R | 2h 3min | Drama, Music, Musical | 20 December 1979 (USA) -- Director/choreographer Bob Fosse tells his own life story as he details the sordid career of Joe Gideon, a womanizing, drug-using dancer. Director: Bob Fosse Writers: Robert Alan Aurthur, Bob Fosse
Angus (1995) ::: 6.7/10 -- PG-13 | 1h 30min | Comedy, Drama | 15 September 1995 (USA) -- A miserable fat teenager secretly has a crush on the class beauty, ends up becoming the surprising participant to dance with her at a high school dance, meaning he's got to get his act together with the help of his best friend. Director: Patrick Read Johnson Writers:
Ascendance of a Bookworm ::: Honzuki no Gekokujou (original tit ::: TV-PG | 23min | Animation, Adventure, Comedy | TV Series (2019- ) Episode Guide 27 episodes Ascendance of a Bookworm Poster Urano, a young Japanese soon-to-be librarian, dies in an earthquake. She is reincarnated in another world as a young girl named Mayne, but learns that books are scarce and only provided to ... S Stars: Reba Buhr, Yuka Iguchi, Lizzie Freeman
Beyond a Reasonable Doubt (1956) ::: 7.0/10 -- Not Rated | 1h 20min | Crime, Drama, Film-Noir | November 1956 (UK) -- A novelist aided by his future father-in-law conspires to frame himself for the murder of a burlesque dancer as part of an effort to ban capital punishment. Director: Fritz Lang Writer:
Big Time Adolescence (2019) ::: 7.0/10 -- R | 1h 31min | Comedy, Drama | 13 March 2020 (USA) -- A suburban teenager comes of age under the destructive guidance of his best friend, an aimless college dropout. Director: Jason Orley Writer: Jason Orley
Billy Elliot (2000) ::: 7.7/10 -- R | 1h 50min | Drama, Music | 10 November 2000 (USA) -- A talented young boy becomes torn between his unexpected love of dance and the disintegration of his family. Director: Stephen Daldry Writer: Lee Hall
Black Sunday (1977) ::: 6.8/10 -- R | 2h 23min | Adventure, Crime, Drama | 1 April 1977 (USA) -- Black Sunday is the powerful story of a Black September terrorist group attempting to blow up a Goodyear blimp hovering over the Super Bowl stadium with 80,000 people and the president of the United States in attendance. Director: John Frankenheimer Writers: Thomas Harris (based on the novel by), Ernest Lehman (screenplay by) | 2 more credits
Black Swan (2010) ::: 8.0/10 -- R | 1h 48min | Drama, Thriller | 17 December 2010 (USA) -- A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake". Director: Darren Aronofsky Writers: Mark Heyman (screenplay), Andres Heinz (screenplay) (as Andrs Heinz) |
Bunheads ::: TV-PG | 44min | Comedy, Drama, Family | TV Series (20122013) -- Michelle, a Las Vegas showgirl marries a man on a whim and moves to his sleepy coastal town where she winds up working alongside her new mother-in-law at her dance school. Creators:
Burlesque (2010) ::: 6.4/10 -- PG-13 | 1h 59min | Drama, Music, Musical | 24 November 2010 (USA) -- A small-town girl ventures to Los Angeles and finds her place in a neo-burlesque club run by a former dancer. Director: Steve Antin (as Steven Antin) Writer: Steve Antin (as Steven Antin)
Butch Cassidy and the Sundance Kid (1969) ::: 8.0/10 -- PG | 1h 50min | Biography, Crime, Drama | 24 September 1969 (USA) -- Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia. Director: George Roy Hill Writer:
Cats Don't Dance (1997) ::: 6.9/10 -- G | 1h 15min | Animation, Comedy, Family | 26 March 1997 (USA) -- Danny, an ambitious singing and dancing cat, goes to Hollywood and overcomes several obstacles to fulfill his dream of becoming a movie star. Director: Mark Dindal Writers: Mark Dindal (story), Robert Lence (story) | 9 more credits Stars:
Center Stage (2000) ::: 6.7/10 -- PG-13 | 1h 55min | Drama, Music, Romance | 12 May 2000 (USA) -- A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the
Center Stage (2000) ::: 6.7/10 -- PG-13 | 1h 55min | Drama, Music, Romance | 12 May 2000 (USA) -- A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance. Director: Nicholas Hytner Writer:
Cherry Blossoms (2008) ::: 7.6/10 -- Kirschblten - Hanami (original title) -- Cherry Blossoms Poster -- After Rudi's wife Trudi suddenly dies, he travels to Japan to fulfill her dream of being a Butoh dancer. Director: Doris Drrie Writer:
Climax (2018) ::: 7.0/10 -- R | 1h 37min | Drama, Horror, Music | 19 September 2018 (France) -- French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD. Director: Gaspar No Writer:
Covert Affairs ::: TV-PG | 1h | Action, Crime, Drama | TV Series (20102014) -- Fresh out of the farm, Annie Walker must adapt to the challenging life of a CIA operative under the guidance of her handler, Auggie. But soon she realizes her recruit might have to do with her last boyfriend rather than her talent. Creators:
Dance Academy ::: TV-PG | 24min | Drama, Family, Music | TV Series (20102013) -- Fifteen-year-old Tara Webster's dream of dancing comes true when she gets into a top dance academy. She soon realizes dancing is only half the battle. Creators:
Dancer in the Dark (2000) ::: 8.0/10 -- R | 2h 20min | Crime, Drama, Musical | 6 October 2000 (USA) -- An East European girl travels to the United States with her young son, expecting it to be like a Hollywood film. Director: Lars von Trier (as Lars Von Trier) Writer: Lars von Trier (as Lars Von Trier)
Dances with Wolves (1990) ::: 8.0/10 -- PG-13 | 3h 1min | Adventure, Drama, Western | 21 November 1990 (USA) -- Lieutenant John Dunbar, assigned to a remote western Civil War outpost, befriends wolves and Indians, making him an intolerable aberration in the military. Director: Kevin Costner Writers:
Dirty Dancing (1987) ::: 7.0/10 -- PG-13 | 1h 40min | Drama, Music, Romance | 21 August 1987 (USA) -- Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle. Director: Emile Ardolino Writer:
Easter Parade (1948) ::: 7.4/10 -- Approved | 1h 43min | Musical, Romance | 8 July 1948 (USA) -- A nightclub performer hires a naive chorus girl to become his new dance partner to make his former partner jealous and to prove he can make any partner a star. Director: Charles Walters Writers:
Farewell, My Lovely (1975) ::: 7.1/10 -- R | 1h 35min | Crime, Mystery, Thriller | 8 August 1975 (USA) -- Los Angeles private eye Philip Marlowe is hired by paroled convict Moose Malloy to find his girlfriend Velma, former seedy nightclub dancer. Director: Dick Richards Writers:
Faster, Pussycat! Kill! Kill! (1965) ::: 6.7/10 -- Not Rated | 1h 23min | Action, Comedy | 6 August 1965 (USA) -- Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him. Director: Russ Meyer Writers: Jackie Moran (screenplay) (as Jack Moran), Russ Meyer (original story) Stars:
For the Boys (1991) ::: 6.4/10 -- R | 2h 18min | Comedy, Drama, Music | 27 November 1991 (USA) -- U.S. entertainer Eddie Sparks wants to bring some fun to the soldiers during World War II and contacts singer/dancer Dixie Leonard for help. They become the perfect team and tour from North... S Director: Mark Rydell Writers:
Frances Ha (2012) ::: 7.5/10 -- R | 1h 26min | Comedy, Drama, Romance | 23 August 2013 (Brazil) -- A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles. Director: Noah Baumbach Writers:
Frankie & Alice (2010) ::: 6.5/10 -- R | 1h 41min | Biography, Drama | 12 August 2014 (USA) -- A drama centered on a go-go dancer with multiple personality disorder who struggles to remain her true self and begins working with a psychotherapist to uncover the mystery of the inner ghosts that haunt her. Director: Geoffrey Sax Writers:
Gambit (1966) ::: 7.1/10 -- Approved | 1h 49min | Comedy, Crime, Thriller | 7 January 1967 (USA) -- An English cat burglar needs a Eurasian dancer's help to pull off the perfect heist, but even the most foolproof schemes have a way of backfiring. Director: Ronald Neame Writers: Jack Davies (screenplay), Alvin Sargent (screenplay) | 1 more credit Stars:
Girl (2018) ::: 7.1/10 -- R | 1h 45min | Drama | 15 March 2019 (USA) -- A promising teenage dancer enrolls at a prestigious ballet school while grappling with her gender dysphoria. Director: Lukas Dhont Writers: Lukas Dhont (screenplay), Angelo Tijssens (screenplay) Stars:
Gloria Bell (2018) ::: 6.3/10 -- R | 1h 42min | Comedy, Drama, Music | 22 March 2019 (USA) -- A free-spirited woman in her 50s seeks out love at L.A. dance clubs. Director: Sebastin Lelio Writers: Alice Johnson Boher (adapted screenplay), Sebastin Lelio | 1 more credit
Godspell (1973) ::: 6.5/10 -- Godspell: A Musical Based on the Gospel According to St. Matthew -- G | 1h 43min | Comedy, Drama, Musical | 31 May 1973 (UK) Godspell Poster -- An adaption of the musical, in a modern-day song-and-dance recreation of the Gospel of St. Matthew. Director: David Greene Writers:
Gypsy (1962) ::: 7.1/10 -- Approved | 2h 23min | Biography, Comedy, Drama | 1 November 1962 (USA) -- Based on the Broadway hit about the life and times of burlesque dancer Gypsy Rose Lee and her aggressive stage mother, Mama Rose. Director: Mervyn LeRoy Writers: Arthur Laurents (based upon the stage play: book by), Gypsy Rose Lee
Hairspray (1988) ::: 6.9/10 -- PG | 1h 32min | Comedy, Drama, Family | 26 February 1988 (USA) -- A 'pleasantly plump' teenager teaches 1962 Baltimore a thing or two about integration after landing a spot on a local TV dance show. Director: John Waters Writer: John Waters
Hairspray (2007) ::: 6.6/10 -- PG | 1h 57min | Comedy, Drama, Musical | 20 July 2007 (USA) -- Pleasantly plump teenager Tracy Turnblad teaches 1962 Baltimore a thing or two about integration after landing a spot on a local TV dance show. Director: Adam Shankman Writers: Leslie Dixon (screenplay), John Waters | 2 more credits
Hairspray Live! (2016) ::: 7.0/10 -- TV-PG | 2h | Comedy, Drama, Musical | TV Movie 7 December 2016 -- A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show. Directors: Kenny Leon, Alex Rudzinski Writers: Harvey Fierstein (teleplay by), Mark O'Donnell (book) | 3 more
Happy Days ::: TV-G | 30min | Comedy, Family, Music | TV Series (19741984) -- The Cunningham family live through the 1950s with help and guidance from the lovable and almost superhuman greaser, Fonzie. Creator: Garry Marshall
Happy Feet (2006) ::: 6.4/10 -- PG | 1h 48min | Animation, Adventure, Comedy | 17 November 2006 (USA) -- Into the world of the Emperor Penguins, who find their soul mates through song, a penguin is born who cannot sing. But he can tap dance something fierce! Directors: George Miller, Warren Coleman (co-director) | 1 more credit Writers:
High Strung (2016) ::: 6.4/10 -- PG | 1h 36min | Drama, Music, Romance | 8 April 2016 (USA) -- Dancer Ruby, starting at Manhattan Conservatory of the Arts, meets English violinist Johnnie, playing in a subway station. Music and dance follows. Director: Michael Damian Writers:
Introducing Dorothy Dandridge (1999) ::: 7.1/10 -- R | 2h | Biography, Drama, Music | TV Movie 21 August 1999 -- Dorothy Dandridge's way to fame and fortune as a dancer, singer and actress. Director: Martha Coolidge Writers: Earl Mills (book), Shonda Rhimes (teleplay) | 1 more credit
Jimmy's Hall (2014) ::: 6.7/10 -- PG-13 | 1h 49min | Biography, Drama, History | 30 May 2014 (UK) -- During the Depression, Jimmy Gralton returns home to Ireland after ten years of exile in America. Seeing the levels of poverty and oppression, the activist in him reawakens and he looks to re-open the dance hall that led to his deportation. Director: Ken Loach Writer:
Ladies in Lavender (2004) ::: 7.0/10 -- PG-13 | 1h 44min | Drama, Music, Romance | 27 May 2005 (USA) -- Two sisters befriend a mysterious foreigner who washes up on the beach of their 1930s Cornish seaside village. Director: Charles Dance Writers: William J. Locke (short story), Charles Dance
Last Love (2013) ::: 6.8/10 -- Mr. Morgan's Last Love (original title) -- Last Love Poster -- He's a widower in Paris who speaks no French. She's a dance instructor less than half his age. Can they become a family, or will his estranged adult children halt the friendship? Director: Sandra Nettelbeck Writers:
Limelight (1952) ::: 8.1/10 -- G | 2h 17min | Drama, Music, Romance | 31 October 1952 (France) -- A fading comedian and a suicidally despondent ballet dancer must look to each other to find purpose and hope in their lives. Director: Charles Chaplin Writers: Charles Chaplin (original story), Charles Chaplin (screenplay by)
Lola (1961) ::: 7.6/10 -- Not Rated | 1h 30min | Drama, Romance | 14 October 1962 (USA) -- A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her. Director: Jacques Demy Writer: Jacques Demy Stars:
Lower City (2005) ::: 6.6/10 -- Cidade Baixa (original title) -- Lower City Poster -- Lifelong friends Deco and Naldinho, who own a small steaming boat in Bahia, meet strip-dancer Karinna. Both men fall for her and their friendship is deeply shattered. Dire