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TERMS ANYWHERE
romanticism: The term refers to a movement around 1780-1840. Romanticism rejected the philosophy of the enlightenment, and instead turned to the gothic, the notion of carpe diem and above all placed importance on nature and the wilderness. Romantic poets included William Blake, William Wordsworth, John Keats, Percy Bysshe Shelley, and Lord Gordon Byron.
KEYS (10k)
2 John Keats
NEW FULL DB (2.4M)
683 John Keats
101 Poetical Works of John Keats
2 The Poetical Works of John Keats
2 Rebecca Solnit
2 Percy Bysshe Shelley
2 Dani Shapiro
1:My imagination is a monastery, and I am its monk ~ John Keats, #KEYS
2:Beauty is Truth, Truth Beauty — that is all you know on earth, and all you need to know." ~ John Keats, (1795 - 1821), English Romantic poet, one of the main figures of the second generation of Romantic poets, Wikipedia., #KEYS
*** WISDOM TROVE ***
1:The air is all softness. ~ john-keats, @wisdomtrove 2:Load every rift with ore. ~ john-keats, @wisdomtrove 3:You are always new to me. ~ john-keats, @wisdomtrove 4:Death is Life's high meed. ~ john-keats, @wisdomtrove 5:Asleep in lap of legends old. ~ john-keats, @wisdomtrove 6:Beauty is truth, truth beauty ~ john-keats, @wisdomtrove 7:Health is my expected heaven. ~ john-keats, @wisdomtrove 8:I always made an awkward bow. ~ john-keats, @wisdomtrove 9:To stay youthful, stay useful. ~ john-keats, @wisdomtrove 10:All writing is a form of prayer. ~ john-keats, @wisdomtrove 11:Wine is only sweet to happy men. ~ john-keats, @wisdomtrove 12:I have so much of you in my heart. ~ john-keats, @wisdomtrove 13:I want a brighter word than bright ~ john-keats, @wisdomtrove 14:That queen of secrecy, the violet. ~ john-keats, @wisdomtrove 15:A thing of beauty is a joy forever. ~ john-keats, @wisdomtrove 16:To silence gossip, don't repeat it. ~ john-keats, @wisdomtrove 17:aching time! O moments big as years! ~ john-keats, @wisdomtrove 18:A hope beyond the shadow of a dream. ~ john-keats, @wisdomtrove 19:I find I cannot exist without Poetry ~ john-keats, @wisdomtrove 20:Stop and consider! life is but a day ~ john-keats, @wisdomtrove 21:Knowledge enormous makes a god of me. ~ john-keats, @wisdomtrove 22:Philosophy will clip an angel's wings. ~ john-keats, @wisdomtrove 23:The poetry of the earth is never dead. ~ john-keats, @wisdomtrove 24:There is a budding morrow in midnight. ~ john-keats, @wisdomtrove 25:A quote about drinking is a joy forever ~ john-keats, @wisdomtrove 26:Hear ye not the hum Of mighty workings? ~ john-keats, @wisdomtrove 27:There is a budding tomorrow in midnight. ~ john-keats, @wisdomtrove 28:Alas! when passion is both meek and wild! ~ john-keats, @wisdomtrove 29:Love is my religion - I could die for it. ~ john-keats, @wisdomtrove 30:That which is creative must create itself. ~ john-keats, @wisdomtrove 31:What is more gentle than a wind is summer? ~ john-keats, @wisdomtrove 32:Here lies one whose name was writ in water. ~ john-keats, @wisdomtrove 33:Thou foster-child of Silence and slow Time. ~ john-keats, @wisdomtrove 34:I will clamber through the clouds and exist. ~ john-keats, @wisdomtrove 35:Much have I travell'd in the realms of gold. ~ john-keats, @wisdomtrove 36:My creed is love and you are its only tenet. ~ john-keats, @wisdomtrove 37:Of love, that fairest joys give most unrest. ~ john-keats, @wisdomtrove 38:Scenery is fine - but human nature is finer. ~ john-keats, @wisdomtrove 39:The thought, the deadly thought of solitude. ~ john-keats, @wisdomtrove 40:Fade far away, dissolve, and quite forget... ~ john-keats, @wisdomtrove 41:The day is gone, and all its sweets are gone! ~ john-keats, @wisdomtrove 42:The excellence of every Art is its intensity. ~ john-keats, @wisdomtrove 43:The poppies hung Dew-dabbled on their stalks. ~ john-keats, @wisdomtrove 44:Time, that aged nurse, Rocked me to patience. ~ john-keats, @wisdomtrove 45:All clean and comfortable I sit down to write. ~ john-keats, @wisdomtrove 46:A moment's thought is passion's passing knell. ~ john-keats, @wisdomtrove 47:And how they kist each other's tremulous eyes. ~ john-keats, @wisdomtrove 48:cruelty, / To steal my Basil-pot away from me! ~ john-keats, @wisdomtrove 49:Literary men are . . . a perpetual priesthood. ~ john-keats, @wisdomtrove 50:Pensive they sit, and roll their languid eyes. ~ john-keats, @wisdomtrove 51:Thou art a dreaming thing, A fever of thyself. ~ john-keats, @wisdomtrove 52:The days of peace and slumberous calm are fled. ~ john-keats, @wisdomtrove 53:My imagination is a monastery and I am its monk. ~ john-keats, @wisdomtrove 54:for a life of Sensations rather than of Thoughts! ~ john-keats, @wisdomtrove 55:My love is selfish. I cannot breathe without you. ~ john-keats, @wisdomtrove 56:Nothing ever becomes real till it is experienced. ~ john-keats, @wisdomtrove 57:A man's life of any worth is a continual allegory. ~ john-keats, @wisdomtrove 58:But were there ever any Writhed not at passed joy? ~ john-keats, @wisdomtrove 59:Ever let thy Fancy roam, Pleasure never is at home ~ john-keats, @wisdomtrove 60:Failure is, in a sense, the highway to success... ~ john-keats, @wisdomtrove 61:Joy, whose hand is ever at his lips, bidding adieu ~ john-keats, @wisdomtrove 62:My chest of books divide amongst my friends& 63:The silver, snarling trumpets & 64:Works of genius are the first things in the world. ~ john-keats, @wisdomtrove 65:I have loved the principle of beauty in all things. ~ john-keats, @wisdomtrove 66:It keeps eternal whisperings around desolate shores ~ john-keats, @wisdomtrove 67:I would sooner fail than not be among the greatest. ~ john-keats, @wisdomtrove 68:The genius of Shakespeare was an innate university. ~ john-keats, @wisdomtrove 69:What the imagination seizes as beauty must be truth. ~ john-keats, @wisdomtrove 70:My friends should drink a dozen of Claret on my Tomb. ~ john-keats, @wisdomtrove 71:Where soil is, men grow, Whether to weeds or flowers. ~ john-keats, @wisdomtrove 72:Dancing music, music sad, Both together, sane and mad… ~ john-keats, @wisdomtrove 73:If something is not beautiful, it is probably not true. ~ john-keats, @wisdomtrove 74:Heard melodies are sweet, but those unheard are sweeter. ~ john-keats, @wisdomtrove 75:Many a time I have been half in love with easeful Death. ~ john-keats, @wisdomtrove 76:Soft closer of our eyes! Low murmur of tender lullabies! ~ john-keats, @wisdomtrove 77:And sure in language strange she said, / I love thee true. ~ john-keats, @wisdomtrove 78:I think I shall be among the English Poets after my death. ~ john-keats, @wisdomtrove 79:Pleasure is oft a visitant; but pain Clings cruelly to us. ~ john-keats, @wisdomtrove 80:Now a soft kiss - Aye, by that kiss, I vow an endless bliss. ~ john-keats, @wisdomtrove 81:Point me out the way / To any one particular beauteous star. ~ john-keats, @wisdomtrove 82:The creature has a purpose, and his eyes are bright with it. ~ john-keats, @wisdomtrove 83:Open afresh your rounds of starry folds, Ye ardent Marigolds. ~ john-keats, @wisdomtrove 84:I must choose between despair and Energy──I choose the latter. ~ john-keats, @wisdomtrove 85:Everything that reminds me of her goes through me like a spear. ~ john-keats, @wisdomtrove 86:On a lone winter evening, when the frost Has wrought a silence. ~ john-keats, @wisdomtrove 87:The grandeur of the dooms We have imagined for the mighty dead. ~ john-keats, @wisdomtrove 88:There is not a fiercer hell than the failure in a great object. ~ john-keats, @wisdomtrove 89:There is nothing stable in the world; uproar's your only music. ~ john-keats, @wisdomtrove 90:They swayed about upon a rocking horse, And thought it Pegasus. ~ john-keats, @wisdomtrove 91:Music's golden tongue Flatter'd to tears this aged man and poor. ~ john-keats, @wisdomtrove 92:So let me be thy choir, and make a moan Upon the midnight hours. ~ john-keats, @wisdomtrove 93:Sudden a thought came like a full-blown rose, Flushing his brow. ~ john-keats, @wisdomtrove 94:And shade the violets, That they may bind the moss in leafy nets. ~ john-keats, @wisdomtrove 95:I wish to believe in immortality-I wish to live with you forever. ~ john-keats, @wisdomtrove 96:Oh what can ail thee, knight-at-arms, Alone and palely loitering? ~ john-keats, @wisdomtrove 97:What shocks the virtuous philosopher, delights the chameleon poet. ~ john-keats, @wisdomtrove 98:You are always new, the last of your kisses was ever the sweetest. ~ john-keats, @wisdomtrove 99:A poet without love were a physical and metaphysical impossibility. ~ john-keats, @wisdomtrove 100:Don't be discouraged by a failure. It can be a positive experience. ~ john-keats, @wisdomtrove 101:I think we may class the lawyer in the natural history of monsters. ~ john-keats, @wisdomtrove 102:Let us open our leaves like a flower, and be passive and receptive. ~ john-keats, @wisdomtrove 103:There is an awful warmth about my heart like a load of immortality. ~ john-keats, @wisdomtrove 104:Thou, silent form, dost tease us out of thought As doth eternity... ~ john-keats, @wisdomtrove 105:I am sailing with thee through the dizzy sky! How beautiful thou art! ~ john-keats, @wisdomtrove 106:latest born and loveliest vision far of all Olympus' faded hierarchy. ~ john-keats, @wisdomtrove 107:Shakespeare led a life of allegory; his works are the comments on it. ~ john-keats, @wisdomtrove 108:Fanatics have their dreams, wherewith they weave a paradise for a sect. ~ john-keats, @wisdomtrove 109:I shall soon be laid in the quiet grave - thank God for the quiet grave ~ john-keats, @wisdomtrove 110:O, sorrow! Why dost borrow Heart's lightness from the merriment of May? ~ john-keats, @wisdomtrove 111:Conversation is not a search after knowledge, but an endeavor at effect. ~ john-keats, @wisdomtrove 112:Through buried paths, where sleepy twilight dreams The summer time away. ~ john-keats, @wisdomtrove 113:I have nothing to speak of but my self-and what can I say but what I feel ~ john-keats, @wisdomtrove 114:Some say the world is a vale of tears, I say it is a place of soul-making. ~ john-keats, @wisdomtrove 115:Already with thee! tender is the night. . . But here there is no light. . . ~ john-keats, @wisdomtrove 116:Many have original minds who do not think it - they are led away by custom! ~ john-keats, @wisdomtrove 117:Through the dancing poppies stole A breeze, most softly lulling to my soul. ~ john-keats, @wisdomtrove 118:What is there in thee, Moon! That thou should'st move My heart so potently? ~ john-keats, @wisdomtrove 119:for the gentleness of old Romance, the simple planning of a minstrel's song! ~ john-keats, @wisdomtrove 120:It ought to come like the leaves to the trees, or it better not come at all. ~ john-keats, @wisdomtrove 121:The imagination may be compared to Adam's dream-he awoke and found it truth. ~ john-keats, @wisdomtrove 122:I would jump down Etna for any public good - but I hate a mawkish popularity. ~ john-keats, @wisdomtrove 123:For axioms in philosophy are not axioms until they are proved upon our pulses. ~ john-keats, @wisdomtrove 124:Life is but a day: A fragile dewdrop on its perilious way From a tree's summit ~ john-keats, @wisdomtrove 125:Turn the key deftly in the oiled wards, And seal the hushed Casket of my Soul. ~ john-keats, @wisdomtrove 126:How beautiful, if sorrow had not made Sorrow more beautiful than Beauty's self. ~ john-keats, @wisdomtrove 127:was it a vision or a waking dream? Fled is that music& 128:When it is moving on luxurious wings, The soul is lost in pleasant smotherings. ~ john-keats, @wisdomtrove 129:You cannot conceive how I ache to be with you: how I would die for one hour... ~ john-keats, @wisdomtrove 130:Every mental pursuit takes its reality and worth from the ardour of the pursuer. ~ john-keats, @wisdomtrove 131:He ne'er is crowned with immortality Who fears to follow where airy voices lead. ~ john-keats, @wisdomtrove 132:His religion at best is an anxious wish,-like that of Rabelais, a great Perhaps. ~ john-keats, @wisdomtrove 133:Then felt I like some watcher of the skies when a new planet swims into his ken. ~ john-keats, @wisdomtrove 134:I Cannot Exist Without You. I Am Forgetful Of Everything But Seeing You Again... ~ john-keats, @wisdomtrove 135:I never can feel certain of any truth, but from a clear perception of its beauty. ~ john-keats, @wisdomtrove 136:How does the poet speak to men with power, but by being still more a man than they ~ john-keats, @wisdomtrove 137:I will imagine you Venus tonight and pray, pray, pray to your star like a Heathen. ~ john-keats, @wisdomtrove 138:They shall be accounted poet kings / Who simply tell the most heart-easing things. ~ john-keats, @wisdomtrove 139:A man should have the fine point of his soul taken off to become fit for this world. ~ john-keats, @wisdomtrove 140:Like a mermaid in sea-weed, she dreams awake, trembling in her soft and chilly nest. ~ john-keats, @wisdomtrove 141:A little noiseless noise among the leaves, Born of the very sigh that silence heaves. ~ john-keats, @wisdomtrove 142:Beauty is truth, truth beauty,-that is all Ye know on earth, and all ye need to know. ~ john-keats, @wisdomtrove 143:Love in a hut, with water and a crust, Is - Love, forgive us! - cinders, ashes, dust. ~ john-keats, @wisdomtrove 144:Much have I traveled in the realms of gold, and many goodly states and kingdoms seen. ~ john-keats, @wisdomtrove 145:Sweet are the pleasures that to verse belong, And doubly sweet a brotherhood in song. ~ john-keats, @wisdomtrove 146:When I have fears that I may cease to be, Before my pen has gleaned my teeming brain. ~ john-keats, @wisdomtrove 147:Four seasons fill the measure of the year; there are four seasons in the minds of men. ~ john-keats, @wisdomtrove 148:When I have fears that I may ceace to be, Before my pen has gleaned my teaming brain". ~ john-keats, @wisdomtrove 149:And when thou art weary I'll find thee a bed, Of mosses and flowers to pillow thy head. ~ john-keats, @wisdomtrove 150:Four seasons fill the measure of the year; / There are four seasons in the mind of man. ~ john-keats, @wisdomtrove 151:Happy is England, sweet her artless daughters; / Enough their simple loveliness for me. ~ john-keats, @wisdomtrove 152:I wish I was either in your arms full of faith, or that a Thunder bolt would strike me. ~ john-keats, @wisdomtrove 153:Real are the dreams of gods, and soothly pass their pleasures in a long immortal dream. ~ john-keats, @wisdomtrove 154:She press'd his hand in slumber; so once more He could not help but kiss her and adore. ~ john-keats, @wisdomtrove 155:The feel of not to feel it, When there is none to heal it Nor numbed sense to steel it. ~ john-keats, @wisdomtrove 156:But the rose leaves herself upon the brier, For winds to kiss and grateful bees to feed. ~ john-keats, @wisdomtrove 157:Health is the greatest of blessings - with health and hope we should be content to live. ~ john-keats, @wisdomtrove 158:I am in that temper that if I were under water I would scarcely kick to come to the top. ~ john-keats, @wisdomtrove 159:My heart aches, and a drowsy numbness pains/ My sense, as though of hemlock I had drunk. ~ john-keats, @wisdomtrove 160:The redbreast whistles from a garden-croft; and gathering swallows twitter in the skies. ~ john-keats, @wisdomtrove 161:But let me see thee stoop from heaven on wings That fill the sky with silver glitterings! ~ john-keats, @wisdomtrove 162:Its better to lose your ego to the One you Love than to lose the One you Love to your Ego ~ john-keats, @wisdomtrove 163:The roaring of the wind is my wife and the stars through the window pane are my children. ~ john-keats, @wisdomtrove 164:Whatever the imagination seizes as Beauty must be truth -whether it existed before or not ~ john-keats, @wisdomtrove 165:... yes, in spite of all, Some shape of beauty moves away the pall From out dark spirits. ~ john-keats, @wisdomtrove 166:Dry your eyes O dry your eyes, For I was taught in Paradise To ease my breast of melodies. ~ john-keats, @wisdomtrove 167:O, for a draught of vintage! that hath been Cooled a long age in the deep-delvid earth... ~ john-keats, @wisdomtrove 168:Real are the dreams of Gods, and smoothly pass / Their pleasures in a long immortal dream. ~ john-keats, @wisdomtrove 169:She hurried at his words, beset with fears, For there were sleeping dragons all around... ~ john-keats, @wisdomtrove 170:Tall oaks branch charmed by the earnest stars Dream and so dream all night without a stir. ~ john-keats, @wisdomtrove 171:Their woes gone by, and both to heaven upflown, To bow for gratitude before Jove's throne. ~ john-keats, @wisdomtrove 172:You have absorb'd me. I have a sensation at the present moment as though I was dissolving. ~ john-keats, @wisdomtrove 173:I never was in love - yet the voice and the shape of a woman has haunted me these two days. ~ john-keats, @wisdomtrove 174:The excellency of every art is its intensity, capable of making all disagreeable evaporate. ~ john-keats, @wisdomtrove 175:Where the nightingale doth sing Not a senseless, tranced thing, But divine melodious truth. ~ john-keats, @wisdomtrove 176:I love you the more in that I believe you had liked me for my own sake and for nothing else. ~ john-keats, @wisdomtrove 177:Neither poetry, nor ambition, nor love have any alertness of countenance as they pass by me. ~ john-keats, @wisdomtrove 178:Touch has a memory. O say, love say, What can I do to kill it and be free In my old liberty? ~ john-keats, @wisdomtrove 179:Even bees, the little almsmen of spring bowers, know there is richest juice in poison-flowers. ~ john-keats, @wisdomtrove 180:Where are the songs of Spring? Aye, where are they? Think not of them; thou has thy music too. ~ john-keats, @wisdomtrove 181:& 182:Every fresh experience points out some form of error which we shall afterwards carefully avoid. ~ john-keats, @wisdomtrove 183:To bear all naked truths, And to envisage circumstance, all calm, That is the top of sovereignty ~ john-keats, @wisdomtrove 184:Where are the songs of Spring? Ay, where are they? / Think not of them, thou hast thy music too, ~ john-keats, @wisdomtrove 185:He who saddens at thought of idleness cannot be idle, / And he's awake who thinks himself asleep. ~ john-keats, @wisdomtrove 186:His old right hand lay nerveless, listless, dead, Unsceptred; and his realmless eyes were closed; ~ john-keats, @wisdomtrove 187:I am certain of nothing but the holiness of the heart's affections, and the truth of imagination. ~ john-keats, @wisdomtrove 188:We have woven a web, you and I, attached to this world but a separate world of our own invention. ~ john-keats, @wisdomtrove 189:A thing of beauty is a joy forever: its loveliness increases; it will never pass into nothingness. ~ john-keats, @wisdomtrove 190:Land and sea, weakness and decline are great separators, but death is the great divorcer for ever. ~ john-keats, @wisdomtrove 191:Call the world if you please "the vale of soul-making." Then you will find out the use of the world. ~ john-keats, @wisdomtrove 192:We read fine things but never feel them to the full until we have gone the same steps as the author. ~ john-keats, @wisdomtrove 193:I don't need the stars in the night I found my treasure All I need is you by my side so shine forever ~ john-keats, @wisdomtrove 194:In a drear-nighted December, Too happy, happy tree, Thy branches ne'er remember Their green felicity. ~ john-keats, @wisdomtrove 195:I could be martyred for my religion. Love is my religion and I could die for that. I could die for you. ~ john-keats, @wisdomtrove 196:I have a habitual feeling of my real life having past, and that I am now leading a posthumous existence. ~ john-keats, @wisdomtrove 197:It appears to me that almost any man may like the spider spin from his own inwards his own airy citadel. ~ john-keats, @wisdomtrove 198:You might curb your magnanimity, and be more of an artist, and load every rift of your subject with ore. ~ john-keats, @wisdomtrove 199:soft embalmer of the still midnight, / Shutting, with careful fingers and benign / Our gloom-pleased eyes. ~ john-keats, @wisdomtrove 200:Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul? ~ john-keats, @wisdomtrove 201:I am convinced more and more day by day that fine writing is next to fine doing, the top thing in the world. ~ john-keats, @wisdomtrove 202:I have good reason to be content, for thank God I can read and perhaps understand Shakespeare to his depths. ~ john-keats, @wisdomtrove 203:Nothing ever becomes real till experienced – even a proverb is no proverb until your life has illustrated it ~ john-keats, @wisdomtrove 204:I have met with women whom I really think would like to be married to a Poem and to be given away by a Novel. ~ john-keats, @wisdomtrove 205:Can death be sleep, when life is but a dream, And scenes of bliss pass as a phantom by? - & 206:I see a lily on thy brow, With anguish moist and fever dew; And on thy cheek a fading rose Fast withereth too. ~ john-keats, @wisdomtrove 207:magic sleep! O comfortable bird, That broodest o'er the troubled sea of the mind Till it is hush'd and smooth! ~ john-keats, @wisdomtrove 208:Parting they seemed to tread upon the air, Twin roses by the zephyr blown apart Only to meet again more close. ~ john-keats, @wisdomtrove 209:Nothing is finer for the purposes of great productions than a very gradual ripening of the intellectual powers. ~ john-keats, @wisdomtrove 210:one of the most mysterious of semi-speculations is, one would suppose, that of one Mind's imagining into another ~ john-keats, @wisdomtrove 211:Give me books, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know. ~ john-keats, @wisdomtrove 212:Severn - I - lift me up - I am dying - I shall die easy; don't be frightened - be firm, and thank God it has come. ~ john-keats, @wisdomtrove 213:With a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration. ~ john-keats, @wisdomtrove 214:I do think better of womankind than to suppose they care whether Mister John Keats five feet high likes them or not. ~ john-keats, @wisdomtrove 215:No one can usurp the heights... But those to whom the miseries of the world Are misery, and will not let them rest. ~ john-keats, @wisdomtrove 216:for ten years, that I may overwhelm / Myself in poesy; so I may do the deed / That my own soul has to itself decreed. ~ john-keats, @wisdomtrove 217:Poetry should... should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance. ~ john-keats, @wisdomtrove 218:There is an old saying "well begun is half done"-'tis a bad one. I would use instead-Not begun at all 'til half done. ~ john-keats, @wisdomtrove 219:The Public - a thing I cannot help looking upon as an enemy, and which I cannot address without feelings of hostility. ~ john-keats, @wisdomtrove 220:A drainless shower Of light is poesy: 'tis the supreme of power; & 221:A drainless shower / Of light is poesy; 'tis the supreme power; / & 222:Bards of Passion and of Mirth, Ye have left your souls on earth! Have ye souls in heaven too, Double-lived in regions new? ~ john-keats, @wisdomtrove 223:Is there another Life? Shall I awake and find all this a dream? There must be we cannot be created for this sort of suffering. ~ john-keats, @wisdomtrove 224:Failure is in a sense the highway to success, as each discovery of what is false leads us to seek earnestly after what is true. ~ john-keats, @wisdomtrove 225:Blessed is the healthy nature; it is the coherent, sweetly co-operative, not incoherent, self-distracting, self-destructive one! ~ john-keats, @wisdomtrove 226:So rainbow-sided, touch'd with miseries, She seem'd, at once, some penanced lady elf, Some demon's mistress, or the demon's self. ~ john-keats, @wisdomtrove 227:All breathing human passion far above, / That leaves a heart high-sorrowful and cloyed,/ A burning forehead and a parching tongue. ~ john-keats, @wisdomtrove 228:A long poem is a test of invention which I take to be the Polar star of poetry, as fancy is the sails, and imagination the rudder. ~ john-keats, @wisdomtrove 229:I equally dislike the favor of the public with the love of a woman - they are both a cloying treacle to the wings of independence. ~ john-keats, @wisdomtrove 230:I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet. ~ john-keats, @wisdomtrove 231:The world is too brutal for me-I am glad there is such a thing as the grave-I am sure I shall never have any rest till I get there. ~ john-keats, @wisdomtrove 232:Why employ intelligent and highly paid ambassadors and then go and do their work for them? You don't buy a canary and sing yourself. ~ john-keats, @wisdomtrove 233:You are always new. The last of your kisses was even the sweetest; the last smile the brightest; the last movement the gracefullest. ~ john-keats, @wisdomtrove 234:I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried- "La Belle Dame sans Merci Hath thee in thrall! ~ john-keats, @wisdomtrove 235:It is a flaw In happiness to see beyond our bourn, - It forces us in summer skies to mourn, It spoils the singing of the nightingale. ~ john-keats, @wisdomtrove 236:Or thou might'st better listen to the wind, Whose language is to thee a barren noise, Though it blows legend-laden through the trees. ~ john-keats, @wisdomtrove 237:So, when dark thoughts my boding spirit shroud, Sweet Hope! celestial influence round me shed Waving thy silver pinions o'er my head. ~ john-keats, @wisdomtrove 238:Praise or blame has but a momentary effect on the man whose love of beauty in the abstract makes him a severe critic on his own works. ~ john-keats, @wisdomtrove 239:Who would wish to be among the commonplace crowd of the little famous - who are each individually lost in a throng made up of themselves? ~ john-keats, @wisdomtrove 240:Philosophy will clip an angel's wings, Conquer all mysteries by rule and line, Empty the haunted air, and gnomed mine - Unweave a rainbow. ~ john-keats, @wisdomtrove 241:A poet is the most unpoetical of anything in existence; because he has no identity he is continually informing and filling some other body. ~ john-keats, @wisdomtrove 242:It is a flaw / In happiness to see beyond our bourn, - / It forces us in summer skies to mourn, / It spoils the singing of the nightingale. ~ john-keats, @wisdomtrove 243:The only means of strengthening one's intellect is to make up one's mind about nothing, to let the mind be a thoroughfare for all thoughts. ~ john-keats, @wisdomtrove 244:A man's life of any worth is a continual allegory, and very few eyes can see the mystery of his life, a life like the scriptures, figurative. ~ john-keats, @wisdomtrove 245:I compare human life to a large mansion of many apartments, two of which I can only describe, the doors of the rest being as yet shut upon me. ~ john-keats, @wisdomtrove 246:Shed no tear - O, shed no tear! The flower will bloom another year. Weep no more - O, weep no more! Young buds sleep in the root's white core. ~ john-keats, @wisdomtrove 247:Though a quarrel in the streets is a thing to be hated, the energies displayed in it are fine; the commonest man shows a grace in his quarrel. ~ john-keats, @wisdomtrove 248:To the very last, he [Napoleon] had a kind of idea; that, namely, of la carrière ouverte aux talents, - the tools to him that can handle them. ~ john-keats, @wisdomtrove 249:And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in! ~ john-keats, @wisdomtrove 250:I love your hills and I love your dales, And I love your flocks a-bleating; but oh, on the heather to lie together, With both our hearts a-beating! ~ john-keats, @wisdomtrove 251:Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject. ~ john-keats, @wisdomtrove 252:I came to feel how far above All fancy, pride, and fickle maidenhood, All earthly pleasure, all imagined good, Was the warm tremble of a devout kiss. ~ john-keats, @wisdomtrove 253:I have two luxuries to brood over in my walks, your loveliness and the hour of my death. O that I could have possession of them both in the same minute. ~ john-keats, @wisdomtrove 254:To Sorrow I bade good-morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly: She is so constant to me, and so kind. ~ john-keats, @wisdomtrove 255:You speak of Lord Byron and me; there is this great difference between us. He describes what he sees I describe what I imagine. Mine is the hardest task. ~ john-keats, @wisdomtrove 256:I will give you a definition of a proud man: he is a man who has neither vanity nor wisdom one filled with hatreds cannot be vain, neither can he be wise. ~ john-keats, @wisdomtrove 257:The excellence of every art is its intensity, capable of making all disagreeables evaporate, from their being in close relationship with beauty and truth. ~ john-keats, @wisdomtrove 258:Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. ~ john-keats, @wisdomtrove 259:fret not after knowledge - I have none, and yet my song comes native with the warmth. O fret not after knowledge - I have none, and yet the Evening listens. ~ john-keats, @wisdomtrove 260:An extensive knowledge is needful to thinking people-it takes away the heat and fever; and helps, by widening speculation, to ease the burden of the mystery. ~ john-keats, @wisdomtrove 261:I should write for the mere yearning and fondness I have for the beautiful, even if my night's labors should be burnt every morning and no eye shine upon them. ~ john-keats, @wisdomtrove 262:It can be said of him, when he departed he took a Man's life with him. No sounder piece of British manhood was put together in that eighteenth century of Time. ~ john-keats, @wisdomtrove 263:... all my clear-eyed fish, Golden, or rainbow-sided, or purplish, Vermilion-tail'd, or finn'd with silvery gauze... My charming rod, my potent river spells... ~ john-keats, @wisdomtrove 264:... feeling well that breathed words Would all be lost, unheard, and vain as swords Against the enchased crocodile, or leaps Of grasshoppers against the sun... ~ john-keats, @wisdomtrove 265:To feel forever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever-or else swoon in death. ~ john-keats, @wisdomtrove 266:No stir of air was there, Not so much life as on a summer's day Robs not one light seed from the feather'd grass, But where the dead leaf fell, there did it rest. ~ john-keats, @wisdomtrove 267:To set budding more, / And still more, later flowers for the bees, / Until they think warm days will never cease, / For summer has o'erbrimmed their clammy cells. ~ john-keats, @wisdomtrove 268:& 269:Ay, on the shores of darkness there is a light, and precipices show untrodden green; there is a budding morrow in midnight; there is triple sight in blindness keen. ~ john-keats, @wisdomtrove 270:No, no, I'm sure, My restless spirit never could endure To brood so long upon one luxury, Unless it did, though fearfully, espy A hope beyond the shadow of a dream. ~ john-keats, @wisdomtrove 271:To one who has been long in city pent, ’Tis very sweet to look into the fair And open face of heaven, — to breathe a prayer Full in the smile of the blue firmament. ~ john-keats, @wisdomtrove 272:There's a blush for won't, and a blush for shan't, and a blush for having done it: There's a blush for thought and a blush for naught, and a blush for just begun it. ~ john-keats, @wisdomtrove 273:There was an awful rainbow once in heaven: We know her woof, her texture; she is given In the dull catalogue of common things. Philosophy will clip an angel's wings. ~ john-keats, @wisdomtrove 274:Poetry should surprise by a fine excess and not by singularity, it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance. ~ john-keats, @wisdomtrove 275:I almost wish we were butterflies and liv'd but three summer days - three such days with you I could fill with more delight than fifty common years could ever contain. ~ john-keats, @wisdomtrove 276:In the long vista of the years to roll, Let me not see my country's honor fade; Oh! let me see our land retain its soul! Her pride in Freedom, and not Freedom's shade. ~ john-keats, @wisdomtrove 277:... the open sky sits upon our senses like a sapphire crown - the Air is our robe of state - the Earth is our throne, and the Sea a mighty minstrel playing before it. ~ john-keats, @wisdomtrove 278:Thou wast not born for death, immortal bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown. ~ john-keats, @wisdomtrove 279:The poetry of earth is never dead When all the birds are faint with the hot sun, And hide I cooling trees, a voice will run From hedge to hedge about the new-mown mead. ~ john-keats, @wisdomtrove 280:God of the golden bow, / And of the golden lyre, / And of the golden hair, / And of the golden fire, / Charioteer / Of the patient year, / Where - where slept thine ire? ~ john-keats, @wisdomtrove 281:I wish you could invent some means to make me at all happy without you. Every hour I am more and more concentrated in you; everything else tastes like chaff in my mouth. ~ john-keats, @wisdomtrove 282:I find that I can have no enjoyment in the world but the continual drinking of knowledge. I find there is no worthy pursuit but the idea of doing some good for the world. ~ john-keats, @wisdomtrove 283:The uttered part of a man's life, let us always repeat, bears to the unuttered, unconscious part a small unknown proportion. He himself never knows it, much less do others. ~ john-keats, @wisdomtrove 284:I had a dove and the sweet dove died; And I have thought it died of grieving: O, what could it grieve for? Its feet were tied, With a silken thread of my own hands' weaving. ~ john-keats, @wisdomtrove 285:Here are sweet peas, on tiptoe for a flight; With wings of gentle flush o'er delicate white, And taper fingers catching at all things, To bind them all about with tiny rings. ~ john-keats, @wisdomtrove 286:When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance... ~ john-keats, @wisdomtrove 287:Young playmates of the rose and daffodil, Be careful ere ye enter in, to fill Your baskets high With fennel green, and balm, and golden pines Savory latter-mint, and columbines. ~ john-keats, @wisdomtrove 288:Bright star, would I were steadfast as thou art& 289:... for, by all the stars That tend thy bidding, I do think the bars That kept my spirit in are burst - that I Am sailing with thee through the dizzy sky! How beautiful thou art! ~ john-keats, @wisdomtrove 290:Are there not thousands in the world who love their fellows even to the death, who feel the giant agony of the world, and more, like slaves to poor humanity, labor for mortal good? ~ john-keats, @wisdomtrove 291:No sooner had I stepp'd into these pleasures Than I began to think of rhymes and measures: The air that floated by me seem'd to say & 292:Souls of poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern? Have ye tippled drink more fine Than mine host's Canary wine? ~ john-keats, @wisdomtrove 293:Stop and consider! life is but a day; A fragile dew-drop on its perilous way From a tree's summit; a poor Indian's sleep While his boat hastens to the monstrous steep Of Montmorenci ~ john-keats, @wisdomtrove 294:Give me women, wine and snuff Until I cry out & 295:Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably ~ john-keats, @wisdomtrove 296:The opinion I have of the generality of women& 297:I have been astonished that men could die martyrs for religion - I have shuddered at it. I shudder no more - I could be martyred for my religion - Love is my religion - I could die for that. ~ john-keats, @wisdomtrove 298:I have had a thousand kisses, for which with my whole soul I thank love—but if you should deny me the thousand and first—‘t would put me to the proof how great a misery I could live through. ~ john-keats, @wisdomtrove 299:The genius of poetry must work out its own salvation in a man; it cannot be matured by law and precept, but by sensation and watchfulness in itself. That which is creative must create itself. ~ john-keats, @wisdomtrove 300:As the Swiss inscription says: Sprechen ist silbern, Schweigen ist golden,- "Speech is silvern, Silence is golden;" or, as I might rather express it, Speech is of Time, Silence is of Eternity. ~ john-keats, @wisdomtrove 301:Dance and Provencal song and sunburnt mirth! On for a beaker full of the warm South, Full of the true, the blushful Hippocrene! With beaded bubbles winking at the brim, And purple-stained mouth. ~ john-keats, @wisdomtrove 302:My spirit is too weak& 303:Wherein lies happiness? In that which becks Our ready minds to fellowship divine, A fellowship with essence; till we shine, Full alchemiz’d, and free of space. Behold The clear religion of heaven! ~ john-keats, @wisdomtrove 304:We have oftener than once endeavoured to attach some meaning to that aphorism, vulgarly imputed to Shaftesbury, which however we can find nowhere in his works, that "ridicule is the test of truth." ~ john-keats, @wisdomtrove 305:What occasions the greater part of the world's quarrels? Simply this: Two minds meet and do not understand each other in time enough to prevent any shock of surprise at the conduct of either party. ~ john-keats, @wisdomtrove 306:Closer of lovely eyes to lovely dreams, Lover of loneliness, and wandering, Of upcast eye, and tender pondering! Thee must I praise above all other glories That smile us on to tell delightful stories. ~ john-keats, @wisdomtrove 307:How sad it is when a luxurious imagination is obliged in self defense to deaden its delicacy in vulgarity, and riot in things attainable that it may not have leisure to go mad after things that are not. ~ john-keats, @wisdomtrove 308:I shall soon be laid in the quiet grave& 309:When the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose. ~ john-keats, @wisdomtrove 310:Through the sad heart of Ruth, when sick for home She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. ~ john-keats, @wisdomtrove 311:A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. ~ john-keats, @wisdomtrove 312:Deep in the shady sadness of a vale Far sunken from the healthy breath of morn, Far from the fiery noon and eve's one star, Sat gray-haired Saturn, quiet as a stone, Still as the silence round about his lair. ~ john-keats, @wisdomtrove 313:In a drear-nighted December, Too happy, happy brook, Thy bubblings ne'er remember Apollo's summer look; But with a sweet forgetting, They stay their crystal fretting, Never, never petting About the frozen time. ~ john-keats, @wisdomtrove 314:... Who alive can say & 315:We must repeat the often repeated saying, that it is unworthy a religious man to view an irreligious one either with alarm or aversion, or with any other feeling than regret and hope and brotherly commiseration. ~ john-keats, @wisdomtrove 316:Let us away, my love, with happy speed; There are no ears to hear, or eyes to see, - Drown'd all in Rhenish and the sleepy mead. Awake! arise! my love and fearless be, For o'er the southern moors I have a home for thee. ~ john-keats, @wisdomtrove 317:If I should die, I have left no immortal work behind me — nothing to make my friends proud of my memory — but I have loved the principle of beauty in all things, and if I had had time I would have made myself remembered. ~ john-keats, @wisdomtrove 318:When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," - that is all Ye know on earth, and all ye need to know. ~ john-keats, @wisdomtrove 319:There is an electric fire in human nature tending to purify - so that among these human creatures there is continually some birth of new heroism. The pity is that we must wonder at it, as we should at finding a pearl in rubbish. ~ john-keats, @wisdomtrove 320:... I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice. ~ john-keats, @wisdomtrove 321:Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:& 322:This Grave contains all that was Mortal of a Young English Poet Who on his Death Bed in the Bitterness of his Heart at the Malicious Power of his Enemies Desired these words to be engraved on his Tomb Stone "Here lies One Whose Name was writ in Water." ~ john-keats, @wisdomtrove 323:let me lead her gently o'er the brook, Watch her half-smiling lips and downward look; O let me for one moment touch her wrist; Let me one moment to her breathing list; And as she leaves me, may she often turn Her fair eyes looking through her locks auburne. ~ john-keats, @wisdomtrove 324:Talking of Pleasure, this moment I was writing with one hand, and with the other holding to my Mouth a Nectarine - how good how fine. It went down all pulpy, slushy, oozy, all its delicious embonpoint melted down my throat like a large, beatified Strawberry. ~ john-keats, @wisdomtrove 325:The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness. ~ john-keats, @wisdomtrove 326:I have been astonished that men could die martyrs for their religion& 327:Sometimes goldfinches one by one will drop From low hung branches; little space they stop; But sip, and twitter, and their feathers sleek; Then off at once, as in a wanton freak: Or perhaps, to show their black, and golden wings Pausing upon their yellow flutterings. ~ john-keats, @wisdomtrove 328:Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chase him away, sweet Hope, with visage bright, And fright him as the morning frightens night! ~ john-keats, @wisdomtrove 329:To Hope "When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my & 330:I scarcely remember counting upon happiness—I look not for it if it be not in the present hour—nothing startles me beyond the moment. The setting sun will always set me to rights, or if a sparrow come before my Window I take part in its existence and pick about the gravel. ~ john-keats, @wisdomtrove 331:I never knew before, what such a love as you have made me feel, was; I did not believe in it; my Fancy was afraid of it, lest it should burn me up. But if you will fully love me, though there may be some fire, 'twill not be more than we can bear when moistened and bedewed with Pleasures. ~ john-keats, @wisdomtrove 332:I stood tip-toe upon a little hill, The air was cooling, and so very still, That the sweet buds which with a modest pride Pull droopingly, in slanting curve aside, Their scantly leaved, and finely tapering stems, Had not yet lost those starry diadems Caught from the early sobbing of the morn. ~ john-keats, @wisdomtrove 333:it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason. ~ john-keats, @wisdomtrove 334:A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore; it’s to be in the lake, to luxuriate in the sensation of water. You do not work the lake out. It is an experience beyond thought. Poetry soothes and emboldens the soul to accept mystery. ~ john-keats, @wisdomtrove 335:Knowledge enormous makes a God of me. Names, deeds, gray legends, dire events, rebellions, Majesties, sovran voices, agonies, Creations and destroyings, all at once Pour into the wide hollows of my brain, And deify me, as if some blithe wine Or bright elixir peerless I had drunk, And so become immortal. ~ john-keats, @wisdomtrove 336:Don't be discouraged by a failure. It can be a positive experience. Failure is, in a sense, the highway to success, inasmuch as every discovery of what is false leads us to seek earnestly after what is true, and every fresh experience points out some form of error which we shall afterwards carefully avoid. ~ john-keats, @wisdomtrove 337:I myself am pursuing the same instinctive course as the veriest human animal you can think of I am, however young, writing at random straining at particles of light in the midst of a great darkness without knowing the bearing of any one assertion, of any one opinion. Yet may I not in this be free from sin? ~ john-keats, @wisdomtrove 338:He, who is gone, was one of the very kindest friends I possessed, and yet he was not kinder perhaps to me, than to others. His intense mind and powerful feelings would, I truly believe, have done the world some service, had his life been spared but he was of too sensitive a nature and thus he was destroyed! ~ john-keats, @wisdomtrove 339:Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers. ~ john-keats, @wisdomtrove 340:Darkling I listen; and, for many a time I have been half in love with easeful Death, Called him soft names in many a muse' d rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! ~ john-keats, @wisdomtrove 341:My mind has been the most discontented and restless one that ever was put into a body too small for it... . I never felt my mind repose upon anything with complete and undistracted enjoyment- upon no person but you. When you are in the room my thoughts never fly out of window: you always concentrate my whole senses ~ john-keats, @wisdomtrove 342:I am certain I have not a right feeling towards women - at this moment I am striving to be just to them, but I cannot. Is it because they fall so far beneath my boyish imagination? When I was a schoolboy I thought a fair woman a pure Goddess; my mind was a soft nest in which some one of them slept, though she knew it not. ~ john-keats, @wisdomtrove 343:Give me books, fruit, French wine and fine weather and a little music out of doors, played by someone I do not know. I admire lolling on a lawn by a water-lilied pond to eat white currants and see goldfish: and go to the fair in the evening if I'm good. There is not hope for that -one is sure to get into some mess before evening. ~ john-keats, @wisdomtrove 344:You are always new. THe last of your kisses was ever the sweetest; the last smile the brightest; the last movement the gracefullest. When you pass'd my window home yesterday, I was fill'd with as much admiration as if I had then seen you for the first time... Even if you did not love me I could not help an entire devotion to you. ~ john-keats, @wisdomtrove 345:This living hand, now warm and capable Of earnest grasping, would, if it were cold And in the icy silence of the tomb, So haunt thy days and chill thy dreaming nights That thou would wish thine own heart dry of blood, So in my veins red life might stream again, And thou be conscience-calm'd. See, here it is& 346:Who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet? ~ john-keats, @wisdomtrove 347:How astonishingly does the chance of leaving the world improve a sense of its natural beauties upon us. Like poor Falstaff, although I do not & 348:Solitude! if I must with thee dwell, Let it not be among the jumbled heap Of murky buildings: climb with me the steep,& 349:Let us not go hurrying about and collecting honey, bee-like buzzing here and there for a knowledge of what is not to be arrived at, but let us open our leaves like a flower, and be passive and receptive, budding patiently under the eye of Apollo, and taking hints from every noble insect that favours us with a visit - sap will be given us for meat and dew for drink. ~ john-keats, @wisdomtrove 350:Nor do we merely feel these essences for one short hour no, even as these trees that whisper round a temple become soon dear as the temples self, so does the moon, the passion posey, glories infinite, Haunt us till they become a cheering light unto our souls and bound to us so fast, that wheather there be shine, or gloom o'er cast, They always must be with us, or we die. ~ john-keats, @wisdomtrove 351:Though the most beautiful creature were waiting for me at the end of a journey or a walk; though the carpet were of silk, the curtains of the morning clouds; the chairs and sofa stuffed with cygnet's down; the food manna, the wine beyond claret, the window opening on Winander Mere, I should not feel -or rather my happiness would not be so fine, as my solitude is sublime. ~ john-keats, @wisdomtrove 352:I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—“La Belle Dame sans Merci Hath thee in thrall!” XI. I saw their starved lips in the gloam, With horrid warning gaped wide, And I awoke and found me here, On the cold hill’s side. XII. And this is why I sojourn here, Alone and palely loitering, Though the sedge is wither’d from the lake, And no birds sing. ~ john-keats, @wisdomtrove 353:Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. ~ john-keats, @wisdomtrove 354:We hate poetry that has a palpable design upon us - and if we do not agree, seems to put its hand in its breeches pocket. Poetry should be great & unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself but with its subject. - How beautiful are the retired flowers! how would they lose their beauty were they to throng into the highway crying out, "admire me I am a violet! dote upon me I am a primrose!" ~ john-keats, @wisdomtrove 355:Heard melodies are sweet, but those unheard Are sweeter: therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone. Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! ~ john-keats, @wisdomtrove 356:For Poesy alone can tell her dreams, With the fine spell of words alone can save Imagination from the sable charm And dumb enchantment. Who alive can say, ‘Thou art no Poet may’st not tell thy dreams?’ Since every man whose soul is not a clod Hath visions, and would speak, if he had loved And been well nurtured in his mother tongue. Whether the dream now purpos’d to rehearse Be poet’s or fanatic’s will be known When this warm scribe my hand is in the grave. ~ john-keats, @wisdomtrove 357:Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair. ~ john-keats, @wisdomtrove 358:Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells. ~ john-keats, @wisdomtrove 359:I cannot exist without you - I am forgetful of every thing but seeing you again - my Life seems to stop there - I see no further. You have absorb'd me. I have a sensation at the present moment as though I were dissolving... I have been astonished that Men could die Martyrs for religion - I have shudder'd at it - I shudder no more - I could be martyr'd for my Religion - Love is my religion - I could die for that - I could die for you. My creed is Love and you are its only tenet - You have ravish'd me away by a Power I cannot resist. ~ john-keats, @wisdomtrove 360:How I like claret!... It fills one's mouth with a gushing freshness, then goes down to cool and feverless; then, you do not feel it quarrelling with one's liver. No; 'tis rather a peace-maker, and lies as quiet as it did in the grape. Then it is as fragrant as the Queen Bee, and the more ethereal part mounts into the brain, not assaulting the cerebral apartments, like a bully looking for his trull, and hurrying from door to door, bouncing against the wainscott, but rather walks like Aladdin about his enchanted palace, so gently that you do not feel his step. ~ john-keats, @wisdomtrove 361:Four Seasons fill the measure of the year; There are four seasons in the mind of man: He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honey'd cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness—to let fair things Pass by unheeded as a threshold brook. He has his Winter too of pale misfeature, Or else he would forego his mortal nature. ~ john-keats, @wisdomtrove 362:Ghosts of melodious prophesyings rave Round every spot where trod Apollo's foot; Bronze clarions awake, and faintly bruit, Where long ago a giant battle was; And, from the turf, a lullaby doth pass In every place where infant Orpheus slept. Feel we these things? - that moment have we stept Into a sort of oneness, and our state Is like a floating spirit's. But there are Richer entanglements, enthralments far More self-destroying, leading, by degrees, To the chief intensity: the crown of these Is made of love and friendship, and sits high Upon the forehead of humanity. ~ john-keats, @wisdomtrove 363:My passions are all asleep from my having slumbered till nearly eleven and weakened the animal fiber all over me to a delightful sensation about three degrees on this sight of faintness - if I had teeth of pearl and the breath of lilies I should call it languor - but as I am I must call it laziness. In this state of effeminacy the fibers of the brain are relaxed in common with the rest of the body, and to such a happy degree that pleasure has no show of enticement and pain no unbearable frown. Neither poetry, nor ambition, nor love have any alertness of countenance as they pass by me. ~ john-keats, @wisdomtrove 364:When I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high-piled books, in charactery, Hold like rich garners the full ripen'd grain; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour, That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love;& 365:Bright star, would I were stedfast as thou art - Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors - No - yet still stedfast, still unchangeable, Pillowed upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever - or else swoon in death. ~ john-keats, @wisdomtrove *** NEWFULLDB 2.4M ***
1:Who, of men, can tell ~ John Keats, #NFDB
2:Time, that aged nurse, ~ John Keats, #NFDB
3:The air is all softness. ~ John Keats, #NFDB
4:I’ll feel my heaven anew, ~ John Keats, #NFDB
5:Load every rift with ore. ~ John Keats, #NFDB
6:You are always new to me. ~ John Keats, #NFDB
7:Death is Life's high meed. ~ John Keats, #NFDB
8:I’ll tell you how to burn, ~ John Keats, #NFDB
9:I came to feel how far above ~ John Keats, #NFDB
10:Asleep in lap of legends old. ~ John Keats, #NFDB
11:Beauty is truth, truth beauty ~ John Keats, #NFDB
12:Give me women, wine and snuff ~ John Keats, #NFDB
13:Health is my expected heaven. ~ John Keats, #NFDB
14:I always made an awkward bow. ~ John Keats, #NFDB
15:Souls of poets dead and gone, ~ John Keats, #NFDB
16:To stay youthful, stay useful. ~ John Keats, #NFDB
17:I burn'd
And ached for wings ~ John Keats,#NFDB
18:No one can usurp the heights... ~ John Keats, #NFDB
19:All writing is a form of prayer. ~ John Keats, #NFDB
20:Shed no tear - O, shed no tear! ~ John Keats, #NFDB
21:'Tis the witching hour of night, ~ John Keats, #NFDB
22:Wine is only sweet to happy men. ~ John Keats, #NFDB
23:I have so much of you in my heart ~ John Keats, #NFDB
24:I have so much of you in my heart. ~ John Keats, #NFDB
25:I want a brighter word than bright ~ John Keats, #NFDB
26:That queen of secrecy, the violet. ~ John Keats, #NFDB
27:A thing of beauty is a joy forever. ~ John Keats, #NFDB
28:To silence gossip, don't repeat it. ~ John Keats, #NFDB
29:A hope beyond the shadow of a dream. ~ John Keats, #NFDB
30:I find I cannot exist without Poetry ~ John Keats, #NFDB
31:Stop and consider! life is but a day ~ John Keats, #NFDB
32:Ghosts of melodious prophesyings rave ~ John Keats, #NFDB
33:Knowledge enormous makes a God of me. ~ John Keats, #NFDB
34:Knowledge enormous makes a god of me. ~ John Keats, #NFDB
35:Touch has a memory. O say, love say, ~ John Keats, #NFDB
36:Upon the honey’d middle of the night, ~ John Keats, #NFDB
37:Love in a hut, with water and a crust, ~ John Keats, #NFDB
38:O aching time! O moments big as years! ~ John Keats, #NFDB
39:Philosophy will clip an angel's wings. ~ John Keats, #NFDB
40:The poetry of the earth is never dead. ~ John Keats, #NFDB
41:There is a budding morrow in midnight. ~ John Keats, #NFDB
42:A quote about drinking is a joy forever ~ John Keats, #NFDB
43:Hear ye not the hum Of mighty workings? ~ John Keats, #NFDB
44:I can feel the daisies growing over me. ~ John Keats, #NFDB
45:Season of mists and mellow fruitfulness ~ John Keats, #NFDB
46:Love is my religion--I could die for it. ~ John Keats, #NFDB
47:There is a budding tomorrow in midnight. ~ John Keats, #NFDB
48:Alas! when passion is both meek and wild! ~ John Keats, #NFDB
49:Fast fading violets cover'd up in leaves; ~ John Keats, #NFDB
50:La Belle Dame Sans Merci ORIGINAL VERSION ~ John Keats, #NFDB
51:Love is my religion - I could die for it. ~ John Keats, #NFDB
52:Beauty is truth, truth beauty,-that is all ~ John Keats, #NFDB
53:Fade far away, dissolve, and quite forget. ~ John Keats, #NFDB
54:Parting they seemed to tread upon the air, ~ John Keats, #NFDB
55:Scenery is fine -but human nature is finer ~ John Keats, #NFDB
56:That which is creative must create itself. ~ John Keats, #NFDB
57:What is more gentle than a wind is summer? ~ John Keats, #NFDB
58:Here lies one whose name was writ in water. ~ John Keats, #NFDB
59:Here lies one whose name was writ on water. ~ John Keats, #NFDB
60:My chest of books divide amongst my friends ~ John Keats, #NFDB
61:Thou foster-child of Silence and slow Time. ~ John Keats, #NFDB
62:And there shall be for thee all soft delight ~ John Keats, #NFDB
63:Fade far away, dissolve, and quite forget... ~ John Keats, #NFDB
64:I will clamber through the clouds and exist. ~ John Keats, #NFDB
65:Much have I travell'd in the realms of gold. ~ John Keats, #NFDB
66:My chest of books divide amongst my friends. ~ John Keats, #NFDB
67:My creed is love and you are its only tenet. ~ John Keats, #NFDB
68:Of love, that fairest joys give most unrest. ~ John Keats, #NFDB
69:Scenery is fine - but human nature is finer. ~ John Keats, #NFDB
70:The silver, snarling trumpets 'gan to chide. ~ John Keats, #NFDB
71:The thought, the deadly thought of solitude. ~ John Keats, #NFDB
72:My chest of books divide amongst my friends-- ~ John Keats, #NFDB
73:She press'd his hand in slumber; so once more ~ John Keats, #NFDB
74:Sweet are the pleasures that to verse belong, ~ John Keats, #NFDB
75:The day is gone, and all its sweets are gone! ~ John Keats, #NFDB
76:The excellence of every Art is its intensity. ~ John Keats, #NFDB
77:The poppies hung Dew-dabbled on their stalks. ~ John Keats, #NFDB
78:Time, that aged nurse, rocked me to patience. ~ John Keats, #NFDB
79:All clean and comfortable I sit down to write. ~ John Keats, #NFDB
80:A moment's thought is passion's passing knell. ~ John Keats, #NFDB
81:And how they kist each other's tremulous eyes. ~ John Keats, #NFDB
82:Literary men are . . . a perpetual priesthood. ~ John Keats, #NFDB
83:Pensive they sit, and roll their languid eyes. ~ John Keats, #NFDB
84:Thou art a dreaming thing, A fever of thyself. ~ John Keats, #NFDB
85:Failure is, in a sense, the highway to success. ~ John Keats, #NFDB
86:I can bear to die - I cannot bear to leave her. ~ John Keats, #NFDB
87:So, when dark thoughts my boding spirit shroud, ~ John Keats, #NFDB
88:The days of peace and slumberous calm are fled. ~ John Keats, #NFDB
89:My imagination is a monastery and I am its monk. ~ John Keats, #NFDB
90:My imagination is a monastery, and I am its monk ~ John Keats, #NFDB
91:My love is selfish. I cannot breathe without you. ~ John Keats, #NFDB
92:Nothing ever becomes real 'til it is experienced. ~ John Keats, #NFDB
93:Nothing ever becomes real till it is experienced. ~ John Keats, #NFDB
94:Thou art a dreaming thing,
A fever of thyself. ~ John Keats,#NFDB
95:A man's life of any worth is a continual allegory. ~ John Keats, #NFDB
96:But were there ever any Writhed not at passed joy? ~ John Keats, #NFDB
97:Fino a che una cosa non ci ammala, non la capiamo. ~ John Keats, #NFDB
98:Joy, whose hand is ever at his lips, bidding adieu ~ John Keats, #NFDB
99:Works of genius are the first things in the world. ~ John Keats, #NFDB
100:I have loved the principle of beauty in all things. ~ John Keats, #NFDB
101:It keeps eternal whisperings around desolate shores ~ John Keats, #NFDB
102:I would sooner fail than not be among the greatest. ~ John Keats, #NFDB
103:O for a life of Sensations rather than of Thoughts! ~ John Keats, #NFDB
104:The genius of Shakespeare was an innate university. ~ John Keats, #NFDB
105:My friends should drink a dozen of Claret on my Tomb. ~ John Keats, #NFDB
106:Sunt un laș, nu pot îndura suferința de a fi fericit. ~ John Keats, #NFDB
107:Where soil is, men grow, Whether to weeds or flowers. ~ John Keats, #NFDB
108:Dancing music, music sad, Both together, sane and mad. ~ John Keats, #NFDB
109:Sonnet to Sleep O soft embalmer of the still midnight, ~ John Keats, #NFDB
110:The air I breathe in a room empty of you is unhealthy. ~ John Keats, #NFDB
111:If something is not beautiful, it is probably not true. ~ John Keats, #NFDB
112:Heard melodies are sweet, but those unheard are sweeter. ~ John Keats, #NFDB
113:Heard melodies are sweet, but those unheard, are sweeter ~ John Keats, #NFDB
114:Many a time I have been half in love with easeful Death. ~ John Keats, #NFDB
115:Soft closer of our eyes! Low murmur of tender lullabies! ~ John Keats, #NFDB
116:Dancing music, music sad,
Both together, sane and mad… ~ John Keats,#NFDB
117:If poetry does not come as naturally as leaves to a tree, ~ John Keats, #NFDB
118:I think I shall be among the English Poets after my death. ~ John Keats, #NFDB
119:Pleasure is oft a visitant; but pain Clings cruelly to us. ~ John Keats, #NFDB
120:I am profoundly enchanted by the flowing complexity in you. ~ John Keats, #NFDB
121:My dear girl, I love you ever and ever and without reserve. ~ John Keats, #NFDB
122:A fact is not a truth until you love it. —John Keats ~ Daniel James Brown, #NFDB
123:John Keats / John Keats / John / Please put your scarf on. ~ J D Salinger, #NFDB
124:Now a soft kiss - Aye, by that kiss, I vow an endless bliss. ~ John Keats, #NFDB
125:The creature has a purpose, and his eyes are bright with it. ~ John Keats, #NFDB
126:Aí de quando a paixão é simultaneamente modesta e arrebatada! ~ John Keats, #NFDB
127:Do not all charms fly / At the mere touch of cold philosophy? ~ John Keats, #NFDB
128:Open afresh your rounds of starry folds, Ye ardent Marigolds. ~ John Keats, #NFDB
129:I must choose between despair and Energy──I choose the latter. ~ John Keats, #NFDB
130:Pleasure is oft a visitant; but pain
Clings cruelly to us. ~ John Keats,#NFDB
131:Everything that reminds me of her goes through me like a spear. ~ John Keats, #NFDB
132:La vita è un'avventura da vivere, non un problema da risolvere. ~ John Keats, #NFDB
133:On a lone winter evening, when the frost Has wrought a silence. ~ John Keats, #NFDB
134:The grandeur of the dooms We have imagined for the mighty dead. ~ John Keats, #NFDB
135:There is not a fiercer hell than the failure in a great object. ~ John Keats, #NFDB
136:There is nothing stable in the world; uproar's your only music. ~ John Keats, #NFDB
137:They swayed about upon a rocking horse, And thought it Pegasus. ~ John Keats, #NFDB
138:Music's golden tongue Flatter'd to tears this aged man and poor. ~ John Keats, #NFDB
139:Nada es estable en el mundo. El tumulto es vuestra única música. ~ John Keats, #NFDB
140:So let me be thy choir, and make a moan Upon the midnight hours. ~ John Keats, #NFDB
141:Sudden a thought came like a full-blown rose, Flushing his brow. ~ John Keats, #NFDB
142:And shade the violets, That they may bind the moss in leafy nets. ~ John Keats, #NFDB
143:I wish to believe in immortality-I wish to live with you forever. ~ John Keats, #NFDB
144:Oh what can ail thee, knight-at-arms, Alone and palely loitering? ~ John Keats, #NFDB
145:Thou, silent form, dost tease us out of thought As doth eternity. ~ John Keats, #NFDB
146:What shocks the virtuous philosopher delights the chameleon poet. ~ John Keats, #NFDB
147:What shocks the virtuous philosopher, delights the chameleon poet. ~ John Keats, #NFDB
148:You are always new. The last of your kisses was ever the sweetest. ~ John Keats, #NFDB
149:You are always new, the last of your kisses was ever the sweetest. ~ John Keats, #NFDB
150:A poet without love were a physical and metaphysical impossibility. ~ John Keats, #NFDB
151:Don't be discouraged by a failure. It can be a positive experience. ~ John Keats, #NFDB
152:Health and spirits can only belong unalloyed to the selfish man—the ~ John Keats, #NFDB
153:I think we may class the lawyer in the natural history of monsters. ~ John Keats, #NFDB
154:Let us open our leaves like a flower, and be passive and receptive. ~ John Keats, #NFDB
155:Life is divine Chaos. It's messy, and it's supposed to be that way. ~ John Keats, #NFDB
156:There is an awful warmth about my heart like a load of immortality. ~ John Keats, #NFDB
157:Fine writing, next to doing nothing, is the best thing in the world. ~ John Keats, #NFDB
158:Oh what can ail thee, knight-at-arms,
Alone and palely loitering? ~ John Keats,#NFDB
159:Two souls with but a single thought,
Two hearts that beat as one! ~ John Keats,#NFDB
160:I am sailing with thee through the dizzy sky! How beautiful thou art! ~ John Keats, #NFDB
161:You dazzled me. There is nothing in the world so bright and delicate. ~ John Keats, #NFDB
162:Fine writing, next to doing nothing, is the best thing in the world. – ~ John Keats, #NFDB
163:Thou, silent form, dost tease us out of thought
As doth eternity... ~ John Keats,#NFDB
164:Where but to think is to be full of sorrow
And leaden-eyed despairs ~ John Keats,#NFDB
165:Fanatics have their dreams, wherewith they weave a paradise for a sect. ~ John Keats, #NFDB
166:I shall soon be laid in the quiet grave - thank God for the quiet grave ~ John Keats, #NFDB
167:No such thing as the world becoming an easy place to save your soul in. ~ John Keats, #NFDB
168:O latest born and loveliest vision far of all Olympus' faded hierarchy. ~ John Keats, #NFDB
169:O, sorrow! Why dost borrow Heart's lightness from the merriment of May? ~ John Keats, #NFDB
170:Conversation is not a search after knowledge, but an endeavor at effect. ~ John Keats, #NFDB
171:I am sailing with thee through the dizzy sky!
How beautiful thou art! ~ John Keats,#NFDB
172:The poetry of earth is never dead. The poetry of earth is ceasing never. ~ John Keats, #NFDB
173:Through buried paths, where sleepy twilight dreams The summer time away. ~ John Keats, #NFDB
174:Open wide the mind's cage-door,
She'll dart forth, and cloudward soar. ~ John Keats,#NFDB
175:I have nothing to speak of but my self-and what can I say but what I feel. ~ John Keats, #NFDB
176:Some say the world is a vale of tears, I say it is a place of soul-making. ~ John Keats, #NFDB
177:was it a vision or a waking dream? Fled is that music--do I wake or sleep? ~ John Keats, #NFDB
178:Already with thee! tender is the night. . . But here there is no light. . . ~ John Keats, #NFDB
179:Many have original minds who do not think it - they are led away by custom! ~ John Keats, #NFDB
180:The two divinest things the world has got— A lovely woman and a rural spot. ~ John Keats, #NFDB
181:Through buried paths, where sleepy twilight dreams
The summer time away. ~ John Keats,#NFDB
182:Through the dancing poppies stole A breeze, most softly lulling to my soul. ~ John Keats, #NFDB
183:What is there in thee, Moon! That thou should'st move My heart so potently? ~ John Keats, #NFDB
184:Fanatikler rüyalarında kendi mezheplerinden olanlara cennet kapılarını açar. ~ John Keats, #NFDB
185:If I am destined to be happy with you here -- how short is the longest Life. ~ John Keats, #NFDB
186:It ought to come like the leaves to the trees, or it better not come at all. ~ John Keats, #NFDB
187:The imagination may be compared to Adam's dream-he awoke and found it truth. ~ John Keats, #NFDB
188:The imagination may be compared to adams dream. He awoke and found it truth. ~ John Keats, #NFDB
189:You cannot conceive how I ache to be with you: how I would die for one hour. ~ John Keats, #NFDB
190:Ay, in the very temple of Delight
Veil’d Melancholy has her sovran shrine, ~ John Keats,#NFDB
191:I would jump down Etna for any public good - but I hate a mawkish popularity. ~ John Keats, #NFDB
192:Already with thee! tender is the night. . .
But here there is no light. . . ~ John Keats,#NFDB
193:For axioms in philosophy are not axioms until they are proved upon our pulses. ~ John Keats, #NFDB
194:I Cannot Exist Without You. I Am Forgetful Of Everything But Seeing You Again. ~ John Keats, #NFDB
195:I go amongst the buildings of a city and I see a Man hurrying along - to what? ~ John Keats, #NFDB
196:Life is but a day; A fragile dewdrop on its perilous way From a tree's summit. ~ John Keats, #NFDB
197:O for the gentleness of old Romance, the simple planning of a minstrel's song! ~ John Keats, #NFDB
198:Touch has a memory. O say, love, say,
What can I do to kill it and be free? ~ John Keats,#NFDB
199:Turn the key deftly in the oiled wards, And seal the hushed Casket of my Soul. ~ John Keats, #NFDB
200:Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep? ~ John Keats,#NFDB
201:You cannot conceive how I ache to be with you: how I would die for one hour... ~ John Keats, #NFDB
202:How beautiful, if sorrow had not made Sorrow more Beautiful than Beauty’s self. ~ John Keats, #NFDB
203:How beautiful, if sorrow had not made Sorrow more beautiful than Beauty's self. ~ John Keats, #NFDB
204:Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague ~ John Keats,#NFDB
205:When it is moving on luxurious wings, The soul is lost in pleasant smotherings. ~ John Keats, #NFDB
206:Every mental pursuit takes its reality and worth from the ardour of the pursuer. ~ John Keats, #NFDB
207:He ne'er is crowned with immortality Who fears to follow where airy voices lead. ~ John Keats, #NFDB
208:His religion at best is an anxious wish,-like that of Rabelais, a great Perhaps. ~ John Keats, #NFDB
209:I feel confident I should have been a rebel Angel had the opportunity been mine. ~ John Keats, #NFDB
210:I would sooner fail," said Keats at twenty-two, "than not be among the greatest. ~ John Keats, #NFDB
211:Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun. ~ John Keats, #NFDB
212:Then felt I like some watcher of the skies when a new planet swims into his ken. ~ John Keats, #NFDB
213:Where are you now? How are the nymphs? I suppose they have led you a fine dance. ~ John Keats, #NFDB
214:I never can feel certain of any truth, but from a clear perception of its beauty. ~ John Keats, #NFDB
215:Turn the key deftly in the oiled wards,
And seal the hushed Casket of my Soul. ~ John Keats,#NFDB
216:How does the poet speak to men with power, but by being still more a man than they ~ John Keats, #NFDB
217:I will imagine you Venus tonight and pray, pray, pray to your star like a Heathen. ~ John Keats, #NFDB
218:When it is moving on luxurious wings,
The soul is lost in pleasant smotherings. ~ John Keats,#NFDB
219:When through the old oak forest I am gone,
Let me not wander in a barren dream. ~ John Keats,#NFDB
220:A man should have the fine point of his soul taken off to become fit for this world. ~ John Keats, #NFDB
221:Like a mermaid in sea-weed, she dreams awake, trembling in her soft and chilly nest. ~ John Keats, #NFDB
222:A little noiseless noise among the leaves, Born of the very sigh that silence heaves. ~ John Keats, #NFDB
223:If I am destined to be happy with you here – how short is the longest Life. John Keats ~ Ali Smith, #NFDB
224:Life is but a day;
A fragile dew-drop on its perilous way
From a tree’s summit. ~ John Keats,#NFDB
225:Much have I traveled in the realms of gold, and many goodly states and kingdoms seen. ~ John Keats, #NFDB
226:Yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. ~ John Keats, #NFDB
227:Four seasons fill the measure of the year; there are four seasons in the minds of men. ~ John Keats, #NFDB
228:Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds! ~ John Keats,#NFDB
229:I was never afraid of failure; for I would sooner fail than not be among the greatest. ~ John Keats, #NFDB
230:When I have fears that I may ceace to be, Before my pen has gleaned my teaming brain". ~ John Keats, #NFDB
231:And when thou art weary I'll find thee a bed, Of mosses and flowers to pillow thy head. ~ John Keats, #NFDB
232:If poetry comes not as naturally as the leaves to a tree it had better not come at all. ~ John Keats, #NFDB
233:I wish I was either in your arms full of faith, or that a Thunder bolt would strike me. ~ John Keats, #NFDB
234:O aching time! O moments big as years!
All as ye pass swell out the monstrous truth, ~ John Keats,#NFDB
235:Real are the dreams of gods, and soothly pass their pleasures in a long immortal dream. ~ John Keats, #NFDB
236:She hurried at his words, beset with fears, For there were sleeping dragons all around. ~ John Keats, #NFDB
237:The feel of not to feel it, When there is none to heal it Nor numbed sense to steel it. ~ John Keats, #NFDB
238:Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know ~ John Keats,#NFDB
239:But the rose leaves herself upon the brier, For winds to kiss and grateful bees to feed. ~ John Keats, #NFDB
240:Health is the greatest of blessings - with health and hope we should be content to live. ~ John Keats, #NFDB
241:I am in that temper that if I were under water I would scarcely kick to come to the top. ~ John Keats, #NFDB
242:I have two luxuries to brood over in my walks, your loveliness and the hour of my death. ~ John Keats, #NFDB
243:My heart aches, and a drowsy numbness pains/ My sense, as though of hemlock I had drunk. ~ John Keats, #NFDB
244:Real are the dreams of Gods, and smoothly pass Their pleasures in a long immortal dream. ~ John Keats, #NFDB
245:The redbreast whistles from a garden-croft; and gathering swallows twitter in the skies. ~ John Keats, #NFDB
246:...yes, in spite of all, Some shape of beauty moves away the pall From out dark spirits. ~ John Keats, #NFDB
247:But let me see thee stoop from heaven on wings That fill the sky with silver glitterings! ~ John Keats, #NFDB
248:But what, without the social thought of thee,
Would be the wonders of the sky and sea? ~ John Keats,#NFDB
249:Darkling I listen; and, for many a time
I have been half in love with easeful Death... ~ John Keats,#NFDB
250:For so delicious were the words she sung,it seem'd he had loved them a whole summer long. ~ John Keats, #NFDB
251:If poetry comes not as naturally as the leaves to a tree it had better not come at all. – ~ John Keats, #NFDB
252:I have clung
To nothing, lov’d a nothing, nothing seen
Or felt but a great dream! ~ John Keats,#NFDB
253:Its better to lose your ego to the One you Love than to lose the One you Love to your Ego ~ John Keats, #NFDB
254:The roaring of the wind is my wife and the stars through the window pane are my children. ~ John Keats, #NFDB
255:Whatever the imagination seizes as Beauty must be truth -whether it existed before or not ~ John Keats, #NFDB
256:And when thou art weary I'll find thee a bed,
Of mosses and flowers to pillow thy head. ~ John Keats,#NFDB
257:Can death be sleep, when life is but a dream,
And scenes of bliss pass as a phantom by? ~ John Keats,#NFDB
258:Dry your eyes O dry your eyes, For I was taught in Paradise To ease my breast of melodies. ~ John Keats, #NFDB
259:Oh ye! Who have your eye-balls vexed and tired,
Feast them upon the wideness of the sea ~ John Keats,#NFDB
260:Tall oaks branch charmed by the earnest stars Dream and so dream all night without a stir. ~ John Keats, #NFDB
261:Their woes gone by, and both to heaven upflown, To bow for gratitude before Jove's throne. ~ John Keats, #NFDB
262:Upon the forehead of humanity.
All its more ponderous and bulky worth
Is friendship, ~ John Keats,#NFDB
263:You have absorb'd me. I have a sensation at the present moment as though I was dissolving. ~ John Keats, #NFDB
264:I never was in love - yet the voice and the shape of a woman has haunted me these two days. ~ John Keats, #NFDB
265:The excellency of every art is its intensity, capable of making all disagreeable evaporate. ~ John Keats, #NFDB
266:Where the nightingale doth sing Not a senseless, tranced thing, But divine melodious truth. ~ John Keats, #NFDB
267:But let me see thee stoop from heaven on wings
That fill the sky with silver glitterings! ~ John Keats,#NFDB
268:I love you the more in that I believe you had liked me for my own sake and for nothing else. ~ John Keats, #NFDB
269:Neither poetry, nor ambition, nor love have any alertness of countenance as they pass by me. ~ John Keats, #NFDB
270:The silvery tears of April? Youth of May?
Or June that breathes out life for butterflies? ~ John Keats,#NFDB
271:What is this world's delight,
Lightening that mocks the night,
Brief as even as bright ~ John Keats,#NFDB
272:O that our dreamings all, of sleep or wake,
Would all their colours from the sunset take. ~ John Keats,#NFDB
273:Beauty is truth, truth beauty,” — that is all
Ye know on earth, and all ye need to know. 50 ~ John Keats,#NFDB
274:Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again ~ John Keats,#NFDB
275:Even bees, the little almsmen of spring bowers, know there is richest juice in poison-flowers. ~ John Keats, #NFDB
276:Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on. ~ John Keats,#NFDB
277:O Solitude! If I must with thee dwell, Let it not be among the jumbled heap of murky buildings ~ John Keats, #NFDB
278:Where are the songs of Spring? Aye, where are they? Think not of them; thou has thy music too. ~ John Keats, #NFDB
279:Every fresh experience points out some form of error which we shall afterwards carefully avoid. ~ John Keats, #NFDB
280:This is a mere matter of the moment. I think I shall be among the English poets after my death. ~ John Keats, #NFDB
281:And for her eyes: what could such eyes do there But weep, and weep, that they were born so fair? ~ John Keats, #NFDB
282:To bear all naked truths, And to envisage circumstance, all calm, That is the top of sovereignty ~ John Keats, #NFDB
283:Even now I am perhaps not speaking from myself: but from some character in whose soul I now live. ~ John Keats, #NFDB
284:He who saddens at thought of idleness cannot be idle, / And he's awake who thinks himself asleep. ~ John Keats, #NFDB
285:His old right hand lay nerveless, listless, dead, Unsceptred; and his realmless eyes were closed. ~ John Keats, #NFDB
286:I am certain of nothing but the holiness of the heart's affections, and the truth of imagination. ~ John Keats, #NFDB
287:We have woven a web, you and I, attached to this world but a separate world of our own invention. ~ John Keats, #NFDB
288:A thing of beauty is a joy forever: its loveliness increases; it will never pass into nothingness. ~ John Keats, #NFDB
289:Land and sea, weakness and decline are great separators, but death is the great divorcer for ever. ~ John Keats, #NFDB
290:Easy was the task:
A thousand handicraftsmen wore the mask
Of Poesy. Ill-fated, impious race! ~ John Keats,#NFDB
291:Call the world if you please "the vale of soul-making." Then you will find out the use of the world. ~ John Keats, #NFDB
292:Can death be sleep, when life is but a dream, And scenes of bliss pass as a phantom by? ---"On death ~ John Keats, #NFDB
293:His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed; ~ John Keats,#NFDB
294:I am certain of nothing but the holiness of the Heart's affections and the truth of the Imagination. ~ John Keats, #NFDB
295:We read fine things but never feel them to the full until we have gone the same steps as the author. ~ John Keats, #NFDB
296:I don't need the stars in the night I found my treasure All I need is you by my side so shine forever ~ John Keats, #NFDB
297:I have an habitual feeling of my real life having past, and that I am leading a posthumous existence. ~ John Keats, #NFDB
298:In a drear-nighted December, Too happy, happy tree, Thy branches ne'er remember Their green felicity. ~ John Keats, #NFDB
299:De nada tengo certeza sino de la santidad de los afectos del corazón y de la verdad de la imaginación. ~ John Keats, #NFDB
300:I could be martyred for my religion. Love is my religion and I could die for that. I could die for you. ~ John Keats, #NFDB
301:My mind has been the most discontented and restless one that ever was put into a body too small for it. ~ John Keats, #NFDB
302:I have a habitual feeling of my real life having past, and that I am now leading a posthumous existence. ~ John Keats, #NFDB
303:It appears to me that almost any man may like the spider spin from his own inwards his own airy citadel. ~ John Keats, #NFDB
304:You might curb your magnanimity, and be more of an artist, and load every rift of your subject with ore. ~ John Keats, #NFDB
305:--then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink. ~ John Keats, #NFDB
306:To be happy with you seems such an impossibility! it requires a luckier Star than mine! it will never be. ~ John Keats, #NFDB
307:You are to me an object so intensely desirable that the air I breathe in a room empty of you is unhealthy ~ John Keats, #NFDB
308:A thing of beauty is a joy forever:
Its loveliness increases;
It will never
Pass into nothingness. ~ John Keats,#NFDB
309:But I, being poor, have only my dreams. I lay them at your feet. Tread lightly, for you tread on my dreams. ~ John Keats, #NFDB
310:Can death be sleep, when life is but a dream,
And scenes of bliss pass as a phantom by?
---"On death ~ John Keats,#NFDB
311:Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul? ~ John Keats, #NFDB
312:forgotten? Yes, a schism
Nurtured by foppery and barbarism,
Made great Apollo blush for this his land. ~ John Keats,#NFDB
313:I am convinced more and more day by day that fine writing is next to fine doing, the top thing in the world. ~ John Keats, #NFDB
314:I have good reason to be content, for thank God I can read and perhaps understand Shakespeare to his depths. ~ John Keats, #NFDB
315:Nothing ever becomes real till experienced – even a proverb is no proverb until your life has illustrated it ~ John Keats, #NFDB
316:I have met with women whom I really think would like to be married to a Poem and to be given away by a Novel. ~ John Keats, #NFDB
317:I see a lily on thy brow, With anguish moist and fever dew; And on thy cheek a fading rose Fast withereth too. ~ John Keats, #NFDB
318:When the pig is over-roasted,
Huzza for folly O!
And the cheese is over-toasted,
Huzza for folly O! ~ John Keats,#NFDB
319:I believe in nothing but the holiness of the heart’s affections and the truth of the imagination. —JOHN KEATS ~ Jandy Nelson, #NFDB
320:Nothing is finer for the purposes of great productions than a very gradual ripening of the intellectual powers. ~ John Keats, #NFDB
321:--then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink. ~ John Keats,#NFDB
322:O magic sleep! O comfortable bird, That broodest o'er the troubled sea of the mind Till it is hush'd and smooth! ~ John Keats, #NFDB
323:one of the most mysterious of semi-speculations is, one would suppose, that of one Mind's imagining into another ~ John Keats, #NFDB
324:Give me books, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know. ~ John Keats, #NFDB
325:…how light
Must dreams themselves be; seeing they’re more slight
Than the mere nothing that engenders them! ~ John Keats,#NFDB
326:I have good reason to be content,
for thank God I can read and
perhaps understand Shakespeare to his depths. ~ John Keats,#NFDB
327:Severn - I - lift me up - I am dying - I shall die easy; don't be frightened - be firm, and thank God it has come. ~ John Keats, #NFDB
328:With a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration. ~ John Keats, #NFDB
329:I do think better of womankind than to suppose they care whether Mister John Keats five feet high likes them or not. ~ John Keats, #NFDB
330:I was too much in solitude, and consequently was obliged to be in continual burning of thought, as an only resource. ~ John Keats, #NFDB
331:Poetry should... should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance". ~ John Keats, #NFDB
332:There is an old saying "well begun is half done"-'tis a bad one. I would use instead-Not begun at all 'til half done. ~ John Keats, #NFDB
333:Reading makes immigrants of us all. It takes us away from home, but, most important, it finds homes for us everywhere. ~ John Keats, #NFDB
334:The Public - a thing I cannot help looking upon as an enemy, and which I cannot address without feelings of hostility. ~ John Keats, #NFDB
335:I see a lily on thy brow,
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too. ~ John Keats,#NFDB
336:O for ten years, that I may overwhelm / Myself in poesy; so I may do the deed / That my own soul has to itself decreed. ~ John Keats, #NFDB
337:Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy, ~ John Keats,#NFDB
338:No one can usurp the heights...
But those to whom the miseries of the world
Are misery, and will not let them rest. ~ John Keats,#NFDB
339:The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme. ~ John Keats,#NFDB
340:Bards of Passion and of Mirth, Ye have left your souls on earth! Have ye souls in heaven too, Double-lived in regions new? ~ John Keats, #NFDB
341:Where long ago a giant battle was;
And, from the turf, a lullaby doth pass
In every place where infant Orpheus slept. ~ John Keats,#NFDB
342:Is there another Life? Shall I awake and find all this a dream? There must be we cannot be created for this sort of suffering. ~ John Keats, #NFDB
343:Failure is in a sense the highway to success, as each discovery of what is false leads us to seek earnestly after what is true. ~ John Keats, #NFDB
344:I feel more and more every day, as my imagination strengthens, that I do not live in this world alone but in a thousand worlds. ~ John Keats, #NFDB
345: ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
,#NFDB
346:The same that oft-times hath
charm'd magic casements,
opening on the foam
of perilous seas, in fairy lands forlorn. ~ John Keats,#NFDB
347:Blessed is the healthy nature; it is the coherent, sweetly co-operative, not incoherent, self-distracting, self-destructive one! ~ John Keats, #NFDB
348:So rainbow-sided, touch'd with miseries, She seem'd, at once, some penanced lady elf, Some demon's mistress, or the demon's self. ~ John Keats, #NFDB
349:A long poem is a test of invention which I take to be the Polar star of poetry, as fancy is the sails, and imagination the rudder. ~ John Keats, #NFDB
350:by owner. provided at no charge for educational purposes
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
,#NFDB
351:I equally dislike the favor of the public with the love of a woman - they are both a cloying treacle to the wings of independence. ~ John Keats, #NFDB
352:I equally dislike the favor of the public with the love of a woman -- they are both a cloying treacle to the wings of independence ~ John Keats, #NFDB
353:I should like the window to open onto the Lake of Geneva--and there I'd sit and read all day like the picture of somebody reading. ~ John Keats, #NFDB
354:tis very sweet to look into the fair
and open face of heaven, - to breathe a prayer
full in the smile of the blue firmament. ~ John Keats,#NFDB
355: by owner. provided at no charge for educational purposes
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
,#NFDB
356:I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet. ~ John Keats, #NFDB
357: ~ The Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
,#NFDB
358:The world is too brutal for me-I am glad there is such a thing as the grave-I am sure I shall never have any rest till I get there. ~ John Keats, #NFDB
359:The world is too brutal for me—I am glad there is such a thing as the grave—I am sure I shall never have any rest till I get there. ~ John Keats, #NFDB
360:Alas! thou this wilt never do:
Thou art an enchantress too,
And wilt surely never spill
Blood of those whose eyes can kill. ~ John Keats,#NFDB
361:Why employ intelligent and highly paid ambassadors and then go and do their work for them? You don't buy a canary and sing yourself. ~ John Keats, #NFDB
362:You are always new. The last of your kisses was even the sweetest; the last smile the brightest; the last movement the gracefullest. ~ John Keats, #NFDB
363:I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried- "La Belle Dame sans Merci Hath thee in thrall! ~ John Keats, #NFDB
364:It is a flaw In happiness to see beyond our bourn, - It forces us in summer skies to mourn, It spoils the singing of the nightingale. ~ John Keats, #NFDB
365:Or thou might'st better listen to the wind, Whose language is to thee a barren noise, Though it blows legend-laden through the trees. ~ John Keats, #NFDB
366:yet I must not forget
Sleep, quiet with his poppy coronet:
For what there may be worthy in these rhymes
I partly owe to him: ~ John Keats,#NFDB
367:A voice came sweeter, sweeter than all tune,
And still it cried, ‘Apollo! young Apollo!
The morning-bright Apollo! young Apollo! ~ John Keats,#NFDB
368:Praise or blame has but a momentary effect on the man whose love of beauty in the abstract makes him a severe critic on his own works. ~ John Keats, #NFDB
369:So rainbow-sided, touch'd with miseries,
She seem'd, at once, some penanced lady elf,
Some demon's mistress, or the demon's self. ~ John Keats,#NFDB
370:Who would wish to be among the commonplace crowd of the little famous - who are each individually lost in a throng made up of themselves? ~ John Keats, #NFDB
371:A poet is the most unpoetical of anything in existence because he has no identity-he is continually infirming and filling some other body. ~ John Keats, #NFDB
372:I do think the bars
That kept my spirit in are burst - that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! ~ John Keats,#NFDB
373:I would have borne it as I would bear death if fate was in that humour: but I should as soon think of choosing to die as to part from you. ~ John Keats, #NFDB
374:Philosophy will clip an angel's wings, Conquer all mysteries by rule and line, Empty the haunted air, and gnomed mine - Unweave a rainbow. ~ John Keats, #NFDB
375:A poet is the most unpoetical of anything in existence; because he has no identity he is continually informing and filling some other body. ~ John Keats, #NFDB
376:If I am destined to be happy with you here—how short is the longest Life—I wish to believe in immortality—I wish to live with you for ever. ~ John Keats, #NFDB
377:The only means of strengthening one's intellect is to make up one's mind about nothing, to let the mind be a thoroughfare for all thoughts. ~ John Keats, #NFDB
378:A man's life of any worth is a continual allegory, and very few eyes can see the mystery of his life, a life like the scriptures, figurative. ~ John Keats, #NFDB
379:Besides, a long poem is a test of invention, which I take to be the Polar star of Poetry, as Fancy is the sails - and Imagination the rudder. ~ John Keats, #NFDB
380:How could I sleight you? How threaten to leave you? not in the spirit of a Threat to you -- no -- but in the spirit of Wretchedness in myself. ~ John Keats, #NFDB
381:I compare human life to a large mansion of many apartments, two of which I can only describe, the doors of the rest being as yet shut upon me. ~ John Keats, #NFDB
382:On the green of the hill
We will drink our fill
Of golden sunshine,
Till our brains intertwine
With the glory and grace of Apollo! ~ John Keats,#NFDB
383:Though a quarrel in the streets is a thing to be hated, the energies displayed in it are fine; the commonest man shows a grace in his quarrel. ~ John Keats, #NFDB
384:To the very last, he [Napoleon] had a kind of idea; that, namely, of la carrière ouverte aux talents, - the tools to him that can handle them. ~ John Keats, #NFDB
385:Tis "the witching time of night", / Orbed is the moon and bright, / And the stars they glisten, glisten, / Seeming with bright eyes to listen — ~ John Keats, #NFDB
386:The only means of strengthening one's intellect is to make up one's mind
about nothing -- to let the mind be a thoroughfare for all thoughts. ~ John Keats,#NFDB
387:I love your hills and I love your dales, And I love your flocks a-bleating; but oh, on the heather to lie together, With both our hearts a-beating! ~ John Keats, #NFDB
388:Philosophy will clip an Angel’s wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine —
Unweave a rainbow, ~ John Keats,#NFDB
389:Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself, but with its subject. ~ John Keats, #NFDB
390:I have two luxuries to brood over in my walks, your loveliness and the hour of my death. O that I could have possession of them both in the same minute. ~ John Keats, #NFDB
391:All my clear-eyed fish, Golden, or rainbow-sided, or purplish, Vermilion-tail'd, or finn'd with silvery gauze... My charming rod, my potent river spells. ~ John Keats, #NFDB
392:Feeling well that breathed words Would all be lost, unheard, and vain as swords Against the enchased crocodile, or leaps Of grasshoppers against the sun. ~ John Keats, #NFDB
393:To Sorrow I bade good-morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly: She is so constant to me, and so kind. ~ John Keats, #NFDB
394: "Under the flag
Of each his faction, they to battle bring
Their embryo atoms." ~ John Keats, Fragment. Welcome Joy, And Welcome Sorrow
,#NFDB
395:You speak of Lord Byron and me; there is this great difference between us. He describes what he sees I describe what I imagine. Mine is the hardest task. ~ John Keats, #NFDB
396:I will give you a definition of a proud man: he is a man who has neither vanity nor wisdom one filled with hatreds cannot be vain, neither can he be wise. ~ John Keats, #NFDB
397:My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully espy
A hope beyond the shadow of a dream. ~ John Keats,#NFDB
398:The excellence of every art is its intensity, capable of making all disagreeables evaporate, from their being in close relationship with beauty and truth. ~ John Keats, #NFDB
399:Then Lamia breath’d death breath; the sophist’s eye,
Like a sharp spear, went through her utterly, 300
Keen, cruel, perceant, stinging: she, as well ~ John Keats,#NFDB
400:An extensive knowledge is needful to thinking people-it takes away the heat and fever; and helps, by widening speculation, to ease the burden of the mystery. ~ John Keats, #NFDB
401:Then sang forth the Nine,
Apollo’s garland:–yet didst thou divine
Such home-bred glory, that they cry’d in vain,
“Come hither, Sister of the Island! ~ John Keats,#NFDB
402:O fret not after knowledge - I have none, and yet my song comes native with the warmth. O fret not after knowledge - I have none, and yet the Evening listens. ~ John Keats, #NFDB
403:I should write for the mere yearning and fondness I have for the beautiful, even if my night's labors should be burnt every morning and no eye shine upon them. ~ John Keats, #NFDB
404:It can be said of him, when he departed he took a Man's life with him. No sounder piece of British manhood was put together in that eighteenth century of Time. ~ John Keats, #NFDB
405:To feel forever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever-or else swoon in death. ~ John Keats, #NFDB
406:No stir of air was there, Not so much life as on a summer's day Robs not one light seed from the feather'd grass, But where the dead leaf fell, there did it rest. ~ John Keats, #NFDB
407:Ay, on the shores of darkness there is a light, and precipices show untrodden green; there is a budding morrow in midnight; there is triple sight in blindness keen. ~ John Keats, #NFDB
408:No, no, I'm sure, My restless spirit never could endure To brood so long upon one luxury, Unless it did, though fearfully, espy A hope beyond the shadow of a dream. ~ John Keats, #NFDB
409:To one who has been long in city pent, ’Tis very sweet to look into the fair And open face of heaven, — to breathe a prayer Full in the smile of the blue firmament. ~ John Keats, #NFDB
410:There's a blush for won't, and a blush for shan't, and a blush for having done it: There's a blush for thought and a blush for naught, and a blush for just begun it. ~ John Keats, #NFDB
411:There was an awful rainbow once in heaven: We know her woof, her texture; she is given In the dull catalogue of common things. Philosophy will clip an angel's wings. ~ John Keats, #NFDB
412:I find that I can have no enjoyment in the World but continual drinking of Knowledge - I find there is no worthy pursuit but the idea of doing some good for the world ~ John Keats, #NFDB
413:Poetry should surprise by a fine excess and not by singularity, it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance. ~ John Keats, #NFDB
414:... the open sky sits upon our senses like a sapphire crown - the Air is our robe of state - the Earth is our throne, and the Sea a mighty minstrel playing before it. ~ John Keats, #NFDB
415:I almost wish we were butterflies and liv'd but three summer days - three such days with you I could fill with more delight than fifty common years could ever contain. ~ John Keats, #NFDB
416:Thou wast not born for death, immortal bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown. ~ John Keats, #NFDB
417:As marble was there lavish, to the vast
Of one fair palace, that far far surpass’d,
Even for common bulk, those olden three,
Memphis, and Babylon, and Nineveh. ~ John Keats,#NFDB
418:The poetry of earth is never dead When all the birds are faint with the hot sun, And hide I cooling trees, a voice will run From hedge to hedge about the new-mown mead. ~ John Keats, #NFDB
419:To Sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind. ~ John Keats,#NFDB
420:I wish you could invent some means to make me at all happy without you. Every hour I am more and more concentrated in you; everything else tastes like chaff in my mouth. ~ John Keats, #NFDB
421:I find that I can have no enjoyment in the world but the continual drinking of knowledge. I find there is no worthy pursuit but the idea of doing some good for the world. ~ John Keats, #NFDB
422:When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance. ~ John Keats, #NFDB
423:She dwells with Beauty--Beauty that must die: And Joy, whose hand is ever at his lips, bidding Adieu; and aching Pleasure nigh, Turning to poison while the bee mouths sips: ~ John Keats, #NFDB
424:The uttered part of a man's life, let us always repeat, bears to the unuttered, unconscious part a small unknown proportion. He himself never knows it, much less do others. ~ John Keats, #NFDB
425:Bright star, would I were steadfast as thou art-- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite. ~ John Keats, #NFDB
426:I had a dove and the sweet dove died; And I have thought it died of grieving: O, what could it grieve for? Its feet were tied, With a silken thread of my own hands' weaving. ~ John Keats, #NFDB
427:In the long vista of the years to roll,\\ Let me not see my country's honor fade;\\ Oh! let me see our land retain its soul!\\ Her pride in Freedom, and not Freedom's shade. ~ John Keats, #NFDB
428:To one who has been long in city pent,
’Tis very sweet to look into the fair
And open face of heaven,—to breathe a prayer
Full in the smile of the blue firmament. ~ John Keats,#NFDB
429:Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone. ~ John Keats, #NFDB
430:Here are sweet peas, on tiptoe for a flight; With wings of gentle flush o'er delicate white, And taper fingers catching at all things, To bind them all about with tiny rings. ~ John Keats, #NFDB
431:No sooner had I stepp'd into these pleasures Than I began to think of rhymes and measures: The air that floated by me seem'd to say 'Write! thou wilt never have a better day. ~ John Keats, #NFDB
432:There’s a blush for won’t, and a blush for shan’t,
And a blush for having done it:
There’s a blush for thought and a blush for naught,
And a blush for just begun it. ~ John Keats,#NFDB
433:I think poetry should surprise by a fine excess, and not by singularity; it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance. ~ John Keats, #NFDB
434:Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a musèd rhyme,
To take into the air my quiet breath. ~ John Keats,#NFDB
435:I shall soon be laid in the quiet grave--thank God for the quiet grave--O! I can feel the cold earth upon me--the daisies growing over me--O for this quiet--it will be my first. ~ John Keats, #NFDB
436:Young playmates of the rose and daffodil, Be careful ere ye enter in, to fill Your baskets high With fennel green, and balm, and golden pines Savory latter-mint, and columbines. ~ John Keats, #NFDB
437:... for, by all the stars That tend thy bidding, I do think the bars That kept my spirit in are burst - that I Am sailing with thee through the dizzy sky! How beautiful thou art! ~ John Keats, #NFDB
438:Are there not thousands in the world who love their fellows even to the death, who feel the giant agony of the world, and more, like slaves to poor humanity, labor for mortal good? ~ John Keats, #NFDB
439:Do you not see how necessary a World of Pains and troubles is to school an Intelligence and make it a soul? A place where the heart must feel and suffer in a thousand diverse ways! ~ John Keats, #NFDB
440:Bright star, would I were steadfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite. ~ John Keats,#NFDB
441:If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing. ~ Shelby Foote, #NFDB
442:Can death be sleep, when life is but a dream,
And scenes of bliss pass as a phantom by?
The transient pleasures as a vision seem,
And yet we think the greatest pain's to die. ~ John Keats,#NFDB
443:Let me write not for fame and laurel, but from the mere yearning and fondness I have for the beautiful even if my night's labors be burnt each morning and no eye ever shine upon them. ~ John Keats, #NFDB
444:No sooner had I stepp'd into these pleasures
Than I began to think of rhymes and measures:
The air that floated by me seem'd to say
'Write! thou wilt never have a better day. ~ John Keats,#NFDB
445:The opinion I have of the generality of women--who appear to me as children to whom I would rather give a sugar plum than my time, forms a barrier against matrimony which I rejoice in. ~ John Keats, #NFDB
446:I had a dove and the sweet dove died;
And I have thought it died of grieving:
O, what could it grieve for? Its feet were tied,
With a silken thread of my own hand's weaving. ~ John Keats,#NFDB
447:Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably ~ John Keats, #NFDB
448:I have had a thousand kisses, for which with my whole soul I thank love—but if you should deny me the thousand and first—‘t would put me to the proof how great a misery I could live through. ~ John Keats, #NFDB
449:My spirit is too weak--mortality Weighs heavily on me like unwilling sleep, And each imagin'd pinnacle and steep Of godlike hardship tells me I must die Like a sick Eagle looking at the sky. ~ John Keats, #NFDB
450:No estoy seguro de nada excepto de la santidad del afecto del Corazón y la verdad de la Imaginación. Aquello que la imaginación capta como Belleza ha de ser verdad, haya existido antes o no. ~ John Keats, #NFDB
451:The genius of poetry must work out its own salvation in a man; it cannot be matured by law and precept, but by sensation and watchfulness in itself. That which is creative must create itself. ~ John Keats, #NFDB
452:As the Swiss inscription says: Sprechen ist silbern, Schweigen ist golden,- "Speech is silvern, Silence is golden;" or, as I might rather express it, Speech is of Time, Silence is of Eternity. ~ John Keats, #NFDB
453:I left poor Scylla in a niche and fled.
My fever’d parchings up, my scathing dread
Met palsy half way: soon these limbs became 640
Gaunt, wither’d, sapless, feeble, cramp’d, and lame. ~ John Keats,#NFDB
454:Dance and Provencal song and sunburnt mirth! On for a beaker full of the warm South, Full of the true, the blushful Hippocrene! With beaded bubbles winking at the brim, And purple-stained mouth. ~ John Keats, #NFDB
455:Give me women, wine, and snuff
Until I cry out 'hold, enough!'
You may do so sans objection
Till the day of resurrection;
For bless my beard thy aye shall be
My beloved Trinity. ~ John Keats,#NFDB
456:I have had a thousand kisses, for which with my whole soul I thank love -- but if you should deny me the thousand and first -- 'twould put me to the proof how great a misery I could live through. ~ John Keats, #NFDB
457:Into the wide stream came of purple hue–
’Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din– 200
’Twas Bacchus and his kin! ~ John Keats,#NFDB
458:Wherein lies happiness? In that which becks Our ready minds to fellowship divine, A fellowship with essence; till we shine, Full alchemiz’d, and free of space. Behold The clear religion of heaven! ~ John Keats, #NFDB
459:~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ Burton's 'Anatomy of Melancholy.' Part 3. Sect. 2. Memb. 1. Subs. 1.
,#NFDB
460:We have oftener than once endeavoured to attach some meaning to that aphorism, vulgarly imputed to Shaftesbury, which however we can find nowhere in his works, that "ridicule is the test of truth." ~ John Keats, #NFDB
461:What occasions the greater part of the world's quarrels? Simply this: Two minds meet and do not understand each other in time enough to prevent any shock of surprise at the conduct of either party. ~ John Keats, #NFDB
462:Closer of lovely eyes to lovely dreams, Lover of loneliness, and wandering, Of upcast eye, and tender pondering! Thee must I praise above all other glories That smile us on to tell delightful stories. ~ John Keats, #NFDB
463:The roaring of the wind is my wife and the stars through the window pane are my children. The mighty abstract idea I have of beauty in all things stifles the more divided and minute domestic happiness. ~ John Keats, #NFDB
464:for anon, 640
I felt upmounted in that region
Where falling stars dart their artillery forth,
And eagles struggle with the buffeting north
That balances the heavy meteor-stone;–
Felt too, ~ John Keats,#NFDB
465:How sad it is when a luxurious imagination is obliged in self defense to deaden its delicacy in vulgarity, and riot in things attainable that it may not have leisure to go mad after things that are not. ~ John Keats, #NFDB
466:My spirit is too weak--mortality
Weighs heavily on me like unwilling sleep,
And each imagin'd pinnacle and steep
Of godlike hardship tells me I must die
Like a sick Eagle looking at the sky. ~ John Keats,#NFDB
467:When the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose. ~ John Keats, #NFDB
468:... Who alive can say 'Thou art no Poet - mayst not tell thy dreams'? Since every man whose soul is not a clod Hath visions, and would speak, if he had loved, And been well nurtured in his mother tongue. ~ John Keats, #NFDB
469:Through the sad heart of Ruth, when sick for home She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. ~ John Keats, #NFDB
470:...how sad is it when a luxurious imagination is obliged in self defense to deaden its delicacy in vulgarity, and riot in things attainable that it may not have leisure to go mad after things which are not. ~ John Keats, #NFDB
471:A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. ~ John Keats, #NFDB
472:Deep in the shady sadness of a vale Far sunken from the healthy breath of morn, Far from the fiery noon and eve's one star, Sat gray-haired Saturn, quiet as a stone, Still as the silence round about his lair. ~ John Keats, #NFDB
473:Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz’d, and free of space. Behold
The clear religion of heaven! ~ John Keats,#NFDB
474:I have been
Presumptuous against love, against the sky,
Against all elements, against the tie
Of mortals each to each, against the blooms
Of flowers, rush of rivers, and the tombs
Of heroes gone. ~ John Keats,#NFDB
475:In a drear-nighted December, Too happy, happy brook, Thy bubblings ne'er remember Apollo's summer look; But with a sweet forgetting, They stay their crystal fretting, Never, never petting About the frozen time. ~ John Keats, #NFDB
476:I never felt my Mind repose upon anything with complete and undistracted enjoyment - upon no person but you. When you are in the room my thoughts never fly out of window: you always concentrate my whole senses. ~ John Keats, #NFDB
477:We must repeat the often repeated saying, that it is unworthy a religious man to view an irreligious one either with alarm or aversion, or with any other feeling than regret and hope and brotherly commiseration. ~ John Keats, #NFDB
478:Away, ye horrid moods!
Moods of one’s mind! You know I hate them well.
You know I’d sooner be a clapping bell
To some Kamtschatcan missionary church,
Than with these horrid moods be left i’ the lurch. ~ John Keats,#NFDB
479:Closer of lovely eyes to lovely dreams,
Lover of loneliness, and wandering,
Of upcast eye, and tender pondering!
Thee must I praise above all other glories
That smile us on to tell delightful stories. ~ John Keats,#NFDB
480:Philosophy will clip an Angel's wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomèd mine—
Unweave a rainbow, as it erewhile made
The tender-person'd Lamia melt into a shade ~ John Keats,#NFDB
481:Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den; ~ John Keats,#NFDB
482:Let us away, my love, with happy speed; There are no ears to hear, or eyes to see, - Drown'd all in Rhenish and the sleepy mead. Awake! arise! my love and fearless be, For o'er the southern moors I have a home for thee. ~ John Keats, #NFDB
483:sidelong fix’d her eye on Saturn’s face:
There saw she direst strife; the supreme God
At war with all the frailty of grief,
Of rage, of fear, anxiety, revenge,
Remorse, spleen, hope, but most of all despair. ~ John Keats,#NFDB
484:I cannot exist without you - I am forgetful of every thing but seeing you again - my Life seems to stop there - I see no further. You have absorb'd me. I have a sensation at the present moment as though I was dissolving. ~ John Keats, #NFDB
485:If I should die, I have left no immortal work behind me — nothing to make my friends proud of my memory — but I have loved the principle of beauty in all things, and if I had had time I would have made myself remembered. ~ John Keats, #NFDB
486:Pillow'd upon my fair love's ripening breast,
To feel for ever its soft swell and fall,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever-or else swoon to death. ~ John Keats,#NFDB
487:When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," - that is all Ye know on earth, and all ye need to know. ~ John Keats, #NFDB
488:There is an old saying "well begun is half done" - 'tis a bad one. I would use instead, "Not begun at all till half done;" so according to that I have not begun my Poem and consequently (a priori) can say nothing about it. ~ John Keats, #NFDB
489:When by my solitary hearth I sit,
When no fair dreams before my “mind’s eye” flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head. ~ John Keats,#NFDB
490:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing. ~ John Keats,#NFDB
491:In the fam’d memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak’d up ev’ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal’s Head. ~ John Keats,#NFDB
492:When shall we pass a day alone? I have had a thousand kisses, for which with my whole soul I thank love - but if you should deny me the thousand and first - 'twould put me to the proof how great a misery I could live through. ~ John Keats, #NFDB
493:There is an electric fire in human nature tending to purify - so that among these human creatures there is continually some birth of heroism. The pity is that we must wonder at it, as we should at finding a pearl in the rubbish. ~ John Keats, #NFDB
494:There is an electric fire in human nature tending to purify - so that among these human creatures there is continually some birth of new heroism. The pity is that we must wonder at it, as we should at finding a pearl in rubbish. ~ John Keats, #NFDB
495:...I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice. ~ John Keats, #NFDB
496:As I lay in my bed slepe full unmete
Was unto me, but why that I ne might
Rest I ne wist, for there n'as erthly wight
[As I suppose] had more of hertis ese
Than I, for I n'ad sicknesse nor disese. ~ John Keats, Sleep And Poetry
,#NFDB
497:Let us away, my love, with happy speed;
There are no ears to hear, or eyes to see,
- Drown'd all in Rhenish and the sleepy mead.
Awake! arise! my love and fearless be,
For o'er the southern moors I have a home for thee. ~ John Keats,#NFDB
498:Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:--do I wake or sleep? ~ John Keats, #NFDB
499:When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty," - that is all
Ye know on earth, and all ye need to know. ~ John Keats,#NFDB
500:I wish you could infuse a little confidence of human nature into my heart. I cannot muster any -- the world is too brutal for me -- I am glad there is such a thing as the grave -- I am sure I shall never have any rest till I get there. ~ John Keats, #NFDB
501:I did ... learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it's about your friends, a plot element if it's about a character in a novel, and scholarship if it's about John Keats. ~ Margaret Atwood, #NFDB
502:In Endymion I leaped headlong into the sea, and thereby have become better acquainted with the soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice. ~ John Keats, #NFDB
503:Then felt I like like some watcher of the skies
When a new planet swims into his ken;
Like stout Cortes when with eagle eyes
He star'd at the Pacific-and all his men
Look'd at each other with a wild surmise
Silent upon a peak in Darien ~ John Keats,#NFDB
504:The poet John Keats noted that whereas great authors are ‘capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason’, the rest of us are ‘incapable of remaining content with half-knowledge’.39 ~ Daniel Todd Gilbert, #NFDB
505:I may see you at a greater distance, I may not be able to appropriate you so closely to myself. Were you to loose a favorite bird from the cage, how would your eyes ache after it as long as it was in sight; when out of sight you would recover a little. ~ John Keats, #NFDB
506:This Grave contains all that was Mortal of a Young English Poet Who on his Death Bed in the Bitterness of his Heart at the Malicious Power of his Enemies Desired these words to be engraved on his Tomb Stone "Here lies One Whose Name was writ in Water." ~ John Keats, #NFDB
507:Knowing well that my life must be passed in fatigue and and trouble, I have been endeavouring to wean myself from you: for to myself alone what can be much of a misery? As far as they regard myself I can despise all events: but I cannot cease to love you. ~ John Keats, #NFDB
508:Sorrow more beautiful than Beauty’s self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear 40
Was with its stored thunder labouring up. ~ John Keats,#NFDB
509:Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry. ~ John Keats,#NFDB
510:Talking of Pleasure, this moment I was writing with one hand, and with the other holding to my Mouth a Nectarine - how good how fine. It went down all pulpy, slushy, oozy, all its delicious embonpoint melted down my throat like a large, beatified Strawberry. ~ John Keats, #NFDB
511:O let me lead her gently o'er the brook, Watch her half-smiling lips and downward look; O let me for one moment touch her wrist; Let me one moment to her breathing list; And as she leaves me, may she often turn Her fair eyes looking through her locks auburne. ~ John Keats, #NFDB
512:I have been astonished that men could die martyrs for their religion-- I have shuddered at it, I shudder no more. I could be martyred for my religion. Love is my religion and I could die for that. I could die for you. My Creed is Love and you are its only tenet. ~ John Keats, #NFDB
513:To be thrown among people who care not for you, with whom you have no sympathies[-] [it] forces the Mind upon its own resources, and leaves it free to make its speculations [on] the differences of human character and to class them with the calmness of a Botanist... ~ John Keats, #NFDB
514:To Hope "When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my 'mind's eye' flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. ~ John Keats, #NFDB
515:The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness. ~ John Keats, #NFDB
516:Sometimes goldfinches one by one will drop From low hung branches; little space they stop; But sip, and twitter, and their feathers sleek; Then off at once, as in a wanton freak: Or perhaps, to show their black, and golden wings Pausing upon their yellow flutterings. ~ John Keats, #NFDB
517:Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chase him away, sweet Hope, with visage bright, And fright him as the morning frightens night! ~ John Keats, #NFDB
518:yet let us sing,
Honour to the old bow-string! 50
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood, ~ John Keats,#NFDB
519:O that our dreamings all, of sleep or wake,
Would all their colours from the sunset take:
From something of material sublime,
Rather than shadow our own soul's day-time
In the dark void of night. For in the world
We jostle, - but my flag is not unfurl'd... ~ John Keats,#NFDB
520:I scarcely remember counting upon happiness—I look not for it if it be not in the present hour—nothing startles me beyond the moment. The setting sun will always set me to rights, or if a sparrow come before my Window I take part in its existence and pick about the gravel. ~ John Keats, #NFDB
521:O let me lead her gently o'er the brook,
Watch her half-smiling lips and downward look;
O let me for one moment touch her wrist;
Let me one moment to her breathing list;
And as she leaves me, may she often turn
Her fair eyes looking through her locks auburne. ~ John Keats,#NFDB
522:We have to find a way to not refuse to see where we are, what we are doing, and yet we must still live. And making sure to live - to go through life not around it - was always hard. Making sure to be in the vale of soul - making - as John Keats put it. Now it's insanely hard. ~ Jorie Graham, #NFDB
523:Ah! dearest love, sweet home of all my fears,
and hopes, and joys, and panting miseries,
Tonight if I may guess, thy beauty wears a smile of such delight,
As brilliant and as bright
As when with ravished, aching, nassal eyes,
Lost in a soft amaze
I gaze, I gaze ~ John Keats,#NFDB
524:Ay, in the very temple of Delight
Veil'd Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung. ~ John Keats,#NFDB
525:t this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are still the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. ~ John Keats,#NFDB
526:It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all. ~ Jane Campion, #NFDB
527:Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chase him away, sweet Hope, with visage bright,
And fright him as the morning frightens night! ~ John Keats,#NFDB
528:Names, deeds, gray legends, dire events, rebellions,
Majesties, sovran voices, agonies,
Creations and destroyings, all at once
Pour into the wide hollows of my brain,
And deify me, as if some blithe wine
Or bright elixir peerless I had drunk,
And so become immortal. ~ John Keats,#NFDB
529:I have been astonished that men could die martyrs
for their religion--
I have shuddered at it,
I shudder no more.
I could be martyred for my religion.
Love is my religion
and I could die for that.
I could die for you.
My Creed is Love and you are its only tenet. ~ John Keats,#NFDB
530:I never knew before, what such a love as you have made me feel, was; I did not believe in it; my Fancy was afraid of it, lest it should burn me up. But if you will fully love me, though there may be some fire, 'twill not be more than we can bear when moistened and bedewed with Pleasures. ~ John Keats, #NFDB
531:How horrid was the chance of slipping into the ground instead of into your arms -- the difference is amazing Love. Death must come at last; Man must die, as Shallow says; but before that is my fate I fain would try what more pleasures than you have given, so sweet a creature as you can give. ~ John Keats, #NFDB
532:I stood tip-toe upon a little hill, The air was cooling, and so very still, That the sweet buds which with a modest pride Pull droopingly, in slanting curve aside, Their scantly leaved, and finely tapering stems, Had not yet lost those starry diadems Caught from the early sobbing of the morn. ~ John Keats, #NFDB
533:it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason. ~ John Keats, #NFDB
534:That men, who might have tower'd in the van
Of all the congregated world, to fan
And winnow from the coming step of time
All chaff of custom, wipe away all slime
Left by men-slugs and human serpentry,
Have been content to let occasion die,
Whilst they did sleep in love's Elysium. ~ John Keats,#NFDB
535:What I deeply want... is for Rumi to become vitally present for readers, part of what John Keats called our soul-making, that process that is both collective and uniquely individual, that happens outside time and space and inside, that is the ocean we all inhabit and each singular droplet-self. ~ Coleman Barks, #NFDB
536:Give me women, wine, and snuff
Until I cry out "hold, enough!"
You may do so sans objection
Till the day of resurrection;
For bless my beard they aye shall be
My beloved Trinity.
by owner. provided at no charge for educational purposes
~ John Keats, Give Me Women, Wine, And Snuff
,#NFDB
537:When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich garners the full-ripen’d grain …
(From one of my favourite poems
by John Keats 1795 – 1821
“When I Have Fears that
I May Cease to Be”) ~ John Keats,#NFDB
538:A poem needs understaning through the senses. The point of diving in a lake, is not immediately to swim to the shore, but to be in the lake; to luxuriate in the sensation of water. You do not work the lake out, it is an experience beyond thought. Poetry soothes and emboldens the soul to accept mystery. ~ John Keats, #NFDB
539:A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore; it’s to be in the lake, to luxuriate in the sensation of water. You do not work the lake out. It is an experience beyond thought. Poetry soothes and emboldens the soul to accept mystery. ~ John Keats, #NFDB
540:John Gibson Lockhart, writing in Blackwood’s Magazine, described Endymion as “imperturbable drivelling idiocy”. With biting sarcasm, Lockhart advised, “It is a better and a wiser thing to be a starved apothecary than a starved poet; so back to the shop Mr John, back to plasters, pills, and ointment boxes ~ John Keats, #NFDB
541:Don't be discouraged by a failure. It can be a positive experience. Failure is, in a sense, the highway to success, inasmuch as every discovery of what is false leads us to seek earnestly after what is true, and every fresh experience points out some form of error which we shall afterwards carefully avoid. ~ John Keats, #NFDB
542:I myself am pursuing the same instinctive course as the veriest human animal you can think of I am, however young, writing at random straining at particles of light in the midst of a great darkness without knowing the bearing of any one assertion, of any one opinion. Yet may I not in this be free from sin? ~ John Keats, #NFDB
543:He, who is gone, was one of the very kindest friends I possessed, and yet he was not kinder perhaps to me, than to others. His intense mind and powerful feelings would, I truly believe, have done the world some service, had his life been spared but he was of too sensitive a nature and thus he was destroyed! ~ John Keats, #NFDB
544:Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers. ~ John Keats, #NFDB
545:Endymion received mostly negative criticism after its release and Keats himself admitted its diffuse and unappealing style. It was damned by many critics, giving rise to Byron’s quip that Keats was ultimately “snuffed out by an article”, suggesting that he never truly got over the criticism the poem received. ~ John Keats, #NFDB
546:In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm’d magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. 70 ~ John Keats,#NFDB
547:I am certain of nothing but the holiness of the Heart’s affections and the truth of the Imagination – What the imagination seizes as Beauty must be truth – whether it existed before or not – for I have the same Idea of all our Passions as of Love they are all in their sublime, creative of essential Beauty . . . ~ John Keats, #NFDB
548:My mind has been the most discontented and restless one that ever was put into a body too small for it.... I never felt my mind repose upon anything with complete and undistracted enjoyment- upon no person but you. When you are in the room my thoughts never fly out of window: you always concentrate my whole senses ~ John Keats, #NFDB
549:Darkling I listen; and, for many a time I have been half in love with easeful Death, Called him soft names in many a muse' d rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! ~ John Keats, #NFDB
550:... and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy,
My happy love will overwing all bounds!
O let me melt into thee! let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringly! ~ John Keats,#NFDB
551:A clammy dew is beading on my brow,
At mere remembering her pale laugh, and curse.
“Ha! ha! Sir Dainty! there must be a nurse
Made of rose leaves and thistledown, express,
To cradle thee my sweet, and lull thee: yes,
I am too flinty-hard for thy nice touch:
My tenderest squeeze is but a giant’s clutch. ~ John Keats,#NFDB
552:My love has made me selfish. I cannot exist without you. I am forgetful of everything but seeing you again -- my Life seems to stop there -- I see no further. You have absorb'd me. I have a sensation at the present moment as though I was dissolving -- I should be exquisitely miserable without the hope of soon seeing you. ~ John Keats, #NFDB
553:I am certain I have not a right feeling towards women -- at this moment I am striving to be just to them, but I cannot. Is it because they fall so far beneath my boyish imagination? When I was a schoolboy I thought a fair woman a pure Goddess; my mind was a soft nest in which some one of them slept, though she knew it not. ~ John Keats, #NFDB
554:Left to herself, the serpent now began
To change; her elfin blood in madness ran,
Her mouth foam’d, and the grass, therewith besprent,
Wither’d at dew so sweet and virulent;
Her eyes in torture fix’d, and anguish drear, 150
Hot, glaz’d, and wide, with lid-lashes all sear,
Flash’d phosphor and sharp sparks, ~ John Keats,#NFDB
555:A Man’s life of any worth is a continual allegory, and very few eyes can see the Mystery of his life—a life like the scriptures, figurative—which such people can no more make out than they can the Hebrew Bible. Lord Byron cuts a figure but he is not figurative—Shakspeare led a life of Allegory: his works are the comments on it ~ John Keats, #NFDB
556:You are always new. THe last of your kisses was ever the sweetest; the last smile the brightest; the last movement the gracefullest. When you pass'd my window home yesterday, I was fill'd with as much admiration as if I had then seen you for the first time...Even if you did not love me I could not help an entire devotion to you. ~ John Keats, #NFDB
557:Give me books, fruit, French wine and fine weather and a little music out of doors, played by someone I do not know. I admire lolling on a lawn by a water-lilied pond to eat white currants and see goldfish: and go to the fair in the evening if I'm good. There is not hope for that -one is sure to get into some mess before evening. ~ John Keats, #NFDB
558:This living hand, now warm and capable Of earnest grasping, would, if it were cold And in the icy silence of the tomb, So haunt thy days and chill thy dreaming nights That thou would wish thine own heart dry of blood, So in my veins red life might stream again, And thou be conscience-calm'd. See, here it is-- I hold it towards you. ~ John Keats, #NFDB
559:There are who lord it o’er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack’d
Fire-branded foxes to sear up and singe
Our gold and ripe-ear’d hopes. ~ John Keats,#NFDB
560:Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy! ~ John Keats,#NFDB
561:And she forgot the stars, the moon, and sun/ And she forgot the blue above the trees,/ And she forgot the dells where waters run,/ And she forgot the chilly autumn breeze;/ She had no knowledge when the day was done,/ And the new morn she saw not: but in peace/ Hung over her sweet basil evermore,/ And moisten'd it with tears unto the core. ~ John Keats, #NFDB
562:O Solitude! if I must with thee dwell, Let it not be among the jumbled heap Of murky buildings: climb with me the steep,-- Nature's observatory--whence the dell, In flowery slopes, its river's crystal swell, May seem a span; let me thy vigils keep 'Mongst boughs pavilion'd, where the deer's swift leap Startles the wild bee from the foxglove bell. ~ John Keats, #NFDB
563:How astonishingly does the chance of leaving the world improve a sense of its natural beauties upon us. Like poor Falstaff, although I do not 'babble,' I think of green fields; I muse with the greatest affection on every flower I have know from my infancy - their shapes and colours are as new to me as if I had just created them with superhuman fancy. ~ John Keats, #NFDB
564:This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou would wish thine own heart dry of blood,
So in my veins red life might stream again,
And thou be conscience-calm'd. See, here it is--
I hold it towards you. ~ John Keats,#NFDB
565:As inscribed on John Keats' tombstone:
This Grave
contains all that was Mortal,
of a
YOUNG ENGLISH POET,
Who
on his Death Bed,
in the Bitterness of his Heart,
at the Malicious Power of his Enemies
Desired
these Words to be engraven on his Tomb Stone:
"Here lies One
Whose Name was writ in Water."
Feb 24 1821 ~ John Keats,#NFDB
566:I still don't know how to work out a poem.
A poem needs understanding through the senses. The point of diving into a lake is not immediately to swim to the shore, but to be in the lake, to luxuriate in the sensation of water. You do not work the lake out, it is an experience beyond thought. Poetry soothes and emboldens the soul to accept the mystery. ~ John Keats,#NFDB
567:Let us not go hurrying about and collecting honey, bee-like buzzing here and there for a knowledge of what is not to be arrived at, but let us open our leaves like a flower, and be passive and receptive, budding patiently under the eye of Apollo, and taking hints from every noble insect that favours us with a visit - sap will be given us for meat and dew for drink. ~ John Keats, #NFDB
568:With duller steel than the Perséan sword
They cut away no formless monster's head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss'd it, and low moan'd.
'Twas love; cold,--dead indeed, but not dethroned. ~ John Keats,#NFDB
569:Nor do we merely feel these essences for one short hour no, even as these trees that whisper round a temple become soon dear as the temples self, so does the moon, the passion posey, glories infinite, Haunt us till they become a cheering light unto our souls and bound to us so fast, that wheather there be shine, or gloom o'er cast, They always must be with us, or we die. ~ John Keats, #NFDB
570:Though the most beautiful creature were waiting for me at the end of a journey or a walk; though the carpet were of silk, the curtains of the morning clouds; the chairs and sofa stuffed with cygnet's down; the food manna, the wine beyond claret, the window opening on Winander Mere, I should not feel -or rather my happiness would not be so fine, as my solitude is sublime. ~ John Keats, #NFDB
571:The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages. ~ John Keats, #NFDB
572:And must not, it may be asked, all this labour spent upon Keats’ memory and remains, all this load of editing and re-editing and commentary and biography and scholiast-work laid upon a poet who declared that all poems ought to be understood without any comment, — must it not by this time have fairly smothered, or is it not at least in danger of smothering, Keats himself and his poetry? ~ John Keats, #NFDB
573:I sue not for my happy crown again;
I sue not for my phalanx on the plain;
I sue not for my lone, my widow’d wife;
I sue not for my ruddy drops of life,
My children fair, my lovely girls and boys! 550
I will forget them; I will pass these joys;
Ask nought so heavenward, so too–too high:
Only I pray, as fairest boon, to die,
Or be deliver’d from this cumbrous flesh, ~ John Keats,#NFDB
574:In passing however I must say of one thing that has pressed upon me lately and encreased my Humility and capability of submission and that is this truth - Men of Genius are great as certain ethereal Chemicals operating on the Mass of neutral intellect - but they have not any individuality, any determined Character - I would call the top and head of those who have a proper self Men of Power. ~ John Keats, #NFDB
575:Have you read these poets? Langston Hughes Charles Bukowski John Keats Alfred Lord Tennyson Percy Bysshe Shelley Henry Wadsworth Longfellow William Butler Yeats William Blake Rudyard Kipling Roald Dahl Khalil Gibran Paul Laurence Dunbar Kabir Robert W Service Philip Larkin Dylan Thomas Henry Lawson Anne Sexton Allen Ginsberg Ogden Nash
~ Percy Bysshe Shelley, Help / Contact us
,#NFDB
576:X. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—“La Belle Dame sans Merci Hath thee in thrall!” XI. I saw their starved lips in the gloam, With horrid warning gaped wide, And I awoke and found me here, On the cold hill’s side. XII. And this is why I sojourn here, Alone and palely loitering, Though the sedge is wither’d from the lake, And no birds sing. ~ John Keats, #NFDB
577:Third things are essential to marriages, objects or practices or habits or arts or institutions or games or human beings that provide a site of joint rapture or contentment. Each member of a couple is separate; the two come together in double attention. Lovemaking is not a third thing but two-in-one. John Keats can be a third thing, or the Boston Symphony Orchestra, or Dutch interiors, or Monopoly. ~ Dani Shapiro, #NFDB
578:I could centre my Happiness in you, I cannot expect to engross your heart so entirely -- indeed if I thought you felt as much for me as I do for you at this moment I do not think I could restrain myself from seeing you again tomorrow for the delight of one embrace. But no -- I must live upon hope and Chance. In case of the worst that can happen, I shall still love you -- but what hatred shall I have for another! ~ John Keats, #NFDB
579:Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—do I wake or sleep? ~ John Keats,#NFDB
580:Peace, peace! he is not dead, he doth not sleep,
He hath awaken'd from the dream of life;
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay. ~ John Keats,#NFDB
581:But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
..Fast fading violets cover'd up in leaves
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves. ~ John Keats,#NFDB
582:My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
‘Tis not through envy of thy happy lot,
But being too happy in thy happiness,—-
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease. ~ John Keats,#NFDB
583:The genius of poetry must work out its own salvation in a man; it cannot be matured by law and precept, but by sensation and watchfulness in itself. That which is creative must create itself - In Endymion, I leaped headlong into the sea, and thereby have become better acquainted with the soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable sdvice. ~ John Keats, #NFDB
584:I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and I do think it's extraordinary that for all the thousands of pages Shakespeare left behind, we really don't know much about Shakespeare's own personality or opinions. ~ James Arthur, #NFDB
585:This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou wouldst wish thine own heart dry of blood
So in my veins red life might stream again,
And thou be conscience-calmed - see here it is -
I hold it towards you.
by owner. provided at no charge for educational purposes
~ John Keats, This Living Hand
,#NFDB
586:We hate poetry that has a palpable design upon us - and if we do not agree, seems to put its hand in its breeches pocket. Poetry should be great & unobtrusive, a thing which enters into one's soul, and does not startle it or amaze it with itself but with its subject. - How beautiful are the retired flowers! how would they lose their beauty were they to throng into the highway crying out, "admire me I am a violet! dote upon me I am a primrose!" ~ John Keats, #NFDB
587:But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes. ~ John Keats,#NFDB
588:Heard melodies are sweet, but those unheard Are sweeter: therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone. Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! ~ John Keats, #NFDB
589:Even if you did not love me I could not help an entire devotion to you: how much more deeply then must I feel for you knowing you love me. My Mind has been the most discontented and restless one that ever was put into a body too small for it. I never felt my Mind repose upon anything with complete and undistracted enjoyment -- upon no person but you. When you are in the room my thoughts never fly out of window: you always concentrate my whole senses. ~ John Keats, #NFDB
590:For Poesy alone can tell her dreams, With the fine spell of words alone can save Imagination from the sable charm And dumb enchantment. Who alive can say, ‘Thou art no Poet may’st not tell thy dreams?’ Since every man whose soul is not a clod Hath visions, and would speak, if he had loved And been well nurtured in his mother tongue. Whether the dream now purpos’d to rehearse Be poet’s or fanatic’s will be known When this warm scribe my hand is in the grave. ~ John Keats, #NFDB
591:Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. ~ John Keats, #NFDB
592:I HAD a dove and the sweet dove died;
And I have thought it died of grieving:
O, what could it grieve for? Its feet were tied,
With a silken thread of my own hand's weaving;
Sweet little red feet! why should you die -
Why should you leave me, sweet bird! why?
You liv'd alone in the forest-tree,
Why, pretty thing! would you not live with me?
I kiss'd you oft and gave you white peas;
Why not live sweetly, as in the green trees? ~ John Keats,#NFDB
593:I see, and sing by my own eyes inspired.
O let me be thy Choir and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swinged Censer teeming;
Thy Shrine, thy Grove, thy Oracle, thy heat
Of pale-mouthe'd Prophet dreaming!
Yes, I will be thy Priest and build a fane
In some untrodden region of my Mind,
Where branched thoughts, new grown with pleasant pain
Instead of pies shall murmer in the wind ~ John Keats,#NFDB
594:* * * * * * * * * * * * * * * * * * * *
Asleep! O sleep a little while, white pearl!
And let me kneel, and let me pray to thee,
And let me call Heavens blessing on thine eyes,
And let me breathe into the happy air,
That doth enfold and touch thee all about,
Vows of my slavery, my giving up,
My sudden adoration, my great love!
by owner. provided at no charge for educational purposes
~ John Keats, Asleep! O Sleep A Little While, White Pearl!
,#NFDB
595:Peace, peace! he is not dead, he doth not sleep, He hath awaken’d from the dream of life; ’Tis we, who lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance, strike with our spirit’s knife Invulnerable nothings. We decay Like corpses in a charnel; fear and grief Convulse us and consume us day by day, And cold hopes swarm like worms within our living clay. — Percy Bysshe Shelley, “Adonais: An Elegy on the Death of John Keats” The ~ Cassandra Clare, #NFDB
596:O magic sleep! O comfortable bird,
That broodest o’er the troubled sea of the mind
Till it is hush’d and smooth! O unconfin’d
Restraint! imprisoned liberty! great key
To golden palaces, strange minstrelsy,
Fountains grotesque, new trees, bespangled caves,
Echoing grottos, full of tumbling waves
And moonlight; aye, to all the mazy world 460
Of silvery enchantment!–who, upfurl’d
Beneath thy drowsy wing a triple hour,
But renovates and lives?– ~ John Keats,#NFDB
597:X.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—“La Belle Dame sans Merci
Hath thee in thrall!”
XI.
I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill’s side.
XII.
And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is wither’d from the lake,
And no birds sing. ~ John Keats,#NFDB
598:I
The sun, with his great eye,
Sees not so much as I;
And the moon, all silver-proud,
Might as well be in a cloud.
II
And O the spring- the spring
I lead the life of a king!
Couch'd in the teeming grass,
I spy each pretty lass.
III
I look where no one dares,
And I stare where no one stares,
And when the night is nigh,
Lambs bleat my lullaby
by owner. provided at no charge for educational purposes
~ John Keats, Daisys Song
,#NFDB
599:But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination’s struggles, far and nigh,
All human; bearing in themselves this good,
That they are still the air, the subtle food,
To make us feel existence.
-Keats, Endymion
This is the ‘goal’ of the soul path – to feel existence; not to overcome life’s struggles and anxieties, but to know life first hand, to exist fully in context. (Thomas Moore, Care of the Soul, p.260) ~ John Keats,#NFDB
600:Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair. ~ John Keats, #NFDB
601:Softly the breezes from the forest came,
Softly they blew aside the taper's flame;
Clear was the song from Philomel's far bower;
Grateful the incense from the lime-tree flower;
Mysterious, wild, the far-heard trumpet's tone;
Lovely the moon in ether, all alone:
Sweet too, the converse of these happy mortals,
As that of busy spirits when the portals
Are closing in the west; or that soft humming
We hear around when Hesperus is coming.
Sweet be their sleep. ~ John Keats,#NFDB
602:I would willingly have recourse to other means. I cannot; I am fit for nothing but literature. Wait for the issue of this Tragedy? No — there cannot be greater uncertainties east, west, north, and south than concerning dramatic composition. How many months must I wait! Had I not better begin to look about me now? If better events supersede this necessity what harm will be done? I have no trust whatever on Poetry. I don’t wonder at it — the marvel is to me how people read so much of it. ~ John Keats, #NFDB
603:A Pig's-Eye View Of Literature
The Lives and Times of John Keats,
Percy Bysshe Shelley, and
George Gordon Noel, Lord Byron
Byron and Shelley and Keats
Were a trio of Lyrical treats.
The forehead of Shelley was cluttered with curls,
And Keats never was a descendant of earls,
And Byron walked out with a number of girls,
But it didn't impair the poetical feats
Of Byron and Shelley,
Of Byron and Shelley,
Of Byron and Shelley and Keats.
~ Dorothy Parker,#NFDB
604:Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. ~ John Keats,#NFDB
605:Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells. ~ John Keats, #NFDB
606:Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it; despair is a confident memory of the future, in Gonzalez’s resonant phrase. Optimism is similarly confident about what will happen. Both are grounds for not acting. Hope can be the knowledge that we don’t have that memory and that reality doesn’t necessarily match our plans; hope like creative ability can come from what the Romantic poet John Keats called Negative Capability. On ~ Rebecca Solnit, #NFDB
607:For Poesy alone can tell her dreams,
With the fine spell of words alone can save
Imagination from the sable charm
And dumb enchantment. Who alive can say,
‘Thou art no Poet may’st not tell thy dreams?’
Since every man whose soul is not a clod
Hath visions, and would speak, if he had loved
And been well nurtured in his mother tongue.
Whether the dream now purpos’d to rehearse
Be poet’s or fanatic’s will be known
When this warm scribe my hand is in the grave. ~ John Keats,#NFDB
608:dolci le melodie conosciute, ma più dolci le ignote così voi, tenere cornamuse, il vostro canto non al mero orecchio portate- ma, per questo più care, allo spirito offrite silenziosi concerti."
" o grazioso giovane alla fresca ombra mai potrà il tuo canto languire- nè a quei rami venir meno la fronda."
"audace amante, mai tu potrai baciarla,
seppur vicino alla meta
e tuttavia non disperare."
"ella non può sfiorare e, seppur mai colta,
per sempre l'amerai-
e lei sarà per sempre bella. ~ John Keats,#NFDB
609:You could not step or move an eyelid but it would shoot to my heart – I am greedy of you – Do not think of any thing but me. Do not live as if I was not existing – Do not forget me – But have I any right to say you forget me? Perhaps you think of me all day. Have I any right to wish you to be unhappy for me? You would forgive me for wishing it, if you knew the extreme passion I have that you should love me – and for you to love me as I do you, you must think of no one but me, much less write that sentence. ~ John Keats, #NFDB
610:Ode to Psyche - Excerpt
I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth'd prophet dreaming.
Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind: ~ John Keats,#NFDB
611:Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells. ~ John Keats,#NFDB
612:My love has made me selfish. I cannot exist without you – I am forgetful of everything but seeing you again – my Life seems to stop there – I see no further. You have absorb’d me. I have a sensation at the present moment as though I was dissolving – I should be exquisitely miserable without the hope of soon seeing you … I have been astonished that Men could die Martyrs for religion – I have shudder’d at it – I shudder no more – I could be martyr’d for my Religion – Love is my religion – I could die for that – I could die for you. ~ John Keats, #NFDB
613:I cannot exist without you - I am forgetful of every thing but seeing you again - my Life seems to stop there - I see no further. You have absorb'd me. I have a sensation at the present moment as though I were dissolving... I have been astonished that Men could die Martyrs for religion - I have shudder'd at it - I shudder no more - I could be martyr'd for my Religion - Love is my religion - I could die for that - I could die for you. My creed is Love and you are its only tenet - You have ravish'd me away by a Power I cannot resist. ~ John Keats, #NFDB
614:My love has made me selfish. I cannot exist without you – I am forgetful of every thing but seeing you again – my Life seems to stop there – I see no further. You have absorb'd me. I have a sensation at the present moment as though I was dissolving – I should be exquisitely miserable without the hope of soon seeing you ... I have been astonished that Men could die Martyrs for religion – I have shudder'd at it – I shudder no more – I could be martyr'd for my Religion – Love is my religion – I could die for that – I could die for you. ~ John Keats, #NFDB
615:Imagine further, line by line,
These warrior thousands on the field supine:–
So in that crystal place, in silent rows,
Poor lovers lay at rest from joys and woes.– 740
The stranger from the mountains, breathless, trac’d
Such thousands of shut eyes in order plac’d;
Such ranges of white feet, and patient lips
All ruddy,–for here death no blossom nips.
He mark’d their brows and foreheads; saw their hair
Put sleekly on one side with nicest care;
And each one’s gentle wrists, with reverence, Put cross-wise to its heart. ~ John Keats,#NFDB
616:How I like claret!...It fills one's mouth with a gushing freshness, then goes down to cool and feverless; then, you do not feel it quarrelling with one's liver. No; 'tis rather a peace-maker, and lies as quiet as it did in the grape. Then it is as fragrant as the Queen Bee, and the more ethereal part mounts into the brain, not assaulting the cerebral apartments, like a bully looking for his trull, and hurrying from door to door, bouncing against the wainscott, but rather walks like Aladdin about his enchanted palace, so gently that you do not feel his step. ~ John Keats, #NFDB
617:Much have I traveled in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne, Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He stared at the Pacific, and all his men Look'd at each other with a wild surmise, Silent, upon a peak in Darien. ~ John Keats, #NFDB
618:Four Seasons fill the measure of the year; There are four seasons in the mind of man: He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honey'd cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness—to let fair things Pass by unheeded as a threshold brook. He has his Winter too of pale misfeature, Or else he would forego his mortal nature. ~ John Keats, #NFDB
619:… May there not be superior beings amused with any graceful, though instinctive attitude my mind may fall into, as I am entertained with the alertness of a Stoat or the anxiety of a Deer? Though a quarrel in the streets is a thing to be hated, the energies displayed in it are fine … By a superior being our reasonings may take the same tone—though erroneous they may be fine— This is the very thing in which consists poetry …” —JOHN KEATS, in a letter to his brother “The Imagination may be compared to Adam’s dream—he awoke and found it truth.” —JOHN KEATS, in a letter to a friend ~ Dan Simmons, #NFDB
620:When I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high-piled books, in charactery, Hold like rich garners the full ripen'd grain; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour, That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love;--then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink. ~ John Keats, #NFDB
621:My passions are all asleep from my having slumbered till nearly eleven and weakened the animal fiber all over me to a delightful sensation about three degrees on this sight of faintness - if I had teeth of pearl and the breath of lilies I should call it languor - but as I am I must call it laziness. In this state of effeminacy the fibers of the brain are relaxed in common with the rest of the body, and to such a happy degree that pleasure has no show of enticement and pain no unbearable frown. Neither poetry, nor ambition, nor love have any alertness of countenance as they pass by me. ~ John Keats, #NFDB
622:APOLLO
WHICH of the fairest three
To-day will ride with me?
My steeds are all pawing at the threshold of the morn:
Which of the fairest three
To-day will ride with me
Across the gold Autumn's whole Kingdom of corn?
THE GRACES all answer
I will, I - I - I
young Apollo let me fly
Along with thee,
I will- I, I, I,
The many wonders see
I - I - I - I
And thy lyre shall never have a slackened string:
I, I, I, I,
Thro' the golden day will sing.
by owner. provided at no charge for educational purposes
~ John Keats, Apollo And The Graces
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623:Bright star, would I were stedfast as thou art--- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors--- No---yet still stedfast, still unchangeable, Pillowed upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever---or else swoon in death. ~ John Keats, #NFDB
624:Four seasons fill the measure of the year;
There are four seasons in the mind of Man:
He has his lusty Spring, when fancy clear
Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring's honeyed cud of youthful thought he loves
To ruminate, and by such dreaming high
Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idleness -to let fair things
Pass by unheeded as a threshold brook: -
He has his Winter too of pale misfeature,
Or else he would forgo his mortal nature. ~ John Keats,#NFDB
625:Why did I laugh tonight? No voice will tell
No God, no demon of severe response
Deigns to reply from heaven or from hell
Then to my human heart I turn at once:
Heart, thou and I are here, sad and alone,
Say, why did I laugh? O mortal pain!
O darkness! darkness! Forever must I moan
To question heaven and hell and heart in vain?
Why did I laugh? I know this being's lease
My fancy to it's utmost blisses spreads
Yet would I on this very midnight cease
And all the world's gaudy ensigns see in shreds
Verse, fame and beauty are intense indeed
But death intenser, death is life's high meed. ~ John Keats,#NFDB
626:O Thou whose face hath felt the Winter’s wind,
Whose eye has seen the snow-clouds hung in mist,
And the black elm tops ’mong the freezing stars,
To thee the spring will be a harvest-time.
O thou, whose only book has been the light
Of supreme darkness which thou feddest on
Night after night when Phœbus was away,
To thee the Spring shall be a triple morn.
O fret not after knowledge—I have none,
And yet my song comes native with the warmth.
O fret not after knowledge—I have none,
And yet the Evening listens. He who saddens
At the thought of idleness cannot be idle,
And he’s awake who thinks himself asleep. ~ John Keats,#NFDB
627:Fairy Song
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Weep no more! oh, weep no more!
Young buds sleep in the root’s white core.
Dry your eyes! oh, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies,—
Shed no tear.
Overhead! look overhead!
‘Mong the blossoms white and red—
Look up, look up! I flutter now
On this fresh pomegranate bough.
See me! ’tis this silvery bill
Ever cures the good man’s ill.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Adieu, adieu—I fly—adieu!
I vanish in the heaven’s blue,—
Adieu, adieu! ~ John Keats,#NFDB
628:Elizabeth Barrett Browning, paid in Aurora Leigh (1857) her well-known tribute to Keats in lines that are neither good as poetry nor accurate as fact, but in their chaotic way none the less passionately felt and haunting: — By Keats’ soul, the man who never stepped In gradual progress like another man, But, turning grandly on his central self, Ensphered himself in twenty perfect years And died, not young, (the life of a long life Distilled to a mere drop, falling like a tear Upon the world’s cold cheek to make it burn For ever;) by that strong accepted soul, I count it strange and hard to understand That nearly all young poets should write old. ~ John Keats, #NFDB
629:Where's the Poet? show him! show him,
Muses nine! that I may know him.
'Tis the man who with a man
Is an equal, be he King,
Or poorest of the beggar-clan
Or any other wonderous thing
A man may be 'twixt ape and Plato;
'Tis the man who with a bird,
Wren or Eagle, finds his way to
All its instincts; he hath heard
The Lion's roaring, and can tell
What his horny throat expresseth,
And to him the Tiger's yell
Come articulate and presseth
Or his ear like mother-tongue.
'This is one of a group of undated fragments given at the end of Volume I of the Life, Letters &c. (1848).' ~ John Keats, Fragment. Wheres The Poet?
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630:To Sleep"
O soft embalmer of the still midnight,
Shutting, with careful fingers and benign,
Our gloom-pleas'd eyes, embower'd from the light,
Enshaded in forgetfulness divine:
O soothest Sleep! if so it please thee, close
In midst of this thine hymn my willing eyes,
Or wait the "Amen," ere thy poppy throws
Around my bed its lulling charities.
Then save me, or the passed day will shine
Upon my pillow, breeding many woes,—
Save me from curious Conscience, that still lords
Its strength for darkness, burrowing like a mole;
Turn the key deftly in the oiled wards,
And seal the hushed Casket of my Soul. ~ John Keats,#NFDB
631:After dark vapors have oppress’d our plains
For a long dreary season, comes a day
Born of the gentle South, and clears away
From the sick heavens all unseemly stains.
The anxious month, relieved of its pains,
Takes as a long-lost right the feel of May;
The eyelids with the passing coolness play
Like rose leaves with the drip of Summer rains.
The calmest thoughts came round us; as of leaves
Budding—fruit ripening in stillness—Autumn suns
Smiling at eve upon the quiet sheaves—
Sweet Sappho’s cheek—a smiling infant’s breath—
The gradual sand that through an hour-glass runs—
A woodland rivulet—a Poet’s death. ~ John Keats,#NFDB
632:We did not spend our days gazing into each other’s eyes. We did that gazing when we made love or when one of us was in trouble, but most of the time our gazes met and entwined as they looked at a third thing. Third things are essential to marriages, objects or practices or habits or arts or institutions or games or human beings that provide a site of joint rapture or contentment. Each member of a couple is separate; the two come together in double attention. Lovemaking is not a third thing but two-in-one. John Keats can be a third thing, or the Boston Symphony Orchestra, or Dutch interiors, or Monopoly. For many couples, children are a third thing.” — ~ Dani Shapiro, #NFDB
633:Bright Star
Bright star, would I were steadfast as thou art—
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death. ~ John Keats,#NFDB
634:To John Keats
Great master! Boyish, sympathetic man!
Whose orbed and ripened genius lightly hung
From life's slim, twisted tendril and there swung
In crimson-sphered completeness; guardian
Of crystal portals through whose openings fan
The spiced winds which blew when earth was young,
Scattering wreaths of stars, as Jove once flung
A golden shower from heights cerulean.
Crumbled before thy majesty we bow.
Forget thy empurpled state, thy panoply
Of greatness, and be merciful and near;
A youth who trudged the highroad we tread now
Singing the miles behind him; so may we
Faint throbbings of thy music overhear.
~ Amy Lowell,#NFDB
635:Souls of poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host's Canary wine?”
Sweeter than those dainty pies
Of venison? O generous food!
Drest though bold Robin Hood
Would, wit his maid Marian,
Sup and bowse from horn and can
“I have heard that on a day
Mine host's sign-board flew away,
Nobody knew whither, till
An astrologer's old quill
To a sheepskin gave the story,
Said he saw you in your glory,
Underneath a new old sign
Sipping beverage divine,
And pledging with contented smack
The Mermaid in the Zodiac. ~ John Keats,#NFDB
636:When I Have Fears That I May Cease To Be
When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich garners the full-ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink. ~ John Keats,#NFDB
637:To Solitude
O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings; climb with me the steep,—
Nature’s observatory—whence the dell,
Its flowery slopes, its river’s crystal swell,
May seem a span; let me thy vigils keep
’Mongst boughs pavillion’d, where the deer’s swift leap
Startles the wild bee from the fox-glove bell.
But though I’ll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refin’d,
Is my soul’s pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee. ~ John Keats,#NFDB
638:He’s writing his name in water,” I said. “What’s that?” It was the half-regretful term—borrowed from the headstone of John Keats—that Crabtree used to describe his own and others’ failure to express a literary gift through any actual writing on paper. Some of them, he said, just told lies; others wove plots out of the gnarls and elf knots of their lives and then followed them through to resolution. That had always been Crabtree’s chosen genre—thinking his way into an attractive disaster and then attempting to talk his way out, leaving no record and nothing to show for his efforts but a reckless reputation and a small dossier in the files of the Berkeley and New York City police departments. ~ Michael Chabon, #NFDB
639:My spirit is too weak; mortality
Weighs heavily on me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet 'tis a gentle luxury to weep,
That I have not the cloudy winds to keep
Fresh for the opening of the morning's eye.
Such dim-conceived glories of the brain
Bring round the heart an indescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old Time -with a billowy main,
A sun, a shadow of a magnitude.
by owner. provided at no charge for educational purposes
~ John Keats, On Seeing The Elgin Marbles For The First Time
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640:MINUTES are flying swiftly, and as yet
Nothing unearthly has enticed my brain
Into a delphic Labyrinth I would fain
Catch an unmortal thought to pay the debt
I owe to the kind Poet who has set
Upon my ambitious head a glorious gain.
Two bending laurel Sprigs 'tis nearly pain
To be conscious of such a Coronet.
Still time is fleeting, and no dream arises
Gorgeous as I would have it only I see
A Trampling down of what the world most prizes
Turbans and Crowns, and blank regality;
And then I run into most wild surmises
Of all the many glories that may be.
by owner. provided at no charge for educational purposes
~ John Keats, On Receiving A Laurel Crown From Leigh Hunt
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641:BEFORE he went to feed with owls and bats
Nebuchadnezzar had an ugly dream,
Worse than an Hus'if's when she thinks her cream
Made a Naumachia for mice and rats.
So scared, he sent for that "Good King of Cats"
Young Daniel, who soon did pluck away the beam
From out his eye, and said he did not deem
The sceptre worth a straw his Cushions old door-mats.
A horrid nightmare similar somewhat
Of late has haunted a most motley crew,
Most loggerheads and Chapmen we are told
That any Daniel tho' he be a sot
Can make the lying lips turn pale of hue
By belching out "ye are that head of Gold."
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet - Before He Went
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642:1.
Can death be sleep, when life is but a dream,
And scenes of bliss pass as a phantom by?
The transient pleasures as a vision seem,
And yet we think the greatest pain's to die.
2.
How strange it is that man on earth should roam,
And lead a life of woe, but not forsake
His rugged path; nor dare he view alone
His future doom which is but to awake.
'George Keats assigns these stanzas to the year 1814. Their interest is in the somewhat thoughtful vein they display for a youth of Keast's age at that time - eighteen or nineteen years.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, On Death
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643:WHAT is there in the universal Earth
More lovely than a Wreath from the bay tree?
Haply a Halo round the Moon a glee
Circling from three sweet pair of Lips in Mirth;
And haply you will say the dewy birth
Of morning Roses ripplings tenderly
Spread by the Halcyon's breast upon the Sea
But these Comparisons are nothing worth
Then is there nothing in the world so fair?
The silvery tears of April? Youth of May?
Or June that breathes out life for butterflies?
No none of these can from my favourite bear
Away the Palm yet shall it ever pay
Due Reverence to your most sovereign eyes.
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~ John Keats, To The Ladies Who Saw Me Crowned
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644:Happy is England! I could be content
To see no other verdure than its own;
To feel no other breezes than are blown
Through its tall woods with high romances blent:
Yet do I sometimes feel a languishment
For skies Italian, and an inward groan
To sit upon an Alp as on a throne,
And half forget what world or worldling meant.
Happy is England, sweet her artless daughters;
Enough their simple loveliness for me,
Enough their whitest arms in silence clinging:
Yet do I often warmly burn to see
Beauties of deeper glance, and hear their singing,
And float with them about the summer waters.
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~ John Keats, Sonnet XVII. Happy Is England
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645:O GOLDEN tongued Romance, with serene lute!
Fair plumed Syren, Queen of far-away!
Leave melodizing on this wintry day,
Shut up thine olden pages, and be mute:
Adieu! for, once again, the fierce dispute
Betwixt damnation and impassion 'd clay
Must I burn through; once more humbly assay
The bitter-sweet of this Shakespearian fruit:
Chief Poet! and ye clouds of Albion,
Begetters of our deep eternal theme!
When through the old oak Forest I am gone,
Let me not wander in a barren dream,
But, when I am consumed in the fire,
Give me new Phoenix wings to fly at my desire.
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~ John Keats, Sonnet On Sitting Down To Read King Lear Once Again
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646:I had a dove, and the sweet dove died;
And I have thought it died of grieving:
O, what could it grieve for? its feet were tied
With a single thread of my own hand's weaving;
Sweet little red feet, why should you die--
Why should you leave me, sweet bird, why?
You lived alone in the forest tree,
Why, pretty thing! would you not live with me?
I kiss'd you oft and gave you white peas;
Why not live sweetly, as in the green trees?
'This song was given in the Life, Letters &c., among the Literary Remains in Volume II, under the date 1818.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Song. I Had A Dove
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647:As Hermes once took to his feathers light
When lulled Argus, baffled, swoon'd and slept,
So on a Delphic reed my idle spright
So play'd, so charm'd, so conquer'd, so bereft
The dragon-world of all its hundred eyes,
And, seeing it asleep, so fled away:
Not to pure Ida with its snow-cold skies,
Nor unto Tempe where Jove griev'd a day;
But to that second circle of sad hell,
Where 'mid the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows. Pale were the sweet lips I saw,
Pale were the lips I kiss'd, and fair the form
I floated with, about that melancholy storm.
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~ John Keats, On A Dream
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648:John Keats
THE weltering London ways where children weep
And girls whom none call maidens laugh,—strange road
Miring his outward steps, who inly trode
The bright Castalian brink and Latmos' steep:—
Even such his life's cross-paths; till deathly deep
He toiled through sands of Lethe; and long pain,
Weary with labour spurned and love found vain,
In dead Rome's sheltering shadow wrapped his sleep.
O pang-dowered Poet, whose reverberant lips
And heart-strung lyre awoke the Moon's eclipse,—
Thou whom the daisies glory in growing o'er,—
Their fragrance clings around thy name, not writ
But rumour'd in water, while the fame of it
Along Time's flood goes echoing evermore.
~ Dante Gabriel Rossetti,#NFDB
649:Depression In Early Spring
Meathooks, notebooks,
the whole city sky palely flaming
& spectral bombs
hitting that patch of river
I see from my eastern window.
The poets are dead, the city dying.
Anne, Sylvia, Keats
with his passionate lungs,
Berryman jumping from the bridge & waving,
all the dreamers dead
of their own dreams.
Why have I stayed on as Horatio?
Anne sends poems from the grave,
Sylvia, letters.
John Keats's ghostly cough
comes through the wall board.
What am I doing here?
Why contend?
am a corpse who moves a pen that writes.
am a vessel for a voice that echoes.
write a novel & annihilate whole forests.
rearrange the cosmos by an inch.
~ Erica Jong,#NFDB
650:he found a palpitating snake,
Bright, and cirque-couchant in a dusky brake. She was a gordian shape of dazzling hue,
Vermilion-spotted, golden, green, and blue;
Striped like a zebra, freckled like a pard,
Eyed like a peacock, and all crimson barr’d; 50
And full of silver moons, that, as she breathed,
Dissolv’d, or brighter shone, or interwreathed
Their lustres with the gloomier tapestries —
So rainbow-sided, touch’d with miseries,
She seem’d, at once, some penanced lady elf,
Some demon’s mistress, or the demon’s self.
Upon her crest she wore a wannish fire
Sprinkled with stars, like Ariadne’s tiar:
Her head was serpent, but ah, bitter-sweet!
She had a woman’s mouth with all its pearls complete: 60 ~ John Keats,#NFDB
651:How many bards gild the lapses of time!
A few of them have ever been the food
Of my delighted fancy,I could brood
Over their beauties, earthly, or sublime:
And often, when I sit me down to rhyme,
These will in throngs before my mind intrude:
But no confusion, no disturbance rude
Do they occasion; 'tis a pleasing chime.
So the unnumbered sounds that evening store;
The songs of birdsthe whispering of the leaves
The voice of watersthe great bell that heaves
With solemn sound,and thousand others more,
That distance of recognizance bereaves,
Makes pleasing music, and not wild uproar.
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet IV. How Many Bards Gild The Lapses Of Time!
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652:I.
The Gothic looks solemn,
The plain Doric column
Supports an old Bishop and Crosier;
The mouldering arch,
Shaded o'er by a larch
Stands next door to Wilson the Hosier.
II.
Vice--that is, by turns,--
O'er pale faces mourns
The black tassell'd trencher and common hat;
The Chantry boy sings,
The Steeple-bell rings,
And as for the Chancellor--dominat.
III.
There are plenty of trees,
And plenty of ease,
And plenty of fat deer for Parsons;
And when it is venison,
Short is the benison,--
Then each on a leg or thigh fastens.
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~ John Keats, Lines Rhymed In A Letter From Oxford
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653:Bright star, would I were stedfast as thou art
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors
Noyet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live everor else swoon to death.
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~ John Keats, Bright Star
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654:Two or three Posies
With two or three simples--
Two or three Noses
With two or three pimples--
Two or three wise men
And two or three ninny's--
Two or three guineas--
Two or three raps
At two or three doors--
Two or three naps
Of two or three hours--
Two or three Cats
And two or three mice--
Two or three sprats
At a very great price--
Two or three sandies
And two or three tabbies--
Two or three dandies
And two Mrs.------
Two or three Smiles
And two or three frowns--
Two or three Miles
To two or three towns--
Two or three pegs
For two or three bonnets--
Two or three dove eggs
To hatch into sonnets.
by owner. provided at no charge for educational purposes
~ John Keats, Two Or Three
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655:O PEACE! and dost thou with thy presence bless
The dwellings of this war-surrounded Isle;
Soothing with placid brow our late distress,
Making the triple kingdom brightly smile?
Joyful I hail thy presence; and I hail
The sweet companions that await on thee;
Complete my joy let not my first wish fail,
Let the sweet mountain nymph thy favourite be,
With England's happiness proclaim Europa's Liberty.
O Europe! let not sceptred tyrants see
That thou must shelter in thy former state;
Keep thy chains burst, and boldly say thou art free;
Give thy kings law leave not uncurbed the great ;
So with the horrors past thou'lt win thy happier fate!
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. On Peace
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656:Cat! who hast pass'd thy grand climacteric,
How many mice and rats hast in thy days
Destroy'd? How many tit bits stolen? Gaze
With those bright languid segments green, and prick
Those velvet ears -- but pr'ythee do not stick
Thy latent talons in me -- and upraise
Thy gentle mew -- and tell me all thy frays,
Of fish and mice, and rats and tender chick.
Nay, look not down, nor lick thy dainty wrists--
For all thy wheezy asthma -- and for all
Thy tail's tip is nick'd off -- and though the fists
Of many a maid have given thee many a maul,
Still is that fur as soft, as when the lists
In youth thou enter'dest on glass bottled wall.
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To Mrs. Reynoldss Cat
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657: It keeps eternal whisperings around
Desolate shores, and with its mighty swell
Gluts twice ten thousand caverns, till the spell
Of Hecate leaves them their old shadowy sound.
Often 'tis in such gentle temper found
That scarcely will the very smallest shell
Be mov'd for days from whence it sometime fell,
When last the winds of heaven were unbound.
Oh ye! who have your eye-balls vex'd and tir'd,
Feast them upon the wideness of the Sea;
Oh ye! whose ears are dinn'd with uproar rude,
Or fed too much with cloying melody,--
Sit ye near some old cavern's mouth, and brood
Until ye start, as if the sea-nymphs quir'd!
'First given among the Literary Remains in Volume II of the Life, Letters &c. (1848), and dated August 1817.' ~ John Keats, Sonnet. On The Sea
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658:Dark eyes are dearer far
Than those that mock the hyacinthine bell.
Blue! 'Tis the life of heaven,the domain
Of Cynthia,the wide palace of the sun,
The tent of Hesperus, and all his train,
The bosomer of clouds, gold, gray, and dun.
Blue! 'Tis the life of waters:Ocean
And all its vassal streams, pools numberless,
May rage, and foam, and fret, but never can
Subside, if not to dark-blue nativeness.
Blue! gentle cousin of the forest-green,
Married to green in all the sweetest flowers
Forget-me-not,the blue-bell,and, that queen
Of secrecy, the violet: what strange powers
Hast thou, as a mere shadow! But how great,
When in an Eye thou art alive with fate!
by owner. provided at no charge for educational purposes
~ John Keats, Answer To A Sonnet By J.H.Reynolds
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659:Hither hither, love--
'Tis a shady mead--
Hither, hither, love!
Let us feed and feed!
Hither, hither, sweet--
'Tis a cowslip bed--
Hither, hither, sweet!
'Tis with dew bespread!
Hither, hither, dear
By the breath of life,
Hither, hither, dear!--
Be the summer's wife!
Though one moment's pleasure
In one moment flies--
Though the passion's treasure
In one moment dies;--
Yet it has not passed--
Think how near, how near!--
And while it doth last,
Think how dear, how dear!
Hither, hither, hither
Love its boon has sent--
If I die and wither
I shall die content!
by owner. provided at no charge for educational purposes
~ John Keats, Hither, Hither, Love
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660:Who loves to peer up at the morning sun,
With half-shut eyes and comfortable cheek,
Let him with this sweet tale full often seek
For meadows where the little rivers run;
Who loves to linger with that brightest one
Of Heaven -- Hesperus -- let him lowly speak
These numbers to the night and starlight meek,
Or moon, if that her hunting be begun.
He who knows these delights, and, too, is prone
To moralize upon a smile or tear,
Will find at once a region of his own,
A bower for his spirit, and will steer
To alleys where the fir-tree drops its cone,
Where robins hop, and fallen leaves are sear.
'First given among the Literary Remains in Volume II of the Life, Letters &c. (1848), next to the Sonnet On The Sea, dated 1817.' ~ John Keats, Sonnet. On Leigh Hunts Poem The Story of Rimini
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661:Brown and Dilke walked with me and back from the Christmas pantomime. I had not a dispute but a disquisition, with Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason - Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half-knowledge. This pursued through volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration. ~ John Keats, #NFDB
662:Give me a golden pen, and let me lean
On heaped-up flowers, in regions clear, and far;
Bring me a tablet whiter than a star,
Or hand of hymning angel, when 'tis seen
The silver strings of heavenly harp atween:
And let there glide by many a pearly car
Pink robes, and wavy hair, and diamond jar,
And half-discovered wings, and glances keen.
The while let music wander round my ears,
And as it reaches each delicious ending,
Let me write down a line of glorious tone,
And full of many wonders of the spheres:
For what a height my spirit is contending!
'Tis not content so soon to be alone.
'This sonnet also belongs to the Cottage in the Vale of Health, as we are led to infer from Charles Cowden Clarke's mention of it in connexion with No. IX. and No. XV.' ~ John Keats, Sonnet XII. On Leaving Some Friends At An Early Hour
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663:O Chatterton! how very sad thy fate!
Dear child of sorrow -- son of misery!
How soon the film of death obscur'd that eye,
Whence Genius mildly falsh'd, and high debate.
How soon that voice, majestic and elate,
Melted in dying numbers! Oh! how nigh
Was night to thy fair morning. Thou didst die
A half-blown flow'ret which cold blasts amate.
But this is past: thou art among the stars
Of highest heaven: to the rolling spheres
Thou sweetly singest: nought thy hymning mars,
Above the ingrate world and human fears.
On earth the good man base detraction bars
From thy fair name, and waters it with tears.
'This sonnet was also first given in the Life, Letters &c. in 1848.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To Chatterton
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664:Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touch'd her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffer'd them to die.
O'ershadowing sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud the golden moon doth veil,
Its sides are ting'd with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe.
'First given in the Life, Letters &c. (1848), Volume 1, page 13, under the date December 1814.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To Byron
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665:Oh! how I love, on a fair summer's eve,
When streams of light pour down the golden west,
And on the balmy zephyrs tranquil rest
The silver clouds, far -- far away to leave
All meaner thoughts, and take a sweet reprieve
From little cares; to find, with easy quest,
A fragrant wild, with Nature's beauty drest,
And there into delight my soul deceive.
There warm my breast with patriotic lore,
Musing on Milton's fate -- on Sydney's bier --
Till their stern forms before my mind arise:
Perhaps on wing of Poesy upsoar,
Full often dropping a delicious tear,
When some melodious sorrow spells mine eyes.
'First given among the Literary Remains in the Life, Letters &c. (1848), with the date 1816.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet - Oh! How I Love, On A Fair Summers Eve
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666:High-mindedness, a jealousy for good,
A loving-kindness for the great man's fame,
Dwells here and there with people of no name,
In noisome alley, and in pathless wood:
And where we think the truth least understood,
Oft may be found a "singleness of aim,"
That ought to frighten into hooded shame
A money-mongering, pitiable brood.
How glorious this affection for the cause
Of steadfast genius, toiling gallantly!
What when a stout unbending champion awes
Envy and malice to their native sty?
Unnumbered souls breathe out a still applause,
Proud to behold him in his country's eye.
'Benjamin Robert Haydon, historical painter, was born on the 26th of January 1786, and died by his own hand on the 22nd of June 1846.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet XIII. Addressed To Haydon
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667:I
You say you love ; but with a voice
Chaster than a nun's, who singeth
The soft Vespers to herself
While the chime-bell ringeth-
O love me truly!
II
You say you love; but with a smile
Cold as sunrise in September,
As you were Saint Cupid 's nun,
And kept his weeks of Ember.
O love me truly!
III
You say you love but then your lips
Coral tinted teach no blisses,
More than coral in the sea
They never pout for kisses
O love me truly!
IV
You say you love ; but then your hand
No soft squeeze for squeeze returneth,
It is like a statue's dead
While mine to passion burneth
O love me truly!
V
O breathe a word or two of fire!
Smile, as if those words should burn me,
Squeeze as lovers should O kiss
And in thy heart inurn me!
O love me truly!
by owner. provided at no charge for educational purposes
~ John Keats, You Say You Love
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668:Nymph of the downward smile and sidelong glance!
In what diviner moments of the day
Art thou most lovely? -- when gone far astray
Into the labyrinths of sweet utterance,
Or when serenely wandering in a trance
Of sober thought? -- Or when starting away,
With careless robe to meet the morning ray,
Thou sparest the flowers in thy mazy dance?
Haply 'tis when thy ruby lips part sweetly,
And so remain, because thou listenest:
But thou to please wert nurtured so completely
That I can never tell what mood is best;
I shall as soon pronounce which Grace more neatly
Trips it before Apollo than the rest.
'The subject of this sonnet was Miss Georgiana Augusta Wylie, afterwards the wife of Keats's brother George, and now (1881) Mrs. Jeffrey. I should not have connected the sonnet positively with this lady had I not seen the manuscript in Keats's writing, headed "To Miss Wylie." ~ John Keats, Sonnet VI. To G. A. W.
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669:Have not the last three years been an utterly unprecedented, overwhelming and transforming experience for mankind? Will not the new world after the war be a new world indeed, on the one hand filled, nay, gorged, with recollections of doing and undergoing, of endurance and adventure, of daring and suffering and horror, of hellishness and heroism, beside which all the dreams of bygone romance must forever seem tame and vapid; and on the other hand straining with a hungry forecast towards a future of peace and justice such as mankind has not known before, which it will be its tremendous task to try and establish? Will not this world of so prodigiously intensified experiences and enlarged hopes and besetting anxieties require and produce new poets and a new poetry of its own that shall deal with the realities it has gone through and those it is striving for, and put away and cease to care for the old dreams and thrills and glamours of romance? ~ John Keats, #NFDB
670:O that a week could be an age, and we
Felt parting and warm meeting every week,
Then one poor year a thousand years would be,
The flush of welcome ever on the cheek:
So could we live long life in little space,
So time itself would be annihilate,
So a day's journey in oblivious haze
To serve ourjoys would lengthen and dilate.
O to arrive each Monday morn from Ind!
To land each Tuesday from the rich Levant!
In little time a host of joys to bind,
And keep our souls in one eternal pant!
This morn, my friend, and yester-evening taught
Me how to harbour such a happy thought.
'First given among the Literary Remains, in the Life, Letters &c. (1848), not dated, but standing next to the sonnet on blue eyes, which is dated February 1818.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To John Hamilton Reynolds
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671:Think of my Pleasure in Solitude, in comparison of my commerce with the world - there I am a child - there they do not know me not even my most intimate acquaintance - I give into their feelings as though I were refraining from irritating a little child - Some think me middling, others silly, other foolish - every one thinks he sees my weak side against my will; when in thruth it is with my will - I am content to be thought all this because I have in my own breast so graet a resource. This is one great reason why they like me so; because they can all show to advantage in a room, and eclipese from a certain tact one who is reckoned to be a good Poet - I hope I am not here playing tricks 'to make the angels weep': I think not: for I have not the least contempt for my species; and though it may sound paradoxical: my greatest elevations of Soul leave me every time more humbled - Enough of this - though in your Love for me you will not think it enough. ~ John Keats, #NFDB
672:Come hither all sweet Maidens soberly
Down looking aye, and with a chasten'd light
Hid in the fringes of your eyelids white,
And meekly let your fair hands joined be,
As if so gentle that ye could not see,
Untouch'd, a victim of your beauty bright,
Sinking away to his young spirit's night,
Sinking bewilder'd 'mid the dreary sea.
'Tis young Leander toiling to his death.
Nigh swooning he doth purse his weary lips
For Hero's cheek, and smiles against her smile.
O horrid dream! see how his body dips
Dead-heavy; arms and shoulders gleam awhile;
He's gone; up bubbles all his amorous breath!
'This sonnet appeared in the year 1829 both in The Gem, A Literary Annal, edited by Thomas Hood, and in Galignani's edition of Shelley, Keats, and Coleridge.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. On A Picture Of Leander
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673:Had I a man's fair form, then might my sighs
Be echoed swiftly through that ivory shell
Thine ear, and find thy gentle heart; so well
Would passion arm me for the enterprize:
But ah! I am no knight whose foeman dies;
No cuirass glistens on my bosom's swell;
I am no happy shepherd of the dell
Whose lips have trembled with a maiden's eyes.
Yet must I doat upon thee,--call thee sweet,
Sweeter by far than Hybla's honied roses
When steep'd in dew rich to intoxication.
Ah! I will taste that dew, for me 'tis meet,
And when the moon her pallid face discloses,
I'll gather some by spells, and incantation.
'Tom Keats's copy-book contains a transcript of this sonnet showing no variation in the text, except by a copyist's error at the end, -- the last word being 'incantations.' There is no heading beyond the word Sonnet, no date, and no clue to the identity of the person addressed.' ~ John Keats, Sonnet II. To .........
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674:Keen, fitful gusts are whisp'ring here and there
Among the bushes half leafless, and dry;
The stars look very cold about the sky,
And I have many miles on foot to fare.
Yet feel I little of the cool bleak air,
Or of the dead leaves rustling drearily,
Or of those silver lamps that burn on high,
Or of the distance from home's pleasant lair:
For I am brimfull of the friendliness
That in a little cottage I have found;
Of fair-hair'd Milton's eloquent distress,
And all his love for gentle Lycid drown'd;
Of lovely Laura in her light green dress,
And faithful Petrarch gloriously crown'd.
'Clarke records that this sonnet was written on the occasion of Keats's first becoming acquainted with Leigh Hunt at the Cottage in the Vale of Health, Hampstead.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet IX. Keen, Fitful Gusts Are
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675:As from the darkening gloom a silver dove
Upsoars, and darts into the eastern light,
On pinions that nought moves but pure delight,
So fled thy soul into the realms above,
Regions of peace and everlasting love;
Where happy spirits, crown'd with circlets bright
Of starry beam, and gloriously bedight,
Taste the high joy none but the blest can prove.
There thou or joinest the immortal quire
In melodies that even heaven fair
Fill with superior bliss, or, at desire,
Of the omnipotent Father, cleav'st the air
On holy message sent -- What pleasure's higher?
Wherefore does any grief our joy impair?
'Lord Houghton gave this sonnet in the Aldine edition of 1876, with the date 1816. There is nothing to show to whose death the poet refers.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet - As From The Darkening Gloom A Silver Dove
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676:dedicated individuals and popular movements can shape history and have, though how and when we might win and how long it takes is not predictable. Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it; despair is a confident memory of the future, in Gonzalez’s resonant phrase. Optimism is similarly confident about what will happen. Both are grounds for not acting. Hope can be the knowledge that we don’t have that memory and that reality doesn’t necessarily match our plans; hope like creative ability can come from what the Romantic poet John Keats called Negative Capability. On a midwinter’s night in 1817, a little over a century before Woolf’s journal entry on darkness, the poet John Keats walked home talking with some friends and as he wrote in a celebrated letter describing that walk, “several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature. ~ Rebecca Solnit, #NFDB
677:Fresh morning gusts have blown away all fear
From my glad bosom, -- now from gloominess
I mount for ever -- not an atom less
Than the proud laurel shall content my bier.
No! by the eternal stars! or why sit here
In the Sun's eye, and 'gainst my temples press
Apollo's very leaves, woven to bless
By thy white fingers and thy spirit clear.
Lo! who dares say, "Do this"? Who dares call down
My will from its high purpose? Who say,"Stand,"
Or, "Go"? This mighty moment I would frown
On abject Caesars -- not the stoutest band
Of mailed heroes should tear off my crown:
Yet would I kneel and kiss thy gentle hand!
'First given by Lord Houghton among the Literary Remains in Volume II of the Life, Letters &c. (1848). It appears to belong to the year 1816.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. To A Young Lady Who Sent Me A Laurel Crown
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678:Four Seasons fill the measure of the year;
There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear
Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring's honied cud of youthful thought he loves
To ruminate, and by such dreaming high
Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idlenessto let fair things
Pass by unheeded as a threshold brook.
He has his Winter too of pale misfeature,
Or else he would forego his mortal nature.
'This sonnet and that to Ailsa Rock were first published, with the signature "I," in Leigh Hunt's Literary Pocket-Book; or, Companion for the Lover of Nature and Art, -- the first number, that for 1819.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. The Human Seasons
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679:Great spirits now on earth are sojourning;
He of the cloud, the cataract, the lake,
Who on Helvellyn's summit, wide awake,
Catches his freshness from Archangel's wing:
He of the rose, the violet, the spring,
The social smile, the chain for Freedom's sake:
And lo!--whose stedfastness would never take
A meaner sound than Raphaels whispering.
And other spirits there are standing apart
Upon the forehead of the age to come;
These, these will give the world another heart,
And other pulses. Hear ye not the hum
Of mighty workings?-------
Listen awhile ye nations, and be dumb.
'In Tom Keats's copy-book this Sonnet is headed simply "Sonnet" and is dated 1816 merely. There are no variations. ... the two men referred to in the first six lines -- Wordsworth and Leigh Hunt.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet XIV. Addressed To The Same (Haydon)
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680:To one who has been long in city pent,
'Tis very sweet to look into the fair
And open face of heaven -- to breathe a prayer
Full in the smile of the blue firmament.
Who is more happy, when, with heart's content,
Fatigued he sinks into some pleasant lair
Of wavy grass, and reads a debonair
And gentle tale of love and languishment?
Returning home at evening, with an ear
Catching the notes of Philomel,-- an eye
Watching the sailing cloudlet's bright career,
He mourns that day so soon has glided by:
E'en like the passage of an angel's tear
That falls through the clear ether silently.
'In a transcript in the hand-writing of George Keats this sonnet is subscribed as "Written in the Fields -- June 1816." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet X. To One Who Has Been Long In City Pent
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681:I cry your mercy--pity--love!--aye, love!
Merciful love that tantalizes not,
One-thoughted, never-wandering, guileless love,
Unmasked, and being seen--without a blot!
O! let me have thee whole,--all--all--be mine!
That shape, that fairness, that sweet minor zest
Of love, your kiss,--those hands, those eyes divine,
That warm, white, lucent, million-pleasured breast,--
Yourself--your soul--in pity give me all,
Withhold no atom's atom or I die,
Or living on, perhaps, your wretched thrall,
Forget, in the mist of idle misery,
Life's purposes,--the palate of my mind
Losing its gust, and my ambition blind!
'First given among the Literary Remains in 1848, dated 1819. I have no data upon which to suggest the period more exactly; but the desperation of tone may perhaps indicate that the sonnet was composed late in the year.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, To Fanny
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682:And what is love? It is a doll dress'd up
For idleness to cosset, nurse, and dandle;
A thing of soft misnomers, so divine
That silly youth doth think to make itself
Divine by loving, nad so goes on
Yawning and doting a whole summer long,
Till Miss's comb is made a perfect tiara,
And common Wellingtons turn Romeo boots;
Then Cleopatra lives at number seven,
And Antony resides in Brunswick Square.
Fools! if some passions high have warm'd the world,
If Queens and Soldiers have play'd deep for hearts,
It is no reason why such agonies
Should be more common than the growth of weeds.
Fools! make me whole again that weighty pearl
The Queen of Egypt melted, and I'll say
That ye may love in spite of beaver hats.
'"Modern Love" follows "Where's the Poet?" in the group of undated fragments at the end of Volume I of the Life, Letters &c. (1848).' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Fragment - Modern Love
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683:Time's sea hath been five years at its slow ebb,
Long hours have to and fro let creep the sand,
Since I was tangled in thy beauty's web,
And snared by the ungloving of thine hand.
And yet I never look on midnight sky,
But I behold thine eyes' well memory'd light;
I cannot look upon the rose's dye,
But to thy cheek my soul doth take its flight.
I cannot look on any budding flower,
But my fond ear, in fancy at thy lips
And hearkening for a love-sound, doth devour
Its sweets in the wrong sense: -- Thou dost eclipse
Every delight with sweet remembering,
And grief unto my darling joys dost bring.
'Published in Hood's Magazine for April 1844, headed "Sonnet by the late John Keats," and given by Lord Houghton in 1848 among the Literary Remains, undated, and headed "To ----." with a foot-note to the effect of the heading here adopted.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. To A Lady Seen For A Few Moments At Vauxhall
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684:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkn'd ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink. ~ John Keats,#NFDB
685:1.
Spirit here that reignest!
Spirit here that painest!
Spirit here that burneth!
Spirit here that mourneth!
Spirit! I bow
My forehead low,
Enshaded with thy pinions!
Spirit! I look
All passion struck,
Into thy pale dominions!
2.
Spirit here that laughest!
Spirit here that quaffest!
Spirit here that danceth!
Spirit here that pranceth!
Spirit! with thee
I join in the glee,
While nudging the elbow of Momus!
Spirit! I flush
With a Bacchanal blush,
Just fresh from the banquet of Comus!
Song. Written On A Blank Page In Beaumont And Fletcher's Works, Between "Cupid's Revenge" and "The Two Noble Kinsmen"
'First given among the Literary Remains in 1848 as an independent song; but included in the Aldine edition of Faery Songs. The fact that the Song was written where it was leads me to prefer the earlier arrangement.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Song. Written On A Blank Page In Beaumont And Fletchers Works
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686:When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high piled books, in charactry,
Hold like rich garners the full-ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love; -- then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.
'This sonnet, if which there is a fair manuscript dated 1817 in Sir Charles Dilke's copy of Endymion, was printed among the Literary Remains in the second volume of the Life, Letters &c. (1848). The text as given above accords entirely with the manuscript.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet - When I Have Fears That I May Cease To Be
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687:The day is gone, and all its sweets are gone!
Sweet voice, sweet lips, soft hand, and softer breast,
Warm breath, light whisper, tender semitone,
Bright eyes, accomplished shape, and lang'rous waist!
Faded the flower and all its budded charms,
Faded the sight of beauty from my eyes,
Faded the shape of beauty from my arms,
Faded the voice, warmth, whiteness, paradise--
Vanished unseasonably at shut of eve,
When the dusk holiday -- or holinight
Of fragrant-curtained love begins to weave
The woof of darkness thick, for hid delight;
But, as I've read love's missal through today,
He'll let me sleep, seeing I fast and pray.
'This sonnet was first given among the Literary Remains in 1848, with the date 1819. There is a letter to Miss Brawne posted on the 11th of October at Westminster, which corresponds with the sonnet in subject; so that this poem may very well belong to the 10th of October 1819.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. The Day Is Gone
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688:The poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper's -- he takes the lead
In summer luxury, -- he has never done
With his delights; for when tired out with fun
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket's song, in warmth increasing ever,
And seems to one in drowsiness half lost,
The Grasshopper's among some grassy hills.
'Charles Cowden Clarke records that this sonnet was written at Leigh Hunt's cottage, on a challenge from Hunt.' Both Hunt's and Keats's sonnets 'appeared together in The Examiner for the 21st of September 1817; but Keats's volume [Poems] had already appeared in June of that year.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet XV. On The Grasshopper And Cricket
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689:Fill for me a brimming bowl
And in it let me drown my soul:
But put therein some drug, designed
To Banish Women from my mind:
For I want not the stream inspiring
That fills the mind withfond desiring,
But I want as deep a draught
As e'er from Lethe's wave was quaff'd;
From my despairing heart to charm
The Image of the fairest form
That e'er my reveling eyes beheld,
That e'er my wandering fancy spell'd.
In vain! away I cannot chace
The melting softness of that face,
The beaminess of those bright eyes,
That breastearth's only Paradise.
My sight will never more be blest;
For all I see has lost its zest:
Nor with delight can I explore,
The Classic page, or Muse's lore.
Had she but known how beat my heart,
And with one smile reliev'd its smart
I should have felt a sweet relief,
I should have felt ``the joy of grief.''
Yet as the Tuscan mid the snow
Of Lapland dreams on sweet Arno,
Even so for ever shall she be
The Halo of my Memory.
by owner. provided at no charge for educational purposes
~ John Keats, Fill For Me A Brimming Bowl
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690:Good Kosciusko, thy great name alone
Is a full harvest whence to reap high feeling;
It comes upon us like the glorious pealing
Of the wide spheres -- an everlasting tone.
And now it tells me, that in worlds unknown,
The names of heroes, burst from clouds concealing,
And changed to harmonies, for ever stealing
Through cloudless blue, and round each silver throne.
It tells me too, that on a happy day,
When some good spirit walks upon the earth,
Thy name with Alfred's, and the great of yore
Gently commingling, gives tremendous birth
To a loud hymn, that sounds far, far away
To where the great God lives for evermore.
'This sonnet was published in The Examiner for the 16th of February 1817. The punctuation differs slightly from that of the 1817 volume; and in the eighth line we read "around" for "and around". The date "Dec. 1816" and the initials "J. K." appear under the sonnet in The Examiner.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet XVI. To Kosciusko
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691:O soft embalmer of the still midnight!
Shutting, with careful fingers and benign,
Our gloom-pleas'd eyes, embower'd from the light,
Enshaded in forgetfulness divine;
O soothest Sleep! if so it please thee, close,
In midst of this thine hymn, my willing eyes.
Or wait the Amen, ere thy poppy throws
Around my bed its lulling charities;
Then save me, or the passed day will shine
Upon my pillow, breeding many woes;
Save me from curious conscience, that still hoards
Its strength for darkness, burrowing like a mole;
Turn the key deftly in the oiled wards,
And seal the hushed casket of my soul.
'This sonnet was first given by Lord Houghton among the Literary Remains in 1848. Keats appeared to have drafted twelve lines of it in the copy of Milton's Paradise Lost which he annotated and gave to Mr. and Mrs. Dilke; and there is a complete fair manuscript dated 1819 in Sir Charles Dilke's copy of Endymion.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To Sleep
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692:Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host's Canary wine?
Or are fruits of Paradise
Sweeter than those dainty pies
Of venison? O generous food!
Drest as though bold Robin Hood
Would, with his maid Marian,
Sup and bowse from horn and can.
I have heard that on a day
Mine host's sign-board flew away,
Nobody knew whither, till
An astrologer's old quill
To a sheepskin gave the story,
Said he saw you in your glory,
Underneath a new old sign
Sipping beverage divine,
And pledging with contented smack
The Mermaid in the Zodiac.
Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
'When Mr. Palgrave issued his beautiful Golden Treasury he felt it necessary to explain in connexion with this poem that "the Mermaid was the club-house of Shakespeare, Ben Jonson, and other choice spirits of that age."' ~ John Keats, Lines On The Mermaid Tavern
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693:Son of the old Moon-mountains African!
Chief of the Pyramid and Crocodile!
We call thee fruitful, and that very while
A desert fills our seeing's inward span:
Nurse of swart nations since the world began,
Art thou so fruitful? or dost thou beguile
Such men to honour thee, who, worn with toil,
Rest for a space 'twixt Cairo and Decan?
O may dark fancies err! They surely do;
'Tis ignorance that makes a barren waste
Of all beyond itself. Thou dost bedew
Green rushes like our rivers, and dost taste
The pleasant sunrise. Green isles hast thou too,
And to the sea as happily dost haste.
'This sonnet seems to have been composed on the 4th of February 1818; for in writing to his brothers (Life, Letters &c., 1848, Volume 1, page 98) on the 16th of that month, a Monday, Keats says --
"The Wednesday before last, Shelley, Hunt and I, wrote each a sonnet on the river Nile: some day you shall read them all."
Lord Houghton appended Keats's sonnet to the letter, together with Leigh Hunt's, and Shelley's "Ozymandias."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To The Nile
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694:The church bells toll a melancholy round,
Calling the people to some other prayers,
Some other gloominess, more dreadful cares,
More hearkening to the sermon's horrid sound.
Surely the mind of man is closely bound
In some black spell; seeing that each one tears
Himself from fireside joys, and Lydian airs,
And converse high of those with glory crown'd.
Still, still they toll, and I should feel a damp,--
A chill as from a tomb, did I not know
That they are dying like an outburnt lamp;
That 'tis their sighing, wailing ere they go
Into oblivion; -- that fresh flowers will grow,
And many glories of immortal stamp.
'In Tom Keats's copy-book this sonnet is headed as above and dated "Sunday Evening, Dec. 24, 1816." In the Aldine edition it is headed "Written on a Summer Evening." I give the text from the transcript, which varies in some details from the Aldine text. The latter reads 'toll'd' for 'toll' in line I., 'To some blind spell' in line 6, 'Fond' for 'And' in line 8, and 'as' for 'ere' in line 12.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. Written In Disgust Of Vulgar Superstition
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695:1.
In drear-nighted December,
Too happy, happy tree,
Thy branches ne'er remember
Their green felicity:
The north cannot undo them
With a sleety whistle through them;
Nor frozen thawings glue them
From budding at the prime.
2.
In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne'er remember
Apollo's summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.
3.
Ah! would 'twere so with many
A gentle girl and boy!
But were there ever any
Writhed not at passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.
'I have not succeeded in tracing this poem further back than to Galignani's edition of Shelley, Keats, and Coleridge (1829). In 1830 it appeared in The Gem, a Literary Annual. Some years ago a correspondent sent me for inspection a manuscript varying slightly from the received text: thus, each stanza began with 'In drear nighted December;'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Stanzas. In A Drear-Nighted December
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696:Bright star, would I were stedfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.
Glanzvoller Stern! wär ich so stet wie du,
Nicht hing ich nachts in einsam stolzer Pracht!
SchautŽ nicht mit ewigem Blick beiseite zu,
Einsiedler der Natur, auf hoher Wacht
Beim Priesterwerk der Reinigung, das die See,
Die wogende, vollbringt am Meeresstrand;
Noch starrt ich auf die Maske, die der Schnee
Sanft fallend frisch um Berg und Moore band.
Nein, doch unwandelbar und unentwegt
MöchtŽ ruhn ich an der Liebsten weicher Brust,
Zu fühlen, wie es wogend dort sich regt,
Zu wachen ewig in unruhiger Lust,
Zu lauschen auf des Atems sanftes Wehen -
So ewig leben - sonst im Tod vergehen! ~ John Keats,#NFDB
697:I compare human life to a large Mansion of Many Apartments, two of which I can only describe, the doors of the rest being as yet shut upon me — The first we step into we call the infant or thoughtless Chamber, in which we remain as long as we do not think — We remain there a long while, and notwithstanding the doors of the second Chamber remain wide open, showing a bright appearance, we care not to hasten to it; but are at length imperceptibly impelled by awakening of the thinking principle — within us — we no sooner get into the second Chamber, which I shall call the Chamber of Maiden-Thought, than we become intoxicated with the light and the atmosphere, we see nothing but pleasant wonders, and think of delaying there for ever in delight: However among the effects this breathing is father of is that tremendous one of sharpening one’s vision into the nature and heart of Man — of convincing one’s nerves that the World is full of misery and Heartbreak, Pain, sickness and oppression — whereby This Chamber of Maiden Thought becomes gradually darken’d and at the same time on all sides of it many doors are set open — but all dark — all leading to dark passages — We see not the balance of good and evil. We are in a Mist — We are now in that state — We feel the burden of the Mystery. ~ John Keats, #NFDB
698:1.
Unfelt unheard, unseen,
I've left my little queen,
Her languid arms in silver slumber lying:
Ah! through their nestling touch,
Who -- who could tell how much
There is for madness -- cruel, or complying?
2.
Those faery lids how sleek!
Those lips how moist! -- they speak,
In ripest quiet, shadows of sweet sounds:
Into my fancy's ear
Melting a burden dear,
How "Love doth know no fullness, nor no bounds."
3.
True -- tender monitors!
I bend unto your laws:
This sweetest day for dalliance was born!
So, without more ado,
I'll feel my heaven anew,
For all the blushing of the hasty morn.
'These lines stand next to 'Think not of it, sweet one, so' in the Literary Remains (1848), and are also assigned to the year 1817. Lord Houghton gave the quotation in the last line of stanza 2 as,
"Love doth know no fullness and no bounds."
In the Aldine edition it was corrected by the substitution of 'nor' for 'and.' From the manuscript it would not appear that Keats was responsible for misquoting Shakespeare.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Lines
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699:O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings: climb with me the steep,
Nature's observatorywhence the dell,
In flowery slopes, its river's crystal swell,
May seem a span; let me thy vigils keep
'Mongst boughs pavilioned, where the deer's swift leap
Startles the wild bee from the foxglove bell.
But though I'll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refined,
Is my soul's pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee.
'This Sonnet, published in The Examiner for the 5th of May 1816, signed "J. K.," is stated by Charles Cowden Clarke (Gentleman's Magazine for February 1874) to be "Keats's first published poem." In Tom Keats's copy-book it is headed "Sonnet to Solitude," and undated. The only variation is in line 9,-- "I'd" for "I'll." The Examiner reads "rivers" for "river's" in line 5, and lines 9 and 10 stand thus --
Ah! fain would I frequent such scenes with thee;
But the sweet converse of an innocent mind.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet VII. To Solitude
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700:Spenser! a jealous honourer of thine,
A forester deep in thy midmost trees,
Did last eve ask my promise to refine
Some English that might strive thine ear to please.
But Elfin Poet 'tis impossible
For an inhabitant of wintry earth
To rise like Phoebus with a golden quill
Fire-wing'd and make a morning in his mirth.
It is impossible to escape from toil
O' the sudden and receive thy spiriting:
The flower must drink the nature of the soil
Before it can put forth its blossoming:
Be with me in the summer days, and I
Will for thine honour and his pleasure try.
'Lord Houghton, who first gave this sonnet in Volume 1 of the Life, Letters &c., 1848, appended in the Aldine edition of 1876 the following note: -- "I am enabled by the kindness of Mr. W. A. Longmore, nephew of Mr. J. W. [sic, but quoere H.] Reynolds, to give an exact transcript of this sonnet as written and given to his mother, by the poet, at his father's house in Little Britain. The poem is dated, in Mrs. Longmore's hand, Feb. 5th, 1818, but it seems to me impossible that it can have been other than an early production and of the especially Spenserian time."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To Spenser
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701:Welcome joy, and welcome sorrow,
Lethe's weed and Hermes' feather;
Come to-day, and come to-morrow,
I do love you both together!
I love to mark sad faces in fair weather;
And hear a merry laugh amid the thunder;
Fair and foul I love together.
Meadows sweet where flames are under,
And a giggle at a wonder;
Visage sage at pantomine;
Funeral, and steeple-chime;
Infant playing with a skull;
Morning fair, and shipwreck'd hull;
Nightshade with the woodbine kissing;
Serpents in red roses hissing;
Cleopatra regal-dress'd
With the aspic at her breast;
Dancing music, music sad,
Both together, sane and mad;
Muses bright and muses pale;
Sombre Saturn, Momus hale;--
Laugh and sigh, and laugh again;
Oh the sweetness of the pain!
Muses bright, and muses pale,
Bare your faces of the veil;
Let me see; and let me write
Of the day, and of the night -
Both together: - let me slake
All my thirst for sweet heart-ache!
Let my bower be of yew,
Interwreath'd with myrtles new;
Pines and lime-trees full in bloom,
And my couch a low grass-tomb.
'This is the fourth of the undated fragments at the end of Volume I of the Life, Letters &c. (1848).' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ Milton.
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702:Ah! ken ye what I met the day
Out oure the Mountains
A coming down by craggi[e]s grey
An mossie fountains --
A[h] goud hair'd Marie yeve I pray
Ane minute's guessing --
For that I met upon the way
Is past expressing.
As I stood where a rocky brig
A torrent crosses
I spied upon a misty rig
A troup o' Horses --
And as they trotted down the glen
I sped to meet them
To see if I might know the Men
To stop and greet them.
First Willie on his sleek mare came
At canting gallop --
His long hair rustled like a flame
On board a shallop.
Then came his brother Rab and then
Young Peggy's Mither
And Peggy too -- adown the glen
They went togither --
I saw her wrappit in her hood
Fra wind and raining --
Her cheek was flush wi' timid blood
'Twixt growth and waning --
She turn'd her dazed head full oft
For there her Brithers
Came riding with her Bridegroom soft
And mony ithers.
Young Tam came up an' eyed me quick
With reddened cheek --
Braw Tam was daffed like a chick --
He coud na speak --
Ah Marie they are all gane hame
Through blustering weather
An' every heart is full on flame
Ah! Marie they are all gone hame
Fra happy wedding,
Whilst I -- Ah is it not a shame?
Sad tears am shedding.
by owner. provided at no charge for educational purposes
~ John Keats, A Galloway Song
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703:After dark vapors have oppress'd our plains
For a long dreary season, comes a day
Born of the gentle South, and clears away
From the sick heavens all unseemly stains.
The anxious month, relieved of its pains,
Takes as a long-lost right the feel of May;
The eyelids with the passing coolness play
Like rose leaves with the drip of Summer rains.
The calmest thoughts came round us; as of leaves
Budding -- fruit ripening in stillness -- Autumn suns
Smiling at eve upon the quiet sheaves --
Sweet Sappho's cheek -- a smiling infant's breath --
The gradual sand that through an hour-glass runs --
A woodland rivulet -- a Poet's death.
'This sonnet appeared in The Examiner for the 23rd of February 1817, and is dated January 1817 in Lord Houghton's editions. In line 5 The Examiner reads 'relieving of;' his Lordship reads 'relieved from,' and again 'And' for 'The' at the beginning of line 9, and 'sleeping' for 'smiling' at line 12.
The word 'relieving' in the earlier version must, I think, have been a slip, and not an intentional use of 'relieve' as an intransitive verb, though Keats was perhaps capable of such use in his early strife after freshness of speech.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet - After Dark Vapors Have Oppressd Our Plains
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704:1.
Where be ye going, you Devon maid?
And what have ye there i' the basket?
Ye tight little fairy, just fresh from the dairy,
Will ye give me some cream if I ask it?
2.
I love your meads, and I love your flowers,
And I love your junkets mainly,
But 'hind the door, I love kissing more,
O look not so disdainly!
3.
I love your hills, and I love your dales,
And I love your flocks a-bleating;
But O, on the heather to lie together,
With both our hearts a-beating!
4.
I'll put your basket all safe in a nook,
Your shawl I'll hang up on this willow,
And we will sigh in the daisy's eye,
And kiss on a grass-green pillow.
'In the letter of Saturday the 14th of March 1818, embodying the verses headed "Teignmouth," this song also occurs after a prose break consisting merely of the words which Mr. Taylor printed as -- "There's a bit of doggrel; you would like a bit of botheral."
The first line of the song is not of the most authentic Devonian diction, though 'have ye' and 'Will ye' are, essentially; but these forms are always pronounced by the indigenous Devon maid "have 'e" and "will 'e."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Devon Maid - Stanzas Sent In A Letter To B. R. Haydon
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705:I.
He is to weet a melancholy carle:
Thin in the waist, with bushy head of hair
As hath the seeded thistle when in parle
It holds the Zephyr, ere it sendeth fair
Its light balloons into the summer air;
Therto his beard had not begun to bloom,
No brush had touch'd his chin or razor sheer;
No care had touch'd his cheek with mortal doom,
But new he was and bright as scarf from Persian loom.
II.
Ne cared he for wine, or half-and-half;
Ne cared he for fish or flesh or fowl,
And sauces held he worthless as the chaff,
He 'sdeigned the swine-head at the wassail-bowl;
Ne with lewd ribbalds sat he cheek by jowl,
Ne with sly Lemans in the scorner's chair;
But after water-brooks this Pilgrim's soul
Panted, and all his food was woodland air
Though he would oft-times feast on gilliflowers rare.
III.
The slang of cities in no wise he knew,
Tipping the wink to him was heathen Greek;
He sipp'd no olden Tom or ruin blue,
Or nantz or cherry-brandy drank full meek
By many a damsel hoarse and rouge of cheek;
Nor did he know each aged watchman's beat,
Nor in obscured purlieus would he seek
For curled Jewesses with ankles neat,
Who as they walk abroad make tinkling with their feet.
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~ John Keats, Character Of Charles Brown
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706:Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific -- and all his men
Look'd at each other with a wild surmise --
Silent, upon a peak in Darien.
'Charles Cowden Clarke says, in the article in The Gentleman's Magazine [Feb. 1874], that this sonnet was sent to him by Keats so as to reach him at 10 o'clock one morning when they two had parted "at day-spring" after a night encounter with a copy of Chapman's Homer belonging to Mr. Alsager of The Times. Mr. F. Locker possess an undated manuscript of the sonnet in Keast's writing, headed "On the first looking into Chapman's Homer;" while in Tom Keats's copy-book the heading is "Sonnet on looking into Chapman's Homer," and the date "1816." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet XI. On First Looking Into Chapmans Homer
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707:Over the hill and over the dale,
And over the bourn to Dawlish--
Where gingerbread wives have a scanty sale
And gingerbread nuts are smallish.
-------------
Rantipole Betty she ran down a hill
And kicked up her petticoats fairly;
Says I I'll be Jack if you will be Gill--
So she sat on the grass debonairly.
Here's somebody coming, here's somebody coming!
Says I 'tis the wind at a parley;
So without any fuss any hawing and humming
She lay on the grass debonairly.
Here's somebody here and here's somebody there!
Says I hold your tongue you young Gipsey;
So she held her tongue and lay plump and fair
And dead as a Venus tipsy.
O who wouldn't hie to Dawlish fair,
O who wouldn't stop in a Meadow,
O who would not rumple the daisies there
And make the wild fern for a bed do!
'This scrap occurs in a letter to James Rice, written from Teignmouth on the 25th of March, 1818, and published by Lord Houghton in the first volume of the Life, Letters &c. (1848). Keats closes his letter with, "I went yesterday to Dawlish fair," and this quatrain. The hilly walk to Dawlish is recorded with topographical accuracy. Whether the rest is observation (as is more probable) mere rhyme, I cannot say.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Dawlish Fair
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708:I.
Fame, like a wayward girl, will still be coy
To those who woo her with too slavish knees,
But makes surrender to some thoughtless boy,
And dotes the more upon a heart at ease;
She is a Gypsy,will not speak to those
Who have not learnt to be content without her;
A Jilt, whose ear was never whisper'd close,
Who thinks they scandal her who talk about her;
A very Gypsy is she, Nilus-born,
Sister-in-law to jealous Potiphar;
Ye love-sick Bards! repay her scorn for scorn;
Ye Artists lovelorn! madmen that ye are!
Make your best bow to her and bid adieu,
Then, if she likes it, she will follow you.
II.
"You cannot eat your cake and have it too."~Proverb.
How fever'd is the man, who cannot look
Upon his mortal days with temperate blood,
Who vexes all the leaves of his life's book,
And robs his fair name of its maidenhood;
It is as if the rose should pluck herself,
On the ripe plum finger its misty bloom,
As if a Naiad, like a meddling elf,
Should darken her pure grot with muddy gloom:
But the rose leaves herself upon the briar,
For winds to kiss and grateful bees to feed,
And the ripe plum still wears its dim attire,
The undisturbed lake has crystal space;
Why then should man, teasing the world for grace,
Spoil his salvation for a fierce miscreed?
by owner. provided at no charge for educational purposes
~ John Keats, Two Sonnets On Fame
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709:1.
O Blush not so! O blush not so!
Or I shall think you knowing;
And if you smile the blushing while,
Then maidenheads are going.
2.
There's a blush for want, and a blush for shan't,
And a blush for having done it;
There's a blush for thought, and a blush for nought,
And a blush for just begun it.
3.
O sigh not so! O sigh not so!
For it sounds of Eve's sweet pippin;
By these loosen'd lips you have tasted the pips
And fought in an amorous nipping.
4.
Will you play once more at nice-cut-core,
For it only will last our youth out,
And we have the prime of the kissing time,
We have not one sweet tooth out.
5.
There's a sigh for aye, and a sigh for nay,
And a sigh for "I can't bear it!"
O what can be done, shall we stay or run?
O cut the sweet apple and share it!
'This song, belonging to the year 1818, has not, I believe, been published till now (1881). It seems to me neither more nor less worthy of Keats's reputation than the Daisy's Song in the Extracts from an Opera; but, notwithstanding the brilliant qualities of some of the stanzas, I should have hesitated to be instrumental in adding it to the poet's published works, had it not been handed about in manuscript and more than once copied.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sharing Eves Apple
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710:Why did I laugh to-night? No voice will tell
No God, no Demon of severe response,
Deigns to reply from Heaven or from Hell
Then to my human heart I turn at once:
Heart! Thou and I are here sad and alone;
I say, why did I laugh? O mortal pain!
O Darkness! Darkness! ever must I moan,
To question Heaven and Hell and Heart in vain.
Why did I laugh? I know this Being's lease,
My fancy to its utmost blisses spreads;
Yet would I on this very midnight cease,
And all the world's gaudy ensigns see in shreds;
Verse, Fame, and Beauty are intense indeed,
But Death intenser -- Death is Life's high meed.
'This sonnet, first given in Life, Letters &c. (1848), was probably composed between the 19th of March and the 15 of April 1819. Keats says in a letter, that he had intended not to send the Sonnet to his brother George and his wife, on account of their anxieties about his temperament; but he refers to other passages in his letter as "the best comment" on the sonnet, and ends the subject with a triumphant "I went to bed and enjoyed uninterrupted sleep: sane I went to bed, and sane I arose." A man might well go to bed sane after writing the final couplet, which is a thoroughly self-contained and contemplative vein -- strangely so for the end of such a bitter series of "obstinate questionings."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. Why Did I Laugh Tonight?
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711:Nature withheld Cassandra in the skies
For more adornment a full thousand years;
She took their cream of Beauty's fairest dyes,
And shap'd and tinted her above all Peers:
Meanwhile Love kept her dearly with his wings,
And underneath their shadow fill'd her eyes
With such a richness that the cloudy Kings
Of high Olympus utter'd slavish sighs.
When from the Heavens I saw her first descend
My heart took fire, and only burning pains
They were my pleasures -- they my Life's sad end;
Love pour'd her beauty into my warm veins...
* * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * * * * * * * * * * * * * * * * * *
'I presume this translation was made about September 1818. It was first given by Lord Houghton in the Life, Letters &c. (1848) in a letter to Reynolds, undated, but belonging to that time. The sonnet follows the words "Here is a free translation of a Sonnet of Ronsard, which I think will please you. I have the loan of his works -- they have great beauties." Lord Houghton supplied the couplet thus:--
"So that her image in my soul upgrew,
The only thing adorable and true."
In the copy of Shakespeare's Poetical Works to Keats by Reynolds, and containing the manuscript of Keats's last sonnet, there is also a manuscript of these three quatrains, wanting, like the version adopted by Lord Houghton, the last two lines.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Translated From A Sonnet Of Ronsard
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712:Blue! 'Tis the life of heaven,--the domain
Of Cynthia,--the wide palace of the sun,--
The tent of Hesperus, and all his train,--
The bosomer of clouds, gold, gray, and dun.
Blue! 'Tis the life of waters: -- Ocean
And all its vassal streams, pools numberless,
May rage, and foam, and fret, but never can
Subside, if not to dark-blue nativeness.
Blue! Gentle cousin of the forest-green,
Married to green in all the sweetest flowers,--
Forget-me-not,--the Blue bell,--and, that Queen
Of secrecy, the Violet: what strange powers
Hast thou, as a mere shadow! But how great,
When in an Eye thou art alive with fate!
Written in answer to a Sonnet ending thus : --
" Dark eyes are dearer far
Than those that mock the hyacinthine bell--"
'The sonnet of John Hamilton Reynolds to which this is a reply appeared in 1821 in The Garden of Florence &c. From a letter signed "A. J. Horwood" which was published in The Anthenoeum of the 3rd of June 1876, it would seem that this poem, like many others, must have been written out more than once by Keats; for, in a copy of The Garden of Florence mentioned in that letter, Keats's sonnet is transcribed, seemingly, from a different manuscript from that used by Lord Houghton when he gave the sonnet in the Life, Letters and Literary Remains (Vol. II, page 295) in 1848. ...Lord Houghton dates the sonnet February 1818.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. Written In Answer To A Sonnet By J. H. Reynolds
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713:To Autumn"
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies. ~ John Keats,#NFDB
714:In 1817 the twenty-two-year-old poet John Keats wrote a letter to his brothers in which he explained his most recent thoughts on the creative process. The world around us, he wrote, is far more complex than we can possibly imagine. With our limited senses and consciousness, we only glimpse a small portion of reality. Furthermore, everything in the universe is in a state of constant flux. Simple words and thoughts cannot capture this flux or complexity. The only solution for an enlightened person is to let the mind absorb itself in what it experiences, without having to form a judgment on what it all means. The mind must be able to feel doubt and uncertainty for as long as possible. As it remains in this state and probes deeply into the mysteries of the universe, ideas will come that are more dimensional and real than if we had jumped to conclusions and formed judgments early on. To accomplish this, he wrote, we must be capable of negating our ego. We are by nature fearful and insecure creatures. We do not like what is unfamiliar or unknown. To compensate for this, we assert ourselves with opinions and ideas that make us seem strong and certain. Many of these opinions do not come from our own deep reflection, but are instead based on what other people think. Furthermore, once we hold these ideas, to admit they are wrong is to wound our ego and vanity. Truly creative people in all fields can temporarily suspend their ego and simply experience what they are seeing, without the need to assert a judgment, for as long as possible. They are more than ready to find their most cherished opinions contradicted by reality. ~ Robert Greene, #NFDB
715:What though while the wonders of nature exploring,
I cannot your light, mazy footsteps attend;
Nor listen to accents, that almost adoring,
Bless Cynthia's face, the enthusiasts friend:
Yet over the steep, whence the mountain stream rushes,
With you, kindest friends, in idea I rove;
Mark the clear tumbling crystal, its passionate gushes,
Its spray that the wild flower kindly bedews.
Why linger you so, the wild labyrinth strolling?
Why breathless, unable your bliss to declare?
Ah! you list to the nightingales tender condoling,
Responsive to sylphs, in the moon beamy air.
'Tis morn, and the flowers with dew are yet drooping,
I see you are treading the verge of the sea:
And now! ah, I see it--you just now are stooping
To pick up the keep-sake intended for me.
If a cherub, on pinions of silver descending,
Had brought me a gem from the fret-work of heaven;
And smiles, with his star-cheering voice sweetly blending,
The blessings of Tighe had melodiously given;
It had not created a warmer emotion
Than the present, fair nymphs, I was blest with from you
Than the shell, from the bright golden sands of the ocean
Which the emerald waves at your feet gladly threw.
For, indeed, 'tis a sweet and peculiar pleasure,
(And blissful is he who such happiness finds,)
To possess but a span of the hour of leisure,
In elegant, pure, and aerial minds.
(line 20) 'The reference to Mrs. Tighe, the authoress of the now almost forgotten poem of Psyche, is significant as an indication of hte poet's taste in verse at this period.' ~ John Keats, To Some Ladies
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716:Mother of Hermes! and still youthful Maia!
May I sing to thee
As thou wast hymned on the shores of Baiae?
Or may I woo thee
In earlier Sicilian? or thy smiles
Seek as they once were sought, in Grecian isles,
By bards who died content on pleasant sward,
Leaving great verse unto a little clan?
O give me their old vigour! and unheard
Save of the quiet primrose, and the span
Of heaven, and few ears,
Rounded by thee, my song should die away
Content as theirs,
Rich in the simple worship of a day.
'First given in the Life, Letters &c. (1848) in a letter to Reynolds from Teignmouth, dated the 3rd of May 1818, wherein Keats says --
"it is impossible to know how far knowledge will console us for the death of a friend, and the 'ills that flesh is heir to.' With respect to the affections and poetry, you must know by sympathy my thoughts that way, and I dare say these few lines will be but a ratification. I wrote them on May-day, and intend to finish the ode all in good time."
Lord Houghton observes,-- "It is much to be regretted he did not finish this Ode; this commencement is in his best manner: the sentiment and expression perfect, as every traveller in modern Greece will recognize." An Ode so propitiously begun would, if completed, have been a worthy ending for the Devonshire series, though including what I believe I am not alone in regarding as Keats's masterpiece, -- Isabella.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Fragment Of An Ode To Maia. Written On May Day 1818
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717:1.
O come Georgiana! the rose is full blown,
The riches of Flora are lavishly strown,
The air is all softness, and crystal the streams,
The West is resplendently clothed in beams.
2.
O come! let us haste to the freshening shades,
The quaintly carv'd seats, and the opening glades;
Where the faeries are chanting their evening hymns,
And in the last sun-beam the sylph lightly swims.
3.
And when thou art weary I'll find thee a bed,
Of mosses and flowers to pillow thy head:
And there Georgiana I'll sit at thy feet,
While my story of love I enraptur'd repeat.
4.
So fondly I'll breathe, and so softly I'll sigh,
Thou wilt think that some amorous Zephyr is nigh:
Yet no -- as I breathe I will press thy fair knee,
And then thou wilt know that the sigh comes from me.
5.
Ah! why dearest girl should we lose all these blisses?
That mortal's a fool who such happiness misses:
So smile acquiescence, and give me thy hand,
With love-looking eyes, and with voice sweetly bland.
'These stanzas, which are from the series of transcripts made by George Keats, are addressed to the object of the Sonnet to G. A. W. published in Keats's volume of 1817 -- to wit the lady who was afterwards the wife of George Keats. Though not so good as the Sonnet, they are on an equality with the verses in Keats's Tom Moore manner addressed to some ladies who sent him a shell and a copy of verses. They belong to the year 1816.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Stanzas To Miss Wylie
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718:Brother belov'd if health shall smile again,
Upon this wasted form and fever'd cheek:
If e'er returning vigour bid these weak
And languid limbs their gladsome strength regain,
Well may thy brow the placid glow retain
Of sweet content and thy pleas'd eye may speak
The conscious self applause, but should I seek
To utter what this heart can feel, Ah! vain
Were the attempt! Yet kindest friends while o'er
My couch ye bend, and watch with tenderness
The being whom your cares could e'en restore,
From the cold grasp of Death, say can you guess
The feelings which these lips can ne'er express;
Feelings, deep fix'd in grateful memory's store.
'This sonnet is from a transcript in the handwriting of George Keats, which bears the date 1819; but I am disposed to think this date must have been wrongly affixed from memory. The entire absence of high poetic feeling indicates a time of utter physical prostration; and I should imagine that the sonnet might possibly have been written in February 1820, when Keats was still so ill as to be forbidden to write, and that it might have been sent to George with the announcement of the illness; but it seems likelier that it was composed later on in the year, in reply to some letter written by George on receiving hat news -- a letter in which reply the younger brother might have reproached himself for leaving the elder, low in health and funds, and for rushing back to America to mend his own fortunes.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To George Keats - Written In Sickness
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719:Call the world, if you please, "the Vale of Soul Making". Then you will find out the use of the world....
There may be intelligences or sparks of the divinity in millions -- but they are not Souls till they acquire identities, till each one is personally itself.
Intelligences are atoms of perception -- they know and they see and they are pure, in short they are God. How then are Souls to be made? How then are these sparks which are God to have identity given them -- so as ever to possess a bliss peculiar to each one's individual existence. How, but in the medium of a world like this?
This point I sincerely wish to consider, because I think it a grander system of salvation than the Christian religion -- or rather it is a system of Spirit Creation...
I can scarcely express what I but dimly perceive -- and yet I think I perceive it -- that you may judge the more clearly I will put it in the most homely form possible. I will call the world a school instituted for the purpose of teaching little children to read. I will call the human heart the hornbook used in that school. And I will call the child able to read, the soul made from that school and its hornbook.
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul? A place where the heart must feel and suffer in a thousand diverse ways....
As various as the lives of men are -- so various become their souls, and thus does God make individual beings, souls, identical souls of the sparks of his own essence.
This appears to me a faint sketch of a system of salvation which does not affront our reason and humanity... ~ John Keats,#NFDB
720:Glory and loveliness have pass'd away;
For if we wander out in early morn,
No wreathed incense do we see upborne
Into the east, to meet the smiling day:
No crowd of nymphs soft voic'd and young, and gay,
In woven baskets bringing ears of corn,
Roses, and pinks, and violets, to adorn
The shrine of Flora in her early May.
But there are left delights as high as these,
And I shall ever bless my destiny,
That in a time, when under pleasant trees
Pan is no longer sought, I feel a free,
A leafy luxury, seeing I could please
With these poor offerings, a man like thee.
Dedication of his Poems, 1817. 'Keats's first volume, published early in 1817, is a foolscap octavo worked in half sheets. It was issued in drab boards, with a back label Keats's Poems, and consists of a blank leaf, fly-title Poems in heavy black letter, with imprint on verso, ''Printed by C. Richards, No. 18, Warwick Street, Golden Square, London,' title-page given opposite...' etc.
'Readers of Charles Cowden Clarke's Recollections of Keats,... will remember the statement, still appropriate here, that, ''on the evening when the last proof sheet [of the 1817 volume] was brought from the printer, it was accompanied by the information that if a 'dedication to the book was intended it must be sent forthwith.' Whereupon he withdrew to a side table, and in the buzz of a mixed conversation (for there were several friends in the room) he composed and brought to Charles Ollier, the publisher, the Dedication Sonnet to Leigh Hunt.'' The first of the three Sonnets to Keats in Hunt's Foliage forms a fitting reply to this.' ~ John Keats, Dedication To Leigh Hunt, Esq.
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721:1.
Think not of it, sweet one, so;--
Give it not a tear;
Sigh thou mayst, and bid it go
Any, any where.
2.
Do not look so sad, sweet one,--
Sad and fadingly;
Shed one drop then, it is gone,
O 'twas born to die!
3.
Still so pale? then, dearest, weep;
Weep, I'll count the tears,
And each one shall be a bliss
For thee in after years.
4.
Brighter has it left thine eyes
Than a sunny rill;
And thy whispering melodies
Are tenderer still.
5.
Yet -- as all things mourn awhile
At fleeting blisses,
E'en let us too! but be our dirge
A dirge of kisses.
'Given by Lord Houghton among the Literary Remains in Volume II of the Life, Letters &c. (1848), with the date 1817. Hitherto this poem has been headed "On. . . ."; but it is so distinctly an address that 'To' seems to be the right preposition. It is not stated to whom the verses are addressed. In Woodhouse's interleaved copy of Endymion is a transcript evidently made from a working draft. Woodhouse has copied in his careful and minute way the whole manuscript with its erasures, the first of which is a cancelled opening quatrain: --
"Think not of it gentle sweet
It is not worth a tear
Will thine heart less warmly beat
Thy voice less clear?"
Stanza 2 appears to have been originally written with the two final lines,
"Shed one drop then only one
Sweetly did it die,"
which are cancelled in favour of those of the text.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, To .......
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722:I.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Weep no more! oh, weep no more!
Young buds sleep in the root's white core.
Dry your eyes! oh, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies,--
Shed no tear.
Overhead! look overhead!
'Mong the blossoms white and red--
Look up, look up! I flutter now
On this fresh pomegranate bough.
See me! 'tis this silvery bill
Ever cures the good man's ill.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Adieu, adieu -- I fly -- adieu!
I vanish in the heavens blue,--
Adieu, adieu!
II.
Ah! woe is me! poor silver-wing!
That I must chant thy lady's dirge,
And death to this fair haunt of spring,
Of melody, and streams of flowery verge,--
Poor silver-wing! ah! woe is me!
That I must see
These blossoms snow upon thy lady's pall!
Go, pretty page! and in her ear
Whisper that the hour is near!
Softly tell her not to fear
Such calm favonian burial!
Go, pretty page! and soothly tell,--
The blossoms hang by a melting spell,
And fall they must, ere a star wink thrice
Upon her closed eyes,
That now in vain are weeping their last tears,
At sweet life leaving, and these arbours green,--
Rich dowry from the Spirit of the Spheres,
Alas! poor Queen!
'These two songs appeared in the Life, Letters &c (1848) among the Literary Remains; and a fac-simile of the manuscript of No. 1 was inserted in the second volume by way of frontispiece.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Faery Songs
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723:In after-time, a sage of mickle lore
Yclep'd Typographus, the Giant took,
And did refit his limbs as heretofore,
And made him read in many a learned book,
And into many a lively legend look;
Thereby in goodly themes so training him,
That all his brutishness he quite forsook,
When, meeting Artegall and Talus grim,
The one he struck stone-blind, the other's eyes wox dim.
'This stanza, given by Lord Houghton in the Life, Letters &c. (1848), Volume I, page 281, was preceded by the following note:--
"The copy of Spenser which Keats had in daily use, contains the following stanza, inserted at the close of Canto II, Book V. His sympathies were very much on the side of the revolutionary 'Gyant,' who 'undertook for to repair' the 'realms and nations run awry,' and to suppress 'tyrants that make men subject to their law', 'and lordings curbe that commons over-aw,' while he grudged the legitamate victory, as he rejected the conservative philosophy, of the 'righteous Artegall' and ex post facto prophecy, his conviction of the ultimate triumph of freedom and equality by the power of transmitted knowledge."
I have no data whereby to fix the period of this commentary of Keats on the political attitude of Spenser; but I should judge it to belong to the end of 1818 or thereabouts. The copy of Spenser in which the stanza was written is not now forthcoming: it passed into the hands of Miss Brawne, and was lost, with other books, many years after Keats's death.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Spenserian Stanza. Written At The Close Of Canto II, Book V, Of The Faerie Queene
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724:As late I rambled in the happy fields,
What time the skylark shakes the tremulous dew
From his lush clover covert;when anew
Adventurous knights take up their dinted shields;
I saw the sweetest flower wild nature yields,
A fresh-blown musk-rose; 'twas the first that threw
Its sweets upon the summer: graceful it grew
As is the wand that Queen Titania wields.
And, as I feasted on its fragrancy,
I thought the garden-rose it far excelled;
But when, O Wells! thy roses came to me,
My sense with their deliciousness was spelled:
Soft voices had they, that with tender plea
Whispered of peace, and truth, and friendliness unquelled.
'This sonnet was addressed to Charles Wells, the author of Stories After Nature, Joseph and His Brethren, and a few fugitive compositions. His great dramatic poem, Joseph and His Brethren, probably came out late in 1823 .... The book was left in oblivion till within the last few years. Wells, however, lived to find himself famous in 1876, on the issue of a revised edition. ... He died at Marseilles on the 17th of February 1879, in his 78th year, having finally corrected and interpolated a copy of the new edition of his great work for some future re-edition.
In Tom Keats's copy-book this sonnet is headed "To Charles Wells on receiving a bunch of roses," and dated "June 29, 1816." In this heading the word 'full-blown' stands cancelled before roses. The only variation beyond spelling and pointing is in the last line, which is --
Whispered of truth, Humanity and Friendliness unquell'd.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet V. To A Friend Who Sent Me Some Roses
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725:1.
God of the golden bow,
And of the golden lyre,
And of the golden hair,
And of the golden fire,
Charioteer
Of the patient year,
Where-where slept thine ire,
When like a blank idiot I put on thy wreath,
Thy laurel, thy glory,
The light of thy story,
Or was I a worm-too low crawling for death?
O Delphic Apollo!
2.
The Thunderer grasp'd and grasp'd,
The Thunderer frown'd and frown'd;
The eagle's feathery mane
For wrath became stiffen'd-the sound
Of breeding thunder
Went drowsily under,
Muttering to be unbound.
O why didst thou pity, and beg for a worm?
Why touch thy soft lute
Till the thunder was mute,
Why was I not crush'd-such a pitiful germ?
O Delphic Apollo!
3.
The Pleiades were up,
Watching the silent air;
The seeds and roots in Earth
Were swelling for summer fare;
The Ocean, its neighbour,
Was at his old labour,
When, who-who did dare
To tie for a moment, thy plant round his brow,
And grin and look proudly,
And blaspheme so loudly,
And live for that honour, to stoop to thee now?
O Delphic Apollo!
This also was first given in the Literary Remains in the second volume of the Life, Letters &c. 1848, where it stood next to the Ode To Apollo, though undated. As Lord Houghton retains it between the Ode To Apollo and the stanzas To Hope (dated February 1815) in the chronological Aldine edition, the date February 1815 may be presumed to be that of the Hymn as well as that of the Ode. ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Hymn To Apollo
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726:If by dull rhymes our English must be chain'd,
And, like Andromeda, the Sonnet sweet
Fetter'd, in spite of pained loveliness;
Let us find out, if we must be constrain'd,
Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gain'd
By ear industrious, and attention meet:
Misers of sound and syllable, no less
Than Midas of his coinage, let us be
Jealous of dead leaves in the bay wreath crown;
So, if we may not let the Muse be free,
She will be bound with garlands of her own.
Form: Sonnet (abcabdcabcdede).
(line 2): Andromeda: Ethiopian princess who was rescued from a monster by Perseus, her husband-to-be.
(line 11): Midas: Phrygian king who wished for gold, more than anything, and was granted the ambiguous gift of turning everything he touched into gold.
'This experiment in sonnet metre appears to have been written on or very shortly before the 3rd of May 1819, and was first given in the Life, Letters &c. (1848). It was the last poem transcribed in the journal letter to George Keats and his wife begun on the 14th of February and ended on the 3rd of May, and stood immediately over the words "This is the third of May," and under the following paragraph --
"I have been endeavouring to discover a better Sonnet stanza than we have. The legitimate does not suit the language well, from the pouncing rhymes; the other appears too elegiac, and the couplet at the end of it has seldom a pleasing effect. I do not pretend to have succeeded. It will explain itself."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. If By Dull Rhymes Our English Must Be Chaind
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727:Bards of Passion and of Mirth,
Ye have left your souls on earth!
Have ye souls in heaven too,
Doubled-lived in regions new?
Yes, and those of heaven commune
With the spheres of sun and moon;
With the noise of fountains wondrous,
And the parle of voices thund'rous;
With the whisper of heaven's trees
And one another, in soft ease
Seated on Elysian lawns
Browsed by none but Dian's fawns;
Underneath large blue-bells tented,
Where the daisies are rose-scented,
And the rose herself has got
Perfume which on earth is not;
Where the nightingale doth sing
Not a senseless, tranced thing,
But divine melodious truth;
Philosophic numbers smooth;
Tales and golden histories
Of heaven and its mysteries.
Thus ye live on high, and then
On the earth ye live again;
And the souls ye left behind you
Teach us, here, the way to find you,
Where your other souls are joying,
Never slumber'd, never cloying.
Here, your earth-born souls still speak
To mortals, of their little week;
Of their sorrows and delights;
Of their passions and their spites;
Of their glory and their shame;
What doth strengthen and what maim.
Thus ye teach us, every day,
Wisdom, though fled far away.
Bards of Passion and of Mirth,
Ye have left your souls on earth!
Ye have souls in heaven too,
Double-lived in regions new!
'From the fact that this poem is written in Keats's Beaumont and Fletcher, now in Sir Charles Dilke's possession, and from internal evidence, we may judge it to be addressed to the brother poets of passion and mirth who wrote the tragi-comedy of The Fair Maid Of The Inn, and not to poets at large, as indicated by the title given in the Golden Treasury, to wit Ode on the Poets.' ~ John Keats, Ode. Written On The Blank Page Before Beaumont And Fletchers Tragi-Comedy The Fair Maid Of The In
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728:As Hermes once took to his feathers light,
When lulled Argus, baffled, swooned and slept,
So on a Delphic reed, my idle spright
So played, so charmed, so conquered, so bereft
The dragon-world of all its hundred eyes;
And seeing it asleep, so fled away--
Not to pure Ida with its snow-cold skies,
Nor unto Tempe, where Jove grieved a day;
But to that second circle of sad Hell,
Where in the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows. Pale were the sweet lips I saw,
Pale were the lips I kissed, and fair the form
I floated with, about that melancholy storm.
'This beautiful Sonnet seems to have been written originally in the first volume of the miniature Cary's Dante which Keats carried throughout Scotland in his knapsack; and the composition should probably be assigned to the early part of April 1819. There is a fair transcript written on one of the blank leaves at the end of the copy of Endymion in Sir Charles Dilke's possession. The sonnet was published over the signature "Caviare" in The Indicator for the 28th of June 1820. Inside the recto cover of the little Inferno Keats began by writing the words 'Amid a thousand;' and he then seems to have turned the book round for a fresh start; for inside the verso cover he has written --
'Full in the midst of bloomless hours my}spright/soul
Seeing one night the dragon world asleep
Arose like Hermes....'
The sonnet is finally written in a cramped manner on the last end-paper, and is almost identical with the fair copy; but it shows the cancelled seventh line
'But not olympus-ward to serene skies....'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. A Dream, After Reading Dantes Episode Of Paulo And Francesca
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729: Oh what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
Oh what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful - a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan.
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery's song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said -
'I love thee true'.
She took me to her elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lulled me asleep
And there I dreamed - Ah! woe betide! -
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried - 'La Belle Dame sans Merci
Hath thee in thrall!'
I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill's side.
And this is why I sojourn here
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
by owner. provided at no charge for educational purposes
~ John Keats, La Belle Dame Sans Merci (Original version )
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730:To John Keats, Poet, At Spring Time
I cannot hold my peace, John Keats;
There never was a spring like this;
It is an echo, that repeats
My last year's song and next year's bliss.
I know, in spite of all men say
Of Beauty, you have felt her most.
Yea, even in your grave her way
Is laid. Poor, troubled, lyric ghost,
Spring never was so fair and dear
As Beauty makes her seem this year.
I cannot hold my peace, John Keats,
I am as helpless in the toil
Of Spring as any lamb that bleats
To feel the solid earth recoil
Beneath his puny legs. Spring beats
her tocsin call to those who love her,
And lo! the dogwood petals cover
Her breast with drifts of snow, and sleek
White gulls fly screaming to her, and hover
About her shoulders, and kiss her cheek,
While white and purple lilacs muster
A strength that bears them to a cluster
Of color and odor; for her sake
All things that slept are now awake.
And you and I, shall we lie still,
John Keats, while Beauty summons us?
Somehow I feel your sensitive will
Is pulsing up some tremulous
Sap road of a maple tree, whose leaves
Grow music as they grow, since your
Wild voice is in them, a harp that grieves
For life that opens death's dark door.
Though dust, your fingers still can push
The Vision Splendid to a birth,
Though now they work as grass in the hush
Of the night on the broad sweet page of the earth.
37
'John Keats is dead,' they say, but I
Who hear your full insistent cry
In bud and blossom, leaf and tree,
Know John Keats still writes poetry.
And while my head is earthward bowed
To read new life sprung from your shroud,
Folks seeing me must think it strange
That merely spring should so derange
My mind. They do not know that you,
John Keats, keep revel with me, too.
~ Countee Cullen,#NFDB
731:I.
Haydon! forgive me that I cannot speak
Definitively of these mighty things;
Forgive me, that I have not eagle's wings,
That what I want I know not where to seek,
And think that I would not be over-meek,
In rolling out upfollowed thunderings,
Even to the steep of Heliconian springs,
Were I of ample strength for such a freak.
Think, too, that all these numbers should be thine;
Whose else? In this who touch thy vesture's hem?
For, when men stared at what was most divine
With brainless idiotism and o'erwise phlegm,
Thou hadst beheld the full Hesperian shine
Of their star in the east, and gone to worship them.
II. On Seeing The Elgin Marbles.
My spirit is too weak - mortality
Weighs heavily upon me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet 'tis a gentle luxury to weep
That I have not the cloudy winds to keep,
Fresh for the opening of the morning's eye.
Such dim-conceived glories of the brain
Bring round the heart an undescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old Time -- with a billowy main --
A sun -- a shadow of a magnitude.
'In regard to this subject it will be remembered that Haydon had been most energetic in preaching the gospel of the Elgin Marbles, and that his friends claimed for him the distinction of being the first to apply to modern art the "principles" of those immortal works. These two sonnets appeared in The Examiner for the 9th of March 1817, signed "J. K.;" but this did not prevent Mr. James Elmes from letting them do duty for "Original Poetry" in his Annals of the Fine Arts, where they re-appeared in No. 8 (that, seemingly, for April 1818), with the full signature "John Keats." ' ~ John Keats, Two Sonnets. To Haydon, With A Sonnet Written On Seeing The Elgin Marbles
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732:Small, busy flames play through the fresh laid coals,
And their faint cracklings o'er our silence creep
Like whispers of the household gods that keep
A gentle empire o'er fraternal souls.
And while, for rhymes, I search around the poles,
Your eyes are fix d, as in poetic sleep,
Upon the lore so voluble and deep,
That aye at fall of night our care condoles.
This is your birth-day Tom, and I rejoice
That thus it passes smoothly, quietly.
Many such eves of gently whisp'ring noise
May we together pass, and calmly try
What are this world s true joys, ere the great voice,
From its fair face, shall bid our spirits fly.
'In Tom Keats's copy-book this sonnet is headed "Written to his Brother Tom on his Birthday," and dated, "Nov. 18, 1816." In the last line the transcript reads "place" for "face." The sonnet seems to have been originally written in pencil in the note-book ... immediately after the sonnet to George Keats; but the two quatrains, which fill one page, are all that I found of this sonnet among the Keats relics of Severn. The quatrains stand finally thus in the draft: --
Small flames are peeping through the fresh laid coals
And their faint Crackling o'er our Silence creeps
Like Whispers of the Household God that keeps
A gentle empire o'er fraternal Souls
And while for Rhymes I search around the Poles
Your Eyes are fixd as in poetic sleep
Upon the Pages Voluble and deep
That aye at fall of Night our care condoles.
There is a cancelled reading at line 2, unfinished--
'With a faint Crackling head distract . . .'
and another at line 5 --
'And while I am thinking of a Rhyme;'
and here "searching" was substituted for "thinking of", before the whole was cancelled in favour of the reading of the text.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet VIII. To My Brothers
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733:1.
Hush, hush! tread softly! hush, hush my dear!
All the house is asleep, but we know very well
That the jealous, the jealous old bald-pate may hear.
Tho' you've padded his night-cap -- O sweet Isabel!
Tho' your feet are more light than a Fairy's feet,
Who dances on bubbles where brooklets meet,--
Hush, hush! soft tiptoe! hush, hush my dear!
For less than a nothing the jealous can hear.
2.
No leaf doth tremble, no ripple is there
On the river, -- all's still, and the night's sleepy eye
Closes up, and forgets all its Lethean care,
Charm'd to death by the drone of the humming May-fly;
And the Moon, whether prudish or complaisant,
Hath fled to her bower, well knowing I want
No light in the dusk, no torch in the gloom,
But my Isabel's eyes, and her lips pulp'd with bloom.
3.
Lift the latch! ah gently! ah tenderly -- sweet!
We are dead if that latchet gives one little chink!
Well done -- now those lips, and a flowery seat --
The old man may sleep, and the planets may wink;
The shut rose shall dream of our loves, and awake
Full blown, and such warmth for the morning's take;
The stock-dove shall hatch her soft brace and shall coo,
While I kiss to the melody, aching all through!
'As far as I have been able to trace this poem, it appeared for the first time in the Life, Letters, and Literary Remains (1848), where it is dated 1818. The statement in the Aldine Edition of 1876 that it was first printed in The Literary Pocket-book or Companion for the Lover of Nature and Art, for 1818, must derive from some misapprehension, as there is no such book. The Pocket-book was started, by Hunt in 1819; and in a copy of the book for that year now in Sir Charles Dilke's possession Keats wrote the Song; but it is not printed in that or in either of the four later Pocket-books which complete the series.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Song. Hush, Hush! Tread Softly!
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734:Robin Hood. To a Friend.
No! those days are gone away,
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Ofthe leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.
No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.
On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale,
Messenger for spicy ale.
Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grene shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her---strange! that honey
Can't be got without hard money!
So it is; yet let us sing
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood clan!
Though their days have hurried by
Let us two a burden try. ~ John Keats,#NFDB
735:Hearken, thou craggy ocean pyramid!
Give answer by thy voice, the sea-fowls' screams!
When were thy shoulders mantled in huge streams?
When, from the sun, was thy broad forehead hid?
How long is't since the mighty Power bid
Thee heave to airy sleep from fathom dreams?
Sleep in the lap of thunder or sunbeams,
Or when grey clouds are thy cold coverlid.
Thou answer'st not; for thou art dead asleep;
Thy life is but two dead eternities--
The last in air, the former in the deep;
First with the whales, last with the eagle-skies--
Drowned wast thou till an earthquake made thee steep,
Another cannot wake thy giant-size!
'From Kirkcudbright [Keats and Brown] went to Newton Stewart and thence through Wigtonshire to Port Patrick, visiting Glenluce and Stranraer on the way. From Port Patrick they crossed in the mail packet to Ireland, reaching Donaghadee on the 5th of July. They walked from Donaghadee to Belfast and back, having abandoned the idea of seeing the Giant's Causeway on account of the expense,-- crossed again so as to sleep at Port Patrick on the 8th, and then resumed their Scotch walk. Lord Houghton says,--
"Returning from Ireland, the travellers proceeded northwards by the coast, Ailsa Rock constantly in their view. That fine object first appeared to them, in the full sunlight, like a transparent tortoise asleep upon the calm water, then, as they advanced, displaying its lofty shoulders, and, as they still went on, losing its distinctness in the mountains of Arran and the extent of Cantire that rose behind."
His Lordship records that the sonnet to Ailsa Rock was written in the inn at Girvan; and, as Keats was at Maybole on the 11th, and Girvan is more than three quarters of the way from Port Patrick to Maybole, the sonnet should be dated the 10th or 11th of July 1818. It appeared in Leigh Hunt's Literary Pocket-book for 1819.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, To Ailsa Rock
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736:O thou whose face hath felt the Winter's wind,
Whose eye has seen the snow-clouds hung in mist
And the black elm tops 'mong the freezing stars,
To thee the spring will be a harvest-time.
O thou, whose only book has been the light
Of supreme darkness which thou feddest on
Night after night when Phoebus was away,
To thee the Spring shall be a triple morn.
O fret not after knowledge -- I have none,
And yet my song comes native with the warmth.
O fret not after knowledge -- I have none,
And yet the Evening listens. He who saddens
At thought of idleness cannot be idle,
And he's awake who thinks himself asleep.
'In an undated letter to Reynolds bearing the postmark "Hampstead, Feb. 19, 1818" (Life, Letters &c., 1848, Volume 1, page 87), occurs the passage --
"I was led into these thoughts, my dear Reynolds, by the beauty of the morning operating on a sense of idleness. I have not read any books -- the morning said I was right -- I had no idea but of the morning, and the thrush said I was right, seeming to say,"--
and these fourteen lines of blank verse follow immediately on the word 'say', so that the title I have ventured to give to the lines accords at all events with the facts. Keats seems to have been really writing in a kind of spiritual parallelism with the thrush's song : it will be noted that line 5 repeats the form of line 1, line 8 of line 4, while lines 11 and 12 are a still closer repetition of lines 9 and 10; so that the poem follows in a sense the thrush's method of repetition. A later poet, perhaps a closer and more conscious observer than Keats, namely Robert Browning, says of the same bird in his 'Home--Thoughts from Abroad' --
"That's the wise thrush; he sings each song twice over
Lest you should think he never could recapture
The first line careless rapture!"'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, What The Thrush Said. Lines From A Letter To John Hamilton Reynolds
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737:Hence Burgundy, Claret, and Port,
Away with old Hock and madeira,
Too earthly ye are for my sport;
There's a beverage brighter and clearer.
Instead of a piriful rummer,
My wine overbrims a whole summer;
My bowl is the sky,
And I drink at my eye,
Till I feel in the brain
A Delphian pain -
Then follow, my Caius! then follow:
On the green of the hill
We will drink our fill
Of golden sunshine,
Till our brains intertwine
With the glory and grace of Apollo!
God of the Meridian,
And of the East and West,
To thee my soul is flown,
And my body is earthward press'd. -
It is an awful mission,
A terrible division;
And leaves a gulph austere
To be fill'd with worldly fear.
Aye, when the soul is fled
To high above our head,
Affrighted do we gaze
After its airy maze,
As doth a mother wild,
When her young infant child
Is in an eagle's claws -
And is not this the cause
Of madness? - God of Song,
Thou bearest me along
Through sights I scarce can bear:
O let me, let me share
With the hot lyre and thee,
The staid Philosophy.
Temper my lonely hours,
And let me see thy bowers
More unalarm'd!
'These lines are part of an extract from a letter to Reynolds dated "Hampstead, Jan. 31st, 1818," published in Volume I of the Life, Letters &c. (1848), but omitted from the first Life and Letters of 1867 as "a page of doggerel not worth transcription." The time has now come when students will feel entitled to have even Keats's doggerel, some of which, by the bye, has far less reason (and rhyme too) than the present effusion -- to my mind rather a bright and happy specimen, notwithstanding Keats's own plea to his correspondent, "you must forgive all this ranting; but the fact is, I cannot write sense this morning." With the view of giving Reynolds "some sense" nevertheless, he proceeds to copy out his latest sonnet, "When I have fears" &c.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, A Draught Of Sunshine
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738:Woman! when I behold thee flippant, vain,
Inconstant, childish, proud, and full of fancies;
Without that modest softening that enhances
The downcast eye, repentant of the pain
That its mild light creates to heal again:
E'en then, elate, my spirit leaps, and prances,
E'en then my soul with exultation dances
For that to love, so long, I've dormant lain:
But when I see thee meek, and kind, and tender,
Heavens! how desperately do I adore
Thy winning graces;--to be thy defender
I hotly burn--to be a Calidore--
A very Red Cross Knight--a stout Leander--
Might I be loved by thee like these of yore.
Light feet, dark violet eyes, and parted hair;
Soft dimpled hands, white neck, and creamy breast,
Are things on which the dazzled senses rest
Till the fond, fixed eyes, forget they stare.
From such fine pictures, heavens! I cannot dare
To turn my admiration, though unpossess'd
They be of what is worthy,--though not drest
In lovely modesty, and virtues rare.
Yet these I leave as thoughtless as a lark;
These lures I straight forget--e'en ere I dine,
Or thrice my palate moisten: but when I mark
Such charms with mild intelligences shine,
My ear is open like a greedy shark,
To catch the tunings of a voice divine.
Ah! who can e'er forget so fair a being?
Who can forget her half retiring sweets?
God! she is like a milk-white lamb that bleats
For man's protection. Surely the All-seeing,
Who joys to see us with his gifts agreeing,
Will never give him pinions, who intreats
Such innocence to ruin,--who vilely cheats
A dove-like bosom. In truth there is no freeing
One's thoughts from such a beauty; when I hear
A lay that once I saw her hand awake,
Her form seems floating palpable, and near;
Had I e'er seen her from an arbour take
A dewy flower, oft would that hand appear,
And o'er my eyes the trembling moisture shake.
by owner. provided at no charge for educational purposes
~ John Keats, Woman! When I Behold Thee Flippant, Vain
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739:I.
He is to weet a melancholy carle:
Thin in the waist, with bushy head of hair,
As hath the seeded thistle when in parle
It holds the Zephyr, ere it sendeth fair
Its light balloons into the summer air;
Therto his beard had not begun to bloom,
No brush had touch'd his chin or razor sheer;
No care had touch'd his cheek with mortal doom,
But new he was, and bright, as scarf from Persian loom.
II.
Ne cared he for wine, or half-and-half;
Ne cared he for fish or flesh, or fowl;
And sauces held he worthless as the chaff;
He 'sdeigned the swine-head at the wassail-bowl;
Ne with lewd ribbalds sat he cheek by jowl;
Ne with sly Lemans in the scorner's chair;
But after water-brooks this Pilgrim's soul
Panted, and all his food was woodland air;
Though he would oft-times feast on gilliflowers rare.
III.
The slang of cities in no wise he knew,
Tipping the wink to him was heathen Greek;
He sipp'd no "olden Tom," or "ruin blue,"
Or Nantz, or cherry-brandy, drank full meek
By many a damsel brave, and rouge of cheek;
Nor did he know each aged watchman's beat,
Nor in obscured purlieus would he seek
For curled Jewesses, with ankles neat,
Who as they walk abroad, make tinkling with their feet.
'It is a brusque transition from the fervour and preternatural beauty of the dream sonnet to these amusing stanzas on Brown; but under the same date as that on which Keats told his brother of the dream, namely the 15th of April 1819, he records that "Brown, this morning, is writing some Spenserian stanzas against" Miss Brawne and the poet; "so," says the poet, "I shall amuse myself with him a little, in the manner of Spenser." It would not be fair to assume that all here is ironical; but the first stanza suggests that Keats's estimable friend was a "jolly" man, bald-headed, and "a trifle wider in the waist than formerly;" while, generally, one would suppose him to have been alive to the good things of the world.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Spenserian Stanzas On Charles Armitage Brown
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740:Pensive they sit, and roll their languid eyes,
Nibble their toast, and cool their tea with sighs,
Or else forget the purpose of the night,
Forget their tea -- forget their appetite.
See with cross'd arms they sit -- ah! happy crew,
The fire is going out and no one rings
For coals, and therefore no coals Betty brings.
A fly is in the milk-pot -- must he die
By a humane society?
No, no; there Mr. Werter takes his spoon,
Inserts it, dips the handle, and lo! soon
The little straggler, sav'd from perils dark,
Across the teaboard draws a long wet mark.
Arise! take snuffers by the handle,
There's a large cauliflower in each candle.
A winding-sheet, ah me! I must away
To No. 7, just beyond the circus gay.
'Alas, my friend! your coat sits very well;
Where may your tailor live?' 'I may not tell.
O pardon me -- I'm absent now and then.
Where might my tailor live? I say again
I cannot tell, let me no more be teaz'd --
He lives in Wapping, might live where he pleas'd.'
'This is one of the many varieties of the Winchester journal-letter of September 1819, as published in the New York World on the 25th of June 1877. Keats characterizes the jeu d'esprit as "a few nonsense verses." They were probably written on the 17th of September; and they illustrated the following passage in the journal-letter:--
"Nothing strikes me so forcibly with a sense of ridiculous as love. A man in love I do think cuts the sorriest figure in the world. Even when I know a poor fool to be really in pain about it I could burst out laughing in his face. His pathetic visage becomes irresistable. Not that I take H. as a pattern for lovers; he is a very worthy man and a good friend. His love is very amusing. Somewhere in the Spectator is related an account of a man inviting a party of stutterers and squinters to his table. It would please me more to scrape together a party of lovers; not to dinner -- no, to tea. There would be no fighting as among knights of old.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, A Party Of Lovers
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741:O golden-tongued Romance with serene lute!
Fair plumed Syren! Queen of far away!
Leave melodizing on this wintry day,
Shut up thine olden pages, and be mute:
Adieu! for once again the fierce dispute,
Betwixt damnation and impassion'd clay
Must I burn through; once more humbly assay
The bitter-sweet of this Shakespearian fruit.
Chief Poet! and ye clouds of Albion,
Begetters of our deep eternal theme,
When through the old oak forest I am gone,
Let me not wander in a barren dream,
But when I am consumed in the fire,
Give me new Phoenix wings to fly at my desire.
'This sonnet appears to have been written on the 22nd of January 1818, in the folio Shakespeare containing the manuscript of the preceding poem; but I think Keats must have drafted it before writing it in the Shakespeare; and there is a second manuscript in Sir Charles Dilke's copy of Endymion. A third may perhaps be presumed to be in America, as Keats, writing to his brothers on the 23rd of January 1818, transcribed the sonnet for them with the following remarks: --
"I think a little change has taken place in my intellect lately; I cannot bear to be uninterested or unemployed, I, who for so long a time have been addicted to passiveness. Nothing is finer for the purposes of great productions than a very gradual ripening of the intellectual powers. As an instance of this -- observe -- I sat down yesterday to read 'King Lear' once again: the thing appeared to demand the prologue of a sonnet. I wrote it, and began to read. (I know you would like to see it.)"
A copy of the sonnet follows, and then the words, "So you see I am getting at it with a sort of determination and strength,...." So far **** I have ascertained, the first appearance of the sonnet was with this letter, in the Life, Letters &c. (1848), Volume I, pages 96 and 97; but Medwin, in his Life of Shelley (1847, Volume II, page 106) records the belief that the sonnet had already appeared in a periodical.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. Written Before Re-Read King Lear
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742:The town, the churchyard, and the setting sun,
The clouds, the trees, the rounded hills all seem,
Though beautiful, cold- strange- as in a dream
I dreamed long ago, now new begun.
The short-liv'd, paly summer is but won
From winter's ague for one hour's gleam;
Through sapphire warm their stars do never beam:
All is cold Beauty; pain is never done.
For who has mind to relish, Minos-wise,
The real of Beauty, free from that dead hue
Sickly imagination and sick pride
Cast wan upon it? Burns! with honour due
I oft have honour'd thee. Great shadow, hide
Thy face; I sin against thy native skies.
'This sonnet, with which the poems of the Scotch tour with Brown begins, was not a very "prosperous opening." It seems to have been written on the 2nd of July 1818, and was first given by Lord Houghton in the Life, Letters &c. in 1848 as part of a letter to Tom Keats, wherein the poet sufficiently explains the comparative poverty of the production, thus: --
"You will see by this sonnet that I am at Dumfries. We have dined in Scotland. Burns's tomb is in the church-yard corner, not very much to my taste, though on a scale large enough to show they wanted to honour him. Mrs. Burns lives in this place; most likely we shall see her to-morrow. This sonnet I have written in a strange mood, half-asleep. I know not how it is, the clouds, the sky, the houses, all seem anti-Grecian and anti-Charlemagnish. I will endeavour to get rid of my prejudices and tell you fairly about the Scotch."
It is well to say at once that the precise dates assigned to this series of poems are not absolutely certain; for Keats himself was notoriously inexact about dates, and, according to his own confession, "never knew." Thus the next published letter, containing the Meg Merrilies poem, is dated "Auchtercairn, 3rd July;" and in it we read "yesterday was passed in Kirkcudbright," without any fresh date, though probably this statement belongs to the day on which Keats was at Newton Stewart.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, On Visiting The Tomb Of Burns
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743:This pleasant tale is like a little copse:
The honied lines do freshly interlace,
To keep the reader in so sweet a place,
So that he here and there full hearted stops;
And oftentimes he feels the dewy drops
Come cool and suddenly against his face,
And by the wandering melody may trace
Which way the tender-legged linnet hops.
Oh! What a power hath white simplicity!
What mighty power has this gentle story!
I, that for ever feel athirst for glory,
Could at this moment be content to lie
Meekly upon the grass, as those whose sobbings
Were heard of none beside the mournful robbins.
'This sonnet was published in The Examiner for the 16th of March 1817, having been written in February 1817 in the late Charles Cowden Clarke's "miniature 18mo. copy of Chaucer," as recorded in Clarke's Recollections of Keats in The Gentleman's Magazine.
When Clarke died, he bequeathed the Chaucer to Alexander Ireland, author of the Leigh Hunt, Lamb, and Hazlitt Bibliography. The sonnet is said to have been "an extempore effusion, and without the alteration of a single word;" but as Clarke seems to have been asleep when it was written we are justified in construing the word 'extempore' with a certain latitude. It was certainly most unusual for Keats to write that much without a single erasure, and it is quite possible that he jotted the sonnet down in pencil in a note-book which he certainly carried at that time and certainly did draft sonnets in. In any case he probably had ample time and quiet, while Clarke was sleeping, to elaborate the two highly finished quatrains in his mind: the third quatrain and the couplet are of inferior merit, and might well be extemporary.
This early performance seems to have quite won the heart of the genial critic Hunt, for in inserting it in his paper he characterized it as "exquisite," and added that the author might "already lay true claim to that title: --
'The youngest he
That sits in shadow of Apollo's tree."' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. Written On A Blank Space At The End Of Chaucers Tale Of The Floure And The Lefe
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744:What though, for showing truth to flatter'd state,
Kind Hunt was shut in prison, yet has he,
In his immortal spirit, been as free
As the sky-searching lark, and as elate.
Minion of grandeur! think you he did wait?
Think you he nought but prison-walls did see,
Till, so unwilling, thou unturn'dst the key?
Ah, no! far happier, nobler was his fate!
In Spenser's halls he stray'd, and bowers fair,
Culling enchanted flowers; and he flew
With daring Milton through the fields of air:
To regions of his own his genius true
Took happy flights. Who shall his fame impair
When thou art dead, and all thy wretched crew?
'The Hunts left prison on the 2nd of February 1815, according to Leigh Hunt's own account, though Thornton Hunt says the 3rd at page 99, Volume I., of the Correspondence (1862). .... An article celebrating "The Departure of the Proprietors of this Paper from Prison" occupied the first page of The Examiner for Sunday, the 5th of February, 1815. The opening is as follows: --
"The two years' imprisonment inflicted on the Proprietors of this Paper for differing with the Morning Post on the merits of the Prince Regent, expired on Thursday last; and on that day accordingly we quitted our respective Jails." On the subject of how they felt on the occasion, Hunt excuses himself from particularity, but observes with characteristic pleasantness, "there is a feeling of space and of airy clearness about everything, which is alternately delightful and painful." ...
Hunt adduces the first line ... as an example of Keats's "sense of the proper variety of versification without a due consideration of its principles," and very justly adds, "by no contrivance of any sort can we prevent this from jumping out of the heroic measure into mere rhythmicality."
Clarke records that when this and one or two other early poems of Keats were first shown by him to Hunt, Horace Smith, being present, remarked on the 13th line, "What a well-condensed expression for a youth so young!" ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet III. Written On The Day That Mr. Leigh Hunt Left Prison
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745:Give me your patience, sister, while I frame
Exact in capitals your golden name;
Or sue the fair Apollo and he will
Rouse from his heavy slumber and instill
Great love in me for thee and Poesy.
Imagine not that greatest mastery
And kingdom over all the Realms of verse,
Nears more to heaven in aught, than when we nurse
And surety give to love and Brotherhood.
Anthropophagi in Othello's mood;
Ulysses storm'd and his enchanted belt
Glow with the Muse, but they are never felt
Unbosom'd so and so eternal made,
Such tender incense in their laurel shade
To all the regent sisters of the Nine
As this poor offering to you, sister mine.
Kind sister! aye, this third name says you are;
Enchanted has it been the Lord knows where;
And may it taste to you like good old wine,
Take you to real happiness and give
Sons, daughters and a home like honied hive.
'This acrostic seems to have been written at the foot of Helvellyn on the 27th of June 1818, for although it appears in the Winchester journal-letter of September 1819 as given in the New York World of the 25th of June 1877, it purports to be copied from an old letter which reached Liverpool after the George Keatses had sailed for America, and which was therefore returned to the poet. The words "Foot of Helvellyn, June 27th," are printed in The World as if they belonged to the next piece copied into the journal-letter; but the context indicates that the date really belongs to the acrostic. Keats (with his friend Charles Armitage Brown) was on the way to Carlisle, to take coach there for Dumfries and begin the walking tour in Scotland on which the first serious break-down of his health occurred. Leaving London about the middle of June, they had seen the George Keatses off from Liverpool for America, and had then started walking from Lancaster; so that, by the time Keats was writing the Acrostic, he had already been walking several days; and four days later the friends reached Carlisle, ending there the English portion of their walk.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Acrostic - Georgiana Augusta Keats
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746:Now Morning from her orient chamber came,
And her first footsteps touch'd a verdant hill;
Crowning its lawny crest with amber flame,
Silv'ring the untainted gushes of its rill;
Which, pure from mossy beds, did down distill,
And after parting beds of simple flowers,
By many streams a little lake did fill,
Which round its marge reflected woven bowers,
And, in its middle space, a sky that never lowers.
There the king-fisher saw his plumage bright
Vieing with fish of brilliant dye below;
Whose silken fins, and golden scales' light
Cast upward, through the waves, a ruby glow:
There saw the swan his neck of arched snow,
And oar'd himself along with majesty;
Sparkled his jetty eyes; his feet did show
Beneath the waves like Afric's ebony,
And on his back a fay reclined voluptuously.
Ah! could I tell the wonders of an isle
That in that fairest lake had placed been,
I could e'en Dido of her grief beguile;
Or rob from aged Lear his bitter teen:
For sure so fair a place was never seen,
Of all that ever charm'd romantic eye:
It seem'd an emerald in the silver sheen
Of the bright waters; or as when on high,
Through clouds of fleecy white, laughs the crulean sky.
And all around it dipp'd luxuriously
Slopings of verdure through the glossy tide,
Which, as it were in gentle amity,
Rippled delighted up the flowery side;
As if to glean the ruddy tears, it tried,
Which fell profusely from the rose-tree stem!
Haply it was the workings of its pride,
In strife to throw upon the shore a gem
Outviewing all the buds in Flora's diadem.
'The copy of these stanzas in Tom Keats's copy-book has a reading in line 12 which ought perhas to supersede the printed text of 1817, namely, 'golden scals light.' It seems highly likely that Keats really meant to carry his archaism to the extent of making scales a dissyllable, especially as the metre is thus corrected. Lord Houghton states on the authority of the notes of Charles Armitage Brown, given to his lordship in 1832, that this is the earliest known composition of Keats, and was written while he was living at Edmonton.' ~ John Keats, Imitation Of Spenser
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747:Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy’d,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy’d,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
“Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know. ~ John Keats,#NFDB
748:To Hope
When by my solitary hearth I sit,
And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my "mind's eye" flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o'er my head.
Whene'er I wander, at the fall of night,
Where woven boughs shut out the moon's bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.
Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chace him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!
Whene'er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o'er my head!
Should e'er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed.
And wave thy silver pinions o'er my head!
In the long vista of the years to roll,
Let me not see our country's honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom's shade.
From thy bright eyes unusual brightness shed--
Beneath thy pinions canopy my head!
Let me not see the patriot's high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress'd,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!
And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud;
Brightening the half veil'd face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o'er my head. ~ John Keats,#NFDB
749:1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.
2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.
3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.
4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.
5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.
6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.
7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.
8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
'First given among the Literary Remains in the second volume of the Life, Letters &c. 1848. The date to which Lord Houghton assigns the poem is February 1815.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Apollo
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750:Standing aloof in giant ignorance,
Of thee I hear and of the Cyclades,
As one who sits ashore and longs perchance
To visit dolphin-coral in deep seas.
So thou wast blind; -- but then the veil was rent,
For Jove uncurtain'd Heaven to let thee live,
And Neptune made for thee a spumy tent,
And Pan made sing for thee his forest-hive;
Aye on the shores of darkness there is light,
And precipices show untrodden green
There is a budding morrow in the midnight,
There is a triple sight in blindness keen;
Such seeing hadst thou, as it once befel
To Dian, Queen of Earth, and Heaven, and Hell.
'This admirable sonnet also occurs in manuscript in Sir Charles Dilke's copy of Endymion, and was included, like the Sonnet "When I have fears", in the Literary Remains (1848). The date given in both places is 1818. The evidence of the manuscript on this point is of consequence as bearing on the relative positions of this sonnet and that 'On first looking into Chapman's Homer'.
I understand the "giant ignorance" of line I to have reference to Keats's inability to enjoy Homer in the original Greek, and not to an entire ignorance of the Iliad and Odyssey such as might have characterized the period before the sonnet on Chapman's version was written in 1816. Indeed the second quatrain seems to me to be too well felt for so vague an attitude as Keats's must have been towards Homer before he knew any version at all; but the late Dante Gabriel Rossetti, whose intuitions in such matters were of the keenest, and entitled to the most careful consideration, held that the present sonnet must have preceded that of 1816, and received with considerable reserve the evidence as to the date which I communicated to him in the course of our correspondence. It will be of interest to many lovers both of Keats and of Rossetti to learn that the latter poet whom we have but lately lost considered this sonnet to contain Keats's finest single line of poetry --
'There is a budding morrow in midnight,'
a line which Rossetti told me he thought one of the finest "in all poetry." No one will dispute that it is a most astonishing line, more particularly for a young man of Keats's years in 1818.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet To Homer
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751:'Tis the witching hour of night,
Orbed is the moon and bright,
And the stars they glisten, glisten,
Seeming with bright eyes to listen --
For what listen they?
For a song and for a charm,
See they glisten in alarm,
And the moon is waxing warm
To hear what I shall say.
Moon! keep wide thy golden ears --
Hearken, stars! and hearken, spheres! --
Hearken, thou eternal sky!
I sing an infant's lullaby,
A pretty lullaby.
Listen, listen, listen, listen,
Glisten, glisten, glisten, glisten,
And hear my lullaby!
Though the rushes that will make
Its cradle still are in the lake --
Though the linen that will be
Its swathe, is on the cotton tree --
Though the woollen that will keep
It warm, is on the silly sheep --
Listen, starlight, listen, listen,
Glisten, glisten, glisten, glisten,
And hear my lullaby!
Child, I see thee! Child, I've found thee
Midst of the quiet all around thee!
And thy mother sweet is nigh thee!
But a Poet evermore!
See, see, the lyre, the lyre,
In a flame of fire,
Upon the little cradle's top
Flaring, flaring, flaring,
Past the eyesight's bearing,
Awake it from its sleep,
And see if it can keep
Its eyes upon the blaze --
Amaze, amaze!
It stares, it stares, it stares,
It dares what no one dares!
It lifts its little hand into the flame
Unharm'd, and on the strings
Paddles a little tune, and sings,
With dumb endeavour sweetly --
Bard art thou completely!
Little child
O' th' western wild,
Bard art thou completely!
Sweetly with dumb endeavour,
A Poet now or never,
Little child
O' th' western wild,
A Poet now or never!
'These lines occur in a letter to George Keats dated the 29th of October 1818, first given by Lord Houghton in the Life, Letters &c., and appears to belong to that date. They follow immediately upon this message:--
"If I had a prayer to make for any great good, next to Tom's recovery, it should be that one of your children should be the first American poet. I have a great mind to make a prophecy; and they say that prophecies work out their own fulfilment."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, A Prophecy - To George Keats In America
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752:Hadst thou liv'd in days of old,
O what wonders had been told
Of thy lively countenance,
And thy humid eyes that dance
In the midst of their own brightness;
In the very fane of lightness.
Over which thine eyebrows, leaning,
Picture out each lovely meaning:
In a dainty bend they lie,
Like to streaks across the sky,
Or the feathers from a crow,
Fallen on a bed of snow.
Of thy dark hair that extends
Into many graceful bends:
As the leaves of Hellebore
Turn to whence they sprung before.
And behind each ample curl
Peeps the richness of a pearl.
Downward too flows many a tress
With a glossy waviness;
Full, and round like globes that rise
From the censer to the skies
Through sunny air. Add too, the sweetness
Of thy honied voice; the neatness
Of thine ankle lightly turn'd:
With those beauties, scarce discern'd,
Kept with such sweet privacy,
That they seldom meet the eye
Of the little loves that fly
Round about with eager pry.
Saving when, with freshening lave,
Thou dipp'st them in the taintless wave;
Like twin water lillies, born
In the coolness of the morn.
O, if thou hadst breathed then,
Now the Muses had been ten.
Couldst thou wish for lineage higher
Than twin sister of Thalia?
At least for ever, evermore,
Will I call the Graces four.
Hadst thou liv'd when chivalry
Lifted up her lance on high,
Tell me what thou wouldst have been?
Ah! I see the silver sheen
Of thy broidered, floating vest
Covring half thine ivory breast;
Which, O heavens! I should see,
But that cruel destiny
Has placed a golden cuirass there;
Keeping secret what is fair.
Like sunbeams in a cloudlet nested
Thy locks in knightly casque are rested:
Oer which bend four milky plumes
Like the gentle lillys blooms
Springing from a costly vase.
See with what a stately pace
Comes thine alabaster steed;
Servant of heroic deed!
O'er his loins, his trappings glow
Like the northern lights on snow.
Mount his back! thy sword unsheath!
Sign of the enchanter's death;
Bane of every wicked spell;
Silencer of dragon's yell.
Alas! thou this wilt never do:
Thou art an enchantress too,
And wilt surely never spill
Blood of those whose eyes can kill.
by owner. provided at no charge for educational purposes
~ John Keats, To ......
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753:To-night I'll have my friar -- let me think
About my room, -- I'll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June,
Should look thro' four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower'd with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady's glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish'd but some ringlets of her hair;
A viol, bow-strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon a mat of roses lying,
Ink'd purple with a song concerning dying;
An hour-glass on the turn, amid the trails
Of passion-flower; -- just in time there sails
A cloud across the moon, -- the lights bring in!
And see what more my phantasy can win.
It is a gorgeous room, but somewhat sad;
The draperies are so, as tho' they had
Been made for Cleopatra's winding-sheet;
And opposite the stedfast eye doth meet
A spacious looking-glass, upon whose face,
In letters raven-sombre, you may trace
Old "Mene, Mene, Tekel Upharsin."
Greek busts and statuary have ever been
Held, by the finest spirits, fitter far
Than vase grotesque and Siamesian jar;
Therefore 'tis sure a want of Attic taste
That I should rather love a Gothic waste
Of eyesight on cinque-coloured potter's clay,
Than on the marble fairness of old Greece.
My table-coverlits of Jason's fleece
And black Numidian sheep-wool should be wrought,
Gold, black, and heavy, from the Lama brought.
My ebon sofas should delicious be
With down from Leda's cygnet progeny.
My pictures all Salvator's, save a few
Of Titian's portraiture, and one, though new,
Of Haydon's in its fresh magnificence.
My wine -- O good! 'tis here at my desire,
And I must sit to supper with my friar.
* * * * * * * * * * * * * * * * * * * * *
'This is the third of the undated fragments at the end of Volume I of the Life, Letters &c. (1848).' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Fragment Of The Castle Builder
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754:1.
No, no! go not to Lethe, neither twist
Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kissed
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.
2.
But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
3.
She dwells with Beauty Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips;
Ay, in the very temple of delight
Veiled Melancholy has her sovran shrine,
Though seen of none save him whose strenuous
tongue
Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
'Lord Houghton gives the following stanza as the intended opening of the Ode, from the original manuscript:
Though you should build a bark of dead men's bones,
And rear a phantom gibbet for a mast,
Stitch shrouds together for a sail, with groans
To fill it out, blood-stained and aghast;
Although your rudder be a dragon's tail
Long sever'd, yet still hard with agony,
Your cordage large uprootings from the skull
Of bald Medusa, certes you would fail
To find the Melancholy -- whether she
Dreameth in any isle of Lethe dull.
His Lordship adds -- "But no sooner was this written, than the poet became conscious that the coarseness of the contrast would destroy the general effect of luxurious tenderness which it was the object of the poem to produce, and he confined the gross notion of Melancholy to less violent images,..."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode On Melancholy
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755:1.
Physician Nature! Let my spirit blood!
O ease my heart of verse and let me rest;
Throw me upon thy Tripod, till the flood
Of stifling numbers ebbs from my full breast.
A theme! a theme! great nature! give a theme;
Let me begin my dream.
I come I see thee, as thou standest there,
Beckon me not into the wintry air.
2.
Ah! dearest love, sweet home of all my fears,
And hopes, and joys, and panting miseries,
To-night, if I may guess, thy beauty wears
A smile of such delight,
As brilliant and as bright,
As when with ravished, aching, vassal eyes,
Lost in soft amaze,
I gaze, I gaze!
3.
Who now, with greedy looks, eats up my feast?
What stare outfaces now my silver moon!
Ah! keep that hand unravished at the least;
Let, let, the amorous burn
But pr'ythee, do not turn
The current of your heart from me so soon.
O! save, in charity,
The quickest pulse for me.
4.
Save it for me, sweet love! though music breathe
Voluptuous visions into the warm air;
Though swimming through the dance's dangerous wreath,
Be like an April day,
Smiling and cold and gay,
A temperate lilly, temperate as fair;
Then, Heaven! there will be
A warmer June for me.
5.
Why, this, you'll say, my Fanny! is not true:
Put your soft hand upon your snowy side,
Where the heart beats: confess 'tis nothing new
Must not a woman be
A feather on the sea,
Sway'd to and fro by every wind and tide?
Of as uncertain speed
As blow-ball from the mead?
6.
I know it and to know it is despair
To one who loves you as I love, sweet Fanny!
Whose heart goes fluttering for you every where,
Nor, when away you roam,
Dare keep its wretched home,
Love, love alone, his pains severe and many:
Then, loveliest! keep me free,
From torturing jealousy.
7.
Ah! if you prize my subdued soul above
The poor, the fading, brief, pride of an hour;
Let none profane my Holy See of love,
Or with a rude hand break
The sacramental cake:
Let none else touch the just new-budded flower;
If not may my eyes close,
Love! on their lost repose.
'This poem was first given among the Literary Remains in 1848 without any date; ...but it seems very likely that the early part of 1819 would be the time.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Fanny
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756:Chief of organic Numbers!
Old Scholar of the Spheres!
Thy spirit never slumbers,
But rolls about our ears
For ever and for ever.
O, what a mad endeavour
Worketh he
Who, to thy sacred and ennobled hearse,
Would offer a burnt sacrifice of verse
And Melody!
How heavenward thou soundedst
Live Temple of sweet noise;
And discord unconfoundedst:
Giving delight new joys,
And Pleasure nobler pinions--
O where are thy Dominions!
Lend thine ear
To a young delian oath--aye, by thy soul,
By all that from thy mortal Lips did roll;
And by the Kernel of thine earthly Love,
Beauty, in things on earth and things above,
When every childish fashion
Has vanish'd from my rhyme
Will I grey-gone in passion
Give to an after-time
Hymning and harmony
Of thee, and of thy Words and of thy Life:
But vain is now the bruning and the strife--
Pangs are in vain -- until I grow high-rife
With Old Philosophy
And mad with glimpses at futurity!
For many years my offerings must be hush'd:
When I do speak I'll think upon this hour,
Because I feel my forehead hot and flush'd,
Even at the simplest vassal of thy Power,--
A Lock of thy bright hair!
Sudden it came,
And I was startled when I heard thy name
Coupled so unaware--
Yet, at the moment, temperate was my blood:
Methought I had beheld it from the flood.
'In a letter to his friend Bailey, dated 23rd of January 1818 (Life, Letters &c., 1848), Keats says --
"I was at Hunt's the other day, and he surprised me with a real authenticated lock of Milton's hair. I know you would like what I wrote thereon, so here it is -- as they say of a Sheep in a Nursery Book."
And after transcribing the poem he adds --
"This I did at Hunt's, at his request. Perhaps I should have done something better alone and at home."
In the folio Shakespeare in Sir Charles Dilke's possession these Lines are written in Keats's autograph, and there is another manuscript at the end of the copy of Endymion mentioned several times in these notes. The date given by Keats to the poem is the 21st of January 1818. I presume Lord Houghton gave the poem from the Bailey letter: the variations are inconsiderable. Medwin records in his Life of Shelley (Volume II, page 106) the belief that this poem had appeared in a periodical, though not at that time included in Keats's works.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Lines On Seeing A Lock Of Miltons Hair
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757:When by my solitary hearth I sit,
And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my "mind's eye" flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o'er my head!
Whene'er I wander, at the fall of night,
Where woven boughs shut out the moon's bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moonbeams through the leafy roof,
And keep that fiend Despondence far aloof!
Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chase him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!
Whene'er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbidfancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o'er my head!
Should e'er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o'er my head!
In the long vista of the years to roll,
Let me not see our country's honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom's shade.
From thy bright eyes unusual brightness shed-
Beneath thy pinions canopy my head!
Let me not see the patriot's high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress'd,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!
And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud;
Brightening the half veil'd face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o'er my head!
Written February, 1815. Published in his Poems of 1817. by owner. provided at no charge for educational purposes
~ John Keats, To Hope
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758:1.
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
2.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
3.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
Form: ababcdecdde
'This poem seems to have been just composed when Keats wrote to Reynolds from Winchester his letter, dated, 22nd of September 1819.
Keats says, "How beautiful the season is now. How fine the air -- a temperate sharpness about it. Really, without joking, chaste weather -- Dian skies. I never liked stubble-fields so much as now -- aye, better than chilly green of the Spring. Somehow, a stubble plain looks warm, in the same way that some pictures look warm. This struck me so much in my Sunday's walk that I composed upon it." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
(stanza 3): The term "Hedge-crickets" for "grasshoppers" in line 9 resumes very happily the whole sentiment of Keats's competition sonnet [Sonnet XV.] "On the Grasshopper and Cricket." by owner. provided at no charge for educational purposes
~ John Keats, Ode To Autumn
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759:Many the wonders I this day have seen:
The sun, when first he kissed away the tears
That filled the eyes of Morn;the laurelled peers
Who from the feathery gold of evening lean;
The ocean with its vastness, its blue green,
Its ships, its rocks, its caves, its hopes, its fears,
Its voice mysterious, which whoso hears
Must think on what will be, and what has been.
E'en now, dear George, while this for you I write,
Cynthia is from her silken curtains peeping
So scantly, that it seems her bridal night,
And she her half-discovered revels keeping.
But what, without the social thought of thee,
Would be the wonders of the sky and sea?
'Among the late Joseph Severn's Keats relics were a few leaves torn from a small oblong pocket note-book, bearing pencilled sketches by Keats of rude figures &c. and what seem to be first drafts (in pencil also) of his sonnet and the two quatrains of the sonnet To My Brothers. The erasures are not such as to indicate any want of fluency. I have collated this draft with a careful transcript made by George Keats himself, and with another in Tom Keats's copy-book. This last does not vary from the printed text, and bears no date; but the other transcript, like that of the Epistle to George Keats, is subscribed "Margate, August, 1816." In the draft, line 3 at first stood unfinished --
That trembled on the morning's eye
and then --
That trembled in the eye of Morn
and finally --
That hung on Morning's cheek -- the laurell'd Peers,
which is the reading of George Keats's transcript. In line 4 we have That for Who in the transcript; while the draft reads That in the Paleing (altered to feathery) gold. In line 6 of the draft, Dangers stands cancelled in favour of Rocks. Line 8 in both draft and transcript is --
Must muse on what's to come and what has bee.
In line 10 the draft reads silver for silken, and there is a cancelled line 11: --
Giving the world such snatches of delight,
for which the reading of the text is substituted. The final couplet was originally --
The Sights have warmed me but without thy love,
What Joy in Earth or Sea or Heaven above?
This is cancelled in the draft in favour of the reading of the text. In line 13 the transcript has 'thoughts' for 'thought.' Even the small beginning of lunar impersonation that we see in lines 10 to 12 has its interest in the mental history of one who was born to luxuriate through such a harvest of luscious thought and imagery as Endymion.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet I. To My Brother George
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760:Read me a lesson, Muse, and speak it loud
Upon the top of Nevis, blind in mist!
I look into the chasms, and a shroud
Vapourous doth hide them, -- just so much I wist
Mankind do know of hell; I look o'erhead,
And there is sullen mist, -- even so much
Mankind can tell of heaven; mist is spread
Before the earth, beneath me, -- even such,
Even so vague is man's sight of himself!
Here are the craggy stones beneath my feet,--
Thus much I know that, a poor witless elf,
I tread on them, -- that all my eye doth meet
Is mist and crag, not only on this height,
But in the world of thought and mental might!
'At Oban, apparently on the 26th of July, the decision was taken by Keats and Brown to rest in their travels "a day or two" before pushing on to Fort William and Inverness. I find no precise record of the date of the ascent of Ben Nevis; but it was probably about the 1st of August 1818. Lord Houghton says in the Life, Letters &c., where this sonnet first appeared, --
"From Fort William Keats mounted Ben Nevis. When on the summit a cloud enveloped him, and sitting on the stones, as it slowly wafted away, showing a tremendous precipice into the valley below, he wrote these lines."
The late Dante Gabriel Rossetti wrote to me of this sonnet as "perhaps the most thoughtful of Keats, and greatly superior in execution to the draft on the Ailsa Crag." It was certainly by no means an unworthy finish to the tour, though I must confess to finding a little wand of spontaneity -- not to be wondered at when we consider that Keats, though writing so bravely to his friends, had undertaken a task far beyond his physical strength, and probably one which laid the foundations of his mortal illness. He speaks to Tom lightly enough of "a slight sore throat;" but in a letter which Brown wrote from Inverness on the 7th of August, he says,
"Mr. Keats will leave me, and I am full of sorrow about it;.... a violent cold and an ulcerated throat make it a matter of prudence that he should go to London in the Packet: he has been unwell for some time, and the Physician here is of opinion he will not recover if he journeys on foot thro' all weathers and under so many privations." So Brown went on to walk another 1200 miles alone, and Keats having accomplished 600 and odd, "went on board the smack from Cromarty," as he says in a hitherto unpublished letter to his sister dated "Hampstead, August 18th" and "after a nine days passage . . . landed at London Bridge" on the 17th of August 1818.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. Written Upon The Top Of Ben Nevis
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761:Of late two dainties were before me plac'd
Sweet, holy, pure, sacred and innocent,
From the ninth sphere to me benignly sent
That Gods might know my own particular taste:
First the soft Bag-pipe mourn'd with zealous haste,
The Stranger next with head on bosom bent
Sigh'd; rueful again the piteous Bag-pipe went,
Again the Stranger sighings fresh did waste.
O Bag-pipe thou didst steal my heart away --
O Stranger thou didst re-assert thy sway --
Again thou Stranger gav'st me fresh alarm --
Alas! I could not choose. Ah! my poor heart
Mum chance art thou with both oblig'd to part.
'It would seem to have been still the 17th of July when Keats and Brown "came round the end of Loch Fyne to Inverary," as the poet tells his brother Tom in continuing the letter begun at Cairndow; for he makes a fresh start with "last evening," and lower down another fresh start dated July 20th in which he speaks of the lapse of two days. The letter to Bailey is also dated "Inverary, July 18;" and that was doubtless the day on which he recounted Tom the arrival at Inverary.
Keats had been excruciated by a solo on the bag-pipe on the way, "I thought," he says, "the brute would never have done -- yet was I doomed to hear another. On entering Inverary we saw a Play Bill -- Brown was knock'd up from the new shoes -- so I went to the Barn alone where I saw the Stranger accompanied by a Bag-pipe. There they went on about 'interesting creaters' and 'human nater' -- till the curtain fell and then came the Bag-pipe. When Mrs. Haller fainted down went the curtain and out came the Bag-pipe -- at the heartrending, shoemending reconciliation the Piper blew amain. I never read or saw this play before; not the Bag-pipe nor the wretched players themselves were little in comparison with it -- thank heaven it has been scoffed at lately almost to a fashion."
The sonnet given above follows this passage without a break; and I presume we may safely assign it to the 18th of July 1818. It has already been published, in The Athenaeum of the 7th of June 1873. Without being in any sense a good sonnet, it is highly interesting as the record of a mood, and of Keats's attitude towards the wretched but once renowned work of August von Kotzebue, translated into English and performed at Drury Lane as long ago as 1798. The part of Mrs. Haller has been graced by no less a player than Mrs. Siddons. The manuscript of the sonnet shows a cancelled reading in line 8, 'sighed in discontent,' rejected of course as upsetting the metre.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, On Hearing The Bag-Pipe And Seeing The Stranger Played At Inverary
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762:Bright star, would I were stedfast as thou art --
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priest-like task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors --
No -- yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever -- or else swoon to death.
'Lord Houghton records that, after Keats had embarked for Italy he "landed once more in England, on the Dorsetshire coast, after a weary fortnight spent in beating about the Channel; the bright beauty of the day and the scene revived the poet's drooping heart, and the inspiration remained on him for some time even after his return to the ship. It was then that he composed that sonnet of solemn tenderness,
'Bright star! would I were stedfast as thou art,' &c.
and wrote it out in a copy of Shakespeare's Poems he had given to Severn a few days before. I know nothing written afterwards."
The copy of Shakespeare's Poetical Works had been given to Keats by John Hamilton Reynolds, and is now in the possession of Sir Charles Dilke [rather was in 125 years ago]. It is a royal 8vo volume "printed for Thomas Wilson, No. 10, London-House-yard, St. Paul's," in 1806; and this sonnet, of which a fac-simile is here given, is written upon the verso of the fly-title to A Lover's Complaint. It seems fair to assume that the reason of its being so high up on the page is that it thus faces a space of equal size containing no words except a boldly printed heading of Shakespeare's poem, A Lover's Complaint, as if in that mournful moment Keats desired to appropriate to his last poetic utterance a style and title already immortal. Lord Houghton gives a variant of the last line --
'Half-passionless, and so swoon on to death.'
As there is no trace of this in the Shakespeare, there must have been another manuscript -- perhaps a pencilled draft -- and it is to be presumed that the words 'fall and swell', in line 11 of Lord Houghton's text occurred in that, 'swell and fall', the reading of the Shakespeare, being in that case an error of transcription on Keats's part.
The date of the poem is about the end of September or beginning of October 1820. It was published in February 1846, with a letter from Severn, in The Union Magazine.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet. Written On A Blank Page In Shakespeares Poems, Facing A Lovers Complaint
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763:No! those days are gone away,
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.
No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.
On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale,
Messenger for spicy ale.
Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grene shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her-strange! that honey
Can't be got without hard money!
So it is; yet let us sing
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
And to all the Sherwood clan!
Though their days have hurried by
Let us two a burden try.
'Of these charming verses there are two extant manuscripts,-- one being apparently the first draft, corrected and altered in course of composition, and the other a very careful copy written at the end of the copy of Endymion in Sir Charles Dilke's possession. ...The draft was found by the late Mr. S. R. Townshend Mayer among the manuscripts of Leigh Hunt; and, as it was written on the same piece of paper with Shelley's "Sonnet to the Nile", it is not very hazardous to refer the composition to about the same date -- February 1818. Sir Charles Dilke's copy of the poem is dated simply "1818," and headed thus:
"To John Reynolds,
In answer to his Robin Hood Sonnets."
The Sonnets in question were published in The Garden of Florence &c. (1821).' ~ John Keats, Robin Hood
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764:I.
Stand still, true poet that you are!
I know you; let me try and draw you.
Some night you'll fail us: when afar
You rise, remember one man saw you,
Knew you, and named a star!
II.
My star, God's glow-worm! Why extend
That loving hand of his which leads you
Yet locks you safe from end to end
Of this dark world, unless he needs you,
just saves your light to spend?
III.
His clenched hand shall unclose at last,
I know, and let out all the beauty:
My poet holds the future fast,
Accepts the coming ages' duty,
Their present for this past.
IV.
That day, the earth's feast-master's brow
Shall clear, to God the chalice raising;
``Others give best at first, but thou
``Forever set'st our table praising,
``Keep'st the good wine till now!''
V.
Meantime, I'll draw you as you stand,
With few or none to watch and wonder:
I'll say-a fisher, on the sand
By Tyre the old, with ocean-plunder,
A netful, brought to land.
VI.
Who has not heard how Tyrian shells
Enclosed the blue, that dye of dyes
Whereof one drop worked miracles,
And coloured like Astarte's eyes
Raw silk the merchant sells?
VII.
And each bystander of them all
Could criticize, and quote tradition
How depths of blue sublimed some pall
-To get which, pricked a king's ambition
Worth sceptre, crown and ball.
VIII.
Yet there's the dye, in that rough mesh,
The sea has only just o'erwhispered!
Live whelks, each lip's beard dripping fresh,
As if they still the water's lisp heard
Through foam the rock-weeds thresh.
IX.
Enough to furnish Solomon
Such hangings for his cedar-house,
That, when gold-robed he took the throne
In that abyss of blue, the Spouse
Might swear his presence shone
X.
Most like the centre-spike of gold
Which burns deep in the blue-bell's womb,
What time, with ardours manifold,
The bee goes singing to her groom,
Drunken and overbold.
XI.
Mere conchs! not fit for warp or woof!
Till cunning come to pound and squeeze
And clarify,-refine to proof
The liquor filtered by degrees,
While the world stands aloof.
XII.
And there's the extract, flasked and fine,
And priced and saleable at last!
And Hobbs, Nobbs, Stokes and Nokes combine
To paint the future from the past,
Put blue into their line.
XIII.
Hobbs hints blue,-Straight he turtle eats:
Nobbs prints blue,-claret crowns his cup:
Nokes outdares Stokes in azure feats,-
Both gorge. Who fished the murex up?
What porridge had John Keats?
The Syrian Venus.
Molluscs from which the famous Tyrian
* purple dye was obtained.
~ Robert Browning, Popularity
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765:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old, and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast
That, whether there be shine or gloom o'ercast,
They always must be with us, or we die.
Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own valleys: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimmed and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end!
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.
by owner. provided at no charge for educational purposes
~ John Keats, A Thing Of Beauty (Endymion)
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766:By The Aurelian Wall
In Memory of John Keats
By the Aurelian Wall,
Where the long shadows of the centuries fall
From Caius Cestius' tomb,
A weary mortal seeking rest found room
For quiet burial,
Leaving among his friends
A book of lyrics.
Such untold amends
A traveller might make
In a strange country, bidden to partake
Before he farther wends;
Who slyly should bestow
The foreign reed-flute they had seen him blow
And finger cunningly,
On one of the dark children standing by,
Then lift his cloak and go.
The years pass. And the child
Thoughtful beyond his fellows, grave and mild,
Treasures the rough-made toy,
Until one day he blows it for clear joy,
And wakes the music wild.
His fondness makes it seem
A thing first fashioned in delirious dream,
Some god had cut and tried,
And filled with yearning passion, and cast aside
On some far woodland stream,After long years to be
Found by the stranger and brought over sea,
A marvel and delight
To ease the noon and pierce the dark blue night,
For children such as he.
He learns the silver strain
Wherewith the ghostly houses of gray rain
74
And lonely valleys ring,
When the untroubled whitethroats make the spring
A world without a stain;
Then on his river reed,
With strange and unsuspected notes that plead
Of their own wild accord
For utterances no bird's throat could afford,
Lifts it to human need.
His comrades leave their play,
When calling and compelling far away
By river-slope and hill,
He pipes their wayward footsteps where he will,
All the long lovely day.
Even his elders come.
'Surely the child is elvish,' murmur some,
And shake the knowing head;
'Give us the good old simple things instead,
Our fathers used to hum.'
Others at open door
Smile when they hear what they have hearkened for
These many summers now,
Believing they should live to learn somehow
Things never known before.
But he can only tell
How the flute's whisper lures him with a spell,
Yet always just eludes
The lost perfection over which he broods;
And how he loves it well.
Till all the country-side ,
Familiar with his piping far and wide,
Has taken for its own
That weird enchantment down the evening blown,Its glory and its pride.
And so his splendid name,
Who left the book of lyrics and small fame
Among his fellows then,
75
Spreads through the world like autumn-who knows when?Till all the hillsides flame.
Grand Pré and Margaree
Hear it upbruited from the unresting sea;
And the small Gaspereau,
Whose yellow leaves repeat it, seems to know
A new felicity.
Even the shadows tall,
Walking at sundown through the plain, recall
A mound the grasses keep,
Where once a mortal came and found long sleep
By the Aurelian Wall.
~ Bliss William Carman,#NFDB
767:I.
Ah, what can ail thee, wretched wight,
Alone and palely loitering?
The sedge is withered from the lake,
And no birds sing.
2.
Ah, what can ail thee, wretched wight,
So haggard and so woe-begone
The squirrel's granary is full,
And the harvest's done.
3.
I see a lily on thy brow
With anguish moist and fever dew,
And on thy cheek a fading rose
Fast withereth too.
4.
I met a lady in the meads,
Full beautiful, a faery's child:
Her hair was long, her foot was ligh,
And her eyes were wild.
5.
I set her on my pacing steed,
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.
6.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan.
7.
She found me roots of relish sweet,
And honey wild, and manna dew,
And sure in language strange she said,
"I love thee true!"
8.
She took me to her elfin grot,
And there she gazed and sighed deep,
And there I shut her wild, sad eyes-
So kissed to sleep.
9.
And there we slumbered on the moss,
And there I dreamed, ah! woe betide,
The latest dream I ever dreamed
On the cold hill side.
10.
I saw pale kings, and princes too,
Pale warriors, death-pale were they all;
Who cried-"La belle Dame sans merci
Hath thee in thrall!"
11.
I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill side.
12.
And that is why I sojourn here,
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
LISTEN HERE: https://soundcloud.com/anton-jarvis-206182017/la-belle-dame-sans-merci-by-john-keats
This poem was first published by Leigh Hunt in The Indicator for the 10th of May 1820 (No. XXXI), with some introductory remarks. The signature used by Keats on this occasion, as on that of issuing the Sonnet On A Dream was "Caviare." In 1848 Lord Houghton gave the poem among the Literary Remains, apparently from a manuscript source, for the variations are very considerable. I think there can be no doubt that The Indicator version is a revision of the other. ...In one of the late Gabriel Rossetti's letters he characterizes this poem as "the wondrous Belle Dame sans Merci." I haveno positive information as to the date at which it was composed; but I am fain to regard it as a crowning essay in perfect imaginative utterance, written between the poet's partial recovery and his departure to seek health and find a grave in Italy.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, La Belle Dame Sans Merci
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768:Hast thou from the caves of Golconda, a gem
Pure as the ice-drop that froze on the mountain?
Bright as the humming-bird's green diadem,
When it flutters in sun-beams that shine through a fountain?
Hast thou a goblet for dark sparkling wine?
That goblet right heavy, and massy, and gold?
And splendidly mark'd with the story divine
Of Armida the fair, and Rinaldo the bold?
Hast thou a steed with a mane richly flowing?
Hast thou a sword that thine enemy's smart is?
Hast thou a trumpet rich melodies blowing?
And wear'st thou the shield of the famd Britomartis?
What is it that hangs from thy shoulder, so brave,
Embroidered with many a spring peering flower?
Is it a scarf that thy fair lady gave?
And hastest thou now to that fair lady's bower?
Ah! courteous Sir Knight, with large joy thou art crown'd;
Full many the glories that brighten thy youth!
I will tell thee my blisses, which richly abound
In magical powers to bless, and to sooth.
On this scroll thou seest written in characters fair
A sun-beamy tale of a wreath, and a chain;
And, warrior, it nurtures the property rare
Of charming my mind from the trammels of pain.
This canopy mark: 'tis the work of a fay;
Beneath its rich shade did King Oberon languish,
When lovely Titania was far, far away,
And cruelly left him to sorrow, and anguish.
There, oft would he bring from his soft sighing lute
Wild strains to which, spell-bound, the nightingales listened;
The wondering spirits of heaven were mute,
And tears 'mong the dewdrops of morning oft glistened.
In this little dome, all those melodies strange,
Soft, plaintive, and melting, for ever will sigh;
Nor e'er will the notes from their tenderness change;
Nor e'er will the music of Oberon die.
So, when I am in a voluptuous vein,
I pillow my head on the sweets of the rose,
And list to the tale of the wreath, and the chain,
Till its echoes depart; then I sink to repose.
Adieu, valiant Eric! with joy thou art crown'd;
Full many the glories that brighten thy youth,
I too have my blisses, which richly abound
In magical powers, to bless and to sooth.
On Receiving A Curious Shell, And A Copy Of Verses, From The Same Ladies : The very same as in the poem 'To Some Ladies'
'Leigh Hunt calls these verses a "string of magistrate-interrogatories about a shell and a copy of verses." In Tom Keats's book of transcripts,... the poem is headed merely "On receiving a curious shell and a copy of verses;" but another transcript, in the hand-writing of George Keats, is subscribed (not headed) "Written on receiving a copy of Tom Moore's 'Golden Chain,' and a most beautiful Dome shaped shell from a Lady." The reference is no doubt to The Wreath and the Chain; and this small revelation is satisfactory as accounting for the Tom Moorish triviality of the two pieces.' ~ John Keats, On Receiving A Curious Shell
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769:What can I do to drive away
Remembrance from my eyes? for they have seen,
Aye, an hour ago, my brilliant Queen!
Touch has a memory. O say, love, say,
What can I do to kill it and be free
In my old liberty?
When every fair one that I saw was fair
Enough to catch me in but half a snare,
Not keep me there:
When, howe'er poor or particolour'd things,
My muse had wings,
And ever ready was to take her course
Whither I bent her force,
Unintellectual, yet divine to me;--
Divine, I say! -- What sea-bird o'er the sea
Is a philosopher the while he goes
Winging along where the great water throes?
How shall I do
To get anew
Those moulted feathers, and so mount once more
Above, above
The reach of fluttering Love,
And make him cower lowly while I soar?
Shall I gulp wine? No, that is vulgarism,
A heresy and schism,
Foisted into the canon law of love;--
No,-- wine is only sweet to happy men;
More dismal cares
Seize on me unawares,--
Where shall I learn to get my peace again?
To banish thoughts of that most hateful land,
Dungeoner of my friends, that wicked strand
Where they were wreck'd and live a wrecked life;
That monstrous region, whose dull rivers pour
Ever from their sordid urns unto the shore,
Unown'd of any weedy-haired gods;
Whose winds, all zephyrless, hold scourging rods,
Iced in the great lakes, to afflict mankind;
Whose rank-grown forests, frosted, black, and blind,
Would fright a Dryad; whose harsh herbag'd meads
Make lean and lank the starv'd ox while he feeds;
There flowers have no scent, birds no sweet song,
And great unerring Nature once seems wrong.
O, for some sunny spell
To dissipate the shadows of this hell!
Say they are gone,-- with the new dawning light
Steps forth my lady bright!
O, let me once more rest
My soul upon that dazzling breast!
Let once again these aching arms be plac'd,
The tender gaolers of thy waist!
And let me feel that warm breath here and there
To spread a rapture in my very hair,--
O, the sweetness of the pain!
Give me those lips again!
Enough! Enough! it is enough for me
To dream of thee!
'These lines, first given in the Life, Letters &c., were there dated October 1819; and I should be disposed to assign them to the 12th of that month, the day before that on which Keats posted a letter at Westminster to Miss Brawne, saying 'inter alia' that he has set himself to copy some verses out fair, and adding "I cannot proceed with any degree of content. I must write you a line or two and see if that will assist in dismissing you from my Mind for ever so short a time." The text appears to me to need revision in certain points; but I know of no authority for change. Thus, in line 3, the word 'and' or 'but' has probably dropped out after 'Aye.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Lines To Fanny
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770:This mortal body of a thousand days
Now fills, O Burns, a space in thine own room,
Where thou didst dream alone on budded bays,
Happy and thoughtless of thy day of doom!
My pulse is warm with thine old barley-bree,
My head is light with pledging a great soul,
My eyes are wandering, and I cannot see,
Fancy is dead and drunken at its goal;
Yet can I stamp my foot upon thy floor,
Yet can I ope thy window-sash to find
The meadow thou hast tramped o'er and o'er,--
Yet can I think of thee till thought is blind,--
Yet can I gulp a bumper to thy name,--
O smile among the shades, for this is fame!
'In giving this sonnet in the Life, Letters &c. next to that on Visiting the Tomb of Burns, Lord Houghton recorded that it was written "in the whisky-shop into which the cottage where Burns was born was converted." The date however is not the same as that of the other, as the travellers made the detour to the coast and across to Ireland, before coming to Burns' birthplace. The following extract from a letter of Keats's accompanies the sonnet in the Life: --
"The 'bonnie Doon' is the sweetest river I ever saw -- overhung with fine trees as far as we could see. We stood some time on the 'brig' o'er which Tam o' Shanter fled -- we took a pinch of snuff on the key stone -- then we proceeed to the auld Kirk of Alloway. Then we went to the cottage in which Burns was born; there was a board to that effect by the door's side; it had the same effect as the same sort of memorial at Stratford-upon-Avon. We drank some toddy to Burns's memory with an old man who knew him. There was something good in his description of Burns's melancholy the last time he saw him. I was determined to write a sonnet in the cottage: I did, but it was so bad I cannot venture it here."
Lord Houghton gave this as from a letter to Haydon; it is really an edited extract from a letter to Tom Keats which happens to have been pasted into Haydon's journal. On the 11th of July, at Maybole, Keats began a letter to Reynolds, the whole of which is very interesting; but the following passage is, in this connexion, peculiarly so: --
"I begin a letter to you because I am approaching Burns's cottage very fast. We have made continual enquiries from the time we left his tomb at Dumfries. His name, of course, is known all about: his great reputation among the plodding people is, 'that he wrote a good mony sensible things.' One of the pleasantest ways of annulling self is approaching such a shrine as the Cottage of Burns: we need not think of his misery -- that is all gone, bad luck to it! I shall look upon it hereafter with unmixed pleasure, as I do on my Stratford-upon-Avon day with Bailey. I shall fill this sheet for you in the Bardie's country, going no further than this, till I get to the town of Ayr, which will be a nine miles walk to tea."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Written In The Cottage Where Burns Was Born
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771:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
…yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in;
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple’s self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o’ercast,
They alway must be with us, or we die.
For ‘twas the morn: Apollo’s upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
Man’s voice was on the mountains; and the mass
Of nature’s lives and wonders puls’d tenfold,
To feel this sun-rise and its glories old.
With a faint breath of music, which ev’n then
Fill’d out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,—ere their death, oer-taking
The surgy murmurs of the lonely sea.
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear’d to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver’d o’er
A shell for Neptune’s goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent—
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais’d
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet? ~ John Keats,#NFDB
772:Old Meg she was a gipsy;
And liv'd upon the moors:
Her bed it was the brown heath turf,
And her house was out of doors.
Her apples were swart blackberries,
Her currants, pods o' broom;
Her wine was dew of the wild white rose,
Her book a church-yard tomb.
Her brothers were the craggy hills,
Her sisters larchen trees;
Alone with her great family
She liv'd as she did please.
No breakfast had she many a morn,
No dinner many a noon,
And 'stead of supper she would stare
Full hard against the moon.
But every morn, of woodbine fresh
She made her garlanding,
And every night the dark glen yew
She wove, and she would sing.
And with her fingers old and brown
She plaited mats o' rushes,
And gave them to the cottagers
She met among the bushes.
Old Meg was brave as Margaret Queen,
And tall as Amazon:
An old red blanket cloak she wore,
A chip hat had she on.
God rest her aged bones somewhere--
She died full long agone!
'Keats and his companion seem to have started from Dumfries again on the 2nd of July, "through Galloway -- all very pleasant and pretty with no fatigue when one is used to it," as he writes to his sister, adding "We are in the midst of Meg Merrilies' country of whom I suppose you have heard," and giving her forthwith a copy of the poem. Lord Houghton says of this stage --
"The pedestrians passed by Solway Frith through that delightful part of Kirkcudbrightshire, the scene of 'Guy Mannering.' Keats had never read the novel, but was much struck with the character of Meg Merrilies as delineated to him by Brown. He seemed at once to realise the creation of the novelist, and, suddenly stopping in the pathway, at a point where a profusion of honeysuckles, wild rose, and fox-glove, mingled with the bramble and broom that filled up the spaces between the shattered rocks, he cried out, 'Without a shadow of a doubt on that spot has old Meg Merrilies often boiled her kettle.'"
On the 3rd of July he writes to Tom from "Auchtercairn" (meaning, I presume, Auchencairn, some six miles east of Kirkcudbright) -- "We are now in Meg Merrilies' country, and have, this morning, passed through some parts exactly suited to her. Kirkcudbright County is very beautiful, very wild, with craggy hills, somewhat in the Westmoreland fashion. We have come down from Dumfries to the sea-coast part of it. The following song you will have from Dilke, but perhaps you would like it here."
I should judge that the scene given by Brown to Lord Houghton belonged rather to the morning of the 3rd than to the evening of the 2nd; and that Keats took out his current letter to his sister at Auchencairn on pausing there to breakfast, and wrote the poem into it when he began a fresh letter to Tom with it. Thus, besides a rough draft, there would be three fair copies of the poem, one for Tom, one for Fanny, and one for Mr. Dilke.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Meg Merrilies
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773:Lo! I must tell a tale of chivalry;
For large white plumes are dancing in mine eye.
Not like the formal crest of latter days:
But bending in a thousand graceful ways;
So graceful, that it seems no mortal hand,
Or een the touch of Archimagos wand,
Could charm them into such an attitude.
We must think rather, that in playful mood,
Some mountain breeze had turned its chief delight,
To show this wonder of its gentle might.
Lo! I must tell a tale of chivalry;
For while I muse, the lance points slantingly
Athwart the morning air: some lady sweet,
Who cannot feel for cold her tender feet,
From the worn top of some old battlement
Hails it with tears, her stout defender sent:
And from her own pure self no joy dissembling,
Wraps round her ample robe with happy trembling.
Sometimes, when the good Knight his rest would take,
It is reflected, clearly, in a lake,
With the young ashen boughs, gainst which it rests,
And th half seen mossiness of linnets nests.
Ah! shall I ever tell its cruelty,
When the fire flashes from a warriors eye,
And his tremendous hand is grasping it,
And his dark brow for very wrath is knit?
Or when his spirit, with more calm intent,
Leaps to the honors of a tournament,
And makes the gazers round about the ring
Stare at the grandeur of the ballancing?
No, no! this is far off:then how shall I
Revive the dying tones of minstrelsy,
Which linger yet about lone gothic arches,
In dark green ivy, and among wild larches?
How sing the splendour of the revelries,
When but[t]s of wine are drunk off to the lees?
And that bright lance, against the fretted wall,
Beneath the shade of stately banneral,
Is slung with shining cuirass, sword, and shield?
Where ye may see a spur in bloody field.
Light-footed damsels move with gentle paces
Round the wide hall, and show their happy faces;
Or stand in courtly talk by fives and sevens:
Like those fair stars that twinkle in the heavens.
Yet must I tell a tale of chivalry:
Or wherefore comes that knight so proudly by?
Wherefore more proudly does the gentle knight,
Rein in the swelling of his ample might?
Spenser! thy brows are arched, open, kind,
And come like a clear sun-rise to my mind;
And always does my heart with pleasure dance,
When I think on thy noble countenance:
Where never yet was ought more earthly seen
Than the pure freshness of thy laurels green.
Therefore, great bard, I not so fearfully
Call on thy gentle spirit to hover nigh
My daring steps: or if thy tender care,
Thus startled unaware,
Be jealous that the foot of other wight
Should madly follow that bright path of light
Tracd by thy lovd Libertas; he will speak,
And tell thee that my prayer is very meek;
That I will follow with due reverence,
And start with awe at mine own strange pretence.
Him thou wilt hear; so I will rest in hope
To see wide plains, fair trees and lawny slope:
The morn, the eve, the light, the shade, the flowers;
Clear streams, smooth lakes, and overlooking towers.
by owner. provided at no charge for educational purposes
~ John Keats, Specimen Of An Induction To A Poem
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774:Ode to a Nightingale
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep? ~ John Keats,#NFDB
775:Ever let the Fancy roam,
Pleasure never is at home:
At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;
Then let winged Fancy wander
Through the thought still spread beyond her:
Open wide the mind's cage-door,
She'll dart forth, and cloudward soar.
O sweet Fancy! let her loose;
Summer's joys are spoilt by use,
And the enjoying of the Spring
Fades as does its blossoming;
Autumn's red-lipp'd fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then?
Sit thee by the ingle, when
The sear **** blazes bright,
Spirit of a winter's night;
When the soundless earth is muffled,
And the caked snow is shuffled
From the ploughboy's heavy shoon;
When the Night doth meet the Noon
In a dark conspiracy
To banish Even from her sky.
Sit thee there, and send abroad,
With a mind self-overaw'd,
Fancy, high-commission'd:send her!
She has vassals to attend her:
She will bring, in spite of frost,
Beauties that the earth hath lost;
She will bring thee, all together,
All delights of summer weather;
All the buds and bells of May,
From dewy sward or thorny spray;
All the heaped Autumn's wealth,
With a still, mysterious stealth:
She will mix these pleasures up
Like three fit wines in a cup,
And thou shalt quaff it:thou shalt hear
Distant harvest-carols clear;
Rustle of the reaped corn;
Sweet birds antheming the morn:
And, in the same moment, hark!
'Tis the early April lark,
Or the rooks, with busy caw,
Foraging for sticks and straw.
Thou shalt, at one glance, behold
The daisy and the marigold;
White-plum'd lillies, and the first
Hedge-grown primrose that hath burst;
Shaded hyacinth, alway
Sapphire queen of the mid-May;
And every leaf, and every flower
Pearled with the self-same shower.
Thou shalt see the field-mouse peep
Meagre from its celled sleep;
And the snake all winter-thin
Cast on sunny bank its skin;
Freckled nest-eggs thou shalt see
Hatching in the hawthorn-tree,
When the hen-bird's wing doth rest
Quiet on her mossy nest;
Then the hurry and alarm
When the bee-hive casts its swarm;
Acorns ripe down-pattering,
While the autumn breezes sing.
Oh, sweet Fancy! let her loose;
Every thing is spoilt by use:
Where's the cheek that doth not fade,
Too much gaz'd at? Where's the maid
Whose lip mature is ever new?
Where's the eye, however blue,
Doth not weary? Where's the face
One would meet in every place?
Where's the voice, however soft,
One would hear so very oft?
At a touch sweet Pleasure melteth
Like to bubbles when rain pelteth.
Let, then, winged Fancy find
Thee a mistress to thy mind:
Dulcet-ey'd as Ceres' daughter,
Ere the God of Torment taught her
How to frown and how to chide;
With a waist and with a side
White as Hebe's, when her zone
Slipt its golden clasp, and down
Fell her kirtle to her feet,
While she held the goblet sweet
And Jove grew languid.Break the mesh
Of the Fancy's silken leash;
Quickly break her prison-string
And such joys as these she'll bring.
Let the winged Fancy roam,
Pleasure never is at home.
by owner. provided at no charge for educational purposes
~ John Keats, Fancy
,#NFDB
776:O! were I one of the Olympian twelve,
Their godships should pass this into law,--
That when a man doth set himself in toil
After some beauty veiled far away,
Each step he took should make his lady's hand
More soft, more white, and her fair cheek more fair;
And for each briar-berry he might eat,
A kiss should bud upon the tree of love,
And pulp and ripen richer every hour,
To melt away upon the traveller's lips.
* * * * * * * * * * * * * * * * * * * * * *
1.
The sun, with his great eye,
Sees not so much as I;
And the moon, all silve-proud,
Might as well be in a cloud.
2.
And O the spring -- the spring!
I lead the life of a king!
Couch'd in the teeming grass,
I spy each pretty lass.
3.
I look where no one dares,
And I stare where no one stares,
And when the night is nigh,
Lambs bleat my lullaby.
* * * * * * * * * * * * * * * *
Folly's Song.
When wedding fiddles are a-playing,
Huzza for folly O!
And when maidens go a-Maying,
Huzza for folly O!
When a milk-pail is upset,
Huzza for folly O!
And the clothes left in the wet,
Huzza for folly O!
When the barrel's set abroach,
Huzza for folly O!
When Kate Eyebrow keeps a coach,
Huzza for folly O!
When the pig is over-roasted,
Huzza for folly O!
And the cheese is over-toasted,
Huzza for folly O!
When Sir Snap is with his lawyer,
Huzza for folly O!
And Miss Chap has kiss'd the sawyer,
Huzza for folly O!
* * * * * * * * * * * * * * * * * * * * *
Oh, I am frighten'd with most hateful thoughts!
Perhaps her voice is not a nightingale's,
Perhaps her teeth are not the fairest pearl;
Her eye-lashes may be, for aught I know,
Not longer than the May-fly's small fan-horns;
There may not be one dimple on her hand;
And freckles many; ah! a careless nurse,
In haste to teach the little thing to walk,
May have crumpt up a pair of Dian's legs,
And warpt the ivory of a Juno's neck.
* * * * * * * * * * * * * * * * * * * * * *
Song.
1.
The stranger lighted from his steed,
And ere he spake a word,
He seiz'd my lady's lily hand,
And kiss'd it all unheard.
2.
The stranger walk'd into the hall,
And ere he spake a word,
He kiss'd my lady's cherry lips,
And kiss'd 'em all unheard.
3.
The stranger walk'd into the bower,--
But my lady first did go,--
Aye hand in hand into the bower,
Where my lord's roses blow.
4.
My lady's maid had a silken scarf,
And a golden ring had she,
And a kiss from the stranger, as off he went
Again on his fair palfrey.
* * * * * * * * * * * * * * * * * * * * *
Asleep! O sleep a little while, white pearl!
And let me kneel, and let me pray to thee,
And let me call Heavens blessing on thine eyes,
And let me breathe into the happy air,
That doth enfold and touch thee all about,
Vows of my slavery, my giving up,
My sudden adoration, my great love!
'First given among the Literary Remains in Volume II of the Life, Letters &c. (1848), and assigned to the year 1818.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Extracts From An Opera
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777:1.
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
2.
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
3.
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
4.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
5.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
This Ode is mentioned by Lord Houghton in connexion with the Ode To a Nightingale as belonging to the Spring of 1819; and we are informed of both alike that, soon after they were composed, Keats "repeated, or rather chanted, them to Mr. Haydon, in the sort of recitative that so well suited his deep grave voice, as they strolled together through Kilburn meadows, leaving an indelible impression on the mind of his surviving friend."
There is some reason for thinking that the particular urn which inspired this beautiful poem is a somewhat weather-beaten work in marble still preserved in the garden of Holland House, and figured in Piranesi's Vasi e Candelabri.
(stanza 5):
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
This seems to confirm the limitation of the Urn's moral to the five words indicated in the text, "Beauty is truth, truth beauty"
"-- that is all
Ye know on earth, and all ye need to know."
[seems] a part of the Urn's lesson, and not as the poet's personal comment.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode On A Grecian Urn
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778:Not Aladdin magian
Ever such a work began;
Not the wizard of the Dee
Ever such a dream could see;
Not St. John, in Patmos' Isle,
In the passion of his toil,
When he saw the churches seven,
Golden aisl'd, built up in heaven,
Gaz'd at such a rugged wonder.
As I stood its roofing under
Lo! I saw one sleeping there,
On the marble cold and bare.
While the surges wash'd his feet,
And his garments white did beat.
Drench'd about the sombre rocks,
On his neck his well-grown locks,
Lifted dry above the main,
Were upon the curl again.
"What is this? and what art thou?"
Whisper'd I, and touch'd his brow;
"What art thou? and what is this?"
Whisper'd I, and strove to kiss
The spirit's hand, to wake his eyes;
Up he started in a trice:
"I am Lycidas," said he,
"Fam'd in funeral minstrely!
This was architectur'd thus
By the great Oceanus!--
Here his mighty waters play
Hollow organs all the day;
Here by turns his dolphins all,
Finny palmers great and small,
Come to pay devotion due--
Each a mouth of pearls must strew.
Many a mortal of these days,
Dares to pass our sacred ways,
Dares to touch audaciously
This Cathedral of the Sea!
I have been the pontiff-priest
Where the waters never rest,
Where a fledgy sea-bird choir
Soars for ever; holy fire
I have hid from mortal man;
Proteus is my Sacristan.
But the dulled eye of mortal
Hath pass'd beyond the rocky portal;
So for ever will I leave
Such a taint, and soon unweave
All the magic of the place."
* * * * * *
So saying, with a Spirit's glance
He dived!
'After a detention of a few hours at Inverary owing to Brown's suffering from sore feet, the travellers started again on the 19th of July, walked along "20 miles by the side of Loch Awe" -- southward, I suppose, for they next paused "between Loch Craignish and the sea just opposite Long Island," where Keats gives a very minute account to Tom of the locale. They then pushed on to Oban, "15 miles in a soaking rain" -- due north again. At Oban Keats finished the unpublished letter to Tom containing The Gadfly and the Stranger sonnet, and posted it, announcing that the travellers had given up the idea of Mull and Staffa on account of the expense. This was probably on the 22nd of July. On the 23rd he begins a fresh letter (Life, Letters &c.) stating that just after he had posted the other the guide to Mull came in and made a bargain with them. This latter letter is dated the 23rd of July, "Dunancullen" in the Life: "Dimancullen" is the name given in the same connexion in the New York World, where some Keats documents appeared; but probably the place indicated is Derrynaculen, which is at a situation on the walk through the southern part of the Isle of Mull corresponding with Keats's narrative. This narrative seems to show that on the 23rd of July they crossed from Oban to Kerrera by one ferry and from Kerrera to Mull by another, and walked across the south of the Island to the western extremity to cross to Iona by boat. By the 26th, Keats resumed his letter to Tom at Oban, and narrated that the thirty-seven miles of walking had been very miserable, and that he and Brown had taken a boat at a bargain to carry them from Iona to Staffa, and land them finally at the head of Loch Nakeal, whence they could return to Oban by a better route. He vividly describes Staffa, including Fingal's Cave, breaks into verse with the lines given above, and resumes prose with,
"I am sorry I am so indolent as to write such stuff as this." Probably the poem should be dated the 26th of July, 1818.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Staffa
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779:Fire, Air, Earth, and Water,
Salamander, Zephyr, Dusketha, and Breama.
Salamander.
Happy, happy glowing fire!
Zephyr.
Fragrant air! delicious light!
Dusketha.
Let me to my glooms retire!
Breama.
I to the green-wood rivers bright!
Salamander.
Happy, happy glowing fire!
Dazzling bowers of soft retire,
Ever let my nourish'd wing,
Like a bat's, still wandering,
Faintly fan your fiery spaces,
Spirit sole in deadly places.
In unhaunted roar and blaze,
Open eyes that never daze,
Let me see the myriad shapes
Of men, and beasts, and fish, and apes,
Portray'd in many a fiery den,
And wrought by spumy bitumen.
On the deep intenser roof,
Arched every way aloof,
Let me breathe upon their skies,
And anger their live tapestries;
Free from cold, and every care,
Of chilly rain, and shivering air.
Zephyr.
Spirit of Fire! away! away!
Or your very roundelay
Will sear my plumage newly budded
From its quilled sheath, all studded
With the self-same news that fell
On the May-grown Asphodel.
Spirit of Fire -- away! away!
Breama.
Spirit of Fire -- away! away!
Zephyr, blue-ey'd Faery turn,
And see my cool sedge-bury'd urn,
Where it rests its mossy brim
'Mid water-mint and cresses dim;
And the flowers, in sweet troubles,
Lift their eyes above the bubbles,
Like our Queen, when she would please
To sleep, and Oberon will teaze.
Love me, blue-ey'd Faery, true!
Soothly I am sick for you.
Zephyr.
Gentle Breama! by the first
Violet young nature nurst,
I will bathe myself with thee,
So you sometimes follow me
To my home, far, far, in west,
Beyond the nimble-wheeled quest
Of the golden-browed sun:
Come with me, o'er tops of trees,
To my fragrant palaces,
Where they ever floating are
Beneath the cherish of a star
Call'd Vesper, who with silver veil
Ever hides his brilliance pale,
Ever gently-drows'd doth keep
Twilight for the Fayes to sleep.
Fear not that your watery hair
Will thirst in drouthy ringlets there;
Clouds of stored summer rains
Thou shalt taste, before the stains
Of the mountain soil they take,
And too unlucent for thee make.
I love thee, crystal Faery, true!
Sooth I am as sick for you!
Salamander.
Out, ye aguish Faeries, out!
Chilly lovers, what a rout
Keep ye with your frozen breath,
Colder than the mortal death.
Adder-eye'd Dusketha, speak,
Shall we leave these, and go seek
In the earth's wide entrails old
Couches warm as their's are cold?
O for a fiery gloom and thee,
Dusketha, so enchantingly
Freckle-wing'd and lizard-sided!
Dusketha.
By thee, Sprite, will I be guided!
I care not for cold or heat;
Frost and flame, or sparks, or sleet,
To my essence are the same;--
But I honour more the flame.
Spirit of Fire, I follow thee
Wheresoever it may be,
To the torrid spouts and fountains,
Underneath earth-quaked mountains;
Or, at thy supreme desire,
Touch the very pulse of fire
With my bare unlidded eyes.
Salamander.
Sweet Dusketha! paradise!
Off, ye icy Spirits, fly!
Frosty creatures of the sky!
Dusketha.
Breathe upon them, fiery sprite!
Zephyr and Breama.
Away! away to our delight!
Salamander.
Go, feed on icicles, while we
Bedded in tongue-flames will be.
Dusketha.
Lead me to those feverous glooms,
Sprite of Fire!
Breama.
Me to the blooms,
Blue-ey'd Zephyr, of those flowers
Far in the west where the May-cloud lowers;
And the beams of still Vesper, when winds are all wist,
Are shed thro' the rain and the milder mist,
And twilight your floating bowers.
by owner. provided at no charge for educational purposes
~ John Keats, Song Of Four Faries
,#NFDB
780:I.
There was a naughty boy,
A naughty boy was he,
He would not stop at home,
He could not quiet be-
He took
In his knapsack
A book
Full of vowels
And a shirt
With some towels,
A slight cap
For night cap,
A hair brush,
Comb ditto,
New stockings
For old ones
Would split O!
This knapsack
Tight at's back
He rivetted close
And followed his nose
To the north,
To the north,
And follow'd his nose
To the north.
II.
There was a naughty boy
And a naughty boy was he,
For nothing would he do
But scribble poetry-
He took
An ink stand
In his hand
And a pen
Big as ten
In the other,
And away
In a pother
He ran
To the mountains
And fountains
And ghostes
And postes
And witches
And ditches
And wrote
In his coat
When the weather
Was cool,
Fear of gout,
And without
When the weather
Was warm-
Och the charm
When we choose
To follow one's nose
To the north,
To the north,
To follow one's nose
To the north!
III.
There was a naughty boy
And a naughty boy was he,
He kept little fishes
In washing tubs three
In spite
Of the might
Of the maid
Nor afraid
Of his Granny-good-
He often would
Hurly burly
Get up early
And go
By hook or crook
To the brook
And bring home
Miller's thumb,
Tittlebat
Not over fat,
Minnows small
As the stall
Of a glove,
Not above
The size
Of a nice
Little baby's
Little fingers-
O he made
'Twas his trade
Of fish a pretty kettle
A kettle-
A kettle
Of fish a pretty kettle
A kettle!
IV.
There was a naughty boy,
And a naughty boy was he,
He ran away to Scotland
The people for to see-
There he found
That the ground
Was as hard,
That a yard
Was as long,
That a song
Was as merry,
That a cherry
Was as red,
That lead
Was as weighty,
That fourscore
Was as eighty,
That a door
Was as wooden
As in England-
So he stood in his shoes
And he wonder'd,
He wonder'd,
He stood in his
Shoes and he wonder'd.
'In a letter to his sister, Keats makes a fresh start with -- "since I scribbled the Song we have walked through a beautiful Country to Kirkcudbright -- at which place I will write you a song about myself." He then proceeds with the very curious piece of doggerel now first given from the manuscript, and excuses himself on the plea of fatigue. My chief purpose in including these verses here is that students may note the variety of the pieces of this class addressed to different correspondents. Compare this with the Devon pieces sent to Haydon, and more particularly with The Gadfly, sent to Tom Keats a little later than this. I presume this piece should be dated the 3rd of July 1818.
(stanza 2): This is a genuine autobiographic reminiscence of the time when the young Keatses lived with their grandmother after the death of their parents.
(stanza 4): There is an under-current of dissatisfaction with things Caledonian in this fourth stanza; and indeed I do not think Keats ever got entirely rid of this during the whole of the tour, albeit he enjoyed many transient visitations of true enthusiasm inspired both by fine scenery and by associations.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, A Song About Myself
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781:There is a charm in footing slow across a silent plain,
Where patriot battle has been fought, where glory had the gain;
There is a pleasure on the heath where Druids old have been,
Where mantles grey have rustled by and swept the nettles green;
There is a joy in every spot made known by times of old,
New to the feet, although each tale a hundred times be told;
There is a deeper joy than all, more solemn in the heart,
More parching to the tongue than all, of more divine a smart,
When weary steps forget themselves upon a pleasant turf,
Upon hot sand, or flinty road, or sea-shore iron scurf,
Toward the castle or the cot, where long ago was born
One who was great through mortal days, and died of fame unshorn.
Light heather-bells may tremble then, but they are far away;
Wood-lark may sing from sandy fern, -- the Sun may hear this lay;
Runnels may kiss the grass on shelves and shallows clear,
But their low voices are not heard, though come on travels drear;
Blood-red the Sun may set behind the black mountain peaks;
Blue tides may sluice and drench their time in caves and weedy creeks;
Eagles may seem to sleep wing-side upon the air;
Ring-dove may fly convuls'd across to some high-cedar'd lair;
But the forgotten eye is still fast lidded to the ground,
As Palmer's, that with weariness, mid-desert shrine hath found.
At such a time the soul's a child, in childhood is the brain;
Forgotten is the worldly heart -- alone, it beats in vain.--
Aye, if a madman could have leave to pass a healthful day
To tell his forehead's swoon and faint when first began decay,
He might make tremble many a one whose spirit had gone forth
To find a Bard's low cradle-place about the silent North!
Scanty the hour and few the steps, because a longer stay
Would bar return, and make a man forget his mortal way:
O horrible! to lose the sight of well remember'd face,
Of Brother's eyes, of Sister's brow -- constant to every place;
Filling the air, as on we move, with portraiture intense;
More warm than those heroic tints that pain a painter's sense,
When shapes of old come striding by, and visages of old,
Locks shining black, hair scanty grey, and passions manifold.
No, no, that horror cannot be, for at the cable's length
Man feels the gentle anchor pull and gladdens in its strength:--
One hour, half-idiot, he stands by mossy waterfall,
But in the very next he reads his soul's memorial:--
He reads it on the mountain's height, where chance he may sit down
Upon rough marble diadem -- that hill's eternal crown.
Yet be his anchor e'er so fast, room is there for a prayer
That man may never lose his mind on mountains black and bare;
That he may stray league after league some great birth-place to find
And keep his vision clear from speck, his inward sight unblind.
'After leaving Ayr Keats and Brown appear to have been detained by rain at some place twelve miles along the road, when Keats took the opportunity of going on with his letter to Reynolds begun at Maybole. They were enroute for Glasgow (casually mentioned in a letter to Bailey begun at Inverary on the 18th of July), which they took on their way from Ayr to Loch Lomond and Inverary. The poem given above is mentioned to Bailey as having been written within a few days of the sonnet in Burns's cottage, so that, although it is headed as above in the manuscript written at the end of Sir Charles Dilke's copy of Endymion, it seems more probable that the term Highlands was used in a lax popular sense than that the poem was composed after the visit to Staffa. Indeed in the letter to Bailey he speaks of the whole tour as in the Highlands. Keats expected to be by Loch Lomond about the 15th of July, and may have written this poem on high ground anywhere about the Loch, with the scenery of which he was very much impressed. They did not ascend Ben Lomond as intended, being deterred by expense and need of rest.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Lines Written In The Highlands After A Visit To Burnss Country
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782:There was one Mrs. Cameron of 50 years of age and the fattest woman in all Inverness-shire who got up this Mountain some few years ago -- true she had her servants -- but then she had her self. She ought to have hired Sisyphus, -- "Up the high hill he heaves a huge round -- Mrs. Cameron." 'Tis said a little conversation took place between the mountain and the Lady. After taking a glass of W[h]iskey as she was tolerably seated at ease she thus began --
Mrs. C.
Upon my Life Sir Nevis I am pique'd
That I have so far panted tugg'd and reek'd
To do an honour to your old bald pate
And now am sitting on you just to bate,
Without your paying me one compliment.
Alas 'tis so with all, when our intent
Is plain, and in the eye of all Mankind
We fair ones show a preference, too blind!
You Gentle man immediately turn tail --
O let me then my hapless fate bewail!
Ungrateful Baldpate have I not disdain'd
The pleasant Valleys -- have I not madbrain'd
Deserted all my Pickles and preserves
My China closet too -- with wretched Nerves
To boot -- say wretched ingrate have I not
Le[f]t my soft cushion chair and caudle pot.
'Tis true I had no corns -- no! thank the fates
My Shoemaker was always Mr. Bates.
And if not Mr. Bates why I'm not old!
Still dumb ungrateful Nevis -- still so cold!
Here the Lady took some more w[h]iskey and was putting even more to her lips when she dashed [it] to the Ground for the Mountain began to grumble -- which continued for a few minutes before he thus began,
Ben Nevis.
What whining bit of tongue and Mouth thus dares
Disturb my slumber of a thousand years?
Even so long my sleep has been secure --
And to be so awakened I'll not endure.
Oh pain -- for since the Eagle's earliest scream
I've had a dam[n]'d confounded ugly dream,
A Nightmare sure. What Madam was it you?
It cannot be! My old eyes are not true!
Red-Crag, my Spectacles! Now let me see!
Good Heavens Lady how the gemini
Did you get here? O I shall split my sides!
I shall earthquake -----
Mrs. C.
Sweet Nevis do not quake, for though I love
You[r] honest Countenance all things above
Truly I should not like to be convey'd
So far into your Bosom -- gentle Maid
Loves not too rough a treatment gentle Sir --
Pray thee be calm and do not quake nor stir
No not a Stone or I shall go in fits--
Ben Nevis.
I must -- I shall -- I meet not such tid bits --
I meet not such sweet creatures every day --
By my old night cap night cap night and day
I must have one sweet Buss -- I must and shall:
Red Crag! -- What Madam can you then repent
Of all the toil and vigour you have spent
To see Ben Nevis and to touch his nose?
Red Crag I say! O I must have them close!
Red Crag, there lies beneath my farthest toe
A vein of Sulphur -- go dear Red Crag, go--
And rub your flinty back against it -- budge!
Dear Madam I must kiss you, faith I must!
I must Embrace you with my dearest gust!
Block-head, d'ye hear -- Block-head I'll make her feel
There lies beneath my east leg's northern heel
A cave of young earth dragons -- well my boy
Go thither quick and so complete my joy
Take you a bundle of the largest pines
And when the sun on fiercest Phosphor shines
Fire them and ram them in the Dragon's nest --
Then will the dragons fry and fizz their best
Until ten thousand now no bigger than
Poor Al[l]igators -- poor things of one span --
Will each one swell to twice ten times the size
Of northern whale -- then for the tender prize --
The moment then -- for then will Red Crag rub
His flinty back -- and I shall kiss and snub
And press my dainty morsel to my breast.
Block-head make haste!
O Muses weep the rest --
The Lady fainted and he thought her dead
So pulled the clouds again about his head
And went to sleep again -- soon she was rous'd
By her affrighted servants -- next day hous'd
Safe on the lowly ground she bless'd her fate
That fainting fit was not delayed too late.
But what surprises me above all is how this Lady got down again.
by owner. provided at no charge for educational purposes
~ John Keats, Ben Nevis - A Dialogue
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783:1.
All gentle folks who owe a grudge
To any living thing
Open your ears and stay your t[r]udge
Whilst I in dudgeon sing.
2.
The Gadfly he hath stung me sore--
O may he ne'er sting you!
But we have many a horrid bore
He may sting black and blue.
3.
Has any here an old grey Mare
With three legs all her store,
O put it to her Buttocks bare
And straight she'll run on four.
4.
Has any here a Lawyer suit
Of 1743,
Take Lawyer's nose and put it to't
And you the end will see.
5.
Is there a Man in Parliament
Dum[b-] founder'd in his speech,
O let his neighbour make a rent
And put one in his breech.
6.
O Lowther how much better thou
Hadst figur'd t'other day
When to the folks thou mad'st a bow
And hadst no more to say.
7.
If lucky Gadfly had but ta'en
His seat * * * * * * * * *
And put thee to a little pain
To save thee from a worse.
8.
Better than Southey it had been,
Better than Mr. D-------,
Better than Wordsworth too, I ween,
Better than Mr. V-------.
9.
Forgive me pray good people all
For deviating so --
In spirit sure I had a call --
And now I on will go.
10.
Has any here a daughter fair
Too fond of reading novels,
Too apt to fall in love with care
And charming Mister Lovels,
11.
O put a Gadfly to that thing
She keeps so white and pert --
I mean the finger for the ring,
And it will breed a wort.
12.
Has any here a pious spouse
Who seven times a day
Scolds as King David pray'd, to chouse
And have her holy way --
13.
O let a Gadfly's little sting
Persuade her sacred tongue
That noises are a common thing,
But that her bell has rung.
14.
And as this is the summon bo
num of all conquering,
I leave "withouten wordes mo"
The Gadfly's little sting.
'On the 17th of July 1818 [Keats and Brown] were approaching Inverary, and Keats began a letter to his brother Tom at "Cairn-something," having walked fifteen miles to breakfast through "two tremendous Glens." One of these was Glencroe and the other perhaps a smaller glen at the southern extremity of Glenfyne: Glencroe is mentioned later on in the letter and is also identifiable by a place called "Rest and be thankful" which the poet names; and at the end of the smaller glen is Cairndow not far from the northern extremity of Loch Fyne, a bathe in which was the occasion of the ballad given above -- a bathe to which the gadflies were the only drawback. This ballad, now I believe first published, seems to me one of the brightest and most humorous of the pieces which Keats classified as doggerel; and I presume it may be assigned to the 17th of July 1818.
(stanza 4) Line 2 is of course to be read "Of seventeen forty three," not "Of seventeen hundred and forty three."
(stanzas 6-8): I have not met with any account of the particular circumstances in which one of the members of Westmoreland figured in the manner described in stanza 6; but probably the contemporary newspaper press might show what episode Keats was contemplating in the memorable campaign in which the whigs tried to upset the then time-honoured influence of the House of Lowther, which had nominated the two county members, undisputedly, for a long time. The particular Lowther of stanza 6 was probably the Treasury Lord who was afterwards second Earl of Lonsdale. Wordsworth's Two Addresses To The Freeholders of Westmoreland are probably glanced at in stanza 8; "Mr. V----" would doubtless be the then Chancellor of the Exchequer, Nicholas Vansittart; and "Mr. D-----" may perhaps have been Mr. Dundas, who had held office in a previous ministry; but this last name rests upon mere conjecture.
(stanza 10): The reference is probably to the hero of Scott's novel The Antiquary, properly the Honourable William Geraldin, heir of the Earl of Glenallan, but known throughout the book as Mr. Lovel.
(stanza 12): Perhaps the reference is to Psalm cix, verse 164, "Seven times a day do I praise thee because of thy righteous judgements;" but there is certainly no intentional disrespect to David, the word 'chouse' being the exclusive property of the pious scold.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
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~ John Keats, The Gadfly
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784:Sweet are the pleasures that to verse belong,
And doubly sweet a brotherhood in song;
Nor can remembrance, Mathew! bring to view
A fate more pleasing, a delight more true
Than that in which the brother Poets joy'd,
Who with combined powers, their wit employ'd
To raise a trophy to the drama's muses.
The thought of this great partnership diffuses
Over the genius loving heart, a feeling
Of all that's high, and great, and good, and healing.
Too partial friend! fain would I follow thee
Past each horizon of fine poesy;
Fain would I echo back each pleasant note
As o'er Sicilian seas, clear anthems float
'Mong the light skimming gondolas far parted,
Just when the sun his farewell beam has darted:
But 'tis impossible, far different cares
Beckon me sternly from soft "Lydian airs,"
And hold my faculties so long in thrall,
That I am oft in doubt whether at all
I shall again see Phoebus in the morning:
Or flush'd Aurora in the roseate dawning!
Or a white Naiad in a rippling stream;
Or a rapt seraph in a moonlight beam;
Or again witness what with thee I've seen,
The dew by fairy feet swept from the green,
After a night of some quaint jubilee
Which every elf and fay had come to see:
When bright processions took their airy march
Beneath the curved moon's triumphal arch.
But might I now each passing moment give
To the coy muse, with me she would not live
In this dark city, nor would condescend
'Mid contradictions her delights to lend.
Should e'er the fine-eyed maid to me be kind,
Ah! surely it must be whene'er I find
Some flowery spot, sequester'd, wild, romantic,
That often must have seen a poet frantic;
Where oaks, that erst the Druid knew, are growing,
And flowers, the glory of one day, are blowing;
Where the dark-leav'd laburnum's drooping clusters
Reflect athwart the stream their yellow lustres,
And intertwined the cassia's arms unite,
With its own drooping buds, but very white.
Where on one side are covert branches hung,
'Mong which the nightingales have always sung
In leafy quiet; where to pry, aloof,
Atween the pillars of the sylvan roof,
Would be to find where violet beds were nestling,
And where the bee with cowslip bells was wrestling.
There must be too a ruin dark, and gloomy,
To say "joy not too much in all that's bloomy."
Yet this is vain--O Mathew lend thy aid
To find a place where I may greet the maid--
Where we may soft humanity put on,
And sit, and rhyme and think on Chatterton;
And that warm-hearted Shakspeare sent to meet him
Four laurell'd spirits, heaven-ward to intreat him.
With reverence would we speak of all the sages
Who have left streaks of light athwart their ages:
And thou shouldst moralize on Milton's blindness,
And mourn the fearful dearth of human kindness
To those who strove with the bright golden wing
Of genius, to flap away each sting
Thrown by the pitiless world. We next could tell
Of those who in the cause of freedom fell;
Of our own Alfred, of Helvetian Tell;
Of him whose name to ev'ry heart's a solace,
High-minded and unbending William Wallace.
While to the rugged north our musing turns
We well might drop a tear for him, and Burns.
Felton! without incitements such as these,
How vain for me the ****rd Muse to tease;
For thee, she will thy every dwelling grace,
And make "a sunshine in a shady place:"
For thou wast once a flowret blooming wild,
Close to the source, bright, pure, and undefil'd,
Whence gush the streams of song: in happy hour
Came chaste Diana from her shady bower,
Just as the sun was from the east uprising;
And, as for him some gift she was devising,
Beheld thee, pluck'd thee, cast thee in the stream
To meet her glorious brothers greeting beam.
I marvel much that thou hast never told
How, from a flower, into a fish of gold
Apollo chang'd thee; how thou next didst seem
A black-eyed swan upon the widening stream;
And when thou first didst in that mirror trace
The placid features of a human face:
That thou hast never told thy travels strange,
And all the wonders of the mazy range
Oer pebbly crystal, and o'er golden sands;
Kissing thy daily food from Naiads pearly hands.
Written in November, 1815. by owner. provided at no charge for educational purposes
~ John Keats, To George Felton Mathew
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785:O Goddess! hear these tuneless numbers, wrung
By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
Even into thine own soft-conched ear:
Surely I dreamt to-day, or did I see
The winged Psyche with awaken'd eyes?
I wander'd in a forest thoughtlessly,
And, on the sudden, fainting with surprise,
Saw two fair creatures, couched side by side
In deepest grass, beneath the whisp'ring roof
Of leaves and trembled blossoms, where there ran
A brooklet, scarce espied:
Mid hush'd, cool-rooted flowers, fragrant-eyed,
Blue, silver-white, and budded Tyrian,
They lay calm-breathing, on the bedded grass;
Their arms embraced, and their pinions too;
Their lips touch'd not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
At tender eye-dawn of aurorean love:
The winged boy I knew;
But who wast thou, O happy, happy dove?
His Psyche true!
O latest born and loveliest vision far
Of all Olympus' faded hierarchy!
Fairer than Ph{oe}be's sapphire-region'd star,
Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
Nor altar heap'd with flowers;
Nor virgin-choir to make delicious moan
Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
Of pale-mouth'd prophet dreaming.
O brightest! though too late for antique vows,
Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
Holy the air, the water, and the fire;
Yet even in these days so far retir'd
From happy pieties, thy lucent fans,
Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth'd prophet dreaming.
Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster'd trees
Fledge the wild-ridged mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
The moss-lain Dryads shall be lull'd to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
With the wreath'd trellis of a working brain,
With buds, and bells, and stars without a name,
With all the gardener Fancy e'er could feign,
Who breeding flowers, will never breed the same:
And there shall be for thee all soft delight
That shadowy thought can win,
A bright torch, and a casement ope at night,
To let the warm Love in!
'Under the date 15th of April [1819] Keats writes to his brother George and his wife, of this Ode, "The following poem, the last I have written, is the first and only one with which I have taken even moderate pains; I have, for the most part, dashed off my lines in a hurry; this one I have done leisurely; I think it reads the more richly for it, and it will I hope encourage me to write other things in even a more peaceable and healthy spirit. You must recollect that Psyche was not embodied as a goddess before the time of Apuleius the Platonist, who lived after the Augustan age, and consequently the goddess was never worshipped or sacrificed to with any of the ancient fervour, and perhaps never thought of in the old religion: I am more orthodox than to let a heathen goddess be so neglected."
This is an instance in which Keats seems to have gone beyond Lempriere's Classical Dictionary for his information; but I presume we may not unsafely take the portraiture of Cupid and Psyche in the first stanza as an adapted reminiscence of his other favourite text book, Spence's Polymetis, in Plate VI of which the well known kissing Cupid and Psyche are admirably engraved from the statue at Florence.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Psyche
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786:When they were come into Faery's Court
They rang -- no one at home -- all gone to sport
And dance and kiss and love as faerys do
For Faries be as human lovers true --
Amid the woods they were so lone and wild
Where even the Robin feels himself exil'd
And where the very books as if affraid
Hurry along to some less magic shade.
'No one at home'! the fretful princess cry'd
'And all for nothing such a dre[a]ry ride
And all for nothing my new diamond cross
No one to see my persian feathers toss
No one to see my Ape, my Dwarf, my Fool
Or how I pace my Otaheitan mule.
Ape, Dwarf and Fool why stand you gaping there
Burst the door open, quick -- or I declare
I'll switch you soundly and in pieces tear.'
The Dwarf began to tremble and the Ape
Star'd at the Fool, the Fool was all agape
The Princess grasp'd her switch but just in time
The Dwarf with piteous face began to rhyme.
"O mighty Princess did you ne'er hear tell
What your poor servants know but too too well
Know you the three great crimes in faery land
The first alas! poor Dwarf I understand
I made a whipstock of a faery's wand
The next is snoring in their company
The next the last the direst of the three
Is making free when they are not at home.
I was a Prince -- a baby prince -- my doom
You see, I made a whipstock of a wand
My top has henceforth slept in faery land.
He was a Prince the Fool, a grown up Prince
But he has never been a King's son since
He fell a snoring at a faery Ball
Your poor Ape was a Prince and he poor thing
But ape -- so pray your highness stay awhile
'Tis sooth indeed we know it to our sorrow --
Persist and you may be an ape tomorrow --
While the Dwarf spake the Princess all for spite
Peal'd the brown hazel twig to lilly white
Clench'd her small teeth, and held her lips apart
Try'd to look unconcerned with beating heart.
They saw her highness had made up her mind
And quaver'd like the reeds before the wind
And they had had it, but O happy chance
The Ape for very fear began to dance
And grin'd as all his uglyness did ache--
She staid her vixen fingers for his sake
He was so very ugly: then she took
Her pocket mirror and began to look
First at herself and [then] at him and then
She smil'd at her own beauteous face again.
Yet for all this -- for all her pretty face
She took it in her head to see the place.
Women gain little from experience
Either in Lovers, husbands or expense.
The more their beauty the more fortune too
Beauty before the wide world never knew.
So each fair reasons -- tho' it oft miscarries.
She thought her pretty face would please the fa[e]ries.
"My darling Ape I wont whip you today
Give me the Picklock sirrah and go play."
They all three wept but counsel was as vain
As crying cup biddy to drops of rain.
Yet lingeringly did the sad Ape forth draw
The Picklock from the Pocket in his Jaw.
The Princess took it and dismounting straight
Trip'd in blue silver'd slippers to the gate
And touch'd the wards, the Door full courteously
Opened -- she enter'd with her servants three.
Again it clos'd and there was nothing seen
But the Mule grasing on the herbage green.
End of Canto xii.
Canto the xiii.
The Mule no sooner saw himself alone
Than he prick'd up his Ears -- and said 'well done!
At least unhappy Prince I may be free --
No more a Princess shall side saddle me
O King of Othaiete -- tho' a Mule
'Aye every inch a King' -- tho' 'Fortune's fool.'
Well done -- for by what Mr. Dwarfy said
I would not give a sixpence for her head.'
Even as he spake he trotted in high glee
To the knotty side of an old Pollard tree
And rub'd his sides against the mossed bark
Till his Girths burst and left him naked stark
Except his Bridle -- how get rid of that
Buckled and tied with many a twist and plait.
At last it struck him to pretend to sleep
And then the thievish Monkies down would creep
And filch the unpleasant trammels quite away.
No sooner thought of than adown he lay
Sham'd a good snore -- the Monkey-men descended
And whom they thought to injure they befriended.
They hung his Bridle on a topmost bough
And of[f] he went run, trot, or anyhow--
Found at the end of "Nonsense Verses" in Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
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~ John Keats, An Extempore
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787:1.
One morn before me were three figures seen,
I With bowed necks, and joined hands, side-faced;
And one behind the other stepp'd serene,
In placid sandals, and in white robes graced;
They pass'd, like figures on a marble urn,
When shifted round to see the other side;
They came again; as when the urn once more
Is shifted round, the first seen shades return;
And they were strange to me, as may betide
With vases, to one deep in Phidian lore.
2.
How is it, Shadows! that I knew ye not?
How came ye muffled in so hush a masque?
Was it a silent deep-disguised plot
To steal away, and leave without a task
My idle days? Ripe was the drowsy hour;
The blissful cloud of summer-indolence
Benumb'd my eyes; my pulse grew less and less;
Pain had no sting, and pleasure's wreath no flower:
O, why did ye not melt, and leave my sense
Unhaunted quite of all but-nothingness?
3.
A third time came they by;-alas! wherefore?
My sleep had been embroider'd with dim dreams;
My soul had been a lawn besprinkled o'er
With flowers, and stirring shades, and baffled beams:
The morn was clouded, but no shower fell,
Tho' in her lids hung the sweet tears of May;
The open casement press'd a new-leav'd vine,
Let in the budding warmth and throstle's lay;
O Shadows! 'twas a time to bid farewell!
Upon your skirts had fallen no tears of mine.
4.
A third time pass'd they by, and, passing, turn'd
Each one the face a moment whiles to me;
Then faded, and to follow them I burn'd
And ached for wings, because I knew the three;
The first was a fair maid, and Love her name;
The second was Ambition, pale of cheek,
And ever watchful with fatigued eye;
The last, whom I love more, the more of blame
Is heap'd upon her, maiden most unmeek,-
I knew to be my demon Poesy.
5.
They faded, and, forsooth! I wanted wings:
O folly! What is Love! and where is it?
And for that poor Ambition-it springs
From a man's little heart's short fever-fit;
For Poesy!-no,-she has not a joy,-
At least for me,-so sweet as drowsy noons,
And evenings steep'd in honied indolence;
O, for an age so shelter'd from annoy,
That I may never know how change the moons,
Or hear the voice of busy common-sense!
6.
So, ye three Ghosts, adieu! Ye cannot raise
My head cool-bedded in the flowery grass;
For I would not be dieted with praise,
A pet-lamb in a sentimental farce!
Fade sofdy from my eyes, and be once more
In masque-like figures on the dreamy urn;
Farewell! I yet have visions for the night,
And for the day faint visions there is store;
Vanish, ye Phantoms! from my idle spright,
Into the clouds, and never more return!
'First given by Lord Houghton among the Literary Remains in 1848, with the date 1819. Among the many debts of these notes to the late Dante Gabriel Rossetti, I must not fail to record the indication of the following passage from Keats's letter begun on the 14th of February 1819 as anticipating the Ode on Indolence:--
"This morning I am in a sort of temper, indolent and supremely careless; I long after a stanza or two of Thomson's 'Castle of Indolence;' my passions are all asleep, from my having slumbered till nearly eleven, and weakened the animal fibre all over me, to a delightful sensation, about three degrees on this side of faintness. If I had teeth or pearl, and the breath of lilies, I should call it languor; but, as I am, I must call it laziness. In this state of effeminacy, the fibres of the brain are relaxed, in common with the rest of the body, and to such a happy degree, that pleasure has no show of enticement, and pain no unbearable frown; neither Poetry, nor Ambition, nor Love, have any alterness of countenance; as they pass by me, they seem rather like three figures on a Greek vase, two men and a woman, whom no one but myself could distinguish in their disguisement. This is the only happiness, and is a rare instance of advantage in the body overpowering the mind."
The date under which this passage occurs in the journal letter is the 19th of March. It seems almost certain therefore that the Ode must have been composed after the fragment of The Eve Of St. Mark, -- not before it as usually given.
(stanza 6.): It is no doubt owing to the want of opportunity to revise the poem finally that this beautiful stanza comes down to us disfigured by the bad rhyme 'grass' and 'farce.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode On Indolence
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788:Upon a Sabbath-day it fell;
Twice holy was the Sabbath-bell
That call'd the folk to evening prayer;
The city streets were clean and fair
From wholesome drench of April rains;
And, on the western window panes,
The chilly sunset faintly told
Of unmatur'd green vallies cold,
Of the green thorny bloomless hedge,
Of rivers new with spring-tide sedge,
Of primroses by shelter'd rills,
And daisies on the aguish hills.
Twice holy was the Sabbath-bell:
The silent streets were crowded well
With staid and pious companies,
Warm from their fire-side orat'ries,
And moving with demurest air
To even-song and vesper prayer.
Each arched porch and entry low
Was fill'd with patient folk and slow,
With whispers hush, and shuffling feet,
While play'd the organ loud and sweet.
The bells had ceas'd, the prayers begun,
And Bertha had not yet half done
A curious volume, patch'd and torn,
That all day long, from earliest morn,
Had taken captive her two eyes
Among its golden broideries;
Perplex'd her with a thousand things,--
The stars of Heaven, and angels' wings,
Martyrs in a fiery blaze,
Azure saints in silver rays,
Moses' breastplate, and the seven
Candlesticks John saw in Heaven,
The winged Lion of Saint Mark,
And the Covenantal Ark
With its many mysteries,
Cherubim and golden mice.
Bertha was a maiden fair,
Dwelling in the old Minster-square;
From her fire-side she could see
Sidelong its rich antiquity,
Far as the Bishop's garden-wall;
Where sycamores and elm-trees tall,
Full-leav'd, the forest had outstript,
By no sharp north-wind ever nipt,
So shelter'd by the mighty pile.
Bertha arose, and read awhile
With forehead 'gainst the window-pane.
Again she try'd, and then again,
Until the dusk eve left her dark
Upon the legend of St. Mark.
From plaited lawn-frill, fine and thin,
She lifted up her soft warm chin,
With aching neck and swimming eyes,
And daz'd with saintly imageries.
All was gloom, and silent all,
Save now and then the still foot-fall
Of one returning homewards late
Past the echoing minster-gate.
The clamorous daws, that all the day
Above tree-tops and towers play,
Pair by pair had gone to rest,
Each in its ancient belfry-nest,
Where asleep they fall betimes
To music of the drowsy chimes.
All was silent, all was gloom
Abroad and in the homely room:
Down she sat, poor cheated soul!
And struck a lamp from the dismal coal;
Lean'd forward with bright drooping hair
And slant book full against the glare.
Her shadow, in uneasy guise,
hover'd about, a giant size,
On ceiling-beam and old oak chair,
The parrot's cage, and panel square;
And the warm angled winter screen,
On which were many monsters seen,
Call'd doves of Siam, Lima mice,
And legless birds of Paradise,
Macaw, and tender Avadavat,
And silken-furr'd Angora cat.
Untir'd she read, her shadow still
Glower'd about as it would fill
The room with wildest forms and shades,
As though some ghostly queen of spades
Had come to mock behind her back,
And dance, and ruffle her garments black.
Untir'd she read the legend page
Of holy Mark, from youth to age,
On land, on sea, in pagan chains,
Rejoicing for his many pains.
Sometimes the learned Eremite
With golden star, or dagger bright,
Referr'd to pious poesies
Written in smallest crow-quill size
Beneath the text; and thus the rhyme
Was parcell'd out from time to time:
---- "Als writith he of swevenis,
Men han beforne they wake in bliss,
Whanne that hir friendes thinke him bound
In crimped shroude farre under grounde;
And how a litling child mote be
A saint er its nativitie,
Gif that the modre (God her blesse!)
Kepen in solitarinesse,
And kissen devoute the holy croce.
Of Goddes love, and Sathan's force,--
He writith; and thinges many mo
Of swiche thinges I may not show.
Bot I must tellen verilie
Somdel of Sainte Cicilie,
And chieftie what he auctorethe
Of Sainte Markis life and dethe:"
At length her constant eyelids come
Upon the fervent martyrdom;
Then lastly to his holy shrine,
Exalt amid the tapers' shine
At Venice,--
'It should be borne in mind that the eve of St. Mark is the 24th of April. "The Eve of St. Mark" was probably begun in the winter of 1818-19; for in a letter to George Keats and his wife the poet says under date February 14, "In my next packet I shall send you . . ., if I should have finished it, a little thing, called the 'Eve of St. Mark.'" Lord Houghton first published the poem among the Literary Remains in 1848, with the date 1819.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Eve Of Saint Mark. A Fragment
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789:O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?--
To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?--
To give the glow-worm light?
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?--
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow
Heart's lightness from the merriment of May?--
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day--
Nor any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her,
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,--
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:--
I rush'd into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ****,
Pelted with flowers as he on did pass
Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
Your lutes, and gentler fate?'--
'We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
To our wild minstrelsy!'
'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
Your nuts in oak-tree cleft?'--
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
To our mad minstrelsy!'
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide.
Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary--so I took a whim
To stray away into these forests drear,
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I've been a ranger
In search of pleasure throughout every clime;
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one,
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade.
by owner. provided at no charge for educational purposes
~ John Keats, Song Of The Indian Maid, From Endymion
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790:Dear Reynolds, as last night I lay in bed,
There came before my eyes that wonted thread
Of shapes, and shadows, and remembrances,
That every other minute vex and please:
Things all disjointed come from north and south,--
Two witch's eyes above a cherub's mouth,
Voltaire with casque and shield and habergeon,
And Alexander with his nightcap on;
Old Socrates a-tying his cravat,
And Hazlitt playing with Miss Edgeworth's cat;
And Junius Brutus, pretty well so-so,
Making the best of's way towards Soho.
Few are there who escape these visitings--
Perhaps one or two whose lives have patent wings,
And through whose curtains peeps no hellish nose,
No wild-boar tushes, and no mermaid's toes;
But flowers bursting out with lusty pride,
And young AEolian harps personified;
Some Titian colours touch'd into real life,--
The sacrifice goes on; the pontiff knife
Gleams in the sun, the milk-white heifer lows,
The pipes go shrilly, the libation flows:
A white sail shows above the green-head cliff,
Moves round the point, and throws her anchor stiff;
The mariners join hymn with those on land.
You know the Enchanted Castle -- it doth stand
Upon a rock on the border of a lake,
Nested in trees, which all do seem to shake
From some old magic like Urganda's sword.
O Phoebus! that I had thy sacred word
To show this Castle in fair dreaming wise
Unto my friend, while sick and ill he lies!
You know it well enough, where it doth seem
A mossy place, a Merlin's Hall, a dream;
You know the clear lake, and the little isles,
The mountains blue, and cold near neighbour rills--
All which elsewhere are but half animate,
Here do they look alive to love and hate,
To smiles and frowns; they seem a lifted mound
Above some giant, pulsing underground.
Part of the building was a chosen See
Built by a banish'd Santon of Chaldee;
The other part, two thousand years from him,
Was built by Cuthbert de Saint Aldebrim;
Then there's a little wing, far from the sun,
Built by a Lapland witch turn'd maudlin nun;
And many other juts of aged stone
Founded with many a mason-devil's groan.
The doors all look as if they op'd themselves,
The windows as if latch'd by fays and elves,
And from them comes a silver flash of light
As from the westward of a summer's night;
Or like a beauteous woman's large blue eyes
Gone mad through olden songs and poesies.
See what is coming from the distance dim!
A golden galley all in silken trim!
Three rows of oars are lightening, moment whiles,
Into the verdurous bosoms of those isles;
Towards the shade under the Castle wall
It comes in silence -- now 'tis hidden all.
The clarion sounds, and from a postern-gate
An echo of sweet music doth create
A fear in the poor herdsman who doth bring
His beasts to trouble the enchanted spring,--
He tells of the sweet music and the spot
To all his friends, and they believe him not.
O that our dreamings all, of sleep or wake,
Would all their colours from the sunset take:
From something of material sublime,
Rather than shadow our own soul's day-time
In the dark void of night. For in the world
We jostle- but my flag is not unfurl'd
On the Admiral-staff -- and to philosophize
I dare not yet! Oh, never will the prize,
High reason, and the lore of good and ill,
Be my award! Things cannot to the will
Be settled, but they tease us out of thought;
Or is it that Imagination brought
Beyond its proper bound, yet still confin'd,
Lost in a sort of Purgatory blind,
Cannot refer to any standard law
Of either earth or heaven? It is a flaw
In happiness to see beyond our bourn,--
It forces us in summer skies to mourn,
It spoils the singing of the Nightingale.
Dear Reynolds! I have a mysterious tale
And cannot speak it. The first page I read
Upon a lampit rock of green sea-weed
Among the breakers; 'twas a quiet eve,
The rocks were silent, the wide sea did weave
An untumultuous fringe of silver foam
Along the flat brown sand; I was at home
And should have been most happy,-- but I saw
Too far into the sea, where every maw
The greater on the less feeds evermore.--
But I saw too distinct into the core
Of an eternal fierce destruction,
And so from happiness I far was gone.
Still am I sick of it, and though to-day
I've gather'd young spring-leaves, and flowers gay
Of periwinkle and wild strawberry,
Still do I that most fierce destruction see,--
The Shark at savage prey, the Hawk at pounce,--
The gentle Robin, like a Pard or Ounce,
Ravening a worm -- Away, ye horrid moods!
Moods of one's mind! You know I hate them well.
You know I'd sooner be a clapping Bell
To some Kamschatcan Missionary Church,
Than with these horrid moods be left i' the lurch.
Do you get health -- and Tom the same -- I'll dance,
And from detested moods in new Romance
Take refuge. Of bad lines a Centaine dose
Is sure enough -- and so "here follows prose."
'This epistle with a few lines of introduction in prose was written at Teignmouth, and is dated the 25 of March 1818 in the Life, Letters &c. where it first appeared. Keats says to his friend --
"In hopes of cheering you through a minute or two, I was determined, will he nill he, to send you some lines, so you will excuse the unconnected subject and careless verse. You know, I am sure, Claude's 'Enchanted Castle,' and I wish you may be pleased with my remembrance of it."
Some thirty years ago this picture emerged from Lord Overstone's collection at Wickham Park, Bromley, and was exhibited at the British Institution. It was a favourite in Keats's circle. Hunt, in Imagination and Fancy, says of the "perilous seas in faery lands forlorn" passage in the Ode to a Nightingale, "This beats Claude's Enchanted Castle, and the story of King Beder in the Arabian Nights."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Epistle To John Hamilton Reynolds
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791:My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thy happiness,-
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O for a draught of vintage, that hath been
Cooled a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provencal song, and sun-burnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new love pine at them beyond tomorrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Clustered around by all her starry fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets covered up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and for many a time
I have been half in love with easeful Death,
Called him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain-
To thy high requiem become a sod
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charmed magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:-do I wake or sleep?
Haydon, in one of his letters to Miss Mitford (Corresp. &c., Vol. 2, pg. 72) says of Keats-- "The death of his brother wounded him deeply, and it appeared to me from that hour he began to droop. He wrote his exquisite 'Ode to the Nightingale' at this time, and as we were one evening walking in the Kilburn meadows he repeated it to me, before he put it to paper, in a low, tremulous undertone which affected me extremely."
Lord Houghton says the Ode was suggested by the continued song of a nightingale which, in the spring of 1819, had built its nest close to Wentworth Place. "Keats," says his Lordship (Aldine ed., 1876, pg. 237), "took great pleasure in her song, and one morning took his chair from the breakfast-table to the grass plot under a plum tree, where he remained between two and three hours. He then reached the house with some scraps of paper in his hand, which he soon put together in the form of his Ode."
(stanza 2): Of Keats's partiality for claret enough and too much has been made; but with his delightful list of desiderata given to his sister in a letter, now before me, it is impossible to resist citing as a prose parallel to these two splendid lines of poetry the words, "and, please heaven, a little claret wine cool out of a cellar a mile deep -- with a few or a good many ratafia cakes."
(stanza 3): The sixth line very clearly bears out Haydon's words connecting the sadness of the poem with the death of Tom Keats, and should be compared with the passage about his sister in the letter to Brown written from Rome on the 30th November, 1820,-- "my sister - who walks about my imagination like a ghost - she is so like Tom." In the same letter he says "it runs in my head we shall all die young."
(stanza 7): In the last line of this stanza the word "fairy" instead of "faery" stands in the manuscript and in the Annals; but the Lamia volume reads "faery", which enhances the poetic value of the line in the subtlest manner -- eliminating all possible connexion of fairy-land with Christmas trees, tinsel, and Santa Claus, and carrying out the imagination safely back to the middle ages.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To A Nightingale
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792:I.
Here all the summer could I stay,
For there's Bishop's teign
And King's teign
And Coomb at the clear Teign head--
Where close by the stream
You may have your cream
All spread upon barley bread.
II.
There's Arch Brook
And there's Larch Brook
Both turning many a mill,
And cooling the drouth
Of the salmon's mouth
And fattening his silver gill.
III.
There is Wild wood,
A Mild hood
To the sheep on the lea o' the down,
Where the golden furze,
With its green, thin spurs,
Doth catch at the maiden's gown.
IV.
There is Newton Marsh
With its spear grass harsh--
A pleasant summer level
Where the maidens sweet
Of the Market Street
Do meet in the dusk to revel.
V.
There's the Barton rich
With dyke and ditch
And hedge for the thrush to live in,
And the hollow tree
For the buzzing bee
And a bank for the wasp to hive in.
VI.
And O, and O
The daisies blow
And the primroses are waken'd,
And violets white
Sit in silver plight,
And the green bud's as long as the spike end.
VII.
Then who would go
Into dark Soho,
And chatter with dack'd-hair'd critics,
When he can stay
For the new-mown hay,
And startle the dappled Prickets?
Dack'd-hair'd = shock-headed;
Prickets = two-year-old deer.
'Keats's correspondence for the Spring of 1818 shows that on arrival in Devonshire he had on his hands, besides attendance on his sick brother, the final work connected with the publication of Endymion. At the end of the first ten days he writes to Haydon of having copied the fourth book for the press; and between the completion of that operation and the end of April, when the poem was out, he must have been more or less busy with it. Probably also the greater part of Isabella was composed at Teignmouth, seeing that it was from that place that he wrote of it to Reynolds towards the end of his stay, as about to be copied out. These circumstances would account for the limited extent of the series of poems special to Devonshire. These, although inferior in interest to the Scottish series of the Summer of 1818, are full of individuality of Keats. The first piece we may safely assign to the 14th of March, 1818. It occurs in a letter to Haydon published by Mr. Tom Taylor in Haydon's Autobiography without any date beyond "Teignmouth, Saturday morning;" but the verses form, with the next song, the staple of the letter, and appear from the context to have been written off as a part of it, and not copied into it.
The date of the letter is to be fixed thus: Keats says in the prose paragraph of which the verses are the continuation -- "The six first days I was here it did nothing but rain; and at that time, having to write to a friend, I gave Devonshire a good blowing-up. It has been fine for almost three days, and I was coming round a bit, but to-day it rains again. With me the county is on its good behaviour. I have enjoyed the most delightful walks these three fine days, beautiful enough to make me content."
Now on the 25th of March Keats wrote to Reynolds of the weather as if the county's trial had lasted three weeks: this gives the 4th as the day of his arrival; and the tenth day from that (when he was writing to Haydon) would be the 14th, which was a Saturday, Keats described these verses as "some doggere." If he had gathered all their local details in the three fine days, he had not been idle; for he had been exploring both sides of the Estuary of the Teign. Starting from Teignmouth along the right-hand bank he would come to Bishop's Teignton about three miles distant, and King's Teignton or Teignton Regis about five miles distant; and crossing the ferry at Teignmouth to get to the left-hand bank he would go through Shaldon and Ringmore to get to the village of Coomb-in-Teign-Head -- perhaps three or four miles from his lodgings. He could not have had his cream and barley bread close to the stream in the village proper; but twenty or thirty years later, and onwards, there was certainly every accomodation of that kind in a group of curious old cottages perched up over the mud-banks, and known as Coomb Cellars -- a favourite place for pic-nics, not so celebrated for the cream as for cockles, raked out of the mud bottom of the Estuary at low tide.
There were two brooks in and near Teignmouth -- one in Brimley Vale and the other in Coomb Vale (nothing to do with Coomb-in-Teign-Head on the Shaldon bank); but I never heard these called Arch Brook and Larch Brook. The "Wild word" of stanza 3 answers to any of the thick plantations of Little Haldon on the Exeter road, -- a down such as Keats describes -- furze and all. Newton Abbott or Newton Bushel, about six miles from Teignmouth, lies in a marshy situation enough, though the name of "the Marsh" has been appropriated to a spot near the Railway station. The town still has, like most country towns of any consequence, a Market Street. Of the dykes, ditches, &c., of "the Barton" I can give no account, as I do not know to what particular manor-house and demesne the term was ever applied at Teignmouth.
There is a touch of "local colour" in the white violets of stanza 6; for though primroses and violets are found in almost all parts of the country, white violets are not quite common about Teignmouth, but are to be found at Bishop's Teignton. It is a pity that this choice little bit of trifling should be disfigured by the false rhyme 'critics' and 'Prickets'. Keats does not seem to have been quite certain when he despatched his letter whether his "doggerel" had been written seriously or not; for he resumes prose with --
"I know not if this rhyming fit has done anything: it will be safe with you, if worthy to put among my Lyrics."
We must consider these trifles worthy to go among his lyrics, in virtue of their fine sense of rhythm and their keen relish for out of door life.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Teignmouth - Some Doggerel, Sent In A Letter To B. R. Haydon
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793:Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.
But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.
These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.
These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her breasts, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:she from a casket takes
A little book,and then a joy awakes
About each youthful heart,with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!
Written in August, 1816. by owner. provided at no charge for educational purposes
~ John Keats, Epistle To My Brother George
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794:Thus in altemate uproar and sad peace,
Amazed were those Titans utterly.
O leave them, Muse! O leave them to their woes;
For thou art weak to sing such tumults dire:
A solitary sorrow best befits
Thy lips, and antheming a lonely grief.
Leave them, O Muse! for thou anon wilt find
Many a fallen old Divinity
Wandering in vain about bewildered shores.
Meantime touch piously the Delphic harp,
And not a wind of heaven but will breathe
In aid soft warble from the Dorian flute;
For lo! 'tis for the Father of all verse.
Flush everything that hath a vermeil hue,
Let the rose glow intense and warm the air,
And let the clouds of even and of morn
Float in voluptuous fleeces o'er the hills;
Let the red wine within the goblet boil,
Cold as a bubbling well; let faint-lipp'd shells,
On sands, or in great deeps, vermilion turn
Through all their labyrinths; and let the maid
Blush keenly, as with some warm kiss surpris'd.
Chief isle of the embowered Cyclades,
Rejoice, O Delos, with thine olives green,
And poplars, and lawn-shading palms, and beech,
In which the Zephyr breathes the loudest song,
And hazels thick, dark-stemm'd beneath the shade:
Apollo is once more the golden theme!
Where was he, when the Giant of the sun
Stood bright, amid the sorrow of his peers?
Together had he left his mother fair
And his twin-sister sleeping in their bower,
And in the morning twilight wandered forth
Beside the osiers of a rivulet,
Full ankle-deep in lilies of the vale.
The nightingale had ceas'd, and a few stars
Were lingering in the heavens, while the thrush
Began calm-throated. Throughout all the isle
There was no covert, no retired cave,
Unhaunted by the murmurous noise of waves,
Though scarcely heard in many a green recess.
He listen'd, and he wept, and his bright tears
Went trickling down the golden bow he held.
Thus with half-shut suffused eyes he stood,
While from beneath some cumbrous boughs hard by
With solemn step an awful Goddess came,
And there was purport in her looks for him,
Which he with eager guess began to read
Perplex'd, the while melodiously he said:
"How cam'st thou over the unfooted sea?
Or hath that antique mien and robed form
Mov'd in these vales invisible till now?
Sure I have heard those vestments sweeping o'er
The fallen leaves, when I have sat alone
In cool mid-forest. Surely I have traced
The rustle of those ample skirts about
These grassy solitudes, and seen the flowers
Lift up their heads, as still the whisper pass'd.
Goddess! I have beheld those eyes before,
And their eternal calm, and all that face,
Or I have dream'd."-"Yes," said the supreme shape,
"Thou hast dream'd of me; and awaking up
Didst find a lyre all golden by thy side,
Whose strings touch'd by thy fingers, all the vast
Unwearied ear of the whole universe
Listen'd in pain and pleasure at the birth
Of such new tuneful wonder. Is't not strange
That thou shouldst weep, so gifted? Tell me, youth,
What sorrow thou canst feel; for I am sad
When thou dost shed a tear: explain thy griefs
To one who in this lonely isle hath been
The watcher of thy sleep and hours of life,
From the young day when first thy infant hand
Pluck'd witless the weak flowers, till thine arm
Could bend that bow heroic to all times.
Show thy heart's secret to an ancient Power
Who hath forsaken old and sacred thrones
For prophecies of thee, and for the sake
Of loveliness new born."-Apollo then,
With sudden scrutiny and gloomless eyes,
Thus answer'd, while his white melodious throat
Throbb'd with the syllables.-"Mnemosyne!
Thy name is on my tongue, I know not how;
Why should I tell thee what thou so well seest?
Why should I strive to show what from thy lips
Would come no mystery? For me, dark, dark,
And painful vile oblivion seals my eyes:
I strive to search wherefore I am so sad,
Until a melancholy numbs my limbs;
And then upon the grass I sit, and moan,
Like one who once had wings.-O why should I
Feel curs'd and thwarted, when the liegeless air
Yields to my step aspirant? why should I
Spurn the green turf as hateful to my feet?
Goddess benign, point forth some unknown thing:
Are there not other regions than this isle?
What are the stars? There is the sun, the sun!
And the most patient brilliance of the moon!
And stars by thousands! Point me out the way
To any one particular beauteous star,
And I will flit into it with my lyre,
And make its silvery splendor pant with bliss.
I have heard the cloudy thunder: Where is power?
Whose hand, whose essence, what divinity
Makes this alarum in the elements,
While I here idle listen on the shores
In fearless yet in aching ignorance?
O tell me, lonely Goddess, by thy harp,
That waileth every morn and eventide,
Tell me why thus I rave about these groves!
Mute thou remainest-Mute! yet I can read
A wondrous lesson in thy silent face:
Knowledge enormous makes a God of me.
Names, deeds, gray legends, dire events, rebellions,
Majesties, sovran voices, agonies,
Creations and destroyings, all at once
Pour into the wide hollows of my brain,
And deify me, as if some blithe wine
Or bright elixir peerless I had drunk,
And so become immortal."-Thus the God,
While his enkindled eyes, with level glance
Beneath his white soft temples, steadfast kept
Trembling with light upon Mnemosyne.
Soon wild commotions shook him, and made flush
All the immortal fairness of his limbs;
Most like the struggle at the gate of death;
Or liker still to one who should take leave
Of pale immortal death, and with a pang
As hot as death's is chill, with fierce convulse
Die into life: so young Apollo anguish'd:
His very hair, his golden tresses famed,
Kept undulation round his eager neck.
During the pain Mnemosyne upheld
Her arms as one who prophesied. At length
Apollo shriek'd;-and lo! from all his limbs
Celestial * * * * * * * * * * * * * * * *
(last lines): 'Leigh Hunt says of this part of the fragment, "It strikes us that there is something too effeminate and human in the way in which Apollo receives the exaltation which his wisdom is giving him. He weeps and wonders somewhat too fondly; but his powers gather nobly on him as he proceeds." I confess that I should be disposed to rank all these symptoms of convulsion and hysteria in the same category as the fainting of lovers which Keats so frequently represented, -- a kind of thing which his astonishing powers of progress would infallibly have' outgrown had he lived a year or two longer."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Hyperion. Book III
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795:Oft have you seen a swan superbly frowning,
And with proud breast his own white shadow crowning;
He slants his neck beneath the waters bright
So silently, it seems a beam of light
Come from the galaxy: anon he sports,--
With outspread wings the Naiad Zephyr courts,
Or ruffles all the surface of the lake
In striving from its crystal face to take
Some diamond water drops, and them to treasure
In milky nest, and sip them off at leisure.
But not a moment can he there insure them,
Nor to such downy rest can he allure them;
For down they rush as though they would be free,
And drop like hours into eternity.
Just like that bird am I in loss of time,
Whene'er I venture on the stream of rhyme;
With shatter'd boat, oar snapt, and canvass rent,
I slowly sail, scarce knowing my intent;
Still scooping up the water with my fingers,
In which a trembling diamond never lingers.
By this, friend Charles, you may full plainly see
Why I have never pennd a line to thee:
Because my thoughts were never free, and clear,
And little fit to please a classic ear;
Because my wine was of too poor a savour
For one whose palate gladdens in the flavour
Of sparkling Helicon:--small good it were
To take him to a desert rude, and bare,
Who had on Baiae's shore reclin'd at ease,
While Tasso's page was floating in a breeze
That gave soft music from Armida's bowers,
Mingled with fragrance from her rarest flowers:
Small good to one who had by Mulla's stream
Fondled the maidens with the breasts of cream;
Who had beheld Belphoebe in a brook,
And lovely Una in a leafy nook,
And Archimago leaning o'er his book:
Who had of all that's sweet tasted, and seen,
From silv'ry ripple, up to beauty's queen;
From the sequester'd haunts of gay Titania,
To the blue dwelling of divine Urania:
One, who, of late, had ta'en sweet forest walks
With him who elegantly chats, and talks--
The wrong'd Libertas,--who has told you stories
Of laurel chaplets, and Apollos glories;
Of troops chivalrous prancing through a city,
And tearful ladies made for love, and pity:
With many else which I have never known.
Thus have I thought; and days on days have flown
Slowly, or rapidly--unwilling still
For you to try my dull, unlearned quill.
Nor should I now, but that I've known you long;
That you first taught me all the sweets of song:
The grand, the sweet, the terse, the free, the fine;
What swell'd with pathos, and what right divine:
Spenserian vowels that elope with ease,
And float along like birds o'er summer seas;
Miltonian storms, and more, Miltonian tenderness;
Michael in arms, and more, meek Eves fair slenderness.
Who read for me the sonnet swelling loudly
Up to its climax and then dying proudly?
Who found for me the grandeur of the ode,
Growing, like Atlas, stronger from its load?
Who let me taste that more than cordial dram,
The sharp, the rapier-pointed epigram?
Shew'd me that epic was of all the king,
Round, vast, and spanning all like Saturn's ring?
You too upheld the veil from Clio's beauty,
And pointed out the patriot's stern duty;
The might of Alfred, and the shaft of Tell;
The hand of Brutus, that so grandly fell
Upon a tyrant's head. Ah! had I never seen,
Or known your kindness, what might I have been?
What my enjoyments in my youthful years,
Bereft of all that now my life endears?
And can I e'er these benefits forget?
And can I e'er repay the friendly debt?
No, doubly no;--yet should these rhymings please,
I shall roll on the grass with two-fold ease:
For I have long time been my fancy feeding
With hopes that you would one day think the reading
Of my rough verses not an hour mis[s]pent;
Should it e'er be so, what a rich content!
Some weeks have pass'd since last I saw the spires
In lucent Thames reflected:warm desires
To see the sun o'er peep the eastern dimness,
And morning shadows streaking into slimness
Across the lawny fields, and pebbly water;
To mark the time as they grow broad, and shorter;
To feel the air that plays about the hills,
And sips its freshness from the little rills;
To see high, golden corn wave in the light
When Cynthia smiles upon a summer's night,
And peers among the cloudlet's jet and white,
As though she were reclining in a bed
Of bean blossoms, in heaven freshly shed.
No sooner had I stepp'd into these pleasures
Than I began to think of rhymes and measures:
The air that floated by me seemd to say
"Write! thou wilt never have a better day."
And so I did. When many lines Id written,
Though with their grace I was not oversmitten,
Yet, as my hand was warm, I thought Id better
Trust to my feelings, and write you a letter.
Such an attempt required an inspiration
Of a peculiar sort,--a consummation;--
Which, had I felt, these scribblings might have been
Verses from which the soul would never wean:
But many days have past since last my heart
Was warmd luxuriously by divine Mozart;
By Arne delighted, or by Handel madden'd;
Or by the song of Erin piercd and sadden'd:
What time you were before the music sitting,
And the rich notes to each sensation fitting.
Since I have walk'd with you through shady lanes
That freshly terminate in open plains,
And revel'd in a chat that ceased not
When at night-fall among your books we got:
No, nor when supper came, nor after that,--
Nor when reluctantly I took my hat;
No, nor till cordially you shook my hand
Mid-way between our homes:--your accents bland
Still sounded in my ears, when I no more
Could hear your footsteps touch the gravly floor.
Sometimes I lost them, and then found again;
You chang'd the footpath for the grassy plain.
In those still moments I have wish'd you joys
That well you know to honour:--"Life's very toys
"With him," said I, "will take a pleasant charm;
"It cannot be that ought will work him harm."
These thoughts now come oer me with all their might:--
Again I shake your hand,--friend Charles, good night.
Written in September, 1816.
'Charles Cowden Clarke was born at Enfield on the 15th of December 1787; so that he was in his twenty-ninth year when the young poet addressed this epistle to him. He died at Villa Novello, Genoa, on the 13th of March 1877, in his ninetieth year.
(line 44): 'Mrs. Charles Cowden Clarke, speaking from knowledge derived from her husband, tells me there is no doubt whatever about Libertas being, as one would naturally imagine, a name for Leigh Hunt.'
(line 130): 'Hunt says ... in evident allusion to Keats's prowess as a boxer and readiness to back his friends -- "we can only add, without any disrespect to the graver warmth of our young poet, that if Ought attempted it, Ought would find he had stout work to do with more than one person." The student will probably turn to the posthumous poems and compare these epistles with that to John Hamilton Reynolds written in 1818.' ~~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, To Charles Cowden Clarke
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796:Young Calidore is paddling o'er the lake;
His healthful spirit eager and awake
To feel the beauty of a silent eve,
Which seem'd full loath this happy world to leave;
The light dwelt o'er the scene so lingeringly.
He bares his forehead to the cool blue sky,
And smiles at the far clearness all around,
Until his heart is well nigh over wound,
And turns for calmness to the pleasant green
Of easy slopes, and shadowy trees that lean
So elegantly o'er the waters' brim
And show their blossoms trim.
Scarce can his clear and nimble eye-sight follow
The freaks, and dartings of the black-wing'd swallow,
Delighting much, to see it half at rest,
Dip so refreshingly its wings, and breast
'Gainst the smooth surface, and to mark anon,
The widening circles into nothing gone.
And now the sharp keel of his little boat
Comes up with ripple, and with easy float,
And glides into a bed of water lillies:
Broad leav'd are they and their white canopies
Are upward turn'd to catch the heavens' dew.
Near to a little island's point they grew;
Whence Calidore might have the goodliest view
Of this sweet spot of earth. The bowery shore
Went off in gentle windings to the hoar
And light blue mountains: but no breathing man
With a warm heart, and eye prepared to scan
Nature's clear beauty, could pass lightly by
Objects that look'd out so invitingly
On either side. These, gentle Calidore
Greeted, as he had known them long before.
The sidelong view of swelling leafiness,
Which the glad setting sun, in gold doth dress;
Whence ever, and anon the jay outsprings,
And scales upon the beauty of its wings.
The lonely turret, shatter'd, and outworn,
Stands venerably proud; too proud to mourn
Its long lost grandeur: fir trees grow around,
Aye dropping their hard fruit upon the ground.
The little chapel with the cross above
Upholding wreaths of ivy; the white dove,
That on the windows spreads his feathers light,
And seems from purple clouds to wing its flight.
Green tufted islands casting their soft shades
Across the lake; sequesterd leafy glades,
That through the dimness of their twilight show
Large dock leaves, spiral foxgloves, or the glow
Of the wild cats eyes, or the silvery stems
Of delicate birch trees, or long grass which hems
A little brook. The youth had long been viewing
These pleasant things, and heaven was bedewing
The mountain flowers, when his glad senses caught
A trumpet's silver voice. Ah! it was fraught
With many joys for him: the warder's ken
Had found white coursers prancing in the glen:
Friends very dear to him he soon will see;
So pushes off his boat most eagerly,
And soon upon the lake he skims along,
Deaf to the nightingales first under-song;
Nor minds he the white swans that dream so sweetly:
His spirit flies before him so completely.
And now he turns a jutting point of land,
Whence may be seen the castle gloomy, and grand:
Nor will a bee buzz round two swelling peaches,
Before the point of his light shallop reaches
Those marble steps that through the water dip:
Now over them he goes with hasty trip,
And scarcely stays to ope the folding doors:
Anon he leaps along the oaken floors
Of halls and corridors.
Delicious sounds! those little bright-eyed things
That float about the air on azure wings,
Had been less heartfelt by him than the clang
Of clattering hoofs; into the court he sprang,
Just as two noble steeds, and palfreys twain,
Were slanting out their necks with loosened rein;
While from beneath the threat'ning portcullis
They brought their happy burthens. What a kiss,
What gentle squeeze he gave each lady's hand!
How tremblingly their delicate ancles spannd!
Into how sweet a trance his soul was gone,
While whisperings of affection
Made him delay to let their tender feet
Come to the earth; with an incline so sweet
From their low palfreys o'er his neck they bent:
And whether there were tears of languishment,
Or that the evening dew had pearl'd their tresses,
He feels a moisture on his cheek, and blesses
With lips that tremble, and with glistening eye
All the soft luxury
That nestled in his arms. A dimpled hand,
Fair as some wonder out of fairy land,
Hung from his shoulder like the drooping flowers
Of whitest Cassia, fresh from summer showers:
And this he fondled with his happy cheek
As if for joy he would no further seek;
When the kind voice of good Sir Clerimond
Came to his ear, like something from beyond
His present being: so he gently drew
His warm arms, thrilling now with pulses new,
From their sweet thrall, and forward gently bending,
Thank'd heaven that his joy was never ending;
While 'gainst his forehead he devoutly press'd
A hand heaven made to succour the distress'd;
A hand that from the world's bleak promontory
Had lifted Calidore for deeds of glory.
Amid the pages, and the torches' glare,
There stood a knight, patting the flowing hair
Of his proud horse's mane: he was withal
A man of elegance, and stature tall:
So that the waving of his plumes would be
High as the berries of a wild ash tree,
Or as the winged cap of Mercury.
His armour was so dexterously wrought
In shape, that sure no living man had thought
It hard, and heavy steel: but that indeed
It was some glorious form, some splendid weed,
In which a spirit new come from the skies
Might live, and show itself to human eyes.
'Tis the far-fam'd, the brave Sir Gondibert,
Said the good man to Calidore alert;
While the young warrior with a step of grace
Came up,--a courtly smile upon his face,
And mailed hand held out, ready to greet
The large-eyed wonder, and ambitious heat
Of the aspiring boy; who as he led
Those smiling ladies, often turned his head
To admire the visor arched so gracefully
Over a knightly brow; while they went by
The lamps that from the high-roof'd hall were pendent,
And gave the steel a shining quite transcendent.
Soon in a pleasant chamber they are seated;
The sweet-lipp'd ladies have already greeted
All the green leaves that round the window clamber,
To show their purple stars, and bells of amber.
Sir Gondibert has doff'd his shining steel,
Gladdening in the free, and airy feel
Of a light mantle; and while Clerimond
Is looking round about him with a fond,
And placid eye, young Calidore is burning
To hear of knightly deeds, and gallant spurning
Of all unworthiness; and how the strong of arm
Kept off dismay, and terror, and alarm
From lovely woman: while brimful of this,
He gave each damsel's hand so warm a kiss,
And had such manly ardour in his eye,
That each at other look'd half staringly;
And then their features started into smiles
Sweet as blue heavens o'er enchanted isles.
Softly the breezes from the forest came,
Softly they blew aside the taper's flame;
Clear was the song from Philomel's far bower;
Grateful the incense from the lime-tree flower;
Mysterious, wild, the far-heard trumpet's tone;
Lovely the moon in ether, all alone:
Sweet too the converse of these happy mortals,
As that of busy spirits when the portals
Are closing in the west; or that soft humming
We hear around when Hesperus is coming.
Sweet be their sleep. * * * * * * * * *
by owner. provided at no charge for educational purposes
~ John Keats, Calidore - A Fragment
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797:A FRAGMENT OF A TRAGEDY
ACT I.
SCENE I. Field of Battle.
Alarum. Enter King STEPHEN, Knights, and Soldiers.
Stephen. If shame can on a soldier's vein-swolln front
Spread deeper crimson than the battle's toil,
Blush in your casing helmets! for see, see!
Yonder my chivalry, my pride of war,
Wrench'd with an iron hand from firm array,
Are routed loose about the plashy meads,
Of honour forfeit. O that my known voice
Could reach your dastard ears, and fright you more!
Fly, cowards, fly! Glocester is at your backs!
Throw your slack bridles o'er the flurried manes,
Ply well the rowel with faint trembling heels,
Scampering to death at last!
First Knight. The enemy
Bears his flaunt standard close upon their rear.
Second Knight. Sure of a bloody prey, seeing the fens
Will swamp them girth-deep.
Stephen. Over head and ears,
No matter! 'Tis a gallant enemy;
How like a comet he goes streaming on.
But we must plague him in the flank, hey, friends?
We are well breathed, follow!
Enter Earl BALDWIN and Soldiers, as defeated.
Stephen. De Redvers!
What is the monstrous bugbear that can fright
Baldwin?
Baldwin. No scare-crow, but the fortunate star
Of boisterous Chester, whose fell truncheon now
Points level to the goal of victory.
This way he comes, and if you would maintain
Your person unaffronted by vile odds,
Take horse, my Lord.
Stephen. And which way spur for life?
Now I thank Heaven I am in the toils,
That soldiers may bear witness how my arm
Can burst the meshes. Not the eagle more
Loves to beat up against a tyrannous blast,
Than I to meet the torrent of my foes.
This is a brag, be 't so, but if I fall,
Carve it upon my 'scutcheon'd sepulchre.
On, fellow soldiers! Earl of Redvers, back!
Not twenty Earls of Chester shall brow-beat
The diadem. [Exeunt. Alarum.
SCENE II. Another part of the Field.
Trumpets sounding a Victory. Enter GLOCESTER. Knights, and Forces.
Glocester. Now may we lift our bruised vizors up,
And take the flattering freshness of the air,
While the wide din of battle dies away
Into times past, yet to be echoed sure
In the silent pages of our chroniclers.
First Knight. Will Stephen's death be marked there, my good
Lord,
Or that we gave him lodging in yon towers?
Glocester. Fain would I know the great usurper's fate.
Enter two Captains severally.
First Captain. My Lord!
Second Captain. Most noble Earl!
First Captain. The King
Second Captain. The Empress greets
Glocester. What of the King?
First Captain. He sole and lone maintains
A hopeless bustle mid our swarming arms,
And with a nimble savageness attacks,
Escapes, makes fiercer onset, then anew
Eludes death, giving death to most that dare
Trespass within the circuit of his sword!
He must by this have fallen. Baldwin is taken;
And for the Duke of Bretagne, like a stag
He flies, for the Welsh beagles to hunt down.
God save the Empress!
Glocester. Now our dreaded Queen:
What message from her Highness?
Second Captain. Royal Maud
From the throng'd towers of Lincoln hath look'd down,
Like Pallas from the walls of Ilion,
And seen her enemies havock'd at her feet.
She greets most noble Glocester from her heart,
Intreating him, his captains, and brave knights,
To grace a banquet. The high city gates
Are envious which shall see your triumph pass;
The streets are full of music.
Enter Second Knight.
Glocester. Whence come you?
Second Knight. From Stephen, my good Prince, Stephen!
Stephen!
Glocester. Why do you make such echoing of his name?
Second Knight. Because I think, my lord, he is no man,
But a fierce demon, Anointed safe from wounds,
And misbaptized with a Christian name.
Glocester. A mighty soldier! Does he still hold out?
Second Knight. He shames our victory. His valour still
Keeps elbow-room amid our eager swords,
And holds our bladed falchions all aloof
His gleaming battle-axe being slaughter-sick,
Smote on the morion of a Flemish knight,
Broke short in his hand; upon the which he flung
The heft away with such a vengeful force,
It paunch'd the Earl of Chester's horse, who then
Spleen-hearted came in full career at him.
Glocester. Did no one take him at a vantage then?
Second Knight. Three then with tiger leap upon him flew,
Whom, with his sword swift-drawn and nimbly held,
He stung away again, and stood to breathe,
Smiling. Anon upon him rush'd once more
A throng of foes, and in this renew'd strife,
My sword met his and snapp'd off at the hilts.
Glocester. Come, lead me to this Mars and let us move
In silence, not insulting his sad doom
With clamorous trumpets. To the Empress bear
My salutation as befits the time.
[Exeunt GLOCESTER and Forces.
SCENE III. The Field of Battle. Enter STEPHEN unarmed.
Stephen. Another sword! And what if I could seize
One from Bellona's gleaming armoury,
Or choose the fairest of her sheaved spears!
Where are my enemies? Here, close at hand,
Here come the testy brood. O for a sword!
I'm faint a biting sword! A noble sword!
A hedge-stake or a ponderous stone to hurl
With brawny vengeance, like the labourer Cain.
Come on! Farewell my kingdom, and all hail
Thou superb, plum'd, and helmeted renown,
All hail I would not truck this brilliant day
To rule in Pylos with a Nestor's beard
Come on!
Enter DE KAIMS and Knights, &c.
De Kaims. Is 't madness, or a hunger after death,
That makes thee thus unarm'd throw taunts at us?
Yield, Stephen, or my sword's point dip in
"he gloomy current of a traitor's heart.
Stephen. Do it, De Kaims, I will not budge an inch.
De Kaims. Yes, of thy madness thou shalt take the meed.
Stephen. Darest thou?
De Kaims. How dare, against a man disarmed?
Stephen. What weapons has the lion but himself?
Come not near me, De Kaims, for by the price
Of all the glory I have won this day,
Being a king, I will not yield alive
To any but the second man of the realm,
Robert of Glocester.
De Kaims. Thou shalt vail to me.
Stephen. Shall I, when I have sworn against it, sir?
Thou think'st it brave to take a breathing king,
That, on a court-day bow'd to haughty Maud,
The awed presence-chamber may be bold
To whisper, there's the man who took alive
Stephen me prisoner. Certes, De Kaims,
The ambition is a noble one.
De Kaims. 'Tis true,
And, Stephen, I must compass it.
Stephen. No, no,
Do not tempt me to throttle you on the gorge,
Or with my gauntlet crush your hollow breast,
Just when your knighthood is grown ripe and full
For lordship.
A Soldier. Is an honest yeoman's spear
Of no use at a need? Take that.
Stephen. Ah, dastard!
De Kaims. What, you are vulnerable! my prisoner I
Stephen. No, not yet. I disclaim it, and demand
Death as a sovereign right unto a king
Who 'sdains to yield to any but his peer,
If not in title, yet in noble deeds,
The Earl of Glocester. Stab to the hilts, De Kaims,
For I will never by mean hands be led
From this so famous field. Do ye hear! Be quick!
[Trumpets. Enter the Earl of CHESTER and Knights.
SCENE IV. A Presence Chamber. Queen MAUD in a Chair of State, the
Earls of GLOCESTER and CHESTER, Lords, Attendants.
Maud. Glocester, no more: I will behold that Boulogne:
Set him before me. Not for the poor sake
Of regal pomp and a vain-glorious hour,
As thou with wary speech, yet near enough,
Hast hinted.
Glocester. Faithful counsel have I given ;
If wary, for your Highness' benefit.
Maud. The Heavens forbid that I should not think so,
For by thy valour have I won this realm,
Which by thy wisdom I will ever keep.
To sage advisers let me ever bend
"A meek attentive ear, so that they treat
Of the wide kingdom's rule and government,
Not trenching on our actions personal.
Advis'd, not school'd, I would be; and henceforth
Spoken to in clear, plain, and open terms,
Not side-ways sermon'd at.
Glocester. Then, in plain terms,
Once more for the fallen king
Maud. Your pardon, Brother,
I would no more of that; for, as I said,
Tis not for worldly pomp I wish to see
The rebel, but as dooming judge to give
A sentence something worthy of his guilt.
Glocester. If 't must be so, I'll bring him to your presence.
[Exit GLOCESTER,
Maud. A meaner summoner might do as well
My Lord of Chester, is 't true what I hear
Of Stephen of Boulogne, our prisoner,
That he, as a fit penance for his crimes,
Eats wholesome, sweet, and palatable food
Off Glocester's golden dishes drinks pure wine,
Lodgest soft?
Chester. More than that, my gracious Queen,
Has anger'd me. The noble Earl, methinks,
Full soldier as he is, and without peer
In counsel, dreams too much among his books.
It may read well, but sure 'tis out of date
To play the Alexander with Darius.
Maud. Truth! I think so. By Heavens it shall not last!
Chester. It would amaze your Highness now to mark
How Glocester overstrains his courtesy
To that crime-loving rebel, that Boulogne
Maud. That ingrate!
Chester. For whose vast ingratitude
To our late sovereign lord, your noble sire,
The generous Earl condoles in his mishaps,
And with a sort of lackeying friendliness,
Talks off the mighty frowning from his brow,
Woos him to hold a duet in a smile,
Or, if it please him, play an hour at chess
Maud. A perjured slave!
Chester. And for his perjury,
Glocester has fit rewards nay, I believe,
He sets his bustling household's wits at work
For flatteries to ease this Stephen's hours,
And make a heaven of his purgatory ;
Adorning bondage with the pleasant gloss
Of feasts and music, and all idle shows
Of indoor pageantry; while syren whispers,
Predestined for his ear, 'scape as half-check'd
From lips the courtliest and the rubiest
Of all the realm, admiring of his deeds.
Maud. A frost upon his summer!
Chester. A queen's nod
Can make his June December. Here he comes.
by owner. provided at no charge for educational purposes
~ John Keats, King Stephen
,#NFDB
798:I stood tip-toe upon a little hill,
The air was cooling, and so very still,
That the sweet buds which with a modest pride
Pull droopingly, in slanting curve aside,
Their scantly leaved, and finely tapering stems,
Had not yet lost those starry diadems
Caught from the early sobbing of the morn.
The clouds were pure and white as flocks new shorn,
And fresh from the clear brook; sweetly they slept
On the blue fields of heaven, and then there crept
A little noiseless noise among the leaves,
Born of the very sigh that silence heaves:
For not the faintest motion could be seen
Of all the shades that slanted oer the green.
There was wide wandring for the greediest eye,
To peer about upon variety;
Far round the horizons crystal air to skim,
And trace the dwindled edgings of its brim;
To picture out the quaint, and curious bending
Of a fresh woodland alley, never ending;
Or by the bowery clefts, and leafy shelves,
Guess where the jaunty streams refresh themselves.
I gazed awhile, and felt as light, and free
As though the fanning wings of Mercury
Had played upon my heels: I was light-hearted,
And many pleasures to my vision started;
So I straightway began to pluck a posey
Of luxuries bright, milky, soft and rosy.
A bush of May flowers with the bees about them;
Ah, sure no tasteful nook would be without them;
And let a lush laburnum oversweep them,
And let long grass grow round the roots to keep them
Moist, cool and green; and shade the violets,
That they may bind the moss in leafy nets.
A filbert hedge with wildbriar overtwined,
And clumps of woodbine taking the soft wind
Upon their summer thrones; there too should be
The frequent chequer of a youngling tree,
That with a score of light green breth[r]en shoots
From the quaint mossiness of aged roots:
Round which is heard a spring-head of clear waters
Babbling so wildly of its lovely daughters
The spreading blue bells: it may haply mourn
That such fair clusters should be rudely torn
From their fresh beds, and scattered thoughtlessly
By infant hands, left on the path to die.
Open afresh your round of starry folds,
Ye ardent marigolds!
Dry up the moisture from your golden lids,
For great Apollo bids
That in these days your praises should be sung
On many harps, which he has lately strung;
And when again your dewiness he kisses,
Tell him, I have you in my world of blisses:
So haply when I rove in some far vale,
His mighty voice may come upon the gale.
Here are sweet peas, on tip-toe for a flight:
With wings of gentle flush oer delicate white,
And taper fingers catching at all things,
To bind them all about with tiny rings.
Linger awhile upon some bending planks
That lean against a streamlets rushy banks,
And watch intently Natures gentle doings:
They will be found softer than ring-doves cooings.
How silent comes the water round that bend;
Not the minutest whisper does it send
To the oerhanging sallows: blades of grass
Slowly across the chequerd shadows pass.
Why, you might read two sonnets, ere they reach
To where the hurrying freshnesses aye preach
A natural sermon oer their pebbly beds;
Where swarms of minnows show their little heads,
Staying their wavy bodies gainst the streams,
To taste the luxury of sunny beams
Temperd with coolness. How they ever wrestle
With their own sweet delight, and ever nestle
Their silver bellies on the pebbly sand.
If you but scantily hold out the hand,
That very instant not one will remain;
But turn your eye, and they are there again.
The ripples seem right glad to reach those cresses,
And cool themselves among the emrald tresses;
The while they cool themselves, they freshness give,
And moisture, that the bowery green may live:
So keeping up an interchange of favours,
Like good men in the truth of their behaviours.
Sometimes goldfinches one by one will drop
From low hung branches; little space they stop;
But sip, and twitter, and their feathers sleek;
Then off at once, as in a wanton freak:
Or perhaps, to show their black, and golden wings
Pausing upon their yellow flutterings.
Were I in such a place, I sure should pray
That nought less sweet, might call my thoughts away,
Than the soft rustle of a maidens gown
Fanning away the dandelions down;
Than the light music of her nimble toes
Patting against the sorrel as she goes.
How she would start, and blush, thus to be caught
Playing in all her innocence of thought.
O let me lead her gently oer the brook,
Watch her half-smiling lips, and downward look;
O let me for one moment touch her wrist;
Let me one moment to her breathing list;
And as she leaves me may she often turn
Her fair eyes looking through her locks auburne.
What next? A tuft of evening primroses,
Oer which the mind may hover till it dozes;
Oer which it well might take a pleasant sleep,
But that tis ever startled by the leap
Of buds into ripe flowers; or by the flitting
Of diverse moths, that aye their rest are quitting;
Or by the moon lifting her silver rim
Above a cloud, and with a gradual swim
Coming into the blue with all her light.
O Maker of sweet poets, dear delight
Of this fair world, and all its gentle livers;
Spangler of clouds, halo of crystal rivers,
Mingler with leaves, and dew and tumbling streams,
Closer of lovely eyes to lovely dreams,
Lover of loneliness, and wandering,
Of upcast eye, and tender pondering!
Thee must I praise above all other glories
That smile us on to tell delightful stories.
For what has made the sage or poet write
But the fair paradise of Natures light?
In the calm grandeur of a sober line,
We see the waving of the mountain pine;
And when a tale is beautifully staid,
We feel the safety of a hawthorn glade:
When it is moving on luxurious wings,
The soul is lost in pleasant smotherings:
Fair dewy roses brush against our faces,
And flowering laurels spring from diamond vases;
Oerhead we see the jasmine and sweet briar,
And bloomy grapes laughing from green attire;
While at our feet, the voice of crystal bubbles
Charms us at once away from all our troubles:
So that we feel uplifted from the world,
Walking upon the white clouds wreathd and curld.
So felt he, who first told, how Psyche went
On the smooth wind to realms of wonderment;
What Psyche felt, and Love, when their full lips
First touchd; what amorous and fondling nips
They gave each others cheeks; with all their sighs,
And how they kist each others tremulous eyes:
The silver lamp,the ravishment,the wonder
The darkness,loneliness,the fearful thunder;
Their woes gone by, and both to heaven upflown,
To bow for gratitude before Joves throne.
So did he feel, who pulld the boughs aside,
That we might look into a forest wide,
To catch a glimpse of Fawns, and Dryades
Coming with softest rustle through the trees;
And garlands woven of flowers wild, and sweet,
Upheld on ivory wrists, or sporting feet:
Telling us how fair, trembling Syrinx fled
Arcadian Pan, with such a fearful dread.
Poor Nymph,poor Pan,how did he weep to find,
Nought but a lovely sighing of the wind
Along the reedy stream; a half heard strain,
Full of sweet desolationbalmy pain.
What first inspired a bard of old to sing
Narcissus pining oer the untainted spring?
In some delicious ramble, he had found
A little space, with boughs all woven round;
And in the midst of all, a clearer pool
Than eer reflected in its pleasant cool,
The blue sky here, and there, serenely peeping
Through tendril wreaths fantastically creeping.
And on the bank a lonely flower he spied,
A meek and forlorn flower, with naught of pride,
Drooping its beauty oer the watery clearness,
To woo its own sad image into nearness:
Deaf to light Zephyrus it would not move;
But still would seem to droop, to pine, to love.
So while the Poet stood in this sweet spot,
Some fainter gleamings oer his fancy shot;
Nor was it long ere he had told the tale
Of young Narcissus, and sad Echos bale.
Where had he been, from whose warm head out-flew
That sweetest of all songs, that ever new,
That aye refreshing, pure deliciousness,
Coming ever to bless
The wanderer by moonlight? to him bringing
Shapes from the invisible world, unearthly singing
From out the middle air, from flowery nests,
And from the pillowy silkiness that rests
Full in the speculation of the stars.
Ah! surely he had burst our mortal bars;
Into some wondrous region he had gone,
To search for thee, divine Endymion!
He was a Poet, sure a lover too,
Who stood on Latmus top, what time there blew
Soft breezes from the myrtle vale below;
And brought in faintness solemn, sweet, and slow
A hymn from Dians temple; while upswelling,
The incense went to her own starry dwelling.
But though her face was clear as infants eyes,
Though she stood smiling oer the sacrifice,
The Poet wept at her so piteous fate,
Wept that such beauty should be desolate:
So in fine wrath some golden sounds he won,
And gave meek Cynthia her Endymion.
Queen of the wide air; thou most lovely queen
Of all the brightness that mine eyes have seen!
As thou exceedest all things in thy shine,
So every tale, does this sweet tale of thine.
O for three words of honey, that I might
Tell but one wonder of thy bridal night!
Where distant ships do seem to show their keels,
Phoebus awhile delayed his mighty wheels,
And turned to smile upon thy bashful eyes,
Ere he his unseen pomp would solemnize.
The evening weather was so bright, and clear,
That men of health were of unusual cheer;
Stepping like Homer at the trumpets call,
Or young Apollo on the pedestal:
And lovely women were as fair and warm,
As Venus looking sideways in alarm.
The breezes were ethereal, and pure,
And crept through half closed lattices to cure
The languid sick; it coold their feverd sleep,
And soothed them into slumbers full and deep.
Soon they awoke clear eyed: nor burnt with thirsting
Nor with hot fingers, nor with temples bursting:
And springing up, they met the wondring sight
Of their dear friends, nigh foolish with delight;
Who feel their arms, and breasts, and kiss and stare,
And on their placid foreheads part the hair.
Young men, and maidens at each other gazd
With hands held back, and motionless, amazd
To see the brightness in each others eyes;
And so they stood, filld with a sweet surprise,
Until their tongues were loosd in poesy.
Therefore no lover did of anguish die:
But the soft numbers, in that moment spoken,
Made silken ties, that never may be broken.
Cynthia! I cannot tell the greater blisses,
That followd thine, and thy dear shepherds kisses:
Was there a Poet born?but now no more,
My wandring spirit must no further soar.
I stood tip-toe upon a little hill : Leigh Hunt tells us in 'Lord Byron and Some of his Contemporaries' that "this poem was suggested to Keats by a delightful summer's-day, as he stood beside the gate that leads from the Battery on Hampstead Heath into a field by Caen Wood."
(lines 37-41) Of this passage Hunt says, "Any body who has seen a throng of young beeches, furnishing those natural clumpy seats at the root, must recognize the truth and grace of this description." He adds that the remainder of the poem, especially verses 47 to 86, "affords an exquisite proof of close observation of nature as well as the most luxuriant fancy."
(lines 61-80) Charles Cowden Clarke says Keats told him this passage was the recollection of the friends' "having frequently loitered over the rail of a foot-bridge that spanned ... a little brook in the last field upon entering Edmonton." Keats, he says, "thought the picture correct, and acknowledged to a partiality for it."
~The Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, I Stood Tip-Toe Upon A Little Hill
,#NFDB
799:SCENE I. An Ante-chamber in the Castle.
Enter LUDOLPH and SIGIFRED.
Ludolph. No more advices, no more cautioning:
I leave it all to fate to any thing!
I cannot square my conduct to time, place,
Or circumstances; to me 'tis all a mist!
Sigifred. I say no more.
Ludolph. It seems I am to wait
Here in the ante-room; that may be a trifle.
You see now how I dance attendance here,
Without that tyrant temper, you so blame,
Snapping the rein. You have medicin'd me
With good advices; and I here remain,
In this most honourable ante-room,
Your patient scholar.
Sigifred. Do not wrong me, Prince.
By Heavens, I'd rather kiss Duke Conrad's slipper,
When in the morning he doth yawn with pride,
Than see you humbled but a half-degree!
Truth is, the Emperor would fain dismiss
The nobles ere he sees you.
Enter GONFRED from the Council-room.
Ludolph. Well, sir! What?
Gonfred. Great honour to the Prince! The Emperor,
Hearing that his brave son had re-appeared,
Instant dismiss 'd the Council from his sight,
As Jove fans off the clouds. Even now they pass.
[Exit.
Enter the Nobles from the Council-room. They cross the stage,
bowing unth respect to LUDOLPH, he frowning on them.
CONRAD follows. Exeunt Nobles.
Ludolph. Not the discoloured poisons of a fen,
Which he who breathes feels warning of his death,
Could taste so nauseous to the bodily sense,
As these prodigious sycophants disgust
The soul's fine palate.
Conrad. Princely Ludolph, hail!
Welcome, thou younger sceptre to the realm!
Strength to thy virgin crownet's golden buds,
That they, against the winter of thy sire,
May burst, and swell, and flourish round thy brows,
Maturing to a weighty diadem!
Yet be that hour far off; and may he live,
Who waits for thee, as the chapp'd earth for rain.
Set my life's star! I have lived long enough,
Since under my glad roof, propitiously,
Father and son each other re-possess.
Ludolph. Fine wording, Duke! but words could never yet
Forestall the fates; have you not learnt that yet?
Let me look well: your features are the same;
Your gait the same; your hair of the same shade;
As one I knew some passed weeks ago,
Who sung far different notes into mine ears.
I have mine own particular comments on 't;
You have your own, perhaps.
Conrad. My gracious Prince,
All men may err. In truth I was deceived
In your great father's nature, as you were.
Had I known that of him I have since known,
And what you soon will learn, I would have turned
My sword to my own throat, rather than held
Its threatening edge against a good King's quiet:
Or with one word fever'd you, gentle Prince,
Who seem'd to me, as rugged times then went,
Indeed too much oppress'd. May I be bold
To tell the Emperor you will haste to him?
Ludolph. Your Dukedom's privilege will grant so much.
[Exit CONRAD
He's very close to Otho, a tight leech!
Your hand I go. Ha! here the thunder comes
Sullen against the wind! If in two angry brows
My safety lies, then Sigifred, I'm safe.
Enter OTHO and CONRAD.
Otho. Will you make Titan play the lackey-page &
To chattering pigmies? I would have you know
That such neglect of our high Majesty
Annuls all feel of kindred. What is son,
Or friend, or brother, or all ties of blood,
When the whole kingdom, centred in ourself,
Is rudely slighted ? Who am I to wait ?
By Peter's chair! I have upon my tongue
A word to fright the proudest spirit here!
Death! and slow tortures to the hardy fool,
Who dares take such large charter from our smiles!
Conrad, we would be private. Sigifred!
Off! And none pass this way on pain of death!
[Exeunt CONRAD and SIGIFRED,
Ludolph. This was but half expected, my good sire,
Yet I am griev'd at it, to the full height,
As though my hopes of favour had been whole.
Otho. How you indulge yourself! What can you hope for?
Ludolph. Nothing, my liege ; I have to hope for nothing.
I come to greet you as a loving son,
And then depart, if I may be so free,
Seeing that blood of yours in my warm veins
Has not yet mitigated into milk.
Otho. What would you, sir?
Ludolph. A lenient banishment;
So please you let me unmolested pass
This Conrad's gates, to the wide air again.
I want no more. A rebel wants no more.
Otho. And shall I let a rebel loose again
To muster kites and eagles 'gainst my head?
No, obstinate boy, you shall be kept cag'd up,
Serv'd with harsh food, with scum for Sunday-drink.
Ludolph. Indeed!
Otho. And chains too heavy for your life:
I'll choose a gaoler, whose swart monstrous face
Shall be a hell to look upon, and she
Ludolph. Ha!
Otho. Shall be your fair Auranthe.
Ludolph. Amaze! Amaze!
Otho. To-day you marry her.
Ludolph. This is a sharp jest!
Otho. No. None at all. When have I said a lie?
Ludolph. If I sleep not, I am a waking wretch.
Otho. Not a word more. Let me embrace my child.
Ludolph. I dare not. 'Twould pollute so good a father!
heavy crime! that your son's blinded eyes
Could not see all his parent's love aright,
As now I see it. Be not kind to me
Punish me not with favour.
Otho. Are you sure,
Ludolph, you have no saving plea in store?
Ludolph. My father, none!
Otho. Then you astonish me.
Ludolph. No, I have no plea. Disobedience,
Rebellion, obstinacy, blasphemy,
Are all my counsellors. If they can make
My crooked deeds show good and plausible,
Then grant me loving pardon, but not else,
Good Gods! not else, in any way, my liege!
Otho. You are a most perplexing, noble boy.
Ludolph. You not less a perplexing noble father.
Otho. Well, you shall have free passport through the gates.
Farewell!
Ludolph. Farewell! and by these tears believe,
And still remember, I repent in pain
All my misdeeds!
Otho. Ludolph, I will! I will!
But, Ludolph, ere you go, I would enquire
If you, in all your wandering, ever met
A certain Arab haunting in these parts.
Ludolph. No, my good lord, I cannot say I did.
Otho. Make not your father blind before his time;
Nor let these arms paternal hunger more
For an embrace, to dull the appetite
Of my great love for thee, my supreme child!
Come close, and let me breathe into thine ear.
knew you through disguise. You are the Arab!
You can't deny it. [Embracing him.
Ludolph. Happiest of days!
Otho. We'll make it so.
Ludolph. 'Stead of one fatted calf
Ten hecatombs shall bellow out their last,
Smote 'twixt the horns by the death-stunning mace
Of Mars, and all the soldiery shall feast
Nobly as Nimrod's masons, when the towers
Of Nineveh new kiss'd the parted clouds!
Otho. Large as a God speak out, where all is thine.
Ludolph. Aye, father, but the fire in my sad breast
Is quench 'd with inward tears! I must rejoice
For you, whose wings so shadow over me
In tender victory, but for myself
I still must mourn. The fair Auranthe mine!
Too great a boon! I prythee let me ask I
What more than I know of could so have changed
Your purpose touching her?
Otho. At a word, this:
In no deed did you give me more offense
Than your rejection of Erminia.
To my appalling, I saw too good proof
Of your keen-eyed suspicion, she is naught!
Ludolph. You are convinced?
Otho. Aye, spite of her sweet looks.
O, that my brother's daughter should so fall!
Her fame has pass'd into the grosser lips
Of soldiers in their cups.
Lndolph. 'Tis very sad.
Otho. No more of her. Auranthe Ludolph, come!
This marriage be the bond of endless peace! [Exeunt.
SCENE II. The Entrance of GERSA'S Tent in the Hungarian Camp.
Enter ERMINIA.
Erminia. Where! where! where shall I find a messenger?
A trusty soul? A good man in the camp?
Shall I go myself? Monstrous wickedness!
O cursed Conrad devilish Auranthe!
Here is proof palpable as the bright sun!
O for a voice to reach the Emperor's ears!
[Shouts in the Camp.
Enter an HUNGARIAN CAPTAIN.
Captain. Fair prisoner, hear you those joyous shouts?
The king aye, now our king, but still your slave,
Young Gersa, from a short captivity
Has just return'd. He bids me say, bright Dame,
That even the homage of his ranged chiefs
Cures not his keen impatience to behold
Such beauty once again. What ails you, lady?
Erminia. Say, is not that a German, yonder? There!
Captain. Methinks by his stout bearing he should be
Yes 'tis one Albert; a brave German knight,
And much in the emperor's favour.
Erminia. I would fain
Enquire of friends and kinsfolk; how they fared
In these rough times. Brave soldier, as you pass
To royal Gersa with my humble thanks,
Will you send yonder knight to me?
Captain. I will. [Exit.
Ermina. Yes, he was ever known to be a man
Frank, open, generous; Albert I may trust.
proof! proof! proof! Albert's an honest man;
Not Ethelbert the monk, if he were here,
Would I hold more trustworthy. Now!
Enter ALBERT.
Albert. Good Gods!
Lady Erminia! are you prisoner
In this beleaguer 'd camp? Or are you here
Of your own will? You pleas'd to send for me.
By Venus, 'tis a pity I knew not
Your plight before, and, by her Son, I swear
To do you every service you can ask.
What would the fairest?
Erminia. Albert, will you swear?
Albert. I have. Well?
Erminia. Albert, you have fame to lose.
If men, in court and camp, lie not outright,
You should be, from a thousand, chosen forth
To do an honest deed. Shall I confide?
Albert. Aye, anything to me, fair creature. Do;
Dictate my task. Sweet woman,
Erminia. Truce with that.
You understand me not; and, in your speech,
see how far the slander is abroad.
Without proof could you think me innocent?
Albert. Lady, I should rejoice to know you so.
Erminia. If you have any pity for a maid,
Suffering a daily death from evil tongues;
Any compassion for that Emperor's niece,
Who, for your bright sword and clear honesty,
Lifted you from the crowd of common men
Into the lap of honour; save me, knight!
Albert. How? Make it clear; if it be possible,
I, by the banner of Saint Maurice, swear
To right you.
Erminia. Possible! Easy. O my heart!
This letter's not so soil'd but you may read it;
Possible! There that letter! Read read it,
[Gives him a letter.
Albert (reading). "To the Duke Conrad. Forget the threat you
made at parting, and I will forget to send the Emperor letters and
papers of your's I have become possessed of. His life is no trifle to
me; his death you shall find none to yourself." (Speaks to himself
Tis me my life that's pleaded for! (Reads.) "He, for his
own sake, will be dumb as the grave. Erminia has my shame fix'd
upon her, sure as a wen. We are safe.
AURANTHE."A she-devil! A dragon! I her imp!
Fire of Hell! Auranthe lewd demon!
Where got you this? Where? When?
Erminia. I found it in the tent, among some spoils
Which, being noble, fell to Gersa's lot.
Come in, and see. [They go in and return.
Albert. Villainy! Villainy!
Conrad's sword, his corslet, and his helm,
And his letter. Caitiff, he shall feel
Erminia. I see you are thunderstruck. Haste, haste away!
Albert. O I am tortured by this villainy.
Erminia. You needs must be. Carry it swift to Otho;
Tell him, moreover, I am prisoner
Here in this camp, where all the sisterhood,
Forc'd from their quiet cells, are parcell'd out
For slaves among these Huns. Away! Away!
Albert. I am gone.
Erminia. Swift be your steed! Within this hour
The Emperor will see it.
Albert. Ere I sleep:
That I can swear. [Hurries out.
Gersa (without). Brave captains! thanks. Enough
Of loyal homage now!
Enter GERSA.
Erminia. Hail, royal Hun!
Gersa. What means this, fair one? Why in such alarm?
Who was it hurried by me so distract?
It seem'd you were in deep discourse together;
Your doctrine has not been so harsh to him
As to my poor deserts. Come, come, be plain.
I am no jealous fool to kill you both,
Or, for such trifles, rob the adorned world
Of such a beauteous vestal.
Erminia. I grieve, my Lord,
To hear you condescend to ribald phrase.
Gersa. This is too much! Hearken, my lady pure!
Erminia. Silence! and hear the magic of a name
Erminia! I am she, the Emperor's niece!
Prais'd be the Heavens, I now dare own myself!
Gersa. Erminia! Indeed! I've heard of her.
Prythee, fair lady, what chance brought you here?
Erminia. Ask your own soldiers.
Gersa. And you dare own your name.
For loveliness you may and for the rest
My vein is not censorious.
Erminia. Alas! poor me!
Tis false indeed.
Gersa. Indeed you are too fair:
the swan, soft leaning on her fledgy breast,
When to the stream she launches, looks not back
With such a tender grace ; nor are her wings
So white as your soul is, if that but be
Twin-picture to your face. Erminia!
To-day, for the first day, I am a king,
Yet would I give my unworn crown away
To know you spotless.
Erminia. Trust me one day more,
Generously, without more certain guarantee,
Than this poor face you deign to praise so much;
After that, say and do whate'er you please.
If I have any knowledge of you, sir,
I think, nay I am sure, you will grieve much
To hear my story. O be gentle to me,
For I am sick and faint with many wrongs,
Tir'd out, and weary-worn with contumelies.
Gersa. Poor lady!
Enter ETHELBERT.
Erminia. Gentle Prince, 'tis false indeed.
Good morrow, holy father! I have had
Your prayers, though I look'd for you in vain.
Ethelbert. Blessings upon you, daughter! Sure you look
Too cheerful for these foul pernicious days.
Young man, you heard this virgin say 'twas false,
Tis false, I say. What! can you not employ
Your temper elsewhere, 'mong these burly tents,
But you must taunt this dove, for she hath lost
The Eagle Otho to beat off assault?
Fie! fie! But I will be her guard myself;
In the Emperor's name. I here demand of you
Herself, and all her sisterhood. She false!
Gersa. Peace! peace, old man! I cannot think she is.
Ethelbert. Whom I have known from her first infancy,
Baptized her in the bosom of the Church,
Watch'd her, as anxious husbandmen the grain,
From the first shoot till the unripe mid-May,
Then to the tender ear of her June days,
Which, lifting sweet abroad its timid green,
Is blighted by the touch of calumny;
You cannot credit such a monstrous tale.
Gersa. I cannot. Take her. Fair Erminia,
I follow you to Friedburg, is't not so?
Erminia. Aye, so we purpose.
Ethelbert. Daughter, do you so?
How's this? I marvel! Yet you look not mad.
Erminia. I have good news to tell you, Ethelbert.
Gersa. Ho! ho, there! Guards!
Your blessing, father! Sweet Erminia,
Believe me, I am well nigh sure
Erminia . Farewell!
Short time will show. [Enter Chiefs.
Yes, father Ethelbert,
I have news precious as we pass along.
Ethelbert. Dear daughter, you shall guide me.
Erminia. To no ill.
Gersa. Command an escort to the Friedburg lines.
[Exeunt Chiefs.
Pray let me lead. Fair lady, forget not
Gersa, how he believ'd you innocent.
I follow you to Friedburg with all speed. [Exeunt.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act II
,#NFDB
800:SCENE I. AURANTHE'S Apartment.
AURANTHE and CONRAD discovered.
Conrad. Well, well, I know what ugly jeopardy
We are cag'd in; you need not pester that
Into my ears. Prythee, let me be spared
A foolish tongue, that I may bethink me
Of remedies with some deliberation.
You cannot doubt but 'tis in Albert's power
To crush or save us?
Auranthe. No, I cannot doubt.
He has, assure yourself, by some strange means,
My secret ; which I ever hid from him,
Knowing his mawkish honesty.
Conrad. Curs'd slave!
Auranthe. Ay, I could almost curse him now myself.
Wretched impediment! Evil genius!
A glue upon my wings, that cannot spread,
When they should span the provinces! A snake,
A scorpion, sprawling on the first gold step,
Conducting to the throne, high canopied.
Conrad. You would not hear my council, when his life
Might have been trodden out, all sure and hush'd;
Now the dull animal forsooth must be
Intreated, managed! When can you contrive
The interview he demands?
Auranthe. As speedily
It must be done as my brib'd woman can
Unseen conduct him to me; but I fear
Twill be impossible, while the broad day
Comes through the panes with persecuting glare.
Methinks, if 't now were night I could intrigue
With darkness, bring the stars to second me,
And settle all this trouble.
Conrad. Nonsense! Child!
See him immediately; why not now?
Auranthe. Do you forget that even the senseless door-posts
Are on the watch and gape through all the house?
How many whispers there are about,
Hungry for evidence to ruin me ;
Men I have spurn 'd, and women I have taunted?
Besides, the foolish prince sends, minute whiles,
His pages so they tell me to enquire
After my health, entreating, if I please,
To see me.
Conrad. Well, suppose this Albert here;
What is your power with him?
Auranthe. He should be
My echo, my taught parrot! but I fear
He will be cur enough to bark at me ;
Have his own say ; read me some silly creed
'Bout shame and pity.
Conrad. What will you do then?
Auranthe. What I shall do, I know not: what L would
Cannot be done; for see, this chain her-floor
Will not yield to the pick-axe and the spade,
Here is no quiet depth of hollow ground.
Conrad. Sister, you have grown sensible and wise,
Seconding, ere I speak it, what is now,
I hope, resolv'd between us.
Auranthe. Say, what is 't?
Conrad. You need not be his sexton too: a man
May carry that with him shall make him die
Elsewhere, give that to him; pretend the while
You will to-morrow succumb to his wishes,
Be what they may, and send him from the Castle
On some fool's errand; let his latest groan
Frighten the wolves!
Auranthe. Alas! he must not die!
Conrad. Would you were both hears'd up in stifling lead!
Detested
Auranthe. Conrad, hold! I would not bear
The little thunder of your fretful tongue,
Tho; I alone were taken in these toils,
And you could free me; but remember, sir,
You live alone in my security:
So keep your wits at work, for your own sake,
Not mine, and be more mannerly.
Conrad. Thou wasp!
If my domains were emptied of these folk,
And I had thee to starve
Auranthe. O, marvellous!
But Conrad, now be gone; the Host is look'd for;
Cringe to the Emperor, entertain the Lords,
And, do ye mind, above all things, proclaim
My sickness, with a brother's sadden'd eye,
Condoling with Prince Ludolph. In fit time
Return to me.
Conrad. I leave you to your thoughts. [Exit.
Auranthe (sola) Down, down, proud temper! down,
Auranthe's pride!
Why do I anger him when I should kneel?
Conrad! Albert! help! help! What can I do?
wretched woman! lost, wreck'd, swallow'd up,
Accursed, blasted ! O, thou golden Crown,
Orbing along the serene firmament
Of a wide empire, like a glowing moon;
And thou, bright sceptre! lustrous in my eyes,
There as the fabled fair Hesperian tree,
Bearing a fruit more precious! graceful thing.
Delicate, godlike, magic! must I leave
Thee to melt in the visionary air,
Ere, by one grasp, this common hand is made
Imperial? I do not know the time
When I have wept for sorrow; but methinks
I could now sit upon the ground, and shed
Tears, tears of misery. O, the heavy day!
How shall I bear my life till Albert comes?
Ludolph! Erminia! Proofs! O heavy day!
Bring me some mourning weeds, that I may 'tire
Myself, as fits one wailing her own death:
Cut off these curls, and brand this lilly hand,
And throw these jewels from my loathing sight,
Fetch me a missal, and a string of beads,
A cup of bitter'd water, and a crust,
I will confess, O holy Abbot How!
What is this? Auranthe! thou fool, dolt,
Whimpering idiot! up! up! act and quell!
I am safe! Coward! why am I in fear?
Albert! he cannot stickle, chew the cud
In such a fine extreme, impossible!
Who knocks? [Goes to the Door, listens, and opens it.
Enter ALBERT.
Albert, I have been waiting for you here
With such an aching heart, such swooning throbs
On my poor brain, such cruel cruel sorrow,
That I should claim your pity! Art not well?
Albert. Yes, lady, well.
Auranthe. You look not so, alas!
But pale, as if you brought some heavy news.
Albert. You know full well what makes me look so pale.
Auranthe. No! Do I? Surely I am still to learn
Some horror; all I know, this present, is
I am near hustled to a dangerous gulph,
Which you can save me from, and therefore safe,
So trusting in thy love; that should not make
Thee pale, my Albert.
Albert. It doth make me freeze.
Auranthe. Why should it, love?
Albert. You should not ask me that,
But make your own heart monitor, and save
Me the great pain of telling. You must know.
Auranthe. Something has vexed you, Albert. There are times
When simplest things put on a sombre cast;
A melancholy mood will haunt a man,
Until most easy matters take the shape
Of unachievable tasks; small rivulets
Then seem impassable.
Albert. Do not cheat yourself
With hope that gloss of words, or suppliant action,
Or tears, or ravings, or self-threaten 'd death,
Can alter my resolve.
Auranthe. You make me tremble;
Not so much at your threats, as at your voice.
Untun'd. and harsh, and barren of all love.
Albert. You suffocate me! Stop this devil's parley,
And listen to me; know me once for all.
Auranthe. I thought I did. Alas! I am deceiv'd.
Albert. No, you are not deceiv'd. You took me for
A man detesting all inhuman crime;
And therefore kept from me your demon's plot
Against Erminia. Silent? Be so still;
For ever! Speak no more; but hear my words,
Thy fate. Your safety I have bought to-day
By blazoning a lie, which in the dawn
I expiate with truth.
Auranthe. O cruel traitor!
Albert. For I would not set eyes upon thy shame;
I would not see thee dragg'd to death by the hair,
Penanc'd, and taunted on a scaffolding!
To-night, upon the skirts of the blind wood
That blackens northward of these horrid towers,
I wait for you with horses. Choose your fate.
Farewell.
Auranthe. Albert, you jest; I'm sure you must.
You, an ambitious Soldier! I, a Queen,
One who could say, Here, rule these Provinces!
Take tribute from those cities for thyself!
Empty these armouries, these treasuries,
Muster thy warlike thousands at a nod !
Go! conquer Italy!
Albert. Auranthe, you have made
The whole world chaff to me. Your doom is fix'd.
Auranthe. Out, villain! dastard!
Albert. Look there to the door!
Who is it?
Auranthe. Conrad, traitor!
Albert. Let him in.
Enter CONRAD.
Do not affect amazement, hypocrite,
At seeing me in this chamber.
Conrad. Auranthe?
Albert. Talk not with eyes, but speak your curses out
Against me, who would sooner crush and grind
A brace of toads, than league with them to oppress
An innocent lady, gull an Emperor,
More generous to me than autumn's sun
To ripening harvests.
Auranthe. No more insult, sir!
Albert. Aye, clutch your scabbard; but, for prudence sake,
Draw not the sword; 'twould make an uproar, Duke,
You would not hear the end of. At nightfall
Your lady sister, if I guess aright,
Will leave this busy castle. You had best
Take farewell too of worldly vanities.
Conrad. Vassal!
Albert. To-morrow, when the Emperor sends
For loving Conrad, see you fawn on him.
Good even !
Auranthe. You'll be seen!
Albert. See the coast clear then.
Auranthe (as he goes). Remorseless Albert! Cruel,
cruel wretch!
[She lets him out.
Conrad. So, we must lick the dust?
Auranthe. I follow him.
Conrad. How? Where? The plan of your escape?
Auranthe. He waits
For me with horses by the forest-side,
Northward.
Conrad. Good, good! he dies. You go, say you?
Auranthe. Perforce.
Conrad. Be speedy, darkness! Till that comes,
Fiends keep you company! [Exit.
Auranthe. And you! And you!
And all men! Vanish!
[Retires to an inner Apartment.
SCENE II. An Apartment in the Castle.
Enter LUDOLPH and Page.
Page. Still very sick, my Lord; but now I went
Knowing my duty to so good a Prince;
And there her women in a mournful throng
Stood in the passage whispering: if any
Mov'd 'twas with careful steps and hush'd as death;
They bid me stop.
Ludolph. Good fellow, once again
Make soft enquiry; prythee be not stay'd
By any hindrance, but with gentlest force
Break through her weeping servants, till thou com'st
E'en to her chamber door, and there, fair boy,
If with thy mother's milk thou hast suck'd in
Any diviner eloquence ; woo her ears
With plaints for me more tender than the voice
Of dying Echo, echoed.
Page. Kindest master!
To know thee sad thus, will unloose my tongue
In mournful syllables. Let but my words reach
Her ears and she shall take them coupled with
Moans from my heart and sighs not counterfeit.
May I speed better! [Exit Page.
Ludolph. Auranthe! My Life!
Long have I lov'd thee, yet till now not lov'd:
Remembering, as I do, hard-hearted times
When I had heard even of thy death perhaps,
And thoughtless, suffered to pass alone
Into Elysium! now I follow thee
A substance or a shadow, wheresoe'er
Thou leadest me, whether thy white feet press,
With pleasant weight, the amorous-aching earth,
Or thro' the air thou pioneerest me,
A shade! Yet sadly I predestinate!
O unbenignest Love, why wilt thou let
Darkness steal out upon the sleepy world
So wearily; as if night's chariot wheels
Were clog'd in some thick cloud. O, changeful Love,
Let not her steeds with drowsy-footed pace
Pass the high stars, before sweet embassage
Comes from the pillow 'd beauty of that fair
Completion of all delicate nature's wit.
Pout her faint lips anew with rubious health
And with thine infant fingers lift the fringe
Of her sick eyelids ; that those eyes may glow
With wooing light upon me, ere the Morn
Peers with disrelish, grey, barren, and cold.
Enter GERSA and Courtiers.
Otho calls me his Lion should I blush
To be so tam'd, so
Gersa. Do me the courtesy
Gentlemen to pass on.
Courtier. We are your servants.
[Exeunt Courtiers.
Ludolph. It seems then, Sir, you have found out the man
You would confer with; me?
Gersa. If I break not
Too much upon your thoughtful mood, I will
Claim a brief while your patience.
Ludolph. For what cause
Soe'er I shall be honour 'd.
Gersa. I not less.
Ludolph. What may it be? No trifle can take place
Of such deliberate prologue, serious 'haviour.
But be it what it may I cannot fail
To listen with no common interest
For though so new your presence is to me,
I have a soldier's friendship for your fame
Please you explain.
Gersa. As thus for, pardon me,
I cannot in plain terms grossly assault
A noble nature ; and would faintly sketch
What your quick apprehension will fill up
So finely I esteem you.
Ludolph. I attend
Gersa. Your generous Father, most illustrious Otho,
Sits in the Banquet room among his chiefs
His wine is bitter, for you are not there
His eyes are fix'd still on the open doors,
And every passer in he frowns upon
Seeing no Ludolph comes.
Ludolph. I do neglect
Gersa. And for your absence, may I guess the cause?
Ludolph. Stay there! no guess? more princely you must be
Than to make guesses at me. Tis enough,
I'm sorry I can hear no more.
Gersa. And I
As griev'd to force it on you so abrupt;
Yet one day you must know a grief whose sting
Will sharpen more the longer 'tis concealed.
Ludolph. Say it at once, sir, dead, dead, is she dead?
Gersa. Mine is a cruel task : she is not dead
And would for your sake she were innocent
Ludolph. Thou liest! thou amazest me beyond
All scope of thought; convulsest my heart's blood
To deadly churning Gersa you are young
As I am ; let me observe you face to face ;
Not grey-brow'd like the poisonous Ethelbert,
No rheumed eyes, no furrowing of age,
No wrinkles where all vices nestle in
Like crannied vermin no, but fresh and young
And hopeful featured. Ha! by heaven you weep
Tears, human tears Do you repent you then
Of a curs'd torturer's office! Why shouldst join
Tell me, the league of Devils? Confess confess
The Lie.
Gersa. Lie!- but begone all ceremonious points
Of honour battailous. I could not turn
My wrath against thee for the orbed world.
Ludolph. Your wrath, weak boy? Tremble at mine unless
Retraction follow close upon the heels
Of that late stounding insult: why has my sword
Not done already a sheer judgment on thee?
Despair, or eat thy words. Why, thou wast nigh
Whimpering away my reason: hark ye, Sir,
It is no secret; that Erminia,
Erminia, Sir, was hidden in your tent;
O bless 'd asylum! comfortable home!
Begone, I pity thee, thou art a Gull
Erminia's last new puppet
Gersa. Furious fire!
Thou mak'st me boil as hot as thou canst flame!
And in thy teeth I give thee back the lie!
Thou liest! Thou, Auranthe's fool, a wittol
Ludolph. Look! look at this bright sword;
There is no part of it to the very hilt
But shall indulge itself about thine heart
Draw but remember thou must cower thy plumes,
As yesterday the Arab made thee stoop
Gersa. Patience! not here, I would not spill thy blood
Here underneath this roof where Otho breathes,
Thy father almost mine
Ludolph. O faltering coward
Re-enter PAGE.
Stay, stay, here is one I have half a word with
Well What ails thee child?
Page. My lord,
Ludolph. Good fellow
Page. They are fled!
Ludolph. They who?
Page. When anxiously
I hasten 'd back, your grieving messenger,
I found the stairs all dark, the lamps extinct,
And not a foot or whisper to be heard.
I thought her dead, and on the lowest step
Sat listening; when presently came by
Two muffled up, one sighing heavily,
The other cursing low, whose voice I knew
For the Duke Conrad's. Close I follow'd them
Thro' the dark ways they chose to the open air;
And, as I follow'd, heard my lady speak.
Ludolph. Thy life answers the truth!
Page. The chamber's empty!
Ludolph. As I will be of mercy! So, at last,
This nail is in my temples!
Gersa. Be calm in this.
Ludolph. I am.
Gersa. And Albert too has disappeared;
Ere I met you, I sought him everywhere ;
You would not hearken.
Ludolph. Which way went they, boy?
Gersa. I'll hunt with you.
Ludolph. No, no, no. My senses are
Still whole. I have surviv'd. My arm is strong
My appetite sharp for revenge! I'll no sharer
In my feast; my injury is all my own,
And so is my revenge, my lawful chattels!
Terrier, ferret them out! Burn burn the witch!
Trace me their footsteps! Away!
[Exeunt.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act IV
,#NFDB
801:Love in a hut, with water and a crust,
IsLove, forgive us!cinders, ashes, dust;
Love in a palace is perhaps at last
More grievous torment than a hermits fast:
That is a doubtful tale from faery land,
Hard for the non-elect to understand.
Had Lycius livd to hand his story down,
He might have given the moral a fresh frown,
Or clenchd it quite: but too short was their bliss
To breed distrust and hate, that make the soft voice hiss.
Besides, there, nightly, with terrific glare,
Love, jealous grown of so complete a pair,
Hoverd and buzzd his wings, with fearful roar,
Above the lintel of their chamber door,
And down the passage cast a glow upon the floor.
For all this came a ruin: side by side
They were enthroned, in the even tide,
Upon a couch, near to a curtaining
Whose airy texture, from a golden string,
Floated into the room, and let appear
Unveild the summer heaven, blue and clear,
Betwixt two marble shafts:there they reposed,
Where use had made it sweet, with eyelids closed,
Saving a tythe which love still open kept,
That they might see each other while they almost slept;
When from the slope side of a suburb hill,
Deafening the swallows twitter, came a thrill
Of trumpetsLycius startedthe sounds fled,
But left a thought, a buzzing in his head.
For the first time, since first he harbourd in
That purple-lined palace of sweet sin,
His spirit passd beyond its golden bourn
Into the noisy world almost forsworn.
The lady, ever watchful, penetrant,
Saw this with pain, so arguing a want
Of something more, more than her empery
Of joys; and she began to moan and sigh
Because he mused beyond her, knowing well
That but a moments thought is passions passing bell.
Why do you sigh, fair creature? whisperd he:
Why do you think? returnd she tenderly:
You have deserted me;where am I now?
Not in your heart while care weighs on your brow:
No, no, you have dismissd me; and I go
From your breast houseless: ay, it must be so.
He answerd, bending to her open eyes,
Where he was mirrord small in paradise,
My silver planet, both of eve and morn!
Why will you plead yourself so sad forlorn,
While I am striving how to fill my heart
With deeper crimson, and a double smart?
How to entangle, trammel up and snare
Your soul in mine, and labyrinth you there
Like the hid scent in an unbudded rose?
Ay, a sweet kissyou see your mighty woes.
My thoughts! shall I unveil them? Listen then!
What mortal hath a prize, that other men
May be confounded and abashd withal,
But lets it sometimes pace abroad majestical,
And triumph, as in thee I should rejoice
Amid the hoarse alarm of Corinths voice.
Let my foes choke, and my friends shout afar,
While through the thronged streets your bridal car
Wheels round its dazzling spokes.The ladys cheek
Trembled; she nothing said, but, pale and meek,
Arose and knelt before him, wept a rain
Of sorrows at his words; at last with pain
Beseeching him, the while his hand she wrung,
To change his purpose. He thereat was stung,
Perverse, with stronger fancy to reclaim
Her wild and timid nature to his aim:
Besides, for all his love, in self despite,
Against his better self, he took delight
Luxurious in her sorrows, soft and new.
His passion, cruel grown, took on a hue
Fierce and sanguineous as twas possible
In one whose brow had no dark veins to swell.
Fine was the mitigated fury, like
Apollos presence when in act to strike
The serpentHa, the serpent! certes, she
Was none. She burnt, she lovd the tyranny,
And, all subdued, consented to the hour
When to the bridal he should lead his paramour.
Whispering in midnight silence, said the youth,
Sure some sweet name thou hast, though, by my truth,
I have not askd it, ever thinking thee
Not mortal, but of heavenly progeny,
As still I do. Hast any mortal name,
Fit appellation for this dazzling frame?
Or friends or kinsfolk on the citied earth,
To share our marriage feast and nuptial mirth?
I have no friends, said Lamia, no, not one;
My presence in wide Corinth hardly known:
My parents bones are in their dusty urns
Sepulchred, where no kindled incense burns,
Seeing all their luckless race are dead, save me,
And I neglect the holy rite for thee.
Even as you list invite your many guests;
But if, as now it seems, your vision rests
With any pleasure on me, do not bid
Old Apolloniusfrom him keep me hid.
Lycius, perplexd at words so blind and blank,
Made close inquiry; from whose touch she shrank,
Feigning a sleep; and he to the dull shade
Of deep sleep in a moment was betrayd.
It was the custom then to bring away
The bride from home at blushing shut of day,
Veild, in a chariot, heralded along
By strewn flowers, torches, and a marriage song,
With other pageants: but this fair unknown
Had not a friend. So being left alone,
(Lycius was gone to summon all his kin)
And knowing surely she could never win
His foolish heart from its mad pompousness,
She set herself, high-thoughted, how to dress
The misery in fit magnificence.
She did so, but tis doubtful how and whence
Came, and who were her subtle servitors.
About the halls, and to and from the doors,
There was a noise of wings, till in short space
The glowing banquet-room shone with wide-arched grace.
A haunting music, sole perhaps and lone
Supportress of the faery-roof, made moan
Throughout, as fearful the whole charm might fade.
Fresh carved cedar, mimicking a glade
Of palm and plantain, met from either side,
High in the midst, in honour of the bride:
Two palms and then two plantains, and so on,
From either side their stems branchd one to one
All down the aisled place; and beneath all
There ran a stream of lamps straight on from wall to wall.
So canopied, lay an untasted feast
Teeming with odours. Lamia, regal drest,
Silently paced about, and as she went,
In pale contented sort of discontent,
Missiond her viewless servants to enrich
The fretted splendour of each nook and niche.
Between the tree-stems, marbled plain at first,
Came jasper pannels; then, anon, there burst
Forth creeping imagery of slighter trees,
And with the larger wove in small intricacies.
Approving all, she faded at self-will,
And shut the chamber up, close, hushd and still,
Complete and ready for the revels rude,
When dreadful guests would come to spoil her solitude.
The day appeard, and all the gossip rout.
O senseless Lycius! Madman! wherefore flout
The silent-blessing fate, warm cloisterd hours,
And show to common eyes these secret bowers?
The herd approachd; each guest, with busy brain,
Arriving at the portal, gazd amain,
And enterd marveling: for they knew the street,
Rememberd it from childhood all complete
Without a gap, yet neer before had seen
That royal porch, that high-built fair demesne;
So in they hurried all, mazd, curious and keen:
Save one, who lookd thereon with eye severe,
And with calm-planted steps walkd in austere;
Twas Apollonius: something too he laughd,
As though some knotty problem, that had daft
His patient thought, had now begun to thaw,
And solve and melt:twas just as he foresaw.
He met within the murmurous vestibule
His young disciple. Tis no common rule,
Lycius, said he, for uninvited guest
To force himself upon you, and infest
With an unbidden presence the bright throng
Of younger friends; yet must I do this wrong,
And you forgive me. Lycius blushd, and led
The old man through the inner doors broad-spread;
With reconciling words and courteous mien
Turning into sweet milk the sophists spleen.
Of wealthy lustre was the banquet-room,
Filld with pervading brilliance and perfume:
Before each lucid pannel fuming stood
A censer fed with myrrh and spiced wood,
Each by a sacred tripod held aloft,
Whose slender feet wide-swervd upon the soft
Wool-woofed carpets: fifty wreaths of smoke
From fifty censers their light voyage took
To the high roof, still mimickd as they rose
Along the mirrord walls by twin-clouds odorous.
Twelve sphered tables, by silk seats insphered,
High as the level of a mans breast reard
On libbards paws, upheld the heavy gold
Of cups and goblets, and the store thrice told
Of Ceres horn, and, in huge vessels, wine
Came from the gloomy tun with merry shine.
Thus loaded with a feast the tables stood,
Each shrining in the midst the image of a God.
When in an antichamber every guest
Had felt the cold full sponge to pleasure pressd,
By ministring slaves, upon his hands and feet,
And fragrant oils with ceremony meet
Pourd on his hair, they all movd to the feast
In white robes, and themselves in order placed
Around the silken couches, wondering
Whence all this mighty cost and blaze of wealth could spring.
Soft went the music the soft air along,
While fluent Greek a voweld undersong
Kept up among the guests discoursing low
At first, for scarcely was the wine at flow;
But when the happy vintage touchd their brains,
Louder they talk, and louder come the strains
Of powerful instruments:the gorgeous dyes,
The space, the splendour of the draperies,
The roof of awful richness, nectarous cheer,
Beautiful slaves, and Lamias self, appear,
Now, when the wine has done its rosy deed,
And every soul from human trammels freed,
No more so strange; for merry wine, sweet wine,
Will make Elysian shades not too fair, too divine.
Soon was God Bacchus at meridian height;
Flushd were their cheeks, and bright eyes double bright:
Garlands of every green, and every scent
From vales deflowerd, or forest-trees branch rent,
In baskets of bright osierd gold were brought
High as the handles heapd, to suit the thought
Of every guest; that each, as he did please,
Might fancy-fit his brows, silk-pillowd at his ease.
What wreath for Lamia? What for Lycius?
What for the sage, old Apollonius?
Upon her aching forehead be there hung
The leaves of willow and of adders tongue;
And for the youth, quick, let us strip for him
The thyrsus, that his watching eyes may swim
Into forgetfulness; and, for the sage,
Let spear-grass and the spiteful thistle wage
War on his temples. Do not all charms fly
At the mere touch of cold philosophy?
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angels wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine
Unweave a rainbow, as it erewhile made
The tender-persond Lamia melt into a shade.
By her glad Lycius sitting, in chief place,
Scarce saw in all the room another face,
Till, checking his love trance, a cup he took
Full brimmd, and opposite sent forth a look
Cross the broad table, to beseech a glance
From his old teachers wrinkled countenance,
And pledge him. The bald-head philosopher
Had fixd his eye, without a twinkle or stir
Full on the alarmed beauty of the bride,
Brow-beating her fair form, and troubling her sweet pride.
Lycius then pressd her hand, with devout touch,
As pale it lay upon the rosy couch:
Twas icy, and the cold ran through his veins;
Then sudden it grew hot, and all the pains
Of an unnatural heat shot to his heart.
Lamia, what means this? Wherefore dost thou start?
Knowst thou that man? Poor Lamia answerd not.
He gazd into her eyes, and not a jot
Ownd they the lovelorn piteous appeal:
More, more he gazd: his human senses reel:
Some hungry spell that loveliness absorbs;
There was no recognition in those orbs.
Lamia! he criedand no soft-toned reply.
The many heard, and the loud revelry
Grew hush; the stately music no more breathes;
The myrtle sickend in a thousand wreaths.
By faint degrees, voice, lute, and pleasure ceased;
A deadly silence step by step increased,
Until it seemd a horrid presence there,
And not a man but felt the terror in his hair.
Lamia! he shriekd; and nothing but the shriek
With its sad echo did the silence break.
Begone, foul dream! he cried, gazing again
In the brides face, where now no azure vein
Wanderd on fair-spaced temples; no soft bloom
Misted the cheek; no passion to illume
The deep-recessed vision:all was blight;
Lamia, no longer fair, there sat a deadly white.
Shut, shut those juggling eyes, thou ruthless man!
Turn them aside, wretch! or the righteous ban
Of all the Gods, whose dreadful images
Here represent their shadowy presences,
May pierce them on the sudden with the thorn
Of painful blindness; leaving thee forlorn,
In trembling dotage to the feeblest fright
Of conscience, for their long offended might,
For all thine impious proud-heart sophistries,
Unlawful magic, and enticing lies.
Corinthians! look upon that gray-beard wretch!
Mark how, possessd, his lashless eyelids stretch
Around his demon eyes! Corinthians, see!
My sweet bride withers at their potency.
Fool! said the sophist, in an under-tone
Gruff with contempt; which a death-nighing moan
From Lycius answerd, as heart-struck and lost,
He sank supine beside the aching ghost.
Fool! Fool! repeated he, while his eyes still
Relented not, nor movd; from every ill
Of life have I preservd thee to this day,
And shall I see thee made a serpents prey?
Then Lamia breathd death breath; the sophists eye,
Like a sharp spear, went through her utterly,
Keen, cruel, perceant, stinging: she, as well
As her weak hand could any meaning tell,
Motiond him to be silent; vainly so,
He lookd and lookd again a level--No!
A Serpent! echoed he; no sooner said,
Than with a frightful scream she vanished:
And Lycius arms were empty of delight,
As were his limbs of life, from that same night.
On the high couch he lay!his friends came round--
Supported himno pulse, or breath they found,
And, in its marriage robe, the heavy body wound.
(line 50): Keats adopted here, in the manuscript, a pointing notice before: he placed the note of interrogation at the end of this line, a semi-colon at the end of line 51, and a full-stop at the end of line 54. The pointing of the text is from the first edition.
(lines 124-6): Leigh Hunt notes - "This is the very quintessence of the romantic."
(line 140): Rejected reading, "wainscoated" for "marbled plain."
(line 239): In the Autobiography of Haydon, as edited by the late Mr. Tom Taylor, we read at page 354 of Volume 1 (edition of 1853) that Keats and Lamb, at one of the meetings at Haydon's house, agreed that Newton "had destroyed all the poetry of the rainbow, by reducing it to the prismatic colours." This meeting was what Haydon calls "the immortal dinner" of the 28th of December 1817; so that the idea appears to have persisted in Keats's mind.
Last line: The following extract is appended in Keats's edition as a note to the last line of Lamia:--
"Philostratus, in his fourth book 'de Vita Apollonii', hath a memorable instance in this kind, which I may not omit, of one Menippus Lycius, a young man twenty-five years of age, that going betwixt Cenchreas and Corinth, met such a phantasm in the habit of a fair gentlewoman, which taking him by the hand, carried him home to her house, in the suburbs of Corinth, and told him she was a Phoenician by birth, and if he would tarry with her, he should hear her sing and play, and drink such wine as never any drank, and no man should molest him; but she, being fair and lovely, would live and die with him, that was fair and lovely to behold. The young man, a philosopher, otherwise staid and discreet, able to moderate his passions, though not this of love, tarried with her a while to his great content, and at last married her, to whose wedding, amongst other guests, came Apollonius; who, by some probable conjectures, found her out to be a serpent, a lamia; and that all her furniture was, like Tantalus' gold, descried by Homer, no substance but mere illusions. When she saw herself descried, she wept, and desired Apollonius to be silent, but he would not be moved, and thereupon she, plate, house, and all that was in it, vanished in an instant: many thousands took notice of this fact, for it was done in the midst of Greece." ~ John Keats, Lamia. Part II
,#NFDB
802:SCENE I. The Country.
Enter ALBERT.
Albert. O that the earth were empty, as when Cain
Had no perplexity to hide his head!
Or that the sword of some brave enemy
Had put a sudden stop to my hot breath,
And hurl'd me down the illimitable gulph
Of times past, unremember'd! Better so
Than thus fast-limed in a cursed snare,
The white limbs of a wanton. This the end
Of an aspiring life! My boyhood past
In feud with wolves and bears, when no eye saw
The solitary warfare, fought for love
Of honour 'mid the growling wilderness.
My sturdier youth, maturing to the sword,
Won by the syren-trumpets, and the ring
Of shields upon the pavement, when bright-mail'd
Henry the Fowler pass'd the streets of Prague,
Was't to this end I louted and became
The menial of Mars, and held a spear
Sway'd by command, as corn is by the wind?
Is it for this, I now am lifted up
By Europe's throned Emperor, to see
My honour be my executioner,
My love of fame, my prided honesty
Put to the torture for confessional?
Then the damn'd crime of blurting to the world
A woman's secret! Though a fiend she be,
Too tender of my ignominious life;
But then to wrong the generous Emperor
In such a searching point, were to give up
My soul for foot-ball at Hell's holiday!
I must confess, and cut my throat, to-day?
To-morrow? Ho! some wine!
Enter SIGIFRED.
Sigifred. A fine humour
Albert. Who goes there? Count Sigifred? Ha! Ha!
Sigifred. What, man, do you mistake the hollow sky
For a throng 'd tavern, and these stubbed trees
For old serge hangings, me, your humble friend,
For a poor waiter? Why, man, how you stare!
What gipsies have you been carousing with?
No, no more wine; methinks you've had enough.
Albert. You well may laugh and banter. What a fool
An injury may make of a staid man!
You shall know all anon.
Sigifred. Some tavern brawl?
Albert. 'Twas with some people out of common reach;
Revenge is difficult.
Sigifred. I am your friend;
We meet again to-day, and can confer
Upon it. For the present I'm in haste.
Albert. Whither?
Sigifred. To fetch King Gersa to the feast.
The Emperor on this marriage is so hot,
Pray Heaven it end not in apoplexy!
The very porters, as I pass'd the doors,
Heard his loud laugh, and answer 'd in full choir.
I marvel, Albert, you delay so long
From those bright revelries; go, show yourself,
You may be made a duke.
Albert. Aye, very like:
Pray, what day has his Highness fix'd upon?
Sigifred. For what?
Albert. The marriage. What else can I mean?
Sigifred. To-day! O, I forgot, you could not know;
The news is scarce a minute old with me.
Albert. Married to-day! To-day! You did not say so?
Sigifred. Now, while I speak to you, their comely heads
Are bow'd before the mitre.
Albert. O! Monstrous!
Sigifred. What is this?
Albert. Nothing, Sigifred. Farewell!
We'll meet upon our subject. Farewell, count!
[Exit.
Sigifred. Is this clear-headed Albert? He brain-turned!
Tis as portentous as a meteor. [Exit.
SCENE II. An Apartment in the Castle.
Enter, as from the Marriage, OTHO, LUDOLPH, AURANTHE, CONRAD,
Nobles, Knights, Ladies, &c. Music.
Otho. Now, Ludolph! Now, Auranthe! Daughter fair!
What can I find to grace your nuptial day
More than my love, and these wide realms in fee?
Ludolph. I have too much.
Auranthe. And I, my liege, by far.
Ludolph. Auranthe! I have! O, my bride, my love!
Not all the gaze upon us can restrain
My eyes, too long poor exiles from thy face,
From adoration, and my foolish tongue
From uttering soft responses to the love
I see in thy mute beauty beaming forth!
Fair creature, bless me with a single word!
All mine!
Auranthe. Spare, spare me, my Lord! I swoon else.
Ludolph. Soft beauty! by to-morrow I should die,
Wert thou not mine. [They talk apart,
First Lady. How deep she has bewitch'd him!
First Knight. Ask you for her recipe for love philtres.
Second Lady. They hold the Emperor in admiration,
Otho. If ever king was happy, that am I!
What are the cities 'yond the Alps to me,
The provinces about the Danube's mouth,
The promise of fair soil beyond the Rhone;
Or routing out of Hyperborean hordes,
To those fair children, stars of a new age?
Unless perchance I might rejoice to win
This little ball of earth, and chuck it them
To play with!
Auranthe. Nay, my Lord, I do not know.
Ludolph. Let me not famish.
Otho (to Conrad). Good Franconia,
You heard what oath I sware, as the sun rose,
That unless Heaven would send me back my son,
My Arab, no soft music should enrich
The cool wine, kiss'd off with a soldier's smack;
Now all my empire, barter 'd for one feast,
Seems poverty.
Conrad. Upon the neighbour-plain
The heralds have prepar'd a royal lists;
Your knights, found war-proof in the bloody field,
Speed to the game.
Otho. Well, Ludolph, what say you?
Ludolph. My lord!
Otho. A tourney?
Conrad. Or, if't please you best
Ludolph. I want no morel
First Lady. He soars!
Second Lady. Past all reason.
Ludolph. Though heaven's choir
Should in a vast circumference descend
And sing for my delight, I'd stop my ears!
Though bright Apollo's car stood burning here,
And he put out an arm to bid me mount,
His touch an immortality, not I!
This earth, this palace, this room, Auranthe!
Otho. This is a little painful; just too much.
Conrad, if he flames longer in this wise,
I shall believe in wizard-woven loves
And old romances; but I'll break the spell.
Ludolph!
Conrad. He will be calm, anon.
Ludolph. You call'd?
Yes, yes, yes, I offend. You must forgive me;
Not being quite recover'd from the stun
Of your large bounties. A tourney, is it not?
{A senet heard faintly.
Conrad. The trumpets reach us.
Ethelbert (without). On your peril, sirs,
Detain us!
First Voice (without). Let not the abbot pass.
Second Voice (without). No,
On your lives!
First Voice (without). Holy Father, you must not.
Ethelbert (without). Otho!
Otho. Who calls on Otho?
Ethelhert (without). Ethelbert!
Otho. Let him come in.
Enter ETHELBERT leading in ERMINIA.
Thou cursed abbot, why
Hast brought pollution to our holy rites?
Hast thou no fear of hangman, or the ****?
Ludolph. What portent what strange prodigy is this?
Conrad. Away!
Ethelbert. You, Duke?
Ermmia. Albert has surely fail'd me!
Look at the Emperor's brow upon me bent!
Ethelbert. A sad delay!
Conrad. Away, thou guilty thing!
Ethelbert. You again, Duke? Justice, most mighty Otho!
You go to your sister there and plot again,
A quick plot, swift as thought to save your heads;
For lo! the toils are spread around your den,
The word is all agape to see dragg'd forth
Two ugly monsters.
Ludolph. What means he, my lord?
Conrad. I cannot guess.
Ethelbert. Best ask your lady sister,
Whether the riddle puzzles her beyond
The power of utterance.
Conrad. Foul barbarian, cease;
The Princess faints!
Ludolph. Stab him! , sweetest wife!
[Attendants bear off AURANTHE,
Erminia. Alas!
Ethelbert. Your wife?
Ludolph. Aye, Satan! does that yerk ye?
Ethelbert. Wife! so soon!
Ludolph. Aye, wife! Oh, impudence!
Thou bitter mischief! Venomous mad priest!
How dar'st thou lift those beetle brows at me?
Me the prince Ludolph, in this presence here,
Upon my marriage-day, and scandalize
My joys with such opprobrious surprise? SO
Wife! Why dost linger on that syllable,
As if it were some demon's name pronounc'd
To summon harmful lightning, and make roar
The sleepy thunder? Hast no sense of fear?
No ounce of man in thy mortality?
Tremble! for, at my nod, the sharpen'd axe
Will make thy bold tongue quiver to the roots,
Those grey lids wink, and thou not know it more!
Ethelbert. O, poor deceived Prince! I pity thee!
Great Otho! I claim justice
Ludolph. Thou shalt hav 't!
Thine arms from forth a pulpit of hot fire
Shall sprawl distracted! O that that dull cowl
Were some most sensitive portion of thy life,
That I might give it to my hounds to tear!
Thy girdle some fine zealous-pained nerve
To girth my saddle! And those devil's beads
Each one a life, that I might, every day,
Crush one with Vulcan's hammer!
Otho. Peace, my son;
You far outstrip my spleen in this affair.
Let us be calm, and hear the abbot's plea
For this intrusion.
Ludolph. I am silent, sire.
Otho. Conrad, see all depart not wanted here.
[Exeunt Knights, Ladies, &c.
Ludolph, be calm. Ethelbert, peace awhile.
This mystery demands an audience
Of a just judge, and that will Otho be.
Ludolph. Why has he time to breathe another word?
Otho. Ludolph, old Ethelbert, be sure, comes not
To beard us for no cause ; he's not the man
To cry himself up an ambassador
Without credentials.
Ludolph. Ill chain up myself.
Otho. Old Abbot, stand here forth. Lady Erminia,
Sit. And now, Abbot! what have you to say?
Our ear is open. First we here denounce
Hard penalties against thee, if 't be found
The cause for which you have disturb 'd us here,
Making our bright hours muddy, be a thing
Of little moment.
Ethelbert. See this innocent!
Otho! thou father of the people call'd,
Is her life nothing? Her fair honour nothing?
Her tears from matins until even-song
Nothing? Her burst heart nothing? Emperor!
Is this your gentle niece the simplest flower
Of the world's herbal this fair lilly blanch 'd
Still with the dews of piety, this meek lady
Here sitting like an angel newly-shent,
Who veils its snowy wings and grows all pale,
Is she nothing?
Otho. What more to the purpose, abbot?
Ludolph. Whither is he winding?
Conrad. No clue yet!
Ethelbert. You have heard, my Liege, and so, no
doubt, all here,
Foul, poisonous, malignant whisperings;
Nay open speech, rude mockery grown common,
Against the spotless nature and clear fame
Of the princess Erminia, your niece.
I have intruded here thus suddenly,
Because I hold those base weeds, with tight hand,
Which now disfigure her fair growing stem,
Waiting but for your sign to pull them up
By the dark roots, and leave her palpable,
To all men's sight, a Lady, innocent.
The ignominy of that whisper'd tale
About a midnight gallant, seen to climb
A window to her chamber neighboured near,
I will from her turn off, and put the load
On the right shoulders; on that wretch's head,
Who, by close stratagems, did save herself,
Chiefly by shifting to this lady's room
A rope-ladder for false witness.
Ludolph. Most atrocious!
Otho. Ethelbert, proceed.
Ethelbert. With sad lips I shall:
For in the healing of one wound, I fear
To make a greater. His young highness here
To-day was married.
Ludolph. Good.
Ethelbert. Would it were good!
Yet why do I delay to spread abroad
The names of those two vipers, from whose jaws
A deadly breath went forth to taint and blast
This guileless lady?
Otho. Abbot, speak their names.
Ethelbert. A minute first. It cannot be but may
I ask, great judge, if you to-day have put
A letter by unread?
Otho. Does 'tend in this?
Conrad. Out with their names!
Ethelbert. Bold sinner, say you so?
Ludolph. Out, tedious monk!
Otho. Confess, or by the wheel
Ethelbert. My evidence cannot be far away;
And, though it never come, be on my head
The crime of passing an attaint upon
The slanderers of this virgin.
Ludolph. Speak aloud!
Ethelbert. Auranthe, and her brother there.
Conrad. Amaze!
Ludolph. Throw them from the windows!
Otho. Do what you will!
Ludolph. What shall I do with them?
Something of quick dispatch, for should she hear,
My soft Auranthe, her sweet mercy would
Prevail against my fury. Damned priest!
What swift death wilt thou die? As to the lady
I touch her not.
Ethelbert. Illustrious Otho, stay!
An ample store of misery thou hast,
Choak not the granary of thy noble mind
With more bad bitter grain, too difficult
A cud for the repentance of a man
Grey-growing. To thee only I appeal,
Not to thy noble son, whose yeasting youth
Will clear itself, and crystal turn again.
A young man's heart, by Heaven's blessing, is
A wide world, where a thousand new-born hopes
Empurple fresh the melancholy blood;
But an old man's is narrow, tenantless
Of hopes, and stuffd with many memories,
Which, being pleasant, ease the heavy pulse
Painful, clog up and stagnate. Weigh this matter
Even as a miser balances his coin ;
And, in the name of mercy, give command
That your knight Albert be brought here before you.
He will expound this riddle ; he will show
A noon-day proof of bad Auranthe's guilt.
Otho. Let Albert straight be summon 'd.
[Exit one of the Nobles.
Ludolph. Impossible !
I cannot doubt I will not no to doubt
Is to be ashes! wither 'd up to death!
Otho. My gentle Ludolph, harbour not a fear;
You do yourself much wrong.
Ludolph. O, wretched dolt!
Now, when my foot is almost on thy neck,
Wilt thou infuriate me? Proof! thou fool!
Why wilt thou teaze impossibility
With such a thick-skull'd persevering suit?
Fanatic obstinacy! Prodigy!
Monster of folly! Ghost of a turn'd brain!
You puzzle me, you haunt me, when I dream
Of you my brain will split! Bald sorcerer!
Juggler! May I come near you? On my soul
I know not whether to pity, curse, or laugh.
Enter ALBERT, and the Nobleman.
Here, Albert, this old phantom wants a proof!
Give him his proof! A camel's load of proofs!
Otho. Albert, I speak to you as to a man
Whose words once utter 'd pass like current gold;
And therefore fit to calmly put a close
To this brief tempest. Do you stand possess 'd
Of any proof against the honourableness
Of Lady Auranthe, our new-spoused daughter?
Albert. You chill me with astonishment. How's this?
My Liege, what proof should I have 'gainst a fame
Impossible of slur? [Otho rises.
Erminia. O wickedness!
Ethelbert. Deluded monarch, 'tis a cruel lie.
Otho. Peace, rebel-priest!
Conrad. Insult beyond credence!
Erminia. Almost a dream!
Ludolph. We have awaken'd from
A foolish dream that from my brow hath wrung
A wrathful dew. O folly! why did I
So act the lion with this silly gnat?
Let them depart. Lady Erminia!
I ever griev'd for you, as who did not?
But now you have, with such a brazen front,
So most maliciously, so madly striven
To dazzle the soft moon, when tenderest clouds
Should be unloop'd around to curtain her;
I leave you to the desert of the world
Almost with pleasure. Let them be set free
For me! I take no personal revenge
More than against a nightmare, which a man
forgets in the new dawn.
[Exit LUDOLPH.
Otho. Still in extremes! No, they must not be loose.
Ethelbert. Albert, I must suspect thee of a crime
So fiendish
Otho. Fear'st thou not my fury, monk?
Conrad, be they in your sure custody
Till we determine some fit punishment.
It is so mad a deed, I must reflect
And question them in private ; for perhaps,
By patient scrutiny, we may discover
Whether they merit death, or should be placed
In care of the physicians.
[Exeunt OTHO and Nobles, ALBERT following.
Conrad. My guards, ho!
Erminia. Albert, wilt thou follow there?
Wilt thou creep dastardly behind his back,
And slink away from a weak woman's eye?
Turn, thou court-Janus! thou forget'st thyself;
Here is the Duke, waiting with open arms,
[Enter Guards.
To thank thee; here congratulate each other;
Wring hands; embrace; and swear how lucky 'twas
That I, by happy chance, hit the right man
Of all the world to trust in.
Albert. Trust! to me!
Conrad (aside). He is the sole one in this mystery.
Erminia. Well, I give up, and save my prayers for Heaven!
You, who could do this deed, would ne'er relent,
Though, at my words, the hollow prison-vaults
Would groan for pity.
Conrad. Manacle them both!
Ethelbert. I know itit must be I see it all!
Albert, thou art the minion!
Erminia. Ah ! too plain
Conrad. Silence! Gag up their mouths! I cannot bear
More of this brawling. That the Emperor
Had plac'd you in some other custody!
Bring them away.
[Exeunt all but ALBERT.
Albert. Though my name perish from the book of honour,
Almost before the recent ink is dry,
And be no more remember'd after death,
Than any drummer's in the muster-roll;
Yet shall I season high my sudden fall
With triumph o'er that evil-witted duke!
He shall feel what it is to have the hand
Of a man drowning, on his hateful throat.
Enter GERSA and SIGIFRED.
Gersa. What discord is at ferment in this house?
Sigifred. We are without conjecture; not a soul
We met could answer any certainty.
Gersa. Young Ludolph, like a fiery arrow, shot
By us.
Sigifred. The Emperor, with cross'd arms, in thought.
Gersa. In one room music, in another sadness,
Perplexity every where!
Albert. A trifle more!
Follow; your presences will much avail
To tune our jarred spirits. I'll explain. [Exeunt.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act III
,#NFDB
803:Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron. All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Typhon, and Dolor, and Porphyrion,
With many more, the brawniest in assault,
Were pent in regions of laborious breath;
Dungeon'd in opaque element, to keep
Their clenched teeth still clench'd, and all their limbs
Lock'd up like veins of metal, crampt and screw'd;
Without a motion, save of their big hearts
Heaving in pain, and horribly convuls'd
With sanguine feverous boiling gurge of pulse.
Mnemosyne was straying in the world;
Far from her moon had Phoebe wandered;
And many else were free to roam abroad,
But for the main, here found they covert drear.
Scarce images of life, one here, one there,
Lay vast and edgeways; like a dismal cirque
Of Druid stones, upon a forlorn moor,
When the chill rain begins at shut of eve,
In dull November, and their chancel vault,
The Heaven itself, is blinded throughout night.
Each one kept shroud, nor to his neighbour gave
Or word, or look, or action of despair.
Creus was one; his ponderous iron mace
Lay by him, and a shatter'd rib of rock
Told of his rage, ere he thus sank and pined.
Iapetus another; in his grasp,
A serpent's plashy neck; its barbed tongue
Squeez'd from the gorge, and all its uncurl'd length
Dead: and because the creature could not spit
Its poison in the eyes of conquering Jove.
Next Cottus: prone he lay, chin uppermost,
As though in pain; for still upon the flint
He ground severe his skull, with open mouth
And eyes at horrid working. Nearest him
Asia, born of most enormous Caf,
Who cost her mother Tellus keener pangs,
Though feminine, than any of her sons:
More thought than woe was in her dusky face,
For she was prophesying of her glory;
And in her wide imagination stood
Palm-shaded temples, and high rival fanes
By Oxus or in Ganges' sacred isles.
Even as Hope upon her anchor leans,
So leant she, not so fair, upon a tusk
Shed from the broadest of her elephants.
Above her, on a crag's uneasy shelve,
Upon his elbow rais'd, all prostrate else,
Shadow'd Enceladus; once tame and mild
As grazing ox unworried in the meads;
Now tiger-passion'd, lion-thoughted, wroth,
He meditated, plotted, and even now
Was hurling mountains in that second war,
Not long delay'd, that scar'd the younger Gods
To hide themselves in forms of beast and bird.
Not far hence Atlas; and beside him prone
Phorcus, the sire of Gorgons. Neighbour'd close
Oceanus, and Tethys, in whose lap
Sobb'd Clymene among her tangled hair.
In midst of all lay Themis, at the feet
Of Ops the queen; all clouded round from sight,
No shape distinguishable, more than when
Thick night confounds the pine-tops with the clouds:
And many else whose names may not be told.
For when the Muse's wings are air-ward spread,
Who shall delay her flight? And she must chaunt
Of Saturn, and his guide, who now had climb'd
With damp and slippery footing from a depth
More horrid still. Above a sombre cliff
Their heads appear'd, and up their stature grew
Till on the level height their steps found ease:
Then Thea spread abroad her trembling arms
Upon the precincts of this nest of pain,
And sidelong fix'd her eye on Saturn's face:
There saw she direst strife; the supreme God
At war with all the frailty of grief,
Of rage, of fear, anxiety, revenge,
Remorse, spleen, hope, but most of all despair.
Against these plagues he strove in vain; for Fate
Had pour'd a mortal oil upon his head,
A disanointing poison: so that Thea,
Affrighted, kept her still, and let him pass
First onwards in, among the fallen tribe.
As with us mortal men, the laden heart
Is persecuted more, and fever'd more,
When it is nighing to the mournful house
Where other hearts are sick of the same bruise;
So Saturn, as he walk'd into the midst,
Felt faint, and would have sunk among the rest,
But that he met Enceladus's eye,
Whose mightiness, and awe of him, at once
Came like an inspiration; and he shouted,
"Titans, behold your God!" at which some groan'd;
Some started on their feet; some also shouted;
Some wept, some wail'd, all bow'd with reverence;
And Ops, uplifting her black folded veil,
Show'd her pale cheeks, and all her forehead wan,
Her eye-brows thin and jet, and hollow eyes.
There is a roaring in the bleak-grown pines
When Winter lifts his voice; there is a noise
Among immortals when a God gives sign,
With hushing finger, how he means to load
His tongue with the filll weight of utterless thought,
With thunder, and with music, and with pomp:
Such noise is like the roar of bleak-grown pines;
Which, when it ceases in this mountain'd world,
No other sound succeeds; but ceasing here,
Among these fallen, Saturn's voice therefrom
Grew up like organ, that begins anew
Its strain, when other harmonies, stopt short,
Leave the dinn'd air vibrating silverly.
Thus grew it up-"Not in my own sad breast,
Which is its own great judge and searcher out,
Can I find reason why ye should be thus:
Not in the legends of the first of days,
Studied from that old spirit-leaved book
Which starry Uranus with finger bright
Sav'd from the shores of darkness, when the waves
Low-ebb'd still hid it up in shallow gloom;-
And the which book ye know I ever kept
For my firm-based footstool:-Ah, infirm!
Not there, nor in sign, symbol, or portent
Of element, earth, water, air, and fire,-
At war, at peace, or inter-quarreling
One against one, or two, or three, or all
Each several one against the other three,
As fire with air loud warring when rain-floods
Drown both, and press them both against earth's face,
Where, finding sulphur, a quadruple wrath
Unhinges the poor world;-not in that strife,
Wherefrom I take strange lore, and read it deep,
Can I find reason why ye should be thus:
No, nowhere can unriddle, though I search,
And pore on Nature's universal scroll
Even to swooning, why ye, Divinities,
The first-born of all shap'd and palpable Gods,
Should cower beneath what, in comparison,
Is untremendous might. Yet ye are here,
O'erwhelm'd, and spurn'd, and batter'd, ye are here!
O Titans, shall I say 'Arise!'-Ye groan:
Shall I say 'Crouch!'-Ye groan. What can I then?
O Heaven wide! O unseen parent dear!
What can I? Tell me, all ye brethren Gods,
How we can war, how engine our great wrath!
O speak your counsel now, for Saturn's ear
Is all a-hunger'd. Thou, Oceanus,
Ponderest high and deep; and in thy face
I see, astonied, that severe content
Which comes of thought and musing: give us help!"
So ended Saturn; and the God of the sea,
Sophist and sage, from no Athenian grove,
But cogitation in his watery shades,
Arose, with locks not oozy, and began,
In murmurs, which his first-endeavouring tongue
Caught infant-like from the far-foamed sands.
"O ye, whom wrath consumes! who, passion-stung,
Writhe at defeat, and nurse your agonies!
Shut up your senses, stifle up your ears,
My voice is not a bellows unto ire.
Yet listen, ye who will, whilst I bring proof
How ye, perforce, must be content to stoop:
And in the proof much comfort will I give,
If ye will take that comfort in its truth.
We fall by course of Nature's law, not force
Of thunder, or of Jove. Great Saturn, thou
Hast sifted well the atom-universe;
But for this reason, that thou art the King,
And only blind from sheer supremacy,
One avenue was shaded from thine eyes,
Through which I wandered to eternal truth.
And first, as thou wast not the first of powers,
So art thou not the last; it cannot be:
Thou art not the beginning nor the end.
From Chaos and parental Darkness came
Light, the first fruits of that intestine broil,
That sullen ferment, which for wondrous ends
Was ripening in itself. The ripe hour came,
And with it Light, and Light, engendering
Upon its own producer, forthwith touch'd
The whole enormous matter into life.
Upon that very hour, our parentage,
The Heavens and the Earth, were manifest:
Then thou first born, and we the giant race,
Found ourselves ruling new and beauteous realms.
Now comes the pain of truth, to whom 'tis pain;
O folly! for to bear all naked truths,
And to envisage circumstance, all calm,
That is the top of sovereignty. Mark well!
As Heaven and Earth are fairer, fairer far
Than Chaos and blank Darkness, though once chiefs;
And as we show beyond that Heaven and Earth
In form and shape compact and beautiful,
In will, in action free, companionship,
And thousand other signs of purer life;
So on our heels a fresh perfection treads,
A power more strong in beauty, born of us
And fated to excel us, as we pass
In glory that old Darkness: nor are we
Thereby more conquer'd, than by us the rule
Of shapeless Chaos. Say, doth the dull soil
Quarrel with the proud forests it hath fed,
And feedeth still, more comely than itself?
Can it deny the chiefdom of green groves?
Or shall the tree be envious of the dove
Because it cooeth, and hath snowy wings
To wander wherewithal and find its joys?
We are such forest-trees, and our fair boughs
Have bred forth, not pale solitary doves,
But eagles golden-feather'd, who do tower
Above us in their beauty, and must reign
In right thereof; for 'tis the eternal law
That first in beauty should be first in might:
Yea, by that law, another race may drive
Our conquerors to mourn as we do now.
Have ye beheld the young God of the seas,
My dispossessor? Have ye seen his face?
Have ye beheld his chariot, foam'd along
By noble winged creatures he hath made?
I saw him on the calmed waters scud,
With such a glow of beauty in his eyes,
That it enforc'd me to bid sad farewell
To all my empire: farewell sad I took,
And hither came, to see how dolorous fate
Had wrought upon ye; and how I might best
Give consolation in this woe extreme.
Receive the truth, and let it be your balm."
Whether through pos'd conviction, or disdain,
They guarded silence, when Oceanus
Left murmuring, what deepest thought can tell?
But so it was, none answer'd for a space,
Save one whom none regarded, Clymene;
And yet she answer'd not, only complain'd,
With hectic lips, and eyes up-looking mild,
Thus wording timidly among the fierce:
"O Father! I am here the simplest voice,
And all my knowledge is that joy is gone,
And this thing woe crept in among our hearts,
There to remain for ever, as I fear:
I would not bode of evil, if I thought
So weak a creature could turn off the help
Which by just right should come of mighty Gods;
Yet let me tell my sorrow, let me tell
Of what I heard, and how it made me weep,
And know that we had parted from all hope.
I stood upon a shore, a pleasant shore,
Where a sweet clime was breathed from a land
Of fragrance, quietness, and trees, and flowers.
Full of calm joy it was, as I of grief;
Too full of joy and soft delicious warmth;
So that I felt a movement in my heart
To chide, and to reproach that solitude
With songs of misery, music of our woes;
And sat me down, and took a mouthed shell
And murmur'd into it, and made melody-
O melody no more! for while I sang,
And with poor skill let pass into the breeze
The dull shell's echo, from a bowery strand
Just opposite, an island of the sea,
There came enchantment with the shifting wind,
That did both drown and keep alive my ears.
I threw my shell away upon the sand,
And a wave fill'd it, as my sense was fill'd
With that new blissful golden melody.
A living death was in each gush of sounds,
Each family of rapturous hurried notes,
That fell, one after one, yet all at once,
Like pearl beads dropping sudden from their string:
And then another, then another strain,
Each like a dove leaving its olive perch,
With music wing'd instead of silent plumes,
To hover round my head, and make me sick
Of joy and grief at once. Grief overcame,
And I was stopping up my frantic ears,
When, past all hindrance of my trembling hands,
A voice came sweeter, sweeter than all tune,
And still it cried, 'Apollo! young Apollo!
The morning-bright Apollo! young Apollo!'
I fled, it follow'd me, and cried 'Apollo!'
O Father, and O Brethren, had ye felt
Those pains of mine; O Saturn, hadst thou felt,
Ye would not call this too indulged tongue
Presumptuous, in thus venturing to be heard."
So far her voice flow'd on, like timorous brook
That, lingering along a pebbled coast,
Doth fear to meet the sea: but sea it met,
And shudder'd; for the overwhelming voice
Of huge Enceladus swallow'd it in wrath:
The ponderous syllables, like sullen waves
In the half-glutted hollows of reef-rocks,
Came booming thus, while still upon his arm
He lean'd; not rising, from supreme contempt.
"Or shall we listen to the over-wise,
Or to the over-foolish, Giant-Gods?
Not thunderbolt on thunderbolt, till all
That rebel Jove's whole armoury were spent,
Not world on world upon these shoulders piled,
Could agonize me more than baby-words
In midst of this dethronement horrible.
Speak! roar! shout! yell! ye sleepy Titans all.
Do ye forget the blows, the buffets vile?
Are ye not smitten by a youngling arm?
Dost thou forget, sham Monarch of the waves,
Thy scalding in the seas? What! have I rous'd
Your spleens with so few simple words as these?
O joy! for now I see ye are not lost:
O joy! for now I see a thousand eyes
Wide-glaring for revenge!"-As this he said,
He lifted up his stature vast, and stood,
Still without intermission speaking thus:
"Now ye are flames, I'll tell you how to burn,
And purge the ether of our enemies;
How to feed fierce the crooked stings of fire,
And singe away the swollen clouds of Jove,
Stifling that puny essence in its tent.
O let him feel the evil he hath done;
For though I scorn Oceanus's lore,
Much pain have I for more than loss of realms:
The days of peace and slumbrous calm are fled;
Those days, all innocent of scathing war,
When all the fair Existences of heaven
Carne open-eyed to guess what we would speak:-
That was before our brows were taught to frown,
Before our lips knew else but solemn sounds;
That was before we knew the winged thing,
Victory, might be lost, or might be won.
And be ye mindful that Hyperion,
Our brightest brother, still is undisgraced-
Hyperion, lo! his radiance is here!"
All eyes were on Enceladus's face,
And they beheld, while still Hyperion's name
Flew from his lips up to the vaulted rocks,
A pallid gleam across his features stern:
Not savage, for he saw full many a God
Wroth as himself. He look'd upon them all,
And in each face he saw a gleam of light,
But splendider in Saturn's, whose hoar locks
Shone like the bubbling foam about a keel
When the prow sweeps into a midnight cove.
In pale and silver silence they remain'd,
Till suddenly a splendor, like the morn,
Pervaded all the beetling gloomy steeps,
All the sad spaces of oblivion,
And every gulf, and every chasm old,
And every height, and every sullen depth,
Voiceless, or hoarse with loud tormented streams:
And all the everlasting cataracts,
And all the headlong torrents far and near,
Mantled before in darkness and huge shade,
Now saw the light and made it terrible.
It was Hyperion:-a granite peak
His bright feet touch'd, and there he stay'd to view
The misery his brilliance had betray'd
To the most hateful seeing of itself.
Golden his hair of short Numidian curl,
Regal his shape majestic, a vast shade
In midst of his own brightness, like the bulk
Of Memnon's image at the set of sun
To one who travels from the dusking East:
Sighs, too, as mournful as that Memnon's harp
He utter'd, while his hands contemplative
He press'd together, and in silence stood.
Despondence seiz'd again the fallen Gods
At sight of the dejected King of day,
And many hid their faces from the light:
But fierce Enceladus sent forth his eyes
Among the brotherhood; and, at their glare,
Uprose Iapetus, and Creus too,
And Phorcus, sea-born, and together strode
To where he towered on his eminence.
There those four shouted forth old Saturn's name;
Hyperion from the peak loud answered, "Saturn!"
Saturn sat near the Mother of the Gods,
In whose face was no joy, though all the Gods
Gave from their hollow throats the name of "Saturn!"
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion. Book II
,#NFDB
804:Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.
Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.
It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!-though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:-O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."
As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.-I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.-
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must-it must
Be of ripe progress-Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he snatch'd
Utterance thus.-"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"-That word
Found way unto Olympus, and made quake
The rebel three.-Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.
"This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.
Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;-
Blazing Hyperion on his orbed fire
Still sat, still snuff'd the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he-
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache. His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,-
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came slope upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.
He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.-
Fall!-No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."-
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might. Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,-hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.-Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:-No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire. I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.-This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:-I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:-
But thou canst.-Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.-To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."-
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.
'Lord Houghton records, on the authority of Brown, that "Hyperion" was begun after the death of Tom Keats, when the poet took up his residence at Wentworth Place.
(line 14): It seems to me that the power of realization shown in the first decade, and indeed throughout the fragment, answers all objections to the subject, and is the most absolute security for the nobility of the result which Keats would have achieved had he finished the poem. It is impossible to over-estimate the value of such a landscape, so touched in with a few strokes of titanic meaning and completeness; and the whole sentiment of gigantic despair reflected around the fallen god of the Titan dynasty, and permeating the landscape, is resumed in the most perfect manner in the incident of the motionless fallen leaf, a line almost as intense and full of the essence of poetry as any line in our language. It were ungracious to take exception to the poor Naiad; but she has not the convincing appropriateness of the rest of this sublime opening.'
(line 51): Leigh Hunt's remarks upon Keats's failure to finish the poem are specially appropriate to this passage, "If any living poet could finish this fragment, we believe it is the author himself. But perhaps he feels that he ought not. A story which involves passion, almost of necessity involves speech; and though we may well enough describe beings greater than ourselves by comparison, unfortunately we cannot make them speak by comparison." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion. Book I
,#NFDB
805:SCENE I. A part of the Forest.
Enter CONRAD and AURANTHE.
Auranthe. Go no further; not a step more; thou art
A master-plague in the midst of miseries.
Go I fear thee. I tremble every limb,
Who never shook before. There's moody death
In thy resolved looks Yes, I could kneel
To pray thee far away. Conrad, go, go
There! yonder underneath the boughs I see
Our horses!
Conrad. Aye, and the man.
Auranthe. Yes, he is there.
Go, go, no blood, no blood; go, gentle Conrad!
Conrad. Farewell!
Auranthe. Farewell, for this Heaven pardon you.
[Exit AURANTHE,
Conrad. If he survive one hour, then may I die
In unimagined tortures or breathe through
A long life in the foulest sink of the world!
He dies 'tis well she do not advertise
The caitiff of the cold steel at his back.
[Exit CONRAD.
Enter LUDOLPH and PAGE.
Ludolph. Miss'd the way, boy, say not that on your peril!
Page. Indeed, indeed I cannot trace them further.
Ludolph. Must I stop here? Here solitary die?
Stifled beneath the thick oppressive shade
Of these dull boughs, this oven of dark thickets,
Silent, without revenge? pshaw! bitter end,
A bitter death, a suffocating death,
A gnawing silent deadly, quiet death!
Escaped? fled? vanish'd? melted into air?
She's gone! I cannot clutch her! no revenge!
A muffled death, ensnar'd in horrid silence!
Suck'd to my grave amid a dreamy calm!
O, where is that illustrious noise of war,
To smother up this sound of labouring breath,
This rustle of the trees!
[AURANTHE shrieks at a distance.
Page. My Lord, a noise!
This way hark!
Ludolph. Yes, yes! A hope! A music!
A glorious clamour! How I live again! [Exeunt.
SCENE II. Another part of the Forest,
Enter ALBERT (wounded).
Albert. O for enough life to support me on
To Otho's feet
Enter LUDOLPH.
Ludolph. Thrice villainous, stay there
Tell me where that detested woman is
Or this is through thee!
Albert. My good Prince, with me
The sword has done its worst; not without worst
Done to another Conrad has it home
I see you know it all
Ludolph. Where is his sister?
AURANTHE rushes in.
Auranthe. Albert!
Ludolph. Ha! There! there! He is the paramour I
There hug him dying! O, thou innocence,
Shrine him and comfort him at his last gasp,
Kiss down his eyelids! Was he not thy love?
Wilt thou forsake him at his latest hour?
Keep fearful and aloof from his last gaze,
His most uneasy moments, when cold death
Stands with the door ajar to let him in?
Albert. O that that door with hollow slam would close
Upon me sudden, for I cannot meet,
In all the unknown chambers of the dead,
Such horrors
Ludolph. Auranthe! what can he mean?
What horrors? Is it not a joyous time?
Am I not married to a paragon
"Of personal beauty and untainted soul"?
A blushing fair-eyed Purity! A Sylph,
Whose snowy timid hand has never sin'd
Beyond a flower pluck'd, white as itself?
Albert, you do insult my Bride your Mistress
To talk of horrors on our wedding night.
Albert. Alas! poor Prince, I would you knew my heart.
'Tis not so guilty
Ludolph. Hear you he pleads not guilty
You are not? or if so what matters it?
You have escap'd me, free as the dusk air
Hid in the forest safe from my revenge;
I cannot catch you--You should laugh at me,
Poor cheated Ludolph, make the forest hiss
With jeers at me You tremble; faint at once,
You will come to again. O Cockatrice,
I have you. Whither wander those fair eyes
To entice the Devil to your help, that he
May change you to a Spider, so to crawl
Into some cranny to escape my wrath?
Albert. Sometimes the counsel of a dying man
Doth operate quietly when his breath is gone
Disjoin those hands part--part, do not destroy
Each other forget her our miseries
Are equal shar'd, and mercy is
Ludolph. A boon
When one can compass it. Auranthe, try
Your oratory your breath is not so hitch'd
Aye, stare for help
[ALBERT groans and dies.
There goes a spotted soul
Howling in vain along the hollow night
Hear him he calls you Sweet Auranthe, come!
Auranthe. Kill me.
Ludolph. No! What? upon our Marriage-night!
The earth would shudder at so foul a deed
A fair Bride, a sweet Bride, an innocent Bride!
No, we must revel it, as 'tis in use
In times of delicate brilliant ceremony:
Come, let me lead you to our halls again
Nay, linger not make no resistance sweet
Will you Ah wretch, thou canst not, for I have
The strength of twenty lions 'gainst a lamb
Now one adieu for Albert come away.
[Exeunt.
SCENE III. An inner Court of the Castle.
Enter SIGIFRED, GONFRED, and THEODORE meeting.
Theodore. Was ever such a night?
Sigifred. What horrors more?
Things unbeliev'd one hour, so strange they are,
The next hour stamps with credit.
Theodore. Your last news ?
Gonfred. After the Page's story of the death
Of Albert and Duke Conrad?
Sigifred. And the return
Of Ludolph with the Princess.
Gonfred. No more save
Prince Gersa's freeing Abbot Ethelbert,
And the sweet lady, fair Erminia,
From prison.
Theodore. Where are they now? hast yet heard?
Gonfred. With the sad Emperor they are closeted ;
I saw the three pass slowly up the stairs,
The lady weeping, the old Abbot cowl'd.
Sigifred. What next?
Thedore. I ache to think on't.
Gonfred. Tis with fate.
Theodore. One while these proud towers are hush'd as death.
Gonfred. The next our poor Prince fills the arched rooms
With ghastly ravings.
Sigifred. I do fear his brain.
Gonfred. I will see more. Bear you so stout a heart?
[Exeunt into the Castle.
SCENE IV. A Cabinet, opening towards a Terrace.
OTHO, ERMINIA, ETHELBERT, and a Physician, discovered.
Otho. O, my poor Boy! my Son! my Son! My Ludolph!
Have ye no comfort for me, ye Physicians
Of the weak Body and Soul?
Ethelbert. Tis not the Medicine
Either of heaven or earth can cure unless
Fit time be chosen to administer
Otho. A kind forbearance, holy Abbot come
Erminia, here sit by me, gentle Girl;
Give me thy hand hast thou forgiven me?
Erminia. Would I were with the saints to pray for you!
Otho. Why will ye keep me from my darling child?
Physician. Forgive me, but he must not see thy face
Otho. Is then a father's countenance a Gorgon?
Hath it not comfort in it? Would it not
Console my poor Boy, cheer him, heal his spirits?
Let me embrace him, let me speak to him
I will who hinders me? Who's Emperor?
Physician. You may not, Sire 'twould overwhelm him quite,
He is so full of grief and passionate wrath,
Too heavy a sigh would kill him or do worse.
He must be sav'd by fine contrivances
And most especially we must keep clear
Out of his sight a Father whom he loves
His heart is full, it can contain no more,
And do its ruddy office.
Ethelbert. Sage advice;
We must endeavour how to ease and slacken
The tight-wound energies of his despair,
Not make them tenser
Otho. Enough! I hear, I hear.
Yet you were about to advise more I listen.
Ethelbert. This learned doctor will agree with me,
That not in the smallest point should he be thwarted
Or gainsaid by one word his very motions,
Nods, becks and hints, should be obey'd with care,
Even on the moment: so his troubled mind
May cure itself
Physician. There is no other means.
Otho. Open the door: let's hear if all is quiet
Physician. Beseech you, Sire, forbear.
Erminia. Do, do.
Otho. I command!
Open it straight hush! quiet my lost Boy!
My miserable Child!
Ludolph (indistinctly without). Fill, fill my goblet,
Here's a health!
Erminia. O, close the door!
Otho. Let, let me hear his voice; this cannot last
And fain would I catch up his dying words
Though my own knell they be this cannot last
O let me catch his voice for lo! I hear
This silence whisper me that he is dead!
It is so. Gersa?
Enter GERSA.
Physician. Say, how fares the prince?
Gersa. More calm his features are less wild and flushed
Once he complain'd of weariness
Physician. Indeed!
'Tis good 'tis good let him but fall asleep,
That saves him.
Otho. Gersa, watch him like a child
Ward him from harm and bring me better news
Physician. Humour him to the height. I fear to go;
For should he catch a glimpse of my dull garb,
It might affright him fill him with suspicion
That we believe him sick, which must not be
Gersa. I will invent what soothing means I can.
[Exit GERSA.
Physician. This should cheer up your Highness weariness
Is a good symptom, and most favourable
It gives me pleasant hopes. Please you walk forth
Onto the Terrace; the refreshing air
Will blow one half of your sad doubts away.
[Exeunt.
SCENE V. A Banqueting Hall, brilliantly illuminated, and set forth
with all costly magnificence, with Supper-tables, laden with services
of Gold and Silver. A door in the back scene, guarded by two Soldiers.
Lords, Ladies, Knights, Gentlemen, &c., whispering sadly,
and ranging themselves; part entering and part discovered.
First Knight. Grievously are we tantaliz'd, one and all
Sway'd here and there, commanded to and fro
As though we were the shadows of a dream
And link'd to a sleeping fancy. What do we here?
Gonfred. I am no Seer you know we must obey
The prince from A to Z though it should be
To set the place in flames. I pray hast heard
Where the most wicked Princess is?
First Knight. There, Sir,
In the next room have you remark'd those two
Stout soldiers posted at the door?
Gonfred. For what?
[They whisper.
First Lady. How ghast a train!
Second Lady. Sure this should be some splendid burial.
First Lady. What fearful whispering! See, see, Gersa there.
Enter GERSA.
Gersa. Put on your brightest looks; smile if you can;
Behave as all were happy; keep your eyes
From the least watch upon him ;
if he speaks
To any one, answer collectedly,
Without surprise, his questions, howe'er strange.
Do this to the utmost, though, alas! with me
The remedy grows hopeless! Here he comes,
Observe what I have said, show no surprise.
Enter LUDOLPH, followed by SIGIFRED and Page.
Ludolph. A splendid company! rare beauties here!
I should have Orphean lips, and Plato's fancy,
Amphion's utterance, toned with his lyre,
Or the deep key of Jove's sonorous mouth,
To give fit salutation. Methought I heard,
As I came in, some whispers, what of that?
'Tis natural men should whisper; at the kiss
Of Psyche given by Love, there was a buzz
Among the gods! and silence is as natural.
These draperies are fine, and, being a mortal,
I should desire no better; yet, in truth,
There must be some superiour costliness,
Some wider-domed high magnificence!
I would have, as a mortal I may not,
Hanging of heaven's clouds, purple and gold,
Slung from the spheres; gauzes of silver mist,
Loop'd up with cords of twisted wreathed light,
And tassell'd round with weeping meteors!
These pendent lamps and chandeliers are bright
As earthly fires from dull dross can be cleansed;
Yet could my eyes drink up intenser beams
Undazzled, this is darkness, when I close
These lids, I see far fiercer brilliances,
Skies full of splendid moons, and shooting stars,
And spouting exhalations, diamond fires,
And panting fountains quivering with deep glows!
Yes this is dark is it not dark?
Sigifred. My Lord,
'Tis late; the lights of festival are ever
Quench'd in the morn.
Ludolph. 'Tis not to-morrow then?
Sigifred. Tis early dawn.
Gersa. Indeed full time we slept;
Say you so, Prince?
Ludolph. I say I quarreled with you ; We did not tilt each other, that's a blessing,
Good gods! no innocent blood upon my head!
Sigifred. Retire, Gersa!
Ludolph. There should be three more here:
For two of them, they stay away perhaps,
Being gloomy-minded, haters of fair revels,
They know their own thoughts best.
As for the third,
Deep blue eyes semi-shaded in white lids,
Finished with lashes fine for more soft shade,
Completed by her twin-arch'd ebon brows
White temples of exactest elegance,
Of even mould felicitous and smooth
Cheeks fashioned tenderly on either side,
So perfect, so divine that our poor eyes
Are dazzled with the sweet proportioning,
And wonder that 'tis so, the magic chance!
Her nostrils, small, fragrant, faery-delicate;
Her lips -I swear no human bones e'er wore
So taking a disguise you shall behold her!
We'll have her presently; aye, you shall see her,
And wonder at her, friends, she is so fair
She is the world's chief Jewel, and by heaven
She's mine by right of marriage she is mine!
Patience, good people, in fit time I send
A Summoner she will obey my call,
Being a wife most mild and dutiful.
First I would hear what music is prepared
To herald and receive her let me hear!
Sigifred. Bid the musicians soothe him tenderly.
[A soft strain of Music.
Ludolph. Ye have none better no I am content;
'Tis a rich sobbing melody, with reliefs
Full and majestic; it is well enough,
And will be sweeter, when ye see her pace
Sweeping into this presence, glisten'd o'er
With emptied caskets, and her train upheld
By ladies, habited in robes of lawn,
Sprinkled with golden crescents; (others bright
In silks, with spangles shower'd,) and bow'd to
By Duchesses and pearled Margravines
Sad, that the fairest creature of the earth
I pray you mind me not 'tis sad, I say,
That the extremest beauty of the world
Should so entrench herself away from me,
Behind a barrier of engender 'd guilt!
Second Lady. Ah! what a moan!
First Knight. Most piteous indeed!
Ludolph. She shall be brought before this company,
And then then
First Lady. He muses.
Gersa. O, Fortune, where will this end?
Sigifred. I guess his purpose! Indeed he must not have
That pestilence brought in, that cannot be,
There we must stop him.
Gersa. I am lost! Hush, hushl
He is about to rave again.
Ludolph. A barrier of guilt! I was the fool.
She was the cheater! Who's the cheater now,
And who the fool? The entrapp'd, the caged fool,
The bird-limy raven? She shall croak to death
Secure! Methinks I have her in my fist,
To crush her with my heel! Wait, wait! I marvel
My father keeps away: good friend, ah! Sigifred!
Do bring him to me and Erminia
I fain would see before I sleep and Ethelbert,
That he may bless me, as I know he will
Though I have curs'd him.
Sigifred. Rather suffer me
To lead you to them
Ludolph. No, excuse me, no
The day is not quite done go bring them hither.
[Exit SIGIFRED.
Certes, a father's smile should, like sunlight,,
Slant on my sheafed harvest of ripe bliss
Besides, I thirst to pledge my lovely Bride
In a deep goblet: let me see what wine?
The strong Iberian juice, or mellow Greek?
Or pale Calabrian? Or the Tuscan grape?
Or of old tna's pulpy wine presses,
Black stain'd with the fat vintage, as it were
The purple slaughter-house, where Bacchus' self
Prick'd his own swollen veins? Where is my Page?
Page. Here, here!
Ludolph. Be ready to obey me; anon thou shalt
Bear a soft message for me for the hour
Draws near when I must make a winding up
Of bridal Mysteries a fine-spun vengeance!
Carve it on my Tomb, that when I rest beneath
Men shall confess This Prince was gulled and cheated,
But from the ashes of disgrace he rose
More than a fiery Phoenix and did burn
His ignominy up in purging fires
Did I not send, Sir, but a moment past,
For my Father?
Gersa. You did.
Ludolph. Perhaps 'twould be
Much better he came not.
Gersa. He enters now!
Enter OTHO, ERMINIA, ETHELBERT, SIGIFRED, and Physician.
Ludolph. O thou good Man, against whose sacred head
I was a mad conspirator, chiefly too
For the sake of my fair newly wedded wife,
Now to be punish'd, do not look so sad!
Those charitable eyes will thaw my heart,
Those tears will wash away a just resolve,
A verdict ten times sworn! Awake awake
Put on a judge's brow, and use a tongue
Made iron-stern by habit! Thou shalt see
A deed to be applauded, 'scribed in gold!
Join a loud voice to mine, and so denounce
What I alone will execute!
Otho. Dear son,
What is it? By your father's love, I sue
That it be nothing merciless!
Ludolph. To that demon?
Not so! No! She is in temple-stall
Being garnish'd for the sacrifice, and I,
The Priest of Justice, will immolate her
Upon the altar of wrath! She stings me through!-
Even as the worm doth feed upon the nut,
So she, a scorpion, preys upon my brain!
I feel her gnawing here! Let her but vanish,
Then, father, I will lead your legions forth,
Compact in steeled squares, and speared files,
And bid our trumpets speak a fell rebuke
To nations drows'd in peace!
Otho. To-morrow, Son,
Be your word law forget to-day
Ludolph. I will
When I have finish 'd it now! now! I'm pight,
Tight-footed for the deed!
Erminia. Alas! Alas!
Ludolph. What Angels voice is that? Erminia!
Ah! gentlest creature, whose sweet innocence
Was almost murder'd; I am penitent,
Wilt thou forgive me? And thou, holy Man,
Good Ethelbert, shall I die in peace with you?
Erminia. Die, my lord!
Ludolph. I feel it possible.
Otho. Physician?
Physician. I fear me he is past my skill.
Otho. Not so!
Ludolph. I see it, I see it I have been wandering
Half-mad not right here I forget my purpose.
Bestir, bestir, Auranthe! ha! ha! ha!
Youngster! Page! go bid them drag her to me!
Obey! This shall finish it! [Draws a dagger.
Otho. O my Son! my Son!
Sigifred. This must not be stop there!
Ludolph. Am I obey'd?
A little talk with her no harm haste ! haste !
[Exit Page.
Set her before me never fear I can strike.
Several Voices. My Lord! My Lord!
Gersa. Good Prince!
Ludolph. Why do ye trouble me? out-out-out away!
There she is! take that! and that! no, no-
That's not well done Where is she?
The doors open. Enter Page. Several women are seen grouped
about AURANTHE in the inner room.
Page. Alas! My Lord, my Lord! they cannot move her!
Her arms are stiff, her fingers clench'd and cold
Ludolph. She's dead!
[Staggers and jails into their arms.
Ethelbert. Take away the dagger.
Gersa. Softly; so!
Otho. Thank God for that!
Sigifred. I fear it could not harm him.
Gersa. No! brief be his anguish!
Ludolph. She's gone I am content Nobles, good night!
We are all weary faint set ope the doors
I will to bed! To-morrow [Dies.
THE CURTAIN FALLS.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act V
,#NFDB
806:Upon a time, before the faery broods
Drove Nymph and Satyr from the prosperous woods,
Before King Oberon's bright diadem,
Sceptre, and mantle, clasp'd with dewy gem,
Frighted away the Dryads and the Fauns
From rushes green, and brakes, and cowslip'd lawns,
The ever-smitten Hermes empty left
His golden throne, bent warm on amorous theft:
From high Olympus had he stolen light,
On this side of Jove's clouds, to escape the sight
Of his great summoner, and made retreat
Into a forest on the shores of Crete.
For somewhere in that sacred island dwelt
A nymph, to whom all hoofed Satyrs knelt;
At whose white feet the languid Tritons poured
Pearls, while on land they witherd and adored.
Fast by the springs where she to bathe was wont,
And in those meads where sometime she might haunt,
Were strewn rich gifts, unknown to any Muse,
Though Fancys casket were unlockd to choose.
Ah, what a world of love was at her feet!
So Hermes thought, and a celestial heat
Burnt from his winged heels to either ear,
That from a whiteness, as the lily clear,
Blushd into roses mid his golden hair,
Fallen in jealous curls about his shoulders bare.
From vale to vale, from wood to wood, he flew,
Breathing upon the flowers his passion new,
And wound with many a river to its head,
To find where this sweet nymph prepard her secret bed:
In vain; the sweet nymph might nowhere be found,
And so he rested, on the lonely ground,
Pensive, and full of painful jealousies
Of the Wood-Gods, and even the very trees.
There as he stood, he heard a mournful voice,
Such as once heard, in gentle heart, destroys
All pain but pity: thus the lone voice spake:
When from this wreathed tomb shall I awake!
When move in a sweet body fit for life,
And love, and pleasure, and the ruddy strife
Of hearts and lips! Ah, miserable me!
The God, dove-footed, glided silently
Round bush and tree, soft-brushing, in his speed,
The taller grasses and full-flowering weed,
Until he found a palpitating snake,
Bright, and cirque-couchant in a dusky brake.
She was a gordian shape of dazzling hue,
Vermilion-spotted, golden, green, and blue;
Striped like a zebra, freckled like a pard,
Eyed like a peacock, and all crimson barrd;
And full of silver moons, that, as she breathed,
Dissolvd, or brighter shone, or interwreathed
Their lustres with the gloomier tapestries
So rainbow-sided, touchd with miseries,
She seemd, at once, some penanced lady elf,
Some demons mistress, or the demons self.
Upon her crest she wore a wannish fire
Sprinkled with stars, like Ariadnes tiar:
Her head was serpent, but ah, bitter-sweet!
She had a womans mouth with all its pearls complete:
And for her eyes: what could such eyes do there
But weep, and weep, that they were born so fair?
As Proserpine still weeps for her Sicilian air.
Her throat was serpent, but the words she spake
Came, as through bubbling honey, for Loves sake,
And thus; while Hermes on his pinions lay,
Like a stoopd falcon ere he takes his prey.
Fair Hermes, crownd with feathers, fluttering light,
I had a splendid dream of thee last night:
I saw thee sitting, on a throne of gold,
Among the Gods, upon Olympus old,
The only sad one; for thou didst not hear
The soft, lute-fingerd Muses chaunting clear,
Nor even Apollo when he sang alone,
Deaf to his throbbing throats long, long melodious moan.
I dreamt I saw thee, robed in purple flakes,
Break amorous through the clouds, as morning breaks,
And, swiftly as a bright Phoebean dart,
Strike for the Cretan isle; and here thou art!
Too gentle Hermes, hast thou found the maid?
Whereat the star of Lethe not delayd
His rosy eloquence, and thus inquired:
Thou smooth-lippd serpent, surely high inspired!
Thou beauteous wreath, with melancholy eyes,
Possess whatever bliss thou canst devise,
Telling me only where my nymph is fled,
Where she doth breathe! Bright planet, thou hast said,
Returnd the snake, but seal with oaths, fair God!
I swear, said Hermes, by my serpent rod,
And by thine eyes, and by thy starry crown!
Light flew his earnest words, among the blossoms blown.
Then thus again the brilliance feminine:
Too frail of heart! for this lost nymph of thine,
Free as the air, invisibly, she strays
About these thornless wilds; her pleasant days
She tastes unseen; unseen her nimble feet
Leave traces in the grass and flowers sweet;
From weary tendrils, and bowd branches green,
She plucks the fruit unseen, she bathes unseen:
And by my power is her beauty veild
To keep it unaffronted, unassaild
By the love-glances of unlovely eyes,
Of Satyrs, Fauns, and bleard Silenus sighs.
Pale grew her immortality, for woe
Of all these lovers, and she grieved so
I took compassion on her, bade her steep
Her hair in weird syrops, that would keep
Her loveliness invisible, yet free
To wander as she loves, in liberty.
Thou shalt behold her, Hermes, thou alone,
If thou wilt, as thou swearest, grant my boon!
Then, once again, the charmed God began
An oath, and through the serpents ears it ran
Warm, tremulous, devout, psalterian.
Ravishd, she lifted her Circean head,
Blushd a live damask, and swift-lisping said,
I was a woman, let me have once more
A womans shape, and charming as before.
I love a youth of CorinthO the bliss!
Give me my womans form, and place me where he is.
Stoop, Hermes, let me breathe upon thy brow,
And thou shalt see thy sweet nymph even now.
The God on half-shut feathers sank serene,
She breathd upon his eyes, and swift was seen
Of both the guarded nymph near-smiling on the green.
It was no dream; or say a dream it was,
Real are the dreams of Gods, and smoothly pass
Their pleasures in a long immortal dream.
One warm, flushd moment, hovering, it might seem
Dashd by the wood-nymphs beauty, so he burnd;
Then, lighting on the printless verdure, turnd
To the swoond serpent, and with languid arm,
Delicate, put to proof the lythe Caducean charm.
So done, upon the nymph his eyes he bent,
Full of adoring tears and blandishment,
And towards her stept: she, like a moon in wane,
Faded before him, cowerd, nor could restrain
Her fearful sobs, self-folding like a flower
That faints into itself at evening hour:
But the God fostering her chilled hand,
She felt the warmth, her eyelids opend bland,
And, like new flowers at morning song of bees,
Bloomd, and gave up her honey to the lees.
Into the green-recessed woods they flew;
Nor grew they pale, as mortal lovers do.
Left to herself, the serpent now began
To change; her elfin blood in madness ran,
Her mouth foamd, and the grass, therewith besprent,
Witherd at dew so sweet and virulent;
Her eyes in torture fixd, and anguish drear,
Hot, glazd, and wide, with lid-lashes all sear,
Flashd phosphor and sharp sparks, without one cooling tear.
The colours all inflamd throughout her train,
She writhd about, convulsd with scarlet pain:
A deep volcanian yellow took the place
Of all her milder-mooned bodys grace;
And, as the lava ravishes the mead,
Spoilt all her silver mail, and golden brede;
Made gloom of all her frecklings, streaks and bars,
Eclipsd her crescents, and lickd up her stars:
So that, in moments few, she was undrest
Of all her sapphires, greens, and amethyst,
And rubious-argent: of all these bereft,
Nothing but pain and ugliness were left.
Still shone her crown; that vanishd, also she
Melted and disappeard as suddenly;
And in the air, her new voice luting soft,
Cried, Lycius! gentle Lycius!Borne aloft
With the bright mists about the mountains hoar
These words dissolvd: Cretes forests heard no more.
Whither fled Lamia, now a lady bright,
A full-born beauty new and exquisite?
She fled into that valley they pass oer
Who go to Corinth from Cenchreas shore;
And rested at the foot of those wild hills,
The rugged founts of the Peraean rills,
And of that other ridge whose barren back
Stretches, with all its mist and cloudy rack,
South-westward to Cleone. There she stood
About a young birds flutter from a wood,
Fair, on a sloping green of mossy tread,
By a clear pool, wherein she passioned
To see herself escapd from so sore ills,
While her robes flaunted with the daffodils.
Ah, happy Lycius!for she was a maid
More beautiful than ever twisted braid,
Or sighd, or blushd, or on spring-flowered lea
Spread a green kirtle to the minstrelsy:
A virgin purest lippd, yet in the lore
Of love deep learned to the red hearts core:
Not one hour old, yet of sciential brain
To unperplex bliss from its neighbour pain;
Define their pettish limits, and estrange
Their points of contact, and swift counterchange;
Intrigue with the specious chaos, and dispart
Its most ambiguous atoms with sure art;
As though in Cupids college she had spent
Sweet days a lovely graduate, still unshent,
And kept his rosy terms in idle languishment.
Why this fair creature chose so fairily
By the wayside to linger, we shall see;
But first tis fit to tell how she could muse
And dream, when in the serpent prison-house,
Of all she list, strange or magnificent:
How, ever, where she willd, her spirit went;
Whether to faint Elysium, or where
Down through tress-lifting waves the Nereids fair
Wind into Thetis bower by many a pearly stair;
Or where God Bacchus drains his cups divine,
Stretchd out, at ease, beneath a glutinous pine;
Or where in Plutos gardens palatine
Mulcibers columns gleam in far piazzian line.
And sometimes into cities she would send
Her dream, with feast and rioting to blend;
And once, while among mortals dreaming thus,
She saw the young Corinthian Lycius
Charioting foremost in the envious race,
Like a young Jove with calm uneager face,
And fell into a swooning love of him.
Now on the moth-time of that evening dim
He would return that way, as well she knew,
To Corinth from the shore; for freshly blew
The eastern soft wind, and his galley now
Grated the quaystones with her brazen prow
In port Cenchreas, from Egina isle
Fresh anchord; whither he had been awhile
To sacrifice to Jove, whose temple there
Waits with high marble doors for blood and incense rare.
Jove heard his vows, and betterd his desire;
For by some freakful chance he made retire
From his companions, and set forth to walk,
Perhaps grown wearied of their Corinth talk:
Over the solitary hills he fared,
Thoughtless at first, but ere eves star appeared
His phantasy was lost, where reason fades,
In the calmd twilight of Platonic shades.
Lamia beheld him coming, near, more near
Close to her passing, in indifference drear,
His silent sandals swept the mossy green;
So neighbourd to him, and yet so unseen
She stood: he passd, shut up in mysteries,
His mind wrappd like his mantle, while her eyes
Followd his steps, and her neck regal white
Turndsyllabling thus, Ah, Lycius bright,
And will you leave me on the hills alone?
Lycius, look back! and be some pity shown.
He did; not with cold wonder fearingly,
But Orpheus-like at an Eurydice;
For so delicious were the words she sung,
It seemd he had lovd them a whole summer long:
And soon his eyes had drunk her beauty up,
Leaving no drop in the bewildering cup,
And still the cup was full,while he afraid
Lest she should vanish ere his lip had paid
Due adoration, thus began to adore;
Her soft look growing coy, she saw his chain so sure:
Leave thee alone! Look back! Ah, Goddess, see
Whether my eyes can ever turn from thee!
For pity do not this sad heart belie
Even as thou vanishest so I shall die.
Stay! though a Naiad of the rivers, stay!
To thy far wishes will thy streams obey:
Stay! though the greenest woods be thy domain,
Alone they can drink up the morning rain:
Though a descended Pleiad, will not one
Of thine harmonious sisters keep in tune
Thy spheres, and as thy silver proxy shine?
So sweetly to these ravishd ears of mine
Came thy sweet greeting, that if thou shouldst fade
Thy memory will waste me to a shade:
For pity do not melt!If I should stay,
Said Lamia, here, upon this floor of clay,
And pain my steps upon these flowers too rough,
What canst thou say or do of charm enough
To dull the nice remembrance of my home?
Thou canst not ask me with thee here to roam
Over these hills and vales, where no joy is,
Empty of immortality and bliss!
Thou art a scholar, Lycius, and must know
That finer spirits cannot breathe below
In human climes, and live: Alas! poor youth,
What taste of purer air hast thou to soothe
My essence? What serener palaces,
Where I may all my many senses please,
And by mysterious sleights a hundred thirsts appease?
It cannot beAdieu! So said, she rose
Tiptoe with white arms spread. He, sick to lose
The amorous promise of her lone complain,
Swoond, murmuring of love, and pale with pain.
The cruel lady, without any show
Of sorrow for her tender favourites woe,
But rather, if her eyes could brighter be,
With brighter eyes and slow amenity,
Put her new lips to his, and gave afresh
The life she had so tangled in her mesh:
And as he from one trance was wakening
Into another, she began to sing,
Happy in beauty, life, and love, and every thing,
A song of love, too sweet for earthly lyres,
While, like held breath, the stars drew in their panting fires
And then she whisperd in such trembling tone,
As those who, safe together met alone
For the first time through many anguishd days,
Use other speech than looks; bidding him raise
His drooping head, and clear his soul of doubt,
For that she was a woman, and without
Any more subtle fluid in her veins
Than throbbing blood, and that the self-same pains
Inhabited her frail-strung heart as his.
And next she wonderd how his eyes could miss
Her face so long in Corinth, where, she said,
She dwelt but half retird, and there had led
Days happy as the gold coin could invent
Without the aid of love; yet in content
Till she saw him, as once she passd him by,
Where gainst a column he leant thoughtfully
At Venus temple porch, mid baskets heapd
Of amorous herbs and flowers, newly reapd
Late on that eve, as twas the night before
The Adonian feast; whereof she saw no more,
But wept alone those days, for why should she adore?
Lycius from death awoke into amaze,
To see her still, and singing so sweet lays;
Then from amaze into delight he fell
To hear her whisper womans lore so well;
And every word she spake enticd him on
To unperplexd delight and pleasure known.
Let the mad poets say whateer they please
Of the sweets of Fairies, Peris, Goddesses,
There is not such a treat among them all,
Haunters of cavern, lake, and waterfall,
As a real woman, lineal indeed
From Pyrrhas pebbles or old Adams seed.
Thus gentle Lamia judgd, and judgd aright,
That Lycius could not love in half a fright,
So threw the goddess off, and won his heart
More pleasantly by playing womans part,
With no more awe than what her beauty gave,
That, while it smote, still guaranteed to save.
Lycius to all made eloquent reply,
Marrying to every word a twinborn sigh;
And last, pointing to Corinth, askd her sweet,
If twas too far that night for her soft feet.
The way was short, for Lamias eagerness
Made, by a spell, the triple league decrease
To a few paces; not at all surmised
By blinded Lycius, so in her comprized.
They passd the city gates, he knew not how
So noiseless, and he never thought to know.
As men talk in a dream, so Corinth all,
Throughout her palaces imperial,
And all her populous streets and temples lewd,
Mutterd, like tempest in the distance brewd,
To the wide-spreaded night above her towers.
Men, women, rich and poor, in the cool hours,
Shuffled their sandals oer the pavement white,
Companiond or alone; while many a light
Flared, here and there, from wealthy festivals,
And threw their moving shadows on the walls,
Or found them clusterd in the corniced shade
Of some archd temple door, or dusky colonnade.
Muffling his face, of greeting friends in fear,
Her fingers he pressd hard, as one came near
With curld gray beard, sharp eyes, and smooth bald crown,
Slow-steppd, and robed in philosophic gown:
Lycius shrank closer, as they met and past,
Into his mantle, adding wings to haste,
While hurried Lamia trembled: Ah, said he,
Why do you shudder, love, so ruefully?
Why does your tender palm dissolve in dew?
Im wearied, said fair Lamia: tell me who
Is that old man? I cannot bring to mind
His features:Lycius! wherefore did you blind
Yourself from his quick eyes? Lycius replied,
Tis Apollonius sage, my trusty guide
And good instructor; but to-night he seems
The ghost of folly haunting my sweet dreams.
While yet he spake they had arrived before
A pillar'd porch, with lofty portal door,
Where hung a silver lamp, whose phosphor glow
Reflected in the slabbed steps below,
Mild as a star in water; for so new,
And so unsullied was the marble hue,
So through the crystal polish, liquid fine,
Ran the dark veins, that none but feet divine
Could e'er have touch'd there. Sounds Aeolian
Breath'd from the hinges, as the ample span
Of the wide doors disclos'd a place unknown
Some time to any, but those two alone,
And a few Persian mutes, who that same year
Were seen about the markets: none knew where
They could inhabit; the most curious
Were foil'd, who watch'd to trace them to their house:
And but the flitter-winged verse must tell,
For truth's sake, what woe afterwards befel,
'Twould humour many a heart to leave them thus,
Shut from the busy world of more incredulous.
(line 48): Originally, "Cerulean-spotted." Leigh Hunt says of this passage, "The admiration, pity, and horror, to be excited by humanity in a brute shape, were never perhaps called upon by a greater mixture of beauty and deformity than in the picture of this creature. Our pity and suspicions are begged by the first word: the profuse and vital beauties with which she is covered seem proportioned to her misery and natural rights; and lest we should lose sight of them in this gorgeousness, the 'woman's mouth' fills us at once with shuddering and compassion."
(line 158): The manuscript reads "vulcanian," the first edition "volcanian." It seems to me more likely that the manuscript accords with the poet's intention than that printed text does, for this old orthography is the more characteristic of the vocabulary of this particular poem, as introducing the more conspicuously the mythic personal origin of the common noun "volcano" or "vulcano."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Lamia. Part I
,#NFDB
807:I.
St. Agnes' Eve--Ah, bitter chill it was!
The owl, for all his feathers, was a-cold;
The hare limp'd trembling through the frozen grass,
And silent was the flock in woolly fold:
Numb were the Beadsman's fingers, while he told
His rosary, and while his frosted breath,
Like pious incense from a censer old,
Seem'd taking flight for heaven, without a death,
Past the sweet Virgin's picture, while his prayer he saith.
II.
His prayer he saith, this patient, holy man;
Then takes his lamp, and riseth from his knees,
And back returneth, meagre, barefoot, wan,
Along the chapel aisle by slow degrees:
The sculptur'd dead, on each side, seem to freeze,
Emprison'd in black, purgatorial rails:
Knights, ladies, praying in dumb orat'ries,
He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.
III.
Northward he turneth through a little door,
And scarce three steps, ere Music's golden tongue
Flatter'd to tears this aged man and poor;
But no--already had his deathbell rung
The joys of all his life were said and sung:
His was harsh penance on St. Agnes' Eve:
Another way he went, and soon among
Rough ashes sat he for his soul's reprieve,
And all night kept awake, for sinners' sake to grieve.
IV.
That ancient Beadsman heard the prelude soft;
And so it chanc'd, for many a door was wide,
From hurry to and fro. Soon, up aloft,
The silver, snarling trumpets 'gan to chide:
The level chambers, ready with their pride,
Were glowing to receive a thousand guests:
The carved angels, ever eager-eyed,
Star'd, where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their breasts.
V.
At length burst in the argent revelry,
With plume, tiara, and all rich array,
Numerous as shadows haunting fairily
The brain, new-stuff'd, in youth, with triumphs gay
Of old romance. These let us wish away,
And turn, sole-thoughted, to one lady there,
Whose heart had brooded, all that wintry day,
On love, and wing'd St Agnes' saintly care,
As she had heard old dames full rnany times declare.
VI.
They told her how, upon St Agnes' Eve,
Young virgins might have visions of delight,
And soft adorings from their loves receive
Upon the honey'd middle of the night,
If ceremonies due they did aright;
As, supperless to bed they must retire,
And couch supine their beauties, lily white;
Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.
VII.
Full of this whim was thoughtful Madeline:
The music, yearning like a God in pain,
She scarcely heard: her maiden eyes divine,
Fix'd on the floor, saw many a sweeping train
Pass by--she heeded not at all: in vain
Came many a tiptoe, amorous cavalier,
And back retir'd; not cool'd by high disdain,
But she saw not: her heart was otherwhere;
She sigh'd for Agnes' dreams, the sweetest of the year.
VIII.
She danc'd along with vague, regardless eyes,
Anxious her lips, her breathing quick and short:
The hallow'd hour was near at hand: she sighs
Amid the timbrels, and the throng'd resort
Of whisperers in anger, or in sport;
'Mid looks of love, defiance, hate, and scorn,
Hoodwink'd with faery fancy; all amort,
Save to St Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.
IX.
So, purposing each moment to retire,
She linger'd still. Meantime, across the moors,
Had come young Porphyro, with heart on fire
For Madeline. Beside the portal doors,
Buttress'd from moonlight, stands he, and implores
All saints to give him sight of Madeline,
But for one moment in the tedious hours,
That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss-in sooth such things have been.
X.
He ventures in: let no buzz'd whisper tell:
All eyes be muffled, or a hundred swords
Will storm his heart, Love's fev'rous citadel:
For him, those chambers held barbarian hordes,
Hyena foemen, and hot-blooded lords,
Whose very dogs would execrations howl
Against his lineage: not one breast affords
Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.
XI.
Ah, happy chance! the aged creature came,
Shuffling along with ivory-headed wand,
To where he stood, hid from the torch's flame,
Behind a broad hall-pillar, far beyond
The sound of merriment and chorus bland.
He startled her; but soon she knew his face,
And grasp'd his fingers in her palsied hand,
Saying, "Mercy, Porphyro! hie thee from this place;
"They are all here to-night, the whole blood-thirsty race!
XII.
"Get hence! get hence! there's dwarfish Hildebrand;
He had a fever late, and in the fit
He cursed thee and thine, both house and land:
Then there's that old Lord Maurice, not a whit
More tame for his gray hairs--Alas me! flit!
Flit like a ghost away."--Ah, gossip dear,
We're safe enough; here in this arm-chair sit,
And tell me how"--"Good saints! not here, not here;
Follow me, child, or else these stones will be thy bier."
XIII.
He follow'd through a lowly arched way,
Brushing the cobwebs with his lofty plume,
And as she mutter'd "Well-a-well-a-day!"
He found him in a little moonlight room,
Pale, lattic'd, chill, and silent as a tomb.
"Now tell me where is Madeline", said he,
"O tell me, Angela, by the holy loom
Which none but secret sisterhood may see,
"When they St Agnes' wool are weaving piously."
XIV.
"St Agnes! Ah! it is St Agnes' Eve--
Yet men will murder upon holy days:
Thou must hold water in a witch's sieve,
And be liege-lord of all the Elves and Fays
To venture so: it fills me with amaze
To see thee, Porphyro!--St Agnes' Eve!
God's help! my lady fair the conjuror plays
This very night: good angels her deceive!
But let me laugh awhile, I've mickle time to grieve."
XV.
Feebly she laugheth in the languid moon,
While Porphyro upon her face doth look,
Like puzzled urchin on an aged crone
Who keepeth clos'd a wondrous riddle-book,
As spectacled she sits in chimney nook.
But soon his eyes grew brilliant, when she told
His lady's purpose; and he scarce could brook
Tears, at the thought of those enchantments cold
And Madeline asleep in lap of legends old.
XVI.
Sudden a thought came like a full-blown rose,
Flushing his brow, and in his pained heart
Made purple riot: then doth he propose
A stratagem, that makes the beldame start:
"A cruel man and impious thou art:
Sweet lady, let her pray, and sleep, and dream
Alone with her good angels, far apart
From wicked men like thee. Go, go!--I deem
Thou canst not surely be the same that thou didst seem."
XVII.
"I will not harm her, by all saints I swear,"
Quoth Porphyro: "O may I ne'er find grace
When my weak voice shall whisper its last prayer,
If one of her soft ringlets I displace,
Or look with ruffian passion in her face:
Good Angela, believe me by these tears;
Or I will, even in a moment's space,
Awake, with horrid shout, my foemen's ears,
And beard them, though they be more fang'd than wolves and bears."
XVIII.
"Ah! why wilt thou affright a feeble soul?
A poor, weak, palsy-stricken, churchyard thing,
Whose passing-bell may ere the midnight toll;
Whose prayers for thee, each morn and evening,
Were never miss'd." Thus plaining, doth she bring
A gentler speech from burning Porphyro;
So woeful, and of such deep sorrowing,
That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.
XIX.
Which was, to lead him, in close secrecy,
Even to Madeline's chamber, and there hide
Him in a closet, of such privacy
That he might see her beauty unespied,
And win perhaps that night a peerless bride,
While legion'd fairies pac'd the coverlet,
And pale enchantment held her sleepy-eyed.
Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.
XX.
"It shall be as thou wishest," said the Dame:
"All cates and dainties shall be stored there
Quickly on this feast-night: by the tambour frame
Her own lute thou wilt see: no time to spare,
For I am slow and feeble, and scarce dare
On such a catering trust my dizzy head.
Wait here, my child, with patience; kneel in prayer
The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead."
XXI.
So saying, she hobbled off with busy fear.
The lover's endless minutes slowly pass'd;
The Dame return'd, and whisper'd in his ear
To follow her; with aged eyes aghast
From fright of dim espial. Safe at last
Through many a dusky gallery, they gain
The maiden's chamber, silken, hush'd and chaste;
Where Porphyro took covert, pleas'd amain.
His poor guide hurried back with agues in her brain.
XXII.
Her falt'ring hand upon the balustrade,
Old Angela was feeling for the stair,
When Madeline, St Agnes' charmed maid,
Rose, like a mission'd spirit, unaware:
With silver taper's light, and pious care,
She turn'd, and down the aged gossip led
To a safe level matting. Now prepare,
Young Porphyro, for gazing on that bed;
She comes, she comes again, like dove fray'd and fled.
XXIII.
Out went the taper as she hurried in;
Its little smoke, in pallid moonshine, died:
She closed the door, she panted, all akin
To spirits of the air, and visions wide:
No utter'd syllable, or, woe betide!
But to her heart, her heart was voluble,
Paining with eloquence her balmy side;
As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.
XXIV.
A casement high and triple-arch'd there was,
All garlanded with carven imag'ries
Of fruits, and flowers, and bunches of knot-grass,
And diamonded with panes of quaint device,
Innumerable of stains and splendid dyes,
As are the tiger-moth's deep-damask'd wings;
And in the midst, 'mong thousand heraldries,
And twilight saints, and dim emblazonings,
A shielded scutcheon blush'd with blood of queens and kings.
XXV.
Full on this casement shone the wintry moon,
And threw warm gules on Madeline's fair breast,
As down she knelt for heaven's grace and boon;
Rose-bloom fell on her hands, together prest,
And on her silver cross soft amethyst,
And on her hair a glory, like a saint:
She seem'd a splendid angel, newly drest,
Save wings, for heaven:--Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.
XXVI.
Anon his heart revives: her vespers done,
Of all its wreathed pearls her hair she frees;
Unclasps her warmed jewels one by one;
Loosens her fragrant bodice; by degrees
Her rich attire creeps rustling to her knees:
Half-hidden, like a mermaid in sea-weed,
Pensive awhile she dreams awake, and sees,
In fancy, fair St Agnes in her bed,
But dares not look behind, or all the charm is fled.
XXVII.
Soon, trembling in her soft and chilly nest,
In sort of wakeful swoon, perplex'd she lay,
Until the poppied warmth of sleep oppress'd
Her soothed limbs, and soul fatigued away;
Flown, like a thought, until the morrow-day;
Blissfully haven'd both from joy and pain;
Clasp'd like a missal where swart Paynims pray;
Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.
XXVIII.
Stol'n to this paradise, and so entranced,
Porphyro gazed upon her empty dress,
And listen'd to her breathing, if it chanced
To wake into a slumbrous tenderness;
Which when he heard, that minute did he bless,
And breath'd himself: then from the closet crept,
Noiseless as fear in a wide wilderness,
And over the hush'd carpet, silent, stept,
And 'tween the curtains peep'd, where, lo!--how fast she slept!
XXIX.
Then by the bed-side, where the faded moon
Made a dim, silver twilight, soft he set
A table, and, half anguish'd, threw thereon
A doth of woven crimson, gold, and jet:--
O for some drowsy Morphean amulet!
The boisterous, midnight, festive clarion,
The kettle-drum, and far-heard clarinet,
Affray his ears, though but in dying tone:--
The hall door shuts again, and all the noise is gone.
XXX.
And still she slept an azure-lidded sleep,
In blanched linen, smooth, and lavender'd,
While he from forth the closet brought a heap
Of candied apple, quince, and plum, and gourd
With jellies soother than the creamy curd,
And lucent syrops, tinct with cinnamon;
Manna and dates, in argosy transferr'd
From Fez; and spiced dainties, every one,
From silken Samarcand to cedar'd Lebanon.
XXXI.
These delicates he heap'd with glowing hand
On golden dishes and in baskets bright
Of wreathed silver: sumptuous they stand
In the retired quiet of the night,
Filling the chilly room with perfume light.--
"And now, my love, my seraph fair, awake!
Thou art my heaven, and I thine eremite:
Open thine eyes, for meek St Agnes' sake,
Or I shall drowse beside thee, so my soul doth ache."
XXXII.
Thus whispering, his warm, unnerved arm
Sank in her pillow. Shaded was her dream
By the dusk curtains:--'twas a midnight charm
Impossible to melt as iced stream:
The lustrous salvers in the moonlight gleam;
Broad golden fringe upon the carpet lies:
It seem'd he never, never could redeem
From such a stedfast spell his lady's eyes;
So mus'd awhile, entoil'd in woofed phantasies.
XXXIII.
Awakening up, he took her hollow lute,--
Tumultuous,--and, in chords that tenderest be,
He play'd an ancient ditty, long since mute,
In Provence call'd, "La belle dame sans mercy:"
Close to her ear touching the melody:--
Wherewith disturb'd, she utter'd a soft moan:
He ceased--she panted quick--and suddenly
Her blue affrayed eyes wide open shone:
Upon his knees he sank, pale as smooth-sculptured stone.
XXXIV.
Her eyes were open, but she still beheld,
Now wide awake, the vision of her sleep:
There was a painful change, that nigh expell'd
The blisses of her dream so pure and deep,
At which fair Madeline began to weep,
And moan forth witless words with many a sigh;
While still her gaze on Porphyro would keep;
Who knelt, with joined hands and piteous eye,
Fearing to move or speak, she look'd so dreamingly.
XXXV.
"Ah, Porphyro!" said she, "but even now
Thy voice was at sweet tremble in mine ear,
Made tuneable with every sweetest vow;
And those sad eyes were spiritual and clear:
How chang'd thou art! how pallid, chill, and drear!
Give me that voice again, my Porphyro,
Those looks immortal, those complainings dear!
Oh leave me not in this eternal woe,
For if thou diest, my Love, I know not where to go."
XXXVI.
Beyond a mortal man impassion'd far
At these voluptuous accents, he arose,
Ethereal, flush'd, and like a throbbing star
Seen mid the sapphire heaven's deep repose
Into her dream he melted, as the rose
Blendeth its odour with the violet,--
Solution sweet: meantime the frost-wind blows
Like Love's alarum pattering the sharp sleet
Against the window-panes; St Agnes' moon hath set.
XXXVII.
Tis dark: quick pattereth the flaw-blown sleet:
"This is no dream, my bride, my Madeline!"
'Tis dark: the iced gusts still rave and beat:
"No dream, alas! alas! and woe is mine!
Porphyro will leave me here to fade and pine.--
Cruel! what traitor could thee hither bring?
I curse not, for my heart is lost in thine
Though thou forsakest a deceived thing;--
A dove forlorn and lost with sick unpruned wing."
XXXVIII.
"My Madeline! sweet dreamer! lovely bride!
Say, may I be for aye thy vassal blest?
Thy beauty's shield, heart-shap'd and vermeil dyed?
Ah, silver shrine, here will I take my rest
After so many hours of toil and quest,
A famish'd pilgrim,--saved by miracle.
Though I have found, I will not rob thy nest
Saving of thy sweet self; if thou think'st well
To trust, fair Madeline, to no rude infidel.
XXXIX.
"Hark! 'tis an elfin-storm from faery land,
Of haggard seeming, but a boon indeed:
Arise--arise! the morning is at hand;--
The bloated wassailers will never heed:--
Let us away, my love, with happy speed;
There are no ears to hear, or eyes to see,--
Drown'd all in Rhenish and the sleepy mead:
Awake! arise! my love, and fearless be,
For o'er the southern moors I have a home for thee."
XL.
She hurried at his words, beset with fears,
For there were sleeping dragons all around,
At glaring watch, perhaps, with ready spears--
Down the wide stairs a darkling way they found.--
In all the house was heard no human sound.
A chain-droop'd lamp was flickering by each door;
The arras, rich with horseman, hawk, and hound,
Flutter'd in the besieging wind's uproar;
And the long carpets rose along the gusty floor.
XLI.
They glide, like phantoms, into the wide hall;
Like phantoms, to the iron porch, they glide;
Where lay the Porter, in uneasy sprawl,
With a huge empty flagon by his side:
The wakeful bloodhound rose, and shook his hide,
But his sagacious eye an inmate owns:
By one, and one, the bolts fill easy slide:--
The chains lie silent on the footworn stones,--
The key turns, and the door upon its hinges groans.
XLII.
And they are gone: ay, ages long ago
These lovers fled away into the storm.
That night the Baron dreamt of many a woe,
And all his warrior-guests, with shade and form
Of witch, and demon, and large coffin-worm,
Were long be-nightmar'd. Angela the old
Died palsy-twitch'd, with meagre face deform;
The Beadsman, after thousand aves told,
For aye unsought for slept among his ashes cold.
In a letter to George Keats and his wife dated the 14th of February [1819], Keats says that he took with him to Chichester, where he had been staying in January, "some of the thin paper, and wrote on it a little poem called 'St. Agnes' Eve,' which you will have as it is, when I have finished the blank part of the rest for you." Lord Houghton says the poem "was begun on a visit in Hampshire, at the commencement of this year [1819], and finished on his return to Hampstead."
(stanza II.): Leigh Hunt says "The germ of the thought, or something like it, is in Dante, where he speaks of the figures that perform the part of sustaining columns in architecture. Keats had read Dante in Mr. Carey's translation, for which he had a great respect. He began to read him afterwards in Italian, which language he was mastering with surprising quickness.
(stanza XV): Hunt's comment is as follows: "He almost shed tears - of sympathy, to think how his treasure is exposed to the cold - and of delight and pride to think of her sleeping beauty, and her love for himself. THis passage 'asleep in lap of legends old' is in the highest imaginative taste, fusing together the imaginative and the spiritual, the remote and the near."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Eve Of St. Agnes
,#NFDB
808:
What is more gentle than a wind in summer?
What is more soothing than the pretty hummer
That stays one moment in an open flower,
And buzzes cheerily from bower to bower?
What is more tranquil than a musk-rose blowing
In a green island, far from all men's knowing?
More healthful than the leafiness of dales?
More secret than a nest of nightingales?
More serene than Cordelia's countenance?
More full of visions than a high romance?
What, but thee Sleep? Soft closer of our eyes!
Low murmurer of tender lullabies!
Light hoverer around our happy pillows!
Wreather of poppy buds, and weeping willows!
Silent entangler of a beauty's tresses!
Most happy listener! when the morning blesses
Thee for enlivening all the cheerful eyes
That glance so brightly at the new sun-rise.
But what is higher beyond thought than thee?
Fresher than berries of a mountain tree?
More strange, more beautiful, more smooth, more regal,
Than wings of swans, than doves, than dim-seen eagle?
What is it? And to what shall I compare it?
It has a glory, and naught else can share it:
The thought thereof is awful, sweet, and holy,
Chasing away all worldliness and folly;
Coming sometimes like fearful claps of thunder,
Or the low rumblings earth's regions under;
And sometimes like a gentle whispering
Of all the secrets of some wond'rous thing
That breathes about us in the vacant air;
So that we look around with prying stare,
Perhaps to see shapes of light, aerial limning,
And catch soft floatings from a faint-heard hymning;
To see the laurel wreath, on high suspended,
That is to crown our name when life is ended.
Sometimes it gives a glory to the voice,
And from the heart up-springs, rejoice! rejoice!
Sounds which will reach the Framer of all things,
And die away in ardent mutterings.
No one who once the glorious sun has seen,
And all the clouds, and felt his bosom clean
For his great Maker's presence, but must know
What 'tis I mean, and feel his being glow:
Therefore no insult will I give his spirit,
By telling what he sees from native merit.
O Poesy! for thee I hold my pen
That am not yet a glorious denizen
Of thy wide heaven- Should I rather kneel
Upon some mountain-top until I feel
A glowing splendour round about me hung,
And echo back the voice of thine own tongue?
O Poesy! for thee I grasp my pen
That am not yet a glorious denizen
Of thy wide heaven; yet, to my ardent prayer,
Yield from thy sanctuary some clear air,
Smooth'd for intoxication by the breath
Of flowering bays, that I may die a death
Of luxury, and my young spirit follow
The morning sun-beams to the great Apollo
Like a fresh sacrifice; or, if I can bear
The o'erwhelming sweets, 'twill bring to me the fair
Visions of all places: a bowery nook
Will be elysium- an eternal book
Whence I may copy many a lovely saying
About the leaves, and flowers- about the playing
Of nymphs in woods, and fountains; and the shade
Keeping a silence round a sleeping maid;
And many a verse from so strange influence
That we must ever wonder how, and whence
It came. Also imaginings will hover
Round my fire-side, and haply there discover
Vistas of solemn beauty, where I'd wander
In happy silence, like the clear Meander
Through its lone vales; and where I found a spot
Of awfuller shade, or an enchanted grot,
Or a green hill o'erspread with chequer'd dress
Of flowers, and fearful from its loveliness,
Write on my tablets all that was permitted,
All that was for our human senses fitted.
Then the events of this wide world I'd seize
Like a strong giant, and my spirit teaze
Till at its shoulders it should proudly see
Wings to find out an immortality.
Stop and consider! life is but a day;
A fragile dew-drop on its perilous way
From a tree's summit; a poor Indian's sleep
While his boat hastens to the monstrous steep
Of Montmorenci. Why so sad a moan?
Life is the rose's hope while yet unblown;
The reading of an ever-changing tale;
The light uplifting of a maiden's veil;
A pigeon tumbling in clear summer air;
A laughing school-boy, without grief or care,
Riding the springy branches of an elm.
O for ten years, that I may overwhelm
Myself in poesy; so I may do the deed
That my own soul has to itself decreed.
Then will I pass the countries that I see
In long perspective, and continually
Taste their pure fountains. First the realm I'll pass
Of Flora, and old Pan: sleep in the grass,
Feed upon apples red, and strawberries,
And choose each pleasure that my fancy sees;
Catch the white-handed nymphs in shady places,
To woo sweet kisses from averted faces,-
Play with their fingers, touch their shoulders white
Into a pretty shrinking with a bite
As hard as lips can make it: till agreed,
A lovely tale of human life we'll read.
And one will teach a tame dove how it best
May fan the cool air gently o'er my rest;
Another, bending o'er her nimble tread,
Will set a green robe floating round her head,
And still will dance with ever varied ease,
Smiling upon the flowers and the trees:
Another will entice me on, and on
Through almond blossoms and rich cinnamon;
Till in the bosom of a leafy world
We rest in silence, like two gems upcurl'd
In the recesses of a pearly shell.
And can I ever bid these joys farewell?
Yes, I must pass them for a nobler life,
Where I may find the agonies, the strife
Of human hearts: for lo! I see afar,
O'ersailing the blue cragginess, a car
And steeds with streamy manes- the charioteer
Looks out upon the winds with glorious fear:
And now the numerous tramplings quiver lightly
Along a huge cloud's ridge; and now with sprightly
Wheel downward come they into fresher skies,
Tipt round with silver from the sun's bright eyes.
Still downward with capacious whirl they glide;
And now I see them on the green-hill's side
In breezy rest among the nodding stalks.
The charioteer with wond'rous gesture talks
To the trees and mountains; and there soon appear
Shapes of delight, of mystery, and fear,
Passing along before a dusky space
Made by some mighty oaks: as they would chase
Some ever- fleeting music on they sweep.
Lo! how they murmur, laugh, and smile, and weep:
Some with upholden hand and mouth severe;
Some with their faces muffled to the ear
Between their arms; some, clear in youthful bloom,
Go glad and smilingly athwart the gloom;
Some looking back, and some with upward gaze;
Yes, thousands in a thousand different ways
Flit onward- now a lovely wreath of girls
Dancing their sleek hair into tangled curls;
And now broad wings. Most awfully intent
The driver of those steeds is forward bent,
And seems to listen: O that I might know
All that he writes with such a hurrying glow.
The visions all are fled- the car is fled
Into the light of heaven, and in their stead
A sense of real things comes doubly strong,
And, like a muddy stream, would bear along
My soul to nothingness: but I will strive
Against all doubtings, and will keep alive
The thought of that same chariot, and the strange
Journey it went.
Is there so small a range
In the present strength of manhood, that the high
Imagination cannot freely fly
As she was wont of old? prepare her steeds,
Paw up against the light, and do strange deeds
Upon the clouds? Has she not shown us all?
From the clear space of ether, to the small
Breath of new buds unfolding? From the meaning
Of Jove's large eye-brow, to the tender greening
Of April meadows? Here her altar shone,
E'en in this isle; and who could paragon
The fervid choir that lifted up a noise
Of harmony, to where it aye will poise
Its mighty self of convoluting sound,
Huge as a planet, and like that roll round,
Eternally around a dizzy void?
Ay, in those days the Muses were nigh cloy'd
With honors; nor had any other care
Than to sing out and sooth their wavy hair.
Could all this be forgotten? Yes, a schism
Nurtured by foppery and barbarism,
Made great Apollo blush for this his land.
Men were thought wise who could not understand
His glories: with a puling infant's force
They sway'd about upon a rocking horse,
And thought it Pegasus. Ah dismal soul'd!
The winds of heaven blew, the ocean roll'd
Its gathering waves- ye felt it not. The blue
Bared its eternal bosom, and the dew
Of summer nights collected still to make
The morning precious: beauty was awake!
Why were ye not awake? But ye were dead
To things ye knew not of,- were closely wed
To musty laws lined out with wretched rule
And compass vile: so that ye taught a school
Of dolts to smooth, inlay, and clip, and fit,
Till, like the certain wands of Jacob's wit,
Their verses tallied. Easy was the task:
A thousand handicraftsmen wore the mask
Of Poesy. Ill-fated, impious race!
That blasphemed the bright Lyrist to his face,
And did not know it,- no, they went about,
Holding a poor, decrepid standard out
Mark'd with most flimsy mottos, and in large
The name of one Boileau!
O ye whose charge
It is to hover round our pleasant hills!
Whose congregated majesty so fills
My boundly reverence, that I cannot trace
Your hallowed names, in this unholy place,
So near those common folk; did not their shames
Affright you? Did our old lamenting Thames
Delight you? Did ye never cluster round
Delicious Avon, with a mournful sound,
And weep? Or did ye wholly bid adieu
To regions where no more the laurel grew?
Or did ye stay to give a welcoming
To some lone spirits who could proudly sing
Their youth away, and die? 'Twas even so:
But let me think away those times of woe:
Now 'tis a fairer season; ye have breathed
Rich benedictions o'er us; ye have wreathed
Fresh garlands: for sweet music has been heard
In many places;- some has been upstirr'd
From out its crystal dwelling in a lake,
By a swan's ebon bill; from a thick brake,
Nested and quiet in a valley mild,
Bubbles a pipe; fine sounds are floating wild
About the earth: happy are ye and glad.
These things are doubtless: yet in truth we've had
Strange thunders from the potency of song;
Mingled indeed with what is sweet and strong,
From majesty: but in clear truth the themes
Are ugly clubs, the Poets' Polyphemes
Disturbing the grand sea. A drainless shower
Of light is poesy; 'tis the supreme of power;
'Tis might half slumb'ring on its own right arm.
The very archings of her eye-lids charm
A thousand willing agents to obey,
And still she governs with the mildest sway:
But strength alone though of the Muses born
Is like a fallen angel: trees uptorn,
Darkness, and worms, and shrouds, and sepulchres
Delight it; for it feeds upon the burrs,
And thorns of life; forgetting the great end
Of poesy, that it should be a friend
To sooth the cares, and lift the thoughts of man.
Yet I rejoice: a myrtle fairer than
E'er grew in Paphos, from the bitter weeds
Lifts its sweet head into the air, and feeds
A silent space with ever sprouting green.
All tenderest birds there find a pleasant screen,
Creep through the shade with jaunty fluttering,
Nibble the little cupped flowers and sing.
Then let us clear away the choking thorns
From round its gentle stem; let the young fawns,
Yeaned in after times, when we are flown,
Find a fresh sward beneath it, overgrown
With simple flowers: let there nothing be
More boisterous than a lover's bended knee;
Nought more ungentle than the placid look
Of one who leans upon a closed book;
Nought more untranquil than the grassy slopes
Between two hills. All hail delightful hopes!
As she was wont, th' imagination
Into most lovely labyrinths will be gone,
And they shall be accounted poet kings
Who simply tell the most heart-easing things.
O may these joys be ripe before I die.
Will not some say that I presumptuously
Have spoken? that from hastening disgrace
'Twere better far to hide my foolish face?
That whining boyhood should with reverence bow
Ere the dread thunderbolt could reach? How!
If I do hide myself, it sure shall be
In the very fane, the light of Poesy:
If I do fall, at least I will be laid
Beneath the silence of a poplar shade;
And over me the grass shall be smooth shaven;
And there shall be a kind memorial graven.
But off Despondence! miserable bane!
They should not know thee, who athirst to gain
A noble end, are thirsty every hour.
What though I am not wealthy in the dower
Of spanning wisdom; though I do not know
The shiftings of the mighty winds that blow
Hither and thither all the changing thoughts
Of man: though no great minist'ring reason sorts
Out the dark mysteries of human souls
To clear conceiving: yet there ever rolls
A vast idea before me, and I glean
Therefrom my liberty; thence too I've seen
The end and aim of Poesy. 'Tis clear
As anything most true; as that the year
Is made of the four seasons- manifest
As a large cross, some old cathedral's crest,
Lifted to the white clouds. Therefore should I
Be but the essence of deformity,
A coward, did my very eye-lids wink
At speaking out what I have dared to think.
Ah! rather let me like a madman run
Over some precipice; let the hot sun
Melt my Dedalian wings, and drive me down
Convuls'd and headlong! Stay! an inward frown
Of conscience bids me be more calm awhile.
An ocean dim, sprinkled with many an isle,
Spreads awfully before me. How much toil!
How many days! what desperate turmoil!
Ere I can have explored its widenesses.
Ah, what a task! upon my bended knees,
I could unsay those- no, impossible!
Impossible!
For sweet relief I'll dwell
On humbler thoughts, and let this strange assay
Begun in gentleness die so away.
E'en now all tumult from my bosom fades:
I turn full hearted to the friendly aids
That smooth the path of honour; brotherhood,
And friendliness the nurse of mutual good.
The hearty grasp that sends a pleasant sonnet
Into the brain ere one can think upon it;
The silence when some rhymes are coming out;
And when they're come, the very pleasant rout:
The message certain to be done to-morrow.
'Tis perhaps as well that it should be to borrow
Some precious book from out its snug retreat,
To cluster round it when we next shall meet.
Scarce can I scribble on; for lovely airs
Are fluttering round the room like doves in pairs;
Many delights of that glad day recalling,
When first my senses caught their tender falling.
And with these airs come forms of elegance
Stooping their shoulders o'er a horse's prance,
Careless, and grand-fingers soft and round
Parting luxuriant curls;- and the swift bound
Of Bacchus from his chariot, when his eye
Made Ariadne's cheek look blushingly.
Thus I remember all the pleasant flow
Of words at opening a portfolio.
Things such as these are ever harbingers
To trains of peaceful images: the stirs
Of a swan's neck unseen among the rushes:
A linnet starting all about the bushes:
A butterfly, with golden wings broad parted,
Nestling a rose, convuls'd as though it smarted
With over pleasure- many, many more,
Might I indulge at large in all my store
Of luxuries: yet I must not forget
Sleep, quiet with his poppy coronet:
For what there may be worthy in these rhymes
I partly owe to him: and thus, the chimes
Of friendly voices had just given place
To as sweet a silence, when I 'gan retrace
The pleasant day, upon a couch at ease.
It was a poet's house who keeps the keys
Of pleasure's temple. Round about were hung
The glorious features of the bards who sung
In other ages- cold and sacred busts
Smiled at each other. Happy he who trusts
To clear Futurity his darling fame!
Then there were fauns and satyrs taking aim
At swelling apples with a frisky leap
And reaching fingers, 'mid a luscious heap
Of vine-leaves. Then there rose to view a fane
Of liny marble, and thereto a train
Of nymphs approaching fairly o'er the sward:
One, loveliest, holding her white hand toward
The dazzling sun-rise: two sisters sweet
Bending their graceful figures till they meet
Over the trippings of a little child:
And some are hearing, eagerly, the wild
Thrilling liquidity of dewy piping.
See, in another picture, nymphs are wiping
Cherishingly Diana's timorous limbs;-
A fold of lawny mantle dabbling swims
At the bath's edge, and keeps a gentle motion
With the subsiding crystal: as when ocean
Heaves calmly its broad swelling smoothness o'er
Its rocky marge, and balances once more
The patient weeds; that now unshent by foam
Feel all about their undulating home.
Sappho's meek head was there half smiling down
At nothing; just as though the earnest frown
Of over thinking had that moment gone
From off her brow, and left her all alone.
Great Alfred's too, with anxious, pitying eyes,
As if he always listened to the sighs
Of the goaded world; and Kosciusko's worn
By horrid suffrance- mightily forlorn.
Petrarch, outstepping from the shady green,
Starts at the sight of Laura; nor can wean
His eyes from her sweet face. Most happy they!
For over them was seen a free display
Of out-spread wings, and from between them shone
The face of Poesy: from off her throne
She overlook'd things that I scarce could tell.
The very sense of where I was might well
Keep Sleep aloof: but more than that there came
Thought after thought to nourish up the flame
Within my breast; so that the morning light
Surprised me even from a sleepless night;
And up I rose refresh'd, and glad, and gay,
Resolving to begin that very day
These lines; and howsoever they be done,
I leave them as a father does his son.
THE END
(lines 250-1): An idea, says Leigh Hunt... "of as lovely and powerful a nature in embodying an abstraction, as we ever remember to have seen put into words."
(line 354): Leigh Hunt's house: he says ... the poem "originated in sleeping in a room adorned with busts and pictures," -- "many a bust from Shout," as Shelley wrote to Mrs. Gisborne. In Hunt's Correspondence (Volume i, page 289) we read "Keats's Sleep and Poetry is a description of a parlour that was mine, no bigger than an old mansion's closet." Charles Cowden Clarke says (Gentleman's Magazine, February 1874) "It was in the library at Hunt's cottage, where an extemporary bed had been made up for him on the sofa." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ Chaucer
,#NFDB
809:CANTO I.
Fanatics have their dreams, wherewith they weave
A paradise for a sect; the savage, too,
From forth the loftiest fashion of his sleep
Guesses at heaven; pity these have not
Trac'd upon vellum or wild Indian leaf
The shadows of melodious utterance,
But bare of laurel they live, dream, and die;
For Poesy alone can tell her dreams,--
With the fine spell of words alone can save
Imagination from the sable chain
And dumb enchantment. Who alive can say,
"Thou art no Poet -- may'st not tell thy dreams?"
Since every man whose soul is not a clod
Hath visions and would speak, if he had loved,
And been well nurtured in his mother tongue.
Whether the dream now purpos'd to rehearse
Be poet's or fanatic's will be known
When this warm scribe, my hand, is in the grave.
Methought I stood where trees of every clime,
Palm, myrtle, oak, and sycamore, and beech,
With plantane and spice-blossoms, made a screen,
In neighbourhood of fountains (by the noise
Soft-showering in mine ears), and (by the touch
Of scent) not far from roses. Twining round
I saw an arbour with a drooping roof
Of trellis vines, and bells, and larger blooms,
Like floral censers, swinging light in air;
Before its wreathed doorway, on a mound
Of moss, was spread a feast of summer fruits,
Which, nearer seen, seem'd refuse of a meal
By angel tasted or our Mother Eve;
For empty shells were scatter'd on the grass,
And grapestalks but half-bare, and remnants more
Sweet-smelling, whose pure kinds I could not know.
Still was more plenty than the fabled horn
Thrice emptied could pour forth at banqueting,
For Prosperine return'd to her own fields,
Where the white heifers low. And appetite,
More yearning than on earth I ever felt,
Growing within, I ate deliciously,--
And, after not long, thirsted; for thereby
Stood a cool vessel of transparent juice
Sipp'd by the wander'd bee, the which I took,
And pledging all the mortals of the world,
And all the dead whose names are in our lips,
Drank. That full draught is parent of my theme.
No Asian poppy nor elixir fine
Of the soon-fading, jealous, Caliphat,
No poison gender'd in close monkish cell,
To thin the scarlet conclave of old men,
Could so have rapt unwilling life away.
Among the fragment husks and berries crush'd
Upon the grass, I struggled hard against
The domineering potion, but in vain.
The cloudy swoon came on, and down I sank,
Like a Silenus on an antique vase.
How long I slumber'd 'tis a chance to guess.
When sense of life return'd, I started up
As if with wings, but the fair trees were gone,
The mossy mound and arbour were no more;
I look'd around upon the curved sides
Of an old sanctuary, with roof august,
Builded so high, it seem'd that filmed clouds
Might spread beneath as o'er the stars of heaven.
So old the place was, I remember'd none
The like upon the earth: what I had seen
Of grey cathedrals, buttress'd walls, rent towers,
The superannuations of sunk realms,
Or Nature's rocks toil'd hard in waves and winds,
Seem'd but the faulture of decrepit things
To that eternal domed monument.
Upon the marble at my feet there lay
Store of strange vessels and large draperies,
Which needs have been of dyed asbestos wove,
Or in that place the moth could not corrupt,
So white the linen, so, in some, distinct
Ran imageries from a sombre loom.
All in a mingled heap confus'd there lay
Robes, golden tongs, censer and chafing-dish,
Girdles, and chains, and holy jewelries.
Turning from these with awe, once more I raised
My eyes to fathom the space every way:
The embossed roof, the silent massy range
Of columns north and south, ending in mist
Of nothing; then to eastward, where black gates
Were shut against the sunrise evermore;
Then to the west I look'd, and saw far off
An image, huge of feature as a cloud,
At level of whose feet an altar slept,
To be approach'd on either side by steps
And marble balustrade, and patient travail
To count with toil the innumerable degrees.
Towards the altar sober-pac'd I went,
Repressing haste as too unholy there;
And, coming nearer, saw beside the shrine
One ministering; and there arose a flame
When in mid-day the sickening east-wind
Shifts sudden to the south, the small warm rain
Melts out of the frozen incense from all flowers,
And fills the air with so much pleasant health
That even the dying man forgets his shroud;--
Even so that lofty sacrificial fire,
Sending forth Maian incense, spread around
Forgetfulness of everything but bliss,
And clouded all the altar with soft smoke;
From whose white fragrant curtains thus I heard
Language pronounc'd: "If thou canst not ascend
These steps, die on that marble where thou art.
Thy flesh, near cousin to the common dust,
Will parch for lack of nutriment; thy bones
Will wither in few years, and vanish so
That not the quickest eye could find a grain
Of what thou now art on that pavement cold.
The sands of thy short life are spent this hour,
And no hand in the universe can turn
Thy hourglass, if these gummed leaves be burnt
Ere thou canst mount up these immortal steps."
I heard, I look'd: two senses both at once,
So fine, so subtle, felt the tyranny
Of that fierce threat and the hard task proposed.
Prodigious seem'd the toil; the leaves were yet
Burning, when suddenly a palsied chill
Struck from the paved level up my limbs.
And was ascending quick to put cold grasp
Upon those streams that pulse beside the throat.
I shriek'd, and the sharp anguish of my shriek
Stung my own ears; I strove hard to escape
The numbness, strove to gain the lowest step.
Slow, heavy, deadly was my pace: the cold
Grew stifling, suffocating at the heart;
And when I clasp'd my hands I felt them not.
One minute before death my ic'd foot touch'd
The lowest stair; and, as it touch'd, life seem'd
To pour in at the toes; I mounted up
As once fair angels on a ladder flew
From the green turf to heaven. "Holy Power,"
Cry'd I, approaching near the horned shrine,
"What am I that another death come not
To choke my utterance, sacrilegious, here?"
Then said the veiled shadow: "Thou hast felt
What 'tis to die and live again before
Thy fated hour; that thou hadst power to do so
Is thine own safety; thou hast dated on
Thy doom." "High Prophetess," said I, "purge off,
Benign, if so it please thee, my mind's film."
"None can usurp this height," return'd that shade,
"But those to whom the miseries of the world
Are misery, and will not let them rest.
All else who find a haven in the world,
Where they may thoughtless sleep away their days,
If by a chance into this fane they come,
Rot on the pavement where thou rottedst half."
"Are there not thousands in the world," said I,
Encourag'd by the sooth voice of the shade,
"Who love their fellows even to the death,
Who feel the giant agony of the world,
And more, like slaves to poor humanity,
Labour for mortal good? I sure should see
Other men here, but I am here alone."
"Those whom thou spakest of are no visionaries,"
Rejoin'd that voice; "they are no dreamers weak;
They seek no wonder but the human face,
No music but a happy-noted voice:
They come not here, they have no thought to come;
And thou art here, for thou art less than they.
What benefit canst thou do, or all thy tribe,
To the great world? Thou art a dreaming thing,
A fever of thyself: think of the earth;
What bliss, even in hope, is there for thee?
What haven? every creature hath its home,
Every sole man hath days of joy and pain,
Whether his labours be sublime or low --
The pain alone, the joy alone, distinct:
Only the dreamer venoms all his days,
Bearing more woe than all his sins deserve.
Therefore, that happiness be somewhat shared,
Such things as thou art are admitted oft
Into like gardens thou didst pass erewhile,
And suffer'd in these temples: for that cause
Thou standest safe beneath this statue's knees."
"That I am favour'd for unworthiness,
But such propitious parley medicined
In sickness not ignoble, I rejoice,
Aye, and could weep for love of such award."
So answer'd I, continuing, "If it please,
Majestic shadow, tell me where I am,
Whose altar this, for whom this incense curls;
What image this whose face I cannot see
For the broad marble knees; and who thou art,
Of accent feminine so courteous?"
Then the tall shade, in drooping linen veil'd,
Spoke out, so much more earnest, that her breath
Stirr'd the thin folds of gauze that drooping hung
About a golden censer from her hand
Pendent; and by her voice I knew she shed
Long-treasured tears. "This temple, sad and lone,
Is all spar'd from the thunder of a war
Foughten long since by giant hierarchy
Against rebellion: this old image here,
Whose carved features wrinkled as he fell,
Is Saturn's; I, Moneta, left supreme,
Sole goddess of this desolation."
I had no words to answer, for my tongue,
Useless, could find about its roofed home
No syllable of a fit majesty
To make rejoinder of Moneta's mourn:
There was a silence, while the altar's blaze
Was fainting for sweet food. I look'd thereon,
And on the paved floor, where nigh were piled
****s of cinnamon, and many heaps
Of other crisped spicewood: then again
I look'd upon the altar, and its horns
Whiten'd with ashes, and its languorous flame,
And then upon the offerings again;
And so, by turns, till sad Moneta cry'd:
"The sacrifice is done, but not the less
Will I be kind to thee for thy good will.
My power, which to me is still a curse,
Shall be to thee a wonder; for the scenes
Still swooning vivid through my globbed brain,
With an electral changing misery,
Thou shalt with these dull mortal eyes behold
Free from all pain, if wonder pain thee not."
As near as an immortal's sphered words
Could to a mother's soften were these last:
And yet I had a terror of her robes,
And chiefly of the veils that from her brow
Hung pale, and curtain'd her in mysteries,
That made my heart too small to hold its blood.
This saw that Goddess, and with sacred hand
Parted the veils. Then saw I a wan face,
Not pin'd by human sorrows, but bright-blanch'd
By an immortal sickness which kills not;
It works a constant change, which happy death
Can put no end to; deathwards progressing
To no death was that visage; it had past
The lilly and the snow; and beyond these
I must not think now, though I saw that face.
But for her eyes I should have fled away;
They held me back with a benignant light,
Soft, mitigated by divinest lids
Half-clos'd, and visionless entire they seem'd
Of all external things; they saw me not,
But in blank splendour beam'd, like the mild moon,
Who comforts those she sees not, who knows not
What eyes are upward cast. As I had found
A grain of gold upon a mountain's side,
And, twing'd with avarice, strain'd out my eyes
To search its sullen entrails rich with ore,
So, at the sad view of Moneta's brow,
I ask'd to see what things the hollow brow
Behind environ'd: what high tragedy
In the dark secret chambers of her skull
Was acting, that could give so dread a stress
To her cold lips, and fill with such a light
Her planetary eyes, and touch her voice
With such a sorrow? "Shade of Memory!"
Cried I, with act adorant at her feet,
"By all the gloom hung round thy fallen house,
By this last temple, by the golden age,
By Great Apollo, thy dear Foster-child,
And by thyself, forlorn divinity,
The pale Omega of a wither'd race,
Let me behold, according as thou saidst,
What in thy brain so ferments to and fro!"
No sooner had this conjuration past
My devout lips, than side by side we stood
(Like a stunt bramble by a solemn pine)
Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon and eve's one star.
Onward I look'd beneath the gloomy boughs,
And saw what first I thought an image huge,
Like to the image pedestall'd so high
In Saturn's temple; then Moneta's voice
Came brief upon mine ear. "So Saturn sat
When he had lost his realms;" whereon there grew
A power within me of enormous ken
To see as a god sees, and take the depth
Of things as nimbly as the outward eye
Can size and shape pervade. The lofty theme
Of those few words hung vast before my mind
With half-unravell'd web. I sat myself
Upon an eagle's watch, that I might see,
And seeing ne'er forget. No stir of life
Was in this shrouded vale, -- not so much air
As in the zoning of a summer's day
Robs not one light seed from the feather'd grass;
But where the dead leaf fell there did it rest.
A stream went noiseless by, still deaden'd more
By reason of the fallen divinity
Spreading more shade; the Naiad 'mid her reeds
Prest her cold finger closer to her lips.
Along the margin-sand large foot-marks went
No further than to where old Saturn's feet
Had rested, and there slept how long a sleep!
Degraded, cold, upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred, and his realmless eyes were closed;
While his bow'd head seem'd listening to the Earth,
His ancient mother, for some comfort yet.
It seem'd no force could wake him from his place;
But there came one who, with a kindred hand,
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
Then came the griev'd voice of Mnemosyne,
And griev'd I hearken'd. "That divinity
Whom thou saw'st step from yon forlornest wood,
And with slow pace approach our fallen king,
Is Thea, softest-natured of our brood."
I mark'd the Goddess, in fair statuary
Surpassing wan Moneta by the head,
And in her sorrow nearer woman's tears.
There was a list'ning fear in her regard,
As if calamity had but begun;
As if the venom'd clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up,
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain;
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning, with parted lips some words she spoke
In solemn tenour and deep organ-tone;
Some mourning words, which in our feeble tongue
Would come in this like accenting; how frail
To that large utterance of the early gods!
"Saturn, look up! and for what, poor lost king?
I have no comfort for thee; no, not one;
I cannot say, wherefore thus sleepest thou?
For Heaven is parted from thee, and the Earth
Knows thee not, so afflicted, for a god.
The Ocean, too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thy hoary majesty.
Thy thunder, captious at the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning, in unpractis'd hands,
Scourges and burns our once serene domain.
"With such remorseless speed still come new woes,
That unbelief has not a space to breathe.
Saturn! sleep on: me thoughtless, why should I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn! sleep on, while at thy feet I weep."
As when upon a tranced summer-night
Forests, branch-charmed by the earnest stars,
Dream, and so dream all night without a noise,
Save from one gradual solitary gust
Swelling upon the silence, dying off,
As if the ebbing air had but one wave,
So came these words and went; the while in tears
She prest her fair large forehead to the earth,
Just where her fallen hair might spread in curls,
A soft and silken net for Saturn's feet.
Long, long these two were postured motionless,
Like sculpture builded-up upon the grave
Or their own power. A long awful time
I look'd upon them: still they were the same;
The frozen God still bending to the earth,
And the sad Goddess weeping at his feet;
Moneta silent. Without stay or prop
But my own weak mortality, I bore
The load of this eternal quietude,
The unchanging gloom and the three fixed shapes
Ponderous upon my senses, a whole moon;
For by my burning brain I measured sure
Her silver seasons shedded on the night.
And every day by day methought I grew
More gaunt and ghostly. Oftentimes I pray'd
Intense, that death would take me from the vale
And all its burthens; gasping with despair
Of change, hour after hour I curs'd myself,
Until old Saturn rais'd his faded eyes,
And look'd around and saw his kingdom gone,
And all the gloom and sorrow of the place,
And that fair kneeling Goddess at his feet.
As the moist scent of flowers, and grass, and leaves,
Fills forest-dells with a pervading air,
Known to the woodland nostril, so the words
Of Saturn fill'd the mossy glooms around,
Even to the hollows of time-eaten oaks,
And to the windings of the foxes' hole,
With sad, low tones, while thus he spoke, and sent
Strange moanings to the solitary Pan.
"Moan, brethren, moan, for we are swallow'd up
And buried from all godlike exercise
Of influence benign on planets pale,
And peaceful sway upon man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in. Moan and wail;
Moan, brethren, moan; for lo, the rebel spheres
Spin round; the stars their ancient courses keep;
Clouds still with shadowy moisture haunt the earth,
Still suck their fill of light from sun and moon;
Still buds the tree, and still the seashores murmur;
There is no death in all the universe,
No smell of death. -- There shall be death. Moan, moan,
Moan, Cybele, moan; for thy pernicious babes
Weak as the reed, weak, feeble as my voice.
Oh! Oh! the pain, the pain of feebleness;
Moan, moan, for still I thaw; or give me help;
Throw down those imps, and give me victory.
Let me hear other groans, and trumpets blown
Of triumph calm, and hymns of festival,
From the gold peaks of heaven's high-piled clouds;
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children." So he feebly ceased,
With such a poor and sickly-sounding pause,
Methought I heard some old man of the earth
Bewailing earthly loss; nor could my eyes
And ears act with that unison of sense
Which marries sweet sound with the grace of form,
And dolorous accent from a tragic harp
With large-limb'd visions. More I scrutinized.
Still fixt he sat beneath the sable trees,
Whose arms spread straggling in wild serpent forms
With leaves all hush'd; his awful presence there
(Now all was silent) gave a deadly lie
To what I erewhile heard: only his lips
Trembled amid the white curls of his beard;
They told the truth, though round the snowy locks
Hung nobly, as upon the face of heaven
A mid-day fleece of clouds. Thea arose,
And stretcht her white arm through the hollow dark,
Pointing some whither: whereat he too rose,
Like a vast giant, seen by men at sea
To grow pale from the waves at dull midnight.
They melted from my sight into the woods;
Ere I could turn, Moneta cry'd, "These twain
Are speeding to the families of grief,
Where, rooft in by black rocks, they waste in pain
And darkness, for no hope." And she spake on,
As ye may read who can unwearied pass
Onward from the antechamber of this dream,
Where, even at the open doors, awhile
I must delay, and glean my memory
Of her high phrase -- perhaps no further dare.
CANTO II.
"Mortal, that thou may'st understand aright,
I humanize my sayings to thine ear,
Making comparisons of earthly things;
Or thou might'st better listen to the wind,
Whose language is to thee a barren noise,
Though it blows legend-laden thro' the trees.
In melancholy realms big tears are shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe.
The Titans fierce, self-hid or prison-bound,
Groan for the old allegiance once more,
Listening in their doom for Saturn's voice.
But one of the whole eagle-brood still keeps
His sovereignty, and rule, and majesty:
Blazing Hyperion on his orbed fire
Still sits, still snuffs the incense teeming up
From Man to the Sun's God -- yet insecure.
For as upon the earth dire prodigies
Fright and perplex, so also shudders he;
Not at dog's howl or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing bell,
Or prophesyings of the midnight lamp;
But horrors, portioned to a giant nerve,
Make great Hyperion ache. His palace bright,
Bastion'd with pyramids of shining gold,
And touch'd with shade of bronzed obelisks,
Glares a blood-red thro' all the thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flash angerly; when he would taste the wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate takes
Savour of poisonous brass and metals sick;
Wherefore when harbour'd in the sleepy West,
After the full completion of fair day,
For rest divine upon exalted couch,
And slumber in the arms of melody,
He paces through the pleasant hours of ease,
With strides colossal, on from hall to hall,
While far within each aisle and deep recess
His winged minions in close clusters stand
Amaz'd, and full of fear; like anxious men,
Who on a wide plain gather in sad troops,
When earthquakes jar their battlements and towers.
Even now where Saturn, rous'd from icy trance,
Goes step for step with Thea from yon woods,
Hyperion, leaving twilight in the rear,
Is sloping to the threshold of the West.
Thither we tend." Now in the clear light I stood,
Reliev'd from the dusk vale. Mnemosyne
Was sitting on a square-edg'd polish'd stone,
That in its lucid depth reflected pure
Her priestess' garments. My quick eyes ran on
From stately nave to nave, from vault to vault,
Through bow'rs of fragrant and enwreathed light,
And diamond-paved lustrous long arcades.
Anon rush'd by the bright Hyperion;
His flaming robes stream'd out beyond his heels,
And gave a roar as if of earthy fire,
That scar'd away the meek ethereal hours,
And made their dove-wings tremble. On he flared.
* * * * * * * * * * * * * * * * * *
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion, A Vision - Attempted Reconstruction Of The Poem
,#NFDB
810:A TRAGEDY
IN FIVE ACTS
DRAMATIS PERSONS
OTHO THE GREAT, Emperor of Germany.
LUDOLPH, his Son.
CONRAD, Duke of Franconia.
ALBERT, a Knight, favoured by Otho.
SIGIFRED, an Officer, friend of Ludolph.
THEODORE, an Officer
GONFRED, an Officer
ETHELBERT. an Abbot.
GERSA, Prince of Hungary.
An Hungarian Captain.
Physician.
Page.
Nobles, Knights, Attendants, and Soldiers.
ERMINIA, Niece of Otho.
AURANTHE, Conrad's Sister.
Ladies and Attendants.
SCENE. The Castle of Friedburg, its vicinity, and the Hungarian Camp.
TIME. One Day.
SCENE I. An Apartment in the Castle. Enter CONRAD.
Conrad. So, I am safe emerged from these broils!
Amid the wreck of thousands I am whole;
For every crime I have a laurel-wreath,
For every lie a lordship. Nor yet has
My ship of fortune furl'd her silken sails,
Let her glide on! This danger'd neck is saved,
By dexterous policy, from the rebel's axe;
And of my ducal palace not one stone
Is bruised by the Hungarian petards.
Toil hard, ye slaves, and from the miser-earth
Bring forth once more my bullion, treasured deep,
With ah my jewell'd salvers, silver and gold,
And precious goblets that make rich the wine.
But why do I stand babbling to myself?
Where is Auranthe? I have news for her
Shall-
Enter AURANTHE.
Auranthe. Conrad! what tidings? Good, if I may guess
From your alert eyes and high-lifted brows.
What tidings of the battle? Albert? Ludolph? Otho?
Conrad. You guess aright. And, sister, slurring o'er
Our by-gone quarrels, I confess my heart
Is beating with a child's anxiety,
To make our golden fortune known to you.
Auranthe. So serious?
Conrad. Yes, so serious, that before
I utter even the shadow of a hint
Concerning what will make that sin-worn cheek
Blush joyous blood through every lineament,
You must make here a solemn vow to me.
Auranthe. I prythee, Conrad, do not overact
The hypocrite what vow would you impose?
Conrad. Trust me for once, that you may be assured
'Tis not confiding to a broken reed,
A poor Court-bankrupt, outwitted and lost,
Revolve these facts in your acutest mood,
In such a mood as now you listen to me:
A few days since, I was an open rebel
Against the Emperor, had suborn'd his son,
Drawn off his nobles to revolt, and shown
Contented fools causes for discontent
Fresh hatch'd in my ambition's eagle nest
So thrived I as a rebel, and behold
Now I am Otho's favourite, his dear friend,
His right hand, his brave Conrad.
Auranthe. I confess
You have intrigued with these unsteady times
To admiration; but to be a favourite
Conrad. I saw my moment. The Hungarians,
Collected silently in holes and corners,
Appeared, a sudden host, in the open day.
I should have perish'd in our empire's wreck,
But, calling interest loyalty, swore faith
To most believing Otho; and so helped
His blood-stained ensigns to the victory
In yesterday's hard fight, that it has turn'd
The edge of his sharp wrath to eager kindness.
Auranthe. So far yourself. But what is this to me
More than that I am glad? I gratulate you.
Conrad. Yes, sister, but it does regard you greatly,
Nearly, momentously, aye, painfully!
Make me this vow
Auranthe. Concerning whom or what?
Conrad. Albert!
Auranthe. I would inquire somewhat of him:
You had a letter from me touching him?
No treason 'gainst his head in deed or word!
Surely you spar'd him at my earnest prayer?
Give me the letter it should not exist!
Conrad. At one pernicious charge of the enemy,
I, for a moment-whiles, was prisoner ta'en
And rifled, stuff! the horses' hoofs have minc'd it!
Auranthe. He is alive?
Conrad. He is! but here make oath
To alienate him from your scheming brain,
Divorce him from your solitary thoughts,
And cloud him in such utter banishment,
That when his person meets again your eye,
Your vision shall quite lose its memory,
And wander past him as through vacancy.
Auranthe. I'll not be perjured.
Conrad. No, nor great, nor mighty;
You would not wear a crown, or rule a kingdom.
To you it is indifferent.
Auranthe. What means this?
Conrad. You'll not be perjured! Go to Albert then,
That camp-mushroom dishonour of our house.
Go, page his dusty heels upon a march,
Furbish his jingling baldric while he sleeps,
And share his mouldy ration in a siege.
Yet stay, perhaps a charm may call you back,
And make the widening circlets of your eyes
Sparkle with healthy fevers. The Emperor
Hath given consent that you should marry Ludolph!
Auranthe. Can it be, brother? For a golden crown
With a queen's awful lips I doubly thank you!
This is to wake in Paradise ! Farewell
Thou clod of yesterday 'twas not myself!
Not till this moment did I ever feel
My spirit's faculties! I'll flatter you
For this, and be you ever proud of it;
Thou, Jove-like, struck'dst thy forehead,
And from the teeming marrow of thy brain
I spring complete Minerva! But the prince
His highness Ludolph where is he?
Conrad. I know not:
When, lackeying my counsel at a beck,
The rebel lords, on bended knees, received
The Emperor's pardon, Ludolph kept aloof,
Sole, in a stiff, fool-hardy, sulky pride;
Yet, for all this, I never saw a father
In such a sickly longing for his son.
We shall soon see him, for the Emperor
He will be here this morning.
Auranthe. That I heard
Among the midnight rumours from the camp.
Conrad. You give up Albert to me?
Auranthe. Harm him not!
E'en for his highness Ludolph's sceptry hand,
I would not Albert suffer any wrong.
Conrad. Have I not laboured, plotted ?
Auranthe. See you spare him:
Nor be pathetic, my kind benefactor,
On all the many bounties of your hand,
'Twas for yourself you laboured not for me!
Do you not count, when I am queen, to take
Advantage of your chance discoveries
Of my poor secrets, and so hold a rod
Over my life?
Conrad. Let not this slave this villain
Be cause of feud between us. See! he comes!
Look, woman, look, your Albert is quite safe!
In haste it seems. Now shall I be in the way,
And wish'd with silent curses in my grave,
Or side by side with 'whelmed mariners.
Enter ALBERT.
Albert. Fair on your graces fall this early morrow!
So it is like to do, without my prayers,
For your right noble names, like favourite tunes,
Have fallen full frequent from our Emperor's lips,
High commented with smiles.
Auranthe. Noble Albert!
Conrad (aside). Noble!
Auranthe. Such salutation argues a glad heart
In our prosperity. We thank you, sir.
Albert. Lady! O, would to Heaven your poor servant
Could do you better service than mere words!
But I have other greeting than mine own,
From no less man than Otho, who has sent
This ring as pledge of dearest amity;
'Tis chosen I hear from Hymen's jewel'ry,
And you will prize it, lady, I doubt not,
Beyond all pleasures past, and all to come.
To you great duke
Conrad. To me! What of me, ha?
Albert. What pleas'd your grace to say?
Conrad. Your message, sir!
Albert. You mean not this to me?
Conrad. Sister, this way;
For there shall be no '''gentle Alberts" now, [Aside.
No "sweet Auranthes!"
[Exeunt CONRAD and AURANTHE.
Albert (solus). The duke is out of temper; if he knows
More than a brother of a sister ought,
I should not quarrel with his peevishness.
Auranthe Heaven preserve her always fair!
Is in the heady, proud, ambitious vein;
I bicker not with her, bid her farewell!
She has taken flight from me, then let her soar,
He is a fool who stands at pining gaze!
But for poor Ludolph, he is food for sorrow:
No levelling bluster of my licens'd thoughts,
No military swagger of my mind,
Can smother from myself the wrong I've done him,
Without design, indeed, yet it is so,
And opiate for the conscience have I none! [Exit.
SCENE II. The Court-yard of the Castle.
Martial Music. Enter, from the outer gate, OTHO, Nobles, Knights, and
Attendants. The Soldiers halt at the gate, with Banners in sight.
Otho. Where is my noble herald?
Enter CONRAD, from the Castle, attended by two Knights and
Servants. ALBERT following.
Well, hast told
Auranthe our intent imperial?
Lest our rent banners, too o' the sudden shown,
Should fright her silken casements, and dismay
Her household to our lack of entertainment.
A victory!
Conrad. God save illustrious Otho!
Otho. Aye, Conrad, it will pluck out all grey hairs;
It is the best physician for the spleen;
The courtliest inviter to a feast;
The subtlest excuser of small faults;
And a nice judge in the age and smack of wine.
Enter, from the Castle, AURANTHE, followed by Pages holding
up her robes, and a tram of Women. She kneels.
Hail my sweet hostess! I do thank the stars,
Or my good soldiers, or their ladies' eyes,
That, after such a merry battle fought,
I can, all safe in body and in soul,
Kiss your fair hand and lady fortune's too.
My ring! now, on my life, it doth rejoice
These lips to feel 't on this soft ivory!
Keep it, my brightest daughter; it may prove
The little prologue to a line of kings.
I strove against thee and my hot-blood son,
Dull blockhead that I was to be so blind,
But now my sight is clear; forgive me, lady.
Auranthe. My lord, I was a vassal to your frown,
And now your favour makes me but more humble;
In wintry winds the simple snow is safe,
But fadeth at the greeting of the sun:
Unto thine anger I might well have spoken,
Taking on me a woman's privilege,
But this so sudden kindness makes me dumb.
Otho. What need of this? Enough, if you will be
A potent tutoress to my wayward boy,
And teach him, what it seems his nurse could not
To say, for once, I thank you. Sigifred!
Albert. He has not yet return'd, my gracious liege.
Otho. What then! No tidings of my friendly Arab?
Conrad. None, mighty Otho.
[To one of his Knights, who goes out.
Send forth instantly
An hundred horsemen from my honoured gates,
To scour the plains and search the cottages.
Cry a reward, to him who shall first bring
News of that vanished Arabian,
A full-heap'd helmet of the purest gold.
Otho. More thanks, good Conrad; for, except my son's,
There is no face I rather would behold
Than that same quick-eyed pagan's. By the saints,
This coming night of banquets must not light
Her dazzling torches; nor the music breathe
Smooth, without clashing cymbal, tones of peace
And in-door melodies; nor the ruddy wine
Ebb spouting to the lees; if I pledge not
In my first cup, that Arab!
Albert. Mighty Monarch,
I wonder not this stranger's victor-deeds
So, hang upon your spirit. Twice in the fight
It was my chance to meet his olive brow,
Triumphant in the enemy's shatter 'd rhomb;
And, to say truth, in any Christian arm
I never saw such prowess.
Otho. Did you ever?
O, 'tis a noble boy! tut! what do I say?
I mean a triple Saladin, whose eyes,
When in the glorious scuffle they met mine,
Seem'd to say "Sleep, old man, in safety sleep;
I am the victory!"
Conrad. Pity he's not here.
Otho. And my son too, pity he is not here.
Lady Auranthe, I would not make you blush,
But can you give a guess where Ludolph is?
Know you not of him?
Auranthe. Indeed, my liege, no secret
Otho. Nay, nay, without more words, dost know of him?
Auranthe. I would I were so over-fortunate,
Both for his sake and mine, and to make glad
A father's ears with tidings of his son.
Otho. I see 'tis like to be a tedious day.
Were Theodore and Gonfred and the rest
Sent forth with my commands?
Albert. Aye, my lord.
Otho. And no news! No news! 'Faith! 'tis very strange
He thus avoids us. Lady, is't not strange?
Will he be truant to you too? It is a shame.
Conrad. Will 't please your highness enter, and accept
The unworthy welcome of your servant's house?
Leaving your cares to one whose diligence
May in few hours make pleasures of them all.
Otho. Not so tedious, Conrad. No, no, no,
I must see Ludolph or the What's that shout!
Voices without. Huzza! huzza! Long live the Emperor!
Other Voices. Fall back! Away there!
Otho. Say, what noise is that?
[ALBERT advancing from the bark of the Stage, whither he had
hastened on hearing the cheers of the soldiery.
Albert. It is young Gersa, the Hungarian prince,
Pick'd like a red stag from the fallow herd
Of prisoners. Poor prince, forlorn he steps,
Slow, and demure, and proud in his despair.
If I may judge by his so tragic bearing,
His eye not downcast, and his folded arm,
He doth this moment wish himself asleep
Among his fallen captains on yon plains.
Enter GERSA, in chains, and guarded,
Otho. Well said, Sir Albert.
Gersa. Not a word of greeting.
No welcome to a princely visitor,
Most mighty Otho? Will not my great host
Vouchsafe a syllable, before he bids
His gentlemen conduct me with all care
To some securest lodgings? cold perhaps!
Otho. What mood is this? Hath fortune touch'd thy brain?
Gersa. kings and princes of this fev'rous world,
What abject things, what mockeries must ye be,
What nerveless minions of safe palaces!
When here, a monarch, whose proud foot is used
To fallen princes' necks, as to his stirrup,
Must needs exclaim that I am mad forsooth,
Because I cannot flatter with bent knees
My conqueror!
Otho. Gersa, I think you wrong me:
I think I have a better fame abroad.
Gersa. I prythee mock me not with gentle speech,
But, as a favour, bid me from thy presence;
Let me no longer be the wondering food
Of all these eyes; prythee command me hence!
Otho. Do not mistake me, Gersa. That you may not,
Come, fair Auranthe, try if your soft hands
Can manage those hard rivets to set free
So brave a prince and soldier.
Auranthe (sets him free). Welcome task!
Gersa. I am wound up in deep astonishment!
Thank you, fair lady. Otho! emperor!
You rob me of myself; my dignity
Is now your infant; I am a weak child.
Otho. Give me your hand, and let this kindly grasp
Live in our memories.
Gersa. In mine it will.
I blush to think of my unchasten'd tongue;
But I was haunted by the monstrous ghost
Of all our slain battalions. Sire, reflect,
And pardon you will grant, that, at this hour,
The bruised remnants of our stricken camp
Are huddling undistinguish'd my dear friends,
With common thousands, into shallow graves.
Otho. Enough, most noble Gersa. You are free
To cheer the brave remainder of your host
By your own healing presence, and that too,
Not as their leader merely, but their king;
For, as I hear, the wily enemy,
Who eas'd the crownet from your infant brows,
Bloody Taraxa, is among the dead.
Gersa. Then I retire, so generous Otho please,
Bearing with me a weight of benefits
Too heavy to be borne.
Otho. It is not so;
Still understand me, King of Hungary,
Nor judge my open purposes awry.
Though I did hold you high in my esteem
For your self's sake, I do not personate
The stage-play emperor to entrap applause,
To set the silly sort o' the world agape,
And make the politic smile; no, I have heard
How in the Council you condemn 'd this war,
Urging the perfidy of broken faith,
For that I am your friend.
Gersa. If ever, sire,
You are mine enemy, I dare here swear
'Twill not be Gersa's fault. Otho, farewell!
Otho. Will you return, Prince, to our banqueting?
Gersa. As to my father's board I will return.
Otho. Conrad, with all due ceremony, give
The prince a regal escort to his camp;
Albert, go thou and bear him company.
Gersa, farewell!
Gersa. All happiness attend you!
Otho. Return with what good speed you may; for soon
We must consult upon our terms of peace.
[Exeunt GERSA and ALBERT with others.
And thus a marble column do I build
To prop my empire's dome. Conrad, in thee
I have another stedfast one, to uphold
The portals of my state; and, for my own
Pre-eminence and safety, I will strive
To keep thy strength upon its pedestal.
For, without thee, this day I might have been
A show-monster about the streets of Prague,
In chains, as just now stood that noble prince:
And then to me no mercy had been shown,
For when the conquered lion is once dungeon'd,
Who lets him forth again? or dares to give
An old lion sugar-cates of mild reprieve?
Not to thine ear alone I make confession,
But to all here, as, by experience,
I know how the great basement of all power
Is frankness, and a true tongue to the world;
And how intriguing secrecy is proof
Of fear and weakness, and a hollow state.
Conrad, I owe thee much.
Conrad. To kiss that hand,
My emperor, is ample recompense,
For a mere act of duty.
Otho. Thou art wrong;
For what can any man on earth do more?
We will make trial of your house's welcome,
My bright Auranthe!
Conrad. How is Friedburg honoured!
Enter ETHELBERT and six Monks.
Ethelbert. The benison of heaven on your head,
Imperial Otho!
Otho. Who stays me? Speak! Quick!
Ethelbert. Pause but one moment, mighty conqueror
Upon the threshold of this house of joy.
Otho. Pray, do not prose, good Ethelbert, but speak
What is your purpose.
Ethelbert. The restoration of some captive maids,
Devoted to Heaven's pious ministries,
Who, being driven from their religious cells,
And kept in thraldom by our enemy,
When late this province was a lawless spoil,
Still weep amid the wild Hungarian camp,
Though hemm'd around by thy victorious arms.
Otho. Demand the holy sisterhood in our name
From Gersa's tents. Farewell, old Ethelbert.
Ethelbert. The saints will bless you for this pious care.
Otho. Daughter, your hand; Ludolph's would fit it best.
Conrad. Ho ! let the music sound !
[Music. ETHELBERT raises his hands, as in benediction of OTHO.
Exeunt severally. The scene closes on them.
SCENE III. The Country, with the Castle in the distance.
Enter LUDOLPH and SIGIFRED.
Ludolph. You have my secret; let it not be breath 'd.
Sigifred. Still give me leave to wonder that the Prince
Ludolph and the swift Arab are the same ;
Still to rejoice that 'twas a German arm
Death doing in a turban'd masquerade.
Ludolph. The Emperor must not know it, Sigifred.
Sigifred. I prythee, why? What happier hour of time
Could thy pleasd star point down upon from heaven
With silver index, bidding thee make peace?
Ludolph. Still it must not be known, good Sigifred;
The star may point oblique.
Sigifred. If Otho knew
His son to be that unknown Mussulman
After whose spurring heels he sent me forth,
With one of his well-pleas'd Olympian oaths,
The charters of man's greatness, at this hour
He would be watching round the castle walls,
And, like an anxious warder, strain his sight
For the first glimpse of such a son return 'd
Ludolph, that blast of the Hungarians,
That Saracenic meteor of the fight,
That silent fury, whose fell Scymitar
Kept danger all aloof from Otho's head,
And left him space for wonder.
Ludolph. Say no more.
Not as a swordsman would I pardon claim,
But as a son. The bronz'd centurion,
Long toil'd in foreign wars, and whose high deeds
Are shaded in a forest of tall spears,
Known only to his troop, hath greater plea
Of favour with my sire than I can have.
Sigifred. My lord, forgive me that I cannot see
How this proud temper with clear reason squares.
What made you then, with such an anxious love,
Hover around that life, whose bitter days
You vext with bad revolt? Was 't opium,
Or the mad-fumed wine? Nay, do not frown,
I rather would grieve with you than upbraid.
Ludolph. I do believe you. No, 'twas not to make
A father his son's debtor, or to heal
His deep heart-sickness for a rebel child.
Twas done in memory of my boyish days,
Poor cancel for his kindness to my youth,
For all his calming of my childish griefs,
And all his smiles upon my merriment.
No, not a thousand foughten fields could sponge
Those days paternal from my memory,
Though now upon my head he heaps disgrace.
Sigifred. My Prince, you think too harshly
Ludolph. Can I so?
Hath he not gall'd my spirit to the quick?
And with a sullen rigour obstinate
Pour'd out a phial of wrath upon my faults?
Hunted me as the Tartar does the boar,
Driven me to the very edge o' the world,
And almost put a price upon my head?
Sigifred. Remember how he spar'd the rebel lords.
Ludolph. Yes, yes, I know he hath a noble nature
That cannot trample on the fallen. But his
Is not the only proud heart in his realm.
He hath wrong'd me, and I have done him wrong;
He hath lov'd me, and I have shown him kindness;
We should be almost equal.
Sigifred. Yet, for all this,
I would you had appear 'd among those lords,
And ta'en his favour.
Ludolph. Ha! till now I thought
My friend had held poor Ludolph's honour dear.
What ! would you have me sue before his throne
And kiss the courtier's missal, its silk steps?
Or hug the golden housings of his steed,
Amid a camp, whose steeled swarms I dar'd
But yesterday? And, at the trumpet sound,
Bow like some unknown mercenary's flag,
And lick the soiled grass? No, no, my friend,
I would not, I, be pardon'd in the heap,
And bless indemnity with all that scum,
Those men I mean, who on my shoulders propped
Their weak rebellion, winning me with lies,
And pitying forsooth my many wrongs;
Poor self-deceived wretches, who must think
Each one himself a king in embryo,
Because some dozen vassals cry'd my lord!
Cowards, who never knew their little hearts,
Till flurried danger held the mirror up,
And then they own'd themselves without a blush,
Curling, like spaniels, round my father's feet.
Such things deserted me and are forgiven,
While I, least guilty, am an outcast still,
And will be, for I love such fair disgrace.
Sigifred. I know the clear truth; so would Otho see,
For he is just and noble. Fain would I
Be pleader for you
Ludolph. He'll hear none of it;
You know his temper, hot, proud, obstinate;
Endanger not yourself so uselessly.
I will encounter his thwart spleen myself,
To-day, at the Duke Conrad's, where he keeps
His crowded state after the victory.
There will I be, a most unwelcome guest,
And parley with him, as a son should do,
Who doubly loathes a father's tyranny;
Tell him how feeble is that tyranny;
How the relationship of father and son
Is no more valid than a silken leash
Where lions tug adverse, if love grow not
From interchanged love through many years.
Aye, and those turreted Franconian walls,
Like to a jealous casket, hold my pearl
My fair Auranthe! Yes, I will be there.
Sigifred. Be not so rash; wait till his wrath shall pass,
Until his royal spirit softly ebbs
Self-influenced ; then, in his morning dreams
He will forgive thee, and awake in grief
To have not thy good morrow.
Ludolph. Yes, to-day
I must be there, while her young pulses beat
Among the new-plum'd minions of the war.
Have you seen her of late? No? Auranthe,
Franconia's fair sister, 'tis I mean.
She should be paler for my troublous days
And there it is my father's iron lips
Have sworn divorcement 'twixt me and my right.
Sigifred (aside). Auranthe! I had hop'd this whim had pass'd.
Ludolph. And, Sigifred, with all his love of justice,
When will he take that grandchild in his arms,
That, by my love I swear, shall soon be his?
This reconcilement is impossible,
For see but who are these?
Sigifred. They are messengers
From our great emperor; to you, I doubt not,
For couriers are abroad to seek you out.
Enter THEODORE and GONFRED.
Theodore. Seeing so many vigilant eyes explore
The province to invite your highness back
To your high dignities, we are too happy.
Gonfred. We have no eloquence to colour justly
The emperor's anxious wishes.
Ludolph. Go. I follow you.
[Exeunt THEODORE and GONFRED.
I play the prude : it is but venturing
Why should he be so earnest? Come, my friend,
Let us to Friedburg castle.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act I
,#NFDB
811:I.
I weep for Adonais -he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"
II.
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.
III.
O, weep for Adonais -he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend; -oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.
IV.
Most musical of mourners, weep again!
Lament anew, Urania! -He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country's pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o'er earth; the third among the sons of light.
V.
Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame's serene abode.
VI.
But now, thy youngest, dearest one, has perished -
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies -the storm is overpast.
VII.
To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal. -Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.
VIII.
He will awake no more, oh, never more! -
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o'er his sleep the mortal curtain draw.
IX.
O, weep for Adonais! -The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not, -
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne'er will gather strength, or find a home again.
X.
And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
"Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain."
Lost Angel of a ruined Paradise!
She knew not 'twas her own; as with no stain
She faded, like a cloud which had outwept its rain.
XI.
One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.
XII.
Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.
XIII.
And others came Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp; -the moving pomp might seem
Like pageantry of mist on an autumnal stream.
XIV.
All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.
XV.
Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman's horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds: -a drear
Murmur, between their songs, is all the woodmen hear.
XVI.
Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.
XVII.
Thy spirit's sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun's domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!
XVIII.
Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season's bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.
XIX.
Through wood and stream and field and hill and Ocean
A quickening life from the Earth's heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life's sacred thirst;
Diffuse themselves; and spend in love's delight
The beauty and the joy of their renewed might.
XX.
The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning? -the intense atom glows
A moment, then is quenched in a most cold repose.
XXI.
Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.
XXII.
He will awake no more, oh, never more!
"Wake thou," cried Misery, "childless Mother, rise
Out of thy sleep, and slake, in thy heart's core,
A wound more fierce than his with tears and sighs."
And all the Dreams that watched Urania's eyes,
And all the Echoes whom their sister's song
Had held in holy silence, cried: "Arise!"
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.
XXIII.
She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.
XXIV.
Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where'er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.
XXV.
In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life's pale light
Flashed through those limbs, so late her dear delight.
"Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!" cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.
XXVI.
"'Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!
XXVII.
"O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life's waste had fled from thee like deer.
XXVIII.
"The herded wolves, bold only to pursue;
The obscene ravens, clamorous o'er the dead;
The vultures to the conqueror's banner true
Who feed where Desolation first has fed,
And whose wings rain contagion; -how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled! -The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.
XXIX.
"The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit's awful night."
XXX.
Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.
XXXI.
Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature's naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o'er the world's wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.
XXXII.
A pardlike Spirit beautiful and swift -
A Love in desolation masked; -a Power
Girt round with weakness; -it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow; -even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.
XXXIII.
His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest's noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter's dart.
XXXIV.
All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another's fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger's mien, and murmured: "Who art thou?"
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain's or Christ's -oh! that it should be so!
XXXV.
What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o'er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart's accepted sacrifice.
XXXVI.
Our Adonais has drunk poison -oh!
What deaf and viperous murderer could crown
Life's early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master's hand is cold, whose silver lyre unstrung.
XXXVII.
Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o'erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt -as now.
XXXVIII.
Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now -
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.
XXXIX.
Peace, peace! he is not dead, he doth not sleep -
He hath awakened from the dream of life -
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. -We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.
XL.
He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world's slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit's self has ceased to burn,
With sparkless ashes load an unlamented urn.
XLI.
He lives, he wakes -'tis Death is dead, not he;
Mourn not for Adonais. -Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil thy scarf hadst thrown
O'er the abandoned Earth, now leave it bare
Even to the joyous stars which smile on its despair!
XLII.
He is made one with Nature: there is heard
His voice in all her music, from the moan
Of thunder, to the song of night's sweet bird;
He is a presence to be felt and known
In darkness and in light, from herb and stone,
Spreading itself where'er that Power may move
Which has withdrawn his being to its own;
Which wields the world with never-wearied love,
Sustains it from beneath, and kindles it above.
XLIII.
He is a portion of the loveliness
Which once he made more lovely: he doth bear
His part, while the one Spirit's plastic stress
Sweeps through the dull dense world, compelling there
All new successions to the forms they wear;
Torturing th' unwilling dross that checks its flight
To its own likeness, as each mass may bear;
And bursting in its beauty and its might
From trees and beasts and men into the Heavens' light.
XLIV.
The splendours of the firmament of time
May be eclipsed, but are extinguished not;
Like stars to their appointed height they climb,
And death is a low mist which cannot blot
The brightness it may veil. When lofty thought
Lifts a young heart above its mortal lair,
And love and life contend in it, for what
Shall be its earthly doom, the dead live there
And move like winds of light on dark and stormy air.
XLV.
The inheritors of unfulfilled renown
Rose from their thrones, built beyond mortal thought,
Far in the Unapparent. Chatterton
Rose pale, -his solemn agony had not
Yet faded from him; Sidney, as he fought
And as he fell and as he lived and loved
Sublimely mild, a Spirit without spot,
Arose; and Lucan, by his death approved:
Oblivion as they rose shrank like a thing reproved.
XLVI.
And many more, whose names on Earth are dark,
But whose transmitted effluence cannot die
So long as fire outlives the parent spark,
Rose, robed in dazzling immortality.
"Thou art become as one of us," they cry,
"It was for thee yon kingless sphere has long
Swung blind in unascended majesty,
Silent alone amid an Heaven of Song.
Assume thy winged throne, thou Vesper of our throng!"
XLVII.
Who mourns for Adonais? Oh, come forth,
Fond wretch! and know thyself and him aright.
Clasp with thy panting soul the pendulous Earth;
As from a centre, dart thy spirit's light
Beyond all worlds, until its spacious might
Satiate the void circumference: then shrink
Even to a point within our day and night;
And keep thy heart light lest it make thee sink
When hope has kindled hope, and lured thee to the brink.
XLVIII.
Or go to Rome, which is the sepulchre,
Oh, not of him, but of our joy: 'tis nought
That ages, empires, and religions there
Lie buried in the ravage they have wrought;
For such as he can lend, -they borrow not
Glory from those who made the world their prey;
And he is gathered to the kings of thought
Who waged contention with their time's decay,
And of the past are all that cannot pass away.
XLIX.
Go thou to Rome, -at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;
L.
And grey walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.
LI.
Here pause: these graves are all too young as yet
To have outgrown the sorrow which consigned
Its charge to each; and if the seal is set,
Here, on one fountain of a mourning mind,
Break it not thou! too surely shalt thou find
Thine own well full, if thou returnest home,
Of tears and gall. From the world's bitter wind
Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?
LII.
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments. -Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled! -Rome's azure sky,
Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.
LIII.
Why linger, why turn back, why shrink, my Heart?
Thy hopes are gone before: from all things here
They have departed; thou shouldst now depart!
A light is passed from the revolving year,
And man, and woman; and what still is dear
Attracts to crush, repels to make thee wither.
The soft sky smiles, -the low wind whispers near:
'Tis Adonais calls! oh, hasten thither,
No more let Life divide what Death can join together.
LIV.
That Light whose smile kindles the Universe,
That Beauty in which all things work and move,
That Benediction which the eclipsing Curse
Of birth can quench not, that sustaining Love
Which through the web of being blindly wove
By man and beast and earth and air and sea,
Burns bright or dim, as each are mirrors of
The fire for which all thirst, now beams on me,
Consuming the last clouds of cold mortality.
LV.
The breath whose might I have invoked in song
Descends on me; my spirit's bark is driven
Far from the shore, far from the trembling throng
Whose sails were never to the tempest given;
The massy earth and sphered skies are riven!
I am borne darkly, fearfully, afar;
Whilst, burning through the inmost veil of Heaven,
The soul of Adonais, like a star,
Beacons from the abode where the Eternal are.
Adonais was composed at Pisa during the early days of June, 1821, and printed, with the author's name, at Pisa, 'with the types of Didot,'by July 13, 1821. Part of the impression was sent to the brothers Ollier for sale in London. An exact reprint of this Pisa edition (a few typographical errors only being corrected) was issued in 1829 by Gee & Bridges, Cambridge, at the instance of Arthur Hallan and Richard Monckton Milnes (Lord Houghton). The poem was included in Galignani's edition of Coleridge, Shelley and Keats, Paris, 1829, and by Mrs. Shelley in the Poetical Works of 1839.
~ Percy Bysshe Shelley, Adonais - An elegy on the Death of John Keats
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812:I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.
II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.
III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.
IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;
V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."
VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!
VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"here she ceas'd her timid quest,
But in her tone and look he read the rest.
VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.
IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.
X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.
XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.
XII.
Were they unhappy then?It cannot be
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.
XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.
XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd loins did melt
In blood from stinging whip;with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.
XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.
XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?
XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast foreststhe untired
And pannier'd mules for ducats and old lies
Quick cat's-paws on the generous stray-away,
Great wits in Spanish, Tuscan, and Malay.
XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?
Yet so they didand every dealer fair
Must see behind, as doth the hunted hare.
XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.
XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is donesucceed the verse or fail
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.
XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.
XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.
XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.
XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.
XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.
XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back.""Good bye!" said she:
And as he went she chanted merrily.
XXVII.
So the two brothers and their murder'd man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.They pass'd the water
Into a forest quiet for the slaughter.
XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in lonelinessis ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.
XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's weed,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.
XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"
XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest
Not longfor soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.
XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,
XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers,