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object:1.08 - Origin of Rudra: his becoming eight Rudras
author class:Vyasa
book class:Vishnu Purana
subject class:Hinduism
class:chapter

Origin of Rudra: his becoming eight Rudras: their wives and children. The posterity of Bhrigu. Account of Śrī in conjunction with Viṣṇu. Sacrifice of Dakṣa.
Parāśara said:-

I have described to you, oh great Muni, the creation of Brahmā, in which the quality of darkness prevailed. I will now explain to you the creation of Rudra[1].

In the beginning of the Kalpa, as Brahmā purposed to create a son, who should be like himself, a youth of a purple complexion[2] appeared, crying with a low cry, and running about[3]. Brahmā, when he beheld him thus afflicted, said to him, "Why dost thou weep?" "Give me a name," replied the boy. "Rudra be thy name," rejoined the great father of all creatures: "be composed; desist from tears." But, thus addressed, the boy still wept seven times, and Brahmā therefore gave to him seven other denominations; and to these eight persons regions and wives and posterity belong. The eight manifestations, then, are named Rudra, Bhava, Śarva, Iśāna, Paśupati, Bhīma, Ugra, and Mahādeva, which were given to them by their great progenitor. He also assigned to them their respective stations, the sun, water, earth, air, fire, ether, the ministrant Brahman, and the moon; for these are their several forms[4]. The wives of the sun and the other manifestations, termed Rudra and the rest, were respectively, Suvercalā, Uṣā, Vikesī, Sivā, Svāhā, Diśā, Dīkṣā, and Rohinī. Now hear an account of their progeny, by whose successive generations this world has been peopled. Their sons, then, were severally, Sanaiścara (Saturn), Śukra (Venus), the fiery-bodied Mars, Manojava (Hanumān), Skanda, Svarga, Santāna, and Budha (Mercury).

It was the Rudra of this description that married Satī, who abandoned her corporeal existence in consequence of the displeasure of Dakṣa[5]. She afterwards was the daughter of Himavān (the snowy mountains) by Menā; and in that character, as the only Umā, the mighty Bhava again married her[6]. The divinities Dhātā and Vidhātā were born to Bhrigu by Khyāti, as was a daughter, Śrī, the wife of Nārāyaṇa, the god of gods[7].
Maitreya said:-

It is commonly said that the goddess Śrī was born from the sea of milk, when it was churned for ambrosia; how then can you say that she was the daughter of Bhrigu by Khyāti.
Parāśara said:-

Śrī, the bride of Viṣṇu, the mother of the world, is eternal, imperishable; in like manner as he is all-pervading, so also is she, oh best of Brahmans, omnipresent. Viṣṇu is meaning; she is speech. Hari is polity (Naya); she is prudence (Nīti). Viṣṇu is understanding; she is intellect. He is righteousness; she is devotion. He is the creator; she is creation. Śrī is the earth; Hari the support of it. The deity is content; the eternal Lakṣmī is resignation. He is desire; Śrī is wish. He is sacrifice; she is sacrificial donation (Dakṣinā). The goddess is the invocation which attends the oblation; Janārddana is the oblation. Lakṣmī is the chamber where the females are present (at a religious ceremony); Madhusūdana the apartment of the males of the family. Lakṣmī is the altar; Hari the stake (to which the victim is bound). Śrī is the fuel; Hari the holy grass (Kuśa). He is the personified Sāma veda; the goddess, lotus-throned, is the tone of its chanting. Lakṣmī is the prayer of oblation (Svāhā); Vāsudeva, the lord of the world, is the sacrificial fire. Saurī (Viṣṇu) is Śa
kara (Śiva); and Śrī is the bride of Śiva (Gaurī). Keśava, oh Maitreya, is the sun; and his radiance is the lotus-seated goddess. Viṣṇu is the tribe of progenitors (Pitrigana); Padma. is their bride (Swadhā), the eternal bestower of nutriment. Śrī is the heavens; Viṣṇu, who is one with all things, is wide extended space. The lord of Śrī is the moon; she is his unfading light. She is called the moving principle of the world; he, the wind which bloweth every where. Govinda is the ocean; Lakṣmī its shore. Lakṣmī is the consort of Indra (Indrānī); Madhusūdana is Devendra. The holder of the discus (Viṣṇu) is Yama (the regent of Tartarus); the lotus-throned goddess is his dusky spouse (Dhūmornā). Śrī is wealth; Śridhara (Viṣṇu) is himself the god of riches (Kuvera). Lakṣmī, illustrious Brahman, is Gaurī; and Keśava, is the deity of ocean (Varuna). Śrī is the host of heaven (Devasenā); the deity of war, her lord, is Hari. The wielder of the mace is resistance; the power to oppose is Śrī. Lakṣmī is the Kāṣṭhā and the Kalā; Hari the Nimeṣa and the Muhūrtta. Lakṣmī is the light; and Hari, who is all, and lord of all, the lamp. She, the mother of the world, is the creeping vine; and Viṣṇu the tree round which she clings. She is the night; the god who is armed with the mace and discus is the day. He, the bestower of blessings, is the bridegroom; the lotus-throned goddess is the bride.

The god is one with all male-the goddess one with all female, rivers. The lotus-eyed deity is the standard; the goddess seated on a lotus the banner. Lakṣmī is cupidity; Nārāyaṇa, the master of the world, is covetousness. Oh thou who knowest what righteousness is, Govinda is love; and Lakṣmī, his gentle spouse, is pleasure. But why thus diffusely enumerate their presence: it is enough to say, in a word, that of gods, animals, and men, Hari is all that is called male; Lakṣmī is all that is termed female: there is nothing else than they.
Footnotes and references:

[1]: The creation of Rudra has been already adverted to, and that seems to be the primitive form of the legend. We have here another account, grounded apparently upon Śaiva or Yogi mysticism.

[2]: The appearance of Rudra as a Kumāra, 'a boy,' is described as of repeated occurrence in the Li
ga and Vāyu Purāṇas, as already noticed (p. 38); and these Kumāras are of different complexions in different Kalpas. In the Vaiṣṇava Purāṇas, however, we have only one original form, to which the name of Nīlalohita, the blue and red or purple complexioned is assigned. In the Kūrma this youth comes from Brahmā's mouth: in the Vāyu, from his forehead.

[3]: This is the Paurāṇic etymology: ### or rud, 'to weep,' and dru, 'to run' The grammarians derive the name from rud, 'to weep,' with ra affix.

[4]: The Vāyu details the application of each name severally. These eight Rudras are therefore but one, under as many appellations, and in as many types. The Padma, Mārkaṇḍeya, Kūrma, Li
ga, and Vāyu agree with our text in the nomenclature of the Rudras, and their types, their wives, and progeny. The types are those which are enumerated in the Nāndī, p. 59 or opening benedictory verse, of Sakuntalā; and the passage of the Viṣṇu P. was found by Mons. Chezy on the envelope of his copy. He has justly corrected Sir Wm. Jones's version of the term ### 'the sacrifice is performed with solemnity;' as the word means, 'Brahmane officiant,' 'the Brāhmaṇ who is qualified by initiation (Dīkṣā) to conduct the rite.' These are considered as the bodies, or visible forms, of those modifications of Rudra which are variously named, and which, being praised in them, severally abstain from harming them: ### Vāyu P. The Bhāgavata, III. 12, has a different scheme, as usual; but it confounds the notion of the eleven Rudras, to whom the text subsequently adverts, with that of the eight here specified. These eleven it terms Manyu, Manu, Mahīnasa, Mahān, Siva, Ritadhwaja, Ugraretas, Bhava, Kāla, Vāmadeva, and Dhritavrata: their wives are, Dhī, Dhriti, Rasalomā, Niyut, Sarpī, Ilā, Ambikā, Irāvatī, Swadhā, Dīkṣā, Rudrānī: and their places are, the heart, senses, breath, ether, air, fire, water, earth, sun, moon, and tapas, or ascetic devotion. The same allegory or mystification characterises both accounts.

[5]: See the story of Dakṣa's sacrifice at the end of the chapter.

[6]: The story of Umā's birth and marriage occurs in the Śiva P. and in the Kāśī Khanda of the Skanda P.: it is noticed briefly, and with some variation from the Purāṇas, in the Rāmāyaṇa, first book: it is also given in detail in the Kumāra Sambhava of Kālidāsa.

[7]: The family of Bhrigu is more particularly described in the tenth chapter: it is here mentioned merely to introduce the story of the birth of the goddess of prosperity, Śrī.

Sacrifice of Dakṣa (From the Vāyu Purāṇa)


"There was formerly a peak of Meru, named Sāvitra, abounding with gems, radiant as the sun, and celebrated throughout the three worlds; of immense extent, and difficult of access, and an object of universal veneration. Upon that glorious eminence, rich with mineral treasures, as upon a splendid couch, the deity Śiva reclined, accompanied by the daughter of the sovereign of mountains, and attended by the mighty Ādityas, the powerful Vasus, and by the heavenly physicians, the sons of Asvinī; by Kuvera, surrounded by his train of Guhyakas, the lord of the Yakṣas, who dwells on Kailāsa. There also was the great Muni Usanas: there, were Ṛṣis of the first order, with Sanatkumāra at their head; divine Ṛṣis, preceded by A
giras; Viśvavasu, with his bands of heavenly choristers; the sages Nārada and Pārvata; and innumerable troops of celestial nymphs. The breeze blew upon the mountain, bland, pure, and fragrant; and the trees were decorated with flowers, that blossomed in every season. The Vidyādharas and Siddhas, affluent in devotion, waited upon Mahādeva, the lord of living creatures; and many other beings, of various forms, did him homage. Rākṣasas of terrific semblance, and Pisācas of great strength, of different shapes and features, armed with various weapons, and blazing like fire, were delighted to be present, as the followers of the god. There stood the royal Nandī, high in the favour of his lord, armed with a fiery trident, shining with inherent lustre; and there the best of rivers, Ga
gā, the assemblage of all holy waters, stood adoring the mighty deity. Thus worshipped by all the most excellent of sages and of gods, abode the omnipotent and all-glorious Mahādeva.

"In former times, Dakṣa commenced a holy sacrifice on the side of Himavān, at the sacred spot Ga
gadvāra, frequented by the Ṛṣis. The gods, desirous of assisting at this solemn rite, came, with Indra at their head, to Mahādeva, and intimated their purpose; and having received his permission, departed in their splendid chariots to Ga
gadvāra, as tradition reports[2]. They found Dakṣa, the best of the devout, surrounded by the singers and nymphs of heaven, and by numerous sages, beneath the shade of clustering trees and climbing plants; and all of them, whether dwellers on earth, in air, or in the regions above the skies, approached the patriarch with outward gestures of respect. The Ādityas, Vasus, Rudras, Maruts, all entitled to partake of the oblations, together with Jiṣṇu, were present. The four classes of Pitris, Ushmapās, Somapās, Ājyapās, and Dhūmapās, or those who feed upon the flame, the acid juice, the butter, or the smoke of offerings, the Aswins and the progenitors, came along with Brahmā. Creatures of every class, born from the womb, the egg, from vapour, or vegetation, came upon their invocation; as did all the gods, with their brides, who in their resplendent vehicles blazed like so many fires. Beholding them thus assembled, the sage Dadhīca was filled with indignation, and observed, 'The man who worships what ought not to be worshipped, or pays not reverence where veneration is due, is guilty, most assuredly, of heinous sin.' Then addressing Dakṣa, he said to him, 'Why do you not offer homage to the god who is the lord of life (Paśubhartri)?' Dakṣa spake; 'I have already many Rudras present, armed with tridents, wearing braided hair, and existing in eleven forms: I recognise no other Mahādeva.' Dadhīca spake; 'The invocation that is not addressed to Īśa, is, for all, but a solitary (and imperfect) summons. Inasmuch as I behold no other divinity who is superior to Śa
kara, this sacrifice of Dakṣa will not be completed.' Dakṣa spake; I offer, in a golden cup, this entire oblation, which has been consecrated by many prayers, as an offering ever due to the unequalled Viṣṇu, the sovereign lord of all[3].'

"In the meanwhile, the virtuous daughter of the mountain king, observing the departure of the divinities, addressed her lord, the god of living beings, and said-Umā spake-'Whither, oh lord, have the gods, preceded by Indra, this day departed? Tell me truly, oh thou who knowest all truth, for a great doubt perplexes me.' Maheśvara spake; Illustrious goddess, the excellent patriarch Dakṣa celebrates the sacrifice of a horse, and thither the gods repair.' Devī spake; Why then, most mighty god, dost thou also not proceed to this solemnity? by what hinderance is thy progress thither impeded?' Maheśvara spake; 'This is the contrivance, mighty queen, of all the gods, that in all sacrifices no portion should be assigned to me. In consequence of an arrangement formerly devised, the gods allow me, of right, no participation of sacrificial offerings.' Devī spake; 'The lord god lives in all bodily forms, and his might is eminent through his superior faculties; he is unsurpassable, he is unapproachable, in splendour and glory and power. That such as he should be excluded from his share of oblations, fills me with deep sorrow, and a trembling, oh sinless, seizes upon my frame. Shall I now practise bounty, restraint, or penance, so that my lord, who is inconceivable, may obtain a share, a half or a third portion, of the sacrifice[4]?'

"Then the mighty and incomprehensible deity, being pleased, said to his bride, thus agitated; and speaking; 'Slender-waisted queen of the gods, thou knowest not the purport of what thou sayest; but I know it, oh thou with large eyes, for the holy declare all things by meditation. By thy perplexity this day are all the gods, with Mahendra and all the three worlds, utterly confounded. In my sacrifice, those who worship me, repeat my praises, and chant the Rathantara song of the Sāma veda; my priests worship me in the sacrifice of true wisdom, where no officiating Brahman is needed; and in this they offer me my portion.' Devī spake; 'The lord is the root of all, and assuredly, in every assemblage of the female world, praises or hides himself at will.' Mahādeva spake; 'Queen of the gods, I praise not myself: approach, and behold whom I shall create for the purpose of claiming my share of the rite.'

"Having thus spoken to his beloved spouse, the mighty Maheśvara created from his mouth a being like the fire of fate; a divine being, with a thousand heads, a thousand eyes, a thousand feet; wielding a thousand clubs, a thousand shafts; holding the shell, the discus, the mace, and bearing a blazing bow and battle-axe; fierce and terrific, shining with dreadful splendour, and decorated with the crescent moon; clothed in a tiger's skin, dripping with blood; having a capacious stomach, and a vast mouth, armed with formidable tusks: his ears were erect, his lips were pendulous, his tongue was lightning; his hand brandished the thunderbolt; flames streamed from his hair; a necklace of pearls wound round his neck; a garland of flame descended on his breast: radiant with lustre, he looked like the final fire that consumes the world. Four tremendous tusks projected from a mouth which extended from ear to ear: he was of vast bulk, vast strength, a mighty male and lord, the destroyer of the universe, and like a large fig-tree in circumference; shining like a hundred moons at once; fierce as the fire of love; having four heads, sharp white teeth, and of mighty fierceness, vigour, activity, and courage; glowing with the blaze of a thousand fiery suns at the end of the world; like a thousand undimmed moons: in bulk like Himādri, Kailāsa, or Meru, or Mandara, with all its gleaming herbs; bright as the sun of destruction at the end of ages; of irresistible prowess, and beautiful aspect; irascible, with lowering eyes, and a countenance burning like fire; clothed in the hide of the elephant and lion, and girt round with snakes; wearing a turban on his head, a moon on his brow; sometimes savage, sometimes mild; having a chaplet of many flowers on his head, anointed with various unguents, and adorned with different ornaments and many sorts of jewels; wearing a garland of heavenly Karnikāra flowers, and rolling his eyes with rage. Sometimes he danced; sometimes he laughed aloud; sometimes he stood wrapt in meditation; sometimes he trampled upon the earth; sometimes he sang; sometimes he wept repeatedly: and he was endowed with the faculties of wisdom, dispassion, power, penance, truth, endurance, fortitude, dominion, and self-knowledge.

"This being, then, knelt down upon the ground, and raising his hands respectfully to his head, said to Mahādeva, 'Sovereign of the gods, command what it is that I must do for thee.' To which Maheśvara replied, Spoil the sacrifice of Dakṣa.' Then the mighty Vīrabhadra, having heard the pleasure of his lord, bowed down his head to the feet of Prajāpati; and starting like a lion loosed from bonds, despoiled the sacrifice of Dakṣa, knowing that the had been created by the displeasure of Devī. She too in her wrath, as the fearful goddess Rudrakālī, accompanied him, with all her train, to witness his deeds. Vīrabhadra the fierce, abiding in the region of ghosts, is the minister of the anger of Devī. And he then created, from the pores of his skin, powerful demigods, the mighty attendants upon Rudra, of equal valour and strength, who started by hundreds and thousands into existence. Then a loud and confused clamour filled all the expanse of ether, and inspired the denizens of heaven with dread. The mountains tottered, and earth shook; the winds roared, and the depths of the sea were disturbed; the fires lost their radiance, and the sun grew pale; the planets of the firmament shone not, neither did the stars give light; the Ṛṣis ceased their hymns, and gods and demons were mute; and thick darkness eclipsed the chariots of the skies[5].

"Then from the gloom emerged fearful and numerous forms, shouting the cry of battle; who instantly broke or overturned the sacrificial columns, trampled upon the altars, and danced amidst the oblations. Running wildly hither and thither, with the speed of wind, they tossed about the implements and vessels of sacrifice, which looked like stars precipitated from the heavens. The piles of food and beverage for the gods, which had been heaped up like mountains; the rivers of milk; the banks of curds and butter; the sands of honey and butter-milk and sugar; the mounds of condiments and spices of every flavour; the undulating knolls of flesh and other viands; the celestial liquors, pastes, and confections, which had been prepared; these the spirits of wrath devoured or defiled or scattered abroad. Then falling upon the host of the gods, these vast and resistless Rudras beat or terrified them, mocked and insulted the nymphs and goddesses, and quickly put an end to the rite, although defended by all the gods; being the ministers of Rudra's wrath, and similar to himself[6]. Some then made a hideous clamour, whilst others fearfully shouted, when Yajña was decapitated. For the divine Yajña, the lord of sacrifice, then began to fly up to heaven, in the shape of a deer; and Vīrabhadra, of immeasurable spirit, apprehending his power, cut off his vast head, after he had mounted into the sky[7]. Dakṣa the patriarch, his sacrifice being destroyed, overcome with terror, and utterly broken in spirit, fell then upon the ground, where his head was spurned by the feet of the cruel Vīrabhadra[8]. The thirty scores of sacred divinities were all presently bound, with a band of fire, by their lion-like foe; and they all then addressed him, crying, 'Oh Rudra, have mercy upon thy servants: oh lord, dismiss thine anger.' Thus spake Brahmā and the other gods, and the patriarch Dakṣa; and raising their hands, they said, 'Declare, mighty being, who thou art.' Vīrabhadra said, 'I am not a god, nor an Āditya; nor am I come hither for enjoyment, nor curious to behold the chiefs of the divinities: know that I am come to destroy the sacrifice of Dakṣa, and that I am called Vīrabhadra, the issue of the wrath of Rudra. Bhadrakālī also, who has sprung from the anger of Devī, is sent here by the god of gods to destroy this rite. Take refuge, king of kings, with him who is the lord of Umā; for better is the anger of Rudra than the blessings of other gods.'

"Having heard the words of Vīrabhadra, the righteous Dakṣa propitiated the mighty god, the holder of the trident, Maheśvara. The hearth of sacrifice, deserted by the Brahmans, had been consumed; Yajña had been metamorphosed to an antelope; the fires of Rudra's wrath had been kindled; the attendants, wounded by the tridents of the servants of the god, were groaning with pain; the pieces of the uprooted sacrificial posts were scattered here and there; and the fragments of the meat-offerings were carried off by flights of hungry vultures, and herds of howling jackals. Suppressing his vital airs, and taking up a posture of meditation, the many-sighted victor of his foes, Dakṣa fixed his eyes every where upon his thoughts. Then the god of gods appeared from the altar, resplendent as a thousand suns, and smiled upon him, and said, 'Dakṣa, thy sacrifice has been destroyed through sacred knowledge: I am well pleased with thee:' and then he smiled again, and said, 'What shall I do for thee; declare, together with the preceptor of the gods.'

"Then Dakṣa, frightened, alarmed, and agitated, his eyes suffused with tears, raised his hands reverentially to his brow, and said, 'If, lord, thou art pleased; if I have found favour in thy sight; if I am to be the object of thy benevolence; if thou wilt confer upon me a boon, this is the blessing I solicit, that all these provisions for the solemn sacrifice, which have been collected with much trouble and during a long time, and which have now been eaten, drunk, devoured, burnt, broken, scattered abroad, may not have been prepared in vain.' 'So let it be,' replied Hara, the subduer of Indra. And thereupon Dakṣa knelt down upon the earth, and praised gratefully the author of righteousness, the three-eyed god Mahādeva, repeating the eight thousand names of the deity whose emblem is a bull."
Footnotes and references:

[1]: The sacrifice of Dakṣa is a legend of some interest, from its historical and archeological relations. It is obviously intended to intimate a struggle between the worshippers of Śiva and of Viṣṇu, in which at first the latter, but finally the former, acquired the ascendancy. It is also a favourite subject of Hindu sculpture, at least with the Hindus of the Śaiva division, and makes a conspicuous figure both at Elephanta and Ellora. A representation of the dispersion and mutilation of the gods and sages by Vīrabhadra, at the former, is published in the Archæologia, VII. 326, where it is described as the Judgment of Solomon! a figure of Vīrabhadra is given by Niebuhr, vol. II. tab. 10: and the entire group in the Bombay Transactions, vol. I. p. 220. It is described, p. 229; but Mr. Erskine has not verified the subject, although it cannot admit of doubt. The groupe described, p. 224, probably represents the introductory details given in our text. Of the Ellora sculptures, a striking one occurs in what Sir C. Malet calls the Doomar Leyna cave, where is "Veer Budder, with eight hands. In one is suspended the slain Rajah Dutz." A. R. VI. 396. And there is also a representation of 'Ehr Budr,' in one of the colonades of Kailas; being, in fact, the same figure as that at Elephanta. Bombay Tr. III. 287. The legend of Dakṣa therefore was popular when those cavern temples were excavated. The story is told in much more detail in several other Purāṇas, and with some variations, which will be noticed: but the above has been selected as a specimen of the style of the Vāyu Purāṇa, and as being a narration which, from its inartificial, obscure, tautological, and uncircumstantial construction, is probably of an ancient date. The same legend, in the same words, is given in the Brāhma P.

[2]: Or this may he understood to imply, that the original story is in the Vedas; the term being, as usual in such a reference, ###. Ga
gadvāra, the place where the Ganges descends to the plains-or Haridwar, as it is more usually termed-is usually specified as the scene of action, The Li
ga is more precise, calling it Kanakhala, which is the village still called Kankhal, near Haridwar (Megha Dūta, p. 63 p. 59). It rather inaccurately, however, describes this as upon Hansa peak, a point of the Himalaya.

[3]: The Kūrma P. gives also this discussion between Dadhīca and Dakṣa, and their dialogue contains some curious matter. Dakṣa, for instance, states that no portion of a sacrifice is ever allotted to Śiva, and no prayers are directed to be addressed to him, or to his bride. Dadhīca apparently evades the objection, and claims a share for Rudra, consisting of the triad of gods, as one with the sun, who is undoubtedly hymned by the several ministering priests of the Vedas. Dakṣa replies, that the twelve Ādityas receive special oblations; that they are all the suns; and p. 64 that he knows of no other. The Munis, who overhear the dispute, coñcur in his sentiments. These notions seem to have been exchanged for others in the days of the Padma P. and Bhāgavata, as they place Dakṣa's neglect of Śiva to the latter's filthy practices, his going naked, smearing himself with ashes, carrying a skull, and behaving as if he were drunk or crazed: alluding, no doubt, to the practices of Śaiva mendicants, who seem to have abounded in the days of Śa
kara Ācārya, and since. There is no discussion in the Bhāgavata, but Rudra is described as present at a former assembly, when his father-in-law censured him before the guests, and in consequence he departed in a rage. His follower Nandī curses the company, and Bhrigu retorts in language descriptive of the Vāmācāris, or left hand worshippers of Śiva. "May all those," he says, "who adopt the worship of Bhava (Śiva), all those who follow the practices of his worshippers, become heretics, and oppugners of holy doctrines; may they neglect the observances of purification; may they be of infirm intellects, wearing clotted hair, and ornamenting themselves with ashes and bones; and may they enter the Śaiva initiation, in which spirituous liquor is the libation."

[4]: This simple account of Sati's share in the transaction is considerably modified in p. 64 other accounts. In the Kūrma, the quarrel begins with Dakṣa the patriarch's being, as he thinks, treated by his son-in-law with less respect than is his due. Upon his daughter Satī's subsequently visiting him, he abuses her husband, and turns her out of his house. She in spite destroys herself. Śiva, hearing of this, comes to Dakṣa, and curses him to be born as a Kṣetriya, the son of the Pracetasas, and to beget a son on his own daughter. It is in this subsequent birth that the sacrifice occurs. The Li
ga and Matsya allude to the dispute between Dakṣa and Sati, and to the latter's putting an end to herself by Yoga. The Padma, Bhāgavata, and Skānda in the Kāsī Khanda, relate the dispute between father and daughter in a like manner, and in more detail. The first refers the death of Sag, however, to a prior period; and that and the Bhāgavata both ascribe it to Yoga. The Kāsī Khanda, with an improvement indicative of a later age, makes Sati throw herself into the fire prepared for the solemnity.

[5]: The description of Vīrabhadra and his followers is given in other Purāṇas in the same strain, but with less detail.

[6]: Their exploits, and those of Vīrabhadra, are more particularly specified elsewhere, especially in the Li
ga, Kūrma, and Bhāgavata Purāṇas. Indra is knocked down and trampled on; Yama has his staff broken; Sarasvatī and the Mātris have their noses cut off; Mitra or Bhaga has his eyes pulled out; Puṣā has his teeth knocked down his throat; Candra is pummelled; Vahni's hands are cut off; Bhrigu loses his beard; the Brahmans are pelted with stones; the Prajāpatis are beaten; and the gods and demigods are run through with swords or stuck with arrows.

[7]: This is also mentioned in the Li
ga and in the Hari Vaṃśa: and the latter thus accounts for the origin of the constellation Mrigasīras; Yajña, with the head of a deer, being elevated to the planetary region, by Brahmā.

[8]: As he prays to Śiva presently, it could not well be meant here that Dakṣa was decapitated, although that is the story in other places. The Li
ga and Bhāgavata both state that Vīrabhadra cut off Dakṣa's head, and threw it into the fire. After the fray therefore, when Śiva restored the dead to life, and the mutilated to their limbs, Dakṣa's head was not forthcoming: it was therefore replaced by the head of a goat, or, according to the Kāsī Khanda, that of a ram. No notice is taken in our text of the conflict elsewhere described between Vīrabhadra and Viṣṇu. In the Li
ga, the latter is beheaded, and his head is blown by the wind into the fire. The Kūrma, though a Śaiva Purāṇa, is less irreverent towards Viṣṇu, and after describing a contest in which both parties occasionally prevail, makes Brahmā interpose, and separate the combatants. The Kāsī Khanda of the Skānda P. describes Viṣṇu as defeated, and at the mercy of Vīrabhadra, who is prohibited by a voice from heaven from destroying his antagonist: whilst in the Hari Vaṃśa, Viṣṇu compels Śiva to fly, after taking him by the throat and nearly strangling him. The blackness of Śiva's neck arose from this throttling, and not, as elsewhere described, from his drinking the poison produced at the churning of the ocean.



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OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

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1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras

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1.08_-_Origin_of_Rudra:_his_becoming_eight_Rudras

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   1 Hinduism






1.08 - Origin of Rudra: his becoming eight Rudras, #Vishnu Purana, #Vyasa, #Hinduism
  object:1.08 - Origin of Rudra: his becoming eight Rudras
  author class:Vyasa
  --
  Origin of Rudra: his becoming eight Rudras: their wives and children. The posterity of Bhrigu. Account of Śrī in conjunction with Viṣṇu. Sacrifice of Dakṣa.
  Parāśara said:-

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B-Legend! Battle B-Daman -- -- Nippon Animation -- 52 eps -- Manga -- Adventure Fantasy Game Kids -- B-Legend! Battle B-Daman B-Legend! Battle B-Daman -- Upon the creation of marble launching machines known as B-Daman, people started to participate in the competitive sport B-DaBattles. However, B-Daman contain hidden powers which enhance marble shooting that can be misused for combative purposes. -- -- One night, a certain object residing behind the walls of a restaurant calls upon Yamato Daiwa—a boy raised by cats. Yamato has been having visions of the object which resembles a machine familiar to everyone. Little does he know, hidden behind the walls is not a mere machine, but the fate of the world. -- -- -- Licensor: -- Hasbro -- 11,333 6.29
Cossette no Shouzou -- -- Daume -- 3 eps -- Original -- Drama Horror Magic Psychological Romance Supernatural -- Cossette no Shouzou Cossette no Shouzou -- Eiri Kurahashi is a Japanese art student who works in an antique shop. His friends begin to notice a dramatic, and rather concerning, change in Eiri, as he becomes more absent-minded and his behavior completely changes. They quickly decide to blame their friend's troubles on a girl. -- -- They may be right, however, as Eiri has begun seeing a beautiful, doll-like girl trapped within an antique Venetian glass that his uncle bought in France. She seems to be living in a strange other world, contained entirely inside this glass, but her image refuses to leave Eiri's mind. His sketchbook becomes filled with her likeness, and he realizes he has become completely infatuated with this strange little girl. When he recognizes her in a portrait by the mysterious Italian artist, Marchello Orlando, he learns her name is Cossette d’Auvergne, and that she was tragically murdered along with the rest of her family. -- -- One night, as he closes up the shop, he hears a voice asking him not to leave. Finally making contact with the object of his obsession, he makes a deal that he doesn't fully understand. -- -- -- Licensor: -- Geneon Entertainment USA, Sentai Filmworks -- OVA - Apr 11, 2004 -- 60,299 6.84
Cossette no Shouzou -- -- Daume -- 3 eps -- Original -- Drama Horror Magic Psychological Romance Supernatural -- Cossette no Shouzou Cossette no Shouzou -- Eiri Kurahashi is a Japanese art student who works in an antique shop. His friends begin to notice a dramatic, and rather concerning, change in Eiri, as he becomes more absent-minded and his behavior completely changes. They quickly decide to blame their friend's troubles on a girl. -- -- They may be right, however, as Eiri has begun seeing a beautiful, doll-like girl trapped within an antique Venetian glass that his uncle bought in France. She seems to be living in a strange other world, contained entirely inside this glass, but her image refuses to leave Eiri's mind. His sketchbook becomes filled with her likeness, and he realizes he has become completely infatuated with this strange little girl. When he recognizes her in a portrait by the mysterious Italian artist, Marchello Orlando, he learns her name is Cossette d’Auvergne, and that she was tragically murdered along with the rest of her family. -- -- One night, as he closes up the shop, he hears a voice asking him not to leave. Finally making contact with the object of his obsession, he makes a deal that he doesn't fully understand. -- -- OVA - Apr 11, 2004 -- 60,299 6.84
Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu -- -- Toei Animation -- 1 ep -- Manga -- Action Sci-Fi Adventure Fantasy Shounen -- Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu -- Gohan Son and Piccolo are peacefully playing when they sense a powerful entity approaching Earth. It soon reaches everyone's ears that this entity is in fact a small planet on a deadly collision course with Earth. Gokuu Son and Kuririn attempt to change the small planet's path with a Kamehameha, but the attack fails and the two warriors are blown away. However, after coming very close to Earth's surface, the object changes direction on its own and explodes soon after. -- -- The small planet reveals itself to be a vehicle for what seems to be a castle. A large army emerges out of the structure and declares that the planet is now in possession of Slug, king of the universe. While defending the city against the invaders' attack, Gohan loses his Dragon Ball, allowing Slug to take it. After reading Bulma's mind and stealing her Dragon Radar, Slug commands his army to collect the wish-granting relics. With the Dragon Balls in his possession, he uses them to wish his youth back. Now young, wise, and very powerful, Slug commences world domination. -- -- -- Licensor: -- Funimation -- Movie - Mar 9, 1991 -- 94,615 6.58
Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu -- -- Toei Animation -- 1 ep -- Manga -- Action Sci-Fi Adventure Fantasy Shounen -- Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu -- Gohan Son and Piccolo are peacefully playing when they sense a powerful entity approaching Earth. It soon reaches everyone's ears that this entity is in fact a small planet on a deadly collision course with Earth. Gokuu Son and Kuririn attempt to change the small planet's path with a Kamehameha, but the attack fails and the two warriors are blown away. However, after coming very close to Earth's surface, the object changes direction on its own and explodes soon after. -- -- The small planet reveals itself to be a vehicle for what seems to be a castle. A large army emerges out of the structure and declares that the planet is now in possession of Slug, king of the universe. While defending the city against the invaders' attack, Gohan loses his Dragon Ball, allowing Slug to take it. After reading Bulma's mind and stealing her Dragon Radar, Slug commands his army to collect the wish-granting relics. With the Dragon Balls in his possession, he uses them to wish his youth back. Now young, wise, and very powerful, Slug commences world domination. -- -- Movie - Mar 9, 1991 -- 94,615 6.58
Isshuukan Friends. -- -- Brain's Base -- 12 eps -- 4-koma manga -- Slice of Life Comedy School Shounen -- Isshuukan Friends. Isshuukan Friends. -- Sixteen-year-old Yuuki Hase finally finds the courage to speak to his crush and ask her if she wants to become friends. The object of his affection, Kaori Fujimiya, is a quiet and reserved girl who cuts herself off from everyone and does not spare him the same blunt rejection she gives everybody else. -- -- Some time after, Yuuki finds her eating lunch on the roof where she secludes herself during break. He decides to start meeting with Kaori every day in the hopes of beginning to understand her better. The more time they spend together, the more she begins to open up to him. However, nearing the end of the week, she starts to push him away once more. It is then revealed to him the reason for Kaori's cold front: at the end of the week, her memories of those close to her, excluding her family, are forgotten, as they are reset every Monday. The result of an accident in middle school, the once popular and kind Kaori is now unable to make friends in fear of hurting the people dear to her. -- -- Determined to become more than just one week friends, Yuuki asks her the exact same question each Monday: "Would you like to be friends?" Because he knows that deep down, Kaori wishes for that more than anything. -- -- 259,203 7.56
Isshuukan Friends. -- -- Brain's Base -- 12 eps -- 4-koma manga -- Slice of Life Comedy School Shounen -- Isshuukan Friends. Isshuukan Friends. -- Sixteen-year-old Yuuki Hase finally finds the courage to speak to his crush and ask her if she wants to become friends. The object of his affection, Kaori Fujimiya, is a quiet and reserved girl who cuts herself off from everyone and does not spare him the same blunt rejection she gives everybody else. -- -- Some time after, Yuuki finds her eating lunch on the roof where she secludes herself during break. He decides to start meeting with Kaori every day in the hopes of beginning to understand her better. The more time they spend together, the more she begins to open up to him. However, nearing the end of the week, she starts to push him away once more. It is then revealed to him the reason for Kaori's cold front: at the end of the week, her memories of those close to her, excluding her family, are forgotten, as they are reset every Monday. The result of an accident in middle school, the once popular and kind Kaori is now unable to make friends in fear of hurting the people dear to her. -- -- Determined to become more than just one week friends, Yuuki asks her the exact same question each Monday: "Would you like to be friends?" Because he knows that deep down, Kaori wishes for that more than anything. -- -- -- Licensor: -- Sentai Filmworks -- 259,203 7.56
Kara no Kyoukai 4: Garan no Dou -- -- ufotable -- 1 ep -- Light novel -- Action Mystery Supernatural Thriller -- Kara no Kyoukai 4: Garan no Dou Kara no Kyoukai 4: Garan no Dou -- Following the events of Satsujin Kousatsu (Zen), Shiki Ryougi has been in a coma for two years due to a traffic accident. When she finally awakens, she has no memories of her past and is plagued by a profound loneliness. Even stranger, she notices dark lines encompassing the things around her, and if she touches them she can disassemble the object—something which completely terrifies her. Her friend, Mikiya Kokutou, enlists the help of Touko Aozaki, a mage who can help Shiki understand what her eyes—the "Mystic Eyes of Death Perception"—are truly capable of and how to use them properly. -- -- -- Licensor: -- Aniplex of America -- Movie - May 24, 2008 -- 175,302 7.89
Kara no Kyoukai 4: Garan no Dou -- -- ufotable -- 1 ep -- Light novel -- Action Mystery Supernatural Thriller -- Kara no Kyoukai 4: Garan no Dou Kara no Kyoukai 4: Garan no Dou -- Following the events of Satsujin Kousatsu (Zen), Shiki Ryougi has been in a coma for two years due to a traffic accident. When she finally awakens, she has no memories of her past and is plagued by a profound loneliness. Even stranger, she notices dark lines encompassing the things around her, and if she touches them she can disassemble the object—something which completely terrifies her. Her friend, Mikiya Kokutou, enlists the help of Touko Aozaki, a mage who can help Shiki understand what her eyes—the "Mystic Eyes of Death Perception"—are truly capable of and how to use them properly. -- -- Movie - May 24, 2008 -- 175,302 7.89
Kuromukuro -- -- P.A. Works -- 26 eps -- Original -- Action Sci-Fi Mecha -- Kuromukuro Kuromukuro -- During the dawn of the 21st century, the United Nations Kurobe Research Institute was established in Japan to investigate an ancient artifact, which was discovered during the construction of the Kurobe Dam. Scientists from around the world have gathered in the facility to study the object, while their children enjoy their everyday lives attending Mt. Tate International Senior High School. -- -- Yukina Shirahane, a reserved high school girl, is the daughter of the facility's head scientist. While visiting her mother at the facility, Yukina manages to solve part of the artifact's puzzle. To her surprise, what appears before her is Kennosuke Tokisada Ouma, a young samurai from the Sengoku era. -- -- As a threat approaches from outer space, Yukina, along with Kennosuke, finds herself defending Earth against the invading forces. Along the way, she discovers the mystery behind Kennosuke and the reason he is determined to protect her. -- -- 115,000 7.19
Kuromukuro -- -- P.A. Works -- 26 eps -- Original -- Action Sci-Fi Mecha -- Kuromukuro Kuromukuro -- During the dawn of the 21st century, the United Nations Kurobe Research Institute was established in Japan to investigate an ancient artifact, which was discovered during the construction of the Kurobe Dam. Scientists from around the world have gathered in the facility to study the object, while their children enjoy their everyday lives attending Mt. Tate International Senior High School. -- -- Yukina Shirahane, a reserved high school girl, is the daughter of the facility's head scientist. While visiting her mother at the facility, Yukina manages to solve part of the artifact's puzzle. To her surprise, what appears before her is Kennosuke Tokisada Ouma, a young samurai from the Sengoku era. -- -- As a threat approaches from outer space, Yukina, along with Kennosuke, finds herself defending Earth against the invading forces. Along the way, she discovers the mystery behind Kennosuke and the reason he is determined to protect her. -- -- -- Licensor: -- Ponycan USA -- 115,000 7.19
Kyoushoku Soukou Guyver (1989) -- -- - -- 6 eps -- Manga -- Action Horror Sci-Fi Super Power -- Kyoushoku Soukou Guyver (1989) Kyoushoku Soukou Guyver (1989) -- Shou and his friend, Tetsurou, stumble upon a strange orb-like mechanism, the Guyver Unit, in the woods. It physically bonds with Shou and turns him into the alien soldier, Guyver. His mission is to protect the Guyver Unit from the Japanese corporation known as Chronos. They are after it and two other units just like it. To retrieve the object, they send out vicious monsters known as Zoanoids. So no one is safe in Shou's life; not even himself. -- -- Licensor: -- Manga Entertainment -- OVA - Sep 25, 1989 -- 10,976 7.12
Little Witch Academia: Mahoujikake no Parade -- -- Trigger -- 1 ep -- Original -- Adventure Comedy Magic Fantasy School -- Little Witch Academia: Mahoujikake no Parade Little Witch Academia: Mahoujikake no Parade -- You can tell witch training is not going swimmingly for the young sorceresses Akko, Lotte, and Sucy—they face expulsion for screwing up one class too many, and their only way out is if they successfully organize their academy's annual parade through a nearby town. But when they stumble upon the momentous discovery that the objective of the parade is to humiliate witches and commemorate their past subjugation, Akko decides it is time for a change: It is time to show the world how fantastic modern witches truly are! However, with the other girls struggling to keep up with Akko's grandiose ambitions, and everything from mischievous boys to slumbering giants getting in their way, maybe pulling it off will require not only all the magical prowess the pupils of Luna Nova Magical Academy can muster, but also a miracle. -- -- Movie - Oct 9, 2015 -- 147,201 7.78
Mo Dao Zu Shi 3rd Season -- -- B.CMAY PICTURES -- ? eps -- Novel -- Action Historical Demons Supernatural Drama Magic -- Mo Dao Zu Shi 3rd Season Mo Dao Zu Shi 3rd Season -- Third season of Mo Dao Zu Shi. -- ONA - ??? ??, 2021 -- 18,671 N/ASoukou Kihei Votoms -- -- Sunrise -- 52 eps -- Original -- Action Space Mecha Military Drama Sci-Fi -- Soukou Kihei Votoms Soukou Kihei Votoms -- A century of bloodshed between warring star systems has plunged nearly 200 worlds into the flames of war. Now, an uneasy truce has settled across the Astragius Galaxy... -- -- Chirico Cuvie, a special forces powered-armor pilot is suddenly transferred into a unit engaged in a secret and highly illegal mission to steal military secrets—from their own military! Now he's on the run...from his own army! -- -- Unsure of his loyalties and to cover their own tracks, Chirico is left behind to die in space. Surviving by luck, the renegade is now hunted by both the conspirators and military intelligence. -- -- He is driven by the haunting image of a mysterious and beautiful woman—the objective of their mission, and his sole clue to unraveling their treacherous scheme. But the conspirators will do anything to preserve their mysterious agenda... -- -- (Source: AnimeNfo) -- -- Licensor: -- Central Park Media, Maiden Japan -- TV - Apr 1, 1983 -- 18,584 7.72
Ore no Kanojo to Osananajimi ga Shuraba Sugiru -- -- A-1 Pictures -- 13 eps -- Light novel -- Comedy Harem Romance School -- Ore no Kanojo to Osananajimi ga Shuraba Sugiru Ore no Kanojo to Osananajimi ga Shuraba Sugiru -- The infidelity of Eita Kidou's parents not only made his family fall apart, but also made him skeptic of love. Having no intention to delve into romance, Eita devotes his entire high school life to his studies in order to become a doctor. -- -- It did not take long for the beautiful and popular Masuzu Natsukawa to notice Eita's apathy. Tired of being the object of people's affection, she asks him to pretend to be her boyfriend, as she too feels disgusted at the notion of love. Eita, however, refuses—yet Masuzu has one trick left up her sleeve: Eita’s journal and threatening to post the embarrassing content online if he does not comply. -- -- Now entangled in a fake romance with the most desired girl at school, Eita's life is turned upside down. Whether envied by his peers or receiving a confession, he must cope with his newfound relationship and all the troubles that come along with it. -- -- -- Licensor: -- Aniplex of America -- 419,803 7.03
Soukou Kihei Votoms -- -- Sunrise -- 52 eps -- Original -- Action Space Mecha Military Drama Sci-Fi -- Soukou Kihei Votoms Soukou Kihei Votoms -- A century of bloodshed between warring star systems has plunged nearly 200 worlds into the flames of war. Now, an uneasy truce has settled across the Astragius Galaxy... -- -- Chirico Cuvie, a special forces powered-armor pilot is suddenly transferred into a unit engaged in a secret and highly illegal mission to steal military secrets—from their own military! Now he's on the run...from his own army! -- -- Unsure of his loyalties and to cover their own tracks, Chirico is left behind to die in space. Surviving by luck, the renegade is now hunted by both the conspirators and military intelligence. -- -- He is driven by the haunting image of a mysterious and beautiful woman—the objective of their mission, and his sole clue to unraveling their treacherous scheme. But the conspirators will do anything to preserve their mysterious agenda... -- -- (Source: AnimeNfo) -- -- Licensor: -- Central Park Media, Maiden Japan -- TV - Apr 1, 1983 -- 18,584 7.72
Strike Witches: Road to Berlin -- -- David Production -- 12 eps -- Original -- Action Military Sci-Fi Magic Ecchi -- Strike Witches: Road to Berlin Strike Witches: Road to Berlin -- Preparations for a new offensive against the Neuroi—a mysterious race of alien invaders—are well underway. The objective is securing Berlin, the capital city of the Empire of Karlsland, which is necessary for wiping out the Neuroi threat from Europe. However, as the enemy is capable of adapting to the battlefield on a daily basis, the allied forces and the current state of Striker technology might not be enough to achieve a victory. -- -- Meanwhile, Yoshika Miyafuji, a Witch from Fuso, continues her medical studies in Lausanne. Having recovered from a recent incident that deprived her of magical power, she is eager to assist in the war effort. The call to arms soon arrives and the scattered witches of the 501st Joint Fighter Wing must be gathered once again for a final push against the enemy. -- -- -- Licensor: -- Funimation -- 16,634 7.30
Sword Art Online: Progressive Movie - Hoshi Naki Yoru no Aria -- -- A-1 Pictures -- 1 ep -- Light novel -- Action Game Adventure Romance Fantasy -- Sword Art Online: Progressive Movie - Hoshi Naki Yoru no Aria Sword Art Online: Progressive Movie - Hoshi Naki Yoru no Aria -- "There's no way to beat this game. The only difference is when and where you die..." -- -- One month has passed since Akihiko Kayaba's deadly game began, and the body count continues to rise. Two thousand players are already dead. -- -- Kirito and Asuna are two very different people, but they both desire to fight alone. Nonetheless, they find themselves drawn together to face challenges from both within and without. Given that the entire virtual world they now live in has been created as a deathtrap, the surviving players of Sword Art Online are starting to get desperate, and desperation makes them dangerous to loners like Kirito and Asuna. As it becomes clear that solitude equals suicide, will the two be able to overcome their differences to find the strength to believe in each other, and in so doing survive? -- -- Sword Art Online: Progressive is a new version of the Sword Art Online tale that starts at the beginning of Kirito and Asuna's epic adventure—on the very first level of the deadly world of Aincrad! -- -- (Source: Yen Press) -- -- Licensor: -- Aniplex of America -- Movie - ??? ??, 2021 -- 94,949 N/ADragon Ball Z Movie 04: Super Saiyajin da Son Gokuu -- -- Toei Animation -- 1 ep -- Manga -- Action Sci-Fi Adventure Fantasy Shounen -- Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu Dragon Ball Z Movie 04: Super Saiyajin da Son Gokuu -- Gohan Son and Piccolo are peacefully playing when they sense a powerful entity approaching Earth. It soon reaches everyone's ears that this entity is in fact a small planet on a deadly collision course with Earth. Gokuu Son and Kuririn attempt to change the small planet's path with a Kamehameha, but the attack fails and the two warriors are blown away. However, after coming very close to Earth's surface, the object changes direction on its own and explodes soon after. -- -- The small planet reveals itself to be a vehicle for what seems to be a castle. A large army emerges out of the structure and declares that the planet is now in possession of Slug, king of the universe. While defending the city against the invaders' attack, Gohan loses his Dragon Ball, allowing Slug to take it. After reading Bulma's mind and stealing her Dragon Radar, Slug commands his army to collect the wish-granting relics. With the Dragon Balls in his possession, he uses them to wish his youth back. Now young, wise, and very powerful, Slug commences world domination. -- -- -- Licensor: -- Funimation -- Movie - Mar 9, 1991 -- 94,615 6.58
TO -- -- - -- 2 eps -- Manga -- Action Sci-Fi Space Drama Seinen -- TO TO -- Elliptical Orbit: -- Fifteen years after its last contact with our world, a space freighter known as the Flying Dutchman requests permission to dock at a remote moon base. This mysterious ship carries liquid protons: a power source essential to the survival of Earth’s population. But before the precious cargo can be delivered, the base is ambushed by galactic terrorists who seek to destroy the new form of energy and issue a death sentence to all of humanity. -- -- -- Symbiotic Planet: -- Against a backdrop of intergalactic colonization and bizarre alien life forms, Aon and Elena – star-crossed lovers from rival countries competing for valuable natural resources – struggle to build a life together despite the objections of their superiors. Their budding romance is thwarted by an outbreak of alien fungus and the interference of a cutthroat militaristic madman. To survive, the young couple must maintain their faith in each other and learn to trust the unique creatures which inhabit this strange and wondrous new world. -- -- (Source: Funimation) -- -- Licensor: -- Funimation -- OVA - Oct 2, 2009 -- 5,096 6.39
To LOVE-Ru OVA -- -- Xebec -- 6 eps -- Manga -- Comedy Ecchi Harem School Sci-Fi Shounen -- To LOVE-Ru OVA To LOVE-Ru OVA -- Episode 01: Rito becomes a Woman -- Lala invents a gizmo to make her bust bigger. However, this invention of hers accidentally turns Rito into a woman. -- -- Episode 02: Rito and Mikan -- Feeling lonely because Rito is always spending time with Lala, Mikan storms out of the house. While Rito and Lala are out looking for her a few flashbacks from the past, showing Rito and Mikan as kids, are shown. -- -- Episode 03: Welcome to the Southern Resort!! -- Haruna wins an island resort trip for ten females. Rito gets turned into a dog by one of Lala's inventions and somehow ends up on the island as well. -- -- Episode 04: Trouble Quest -- Rito and the girls become trapped inside an RPG game where the objective is to save Lala and defeat the evil witch Kyouko. -- -- Episode 05: Nana and Momo -- Lala's sisters cause mischief for Rito and his harem at a cherry blossom viewing. -- -- Episode 06: Draft, Metamorphose, Hand & Tail -- Yami and Yui confront with a senior, causing Yui to lose her panties. -- -- Mikan finds Peke taking snapshots of new clothing while shopping. Suddenly, a stranger steals her bag. -- -- As Rito tries to explore Lala's cleaned-up bedroom, he accidentally activates one of Lala's invention, fusing his hand to Lala's tail. -- OVA - Apr 3, 2009 -- 145,159 7.30
Yozakura Quartet -- -- Nomad -- 12 eps -- Manga -- Action Magic Comedy Super Power Supernatural Shounen -- Yozakura Quartet Yozakura Quartet -- The world of Yozakura Quartet is actually not one, but two worlds: one of humans, and one of youkai. Despite appearing mostly human, youkai may have animal like physical traits, along with a number of special abilities. Normally youkai are confined to their world, but some have found their way into the realm of humanity. As a symbol of peace, and a bridge between the two realms, a city was constructed within the protective barrier of seven magical trees, otherwise known as the Seven Pillars. This city of Sakurashin is home to both humans and youkai, with the peace between them maintained by the Hizumi Life Counseling Office. -- -- The director of this office is Akina Hiizumi, a teenager with the inherited family ability to perform “tuning,” which can send harmful youkai back to their world permanently. He is aided by a group of girls, including the town’s 16 year old youkai mayor, Hime Yarizakura, their town’s announcer and resident telepath, Ao Nanami, and Kotoha Isone, a half-youkai who can summon objects just by stating the object’s name. -- -- As new residents enter and mysterious events begin to take place, this quartet of protectors and their closest friends must continue to guard the city of Sakurashin, and maintain the fragile balance of peace between humans and youkai. -- -- Licensor: -- Sentai Filmworks -- TV - Oct 3, 2008 -- 122,344 6.83
Yozakura Quartet -- -- Nomad -- 12 eps -- Manga -- Action Magic Comedy Super Power Supernatural Shounen -- Yozakura Quartet Yozakura Quartet -- The world of Yozakura Quartet is actually not one, but two worlds: one of humans, and one of youkai. Despite appearing mostly human, youkai may have animal like physical traits, along with a number of special abilities. Normally youkai are confined to their world, but some have found their way into the realm of humanity. As a symbol of peace, and a bridge between the two realms, a city was constructed within the protective barrier of seven magical trees, otherwise known as the Seven Pillars. This city of Sakurashin is home to both humans and youkai, with the peace between them maintained by the Hizumi Life Counseling Office. -- -- The director of this office is Akina Hiizumi, a teenager with the inherited family ability to perform “tuning,” which can send harmful youkai back to their world permanently. He is aided by a group of girls, including the town’s 16 year old youkai mayor, Hime Yarizakura, their town’s announcer and resident telepath, Ao Nanami, and Kotoha Isone, a half-youkai who can summon objects just by stating the object’s name. -- -- As new residents enter and mysterious events begin to take place, this quartet of protectors and their closest friends must continue to guard the city of Sakurashin, and maintain the fragile balance of peace between humans and youkai. -- TV - Oct 3, 2008 -- 122,344 6.83
The Objectivity of the Sociological and Social-Political Knowledge
The Object of My Affection
The Object of My Affection (album)


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