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Hermes-Fire Equivalent to St. Elmo’s fire, the brush-discharge of electricity seen at mastheads.

Hermes (Greek) Greek god, son of Zeus and Maia, the third person in a triad of Father-Mother-Son, hence the formative Logos or Word. He is equivalent to the Hindu Budha, the Zoroastrian Mithra, the Babylonian Nebo — son of Zarpa-Nitu (moon) and Merodach (sun) — and the Egyptian Thoth with the ibis for his emblem; also to Enoch and the Roman Mercurius, son of Coelus and Lux (heaven and light). Among his emblems are the cross, the cubical shape, the serpent, and especially his wand, the caduceus, which combines the serpent and cross. The name has been used generically for many adepts. To Hermes were attributed many functions, such as that of inspiring eloquence and healing, and he is the patron of intellectual, artistic, and productively agricultural pursuits. The nature and functions of this divinity express themselves to our mind as light, wisdom, intelligence, and quickness — especially in an intellectual sense. He was the messenger of the gods, and also the psychopomp or conductor of souls to the netherworld. In his lower aspects he is often made to serve as the inspirer of gross misuses of intelligence such as clever theft — thus illustrating that even the noblest qualities have their dark side.

Hermesiel—a leader of the heavenly choir,

Hermes III, p. 294.]

Hermes "language" An experimental, very high level, integrated language and system from the {IBM} {Watson Research Centre}, produced in June 1990. It is designed for implementation of large systems and distributed applications, as well as for general-purpose programming. It is an {imperative language}, {strongly typed} and is a {process-oriented} successor to {NIL}. Hermes hides distribution and heterogeneity from the programmer. The programmer sees a single {abstract machine} containing processes that communicate using calls or sends. The {compiler}, not the programmer, deals with the complexity of data structure layout, local and remote communication, and interaction with the {operating system}. As a result, Hermes programs are portable and easy to write. Because the programming paradigm is simple and high level, there are many opportunities for optimisation which are not present in languages which give the programmer more direct control over the machine. Hermes features {threads}, {relational tables}Hermes is, {typestate} checking, {capability}-based access and {dynamic configuration}. Version 0.8alpha patchlevel 01 runs on {RS/6000}, {Sun-4}, {NeXT}, {IBM-RT}/{BSD4.3} and includes a {bytecode compiler}, a bytecode-"C compiler and {run-time support}. {0.7alpha for Unix (}. E-mail: "", Andy Lowry "". {Usenet} newsgroup: {}. ["Hermes: A Language for Distributed Computing". Strom, Bacon, Goldberg, Lowry, Yellin, Yemini. Prentice-Hall, Englewood Cliffs, NJ. 1991. ISBN: O-13-389537-8]. (1992-03-22)

Hermes ::: (language) An experimental, very high level, integrated language and system from the IBM Watson Research Centre, produced in June 1990. It is well as for general-purpose programming. It is an imperative, strongly typed and process-oriented successor to NIL.Hermes hides distribution and heterogeneity from the programmer. The programmer sees a single abstract machine containing processes that communicate using calls opportunities for optimisation which are not present in languages which give the programmer more direct control over the machine.Hermes features threads, relational tablesHermes is, typestate checking, capability-based access and dynamic configuration.Version 0.8alpha patchlevel 01 runs on RS/6000, Sun-4, NeXT, IBM-RT/BSD4.3 and includes a bytecode compiler, a bytecode->C compiler and run-time support. .E-mail: , Andy Lowry .Usenet newsgroup:[Hermes: A Language for Distributed Computing. Strom, Bacon, Goldberg, Lowry, Yellin, Yemini. Prentice-Hall, Englewood Cliffs, NJ. 1991. ISBN: O-13-389537-8]. (1992-03-22)

Hermes or Ormuzd. [Rf. Trachtenberg, Jewish

Hermes says that matter becomes; formerly it was — profound expressions indeed; and Fichte expresses the same idea in his distinction between Seyn and Daseyn. In this sense, matter or worlds may be said to be brought forth or created, with the significance of becoming. See also PRIMARY CREATION; SECONDARY CREATION

Hermes .]

Hermes, Tablets of. See SMARAGDINE TABLET

Hermes—the agathosdaimon, the “bringer of

Hermes: The ancient Greek god of herds, guardian of travellers, messenger of the gods, conductor of the dead to the underworld. The Romans identified him with Mercury. In Egypt, he was identified with Hermanubis, and chiefly with Thoth, the god of learning, and in the Roman imperial period he was worshipped as a revealer of divine wisdom by which men may become a new man, a Son of God.

Hermes, “the bringer of good, the angel standing

Hermes Trismegistus Hermes thrice-great; the name of Hermes or Thoth the divinity in his human aspect as a high initiate. A mythical name for adepts adopted by several writers on so-called Hermetic subjects, with which the early Christian Fathers and the Gnostics show that they were acquainted. See also PYMANDER

Hermes Trismegistus .]

Hermes Trismegistus. The Divine Pymander. (ed.)

Hermes Trismegistus: The fabled author of Neo-Platonic, Judaic, Kabalistic, alchemical and astrological works, studied as sacred writings by the Egyptian priests. Identified with the Egyptian god Thoth.

Hermes was the Greek god of mystical thinking and interpretations, corresponding to the Egyptian Thoth, both divinities being overseers or hierophants of works of initiation concealing the archaic secrets of the god-wisdom. Thus the ascription to Hermes of profoundly mystical allegories is properly assigned, whoever their actual writers may have been.

Hermes was worshiped at Samothrace as the ancestral god under the name of Cadmus or Kadmilos.

hermesis ::: same as hermetic ideality.

hermes ::: n. --> See Mercury.
Originally, a boundary stone dedicated to Hermes as the god of boundaries, and therefore bearing in some cases a head, or head and shoulders, placed upon a quadrangular pillar whose height is that of the body belonging to the head, sometimes having feet or other parts of the body sculptured upon it. These figures, though often representing Hermes, were used for other divinities, and even, in later times, for portraits of human beings. Called also herma. See Terminal statue,

hermestrismegitus ::: Hermes Trismegistus The central figure of the mystical tradition known as Hermeticism, as portrayed in the literature known as the Hermetica. Hermes Trismegistus (Hermes thrice great) is a combination of Hermes, Mercury, and Thoth. At one time Hermes was esteemed as a prophet to the Gentiles and was considered as important theologically as Moses. Many cathedrals throughout Europe bear his image to this day.


Aaron’s rod: The rod, or wand, with a serpent twined round it, which was used in the Mosaic ceremony of initiation; it appears to have contained the sacred fire. Now commonly employed as an emblem signifying a physician; similar to the caduceus of Hermes.

abstract machine ::: 1. (language) A processor design which is not intended to be implemented as hardware, but which is the notional executor of a particular intermediate any physical computer or it may be used to make the language implementation easier to port to other platforms.A virtual machine is an abstract machine for which an interpreter exists.Examples: ABC, Abstract Machine Notation, ALF, CAML, F-code, FP/M, Hermes, LOWL, Christmas, SDL, S-K reduction machine, SECD, Tbl, Tcode, TL0, WAM.2. (theory) A procedure for executing a set of instructions in some formal language, possibly also taking in input data and producing output. Such abstract machines are not intended to be constructed as hardware but are used in thought experiments about computability.Examples: Finite State Machine, Turing Machine. (1995-03-13)

abstract machine 1. "language" A processor design which is not intended to be implemented as {hardware}, but which is the notional executor of a particular {intermediate language} (abstract machine language) used in a {compiler} or {interpreter}. An abstract machine has an {instruction set}, a {register set} and a model of memory. It may provide instructions which are closer to the language being compiled than any physical computer or it may be used to make the language implementation easier to {port} to other {platforms}. A {virtual machine} is an abstract machine for which an {interpreter} exists. Examples: {ABC}, {Abstract Machine Notation}, {ALF}, {CAML}, {F-code}, {FP/M}, {Hermes}, {LOWL}, {Christmas}, {SDL}, {S-K reduction machine}, {SECD}, {Tbl}, {Tcode}, {TL0}, {WAM}. 2. "theory" A procedure for executing a set of instructions in some formal language, possibly also taking in input data and producing output. Such abstract machines are not intended to be constructed as {hardware} but are used in thought experiments about {computability}. Examples: {Finite State Machine}, {Turing Machine}. (1995-03-13)

also said that the cabala was shown to Hermes by

Althotas First teacher of Cagliostro, “a great Hermetic Eastern Sage” or adept said to have given Cagliostro his symbolic name (BCW 12:79-80). Althotas is “a curious word containing the Arabic definite article ‘the,’ suffixed with a common Greek ending ‘as,’ and containing the Egyptian word Thoth, who was the Greek Hermes — the Initiator!” (SOPh 30)

Amaltheia, Amalthea (Greek) In Greek mythology a nymph who cared for the infant Zeus when his mother Rhea concealed him in a cave in Crete to keep him from being devoured by his father Kronos. Another legend credits the nymphs Ida and Adrastea with his care, but names the goat which suckled him Amaltheia. Amaltheia is associated with the cornucopis, the broken-off horn of the goat. As the horn of Amaltheia it became a symbol of inexhaustible abundance and was adopted as a favored attribute by various divinities, among them Hermes, Demeter, Gaia, Pluto, and Cybele.

an angel “created” from Hermes, the Greek

and other celestial masters of song. Hermesiel is

Anthesteria (Greek) [from anthos flower] Flower festival; part of the Dionysion Mysteries celebrated from the 11th to the 13th of the month of Anthesterion (February-March). At Athens on the first day the casks of new wine were opened; on the second day a beaker of new wine was served to each guest at a public banquet and the wife of the Archon Basileus, representing the whole country, was married to Dionysos. These two days were considered of ill-omen, and the souls of the dead were thought to walk abroad. On the third day, offerings of cooked pulse were offered to Hermes as psychopomp and to the souls of the dead.

archangels. Thoth (or Pi-Hermes) is characterized

Argus, Argos (Greek) Shining, bright-eyed; a giant in Greek mythology also called Panoptes (the all-seeing) because he had a hundred eyes, so that they were never all closed at once. Hera appointed Argus to keep watch over Io in the form of a heifer, but Zeus sent Hermes, who managed to lull Argus to sleep and then slaid him. Hera collected the eyes and put them into the tail of the peacock.

Astaphai, Astaphoi (Gnostic) [from Greek astaphaios] With the Egyptian Gnostics, the genius of the planet Mercury, corresponding to the Egyptian Thoth and the Greek Hermes.

At the top of the rod in the Greek version is a knob, in the earlier Egyptian form a serpent’s head, from which spring a pair of wings. From the central head between the wings grew the heads of the entwined serpents (spirit and matter), which descended along the tree of life, crossing the neutral laya-centers between the different planes of being, to manifest where the two tails joined on earth (SD 1:549-50). The analogy is found in every known cosmogony, all of which begin with a circle, head, or egg surrounded by darkness. From this circle of infinity — the unknown All — comes forth the manifestations of spirit and matter. The emblem of the evolution of gods and atoms is shown by the two forces, positive and negative, ascending and descending and meeting. Its symbology is directly connected with the globes of the planetary chain and the circulations of the beings or life-waves on these globes, as well as with the human constitution and the afterdeath states. Significantly, in ancient Greek mythology, Hermes is the psychopomp, psychagog, or conductor of souls after death to the various inner spheres of the universe, such as the Elysian Plains or the Meads of Asphodel. The Caduceus also signifies the dual aspect of wisdom by its twin serpents, Agathodaimon and Kakodaimon, good and evil in a relative sense.

Hermes-Fire Equivalent to St. Elmo’s fire, the brush-discharge of electricity seen at mastheads.

Hermes (Greek) Greek god, son of Zeus and Maia, the third person in a triad of Father-Mother-Son, hence the formative Logos or Word. He is equivalent to the Hindu Budha, the Zoroastrian Mithra, the Babylonian Nebo — son of Zarpa-Nitu (moon) and Merodach (sun) — and the Egyptian Thoth with the ibis for his emblem; also to Enoch and the Roman Mercurius, son of Coelus and Lux (heaven and light). Among his emblems are the cross, the cubical shape, the serpent, and especially his wand, the caduceus, which combines the serpent and cross. The name has been used generically for many adepts. To Hermes were attributed many functions, such as that of inspiring eloquence and healing, and he is the patron of intellectual, artistic, and productively agricultural pursuits. The nature and functions of this divinity express themselves to our mind as light, wisdom, intelligence, and quickness — especially in an intellectual sense. He was the messenger of the gods, and also the psychopomp or conductor of souls to the netherworld. In his lower aspects he is often made to serve as the inspirer of gross misuses of intelligence such as clever theft — thus illustrating that even the noblest qualities have their dark side.

Hermesiel—a leader of the heavenly choir,

Hermes III, p. 294.]

Hermes "language" An experimental, very high level, integrated language and system from the {IBM} {Watson Research Centre}, produced in June 1990. It is designed for implementation of large systems and distributed applications, as well as for general-purpose programming. It is an {imperative language}, {strongly typed} and is a {process-oriented} successor to {NIL}. Hermes hides distribution and heterogeneity from the programmer. The programmer sees a single {abstract machine} containing processes that communicate using calls or sends. The {compiler}, not the programmer, deals with the complexity of data structure layout, local and remote communication, and interaction with the {operating system}. As a result, Hermes programs are portable and easy to write. Because the programming paradigm is simple and high level, there are many opportunities for optimisation which are not present in languages which give the programmer more direct control over the machine. Hermes features {threads}, {relational tables}Hermes is, {typestate} checking, {capability}-based access and {dynamic configuration}. Version 0.8alpha patchlevel 01 runs on {RS/6000}, {Sun-4}, {NeXT}, {IBM-RT}/{BSD4.3} and includes a {bytecode compiler}, a bytecode-"C compiler and {run-time support}. {0.7alpha for Unix (}. E-mail: "", Andy Lowry "". {Usenet} newsgroup: {}. ["Hermes: A Language for Distributed Computing". Strom, Bacon, Goldberg, Lowry, Yellin, Yemini. Prentice-Hall, Englewood Cliffs, NJ. 1991. ISBN: O-13-389537-8]. (1992-03-22)

Hermes ::: (language) An experimental, very high level, integrated language and system from the IBM Watson Research Centre, produced in June 1990. It is well as for general-purpose programming. It is an imperative, strongly typed and process-oriented successor to NIL.Hermes hides distribution and heterogeneity from the programmer. The programmer sees a single abstract machine containing processes that communicate using calls opportunities for optimisation which are not present in languages which give the programmer more direct control over the machine.Hermes features threads, relational tablesHermes is, typestate checking, capability-based access and dynamic configuration.Version 0.8alpha patchlevel 01 runs on RS/6000, Sun-4, NeXT, IBM-RT/BSD4.3 and includes a bytecode compiler, a bytecode->C compiler and run-time support. .E-mail: , Andy Lowry .Usenet newsgroup:[Hermes: A Language for Distributed Computing. Strom, Bacon, Goldberg, Lowry, Yellin, Yemini. Prentice-Hall, Englewood Cliffs, NJ. 1991. ISBN: O-13-389537-8]. (1992-03-22)

Hermes or Ormuzd. [Rf. Trachtenberg, Jewish

Hermes says that matter becomes; formerly it was — profound expressions indeed; and Fichte expresses the same idea in his distinction between Seyn and Daseyn. In this sense, matter or worlds may be said to be brought forth or created, with the significance of becoming. See also PRIMARY CREATION; SECONDARY CREATION

Hermes .]

Hermes, Tablets of. See SMARAGDINE TABLET

Hermes—the agathosdaimon, the “bringer of

Hermes: The ancient Greek god of herds, guardian of travellers, messenger of the gods, conductor of the dead to the underworld. The Romans identified him with Mercury. In Egypt, he was identified with Hermanubis, and chiefly with Thoth, the god of learning, and in the Roman imperial period he was worshipped as a revealer of divine wisdom by which men may become a new man, a Son of God.

Hermes, “the bringer of good, the angel standing

Hermes Trismegistus Hermes thrice-great; the name of Hermes or Thoth the divinity in his human aspect as a high initiate. A mythical name for adepts adopted by several writers on so-called Hermetic subjects, with which the early Christian Fathers and the Gnostics show that they were acquainted. See also PYMANDER

Hermes Trismegistus .]

Hermes Trismegistus. The Divine Pymander. (ed.)

Hermes Trismegistus: The fabled author of Neo-Platonic, Judaic, Kabalistic, alchemical and astrological works, studied as sacred writings by the Egyptian priests. Identified with the Egyptian god Thoth.

Hermes was the Greek god of mystical thinking and interpretations, corresponding to the Egyptian Thoth, both divinities being overseers or hierophants of works of initiation concealing the archaic secrets of the god-wisdom. Thus the ascription to Hermes of profoundly mystical allegories is properly assigned, whoever their actual writers may have been.

Hermes was worshiped at Samothrace as the ancestral god under the name of Cadmus or Kadmilos.

Caduceus (Latin) A herald’s staff; specially, the wand of Mercury or Hermes, god of wisdom, corresponding to Thoth. It consists of a rod or tree with two serpents wound in opposite directions round it, their tails meeting below, and their heads approaching each other above.

caduceus ::: n. --> The official staff or wand of Hermes or Mercury, the messenger of the gods. It was originally said to be a herald&

Caduceus: The wand of Hermes, or Mercury, the messenger of the gods. A cosmic, magic, or astronomical symbol; its significance changing with its application. Originally a triple-headed serpent, it is now a rod with two serpents twined around it, and two wings at the top. The entwined white and black serpents represent the struggle between good and evil—disease and cure. (Cf. Aaron’s Rod.)

  “Called in India the Fathers, ‘Pitris’ or the lunar ancestors. They are subdivided, like the rest, into seven classes or Hierarchies. In Egypt although the moon received less worship than in Chaldea or India, still Isis stands as the representative of Luna-Lunus, ‘the celestial Hermaphrodite.’ Strange enough while the modern connect the moon only with lunacy and generation, the ancient nations, who knew better, have, individually and collectively, connected their ‘wisdom gods’ with it. Thus in Egypt the lunar gods are Thoth-Hermes and Chons; in India it is Budha, the Son of Soma, the moon; in Chaldea Nebo is the lunar god of Secret Wisdom, etc., etc. The wife of Thoth, Sifix, the lunar goddess, holds a pole with five rays of the five-points star, symbol of man, the Microcosm, in distinction from the Septenary Macrocosm. As in all theogonies a goddess precedes a god, on the principle most likely that the chick can hardly precede its egg, in Chaldea the moon was held as older and more venerable than the Sun, because, as they said, darkness precedes light at every periodical rebirth (or ‘creation’) of the universe. Osiris although connected with the Sun and a Solar god is, nevertheless, born on Mount Sinai, because Sin is the Chaldeo-Assyrian word for the moon; so was Dio-Nysos, god of Nyssi or Nisi, which latter appellation was that of Sinai in Egypt, where it was called Mount Nissa” (TG 192-3).

Certain Arabian writers termed the Sabean language the science of astronomy, but what we now call astronomy was but a minor portion of ancient astrolatry; they also state that Seth or Set was the founder of Sabeanism, and that the pyramids were regarded as the place of sepulture of Seth or Agathodaimon. We see here confusion, reductions of general principles to details, and anthropomorphizations of cosmic principles. Hermes is in many senses the same as Seth, and the pyramids were consecrated to the regents of the stars, rather than to the orbs (SD 2:362).

Chermes—angel of the 9th hour of the night,

chermes ::: n. --> See Kermes.

Chhaya(Chaya, Sanskrit) ::: Literally a "shade," "simulacrum," or "copy." In the esoteric philosophy, the wordsignifies the astral image of a person, and with this idea are bound up some of the most intricate andrecondite teachings of human evolution. The Secret Doctrine of H. P. Blavatsky contains manyinvaluable hints as to the part played by the chhayas of the pitris in human development.It is a word also which is applied with similar meaning to kosmical matters, for the esoteric studentshould never forget the ancient maxim of Hermes: "What is above is the same as what is below; what isbelow is the same as what is above."Briefly, then, and so far as human evolution is concerned, the chhaya may be called the astral body orimage.

consor: Old term for a powerful but unAwakened ally. Originated by the Order of Hermes, the term has since passed into common usage.

Cross One of the most ancient, widespread, and important symbols, the vertical and horizontal lines representing Father and Mother Nature respectively. Some of its forms are the ank or tau, svastika or Thor’s Hammer, crux ansata or cross with a handle, denoting power over material nature. The four arms of the cross represent the four elements, and its central point their synthesis or laya-point. The bending of the arms in the svastika signifies rotation and equilibrium attained by managing the changes among the elements. If a cube is opened out, its six faces make a cross with the upright limb prolonged; and the cube was another favorite symbol of Hermes. In Classical times the symbols of Hermes-Mercury, the son of Jupiter and Maia, were cruciform and were placed at crossways; and, like Jesus after the resurrection, Hermes was the conductor of souls.

Dei Termini (Latin) Terminal gods; the Hermae or statues of Hermes placed by the Greeks at crossroads. Likewise a general name for divinities presiding over frontiers and boundaries.

Divine Pymander, The. See Hermes Trismegistus.

Ea is figured as a man covered with the body of a fish, thus resembling Oannes and Dagon. Marodach and Marduk are also aspects of this same deity. His consort is Damkina (lady of that which is below) or Damgal-nunna (great lady of the waters). Ea is called the god of wisdom, and one of his titles, the Sublime Fish, points directly to his cosmic aspect as the ever-living spirit of and bearer of consciousness in the spatial deeps. “The waters are a symbol of wisdom and of occult learning. Hermes represented the sacred Science under the symbol of fire; the Northern Initiates, under that of water” (SD 2:495n).

Elmes-Fire. See HERMES FIRE

Eros (Greek) Love, desire; represented in the Hesiodic theogony as one of four self-existent deities, the others being Chaos, Gaia, and Erebos; otherwise as the son of Aphrodite by either Ares, Zeus, or Hermes. Eros is the cosmic force which causes the unmanifest to seek self-manifestation: it is divine love, will, desire; the desire to manifest in creative activity, and thus to give life and existence to all beings. This desire, which “arises first in It” (SD 2:578), is in the gods and in all nature. After the worlds have been manifested, Eros then becomes, under the form of fohat, the ever-active force which brings together and combines the elemental atoms. “Fohat, in his capacity of Divine Love (Eros), the electric Power of affinity and sympathy, is shown allegorically as trying to bring the pure Spirit, the Ray inseparable from the one absolute, into union with the Soul” (SD 1:119). Eros, like his synonyms kama, amor, and cupido, acts on many planes.

fellow wrote (1882) was titled “Hermes Tris-

Ganesa (Sanskrit) Gaṇeśa The Hindu god of wisdom, son of Siva, who lost his human head which was replaced by that of an elephant. As he who removes obstacles, he is invoked at the commencement of any important undertaking, likewise at the beginning of books. In some respects he is thus equivalent to the Egyptian Thoth or Thoth-Hermes, the scribe of the gods. Ganesa is the chief or head of multitudes of subordinate spiritual entities — a necessity if as the god of wisdom he accomplishes his cosmic labors through subordinate hierarchies of intelligent and semi-intelligent beings, acting as their director or guide in forming and guiding nature.

Golden Chain (of Hermes or Homer). See HERMETIC CHAIN

Greatest Hermes, an invocation to Hermes is

Greatest Hermes I, 137, 161-162.]

Gwydion (Welsh) The son of Don (Irish, Dana). There were two chief god-families: the Children of Don and the Children of Llyr. Gwydion might be equated with Hermes. His castle (Caer Gwydion) is the Milky Way, but also (like many of the stars and constellations) it was projected in Wales somewhere. An exactly similar projecting of celestial powers and functions into human life was at one time universal. One has to divine the functions of these gods from corresponding figures in other mythologies: in the Mabinogi they are all euhemerized into men.

herma ::: n. --> See Hermes, 2.

Hermaphrodite [from Greek Hermes + Aphrodite] The form and typical nature of both the god and goddess in one individual. Androgyne also relates to a dual-sexed human being. Thus, the hermaphrodite imbodies nature’s universal polarity on its lower planes, which polarity is an emanation from the non-dual or non-bipolar mental and spiritual realms. In an abstract sense, this is a personification of the universal polarity in nature on its lower planes, wherein the so-called masculine and feminine principles are the opposing but coordinating agencies, often called positive and negative, in their creative and generative aspects. “The ancients taught the, so to speak, auto-generation of the Gods: the one divine essence, unmanifested, perpetually begetting a second-self, manifested, which second-self, androgynous in its nature, gives birth in an immaculate way to everything macro- and micro-cosmical in this universe” (SD 1:398).

hermesis ::: same as hermetic ideality.

hermes ::: n. --> See Mercury.
Originally, a boundary stone dedicated to Hermes as the god of boundaries, and therefore bearing in some cases a head, or head and shoulders, placed upon a quadrangular pillar whose height is that of the body belonging to the head, sometimes having feet or other parts of the body sculptured upon it. These figures, though often representing Hermes, were used for other divinities, and even, in later times, for portraits of human beings. Called also herma. See Terminal statue,

hermestrismegitus ::: Hermes Trismegistus The central figure of the mystical tradition known as Hermeticism, as portrayed in the literature known as the Hermetica. Hermes Trismegistus (Hermes thrice great) is a combination of Hermes, Mercury, and Thoth. At one time Hermes was esteemed as a prophet to the Gentiles and was considered as important theologically as Moses. Many cathedrals throughout Europe bear his image to this day.

hermetical ::: a. --> Of, pertaining to, or taught by, Hermes Trismegistus; as, hermetic philosophy. Hence: Alchemical; chemic.
Of or pertaining to the system which explains the causes of diseases and the operations of medicine on the principles of the hermetic philosophy, and which made much use, as a remedy, of an alkali and an acid; as, hermetic medicine.
Made perfectly close or air-tight by fusion, so that no gas or spirit can enter or escape; as, an hermetic seal. See Note under

Hermetic: An adjective originally meaning “originated by Hermes Trismegistus or based on his teachings.” Now used to mean occult or esoteric in general. (Also: hermetical.) Used also as a noun meaning a student or practitioner of alchemy or occultism or esoteric science.

Hermeticism ::: An esoteric and philosophical tradition rooted in the writings attributed to Hermes Trismegistus. Many modern magicians ascribe to a Hermetic worldview and work in paradigms that resonate with Hermetic philosophy. Much of the trappings and tradition around planetary magic, as practiced and taught on this site, are based upon Hermetic principles and philosophy.

hermeticism ::: Hermeticism Hermes Trismegistus (see above) could be considered to be the father of Hermeticism, a set of philosophical and religious beliefs. These beliefs have also had an impact on magick traditions, but whatever their impact, they nevertheless arose from teachings and books accredited to Hermes Trismegistus, who is seen as a wise sage and Egyptian priest, and commonly regarded as synonymous with the Greek god Hermes, the Roman god Mercury and the Egyptian god Thoth, who became credited by the ancient Egyptians as the inventor of writing.

Hermetist: A follower and propagator of the teachings of Hermes Trismegistus.

Hermod (Icelandic) [from her host, army + mod might, courage] A son of Odin in Norse mythology, equivalent to Hermes or Mercury, messenger of the gods. Best known for his memorable journey to the kingdom of Hel on behalf of the gods, when he was sent to entreat the queen of death to give up the sun god Balder whose death at the hands of his blind brother Hoder had been brought about by Loki (in some versions Odin himself undertakes the errand).

Hierophant [from Greek hierophantes from hieros sacred + phainein to show] A revealer of sacred mysteries; title given to the highest adepts in the temples of antiquity, who taught and expounded the Mysteries. The attributes of a hierophant were those of Hermes or Mercury, being both expounder and mystagog or conductor of souls. In Hebrew an equivalent is found in the hierarchy of the ’elohim. Many names of man-gods refer to archaic hierophants, such as Orpheus, Enoch, etc. The hierophants of ancient Egypt handed down the sacred teachings, some of which were, however, lost by the deaths of hierophants before they had completed their message because, due to the degeneration which had come upon the West, they were unable to find appropriate pupils to receive the wisdom.

Hiram, Huram, King of Tyre (Hebrew) Ḥīrām, Ḥūrām [from ḥāwar to become white or pale; or from ḥārāh to burn (as with ardor), be noble or free-born; or ḥāram to devote, consecrate as to religion or destruction, be killed or destroyed] A contemporary of the kings of Israel David and Solomon, who sent David cedar trees, carpenters, and masons in order to build him a house and who later, in response to a request from Solomon, sent timber from Lebanon and a skillful man, Hiram Abif or Huram ’abiu, to aid him in building Solomon’s Temple (2 Chron 3:12-13). All the ancient records speak of King Hiram as a master builder who built the temples of Hercules and Astarte, virtually rebuilt Tyre, and reconstructed the national temple of Melkarth (Melekartha). At the entrance to this temple were two pillars, one of gold and one of smaragdus or emerald, which probably were the immediate prototypes of the pillars Jachin and Boaz in front of the temple which Solomon later built with Hiram’s assistance, thus connecting the worship of Jehovah with that of Melkarth or Baal. The original prototype of these pillars were the Pillars of Hermes.

Ibis Universally venerated throughout Egypt, especially at the city of Khemennu (Hermopolis), where the bird was associated with the moon. According to Herodotus (2:75), the ibis was particularly venerated because of destroying the winged serpents which came flying from Arabia in spring. The black ibis is especially venerated; there is also a commoner sort which is white and black, which “was sacred to the moon, because the latter planet is white and brilliant on her external side, dark and black on that side which she never turns to the earth. . . . Hermes, as shown by Abenephius (Se cultu Egypt.), watched under the form of that bird over the Egyptians, and taught them the occult arts and sciences” (SD 1:362), Thoth (Tehuti) being represented as ibis-headed. This bird is equivalent to the albatross and the kalahamsa or mythical white swan of eternity or time.

In hermetics, Pi-Hermes is the genius of Mercury

In Homer it is Hermes who leads the ghosts of

In the Mahabharata (3:189:3) Vishnu says: “ ‘I called the name of water nara in ancient times, and am hence called Narayana, for that was always the abode I moved in’ (Ayana). It is into the water (or chaos, the ‘moist principle’ of the Greeks and Hermes), that the first seed of the Universe is thrown. ‘The “Spirit of God” moves on the dark waters of Space’; hence Thales makes of it the primordial element and prior to Fire, which was yet latent in that Spirit” (SD 2:591n).

In the system of the twelve sons of Jacob, Asher is assigned to Libra. Libra marks the autumn equinox in the northern hemisphere and one of the two beginnings of the Jewish year. Libra is also equated with Enoch and Hermes (IU 2:463).

Io (Greek) The daughter of Inachos, first king of Argos, she was beloved by Zeus and changed into a heifer to avoid Hera’s jealousy. Hera, not deceived, had the heifer watched by the hundred-eyed Argos, who was then slain by Hermes at the command of Zeus. After many wanderings in Europe and Asia, Io recovered her form in Egypt and gave birth to the dark Epaphos who became king of Egypt and founded Memphis.

  “It is one of the ‘Books of Hermes,’ and it is referred to and quotations are made from it in the works of a number of ancient and mediaeval philosophical authors. Among these authorities are Arnoldo di Villanova’s ‘Rosarium philosoph.’; Francesco Arnolphim’s ‘Lucensis opus de lapide,’ Hermes Trismegistus’ ‘Tractatus de transmutatione metallorum,’ ‘Tabula smaragdina,’ and above all in the treatise of Raymond Lulli, ‘Ab angelis opus divinum de quinta essentia’ ” (IU 1:254n).

Kadmilos, Kadmos (Greek) One of the kabiri, ancestral god of the inhabitants of Samothrace; sometimes identified with Hermes. See also CADMUS

Kapila, Kapila-rishi (Sanskrit) Kapila, Kapila-ṛṣi A great sage and adept of antiquity who flourished before the middle of the 6th century BC, considered to be the founder of the Sankhya philosophy. These archaic teachers, such as Zoroaster and Hermes, were several in number, it having been a habit in archaic times for the later heads of a school to use the name of the school’s founder as their own, the name thus becoming in some cases a title.

Kaspar One of the three Magi or wise men in Christian legend. In Egypt the scribe of the gods or the recorder was Tehuti (Thoth), who was also the god of wisdom, equivalent to Hermes or Mercury: always present at initiations, and the presiding influence, as initiator, at all ancient initiations. Looking at the Christian story in this context, infant is a name for a “newly born” initiate, who thus is a twice-born (Sanskrit dvija). The star refers to the esoteric wisdom which taught the wise men of the time that the cycle in its turning had brought about the birth of an avatara, a manifestation on this earth of a certain starry or solar divinity. See also BALTHAZAR; MELCHIOR

logistis in the hermesis ::: the lowest level of hermetic ideality.

Mead, Thrice-Greatest Hermes (I, 294); Origen,

Mercury (Greek, Hermes)—in the cabala, the

mercury ::: Mercury The smallest planet in the solar system and the closest to the sun, Mercury was the messenger god in Roman mythology, and the counterpart of Greek Hermes. Astrologically, Mercury rules Gemini and Virgo.

mercury ::: n. --> A Latin god of commerce and gain; -- treated by the poets as identical with the Greek Hermes, messenger of the gods, conductor of souls to the lower world, and god of eloquence.
A metallic element mostly obtained by reduction from cinnabar, one of its ores. It is a heavy, opaque, glistening liquid (commonly called quicksilver), and is used in barometers, thermometers, ect. Specific gravity 13.6. Symbol Hg (Hydrargyrum). Atomic weight 199.8. Mercury has a molecule which consists of only one atom. It was

Mercury: The Roman god identified with the Greek Hermes (q.v.).

middle hermesis ::: the second level of hermetic ideality.

moly ::: n. --> A fabulous herb of occult power, having a black root and white blossoms, said by Homer to have been given by Hermes to Ulysses to counteract the spells of Circe.
A kind of garlic (Allium Moly) with large yellow flowers; -- called also golden garlic.

Mtniel, Jehiel, Hayyal]. [Rf Hermes Visions;

mythology, became in Jewish lore the angel Hermesiel and identified with David, “sweet singer

Nebo, Nabu, Nabi’ (Hebrew) Nĕbō The proclaimer by prophecy; one of the chief deities of the Chaldean or Babylonian pantheon, the god of wisdom, recognized as fully by the ancient Hebrews as by the Chaldeans. The name and function of the divinity correspond to the Greek Hermes, the Egyptian Thoth, and the Hindu Budha, all of which are related to the regent of the planet Mercury.

Nuntius, Nuntium (Latin) Messenger; applied to Mercury as messenger of the gods. See also HERMES

of the chief Olympians (Zeux, Poseidon, Hermes)

of the Jews, p. 589; cf. Hermes Psychopompus in

Ogmius “The god of wisdom and eloquence of the Druids, hence Hermes in a sense” (TG 239).

one meet with this designation [i.e., Hermes]. And

Phallic, Phallicism, Phallus [from Greek phallos penis] The phallus occurs frequently in Greek mythologic and mystical representation: it is carried by Pan; borne in Bacchic processions; carved on the pedestals of the Hermae in the streets of Athens. There is no reason, apart from appropriateness, for preferring or rejecting one part of the body rather than another as a symbol, so that the phallus of Pan may be quite on a par with the wings on the feet of Hermes. But the symbol has gone through stages of degradation, from being an emblem of spiritual generation to one of mere physical procreation, when physical procreation itself, once thought of in purity and with reverence, acquired associations of profligacy, sin, and shame. The words are chiefly used in The Secret Doctrine in reference to the degeneration of ancient doctrine and ritual from their originally exalted form into a materialized form, whether in Hebraic systems, Dionysion or Bacchic rites, Hindu ceremonial, etc.

Pi-Hermes —equated with the angel Raphael.

Priapus (Greek) A Greek god of fertility, worshiped as a protector of flocks, of the vine, and of other produce. His cult appeared on the coasts of Asia Minor, especially at Lampsacus, and he was undoubtedly well known and accepted as a member of the mythological hierarchy from a date long antedating both Homer and Hesiod. He is variously made the son of Dionysos and Aphrodite, of Adonis and Aphrodite, and of Hermes and Chione. The word also signified the phallus or phallic.

Profane: “Hermes, inventor of the lyre, was

Psychopomp (Greek) A conductor of souls; applied to Charon, Apollo, and especially to Hermes, who was the conductor of souls to Hades or the Underworld and back again, an office assigned by Christians to Jesus Christ after his resurrection. The mystery of death, descent into Hades, and resurrection were enacted in initiation ceremonies, as depicted in Egyptian glyphs, where the dog-headed Anubis — the Egyptian Hermes — conducts the candidate.

Pushan (Sanskrit) Pūṣan [from the verbal root puṣ to nourish, feed] The nourisher; a name of the sun, who nourishes and feeds all within his kingdom from his own vital substance and power. As one of the Vedic gods, the surveyor of all things, the conductor on journeys, and the guide on the way to the next world, functions reminiscent of Hermes or Mercury in classical thought.

Pymander [from Greek Poimandres shepherd of men] The logoic divine intelligence, or thought divine; the best known of the surviving portions of the Hermetic books, the writings of Hermes Trismegistus; also a title of Hermes himself. “The Egyptian Prometheus and the personified Nous or divine light, which appears to and instructs Hermes Trismegistus, in a hermetic work called ‘Pymander’ ” (TG 266).

Python (Greek) The serpent slain by Apollo, who was therefore also called Pythius. At one time the world was covered with temples to the sun and dragon: the Ophites adopted it from Egypt, whither it had come from India. It is seen in the story of Bel and the Dragon, of St. George or St. Michael and the Dragon, of Osiris and Typhon, Krishna and Kaliya, and the Lord God and the Serpent of Eden. The cosmic dragon represents the shadow side of the logos, and the opposition between these two is the so-called war in heaven. The dual nature of the serpent is seen in Rahu and Ketu, the Dragon’s head and tail; and Typhon or Apophis, slain by Horus is also called Set, who is in one of his permutations Hermes, god of wisdom, and whose name likewise is that of the Biblical Seth and Satan. In initiations the inner enlightened individual had to confront his lower passions, now personified into a veritable astral monster, and to be either its victor or its victim; when victorious he became the spiritual serpent in its other sense of the dragon of wisdom. This double meaning has its correspondence in the fact that snakes shed their skin and reemerge purified, just as the neophyte through training and initiation sheds the Old Person and reemerges from the tests as the New Person.

Ramiel, the Shepherd of Hermes, etc.

Religion, pp. 294fF.] Hermes is the psychopompos

Said to be an abridgment of one of the Books of Thoth by a Platonist of Alexandria, remodeled in the 3rd century after old Greek and Phoenician manuscripts by a Jewish Qabbalist and called the Genesis of Enoch (SD 2:267n); said also to have been disfigured by Christian Qabbalists. Pymander as Hermes is described as the oldest and most spiritual of the logoi of the Western continent.

Sarama (Sanskrit) Saramā [from the verbal root sṛ to run] The fleet one, the runner; the dog belonging to Indra and the gods, the divine watcher “over the golden flock of stars and solar rays.” She is the mother of the two dogs called Sarameyas. Some European etymologists connect the names of the Greek Hermes and Helena with Sarama or Sarameya. Sarama has certain elements of mystical similarity to Agathodaemon in Greek Gnosticism, and to the Egyptian Hermes-Anubis, one of the dogs (vigilance) which watch over the celestial flock (occult wisdom and its students) (cf SD 2:28).

seer hermesis ::: seer ideality in the hermesis; the highest level of hermetic ideality.

Serpent One of the most fundamental and prolific symbols of the mystery-language. Its most basic meaning is of the eternal, alternating, cyclic motion during cosmic manifestation. For motion, which to the physicist and the philosopher alike seems an abstraction, is for the ancient wisdom a primordial principle or axiom, of the same order as space and time, existing per se. Never does motion cease utterly even during kosmic pralaya. And motion is essentially circular: where physics would derive circular motion from a composition of rectilinear motions, the opposite procedure would be that of the ancient wisdom. This circular motion, compounding itself into spirals, helixes, and vortices, is the builder of worlds, bringing together the scattered elements of chaos; motion per se is essential cosmic intelligence. This circular motion, returning upon itself like a serpent swallowing its tail, represents the cycles of time. This conscious energy in spirals whirls through all the planes of cosmos as fohat and his innumerable sons — the cosmic energies and forces, fundamentally intelligent, operating in every scale or grade of matter. The caduceus of Hermes, twin serpents wound about a staff, represents cosmically the mighty drama of evolution, in its twin aspects, the staff or tree standing for the structural aspect, the serpent for the fohatic forces that animate the structure.

Smaragdine Tablet The emerald tablet, alleged mystically to be of the Egyptian Hermes or Thoth, on which was inscribed, according to the Hermeticists, “the whole of magic in a single page.” In a letter to the Sophists, Paracelsus says: “The ancient Emerald Table shows more art and experience in Philosophy, Alchemy, Magic, and the like than ever could be taught by you or your crowd of followers.” Masons and Christian Qabbalists alleged it to have been found on the dead body of Hermes by Sarai, Abraham’s wife; this allegory may mean that Sarasvati (wife of Brahma and a legendary prototype of Sarai) found much of the ancient wisdom latent in the dead body of humanity and revivified it. It is also said that the Emerald Tablet was found at Hebron, the city of the kabeiroi or cabiri (the gibborim, the Four Mighty Ones), by an Essenian initiate (TG 302, SD 2:556). It exists only in a late Latin form referred to in the 7th century.

Solificati, the: Sect of alchemists with an extremely confused history and identity; currently identified with both a Disparate Craft and a House of Hermes.

  “Soma was never given in days of old to the non-initiated Brahman — the simple Grihasta, or priest of the exoteric ritual. Thus Brihaspati — ‘guru of the gods’ though he was — still represented the dead-letter form of worship. It is Tara his wife — the symbol of one who, though wedded to dogmatic worship, longs for true wisdom — who is shown as initiated into his mysteries by King Soma, the giver of that Wisdom. Soma is thus made in the allegory to carry her away. The result of this is the birth of Budha — esoteric Wisdom — (Mercury, or Hermes in Greece and Egypt). He is represented as ‘so beautiful,’ that even the husband, though well aware that Budha is not the progeny of his dead-letter worship — claims the ‘new-born’ as his Son, the fruit of his ritualistic and meaningless forms. Such is, in brief, one of the meanings of the allegory” (SD 2:498-9).

  “Soma was never given in days of old to the non-initiated Brahman — the simple Grihasta, or priest of the exoteric ritual. Thus Brihaspati — ‘guru of the gods’ though he was — still represented the dead-letter form of worship. It is Tara his wife — the symbol of one who, though wedded to dogmatic worship, longs for true wisdom — who is shown as initiated into his mysteries by King Soma, the giver of that Wisdom. Soma is thus made in the allegory to carry her away. The result of this is the birth of Budha — esoteric Wisdom — (Mercury, or Hermes in Greece and Egypt.) He is represented as ‘so beautiful,’ that even the husband, though well aware that Budha is not the progeny of his dead-letter worship — claims the ‘new-born’ as his Son, the fruit of this ritualistic and meaningless forms. Such is, in brief, one of the meanings of the allegory” (SD 2:498-9).

stars.” [Rf Mead, Thrice-Greatest Hermes I; Budge,

Such traditions are found everywhere, from Chaldea to Peru and Mexico, and always consistent with one plan. They recount the evolution of mankind through long ages preceding the present kali yuga; and teach that, as mankind proceeded on the descending arc, human beings were ruled successively by gods, demigods, heroes, and finally mortal initiate-kings, who later gave way to ordinary human rulers. Among genuine semidivine heroes who belong to the earliest part of the present root-race, are such names as Orpheus, Hermes, Cadmus, and Asclepios, all of whom revealed true esoteric sciences to humanity, from which sciences have descended to our own times the various arts, knowledges, and sciences.

Sun; 5. Suroth, genius of Venus; 6. Pi-Hermes,

Superastral The Pymander of Hermes speaks of a sea of fire, which is the superastral, the noumenal light, mulaprakriti or undifferentiated matter, the first radiation from the root; afterwards it becomes astral matter (SD 1:75).

Tahuti: Thoth, God of Wisdom and Magic. The Egyptian form of Hermes and Mercury, the latter being the planetary representative of Set.Tarot: Lit. a Wheel or Revolution. The Book of Thoth, which contains the Keys to the 22 Paths of the Tree of Life as well as many other secret cells of the Hermetic Tradition. The pack of cards used for telling fortunes and calculating mundane chances of whatever order, is a debasement of the original sublime Arcana that occurred when the true keys were lost. They have recently been recovered and interpreted according to the Mysteries of the New Aeon, by Aleister Crowley.

Termini (Latin) The boundary stones which Numa ordained that every landholder should set up to mark his land. Annual ceremonies were performed at these stones, called terminalia. Terminus was the Roman divinity presiding over boundaries. The stones were sacred to Hermes-Mercury and are said by Montfaucon to have been cruciform. It was sacrilege to remove them — similar to the Biblical anathemas against him who removes his neighbor’s landmarks.

Thaphabaoth (Thartharoth, Thautabaoth, Onoel)—drawing on Ophitic sources, Origen, in his Contra Celsum, lists Thaphabaoth, along with Michael and Gabriel, as an angel (or demon) hostile to man. In gnostic lore, Thaphabaoth is an archontic demon, one of 7 rulers of the lower realms. When invoked, he manifests in the form of a bear Thaphabaoth is the Hebraized form of the Greek Tartarus. [Rf. Thorndike, The History of Magic and Experimental Sciences', Grant, Gnosti¬ cism and Early Christianity, Mead, Thrice-Greatest Hermes I, 294.]

  “The ‘BEING’ . . . is the Tree from which, in subsequent ages, all the great historically known Sages and Hierophants, such as the Rishi Kapila, Hermes, Enoch, Orpheus, etc., etc., have branched off. As objective man, he is the mysterious (to the profane — the ever invisible) yet ever present Personage about whom legends are rife in the East, especially among the Occultists and the students of the Sacred Science. It is he who changes form, yet remains ever the same. And it is he again who holds spiritual sway over the initiated Adepts throughout the whole world. He is, as said, the ‘Nameless One’ who has so many names, and yet whose names and whose very nature are unknown. He is the ‘Initiator,’ called the ‘Great sacrifice.’ For, sitting at the threshold of light, he looks into it from within the circle of Darkness, which he will not cross; nor will he quit his post till the last day of this life-cycle. . . . Because he would fain show the way to that region of freedom and light, from which he is a voluntary exile himself, to every prisoner who has succeeded in liberating himself from the bonds of flesh and illusion. . . .

  “The ‘Being’ just referred to, which has to remain nameless, is the Tree from which, in subsequent ages, all the great historically known Sages and Hierophants, such as the Rishi Kapila, Hermes, Enoch, Orpheus, etc., etc., have branched off. As objective man, he is the mysterious (to the profane — the ever invisible) yet ever present Personage about whom legends are rife in the East, especially among the Occultists and the students of the Sacred Science. It is he who changes form, yet remains ever the same. And it is he again who holds spiritual sway over the initiated Adepts throughout the whole world. He is, as said, the ‘Nameless One’ who has so many names, and yet whose names and whose very nature are unknown. He is the ‘Initiator,’ called the ‘great sacrifice.’ For, sitting at the threshold of light, he looks into it from within the circle of Darkness, which he will not cross; nor will he quit his post till the last day of this life-cycle” (SD 1:207-8).

  “The dog-headed ape was a glyph to symbolise the sun and moon, in turn, though the Cynocephalus is more a Hermetic than a religious symbol. For it is the hieroglyph of Mercury, the planet, as of the Mercury of the Alchemical philosophers, ‘as,’ say the Alchemists, ‘Mercury has to be ever near Isis, as her minister, as without Mercury neither Isis nor Osiris can accomplish anything in the great work.’ Cynocephalus, whenever represented with the Caduceus, the Crescent, or the Lotus, is a glyph of the ‘philosophical’ Mercury; but when seen with a reed, or a roll of parchment, he stands for Hermes, the secretary and adviser of Isis, as Hanuman filled the same office with Rama” (SD 1:388).

The mysteries of Osiris and Isis were revived in Rome, and Apuleius (2nd century) in The Golden Ass tells of the Procession of Isis, in which the dual aspect of Anubis was portrayed: “that messenger between heaven and hell displaying alternately a face black as night, and golden as the day; in his left the caduceus, in his right waving aloft the green palm branch” (Gods of the Egyptians, Budge 2:264-5). In most of his attributes, Anubis is a lunar power, Plutarch connecting him with the Grecian Hecate, one of the names for the moon; and this is further emphasized by his being a guide of the dead. Also identified with Hermes as psychopomp. See also Hermanubis

  “There was a notable difference between the ape-headed gods and the ‘Cynocephalus’ . . ., a dog-headed baboon from upper Egypt. The latter, whose sacred city was Hermopolis, was sacred to the lunar deities and Thoth-Hermes, hence an emblem of secret wisdom — as was Hanuman, the monkey god of India, and later, the elephant-headed Ganesha. The mission of the Cynocephalus was to show the way for the Dead to the Seat of Judgment and Osiris, whereas the ape-gods were all phallic” (TG 92).

The serpent is characteristically a dual symbol. In the beginnings of creation two poles were emanated, spirit and matter; and forthwith began interaction between the downward forces of the one and the upward forces of the other. Hermes, Mercury, intelligence, may represent a sage or a thief; the serpentine wisdom may work in every plane of materiality. The perverse will of man may turn natural forces to evil purposes, and thus we speak of the good serpent and the bad, of Agathodaemon and Kakodaemon, of Ophis and Ophiomorphos. A serpent can be a sage or a sorcerer.

“The star worshipped in Egypt and reverenced by the Occultists; by the former because its heliacal rising with the Sun was a sign of the beneficent inundation of the Nile, and by the latter because it is mysteriously associated with Thoth-Hermes, god of wisdom, and Mercury, in another form. Thus Sothis-Sirius had, and still has, a mystic and direct influence over the whole living heaven, and is connected with almost every god and goddess. It was ‘Isis in the heaven’ and called Isis-Sothis, for Isis was ‘in the constellation of the dog,’ as is declared on her monuments. ‘The soul of Osiris was believed to reside in a personage who walks with great steps in front of sothis, sceptre in hand and a whip upon his shoulder.’ Sirius is also Anubis, and is directly connected with the ring ‘Pass me not’; it is, moreover, identical with Mithra, the Persian Mystery god, and with Horus and even Hathor, called sometimes the goddess Sothis. Being connected with the Pyramid, Sirius was, therefore, connected with the initiations which took place in it. A temple to Sirius-Sothis once existed within the great temple of Denderah. To sum up, all religions are not, as Dufeu, the French Egyptologist, sought to prove, derived from Sirius, the god-star, but Sirius-Sothis is certainly found in connection with every religion of antiquity” (TG 300).

  “The ‘very old Book’ is the original work from which the many volumes of Kiu-ti were complied. Not only this latter and the Siphrah Dzeniouta but even the Sepher Jezirah, the work attributed by the Hebrew Kabbalists to their Patriarch Abraham (!), the book of Shu-king, China’s primitive Bible, the sacred volumes of the Egyptian Thoth-Hermes, the Puranas in India, and the Chaldean Book of Numbers and the Pentateuch itself, are all derived from that one small parent volume. Tradition says, that it was taken down in Senzar, the secret sacerdotal tongue, from the words of the Divine Beings, who dictated it to the sons of Light, in Central Asia, at the very beginning of the 5th (our) race; for there was a time when its language (the Sen-zar) was known to the Initiates of every nation, when the forefathers of the Toltec understood it as easily as the inhabitants of the lost Atlantis, who inherited it, in their turn, from the sages of the 3rd Race, the Manushis, who learnt it direct from the Devas of the 2nd and 1st Races. . . . The old book, having described Cosmic Evolution and explained the origin of everything on earth, including physical man, after giving the true history of the races from the First down to the Fifth (our) race, goes no further” (SD 1:xliii).

Thoth, Thot (Greek) Tehuti (Egyptian) Teḥuti. Egyptian god of wisdom, equivalent to the Greek Hermes, Thoth was often represented as an ibis-headed deity, and also with a human head, especially in his aspect of Aah-Tehuti (the moon god), and as the god of Mendes he is depicted as bull-headed. Although best known in his character of the scribe or recorder of the gods, holding stylus and tablet, this is but another manner of showing that Thoth is the god of wisdom, inventor of science and learning; thus to him is attributed the establishment of the worship of the gods and the hymns and sacrifices, and the author of every work on every branch of knowledge both human and divine. He is described in the texts as “self-created, he to whom none hath given birth; the One; he who reckons in heaven, the counter of the stars; the enumerator and measurer of the earth [cosmic space] and all that is contained therein: the heart of Ra cometh forth in the form of the god Tehuti” — for he represents the heart and tongue of Ra, reason and the mental powers of the god and the utterer of speech. It has been suggested that Thoth is thus the equivalent of the Platonic Logos. Many are his epithets: his best known being “thrice greatest” — in later times becoming Hermes Trismegistus.

Thrice-Greatest Hermes 1,280.]

Thrice Greatest Hermes. See Mead.

Tradition: One of the Nine Mystic Traditions, a group of mages sharing similar training and outlooks. The Traditions fight to preserve magic against the Technocracy, and to defend against the depredations of Marauders and Nephandi. These groups are the Akashic Brotherhood, the Celestial Chorus, the Cult of Ecstasy, the Dreamspeakers, the Euthanatos, the Order of Hermes, the Sons of Ether, the Verbena and the Virtual Adepts.

Traditions, the: One or more members of the Council of Nine Mystick Traditions. Currently, these Traditions are the Akashic Brotherhood (a.k.a. the Akashayana), Celestial Chorus (Singers or Choristers), Cult of Ecstasy (Sahajiya), Dreamspeakers (Kha’vadi), Euthanatos (Chakravanti), Order of Hermes (Hermetics), Sons/ Society of Ether (Etherites), Verbena (Verbenae), and Virtual Adepts (VAs).

transmogrified into the angel Hermesiel”—a

Trikephalos (Greek) Three-headed; with the Latin triplex (triple), applied to Hermes or Mercury, as one with the Sun and Venus (SD 2:542).

Trismegistus (Greek) Thrice greatest; a title given to the mysterious personage after whom the Hermetic philosophy is named. In Egypt, he is equivalent to the god Thoth, but the title was also a generic name assumed by many ancient Greek writers on philosophy and alchemy. This title was likewise given to the supreme initiator in the ancient Mystery-system and therefore corresponding directly, both as regards function and position, to what in theosophical philosophy is called the mahachohan. The title, therefore, applies both to the divinity and its human representatives. See also HERMES; PYMANDER

-(tr.). Thrice-Greatest Hermes. 3 vols. London:

underworld. Hermes, the good daimon , inventor of the lyre and master of song in Greek

Until the mid-twentieth century, the principal extant Gnostic writings were quotes in surviving attacks against the Gnostics made by early Christian writers, the Pistis Sophia and “two Books of Jeu,” and the Neoplatonic Corpus Hermeticum (Hermes Trimegistos, Divine Pymander, etc.). With the discovery of the Nag-Hammadi scrolls, many more Gnostic writings have come to light and scholars are gaining a wider understanding of both Christian and non-Christian Gnosticism.

Valentinus Famous 2nd century Gnostic who in many ways was the unacknowledged teacher of the Church Fathers Origen and Clement. His teachings, largely those of the ancient wisdom, were probably derived from the esoteric schools in Alexandria. He is author of “The Shepherd of Hermes” and various Homilies and Epistles, and is said to have been the author of the celebrated Gnostic gospel, the Pistis Sophia, where his doctrines are set forth. His school, the Valentinians, had Italian and Asiatic branches, which gave rise to other offshoots, thus spreading his influence far and wide and exerting an enduring effect on thought. He averred that the apostles had not publicly given out all they knew, but that they had esoteric knowledge.

Wand The wand of Hermes or caduceus, the magician’s wand, the rods of Moses and Aaron, the scepter of kings which shows the force of temporal power, and the crosier of a bishop, are prototypes and antitypes of a universal principle — the straight line, representing the masculine, active, positive power in nature. The magician may be said to possess a magic wand — a name for the power he can wield — and there may be various material copies of this, ranging from an actual magic wand supposedly prepared according to secret formulas, down to the humble stick or cudgel with which the ruffian enforces his will. The words rod and staff are often used figuratively as well as literally in the Bible.

Wednesday Wodnesdaeg Day of Odin Hermes Mercurius

with orange.” [Rf. Divine Pymander of Hermes

Zarpanitu, Sarpanit (Babylonian) Also Zer-banit; Zirat-banit. The shining one, its ideographs suggest the words zer seed, banit producing. A Babylonian goddess consort of Marduk or Merodach. In later Babylonian times (after 1200 BC) when Marduk was elevated to the position of chief deity of the pantheon in place of the older Chaldean deities, Zarpanitu was regarded as the great nature goddess, replacing Belit (consort of Bel). A triad was formed by the addition of Nebo, the god of wisdom, equivalent to the Hindu Budha and the Greek Hermes. “As Budha was the Son of Soma (the Moon) in India, and of the wife of Brihaspati (Jupiter), so Nebo was the son of Zarpa-nitu (the Moon Deity) and of Merodach, who had become Jupiter, after having been a Sun God” (SD 2:456). Herodotus called Zarpanitu “Zeus-Belos.”

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KEYS (10k)

   87 Hermes
   5 Hermes: On Rebirth
   3 Mage the Ascension
   2 "Hermes Trismegistus
   2 Hermes Trismegistus
   2 Hermes: "On the Rebirth"
   1 "Thrice Greatest Hermes"
   1 Ralph Waldo Emerson
   1 Hermes: The Key
   1 Hermes "On the Rebirth"
   1 Hermes: On Initiation
   1 Hermes I. "Poimandres"
   1 Hermes. "Initiatory discourses"
   1 Hermes II
   1 Hermes 1. "The Character"
   1 Eliphas Levi
   1 Aleister Crowley


   87 Hermes
   62 Rick Riordan
   30 Hermes Trismegistus
   21 Imogen Hermes Gowar
   6 Ovid
   6 Friedrich Schiller
   5 Will Hermes
   5 Sherrilyn Kenyon
   5 Poetical Works of John Keats
   5 Hermes: On Rebirth
   4 Molly Ringle
   4 Manly P Hall
   4 Jennifer L Armentrout
   3 Philip K Dick
   3 Mage
   3 Ben Jonson
   3 Aleister Crowley
   2 Tim Freke
   2 Ralph Waldo Emerson
   2 Percy Bysshe Shelley

1:All is living. ~ Hermes,
2:It is that which is and that which is not. ~ Hermes,
3:Becoming is the mode of activity of the uncreated God. ~ Hermes,
4:The essence of God, if at all God has an essence, is Beauty. ~ Hermes,
5:All is living. ~ Hermes, the Eternal Wisdom
6:The punishment of desire is the agony of unfulfillment ~ Hermes Trismegistus,
7:For all is full of God. ~ Hermes, the Eternal Wisdom
8:Knowledge belongs to the very essence of God, if at all God has an essence. ~ Hermes,
9:Sorrow is a form of Evil. ~ Hermes, the Eternal Wisdom
10:To say eternal is to say universal. ~ Hermes, the Eternal Wisdom
11:All that is one and one that is all. ~ Hermes, the Eternal Wisdom
12:If He were apparent, He would not be. ~ Hermes, the Eternal Wisdom
13:Soul is one. Nature is one, life is one. ~ Hermes, the Eternal Wisdom
14:All is truth for the intellect and reason. ~ Hermes, the Eternal Wisdom
15:It is that which is and that which is not. ~ Hermes, the Eternal Wisdom
16:The evil of the soul is ignorance. ~ Hermes, "The Key", the Eternal Wisdom
17:All that is born, is corrupted to be born again. ~ Hermes, the Eternal Wisdom
18:Thou knowest, O my son, the way of regeneration. ~ Hermes, the Eternal Wisdom
19:There where all ends, all is eternally beginning. ~ Hermes, the Eternal Wisdom
20:The plague of ignorance overflows all the earth. ~ Hermes II, the Eternal Wisdom
21:I do not believe that any name, however complex, is sufficient to designate the principle of all Majesty. ~ Hermes,
22:Becoming is the mode of activity of the uncreated God. ~ Hermes, the Eternal Wisdom
23:Comprehend then the light and know it. ~ Hermes I. "Poimandres", the Eternal Wisdom
24:The perfection of evil is to be ignorant of the Divine. ~ Hermes, the Eternal Wisdom
25:an's duty is to give the guidance of the soul to reason. ~ Hermes, the Eternal Wisdom
26:O Inexpressible, Ineffable, whom silence alone can name! ~ Hermes, the Eternal Wisdom
27:Let the man in whom there is intelligence... know himself. ~ Hermes, the Eternal Wisdom
28:Save the world that is within us, O Life. ~ Hermes: "On the Rebirth", the Eternal Wisdom
29:To comprehend God is difficult, to speak of Him impossible. ~ Hermes, the Eternal Wisdom
30:Terrestrial things are not the truth, but semblances of truth. ~ Hermes, the Eternal Wisdom
31:Let him in whom there is understanding know that he is immortal. ~ Hermes, the Eternal Wisdom
32:Such is the last good of those who possess knowledge: to become God. ~ Hermes, the Eternal Wisdom
33:Through Thy creations I have discovered the beatitude of Thy eternity. ~ Hermes, the Eternal Wisdom
34:God or the Good, what is it but the existence of that which yet is not? ~ Hermes, the Eternal Wisdom
35:Dost thou not know that thou hast become God and art the son of the One? ~ Hermes, the Eternal Wisdom
36:If thou canst not equal thyself with God, thou canst not understand Him. ~ Hermes, the Eternal Wisdom
37:Nothing is lost in the world because the world is enveloped in eternity. ~ Hermes, the Eternal Wisdom
38:Knowledge belongs to the very essence of God, if at all God has an essence. ~ Hermes, the Eternal Wisdom
39:Render to God the sole worship which is fitting towards Him, not to be evil. ~ Hermes, the Eternal Wisdom
40:God is not knowledge, but the cause of Knowledge; He is not mind, but the cause of mind; He is not Light, but the cause of Light. ~ Hermes,
41:hings mortal change their aspect daily; they are nothing but a lie. ~ Hermes: On Rebirth, the Eternal Wisdom
42:If thou understand, what seems invisible to most shall be to thee very apparent. ~ Hermes, the Eternal Wisdom
43:Intelligence, soul divine, truly dominates all,-destiny, law and everything else. ~ Hermes, the Eternal Wisdom
44:Each separate movement is produced by the same energy that moves the sum of things. ~ Hermes, the Eternal Wisdom
45:Intelligence is the beneficent guide of human souls, it leads them towards their good. ~ Hermes, the Eternal Wisdom
46:Surpass all bodies, traverse all times, become eternity, and thou shalt comprehend God. ~ Hermes, the Eternal Wisdom
47:If thou comprehend Him, what seems invisible to most, will be for thee utterly apparent. ~ Hermes, the Eternal Wisdom
48:But how can that be manifested to thy eyes if what is within thee is to thyself invisible? ~ Hermes, the Eternal Wisdom
49:Make yourself grow to the greatest, leap forth from every body, transcend all Times, become Eternity, then you should know God." ~ "Thrice Greatest Hermes",
50:Nothing is fixed, nothing stable, nothing immobile in nature, nor in heaven, nor on the earth. ~ Hermes, the Eternal Wisdom
51:That Intelligence is God within us; by that men are gods and their humanity neighbours divinity. ~ Hermes, the Eternal Wisdom
52:The ideal birth is perfected, the twelfth executioner is driven forth and we are born to contemplation. ~ Hermes, the Eternal Wisdom
53:I do not believe that any name, however complex, is sufficient to designate the principle of all Majesty. ~ Hermes, the Eternal Wisdom
54:That which is most subtle in matter is air, in air the soul, in the soul intelligence, in intelligence God. ~ Hermes, the Eternal Wisdom
55:I have issued out of myself, I have put on an immortal body, 1 am no longer the same, I am born into wisdom. ~ Hermes, the Eternal Wisdom
56:Infected by the vices, the soul is swollen with poisons and can only be cured by knowledge and intelligence. ~ Hermes, the Eternal Wisdom
57:Such is the science of the Intelligence, to contemplate things divine and comprehend God. ~ Hermes 1. "The Character", the Eternal Wisdom
58:This is the new birth, my son, to turn one's thought from the body that has the three dimensions. ~ Hermes: On Rebirth, the Eternal Wisdom
59:Opinions on the world and on God are many and conflicting and I know not the truth. Enlighten me, O my Master. ~ Hermes, the Eternal Wisdom
60:For of all things He is the Lord and Father and Source, and the life and power and light and intelligence and mind. ~ Hermes, the Eternal Wisdom
61:He alone traverses the current of the illusion who comes face to face with the Eternal and realises it. ~ Hermes: On Rebirth, the Eternal Wisdom
62:Man is the creator of the gods whom he worships in his temples. Therefore humanity has made its gods in its own image. ~ Hermes, the Eternal Wisdom
63:There is no death, the word mortal has no significance ; death would be destruction and nothing is destroyed in the universe. ~ Hermes, the Eternal Wisdom
64:Holy Knowledge, by thee illumined, I hymn by thee the ideal light; I rejoice with the joy of the Intelligence. ~ Hermes: "On the Rebirth", the Eternal Wisdom
65:Some men only have the happiness to raise themselves to that perception of the Divine which exists only in God and in the human mind. ~ Hermes, the Eternal Wisdom
66:God invisible,...say not so; for who is more apparent than He? That is the goodness of God, that is His virtue, to be apparent in all. ~ Hermes, the Eternal Wisdom
67:How canst thou seize by the senses that which is neither solid nor liquid...that which is conceived only in power and energy? ~ Hermes: On Rebirth, the Eternal Wisdom
68:To be ignorant of the path one has to take and set out on the way without a guide, is to will to lose oneself and run the risk of perishing. ~ Hermes, the Eternal Wisdom
69:That which has neither body, nor appearance, nor form, nor matter, nor can be seized by our senses, That which cannot be expressed,-this is God. ~ Hermes, the Eternal Wisdom
70:If thou canst, thou mayst see Him by the eyes of the intelligence, for the Lord is not a miser of Himself; He reveals Himself in the whole universe. ~ Hermes, the Eternal Wisdom
71:Not that the One is two, but that these two are one. ~ "Hermes Trismegistus , (the 2nd or 3rd cent. AD)?, a series of sacred texts that are the basis of Hermeticism, Wikipedia. Also see:,
72:Despair not, my son, thy desire shall be fulfilled, thy will shall have fruit; put to sleep the sensations of the body and thou shalt be born in God. ~ Hermes, the Eternal Wisdom
73:Very weak are our efforts for the discovery of such great blessings, but when we arrive at them, we are recompensed by the felicity of our conscience. ~ Hermes, the Eternal Wisdom
74:If thou canst comprehend God, thou shalt comprehend the Beautiful and the Good, the pure radiance, the incomparable beauty, the good that has not its like. ~ Hermes, the Eternal Wisdom
75:Whosoever comes to birth in God, is delivered from the physical sensations, recognises the different elements which compose it and enjoys a perfect happiness. ~ Hermes, the Eternal Wisdom
76:Endeavour maketh wisdom to grow, but negligence increaseth perdition. Perceive the double way of descent and ascension and choose the way that increaseth wisdom. ~ Hermes, the Eternal Wisdom
77:The splendour which inundates all his thought and all his soul, snatches him from the ties of the body and transforms his whole being into the very essence of God. ~ Hermes, the Eternal Wisdom
78:Where shall I direct my gaze to bless Thee, on high, below, without, within? There is no way, no place that is outside Thee, other beings exist not; all is in Thee. ~ Hermes, the Eternal Wisdom
79:Truth is the perfect virtue, the sovereign good that is not troubled by matter nor circumscribed by the body, the good bare, evident, unalterable, august, immutable. ~ Hermes, the Eternal Wisdom
80:That is why the incorporeal eye** should be raised to contemplate not the figure, not the body, not the appearance, but that which is calm, tran quil, solid, immutable. ~ Hermes, the Eternal Wisdom
81:There is nothing, whether in its totality or its parts, which is not can that be corrupted which is a part of the incorruptible or something of God perish ? ~ Hermes, the Eternal Wisdom
82:Language is different but man is the same everywhere. That is why spoken Reason is one, and through its translation we see it to be the same in Egypt, in Persia and in Greece. ~ Hermes, the Eternal Wisdom
83:Nothing dies, but what was composed is divided: this division is not a death, it is the analysis of a combination; but the aim of this analysis is not destruction, it is a renewal. ~ Hermes, the Eternal Wisdom
84:We have known thee, O most great Light who art perceived only by the intelligence I We have known thee, O Plenitude matrix of all Nature! We have known thee, O eternal Permanence ! ~ Hermes, the Eternal Wisdom
85:Knowledge of God has entered into us and at once ignorance disappears. The knowledge of joy arrives and before her, my son, sorrow shall flee away to those who can still feel her sting. ~ Hermes, the Eternal Wisdom
86:Thou art all that I can be, Thou art all that I can do, Thou art all that I can say; for Thou art all and there is nothing that Thou art not. Thou art all that is and all that yet is not. ~ Hermes, the Eternal Wisdom
87:The knowledge of the divine nature is the sole truth and this truth cannot he discovered, nor even its shadow, in this world full of lies, of changing appearances. and of errors. ~ Hermes: On Initiation, the Eternal Wisdom
88:he intelligence uncovers its light to the souls it governs and battles against their tendencies, even as a good physician uses fire and steel to combat the maladies of the body and recall it to health. ~ Hermes, the Eternal Wisdom
89:Above all thou must tear this robe that thou wearest, this garment of ignorance which is the principle of wickedness, this dark covering, this living death, this tomb which thou carriest about with thee. ~ Hermes, the Eternal Wisdom
90:If our composition has not had Truth from its beginning, how can it either have or speak the Truth? Nay, it can only have a notion of it. All things, accordingly, that are on earth, are not the Truth, they're copies of the True." ~ "Hermes Trismegistus," Wikipedia.,
91:In the multiple unity of the universal life, its innumerable species distinguished from one another by their differences are still united in such a way that the totality is one and all proceeds from oneness. ~ Hermes, the Eternal Wisdom
92:The thought of God is the movement of the universe: never at any time can there perish a being, that is to say, a portion of God, for God contains all beings; nothing is outside him and he is outside of nothing. ~ Hermes, the Eternal Wisdom
93:Our intelligence arrives by application at the understanding and knowledge of the nature of the world. The understanding of the nature of the world arrives at the knowledge of the eternal. ~ Hermes. "Initiatory discourses", the Eternal Wisdom
94:The world possesses a thought and a sensation which is not like that of man nor so varied but superior and more simple. The world has only one sentiment, only one thought, to create all things and make them re-enter into itself. ~ Hermes, the Eternal Wisdom
95:The present issues from the past, and the future from the present. Everything is made one by this continuity. Time is like a circle, where all the points are so linked that one cannot say where it begins or ends, for all points precede and follow one another for ever.
   ~ Hermes Trismegistus,
96:The work of eternity is the world, which has not been produced once for all but is always produced by eternity. Thus it will never perish, for eternity is imperishable, and nothing is lost in the world because the world is enveloped in eternity. ~ Hermes, the Eternal Wisdom
97:Such is God, superior to His name, invisible and apparent, who reveals Himself to the spirit, who reveals Himself to the eyes, who has no body and who has many bodies or rather all bodies; for there is nothing which is not He and all is He alone. ~ Hermes, the Eternal Wisdom
98:None of the heavenly gods quits his sphere to come upon the earth, while man mounts up to heaven and measures it. He knows what is on high and what is below. He knows all correctly and, what is more, has no need to leave the earth in order to exalt himself. ~ Hermes, the Eternal Wisdom
99:Soon Rome fell, and Western civilization fell onto Dark Times. The Cult of Mercury officially disbanded itself in 415 CE. Hermetic scholars fragmented, the sharing of ideas halted, and wizards secluded themselves in their towers for protection and to study free of the Church's inquiry. ~ Mage the Ascension, Order of Hermes,
100:The eyes of our mentality are incapable as yet of contemplating the incorruptible and incomprehensible Beauty...Thou shalt see it when thou hast nothing to say concerning it; for knowledge, for contemplation are silence, are the sinking to rest of all sensation. ~ Hermes: The Key, the Eternal Wisdom
101:Behold, my son, the plenitude of the good which follows the appearance of the Truth, for envy removes far from us and by the truth the good arrives with life and light and there no longer remain in us any executioners or darkness; all withdraw vanquished. ~ Hermes "On the Rebirth", the Eternal Wisdom
102:Why, O men born from the earth, do you yield yourselves to death, when it is permitted to you to obtain immortality? Return to yourselves, O you who walk in error and languish in ignorance, withdraw from the light that is darkness, renounce corruption, take part in immortality. ~ Hermes, the Eternal Wisdom
103:Human souls which have not the intelligence for their guide, are even as animals without reason. Intelligence abandons them to the passions which draw them by the lure of desire; their wraths and their appetites are equally blind and push them towards evil without ever finding satiety. ~ Hermes, the Eternal Wisdom
104:The world. is a brilliant flame in which every moment a new creature comes to burn itself. Bravely turn thy eyes from it like the lion, if thou wouldst not burn thyself in it like the butterfly. The insensate who like that insect adores the flame, will surely be burned in it. ~ Hermes: On Rebirth, the Eternal Wisdom
105:Thou shalt meet Him everywhere, thou shalt see Him everywhere, in the place and at the hour when thou least expectest it, in waking and in sleep, on the sea, in thy travels, by day, by night, in thy speaking and in thy keeping of silence. For there is nothing that is not the image of God. ~ Hermes, the Eternal Wisdom
106:With writing as an ability to catch and manipulate names, the scribe was able to imprison the object and manipulate its very nature. The catching of names was considered a magical act in ancient societies so the ability to write was reserved for the clergy under the direct influence of gods of wisdom and magic such as Thoth. ~ Mage the Ascension, Order of Hermes,
107:All that exists in the world, without exception, is the seat of a movement of augmentation or of diminution. All that moves is alive, and the universal life is a necessary transformation: nothing is destroyed and nothing lost. If that is so, ail is immortal, matter, life, intelligence, the breath, the soul, all that constitutes the living being. ~ Hermes, the Eternal Wisdom
108:Raise thyself above every height, descend below every depth, assemble in thyself all the sensations of created things, of water, of fire, of the dry, of the moist; suppose that thou art at once everywhere, on earth, in the sea, in the heavens, that thou wast never born, that thou art still in the womb, that thou art young, old, dead, beyond death; comprehend all at once, times, spaces, things, qualities, and thou shalt comprehend God. ~ Hermes, the Eternal Wisdom
109:Hermetic philosophy is complex and many-layered. At the heart, the Hermetics profess the drive to perfection. This drive manifests through trials, tests, self-discovery, and the rejoining of fragmented patterns like disparate languages or mathematical conundrums. Ideally, each individual has a Word, a divine imperative that drives the figure's revelations. By exploring the boundaries of that Word and all of its meanings, the individual rises to his inner nature, then beyond. Each step in the process is a challenge that requires a leap of perception but also opens the way to the next path. Eventually, the human passes far enough to become something cosmically divine. ~ Mage the Ascension, Order of Hermes,
110:Solitude, the safeguard of mediocrity, is to genius the stern friend, the cold, obscure shelter where moult the wings which will bear it farther than suns and stars. He who should inspire and lead his race must be defended from travelling with the souls of other men, from living, breathing, reading, and writing in the daily, time-worn yoke of their opinions. "In the morning, - solitude;" said Pythagoras; that Nature may speak to the imagination, as she does never in company, and that her favorite may make acquaintance with those divine strengths which disclose themselves to serious and abstracted thought. 'Tis very certain that Plato, Plotinus, Archimedes, Hermes, Newton, Milton, Wordsworth, did not live in a crowd, but descended into it from time to time as benefactors: and the wise instructor will press this point of securing to the young soul in the disposition of time and the arrangements of living, periods and habits of solitude. ~ Ralph Waldo Emerson,
111:The key one and threefold, even as universal science. The division of the work is sevenfold, and through these sections are distributed the seven degrees of initiation into is transcendental philosophy.

The text is a mystical commentary on the oracles of Solomon, ^ and the work ends with a series of synoptic schedules which are the synthesis of Magic and the occult Kabalah so far as concerns that which can be made public in writing. The rest, being the esoteric and inexpressible part of the science, is formulated in magnificent pantacles carefully designed and engraved. These are nine in number, as follows

(1) The dogma of Hermes;
(2) Magical realisation;
(3) The path of wisdom and the initial procedure in the work
(4) The Gate of the Sanctuary enlightened by seven mystic rays;
(5) A Rose of Light, in the centre of which a human figure is extending its arms in the form of a cross;
(6) The magical laboratory of Khunrath, demonstrating the necessary union of prayer and work
(7) The absolute synthesis of science;
(8) Universal equilibrium ;
(9) A summary of Khunrath's personal embodying an energetic protest against all his detractors. ~ Eliphas Levi, The History Of Magic,
112:SECTION 1. Books for Serious Study
   Liber CCXX. (Liber AL vel Legis.) The Book of the Law. This book is the foundation of the New Æon, and thus of the whole of our work.
   The Equinox. The standard Work of Reference in all occult matters. The Encyclopaedia of Initiation.
   Liber ABA (Book 4). A general account in elementary terms of magical and mystical powers. In four parts: (1) Mysticism (2) Magical (Elementary Theory) (3) Magick in Theory and Practice (this book) (4) The Law.
   Liber II. The Message of the Master Therion. Explains the essence of the new Law in a very simple manner.
   Liber DCCCXXXVIII. The Law of Liberty. A further explanation of The Book of the Law in reference to certain ethical problems.
   Collected Works of A. Crowley. These works contain many mystical and magical secrets, both stated clearly in prose, and woven into the Robe of sublimest poesy.
   The Yi King. (S. B. E. Series [vol. XVI], Oxford University Press.) The "Classic of Changes"; give the initiated Chinese system of Magick.
   The Tao Teh King. (S. B. E. Series [vol. XXXIX].) Gives the initiated Chinese system of Mysticism.
   Tannhäuser, by A. Crowley. An allegorical drama concerning the Progress of the Soul; the Tannhäuser story slightly remodelled.
   The Upanishads. (S. B. E. Series [vols. I & XV.) The Classical Basis of Vedantism, the best-known form of Hindu Mysticism.
   The Bhagavad-gita. A dialogue in which Krishna, the Hindu "Christ", expounds a system of Attainment.
   The Voice of the Silence, by H.P. Blavatsky, with an elaborate commentary by Frater O.M. Frater O.M., 7°=48, is the most learned of all the Brethren of the Order; he has given eighteen years to the study of this masterpiece.
   Raja-Yoga, by Swami Vivekananda. An excellent elementary study of Hindu mysticism. His Bhakti-Yoga is also good.
   The Shiva Samhita. An account of various physical means of assisting the discipline of initiation. A famous Hindu treatise on certain physical practices.
   The Hathayoga Pradipika. Similar to the Shiva Samhita.
   The Aphorisms of Patanjali. A valuable collection of precepts pertaining to mystical attainment.
   The Sword of Song. A study of Christian theology and ethics, with a statement and solution of the deepest philosophical problems. Also contains the best account extant of Buddhism, compared with modern science.
   The Book of the Dead. A collection of Egyptian magical rituals.
   Dogme et Rituel de la Haute Magie, by Eliphas Levi. The best general textbook of magical theory and practice for beginners. Written in an easy popular style.
   The Book of the Sacred Magic of Abramelin the Mage. The best exoteric account of the Great Work, with careful instructions in procedure. This Book influenced and helped the Master Therion more than any other.
   The Goetia. The most intelligible of all the mediæval rituals of Evocation. Contains also the favourite Invocation of the Master Therion.
   Erdmann's History of Philosophy. A compendious account of philosophy from the earliest times. Most valuable as a general education of the mind.
   The Spiritual Guide of [Miguel de] Molinos. A simple manual of Christian Mysticism.
   The Star in the West. (Captain Fuller). An introduction to the study of the Works of Aleister Crowley.
   The Dhammapada. (S. B. E. Series [vol. X], Oxford University Press). The best of the Buddhist classics.
   The Questions of King Milinda. (S. B. E. Series [vols. XXXV & XXXVI].) Technical points of Buddhist dogma, illustrated bydialogues.
   Liber 777 vel Prolegomena Symbolica Ad Systemam Sceptico-Mysticæ Viæ Explicandæ, Fundamentum Hieroglyphicam Sanctissimorum Scientiæ Summæ. A complete Dictionary of the Correspondences of all magical elements, reprinted with extensive additions, making it the only standard comprehensive book of reference ever published. It is to the language of Occultism what Webster or Murray is to the English language.
   Varieties of Religious Experience (William James). Valuable as showing the uniformity of mystical attainment.
   Kabbala Denudata, von Rosenroth: also The Kabbalah Unveiled, by S.L. Mathers. The text of the Qabalah, with commentary. A good elementary introduction to the subject.
   Konx Om Pax [by Aleister Crowley]. Four invaluable treatises and a preface on Mysticism and Magick.
   The Pistis Sophia [translated by G.R.S. Mead or Violet McDermot]. An admirable introduction to the study of Gnosticism.
   The Oracles of Zoroaster [Chaldæan Oracles]. An invaluable collection of precepts mystical and magical.
   The Dream of Scipio, by Cicero. Excellent for its Vision and its Philosophy.
   The Golden Verses of Pythagoras, by Fabre d'Olivet. An interesting study of the exoteric doctrines of this Master.
   The Divine Pymander, by Hermes Trismegistus. Invaluable as bearing on the Gnostic Philosophy.
   The Secret Symbols of the Rosicrucians, reprint of Franz Hartmann. An invaluable compendium.
   Scrutinium Chymicum [Atalanta Fugiens]¸ by Michael Maier. One of the best treatises on alchemy.
   Science and the Infinite, by Sidney Klein. One of the best essays written in recent years.
   Two Essays on the Worship of Priapus [A Discourse on the Worship of Priapus &c. &c. &c.], by Richard Payne Knight [and Thomas Wright]. Invaluable to all students.
   The Golden Bough, by J.G. Frazer. The textbook of Folk Lore. Invaluable to all students.
   The Age of Reason, by Thomas Paine. Excellent, though elementary, as a corrective to superstition.
   Rivers of Life, by General Forlong. An invaluable textbook of old systems of initiation.
   Three Dialogues, by Bishop Berkeley. The Classic of Subjective Idealism.
   Essays of David Hume. The Classic of Academic Scepticism.
   First Principles by Herbert Spencer. The Classic of Agnosticism.
   Prolegomena [to any future Metaphysics], by Immanuel Kant. The best introduction to Metaphysics.
   The Canon [by William Stirling]. The best textbook of Applied Qabalah.
   The Fourth Dimension, by [Charles] H. Hinton. The best essay on the subject.
   The Essays of Thomas Henry Huxley. Masterpieces of philosophy, as of prose.
   ~ Aleister Crowley, Liber ABA, Appendix I: Literature Recommended to Aspirants


1:Here Jove with Hermes came; but in disguise Of mortal men conceal'd their deities; One laid aside his thunder, one his rod ~ ovid, @wisdomtrove
2:[Hermes addresses Prometheus :] To you, the clever and crafty, bitter beyond all bitterness, who has sinned against the gods in bestowing honors upon creatures of a day&

*** NEWFULLDB 2.4M ***

1:Sorrow is a form of Evil. ~ Hermes,
2:Hermes, the Psychopomp. ~ Stephen Fry,
3:As Above, So Below ~ Hermes Trismegistus,
4:Thoth, Hermes, the stylus, ~ Hilda Doolittle,
5:too much of a muchness ~ Imogen Hermes Gowar,
6:To say eternal is to say universal. ~ Hermes,
7:All that is one and one that is all. ~ Hermes,
8:If He were apparent, He would not be. ~ Hermes,
9:Soul is one. Nature is one, life is one. ~ Hermes,
10:Here Jove with Hermes came; but in disguise ~ Ovid,
11:All is truth for the intellect and reason. ~ Hermes,
12:Curse Hermes and his multi-vitamins! ~ Rick Riordan,
13:It is that which is and that which is not. ~ Hermes,
14:A whore is a whore is a whore. ~ Imogen Hermes Gowar,
15:It is that which is and that which is not. ~ Hermes,
16:76. Heaven is the first element. ~ Hermes Trismegistus,
17:The evil of the soul is ignorance. ~ Hermes, “The Key”,
18:All that is born, is corrupted to be born again. ~ Hermes,
19:Thou knowest, O my son, the way of regeneration. ~ Hermes,
20:There where all ends, all is eternally beginning. ~ Hermes,
21:For what is she, but a spare daughter? ~ Imogen Hermes Gowar,
22:I cry out and there is a dull nothing. ~ Imogen Hermes Gowar,
23:The plague of ignorance overflows all the earth. ~ Hermes II,
24:All cats are grey with the candles out. ~ Imogen Hermes Gowar,
25:Becoming is the mode of activity of the uncreated God. ~ Hermes,
26:Comprehend then the light and know it. ~ Hermes I. “Poimandres”,
27:Becoming is the mode of activity of the uncreated God. ~ Hermes,
28:The perfection of evil is to be ignorant of the Divine. ~ Hermes,
29:We need a shroud. A shroud for the son of Hermes. ~ Rick Riordan,
30:O Inexpressible, Ineffable, whom silence alone can name! ~ Hermes,
31:Man's duty is to give the guidance of the soul to reason. ~ Hermes,
32:Let the man in whom there is intelligence... know himself. ~ Hermes,
33:Man's duty is to give the guidance of the soul to reason. ~ Hermes,
34:Save the world that is within us, O Life. ~ Hermes: “On the Rebirth”,
35:This is, however, the age of unlikely ascents. ~ Imogen Hermes Gowar,
36:To comprehend God is difficult, to speak of Him impossible. ~ Hermes,
37:The essence of God, if at all God has an essence, is Beauty. ~ Hermes,
38:Terrestrial things are not the truth, but semblances of truth. ~ Hermes,
39:Let him in whom there is understanding know that he is immortal. ~ Hermes,
40:The punishment of desire is the agony of unfulfillment ~ Hermes Trismegistus,
41:Such is the last good of those who possess knowledge: to become God. ~ Hermes,
42:The punishment of desire is the agony of unfulfillment ~ Hermes Trismegistus,
43:Such is the last good of those who possess knowledge: to become God. ~ Hermes,
44:The Bird of Hermes is my name, eating my wings to make me tame. ~ Kohta Hirano,
45:Through Thy creations I have discovered the beatitude of Thy eternity. ~ Hermes,
46:God or the Good, what is it but the existence of that which yet is not? ~ Hermes,
47:Any gentleman can tell a lie; any scoundrel can talk truth. ~ Imogen Hermes Gowar,
48:Dost thou not know that thou hast become God and art the son of the One? ~ Hermes,
49:If thou canst not equal thyself with God, thou canst not understand Him. ~ Hermes,
50:Nothing is lost in the world because the world is enveloped in eternity. ~ Hermes,
51:Dost thou not know that thou hast become God and art the son of the One? ~ Hermes,
52:55. Nothing in Heaven is enslaved; nothing upon Earth is free. ~ Hermes Trismegistus,
53:Knowledge belongs to the very essence of God, if at all God has an essence. ~ Hermes,
54:74. The Earth is brutish; the Heaven is reasonable or rational. ~ Hermes Trismegistus,
55:Knowledge belongs to the very essence of God, if at all God has an essence. ~ Hermes,
56:Render to God the sole worship which is fitting towards Him, not to be evil. ~ Hermes,
57:If thou understand, what seems invisible to most shall be to thee very apparent. ~ Hermes,
58:Things mortal change their aspect daily; they are nothing but a lie. ~ Hermes: On Rebirth,
59:If thou but settest foot on this path, thou shalt see it everywhere. ~ Hermes Trismegistus,
60:Intelligence, soul divine, truly dominates all,—destiny, law and everything else. ~ Hermes,
61:Each separate movement is produced by the same energy that moves the sum of things. ~ Hermes,
62:As above, so below, as within, so without, as the universe, so the soul… ~ Hermes Trismegistus,
63:She is such a conduit of rage, it is a wonder she does not catch alight. ~ Imogen Hermes Gowar,
64:Intelligence is the beneficent guide of human souls, it leads them towards their good. ~ Hermes,
65:Its appearance is unbeautiful. It is not what people expect of a mermaid. ~ Imogen Hermes Gowar,
66:Surpass all bodies, traverse all times, become eternity, and thou shalt comprehend God. ~ Hermes,
67:If thou comprehend Him, what seems invisible to most, will be for thee utterly apparent. ~ Hermes,
68:For the sun is situated in the center of the cosmos, wearing it like a crown ~ Hermes Trismegistus,
69:I hope I packed well for you,” Hermes said. “I do have some experience with travel. ~ Rick Riordan,
70:A man who is pleased to collect up the pins as he strips her is a rare jewel. ~ Imogen Hermes Gowar,
71:As above, so below. As within, so without. Originated by Hermes TRISMEGISTUS! ~ Hermes Trismegistus,
72:But how can that be manifested to thy eyes if what is within thee is to thyself invisible? ~ Hermes,
73:I am cognisant, as those gentlemen are not, that all pleasures have their cost. ~ Imogen Hermes Gowar,
74:Nothing is fixed, nothing stable, nothing immobile in nature, nor in heaven, nor on the earth. ~ Hermes,
75:That Intelligence is God within us; by that men are gods and their humanity neighbours divinity. ~ Hermes,
76:For mermaids are the most unnatural of creatures and their hearts are empty of love. ~ Imogen Hermes Gowar,
77:Hello, Hermes! Command sequence: Daedalus Twenty-three. Kill Flying Pigs! Begin Activation! ~ Rick Riordan,
78:each individual has a Word, a divine imperative that drives the figure's revelations ~ Mage, Order of Hermes,
79:HERNIAS ARE US Wait…sorry. I’m dyslexic. I squinted and decided it probably read: HERMES EXPRESS ~ Rick Riordan,
80:Hermes?” Apollo hissed—actually hissed like an angry lion. “That little, punk-ass bitch. ~ Jennifer L Armentrout,
81:The ideal birth is perfected, the twelfth executioner is driven forth and we are born to contemplation. ~ Hermes,
82:I do not believe that any name, however complex, is sufficient to designate the principle of all Majesty. ~ Hermes,
83:In Hermes' eyes Mankind's greatest error is that he has the power to know God and yet does not use it. ~ Tim Freke,
84:80. What is God? The immutable or unalterable good.
81. What is man? An unchangeable evil. ~ Hermes Trismegistus,
85:I do not believe that any name, however complex, is sufficient to designate the principle of all Majesty. ~ Hermes,
86:65. The generation of man is corruption; the corruption of man is the beginning of generation. ~ Hermes Trismegistus,
87:That which is most subtle in matter is air, in air the soul, in the soul intelligence, in intelligence God. ~ Hermes,
88:I have issued out of myself, I have put on an immortal body, 1 am no longer the same, I am born into wisdom. ~ Hermes,
89:Infected by the vices, the soul is swollen with poisons and can only be cured by knowledge and intelligence. ~ Hermes,
90:Such is the science of the Intelligence, to contemplate things divine and comprehend God. ~ Hermes 1. “The Character”,
91:This is the new birth, my son, to turn one's thought from the body that has the three dimensions. ~ Hermes: On Rebirth,
92:Opinions on the world and on God are many and conflicting and I know not the truth. Enlighten me, O my Master. ~ Hermes,
93:The moral?” Hermes asked. “Goodness, you act like it’s a fable. It’s a true story. Does truth have a moral? ~ Rick Riordan,
94:For of all things He is the Lord and Father and Source, and the life and power and light and intelligence and mind. ~ Hermes,
95:He alone traverses the current of the illusion who comes face to face with the Eternal and realises it. ~ Hermes: On Rebirth,
96:Man is the creator of the gods whom he worships in his temples. Therefore humanity has made its gods in its own image. ~ Hermes,
97:You know the saying, don’t kill the messenger? Hold that thought really, really close to your hearts. (Hermes) ~ Sherrilyn Kenyon,
98:I turned and faced the Olympians. "We need a shroud," I announced, my voice cracking. "A shroud for the son of Hermes. ~ Rick Riordan,
99:There is no death, the word mortal has no significance ; death would be destruction and nothing is destroyed in the universe. ~ Hermes,
100:Hello, Hermes! Command sequence: Daedalus Twenty-three. Kill Flying Pigs! Begin Activation!” Immediately the statue moved ~ Rick Riordan,
101:Hermes played a little Mozart and some One Direction, and Apollo cried, ‘I must have it! The girls will go wild for that! ~ Rick Riordan,
102:I turned and faced the Olympians.
"We need a shroud," I announced, my voice cracking. "A shroud for the son of Hermes. ~ Rick Riordan,
103:Holy Knowledge, by thee illumined, I hymn by thee the ideal light; I rejoice with the joy of the Intelligence. ~ Hermes: “On the Rebirth”,
104:The excellence of the soul is understanding; for the man who understands is conscious, devoted, and already godlike. ~ Hermes Trismegistus,
105:God is not knowledge, but the cause of Knowledge; He is not mind, but the cause of mind; He is not Light, but the cause of Light. ~ Hermes,
106:Love grapples judgement and experience from the hands of even the wisest of souls: what hope is there for anybody else? ~ Imogen Hermes Gowar,
107:Some men only have the happiness to raise themselves to that perception of the Divine which exists only in God and in the human mind. ~ Hermes,
108:You see, Asclepius: it is as if I had been telling you all this in your sleep. What is the world, really? ~ Hermes Trismegistus,” Asclepius 36,
109:God invisible,...say not so; for who is more apparent than He? That is the goodness of God, that is His virtue, to be apparent in all. ~ Hermes,
110:And yours is what is called a house of ill repute.’
‘Nobody calls my house that. I have an excellent reputation. ~ Imogen Hermes Gowar,
111:Even the gods were impressed. They descended from Olympus and loaded Hercules down with so much swag, it got embarrassing. Hermes ~ Rick Riordan,
112:Hermes made it sound pretty ridiculous—hordes of monsters going up in the elevator twenty at a time, listening to “Stayin’ Alive. ~ Rick Riordan,
113:So what’s the moral?” “The moral?” Hermes asked. “Goodness, you act like it’s a fable. It’s a true story. Does truth have a moral? ~ Rick Riordan,
114:How canst thou seize by the senses that which is neither solid nor liquid...that which is conceived only in power and energy? ~ Hermes: On Rebirth,
115:To be ignorant of the path one has to take and set out on the way without a guide, is to will to lose oneself and run the risk of perishing. ~ Hermes,
116:72. Things upon Earth, do not advantage those in Heaven; but all things in Heaven do profit and advantage all things upon Earth. ~ Hermes Trismegistus,
117:Visiting my mind is like visiting the Hermes factory. Sh*t is real. You're not going to find a chink. It's 100,000 per cent Jimi Hendrix. ~ Kanye West,
118:That which has neither body, nor appearance, nor form, nor matter, nor can be seized by our senses, That which cannot be expressed,—this is God. ~ Hermes,
119:Odysseus looked up. Could this truly be Hermes, the messenger god of Mount Olympus, son of Zeus, and protector of heroes and travelers? ~ Mary Pope Osborne,
120:If thou canst, thou mayst see Him by the eyes of the intelligence, for the Lord is not a miser of Himself; He reveals Himself in the whole universe. ~ Hermes,
121:Despair not, my son, thy desire shall be fulfilled, thy will shall have fruit; put to sleep the sensations of the body and thou shalt be born in God. ~ Hermes,
122:hermes has threatened me with slow mail. lousy Internet service and a horrible stock market if i publish this story. I hope he is just bluffing. ~ Rick Riordan,
123:Very weak are our efforts for the discovery of such great blessings, but when we arrive at them, we are recompensed by the felicity of our conscience. ~ Hermes,
124:That which is below is like that which is above & that which is above is like that which is below to do the miracles of one only thing. ~ Hermes Trismegistus,
125:If thou canst comprehend God, thou shalt comprehend the Beautiful and the Good, the pure radiance, the incomparable beauty, the good that has not its like. ~ Hermes,
126:Imagination is just what others use to get things they can't understand into their heads. Rarely – if ever – do they actually fit there.
-Hermes ~ Brian Azzarello,
127:I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket. ~ Nate Berkus,
128:That which is below is like that which is above, and that which is above is like that which is below, to perform the miracles of one only thing. ~ Hermes Trismegistus,
129:The hearer must be of one mind with the speaker, my son, and of one spirit as well; he must have hearing quicker than the speech of the speaker. ~ Hermes Trismegistus,
130:Birth is not the beginning of life - only of an individual awareness. Change into another state is not death - only the ending of this awareness. ~ Hermes Trismegistus,
131:Whosoever comes to birth in God, is delivered from the physical sensations, recognises the different elements which compose it and enjoys a perfect happiness. ~ Hermes,
132:Endeavour maketh wisdom to grow, but negligence increaseth perdition. Perceive the double way of descent and ascension and choose the way that increaseth wisdom. ~ Hermes,
133:The splendour which inundates all his thought and all his soul, snatches him from the ties of the body and transforms his whole being into the very essence of God. ~ Hermes,
134:There were two sons of Zeus, three sons of Ares, two sons of Hermes and one son each of Dionysus, Helios, Poseidon, Hephaestus and a partridge in a pear tree. ~ Rick Riordan,
135:Where shall I direct my gaze to bless Thee, on high, below, without, within? There is no way, no place that is outside Thee, other beings exist not; all is in Thee. ~ Hermes,
136:83. Avoid all conversation with the multitude or common people; for I would not have you subject to envy, much less to be ridiculous unto the multitude. ~ Hermes Trismegistus,
137:Truth is the perfect virtue, the sovereign good that is not troubled by matter nor circumscribed by the body, the good bare, evident, unalterable, august, immutable. ~ Hermes,
138:That is why the incorporeal eye** should be raised to contemplate not the figure, not the body, not the appearance, but that which is calm, tran quil, solid, immutable. ~ Hermes,
139:Are you in pain?"
I rolled my eyes. Good news was that Apollo must've had a little talk with Hermes. "No, but you're a pain in my ass. Does that count? ~ Jennifer L Armentrout,
140:There is nothing, whether in its totality or its parts, which is not can that be corrupted which is a part of the incorruptible or something of God perish ? ~ Hermes,
141:For they apprehend that before them, pulled up to the fullest of her height, stands a true and haughty whore of the first water. And they cannot think what to do. ~ Imogen Hermes Gowar,
142:Language is different but man is the same everywhere. That is why spoken Reason is one, and through its translation we see it to be the same in Egypt, in Persia and in Greece. ~ Hermes,
143:Your former friend Luke " Poseidon corrected. "He once promised things like that. He was Hermes's pride and joy. Just bear that in mind Percy. Even the bravest can fall. ~ Rick Riordan,
144:Hermes?" I stammered. "Hello, Percy. Didn't recognize me without my jogging clothes?" "Uh..." I wasn't sure whether I was supposed to kneel or buy stamps from him or what. ~ Rick Riordan,
145:When I bestride him, I soar, I am a hawk: he trots the air; the earth sings when he touches it; the basest horn of his hoof is more musical than the pipe of Hermes. ~ William Shakespeare,
146:Whats the difference between male and female passion? If love is a drug, what are its side effects? Rhye makes chill-out music, but it never quite lets your mind switch off. ~ Will Hermes,
147:Nothing dies, but what was composed is divided: this division is not a death, it is the analysis of a combination; but the aim of this analysis is not destruction, it is a renewal. ~ Hermes,
148:We have known thee, O most great Light who art perceived only by the intelligence I We have known thee, O Plenitude matrix of all Nature! We have known thee, O eternal Permanence ! ~ Hermes,
149:No eyes will raise to heaven. The pure will be thought insane and the impure will be honoured as wise. The madman will be believed brave, and the wicked esteemed as good. ~ Hermes Trismegistus,
150:Knowledge of God has entered into us and at once ignorance disappears. The knowledge of joy arrives and before her, my son, sorrow shall flee away to those who can still feel her sting. ~ Hermes,
151:Odysseus is not as skilled a fighter as Achilles. Not as great an archer as Apollo. Not as fast as Hermes. In fact, he’s not the best at anything. And yet overall? He is unrivaled. ~ Gregg Hurwitz,
152:Thou art all that I can be, Thou art all that I can do, Thou art all that I can say; for Thou art all and there is nothing that Thou art not. Thou art all that is and all that yet is not. ~ Hermes,
153:The knowledge of the divine nature is the sole truth and this truth cannot he discovered, nor even its shadow, in this world full of lies, of changing appearances. and of errors. ~ Hermes: On Initiation,
154:O ye people, earth-born folk, ye who have given yourselves to drunkenness and sleep and ignorance of God, be sober now,cease from your surfeit, cease to be glamored by irrational sleep! ~ Hermes Trismegistus,
155:10. Apollonius of Tyana, writing as Hermes Trismegistos, said, "That which is above is that which is below." By this he meant to tell us that our universe is a hologram, but he lacked the term. ~ Philip K Dick,
156:The intelligence uncovers its light to the souls it governs and battles against their tendencies, even as a good physician uses fire and steel to combat the maladies of the body and recall it to health. ~ Hermes,
157:Above all thou must tear this robe that thou wearest, this garment of ignorance which is the principle of wickedness, this dark covering, this living death, this tomb which thou carriest about with thee. ~ Hermes,
158:[Hermes addresses Prometheus :] To you, the clever and crafty, bitter beyond all bitterness, who has sinned against the gods in bestowing honors upon creatures of a day--to you, thief of fire, I speak. ~ Aeschylus,
159:When I discovered Gil Scott-Heron, I discovered a musical hero, a man who spoke baritone truth to power over jazzy funk at a time when funky music was primarily about shake, shake, shaking your booty. ~ Will Hermes,
160:In the multiple unity of the universal life, its innumerable species distinguished from one another by their differences are still united in such a way that the totality is one and all proceeds from oneness. ~ Hermes,
161:The thought of God is the movement of the universe: never at any time can there perish a being, that is to say, a portion of God, for God contains all beings; nothing is outside him and he is outside of nothing. ~ Hermes,
162:Our intelligence arrives by application at the understanding and knowledge of the nature of the world. The understanding of the nature of the world arrives at the knowledge of the eternal. ~ Hermes. “Initiatory discourses”,
163:Touch me again with your speaking. The hectic crowded feeling of being: I would drink it all in. Brimming with things that swell, and make me flip over on myself: elation and jealousy and spasms of love. ~ Imogen Hermes Gowar,
164:For my part, I can say, ‘bring what challenge you please and I will turn it to good account: bring illness, death, poverty, slander, a judgement of death: they will all be converted to advantage by my wand of Hermes. ~ Epictetus,
165:What? Was that a laugh? (Delphine) No. (Jericho) Yes, it was. I heard it. Holy cow, call Hermes to spread the news. I think I just started the end of the world…it has to be a sign of the apocalypse. (Delphine) ~ Sherrilyn Kenyon,
166:She's touching me, George complained as he and Martha slithered around the pole.
'She's always touching you,' Hermes said. 'You are intertwined. And if you don't stop that, you'll get knotted again! ~ Rick Riordan,
167:What? Was that a laugh? (Delphine)
No. (Jericho)
Yes, it was. I heard it. Holy cow, call Hermes to spread the news. I think I just started the end of the world…it has to be a sign of the apocalypse. (Delphine) ~ Sherrilyn Kenyon,
168:In response to what he saw as the "emptying" of the world of significance through the rise of the rationalistic reductive view, Rilke, like many other late-Romantic souls, turned inward. ~ Gary Lachman, The Quest for Hermes Trismegistus,
169:The world possesses a thought and a sensation which is not like that of man nor so varied but superior and more simple. The world has only one sentiment, only one thought, to create all things and make them re-enter into itself. ~ Hermes,
170:Pretty dark in there, says Ash. Did you git lost? I feel a hot flush crawl up my neck. Lucky for me, Hermes trots over an I busy myself strokin his neck. It uh . . . took us longer than we thought to put out the fire, says Jack. ~ Moira Young,
171:What’s the best part of being in Hermes cabin? Connor: You are never lonely. I mean seriously, new kids are always coming in. So you always have someone to talk to. Travis: Or prank. Connor: Or pickpocket. One big happy family. ~ Rick Riordan,
172:Hermes, we love you," Hades said, "but you rarely do as you're told, and you always do as you wish, and I haven't the slightest idea what you'd do with an immortality fruit, but I'm sure it would be both creative and disastrous. ~ Molly Ringle,
173:I gotta say"—Apollo broke the silence—"these kids did okay." He cleared his throat and began to recite: "Heroes win laurels—"

Um, yes, first class," Hermes interrupted, like he was anxious to avoid Apollo's poetry. ~ Rick Riordan,
174:Hermes shrugged. “Families are messy. Immortal families are eternally messy. Sometimes the best we can do is to remind each other that we’re related, for better or worse . . . and try to keep the maiming and killing to a minimum. ~ Rick Riordan,
175:I am Hermes, Conductor of Souls. Come if you wish. Come if you dare. All things arise from Space and into Space they return: Space is the beginning and the final end. There isn’t much of it here: watch your head on the newel-post. ~ Dorothy Dunnett,
176:Perhaps the commonest dream symbol of transcendence is the snake . . . chthonic transcendence is the motif of the two entwined serpents. Naga serpents of India . . .Greece . . . on a staff belonging to the god Hermes . . . p. 155 ~ Carl Gustav Jung,
177:What’s the best part of being in Hermes cabin?
Connor: You are never lonely. I mean seriously, new kids are always coming in. So you always have someone to talk to.
Travis: Or prank.
Connor: Or pickpocket. One big happy family. ~ Rick Riordan,
178:Guide Note: Brief so as not to ruin the flow. Thor was actually the fifth-fastest being in the Universe. Eighth without Mjöllnir to steady him. Number one was Hermes, who mainly used his divine speed to pinch Ares’ nipples and then run away. ~ Anonymous,
179:The work of eternity is the world, which has not been produced once for all but is always produced by eternity. Thus it will never perish, for eternity is imperishable, and nothing is lost in the world because the world is enveloped in eternity. ~ Hermes,
180:Such is God, superior to His name, invisible and apparent, who reveals Himself to the spirit, who reveals Himself to the eyes, who has no body and who has many bodies or rather all bodies; for there is nothing which is not He and all is He alone. ~ Hermes,
181:Whether the issue was black political power or nuclear power, Scott-Heron didn't mince words. His comeback record, "I'm New Here," doesn't mince words either, but instead of political battles, these songs suggest he's fighting personal ones. ~ Will Hermes,
182:I like when she [Martha Stewart] demonstrates how to transport a potted plant while wearing Hermes pants and uses enough packing material to move a whole house. But we're just moving one plant. Really you just put the plant in a truck and go. ~ Alexis Stewart,
183:If there were a god of New York, it would be the Greek's Hermes, the Roman's Mercury. He embodies New York qualities: the quick exchange, the fastness of language and style, craftiness, the mixing of people and crossing of borders, imagination. ~ James Hillman,
184:Adele Adkins' retro-soul debut, '19', was striking less for her songs than for that voice: a voluptuous, slightly parched alto that swooped and fluttered like a Dusty Springfield student trying to upstage her teacher, or at least update the rules. ~ Will Hermes,
185:Man is the most divine of all the beings, for amongst all living things, Atum associates with him only - speaking to him in dreams at night, foretelling the future for him in the flight of birds, the bowels of beasts, and the whispering oak. ~ Hermes Trismegistus,
186:HAIL HERMES! Mr. Lantiere has created something very special for all of us who love the history of mystery. The Magicician's Wand book opens doors to the past where we have an opportunity to explore the deeper meanings, myths and symbols of our art. ~ Jeff McBride,
187:None of the heavenly gods quits his sphere to come upon the earth, while man mounts up to heaven and measures it. He knows what is on high and what is below. He knows all correctly and, what is more, has no need to leave the earth in order to exalt himself. ~ Hermes,
188:I see Hermes, unsuspected, dying, well-beloved, saying to the people, "Do not weep for me, This is not my true country, I have lived banished from my true country - I now go back there, I return to the celestial sphere where every one goes in his turn." ~ Walt Whitman,
189:As to her education..." says Angelica.
"'Tis done," says Mrs Lippard. "Her school could do no more for her."
"I learned nothing," growls Sukie.
"You read every book they had."
"If I had known there were so few, I would have read slower. ~ Imogen Hermes Gowar,
190:But at last I came to understand that I was making it too complicated. For you, this is no mingling at all; for you the Book of Revelation, the ramblings of Hermes Trismegistus, and Principia Mathematica are all signatures torn from the same immense Book. ~ Neal Stephenson,
191:Angelica knows about women and their empire-building. She knows also that a woman in perfect control of her fate never resorts to rudeness, and this gives her a small glow of satisfaction. She clasps Mrs Lippard’s hand and smiles her most honeyed of smiles. ~ Imogen Hermes Gowar,
192:The eyes of our mentality are incapable as yet of contemplating the incorruptible and incomprehensible Beauty...Thou shalt see it when thou hast nothing to say concerning it; for knowledge, for contemplation are silence, are the sinking to rest of all sensation. ~ Hermes: The Key,
193:Behold, my son, the plenitude of the good which follows the appearance of the Truth, for envy removes far from us and by the truth the good arrives with life and light and there no longer remain in us any executioners or darkness; all withdraw vanquished. ~ Hermes “On the Rebirth”,
194:Why, O men born from the earth, do you yield yourselves to death, when it is permitted to you to obtain immortality? Return to yourselves, O you who walk in error and languish in ignorance, withdraw from the light that is darkness, renounce corruption, take part in immortality. ~ Hermes,
195:The present issues from the past, and the future from the present. Everything is made one by this continuity. Time is like a circle, where all the points are so linked that one cannot say where it begins or ends, for all points precede and follow one another for ever. ~ Hermes Trismegistus,
196:The present issues from the past, and the future from the present. Everything is made one by this continuity. Time is like a circle, where all the points are so linked that one cannot say where it begins or ends, for all points precede and follow one another for ever.
   ~ Hermes Trismegistus,
197:Close your eyes and let the mind expand. Let no fear of death or darkness arrest its course. Allow the mind to merge with Mind. Let it flow out upon the great curve of consciousness. Let it soar on the wings of the great bird of duration, up to the very Circle of Eternity. ~ Hermes Trismegistus,
198:Human souls which have not the intelligence for their guide, are even as animals without reason. Intelligence abandons them to the passions which draw them by the lure of desire; their wraths and their appetites are equally blind and push them towards evil without ever finding satiety. ~ Hermes,
199:Hermes was watching me, his head cocked like a curious bird. He was waiting for my reaction. Would I be skimmed milk for crying, or a harpy with a heart of stone? There was nothing between. Anything else did not fit cleanly in the laughing tale he wanted to spin of it.
Pg 86 ~ Madeline Miller,
200:The world. is a brilliant flame in which every moment a new creature comes to burn itself. Bravely turn thy eyes from it like the lion, if thou wouldst not burn thyself in it like the butterfly. The insensate who like that insect adores the flame, will surely be burned in it. ~ Hermes: On Rebirth,
201:Thou shalt meet Him everywhere, thou shalt see Him everywhere, in the place and at the hour when thou least expectest it, in waking and in sleep, on the sea, in thy travels, by day, by night, in thy speaking and in thy keeping of silence. For there is nothing that is not the image of God. ~ Hermes,
202:Snakes are sometimes perceived as evil, but they are also perceived as medicine. If you look at an ambulance, there's the two snakes on the side of the ambulance. The caduceus, or the staff of Hermes, there's the two snakes going up it, which means that the venom can also be healing. ~ Nicolas Cage,
203:Annabeth frowned. "That doesn't make sense. But why were you visiting --" Her eyes widened. "Hermes said you bear the curse of Achilles. Hestia said the same thing. Did you . . . did you bathe in the River Styx?" "Don't change the subject." "Percy! Did you or not?" "Um . . .maybe a little. ~ Rick Riordan,
204:When you read this you may already have met Hermes. In case you haven't, I'll add that he is a dog. But don't worry. he is very good-tempered - and moreover, a good deal more intelligent than a lot of people. In any event he never tries to give the impression of being cleverer than he is. ~ Jostein Gaarder,
205:Hermes and I sat in the back of the delivery truck on a couple of boxes labeled TOXIC SERPENTS. THIS END UP. Maybe that wasn’t the best place to sit, but it was better than some of his other deliveries, which were labeled EXPLOSIVES, DO NOT SIT ON, and DRAKON EGGS, DO NOT STORE NEAR EXPLOSIVES. ~ Rick Riordan,
206:Soon Rome fell, and Western civilization fell onto Dark Times. The Cult of Mercury officially disbanded itself in 415 CE. Hermetic scholars fragmented, the sharing of ideas halted, and wizards secluded themselves in their towers for protection and to study free of the Church's inquiry. ~ Mage, Order of Hermes,
207:Annabeth frowned. "That doesn't make sense. But why were you visiting --" Her eyes widened. "Hermes said you bear the curse of Achilles. Hestia said the same thing. Did you . . . did you bathe in the River Styx?"
"Don't change the subject."
"Percy! Did you or not?"
"Um . . .maybe a little. ~ Rick Riordan,
208:Hekate smacked the mirror down. "I'd never fancy you," she retorted to Hermes. "And if you ever try to kiss me, I'll--I'll keep a snake hidden in my clothes and make it bite you. On the lips. And on both ears."

"See, your threats are still age twelve," Hermes said. "I'll help you work on that. ~ Molly Ringle,
210:George unhinged his jaw and coughed up a little plastic bottle filled with chewable vitamins. "You're kidding," I said. "Are those Minotaur-shaped?" Hermes picked up the bottle and rattled it. "The lemon ones, yes. The grape ones are Furies, I think. Or are they hydras? At any rate, these are potent." ~ Rick Riordan,
211:My discourse leads to the truth; the mind is great and guided by this teaching is able to arrive at some understanding. When the mind has understood all things and found them to be in harmony with what has been expounded by the teachings, it is faithful and comes to rest in that beautiful faith. ~ Hermes Trismegistus,
212:Hermes gazed up at the stars. 'My dear young cousin, if there's one thing I've learned over the eons, it's that you can't give up on your family, no matter how tempting they make it. It doesn't matter if they hate you, or embarrass you, or simply don't appreciate your genius for inventing the Internet-- ~ Rick Riordan,
213:For class is a type of bubble, a membrane around one, and although one might grow within this membrane, and strain against it, it is impossible to break free from it. And a man of nobility is always such in his soul, however he may fall; and a man of humble sort is always such in his soul, however he may climb. ~ Imogen Hermes Gowar,
214:George unhinged his jaw and coughed up a little plastic bottle filled with chewable vitamins.

"You're kidding," I said. "Are those Minotaur-shaped?"

Hermes picked up the bottle and rattled it. "The lemon ones, yes. The grape ones are Furies, I think. Or are they hydras? At any rate, these are potent."
~ Rick Riordan,
215:He’s a little grumpy,” Asclepius said. “People are always confusing my staff with the staff of Hermes, which has two snakes, obviously. Over the centuries, people have called Hermes’s staff the symbol of medicine, when of course it should be my staff. Spike feels slighted. George and Martha get all the attention. Anyway... ~ Rick Riordan,
216:Comeback records always worry me, especially when they're made by one of my heroes, and I'd heard stories about Gil Scott-Heron recently, about drug arrests and prison terms and other troubles. I wasn't prepared for the ravaged shakiness of his voice on this record or the raw spoken word pieces or the dark electronic backgrounds. ~ Will Hermes,
217:Hermes y yo nos sentamos en la parte trasera de la camioneta de reparto sobre un par de cajas en las que ponía SERPIENTES TÓXICAS. Tal vez no era el mejor sitio para sentarse, pero era preferible a otras mercancías en las que ponía EXPLOSIVOS, PROHIBIDO SENTARSE ENCIMA y HUEVOS DE DRAKON: PROHIBIDO ALMACENAR CERCA DE EXPLOSIVOS. ~ Rick Riordan,
218:The stories are of men who, walking on the shore, hear sweet voices far away, see a soft white back turned to them, and - heedless of looming clouds and creaking winds - forget their children's hands and the click of their wives' needles, all for the sake of the half-seen face behind a tumble of gale-tossed greenish hair. ~ Imogen Hermes Gowar,
219:It doesn't matter if they hate you, or embarrass you, or simply don't appreciate your genius for inventing the internet-"
"You invented the internet?"
It was my idea, Martha said.
Rats are delicious, George said.
"It was my idea!" Hermes said. "I mean the internet, not the rats. But that's not the point. ~ Rick Riordan,
220:Humanity looked in awe upon the beauty and the everlasting duration of creation. The exquisite sky flooded with sunlight. The majesty of the dark night lit by celestial torches as the holy planetary powers trace their paths in the heavens in fixed and steady metre - ordering the growth of things with their secret infusions. ~ Hermes Trismegistus,
221:The Hermetic philosophy places man at the very centre of God's creation. Hermes declares that 'man is a marvel'. With his mind he may not only understand the universe, but even come to know God. He is not a mortal body which will live and die. He is an immortal soul which, through the experience of a spiritual rebirth, may become a god. ~ Tim Freke,
222:With writing as an ability to catch and manipulate names, the scribe was able to imprison the object and manipulate its very nature. The catching of names was considered a magical act in ancient societies so the ability to write was reserved for the clergy under the direct influence of gods of wisdom and magic such as Thoth. ~ Mage, Order of Hermes,
223:I have a huge scarf from Hermes that I bought the day I signed my record deal. I had never had an Hermes scarf. And I ran to buy one, thinking, Now, this is a symbol, I need one, I need an Hermes scarf, which actually now Im quite embarrassed about. Most of the time I twist it so much that no one notices it, and just bundle it around me. ~ Lou Doillon,
224:All that exists in the world, without exception, is the seat of a movement of augmentation or of diminution. All that moves is alive, and the universal life is a necessary transformation: nothing is destroyed and nothing lost. If that is so, ail is immortal, matter, life, intelligence, the breath, the soul, all that constitutes the living being. ~ Hermes,
225:Hermes tilted his head. “Percy, that almost sounded like sarcasm. You know very well the gods can’t go around busting heads and ripping up mortal cities looking for our lost items. If we did that, New York would be destroyed every time Aphrodite lost her hairbrush, and believe me, that happens a lot. We need heroes for that sort of errand. ~ Rick Riordan,
226:After the satyrs filed in to dinner, the Hermes cabin brought up the rear. They were always the biggest cabin. Last summer it had been led by Luke, the guy who fought with Thalia and Annabeth on top of Half-Blood Hill. For a while, before Poseidon had claimed me, I'd lodged in the Hermes cabin. Luke had befriended me...and then he'd tried to kill me. ~ Rick Riordan,
227:The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does the truth have a moral?" "Um..." "How about this: stealing is not always bad?" "I don't think my mom would like that moral." 'Rats are delicious,' suggested George. 'What does that have to do with the story?', Martha demanded. 'Nothing', George said. 'But I'm hungry. ~ Rick Riordan,
228:Alex fainted—"
"I didn't faint," I grumbled, feeling my cheeks flush.
Aiden's lip curved up on one side. "Okay. She was suddenly not walking or talking anymore. During that time, she saw Seth. Apparently he used Hermes to pull her in."
"Hermes?" Apollo hissed—actually hissed like an angry lion. "That little, punk-ass bitch."
My brows rose. ~ Jennifer L Armentrout,
229:A smug, satisfied grin stretched Apollo's lips. "I took Hermes' helmet, melted the mother down, and here you go. An invisibility charm just for you."
Apollo dropped the necklace into my palm. It was a reddish-gold color, and a crudely shaped wing was etched into it. "Ha," I said. "It's like Harry Potter and the invisibility cloak."
Everyone stared at me. ~ Jennifer L Armentrout,
230:Hermes visited him in the Underworld a few days before the spring equinox festival, cajoling Hades to come to it.

Hades wandered across the fields with him, Kerberos limping along at his side. “No one wants the god of death at their fertility festival.”

“Sure they do. I’ve heard plenty of girls sighing over your tasty darkness.”

“Tasty darkness. Really. ~ Molly Ringle,
231:Tomb Of Iases
Iases here I lie. To whom this proud
City for youth and beauty gave much fame.
The learned wise admired me, and the crowd
Of simpletons. From both I had the same
Joy. But the Hermes and Narcissus fashion
Wasted and killed me. Traveller, you will not blame,
If Alexandrian. You know the passion
Of our life here, the pleasure and the flame.
~ Constantine P. Cavafy,
232:¿Cómo se escribe una novela? ¿Cómo encontrar el canal, perdido en tantos arroyos y lagunas? La narración no es mi ocupación favorita; no es la de muchos; mi argumento no se eleva y desciende en significativas etapas, sino que se enrosca sobre sí mismo como la concha de un buccino o las serpientes del caduceo de Hermes: disgresa, retrocede, duda, gime desde sus entrañas, etcétera, se derrumba, muere. ~ John Barth,
233:Hermes's shoulders sagged. "They'll try, Percy. Oh, we'll all try to keep our promise. And maybe for a while things will get better. But we gods have never been good at keeping oaths. You were born because of a broken promise, eh? Eventually we'll become forgetful. We always do." "You can change." Hermes laughed. "After three thousand years, you think the gods can change their nature?" "Yeah," I said. "I do. ~ Rick Riordan,
234:I circle around them, my sword pointed in their direction. "Hermes Trismegistus. Ostanes the Persian. Olympiodorous of Thebes---"
I stop, feeling like an idiot. These necromancers and the ridiculous names they give themselves. They're always trying to outdo one another.
"You five," I said instead. "By the authority of King Malcolm of Anglia, I am commanded to arrest you for the crime of witchcraft. ~ Virginia Boecker,
235:It's happened many times before. Usually it results in an exceptional and gifted human. Some of the greatest figures in Earth's history were actually the product of humans and the Loric, including Buddha, Aristotle, Julius Ceasar, Alexander the Great, Genghis Khan, Leonardo da Vinci, Isaac Newton, Thomas Jefferson, and Albert Einstein... Aprodite, Apollo, Hermes, and Zeus were all real, and had one Loric parent ~ Pittacus Lore,
236:Anna shouted, “Help me! I’m naked and covered in honey!” Wolf slid across the kitchen tile, heading for the basement stairs like Hermes in a footrace. “Hold tight, honeybun! Here I come!” Joe Singer charged behind him with the lantern. Wolf was not going to see Anna in her honey, even if he had to shoot him. This was not police work. This was personal. He hurled himself at Wolf. “She’s my girl!” “Not anymore! ~ Jennifer Kincheloe,
237:He raised an eyebrow. "You claim not to know me? Of course I'm Thoth. Also called Djehuti. Also called--" I [Sadie] stifled a laugh. "Ja-hooty?" Thoth looked offended. "In Ancient Egyptian, it's a perfectly fine name. The Greeks called me Thoth. Then later they confused me with their god Hermes. Even had the nerve to rename my sacred city Hermopolis, though we're nothing alike. Believe me, if you've ever met Hermes-- ~ Rick Riordan,
238:Hermes's shoulders sagged. "They'll try, Percy. Oh, we'll all try to keep our promise. And maybe for a while things will get better. But we gods have never been good at keeping oaths. You were born because of a broken promise, eh? Eventually we'll become forgetful. We always do."
"You can change."
Hermes laughed. "After three thousand years, you think the gods can change their nature?"
"Yeah," I said. "I do. ~ Rick Riordan,
239:He raised an eyebrow. "You claim not to know me? Of course I'm Thoth. Also called Djehuti. Also called--"
I [Sadie] stifled a laugh. "Ja-hooty?"
Thoth looked offended. "In Ancient Egyptian, it's a perfectly fine name. The Greeks called me Thoth. Then later they confused me with their god Hermes. Even had the nerve to rename my sacred city Hermopolis, though we're nothing alike. Believe me, if you've ever met Hermes-- ~ Rick Riordan,
240:Lou Ellen and the Hecate kids have
been putting up magic barriers, and the whole Hermes cabin
has been lining the hills with traps and snares and all kinds
of nice surprises for the Romans!"
Jake Mason frowned. "Most of which you stole from
Bunker Nine and the Hephaestus cabin."
Clarisse grumbled in agreement. "They even stole the land
mines from around the Ares cabin. How do you steal live land mines? ~ Rick Riordan,
241:Raise thyself above every height, descend below every depth, assemble in thyself all the sensations of created things, of water, of fire, of the dry, of the moist; suppose that thou art at once everywhere, on earth, in the sea, in the heavens, that thou wast never born, that thou art still in the womb, that thou art young, old, dead, beyond death; comprehend all at once, times, spaces, things, qualities, and thou shalt comprehend God. ~ Hermes,
242:My dear young cousin, if there’s one thing I’ve learned over the aeons, it’s that you can’t give up on your family, no matter how tempting they make it. It doesn’t matter if they hate you, or embarrass you, or simply don’t appreciate your genius for inventing the internet –’ ‘You invented the internet?’ It was my idea, Martha said. Rats are delicious, George said. ‘It was my idea!’ Hermes said. ‘I mean the internet, not the rats. ~ Rick Riordan,
243:They made these improving remarks to one another, but Apollo leaned aside to say to Hermes:   “Son of Zeus, beneficent Wayfinder, would you accept a coverlet of chain, if only you lay by Aphrodite’s golden side?”   To this the Wayfinder replied, shining:   “Would I not, though, Apollo of distances! Wrap me in chains three times the weight of these, come goddesses and gods to see the fun; only let me lie beside the pale-golden one!”   The ~ Homer,
244:Hermes rolled his eyes. "Surely you've seen network TV lately. It's clear they don't know whether they're coming or going. That's because Janus is in charge of programming. He loves ordering new shows and cancelling them after two episodes. God of beginnings and endings, after all. Anyway, I was bringing him some magic doormats, and I was double-parked -" "You have to worry about double-parking?" "Will you let me tell the story?" "Sorry." ~ Rick Riordan,
245:The influence of Greek art and literature became so powerful in Rome that ancient Roman deities were changed to resemble the corresponding Greek gods, and were considered to be the same. Most of them, however, in Rome had Roman names. These were Jupiter (Zeus), Juno (Hera), Neptune (Poseidon), Vesta (Hestia), Mars (Ares), Minerva (Athena), Venus (Aphrodite), Mercury (Hermes), Diana (Artemis), Vulcan or Mulciber (Hephaestus), Ceres (Demeter). ~ Edith Hamilton,
246:Hermes rolled his eyes. "Surely you've seen network TV lately. It's clear they don't know whether they're coming or going. That's because Janus is in charge of programming. He loves ordering new shows and cancelling them after two episodes. God of beginnings and endings, after all. Anyway, I was bringing him some magic doormats, and I was double-parked-"
"You have to worry about double-parking?"
"Will you let me tell the story?"
"Sorry. ~ Rick Riordan,
247:She’s a tough one, Hermes,” he murmured to his lead horse, a giant black Shire that stood over seventeen hands, “but I think she’ll be worth the trouble.” He patted the beast’s neck, his gaze searching out Lewis to make sure the boy was keeping out of trouble. “Ma would like her, don’t you think? Seeing as how they’re cut from the same cloth. Smart, hardworking ladies, dedicated to their boys. Tori would fit right in at family dinners.” Helios, ~ Karen Witemeyer,
248:A little background: Annabeth used to adventure with Hermes's son Luke. Over time, Annabeth developed a crush on Luke. As Annabeth got older, Luke developed feelings for her, too. Luke turned evil. Hermes blamed Annabeth for not preventing Luke from turning evil. Annabeth blamed Hermes for being a rotten dad and giving Luke the capacity to become evil in the first place. Luke died in war. Hermes and Annabeth blamed each other. Confused? Welcome to my world. ~ Rick Riordan,
249:A little background: Annabeth used to adventure with Hermes's son Luke. Over time, Annabeth developed a crush on Luke. As Annabeth got older, Luke developed feelings for her, too. Luke turned evil. Hermes blamed Annabeth for not preventing Luke from turning evil. Annabeth blamed Hermes for being a rotten dad and giving Luke the capacity to become evil in the first place. Luke died in war. Hermes and Annabeth blamed each other.
Confused? Welcome to my world. ~ Rick Riordan,
250:On the terrace of the Pepiniere, the 150 pupils of the Institut Chemique talk chemistry as they leave the auditoria and the laboratory. The echoes of the magnificent public garden of the city of Nancy make the words reverberate; coupling, condensation, grignardization. Moreover, their clothes stay impregnated with strong and characteristic odours; we follow the initiates of Hermes by their scent. In such an environment, how is it possible not to be productive? ~ Victor Grignard,
251:Percy Jackson," Hermes said, "because you have taken on the curse of Achilles, I must spare you. You are in the hands of the Fates now. But you will never speak to me like that again. You have no idea how much I have sacrificed, how much—" His voice broke, and he shrank back to human size. "My son, my greatest pride . . . my poor May . . ." He sounded so devastated I didn't know what to say. One minute he was ready to vaporize us. Now he looked like he needed a hug. ~ Rick Riordan,
252:Even though I've never met my dad and don't really want to, I share some of his talents. Along with being the messenger of the gods, Hermes is the god of merchants-which explains why I'm good with money-and travelers, which explains why the divine jerk left my mom and never came back. He's also the god of thieves. He's stolen things like-oh, Apollo's cattle, women, good ideas, wallets, my mom's sanity, and my chance at a decent life.

Sorry, did that sound bitter? ~ Rick Riordan,
253:Percy Jackson," Hermes said, "because you have taken on the curse of Achilles, I must spare you. You are in the hands of the Fates now. But you will never speak to me like that again. You have no idea how much I have sacrificed, how much—"
His voice broke, and he shrank back to human size. "My son, my greatest pride . . . my poor May . . ."
He sounded so devastated I didn't know what to say. One minute he was ready to vaporize us. Now he looked like he needed a hug. ~ Rick Riordan,
254:Hermes gazed up at the stars. "My dear young cousin, if there's one thing I've learned over the eons, it's that you can't give up on your family, no matter how tempting they make it. It doesn't matter if they hate you, or embarrass you, or simply don't appreciate your genius for inventing the Internet-"
"You invented the Internet?"
It was my idea, Martha said.
Rats are delicious, George said.
"It was my idea!" Hermes said. "I mean the Internet, not the rats. ~ Rick Riordan,
255:You're welcome to as much wine as you can drink, Ares."

...[Ares] watched two bare-breasted women stroll by. "Am I welcome to your worshippers as well?"

"If they'll have you. Force yourself on anyone, though, and the cat gets to gnaw on your anatomy." Dionysos nodded to Agria, who prowled around the crowd. "Those are the rules."

Ares smirked. ... "No problem there. I'm very persuasive."

Hermes shook his head at Dionysos and mouthed in comical exaggeration, *No, he's not.* ~ Molly Ringle,
256:But Calypso has offered to make Odysseus “immortal, ageless, all his days” (ref) and invited him to live with her in a paradisal environment so enchanting that . . . even a deathless god who came upon that place would gaze in wonder, heart entranced with pleasure (ref)  —a place before which Hermes, messenger of Zeus, “stood . . . spellbound” (ref). All this Odysseus rejects, though he knows that the alternative is to entrust himself again, this time alone and on a makeshift craft, to that sea about which he has no illusions. ~ Homer,
257:You are a brave woman." Miss Royle shook her head. "And he is truly a wicked man."
"Yes, he is," Bridget replied. Unfortunately, Val's wickedness no longer seemed to be a deterrent to her.
Probably that should concern her.
She made her farewells and departed the carriage as circumspectly as she'd entered it, but as she made her way back to Hermes House, Pip by her side, she finally acknowledged it to herself.
Wicked or not, vain or not, outrageous or not, she was falling in love with the Duke of Montgomery. ~ Elizabeth Hoyt,
258:Have any of you taken a look out at Greece in the last, say, hour or so? (Hermes) What? Are they reacting to the fact I cursed the Apollites? (Apollo) I don’t think that bothers them nearly as much as the fact the island of Atlantis is now gone and the Atlantean goddess Apollymi is cutting a swathe through our country, laying waste to everyone and everything she comes into contact with. And in case you’re curious, she’s headed straight for us. I could be really wrong here, but I’m guessing the woman’s extremely pissed. (Hermes) ~ Sherrilyn Kenyon,
259:Have any of you taken a look out at Greece in the last, say, hour or so? (Hermes)
What? Are they reacting to the fact I cursed the Apollites? (Apollo)
I don’t think that bothers them nearly as much as the fact the island of Atlantis is now gone and the Atlantean goddess Apollymi is cutting a swathe through our country, laying waste to everyone and everything she comes into contact with. And in case you’re curious, she’s headed straight for us. I could be really wrong here, but I’m guessing the woman’s extremely pissed. (Hermes) ~ Sherrilyn Kenyon,
260:My next important discovery: Children of Hermes cannot rap. At all.
Bless his conniving little heart, Cecil Markowitz tried his best, but he kept throwing off my rhythm with his spastic clapping and terrible air mic noises. After a few trial runs, I demoted him to dancer. His job would be to shimmy back and forth and wave his hands, which he did with the enthusiasm of a tent-revival preacher.
The others managed to keep up. They still looked like half-plucked, highly combustible chickens, but they bopped with the proper amount of soul. ~ Rick Riordan,
261:How do you greet a god? If there’s an etiquette guide for that, I haven’t read it. I’m never sure if I’m supposed to shake hands, kneel, or bow and shout, “We’re not worthy!” I knew Hermes better than most of the Olympians. Over the years, he’d helped me out several times. Unfortunately last summer I’d also fought his demigod son Luke, who’d been corrupted by the Titan Kronos, in a mortal combat smack-down for the fate of the world. Luke’s death hadn’t been entirely my fault, but it still put a damper on my relationship with Hermes. I decided to start simple. “Hi. ~ Rick Riordan,
262:So if I want Mexicans to learn the name of Quetzalcoatl, it is because I want them to speak with the tongues of their own blood. I wish the Teutonic world would once more think in terms of Thor and Wotan, and the tree Igdrasil. And I wish the Druidic world would see, honestly, that in the mistletoe is their mystery, and that they themselves are the Tuatha De Danaan, alive, but submerged. And a new Hermes should come back to the Mediterranean, and a new Ashtaroth to Tunis; and Mithras again to Persia, and Brahma unbroken to India, and the oldest of dragons to China. ~ D H Lawrence,
263:The first authentic record on this subject (alchemy) is an edict of Diocletian, about 300 years after Christ, ordering a diligent search to be made in Egypt for all the ancient books which treated of the art of making gold and silver, that they might be consigned to the flames. This edict necessarily presumes a certain antiquity to the pursuit; and fabulous history has recorded Solomon, Pythagoras, and Hermes among its distinguished votaries. ~ William Godwin, quoted by**H.P. Blavatsky, Isis Unveiled: A Master-Key to the Mysteries of Ancient and Modern Science and Theology, Vol. I, (1877) (p. 504),
264:She stepped back and frowned at me. "Open it."
"Me?" I felt sure she was picking on me because I was the only enslaved god she had. "I'm not Hermes! I'm not even Valdez!"
As if that were a simple request! I attempted to get my fingertips under the edge and prise it open. I spread my arms and yelled the standard magic words: MELLON! SHAZAM! SESAME STREET! None of these worked. At last I tried my infallible ace in the hole. I sang 'Love Is an Open Door' from the Frozen soundtrack. Even this failed.
"Impossible!" I cried. "This door has no taste in music! ~ Rick Riordan,
265:We need a way to supply the camp," Chiron said. "Any ideas?"
"Yes! We take what we need by force!" bellowed the leader of the Ares cabin.
"Or we could just, you know, steal it," suggested the Hermes representative.
"No, no!" The son of Apollo whipped out his lyre. "We should sing for our supper, as did the minstrels of yore!"
"Of your what?" asked the Dionysus counselor."
"'The minstrels of your'", the Dionysus girl said impatiently. "Of your what?"
A representative of the visiting Hunters intervened. "Not your. Yore."
The Dionysus girl gave up. ~ Rick Riordan,
266:Hermes had said, the giant was about ten feet tall, which made him small compared to some other giants I’d seen. But Cacus made up for it by being bright and gaudy. He had curly orange hair, pale skin, and orange freckles. His face was smeared upward with a permanent pout, upturned nose, wide eyes, and arched eyebrows, so he appeared both startled and unhappy. He wore a red velour housecoat with matching slippers. The housecoat was open, revealing silky Valentine-patterned boxer shorts and luxurious chest hair of a red/pink/orange color not found in nature. Annabeth made a small gagging sound. “It’s the ginger giant. ~ Rick Riordan,
267:SOSTRATUS: Observe then your injustice! You punish us who are but the slaves of Clotho's bidding, and reward these, who do but minister to another's beneficence. For it will never be said that it was in our power to gainsay the irresistible ordinances of Fate?

MINOS: Ah, Sostratus; look closely enough, and you will find plenty of inconsistencies besides these. However, I see you are no common pirate, but a philosopher in your way; so much you have gained by your questions. Let him go, Hermes; he shall not be punished after that. But mind, Sostratus, you must not put it into other people's heads to ask questions of this kind. ~ Lucian of Samosata,
268:Lull me to sleep, ye winds, whose fitful sound
Seems from some faint Aeolian harp-string caught;
Seal up the hundred wakeful eyes of thought
As Hermes with his lyre in sleep profound
The hundred wakeful eyes of Argus bound;
For I am weary, and am overwrought
With too much toil, with too much care distraught,
And with the iron crown of anguish crowned.
Lay thy soft hand upon my brow and cheek,
O peaceful Sleep! until from pain released
I breathe again uninterrupted breath!
Ah, with what subtile meaning did the Greek
Call thee the lesser mystery at the feast
Whereof the greater mystery is death! ~ Henry Wadsworth Longfellow,
269:Out of the night forth flamed a star -mine own!
Now seventy light-years nearer as I urge
Constant my heart through the abyss unknown,
Its glory my sole guide while space surge
About me. Seventy light-years! As I near
That gate of light that men call death, its cold
Pale gleam begins to pulse, a throbbing sphere,
Systole and diastole of eager gold,
New life immortal, warmth of passion bleed
Till night's black velvet burn to crimson. Hark!
It is thy voice, Thy word, the secret seed
Of rapture that admonishes the dark.
Swift! By necessity most righteous drawn,
Hermes, authentic augur of the dawn!
~ Aleister Crowley, Logos
270:This love, this mortal love, is of their own making," Hermes muses, "the thing we did not intend, foresee or sanction. How then should it not fascinate us? . . . It is as if a fractious child had been handed a few timber shavings and a bucket of mud to keep him quiet only for him promptly to erect a cathedral. . . . Within the precincts of this consecrated house they afford each other sanctuary, excuse each other their failings, their sweats and smells, their lies and subterfuges, above all their ineradicable self-obsession. This is what baffles us, how they wriggled out of our grasp and somehow became free to forgive each other for all that they are not. ~ John Banville,
271:At Eleusis
I, at Eleusis, saw the finest sight,
When early morning's banners were unfurled.
From high Olympus, gazing on the world,
The ancient gods once saw it with delight.
Sad Demeter had in a single night
Removed her sombre garments! and mine eyes
Beheld a 'broidered mantle in pale dyes
Thrown o'er her throbbing bosom. Sweet and clear
There fell the sound of music on mine ear.
And from the South came Hermes, he whose lyre
One time appeased the great Apollo's ire.
The rescued maid, Persephone, by the hand
He led to waiting Demeter, and cheer
And light and beauty once more blessed the land.
~ Ella Wheeler Wilcox,
Out of the night forth flamed a star -mine own!
Now seventy light-years nearer as I urge
Constant my heart through the abyss unknown,
Its glory my sole guide while space surge
About me. Seventy light-yaers! As I near
That gate of light that men call death, its cold
Pale gleam begins to pulse, a throbbing sphere,
Systole and diastole of eager gold,
New life immortal, wartmth of passion bleed
Till night's black velvet burn to crimson. Hark!
It is thy voice, Thy word, the secret seed
Of rapture that admonishes the dark.
Swift! By necessity most righteous drawn,
Hermes, authentic augur of the dawn!
~ Aleister Crowley,
273:He pulled a spiral-bound pad labeled “Conference Notes, 2013” off the shelf. He flipped through the scribbled pages. “European rat snake! Also known colloquially as the ‘Aesculapian snake,’” he read aloud, “and widely believed to be the serpent traditionally identified with Asclepius.” “Who?” “He’s a Greek god of medicine and healing. The Romans called him Aesculapius,” he said absently, his mind beginning to turn. “Carries around a staff with a snake twirled around it.” “You mean like the FTD guy in the florist windows?” “The FTD guy—Hermes? That’s a caduceus. With two snakes. You’re breaking my heart. Have you listened to anything I’ve said in the last ten years? ~ Jordanna Max Brodsky,
274:Since he looks so much like Hermes and Helios, I figured he needed a name to help him fit in with the family. Hercules starts with an H and matches the stories Mr. Ben tells, so it just seemed right.” Ben turned to look at her. She saw the motion out of the corner of her eye and felt his gaze upon her, but she didn’t glance his way. She couldn’t. Not when everything inside her had frozen at the words that slipped so casually from her son’s mouth. Family. Oh, heavens. Did Lewis think of Ben Porter as family? As a father? Panic pounded through her breast, restricting her chest, closing her lungs. She’d told him over and over that the freighter was just a friend. Nothing more. But ~ Karen Witemeyer,
275:From the Vedas poured forth the streams of religious tradition which, flowing into various nations down through the ages, appear in the course of time as the single source of the numerous Scriptural writings of the world. Great saints and sages interpreting this ageless wisdom, wrote their commentaries or re-states in the terms of their own day the Vedic lore and the sacred tradition. In China Lao-Tze and Confucius were the interpreters, and their writings have become Scripture. In India Buddha was the great Emissary. In Persia it was Zoroaster. In Egypt, Akhnaton and Hermes. In Greece, Orpheus, Pythagoras and Plato. In Syria it was Moses, and later Jesus. ~ Manly P Hall, How to Understand Your Bible,
276:And I don't know, it is one thing to look out a window, but when you are Out, actually Out, that is something very powerful, and how embarrassing was that, because I could not help it, I went down flat on my gut checking out those flowers, and the feeling of the one I chose was like the silk on that Hermes jacket I could never seem to get Reserved because Vance was always hogging it, except the flower was even better, it being very smooth and built in like layers? With the outside layer being yellow, and inside that a white thing like a bell, and inside the white bell-like thing were fifteen (I counted) smaller bell-like red things, and inside each red thing was an even smaller orange two-dingly-thing combo. ~ George Saunders,
277:As Hermes once took to his feathers light
When lulled Argus, baffled, swoon'd and slept,
So on a Delphic reed my idle spright
So play'd, so charm'd, so conquer'd, so bereft
The dragon-world of all its hundred eyes,
And, seeing it asleep, so fled away:
Not to pure Ida with its snow-cold skies,
Nor unto Tempe where Jove griev'd a day;
But to that second circle of sad hell,
Where 'mid the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows. Pale were the sweet lips I saw,
Pale were the lips I kiss'd, and fair the form
I floated with, about that melancholy storm.
by owner. provided at no charge for educational purposes

~ John Keats, On A Dream
278:For Spring By Sandro Botticelli
WHAT masque of what old wind-withered New-Year
Honours this Lady? Flora, wanton-eyed
For birth, and with all flowrets prankt and pied:
Aurora, Zephyrus, with mutual cheer
Of clasp and kiss: the Graces circling near,
'Neath bower-linked arch of white arms glorified:
And with those feathered feet which hovering glide
O'er Spring's brief bloom, Hermes the harbinger.
Birth-bare, not death-bare yet, the young stems stand
This Lady's temple-columns: o'er her head
Love wings his shaft. What mystery here is read
Of homage or of hope? But how command
Dead Springs to answer? And how question here
These mummers of that wind-withered New-Year?
~ Dante Gabriel Rossetti,
279:Don’t bother trying to tell me you’re unbribable. You are a Greek, after all.” “Do I look like I need money?” he asked. “I’ve already paid for my funeral, and I’ve bought a very decent tomb for my family out on the Via Tiburtina.” “Everybody needs money!” Hermes protested. “Not necessarily,” I said. “However, I shall be praetor next year, and very few men never need a favor, if not for themselves, then for some family member. How about it, Polyneices? I am sure you are all very respectable people, but surely you have the odd scapegrace, the inevitable ne’er-do-well, among your kin? My own father has bailed me out of the lockup more than once in my young and foolish days.” He thought, stroking his jaw in that odd Greek fashion. ~ John Maddox Roberts,
280:First I sink,
Then I trickle,
Then I rush.
I am here; and here; and here. I touch this surface and also that.
I mingle, I quiver with a thousand voices, and all these voices my own. I am a great tumble of motion which torrents all in unison.
And learning and knowing are the same, and I am a mite, and we are all the space allowed to us.
And if I am made of grief, well! Here is joy, and if I am made a fury, here is peace. Rush, rush, we rush, a sparkling stream through rock and moss, deep in the cold stone of the earth. No daylight here, no dying breaths to catch up. We rush young and bright, and ever-widening, and these bitter atoms are lost in new-minted freshness. We hasten, hasten, onward to the boundless sea. ~ Imogen Hermes Gowar,
281:Hermes's eyes twinkled. "Martha, may I have the first package, please?"
Martha opened her mouth ... and kept opening it until it was as wide as my arm. She belched out a stainless steel canister-an old-fashioned lunch box thermos with a black plastic top. The sides of the thermos were enameled with red and yellow Ancient Greek scenes-a hero killing a lion; a hero lifting up Cerberus, the three-headed dog.
"That's Hercules," I said. "But how-"
"Never question a gift," Hermes chided. "This is a collector's item from Hercules Busts Heads. The first season."
"Hercules Busts Heads?"
"Great show." Hermes sighed. "Back before Hephaestus-TV was all reality programming. Of course, the thermos would be worth much more if I had the whole lunch box- ~ Rick Riordan,
282:Saint Paul said the invisible must be understood by the visible. That was not a Hebrew idea, it was Greek. In Greece alone in the ancient world people were preoccupied with the visible; they were finding the satisfaction of their desires in what was actually in the world around them. The sculptor watched the athletes contending in the games and he felt that nothing he could imagine would be as beautiful as those strong young bodies. So he made his statue of Apollo. The storyteller found Hermes among the people he passed in the street. He saw the god “like a young man at the age when youth is loveliest,” as Homer says. Greek artists and poets realized how splendid a man could be, straight and swift and strong. He was the fulfillment of their search for beauty. ~ Edith Hamilton,
283:But this discourse, expressed in our paternal language, keeps clear the meaning of its words. The very quality of speech and of the Egyptian words have in themselves the energy of the object they speak of.

Therefore, my king, in so far as you have the power (who are all powerful), keep the discourse uninterpreted, lest mysteries of such greatness come to the Greeks, lest the extravagant, flaccid and (as it were) dandified Greek idiom extinguish something stately and concise, the energetic idiom of usage. For the Greeks have empty speeches, O king, that are energetic only in what they demonstrate, and this is the philosophy of the Greeks, an inane foolosophy of speeches. We, by contrast, use not speeches but sounds that are full of action. (Chapter XVI) ~ Hermes Trismegistus,
284:HERMES Meseems I can sniff a man. (HE PERCEIVES TRYGAEUS ASTRIDE HIS BEETLE.) Why, what plague is this? TRYGAEUS A horse-beetle. HERMES Oh! impudent, shameless rascal! oh! scoundrel! triple scoundrel! the greatest scoundrel in the world! how did you come here? Oh! scoundrel of all scoundrels! your name? Reply. TRYGAEUS Triple scoundrel. HERMES Your country? TRYGAEUS Triple scoundrel. HERMES Your father? TRYGAEUS My father? Triple scoundrel. HERMES By the Earth, you shall die, unless you tell me your name. TRYGAEUS I am Trygaeus of the Athmonian deme, a good vine-dresser, little addicted to quibbling and not at all an informer. HERMES Why do you come? TRYGAEUS I come to bring you this meat. HERMES Ah! my good friend, did you have a good journey? TRYGAEUS Glutton, be off! I no longer seem a triple scoundrel to you. Come, call Zeus. HERMES ~ Aristophanes,
285:His transcendent learning caused Hermes to be identified with many of the early sages and prophets. In his Ancient Mythology, Bryant writes: "I have mentioned that Cadmus was the same as the Egyptian Thoth; and it is manifest from his being Hermes, and from the invention of letters being attributed to him. " (In the chapter on the theory of Pythagorean Mathematics will be found the table of the original Cadmean letters.) Investigators believe that it was Hermes who was known to the Jews as "Enoch," called by Kenealy the "Second Messenger of God." Hermes was accepted into the mythology of the Greeks, later becoming the Mercury of the Latins. He was revered through the form of the planet Mercury because this body is nearest to the sun: Hermes of all creatures was nearest to God, and became known as the Messenger of the Gods. ~ Manly P Hall, The Secret Teachings of all Ages,
286:Many deities have been associated with the sun. The Greeks believed that Apollo, Bacchus, Dionysos, Sabazius, Hercules, Jason, Ulysses, Zeus, Uranus, and Vulcan partook of either the visible or invisible attributes of the sun. The Norwegians regarded Balder the Beautiful as a solar deity, and Odin is often connected with the celestial orb, especially because of his one eye. Among the Egyptians, Osiris, Ra, Anubis, Hermes, and even the mysterious Ammon himself had points of resemblance with the solar disc. Isis was the mother of the sun, and even Typhon, the Destroyer, was supposed to be a form of solar energy. The Egyptian sun myth finally centered around the person of a mysterious deity called Serapis. The two Central American deities, Tezcatlipoca and Quetzalcoatl, while often associated with the winds, were also undoubtedly solar gods. ~ Manly P Hall, The Secret Teachings of all Ages,
287:The Dining Pavilion Brought to you by Pete the Palikos With its Greek marble columns and unencumbered views of the sky above, this inviting seaside facility screams classical elegance. The oversize tables, each reserved for members of a specific cabin, can easily accommodate up to twenty campers. The white tablecloths, edged with purple, add a dash of distinction. The menu boasts every food imaginable, and dishes are served and cleared by the loveliest dryads in the forest. Just don’t forget to start your meal with a burnt offering to the gods! Oh, and ignore that crack in the marble floor – it’s from a slight mishap when zombies were accidentally summoned from the Underworld. Nothing to worry about! Dining Pavilion Announcements REMINDER: Hecate head counsellor Lou Ellen Blackstone and Hermes head counsellors Travis and Connor Stoll will conduct cabin inspections this morning. ~ Rick Riordan,
288:Zeus bir gün Argos Kralı'nın güzelliğiyle ünlü kızı îo'yu görmüş. Görür görmez de âşık olmuş. Zeus'un yeni aşkı, Baş-tanrıça Hera'nın kulaklarına gitmekte gecikmemiş. Zaten Zeus'un çapkınlıklarından gına gelen Hera, kocasının yeni kaçamağını öğrenince büyük bir öfkeye kapılmış. Zeus'a diş geçiremeyeceğinden, sevgilisi lo'dan intikam almak istemiş. Bunu haber alan Zeus, îo'yu korumak için kızı beyaz bir inek haline getirmiş. Ama Hera bunu da öğrenmekte gecikmemiş, ineği kaçırtıp Argos'u başına nöbetçi dikmiş. Zeus durur mu, hemen Tanrı Hermes'i gönderip Argos'u öldürtmüş. Olanları öğrenen Hera, beyaz inek şeklindeki lo'nun rahatını kaçırmak için ona bir at sineğini musallat etmiş. îo, sinekten kurtulmak için kilometrelerce koşmuş, Boğaz'a gelince kendini sulara atmış, yüzerek karşıya geçmiş. Boğaziçi'nin ilk adı olan 'Bosphoros' sözcüğünün anlamı da bu efsaneden geliyormuş. Bosphoros Yunanca'da Boğa Geçidi demekmiş. ~ Ahmet mit,
289:Solitude, the safeguard of mediocrity, is to genius the stern friend, the cold, obscure shelter where moult the wings which will bear it farther than suns and stars. He who should inspire and lead his race must be defended from travelling with the souls of other men, from living, breathing, reading, and writing in the daily, time-worn yoke of their opinions. "In the morning, — solitude;" said Pythagoras; that Nature may speak to the imagination, as she does never in company, and that her favorite may make acquaintance with those divine strengths which disclose themselves to serious and abstracted thought. 'Tis very certain that Plato, Plotinus, Archimedes, Hermes, Newton, Milton, Wordsworth, did not live in a crowd, but descended into it from time to time as benefactors: and the wise instructor will press this point of securing to the young soul in the disposition of time and the arrangements of living, periods and habits of solitude. ~ Ralph Waldo Emerson,
290:Solitude, the safeguard of mediocrity, is to genius the stern friend, the cold, obscure shelter where moult the wings which will bear it farther than suns and stars. He who should inspire and lead his race must be defended from travelling with the souls of other men, from living, breathing, reading, and writing in the daily, time-worn yoke of their opinions. "In the morning, - solitude;" said Pythagoras; that Nature may speak to the imagination, as she does never in company, and that her favorite may make acquaintance with those divine strengths which disclose themselves to serious and abstracted thought. 'Tis very certain that Plato, Plotinus, Archimedes, Hermes, Newton, Milton, Wordsworth, did not live in a crowd, but descended into it from time to time as benefactors: and the wise instructor will press this point of securing to the young soul in the disposition of time and the arrangements of living, periods and habits of solitude. ~ Ralph Waldo Emerson,
291:It all had to do with time. "Time can be overcome," Mircea Eliade wrote. That's what it's all about. The great mystery of Eleusis, of the Orphies, of the early Christians, of Sarpis, of the Greco-Roman mystery religions, of Hermes Trismegistos, of the Renaissance Hermetic Alchemists, of the Rose Cross Brotherhood, of Apollonius of Tyana, of Simon Magus, of Asklepios, of Paracelsus, of Bruno, consists of the abolition of time. The techniques are there. Dante discusses them in the Comedy. It has to do with the loss of amnesia; when forgetfulness is lost, true memory spreads out backward and forward, into the past and into the future, and also, oddly, into alternate universes; it is orthogonal as well as linear.

This is why Elijah could be said correctly to be immortal; he had entered the Upper Realm (as Fat calls it) and is no longer subject to time. Time equals what the ancients called "astral determinism." The purpose of the mysteries was to free the initate from astral determinism, which roughly equals fate. ~ Philip K Dick,
292:Word of my arrival spread as soon as I walked out of the ocean. Our beach is on the North Shore of Long Island, and it’s enchanted so most people can’t even see it. People don’t just appear on the beach unless they’re demigods or gods or really, really lost pizza delivery guys. (It’s happened—but that’s another story.) Anyway, that afternoon the lookout on duty was Connor Stoll from the Hermes cabin. When he spotted me, he got so excited he fell out of his tree. Then he blew the conch horn to signal the camp and ran to greet me. Connor had a crooked smile that matched his crooked sense of humor. He’s a pretty nice guy, but you should always keep one hand on your wallet when he’s around, and do not, under any circumstances, give him access to shaving cream unless you want to find your sleeping bag full of it. He’s got curly brown hair and is a little shorter than his brother, Travis, which is the only way I can tell them apart. They are both so unlike my old enemy Luke it’s hard to believe they’re all sons of Hermes. “Percy!” he yelled. “What happened? Where’s Beckendorf ? ~ Rick Riordan,
293:Sculptor Of Tyana
As you'll have heard, I'm no beginner.
I've handled a lot of stone in my time,
and in my own country, Tyana, I'm really quite famous.
Actually, a number of senators here
have also commissioned works of mine.
Let me show you
a few of them. Notice this Rhea:
reverential, all fortitude, most primitive.
Notice Pompey. And Marius here,
and Paulus Aemilius, and Scipio Africanus.
The likeness as close as I could make it.
And Patroklos (I still have to touch him up a bit).
Near those pieces of yellowish marble there
stands Kaisarion.
And for some time now I've been busy
working on a Poseidon. I'm studying
his horses in particular: how to shape them exactly.
They have to be made so light
that it's clear their bodies, their legs,
aren't touching the earth but galloping over water.
But here's my favourite work,
created with the most care and feeling.
This one -it was a hot summer day
and my mind rose to ideal thingsthis one came to me in a vision, this young Hermes.
~ Constantine P. Cavafy,
294:To The Fair Clarinda
Fair lovely Maid, or if that Title be
Too weak, too Feminine for Nobler thee,
Permit a Name that more Approaches Truth:
And let me call thee, Lovely Charming Youth.
This last will justifie my soft complaint,
While that may serve to lessen my constraint;
And without Blushes I the Youth persue,
When so much beauteous Woman is in view.
Against thy Charms we struggle but in vain
With thy deluding Form thou giv'st us pain,
While the bright Nymph betrays us to the Swain.
In pity to our Sex sure thou wer't sent,
That we might Love, and yet be Innocent:
For sure no Crime with thee we can commit;
Or if we shou'd - thy Form excuses it.
For who, that gathers fairest Flowers believes
A Snake lies hid beneath the Fragrant Leaves.
Though beauteous Wonder of a different kind,
Soft Cloris with the dear Alexis join'd;
When e'er the Manly part of thee, wou'd plead
Though tempts us with the Image of the Maid,
While we the noblest Passions do extend
The Love to Hermes, Aphrodite the Friend.v
~ Aphra Behn,
295:The key one and threefold, even as universal science. The division of the work is sevenfold, and through these sections are distributed the seven degrees of initiation into is transcendental philosophy.

The text is a mystical commentary on the oracles of Solomon, ^ and the work ends with a series of synoptic schedules which are the synthesis of Magic and the occult Kabalah so far as concerns that which can be made public in writing. The rest, being the esoteric and inexpressible part of the science, is formulated in magnificent pantacles carefully designed and engraved. These are nine in number, as follows

(1) The dogma of Hermes;
(2) Magical realisation;
(3) The path of wisdom and the initial procedure in the work
(4) The Gate of the Sanctuary enlightened by seven mystic rays;
(5) A Rose of Light, in the centre of which a human figure is extending its arms in the form of a cross;
(6) The magical laboratory of Khunrath, demonstrating the necessary union of prayer and work
(7) The absolute synthesis of science;
(8) Universal equilibrium ;
(9) A summary of Khunrath's personal embodying an energetic protest against all his detractors. ~ Eliphas Levi, The History Of Magic,
296:Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really."
Here we go again, George said. Always talking about himself.
Quiet! Martha snapped. Do you want to get set on vibrate?
Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo."
"Did he get blasted to tiny pieces?" I asked.
"Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry."
So what's the moral?"
"The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?"
"Um ..."
"How about this: stealing is not always bad?"
"I don't think my mom would like that moral."
Rats are delicious, suggested George.
What does that have to do with the story? Martha demanded.
Nothing, George said. But I'm hungry.
"I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that? ~ Rick Riordan,
297:One evening in Toronto, the gods Apollo and Hermes were at the Wheat Sheaf Tavern. Apollo had allowed his beard to grow until it reached his clavicle. Hermes, more fastidious, was clean-shaven, but his clothes were distinctly terrestrial: black jeans, a black leather jacket, a blue shirt. They had been drinking, but it wasn’t the alcohol that intoxicated them. It was the worship their presence elicited. The Wheat Sheaf felt like a temple, and the gods were gratified. In the men’s washroom, Apollo allowed parts of himself to be touched by an older man in a business suit. This pleasure, more intense than any the man had known or would ever know again, cost him eight years of his life. While at the tavern, the gods began a desultory conversation about the nature of humanity. For amusement, they spoke ancient Greek, and Apollo argued that, as creatures go, humans were neither better nor worse than any other, neither better nor worse than fleas or elephants, say. Humans, said Apollo, have no special merit, though they think themselves superior. Hermes took the opposing view, arguing that, for one thing, the human way of creating and using symbols, is more interesting than, say, the complex dancing done by bees. – Human languages are too vague, said Apollo. ~ Andr Alexis,
298:Thoth Hermes Trismegistus, the founder of Egyptian learning, the Wise Man of the ancient world, gave to the priests and philosophers of antiquity the secrets which have been preserved to this day in myth and legend. These allegories and emblematic figures conceal the secret formulæ for spiritual, mental, moral, and physical regeneration commonly known as the Mystic Chemistry of the Soul (alchemy). These sublime truths were communicated to the initiates of the Mystery Schools, but were concealed from the profane. The latter, unable to understand the abstract philosophical tenets, worshiped the concrete sculptured idols which were emblematic of these secret truths. The wisdom and secrecy of Egypt are epitomized in the Sphinx, which has preserved its secret from the seekers of a hundred generations. The mysteries of Hermeticism, the great spiritual truths hidden from the world by the ignorance of the world, and the keys of the secret doctrines of the ancient philosophers, are all symbolized by the Virgin Isis. Veiled from head to foot, she reveals her wisdom only to the tried and initiated few who have earned the right to enter her sacred presence, tear from the veiled figure of Nature its shroud of obscurity, and stand face to face with the Divine Reality. ~ Manly P Hall, The Secret Teachings of all Ages,
299:If then you do not make yourself equal to God, you cannot apprehend God; for like is known by like.
Leap clear of all that is corporeal, and make yourself grown to a like expanse with that greatness which is beyond all measure; rise above all time and become eternal; then you will apprehend God. Think that for you too nothing is impossible; deem that you too are immortal, and that you are able to grasp all things in your thought, to know every craft and science; find your home in the haunts of every living creature; make yourself higher than all heights and lower than all depths; bring together in yourself all opposites of quality, heat and cold, dryness and fluidity; think that you are everywhere at once, on land, at sea, in heaven; think that you are not yet begotten, that you are in the womb, that you are young, that you are old, that you have died, that you are in the world beyond the grave; grasp in your thought all of this at once, all times and places, all substances and qualities and magnitudes together; then you can apprehend God.

But if you shut up your soul in your body, and abase yourself, and say “I know nothing, I can do nothing; I am afraid of earth and sea, I cannot mount to heaven; I know not what I was, nor what I shall be,” then what have you to do with God? ~ Hermes Trismegistus,
300:Welcome joy, and welcome sorrow,
Lethe's weed and Hermes' feather;
Come to-day, and come to-morrow,
I do love you both together!
I love to mark sad faces in fair weather;
And hear a merry laugh amid the thunder;
Fair and foul I love together.
Meadows sweet where flames are under,
And a giggle at a wonder;
Visage sage at pantomine;
Funeral, and steeple-chime;
Infant playing with a skull;
Morning fair, and shipwreck'd hull;
Nightshade with the woodbine kissing;
Serpents in red roses hissing;
Cleopatra regal-dress'd
With the aspic at her breast;
Dancing music, music sad,
Both together, sane and mad;
Muses bright and muses pale;
Sombre Saturn, Momus hale;--
Laugh and sigh, and laugh again;
Oh the sweetness of the pain!
Muses bright, and muses pale,
Bare your faces of the veil;
Let me see; and let me write
Of the day, and of the night -
Both together: - let me slake
All my thirst for sweet heart-ache!
Let my bower be of yew,
Interwreath'd with myrtles new;
Pines and lime-trees full in bloom,
And my couch a low grass-tomb.
'This is the fourth of the undated fragments at the end of Volume I of the Life, Letters &c. (1848).' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ Milton.
301:All cultures seem to find a slightly alien local population to carry the Hermes projection. For the Vietnamese it is the Chinese, and for the Chinese it is the Japanese. For the Hindu it is the Moslem; for the North Pacific tribes it was the Chinook; in Latin America and in the American South it is the Yankee. In Uganda it is the East Indians and Pakistanis. In French Quebec it is the English. In Spain the Catalans are "the Jews of Spain". On Crete it is the Turks, and in Turkey it is the Armenians. Lawrence Durrell says that when he lived in Crete he was friends with the Greeks, but that when he wanted to buy some land they sent him to a Turk, saying that a Turk was what you needed for a trade, though of course he couldn't be trusted.
This figure who is good with money but a little tricky is always treated as a foreigner even if his family has been around for centuries. Often he actually is a foreigner, of course. He is invited in when the nation needs trade and he is driven out - or murdered - when nationalism begins to flourish: the Chinese out of Vietnam in 1978, the Japanese out of China in 1949, the Jankees out of South America and Iran, the East Indians out of Uganda under Idi Amin, and the Armenians out of Turkey in 1915-16. The outsider is always used as a catalyst to arouse nationalism, and when times are hard he will always be its victim as well. ~ Lewis Hyde,
302:The art of the alchemist, whether spiritual or physical, consists in completing the work of perfection, bringing forth and making dominant, as it were, the “latent goldness” which “lies obscure” in metal or man. The ideal adept of alchemy was therefore an “auxiliary of the Eternal Goodness.” By his search for the “Noble Tincture” which should restore an imperfect world, he became a partner in the business of creation, assisting the Cosmic Plan. Thus the proper art of the Spiritual Alchemist, with whom alone we are here concerned, was the production of the spiritual and only valid tincture or Philosopher’s Stone; the mystic seed of transcendental life which should invade, tinge, and wholly transmute the imperfect self into spiritual gold. That this was no fancy of seventeenth-century allegorists, but an idea familiar to many of the oldest writers upon alchemy—whose quest was truly a spiritual search into the deepest secrets of the soul—is proved by the words which bring to an end the first part of the antique “Golden Treatise upon the Making of the Stone,” sometimes attributed to Hermes Trismegistus. “This, O Son,” says that remarkable tract, “is the Concealed Stone of Many Colours, which is born and brought forth in one colour; know this and conceal it . . . it leads from darkness into light, from this desert wilderness to a secure habitation, and from poverty and straits to a free and ample fortune. ~ Evelyn Underhill,
And must I sing? What subject shall I choose!
Or whose great name in poets' heaven use,
For the more countenance to my active muse?
Hercules? alas, his bones are yet sore
With his old earthly labours t' exact more
Of his dull godhead were sin. I'll implore
Phoebus. No, tend thy cart still. Envious day
Shall not give out that I have made thee stay,
And foundered thy hot team, to tune my lay.
Nor will I beg of thee, lord of the vine,
To raise my spirits with thy conjuring wine,
In the green circle of thy ivy twine.
Pallas, nor thee I call on, mankind maid,
That at thy birth mad'st the poor smith afraid.
Who with his axe thy father's midwife played.
Go, cramp dull Mars, light Venus, when he snorts,
Or with thy tribade trine invent new sports;
Thou, nor thy looseness with my making sorts.
Let the old boy, your son, ply his old task,
Turn the stale prologue to some painted mask;
His absence in my verse is all I ask.
Hermes, the cheater, shall not mix with us,
Though he would steal his sisters' Pegasus,
And rifle him; or pawn his petasus.
Nor all the ladies of the Thespian lake,
Though they were crushed into one form, could make
A beauty of that merit, that should take
My muse up by commission; no, I bring
My own true fire: now my thought takes wing,
And now an epode to deep ears I sing.
~ Ben Jonson,
304:A sudden streak of light made me blink, as if someone had flashed a mirror in my face. I looked around and I saw a brown delivery truck parked in the middle of the Great Lawn where no cars were allowed. Lettered on the side were the words: HERNIAS ARE US Wait…sorry. I’m dyslexic. I squinted and decided it probably read: HERMES EXPRESS “Oh, good,” I muttered. “We’ve got mail.” “What?” Annabeth asked. I pointed at the truck. The driver was climbing out. He wore a brown uniform shirt and knee-length shorts along with stylish black socks and cleats. His curly salt-and-pepper hair stuck out around the edges of his brown cap. He looked like a guy in his mid-thirties, but I knew from experience he was actually in his mid-five-thousands. Hermes. Messenger of the gods. Personal friend, dispenser of heroic quests, and frequent cause of migraine headaches. He looked upset. He kept patting his pockets and wringing his hands. Either he’d lost something important or he’d had too many espressos at the Mount Olympus Starbucks. Finally he spotted me and beckoned, Get over here! That could’ve meant several things. If he was delivering a message in person from the gods, it was bad news. If he wanted something from me, it was also bad news. But seeing as he’d just saved me from explaining myself to Annabeth, I was too relieved to care. “Bummer.” I tried to sound regretful, as if my rump hadn’t just been pulled from the barbecue. “We’d better see what he wants. ~ Rick Riordan,
305:X: And Must I Sing?
And must I sing? what subject shall I chuse?
Or whose great name in Poets heaven use?
For the more countenance to my active Muse?
Hercules? alas his bones are yet sore,
With his old earthly labours. T'exact more,
Of his dull god-head, were sinne. Ile implore
Phoebus? No. tend thy cart still. Envious day
Shall not give out, that I have made thee stay,
And foundred thy hot teame, to tune my lay.
Nor will I begge of thee, Lord of the vine,
To raise my spirits with thy conjuring wine,
In the greene circle of thy Ivie twine.
Pallas, nor thee I call on, mankind maid,
That, at thy birth, mad'st the poore Smith affraid,
Who, with his axe, thy fathers mid-wife plaid.
Goe, crampe dull Mars, light Venus, when he snorts,
Or, with thy Tribade trine, invent new sports.
Thou, nor thy loosenesse with my making sorts.
Let the old Boy, your sonne, ply his old taske,
Turne the stale prologue to some painted maske,
His absence in my verse, is all I aske.
Hermes, the cheater, shall not mix with us,
Though hee would steale his sisters Pegasus,
And riffle him: or pawne his Petasus.
Nor all the ladies of the Thespian lake,
(Though they were crusht into one forme) could make
A beautie of that merit, that should take
My Muse up by commission: No, I bring
My owne true fire. Now my thought takes wing,
And now an Epode to deepe eares I sing.
~ Ben Jonson,
306:Once he has recognized his invisible guide, a mystic sometimes decides to trace his own isnlld, to reveal his spiritual genealogy, that is, to disclose the "chain of transmission" culminating in his person and bear witness to the spiritual ascendancy which he invokes across the generations of mankind. He does neither more nor less than to designate by name the minds to whose family he is conscious of belonging. Read in the opposite order from their phenomenological emergence, these genealogies take on the appearance of true genealogies. Judged by the rules of _our historical criticism, the claim of these genealogies to truth seems highly precarious. Their relevance is to another "transhistoric truth," which cannot be regarded as inferior (because it is of a different order) to the material historic truth whose claim to truth, with the documentation at our disposal, is no less precarious. Suhrawardi traces the family tree of the IshrlqiyOn back to Hermes, ancestor of the Sages, (that Idris-Enoch of Islamic prophetology, whom Ibn rArabi calls the prophet of the Philosophers) ; from him are descended the Sages of Greece and Persia, who are followed by certain ofis (Abo Yazid Bastlmi, Kharraqlni, I;Ialllj, and the choice seems particularly significant in view of what has been said above about the Uwaysis}, and all these branches converge in his own doctrine and school. This is not a history of philosophy in our sense of the term; but still less is it a mere fantasy. ~ Henry Corbin,
307:Chiron: Don’t speak of it here. Don’t scare them. Annabeth: You’re kidding me! We can’t be that unlucky. Chiron: Later, child. If you told them everything, they would be too terrified to proceed. Piper knew it was crazy to think she could read their expressions so well—two people she barely knew. But she was absolutely positive she understood them, and it scared the jujubes out of her. Annabeth took a deep breath. “It’s Jason’s quest,” she announced, “so it’s Jason’s choice. Obviously, he’s the child of lightning. According to tradition, he may choose any two companions.” Someone from the Hermes cabin yelled, “Well, you, obviously, Annabeth. You’ve got the most experience.” “No, Travis,” Annabeth said. “First off, I’m not helping Hera. Every time I’ve tried, she’s deceived me, or it’s come back to bite me later. Forget it. No way. Secondly, I’m leaving first thing in the morning to find Percy.” “It’s connected,” Piper blurted out, not sure how she got the courage. “You know that’s true, don’t you? This whole business, your boyfriend’s disappearance—it’s all connected.” “How?” demanded Drew. “If you’re so smart, how?” Piper tried to form an answer, but she couldn’t. Annabeth saved her. “You may be right, Piper. If this is connected, I’ll find out from the other end—by searching for Percy. As I said, I’m not about to rush off to rescue Hera, even if her disappearance sets the rest of the Olympians fighting again. But there’s another reason I can’t go. The prophecy says otherwise. ~ Rick Riordan,
308:Are you a god, then?" Sokrates asked.

"What is a god?" Ikaros threw back instantly. They both sat up and leaned forward eagerly. Sokrates looked like, well, a philosopher. Ikaros was, frankly, gorgeous, more gorgeous than even Jathery pretending to be Hermes, because he was more mature. But there was no question he was a philosopher too, with that avidity in his face, twin to Sokrates's own.

"None of my old definitions will work, unless we allow that you and Porphyry and Athene are some other kind of being, and that there are unchanging unseeking perfect gods that are different," Sokrates said.

"The One," Ikaros said. "And I used the word angels in the New Concordance, for those other kinds of being. But perfection is a dynamic attribute."

"How can it be? The nature of perfection--"

"Perfect things can become more perfect, endlessly.""Excellence, yes, but perfection implies completeness."

Porphyry and I looked past them and smiled at each other. There was something satisfying to the soul in the way they so immediately became utterly absorbed in the argument. Sokrates caught the smile as Ikaros becan to explain the nature of dynamic perfection, which was exactly the kind of abstraction Ikarians and Psycheans love. "Wait," he said. "We're arguing with each other when we have an expert here."

"I'm not an expert," Porphyry said, throwing up his hands.

"But you admit you are a god?"

"Yes..." Porphyry admitted, tentatively.

"Then you must know what a god is," Sokrates said, with a brisk nod. "Please enlighten us. ~ Jo Walton,
309:Alli Verifiglioli Delle Muse
Ye moderne Lawreats famousd for your writ,
VVho for your pregnance may in Delos dwelt,
On your sweete lines eternitie doth sit,
Their browes enobling with applause and lawrell.
Triumph and honor ay inuest your writ,
Ye fett your penns from wing of singing swanne,
VVhen sweetely warbling to her selfe she flotes
Adowne Meander streames, and like to Organ
Imparts into her quils melodious notes.
Ye from the father of delicious phrases,
Borrow such hymns as make your mistresse liue
VVhen time is dead, nay Hermes tunes the praises,
VVhich ye in sonnets to your mistresse giue.
Report throughout our westerne Isle doth ring,
The sweete tun'd accents of your Delian sonnetrie,
VVhich to Apollos violine ye sing,
Oh then your high straines drowne his melodie.
From forth dead sleepe of euerlasting darke,
Fame with her trumps shrill summon hath awakt
The Romayne Naso and the Tuskan Petrarch,
Your spirit-rauishing lines to wonder at.
Oh theame befitting high mus'd Astrophil,
He to your siluerie songs lent sweetest touch,
Your songs the immortall spirit of your quill,
Oh pardon, for my artlesse pen to much
Doth dimme your glories through his infant skill.
Though may J not with you the spoyles deuide
(Ye sacred of-spring of Mnemosyne)
Of endlesse praise which haue your pens atchiu'd,
(Your pens the trumps to immortallitie)
Yet be it leyfull that like maymes I bide
Like brunts and skarres in your loues warfare,
And here though in my home-spun verse of them declare.
~ Anonymous Olde English,
310:"Who would himself with shadows entertain,
Or gild his life with lights that shine in vain,
Or nurse false hopes that do but cheat the true?
Though with my dream my heaven should be resigned
Though the free-pinioned soul that once could dwell
In the large empire of the possible,
This workday life with iron chains may bind,
Yet thus the mastery o'er ourselves we find,
And solemn duty to our acts decreed,
Meets us thus tutored in the hour of need,
With a more sober and submissive mind!
How front necessityyet bid thy youth
Shun the mild rule of life's calm sovereign, truth."

So speakest thou, friend, how stronger far than I;
As from experiencethat sure port serene
Thou lookest;and straight, a coldness wraps the sky,
The summer glory withers from the scene,
Scared by the solemn spell; behold them fly,
The godlike images that seemed so fair!
Silent the playful Musethe rosy hours
Halt in their dance; and the May-breathing flowers
Fall from the sister-graces' waving hair.
Sweet-mouthed Apollo breaks his golden lyre,
Hermes, the wand with many a marvel rife;
The veil, rose-woven, by the young desire
With dreams, drops from the hueless cheeks of life.
The world seems what it isa grave! and love
Casts down the bondage wound his eyes above,
And sees!He sees but images of clay
Where he dreamed gods; and sighsand glides away.
The youngness of the beautiful grows old,
And on thy lips the bride's sweet kiss seems cold;
And in the crowd of joysupon thy throne
Thou sittest in state, and hardenest into stone.
~ Friedrich Schiller, The Poetry Of Life
311:To Lallie (Outside The British Museum.)
UP those Museum steps you came,
And straightway all my blood was flame,
O Lallie, Lallie !
The world (I had been feeling low)
In one short moment's space did grow
A happy valley.
There was a friend, my friend, with you;
A meagre dame in peacock blue
Apparelled quaintly:
This poet-heart went pit-a-pat;
I bowed and smiled and raised my hat;
You nodded--faintly.
My heart was full as full could be;
You had not got a word for me,
Not one short greeting;
That nonchalant small nod you gave
(The tyrant's motion to the slave)
Sole mark'd our meeting.
Is it so long ? Do you forget
That first and last time that we met?
The time was summer.
The trees were green; the sky was blue;
Our host presented me to you-A tardy comer.
You look'd demure, but when you spoke
You made a little, funny joke,
Yet half pathetic.
Your gown was grey, I recollect,
I think you patronized the sect
They call "æsthetic."
I brought you strawberries and cream,
And plied you long about a stream
With duckweed laden ;
We solemnly discussed the -- heat.
I found you shy and very sweet,
A rosebud maiden.
Ah me, to-day! You passed inside
To where the marble gods abide:
Hermes, Apollo,
Sweet Aphrodite, Pan; and where,
For aye reclined, a headless fair
Beats all fairs hollow.
And I, I went upon my way,
Well -- rather sadder, let us say;
The world looked flatter.
I had been sad enough before,
A little less, a little more,
What does it matter?
~ Amy Levy,
312:Mother of Hermes! and still youthful Maia!
May I sing to thee
As thou wast hymned on the shores of Baiae?
Or may I woo thee
In earlier Sicilian? or thy smiles
Seek as they once were sought, in Grecian isles,
By bards who died content on pleasant sward,
Leaving great verse unto a little clan?
O give me their old vigour! and unheard
Save of the quiet primrose, and the span
Of heaven, and few ears,
Rounded by thee, my song should die away
Content as theirs,
Rich in the simple worship of a day.
'First given in the Life, Letters &c. (1848) in a letter to Reynolds from Teignmouth, dated the 3rd of May 1818, wherein Keats says --

"it is impossible to know how far knowledge will console us for the death of a friend, and the 'ills that flesh is heir to.' With respect to the affections and poetry, you must know by sympathy my thoughts that way, and I dare say these few lines will be but a ratification. I wrote them on May-day, and intend to finish the ode all in good time."

Lord Houghton observes,-- "It is much to be regretted he did not finish this Ode; this commencement is in his best manner: the sentiment and expression perfect, as every traveller in modern Greece will recognize." An Ode so propitiously begun would, if completed, have been a worthy ending for the Devonshire series, though including what I believe I am not alone in regarding as Keats's masterpiece, -- Isabella.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Fragment Of An Ode To Maia. Written On May Day 1818
313:What did you find out?” I asked.
“That’s Prince Jason’s ship, all right,” he replied. “I talked to one of the crewmen overseeing the work. That is, he talked to me. Yelled at me, I mean. Told me to get out of the way so Lord Pelias’s slaves could do their work.”
“Is that why you’re wearing such a long face?” I asked. “I’ll teach him better manners.”
Milo shook his head. “Forget him. He’s nothing. The man with him, the one who called him ‘brother,’ he’s why I’m worried. He said, ‘Let the boy be. Can’t you see he’s only hoping for a handout?’ And when I told him I wanted to earn my keep as his weapons bearer, he answered, ‘Better look elsewhere. This ship’s fully manned. We’re not looking for any extra hands.’”
“Maybe he only said that to get rid of you,” I suggested hopefully.
Milo shrugged again. “They’re still there, by the ship, and plenty of others who don’t look like slaves. Talk to them yourself. Maybe they just didn’t like my looks.”
“Then they’re fools and I wouldn’t waste my breath on them,” I said.
“You’re always too kind to me, La--Glaucus. But you mustn’t worry. Someone’s got to be ugly in this world.” He grinned.
“You’re not ugly,” I said hotly. And that was true. The same harsh slave’s life that had left Milo so skinny had also given him wiry muscles under sun-browned skin. He reminded me of images I’d seen of the young Hermes, thin but fit and graceful. His dark hair was growing longer, like a noble’s, and his brown eyes shone when he smiled.
“Have it your way,” he said good-naturedly. “But in case they do prefer your looks, see if you can persuade them to hire me, too. ~ Esther M Friesner,
314:A small brownish-gray terrier had been sitting on the brick, but he hopped to his feet as soon as he saw Bridget and gave one sharp emphatic bark.
"Now hush," she said to him- not that he seemed to care. She set the tin plate down and uncovered it, revealing the scraps that Mrs. Bram had saved for her.
The terrier immediately began gobbling the food as if he was starving which, sadly, he might be.
"You'll choke," Bridget said sternly. The terrier didn't listen. He never did, no matter how businesslike she made her voice. Grown men- footmen- might jump to obey her, but this scrawny waif defied her.
Bridget bit her lip. If she was forced to leave Hermes House, who would feed the terrier? Mrs. Bram might- if she remembered to do so- but the cook was a busy woman with other matters on her mind.
The dog finished his meal and licked the plate so enthusiastically that he overturned it with a clatter.
Bridget tutted and bent to pick it up.
The dog thrust his short snout under her hand as she did so and she found herself stroking his head. His fur was wiry rather than silky, almost greasy, but the dog had liquid brown eyes and seemed to smile as his mouth hung open, tongue lolling out. He was very, very sweet. She'd never been allowed a pet dog as a child. Her foster father was a shepherd and had considered dogs farm animals. A pet dog wasn't even to be thought of, especially for her, the cuckoo.
Housekeepers, and indeed servants of any kind, weren't allowed pets. Sometimes a cat might be kept to catch mice in the kitchens, but it was a working animal. Dogs were dirty things and required food and space that, technically, she didn't own.
Bridget stood and frowned down at the dog. "Shoo now."
The dog sat and slowly wagged his tail, sweeping the bricks. One of his triangular ears stood up while the other lay down. ~ Elizabeth Hoyt,
315:As Hermes once took to his feathers light,
When lulled Argus, baffled, swooned and slept,
So on a Delphic reed, my idle spright
So played, so charmed, so conquered, so bereft
The dragon-world of all its hundred eyes;
And seeing it asleep, so fled away--
Not to pure Ida with its snow-cold skies,
Nor unto Tempe, where Jove grieved a day;
But to that second circle of sad Hell,
Where in the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows. Pale were the sweet lips I saw,
Pale were the lips I kissed, and fair the form
I floated with, about that melancholy storm.
'This beautiful Sonnet seems to have been written originally in the first volume of the miniature Cary's Dante which Keats carried throughout Scotland in his knapsack; and the composition should probably be assigned to the early part of April 1819. There is a fair transcript written on one of the blank leaves at the end of the copy of Endymion in Sir Charles Dilke's possession. The sonnet was published over the signature "Caviare" in The Indicator for the 28th of June 1820. Inside the recto cover of the little Inferno Keats began by writing the words 'Amid a thousand;' and he then seems to have turned the book round for a fresh start; for inside the verso cover he has written --

'Full in the midst of bloomless hours my}spright/soul
Seeing one night the dragon world asleep
Arose like Hermes....'

The sonnet is finally written in a cramped manner on the last end-paper, and is almost identical with the fair copy; but it shows the cancelled seventh line

'But not olympus-ward to serene skies....'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. A Dream, After Reading Dantes Episode Of Paulo And Francesca
316:Kerényi was as aware as anybody today of the territorial limits of Greek myths and of the non-importability of Hermes. He writes: “In his ‘such-ness,’ he is an historical fact that cannot, by strict and honest historical means, be reduced to something else: neither to a concept, to a ‘power,’ nor to a ‘spirit’ – a gravestone or signpost spirit – not even to an idea that would not contain in a nutshell everything that Hermes’ ‘such-ness’ constitutes.” …

Working more in Hermes’ own sleight of hand way, Kerényi is soon saying things like this: “If a god is ‘idea’ and ‘world,’ he remains nonetheless in connection with the world that contains all such ‘worlds’; he can only be an ‘aspect of the world,’ while the world of which he is an aspect possesses such idea-aspects.” Now, if you will let Kerényi get away with a statement like that – and I hope you will – you will end up owning the Brooklyn Bridge. … Kerényi’s Hermes is the only one that is going to rob you or enrich you, enlighten you or screw you. …

“Guide of Souls” is the usual translation given to the Hermes-epithet “Psychopompos” and it refers to his role as the god who leads souls into the underworld when they die. But πομπóς (still present in every French funeral store’s “Pompes funèbres” description of itself) is more than guide, and even more than guide to the underworld. It means to lead, but Hermes as leader is not quite right either. It means something more like to lead on. Hermes is the god who “leads you on.” … This means he is deceiving you, taking advantage of your gullibility, “taking you for a ride.” That, however, is how Hermes works, and how he gets your soul to move anywhere, how he gets you to budge even a hair off whatever you’re in … .

… Go ahead and buy the Brooklyn Bridge from this man. Be had. Be incorrect. Be foolish. You pay with your soul for this kind of reading. And Hermes does not take plastic. ~ Karl Ker nyi,
317:Two Idylls From Bion The Smyrnean
Once a fowler, young and artless,
To the quiet greenwood came;
Full of skill was he and heartless
In pursuit of feathered game.
And betimes he chanced to see
Eros perching in a tree.
'What strange bird is that, I wonder?'
Thought the youth, and spread his snare;
Eros, chuckling at the blunder,
Gayly scampered here and there.
Do his best, the simple clod
Could not snare the agile god!
Blubbering, to his aged master
Went the fowler in dismay,
And confided his disaster
With that curious bird that day;
'Master, hast thou ever heard
Of so ill-disposed a bird?'
'Heard of him? Aha, most truly!'
Quoth the master with a smile;
'And thou too, shall know him dulyThou art young, but bide awhile,
And old Eros will not fly
From thy presence by and by!
'For when thou art somewhat older
That same Eros thou didst see,
More familiar grown and bolder,
Shall become acquaint with thee;
And when Eros comes thy way
Mark my word, he comes to stay!'
Once came Venus to me, bringing
Eros where my cattle fed'Teach this little boy your singing,
Gentle herdsman,' Venus said.
I was young-I did not know
Whom it was that Venus ledThat was many years ago!
In a lusty voice but mellowCallow pedant! I began
To instruct the little fellow
In the mysteries known to man;
Sung the noble cithern's praise,
And the flute of dear old Pan,
And the lyre that Hermes plays.
But he paid no heed unto meNay, that graceless little boy
Coolly plotted to undo meWith his songs of tender joy;
And my pedantry o'erthrown,
Eager was I to employ
His sweet ritual for mine own!
Ah, these years of ours are fleeting!
Yet I have not vainly wrought,
Since to-day I am repeating
What dear lessons Eros taught;
Love, and always love, and thenCounting all things else for naughtLove and always love again!
~ Eugene Field,
318:Gods in The Lost Hero Aeolus The Greek god of the winds. Roman form: Aeolus Aphrodite The Greek goddess of love and beauty. She was married to Hephaestus, but she loved Ares, the god of war. Roman form: Venus Apollo The Greek god of the sun, prophecy, music, and healing; the son of Zeus, and the twin of Artemis. Roman form: Apollo Ares The Greek god of war; the son of Zeus and Hera, and half brother to Athena. Roman form: Mars Artemis The Greek goddess of the hunt and the moon; the daughter of Zeus and the twin of Apollo. Roman form: Diana Boreas The Greek god of the north wind, one of the four directional anemoi (wind gods); the god of winter; father of Khione. Roman form: Aquilon Demeter The Greek goddess of agriculture, a daughter of the Titans Rhea and Kronos. Roman form: Ceres Dionysus The Greek god of wine; the son of Zeus. Roman form: Bacchus Gaea The Greek personification of Earth. Roman form: Terra Hades According to Greek mythology, ruler of the Underworld and god of the dead. Roman form: Pluto Hecate The Greek goddess of magic; the only child of the Titans Perses and Asteria. Roman form: Trivia Hephaestus The Greek god of fire and crafts and of blacksmiths; the son of Zeus and Hera, and married to Aphrodite. Roman form: Vulcan Hera The Greek goddess of marriage; Zeus’s wife and sister. Roman form: Juno Hermes The Greek god of travelers, communication, and thieves; son of Zeus. Roman form: Mercury Hypnos The Greek god of sleep; the (fatherless) son of Nyx (Night) and brother of Thanatos (Death). Roman form: Somnus Iris The Greek goddess of the rainbow, and a messenger of the gods; the daughter of Thaumas and Electra. Roman form: Iris Janus The Roman god of gates, doors, and doorways, as well as beginnings and endings. Khione The Greek goddess of snow; daughter of Boreas Notus The Greek god of the south wind, one of the four directional anemoi (wind gods). Roman form: Favonius Ouranos The Greek personification of the sky. Roman form: Uranus Pan The Greek god of the wild; the son of Hermes. Roman form: Faunus Pompona The Roman goddess of plenty Poseidon The Greek god of the sea; son of the Titans Kronos and Rhea, and brother of Zeus and Hades. Roman form: Neptune Zeus The Greek god of the sky and king of the gods. Roman form: Jupiter ~ Rick Riordan,
319:Alchimie De La Douleur (The Alchemy Of Sorrow)
L'un t'éclaire avec son ardeur,
L'autre en toi met son deuil, Nature!
Ce qui dit à l'un: Sépulture!
Dit à l'autre: Vie et splendeur!
Hermès inconnu qui m'assistes
Et qui toujours m'intimidas,
Tu me rends l'égal de Midas,
Le plus triste des alchimistes;
Par toi je change l'or en fer
Et le paradis en enfer;
Dans le suaire des nuages
Je découvre un cadavre cher,
Et sur les célestes rivages
Je bâtis de grands sarcophages.
The Alchemy of Sorrow
One man lights you with his ardor,
Another puts you in mourning, Nature!
That which says to one: sepulcher!
Says to another: life! glory!
You have always frightened me,
Hermes the unknown, you who help me.
You make me the peer of Midas,
The saddest of all alchemists;
Through you I change gold to iron
And make of paradise a hell;
In the winding sheet of the clouds
I discover a beloved corpse,
And on the celestial shores
I build massive sarcophagi.
— Translated by William Aggeler
Alchemy of Sorrow
One puts all nature into mourning,
One lights her like a flaring sun —
What whispers 'Burial' to the one
Cries to the other, 'Life and Morning.'
The unknown Hermes who assists
The role of Midas to reverse,
And makes me by a subtle curse
The saddest of all alchemists —
By him, my paradise to hell,
And gold to slag, is changed too well.
The clouds are winding-sheets, and I,
Bidding some dear-loved corpse farewell,
Along the shore-line of the sky,
Erect my vast sarcophagi.
— Translated by Roy Campbell
Alchimie de la douleur
one lights thee with his flame, another
puts in thee — Nature! — all his gloom!
what says to this man: lo! the tomb!
cries: life and splendour! to his brother.
o mage unknown whose powers assist
my art, and whom I always fear,
thou makest me a Midas — peer
of that most piteous alchemist;
for 'tis through thee I turn my gold
to iron, and in heaven behold
my hell: beneath her cloud-palls I
uncover corpses loved of old;
and where the shores celestial die
I carve vast tombs against the sky.
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
320:O pilar e o anel em forma de círculo representam os princípios masculino e feminino. Na Grécia antiga o pilar era o "hérnia" que ficava do lado de fora da casa representando Hermes, enquanto a lareira redonda no interior simbolizava Héstia. Na índia e em outras partes do leste, o pilar e o círculo ficam "copulados". O lingam, ou símbolo fálico, penetra o yoni ou anel feminino, o qual se estende sobre ele como num jogo infantil de arremesso de argolas. Lá o pilar e o círculo juntavam-se, enquanto os gregos e os romanos conservavam esses mesmos dois símbolos de Hermes e Héstia relacionados, mas à parte. Para enfatizar mais essa separação, Héstia é uma deusa virgem que nunca será penetrada, como também a mais velha deusa olímpica. Ela é tia solteirona de Hermes considerado como o mais jovem deus olímpico - uma união altamente improvável.
Desde os tempos gregos as culturas ocidentais têm enfatizado a dualidade, uma divisão ou diferenciação entre masculino e feminino, mente e corpo, logos e eros, ativo e receptivo, que depois se tornaram valores superiores e inferiores, respectivamente. Quando Héstia e Hermes eram ambos honrados nos lares e templos, os valores femininos de Héstia eram os mais importantes, e ela recebia as mais altas honras. Na época havia uma dualidade complementar. Héstia desde então foi desvalorizada e esquecida. Seus fogos sagrados não são mais cuidados e o que ela representa não é mais honrado.
Quando os valores femininos de Héstia são esquecidos e desonrados, a importância do santuário interior, interiorização para encontrar significado e paz, e da família como santuário e fonte de calor ficam diminuídos ou são perdidos. Além disso, o sentimento de uma ligação básica com os outros desaparece, como desaparece também a necessidade dos cidadãos de uma cidade, país ou da terra se ligarem por um elo espiritual comum.
Num nível místico, os arquétipos de Héstia e de Hermes se relacionam através da imagem do fogo sagrado no centro. Hermes-Mercúrio era o espírito alquímico Mercúrio, imaginado como fogo elementar. Tal fogo era considerado a fonte do conhecimento místico, simbolicamente localizado no centro da Terra.
Héstia e Hermes representam idéias arquetípicas do espírito e da alma. Hermes é o espírito que põe fogo na alma. Nesse contexto, Hermes é como o vento que sopra a brasa no centro da lareira, fazendo-a acender-se. Do mesmo modo, as idéias podem excitar sentimentos profundos, ou as palavras podem tornar consciente o que foi inarticuladamente conhecido e iluminado o que foi obscuramente percebido. ~ Jean Shinoda Bolen,
321:Look in it,' he said, smiling slightly, as you do when you have given someone a present which you know will please him and he is unwrapping it before your eyes.
I opened it. In the folder I found four 8×10 glossy photos, obviously professionally done; they looked like the kind of stills that the publicity departments of movie studios put out.
The photos showed a Greek vase, on it a painting of a male figure who we recognized as Hermes.
Twined around the vase the double helix confronted us, done in red glaze against a black background. The DNA molecule. There could be no mistake.
'Twenty-three or -four hundred years ago,' Fat said. 'Not the picture but the krater, the pottery.'
'A pot,' I said.
'I saw it in a museum in Athens. It's authentic. Thats not a matter of my own opinion; I'm not qualified to judge such matters; it's authenticity has been established by the museum authorities. I talked with one of them. He hadn't realized what the design shows; he was very interested when I discussed it with him. This form of vase, the krater, was the shape later used as the baptismal font. That was one of the Greek words that came into my head in March 1974, the word “krater”. I heard it connected with another Greek word: “poros”. The words “poros krater” essentially mean “limestone font”. '
There could be no doubt; the design, predating Christianity, was Crick and Watson's double helix model at which they had arrived after so many wrong guesses, so much trial-and-error work. Here it was, faithfully reproduced.
'Well?' I said.
'The so-called intertwined snakes of the caduceus. Originally the caduceus, which is still the symbol of medicine was the staff of- not Hermes-but-' Fat paused, his eyes bright. 'Of Asklepios. It has a very specific meaning, besides that of wisdom, which the snakes allude to; it shows that the bearer is a sacred person and not to be molested...which is why Hermes the messenger of the gods, carried it.'
None of us said anything for a time.
Kevin started to utter something sarcastic, something in his dry, witty way, but he did not; he only sat without speaking.
Examining the 8×10 glossies, Ginger said, 'How lovely!'
'The greatest physician in all human history,' Fat said to her. 'Asklepios, the founder of Greek medicine. The Roman Emperor Julian-known to us as Julian the Apostate because he renounced Christianity-conside​red Asklepios as God or a god; Julian worshipped him. If that worship had continued, the entire history of the Western world would have basically changed ~ Philip K Dick,
322:To The Baron Destonne
In twice five winters more and one,
Hermes again will cross the Sun;
Again a dusky spot appear,
Slow-journeying o'er his splendid sphere:
The stars shall slide into their places,
Exhibiting the self-same faces,
And in the like position fix
As Thursday morning, eighty-six.
But changing mortals hope in vain
Their lost position more to gain;—
Once more between La Borde and me!—
Ah, wish not what will never be!
For wandering planets have their rules,
Well known in astronomic schools;
But life's swift wheels will ne'er turn back,
When once they've measured o'er their track.
Eleven years,—twice five and one,—
Is a long hour in Beauty's sun:
Those years will pilfer many a grace
Which decks La Borde's enchanting face;
The little Loves which round her fly,
Will moult the wing, and droop, and die:
And I, grown dull, my lyre unstrung
In some old chimney corner hung,
Gay scenes of Paris all forgot,
Shall rust within my silent cot:
Life's summer ended, and life's spring,
Nor she shall charm, nor I shall sing.
Even Cook, upon whose blooming brow
The youthful graces open now,
Eleven years may vastly change:
No more the Provinces he'll range;
No more with humid eyes entreat,
And wait his doom at Beauty's feet;
Married and grave, he'll spend his time
Far from the idleness of rime;
Forgetting oranges and myrtle,
Will drink his port and eat his turtle;
Perhaps with country justice sit,
And turn his back on thee and Wit.
For thee, my friend, whose copious vein
Pours forth at will the polished strain,
With every talent formed to please,
Each fair idea quick to seize;—
Who knows within so long a space
What scenes the present may efface,
What course thy stream of life may take,
What winds may curl, what storms may shake,
What varying colours, gay or grave,
Shall tinge by turns the passing wave;
Of objects on its banks what swarms—
The loftier or the fairer forms—
Shall glide before the liquid glass,
And print their image as they pass?
Let Fancy then and Friendship stray
In Pleasure's flowery walks today,
Today improve the social hours,
And build today the Muse's bowers;
And when life's pageant on will go,
Try not to stop the passing show;
But give to scenes that once were dear,
A sigh, a farewell, and a tear.
~ Anna Laetitia Barbauld,
323:THE COUNCIL WAS NOTHING LIKE Jason imagined. For one thing, it was in the Big House rec room, around a Ping-Pong table, and one of the satyrs was serving nachos and sodas. Somebody had brought Seymour the leopard head in from the living room and hung him on the wall. Every once in a while, a counselor would toss him a Snausage. Jason looked around the room and tried to remember everyone’s name. Thankfully, Leo and Piper were sitting next to him—it was their first meeting as senior counselors. Clarisse, leader of the Ares cabin, had her boots on the table, but nobody seemed to care. Clovis from Hypnos cabin was snoring in the corner while Butch from Iris cabin was seeing how many pencils he could fit in Clovis’s nostrils. Travis Stoll from Hermes was holding a lighter under a Ping-Pong ball to see if it would burn, and Will Solace from Apollo was absently wrapping and unwrapping an Ace bandage around his wrist. The counselor from Hecate cabin, Lou Ellen something-or-other, was playing “got-your-nose” with Miranda Gardiner from Demeter, except that Lou Ellen really had magically disconnected Miranda’s nose, and Miranda was trying to get it back. Jason had hoped Thalia would show. She’d promised, after all—but she was nowhere to be seen. Chiron had told him not to worry about it. Thalia often got sidetracked fighting monsters or running quests for Artemis, and she would probably arrive soon. But still, Jason worried. Rachel Dare, the oracle, sat next to Chiron at the head of the table. She was wearing her Clarion Academy school uniform dress, which seemed a bit odd, but she smiled at Jason. Annabeth didn’t look so relaxed. She wore armor over her camp clothes, with her knife at her side and her blond hair pulled back in a ponytail. As soon as Jason walked in, she fixed him with an expectant look, as if she were trying to extract information out of him by sheer willpower. “Let’s come to order,” Chiron said. “Lou Ellen, please give Miranda her nose back. Travis, if you’d kindly extinguish the flaming Ping-Pong ball, and Butch, I think twenty pencils is really too many for any human nostril. Thank you. Now, as you can see, Jason, Piper, and Leo have returned successfully…more or less. Some of you have heard parts of their story, but I will let them fill you in.” Everyone looked at Jason. He cleared his throat and began the story. Piper and Leo chimed in from time to time, filling in the details he forgot. It only took a few minutes, but it seemed like longer with everyone watching him. The silence was heavy, and for so many ADHD demigods to sit still listening for that long, Jason knew the story must have sounded pretty wild. He ended with Hera’s visit right before the meeting. ~ Rick Riordan,
324:If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes? ~ Rick Riordan,
325:Retroduction To American History
Cats walk the floor at midnight; that enemy of fog,
The moon, wraps the bedpost in receding stillness; sleep
Collects all weary nothings and lugs away the towers,
The pinnacles of dust that feed the subway.
What stiff unhappy silence waits on sleep
Struts like an officer; tongues next-door bewitch
Themselves with divination; I like a melancholy oaf
Beg the nightly pillow with impossible loves.
And abnegation folds hands, crossed like the knees
Of the complacent tailor, stitches cloaks of mercy
To the backs of obsessions.
Winter like spring no less
Tolerates the air; the wild pheasant meets innocently
The gun; night flouts illumination with meagre impudence.
In such serenity of equal fates, why has Narcissus
Urged the brook with questions? Merged with the element
Speculation suffuses the meadow with drops to tickle
The cow's gullet; grasshoppers drink the rain.
Antiquity breached mortality with myths.
Narcissus is vocabulary. Hermes decorates
A cornice on the Third National Bank. Vocabulary
Becomes confusion, decoration a blight; the Parthenon
In ..Tennessee stucco, art for the sake of death. Now
(The bedpost receding in stillness) you brush your teeth
'Hitting on all thirty-two;' scholarship pares
The nails of Catullus, sniffs his sheets, restores
His 'passionate underwear;' morality disciplines the other
Person; every son-of-a-bitch is Christ, at least Rousseau;
Prospero serves humanity in steam-heated universities, three
Thousand dollars a year. Simplicity, Flamineo, is obscene;
Sunlight topples indignant from the hill.
In every railroad station everywhere every lover
Waits for his train. He cannot hear. The smoke
Thickens. Ticket in hand, he pumps his body
Toward lower six, for one more terse ineffable trip,
His very eyeballs fixed in disarticulation. The berth
Is clean; no elephants, vultures, mice or spiders
Distract him from nonentity: his metaphors are dead.
More sanitation is enough, enough remains: dreams
Do not end lucidities beyond the stint of thought.
For intellect is a mansion where waste is without drain;
A corpse is your bedfellow, your great-grandfather dines
With you this evening on a cavalry horse. Intellect
Connives with heredity, creates fate as Euclid geometry
By definition:
The sunlit bones in your house
Are immortal in the titmouse,
They trip the feet of grandma
Like an afterthought each day.
These unseen sunlit bones,
They may be in the cat
That startles them in grandma
But look at this or that
They meet you every way.
For Pelops' and Tantalus' successions were at once simpler,
If perplexed, and less subtle than you think. Heredity
Proposes love, love exacts language, and we lack
Language. When shall we speak again? When shall
The sparrow dusting the gutter sing? When shall
This drift with silence meet the sun? When shall I wake?
~ Allen Tate,
326:What wonder this?we ask the lympid well,
O earth! of theeand from thy solemn womb
What yieldest thou?is there life in the abyss
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
RomeGreece!Oh, come!Beholdbehold! for this!
Our living worldthe old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon houseits silent halls once more
Opes the broad portico!Oh, haste and fill
Again those halls with life!Oh, pour along
Through the seven-vista'd theatre the throng!
Where are ye, mimes?Come forth, the steel prepare
For crowned Atrides, or Orestes haunt,
Ye choral Furies, with your dismal chant!
The arch of triumph!whither leads it?still
Behold the forum!on the curule chair
Where the majestic image? Lictors, where
Your solemn fasces?Place upon his throne
The Praetorhere the witness lead, and there
Bid the accuser stand

O God! how lone
The clear streets glitter in the quiet day
The footpath by the doors winding its lifeless way!
The roofs arise in shelter, and around
The desolate Atriumevery gentle room
Wears still the dear familiar smile of home!
Open the doorsthe shopson dreary night
Let lusty day laugh down in jocund light!

See the trim benches ranged in order!See
The marble-tesselated floorand there
The very walls are glittering livingly
With their clear colors. But the artist, where!
Sure but this instant he hath laid aside
Pencil and colors!Glittering on the eye
Swell the rich fruits, and bloom the flowers!See all
Art's gentle wreaths still fresh upon the wall!
Here the arch Cupid slyly seems to glide
By with bloom-laden basket. There the shapes
Of genii press with purpling feet the grapes,
Here springs the wild Bacchante to the dance,
And there she sleeps [while that voluptuous trance
Eyes the sly faun with never-sated glance]
Now on one knee upon the centaur-steeds
Hoveringthe Thyrsus plies.Hurrah!away she speeds!

Comecome, why loiter ye?Here, here, how fair
The goodly vessels still! Girls, hither turn,
Fill from the fountain the Etruscan urn!
On the winged sphinxes see the tripod. Ho!
Quickquick, ye slaves, comefire!the hearth prepare!
Ha! wilt thou sell?this coin shall pay theethis,
Fresh from the mint of mighty Titus!Lo!
Here lie the scales, and not a weight we miss
Sobring the light! The delicate lamp!what toil
Shaped thy minutest grace!quick pour the oil!
Yonder the fairy chest!come, maid, behold
The bridegroom's giftsthe armletsthey are gold,
And paste out-feigning jewels!lead the bride
Into the odorous bathlo! unguents still
And still the crystal vase the arts for beauty fill!

But where the men of oldperchance a prize
More precious yet in yon papyrus lies,
And see ev'n still the tokens of their toil
The waxen tabletsthe recording style.
The earth, with faithful watch, has hoarded all!
Still stand the mute penates in the hall;
Back to his haunts returns each ancient god.
Why absent only from their ancient stand
The priests?waves Hermes his Caducean rod,
And the winged victory struggles from the hand.
Kindle the flamebehold the altar there!
Long hath the god been worshiplessto prayer.
~ Friedrich Schiller, Pompeii And Herculaneum
327:Monty küçük tuvaletin kapısını kilitleyip, klozetin kapalı kapağının üstüne oturdu. Biri tuvalet kağıdı rulosunun takılı olduğu plastiğin üzerine, cehenneme kadar yolunuz var, yazmıştı. Kesinlikle diye düşündü o da. Ama senin de cehenneme kadar yolun var. Herkesin. Kapıdaki Fransız kadının, şarap içerek yemek yiyenlerin, siparişleri alan garsonların, hepinizin canı cehenneme. Bu kentin ve içindeki herkesin canı cehenneme. Sokak köşelerinde sırıtarak dilenen serserilerin, türbanlı Sihlerin, sarı taksileriyle birbiriyle yarışan yıkanmak bilmez Pakistanlıların da. Göğüs kıllarını alıp, memelerini büyüten Chelsea'li ibnelerin de. Hepsinin canı cehenneme. Aşırı pahalı meyvelerinden piramitler yapan Koreli manavların, onların plastik ambalajlara sarılı lale ve güllerinin de. Beşinci Cadde'de sahte Gucci satan beyaz cübbeli Nijeryalıların da. Brighton Sahili'nde küp şekerleri dişlerinin arasında tutarak çaylarını cam bardaklardan içen Rusların da. Hepsinin canları cehenneme. 47. Cadde'de elmas satan şapkalı, kirli gabardin takımlı, Mesih'in gelmesini beklerken sürekli para sayıp duran Yahudilerin de. Sokaklarda sürtenlerin, yaşlıların ve de spastiklerin de. Kendini beğenmiş, metrolarda sürekli gazete okuyan, kolonya sürünmüş Wall Street borsacılarının da. Hepsinin canı cehenneme. Washington Square Park'ta, bellerinden cüzdan zincirleri sarkan patenli punkçıların, her yere bayrak asan, otomobillerinin açık camlardan dinledikleri müziği bangır bangır herkese dinleten Porto Rikoluların da. Naylon eşofmanları ve St. Anthony madalyonlarıyla gezip, saçlarına durmadan briyantin süren Bensonhurst İtalyanlarının da. Enginarı Balducci'den, eşarbı Hermes'ten alan, büzük dudaklı, asık suratlı ev kadınlarının da. Asla pas vermeyi bilmeyen, savunma yapmayan, her turnikeye girişte bir adım fazladan atan varoş çocuklarının da. Babaları Tokyo'ya iş gezisine giderken mutfakta oturup esrar çeken okullu uyuşturucu müptelalarının da. Mavi giysileri içinde kabadayılık taslayarak dolaşan, kalın enseli, Krispy Kreme'e giderken bile kırmızı ışığı takmayan polislerin de. Knicks'in, Indiana'ya karşı oyunu nedeniyle Patrick Ewing'in, Charles Smith ve onun Chicago maçındaki başarısız uzaktan atışlarının, John Starks'ın Houston maçındaki korkunç şutlarının da canı cehenneme. Jordan'ı hiç yenemedikleri için cehennemin dibine kadar yolları var. Sürekli söylenip duran bücür Jakob Elinsky'nin de canı cehenneme. Hep sevgililerimin kıçlarına bakıp duran Frank Slattery'nin de canı cehenneme. Ben gidince özgürlüğünü ilan edecek Naturelle Rosariao'nun da canı cehenneme. Güvendiğim ama beni gammazlayan Kostya Novotyny'in de. Karanlık odasında film banyo edip duran babamın da. Karlar altında çürüyen annemin de. Bu kadar çabuk kurtulan İsa'nın da canı cehenneme. Çarmıhta yalnızca birkaç saat, cehennemde bir hafta sonu sonra melek ordusuyla eğlence. Bu şehrin ve içindeki her şeyin canı cehenneme. Astoria'daki tek katlı evlerden Park Avenue'daki dublekslere, Brownsville'deki projelerden, Soho'daki mağazalara, Bellevue Hastanesi'nden Alphabet City'deki meskenlere, Park Slope'un kahverengi taşlarına kadar her şeyin canı cehenneme. Bırakın Araplar her tarafı bombalasınlar, bırakın sular yükselsin ve bu fare delikleri yok olsun, depremler yıksın tüm bu yüksek binaları, alevler sarsın her yanı. Yaksın, yıksın, bitirsin. Ve senin de canın cehenneme Montygomery Brogan. Her şeyi mahveden asıl sensin. ~ David Benioff,
328:The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before. ~ Zecharia Sitchin,
329:Hymn to Mercury : Continued

Seized with a sudden fancy for fresh meat,
He in his sacred crib deposited
The hollow lyre, and from the cavern sweet
Rushed with great leaps up to the mountain's head,
Revolving in his mind some subtle feat
Of thievish craft, such as a swindler might
Devise in the lone season of dun night.

Lo! the great Sun under the ocean's bed has
Driven steeds and chariot—the child meanwhile strode
O'er the Pierian mountains clothed in shadows,
Where the immortal oxen of the God
Are pastured in the flowering unmown meadows,
And safely stalled in a remote abode.—
The archer Argicide, elate and proud,
Drove fifty from the herd, lowing aloud.

He drove them wandering o'er the sandy way,
But, being ever mindful of his craft,
Backward and forward drove he them astray,
So that the tracks which seemed before, were aft;
His sandals then he threw to the ocean spray,
And for each foot he wrought a kind of raft
Of tamarisk, and tamarisk-like sprigs,
And bound them in a lump with withy twigs.

And on his feet he tied these sandals light,
The trail of whose wide leaves might not betray
His track; and then, a self-sufficing wight,
Like a man hastening on some distant way,
He from Pieria's mountain bent his flight;
But an old man perceived the infant pass
Down green Onchestus heaped like beds with grass.

The old man stood dressing his sunny vine:
'Halloo! old fellow with the crooked shoulder!
You grub those stumps? before they will bear wine
Methinks even you must grow a little older:
Attend, I pray, to this advice of mine,
As you would 'scape what might appal a bolder—
Seeing, see not—and hearing, hear not—and—
If you have understanding—understand.'

So saying, Hermes roused the oxen vast;
O'er shadowy mountain and resounding dell,
And flower-paven plains, great Hermes passed;
Till the black night divine, which favouring fell
Around his steps, grew gray, and morning fast
Wakened the world to work, and from her cell
Sea-strewn, the Pallantean Moon sublime
Into her watch-tower just began to climb.

Now to Alpheus he had driven all
The broad-foreheaded oxen of the Sun;
They came unwearied to the lofty stall
And to the water-troughs which ever run
Through the fresh fields—and when with rushgrass tall,
Lotus and all sweet herbage, every one
Had pastured been, the great God made them move
Towards the stall in a collected drove.

A mighty pile of wood the God then heaped,
And having soon conceived the mystery
Of fire, from two smooth laurel branches stripped
The bark, and rubbed them in his palms;—on high
Suddenly forth the burning vapour leaped
And the divine child saw delightedly.—
Mercury first found out for human weal
Tinder-box, matches, fire-irons, flint and steel.

And fine dry logs and roots innumerous
He gathered in a delve upon the ground—
And kindled them—and instantaneous
The strength of the fierce flame was breathed around:
And whilst the might of glorious Vulcan thus
Wrapped the great pile with glare and roaring sound,
Hermes dragged forth two heifers, lowing loud,
Close to the fire—such might was in the God.

And on the earth upon their backs he threw
The panting beasts, and rolled them o'er and o'er,
And bored their lives out. Without more ado
He cut up fat and flesh, and down before
The fire, on spits of wood he placed the two,
Toasting their flesh and ribs, and all the gore
Pursed in the bowels; and while this was done
He stretched their hides over a craggy stone. ~ Percy Bysshe Shelley,
330:Ah! happy he, upon whose birth each god
Looks down in love, whose earliest sleep the bright
Idalia cradles, whose young lips the rod
Of eloquent Hermes kindlesto whose eyes,
Scarce wakened yet, Apollo steals in light,
While on imperial brows Jove sets the seal of might!
Godlike the lot ordained for him to share,
He wins the garland ere he runs the race;
He learns life's wisdom ere he knows life's care,
And, without labor vanquished, smiles the grace.
Great is the man, I grant, whose strength of mind,
Self-shapes its objects and subdues the fates
Virtue subdues the fates, but cannot blind
The fickle happiness, whose smile awaits
Those who scarce seek it; nor can courage earn
What the grace showers not from her own free urn!
From aught unworthy, the determined will
Can guard the watchful spiritthere it ends
The all that's glorious from the heaven descends;
As some sweet mistress loves us, freely still
Come the spontaneous gifts of heaven!Above
Favor rules Jove, as it below rules love!
The immortals have their bias!Kindly they
See the bright locks of youth enamored play,
And where the glad one goes, shed gladness round the way.
It is not they who boast the best to see,
Whose eyes the holy apparitions bless;
The stately light of their divinity
Hath oft but shone the brightest on the blind;
And their choice spirit found its calm recess
In the pure childhood of a simple mind.
Unasked they come delighted to delude
The expectation of our baffled pride;
No law can call their free steps to our side.
Him whom he loves, the sire of men and gods
(Selected from the marvelling multitude)
Bears on his eagle to his bright abodes;
And showers, with partial hand and lavish, down,
The minstrel's laurel or the monarch's crown!
Before the fortune-favored son of earth,
Apollo walksand, with his jocund mirth,
The heart-enthralling smiler of the skies
For him gray Neptune smooths the pliant wave
Harmless the waters for the ship that bore
The Caesar and his fortunes to the shore!
Charmed at his feet the crouching lion lies,
To him his back the murmuring dolphin gave;
His soul is born a sovereign o'er the strife
The lord of all the beautiful of life;
Where'er his presence in its calm has trod,
It charmsit sways as solve diviner God.
Scorn not the fortune-favored, that to him
The light-won victory by the gods is given,
Or that, as Paris, from the strife severe,
The Venus draws her darlingWhom the heaven
So prospers, love so watches, I revere!
And not the man upon whose eyes, with dim
And baleful night, sits fate. Achaia boasts,
No less the glory of the Dorian lord
That Vulcan wrought for him the shield and sword
That round the mortal hovered all the hosts
Of all Olympusthat his wrath to grace,
The best and bravest of the Grecian race
Untimely slaughtered, with resentful ghosts
Awed the pale people of the Stygian coasts!
Scorn not the darlings of the beautiful,
If without labor they life's blossoms cull;
If, like the stately lilies, they have won
A crown for which they neither toiled nor spun;
If without merit, theirs be beauty, still
Thy sense, unenvying, with the beauty fill.
Alike for thee no merit wins the right,
To share, by simply seeing, their delight.
Heaven breathes the soul into the minstrel's breast,
But with that soul he animates the rest;
The god inspires the mortalbut to God,
In turn, the mortal lifts thee from the sod.
Oh, not in vain to heaven the bard is dear;
Holy himselfhe hallows those who hear!
The busy mart let justice still control,
Weighing the guerdon to the toil!What then?
A God alone claims joyall joy is his,
Flushing with unsought light the cheeks of men.
Where is no miracle, why there no bliss!
Grow, change, and ripen all that mortal be,
Shapened from form to form, by toiling time;
The blissful and the beautiful are born
Full grown, and ripened from eternity
No gradual changes to their glorious prime,
No childhood dwarfs them, and no age has worn.
Like heaven's, each earthly Venus on the sight
Comes, a dark birth, from out an endless sea;
Like the first Pallas, in maturest might,
Armed, from the thunderer'sbrow, leaps forth each thought of light.

~ Friedrich Schiller, The Fortune-Favored
331:Iii: To Sir Robert Wroth
How blest art thou, canst love the countrey, Wroth,
Whether by choyce, or fate, or both!
And, though so neere the Citie, and the Court,
Art tane with neithers vice, nor sport:
That at great times, art no ambitious guest
Of Sheriffes dinner, or Maiors feast.
Nor com'st to view the better cloth of State;
The richer hangings, or crowne-plate;
Nor throng'st (when masquing is) to have a fight
Of the short braverie of the night;
To view the jewels, stuffes, the paines, the wit
There wasted, some not paid for yet!
But canst, at home, in thy securer rest,
Live, with un-bought provision blest;
Free from proud porches, or their guilded roofes,
'Mongst loughing heards, and solid hoofes:
Along'st the curled woods, and painted meades,
Through which a serpent river leades
To some coole, courteous shade, which he cals his,
And makes sleep softer than it is!
Or, if thou list the night in watch to breake,
A-bed canst heare the loud stag speake,
In spring, oft roused for their masters sport,
Who, for it, makes thy house his court;
Or with thy friends; the heart of all the yeare,
Divid'st, upon the lesser Deere;
In Autumne, at the Partrich mak'st a flight,
And giv'st thy gladder guests the sight;
And, in the Winter, hunt'st the flying Hare,
More for thy exercise, than fare;
While all, that follow, their glad eares apply
To the full greatnesse of the cry:
Or hauking at the River, or the Bush,
Or shooting at the greedy Thrush,
Thou dost with some delight the day out-weare,
Although the coldest of the yeare!
The whil'st the severall seasons thou hast seene
Of flowry Fields, of cop'ces greene,
The mowed Meddows, with the fleeced Sheep,
And feasts, that either shearers keep;
The ripened eares, yet humble in their height,
And furrows laden with their weight;
The apple-harvest, that doth longer last;
The hogs return'd home fat from mast;
The trees cut out in log; and those boughs made
A fire now, that lend a shade!
Thus Pan, and Sylvane, having had their rites,
Comus puts in, for new delights;
And fils thy open hall with mirth, and cheere,
As if in Saturnes raigne it were;
Apollo's Harpe, and Hermes Lyre resound,
Nor are the Muses strangers found:
The rout of rurall folk come thronging in,
(Their rudenesse then is thought no sin)
Thy noblest pouse affords them welcome grace;
And the great Heroes, of her race,
Sit mixt with losse of State, or reverence.
Freedome doth with degree dispence.
The jolly wassall walks the often round,
And in their cups, their cares are drown'd,
They think not, then, which side the cause shall leese,
Nor how to get the Lawyer fees.
Such, and no other was that age, of old,
Which boasts t'have had the head of gold.
And such since thou canst make thine own content,
Strive, Wroth, to live long innocent.
Let others watch in guilty armes, and stand
The fury of a rash command,
Go enter breaches, meet the cannons rage,
That they may sleep with scarres in age.
And shew their feathers shot, and Cullours torne,
And brag that they were therefore borne.
Let this man sweat, and wrangle at the barre,
For every price in every jarre,
And change possessions, oftner with his breath,
Than either money, war, or death:
Let him, than hardest sires, more disinherit,
And each where boast it as his merit,
To blow up Ophanes, Widdows, and their states;
And think his power doth equall Fates.
Let that go heape a masse of wretched wealth,
Purchas'd by rapine, worse than stealth,
And brooding o're it sit, with broadest eyes,
Not doing good, scarce when he dyes.
Let thousands more go flatter vice, and winne,
By being organes to great sin,
Get place and honor, and be glad to keepe
The secrets, that shall breake their sleepe:
And, so they ride in Purple, eat in Plate,
Though poyson, thinke it a great fate.
But thou, my Wroth, if I can truth apply,
Shalt neither that, nor this envy:
Thy peace is made; and, when mans state is well,
'Tis better, if he there can dwell.
God wisheth, none should wracke on a strange shelfe:
To him man's dearer, than t'himselfe.
And, howsoever we may thinke things sweet,
He alwayes gives what he knowes meet;
Which who can use is happy: Such be thou.
Thy mornings and thy evenings Vow
Be thankes to him, and earnest prayer, to finde
A body sound, with sounder minde;
To do thy Countrey service, thy selfe right;
That neither Want doe thee affright,
Nor Death; but when thy latest sand is spent,
Thou maist thinke life, a thing but lent.
~ Ben Jonson,
332:Dominions Of The Boundary
The Survival Of The Gods
1 Twilight
The gods of Nature abdicate
When man intrudes too far:
The Dryad leaves her woodland state,
And Jove his thunder-car:
No more Apollo reins the sun
Or Neptune rides the sea,
The race of Oread is run,
And Pan has ceased to be:
The formless Winds are roaming through
Druidic grove and vale:
Deserted Asgard and Meru
For Thor and Indra wail:
Majestic Forms oblivion 'scape
As kelpie, sylph, and gnome,
Astarte hides in gentler shape,
And Vestals hearthless roam:
Thrones, Dominions, Virtues, Powers,
Fall from Their Mystic Tree,
And sacrilegious Time devours
Each Principality.
2 Sceptic:
Whatever dramas of the Vast
About our drama play,
Or necromancies from the past
Project their gloom to-day,
We seem to hear the Uncreate
Slowly let this be knownThat man has fashioned all his fate
And stands, on earth, alone:
That all he needs was in him stored,
Material and plan;
That ne'er was deity adored
But first was made by man.
3 The Abiding Gods:
But tho' we mumble sceptic saw,
Or sweet old prayers forget;
And tho' we dream of Higher Law,
The gods are living yet:
For they who will no Monitor,
Save One Unnamed, allow,
Allegiance deep to Love or War,
Or Chance or Wind avow:
Avow by no mere cult of names,
No pattering of creeds,
But by the sacrificial flames
Of lifelong thoughts and deeds.
When mediaeval hurricane
The gods in exile drove,
'Thrice-greatest' Hermes and his train
Usurped the seats of Jove:
Where still their Wisdom rules the spheres
Of yet uncharted Law,
By building in our nerves the fears
Our sires in Nature saw:
In other garments everywhere,
Behold, the prophetess,
Clairaudient interpreter,
Clairvoyant Pythoness!
Suburban Delphis for the rich,
The Gnosis for the staid!
Perennial by the road, the witch
Of Endor plies her trade!
4 Mystic:
All is not daylight in the day,
Or knowledge in the known;
The life we are, the prayer we pray,
From deep, to deep, is blown.
Though Reason claim omniscient worth
And lush her dogmas thrive:
Our present home is more than earth,
Our senses more than five.
And the mystic who sees the star-folk throng,
Where we but the noonday blue,
Knows no religion yet was wrong
And never a myth untrue.
The wrong road now was the old high way
Of young Truth's caravan;
To-morrow is not to-day, to-day,
Or the baby yet a man.
Though mountain watchmen daily see
Horizons widen far,
Dominions of the Boundary
Have ever ruled, and are.
5 Heracleitic:
The lines of godhood all converge
At last to unity:
And the images of all emerge
From every god we see.
So Hermes here and Venus there
Are Memory, are Fate;
And all are Winds; and the Sirens fair
Mute in the Wisdoms wait.
All life is a stream and mortals stand
On a heaving and passing earth:
And the land of gods is a changing land
As the land that gave it birth.
Life is a stream: through a gorge we go
'Tween a deep and a living deep:
Form is the gorge, and change is the flow,
And the source and the mouth are sleep.
6 Historic:
Torrential barbarisms need
Charioteers of Pain:
And wise gods sleep when men recede
To callow youth again.
But in that age-long sleep have waned
A myriad gods, or fled:
Olympic altars are disdained
And Gnostic Wisdom dead.
For what to Vandals or to Huns,
When Rome's red lips were ripe,
Were calm Hellenic Shining Ones,
Or Gnostic Archetype?
Yet Time matured to mellow wine
The Roman-Gothic must,
For Mercy and a Maid Divine
Subdued the hate and lust:
Till Hedonist and Stoic hold
Antique debates anew:
And hither return the virtues old
(Alas! and old vice too!).
Marooned no more, we sail the sea,
Ere sad gods were, we knew:
And from Platonic prows decree'The gods are Me, are You!'
7 Omni-Benevolence:
Yet, shaping slowly through the storm
And bidding darkness fade,
Evolving eyes discern a Form
No clay-creator made:
A Symbol Form that mirrors ours,
That is, yet is not, we,
That seems to hint of Higher Powers
Than Fate or Memory:
That takes the image as we gaze
Of the Holiest Ones that were:
For here It looks from Jesus' face,
And from Mohammed's, there:
'Tis Moses, yea, 'tis Krishna's form;
'Tis fire, 'tis star, 'tis sun:
A myriad now Its faces swarm,
Now, All and It are One:
The Chinese 'Way' one watcher sees,
And one a Brooding Dove,
One Baldur, Buddh or SocratesBut always It is Love.
~ Bernard O'Dowd,
333:A Reply To A Pessimist
O beautiful bright world! for ever young,
And now with Wisdom grafted on thy Spring,
Why do they slander thee with wailing tongue,
And lose the wealth of thy long harvesting?
Why do they say that thou art old and sad,
When, each fresh April, nightingales are glad,
And, each returning May, paired misselthrushes sing?
``Stripped of our dreams''! It is the sleeper then,
And not the shadowy corridors of night,
Fair visions have deserted. Hill and glen
As haunted are with wonder and delight
As when Endymion felt his eyelids kissed
By the moist moon, and through the morning mist
Foam-sandalled Venus flowered, immaculately white.
``No deities in sky, or sun, or moon!
No nymphs in grove or hill, in sea or stream''!
Why, I saw Artemis, this very noon,
Slip through the wood, a momentary gleam,
As satin as the sallow and as lithe,
And heard her eager sleuth-hounds baying blithe
Hard on the intruder's heels, then rent Actaeon's scream.
``Dead''! Hamadryads frisk in every wood,
In every pool elusive Naiads dwell;
Neptune's dread voice, deep as when Troy still stood,
Is stored for us in every murmuring shell.
List! you will hear. But look, and you will find
Iris in rainbow, Hermes in the wind,
Delphi's inspiring fount in every wayside well.
``No God! no Heaven''! The Gods you cannot kill,
Nor banish from their seats the sainted choirs.
The deep-toned organ is Cecilia's still,
Still lamb-like Agnes quencheth wanton fires;
Stephen still sanctifies the martyr's lot,
And many a maiden, though believing not,
Beholds Madonna's face, then chastens her desires.
O beautiful bright world! for ever young,
With gifts for ever fresh. The seasons bring
All that they ever brought, since flowers first sprung
To deck the blushing consciousness of Spring.
Summer still makes us glad that we were born,
Our musings mellow with the mellowing corn,
And to our fireside loves wise Winter bids us cling.
What is there we have lost while hearts still beat,
While thought still burns? You cannot Man dethrone,
Time's Heir-Apparent, from his sovran seat,
Assail his empire, or curtail its zone.
What though fledged Science fearlessly explore
New worlds of knowledge unsurmised of yore,
These fresh-found realms the Muse annexes to its own.
Thus have we Eld's delights, our own as well:
Science is but Imagination's slave;
Nor have ``the antique fables'' lost their spell,
Because we pierce the sky and plumb the wave.
For us the stars still sing, the moon still grieves,
The Fauns still rustle in the fallen leaves,
The Crucified is risen, and glorifies the grave.
Is Love less sweet because men loved of yore?
No, sweeter, stronger, with the ages' growth.
Love's long descent ennobles loving more,
And Helen's falsehood fortifies one's troth.
Bridging Time's stream with life's commanding span,
We stand upon the Present, and we scan
Future and Past, and seem to live along them both.
What have we lost?-we, who have gained so much:
The mind of man, familiar afar,
Hath upon sun, star, planet, laid its touch,
Lassoed the lightning, yoked it to his car.
Yet fear not lest that Knowledge should deflower
The awe that veils the inviolable Power,
Or that we e'er shall learn what, whence, and why we are.
'Tis Mystery lends a meaning unto Life,
Never quite guessed; and simple souls, mean-while,
Find Paradise in mother, sister, wife,
The far one's faithfulness, the near one's smile.
So long as valour wins and beauty charms,
And lovers throb into each other's arms,
How can you rail at life, reproach it and revile?
``Woe, agony, despair''! Woe, yes, there is,
Despair there need not be. Meek wisdom tries
To gain from grief an after-taste of bliss,
And sees a rainbow through its streaming eyes.
Nor, if I could, would I quite part with pain,
Lest pity die;-a loss, and not a gain.
'Tis Pride alone despairs. Be humble, and be wise.
We bear no ``burden of the bygone years.''
Their matter perishes, their soul survives,
Widening our hopes and narrowing our fears;
Shedding a shadowy charm athwart our lives,
Guiding our gropings, steadying our feet,
Like to an agëd nurse, that we may meet
The Future without dread, whatever rue arrives.
What if there were no Heaven? there is the Earth.
What if there were no goal? there is the race.
'Tis unfulfilled desire that staves off dearth,
Sustains the march and stimulates the pace.
Where is the ``prodigal waste of myriad lives''?
No life is wasted that loves, hopes, and strives,
And wears an eastward glow upon its fading face.
O beautiful bright world! Earth, Heaven, in one,
I thank thee for thy gifts: the gift of birth,
The unbought bounty of air, sky, sea, sun,
Seed-time and shower, harvest and mellow mirth;
For privilege to think, to feel, to strive;
I thank thee for the boon of being alive,
For Glory's deathless dream, and Virtue's matchless worth.
~ Alfred Austin,
334:SECTION 1. Books for Serious Study
   Liber CCXX. (Liber AL vel Legis.) The Book of the Law. This book is the foundation of the New Æon, and thus of the whole of our work.
   The Equinox. The standard Work of Reference in all occult matters. The Encyclopaedia of Initiation.
   Liber ABA (Book 4). A general account in elementary terms of magical and mystical powers. In four parts: (1) Mysticism (2) Magical (Elementary Theory) (3) Magick in Theory and Practice (this book) (4) The Law.
   Liber II. The Message of the Master Therion. Explains the essence of the new Law in a very simple manner.
   Liber DCCCXXXVIII. The Law of Liberty. A further explanation of The Book of the Law in reference to certain ethical problems.
   Collected Works of A. Crowley. These works contain many mystical and magical secrets, both stated clearly in prose, and woven into the Robe of sublimest poesy.
   The Yi King. (S. B. E. Series [vol. XVI], Oxford University Press.) The "Classic of Changes"; give the initiated Chinese system of Magick.
   The Tao Teh King. (S. B. E. Series [vol. XXXIX].) Gives the initiated Chinese system of Mysticism.
   Tannhäuser, by A. Crowley. An allegorical drama concerning the Progress of the Soul; the Tannhäuser story slightly remodelled.
   The Upanishads. (S. B. E. Series [vols. I & XV.) The Classical Basis of Vedantism, the best-known form of Hindu Mysticism.
   The Bhagavad-gita. A dialogue in which Krishna, the Hindu "Christ", expounds a system of Attainment.
   The Voice of the Silence, by H.P. Blavatsky, with an elaborate commentary by Frater O.M. Frater O.M., 7°=48, is the most learned of all the Brethren of the Order; he has given eighteen years to the study of this masterpiece.
   Raja-Yoga, by Swami Vivekananda. An excellent elementary study of Hindu mysticism. His Bhakti-Yoga is also good.
   The Shiva Samhita. An account of various physical means of assisting the discipline of initiation. A famous Hindu treatise on certain physical practices.
   The Hathayoga Pradipika. Similar to the Shiva Samhita.
   The Aphorisms of Patanjali. A valuable collection of precepts pertaining to mystical attainment.
   The Sword of Song. A study of Christian theology and ethics, with a statement and solution of the deepest philosophical problems. Also contains the best account extant of Buddhism, compared with modern science.
   The Book of the Dead. A collection of Egyptian magical rituals.
   Dogme et Rituel de la Haute Magie, by Eliphas Levi. The best general textbook of magical theory and practice for beginners. Written in an easy popular style.
   The Book of the Sacred Magic of Abramelin the Mage. The best exoteric account of the Great Work, with careful instructions in procedure. This Book influenced and helped the Master Therion more than any other.
   The Goetia. The most intelligible of all the mediæval rituals of Evocation. Contains also the favourite Invocation of the Master Therion.
   Erdmann's History of Philosophy. A compendious account of philosophy from the earliest times. Most valuable as a general education of the mind.
   The Spiritual Guide of [Miguel de] Molinos. A simple manual of Christian Mysticism.
   The Star in the West. (Captain Fuller). An introduction to the study of the Works of Aleister Crowley.
   The Dhammapada. (S. B. E. Series [vol. X], Oxford University Press). The best of the Buddhist classics.
   The Questions of King Milinda. (S. B. E. Series [vols. XXXV & XXXVI].) Technical points of Buddhist dogma, illustrated bydialogues.
   Liber 777 vel Prolegomena Symbolica Ad Systemam Sceptico-Mysticæ Viæ Explicandæ, Fundamentum Hieroglyphicam Sanctissimorum Scientiæ Summæ. A complete Dictionary of the Correspondences of all magical elements, reprinted with extensive additions, making it the only standard comprehensive book of reference ever published. It is to the language of Occultism what Webster or Murray is to the English language.
   Varieties of Religious Experience (William James). Valuable as showing the uniformity of mystical attainment.
   Kabbala Denudata, von Rosenroth: also The Kabbalah Unveiled, by S.L. Mathers. The text of the Qabalah, with commentary. A good elementary introduction to the subject.
   Konx Om Pax [by Aleister Crowley]. Four invaluable treatises and a preface on Mysticism and Magick.
   The Pistis Sophia [translated by G.R.S. Mead or Violet McDermot]. An admirable introduction to the study of Gnosticism.
   The Oracles of Zoroaster [Chaldæan Oracles]. An invaluable collection of precepts mystical and magical.
   The Dream of Scipio, by Cicero. Excellent for its Vision and its Philosophy.
   The Golden Verses of Pythagoras, by Fabre d'Olivet. An interesting study of the exoteric doctrines of this Master.
   The Divine Pymander, by Hermes Trismegistus. Invaluable as bearing on the Gnostic Philosophy.
   The Secret Symbols of the Rosicrucians, reprint of Franz Hartmann. An invaluable compendium.
   Scrutinium Chymicum [Atalanta Fugiens]¸ by Michael Maier. One of the best treatises on alchemy.
   Science and the Infinite, by Sidney Klein. One of the best essays written in recent years.
   Two Essays on the Worship of Priapus [A Discourse on the Worship of Priapus &c. &c. &c.], by Richard Payne Knight [and Thomas Wright]. Invaluable to all students.
   The Golden Bough, by J.G. Frazer. The textbook of Folk Lore. Invaluable to all students.
   The Age of Reason, by Thomas Paine. Excellent, though elementary, as a corrective to superstition.
   Rivers of Life, by General Forlong. An invaluable textbook of old systems of initiation.
   Three Dialogues, by Bishop Berkeley. The Classic of Subjective Idealism.
   Essays of David Hume. The Classic of Academic Scepticism.
   First Principles by Herbert Spencer. The Classic of Agnosticism.
   Prolegomena [to any future Metaphysics], by Immanuel Kant. The best introduction to Metaphysics.
   The Canon [by William Stirling]. The best textbook of Applied Qabalah.
   The Fourth Dimension, by [Charles] H. Hinton. The best essay on the subject.
   The Essays of Thomas Henry Huxley. Masterpieces of philosophy, as of prose.
   ~ Aleister Crowley, Liber ABA, Appendix I: Literature Recommended to Aspirants #reading list,
335:The Rape Of The Lock: Canto 5
She said: the pitying audience melt in tears,
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fix'd the Trojan could remain,
While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan;
Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most,
The wise man's passion, and the vain man's toast?
Why deck'd with all that land and sea afford,
Why angels call'd, and angel-like ador'd?
Why round our coaches crowd the white-glov'd beaux,
Why bows the side-box from its inmost rows?
How vain are all these glories, all our pains,
Unless good sense preserve what beauty gains:
That men may say, when we the front-box grace:
'Behold the first in virtue, as in face!'
Oh! if to dance all night, and dress all day,
Charm'd the smallpox, or chas'd old age away;
Who would not scorn what housewife's cares produce,
Or who would learn one earthly thing of use?
To patch, nay ogle, might become a saint,
Nor could it sure be such a sin to paint.
But since, alas! frail beauty must decay,
Curl'd or uncurl'd, since locks will turn to grey,
Since painted, or not painted, all shall fade,
And she who scorns a man, must die a maid;
What then remains but well our pow'r to use,
And keep good humour still whate'er we lose?
And trust me, dear! good humour can prevail,
When airs, and flights, and screams, and scolding fail.
Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul."
So spoke the dame, but no applause ensu'd;
Belinda frown'd, Thalestris call'd her prude.
"To arms, to arms!" the fierce virago cries,
And swift as lightning to the combat flies.
All side in parties, and begin th' attack;
Fans clap, silks rustle, and tough whalebones crack;
Heroes' and heroines' shouts confus'dly rise,
And bass, and treble voices strike the skies.
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,
And heav'nly breasts with human passions rage;
'Gainst Pallas, Mars; Latona, Hermes arms;
And all Olympus rings with loud alarms.
Jove's thunder roars, heav'n trembles all around;
Blue Neptune storms, the bellowing deeps resound;
Earth shakes her nodding tow'rs, the ground gives way;
And the pale ghosts start at the flash of day!
Triumphant Umbriel on a sconce's height
Clapp'd his glad wings, and sate to view the fight:
Propp'd on their bodkin spears, the sprites survey
The growing combat, or assist the fray.
While through the press enrag'd Thalestris flies,
And scatters death around from both her eyes,
A beau and witling perish'd in the throng,
One died in metaphor, and one in song.
"O cruel nymph! a living death I bear,"
Cried Dapperwit, and sunk beside his chair.
A mournful glance Sir Fopling upwards cast,
"Those eyes are made so killing"--was his last.
Thus on Mæeander's flow'ry margin lies
Th' expiring swan, and as he sings he dies.
When bold Sir Plume had drawn Clarissa down,
Chloe stepp'd in, and kill'd him with a frown;
She smil'd to see the doughty hero slain,
But at her smile, the beau reviv'd again.
Now Jove suspends his golden scales in air,
Weighs the men's wits against the lady's hair;
The doubtful beam long nods from side to side;
At length the wits mount up, the hairs subside.
See, fierce Belinda on the baron flies,
With more than usual lightning in her eyes,
Nor fear'd the chief th' unequal fight to try,
Who sought no more than on his foe to die.
But this bold lord with manly strength endu'd,
She with one finger and a thumb subdu'd:
Just where the breath of life his nostrils drew,
A charge of snuff the wily virgin threw;
The Gnomes direct, to ev'ry atom just,
The pungent grains of titillating dust.
Sudden, with starting tears each eye o'erflows,
And the high dome re-echoes to his nose.
"Now meet thy fate", incens'd Belinda cried,
And drew a deadly bodkin from her side.
(The same, his ancient personage to deck,
Her great great grandsire wore about his neck
In three seal-rings; which after, melted down,
Form'd a vast buckle for his widow's gown:
Her infant grandame's whistle next it grew,
The bells she jingled, and the whistle blew;
Then in a bodkin grac'd her mother's hairs,
Which long she wore, and now Belinda wears.)
"Boast not my fall," he cried, "insulting foe!
Thou by some other shalt be laid as low.
Nor think, to die dejects my lofty mind;
All that I dread is leaving you benind!
Rather than so, ah let me still survive,
And burn in Cupid's flames--but burn alive."
"Restore the lock!" she cries; and all around
"Restore the lock!" the vaulted roofs rebound.
Not fierce Othello in so loud a strain
Roar'd for the handkerchief that caus'd his pain.
But see how oft ambitious aims are cross'd,
The chiefs contend 'till all the prize is lost!
The lock, obtain'd with guilt, and kept with pain,
In ev'ry place is sought, but sought in vain:
With such a prize no mortal must be blest,
So Heav'n decrees! with Heav'n who can contest?
Some thought it mounted to the lunar sphere,
Since all things lost on earth are treasur'd there.
There hero's wits are kept in pond'rous vases,
And beaux' in snuff boxes and tweezercases.
There broken vows and deathbed alms are found,
And lovers' hearts with ends of riband bound;
The courtier's promises, and sick man's prayers,
The smiles of harlots, and the tears of heirs,
Cages for gnats, and chains to yoke a flea,
Dried butterflies, and tomes of casuistry.
But trust the Muse--she saw it upward rise,
Though mark'd by none but quick, poetic eyes:
(So Rome's great founder to the heav'ns withdrew,
To Proculus alone confess'd in view)
A sudden star, it shot through liquid air,
And drew behind a radiant trail of hair.
Not Berenice's locks first rose so bright,
The heav'ns bespangling with dishevell'd light.
The Sylphs behold it kindling as it flies,
And pleas'd pursue its progress through the skies.
This the beau monde shall from the Mall survey,
And hail with music its propitious ray.
This the blest lover shall for Venus take,
And send up vows from Rosamonda's lake.
This Partridge soon shall view in cloudless skies,
When next he looks through Galileo's eyes;
And hence th' egregious wizard shall foredoom
The fate of Louis, and the fall of Rome.
Then cease, bright nymph! to mourn thy ravish'd hair,
Which adds new glory to the shining sphere!
Not all the tresses that fair head can boast
Shall draw such envy as the lock you lost.
For, after all the murders of your eye,
When, after millions slain, yourself shall die:
When those fair suns shall set, as set they must,
And all those tresses shall be laid in dust,
This lock, the Muse shall consecrate to fame
And 'midst the stars inscribe Belinda's name.
~ Alexander Pope,
336:Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,
She who compels lawless passions to cease,
Who to link man with his fellow has come,
And into firm habitations of peace
Changed the rude tents' ever-wandering home.

Shyly in the mountain-cleft
Was the Troglodyte concealed;
And the roving Nomad left,
Desert lying, each broad field.
With the javelin, with the bow,
Strode the hunter through the land;
To the hapless stranger woe,
Billow-cast on that wild strand!

When, in her sad wanderings lost,
Seeking traces of her child,
Ceres hailed the dreary coast,
Ah, no verdant plain then smiled!
That she here with trust may stay,
None vouchsafes a sheltering roof;
Not a temple's columns gay
Give of godlike worship proof.

Fruit of no propitious ear
Bids her to the pure feast fly;
On the ghastly altars here
Human bones alone e'er dry.
Far as she might onward rove,
Misery found she still in all,
And within her soul of love,
Sorrowed she o'er man's deep fall.

"Is it thus I find the man
To whom we our image lend,
Whose fair limbs of noble span
Upward towards the heavens ascend?
Laid we not before his feet
Earth's unbounded godlike womb?
Yet upon his kingly seat
Wanders he without a home?"

"Does no god compassion feel?
Will none of the blissful race,
With an arm of miracle,
Raise him from his deep disgrace?
In the heights where rapture reigns
Pangs of others ne'er can move;
Yet man's anguish and man's pains
My tormented heart must prove."

"So that a man a man may be,
Let him make an endless bond
With the kind earth trustingly,
Who is ever good and fond
To revere the law of time,
And the moon's melodious song
Who, with silent step sublime,
Move their sacred course along."

And she softly parts the cloud
That conceals her from the sight;
Sudden, in the savage crowd,
Stands she, as a goddess bright.
There she finds the concourse rude
In their glad feast revelling,
And the chalice filled with blood
As a sacrifice they bring.

But she turns her face away,
Horror-struck, and speaks the while
"Bloody tiger-feasts ne'er may
Of a god the lips defile,
He needs victims free from stain,
Fruits matured by autumn's sun;
With the pure gifts of the plain
Honored is the Holy One!"

And she takes the heavy shaft
From the hunter's cruel hand;
With the murderous weapon's haft
Furrowing the light-strown sand,
Takes from out her garland's crown,
Filled with life, one single grain,
Sinks it in the furrow down,
And the germ soon swells amain.

And the green stalks gracefully
Shoot, ere long, the ground above,
And, as far as eye can see,
Waves it like a golden grove.
With her smile the earth she cheers,
Binds the earliest sheaves so fair,
As her hearth the landmark rears,
And the goddess breathes this prayer:

"Father Zeus, who reign'st o'er all
That in ether's mansions dwell,
Let a sign from thee now fall
That thou lov'st this offering well!
And from the unhappy crowd
That, as yet, has ne'er known thee,
Take away the eye's dark cloud,
Showing them their deity!"

Zeus, upon his lofty throne,
Harkens to his sister's prayer;
From the blue heights thundering down,
Hurls his forked lightning there,
Crackling, it begins to blaze,
From the altar whirling bounds,
And his swift-winged eagle plays
High above in circling rounds.

Soon at the feet of their mistress are kneeling,
Filled with emotion, the rapturous throng;
Into humanity's earliest feeling
Melt their rude spirits, untutored and strong.
Each bloody weapon behind them they leave,
Rays on their senses beclouded soon shine,
And from the mouth of the queen they receive,
Gladly and meekly, instruction divine.

All the deities advance
Downward from their heavenly seats;
Themis' self 'tis leads the dance,
And, with staff of justice, metes
Unto every one his rights,
Landmarks, too, 'tis hers to fix;
And in witness she invites
All the hidden powers of Styx.

And the forge-god, too, is there,
The inventive son of Zeus;
Fashioner of vessels fair
Skilled in clay and brass's use.
'Tis from him the art man knows
Tongs and bellows how to wield;
'Neath his hammer's heavy blows
Was the ploughshare first revealed.

With projecting, weighty spear,
Front of all, Minerva stands,
Lifts her voice so strong and clear,
And the godlike host commands.
Steadfast walls 'tis hers to found,
Shield and screen for every one,
That the scattered world around
Bind in loving unison.

The immortals' steps she guides
O'er the trackless plains so vast,
And where'er her foot abides
Is the boundary god held fast;
And her measuring chain is led
Round the mountain's border green,
E'en the raging torrent's bed
In the holy ring is seen.

All the Nymphs and Oreads too
Who, the mountain pathways o'er,
Swift-foot Artemis pursue,
All to swell the concourse, pour,
Brandishing the hunting-spear,
Set to work,glad shouts uprise,
'Neath their axes' blows so clear
Crashing down the pine-wood flies.

E'en the sedge-crowned God ascends
From his verdant spring to light,
And his raft's direction bends
At the goddess' word of might,
While the hours, all gently bound,
Nimbly to their duty fly;
Rugged trunks are fashioned round
By her skilled hand gracefully.

E'en the sea-god thither fares;
Sudden, with his trident's blow,
He the granite columns tears
From earth's entrails far below;
In his mighty hands, on high,
Waves he them, like some light ball,
And with nimble Hermes by,
Raises up the rampart-wall.

But from out the golden strings
Lures Apollo harmony,
Measured time's sweet murmurings,
And the might of melody.
The Camoenae swell the strain
With their song of ninefold tone:
Captive bound in music's chain,
Softly stone unites to stone.

Cybele, with skilful hand,
Open throws the wide-winged door;
Locks and bolts by her are planned,
Sure to last forevermore.
Soon complete the wondrous halls
By the gods' own hands are made,
And the temple's glowing walls
Stand in festal pomp arrayed.

With a crown of myrtle twined,
Now the goddess queen comes there,
And she leads the fairest hind
To the shepherdess most fair.
Venus, with her beauteous boy,
That first pair herself attires;
All the gods bring gifts of joy,
Blessing their love's sacred fires.

Guided by the deities,
Soon the new-born townsmen pour,
Ushered in with harmonies,
Through the friendly open door.
Holding now the rites divine,
Ceres at Zeus' altar stands,
Blessing those around the shrine,
Thus she speaks, with folded hands:

"Freedom's love the beast inflames,
And the god rules free in air,
While the law of Nature tames
Each wild lust that lingers there.
Yet, when thus together thrown,
Man with man must fain unite;
And by his own worth alone
Can he freedom gain, and might."

Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine!
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,
She who our homesteads so blissful has given,
She who has man to his fellow-man bound:
Let our glad numbers extol then to heaven,
Her who the earth's kindly mother is found!

~ Friedrich Schiller, The Eleusinian Festival
337:P. A. Munch
Many forms belong to greatness.
He who now has left us bore it
As a doubt that made him sleepless,
But at last gave revelation,As a sight-enhancing power,
That gave visions joined with anguish
Over all beyond our seeing,As a flight on labor's pinions
From the thought unto the certain,
Thence aloft to intuition,Restless haste and changeful ardor,
God-inspired and unceasing,
Through the wide world ever storming,
Took its load of thoughts and doubtings,
Bore them, threw them off,-and took them,
Never tired, never listless.
Still! for he had one haven of rest:
Family-life peace-bestowing!
Powers of light gave repose to his breast,
Calm 'mid the strife of his knowing.
Softly with music his wife led him in
Unto the sweet-smelling birches!
Unto the flowers and still deeper in
Under the fir-forest's churches!
Daughters drew near him in love secure
Cooling his forehead's hot fever;
Gently their message of innocence pure
Made him a childlike believer.
Or he joined glad in their light-hearted game,
Colors and music surrounding,Gone were the clouds, in the heavens came
Sparkling of star-light abounding.
But as in an autumn evening
Silent, dreamy, dark, sheet-lightning
Wakens thought and feeling stormward,Or as in a boat a sudden
Stroke when gliding as in slumber
On between the cliffs that tower
In a quiet, balmy spring night,But a single stroke and soft, then
Echo takes it up and tosses
To and fro 'mid walls of mountains,
Thrush and grouse send forth their wood-calls
Deer rise up and listen keenly,
Stones are rolling, all are up now,
Dogs are barking, bells are clanging,
Ushering in the strife of daytime,Thus could oft a recollection
Down-light falling in that playtime,
Waken all his thought and doubting!
Then it roved the wide world over,
Then it hottest burned within him,But it lavished light for others!
Rise of races, spread of language,
Birth of names, all laws' close kinship,
Small and great in equal passion,
Equal haste and doubting goal-ward!There where others stones saw only,
He saw precious gems that glistened,
Sunk his shaft the mine to deepen.
And where others thought the treasure
Sure and safe for years a hundred,
Doubt possessed him as he burrowed
Day and night - and saw it vanish!
But the unrest that gave power
Made him oft the goal pass over;
While to others he gave clearness,
Intuitions new deceived him.
Therefore: where he once had striven,
Thither he would turn him never,
Changed his ground and shifted labor,
From his own thought-conquests fleeing.
But his thoughts pursued, untiring,
Followed, growing, as the fire,
Kindled in Brazilian forests,
Storm-wind makes and storm-wind follows!
Where before no foot had trodden,
Ways were burned for many millions!
Northward stretches Scandinavia
'Mid the fog that dims the Ice-sea,
Darkness of the months of winter
Lays its weight on sea and mountain.
Like our lands are too our peoples.
Their beginnings prehistoric
Stretch afar in fog and darkness.
But as through the fog a lighthouse,
Or as Northern Lights o'er darkness,
Gleamed his thought with light and guidance.
When with filial fond remembrance
Tenderly he sought and questioned,
Searching for his people's pathwaysNames and graves and rusty weapons,
Stones and tools their answer gave him.
Through primeval Asian forests,
Over steppes and sands of deserts,
'Neath a thousand years that moldered,
Saw he caravan-made footsteps
Seek a new home in the Northland.
And as they the rivers followed,
Followed them his thought abundant,
Into Nature's All full-flowing.See his restless soul's creation!
Harmony of truth he yearned for,
Found it not, but wonder-working
New discoveries and pathways,
-Like those alchemists aforetime
Who, though gold was all their seeking,
Found not that, but mighty forces,
Which to-day the world are moving.**
Deepest ground of all his being
Was the polar power of contrast,
For his thought, to music wakened
By the touch of
Northern Saga
Vibrated melodious longing,
Toward the
forever tending.
In his eye the lambent fire,
Of his thought the glint, showed kinship
With the free improvisator
In the land of warmth and vineyards.
And his swiftly changing feeling
And his all-consuming ardor,
That could toil the livelong winter
Till caprice the fruit discarded,That immeasurable richness
Wherein thoughts and moods and music,
Joy and sorrow, jest and earnest,
Gleamed and played without cessation,All a Southern day resembled!
Therefore was his life a journey,
Towards the South in constant movement,Through the mists of intuition,
From the darker to the brighter,
From the colder to the warmer,On the bridge of ceaseless labor
Bearing over sea and mountain!
Oh, the time with wife beside him
And his bonny playmate-sisters
(Gladsome children, winsome daughters),
When he stood, where evening sunshine
Glowed on Capitol and Forum,Stood where from the great world-city,
As from history's very fountain,
Knowledge wells in streams of fullness;Where a clearness large and cloudless
Falls upon the bygone ages
That have laid them down to rest here;Where to him, the Northern searcher,
It would seem, he had been straying
Too long lost in history's fogland,
Rowing round the deep fjords' surface;Stood where dead men burst the earth-clods
And themselves come forth for witness
In their heavy marble togas;Where the goddesses of Delos
In the frescoed halls are dancing,
As two thousand years before now;Pantheon and Coliseum
In their spacious fate have sheltered
All the world's swift evolution;Where a Hermes from that corner
Saw the footsteps firm of Cato,
Pontifex in the procession,Saw then Nero as Apollo
Lifted up take sacrifices,
Saw then Gregory, the wrathful,
Riding forth to rule in spirit
Over all the known world's kingdoms,Saw then Cola di Rienzi
Homage pay to freedom's goddess
'Mid the Roman people's paeans,Saw Pope Leo and his princes
Choose instead of the Lord Jesus
Aristotle dead and Plato;Saw again how stouter epochs
Raised the Church of Papal power,
Till the Frenchman overthrew it
And exalted Nature's Godhead;
Saw anew then wonted custom
In its pious, still processions
With a Lamb the great world's ruler!All this saw the little Hermes
On the corner near the temple,
And the wise man from the Northland
Saw that Hermes and his visions.
Yes, when over Rome he stood there
In that high, historic clearness,
And his eye the mountain-ridges
Followed toward the red of evening,Then all beams of longing focused
In a blessed intuition,
And - he saw a church before him
Greater far than that of nature,
And he felt a peace descending,
Larger far than all the present.
When the second time he came there,
After days and nights of labor,
Hard as were it for redemption,Then the Lord Himself gave welcome,
Led him gently thither, saying:
'Peace be with thee! Thou hast conquered!'
But to us with sorrow stricken
Turned the Lord with comfort, saying:
call, who then dares murmur,
That the called man had not finished?'
Whoso dies, he here had finished!
Spite our sorrow we believe it,
Hold that He, who unrest giveth
(The discoverer's disquiet,
That drove Newton, drove Columbus),
Also knows when rest is needed.
But we question, while reviewing
All that mighty thought-armada
Now disbanded, home-returning:
Who again shall reunite it?
For when
cut his war-arrow,
Lords and liegemen soon were mustered,
And to aid from Sweden, Denmark,
England, France, swift-flying vessels
Coursed the sea-ways toward his standard.
Royal was that fleet and mighty,
By our shore at anchor lying;
We were wont to see it near us
Or to hear the wondrous tidings
Of its cruises and its conquests.
What it won we own forever;
But the fleet is sailing homeward.
Here we stand the last sail watching
As it sinks on the horizon.
Then we turn and breathe the question:
Who again shall reunite it?
~ Bjornstjerne Bjornson,
Dans nos vastes cités, par le sort partagés,
Sous deux injustes lois les hommes sont rangés:
Les uns, princes et grands, d'une avide opulence
Étalent sans pudeur la barbare insolence;
Les autres, sans pudeur, vils clients de ces grands,
Vont ramper sous les murs qui cachent leurs tyrans.
Admirer ces palais aux colonnes hautaines
Dont eux-mêmes ont payé les splendeurs inhumaines,
Qu'eux-mêmes ont arrachés aux entrailles des monts,
Et tout trempés encor des sueurs de leurs fronts.
Moi, je me plus toujours, client de la nature,
A voir son opulence et bienfaisante et pure,
Cherchant loin de nos murs les temples, les palais
Où la Divinité me révèle ses traits,
Ces monts, vainqueurs sacrés des fureurs du tonnerre,
Ces chênes, ces sapins, premiers-nés de la terre.
Les pleurs des malheureux n'ont point teint ces lambris.
D'un feu religieux le saint poète épris
Cherche leur pur éther et plane sur leur cime.
Mer bruyante, la voix du poète sublime
Lutte contre les vents; et tes flots agités
Sont moins forts, moins puissants que ses vers indomptés.
A l'aspect du volcan, aux astres élancée,
Luit, vole avec l'Etna, la bouillante pensée.
Heureux qui sait aimer ce trouble auguste et grand!
Seul, il rêve en silence à la voix du torrent
Qui le long des rochers se précipite et tonne;
Son esprit en torrent et s'élance et bouillonne.
Là, je vais dans mon sein méditant à loisir
Des chants à faire entendre aux siècles à venir;
Là, dans la nuit des coeurs qu'osa sonder Homère,
Cet aveugle divin et me guide et m'éclaire.
Souvent mon vol, armé des ailes de Buffon,
Franchit avec Lucrèce, au flambeau de Newton,
La ceinture d'azur sur le globe étendue.
Je vois l'être et la vie et leur source inconnue,
Dans les fleuves d'éther tous les mondes roulants.
Je poursuis la comète aux crins étincelants,
Les astres et leurs poids, leurs formes, leurs distances;
Je voyage avec eux dans leurs cercles immenses.
Comme eux, astre, soudain je m'entoure de feux;
Dans l'éternel concert je me place avec eux:
En moi leurs doubles lois agissent et respirent:
Je sens tendre vers eux mon globe qu'ils attirent;
Sur moi qui les attire ils pèsent à leur tour.
Les éléments divers, leur haine, leur amour,
Les causes, l'infini s'ouvre à mon oeil avide.
Bientôt redescendu sur notre fange humide,
J'y rapporte des vers de nature enflammés,
Aux purs rayons des dieux dans ma course allumés.
Écoutez donc ces chants d'Hermès dépositaires,
Où l'homme antique, errant dans ses routes premières,
Fait revivre à vos yeux l'empreinte de ses pas.
Mais dans peu, m'élançant aux armes, aux combats,
Je dirai l'Amérique à l'Europe montrée;
J'irai dans cette riche et sauvage contrée
Soumettre au Mançanar le vaste Maragnon.
Plus loin dans l'avenir je porterai mon nom,
Celui de cette Europe en grands exploits féconde,
Que nos jours ne sont loin des premiers jours du monde.
Chassez de vos autels, juges vains et frivoles,
Ces héros conquérants, meurtrières idoles;
Tous ces grands noms, enfants des crimes, des malheurs,
De massacres fumants, teints de sang et de pleurs.
Venez tomber aux pieds de plus nobles images:
Voyez ces hommes saints, ces sublimes courages,
Héros dont les vertus, les travaux bienfaisants,
Ont éclairé la terre et mérité l'encens;
Qui, dépouillés d'eux-mêmes et vivant pour leurs frères,
Les ont soumis au frein des règles salutaires,
Au joug de leur bonheur; les ont faits citoyens;
En leur donnant des lois leur ont donné des biens,
Des forces, des parents, la liberté, la vie;
Enfin qui d'un pays ont fait une patrie.
Et que de fois pourtant leurs frères envieux
Ont d'affronts insensés, de mépris odieux,
Accueilli les bienfaits de ces illustres guides,
Comme dans leurs maisons ces animaux stupides
Dont la dent méfiante ose outrager la main
Qui se tendait vers eux pour apaiser leur faim!
Mais n'importe; un grand homme au milieu des supplices
Goûte de la vertu les augustes délices.
Il le sait: les humains sont injustes, ingrats.
Que leurs yeux un moment ne le connaissent pas;
Qu'un jour entre eux et lui s'élève avec murmure
D'insectes ennemis une nuée obscure;
N'importe, il les instruit, il les aime pour eux.
Même ingrats, il est doux d'avoir fait des heureux.
Il sait que leur vertu, leur bonté, leur prudence,
Doit être son ouvrage et non sa récompense,
Et que leur repentir, pleurant sur son tombeau,
De ses soins, de sa vie, est un prix assez beau,
An loin dans l'avenir sa grande âme contemple
Les sages opprimés que soutient son exemple;
Des méchants dans soi-même il brave la noirceur:
C'est là qu'il sait les fuir; son asile est son coeur.
De ce faîte serein, son Olympe sublime,
Il voit, juge, connaît. Un démon magnanime
Agite ses pensers, vit dans son coeur brûlant,
Travaille son sommeil actif et vigilant,
Arrache au long repos sa nuit laborieuse,
Allume avant le jour sa lampe studieuse,
Lui montre un peuple entier, par ses nobles bienfaits,
Indompté dans la guerre, opulent dans la paix,
Son beau nom remplissant leur coeur et leur histoire,
Les siècles prosternés au pied de sa mémoire.
Par ses sueurs bientôt l'édifice s'accroît.
En vain l'esprit du peuple est rampant, est étroit,
En vain le seul présent les frappe et les entraîne,
En vain leur raison faible et leur vue incertaine
Ne peut de ses regards suivre les profondeurs,
De sa raison céleste atteindre les hauteurs;
Il appelle les dieux à son conseil suprême.
Ses décrets, confiés à la voix des dieux même,
Entraînent sans convaincre, et le monde ébloui
Pense adorer les dieux en n'adorant que lui.
Il fait honneur aux dieux de son divin ouvrage.
C'est alors qu'il a vu tantôt à son passage
Un buisson enflammé recéler l'Éternel;
C'est alors qu'il rapporte, en un jour solennel,
De la montagne ardente et du sein du tonnerre,
La voix de Dieu lui-même écrite sur la pierre;
Ou c'est alors qu'au fond de ses augustes bois
Une nymphe l'appelle et lui trace des lois,
Et qu'un oiseau divin, messager de miracles,
A son oreille vient lui dicter des oracles.
Tout agit pour lui seul, et la tempête et l'air,
Et le cri des forêts, et la foudre et l'éclair;
Tout. Il prend à témoin le monde et la nature.
Mensonge grand et saint! glorieuse imposture,
Quand au peuple trompé ce piège généreux
Lui rend sacré le joug qui doit le rendre heureux!
Du temps et du besoin l'inévitable empire
Dut avoir aux humains enseigné l'art d'écrire.
D'autres arts l'ont poli; mais aux arts, le premier,
Lui seul des vrais succès put ouvrir le sentier,
Sur la feuille d'Égypte ou sur la peau ductile,
Même un jour sur le dos d'un albâtre docile,
Au fond des eaux formé des dépouilles du lin,
Une main éloquente, avec cet art divin,
Tient, fait voir l'invisible et rapide pensée,
L'abstraite intelligence et palpable et tracée;
Peint des sons à nos yeux, et transmet à la fois
Une voix aux couleurs, des couleurs à la voix.
Quand des premiers traités la fraternelle chaîne
Commença d'approcher, d'unir la race humaine,
La terre et de hauts monts, des fleuves, des forêts,
Des contrats attestés garants sûrs et muets,
Furent le livre auguste et les lettres sacrées
Qui faisaient lire aux yeux les promesses jurées.
Dans la suite peut-être ils voulurent sur soi
L'un de l'autre emporter la parole et la foi;
Ils surent donc, broyant de liquides matières,
L'un sur l'autre imprimer leurs images grossières,
Ou celle du témoin, homme, plante ou rocher,
Qui vit jurer leur bouche et leurs mains se toucher.
De là dans l'Orient ces colonnes savantes,
Rois, prêtres, animaux peints en scènes vivantes,
De la religion ténébreux monuments,
Pour les sages futurs laborieux tourments,
Archives de l'État, où les mains politiques
Traçaient en longs tableaux les annales publiques.
De là, dans un amas d'emblèmes captieux,
Pour le peuple ignorant monstre religieux,
Des membres ennemis vont composer ensemble
Un seul tout, étonné du noeud qui les rassemble:
Un corps de femme au front d'un aigle enfant des airs
Joint l'écaille et les flancs d'un habitant des mers.
Cet art simple et grossier nous a suffi peut-être
Tant que tous nos discours n'ont su voir ni connaître
Que les objets présents dans la nature épars,
Et que tout notre esprit était dans nos regards.
Mais on vit, quand vers l'homme on apprit à descendre,
Quand il fallut fixer, nommer, écrire, entendre,
Du coeur, des passions les plus secrets détours,
Les espaces du temps ou plus longs ou plus courts,
Quel cercle étroit bornait cette antique écriture.
Plus on y mit de soins, plus incertaine, obscure,
Du sens confus et vague elle épaissit la nuit.
Quelque peuple à la fin, par le travail instruit,
Compte combien de mots l'héréditaire usage
A transmis jusqu'à lui pour former un langage.
Pour chacun de ces mots un signe est inventé,
Et la main qui l'entend des lèvres répété
Se souvient d'en tracer cette image fidèle;
Et sitôt qu'une idée inconnue et nouvelle
Grossit d'un mot nouveau ces mots déjà nombreux,
Un nouveau signe accourt s'enrôler avec eux.
C'est alors, sur des pas si faciles à suivre,
Que l'esprit des humains est assuré de vivre.
C'est alors que le fer à la pierre, aux métaux,
Livre, en dépôt sacré pour les âges nouveaux,
Nos âmes et nos moeurs fidèlement gardées;
Et l'oeil sait reconnaître une forme aux idées.
Dès lors des grands aïeux les travaux, les vertus
Ne sont point pour leurs fils des exemples perdus.
Le passé du présent est l'arbitre et le père,
Le conduit par la main, l'encourage, l'éclaire.
Les aïeux, les enfants, les arrière-neveux,
Tous sont du même temps, ils ont les mêmes voeux,
La patrie, au milieu des embûches, des traîtres,
Remonte en sa mémoire, a recours aux ancêtres,
Cherche ce qu'ils feraient en un danger pareil,
Et des siècles vieillis assemble le conseil.
~ Andre Marie de Chenier,
339:Hail to thee, mountain beloved, with thy glittering purple-dyed summit!
Hail to thee also, fair sun, looking so lovingly on!
Thee, too, I hail, thou smiling plain, and ye murmuring lindens,
Ay, and the chorus so glad, cradled on yonder high boughs;
Thee, too, peaceably azure, in infinite measure extending
Round the dusky-hued mount, over the forest so green,
Round about me, who now from my chamber's confinement escaping,
And from vain frivolous talk, gladly seek refuge with thee.
Through me to quicken me runs the balsamic stream of thy breezes,
While the energetical light freshens the gaze as it thirsts.
Bright o'er the blooming meadow the changeable colors are gleaming,
But the strife, full of charms, in its own grace melts away
Freely the plain receives me,with carpet far away reaching,
Over its friendly green wanders the pathway along.
Round me is humming the busy bee, and with pinion uncertain
Hovers the butterfly gay over the trefoil's red flower.
Fiercely the darts of the sun fall on me,the zephyr is silent,
Only the song of the lark echoes athwart the clear air.
Now from the neighboring copse comes a roar, and the tops of the alders
Bend low down,in the wind dances the silvery grass;
Night ambrosial circles me round; in the coolness so fragrant
Greets me a beauteous roof, formed by the beeches' sweet shade.
In the depths of the wood the landscape suddenly leaves me
And a serpentine path guides up my footsteps on high.
Only by stealth can the light through the leafy trellis of branches
Sparingly pierce, and the blue smilingly peeps through the boughs,
But in a moment the veil is rent, and the opening forest
Suddenly gives back the day's glittering brightness to me!
Boundlessly seems the distance before my gaze to be stretching,
And in a purple-tinged hill terminates sweetly the world.

Deep at the foot of the mountain, that under me falls away steeply,
Wanders the greenish-hued stream, looking like glass as it flows.
Endlessly under me see I the ether, and endlessly o'er
Giddily look I above, shudderingly look I below,
But between the infinite height and the infinite hollow
Safely the wanderer moves over a well-guarded path.
Smilingly past me are flying the banks all teeming with riches,
And the valley so bright boasts of its industry glad.
See how yonder hedgerows that sever the farmer's possessions
Have by Demeter been worked into the tapestried plain!
Kindly decree of the law, of the Deity mortal-sustaining,
Since from the brazen world love vanished forever away.
But in freer windings the measured pastures are traversed
(Now swallowed up in the wood, now climbing up to the hills)
By a glimmering streak, the highway that knits lands together;
Over the smooth-flowing stream, quietly glide on the rafts.

Ofttimes resound the bells of the flocks in the fields that seem living,
And the shepherd's lone song wakens the echo again.
Joyous villages crown the stream, in the copse others vanish,
While from the back of the mount, others plunge wildly below.
Man still lives with the land in neighborly friendship united,
And round his sheltering roof calmly repose still his fields;
Trustingly climbs the vine high over the low-reaching window,
While round the cottage the tree circles its far-stretching boughs.
Happy race of the plain! Not yet awakened to freedom,
Thou and thy pastures with joy share in the limited law;
Bounded thy wishes all are by the harvest's peaceable circuit,
And thy lifetime is spent e'en as the task of the day!

But what suddenly hides the beauteous view? A strange spirit
Over the still-stranger plain spreads itself quickly afar
Coyly separates now, what scarce had lovingly mingled,
And 'tis the like that alone joins itself on to the like.
Orders I see depicted; the haughty tribes of the poplars
Marshalled in regular pomp, stately and beauteous appear.
All gives token of rule and choice, and all has its meaning,
'Tis this uniform plan points out the Ruler to me.
Brightly the glittering domes in far-away distance proclaim him.
Out of the kernel of rocks rises the city's high wall.
Into the desert without, the fauns of the forest are driven,
But by devotion is lent life more sublime to the stone.
Man is brought into nearer union with man, and around him
Closer, more actively wakes, swifter moves in him the world.
See! the emulous forces in fiery conflict are kindled,
Much, they effect when they strive, more they effect when they join.
Thousands of hands by one spirit are moved, yet in thousands of bosoms
Beats one heart all alone, by but one feeling inspired
Beats for their native land, and glows for their ancestors' precepts;
Here on the well-beloved spot, rest now time-honored bones.

Down from the heavens descends the blessed troop of immortals,
In the bright circle divine making their festal abode;
Granting glorious gifts, they appear: and first of all, Ceres
Offers the gift of the plough, Hermes the anchor brings next,
Bacchus the grape, and Minerva the verdant olive-tree's branches,
Even his charger of war brings there Poseidon as well.
Mother Cybele yokes to the pole of her chariot the lions,
And through the wide-open door comes as a citizen in.
Sacred stones! 'Tis from ye that proceed humanity's founders,
Morals and arts ye sent forth, e'en to the ocean's far isles.
'Twas at these friendly gates that the law was spoken by sages;
In their Penates' defence, heroes rushed out to the fray.
On the high walls appeared the mothers, embracing their infants,
Looking after the march, till the distance 'twas lost.
Then in prayer they threw themselves down at the deities' altars,
Praying for triumph and fame, praying for your safe return.
Honor and triumph were yours, but naught returned save your glory,
And by a heart-touching stone, told are your valorous deeds.
"Traveller! when thou com'st to Sparta, proclaim to the people
That thou hast seen us lie here, as by the law we were bid."
Slumber calmly, ye loved ones! for sprinkled o'er by your life-blood,
Flourish the olive-trees there, joyously sprouts the good seed.
In its possessions exulting, industry gladly is kindled.
And from the sedge of the stream smilingly signs the blue god.
Crushingly falls the axe on the tree, the Dryad sighs sadly;
Down from the crest of the mount plunges the thundering load.
Winged by the lever, the stone from the rocky crevice is loosened;
Into the mountain's abyss boldly the miner descends.
Mulciber's anvil resounds with the measured stroke of the hammer;
Under the fist's nervous blow, spurt out the sparks of the steel.
Brilliantly twines the golden flax round the swift-whirling spindles,
Through the strings of the yarn whizzes the shuttle away.

Far in the roads the pilot calls, and the vessels are waiting,
That to the foreigner's land carry the produce of home;
Others gladly approach with the treasures of far-distant regions,
High on the mast's lofty head flutters the garland of mirth.
See how yon markets, those centres of life and of gladness, are swarming!
Strange confusion of tongues sounds in the wondering ear.
On to the pile the wealth of the earth is heaped by the merchant,
All that the sun's scorching rays bring forth on Africa's soil,
All that Arabia prepares, that the uttermost Thule produces,
High with heart-gladdening stores fills Amalthea her horn.
Fortune wedded to talent gives birth there to children immortal,
Suckled in liberty's arms, flourish the arts there of joy.
With the image of life the eyes by the sculptor are ravished,
And by the chisel inspired, speaks e'en the sensitive stone.
Skies artificial repose on slender Ionian columns,
And a Pantheon includes all that Olympus contains.
Light as the rainbow's spring through the air, as the dart from the bowstring,
Leaps the yoke of the bridge over the boisterous stream.

But in his silent chamber the thoughtful sage is projecting
Magical circles, and steals e'en on the spirit that forms,
Proves the force of matter, the hatreds and loves of the magnet,
Follows the tune through the air, follows through ether the ray,
Seeks the familiar law in chance's miracles dreaded,
Looks for the ne'er-changing pole in the phenomena's flight.
Bodies and voices are lent by writing to thought ever silent,
Over the centuries' stream bears it the eloquent page.
Then to the wondering gaze dissolves the cloud of the fancy,
And the vain phantoms of night yield to the dawning of day.
Man now breaks through his fetters, the happy one! Oh, let him never
Break from the bridle of shame, when from fear's fetters he breaks
Freedom! is reason's cry,ay, freedom! The wild raging passions
Eagerly cast off the bonds Nature divine had imposed.

Ah! in the tempest the anchors break loose, that warningly held him
On to the shore, and the stream tears him along in its flood,
Into infinity whirls him,the coasts soon vanish before him,
High on the mountainous waves rocks all-dismasted the bark;
Under the clouds are hid the steadfast stars of the chariot,
Naught now remains,in the breast even the god goes astray.
Truth disappears from language, from life all faith and all honor
Vanish, and even the oath is but a lie on the lips.
Into the heart's most trusty bond, and into love's secrets,
Presses the sycophant base, tearing the friend from the friend.
Treason on innocence leers, with looks that seek to devour,
And the fell slanderer's tooth kills with its poisonous bite.
In the dishonored bosom, thought is now venal, and love, too,
Scatters abroad to the winds, feelings once god-like and free.
All thy holy symbols, O truth, deceit has adopted,
And has e'en dared to pollute Nature's own voices so fair,
That the craving heart in the tumult of gladness discovers;
True sensations are now mute and can scarcely be heard.
Justice boasts at the tribune, and harmony vaunts in the cottage,
While the ghost of the law stands at the throne of the king.
Years together, ay, centuries long, may the mummy continue,
And the deception endure, apeing the fulness of life.
Until Nature awakes, and with hands all-brazen and heavy
'Gainst the hollow-formed pile time and necessity strikes.
Like a tigress, who, bursting the massive grating iron,
Of her Numidian wood suddenly, fearfully thinks,
So with the fury of crime and anguish, humanity rises
Hoping nature, long-lost in the town's ashes, to find.
Oh then open, ye walls, and set the captive at freedom
To the long desolate plains let him in safety return!

But where am I? The path is now hid, declivities rugged
Bar, with their wide-yawning gulfs, progress before and behind.
Now far behind me is left the gardens' and hedges' sure escort,
Every trace of man's hand also remains far behind.
Only the matter I see piled up, whence life has its issue,
And the raw mass of basalt waits for a fashioning hand.
Down through its channel of rock the torrent roaringly rushes,
Angrily forcing a path under the roots of the trees.
All is here wild and fearfully desolate. Naught but the eagle
Hangs in the lone realms of air, knitting the world to the clouds.
Not one zephyr on soaring pinion conveys to my hearing
Echoes, however remote, marking man's pleasures and pains.
Am I in truth, then, alone? Within thine arms, on thy bosom,
Nature, I lie once again!Ah, and 'twas only a dream
That assailed me with horrors so fearful; with life's dreaded phantom,
And with the down-rushing vale, vanished the gloomy one too.
Purer my life I receive again from thine altar unsullied,
Purer receive the bright glow felt by my youth's hopeful days.
Ever the will is changing its aim and its rule, while forever,
In a still varying form, actions revolve round themselves.
But in enduring youth, in beauty ever renewing.
Kindly Nature, with grace thou dost revere the old law!
Ever the same, for the man in thy faithful hands thou preservest
That which the child in its sport, that which the youth lent to thee;
At the same breast thou dost suckle the ceaselessly-varying ages;
Under the same azure vault, over the same verdant earth,
Races, near and remote, in harmony wander together,
See, even Homer's own sun looks on us, too, with a smile!

~ Friedrich Schiller, The Walk
340:The Deserted Garden
I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.
Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,
Runs an old wall; long centuries have frayed
Its scalloped edge, and passers to and fro
Heard never from beyond its crumbling height
Sweet laughter ring at noon or plaintive song at night.
But here where little lizards bask and blink
The tendrils of the trumpet-vine have run,
At whose red bells the humming bird to drink
Stops oft before his garden feast is done;
And rose-geraniums, with that tender pink
That cloud-banks borrow from the setting sun,
Have covered part of this old wall, entwined
With fair plumbago, blue as evening heavens behind.
And crowning other parts the wild white rose
Rivals the honey-suckle with the bees.
Above the old abandoned orchard shows
And all within beneath the dense-set trees,
Tall and luxuriant the rank grass grows,
That settled in its wavy depth one sees
Grass melt in leaves, the mossy trunks between,
Down fading avenues of implicated green;
Wherein no lack of flowers the verdurous night
With stars and pearly nebula o'erlay;
Azalea-boughs half rosy and half white
Shine through the green and clustering apple-spray,
Such as the fairy-queen before her knight
Waved in old story, luring him away
Where round lost isles Hesperian billows break
Or towers loom up beneath the clear, translucent lake;
And under the deep grass blue hare-bells hide,
And myrtle plots with dew-fall ever wet,
Gay tiger-lilies flammulate and pied,
Sometime on pathway borders neatly set,
Now blossom through the brake on either side,
Where heliotrope and weedy mignonette,
With vines in bloom and flower-bearing trees,
Mingle their incense all to swell the perfumed breeze,
That sprung like Hermes from his natal cave
In some blue rampart of the curving West,
Comes up the valleys where green cornfields wave,
Ravels the cloud about the mountain crest,
Breathes on the lake till gentle ripples pave
Its placid floor; at length a long-loved guest,
He steals across this plot of pleasant ground,
Waking the vocal leaves to a sweet vernal sound.
Here many a day right gladly have I sped,
Content amid the wavy plumes to lie,
And through the woven branches overhead
Watch the white, ever-wandering clouds go by,
And soaring birds make their dissolving bed
Far in the azure depths of summer sky,
Or nearer that small huntsman of the air,
The fly-catcher, dart nimbly from his leafy lair;
Pillowed at case to hear the merry tune
Of mating warblers in the boughs above
And shrill cicadas whom the hottest noon
Keeps not from drowsy song; the mourning dove
Pours down the murmuring grove his plaintive croon
That like the voice of visionary love
Oft have I risen to seek through this green maze
(Even as my feet thread now the great world's garden-ways);
And, parting tangled bushes as I passed
Down beechen allies beautiful and dim,
Perhaps by some deep-shaded pool at last
My feet would pause, where goldfish poise and swim,
And snowy callas' velvet cups are massed
Around the mossy, fern-encircled brim.
Here, then, that magic summoning would cease,
Or sound far off again among the orchard trees.
And here where the blanched lilies of the vale
And violets and yellow star-flowers teem,
And pink and purple hyacinths exhale
Their heavy fume, once more to drowse and dream
My head would sink, from many an olden tale
Drawing imagination's fervid theme,
Or haply peopling this enchanting spot
Only with fair creations of fantastic thought.
For oft I think, in years long since gone by,
That gentle hearts dwelt here and gentle hands
Stored all this bowery bliss to beautify
The paradise of some unsung romance;
Here, safe from all except the loved one's eye,
'Tis sweet to think white limbs were wont to glance,
Well pleased to wanton like the flowers and share
Their simple loveliness with the enamored air.
Thrice dear to them whose votive fingers decked
The altars of First Love were these green ways,
These lawns and verdurous brakes forever flecked
With the warm sunshine of midsummer days;
Oft where the long straight allies intersect
And marble seats surround the open space,
Where a tiled pool and sculptured fountain stand,
Hath Evening found them seated, silent, hand in hand.
When twilight deepened, in the gathering shade
Beneath that old titanic cypress row,
Whose sombre vault and towering colonnade
Dwarfed the enfolded forms that moved below,
Oft with close steps these happy lovers strayed,
Till down its darkening aisle the sunset glow
Grew less and patterning the garden floor
Faint flakes of filtering moonlight mantled more and more.
And the strange tempest that a touch imparts
Through the mid fibre of the molten frame,
When the sweet flesh in early youth asserts
Its heyday verve and little hints enflame,
Disturbed them as they walked; from their full hearts
Welled the soft word, and many a tender name
Strove on their lips as breast to breast they strained
And the deep joy they drank seemed never, never drained.
Love's soul that is the depth of starry skies
Set in the splendor of one upturned face
To beam adorably through half-closed eyes;
Love's body where the breadth of summer days
And all the beauty earth and air comprise
Come to the compass of an arm's embrace,
To burn a moment on impassioned lips
And yield intemperate joy to quivering finger-tips,
They knew; and here where morning-glories cling
Round carven forms of carefullest artifice,
They made a bower where every outward thing
Should comment on the cause of their own bliss;
With flowers of liveliest hue encompassing
That flower that the beloved body is
That rose that for the banquet of Love's bee
Has budded all the æons of past eternity.
But their choice seat was where the garden wall,
Crowning a little summit, far and near,
Looks over tufted treetops onto all
The pleasant outer country; rising here
From rustling foliage where cuckoos call
On summer evenings, stands a belvedere,
Buff-hued, of antique plaster, overrun
With flowering vines and weatherworn by rain and sun.
Still round the turrets of this antique tower
The bougainvillea hangs a crimson crown,
Wistaria-vines and clematis in flower,
Wreathing the lower surface further down,
Hide the old plaster in a very shower
Of motley blossoms like a broidered gown.
Outside, ascending from the garden grove,
A crumbling stairway winds to the one room above.
And whoso mounts by this dismantled stair
Finds the old pleasure-hall, long disarrayed,
Brick-tiled and raftered, and the walls foursquare
Ringed all about with a twofold arcade.
Backward dense branches intercept the glare
Of afternoon with eucalyptus shade;
Eastward the level valley-plains expand,
Sweet as a queen's survey of her own Fairyland.
For through that frame the ivied arches make,
Wide tracts of sunny midland charm the eye,
Frequent with hamlet grove, and lucent lake
Where the blue hills' inverted contours lie;
Far to the east where billowy mountains break
In surf of snow against a sapphire sky,
Huge thunderheads loom up behind the ranges,
Changing from gold to pink as deepening sunset changes;
And over plain and far sierra spread
The fulgent rays of fading afternoon,
Showing each utmost peak and watershed
All clarified, each tassel and festoon
Of floating cloud embroidered overhead,
Like lotus-leaves on bluest waters strewn,
Flushing with rose, while all breathes fresh and free
In peace and amplitude and bland tranquillity.
Dear were such evenings to this gentle pair;
Love's tide that launched on with a blast too strong
Sweeps toward the foaming reef, the hidden snare,
Baffling with fond illusion's siren-song,
Too faint, on idle shoals, to linger there
Far from Youth's glowing dream, bore them along,
With purple sail and steered by seraph hands
To isles resplendent in the sunset of romance.
And out of this old house a flowery fane,
A bridal bower, a pearly pleasure-dome,
They built, and furnished it with gold and grain,
And bade all spirits of beauty hither come,
And wingéd Love to enter with his train
And bless their pillow, and in this his home
Make them his priests as Hero was of yore
In her sweet girlhood by the blue Dardanian shore.
Tree-ferns, therefore, and potted palms they brought,
Tripods and urns in rare and curious taste,
Polychrome chests and cabinets inwrought
With pearl and ivory etched and interlaced;
Pendant brocades with massive braid were caught,
And chain-slung, oriental lamps so placed
To light the lounger on some low divan,
Sunken in swelling down and silks from Hindustan.
And there was spread, upon the ample floors,
Work of the Levantine's laborious loom,
Such as by Euxine or Ionian shores
Carpets the dim seraglio's scented gloom.
Each morn renewed, the garden's flowery stores
Blushed in fair vases, ochre and peach-bloom,
And little birds through wicker doors left wide
Flew in to trill a space from the green world outside.
And there was many a dainty attitude,
Bronze and eburnean. All but disarrayed,
Here in eternal doubt sweet Psyche stood
Fain of the bath's delight, yet still afraid
Lest aught in that palatial solitude
Lurked of most menace to a helpless maid.
Therefore forever faltering she stands,
Nor yet the last loose fold slips rippling from her hands.
Close by upon a beryl column, clad
In the fresh flower of adolescent grace,
They set the dear Bithynian shepherd lad,
The nude Antinous. That gentle face,
Forever beautiful, forever sad,
Shows but one aspect, moon-like, to our gaze,
Yet Fancy pictures how those lips could smile
At revelries in Rome, and banquets on the Nile.
And there were shapes of Beauty myriads more,
Clustering their rosy bridal bed around,
Whose scented breadth a silken fabric wore
Broidered with peacock hues on creamiest ground,
Fit to have graced the barge that Cydnus bore
Or Venus' bed in her enchanted mound,
While pillows swelled in stuffs of Orient dyes,
All broidered with strange fruits and birds of Paradise.
'Twas such a bower as Youth has visions of,
Thither with one fair spirit to retire,
Lie upon rose-leaves, sleep and wake with Love
And feast on kisses to the heart's desire;
Where by a casement opening on a grove,
Wide to the wood-winds and the sweet birds' choir,
A girl might stand and gaze into green boughs,
Like Credhe at the window of her golden house.
Or most like Vivien, the enchanting fay,
Where with her friend, in the strange tower they planned,
She lies and dreams eternity away,
Above the treetops in Broceliande,
Sometimes at twilight when the woods are gray
And wolf-packs howl far out across the lande,
Waking to love, while up behind the trees
The large midsummer moon lifts-even so loved these.
For here, their pleasure was to come and sit
Oft when the sun sloped midway to the west,
Watching with sweet enjoyment interknit
The long light slant across the green earth's breast,
And clouds upon the ranges opposite,
Rolled up into a gleaming thundercrest,
Topple and break and fall in purple rain,
And mist of summer showers trail out across the plain.
Whereon the shafts of ardent light, far-flung
Across the luminous azure overhead,
Ofttimes in arcs of transient beauty hung
The fragmentary rainbow's green and red.
Joy it was here to love and to be young,
To watch the sun sink to his western bed,
And streaming back out of their flaming core
The vesperal aurora's glorious banners soar.
Tinging each altitude of heaven in turn,
Those fiery rays would sweep. The cumuli
That peeped above the mountain-tops would burn
Carmine a space; the cirrus-whorls on high,
More delicate than sprays of maiden fern,
Streak with pale rose the peacock-breasted sky,
Then blanch. As water-lilies fold at night,
Sank back into themselves those plumes of fervid light.
And they would watch the first faint stars appear,
The blue East blend with the blue hills below,
As lovers when their shuddering bliss draws near
Into one pulse of fluid rapture grow.
New fragrance on the freshening atmosphere
Would steal with evening, and the sunset glow
Draw deeper down into the wondrous west
Round vales of Proserpine and islands of the blest.
So dusk would come and mingle lake and shore,
The snow-peaks fade to frosty, opaline,
To pearl the doméd clouds the mountains bore,
Where late the sun's effulgent fire had been
Showing as darkness deepened more and more
The incandescent lightnings flare within,
And Night that furls the lily in the glen
And twines impatient arms would fall, and then---and then . . .
Sometimes the peasant, coming late from town
With empty panniers on his little drove
Past the old lookout when the Northern Crown
Glittered with Cygnus through the scented grove,
Would hear soft noise of lute-strings wafted down
And voices singing through the leaves above
Those songs that well from the warm heart that woos
At balconies in Merida or Vera Cruz.
And he would pause under the garden wall,
Caught in the spell of that voluptuous strain,
With all the sultry South in it, and all
Its importunity of love and pain;
And he would wait till the last passionate fall
Died on the night, and all was still again.
Then to his upland village wander home,
Marvelling whence that flood of elfin song might come.
O lyre that Love's white holy hands caress,
Youth, from thy bosom welled their passionate lays
Sweet opportunity for happiness
So brief, so passing beautiful---O days,
When to the heart's divine indulgences
All earth in smiling ministration pays
Thine was the source whose plenitude, past over,
What prize shall rest to pluck, what secret to discover!
The wake of color that follows her when May
Walks on the hills loose-haired and daisy-crowned,
The deep horizons of a summer's day,
Fair cities, and the pleasures that abound
Where music calls, and crowds in bright array
Gather by night to find and to be found;
What were these worth or all delightful things
Without thine eyes to read their true interpretings!
For thee the mountains open glorious gates,
To thee white arms put out from orient skies,
Earth, like a jewelled bride for one she waits,
Decks but to be delicious in thine eyes,
Thou guest of honor for one day, whose fêtes
Eternity has travailed to devise;
Ah, grace them well in the brief hour they last!
Another's turn prepares, another follows fast.
Yet not without one fond memorial
Let my sun set who found the world so fair!
Frail verse, when Time the singer's coronal
Has rent, and stripped the rose-leaves from his hair,
Be thou my tablet on the temple wall!
Among the pious testimonials there,
Witness how sweetly on my heart as well
The miracles of dawn and starry evening fell!
Speak of one then who had the lust to feel,
And, from the hues that far horizons take,
And cloud and sunset, drank the wild appeal,
Too deep to live for aught but life's sweet sake,
Whose only motive was the will to kneel
Where Beauty's purest benediction spake,
Who only coveted what grove and field
And sunshine and green Earth and tender arms could yield--A nympholept, through pleasant days and drear
Seeking his faultless adolescent dream,
A pilgrim down the paths that disappear
In mist and rainbows on the world's extreme,
A helpless voyager who all too near
The mouth of Life's fair flower-bordered stream,
Clutched at Love's single respite in his need
More than the drowning swimmer clutches at a reed--That coming one whose feet in other days
Shall bleed like mine for ever having, more
Than any purpose, felt the need to praise
And seek the angelic image to adore,
In love with Love, its wonderful, sweet ways
Counting what most makes life worth living for,
That so some relic may be his to see
How I loved these things too and they were dear to me.
I sometimes think a conscious happiness
Mantles through all the rose's sentient vine
When summer winds with myriad calyces
Of bloom its clambering height incarnadine;
I sometimes think that cleaving lips, no less,
And limbs that crowned desires at length entwine
Are nerves through which that being drinks delight,
Whose frame is the green Earth robed round with day and night.
And such were theirs: the traveller without,
Pausing at night under the orchard trees,
Wondered and crossed himself in holy doubt,
For through their song and in the murmuring breeze
It seemed angelic choirs were all about
Mingling in universal harmonies,
As though, responsive to the chords they woke,
All Nature into sweet epithalamium broke.
And still they think a spirit haunts the place:
'Tis said, when Night has drawn her jewelled pall
And through the branches twinkling fireflies trace
Their mimic constellations, if it fall
That one should see the moon rise through the lace
Of blossomy boughs above the garden wall,
That surely would he take great ill thereof
And famish in a fit of unexpressive love.
But this I know not, for what time the wain
Was loosened and the lily's petal furled,
Then I would rise, climb the old wall again,
And pausing look forth on the sundown world,
Scan the wide reaches of the wondrous plain,
The hamlet sites where settling smoke lay curled,
The poplar-bordered roads, and far away
Fair snowpeaks colored with the sun's last ray.
Waves of faint sound would pulsate from afar
Faint song and preludes of the summer night;
Deep in the cloudless west the evening star
Hung 'twixt the orange and the emerald light;
From the dark vale where shades crepuscular
Dimmed the old grove-girt belfry glimmering white,
Throbbing, as gentlest breezes rose or fell,
Came the sweet invocation of the evening bell.
~ Alan Seeger,
341:Upon a time, before the faery broods
Drove Nymph and Satyr from the prosperous woods,
Before King Oberon's bright diadem,
Sceptre, and mantle, clasp'd with dewy gem,
Frighted away the Dryads and the Fauns
From rushes green, and brakes, and cowslip'd lawns,
The ever-smitten Hermes empty left
His golden throne, bent warm on amorous theft:
From high Olympus had he stolen light,
On this side of Jove's clouds, to escape the sight
Of his great summoner, and made retreat
Into a forest on the shores of Crete.
For somewhere in that sacred island dwelt
A nymph, to whom all hoofed Satyrs knelt;
At whose white feet the languid Tritons poured
Pearls, while on land they witherd and adored.
Fast by the springs where she to bathe was wont,
And in those meads where sometime she might haunt,
Were strewn rich gifts, unknown to any Muse,
Though Fancys casket were unlockd to choose.
Ah, what a world of love was at her feet!
So Hermes thought, and a celestial heat
Burnt from his winged heels to either ear,
That from a whiteness, as the lily clear,
Blushd into roses mid his golden hair,
Fallen in jealous curls about his shoulders bare.
From vale to vale, from wood to wood, he flew,
Breathing upon the flowers his passion new,
And wound with many a river to its head,
To find where this sweet nymph prepard her secret bed:
In vain; the sweet nymph might nowhere be found,
And so he rested, on the lonely ground,
Pensive, and full of painful jealousies
Of the Wood-Gods, and even the very trees.
There as he stood, he heard a mournful voice,
Such as once heard, in gentle heart, destroys
All pain but pity: thus the lone voice spake:
When from this wreathed tomb shall I awake!
When move in a sweet body fit for life,
And love, and pleasure, and the ruddy strife
Of hearts and lips! Ah, miserable me!
The God, dove-footed, glided silently
Round bush and tree, soft-brushing, in his speed,
The taller grasses and full-flowering weed,
Until he found a palpitating snake,
Bright, and cirque-couchant in a dusky brake.

She was a gordian shape of dazzling hue,
Vermilion-spotted, golden, green, and blue;
Striped like a zebra, freckled like a pard,
Eyed like a peacock, and all crimson barrd;
And full of silver moons, that, as she breathed,
Dissolvd, or brighter shone, or interwreathed
Their lustres with the gloomier tapestries
So rainbow-sided, touchd with miseries,
She seemd, at once, some penanced lady elf,
Some demons mistress, or the demons self.
Upon her crest she wore a wannish fire
Sprinkled with stars, like Ariadnes tiar:
Her head was serpent, but ah, bitter-sweet!
She had a womans mouth with all its pearls complete:
And for her eyes: what could such eyes do there
But weep, and weep, that they were born so fair?
As Proserpine still weeps for her Sicilian air.
Her throat was serpent, but the words she spake
Came, as through bubbling honey, for Loves sake,
And thus; while Hermes on his pinions lay,
Like a stoopd falcon ere he takes his prey.

Fair Hermes, crownd with feathers, fluttering light,
I had a splendid dream of thee last night:
I saw thee sitting, on a throne of gold,
Among the Gods, upon Olympus old,
The only sad one; for thou didst not hear
The soft, lute-fingerd Muses chaunting clear,
Nor even Apollo when he sang alone,
Deaf to his throbbing throats long, long melodious moan.
I dreamt I saw thee, robed in purple flakes,
Break amorous through the clouds, as morning breaks,
And, swiftly as a bright Phoebean dart,
Strike for the Cretan isle; and here thou art!
Too gentle Hermes, hast thou found the maid?
Whereat the star of Lethe not delayd
His rosy eloquence, and thus inquired:
Thou smooth-lippd serpent, surely high inspired!
Thou beauteous wreath, with melancholy eyes,
Possess whatever bliss thou canst devise,
Telling me only where my nymph is fled,
Where she doth breathe! Bright planet, thou hast said,
Returnd the snake, but seal with oaths, fair God!
I swear, said Hermes, by my serpent rod,
And by thine eyes, and by thy starry crown!
Light flew his earnest words, among the blossoms blown.
Then thus again the brilliance feminine:
Too frail of heart! for this lost nymph of thine,
Free as the air, invisibly, she strays
About these thornless wilds; her pleasant days
She tastes unseen; unseen her nimble feet
Leave traces in the grass and flowers sweet;
From weary tendrils, and bowd branches green,
She plucks the fruit unseen, she bathes unseen:
And by my power is her beauty veild
To keep it unaffronted, unassaild
By the love-glances of unlovely eyes,
Of Satyrs, Fauns, and bleard Silenus sighs.
Pale grew her immortality, for woe
Of all these lovers, and she grieved so
I took compassion on her, bade her steep
Her hair in weird syrops, that would keep
Her loveliness invisible, yet free
To wander as she loves, in liberty.
Thou shalt behold her, Hermes, thou alone,
If thou wilt, as thou swearest, grant my boon!
Then, once again, the charmed God began
An oath, and through the serpents ears it ran
Warm, tremulous, devout, psalterian.
Ravishd, she lifted her Circean head,
Blushd a live damask, and swift-lisping said,
I was a woman, let me have once more
A womans shape, and charming as before.
I love a youth of CorinthO the bliss!
Give me my womans form, and place me where he is.
Stoop, Hermes, let me breathe upon thy brow,
And thou shalt see thy sweet nymph even now.
The God on half-shut feathers sank serene,
She breathd upon his eyes, and swift was seen
Of both the guarded nymph near-smiling on the green.
It was no dream; or say a dream it was,
Real are the dreams of Gods, and smoothly pass
Their pleasures in a long immortal dream.
One warm, flushd moment, hovering, it might seem
Dashd by the wood-nymphs beauty, so he burnd;
Then, lighting on the printless verdure, turnd
To the swoond serpent, and with languid arm,
Delicate, put to proof the lythe Caducean charm.
So done, upon the nymph his eyes he bent,
Full of adoring tears and blandishment,
And towards her stept: she, like a moon in wane,
Faded before him, cowerd, nor could restrain
Her fearful sobs, self-folding like a flower
That faints into itself at evening hour:
But the God fostering her chilled hand,
She felt the warmth, her eyelids opend bland,
And, like new flowers at morning song of bees,
Bloomd, and gave up her honey to the lees.
Into the green-recessed woods they flew;
Nor grew they pale, as mortal lovers do.

Left to herself, the serpent now began
To change; her elfin blood in madness ran,
Her mouth foamd, and the grass, therewith besprent,
Witherd at dew so sweet and virulent;
Her eyes in torture fixd, and anguish drear,
Hot, glazd, and wide, with lid-lashes all sear,
Flashd phosphor and sharp sparks, without one cooling tear.
The colours all inflamd throughout her train,
She writhd about, convulsd with scarlet pain:
A deep volcanian yellow took the place
Of all her milder-mooned bodys grace;
And, as the lava ravishes the mead,
Spoilt all her silver mail, and golden brede;
Made gloom of all her frecklings, streaks and bars,
Eclipsd her crescents, and lickd up her stars:
So that, in moments few, she was undrest
Of all her sapphires, greens, and amethyst,
And rubious-argent: of all these bereft,
Nothing but pain and ugliness were left.
Still shone her crown; that vanishd, also she
Melted and disappeard as suddenly;
And in the air, her new voice luting soft,
Cried, Lycius! gentle Lycius!Borne aloft
With the bright mists about the mountains hoar
These words dissolvd: Cretes forests heard no more.

Whither fled Lamia, now a lady bright,
A full-born beauty new and exquisite?
She fled into that valley they pass oer
Who go to Corinth from Cenchreas shore;
And rested at the foot of those wild hills,
The rugged founts of the Peraean rills,
And of that other ridge whose barren back
Stretches, with all its mist and cloudy rack,
South-westward to Cleone. There she stood
About a young birds flutter from a wood,
Fair, on a sloping green of mossy tread,
By a clear pool, wherein she passioned
To see herself escapd from so sore ills,
While her robes flaunted with the daffodils.

Ah, happy Lycius!for she was a maid
More beautiful than ever twisted braid,
Or sighd, or blushd, or on spring-flowered lea
Spread a green kirtle to the minstrelsy:
A virgin purest lippd, yet in the lore
Of love deep learned to the red hearts core:
Not one hour old, yet of sciential brain
To unperplex bliss from its neighbour pain;
Define their pettish limits, and estrange
Their points of contact, and swift counterchange;
Intrigue with the specious chaos, and dispart
Its most ambiguous atoms with sure art;
As though in Cupids college she had spent
Sweet days a lovely graduate, still unshent,
And kept his rosy terms in idle languishment.

Why this fair creature chose so fairily
By the wayside to linger, we shall see;
But first tis fit to tell how she could muse
And dream, when in the serpent prison-house,
Of all she list, strange or magnificent:
How, ever, where she willd, her spirit went;
Whether to faint Elysium, or where
Down through tress-lifting waves the Nereids fair
Wind into Thetis bower by many a pearly stair;
Or where God Bacchus drains his cups divine,
Stretchd out, at ease, beneath a glutinous pine;
Or where in Plutos gardens palatine
Mulcibers columns gleam in far piazzian line.
And sometimes into cities she would send
Her dream, with feast and rioting to blend;
And once, while among mortals dreaming thus,
She saw the young Corinthian Lycius
Charioting foremost in the envious race,
Like a young Jove with calm uneager face,
And fell into a swooning love of him.
Now on the moth-time of that evening dim
He would return that way, as well she knew,
To Corinth from the shore; for freshly blew
The eastern soft wind, and his galley now
Grated the quaystones with her brazen prow
In port Cenchreas, from Egina isle
Fresh anchord; whither he had been awhile
To sacrifice to Jove, whose temple there
Waits with high marble doors for blood and incense rare.
Jove heard his vows, and betterd his desire;
For by some freakful chance he made retire
From his companions, and set forth to walk,
Perhaps grown wearied of their Corinth talk:
Over the solitary hills he fared,
Thoughtless at first, but ere eves star appeared
His phantasy was lost, where reason fades,
In the calmd twilight of Platonic shades.
Lamia beheld him coming, near, more near
Close to her passing, in indifference drear,
His silent sandals swept the mossy green;
So neighbourd to him, and yet so unseen
She stood: he passd, shut up in mysteries,
His mind wrappd like his mantle, while her eyes
Followd his steps, and her neck regal white
Turndsyllabling thus, Ah, Lycius bright,
And will you leave me on the hills alone?
Lycius, look back! and be some pity shown.
He did; not with cold wonder fearingly,
But Orpheus-like at an Eurydice;
For so delicious were the words she sung,
It seemd he had lovd them a whole summer long:
And soon his eyes had drunk her beauty up,
Leaving no drop in the bewildering cup,
And still the cup was full,while he afraid
Lest she should vanish ere his lip had paid
Due adoration, thus began to adore;
Her soft look growing coy, she saw his chain so sure:
Leave thee alone! Look back! Ah, Goddess, see
Whether my eyes can ever turn from thee!
For pity do not this sad heart belie
Even as thou vanishest so I shall die.
Stay! though a Naiad of the rivers, stay!
To thy far wishes will thy streams obey:
Stay! though the greenest woods be thy domain,
Alone they can drink up the morning rain:
Though a descended Pleiad, will not one
Of thine harmonious sisters keep in tune
Thy spheres, and as thy silver proxy shine?
So sweetly to these ravishd ears of mine
Came thy sweet greeting, that if thou shouldst fade
Thy memory will waste me to a shade:
For pity do not melt!If I should stay,
Said Lamia, here, upon this floor of clay,
And pain my steps upon these flowers too rough,
What canst thou say or do of charm enough
To dull the nice remembrance of my home?
Thou canst not ask me with thee here to roam
Over these hills and vales, where no joy is,
Empty of immortality and bliss!
Thou art a scholar, Lycius, and must know
That finer spirits cannot breathe below
In human climes, and live: Alas! poor youth,
What taste of purer air hast thou to soothe
My essence? What serener palaces,
Where I may all my many senses please,
And by mysterious sleights a hundred thirsts appease?
It cannot beAdieu! So said, she rose
Tiptoe with white arms spread. He, sick to lose
The amorous promise of her lone complain,
Swoond, murmuring of love, and pale with pain.
The cruel lady, without any show
Of sorrow for her tender favourites woe,
But rather, if her eyes could brighter be,
With brighter eyes and slow amenity,
Put her new lips to his, and gave afresh
The life she had so tangled in her mesh:
And as he from one trance was wakening
Into another, she began to sing,
Happy in beauty, life, and love, and every thing,
A song of love, too sweet for earthly lyres,
While, like held breath, the stars drew in their panting fires
And then she whisperd in such trembling tone,
As those who, safe together met alone
For the first time through many anguishd days,
Use other speech than looks; bidding him raise
His drooping head, and clear his soul of doubt,
For that she was a woman, and without
Any more subtle fluid in her veins
Than throbbing blood, and that the self-same pains
Inhabited her frail-strung heart as his.
And next she wonderd how his eyes could miss
Her face so long in Corinth, where, she said,
She dwelt but half retird, and there had led
Days happy as the gold coin could invent
Without the aid of love; yet in content
Till she saw him, as once she passd him by,
Where gainst a column he leant thoughtfully
At Venus temple porch, mid baskets heapd
Of amorous herbs and flowers, newly reapd
Late on that eve, as twas the night before
The Adonian feast; whereof she saw no more,
But wept alone those days, for why should she adore?
Lycius from death awoke into amaze,
To see her still, and singing so sweet lays;
Then from amaze into delight he fell
To hear her whisper womans lore so well;
And every word she spake enticd him on
To unperplexd delight and pleasure known.
Let the mad poets say whateer they please
Of the sweets of Fairies, Peris, Goddesses,
There is not such a treat among them all,
Haunters of cavern, lake, and waterfall,
As a real woman, lineal indeed
From Pyrrhas pebbles or old Adams seed.
Thus gentle Lamia judgd, and judgd aright,
That Lycius could not love in half a fright,
So threw the goddess off, and won his heart
More pleasantly by playing womans part,
With no more awe than what her beauty gave,
That, while it smote, still guaranteed to save.
Lycius to all made eloquent reply,
Marrying to every word a twinborn sigh;
And last, pointing to Corinth, askd her sweet,
If twas too far that night for her soft feet.
The way was short, for Lamias eagerness
Made, by a spell, the triple league decrease
To a few paces; not at all surmised
By blinded Lycius, so in her comprized.
They passd the city gates, he knew not how
So noiseless, and he never thought to know.

As men talk in a dream, so Corinth all,
Throughout her palaces imperial,
And all her populous streets and temples lewd,
Mutterd, like tempest in the distance brewd,
To the wide-spreaded night above her towers.
Men, women, rich and poor, in the cool hours,
Shuffled their sandals oer the pavement white,
Companiond or alone; while many a light
Flared, here and there, from wealthy festivals,
And threw their moving shadows on the walls,
Or found them clusterd in the corniced shade
Of some archd temple door, or dusky colonnade.

Muffling his face, of greeting friends in fear,
Her fingers he pressd hard, as one came near
With curld gray beard, sharp eyes, and smooth bald crown,
Slow-steppd, and robed in philosophic gown:
Lycius shrank closer, as they met and past,
Into his mantle, adding wings to haste,
While hurried Lamia trembled: Ah, said he,
Why do you shudder, love, so ruefully?
Why does your tender palm dissolve in dew?
Im wearied, said fair Lamia: tell me who
Is that old man? I cannot bring to mind
His features:Lycius! wherefore did you blind
Yourself from his quick eyes? Lycius replied,
Tis Apollonius sage, my trusty guide
And good instructor; but to-night he seems
The ghost of folly haunting my sweet dreams.

While yet he spake they had arrived before
A pillar'd porch, with lofty portal door,
Where hung a silver lamp, whose phosphor glow
Reflected in the slabbed steps below,
Mild as a star in water; for so new,
And so unsullied was the marble hue,
So through the crystal polish, liquid fine,
Ran the dark veins, that none but feet divine
Could e'er have touch'd there. Sounds Aeolian
Breath'd from the hinges, as the ample span
Of the wide doors disclos'd a place unknown
Some time to any, but those two alone,
And a few Persian mutes, who that same year
Were seen about the markets: none knew where
They could inhabit; the most curious
Were foil'd, who watch'd to trace them to their house:
And but the flitter-winged verse must tell,
For truth's sake, what woe afterwards befel,
'Twould humour many a heart to leave them thus,
Shut from the busy world of more incredulous.
(line 48): Originally, "Cerulean-spotted." Leigh Hunt says of this passage, "The admiration, pity, and horror, to be excited by humanity in a brute shape, were never perhaps called upon by a greater mixture of beauty and deformity than in the picture of this creature. Our pity and suspicions are begged by the first word: the profuse and vital beauties with which she is covered seem proportioned to her misery and natural rights; and lest we should lose sight of them in this gorgeousness, the 'woman's mouth' fills us at once with shuddering and compassion."

(line 158): The manuscript reads "vulcanian," the first edition "volcanian." It seems to me more likely that the manuscript accords with the poet's intention than that printed text does, for this old orthography is the more characteristic of the vocabulary of this particular poem, as introducing the more conspicuously the mythic personal origin of the common noun "volcano" or "vulcano."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Lamia. Part I
342:How gracefully, O man, with thy palm-bough,
Upon the waning century standest thou,
In proud and noble manhood's prime,
With unlocked senses, with a spirit freed,
Of firmness mild,though silent, rich in deed,
The ripest son of Time,
Through meekness great, through precepts strong,
Through treasures rich, that time had long
Hid in thy bosom, and through reason free,
Master of Nature, who thy fetters loves,
And who thy strength in thousand conflicts proves,
And from the desert soared in pride with thee!

Flushed with the glow of victory,
Never forget to prize the hand
That found the weeping orphan child
Deserted on life's barren strand,
And left a prey to hazard wild,
That, ere thy spirit-honor saw the day,
Thy youthful heart watched over silently,
And from thy tender bosom turned away
Each thought that might have stained its purity;
That kind one ne'er forget who, as in sport,
Thy youth to noble aspirations trained,
And who to thee in easy riddles taught
The secret how each virtue might be gained;
Who, to receive him back more perfect still,
E'en into strangers' arms her favorite gave
Oh, may'st thou never with degenerate will,
Humble thyself to be her abject slave!
In industry, the bee the palm may bear;
In skill, the worm a lesson may impart;
With spirits blest thy knowledge thou dost share,
But thou, O man, alone hast art!

Only through beauty's morning gate
Didst thou the land of knowledge find.
To merit a more glorious fate,
In graces trains itself the mind.
What thrilled thee through with trembling blessed,
When erst the Muses swept the chord,
That power created in thy breast,
Which to the mighty spirit soared.

When first was seen by doting reason's ken,
When many a thousand years had passed away,
A symbol of the fair and great e'en then,
Before the childlike mind uncovered lay.
Its blessed form bade us honor virtue's cause,
The honest sense 'gainst vice put forth its powers,
Before a Solon had devised the laws
That slowly bring to light their languid flowers.
Before Eternity's vast scheme
Was to the thinker's mind revealed,
Was't not foreshadowed in his dream,
Whose eyes explored yon starry field?

Urania,the majestic dreaded one,
Who wears a glory of Orions twined
Around her brow, and who is seen by none
Save purest spirits, when, in splendor shrined,
She soars above the stars in pride,
Ascending to her sunny throne,
Her fiery chaplet lays aside,
And now, as beauty, stands alone;
While, with the Graces' girdle round her cast,
She seems a child, by children understood;
For we shall recognize as truth at last,
What here as beauty only we have viewed.

When the Creator banished from his sight
Frail man to dark mortality's abode,
And granted him a late return to light,
Only by treading reason's arduous road,
When each immortal turned his face away,
She, the compassionate, alone
Took up her dwelling in that house of clay,
With the deserted, banished one.
With drooping wing she hovers here
Around her darling, near the senses' land,
And on his prison-walls so drear
Elysium paints with fond deceptive hand.

While soft humanity still lay at rest,
Within her tender arms extended,
No flame was stirred by bigots' murderous zest,
No guiltless blood on high ascended.
The heart that she in gentle fetters binds,
Views duty's slavish escort scornfully;
Her path of light, though fairer far it winds,
Sinks in the sun-track of morality.
Those who in her chaste service still remain,
No grovelling thought can tempt, no fate affright;
The spiritual life, so free from stain,
Freedom's sweet birthright, they receive again,
Under the mystic sway of holy might.

The purest among millions, happy they
Whom to her service she has sanctified,
Whose mouths the mighty one's commands convey,
Within whose breasts she deigneth to abide;
Whom she ordained to feed her holy fire
Upon her altar's ever-flaming pyre,
Whose eyes alone her unveiled graces meet,
And whom she gathers round in union sweet
In the much-honored place be glad
Where noble order bade ye climb,
For in the spirit-world sublime,
Man's loftiest rank ye've ever had!

Ere to the world proportion ye revealed,
That every being joyfully obeys,
A boundless structure, in night's veil concealed,
Illumed by naught but faint and languid rays,
A band of phantoms, struggling ceaselessly,
Holding his mind in slavish fetters bound,
Unsociable and rude as be,
Assailing him on every side around,
Thus seemed to man creation in that day!
United to surrounding forms alone
By the blind chains the passions had put on,
Whilst Nature's beauteous spirit fled away
Unfelt, untasted, and unknown.

And, as it hovered o'er with parting ray,
Ye seized the shades so neighborly,
With silent hand, with feeling mind,
And taught how they might be combined
In one firm bond of harmony.
The gaze, light-soaring, felt uplifted then,
When first the cedar's slender trunk it viewed;
And pleasingly the ocean's crystal flood
Reflected back the dancing form again.
Could ye mistake the look, with beauty fraught,
That Nature gave to help ye on your way?
The image floating on the billows taught
The art the fleeting shadow to portray.

From her own being torn apart,
Her phantom, beauteous as a dream,
She plunged into the silvery stream,
Surrendering to her spoiler's art.
Creative power soon in your breast unfolded;
Too noble far, not idly to conceive,
The shadow's form in sand, in clay ye moulded,
And made it in the sketch its being leave.
The longing thirst for action then awoke,
And from your breast the first creation broke.

By contemplation captive made,
Ensnared by your discerning eye,
The friendly phantom's soon betrayed
The talisman that roused your ecstasy.
The laws of wonder-working might,
The stores by beauty brought to light,
Inventive reason in soft union planned
To blend together 'neath your forming hand.
The obelisk, the pyramid ascended,
The Hermes stood, the column sprang on high,
The reed poured forth the woodland melody,
Immortal song on victor's deeds attended.

The fairest flowers that decked the earth,
Into a nosegay, with wise choice combined,
Thus the first art from Nature had its birth;
Into a garland then were nosegays twined,
And from the works that mortal hands had made,
A second, nobler art was now displayed.
The child of beauty, self-sufficient now,
That issued from your hands to perfect day,
Loses the chaplet that adorned its brow,
Soon as reality asserts its sway.
The column, yielding to proportion's chains,
Must with its sisters join in friendly link,
The hero in the hero-band must sink,
The Muses' harp peals forth its tuneful strains.

The wondering savages soon came
To view the new creation's plan
"Behold!"the joyous crowds exclaim,
"Behold, all this is done by man!"
With jocund and more social aim
The minstrel's lyre their awe awoke,
Telling of Titans, and of giant's frays
And lion-slayers, turning, as he spoke,
Even into heroes those who heard his lays.
For the first time the soul feels joy,
By raptures blessed that calmer are,
That only greet it from afar,
That passions wild can ne'er destroy,
And that, when tasted, do not cloy.

And now the spirit, free and fair,
Awoke from out its sensual sleep;
By you unchained, the slave of care
Into the arms of joy could leap.
Each brutish barrier soon was set at naught,
Humanity first graced the cloudless brow,
And the majestic, noble stranger, thought,
From out the wondering brain sprang boldly now.
Man in his glory stood upright,
And showed the stars his kingly face;
His speaking glance the sun's bright light
Blessed in the realms sublime of space.
Upon the cheek now bloomed the smile,
The voice's soulful harmony
Expanded into song the while,
And feeling swam in the moist eye;
And from the mouth, with spirit teeming o'er,
Jest, sweetly linked with grace, began to pour.

Sunk in the instincts of the worm,
By naught but sensual lust possessed,
Ye recognized within his breast
Love-spiritual's noble germ;
And that this germ of love so blest
Escaped the senses' abject load,
To the first pastoral song he owed.
Raised to the dignity of thought,
Passions more calm to flow were taught
From the bard's mouth with melody.
The cheeks with dewy softness burned;
The longing that, though quenched, still yearned,
Proclaimed the spirit-harmony.

The wisest's wisdom, and the strongest's vigor,
The meekest's meekness, and the noblest's grace,
By you were knit together in one figure,
Wreathing a radiant glory round the place.
Man at the Unknown's sight must tremble,
Yet its refulgence needs must love;
That mighty Being to resemble,
Each glorious hero madly strove;
The prototype of beauty's earliest strain
Ye made resound through Nature's wide domain.

The passions' wild and headlong course,
The ever-varying plan of fate,
Duty and instinct's twofold force,
With proving mind and guidance straight
Ye then conducted to their ends.
What Nature, as she moves along,
Far from each other ever rends,
Become upon the stage, in song,
Members of order, firmly bound.
Awed by the Furies' chorus dread,
Murder draws down upon its head
The doom of death from their wild sound.
Long e'er the wise to give a verdict dared,
An Iliad had fate's mysteries declared
To early ages from afar;
While Providence in silence fared
Into the world from Thespis' car.
Yet into that world's current so sublime
Your symmetry was borne before its time,
When the dark hand of destiny
Failed in your sight to part by force.

What it had fashioned 'neath your eye,
In darkness life made haste to die,
Ere it fulfilled its beauteous course.
Then ye with bold and self-sufficient might
Led the arch further through the future's night:
Then, too, ye plunged, without a fear,
Into Avernus' ocean black,
And found the vanished life so dear
Beyond the urn, and brought it back.
A blooming Pollux-form appeared now soon,
On Castor leaning, and enshrined in light
The shadow that is seen upon the moon,
Ere she has filled her silvery circle bright!

Yet higher,higher still above the earth
Inventive genius never ceased to rise:
Creations from creations had their birth,
And harmonies from harmonies.
What here alone enchants the ravished sight,
A nobler beauty yonder must obey;
The graceful charms that in the nymph unite,
In the divine Athene melt away;
The strength with which the wrestler is endowed,
In the god's beauty we no longer find:
The wonder of his timeJove's image proud
In the Olympian temple is enshrined.

The world, transformed by industry's bold hand,
The human heart, by new-born instincts moved,
That have in burning fights been fully proved,
Your circle of creation now expand.
Advancing man bears on his soaring pinions,
In gratitude, art with him in his flight,
And out of Nature's now-enriched dominions
New worlds of beauty issue forth to light.
The barriers upon knowledge are o'erthrown;
The spirit that, with pleasure soon matured,
Has in your easy triumphs been inured
To hasten through an artist-whole of graces,
Nature's more distant columns duly places.
And overtakes her on her pathway lone.
He weighs her now with weights that human are,
Metes her with measures that she lent of old;
While in her beauty's rites more practised far,
She now must let his eye her form behold.
With youthful and self-pleasing bliss,
He lends the spheres his harmony,
And, if he praise earth's edifice,
'Tis for its wondrous symmetry.
In all that now around him breathes,
Proportion sweet is ever rife;
And beauty's golden girdle wreathes
With mildness round his path through life;
Perfection blest, triumphantly,
Before him in your works soars high;
Wherever boisterous rapture swells,
Wherever silent sorrow flees,
Where pensive contemplation dwells,
Where he the tears of anguish sees,
Where thousand terrors on him glare,
Harmonious streams are yet behind
He sees the Graces sporting there,
With feeling silent and refined.
Gentle as beauty's lines together linking,
As the appearances that round him play,
In tender outline in each other sinking,
The soft breath of his life thus fleets away.
His spirit melts in the harmonious sea,
That, rich in rapture, round his senses flows,
And the dissolving thought all silently
To omnipresent Cytherea grows.
Joining in lofty union with the Fates,
On Graces and on Muses calm relying,
With freely-offered bosom he awaits
The shaft that soon against him will be flying
From the soft bow necessity creates.

Favorites beloved of blissful harmony,
Welcome attendants on life's dreary road,
The noblest and the dearest far that she,
Who gave us life, to bless that life bestowed!
That unyoked man his duties bears in mind,
And loves the fetters that his motions bind,
That Chance with brazen sceptre rules him not,
For this eternity is now your lot,
Your heart has won a bright reward for this.
That round the cup where freedom flows,
Merrily sport the gods of bliss,
The beauteous dream its fragrance throws,
For this, receive a loving kiss!

The spirit, glorious and serene,
Who round necessity the graces trains,
Who bids his ether and his starry plains
Upon us wait with pleasing mien,
Who, 'mid his terrors, by his majesty gives joy,
And who is beauteous e'en when seeking to destroy,
Him imitate, the artist good!
As o'er the streamlet's crystal flood
The banks with checkered dances hover,
The flowery mead, the sunset's light,
Thus gleams, life's barren pathway over,
Poesy's shadowy world so bright.
In bridal dress ye led us on
Before the terrible Unknown,
Before the inexorable fate,
As in your urns the bones are laid,
With beauteous magic veil ye shade
The chorus dread that cares create.
Thousands of years I hastened through
The boundless realm of vanished time
How sad it seems when left by you
But where ye linger, how sublime!

She who, with fleeting wing, of yore
From your creating hand arose in might,
Within your arms was found once more,
When, vanquished by Time's silent flight,
Life's blossoms faded from the cheek,
And from the limbs all vigor went,
And mournfully, with footstep weak,
Upon his staff the gray-beard leant.
Then gave ye to the languishing,
Life's waters from a new-born spring;
Twice was the youth of time renewed,
Twice, from the seeds that ye had strewed.

When chased by fierce barbarian hordes away,
The last remaining votive brand ye tore
From Orient's altars, now pollution's prey,
And to these western lands in safety bore.
The fugitive from yonder eastern shore,
The youthful day, the West her dwelling made;
And on Hesperia's plains sprang up once more
Ionia's flowers, in pristine bloom arrayed.
Over the spirit fairer Nature shed,
With soft refulgence, a reflection bright,
And through the graceful soul with stately tread
Advanced the mighty Deity of light.
Millions of chains were burst asunder then,
And to the slave then human laws applied,
And mildly rose the younger race of men,
As brethren, gently wandering side by side,
With noble inward ecstasy,
The bliss imparted ye receive,
And in the veil of modesty,
With silent merit take your leave.
If on the paths of thought, so freely given,
The searcher now with daring fortune stands,
And, by triumphant Paeans onward driven,
Would seize upon the crown with dauntless hands
If he with grovelling hireling's pay
Thinks to dismiss his glorious guide
Or, with the first slave's-place array
Art near the throne his dream supplied
Forgive him!O'er your head to-day
Hovers perfection's crown in pride,
With you the earliest plant Spring had,
Soul-forming Nature first began;
With you, the harvest-chaplet glad,
Perfected Nature ends her plan.

The art creative, that all-modestly arose
From clay and stone, with silent triumph throws
Its arms around the spirit's vast domain.
What in the land of knowledge the discoverer knows,
He knows, discovers, only for your gain
The treasures that the thinker has amassed,
He will enjoy within your arms alone,
Soon as his knowledge, beauty-ripe at last.
To art ennobled shall have grown,
Soon as with you he scales a mountain-height,
And there, illumined by the setting sun,
The smiling valley bursts upon his sight.
The richer ye reward the eager gaze
The higher, fairer orders that the mind
May traverse with its magic rays,
Or compass with enjoyment unconfined
The wider thoughts and feelings open lie
To more luxuriant floods of harmony.
To beauty's richer, more majestic stream,
The fair members of the world's vast scheme,
That, maimed, disgrace on his creation bring,
He sees the lofty forms then perfecting

The fairer riddles come from out the night
The richer is the world his arms enclose,
The broader stream the sea with which he flows
The weaker, too, is destiny's blind might
The nobler instincts does he prove
The smaller he himself, the greater grows his love.
Thus is he led, in still and hidden race,
By poetry, who strews his path with flowers,
Through ever-purer forms, and purer powers,
Through ever higher heights, and fairer grace.
At length, arrived at the ripe goal of time,
Yet one more inspiration all-sublime,
Poetic outburst of man's latest youth,
Andhe will glide into the arms of truth!

Herself, the gentle Cypria,
Illumined by her fiery crown,
Then stands before her full-grown son
Unveiledas great Urania;
The sooner only by him caught,
The fairer he had fled away!
Thus stood, in wonder rapture-fraught,
Ulysses' noble son that day,
When the sage mentor who his youth beguiled;
Herself transfigured as Jove's glorious child!

Man's honor is confided to your hand,
There let it well protected be!
It sinks with you! with you it will expand!
Poesy's sacred sorcery
Obeys a world-plan wise and good;
In silence let it swell the flood
Of mighty-rolling harmony.

By her own time viewed with disdain,
Let solemn truth in song remain,
And let the Muses' band defend her!
In all the fullness of her splendor,
Let her survive in numbers glorious,
More dread, when veiled her charms appear,
And vengeance take, with strains victorious,
On her tormentor's ear!

The freest mother's children free,
With steadfast countenance then rise
To highest beauty's radiancy,
And every other crown despise!
The sisters who escaped you here,
Within your mother's arms ye'll meet;
What noble spirits may revere,
Must be deserving and complete.
High over your own course of time
Exalt yourselves with pinion bold,
And dimly let your glass sublime
The coming century unfold!
On thousand roads advancing fast
Of ever-rich variety,
With fond embraces meet at last
Before the throne of harmony!
As into seven mild rays we view
With softness break the glimmer white,
As rainbow-beams of sevenfold hue
Dissolve again in that soft light,
In clearness thousandfold thus throw
Your magic round the ravished gaze,
Into one stream of light thus flow,
One bond of truth that ne'er decays!

~ Friedrich Schiller, The Artists
343:Hero And Leander: The First Sestiad
On Hellespont, guilty of true-love's blood,
In view and opposite two cities stood,
Sea-borderers, disjoined by Neptune's might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offered as a dower his burning throne,
Where she should sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and bordered with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies.
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reached to the ground beneath.
Her veil was artificial flowers and leaves
Whose workmanship both man and beast deceives.
Many would praise the sweet smell as she passed,
When 'twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And, beat from thence, have lighted there again.
About her neck hung chains of pebblestone,
Which, lightened by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silvered used she,
And branched with blushing coral to the knee;
Where sparrows perched of hollow pearl and gold,
Such as the world would wonder to behold.
Those with sweet water oft her handmaid fills,
Which, as she went, would chirrup through the bills.
Some say for her the fairest Cupid pined
And looking in her face was strooken blind.
But this is true: so like was one the other,
As he imagined Hero was his mother.
And oftentimes into her bosom flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And, with still panting rocked, there took his rest.
So lovely fair was Hero, Venus' nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft.
Therefore, in sign her treasure suffered wrack,
Since Hero's time hath half the world been black.
Amorous Leander, beautiful and young,
(whose tragedy divine Musaeus sung,)
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allured the vent'rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wished his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe's wand;
Jove might have sipped out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpassed
The white of Pelop's shoulder. I could tell ye
How smooth his breast was and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back, but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods. Let it suffice
That my slack Muse sings of Leander's eyes,
Those orient cheeks and lips, exceeding his
That leaped into the water for a kiss
Of his own shadow and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen
Enamoured of his beauty had he been.
His presence made the rudest peasant melt
That in the vast uplandish country dwelt.
The barbarous Thracian soldier, moved with nought,
Was moved with him and for his favour sought.
Some swore he was a maid in man's attire,
For in his looks were all that men desire,
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
'Leander, thou art made for amorous play.
Why art thou not in love, and loved of all?
Though thou be fair, yet be not thine own thrall.'
The men of wealthy Sestos every year,
(For his sake whom their goddess held so dear,
Rose-cheeked Adonis) kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves.
Such as had none at all,
Came lovers home from this great festival.
For every street like to a firmament
Glistered with breathing stars who, where they went,
Frighted the melancholy earth which deemed
Eternal heaven to burn, for so it seemed,
As if another Phaeton had got
The guidance of the sun's rich chariot.
But far above the loveliest Hero shined
And stole away th' enchanted gazer's mind,
For like sea nymphs' enveigling Harmony,
So was her beauty to the standers by.
Nor that night-wandering, pale, and wat'ry star
(When yawning dragons draw her thirling car
From Latmus' mount up to the gloomy sky
Where, crowned with blazing light and majesty,
She proudly sits) more overrules the flood
Than she the hearts of those that near her stood.
Even as, when gaudy nymphs pursue the chase,
Wretched Ixion's shaggy footed race,
Incensed with savage heat, gallop amain
From steep pine-bearing mountains to the plain.
So ran the people forth to gaze upon her,
And all that viewed her were enamoured on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead strooken,
So at her presence all surprised and tooken,
Await the sentence of her scornful eyes.
He whom she favours lives, the other dies.
There might you see one sigh, another rage;
And some, (their violent passions to assuage)
Compile sharp satires, but alas too late,
For faithful love will never turn to hate.
And many seeing great princes were denied
Pin'd as they went, and thinking on her died.
On this feast day, O cursed day and hour,
Went Hero thorough Sestos from her tower
To Venus' temple, where unhappily
As after chanced, they did each other spy.
So fair a church as this had Venus none.
The walls were of discoloured jasper stone
Wherein was Proteus carved, and o'erhead
A lively vine of green sea agate spread,
Where by one hand lightheaded Bacchus hung,
And, with the other, wine from grapes out wrung.
Of crystal shining fair the pavement was.
The town of Sestos called it Venus' glass.
There might you see the gods in sundry shapes
Committing heady riots, incest, rapes.
For know, that underneath this radiant floor
Was Danae's statue in a brazen tower,
Jove slyly stealing from his sister's bed,
To dally with Idalian Ganymede,
And for his love Europa bellowing loud,
And tumbling with the Rainbow in a cloud;
Blood quaffing Mars heaving the iron net
Which limping Vulcan and his Cyclops set;
Love kindling fire to burn such towns as Troy;
Sylvanus weeping for the lovely boy
That now is turned into a cypress tree,
Under whose shade the wood gods love to be.
And in the midst a silver altar stood.
There Hero, sacrificing turtle's blood,
Vailed to the ground, vailing her eyelids close,
And modestly they opened as she rose.
Thence flew Love's arrow with the golden head,
And thus Leander was enamoured.
Stone still he stood, and evermore he gazed
Till with the fire that from his countenance blazed
Relenting Hero's gentle heart was strook.
Such force and virtue hath an amorous look.
It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin
We wish that one should lose, the other win.
And one especially do we affect
Of two gold ingots like in each respect.
The reason no man knows; let it suffice
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight?
He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
'Were I the saint he worships, I would hear him; '
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid's day) .
And now begins Leander to display
Love's holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero's ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.
'Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus' altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love's mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love's seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th'enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature's sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling Hymen couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp's sake we allow;
Even so for men's impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is't of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana's name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad'st thou that heedless oath? '
'To Venus,' answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove's high court.
He thus replied: 'The rites
In which love's beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ'st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.'
Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
'Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love's sole enemy.
Then shall you most resemble Venus' nun,
When Venus' sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.'
These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero's looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid's golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
'Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.'
With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: 'Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus' swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.' As she spake this, her tongue tripped,
For unawares 'come thither' from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful countenance,
Threatening a thousand deaths at every glance,
They answered Love, nor would vouchsafe so much
As one poor word, their hate to him was such.
Hearken a while and I will tell you why.
Heaven's winged herald, Jove-borne Mercury,
The selfsame day that he asleep had laid
Enchanted Argus, spied a country maid
Whose careless hair instead of pearl t'adorn it
Glistered with dew, as one that seemed to scorn it;
Her breath as fragrant as the morning rose,
Her mind pure, and her tongue untaught to gloze.
Yet proud she was (for lofty pride that dwells
In towered courts is oft in shepherds' cells.)
And too too well the fair vermilion knew,
And silver tincture of her cheeks, that drew
The love of every swain. On her this god
Enamoured was, and with his snaky rod
Did charm her nimble feet, and made her stay,
The while upon a hillock down he lay
And sweetly on his pipe began to play,
And with smooth speech her fancy to assay,
Till in his twining arms he locked her fast
And then he wooed with kisses; and at last,
As shepherds do, her on the ground he laid
And, tumbling in the grass, he often strayed
Beyond the bounds of shame, in being bold
To eye those parts which no eye should behold.
And, like an insolent commanding lover
Boasting his parentage, would needs discover
The way to new Elysium, but she,
Whose only dower was her chastity,
Having striv'n in vain was now about to cry
And crave the help of shepherds that were nigh.
Herewith he stayed his fury, and began
To give her leave to rise. Away she ran;
After went Mercury who used such cunning
As she, to hear his tale, left off her running.
Maids are not won by brutish force and might,
But speeches full of pleasure, and delight.
And, knowing Hermes courted her, was glad
That she such loveliness and beauty had
As could provoke his liking, yet was mute
And neither would deny nor grant his suit.
Still vowed he love. She, wanting no excuse
To feed him with delays, as women use,
Or thirsting after immortality, All women are ambitious naturally Imposed upon her lover such a task
As he ought not perform nor yet she ask.
A draught of flowing nectar she requested,
Wherewith the king of gods and men is feasted.
He, ready to accomplish what she willed,
Stole some from Hebe (Hebe Jove's cup filled)
And gave it to his simple rustic love.
Which being known (as what is hid from Jove?)
He inly stormed and waxed more furious
Than for the fire filched by Prometheus,
And thrusts him down from heaven. He, wandering here,
In mournful terms, with sad and heavy cheer,
Complained to Cupid. Cupid for his sake,
To be revenged on Jove did undertake.
And those on whom heaven, earth, and hell relies,
I mean the adamantine Destinies,
He wounds with love, and forced them equally
To dote upon deceitful Mercury.
They offered him the deadly fatal knife
That shears the slender threads of human life.
At his fair feathered feet the engines laid
Which th' earth from ugly Chaos' den upweighed.
These he regarded not but did entreat
That Jove, usurper of his father's seat,
Might presently be banished into hell,
And aged Saturn in Olympus dwell.
They granted what he craved, and once again
Saturn and Ops began their golden reign.
Murder, rape, war, lust, and treachery,
Were with Jove closed in Stygian empery.
But long this blessed time continued not.
As soon as he his wished purpose got
He reckless of his promise did despise
The love of th' everlasting Destinies.
They seeing it both love and him abhorred
And Jupiter unto his place restored.
And but that Learning in despite of Fate
Will mount aloft and enter heaven gate
And to the seat of Jove itself advance,
Hermes had slept in hell with Ignorance.
Yet as a punishment they added this,
That he and Poverty should always kiss.
And to this day is every scholar poor;
Gross gold from them runs headlong to the boor.
Likewise the angry Sisters thus deluded,
To venge themselves on Hermes, have concluded
That Midas' brood shall sit in honour's chair,
To which the Muses' sons are only heir;
And fruitful wits, that in aspiring are,
Shall discontent run into regions far;
And few great lords in virtuous deeds shall joy
But be surprised with every garish toy,
And still enrich the lofty servile clown,
Who with encroaching guile keeps learning down.
Then Muse not Cupid's suit no better sped,
Seeing in their loves the Fates were injured.
~ Christopher Marlowe,
344:The Botanic Garden (Part Vi)
Again the Goddess strikes the golden lyre,
And tunes to wilder notes the warbling wire;
With soft suspended step Attention moves,
And Silence hovers o'er the listening groves;
Orb within orb the charmed audience throng,
And the green vault reverberates the song.
'Breathe soft, ye Gales!' the fair CARLINA cries,
Bear on broad wings your Votress to the skies.
How sweetly mutable yon orient hues,
As Morn's fair hand her opening roses strews;
How bright, when Iris blending many a ray
Binds in embroider'd wreath the brow of Day;
Soft, when the pendant Moon with lustres pale
O'er heaven's blue arch unfurls her milky veil;
While from the north long threads of silver light
Dart on swift shuttles o'er the tissued night!
'Breathe soft, ye Zephyrs! hear my fervent sighs,
Bear on broad wings your Votress to the skies!'-Plume over plume in long divergent lines
On whale-bone ribs the fair Mechanic joins;
Inlays with eider down the silken strings,
And weaves in wide expanse Dædalian wings;
Round her bold sons the waving pennons binds,
And walks with angel-step upon the winds.
So on the shoreless air the intrepid Gaul
Launch'd the vast concave of his buoyant ball.Journeying on high, the silken castle glides
Bright as a meteor through the azure tides;
O'er towns and towers and temples wins its way,
Or mounts sublime, and gilds the vault of day.
Silent with upturn'd eyes unbreathing crowds
Pursue the floating wonder to the clouds;
And, flush'd with transport or benumb'd with fear,
Watch, as it rises, the diminish'd sphere.
-Now less and less!-and now a speck is seen!-
And now the fleeting rack obtrudes between!With bended knees, raised arms, and suppliant brow
To every shrine with mingled cries they vow.'Save Him, ye Saints! who o'er the good preside;
'Bear Him, ye Winds! ye Stars benignant! guide.'
-The calm Philosopher in ether fails,
Views broader stars, and breathes in purer gales;
Sees, like a map, in many a waving line
Round Earth's blue plains her lucid waters mine;
Sees at his feet the forky lightnings glow,
And hears innocuous thunders roar below.
--Rife, great MONGOLFIER! urge thy venturous flight
High o'er the Moon's pale ice-reflected light;
High o'er the pearly Star, whose beamy horn.
Hangs in the east, gay harbinger of morn;
Leave the red eye of Mars on rapid wing;
Jove's silver guards, and Saturn's dusky ring;
Leave the fair beams, which, issuing from afar;
Play with new lustres round the Georgian star;
Shun with strong oars the Sun's attractive throne,
The sparkling zodiack, and the milky zone;
Where headlong Comets with increasing force
Through other systems bend their blazing course.For thee Cassiope her chair withdraws,
For thee the Bear retracts his shaggy paws;
High o'er the North thy golden orb shall roll,
And blaze eternal round the wondering pole.
So Argo, rising from the southern main,
Lights with new stars the blue etherial plain;
With favoring beams the mariner protects,
And the bold course, which first it steer'd, directs.
Inventress of the Woof, fair LINA flings
The flying shuttle through the dancing strings;
Inlays the broider'd weft with flowery dyes,
Quick beat the reeds, the pedals fall and rise;
Slow from the beam the lengths of warp unwind,
And dance and nod the massy weights behind.Taught by her labours, from the fertile soil
Immortal Isis clothed the banks of Nile;
And fair ARACHNE with her rival loom
Found undeserved a melancholy doom.-
Sister-nymphs with dewy fingers twine
The beamy flax, and stretch the fibre-line;
Quick eddying threads from rapid spindles reel,
Or whirl with beaten foot the dizzy wheel.
-Charm'd round the busy Fair
shepherds press,
Praise the nice texture of their snowy dress,
Admire the Artists, and the art approve,
And tell with honey'd words the tale of love.
So now, where Derwent rolls his dusky floods
Through vaulted mountains, and a night of woods,
The Nymph, GOSSYPIA, treads the velvet sod,
And warms with rosy smiles the watery God;
His ponderous oars to slender spindles turns,
And pours o'er massy wheels his foamy urns;
With playful charms her hoary lover wins,
And wields his trident,-while the Monarch spins.
-First with nice eye emerging Naiads cull
From leathery pods the vegetable wool;
With wiry teeth
revolving cards
The tanged knots, and smooth the ravell'd fleece;
Next moves the
with fingers fine,
Combs the wide card, and forms the eternal line;
Slow, with soft lips, the
whirling Can
The tender skeins, and wraps in rising spires;
With quicken'd pace
successive rollers
And these retain, and those extend the
Then fly the spoles, the rapid axles glow;And slowly circumvolves the labouring wheel below.
PAPYRA, throned upon the banks of Nile,
Spread her smooth leaf, and waved her silver style.
-The storied pyramid, the laurel'd bust,
The trophy'd arch had crumbled into dust;
The sacred symbol, and the epic song,
(Unknown the character, forgot the tongue,)
With each unconquer'd chief, or fainted maid,
Sunk undistinguish'd in Oblivion's shade.
Sad o'er the scatter'd ruins Genius sigh'd,
And infant Arts but learn'd to lisp and died.
Till to astonish'd realms PAPYRA taught
To paint in mystic colours Sound and Thought.
With Wisdom's voice to print the page sublime,
And mark in adamant the steps of Time.
-Three favour'd youths her soft attention share,
The fond disciples of the studious Fair,
Hear her sweet voice, the golden process prove;
Gaze, as they learn; and, as they listen, love.
The first
from Alpha to Omega joins
The letter'd tribes along the level lines;
Weighs with nice ear the vowel, liquid, surd,
And breaks in syllables the volant word.
Then forms
the next
upon the marshal'd plain
In deepening ranks his dexterous cypher-train;
And counts, as wheel the decimating bands,
The dews of Ægypt, or Arabia's sands,
And then
the third
on four concordant lines
Prints the lone crotchet, and the quaver joins;
Marks the gay trill, the solemn pause inscribes,
And parts with bars the undulating tribes.
Pleased round her cane-wove throne, the applauding crowd
Clap'd their rude hands, their swarthy foreheads bow'd;
With loud acclaim 'a present God!' they cry'd,
'A present God!' rebellowing shores reply'dThen peal'd at intervals with mingled swell
The echoing harp, shrill clarion, horn, and shell;
While Bards ecstatic, bending o'er the lyre,
Struck deeper chords, and wing'd the song with fire.
Then mark'd Astronomers with keener eyes
The Moon's refulgent journey through the skies;
Watch'd the swift Comets urge their blazing cars,
And weigh'd the Sun with his revolving Stars.
High raised the Chemists their Hermetic wands,
(And changing forms obey'd their waving hands,)
Her treasur'd gold from Earth's deep chambers tore,
Or fused and harden'd her chalybeate ore.
All with bent knee from fair PAPYRA claim
Wove by her hands the wreath of deathless fame.
-Exulting Genius crown'd his darling child,
The young Arts clasp'd her knees, and Virtue smiled.
So now DELANY forms her mimic bowers,
Her paper foliage, and her silken flowers;
Her virgin train the tender scissars ply,
Vein the green leaf, the purple petal dye:
Round wiry stems the flaxen tendril bends,
Moss creeps below, and waxen fruit impends.
Cold Winter views amid his realms of snow
DELANY'S vegetable statues blow;
Smooths his stern brow, delays his hoary wing,
And eyes with wonder all the blooms of spring.
The gentle LAPSANA, NYMPHÆA fair,
And bright CALENDULA with golden hair,
Watch with nice eye the Earth's diurnal way,
Marking her solar and sidereal day,
Her slow nutation, and her varying clime,
And trace with mimic art the march of Time;
Round his light foot a magic chain they fling,
And count the quick vibrations of his wing.First in its brazen cell reluctant roll'd
Bends the dark spring in many a steely fold;
On spiral brass is stretch'd the wiry thong,
Tooth urges tooth, and wheel drives wheel along;
In diamond-eyes the polish'd axles flow,
Smooth slides the hand, the ballance pants below.
Round the white circlet in relievo bold
A Serpent twines his scaly length in gold;
And brightly pencil'd on the enamel'd sphere
Live the fair trophies of the passing year.
huge fingers grasp his giant-mace,
And dash proud Superstition from her base,
Rend her strong towers and gorgeous fanes, and shed
The crumbling fragments round her guilty head.
There the gay
, whom wreaths of roses deck,
Lead their young trains amid the cumberous wreck;
And, slowly purpling o'er the mighty waste,
Plant the fair growths of Science and of Taste.
While each light
, as it dances by
With feathery foot and pleasure-twinkling eye,
Feeds from its baby-hand, with many a kiss,
The callow nestlings of domestic Bliss.
As yon gay clouds, which canopy the skies,
Change their thin forms, and lose their lucid dyes;
So the soft bloom of Beauty's vernal charms
Fades in our eyes, and withers in our arms.
-Bright as the silvery plume, or pearly shell,
The snow-white rose, or lily's virgin bell,
The fair HELLEBORAS attractive shone,
Warm'd every Sage, and every Shepherd won.Round the gay sisters press the
enamour'd bands
And seek with soft solicitude their hands.
-Ere while how chang'd!-in dim suffusion lies
The glance divine, that lighten'd in their eyes;
Cold are those lips, where smiles seductive hung,
And the weak accents linger on their tongue;
Each roseat feature fades to livid green,-Disgust with face averted shuts the scene.
So from his gorgeous throne, which awed the world,
The mighty Monarch of the east was hurl'd,
To dwell with brutes beneath the midnight storm,
By Heaven's just vengeance changed in mind and form.
-Prone to the earth He bends his brow superb,
Crops the young floret and the bladed herb;
Lolls his red tongue, and from the reedy side
Of slow Euphrates laps the muddy tide.
Long eagle-plumes his arching neck invest,
Steal round his arms, and clasp his sharpen'd breast;
Dark brinded hairs in bristling ranks, behind,
Rise o'er his back, and rustle in the wind,
Clothe his lank sides, his shrivel'd limbs surround,
And human hands with talons print the ground.
Silent in shining troops the Courtier-throng
Pursue their monarch as he crawls along;
E'en Beauty pleads in vain with smiles and tears,
Nor Flattery's self can pierce his pendant ears.
Sister-Nymphs to Ganges' flowery brink
Bend their light steps, the lucid water drink,
Wind through the dewy rice, and nodding canes,
black Eunuchs guard the sacred plains),
With playful malice watch the scaly brood,
And shower the inebriate berries on the flood.Stay in your crystal chambers, silver tribes!
Turn your bright eyes, and shun the dangerous bribes;
The tramel'd net with less destruction sweeps
Your curling shallows, and your azure deeps;
With less deceit, the gilded fly beneath,
Lurks the fell hook unseen,-to taste is death!-Dim your slow eyes, and dull your pearly coat,
Drunk on the waves your languid forms shall float,
On useless fins in giddy circles play,
And Herons and Otters seize you for their prey.So, when the Saint from Padua's graceless land
In silent anguish sought the barren strand,
High on the shatter'd beech sublime He stood,
Still'd with his waving arm the babbling flood;
'To Man's dull ear,' He cry'd, 'I call in vain,
'Hear me, ye scaly tenants of the main!'Misshapen Seals approach in circling flocks,
In dusky mail the Tortoise climbs the rocks,
Torpedoes, Sharks, Rays, Porpus, Dolphins, pour
Their twinkling squadrons round the glittering shore;
With tangled fins, behind, huge Phocæ glide,
And Whales and Grampi swell the distant tide.
Then kneel'd the hoary Seer, to heaven address'd
His fiery eyes, and smote his sounding breast;
'Bless ye the Lord!' with thundering voice he cry'd,
'Bless ye the Lord!' the bending shores reply'd;
The winds and waters caught the sacred word,
And mingling echoes shouted 'Bless the Lord!'
The listening shoals the quick contagion feel,
Pant on the floods, inebriate with their zeal,
Ope their wide jaws, and bow their slimy heads,
And dash with frantic fins their foamy beds.
Sopha'd on silk, amid her charm-built towers,
Her meads of asphodel, and amaranth bowers,
Where Sleep and Silence guard the soft abodes,
In sullen apathy PAPAVER nods.
Faint o'er her couch in scintillating streams
Pass the thin forms of Fancy and of Dreams;
Froze by inchantment on the velvet ground
Fair youths and beauteous ladies glitter round;
On crystal pedestals they seem to sigh,
Bend the meek knee, and lift the imploring eye.
-And now the Sorceress bares her shrivel'd hand,
And circles thrice in air her ebon wand;
Flush'd with new life descending statues talk,
The pliant marble softening as they walk;
With deeper sobs reviving lovers breathe,
Fair bosoms rise, and soft hearts pant beneath;
With warmer lips relenting damsels speak,
And kindling blushes tinge the Parian cheek;
To viewless lutes aërial voices sing,
And hovering Loves are heard on rustling wing.
-She waves her wand again!-fresh horrors seize
Their stiffening limbs, their vital currents freeze;
By each cold nymph her marble lover lies,
And iron slumbers seal their glassy eyes.
So with his dread Caduceus HERMES led
From the dark regions of the imprison'd dead,
Or drove in silent shoals the lingering train
To Night's dull shore, and PLUTO'S dreary reign
So with her waving pencil CREWE commands
The realms of Taste, and Fancy's fairy lands;
Calls up with magic voice the shapes, that sleep
In earth's dark bosom, or unfathom'd deep;
That shrined in air on viewless wings aspire,
Or blazing bathe in elemental fire.
As with nice touch her plaistic hand she moves,
Rise the fine forms of Beauties, Graces, Loves;
Kneel to the fair Inchantress, smile or sigh,
And fade or flourish, as she turns her eye.
Fair CISTA, rival of the rosy dawn,
Call'd her light choir, and trod the dewy lawn;
Hail'd with rude melody the new-born May,
As cradled yet in April's lap she lay.
'Born in yon blaze of orient sky,
'Sweet MAY! thy radiant form unfold;
'Unclose thy blue voluptuous eye,
'And wave thy shadowy locks of gold.
'For Thee the fragrant zephyrs blow,
'For Thee descends the sunny shower;
'The rills in softer murmurs slow,
'And brighter blossoms gem the bower.
'Light Graces dress'd in flowery wreaths
'And tiptoe Joys their hands combine;
'And Love his sweet contagion breathes,
'And laughing dances round thy shrine.
'Warm with new life the glittering throngs
'On quivering fin and rustling wing
'Delighted join their votive songs,
'And hail thee, GODDESS OF THE SPRING.'
O'er the green brinks of Severn's oozy bed,
In changeful rings, her sprightly troop She led;
PAN tripp'd before, where Eudness shades the mead,
And blew with glowing lip his sevenfold reed;
Emerging Naiads swell'd the jocund strain,
And aped with mimic step the dancing train.'I faint, I fall!'at noon
the Beauty cried,
'Weep o'er my tomb, ye Nymphs!'-and sunk and died.
-Thus, when white Winter o'er the shivering clime
Drives the still snow, or showers the silver rime;
As the lone shepherd o'er the dazzling rocks
Prints his steep step, and guides his vagrant flocks;
Views the green holly veil'd in network nice,
Her vermil clusters twinkling in the ice;
Admires the lucid vales, and slumbering floods,
Fantastic cataracts, and crystal woods,
Transparent towns, with seas of milk between,
And eyes with transport the refulgent scene:If breaks the sunshine o'er the spangled trees,
Or flits on tepid wing the western breeze,
In liquid dews descends the transient glare,
And all the glittering pageant melts in air.
Where Andes hides his cloud-wreath'd crest in snow,
And roots his base on burning sands below;
Cinchona, fairest of Peruvian maids
To Health's bright Goddess in the breezy glades
On Quito's temperate plain an altar rear'd,
Trill'd the loud hymn, the solemn prayer preferr'd:
Each balmy bud she cull'd, and honey'd flower,
And hung with fragrant wreaths the sacred bower;
Each pearly sea she search'd, and sparkling mine,
And piled their treasures on the gorgeous shrine;
Her suppliant voice for sickening Loxa raised,
Sweet breath'd the gale, and bright the censor blazed.
-'Divine HYGEIA! on thy votaries bend
Thy angel-looks, oh, hear us, and defend!
While streaming o'er the night with baleful glare
The star of Autumn rays his misty hair;
Fierce from his fens the Giant AGUE springs,
And wrapp'd in fogs descends on vampire wings;
'Before, with shuddering limbs cold Tremor reels,
And Fever's burning nostril dogs his heels;
Loud claps the grinning Fiend his iron hands,
Stamps with his marble feet, and shouts along the lands;
Withers the damask cheek, unnerves the strong,
And drives with scorpion-lash the shrieking throng.
Oh, Goddess! on thy kneeling votaries bend
Thy angel-looks, oh, hear us, and defend!'
-HYGEIA, leaning from the blest abodes,
The crystal mansions of the immortal gods,
Saw the sad Nymph uplift her dewy eyes,
Spread her white arms, and breathe her fervid sighs;
Call'd to her fair associates, Youth, and Joy,
And shot all-radiant through the glittering sky;
Loose waved behind her golden train of hair,
Her sapphire mantle swam diffus'd in air.O'er the grey matted moss, and pansied sod,
With step sublime the glowing Goddess trod,
Gilt with her beamy eye the conscious shade,
And with her smile celestial bless'd the maid.
'Come to my arms,' with seraph voice she cries,
'Thy vows are heard, benignant Nymph! arise;
Where yon aspiring trunks fantastic wreath
Their mingled roots, and drink the rill beneath,
Yield to the biting axe thy sacred wood,
And strew the bitter foliage on the flood.'
In silent homage bow'd the blushing maid,Five
youths athletic hasten to her aid,
O'er the scar'd hills re-echoing strokes resound,
And headlong forests thunder on the ground.
Round the dark roots, rent bark, and shatter'd boughs,
From ocherous beds the swelling fountain flows;
With streams austere its winding margin laves,
And pours from vale to vale its dusky waves.
-As the pale squadrons, bending o'er the brink,
View with a sigh their alter'd forms, and drink;
Slow-ebbing life with refluent crimson breaks
O'er their wan lips, and paints their haggard cheeks;
Through each fine nerve rekindling transports dart,
Light the quick eye, and swell the exulting heart.
-Thus ISRAEL's heaven-taught chief o'er trackless lands
Led to the sultry rock his murmuring bands.
Bright o'er his brows the forky radiance blazed,
And high in air the rod divine He raised.Wide yawns the cliff!-amid the thirsty throng
Rush the redundant waves, and shine along;
With gourds and shells and helmets press the bands,
Ope their parch'd lips, and spread their eager hands,
Snatch their pale infants to the exuberant shower,
Kneel on the shatter'd rock, and bless the Almighty Power.
Bolster'd with down, amid a thousand wants,
Pale Dropsy rears his bloated form, and pants;
'Quench me, ye cool pellucid rills!' he cries,
Wets his parch'd tongue, and rolls his hollow eyes.
So bends tormented TANTALUS to drink,
While from his lips the refluent waters shrink;
Again the rising stream his bosom laves,
And Thirst consumes him 'mid circumfluent waves.
-Divine HYGEIA, from the bending sky
Descending, listens to his piercing cry;
Assumes bright DIGITALIS' dress and air,
Her ruby cheek, white neck, and raven hair;
youths protect her from the circling throng,
And like the Nymph the Goddess steps along.-O'er Him She waves her serpent-wreathed wand,
Cheers with her voice, and raises with her hand,
Warms with rekindling bloom his visage wan,
And charms the shapeless monster into man.
So when Contagion with mephitic breath
And withered Famine urged the work of death;
Marseilles' good Bishop, London's generous Mayor,
With food and faith, with medicine and with prayer,
Raised the weak head and stayed the parting sigh,
Or with new life relumed the swimming eye.-And now, PHILANTHROPY! thy rays divine
Dart round the globe from Zembla to the Line;
O'er each dark prison plays the cheering light,
Like northern lustres o'er the vault of night.From realm to realm, with cross or crescent crown'd,
Where'er Mankind and Misery are found,
O'er burning sands, deep waves, or wilds of snow,
Thy HOWARD journeying seeks the house of woe.
Down many a winding step to dungeons dank,
Where anguish wails aloud, and fetters clank;
To caves bestrew'd with many a mouldering bone,
And cells, whose echoes only learn to groan;
Where no kind bars a whispering friend disclose,
No sunbeam enters, and no zephyr blows,
HE treads, inemulous of fame or wealth,
Profuse of toil, and prodigal of health;
With soft assuasive eloquence expands
Power's rigid heart, and opes his clenching hands;
Leads stern-ey'd Justice to the dark domains,
If not to fever, to relax the chains;
Or guides awaken'd Mercy through the gloom,
And shews the prison, sister to the tomb!Gives to her babes the self-devoted wife,
To her fond husband liberty and life!-The Spirits of the Good, who bend from high
Wide o'er these earthly scenes their partial eye,
When first, array'd in VIRTUE'S purest robe,
They saw her HOWARD traversing the globe;
Saw round his brows her sun-like Glory blaze
In arrowy circles of unwearied rays;
Mistook a Mortal for an Angel-Guest,
And ask'd what Seraph-foot the earth imprest.
-Onward he moves!-Disease and Death retire,
And murmuring Demons hate him, and admire.'
Here paused the Goddess,-on HYGEIA'S shrine
Obsequious Gnomes repose the lyre divine;
Descending Sylphs relax the trembling strings,
And catch the rain-drops on their shadowy wings.
-And now her vase a modest Naiad fills
With liquid crystal from her pebbly rills;
Piles the dry cedar round her silver urn,
(Bright climbs the blaze, the crackling faggots burn),
Culls the green herb of China's envy'd bowers,
In gaudy cups the steamy treasure pours;
And, sweetly-smiling, on her bended knee
Presents the fragrant quintessence of Tea.
~ Erasmus Darwin,
345:Admetus: To My Friend, Ralph Waldo Emerson
He who could beard the lion in his lair,
To bind him for a girl, and tame the boar,
And drive these beasts before his chariot,
Might wed Alcestis. For her low brows' sake,
Her hairs' soft undulations of warm gold,
Her eyes' clear color and pure virgin mouth,
Though many would draw bow or shiver spear,
Yet none dared meet the intolerable eye,
Or lipless tusk, of lion or of boar.
This heard Admetus, King of Thessaly,
Whose broad, fat pastures spread their ample fields
Down to the sheer edge of Amphrysus' stream,
Who laughed, disdainful, at the father's pride,
That set such value on one milk-faced child.
One morning, as he rode alone and passed
Through the green twilight of Thessalian woods,
Between two pendulous branches interlocked,
As through an open casement, he descried
A goddess, as he deemed, — in truth a maid.
On a low bank she fondled tenderly
A favorite hound, her floral face inclined
Above the glossy, graceful animal,
That pressed his snout against her cheek and gazed
Wistfully, with his keen, sagacious eyes.
One arm with lax embrace the neck enwreathed,
With polished roundness near the sleek, gray skin.
Admetus, fixed with wonder, dared not pass,
Intrusive on her holy innocence
And sacred girlhood, but his fretful steed
Snuffed the large air, and champed and pawed the ground;
And hearing this, the maiden raised her head.
No let or hindrance then might stop the king,
Once having looked upon those supreme eyes.
The drooping boughs disparting, forth he sped,
And then drew in his steed, to ask the path,
Like a lost traveller in an alien land.
Although each river-cloven vale, with streams
Arrowy glancing to the blue Ægean,
Each hallowed mountain, the abode of gods,
Pelion and Ossa fringed with haunted groves,
The height, spring-crowned, of dedicate Olympus,
And pleasant sun-fed vineyards, were to him
Familiar as his own face in the stream,
Nathless he paused and asked the maid what path
Might lead him from the forest. She replied,
But still he tarried, and with sportsman's praise
Admired the hound and stooped to stroke its head,
And asked her if she hunted. Nay, not she:
Her father Pelias hunted in these woods,
Where there was royal game. He knew her now, —
Alcestis, — and her left her with due thanks:
No goddess, but a mortal, to be won
By such a simple feat as driving boars
And lions to his chariot. What was that
To him who saw the boar of Calydon,
The sacred boar of Artemis, at bay
In the broad stagnant marsh, and sent his darts
In its tough, quivering flank, and saw its death,
Stung by sure arrows of Arcadian nymph?
To river-pastures of his flocks and herds
Admetus rode, where sweet-breathed cattle grazed,
Heifers and goats and kids, and foolish sheep
Dotted cool, spacious meadows with bent heads,
And necks' soft wool broken in yellow flakes,
Nibbling sharp-toothed the rich, thick-growing blades.
One herdsmen kept the innumerable droves —
A boy yet, young as immortality —
In listless posture on a vine-grown rock.
Around him huddled kids and sheep that left
The mother's udder for his nighest grass,
Which sprouted with fresh verdure where he sat.
And yet dull neighboring rustics never guessed
A god had been among them till he went,
Although with him they acted as he willed,
Renouncing shepherds' silly pranks and quips,
Because his very presence made them grave.
Amphryssius, after their translucent stream,
They called him, but Admetus knew his name, —
Hyperion, god of sun and song and silver speech,
Condemned to serve a mortal for his sin
To Zeus in sending violent darts of death,
And raising hand irreverent, against
The one-eyed forgers of the thunderbolt.
For shepherd's crook he held the living rod
Of twisted serpents, later Hermes' wand.
Him sought the king, discovering soon hard by,
Idle, as one in nowise bound to time,
Watching the restless grasses blow and wave,
The sparkle of the sun upon the stream,
Regretting nothing, living with the hour:
For him, who had his light and song within,
Was naught that did not shine, and all things sang.
Admetus prayed for his celestial aid
To win Alcestis, which the god vouchsafed,
Granting with smiles, as grant all gods, who smite
With stern hand, sparing not for piteousness,
But give their gifts in gladness.
Thus the king
Led with loose rein the beasts as tame as kine,
And townsfolk thronged within the city streets,
As round a god; and mothers showed their babes,
And maidens loved the crowned intrepid youth,
And men would worship, though the very god
Who wrought the wonder dwelled unnoted nigh,
Divinely scornful of neglect or praise.
Then Pelias, seeing this would be his son,
As he had vowed, called for his wife and child.
With Anaxibia, Alcestis came,
A warm flush spreading o'er her eager face
In looking on the rider of the woods,
And knowing him her suitor and the king.
Admetus won Alcestis thus to wife,
And these with mated hearts and mutual love
Lived a life blameless, beautiful: the king
Ordaining justice in the gates; the queen,
With grateful offerings to the household gods,
Wise with the wisdom of the pure in heart.
One child she bore, — Eumelus, — and he throve.
Yet none the less because they sacrificed
The firstlings of their flocks and fruits and flowers,
Did trouble come; for sickness seized the king.
Alcestis watched with many-handed love,
But unavailing service, for he lay
With languid limbs, despite his ancient strength
Of sinew, and his skill with spear and sword.
His mother came, Clymene, and with her
His father, Pheres: his unconscious child
They brought him, while forlorn Alcestis sat
Discouraged, with the face of desolation.
The jealous gods would bind his mouth from speech,
And smite his vigorous frame with impotence;
And ruin with bitter ashes, worms, and dust,
The beauty of his crowned, exalted head.
He knew her presence, — soon he would not know,
Nor feel her hand in his lie warm and close,
Nor care if she were near him any more.
Exhausted with long vigils, thus the queen
Held hard and grievous thoughts, till heavy sleep
Possessed her weary senses, and she dreamed.
And even in her dream her trouble lived,
For she was praying in a barren field
To all the gods for help, when came across
The waste of air and land, from distant skies,
A spiritual voice divinely clear,
Whose unimaginable sweetness thrilled
Her aching heart with tremor of strange joy:
'Arise, Alcestis, cast away white fear.
A god dwells with you: seek, and you shall find.'
Then quiet satisfaction filled her soul
Almost akin to gladness, and she woke.
Weak as the dead, Admetus lay there still;
But she, superb with confidence, arose,
And passed beyond the mourners' curious eyes,
Seeking Amphryssius in the meadow-lands.
She found him with the godlike mien of one
Who, roused, awakens unto deeds divine:
'I come, Hyperion, with incessant tears,
To crave the life of my dear lord the king.
Pity me, for I see the future years
Widowed and laden with disastrous days.
And ye, the gods, will miss him when the fires
Upon your shrines, unfed, neglected die.
Who will pour large libations in your names,
And sacrifice with generous piety?
Silence and apathy will greet you there
Where once a splendid spirit offered praise.
Grant me this boon divine, and I will beat
With prayer at morning's gates, before they ope
Unto thy silver-hoofed and flame-eyed steeds.
Answer ere yet the irremeable stream
Be crossed: answer, O god, and save!'
She ceased,
With full throat salt with tears, and looked on him,
And with a sudden cry of awe fell prone,
For, lo! he was transmuted to a god;
The supreme aureole radiant round his brow,
Divine refulgence on his face, — his eyes
Awful with splendor, and his august head
With blinding brilliance crowned by vivid flame.
Then in a voice that charmed the listening air:
'Woman, arise! I have no influence
On Death, who is the servant of the Fates.
Howbeit for thy passion and thy prayer,
The grace of thy fair womanhood and youth,
Thus godlike will I intercede for thee,
And sue the insatiate sisters for this life.
Yet hope not blindly: loth are these to change
Their purpose; neither will they freely give,
But haggling lend or sell: perchance the price
Will countervail the boon. Consider this.
Now rise and look upon me.' And she rose,
But by her stood no godhead bathed in light,
But young Amphryssius, herdsman to the king,
Benignly smiling.
Fleet as thought, the god
Fled from the glittering earth to blackest depths
Of Tartarus; and none might say he sped
On wings ambrosial, or with feet as swift
As scouring hail, or airy chariot
Borne by flame-breathing steeds ethereal;
But with a motion inconceivable
Departed and was there. Before the throne
Of Ades, first he hailed the long-sought queen,
Stolen with violent hands from grassy fields
And delicate airs of sunlit Sicily,
Pensive, gold-haired, but innocent-eyed no more
As when she laughing plucked the daffodils,
But grave as one fulfilling a strange doom.
And low at Ades' feet, wrapped in grim murk
And darkness thick, the three gray women sat,
Loose-robed and chapleted with wool and flowers,
Purple narcissi round their horrid hair.
Intent upon her task, the first one held
The slender thread that at a touch would snap;
The second weaving it with warp and woof
Into strange textures, some stained dark and foul,
Some sanguine-colored, and some black as night,
And rare ones white, or with a golden thread
Running throughout the web: the farthest hag
With glistening scissors cut her sisters' work.
To these Hyperion, but they never ceased,
Nor raised their eyes, till with soft, moderate tones,
But by their powerful persuasiveness
Commanding all to listen and obey,
He spoke, and all hell heard, and these three looked
And waited his request:
'I come, a god,
At a pure mortal queen's request, who sues
For life renewed unto her dying lord,
Admetus; and I also pray this prayer.'
'Then cease, for when hath Fate been moved by prayer?'
'But strength and upright heart should serve with you.'
'Nay, these may serve with all but Destiny.'
'I ask ye not forever to forbear,
But spare a while, — a moment unto us,
A lifetime unto men.' 'The Fates swerve not
For supplications, like the pliant gods.
Have they not willed a life's thread should be cut?
With them the will is changeless as the deed.
O men! ye have not learned in all the past,
Desires are barren and tears yield no fruit.
How long will ye besiege the thrones of gods
With lamentations? When lagged Death for all
Your timorous shirking? We work not like you,
Delaying and relenting, purposeless,
With unenduring issues; but our deeds,
Forever interchained and interlocked,
Complete each other and explain themselves.'
'Ye will a life: then why not any life?'
'What care we for the king? He is not worth
These many words; indeed, we love not speech.
We care not if he live, or lose such life
As men are greedy for, — filled full with hate,
Sins beneath scorn, and only lit by dreams,
Or one sane moment, or a useless hope, —
Lasting how long? — the space between the green
And fading yellow of the grass they tread.'
But he withdrawing not: 'Will any life
Suffice ye for Admetus?' 'Yea,' the crones
Three times repeated. 'We know no such names
As king or queen or slave: we want but life.
Begone, and vex us in our work no more.'
With broken blessings, inarticulate joy
And tears, Alcestis thanked Hyperion,
And worshipped. Then he gently: 'Who will die,
So that the king may live?' And she: 'You ask?
Nay, who will live when life clasps hands with shame,
And death with honor? Lo, you are a god;
You cannot know the highest joy of life, —
To leave it when 't is worthier to die.
His parents, kinsmen, courtiers, subjects, slaves, —
For love of him myself would die, were none
Found ready; but what Greek would stand to see
A woman glorified, and falter? Once,
And only once, the gods will do this thing
In all the ages: such a man themselves
Delight to honor, — holy, temperate, chaste,
With reverence for his dæmon and his god.'
Thus she triumphant to the very door
Of King Admetus' chamber. All there saw
Her ill-timed gladness with much wonderment.
But she: 'No longer mourn! The king is saved:
The Fates will spare him. Lift your voice in praise;
Sing pæans to Apollo; crown your brows
With laurel; offer thankful sacrifice!'
'O Queen, what mean these foolish words misplaced?
And what an hour is this to thank the Fates?'
'Thrice blessed be the gods! — for God himself
Has sued for me, — they are not stern and deaf.
Cry, and they answer: commune with your soul,
And they send counsel: weep with rainy grief,
And these will sweeten you your bitterest tears.
On one condition King Admetus lives,
And ye, on hearing, will lament no more,
Each emulous to save.' Then — for she spake
Assured, as having heard an oracle —
They asked: 'What deed of ours may serve the king?'
'The Fates accept another life for his,
And one of you may die.' Smiling, she ceased.
But silence answered her. 'What! do ye thrust
Your arrows in your hearts beneath your cloaks,
Dying like Greeks, too proud to own the pang?
This ask I not. In all the populous land
But one need suffer for immortal praise.
The generous Fates have sent no pestilence,
Famine, nor war: it is as though they gave
Freely, and only make the boon more rich
By such slight payment. Now a people mourns,
And ye may change the grief to jubilee,
Filling the cities with a pleasant sound.
But as for me, what faltering words can tell
My joy, in extreme sharpness kin to pain?
A monument you have within my heart,
Wreathed with kind love and dear remembrances;
And I will pray for you before I crave
Pardon and pity for myself from God.
Your name will he the highest in the land,
Oftenest, fondest on my grateful lips,
After the name of him you die to save.
What! silent still? Since when has virtue grown
Less beautiful than indolence and ease?
Is death more terrible, more hateworthy,
More bitter than dishonor? Will ye live
On shame? Chew and find sweet its poisoned fruits?
What sons will ye bring forth — mean-souled like you,
Or, like your parents, brave — to blush like girls,
And say, 'Our fathers were afraid to die!'
Ye will not dare to raise heroic eyes
Unto the eyes of aliens. In the streets
Will women and young children point at you
Scornfully, and the sun will find you shamed,
And night refuse to shield you. What a life
Is this ye spin and fashion for yourselves!
And what new tortures of suspense and doubt
Will death invent for such as are afraid!
Acastus, thou my brother, in the field
Foremost, who greeted me with sanguine hands
From ruddy battle with a conqueror's face, —
These honors wilt thou blot with infamy?
Nay, thou hast won no honors: a mere girl
Would do as much as thou at such a time,
In clamorous battle, 'midst tumultuous sounds,
Neighing of war-steeds, shouts of sharp command,
Snapping of shivered spears; for all are brave
When all men look to them expectantly;
But he is truly brave who faces death
Within his chamber, at a sudden call,
At night, when no man sees, — content to die
When life can serve no longer those he loves.'
Then thus Acastus: 'Sister, I fear not
Death, nor the empty darkness of the grave,
And hold my life but as a little thing,
Subject unto my people's call, and Fate.
But if 't is little, no greater is the king's;
And though my heart bleeds sorely, I recall
Astydamia, who thus would mourn for me.
We are not cowards, we youth of Thessaly,
And Thessaly — yea, all Greece — knoweth it;
Nor will we brook the name from even you,
Albeit a queen, and uttering these wild words
Through your unwonted sorrow.' Then she knew
That he stood firm, and turning from him, cried
To the king's parents: 'Are ye deaf with grief,
Pheres, Clymene? Ye can save your son,
Yet rather stand and weep with barren tears.
O, shame! to think that such gray, reverend hairs
Should cover such unvenerable heads!
What would ye lose?— a remnant of mere life,
A few slight raveled threads, and give him years
To fill with glory. Who, when he is gone,
Will call you gentlest names this side of heaven, —
Father and mother? Knew ye not this man
Ere he was royal, — a poor, helpless child,
Crownless and kingdomless? One birth alone
Sufficeth not, Clymene: once again
You must give life with travail and strong pain.
Has he not lived to outstrip your swift hopes?
What mother can refuse a second birth
To such a son? But ye denying him,
What after-offering may appease the gods?
What joy outweigh the grief of this one day?
What clamor drown the hours' myriad tongues,
Crying, 'Your son, your son? where is your son,
Unnatural mother, timid, foolish man?'
Then Pheres gravely: 'These are graceless words
From you our daughter. Life is always life,
And death comes soon enough to such as we.
We twain are old and weak, have served our time,
And made our sacrifices. Let the young
Arise now in their turn and save the king.'
'O gods! look on your creatures! do ye see?
And seeing, have ye patience? Smite them all,
Unsparing, with dishonorable death.
Vile slaves! a woman teaches you to die.
Intrepid, with exalted steadfast soul,
Scorn in my heart, and love unutterable,
I yield the Fates my life, and like a god
Command them to revere that sacred head.
Thus kiss I thrice the dear, blind, holy eyes,
And bid them see; and thrice I kiss this brow,
And thus unfasten I the pale, proud lips
With fruitful kissings, bringing love and life,
And without fear or any pang, I breathe
My soul in him.'
'Alcestis, I awake.
I hear, I hear — unspeak thy reckless words!
For, lo! thy life-blood tingles in my veins,
And streameth through my body like new wine.
Behold! thy spirit dedicate revives
My pulse, and through thy sacrifice I breathe.
Thy lips are bloodless: kiss me not again.
Ashen thy cheeks, faded thy flowerlike hands.
O woman! perfect in thy womanhood
And in thy wifehood, I adjure thee now
As mother, by the love thou bearest our child,
In this thy hour of passion and of love,
Of sacrifice and sorrow, to unsay
Thy words sublime!' 'I die that thou mayest live.'
'And deemest thou that I accept the boon,
Craven, like these my subjects? Lo, my queen,
Is life itself a lovely thing, — bare life?
And empty breath a thing desirable?
Or is it rather happiness and love
That make it precious to its inmost core?
When these are lost, are there not swords in Greece,
And flame and poison, deadly waves and plagues?
No man has ever lacked these things and gone
Unsatisfied. It is not these the gods refuse
(Nay, never clutch my sleeve and raise thy lip), —
Not these I seek; but I will stab myself,
Poison my life and burn my flesh, with words,
And save or follow thee. Lo! hearken now:
I bid the gods take back their loathsome gifts:
I spurn them, and I scorn them, and I hate.
Will they prove deaf to this as to my prayers?
With tongue reviling, blasphemous, I curse,
With mouth polluted from deliberate heart.
Dishonored be their names, scorned be their priests,
Ruined their altars, mocked their oracles!
It is Admetus, King of Thessaly,
Defaming thus: annihilate him, gods!
So that his queen, who worships you, may live.'
He paused as one expectant; but no bolt
From the insulted heavens answered him,
But awful silence followed. Then a hand,
A boyish hand, upon his shoulder fell,
And turning, he beheld his shepherd boy,
Not wrathful, but divinely pitiful,
Who spake in tender, thrilling tones: 'The gods
Cannot recall their gifts. Blaspheme them not:
Bow down and worship rather. Shall he curse
Who sees not, and who hears not, — neither knows
Nor understands? Nay, thou shalt bless and pray, —
Pray, for the pure heart, purged by prayer, divines
And seeth when the bolder eyes are blind.
Worship and wonder, — these befit a man
At every hour; and mayhap will the gods
Yet work a miracle for knees that bend
And hands that supplicate.'
Then all they knew
A sudden sense of awe, and bowed their heads
Beneath the stripling's gaze: Admetus fell,
Crushed by that gentle touch, and cried aloud:
'Pardon and pity! I am hard beset.'
There waited at the doorway of the king
One grim and ghastly, shadowy, horrible,
Bearing the likeness of a king himself,
Erect as one who serveth not, — upon
His head a crown, within his fleshless hands
A sceptre, — monstrous, winged, intolerable.
To him a stranger coming 'neath the trees,
Which slid down flakes of light, now on his hair,
Close-curled, now on his bared and brawny chest,
Now on his flexile, vine-like veinéd limbs,
With iron network of strong muscle thewed,
And godlike brows and proud mouth unrelaxed.
Firm was his step; no superfluity
Of indolent flesh impeded this man's strength.
Slender and supple every perfect limb,
Beautiful with the glory of a man.
No weapons bare he, neither shield: his hands
Folded upon his breast, his movements free
Of all incumbrance. When his mighty strides
Had brought him nigh the waiting one, he paused:
'Whose palace this? and who art thou, grim shade?'
'The palace of the King of Thessaly,
And my name is not strange unto thine ears;
For who hath told men that I wait for them,
The one sure thing on earth? Yet all they know,
Unasking and yet answered. I am Death,
The only secret that the gods reveal.
But who art thou who darest question me?'
'Alcides; and that thing I dare not do
Hath found no name. Whom here awaitest thou?'
'Alcestis, Queen of Thessaly, — a queen
Who wooed me as the bridegroom woos the bride,
For her life sacrificed will save her lord
Admetus, as the Fates decreed. I wait
Impatient, eager; and I enter soon,
With darkening wing, invisible, a god,
And kiss her lips, and kiss her throbbing heart,
And then the tenderest hands can do no more
Than close her eyes and wipe her cold, white brow,
Inurn her ashes and strew flowers above.'
'This woman is a god, a hero, Death.
In this her sacrifice I see a soul
Luminous, starry: earth can spare her not:
It is not rich enough in purity
To lose this paragon. Save her, O Death!
Thou surely art more gentle than the Fates,
Yet these have spared her lord, and never meant
That she should suffer, and that this their grace,
Beautiful, royal on one side, should turn
Sudden and show a fearful, fatal face.'
'Nay, have they not? O fond and foolish man,
Naught comes unlooked for, unforeseen by them.
Doubt when they favor thee, though thou mayest laugh
When they have scourged thee with an iron scourge.
Behold, their smile is deadlier than their sting,
And every boon of theirs is double-faced.
Yea, I am gentler unto ye than these:
I slay relentless, but when have I mocked
With poisoned gifts, and generous hands that smite
Under the flowers? for my name is Truth.
Were this fair queen more fair, more pure, more chaste,
I would not spare her for your wildest prayer
Nor her best virtue. Is the earth's mouth full?
Is the grave satisfied? Discrown me then,
For life is lord, and men may mock the gods
With immortality.' 'I sue no more,
But I command thee spare this woman's life,
Or wrestle with Alcides.' 'Wrestle with thee,
Thou puny boy!' And Death laughed loud, and swelled
To monstrous bulk, fierce-eyed, with outstretched wings,
And lightnings round his brow; but grave and firm,
Strong as a tower, Alcides waited him,
And these began to wrestle, and a cloud
Impenetrable fell, and all was dark.
'Farewell, Admetus and my little son,
Eumelus, — O these clinging baby hands!
Thy loss is bitter, for no chance, no fame,
No wealth of love, can ever compensate
For a dead mother. Thou, O king, fulfill
The double duty: love him with my love,
And make him bold to wrestle, shiver spears,
Noble and manly, Grecian to the bone;
And tell him that his mother spake with gods.
Farewell, farewell! Mine eyes are growing blind:
The darkness gathers. O my heart, my heart!'
No sound made answer save the cries of grief
From all the mourners, and the suppliance
Of strick'n Admetus: ' O have mercy, gods!
O gods, have mercy, mercy upon us!'
Then from the dying woman's couch again
Her voice was heard, but with strange sudden tones:
'Lo, I awake, — the light comes back to me.
What miracle is this?' And thunders shook
The air, and clouds of mighty darkness fell,
And the earth trembled, and weird, horrid sounds
Were heard of rushing wings and fleeing feet,
And groans; and all were silent, dumb with awe,
Saving the king, who paused not in his prayer:
'Have mercy, gods!' and then again, 'O gods,
Have mercy!'
Through the open casement poured
Bright floods of sunny light; the air was soft,
Clear, delicate as though a summer storm
Had passed away; and those there standing saw,
Afar upon the plain, Death fleeing thence,
And at the doorway, weary, well-nigh spent,
Alcides, flushed with victory.
~ Emma Lazarus,
Happy the bard (though few such bards we find)
Who, 'bove controlment, dares to speak his mind;
Dares, unabash'd, in every place appear,
And nothing fears, but what he ought to fear:
Him Fashion cannot tempt, him abject Need
Cannot compel, him Pride cannot mislead
To be the slave of Greatness, to strike sail
When, sweeping onward with her peacock's tail,
Quality in full plumage passes by;
He views her with a fix'd, contemptuous eye,
And mocks the puppet, keeps his own due state,
And is above conversing with the great.
Perish those slaves, those minions of the quill,
Who have conspired to seize that sacred hill
Where the Nine Sisters pour a genuine strain,
And sunk the mountain level with the plain;
Who, with mean, private views, and servile art,
No spark of virtue living in their heart,
Have basely turn'd apostates; have debased
Their dignity of office; have disgraced,
Like Eli's sons, the altars where they stand,
And caused their name to stink through all the land;
Have stoop'd to prostitute their venal pen
For the support of great, but guilty men;
Have made the bard, of their own vile accord,
Inferior to that thing we call a lord.
What is a lord? Doth that plain simple word
Contain some magic spell? As soon as heard,
Like an alarum bell on Night's dull ear,
Doth it strike louder, and more strong appear
Than other words? Whether we will or no,
Through Reason's court doth it unquestion'd go
E'en on the mention, and of course transmit
Notions of something excellent; of wit
Pleasing, though keen; of humour free, though chaste;
Of sterling genius, with sound judgment graced;
Of virtue far above temptation's reach,
And honour, which not malice can impeach?
Believe it not--'twas Nature's first intent,
Before their rank became their punishment,
They should have pass'd for men, nor blush'd to prize
The blessings she bestow'd; she gave them eyes,
And they could see; she gave them ears--they heard;
The instruments of stirring, and they stirr'd;
Like us, they were design'd to eat, to drink,
To talk, and (every now and then) to think;
Till they, by Pride corrupted, for the sake
Of singularity, disclaim'd that make;
Till they, disdaining Nature's vulgar mode,
Flew off, and struck into another road,
More fitting Quality, and to our view
Came forth a species altogether new,
Something we had not known, and could not know,
Like nothing of God's making here below;
Nature exclaim'd with wonder--'Lords are things,
Which, never made by me, were made by kings.'
A lord (nor let the honest and the brave,
The true old noble, with the fool and knave
Here mix his fame; cursed be that thought of mine,
Which with a B---- and E---- should Grafton join),
A lord (nor here let Censure rashly call

My just contempt of some, abuse of all,
And, as of late, when Sodom was my theme,
Slander my purpose, and my Muse blaspheme,
Because she stops not, rapid in her song,
To make exceptions as she goes along,
Though well she hopes to find, another year,
A whole minority exceptions here),
A mere, mere lord, with nothing but the name,
Wealth all his worth, and title all his fame,
Lives on another man, himself a blank,
Thankless he lives, or must some grandsire thank
For smuggled honours, and ill-gotten pelf;
A bard owes all to Nature, and himself.
Gods! how my soul is burnt up with disdain,
When I see men, whom Phoebus in his train
Might view with pride, lackey the heels of those
Whom Genius ranks among her greatest foes!
And what's the cause? Why, these same sons of Scorn,
No thanks to them, were to a title born,
And could not help it; by chance hither sent,
And only deities by accident.
Had Fortune on our getting chanced to shine,
Their birthright honours had been yours or mine,
'Twas a mere random stroke; and should the Throne
Eye thee with favour, proud and lordly grown,
Thou, though a bard, might'st be their fellow yet:
But Felix never can be made a wit.
No, in good faith--that's one of those few things
Which Fate hath placed beyond the reach of kings:
Bards may be lords, but 'tis not in the cards,
Play how we will, to turn lords into bards.
A bard!--a lord!--why, let them, hand in hand,
Go forth as friends, and travel through the land;
Observe which word the people can digest
Most readily, which goes to market best,
Which gets most credit, whether men will trust
A bard, because they think he may be just,
Or on a lord will chose to risk their gains,
Though privilege in that point still remains.
A bard!--a lord!--let Reason take her scales,
And fairly weigh those words, see which prevails,
Which in the balance lightly kicks the beam,
And which, by sinking, we the victor deem.
'Tis done, and Hermes, by command of Jove,
Summons a synod in the sacred grove,
Gods throng with gods to take their chairs on high,
And sit in state, the senate of the sky,
Whilst, in a kind of parliament below,
Men stare at those above, and want to know
What they're transacting: Reason takes her stand
Just in the midst, a balance in her hand,
Which o'er and o'er she tries, and finds it true:
From either side, conducted full in view,
A man comes forth, of figure strange and queer;
We now and then see something like them here.
The first was meagre, flimsy, void of strength,
But Nature kindly had made up in length
What she in breadth denied; erect and proud,
A head and shoulders taller than the crowd,
He deem'd them pigmies all; loose hung his skin
O'er his bare bones; his face so very thin,
So very narrow, and so much beat out,
That physiognomists have made a doubt,
Proportion lost, expression quite forgot,
Whether it could be call'd a face or not;
At end of it, howe'er, unbless'd with beard,
Some twenty fathom length of chin appear'd;
With legs, which we might well conceive that Fate
Meant only to support a spider's weight,
Firmly he strove to tread, and with a stride,
Which show'd at once his weakness and his pride,
Shaking himself to pieces, seem'd to cry,
'Observe, good people, how I shake the sky.'
In his right hand a paper did he hold,
On which, at large, in characters of gold,
Distinct, and plain for those who run to see,
Saint Archibald had wrote L, O, R, D.
This, with an air of scorn, he from afar
Twirl'd into Reason's scales, and on that bar,
Which from his soul he hated, yet admired,
Quick turn'd his back, and, as he came, retired.
The judge to all around his name declared;
Each goddess titter'd, each god laugh'd, Jove stared,
And the whole people cried, with one accord,
'Good Heaven bless us all, is that a Lord!'
Such was the first--the second was a man
Whom Nature built on quite a different plan;
A bear, whom, from the moment he was born,
His dam despised, and left unlick'd in scorn;
A Babel, which, the power of Art outdone,
She could not finish when she had begun;
An utter Chaos, out of which no might,
But that of God, could strike one spark of light.
Broad were his shoulders, and from blade to blade
A H---- might at full length have laid;
Vast were his bones, his muscles twisted strong;
His face was short, but broader than 'twas long;
His features, though by Nature they were large,
Contentment had contrived to overcharge,
And bury meaning, save that we might spy
Sense lowering on the penthouse of his eye;
His arms were two twin oaks; his legs so stout
That they might bear a Mansion-house about;
Nor were they, look but at his body there,
Design'd by Fate a much less weight to bear.
O'er a brown cassock, which had once been black,
Which hung in tatters on his brawny back,
A sight most strange, and awkward to behold,
He threw a covering of blue and gold.
Just at that time of life, when man, by rule,
The fop laid down, takes up the graver fool,
He started up a fop, and, fond of show,
Look'd like another Hercules turn'd beau,
A subject met with only now and then,
Much fitter for the pencil than the pen;
Hogarth would draw him (Envy must allow)
E'en to the life, was Hogarth living now.
With such accoutrements, with such a form,
Much like a porpoise just before a storm,
Onward he roll'd; a laugh prevail'd around;
E'en Jove was seen to simper; at the sound
(Nor was the cause unknown, for from his youth
Himself he studied by the glass of Truth)
He joined their mirth; nor shall the gods condemn,
If, whilst they laugh at him, he laugh'd at them.
Judge Reason view'd him with an eye of grace,
Look'd through his soul, and quite forgot his face,
And, from his hand received, with fair regard
Placed in her other scale the name of Bard.
Then, (for she did as judges ought to do,
She nothing of the case beforehand knew,
Nor wish'd to know; she never stretch'd the laws,
Nor, basely to anticipate a cause,
Compell'd solicitors, no longer free,
To show those briefs she had no right to see)
Then she with equal hand her scales held out,
Nor did the cause one moment hang in doubt;
She held her scales out fair to public view,
The Lord, as sparks fly upwards, upwards flew,
More light than air, deceitful in the weight;
The Bard, preponderating, kept his state;
Reason approved, and with a voice, whose sound
Shook earth, shook heaven, on the clearest ground
Pronouncing for the Bards a full decree,
Cried--'Those must honour them, who honour me;
They from this present day, where'er I reign,
In their own right, precedence shall obtain;
Merit rules here: be it enough that Birth
Intoxicates, and sways the fools of earth.'
Nor think that here, in hatred to a lord,
I've forged a tale, or alter'd a record;
Search when you will, (I am not now in sport)
You'll find it register'd in Reason's court.
Nor think that Envy here hath strung my lyre,
That I depreciate what I most admire,
And look on titles with an eye of scorn,
Because I was not to a title born.
By Him that made me, I am much more proud,
More inly satisfied to have a crowd
Point at me as I pass, and cry--'That's he-A poor but honest bard, who dares be free
Amidst corruption,' than to have a train
Of flickering levee slaves, to make me vain
Of things I ought to blush for; to run, fly,
And live but in the motion of my eye;
When I am less than man, my faults to adore,
And make me think that I am something more.
Recall past times, bring back the days of old,
When the great noble bore his honours bold,
And in the face of peril, when he dared
Things which his legal bastard, if declared,
Might well discredit; faithful to his trust,
In the extremest points of justice, just,
Well knowing all, and loved by all he knew,
True to his king, and to his country true;
Honest at court, above the baits of gain,
Plain in his dress, and in his manners plain;
Moderate in wealth, generous, but not profuse,
Well worthy riches, for he knew their use;
Possessing much, and yet deserving more,
Deserving those high honours which he wore
With ease to all, and in return gain'd fame
Which all men paid, because he did not claim.
When the grim war was placed in dread array,
Fierce as the lion roaring for his prey,
Or lioness of royal whelps foredone;
In peace, as mild as the departing sun,
A general blessing wheresoe'er he turn'd,
Patron of learning, nor himself unlearn'd;
Ever awake at Pity's tender call,
A father of the poor, a friend to all;
Recall such times, and from the grave bring back
A worth like this, my heart shall bend, or crack,
My stubborn pride give way, my tongue proclaim,
And every Muse conspire to swell his fame,
Till Envy shall to him that praise allow
Which she cannot deny to Temple now.
This justice claims, nor shall the bard forget,
Delighted with the task, to pay that debt,
To pay it like a man, and in his lays,
Sounding such worth, prove his own right to praise.
But let not pride and prejudice misdeem,
And think that empty titles are my theme;
Titles, with me, are vain, and nothing worth;
I reverence virtue, but I laugh at birth.
Give me a lord that's honest, frank, and brave,
I am his friend, but cannot be his slave;
Though none, indeed, but blockheads would pretend
To make a slave, where they may make a friend;
I love his virtues, and will make them known,
Confess his rank, but can't forget my own.
Give me a lord, who, to a title born,
Boasts nothing else, I'll pay him scorn with scorn.
What! shall my pride (and pride is virtue here)
Tamely make way if such a wretch appear?
Shall I uncover'd stand, and bend my knee
To such a shadow of nobility,
A shred, a remnant? he might rot unknown
For any real merit of his own,
And never had come forth to public note
Had he not worn, by chance, his father's coat.
To think a M---- worth my least regards,
Is treason to the majesty of bards.
By Nature form'd (when, for her honour's sake,
She something more than common strove to make,
When, overlooking each minute defect,
And all too eager to be quite correct,
In her full heat and vigour she impress'd
Her stamp most strongly on the favour'd breast)
The bard, (nor think too lightly that I mean
Those little, piddling witlings, who o'erween
Of their small parts, the Murphys of the stage,
The Masons and the Whiteheads of the age,
Who all in raptures their own works rehearse,
And drawl out measured prose, which they call verse)
The real bard, whom native genius fires,
Whom every maid of Castaly inspires,
Let him consider wherefore he was meant,
Let him but answer Nature's great intent,
And fairly weigh himself with other men,
Would ne'er debase the glories of his pen,
Would in full state, like a true monarch, live,
Nor bate one inch of his prerogative.
Methinks I see old Wingate frowning here,
(Wingate may in the season be a peer,
Though now, against his will, of figures sick,
He's forced to diet on arithmetic,
E'en whilst he envies every Jew he meets,
Who cries old clothes to sell about the streets)
Methinks (his mind with future honours big,
His Tyburn bob turn'd to a dress'd bag wig)
I hear him cry--'What doth this jargon mean?
Was ever such a damn'd dull blockhead seen?
Hath got into, and turn'd the fellow's brain:
To Bethlem with him--give him whips and straw-I'm very sensible he's mad in law.
A saucy groom, who trades in reason, thus
To set himself upon a par with us;
If this _here's_ suffered, and if that _there_ fool,
May, when he pleases, send us all to school,
Why, then our only business is outright
To take our caps, and bid the world good night.
I've kept a bard myself this twenty years,
But nothing of this kind in him appears;
He, like a thorough true-bred spaniel, licks
The hand which cuffs him, and the foot which kicks;
He fetches and he carries, blacks my shoes,
Nor thinks it a discredit to his Muse;
A creature of the right chameleon hue,
He wears my colours, yellow or true blue,
Just as I wear them: 'tis all one to him
Whether I change through conscience, or through whim.
Now this is something like; on such a plan
A bard may find a friend in a great man;
But this proud coxcomb--zounds, I thought that all
Of this queer tribe had been like my old Paul.'
Injurious thought! accursed be the tongue
On which the vile insinuation hung,
The heart where 'twas engender'd; cursed be those,
Those bards, who not themselves alone expose,
But me, but all, and make the very name
By which they're call'd a standing mark of shame.
Talk not of custom--'tis the coward's plea,
Current with fools, but passes not with me;
An old stale trick, which Guilt hath often tried
By numbers to o'erpower the better side.
Why tell me then that from the birth of Rhyme,
No matter when, down to the present time,
As by the original decree of Fate,
Bards have protection sought amongst the great;
Conscious of weakness, have applied to them
As vines to elms, and, twining round their stem,
Flourish'd on high; to gain this wish'd support
E'en Virgil to Maecenas paid his court?
As to the custom, 'tis a point agreed,
But 'twas a foolish diffidence, not need,
From which it rose; had bards but truly known
That strength, which is most properly their own,
Without a lord, unpropp'd they might have stood,
And overtopp'd those giants of the wood.
But why, when present times my care engage,
Must I go back to the Augustan age?
Why, anxious for the living, am I led
Into the mansions of the ancient dead?
Can they find patrons nowhere but at Rome,
And must I seek Maecenas in the tomb?
Name but a Wingate, twenty fools of note
Start up, and from report Maecenas quote;
Under his colours lords are proud to fight,
Forgetting that Maecenas was a knight:
They mention him, as if to use his name
Was, in some measure, to partake his fame,
Though Virgil, was he living, in the street
Might rot for them, or perish in the Fleet.
See how they redden, and the charge disclaim-Virgil, and in the Fleet!--forbid it, Shame!
Hence, ye vain boasters! to the Fleet repair,
And ask, with blushes ask, if Lloyd is there!
Patrons in days of yore were men of sense,
Were men of taste, and had a fair pretence
To rule in letters--some of them were heard
To read off-hand, and never spell a word;
Some of them, too, to such a monstrous height
Was learning risen, for themselves could write,
And kept their secretaries, as the great
Do many other foolish things, for state.
Our patrons are of quite a different strain,
With neither sense nor taste; against the grain
They patronise for Fashion's sake--no more-And keep a bard, just as they keep a whore.
Melcombe (on such occasions I am loth
To name the dead) was a rare proof of both.
Some of them would be puzzled e'en to read,
Nor could deserve their clergy by their creed;
Others can write, but such a Pagan hand,
A Willes should always at our elbow stand:
Many, if begg'd, a Chancellor, of right,
Would order into keeping at first sight.
Those who stand fairest to the public view
Take to themselves the praise to others due,
They rob the very spital, and make free
With those, alas! who've least to spare. We see
---- hath not had a word to say,
Since winds and waves bore Singlespeech away.
Patrons, in days of yore, like patrons now,
Expected that the bard should make his bow
At coming in, and every now and then
Hint to the world that they were more than men;
But, like the patrons of the present day,
They never bilk'd the poet of his pay.
Virgil loved rural ease, and, far from harm,
Maecenas fix'd him in a neat, snug farm,
Where he might, free from trouble, pass his days
In his own way, and pay his rent in praise.
Horace loved wine, and, through his friend at court,
Could buy it off the quay in every port:
Horace loved mirth, Maecenas loved it too;
They met, they laugh'd, as Goy and I may do,
Nor in those moments paid the least regard
To which was minister, and which was bard.
Not so our patrons--grave as grave can be,
They know themselves, they keep up dignity;
Bards are a forward race, nor is it fit
That men of fortune rank with men of wit:
Wit, if familiar made, will find her strength-'Tis best to keep her weak, and at arm's length.
'Tis well enough for bards, if patrons give,
From hand to mouth, the scanty means to live.
Such is their language, and their practice such;
They promise little, and they give not much.
Let the weak bard, with prostituted strain,
Praise that proud Scot whom all good men disdain;
What's his reward? Why, his own fame undone,
He may obtain a patent for the run
Of his lord's kitchen, and have ample time,
With offal fed, to court the cook in rhyme;
Or (if he strives true patriots to disgrace)
May at the second table get a place;
With somewhat greater slaves allow'd to dine,
And play at crambo o'er his gill of wine.
And are there bards, who, on creation's file,
Stand rank'd as men, who breathe in this fair isle
The air of freedom, with so little gall,
So low a spirit, prostrate thus to fall
Before these idols, and without a groan
Bear wrongs might call forth murmurs from a stone?
Better, and much more noble, to abjure
The sight of men, and in some cave, secure
From all the outrages of Pride, to feast
On Nature's salads, and be free at least.
Better, (though that, to say the truth, is worse
Than almost any other modern curse)
Discard all sense, divorce the thankless Muse,
Critics commence, and write in the Reviews;
Write without tremor, Griffiths cannot read;
No fool can fail, where Langhorne can succeed.
But (not to make a brave and honest pride
Try those means first, she must disdain when tried)
There are a thousand ways, a thousand arts,
By which, and fairly, men of real parts
May gain a living, gain what Nature craves;
Let those, who pine for more, live, and be slaves.
Our real wants in a small compass lie,
But lawless appetite, with eager eye,
Kept in a constant fever, more requires,
And we are burnt up with our own desires.
Hence our dependence, hence our slavery springs;
Bards, if contented, are as great as kings.
Ourselves are to ourselves the cause of ill;
We may be independent, if we will.
The man who suits his spirit to his state
Stands on an equal footing with the great;
Moguls themselves are not more rich, and he
Who rules the English nation, not more free.
Chains were not forged more durable and strong
For bards than others, but they've worn them long,
And therefore wear them still; they've quite forgot
What Freedom is, and therefore prize her not.
Could they, though in their sleep, could they but know
The blessings which from Independence flow;
Could they but have a short and transient gleam
Of Liberty, though 'twas but in a dream,
They would no more in bondage bend their knee,
But, once made freemen, would be always free.
The Muse, if she one moment freedom gains,
Can nevermore submit to sing in chains.
Bred in a cage, far from the feather'd throng,
The bird repays his keeper with his song;
But if some playful child sets wide the door,
Abroad he flies, and thinks of home no more,
With love of liberty begins to burn,
And rather starves than to his cage return.
Hail, Independence!--by true reason taught,
How few have known, and prized thee as they ought!
Some give thee up for riot; some, like boys,
Resign thee, in their childish moods, for toys;
Ambition some, some avarice, misleads,
And in both cases Independence bleeds.
Abroad, in quest of thee, how many roam,
Nor know they had thee in their reach at home;
Some, though about their paths, their beds about,
Have never had the sense to find thee out:
Others, who know of what they are possess'd,
Like fearful misers, lock thee in a chest,
Nor have the resolution to produce,
In these bad times, and bring thee forth for use.
Hail, Independence!--though thy name's scarce known,
Though thou, alas! art out of fashion grown,
Though all despise thee, I will not despise,
Nor live one moment longer than I prize
Thy presence, and enjoy: by angry Fate
Bow'd down, and almost crush'd, thou cam'st, though late,
Thou cam'st upon me, like a second birth,
And made me know what life was truly worth.
Hail, Independence!--never may my cot,
Till I forget thee, be by thee forgot:
Thither, oh! thither, oftentimes repair;
Cotes, whom thou lovest too, shall meet thee there.
All thoughts but what arise from joy give o'er,
Peace dwells within, and law shall guard the door.
O'erweening Bard! Law guard thy door! What law?
The law of England. To control and awe
Those saucy hopes, to strike that spirit dumb,
Behold, in state, Administration come!
Why, let her come, in all her terrors too;
I dare to suffer all she dares to do.
I know her malice well, and know her pride,
I know her strength, but will not change my side.
This melting mass of flesh she may control
With iron ribs--she cannot chain my soul.
No--to the last resolved her worst to bear,
I'm still at large, and independent there.
Where is this minister? where is the band
Of ready slaves, who at his elbow stand
To hear, and to perform his wicked will?
Why, for the first time, are they slow to ill?
When some grand act 'gainst law is to be done,
Doth ---- sleep; doth blood-hound ---- run
To L----, and worry those small deer,
When he might do more precious mischief here?

Doth Webb turn tail? doth he refuse to draw
Illegal warrants, and to call them law?
Doth ----, at Guildford kick'd, from Guildford run,
With that cold lump of unbaked dough, his son,
And, his more honest rival Ketch to cheat,
Purchase a burial-place where three ways meet?
Believe it not; ---- is ---- still,
And never sleeps, when he should wake to ill:

---- doth lesser mischiefs by the by,
The great ones till the term in _petto_ lie:
---- lives, and, to the strictest justice true,
Scorns to defraud the hangman of his due.
O my poor Country!--weak, and overpower'd
By thine own sons--ate to the bone--devour'd
By vipers, which, in thine own entrails bred,
Prey on thy life, and with thy blood are fed,
With unavailing grief thy wrongs I see,
And, for myself not feeling, feel for thee.
I grieve, but can't despair--for, lo! at hand
Freedom presents a choice, but faithful band
Of loyal patriots; men who greatly dare
In such a noble cause; men fit to bear
The weight of empires; Fortune, Rank, and Sense,
Virtue and Knowledge, leagued with Eloquence,
March in their ranks; Freedom from file to file
Darts her delighted eye, and with a smile
Approves her honest sons, whilst down her cheek,
As 'twere by stealth, (her heart too full to speak)
One tear in silence creeps, one honest tear,
And seems to say, Why is not Granby here?'
O ye brave few, in whom we still may find
A love of virtue, freedom, and mankind!
Go forth--in majesty of woe array'd,
See at your feet your Country kneels for aid,
And, (many of her children traitors grown)
Kneels to those sons she still can call her own;
Seeming to breathe her last in every breath,
She kneels for freedom, or she begs for death-Fly, then, each duteous son, each English chief,
And to your drooping parent bring relief.
Go forth--nor let the siren voice of Ease
Tempt ye to sleep, whilst tempests swell the seas;
Go forth--nor let Hypocrisy, whose tongue
With many a fair, false, fatal art is hung,
Like Bethel's fawning prophet, cross your way,
When your great errand brooks not of delay;
Nor let vain Fear, who cries to all she meets,
Trembling and pale, 'A lion in the streets,'
Damp your free spirits; let not threats affright,
Nor bribes corrupt, nor flatteries delight:
Be as one man--concord success ensures-There's not an English heart but what is yours.
Go forth--and Virtue, ever in your sight,
Shall be your guide by day, your guard by night-Go forth--the champions of your native land,
And may the battle prosper in your hand-It may, it must--ye cannot be withstood-Be your hearts honest, as your cause is good!
~ Charles Churchill,
347:The Dunciad: Book Iv
Yet, yet a moment, one dim ray of light
Indulge, dread Chaos, and eternal Night!
Of darkness visible so much be lent,
As half to show, half veil, the deep intent.
Ye pow'rs! whose mysteries restor'd I sing,
To whom time bears me on his rapid wing,
Suspend a while your force inertly strong,
Then take at once the poet and the song.
Now flam'd the Dog Star's unpropitious ray,
Smote ev'ry brain, and wither'd every bay;
Sick was the sun, the owl forsook his bow'r.
The moon-struck prophet felt the madding hour:
Then rose the seed of Chaos, and of Night,
To blot out order, and extinguish light,
Of dull and venal a new world to mould,
And bring Saturnian days of lead and gold.
She mounts the throne: her head a cloud conceal'd,
In broad effulgence all below reveal'd;
('Tis thus aspiring Dulness ever shines)
Soft on her lap her laureate son reclines.
Beneath her footstool, Science groans in chains,
And Wit dreads exile, penalties, and pains.
There foam'd rebellious Logic , gagg'd and bound,
There, stripp'd, fair Rhet'ric languish'd on the ground;
His blunted arms by Sophistry are borne,
And shameless Billingsgate her robes adorn.
Morality , by her false guardians drawn,
Chicane in furs, and Casuistry in lawn,
Gasps, as they straighten at each end the cord,
And dies, when Dulness gives her page the word.
Mad Mathesis alone was unconfin'd,
Too mad for mere material chains to bind,
Now to pure space lifts her ecstatic stare,
Now running round the circle finds it square.
But held in tenfold bonds the Muses lie,
Watch'd both by Envy's and by Flatt'ry's eye:
There to her heart sad Tragedy addres'd
The dagger wont to pierce the tyrant's breast;
But sober History restrain'd her rage,
And promised vengeance on a barb'rous age.
There sunk Thalia, nerveless, cold, and dead,
Had not her sister Satire held her head:
Nor couldst thou, Chesterfield! a tear refuse,
Thou weptst, and with thee wept each gentle Muse.
When lo! a harlot form soft sliding by,
With mincing step, small voice, and languid eye;
Foreign her air, her robe's discordant pride
In patchwork flutt'ring, and her head aside:
By singing peers upheld on either hand,
She tripp'd and laugh'd, too pretty much to stand;
Cast on the prostrate Nine a scornful look,
Then thus in quaint recitativo spoke.
Cara! Cara!
silence all that train:
Joy to great Chaos! let Division reign:
Chromatic tortures soon shall drive them hence,
Break all their nerves, and fritter all their sense:
One trill shall harmonize joy, grief, and rage,
Wake the dull Church, and lull the ranting Stage;
To the same notes thy sons shall hum, or snore,
And all thy yawning daughters cry,
Another Phoebus, thy own Phoebus, reigns,
Joys in my jigs, and dances in my chains.
But soon, ah soon, Rebellion will commence,
If Music meanly borrows aid from Sense.
Strong in new arms, lo! Giant Handel stands,
Like bold Briarerus, with a hundred hands;
To stir, to rouse, to shake the soul he comes,
And Jove's own thunders follow Mars's drums.
Arrest him, Empress, or you sleep no more-'
She heard, and drove him to th' Hibernian shore.
And now had Fame's posterior trumpet blown,
And all the nations summoned to the throne.
The young, the old, who feel her inward sway,
One instinct seizes, and transports away.
None need a guide, by sure attraction led,
And strong impulsive gravity of head:
None want a place, for all their centre found
Hung to the Goddess, and coher'd around.
Not closer, orb in orb, conglob'd are seen
The buzzing bees about their dusky Queen.
The gath'ring number, as it moves along,
Involves a vast involuntary throng,
Who gently drawn, and struggling less and less,
Roll in her Vortex, and her pow'r confess.
Not those alone who passive own her laws,
But who, weak rebels, more advance her cause.
Whate'er of dunce in college or in town
Sneers at another, in toupee or gown;
Whate'er of mongrel no one class admits,
A wit with dunces, and a dunce with wits.
Nor absent they, no members of her state,
Who pay her homage in her sons, the Great;
Who false to Phoebus bow the knee to Baal;
Or, impious, preach his Word without a call.
Patrons, who sneak from living worth to dead,
Withhold the pension, and set up the head;
Or vest dull Flattery in the sacred gown;
Or give from fool to fool the laurel crown.
And (last and worst) with all the cant of wit,
Without the soul, the Muse's hypocrite.
There march'd the bard and blockhead, side by side,
Who rhym'd for hire, and patroniz'd for pride.
Narcissus, prais'd with all a Parson's pow'r,
Look'd a white lily sunk beneath a show'r.
There mov'd Montalto with superior air;
His stretch'd-out arm display'd a volume fair;
Courtiers and Patriots in two ranks divide,
Through both he pass'd, and bow'd from side to side:
But as in graceful act, with awful eye
Compos'd he stood, bold Benson thrust him by:
On two unequal crutches propp'd he came,
Milton's on this, on that one Johnston's name.
The decent knight retir'd with sober rage,
Withdrew his hand, and closed the pompous page.
But (happy for him as the times went then)
Appear'd Apollo's mayor and aldermen,
On whom three hundred gold-capp'd youths await,
To lug the pond'rous volume off in state.
When Dulness, smiling-'Thus revive the Wits!
But murder first, and mince them all to bits;
As erst Medea (cruel, so to save!)
A new edition of old Aeson gave;
Let standard authors, thus, like trophies born,
Appear more glorious as more hack'd and torn,
And you, my Critics! in the chequer'd shade,
Admire new light through holes yourselves have made.
Leave not a foot of verse, a foot of stone,
A page, a grave, that they can call their own;
But spread, my sons, your glory thin or thick,
On passive paper, or on solid brick.
So by each bard an Alderman shall sit,
A heavy lord shall hang at ev'ry wit,
And while on Fame's triumphal Car they ride,
Some Slave of mine be pinion'd to their side.'
Now crowds on crowds around the Goddess press,
Each eager to present their first address.
Dunce scorning dunce beholds the next advance,
But fop shows fop superior complaisance,
When lo! a spector rose, whose index hand
Held forth the virtue of the dreadful wand;
His beaver'd brow a birchen garland wears,
Dropping with infant's blood, and mother's tears.
O'er every vein a shud'ring horror runs;
Eton and Winton shake through all their sons.
All flesh is humbl'd, Westminster's bold race
Shrink, and confess the Genius of the place:
The pale boy senator yet tingling stands,
And holds his breeches close with both his hands.
Then thus. 'Since man from beast by words is known,
Words are man's province, words we teach alone.
When reason doubtful, like the Samian letter,
Points him two ways, the narrower is the better.
Plac'd at the door of learning, youth to guide,
We never suffer it to stand too wide.
To ask, to guess, to know, as they commence,
As fancy opens the quick springs of sense,
We ply the memory, we load the brain,
Bind rebel Wit, and double chain on chain,
Confine the thought, to exercise the breath;
And keep them in the pale of words till death.
Whate'er the talents, or howe'er design'd,
We hang one jingling padlock on the mind:
A Poet the first day, he dips his quill;
And what the last? A very Poet still.
Pity! the charm works only in our wall,
Lost, lost too soon in yonder house or hall.
There truant Wyndham every Muse gave o'er,
There Talbot sunk, and was a wit no more!
How sweet an Ovid, Murray was our boast!
How many Martials were in Pult'ney lost!
Else sure some bard, to our eternal praise,
In twice ten thousand rhyming nights and days,
Had reach'd the work, and All that mortal can;
And South beheld that Masterpiece of Man.'
'Oh' (cried the Goddess) 'for some pedant Reign!
Some gentle James, to bless the land again;
To stick the Doctor's chair into the throne,
Give law to words, or war with words alone,
Senates and courts with Greek and Latin rule,
And turn the council to a grammar school!
For sure, if Dulness sees a grateful day,
'Tis in the shade of arbitrary sway.
O! if my sons may learn one earthly thing,
Teach but that one, sufficient for a king;
That which my priests, and mine alone, maintain,
Which as it dies, or lives, we fall, or reign:
May you, may Cam and Isis, preach it long!
'The Right Divine of Kings to govern wrong'.'
Prompt at the call, around the Goddess roll
Broad hats, and hoods, and caps, a sable shoal:
Thick and more thick the black blockade extends,
A hundred head of Aristotle's friends.
Nor wert thou, Isis! wanting to the day,
Though Christ Church long kept prudishly away.
Each staunch polemic, stubborn as a rock,
Each fierce logician, still expelling Locke,
Came whip and spur, and dash'd through thin and thick
On German Crousaz, and Dutch Burgersdyck.
As many quit the streams that murm'ring fall
To lull the sons of Marg'ret and Clare Hall,
Where Bentley late tempestuous wont to sport
In troubled waters, but now sleeps in Port.
Before them march'd that awful Aristarch;
Plow'd was his front with many a deep remark:
His hat, which never vail'd to human pride,
Walker with rev'rence took, and laid aside.
Low bowed the rest: He, kingly, did but nod;
So upright Quakers please both man and God.
'Mistress! dismiss that rabble from your throne:
Avaunt-is Aristarchus yet unknown?
Thy mighty scholiast, whose unwearied pains
Made Horace dull, and humbl'd Milton's strains.
Turn what they will to verse, their toil is vain,
Critics like me shall make it prose again.
Roman and Greek grammarians! know your better:
Author of something yet more great than letter;
While tow'ring o'er your alphabet, like Saul,
Stands our Digamma, and o'ertops them all.
'Tis true, on words is still our whole debate,
Disputes of
, of
To sound or sink in
, O or A,
Or give up Cicero to C or K.
Let Freind affect to speak as Terence spoke,
And Alsop never but like Horace joke:
For me, what Virgil, Pliny may deny,
Manilius or Solinus shall supply:
For Attic Phrase in Plato let them seek,
I poach in Suidas for unlicens'd Greek.
In ancient sense if any needs will deal,
Be sure I give them fragments, not a meal;
What Gellius or Stobaeus hash'd before,
Or chew'd by blind old Scholiasts o'er and o'er.
The critic eye, that microscope of wit,
Sees hairs and pores, examines bit by bit:
How parts relate to parts, or they to whole,
The body's harmony, the beaming soul,
Are things which Kuster, Burman, Wasse shall see,
When man's whole frame is obvious to a
'Ah, think not, Mistress! more true dulness lies
In Folly's cap, than Wisdom's grave disguise.
Like buoys, that never sink into the flood,
On learning's surface we but lie and nod.
Thine is the genuine head of many a house,
And much Divinity without a Nous.
Nor could a Barrow work on every block,
Nor has one Atterbury spoil'd the flock.
See! still thy own, the heavy canon roll,
And metaphysic smokes involve the pole.
For thee we dim the eyes, and stuff the head
With all such reading as was never read:
For thee explain a thing till all men doubt it,
And write about it, Goddess, and about it:
So spins the silkworm small its slender store,
And labours till it clouds itself all o'er.
'What tho' we let some better sort of fool
Thrid ev'ry science, run through ev'ry school?
Never by tumbler through the hoops was shown
Such skill in passing all, and touching none.
He may indeed (if sober all this time)
Plague with dispute, or persecute with rhyme.
We only furnish what he cannot use,
Or wed to what he must divorce, a Muse:
Full in the midst of Euclid dip at once,
And petrify a Genius to a Dunce:
Or set on metaphysic ground to prance,
Show all his paces, not a step advance.
With the same cement ever sure to bind,
We bring to one dead level ev'ry mind.
Then take him to develop, if you can,
And hew the block off, and get out the man.
But wherefore waste I words? I see advance
Whore, pupil, and lac'd governor from France.
Walker! our hat' -nor more he deign'd to say,
But, stern as Ajax' spectre, strode away.
In flow'd at once a gay embroider'd race,
And titt'ring push'd the Pedants off the place;
Some would have spoken, but the voice was drown'd
By the French horn, or by the op'ning hound.
The first came forwards, with as easy mien,
As if he saw St. James's and the Queen.
When thus th' attendant Orator begun,
Receive, great Empress! thy accomplish'd Son:
Thine from the birth, and sacred from the rod,
A dauntless infant! never scar'd with God.
The Sire saw, one by one, his Virtues wake:
The Mother begg'd the blessing of a Rake.
Thou gav'st that Ripeness, which so soon began,
And ceas'd so soon, he ne'er was Boy, nor Man,
Thro' School and College, thy kind cloud o'ercast,
Safe and unseen the young AEneas past:
Thence bursting glorious, all at once let down,
Stunn'd with his giddy Larum half the town.
Intrepid then, o'er seas and lands he flew:
Europe he saw, and Europe saw him too.
There all thy gifts and graces we display,
Thou, only thou, directing all our way!
To where the Seine, obsequious as she runs,
Pours at great Bourbon's feet her silken sons;
Or Tyber, now no longer Roman, rolls,
Vain of Italian Arts, Italian Souls:
To happy Convents, bosom'd deep in vines,
Where slumber Abbots, purple as their wines:
To Isles of fragrance, lilly-silver'd vales,
Diffusing languor in the panting gales:
To lands of singing, or of dancing slaves,
Love-whisp'ring woods, and lute-resounding waves.
But chief her shrine where naked Venus keeps,
And Cupids ride the Lyon of the Deeps;
Where, eas'd of Fleets, the Adriatic main
Wafts the smooth Eunuch and enamour'd swain.
Led by my hand, he saunter'd Europe round,
And gather'd ev'ry Vice on Christian ground;
Saw ev'ry Court, hear'd ev'ry King declare
His royal Sense, of Op'ra's or the Fair;
The Stews and Palace equally explor'd,
Intrigu'd with glory, and with spirit whor'd;
Try'd all hors-d' uvres, all Liqueurs defin'd,
Judicious drank, and greatly-daring din'd;
Dropt the dull lumber of the Latin store,
Spoil'd his own Language, and acquir'd no more;
All Classic learning lost on Classic ground;
And last turn'd Air, the Eccho of a Sound!
See now, half-cur'd, and perfectly well-bred,
With nothing but a Solo in his head;
As much Estate, and Principle, and Wit,
As Jansen, Fleetwood, Cibber shall think fit;
Stol'n from a Duel, follow'd by a Nun,
And, if a Borough chuse him, not undone;
See, to my country happy I restore
This glorious Youth, and add one Venus more.
Her too receive (for her my soul adores)
So may the sons of sons of sons of whores,
Prop thine, O Empress! like each neighbour Throne,
And make a long Posterity thy own.
Pleas'd, she accepts the Hero, and the Dame,
Wraps in her Veil, and frees from sense of Shame.
Then look'd, and saw a lazy, lolling sort,
Unseen at Church, at Senate, or at Court,
Of ever-listless Loit'rers, that attend
No Cause, no Trust, no Duty, and no Friend.
Thee too, my Paridel! she mark'd thee there,
Stretch'd on the rack of a too easy chair,
And heard thy everlasting yawn confess
The Pains and Penalties of Idleness.
She pity'd! but her Pity only shed
Benigner influence on thy nodding head.
But Annius, crafty Seer, with ebon wand,
And well-dissembl'd Em'rald on his hand,
False as his Gems and canker'd as his Coins,
Came, cramm'd with Capon, from where Pollio dines.
Soft, as the wily Fox is seen to creep,
Where bask on sunny banks the simple sheep,
Walk round and round, now prying here, now there;
So he; but pious, whisper'd first his pray'r.
Grant, gracious Goddess! grant me still to cheat,
O may thy cloud still cover the deceit!
Thy choicer mists on this assembly shed,
But pour them thickest on the noble head.
So shall each youth, assisted by our eyes,
See other C‘sars, other Homers rise;
Thro' twilight ages hunt th'Athenian fowl,
Which Chalcis Gods, and mortals call an Owl,
Now see an Attys, now a Cecrops clear,
Nay, Mahomet! the Pigeon at thine ear;
Be rich in ancient brass, tho' not in gold,
And keep his Lares, tho' his house be sold;
To headless Ph be his fair bride postpone,
Honour a Syrian Prince above his own;
Lord of an Otho, if I vouch it true;
Blest in one Niger, till he knows of two.
Mummius o'erheard him; Mummius, Fool-renown'd,
Who like his Cheops stinks above the ground,
Fierce as a startled Adder, swell'd, and said,
Rattling an ancient Sistrum at his head.
Speak'st thou of Syrian Princes? Traitor base!
Mine, Goddess! mine is all the horned race.
True, he had wit, to make their value rise;
From foolish Greeks to steal them, was as wise;
More glorious yet, from barb'rous hands to keep,
When Sallee Rovers chac'd him on the deep.
Then taught by Hermes, and divinely bold,
Down his own throat he risqu'd the Grecian gold;
Receiv'd each Demi-God, with pious care,
Deep in his Entrails — I rever'd them there,
I bought them, shrouded in that living shrine,
And, at their second birth, they issue mine.
Witness great Ammon! by whose horns I swore,
(Reply'd soft Annius) this our paunch before
Still bears them, faithful; and that thus I eat,
Is to refund the Medals with the meat.
To prove me, Goddess! clear of all design,
Bid me with Pollio sup, as well as dine:
There all the Learn'd shall at the labour stand,
And Douglas lend his soft, obstetric hand.
The Goddess smiling seem'd to give consent;
So back to Pollio, hand in hand, they went.
Then thick as Locusts black'ning all the ground,
A tribe, with weeds and shells fantastic crown'd,
Each with some wond'rous gift approach'd the Pow'r,
A Nest, a Toad, a Fungus, or a Flow'r.
But far the foremost, two, with earnest zeal,
And aspect ardent to the Throne appeal.
The first thus open'd: Hear thy suppliant's call,
Great Queen, and common Mother of us all!
Fair from its humble bed I rear'd this Flow'r,
Suckled, and chear'd, with air, and sun, and show'r,
Soft on the paper ruff its leaves I spread,
Bright with the gilded button tipt its head,
Then thron'd in glass, and nam'd it Caroline:
Each Maid cry'd, charming! and each Youth, divine!
Did Nature's pencil ever blend such rays,
Such vary'd light in one promiscuous blaze?
Now prostrate! dead! behold that Caroline:
No Maid cries, charming! and no Youth, divine!
And lo the wretch! whose vile, whose insect lust
Lay'd this gay daughter of the Spring in dust.
Oh punish him, or to th' Elysian shades
Dismiss my soul, where no Carnation fades.
He ceas'd, and wept. With innocence of mien,
Th'Accus'd stood forth, and thus address'd the Queen.
Of all th'enamel'd race, whose silv'ry wing
Waves to the tepid Zephyrs of the spring,
Or swims along the fluid atmosphere,
Once brightest shin'd this child of Heat and Air.
I saw, and started from its vernal bow'r
The rising game, and chac'd from flow'r to flow'r.
It fled, I follow'd; now in hope, now pain;
It stopt, I stopt; it mov'd, I mov'd again.
At last it fix'd, 'twas on what plant it pleas'd,
And where it fix'd, the beauteous bird I seiz'd:
Rose or Carnation was below my care;
I meddle, Goddess! only in my sphere.
I tell the naked fact without disguise,
And, to excuse it, need but shew the prize;
Whose spoils this paper offers to your eye,
Fair ev'n in death! this peerless Butterfly.
My sons! (she answer'd) both have done your parts:
Live happy both, and long promote our arts.
But hear a Mother, when she recommends
To your fraternal care, our sleeping friends.
The common Soul, of Heav'n's more frugal make,
Serves but to keep fools pert, and knaves awake:
A drowzy Watchman, that just gives a knock,
And breaks our rest, to tell us what's a clock.
Yet by some object ev'ry brain is stirr'd;
The dull may waken to a Humming-bird;
The most recluse, discreetly open'd, find
Congenial matter in the Cockle-kind;
The mind, in Metaphysics at a loss,
May wander in a wilderness of Moss;
The head that turns at super-lunar things,
Poiz'd with a tail, may steer on Wilkins' wings.
'O! would the sons of men once think their eyes
And reason given them but to study flies !
See Nature in some partial narrow shape,
And let the Author of the Whole escape:
Learn but to trifle; or, who most observe,
To wonder at their Maker, not to serve.'
'Be that my task' (replies a gloomy clerk,
Sworn foe to Myst'ry, yet divinely dark;
Whose pious hope aspires to see the day
When Moral Evidence shall quite decay,
And damns implicit faith, and holy lies,
Prompt to impose, and fond to dogmatize):
'Let others creep by timid steps, and slow,
On plain experience lay foundations low,
By common sense to common knowledge bred,
And last, to Nature's Cause through Nature led.
All-seeing in thy mists, we want no guide,
Mother of Arrogance, and Source of Pride!
We nobly take the high Priori Road,
And reason downward, till we doubt of God:
Make Nature still encroach upon his plan;
And shove him off as far as e'er we can:
Thrust some Mechanic Cause into his place;
Or bind in matter, or diffuse in space.
Or, at one bound o'erleaping all his laws,
Make God man's image, man the final Cause,
Find virtue local, all relation scorn
See all in self , and but for self be born:
Of naught so certain as our reason still,
Of naught so doubtful as of soul and will .
Oh hide the God still more! and make us see
Such as Lucretius drew, a god like thee:
Wrapp'd up in self, a god without a thought,
Regardless of our merit or default.
Or that bright image to our fancy draw,
Which Theocles in raptur'd vision saw,
While through poetic scenes the Genius roves,
Or wanders wild in academic groves;
That Nature our society adores,
Where Tindal dictates, and Silenus snores.'
Rous'd at his name up rose the bousy Sire,
And shook from out his pipe the seeds of fire;
Then snapp'd his box, and strok'd his belly down:
Rosy and rev'rend, though without a gown.
Bland and familiar to the throne he came,
Led up the youth, and call'd the Goddess Dame .
Then thus, 'From priestcraft happily set free,
Lo! ev'ry finished Son returns to thee:
First slave to words, then vassal to a name,
Then dupe to party; child and man the same;
Bounded by Nature, narrow'd still by art,
A trifling head, and a contracted heart.
Thus bred, thus taught, how many have I seen,
Smiling on all, and smil'd on by a queen.
Marked out for honours, honour'd for their birth,
To thee the most rebellious things on earth:
Now to thy gentle shadow all are shrunk,
All melted down, in pension, or in punk!
So K-- so B-- sneak'd into the grave,
A monarch's half, and half a harlot's slave.
Poor W-- nipp'd in Folly's broadest bloom,
Who praises now? his chaplain on his tomb.
Then take them all, oh take them to thy breast!
Thy Magus , Goddess! shall perform the rest.'
With that, a Wizard old his Cup extends;
Which whoso tastes, forgets his former friends,
Sire, ancestors, himself. One casts his eyes
Up to a Star , and like Endymion dies:
A Feather , shooting from another's head,
Extracts his brain, and principle is fled,
Lost is his God, his country, ev'rything;
And nothing left but homage to a king!
The vulgar herd turn off to roll with hogs,
To run with horses, or to hunt with dogs;
But, sad example! never to escape
Their infamy, still keep the human shape.
But she, good Goddess, sent to ev'ry child
Firm impudence, or stupefaction mild;
And straight succeeded, leaving shame no room,
Cibberian forehead, or Cimmerian gloom.
Kind self-conceit to somewhere glass applies,
Which no one looks in with another's eyes:
But as the flatt'rer or dependant paint,
Beholds himself a patriot, chief, or saint.
On others Int'rest her gay liv'ry flings,
Int'rest that waves on party-colour'd wings:
Turn'd to the sun, she casts a thousand dyes,
And, as she turns, the colours fall or rise.
Others the siren sisters warble round,
And empty heads console with empty sound.
No more, Alas! the voice of Fame they hear,
The balm of Dulness trickling in their ear.
Great C--, H--, P--, R--, K--,
Why all your toils? your Sons have learn'd to sing.
How quick ambition hastes to ridicule!
The sire is made a peer, the son a fool.
On some, a Priest succinct in amice white
Attends; all flesh is nothing in his sight!
Beeves, at his touch, at once to jelly turn,
And the huge boar is shrunk into an urn:
The board with specious miracles he loads,
Turns hares to larks, and pigeons into toads.
Another (for in all what one can shine?)
Explains the
of the vine.
What cannot copious sacrifice atone?
Thy truffles, Perigord! thy hams, Bayonne!
With French libation, and Italian strain,
Wash Bladen white, and expiate Hays's stain.
Knight lifts the head, for what are crowds undone.
To three essential partridges in one?
Gone ev'ry blush, and silent all reproach,
Contending princes mount them in their coach.
Next, bidding all draw near on bended knees,
The Queen confers her Titles and Degrees .
Her children first of more distinguish'd sort,
Who study Shakespeare at the Inns of Court,
Impale a glowworm, or vertú profess,
Shine in the dignity of F.R.S.
Some, deep Freemasons, join the silent race
Worthy to fill Pythagoras's place:
Some botanists, or florists at the least,
Or issue members of an annual feast.
Nor pass'd the meanest unregarded, one
Rose a Gregorian, one a Gormogon.
The last, not least in honour or applause,
Isis and Cam made Doctors of her Laws.
Then, blessing all, 'Go, Children of my care!
To practice now from theory repair.
All my commands are easy, short, and full:
My sons! be proud, be selfish, and be dull.
Guard my prerogative, assert my throne:
This nod confirms each privilege your own.
The cap and switch be sacred to his Grace;
With staff and pumps the Marquis lead the race;
From stage to stage the licens'd Earl may run,
Pair'd with his fellow charioteer the sun;
The learned Baron butterflies design,
Or draw to silk Arachne's subtle line;
The Judge to dance his brother Sergeant call;
The Senator at cricket urge the ball;
The Bishop stow (pontific luxury!)
An hundred souls of turkeys in a pie;
The sturdy Squire to Gallic masters stoop,
And drown his lands and manors in a soupe .
Others import yet nobler arts from France,
Teach kings to fiddle, and make senates dance.
Perhaps more high some daring son may soar,
Proud to my list to add one monarch more;
And nobly conscious, princes are but things
Born for first ministers, as slaves for kings,
Tyrant supreme! shall three Estates command,
And make one mighty Dunciad of the Land!
More she had spoke, but yawn'd-All Nature nods:
What mortal can resist the yawn of gods?
Churches and Chapels instantly it reach'd;
(St. James's first, for leaden Gilbert preach'd)
Then catch'd the schools; the Hall scarce kept awake;
The Convocation gap'd, but could not speak:
Lost was the nation's sense, nor could be found,
While the long solemn unison went round:
Wide, and more wide, it spread o'er all the realm;
Even Palinurus nodded at the helm:
The vapour mild o'er each committee crept;
Unfinish'd treaties in each office slept;
And chiefless armies doz'd out the campaign;
And navies yawn'd for orders on the main.
O Muse! relate (for you can tell alone,
Wits have short memories, and Dunces none),
Relate, who first, who last resign'd to rest;
Whose heads she partly, whose completely blest;
What charms could faction, what ambition lull,
The venal quiet, and entrance the dull;
Till drown'd was sense, and shame, and right, and wrongO sing, and hush the nations with thy song!
In vain, in vain-the all-composing hour
Resistless falls: The Muse obeys the Pow'r.
She comes! she comes! the sable throne behold
Of Night primeval, and of Chaos old!
Before her, Fancy's gilded clouds decay,
And all its varying rainbows die away.
Wit shoots in vain its momentary fires,
The meteor drops, and in a flash expires.
As one by one, at dread Medea's strain,
The sick'ning stars fade off th' ethereal plain;
As Argus' eyes by Hermes' wand oppress'd,
Clos'd one by one to everlasting rest;
Thus at her felt approach, and secret might,
Art after Art goes out, and all is Night.
See skulking Truth to her old cavern fled,
Mountains of Casuistry heap'd o'er her head!
Philosophy, that lean'd on Heav'n before,
Shrinks to her second cause, and is no more.
Physic of Metaphysic begs defence,
And Metaphysic calls for aid on Sense !
See Mystery to Mathematics fly!
In vain! they gaze, turn giddy, rave, and die.
Religion blushing veils her sacred fires,
And unawares Morality expires.
Nor public Flame, nor private , dares to shine;
Nor human Spark is left, nor Glimpse divine !
Lo! thy dread Empire, Chaos! is restor'd;
Light dies before thy uncreating word:
Thy hand, great Anarch! lets the curtain fall;
And universal Darkness buries All.
~ Alexander Pope,
Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nilebank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;
Wrapping her head in her mantle she stood, and the people were silent.
Answered the dark-browed priests, 'No word, once spoken, returneth,
Even if uttered unwitting. Shall gods excuse our rashness?
That which is done, that abides; and the wrath of the sea is against us;
Hers, and the wrath of her brother, the Sun-god, lord of the sheepfolds.
Fairer than her hast thou boasted thy daughter? Ah folly! for hateful,
Hateful are they to the gods, whoso, impious, liken a mortal,
Fair though he be, to their glory; and hateful is that which is likened,
Grieving the eyes of their pride, and abominate, doomed to their anger.
What shall be likened to gods? The unknown, who deep in the darkness
Ever abide, twyformed, many-handed, terrible, shapeless.
Woe to the queen; for the land is defiled, and the people accursed.
Take thou her therefore by night, thou ill-starred Cassiopoeia,
Take her with us in the night, when the moon sinks low to the westward;
Bind her aloft for a victim, a prey for the gorge of the monster,
Far on the sea-girt rock, which is washed by the surges for ever;
So may the goddess accept her, and so may the land make atonement,
Purged by her blood from its sin: so obey thou the doom of the rulers.'
Bitter in soul they went out, Cepheus and Cassiopoeia,
Bitter in soul; and their hearts whirled round, as the leaves in the eddy.
Weak was the queen, and rebelled: but the king, like a shepherd of people,
Willed not the land should waste; so he yielded the life of his daughter.
Deep in the wane of the night, as the moon sank low to the westward,
They by the shade of the cliffs, with the horror of darkness around them,
Stole, as ashamed, to a deed which became not the light of the sunshine,
Slowly, the priests, and the queen, and the virgin bound in the galley,
Slowly they rowed to the rocks: but Cepheus far in the palace
Sate in the midst of the hall, on his throne, like a shepherd of people,
Choking his woe, dry-eyed, while the slaves wailed loudly around him.
They on the sea-girt rock, which is washed by the surges for ever,
Set her in silence, the guiltless, aloft with her face to the eastward.
Under a crag of the stone, where a ledge sloped down to the water;
There they set Andromeden, most beautiful, shaped like a goddess,
Lifting her long white arms wide-spread to the walls of the basalt,
Chaining them, ruthless, with brass; and they called on the might of the
'Mystical fish of the seas, dread Queen whom AEthiops honour,
Whelming the land in thy wrath, unavoidable, sharp as the sting-ray,
Thou, and thy brother the Sun, brain-smiting, lord of the sheepfold,
Scorching the earth all day, and then resting at night in thy bosom,
Take ye this one life for many, appeased by the blood of a maiden,
Fairest, and born of the fairest, a queen, most priceless of victims.'
Thrice they spat as they went by the maid: but her mother delaying
Fondled her child to the last, heart-crushed; and the warmth of her weeping
Fell on the breast of the maid, as her woe broke forth into wailing.
'Daughter! my daughter! forgive me! Oh curse not the murderess! Curse
How have I sinned, but in love? Do the gods grudge glory to mothers?
Loving I bore thee in vain in the fate-cursed bride-bed of Cepheus,
Loving I fed thee and tended, and loving rejoiced in thy beauty,
Blessing thy limbs as I bathed them, and blessing thy locks as I combed them;
Decking thee, ripening to woman, I blest thee: yet blessing I slew thee!
How have I sinned, but in love? Oh swear to me, swear to thy mother,
Never to haunt me with curse, as I go to the grave in my sorrow,
Childless and lone: may the gods never send me another, to slay it!
See, I embrace thy knees-soft knees, where no babe will be fondledSwear to me never to curse me, the hapless one, not in the death-pang.'
Weeping she clung to the knees of the maid; and the maid low answered'Curse thee! Not in the death-pang!' The heart of the lady was lightened.
Slowly she went by the ledge; and the maid was alone in the darkness.
Watching the pulse of the oars die down, as her own died with them,
Tearless, dumb with amaze she stood, as a storm-stunned nestling
Fallen from bough or from eave lies dumb, which the home-going herdsman
Fancies a stone, till he catches the light of its terrified eyeball.
So through the long long hours the maid stood helpless and hopeless,
Wide-eyed, downward gazing in vain at the black blank darkness.
Feebly at last she began, while wild thoughts bubbled within her'Guiltless I am: why thus, then? Are gods more ruthless than mortals?
Have they no mercy for youth? no love for the souls who have loved them?
Even as I loved thee, dread sea, as I played by thy margin,
Blessing thy wave as it cooled me, thy wind as it breathed on my forehead,
Bowing my head to thy tempest, and opening my heart to thy children,
Silvery fish, wreathed shell, and the strange lithe things of the water,
Tenderly casting them back, as they gasped on the beach in the sunshine,
Home to their mother-in vain! for mine sits childless in anguish!
O false sea! false sea! I dreamed what I dreamed of thy goodness;
Dreamed of a smile in thy gleam, of a laugh in the plash of thy ripple:
False and devouring thou art, and the great world dark and despiteful.'
Awed by her own rash words she was still: and her eyes to the seaward
Looked for an answer of wrath: far off, in the heart of the darkness,
Blight white mists rose slowly; beneath them the wandering ocean
Glimmered and glowed to the deepest abyss; and the knees of the maiden
Trembled and sunk in her fear, as afar, like a dawn in the midnight,
Rose from their seaweed chamber the choir of the mystical sea-maids.
Onward toward her they came, and her heart beat loud at their coming,
Watching the bliss of the gods, as they wakened the cliffs with their
Onward they came in their joy, and before them the roll of the surges
Sank, as the breeze sank dead, into smooth green foam-flecked marble,
Awed; and the crags of the cliff, and the pines of the mountain were silent.
Onward they came in their joy, and around them the lamps of the sea-nymphs,
Myriad fiery globes, swam panting and heaving; and rainbows
Crimson and azure and emerald, were broken in star-showers, lighting
Far through the wine-dark depths of the crystal, the gardens of Nereus,
Coral and sea-fan and tangle, the blooms and the palms of the ocean.
Onward they came in their joy, more white than the foam which they
Laughing and singing, and tossing and twining, while eager, the Tritons
Blinded with kisses their eyes, unreproved, and above them in worship
Hovered the terns, and the seagulls swept past them on silvery pinions
Echoing softly their laughter; around them the wantoning dolphins
Sighed as they plunged, full of love; and the great sea-horses which bore
Curved up their crests in their pride to the delicate arms of the maidens,
Pawing the spray into gems, till a fiery rainfall, unharming,
Sparkled and gleamed on the limbs of the nymphs, and the coils of the mermen.
Onward they went in their joy, bathed round with the fiery coolness,
Needing nor sun nor moon, self-lighted, immortal: but others,
Pitiful, floated in silence apart; in their bosoms the sea-boys,
Slain by the wrath of the seas, swept down by the anger of Nereus;
Hapless, whom never again on strand or on quay shall their mothers
Welcome with garlands and vows to the temple, but wearily pining
Gaze over island and bay for the sails of the sunken; they heedless
Sleep in soft bosoms for ever, and dream of the surge and the sea-maids.
Onward they passed in their joy; on their brows neither sorrow nor anger;
Self-sufficing, as gods, never heeding the woe of the maiden.
She would have shrieked for their mercy: but shame made her dumb; and their
Stared on her careless and still, like the eyes in the house of the idols.
Seeing they saw not, and passed, like a dream, on the murmuring ripple.
Stunned by the wonder she gazed, wide-eyed, as the glory departed.
'O fair shapes! far fairer than I! Too fair to be ruthless!
Gladden mine eyes once more with your splendour, unlike to my fancies;
You, then, smiled in the sea-gleam, and laughed in the plash of the ripple.
Awful I deemed you and formless; inhuman, monstrous as idols;
Lo, when ye came, ye were women, more loving and lovelier, only;
Like in all else; and I blest you: why blest ye not me for my worship?
Had you no mercy for me, thus guiltless? Ye pitied the sea-boys:
Why not me, then, more hapless by far? Does your sight and your knowledge
End with the marge of the waves? Is the world which ye dwell in not our
Over the mountain aloft ran a rush and a roll and a roaring;
Downward the breeze came indignant, and leapt with a howl to the water,
Roaring in cranny and crag, till the pillars and clefts of the basalt
Rang like a god-swept lyre, and her brain grew mad with the noises;
Crashing and lapping of waters, and sighing and tossing of weed-beds,
Gurgle and whisper and hiss of the foam, while thundering surges
Boomed in the wave-worn halls, as they champed at the roots of the mountain.
Hour after hour in the darkness the wind rushed fierce to the landward,
Drenching the maiden with spray; she shivering, weary and drooping,
Stood with her heart full of thoughts, till the foam-crests gleamed in the
Leaping and laughing around, and the east grew red with the dawning.
Then on the ridge of the hills rose the broad bright sun in his glory,
Hurling his arrows abroad on the glittering crests of the surges,
Gilding the soft round bosoms of wood, and the downs of the coastland;
Gilding the weeds at her feet, and the foam-laced teeth of the ledges,
Showing the maiden her home through the veil of her locks, as they floated
Glistening, damp with the spray, in a long black cloud to the landward.
High in the far-off glens rose thin blue curls from the homesteads;
Softly the low of the herds, and the pipe of the outgoing herdsman,
Slid to her ear on the water, and melted her heart into weeping.
Shuddering, she tried to forget them; and straining her eyes to the seaward,
Watched for her doom, as she wailed, but in vain, to the terrible Sun-god.
'Dost thou not pity me, Sun, though thy wild dark sister be ruthless;
Dost thou not pity me here, as thou seest me desolate, weary,
Sickened with shame and despair, like a kid torn young from its mother?
What if my beauty insult thee, then blight it: but me-Oh spare me!
Spare me yet, ere he be here, fierce, tearing, unbearable! See me,
See me, how tender and soft, and thus helpless! See how I shudder,
Fancying only my doom. Wilt thou shine thus bright, when it takes me?
Are there no deaths save this, great Sun? No fiery arrow,
Lightning, or deep-mouthed wave? Why thus? What music in shrieking,
Pleasure in warm live limbs torn slowly? And dar'st thou behold them!
Oh, thou hast watched worse deeds! All sights are alike to thy brightness!
What if thou waken the birds to their song, dost thou waken no sorrow;
Waken no sick to their pain; no captive to wrench at his fetters?
Smile on the garden and fold, and on maidens who sing at the milking;
Flash into tapestried chambers, and peep in the eyelids of lovers,
Showing the blissful their bliss-Dost love, then, the place where thou
Lovest thou cities aflame, fierce blows, and the shrieks of the widow?
Lovest thou corpse-strewn fields, as thou lightest the path of the vulture?
Lovest thou these, that thou gazest so gay on my tears, and my mother's,
Laughing alike at the horror of one, and the bliss of another?
What dost thou care, in thy sky, for the joys and the sorrows of mortals?
Colder art thou than the nymphs: in thy broad bright eye is no seeing.
Hadst thou a soul-as much soul as the slaves in the house of my father,
Wouldst thou not save? Poor thralls! they pitied me, clung to me weeping,
Kissing my hands and my feet-What, are gods more ruthless than mortals?
Worse than the souls which they rule? Let me die: they war not with ashes!'
Sudden she ceased, with a shriek: in the spray, like a hovering foam-bow,
Hung, more fair than the foam-bow, a boy in the bloom of his manhood,
Golden-haired, ivory-limbed, ambrosial; over his shoulder
Hung for a veil of his beauty the gold-fringed folds of the goat-skin,
Bearing the brass of his shield, as the sun flashed clear on its clearness.
Curved on his thigh lay a falchion, and under the gleam of his helmet
Eyes more blue than the main shone awful; around him Athene
Shed in her love such grace, such state, and terrible daring.
Hovering over the water he came, upon glittering pinions,
Living, a wonder, outgrown from the tight-laced gold of his sandals;
Bounding from billow to billow, and sweeping the crests like a sea-gull;
Leaping the gulfs of the surge, as he laughed in the joy of his leaping.
Fair and majestic he sprang to the rock; and the maiden in wonder
Gazed for a while, and then hid in the dark-rolling wave of her tresses,
Fearful, the light of her eyes; while the boy (for her sorrow had awed him)
Blushed at her blushes, and vanished, like mist on the cliffs at the sunrise.
Fearful at length she looked forth: he was gone: she, wild with amazement,
Wailed for her mother aloud: but the wail of the wind only answered.
Sudden he flashed into sight, by her side; in his pity and anger
Moist were his eyes; and his breath like a rose-bed, as bolder and bolder,
Hovering under her brows, like a swallow that haunts by the house-eaves,
Delicate-handed, he lifted the veil of her hair; while the maiden
Motionless, frozen with fear, wept loud; till his lips unclosing
Poured from their pearl-strung portal the musical wave of his wonder.
'Ah, well spoke she, the wise one, the gray-eyed Pallas Athene,Known to Immortals alone are the prizes which lie for the heroes
Ready prepared at their feet; for requiring a little, the rulers
Pay back the loan tenfold to the man who, careless of pleasure,
Thirsting for honour and toil, fares forth on a perilous errand
Led by the guiding of gods, and strong in the strength of Immortals.
Thus have they led me to thee: from afar, unknowing, I marked thee,
Shining, a snow-white cross on the dark-green walls of the sea-cliff;
Carven in marble I deemed thee, a perfect work of the craftsman.
Likeness of Amphitrite, or far-famed Queen Cythereia.
Curious I came, till I saw how thy tresses streamed in the sea-wind,
Glistening, black as the night, and thy lips moved slow in thy wailing.
Speak again now-Oh speak! For my soul is stirred to avenge thee;
Tell me what barbarous horde, without law, unrighteous and heartless,
Hateful to gods and to men, thus have bound thee, a shame to the sunlight,
Scorn and prize to the sailor: but my prize now; for a coward,
Coward and shameless were he, who so finding a glorious jewel
Cast on the wayside by fools, would not win it and keep it and wear it,
Even as I will thee; for I swear by the head of my father,
Bearing thee over the sea-wave, to wed thee in Argos the fruitful,
Beautiful, meed of my toil no less than this head which I carry,
Hidden here fearful-Oh speak!'
But the maid, still dumb with amazement,
Watered her bosom with weeping, and longed for her home and her mother.
Beautiful, eager, he wooed her, and kissed off her tears as he hovered,
Roving at will, as a bee, on the brows of a rock nymph-haunted,
Garlanded over with vine, and acanthus, and clambering roses,
Cool in the fierce still noon, where streams glance clear in the mossbeds,
Hums on from blossom to blossom, and mingles the sweets as he tastes them.
Beautiful, eager, he kissed her, and clasped her yet closer and closer,
Praying her still to speak'Not cruel nor rough did my mother
Bear me to broad-browed Zeus in the depths of the brass-covered dungeon;
Neither in vain, as I think, have I talked with the cunning of Hermes,
Face unto face, as a friend; or from gray-eyed Pallas Athene
Learnt what is fit, and respecting myself, to respect in my dealings
Those whom the gods should love; so fear not; to chaste espousals
Only I woo thee, and swear, that a queen, and alone without rival
By me thou sittest in Argos of Hellas, throne of my fathers,
Worshipped by fair-haired kings: why callest thou still on thy mother?
Why did she leave thee thus here? For no foeman has bound thee; no foeman
Winning with strokes of the sword such a prize, would so leave it behind
Just as at first some colt, wild-eyed, with quivering nostril,
Plunges in fear of the curb, and the fluttering robes of the rider;
Soon, grown bold by despair, submits to the will of his master,
Tamer and tamer each hour, and at last, in the pride of obedience,
Answers the heel with a curvet, and arches his neck to be fondled,
Cowed by the need that maid grew tame; while the hero indignant
Tore at the fetters which held her: the brass, too cunningly tempered,
Held to the rock by the nails, deep wedged: till the boy, red with anger,
Drew from his ivory thigh, keen flashing, a falchion of diamond'Now let the work of the smith try strength with the arms of Immortals!'
Dazzling it fell; and the blade, as the vine-hook shears off the vine-bough,
Carved through the strength of the brass, till her arms fell soft on his
Once she essayed to escape: but the ring of the water was round her,
Round her the ring of his arms; and despairing she sank on his bosom.
Then, like a fawn when startled, she looked with a shriek to the seaward.
'Touch me not, wretch that I am! For accursed, a shame and a hissing,
Guiltless, accurst no less, I await the revenge of the sea-gods.
Yonder it comes! Ah go! Let me perish unseen, if I perish!
Spare me the shame of thine eyes, when merciless fangs must tear me
Piecemeal! Enough to endure by myself in the light of the sunshine
Guiltless, the death of a kid!'
But the boy still lingered around her,
Loth, like a boy, to forego her, and waken the cliffs with his laughter.
'Yon is the foe, then? A beast of the sea? I had deemed him immortal.
Titan, or Proteus' self, or Nereus, foeman of sailors:
Yet would I fight with them all, but Poseidon, shaker of mountains,
Uncle of mine, whom I fear, as is fit; for he haunts on Olympus,
Holding the third of the world; and the gods all rise at his coming.
Unto none else will I yield, god-helped: how then to a monster,
Child of the earth and of night, unreasoning, shapeless, accursed?'
'Art thou, too, then a god?'
'No god I,' smiling he answered;
'Mortal as thou, yet divine: but mortal the herds of the ocean,
Equal to men in that only, and less in all else; for they nourish
Blindly the life of the lips, untaught by the gods, without wisdom:
Shame if I fled before such!'
In her heart new life was enkindled,
Worship and trust, fair parents of love: but she answered him sighing.
'Beautiful, why wilt thou die? Is the light of the sun, then, so
Worthless to sport with thy fellows in flowery glades of the forest,
Under the broad green oaks, where never again shall I wander,
Tossing the ball with my maidens, or wreathing the altar in garlands,
Careless, with dances and songs, till the glens rang loud to our laughter.
Too full of death the sad earth is already: the halls full of weepers,
Quarried by tombs all cliffs, and the bones gleam white on the sea-floor,
Numberless, gnawn by the herds who attend on the pitiless sea-gods,
Even as mine will be soon: and yet noble it seems to me, dying,
Giving my life for a people, to save to the arms of their lovers
Maidens and youths for a while: thee, fairest of all, shall I slay thee?
Add not thy bones to the many, thus angering idly the dread ones!
Either the monster will crush, or the sea-queen's self overwhelm thee,
Vengeful, in tempest and foam, and the thundering walls of the surges.
Why wilt thou follow me down? can we love in the black blank darkness?
Love in the realms of the dead, in the land where all is forgotten?
Why wilt thou follow me down? is it joy, on the desolate oozes,
Meagre to flit, gray ghosts in the depths of the gray salt water?
Beautiful! why wilt thou die, and defraud fair girls of thy manhood?
Surely one waits for thee longing, afar in the isles of the ocean.
Go thy way; I mine; for the gods grudge pleasure to mortals.'
Sobbing she ended her moan, as her neck, like a storm-bent lily,
Drooped with the weight of her woe, and her limbs sank, weary with watching,
Soft on the hard-ledged rock: but the boy, with his eye on the monster,
Clasped her, and stood, like a god; and his lips curved proud as he answered'Great are the pitiless sea-gods: but greater the Lords of Olympus;
Greater the AEgis-wielder, and greater is she who attends him.
Clear-eyed Justice her name is, the counsellor, loved of Athene;
Helper of heroes, who dare, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens' and the forests
Smite the devourers of men, Heaven-hated, brood of the giants,
Twyformed, strange, without like, who obey not the golden-haired Rulers.
Vainly rebelling they rage, till they die by the swords of the heroes,
Even as this must die; for I burn with the wrath of my father,
Wandering, led by Athene; and dare whatsoever betides me.
Led by Athene I won from the gray-haired terrible sisters
Secrets hidden from men, when I found them asleep on the sand-hills,
Keeping their eye and their tooth, till they showed me the perilous pathway
Over the waterless ocean, the valley that led to the Gorgon.
Her too I slew in my craft, Medusa, the beautiful horror;
Taught by Athene I slew her, and saw not herself, but her image,
Watching the mirror of brass, in the shield which a goddess had lent me.
Cleaving her brass-scaled throat, as she lay with her adders around her,
Fearless I bore off her head, in the folds of the mystical goat-skin
Hide of Amaltheie, fair nurse of the AEgis-wielder.
Hither I bear it, a gift to the gods, and a death to my foe-men,
Freezing the seer to stone; to hide thine eyes from the horror.
Kiss me but once, and I go.'
Then lifting her neck, like a sea-bird
Peering up over the wave, from the foam-white swells of her bosom,
Blushing she kissed him: afar, on the topmost Idalian summit
Laughed in the joy of her heart, far-seeing, the queen Aphrodite.
Loosing his arms from her waist he flew upward, awaiting the sea-beast.
Onward it came from the southward, as bulky and black as a galley,
Lazily coasting along, as the fish fled leaping before it;
Lazily breasting the ripple, and watching by sandbar and headland,
Listening for laughter of maidens at bleaching, or song of the fisher,
Children at play on the pebbles, or cattle that pawed on the sand-hills.
Rolling and dripping it came, where bedded in glistening purple
Cold on the cold sea-weeds lay the long white sides of the maiden,
Trembling, her face in her hands, and her tresses afloat on the water.
As when an osprey aloft, dark-eyebrowed, royally crested,
Flags on by creek and by cove, and in scorn of the anger of Nereus
Ranges, the king of the shore; if he see on a glittering shallow,
Chasing the bass and the mullet, the fin of a wallowing dolphin,
Halting, he wheels round slowly, in doubt at the weight of his quarry,
Whether to clutch it alive, or to fall on the wretch like a plummet,
Stunning with terrible talon the life of the brain in the hindhead:
Then rushes up with a scream, and stooping the wrath of his eyebrows
Falls from the sky, like a star, while the wind rattles hoarse in his
Over him closes the foam for a moment; and then from the sand-bed
Rolls up the great fish, dead, and his side gleams white in the sunshine.
Thus fell the boy on the beast, unveiling the face of the Gorgon;
Thus fell the boy on the beast; thus rolled up the beast in his horror,
Once, as the dead eyes glared into his; then his sides, death-sharpened,
Stiffened and stood, brown rock, in the wash of the wandering water.
Beautiful, eager, triumphant, he leapt back again to his treasure;
Leapt back again, full blest, toward arms spread wide to receive him.
Brimful of honour he clasped her, and brimful of love she caressed him,
Answering lip with lip; while above them the queen Aphrodite
Poured on their foreheads and limbs, unseen, ambrosial odours,
Givers of longing, and rapture, and chaste content in espousals.
Happy whom ere they be wedded anoints she, the Queen Aphrodite!
Laughing she called to her sister, the chaste Tritonid Athene,
'Seest thou yonder thy pupil, thou maid of the AEgis-wielder?
How he has turned himself wholly to love, and caresses a damsel,
Dreaming no longer of honour, or danger, or Pallas Athene?
Sweeter, it seems, to the young my gifts are; so yield me the stripling;
Yield him me now, lest he die in his prime, like hapless Adonis.'
Smiling she answered in turn, that chaste Tritonid Athene:
'Dear unto me, no less than to thee, is the wedlock of heroes;
Dear, who can worthily win him a wife not unworthy; and noble,
Pure with the pure to beget brave children, the like of their father.
Happy, who thus stands linked to the heroes who were, and who shall be;
Girdled with holiest awe, not sparing of self; for his mother
Watches his steps with the eyes of the gods; and his wife and his children
Move him to plan and to do in the farm and the camp and the council.
Thence comes weal to a nation: but woe upon woe, when the people
Mingle in love at their will, like the brutes, not heeding the future.'
Then from her gold-strung loom, where she wrought in her chamber of cedar,
Awful and fair she arose; and she went by the glens of Olympus;
Went by the isles of the sea, and the wind never ruffled her mantle;
Went by the water of Crete, and the black-beaked fleets of the Phoenics;
Came to the sea-girt rock which is washed by the surges for ever,
Bearing the wealth of the gods, for a gift to the bride of a hero.
There she met Andromeden and Persea, shaped like Immortals;
Solemn and sweet was her smile, while their hearts beat loud at her coming;
Solemn and sweet was her smile, as she spoke to the pair in her wisdom.
'Three things hold we, the Rulers, who sit by the founts of Olympus,
Wisdom, and prowess, and beauty; and freely we pour them on mortals;
Pleased at our image in man, as a father at his in his children.
One thing only we grudge to mankind: when a hero, unthankful,
Boasts of our gifts as his own, stiffnecked, and dishonours the givers,
Turning our weapons against us. Him Ate follows avenging;
Slowly she tracks him and sure, as a lyme-hound; sudden she grips him,
Crushing him, blind in his pride, for a sign and a terror to folly.
This we avenge, as is fit; in all else never weary of giving.
Come, then, damsel, and know if the gods grudge pleasure to mortals.'
Loving and gentle she spoke: but the maid stood in awe, as the goddess
Plaited with soft swift finger her tresses, and decked her in jewels,
Armlet and anklet and earbell; and over her shoulders a necklace,
Heavy, enamelled, the flower of the gold and the brass of the mountain.
Trembling with joy she gazed, so well Haephaistos had made it,
Deep in the forges of AEtna, while Charis his lady beside him
Mingled her grace in his craft, as he wrought for his sister Athene.
Then on the brows of the maiden a veil bound Pallas Athene;
Ample it fell to her feet, deep-fringed, a wonder of weaving.
Ages and ages agone it was wrought on the heights of Olympus,
Wrought in the gold-strung loom, by the finger of cunning Athene.
In it she wove all creatures that teem in the womb of the ocean;
Nereid, siren, and triton, and dolphin, and arrowy fishes
Glittering round, many-hued, on the flame-red folds of the mantle.
In it she wove, too, a town where gray-haired kings sat in judgment;
Sceptre in hand in the market they sat, doing right by the people,
Wise: while above watched Justice, and near, far-seeing Apollo.
Round it she wove for a fringe all herbs of the earth and the water,
Violet, asphodel, ivy, and vine-leaves, roses and lilies,
Coral and sea-fan and tangle, the blooms and the palms of the ocean:
Now from Olympus she bore it, a dower to the bride of a hero.
Over the limbs of the damsel she wrapt it: the maid still trembled,
Shading her face with her hands; for the eyes of the goddess were awful.
Then, as a pine upon Ida when southwest winds blow landward,
Stately she bent to the damsel, and breathed on her: under her breathing
Taller and fairer she grew; and the goddess spoke in her wisdom.
'Courage I give thee; the heart of a queen, and the mind of Immortals;
Godlike to talk with the gods, and to look on their eyes unshrinking;
Fearing the sun and the stars no more, and the blue salt water;
Fearing us only, the lords of Olympus, friends of the heroes;
Chastely and wisely to govern thyself and thy house and thy people,
Bearing a godlike race to thy spouse, till dying I set thee
High for a star in the heavens, a sign and a hope to the seamen,
Spreading thy long white arms all night in the heights of the aether,
Hard by thy sire and the hero thy spouse, while near thee thy mother
Sits in her ivory chair, as she plaits ambrosial tresses.
All night long thou wilt shine; all day thou wilt feast on Olympus,
Happy, the guest of the gods, by thy husband, the god-begotten.'
Blissful, they turned them to go: but the fair-tressed Pallas Athene
Rose, like a pillar of tall white cloud, toward silver Olympus;
Far above ocean and shore, and the peaks of the isles and the mainland;
Where no frost nor storm is, in clear blue windless abysses,
High in the home of the summer, the seats of the happy Immortals,
Shrouded in keen deep blaze, unapproachable; there ever youthful
Hebe, Harmonie, and the daughter of Jove, Aphrodite,
Whirled in the white-linked dance with the gold-crowned Hours and the Graces,
Hand within hand, while clear piped Phoebe, queen of the woodlands.
All day long they rejoiced: but Athene still in her chamber
Bent herself over her loom, as the stars rang loud to her singing,
Chanting of order and right, and of foresight, warden of nations;
Chanting of labour and craft, and of wealth in the port and the garner;
Chanting of valour and fame, and the man who can fall with the foremost,
Fighting for children and wife, and the field which his father bequeathed
Sweetly and solemnly sang she, and planned new lessons for mortals:
Happy, who hearing obey her, the wise unsullied Athene.
Eversley, 1852.
~ Charles Kingsley,
349:Jubilate Agno: Fragment B, Part 2
LET PETER rejoice with the MOON FISH who keeps up the life in the waters by
Let Andrew rejoice with the Whale, who is array'd in beauteous blue and is a
combination of bulk and activity.
Let James rejoice with the Skuttle-Fish, who foils his foe by the effusion of his
Let John rejoice with Nautilus who spreads his sail and plies his oar, and the Lord
is his pilot.
Let Philip rejoice with Boca, which is a fish that can speak.
Let Bartholomew rejoice with the Eel, who is pure in proportion to where he is
found and how he is used.
Let Thomas rejoice with the Sword-Fish, whose aim is perpetual and strength
Let Matthew rejoice with Uranoscopus, whose eyes are lifted up to God.
Let James the less, rejoice with the Haddock, who brought the piece of money for
the Lord and Peter.
Let Jude bless with the Bream, who is of melancholy from his depth and serenity.
Let Simon rejoice with the Sprat, who is pure and innumerable.
Let Matthias rejoice with the Flying-Fish, who has a part with the birds, and is
sublimity in his conceit.
Let Stephen rejoice with Remora -- The Lord remove all obstacles to his glory.
Let Paul rejoice with the Scale, who is pleasant and faithful!, like God's good
Let Agrippa, which is Agricola, rejoice with Elops, who is a choice fish.
Let Joseph rejoice with the Turbut, whose capture makes the poor fisher-man
Let Mary rejoice with the Maid -- blessed be the name of the immaculate
Let John, the Baptist, rejoice with the Salmon -- blessed be the name of the Lord
Jesus for infant Baptism.
Let Mark rejoice with the Mullet, who is John Dore, God be gracious to him and
his family.
Let Barnabus rejoice with the Herring -- God be gracious to the Lord's fishery.
Let Cleopas rejoice with the Mackerel, who cometh in a shoal after a leader.
Let Abiud of the Lord's line rejoice with Murex, who is good and of a precious
Let Eliakim rejoice with the Shad, who is contemned in his abundance.
Let Azor rejoice with the Flounder, who is both of the sea and of the river,
Let Sadoc rejoice with the Bleak, who playeth upon the surface in the Sun.
Let Achim rejoice with the Miller's Thumb, who is a delicious morsel for the water
Let Eliud rejoice with Cinaedus, who is a fish yellow all over.
Let Eleazar rejoice with the Grampus, who is a pompous spouter.
Let Matthan rejoice with the Shark, who is supported by multitudes of small
Let Jacob rejoice with the Gold Fish, who is an eye-trap.
Let Jairus rejoice with the Silver Fish, who is bright and lively.
Let Lazarus rejoice with Torpedo, who chills the life of the assailant through his
Let Mary Magdalen rejoice with the Place, whose goodness and purity are of the
Lord's making.
Let Simon the leper rejoice with the Eel-pout, who is a rarity on account of his
Let Alpheus rejoice with the Whiting, whom God hath bless'd in multitudes, and
his days are as the days of PURIM.
Let Onesimus rejoice with the Cod -- blessed be the name of the Lord Jesus for a
miraculous draught of men.
Let Joses rejoice with the Sturgeon, who saw his maker in the body and obtained
Let Theophilus rejoice with the Folio, who hath teeth, like the teeth of a saw.
Let Bartimeus rejoice with the Quaviver -- God be gracious to the eyes of him,
who prayeth for the blind.
Let CHRISTOPHER, who is Simon of Cyrene, rejoice with the Rough -- God be
gracious to the CAM and to DAVID CAM and his seed for ever.
Let Timeus rejoice with the Ling -- God keep the English Sailors clear of French
Let Salome rejoice with the Mermaid, who hath the countenance and a portion of
human reason.
Let Zacharias rejoice with the Gudgeon, who improves in his growth till he is
Let Campanus rejoice with the Lobster -- God be gracious to all the CAMPBELLs
especially John.
Let Martha rejoice with the Skallop -- the Lord revive the exercise and excellence
of the Needle.
Let Mary rejoice with the Carp -- the ponds of Fairlawn and the garden bless for
the master.
Let Zebedee rejoice with the Tench -- God accept the good son for his parents
Let Joseph of Arimathea rejoice with the Barbel -- a good coffin and a tombstone without grudging!
Let Elizabeth rejoice with the Crab -- it is good, at times, to go back.
Let Simeon rejoice with the Oyster, who hath the life without locomotion.
Let Jona rejoice with the Wilk -- Wilks, Wilkie, and Wilkinson bless the name of
the Lord Jesus.
Let Nicodemus rejoice with the Muscle, for so he hath provided for the poor.
Let Gamaliel rejoice with the Cockle -- I will rejoice in the remembrance of
Let Agabus rejoice with the Smelt -- The Lord make me serviceable to the
Let Rhoda rejoice with the Sea-Cat, who is pleasantry and purity.
Let Elmodam rejoice with the Chubb, who is wary of the bait and thrives in his
Let Jorim rejoice with the Roach -- God bless my throat and keep me from things
Let Addi rejoice with the Dace -- It is good to angle with meditation.
Let Luke rejoice with the Trout -- Blessed be Jesus in Aa, in Dee and in Isis.
Let Cosam rejoice with the Perch, who is a little tyrant, because he is not liable to
that, which he inflicts.
Let Levi rejoice with the Pike -- God be merciful to all dumb creatures in respect
of pain.
Let Melchi rejoice with the Char, who cheweth the cud.
Let Joanna rejoice with the Anchovy -- I beheld and lo! 'a great multitude!
Let Neri rejoice with the Keeling Fish, who is also called the Stock Fish.
Let Janna rejoice with the Pilchard -- the Lord restore the seed of Abishai.
Let Esli rejoice with the Soal, who is flat and spackles for the increase of motion.
Let Nagge rejoice with the Perriwinkle -- 'for the rain it raineth every day.'
Let Anna rejoice with the Porpus, who is a joyous fish and of good omen.
Let Phanuel rejoice with the Shrimp, which is the childrens fishery.
Let Chuza rejoice with the Sea-Bear, who is full of sagacity and prank.
Let Susanna rejoice with the Lamprey, who is an eel with a title.
Let Candace rejoice with the Craw-fish -- How hath the Christian minister
renowned the Queen.
Let The Eunuch rejoice with the Thorn-Back -- It is good to be discovered reading
the BIBLE.
Let Simon the Pharisee rejoice with the Grigg -- the Lord bring up Issachar and
Let Simon the converted Sorcerer rejoice with the Dab quoth Daniel.
Let Joanna, of the Lord's line, rejoice with the Minnow, who is multiplied against
the oppressor.
Let Jonas rejoice with the Sea-Devil, who hath a good name from his Maker.
Let Alexander rejoice with the Tunny -- the worse the time the better the
Let Rufus rejoice with the Needle-fish, who is very good in his element.
Let Matthat rejoice with the Trumpet-fish -- God revive the blowing of the
Let Mary, the mother of James, rejoice with the Sea-Mouse -- it is good to be at
Let Prochorus rejoice with Epodes, who is a kind of fish with Ovid who is at peace
in the Lord.
Let Timotheus rejoice with the Dolphin, who is of benevolence.
Let Nicanor rejoice with the Skeat -- Blessed be the name of the Lord Jesus in
fish and in the Shewbread, which ought to be continually on the altar, now more
than ever, and the want of it is the Abomination of Desolation spoken of by
Let Timon rejoice with Crusion -- The Shew-Bread in the first place is gratitude to
God to shew who is bread, whence it is, and that there is enough and to spare.
Let Parmenas rejoice with the Mixon -- Secondly it is to prevent the last
extremity, for it is lawful that rejected hunger may take it.
Let Dorcas rejoice with Dracunculus -- blessed be the name of the Lord Jesus in
the Grotto.
Let Tychicus rejoice with Scolopendra, who quits himself of the hook by voiding
his intrails.
Let Trophimus rejoice with the Sea-Horse, who shoud have been to Tychicus the
father of Yorkshiremen.
Let Tryphena rejoice with Fluta -- Saturday is the Sabbath for the mouth of God
hath spoken it.
Let Tryphosa rejoice with Acarne -- With such preparation the Lord's Jubile is
better kept.
Let Simon the Tanner rejoice with Alausa -- Five days are sufficient for the
purposes of husbandry.
Let Simeon Niger rejoice with the Loach -- The blacks are the seed of Cain.
Let Lucius rejoice with Corias -- Some of Cain's seed was preserved in the loins
of Ham at the flood.
Let Manaen rejoice with Donax. My DEGREE is good even here, in the Lord I have
a better.
Let Sergius Paulus rejoice with Dentex -- Blessed be the name Jesus for my
Let Silas rejoice with the Cabot -- the philosophy of the times ev'n now is vain
Let Barsabas rejoice with Cammarus -- Newton is ignorant for if a man consult
not the WORD how should he understand the WORK? -Let Lydia rejoice with Attilus -- Blessed be the name of him which eat the fish
and honey comb.
Let Jason rejoice with Alopecias, who is subtlety without offence.
Let Dionysius rejoice with Alabes who is peculiar to the Nile.
Let Damaris rejoice with Anthias -- The fountain of the Nile is known to the
Eastern people who drink it.
Let Apollos rejoice with Astacus, but St Paul is the Agent for England.
Let Justus rejoice with Crispus in a Salmon-Trout -- the Lord look on the soul of
Richard Atwood.
Let Crispus rejoice with Leviathan -- God be gracious to the soul of HOBBES, who
was no atheist, but a servant of Christ, and died in the Lord -- I wronged him
God forgive me.
Let Aquila rejoice with Beemoth who is Enoch no fish but a stupendous creeping
Let Priscilla rejoice with Cythera. As earth increases by Beemoth so the sea
likewise enlarges.
Let Tyrannus rejoice with Cephalus who hath a great head.
Let Gaius rejoice with the Water-Tortoise -- Paul and Tychicus were in England
with Agricola my father.
Let Aristarchus rejoice with Cynoglossus -- The Lord was at Glastonbury in the
body and blessed the thorn.
Let Alexander rejoice with the Sea-Urchin -- The Lord was at Bristol and blessed
the waters there.
Let Sopater rejoice with Elacate -- The waters of Bath were blessed by St
Let Secundus rejoice with Echeneis who is the sea-lamprey.
Let Eutychus rejoice with Cnide -- Fish and honeycomb are blessed to eat after a
recovery. -Let Mnason rejoice with Vulvula a sort of fish -- Good words are of God, the cant
from the Devil.
Let Claudius Lysias rejoice with Coracinus who is black and peculiar to Nile.
Let Bernice rejoice with Corophium which is a kind of crab.
Let Phebe rejoice with Echinometra who is a beautiful shellfish red and green.
Let Epenetus rejoice with Erythrinus who is red with a white belly.
Let Andronicus rejoice with Esox, the Lax, a great fish of the Rhine.
Let Junia rejoice with the Faber-Fish -- Broil'd fish and honeycomb may be taken
for the sacrament.
Let Amplias rejoice with Garus, who is a kind of Lobster.
Let Urbane rejoice with Glanis, who is a crafty fish who bites away the bait and
saves himself.
Let Stachys rejoice with Glauciscus, who is good for Women's milk.
Let Apelles rejoice with Glaucus -- behold the seed of the brave and ingenious
how they are saved!
Let Aristobulus rejoice with Glycymerides who is pure and sweet.
Let Herodion rejoice with Holothuria which are prickly fishes.
Let Narcissus rejoice with Hordeia -- I will magnify the Lord who multiplied the
Let Persis rejoice with Liparis -- I will magnify the Lord who multiplied the barley
Let Rufus rejoice with Icthyocolla of whose skin a water-glue is made.
Let Asyncritus rejoice with Labrus who is a voracious fish.
Let Phlegon rejoice with the Sea-Lizard -- Bless Jesus THOMAS BOWLBY and all
the seed of Reuben.
Let Hermas rejoice with Lamyrus who is of things creeping in the sea.
Let Patrobas rejoice with Lepas, all shells are precious.
Let Hermes rejoice with Lepus, who is a venomous fish.
Let Philologus rejoice with Ligarius -- shells are all parries to the adversary.
Let Julia rejoice with the Sleeve-Fish -- Blessed be Jesus for all the TAYLERS.
Let Nereus rejoice with the Calamary -- God give success to our fleets.
Let Olympas rejoice with the Sea-Lantern, which glows upon the waters.
Let Sosipater rejoice with Cornuta. There are fish for the Sea-Night-Birds that
glow at bottom.
Let Lucius rejoice with the Cackrel Fish. God be gracious to JMs FLETCHER who
has my tackling.
Let Tertius rejoice with Maia which is a kind of crab.
Let Erastus rejoice with Melandry which is the largest Tunny.
Let Quartus rejoice with Mena. God be gracious to the immortal soul of poor
Carte, who was barbarously and cowardly murder'd -- the Lord prevent the
dealers in clandestine death.
Let Sosthenes rejoice with the Winkle -- all shells like the parts of the body are
good kept for those parts.
Let Chloe rejoice with the Limpin -- There is a way to the terrestrial Paradise
upon the knees.
Let Carpus rejoice with the Frog-Fish -- A man cannot die upon his knees.
Let Stephanas rejoice with Mormyra who is a fish of divers colours.
Let Fortunatus rejoice with the Burret -- it is good to be born when things are
Let Lois rejoice with the Angel-Fish -- There is a fish that swims in the fluid
Let Achaicus rejoice with the Fat-Back -- The Lord invites his fishers to the WEST
Let Sylvanus rejoice with the Black-Fish -- Oliver Cromwell himself was the
murderer in the Mask.
Let Titus rejoice with Mys -- O Tite siquid ego adjuero curamve levasso!
Let Euodias rejoice with Myrcus -- There is a perfumed fish I will offer him for a
sweet savour to the Lord.
Let Syntyche rejoice with Myax -- There are shells in the earth which were left by
the FLOOD.
Let Clement rejoice with Ophidion -- There are shells again in earth at sympathy
with those in sea.
Let Epaphroditus rejoice with Opthalmias -- The Lord increase the Cambridge
collection of fossils.
Let Epaphras rejoice with Orphus -- God be gracious to the immortal soul of Dr
Let Justus rejoice with Pagrus -- God be gracious to the immortal soul of Dr
Let Nymphas rejoice with Fagurus -- God bless Charles Mason and all Trinity
Let Archippus rejoice with Nerita whose shell swimmeth.
Let Eunice rejoice with Oculata who is of the Lizard kind.
Let Onesephorus rejoice with Orca, who is a great fish.
Let Eubulus rejoice with Ostrum the scarlet -- God be gracious to Gordon and
Let Pudens rejoice with Polypus -- The Lord restore my virgin!
Let Linus rejoice with Ozsena who is a kind of Polype -- God be gracious to Lyne
and Anguish.
Let Claudia rejoice with Pascer -- the purest creatures minister to wantoness by
Let Artemas rejoice with Pastinaca who is a fish with a sting.
Let Zenas rejoice with Pecten -- The Lord obliterate the laws of man!
Let Philemon rejoice with Pelagia -- The laws and judgement are impudence and
Let Apphia rejoice with Pelamis -- The Lord Jesus is man's judgement.
Let Demetrius rejoice with Peloris, who is greatest of Shell-Fishes.
Let Antipas rejoice with Pentadactylus -- A papist hath no sentiment God bless
FOR I pray the Lord JESUS that cured the LUNATICK to be merciful to all my
brethren and sisters in these houses.
For they work me with their harping-irons, which is a barbarous instrument,
because I am more unguarded than others.
For the blessing of God hath been on my epistles, which I have written for the
benefit of others.
For I bless God that the CHURCH of ENGLAND is one of the SEVEN ev'n the
candlestick of the Lord.
For the ENGLISH TONGUE shall be the language of the WEST.
For I pray Almighty CHRIST to bless the MAGDALEN HOUSE and to forward a
National purification.
For I have the blessing of God in the three POINTS of manhood, of the pen, of
the sword, and of chivalry.
For I am inquisitive in the Lord, and defend the philosophy of the scripture
against vain deceit.
For the nets come down from the eyes of the Lord to fish up men to their
For I have a greater compass both of mirth and melancholy than another.
For I bless the Lord JESUS in the innumerables, and for ever and ever.
For I am redoubted, and redoubtable in the Lord, as is THOMAS BECKET my
For I have had the grace to GO BACK, which is my blessing unto prosperity.
For I paid for my seat in St PAUL's, when I was six years old, and took
possession against the evil day.
For I am descended from the steward of the island -- blessed be the name of the
Lord Jesus king of England.
For the poor gentleman is the first object of the Lord's charity and he is the most
pitied who hath lost the most.
For I am in twelve HARDSHIPS, but he that was born of a virgin shall deliver me
out of all.
For I am safe, as to my head, from the female dancer and her admirers.
For I pray for CHICHISTER to give the glory to God, and to keep the adversary at
For I am making to the shore day by day, the Lord Jesus take me.
For I bless the Lord JESUS upon RAMSGATE PIER -- the Lord forward the building
of harbours.
For I bless the Lord JESUS for his very seed, which is in my body.
For I pray for R and his family, I pray for Mr Becher, and I bean for the Lord
For I pray to God for Nore, for the Trinity house, for all light-houses, beacons and
For I bless God that I am not in a dungeon, but am allowed the light of the Sun.
For I pray God for the PYGMIES against their feathered adversaries, as a deed of
For I pray God for all those, who have defiled themselves in matters
For I pray God be gracious to CORNELIUS MATTHEWS name and connection.
For I am under the same accusation with my Saviour -- -for they said, he is
besides himself.
For I pray God for the introduction of new creatures into this island.
For I pray God for the ostriches of Salisbury Plain, the beavers of the Medway
and silver fish of Thames.
For Charity is cold in the multitude of possessions, and the rich are covetous of
their crumbs.
For I pray to be accepted as a dog without offence, which is best of all.
For I wish to God and desire towards the most High, which is my policy.
For the tides are the life of God in the ocean, and he sends his angel to trouble
the great DEEP.
For he hath fixed the earth upon arches and pillars, and the flames of hell flow
under it.
For the grosser the particles the nearer to the sink, and the nearer to purity, the
quicker the gravitation.
For MATTER is the dust of the Earth, every atom of which is the life.
For MOTION is as the quantity of life direct, and that which hath not motion, is
For Resistance is not of GOD, but he -- hath built his works upon it.
For the Centripetal and Centrifugal forces are GOD SUSTAINING and DIRECTING.
For Elasticity is the temper of matter to recover its place with vehemence.
For Attraction is the earning of parts, which have a similitude in the life.
For the Life of God is in the Loadstone, and there is a magnet, which pointeth
due EAST.
For the Glory of God is always in the East, but cannot be seen for the cloud of the
For due East is the way to Paradise, which man knoweth not by reason of his fall.
For the Longitude is (nevertheless) attainable by steering angularly
For Eternity is a creature and is built upon Eternity ¥ê¥á¥ó¥á¥â¥ï¥ë¥ç ¥å¥g¥é
¥ó¥ç ¥ä¥é¥á¥â¥ï¥ë¥ç .
For Fire is a mixed nature of body and spirit, and the body is fed by that which
hath not life.
For Fire is exasperated by the Adversary, who is Death, unto the detriment of
For an happy Conjecture is a miraculous cast by the Lord Jesus.
For a bad Conjecture is a draught of stud and mud.
For there is a Fire which is blandishing, and which is of God direct.
For Fire is a substance and distinct, and purifyeth ev'n in hell.
For the Shears is the first of the mechanical powers, and to be used on the
For if Adam had used this instrument right, he would not have fallen.
For the power of the Shears Is direct as the life.
For the power of the WEDGE is direct as it's altitude by communication of
Almighty God.
For the Skrew, Axle and Wheel, Pulleys, the Lever and Inclined Plane are known
in the Schools.
For the Centre is not known but by the application of the members to matter.
For I have shown the Vis Inerti©¡ to be false, and such is all nonsense.
For the Centre is the hold of the Spirit upon the matter in hand.
For FRICTION is inevitable because the Universe is FULL of God's works.
For the PERPETUAL MOTION is in all the works of Almighty GOD.
For it is not so in the engines of man, which are made of dead materials, neither
indeed can be.
For the Moment of bodies, as it is used, is a false term -- bless God ye Speakers
on the Fifth of November.
For Time and Weight are by their several estimates.
For I bless GOD in the discovery of the LONGITUDE direct by the means of
For the motion of the PENDULUM is the longest in that it parries resistance.
For the WEDDING GARMENTS of all men are prepared in the SUN against the day
of acceptation.
For the Wedding Garments of all women are prepared in the MOON against the
day of their purification.
For CHASTITY is the key of knowledge as in Esdras, Sr Isaac Newton and now,
God be praised, in me.
For Newton nevertheless is more of error than of the truth, but I am of the
For WATER, is not of solid constituents, but is dissolved from precious stones
For the life remains in its dissolvent state, and that in great power.
For WATER is condensed by the Lord's FROST, tho' not by the FLORENTINE
For GLADWICK is a substance growing on hills in the East, candied by the sun,
and of diverse colours.
For it is neither stone nor metal but a new creature, soft to the ax, but hard to
the hammer.
For it answers sundry uses, but particularly it supplies the place of Glass.
For it giveth a benign light without the fragility, malignity or mischief of Glass.
For it attracteth all the colours of the GREAT BOW which is fixed in the EAST.
For the FOUNTAINS and SPRINGS are the life of the waters working up to God.
For they are in SYMPATHY with the waters above the Heavens, which are solid.
For the Fountains, springs and rivers are all of them from the sea, whose water is
filtrated and purified by the earth.
For there is Water above the visible surface in a spiritualizing state, which cannot
be seen but by application of a CAPILLARY TUBE.
For the ASCENT of VAPOURS is the return of thanksgiving from all humid bodies.
For the RAIN WATER kept in a reservoir at any altitude, suppose of a thousand
feet, will make a fountain from a spout of ten feet of the same height.
For it will ascend in a stream two thirds of the way and afterwards prank itself
into ten thousand agreeable forms.
For the SEA is a seventh of the Earth -- the spirit of the Lord by Esdras.
For MERCURY is affected by the AIR because it is of a similar subtlety.
For the rising in the BAROMETER is not effected by pressure but by sympathy.
For it cannot be seperated from the creature with which it is intimately and
eternally connected.
For where it is stinted of air there it will adhere together and stretch on the
For it works by ballancing according to the hold of the spirit.
For QUICK-SILVER is spiritual and so is the AIR to all intents and purposes.
For the AIR-PUMP weakens and dispirits but cannot wholly exhaust.
For SUCKTION is the withdrawing of the life, but life will follow as fast as it can.
For there is infinite provision to keep up the life in all the parts of Creation.
For the AIR is contaminated by curses and evil language.
For poysonous creatures catch some of it and retain it or ere it goes to the
For IRELAND was without these creatures, till of late, because of the simplicity of
the people.
For the AIR. is purified by prayer which is made aloud and with all our might.
For loud prayer is good for weak lungs and for a vitiated throat.
For SOUND is propagated in the spirit and in all directions.
For the VOICE of a figure compleat in all its parts.
For a man speaks HIMSELF from the crown of his head to the sole of his feet.
For a LION roars HIMSELF compleat from head to tail.
For all these things are seen in the spirit which makes the beauty of prayer.
For all whispers and unmusical sounds in general are of the Adversary.
For 'I will hiss saith the Lord' is God's denunciation of death.
For applause or the clapping of the hands is the natural action of a man on the
descent of the glory of God.
For EARTH which is an intelligence hath a voice and a propensity to speak in all
her parts.
For ECHO is the soul of the voice exerting itself in hollow places.
For ECHO cannot act but when she can parry the adversary.
For ECHO is greatest in Churches and where she can assist in prayer.
For a good voice hath its Echo with it and it is attainable by much supplication.
For the FOICE is from the body and the spirit -- and is a a body and a spirit.
For the prayers of good men are therefore visible to second-sighted persons.
For HARPSICHORDS are best strung with gold wire.
For HARPS and VIOLS are best strung with Indian weed.
For the GERMAN FLUTE is an indirect -- the common flute good, bless the Lord
For the feast of TRUMPETS should be kept up, that being the most direct and
acceptable of all instruments.
For the TRUMPET of God is a blessed intelligence and so are all the instruments
For GOD the father Almighty plays upon the HARP of stupendous magnitude and
For innumerable Angels fly out at every touch and his tune is a work of creation.
For at that time malignity ceases and the devils themselves are at peace.
For this time is perceptible to man by a remarkable stillness and serenity of soul.
For the ¨¡olian harp is improveable into regularity.
For when it is so improved it will be known to be the SHAWM.
For it woud be better if the LITURGY were musically performed.
For the strings of the SHAWM were upon a cylinder which turned to the wind.
For this was spiritual musick altogether, as the wind is a spirit.
For there is nothing but it may be played upon in delight.
For the flames of fire may lie blown thro musical pipes.
For it is so higher up in the vast empyrean.
For is so real as that which is spiritual.
For an IGNIS FATUUS is either the fool's conceit or a blast from the adversary.
For SHELL-FIRE or ELECTRICAL is the quick air when it is caught.
For GLASS is worked in the fire till it partakes of its nature.
For the electrical fire is easily obtain'd by the working of glass.
For all spirits are of fire and the air is a very benign one.
For the MAN in VACUO is a flat conceit of preposterous folly.
For the breath of our nostrils is an electrical spirit.
For an electrical spirit may be exasperated into a malignant fire.
For it is good to quicken in paralytic cases being the life applied unto death,
For the method of philosophizing is in a posture of Adoration.
For the School-Doctrine of Thunder and Lightning is a Diabolical Hypothesis.
For it is taking the nitre from the lower regions and directing it against the
Infinite of Heights.
For THUNDER is the voice of God direct in verse and musick.
For LIGHTNING is a glance of the glory of God.
For the Brimstone that is found at the times of thunder and lightning is worked
up by the Adversary.
For the voice is always for infinite good which he strives to impede.
For the Devil can work coals into shapes to afflict the minds of those that will not
For the coffin and the cradle and the purse are all against a man.
For the coffin is for the dead and death came by disobedience.
For the cradle is for weakness and the child of man was originally strong from the
For the purse is for money and money is dead matter with the stamp of human
For the adversary frequently sends these particular images out of the fire to
those whom they concern.
For the coffin is for me because I have nothing to do with it.
For the cradle is for me because the old Dragon attacked me in it and overcame
in Christ.
For the purse is for me because I have neither money nor human friends.
For LIGHT is propagated at all distances in an instant because it is actuated by
the divine conception.
For the Satellites of the planet prove nothing in this matter but the glory of
Almighty God.
For the SHADE is of death and from the adversary.
For Solomon said vanity of vanities, vanity of vanities all is vanity.
For Jesus says verity of verities, verity of verities all is verity.
For Solomon said THOU FOOL in malice from his own vanity.
For the Lord reviled not all in hardship and temptation unutterable.
For Fire hath this property that it reduces a thing till finally it is not.
For all the filth wicked of men shall be done away by fire in Eternity.
For the furnace itself shall come up at the last according to Abraham's vision.
For the Convex Heaven of shall work about on that great event.
For the ANTARTICK POLE is not yet but shall answer in the Consummation.
For the devil hath most power in winter, because darkness prevails.
For the Longing of Women is the operation of the Devil upon their conceptions.
For the marking of their children is from the same cause both of which are to be
parried by prayer.
For the laws of King James the first against Witchcraft were wise, had it been of
man to make laws.
For there are witches and wizards even now who are spoken to by their familiars.
For the visitation of their familiars is prevented by the Lord's incarnation.
For to conceive with intense diligence against one's neighbour is a branch of
For to use pollution, exact and cross things and at the same time to think against
a man is the crime direct.
For prayer with musick is good for persons so exacted upon.
For before the NATIVITY is the dead of the winter and after it the quick.
For the sin against the HOLY GHOST is INGRATITUDE.
For stuff'd guts make no musick; strain them strong and you shall have sweet
For the SHADOW is of death, which is the Devil, who can make false and faint
images of the works of Almighty God.
For every man beareth death about him ever since the transgression of Adam,
but in perfect light there is no shadow.
For all Wrath is Fire, which the adversary blows upon and exasperates.
For SHADOW is a fair Word from God, which is not returnable till the furnace
comes up.
For the ECLIPSE is of the adversary -- blessed be the name of Jesus for Whisson
of Trinity.
For the shadow is his and the penumbra is his and his the perplexity of the the
For the eclipses happen at times when the light is defective.
For the more the light is defective, the more the powers of darkness prevail.
For deficiencies happen by the luminaries crossing one another.
For the SUN is an intelligence and an angel of the human form.
For the MOON is an intelligence and an angel in shape like a woman.
For they are together in the spirit every night like man and wife.
For Justice is infinitely beneath Mercy in nature and office.
For the Devil himself may be just in accusation and punishment.
For HELL is without eternity from the presence of Almighty God.
For Volcanos and burning mountains are where the adversary hath most power.
For the angel GRATITUDE is my wife -- God bring me to her or her to me.
For the propagation of light is quick as the divine Conception.
For FROST is damp and unwholsome air candied to fall to the best advantage.
For I am the Lord's News-Writer -- the scribe-evangelist -- Widow Mitchel, Gun
and Grange bless the Lord Jesus.
For Adversity above all other is to be deserted of the grace of God.
For in the divine Idea this Eternity is compleat and the Word is a making many
For there is a forlorn hope ev'n for impenitent sinners because the furnace itself
must be the crown of Eternity.
For my hope is beyond Eternity in the bosom of God my saviour.
For by the grace of God I am the Reviver of ADORATION amongst ENGLISH-MEN.
For being desert-ed is to have desert in the sight of God and intitles one to the
Lord's merit.
For things that are not in the sight of men are thro' God of infinite concern.
For envious men have exceeding subtlety quippe qui in -- videant.
For avaricious men are exceeding subtle like the soul seperated from the body.
For their attention is on a sinking object which perishes.
For they can go beyond the children of light in matters of their own misery.
For Snow is the dew candied and cherishes.
For TIMES and SEASONS are the Lord's -- Man is no CHRONOLOGER.
For there is a CIRCULATION of the SAP in all vegetables.
For SOOT is the dross of Fire.
For the CLAPPING of the hands is naught unless it be to the glory of God.
For God will descend in visible glory when men begin to applaud him.
For all STAGE-Playing is Hypocrisy and the Devil is the master of their revels.
For the INNATATION of corpuscles is solved by the Gold-beater's hammer -- God
be gracious to Christopher Peacock and to all my God-Children.
For the PRECESSION of the Equinoxes is improving nature -- something being
gained every where for the glory of God perpetually.
For the souls of the departed are embodied in clouds and purged by the Sun.
For the LONGITUDE may be discovered by attending the motions of the Sun.
Way 2d.
For you must consider the Sun as dodging, which he does to parry observation.
For he must be taken with an Astrolabe, and considered respecting the point he
For you must do this upon your knees and that will secure your point.
For I bless God that I dwell within the sound of Success, and that it is well with
ENGLAND this blessed day. NATIVITY of our LORD N.S. 1759.
~ Christopher Smart,

Sing, Muse, the son of Maia and of Jove,
The Herald-child, king of Arcadia
And all its pastoral hills, whom in sweet love
Having been interwoven, modest May
Bore Heavens dread Supreme. An antique grove
Shadowed the cavern where the lovers lay
In the deep night, unseen by Gods or Men,
And white-armed Juno slumbered sweetly then.

Now, when the joy of Jove had its fulfilling,
And Heavens tenth moon chronicled her relief,
She gave to light a babe all babes excelling,
A schemer subtle beyond all belief;
A shepherd of thin dreams, a cow-stealing,
A night-watching, and door-waylaying thief,
Who mongst the Gods was soon about to thieve,
And other glorious actions to achieve.

The babe was born at the first peep of day;
He began playing on the lyre at noon,
And the same evening did he steal away
Apollos herds;the fourth day of the moon
On which him bore the venerable May,
From her immortal limbs he leaped full soon,
Nor long could in the sacred cradle keep,
But out to seek Apollos herds would creep.

Out of the lofty cavern wandering
He found a tortoise, and cried out--'A treasure!'
(For Mercury first made the tortoise sing)
The beast before the portal at his leisure
The flowery herbage was depasturing,
Moving his feet in a deliberate measure
Over the turf. Joves profitable son
Eying him laughed, and laughing thus begun:--

A useful godsend are you to me now,
King of the dance, companion of the feast,
Lovely in all your nature! Welcome, you
Excellent plaything! Where, sweet mountain-beast,
Got you that speckled shell? Thus much I know,
You must come home with me and be my guest;
You will give joy to me, and I will do
All that is in my power to honour you.

Better to be at home than out of door,
So come with me; and though it has been said
That you alive defend from magic power,
I know you will sing sweetly when youre dead.
Thus having spoken, the quaint infant bore,
Lifting it from the grass on which it fed
And grasping it in his delighted hold,
His treasured prize into the cavern old.

Then scooping with a chisel of gray steel,
He bored the life and soul out of the beast.--
Not swifter a swift thought of woe or weal
Darts through the tumult of a human breast
Which thronging cares annoynot swifter wheel
The flashes of its torture and unrest
Out of the dizzy eyesthan Maias son
All that he did devise hath featly done.

And through the tortoises hard stony skin
At proper distances small holes he made,
And fastened the cut stems of reeds within,
And with a piece of leather overlaid
The open space and fixed the cubits in,
Fitting the bridge to both, and stretched oer all
Symphonious cords of sheep-gut rhythmical.

When he had wrought the lovely instrument,
He tried the chords, and made division meet,
Preluding with the plectrum, and there went
Up from beneath his hand a tumult sweet
Of mighty sounds, and from his lips he sent
A strain of unpremeditated wit
Joyous and wild and wanton--such you may
Hear among revellers on a holiday.

He sung how Jove and May of the bright sandal
Dallied in love not quite legitimate;
And his own birth, still scoffing at the scandal,
And naming his own name, did celebrate;
His mothers cave and servant maids he planned all
In plastic verse, her household stuff and state,
Perennial pot, trippet, and brazen pan,--
But singing, he conceived another plan.

Seized with a sudden fancy for fresh meat,
He in his sacred crib deposited
The hollow lyre, and from the cavern sweet
Rushed with great leaps up to the mountains head,
Revolving in his mind some subtle feat
Of thievish craft, such as a swindler might
Devise in the lone season of dun night.

Lo! the great Sun under the oceans bed has
Driven steeds and chariot--the child meanwhile strode
Oer the Pierian mountains clothed in shadows,
Where the immortal oxen of the God
Are pastured in the flowering unmown meadows,
And safely stalled in a remote abode.--
The archer Argicide, elate and proud,
Drove fifty from the herd, lowing aloud.

He drove them wandering oer the sandy way,
But, being ever mindful of his craft,
Backward and forward drove he them astray,
So that the tracks which seemed before, were aft;
His sandals then he threw to the ocean spray,
And for each foot he wrought a kind of raft
Of tamarisk, and tamarisk-like sprigs,
And bound them in a lump with withy twigs.

And on his feet he tied these sandals light,
The trail of whose wide leaves might not betray
His track; and then, a self-sufficing wight,
Like a man hastening on some distant way,
He from Pierias mountain bent his flight;
But an old man perceived the infant pass
Down green Onchestus heaped like beds with grass.

The old man stood dressing his sunny vine:
Halloo! old fellow with the crooked shoulder!
You grub those stumps? before they will bear wine
Methinks even you must grow a little older:
Attend, I pray, to this advice of mine,
As you would scape what might appal a bolder--
Seeing, see not--and hearing, hear not--and--
If you have understanding--understand.

So saying, Hermes roused the oxen vast;
Oer shadowy mountain and resounding dell,
And flower-paven plains, great Hermes passed;
Till the black night divine, which favouring fell
Around his steps, grew gray, and morning fast
Wakened the world to work, and from her cell
Sea-strewn, the Pallantean Moon sublime
Into her watch-tower just began to climb.

Now to Alpheus he had driven all
The broad-foreheaded oxen of the Sun;
They came unwearied to the lofty stall
And to the water-troughs which ever run
Through the fresh fields--and when with rushgrass tall,
Lotus and all sweet herbage, every one
Had pastured been, the great God made them move
Towards the stall in a collected drove.

A mighty pile of wood the God then heaped,
And having soon conceived the mystery
Of fire, from two smooth laurel branches stripped
The bark, and rubbed them in his palms;--on high
Suddenly forth the burning vapour leaped
And the divine child saw delightedly.--
Mercury first found out for human weal
Tinder-box, matches, fire-irons, flint and steel.

And fine dry logs and roots innumerous
He gathered in a delve upon the ground--
And kindled themand instantaneous
The strength of the fierce flame was breathed around:
And whilst the might of glorious Vulcan thus
Wrapped the great pile with glare and roaring sound,
Hermes dragged forth two heifers, lowing loud,
Close to the firesuch might was in the God.

And on the earth upon their backs he threw
The panting beasts, and rolled them oer and oer,
And bored their lives out. Without more ado
He cut up fat and flesh, and down before
The fire, on spits of wood he placed the two,
Toasting their flesh and ribs, and all the gore
Pursed in the bowels; and while this was done
He stretched their hides over a craggy stone.

We mortals let an ox grow old, and then
Cut it up after long consideration,--
But joyous-minded Hermes from the glen
Drew the fat spoils to the more open station
Of a flat smooth space, and portioned them; and when
He had by lot assigned to each a ration
Of the twelve Gods, his mind became aware
Of all the joys which in religion are.

For the sweet savour of the roasted meat
Tempted him though immortal. Natheless
He checked his haughty will and did not eat,
Though what it cost him words can scarce express,
And every wish to put such morsels sweet
Down his most sacred throat, he did repress;
But soon within the lofty portalled stall
He placed the fat and flesh and bones and all.

And every trace of the fresh butchery
And cooking, the God soon made disappear,
As if it all had vanished through the sky;
He burned the hoofs and horns and head and hair,--
The insatiate fire devoured them hungrily;--
And when he saw that everything was clear,
He quenched the coal, and trampled the black dust,
And in the stream his bloody sandals tossed.

All night he worked in the serene moonshine--
But when the light of day was spread abroad
He sought his natal mountain-peaks divine.
On his long wandering, neither Man nor God
Had met him, since he killed Apollos kine,
Nor house-dog had barked at him on his road;
Now he obliquely through the keyhole passed,
Like a thin mist, or an autumnal blast.

Right through the temple of the spacious cave
He went with soft light feetas if his tread
Fell not on earth; no sound their falling gave;
Then to his cradle he crept quick, and spread
The swaddling-clothes about him; and the knave
Lay playing with the covering of the bed
With his left hand about his knees--the right
Held his beloved tortoise-lyre tight.

There he lay innocent as a new-born child,
As gossips say; but though he was a God,
The Goddess, his fair mother, unbeguiled,
Knew all that he had done being abroad:
Whence come you, and from what adventure wild,
You cunning rogue, and where have you abode
All the long night, clothed in your impudence?
What have you done since you departed hence?

Apollo soon will pass within this gate
And bind your tender body in a chain
Inextricably tight, and fast as fate,
Unless you can delude the God again,
Even when within his arms--ah, runagate!
A pretty torment both for Gods and Men
Your father made when he made you!--Dear mother,
Replied sly Hermes, wherefore scold and bother?

As if I were like other babes as old,
And understood nothing of what is what;
And cared at all to hear my mother scold.
I in my subtle brain a scheme have got,
Which whilst the sacred stars round Heaven are rolled
Will profit you and me--nor shall our lot
Be as you counsel, without gifts or food,
To spend our lives in this obscure abode.

But we will leave this shadow-peopled cave
And live among the Gods, and pass each day
In high communion, sharing what they have
Of profuse wealth and unexhausted prey;
And from the portion which my father gave
To Phoebus, I will snatch my share away,
Which if my father will not--natheless I,
Who am the king of robbers, can but try.

And, if Latonas son should find me out,
Ill countermine him by a deeper plan;
Ill pierce the Pythian temple-walls, though stout,
And sack the fane of everything I can--
Caldrons and tripods of great worth no doubt,
Each golden cup and polished brazen pan, 235
All the wrought tapestries and garments gay.--
So they together talked;--meanwhile the Day

Aethereal born arose out of the flood
Of flowing Ocean, bearing light to men.
Apollo passed toward the sacred wood,
Which from the inmost depths of its green glen
Echoes the voice of Neptune,--and there stood
On the same spot in green Onchestus then
That same old animal, the vine-dresser,
Who was employed hedging his vineyard there.

Latonas glorious Son began:--I pray
Tell, ancient hedger of Onchestus green,
Whether a drove of kine has passed this way,
All heifers with crooked horns? for they have been
Stolen from the herd in high Pieria,
Where a black bull was fed apart, between
Two woody mountains in a neighbouring glen,
And four fierce dogs watched there, unanimous as men.

And what is strange, the author of this theft
Has stolen the fatted heifers every one,
But the four dogs and the black bull are left:--
Stolen they were last night at set of sun,
Of their soft beds and their sweet food bereft.--
Now tell me, man born ere the world begun,
Have you seen any one pass with the cows?--
To whom the man of overhanging brows:

My friend, it would require no common skill
Justly to speak of everything I see:
On various purposes of good or ill
Many pass by my vineyard,--and to me
Tis difficult to know the invisible
Thoughts, which in all those many minds may be:--
Thus much alone I certainly can say,
I tilled these vines till the decline of day,

And then I thought I saw, but dare not speak
With certainty of such a wondrous thing,
A child, who could not have been born a week,
Those fair-horned cattle closely following,
And in his hand he held a polished stick:
And, as on purpose, he walked wavering
From one side to the other of the road,
And with his face opposed the steps he trod.

Apollo hearing this, passed quickly on--
No winged omen could have shown more clear
That the deceiver was his fathers son.
So the God wraps a purple atmosphere
Around his shoulders, and like fire is gone
To famous Pylos, seeking his kine there,
And found their track and his, yet hardly cold,
And criedWhat wonder do mine eyes behold!

Here are the footsteps of the horned herd
Turned back towards their fields of asphodel;--
But THESE are not the tracks of beast or bird,
Gray wolf, or bear, or lion of the dell,
Or maned Centaur--sand was never stirred
By man or woman thus! Inexplicable!
Who with unwearied feet could eer impress
The sand with such enormous vestiges?

That was most strange--but this is stranger still!
Thus having said, Phoebus impetuously
Sought high Cyllenes forest-cinctured hill,
And the deep cavern where dark shadows lie,
And where the ambrosial nymph with happy will
Bore the Saturnians love-child, Mercury--
And a delightful odour from the dew
Of the hill pastures, at his coming, flew.

And Phoebus stooped under the craggy roof
Arched over the dark cavern:--Maias child
Perceived that he came angry, far aloof,
About the cows of which he had been beguiled;
And over him the fine and fragrant woof
Of his ambrosial swaddling-clothes he piled--
As among fire-brands lies a burning spark
Covered, beneath the ashes cold and dark.

There, like an infant who had sucked his fill
And now was newly washed and put to bed,
Awake, but courting sleep with weary will,
And gathered in a lump, hands, feet, and head,
He lay, and his beloved tortoise still
He grasped and held under his shoulder-blade.
Phoebus the lovely mountain-goddess knew,
Not less her subtle, swindling baby, who

Lay swathed in his sly wiles. Round every crook
Of the ample cavern, for his kine, Apollo
Looked sharp; and when he saw them not, he took
The glittering key, and opened three great hollow
Recesses in the rock--where many a nook
Was filled with the sweet food immortals swallow,
And mighty heaps of silver and of gold
Were piled within--a wonder to behold!

And white and silver robes, all overwrought
With cunning workmanship of tracery sweet--
Except among the Gods there can be nought
In the wide world to be compared with it.
Latonas offspring, after having sought
His herds in every corner, thus did greet
Great Hermes:--Little cradled rogue, declare
Of my illustrious heifers, where they are!

Speak quickly! or a quarrel between us
Must rise, and the event will be, that I
Shall hurl you into dismal Tartarus,
In fiery gloom to dwell eternally;
Nor shall your father nor your mother loose
The bars of that black dungeonutterly
You shall be cast out from the light of day,
To rule the ghosts of men, unblessed as they.

To whom thus Hermes slily answered:--Son
Of great Latona, what a speech is this!
Why come you here to ask me what is done
With the wild oxen which it seems you miss?
I have not seen them, nor from any one
Have heard a word of the whole business;
If you should promise an immense reward,
I could not tell more than you now have heard.

An ox-stealer should be both tall and strong,
And I am but a little new-born thing,
Who, yet at least, can think of nothing wrong:--
My business is to suck, and sleep, and fling
The cradle-clothes about me all day long,--
Or half asleep, hear my sweet mother sing,
And to be washed in water clean and warm,
And hushed and kissed and kept secure from harm.

O, let not eer this quarrel be averred!
The astounded Gods would laugh at you, if eer
You should allege a story so absurd
As that a new-born infant forth could fare
Out of his home after a savage herd.
I was born yesterday--my small feet are
Too tender for the roads so hard and rough:--
And if you think that this is not enough,

I swear a great oath, by my fathers head,
That I stole not your cows, and that I know
Of no one else, who might, or could, or did.--
Whatever things cows are, I do not know,
For I have only heard the name.--This said
He winked as fast as could be, and his brow
Was wrinkled, and a whistle loud gave he,
Like one who hears some strange absurdity.

Apollo gently smiled and said:--Ay, ay,--
You cunning little rascal, you will bore
Many a rich mans house, and your array
Of thieves will lay their siege before his door,
Silent as night, in night; and many a day
In the wild glens rough shepherds will deplore
That you or yours, having an appetite,
Met with their cattle, comrade of the night!

And this among the Gods shall be your gift,
To be considered as the lord of those
Who swindle, house-break, sheep-steal, and shop-lift;--
But now if you would not your last sleep doze;
Crawl out!--Thus saying, Phoebus did uplift
The subtle infant in his swaddling clothes,
And in his arms, according to his wont,
A scheme devised the illustrious Argiphont.

And sneezed and shuddered--Phoebus on the grass
Him threw, and whilst all that he had designed
He did perform--eager although to pass,
Apollo darted from his mighty mind
Towards the subtle babe the following scoff:--
Do not imagine this will get you off,

You little swaddled child of Jove and May!
And seized him:--By this omen I shall trace
My noble herds, and you shall lead the way.--
Cyllenian Hermes from the grassy place,
Like one in earnest haste to get away,
Rose, and with hands lifted towards his face
Round both his ears up from his shoulders drew
His swaddling clothes, andWhat mean you to do

With me, you unkind God?--said Mercury:
Is it about these cows you tease me so?
I wish the race of cows were perished!--I
Stole not your cows--I do not even know
What things cows are. Alas! I well may sigh
That since I came into this world of woe,
I should have ever heard the name of one--
But I appeal to the Saturnians throne.

Thus Phoebus and the vagrant Mercury
Talked without coming to an explanation,
With adverse purpose. As for Phoebus, he
Sought not revenge, but only information,
And Hermes tried with lies and roguery
To cheat Apollo.--But when no evasion
Served--for the cunning one his match had found--
He paced on first over the sandy ground.

He of the Silver Bow the child of Jove
Followed behind, till to their heavenly Sire
Came both his children, beautiful as Love,
And from his equal balance did require
A judgement in the cause wherein they strove.
Oer odorous Olympus and its snows
A murmuring tumult as they came arose,--

And from the folded depths of the great Hill,
While Hermes and Apollo reverent stood
Before Joves throne, the indestructible
Immortals rushed in mighty multitude;
And whilst their seats in order due they fill,
The lofty Thunderer in a careless mood
To Phoebus said:Whence drive you this sweet prey,
This herald-baby, born but yesterday?--

A most important subject, trifler, this
To lay before the Gods!--Nay, Father, nay,
When you have understood the business,
Say not that I alone am fond of prey.
I found this little boy in a recess
Under Cyllenes mountains far away--
A manifest and most apparent thief,
A scandalmonger beyond all belief.

I never saw his like either in Heaven
Or upon earth for knavery or craft:--
Out of the field my cattle yester-even,
By the low shore on which the loud sea laughed,
He right down to the river-ford had driven;
And mere astonishment would make you daft
To see the double kind of footsteps strange
He has impressed wherever he did range.

The cattles track on the black dust, full well
Is evident, as if they went towards
The place from which they came--that asphodel
Meadow, in which I feed my many herds,--
HIS steps were most incomprehensible--
I know not how I can describe in words
Those trackshe could have gone along the sands
Neither upon his feet nor on his hands;--

He must have had some other stranger mode
Of moving on: those vestiges immense,
Far as I traced them on the sandy road,
Seemed like the trail of oak-toppings:--but thence
No mark nor track denoting where they trod
The hard ground gave:but, working at his fence,
A mortal hedger saw him as he passed
To Pylos, with the cows, in fiery haste.

I found that in the dark he quietly
Had sacrificed some cows, and before light
Had thrown the ashes all dispersedly
About the roadthen, still as gloomy night,
Had crept into his cradle, either eye
Rubbing, and cogitating some new sleight.
No eagle could have seen him as he lay
Hid in his cavern from the peering day.

I taxed him with the fact, when he averred
Most solemnly that he did neither see
Nor even had in any manner heard
Of my lost cows, whatever things cows be;
Nor could he tell, though offered a reward,
Not even who could tell of them to me.
So speaking, Phoebus sate; and Hermes then
Addressed the Supreme Lord of Gods and Men:--

Great Father, you know clearly beforehand
That all which I shall say to you is sooth;
I am a most veracious person, and
Totally unacquainted with untruth.
At sunrise Phoebus came, but with no band
Of Gods to bear him witness, in great wrath,
To my abode, seeking his heifers there,
And saying that I must show him where they are,

Or he would hurl me down the dark abyss.
I know that every Apollonian limb
Is clothed with speed and might and manliness,
As a green bank with flowersbut unlike him
I was born yesterday, and you may guess
He well knew this when he indulged the whim
Of bullying a poor little new-born thing
That slept, and never thought of cow-driving.

Am I like a strong fellow who steals kine?
Believe me, dearest Father--such you are--
This driving of the herds is none of mine;
Across my threshold did I wander neer,
So may I thrive! I reverence the divine
Sun and the Gods, and I love you, and care
Even for this hard accuser--who must know
I am as innocent as they or you.

I swear by these most gloriously-wrought portals
(It is, you will allow, an oath of might)
Through which the multitude of the Immortals
Pass and repass forever, day and night,
Devising schemes for the affairs of mortals--
I am guiltless; and I will requite,
Although mine enemy be great and strong,
His cruel threat--do thou defend the young!

So speaking, the Cyllenian Argiphont
Winked, as if now his adversary was fitted:
And Jupiter, according to his wont,
Laughed heartily to hear the subtle-witted
Infant give such a plausible account,
And every word a lie. But he remitted
Judgement at presentand his exhortation
Was, to compose the affair by arbitration.

And they by mighty Jupiter were bidden
To go forth with a single purpose both,
Neither the other chiding nor yet chidden:
And Mercury with innocence and truth
To lead the way, and show where he had hidden
The mighty heifers.--Hermes, nothing loth,
Obeyed the Aegis-bearers willfor he
Is able to persuade all easily.

These lovely children of Heavens highest Lord
Hastened to Pylos and the pastures wide
And lofty stalls by the Alphean ford,
Where wealth in the mute night is multiplied
With silent growth. Whilst Hermes drove the herd
Out of the stony cavern, Phoebus spied
The hides of those the little babe had slain,
Stretched on the precipice above the plain.

How was it possible, then Phoebus said,
That you, a little child, born yesterday,
A thing on mothers milk and kisses fed,
Could two prodigious heifers ever flay?
Even I myself may well hereafter dread
Your prowess, offspring of Cyllenian May,
When you grow strong and tall.--He spoke, and bound
Stiff withy bands the infants wrists around.

He might as well have bound the oxen wild;
The withy bands, though starkly interknit,
Fell at the feet of the immortal child,
Loosened by some device of his quick wit.
Phoebus perceived himself again beguiled,
And staredwhile Hermes sought some hole or pit,
Looking askance and winking fast as thought,
Where he might hide himself and not be caught.

Sudden he changed his plan, and with strange skill
Subdued the strong Latonian, by the might
Of winning music, to his mightier will;
His left hand held the lyre, and in his right
The plectrum struck the chordsunconquerable
Up from beneath his hand in circling flight
The gathering music roseand sweet as Love
The penetrating notes did live and move

Within the heart of great Apollo--he
Listened with all his soul, and laughed for pleasure.
Close to his side stood harping fearlessly
The unabashed boy; and to the measure
Of the sweet lyre, there followed loud and free
His joyous voice; for he unlocked the treasure
Of his deep song, illustrating the birth
Of the bright Gods, and the dark desert Earth:

And how to the Immortals every one
A portion was assigned of all that is;
But chief Mnemosyne did Maias son
Clothe in the light of his loud melodies;--
And, as each God was born or had begun,
He in their order due and fit degrees
Sung of his birth and beingand did move
Apollo to unutterable love.

These words were winged with his swift delight:
You heifer-stealing schemer, well do you
Deserve that fifty oxen should requite
Such minstrelsies as I have heard even now.
Comrade of feasts, little contriving wight,
One of your secrets I would gladly know,
Whether the glorious power you now show forth
Was folded up within you at your birth,

Or whether mortal taught or God inspired
The power of unpremeditated song?
Many divinest sounds have I admired,
The Olympian Gods and mortal men among;
But such a strain of wondrous, strange, untired,
And soul-awakening music, sweet and strong,
Yet did I never hear except from thee,
Offspring of May, impostor Mercury!

What Muse, what skill, what unimagined use,
What exercise of subtlest art, has given
Thy songs such power?--for those who hear may choose
From three, the choicest of the gifts of Heaven,
Delight, and love, and sleep,--sweet sleep, whose dews
Are sweeter than the balmy tears of even:--
And I, who speak this praise, am that Apollo
Whom the Olympian Muses ever follow:

And their delight is dance, and the blithe noise
Of song and overflowing poesy;
And sweet, even as desire, the liquid voice
Of pipes, that fills the clear air thrillingly;
But never did my inmost soul rejoice
In this dear work of youthful revelry
As now. I wonder at thee, son of Jove;
Thy harpings and thy song are soft as love.

Now since thou hast, although so very small,
Science of arts so glorious, thus I swear,--
And let this cornel javelin, keen and tall,
Witness between us what I promise here,--
That I will lead thee to the Olympian Hall,
Honoured and mighty, with thy mother dear,
And many glorious gifts in joy will give thee,
And even at the end will neer deceive thee.

To whom thus Mercury with prudent speech:--
Wisely hast thou inquired of my skill:
I envy thee no thing I know to teach
Even this day:for both in word and will
I would be gentle with thee; thou canst reach
All things in thy wise spirit, and thy sill
Is highest in Heaven among the sons of Jove,
Who loves thee in the fulness of his love.

The Counsellor Supreme has given to thee
Divinest gifts, out of the amplitude
Of his profuse exhaustless treasury;
By thee, tis said, the depths are understood
Of his far voice; by thee the mystery
Of all oracular fates,and the dread mood
Of the diviner is breathed up; even I--
A childperceive thy might and majesty.

Thou canst seek out and compass all that wit
Can find or teach;--yet since thou wilt, come take
The lyre--be mine the glory giving it--
Strike the sweet chords, and sing aloud, and wake
Thy joyous pleasure out of many a fit
Of tranced sound--and with fleet fingers make
Thy liquid-voiced comrade talk with thee,--
It can talk measured music eloquently.

Then bear it boldly to the revel loud,
Love-wakening dance, or feast of solemn state,
A joy by night or day--for those endowed
With art and wisdom who interrogate
It teaches, babbling in delightful mood
All things which make the spirit most elate,
Soothing the mind with sweet familiar play,
Chasing the heavy shadows of dismay.

To those who are unskilled in its sweet tongue,
Though they should question most impetuously
Its hidden soul, it gossips something wrong--
Some senseless and impertinent reply.
But thou who art as wise as thou art strong
Canst compass all that thou desirest. I
Present thee with this music-flowing shell,
Knowing thou canst interrogate it well.

And let us two henceforth together feed,
On this green mountain-slope and pastoral plain,
The herds in litigation -- they will breed
Quickly enough to recompense our pain,
If to the bulls and cows we take good heed;--
And thou, though somewhat over fond of gain,
Grudge me not half the profit.Having spoke,
The shell he proffered, and Apollo took;

And gave him in return the glittering lash,
Installing him as herdsman;--from the look
Of Mercury then laughed a joyous flash.
And then Apollo with the plectrum strook
The chords, and from beneath his hands a crash
Of mighty sounds rushed up, whose music shook
The soul with sweetness, and like an adept
His sweeter voice a just accordance kept.

The herd went wandering oer the divine mead,
Whilst these most beautiful Sons of Jupiter
Won their swift way up to the snowy head
Of white Olympus, with the joyous lyre
Soothing their journey; and their father dread
Gathered them both into familiar
Affection sweet,and then, and now, and ever,
Hermes must love Him of the Golden Quiver,

To whom he gave the lyre that sweetly sounded,
Which skilfully he held and played thereon.
He piped the while, and far and wide rebounded
The echo of his pipings; every one
Of the Olympians sat with joy astounded;
While he conceived another piece of fun,
One of his old trickswhich the God of Day
Perceiving, said:I fear thee, Son of May;--

I fear thee and thy sly chameleon spirit,
Lest thou should steal my lyre and crooked bow;
This glory and power thou dost from Jove inherit,
To teach all craft upon the earth below;
Thieves love and worship theeit is thy merit
To make all mortal business ebb and flow
By roguery:now, Hermes, if you dare
By sacred Styx a mighty oath to swear

That you will never rob me, you will do
A thing extremely pleasing to my heart.
Then Mercury swore by the Stygian dew,
That he would never steal his bow or dart,
Or lay his hands on what to him was due,
Or ever would employ his powerful art
Against his Pythian fane. Then Phoebus swore
There was no God or Man whom he loved more.

And I will give thee as a good-will token,
The beautiful wand of wealth and happiness;
A perfect three-leaved rod of gold unbroken,
Whose magic will thy footsteps ever bless;
And whatsoever by Joves voice is spoken
Of earthly or divine from its recess,
It, like a loving soul, to thee will speak,
And more than this, do thou forbear to seek.

For, dearest child, the divinations high
Which thou requirest, tis unlawful ever
That thou, or any other deity
Should understandand vain were the endeavour;
For they are hidden in Joves mind, and I,
In trust of them, have sworn that I would never
Betray the counsels of Joves inmost will
To any Godthe oath was terrible.

Then, golden-wanded brother, ask me not
To speak the fates by Jupiter designed;
But be it mine to tell their various lot
To the unnumbered tribes of human-kind.
Let good to these, and ill to those be wrought
As I dispensebut he who comes consigned
By voice and wings of perfect augury
To my great shrine, shall find avail in me.

Him will I not deceive, but will assist;
But he who comes relying on such birds
As chatter vainly, who would strain and twist
The purpose of the Gods with idle words,
And deems their knowledge light, he shall have missed
His roadwhilst I among my other hoards
His gifts deposit. Yet, O son of May,
I have another wondrous thing to say.

There are three Fates, three virgin Sisters, who
Rejoicing in their wind-outspeeding wings,
Their heads with flour snowed over white and new,
Sit in a vale round which Parnassus flings
Its circling skirtsfrom these I have learned true
Vaticinations of remotest things.
My father cared not. Whilst they search out dooms,
They sit apart and feed on honeycombs.

They, having eaten the fresh honey, grow
Drunk with divine enthusiasm, and utter
With earnest willingness the truth they know;
But if deprived of that sweet food, they mutter
All plausible delusions;--these to you
I give;--if you inquire, they will not stutter;
Delight your own soul with them:--any man
You would instruct may profit if he can.

Take these and the fierce oxen, Maias child--
Oer many a horse and toil-enduring mule,
Oer jagged-jawed lions, and the wild
White-tusked boars, oer all, by field or pool,
Of cattle which the mighty Mother mild
Nourishes in her bosom, thou shalt rule--
Thou dost alone the veil from death uplift--
Thou givest notyet this is a great gift.

Thus King Apollo loved the child of May
In truth, and Jove covered their love with joy.
Hermes with Gods and Men even from that day
Mingled, and wrought the latter much annoy,
And little profit, going far astray
Through the dun night. Farewell, delightful Boy,
Of Jove and Maia sprung,never by me,
Nor thou, nor other songs, shall unremembered be
Published by Mrs. Shelley, Posthumous Poems, 1824. This alone of the Translations is included in the Harvard manuscript book. Fragments of the drafts of this and the other Hymns of Homer exist among the Boscombe manuscripts (Forman).
~ Percy Bysshe Shelley, Hymn To Mercury
351:Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:nor can I now--so on
I move to the end in lowliness of heart.--

"Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native airlet me but die at home."

Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

"Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my bosom? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!I am sad and lost."

Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer farO gaze no more:
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?Hist!      "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!My soul doth melt
For the unhappy youthLove! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"

               Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn notno, no, no
While the great waters are at ebb and flow.
I have a triple soul! O fond pretence
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle bosom heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilta very guilt
Not to companion thee, and sigh away
The lightthe duskthe darktill break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delightI bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay
     "O Sorrow,
     Why dost borrow
The natural hue of health, from vermeil lips?
     To give maiden blushes
     To the white rose bushes?
Or is it thy dewy hand the daisy tips?

     "O Sorrow,
     Why dost borrow
The lustrous passion from a falcon-eye?
     To give the glow-worm light?
     Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

     "O Sorrow,
     Why dost borrow
The mellow ditties from a mourning tongue?
     To give at evening pale
     Unto the nightingale,
That thou mayst listen the cold dews among?

     "O Sorrow,
     Why dost borrow
Heart's lightness from the merriment of May?
     A lover would not tread
     A cowslip on the head,
Though he should dance from eve till peep of day
     Nor any drooping flower
     Held sacred for thy bower,
Wherever he may sport himself and play.

     "To Sorrow
     I bade good-morrow,
And thought to leave her far away behind;
     But cheerly, cheerly,
     She loves me dearly;
She is so constant to me, and so kind:
     I would deceive her
     And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,
     And so I kept
Brimming the water-lily cups with tears
     Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
    But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue
    'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din
    'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
    To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:
    I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
    With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
    For Venus' pearly bite;
And near him rode Silenus on his ****,
Pelted with flowers as he on did pass
    Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
    Your lutes, and gentler fate?
We follow Bacchus! Bacchus on the wing?
    A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:
Come hither, lady fair, and joined be
    To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
    Your nuts in oak-tree cleft?
For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
    And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
    With Asian elephants:
Onward these myriadswith song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
    Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
    On spleenful unicorn.

"I saw Osirian Egypt kneel adown
    Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
    To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
    Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
    And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.
Into these regions came I following him,
Sick hearted, wearyso I took a whim
To stray away into these forests drear
    Alone, without a peer:
And I have told thee all thou mayest hear.

     "Young stranger!
     I've been a ranger
In search of pleasure throughout every clime:
     Alas! 'tis not for me!
     Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

     "Come then, Sorrow!
     Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
     I thought to leave thee
     And deceive thee,
But now of all the world I love thee best.

     "There is not one,
     No, no, not one
But thee to comfort a poor lonely maid;
     Thou art her mother,
     And her brother,
Her playmate, and her wooer in the shade."

O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not thinkby Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently murder half my soul, and I
Shall feel the other half so utterly!
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.
This cannot be thy hand, and yet it is;
And this is sure thine other softlingthis
Thine own fair bosom, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this worldsweet dewy blossom!"Woe!
Woe! Woe to that Endymion! Where is he?
Even these words went echoing dismally
Through the wide foresta most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destructionwhen lo,
Foot-feather'd Mercury appear'd sublime
Beyond the tall tree tops; and in less time
Than shoots the slanted hail-storm, down he dropt
Towards the ground; but rested not, nor stopt
One moment from his home: only the sward
He with his wand light touch'd, and heavenward
Swifter than sight was goneeven before
The teeming earth a sudden witness bore
Of his swift magic. Diving swans appear
Above the crystal circlings white and clear;
And catch the cheated eye in wild surprise,
How they can dive in sight and unseen rise
So from the turf outsprang two steeds jet-black,
Each with large dark blue wings upon his back.
The youth of Caria plac'd the lovely dame
On one, and felt himself in spleen to tame
The other's fierceness. Through the air they flew,
High as the eagles. Like two drops of dew
Exhal'd to Phoebus' lips, away they are gone,
Far from the earth awayunseen, alone,
Among cool clouds and winds, but that the free,
The buoyant life of song can floating be
Above their heads, and follow them untir'd.
Muse of my native land, am I inspir'd?
This is the giddy air, and I must spread
Wide pinions to keep here; nor do I dread
Or height, or depth, or width, or any chance
Precipitous: I have beneath my glance
Those towering horses and their mournful freight.
Could I thus sail, and see, and thus await
Fearless for power of thought, without thine aid?
There is a sleepy dusk, an odorous shade
From some approaching wonder, and behold
Those winged steeds, with snorting nostrils bold
Snuff at its faint extreme, and seem to tire,
Dying to embers from their native fire!

There curl'd a purple mist around them; soon,
It seem'd as when around the pale new moon
Sad Zephyr droops the clouds like weeping willow:
'Twas Sleep slow journeying with head on pillow.
For the first time, since he came nigh dead born
From the old womb of night, his cave forlorn
Had he left more forlorn; for the first time,
He felt aloof the day and morning's prime
Because into his depth Cimmerian
There came a dream, shewing how a young man,
Ere a lean bat could plump its wintery skin,
Would at high Jove's empyreal footstool win
An immortality, and how espouse
Jove's daughter, and be reckon'd of his house.
Now was he slumbering towards heaven's gate,
That he might at the threshold one hour wait
To hear the marriage melodies, and then
Sink downward to his dusky cave again.
His litter of smooth semilucent mist,
Diversely ting'd with rose and amethyst,
Puzzled those eyes that for the centre sought;
And scarcely for one moment could be caught
His sluggish form reposing motionless.
Those two on winged steeds, with all the stress
Of vision search'd for him, as one would look
Athwart the sallows of a river nook
To catch a glance at silver throated eels,
Or from old Skiddaw's top, when fog conceals
His rugged forehead in a mantle pale,
With an eye-guess towards some pleasant vale
Descry a favourite hamlet faint and far.

These raven horses, though they foster'd are
Of earth's splenetic fire, dully drop
Their full-veined ears, nostrils blood wide, and stop;
Upon the spiritless mist have they outspread
Their ample feathers, are in slumber dead,
And on those pinions, level in mid air,
Endymion sleepeth and the lady fair.
Slowly they sail, slowly as icy isle
Upon a calm sea drifting: and meanwhile
The mournful wanderer dreams. Behold! he walks
On heaven's pavement; brotherly he talks
To divine powers: from his hand full fain
Juno's proud birds are pecking pearly grain:
He tries the nerve of Phoebus' golden bow,
And asketh where the golden apples grow:
Upon his arm he braces Pallas' shield,
And strives in vain to unsettle and wield
A Jovian thunderbolt: arch Hebe brings
A full-brimm'd goblet, dances lightly, sings
And tantalizes long; at last he drinks,
And lost in pleasure at her feet he sinks,
Touching with dazzled lips her starlight hand.
He blows a bugle,an ethereal band
Are visible above: the Seasons four,
Green-kyrtled Spring, flush Summer, golden store
In Autumn's sickle, Winter frosty hoar,
Join dance with shadowy Hours; while still the blast,
In swells unmitigated, still doth last
To sway their floating morris. "Whose is this?
Whose bugle?" he inquires: they smile"O Dis!
Why is this mortal here? Dost thou not know
Its mistress' lips? Not thou?'Tis Dian's: lo!
She rises crescented!" He looks, 'tis she,
His very goddess: good-bye earth, and sea,
And air, and pains, and care, and suffering;
Good-bye to all but love! Then doth he spring
Towards her, and awakesand, strange, o'erhead,
Of those same fragrant exhalations bred,
Beheld awake his very dream: the gods
Stood smiling; merry Hebe laughs and nods;
And Phoebe bends towards him crescented.
O state perplexing! On the pinion bed,
Too well awake, he feels the panting side
Of his delicious lady. He who died
For soaring too audacious in the sun,
Where that same treacherous wax began to run,
Felt not more tongue-tied than Endymion.
His heart leapt up as to its rightful throne,
To that fair shadow'd passion puls'd its way
Ah, what perplexity! Ah, well a day!
So fond, so beauteous was his bed-fellow,
He could not help but kiss her: then he grew
Awhile forgetful of all beauty save
Young Phoebe's, golden hair'd; and so 'gan crave
Forgiveness: yet he turn'd once more to look
At the sweet sleeper,all his soul was shook,
She press'd his hand in slumber; so once more
He could not help but kiss her and adore.
At this the shadow wept, melting away.
The Latmian started up: "Bright goddess, stay!
Search my most hidden breast! By truth's own tongue,
I have no ddale heart: why is it wrung
To desperation? Is there nought for me,
Upon the bourne of bliss, but misery?"

These words awoke the stranger of dark tresses:
Her dawning love-look rapt Endymion blesses
With 'haviour soft. Sleep yawned from underneath.
"Thou swan of Ganges, let us no more breathe
This murky phantasm! thou contented seem'st
Pillow'd in lovely idleness, nor dream'st
What horrors may discomfort thee and me.
Ah, shouldst thou die from my heart-treachery!
Yet did she merely weepher gentle soul
Hath no revenge in it: as it is whole
In tenderness, would I were whole in love!
Can I prize thee, fair maid, all price above,
Even when I feel as true as innocence?
I do, I do.What is this soul then? Whence
Came it? It does not seem my own, and I
Have no self-passion or identity.
Some fearful end must be: where, where is it?
By Nemesis, I see my spirit flit
Alone about the darkForgive me, sweet:
Shall we away?" He rous'd the steeds: they beat
Their wings chivalrous into the clear air,
Leaving old Sleep within his vapoury lair.

The good-night blush of eve was waning slow,
And Vesper, risen star, began to throe
In the dusk heavens silvery, when they
Thus sprang direct towards the Galaxy.
Nor did speed hinder converse soft and strange
Eternal oaths and vows they interchange,
In such wise, in such temper, so aloof
Up in the winds, beneath a starry roof,
So witless of their doom, that verily
'Tis well nigh past man's search their hearts to see;
Whether they wept, or laugh'd, or griev'd, or toy'd
Most like with joy gone mad, with sorrow cloy'd.

Full facing their swift flight, from ebon streak,
The moon put forth a little diamond peak,
No bigger than an unobserved star,
Or tiny point of fairy scymetar;
Bright signal that she only stoop'd to tie
Her silver sandals, ere deliciously
She bow'd into the heavens her timid head.
Slowly she rose, as though she would have fled,
While to his lady meek the Carian turn'd,
To mark if her dark eyes had yet discern'd
This beauty in its birthDespair! despair!
He saw her body fading gaunt and spare
In the cold moonshine. Straight he seiz'd her wrist;
It melted from his grasp: her hand he kiss'd,
And, horror! kiss'd his ownhe was alone.
Her steed a little higher soar'd, and then
Dropt hawkwise to the earth.    There lies a den,
Beyond the seeming confines of the space
Made for the soul to wander in and trace
Its own existence, of remotest glooms.
Dark regions are around it, where the tombs
Of buried griefs the spirit sees, but scarce
One hour doth linger weeping, for the pierce
Of new-born woe it feels more inly smart:
And in these regions many a venom'd dart
At random flies; they are the proper home
Of every ill: the man is yet to come
Who hath not journeyed in this native hell.
But few have ever felt how calm and well
Sleep may be had in that deep den of all.
There anguish does not sting; nor pleasure pall:
Woe-hurricanes beat ever at the gate,
Yet all is still within and desolate.
Beset with painful gusts, within ye hear
No sound so loud as when on curtain'd bier
The death-watch tick is stifled. Enter none
Who strive therefore: on the sudden it is won.
Just when the sufferer begins to burn,
Then it is free to him; and from an urn,
Still fed by melting ice, he takes a draught
Young Semele such richness never quaft
In her maternal longing. Happy gloom!
Dark Paradise! where pale becomes the bloom
Of health by due; where silence dreariest
Is most articulate; where hopes infest;
Where those eyes are the brightest far that keep
Their lids shut longest in a dreamless sleep.
O happy spirit-home! O wondrous soul!
Pregnant with such a den to save the whole
In thine own depth. Hail, gentle Carian!
For, never since thy griefs and woes began,
Hast thou felt so content: a grievous feud
Hath let thee to this Cave of Quietude.
Aye, his lull'd soul was there, although upborne
With dangerous speed: and so he did not mourn
Because he knew not whither he was going.
So happy was he, not the aerial blowing
Of trumpets at clear parley from the east
Could rouse from that fine relish, that high feast.
They stung the feather'd horse: with fierce alarm
He flapp'd towards the sound. Alas, no charm
Could lift Endymion's head, or he had view'd
A skyey mask, a pinion'd multitude,
And silvery was its passing: voices sweet
Warbling the while as if to lull and greet
The wanderer in his path. Thus warbled they,
While past the vision went in bright array.

"Who, who from Dian's feast would be away?
For all the golden bowers of the day
Are empty left? Who, who away would be
From Cynthia's wedding and festivity?
Not Hesperus: lo! upon his silver wings
He leans away for highest heaven and sings,
Snapping his lucid fingers merrily!
Ah, Zephyrus! art here, and Flora too!
Ye tender bibbers of the rain and dew,
Young playmates of the rose and daffodil,
Be careful, ere ye enter in, to fill
    Your baskets high
With fennel green, and balm, and golden pines,
Savory, latter-mint, and columbines,
Cool parsley, basil sweet, and sunny thyme;
Yea, every flower and leaf of every clime,
All gather'd in the dewy morning: hie
    Away! fly, fly!
Crystalline brother of the belt of heaven,
Aquarius! to whom king Jove has given
Two liquid pulse streams 'stead of feather'd wings,
Two fan-like fountains,thine illuminings
    For Dian play:
Dissolve the frozen purity of air;
Let thy white shoulders silvery and bare
Shew cold through watery pinions; make more bright
The Star-Queen's crescent on her marriage night:
    Haste, haste away!
Castor has tamed the planet Lion, see!
And of the Bear has Pollux mastery:
A third is in the race! who is the third,
Speeding away swift as the eagle bird?
    The ramping Centaur!
The Lion's mane's on end: the Bear how fierce!
The Centaur's arrow ready seems to pierce
Some enemy: far forth his bow is bent
Into the blue of heaven. He'll be shent,
    Pale unrelentor,
When he shall hear the wedding lutes a playing.
Andromeda! sweet woman! why delaying
So timidly among the stars: come hither!
Join this bright throng, and nimbly follow whither
    They all are going.
Danae's Son, before Jove newly bow'd,
Has wept for thee, calling to Jove aloud.
Thee, gentle lady, did he disenthral:
Ye shall for ever live and love, for all
    Thy tears are flowing.
By Daphne's fright, behold Apollo!"

Endymion heard not: down his steed him bore,
Prone to the green head of a misty hill.

His first touch of the earth went nigh to kill.
"Alas!" said he, "were I but always borne
Through dangerous winds, had but my footsteps worn
A path in hell, for ever would I bless
Horrors which nourish an uneasiness
For my own sullen conquering: to him
Who lives beyond earth's boundary, grief is dim,
Sorrow is but a shadow: now I see
The grass; I feel the solid groundAh, me!
It is thy voicedivinest! Where?who? who
Left thee so quiet on this bed of dew?
Behold upon this happy earth we are;
Let us ay love each other; let us fare
On forest-fruits, and never, never go
Among the abodes of mortals here below,
Or be by phantoms duped. O destiny!
Into a labyrinth now my soul would fly,
But with thy beauty will I deaden it.
Where didst thou melt too? By thee will I sit
For ever: let our fate stop herea kid
I on this spot will offer: Pan will bid
Us live in peace, in love and peace among
His forest wildernesses. I have clung
To nothing, lov'd a nothing, nothing seen
Or felt but a great dream! O I have been
Presumptuous against love, against the sky,
Against all elements, against the tie
Of mortals each to each, against the blooms
Of flowers, rush of rivers, and the tombs
Of heroes gone! Against his proper glory
Has my own soul conspired: so my story
Will I to children utter, and repent.
There never liv'd a mortal man, who bent
His appetite beyond his natural sphere,
But starv'd and died. My sweetest Indian, here,
Here will I kneel, for thou redeemed hast
My life from too thin breathing: gone and past
Are cloudy phantasms. Caverns lone, farewel!
And air of visions, and the monstrous swell
Of visionary seas! No, never more
Shall airy voices cheat me to the shore
Of tangled wonder, breathless and aghast.
Adieu, my daintiest Dream! although so vast
My love is still for thee. The hour may come
When we shall meet in pure elysium.
On earth I may not love thee; and therefore
Doves will I offer up, and sweetest store
All through the teeming year: so thou wilt shine
On me, and on this damsel fair of mine,
And bless our simple lives. My Indian bliss!
My river-lily bud! one human kiss!
One sigh of real breathone gentle squeeze,
Warm as a dove's nest among summer trees,
And warm with dew at ooze from living blood!
Whither didst melt? Ah, what of that!all good
We'll talk aboutno more of dreaming.Now,
Where shall our dwelling be? Under the brow
Of some steep mossy hill, where ivy dun
Would hide us up, although spring leaves were none;
And where dark yew trees, as we rustle through,
Will drop their scarlet berry cups of dew?
O thou wouldst joy to live in such a place;
Dusk for our loves, yet light enough to grace
Those gentle limbs on mossy bed reclin'd:
For by one step the blue sky shouldst thou find,
And by another, in deep dell below,
See, through the trees, a little river go
All in its mid-day gold and glimmering.
Honey from out the gnarled hive I'll bring,
And apples, wan with sweetness, gather thee,
Cresses that grow where no man may them see,
And sorrel untorn by the dew-claw'd stag:
Pipes will I fashion of the syrinx flag,
That thou mayst always know whither I roam,
When it shall please thee in our quiet home
To listen and think of love. Still let me speak;
Still let me dive into the joy I seek,
For yet the past doth prison me. The rill,
Thou haply mayst delight in, will I fill
With fairy fishes from the mountain tarn,
And thou shalt feed them from the squirrel's barn.
Its bottom will I strew with amber shells,
And pebbles blue from deep enchanted wells.
Its sides I'll plant with dew-sweet eglantine,
And honeysuckles full of clear bee-wine.
I will entice this crystal rill to trace
Love's silver name upon the meadow's face.
I'll kneel to Vesta, for a flame of fire;
And to god Phoebus, for a golden lyre;
To Empress Dian, for a hunting spear;
To Vesper, for a taper silver-clear,
That I may see thy beauty through the night;
To Flora, and a nightingale shall light
Tame on thy finger; to the River-gods,
And they shall bring thee taper fishing-rods
Of gold, and lines of Naiads' long bright tress.
Heaven shield thee for thine utter loveliness!
Thy mossy footstool shall the altar be
'Fore which I'll bend, bending, dear love, to thee:
Those lips shall be my Delphos, and shall speak
Laws to my footsteps, colour to my cheek,
Trembling or stedfastness to this same voice,
And of three sweetest pleasurings the choice:
And that affectionate light, those diamond things,
Those eyes, those passions, those supreme pearl springs,
Shall be my grief, or twinkle me to pleasure.
Say, is not bliss within our perfect seisure?
O that I could not doubt?"

               The mountaineer
Thus strove by fancies vain and crude to clear
His briar'd path to some tranquillity.
It gave bright gladness to his lady's eye,
And yet the tears she wept were tears of sorrow;
Answering thus, just as the golden morrow
Beam'd upward from the vallies of the east:
"O that the flutter of this heart had ceas'd,
Or the sweet name of love had pass'd away.
Young feather'd tyrant! by a swift decay
Wilt thou devote this body to the earth:
And I do think that at my very birth
I lisp'd thy blooming titles inwardly;
For at the first, first dawn and thought of thee,
With uplift hands I blest the stars of heaven.
Art thou not cruel? Ever have I striven
To think thee kind, but ah, it will not do!
When yet a child, I heard that kisses drew
Favour from thee, and so I kisses gave
To the void air, bidding them find out love:
But when I came to feel how far above
All fancy, pride, and fickle maidenhood,
All earthly pleasure, all imagin'd good,
Was the warm tremble of a devout kiss,
Even then, that moment, at the thought of this,
Fainting I fell into a bed of flowers,
And languish'd there three days. Ye milder powers,
Am I not cruelly wrong'd? Believe, believe
Me, dear Endymion, were I to weave
With my own fancies garlands of sweet life,
Thou shouldst be one of all. Ah, bitter strife!
I may not be thy love: I am forbidden
Indeed I amthwarted, affrighted, chidden,
By things I trembled at, and gorgon wrath.
Twice hast thou ask'd whither I went: henceforth
Ask me no more! I may not utter it,
Nor may I be thy love. We might commit
Ourselves at once to vengeance; we might die;
We might embrace and die: voluptuous thought!
Enlarge not to my hunger, or I'm caught
In trammels of perverse deliciousness.
No, no, that shall not be: thee will I bless,
And bid a long adieu."

             The Carian
No word return'd: both lovelorn, silent, wan,
Into the vallies green together went.
Far wandering, they were perforce content
To sit beneath a fair lone beechen tree;
Nor at each other gaz'd, but heavily
Por'd on its hazle cirque of shedded leaves.

Endymion! unhappy! it nigh grieves
Me to behold thee thus in last extreme:
Ensky'd ere this, but truly that I deem
Truth the best music in a first-born song.
Thy lute-voic'd brother will I sing ere long,
And thou shalt aidhast thou not aided me?
Yes, moonlight Emperor! felicity
Has been thy meed for many thousand years;
Yet often have I, on the brink of tears,
Mourn'd as if yet thou wert a forester,
Forgetting the old tale.

              He did not stir
His eyes from the dead leaves, or one small pulse
Of joy he might have felt. The spirit culls
Unfaded amaranth, when wild it strays
Through the old garden-ground of boyish days.
A little onward ran the very stream
By which he took his first soft poppy dream;
And on the very bark 'gainst which he leant
A crescent he had carv'd, and round it spent
His skill in little stars. The teeming tree
Had swollen and green'd the pious charactery,
But not ta'en out. Why, there was not a slope
Up which he had not fear'd the antelope;
And not a tree, beneath whose rooty shade
He had not with his tamed leopards play'd.
Nor could an arrow light, or javelin,
Fly in the air where his had never been
And yet he knew it not.

             O treachery!
Why does his lady smile, pleasing her eye
With all his sorrowing? He sees her not.
But who so stares on him? His sister sure!
Peona of the woods!Can she endure
Impossiblehow dearly they embrace!
His lady smiles; delight is in her face;
It is no treachery.

           "Dear brother mine!
Endymion, weep not so! Why shouldst thou pine
When all great Latmos so exalt wilt be?
Thank the great gods, and look not bitterly;
And speak not one pale word, and sigh no more.
Sure I will not believe thou hast such store
Of grief, to last thee to my kiss again.
Thou surely canst not bear a mind in pain,
Come hand in hand with one so beautiful.
Be happy both of you! for I will pull
The flowers of autumn for your coronals.
Pan's holy priest for young Endymion calls;
And when he is restor'd, thou, fairest dame,
Shalt be our queen. Now, is it not a shame
To see ye thus,not very, very sad?
Perhaps ye are too happy to be glad:
O feel as if it were a common day;
Free-voic'd as one who never was away.
No tongue shall ask, whence come ye? but ye shall
Be gods of your own rest imperial.
Not even I, for one whole month, will pry
Into the hours that have pass'd us by,
Since in my arbour I did sing to thee.
O Hermes! on this very night will be
A hymning up to Cynthia, queen of light;
For the soothsayers old saw yesternight
Good visions in the air,whence will befal,
As say these sages, health perpetual
To shepherds and their flocks; and furthermore,
In Dian's face they read the gentle lore:
Therefore for her these vesper-carols are.
Our friends will all be there from nigh and far.
Many upon thy death have ditties made;
And many, even now, their foreheads shade
With cypress, on a day of sacrifice.
New singing for our maids shalt thou devise,
And pluck the sorrow from our huntsmen's brows.
Tell me, my lady-queen, how to espouse
This wayward brother to his rightful joys!
His eyes are on thee bent, as thou didst poise
His fate most goddess-like. Help me, I pray,
To lureEndymion, dear brother, say
What ails thee?" He could bear no more, and so
Bent his soul fiercely like a spiritual bow,
And twang'd it inwardly, and calmly said:
"I would have thee my only friend, sweet maid!
My only visitor! not ignorant though,
That those deceptions which for pleasure go
'Mong men, are pleasures real as real may be:
But there are higher ones I may not see,
If impiously an earthly realm I take.
Since I saw thee, I have been wide awake
Night after night, and day by day, until
Of the empyrean I have drunk my fill.
Let it content thee, Sister, seeing me
More happy than betides mortality.
A hermit young, I'll live in mossy cave,
Where thou alone shalt come to me, and lave
Thy spirit in the wonders I shall tell.
Through me the shepherd realm shall prosper well;
For to thy tongue will I all health confide.
And, for my sake, let this young maid abide
With thee as a dear sister. Thou alone,
Peona, mayst return to me. I own
This may sound strangely: but when, dearest girl,
Thou seest it for my happiness, no pearl
Will trespass down those cheeks. Companion fair!
Wilt be content to dwell with her, to share
This sister's love with me?" Like one resign'd
And bent by circumstance, and thereby blind
In self-commitment, thus that meek unknown:
"Aye, but a buzzing by my ears has flown,
Of jubilee to Dian:truth I heard!
Well then, I see there is no little bird,
Tender soever, but is Jove's own care.
Long have I sought for rest, and, unaware,
Behold I find it! so exalted too!
So after my own heart! I knew, I knew
There was a place untenanted in it:
In that same void white Chastity shall sit,
And monitor me nightly to lone slumber.
With sanest lips I vow me to the number
Of Dian's sisterhood; and, kind lady,
With thy good help, this very night shall see
My future days to her fane consecrate."

As feels a dreamer what doth most create
His own particular fright, so these three felt:
Or like one who, in after ages, knelt
To Lucifer or Baal, when he'd pine
After a little sleep: or when in mine
Far under-ground, a sleeper meets his friends
Who know him not. Each diligently bends
Towards common thoughts and things for very fear;
Striving their ghastly malady to cheer,
By thinking it a thing of yes and no,
That housewives talk of. But the spirit-blow
Was struck, and all were dreamers. At the last
Endymion said: "Are not our fates all cast?
Why stand we here? Adieu, ye tender pair!
Adieu!" Whereat those maidens, with wild stare,
Walk'd dizzily away. Pained and hot
His eyes went after them, until they got
Near to a cypress grove, whose deadly maw,
In one swift moment, would what then he saw
Engulph for ever. "Stay!" he cried, "ah, stay!
Turn, damsels! hist! one word I have to say.
Sweet Indian, I would see thee once again.
It is a thing I dote on: so I'd fain,
Peona, ye should hand in hand repair
Into those holy groves, that silent are
Behind great Dian's temple. I'll be yon,
At vesper's earliest twinklethey are gone
But once, once, once again" At this he press'd
His hands against his face, and then did rest
His head upon a mossy hillock green,
And so remain'd as he a corpse had been
All the long day; save when he scantly lifted
His eyes abroad, to see how shadows shifted
With the slow move of time,sluggish and weary
Until the poplar tops, in journey dreary,
Had reach'd the river's brim. Then up he rose,
And, slowly as that very river flows,
Walk'd towards the temple grove with this lament:
"Why such a golden eve? The breeze is sent
Careful and soft, that not a leaf may fall
Before the serene father of them all
Bows down his summer head below the west.
Now am I of breath, speech, and speed possest,
But at the setting I must bid adieu
To her for the last time. Night will strew
On the damp grass myriads of lingering leaves,
And with them shall I die; nor much it grieves
To die, when summer dies on the cold sward.
Why, I have been a butterfly, a lord
Of flowers, garlands, love-knots, silly posies,
Groves, meadows, melodies, and arbour roses;
My kingdom's at its death, and just it is
That I should die with it: so in all this
We miscal grief, bale, sorrow, heartbreak, woe,
What is there to plain of? By Titan's foe
I am but rightly serv'd." So saying, he
Tripp'd lightly on, in sort of deathful glee;
Laughing at the clear stream and setting sun,
As though they jests had been: nor had he done
His laugh at nature's holy countenance,
Until that grove appear'd, as if perchance,
And then his tongue with sober seemlihed
Gave utterance as he entered: "Ha!" I said,
"King of the butterflies; but by this gloom,
And by old Rhadamanthus' tongue of doom,
This dusk religion, pomp of solitude,
And the Promethean clay by thief endued,
By old Saturnus' forelock, by his head
Shook with eternal palsy, I did wed
Myself to things of light from infancy;
And thus to be cast out, thus lorn to die,
Is sure enough to make a mortal man
Grow impious." So he inwardly began
On things for which no wording can be found;
Deeper and deeper sinking, until drown'd
Beyond the reach of music: for the choir
Of Cynthia he heard not, though rough briar
Nor muffling thicket interpos'd to dull
The vesper hymn, far swollen, soft and full,
Through the dark pillars of those sylvan aisles.
He saw not the two maidens, nor their smiles,
Wan as primroses gather'd at midnight
By chilly finger'd spring. "Unhappy wight!
Endymion!" said Peona, "we are here!
What wouldst thou ere we all are laid on bier?"
Then he embrac'd her, and his lady's hand
Press'd, saying:" Sister, I would have command,
If it were heaven's will, on our sad fate."
At which that dark-eyed stranger stood elate
And said, in a new voice, but sweet as love,
To Endymion's amaze: "By Cupid's dove,
And so thou shalt! and by the lily truth
Of my own breast thou shalt, beloved youth!"
And as she spake, into her face there came
Light, as reflected from a silver flame:
Her long black hair swell'd ampler, in display
Full golden; in her eyes a brighter day
Dawn'd blue and full of love. Aye, he beheld
Phoebe, his passion! joyous she upheld
Her lucid bow, continuing thus; "Drear, drear
Has our delaying been; but foolish fear
Withheld me first; and then decrees of fate;
And then 'twas fit that from this mortal state
Thou shouldst, my love, by some unlook'd for change
Be spiritualiz'd. Peona, we shall range
These forests, and to thee they safe shall be
As was thy cradle; hither shalt thou flee
To meet us many a time." Next Cynthia bright
Peona kiss'd, and bless'd with fair good night:
Her brother kiss'd her too, and knelt adown
Before his goddess, in a blissful swoon.
She gave her fair hands to him, and behold,
Before three swiftest kisses he had told,
They vanish'd far away!Peona went
Home through the gloomy wood in wonderment.

(line 2): This line originally began with 'O Mountain-born in the draft, where also 'while' stands cancelled in favour of 'by.'

(line 158): Keats has been supposed to have invented the variant 'spry' for 'spray' for convenience of rhyming, just as Shelley has been accused of inventing for like reasons the word 'uprest', for example, in Laon And Cythna, Canto III, Stanza xxi. Sandys, the translator of Ovid, may not be a very good authority; but he is not improbably Keats's authority for 'spry', and will certainly do in default of a better.

(line 273): The biblical dissyllabic form 'mayest' is clearly used by deliberate preference, for the line originally stood thus in the draft :
And I have told thee all that thou canst hear.

(line 298): Remember'd from its velvet summer song : The gentleness of summer wind seems to have been a cherished idea with Keats. Compare with Sleep And Poetry, line 1 --
'What is more gentle than a wind in summer?'

(line 585): This was originally a short line consisting of the words "Thine illuminings" alone. The whole stanza, ... was sent by Keats to his friend Baily for his "vote, pro or con," in a letter dated the 22nd of November 1817.

(line 668): An imagination in which Hunt would have found it difficult to discover the reality; but probably Keats had never seen the miserable platform of dry twigs that serves for "a dove's nest among summer trees."

(line 672): Endymion's imaginary home and employments as pictured in the next fifty lines may be compared with Shelley's AEgean island described so wonderfully in Epipsychidion. Both passages are thoroughly characteristic; and they show the divergence between the modes of thought and sentiment of the two men in a very marked way.

(line 885-86): A curious importation from Hebrew theology into a subject from Greek mythology. Compare St. Matthew, X, 29: "Are not two sparrows sold for a farthing? and one of them shall not fall on the ground without your Father." Or, as made familiar to our childhood by the popular hymn-wright,---
'A little sparrow cannot fall,
Unnoticed, Lord, by Thee.'

In the finished manuscript the word "kist" occurs twice instead of "kiss'd" as in the first edition; but "bless'd" is not similarly transformed to "blest."

At the end of the draft Keats wrote "Burford Bridge Nov. 28, 1817--".

The imprint of Endymion is as follows:-- T. Miller, Printer, Noble Street, Cheapside. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book IV
352:O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

            Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than beI care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burstthat I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!my spirit fails
Dear goddess, help! or the wide-gaping air
Will gulph mehelp!"At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonderspast the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.

What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue
O let me slake it at the running springs!
Upon my ear a noisy nothing rings
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.

Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goeshe stopshis bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

O did he ever live, that lonely man,
Who lov'dand music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.

After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.

At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparklesnever, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaimyet, justly mightst thou call
Curses upon his head.I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.

O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With lovehebut alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'dgave a solitary moan
And left him once again in twilight lone.

He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alonealone
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.

             Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.

It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperan; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."

Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Isis it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surernow
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties
These tenderest, and by the nectar-wine,
The passion""O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape usO felicity!
How he does love me! His poor temples beat
To the very tune of lovehow sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!Horror rushes
Too palpable before methe sad look
Of JoveMinerva's startno bosom shook
With awe of purityno Cupid pinion
In reverence veiledmy crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce
Perhaps her love like mine is but unknown
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringlyO dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tonguelute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondnessI am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.

             Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.
Thus the tradition of the gusty deep.

Now turn we to our former chroniclers.
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?list!"Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'dfor it seem'd that one
Ever pursued, the other strove to shun
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!

"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me.""Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:tease me not
With syren wordsAh, have I really got
Such power to madden thee? And is it true
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal.""Alas, I burn,
I shuddergentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing.""Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.

He turn'dthere was a whelming soundhe stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled
He saw the giant sea above his head.

(line 31): The reference is of course not to the story of Hero and Leander but to the tears of Hero in Much Ado About Nothing, shed when she was falsely accused; and Imogen must, equally of course, be Shakespeare's heroine in Cymbeline, though she is not the only Imogen of fiction who has swooned. For Pastorella see Faerie Queene, Book VI, Canto II, stanza I. et seq.

(line 168): For the three occasions which Endymion had seen Diana, refer to the account given to Peona; beginning with line 540, Book I, -- to the passage about the well, line 896, Book I, -- and to the passage in which he hurried into the grotto, line 971, Book I.

(line 430): In the draft, Endymion was described as The mortal Latmian.

(line 434): It was a peculiarly happy piece of poetic realism to translate Ariadne's relations with Bacchus into her becoming a vintager; and I presume this was Keats's own thought, as well as the idea immediately following, that the God of Orchards conciliated Love with a gift of pears when paying his addresses to Pomona.

(line 676) Hesperan, I presume, not Hesprean as invariably accented by Milton. The precise value of 'capable' as used here is of course regulated by past and not by present custom. In this case it simply stands for receptive, able to receive, as in Hamlet (Act III, Scene IV).

(lines 689-92) Endymion conjectures whether his unknown love is one of the Hours, or one of the nymph Pleione's daughters by Atlas, transferred to heaven as the Pleiades.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book II

The Creation of the World

Of bodies chang'd to various forms, I sing:
Ye Gods, from whom these miracles did spring,
Inspire my numbers with coelestial heat;
'Till I my long laborious work compleat:
And add perpetual tenour to my rhimes,
Deduc'd from Nature's birth, to Caesar's times.
Before the seas, and this terrestrial ball,
And Heav'n's high canopy, that covers all,
One was the face of Nature; if a face:
Rather a rude and indigested mass:
A lifeless lump, unfashion'd, and unfram'd,
Of jarring seeds; and justly Chaos nam'd.
No sun was lighted up, the world to view;
No moon did yet her blunted horns renew:
Nor yet was Earth suspended in the sky,
Nor pois'd, did on her own foundations lye:
Nor seas about the shores their arms had thrown;
But earth, and air, and water, were in one.
Thus air was void of light, and earth unstable,
And water's dark abyss unnavigable.
No certain form on any was imprest;
All were confus'd, and each disturb'd the rest.
For hot and cold were in one body fixt;
And soft with hard, and light with heavy mixt.

But God, or Nature, while they thus contend,
To these intestine discords put an end:
Then earth from air, and seas from earth were driv'n,
And grosser air sunk from aetherial Heav'n.
Thus disembroil'd, they take their proper place;
The next of kin, contiguously embrace;
And foes are sunder'd, by a larger space.
The force of fire ascended first on high,
And took its dwelling in the vaulted sky:
Then air succeeds, in lightness next to fire;
Whose atoms from unactive earth retire.
Earth sinks beneath, and draws a num'rous throng
Of pondrous, thick, unwieldy seeds along.
About her coasts, unruly waters roar;
And rising, on a ridge, insult the shore.
Thus when the God, whatever God was he,
Had form'd the whole, and made the parts agree,
That no unequal portions might be found,
He moulded Earth into a spacious round:
Then with a breath, he gave the winds to blow;
And bad the congregated waters flow.
He adds the running springs, and standing lakes;
And bounding banks for winding rivers makes.
Some part, in Earth are swallow'd up, the most
In ample oceans, disembogu'd, are lost.
He shades the woods, the vallies he restrains
With rocky mountains, and extends the plains.

And as five zones th' aetherial regions bind,
Five, correspondent, are to Earth assign'd:
The sun with rays, directly darting down,
Fires all beneath, and fries the middle zone:
The two beneath the distant poles, complain
Of endless winter, and perpetual rain.
Betwixt th' extreams, two happier climates hold
The temper that partakes of hot, and cold.
The fields of liquid air, inclosing all,
Surround the compass of this earthly ball:
The lighter parts lye next the fires above;
The grosser near the watry surface move:
Thick clouds are spread, and storms engender there,
And thunder's voice, which wretched mortals fear,
And winds that on their wings cold winter bear.
Nor were those blustring brethren left at large,
On seas, and shores, their fury to discharge:
Bound as they are, and circumscrib'd in place,
They rend the world, resistless, where they pass;
And mighty marks of mischief leave behind;
Such is the rage of their tempestuous kind.
First Eurus to the rising morn is sent
(The regions of the balmy continent);
And Eastern realms, where early Persians run,
To greet the blest appearance of the sun.
Westward, the wanton Zephyr wings his flight;
Pleas'd with the remnants of departing light:
Fierce Boreas, with his off-spring, issues forth
T' invade the frozen waggon of the North.
While frowning Auster seeks the Southern sphere;
And rots, with endless rain, th' unwholsom year.

High o'er the clouds, and empty realms of wind,
The God a clearer space for Heav'n design'd;
Where fields of light, and liquid aether flow;
Purg'd from the pondrous dregs of Earth below.

Scarce had the Pow'r distinguish'd these, when streight
The stars, no longer overlaid with weight,
Exert their heads, from underneath the mass;
And upward shoot, and kindle as they pass,
And with diffusive light adorn their heav'nly place.
Then, every void of Nature to supply,
With forms of Gods he fills the vacant sky:
New herds of beasts he sends, the plains to share:
New colonies of birds, to people air:
And to their oozy beds, the finny fish repair.

A creature of a more exalted kind
Was wanting yet, and then was Man design'd:
Conscious of thought, of more capacious breast,
For empire form'd, and fit to rule the rest:
Whether with particles of heav'nly fire
The God of Nature did his soul inspire,
Or Earth, but new divided from the sky,
And, pliant, still retain'd th' aetherial energy:
Which wise Prometheus temper'd into paste,
And, mixt with living streams, the godlike image cast.

Thus, while the mute creation downward bend
Their sight, and to their earthly mother tend,
Man looks aloft; and with erected eyes
Beholds his own hereditary skies.
From such rude principles our form began;
And earth was metamorphos'd into Man.

The Golden Age

The golden age was first; when Man yet new,
No rule but uncorrupted reason knew:
And, with a native bent, did good pursue.
Unforc'd by punishment, un-aw'd by fear,
His words were simple, and his soul sincere;
Needless was written law, where none opprest:
The law of Man was written in his breast:
No suppliant crowds before the judge appear'd,
No court erected yet, nor cause was heard:
But all was safe, for conscience was their guard.
The mountain-trees in distant prospect please,
E're yet the pine descended to the seas:
E're sails were spread, new oceans to explore:
And happy mortals, unconcern'd for more,
Confin'd their wishes to their native shore.
No walls were yet; nor fence, nor mote, nor mound,
Nor drum was heard, nor trumpet's angry sound:
Nor swords were forg'd; but void of care and crime,
The soft creation slept away their time.
The teeming Earth, yet guiltless of the plough,
And unprovok'd, did fruitful stores allow:
Content with food, which Nature freely bred,
On wildings and on strawberries they fed;
Cornels and bramble-berries gave the rest,
And falling acorns furnish'd out a feast.
The flow'rs unsown, in fields and meadows reign'd:
And Western winds immortal spring maintain'd.
In following years, the bearded corn ensu'd
From Earth unask'd, nor was that Earth renew'd.
From veins of vallies, milk and nectar broke;
And honey sweating through the pores of oak.

The Silver Age

But when good Saturn, banish'd from above,
Was driv'n to Hell, the world was under Jove.
Succeeding times a silver age behold,
Excelling brass, but more excell'd by gold.
Then summer, autumn, winter did appear:
And spring was but a season of the year.
The sun his annual course obliquely made,
Good days contracted, and enlarg'd the bad.
Then air with sultry heats began to glow;
The wings of winds were clogg'd with ice and snow;
And shivering mortals, into houses driv'n,
Sought shelter from th' inclemency of Heav'n.
Those houses, then, were caves, or homely sheds;
With twining oziers fenc'd; and moss their beds.
Then ploughs, for seed, the fruitful furrows broke,
And oxen labour'd first beneath the yoke.

The Brazen Age

To this came next in course, the brazen age:
A warlike offspring, prompt to bloody rage,
Not impious yet...

The Iron Age

Hard steel succeeded then:
And stubborn as the metal, were the men.
Truth, modesty, and shame, the world forsook:
Fraud, avarice, and force, their places took.
Then sails were spread, to every wind that blew.
Raw were the sailors, and the depths were new:
Trees, rudely hollow'd, did the waves sustain;
E're ships in triumph plough'd the watry plain.

Then land-marks limited to each his right:
For all before was common as the light.
Nor was the ground alone requir'd to bear
Her annual income to the crooked share,
But greedy mortals, rummaging her store,
Digg'd from her entrails first the precious oar;
Which next to Hell, the prudent Gods had laid;
And that alluring ill, to sight display'd.
Thus cursed steel, and more accursed gold,
Gave mischief birth, and made that mischief bold:
And double death did wretched Man invade,
By steel assaulted, and by gold betray'd,
Now (brandish'd weapons glittering in their hands)
Mankind is broken loose from moral bands;
No rights of hospitality remain:
The guest, by him who harbour'd him, is slain,
The son-in-law pursues the father's life;
The wife her husb and murders, he the wife.
The step-dame poyson for the son prepares;
The son inquires into his father's years.
Faith flies, and piety in exile mourns;
And justice, here opprest, to Heav'n returns.

The Giants' War

Nor were the Gods themselves more safe above;
Against beleaguer'd Heav'n the giants move.
Hills pil'd on hills, on mountains mountains lie,
To make their mad approaches to the skie.
'Till Jove, no longer patient, took his time
T' avenge with thunder their audacious crime:
Red light'ning plaid along the firmament,
And their demolish'd works to pieces rent.
Sing'd with the flames, and with the bolts transfixt,
With native Earth, their blood the monsters mixt;
The blood, indu'd with animating heat,
Did in th' impregnant Earth new sons beget:
They, like the seed from which they sprung, accurst,
Against the Gods immortal hatred nurst,
An impious, arrogant, and cruel brood;
Expressing their original from blood.

Which when the king of Gods beheld from high
(Withal revolving in his memory,
What he himself had found on Earth of late,
Lycaon's guilt, and his inhumane treat),
He sigh'd; nor longer with his pity strove;
But kindled to a wrath becoming Jove:

Then call'd a general council of the Gods;
Who summon'd, issue from their blest abodes,
And fill th' assembly with a shining train.
A way there is, in Heav'n's expanded plain,
Which, when the skies are clear, is seen below,
And mortals, by the name of Milky, know.
The ground-work is of stars; through which the road
Lyes open to the Thunderer's abode:
The Gods of greater nations dwell around,
And, on the right and left, the palace bound;
The commons where they can: the nobler sort
With winding-doors wide open, front the court.
This place, as far as Earth with Heav'n may vie,
I dare to call the Louvre of the skie.
When all were plac'd, in seats distinctly known,
And he, their father, had assum'd the throne,
Upon his iv'ry sceptre first he leant,
Then shook his head, that shook the firmament:
Air, Earth, and seas, obey'd th' almighty nod;
And, with a gen'ral fear, confess'd the God.
At length, with indignation, thus he broke
His awful silence, and the Pow'rs bespoke.

I was not more concern'd in that debate
Of empire, when our universal state
Was put to hazard, and the giant race
Our captive skies were ready to imbrace:
For tho' the foe was fierce, the seeds of all
Rebellion, sprung from one original;
Now, wheresoever ambient waters glide,
All are corrupt, and all must be destroy'd.
Let me this holy protestation make,
By Hell, and Hell's inviolable lake,
I try'd whatever in the godhead lay:
But gangren'd members must be lopt away,
Before the nobler parts are tainted to decay.
There dwells below, a race of demi-gods,
Of nymphs in waters, and of fawns in woods:
Who, tho' not worthy yet, in Heav'n to live,
Let 'em, at least, enjoy that Earth we give.
Can these be thought securely lodg'd below,
When I my self, who no superior know,
I, who have Heav'n and Earth at my command,
Have been attempted by Lycaon's hand?

At this a murmur through the synod went,
And with one voice they vote his punishment.
Thus, when conspiring traytors dar'd to doom
The fall of Caesar, and in him of Rome,
The nations trembled with a pious fear;
All anxious for their earthly Thunderer:
Nor was their care, o Caesar, less esteem'd
By thee, than that of Heav'n for Jove was deem'd:
Who with his hand, and voice, did first restrain
Their murmurs, then resum'd his speech again.
The Gods to silence were compos'd, and sate
With reverence, due to his superior state.

Cancel your pious cares; already he
Has paid his debt to justice, and to me.
Yet what his crimes, and what my judgments were,
Remains for me thus briefly to declare.
The clamours of this vile degenerate age,
The cries of orphans, and th' oppressor's rage,
Had reach'd the stars: I will descend, said I,
In hope to prove this loud complaint a lye.
Disguis'd in humane shape, I travell'd round
The world, and more than what I heard, I found.
O'er Maenalus I took my steepy way,
By caverns infamous for beasts of prey:
Then cross'd Cyllene, and the piny shade
More infamous, by curst Lycaon made:
Dark night had cover'd Heaven, and Earth, before
I enter'd his unhospitable door.
Just at my entrance, I display'd the sign
That somewhat was approaching of divine.
The prostrate people pray; the tyrant grins;
And, adding prophanation to his sins,
I'll try, said he, and if a God appear,
To prove his deity shall cost him dear.
'Twas late; the graceless wretch my death prepares,
When I shou'd soundly sleep, opprest with cares:
This dire experiment he chose, to prove
If I were mortal, or undoubted Jove:
But first he had resolv'd to taste my pow'r;
Not long before, but in a luckless hour,
Some legates, sent from the Molossian state,
Were on a peaceful errand come to treat:
Of these he murders one, he boils the flesh;
And lays the mangled morsels in a dish:
Some part he roasts; then serves it up, so drest,
And bids me welcome to this humane feast.
Mov'd with disdain, the table I o'er-turn'd;
And with avenging flames, the palace burn'd.
The tyrant in a fright, for shelter gains
The neighb'ring fields, and scours along the plains.
Howling he fled, and fain he wou'd have spoke;
But humane voice his brutal tongue forsook.
About his lips the gather'd foam he churns,
And, breathing slaughters, still with rage he burns,
But on the bleating flock his fury turns.
His mantle, now his hide, with rugged hairs
Cleaves to his back; a famish'd face he bears;
His arms descend, his shoulders sink away
To multiply his legs for chase of prey.
He grows a wolf, his hoariness remains,
And the same rage in other members reigns.
His eyes still sparkle in a narr'wer space:
His jaws retain the grin, and violence of his face

This was a single ruin, but not one
Deserves so just a punishment alone.
Mankind's a monster, and th' ungodly times
Confed'rate into guilt, are sworn to crimes.
All are alike involv'd in ill, and all
Must by the same relentless fury fall.
Thus ended he; the greater Gods assent;
By clamours urging his severe intent;
The less fill up the cry for punishment.
Yet still with pity they remember Man;
And mourn as much as heav'nly spirits can.
They ask, when those were lost of humane birth,
What he wou'd do with all this waste of Earth:
If his dispeopl'd world he would resign
To beasts, a mute, and more ignoble line;
Neglected altars must no longer smoke,
If none were left to worship, and invoke.
To whom the Father of the Gods reply'd,
Lay that unnecessary fear aside:
Mine be the care, new people to provide.
I will from wondrous principles ordain
A race unlike the first, and try my skill again.

Already had he toss'd the flaming brand;
And roll'd the thunder in his spacious hand;
Preparing to discharge on seas and land:
But stopt, for fear, thus violently driv'n,
The sparks should catch his axle-tree of Heav'n.
Remembring in the fates, a time when fire
Shou'd to the battlements of Heaven aspire,
And all his blazing worlds above shou'd burn;
And all th' inferior globe to cinders turn.
His dire artill'ry thus dismist, he bent
His thoughts to some securer punishment:
Concludes to pour a watry deluge down;
And what he durst not burn, resolves to drown.

The northern breath, that freezes floods, he binds;
With all the race of cloud-dispelling winds:
The south he loos'd, who night and horror brings;
And foggs are shaken from his flaggy wings.
From his divided beard two streams he pours,
His head, and rheumy eyes distill in show'rs,
With rain his robe, and heavy mantle flow:
And lazy mists are lowring on his brow;
Still as he swept along, with his clench'd fist
He squeez'd the clouds, th' imprison'd clouds resist:
The skies, from pole to pole, with peals resound;
And show'rs inlarg'd, come pouring on the ground.
Then, clad in colours of a various dye,
Junonian Iris breeds a new supply
To feed the clouds: impetuous rain descends;
The bearded corn beneath the burden bends:
Defrauded clowns deplore their perish'd grain;
And the long labours of the year are vain.

Nor from his patrimonial Heaven alone
Is Jove content to pour his vengeance down;
Aid from his brother of the seas he craves,
To help him with auxiliary waves.
The watry tyrant calls his brooks and floods,
Who rowl from mossie caves (their moist abodes);
And with perpetual urns his palace fill:
To whom in brief, he thus imparts his will.

Small exhortation needs; your pow'rs employ:
And this bad world, so Jove requires, destroy.
Let loose the reins to all your watry store:
Bear down the damms, and open ev'ry door.

The floods, by Nature enemies to land,
And proudly swelling with their new command,
Remove the living stones, that stopt their way,
And gushing from their source, augment the sea.
Then, with his mace, their monarch struck the ground;
With inward trembling Earth receiv'd the wound;
And rising streams a ready passage found.
Th' expanded waters gather on the plain:
They float the fields, and over-top the grain;
Then rushing onwards, with a sweepy sway,
Bear flocks, and folds, and lab'ring hinds away.
Nor safe their dwellings were, for, sap'd by floods,
Their houses fell upon their houshold Gods.
The solid piles, too strongly built to fall,
High o'er their heads, behold a watry wall:
Now seas and Earth were in confusion lost;
A world of waters, and without a coast.

One climbs a cliff; one in his boat is born:
And ploughs above, where late he sow'd his corn.
Others o'er chimney-tops and turrets row,
And drop their anchors on the meads below:
Or downward driv'n, they bruise the tender vine,
Or tost aloft, are knock'd against a pine.
And where of late the kids had cropt the grass,
The monsters of the deep now take their place.
Insulting Nereids on the cities ride,
And wond'ring dolphins o'er the palace glide.
On leaves, and masts of mighty oaks they brouze;
And their broad fins entangle in the boughs.
The frighted wolf now swims amongst the sheep;
The yellow lion wanders in the deep:
His rapid force no longer helps the boar:
The stag swims faster, than he ran before.
The fowls, long beating on their wings in vain,
Despair of land, and drop into the main.
Now hills, and vales no more distinction know;
And levell'd Nature lies oppress'd below.
The most of mortals perish in the flood:
The small remainder dies for want of food.

A mountain of stupendous height there stands
Betwixt th' Athenian and Boeotian lands,
The bound of fruitful fields, while fields they were,
But then a field of waters did appear:
Parnassus is its name; whose forky rise
Mounts thro' the clouds, and mates the lofty skies.
High on the summit of this dubious cliff,
Deucalion wafting, moor'd his little skiff.
He with his wife were only left behind
Of perish'd Man; they two were human kind.
The mountain nymphs, and Themis they adore,
And from her oracles relief implore.
The most upright of mortal men was he;
The most sincere, and holy woman, she.

When Jupiter, surveying Earth from high,
Beheld it in a lake of water lie,
That where so many millions lately liv'd,
But two, the best of either sex, surviv'd;
He loos'd the northern wind; fierce Boreas flies
To puff away the clouds, and purge the skies:
Serenely, while he blows, the vapours driv'n,
Discover Heav'n to Earth, and Earth to Heav'n.
The billows fall, while Neptune lays his mace
On the rough sea, and smooths its furrow'd face.
Already Triton, at his call, appears
Above the waves; a Tyrian robe he wears;
And in his hand a crooked trumpet bears.
The soveraign bids him peaceful sounds inspire,
And give the waves the signal to retire.
His wri then shell he takes; whose narrow vent
Grows by degrees into a large extent,
Then gives it breath; the blast with doubling sound,
Runs the wide circuit of the world around:
The sun first heard it, in his early east,
And met the rattling ecchos in the west.
The waters, listning to the trumpet's roar,
Obey the summons, and forsake the shore.

A thin circumference of land appears;
And Earth, but not at once, her visage rears,
And peeps upon the seas from upper grounds;
The streams, but just contain'd within their bounds,
By slow degrees into their channels crawl;
And Earth increases, as the waters fall.
In longer time the tops of trees appear,
Which mud on their dishonour'd branches bear.

At length the world was all restor'd to view;
But desolate, and of a sickly hue:
Nature beheld her self, and stood aghast,
A dismal desart, and a silent waste.

Which when Deucalion, with a piteous look
Beheld, he wept, and thus to Pyrrha spoke:
Oh wife, oh sister, oh of all thy kind
The best, and only creature left behind,
By kindred, love, and now by dangers joyn'd;
Of multitudes, who breath'd the common air,
We two remain; a species in a pair:
The rest the seas have swallow'd; nor have we
Ev'n of this wretched life a certainty.
The clouds are still above; and, while I speak,
A second deluge o'er our heads may break.
Shou'd I be snatcht from hence, and thou remain,
Without relief, or partner of thy pain,
How cou'dst thou such a wretched life sustain?
Shou'd I be left, and thou be lost, the sea
That bury'd her I lov'd, shou'd bury me.
Oh cou'd our father his old arts inspire,
And make me heir of his informing fire,
That so I might abolisht Man retrieve,
And perisht people in new souls might live.
But Heav'n is pleas'd, nor ought we to complain,
That we, th' examples of mankind, remain.
He said; the careful couple joyn their tears:
And then invoke the Gods, with pious prayers.
Thus, in devotion having eas'd their grief,
From sacred oracles they seek relief;
And to Cephysus' brook their way pursue:
The stream was troubled, but the ford they knew;
With living waters, in the fountain bred,
They sprinkle first their garments, and their head,
Then took the way, which to the temple led.
The roofs were all defil'd with moss, and mire,
The desart altars void of solemn fire.
Before the gradual, prostrate they ador'd;
The pavement kiss'd; and thus the saint implor'd.

O righteous Themis, if the Pow'rs above
By pray'rs are bent to pity, and to love;
If humane miseries can move their mind;
If yet they can forgive, and yet be kind;
Tell how we may restore, by second birth,
Mankind, and people desolated Earth.
Then thus the gracious Goddess, nodding, said;
Depart, and with your vestments veil your head:
And stooping lowly down, with losen'd zones,
Throw each behind your backs, your mighty mother's bones.

Amaz'd the pair, and mute with wonder stand,
'Till Pyrrha first refus'd the dire command.
Forbid it Heav'n, said she, that I shou'd tear
Those holy reliques from the sepulcher.
They ponder'd the mysterious words again,
For some new sense; and long they sought in vain:
At length Deucalion clear'd his cloudy brow,
And said, the dark Aenigma will allow
A meaning, which, if well I understand,
From sacrilege will free the God's command:
This Earth our mighty mother is, the stones
In her capacious body, are her bones:
These we must cast behind. With hope, and fear,
The woman did the new solution hear:
The man diffides in his own augury,
And doubts the Gods; yet both resolve to try.
Descending from the mount, they first unbind
Their vests, and veil'd, they cast the stones behind:
The stones (a miracle to mortal view,
But long tradition makes it pass for true)
Did first the rigour of their kind expel,
And suppled into softness, as they fell;
Then swell'd, and swelling, by degrees grew warm;
And took the rudiments of human form.
Imperfect shapes: in marble such are seen,
When the rude chizzel does the man begin;
While yet the roughness of the stone remains,
Without the rising muscles, and the veins.
The sappy parts, and next resembling juice,
Were turn'd to moisture, for the body's use:
Supplying humours, blood, and nourishment;
The rest, too solid to receive a bent,
Converts to bones; and what was once a vein,
Its former name and Nature did retain.
By help of pow'r divine, in little space,
What the man threw, assum'd a manly face;
And what the wife, renew'd the female race.
Hence we derive our nature; born to bear
Laborious life; and harden'd into care.

The rest of animals, from teeming Earth
Produc'd, in various forms receiv'd their birth.
The native moisture, in its close retreat,
Digested by the sun's aetherial heat,
As in a kindly womb, began to breed:
Then swell'd, and quicken'd by the vital seed.
And some in less, and some in longer space,
Were ripen'd into form, and took a sev'ral face.
Thus when the Nile from Pharian fields is fled,
And seeks, with ebbing tides, his ancient bed,
The fat manure with heav'nly fire is warm'd;
And crusted creatures, as in wombs, are form'd;
These, when they turn the glebe, the peasants find;
Some rude, and yet unfinish'd in their kind:
Short of their limbs, a lame imperfect birth:
One half alive; and one of lifeless earth.

For heat, and moisture, when in bodies join'd,
The temper that results from either kind
Conception makes; and fighting 'till they mix,
Their mingled atoms in each other fix.
Thus Nature's hand the genial bed prepares
With friendly discord, and with fruitful wars.

From hence the surface of the ground, with mud
And slime besmear'd (the faeces of the flood),
Receiv'd the rays of Heav'n: and sucking in
The seeds of heat, new creatures did begin:
Some were of sev'ral sorts produc'd before,
But of new monsters, Earth created more.
Unwillingly, but yet she brought to light
Thee, Python too, the wondring world to fright,
And the new nations, with so dire a sight:
So monstrous was his bulk, so large a space
Did his vast body, and long train embrace.
Whom Phoebus basking on a bank espy'd;
E're now the God his arrows had not try'd
But on the trembling deer, or mountain goat;
At this new quarry he prepares to shoot.
Though ev'ry shaft took place, he spent the store
Of his full quiver; and 'twas long before
Th' expiring serpent wallow'd in his gore.
Then, to preserve the fame of such a deed,
For Python slain, he Pythian games decred.
Where noble youths for mastership shou'd strive,
To quoit, to run, and steeds, and chariots drive.
The prize was fame: in witness of renown
An oaken garl and did the victor crown.
The laurel was not yet for triumphs born;
But every green alike by Phoebus worn,
Did, with promiscuous grace, his flowing locks adorn.

The Transformation of Daphne into a Lawrel

The first and fairest of his loves, was she
Whom not blind fortune, but the dire decree
Of angry Cupid forc'd him to desire:
Daphne her name, and Peneus was her sire.
Swell'd with the pride, that new success attends,
He sees the stripling, while his bow he bends,
And thus insults him: Thou lascivious boy,
Are arms like these for children to employ?
Know, such atchievements are my proper claim;
Due to my vigour, and unerring aim:
Resistless are my shafts, and Python late
In such a feather'd death, has found his fate.
Take up the torch (and lay my weapons by),
With that the feeble souls of lovers fry.
To whom the son of Venus thus reply'd,
Phoebus, thy shafts are sure on all beside,
But mine of Phoebus, mine the fame shall be
Of all thy conquests, when I conquer thee.

He said, and soaring, swiftly wing'd his flight:
Nor stopt but on Parnassus' airy height.
Two diff'rent shafts he from his quiver draws;
One to repel desire, and one to cause.
One shaft is pointed with refulgent gold:
To bribe the love, and make the lover bold:
One blunt, and tipt with lead, whose base allay
Provokes disdain, and drives desire away.
The blunted bolt against the nymph he drest:
But with the sharp transfixt Apollo's breast.

Th' enamour'd deity pursues the chace;
The scornful damsel shuns his loath'd embrace:
In hunting beasts of prey, her youth employs;
And Phoebe rivals in her rural joys.
With naked neck she goes, and shoulders bare;
And with a fillet binds her flowing hair.
By many suitors sought, she mocks their pains,
And still her vow'd virginity maintains.
Impatient of a yoke, the name of bride
She shuns, and hates the joys, she never try'd.
On wilds, and woods, she fixes her desire:
Nor knows what youth, and kindly love, inspire.
Her father chides her oft: Thou ow'st, says he,
A husb and to thy self, a son to me.
She, like a crime, abhors the nuptial bed:
She glows with blushes, and she hangs her head.
Then casting round his neck her tender arms,
Sooths him with blandishments, and filial charms:
Give me, my Lord, she said, to live, and die,
A spotless maid, without the marriage tye.
'Tis but a small request; I beg no more
Than what Diana's father gave before.
The good old sire was soften'd to consent;
But said her wish wou'd prove her punishment:
For so much youth, and so much beauty join'd,
Oppos'd the state, which her desires design'd.

The God of light, aspiring to her bed,
Hopes what he seeks, with flattering fancies fed;
And is, by his own oracles, mis-led.
And as in empty fields the stubble burns,
Or nightly travellers, when day returns,
Their useless torches on dry hedges throw,
That catch the flames, and kindle all the row;
So burns the God, consuming in desire,
And feeding in his breast a fruitless fire:
Her well-turn'd neck he view'd (her neck was bare)
And on her shoulders her dishevel'd hair;
Oh were it comb'd, said he, with what a grace
Wou'd every waving curl become her face!
He view'd her eyes, like heav'nly lamps that shone,
He view'd her lips, too sweet to view alone,
Her taper fingers, and her panting breast;
He praises all he sees, and for the rest
Believes the beauties yet unseen are best:
Swift as the wind, the damsel fled away,
Nor did for these alluring speeches stay:
Stay Nymph, he cry'd, I follow, not a foe.
Thus from the lyon trips the trembling doe;
Thus from the wolf the frighten'd lamb removes,
And, from pursuing faulcons, fearful doves;
Thou shunn'st a God, and shunn'st a God, that loves.
Ah, lest some thorn shou'd pierce thy tender foot,
Or thou shou'dst fall in flying my pursuit!
To sharp uneven ways thy steps decline;
Abate thy speed, and I will bate of mine.
Yet think from whom thou dost so rashly fly;
Nor basely born, nor shepherd's swain am I.
Perhaps thou know'st not my superior state;
And from that ignorance proceeds thy hate.
Me Claros, Delphi, Tenedos obey;
These hands the Patareian scepter sway.
The King of Gods begot me: what shall be,
Or is, or ever was, in Fate, I see.
Mine is th' invention of the charming lyre;
Sweet notes, and heav'nly numbers, I inspire.
Sure is my bow, unerring is my dart;
But ah! more deadly his, who pierc'd my heart.
Med'cine is mine; what herbs and simples grow
In fields, and forrests, all their pow'rs I know;
And am the great physician call'd, below.
Alas that fields and forrests can afford.
No remedies to heal their love-sick lord!
To cure the pains of love, no plant avails:
And his own physick, the physician falls.

She heard not half; so furiously she flies;
And on her ear th' imperfect accent dies,
Fear gave her wings; and as she fled, the wind
Increasing, spread her flowing hair behind;
And left her legs and thighs expos'd to view:
Which made the God more eager to pursue.
The God was young, and was too hotly bent
To lose his time in empty compliment:
But led by love, and fir'd with such a sight,
Impetuously pursu'd his near delight.

As when th' impatient greyhound slipt from far,
Bounds o'er the glebe to course the fearful hare,
She in her speed does all her safety lay;
And he with double speed pursues the prey;
O'er-runs her at the sitting turn, and licks
His chaps in vain, and blows upon the flix:
She scapes, and for the neighb'ring covert strives,
And gaining shelter, doubts if yet she lives:
If little things with great we may compare,
Such was the God, and such the flying fair,
She urg'd by fear, her feet did swiftly move,
But he more swiftly, who was urg'd by love.
He gathers ground upon her in the chace:
Now breathes upon her hair, with nearer pace;
And just is fast'ning on the wish'd embrace.
The nymph grew pale, and in a mortal fright,
Spent with the labour of so long a flight;
And now despairing, cast a mournful look
Upon the streams of her paternal brook;
Oh help, she cry'd, in this extreamest need!
If water Gods are deities indeed:
Gape Earth, and this unhappy wretch intomb;
Or change my form, whence all my sorrows come.
Scarce had she finish'd, when her feet she found
Benumb'd with cold, and fasten'd to the ground:
A filmy rind about her body grows;
Her hair to leaves, her arms extend to boughs:
The nymph is all into a lawrel gone;
The smoothness of her skin remains alone.
Yet Phoebus loves her still, and casting round
Her bole, his arms, some little warmth he found.
The tree still panted in th' unfinish'd part:
Not wholly vegetive, and heav'd her heart.
He fixt his lips upon the trembling rind;
It swerv'd aside, and his embrace declin'd.
To whom the God, Because thou canst not be
My mistress, I espouse thee for my tree:
Be thou the prize of honour, and renown;
The deathless poet, and the poem, crown.
Thou shalt the Roman festivals adorn,
And, after poets, be by victors worn.
Thou shalt returning Caesar's triumph grace;
When pomps shall in a long procession pass.
Wreath'd on the posts before his palace wait;
And be the sacred guardian of the gate.
Secure from thunder, and unharm'd by Jove,
Unfading as th' immortal Pow'rs above:
And as the locks of Phoebus are unshorn,
So shall perpetual green thy boughs adorn.
The grateful tree was pleas'd with what he said;
And shook the shady honours of her head.

The Transformation of Io into a Heyfer

An ancient forest in Thessalia grows;
Which Tempe's pleasing valley does inclose:
Through this the rapid Peneus take his course;
From Pindus rolling with impetuous force;
Mists from the river's mighty fall arise:
And deadly damps inclose the cloudy skies:
Perpetual fogs are hanging o'er the wood;
And sounds of waters deaf the neighbourhood.
Deep, in a rocky cave, he makes abode
(A mansion proper for a mourning God).
Here he gives audience; issuing out decrees
To rivers, his dependant deities.
On this occasion hither they resort;
To pay their homage, and to make their court.
All doubtful, whether to congratulate
His daughter's honour, or lament her fate.
Sperchaeus, crown'd with poplar, first appears;
Then old Apidanus came crown'd with years:
Enipeus turbulent, Amphrysos tame;
And Aeas last with lagging waters came.
Then, of his kindred brooks, a num'rous throng
Condole his loss; and bring their urns along.
Not one was wanting of the wat'ry train,
That fill'd his flood, or mingled with the main:
But Inachus, who in his cave, alone,
Wept not another's losses, but his own,
For his dear Io, whether stray'd, or dead,
To him uncertain, doubtful tears he shed.
He sought her through the world; but sought in vain;
And no where finding, rather fear'd her slain.

Her, just returning from her father's brook,
Jove had beheld, with a desiring look:
And, Oh fair daughter of the flood, he said,
Worthy alone of Jove's imperial bed,
Happy whoever shall those charms possess;
The king of Gods (nor is thy lover less)
Invites thee to yon cooler shades; to shun
The scorching rays of the meridian sun.
Nor shalt thou tempt the dangers of the grove
Alone, without a guide; thy guide is Jove.
No puny Pow'r, but he whose high comm and
Is unconfin'd, who rules the seas and land;
And tempers thunder in his awful hand,
Oh fly not: for she fled from his embrace
O'er Lerna's pastures: he pursu'd the chace
Along the shades of the Lyrcaean plain;
At length the God, who never asks in vain,
Involv'd with vapours, imitating night,
Both Air, and Earth; and then suppress'd her flight,
And mingling force with love, enjoy'd the full delight.
Mean-time the jealous Juno, from on high,
Survey'd the fruitful fields of Arcady;
And wonder'd that the mist shou'd over-run
The face of day-light, and obscure the sun.
No nat'ral cause she found, from brooks, or bogs,
Or marshy lowlands, to produce the fogs;
Then round the skies she sought for Jupiter,
Her faithless husband; but no Jove was there:
Suspecting now the worst, Or I, she said,
Am much mistaken, or am much betray'd.
With fury she precipitates her flight:
Dispels the shadows of dissembled night;
And to the day restores his native light.
Th' Almighty Leacher, careful to prevent
The consequence, foreseeing her descent,
Transforms his mistress in a trice; and now
In Io's place appears a lovely cow.
So sleek her skin, so faultless was her make,
Ev'n Juno did unwilling pleasure take
To see so fair a rival of her love;
And what she was, and whence, enquir'd of Jove:
Of what fair herd, and from what pedigree?
The God, half caught, was forc'd upon a lye:
And said she sprung from Earth. She took the word,
And begg'd the beauteous heyfer of her lord.
What should he do? 'twas equal shame to Jove
Or to relinquish, or betray his love:
Yet to refuse so slight a gift, wou'd be
But more t' increase his consort's jealousie:
Thus fear, and love, by turns, his heart assail'd;
And stronger love had sure, at length, prevail'd:
But some faint hope remain'd, his jealous queen
Had not the mistress through the heyfer seen.
The cautious Goddess, of her gift possest,
Yet harbour'd anxious thoughts within her breast;
As she who knew the falshood of her Jove;
And justly fear'd some new relapse of love.
Which to prevent, and to secure her care,
To trusty Argus she commits the fair.

The head of Argus (as with stars the skies)
Was compass'd round, and wore an hundred eyes.
But two by turns their lids in slumber steep;
The rest on duty still their station keep;
Nor cou'd the total constellation sleep.
Thus, ever present, to his eyes, and mind,
His charge was still before him, tho' behind.
In fields he suffer'd her to feed by Day,
But when the setting sun to night gave way,
The captive cow he summon'd with a call;
And drove her back, and ty'd her to the stall.
On leaves of trees, and bitter herbs she fed,
Heav'n was her canopy, bare earth her bed:
So hardly lodg'd, and to digest her food,
She drank from troubled streams, defil'd with mud.
Her woeful story fain she wou'd have told,
With hands upheld, but had no hands to hold.
Her head to her ungentle keeper bow'd,
She strove to speak, she spoke not, but she low'd:
Affrighted with the noise, she look'd around,
And seem'd t' inquire the author of the sound.

Once on the banks where often she had play'd
(Her father's banks), she came, and there survey'd
Her alter'd visage, and her branching head;
And starting, from her self she wou'd have fled.
Her fellow nymphs, familiar to her eyes,
Beheld, but knew her not in this disguise.
Ev'n Inachus himself was ignorant;
And in his daughter, did his daughter want.
She follow'd where her fellows went, as she
Were still a partner of the company:
They stroak her neck; the gentle heyfer stands,
And her neck offers to their stroaking hands.
Her father gave her grass; the grass she took;
And lick'd his palms, and cast a piteous look;
And in the language of her eyes, she spoke.
She wou'd have told her name, and ask'd relief,
But wanting words, in tears she tells her grief.
Which, with her foot she makes him understand;
And prints the name of Io in the sand.

Ah wretched me! her mournful father cry'd;
She, with a sigh, to wretched me reply'd:
About her milk-white neck, his arms he threw;
And wept, and then these tender words ensue.
And art thou she, whom I have sought around
The world, and have at length so sadly found?
So found, is worse than lost: with mutual words
Thou answer'st not, no voice thy tongue affords:
But sighs are deeply drawn from out thy breast;
And speech deny'd, by lowing is express'd.
Unknowing, I prepar'd thy bridal bed;
With empty hopes of happy issue fed.
But now the husb and of a herd must be
Thy mate, and bell'wing sons thy progeny.
Oh, were I mortal, death might bring relief:
But now my God-head but extends my grief:
Prolongs my woes, of which no end I see,
And makes me curse my immortality!
More had he said, but fearful of her stay,
The starry guardian drove his charge away,
To some fresh pasture; on a hilly height
He sate himself, and kept her still in sight.

The Eyes of Argus transform'd into a Peacock's Train

Now Jove no longer cou'd her suff'rings bear;
But call'd in haste his airy messenger,
The son of Maia, with severe decree
To kill the keeper, and to set her free.
With all his harness soon the God was sped,
His flying hat was fastned on his head,
Wings on his heels were hung, and in his hand
He holds the vertue of the snaky wand.
The liquid air his moving pinions wound,
And, in the moment, shoot him on the ground.
Before he came in sight, the crafty God
His wings dismiss'd, but still retain'd his rod:
That sleep-procuring wand wise Hermes took,
But made it seem to sight a sherpherd's hook.
With this, he did a herd of goats controul;
Which by the way he met, and slily stole.
Clad like a country swain, he pip'd, and sung;
And playing, drove his jolly troop along.

With pleasure, Argus the musician heeds;
But wonders much at those new vocal reeds.
And whosoe'er thou art, my friend, said he,
Up hither drive thy goats, and play by me:
This hill has browz for them, and shade for thee.
The God, who was with ease induc'd to climb,
Began discourse to pass away the time;
And still betwixt, his tuneful pipe he plies;
And watch'd his hour, to close the keeper's eyes.
With much ado, he partly kept awake;
Not suff'ring all his eyes repose to take:
And ask'd the stranger, who did reeds invent,
And whence began so rare an instrument?

The Transformation of Syrinx into Reeds

Then Hermes thus: A nymph of late there was
Whose heav'nly form her fellows did surpass.
The pride and joy of fair Arcadia's plains,
Belov'd by deities, ador'd by swains:
Syrinx her name, by Sylvans oft pursu'd,
As oft she did the lustful Gods delude:
The rural, and the woodl and Pow'rs disdain'd;
With Cynthia hunted, and her rites maintain'd:
Like Phoebe clad, even Phoebe's self she seems,
So tall, so streight, such well-proportion'd limbs:
The nicest eye did no distinction know,
But that the goddess bore a golden bow:
Distinguish'd thus, the sight she cheated too.
Descending from Lycaeus, Pan admires
The matchless nymph, and burns with new desires.
A crown of pine upon his head he wore;
And thus began her pity to implore.
But e'er he thus began, she took her flight
So swift, she was already out of sight.
Nor stay'd to hear the courtship of the God;
But bent her course to Ladon's gentle flood:
There by the river stopt, and tir'd before;
Relief from water nymphs her pray'rs implore.

Now while the lustful God, with speedy pace,
Just thought to strain her in a strict embrace,
He fill'd his arms with reeds, new rising on the place.
And while he sighs, his ill success to find,
The tender canes were shaken by the wind;
And breath'd a mournful air, unheard before;
That much surprizing Pan, yet pleas'd him more.
Admiring this new musick, Thou, he said,
Who canst not be the partner of my bed,
At least shall be the confort of my mind:
And often, often to my lips be joyn'd.
He form'd the reeds, proportion'd as they are,
Unequal in their length, and wax'd with care,
They still retain the name of his ungrateful fair.

While Hermes pip'd, and sung, and told his tale,
The keeper's winking eyes began to fail,
And drowsie slumber on the lids to creep;
'Till all the watchman was at length asleep.
Then soon the God his voice, and song supprest;
And with his pow'rful rod confirm'd his rest:
Without delay his crooked faulchion drew,
And at one fatal stroke the keeper slew.
Down from the rock fell the dissever'd head,
Opening its eyes in death; and falling, bled;
And mark'd the passage with a crimson trail:
Thus Argus lies in pieces, cold, and pale;
And all his hundred eyes, with all their light,
Are clos'd at once, in one perpetual night.
These Juno takes, that they no more may fail,
And spreads them in her peacock's gaudy tail.

Impatient to revenge her injur'd bed,
She wreaks her anger on her rival's head;
With Furies frights her from her native home;
And drives her gadding, round the world to roam:
Nor ceas'd her madness, and her flight, before
She touch'd the limits of the Pharian shore.
At length, arriving on the banks of Nile,
Wearied with length of ways, and worn with toil,
She laid her down; and leaning on her knees,
Invok'd the cause of all her miseries:
And cast her languishing regards above,
For help from Heav'n, and her ungrateful Jove.
She sigh'd, she wept, she low'd; 'twas all she cou'd;
And with unkindness seem'd to tax the God.
Last, with an humble pray'r, she beg'd repose,
Or death at least, to finish all her woes.
Jove heard her vows, and with a flatt'ring look,
In her behalf to jealous Juno spoke,
He cast his arms about her neck, and said,
Dame, rest secure; no more thy nuptial bed
This nymph shall violate; by Styx I swear,
And every oath that binds the Thunderer.
The Goddess was appeas'd; and at the word
Was Io to her former shape restor'd.
The rugged hair began to fall away;
The sweetness of her eyes did only stay,
Tho' not so large; her crooked horns decrease;
The wideness of her jaws and nostrils cease:
Her hoofs to hands return, in little space:
The five long taper fingers take their place,
And nothing of the heyfer now is seen,
Beside the native whiteness of the skin.
Erected on her feet she walks again:
And two the duty of the four sustain.
She tries her tongue; her silence softly breaks,
And fears her former lowings when she speaks:
A Goddess now, through all th' Aegyptian State:
And serv'd by priests, who in white linnen wait.

Her son was Epaphus, at length believ'd
The son of Jove, and as a God receiv'd;
With sacrifice ador'd, and publick pray'rs,
He common temples with his mother shares.
Equal in years, and rival in renown
With Epaphus, the youthful Phaeton
Like honour claims; and boasts his sire the sun.
His haughty looks, and his assuming air,
The son of Isis could no longer bear:
Thou tak'st thy mother's word too far, said he,
And hast usurp'd thy boasted pedigree.
Go, base pretender to a borrow'd name.
Thus tax'd, he blush'd with anger, and with shame;
But shame repress'd his rage: the daunted youth
Soon seeks his mother, and enquires the truth:
Mother, said he, this infamy was thrown
By Epaphus on you, and me your son.
He spoke in publick, told it to my face;
Nor durst I vindicate the dire disgrace:
Even I, the bold, the sensible of wrong,
Restrain'd by shame, was forc'd to hold my tongue.
To hear an open slander, is a curse:
But not to find an answer, is a worse.
If I am Heav'n-begot, assert your son
By some sure sign; and make my father known,
To right my honour, and redeem your own.
He said, and saying cast his arms about
Her neck, and beg'd her to resolve the doubt.

'Tis hard to judge if Clymene were mov'd
More by his pray'r, whom she so dearly lov'd,
Or more with fury fir'd, to find her name
Traduc'd, and made the sport of common fame.
She stretch'd her arms to Heav'n, and fix'd her eyes
On that fair planet that adorns the skies;
Now by those beams, said she, whose holy fires
Consume my breast, and kindle my desires;
By him, who sees us both, and clears our sight,
By him, the publick minister of light,
I swear that Sun begot thee; if I lye,
Let him his chearful influence deny:
Let him no more this perjur'd creature see;
And shine on all the world but only me.
If still you doubt your mother's innocence,
His eastern mansion is not far from hence;
With little pains you to his Leve go,
And from himself your parentage may know.
With joy th' ambitious youth his mother heard,
And eager, for the journey soon prepar'd.
He longs the world beneath him to survey;
To guide the chariot; and to give the day:
From Meroe's burning sands he bends his course,
Nor less in India feels his father's force:
His travel urging, till he came in sight;
And saw the palace by the purple light.



The Story of Phaeton

The Sun's bright palace, on high columns rais'd,
With burnish'd gold and flaming jewels blaz'd;
The folding gates diffus'd a silver light,
And with a milder gleam refresh'd the sight;
Of polish'd iv'ry was the cov'ring wrought:
The matter vied not with the sculptor's thought,
For in the portal was display'd on high
(The work of Vulcan) a fictitious sky;
A waving sea th' inferiour Earth embrac'd,
And Gods and Goddesses the waters grac'd.
Aegeon here a mighty whale bestrode;
Triton, and Proteus (the deceiving God)
With Doris here were carv'd, and all her train,
Some loosely swimming in the figur'd main,
While some on rocks their dropping hair divide,
And some on fishes through the waters glide:
Tho' various features did the sisters grace,
A sister's likeness was in ev'ry face.
On Earth a diff'rent landskip courts the eyes,
Men, towns, and beasts in distant prospects rise,
And nymphs, and streams, and woods, and rural deities.
O'er all, the Heav'n's refulgent image shines;
On either gate were six engraven signs.

Here Phaeton still gaining on th' ascent,
To his suspected father's palace went,
'Till pressing forward through the bright abode,
He saw at distance the illustrious God:
He saw at distance, or the dazling light
Had flash'd too strongly on his aking sight.

The God sits high, exalted on a throne
Of blazing gems, with purple garments on;
The Hours, in order rang'd on either hand,
And Days, and Months, and Years, and Ages stand.
Here Spring appears with flow'ry chaplets bound;
Here Summer in her wheaten garl and crown'd;
Here Autumn the rich trodden grapes besmear;
And hoary Winter shivers in the reer.

Phoebus beheld the youth from off his throne;
That eye, which looks on all, was fix'd in one.
He saw the boy's confusion in his face,
Surpriz'd at all the wonders of the place;
And cries aloud, "What wants my son? for know
My son thou art, and I must call thee so."
"Light of the world," the trembling youth replies,
"Illustrious parent! since you don't despise
The parent's name, some certain token give,
That I may Clymene's proud boast believe,
Nor longer under false reproaches grieve."

The tender sire was touch'd with what he said,
And flung the blaze of glories from his head,
And bid the youth advance: "My son," said he,
"Come to thy father's arms! for Clymene
Has told thee true; a parent's name I own,
And deem thee worthy to be called my son.
As a sure proof, make some request, and I,
Whate'er it be, with that request comply;
By Styx I swear, whose waves are hid in night,
And roul impervious to my piercing sight."
The youth transported, asks, without delay,
To guide the sun's bright chariot for a day.

The God repented of the oath he took,
For anguish thrice his radiant head he shook;
"My son," says he, "some other proof require,
Rash was my promise, rash is thy desire.
I'd fain deny this wish, which thou hast made,
Or, what I can't deny, wou'd fain disswade.
Too vast and hazardous the task appears,
Nor suited to thy strength, nor to thy years.
Thy lot is mortal, but thy wishes fly
Beyond the province of mortality:
There is not one of all the Gods that dares
(However skill'd in other great affairs)
To mount the burning axle-tree, but I;
Not Jove himself, the ruler of the sky,
That hurles the three-fork'd thunder from above,
Dares try his strength: yet who so strong as Jove?
The steeds climb up the first ascent with pain,
And when the middle firmament they gain,
If downward from the Heav'ns my head I bow,
And see the Earth and Ocean hang below,
Ev'n I am seiz'd with horror and affright,
And my own heart misgives me at the sight.
A mighty downfal steeps the ev'ning stage,
And steddy reins must curb the horses' rage.
Tethys herself has fear'd to see me driv'n
Down headlong from the precipice of Heav'n.
Besides, consider what impetuous force
Turns stars and planets in a diff'rent course.
I steer against their motions; nor am I
Born back by all the current of the sky.
But how cou'd you resist the orbs that roul
In adverse whirls, and stem the rapid pole?
But you perhaps may hope for pleasing woods,
And stately dooms, and cities fill'd with Gods;
While through a thousand snares your progress lies,
Where forms of starry monsters stock the skies:
For, shou'd you hit the doubtful way aright,
The bull with stooping horns stands opposite;
Next him the bright Haemonian bow is strung,
And next, the lion's grinning visage hung:
The scorpion's claws, here clasp a wide extent;
And here the crab's in lesser clasps are bent.
Nor wou'd you find it easie to compose
The mettled steeds, when from their nostrils flows
The scorching fire, that in their entrails glows.
Ev'n I their head-strong fury scarce restrain,
When they grow warm and restif to the rein.
Let not my son a fatal gift require,
But, O! in time, recall your rash desire;
You ask a gift that may your parent tell,
Let these my fears your parentage reveal;
And learn a father from a father's care:
Look on my face; or if my heart lay bare,
Cou'd you but look, you'd read the father there.
Chuse out a gift from seas, or Earth, or skies,
For open to your wish all Nature lies,
Only decline this one unequal task,
For 'tis a mischief, not a gift, you ask.
You ask a real mischief, Phaeton:
Nay hang not thus about my neck, my son:
I grant your wish, and Styx has heard my voice,
Chuse what you will, but make a wiser choice."

Thus did the God th' unwary youth advise;
But he still longs to travel through the skies.
When the fond father (for in vain he pleads)
At length to the Vulcanian Chariot leads.
A golden axle did the work uphold,
Gold was the beam, the wheels were orb'd with gold.
The spokes in rows of silver pleas'd the sight,
The seat with party-colour'd gems was bright;
Apollo shin'd amid the glare of light.
The youth with secret joy the work surveys,
When now the moon disclos'd her purple rays;
The stars were fled, for Lucifer had chased
The stars away, and fled himself at last.
Soon as the father saw the rosy morn,
And the moon shining with a blunter horn,
He bid the nimble Hours, without delay,
Bring forth the steeds; the nimble Hours obey:
From their full racks the gen'rous steeds retire,
Dropping ambrosial foams, and snorting fire.
Still anxious for his son, the God of day,
To make him proof against the burning ray,
His temples with celestial ointment wet,
Of sov'reign virtue to repel the heat;
Then fix'd the beamy circle on his head,
And fetch'd a deep foreboding sigh, and said,
"Take this at least, this last advice, my son,
Keep a stiff rein, and move but gently on:
The coursers of themselves will run too fast,
Your art must be to moderate their haste.
Drive 'em not on directly through the skies,
But where the Zodiac's winding circle lies,
Along the midmost Zone; but sally forth
Nor to the distant south, nor stormy north.
The horses' hoofs a beaten track will show,
But neither mount too high, nor sink too low.
That no new fires, or Heav'n or Earth infest;
Keep the mid way, the middle way is best.
Nor, where in radiant folds the serpent twines,
Direct your course, nor where the altar shines.
Shun both extreams; the rest let Fortune guide,
And better for thee than thy self provide!
See, while I speak, the shades disperse away,
Aurora gives the promise of a day;
I'm call'd, nor can I make a longer stay.
Snatch up the reins; or still th' attempt forsake,
And not my chariot, but my counsel, take,
While yet securely on the Earth you stand;
Nor touch the horses with too rash a hand.
Let me alone to light the world, while you
Enjoy those beams which you may safely view."
He spoke in vain; the youth with active heat
And sprightly vigour vaults into the seat;
And joys to hold the reins, and fondly gives
Those thanks his father with remorse receives.

Mean-while the restless horses neigh'd aloud,
Breathing out fire, and pawing where they stood.
Tethys, not knowing what had past, gave way,
And all the waste of Heav'n before 'em lay.
They spring together out, and swiftly bear
The flying youth thro' clouds and yielding air;
With wingy speed outstrip the eastern wind,
And leave the breezes of the morn behind.
The youth was light, nor cou'd he fill the seat,
Or poise the chariot with its wonted weight:
But as at sea th' unballass'd vessel rides,
Cast to and fro, the sport of winds and tides;
So in the bounding chariot toss'd on high,
The youth is hurry'd headlong through the sky.
Soon as the steeds perceive it, they forsake
Their stated course, and leave the beaten track.
The youth was in a maze, nor did he know
Which way to turn the reins, or where to go;
Nor wou'd the horses, had he known, obey.
Then the sev'n stars first felt Apollo's ray,
And wish'd to dip in the forbidden sea.
The folded serpent next the frozen pole,
Stiff and benum'd before, began to rowle,
And raged with inward heat, and threaten'd war,
And shot a redder light from ev'ry star;
Nay, and 'tis said Bootes too, that fain
Thou woud'st have fled, tho' cumber'd with thy wane.

Th' unhappy youth then, bending down his head,
Saw Earth and Ocean far beneath him spread.
His colour chang'd, he startled at the sight,
And his eyes darken'd by too great a light.
Now cou'd he wish the fiery steeds untry'd,
His birth obscure, and his request deny'd:
Now wou'd he Merops for his father own,
And quit his boasted kindred to the sun.

So fares the pilot, when his ship is tost
In troubled seas, and all its steerage lost,
He gives her to the winds, and in despair
Seeks his last refuge in the Gods and pray'r.

What cou'd he do? his eyes, if backward cast,
Find a long path he had already past;
If forward, still a longer path they find:
Both he compares, and measures in his mind;
And sometimes casts an eye upon the east,
And sometimes looks on the forbidden west,
The horses' names he knew not in the fright,
Nor wou'd he loose the reins, nor cou'd he hold 'em right.

Now all the horrors of the Heav'ns he spies,
And monstrous shadows of prodigious size,
That, deck'd with stars, lye scatter'd o'er the skies.
There is a place above, where Scorpio bent
In tail and arms surrounds a vast extent;
In a wide circuit of the Heav'ns he shines,
And fills the space of two coelestial signs.
Soon as the youth beheld him vex'd with heat
Brandish his sting, and in his poison sweat,
Half dead with sudden fear he dropt the reins;
The horses felt 'em loose upon their mains,
And, flying out through all the plains above,
Ran uncontroul'd where-e're their fury drove;
Rush'd on the stars, and through a pathless way
Of unknown regions hurry'd on the day.
And now above, and now below they flew,
And near the Earth the burning chariot drew.

The clouds disperse in fumes, the wond'ring Moon
Beholds her brother's steeds beneath her own;
The highlands smoak, cleft by the piercing rays,
Or, clad with woods, in their own fewel blaze.
Next o'er the plains, where ripen'd harvests grow,
The running conflagration spreads below.
But these are trivial ills: whole cities burn,
And peopled kingdoms into ashes turn.

The mountains kindle as the car draws near,
Athos and Tmolus red with fires appear;
Oeagrian Haemus (then a single name)
And virgin Helicon increase the flame;
Taurus and Oete glare amid the sky,
And Ida, spight of all her fountains, dry.
Eryx and Othrys, and Cithaeron, glow,
And Rhodope, no longer cloath'd in snow;
High Pindus, Mimas, and Parnassus, sweat,
And Aetna rages with redoubled heat.
Ev'n Scythia, through her hoary regions warm'd,
In vain with all her native frost was arm'd.
Cover'd with flames the tow'ring Appennine,
And Caucasus, and proud Olympus, shine;
And, where the long-extended Alpes aspire,
Now stands a huge continu'd range of fire.

Th' astonisht youth, where-e'er his eyes cou'd turn,
Beheld the universe around him burn:
The world was in a blaze; nor cou'd he bear
The sultry vapours and the scorching air,
Which from below, as from a furnace, flow'd;
And now the axle-tree beneath him glow'd:
Lost in the whirling clouds that round him broke,
And white with ashes, hov'ring in the smoke.
He flew where-e'er the horses drove, nor knew
Whither the horses drove, or where he flew.

'Twas then, they say, the swarthy Moor begun
To change his hue, and blacken in the sun.
Then Libya first, of all her moisture drain'd,
Became a barren waste, a wild of sand.
The water-nymphs lament their empty urns,
Boeotia, robb's of silve Dirce, mourns,
Corinth Pyrene's wasted spring bewails,
And Argos grieves whilst Amymone fails.

The floods are drain'd from ev'ry distant coast,
Ev'n Tanais, tho' fix'd in ice, was lost.
Enrag'd Caicus and Lycormas roar,
And Xanthus, fated to be burnt once more.
The fam'd Maeander, that unweary'd strays
Through mazy windings, smoaks in ev'ry maze.
From his lov'd Babylon Euphrates flies;
The big-swoln Ganges and the Danube rise
In thick'ning fumes, and darken half the skies.
In flames Ismenos and the Phasis roul'd,
And Tagus floating in his melted gold.
The swans, that on Cayster often try'd
Their tuneful songs, now sung their last and dy'd.
The frighted Nile ran off, and under ground
Conceal'd his head, nor can it yet be found:
His sev'n divided currents all are dry,
And where they row'ld, sev'n gaping trenches lye:
No more the Rhine or Rhone their course maintain,
Nor Tiber, of his promis'd empire vain.

The ground, deep-cleft, admits the dazling ray,
And startles Pluto with the flash of day.
The seas shrink in, and to the sight disclose
Wide naked plains, where once their billows rose;
Their rocks are all discover'd, and increase
The number of the scatter'd Cyclades.
The fish in sholes about the bottom creep,
Nor longer dares the crooked dolphin leap
Gasping for breath, th' unshapen Phocae die,
And on the boiling wave extended lye.
Nereus, and Doris with her virgin train,
Seek out the last recesses of the main;
Beneath unfathomable depths they faint,
And secret in their gloomy caverns pant.
Stern Neptune thrice above the waves upheld
His face, and thrice was by the flames repell'd.

The Earth at length, on ev'ry side embrac'd
With scalding seas that floated round her waste,
When now she felt the springs and rivers come,
And crowd within the hollow of her womb,
Up-lifted to the Heav'ns her blasted head,
And clapt her hand upon her brows, and said
(But first, impatient of the sultry heat,
Sunk deeper down, and sought a cooler seat):
"If you, great king of Gods, my death approve,
And I deserve it, let me die by Jove;
If I must perish by the force of fire,
Let me transfix'd with thunder-bolts expire.
See, whilst I speak, my breath the vapours choak
(For now her face lay wrapt in clouds of smoak),
See my singe'd hair, behold my faded eye,
And wither'd face, where heaps of cinders lye!
And does the plow for this my body tear?
This the reward for all the fruits I bear,
Tortur'd with rakes, and harrass'd all the year?
That herbs for cattle daily I renew,
And food for Man, and frankincense for you?
But grant me guilty; what has Neptune done?
Why are his waters boiling in the sun?
The wavy empire, which by lot was giv'n,
Why does it waste, and further shrink from Heav'n?
If I nor he your pity can provoke,
See your own Heav'ns, the Heav'ns begin to smoke!
Shou'd once the sparkles catch those bright abodes,
Destruction seizes on the Heav'ns and Gods;
Atlas becomes unequal to his freight,
And almost faints beneath the glowing weight.
If Heav'n, and Earth, and sea, together burn,
All must again into their chaos turn.
Apply some speedy cure, prevent our fate,
And succour Nature, ere it be too late."
She cea'sd, for choak'd with vapours round her spread,
Down to the deepest shades she sunk her head.

Jove call'd to witness ev'ry Pow'r above,
And ev'n the God, whose son the chariot drove,
That what he acts he is compell'd to do,
Or universal ruin must ensue.
Strait he ascends the high aetherial throne,
From whence he us'd to dart his thunder down,
From whence his show'rs and storms he us'd to pour,
But now cou'd meet with neither storm nor show'r.
Then, aiming at the youth, with lifted hand,
Full at his head he hurl'd the forky brand,
In dreadful thund'rings. Thus th' almighty sire
Suppress'd the raging of the fires with fire.

At once from life and from the chariot driv'n,
Th' ambitious boy fell thunder-struck from Heav'n.
The horses started with a sudden bound,
And flung the reins and chariot to the ground:
The studded harness from their necks they broke,
Here fell a wheel, and here a silver spoke,
Here were the beam and axle torn away;
And, scatter'd o'er the Earth, the shining fragments lay.

The breathless Phaeton, with flaming hair,
Shot from the chariot, like a falling star,
That in a summer's ev'ning from the top
Of Heav'n drops down, or seems at least to drop;
'Till on the Po his blasted corps was hurl'd,
Far from his country, in the western world.

Phaeton's Sisters transform'd into Trees

The Latian nymphs came round him, and, amaz'd,
On the dead youth, transfix'd with thunder, gaz'd;
And, whilst yet smoaking from the bolt he lay,
His shatter'd body to a tomb convey,
And o'er the tomb an epitaph devise:
"Here he, who drove the sun's bright chariot, lies;
His father's fiery steeds he cou'd not guide,
But in the glorious enterprize he dy'd."

Apollo hid his face, and pin'd for grief,
And, if the story may deserve belief,
The space of one whole day is said to run,
From morn to wonted ev'n, without a sun:
The burning ruins, with a fainter ray,
Supply the sun, and counterfeit a day,
A day, that still did Nature's face disclose:
This comfort from the mighty mischief rose.

But Clymene, enrag'd with grief, laments,
And as her grief inspires, her passion vents:
Wild for her son, and frantick in her woes,
With hair dishevel'd round the world she goes,
To seek where-e'er his body might be cast;
'Till, on the borders of the Po, at last
The name inscrib'd on the new tomb appears.
The dear dear name she bathes in flowing tears,
Hangs o'er the tomb, unable to depart,
And hugs the marble to her throbbing heart.

Her daughters too lament, and sigh, and mourn
(A fruitless tri bute to their brother's urn),
And beat their naked bosoms, and complain,
And call aloud for Phaeton in vain:
All the long night their mournful watch they keep,
And all the day stand round the tomb, and weep.

Four times, revolving, the full moon return'd;
So long the mother and the daughters mourn'd:
When now the eldest, Phaethusa, strove
To rest her weary limbs, but could not move;
Lampetia wou'd have help'd her, but she found
Her self with-held, and rooted to the ground:
A third in wild affliction, as she grieves,
Wou'd rend her hair, but fills her hands with leaves;
One sees her thighs transform'd, another views
Her arms shot out, and branching into boughs.
And now their legs, and breasts, and bodies stood
Crusted with bark, and hard'ning into wood;
But still above were female heads display'd,
And mouths, that call'd the mother to their aid.
What cou'd, alas! the weeping mother do?
From this to that with eager haste she flew,
And kiss'd her sprouting daughters as they grew.
She tears the bark that to each body cleaves,
And from their verdant fingers strips the leaves:
The blood came trickling, where she tore away
The leaves and bark: the maids were heard to say,
"Forbear, mistaken parent, oh! forbear;
A wounded daughter in each tree you tear;
Farewell for ever." Here the bark encreas'd,
Clos'd on their faces, and their words suppress'd.

The new-made trees in tears of amber run,
Which, harden'd into value by the sun,
Distill for ever on the streams below:
The limpid streams their radiant treasure show,
Mixt in the sand; whence the rich drops convey'd
Shine in the dress of the bright Latian maid.

The Transformation of Cycnus into a Swan

Cycnus beheld the nymphs transform'd, ally'd
To their dead brother on the mortal side,
In friendship and affection nearer bound;
He left the cities and the realms he own'd,
Thro' pathless fields and lonely shores to range,
And woods made thicker by the sisters' change.
Whilst here, within the dismal gloom, alone,
The melancholy monarch made his moan,
His voice was lessen'd, as he try'd to speak,
And issu'd through a long-extended neck;
His hair transforms to down, his fingers meet
In skinny films, and shape his oary feet;
From both his sides the wings and feathers break;
And from his mouth proceeds a blunted beak:
All Cycnus now into a Swan was turn'd,
Who, still remembring how his kinsman burn'd,
To solitary pools and lakes retires,
And loves the waters as oppos'd to fires.

Mean-while Apollo in a gloomy shade
(The native lustre of his brows decay'd)
Indulging sorrow, sickens at the sight
Of his own sun-shine, and abhors the light;
The hidden griefs, that in his bosom rise,
Sadden his looks and over-cast his eyes,
As when some dusky orb obstructs his ray,
And sullies in a dim eclipse the day.

Now secretly with inward griefs he pin'd,
Now warm resentments to his griefs he joyn'd,
And now renounc'd his office to mankind.
"Ere since the birth of time," said he, "I've born
A long ungrateful toil, without return;
Let now some other manage, if he dare,
The fiery steeds, and mount the burning carr;
Or, if none else, let Jove his fortune try,
And learn to lay his murd'ring thunder by;
Then will he own, perhaps, but own too late,
My son deserv'd not so severe a fate."

The Gods stand round him, as he mourns, and pray
He would resume the conduct of the day,
Nor let the world be lost in endless night:
Jove too himself descending from his height,
Excuses what had happen'd, and intreats,
Majestically mixing pray'rs and threats.
Prevail'd upon at length, again he took
The harness'd steeds, that still with horror shook,
And plies 'em with the lash, and whips 'em on,
And, as he whips, upbraids 'em with his son.

The Story of Calisto

The day was settled in its course; and Jove
Walk'd the wide circuit of the Heavens above,
To search if any cracks or flaws were made;
But all was safe: the Earth he then survey'd,
And cast an eye on ev'ry diff'rent coast,
And ev'ry land; but on Arcadia most.
Her fields he cloath'd, and chear'd her blasted face
With running fountains, and with springing grass.
No tracks of Heav'n's destructive fire remain,
The fields and woods revive, and Nature smiles again.

But as the God walk'd to and fro the Earth,
And rais'd the plants, and gave the spring its birth,
By chance a fair Arcadian nymph he view'd,
And felt the lovely charmer in his blood.
The nymph nor spun, nor dress'd with artful pride,
Her vest was gather'd up, her hair was ty'd;
Now in her hand a slender spear she bore,
Now a light quiver on her shoulders wore;
To chaste Diana from her youth inclin'd,
The sprightly warriors of the wood she joyn'd.
Diana too the gentle huntress lov'd,
Nor was there one of all the nymphs that rov'd
O'er Maenalus, amid the maiden throng,
More favour'd once; but favour lasts not long.

The sun now shone in all its strength, and drove
The heated virgin panting to a grove;
The grove around a grateful shadow cast:
She dropt her arrows, and her bow unbrac'd;
She flung her self on the cool grassy bed;
And on the painted quiver rais'd her head,
Jove saw the charming huntress unprepar'd,
Stretch'd on the verdant turf, without a guard.
"Here I am safe," he cries, "from Juno's eye;
Or shou'd my jealous queen the theft descry,
Yet wou'd I venture on a theft like this,
And stand her rage for such, for such a bliss!"
Diana's shape and habit strait he took,
Soften'd his brows, and smooth'd his awful look,
And mildly in a female accent spoke.
"How fares my girl? How went the morning chase?"
To whom the virgin, starting from the grass,
"All hail, bright deity, whom I prefer
To Jove himself, tho' Jove himself were here."
The God was nearer than she thought, and heard
Well-pleas'd himself before himself preferr'd.

He then salutes her with a warm embrace;
And, e're she half had told the morning chase,
With love enflam'd, and eager on his bliss,
Smother'd her words, and stop'd her with a kiss;
His kisses with unwonted ardour glow'd,
Nor cou'd Diana's shape conceal the God.
The virgin did whate'er a virgin cou'd
(Sure Juno must have pardon'd, had she view'd);
With all her might against his force she strove;
But how can mortal maids contend with Jove?

Possest at length of what his heart desir'd,
Back to his Heav'ns, th' exulting God retir'd.
The lovely huntress, rising from the grass,
With down-cast eyes, and with a blushing face,
By shame confounded, and by fear dismay'd,
Flew from the covert of the guilty shade,
And almost, in the tumult of her mind,
Left her forgotten bow and shafts behind.

But now Diana, with a sprightly train
Of quiver'd virgins, bounding o'er the plain,
Call'd to the nymph; the nymph began to fear
A second fraud, a Jove disguis'd in her;
But, when she saw the sister nymphs, suppress'd
Her rising fears, and mingled with the rest.

How in the look does conscious guilt appear!
Slowly she mov'd, and loiter'd in the rear;
Nor lightly tripp'd, nor by the Goddess ran,
As once she us'd, the foremost of the train.
Her looks were flush'd, and sullen was her mien,
That sure the virgin Goddess (had she been
Aught but a virgin) must the guilt have seen.
'Tis said the nymphs saw all, and guess'd aright:
And now the moon had nine times lost her light,
When Dian, fainting in the mid-day beams,
Found a cool covert, and refreshing streams
That in soft murmurs through the forest flow'd,
And a smooth bed of shining gravel show'd.

A covert so obscure, and streams so clear,
The Goddess prais'd: "And now no spies are near
Let's strip, my gentle maids, and wash," she cries.
Pleas'd with the motion, every maid complies;
Only the blushing huntress stood confus'd,
And form'd delays, and her delays excus'd;
In vain excus'd: her fellows round her press'd,
And the reluctant nymph by force undress'd,
The naked huntress all her shame reveal'd,
In vain her hands the pregnant womb conceal'd;
"Begone!" the Goddess cries with stern disdain,
"Begone! nor dare the hallow'd stream to stain":
She fled, for ever banish'd from the train.

This Juno heard, who long had watch'd her time
To punish the detested rival's crime;
The time was come; for, to enrage her more,
A lovely boy the teeming rival bore.

The Goddess cast a furious look, and cry'd,
"It is enough! I'm fully satisfy'd!
This boy shall stand a living mark, to prove
My husband's baseness and the strumpet's love:
But vengeance shall awake: those guilty charms
That drew the Thunderer from Juno's arms,
No longer shall their wonted force retain,
Nor please the God, nor make the mortal vain."

This said, her hand within her hair she wound,
Swung her to Earth, and drag'd her on the ground:
The prostrate wretch lifts up her arms in pray'r;
Her arms grow shaggy, and deform'd with hair,
Her nails are sharpen'd into pointed claws,
Her hands bear half her weight, and turn to paws;
Her lips, that once cou'd tempt a God, begin
To grow distorted in an ugly grin.
And, lest the supplicating brute might reach
The ears of Jove, she was depriv'd of speech:
Her surly voice thro' a hoarse passage came
In savage sounds: her mind was still the same,
The furry monster fix'd her eyes above,
And heav'd her new unwieldy paws to Jove,
And beg'd his aid with inward groans; and tho'
She could not call him false, she thought him so.

How did she fear to lodge in woods alone,
And haunt the fields and meadows, once her own!
How often wou'd the deep-mouth'd dogs pursue,
Whilst from her hounds the frighted huntress flew!
How did she fear her fellow-brutes, and shun
The shaggy bear, tho' now her self was one!
How from the sight of rugged wolves retire,
Although the grim Lycaon was her sire!

But now her son had fifteen summers told,
Fierce at the chase, and in the forest bold;
When, as he beat the woods in quest of prey,
He chanc'd to rouze his mother where she lay.
She knew her son, and kept him in her sight,
And fondly gaz'd: the boy was in a fright,
And aim'd a pointed arrow at her breast,
And would have slain his mother in the beast;
But Jove forbad, and snatch'd 'em through the air
In whirlwinds up to Heav'n, and fix'd 'em there!
Where the new constellations nightly rise,
And add a lustre to the northern skies.

When Juno saw the rival in her height,
Spangled with stars, and circled round with light,
She sought old Ocean in his deep abodes,
And Tethys, both rever'd among the Gods.
They ask what brings her there: "Ne'er ask," says she,
"What brings me here, Heav'n is no place for me.
You'll see, when night has cover'd all things o'er,
Jove's starry bastard and triumphant whore
Usurp the Heav'ns; you'll see 'em proudly rowle
And who shall now on Juno's altars wait,
When those she hates grow greater by her hate?
I on the nymph a brutal form impress'd,
Jove to a goddess has transform'd the beast;
This, this was all my weak revenge could do:
But let the God his chaste amours pursue,
And, as he acted after Io's rape,
Restore th' adultress to her former shape;
Then may he cast his Juno off, and lead
The great Lycaon's offspring to his bed.
But you, ye venerable Pow'rs, be kind,
And, if my wrongs a due resentment find,
Receive not in your waves their setting beams,
Nor let the glaring strumpet taint your streams."

The Goddess ended, and her wish was giv'n.
Back she return'd in triumph up to Heav'n;
Her gawdy peacocks drew her through the skies.
Their tails were spotted with a thousand eyes;
The eyes of Argus on their tails were rang'd,
At the same time the raven's colour chang'd.

The Story of Coronis, and Birth of Aesculapius

The raven once in snowy plumes was drest,
White as the whitest dove's unsully'd breast,
Fair as the guardian of the Capitol,
Soft as the swan; a large and lovely fowl;
His tongue, his prating tongue had chang'd him quite
To sooty blackness, from the purest white.

The story of his change shall here be told;
In Thessaly there liv'd a nymph of old,
Coronis nam'd; a peerless maid she shin'd,
Confest the fairest of the fairer kind.
Apollo lov'd her, 'till her guilt he knew,
While true she was, or whilst he thought her true.
But his own bird the raven chanc'd to find
The false one with a secret rival joyn'd.
Coronis begg'd him to suppress the tale,
But could not with repeated pray'rs prevail.
His milk-white pinions to the God he ply'd;
The busy daw flew with him, side by side,
And by a thousand teizing questions drew
Th' important secret from him as they flew.
The daw gave honest counsel, tho' despis'd,
And, tedious in her tattle, thus advis'd:
"Stay, silly bird, th' ill-natur'd task refuse,
Nor be the bearer of unwelcome news.
Be warn'd by my example: you discern
What now I am, and what I was shall learn.
My foolish honesty was all my crime;
Then hear my story. Once upon a time,
The two-shap'd Ericthonius had his birth
(Without a mother) from the teeming Earth;
Minerva nurs'd him, and the infant laid
Within a chest, of twining osiers made.
The daughters of king Cecrops undertook
To guard the chest, commanded not to look
On what was hid within. I stood to see
The charge obey'd, perch'd on a neighb'ring tree.
The sisters Pandrosos and Herse keep
The strict command; Aglauros needs would peep,
And saw the monstrous infant, in a fright,
And call'd her sisters to the hideous sight:
A boy's soft shape did to the waste prevail,
But the boy ended in a dragon's tail.
I told the stern Minerva all that pass'd;
But for my pains, discarded and disgrac'd,
The frowning Goddess drove me from her sight,
And for her fav'rite chose the bird of night.
Be then no tell-tale; for I think my wrong
Enough to teach a bird to hold her tongue.

But you, perhaps, may think I was remov'd,
As never by the heav'nly maid belov'd:
But I was lov'd; ask Pallas if I lye;
Tho' Pallas hate me now, she won't deny:
For I, whom in a feather'd shape you view,
Was once a maid (by Heav'n the story's true)
A blooming maid, and a king's daughter too.
A crowd of lovers own'd my beauty's charms;
My beauty was the cause of all my harms;
Neptune, as on his shores I wont to rove,
Observ'd me in my walks, and fell in love.
He made his courtship, he confess'd his pain,
And offer'd force, when all his arts were vain;
Swift he pursu'd: I ran along the strand,
'Till, spent and weary'd on the sinking sand,
I shriek'd aloud, with cries I fill'd the air
To Gods and men; nor God nor man was there:
A virgin Goddess heard a virgin's pray'r.
For, as my arms I lifted to the skies,
I saw black feathers from my fingers rise;
I strove to fling my garment on the ground;
My garment turn'd to plumes, and girt me round:
My hands to beat my naked bosom try;
Nor naked bosom now nor hands had I:
Lightly I tript, nor weary as before
Sunk in the sand, but skim'd along the shore;
'Till, rising on my wings, I was preferr'd
To be the chaste Minerva's virgin bird:
Preferr'd in vain! I am now in disgrace:
Nyctimene the owl enjoys my place.

On her incestuous life I need not dwell
(In Lesbos still the horrid tale they tell),
And of her dire amours you must have heard,
For which she now does penance in a bird,
That conscious of her shame, avoids the light,
And loves the gloomy cov'ring of the night;
The birds, where-e'er she flutters, scare away
The hooting wretch, and drive her from the day."

The raven, urg'd by such impertinence,
Grew passionate, it seems, and took offence,
And curst the harmless daw; the daw withdrew:
The raven to her injur'd patron flew,
And found him out, and told the fatal truth
Of false Coronis and the favour'd youth.

The God was wroth, the colour left his look,
The wreath his head, the harp his hand forsook:
His silver bow and feather'd shafts he took,
And lodg'd an arrow in the tender breast,
That had so often to his own been prest.
Down fell the wounded nymph, and sadly groan'd,
And pull'd his arrow reeking from the wound;
And weltring in her blood, thus faintly cry'd,
"Ah cruel God! tho' I have justly dy'd,
What has, alas! my unborn infant done,
That he should fall, and two expire in one?"
This said, in agonies she fetch'd her breath.

The God dissolves in pity at her death;
He hates the bird that made her falshood known,
And hates himself for what himself had done;
The feather'd shaft, that sent her to the Fates,
And his own hand, that sent the shaft, he hates.
Fain would he heal the wound, and ease her pain,
And tries the compass of his art in vain.
Soon as he saw the lovely nymph expire,
The pile made ready, and the kindling fire.
With sighs and groans her obsequies he kept,
And, if a God could weep, the God had wept.
Her corps he kiss'd, and heav'nly incense brought,
And solemniz'd the death himself had wrought.

But lest his offspring should her fate partake,
Spight of th' immortal mixture in his make,
He ript her womb, and set the child at large,
And gave him to the centaur Chiron's charge:
Then in his fury black'd the raven o'er,
And bid him prate in his white plumes no more.

Ocyrrhoe transform'd into a Mare

Old Chiron took the babe with secret joy,
Proud of the charge of the celestial boy.
His daughter too, whom on the sandy shore
The nymph Charicle to the centaur bore,
With hair dishevel'd on her shoulders, came
To see the child, Ocyrrhoe was her name;
She knew her father's arts, and could rehearse
The depths of prophecy in sounding verse.
Once, as the sacred infant she survey'd,
The God was kindled in the raving maid,
And thus she utter'd her prophetick tale:
"Hail, great physician of the world, all-hail;
Hail, mighty infant, who in years to come
Shalt heal the nations, and defraud the tomb;
Swift be thy growth! thy triumphs unconfin'd!
Make kingdoms thicker, and increase mankind.
Thy daring art shall animate the dead,
And draw the thunder on thy guilty head:
Then shalt thou dye, but from the dark abode
Rise up victorious, and be twice a God.
And thou, my sire, not destin'd by thy birth
To turn to dust, and mix with common earth,
How wilt thou toss, and rave, and long to dye,
And quit thy claim to immortality;
When thou shalt feel, enrag'd with inward pains,
The Hydra's venom rankling in thy veins?
The Gods, in pity, shall contract thy date,
And give thee over to the pow'r of Fate."

Thus entring into destiny, the maid
The secrets of offended Jove betray'd:
More had she still to say; but now appears
Oppress'd with sobs and sighs, and drown'd in tears.
"My voice," says she, "is gone, my language fails;
Through ev'ry limb my kindred shape prevails:
Why did the God this fatal gift impart,
And with prophetick raptures swell my heart!
What new desires are these? I long to pace
O'er flow'ry meadows, and to feed on grass;
I hasten to a brute, a maid no more;
But why, alas! am I transform'd all o'er?
My sire does half a human shape retain,
And in his upper parts preserve the man."

Her tongue no more distinct complaints affords,
But in shrill accents and mis-shapen words
Pours forth such hideous wailings, as declare
The human form confounded in the mare:
'Till by degrees accomplish'd in the beast,
She neigh'd outright, and all the steed exprest.
Her stooping body on her hands is born,
Her hands are turn'd to hoofs, and shod in horn,
Her yellow tresses ruffle in a mane,
And in a flowing tail she frisks her train,
The mare was finish'd in her voice and look,
And a new name from the new figure took.

The Transformation of Battus to a Touch stone

Sore wept the centuar, and to Phoebus pray'd;
But how could Phoebus give the centaur aid?
Degraded of his pow'r by angry Jove,
In Elis then a herd of beeves he drove;
And wielded in his hand a staff of oak,
And o'er his shoulders threw the shepherd's cloak;
On sev'n compacted reeds he us'd to play,
And on his rural pipe to waste the day.

As once attentive to his pipe he play'd,
The crafty Hermes from the God convey'd
A drove, that sep'rate from their fellows stray'd.
The theft an old insidious peasant view'd
(They call'd him Battus in the neighbourhood),
Hir'd by a vealthy Pylian prince to feed
His fav'rite mares, and watch the gen'rous breed.
The thievish God suspected him, and took
The hind aside, and thus in whispers spoke:
"Discover not the theft, whoe'er thou be,
And take that milk-white heifer for thy fee."
"Go, stranger," cries the clown, "securely on,
That stone shall sooner tell," and show'd a stone.

The God withdrew, but strait return'd again,
In speech and habit like a country swain;
And cries out, "Neighbour, hast thou seen a stray
Of bullocks and of heifers pass this way?
In the recov'ry of my cattle join,
A bullock and a heifer shall be thine."
The peasant quick replies, "You'll find 'em there
In yon dark vale"; and in the vale they were.
The double bribe had his false heart beguil'd:
The God, successful in the tryal, smil'd;
"And dost thou thus betray my self to me?
Me to my self dost thou betray?" says he:
Then to a Touch stone turns the faithless spy;
And in his name records his infamy.

The Story of Aglauros, transform'd into a Statue

This done, the God flew up on high, and pass'd
O'er lofty Athens, by Minerva grac'd,
And wide Munichia, whilst his eyes survey
All the vast region that beneath him lay.

'Twas now the feast, when each Athenian maid
Her yearly homage to Minerva paid;
In canisters, with garlands cover'd o'er,
High on their heads, their mystick gifts they bore:
And now, returning in a solemn train,
The troop of shining virgins fill'd the plain.

The God well pleas'd beheld the pompous show,
And saw the bright procession pass below;
Then veer'd about, and took a wheeling flight,
And hover'd o'er them: as the spreading kite,
That smells the slaughter'd victim from on high,
Flies at a distance, if the priests are nigh,
And sails around, and keeps it in her eye:
So kept the God the virgin quire in view,
And in slow winding circles round them flew.

As Lucifer excells the meanest star,
Or, as the full-orb'd Phoebe, Lucifer;
So much did Herse all the rest outvy,
And gave a grace to the solemnity.
Hermes was fir'd, as in the clouds he hung:
So the cold bullet, that with fury slung
From Balearick engines mounts on high,
Glows in the whirl, and burns along the sky.
At length he pitch'd upon the ground, and show'd
The form divine, the features of a God.
He knew their vertue o'er a female heart,
And yet he strives to better them by art.
He hangs his mantle loose, and sets to show
The golden edging on the seam below;
Adjusts his flowing curls, and in his hand
Waves, with an air, the sleep-procuring wand;
The glitt'ring sandals to his feet applies,
And to each heel the well-trim'd pinion ties.

His ornaments with nicest art display'd,
He seeks th' apartment of the royal maid.
The roof was all with polish'd iv'ry lin'd,
That richly mix'd, in clouds of tortoise shin'd.
Three rooms, contiguous, in a range were plac'd,
The midmost by the beauteous Herse grac'd;
Her virgin sisters lodg'd on either side.
Aglauros first th' approaching God descry'd,
And, as he cross'd her chamber, ask'd his name,
And what his business was, and whence he came.
"I come," reply'd the God, "from Heav'n, to woo
Your sister, and to make an aunt of you;
I am the son and messenger of Jove;
My name is Mercury, my bus'ness love;
Do you, kind damsel, take a lover's part,
And gain admittance to your sister's heart."

She star'd him in the face with looks amaz'd,
As when she on Minerva's secret gaz'd,
And asks a mighty treasure for her hire;
And, 'till he brings it, makes the God retire.
Minerva griev'd to see the nymph succeed;
And now remembring the late impious deed,
When, disobedient to her strict command,
She touch'd the chest with an unhallow'd hand;
In big-swoln sighs her inward rage express'd,
That heav'd the rising Aegis on her breast;
Then sought out Envy in her dark abode,
Defil'd with ropy gore and clots of blood:
Shut from the winds, and from the wholesome skies,
In a deep vale the gloomy dungeon lies,
Dismal and cold, where not a beam of light
Invades the winter, or disturbs the night.

Directly to the cave her course she steer'd;
Against the gates her martial lance she rear'd;
The gates flew open, and the fiend appear'd.
A pois'nous morsel in her teeth she chew'd,
And gorg'd the flesh of vipers for her food.
Minerva loathing turn'd away her eye;
The hideous monster, rising heavily,
Came stalking forward with a sullen pace,
And left her mangled offals on the place.
Soon as she saw the goddess gay and bright,
She fetch'd a groan at such a chearful sight.
Livid and meagre were her looks, her eye
In foul distorted glances turn'd awry;
A hoard of gall her inward parts possess'd,
And spread a greenness o'er her canker'd breast;
Her teeth were brown with rust, and from her tongue,
In dangling drops, the stringy poison hung.
She never smiles but when the wretched weep,
Nor lulls her malice with a moment's sleep,
Restless in spite: while watchful to destroy,
She pines and sickens at another's joy;
Foe to her self, distressing and distrest,
She bears her own tormentor in her breast.
The Goddess gave (for she abhorr'd her sight)
A short command: "To Athens speed thy flight;
On curst Aglauros try thy utmost art,
And fix thy rankest venoms in her heart."
This said, her spear she push'd against the ground,
And mounting from it with an active bound,
Flew off to Heav'n: the hag with eyes askew
Look'd up, and mutter'd curses as she flew;
For sore she fretted, and began to grieve
At the success which she her self must give.
Then takes her staff, hung round with wreaths of thorn,
And sails along, in a black whirlwind born,
O'er fields and flow'ry meadows: where she steers
Her baneful course, a mighty blast appears,
Mildews and blights; the meadows are defac'd,
The fields, the flow'rs, and the whole years laid waste:

On mortals next, and peopled towns she falls,
And breathes a burning plague among their walls.

When Athens she beheld, for arts renown'd,
With peace made happy, and with plenty crown'd,
Scarce could the hideous fiend from tears forbear,
To find out nothing that deserv'd a tear.
Th' apartment now she enter'd, where at rest
Aglauros lay, with gentle sleep opprest.
To execute Minerva's dire command,
She stroak'd the virgin with her canker'd hand,
Then prickly thorns into her breast convey'd,
That stung to madness the devoted maid:
Her subtle venom still improves the smart,
Frets in the blood, and festers in the heart.

To make the work more sure, a scene she drew,
And plac'd before the dreaming virgin's view
Her sister's marriage, and her glorious fate:
Th' imaginary bride appears in state;
The bride-groom with unwonted beauty glows:
For envy magnifies what-e'er she shows.

Full of the dream, Aglauros pin'd away
In tears all night, in darkness all the day;
Consum'd like ice, that just begins to run,
When feebly smitten by the distant sun;
Or like unwholsome weeds, that set on fire
Are slowly wasted, and in smoke expire.
Giv'n up to envy (for in ev'ry thought
The thorns, the venom, and the vision wrought)
Oft did she call on death, as oft decreed,
Rather than see her sister's wish succeed,
To tell her awfull father what had past:
At length before the door her self she cast;
And, sitting on the ground with sullen pride,
A passage to the love-sick God deny'd.
The God caress'd, and for admission pray'd,
And sooth'd in softest words th' envenom'd maid.
In vain he sooth'd: "Begone!" the maid replies,
"Or here I keep my seat, and never rise."
"Then keep thy seat for ever," cries the God,
And touch'd the door, wide op'ning to his rod.
Fain would she rise, and stop him, but she found
Her trunk too heavy to forsake the ground;
Her joynts are all benum'd, her hands are pale,
And marble now appears in ev'ry nail.
As when a cancer in the body feeds,
And gradual death from limb to limb proceeds;
So does the chilness to each vital parte
Spread by degrees, and creeps into her heart;
'Till hard'ning ev'ry where, and speechless grown,
She sits unmov'd, and freezes to a stone.
But still her envious hue and sullen mien
Are in the sedentary figure seen.

Europa's Rape

When now the God his fury had allay'd,
And taken vengeance of the stubborn maid,
From where the bright Athenian turrets rise
He mounts aloft, and re-ascends the skies.
Jove saw him enter the sublime abodes,
And, as he mix'd among the crowd of Gods,
Beckon'd him out, and drew him from the rest,
And in soft whispers thus his will exprest.

"My trusty Hermes, by whose ready aid
Thy sire's commands are through the world convey'd.
Resume thy wings, exert their utmost force,
And to the walls of Sidon speed thy course;
There find a herd of heifers wand'ring o'er
The neighb'ring hill, and drive 'em to the shore."

Thus spoke the God, concealing his intent.
The trusty Hermes, on his message went,
And found the herd of heifers wand'ring o'er
A neighb'ring hill, and drove 'em to the shore;
Where the king's daughter, with a lovely train
Of fellow-nymphs, was sporting on the plain.

The dignity of empire laid aside,
(For love but ill agrees with kingly pride)
The ruler of the skies, the thund'ring God,
Who shakes the world's foundations with a nod,
Among a herd of lowing heifers ran,
Frisk'd in a bull, and bellow'd o'er the plain.
Large rowles of fat about his shoulders clung,
And from his neck the double dewlap hung.
His skin was whiter than the snow that lies
Unsully'd by the breath of southern skies;
Small shining horns on his curl'd forehead stand,
As turn'd and polish'd by the work-man's hand;
His eye-balls rowl'd, not formidably bright,
But gaz'd and languish'd with a gentle light.
His ev'ry look was peaceful, and exprest
The softness of the lover in the beast.

Agenor's royal daughter, as she plaid
Among the fields, the milk-white bull survey'd,
And view'd his spotless body with delight,
And at a distance kept him in her sight.
At length she pluck'd the rising flow'rs, and fed
The gentle beast, and fondly stroak'd his head.
He stood well-pleas'd to touch the charming fair,
But hardly could confine his pleasure there.
And now he wantons o'er the neighb'ring strand,
Now rowls his body on the yellow sand;
And, now perceiving all her fears decay'd,
Comes tossing forward to the royal maid;
Gives her his breast to stroke, and downward turns
His grizly brow, and gently stoops his horns.
In flow'ry wreaths the royal virgin drest
His bending horns, and kindly clapt his breast.
'Till now grown wanton and devoid of fear,
Not knowing that she prest the Thunderer,
She plac'd her self upon his back, and rode
O'er fields and meadows, seated on the God.

He gently march'd along, and by degrees
Left the dry meadow, and approach'd the seas;
Where now he dips his hoofs and wets his thighs,
Now plunges in, and carries off the prize.
The frighted nymph looks backward on the shoar,
And hears the tumbling billows round her roar;
But still she holds him fast: one hand is born
Upon his back; the other grasps a horn:
Her train of ruffling garments flies behind,
Swells in the air, and hovers in the wind.

Through storms and tempests he the virgin bore,
And lands her safe on the Dictean shore;
Where now, in his divinest form array'd,
In his true shape he captivates the maid;
Who gazes on him, and with wond'ring eyes
Beholds the new majestick figure rise,
His glowing features, and celestial light,
And all the God discover'd to her sight.



The Story of Alcithoe and her Sisters

Yet still Alcithoe perverse remains,
And Bacchus still, and all his rites, disdains.
Too rash, and madly bold, she bids him prove
Himself a God, nor owns the son of Jove.
Her sisters too unanimous agree,
Faithful associates in impiety.
Be this a solemn feast, the priest had said;
Be, with each mistress, unemploy'd each maid.
With skins of beasts your tender limbs enclose,
And with an ivy-crown adorn your brows,
The leafy Thyrsus high in triumph bear,
And give your locks to wanton in the air.

These rites profan'd, the holy seer foreshow'd
A mourning people, and a vengeful God.

Matrons and pious wives obedience show,
Distaffs, and wooll, half spun, away they throw:
Then incense burn, and, Bacchus, thee adore,
Or lov'st thou Nyseus, or Lyaeus more?
O! doubly got, O! doubly born, they sung,
Thou mighty Bromius, hail, from light'ning sprung!
Hail, Thyon, Eleleus! each name is thine:
Or, listen parent of the genial vine!
Iachus! Evan! loudly they repeat,
And not one Grecian attri bute forget,
Which to thy praise, great Deity, belong,
Stil'd justly Liber in the Roman song.
Eternity of youth is thine! enjoy
Years roul'd on years, yet still a blooming boy.
In Heav'n thou shin'st with a superior grace;
Conceal thy horns, and 'tis a virgin's face.
Thou taught'st the tawny Indian to obey,
And Ganges, smoothly flowing, own'd thy sway.
Lycurgus, Pentheus, equally profane,
By thy just vengeance equally were slain.
By thee the Tuscans, who conspir'd to keep
Thee captive, plung'd, and cut with finns the deep.
With painted reins, all-glitt'ring from afar,
The spotted lynxes proudly draw thy car.
Around, the Bacchae, and the satyrs throng;
Behind, Silenus, drunk, lags slow along:
On his dull ass he nods from side to side,
Forbears to fall, yet half forgets to ride.
Still at thy near approach, applauses loud
Are heard, with yellings of the female crowd.
Timbrels, and boxen pipes, with mingled cries,
Swell up in sounds confus'd, and rend the skies.
Come, Bacchus, come propitious, all implore,
And act thy sacred orgies o'er and o'er.

But Mineus' daughters, while these rites were pay'd,
At home, impertinently busie, stay'd.
Their wicked tasks they ply with various art,
And thro' the loom the sliding shuttle dart;
Or at the fire to comb the wooll they stand,
Or twirl the spindle with a dext'rous hand.
Guilty themselves, they force the guiltless in;
Their maids, who share the labour, share the sin.
At last one sister cries, who nimbly knew
To draw nice threads, and winde the finest clue,
While others idly rove, and Gods revere,
Their fancy'd Gods! they know not who, or where;
Let us, whom Pallas taught her better arts,
Still working, cheer with mirthful chat our hearts,
And to deceive the time, let me prevail
With each by turns to tell some antique tale.
She said: her sisters lik'd the humour well,
And smiling, bad her the first story tell.
But she a-while profoundly seem'd to muse,
Perplex'd amid variety to chuse:
And knew not, whether she should first relate
The poor Dircetis, and her wond'rous fate.
The Palestines believe it to a man,
And show the lake, in which her scales began.
Or if she rather should the daughter sing,
Who in the hoary verge of life took wing;
Who soar'd from Earth, and dwelt in tow'rs on high,
And now a dove she flits along the sky.
Or how lewd Nais, when her lust was cloy'd,
To fishes turn'd the youths, she had enjoy'd,
By pow'rful verse, and herbs; effect most strange!
At last the changer shar'd herself the change.
Or how the tree, which once white berries bore,
Still crimson bears, since stain'd with crimson gore.
The tree was new; she likes it, and begins
To tell the tale, and as she tells, she spins.

The Story of Pyramus and Thisbe

In Babylon, where first her queen, for state
Rais'd walls of brick magnificently great,
Liv'd Pyramus, and Thisbe, lovely pair!
He found no eastern youth his equal there,
And she beyond the fairest nymph was fair.
A closer neighbourhood was never known,
Tho' two the houses, yet the roof was one.
Acquaintance grew, th' acquaintance they improve
To friendship, friendship ripen'd into love:
Love had been crown'd, but impotently mad,
What parents could not hinder, they forbad.
For with fierce flames young Pyramus still burn'd,
And grateful Thisbe flames as fierce return'd.
Aloud in words their thoughts they dare not break,
But silent stand; and silent looks can speak.
The fire of love the more it is supprest,
The more it glows, and rages in the breast.

When the division-wall was built, a chink
Was left, the cement unobserv'd to shrink.
So slight the cranny, that it still had been
For centuries unclos'd, because unseen.
But oh! what thing so small, so secret lies,
Which scapes, if form'd for love, a lover's eyes?
Ev'n in this narrow chink they quickly found
A friendly passage for a trackless sound.
Safely they told their sorrows, and their joys,
In whisper'd murmurs, and a dying noise,
By turns to catch each other's breath they strove,
And suck'd in all the balmy breeze of love.
Oft as on diff'rent sides they stood, they cry'd,
Malicious wall, thus lovers to divide!
Suppose, thou should'st a-while to us give place
To lock, and fasten in a close embrace:
But if too much to grant so sweet a bliss,
Indulge at least the pleasure of a kiss.
We scorn ingratitude: to thee, we know,
This safe conveyance of our minds we owe.

Thus they their vain petition did renew
'Till night, and then they softly sigh'd adieu.
But first they strove to kiss, and that was all;
Their kisses dy'd untasted on the wall.
Soon as the morn had o'er the stars prevail'd,
And warm'd by Phoebus, flow'rs their dews exhal'd,
The lovers to their well-known place return,
Alike they suffer, and alike they mourn.
At last their parents they resolve to cheat
(If to deceive in love be call'd deceit),
To steal by night from home, and thence unknown
To seek the fields, and quit th' unfaithful town.
But, to prevent their wand'ring in the dark,
They both agree to fix upon a mark;
A mark, that could not their designs expose:
The tomb of Ninus was the mark they chose.
There they might rest secure beneath the shade,
Which boughs, with snowy fruit encumber'd, made:
A wide-spread mulberry its rise had took
Just on the margin of a gurgling brook.
Impatient for the friendly dusk they stay;
And chide the slowness of departing day;
In western seas down sunk at last the light,
From western seas up-rose the shades of night.
The loving Thisbe ev'n prevents the hour,
With cautious silence she unlocks the door,
And veils her face, and marching thro' the gloom
Swiftly arrives at th' assignation-tomb.
For still the fearful sex can fearless prove;
Boldly they act, if spirited by love.
When lo! a lioness rush'd o'er the plain,
Grimly besmear'd with blood of oxen slain:
And what to the dire sight new horrors brought,
To slake her thirst the neighb'ring spring she sought.
Which, by the moon, when trembling Thisbe spies,
Wing'd with her fear, swift, as the wind, she flies;
And in a cave recovers from her fright,
But drop'd her veil, confounded in her flight.
When sated with repeated draughts, again
The queen of beasts scour'd back along the plain,
She found the veil, and mouthing it all o'er,
With bloody jaws the lifeless prey she tore.

The youth, who could not cheat his guards so soon,
Late came, and noted by the glimm'ring moon
Some savage feet, new printed on the ground,
His cheeks turn'd pale, his limbs no vigour found;
But when, advancing on, the veil he spied
Distain'd with blood, and ghastly torn, he cried,
One night shall death to two young lovers give,
But she deserv'd unnumber'd years to live!
'Tis I am guilty, I have thee betray'd,
Who came not early, as my charming maid.
Whatever slew thee, I the cause remain,
I nam'd, and fix'd the place where thou wast slain.
Ye lions from your neighb'ring dens repair,
Pity the wretch, this impious body tear!
But cowards thus for death can idly cry;
The brave still have it in their pow'r to die.
Then to th' appointed tree he hastes away,
The veil first gather'd, tho' all rent it lay:
The veil all rent yet still it self endears,
He kist, and kissing, wash'd it with his tears.
Tho' rich (he cry'd) with many a precious stain,
Still from my blood a deeper tincture gain.
Then in his breast his shining sword he drown'd,
And fell supine, extended on the ground.
As out again the blade lie dying drew,
Out spun the blood, and streaming upwards flew.
So if a conduit-pipe e'er burst you saw,
Swift spring the gushing waters thro' the flaw:
Then spouting in a bow, they rise on high,
And a new fountain plays amid the sky.
The berries, stain'd with blood, began to show
A dark complexion, and forgot their snow;
While fatten'd with the flowing gore, the root
Was doom'd for ever to a purple fruit.

Mean-time poor Thisbe fear'd, so long she stay'd,
Her lover might suspect a perjur'd maid.
Her fright scarce o'er, she strove the youth to find
With ardent eyes, which spoke an ardent mind.
Already in his arms, she hears him sigh
At her destruction, which was once so nigh.
The tomb, the tree, but not the fruit she knew,
The fruit she doubted for its alter'd hue.
Still as she doubts, her eyes a body found
Quiv'ring in death, and gasping on the ground.
She started back, the red her cheeks forsook,
And ev'ry nerve with thrilling horrors shook.
So trembles the smooth surface of the seas,
If brush'd o'er gently with a rising breeze.
But when her view her bleeding love confest,
She shriek'd, she tore her hair, she beat her breast.
She rais'd the body, and embrac'd it round,
And bath'd with tears unfeign'd the gaping wound.
Then her warm lips to the cold face apply'd,
And is it thus, ah! thus we meet, she cry'd!
My Pyramus! whence sprung thy cruel fate?
My Pyramus!- ah! speak, ere 'tis too late.
I, thy own Thisbe, but one word implore,
One word thy Thisbe never ask'd before.
At Thisbe's name, awak'd, he open'd wide
His dying eyes; with dying eyes he try'd
On her to dwell, but clos'd them slow, and dy'd.

The fatal cause was now at last explor'd,
Her veil she knew, and saw his sheathless sword:
From thy own hand thy ruin thou hast found,
She said, but love first taught that hand to wound,
Ev'n I for thee as bold a hand can show,
And love, which shall as true direct the blow.
I will against the woman's weakness strive,
And never thee, lamented youth, survive.
The world may say, I caus'd, alas! thy death,
But saw thee breathless, and resign'd my breath.
Fate, tho' it conquers, shall no triumph gain,
Fate, that divides us, still divides in vain.

Now, both our cruel parents, hear my pray'r;
My pray'r to offer for us both I dare;
Oh! see our ashes in one urn confin'd,
Whom love at first, and fate at last has join'd.
The bliss, you envy'd, is not our request;
Lovers, when dead, may sure together rest.
Thou, tree, where now one lifeless lump is laid,
Ere-long o'er two shalt cast a friendly shade.
Still let our loves from thee be understood,
Still witness in thy purple fruit our blood.
She spoke, and in her bosom plung'd the sword,
All warm and reeking from its slaughter'd lord.
The pray'r, which dying Thisbe had preferr'd,
Both Gods, and parents, with compassion heard.
The whiteness of the mulberry soon fled,
And rip'ning, sadden'd in a dusky red:
While both their parents their lost children mourn,
And mix their ashes in one golden urn.

Thus did the melancholy tale conclude,
And a short, silent interval ensu'd.
The next in birth unloos'd her artful tongue,
And drew attentive all the sister-throng.

The Story of Leucothoe and the Sun

The Sun, the source of light, by beauty's pow'r
Once am'rous grew; then hear the Sun's amour.
Venus, and Mars, with his far-piercing eyes
This God first spy'd; this God first all things spies.
Stung at the sight, and swift on mischief bent,
To haughty Juno's shapeless son he went:
The Goddess, and her God gallant betray'd,
And told the cuckold, where their pranks were play'd.
Poor Vulcan soon desir'd to hear no more,
He drop'd his hammer, and he shook all o'er:
Then courage takes, and full of vengeful ire
He heaves the bellows, and blows fierce the fire:
From liquid brass, tho' sure, yet subtile snares
He forms, and next a wond'rous net prepares,
Drawn with such curious art, so nicely sly,
Unseen the mashes cheat the searching eye.
Not half so thin their webs the spiders weave,
Which the most wary, buzzing prey deceive.
These chains, obedient to the touch, he spread
In secret foldings o'er the conscious bed:
The conscious bed again was quickly prest
By the fond pair, in lawless raptures blest.
Mars wonder'd at his Cytherea's charms,
More fast than ever lock'd within her arms.
While Vulcan th' iv'ry doors unbarr'd with care,
Then call'd the Gods to view the sportive pair:
The Gods throng'd in, and saw in open day,
Where Mars, and beauty's queen, all naked, lay.
O! shameful sight, if shameful that we name,
Which Gods with envy view'd, and could not blame;
But, for the pleasure, wish'd to bear the shame.
Each Deity, with laughter tir'd, departs,
Yet all still laugh'd at Vulcan in their hearts.

Thro' Heav'n the news of this surprizal run,
But Venus did not thus forget the Sun.
He, who stol'n transports idly had betray'd,
By a betrayer was in kind repay'd.
What now avails, great God, thy piercing blaze,
That youth, and beauty, and those golden rays?
Thou, who can'st warm this universe alone,
Feel'st now a warmth more pow'rful than thy own:
And those bright eyes, which all things should survey,
Know not from fair Leucothoe to stray.
The lamp of light, for human good design'd,
Is to one virgin niggardly confin'd.
Sometimes too early rise thy eastern beams,
Sometimes too late they set in western streams:
'Tis then her beauty thy swift course delays,
And gives to winter skies long summer days.
Now in thy face thy love-sick mind appears,
And spreads thro' impious nations empty fears:
For when thy beamless head is wrapt in night,
Poor mortals tremble in despair of light.
'Tis not the moon, that o'er thee casts a veil
'Tis love alone, which makes thy looks so pale.
Leucothoe is grown thy only care,
Not Phaeton's fair mother now is fair.
The youthful Rhodos moves no tender thought,
And beauteous Porsa is at last forgot.
Fond Clytie, scorn'd, yet lov'd, and sought thy bed,
Ev'n then thy heart for other virgins bled.
Leucothoe has all thy soul possest,
And chas'd each rival passion from thy breast.
To this bright nymph Eurynome gave birth
In the blest confines of the spicy Earth.
Excelling others, she herself beheld
By her own blooming daughter far excell'd.
The sire was Orchamus, whose vast command,
The sev'nth from Belus, rul'd the Persian Land.

Deep in cool vales, beneath th' Hesperian sky,
For the Sun's fiery steeds the pastures lye.
Ambrosia there they eat, and thence they gain
New vigour, and their daily toils sustain.
While thus on heav'nly food the coursers fed,
And night, around, her gloomy empire spread,
The God assum'd the mother's shape and air,
And pass'd, unheeded, to his darling fair.
Close by a lamp, with maids encompass'd round,
The royal spinster, full employ'd, he found:
Then cry'd, A-while from work, my daughter, rest;
And, like a mother, scarce her lips he prest.
Servants retire!- nor secrets dare to hear,
Intrusted only to a daughter's ear.
They swift obey'd: not one, suspicious, thought
The secret, which their mistress would be taught.
Then he: since now no witnesses are near,
Behold! the God, who guides the various year!
The world's vast eye, of light the source serene,
Who all things sees, by whom are all things seen.
Believe me, nymph! (for I the truth have show'd)
Thy charms have pow'r to charm so great a God.
Confus'd, she heard him his soft passion tell,
And on the floor, untwirl'd, the spindle fell:
Still from the sweet confusion some new grace
Blush'd out by stealth, and languish'd in her face.
The lover, now inflam'd, himself put on,
And out at once the God, all-radiant, shone.
The virgin startled at his alter'd form,
Too weak to bear a God's impetuous storm:
No more against the dazling youth she strove,
But silent yielded, and indulg'd his love.

This Clytie knew, and knew she was undone,
Whose soul was fix'd, and doated on the Sun.
She rag'd to think on her neglected charms,
And Phoebus, panting in another's arms.
With envious madness fir'd, she flies in haste,
And tells the king, his daughter was unchaste.
The king, incens'd to hear his honour stain'd,
No more the father nor the man retain'd.
In vain she stretch'd her arms, and turn'd her eyes
To her lov'd God, th' enlightner of the skies.
In vain she own'd it was a crime, yet still
It was a crime not acted by her will.
The brutal sire stood deaf to ev'ry pray'r,
And deep in Earth entomb'd alive the fair.
What Phoebus could do, was by Phoebus done:
Full on her grave with pointed beams he shone:
To pointed beams the gaping Earth gave way;
Had the nymph eyes, her eyes had seen the day,
But lifeless now, yet lovely still, she lay.
Not more the God wept, when the world was fir'd,
And in the wreck his blooming boy expir'd.
The vital flame he strives to light again,
And warm the frozen blood in ev'ry vein:
But since resistless Fates deny'd that pow'r,
On the cold nymph he rain'd a nectar show'r.
Ah! undeserving thus (he said) to die,
Yet still in odours thou shalt reach the sky.
The body soon dissolv'd, and all around
Perfum'd with heav'nly fragrancies the ground,
A sacrifice for Gods up-rose from thence,
A sweet, delightful tree of frankincense.

The Transformation of Clytie

Tho' guilty Clytie thus the sun betray'd,
By too much passion she was guilty made.
Excess of love begot excess of grief,
Grief fondly bad her hence to hope relief.
But angry Phoebus hears, unmov'd, her sighs,
And scornful from her loath'd embraces flies.
All day, all night, in trackless wilds, alone
She pin'd, and taught the list'ning rocks her moan.
On the bare earth she lies, her bosom bare,
Loose her attire, dishevel'd is her hair.
Nine times the morn unbarr'd the gates of light,
As oft were spread th' alternate shades of night,
So long no sustenance the mourner knew,
Unless she drunk her tears, or suck'd the dew.
She turn'd about, but rose not from the ground,
Turn'd to the Sun, still as he roul'd his round:
On his bright face hung her desiring eyes,
'Till fix'd to Earth, she strove in vain to rise.
Her looks their paleness in a flow'r retain'd,
But here, and there, some purple streaks they gain'd.
Still the lov'd object the fond leafs pursue,
Still move their root, the moving Sun to view,
And in the Heliotrope the nymph is true.

The sisters heard these wonders with surprise,
But part receiv'd them as romantick lies;
And pertly rally'd, that they could not see
In Pow'rs divine so vast an energy.
Part own'd, true Gods such miracles might do,
But own'd not Bacchus, one among the true.
At last a common, just request they make,
And beg Alcithoe her turn to take.
I will (she said) and please you, if I can.
Then shot her shuttle swift, and thus began.

The fate of Daphnis is a fate too known,
Whom an enamour'd nymph transform'd to stone,
Because she fear'd another nymph might see
The lovely youth, and love as much as she:
So strange the madness is of jealousie!
Nor shall I tell, what changes Scython made,
And how he walk'd a man, or tripp'd a maid.
You too would peevish frown, and patience want
To hear, how Celmis grew an adamant.
He once was dear to Jove, and saw of old
Jove, when a child; but what he saw, he told.
Crocus, and Smilax may be turn'd to flow'rs,
And the Curetes spring from bounteous show'rs;
I pass a hundred legends stale, as these,
And with sweet novelty your taste will please.

The Story of Salmacis and Hermaphroditus

How Salmacis, with weak enfeebling streams
Softens the body, and unnerves the limbs,
And what the secret cause, shall here be shown;
The cause is secret, but th' effect is known.

The Naids nurst an infant heretofore,
That Cytherea once to Hermes bore:
From both th' illustrious authors of his race
The child was nam'd, nor was it hard to trace
Both the bright parents thro' the infant's face.
When fifteen years in Ida's cool retreat
The boy had told, he left his native seat,
And sought fresh fountains in a foreign soil:
The pleasure lessen'd the attending toil,
With eager steps the Lycian fields he crost,
A river here he view'd so lovely bright,
It shew'd the bottom in a fairer light,
Nor kept a sand conceal'd from human sight.
The stream produc'd nor slimy ooze, nor weeds,
Nor miry rushes, nor the spiky reeds;
But dealt enriching moisture all around,
The fruitful banks with chearful verdure crown'd,
And kept the spring eternal on the ground.
A nymph presides, not practis'd in the chace,
Nor skilful at the bow, nor at the race;
Of all the blue-ey'd daughters of the main,
The only stranger to Diana's train:
Her sisters often, as 'tis said, wou'd cry,
"Fie Salmacis: what, always idle! fie.
Or take thy quiver, or thy arrows seize,
And mix the toils of hunting with thy ease."
Nor quiver she nor arrows e'er wou'd seize,
Nor mix the toils of hunting with her ease.
But oft would ba the her in the chrystal tide,
Oft with a comb her dewy locks divide;
Now in the limpid streams she views her face,
And drest her image in the floating glass:
On beds of leaves she now repos'd her limbs,
Now gather'd flow'rs that grew about her streams,
And then by chance was gathering, as he stood
To view the boy, and long'd for what she view'd.

Fain wou'd she meet the youth with hasty feet,
She fain wou'd meet him, but refus'd to meet
Before her looks were set with nicest care,
And well deserv'd to be reputed fair.
"Bright youth," she cries, "whom all thy features prove
A God, and, if a God, the God of love;
But if a mortal, blest thy nurse's breast,
Blest are thy parents, and thy sisters blest:
But oh how blest! how more than blest thy bride,
Ally'd in bliss, if any yet ally'd.
If so, let mine the stoln enjoyments be;
If not, behold a willing bride in me."

The boy knew nought of love, and toucht with shame,
He strove, and blusht, but still the blush became:
In rising blushes still fresh beauties rose;
The sunny side of fruit such blushes shows,
And such the moon, when all her silver white
Turns in eclipses to a ruddy light.
The nymph still begs, if not a nobler bliss,
A cold salute at least, a sister's kiss:
And now prepares to take the lovely boy
Between her arms. He, innocently coy,
Replies, "Or leave me to my self alone,
You rude uncivil nymph, or I'll be gone."
"Fair stranger then," says she, "it shall be so";
And, for she fear'd his threats, she feign'd to go:
But hid within a covert's neighbouring green,
She kept him still in sight, herself unseen.
The boy now fancies all the danger o'er,
And innocently sports about the shore,
Playful and wanton to the stream he trips,
And dips his foot, and shivers as he dips.
The coolness pleas'd him, and with eager haste
His airy garments on the banks he cast;
His godlike features, and his heav'nly hue,
And all his beauties were expos'd to view.
His naked limbs the nymph with rapture spies,
While hotter passions in her bosom rise,
Flush in her cheeks, and sparkle in her eyes.
She longs, she burns to clasp him in her arms,
And looks, and sighs, and kindles at his charms.

Now all undrest upon the banks he stood,
And clapt his sides, and leapt into the flood:
His lovely limbs the silver waves divide,
His limbs appear more lovely through the tide;
As lillies shut within a chrystal case,
Receive a glossy lustre from the glass.
He's mine, he's all my own, the Naid cries,
And flings off all, and after him she flies.
And now she fastens on him as he swims,
And holds him close, and wraps about his limbs.
The more the boy resisted, and was coy,
The more she clipt, and kist the strugling boy.
So when the wrigling snake is snatcht on high
In Eagle's claws, and hisses in the sky,
Around the foe his twirling tail he flings,
And twists her legs, and wriths about her wings.

The restless boy still obstinately strove
To free himself, and still refus'd her love.
Amidst his limbs she kept her limbs intwin'd,
"And why, coy youth," she cries, "why thus unkind!
Oh may the Gods thus keep us ever join'd!
Oh may we never, never part again!"

So pray'd the nymph, nor did she pray in vain:
For now she finds him, as his limbs she prest,
Grow nearer still, and nearer to her breast;
'Till, piercing each the other's flesh, they run
Together, and incorporate in one:
Last in one face are both their faces join'd,
As when the stock and grafted twig combin'd
Shoot up the same, and wear a common rind:
Both bodies in a single body mix,
A single body with a double sex.

The boy, thus lost in woman, now survey'd
The river's guilty stream, and thus he pray'd.
(He pray'd, but wonder'd at his softer tone,
Surpriz'd to hear a voice but half his own.)
You parent-Gods, whose heav'nly names I bear,
Hear your Hermaphrodite, and grant my pray'r;
Oh grant, that whomsoe'er these streams contain,
If man he enter'd, he may rise again
Supple, unsinew'd, and but half a man!

The heav'nly parents answer'd from on high,
Their two-shap'd son, the double votary
Then gave a secret virtue to the flood,
And ting'd its source to make his wishes good.

Alcithoe and her Sisters transform'd to Bats

But Mineus' daughters still their tasks pursue,
To wickedness most obstinately true:
At Bacchus still they laugh, when all around,
Unseen, the timbrels hoarse were heard to sound.
Saffron and myrrh their fragrant odours shed,
And now the present deity they dread.
Strange to relate! Here ivy first was seen,
Along the distaff crept the wond'rous green.
Then sudden-springing vines began to bloom,
And the soft tendrils curl'd around the loom:
While purple clusters, dangling from on high,
Ting'd the wrought purple with a second die.

Now from the skies was shot a doubtful light,
The day declining to the bounds of night.
The fabrick's firm foundations shake all o'er,
False tigers rage, and figur'd lions roar.
Torches, aloft, seem blazing in the air,
And angry flashes of red light'nings glare.
To dark recesses, the dire sight to shun,
Swift the pale sisters in confusion run.
Their arms were lost in pinions, as they fled,
And subtle films each slender limb o'er-spread.
Their alter'd forms their senses soon reveal'd;
Their forms, how alter'd, darkness still conceal'd.
Close to the roof each, wond'ring, upwards springs,
Born on unknown, transparent, plumeless wings.
They strove for words; their little bodies found
No words, but murmur'd in a fainting sound.
In towns, not woods, the sooty bats delight,
And, never, 'till the dusk, begin their flight;
'Till Vesper rises with his ev'ning flame;
From whom the Romans have deriv'd their name.

The Transformation of Ino and Melicerta to Sea-Gods

The pow'r of Bacchus now o'er Thebes had flown:
With awful rev'rence soon the God they own.
Proud Ino, all around the wonder tells,
And on her nephew deity still dwells.
Of num'rous sisters, she alone yet knew
No grief, but grief, which she from sisters drew.

Imperial Juno saw her with disdain,
Vain in her offspring, in her consort vain,
Who rul'd the trembling Thebans with a nod,
But saw her vainest in her foster-God.
Could then (she cry'd) a bastard-boy have pow'r
To make a mother her own son devour?
Could he the Tuscan crew to fishes change,
And now three sisters damn to forms so strange?
Yet shall the wife of Jove find no relief?
Shall she, still unreveng'd, disclose her grief?
Have I the mighty freedom to complain?
Is that my pow'r? is that to ease my pain?
A foe has taught me vengeance; and who ought
To scorn that vengeance, which a foe has taught?
What sure destruction frantick rage can throw,
The gaping wounds of slaughter'd Pentheus show.
Why should not Ino, fir'd with madness, stray,
Like her mad sisters her own kindred slay?
Why, she not follow, where they lead the way?

Down a steep, yawning cave, where yews display'd
In arches meet, and lend a baleful shade,
Thro' silent labyrinths a passage lies
To mournful regions, and infernal skies.
Here Styx exhales its noisome clouds, and here,
The fun'ral rites once paid, all souls appear.
Stiff cold, and horror with a ghastly face
And staring eyes, infest the dreary place.
Ghosts, new-arriv'd, and strangers to these plains,
Know not the palace, where grim Pluto reigns.
They journey doubtful, nor the road can tell,
Which leads to the metropolis of Hell.
A thousand avenues those tow'rs command,
A thousand gates for ever open stand.
As all the rivers, disembogu'd, find room
For all their waters in old Ocean's womb:
So this vast city worlds of shades receives,
And space for millions still of worlds she leaves.
Th' unbody'd spectres freely rove, and show
Whate'er they lov'd on Earth, they love below.
The lawyers still, or right, or wrong, support,
The courtiers smoothly glide to Pluto's court.
Still airy heroes thoughts of glory fire,
Still the dead poet strings his deathless lyre,
And lovers still with fancy'd darts expire.

The Queen of Heaven, to gratify her hate,
And sooth immortal wrath, forgets her state.
Down from the realms of day, to realms of night,
The Goddess swift precipitates her flight.
At Hell arriv'd, the noise Hell's porter heard,
Th' enormous dog his triple head up-rear'd:
Thrice from three grizly throats he howl'd profound,
Then suppliant couch'd, and stretch'd along the ground.
The trembling threshold, which Saturnia prest,
The weight of such divinity confest.

Before a lofty, adamantine gate,
Which clos'd a tow'r of brass, the Furies sate:
Mis-shapen forms, tremendous to the sight,
Th' implacable foul daughters of the night.
A sounding whip each bloody sister shakes,
Or from her tresses combs the curling snakes.
But now great Juno's majesty was known;
Thro' the thick gloom, all heav'nly bright, she shone:
The hideous monsters their obedience show'd,
And rising from their seats, submissive bow'd.

This is the place of woe, here groan the dead;
Huge Tityus o'er nine acres here is spread.
Fruitful for pain th' immortal liver breeds,
Still grows, and still th' insatiate vulture feeds.
Poor Tantalus to taste the water tries,
But from his lips the faithless water flies:
Then thinks the bending tree he can command,
The tree starts backwards, and eludes his hand.
The labour too of Sisyphus is vain,
Up the steep mount he heaves the stone with pain,
Down from the summet rouls the stone again.
The Belides their leaky vessels still
Are ever filling, and yet never fill:
Doom'd to this punishment for blood they shed,
For bridegrooms slaughter'd in the bridal bed.
Stretch'd on the rolling wheel Ixion lies;
Himself he follows, and himself he flies.
Ixion, tortur'd, Juno sternly ey'd,
Then turn'd, and toiling Sisyphus espy'd:
And why (she said) so wretched is the fate
Of him, whose brother proudly reigns in state?
Yet still my altars unador'd have been
By Athamas, and his presumptuous queen.

What caus'd her hate, the Goddess thus confest,
What caus'd her journey now was more than guest.
That hate, relentless, its revenge did want,
And that revenge the Furies soon could grant:
They could the glory of proud Thebes efface,
And hide in ruin the Cadmean race.
For this she largely promises, entreats,
And to intreaties adds imperial threats.

Then fell Tisiphone with rage was stung,
And from her mouth th' untwisted serpents flung.
To gain this trifling boon, there is no need
(She cry'd) in formal speeches to proceed.
Whatever thou command'st to do, is done;
Believe it finish'd, tho' not yet begun.
But from these melancholly seats repair
To happier mansions, and to purer air.
She spoke: the Goddess, darting upwards, flies,
And joyous re-ascends her native skies:
Nor enter'd there, till 'round her Iris threw
Ambrosial sweets, and pour'd celestial dew.

The faithful Fury, guiltless of delays,
With cruel haste the dire comm and obeys.
Girt in a bloody gown, a torch she shakes,
And round her neck twines speckled wreaths of snakes.
Fear, and dismay, and agonizing pain,
With frantick rage, compleat her loveless train.
To Thebes her flight she sped, and Hell forsook;
At her approach the Theban turrets shook:
The sun shrunk back, thick clouds the day o'er-cast,
And springing greens were wither'd as she past.

Now, dismal yellings heard, strange spectres seen,
Confound as much the monarch as the queen.
In vain to quit the palace they prepar'd,
Tisiphone was there, and kept the ward.
She wide extended her unfriendly arms,
And all the Fury lavish'd all her harms.
Part of her tresses loudly hiss, and part
Spread poyson, as their forky tongues they dart.
Then from her middle locks two snakes she drew,
Whose merit from superior mischief grew:
Th' envenom'd ruin, thrown with spiteful care,
Clung to the bosoms of the hapless pair.
The hapless pair soon with wild thoughts were fir'd,
And madness, by a thousand ways inspir'd.
'Tis true, th' unwounded body still was sound,
But 'twas the soul which felt the deadly wound.
Nor did th' unsated monster here give o'er,
But dealt of plagues a fresh, unnumber'd store.
Each baneful juice too well she understood,
Foam, churn'd by Cerberus, and