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object:1.15 - The world overrun with trees; they are destroyed by the Pracetasas
author class:Vyasa
book class:Vishnu Purana
subject class:Hinduism
class:chapter

The world overrun with trees: they are destroyed by the Pracetasas. Soma pacifies them, and gives them Māṛṣā to wife: her story: the daughter of the nymph Pramlocā. Legend of Kaṇḍu. Māṛṣā's former history. Dakṣa the son of the Pracetasas: his different characters: his sons: his daughters: their marriages and progeny: allusion to Prahlāda, his descendant.

WHILST the Pracetasas were thus absorbed in their devotions, the trees spread and overshadowed the unprotected earth, and the people perished: the winds could not blow; the sky was shut out by the forests; and mankind was unable to labour for ten thousand years. When the sages, coming forth from the deep, beheld this, they were angry, and, being incensed, wind and flame issued from their mouths. The strong wind tore up the trees by their roots, and left them sear and dry, and the fierce fire consumed them, and the forests were cleared away. When Soma (the moon), the sovereign of the vegetable world, beheld all except a few of the trees destroyed, he went to the patriarchs, the Pracetasas, and said, "Restrain your indignation, princes, and listen to me. I will form an alliance between you and the trees. Prescient of futurity, I have nourished with my rays this precious maiden, the daughter of the woods. She is called Māṛṣā, and is assuredly the offspring of the trees. She shall be your bride, and the multiplier of the race of Dhruva. From a portion of your lustre and a portion of mine, oh mighty sages, the patriarch Dakṣa shall be born of her, who, endowed with a part of me, and composed of your vigour, shall be as resplendent as fire, and shall multiply the human race.

"There was formerly (said Soma) a sage named Kaṇḍu, eminent in holy wisdom, who practised pious austerities on the lovely borders of the Gomati river. The king of the gods sent the nymph Pramlocā to disturb his penance, and the sweet-smiling damsel diverted the sage from his devotions. They lived together, in the valley of Mandara, for a hundred and fifty years; during which, the mind of the Muni was wholly given up to enjoyment. At the expiration of this period the nymph requested his permission to return to heaven; but the Muni, still fondly attached to her, prevailed upon her to remain for some time longer; and the graceful damsel continued to reside for another hundred years, and delight the great sage by her fascinations. Then again she preferred her suit to be allowed to return to the abodes of the gods; and again the Muni desired her to remain. At the expiration of more than a century the nymph once more said to him, with a smiling countenance, 'Brahman, I depart;' but the Muni, detaining the fine-eyed damsel, replied, 'Nay, stay yet a little; you will go hence for a long period.' Afraid of iñcurring an imprecation, the graceful nymph continued with the sage for nearly two hundred years more, repeatedly asking his permission to go to the region of the king of the gods, but as often desired by him to remain. Dreading to be cursed by him, and excelling in amiable manners, well knowing also the pain that is inflicted by separation from an object of affection, she did not quit the Muni, whose mind, wholly subdued by love, became every day more strongly attached to her.

"On one occasion the sage was going forth from their cottage in a great hurry. The nymph asked him where he was going. 'The day,' he replied, 'is drawing fast to a close: I must perform the Sandhya worship, or a duty will be neglected.' The nymph smiled mirthfully as she rejoined, 'Why do you talk, grave sir, of this day drawing to a close: your day is a day of many years, a day that must be a marvel to all: explain what this means.' The Muni said, 'Fair damsel, you came to the river-side at dawn; I beheld you then, and you then entered my hermitage. It is now the revolution of evening, and the day is gone. What is the meaning of this laughter? Tell me the truth.' Pramlocā. answered, 'You say rightly,' venerable Brahman, 'that I came hither at morning dawn, but several hundred years have passed since the time of my arrival. This is the truth.' The Muni, on hearing this, was seized with astonishment, and asked her how long he had enjoyed her society: to which the nymph replied, that they had lived together nine hundred and seven years, six months, and three days. The Muni asked her if she spoke the truth, or if she was in jest; for it appeared to him that they had spent but one day together: to which Pramlocā replied, that she should not dare at any time to tell him who lived in the path of piety an untruth, but particularly when she had been enjoined by him to inform him what had passed.

"When the Muni, princes, had heard these words, and knew that it was the truth, he began to reproach himself bitterly, exclaiming, 'Fie, fie upon me; my penance has been interrupted; the treasure of the learned and the pious has been stolen from me; my judgment has been blinded: this woman has been created by some one to beguile me: Brahma is beyond the reach of those agitated by the waves of infirmity[1]. I had subdued my passions, and was about to attain divine knowledge. This was foreseen by him by whom this girl has been sent hither. Fie on the passion that has obstructed my devotions. All the austerities that would have led to acquisition of the wisdom of the Vedas have been rendered of no avail by passion that is the road to hell.' The pious sage, having thus reviled himself, turned to the nymph, who was sitting nigh, and said to her, 'Go, deceitful girl, whither thou wilt: thou hast performed the office assigned thee by the monarch of the gods, of disturbing my penance by thy fascinations. I will not reduce thee to ashes by the fire of my wrath. Seven paces together is sufficient for the friendship of the virtuous, but thou and I have dwelt together. And in truth what fault hast thou committed? why should I be wroth with thee? The sin is wholly mine, in that I could not subdue my passions: yet fie upon thee, who, to gain favour with Indra, hast disturbed my devotions; vile bundle of delusion.'

"Thus spoken to by the Muni, Pramlocā stood trembling, whilst big drops of perspiration started from every pore; till he angrily cried to her, 'Depart, begone.' She then, reproached by him, went forth from his dwelling, and, passing through the air, wiped the perspiration from her person with the leaves of the trees. The nymph went from tree to tree, and as with the dusky shoots that crowned their summits she dried her limbs, which were covered with moisture, the child she had conceived by the Ṛṣi came forth from the pores of her skin in drops of perspiration. The trees received the living dews, and the winds collected them into one mass. "This," said Soma, "I matured by my rays, and gradually it increased in size, till the exhalation that had rested on the tree tops became the lovely girl named Māṛṣā. The trees will give her to you, Pracetasas: let your indignation be appeased. She is the progeny of Kaṇḍu, the child of Pramlocā, the nursling of the trees, the daughter of the wind and of the moon. The holy Kaṇḍu, after the interruption of his pious exercises, went, excellent princes, to the region of Viṣṇu, termed Puruṣottama, where, Maitreya[2], with his whole mind he devoted himself to the adoration of Hari; standing fixed, with uplifted arms, and repeating the prayers that comprehend the essence of divine truth[3]."

The Pracetasas said, "We are desirous to hear the transcendental prayers, by inaudibly reciting which the pious Kaṇḍu propitiated Keśava." On which Soma repeated as follows: "'Viṣṇu is beyond the boundary of all things: he is the infinite: he is beyond that which is boundless: he is above all that is above: he exists as finite truth: he is the object of the Veda; the limit of elemental being; unappreciable by the senses; possessed of illimitable might: he is the cause of cause; the cause of the cause of cause; the cause of finite cause; and in effects, he, both as every object and agent, preserves the universe: he is Brahma the lord; Brahma all beings; Brahma the progenitor of all beings; the imperishable: he is the eternal, undecaying, unborn Brahma, incapable of increase or diminution: Puruṣottama is the everlasting, untreated, immutable Brahma. May the imperfections of my nature be annihilated through his favour.' Reciting this eulogium, the essence of divine truth, and propitiating Keśava, Kaṇḍu obtained final emancipation.

"Who Māṛṣā was of old I will also relate to you, as the recital of her meritorious acts will be beneficial to you. She was the widow of a prince, and left childless at her husband's death: she therefore zealously worshipped Viṣṇu, who, being gratified by her adoration, appeared to her, and desired her to demand a boon; on which she revealed to him the wishes of her heart. 'I have been a widow, lord,' she exclaimed, 'even from my infancy, and my birth has been in vain: unfortunate have I been, and of little use, oh sovereign of the world. Now therefore I pray thee that in succeeding births I may have honourable husbands, and a son equal to a patriarch amongst men: may I be possessed of affluence and beauty: may I he pleasing in the sight of all: and may I be born out of the ordinary course. Grant these prayers, oh thou who art propitious to the devout.' Hṛṣikeśa, the god of gods, the supreme giver of all blessings, thus prayed to, raised her from her prostrate attitude, and said, 'In another life you shall have ten husbands of mighty prowess, and renowned for glorious acts; and you shall have a son magnanimous and valiant, distinguished by the rank of a patriarch, from whom the various races of men shall multiply, and by whose posterity the universe shall be filled. You, virtuous lady, shall be of marvellous birth, and you shall be endowed with grace and loveliness, delighting the hearts of men.' Thus having spoken, the deity disappeared, and the princess was accordingly afterwards born as Māṛṣā, who is given to you for a wife[4]."

Soma having concluded, the Pracetasas took Māṛṣā, as he had enjoined them, righteously to wife, relinquishing their indignation against the trees: and upon her they begot the eminent patriarch Dakṣa, who had (in a former life) been born as the son of Brahmā[5]. This great sage, for the furtherance of creation, and the increase of mankind, created progeny. Obeying the command of Brahmā, he made movable and immovable things, bipeds and quadrupeds; and subsequently, by his will, gave birth to females, ten of whom he bestowed on Dharma, thirteen on Kaśyapa, and twenty-seven, who regulate the course of time, on the moon[6]. Of these, the gods, the Titans, the snake-gods, cattle, and birds, the singers and dancers of the courts of heaven, the spirits of evil, and other beings, were born. From that period forwards living creatures were engendered by sexual intercourse: before the time of Dakṣa they were variously propagated, by the will, by sight, by touch, and by the influence of religious austerities practised by devout sages and holy saints.
Maitreya said:-

Dakṣa, as I have formerly heard, was born from the right thumb of Brahmā: tell me, great Muni, how he was regenerate as the son of the Pracetasas. Considerable perplexity also arises in my mind, how he, who, as the son of Māṛṣā, was the grandson of Soma, could be also his father-in-law.
Parāśara said:-

Birth and death are constant in all creatures: Ṛṣis and sages, possessing divine vision, are not perplexed by this. Dakṣa and the other eminent Munis are present in every age, and in the interval of destruction cease to be[7]: of this the wise man entertains no doubt. Amongst them of old there was neither senior nor junior; rigorous penance and acquired power were the sole causes of any difference of degree amongst these more than human beings. aitreya said:-

Narrate to me, venerable Brahman, at length, the birth of the gods, Titans, Gandharvas, serpents, and goblins.
Parāśara said:-

In what manner Dakṣa created living creatures, as commanded by Brahmā, you shall hear. In the first place he willed into existence the deities, the Ṛṣis, the quiristers of heaven, the Titans, and the snake-gods. Finding that his will-born progeny did not multiply themselves, he determined, in order to secure their increase, to establish sexual intercourse as the means of multiplication. For this purpose he espoused Asiknī, the daughter of the patriarch Vīraṇa[8], a damsel addicted to devout practices, the eminent supportress of the world. By her the great father of mankind begot five thousand mighty sons, through whom he expected the world should be peopled. Nārada, the divine Ṛṣi, observing them desirous to multiply posterity, approached them, and addressed them in a friendly tone: "Illustrious Haryaswas, it is evident that your intention is to beget posterity; but first consider this: why should you, who, like fools, know not the middle, the height, and depth of the world[9], propagate offspring? When your intellect is no more obstructed by interval, height, or depth, then how, fools, shall ye not all behold the term of the universe?" Having heard the words of Nārada, the sons of Dakṣa dispersed themselves through the regions, and to the present day have not returned; as rivers that lose themselves in the ocean come back no more.

The Haryaswas having disappeared, the patriarch Dakṣa begot by the daughter of Vīraṇa a thousand other sons. They, who were named Savalāswas, were desirous of engendering posterity, but were dissuaded by Nārada in a similar manner. They said to one another, "What the Muni has observed is perfectly just. We must follow the path that our brothers have travelled, and when we have ascertained the extent of the universe, we will multiply our race." Accordingly they scattered themselves through the regions, and, like rivers flowing into the sea, they returned not again. Henceforth brother seeking for brother disappears, through ignorance of the products of the first principle of things. Dakṣa the patriarch, on finding that all these his sons had vanished, was incensed, and denounced an imprecation upon Nārada[10].

Then, Maitreya, the wise patriarch, it is handed down to us, being anxious to people the world, created sixty daughters of the daughter of Vīraṇā[11]; ten of whom he gave to Dharma, thirteen to Kaśyapa, and twenty-seven to Soma, four to Aṛṣṭanemi, two to Bahuputra, two to A
giras, and two to Kriśāśva. I will tell you their names. Arundhaṭī, Vasu, Yāmī, Lambā, Bhānū, Marutvatī, Sa
kalpa, Muhūrttā, Sādhyā, and Viśvā were the ten wives of Dharma[12], and bore him the following progeny. The sons of Viśvā were the Viśvādevas[13]; and the Sādhyas[14], those of Sādhyā. The Māruts, or winds, were the children of Marutvatī; the Vasus, of Vasu. The Bhānus (or suns) of Bhānu; and the deities presiding over moments, of Muhūrttā. Ghoṣa was the son of Lambā (an arc of the heavens); Nāgavīthī (the milky way), the daughter of Yāmī (night). The divisions of the earth were born of Arundhaṭi; and Sa
kalpa (pious purpose), the soul of all, was the son of Sa
kalpā. The deities called Vasus, because, preceded by fire, they abound in splendour and might[15], are severally named Āpa, Dhruva, Soma, Dhava (fire), Anila (wind), Anala (fire), Pratyūṣa (day-break), and Prabhāsa (light). The four sons of Āpa were Vaitaṇḍya, Śrama (weariness), Srānta (fatigue), and Dhur (burthen). Kāla (time), the cerisher of the world, was the son of Dhruva. The son of Soma was Varchas (light), who was the father of Varcasvī (radiance). Dhava had, by his wife Manoharā (loveliness), Draviṇa, Hutahavyavāha, Śiśira, Prāṇa, and Ramaṇa. The two sons of Anila (wind), by his wife Śivā, were Manojava (swift as thought) and Avijñātagati (untraceable motion). The son of Agni (fire), Kumāra, was born in a clump of Śara reeds: his sons were Sākha, Visākha, Naigameya, and Pṛṣṭhaja. The offspring of the Krittikās was named Kārtikeya. The son of Pratyūṣa was the Ṛṣi named Devala, who had two philosophic and intelligent sons[16]. The sister of Vācaspati, lovely and virtuous, Yogasiddhā, who pervades the wholes world without being devoted to it, was the wife of Prabhāsa, the eighth of the Vasus, and bore to him the patriarch Viswakarmā, the author of a thousand arts, the mechanist of the gods, the fabricator of all ornaments, the chief of artists, the constructor of the self-moving chariots of the deities, and by whose skill men obtain subsistence. Ajaikapād, Ahirvradhna, and the wise Rudra Tvaṣṭri, were born; and the self-born son of Twashtri was also the celebrated Viśvarūpa. There are eleven well-known Rudras, lords of the three worlds, or Hara, Bahurūpa, Tryambaka, Aparājita, Vṛṣakapi, Sambhu, Kaparddī, Raivata, Mrigavyādha, Sarva, and Kapāli[17]; but there are a hundred appellations of the immeasurably mighty Rudras[18].

The daughters of Dakṣa who were married to Kaśyapa were Aditi, Diti, Danu, Aṛṣṭā, Surasā, Surabhi, Vinatā, Tāmrā, Krodhavaśā, Iḍā, Khasā, Kadru, and Muni[19]; whose progeny I will describe to you. There were twelve celebrated deities in a former Manvantara, called Tuṣitas[20], who, upon the approach of the present period, or in the reign of the last Manu, Cākṣuṣa, assembled, and said to one another, "Come, let us quickly enter into the womb of Aditī, that we may be born in the next Manvantara, for thereby we shall again enjoy the rank of gods:" and accordingly they were born the sons of Kaśyapa, the son of Marīci, by Aditī, the daughter of Dakṣa; thence named the twelve Ādityas; whose appellations were respectively, Viṣṇu, Śakra, Āryaman, Dhūtī, Tvāṣṭri, Pūṣan, Vivaswat, Savitri, Mitra, Varuṇa, Aṃśa, and Bhaga[21]. These, who in the Cākṣuṣa Manvantara were the gods called Tuṣitas, were called the twelve Ādityas in the Manvantara of Vaivaśvata.

The twenty-seven daughters of the patriarch who became the virtuous wives of the moon were all known as the nymphs of the lunar constellations, which were called by their names, and had children who were brilliant through their great splendour[22]. The wives of Aṛṣṭanemi bore him sixteen children[23]. The daughters of Bahuputra were the four lightnings[24]. The excellent Pratya
girasa Ricas were the children of A
giras[25], descended from the holy sage: and the deified weapons of the gods[26] were the progeny of Kriśāśva.

These classes of thirty-three divinities[27] are born again at the end of a thousand ages, according to their own pleasure; and their appearance and disappearance is here spoken of as birth and death: but, Maitreya, these divine personages exist age after age in the same manner as the sun sets and rises again.

It has been related to us, that Diti had two sons by Kaśyapa, named Hiraṇyakaśipu and the invincible Hiraṇyākṣa: she had also a daughter, Si
kā, the wife of Viprachitti. Hiraṇyakaśipu was the father of four mighty sons, Anuhlāda, Hlāda, the wise Prahlāda, and the heroic Sanhlāda, the augmentor of the Daitya race[28]. Amongst these, the illustrious Prahlāda, looking on all things with indifference, devoted his whole faith to Janārddana. The flames that were lighted by the king of the Daityas consumed not him, in whose heart Vāsudeva was cerished; and all the earth trembled when, bound with bonds, he moved amidst the waters of the ocean. His firm body, fortified by a mind engrossed by Achyuta, was unwounded by the weapons hurled on him by order of the Daitya monarch; and the serpents sent to destroy him breathed their venomous flames upon him in vain. Overwhelmed with rocks, he yet remained unhurt; for he never forgot Viṣṇu, and the recollection of the deity was his armour of proof. Hurled from on high by the king of the Daityas, residing in Swerga, earth received him unharmed. The wind sent into his body to wither him up was itself annihilated by him, in whom Madhusūdana was present. The fierce elephants of the spheres broke their tusks, and vailed their pride, against the firm breast which the lord of the Daityas had ordered them to assault. The ministrant priests of the monarch were baffled in all their rites for the destruction of one so steadily attached to Govinda: and the thousand delusions of the fraudulent Samvara, counteracted by the discus of Kṛṣṇa, were practised without success. The deadly poison administered by his father's officers he partook of unhesitatingly, and without its working any visible change; for he looked upon the world with mind undisturbed, and, full of benignity, regarded all things with equal affection, and as identical with himself. He was righteous; an inexhaustible mine of purity and truth; and an unfailing model for all pious men.
Footnotes and references:

[1]: Or, 'immersed in the six Ūrmis'; explained hunger, thirst, sorrow, stupefaction, decay, and death.

[2]: There is some confusion here in regard to the person addressed, but the context shews that the insertion of Maitreya's name is an inadvertence, and that the passage is a continuation of Soma's speech to the Pracetasas.

[3]: The phrase is 'made up of the farther boundary of Brahma;' implying either 'comprehending the supreme, or Brahma, and transcendental wisdom, Pāra;' or, consisting of the farthest limits (Pāra) or truths of the Vedas or Brahma;' that is, being the essence of the Vedānta philosophy. The hymn that follows is in fact a mantra or mystical prayer, commencing with the reiteration of the word Para and Pāra; as, ###. Para means 'supreme, infinite; and Pāra, 'the farther bank or limit,' the point that is to be attained by crossing a river or sea, or figuratively the world or existence. Viṣṇu, then, is Para, that which nothing surpasses; and Pāra, the end or object of existence: he is Apāra pāra, the farthest bound of that which is illimitable, or space and time: he is Param parebhyah, above or beyond the highest, being beyond or superior to all the elements: he is Paramārtha rūpī, or identical with final truth, or knowledge of soul: he is Brahma pāra, the object or essence of spiritual wisdom. Parapārabhūta is said to imply the farther limit (Pāra) of rudimental matter (Para). He is Para, or chief Parānam, of those objects which are beyond the senses: and he is Pārapāra, or the boundary of boundaries; that is, he is the comprehensive in-vesture of, and exterior to, those limits by which soul is confined; he is free from all iñcumbrance or impediment. The passage may be interpreted in different ways, according to the ingenuity with which the riddle is read.

[4]: This part of the legend is peculiar to our text, and the whole story of Māṛṣā's birth is nowhere else so fully detailed. The penance of the Pracetasas, and its consequences, are related in the Agni, Bhāgavata, Matsya, Padma, Vāyu, and Brāhma Purāṇas, and allusion is briefly made to Māṛṣā's birth. Her origin from Kaṇḍu and Pramlocā is narrated in a different place in the Brāhma Purāṇa, where the austerities of Kaṇḍu, and the necessity for their interruption, are described. The story, from that authority, was translated by the late Professor Chezy, and is published in the first number of the Journal Asiatique.

[5]: The second birth of Dakṣa, and his share in the peopling of the earth, is narrated in most of the Purāṇas in a similar manner. It is perhaps the original legend, for Dakṣa seems to be an irregular adjunct to the Prajāpatis, or mind-born sons of Brahmā (see p. 49. n. 2); and the allegorical nature of his posterity in that character (p. 54) intimates a more recent origin. Nor does that series of descendants apparently occur in the Mahābhārata, although the existence of two Dakṣas is especially remarked there (Mokṣa Dh.). In the Ādi Parva, which seems to be the freest from subsequent improvements, the Dakṣa noticed is the son of the Pracetasas. The incompatibility of the two accounts is reconciled by referring the two Dakṣas to different Manvantaras. The Dakṣa who proceeded from Brahmā as a Prajāpati being born in the first, or Svāyambhuva, and the son of the Pracetasas in the Cākṣuṣa Manvantara. The latter however, as descended from Uttānapāda, should belong to the first period also. It is evident that great confusion has been made by the Purāṇas in Dakṣa's history.

[6]: That is, they are the Nakṣatras, or lunar asterisms.

[7]: 'They are removed', which the commentator explains by 'are absorbed, as if they were fast asleep;' but in every age or Yuga, according to the text-in every Manvantara, according to the comment-the Ṛṣis reappear, the circumstances of their origin only being varied. Dakṣa therefore, as remarked in the preceding note, is the son of Brahmā in one period, the son of the Pracetasas in another. So Soma, in the Svāyambhuva Manvantara, was born as the son of Atri; in the Cākṣuṣa, he was produced by churning the ocean. The words of our text occur in the Hari Vaṃśa, with an unimportant variation: 'Birth and obstruction are constant in all beings, but Ṛṣis and those men who are wise are not perplexed by this;' that is, not, as rendered above, by the alternation of life and death; but, according to the commentator on the Hari Vaṃśa, by a very different matter, the prohibition of unlawful marriages. Utpatti, 'birth of progeny,' is the result of their will; Nirodha, 'obstruction,' is the law prohibiting the intermarriage of persons connected by the offering of the funeral cake; to which Ṛṣis and sages are not subject, either from their matrimonial unions being merely platonic, or from the bad example set by Brahmā, who, according to the Vedas, approached his own daughter; we have already had occasion to advert to (p. 51. n. 5). The explanation of the text, however, given by the commentator appears forced, and less natural than the interpretation preferred above.

[8]: This is the usual account of Dakṣa's marriage, and is that of the Mahābhārata, Adi P. (p. 113), and of the Brāhma Purāṇa, which the Hari Vaṃśa, in the first part, repeats. In another portion, the Puṣkara Māhātmya, however, Dakṣa, it is said, converts half himself into a female, by whom he begets the daughters presently to be noticed: ###. This seems to be merely a new edition of an old story.

[9]: The commentator explains it to mean the origin, duration, and termination of subtile rudimental body; but the Padma and Li
ga P. distinctly express it, 'the extent of the earth.'

[10]: Nārada's interference, and the fruitless generation of the first progeny of Dakṣa, is an old legend. The Mahābhārata (Ādi P. p. 113) notices only one set of sons, who, it is said, obtained Mokṣa, or liberation, through Nāreda's teaching them the Sā
khya philosophy. The Brāhma, Matsya, Vāyu, Li
ga, Padma, Agni, and Bhāgavata Purāṇas tell the story much as in the text, and not unfrequently in the same words. In general they merely refer to the imprecation denounced upon Nārada, as above. The Bhāgavata specifies the imprecation to be perpetual peripateticism. Dakṣa says to him, 'There shall not be a resting-place for thee in all these regions.' The Kūrma repeats the imprecation merely to the effect that Nārada shall perish, and gives no legend. In the Brahma Vaivartta, Nārada is cursed by Brahmā, on a similar occasion, to become the chief of the Gandharvas, whence his musical propensities: but the Bhāgavata, VI. 7, has the reverse of this legend, and makes him first a Gandharva, then a Śūdra, then the son of Brahmā. The Brāhma P., and after it the Hari Vaṃśa and the Vāyu P., have a different and not very intelligible story. Dakṣa, being about to pronounce an imprecation upon Nārada, was appeased by Brahmā and the Ṛṣis, and it was agreed between them that Nārada should be again born, as the son of Kaśyapa, by one of Dakṣa's daughters. This seems to be the gist of the legend, but it is very confusedly told. The version of the Brāhma P., which is the same as that of Hari Vaṃśa, may be thus rendered: "The smooth-speaking Nārada addressed the sons of Dakṣa for their destruction and his own; for the Muni Kaśyapa begot him as a son, who was the son of Brahmā, on the daughter of Dakṣa, through fear of the latter's imprecation. He was formerly the son of Parameṣṭhī (Brahmā), and the excellent sage Kaśyapa next begot him, as if he were his father, on Asiknī, the daughter of Vīraṇa. Whilst he was engaged in beguiling the sons of the patriarch, Dakṣa, of resistless power, determined on his destruction; but he was solicited by Brahmā, in the presence of the great sages, and it was agreed between them that Nārada, the son of Brahmā, should be born of a daughter of Dakṣa. Consequently Dakṣa gave his daughter to Parameṣṭhī, and by her was Nārada born." Now several difficulties occur here. Asiknī is the wife, not the daughter, of Dakṣa; but this may be a blunder of the compiler, for in the parallel passage of the Vāyu no name occurs. In the next place, who is this daughter? for, as we shall see, the progeny of all Dakṣa's daughters are fully detailed, and in no p. 119 authority consulted is Nārada mentioned as the son of either of them, or as the son of Kaśyapa. Dakṣa, too, gives his daughter, not to Kaśyapa, but to Parameṣṭhī, or Brahmā. The commentator on the Hari Vaṃśa solves this by saying he gives her to Brahmā for Kaśyapa. The same bargain is noticed in the Vāyu, but Nārada is also said there to be adopted by Kaśyapa. Again, however, it gives Dakṣa's imprecation in the same words as the Hari Vaṃśa; a passage, by the way, omitted in the Brāhma: 'Nārada, perish (in your present form), and take up your abode in the womb.' Whatever may be the original of this legend, it is evidently imperfectly given by the authorities here cited. The French translation of the passage in the Hari Vaṃśa can scarcely be admitted as correct: assuredly is not 'le Devarchi Dakcha, epoux d''Asiknī, fille de Virāna, fut l'aïeul de cet illustri mouni ainsi régénéré.' ### is more consistently said by the commentator to mean Kaśyapa. The Vāyu P. in another part, a description of the different orders of Ṛṣis, states that the Devarṣis Parvata and Nāreda were sons of Kaśyapa: In the account of Kārttavīrya, in the Brāhma P. and Hari Vaṃśa, Nārada is introduced as a Gandharva, the son of Varidāsa; being the same, according to the commentator on the latter, as the Gandharva elsewhere called Upavarhana.

[11]: The prior specification (p. 115) was fifty. The Mahābhārata, Adi P. 113, and, again, Mokṣa Dharma, has the same number. The Bhāgavata, Kūrma, Padma, Li
ga, and Vāyu P. state sixty. The former is perhaps the original, as the fullest and most consistent details relate to them and their posterity.

[12]: This is the usual list of Dharma's wives. The Bhāgavata substitutes Kakud for Arundhaṭī. The Padma P., Matsya P., and Hari Vaṃśa contain two different account of Dakṣa's descendants: the first agrees with our text; the second, which is supposed to occur in the Padma Kalpa, is somewhat varied, particularly as to the wives of Dharma, who are said to be five. The nomenclature varies, or,

[13]: The Viśvādevas are a class of gods to whom sacrifices should be offered daily. Manu, III. 121. They are named in some of the Purāṇas, as the Vāyu and Matsya: the former specifying ten; the latter, twelve.

[14]: The Sādhyas, according to the Vāyu, are the personified rites and prayers of the Vedas, born of the metres, and partakers of the sacrifices. The same work names twelve, which are all names of sacrifices and formulæ, as Darśa, Paurnamāsa, Vrihadaśva, Rathantara, &c. The Matsya P., Padma P., and Hari V. have a different set of seventeen appellations, apparently of arbitrary selection, as Bhava, Prabhava, Īśa, Aruṇi, &c.

[15]: Or, according to the Padma P., because they are always present in light, or luminous irradiation.

[16]: The Vāyu supplies their names, Kṣamāvartta (patient) and Manaswin (wise).

[17]: The passage is, ### Whose sons they are does not appear; the object being, according to the comment, to specify only the eleven divisions or modifications of the youngest Rudra, Tvaṣṭa.' We have, however, an unusual variety of reading here in two copies of the comment: 'The eleven Rudras, in whom the family of Tvaṣṭri (a synonyme, it may be observed, sometimes of Viswakarmā) is included, were born. The enumeration of the Rudras ends with Aparājita, of whom Tryambaka is the epithet.' Accordingly the three last names in all the other copies of the text are omitted in these two; their places being supplied by the three first, two of whom are always named in the lists of the Rudras. According to the Vāyu and Brāhma P. the Rudras are the children of Kaśyapa by Surabhi: the Bhāgavata makes them the progeny of Bhūta and Sarūpā: the Matsya, Padma, and Hari V., in the second series, the offspring of Surabhi by Brahmā. The names in three of the Paurāṇic authorities run thus:

[18]: The posterity of Dakṣa's daughters p. 122 by Dharma are clearly allegorical personifications chiefly of two classes, one consisting of astronomical phenomena, and the other of portions or subjects of the ritual of the Vedas.

[19]: There is some, though not much, variation in these names in different Purāṇas. The Bhāgavata has Saramā, Kaṣṭha, and Timi, the parents severally of canine animals, beasts with uncloven hoofs, and fishes, in place of Vinatā, Khasā, and Kadru; disposing of the first and last differently. The Vāyu has Pravā in place of Aṛṣṭā, and Anāyush or Danāyush for Surasā. The Padma P., second series, substitutes Kālā, Anāyush, Sinhikā, Piśācā, Vāch for Aṛṣṭa, Surasā, Surabhi, Tāmrā, and Muni; and omits Iḍā and Khasā. In the Uttara Khaṇḍa of the same, Kaśyapa's wives are said to be but four, Aditi, Diti, Kadru, and Vinatā.

[20]: In the sixth reign, or that of Cākṣuṣa Manu, according to the text; but in book III. ch. 1. the Tuṣitas are the gods of the second or Svārociṣa Manvantara. The Vāyu has a much more complete legend than any other Pura on this subject. In the beginning of the Kalpa twelve gods, named Jayas, were created by Brahmā, as his deputies and assistants in the creation. They, lost in meditation, neglected his commands; on which he cursed them to be repeatedly born in each Manvantara till the seventh. They were accordingly, in the several successive Manvantaras, Ajitas, Tuṣitas, Satyas, Haris, Vaikunthas, Sādhyas, and Ādityas. Our authority and some others, as the Brāhma, have apparently intended to refer to this account, but have confused the order of the series.

[21]: p. 123 The Purāṇas that contain this genealogy agree tolerably well in these names. The Bhāgavata adds many details regarding some of the Ādityas and their descendants.

[22]: The Nakṣatra Yoginis, or chief stars of the lunar mansions, or asterisms in the moon's path.

[23]: None of the authorities are more specific on the subject of Aṛṣṭanemis' progeny. In the Mahābhārata this is said to be another name of Kaśyapa. The Bhāgavata substitutes Tārkṣa for this personage, said by the commentator to be likewise another name of Kaśyapa. His wives are, Kadru, Vinatā, Patangi, and Yāminī, mothers of snakes, birds, grasshoppers, and locusts.

[24]: Enumerated in astrological works as brown, red, yellow, and white; portending severally wind, heat, rain, famine.

[25]: The Ricas, or verses, thirty-five in number, addressed to presiding divinities, denominated Pratya
girasas. The Bhāgavata calls the wives of Anginas, Swadhā and Satī, and makes them the mothers of the Pitris and the Atharvan Veda severally.

[26]: The Śastra devatas, 'gods of the divine weapons;' a hundred are enumerated in the Rāmāyaṇa, and they are there termed the sons of Kriśāśva by Jayā and Vijayā, daughters of the Prajāpati; that is, of Dakṣa. The Bhāgavata terms the two wives of Kriśāśva, Archish (flame) and Dhiṣaṇā; the former is the mother of Dhūmaketu (comet); the latter, of four sages, Devala, Vedaśiras, Vayuṇa, and Manu. The allegorical origin of the weapons is undoubtedly the more ancient.

[27]: This number is founded upon a text of the Vedas, which to the eight Vasus, eleven Rudras, and twelve Ādityas, adds Prajāpati, either Brahmā or Dakṣa, and Vashatkāra, 'deified oblation.' They have the epithet Chandajā, as born in different Manvantaras, of their own will.

[28]: The Purāṇas generally coñcur in this genealogy, reading sometimes Anuhrāda, Hrāda, &c. for Anuhlāda and the rest. Although placed second in the order of Kaśyapa's descendants, the Daityas are in fact the elder branch. Thus the Mahābhārata, Mokṣa Dherma, calls Diti the senior wife of Kaśyapa: and the Vāyu terms Hiraṇyakaśipu and Hiraṇyākṣa the eldest of all the sons of that patriarch. "Titan and his enormous brood" were "heaven's first born."



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1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas

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   1 Hinduism






1.15 - The world overrun with trees; they are destroyed by the Pracetasas, #Vishnu Purana, #Vyasa, #Hinduism
  object:1.15 - The world overrun with trees; they are destroyed by the Pracetasas
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https://www.goodreads.com/book/show/6363543-no-more-tears-in-the-end
https://www.goodreads.com/book/show/7324538-living-in-the-end-times
https://tvtropes.org/pmwiki/pmwiki.php/Main/GoneBehindTheBend
https://tvtropes.org/pmwiki/pmwiki.php/Main/JumpingTheGenderBarrier
Caillou (1997 - 2010) - Based on the books by Christine L'Heureux, the show centers on a 4-year-old named Caillou, a bratty preschooler who is upset by the world around him. He has many crying tantrums with his family and friends and uses his whining in every episode, but in the end he's just as curious as any four-year-ol...
The Jetsons (1962 - 1987) - In 1962 the vision of the future was trippy clothes, flying cars, and more robotic appliances than Bill Gates' house, but in the end, none of this came true, but the idea that all these things could make life better was quickly put to rest by anyone who watched this iconic but funtastic hit tv serie...
Darkroom (1981 - 1981) - An anthology horror/thriller series, along the same lines as "Twilight Zone" or "Night Gallery." Each week features a new story and a new cast, and was hosted by white-maned James Coburn. The 60-minute episodes feature two or three short tales, each with a twist in the ending.
Clifford the Big Red Dog (2000 - 2003) - Based on the children's books of the same name. A young city girl named Emily Elizabeth is able to adopt a neighbor's puppy as a birthday gift. In the end she chooses the runt of the litter, a small red dog she names Clifford. Despite nobody expecting him to grow, Emily's love soon makes Clifford gr...
Creepshow(1982) - One of Stephen King's first anthologies, featuring "the Father's Day", "The Lonesome Death of Jordy Verrill" (which King starred in), "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!". King's son plays a cameo as Billy in the beginning and in the end of the movie sticking a...
How to Be a Perfect Person in Just Three Days(1987) - A kid strives to be perfect, and in the end realizes that individuality is mor
Angels in the Endzone(1997) - Wonderful World of Disney's follow-up to ANGELS IN THE OUTFIELD. This time around, Christopher Lloyd and the angels return to help out a school's football team. Also stars Paul Dooley and Matthew Lawrence.
Velvet Goldmine(1998) - In 1971, Glamrock explodes all over the world and challanges the seriousness within the flowerpower generation by means of glitter and brutal music. Brian Slade, a young rockstar, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys...
Blondie and Dagwood: Second Wedding Workout(1989) - Blondie and Dagwood's 20th anniversary is coming up, and Dagwood has two conflicting projects: a renovation project on a building and his 20-year vow renewal. Everyone pitches in to work, but will everything turn out well in the end? The answer is revealed during their wedding!
Talisman(1998) - As the millenium draws near, an evil being awakens. Fused to an ancient Talisman for centuries -- Theriel, the Black Angel is summoned from his resting place to usher in the end of the world. The ghastly messenger must claim seven human sacrifices to complete the ritual and open the gates of Hell. A...
Archer(1985) - During the 1860s, Dave Powers, apprentice to a horse trainer, volunteers to ride Archer to the Melbourne Cup race. Their start is 600 miles from Melbourne, and the journey is anything but easy. Of course, the pair have numerous adventures along the way, and in the end Archer competes in the Melbourn...
The Jolson Story(1946) - This movie shows the idealized career of the singer Al Jolson, a little Jewish boy who goes against the will of his father in order to be in showbiz. He becomes a star, falls in love with a non-Jewish dancer, and marries her. In the end he chooses success on the stage.
In Cold Blood (1967) ::: 7.9/10 -- R | 2h 14min | Biography, Crime, Drama | 15 December 1967 (USA) -- After a botched robbery results in the brutal murder of a rural family, two drifters elude police, in the end coming to terms with their own mortality and the repercussions of their vile atrocity. Director: Richard Brooks Writers:
Support Your Local Sheriff! (1969) ::: 7.5/10 -- G | 1h 32min | Comedy, Western | 26 March 1969 (USA) -- In the old west, a man becomes a Sheriff just for the pay, figuring he can decamp if things get tough. In the end, he uses ingenuity instead. Director: Burt Kennedy Writer: William Bowers
Swept from the Sea (1997) ::: 6.8/10 -- PG-13 | 1h 55min | Drama, Mystery, Romance | 23 January 1998 (USA) -- The of story of Russian emigrant Yanko Goorall and servant Amy Foster in the end of nineteenth century. When Yanko enters a farm, sick and hungry after a shipwreck, everyone is afraid of him, except for Amy. Director: Beeban Kidron Writers: Joseph Conrad (short story "Amy Foster"), Tim Willocks Stars:
Worlds Apart (2015) ::: 7.4/10 -- Enas allos kosmos (original title) -- Worlds Apart Poster -- In modern Greece, while socioeconomic turmoil ravages Southern Europe, three distinct stories unfold, each representing a different generation of Greeks in love with a foreigner, each story coming together in the end to form a whole. Director: Christopher Papakaliatis
https://blackveilbrides.fandom.com/wiki/In_The_End
https://enderverse.fandom.com/wiki/First_Meetings_in_the_Enderverse
https://linkinpark.fandom.com/wiki/In_the_End
https://linkinpark.fandom.com/wiki/In_the_End:_Live_&_Rare
Black Clover Movie -- -- - -- 1 ep -- Manga -- Action Comedy Magic Fantasy Shounen -- Black Clover Movie Black Clover Movie -- (No synopsis yet.) -- Movie - ??? ??, ???? -- 43,935 N/ASeitokai Yakuindomo Movie -- -- GoHands -- 1 ep -- 4-koma manga -- Slice of Life Comedy School Shounen -- Seitokai Yakuindomo Movie Seitokai Yakuindomo Movie -- Ousai Academy was originally an all-girls high school. Due to the declining birth rates in recent years, it was converted into a co-ed school. The first year male students would find themselves surrounded by girls and unfortunately, Tsuda Takatoshi is one of them. What's worse, he gets scolded on his first day by the student council president Shino Amakusa, which did not give a good first impression of him. Tsuda also meets the other student council members while getting scolded, and in the end, he gets late for class. As an apology for ruining his morning, Shino lets him join the student council for various of "reasons" and he accepts it, or rather, he's forced to accept. Thus begins his days as Tsuda soon realizes that he's the only normal student in Ousai Academy... -- Movie - Jul 21, 2017 -- 43,848 7.87
Chu Feng: B.E.E -- -- Haoliners Animation League -- 6 eps -- Manga -- Action Sci-Fi Comedy Romance Fantasy Mecha School -- Chu Feng: B.E.E Chu Feng: B.E.E -- In 2017, a group of genius scientists achieve a remarkable breakthrough in bioengineering. However, all the new technologies are put into military use, beginning a new round of arms race. Vanguards, as the most significant achievement of the modern bioengineering and the most advanced weapon, are widely utilized in the race. Although vanguards are exceptionally combat-effective, their life expectancy is shortened by the nanomachines they use. Usually, most vanguards will retire from the army after a number of years in service. -- -- The heroine Liuli has also consumed too much of her lifespan after executing missions for a long time. With only 380 days left in her life, Liuli receives a new mission, to rescue a hostage being held in a civilian facility. It is without doubt a difficult mission for a vanguard like Liuli, who only knows how to kill and battle. However, Liuli obediently decides to accept the mission in the end. -- -- During the mission, Liuli surprisingly finds that the man who holds the hostage was once a vanguard. The former vanguard Zhongrong Zhou cries and asks the government to hand over the son of Eden. As a vanguard, Liuli feels deep contempt against Zhou. To eliminate the scum of the vanguards, a battle between two vanguards begins... -- -- (Source: Official site, edited) -- ONA - Jul 23, 2015 -- 15,845 5.90
Gall Force 1: Eternal Story -- -- AIC, animate Film, Artmic -- 1 ep -- Original -- Action Military Sci-Fi Adventure Space Mecha -- Gall Force 1: Eternal Story Gall Force 1: Eternal Story -- Two advanced civilizations, the Paranoids (a race of alien humanoids) and the Solenoids (who are all women) are waging a war that has gone on for centuries. When the Solenoid fleet leaves a battle to defend an experimentally terraformed world from the Paranoids, one damaged Solenoid ship, the Star Leaf, is separated from the fleet. -- -- Only seven women remain alive on the ship: Eluza, the captain, Rabby, the solid more or less main character, Lufy, the brash pilot, Catty, the mysterious science officer, Pony, the pink-haired ditzy tech, Patty, a solid crew member, and Remy, the cute one. -- -- After narrowly escaping the battle, the crew of the Star Leaf decides to continue with their orders and rendezvous at planet Chaos to defend it. It turns out, however, that their ship is the subject of a Paranoid experiment. In the end, it is up to the remaining crew Star Leaf to defend the artificial paradise of Chaos from the Paranoid fleet and the plans of the Solenoid leaders. -- -- (Source: AniDB) -- -- Licensor: -- Central Park Media -- Movie - Jul 28, 1986 -- 5,485 6.46
Hataraku Saibou!! -- -- David Production -- 8 eps -- Manga -- Comedy Shounen -- Hataraku Saibou!! Hataraku Saibou!! -- The cells of the human body never rest for too long; there's always something new to do and learn every day. At least, that's what Hakkekkyuu U-1146 feels as he rushes to and fro, searching for any pathogens that could cause harm to the body. Despite his dangerous line of work, it's all worth it to protect the happy smiles of Sekkekkyuu AE3803, the platelet crew, his fellow neutrophils, and the other cells he meets along the way. -- -- In his latest pathogen-hunting adventures, Hakkekkyuu U-1146 discovers how important cells can sometimes make mistakes, and that not all bacteria are actually bad. Everybody has their bad days, but everything eventually works out when their comrades have their backs. In the end, it's just another normal day for these hardworking cells! -- -- 175,777 7.31
Inyouchuu Shoku: Ryoushokutou Taimaroku - Kanzenban -- -- - -- 1 ep -- Visual novel -- Demons Fantasy Hentai Horror Supernatural -- Inyouchuu Shoku: Ryoushokutou Taimaroku - Kanzenban Inyouchuu Shoku: Ryoushokutou Taimaroku - Kanzenban -- Inyouchuu Shoku Complete Edition is a compilation of both Inyouchuu Shoku episodes with an additional 10 minutes of extra footage at the end with the twins. These extra scenes are credited as "episode 3" in the end credits and constitute this entry. -- -- The demon hunters are back! Mikoto, Sui, and Takeru are sent to investigate a mysterious island where people have been disappearing repeatedly and dark yoma are rumored to be the cause. When the team first arrives it almost feels like a vacation to them, but it doesn't take them long to the feel the presence of something dark and evil... -- OVA - Jun 18, 2010 -- 3,692 6.08
Jewelpet Twinkle☆ -- -- Studio Comet -- 52 eps -- Original -- Fantasy Magic School Shoujo -- Jewelpet Twinkle☆ Jewelpet Twinkle☆ -- In Jewel Land, Jewelpets, creatures who has the natural ability to use magic lived in harmony with the Witches, attending the School of Witchcraft and Wizardry to learn to use magic with their Jewel Eyes. However for Ruby, a white Japanese Hare whose magic sometimes fail, is appointed to go to the Human World to search for her partner. But when she used the card the magicians gave her, she was sent to the Human World by accident. In the Human World, A girl named Akari Sakura met her on the beach on her way to school. At first, Akari can't understand her due to her Jewel Land Language until Ruby took a special candy so she could speak and understand human language. As the day passes, Ruby knew about her problems and later apologized. A Jewel Charm appeared on Akari's hand and she realized it that she's chosen by Ruby to be her partner. After that, she decided to enter the Jewel Star Grand Prix, on the prize is that any wish that they wanted will be granted. Will she be the Next Jewel Star and her wish be granted in the end? Or It'll just end in one big disaster... -- -- (Source: Wikipedia) -- TV - Apr 3, 2010 -- 8,832 7.38
KanColle Movie -- -- Diomedéa -- 1 ep -- Game -- Action Military Sci-Fi Drama -- KanColle Movie KanColle Movie -- The movie starts off after the events of Episode 3, when Kisaragi had sunk. The Mikawa Fleet (Furutaka, Aoba, Kako, Kinugasa and Tenryuu) are in the middle of Night Battle. Choukai uses Searchlight and gets medium damage, but they win in the end. A New Fleet Girl gets "dropped", emerging from the sea. It is Kisaragi. Kisaragi is brought back to the temporary base in Solomon Islands, but she is suffering from PTSD and has amnesia, unable to remember anyone from back in the anime, excluding Mutsuki... -- -- (Source: Wikipedia) -- Movie - Nov 26, 2016 -- 33,888 7.52
Kenju Giga -- -- - -- 1 ep -- Original -- Parody Psychological -- Kenju Giga Kenju Giga -- A dog race is interrupted by a ringmaster, who attaches fish to the dog’s collars and makes them run in circles. The crowd is incensed, but the ringmaster insists that the audience is no better off than the dogs. In the end the ringmaster is assassinated and the race continues, but a single red rose sprouts from the ringmaster’s blood; a symbol of truth in a crazy world? -- -- -AniDB -- Movie - ??? ??, 1970 -- 902 4.98
Kochira Katsushikaku Kameari Kouenmae Hashutsujo -- -- Gallop -- 373 eps -- Manga -- Slice of Life Comedy Police -- Kochira Katsushikaku Kameari Kouenmae Hashutsujo Kochira Katsushikaku Kameari Kouenmae Hashutsujo -- Ryoutsu, being an underpaid policeman, is always coming up with underhanded schemes in order to make a quick buck. But in the end, his plans (which are ridiculous to begin with) always go wrong and land him in big trouble with the chief. -- 12,631 7.76
Lady Jewelpet -- -- Studio Comet, Zexcs -- 52 eps -- Original -- Fantasy Magic Romance Shoujo -- Lady Jewelpet Lady Jewelpet -- Momona is an ordinary junior-high school student hailing from Jewel Land. At her cousin's wedding, she envies the bride, Lady Diana, due to the fact that she is marrying the cousin who she had a slight crush on. However, once she sees Lady Diana and her cousin together, Momona begins to like her, and accepts her as her cousin's bride. Just as Lady Diana is about to properly meet her and introduce herself, Momona is transported to a snowy place in Jewel Land where the ruler, Lady Jewel, is giving a speech to the Petit Ladies, girls who are chosen as Jewel Candidates to be the next Lady Jewel. Momona meets her partner and mentor, Ruby, a white rabbit, who will guide her through the tasks in becoming Lady Jewel. Whoever passes the most tasks wins and becomes the next Lady Jewel, but standing in her way is Lillian, a girl who also aims to win the title of Lady Jewel, so she can choose her brother, Cayenne, to be her King alongside her. Momona soon also begins to fall in love with Cayenne, yet Lillian doesn't want her to get too close to him. Cayenne also seems to harbor feelings for Momona, but who will be chosen in the end as Lady Jewel to decide it all? And will Momona and Lillian ever become true friends and will Cayenne and Momona ever be together? -- -- (Source: Wikipedia) -- TV - Apr 5, 2014 -- 8,229 7.38
Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- -- Shaft -- 1 ep -- Original -- Drama Magic Psychological Thriller -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- Though Sayaka Miki's wish was fulfilled, the unforeseen consequences that came with it overwhelm her, causing her soul gem to become tainted as she succumbs to despair and eventually loses her humanity. Homura Akemi reveals to Kyouko Sakura and Madoka Kaname the ultimate fate of magical girls: once their soul gem becomes tainted, it transforms into a Grief Seed, and they are reborn as witches—a truth Homura learned only through repeating history countless times in a bid to prevent Madoka's tragedy. -- -- Kyuubey only compounds their despair when he confesses his true intentions: to harness the energy created from magical girls and use it to prolong the life of the universe. As the threat of Walpurgisnacht, a powerful witch, looms overhead, Homura once again vows to protect Madoka and the world from a grim fate. -- -- Caught between honoring Homura's wish and saving the world, which one will Madoka choose in the end? -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari is a story of inescapable destiny, and an unlikely hero who could change it all. -- -- -- Licensor: -- Aniplex of America -- Movie - Oct 13, 2012 -- 166,656 8.39
Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- -- Shaft -- 1 ep -- Original -- Drama Magic Psychological Thriller -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari -- Though Sayaka Miki's wish was fulfilled, the unforeseen consequences that came with it overwhelm her, causing her soul gem to become tainted as she succumbs to despair and eventually loses her humanity. Homura Akemi reveals to Kyouko Sakura and Madoka Kaname the ultimate fate of magical girls: once their soul gem becomes tainted, it transforms into a Grief Seed, and they are reborn as witches—a truth Homura learned only through repeating history countless times in a bid to prevent Madoka's tragedy. -- -- Kyuubey only compounds their despair when he confesses his true intentions: to harness the energy created from magical girls and use it to prolong the life of the universe. As the threat of Walpurgisnacht, a powerful witch, looms overhead, Homura once again vows to protect Madoka and the world from a grim fate. -- -- Caught between honoring Homura's wish and saving the world, which one will Madoka choose in the end? -- Mahou Shoujo Madoka� -- Magica Movie 2: Eien no Monogatari is a story of inescapable destiny, and an unlikely hero who could change it all. -- -- Movie - Oct 13, 2012 -- 166,656 8.39
Mikagura Gakuen Kumikyoku -- -- - -- 5 eps -- Music -- Music Psychological School -- Mikagura Gakuen Kumikyoku Mikagura Gakuen Kumikyoku -- As a new student, Eruna Ichinomiya meets various strangers, learns about their clubs, and helps them with their problems. -- -- Houkago Stride -- Eruna was hardly prepared to go to her new school, but that's no matter. Leading it off with an enormous stride, she will hop, step, and jump her way through, showing her unparalleled motivation and optimistic outlook. One, two, three—she'll shout out her excitement with the fire of a toy gun! -- -- Mukiryoku Coup d'Etat -- As an actor, Yuuto Akama is accustomed to playing different roles, and real life is just another one of these. He wears a practiced smile and a carefree attitude, but inside, a war is waging. A personality squashed and imprisoned... Yuuto puts down the coup d'état of his former self, all to maintain his perfect facade. But no matter how much time passes, the memories don't disappear, and he can never stop the flames of rebellion of his heart. -- -- Uchouten Vivace -- With a cheerful hop and skip, Himi Yasaka shows Eruna all the fun and excitement of the Calligraphy Club. It's a rhythmic and all-encompassing art; although calligraphy may take a bit of practice, anyone can do it. All you need is an ecstatic vivace! -- -- Garakuta Innocence -- No matter what saturation, contrast, or hue, painter Kyouma Kuzuryuu cannot create a work that is good enough. Everything, including himself, always falls short. He lies to himself that this is what he always wanted, but in the end, he is still another piece of trash. Is there any salvation for the lonesome and self-deprecating Kyouma? -- -- Izayoi Seeing -- Asuhi Imizu has lived his life secluded from others. Gazing at the night sky through his telescope, he draws new constellations in his mind. However, like the sun after a rainstorm, Eruna brightens his life, helping him open up to others. Together, they view a 16-day-old moon; all the while, Asuhi is guided by her light. -- -- Music - Feb 25, 2015 -- 2,681 6.66
Mo Ri Shu Guang -- -- Dawn Animation -- 20 eps -- Novel -- Action Horror Psychological Supernatural Thriller Shounen Ai -- Mo Ri Shu Guang Mo Ri Shu Guang -- In the year of 2013, the tide of zombies outbreak exploded in everyone's homeland, humanity launches a large-scale battle in the endless nights awaiting for the arrival of the dawn. -- -- The end is approaching, is there going to be a way out for them? -- Their faiths were shattered into pieces and buried in ashes in the raging fire. But within the blazing fire, a newborn hope arise once again. -- -- (Source: polarbearadise) -- ONA - May 20, 2018 -- 3,851 6.19
Nomad: Megalo Box 2 -- -- TMS Entertainment -- 13 eps -- Original -- Action Sci-Fi Sports Drama -- Nomad: Megalo Box 2 Nomad: Megalo Box 2 -- In the end, "Gearless" Joe was the one that reigned as the champion of Megalonia, a first ever megalobox tournament. Fans everywhere were mesmerized by the meteoric rise of Joe who sprung out from the deepest underground ring to the top in mere three months and without the use of gear. Seven years later, "Gearless" Joe was once again fighting in underground matches. Adorned with scars and once again donning his gear, but now known only as Nomad… -- -- (Source: TMS Entertainment) -- -- 88,409 8.16
Nomad: Megalo Box 2 -- -- TMS Entertainment -- 13 eps -- Original -- Action Sci-Fi Sports Drama -- Nomad: Megalo Box 2 Nomad: Megalo Box 2 -- In the end, "Gearless" Joe was the one that reigned as the champion of Megalonia, a first ever megalobox tournament. Fans everywhere were mesmerized by the meteoric rise of Joe who sprung out from the deepest underground ring to the top in mere three months and without the use of gear. Seven years later, "Gearless" Joe was once again fighting in underground matches. Adorned with scars and once again donning his gear, but now known only as Nomad… -- -- (Source: TMS Entertainment) -- -- Licensor: -- Funimation -- 88,409 8.16
Pokemon Movie 17: Hakai no Mayu to Diancie -- -- OLM -- 1 ep -- Game -- Adventure Kids Fantasy -- Pokemon Movie 17: Hakai no Mayu to Diancie Pokemon Movie 17: Hakai no Mayu to Diancie -- The story is set in Diamond Ore Country, of which Diancie is the princess.This is a country located deep underground, where the Pokémon Carbink live together in peace. The energy source of this country is a giant diamond called the Sacred Diamond, which can only be created by princess Diancie. However, the current princess doesn't yet possess the power to create such a diamond, and the current Sacred Diamond's power is soon going to run out, which would result in the end of the country. Diancie meets up with Ash and Pikachu, and set off together with them to search for the legendary Pokemon Xerneas, which possesses sacred power, but on the way, they find the cocoon where the Destruction Pokémon, Yveltal, who was said to have once destroyed life in Kalos, lies in wait. -- -- (Source: serebii.net) -- -- Licensor: -- The Pokemon Company International -- Movie - Jul 19, 2014 -- 30,648 6.46
Seitokai Yakuindomo Movie -- -- GoHands -- 1 ep -- 4-koma manga -- Slice of Life Comedy School Shounen -- Seitokai Yakuindomo Movie Seitokai Yakuindomo Movie -- Ousai Academy was originally an all-girls high school. Due to the declining birth rates in recent years, it was converted into a co-ed school. The first year male students would find themselves surrounded by girls and unfortunately, Tsuda Takatoshi is one of them. What's worse, he gets scolded on his first day by the student council president Shino Amakusa, which did not give a good first impression of him. Tsuda also meets the other student council members while getting scolded, and in the end, he gets late for class. As an apology for ruining his morning, Shino lets him join the student council for various of "reasons" and he accepts it, or rather, he's forced to accept. Thus begins his days as Tsuda soon realizes that he's the only normal student in Ousai Academy... -- Movie - Jul 21, 2017 -- 43,848 7.87
Shugo Chara!! Doki -- -- Satelight -- 51 eps -- Manga -- Comedy Magic School Shoujo -- Shugo Chara!! Doki Shugo Chara!! Doki -- Now Utau has left Easter and restarted her singing career, while Ikuto still remains at Easter. To replace Utau Easter hires a new character, Lulu. Lulu has the power to create question mark eggs, instead of x-eggs. Throughout this season we start to see all the love interests more so then in the first season. Tadase and Amu seem to be a couple now, but they have their problem, especially when Amu starts hiding Ikuto in her room. She lies to Tadase, her family and all the Guardians about it, which in the end causes more problems then she expected. Easter also has a new plan to control Ikuto. Using his violin Easter controls Ikuto so that he transforms into Death Rebel. The sound of his violin turns all the heart eggs with in distance into x-eggs. With a large amount of x-eggs gathered, the embryo will soon turn up. -- -- (Source: ANN) -- -- Episode numbers continue as 52, 53, 54, etc. -- TV - Oct 4, 2008 -- 89,878 7.42
Ten Little Gall Force -- -- animate Film, Artmic -- 1 ep -- Original -- Action Military Sci-Fi Space Comedy Parody Mecha -- Ten Little Gall Force Ten Little Gall Force -- A super deformed parody which depicts the "making of " Eternal Story and Destruction. A very humorous behind-the-scenes look (if "Gall Force" were a live-action series instead of being animated). -- -- Cast and crew members run into severe and embarrassing difficulties as things do not turn out as they should; for example, Lufy totally drowns in embarrassment as she is object of a whole crowd of spectators while in the nude; the director's obsession with realistic filming causes some real high-voltage friction with Catty; and in the end, after the premiere, the girls end up in an ongoing on-stage tussle about which one is the most popular character. -- -- (Source: Wikipedia) -- -- Licensor: -- AnimEigo -- OVA - Jul 3, 1988 -- 1,378 6.21
Vie Durant -- -- Marine Entertainment, Radix -- 8 eps -- Original -- Sci-Fi Drama Vampire -- Vie Durant Vie Durant -- The Antarctic thaws and it is an era when most of the land has been submerged in water. The extinction of Mankind already draws near. Mankind who were born from Adam and Eve, were now deteriorating as they repeatedly get cloned from generation to generation. Things essential for the survival of living things were lost. -- -- Even so, the ones remaining cling on to survive... -- -- "We should get what we need for survival from something else...!" -- -- And so, a mere small group of humans began a new life upon the surface of water, exhausting the resources of each and every other living thing to survive. In the end, they discover people who posess a huge quantity of things necessary for survival. -- -- The young men who posessed such things continues their journey even today, to escape from those who were pursuing them. They just wanted to find that something somewhere. They were seeking for the one and only "help" there was... -- -- (Source: AnimeNfo) -- ONA - Jul 15, 2003 -- 1,428 4.85
Working!!!: Lord of the Takanashi -- -- A-1 Pictures -- 1 ep -- 4-koma manga -- Comedy Romance Seinen Slice of Life -- Working!!!: Lord of the Takanashi Working!!!: Lord of the Takanashi -- The light-hearted Working!! franchise comes to a close in this final episode of the concluding season. Will Aoi Yamada get the closure she so desperately needs with her distant mother? Will the relationship between Yachiyo Todoroki and Jun Satou continue to remain stagnant and awkward? Perhaps even Souta Takanashi and Mahiru Inami will take a step forward in deepening their eccentric friendship. And in the end, Wagnaria Restaurant might finally get a new chief! -- -- Beautifully connected, all these events intertwine to give these characters a final ending to their stories. -- -- -- Licensor: -- Aniplex of America -- Special - Mar 30, 2016 -- 85,277 8.19
Working!!!: Lord of the Takanashi -- -- A-1 Pictures -- 1 ep -- 4-koma manga -- Comedy Romance Seinen Slice of Life -- Working!!!: Lord of the Takanashi Working!!!: Lord of the Takanashi -- The light-hearted Working!! franchise comes to a close in this final episode of the concluding season. Will Aoi Yamada get the closure she so desperately needs with her distant mother? Will the relationship between Yachiyo Todoroki and Jun Satou continue to remain stagnant and awkward? Perhaps even Souta Takanashi and Mahiru Inami will take a step forward in deepening their eccentric friendship. And in the end, Wagnaria Restaurant might finally get a new chief! -- -- Beautifully connected, all these events intertwine to give these characters a final ending to their stories. -- -- Special - Mar 30, 2016 -- 85,277 8.19
Alone in the Endzone
And in the End...
Angels in the Endzone
Everything Will Be Alright in the End
In the End
In the End (album)
In the End (Black Veil Brides song)
In the End (disambiguation)
In the End (Kat DeLuna song)
In the End of Human Existence
We All Lay Down in the End


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