Athena

1:Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love.
Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will.
At least the ancient Greeks were being honest.
~ Chuck Palahniuk,

* WISDOM TROVE *

1:Age shakes Athena's tower, but spares gray Marathon. ~ lord-byron, @wisdomtrove

2:ATHENA: You wish to be called righteous rather than act right. [... ] I say, wrong must not win by technicalities. ~ aeschylus, @wisdomtrove

3:Ancient of days! august Athena! where, Where are thy men of might? thy grand in soul? Gone&

4:ATHENA: There are two sides to this dispute. I've heard only one half the argument. (... ) So you two parties, summon your witnesses, set out your proofs, with sworn evidence to back your stories. Once I've picked the finest men in Athens, I'll return. They'll rule fairly in this case, bound by a sworn oath to act with justice. ~ aeschylus, @wisdomtrove

5:But the owls themselves are not hard to find, silent and on the wing, with their ear tufts flat against their heads as they fly and their huge wings alternately gliding and flapping as they maneuver through the trees. Athena's owl of wisdom and Merlin's companion, Archimedes, were screech owls surely, not this bird with the glassy gaze, restless on the bough, nothing but blood on its mind. ~ mary-oliver, @wisdomtrove

* NEWFULLDB 2.4M *

1:Athena was pretty darn smart. ~ Rick Riordan,

2:THE MARK OF ATHENA BABY!!!!!! ~ Rick Riordan,

3:Athena always, always has a plan. ~ Rick Riordan,

4:Sounds like a plan worthy of Athena. ~ Rick Riordan,

5:Those Athena children always had a plan. ~ Rick Riordan,

6:Age shakes Athena's tower, but spares gray Marathon. ~ Lord Byron,

7:ATHENA: You wish to be called righteous rather than act right. ~ Aeschylus,

8:Because all my life I've learned to suffer in silence - Athena ~ Paulo Coelho,

9:One last look at Athena, and then let the disgrace be complete. ~ Philip Roth,

10:It was almost as if she, like Athena, had sprung from her father’s brow, ~ J D Horn,

11:There's always a way out for those clever enough to find it." -Athena ~ Rick Riordan,

12:Wisdom's daughter walks alone, The mark of Athena burns through Rome. ~ Rick Riordan,

13:I wanted to argue but I found I couldn't. Athena was pretty darn smart. ~ Rick Riordan,

14:Ah, but I’m wise ,” Athena said. “Wise enough to make you do it instead. ~ Rick Riordan,

15:Wisdom's daughter walks alone,
The mark of Athena burns through Rome. ~ Rick Riordan,

16:Medusa a priestess whom Athena turned into a gorgon when she caught Medusa ~ Rick Riordan,

17:I'm a child of Athena," she insisted. "And this is an insult to my intelligence ~ Rick Riordan,

18:Leave it to Athena to use arts and crafts as a weapon, Emily thought with a smile. ~ Shanna Swendson,

19:Hers was a beauty so pure that it was nearly painful to behold--Athena heading out on a Friday night. ~ Jim Butcher,

20:When Athena falls in love, it's purely intellectual. It's a meeting of minds. The purest kind of love. ~ Rick Riordan,

21:Athena always lived between two worlds: what she felt was true and what she as been taught by her faith. ~ Paulo Coelho,

22:ATHENA: You wish to be called righteous rather than act right. [...] I say, wrong must not win by technicalities. ~ Aeschylus,

23:Her gray eyes clear, the goddess Athena answered, "Down from the skies I come to check your rage if only you will yield ~ Homer,

24:Nefertiti is like Athena born from the brow of Zeus, a head-heavy armored goddess. She is beautiful but desexed. ~ Camille Paglia,

25:You could almost see the idea elbowing its way around the inside of his mind, like Athena in the cranium of Zeus. ~ Michael Chabon,

26:You walked the path the gods ordained for you, Xena, Athena mind-whispered. You are not here to change it. No, ~ Martin H Greenberg,

27:If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? ~ Rick Riordan,

28:May the strength of Ares and wisdom of Athena see you through. (Eros) And may Hades roast your hoary soul. (Julian) ~ Sherrilyn Kenyon,

29:May the strength of Ares and wisdom of Athena see you through. (Eros)
And may Hades roast your hoary soul. (Julian) ~ Sherrilyn Kenyon,

30:The first lesson every child of Athena learned: Mom was the best at everything, and you should never, ever suggest otherwise. ~ Rick Riordan,

31:She whipped her tentacles away from his fingers decapitating the dead lobster-dog and its body fell from the ceiling fan. ~ Athena Villaverde,

32:It's one of my inventions-a shampoo," Athena explained. "Anyway, I didn't know it would do"-she gestured toward the snakes-"that. ~ Joan Holub,

33:I grew up like Athena — covered with playing cards instead of armor — and, at the age of seven, materialized on a TV show, doing magic. ~ Ricky Jay,

34:The first lesson every child of Athena learned: Mom was the best at everything, and you should never, ever suggest otherwise. ~ Rick Riordan,

35:I suppose settling an argument with tear gas is poor sportsmanship, but Athena and her ilk consider me a warm body, good for shit like this. ~ Jim Bernheimer,

36:I hated plans. They reminded me of annoying things like Zeus's once-a-century goal-setting meetings, or dangerously complicated attacks. Or Athena. ~ Rick Riordan,

37:Love simply is. That is the testament of Athena or Sherine or Hagia Sofia - love is. No definitions. Love and don't ask too many questions. Just love. ~ Paulo Coelho,

38:Why would Gaea be back at camp?” Leo asked. “Percy’s nosebleed was here.” “Dude,” Percy said, “first off, you heard Athena—don’t blame my nose. Second, ~ Rick Riordan,

39:And Apollo lord of the silver bow and Queen Athena,
for all the world like carrion birds, like vultures,
slowly settled atop the broad towering oak. ~ Robert Fagles,

40:(By the way: her mom is Athena, the goddess of wisdom. My dad is Poseidon. We’re Greek demigods. Just thought I should mention that, you know, in passing.) ~ Rick Riordan,

41:Fiction does not spring into the world fully grown, like Athena. It is the process of writing and rewriting that makes a fiction original, if not profound. ~ John Gardner,

42:Reyna tried to think. She could accept death if she had to, but if the Athena Parthenos was destroyed, their quest would fail. Reyna could not accept that. ~ Rick Riordan,

43:Spiders hate Athena, and Athena hates them right back. But spiders also hate humans, because Arachne never forgot her shame and her anger at being ridiculed. ~ Rick Riordan,

44:My son, what you are attempting – shadow-travel across the world, carrying the statue of Athena – it may well destroy you.’
‘Thanks for the encouragement. ~ Rick Riordan,

45:Athena was originally worshiped as a flat piece of olive wood that was washed and bejeweled, wrapped in garments, and carefully tended by a cadre of her priestesses.16 ~ Reza Aslan,

46:f Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) ~ Rick Riordan,

47:As with a child, to commune with Athena demands a level of openness and intuition greater than that used in the usual discourse between adult humans of a common culture. ~ Sy Montgomery,

48:It was a map. A really crudely drawn map of trees, mountains that looked like upside-down Vs, and stick people. Apparently, drawing was not one of Athena's skills. ~ Jennifer L Armentrout,

49:Fish him out!” Mr. Cyclops urged. “Hurry!” The whole class was staring at her in horror. Athena looked down at the map just in time to see Odysseus sink into the Mediterranean Sea. She ~ Joan Holub,

50:Maybe the lesson is: Know when to brag and when to keep your mouth shut. Or: Sometimes life isn’t fair, even if you are as gifted as Athena. Or maybe: Don’t give away free tapestries. ~ Rick Riordan,

51:I never had anyone I could call “Master”. No Christ died for me. No Buddha showed me the right path. In the depths of my dreams no Apollo or Athena appeared to me to enlighten my soul ~ Fernando Pessoa,

52:I've been waiting a long time for a quest, seaweed brain," she said. "Athena is no fan of Poseidon, but if you're going to save the world, I'm the best person to keep you from messing up. ~ Rick Riordan,

53:They plummeted toward the volcano as their largest piece of luggage—the forty-foot-tall Athena Parthenos—trailed after them, leashed to a harness on Nico’s back like a very ineffective parachute. ~ Rick Riordan,

54:And why shouldn't Piper intimidate them? Aphrodite was the most ancient Olympian, born of the sea and the blood of Ouranos. She was older than Poseidon or Athena or even Zeus. And Piper was her daughter. ~ Rick Riordan,

55:Question (from a reader) : Will the Wise Goddess Athena overthrow Zeus and become the ruler of Olympus? Athena's answer : What an interesting idea . . . No, just kidding, Dad. Put away the lightning bolt. ~ Rick Riordan,

56:Question (from a reader) : Will the Wise Goddess Athena overthrow Zeus and become the ruler of Olympus?
Athena's answer : What an interesting idea . . . No, just kidding, Dad. Put away the lightning bolt. ~ Rick Riordan,

57:I am Athena. Before that I was Thea, singer and slave and lover of gladiators. Before that I was Leah, daughter of Benjamin and Rachael of Masada. I am as mortal as you, you common little man. And I fear no one! ~ Kate Quinn,

58:I can understand the Greek idea that there are these these principles of lightening or of war or of wisdom and to embody them, to personify them into a Athena or Aries or whichever god you want makes enormous sense. ~ Stephen Fry,

59:What if it lines up like it did in the Trojan War ... Athena versus Poseidon?" "I don't know. But I just know that I'll be fighting next to you." "Why?" "Because you're my friend, Seaweed Brain. Any more stupid questions? ~ Rick Riordan,

60:Wisdom's daughter walks alone.
The Mark of Athena burns through Rome.
Twins snuff out the angel's breath,
Who holds the key to endless death.
Giant's bane stands gold and pale,
Won through pain from a woven jail. ~ Rick Riordan,

61:Ancient of days! august Athena! where, Where are thy men of might? thy grand in soul? Gone--glimmering through the dream of things that were; First in the race that led to glory's goal, They won, and pass'd away--Is this the whole? ~ Lord Byron,

62:When I was a kid, I took 'The Brady Bunch' and 'The Partridge Family' very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus. ~ George Saunders,

63:What if it lines up like it did in the Trojan War ... Athena versus Poseidon?"
"I don't know. But I just know that I'll be fighting next to you."
"Why?"
"Because you're my friend, Seaweed Brain. Any more stupid questions? ~ Rick Riordan,

64:Apparently, the Athena Parthenos had wanted them to visit a place with educational value, because she’d landed right next to a historical marker that read MASSACRE OF BUFORD, on a gravel layby at the intersection of Nowhere and Nothing. ~ Rick Riordan,

65:I tried to picture a young, insecure Edward and couldn't, but it was nice to know that once he'd been a boy. Sometimes it felt like Edward had sprung full grown from the head of some violent deity,like a vicious version of Athena. ~ Laurell K Hamilton,

66:Love is not a habit, a commitment, or a debt. It isn't what romantic songs tell us it is―love simply is. That is the testament of Athena or Sherine or Hagia Sofia―love is. No definitions. Love and don't ask too many questions. Just love. ~ Paulo Coelho,

67:The Library of Alexandria?" I ask. "Didn't that burn down?"
Mrs Philipoulus scoffs. "Damn fool Hypatia. Athena tried to convince her to install a sprinkler system. But no-o-o, no one was going to tell the librarianatrix how to run her library. ~ Tera Lynn Childs,

68:The Mark of Athena burns through Rome,” Ella continued, cupping her hands over her ears and raising her voice. “Twins snuff out the angel’s breath, Who holds the key to endless death. Giants’ bane stands gold and pale, Won through pain from a woven jail. ~ Rick Riordan,

69:I believe that your lack of partners had everything to do with the fact that the Duke of Kielder was standing at your shoulder with his hand resting rather ominously on the hilt of his dress sword."
"He scared them off," Athena surmised.
"Precisely. ~ Sarah M Eden,

70:Athena came into focus. She stood at my feet, looking down at me with a pleased expression. "He's mine now," she practically purred.
I started laughing. "Grow up, Athena. Or get a therapist. Maybe there's a psychotic bitches support group you could join. ~ Kelly Keaton,

71:At the opening of the Odyssey, Telemachus, inspired by the male-born Athena, searches for his father by turning against his mother. Jesus too publicly spurns his mother to be about his father's business. Male adulthood begins with the breaking of female chains. ~ Camille Paglia,

72:Attina- Ariel didn't spell out the sign; she moved her hand to suggest the robes of a goddess, the sign for Athena, for whom her sister was named. There was an implication of regalness and wisdom; Ariel was appealing to her oldest sister for her best values. ~ Liz Braswell,

73:Looking at Athena now, he couldn't believe he'd been dumb enough to walk away from her. When he'd realized how innocent she was it had freaked him out, to put it mildly. Had made him feel guilty for the dirty things he'd said to her, wanted to do to her. With her --- ~ Katie Reus,

74:There is always a way out for those cleaver enough to find it-Athena
When you wake up, you have two choices, to go on dreaming your dreams or get up and chase them.
It's not about the destination, it's about the journey.
a journey begins with a single step. ~ Rick Riordan,

75:If monotheism's true, anyone who doesn't worship that one God is a sinner. If polytheism is true, then my God can be real. You don't have to worship them or think they're good, but they can still exist. I can believe the Brighid's real, and Athena's real, and so is Jesus. ~ Katie Henry,

76:We are born of the Earth, and so we return to the Earth,” Athena intoned, a tear running heedlessly down one cheek. “We belong to the honoured Lord and Lady, and so we return to their loving embrace. The wheel of life turns, and so too, our lives come full circle. ~ Sharon Hannaford,

77:Piers took a leisurely look at Linnet. There was the beauty, sure enough. But it didn't detract from the intelligence in her eyes. And in his opinion the slightly cynical lilt in her voice just made her all the more beautiful, as if Aphrodite had been crossed with Athena. ~ Eloisa James,

78:Then Prometheus, in his perplexity as to what preservation he could devise, stole from Hephaestus and Athena wisdom in the arts together with fire -- since by no means without fire could it be acquired or helpfully used by any -- and he handed it there and then as a gift to man. ~ Plato,

79:When the war has been fought out, and that peace established which is always the result of conflict and war, then it is that the goddess Athena reigns in all gentleness and purity, teaching mankind to enjoy peace, and instructing them in all that gives beauty to human life. ~ Michael Rank,

80:G.I. Joe boxers!’ Apollo screamed. ‘OH—oh, I can’t even... HAHAHAHAHA!’ ‘Aphrodite,’ Athena giggled. ‘You look simply lovely.’ The gods couldn't stop laughing. Soon they were rolling on the floor, wiping tears from their eyes, taking photos with their phones to post on Tumblr. ~ Rick Riordan,

81:Gods… Nico. Over the past few days, every time Jason sacrificed a portion of a meal to Jupiter, he prayed to his dad to help Nico. That kid had gone through so much, and yet he had volunteered for the most difficult job: transporting the Athena Parthenos statue to Camp Half-Blood. ~ Rick Riordan,

82:Athena came to stand by her side. She reached out and ran a light touch over the read wrap. 'Nice dress." Grace frowned in disbelief. 'They're fighting to the death and you're admiring my clothes?' Athena laughed. 'Trust me, I pick my generals well. Priapus doesn't stand a chance. ~ Sherrilyn Kenyon,

83:In the old legends, Arachne had gotten into trouble because of pride. She’d bragged about her tapestries being better than Athena’s, which had led to Mount Olympus’s first reality TV punishment program: 'So You Think You Can Weave Better Than a Goddess?' Arachne had lost in a big way. ~ Rick Riordan,

84:The rose Dawn might have found them weeping still had not grey-eyed Athena slowed the night when night was most profound, and held the Dawn under the Ocean of the East. That glossy team, Firebright and Daybright, the Dawn's horses that draw her heavenward for men- Athena stayed their harnessing. ~ Homer,

85:Athena came to stand by her side. She reached out and ran a light touch over the read wrap. 'Nice dress."
Grace frowned in disbelief. 'They're fighting to the death and you're admiring my clothes?'
Athena laughed. 'Trust me, I pick my generals well. Priapus doesn't stand a chance. ~ Sherrilyn Kenyon,

86:Time as you know it is meaningless to the gods, Athena’s voice whispered in her mind. Time is a river, and mortals are like fish; I merely plucked you out of the river at one point—your present—then walked along the bank upstream and dropped you back in at a different point—your past. ~ Martin H Greenberg,

87:She gripped her new bronze dagger, realizing it was too small and too short to provide much offensive power. But that's why Annabeth liked daggers: they kept her focused. A child of Athena should never rely on a blade if she could use her wits instead. Intelligence won wars, not brute force. ~ Rick Riordan,

88:According to Annabeth, our family, the Chases, had some sort of special appeal to the ancient gods. Maybe it was our winning personalities. Maybe it was our brand of shampoo. Annabeth’s mom, the Greek goddess Athena, had fallen in love with her dad, Frederick. My dad, Frey, had fallen in love ~ Rick Riordan,

89:Percy: “Hey, how’s it going?” Annabeth: “Uh, no thanks.” Percy: “Okay…have you eaten anything today?” Annabeth: “I think Leo is on duty. Ask him.” Percy: “So, my hair is on fire.” Annabeth: “Okay. In a while.” She got like this sometimes. It was one of the challenges of dating an Athena girl. ~ Rick Riordan,

90:She swallowed. “Wear this, at least. For luck.” She took off her necklace, with her five years’ worth of camp beads and the ring from her father, and tied it around my neck. “Reconciliation,” she said. “Athena and Poseidon together.” My face felt a little warm, but I managed a smile. “Thanks. ~ Rick Riordan,

91:(Athena)"You must have an opinion, then, of who shares with you the distinction of being 'nearly flawless.'"
"There are many," he replied, "who come close."
"But do not equal your level of..." Athena searched for the right word.
"Perfection," Mr. Peterbrook supplied without a hint of hesitation. ~ Sarah M Eden,

92:She wasn’t born in the normal way. She was literally born from
thoughts. Her children are born the same way. When Athena falls in love with a mortal man, it’s purely intellectual, the way she loved Odysseus in the old stories. It’s a meeting of minds. She would tell you that’s the purest kind of love. ~ Rick Riordan,

93:Right before the game, she strolled up to me. "Hey, Seaweed Brain." "Will you stop calling me that?" She knows I hate that name, mostly because I never have a good comeback. She's the daughter of Athena, which doesn't give me a lot of ammunition. I mean, "Owl-head" and "Wise Girl" are kind of lame insults. ~ Rick Riordan,

94:Come, weave us a scheme so I can pay them back! Stand beside me, Athena, fire me with daring, fierce as the day we ripped Troy's glittering crown of towers down. Stand by me - furious now as then, my bright-eyed one - and I would fight three hundred men, great goddess, with you to brace me, comrade-in-arms in battle! ~ Homer,

95:No, the problem at Göbekli Tepe is the pristine, sudden appearance, like Athena springing full-grown and fully armed from the brow of Zeus, of what appears to be an already seasoned civilization so accomplished that it “invents” both agriculture and monumental architecture at the apparent moment of its birth. ~ Graham Hancock,

96:Jonas stood from the bed and took two steps. He turned back and looked at Dmitri, who had stood behind him. “They’re going to pay, Dmitri.” Dmitri looked Jonas in the eye, took him by both shoulders, and said, “You wouldn't be from the House of Athena if you didn't make them pay.” Jonas nodded and opened the door. ~ Erik Wecks,

97:Right before the game, she strolled up to me. "Hey, Seaweed Brain."
"Will you stop calling me that?"
She knows I hate that name, mostly because I never have a good comeback. She's the daughter of Athena, which doesn't give me a lot of ammunition. I mean, "Owl-head" and "Wise Girl" are kind of lame insults. ~ Rick Riordan,

98:Now, she realized that the hardest test for a child of Athena wasn't leading a quest or facing death in combat. It was making the strategic decision to step back, to let someone else take the brunt of danger - especially if that person was your friend. She had to face the fact that she could not protect everyone she loved. ~ Rick Riordan,

99:ATHENA: There are two sides to this dispute. I've heard only one half the argument. (...) So you two parties, summon your witnesses, set out your proofs, with sworn evidence to back your stories. Once I've picked the finest men in Athens, I'll return. They'll rule fairly in this case, bound by a sworn oath to act with justice. ~ Aeschylus,

100:Come, weave us a scheme so I can pay them back!
Stand beside me, Athena, fire me with daring, fierce
as the day we ripped Troy's glittering crown of towers down.
Stand by me - furious now as then, my bright-eyed one -
and I would fight three hundred men, great goddess,
with you to brace me, comrade-in-arms in battle! ~ Homer,

101:All gods are the same. They’re big on the worshipping and the ceremonies and the imposing buildings, but when you really need them – they’re never there. Athena certainly wasn’t. All right, she later drove Ajax mad for his desecration, but where was she when Kassandra needed her? Where was Apollo, who loved her? Where were any of them? ~ Jodi Taylor,

102:Annabeth pushed over an easel. Architectural drawing scattered across the floor. “I used to respect you. You were my hero! You—you built amazing things. You solved problems. Now…I don’t know what you are. Children of Athena are supposed to be wise, not just clever. Maybe you are just a machine. You should have died two thousand years ago. ~ Rick Riordan,

103:Strangely, it was Athena who spoke up: 'The boy is correct. We have been unwise to ignore our children. It proved a strategic weakness in this war and almost caused our destruction. Percy Jackson - I have had my doubts about you, but perhaps -' she glanced at Annabeth, and then spoke as if the words had a sour taste - 'perhaps I was mistaken. ~ Rick Riordan,

104:Why are you laughing?’ Athena demanded. ‘Well …’ Demeter suppressed a smile. ‘It’s just that when you play the flute, your eyes cross and your cheeks puff out, and you make this funny shape with your mouth.’ ‘Like this …’ Aphrodite demonstrated, doing her best imitation of Athena’s flute face, which looked sort of like a constipated duck’s. The ~ Rick Riordan,

105:. . . another important characteristic . . . provides a clue . . . the early weakness . . . is balanced by . . . strong "tutelary" figures . . . who enable him to perform the superhuman tasks that he cannot accomplish unaided. Theseus had Poseidon . . . Perseus had Athena . . . Achilles had Cheiron . . . the wise centaur, as his tutor. P. 101 ~ Carl Gustav Jung,

106:Wisdom’s daughter walks alone—” “Ella!” Frank stood suddenly. “Maybe it’s not the best time—” “The Mark of Athena burns through Rome,” Ella continued, cupping her hands over her ears and raising her voice. “Twins snuff out the angel’s breath, Who holds the key to endless death. Giants’ bane stands gold and pale, Won through pain from a woven jail. ~ Rick Riordan,

107:So if the gods fight,” I said, “will things line up the way they did with the Trojan War? Will it be Athena versus Poseidon?” She put her head against the backpack Ares had given us, and closed her eyes. “I don’t know what my mom will do. I just know I’ll fight next to you.” “Why?” “Because you’re my friend, Seaweed Brain. Any more stupid questions? ~ Rick Riordan,

108:Hazel twirled her hair pensively. “I don’t like the idea of you risking your life alone, but you’re right. We saw what recovering the golden eagle standard did for the Roman legion. If this statue is the most powerful symbol of Athena ever created—” “It could kick some serious booty,” Leo offered. Hazel frowned. “That wasn’t the way I’d put it, but yes. ~ Rick Riordan,

109:Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When they had a thought, it occurred to them as a god or goddess giving them an order. Apollo was telling them to be brave.
Athena was telling them to fall in love.
Now people hear a commercial for sour cream potato chips and rush out to buy. ~ Chuck Palahniuk,

110:Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When they had a thought, it occurred to them as a god or goddess giving them an order.
Apollo was telling them to be brave.
Athena was telling them to be in love.
Now people hear a commercial for sour cream potato chips and rush out to buy. ~ Chuck Palahniuk,

111:Why would Gaia be back at camp?’ Leo asked. ‘Percy’s nosebleed was here.’

‘Dude,’ Percy said, ‘first off, you heard Athena – don’t blame my nose. Second, Gaia’s the earth. She can pop up anywhere she wants. Besides, she told us she was going to do this. She said the first thing on her to-do list was destroying our camp. Question is: how do we stop her? ~ Rick Riordan,

112:We are born of the Earth, and so we return to the Earth,” Athena intoned, a tear running heedlessly down one cheek. “We belong to the honoured Lord and Lady, and so we return to their loving embrace. The wheel of life turns, and so too, our lives come full circle. This farewell is not a final farewell, for the wheel turns eternal and we shall meet again. ~ Sharon Hannaford,

113:Wisdom's daughter walks alone—”
“Ella!” Frank stood suddenly. “Maybe it's not the best time—”
“The Mark of Athena burns through Rome,” Ella continued, cupping her hands over her ears and raising her voice. “Twins snuff out the angel's breath, Who holds the key to endless death. Giants' bane stands gold and pale, Won with pain from a woven jail. ~ Rick Riordan,

114:Had a person attempted to taste me so soon after we met, I would have been alarmed; but since Athena was an octopus, I was thrilled. Although we couldn’t have been more different — I, a terrestrial vertebrate constrained by joints and bound to air; she, a marine mollusk with not a single bone, who breathed water — she was clearly as curious about me as I was about her. ~ Sy Montgomery,

115:There is little left holding this place together,” Her Ladyship cautioned. “Except, of course, my own skill. Centuries of Athena’s rage can only be contained so well, and the great Earth Mother churns below us in her sleep. Between those two forces, well…my nest has quite eroded. We must hope this child of Athena proves to be a worthy victim. She may be my last plaything. ~ Rick Riordan,

116:She sprang from Zeus’s forehead and, right in front of their eyes, grew until she was a fully formed adult goddess, dressed in gray robes and battle armor, wearing a bronze helmet and holding a spear and shield. I’m not sure where she got the outfit. Maybe Athena magically created it, or maybe Zeus ate clothing and weaponry for snacks. At any rate, the goddess made quite an entrance. ~ Rick Riordan,

117:You shall delve in the darkness of the endless maze . . .” We waited. “The dead, the traitor, and the lost one raise.” Grover perked up. “The lost one! That must mean Pan! That’s great!” “With the dead and the traitor,” I added. “Not so great.” “And?” Chiron asked. “What is the rest?” “You shall rise or fall by the ghost king’s hand,” Annabeth said, “the child of Athena’s final stand. ~ Rick Riordan,

118:This is for Phoebe,' she snarled in his ear. 'For Kinzie. For all those you killed. You will die at the hands of a girl.'

Orion thrashed and fought, but Reyna's will was unshakeable. The power of Athena infused her cloak. Bellona blessed her with strength and resolve. Not one but two powerful goddesses aided her, yet the kill was for Reyna to complete.

Complete it she did. ~ Rick Riordan,

119:But the owls themselves are not hard to find, silent and on the wing, with their ear tufts flat against their heads as they fly and their huge wings alternately gliding and flapping as they maneuver through the trees. Athena's owl of wisdom and Merlin's companion, Archimedes, were screech owls surely, not this bird with the glassy gaze, restless on the bough, nothing but blood on its mind. ~ Mary Oliver,

120:But the owls themselves are not hard to find, silent and on the wing, with their ear tufts flat against their heads as they fly and their huge wings alternately gliding and flapping as they maneuver through the trees. Athena’s owl of wisdom and Merlin’s companion, Archimedes, were screech owls surely, not this bird with the glassy gaze, restless on the bough, nothing but blood on its mind. ~ Mary Oliver,

121:For more than a year and a half, since meeting Athena, since coming to know Octavia and now Kali, each time I’ve reached into the tanks where we have brought these creatures into our world, I’ve longed to enter theirs. At last, in the warm embrace of the sea, breathing underwater, surrounded by the octopus’s liquid world, my breath rising in silver bubbles like a song of praise, here I am. ~ Sy Montgomery,

122:Yes, tell us, Ari. Tell us what you have seen."

Athena.

Dead flowers and flashing emerald beads threaded through her tangled, upswept hair.

A hard swallow went down down my throat, followed by a tightening of every muscle I possessed. All the emotions of my vision boiled over, as fresh and furious as they'd been a few moments ago. "You should know, you petty piece of shit. ~ Kelly Keaton,

123:Aren’t all demigods related on the godly side, and doesn’t that make dating gross? But the thing is, the godly side of your family doesn’t count, genetically speaking, since gods don’t have DNA. A demigod would never think about dating someone who had the same godly parent. Like two kids from Athena cabin? No way. But a daughter of Aphrodite and a son of Hephaestus? They’re not related. So it’s no problem. ~ Rick Riordan,

124:He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn’t answer that one.) If Annabeth’s mother was Athena, the goddess of wisdom, then why didn’t Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.) ~ Rick Riordan,

125:Hesitantly she took the object from his open palm.
It was a small, exquisite black cameo rimmed with pearls. A woman on a horse.
“The woman is Athena,” Devon said. “According to myth, she invented the bridle and was the first ever to tame a horse.”
Kathleen looked down at the gift in wonder. First the shawl…now this. Personal, beautiful, thoughtful things. No one had ever understood her taste so acutely.
Damn him. ~ Lisa Kleypas,

126:PROLOGUE FRIDAY, APRIL 23 OXFORD, ENGLAND ATHENA RAN BLINDLY down the dark country lane, her breath coming in short, harsh gasps. Her school jacket with the St. Polycarp’s logo sewn on the pocket was no protection against the sudden drenching spring rain. The knapsack strapped to her body impeded her flight. It did not occur to her to discard it. As the bewildering shock began to wear off, she desperately told herself she was ~ Carol Higgins Clark,

127:Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will. At least the ancient Greeks were being honest. ~ Chuck Palahniuk,

128:Just shut up. Shut the fuck up, you stupid, uptight, don't drink, don't smoke, don't fuck, don't do anything that might almost be interpreted as fun, sanctimonious little fucking virgin. Fuck, fuck, fucking fuck, I've had enough. I'm not going to this fucking meeting, I don't care what happens to the fucking family, you can tell Athena what the fuck you like, just as long as you get out of my fucking face and stay out of it. - Apollo ~ Marie Phillips,

129:L'umano desiderio di un principio, una parte di mezzo e una fine - e una fine adeguata, come grandezza, a quel principio e a quella parte di mezzo - si realizzava così completamente soltanto nella materia insegnata da Coleman all'Athena College. Ma al di fuori della tragedia classica del quinto secolo a.C. aspettarsi un compimento, per non dire una giusta e perfetta conclusione, significa, per un adulto, cullarsi in una stolta illusione. ~ Philip Roth,

130:Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love.
Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will.
At least the ancient Greeks were being honest.
~ Chuck Palahniuk,

131:The influence of Greek art and literature became so powerful in Rome that ancient Roman deities were changed to resemble the corresponding Greek gods, and were considered to be the same. Most of them, however, in Rome had Roman names. These were Jupiter (Zeus), Juno (Hera), Neptune (Poseidon), Vesta (Hestia), Mars (Ares), Minerva (Athena), Venus (Aphrodite), Mercury (Hermes), Diana (Artemis), Vulcan or Mulciber (Hephaestus), Ceres (Demeter). ~ Edith Hamilton,

132:Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love.

Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will.
At least the ancient Greeks were being honest. ~ Chuck Palahniuk,

133:Whereas the Greeks had Zeus and Athena, we had people who still lived in Verdun. They had a lot to bear on their shoulders. They had to invent the whole world themselves. They were supposed to have supernatural powers and achieve sainthood. When really they just found themselves peering into the mirror above the bathroom sink, looking to see how they were aging. Sitting in the bathtub, smoking a cigarette, terrified of death like the rest of us. ~ Heather O Neill,

134:Penso che, uscendo dalla chiesa, Athena possa aver incontrato Gesù. E, piangendo, si sia gettata fra le Sue braccia, confusa, chiedendoGli di spiegarle il motivo per cui doveva restare fuori a causa di una firma apposta su un foglio di carta: una cosa priva di importanza sul piano spirituale, che riguardava solo notai e tasse.
E Gesù, fissandola, potrebbe aver risposto:
"Osserva bene, figliola, anch'io sono fuori. Da molto tempo, non mi fanno più entrare. ~ Paulo Coelho,

135:Apollo stepped toward Athena. “Let’s break down this idea step-by-step. How would we be able to use Perses? The last time I checked, he was in Tartarus.”
“He is still there.” Athena tipped her chin up. “And as you know, he is not dead. He is only entombed.”
“And how do you think we’re going to release him?” Apollo demanded, brows slashed. “Zeus would never agree to this.”
“I am Zeus’ favorite child.” Her smile beamed. Apollo’s blue eyes rolled. ~ Jennifer L Armentrout,

136:Athena came to represent a very particular form of nous—eminently practical, feminine, and earthy. She is the voice that comes to heroes in times of need, instilling in them a calm spirit, orienting their minds toward the perfect idea for victory and success, then giving them the energy to achieve this. To be visited by Athena was the highest blessing of them all, and it was her spirit that guided great generals and the best artists, inventors, and tradesmen. Under ~ Robert Greene,

137:Libraries are like houses of worship: Whether or not you use them yourself, it's important to know that they are there. In many ways they define a society and the values of that society. Librarians to me are the keepers of the flame of knowledge. When I was growing up, the librarian in my local library looked like a meek little old lady, but after you spent some time with her, you realized she was Athena with a sword, a wise and wonderful repository of wisdom. ~ Jane Stanton Hitchcock,

138:Calypso, Goddess of the Sea. your request has been granted. You shall keep Hades within your Kingdom for the nest fortnight. He cannot be allowed into the Above for any reason while we follow the evidentiary trail toward the true culprit. Should he escape, he will be lashed a thousand times by Athena's whip, chained to a rock, and have his eyes picked on by vultures for the next thousand years."

"Oh, is that all?" Hades growled.

My lips twitched. He was funny. ~ Jovee Winters,

139:If you’ve never seen Thalia run into battle, you have never been truly frightened. She uses a huge spear that expands from this collapsible Mace canister she carries in her pocket, but that’s not the scary part. Her shield is modeled after one her dad Zeus uses—also called Aegis—a gift from Athena. The shield has the head of the gorgon Medusa molded into the bronze, and even though it won’t turn you to stone, it’s so horrible, most people will panic and run at the sight of it. ~ Rick Riordan,

140:Percy's ears turned as pink as Alex's jeans. "Anyway, maybe we've been looking at this all wrong. I've been tying to teach you sea skills. But the most important thing is to use whatever you've got to hand - your team, your wits, the enemy's own magical stuff."
"And there's no way to plan for that," I said.
"Exactly!" Percy said. "My work here is done!"
Annabeth frowned. "Percy, you're saying the best plan is no plan. As a child of Athena, I can't really endorse that. ~ Rick Riordan,

141:Temple of Delphi. It had helped him battle all kinds of monsters, beasts, and the Crony army ever since. Zeus ran after Poseidon as another thread shot down and grabbed Hestia’s ankle. Then another thread grabbed Demeter around her waist, and the next one circled Hera’s arm! “Help!” they cried as the sticky threads dragged them away. “What’s happening?” Hades asked, catching up to Zeus as they chased after the four captured Olympians. Apollo, Ares, and Athena followed at their heels. ~ Joan Holub,

142:Leo!” Jason was shaking his shoulder. “Hey, man, why are you hugging Nike?”
Leo’s eyes fluttered open. His arms were wrapped around the human-sized statue in Athena’s hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.)
He disentangled himself and sat up, rubbing his face.
“Nothing,” he muttered. “We were just cuddling. ~ Rick Riordan,

143:The compelling thing about making art—or making anything, I suppose—is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances. Circe, Nimbue, Artemis, Athena, all the old sorceresses: they must have known the feeling as they transformed mere men into fabulous creatures, stole the secrets of the magicians, disposed armies: ah, look, there it is, the new thing. Call it a swine, a war, a laurel tree. Call it art. ~ Audrey Niffenegger,

144:Oh.” Annabeth felt her face flush. She didn’t want to get into the details of Athena’s children—how they were born straight from the mind of the goddess, just as Athena herself had sprung from the head of Zeus. Talking about that always made Annabeth feel self-conscious, like she was some sort of freak. People usually asked her whether or not she had a belly button, since she had been born magically. Of course she had a belly button. She couldn’t explain how. She didn’t really want to know. ~ Rick Riordan,

145:My soul will dance with Athena's soul; I'll be with her while I sleep; I'll wake up sweating and go into the kitchen for a glass of water. I'll understand that in order to combat ghosts you must use weapons that form no part of reality. Then, following the advice of my grandmother, I'll place an open pair of scissors on my bedside table to snip off the end of the dream. The next day, I'll look at the scissors with a touch of regret, but I must adapt to living in the world again or risk going mad. ~ Paulo Coelho,

146:A pettos speckled with gold ajiggle with a fremitus from the heart touches me like Athena's hoolet mewing in uncertain dark. So much is nature, whereon we build our particulars fastidious and critical. Your every arrow O Eros has hit me, as the song goes. O girls, girls. This arrow is Timo's curls, this is Heliodora's shoes, this the smell of quinces that blows from Demo's door, flowers plaited into Dorothea's hair and ox-eyed Antikleia's smile that is music from the islands, summer's stars. ~ Guy Davenport,

147:I AM NOT writing this book for people below the age of 18, but I see no harm in telling young people to prepare for failure rather than success, since failure is the main thing that is going to happen to them.

In terms of basketball alone, almost everybody has to lose. A high percentage of the convicts in Athena, and now in this much smaller institution, devoted their childhood and youth to nothing but basketball and still got their brains knocked out in the early rounds of some darn fool tournament. ~ Kurt Vonnegut,

148:It was the crossbows that decided Turkos, although his decision was almost too fast to be described as thought.
Even as they emerged from the shadow to gloat over their prisoners, he reared his horse - his precious horse, that he loved, Athena.
She reared obediently, and her broad stomach and long neck took all six of the crossbow bolts meant for him. And because she was all heart, she landed on four feet and continued forward after her iron-shod forefeet crushed the skulls of two warriors.
And then she fell. ~ Miles Cameron,

149:Sometimes Alton Darwin would talk to me about the planet he was on before he was transported in a steel box to Athena. 'Drugs were food,' he said. 'I was in the food business. Just because people on one planet eat a certain kind of food they're hungry for, that makes them feel better after they eat it, that doesn't mean people on other planets shouldn't eat something else. On some planets I'm sure there are people who eat stones, and then feel wonderful for a little while afterwords. Then it's time to eat stones again. ~ Kurt Vonnegut,

150:Taboos, magic, superstition, personified abstraction, myths, gods, empty verbalisms, in every culture and at every period of history express man's persisting non-logical impulses. Gods and goddesses like Athena or Janus or Ammon are replaced by new divinities such as Progress and Humanity and even Science; hymns to Jupiter give way to invocations to the People; the magic of the votes and electoral manipulations supersedes the magic of dolls and wands; faith in the Historical Process does duty for faith in the God of our Fathers. ~ James Burnham,

151:When every tree can suddenly speak as a nymph, when a god in the shape of a bull can drag away maidens, when even the goddess Athena herself is suddenly seen in the company of Peisastratus driving through the market place of Athens with a beautiful team of horses - and this is what the honest Athenian believed - then, as in a dream, anything is possible at each moment, and all of nature swarms around man as it were nothing but a masquerade of the gods, who were merely amusing themselves by deceiving men in all these shapes. ~ Friedrich Nietzsche,

152:You have no idea how many times in my life I've wanted to publicly bitch-slap my brother. Thank you for the amusement." Athena
"I thought you were going to choke me for it." Bethany
"Not for this. But don't think for even one heartbeat that we're friends." Athena
"I know. But I am a goddess of justice, and while I have no problem tearing open someone who deserves it, I cannot stand to see anyone, even a Greek, wrongfully tortured." Bethany
"Now can I have my body back? No offense, but I don't wear old man well." Athena ~ Sherrilyn Kenyon,

153:Can you surf really well, then?" I looked at Grover, who was trying hard not to laugh. "Jeez, Nico," I said. "I've never really tried." He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.) ~ Rick Riordan,

154:The giant raised his fist, and a voice cut through the dream. "Leo!" Jason was shaking his shoulder. "Hey, man, why are you hugging Nike?" Leo's eyes fluttered open. His arms were wrapped around the human-sized statue in Athena's hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.) He disentangled himself and sat up, rubbing his face. "Nothing," he muttered. "we were just cuddling. Um, what's going on? ~ Rick Riordan,

155:This is nice," Beast said with a sigh. "Like... one of those paintings where a nymph or Athena is reading to the gods and goddesses."
"And here I was thinking you were an utterly uneducated beast," Belle said teasingly.
"I am a prince," he responded with hauteur. "I am classically educated.
"Plus, nymphs are pretty," he added.
Belle laughed.
"I could stare at them all day," he continued. His tone was carefully neutral, but his eyes never left hers.
And Belle found she could look back. And not blush. And not have to look away. ~ Liz Braswell,

156:Can you surf really well, then?"
I looked at Grover, who was trying hard not to laugh.
"Jeez, Nico," I said. "I've never really tried."
He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.) ~ Rick Riordan,

157:According to Annabeth, our family, the Chases, had some sort of special appeal to the ancient gods. Maybe it was our winning personalities. Maybe it was our brand of shampoo. Annabeth’s mom, the Greek goddess Athena, had fallen in love with her dad, Frederick. My dad, Frey, had fallen in love with my mother, Natalie. If somebody came up to me tomorrow and told me—surprise!—the Aztec gods were alive and well in Houston and my second cousin was the granddaughter of Quetzalcoatl, I would totally believe them. Then I would run screaming off a cliff into Ginnungagap. ~ Rick Riordan,

158:The giant raised his fist, and a voice cut through the dream.
"Leo!" Jason was shaking his shoulder. "Hey, man, why are you hugging Nike?"
Leo's eyes fluttered open. His arms were wrapped around the human-sized statue in Athena's hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.)
He disentangled himself and sat up, rubbing his face.
"Nothing," he muttered. "we were just cuddling. Um, what's going on? ~ Rick Riordan,

159:Expulso da Athena", dizia me ele, "por ser um judeu branco do tipo que aqueles filhos da puta ignorantes consideram o inimigo. Fomos nós os culpados pelo sofrimento dos negros nos Estados Unidos. Fomos nós que expulsamos os negros do paraíso. E é por nossa culpa que eles se dão mal até hoje. Qual é a principal fonte do sofrimento dos negros neste mundo? Eles já sabem a resposta antes mesmo de assistir às aulas. Eles já sabem sem ter nem que abrir um livro. Sem ter que ler — sem ter que *pensar*. Quem é responsável? Os mesmos monstros maus do Velho Testamento que causaram tantos sofrimentos aos alemães. ~ Philip Roth,

160:Whenever Percy stopped by to see her, she was so lost in thought that the conversation went something like this: Percy: “Hey, how’s it going?” Annabeth: “Uh, no thanks.” Percy: “Okay…have you eaten anything today?” Annabeth: “I think Leo is on duty. Ask him.” Percy: “So, my hair is on fire.” Annabeth: “Okay. In a while.” She got like this sometimes. It was one of the challenges of dating an Athena girl. Still, Percy wondered what he had to do to get her attention. He was worried about her after her encounter with the spiders at Fort Sumter, and he didn’t know how to help her, especially if she shut him out. ~ Rick Riordan,

161:Persephone, grant me the foresight to know when I must let go my old life to start anew.

Artemis, grant me the strength of your spine when you helped deliver Apollo, your own twin.

Athena, grant me the solidarity in your sinews for which you were born in all of your armour.

Aphrodite, grant me the kind of heart that always follows my passions true.

Andromeda grant me the wish to never fall out of love with the night sky or the glisten of it’s stars.

And Hera, grant me your fury, so I can remind my enemies I am not the weakness they perceive, I am the oncoming storm, I am war. ~ Nikita Gill,

162:The compelling thing about making art—or making anything, I suppose—is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances. Circe, Nimbue, Artemis, Athena, all the old sorceresses: they must have known the feeling as they transformed mere men into fabulous creatures, stole the secrets of the magicians, disposed armies: ah, look, there it is, the new thing. Call it a swine, a war, a laurel tree. Call it art. The magic I can make is small magic now, deferred magic. Every day i work, but nothing ever materializes. I feel like Penelope, weaving and unweaving. ~ Audrey Niffenegger,

163:AGATHA, an old Labradoodle ATHENA, a brown teacup Poodle ATTICUS, an imposing Neapolitan Mastiff, with cascading jowls BELLA, a Great Dane, Athena’s closest pack mate BENJY, a resourceful and conniving Beagle BOBBIE, an unfortunate Duck Toller DOUGIE, a Schnauzer, friend to Benjy FRICK, a Labrador Retriever FRACK, a Labrador Retriever, Frick’s litter mate LYDIA, a Whippet and Weimaraner cross, tormented and nervous MAJNOUN, a black Poodle, briefly referred to as ‘Lord Jim’ or simply ‘Jim’ MAX, a mutt who detests poetry PRINCE, a mutt who composes poetry, also called Russell or Elvis RONALDINHO, a mutt who deplores the condescension of humans ROSIE, ~ Andr Alexis,

164:Athena’s sacred plant was the olive tree, since that was her big gift to the Athenians. Her sacred animals were the owl and the snake. Supposedly, the owl was a symbol of wisdom from the heavens. The snake symbolized wisdom from the earth. Me, I never understood that. If owls were so wise, why would they go around asking Who? all the time, like they couldn’t remember their own names? Snakes have never struck me as very smart, either; but apparently the Greeks thought that when snakes hissed, they were whispering important secrets. Yeah, that’s right, Mr. Greek Dude. Hold that rattlesnake a little closer to your ear. He’s got something to tell you. ~ Rick Riordan,

165:This woman is Pocahontas. She is Athena and Hera. Lying in this messy, unmade bed, eyes closed, this is Juliet Capulet. Blanche DuBois. Scarlett O'Hara. With ministrations of lipstick and eyeliner I give birth to Ophelia. To Marie Antoinette. Over the next trip of the larger hand around the face of the bedside clock, I give form to Lucrezia Borgia. Taking shape at my fingertips, my touches of foundation and blush, here is Jocasta. Lying here, Lady Windermere. Opening her eyes, Cleopatra. Given flesh, a smile, swinging her sculpted legs off one side of the bed, this is Helen of Troy. Yawning and stretching, here is every beautiful woman across history. ~ Chuck Palahniuk,

166:You shall delve in the darkness of the endless maze,” I remembered. “The dead, the traitor, and the lost one raise. We raised a lot of the dead. We saved Ethan Nakamura, who turned out to be a traitor. We raised the spirit of Pan, the lost one.” Annabeth shook her head like she wanted me to stop. “You shall rise or fall by the ghost king’s hand,” I pressed on. “That wasn’t Minos, like I’d thought. It was Nico. By choosing to be on our side, he saved us. And the child of Athena’s final stand—that was Daedalus.” “Percy—” “Destroy with a hero’s final breath. That makes sense now. Daedalus died to destroy the Labyrinth. But what was the last—” “And lose a love to worse than death.” Annabeth ~ Rick Riordan,

167:Bartleby, just look at me. I wanted to do it once, too. Be a writer. Now I’m near 70, and the only thing I have to show for it is dictionary entries. Don’t get me wrong—I’m incredibly proud of it all. But let me say this, and I’ll say it only once: don’t fool yourself into thinking you’re just on a detour as you sail home for Ithaca. A little pit stop, if you like, with the Lotus-Eaters or Calypso. There’s no Athena interceding on your behalf. No guarantee you’ll eventually arrive. If there’s something you really want in life—especially if it’s something that scares you, or you think you don’t deserve—you have to go after it and do it now. Or in not very long you’ll be right: you won’t deserve it. ~ Anonymous,

168:The discussion was escalating into an argument when the Demeter head counselor offered one last suggestion. "What about this?" He held out a small red object.
"Miniature explosive!" the Ares boy bellowed. "Duck!"
"It's not an explosive or a duck," the Demeter boy said. "It's a berry native to this land. Grows all over the place here."
The Aphrodite girl wrinkled her nose. "Excuse me, but ew! There are seeds all over the outside! So unattractive. And red? That colour is so overdone, fruit-wise."
"Yes, but it's tasty," the Demeter counselor said. "I call it a strawberry.
"Why?" the Athena girl wanted to know.
"Because blueberry, raspberry, blackberry, and cranberry were taken. ~ Rick Riordan,

169:Dude,” Percy said, “first off, you heard Athena—don’t blame my nose. Second, Gaea’s the earth. She can pop up anywhere she wants. Besides, she told us she was going to do this. She said the first thing on her to-do list was destroying our camp. Question is, how do we stop her?” Frank looked at Zeus. “Um, sir, Your Majesty, can’t you gods just pop over there with us? You’ve got the chariots and the magic powers and whatnot.” “Yes!” Hazel said. “We defeated the giants together in two seconds. Let’s all go—” “No,” Zeus said flatly. “No?” Jason asked. “But, Father—” Zeus’s eyes sparked with power, and Jason realized he’d pushed his dad as far as he could for today...and maybe for the next few centuries. “That’s the problem with prophecies,” Zeus growled. ~ Rick Riordan,

170:When Athena was a young goddess, fresh out of Zeus’s forehead, her dad sent her to live with the nymphs of Lake Tritones in Libya on the North African coast. ‘You’ll like them,’ Zeus promised. ‘They’re warlike women, just like you. They might even teach you a few combat tricks!’ ‘I doubt that,’ Athena said. ‘Why are you sending me away?’ Zeus tried for a smile, which wasn’t easy, since his forehead still hurt. ‘Look, my little war-muffin –’ ‘Don’t call me that!’ ‘You’ve been stuck inside my guts your whole life,’ Zeus said. ‘This’ll give you a chance to learn about the wide world. And it’ll give the other Olympians time to get used to the idea of you being on the gods’ council. Honestly, you’re a little intimidating to them. You’re smart and powerful. ~ Rick Riordan,

171:Yeah, well,” Nico said, “not giving people a second thought…that can be dangerous.” “Dude, I’m trying to say thank you.” Nico laughed without humor. “I’m trying to say you don’t need to. Now I need to finish this, if you could give me some space?” “Yeah. Yeah, okay.” Percy stepped back while Nico took up the slack on his ropes. He slipped them over his shoulders as if the Athena Parthenos were a giant backpack. Percy couldn’t help feeling a little hurt, being told to take a hike. Then again, Nico had been through a lot. The guy had survived in Tartarus on his own. Percy understood firsthand just how much strength that must have taken. Annabeth walked up the hill to join them. She took Percy’s hand, which made him feel better. “Good luck,” she told Nico. ~ Rick Riordan,

172:Remind me again-why do you hate me so much?"

I don't hate you."

Could've fooled me."

She folded her cap of invisibility. "Look...we're just not supposed to get along, okay? Our parents are rivals."

Why?"

She sighed. "How many reasons do you want? One time my mom caught Poseidon with his girlfriend in Athena's temple, which is hugely disrespectful. Another time, Athena and Poseidon competed to be the patron god for the city of Athens. Your dad created some stupid saltwater spring for his gift. My mom created the olive tree. The people saw that her gift was better, so they named the city after her."

They must really like olives."

Oh, forget it."

Now, if she'd invented pizza-that I could understand. ~ Rick Riordan,

173:She studied me with concern. She touched the new streak of gray in my hair that matched hers exactly—our painful souvenir from holding Atlas's burden. There was a lot I'd wanted to say to Annabeth, but Athena had taken the confidence out of me. I felt like I'd been punched in the gut.
I do not approve of your friendship with my daughter.
"So," Annabeth said. "What did you want to tell me earlier?"
The music was playing. People were dancing in the streets. I said, "I, uh, was thinking we got interrupted at Westover Hall. And… I think I owe you a dance."
She smiled slowly. "All right, Seaweed Brain."
So I took her hand, and I don't know what everybody else heard, but to me it sounded like a slow dance: a little sad, but maybe a little hopeful, too. ~ Rick Riordan,

174:1: Everyone Knows

It was in the summer of 1998 that my neighbor Coleman Silk—who, before retiring two years earlier, had been a classics professor at nearby Athena College for some twenty-odd years as well as serving for sixteen more as the dean of faculty—confided to me that, at the age of seventy-one, he was having an affair with a thirty-four-year-old cleaning woman who worked down at the college. Twice a week she also cleaned the rural post office, a small gray clapboard shack that looked as if it might have sheltered an Okie family from the winds of the Dust Bowl back in the 1930s and that, sitting alone and forlorn across from the gas station and the general store, flies its American flag at the junction of the two roads that mark the commercial center of this mountainside town. ~ Philip Roth,

175:One need not believe in Pallas Athena, the virgin goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job's cry, or to Jeremiah's, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too. ~ Walter Kaufmann,

176:In Greek mythology, Pallas Athena was celebrated as the goddess of reason and justice.1 To end the cycle of violence that began with Agamemnon’s sacrifice of his daughter, Iphigenia, Athena created a court of justice to try Orestes, thereby installing the rule of law in lieu of the reign of vengeance.2 Recall also the biblical Deborah (from the Book of Judges).3 She was at the same time prophet, judge, and military leader. This triple-headed authority was exercised by only two other Israelites, both men: Moses and Samuel. People came from far and wide to seek Deborah’s judgment. According to the rabbis, Deborah was independently wealthy; thus she could afford to work pro bono.4 Even if its members knew nothing of Athena and Deborah, the U.S. legal establishment resisted admitting women into its ranks far too long. ~ Ruth Bader Ginsburg,

177:Hey, can I see that sword you were using?"
I showed him Riptide, and explained how it turned from a pen into a sword just by uncapping it.
"Cool! Does it ever run out of ink?"
"Um, well, I don't actually write with it."
"Are you really the son of Poseidon?"
"Well, yeah."
"Can you surf really well, then?"
I looked at Grover, who was trying hard not to laugh.
"Jeez, Nico," I said. "I've never really tried."
He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.) ~ Rick Riordan,

178:One of the strangest things is the act of creation.

You are faced with a blank slate—a page, a canvas, a block of stone or wood, a silent musical instrument.

You then look inside yourself. You pull and tug and squeeze and fish around for slippery raw shapeless things that swim like fish made of cloud vapor and fill you with living clamor. You latch onto something. And you bring it forth out of your head like Zeus giving birth to Athena.

And as it comes out, it takes shape and tangible form.

It drips on the canvas, and slides through your pen, it springs forth and resonates into the musical strings, and slips along the edge of the sculptor’s tool onto the surface of the wood or marble.

You have given it cohesion. You have brought forth something ordered and beautiful out of nothing.

You have glimpsed the divine. ~ Vera Nazarian,

179:Peter Allison is a safari guide who has spent much of the last twelve years leading wildlife-viewing and ecotourism trips in Africa, mostly Botswana. His love of animals led him to train as a safari guide in the early 1990s and soon thereafter he was hired by southern Africa’s largest operator to train all of their safari experts. Safaris he has led have been featured in magazines such as Vogue and Condé Nast Traveler. He has assisted National Geographic photographers and appeared on television shows such as Jack Hanna’s Animal Adventures. Peter is also active with the Athena Foundation, a nonprofit conservation group. He is on the board of the Athena Foundation’s youth program, whose mission is to inspire young people to develop their interest in conservation. Originally born and raised in Sydney, Australia, he currently divides his time between Australia, California, and Botswana. ~ Peter Allison,

180:And across the trench he drove the purebred team with a rough exultant laugh as comrades cheered, crowding in his wake.
And once they reached Tydides' sturdy lodge they tethered the horses there with well-cut reins, hitching them by the trough where Diomedes' stallions pawed the ground, champing their sweet barley.
Then away in his ship's stem Odysseus stowed the bloody gear of Dolon, in pledge of the gift they'd sworn to give Athena. The men themselves, wading into the sea, washed off the crusted sweat from shins and necks and thighs.
And once the surf had scoured the thick caked sweat from their limbs
and the two fighters cooled,
their hearts revived and into the polished tubs they climbed and bathed.
And rinsing off, their skin sleek with an olive oil rub, they sat down to their meal and dipping up their cups from an overflowing bowl, they poured them forth -
honeyed, mellow wine
to the great goddess Athena. ~ Homer,

181:Father And Mother Do Not Speak To Me
Father and mother do not speak to me
What about the younger brother?
He minds his own affairs
Let the next birth be in India
I should like to believe in rebirth, but...
Don't you go to the stadium and the tagora?
There are enough of American tourists there.
Their cameras are twinkling all the time.
They must have forgotten to take their eyes.
Why are you so sad today?
You saw Aravindan's 'Pokkuveyil,' didn't you?
Good to learn that there are such people here and there.
Do you know these extremists?
It seems they are more imaginative.
Why so lonely in Athens where twenty-five lacs live?
Maybe, because there are so many.
Athens, Athens, you too drink foreign wine?
Everything is business, Sir?
Who are you?
Athena or Aphrodite
Hera or Artemis
Zues' Ganymede
Or a shepherd girl
In the villages that still survive?
~ Ayyappa Paniker,

182:There is a great deal of illusion in a work of art; one could go farther and say that it is illusory in and of itself, as a "work." Its ambition is to make others believe that it was not made but rather simply arose, burst forth from Jupiter's head like Pallas Athena fully adorned in enchased armor. But that is only a pretense. No work has ever come into being that way. It is indeed work, artistic labor for the purpose of illusion-and now the question arises whether, given the current state of our consciousness, our comprehension, and our sense of truth, the game is still permissible, still intellectually possible, can still be taken seriously; whether the work as such, as a self-sufficient and harmonically self-contained structure, still stands in a legitimate relation to our problematical social condition, with its total insecurity and lack of harmony; whether all illusion, even the most beautiful, and especially the most beautiful, has not become a lie today. ~ Thomas Mann,

183:Athena stood in the middle of the road with her arms crossed and a look on her face that made me think Uh-oh. She'd changed out of her armor, into jeans and a white blouse, but she didn't look any less warlike. Her gray eyes blazed.
"Well, Percy," she said. "You will stay mortal."
"Um, yes, ma'am."
"I would know your reasons."
"I want to be a regular guy. I want to grow up. Have, you know, a regular high school experience."
"And my daughter?"
"I couldn't leave her," I admitted, my throat dry. "Or Grover," I added quickly. "Or-"
"Spare me." Athena stepped close to me, and I could feel her aura of power making my skin itch. "I once warned you, Percy Jackson, that to save a friend you would destroy the world. Perhaps I was mistaken. You seem to have saved both your friends and the world. But think very carefully about how you proceed from here. I have given you the benefit of the doubt. Don't mess up."
Just to prove her point, she erupted in a column of flame, charring the front of my shirt. ~ Rick Riordan,

184:Demons first. We don't know how Athena's dream compares to reality. It could have already happened or might not happen for another few days."
"Who the hell is Athena?" Cillian asks.
I raise my hand.
"Oh, that makes so much more sense. I had questioned your mother's intelligence, naming one of you Artemis and the other Nina. The whole point to having twins is to give them matching names."
"Yes," Artemis deadpans. "That's why our parents had us."
Artemis was the goddess of the hunt; a protector. It fits my sister perfectly. Athena was the goddess of wisdom and war. It's never escape my notice that everyone thought Nina fit me better than my real name.
Everyone except Leo.
"If we have twins someday," Rhys says, "we'll give them matching names."
Cillian nods in agreement, then claps his hands together. "Little Sonny and Cher will be so adorable."
"Jane and Austen," Rhys says.
"Meryl and Streep," Leo offers without looking back.
"That's the one!" Rhys shouts.
"You can be their godfather." Cilllian beams. ~ Kiersten White,

185:Who then is a Stoic? Show me a man moulded to the pattern of the judgments that he utters, in the same way as we call a statue Phidian that is moulded according to the art of Phidias. Show me one who is sick and yet happy, in peril and yet happy, dying and yet happy, in exile and happy, in disgrace and happy. Show him me. By the gods I would fain see a Stoic. Nay you cannot show me a finished Stoic; then show me one in the moulding, one who has set his feet on the path. Do me this kindness, do not grudge an old man like me a sight I never saw till now. What! You think you are going to show me the Zeus of Phidias or his Athena, that work of ivory and gold? It is a soul I want; let one of you show me the soul of a man who wishes to be one with God, and to blame God or man no longer, to fail in nothing, to feel no misfortune, to be free from anger, envy, and jealousy—one who (why wrap up my meaning?) desires to change his manhood for godhead, and who in this poor body of his has his purpose set upon communion with God. Show him to me. Nay, you cannot. ~ Anonymous,

186:There is a small wooden viewing tower, and pamphlets from the State of Ohio, but they focus on facts—for instance, the Serpent Mound is as long as four football fields—not on meaning. In The Sacred Hoop, Paula Gunn Allen, a Native poet, mythologist, and scholar, explains that Serpent Woman was one of the names of the quintessential original spirit “that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind…she is both Mother and Father to all people and all creatures. She is the only creator of thought, and thought precedes creation.”

In Western mythology, she might be compared to Medusa, the serpent-haired Greek goddess whose name means Knowing Woman or Protectress. She once was all-powerful—until patriarchy came along in the form of a mythic young man who chopped off her head. He was told to do this by Athena, who sprang full-blown from the mind of her father, Zeus—a goddess thought up by patriarchy and therefore motherless. There is history in what is dismissed as prehistory. ~ Gloria Steinem,

187:Pelo visto, Mark Silk achava que ia ter o pai para odiar por todo o sempre. Para odiar, odiar, odiar, odiar, e então, talvez, quando ele achasse que era a hora, depois que as cenas de acusação tivessem se intensificado num crescendo até ele quase matar Coleman com seu flagelo de ressentimento filial, perdoar. Ele pensava que Coleman estaria presente até que toda a peça terminasse de ser representada, como se ele e Coleman estivessem não no meio da vida, e, sim, na escarpa sul da acrópole de Atenas, num teatro ao ar livre dedicado a Dioniso, onde, diante dos olhos de dez mil espectadores, as unidades dramáticas eram rigorosamente observadas e o grande ciclo catártico era encenado todos os anos. O desejo humano de começo, meio e fim — e de um fim apropriado em magnitude ao início e ao meio — se realiza à perfeição nas tragédias que Coleman ensinava na Faculdade Athena. Mas fora da tragédia clássica do século V a.C., a expectativa de que tudo se complete, quanto mais de que chegue a uma consumação justa e perfeita, é uma ilusão ingênua indigna de um adulto. ~ Philip Roth,

188:Also by Rick Riordan PERCY JACKSON AND THE OLYMPIANS Book One: The Lightning Thief Book Two: The Sea of Monsters Book Three: The Titan’s Curse Book Four: The Battle of the Labyrinth Book Five: The Last Olympian The Demigod Files The Lightning Thief: The Graphic Novel The Sea of Monsters: The Graphic Novel The Titan’s Curse: The Graphic Novel Percy Jackson’s Greek Gods Percy Jackson’s Greek Heroes From Percy Jackson: Camp Half-Blood Confidential THE KANE CHRONICLES Book One: The Red Pyramid Book Two: The Throne of Fire Book Three: The Serpent’s Shadow The Red Pyramid: The Graphic Novel The Throne of Fire: The Graphic Novel THE HEROES OF OLYMPUS Book One: The Lost Hero Book Two: The Son of Neptune Book Three: The Mark of Athena Book Four: The House of Hades Book Five: The Blood of Olympus The Demigod Diaries The Lost Hero: The Graphic Novel The Son of Neptune: The Graphic Novel Demigods & Magicians MAGNUS CHASE AND THE GODS OF ASGARD Book One: The Sword of Summer Book Two: The Hammer of Thor For Magnus Chase: Hotel Valhalla Guide to the Norse Worlds THE TRIALS OF APOLLO Book One: The Hidden Oracle ~ Rick Riordan,

189:Kathleen had intended to find a quiet place for them to sit undisturbed, but Devon surprised her by pulling her behind the Christmas tree. He drew her into the space beneath the stairs where heavy-laden evergreen branches obscured them from view.
“What are you doing?” she asked in bemusement.
Lights from hundreds of tiny candles danced in his eyes. “I have a gift for you.”
Disconcerted, she said, “Oh, but…the family will exchange presents tomorrow morning.”
“Unfortunately the presents I brought from London were lost in the accident.” Reaching into his coat pocket, he said, “This is the one thing I managed to keep. I’d rather give it to you privately, since I have nothing for the others.”
Hesitantly she took the object from his open palm.
It was a small, exquisite black cameo rimmed with pearls. A woman on a horse.
“The woman is Athena,” Devon said. “According to myth, she invented the bridle and was the first ever to tame a horse.”
Kathleen looked down at the gift in wonder. First the shawl…now this. Personal, beautiful, thoughtful things. No one had ever understood her taste so acutely.
Damn him. ~ Lisa Kleypas,

190:Fireworks exploded to life overhead: Hercules killing the Nemean lion, Artemis chasing the boar, George Washington (who, by the way, was a son of Athena) crossing the Delaware. ‘Hey, Grover,’ I called. He turned at the edge of the woods. ‘Wherever you’re going – I hope they make good enchiladas.’ Grover grinned, and then he was gone, the trees closing around him. ‘We’ll see him again,’ Annabeth said. I tried to believe it. The fact that no searcher had ever come back in two thousand years… well, I decided not to think about that. Grover would be the first. He had to be. July passed. I spent my days devising new strategies for capture-the-flag and making alliances with the other cabins to keep the banner out of Ares’s hands. I got to the top of the climbing wall for the first time without getting scorched by lava. From time to time, I’d walk past the Big House, glance up at the attic windows and think about the Oracle. I tried to convince myself that its prophecy had come to completion. You shall go west, and face the god who has turned. Been there, done that – even though the traitor god had turned out to be Ares rather than Hades. ~ Rick Riordan,

191:Geometrics
(Roxanne daydreams on Crete.)
There, that island crouched down
ready to pounce on the blue Mediterranean
bull, raising salt-dust off Crete with its stampede
of breakers; that’s a granite panther of some kind.
Not the Eastern winged variety that hovered like an
engorged dragonfly over Babylon’s Hanging Gardens –
but wingless, as in the carved reliefs that stalked across
the Parthenon’s archaic pediment. No, not the new
monument raised by Pericles to Pallas Athena either –
the earlier one, Geometric period frescoed with giants,
harpies, tritons, snakes, deer, lions, bulls & of course
panthers.
You can see the big cat’s muscle tone clearly;
the sun-dial snout pointed, a flick of bluff ear,
ridge of terracotta neck, burial mound of shoulder,
terraced spine jagged as a grave stele, haunches (inc. paws,
knees & ankles) anchor strong. A proverbial 1970s
Bridgestone Cat as a single promontory of claw
extends down to a bay’s water dish.
This manx of the Minoan imagination.
Formless now, occupied by a litter
of blind poets mewling to be fed.
~ B. R. Dionysius,

192:Annabeth took a deep breath. “I, ah . . . well, it said, You shall delve in the darkness of the endless maze . . .” We waited. “The dead, the traitor, and the lost one raise.” Grover perked up. “The lost one! That must mean Pan! That’s great!” “With the dead and the traitor,” I added. “Not so great.” “And?” Chiron asked. “What is the rest?” “You shall rise or fall by the ghost king’s hand,” Annabeth said, “the child of Athena’s final stand.” Everyone looked around uncomfortably. Annabeth was a daughter of Athena, and a final stand didn’t sound good. “Hey . . . we shouldn’t jump to conclusions,” Silena said. “Annabeth isn’t the only child of Athena, right?” “But who’s this ghost king?” Beckendorf asked. No one answered. I thought about the Iris-message I’d seen of Nico summoning spirits. I had a bad feeling the prophecy was connected to that. “Are there more lines?” Chiron asked. “The prophecy does not sound complete.” Annabeth hesitated. “I don’t remember exactly.” Chiron raised an eyebrow. Annabeth was known for her memory. She never forgot something she heard. Annabeth shifted on her bench. “Something about . . . Destroy with a hero’s final breath. ~ Rick Riordan,

193:Athena
Force of reason, who shut up the shrill
foul Furies in the dungeon of the Parthenon,
led whimpering to the cave they live in still,
beneath the rock your city foundered on:
who, equivocating, taught revenge to sing
(or seem to, or be about to) a kindlier tune:
mind that can make a scheme of anything—
a game, a grid, a system, a mere folder
in the universal file drawer: uncompromising
mediatrix, virgin married to the welfare
of the body politic: deific contradiction,
warbonnet-wearing olive-bearer, author
of the law's delays, you who as talisman
and totem still wear the aegis, baleful
with Medusa's scowl (though shrunken
and self-mummified, a Gorgon still): cool
guarantor of the averted look, the guide
of Perseus, who killed and could not kill
the thing he'd hounded to its source, the dread
thing-in-itself none can elude, whose counterfeit we halfway hanker for: aware (gone mad
with clarity) we have invented all you stand for,
though we despise the artifice—a space to savor
horror, to pre-enact our own undoing in—
living, we stare into the mirror of the Gorgon.
~ Amy Clampitt,

194:Athena called, "Annabeth Chase, my own daughter."
Annabeth squeezed my arm, then walked forward and knelt at her mother's feet.
Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements."
Annabeth looked up, stunned. "My...my lady?"
Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?"
"You mean...I can design whatever I want?"
"As your heart desires," the goddess said. "Make us a city for the ages."
"As long as you have plenty of statues of me," Apollo added.
"And me," Aphrodite agreed.
"Hey, and me!" Ares said. "Big statues with huge wicked swords and-"
All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus. ~ Rick Riordan,

195:I am the interpretation of the prophet
I am the artist in the coffin
I am the brave flag stained with blood
I am the wounds overcome
I am the dream refusing to sleep
I am the bare-breasted voice of liberty
I am the comic the insult and the laugh
I am the right the middle and the left
I am the poached eggs in the sky
I am the Parisian streets at night
I am the dance that swings till dawn
I am the grass on the greener lawn
I am the respectful neighbour and the graceful man
I am the encouraging smile and the helping hand
I am the straight back and the lifted chin
I am the tender heart and the will to win
I am the rainbow in rain
I am the human who won’t die in vain
I am Athena of Greek mythology
I am the religion that praises equality
I am the woman of stealth and affection
I am the man of value and compassion
I am the wild horse ploughing through
I am the shoulder to lean onto
I am the Muslim the Jew and the Christian
I am the Dane the French and the Palestinian
I am the straight the square and the round
I am the white the black and the brown
I am the free speech and the free press
I am the freedom to express
I will die for my right to be all the above here mentioned
And should threat encounter I’ll pull my pencil ~ Mie Hansson,

196:The Decree Of Athena
Hear ye my statute, men of Attica-Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus's host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time 'gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;-To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou'lt find to drink.
Nor Anarchy, nor Tyrant's lawless rule
Commend I to my people's reverence;-Nor let them banish from their city Fear;
For who 'mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops's realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
~ Aeschylus,

197:What are you doing?" she asked in bemusement.
Lights from hundreds of tiny candles danced in his eyes. "I have a gift for you."
Disconcerted, she said, "Oh, but... the family will exchange presents tomorrow morning."
"Unfortunately the presents I brought from London were lost in the accident." Reaching into his coat pocket, he said, "This is the one thing I managed to keep. I'd rather give it to you privately, since I have nothing for the others."
Hesitantly she took the object from his open palm.
It was a small, exquisite black cameo rimmed with pearls. A woman on a horse.
"The woman is Athena," Devon said. "According to myth, she invented the bridle and was the first ever to tame a horse."
Kathleen looked down at the gift in wonder. First the shawl... now this. Personal, beautiful, thoughtful things. No one had ever understood her taste so acutely.
Damn him.
"It's lovely," she said unsteadily. "Thank you."
Through a glaze of incipient tears, she saw him grin.
Unclasping the little pin, she tried to fasten it to the center of her collar. "Is it straight?"
"Not quite." The backs of his fingers brushed her throat as he adjusted the cameo and pinned it. "I have yet to actually see you ride," he said. "West claims that you're more accomplished than anyone he's ever known."
"An exaggeration."
"I doubt that." His fingers left her collar. "Happy Christmas," he murmured, and leaned down to kiss her forehead. ~ Lisa Kleypas,

198:Other than James. I knew if I could win him, I would have everything I ever wanted. A husband, kids.” Her voice broke and she lifted a hand to wipe tears from her eyes. “I told him that your mother had moved on. Said she’d never really cared for him.” Ouch. It wasn’t merely that he’d chosen her Ginny over her mother; Ginny really had stolen him. “I take it Mom had done no such thing?” “She was planning to look for a job in Jacksonville when she got out of college. It’s a long drive, but within driving distance of here. She wanted to marry him.” “But you married him first.” Andie didn’t have to ask; she knew. Ginny had married James the spring that her mother had been a junior in college. “She didn’t come for the wedding, of course. Only Mama. Athena had passed away from an overdose a couple months before, and Grandmother wasn’t healthy enough to make the drive.” They’d originally been from a small town in northeast Georgia. Andie’s grandmother hadn’t passed away until Andie was seven, and she and Cassie had never visited her. She seemed to remember Cassie going to the funeral, though. Alone. “Mama couldn’t forgive Cassie for not coming down for the wedding, especially after losing Athena earlier in the year. She didn’t know what had transpired between us.” That made sense. So Cassie had lost the love of her life, her sister, and her mother all at the same time. Not to mention her other sister dying that same year and her father the year before. No wonder she was ~ Kim Law,

199:She heard him close the door. “I was going to impress you with my romantic eloquence, of course. I’d thought to wax philosophical about the beauty of your brow.”
Lucy blinked. “My brow?”
“Mmm. Have I told you that your brow intimidates me?” She felt his warmth at her back as he moved behind her, but he didn’t touch her. “It’s so smooth and white and broad, and ends with your straight, knowing eyebrows, like a statue of Athena pronouncing judgment. If the warrior goddess had a brow like yours, it is no wonder the ancients worshiped and feared her.”
“Blather,” she murmured.
“Blather, indeed. Blather is all I am, after all.”
She frowned and turned to contradict him, but he moved with her so that she couldn’t quite catch sight of his face.
“I am the duke of nonsense,” he whispered in her ear. “The king of farce, the emperor of emptiness.”
Did he really see himself so? “But—”
“Blathering is what I do best,” he said, still unseen. “I’d like to blather about your golden eyes and ruby lips.”
“Simon—”
“The perfect curve of your cheek,” he murmured close.
She gasped as his breath stirred the hair at her neck. He was distracting her with lovemaking. And it was working. “What a lot of talk.”
“I do talk too much. It’s a weakness you’ll have to bear in your husband.” His voice was next to her ear. “But I’d have to spend quite a bit of time outlining the shape of your mouth, its
softness and the warmth within.

-Simon to Lucy on their wedding night. ~ Elizabeth Hoyt,

200:The more I know you, the more I wonder who you are.” He counted off her qualities on his fingers. “You have the accent of a lady. You dress like a peasant. You shoot like a marksman. You view the world cynically, yet you venerate Miss Victorine. Your face and body would be the envy of a young goddess, yet you sport an air of innocence. And that innocence hides a criminal mind and the cheek to pull off the most outrageous of felonies.”
“So I’m Athena, the goddess of war.”
“Definitely not Diana, the goddess of virginity.”
As the last shot hit home, he saw Amy’s mask slip. Blood rushed to her face. She bit her lip and looked toward the stairs as if only now realizing she could have—should have—left this whole discussion behind.
He laughed softly, triumphantly. “Or perhaps I’m mistaken. Perhaps you have more in common with Diana than I thought.”
“Pray remember, sir, that Diana was also the goddess of the hunt.” Amy leaned across the table, intent on making her point—but the blush still played across her cheeks. “She carried a bow and arrow, and she always bagged her quarry. Have a look at the bullet hole in the rock behind you and remember my skill and my cynicism. For we do know things about each other. I know that if you escape, you’ll make sure I’m hung from a gibbet. You know that if I catch you escaping, I’ll shoot you through the heart. Remember that as you cast longing glances toward the window.” With a flourish, she picked up the breakfast tray and walked up the stairs.
Jermyn had learned something else about Amy. She liked to have the last word. ~ Christina Dodd,

201:Athena looked down at the map just in time to see Odysseus sink into the Mediterranean Sea. She must’ve dropped him when she fell asleep! “This is real water?” She reached for him, grabbing his foot in the nick of time. Something under the water’s surface nibbled at her finger. She bent to look closer. A grinning sea monster about ten inches long splashed out and licked her nose. “Ew!” she said, jerking back. Not only were the seas and oceans real, the beasts that lurked in them were too! Holding Odysseus in one fist, Athena quickly grabbed the bag at her feet with her other hand. After digging around in it a minute, she pulled out the little ship she’d found on the stairs on the way to class. “Here you go,” she said, plopping it into the Mediterranean Sea and setting Odysseus inside it. “This ship is just the thing to get you where you’re going. Once I decide where that is.” “Good save,” murmured Aphrodite. “Thanks,” she said. “But I almost drowned poor Odysseus. What a terrible thing to do to a poor, unsuspecting mortal!” “Don’t worry. You’ll get better at this stuff after a while,” said Aphrodite. But what if I don’t? worried Athena. What if I make a mistake and do something like that to another mortal someday? Like Pallas, for instance. That would be awful! Athena was beginning to think supernatural powers were nothing but a big pain. Every little mistake the gods and goddesses made could cause trouble. And the whole world was watching their every move. So was Mr. Cyclops. Although he only had one eye, it seemed to notice everything. “You’d better get going,” Medusa told her haughtily. “King Menelaus just commanded Odysseus to bring Helen back from Troy.” “You–he can’t do that,” Athena protested. Aphrodite gently elbowed her. “Yes, she can,” she warned. ~ Joan Holub,

202:Hubris you say, brother? Please, tell us the nature of the prince's actions against you. Let everyone know exactly how Prince Styxx offended you." Bethany Disguised as Athena
"He has held himself up as a god. His arrogance and pride are an affront to us all." Apollo
"Held himself up as a god? Pray tell, when was this? .... Ah, yes, I remember... It was when he dared to slay your Atlantean grandson during battle. Is that not right, brother? I'm sure, like me, you remember that day well. The Atlanteans, led to our shores by your own blood kin, were slaughtering hundreds of Greeks until the beach sands turned red from good Greek blood. The onslaught was so fierce that entire veteran regiments fled from the Atlanteans and cowered. Even the brave, noble Dorians pulled back in fear. But not Prince Styxx. He rode in like a lion and jumped from his horse to save the life of a young shield-bearer who was about to be killed by one of the Atlantean giants."
Bethany/Athena
Bethany swept her gaze around the people there, who were completely silent now. "And with reckless disregard for his own life and limb, this prince picked the boy up and put him on the back of his royal steed and told him to ride to safety. He spent the rest of the day fighting on foot. Not as a prince or a god, but as a mere, heroic Greek soldier." She turned back to Apollo. "His actions so enraged the Atlantean gods that they turned all of their animosity toward him. And still Prince Styxx fought on for his people, wounded, bloody, and tired. He never backed off or backed down. Not even when your own grandson almost buried his axe through the prince's skull. He hit Styxx's hoplon so hard, it splintered a portion of it off. And as Xan held the prince down, the prince, who was barely more than a child, managed to stab him through the ribs. But now that I think about it, you don't remember that day, do you, Apollo? You weren't even there when it was fought, but later that very night- ~ Sherrilyn Kenyon,

203:He. Opinion is not worth a rush;
In this altar-piece the knight,
Who grips his long spear so to push
That dragon through the fading light,
Loved the lady; and it's plain
The half-dead dragon was her thought,
That every morning rose again
And dug its claws and shrieked and fought.
Could the impossible come to pass
She would have time to turn her eyes,
Her lover thought, upon the glass
And on the instant would grow wise.

She. You mean they argued.

He. Put it so;
But bear in mind your lover's wage
Is what your looking-glass can show,
And that he will turn green with rage
At all that is not pictured there.

She. May I not put myself to college?

He. Go pluck Athena by the hair;
For what mere book can grant a knowledge
With an impassioned gravity
Appropriate to that beating breast,
That vigorous thigh, that dreaming eye?
And may the devil take the rest.

She. And must no beautiful woman be
Learned like a man?

He. Paul Veronese
And all his sacred company
Imagined bodies all their days
By the lagoon you love so much,
For proud, soft, ceremonious proof
That all must come to sight and touch;
While Michael Angelo's Sistine roof
His 'Morning' and his 'Night' disclose
How sinew that has been pulled tight,
Or it may be loosened in repose,
Can rule by supernatural right
Yet be but sinew.

She. I have heard said
There is great danger in the body.

He. Did God in portioning wine and bread
Give man His thought or His mere body?

She. My wretched dragon is perplexed.

He. I have principles to prove me right.
It follows from this Latin text
That blest souls are not composite,
And that all beautiful women may
Live in uncomposite blessedness,
And lead us to the like if they
Will banish every thought, unless
The lineaments that please their view
When the long looking-glass is full,
Even from the foot-sole think it too.

She. They say such different things at school.

~ William Butler Yeats, Michael Robartes And The Dancer
,

204:This is the one thing I managed to keep. I’d rather give it to you privately, since I have nothing for the others.”
Hesitantly she took the object from his open palm.
It was a small, exquisite black cameo rimmed with pearls. A woman on a horse.
“The woman is Athena,” Devon said. “According to myth, she invented the bridle and was the first ever to tame a horse.”
Kathleen looked down at the gift in wonder. First the shawl…now this. Personal, beautiful, thoughtful things. No one had ever understood her taste so acutely.
Damn him.
“It’s lovely,” she said unsteadily. “Thank you.”
Through a glaze of incipient tears, she saw him grin.
Unclasping the little pin, she tried to fasten it to the center of her collar. “Is it straight?”
“Not quite.” The backs of his fingers brushed her throat as he adjusted the cameo and pinned it. “I have yet to actually see you ride,” he said. “West claims that you’re more accomplished than anyone he’s ever seen.”
“An exaggeration.”
“I doubt that.” His fingers left her collar. “Happy Christmas,” he murmured, and leaned down to kiss her forehead.
As the pressure of his lips lifted, Kathleen stepped back, trying to create a necessary distance between them. Her heel brushed against some solid, living thing, and a sharply indignant squeal startled her.
“Oh!” Kathleen leaped forward instinctively, colliding with Devon’s front. His arms closed around her automatically, even as a pained grunt escaped him. “Oh--I’m sorry…What in heaven’s name--” She twisted to see behind her and broke off at the sight of Hamlet, who had come to root beneath the Christmas tree for stray sweets that had fallen from paper cones as they’d been removed from the branches. The pig snuffled among the folds of the tree skirt and the scattered presents wrapped in colored paper. Finding a tidbit to consume, he oinked in satisfaction.
Kathleen shook her head and clung to Devon as laughter trembled through both of them. “Did I hurt you?” she asked, her hand resting lightly at the side of his waistcoat.
His smiling lips grazed her temple. “Of course not, you little makeweight.”
They stayed together in that delicious moment of scattered light and fragrant spruce and irresistible attraction. ~ Lisa Kleypas,

205:Gods in The Lost Hero Aeolus The Greek god of the winds. Roman form: Aeolus Aphrodite The Greek goddess of love and beauty. She was married to Hephaestus, but she loved Ares, the god of war. Roman form: Venus Apollo The Greek god of the sun, prophecy, music, and healing; the son of Zeus, and the twin of Artemis. Roman form: Apollo Ares The Greek god of war; the son of Zeus and Hera, and half brother to Athena. Roman form: Mars Artemis The Greek goddess of the hunt and the moon; the daughter of Zeus and the twin of Apollo. Roman form: Diana Boreas The Greek god of the north wind, one of the four directional anemoi (wind gods); the god of winter; father of Khione. Roman form: Aquilon Demeter The Greek goddess of agriculture, a daughter of the Titans Rhea and Kronos. Roman form: Ceres Dionysus The Greek god of wine; the son of Zeus. Roman form: Bacchus Gaea The Greek personification of Earth. Roman form: Terra Hades According to Greek mythology, ruler of the Underworld and god of the dead. Roman form: Pluto Hecate The Greek goddess of magic; the only child of the Titans Perses and Asteria. Roman form: Trivia Hephaestus The Greek god of fire and crafts and of blacksmiths; the son of Zeus and Hera, and married to Aphrodite. Roman form: Vulcan Hera The Greek goddess of marriage; Zeus’s wife and sister. Roman form: Juno Hermes The Greek god of travelers, communication, and thieves; son of Zeus. Roman form: Mercury Hypnos The Greek god of sleep; the (fatherless) son of Nyx (Night) and brother of Thanatos (Death). Roman form: Somnus Iris The Greek goddess of the rainbow, and a messenger of the gods; the daughter of Thaumas and Electra. Roman form: Iris Janus The Roman god of gates, doors, and doorways, as well as beginnings and endings. Khione The Greek goddess of snow; daughter of Boreas Notus The Greek god of the south wind, one of the four directional anemoi (wind gods). Roman form: Favonius Ouranos The Greek personification of the sky. Roman form: Uranus Pan The Greek god of the wild; the son of Hermes. Roman form: Faunus Pompona The Roman goddess of plenty Poseidon The Greek god of the sea; son of the Titans Kronos and Rhea, and brother of Zeus and Hades. Roman form: Neptune Zeus The Greek god of the sky and king of the gods. Roman form: Jupiter ~ Rick Riordan,

206:Who is going to fight them off, Randy?” “I’m afraid you’re going to say we are.” “Sometimes it might be other Ares-worshippers, as when Iran and Iraq went to war and no one cared who won. But if Ares-worshippers aren’t going to end up running the whole world, someone needs to do violence to them. This isn’t very nice, but it’s a fact: civilization requires an Aegis. And the only way to fight the bastards off in the end is through intelligence. Cunning. Metis.” “Tactical cunning, like Odysseus and the Trojan Horse, or—” “Both that, and technological cunning. From time to time there is a battle that is out-and-out won by a new technology—like longbows at Crecy. For most of history those battles happen only every few centuries—you have the chariot, the compound bow, gunpowder, ironclad ships, and so on. But something happens around, say, the time that the Monitor, which the Northerners believe to be the only ironclad warship on earth, just happens to run into the Merrimack, of which the Southerners believe exactly the same thing, and they pound the hell out of each other for hours and hours. That’s as good a point as any to identify as the moment when a spectacular rise in military technology takes off—it’s the elbow in the exponential curve. Now it takes the world’s essentially conservative military establishments a few decades to really comprehend what has happened, but by the time we’re in the thick of the Second World War, it’s accepted by everyone who doesn’t have his head completely up his ass that the war’s going to be won by whichever side has the best technology. So on the German side alone we’ve got rockets, jet aircraft, nerve gas, wire-guided missiles. And on the Allied side we’ve got three vast efforts that put basically every top-level hacker, nerd, and geek to work: the codebreaking thing, which as you know gave rise to the digital computer; the Manhattan Project, which gave us nuclear weapons; and the Radiation Lab, which gave us the modern electronics industry. Do you know why we won the Second World War, Randy?” “I think you just told me.” “Because we built better stuff than the Germans?” “Isn’t that what you said?” “But why did we build better stuff, Randy?” “I guess I’m not competent to answer, Enoch, I haven’t studied that period well enough.” “Well the short answer is that we won because the Germans worshipped Ares and we worshipped Athena.” “And am I supposed to gather that you, or ~ Neal Stephenson,

207:Coleman passara quase toda a sua carreira acadêmica na Athena; homem extrovertido, arguto, urbano, terrivelmente sedutor, com um toque de guerreiro e charlatão, em nada se parecia com a figura pedante do professor de latim e grego (assim, por exemplo, quando ainda era um jovem instrutor, cometeu a heresia de criar um clube de conversação em grego e latim). Seu venerável curso introdutório de literatura grega clássica em tradução — conhecido pela sigla DHM, ou seja, deuses, heróis e mitos — era popular entre os alunos precisamente por tudo o que havia nele de direito, franco, enfático e pouco acadêmico. "Vocês sabem como começa a literatura europeia?", perguntava ele, após fazer a chamada na primeira aula. "Com uma briga. Toda a literatura europeia nasce de uma briga." Então pegava sua Ilíada e lia para os alunos os primeiros versos. "'Musa divina, canta a cólera desastrosa de Aquiles... Começa com o motivo do conflito entre os dois, Agamenon, rei dos homens, e o grande Aquiles', E por que é que eles estão brigando, esses dois grandes espíritos violentos e poderosos? Por um motivo tão simples quanto qualquer briga de botequim. Estão brigando por causa de uma mulher. Uma menina, na verdade. Uma menina roubada do pai. Capturada numa guerra. Ora, Agamenon gosta muito mais dessa menina do que de sua esposa, Clitemnestra. 'Clitemnestra não é tão boa quanto ela', diz ele, 'nem de rosto, nem de corpo'. É uma explicação bastante direta do motivo pelo qual ele não quer abrir mão da tal moça, não é? Quando Aquiles exige que Agamenon a devolva ao pai a fim de apaziguar Apolo, o deus cuja ira assassina foi despertada pelas circunstâncias em que a moça fora raptada, Agamenon se recusa: diz que só abre mão da namorada se Aquiles lhe der a dele em troca. Com isso, Aquiles fica ainda mais enfurecido. Aquiles, o adrenalina: o sujeito mais inflamável e explosivo de todos os que já foram imaginados pelos escritores; especialmente quando seu prestígio e seu apetite estão em jogo, ele é a máquina de matar mais hipersensível da história da guerra. Aquiles, o célebre: apartado e alijado por causa de uma ofensa à sua honra. Aquiles, o grande herói, tão enraivecido por um insulto — o insulto de não poder ficar com a garota — acaba se isolando e se excluindo, numa atitude desafiadora, da sociedade que precisa muitíssimo dele, pois ele é justamente seu glorioso protetor. Assim, uma briga, uma briga brutal por causa de uma menina, de seu corpo jovem e das delícias da rapacidade sexual: é assim, nessa ofensa ao direito fálico, à *dignidade* fálica, de um poderosíssimo príncipe guerreiro, que tem início, bem ou mal, a grande literatura de ficção europeia, e é por isso que, quase três mil anos depois, vamos começar nosso estudo aqui... ~ Philip Roth,

208:The people cast themselves down by the fuming boards
while servants cut the roast, mixed jars of wine and water,
and all the gods flew past like the night-breaths of spring.
The chattering female flocks sat down by farther tables,
their fresh prismatic garments gleaming in the moon
as though a crowd of haughty peacocks played in moonlight.
The queen’s throne softly spread with white furs of fox
gaped desolate and bare, for Penelope felt ashamed
to come before her guests after so much murder.
Though all the guests were ravenous, they still refrained,
turning their eyes upon their silent watchful lord
till he should spill wine in libation for the Immortals.
The king then filled a brimming cup, stood up and raised
it high till in the moon the embossed adornments gleamed:
Athena, dwarfed and slender, wrought in purest gold,
pursued around the cup with double-pointed spear
dark lowering herds of angry gods and hairy demons;
she smiled and the sad tenderness of her lean face,
and her embittered fearless glance, seemed almost human.
Star-eyed Odysseus raised Athena’s goblet high
and greeted all, but spoke in a beclouded mood:
“In all my wandering voyages and torturous strife,
the earth, the seas, the winds fought me with frenzied rage;
I was in danger often, both through joy and grief,
of losing priceless goodness, man’s most worthy face.
I raised my arms to the high heavens and cried for help,
but on my head gods hurled their lightning bolts, and laughed.
I then clasped Mother Earth, but she changed many shapes,
and whether as earthquake, beast, or woman, rushed to eat me;
then like a child I gave my hopes to the sea in trust,
piled on my ship my stubbornness, my cares, my virtues,
the poor remaining plunder of god-fighting man,
and then set sail; but suddenly a wild storm burst,
and when I raised my eyes, the sea was strewn with wreckage.
As I swam on, alone between sea and sky,
with but my crooked heart for dog and company,
I heard my mind, upon the crumpling battlements
about my head, yelling with flailing crimson spear.
Earth, sea, and sky rushed backward; I remained alone
with a horned bow slung down my shoulder, shorn of gods
and hopes, a free man standing in the wilderness.
Old comrades, O young men, my island’s newest sprouts,
I drink not to the gods but to man’s dauntless mind.”
All shuddered, for the daring toast seemed sacrilege,
and suddenly the hungry people shrank in spirit;
They did not fully understand the impious words
but saw flames lick like red curls about his savage head.
The smell of roast was overpowering, choice meats steamed,
and his bold speech was soon forgotten in hunger’s pangs;
all fell to eating ravenously till their brains reeled.
Under his lowering eyebrows Odysseus watched them sharply:
"This is my people, a mess of bellies and stinking breath!
These are my own minds, hands, and thighs, my loins and necks!"
He muttered in his thorny beard, held back his hunger
far from the feast and licked none of the steaming food. ~ Nikos Kazantzakis,

209:You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.”

Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.”

Lizzy just snorted but eyed the drink mix curiously. “Purple?”

“Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke.

“Where’d you learn to do this?”

“I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job.

“At least you’ll have something to fall back on if you do fail,” Lizzy teased.

“I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.”

“You have to make me one of those too!” The unfamiliar female voice made Athena look up.

Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her.

She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself.

The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.”

“Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good?

“Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.”

Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar.

“Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look.

Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him. ~ Katie Reus,

210:Prothalamion
"little soul, little flirting,
little perverse one
where are you off to now?
little wan one, firm one
little exposed one...
and never make fun of me again."
Now I must betray myself.
The feast of bondage and unity is near,
And none engaged in that great piety
When each bows to the other, kneels, and takes
Hand in hand, glance and glance, care and care,
None may wear masks or enigmatic clothes,
For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.
I gave a girl an apple when five years old,
Saying, Will you be sorry when I am gone?
Ravenous for such courtesies, my name
Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself. I do indeed
Before each genuine beauty, and I will
Forget myself before your unknown heart.
I will forget the speech my mother made
In a restaurant, trapping my father there
At dinner with his whore. Her spoken rage
Struck down the child of seven years
With shame for all three, with pity for
The helpless harried waiter, with anger for
The diners gazing, avid, and contempt
And great disgust for every human being.
I will remember this. My mother's rhetoric
Has charmed my various tongue, but now I know
Love's metric seeks a rhyme more pure and sure.
For thus it is that I betray myself,
59
Passing the terror of childhood at second hand
Through nervous, learned fingertips.
At thirteen when a little girl died,
I walked for three weeks neither alive nor dead,
And could not understand and still cannot
The adult blind to the nearness of the dead,
Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits,
But we will taste of them the whole night long,
Forgetting no twelfth night, no fete of June,
But in the daylight knowing our nothingness.
Let Freud and Marx be wedding guests indeed!
Let them mark out masks that face us there,
For of all anguish, weakness, loss and failure,
No form is cruel as self-deception, none
Shows day-by-day a bad dream long lived
And unbroken like the lies
We tell each other because we are rich or poor.
Though from the general guilt not free
We can keep honor by being poor.
The waste, the evil, the abomination
Is interrupted. the perfect stars persist
Small in the guilty night,
and Mozart shows
The irreducible incorruptible good
Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane,
Remote and dim, fosters a myth or dream,
And in that dream, I speak, I summon all
Who are our friends somehow and thus I say:
"Bid the jewellers come with monocles,
Exclaiming, Pure! Intrinsic! Final!
Summon the children eating ice cream
To speak the chill thrill of immediacy.
Call for the acrobats who tumble
The ecstasy of the somersault.
Bid the self-sufficient stars be piercing
In the sublime and inexhaustible blue.
60
"Bring a mathematician, there is much to count,
The unending continuum of my attention:
Infinity will hurry his multiplied voice!
Bring the poised impeccable diver,
Summon the skater, precise in figure,
He knows the peril of circumstance,
The risk of movement and the hard ground.
Summon the florist! And the tobacconist!
All who have known a plant-like beauty:
Summon the charming bird for ignorant song.
"You, Athena, with your tired beauty,
Will you give me away? For you must come
In a bathing suit with that white owl
Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion
Of finding Friday, no longer alone;
You too, Chaplin, muse of the curbstone,
Mummer of hope, you understand!"
But this is fantastic and pitiful,
And no one comes, none will, we are alone,
And what is possible is my own voice,
Speaking its wish, despite its lasting fear;
Speaking of its hope, its promise and its fear,
The voice drunk with itself and rapt in fear,
Exaggeration, braggadocio,
Rhetoric and hope, and always fear:
"For fifty-six or for a thousand years,
I will live with you and be your friend,
And what your body and what your spirit bears
I will like my own body cure and tend.
But you are heavy and my body's weight
Is great and heavy: when I carry you
I lift upon my back time like a fate
Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope
Is drunk, and wanton, and unwilled;
In time's quicksilver, where our desires grope,
The dream is warped or monstrously fulfilled,
In this sense, listen, listen, and draw near:
61
Love is inexhaustible and full of fear."
This life is endless and my eyes are tired,
So that, again and again, I touch a chair,
Or go to the window, press my face
Against it, hoping with substantial touch,
Colorful sight, or turning things to gain once more
The look of actuality, the certainty
Of those who run down stairs and drive a car.
Then let us be each other's truth, let us
Affirm the other's self, and be
The other's audience, the other's state,
Each to the other his sonorous fame.
Now you will be afraid, when, waking up,
Before familiar morning, by my mute side
Wan and abandoned then, when, waking up,
You see the lion or lamb upon my face
Or see the daemon breathing heavily
His sense of ignorance, his wish to die,
For I am nothing because my circus self
Divides its love a million times.
I am the octopus in love with God,
For thus is my desire inconclusible,
Until my mind, deranged in swimming tubes,
Issues its own darkness, clutching seas
---O God of my perfect ignorance,
Bring the New Year to my only sister soon,
Take from me strength and power to bless her head,
Give her the magnitude of secular trust,
Until she turns to me in her troubled sleep,
Seeing me in my wish, free from self-wrongs.
~ Delmore Schwartz,

211:Podas Okus
Am I waking ? Was I sleeping ?
Dearest, are you watching yet ?
Traces on your cheeks of weeping
Glitter, 'tis in vain you fret ;
Drifting ever ! drifting onward !
In the glass the bright sand runs
Steadily and slowly downward ;
Hushed are all the Myrmidons.
Has Automedon been banish'd
From his post beside my bed ?
Where has Agamemnon vanished ?
Where is warlike Diomed ?
Where is Nestor ? where Ulysses ?
Menelaus, where is he ?
Call them not, more dear your kisses
Than their prosings are to me.
Daylight fades and night must follow,
Low, where sea and sky combine,
Droops the orb of great Apollo,
Hostile god to me and mine.
Through the tent's wide entrance streaming,
In a flood of glory rare,
Glides the golden sunset, gleaming
On your golden, gleaming hair.
Chide him not, the leech who tarries,
Surest aid were all too late ;
Surer far the shaft of Paris,
Winged by Phoebus and by fate ;
When he crouch'd behind the gable,
Had I once his features scann'd,
Phoebus' self had scarce been able
To have nerved his trembling hand.
Blue-eyed maiden ! dear Athena !
Goddess chaste, and wise, and brave,
From the snares of Polyxena
228
Thou wouldst fain thy favourite save.
Tell me, is it not far better
That it should be as it is ?
Jove's behest we cannot fetter,
Fate's decrees are always his.
Many seek for peace and riches,
Length of days and life of ease ;
I have sought for one thing, which is
Fairer unto me than these.
Often, too, I've heard the story,
In my boyhood, of the doom
Which the fates assigned me—Glory,
Coupled with an early tomb.
Swift assault and sudden sally
Underneath the Trojan wall ;
Charge, and countercharge, and rally,
War-cry loud, and trumpet call ;
Doubtful strain of desp'rate battle,
Cut and thrust and grapple fierce
Swords that ring on shields that rattle,
Blades that gash and darts that pierce ;—
I have done with these for ever ;
By the loud resounding sea,
Where the reedy jav'lins quiver,
There is now no place for me.
Day by day our ranks diminish,
We are falling day by day ;
But our sons the strife will finish,
Where man tarries man must slay.
Life, 'tis said, to all men sweet is,
Death to all must bitter be ;
Wherefore thus, oh, mother Thetis ?
None can baffle Jove's decree ?
I am ready, I am willing,
To resign my stormy life ;
Weary of this long blood-spilling,
Sated with this ceaseless strife.
229
Shorter doom I've pictured dimly,
On a bed of crimson sand ;
Fighting hard and dying grimly,
Silent lips, and striking hand ;
But the toughest lives are brittle,
And the bravest and the best
Lightly fall—it matters little ;
Now I only long for rest.
I have seen enough of slaughter,
Seen Scamander's torrent red,
Seen hot blood poured out like water,
Seen the champaign heaped with dead.
Men will call me unrelenting,
Pitiless, vindictive, stern ;
Few will raise a voice dissenting,
Few will better things discern.
Speak ! the fires of life are reeling,
Like the wildfires on the marsh,
Was I to a friend unfeeling ?
Was I to a mistress harsh ?
Was there naught save bloodshed throbbing
In this heart and on this brow ?
Whisper ! girl, in silence sobbing !
Dead Patroclus ! answer thou !
Dry those violet orbs that glisten,
Darling, I have had my day ;
Place your hand in mine and listen,
Ere the strong soul cleaves its way
Through the death mist hovering o'er me,
As the stout ship cleaves the wave,
To my fathers gone before me,
To the gods who love the brave !
Courage, we must part for certain ;
Shades that sink and shades that rise,
Blending in a shroud-like curtain,
Gather o'er these weary eyes.
O'er the fields we used to roam, in
Brighter days and lighter cheer,
230
Gathers thus the quiet gloaming—
Now, I ween, the end is near.
For the hand that clasps your fingers,
Closing in the death-grip tight,
Scarcely feels the warmth that lingers,
Scarcely heeds the pressure light ;
While the failing pulse that alters,
Changing 'neath a death chill damp,
Flickers, flutters, flags, and falters,
Feebly, like a waning lamp.
Think'st thou, love, 'twill chafe my ghost in
Hades' realm, where heroes shine,
Should I hear the shepherd boasting
To his Argive concubine ?
Let him boast, the girlish victor
Let him brag ; not thus, I trow,
Were the laurels torn from Hector,
Not so very long ago.
Does my voice sound thick and husky ?
Is my hand no longer warm ?
Round that neck where pearls look dusky
Let me once more wind my arm ;
Rest my head upon that shoulder,
Where it rested oft of yore ;
Warm and white, yet seeming colder
Now than e'er it seem'd before.
'Twas the fraud of Priam's daughter,
Not the force of Priam's son,
Slew me—ask not why I sought her,
'Twas my doom—her work is done !
Fairer far than she, and dearer,
By a thousand-fold thou art ;
Come, my own one, nestle nearer,
Cheating death of half his smart.
Slowly, while your amber tresses
Shower down their golden rain,
Let me drink those last caresses,
231
Never to be felt again ;
Yet th' Elysian halls are spacious,
Somewhere near me I may keep
Room—who knows ?—The gods are gracious ;
Lay me lower—let me sleep !
Lower yet, my senses wander,
And my spirit seems to roll
With the tide of swift Scamander
Rushing to a viewless goal.
In my ears, like distant washing
Of the surf upon the shore,
Drones a murmur, faintly splashing,
'Tis the splash of Charon's oar.
Lower yet, my own Briseis,
Denser shadows veil the light ;
Hush, what is to be, to be is,
Close my eyes, and say good-night.
Lightly lay your red lips, kissing,
On this cold mouth, while your thumbs
Lie on these cold eyelids pressing—
Pallas ! thus thy soldier comes.
~ Adam Lindsay Gordon,

212:Cold Calls: War Music, Continued
Many believe in the stars.
Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.
Gone.
Odysseus to Greece:
“Hector has never fought this far from Troy.
We want him further out. Beyond King Ilus’ tower.
So walk him to the centre of the plain and, having killed him,
Massacre the Trojans there.”
“Ave!”
Immediately beyond the ridge is Primrose Hill
Where Paris favoured Aphrodité.
“Take it,” said Hector.
Greece shouted: “Hurry up!”
Troy shouted: “Wait for us!”
See,
Far off,
Masts behind the half-built palisade.
Then
Nearer to yourselves
Scamánder’s ford
From which the land ascends
Then merges with the centre of the plain—
The tower (a ruin) its highest point.
Heaven.
Bad music.
Queen Hera is examining her gums.
Looking in through a window
Teenaged Athena says:
“Trouble for Greece.”
They leave.
Sea.
Sky.
The sunlit snow.
Two armies on the plain.
Hector, driven by Lutie,
His godchild and his nephew,
Going from lord to Trojan lord:
“The ships by dark.”
The ruined tower.
In front of it—
Their banners rising one by one.
One after one, and then another one—
50,000 Greeks.
And on a rise in front of Greece
Two hero lords:
Ajax the Great of Salamis
Behind his shield—
As fifty Trojan shields
Topped with blue plumes, swivelling their points,
Come up the rise—
Lord Teucer (five feet high and five feet wide)
Loading his bow,
Peering round Ajax’ shield,
Dropping this Trojan plume or that,
Ordering his archers to lie flat,
Promising God as many sheep as there are sheep to count
If he can put a shaft through Hector’s neck.
Prosperity!
Beneath the blue, between the sea, the snow, there
Hector is
Surrendering the urn of one he has just killed
To one who thought that he had killed the same.
Lord Teucer’s eye/Prince Hector’s throat.
But God would not. The bowstring snaps.
Outside God’s inner court.
Queen Hera and Athena still in line.
Hera so angry she can hardly speak.
A voice:
“The Wife, the Daughter.”
“You go. His face will make me
heave.”
“Serene and Dignified Grandee.”
“Papa to you.”
“Papa”—His hand—
“I know you do not want the Holy Family
visiting the plain.
But some of us would like to help the Greeks.
They lost their champion she.
Thousands of them have died. Now they are in retreat.
Please look.”
The plain.
“You will come back the moment that I call?”
“Of course, Papa.”
“Then . . . yes. Encourage Greece.
But voices only.
Words. Shouts. That sort of thing. A move—and home you come.”
“Of course, Papa.”
The plain.
Lord Teucer’s archers hidden in its grass.
Chylábborak, Lord Hector’s brother-in-law, to his blue plumes:
“Move!”
“Move!”
And on their flanks, between the sea and snow,
Led by Teléspiax’ silver yard
All Ilium’s masks
“Down came their points. Out came their battle cry.
And our cool Mr 5 x 5 called: ‘Up.’ And up we got
And sent our arrows into them,
That made them pirouette,
Topple back down the rise, leaving their dead
For some of us to strip, and some, the most,
To pause, to point, to plant, a third, a fourth
Volley into their naked backs. Pure joy!”
Chylábborak,
Holding his ground:
“Centre on me.
More die in broken than in standing ranks.
Apollo! Aphrodité! Our gods are here!
You taste the air, you taste their breath!
The Greek fleet, ours, by dark!”
Then he is ringed.
See an imperial pig harassed by dogs.
How, like a masterchef his crêpes,
He tosses them; and on their way back down
Eviscerates, then flips them back into the pack.
Likewise Chylábborak the Greeks who rushed.
Hector has seen it. As—
Beneath the blue, the miles of empty air,
Him just one glitter in that glittering mass—
The hosts begin to merge.
Fine dust clouds mixed with beams of light.
The Prince, down from his plate.
Either sides’ arrows whingeing by:
“Cover my back.”
Finding a gap
Dismissing blows as gales do slates,
Then at a run, leaping into the ring,
Taking Chylábborak’s hand:
“If you don’t mind?”
Agamemnon:
“Our time has come. God keeps his word.
Fight now as you have never fought.
We will be at Troy’s gates by dusk,
Through them by dark,
By dawn, across our oars,
As we begin our journey home,
Watching the windmills on its Wall
Turn their sails in flames.”
Heaven. The Wife. The Daughter.
Hands release black lacquer clasps inlaid with particles of gold.
Silk sheaths—with crashing waves and fishscales woven on a
navy ground—
Flow on the pavement.
Hands take their hands
While other hands supply
Warwear,
Their car,
And put the reins into Athena’s hands.
“. . . Troy’s gates by dusk,
Through them by dark . . .”
The Hours, the undeniable,
Open the gates of Paradise.
Beyond
The wastes of space.
Before
The blue.
Below
Now near
The sea, the snow.
All time experts in hand-to-hand action—
Friecourt, Okinawa, Stalingrad West—
Could not believe the battle would gain.
But it did.
10
Chylábborak’s ring is ringed. And then no ring at all.
Some Trojans raise their hands in prayer;
Some Panachéans shout for joy and wait to drag the corpses off.
Lutie, alone, the reins in one, his other hand
Hacking away the hands that grab his chariot’s bodywork,
Rearing his horses, Starlight and Bertie, through,
To,
Yes,
Chylábborak up; rescued;
Prince Hector covering. Then:
“Zoo-born wolf! Front for a family of thieves!”
Lord Diomed, on foot, with Sethynos.
My Lutie answering:
“Be proud Prince Hector is your Fate.”
(Which will be so,
Though Lutie will not see it.)
Chylábborak and Hector do not want to disappoint this oily pair:
“Here come the Sisters Karamazof, Spark,”
Chylábborak said. “Let’s send them home in halves.”
And jumped back down.
Around the tower, 1000 Greeks, 1000 Ilians, amid their swirl,
His green hair dressed in braids, each braid
Tipped with a little silver bell, note
Nyro of Simi—the handsomest of all the Greeks, save A.
The trouble was, he had no fight. He dashed from fight to fight,
Struck a quick blow, then dashed straight out again.
Save that this time he caught,
As Prince Aenéas caught his breath,
That Prince’s eye; who blocked his dash,
And as Lord Panda waved and walked away,
Took his head off his spine with a backhand slice—
Beautiful stuff . . . straight from the blade . . .
Still, as it was a special head,
Mowgag, Aenéas’ minder—
Bright as a box of rocks, but musical—
11
Spiked it, then hoisted it, and twizzling the pole
Beneath the blue, the miles of empty air,
Marched to the chingaling of its tinklers,
A knees high majorette
Towards the Greeks, the tower.
A roar of wind across the battlefield.
A pause.
And then
Scattering light,
The plain turned crystal where their glidepath stopped,
The Queen of Heaven shrills: “Typhoid for Troy!”
And through poor Nyro’s wobbling mouth
Athena yells:
“Slew of assiduous mediocrities!
Meek Greeks!”
It is enough.
Centre-plain wide,
Lit everywhere by rays of glorious light,
They rushed their standards into Ilium,
Diomed (for once) swept forward;
Converting shame to exaltation with his cry:
“Never—to Helen’s gold without her self!
Never—to Helen’s self
without her gold!”
Mowgag well slain.
Hewn through his teeth, his jaw slashed off,
And Nyro’s head beside him in the grass.
When Nyro’s mother heard of this
12
She shaved her head; she tore her frock; she went outside
Ripping her fingernails through her cheeks:
Then down her neck; her chest; her breasts;
And bleeding to her waist ran round the shops,
Sobbing:
“God, kill Troy.
Console me with its death.
Revenge is all I have.
My boy was kind. He had his life to live.
I will not have the chance to dance in Hector’s blood,
But let me hear some have before I die.”
“I saw her running round.
I took the photograph.
It summed the situation up.
He was her son.
They put it out in colour. Right?
My picture went around the
world.”
Down the shaft of the shot in his short-staved bow
Lord Panda has been follow-spotting Diomed.
Between “her self ” / “her gold” he shoots.
It hits. And as its barbs protrude through Dio’s back
Aenéas hears Lord Panda shout:
“He bleeds! The totem Greek! Right-shoulder-front!
How wise of Artemis to make
Panda her matador! Her numero uno! Moi!”
Diomed hit,
The heart went out of those who followed him
And they fell back.
Shields all round
Diomed on his knees
13
Lifting his hands:
“Sister and wife of God”
As Sethynos breaks off the arrowhead
“Eliminate my pain.”
Settles his knee beneath his hero’s shoulderblades
“Let me kill that oaf who claims my death”
Bridges his nape with one hand
“Before it comes with honour to my name.”
Then with his other hand
In one long strong slow pull
Drew the shank back, and out.
She heard his prayer.
Before their breathless eyes
His blood ran back into the pout the shank had left,
And to complete her miracle
Lord Diomed rose up between them, stood in the air,
Then hovered down onto his toes
Brimming with homicidal joy,
Imparting it to Greece.
Then Troy was driven back,
Trampling the half-stripped still-masked carcasses
Hatching the centre of the plain.
Aenéas / Panda.
“Get him.”
14
“Get him! I got him. He is dead. But there he is.”
And Diomed has spotted them.
“Calm down,” Aenéas said. “Perhaps he is possessed.”
“What god would visit him?”
“So pray to yours—and try another shot.”
“Huntress,” Lord Panda prays,
Bright-ankled god of nets and lines,
Of tangled mountains, ilex groves and dark cascades . . .”
But Artemis was bored with him
And let him rise, still praying hard,
Into the downflight of the javelin
Diomed aired at Prince Aenéas.
Sunlit, it went through Panda’s lips, out through his neck, and then
Through Biblock’s neck.
And so they fell; the lord, face up; the friend, face down
Gripping the blood-smeared barb between his teeth,
Between the sea and snow.
Aenéas covers them.
Eyeing his plate
—Technology you can enjoy—
Diomed found, and threw, a stone
As heavy as a cabbage made of lead,
That hit, and split, Aenéas’ hip.
Who went down on one knee
And put his shield hand on the grass
And with his other hand covered his eyes.
Dido might have become a grandmother
And Rome not had its day, except
As Diomed came on to lop his top
Aenéas’ mama, Aphrodité (dressed
In grey silk lounge pyjamas piped with gold
And snake-skin flip-flops) stepped
15
Between him and the Greek.
A glow came from her throat, and from her hair
A fragrance that betokened the divine.
Stooping, she kissed him better, as
Queen Hera whispered: “Greek, cut that bitch.”
And, Diomed, you did; nicking Love’s wrist.
Studying the ichor as
It seeped across her pulse into her palm
Our Lady of the Thong lifted her other hand
Removed a baby cobra from her hair
And dropped it, Diomed, onto your neck,
And saw its bite release its bane into your blood.
Then nobody could say
Who Diomed fought for, or for what he fought.
Rapt through the mass
Now shouting at the sky, now stomping on the plain,
He killed and killed and killed, Greek, Trojan, Greek,
Lord/less, shame/fame, both gone; and gone
Loyalty nurtured in the face of death,
The duty of revenge, the right to kill,
To jeer, to strip, to gloat, to be the first
To rally but the last to run, all gone—
And gone, our Lady Aphrodité, giggling.
While everywhere,
Driving your fellow Greeks
Back down the long incline that leads to the Scamánder’s ford,
Surely as when
Lit from the dark part of the sky by sudden beams,
A bitter wind
Detonates line by line of waves against the shore.
No mind. Even as Teucer backed away
He kept his eyes on you.
“You feel the stress? You feel the fear?
Behold your enemy! the Prince God loves!”
See Teucer’s bow. Hear Teucer’s: “This time lucky.”
16
His—
But this time it was not our Father, God,
Who saved your life, my Prince.
As Agamemnon cried:
“The ships are safe.
Stand at the riverside’s far bank.”
Teléspiax heard the rustle of Lord Teucer’s shot
And stood between yourself and it.
His head was opened, egglike, at the back,
Mucked with thick blood, blood trickling from his mouth.
His last words were:
“Prince, your trumpeter has lost his breath.”
“Our worst fear was his face would fade,”
Teléspiax’s father said.
“But it did not. We will remember it until we die.”
“Give his instrument to Hogem,” Hector said, and went—
Lutie on reins—between the sea and snow,
Throwing his chariots wide, Scamánderwards,
As easily as others might a cloak.
Diomed among this traffic, on his own,
Among his dead,
Their pools of blood, their cut-off body-parts,
Their cut-off heads,
Ashamed as his head cleared
To see Odysseus, Idomeneo, the Ajax—Big and Small—
Whipping away downslope, shouting towards Odysseus:
“Where are you going with your back to the battle?”
Who shouted back, although he did not turn:
“Look left!”
And there was Lutie driving Hector onto him,
Sure they would trample him, for sure
Queen Hera’s human, Diomed,
Would stand and die, except:
“Arms up, young king—” Nestor, full tilt,
Reins round his tummy, leaning out “—and
17
Jump . . .” wrists locked “. . . You young are just . . .”
Swinging him up onto the plate “. . . too much.”
“With your permission, Da?”
Nod. Drew. Then threw the chariot’s javelin
As Lutie spun his wheels, and Hector threw—
Those skewers trading brilliance as they passed—
And missed—both vehicles slither-straightening,
Regaining speed, close, close, then driven apart
By empty cars careering off the incline,
Or stationary cars, their horses cropping grass.
“Daddy, go slow. Hector will say I ran.”
“But not the widows you have made.”
And slow
And low
Cruising the blue above this mix
Heaven’s Queen and Ringsight-eyed Athena
Trumpeting down huge worms of sound
As Hector’s car rereached king Nestor’s, and:
“What kept you, Prince?” Diomed offered as they came abreast:
“You went for a refreshing towel?”
And threw his axe, that toppled through the air, and, oh,
Hector, my Hector, as you thought:
“If Heaven helps me Heaven shows it loves the best,”
Parted your Lutie’s mesh and smashed into his heart.
What did you say as God called you to death
Dear Lutie?
“King Prince, I leave you
driverless.”
And put the reins into his hands, and fled
Into oblivion
As Hector with his other hand
Held what his Lutie was, upright, face forwards, in between
The chariot’s basket and himself,
Shouting as he drove after them:
“Loathsome Greek,
18
Your loathsome hair, your loathsome blood,
Your loathsome breath, your loathsome heart,
Jump in your loathsome ships,
I will come after you,
Come over the Aegean after you,
And find you though you hide inside
Your loathsome father’s grave
And with my bare hands twist your loathsome head
Off your loathsome neck.”
There was a Greek called Themion.
Mad about armour. If not armour, cars.
Of course he went to Troy. And Troy
Saw a stray spear transfix him as he drove.
Companionably, his horses galloped up
On Starlight’s side, and muddled Starlight down,
And Bertie down, and brought the Prince
(Still holding Lutie) down, as all the world
Hurried, as if by windheads, on towards Scamánder’s ford.
hether you reach it from the palisade
Or through the trees that dot the incline’s last stretch
You hear Scamánder’s voice before you see
What one may talk across on quiet days
Its rippling sunspangled breadth
Streaming across the bars of pebbly sand
That form its ford
—Though on the Fleet’s side deeper, darkly bright.
And here
Tiptoeing from this bar to that,
Settling the cloudy sunshine of her hair,
Her towel retained by nothing save herself,
The god of Tops and Thongs
Our Lady Aphrodité came,
Her eyes brimfull with tears.
Scamánder is astonished by his luck.
19
“Beauty of Beauties, why are you weeping?”
“I have been hurt, Scamánder.”
“No . . .”
“Humiliated.”
“No . . .”
“Me. A god. Just like yourself. Touched . . .”
“Touched!”
“By a man.”
“A man!”
“A Greek.”
“Death to all Greeks!”
“He cut me!”
“Sacrilege!
. . . But where?”
“I need your healing touch.”
“How can I help you if you do not show me where?”
“Moisten its lips and my wound will be healed.”
“You must say where!”
“Well . . .”
The towel has slipped an inch.
“I am afraid you will be disappointed.”
“Never.”
“Are you sure?”
“Yes!”
“You will not criticize me?”
“No!”
Her wrist upturned.
Out-turned.
Her opened palm.
Fanning the fingers of her other hand,
Stroking his spangles with her fingertips.
“Goddess, I love you.
I have always loved you.
Say that you love me. Even a little.
I beg you. God grant it.”
“I need your help, Scamánder.”
“Take pity on me. Come into me.”
“You have your nymphs.”
“Bores! Bores!”
“I might be nibbled by an eel!”
“Death to all eels!”
The towel is down.
20
“Step into me . . .
I love your toes . . . please let me kiss your toes . . .
Your little dinkum-inkum toes . . .”
“No one has kissed them so nicely, Scamánder.”
“And now your knees . . .”
“You tickle me . . .”
“And now your thighs!”
“Oh, oh, go on . . .”
“And now your bum!
Your Holy Bum! Your Sacred Bum!
The Bum of Paradise!”
“Oh, my Scamánder, I must have your help . . .”
“Anything!”
The towel goes curling off,
And as she floated on his stream
Our Lady Aphrodité said:
“At any moment now the Greeks will reach your
Troy-side bank . . .”
Recall those sequences
When horsemen ride out of the trees and down into a
Somewhere in Kansas or Missouri, say.
So—save they were thousands—Greece
Into Scamánder’s ford.
stream
Coming downstream,
A smallish wave
That passes
But
Scamánder’s flow does not relapse.
Indeed
Almost without a sound
Its murmuring radiance rose
Into a dark, torrential surge,
Clouded with boulders, crammed with trees, as clamorous
21
as if it were a sea,
That lifted Greece, then pulled Greece down,
Cars gone, masks gone, gone under, reappearing, gone:
“Onto your knees! Praise Hector for this flood!
The Prince God loves!” Prince Hector claims
As he comes through the trees.
They do.
Then up and run, run, thousands of them,
To hold those Greeks who got back out
Under until their bubbles stopped; while those swept off
Turned somersaults amid Scamánder’s undertow.
The flat—
1000 yards of it between the river and the palisade.
The King:
“The Lord has not abandoned us.
To cross will be as bad for them.”
But it was not to be as bad for them.
Indeed,
As Hector drove towards Scamánder’s brink,
And as—their banners rising one by one,
One after one and then another one—
He and all Ilium began to enter it,
The river reassumed its softly-spoken, smooth, sunspangled way.
And Agamemnon cried:
“God, what are You for?
What use are You to me?”
As Hector cries:
22
“Two miracles!
Your Prince is close to God!”
And Hera to Athena:
“Fog?”
And fog came down.
And most of Greece got out.
Troy holding hands midstream.
An army peering through its masks.
Miss Tops and Thongs to God:
“Your Hera has . . .”
And with a wish He turned the fog to light
And with a word He called them back to Heaven.
Sky.
Snow.
The 1000 yards.
The palisade.
Hector:
“I am your Prince.
My name means He-Who-Holds.
Troy. And the plain. And now the ships.
For Troy!” his battle cry,
Rising into a common cry, that cry
Into a clamour, and that clamour to
Bayings of hatred.
23
800 yards.
The Child:
“We are the Greeks. We fight to win. If one is lost,
Close his eyes, step over him, and kill his enemy.”
800 yards.
The Greeks are tiring.
Nestor is on his knees:
“God of all Gods, Most Holy and Most High,
If Greece has ever sacrificed fresh blood to you,
Protect our ships.”
Heaven.
Soft music. Summertime. Queen Hera and Athena? Yes . . .
Some lesser gods
Observing their approach, approach,
Salaam, and then
Lead them—
Now both in black wraparound tops—
To God:
“Darling Daddy, here we are.”
“And” (Hera) “here we stay
Until you stop that worthless Hector killing Greeks.”
Up steps Love.
Hera: “Why is she wearing a tent?”
Love: “Father, see this.” (Her wrist.)
“Human strikes god! Communism! The end of everything!”
“Darlings,” He said,
“You know that being a god means being blamed.
Do this—no good. Do that—the same. The answer is:
Avoid humanity.
Remember—I am God.
I see the bigger picture.”
24
“And I am Hera, Heaven’s Queen,
Greece worships me.”
“Stuff Greece,” Love said.
“Your blubber-bummed wife with her gobstopper nipples
Hates Troy because Troy’s Paris put her last
When we stripped off for him.
As for the Ithacan boat-boy’s undercurved preceptatrix,
She hates Troy because my statue stands on its acropolis.”
Hera: “The cities’ whores were taxed to pay for it.”
Love (Dropping onto her knees before Himself):
“Please . . . stop them harming Troy. The greatest city
in the world.”
While Hera and Athena sang:
“Cleavage! Cleavage!
Queen of the Foaming Hole.
Mammoth or man or midge
She sucks from pole to pole.”
And God has had enough of it.
Lifting His scales He said:
“Hector will have his day of victory.”
Then crashed them to the ground.
700 yards.
The palisade.
Its gate.
Late sunlight on gilt beaks.
“There’s no escape from Troy.”
“Or from the plain at Troy.”
25
Begging for ransom, Trojan Hoti,
His arms around King Menelaos’ knees.
King Agamemnon: “Off.”
Then he punched Hoti in the face.
Then punched him in the face again.
And then again. And when he fell
King Agamemnon kicked him in the groin.
Kicking him in the groin with so much force
It took a step to follow up each kick.
Then pulled him up,
Then dragged him by his hair
This way and that,
Then left him, calling:
“Finish him off.”
And someone did.
“I was sixteen. I said: ‘Where is Achilles?’
Hard as it is to share another’s troubles when your own are pressing
Great Ajax took my hands in his and said:
‘He loves us. He is with us. He will come.’”
But he did not.
Then Ajax to himself:
“Dear Lord, you made me straight.
Give me the strength to last till dark.”
The Prince: “I get past
Their war is lost.”
everything I see.
It was.
Aenéas, Ábassee, Sarpédon, Gray,
Calling to one another down the line.
Then, with a mighty wall of sound,
As if a slope of stones
Rolled down into a lake of broken glass
26
We ran at them.
And now the light of evening has begun
To shawl across the plain:
Blue gray, gold gray, blue gold,
Translucent nothingnesses
Readying our space,
Within the deep, unchanging sea of space,
For Hesper’s entrance, and the silver wrap.
Covered with blood, mostly their own,
Loyal to death, reckoning to die
Odysseus, Ajax, Diomed,
Idomeneo, Nestor, Menelaos
And the King:
“Do not die because others have died.”
“Do not show them the palms of your hands.”
“Achil!”
“Achil!”
“If he won’t help us, Heaven help us.”
“Stand still and fight.”
“Feel shame in one another’s eyes.”
“I curse you, God. You are a liar, God.
Troy will be yours by dark—immortal lies.”
“Home!”
“Home!”
“There’s no such place.”
“You can’t launch burning ships.”
“More men survive if no one runs.”
But that is what Greece did.
Dropping their wounded,
Throwing down their dead,
Their shields, their spears, their swords,
They ran.
27
Leaving their heroes tattered, filthy, torn
And ran
And ran
Above their cries:
“I am the Prince! The victory is mine!”
Chylábborak:
“Do not take cowardice for granted.”
Scarce had he said it, when
His son, Kykéon, standing next to him
Took Ajax’ final spear cast in his chest.
“I shall not wear your armour, Sir,” he said.
And died.
“My son is dead.”
The Prince:
“Hector is loved by God.”
And Greece, a wall of walking swords,
But walking backwards,
Leaving the plain in silence
And in tears.
Idomeneo,
Running back out at those Trojans who came too close:
“You know my name. Come look for me. And boy,
The day you do will be the day you die.”
28
Hector to Troy:
“Soldiers!—
Unmatched my force, unconquerable my will.
After ten years of days, in one long day
To be remembered for as many days
As there are days to come, this is my day,
Your Hector’s day. Troy given back to Troy.
My day of victory!”
And when the cheering died:
“Some say: destroy Greece now. But I say no.
Out of your cars. Eat by your fires.
Two hundred fires! Around each fire
Five hundred men!
“The sound of grindstones turning through the night,
The firelight that stands between our blades,
So let King Agamemnon’s Own hold hands
And look into each other’s frightened eyes.
“True God! Great Master of the Widespread Sky!
If only you would turn
Me into a god,
As you, through me,
Tomorrow by their ships
Will see Greece die.”
Silence.
A ring of lights.
Within
Immaculate
In boat-cloaks lined with red
King Agamemnon’s lords—
The depression of retreat.
29
The depression of returning to camp.
Him at the centre of their circle
Sobbing,
Then shouting:
“We must run for it!”
Dark glasses in parked cars.
“King Agamemnon of Mycenae,
God called, God raised, God recognized,
You are a piece of shit,” Diomed said.
Silence again.
“Let us praise God,” Lord Ajax said,
“That Hector stopped before he reached the ships.”
Silence again.
Then
Nestor
(Putting his knee back in):
“Paramount Agamemnon, King of Kings,
Lord of the Shore, the Islands and the Sea
I shall begin, and end, with you.
Greece needs good words. Like them or not, the credit
will be yours.
Determined. Keen to fight, that is our Diomed—
As I should know. When just a boy of ten I fought
Blowback of Missolonghi, a cannibal, drank blood,
He captured you, he buggered you, you never walked again.
But Diomed lacks experience.
God has saved us, momentarily.
God loves Achilles.
You took, and you have kept, Achilles’ ribband she.”
“I was a fool!”
30
“And now you must appease him, Agamemnon.
Humble words. Hands shaken. Gifts.”
The King—wiping his eyes:
“As usual,
Pylos has said the only things worth hearing.
I was mad to take the she.
I shall pay fitting damages.
Plus her, I offer him
The Corfiot armour that my father wore.”
Silence.
The sea.
Its whispering.
“To which I add: a set of shields.
Posy, standard, ceremonial.
The last, cut from the hide of a one ton Lesbian bull.”
Silence.
The sea.
“And . . . a chariot!
From my own équipe!
They smoke along the ground . . .
They ride its undulations like a breeze . . .”
The sea.
“Plus: six horses—saddled, bridled and caparisoned,
Their grooms and veterinarians . . .
. . . And six tall shes:
Two good dancers, two good stitchers, two good cooks.
All capable of bearing boys . . .
“Oh, very well then: twenty loaves of gold,
31
The same of silver, and the same of iron.”
Masks. Lights.
Behind the lords
Some hundreds from the army have walked up.
Lord Nestor smiles.
Lord Menelaos smiles.
“Plus—
Though it may well reduce your King to destitution:
A’kimi’kúriex,
My summer palace by the Argive sea,
Its lawns, its terraces, its curtains in whose depths
Larks dive above a field of waving lilies
And fishscale-breakers shatter on blue rocks.
Then, as he draws their silky heights aside,
Standing among huge chests of looted booty,
Long necked, with lowered lids, but candid eyes,
My living daughter, Íphaniss, a diamond
Big as a cheeseball for her belly stud.
His wife to be! minus—I need not say—her otherwise huge
bride-price.”
“More!”
“More!”
“More!”
Lord Ajax almost has to hold him up.
“The whole of eastern Pel’po’nesia—
An area of outstanding natural beauty—
Its cities, Epi’dávros, Trów’é’zen,
Their fortresses, their harbours and their fleets,
Their taxpayers—glad to accept his modest ways—
All this, the greatest benefaction ever known,
If he agrees to fight. And he admits I am his King.”
Instantly, Nestor:
“An offer God himself could not refuse.
All that remains to say is:
Who shall take it to Achilles?”
32
Agamemnon: “You will.”
Starlight.
The starlight on the sea.
The sea.
Its whispering
Mixed with the prayers
Of Ajax and of Nestor as they walk
Along the shore towards Achilles’ gate.
“My lords?”
“Your lord.”
“This way.”
They find him, with guitar,
Singing of Gilgamesh.
“Take my hands. Here they are.”
You cannot take your eyes away from him.
His own so bright they slow you down.
His voice so low, and yet so clear.
You know that he is dangerous.
“Patroclus?
33
Friends in need.
Still,
Friends.
That has not changed,
I think.
Autómedon? Wine.
“Dear Lord and Master of the Widespread Sky,
Accept ourselves, accept our prayers.”
Their cups are taken.
“Father friend?”
King Nestor (for his life):
“You know why we are here.
We face death.
The mass choose slavery.
Mycenae has admitted he was wrong to wrong yourself.
In recompense he offers you
The greatest benefaction ever known.
Take it, and fight. Or else Hector will burn the ships
Then kill us randomly.
Remember what your Father said
The day when Ajax and myself drove up to ask
If you could come with us to Troy?
That you should stand among the blades where honour grows.
And secondly, to let your anger go.
Spirit, and strength, and beauty have combined
Such awesome power in you
A vacant Heaven would offer you its throne.
Think of what those who will come after us will say.
Save us from Hector’s god, from Hector, and from Hector’s force.
I go down on my knees to you, Achilles.”
“I must admire your courage, father friend,
For treating me as if I was a fool.
34
I shall deal with Hector as I want to.
You and your fellow countrymen will die
For how your King has treated me.
I have spent five years fighting for your King.
My record is: ten coastal and ten inland cities
Burnt to the ground. Their males, massacred.
Their cattle, and their women, given to him.
Among the rest, Briseis the Beautiful, my ribband she.
Not that I got her courtesy of him.
She joined my stock in recognition of
My strength, my courage, my superiority,
Courtesy of yourselves, my lords.
I will not fight for him.
He aims to personalise my loss.
Briseis taken from Achilles—standard practice:
Helen from Menelaos—war.
Lord Busy Busy, building his palisade, mounting my she,
One that I might have picked to run my house,
Raising her to the status of a wife.
Do I hate him? Yes, I hate him. Hate him.
And should he be afraid of me? He should.
I want to harm him. I want him to feel pain.
In his body, and between his ears.
I must admit,
Some of the things that you have said are true.
But look what he has done to me! To me!
The king on whom his kingliness depends!
I will not fight for him.
Hearing your steps, I thought: at last,
My friends have come to visit me.
They took their time about it, true—
After he took my she none of you came—
Now, though—admittedly they are in trouble,
Serious trouble—they have arrived as friends,
And of their own accord.
But you have not come here as friends.
And you have not come of your own accord.
You came because your King told you to come.
You came because I am his last resort.
And, incidentally, your last resort.
35
At least he offers stuff.
All you have offered is advice:
‘Keep your temper . . .
Mind your tongue . . .
Think what the world will say . . .’
No mention of your King’s treatment of me.
No sign of love for me behind your tears.
I will not fight for him.
I can remember very well indeed
The day you two grand lords came visiting my father’s house,
How I ran out to you, and took your hands—
The greatest men that I had ever seen:
Ajax, my fighting cousin, strong, brave, unafraid to die;
Nestor, the King of Sandy Pylos, wisdom’s sword.
And then, when all had had enough to eat and drink
And it was sealed that I should come to Troy,
Then my dear father said that lordship knows
Not only how to fight, and when to hold its tongue,
But of the difference between a child enraged
And honour bound lords.
I will not fight for him.
There is a King to be maintained. You are his lords.
My fighting powers prove my inferiority.
Whatever he, through you, may grant,
I must receive it as a favour, not of right,
Go back to him with downcast looks, a suppliant tone,
Acknowledge my transgressions—I did not
Applaud his sticky fingers on my she’s meek flesh.
My mother says I have a choice:
Live as a happy backwood king for aye
Or give the world an everlasting murmur of my name,
And die.
Be up tomorrow sharp
To see me sacrifice to Lord Poseidon and set sail.
Oh, yes, his gifts:
‘The greatest benefaction ever known.’
If he put Heaven in my hand I would not want it.
His offers magnify himself.
Likewise his child.
I do not want to trash the girl.
She is like me. Bad luck to have poor friends.
Bad luck to have his Kingship as your sire.
36
My father will select my wife.
Each spring a dozen local kings drive up
And lead their daughters naked round our yard.
Some decent local girl. My father’s worth
Is all the wealth we will require.
You Greeks will not take Troy.
You have disintegrated as a fighting force.
Troy is your cemetery. Blame your King.
The man who you say has done all he can.
The man who has admitted he was wrong.
But he has not done all he can.
And he has not admitted he was wrong.
Or not to me.
I want him here, your King.
His arms straight down his sides, his shoulders back,
Announcing loud and clear that he was wrong to take my she.
Apologising for that wrong, to me, the son of Péleus.
Before my followers, with you, Pylos and Salamis,
Crete. Sparta. Tyrins, Argos, Calydon, the Islands, here,
Stood to attention on either side of him.
That is my offer. Take it, or die.
Nestor may stay the night.
You, dear cousin Ajax, tell your King what I have said.
Preferably, in front of everyone.”
Who said,
As my Achilles lifted his guitar:
“Lord, I was never so bethumped with words
Since first I called my father Dad.”
The sea.
Their feet along the sand to Agamemnon’s gate.
And in starlit air
The Trojans singing:
“I love my wife, I love her dearly,
I love the hole she pisses through,
37
I love her lily-white tits
And her nut-brown arsehole,
I could eat her shit with a wooden spoon.”
~ Christopher Logue,

213:The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
418
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
To be by blood and long descent
A member of a mighty State,
Whose greatness, sea-girt, but unpent
By ocean, makes the world more great;
That, ranging limitless, hath won
A Rule more wide than that of Rome,
And, journeying onward with the sun,
In every zone hath found a home;
That, keeping old traditions fast,
Still hails the things that are to be,
And, firmly rooted in the Past,
On Law hath grafted Liberty;That is a birthright nobler far
Than princely claim or Right Divine
From far-off rapine, wanton war,
And I could feel this birthright mine.
And not the lowliest hand that drives
Or share or loom, if so it be
Of British strain, but thence derives
A patent of nobility.
III
The guiding of the infant years
Onward to good, away from guile,
A mother's humanising tears,
A father's philosophic smile;
419
Refining beauty, gentle ways,
The admonitions of the wise,
The love that watches, helps, and prays,
And pities, but doth ne'er despise;
An ancient Faith, abiding hope,
The charity that suffers long,
But flames with sacred zeal to cope
With man's injustice, nature's wrong;
Melodious leisure, learnëd shelf,
Discourse of earnest, temperate mind,
The playful wit that of itself
Flashes, but leaves no wound behind;
The knowledge gleaned from Greece and Rome,
From studious Teuton, sprightly Gaul,
The lettered page, the mellow tome,
And poets' wisdom more than all;These, when no lips severe upbraid,
But counsel rather than control,
In budding boyhood lend their aid
To sensibility of soul.
IV
But, more than mentor, mother, sire,
Can lend to shape the future man
With help of learning or of lyre,
Of ancient rule, or modern plan,
Is that which with our breath we bring
Into the world, we know not whence,
That needs nor care nor fostering,
Because an instinct and a sense.
And days and years are all forgot
When Nature's aspect, growth, and grace,
And veering moods, to me were not
The features of the Loved One's face.
420
The
The
The
The
cloud whose shadow skims the lake,
shimmering haze of summer noon,
voice of April in the brake,
silence of the mounting moon,
Swaying of bracken on the hill,
The murmur of the vagrant stream,
These motions of some unseen Will,
These babblings of some heavenly dream,
Seemed tokens of divine desire
To hold discourse with me, and so
To touch my lips with hallowed fire,
And tell me things I ought to know.
I gazed and listened, all intent,
As to the face and voice of Fate,
But what they said, or what they meant,
I could surmise not, nor translate.
They did but lure me to unrest,
Unanswered questioning, longings vain,
As when one scans some palimpsest
No erudition can explain;
But left me with a deep distaste
For common speech, that still did seem
More meaningless than mountain waste,
Less human than the far-off stream.
So that a stranger in the land
Wherein I moved, where'er I went,
I dwelt, whom none could understand,
Or exorcise my discontent.
And I to them, and they to me
Seemed from two different planets come,
And, save to flower and wild-bird's glee,
My heart was deaf, my soul was dumb.
421
But slowly dawned a happier time
When I began to apprehend,
And catch, as in some poet's rhyme,
The intimations of a friend;
When Nature spake no unknown tongue,
But language kindred to my thought,
Till everything She said, I sung,
In notes unforced, in words unsought.
And I to Her so closely drew,
The seasons round, in mind and mood,
I felt at length as if we knew
Self-same affection, self-same feud:
That both alike scorned worldly aim,
Profit, applause, parade, and pride,
Whereby the love of generous fame
And worthy deeds grows petrified.
I did as yet not understand
Nature is far more vast than I,
Deep as the ocean, wide as land,
And overarching as the sky;
And but responded to my call,
And only felt and fed my need,
Because She doth the same for all
Who to her pity turn and plead.
VI
Shall man have mind, and Nature none,
Shall I, not she, have soul and heart?
Nay, rather, if we be not one,
Each is of each the counterpart.
She too may have within her breast
A conscience, if not like to yours,
A sense of rightness ill at rest,
Long as her waywardness endures.
422
And hence her thunder, earthquakes, hail,
Her levin bolts, her clouds' discharge:
She sins upon a larger scale,
Because She is herself more large.
Hence, too, when She hath pierced with pain
The heart of man, and wrecked his years,
The pity of the April rain,
And late repentance of her tears.
She is no better, worse, than we;
We can but say she seems more great,
That half her will, like ours, is free,
And half of it is locked in Fate.
Nor need we fear that we should err
Beyond our scope in reasoning thus,That there must be a God for Her,
If that there be a God for us.
VII
The chiming of the Sabbath bell,
The silence of the Sabbath fields,
Over the hamlet cast a spell
To which the gracious spirit yields.
Sound is there none of wheel or wain,
Husht stands the anvil, husht the forge,
No shout is heard in rustic lane,
No axe resounds in timbered gorge.
No flail beats time on granary floor,
The windmill's rushing wings are stayed,
And children's glee rings out no more
From hedgerow bank or primrose glade.
The big-boned team that firm and slow
Draw yoked, are free to couch or stray;
The basking covey seem to know
None will invade their peace to-day.
423
And speckless swains, and maidens neat,
Through rustic porch, down cottage stair,
Demurely up the village street
Stream onward to the House of Prayer.
They kneel as they were taught to kneel
In childhood, and demand not why,
But, as they chant or answer, feel
A vague communion with the sky.
VIII
But when the impetuous mind is spurred
To range through epochs great but gone,
And, heedless of dogmatic word,
With fearless ardour presses on,
Confronting pulpit, sceptre, shrine,
With point by Logic beaten out,
And, questioning tenets deemed divine
With human challenge, human doubt,
Hoists Reason's sail, and for the haze
Of ocean quits Tradition's shore,
Awhile he comes, and kneels, and prays,
Then comes and kneels, but prays no more;
And only for the love he bears
To those who love him, and who reared
His frame to genuflexion, shares
In ritual, vain, if still revered.
His Gods are many or are none,
Saturn and Mithra, Christ and Jove,
Consorting, as the Ages run,
With Vestal choir or Pagan drove.
Abiding still by Northern shores,
He sees far off on Grecian coast
Veiled Aphrodite, but adores
Minerva and Apollo most.
424
Beauty of vision, voice, and mind,
Enthrall him so, that unto him
All Creeds seem true, if he but find
Siren, or saint, or seraphim.
And thus once more he dwells apart,
His inward self enswathed in mist,
Blending with poet's pious heart
The dreams of pagan Hedonist.
IX
If Beauty be the Spirit's quest,
Its adoration, creed, and shrine,
Wherein its restlessness finds rest,
And earthly type of the Divine,
Must there for such not somewhere be
A blending of all beauteous things
In some one form wherein we see
The sum of our imaginings?
The smile on mountain's musing brow,
Sunrise and sunset, moon and star,
Wavelets around the cygnet's prow,
Glamour anear and charm afar;
The silence of the silvery pool,
Autumn's reserve and Summer's fire,
Slow vanishings of Winter's rule
To free full voice of April's choir;The worshippers of Beauty find
In maiden form, and face, and tress;
Faint intimations of her mind
And undulating loveliness.
Bound, runnels, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
425
Gone is the Winter, fled the snow,
And all that lives is flushed with Spring.
Harry the woods, young truant folk,
For flowers to deck your cottage sills,
And, underneath my orchard oak,
Cluster, ye golden daffodils!
Unfettered by domestic vow,
Cuckoo, proclaim your vagrant loves,
And coo upon the self-same bough,
Inseparable turtle-doves.
Soar, laverock, soar on song to sky,
And with the choir of Heaven rejoice!
You cannot be more glad than I,
Who feel Her gaze, and hear Her voice:
Who see Her cheek more crimson glow,
And through Her veins love's current stream,
And feel a fear She doth but know
Is kin to joy and dawning dream.
Bound, rivulets, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
Gone from the world are want and woe,
And I myself am one with Spring.
XI
They err who say that Love is blind,
Or, if it be, 'tis but in part,
And that, if for fair face it find
No counterpart in mind and heart,
It dwells on that which it beholds,
Fair fleshly vision void of soul,
Deeming, illusioned, this enfolds,
Longing's fulfilment, end, and whole.
Were such my hapless carnal lot,
I too might evanescent bliss
426
Embrace, fierce-fancied, fast forgot,
Then leave for some fresh loveliness.
But April gaze, and Summer tress,
With something of Autumnal thought,
In Her seem blent to crown and bless
A bond I long in dreams have sought.
She looks as though She came to grace
The earth, from world less soiled than this,
Around her head and virgin face
Halo of heavenly holiness.
XII
He who hath roamed through various lands,
And, wheresoe'er his steps are set,
The kindred meaning understands
Of spire, and dome, and minaret;
By Roman river, Stamboul's sea,
In Peter's or Sophia's shrine,
Acknowledges with reverent knee
The presence of the One Divine;
Who, to the land he loves so well
Returning, towards the sunset hour
Wends homeward, feels yet stronger spell
In lichened roof and grey church-tower;
Round whose foundations, side by side,
Sleep hamlet wit and village sage,
While loud the blackbird cheers his bride
Deep in umbrageous Vicarage.
XIII
Was it that sense which some aver
Foreshadows Fate it doth not see,
That gave unwittingly to Her
The name, for ever dear to me,
427
Borne by that tearful Mother whom,
Nigh unto Ostia's shelving sand,
Augustine laid in lonely tomb,
Ere sailing for his Afric land?
But I at least should have foreseen,
When Monica to me had grown
Familiar word, that names may mean
More than by word and name is shown;
That nought can keep two lives apart
More than divorce 'twixt mind and mind,
Even though heart be one with heart;Alas! Alas! Yes, Love is blind.
XIV
How could I think of jarring Creeds,
And riddles that unread remain,
Or ask if Heaven's indulgence heeds
Broils born of man's polemic brain,
And pause because my venturous mind
Had roamed through tracks of polar thought,
Whence mightiest spirits turn back blind,
Since finding not the thing they sought,
When Love, with luring gifts in hand,
Beauty, refinement, smile, caress,
Heart to surmise and understand,
And crowning grace of holiness,
Stood there before me, and, with gaze
I had been purblind not to see,
Said, ``I to you will, all my days,
Give what you yearn to give to me''?
Must both then sorrow, while we live,
Because, rejoicing, I forgot
Something there was I could not give,
Because, alas! I had it not.
428
XV
She comes from Vicarage Garden, see!
Radiant as morning, lithe and tall,
Fresh lilies in her hand, but She
The loveliest lily of them all.
The thrushes in their fluting pause,
The bees float humming round her head,
Earth, air, and heaven shine out because
They hear her voice, and feel her tread.
Up in the fretted grey church-tower,
That rustic gaze for miles can see,
The belfry strikes the silvery hour,
Announcing her propinquity.
And I who, fearful to be late,
Passed long since through the deerpark pale,
And loitered by the churchyard gate,
Once more exclaim, ``Hail! loved one! hail!''
We pass within, and up the nave,
Husht, because Heaven seems always there,
Wend choirward, where, devoutly grave,
She kneels, to breathe a silent prayer.
She takes the flowers I too have brought,
Blending them deftly with her own,
And ranges them, as quick as thought,
Around the white-draped altar-throne.
How could she know my gaze was not
On things unseen, but fixed on Her,
That, as She prayed, I all forgot
The worship in the worshipper?While She beheld, as in a glass,
The Light Divine, that I but sought
Sight of her soul?-Alas! Alas!
Love is yet blinder than I thought.
429
XVI
Who hath not seen a little cloud
Up from the clear horizon steal,
And, mounting lurid, mutter loud
Premonitory thunder-peal?
Husht grows the grove, the summer leaf
Trembles and writhes, as if in pain,
And then the sky, o'ercharged with grief,
Bursts into drenching tears of rain.
I through the years had sought to hide
My darkening doubts from simple sight.
'Tis sacrilegious to deride
Faith of unquestioning neophyte.
And what, methought, is Doubt at best?
A sterile wind through seeded sedge
Blowing for nought, an empty nest
That lingers in a leafless hedge.
Pain, too, there is we should not share
With others lest it mar their joy;
There is a quiet bliss in prayer
None but the heartless would destroy.
But just as Love is quick divined
From heightened glow or visage pale,
The meditations of the Mind
Disclose themselves through densest veil.
And 'tis the unloving and least wise
Who through life's inmost precincts press,
And with unsympathetic eyes
Outrage our sacred loneliness.
Then, when their sacrilegious gaze
The mournful void hath half surmised,
To some more tender soul they raise
The veil of ignorance it prized.
430
XVII
`What though I write farewell I could
Not utter, lest your gaze should chide,
'Twill by your love be understood
My love is still, dear, at your side.
``Nor must we meet to speak goodbye,
Lest that my Will should lose its choice,
And conscience waver, for then I
Should see your face and hear your voice.
``But, when you find yourself once more,
Come back, come back and look for me,
Beside the little lowly door,
The Doorway of Humility.''
XVIII
There! Peace at last! The far-off roar
Of human passion dies away.
``Welcome to our broad shade once more,''
The waning woodlands seem to say:
The music of the vagrant wind,
That wandered aimlessly, is stilled;
The songless branches all remind
That Summer's glory is fulfilled.
The fluttering of the falling leaves
Dimples the leaden pool awhile;
So Age impassively receives
Youth's tale of troubles with a smile.
Thus, as the seasons steal away,
How much is schemed, how little done,
What splendid plans at break of day!
What void regrets at set of sun!
The world goes round, for you, for me,
For him who sleeps, for him who strives,
And the cold Fates indifferent see
431
Crowning or failure of our lives.
Then fall, ye leaves, fade, summer breeze!
Grow, sedges, sere on every pool!
Let each old glowing impulse freeze,
Let each old generous project cool!
It is not wisdom, wit, nor worth,
Self-sacrifice nor friendship true,
Makes venal devotees of earth
Prostrate themselves and worship you.
The consciousness of sovran powers,
The stubborn purpose, steadfast will,
Have ever, in this world of ours,
Achieved success, achieve it still.
Farewell, ye woods! No more I sit;
Great voices in the distance call.
If this be peace, enough of it!
I go. Fall, unseen foliage, fall!
XIX
Nay, but repress rebellious woe!
In grief 'tis not that febrile fool,
Passion, that can but overthrow,
But Resignation, that should rule.
In patient sadness lurks a gift
To purify the life it stings,
And, as the days move onward, lift
The lonely heart to loftier things;
Bringing within one's ripening reach
The sceptre of majestic Thought,
Wherefrom one slowly learns to teach
The Wisdom to oneself it taught.
And unto what can man aspire,
On earth, more worth the striving for,
Than to be Reason's loftier lyre,
432
And reconciling monitor;
To strike a more resounding string
And deeper notes of joy and pain,
Than such as but lamenting sing,
Or warble but a sensuous strain:
So, when my days are nearly sped,
And my last harvest labours done,
That I may have around my head
The halo of a setting sun.
Yet even if be heard above
Such selfish hope, presumptuous claim,
Better one hour of perfect love
Than an eternity of Fame!
XX
Where then for grief seek out the cure?
What scenes will bid my smart to cease?
High peaks should teach one to endure,
And lakes secluded bring one peace.
Farewell awhile, then, village bells,
Autumnal wood and harvest wain!
And welcome, as it sinks or swells,
The music of the mighty main,
That seems to say, now loud, now low,
Rising or falling, sweet or shrill,
``I pace, a sentry, to and fro,
To guard your Island fortress still.''
The roses falter on their stalk,
The late peach reddens on the wall,
The flowers along the garden walk
Unheeded fade, unheeded fall.
My gates unopened drip with rain,
The wolf-hound wends from floor to floor,
And, listening for my voice in vain,
433
Waileth along the corridor.
Within the old accustomed place
Where we so oft were wont to be,
Kneeling She prays, while down her face
The fruitless tears fall silently.
SWITZERLAND
XXI
Rain, wind, and rain. The writhing lake
Scuds to and fro to scape their stroke:
The mountains veil their heads, and make
Of cloud and mist a wintry cloak.
Through where the arching pinewoods make
Dusk cloisters down the mountain side,
The loosened avalanches take
Valeward their way, with death for guide,
And toss their shaggy manes and fling
To air their foam and tawny froth,
From ledge and precipice bound and spring,
With hungry roar and deepening wrath;
Till, hamlet homes and orchards crushed,
And, rage for further ravin stayed,
They slumber, satiated, husht,
Upon the ruins they have made.
I rise from larch-log hearth, and, lone,
Gaze on the spears of serried rain,
That faster, nigher, still are blown,
Then stream adown the window pane.
The peasant's goatskin garments drip,
As home he wends with lowered head,
Shakes off the drops from lid and lip,
Then slinks within his châlet shed.
434
The cattle bells sound dull and hoarse,
The boats rock idly by the shore;
Only the swollen torrents course
With faster feet and fuller roar.
Mournful, I shape a mournful song,
And ask the heavens, but ask in vain,
``How long, how long?'' Ah! not so long
As, in my heart, rain, wind, and rain.
XXII
I ask the dark, the dawn, the sun,
The domeward-pointing peaks of snow,
Lofty and low alike, but none
Will tell me what I crave to know.
My mind demands, ``Whence, Whither, Why?''
From mountain slope and green defile,
And wait the answer. The replyA far-off irresponsive smile.
I ask the stars, when mortals sleep,
The pensive moon, the lonely winds;
But, haply if they know, they keep
The secret of secluded minds.
Shall I in
Straining
Where in
Where in
vain, then, strive to find,
towards merely fancied goal?
the lily lurks the mind,
the rose discern the soul?
More mindless still, stream, pasture, lake,
The mountains yet more heartless seem,
And life's unceasing quest and ache
Only a dream within a dream.
We know no more, though racked with thought
Than he who, in yon châlet born,
Gives not the riddle, Life, a thought,
But lays him down and sleeps till morn.
435
Sometimes he kneels; I cannot kneel,
So suffer from a wider curse
Than Eden's outcasts, for I feel
An exile in the universe.
The rudeness of his birth enures
His limbs to every season's stings,
And, never probing, so endures
The sadness at the heart of things.
When lauwine growls, and thunder swells,
Their far-off clamour sounds to me
But as the noise of clanging bells
Above a silent sanctuary.
It is their silence that appals,
Their aspect motionless that awes,
When searching spirit vainly calls
On the effect to bare the Cause.
I get no answer, near or far;
The mountains, though they soar so high,
And scale the pathless ether, are
No nearer unto God than I.
There dwells nor mystery nor veil
Round the clear peaks no foot hath trod;
I, gazing on their frontage pale,
See but the waning ghost of God.
Is Faith then but a drug for sleep,
And Hope a fondly soothing friend
That bids us, when it sees us weep,
Wait for the End that hath no end?
Then do I hear voice unforgot
Wailing across the distance dim,
``Think, dear! If God existeth not,
Why are you always seeking Him?''
XXIII
436
Like glowing furnace of the forge,
How the winds rise and roar, as they
Up twisting valley, craggy gorge,
Seek, and still seek, to storm their way;
Then, baffled, up the open slope
With quickening pulses scale and pant,
Indomitably bent to cope
With bristling fronts of adamant.
All through the day resounds the strife,
Then doth at sunset hour subside:
So the fierce passions of our life
Slowly expire at eventide.
By Nature we are ne'er misled;
We see most truly when we dream.
A singer wise was he who said,
``Follow the gleam! Follow the gleam!''
XXIV
I dreamed, last night, again I stood,
Silent, without the village shrine,
While She in modest maidenhood
Left, fondly clasped, her hand in mine.
And, with a face as cerecloth white,
And tears like those that by the bier
Of loved one lost make dim the sight,
She poured her sorrows in mine ear.
``I love your voice, I love your gaze,
But there is something dearer still,
The faith that kneels, the hope that prays,
And bows before the Heavenly Will.
``Not where hills rise, or torrents roll,
Seek Him, nor yet alone, apart;
He dwells within the troubled soul,
His home is in the human heart.
437
``Withal, the peaceful mountains may
'Twixt doubt and yearning end the strife:
So ponder, though you cannot pray,
And think some meaning into life:
``Nor like to those that cross the main
To wander witless through strange land,
Hearing unmastered tongues, disdain
The speech they do not understand.
``Firm stands my faith that they who sound
The depths of doubt Faith yet will save:
They are like children playing round
A still remembered mother's grave;
``Not knowing, when they wax more old,
And somewhat can her vision share,
She will the winding-sheet unfold,
And beckon them to evening prayer.''
Then, with my hand betwixt her hands,
She laid her lips upon my brow,
And, as to one who understands,
Said, ``Take once more my vestal vow.
``No other gaze makes mine to glow,
No other footstep stirs my heart,
To me you only dearer grow,
Dearer and nearer, more apart.
``Whene'er you come with humble mind,
The little Door stands open wide,
And, bending low, you still will find
Me waiting on the other side.''
Her silence woke me. . . . To your breast
Fold me, O sleep! and seal mine ears;
That She may roam through my unrest
Till all my dreams are drenched with tears!
XXV
438
Why linger longer, subject, here,
Where Nature sits and reigns alone,
Inspiring love not, only fear,
Upon her autocratic throne?
Her edicts are the rigid snow,
The wayward winds, the swaying branch;
She hath no pity to bestow,
Her law the lawless avalanche.
Though soon cascades will bound and sing,
That now but drip with tears of ice,
And upland meadows touched by Spring
Blue gentian blend with edelweiss,
Hence to the Land of youthful dreams,
The Land that taught me all I know.
Farewell, lone mountain-peaks and streams;
Yet take my thanks before I go.
You gave me shelter when I fled,
But sternly bade me stem my tears,
Nor aimless roam with rustling tread
'Mong fallen leaves of fruitless years.
ITALY
XXVI
Upon the topmost wheel-track steep,
The parting of two nations' ways,
Athwart stone cross engraven deep,
The name ``Italia'' greets the gaze!
I trembled, when I saw it first,
With joy, my boyish longings fed,
The headspring of my constant thirst,
The altar of my pilgrim tread.
Now once again the magic word,
So faintly borne to Northern home,
Sounds like a silvery trumpet heard
439
Beneath some universal dome.
The forests soften to a smile,
A smile the very mountains wear,
Through mossy gorge and grassed defile
Torrents race glad and debonair.
From casement, balcony and door,
Hang golden gourds, droops tear-tipped vine,
And sun-bronzed faces bask before
Thin straw-swathed flasks of last year's wine.
Unyoked, the patient sleek-skinned steers
Take, like their lords, no heed of time.
Hark! now the evening star appears,
Ave Maria belfries chime.
The maidens knit, and glance, and sing,
With glowing gaze 'neath ebon tress,
And, like to copse-buds sunned by Spring,
Seem burgeoning into tenderness.
On waveless lake where willows weep,
The Borromean Islands rest
As motionless as babe asleep
Upon a slumbering Mother's breast.
O Land of sunshine, song, and Love!
Whether thy children reap or sow,
Of Love they chant on hills above,
Of Love they sing in vale below.
But what avail the love-linked hands,
And love-lit eyes, to them that roam
Passionless through impassioned lands,
Since they have left their heart at home!
XXVII
Among my dreams, now known as dreams
In this my reawakened life,
I thought that by historic streams,
440
Apart from stress, aloof from strife,
By rugged paths that twist and twine
Through olive slope and chesnut wood
Upward to mediaeval shrine,
Or high conventual brotherhood,
Along the mountain-curtained track
Round peaceful lake where wintry bands
Halt briefly but to bivouac
Ere blustering on to Northern lands;Through these, through all I first did see,
With me to share my raptures none,
That nuptialled Monica would be
My novice and companion:
That we should float from mere to mere,
And sleep within some windless cove,
With nightingales to lull the ear,
From ilex wood and orange grove;
Linger at hamlets lost to fame,
That still wise-wandering feet beguile,
To gaze on frescoed wall or frame
Lit by Luini's gracious smile.
Now, but companioned by my pain,
Among each well-remembered scene
I can but let my Fancy feign
The happiness that might have been;
Imagine that I hear her voice,
Imagine that I feel her hand,
And I, enamoured guide, rejoice
To see her swift to understand.
Alack! Imagination might
As lief with rustic Virgil roam,
Reverent, or, welcomed guest, alight
At Pliny's philosophic home;
441
Hear one majestically trace
Rome's world-wide sway from wattled wall,
And read upon the other's face
The omens of an Empire's fall.
XXVIII
Like moonlight seen through forest leaves,
She shines upon me from afar,
What time men reap the ripened sheaves,
And Heaven rains many a falling star.
I gaze up to her lofty height,
And feel how far we dwell apart:
O if I could, this night, this night,
Fold her full radiance to my heart!
But She in Heaven, and I on earth,
Still journey on, but each alone;
She, maiden Queen of sacred birth,
Who with no consort shares her throne.
XXIX
What if She ever thought She saw
The self within myself prefer
Communion with the silent awe
Of far-off mountains more than Her;
That Nature hath the mobile grace
To make life with our moods agree,
And so had grown the Loved One's face,
Since it nor checked nor chided me;
Or from the tasks that irk and tire
I sought for comfort from the Muse,
Because it grants the mind's desire
All that familiar things refuse.
How vain such thought! The face, the form,
Of mountain summits but express,
Clouded or clear, in sun or storm,
442
Feebly Her spirit's loftiness.
Did I explore from pole to pole,
In Nature's aspect I should find
But faint reflections of Her soul,
Dim adumbrations of Her mind.
O come and test with lake, with stream,
With mountain, which the stronger be,
Thou, my divinest dearest dream,
My Muse, and more than Muse, to me!
XXX
They tell me that Jehovah speaks
In silent grove, on lonely strand,
And summit of the mountain peaks;
Yet there I do not understand.
The stars, disdainful of my thought,
Majestic march toward their goal,
And to my nightly watch have brought
No explanation to my soul.
The truth I seek I cannot find,
In air or sky, on land or sea;
If the hills have their secret mind,
They will not yield it up to me:
Like one who lost mid lonely hills
Still seeks but cannot find his way,
Since guide is none save winding rills,
That seem themselves, too, gone astray.
And so from rise to set of sun,
At glimmering dawn, in twilight haze,
I but behold the face of One
Who veils her face, and weeps, and prays.
What know I that She doth not know?
What I know not, She understands:
With heavenly gifts She overflows,
443
While I have only empty hands.
O weary wanderer! Best forego
This questioning of wind and wave.
For you the sunshine and the snow,
The womb, the cradle, and the grave.
XXXI
How blest, when organ concords swell,
And anthems are intoned, are they
Who neither reason nor rebel,
But meekly bow their heads and pray.
And such the peasants mountain-bred,
Who hail to-day with blithe accord
Her Feast Who to the Angel said,
``Behold the Handmaid of the Lord!''
Downward they wind from pastoral height,
Or hamlet grouped round shattered towers,
To wend to shrine more richly dight,
And bring their gift of wilding flowers;
Their gifts, their griefs, their daily needs,
And lay these at Her statue's base,
Who never, deem they, intercedes
Vainly before the Throne of Grace.
Shall I, because I stand apart,
A stranger to their pious vows,
Scorn their humility of heart
That pleads before the Virgin Spouse,
Confiding that the Son will ne'er,
If in His justice wroth with them,
Refuse to harken to Her prayer
Who suckled Him in Bethlehem?
Of all the intercessors born
By man's celestial fancy, none
444
Hath helped the sorrowing, the forlorn,
Lowly and lone, as She hath done.
The maiden faithful to Her shrine
Bids demons of temptation flee,
And mothers fruitful as the vine
Retain their vestal purity.
Too trustful love, by lust betrayed,
And by cold worldlings unforgiven,
Unto Her having wept and prayed,
Faces its fate, consoled and shriven.
The restless, fiercely probing mind
No honey gleans, though still it stings.
What comfort doth the spirit find
In Reason's endless reasonings?
They have no solace for my grief,
Compassion none for all my pain:
They toss me like the fluttering leaf,
And leave me to the wind and rain.
XXXII
If Conscience be God's Law to Man,
Then Conscience must perforce arraign
Whatever falls beneath the ban
Of that allotted Suzerain.
And He, who bids us not to swerve,
Whither the wayward passions draw,
From its stern sanctions, must observe
The limits of the self-same Law.
Yet, if obedient Conscience scan
The sum of wrongs endured and done
Neither by act nor fault of Man,
They rouse it to rebellion.
Life seems of life by life bereft
445
Through some immitigable curse,
And Man sole moral being left
In a non-moral Universe.
My Conscience would my Will withstand,
Did Will project a world like this:
Better Eternal vacuum still,
Than murder, lust, and heartlessness!
If Man makes Conscience, then being good
Is only being worldly wise,
And universal brotherhood
A comfortable compromise.
O smoke of War! O blood-steeped sod!
O groans of fratricidal strife!
Who will explain the ways of God,
That I may be at peace with life!
The moral riddle 'tis that haunts,
Primeval and unending curse,
Racking the mind when pulpit vaunts
A Heaven-created Universe.
Yet whence came Life, and how begin?
Rolleth the globe by choice or chance?
Dear Lord! Why longer shut me in
This prison-house of ignorance!
FLORENCE
XXXIII
City acclaimed ere Dante's days
Fair, and baptized in field of flowers,
Once more I scan with tender gaze
Your glistening domes, your storied towers.
I feel as if long years had flown
Since first with eager heart I came,
446
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet
When figs are plump, and grapes are pressed,
And all your sons with following feet
Bore a dead Poet to final rest.
You seemed to fling your gates ajar,
And softly lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in the Tuscan land.''
And though no love my love can wean
From native crag and cradling sea,
Yet Florence from that hour hath been
More than a foster-nurse to me.
When mount I terraced slopes arrayed
In bridal bloom of peach and pear,
While under olive's phantom shade
Lupine and beanflower scent the air,
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
447
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
XXXIV
Re-roaming through this palaced town,
I suddenly, 'neath grim-barred pile,
Catch sight of Dante's awful frown,
Or Leonardo's mystic smile;
Then, swayed by memory's fancy, stroll
To where from May-day's flaming pyre
Savonarola's austere soul
Went up to Heaven in tongues of fire;
Or Buonarroti's plastic hand
Made marble block from Massa's steep
Dawn into Day at his command,
Then plunged it into Night and Sleep.
No later wanderings can dispel
The glamour of the bygone years;
And, through the streets I know so well,
448
I scarce can see my way for tears.
XXXV
A sombre shadow seems to fall
On comely altar, transept fair;
The saints are still on frescoed wall,
But who comes thither now for prayer?
Men throng from far-off stranger land,
To stare, to wonder, not to kneel,
With map and guide-book in their hand
To tell them what to think and feel.
They scan, they prate, they marvel why
The figures still expressive glow,
Oblivious they were painted by
Adoring Frà Angelico.
Did Dante from his tomb afar
Return, his wrongs redressed at last,
And see you, Florence, as you are,
Half alien to your gracious Past,
Finding no Donatello now,
No reverent Giotto 'mong the quick,
To glorify ascetic vow
Of Francis or of Dominic;
Self-exiled by yet sterner fate
Than erst, he would from wandering cease,
And, ringing at monastic gate,
Plead, ``I am one who craves for peace.''
And what he sought but ne'er could find,
Shall I, less worthy, hope to gain,
The freedom of the tranquil mind,
The lordship over loss and pain?
More than such peace I found when I
Did first, in unbound youth, repair
449
To Tuscan shrine, Ausonian sky.
I found it, for I brought it there.
XXXVI
Yet Art brings peace, itself is Peace,
And, as I on these frescoes gaze,
I feel all fretful tumults cease
And harvest calm of mellower days.
For Soul too hath its seasons. Time,
That leads Spring, Summer, Autumn, round,
Makes our ephemeral passions chime
With something permanent and profound.
And, as in Nature, April oft
Strives to revert to wintry hours,
But shortly upon garth and croft
Re-sheds warm smiles and moistening showers,
Or, for one day, will Autumn wear
The gayer garments of the Spring,
And then athwart the wheatfields bare
Again her graver shadows fling;
So, though the Soul hath moods that veer,
And seem to hold no Rule in awe,
Like the procession of the year,
It too obeys the sovran Law.
Nor Art itself brings settled peace,
Until the mind is schooled to know
That gusts subside and tumults cease
Only in sunset's afterglow.
Life's contradictions vanish then,
Husht thought replacing clashing talk
Among the windy ways of men.
'Tis in the twilight Angels walk.
450
ROME
XXXVII
The last warm gleams of sunset fade
From cypress spire and stonepine dome,
And, in the twilight's deepening shade,
Lingering, I scan the wrecks of Rome.
Husht the Madonna's Evening Bell;
The steers lie loosed from wain and plough;
The vagrant monk is in his cell,
The meek nun-novice cloistered now.
Pedant's presumptuous voice no more
Vexes the spot where Caesar trod,
And o'er the pavement's soundless floor
Come banished priest and exiled God.
The lank-ribbed she-wolf, couched among
The regal hillside's tangled scrubs,
With doting gaze and fondling tongue
Suckles the Vestal's twin-born cubs.
Yet once again Evander leads
Æneas to his wattled home,
And, throned on Tiber's fresh-cut reeds,
Talks of burnt Troy and rising Rome.
From out the tawny dusk one hears
The half-feigned scream of Sabine maids,
The rush to arms, then swift the tears
That separate the clashing blades.
The Lictors with their fasces throng
To quell the Commons' rising roar,
As Tullia's chariot flames along,
Splashed with her murdered father's gore.
Her tresses free from band or comb,
Love-dimpled Venus, lithe and tall,
451
And fresh as Fiumicino's foam,
Mounts her pentelic pedestal.
With languid lids, and lips apart,
And curving limbs like wave half-furled,
Unarmed she dominates the heart,
And without sceptre sways the world.
Nerved by her smile, avenging Mars
Stalks through the Forum's fallen fanes,
Or, changed of mien and healed of scars,
Threads sylvan slopes and vineyard plains.
With waves of song from wakening lyre
Apollo routs the wavering night,
While, parsley-crowned, the white-robed choir
Wind chanting up the Sacred Height,
Where Jove, with thunder-garlands wreathed,
And crisp locks frayed like fretted foam,
Sits with his lightnings half unsheathed,
And frowns against the foes of Rome.
You cannot kill the Gods. They still
Reclaim the thrones where once they reigned,
Rehaunt the grove, remount the rill,
And renovate their rites profaned.
Diana's hounds still lead the chase,
Still Neptune's Trident crests the sea,
And still man's spirit soars through space
On feathered heels of Mercury.
No flood can quench the Vestals' Fire;
The Flamen's robes are still as white
As ere the Salii's armoured choir
Were drowned by droning anchorite.
The saint may seize the siren's seat,
The shaveling frown where frisked the Faun;
Ne'er will, though all beside should fleet,
The Olympian Presence be withdrawn.
452
Here, even in the noontide glare,
The Gods, recumbent, take their ease;
Go look, and you will find them there,
Slumbering behind some fallen frieze.
But most, when sunset glow hath paled,
And come, as now, the twilight hour,
In vesper vagueness dimly veiled
I feel their presence and their power.
What though their temples strew the ground,
And to the ruin owls repair,
Their home, their haunt, is all around;
They drive the cloud, they ride the air.
And, when the planets wend their way
Along the never-ageing skies,
``Revere the Gods'' I hear them say;
``The Gods are old, the Gods are wise.''
Build as man may, Time gnaws and peers
Through marble fissures, granite rents;
Only Imagination rears
Imperishable monuments.
Let Gaul and Goth pollute the shrine,
Level the altar, fire the fane:
There is no razing the Divine;
The Gods return, the Gods remain.
XXXVIII
Christ is arisen. The place wherein
They laid Him shows but cerements furled,
And belfry answers belfry's din
To ring the tidings round the world.
Grave Hierarchs come, an endless band,
In jewelled mitre, cope embossed,
Who bear Rome's will to every land
453
In all the tongues of Pentecost.
Majestic, along marble floor,
Walk Cardinals in blood-red robe,
Martyrs for Faith and Christ no more,
Who gaze as though they ruled the globe.
With halberds bare and doublets slashed,
Emblems that war will never cease,
Come martial guardians, unabashed,
And march afront the Prince of Peace.
Then, in his gestatorial Chair
See Christ's vicegerent, bland, benign,
To crowds all prostrate as in prayer
Lean low, and make the Holy Sign.
Then trumpets shrill, and organ peals,
Throughout the mighty marble pile,
Whileas a myriad concourse kneels
In dense-packed nave and crowded aisle.
Hark to the sudden hush! Aloft
From unseen source in empty dome
Swells prayerful music silvery-soft,
Borne from far-off celestial Home.
Then, when the solemn rite is done,
The worshippers stream out to where
Dance fountains glittering in the sun,
While expectation fills the air.
Now on high balcony He stands,
And-save for the Colonna curse,Blesses with high-uplifted hands
The City and the Universe.
Christ is arisen! But scarce as when,
On the third day of death and gloom,
Came ever-loving Magdalen
With tears and spices to His tomb.
454
XXXIX
The Tiber winds its sluggish way
Through niggard tracts whence Rome's command
Once cast the shadow of her sway,
O'er Asian city, Afric sand.
Nor even yet doth She resign
Her sceptre. Still the spell is hers,
Though she may seem a rifled shrine
'Mid circumjacent sepulchres.
One after one, they came, they come,
Gaul, Goth, Savoy, to work their will;
She answers, when She most seems dumb,
``I wore the Crown, I wear it still.
``From Jove I first received the gift,
I from Jehovah wear it now,
Nor shall profane invader lift
The diadem from off my brow.
``The Past is mine, and on the Past
The Future builds; and Time will rear
The next strong structure on the last,
Where men behold but shattered tier.
``The Teuton hither hies to teach,
To prove, disprove, to delve and probe.
Fool! Pedant! Does he think to reach
The deep foundations of the globe?''
For me, I am content to tread
On Sabine dust and Gothic foe.
Leave me to deepening silent dread
Of vanished Empire's afterglow.
In this Imperial wilderness
Why rashly babble and explore?
O, let me know a little less,
So I may feel a little more!
455
XL
For upward of one thousand years,
Here men and women prayed to Jove,
With smiles and incense, gifts and tears,
In secret shrine, or civic grove;
And, when Jove did not seem to heed,
Sought Juno's mediatorial power,
Or begged fair Venus intercede
And melt him in his amorous hour.
Sages invoked Minerva's might;
The Poet, ere he struck the lyre,
Prayed to the God of Song and Light
To touch the strings with hallowed fire.
With flaming herbs were altars smoked
Sprinkled with blood and perfumed must,
And gods and goddesses invoked
To second love or sanction lust.
And did they hear and heed the prayer,
Or, through that long Olympian reign,
Were they divinities of air
Begot of man's fantastic brain?
In Roman halls their statues still
Serenely stand, but no one now
Ascends the Capitolian Hill,
To render thanks, or urge the vow.
Through now long centuries hath Rome
Throned other God, preached other Creed,
That here still have their central home,
And feed man's hope, content his need.
Against these, too, will Time prevail?
No! Let whatever gestates, be,
Secure will last the tender tale
456
From Bethlehem to Calvary.
Throughout this world of pain and loss,
Man ne'er will cease to bend his knee
To Crown of Thorns, to Spear, to Cross,
And Doorway of Humility.
XLI
If Reason be the sole safe guide
In man implanted from above,
Why crave we for one only face,
Why consecrate the name of Love?
Faces there are no whit less fair,
Yet ruddier lip, more radiant eye,
Same rippling smile, same auburn hair,
But not for us. Say, Reason, why.
Why bound our hearts when April pied
Comes singing, or when hawthorn blows?
Doth logic in the lily hide,
And where's the reason in the rose?
Why weld our keels and launch our ships,
If Reason urge some wiser part,
Kiss England's Flag with dying lips
And fold its glories to the heart?
In this gross world we touch and see,
If Reason be no trusty guide,
For world unseen why should it be
The sole explorer justified?
The homing swallow knows its nest,
Sure curves the comet to its goal,
Instinct leads Autumn to its rest,
And why not Faith the homing soul?
Is Reason so aloof, aloft,
It doth not 'gainst itself rebel,
457
And are not Reason's reasonings oft
By Reason proved unreasonable?
He is perplexed no more, who prays,
``Hail, Mary Mother, full of grace!''
O drag me from Doubt's endless maze,
And let me see my Loved One's face!
XLII
``Upon this rock!'' Yet even here
Where Christian God ousts Pagan wraith,
Rebellious Reason whets its spear,
And smites upon the shield of Faith.
On sacred mount, down seven-hilled slopes,
Fearless it faces foe and friend,
Saying to man's immortal hopes,
``Whatso began, perforce must end.''
Not men alone, but gods too, die;
Fanes are, like hearths, left bare and lone;
This earth will into fragments fly,
And Heaven itself be overthrown.
Why then should Man immortal be?
He is but fleeting form, to fade,
Like momentary cloud, or sea
Of waves dispersed as soon as made.
Yet if 'tis Force, not Form, survives,
Meseems therein that one may find
Some comfort for distressful lives;
For, if Force ends not, why should Mind?
Is Doubt more forceful than Belief?
The doctor's cap than friar's cowl?
O ripeness of the falling leaf!
O wisdom of the moping owl!
Man's Mind will ever stand apart
458
From Science, save this have for goal
The evolution of the heart,
And sure survival of the Soul.
XLIII
The Umbilicum lonely stands
Where once rose porch and vanished dome;
But he discerns who understands
That every road may lead to Rome.
Enthroned in Peter's peaceful Chair,
The spiritual Caesar sways
A wider Realm of earth and air
Than trembled at Octavian's gaze.
His universal arms embrace
The saint, the sinner, and the sage,
And proffer refuge, comfort, grace
To tribulation's pilgrimage.
Here scientific searchers find
Precursors for two thousand years,
Who in a drouthy world divined
Fresh springs for human doubts and fears.
Here fair chaste Agnes veils her face
From prowlers of the sensual den,
And pity, pardon, and embrace
Await repentant Magdalen.
Princess and peasant-mother wend
To self-same altar, self-same shrine,
And Cardinal and Patriarch bend
Where lepers kneel, and beggars whine.
And is there then, in my distress,
No road, no gate, no shrine, for me?
The answer comes, ``Yes, surely, yes!
The Doorway of Humility.''
459
O rival Faiths! O clamorous Creeds!
Would you but hush your strife in prayer,
And raise one Temple for our needs,
Then, then, we all might worship there.
But dogma new with dogma old
Clashes to soothe the spirit's grief,
And offer to the unconsoled
Polyglot Babel of Belief!
XLIV
The billows roll, and rise, and break,
Around me; fixedly shine the stars
In clear dome overhead, and take
Their course, unheeding earthly jars.
Yet if one's upward gaze could be
But stationed where the planets are,
The star were restless as the sea,
The sea be tranquil as the star.
Hollowed like cradle, then like grave,
Now smoothly curved, now shapeless spray,
Withal the undirected wave
Forms, and reforms, and knows its way.
Then, waters, bear me on where He,
Ere death absolved at Christian font,
Removed Rome's menaced majesty
Eastward beyond the Hellespont.
Foreseeing not what Fate concealed,
But Time's caprice would there beget,
That Cross would unto Crescent yield,
Caesar and Christ to Mahomet.
Is it then man's predestined state
To search for, ne'er to find, the Light?
Arise, my Star, illuminate
These empty spaces of the Night!
460
XLV
Last night I heard the cuckoo call
Among the moist green glades of home,
And in the Chase around the Hall
Saw the May hawthorn flower and foam.
Deep in the wood where primrose stars
Paled before bluebell's dazzling reign,
The nightingale's sad sobbing bars
Rebuked the merle's too joyful strain.
The kine streamed forth from stall and byre,
The foal frisked round its mother staid,
The meads, by sunshine warmed, took fire,
And lambs in pasture, bleating, played.
The uncurbed rivulets raced to where
The statelier river curled and wound,
And trout, of human step aware,
Shot through the wave without a sound.
Adown the village street, as clear
As in one's wakeful mid-day hours,
Beheld I Monica drawing near,
Her vestal lap one crib of flowers.
Lending no look to me, she passed
By the stone path, as oft before,
Between old mounds Spring newly grassed,
And entered through the Little Door.
Led by her feet, I hastened on,
But, ere my feverish steps could get
To the low porch, lo! Morning shone
On Moslem dome and minaret!
CONSTANTINOPLE
461
XLVI
Now Vesper brings the sunset hour,
And, where crusading Knighthood trod,
Muezzin from his minaret tower
Proclaims, ``There is no God but God!''
Male God who shares his godhead with
No Virgin Mother's sacred tear,
But finds on earth congenial kith
In wielders of the sword and spear:
Male God who on male lust bestows
The ruddy lip, the rounded limb,
And promises, at battle's close,
Houri, not saint nor seraphim.
Swift through the doubly-guarded stream,
Shoots the caïque 'neath oarsmen brisk,
While from its cushioned cradle gleam
The eyes of yashmaked odalisque.
Unchanged adown the changing years,
Here where the Judas blossoms blaze,
Against Sophia's marble piers
The scowling Muslim lean and gaze;
And still at sunset's solemn hour,
Where Christ's devout Crusader trod,
Defiant from the minaret's tower
Proclaim, ``There is no God but God!''
XLVII
Three rival Rituals. One revered
In that loved English hamlet where,
With flowers in Vicarage garden reared,
She decks the altar set for prayer:
Another, where majestic Rome,
With fearless Faith and flag unfurled
462
'Gainst Doubt's ephemeral wave and foam,
Demands obedience from the world.
The third, where now I stand, and where
Two hoary Continents have met,
And Islam guards from taint and tare
Monistic Creed of Mahomet.
Yet older than all three, but banned
To suffer still the exile's doom
From shrine where Turkish sentries stand,
And Christians wrangle round Christ's tomb.
Where then find Creed, divine or dead,
All may embrace, and none contemn?Remember Who it was that said,
``Not here, nor at Jerusalem!''
ATHENS
XLVIII
To Acrocorinth's brow I climb,
And, lulled in retrospective bliss,
Descry, as through the mists of time,
Faintly the far Acropolis.
Below me, rivers, mountains, vales,
Wide stretch of ancient Hellas lies:
Symbol of Song that never fails,
Parnassus communes with the skies.
I linger, dream-bound by the Past,
Till sundown joins time's deep abyss,
Then skirt, through shadows moonlight-cast,
Lone strand of sailless Salamis,
Until Eleusis gleams through dawn,
Where, though a suppliant soul I come,
The veil remains still unwithdrawn,
463
And all the Oracles are dumb.
So onward to the clear white Light,
Where, though the worshippers be gone,
Abides on unmysterious height
The calm unquestioning Parthenon.
Find I, now there I stand at last,
That naked Beauty, undraped Truth,
Can satisfy our yearnings vast,
The doubts of age, the dreams of youth;
That, while we ask, in futile strife,
From altar, tripod, fount, or well,
Form is the secret soul of life,
And Art the only Oracle;
That Hera and Athena, linked
With Aphrodite, hush distress,
And, in their several gifts distinct,
Withal are Triune Goddesses?
That mortal wiser then was He
Who gave the prize to Beauty's smile,
Divides his gifts among the Three,
And thuswise baffles Discord's guile?
But who is wise? The nobler twain,
Who the restraining girdle wear,
Contend too often all in vain
With sinuous curve and frolic hair.
Just as one sees in marble, still,
Pan o'er Apollo's shoulder lean,
Suggesting to the poet's quill
The sensual note, the hint obscene.
Doth then the pure white Light grow dim,
And must it be for ever thus?
Listen! I hear a far-off Hymn,
Veni, Creator, Spiritus!
464
XLIX
The harvest of Hymettus drips
As sweet as when the Attic bees
Swarmed round the honey-laden lips
Of heavenly-human Sophocles.
The olives are as green in grove
As in the days the poets bless,
When Pallas with Poseidon strove
To be the City's Patroness.
The wine-hued main, white marble frieze,
Dome of blue ether over all,
One still beholds, but nowhere sees
Panathenaic Festival.
O'erhead, no Zeus or frowns or nods,
Olympus none in air or skies;
Below, a sepulchre of Gods,
And tombs of dead Divinities.
Yet, are they dead? Still stricken blind,
Tiresiaslike, are they that see,
With bold uncompromising mind,
Wisdom in utter nudity;
Experiencing a kindred fate
With the First Parents of us all,
Jehovah thrust through Eden's Gate,
When Knowledge brought about their Fall.
Hath Aphrodite into foam,
Whence She first flowered, sunk back once more,
And doth She nowhere find a home,
Or worship, upon Christian shore?
Her shrine is in the human breast,
To find her none need soar or dive.
Goodness or Loveliness our quest,
The ever-helpful Gods survive.
465
Hellas retorts, when Hebrew gibes
At Gods of levity and lust,
``God of Judaea's wandering tribes
Was jealous, cruel, and unjust.''
Godhead, withal, remains the same,
And Art embalms its symbols still;
As Poets, when athirst for Fame,
Still dream of Aganippe's rill.
Why still pursue a bootless quest,
And wander heartsore farther East,
Because unanswered, south or west,
By Pagan seer or Christian priest?
Brahma and Buddha, what have they
To offer to my shoreless search?
``Let Contemplation be,'' they say,
``Your ritual, Nothingness your Church.
``Passion and purpose both forsake,
Echoes from non-existent wall;
We do but dream we are awake,
Ourselves the deepest dream of all.
``We dream we think, feel, touch, and see,
And what these are, still dreaming, guess,
Though there is no Reality
Behind their fleeting semblances.''
Thus the East answers my appeal,
Denies, and so illudes, my want.
Alas! Could I but cease to feel,
Brahma should be my Hierophant.
But, hampered by my Western mind,
I cannot set the Spirit free
From Matter, but Illusion find,
466
Of all, the most illusory.
DELPHI
LI
The morning mists that hid the bay
And curtained mountains fast asleep,
Begin to feel the touch of day,
And roll from off both wave and steep.
In floating folds they curve and rise,
Then slowly melt and merge in air,
Till high above me glow the skies,
And cloudless sunshine everywhere.
Parnassus wears nor veil nor frown,
Windless the eagle wings his way,
As I from Delphi gaze adown
On Salona and Amphissa.
It was the sovran Sun that drew
Aloft and scattered morning haze,
And now fills all the spacious blue
With its own glorifying rays.
And, no less sovran than the sun,
Imagination brings relief
Of morning light to shadows dun,
To heart's distress, and spirit's grief.
Parnassus boasts no loftier peak
Than Poet's heavenward song; which, though
Harbouring among the sad and weak,
Lifteth aloft man's griefs below.
Though sun-bronzed Phocian maidens lave
Their kerchiefs in Castalia's spring,
The Muses linger round its wave,
And aid the pilgrim sent to sing.
467
And, listening there, I seem to hear
The unseen Oracle say, ``Be strong:
Subdue the sigh, repress the tear,
And let not sorrow silence Song.
``You now have learnt enough from pain;
And, if worse anguish lurk behind,
Breathe in it some unselfish strain,
And with grief's wisdom aid your kind.
``Who but of his own suffering sings,
Is like an eagle, robbed, distressed,
That vainly shrieks and beats its wings,
Because it cannot find its nest.
``Let male Imagination wed
The orphan, Sorrow, to console
Its virgin loneness, whence are bred
Serenity and self-control.
``Hence let the classic breezes blow
You to your Land beyond the sea,
That you may make, for others' woe,
Your own a healing melody;
``To wintry woe no more a slave,
But, having dried your April tears,
Behold a helpful harvest wave
From ridges of the fallow years.''
LII
Rebuked thus by the stately Past,
Whose solemn choruses endure
Through voices new and visions vast,
And centuries of sepulture,
Because, serene, it never blinked
At sheen or shadow of the sun,
But Hades and Olympus linked
468
With Salamis and Marathon;
Which held despondency at bay
And, while revering Fate's decree,
Reconciled with majestic lay
Man to the Human Tragedy;
To Gods of every land I vowed,
Judaea, Hellas, Mecca, Rome,
No more to live by sorrow bowed,
But, wending backward to my home,
Thenceforth to muse on woe more wide
Than individual distress,
The loftier Muses for my guide,
Minerva for my monitress;
Nor yet to scorn the tender aid
Of Christian martyr, virgin, sage,
And, meekly pondering in the shade,
Proffer ripe counsel to my Age.
And, haply, since 'tis Song alone
Can baffle death, and conquer time,
Maiden unborn in days unknown,
Under the leaves of fragrant lime,
Scanning the verse that here is writ,
While cherishing some secret smart
Of love or loss, may glean from it
Some comfort for her weary heart;
And, gently warned, grave minds may own
The world hath more to bear than they,
And, while I dream 'neath mossy stone,
Repeat my name, and love my lay.
LIII
Scarce to the all-indwelling Power
That vow was uttered, ere there came
469
A messenger in boyhood's flower,
Winged with his search, his face aflame.
From Amphissa he straight had clomb,
Thridding that devious mountain land,
With letter from my far-off home,
And written by my Loved One's hand.
``Come to me where I drooping lie.
None yet have died of Love, they say:
Withal, I sometimes think that I
Have prayed and sighed my life away.
``I want your absolution, dear,
For whatso wrong I may have done;
My conscience waneth less severe,
In softness of the setting sun.
``'Twas I, 'twas I, far more than you,
That stood in need, as now I see,
Stooping, to enter meekly through
The Doorway of Humility.
``In vain I turn to Throne of Grace,
Where sorrows cease, and tears are dry;
I fain once more would see your face,
And hear your voice, before I die.''
ENGLAND
LIV
The oak logs smoulder on my hearth,
Though round them hums no household talk;
The roses in the garden-garth
Hang mournfully on curving stalk.
My wolf-hound round me leaps and bays,
That wailed lost footsteps when I went:
He little knows the grief that weighs
470
On my return from banishment.
Half Autumn now, half Summer yet,
For Nature hath a human heart,
It seems as though they, having met,
To take farewell, are loth to part.
The splendour of the Year's decline
Hath not yet come. One still can see
Late honeysuckle intertwine
With Maiden's-Bower and briony.
The bracken-fronds, fast yellowing, tower
From out sere needles of the pine;
Now hawkweed blooms where foxgloves flower,
And bramble where once eglantine.
And, as I wend with hurrying feet
Across the park, along the lane
That leads unto the hamlet street,
And cradle of my bliss and bane,
In cottage plots on either side,
O'er mignonette and fragrant stock
Soar tiger-lilies lithe and tall,
And homely-sheltered hollyhock.
And when I reach the low grey wall
That skirts God's-acre on the hill,
I see, awaiting my recall,
The Little Door stand open still.
A dip, a slight descent, and then
Into the Vicarage Walk I passed;
It seemed as though the tongues of men
Had left it since I saw it last.
Round garden-plot, in westering sun,
Her agëd parents slowly stepped:
Her Mother had the face of one
Who oft hath prayed, and oft hath wept.
471
She wore the silent plaintive grace
Of Autumn just before its close,
And on her slowly fading face
The pathos of November rose.
With pitying gaze and accents kind,
``Go in,'' she said, ``and mount the stair;
And you through open door will find
That Monica awaits you there.''
LV
I mounted. At half-open door
Pausing, I softly called her name,
As one would pause and halt before
Heaven's Gateway. But no answer came.
She lies, methought, in Sleep's caress,
So, passing in, I seemed to see,
So saintly white the vision, less
A chamber than a Sanctuary.
Vestured in white, on snow-white bed,
She lay, as dreaming something sweet,
Madonna lilies at her head,
Madonna lilies at her feet.
A thought, I did not dare to speak,``Is this the sleep of life or death?''
And, with my cheek against her cheek,
Listening, I seemed to hear her breath.
'Twas Love's last blindness not to see
Her sinless soul had taken wing
Unto the Land, if such there be,
Where saints adore, and Seraphs sing.
And yet I felt within my heart,
Though lids were closed and lips were dumb,
That, for Love's sake, her soul in part
Had lingered here, till I should come.
472
I kissed her irresponsive hand,
I laid my lips on her cold brow,
That She, like me, should understand
'Twas thus I sealed our nuptial vow.
And then I saw upon her breast
A something writ, she fain had said
Had I been near, to me addressed,
Which, kneeling down, I took and read.
LVI
``I prayed I might prolong my years
Till you could come and hush my sighs,
And dry my penitential tears;
But Heaven hath willed it otherwise:
``That I may expiate the wrong
By me inflicted on us both,
When, yet Love's novice, feebly strong,
I sinned against Love's sovran troth.
``Now Death, the mirror unto Life,
Shows me that nought should keep apart
Those who, though sore perplexed by strife
'Twixt Faith and Doubt, are one in heart.
``For Doubt is one with Faith when they,
Who doubt, for Truth's sake suffering live;
And Faith meanwhile should hope and pray,
Withholding not what Love can give.
``We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He,
``But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
473
In patience through the darkness grope;
``Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
``Had my poor Love but been more wise,
I should have ta'en you to my breast,
Striving to hush your plaintive cries,
And rock your Reason back to rest.
``But, though alone you now must tread
Where we together should have trod,
In loneliness you may be led,
Through faith in me, to Faith in God.
``With tranquil purpose, fervent mind,
Foster, while you abide on earth,
And humbly proffer to your kind,
The gift assigned to you at birth.
``As in the far-off boyish year
When did your singing voice awake,
Disinterestedly revere
And love it for its own great sake.
``And when life takes autumnal hues,
With fervent reminiscence woo
All the affections of the Muse,
And write the poem lived by you.
``And should, until your days shall end,
You still the lyric voice retain,
With its seductive music blend
A graver note, a loftier strain.
``While buoyant youth and manhood strong
Follow where Siren sounds entice,
The Deities of Love and Song,
Rapture and loveliness, suffice.
474
``But when decay, and pain, and loss,
Remind one of the Goal forgot,
And we in turn must bear the Cross,
The Pagan Gods can help us not.
``Nor need you then seek, far and near,
More sumptuous shrines on alien strand,
But with domestic mind revere
The Ritual of your native Land.
``The Little Door stands open wide,
And, if you meekly pass therethrough,
Though I no longer kneel inside,
I shall be hovering near to you.
``Farewell! till you shall learn the whole
Of what we here but see in part.
Now I to God commend my soul,
And unto you I leave my heart.''
LVII
I wended up the slope once more
To where the Church stands lone and still,
And passed beneath the Little Door,
My will the subject of Her will.
The sunset rays through pictured pane
Fell, fretted into weft and woof,
On transept, nave, and aisle, to wane
On column cold and vaulted roof.
Within the carven altar screen
Were lilies tall, and white, and fair,
So like to those I late had seen,
It seemed She must be sleeping there.
Mutely I knelt, with bended brow
And shaded eyes, but heart intent,
To learn, should any teach me now,
What Life, and Love, and Sorrow meant.
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And there remained until the shroud
Of dusk foretold the coming night;
And then I rose, and prayed aloud,
``Let there be Light! Let there be Light!''
~ Alfred Austin,

*** WISDOM TROVE ***

*** NEWFULLDB 2.4M ***

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* WISDOM TROVE *

* NEWFULLDB 2.4M *