classes ::: book, Peter J Carroll, Peter J Carroll,
children :::
branches ::: Liber Null
see also :::

Instances - Definitions - Quotes - Chapters - Wordnet - Webgen


object:Liber Null
object:Liber Null & Psychonaut

description ::: Two complete volumes in one. Liber Null contains a selection of extremely powerful rituals and exercises for committed occultists. Psychonaut is a manual comprising the theory and practice of magic aimed atthose seeking to perform group magic, or who work as shamanic priests to the community.


LIBER NULL
Introduction
The Order and the Quest
Liber MMM:
  Mind Control
  Magic
  Dreaming
Liber LUX:
  LUX.01_-_GNOSIS
  LUX.02_-_EVOCATION
  LUX.03_-_INVOCATION
  LUX.04_-_LIBERATION
  LUX.05_-_AUGOEIDES
  LUX.06_-_DIVINATION
  LUX.07_-_ENCHANTMENT
Liber NOX:
  Sorcery
  The Double
  Transmogrification
  Ecstasy
  Random Belief
  The Alphabet of Desire
  The Millenium
Liber AOM:
  Aetherics
  Transubstantiation
  The Chaosphere
  Aeonics
  Reincarnation

PSYCHONAUT:An IOT Publication in Class 3 and 2 Comprising a Manual of the Theory and Practice of Magic
Introduction
New Aeon Magic
Group Magical Experiments
Levels of Consciousness
Magical Combat
The Rites of Chaos
  The Mass of Chaos
   Initiation
  Exorcism
  Extreme Unction: The Final Enchantment
  Ordination
Magical Time
Chemognosis
Magical Perspectives
  Chaos: The Secret of the Universe
  Baphomet
  The Psychic Censor
  The Demon Choronzon
Shamanism
Gnosticism
Occult Priestcraft
Magical Weapons
Magical Paradigms
Anecdotes
Catastrophe Theory and Magic
first line ::: The magic of the IOT is an intensely practical, personal, experimental art. Two major themes run through this
class: that altered states of consciousness are the key to unlocking one's magical abilities; and that these abilities can be developed without any symbolic system except reality itself.


class:book
author class:Peter J Carroll
subject:Occultism
subject:Chaos Magick
code:"/home/j/INTEGRAL/lib/OCCULTISM/CARROLL/Peter_Carroll-liber-null-psychonaut.txt"
pdf:"/home/j/INTEGRAL/lib/OCCULTISM/PDFS/OCCULTISM/CARROLL/Peter_Carroll-liber-null-psychonaut.pdf"





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OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
books_(by_alpha)
Liber_Null

IN CHAPTERS TITLE

IN CHAPTERS CLASSNAME
LUX.01_-_GNOSIS
LUX.02_-_EVOCATION
LUX.03_-_INVOCATION
LUX.04_-_LIBERATION
LUX.05_-_AUGOEIDES
LUX.06_-_DIVINATION
LUX.07_-_ENCHANTMENT

IN CHAPTERS TEXT
Liber
LUX.01_-_GNOSIS
LUX.02_-_EVOCATION
LUX.03_-_INVOCATION
LUX.04_-_LIBERATION
LUX.05_-_AUGOEIDES
LUX.06_-_DIVINATION
LUX.07_-_ENCHANTMENT

PRIMARY CLASS

book
that_altered_states_of_consciousness_are_the_key_to_unlocking_one's_magical_abilities;_and_that_these_abilities_can_be_developed_without_any_symbolic_system_except_reality_itself.
SIMILAR TITLES
Liber Null

DEFINITIONS



QUOTES [31 / 31 - 31 / 31]


KEYS (10k)

   30 Peter J Carroll
   1 Phil Hine

NEW FULL DB (2.4M)

   30 Peter J Carroll

1:Only laughter can be gotten away with for free.
   ~ Peter J Carroll, Liber Null,
2:Cynicism, sadness or laughter is the magicians privilege.
   ~ Peter J Carroll, Liber Null,
3:The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   ~ Peter J Carroll, Liber Null,
4:The magicians most important invocation is that of his Genius, Daemon, True Will, or Augoeides. This operation is traditionally known as attaining the Knowledge and Conversation of the Holy Guardian Angel. It is sometimes known as the Magnum Opus or Great Work.
   ~ Peter J Carroll, Liber Null,
5:From a magicial point of view, it is axiomatic that we have create the world in which we exist. Looking about himself, the magician can say 'thus have I will,' or 'thus do I perceive,' or more accurately, 'thus does my Kia manifest.'
   ~ Peter J Carroll, Liber Null, Liber LUX, Enchantment [55],
6:White Magic leans more toward the acquisition of wisdom and a general feeling of faith in the universe. The Black form in concerned more with the acquisition of power and is reflective of a basic faith in oneself.
   ~ Peter J Carroll, Liber Null, The Initiate Syllabuses 3o IOT, Liber Lux, Liber Nox [25],
7:A natural inclination toward the darker side of magic is as good a point as any from which to begin the ultimate quest, and half this book is devoted to the black arts. ... We will begin by discussing the Spirit of Black Magic. Magical power is the key to the heaven-hell of the now.
   ~ Peter J Carroll, Liber Null,
8:The magician therefore seeks unity of desire before he attempts to act. Desires are re-arranged before an act, not during it. In all things he must live like this. As reorganization of belief is the key to liberation, so is reorganization of desire the key to will.
   ~ Peter J Carroll, Liber Null, Liber LUX, Enchantment [56],
9:Anyone who masters these techniques fully has achieved a tremendous power over himself more valuable than health, love, fame, or riches. He has set himself free from the effects of the world; nothing can touch him unless he wills it. As it has been said, the sage who knows how can live comfortably in hell.
   ~ Peter J Carroll, Liber Null,
10:It may be necessary to regain one's original sexuality from the mass of fantasy and association into which it mostly sinks. This is achieved by judicious use of abstention and by arousing lust without any form of mental prop or fantasy. This exercise is also therapeutic. Be ye ever virgin unto Kia.
   ~ Peter J Carroll, Liber Null, Liber LUX, Gnosis [33],
11:A magical diary is the magicians most essential and powerful tool. It should be large enough to allow a full page for each day. Students should record the time, duration and degree of success of any practice undertaken. They should make notes about environmental factors conducive (or otherwise) to the work.
   ~ Peter J Carroll, Liber Null, Liber MMM [13],
12:The occult priest should be capable of instructing anyone in the procedures of emotional engineering. The main methods are the gnostic ones of casting oneself into a frenzied ecstacy, stilling the mind to a point of absolute quiescence, and evoking the laughter of the gods by combining laughter with the contemplation of paradox.
   ~ Peter J Carroll, Liber Null,
13:Further Reading:
Nightside of Eden - Kenneth Grant
Shamanic Voices - Joan Halifax
The Great Mother - Neumann
Fear & Loathing in Las Vegas - Hunter S. Thompson
Cities of the Red Night - William S. Burroughs
The Book of Pleasure - Austin Osman Spare
Thundersqueak - Angerford & Lea
The Masks of God - Joseph Campbell
An Introduction to Psychology - Hilgard, Atkinson & Atkinson
Liber Null - Pete Carroll ~ Phil Hine, Aspects of Evocation,
14:There is no magic drug which will by itself have the required effect. Rather drugs can be used in small doses to heighten the effect of excitation caused by the method already discussed. In all cases a large dose leads to depression, confusion and a general loss of control. Inhibitory drugs must be considered with even more caution because of their inherent danger. They often simply sever the life force and body altogether.
   ~ Peter J Carroll, Liber Null, Liber LUX, Gnosis [34-35],
15:To proceed, select any minor habit at random and delete it from your behaviour: at the same time adopt any new habit at random. The choices should not involve anything of spiritual, egocentric, or emotional significance, nor should you select anything with any possibility of failure. By persisting with such simple beginnings you become capable of virtually anything. All works of metamorphasis should be committed to the magical diary.
   ~ Peter J Carroll, Liber Null, Liber MMM, Metamorphosis [18],
16:The sword, or more usually the dagger, is the weapon of analysis or scission, or in the most simple sense, destruction. Through the sword, the magical will and perception vitalize the imagination of the undoing of things. The sword is the reservoir of the power which disintegrates aetheric influences through which the material plane is affected. Both the sword and pentacle are aetheric weapons through which the higher-order powers of will, perception, and imagination execute mental commands on the planes of middle nature.
   ~ Peter J Carroll, Liber Null,
17:To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness. Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   ~ Peter J Carroll, Liber Null,
18:If the magician wishes to put himself into or out of any emotional state, then he should be provided with the techniques to accomplish this. The process requires no justification
   - that he wills it is sufficient. One cannot escape emotional experience in a human incarnation, and it is preferable to adopt a master rather than a slave relationship to it. The occult priest should be capable of instructing anyone in the procedures of emotional engineering. The main methods are the gnostic ones of casting oneself into a frenzied ecstacy, stilling the mind to a point of absolute quiescence, and evoking the laughter of the gods by combining laughter with the contemplation of paradox. ~ Peter J Carroll, Liber Null,
19:The wand weapon similarily appears in a profusion of forms. As an instrument to assist the projection of the magical will onto the aetheric and material planes, it could be a general purpose sigil, an amulet, a ring, an enchanting mantra, or even an act or gesture one performs. As with the pentacle, there is a virtue in having a small, portable, and permanent device of this class, for power accrues to it with use. As with the cup, the power of the wand is partly to fascinate the surface functions of the mind and channel the forces concealed in the depths. Like the sword, the wand is manipulated in such a way as to describe vividly to the will and subconscious what is required of them.
   ~ Peter J Carroll, Liber Null,
20:The physical form of a magical weapon is no more than a convenient handle or anchor for its aetheric form.
The Sword and Pentacle are weapons of analysis and synthesis respectively. Upon the pentacle aetheric forms, images, and powers are assembled when the magical will and perception vitalize the imagination. The magician may create hundreds of pentacles in the course of his sorceries, yet there is a virtue in having a general purpose weapon of this class, for its power increases with use, and it can be employed as an altar for the consecration of lesser pentacles. For many operations of an evocatory type, the pentacle is placed on the cup and the conjuration performed with the wand. ~ Peter J Carroll, Liber Null,
21:Consider laughter: it is the highest emotion, for it can contain any of the others from ecstacy to grief. It has no opposite. Crying is merely an underdeveloped form of it which cleanses the eyes and summons assistance to infants. Laughter is the only tenable attitude in a universe which is a joke played upon itself. The trick is to see that joke played out even in the neutral and ghastly events which surround one. It is not for us to question the universes apparent lack of taste. Seek the emotion of laughter at what delights and amuses, seek it in whatever is neutral or meaningless, seek it even in what is horrific and revolting. Though it may be forced at first, one can learn to smile inwardly at all things.
   ~ Peter J Carroll, Liber Null,
22:At the end of the day, there should be an accounting and fresh resolution made. Though every day be a catalog of failure, there should be no sense of sin or guilt. Magic is the raising of the whole individual in perfect balance to the power of Infinity, and such feelings are symptomatic of imbalance.
   If any unnecessary or imbalanced scraps of ego become identified with the genius by mistake, then disaster awaits. The life force flows directly into these complexes and bloats them into grotesque monsters variously known as the demon Choronzon. Some magicians attempting to go too fast with this invocation have failed to banish this demon, and have gone spectacularly insane as a result.
   ~ Peter J Carroll, Liber Null, Liber LUX, Augeoides [50-51],
23:Magic is the science and art of causing change to occur in conformity with will. The will can only become magically effective when the mind is focused and not interfering with the will The mind must first discipline itself to focus its entire attention on some meaningless phenomenon. If an attempt is made to focus on some form of desire, the effect is short circuited by lust of result. Egotistical identification, fear of failure, and the reciprocal desire not to achieve desire, arising from our dual nature, destroy the result.
   Therefore, when selecting topics for concentration, choose subjects of no spiritual, egotistical, intellectual, emotional, or useful significance - meaningless things.
   ~ Peter J Carroll, Liber Null, Liber MMM, The Magical Trances [15],
24:The cup can be regarded as an aetheric receptacle for the magical perception. Of all the weapons, it is the one least likely to resemble the physical object whose name it bears, although actual cups of ink or blood are sometimes used. For some, the cup exists as a mirror, a shew stone, a state of trance, a tarot pack, a mandala, a state of dreaming, or a feeling that just comes to them. These things often act as devices for preoccupying oneself with something else, so that magical perceptions can surface unhindered by discursive thought and imagination. Part of the power that is built up in them can be likened to self-fascination. The cup weapon acquires an autohypnotic quality and provides a doorway through which the perception has access to other realms.
   ~ Peter J Carroll, Liber Null,
25:A person doing his true will is assisted by the momentum of the universe and seems possessed of amazing good luck. In beginning the great work of obtaining the knowledge and conversation, the magician vows 'to interpret every manifestation of existence as a direct message from the infinite Chaos to himself personally'
   To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness.
   Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   ~ Peter J Carroll, Liber Null, Liber LUX, Augoeides [49-50],
26:Central to shamanism is the perception of an otherworld or series of otherworlds. This type of astral or aetheric dimension containing various powers entities and forces allows real effects to be created in this world. The shaman's soul journeys through this dimension while in ecstatic or drug-induced state of trance. The journey may be undertaken for divinatory knowledge, to cure sickness, to deliver a blow to enemies, or to find game animals. Prospective shamans are usually selected from those with a nervous disposition. They may either be assigned to shamanic instruction or are driven to it by a power present in the shamanic culture. Initiation invokes a journey into the otherworld, a meeting with spirits and a death-rebirth experience. In the deathrebirth experience, the candidate has a vision of his body being dismembered, often by fantastic beings or animal spirits, and then reassembled from the wreckage. The new body invariably contains an extra part often described as an additional bone or an inclusion of magical quartz stones or sometimes an animal spirit. This experience graphically symbolizes the location of the aetheric force field within the body or the addition of various extra powers to it.
   ~ Peter J Carroll, Liber Null,
27:Non-attachment/Non-disinterest best describes the magical condition of acting without lust of result. It is very difficult for humans to decide on something and then to do it purely for its own sake. Yet it is precisely this ability which is required to execute magical acts. Only single-pointed awareness will do. Attachment is to be understood both in the positive and negative sense, for aversion is its other face. Attachment to any attribute of oneself, ones personality, ones ambitions, ones relationships or sensory experiences - or equally, aversion to any of these - will prove limiting. On the other hand, it is fatal to lose interest in these things for they are ones symbolic system or magical reality. Rather, one is attempting to touch the sensitive parts of ones reality more lightly in order to deny the spoiling hand of grasping desire and boredom. Thereby one may gain enough freedom to act magically. In addition to these two meditations there is a third, more active, form of metamorphosis, and this involves ones everyday habits. However innocuous they might seem, habits in thought, word, and deed are the anchor of the personality. The magician aims to pull up that anchor and cast himself free on the seas of chaos.
   ~ Peter J Carroll, Liber Null,
28:Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation.
   ~ Peter J Carroll, Liber Null,
29:INVOCATION
   The ultimate invocation, that of Kia, cannot be performed. The paradox is that as Kia has no dualized qualities, there are no attributes by which to invoke it. To give it one quality is merely to deny it another. As an observant dualistic being once said:
   I am that I am not.
   Nevertheless, the magician may need to make some rearrangements or additions to what he is. Metamorphosis may be pursued by seeking that which one is not, and transcending both in mutual annihilation. Alternatively, the process of invocation may be seen as adding to the magician's psyche any elements which are missing. It is true that the mind must be finally surrendered as one enters fully into Chaos, but a complete and balanced psychocosm is more easily surrendered.
   The magical process of shuffling beliefs and desires attendant upon the process of invocation also demonstrates that one's dominant obsessions or personality are quite arbitrary, and hence more easily banished.
   There are many maps of the mind (psychocosms), most of which are inconsistent, contradictory, and based on highly fanciful theories. Many use the symbology of god forms, for all mythology embodies a psychology. A complete mythic pantheon resumes all of man's mental characteristics. Magicians will often use a pagan pantheon of gods as the basis for invoking some particular insight or ability, as these myths provide the most explicit and developed formulation of the particular idea's extant. However it is possible to use almost anything from the archetypes of the collective unconscious to the elemental qualities of alchemy.
   If the magician taps a deep enough level of power, these forms may manifest with sufficient force to convince the mind of the objective existence of the god. Yet the aim of invocation is temporary possession by the god, communication from the god, and manifestation of the god's magical powers, rather than the formation of religious cults.
   The actual method of invocation may be described as a total immersion in the qualities pertaining to the desired form. One invokes in every conceivable way. The magician first programs himself into identity with the god by arranging all his experiences to coincide with its nature. In the most elaborate form of ritual he may surround himself with the sounds, smells, colors, instruments, memories, numbers, symbols, music, and poetry suggestive of the god or quality. Secondly he unites his life force to the god image with which he has united his mind. This is accomplished with techniques from the gnosis. Figure 5 shows some examples of maps of the mind. Following are some suggestions for practical ritual invocation.
   ~ Peter J Carroll, Liber Null,
30:EVOCATION
   Evocation is the art of dealing with magical beings or entities by various acts which create or contact them and allow one to conjure and command them with pacts and exorcism. These beings have a legion of names drawn from the demonology of many cultures: elementals, familiars, incubi, succubi, bud-wills, demons, automata, atavisms, wraiths, spirits, and so on. Entities may be bound to talismans, places, animals, objects, persons, incense smoke, or be mobile in the aether. It is not the case that such entities are limited to obsessions and complexes in the human mind. Although such beings customarily have their origin in the mind, they may be budded off and attached to objects and places in the form of ghosts, spirits, or "vibrations," or may exert action at a distance in the form of fetishes, familiars, or poltergeists. These beings consist of a portion of Kia or the life force attached to some aetheric matter, the whole of which may or may not be attached to ordinary matter.

   Evocation may be further defined as the summoning or creation of such partial beings to accomplish some purpose. They may be used to cause change in oneself, change in others, or change in the universe. The advantages of using a semi-independent being rather than trying to effect a transformation directly by will are several: the entity will continue to fulfill its function independently of the magician until its life force dissipates. Being semi-sentient, it can adapt itself to a task in that a non-conscious simple spell cannot. During moments of the possession by certain entities the magician may be the recipient of inspirations, abilities, and knowledge not normally accessible to him.

   Entities may be drawn from three sources - those which are discovered clairvoyantly, those whose characteristics are given in grimoires of spirits and demons, and those which the magician may wish to create himself.

   In all cases establishing a relationship with the spirit follows a similar process of evocation. Firstly the attributes of the entity, its type, scope, name, appearance and characteristics must be placed in the mind or made known to the mind. Automatic drawing or writing, where a stylus is allowed to move under inspiration across a surface, may help to uncover the nature of a clairvoyantly discovered being. In the case of a created being the following procedure is used: the magician assembles the ingredients of a composite sigil of the being's desired attributes. For example, to create an elemental to assist him with divination, the appropriate symbols might be chosen and made into a sigil such as the one shown in figure 4.

   A name and an image, and if desired, a characteristic number can also be selected for the elemental.

   Secondly, the will and perception are focused as intently as possible (by some gnostic method) on the elemental's sigils or characteristics so that these take on a portion of the magician's life force and begin autonomous existence. In the case of preexisting beings, this operation serves to bind the entity to the magician's will.

   This is customarily followed by some form of self-banishing, or even exorcism, to restore the magician's consciousness to normal before he goes forth.

   An entity of a low order with little more than a singular task to perform can be left to fulfill its destiny with no further interference from its master. If at any time it is necessary to terminate it, its sigil or material basis should be destroyed and its mental image destroyed or reabsorbed by visualization. For more powerful and independent beings, the conjuration and exorcism must be in proportion to the power of the ritual which originally evoked them. To control such beings, the magicians may have to re-enter the gnostic state to the same depth as before in order to draw their power. ~ Peter J Carroll, Liber Null,
31:AUGOEIDES:
   The magicians most important invocation is that of his Genius, Daemon, True Will, or Augoeides. This operation is traditionally known as attaining the Knowledge and Conversation of the Holy Guardian Angel. It is sometimes known as the Magnum Opus or Great Work.
   The Augoeides may be defined as the most perfect vehicle of Kia on the plane of duality. As the avatar of Kia on earth, the Augoeides represents the true will, the raison detre of the magician, his purpose in existing. The discovery of ones true will or real nature may be difficult and fraught with danger, since a false identification leads to obsession and madness. The operation of obtaining the knowledge and conversation is usually a lengthy one. The magician is attempting a progressive metamorphosis, a complete overhaul of his entire existence. Yet he has to seek the blueprint for his reborn self as he goes along. Life is less the meaningless accident it seems. Kia has incarnated in these particular conditions of duality for some purpose. The inertia of previous existences propels Kia into new forms of manifestation. Each incarnation represents a task, or a puzzle to be solved, on the way to some greater form of completion.
   The key to this puzzle is in the phenomena of the plane of duality in which we find ourselves. We are, as it were, trapped in a labyrinth or maze. The only thing to do is move about and keep a close watch on the way the walls turn. In a completely chaotic universe such as this one, there are no accidents. Everything is signifcant. Move a single grain of sand on a distant shore and the entire future history of the world will eventually be changed. A person doing his true will is assisted by the momentum of the universe and seems possessed of amazing good luck. In beginning the great work of obtaining the knowledge and conversation, the magician vows to interpret every manifestation of existence as a direct message from the infinite Chaos to himself personally.
   To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness.
   Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation. Having communicated with the invoked form, the magician should draw it into himself and go forth to live in the way he hath willed.
   The ritual may be concluded with an aspiration to the wisdom of silence by a brief concentration on the sigil of the Augoeides, but never by banishing. Periodically more elaborate forms of ritual, using more powerful forms of gnosis, may be employed. At the end of the day, there should be an accounting and fresh resolution made. Though every day be a catalog of failure, there should be no sense of sin or guilt. Magic is the raising of the whole individual in perfect balance to the power of Infinity, and such feelings are symptomatic of imbalance. If any unnecessary or imbalanced scraps of ego become identified with the genius by mistake, then disaster awaits. The life force flows directly into these complexes and bloats them into grotesque monsters variously known as the demon Choronzon. Some magicians attempting to go too fast with this invocation have failed to banish this demon, and have gone spectacularly insane as a result.
   ~ Peter J Carroll, Liber Null,

*** NEWFULLDB 2.4M ***

1:Only laughter can be gotten away with for free.
   ~ Peter J Carroll, Liber Null,
2:Cynicism, sadness or laughter is the magicians privilege.
   ~ Peter J Carroll, Liber Null,
3:The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   ~ Peter J Carroll, Liber Null,
4:The magicians most important invocation is that of his Genius, Daemon, True Will, or Augoeides. This operation is traditionally known as attaining the Knowledge and Conversation of the Holy Guardian Angel. It is sometimes known as the Magnum Opus or Great Work.
   ~ Peter J Carroll, Liber Null,
5:From a magicial point of view, it is axiomatic that we have create the world in which we exist. Looking about himself, the magician can say 'thus have I will,' or 'thus do I perceive,' or more accurately, 'thus does my Kia manifest.'
   ~ Peter J Carroll, Liber Null, Liber LUX, Enchantment [55],
6:White Magic leans more toward the acquisition of wisdom and a general feeling of faith in the universe. The Black form in concerned more with the acquisition of power and is reflective of a basic faith in oneself.
   ~ Peter J Carroll, Liber Null, The Initiate Syllabuses 3o IOT, Liber Lux, Liber Nox [25],
7:A natural inclination toward the darker side of magic is as good a point as any from which to begin the ultimate quest, and half this book is devoted to the black arts. ... We will begin by discussing the Spirit of Black Magic. Magical power is the key to the heaven-hell of the now.
   ~ Peter J Carroll, Liber Null,
8:The magician therefore seeks unity of desire before he attempts to act. Desires are re-arranged before an act, not during it. In all things he must live like this. As reorganization of belief is the key to liberation, so is reorganization of desire the key to will.
   ~ Peter J Carroll, Liber Null, Liber LUX, Enchantment [56],
9:Anyone who masters these techniques fully has achieved a tremendous power over himself more valuable than health, love, fame, or riches. He has set himself free from the effects of the world; nothing can touch him unless he wills it. As it has been said, the sage who knows how can live comfortably in hell.
   ~ Peter J Carroll, Liber Null,
10:It may be necessary to regain one's original sexuality from the mass of fantasy and association into which it mostly sinks. This is achieved by judicious use of abstention and by arousing lust without any form of mental prop or fantasy. This exercise is also therapeutic. Be ye ever virgin unto Kia.
   ~ Peter J Carroll, Liber Null, Liber LUX, Gnosis [33],
11:A magical diary is the magicians most essential and powerful tool. It should be large enough to allow a full page for each day. Students should record the time, duration and degree of success of any practice undertaken. They should make notes about environmental factors conducive (or otherwise) to the work.
   ~ Peter J Carroll, Liber Null, Liber MMM [13],
12:The occult priest should be capable of instructing anyone in the procedures of emotional engineering. The main methods are the gnostic ones of casting oneself into a frenzied ecstacy, stilling the mind to a point of absolute quiescence, and evoking the laughter of the gods by combining laughter with the contemplation of paradox.
   ~ Peter J Carroll, Liber Null,
13:Further Reading:
Nightside of Eden - Kenneth Grant
Shamanic Voices - Joan Halifax
The Great Mother - Neumann
Fear & Loathing in Las Vegas - Hunter S. Thompson
Cities of the Red Night - William S. Burroughs
The Book of Pleasure - Austin Osman Spare
Thundersqueak - Angerford & Lea
The Masks of God - Joseph Campbell
An Introduction to Psychology - Hilgard, Atkinson & Atkinson
Liber Null - Pete Carroll ~ Phil Hine, Aspects of Evocation, #reading list,
14:There is no magic drug which will by itself have the required effect. Rather drugs can be used in small doses to heighten the effect of excitation caused by the method already discussed. In all cases a large dose leads to depression, confusion and a general loss of control. Inhibitory drugs must be considered with even more caution because of their inherent danger. They often simply sever the life force and body altogether.
   ~ Peter J Carroll, Liber Null, Liber LUX, Gnosis [34-35],
15:To proceed, select any minor habit at random and delete it from your behaviour: at the same time adopt any new habit at random. The choices should not involve anything of spiritual, egocentric, or emotional significance, nor should you select anything with any possibility of failure. By persisting with such simple beginnings you become capable of virtually anything. All works of metamorphasis should be committed to the magical diary.
   ~ Peter J Carroll, Liber Null, Liber MMM, Metamorphosis [18],
16:The sword, or more usually the dagger, is the weapon of analysis or scission, or in the most simple sense, destruction. Through the sword, the magical will and perception vitalize the imagination of the undoing of things. The sword is the reservoir of the power which disintegrates aetheric influences through which the material plane is affected. Both the sword and pentacle are aetheric weapons through which the higher-order powers of will, perception, and imagination execute mental commands on the planes of middle nature.
   ~ Peter J Carroll, Liber Null,
17:To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness. Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   ~ Peter J Carroll, Liber Null,
18:If the magician wishes to put himself into or out of any emotional state, then he should be provided with the techniques to accomplish this. The process requires no justification
   - that he wills it is sufficient. One cannot escape emotional experience in a human incarnation, and it is preferable to adopt a master rather than a slave relationship to it. The occult priest should be capable of instructing anyone in the procedures of emotional engineering. The main methods are the gnostic ones of casting oneself into a frenzied ecstacy, stilling the mind to a point of absolute quiescence, and evoking the laughter of the gods by combining laughter with the contemplation of paradox. ~ Peter J Carroll, Liber Null,
19:The wand weapon similarily appears in a profusion of forms. As an instrument to assist the projection of the magical will onto the aetheric and material planes, it could be a general purpose sigil, an amulet, a ring, an enchanting mantra, or even an act or gesture one performs. As with the pentacle, there is a virtue in having a small, portable, and permanent device of this class, for power accrues to it with use. As with the cup, the power of the wand is partly to fascinate the surface functions of the mind and channel the forces concealed in the depths. Like the sword, the wand is manipulated in such a way as to describe vividly to the will and subconscious what is required of them.
   ~ Peter J Carroll, Liber Null,
20:The physical form of a magical weapon is no more than a convenient handle or anchor for its aetheric form.
The Sword and Pentacle are weapons of analysis and synthesis respectively. Upon the pentacle aetheric forms, images, and powers are assembled when the magical will and perception vitalize the imagination. The magician may create hundreds of pentacles in the course of his sorceries, yet there is a virtue in having a general purpose weapon of this class, for its power increases with use, and it can be employed as an altar for the consecration of lesser pentacles. For many operations of an evocatory type, the pentacle is placed on the cup and the conjuration performed with the wand. ~ Peter J Carroll, Liber Null,
21:Consider laughter: it is the highest emotion, for it can contain any of the others from ecstacy to grief. It has no opposite. Crying is merely an underdeveloped form of it which cleanses the eyes and summons assistance to infants. Laughter is the only tenable attitude in a universe which is a joke played upon itself. The trick is to see that joke played out even in the neutral and ghastly events which surround one. It is not for us to question the universes apparent lack of taste. Seek the emotion of laughter at what delights and amuses, seek it in whatever is neutral or meaningless, seek it even in what is horrific and revolting. Though it may be forced at first, one can learn to smile inwardly at all things.
   ~ Peter J Carroll, Liber Null,
22:At the end of the day, there should be an accounting and fresh resolution made. Though every day be a catalog of failure, there should be no sense of sin or guilt. Magic is the raising of the whole individual in perfect balance to the power of Infinity, and such feelings are symptomatic of imbalance.
   If any unnecessary or imbalanced scraps of ego become identified with the genius by mistake, then disaster awaits. The life force flows directly into these complexes and bloats them into grotesque monsters variously known as the demon Choronzon. Some magicians attempting to go too fast with this invocation have failed to banish this demon, and have gone spectacularly insane as a result.
   ~ Peter J Carroll, Liber Null, Liber LUX, Augeoides [50-51],
23:Magic is the science and art of causing change to occur in conformity with will. The will can only become magically effective when the mind is focused and not interfering with the will The mind must first discipline itself to focus its entire attention on some meaningless phenomenon. If an attempt is made to focus on some form of desire, the effect is short circuited by lust of result. Egotistical identification, fear of failure, and the reciprocal desire not to achieve desire, arising from our dual nature, destroy the result.
   Therefore, when selecting topics for concentration, choose subjects of no spiritual, egotistical, intellectual, emotional, or useful significance - meaningless things.
   ~ Peter J Carroll, Liber Null, Liber MMM, The Magical Trances [15],
24:The cup can be regarded as an aetheric receptacle for the magical perception. Of all the weapons, it is the one least likely to resemble the physical object whose name it bears, although actual cups of ink or blood are sometimes used. For some, the cup exists as a mirror, a shew stone, a state of trance, a tarot pack, a mandala, a state of dreaming, or a feeling that just comes to them. These things often act as devices for preoccupying oneself with something else, so that magical perceptions can surface unhindered by discursive thought and imagination. Part of the power that is built up in them can be likened to self-fascination. The cup weapon acquires an autohypnotic quality and provides a doorway through which the perception has access to other realms.
   ~ Peter J Carroll, Liber Null,
25:A person doing his true will is assisted by the momentum of the universe and seems possessed of amazing good luck. In beginning the great work of obtaining the knowledge and conversation, the magician vows 'to interpret every manifestation of existence as a direct message from the infinite Chaos to himself personally'
   To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness.
   Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   ~ Peter J Carroll, Liber Null, Liber LUX, Augoeides [49-50],
26:Central to shamanism is the perception of an otherworld or series of otherworlds. This type of astral or aetheric dimension containing various powers entities and forces allows real effects to be created in this world. The shaman's soul journeys through this dimension while in ecstatic or drug-induced state of trance. The journey may be undertaken for divinatory knowledge, to cure sickness, to deliver a blow to enemies, or to find game animals. Prospective shamans are usually selected from those with a nervous disposition. They may either be assigned to shamanic instruction or are driven to it by a power present in the shamanic culture. Initiation invokes a journey into the otherworld, a meeting with spirits and a death-rebirth experience. In the deathrebirth experience, the candidate has a vision of his body being dismembered, often by fantastic beings or animal spirits, and then reassembled from the wreckage. The new body invariably contains an extra part often described as an additional bone or an inclusion of magical quartz stones or sometimes an animal spirit. This experience graphically symbolizes the location of the aetheric force field within the body or the addition of various extra powers to it.
   ~ Peter J Carroll, Liber Null,
27:Non-attachment/Non-disinterest best describes the magical condition of acting without lust of result. It is very difficult for humans to decide on something and then to do it purely for its own sake. Yet it is precisely this ability which is required to execute magical acts. Only single-pointed awareness will do. Attachment is to be understood both in the positive and negative sense, for aversion is its other face. Attachment to any attribute of oneself, ones personality, ones ambitions, ones relationships or sensory experiences - or equally, aversion to any of these - will prove limiting. On the other hand, it is fatal to lose interest in these things for they are ones symbolic system or magical reality. Rather, one is attempting to touch the sensitive parts of ones reality more lightly in order to deny the spoiling hand of grasping desire and boredom. Thereby one may gain enough freedom to act magically. In addition to these two meditations there is a third, more active, form of metamorphosis, and this involves ones everyday habits. However innocuous they might seem, habits in thought, word, and deed are the anchor of the personality. The magician aims to pull up that anchor and cast himself free on the seas of chaos.
   ~ Peter J Carroll, Liber Null,
28:Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation.
   ~ Peter J Carroll, Liber Null,
29:INVOCATION
   The ultimate invocation, that of Kia, cannot be performed. The paradox is that as Kia has no dualized qualities, there are no attributes by which to invoke it. To give it one quality is merely to deny it another. As an observant dualistic being once said:
   I am that I am not.
   Nevertheless, the magician may need to make some rearrangements or additions to what he is. Metamorphosis may be pursued by seeking that which one is not, and transcending both in mutual annihilation. Alternatively, the process of invocation may be seen as adding to the magician's psyche any elements which are missing. It is true that the mind must be finally surrendered as one enters fully into Chaos, but a complete and balanced psychocosm is more easily surrendered.
   The magical process of shuffling beliefs and desires attendant upon the process of invocation also demonstrates that one's dominant obsessions or personality are quite arbitrary, and hence more easily banished.
   There are many maps of the mind (psychocosms), most of which are inconsistent, contradictory, and based on highly fanciful theories. Many use the symbology of god forms, for all mythology embodies a psychology. A complete mythic pantheon resumes all of man's mental characteristics. Magicians will often use a pagan pantheon of gods as the basis for invoking some particular insight or ability, as these myths provide the most explicit and developed formulation of the particular idea's extant. However it is possible to use almost anything from the archetypes of the collective unconscious to the elemental qualities of alchemy.
   If the magician taps a deep enough level of power, these forms may manifest with sufficient force to convince the mind of the objective existence of the god. Yet the aim of invocation is temporary possession by the god, communication from the god, and manifestation of the god's magical powers, rather than the formation of religious cults.
   The actual method of invocation may be described as a total immersion in the qualities pertaining to the desired form. One invokes in every conceivable way. The magician first programs himself into identity with the god by arranging all his experiences to coincide with its nature. In the most elaborate form of ritual he may surround himself with the sounds, smells, colors, instruments, memories, numbers, symbols, music, and poetry suggestive of the god or quality. Secondly he unites his life force to the god image with which he has united his mind. This is accomplished with techniques from the gnosis. Figure 5 shows some examples of maps of the mind. Following are some suggestions for practical ritual invocation.
   ~ Peter J Carroll, Liber Null,
30:EVOCATION
   Evocation is the art of dealing with magical beings or entities by various acts which create or contact them and allow one to conjure and command them with pacts and exorcism. These beings have a legion of names drawn from the demonology of many cultures: elementals, familiars, incubi, succubi, bud-wills, demons, automata, atavisms, wraiths, spirits, and so on. Entities may be bound to talismans, places, animals, objects, persons, incense smoke, or be mobile in the aether. It is not the case that such entities are limited to obsessions and complexes in the human mind. Although such beings customarily have their origin in the mind, they may be budded off and attached to objects and places in the form of ghosts, spirits, or "vibrations," or may exert action at a distance in the form of fetishes, familiars, or poltergeists. These beings consist of a portion of Kia or the life force attached to some aetheric matter, the whole of which may or may not be attached to ordinary matter.

   Evocation may be further defined as the summoning or creation of such partial beings to accomplish some purpose. They may be used to cause change in oneself, change in others, or change in the universe. The advantages of using a semi-independent being rather than trying to effect a transformation directly by will are several: the entity will continue to fulfill its function independently of the magician until its life force dissipates. Being semi-sentient, it can adapt itself to a task in that a non-conscious simple spell cannot. During moments of the possession by certain entities the magician may be the recipient of inspirations, abilities, and knowledge not normally accessible to him.

   Entities may be drawn from three sources - those which are discovered clairvoyantly, those whose characteristics are given in grimoires of spirits and demons, and those which the magician may wish to create himself.

   In all cases establishing a relationship with the spirit follows a similar process of evocation. Firstly the attributes of the entity, its type, scope, name, appearance and characteristics must be placed in the mind or made known to the mind. Automatic drawing or writing, where a stylus is allowed to move under inspiration across a surface, may help to uncover the nature of a clairvoyantly discovered being. In the case of a created being the following procedure is used: the magician assembles the ingredients of a composite sigil of the being's desired attributes. For example, to create an elemental to assist him with divination, the appropriate symbols might be chosen and made into a sigil such as the one shown in figure 4.

   A name and an image, and if desired, a characteristic number can also be selected for the elemental.

   Secondly, the will and perception are focused as intently as possible (by some gnostic method) on the elemental's sigils or characteristics so that these take on a portion of the magician's life force and begin autonomous existence. In the case of preexisting beings, this operation serves to bind the entity to the magician's will.

   This is customarily followed by some form of self-banishing, or even exorcism, to restore the magician's consciousness to normal before he goes forth.

   An entity of a low order with little more than a singular task to perform can be left to fulfill its destiny with no further interference from its master. If at any time it is necessary to terminate it, its sigil or material basis should be destroyed and its mental image destroyed or reabsorbed by visualization. For more powerful and independent beings, the conjuration and exorcism must be in proportion to the power of the ritual which originally evoked them. To control such beings, the magicians may have to re-enter the gnostic state to the same depth as before in order to draw their power. ~ Peter J Carroll, Liber Null, #Tulpa #Servitor #Thoughtform,
31:AUGOEIDES:
   The magicians most important invocation is that of his Genius, Daemon, True Will, or Augoeides. This operation is traditionally known as attaining the Knowledge and Conversation of the Holy Guardian Angel. It is sometimes known as the Magnum Opus or Great Work.
   The Augoeides may be defined as the most perfect vehicle of Kia on the plane of duality. As the avatar of Kia on earth, the Augoeides represents the true will, the raison detre of the magician, his purpose in existing. The discovery of ones true will or real nature may be difficult and fraught with danger, since a false identification leads to obsession and madness. The operation of obtaining the knowledge and conversation is usually a lengthy one. The magician is attempting a progressive metamorphosis, a complete overhaul of his entire existence. Yet he has to seek the blueprint for his reborn self as he goes along. Life is less the meaningless accident it seems. Kia has incarnated in these particular conditions of duality for some purpose. The inertia of previous existences propels Kia into new forms of manifestation. Each incarnation represents a task, or a puzzle to be solved, on the way to some greater form of completion.
   The key to this puzzle is in the phenomena of the plane of duality in which we find ourselves. We are, as it were, trapped in a labyrinth or maze. The only thing to do is move about and keep a close watch on the way the walls turn. In a completely chaotic universe such as this one, there are no accidents. Everything is signifcant. Move a single grain of sand on a distant shore and the entire future history of the world will eventually be changed. A person doing his true will is assisted by the momentum of the universe and seems possessed of amazing good luck. In beginning the great work of obtaining the knowledge and conversation, the magician vows to interpret every manifestation of existence as a direct message from the infinite Chaos to himself personally.
   To do this is to enter the magical world view in its totality. He takes complete responsibility for his present incarnation and must consider every experience, thing, or piece of information which assails him from any source, as a reflection of the way he is conducting his existence. The idea that things happen to one that may or may not be related to the way one acts is an illusion created by our shallow awareness.
   Keeping a close eye on the walls of the labyrinth, the conditions of his existence, the magician may then begin his invocation. The genius is not something added to oneself. Rather it is a stripping away of excess to reveal the god within.
   Directly on awakening, preferably at dawn, the initiate goes to the place of invocation. Figuring to himself as he goes that being born anew each day brings with it the chance of greater rebirth, first he banishes the temple of his mind by ritual or by some magical trance. Then he unveils some token or symbol or sigil which represents to him the Holy Guardian Angel. This symbol he will likely have to change during the great work as the inspiration begins to move him. Next he invokes an image of the Angel into his minds eye. It may be considered as a luminous duplicate of ones own form standing in front of or behind one, or simply as a ball of brilliant light above ones head. Then he formulates his aspirations in what manner he will, humbling himself in prayer or exalting himself in loud proclamation as his need be. The best form of this invocation is spoken spontaneously from the heart, and if halting at first, will prove itself in time. He is aiming to establish a set of ideas and images which correspond to the nature of his genius, and at the same time receive inspiration from that source. As the magician begins to manifest more of his true will, the Augoeides will reveal images, names, and spiritual principles by which it can be drawn into greater manifestation. Having communicated with the invoked form, the magician should draw it into himself and go forth to live in the way he hath willed.
   The ritual may be concluded with an aspiration to the wisdom of silence by a brief concentration on the sigil of the Augoeides, but never by banishing. Periodically more elaborate forms of ritual, using more powerful forms of gnosis, may be employed. At the end of the day, there should be an accounting and fresh resolution made. Though every day be a catalog of failure, there should be no sense of sin or guilt. Magic is the raising of the whole individual in perfect balance to the power of Infinity, and such feelings are symptomatic of imbalance. If any unnecessary or imbalanced scraps of ego become identified with the genius by mistake, then disaster awaits. The life force flows directly into these complexes and bloats them into grotesque monsters variously known as the demon Choronzon. Some magicians attempting to go too fast with this invocation have failed to banish this demon, and have gone spectacularly insane as a result.
   ~ Peter J Carroll, Liber Null,

IN CHAPTERS



   1 Occultism






Liber, #unset, #Peter J Carroll, #Occultism
  
  see also ::: Liber Null,
  

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