classes ::: Mythology, being, entity, trait,
children :::
branches ::: Titan

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object:Titan
object:Titans
subject class:Mythology
class:being
class:entity
class:trait

see also ::: Gods, Angels, Demons
see also ::: ego


see also ::: Angels, Demons, ego, Gods

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [1] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
Prometheus
Prometheus
SEE ALSO

Angels
Demons
ego
Gods

AUTH

BOOKS
Epigrams_from_Savitri
Faust
Heart_of_Matter
Life_without_Death
On_Thoughts_And_Aphorisms
Process_and_Reality
Questions_And_Answers_1953
The_Heros_Journey
The_Secret_Doctrine
Toward_the_Future

IN CHAPTERS TITLE
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.ac_-_The_Titanic

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.01_-_The_Approach_to_Mysticism
0.00_-_INTRODUCTION
01.02_-_The_Issue
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.04_-_The_Intuition_of_the_Age
01.04_-_The_Secret_Knowledge
01.05_-_Rabindranath_Tagore:_A_Great_Poet,_a_Great_Man
01.05_-_The_Nietzschean_Antichrist
01.05_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Spirits_Freedom_and_Greatness
0.10_-_Letters_to_a_Young_Captain
0_1959-03-26_-_Lord_of_Death,_Lord_of_Falsehood
0_1959-05-28
0_1960-05-16
0_1960-07-12_-_Mothers_Vision_-_the_Voice,_the_ashram_a_tiny_part_of_myself,_the_Mothers_Force,_sparkling_white_light_compressed_-_enormous_formation_of_negative_vibrations_-_light_in_evil
0_1961-05-19
0_1961-10-30
0_1961-12-23
0_1969-12-13
02.01_-_A_Vedic_Story
02.01_-_The_World_War
02.02_-_Lines_of_the_Descent_of_Consciousness
02.03_-_The_Glory_and_the_Fall_of_Life
02.04_-_The_Kingdoms_of_the_Little_Life
02.05_-_The_Godheads_of_the_Little_Life
02.06_-_The_Kingdoms_and_Godheads_of_the_Greater_Life
02.06_-_Vansittartism
02.07_-_The_Descent_into_Night
02.08_-_The_World_of_Falsehood,_the_Mother_of_Evil_and_the_Sons_of_Darkness
02.10_-_The_Kingdoms_and_Godheads_of_the_Little_Mind
02.11_-_The_Kingdoms_and_Godheads_of_the_Greater_Mind
02.12_-_The_Heavens_of_the_Ideal
03.01_-_The_New_Year_Initiation
03.02_-_The_Adoration_of_the_Divine_Mother
03.04_-_The_Body_Human
03.04_-_The_Vision_and_the_Boon
04.04_-_A_Global_Humanity
04.04_-_The_Quest
05.02_-_Satyavan
05.12_-_The_Soul_and_its_Journey
06.01_-_The_Word_of_Fate
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
06.05_-_The_Story_of_Creation
06.16_-_A_Page_of_Occult_History
07.01_-_The_Joy_of_Union;_the_Ordeal_of_the_Foreknowledge
07.02_-_The_Parable_of_the_Search_for_the_Soul
07.04_-_The_Triple_Soul-Forces
07.06_-_Nirvana_and_the_Discovery_of_the_All-Negating_Absolute
07.19_-_Bad_Thought-Formation
09.01_-_Towards_the_Black_Void
09.02_-_The_Journey_in_Eternal_Night_and_the_Voice_of_the_Darkness
10.03_-_The_Debate_of_Love_and_Death
10.04_-_The_Dream_Twilight_of_the_Earthly_Real
10.12_-_Awake_Mother
1.01_-_Isha_Upanishad
1.02.3.2_-_Knowledge_and_Ignorance
1.02_-_The_Development_of_Sri_Aurobindos_Thought
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Great_Process
1.02_-_The_Refusal_of_the_Call
1.03_-_YIBHOOTI_PADA
1.04_-_BOOK_THE_FOURTH
1.04_-_KAI_VALYA_PADA
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Discovery_of_the_Nation-Soul
1.04_-_The_Gods_of_the_Veda
1.04_-_The_Sacrifice_the_Triune_Path_and_the_Lord_of_the_Sacrifice
1.04_-_What_Arjuna_Saw_-_the_Dark_Side_of_the_Force
1.05_-_THE_HOSTILE_BROTHERS_-_ARCHETYPES_OF_RESPONSE_TO_THE_UNKNOWN
1.05_-_Vishnu_as_Brahma_creates_the_world
1.05_-_War_And_Politics
1.06_-_BOOK_THE_SIXTH
1.06_-_Psycho_therapy_and_a_Philosophy_of_Life
1.06_-_The_Ascent_of_the_Sacrifice_2_The_Works_of_Love_-_The_Works_of_Life
1.07_-_BOOK_THE_SEVENTH
1.07_-_Cybernetics_and_Psychopathology
1.07_-_Note_on_the_word_Go
1.08_-_Civilisation_and_Barbarism
1.09_-_Equality_and_the_Annihilation_of_Ego
11.01_-_The_Eternal_Day__The_Souls_Choice_and_the_Supreme_Consummation
1.1.03_-_Man
1.1.04_-_Philosophy
11.13_-_In_these_Fateful_Days
1.11_-_FAITH_IN_MAN
1.11_-_The_Kalki_Avatar
1.11_-_The_Master_of_the_Work
1.1.2_-_Commentary
1.12_-_Sleep_and_Dreams
1.13_-_BOOK_THE_THIRTEENTH
1.13_-_SALVATION,_DELIVERANCE,_ENLIGHTENMENT
1.13_-_Under_the_Auspices_of_the_Gods
1.15_-_The_Supramental_Consciousness
1.15_-_The_world_overrun_with_trees;_they_are_destroyed_by_the_Pracetasas
1.17_-_The_Divine_Birth_and_Divine_Works
1.18_-_The_Human_Fathers
1.21_-_My_Theory_of_Astrology
1.22_-_OBERON_AND_TITANIA's_GOLDEN_WEDDING
1.22_-_THE_END_OF_THE_SPECIES
1.22_-_The_Necessity_of_the_Spiritual_Transformation
1.23_-_Conditions_for_the_Coming_of_a_Spiritual_Age
1.3.5.01_-_The_Law_of_the_Way
1.43_-_Dionysus
17.09_-_Victory_to_the_World_Master
1953-06-10
1953-07-08
1953-09-16
1956-03-07_-_Sacrifice,_Animals,_hostile_forces,_receive_in_proportion_to_consciousness_-_To_be_luminously_open_-_Integral_transformation_-_Pain_of_rejection,_delight_of_progress_-_Spirit_behind_intention_-_Spirit,_matter,_over-simplified
1956-09-05_-_Material_life,_seeing_in_the_right_way_-_Effect_of_the_Supermind_on_the_earth_-_Emergence_of_the_Supermind_-_Falling_back_into_the_same_mistaken_ways
1957-03-27_-_If_only_humanity_consented_to_be_spiritualised
1969_08_15?_-_133
1969_12_11
1970_05_12
1970_05_17
1.ac_-_The_Titanic
1f.lovecraft_-_At_the_Mountains_of_Madness
1f.lovecraft_-_Beyond_the_Wall_of_Sleep
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_Ibid
1f.lovecraft_-_Nyarlathotep
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_The_Call_of_Cthulhu
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Crawling_Chaos
1f.lovecraft_-_The_Diary_of_Alonzo_Typer
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Festival
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Moon-Bog
1f.lovecraft_-_The_Mound
1f.lovecraft_-_The_Other_Gods
1f.lovecraft_-_The_Picture_in_the_House
1f.lovecraft_-_The_Shadow_out_of_Time
1f.lovecraft_-_The_Shadow_over_Innsmouth
1f.lovecraft_-_The_Shunned_House
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_Street
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Transition_of_Juan_Romero
1f.lovecraft_-_The_Unnamable
1f.lovecraft_-_The_Very_Old_Folk
1f.lovecraft_-_The_Whisperer_in_Darkness
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Through_the_Gates_of_the_Silver_Key
1f.lovecraft_-_Till_A_the_Seas
1f.lovecraft_-_Under_the_Pyramids
1.fs_-_The_Artists
1.fs_-_The_Complaint_Of_Ceres
1.jk_-_Endymion_-_Book_IV
1.jk_-_Hyperion,_A_Vision_-_Attempted_Reconstruction_Of_The_Poem
1.jk_-_Hyperion._Book_I
1.jk_-_Hyperion._Book_II
1.jk_-_Hyperion._Book_III
1.jk_-_On_Receiving_A_Curious_Shell
1.jk_-_Otho_The_Great_-_Act_II
1.jk_-_Sonnet_V._To_A_Friend_Who_Sent_Me_Some_Roses
1.jk_-_To_Charles_Cowden_Clarke
1.jwvg_-_Prometheus
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.pbs_-_Epipsychidion
1.pbs_-_Epipsychidion_(Excerpt)
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_Letter_To_Maria_Gisborne
1.pbs_-_Prometheus_Unbound
1.poe_-_Dreamland
1.poe_-_Eureka_-_A_Prose_Poem
1.poe_-_Ulalume
1.rb_-_Paracelsus_-_Part_V_-_Paracelsus_Attains
1.rb_-_Sordello_-_Book_the_Sixth
1.rt_-_Fireflies
1.rwe_-_May-Day
1.rwe_-_Monadnoc
1.rwe_-_The_Adirondacs
2.01_-_Mandala_One
2.01_-_The_Yoga_and_Its_Objects
2.02_-_Brahman,_Purusha,_Ishwara_-_Maya,_Prakriti,_Shakti
2.02_-_Habit_2__Begin_with_the_End_in_Mind
2.02_-_THE_EXPANSION_OF_LIFE
2.02_-_The_Ishavasyopanishad_with_a_commentary_in_English
2.03_-_Karmayogin__A_Commentary_on_the_Isha_Upanishad
2.04_-_Positive_Aspects_of_the_Mother-Complex
2.07_-_The_Supreme_Word_of_the_Gita
2.08_-_God_in_Power_of_Becoming
2.09_-_On_Sadhana
2.1.02_-_Love_and_Death
2.1.03_-_Man_and_Superman
2.10_-_The_Vision_of_the_World-Spirit_-_Time_the_Destroyer
2.14_-_The_Origin_and_Remedy_of_Falsehood,_Error,_Wrong_and_Evil
2.15_-_On_the_Gods_and_Asuras
2.18_-_January_1939
2.21_-_The_Ladder_of_Self-transcendence
2.21_-_The_Order_of_the_Worlds
2.25_-_AFTER_THE_PASSING_AWAY
2.25_-_The_Triple_Transformation
2.28_-_The_Divine_Life
2.3.03_-_Integral_Yoga
2.3.2_-_Chhandogya_Upanishad
30.02_-_Greek_Drama
3.03_-_The_Godward_Emotions
3.10_-_Of_the_Gestures
3.1.12_-_A_Child.s_Imagination
3.1.24_-_In_the_Moonlight
3.18_-_Of_Clairvoyance_and_the_Body_of_Light
3.2.03_-_To_the_Ganges
32.04_-_The_Human_Body
3.2.05_-_Our_Ideal
3.3.01_-_The_Superman
3.3.02_-_All-Will_and_Free-Will
33.17_-_Two_Great_Wars
3.5.02_-_Thoughts_and_Glimpses
3.7.1.06_-_The_Ascending_Unity
3.7.1.09_-_Karma_and_Freedom
38.05_-_Living_Matter
38.06_-_Ravana_Vanquished
38.07_-_A_Poem
3_-_Commentaries_and_Annotated_Translations
4.15_-_Soul-Force_and_the_Fourfold_Personality
4.17_-_The_Action_of_the_Divine_Shakti
4.1_-_Jnana
4.2_-_Karma
4.3_-_Bhakti
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.02_-_Ahana
5.2.01_-_The_Descent_of_Ahana
6.1.07_-_Life
7.3.10_-_The_Lost_Boat
7_-_Yoga_of_Sri_Aurobindo
Aeneid
A_God's_Labour
Appendix_4_-_Priest_Spells
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_II._--_PART_II._THE_ARCHAIC_SYMBOLISM_OF_THE_WORLD-RELIGIONS
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_II._THE_EVOLUTION_OF_SYMBOLISM_IN_ITS_APPROXIMATE_ORDER
BOOK_IV._-_That_empire_was_given_to_Rome_not_by_the_gods,_but_by_the_One_True_God
Book_of_Imaginary_Beings_(text)
Liber_46_-_The_Key_of_the_Mysteries
Liber_71_-_The_Voice_of_the_Silence_-_The_Two_Paths_-_The_Seven_Portals
r1912_02_08
r1912_07_01
r1912_07_02
The_Coming_Race_Contents
The_Shadow_Out_Of_Time
Valery_as_Symbol

PRIMARY CLASS

being
entity
trait
SIMILAR TITLES
Titan

DEFINITIONS


TERMS STARTING WITH

Titan ::: : “His [the Titan’s] instincts call for a visible, tangible mastery and a sensational domination. How shall he feel sure of his empire unless he can feel something writhing helpless under his heel,—if in agony, so much the better? What is exploitation to him, unless it diminishes the exploited? To be able to coerce, exact, slay, overtly, irresistibly,—it is this that fills him with the sense of glory and dominion. For he is the son of division and the strong flowering of the Ego. To feel the comparative limitation of others is necessary to him that he may imagine himself immeasurable; for he has not the real, self-existent sense of infinity which no outward circumstance can abrogate. Contrast, division, negation of the wills and lives of others are essential to his self-development and self-assertion. The Titan would unify by devouring, not by harmonising; he must conquer and trample what is not himself either out of existence or into subservience so that his own image may stand out stamped upon all things and dominating all his environment.” Essays in Philosophy and Yoga

Titanidae. See TITANS

Titan ::: “In Greek mythology, one of a family of gigantic beings, the twelve primordial children of Uranus (Heaven) and Gaea (Earth); also certain of the offspring of these Titans. The names of the twelve Titans, the ancestors of the Olympian gods, were Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys, and Cronos. Cronos, the youngest of them, ruled the world after overthrowing and castrating Uranus. He swallowed each of his own children at birth but Zeus escaped. Cronos was made to vomit up the others (including Hera, Demeter, Poseidon, and Hades) and, after a protracted struggle, he and the other Titans were vanquished, all of them but Atlas imprisoned in Tartarus, and the reign of Zeus was established. More broadly, the word Titan may be applied to any being of a colossal force or grandiose and lawless self-assertion, or even to whatever is huge or mighty.” Glossary and Index of Proper Names in Sri Aurobindo’s Works.

Titans (Greek) In Greek mythology, builders of worlds, often called cosmocratores, and as microcosmic entities the progenitors of human races; as such, of various orders, so that in mythology they were considered good or bad, as angels or entities of matter. Hesiod’s original heaven-dwelling titans, six sons and six daughters of Ouranos and Gaia (heaven and earth), were Oceanos, Coios, Creios, Hyperion, Iapetos, Kronos, Theia, Rheia, Themis, Mnemosyne, Phoebe, and Tethys, but other names were later included, such as Prometheus and Epimetheus; and later still the name was given to any descendant of Ouranos and Gaia. Rebellions taking place against the rulers of heaven, followed by falls and castings out, refer to the descent of creative powers to form new worlds and races. In the rebellion of titans, first against Ouranos in favor of Kronos, then against Kronos in favor of Zeus, the titans are mixed up with other sons of heaven and earth — Hecatoncheires (hundred-handed), Cyclopes, etc. — and the accounts in detail are extremely intricate and confused.

Titans: The giants of Greek mythology who made war on the gods.

titan ::: 1. One of prodigious size, strength, or achievement. 2. Gigantic, immense.

titan ::: a. --> Titanic.

titanate ::: n. --> A salt of titanic acid.

titanic ::: a. --> Of or relating to Titans, or fabled giants of ancient mythology; hence, enormous in size or strength; as, Titanic structures.
Of or pertaining to titanium; derived from, or containing, titanium; specifically, designating those compounds of titanium in which it has a higher valence as contrasted with the titanous compounds.


titanic ::: of great force or power.

titaniferous ::: a. --> Containing or affording titanium; as, titaniferous magnetite.

titan ::: "In Greek mythology, one of a family of gigantic beings, the twelve primordial children of Uranus (Heaven) and Gaea (Earth); also certain of the offspring of these Titans. The names of the twelve Titans, the ancestors of the Olympian gods, were Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys, and Cronos. Cronos, the youngest of them, ruled the world after overthrowing and castrating Uranus. He swallowed each of his own children at birth but Zeus escaped. Cronos was made to vomit up the others (including Hera, Demeter, Poseidon, and Hades) and, after a protracted struggle, he and the other Titans were vanquished, all of them but Atlas imprisoned in Tartarus, and the reign of Zeus was established. More broadly, the word Titan may be applied to any being of a colossal force or grandiose and lawless self-assertion, or even to whatever is huge or mighty.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works.

titanite ::: n. --> See Sphene.

titanitic ::: a. --> Pertaining to, or containing, titanium; as, a titanitic mineral.

titanium ::: n. --> An elementary substance found combined in the minerals manaccanite, rutile, sphene, etc., and isolated as an infusible iron-gray amorphous powder, having a metallic luster. It burns when heated in the air. Symbol Ti. Atomic weight 48.1.

titano- ::: --> A combining form (also used adjectively) designating certain double compounds of titanium with some other elements; as, titano-cyanide, titano-fluoride, titano-silicate, etc.

titan ::: “On Titan wings of rhythmic grandeur”

titanotherium ::: n. --> A large American Miocene mammal, allied to the rhinoceros, and more nearly to the extinct Brontotherium.

titanous ::: a. --> Designating certain compounds of titanium in which that element has a lower valence as contrasted with titanic compounds.

titan.

titan. (Sri Aurobindo also employs the word as an adj. See titanic.) Titan’s, titans, Titan-statured, Titan-striding, half-titan, dwarf-Titan.

titan.** (Sri Aurobindo also employs the word as an adj. See* titanic.) Titan"s, titans, Titan-statured, Titan-striding, half-titan, dwarf-Titan.**


TERMS ANYWHERE

ADHYATMA YOGA. ::: The principle of adhyātma yoga is, in knowledge, the realisation of all things that we see or do not see but are aware of, - men, things, ourselves, events, gods, titans, angels, - as one divine Brahman, and in action and attitude, an absolute self-surrender to the Paratpara Purusha, the transcendent, infinite and universal Personality who is at once personal and impersonal, finite and infinite, self-limiting and illimitable, one and many, and informs with his being not only the Gods above, but man and the worm and the cold below.

Agruerus (Phoenician) The great god of the Phoenicians, identical with Kronos or Saturn. His seven sons were analogous to the titans or kabiri “connected with the Flood and the seven Rishis” (SD 2:142).

akusala. (P. akusala; T. mi dge ba; C. bushan; J. fuzen; K. pulson 不善). In Sanskrit, "unsalutary," "unvirtuous," "inauspicious," "unwholesome," used to describe those physical, verbal, and mental activities (often enumerated as ten) that lead to unsalutary rebirths. An "unvirtuous" or "unwholesome" action generally refers to any volition (CETANA) or volitional action, along with the consciousness (VIJNANA) and mental constructions (SAMSKARA) associated with it, that are informed by the afflictions (KLEsA) of greed (LOBHA), hatred (DVEsA; P. dosa), or delusion (MOHA). Such volitional actions produce unfortunate results for the actor and ultimately are the cause of the unfavorable destinies (APAYA; DURGATI) of hell denizens (NARAKA), hungry ghosts (PRETA), animals (TIRYAK), and (in some descriptions) titans or demigods (ASURA). A list of ten unwholesome courses of actions (see KARMAPATHA) are listed that lead to apAya and are equivalent to the ten wrong deeds (P. duccarita) as enumerated in the NidAnavagga of the SAMYUTTANIKAYA. The first three on the list are classified as bodily wrong deeds: killing (prAnAtipAta; P. pAnAtipAta), stealing (adattAdAna; P. adinnAdAna), and sexual misconduct (KAMAMITHYACARA; P. kAmamicchAcAra). The next four in the list are classified as verbal wrong deeds: lying (mṛsAvAda; P. musAvAda), slander or malicious speech (PAIsUNYA; P. pisunavAcA), offensive or rough speech (pArasyavAda; P. pharusavAcA), and frivolous prattle (saMbhinnapralApa; P. samphappalApa). The final three on the list are classified as mental wrong deeds: covetousness (ABHIDHYA; P. abhijjhA), ill will (VYAPADA), and wrong views (MITHYADṚstI; P. micchAditthi).

Aletae (Phoenician) [from Al-ait the god of fire] Fire worshipers; the seven kabiri or rishis, the titans, sons of Agruerus or Kronos. In one of aspect, synonymous with the maruts.

Amal: I think”Titan” here means”huge”. In the original manuscript there is a small t, not a capital T.”

apAya. (T. ngan song; C. equ; J. akushu; K. akch'wi 惡趣). In Sanskrit and PAli, lit. "falling away," or "misfortune," viz., "baleful destinies," and synonymous with the unfortunate destinies (DURGATI); refers to an unsalutary rebirth that occurs as a consequence of performing unwholesome actions (S. AKUsALA; P. akusala). Three such unfortunate rebirth destinies (GATI) are typically enumerated in the literature: rebirth as (1) a denizen of the hells (S. NARAKA; P. nirAya); (2) an animal (S. TIRYAK, P. tiracchAna); or (3) a ghost (S. PRETA; P. peta); birth as a demigod or titan (ASURA) is sometimes added as a fourth. Unwholesome actions that lead to unfortunate rebirth are classified into ten types of wrong deeds (S. duscarita; P. duccarita), which include (1) intentionally killing living beings (S. prAnAtipAta; P. pAnAtipAta); (2) stealing (S. adattAdAna; P. adinnAdAna); and (3) sexual misconduct (S. KAMAMITHYACARA; P. kAmamicchAcAra). The next four in the list are classified as verbal wrong deeds and include (4) lying (S. mṛsAvAda; P. musAvAda); (5) malicious speech (S. PAIsUNYA; P. pisunavAcA); (6) harsh speech (S. PARAsYAVADA; P. pharusavAcA); and (7) frivolous prattle (S. sampralApa; P. samphappalApa). The final three of the list are classified as mental wrong deeds and include (8) covetousness (S. ABHIDHYA; P. abhijjhA); (9) malice (S. VYAPADA; P. vyApAda); and (10) wrong views (S. MITHYADṚstI; P. micchAditthi). Other sutra literature, such as the SAMANNAPHALASUTTA, attribute rebirth in this state to reviling the noble ones (ARYA), keeping wrong views, and performing unwholesome acts as a result of those wrong views. See also BHAVACAKRA.

Aretia Considered by some a female form of Artes (Egyptian Mars). Berosus states that Titaea Magna was called Aretia and worshiped with the earth, while Diodorus identifies Titaea with the mother of the Titans. In consequence Aretia represents earth considered as a source of being or the generative principle (SD 2:143-4&n).

*astasenA. (T. lha srin sde brgyad; C. tianlong babu; J. tenryu hachibu; K. ch'onnyong p'albu 天龍八部). Sanskrit term for a grouping of eight nonhuman beings associated with the sensuous realm (KAMADHATU); they are often listed as being in attendance when the Buddha speaks the MAHAYANA sutras. There are various lists, but a standard grouping includes divinities (DEVA), dragons (NAGA), demons (YAKsA), demigods or titans (ASURA), demigod musicians (GANDHARVA), mythical birds (GARUdA), half-horse/half-men (KIMNARA), and great snakes (MAHORAGA).

“As there are Powers of Knowledge or Forces of the Light, so there are Powers of Ignorance and tenebrous Forces of the Darkness whose work is to prolong the reign of Ignorance and Inconscience. As there are Forces of Truth, so there are Forces that live by the Falsehood and support it and work for its victory; as there are powers whose life is intimately bound up with the existence, the idea and the impulse of Good, so there are Forces whose life is bound up with the existence and the idea and the impulse of Evil. It is this truth of the cosmic Invisible that was symbolised in the ancient belief of a struggle between the powers of Light and Darkness, Good and Evil for the possession of the world and the government of the life of man;—this was the significance of the contest between the Vedic Gods and their opponents, sons of Darkness and Division, figured in a later tradition as Titan and Giant and Demon, Asura, Rakshasa, Pisacha; the same tradition is found in the Zoroastrian Double Principle and the later Semitic opposition of God and his Angels on the one side and Satan and his hosts on the other,—invisible Personalities and Powers that draw man to the divine Light and Truth and Good or lure him into subjection to the undivine principle of Darkness and Falsehood and Evil.” The Life Divine

ASURA. ::: Titan; a being of ignorant egoism as opposed to the Deva or god, who is a being of Light; sons of Darkness and Division.
Asuras are really the dark side of the mental, or more strictly, of the vital mind plane. This mind is the very field of the Asuras. Their main characteristic is egoistic strength and struggle, which refuse the higher law. The Asura has self-control, tapas, and intelligence, but all that for the sake of his ego.
There are no Asuras on the higher planes where the Truth prevails, except in the Vedic sense -“ the Divine in its strength “. The mental and vital Asuras are only a deviation of that power.
There are two kinds of Asuras - one kind were divine in their origin but have fallen from their divinity by self-will and opposition to the intention of the Divine; they are spoken in the Hindu scriptures as the former or earlier gods; these can be converted and their conversion is indeed necessary for the ultimate purpose of the universe. But the ordinary Asura is not of this character, is not an evolutionary but a typal being and represents a fixed principle of the creation which does not evolve or change and is not intended to do so. These Asuras, as also the other hostile beings, Rakshasas, Pishachas and others resemble the devils of the Christian tradition and oppose the divine intention and the evolutionary purpose in the human being; they don’t change the purpose in them for which they exist which is evil, but have to be destroyed like the evil. The Asura has no soul, no psychic being which has to evolve to a higher state; he has only an ego and usually a very powerful ego; he has a mind, sometimes even a highly intellectual mind; but the basis of his thinking and feeling is vital and not mental, at the service of his desire and not truth. He is a formation assumed by the life-principle for a particular kind of work and not a divine formation or soul.
Some kinds of Asuras are very religious, very fanatical about their religion, very strict about rules of ethical conduct. There are others who use spiritual ideas without believing in them to give them a perverted twist and delude the sadhaka.


asura ::: (in the Veda) "the mighty Lord", an epithet of the supreme deva; a Titan (daitya); a kind of anti-divine being of the mentalised vital plane; the sixth of the ten types of consciousness (dasa-gavas) in the evolutionary scale: mind concentrated on the buddhi; (on page 1280) a being of a world of "might & glory".

asura. (T. lha ma yin; C. axiuluo; J. ashura; K. asura 阿修羅). In Sanskrit and PAli, lit., "nongods," also translated rather arcanely as "demigod" and "titan," referring to both a class of divinities and the destiny where those beings reside in the sensuous realm (KAMADHATU); in the list of six destinies (GATI), the asuras are ranked between the realms of the divinities (DEVA) and human beings (MANUsYA) and are usually considered to be a baleful destiny (see APAYA; DURGATI). The asuras live in the oceans surrounding the central continent of the world and in the lower reaches of Mount SUMERU. The asuras are said to be constantly jealous of the good fortunes of the divinities (deva), which prompted the king of the gods INDRA [alt. sAKRA] to expel them from their original home in the heaven of the thirty-three (TRAYASTRIMsA); the asuras continue to engage in futile warfare against the devas above them to regain access to their lost realm. Many indigenous non-Buddhist deities, such as the Tibetan srung ma (sungma), were placed in this realm as they were assimilated into the Buddhist pantheon.

asura ::: [Ved.]: the Lord; used in the Veda as in the Avesta for the deva, but also for the gods, his manifestations; it is only in a few hymns that it is used for the dark Titans; [Later] : the strong or mighty one, Titan; a [hostile] being of the mentalised vital.

asurya ::: titanic. ::: asuryah [plural]

Atlas (Greek) [from tlenai to bear] In Greek mythology a titan, a sea god who supports on his shoulders the vault of heaven. Son of Iapetus and Clymene or Asia; brother of Prometheus, Epimetheus, and Menoetius; father of the Pleiades, Hyades, Calypso, and sometimes the Hesperides.

Autocode ::: (language) 1. The assembly language accepted by AUTOCODER.2. A generic term for symbolic assembly language. Versions of Autocode were developed for Ferranti Atlas, Titan, Mercury and Pegasus and IBM 702 and IBM 705.(2001-05-14)

Autocode "language" 1. The {assembly language} accepted by {AUTOCODER}. 2. A generic term for symbolic {assembly language}. Versions of Autocode were developed for {Ferranti} {Atlas}, {Titan}, {Mercury} and {Pegasus} and {IBM 702} and {IBM 705}. (2001-05-14)

bahuni me vyatitani janmani (tava carjuna) ::: many are My lives that are past, (and thine also, O Arjuna). [Gita 4.5]

Bala2 ::: the name of a daitya or Titan, regarded by Sri Aurobindo as a force from the mahat, the plane of the vastness of vijñana, descended into the mental plane and there "disturbing evolution by a premature effort towards perfection".

.Bali2 ::: a daitya or Titan subdued by Vis.n.u in his fifth avatara, at the first stage of fully human evolution, when he incarnated in "man as dwarf, small and undeveloped and physical but containing in himself the godhead and taking possession of existence"; Bali is associated in the Record of Yoga with obstinacy of the will (hat.ha) as a quality needed in the complete psychological state.

basalt ::: n. --> A rock of igneous origin, consisting of augite and triclinic feldspar, with grains of magnetic or titanic iron, and also bottle-green particles of olivine frequently disseminated.
An imitation, in pottery, of natural basalt; a kind of black porcelain.


Briareus (Greek) One of three giants, sons of Ouranos and Gaia, the others being Kottos and Gyges, each with 50 heads and 100 arms or hands. They were imprisoned by Kronos, but liberated by Zeus to help him in his war against the Titans. One interpretation links these brothers with Lemuria (SD 2:775-6).

brookite ::: n. --> A mineral consisting of titanic oxide, and hence identical with rutile and octahedrite in composition, but crystallizing in the orthorhombic system.

Titan ::: : “His [the Titan’s] instincts call for a visible, tangible mastery and a sensational domination. How shall he feel sure of his empire unless he can feel something writhing helpless under his heel,—if in agony, so much the better? What is exploitation to him, unless it diminishes the exploited? To be able to coerce, exact, slay, overtly, irresistibly,—it is this that fills him with the sense of glory and dominion. For he is the son of division and the strong flowering of the Ego. To feel the comparative limitation of others is necessary to him that he may imagine himself immeasurable; for he has not the real, self-existent sense of infinity which no outward circumstance can abrogate. Contrast, division, negation of the wills and lives of others are essential to his self-development and self-assertion. The Titan would unify by devouring, not by harmonising; he must conquer and trample what is not himself either out of existence or into subservience so that his own image may stand out stamped upon all things and dominating all his environment.” Essays in Philosophy and Yoga

Titanidae. See TITANS

Titan ::: “In Greek mythology, one of a family of gigantic beings, the twelve primordial children of Uranus (Heaven) and Gaea (Earth); also certain of the offspring of these Titans. The names of the twelve Titans, the ancestors of the Olympian gods, were Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys, and Cronos. Cronos, the youngest of them, ruled the world after overthrowing and castrating Uranus. He swallowed each of his own children at birth but Zeus escaped. Cronos was made to vomit up the others (including Hera, Demeter, Poseidon, and Hades) and, after a protracted struggle, he and the other Titans were vanquished, all of them but Atlas imprisoned in Tartarus, and the reign of Zeus was established. More broadly, the word Titan may be applied to any being of a colossal force or grandiose and lawless self-assertion, or even to whatever is huge or mighty.” Glossary and Index of Proper Names in Sri Aurobindo’s Works.

Titans (Greek) In Greek mythology, builders of worlds, often called cosmocratores, and as microcosmic entities the progenitors of human races; as such, of various orders, so that in mythology they were considered good or bad, as angels or entities of matter. Hesiod’s original heaven-dwelling titans, six sons and six daughters of Ouranos and Gaia (heaven and earth), were Oceanos, Coios, Creios, Hyperion, Iapetos, Kronos, Theia, Rheia, Themis, Mnemosyne, Phoebe, and Tethys, but other names were later included, such as Prometheus and Epimetheus; and later still the name was given to any descendant of Ouranos and Gaia. Rebellions taking place against the rulers of heaven, followed by falls and castings out, refer to the descent of creative powers to form new worlds and races. In the rebellion of titans, first against Ouranos in favor of Kronos, then against Kronos in favor of Zeus, the titans are mixed up with other sons of heaven and earth — Hecatoncheires (hundred-handed), Cyclopes, etc. — and the accounts in detail are extremely intricate and confused.

Titans: The giants of Greek mythology who made war on the gods.

"But the Titan will have nothing of all this; it is too great and subtle for his comprehension. His instincts call for a visible, tangible mastery and a sensational domination. How shall he feel sure of his empire unless he can feel something writhing helpless under his heel, — if in agony, so much the better? What is exploitation to him, unless it diminishes the exploited? To be able to coerce, exact, slay, overtly, irresistibly, — it is this that fills him with the sense of glory and dominion. For he is the son of division and the strong flowering of the Ego. To feel the comparative limitation of others is necessary to him that he may imagine himself immeasurable; for he has not the real, self-existent sense of infinity which no outward circumstance can abrogate. Contrast, division, negation of the wills and lives of others are essential to his self-development and self-assertion. The Titan would unify by devouring, not by harmonising; he must conquer and trample what is not himself either out of existence or into subservience so that his own image may stand out stamped upon all things and dominating all his environment.” Essays in Philosophy and Yoga

CAMAL "tool" CAMbridge ALgebra system. A {symbolic mathematics} system used in Celestial Mechanics and General Relativity. CAMAL was implemented in {BCPL} on {Titan}. ["CAMAL User's Manual", John P. Fitch, Cambridge U, England (1975)]. ["The Design of the Cambridge Algebra System", S.R. Bourne et al, Proc 2nd Symp of Symb & Alg Manip, SIGSAM 1971]. (1995-02-16)

CAMAL ::: (tool) CAMbridge ALgebra system.A symbolic mathematics system used in Celestial Mechanics and General Relativity. CAMAL was implemented in BCPL on Titan.[CAMAL User's Manual, John P. Fitch, Cambridge U, England (1975)].[The Design of the Cambridge Algebra System, S.R. Bourne et al, Proc 2nd Symp of Symb & Alg Manip, SIGSAM 1971]. (1995-02-16)

Chronos (Greek) Time; in Orphism, Phanes (or Eros), Chaos, and Chronos constitute a triad which, emanating from the Unknowable, reproduces the worlds; essentially one, it acts on the plane of maya as three distinct things. Chronos was identified with the titan Kronos, who dethroned Ouranos and succeeded him as ruler of the world, himself being succeeded by Zeus. Kronos devours his own children, which is symbolic of time which both brings forth and destroys events.

Considered originally a harvest god, his name became interpreted as equivalent to Chronos (time) and many of his characteristics imply this. He was pictured as an old man with a mantle over the back of his head, holding a sickle in his hand. The Romans identified him with Saturnus, a harvest god. He is also identified in various ways with Jehovah, Saturn, and Kala, and sometimes made father of the seven titans. Blavatsky remarks that he personifies the Lemurians or third root-race humanity.

CPL Combined Programming Language. U Cambridge and U London. A very complex language, syntactically based on ALGOL 60, with a pure functional subset. Provides the ..where.. form of local definitions. Strongly typed but has a "general" type enabling a weak form of polymorphism. Functions may be defined as either normal or applicative order. Typed array and polymorphic list structures. List selection is through structure matching. Partially implemented on the Titan (Atlas 2) computer at Cambridge. Led to the much simpler BCPL. "The Main Features of CPL", D.W. Barron et al, Computer J 6(2):134-143 (Jul 1963).

Cyclopean ::: Pertaining to one of a race of giants having a single eye in the middle of the forehead or any of three one-eyed Titans who forged thunderbolts for Zeus.

cyclopean ::: pertaining to one of a race of giants having a single eye in the middle of the forehead or any of three one-eyed Titans who forged thunderbolts for Zeus.

Cyclops (Greek) Kyklops [from kyklos circle, round + ops eye] Plural cyclopes. Round-eyed giants; Homer locates them in Sicily as a lawless race of giants with one central eye, devouring men and caring naught for Zeus; their chief is Polyphemus. For Hesiod, they are three sons of Heaven and Earth, named Arges, Brontes, and Steropes, titan of flame, thunder, and lightning respectively. Later they were considered assistants of Hephaestus in his workshops under volcanoes and their number was no longer confined to three.

daitya ::: an enemy of the gods (devas), the "opposing or too violently forward-striving Titan"; any of the sons of Diti, meaning "the division, the separative consciousness", who is the mother of the Titans as Aditi is the mother of the gods.

Daitya(s), Daiteya(s) (Sanskrit) Daitya-s, Daiteya-s Descendants of Diti. If Aditi is understood as mulaprakriti, or virtually cosmic space, so Diti, the nether pole of the former, may be understood as the aggregate of the prakritis. Cosmically, daityas are titans, often called asuras, whose role is that of urgers of evolutionary progress for all things, as contrasted with the incomparably slower, but unceasing, evolutionary inertia of the vast cosmic powers. Terrestrially, they are the titans and giants of the fourth root-race. According to the Hindu Puranas, these daityas are demons and enemies of the ceremonial sacrifice and ritualistic ceremonies; but according to the secret meaning hid under these stories, some of the daityas were the forwards-looking and impulse-providing intellectual entities striving against the inertia or deadweight of human nature.

  “Daksha typifies the early Third Race, holy and pure, still devoid of an individual Ego, and having merely the passive capacities. Brahma, therefore, commands him to create (in the exoteric texts; when, obeying the command, he made ‘inferior and superior’ (avara and vara) progeny (putra), Bipeds and quadrupeds; and by his will gave birth to females. . . . to the gods, the Daityas (giants of the Fourth Race), the snake-gods, animals, cattle and the Danavas (Titans and demon Magicians) and other beings.

danavas ::: Titans, children of Danu, the Mother of division.

Danava(s) (Sanskrit) Dānava-s Children of Danu (or Danayu) and Kasyapa, often identified with the daityas and asuras, and held to be enemies of the gods or devas. The titans and demon-magicians of the fourth root-race, almost identical with the daityas or giants and irreconcilable opponents of those groups of the fourth root-race who were the upholders of ritualism and idol-worship.

Danu (Sanskrit) Danu A daughter of Daksha; by Kasyapa, mother of the danavas, often called in Hindu story demons, giants, or titans because almost the same as the daityas. Opponents of the gods of mere ritual or ritualistic ceremonies.

"Destruction is always a simultaneous or alternate element which keeps pace with creation and it is by destroying and renewing that the Master of Life does his long work of preservation. More, destruction is the first condition of progress. Inwardly, the man who does not destroy his lower self-formations, cannot rise to a greater existence. Outwardly also, the nation or community or race which shrinks too long from destroying and replacing its past forms of life, is itself destroyed, rots and perishes and out of its debris other nations, communities and races are formed. By destruction of the old giant occupants man made himself a place upon earth. By destruction of the Titans the gods maintain the continuity of the divine Law in the cosmos. Whoever prematurely attempts to get rid of this law of battle and destruction, strives vainly against the greater will of the World-Spirit.” Essays on the Gita

“Destruction is always a simultaneous or alternate element which keeps pace with creation and it is by destroying and renewing that the Master of Life does his long work of preservation. More, destruction is the first condition of progress. Inwardly, the man who does not destroy his lower self-formations, cannot rise to a greater existence. Outwardly also, the nation or community or race which shrinks too long from destroying and replacing its past forms of life, is itself destroyed, rots and perishes and out of its debris other nations, communities and races are formed. By destruction of the old giant occupants man made himself a place upon earth. By destruction of the Titans the gods maintain the continuity of the divine Law in the cosmos. Whoever prematurely attempts to get rid of this law of battle and destruction, strives vainly against the greater will of the World-Spirit.” Essays on the Gita

Diti ::: the divided being, the separative consciousness, the Finite; mother of the Titans; [same as Danu]. [Ved.]

durgati. (P. duggati; T. ngan 'gro; C. equ; J. akushu; K. akch'wi 惡趣). In Sanskrit, "unfortunate destinies." These destinies refer to the unfortunate or unfavorable rebirths (APĀYA) that occur as a consequence of performing demeritorious actions (AKUsALAKARMAN). Typically a list of three (or sometimes four) such destinies is found in the literature: (1) a denizen of hell (S. NĀRAKA; P. nerayika), (2) an animal (S. TIRYAK; P. tiracchāna), (3) a hungry ghost (S. PRETA; P. peta), and (4) a demigod or titan (ASURA). According to the ABHIDHARMAKOsABHĀsYA, the eight hot and eight cold hells are the lowest place beneath JAMBUDVĪPA; the pretas are ruled by YAMA and primarily live in a region five hundred yojanas (a YOJANA is the distance a pair of bulls can pull a cart in a day) below; animals primarily live on the land, in the water, and in the air. The life spans of beings in the unfortunate destinies are longest in the hells and shortest for animals. The life span of the least-painful, topmost hell is five hundred years calculated as follows: fifty human days makes a day in the life of the lowest level sensuous realm (KĀMADHĀTU) divinity who lives five hundred years; one day in the topmost hell is equal to the life span of that god. The length of life span becomes even more dire for the lower hells. A day for a preta who lives for five hundred years is one month for a human being. Animal life spans range widely, some seeming almost evascent by human standards, others, such as the NĀGA, supposedly able to live for an eon (KALPA). See also APĀYA; BHAVACAKRA.

eight classes of nonhuman beings. In Sanskrit, AstASENĀ; a listing of eight types of mythical and semi-mythical beings associated with the sensuous realm (KĀMADHĀTU); they are often listed as being in attendance when the Buddha speaks the MAHĀYĀNA SuTRAs. There are various lists, but a standard grouping includes divinities (DEVA), serpent deities (NĀGA), demons (YAKsA), titans (ASURA), demigod musicians (GANDHARVA), mythical birds (GARUdA), half-horse/half-men (KIMNARA), and great snakes (MAHORĀGA). For fuller treatments, see AstASENĀ and entries for the individual beings.

Elysian Fields, Elysium (Greek) Originally in Greek mythology, beautiful meadows or plains, or islands of the blest, located in the far west by the banks of Ocean. There certain heroes of the fourth race who never experienced death were said to dwell in perfect happiness ruled by Rhadamanthus. The titans after being reconciled with Zeus also lived there under the rule of Kronos. Pindar holds that all who have passed blamelessly through life three times live there in bliss. Later, Elysium was located in the underworld as the abode of those whom the judges of the dead found worthy. The river Lethe (forgetfulness) flowed by the Elysian Fields. See also AANROO; DEVACHAN; HADES

Ephialtes (Greek) In Greek mythology a titan, son of Poseidon, who with his brother Otus makes war on Olympus and puts Ares in chains for l3 months. At the age of nine years each brother was 54 feet high and 36 feet broad. These two titans as types refer to the late Lemurians of the third root-race, and also to the earliest Atlanteans, known for their huge size, daring spirit, and their wars against the gods or Sons of Light. However, they were not demons in the Christian sense; for these early races were simply the gigantic early mankind in which self-consciousness expressed itself in high pride, the love of material power as compared with spiritual, and in works of material or physical achievement.

Epimetheus (Greek) The after-thinker; a titan, the brother of Prometheus (the fore-thinker), husband of Pandora and creator of the animals while Prometheus created humankind. Epimetheus stands for the lower aspect of human mind.

eschynite ::: n. --> A rare mineral, containing chiefly niobium, titanium, thorium, and cerium. It was so called by Berzelius on account of the inability of chemical science, at the time of its discovery, to separate some of its constituents.

euxenite ::: n. --> A brownish black mineral with a metallic luster, found in Norway. It contains niobium, titanium, yttrium, and uranium, with some other metals.

Gaia, Gaea, Ge (Greek) [cf Latin Tellus, Terra earth] One of the older gods, described as the first being that sprang from Chaos and as giving birth to Uranos (heaven) and Pontos (sea); yet it was by Uranos that Gaia gave birth to the titans, cyclopes, and hecatoncheires. This apparent anomaly is due partly to the variable meaning of the word earth, which may mean either primordial matter in process of formation, or the earth as already formed. Gaia is thus in one sense equivalent to Aditi or the great cosmic deep. With Chaos and Eros, Gaia forms the primeval trinity. Gaia is represented by its initial, gamma, which is also the third letter in the Greek alphabet and thus indicates the third stage of cosmic evolution. As the primordial mother, she was worshiped as the nourisher of all things, also as the goddess of death to whom all must return.

Geber (Hebrew) Geber [from gābar to be strong, plural gibbōrīm] Man, with the connotation of might or strength; hence a mighty or strong man. Intimately connected with the word kabbirim (kabiri or kabeiroi), geber has a triple meaning, signifying a mighty spiritual power or being, of angelic character, as well as giants or titans on earth — the latter the reflection of the former. The planets, likewise, because of their indwelling spiritual angels or rectors, are frequently called by the same name. See also Gibborim.

Giant The universal tradition of gigantic human beings and beasts points back to the Lemurian and Atlantean races, which were physically gigantic as compared with humankind of today. Also often popularly used as an equivalent of demons, titans, daityas, asuras, danavas, gibborim, jotuns, etc., here having reference to the powers of earth who contended against the gods in the early periods of the formation of the globe and its populations.

Hiranyakasipu (Sanskrit) Hiraṇyakaśipu [from hiraṇya golden + kaśipu clothing, vesture] Golden clothing; one of the most celebrated of the Hindu titans or daityas, son of the sage Kasyapa and Diti. As related in the Mahabharata, he obtained the favor of Brahma and was granted sovereignty of the three worlds for a million years. He became all-powerful because he could not be slain either by god, man, or animal. But his power was used evilly, so that he became notorious for his impiety. He persecuted his son Prahlada for worshiping Vishnu until once, when Prahlada was engaged in his observances, Vishnu during his fourth avataric incarnation appeared out of a pillar in the form of Narasimha (half man, half lion) and tore Hiranyakasipu to pieces.

Hiranyaksha (Sanskrit) Hiraṇyākṣa [from hiraṇya golden + akṣa eye] Golden eye; one of the principal daityas (titans), twin brother of Hrianyakasipu. In the Mahabharata, he dragged the earth to the depths of the ocean, and because of this was slain by Vishnu in his third avataric manifestation of the Varaha-avatara (the boar incarnation). His progeny is said to number 77 crores, or 770 millions. “Hiranyaksha is the ruler or king of the fifth region or Patala, a Snake-god” (SD 2:382n).

Hiranyapura (Sanskrit) Hiraṇyapura [from hiraṇya golden + pura city] Golden city; in Hindu mythology, a city which floats in the air, the abode of the danavas (one class of titans); again an asura town situated beyond the ocean. Generally asura was employed in the ancient popular writings to designate, among other things, members of the fourth root-race, who indeed were giants in stature and dwelt in the lands beyond the ocean, in Atlantis.

Hyperion (Greek) [from hyper above, high + ion he that goes] The sun god, commonly joined with Helios in Homer, as Hyperion Helios or Helios Hyperion. Also a titan descended from Ouranos and Gaia (heaven and earth) who pairs with Thea. Strictly speaking, the sun god and the titan are one, the distinction lying in this individual’s being viewed from two different aspects.

Iapetus, Iapetos (Greek) A titan, son of Ouranos and Gaia, thrown into Tartarus by Zeus. He was father of Prometheus, Epimetheus, Atlas, and Menoetius.

ilmenite ::: n. --> Titanic iron. See Menaccanite.

In his cosmic aspect, Dionysos is the demiourgos or world-former. As Dionysos Chthonios, he is the son of Demeter or Persephone, and one of his names is Zagreus; he was torn to pieces and devoured by titans, but his heart was saved and given to Zeus. The same chthonian aspect is seen in the Dionysios Sabazios of Thrace and Phrygia. This allegory parallels the Hindu Padmapani, and his dismemberment by the cosmic titans signifies the processes of evolutive cosmic differentiation into the main hierarchies of the universe. He was likewise a personification of the sun, in its spiritual and material aspects. The esoteric Greek significance of this was taught in the Orphic Mysteries. See also ZAGREUS

In later traditions, a son of the sun (Helios) and Demeter who supplied the titans with drink when they were fighting against Zeus, and was therefore transformed into a river of the underworld. These rivers have reference to the circulations of the universe, and in this connection the ancient Greeks and Romans had certain mystical rites relating to the “deification” of souls after death and their passage into other spheres.

Japheth (Hebrew) Yefeth The second son of Noah, supposed to be the ancestor of the northern and western nations, and of the Indo-European stocks. Blavatsky equates Japheth with the titan Iapetus (SD 2:344).

Kabiri, Kabeiri, Kabeiroi, Kabarim, Kabirim, Kabiria (Greek) Cabiri (Latin) Plural name of certain very mysterious divinities, revered in nearly all the countries of the Near East. They were worshiped as divinities in Samothrace and on Lemnos (the island sacred to Vulcan) and were popularly represented as cosmic dwarves, the sons of Vulcan (Hephaestos), and masters of the art of working metals. Kabiri was a generic title: as the mighty they were of both sexes, gods and mortals, terrestrial, celestial, and kosmic. Blavatsky describes the kabiri as the seven divine titans identical with the seven rishis saved from the flood by Vaivasvata-Manu (SD 2:142). The “mighty men of renown” (gibborim) who date from the days of the earliest Atlantean subraces while yet Lemuria had not wholly disappeared — became in the fifth root-race the teachers whom the Egyptians and Phoenicians called kabiri, the Greeks titans, and the Hindus rakshasas and daityas.

keilhau-ite ::: n. --> A mineral of a brownish black color, related to titanite in form. It consists chiefly of silica, titanium dioxide, lime, and yttria.

Koios (Greek) One of the seven titans as enumerated by Orpheus.

Kreios (Greek) One of the seven titans named by Orpheus.

Krios (Greek) A ram; the Latin Aries. Also one of the seven titans of Orpheus.

Kronos (Greek) In Greek mythology, the youngest of the titans, son of Ouranos (heaven) and Gaia (earth). His mother gave him a sickle, emblem of karmic reapings in the course of time, when he led the war against his father. After castrating his father, he became ruler of the gods and, so he would not suffer a similar fate, he swallowed all his children by his wife-sister, Rhea. Eventually, however, he was overthrown by his youngest son, Zeus. In some accounts he was imprisoned in Tartarus, in others he was reconciled with Zeus and reigned with Rhadamanthys on the Islands of the Blessed.

latitancy ::: n. --> Act or state of lying hid, or lurking.

latitant ::: a. --> Lying hid; concealed; latent.

leucoxene ::: n. --> A nearly opaque white mineral, in part identical with titanite, observed in some igneous rocks as the result of the alteration of titanic iron.

Madhav: “The allusion is to the Vamana Avatar in Indian mythology. Vamana the Dwarf, Lilliputian in form, asks for a boon of three steps of land from the king. The king readily agrees. Suddenly the Dwarf assumes a stupendous shape and occupies both the worlds of earth and heaven and asks where he should place his third step. The king is obliged to offer his head. The Titan yields to the Divine in the form of Vamana.

Manes (Latin) [from manus good] Deified ancestral spirits, the benevolent class of shades, as distinguished from the larvae and lemures, which were malevolent. The word seems originally to have denoted a class of titans, kabiri, or dhyanis, and to have ranked in the sequence of patriarchs, heroes, and manes, who acted as divine instructors of earlier races. But far later, in Roman usage, the name became degraded and applied to the better astral shades or denizens in kama-loka, which in so many lands have been propitiated by offerings as is still the case with some peoples. Sometimes they wear a retributive aspect, as in Vergil, where the painful purification of the shades before they can pass to Elysium is described: “Each of us suffers his own Manes” (Aeneid 6:743).

menaccanite ::: n. --> An iron-black or steel-gray mineral, consisting chiefly of the oxides of iron and titanium. It is commonly massive, but occurs also in rhombohedral crystals. Called also titanic iron ore, and ilmenite.

metatitanic ::: a. --> Of, pertaining to, or designating, an acid of titanium analogous to metasilicic acid.

na hi te bhagavan vyaktim vidur deva na danavah ::: neither the gods nor the titans, O blessed Lord, know Thy manifestation. [Gita 10.14]

Nolini: “The Titans.”

No longer could the titan Opposites,

oberon ::: n. --> The king of the fairies, and husband of Titania or Queen Mab.

Oceanus (Greek) okeanos. Probably “swift-flowing”; according to Hesiod one of the titans, children of Ouranos and Gaia (heaven and earth), who by his marriage with the titan Tethys became father of all rivers and waters. In ancient exoteric geography he was himself a mighty river encircling the supposedly flat disk of the earth; the notion of a vast reservoir of stationary water is derivative and does not pertain to the original meaning.

octahedrite ::: n. --> Titanium dioxide occurring in acute octahedral crystals.

One of the mahatmas referring to the guardianship of the divine wisdom, wrote: “For countless generations hath the adept builded a fane of imperishable rocks, a giant’s Tower of Infinite Thought, wherein the Titan dwelt, and will yet, if need be, dwell alone, emerging from it but at the end of every cycle, to invite the elect of mankind to co-operate with him and help in his turn enlighten superstitious man. And we will go on in that periodical work of ours; we will not allow ourselves to be baffled in our philanthropic attempts until that day when the foundations of a new continent of thought are so firmly built that no amount of opposition and ignorant malice guided by the Brethren of the Shadow will be found to prevail” (ML 51). See also THEOSOPHICAL SOCIETY

Originally they were seven cosmic gods, for in the days of Lemuria there were seven egg-born dioscuri or dhyani-chohans (agnishvatta-kumaras), who incarnated in the seven elect of the third root-race. These are identified with corybantes, curetes, dii magni, titans, etc. (SD 2:360-2). Later they were made into three and four, as male and female, the four being the four kabiri usually enumerated; and finally restricted, as were also the kabiri, to two.

perofskite ::: n. --> A titanate of lime occurring in octahedral or cubic crystals.

Phorcys (Greek) A sea god, son of Pontos and Gaia (sea and earth), and father by Ceto of the Graiae, Gorgons, Sirens, Scylla, and Atlas. Mentioned in Orphism as one of the primeval titans.

Phoreg One of the titans, not mentioned among Hesiod’s six Uranides, but discovered in the late 19th century “in an old fragment relating to the Greek myth. Thus their identity with the Seven rectors is fully demonstrated” (SD 1:418).

Porphyrion (Greek) Lurid, fiery; a gigante or giant born of the blood (vitality) of Ouranos (heaven) falling upon the earth. These giants were more human than the titans, and continued the war against the Olympian gods, which symbolizes the struggles which took place during the descending arc of evolution, cosmically and among the races of mankind, between the lower material forces and the celestial powers from above. Porphyrion is slain by the gods with the help of Hercules and buried in the abysses of earth.

Poseidon (Greek) One of the twelve great Olympian deities, a son of Ouranos and Gaia, brother of Zeus and Hades; represented by the Latins as Neptunus. The brothers Zeus, Poseidon, and Hades are respectively the gods of heaven, the intermediate world or water, and of the underworld; and these represent the three great generalized powers or forces, each one ruling or vitalizing his respective third of the seven manifest cosmic planes. Poseidon presides over water, especially the ocean, and over horses, which he brought forth by a stroke of his trident on the earth. His symbols are the dolphin, one of his executive ministers; the trident; and the horse. It is Poseidon who shakes the earth and raises and quells storms at sea. He had numerous offspring by many wives, both mortal and immortal; mostly of a violent unruly character like himself — titans and giants. He stands as a personation of the spirit and race of Atlantis; for he is lusty, sensual, and at war with heaven. To consummate his intrigues, he assumes the forms of various animals — a way of alluding to bestial Atlantean black magic. The symbol is complex, for he is also a dragon. He is related to the northern constellations of Draco, Delphinus, and Pegasus (or Equus, the horse). Equivalent to Chozzar of the Peratae Gnostics and the good serpent of the Nazarenes (cf SD 2:578). As god of the waters he parallels Idaspati, Narayana, Vishnu, and Varuna.

preta. (P. peta; T. yi dwags; C. egui; J. gaki; K. agwi 餓鬼). In Sanskrit, lit. "departed one" or "ghost"; typically translated into English as "hungry ghost" (reflecting the Chinese rendering egui). The realm of hungry ghosts is one of the three or four unfortunate realms of rebirth (APĀYA; DURGATI), along with hell denizens (NĀRAKA), animals (TIRYAK), and sometimes demigods or titans (ASURA). Ghosts are most commonly depicted as having distended abdomens and emaciated limbs, like a human suffering from extreme malnutrition. Some traditions also say that they have gullets the size of the eye of a needle, so they are never able to consume enough to satiate their appetite. (This depiction of pretas as big-bellied and small-mouthed does not appear in Pāli and Southeast Asian sources until some late cosmological texts that date to the second millennium CE, suggesting that this is a north Indian or Sanskritic tradition, not a Pāli development.) Pretas are said to have been reborn in their unfortunate condition as a consequence of greed and avarice in a previous life. They spend their existence wandering in a futile search for food and drink; when they approach a river to drink, the water turns into blood and pus, and when they find food, they are unable to digest it due to various impediments, such as knots in their throats, or suffer when it is swallowed, when food turns into spears and molten iron. Traditions vary as to the location of the realm of ghosts, but there are many stories of the Buddha and his monks encountering ghosts. Feeding these departed spirits is an important ritual for Buddhist monks in many societies (see FANG YANKOU). Stories of encounters with such ghosts, who typically recount the unwholesome past deeds that led them to rebirth in such an unfortunate state, are common in Buddhist literature, as in the Pāli PETAVATTHU. The realm of the pretas also includes other ogres and goblins, such as PIsĀCA.

Prometheus (Greek) [from pro fore + metis counsel] The foreknower, he who knows beforehand, in contrast with his brother Epimetheus (the one who knows after, or when it is too late). Like other symbols, it has its seven keys of interpretation, which not merely reconciles but renders necessary the various versions of the story. Son of the titan Iapetos, Prometheus stole fire from heaven in a hollow tube (narthex) and brought it to mankind, who thereby was enlightened; for this Prometheus was chained by Zeus to a rock on Mt. Caucasus, where an eagle devours his liver by day, the liver being restored by night; until finally he is released by Hercules or Dionysos.

Prometheus ::: Gr. Myth. A Titan who stole fire from Olympus and gave it to humankind, for which Zeus chained him to a rock and sent an eagle to eat his liver, which grew back daily.

prometheus ::: gr. Myth. A Titan who stole fire from Olympus and gave it to humankind, for which Zeus chained him to a rock and sent an eagle to eat his liver, which grew back daily.

prometheus ::: n. --> The son of Iapetus (one of the Titans) and Clymene, fabled by the poets to have surpassed all mankind in knowledge, and to have formed men of clay to whom he gave life by means of fire stolen from heaven. Jupiter, being angry at this, sent Mercury to bind Prometheus to Mount Caucasus, where a vulture preyed upon his liver.

Queene), the Greek Titaness who challenges Jove’s

Question: Is this a positive use of the word ‘Titan?”

Rakshasa and Pishacha, — Titan, vita! giant and demon, — are superhuman in the pitch and force and movement and in the make of their characteristic nature, but these are not divine and these are not supremely divine, for they live in a greater mind- power, or life-power only, but they do not live in the supreme

rutile ::: n. --> A mineral usually of a reddish brown color, and brilliant metallic adamantine luster, occurring in tetragonal crystals. In composition it is titanium dioxide, like octahedrite and brookite.

sadgati. (P. *chagati; T. 'gro ba rigs drug; C. liuqu; J. rokushu; K. yukch'wi 六趣). In Sanskrit, "six destinies"; an expansion of the more common list of five rebirth destinies (PANCAGATI), adding demigods or titans (ASURA) to the usual five: divinities (DEVA; including those of the sensuous, subtle-materiality, and immaterial realms); asuras, humans (MANUsYA), animals (TIRYAK), ghosts (PRETA), and hell beings (NĀRAKA). See GATI; PANCAGATI.

saMsāra. (T. 'khor ba; C. lunhui/shengsi lunhui; J. rinne/shojirinne; K. yunhoe/saengsa yunhoe 輪迴/生死輪迴). In Sanskrit and Pāli, "wandering," viz., the "cycle of REBIRTH." The realms that are subject to rebirth are typically described as composed of six rebirth destinies (GATI): divinities (DEVA), demigods or titans (ASURA), humans (MANUsYA), animals (TIRYAK), ghosts (PRETA), and hell denizens (NĀRAKA). These destinies are all located within the three realms of existence (TRAIDHĀTUKA), which comprises the entirety of our universe (see also AVACARA; LOKADHĀTU). At the bottom of the sensuous realm (KĀMADHĀTU; kāmāvacara) are located the denizens of the hells (NĀRAKA), the lowest of which is named the interminable (AVĪCI). This most ill-fated of existences is followed by ghosts, animals, humans, demigods, and the divinities of the six heavens of the sensuous realm. Higher levels of the divinities occupy the upper two realms of existence, the subtle-materiality realm (RuPADHĀTU) and the immaterial realm (ĀRuPYADHĀTU). The bottom three destinies, of hell denizens, hungry ghosts, and animals, are referred to as the three evil bournes (DURGATI); these are destinies where suffering predominates because of the past performance of unwholesome (AKUsALA) actions (KARMAN). In the various levels of the divinities, happiness predominates, because of the past performance of wholesome (KUsALA) actions. By contrast, the human destiny is thought to be ideally suited for religious training, because it is the only bourne where both suffering and happiness can be readily experienced, allowing the adept to recognize more easily the true character of life as impermanent (ANITYA), suffering (DUḤKHA), and nonself (ANĀTMAN). SaMsāra is said to have no beginning and to come to end only for those individuals who achieve liberation from rebirth through the practice of the path (MĀRGA) to NIRVĀnA. SaMsāra is depicted iconographically as a "wheel of existence" (BHAVACAKRA), which shows the six rebirth destinies, surrounding a pig, a rooster, and a snake, which symbolize ignorance (AVIDYĀ), desire (LOBHA), and hatred (DVEsA), respectively. Around the edge of the wheel are scenes representing the twelve links of dependent origination (PRATĪTYASAMUTPĀDA). The relation between saMsāra and nirvāna is discussed at length in Buddhist texts, with NĀGĀRJUNA famously declaring that there is not the slightest difference between them, because the true nature of both is emptiness (suNYATĀ).

sattva. (P. satta; T. sems can; C. youqing/zhongsheng; J. ujo/shujo; K. yujong/chungsaeng 有情/衆生). In Sanskrit, "living being," commonly translated into English as "sentient being"; a generic term for any being in the cycle of rebirth (SAMSĀRA), including the five or six rebirth destines (GATI) of divinities (DEVA), demigods or titans (ASURA), humans (MANUsYA), animals (TIRYAK), ghosts (PRETA), and hell denizens (NĀRAKA). Buddhism, unlike the JAINA tradition, does not generally accept that plants are endowed with consciousness and thus does not typically include plant life among sentient beings (although this claim later becomes a matter of debate within the tradition, especially in East Asia). The term sattva technically does not include buddhas and ARHATs, because they are no longer subject to rebirth. In the word BODHISATTVA and MAHĀSATTVA, sattva may retain a meaning closer to its mainstream Indian usage as "spiritual essence," as in the SāMkhya school, where sattva is conceived as the spiritual, enlightening "strand" (guna) that interacts with tamas (dullness) and rajas (energy) to explain the dispositions of people and the changes that occur in the environment.

Seasons The seasons are at least in part due to the inclination of the earth’s axis, and wholly according to this explanation in modern astronomy. If there were no inclination — if the ecliptic coincided with the equator, and the earth’s axis with the poles of the equator — there would be no seasons. In satya yuga there were no changes of season, but an eternal spring which lasted as long as the lack of polar inclination endured, but which came to an end when the third root-race fell into “sin” — the two events coinciding. The earth’s axis when without inclination is at right angles with the plane of the ecliptic. The titans or kabiri are described in The Secret Doctrine as the generators and regulators of the seasons, thus showing that they take their part with the karmic lipikas in the cosmic history of the globe. Spring, summer, autumn, and winter correspond with other quaternaries, such as the four points of the compass and the four elements; and also represent a cycle of changes from birth to dissolution and rebirth.

sphene ::: n. --> A mineral found usually in thin, wedge-shaped crystals of a yellow or green to black color. It is a silicate of titanium and calcium; titanite.

(Sri Aurobindo also employs the word as an adj. See titanic.) Titan’s, titans, Titan-statured, Titan-striding, half-titan, dwarf-Titan.

Sri Aurobindo: "As there are Powers of Knowledge or Forces of the Light, so there are Powers of Ignorance and tenebrous Forces of the Darkness whose work is to prolong the reign of Ignorance and Inconscience. As there are Forces of Truth, so there are Forces that live by the Falsehood and support it and work for its victory; as there are powers whose life is intimately bound up with the existence, the idea and the impulse of Good, so there are Forces whose life is bound up with the existence and the idea and the impulse of Evil. It is this truth of the cosmic Invisible that was symbolised in the ancient belief of a struggle between the powers of Light and Darkness, Good and Evil for the possession of the world and the government of the life of man; — this was the significance of the contest between the Vedic Gods and their opponents, sons of Darkness and Division, figured in a later tradition as Titan and Giant and Demon, Asura, Rakshasa, Pisacha; the same tradition is found in the Zoroastrian Double Principle and the later Semitic opposition of God and his Angels on the one side and Satan and his hosts on the other, — invisible Personalities and Powers that draw man to the divine Light and Truth and Good or lure him into subjection to the undivine principle of Darkness and Falsehood and Evil.” The Life Divine

Sri Aurobindo: "His [the Titan"s] instincts call for a visible, tangible mastery and a sensational domination. How shall he feel sure of his empire unless he can feel something writhing helpless under his heel, — if in agony, so much the better? What is exploitation to him, unless it diminishes the exploited? To be able to coerce, exact, slay, overtly, irresistibly, — it is this that fills him with the sense of glory and dominion. For he is the son of division and the strong flowering of the Ego. To feel the comparative limitation of others is necessary to him that he may imagine himself immeasurable; for he has not the real, self-existent sense of infinity which no outward circumstance can abrogate. Contrast, division, negation of the wills and lives of others are essential to his self-development and self-assertion. The Titan would unify by devouring, not by harmonising; he must conquer and trample what is not himself either out of existence or into subservience so that his own image may stand out stamped upon all things and dominating all his environment.” Essays in Philosophy and Yoga

Sri Aurobindo: “His [the Titan’s] instincts call for a visible, tangible mastery and a sensational domination. How shall he feel sure of his empire unless he can feel something writhing helpless under his heel,—if in agony, so much the better? What is exploitation to him, unless it diminishes the exploited? To be able to coerce, exact, slay, overtly, irresistibly,—it is this that fills him with the sense of glory and dominion. For he is the son of division and the strong flowering of the Ego. To feel the comparative limitation of others is necessary to him that he may imagine himself immeasurable; for he has not the real, self-existent sense of infinity which no outward circumstance can abrogate. Contrast, division, negation of the wills and lives of others are essential to his self-development and self-assertion. The Titan would unify by devouring, not by harmonising; he must conquer and trample what is not himself either out of existence or into subservience so that his own image may stand out stamped upon all things and dominating all his environment.” Essays in Philosophy and Yoga

-statured ::: bearing a certain stature or degree of development. Titan-statured.

stride ::: n. 1. A regular or steady course, pace, etc. 2. A single long step; a striding manner or gait. v. 3. To walk with long steps, especially in a hasty or vigorous way. strides, strode, Titan-striding.

Tarakajit (Sanskrit) Tārakajit Conqueror of Taraka, name given to the Hindu god of war, Karttikeya, because he conquered Taraka, a daitya whose austerities had made him formidable to the gods — the daityas being those early beings or races who, because of their developing intellectual powers, were found to be identical with the asuras, who were opposed to the more or less passive spiritual forces — devas or suras. In another sense, because of this developing intellectuality, the daityas, somewhat like the Greek titans or giants, were the opponents of the gods of mere ritualistic or scholastic theory, and hence the enemies of puja (ritualistic sacrifices).

Tartarus, Tartaros (Greek) Son of Aether and Gaia (earth), who by his mother became father of the giants Typhoeus and Echidna. Other names for Tartarus as a deity are Pluto, Hades, Orcus, and Dis — all referring to the underworld. As a place, in the Iliad it was one of the four regions, as far below Hades as heaven or Olympus is above earth, and into which were thrust the titans who rebelled against Olympus. In later times it became synonymous with Hades. In theosophical literature it is sometimes equated with avichi.

Telchines (Greek) [from thelgo to enchant] A race of ethereal or semi-ethereal beings or genii, said in one legend to be descended from Poseidon, god of the sea — supposed to have lived especially in Crete, Cyprus, and Rhodes. They are represented as cultivators of the soil and ministers to the gods; as sorcerers and envious demons; and as teachers of metallurgy and other useful arts to mankind. They are in one aspect the kabeiroi and titans, in another the Atlanteans. The telchines have been connected mystically because of similar attributes with the Latin Vulcan and even with the Hebrew Tubal-cain.

Terra or Tellus (Latin) Equivalent to the Greek Gaia or Ge, earth; mother of the titans by Coelus — Ouranos or heaven. Terra is often used to designate our physical earth or its planetary chain. See also GAIA

Tethys (Greek) The wife of Oceanus and mother of a host of water deities. The Hesiodic theogony makes both Oceanus and Tethys titans, born of Uranus and Gaia (heaven and earth), or the spatial reaches of cosmic intelligence and the spatial vehicular aspects of the cosmos, here called earth. Sometimes Tethys is identified with Gaia, and hence with earth, but the earth meant is not our earth, but primordial matter in process of formation.

The Apsaras then are the divine Hetairae of Paradise, beautiful singers and actresses whose beauty and art relieve the arduous and world-long struggle of the Gods against the forces that tend towards disruption by the Titans who would restore Matter to its original atomic condition or of dissolution by the sages and hermits who would make phenomena dissolve prematurely into the One who is above phenomena. They rose from the Ocean, says Valmiki, seeking who should choose them as brides, but neither the Gods nor the Titans accepted them, therefore are they said to be common or universal. The Harmony of Virtue

". . . the Titan, who lives in his own inordinately magnified shadow, mistakes ego for the self and spirit and tries to impose his fragmentary personality as the one dominant existence upon all his surroundings.” The Synthesis of Yoga

“… the Titan, who lives in his own inordinately magnified shadow, mistakes ego for the self and spirit and tries to impose his fragmentary personality as the one dominant existence upon all his surroundings.” The Synthesis of Yoga

“The Demons, so called in the Puranas, are very extraordinary devils when judged from the standpoint of European and orthodox views about these creatures, since all of them — Danavas, Daityas, Pisachas, and the Rakshasas — are represented as extremely pious, following the precepts of the Vedas, some of them even being great Yogis. But they oppose the clergy and Ritualism, sacrifices and forms — just what the full-blown Yogins do to this day in India — and are no less respected for it, though they are allowed to follow neither caste nor ritual; hence all those Puranic giants and Titans are called Devils” (SD 1:415).

The “descent” of the manasaputras before the middle of the third root-race was only a partial descent, and even today they are not yet fully incarnated in us, they have not yet fully manifested their splendor within us because our minds are not yet fully evolved. The descent is still in progress and will continue until the very end of the fifth round. Even the titan-intellects of the human race have not yet fully expressed the powers of the manasaputra above and within them. These manasaputras are incarnating ever more and more, just as the growing child develops more mental power as each year passes. As man proceeds along the evolutionary pathway and unfolds his inner nature, he will bring forth his own latent manasaputra and in the next manvantara he will light the way for lesser entities.

The four heavenly kings of the first and lowest of the six heavens are DHṚTARĀstRA in the east, VIRudHAKA in the south, VIRuPĀKsA in the west, and VAIsRAVAnA in the north. There are many devas inhabiting this heaven: GANDHARVAs in the east, KUMBHĀndAs in the south, NĀGAs in the west, and YAKsAs in the north. As vassals of sAKRO DEVĀNĀM INDRAḤ (lit. "sakra, the lord of the gods"; see INDRA; sAKRA; DEVARĀJAN), the four heavenly kings serve as protectors of the dharma (DHARMAPĀLA) and of sentient beings who are devoted to the dharma. They dwell at the four gates in each direction at the midslope of the world's central axis, Mt. Sumeru. The thirty-three gods of the second heaven are the eight vāsava, two asvina, eleven rudra, and twelve āditya. They live on the summit of Mt. Sumeru and are arrayed around the city of Sudarsana, the capital of their lord sakra. sakra is also known as Indra, the war god of the Āryans, who became a devotee of the Buddha as well as a protector of the dharma. The remaining four heavens are located in the sky above Mt. Sumeru. At the highest level of the sensuous realm, the paranirmitavasavartin heaven, dwells MĀRA, the Evil One. The four heavenly kings and the thirty-three gods are called the "divinities residing on the ground" (bhumyavacaradeva) because they dwell on Mt. Sumeru, while the gods from the Yāma heaven up to the gods of the realm of subtle materiality are known as "divinities residing in the air" (antariksavāsin, antarīksadeva), because they reside in the sky above the mountain. The higher one ascends into the heavens of both the sensuous realm and the subsequent realm of subtle materiality, the larger and more splendid the bodies of those gods become and the longer their life spans. Related to the devas of the sensuous realm are the demigods or titans (S. ASURA), jealous gods whom Indra drove out of the heaven of the thirty-three; they now live in exile in the shadows of Mt. Sumeru. ¶ The heavens of the realm of subtle materiality (rupadhātu) consist of sixteen (according to the SARVĀSTIVĀDA school), seventeen (the SAUTRĀNTIKA school), or eighteen (the THERAVĀDA/STHAVIRANIKĀYA school) levels of devas. These levels, which are collectively called the BRAHMALOKA (world of the Brahmā gods), are subdivided into the four classes of the dhyāna or "concentration" heavens, and rebirth there is dependent on specific meditative attainments in previous lives. One of the most extensive accounts on these heavens appears in the ABHIDHARMAKOsABHĀsYA, which presents seventeen levels of the subtle-materiality devas. Whereas rebirth in the heavens of the sensuous realm are the result of a variety of virtuous deeds done in a previous life, rebirth in the heavens of the realm of subtle materiality or in the immaterial realm is the result of what is called a "nonfluctuating" or "unwavering" action (ANINJYAKARMAN). Here, the only cause that will produce rebirth in one of these heavens is the achievement of the level of meditative concentration or absorption of that particular heaven in the immediately preceding lifetime. Such meditation is called a "nonfluctuating deed" because it always produces the effect of that particular type of rebirth. The first set of dhyāna heavens, where those who practiced the first meditative absorption in the previous lifetime are born, is comprised of three levels:

"The mental or vital demigod, the Asura, Rakshasa and Pishacha, — Titan, vital giant and demon, — are superhuman in the pitch and force and movement and in the make of their characteristic nature, but these are not divine and those not supremely divine, for they live in a greater mind power or life power only, but they do not live in the supreme Truth, and only the supreme Truth is divine. Only those who live in a supreme Truth consciousness and embody it are inwardly made or else remade in the Divine image.” Essays Divine and Human

“The mental or vital demigod, the Asura, Rakshasa and Pishacha,—Titan, vital giant and demon,—are superhuman in the pitch and force and movement and in the make of their characteristic nature, but these are not divine and those not supremely divine, for they live in a greater mind power or life power only, but they do not live in the supreme Truth, and only the supreme Truth is divine. Only those who live in a supreme Truth consciousness and embody it are inwardly made or else remade in the Divine image.” Essays Divine and Human

The mythos relates that Zagreus, a favored son of Zeus, aroused the wrath of Hera, who plotted his destruction. First she released the dethroned titans from Tartaros to slay the newborn babe. They induced the child to give up the scepter and apple for the false toys which they held before him: a thyrsos or Bacchic wand (symbol of matter and rebirth into material life), a giddy spinning top, and a mirror (maya or illusion). As the child was gazing at himself in the mirror, they seized him, tore his body into seven or fourteen pieces (as in the Egyptian Mystery tale of Osiris); boiled and roasted and then devoured them. Discovered in this enormity by Zeus, the titans were blasted with his thunderbolt and from their ashes sprang the human race.

"The old writings call the Titans the elder gods. So they still are; nor is any god entirely divine unless there is hidden in him also a Titan.” Essays Divine and Human

“The old writings call the Titans the elder gods. So they still are; nor is any god entirely divine unless there is hidden in him also a Titan.” Essays Divine and Human

Theomachy [from Greek theomachia] Fighting against the gods, as the titans did; or a battle among the gods, as occurs in Homer.

..the release from subconscient ignorance and from disease, duration of life at will, and a change in the functioning of the body must be among the ultimate results of a supramental change.
   Ref: CWSA Vol. 35, Page: 330 ::: .Supraphysical Worlds ::: This organisation includes, as on our earth, the existence of beings who have or take forms, manifest themselves or are naturally manifested in an embodying substance, but a substance other than ours, a subtle substance tangible only to subtle sense, a supraphysical form-matter. These worlds and beings may have nothing to do with ourselves and our life, they may exercise no action upon us; but often also they enter into secret communication with earth-existence, obey or embody and are the intermediaries and instruments of the cosmic powers and influences of which we have a subjective experience, or themselves act by their own initiation upon the terrestrial world’s life and motives and happenings. It is possible to receive help or guidance or harm or misguidance from these beings; it is possible even to become subject to their influence, to be possessed by their invasion or domination, to be instrumentalised by them for their good or evil purpose. At times the progress of earthly life seems to be a vast field of battle between supraphysical Forces of either character, those that strive to uplift, encourage and illumine and those that strive to deflect, depress or prevent or even shatter our upward evolution or the soul’s self-expression in the material universe. Some of these Beings, Powers or Forces are such that we think of them as divine; they are luminous, benignant or powerfully helpful: there are others that are Titanic, gigantic or demoniac, inordinate Influences, instigators or creators often of vast and formidable inner upheavals or of actions that overpass the normal human measure. There may also be an awareness of influences, presences, beings that do not seem to belong to other worlds beyond us but are here as a hidden element behind the veil in terrestrial nature. As contact with the supraphysical is possible, a contact can also take place subjective or objective—or at least objectivised— between our own consciousness and the consciousness of other once embodied beings who have passed into a supraphysical status in these other regions of existence. It is possible also to pass beyond a subjective contact or a subtle-sense perception and, in certain subliminal states of consciousness, to enter actually into other worlds and know something of their secrets. It is the more objective order of other-worldly experience that seized most the imagination of mankind in the past, but it was put by popular belief into a gross-objective statement which unduly assimilated these phenomena to those of the physical world with which we are familiar; for it is the normal tendency of our mind to turn everything into forms or symbols proper to its own kind and terms of experience.
   Ref: CWSA Vol. 21-22 Page: 806-07


The story is in one sense but another version of that of manas between kama and buddhi. Zeus represents the host of primeval progenitors, pitris (fathers) who formed man without mind; and Prometheus symbolizes the host of spiritual creators who “fell” into matter — humanity — to enlighten the latter. The drama of Prometheus is thus still enacted through the ages — but man can rebecome the unfallen titan. Geographical allusions to the locations of the great root-races are seen in the mention of Mt. Caucasus, a name for the far north where the Aryan race, as an instance, was first developed.

The titans, in one respect, are fourth root-race giants, the Hindu daityas, who at one time obtain the sovereignty of earth and defeat the minor gods; they are thus fallen beings — Python, suras and asuras, corybantes, curetes, Dioscuri, anaktes, dii magni, idaei dactyli, lares, penates, manes, aletae, kabeirio, manus, rishis, and dhyani-chohans — who watched over and incarnated in the elect of the third and fourth root-races.

The titans with their false gifts symbolize the pursuing energies of the personal, material life, which enchain and delude the soul. They are earth powers which lead the soul from the path by the lure of things of sense. The dismembered body is first boiled in water — symbol of the astral world; then roasted, “as gold is tried by fire,” symbol of suffering and purification and the reascent of the victorious soul to bliss.

tiryak. [alt. tiryascīna, tiryaNc] (P. tiracchāna; T. dud 'gro; C. chusheng; J. chikusho; K. ch'uksaeng 畜生). In Sanskrit, lit. "going horizontally" (i.e., not erect), viz., an animal; one of five or six rebirth destinies (GATI) in SAMSĀRA. Among these, animals are classified as the one of the three (or four) unfortunate rebirth destinies (APĀYA; DURGATI), along with denizens of hell (NĀRAKA), ghosts (PRETA), and in some lists demigods or titans (ASURA). The category of animals includes both land and sea creatures, as well as insects. The specific kinds of suffering that animals undergo are frequently mentioned in Buddhist texts; these include the constant need to search for their own food while always seeking to avoid becoming food for others. Unlike humans, animals are generally killed not for some deed they have done but for the taste of their flesh or the texture of their skin. The possibility of achieving rebirth out of the realm of animals is said to be particularly difficult because of either the inevitable killing in which predators engage or because of animals' constant fear of becoming prey; neither mental state is conducive to higher rebirth. Despite this difficulty, there are many stories in Buddhist literature of predators who have willed themselves to stop killing (the first of the lay precepts) in order to create a karmic propensity that will be more conducive to rebirth out of the animal destiny. See also DAOTU.

titan ::: 1. One of prodigious size, strength, or achievement. 2. Gigantic, immense.

titan ::: a. --> Titanic.

titanate ::: n. --> A salt of titanic acid.

titanic ::: a. --> Of or relating to Titans, or fabled giants of ancient mythology; hence, enormous in size or strength; as, Titanic structures.
Of or pertaining to titanium; derived from, or containing, titanium; specifically, designating those compounds of titanium in which it has a higher valence as contrasted with the titanous compounds.


titanic ::: of great force or power.

titaniferous ::: a. --> Containing or affording titanium; as, titaniferous magnetite.

titan ::: "In Greek mythology, one of a family of gigantic beings, the twelve primordial children of Uranus (Heaven) and Gaea (Earth); also certain of the offspring of these Titans. The names of the twelve Titans, the ancestors of the Olympian gods, were Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys, and Cronos. Cronos, the youngest of them, ruled the world after overthrowing and castrating Uranus. He swallowed each of his own children at birth but Zeus escaped. Cronos was made to vomit up the others (including Hera, Demeter, Poseidon, and Hades) and, after a protracted struggle, he and the other Titans were vanquished, all of them but Atlas imprisoned in Tartarus, and the reign of Zeus was established. More broadly, the word Titan may be applied to any being of a colossal force or grandiose and lawless self-assertion, or even to whatever is huge or mighty.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works.

titanite ::: n. --> See Sphene.

titanitic ::: a. --> Pertaining to, or containing, titanium; as, a titanitic mineral.

titanium ::: n. --> An elementary substance found combined in the minerals manaccanite, rutile, sphene, etc., and isolated as an infusible iron-gray amorphous powder, having a metallic luster. It burns when heated in the air. Symbol Ti. Atomic weight 48.1.

titano- ::: --> A combining form (also used adjectively) designating certain double compounds of titanium with some other elements; as, titano-cyanide, titano-fluoride, titano-silicate, etc.

titan ::: “On Titan wings of rhythmic grandeur”

titanotherium ::: n. --> A large American Miocene mammal, allied to the rhinoceros, and more nearly to the extinct Brontotherium.

titanous ::: a. --> Designating certain compounds of titanium in which that element has a lower valence as contrasted with titanic compounds.

titan.

titan. (Sri Aurobindo also employs the word as an adj. See titanic.) Titan’s, titans, Titan-statured, Titan-striding, half-titan, dwarf-Titan.

titan.** (Sri Aurobindo also employs the word as an adj. See* titanic.) Titan"s, titans, Titan-statured, Titan-striding, half-titan, dwarf-Titan.**

trimorphism ::: n. --> The property of crystallizing in three forms fundamentally distinct, as is the case with titanium dioxide, which crystallizes in the forms of rutile, octahedrite, and brookite. See Pleomorphism.
The coexistence among individuals of the same species of three distinct forms, not connected, as a rule, by intermediate gradations; the condition among individuals of the same species of having three different shapes or proportions of corresponding parts; --


Typhoeus, Typhon (Greek) Typhoeus in Hesiodic theogony is a son of Tartarus and Gaia, a fire-breathing titan with a hundred heads and begetter of destructive hurricanes. He rebels against the gods and is killed by Zeus with a thunderbolt and buried under Mount Etna. Typhon was originally his son — post-type of himself — but the two were later identified. He represents the necessary counterpart of Zeus, as darkness is of light, Set of Osiris, or Satan of God. He is the Dragon Apophis, the Accuser in The Egyptian Book of the Dead, murderer of Osiris, destroyed by Horus; the dark side of Zeus, as Set is the dark side of Osiris, and night the dark side of day; Python, Loki, Rahu, and falling demons in general. In one form he is the dragon slain by St. Michael or St. George.

Ulm's Modula-2 System "language" A {Modula-2} {compiler}, library and tools by Andreas Borchert "borchert@mathematik.uni-ulm.de". The compiler is derived from the {ETHZ} compiler for the {Lilith} system. Version 2.2.1 conforms to {PIM3}. It requires {gas} version 1.36 (to be found in the same directory). Commercial use requires a licence. It runs on {Sun-3}, {Nixdorf} {Targon}/31, {Concurrent} 3200 Series. {(ftp://titania.mathematik.uni-ulm.de/pub/soft/modula/ulm/sun3/modula-2.2.1.tar.Z)}. (1992-03-02)

Uranides (Greek) Those titans who were sons of Uranus and who rebelled against Kronos, called the divine titans. They were the enemies of the lower titans who, in the similar line of Jewish thought, were represented by Samael or Jehovah. In Hesiod they were said to be six: Oceanus (Okeanos), Coeus (Koios), Crius (Krioz), Hyperion, Iapetus, and Kronos or Saturnus. The name of a seventh called Phoreg has been added, his name being found in an old Greek fragment relating to the myth.

uranus ::: n. --> The son or husband of Gaia (Earth), and father of Chronos (Time) and the Titans.
One of the primary planets. It is about 1,800,000,000 miles from the sun, about 36,000 miles in diameter, and its period of revolution round the sun is nearly 84 of our years.


"Vamana, the Dwarf, in Hindu mythology, one of the ten incarnations of Vishnu, born as a son of Kashyapa and Aditi. The titan King Bali had by his austerities acquired dominion of all the three worlds. To remedy this, Vishnu came to him in the form of a dwarf and begged of him as much land as he could step over in three paces. Bali complied. In two strides the dwarf covered heaven and earth, and with the third step, on Bali"s head, pushed him down to Patala, the infernal regions.” Glossary and Index of Proper Names in Sri Aurobindo"s Works

“Vamana, the Dwarf, in Hindu mythology, one of the ten incarnations of Vishnu, born as a son of Kashyapa and Aditi. The titan King Bali had by his austerities acquired dominion of all the three worlds. To remedy this, Vishnu came to him in the form of a dwarf and begged of him as much land as he could step over in three paces. Bali complied. In two strides the dwarf covered heaven and earth, and with the third step, on Bali’s head, pushed him down to Patala, the infernal regions.” Glossary and Index of Proper Names in Sri Aurobindo’s Works

Viprachitti (Sanskrit) Vipracitti [from vi-pra-cit to distinguish through meditation from the verbal root cit to think] The chief of the danavas or Hindu titans, giants said to have warred against the gods.

warwickite ::: n. --> A dark brown or black mineral, occurring in prismatic crystals imbedded in limestone near Warwick, New York. It consists of the borate and titanate of magnesia and iron.

. yakasipu (Hiranyakashipu) ::: a daitya or Titan who persecuted his son Prahlada for his devotion to Vis.n.u and was destroyed by Vis.n.u as Narasiṁha; regarded as an example of the asura raks.asa "in which the intellectual ego & the emotional, sensational ego enter into an equal copartnership for the grand enthronement & fulfilment of the human ahankara". historical trik trikaladrsti

yea, of the ghosts of the ancient Titans and of the

Zeus was not always portrayed as the ineffable cosmic principle, as in the dramas of Aeschylus, especially in his trilogy on Prometheus. “In the case of Prometheus, Zeus represents the Host of the primeval progenitors, of the pitar, the ‘Fathers’ who created man senseless and without any mind; while the divine Titan stands for the Spiritual creators, the devas who ‘fell’ into generation. The former are spiritually lower, but physically stronger, than the ‘Prometheans’: therefore, the latter are shown conquered. ‘The lower Host, whose work the Titan spoiled and thus defeated the plans of Zeus,’ was on this earth in its own sphere and plane of action; whereas, the superior Host was an exile from Heaven, who had got entangled in the meshes of matter. They (the inferior ‘Host’) were masters of all the Cosmic and lower titanic forces; the higher Titan possessed only the intellectual and spiritual fire. This drama of the struggle of Prometheus with the Olympic tyrant and despot, sensual Zeus, one sees enacted daily within our actual mankind: the lower passions chain the higher aspirations to the rock of matter, to generate in many a case the vulture of sorrow, pain, and repentance” (SD 2:421-2). This inferior host is the various classes of the lunar pitris; whereas the higher host, collectively represented by Prometheus, is the aggregate of the agnishvatta-pitris or agni-dhyanis.



QUOTES [19 / 19 - 235 / 235]


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   10 SWAMI TRIGUNATITANANDA
   7 Sri Aurobindo
   1 SWAMI TRIGUNATITANANDA.
   1 Attack On Titan

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   28 Rick Riordan
   8 Sri Aurobindo
   8 Anonymous
   5 William Shakespeare
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   3 Titania Hardie
   3 Terry Pratchett
   3 Stephen King
   3 Mary Pope Osborne
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   3 H P Lovecraft
   3 Hajime Isayama
   3 Erma Bombeck
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   2 Julia Spencer Fleming
   2 Jennifer L Armentrout
   2 Jeanette Winterson

1:Mikasa Ackerman. A master of all subjects and widely considered one of the best in our history.
   ~ Attack On Titan,
2:The Titan and the Fury and the Djinn
Lie bound in the subconscient's cavern pit ~ Sri Aurobindo, Savitri, The Parable of the Search for the Soul,
3:A monstrous birth prepared its cosmic form
In Nature's titan embryo, Ignorance. ~ Sri Aurobindo, Savitri, The World of Falsehood, the Mother of Evil and the Sons of Darkness,
4:If one of theirs they see scale heaven's peaks,
Men then can hope to learn that titan climb. ~ Sri Aurobindo, Savitri, Nirvana and the Discovery of the All-Negating Absolute,
5:Yet was the battle decreed for the means supreme of the mortal
Placed in a world where all things strive from the worm to the Titan. ~ Sri Aurobindo, Collected Poems, Ilion,
6:Time's works
The giant's and the Titan's furious march
Climbs to usurp the kingdom of the gods
Or skirts the demon magnitudes of Hell; ~ Sri Aurobindo, Savitri, The Word of Fate,
7:Climb not to Godhead by the Titan's road.
Against the Law he pits his single will,
Across its way he throws his pride of might. ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
8:In a chance happening, fate's whims and the blind workings or dead drive of a brute Nature,
In her dire Titan caprice, strength that to death drifts and to doom, hidden a Will labours. ~ Sri Aurobindo, The Future Poetry, The Lost Boat,
9:I smite the Titan who bestrides the world
And slay the ogre in his blood-stained den.
I am Durga, goddess of the proud and strong ~ Sri Aurobindo, Savitri, 07.04 - The Triple Soul-Forces,
10:And throngs of blue-black clouds crept through the sky
And rain fled sobbing over the dripping leaves
And storm became the forest's titan voice. ~ Sri Aurobindo, Savitri, The Joy of Union; the Ordeal of the Foreknowledge of Death and the Heart's Grief and Pain,
11:To be a common man mid common men
And live an unaspiring mortal life
Than call into oneself a Titan strength
Too dire and mighty for its human frame,
That only afflicts the oppressed astonished world,
Then breaks its user. ~ Sri Aurobindo, Collected Plays and Stories, Act V,
12:Our will labours permitted by thy will
And without thee an empty roar of storm,
A senseless whirlwind is the Titan's force
And without thee a snare the strength of gods. ~ Sri Aurobindo, Savitri, The Eternal Day, The Soul's Choice and the Supreme Consummation,
13:The Titan's heart is a sea of fire and force;
He exults in the death of things and ruin and fall,
He feeds his strength with his own and others' pain;
In the world's pathos and passion he takes delight, ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
14:Men hail in my coming the Almighty's force
   Or praise with thankful tears his saviour Grace.
   I smite the Titan who bestrides the world
   And slay the ogre in his blood-stained den.
   ~ Sri Aurobindo, Savitri, 07.04 - The Triple Soul-Forces,
15:God's Tread
Once we have chosen to be as the gods, we must follow that motion.
Knowledge must grow in us, might like a Titan's, bliss like an ocean,
Calmness and purity born of the spirit's gaze on the Real,
Rapture of his oneness embracing the soul in a clasp ~ Sri Aurobindo, Collected Poems, Ahana,
16:World-destiny waits upon that foaming lip.
A Titan Power upholds this pigmy man,
The crude dwarf instrument of a mighty Force.
Hater of the free spirit's joy and light,
Made only of strength and skill and giant might,
A Will to trample humanity ~ Sri Aurobindo, Collected Poems, The Dwarf Napoleon,
17:Many are God's forms by which he grows in man;
   They stamp his thoughts and deeds with divinity,
   Uplift the stature of the human clay
   Or slowly transmute it into heavens gold.
   He is the Good for which men fight and die,
   He is the war of Right with Titan wrong;
   He is Freedom rising deathless from her pyre;
   He is Valour guarding still the desperate pass
   Or lone and erect on the shattered barricade
   Or a sentinel in the dangerous echoing Night.
   He is the crown of the martyr burned in flame
   And the glad resignation of the saint
   And courage indifferent to the wounds of Time
   And the heros might wrestling with death and fate.
   He is Wisdom incarnate on a glorious throne
   And the calm autocracy of the sages rule.
   He is the high and solitary Thought
   Aloof above the ignorant multitude:
   He is the prophets voice, the sight of the seer.
   He is Beauty, nectar of the passionate soul,
   He is the Truth by which the spirit lives.
   He is the riches of the spiritual Vast
   Poured out in healing streams on indigent Life;
   He is Eternity lured from hour to hour,
   He is infinity in a little space:
   He is immortality in the arms of death.
   These powers I am and at my call they come.
   Thus slowly I lift mans soul nearer the Light.
   ~ Sri Aurobindo, Savitri, 07.04 - The Triple Soul-Forces,
18:The supreme Truth aspect which thus manifests itself to us is an eternal and infinite and absolute self-existence, self-awareness, self-delight of being; this bounds all things and secretly supports and pervades all things. This Self-existence reveals itself again in three terms of its essential nature,-self, conscious being or spirit, and God or the Divine Being. The Indian terms are more satisfactory,-Brahman the Reality is Atman, Purusha, Ishwara; for these terms grew from a root of Intuition and, while they have a comprehensive preciseness, are capable of a plastic application which avoids both vagueness in the use and the rigid snare of a too limiting intellectual concept. The Supreme Brahman is that which in Western metaphysics is called the Absolute: but Brahman is at the same time the omnipresent Reality in which all that is relative exists as its forms or its movements; this is an Absolute which takes all relativities in its embrace. [...] Brahman is the Consciousness that knows itself in all that exists; Brahman is the force that sustains the power of God and Titan and Demon, the Force that acts in man and animal and the forms and energies of Nature; Brahman is the Ananda, the secret Bliss of existence which is the ether of our being and without which none could breathe or live. Brahman is the inner Soul in all; it has taken a form in correspondence with each created form which it inhabits. The Lord of Beings is that which is conscious in the conscious being, but he is also the Conscious in inconscient things, the One who is master and in control of the many that are passive in the hands of Force-Nature. He is the Timeless and Time; He is Space and all that is in Space; He is Causality and the cause and the effect: He is the thinker and his thought, the warrior and his courage, the gambler and his dice-throw. All realities and all aspects and all semblances are the Brahman; Brahman is the Absolute, the Transcendent and incommunicable, the Supracosmic Existence that sustains the cosmos, the Cosmic Self that upholds all beings, but It is too the self of each individual: the soul or psychic entity is an eternal portion of the Ishwara; it is his supreme Nature or Consciousness-Force that has become the living being in a world of living beings. The Brahman alone is, and because of It all are, for all are the Brahman; this Reality is the reality of everything that we see in Self and Nature. Brahman, the Ishwara, is all this by his Yoga-Maya, by the power of his Consciousness-Force put out in self-manifestation: he is the Conscious Being, Soul, Spirit, Purusha, and it is by his Nature, the force of his conscious self-existence that he is all things; he is the Ishwara, the omniscient and omnipotent All-ruler, and it is by his Shakti, his conscious Power, that he manifests himself in Time and governs the universe. These and similar statements taken together are all-comprehensive: it is possible for the mind to cut and select, to build a closed system and explain away all that does not fit within it; but it is on the complete and many-sided statement that we must take our stand if we have to acquire an integral knowledge.
   ~ Sri Aurobindo, The Life Divine, Book 02: The Knowledge and the Ignorance - The Spiritual Evolution, Part I, The Infinite Consciousness and the Ignorance Brahman, Purusha, Ishwara - Maya, Prakriti, Shakti [336-337],
19:A God's Labour
I have gathered my dreams in a silver air
   Between the gold and the blue
And wrapped them softly and left them there,
   My jewelled dreams of you.

I had hoped to build a rainbow bridge
   Marrying the soil to the sky
And sow in this dancing planet midge
   The moods of infinity.

But too bright were our heavens, too far away,
   Too frail their ethereal stuff;
Too splendid and sudden our light could not stay;
   The roots were not deep enough.

He who would bring the heavens here
   Must descend himself into clay
And the burden of earthly nature bear
   And tread the dolorous way.

Coercing my godhead I have come down
   Here on the sordid earth,
Ignorant, labouring, human grown
   Twixt the gates of death and birth.

I have been digging deep and long
   Mid a horror of filth and mire
A bed for the golden river's song,
   A home for the deathless fire.

I have laboured and suffered in Matter's night
   To bring the fire to man;
But the hate of hell and human spite
   Are my meed since the world began.

For man's mind is the dupe of his animal self;
   Hoping its lusts to win,
He harbours within him a grisly Elf
   Enamoured of sorrow and sin.

The grey Elf shudders from heaven's flame
   And from all things glad and pure;
Only by pleasure and passion and pain
   His drama can endure.

All around is darkness and strife;
   For the lamps that men call suns
Are but halfway gleams on this stumbling life
   Cast by the Undying Ones.

Man lights his little torches of hope
   That lead to a failing edge;
A fragment of Truth is his widest scope,
   An inn his pilgrimage.

The Truth of truths men fear and deny,
   The Light of lights they refuse;
To ignorant gods they lift their cry
   Or a demon altar choose.

All that was found must again be sought,
   Each enemy slain revives,
Each battle for ever is fought and refought
   Through vistas of fruitless lives.

My gaping wounds are a thousand and one
   And the Titan kings assail,
But I dare not rest till my task is done
   And wrought the eternal will.

How they mock and sneer, both devils and men!
   "Thy hope is Chimera's head
Painting the sky with its fiery stain;
   Thou shalt fall and thy work lie dead.

"Who art thou that babblest of heavenly ease
   And joy and golden room
To us who are waifs on inconscient seas
   And bound to life's iron doom?

"This earth is ours, a field of Night
   For our petty flickering fires.
How shall it brook the sacred Light
   Or suffer a god's desires?

"Come, let us slay him and end his course!
   Then shall our hearts have release
From the burden and call of his glory and force
   And the curb of his wide white peace."

But the god is there in my mortal breast
   Who wrestles with error and fate
And tramples a road through mire and waste
   For the nameless Immaculate.

A voice cried, "Go where none have gone!
   Dig deeper, deeper yet
Till thou reach the grim foundation stone
   And knock at the keyless gate."

I saw that a falsehood was planted deep
   At the very root of things
Where the grey Sphinx guards God's riddle sleep
   On the Dragon's outspread wings.

I left the surface gauds of mind
   And life's unsatisfied seas
And plunged through the body's alleys blind
   To the nether mysteries.

I have delved through the dumb Earth's dreadful heart
   And heard her black mass' bell.
I have seen the source whence her agonies part
   And the inner reason of hell.

Above me the dragon murmurs moan
   And the goblin voices flit;
I have pierced the Void where Thought was born,
   I have walked in the bottomless pit.

On a desperate stair my feet have trod
   Armoured with boundless peace,
Bringing the fires of the splendour of God
   Into the human abyss.

He who I am was with me still;
   All veils are breaking now.
I have heard His voice and borne His will
   On my vast untroubled brow.

The gulf twixt the depths and the heights is bridged
   And the golden waters pour
Down the sapphire mountain rainbow-ridged
   And glimmer from shore to shore.

Heaven's fire is lit in the breast of the earth
   And the undying suns here burn;
Through a wonder cleft in the bounds of birth
   The incarnate spirits yearn

Like flames to the kingdoms of Truth and Bliss:
   Down a gold-red stairway wend
The radiant children of Paradise
   Clarioning darkness' end.

A little more and the new life's doors
   Shall be carved in silver light
With its aureate roof and mosaic floors
   In a great world bare and bright.

I shall leave my dreams in their argent air,
   For in a raiment of gold and blue
There shall move on the earth embodied and fair
   The living truth of you.
   ~ Sri Aurobindo, Collected Poems, A God's Labour, 534,

*** WISDOM TROVE ***

*** NEWFULLDB 2.4M ***

1:Prometheus, I have no Titan's might, ~ Philip Jose Farmer,
2:See you on Titan,” said the grin. And then it was gone. ~ Kurt Vonnegut,
3:Meanwhile, Samson strides from the arena like a titan. ~ Victoria Aveyard,
4:Even devils should beware when bargaining with Thanos of Titan. ~ Jim Starlin,
5:I love you, Miss Justineau. I’ll be a god or a Titan for you, and save you. ~ M R Carey,
6:Nyx was older than any Olympian or Titan or giant, older even than Gaia. ~ Rick Riordan,
7:Facebook Inc is in talks to buy drone maker Titan Aerospace for $60 million, ~ Anonymous,
8:My little Dolly wasn’t my fucking slave. She was my goddess, a fucking titan ~ Tillie Cole,
9:Percy," Chiron said, his voice impossibly soft. "The titan Kronos is my father. ~ Rick Riordan,
10:Percy,’ Chiron said, his voice impossibly soft. ‘The titan Kronos is my father. ~ Rick Riordan,
11:Percy,” Chiron said, his voice impossibly soft. “The titan Kronos is my father. ~ Rick Riordan,
12:Vegas.
I was in Vegas with a Titan who needed to get drunk and laid. ~ Jennifer L Armentrout,
13:For me, [John Wheeler] was the last Titan, the only physics superhero still standing. ~ Max Tegmark,
14:SWEEP!' THe Titan grinned with delight and did a victory dance.'Sweep, sweep, sweep! ~ Rick Riordan,
15:There was a time, in living memory, when this nation bestrode the planet like a titan. ~ David Brin,
16:I wanted her.
So I would have her.
That’s how life worked when you were Lucas Titan ~ Meghan March,
17:Note to self: If you’re trying not to have kids, don’t marry a lady who is the Titan of motherhood. ~ Rick Riordan,
18:Mikasa Ackerman. A master of all subjects and widely considered one of the best in our history.
   ~ Attack On Titan,
19:As for me, I did the stupidest thing in my life, which is saying a lot. I attacked the Titan Lord Atlas. ~ Rick Riordan,
20:As for me, I did the stupidest thing of my life, which is saying a lot. I attacked the Titan Lord Atlas. ~ Rick Riordan,
21:Take Care of the People, and God Almighty Will Take Care of Himself. ~ Kurt Vonnegut, Jr. in The Sirens of Titan (1959),
22:Richard Wagner commenting on the music of Ludvig Van Beethoven: He was a Titan, wrestling with the Gods. ~ Ludwig van Beethoven,
23:The saint and the angel are not the only divinities; admire also the Titan and the giant. ~ Sri AurobindoThoughts and Aphorisms,
24:Their goal was in sight. They had a Titan with a very loud kitten on their side. That had to count for something. ~ Rick Riordan,
25:Maybe he’s mellowed with age?” I suggested. “It only took him, what, a millennia to get over being beaten in the Titan Wars? ~ Steve McHugh,
26:great Cyclopean cities of titan blocks and sky-flung monoliths, all dripping with green ooze and sinister with latent horror. ~ H P Lovecraft,
27:You’re so cute. I wish all my daughters could break the heart of a boy as nice as you. (The Titan’s Curse - Chapter 13, Page 187) ~ Rick Riordan,
28:Oh, my dad is the all-powerful evil Titan lord who wants to destroy Western Civilization. I want to be just like him when I grow up! ~ Rick Riordan,
29:The Titan and the Fury and the Djinn
Lie bound in the subconscient’s cavern pit ~ Sri Aurobindo, Savitri, The Parable of the Search for the Soul,
30:Calypso the goddess nymph of the mythical island of Ogygia; a daughter of the Titan Atlas. She detained the hero Odysseus for many years. ~ Rick Riordan,
31:The 30-year-old tech titan billed the acquisition as part of a drive to build the "next major computing platform that will come after mobile. ~ Anonymous,
32:I hate you.”
“But you want me.”
“Fuck you, Titan.”
“No, Yve. I’m going to fuck you. And you’re going to love it. ~ Meghan March,
33:When I looked back, all I could see were flashes of green and blue as my father fought the Titan and the sea itself was torn apart by the two armies. ~ Rick Riordan,
34:I will call him Small Bob," said Bob. "He is a good monster." End of discussion.The Titan hefted his spear and they continued marching into the gloom. ~ Rick Riordan,
35:I swallowed, hoping my voice still worked. “You’re— you’re even uglier than your son,” I taunted the Titan. “I can see where Atlas gets his stupidity from. ~ Rick Riordan,
36:I will call him Small Bob," said Bob. "He is a good monster."

End of discussion.The Titan hefted his spear and they continued marching into the gloom. ~ Rick Riordan,
37:The American: a titan enamored of progress, a fanatical giant who worships "getting things done" but never asks himself what he is doing nor why he is doing it. ~ Octavio Paz,
38:Yet was the battle decreed for the means supreme of the mortal
Placed in a world where all things strive from the worm to the Titan. ~ Sri Aurobindo, Collected Poems, Ilion,
39:A monstrous birth prepared its cosmic form
In Nature’s titan embryo, Ignorance. ~ Sri Aurobindo, Savitri, The World of Falsehood, the Mother of Evil and the Sons of Darkness,
40:If one of theirs they see scale heaven’s peaks,
Men then can hope to learn that titan climb. ~ Sri Aurobindo, Savitri, Nirvana and the Discovery of the All-Negating Absolute,
41:Street traders, unabashed about being wealthy, about being single and aggressive and possibly dangerous. He was a free-spending global titan in his early fifties who ~ Dave Eggers,
42:The visage of Lucifer mushroomed into hideousness above the cloudbank, rising slowly like some titan climbing to its feet after ages of imprisonment in the Earth. ~ Walter M Miller Jr,
43:I smite the Titan who bestrides the world
And slay the ogre in his blood-stained den.
I am Durga, goddess of the proud and strong ~ Sri Aurobindo, Savitri, The Triple Soul-Forces,
44:Time's works
The giant’s and the Titan’s furious march
Climbs to usurp the kingdom of the gods
Or skirts the demon magnitudes of Hell; ~ Sri Aurobindo, Savitri, The Word of Fate,
45:If only you would quit squirming.. I'm gonna make ground meat out of you... And I can't do it properly if you don't stay put.
- Lance Corporal Levi (talking to a titan) ~ Hajime Isayama,
46:I’ve met plenty of embarrassing parents, but Kronos, the evil Titan Lord who wanted to destroy Western Civilization? Not the kind of dad you invited to school for Career Day. ~ Rick Riordan,
47:I’ve met plenty of embarrassing parents, but Kronos, the evil Titan Lord who wanted to destroy Western Civilization? Not the kind of dad you invited to
school for Career Day. ~ Rick Riordan,
48:We have at last glimpsed the surface of the fabled world, Titan, Saturn's largest moon and the greatest single expanse of unexplored territory remaining in the Solar System today. ~ Carolyn Porco,
49:They [Percy and Annabeth] held the Doors shut as the elevator shuddered and the music played, while somewhere below them, a Titan and a giant sacrificed their lives for their escape. ~ Rick Riordan,
50:On Titan the molecules that have been raining down like manna from heaven for the last 4 billion years might still be there largely unaltered deep-frozen awaiting the chemists from Earth ~ Carl Sagan,
51:Climb not to Godhead by the Titan’s road.
Against the Law he pits his single will,
Across its way he throws his pride of might. ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
52:You couldn't save your mom because you weren't strong enough to do so. As for me, I couldn't stand and face the titan because I simply didn't have the courage! Forgive me... Forgive me. ~ Hajime Isayama,
53:Thousands of years ago, after the big Titan—God war, the gods had sliced him to bits with his own scythe and scattered his remains in Tartarus, which is like the gods’ bottomless recycling bin for their enemies. ~ Anonymous,
54:No library of American business achievement is complete without the story of Arthur G. Gaston. . . . Black Titan is a long overdue contribution to the recording of not just black history, but American history. ~ Earl G Graves Sr,
55:Thousands of years ago, after the big Titan-God war, the gods had sliced him into bits with his own scythe and scattered his remains in Tartarus, which is like the gods’ bottomless recycling bin for their enemies. ~ Rick Riordan,
56:PERCY MISSED BOB. He’d gotten used to having the Titan on his side, lighting their way with his silver hair and his fearsome war broom. Now their only guide was an emaciated corpse lady with serious self-esteem issues. ~ Rick Riordan,
57:Men hail in my coming the Almighty's force
   Or praise with thankful tears his saviour Grace.
   I smite the Titan who bestrides the world
   And slay the ogre in his blood-stained den.
   ~ Sri Aurobindo, Savitri, The Triple Soul-Forces,
58:In a chance happening, fate’s whims and the blind workings or dead drive of a brute Nature,
In her dire Titan caprice, strength that to death drifts and to doom, hidden a Will labours. ~ Sri Aurobindo, The Future Poetry, The Lost Boat,
59:Bob … the Titan … he only helped us in Tartarus because you were kind to him. You told him we were worth saving. That’s the only reason we’re alive.’ She said we so easily, as if she and Percy were interchangeable, inseparable. ~ Rick Riordan,
60:Meditation on Savitri, August 26, 2020, Wednesday.Yet all it does is on an infant's scale,As if the cosmos were a nursery game,Mind, life the playthings of a Titan's babe. ~ Sri Aurobindo, (1993). Savitri, Puducherry: Sri Aurobindo Ashram, p. 243,
61:Dear religious, all-powerful entity, please help me be professional. Please help me resist sleeping with my sexual titan of a boss on this business trip. In the name of God or Krishna or Moses, or whoever can freaking help me. Amen. ~ Annabel Joseph,
62:Monsters are eternal,” she told him, trying to keep herself from sobbing. “We will remember you and Damasen as heroes, as the best Titan and the best giant. We'll tell our children. We'll keep the story alive. Someday, you will regenerate. ~ Rick Riordan,
63:Five shall go west to the goddess in chains, One shall be lost in the land without rain, The bane of Olympus shows the trail, Campers and Hunters combined prevail, The Titan's curse must one withstand, And one shall perish by a parent's hand ~ Rick Riordan,
64:credit, Mr. Jackson. Zeus did indeed feed Kronos a mixture of mustard and wine, which made him disgorge his other five children, who, of course, being immortal gods, had been living and growing up completely undigested in the Titan’s stomach. ~ Rick Riordan,
65:Five shall go west to the goddess in chains, One shall be lost in the land without rain, The bane of Olympus shows the trail, Campers and Hunters combined prevail, The Titan’s curse must one withstand, And one shall perish by a parent’s hand. ~ Rick Riordan,
66:And throngs of blue-black clouds crept through the sky
And rain fled sobbing over the dripping leaves
And storm became the forest’s titan voice. ~ Sri Aurobindo, Savitri, The Joy of Union; the Ordeal of the Foreknowledge of Death and the Heart’s Grief and Pain,
67:Our will labours permitted by thy will
And without thee an empty roar of storm,
A senseless whirlwind is the Titan’s force
And without thee a snare the strength of gods. ~ Sri Aurobindo, Savitri, The Eternal Day, The Soul’s Choice and the Supreme Consummation,
68:I was early taught to work as well as play, My life has been one long, happy holiday; Full of work and full of play— I dropped the worry on the way— And God was good to me every day. That titan was John D. Rockefeller, who wrote the poem at age eighty-six. ~ Vishen Lakhiani,
69:Five shall go west to the goddess in chains,
One shall be lost in the land without rain,
The bane of Olympus shows the trail,
Campers and Hunters combined prevail,
The Titan's curse must one withstand,
And one shall perish by a parent's hand ~ Rick Riordan,
70:The Titan’s heart is a sea of fire and force;
He exults in the death of things and ruin and fall,
He feeds his strength with his own and others’ pain;
In the world’s pathos and passion he takes delight, ~ Sri Aurobindo, Savitri, The Way of Fate and the Problem of Pain,
71:Time was when I was young, like you, and played Like you, the unconquerable Titan's part; Year after year I toiled and moiled for bread, Which hardens a man's hand, but not his heart. For northern fells my lonely home surrounded, And by my parish bounds my world was bounded. ~ Henrik Ibsen,
72:To be a common man mid common men
And live an unaspiring mortal life
Than call into oneself a Titan strength
Too dire and mighty for its human frame,
That only afflicts the oppressed astonished world,
Then breaks its user. ~ Sri Aurobindo, Collected Plays and Stories, Act V,
73:Why do you not disintegrate? Tartarus mused. You are nothing. You are even weaker than Krios and Hyperion. “I am Bob,” said Bob. Tartarus hissed. What is that? What is Bob? “I choose to be more than Iapetus,” said the Titan. “You do not control me. I am not like my brothers. ~ Rick Riordan,
74:I imagined having that bronzed dragon in our fight against the Titan lord Kronos. His monsters would think twice about attacking camp if they have to face that thing. On the other hand, if the dragon decided to go berserk again and attack the campers-that would pretty much stink. ~ Rick Riordan,
75:Christmas in the Underworld was NOT my idea. If I'd known what was coming, I would've called in sick. I could've avoided an army of demons, a fight with a Titan, and a trick that almost got my friends and me cast into eternal darkness. But no, I had to take my stupid English exam. ~ Rick Riordan,
76:the Japanese had won by being more European than the Russians; their ships were more modern, their troops better disciplined, their artillery more effective. To Leo Tolstoy, the titan of Russian letters, Japan’s victory looked like a straightforward triumph of Western materialism. ~ Niall Ferguson,
77:Christmas in the Underworld was NOT my idea.
If I'd known what was coming, I would've called in sick. I could've avoided an army of demons, a fight with a Titan, and a trick that almost got my friends and me cast into eternal darkness.
But no, I had to take my stupid English exam. ~ Rick Riordan,
78:So you could value your own life," replied the Titan. "Before that you were under the gods' thumbs, doing their bidding without caring if you lived or died. When you could see that life was worth living by your fear of the unknown that was death, then you could really make things happen. ~ Jasper Fforde,
79:Let us find the dam snack bar,” Zoë said. “We should eat while we can.”
Grover cracked a smile. “The dam snack bar?”
Zoë blinked. “Yes. What is funny?”
“Nothing,” Grover said, trying to keep a straight face. “I could use some dam french fries.” (The Titan’s Curse - chapter 14 page 208) ~ Rick Riordan,
80:In fact, humans on Titan could fly by muscle power. A human in a hang glider could comfortably take off and cruise around powered by oversized swim-flipper boots—or even take off by flapping artificial wings. The power requirements are minimal—it would probably take no more effort than walking. ~ Randall Munroe,
81:Crash was a great player, and while I’d been a bit worried about facing him in the tournament before, he’d developed Titan Gate. If this world was as similar as it seemed to be, he’d likely know tons of secrets that could help us. Having him here would be like having Harry Dresden’s talking skull! ~ J A Cipriano,
82:God's Tread
Once we have chosen to be as the gods, we must follow that motion.
Knowledge must grow in us, might like a Titan’s, bliss like an ocean,
Calmness and purity born of the spirit’s gaze on the Real,
Rapture of his oneness embracing the soul in a clasp ~ Sri Aurobindo, Collected Poems, Ahana,
83:World-destiny waits upon that foaming lip.
A Titan Power upholds this pigmy man,
The crude dwarf instrument of a mighty Force.
Hater of the free spirit’s joy and light,
Made only of strength and skill and giant might,
A Will to trample humanity ~ Sri Aurobindo, Collected Poems, The Dwarf Napoleon,
84:But I’ve never seen the Icarus story as a lesson about the limitations of humans. I see it as a lesson about the limitations of wax as an adhesive. The cold of Titan is just an engineering problem. With the right refitting, and the right heat sources, a Cessna 172 could fly on Titan—and so could we. ~ Randall Munroe,
85:We, in our less than divine wisdom but apparently quite divine powers, are now transforming the planet like an Olympian might have created an Ice Age, or a Titan might have thrown down an asteroid from the sky to kill off a bunch of dinosaurs.

We are the gods.

Our scientists have said so. ~ Kate Bernheimer,
86:You don’t own a thing unless you can give it up, what does it profit a man, it profits him nothing, it profits him zilch, and you don’t learn that in school, you learn it on the road, you learn it from Ferd Janklow, and Wolf, and Richard going head-first into the rocks like a Titan II that didn’t fire off right. ~ Stephen King,
87:After American titan and presidential father Joseph P. Kennedy suffered a stroke that impacted one side of his body, guests pretended not to notice the impact. Jackie Kennedy, however, held the impacted hand and kissed the affected side of his face, facing his disability and giving him the courage to do so. ~ Sally Bedell Smith,
88:Kronos became the Titan of time. He couldn’t pop around the time stream like Doctor Who or anything, but he could occasionally make time slow down or speed up. Whenever you’re in an incredibly boring lecture that seems to take forever, blame Kronos. Or when your weekend is way too short, that’s Kronos’s fault, too. ~ Rick Riordan,
89:A vein. Anduin’s mind went immediately to the intricate network of veins and arteries that went through a living body. Strange how so long ago, well before anyone understood that Azeroth was a sleeping nascent titan, the term “vein” had been used to describe the ribbons of various minerals that ran throughout the world. ~ Christie Golden,
90:Now, when you hear some people advocating or warning against “geoengineering” Earth by spraying sun-blocking aerosols into the upper atmosphere, they are proposing to induce a process that is constantly at work on Titan. I’ll return to the physics, and the wisdom, of such an anti-greenhouse project in chapter 4. Climate ~ David Grinspoon,
91:I'm the son of Jupiter, I'm a child of Rome, consul to demigods, praetor of the First Legion. I slew the Trojan sea monster, I toppled the black throne of Kronos, and destroyed Titan Krios with my own hand. And now I'm going to destroy you Porphyrion, and feed you to your own wolves." "Wow, dude," Leo muttered, "You been eating red meat? ~ Rick Riordan,
92:I'm the son of Jupiter, I'm a child of Rome, consul to demigods, praetor of the First Legion. I slew the Trojan sea monster, I toppled the black throne of Kronos, and destroyed Titan Krios with my own hand. And now I'm going to destroy you Porphyrion, and feed you to your own wolves."
"Wow, dude," Leo muttered, "You been eating red meat? ~ Rick Riordan,
93:the same sorcery that had defeated the attempts of Senar and a handful of other Guardians to punch through the gates of the titan fortress in Karalat two years ago. Memories of that day came back to him: shoving Luker Essendar aside so he could be first up the ladder to the battlements, arrows flitting through an evening sky shot through with bronze ~ Marc Turner,
94:Then Grover had a brilliant, totally Grover-like idea.
“Burrito fight!” he yelled, and flung his Guacamole Grande at the nearest skeleton.

“Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it’s right up there with grenades and cannonballs.” (The Titan’s Curse - chapter 14, page 216) ~ Rick Riordan,
95:For a long time, I was convinced that love potion resided in his mouth. On his tongue.   But I was wrong. The source of his power is the Titan.   It’s practically a godly entity of its own when it's awakened.   Every time I think my sexual credit card is maxed out, he touches me and I'm ready to go shopping again.   And we all know how much I love to shop. ~ Jillian Dodd,
96:But the most impressive Markov warriors and Siren Servers are not at Google or Amazon or Facebook. They reside at a little-known but astonishingly successful company transforming the world of finance. The real Markovian masters of the universe run a venture in Setauket, Long Island, called Renaissance Technologies. It is the Google-era titan of finance and investment. ~ George Gilder,
97:Consider the results of a study conducted at Northwestern University. Researchers gave online participants information about a pair of sofas we’ll call the Dream and the Titan. The two, manufactured by different furniture companies, were comparable in all respects except for their cushions. The Dream’s cushions were softer and more comfortable than the Titan’s but less durable. In ~ Robert B Cialdini,
98:To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From it's own wreck the thing it contemplates; Neither to change, not falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous,beautiful and free; This is alone Life, Joy, Empire, and Victory ~ Percy Bysshe Shelley,
99:To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems Omnipotent; To love, and bear; to hope, till Hope creates From its own wreck the thing it contemplates; Neither to change, nor falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory. ~ Percy Bysshe Shelley,
100:We got an expression ride back to the palace of Hades. Nico sent word ahead, thanks to some ghost he summoned out of the ground, and within a few minutes the Three Furies themselves arrived to ferry us back. They weren't thrilled about lugging Bob the Titan, too, but I didn't have the heart to leave him behind, especially after he noticed my shoulder wound, said, "Owie", and healed it with a touch. ~ Rick Riordan,
101:Hence the importance of patience in the New Testament, which becomes the basic constituent of Christianity, more central even than humility: the power to wait, to persevere, to hold out, to endure to the end, not to transcend one's own limitations, not to force issues by playing the hero or the titan, but to practice the virtue that lies beyond heroism, the meekness of the Lamb which is led. ~ Hans Urs von Balthasar,
102:Martin Scorcese is probably America's greatest living director, and while he is not a titan like John Ford or Alfred Hitchcock or Federico Fellini, he is certainly consistently more interesting than Steven Spielberg, Brian de Palma, Francis Ford Coppola or Woody Allen. Even a failure like Gangs of New York or a curiosity like The Aviator is more interesting and ambitious than Munich, The Black Dahlia or Scoop. ~ Joe Queenan,
103:To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From it's own wreck the thing it contemplates;
Neither to change, not falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous,beautiful and free;
This is alone Life, Joy, Empire, and Victory ~ Percy Bysshe Shelley,
104:Hamm’s vision of better times for his company and his country was dismissed as unrealistic, if not half-baked. If someone was going to become a new oil titan, it surely wasn’t going to be Harold Hamm. Meeting Hamm sometimes reinforced the doubts. He had a humble upbringing, didn’t hold a college degree, and spoke in a slow country drawl. Earlier in his career, he had raised eyebrows by struggling with his speech. ~ Gregory Zuckerman,
105:To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy power, which seems omnipotent;
To love, and bear! to hope till Hope creates
From its own wreck the thing it contemplates!
Neither to change, nor falter, nor repent!
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is a long Life, Joy, Empire, and Victory. ~ Percy Bysshe Shelley,
106:We linked arms, and the Titan-man led us in prayer.  He called out to the Great Mystery of the universe and thanked it for the bounty by which we all lived, the generosity of the growing land and of the animals who gave us their lifeblood, and most importantly, he said, the compassion of the human heart.  The prayer, I thought, was profoundly touching, and maybe more meaningful than anything I had ever heard in a church. ~ Rose Christo,
107:ANNABETH WANTED TO HATE NEW ROME. But as an aspiring architect, she couldn’t help admiring the terraced gardens, the fountains and temples, the winding cobblestone streets and gleaming white villas. After the Titan War last summer, she’d gotten her dream job of redesigning the palaces of Mount Olympus. Now, walking through this miniature city, she kept thinking, I should have made a dome like that. I love the way those columns lead into that ~ Rick Riordan,
108:His heart lifted to a state approaching something like happiness, however, when he heard, unexpectedly, the sound of Rhea's low sweet voice humming gently to herself as she came up the slope towards the mountaintop. Loveliest sister and dearest wife! It was quite natural that she had been a little upset by his consumption of their six children, but she surely understood that he had had no choice. She was a Titan, she knew about duty and destiny. ~ Stephen Fry,
109:But along with these scary thoughts, she also thinks: Sergeant has a name. The same way the teachers do. The same way the children do. Up until now, Sergeant has been more like a god or a Titan to Melanie; now she knows that he’s just like everyone else, even if he is scary. He’s not just Sergeant, he’s Sergeant Parks. The enormity of that change, more than anything else, is what keeps her awake until the doors unlock in the morning and the teachers come. ~ M R Carey,
110:God! Could it be possible that here lay the mortal relics of half the titan thinkers of all the ages; snatched by supreme ghouls from crypts where the world thought them safe, and subject to the beck and call of madmen who sought to drain their knowledge for some still wilder end whose ultimate effect would concern, as poor Charles had hinted in his frantic note, ‘all civilisation, all natural law, perhaps even the fate of the solar system and the universe’? ~ H P Lovecraft,
111:I am strong... Extra-ordinarily so much more than you guys! Therefore, I am perfectly capable of kicking those titan scumbags' collective ass including on my own if I have to. Are you all such a bunch incompetents? You gutless spineless cowards. You just stay there and watch in helpless envy. Yeah, you do that. If it is (impossible), then I'll die... It's just that simple. But if I win, I get to live. You don't stand a single chance to win unless you fight. ~ Hajime Isayama,
112:Grinning, Atlas followed her inside. He liked this softer side of her. She stood in the center, twirling, clearly trying to take everything in at once. He’d spread furs on the floor and had even carted a small round table here and piled it high with her favorite foods. There was a porcelain tub already filled with steaming water, rose petals floating on the surface. Never let it be said that the Titan god of Strength did not know how to romance a woman. Nike’s ~ Gena Showalter,
113:I stand in awe of my body, this matter to which I am bound has become so strange to me. I fear not spirits, ghosts, of which I am one- but I fear bodies, I tremble to meet them. What is this Titan that has possession of me? Talk of mysteries! Think of our life in nature,- daily to be shown matter, to come in contact with it,- rocks, trees, wind on our cheeks! the solid earth! the actual world! the common sense! Contact! Contact! Who are we? where are we?... ~ Henry David Thoreau,
114:We can tell this story without the help of the Devil, if it makes you more comfortable. Consider the story of the Greek Titan Prometheus. Prometheus stole fire from the Gods and gave it to mankind. As a punishment, Zeus chained him to a rock and he had his liver eaten out by a giant eagle. Then the liver grew back, and the eagle feasted again. In this way Prometheus was tortured for eternity. All of which illustrates a profound truth, which is that Gods are bastards. ~ J M R Higgs,
115:Another readily detected biomarker is Earth's sustained level of the molecule methane, two thirds of which is produced by human-related activities...[including] burps and farts of domestic livestock. Natural sources...include decomposing vegetation in wetlands, and termite effluences. At this very moment, astrobiologists are arguing over the exact origin of...the copious quantities of methane on Saturn's moon Titan, where cows and termites we presume do not dwell. ~ Neil deGrasse Tyson,
116:Terraforming Mars is a primary goal for the twenty-second century. But scientists are looking beyond Mars as well. The most exciting prospects may be the moons of the gas giants, including Europa, a moon of Jupiter, and Titan, a moon of Saturn. The moons of gas giants were once thought to be barren hunks of rock that were all alike, but they are now seen as unique wonderlands, each with its own array of geysers, oceans, canyons, and atmospheric lights. These moons are now being eyed as future habitats for human life. ~ Michio Kaku,
117:For a time, the press lord William Randolph Hearst did everything in his vast powers to keep the film “Citizen Kane” from finding an audience. He intimidated theater owners, refused to let ads run in his newspapers, and even pressured studio sycophants to destroy the negative. At first, the titan of San Simeon had his way: the film faded from view after a splashy initial release. But over the years, “Citizen Kane” came to be recognized for the masterpiece it is, and now regularly tops lists as the greatest film ever made. ~ Anonymous,
118:Örneğin Haziran 2013 itibariyle dünyanın en hızlı süper bilgisayarı unvanına sahip olan Çin yapımı Tianhe-2’nin toplam 3.120.000 çekirdeği var. Cray Inc. (ABD) tarafından üretilen dünya ikincisi Titan’ın 560.640, IBM (ABD) tarafından üretilen dünya üçüncüsü Sequia’nın ise toplam 1.572.864 mikroişlemcisi var. IBM tarafından açıklandığına göre Sequoia, 6.700.000.000 kişinin hesap makinesi kullanarak 320 senede yapabileceği işlemi sadece bir saat içinde gerçekleştiriyor, sadece bu gerçek bile paralel hesaplamanın gücünü gözler önüne seriyor ~ Anonymous,
119:The movie Fifty Shades of Grey is considerably better written than the book. It is also sort of classy-looking, in a generic, TV-ad-for-bath-oil way. Dakota Johnson, who plays the virgin English-literature major Anastasia Steele, and Jamie Dornan, who plays Christian Grey, the wildly rich and sexually particular business titan who wants Miss Steele in his playroom, are exceedingly attractive actors with enviably supple bodies well suited to nakedness. And really, under the circumstances, movable parts matter more than acting skills. ~ Lisa Schwarzbaum,
120:In addition to the Kochs, this group included Richard Mellon Scaife, an heir to the Mellon banking and Gulf Oil fortunes; Harry and Lynde Bradley, midwesterners enriched by defense contracts; John M. Olin, a chemical and munitions company titan; the Coors brewing family of Colorado; and the DeVos family of Michigan, founders of the Amway marketing empire. Each was different, but together they formed a new generation of philanthropist, bent on using billions of dollars from their private foundations to alter the direction of American politics. ~ Jane Mayer,
121:In addition to the Kochs, this group included Richard Mellon Scaife, an heir to the Mellon banking and Gulf Oil fortunes; Harry and Lynde Bradley, midwesterners enriched by defense contracts; John M. Olin, a chemical and munitions company titan; the Coors brewing family of Colorado; and the DeVos family of Michigan, founders of the Amway marketing empire. Each was different, but together they formed a new generation of philanthropist, bent on using billions of dollars from their private foundations to alter the direction of American politics. — ~ Jane Mayer,
122:Annabeth decided the monsters wouldn’t kill her. Neither would the poisonous atmosphere, nor the treacherous landscape with its pits, cliffs and jagged rocks. Nope. Most likely she would die from an overload of weirdness that would make her brain explode. First, she and Percy had had to drink fire to stay alive. Then they were attacked by a gaggle of vampires, led by a cheerleader Annabeth had killed two years ago. Finally, they were rescued by a Titan janitor named Bob who had Einstein hair, silver eyes and wicked broom skills. Sure. Why not? ~ Rick Riordan,
123:Blind hope. Blind hope is all we have. There's a Greek tragedy called Prometheus Bound; Prometheus is the [titan] that gave humans fire. He's chained to a rock and bemoaning his fate and saying, "I gave you everything. By giving you fire, I gave you blind hope. By giving you a little light that kept you warm at night, I let you believe that this was all going to be okay." For me, that's what art has been. Music and books, it's an act of hope to make them, and it's an act of hope to listen to them. That hope will be dashed, you will say goodbye. ~ Torquil Campbell,
124:I tried to imagine how things could get much worse. The gods were in the Midwest fighting a huge monster that had almost defeated them once before. Poseidon was under siege and losing a war against the sea Titan Oceanus. Kronos was still out there somewhere. Olympus was virtually undefended. The demigods of Camp Half-Blood were on our own with a spy in our midst. Oh, and according to the ancient prophecy, I was going to die when I turned sixteen—which happened to be in five days, the exact same time Typhon was supposed to hit New York. Almost forgot that. ~ Rick Riordan,
125:I tried to imagine how things could get much worse. The gods were in the Midwest fighting a huge monster that had almost defeated them once before. Poseidon was under siege and losing a war against the sea Titan Oceanus.
Kronos was still out there somewhere. Olympus was virtually undefended. The demigods of Camp Half-Blood were on our own with a spy in our midst.
Oh, and according to the ancient prophecy, I was going to die when I turned sixteen—which happened to be in five days, the exact same time Typhon was supposed to hit New York. Almost forgot that. ~ Rick Riordan,
126:My name is Parker Black. I sometimes work as BlackDawn. My employer is Titan, and my training is from both the Marines and MIT.” “I know.” “But you don’t know what that means. I will kill to protect you. I will hunt what follows you,” he said through clenched teeth. “I will seek out anything that has its sights on you, and I will destroy it. I’m not a muscle hound with a hard-on for electronics. I’m a mercenary for the good guys, an analyst of life-and-death situations, and I will, I swear to Christ, maim, harm, and kill anything that wants what I care about. ~ Cristin Harber,
127:How do you greet a god? If there’s an etiquette guide for that, I haven’t read it. I’m never sure if I’m supposed to shake hands, kneel, or bow and shout, “We’re not worthy!” I knew Hermes better than most of the Olympians. Over the years, he’d helped me out several times. Unfortunately last summer I’d also fought his demigod son Luke, who’d been corrupted by the Titan Kronos, in a mortal combat smack-down for the fate of the world. Luke’s death hadn’t been entirely my fault, but it still put a damper on my relationship with Hermes. I decided to start simple. “Hi. ~ Rick Riordan,
128:Keeda had survived the death of her Titan, murdered by a Lysander Reaver in black and white that killed them without looking twice. She survived the wracking pain of severance from the Syrgalah's great-hearted machine spirit - a soul she adored and would willingly died to defend. She'd pulled her mutilated colleague free from imminent death and bidden her dead mentor farewell. She'd even fired hopelessly a soldier sworn to kill her, who she knew she could never have harmed.

But she only started screaming when a demon embraced and said he'd come to save her life. ~ Aaron Dembski Bowden,
129:Keeda har survived the death of her Titan, murdered by a Lysander Reaver in black and white that killed them without looking twice. She survived the wracking pain of severance from the Syrgalah's great-hearted machine spirit - a soul she adored and would willingly died to defend. She'd pulled her mutilated colleague free from imminent death and bidden her dead mentor farewell. She'd even fired hopelessly a soldier sworn to kill her, who she knew she could never have harmed.

But she only started screaminghwhen a demon embraced and said he'd come to save her life. ~ Aaron Dembski Bowden,
130:Keeda har survived the death of her Titan, murdered by a Lysander Reaver in black and white that killed them without looking twice. She survived the wracking pain of severance from the Syrgalah's great-hearted machine spirit - a soul she adored and would willingly died to defend. She'd pulled her mutilated colleague free from imminent death and bidden her dead mentor farewell. She'd even fired hopelessly a soldier sworn to kill her, who she knew she could never have harmed.

But she only started screaming when a demon embraced and said he'd come to save her life. ~ Aaron Dembski Bowden,
131:The vastness and deadly desolation of the field, the long-distance operation of steel machines, and the relay of every movement in the night drew an unyielding Titan’s mask over the proceedings. You moved toward death without seeing it; you were hit without knowing where the shot came from. Long since had the precision shooting of the trained marksman, the direct fire of guns, and with it the charm of the duel, given way to the concentrated fire of mechanized weapons. The outcome was a game of numbers: Whoever could cover a certain number of square meters with the greater mass of artillery fire, won. ~ Ernst J nger,
132:Titan’s upper atmosphere is a nonstop factory of complex organics, which both shroud this world in its permanent smoggy haze and snow down on the icy surface. There they gather in vast dune fields that blow around in the nitrogen winds and dissolve in the methane lakes. The presence of all these organics on Titan resembles our picture of the primordial Earth and the conditions that led to the origin of life. It seems to present a freeze-dried portrait of a crucial lost phase in our own biological origin story. This is one reason we astrobiologists are obsessed with Titan. Another is the fascinating and complex climate balance. Like ~ David Grinspoon,
133:He looks up. Again, it is there in the sky. The planet of awesome size, lit by no sun. An invisible titan, all thick black forests and jagged mountains and deep, turbulent oceans. It is very close now. So close that he wonders if he could touch it. As he reaches up, he thinks he sees movement on its surface. Through the canopy of the forests and upon the slopes of the mountains and on the shores of the churning ocean. People maybe. Crowds of people all wrapped in white cloth. They are leaning into each other like dropped puppets. They sway lifelessly. He feels horror in the back of his throat, but still he reaches up.  He can’t help himself. It’s just what he does next. ~ Joseph Fink,
134:In a way, Melanie’s feelings about Miss Justineau have changed too, after that day. Or rather, they haven’t changed at all, but they’ve become about a hundred times stronger. There can’t be anyone better or kinder or lovelier than Miss Justineau anywhere in the world; Melanie wishes she was a god or a Titan or a Trojan warrior, so she could fight for Miss Justineau and save her from Heffalumps and Woozles. She knows that Heffalumps and Woozles are in Winnie-the-Pooh, not in a Greek myth, but she likes the words, and she likes the idea of saving Miss Justineau so much that it becomes her favourite thought. She thinks about it whenever she’s not thinking about anything else. ~ M R Carey,
135:Milton (Alcaics)
O mighty-mouth'd inventor of harmonies,
O skill'd to sing of Time or Eternity,
God-gifted organ-voice of England,
Milton, a name to resound for ages;
Whose Titan angels, Gabriel, Abdiel,
Starr'd from Jehovah's gorgeous armouries,
Tower, as the deep-domed empyrean
Rings to the roar of an angel onset-Me rather all that bowery loneliness,
The brooks of Eden mazily murmuring,
And bloom profuse and cedar arches
Charm, as a wanderer out in ocean,
Where some refulgent sunset of India
Streams o'er a rich ambrosial ocean isle,
And crimson-hued the stately palm-woods
Whisper in odorous heights of even.
~ Alfred Lord Tennyson,
136:author class:Sri Aurobindo
A Child's Imagination
O thou golden image,
Miniature of bliss,
Speaking sweetly, speaking meetly!
Every word deserves a kiss.
Strange, remote and splendid
Childhood's fancy pure
Thrills to thoughts we cannot fathom,
Quick felicities obscure.
When the eyes grow solemn
Laughter fades away,
Nature of her mighty childhood
Recollects the Titan play;
Woodlands touched by sunlight
Where the elves abode,
Giant meetings, Titan greetings,
Fancies of a youthful God.
These are coming on thee
In thy secret thought;
God remembers in thy bosom
All the wonders that He wrought.
~ Sri Aurobindo, - A Child.s Imagination
,
137:I have graded my separate works from A to D. The grades I hand out to myself do not place me in literary history. I am comparing myself with myself. Thus can I give myself an A-plus for Cat’s Cradle, while knowing that there was a writer named William Shakespeare. The report card is chronological, so you can plot my rise and fall on graph paper, if you like:
Player Piano B
The Sirens of Titan A
Mother Night A
Cat’s Cradle A-plus
God Bless You, Mr. Rosewater A
Slaughterhouse-Five A-plus
Welcome to the Monkey House B-minus
Happy Birthday, Wanda June D
Breakfast of Champions C
Wampeters, Foma & Grandfalloons C
Slapstick D
Jailbird A
Palm Sunday C ~ Kurt Vonnegut,
138:But I will not allow you to be put down. You aren’t done with this life yet, little badass. You just got a big old beast put inside you, and you have to learn how to work with her.” “How?” “With support. You have Samuel and Red Havoc. And first and foremost, you have me for as long as you want. For every breath, every smile, every tear, I’ll be here right here beside you. Leaving didn’t fix anything for either of us. It hurt She-Devil, it hurt you, it hurt me, it hurt Titan. I tried to let you go so you could have a better life, but it didn’t take. So, this is where we dig our toes in against the hurricane that is your monster kitty and walk through the damn storm together. Deal? No quitting. I won’t let you. ~ T S Joyce,
139:Science fiction didn’t see the mobile phone coming. It certainly didn’t see the glowing glass windows many of us carry now, where we make things amazing happen by pointing at it with our fingers like goddamn wizards. That, by the way, is what Steve Jobs meant when he said that iPads were magical. The central metaphor is magic. And perhaps magic seems an odd thing to bring up here, but magic and fiction are deeply entangled, and you are all now present at a séance for the future. We are summoning it into the present. It’s here right now. It’s in the room with us. We live in the future. We live in the Science Fiction Condition, where we can see under atoms and across the world and across the methane lakes of Titan. ~ Warren Ellis,
140:Stop this!” he shouted. “Your woodland magic is no match for a Titan!” But the more he struggled, the faster the roots grew. They curled about his body, thickening and hardening into bark. His golden armor melted into the wood, becoming part of a large trunk. The music continued. Hyperion’s forces backed up in astonishment as their leader was absorbed. He stretched out his arms and they became branches, from which smaller branches shot out and grew leaves. The tree grew taller and thicker, until only the Titan’s face was visible in the middle of the trunk. “You cannot imprison me!” he bellowed. “I am Hyperion! I am—” The bark closed over his face. Grover took his pipes from his mouth. “You are a very nice maple tree. ~ Rick Riordan,
141:Come on, let's get you an apron."
There probably wasn't any real point in making him wear something over his fur and ragged clothes. Still, she tied a tablecloth up and around his neck, trying not to make him look ridiculous.
Actually, if the thick white cloth had leather straps, he could easily be Hephaestus or one of his titan helpers working the forge on Olympus.
But they were going to make ratatouille, not swords for heroes.
"...And buckwheat crepes, and an onion tart, and coq au... um... Riesling, in a skillet," she added thoughtfully, looking at the time. The clock in the kitchen didn't talk, thankfully. "We don't have time for a true coq au vin or cassoulet. Oooh, and a tarte tatin for dessert! ~ Liz Braswell,
142:Jonathan said, “We’ll discuss the team’s progress and direction. I want you to be a part of that meeting. I don’t want you to feel left out.” I said, “You don’t have to handle me, Jonathan.” “I know that, son. I respect you.” I recovered my gun, then we stepped out into the plaza and a wall of people and cameras and microphones surged forward and enveloped us. I thought that maybe this wasn’t the jail anymore and maybe I wasn’t me. Maybe I’d stepped through Calvin and Hobbes’s transmogrifier and I was no longer a detective and Green was no longer a lawyer. Maybe we had just discovered life on Titan. Maybe we had found the cure for AIDS and were about to tell the world. Why else would so many people be here shouting questions? ~ Robert Crais,
143:Petra Ral, 10 kills, 48 assists. Oluo Bozado, 39 kills, 9 assists. Eld Jinn, 14 kills, 32 assists. Gunther Schultz, 7 kills, 40 assists. "Come back home alive, and you're a full-fledged member," is the common view in the Survey Corps... but *those people* have lived through hell again and again, producing results all the way. They've learned how to live... When facing a titan, you never know enough. Think all you want. A lot of the time, you're going into a situation you know nothing about. So what you need is to be quick to act... and make tough decisions in worst-case scenarios. Still, that doesn't mean they've got no heart. Even when they had their weapons pointed at you, they had strong feelings. However... they have no regrets. ~ Hajime Isayama,
144:Stay down if you know what's good for you." Colin said. He put his foot on the man's neck and applied a little weight.
The man coughed into the dirt. "Who...who are you?"
Who am I?" Colin replied. He had been waiting for this moment. "I'm the the one bogeyman is afraid of. I'm the new face of justice. I'm your worst nightmare."
He crouched down, leaning closer to the man. "You'd better warn the rest of your low-life friends that there's a new hero in town. You and your kind wont be tolerated any longer."
Colin stood up and folded his arms. He wished there was a breeze that would make his cape fly a little. "Who am I? I am Titan."
And that was when one of the other muggers hit Colin across the back of his head with a plank of wood. ~ Michael Carroll,
145:innovation—perhaps from the translation world’s equivalent of Uber, a taxi app. Software is unlikely to replace the translators, but it could co-ordinate their work with clients more efficiently. Smartling, an American company which seeks to cut out middlemen in this way, has clients including Tesla, an electric carmaker, and Spotify, a music-streaming service. Jochen Hummel, a pioneer in translation memory, says that a real breakthrough would come from combining software, memory and content management in a single database. But making money may still be tricky. The American tech titan has not tried to commercialise Google Translate. A former executive says the firm experimented with content-management software but “decided to focus on easier stuff, like self-driving cars. ~ Anonymous,
146:His father's last word, which Sean had never told anyone, not even his mother, hadn't been goodbye: it had been hello. He hadn't died; he'd been set free from the constraints of history and flesh. And while the fathers of other children could only be the people they were, and were forced to live the lives they'd made for themselves, the Philip Steiner of his son's daydreams was all the possible versions of himself that Sean could imagine. He was always near, always ready to listen, always offering solace. He was all the possible fathers. He was a dragonslayer and a titan of industry; he was a cunning detective and a grizzled gunfighter; he was an astronaut and a priest and a jailer of thieves. He lived in the shadows, and he filled his son's world with light. ~ Dexter Palmer,
147:Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.

To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory. ~ Percy Bysshe Shelley,
148:Their champion, Goliath of Gath,” said Shammah. Goliath continued his rant, “I DEFY THE RANKS OF ISRAEL THIS DAY! CHOOSE FOR YOURSELVES A CHAMPION TO FIGHT ME! IF HE WINS, THE PHILISTINES WILL BE YOUR SERVANTS. IF I WIN, YOU WILL BE OUR SERVANTS!” Abinadab muttered, “He has taunted us these forty days with the same challenge.” “Forty days?” said David. How had he failed to hear about it, he wondered. “Is there no one to stand up to this blasphemer?” Shammah snickered, “Easy for you to say from the comfort of your palace luxury.” Abinadab threw in, “The man who kills him, the king will laud with tax exemption and great riches.” The next words that came from Abinadab struck David in the chest like an iron rod. “The king has even offered up the hand of one of his daughters to the soul who triumphs over this titan. ~ Brian Godawa,
149:He remembered one time watching this crime-solving vid set on Titan – Murder on the Silver Sea – where some characters were at a fancy restaurant having this crazy smart conversation where the investigator and the informant both think the other one’s the killer and they were saying it but they’re not really saying it – and also they kind of wanted to bang each other? That scene had layers, seriously – and when the conversation was done, they just . . . left their food. Like, let the server come get it while they walked out of the place. The scene would’ve made sense if one of them wasn’t hungry or had a stomach ache or something, but if that were the case, then the other one would’ve reached over and eaten the leftovers. But no. Both of them left. They left half-plates of food on the table. It was the weirdest shit. He ~ Becky Chambers,
150:In Prometheus Bound, Aeschylus tells the story of Prometheus, the Titan who stole fire from heaven as a gift for mankind and saved us from extinction. In punishment for his theft, the god Zeus orders Prometheus chained to a mountain crag. Each day, an eagle lands on him and devours his liver; each night, his liver grows back so the eagle can consume it again. Alone, immobile, exposed to the elements, Prometheus stays full of defiance. (The guy won’t stop fighting. Remind you of anyone?) Prometheus is chained, but noble. He is tied down and tortured, but still heroic. Prometheus is imprisoned, but his story is ultimately about the salvation of humanity and the possibility of human progress. Life places limits on all of us. Yet even under the severest limits, we can still struggle valiantly, and in that struggle reach new heights of nobility and wisdom. ~ Eric Greitens,
151:The Kochs were unusually single-minded, but they were not alone. They were among a small, rarefied group of hugely wealthy, archconservative families that for decades poured money, often with little public disclosure, into influencing how Americans thought and voted. Their efforts began in earnest in the second half of the twentieth century. In addition to the Kochs, this group included Richard Mellon Scaife, an heir to the Mellon banking and Gulf Oil fortunes; Harry and Lynde Bradley, midwesterners enriched by defense contracts; John M. Olin, a chemical and munitions company titan; the Coors brewing family of Colorado; and the DeVos family if Michigan, founders of the Amway marketing empire. Each was different, but together they formed a new generation of philanthropist, bent on using billions if dollars from their private foundations to alter the direction of American politics. ~ Jane Mayer,
152: Life
Mystic daughter of Delight,
Life, thou ecstasy,
Let the radius of thy flight
Be eternity.

On thy wings thou bearest high
Glory and disdain,
Godhead and mortality,
Ecstasy and pain.

Take me in thy bold embrace
Without weak reserve,
Body dire and unveiled face;
Faint not, Life, nor swerve.

All thy bliss I would explore,
All thy tyranny.

Cruel like the lion's roar,
Sweet like springtide be.

Like a Titan I would take,
Like a God enjoy,
Like a man contend and make,
Revel like a boy.

More I will not ask of thee,
Nor my fate would choose;
King or conquered let me be,
Vanquish, Life, or lose.

Even in rags I am a god;
Fallen, I am divine;
High I triumph when down-trod,
Long I live when slain.
541

542

Baroda and Pondicherry, c. 1902 - 1936
~ Sri Aurobindo, - Life
,
153:Kronos couldn't have risen if it hadn't been for a lot of demigods who felt abandoned by their parents," I said. "They felt angry, resentful, and unloved, and they had a good reason."
Zeus's royal nostrils flared. "You dare accuse-"
"No more undetermined children," I said. "I want you to promise to claim your children-all your demigod children-by the time they turn thirteen. They won't be left out in the world on their own at the mercy of monsters. I want them claimed and brought to camp so they can be trained right, and survive."
"Now, wait just a moment," Apollo said, but I was on a roll.
"And the minor gods," I said. "Nemesis, Hecate, Morpheus, Janus, Hebe--they all deserve a general amnesty and a place at Camp Half-Blood. Their children shouldn't be ignored. Calypso and the other peaceful Titan-kind should be pardoned too. And Hades-"
"Are you calling me a minor god?" Hades bellowed. ~ Rick Riordan,
154:You’ll never lose me,” I said, my voice breaking.
“Promise.” His gaze searched mine as he ran his fingertip up my spine.
“I promise.” I closed the minuscule gap between us once more, capturing his lips and trying to show him how much I meant it. “I love you. I love our family. I love our life together, and I can’t wait for the day when we’re back home, just the three of us, and this whole war is over. I swear to you that will happen. That will be our future.”
He cradled the back of my head, his palm searing against my skin. “I have waited an eternity for this love. I’m not going to let anyone, Titan or not, take it from us.”
“Promise?” I said, and this time it was Henry’s turn to kiss me.
“I promise.”
“Then do me a favor.”
“Anything.”
I shifted onto my back, rolling him with me. His body pressed against mine in all the right places, and I lifted my head high enough to rest my forehead against his. “Live this love now,” I whispered. “And never stop. ~ Aimee Carter,
155:Totality of Spheres excerpt

: Far-night comes our consummation in time star shapes in separate lakes the you-sheen
: Rag to wipe down the child’s mercury brow blood-heat doesn’t end it begins our work
: Egret at pond’s edge of mind vague regret of venus holding an apple holding her breath
: Lust wants what wound it can find heals the harm by balming the blade
: Himself he says to himself the trembling king creates a cloud to hide away the hours
: Rhyme in a ring undoes into child’s song time’s titan rule a no-atom-bell resounding
: Obit of the discarded orders or truth suffers into oblivion or the fact wears a shroud
: Lain down at long last the bones beauty wore inside herself on ocean bed lovely
: Sings in the outermost undergrove shadowwaste soulspent worldwant some form or art
: Your word some angel I guess some cherub embroidered on the veil that note
: Word sewn on the love veil solar sail star primer tone tome tomb the readerless name ~ Dan Beachy Quick,
156:we proposed eighteen great ideas of science that we felt framed virtually all discoveries of the natural world and all advances in technology. We could not have foreseen many of the remarkable developments of the past two decades—nanotechnology archaea, LEDs, cloning, dark energy, ancient microbial fossils and deep microbial life, evidence for oceans of water on Mars and lakes of methane on Titan, ribozymes, carbon nanotubes, extrasolar planets, and so much more. But all of these unanticipated findings fit into the existing framework of science. The core concepts of science have not changed, and we are unable to point to any fundamentally new scientific principle that has emerged during the 1990s or 2000s. Accordingly, while every chapter has been significantly updated, we have added only a single new chapter on the explosion of advances in biotechnology. We conclude that the experience of the past two decades underscores the value of the great ideas approach to achieving scientific literacy. ~ Robert M Hazen,
157:Amor Vitae
I love the warm bare earth and all
That works and dreams thereon:
I love the seasons yet to fall:
I love the ages gone,
The
The
The
The
valleys with the sheeted grain,
river's smiling might,
merry wind, the rustling rain,
vastness of the night.
I love the morning's flame, the steep
Where down the vapour clings:
I love the clouds that float and sleep,
And every bird that sings.
I love the purple shower that pours
On far-off fields at even:
I love the pine-wood dusk whose floors
Are like the courts of heaven.
I love the heaven's azure span,
The grass beneath my feet:
I love the face of every man
Whose thought is swift and sweet.
I let the wrangling world go by,
And like an idle breath
Its echoes and its phantoms fly:
I care no jot for death.
Time like a Titan bright and strong
Spreads one enchanted gleam:
Each hour is but a fluted song,
And life a lofty dream.
~ Archibald Lampman,
158:If you think of the Greek gods as real supernatural beings who lived on Mount Olympus, no. But if you think of them as being in the same class of entities as the Root Rep, which is to say, patterns of neurological activity that the mind uses to represent things that it sees, or thinks it sees, in the outside world, then yes. Suddenly, Greek gods can be just as interesting and relevant as real people. Why? Because, in the same way as you might one day encounter another person with his own Root Rep so, if you were to have a conversation with an ancient Greek person, and he started talking about Zeus, you might--once you got over your initial feelings of superiority--discover that you had some mental representations inside your own mind that, though you didn't name them Zeus and didn't think of them as a big hairy thunderbolt-hurling son of Titan, nonetheless had been generated as a result of interactions with entities in the outside world that are the same as the ones that cause the Zeus Representation to appear in the Greek's mind. ~ Neal Stephenson,
159:Also by Rick Riordan PERCY JACKSON AND THE OLYMPIANS Book One: The Lightning Thief Book Two: The Sea of Monsters Book Three: The Titan’s Curse Book Four: The Battle of the Labyrinth Book Five: The Last Olympian The Demigod Files The Lightning Thief: The Graphic Novel The Sea of Monsters: The Graphic Novel The Titan’s Curse: The Graphic Novel Percy Jackson’s Greek Gods Percy Jackson’s Greek Heroes From Percy Jackson: Camp Half-Blood Confidential THE KANE CHRONICLES Book One: The Red Pyramid Book Two: The Throne of Fire Book Three: The Serpent’s Shadow The Red Pyramid: The Graphic Novel The Throne of Fire: The Graphic Novel THE HEROES OF OLYMPUS Book One: The Lost Hero Book Two: The Son of Neptune Book Three: The Mark of Athena Book Four: The House of Hades Book Five: The Blood of Olympus The Demigod Diaries The Lost Hero: The Graphic Novel The Son of Neptune: The Graphic Novel Demigods & Magicians MAGNUS CHASE AND THE GODS OF ASGARD Book One: The Sword of Summer Book Two: The Hammer of Thor For Magnus Chase: Hotel Valhalla Guide to the Norse Worlds THE TRIALS OF APOLLO Book One: The Hidden Oracle ~ Rick Riordan,
160:Titan, by our standards, is really cold, at -290 degrees Fahrenheit. Without any methane greenhouse, it would be much colder still, by about 22 degrees. Yet, if we put all that methane into a basic climate model, we find that there should be about twice the level of greenhouse warming that is actually observed. What’s missing from the model? This question led to the discovery of the “anti-greenhouse effect.”5 It has to do with all that orange organic haze suspended in Titan’s upper atmosphere. It turns out that the passage of radiation through this haze is having an effect exactly opposite from that of a greenhouse gas: it blocks visible light but allows infrared light to pass through. Such a haze will prevent sunlight from warming a planet yet will allow the planet to cool efficiently into space. The effect on Titan’s climate is to negate about half the value of the greenhouse warming caused by methane. The Titan anti-greenhouse effect turns out also to be a pretty good match for what happens to Earth’s climate in the immediate aftermath of a huge asteroid impact or giant volcanic eruption and what would happen to it in the aftermath of a nuclear ~ David Grinspoon,
161:Athena called, "Annabeth Chase, my own daughter."
Annabeth squeezed my arm, then walked forward and knelt at her mother's feet.
Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements."
Annabeth looked up, stunned. "My...my lady?"
Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?"
"You mean...I can design whatever I want?"
"As your heart desires," the goddess said. "Make us a city for the ages."
"As long as you have plenty of statues of me," Apollo added.
"And me," Aphrodite agreed.
"Hey, and me!" Ares said. "Big statues with huge wicked swords and-"
All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus. ~ Rick Riordan,
162:Blood trickled from the corner of her (Annabeth) mouth. She croaked, "Family, Luke. You promised."
Luke stared at the knife in Annabeth's hand, the blood on her face. "Promise." Then he gasped like he couldn't get air. "Annabeth . . ." But it wasn't the Titan's voice. It was Luke's. He stumbled forward like he couldn't control his own body. "You're bleeding. . . ." He gasped again."He's changing. Help. He's . . . he's almost ready. He won't need my body anymore. Please—"
"The knife, Percy," Annabeth muttered. Her breath was shallow. "Hero . . . cursed blade . . ."
Luke turned and collapsed, clutching his ruined hands."Please, Percy . . ."
Luke seemed to know what I was thinking. He moistened his lips. "You can't . . . can't do it yourself. He'll break my control. He'll defend himself. Only my hand. I know where. I can . . . can keep him controlled."
I raised the knife to strike. Then I looked at Annabeth, at Grover. And I finally understood what she'd been trying to tell me. You are not the hero, Rachel had said. It will affect what you do. The line from the great prophecy echoed in my head: A hero's soul, cursed blade shall reap. My whole world tipped upside down,and I gave the knife to Luke.I watched as Luke grasped the hilt he stabbed himself ~ Rick Riordan,
163:Europe's/Western World's greatness came from a Man (but not a single "philosophy" or "religion" was systematically venerable), and vice-versa for China. We, who live in a world of post-post-post tendencies (which denotes a total lack of beauty in action and attitude, a total inadequacy for anything but self-promotion according to humanistic tendencies/fashions), have the great yet melancholic virtue of combining pre-existing forms (I like to think the most venerable) in a world devoid of any spirit (mainly by regarding death as a catastrophe instead of Death as a uniting principle of life, of beauty and of transcendental meaning).

Hitler was the swansong of Mankind. Hardcore modernity called for a last and timeless titan. As Nietzsche once said, all great music is always a swansong (do not agree with his examples, but one has to be able to go beyond the evident). Mankind will always live as if it were an ETERNAL, IMMORTAL race, and individual death will be the only one available, cowardly recognized as a CATASTROPHE (disconnection of one's essence, primordial fate). Oblivious to oblivion itself, nothing of value will ever be accomplished (TAO). Let them be. Mankind has moved from truth each step of it's journey, because each step away from conscious death. ~ Anonymous,
164:Many are God's forms by which he grows in man;
   They stamp his thoughts and deeds with divinity,
   Uplift the stature of the human clay
   Or slowly transmute it into heavens gold.
   He is the Good for which men fight and die,
   He is the war of Right with Titan wrong;
   He is Freedom rising deathless from her pyre;
   He is Valour guarding still the desperate pass
   Or lone and erect on the shattered barricade
   Or a sentinel in the dangerous echoing Night.
   He is the crown of the martyr burned in flame
   And the glad resignation of the saint
   And courage indifferent to the wounds of Time
   And the heros might wrestling with death and fate.
   He is Wisdom incarnate on a glorious throne
   And the calm autocracy of the sages rule.
   He is the high and solitary Thought
   Aloof above the ignorant multitude:
   He is the prophets voice, the sight of the seer.
   He is Beauty, nectar of the passionate soul,
   He is the Truth by which the spirit lives.
   He is the riches of the spiritual Vast
   Poured out in healing streams on indigent Life;
   He is Eternity lured from hour to hour,
   He is infinity in a little space:
   He is immortality in the arms of death.
   These powers I am and at my call they come.
   Thus slowly I lift mans soul nearer the Light.
   ~ Sri Aurobindo, Savitri, The Triple Soul-Forces,
165:Perhaps nowhere else, though, was the contribution of the private ‘universal’ library to the progress of the early Enlightenment, moderate and radical, more crucial than in Italy, where the impact of censorship, the unavailability of foreign books, and the decay of the great libraries all conspired to create a situation in which a few medium and large private libraries containing rare foreign works and ‘libri prohibiti’ provided the indispensable channel through which flowed the philosophical ferment of the late seventeenth century, and later. In Naples in the 1680s and 1690s, the library of Giuseppe Valletta served as the headquarters and discussion forum of the philosophical novatores.71 More impressive still, and vital to the nurturing of the Early Enlightenment in Florence, were the 25,000 books and 2,873 manuscripts belonging to Magliabechi, a bibliomaniac who sought, read, wrote about, and discussed books to the point of neglecting everything else, even his personal appearance.72 A bibliographical titan, who influenced many without ever having published a book himself, and in whose honour a celebratory medal was cast, portraying him seated, holding a book, Magliabechi, like Naudé and Leibniz, considered universality—the encompassing of the whole of human thought and knowledge ~ Jonathan I Israel,
166:These inventions became, incidentally, increasingly revolting to me, for I was ineradicably marked by a touch of the old cavalryman's primitive evaluation. I admit that in the earliest times the horseman had a considerable advantage over the foot soldier. (On the other hand considerably higher expenses were involved.) But the advantage was balanced by the invention of gunpowder, so rightly lamented by Ariosto. It was the end of glorious armies like those led by Charles the Bold. Cavalry charges still took place of course – and I cannot consider it unfair for the infantryman to load and fire two or three times before he received his comeuppance – but after that, death came to the cavalry.

The old Centaurs were overpowered by the new Titan. I had seen my own conqueror at close hand when I lay bleeding on the grass. He had unhorsed me – a sickly fellow, a pimply lad from the suburbs, some cutler from Sheffield or weaver from Manchester. He cowered behind his rubble heap, one eye shut, the other aiming at me across the machine gun, which did the damage. In a pattern of red and gray, he wove an evil cloth. This was the new Polyphemus or, rather, one of his lowest messenger boys with a wire mask before his one-eyed face. This was how the present masters looked. The beauty of the forests was past. ~ Ernst J nger,
167:Immediately beneath and about them the lines of the Gothic building plunged outwards into the void with a sickening swiftness akin to suicide. There is that element of Titan energy in the architecture of the Middle Ages that, from whatever aspect it be seen, it always seems to be rushing away, like the strong back of some maddened horse. This church was hewn out of ancient and silent stone, bearded with old fungoids and stained with the nests of birds. And yet, when they saw it from below, it sprang like a fountain at the stars; and when they saw it, as now, from above, it poured like a cataract into a voiceless pit. For these two men on the tower were left alone with the most terrible aspect of Gothic; the monstrous foreshortening and disproportion, the dizzy perspectives, the glimpses of great things small and small things great; a topsy-turvydom of stone in the mid-air. Details of stone, enormous by their proximity, were relieved against a pattern of fields and farms, pygmy in their distance. A carved bird or beast at a corner seemed like some vast walking or flying dragon wasting the pastures and villages below. The whole atmosphere was dizzy and dangerous, as if men were upheld in air amid the gyrating wings of colossal genii; and the whole of that old church, as tall and rich as a cathedral, seemed to sit upon the sunlit country like a cloudburst. ~ G K Chesterton,
168:The vast universal suffering feel as thine:
Thou must bear the sorrow that thou claimst to heal;
The day-bringer must walk in darkest night.
He who would save the world must share its pain.
If he knows not grief, how shall he find grief’s cure?
If far he walks above mortality’s head,
How shall the mortal reach that too high path?
If one of theirs they see scale heaven’s peaks,
Men then can hope to learn that titan climb.
God must be born on earth and be as man
That man being human may grow even as God.
He who would save the world must be one with the world,
All suffering things contain in his heart’s space
And bear the grief and joy of all that lives.
His soul must be wider than the universe
And feel eternity as its very stuff,
Rejecting the moment’s personality
Know itself older than the birth of Time,
Creation an incident in its consciousness,
Arcturus and Belphegor grains of fire
Circling in a corner of its boundless self,
The world’s destruction a small transient storm
In the calm infinity it has become.
If thou wouldst a little loosen the vast chain,
Draw back from the world that the Idea has made,
Thy mind’s selection from the Infinite,
Thy senses’ gloss on the Infinitesimal’s dance,
Then shalt thou know how the great bondage came.
Banish all thought from thee and be God’s void. ~ Sri Aurobindo,
169:Be fair, my friends! To be the empire of such an emperor, what a splendid destiny for a nation, when that nation is France, and when it adds its genius to the genius of such a man ! To appear and to reign, to march and to triumph, to have every capital for a staging area, to take his grenadiers and make kings of them, to decree the downfall of dynasties, to transfigure Europe at a double quickstep, so men feel, when you threaten, that you are laying your hand on the hilt of God’s sword, to follow in one man Hannibal , Caesar, and Charlemagne, to be the people of a man who mingles with your every dawn the glorious announcement of a battle won, to be wakened in the morning by the cannon of the Invalides, to hurl into the vault of day mighty words that blaze forever, Marengo, Arcola, Austerlitz, lena, Wagram ! To repeatedly call forth constellations of victories at the zenith of the centuries, to make the French Empire the successor of the Roman Empire, to be the grand nation and to bring forth the Grand Army, to send your legions flying across the whole earth as a mountain sends out its eagles, to vanquish, to rule, to strike thunder, to be for Europe a kind of golden people through glory, to sound through history a Titan’s fanfare, to conquer the world twice, by conquest and by resplendence, that is sublime. What could be greater?"


"To be free," said Combeferre. ~ Victor Hugo,
170:The grey-eyed morn smiles on the frowning night,
Chequering the eastern clouds with streaks of light,
And flecked darkness like a drunkard reels
From forth day's path and Titan's fiery wheels:
Now, ere the sun advance his burning eye,
The day to cheer and night's dank dew to dry,
I must up-fill this osier cage of ours
With baleful weeds and precious-juiced flowers.
The earth that's nature's mother is her tomb;
What is her burying grave that is her womb,
And from her womb children of divers kind
We sucking on her natural bosom find,
Many for many virtues excellent,
None but for some and yet all different.
O, mickle is the powerful grace that lies
In herbs, plants, stones, and their true qualities:
For nought so vile that on the earth doth live
But to the earth some special good doth give,
Nor aught so good but strain'd from that fair use
Revolts from true birth, stumbling on abuse:
Virtue itself turns vice, being misapplied;
And vice sometimes by action dignified.
Within the infant rind of this small flower
Poison hath residence and medicine power:
For this, being smelt, with that part cheers each part;
Being tasted, slays all senses with the heart.
Two such opposed kings encamp them still
In man as well as herbs, grace and rude will;
And where the worser is predominant,
Full soon the canker death eats up that plant. ~ William Shakespeare,
171:Destiny
1856
Paris, from throats of iron, silver, brass,
Joy-thundering cannon, blent with chiming bells,
And martial strains, the full-voiced pæan swells.
The air is starred with flags, the chanted mass
Throngs all the churches, yet the broad streets swarm
With glad-eyed groups who chatter, laugh, and pass,
In holiday confusion, class with class.
And over all the spring, the sun-floods warm!
In the Imperial palace that March morn,
The beautiful young mother lay and smiled;
For by her side just breathed the Prince, her child,
Heir to an empire, to the purple born,
Crowned with the Titan's name that stirs the heart
Like a blown clarion--one more Bonaparte.
1879
Born to the purple, lying stark and dead,
Transfixed with poisoned spears, beneath the sun
Of brazen Africa! Thy grave is one,
Fore-fated youth (on whom were visited
Follies and sins not thine), whereat the world,
Heartless howe'er it be, will pause to sing
A dirge, to breathe a sigh, a wreath to fling
Of rosemary and rue with bay-leaves curled.
Enmeshed in toils ambitious, not thine own,
Immortal, loved boy-Prince, thou tak'st thy stand
With early doomed Don Carlos, hand in hand
With mild-browed Arthur, Geoffrey's murdered son.
Louis the Dauphin lifts his thorn-ringed head,
And welcomes thee, his brother, 'mongst the dead.
~ Emma Lazarus,
172:Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" "There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Hen he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you. ~ Rick Riordan,
173:Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" "There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you. ~ Rick Riordan,
174:Song Of The Captive Trojan Maiden
Breeze, breeze of the sea,
Who the wave-passers bearest home
Swift and unwearied o'er the billows' foam,
Ah! whither lead'st thou me
Grief-worn? whose house must have
This thing - a captured slave?
Or shall I reach a harbor strand
Dorian of Phthian, where they tell
Apidanos o'erstreams the land,
Father of fairest founts that well?
Or else some island shore,
Urged, wretched, on my way with brine-splashed oar,
To lead a life of weary sorrow there,
Where the first palm bare fruit,
Where the bay raised each sacred shoot
To form a bower,
Leto's protection in her trial of hour?
Or shall I, like Delian maiden,
Sing of Artemis divine,
Golden-filleted, bow-laden?
Or at Pallas' sacred shrine
The steeds to her fair chariot yoke
To bear her, clad in saffron cloak,
And braid the silken garments thin
With saffron flowerets woven in?
Or shall I sing the Titan brood,
Whom Zeus, great Kronos' son,
Poured twice-forged fire upon,
And did to lasting sleep by that fell bolt and rude?
Ah, sorrow for the young,
For those whose life was long,
For all the land,
A heap of smoking ruin,
Spear-pierced to her undoing
22
By Argive hand!
And I shall be a slave
Within a country not my own,
Leaving the land that Europe has o'erthrown,
'Scaping the chambers of the grave.
~ Euripides,
175:Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him. ~ Rick Riordan,
176: The Lost Boat
At the way's end when the shore raised up its dim line and remote lights from the port glimmered,
Then a cloud darkened the sky's brink and the wind's scream was the shrill laugh of a loosed demon
And the huge passion of storm leaped with its bright stabs and the long crashing of death's thunder;
As if haled by an unseen hand fled the boat lost on the wide homeless forlorn ocean.

Is it Chance smites? is it Fate's irony? dead workings or blind purpose of brute Nature?
Or man's own deeds that return back on his doomed head with a stark justice, a fixed vengeance?
Or a dread Will from behind Life that regards pain and salutes death with a hard laughter?
Is it God's might or a Force rules in this dense jungle of events, deeds and our thought's strivings?
Yet perhaps sank not the bright lives and their glad venturings foiled, drowned in the grey ocean,
But with long wandering they reached an unknown shore and a strange sun and a new azure,
Amid bright splendour of beast glories and birds' music and deep hues, an enriched Nature
And a new life that could draw near to divine meanings and touched close the concealed purpose.

In a chance happening, fate's whims and the blind workings or dead drive of a brute Nature,
In her dire Titan caprice, strength that to death drifts and to doom, hidden a Will labours.

Not with one moment of sharp close or the slow fall of a dim curtain the play ceases:
Yet is there Time to be crossed, lives to be lived out, the unplayed acts of the soul's drama.
580
~ Sri Aurobindo, - The Lost Boat
,
177:We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake
Suddenly Leo didn't feel like kicking back. He sat u, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo
Yeah. Charles Beckendorf-Jake
Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo
No. In the Titan War, last summer-Jake
The Titan War, which has NOTHING to do with this very fine bed-Leo
"The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will
I'm guessing this wasn't on the news-Leo
It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will
Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo
Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake
Your cabin's been cursed-Leo ~ Rick Riordan,
178:We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake
Suddenly Leo didn't feel like kicking back. He sat up, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo
Yeah. Charles Beckendorf-Jake
Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo
No. In the Titan War, last summer-Jake
The Titan War, which has NOTHING to do with this very fine bed-Leo
"The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will
I'm guessing this wasn't on the news-Leo
It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will
Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo
Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake
Your cabin's been cursed-Leo ~ Rick Riordan,
179:Mortal Shower
I met my butt in a Pittsburgh
hotel room. My face
still looks like my face
but not my butt, my hair
no longer resembles an ad
for Jell-O pudding, people thought
it was chocolate pudding for years,
so thick
and rich. There was fog
in the bathroom and then not fog,
I faced my face
and then not my face, the mirror
staring at my ass
winked at the mirror
staring at my face
and the future was defined
as an effort
to use the word sag in my resume.
Have sagged, will
sag, am looking for a position
in which to maximize my sagging
potential. I once cared
what went on back there, about
the extent of grip and rise, just
as some birds crave
the reddest plumage, and I propositioned
mirrors, watched women’s eyes
follow, turned in shop windows
to see if my pants
fit their purpose. Then love
and car payments, love and the sofa
needs to be moved, love and her grandmother
32
dies, my grandmother
dies, love
and she comes home and I’m thrilled
by her coat and voice
and the brown habit of her eyes. She
likes my ass and lies
about its travels, how it’s lost
focus, and there are wattles
to come, please God
if dentures
only partials, may Depends
be cheap in bulk and the earth
generous with its telepathy, I’m
in Pittsburgh tonight
and with her,
mirrors don’t scare me,
room service is a gas
because she’s alive, I’m a giant,
a tight-assed
titan because she’s alive
and says
come home, the Honda needs
new brakes, a robin flew
into the window today
but shook it off, just
dizzy, stunned
by reflection.
~ Bob Hicok,
180:...My father muttered something to me, and I responded with a mumbled "What". He shouted, "You heard me," thundered up from his chair, pulled his belt out of its loops, and inflicted a beating that seemed never to end. I curled my arms around my body as he stood over me like a titan and delivered the blows. This was the only incident of its kind in our family. My father was never physically abusive toward my mother or sister and he was never again physically extreme with me. However, this beating and his worsening tendency to rages directed at my mother - which I heard in fright through the thin walls of our home - made me resolve, with icy determination, that only the most formal relationship would exist between my father and me, and for perhaps thirty years, neither he nor I did anything to repair the rift.

The rest of my childhood, we hardly spoke; there was little he said to me that was not critical, and there was little I said back that was not terse or mumbled. When I graduated from high school, he offered to buy me a tuxedo. I refused because I had learned from him to reject all aid and assistance; he detested extravagance and pleaded with us not to give him gifts. I felt, through a convoluted logic, that in my refusal, I was being a good son. I wish now that I had let him buy me a tuxedo, that I had let him be a dad. Having cut myself off from him, and by association the rest of the family, I was incurring psychological debts that would come due years later in the guise of romantic misconnections and a wrongheaded quest for solitude.

I have heard it said that a complicated childhood can lead to a life in the arts. I tell you this story of my father and me to let you know I am qualified to be a comedian. ~ Steve Martin,
181:Totuşi, nu-mi pot scoate din cap diferenţa enormă ce există între idei şi viaţă. E o dislocare permanentă, cu toate că ne străduim să aruncăm peste amândouă un magnific acoperământ. Şi nu se potriveşte. Ideile trebuie însoţite de acţiune.’’

‘’Până acum, gândul meu, colaborând cu mine însumi, a fost acela de a mă îndepărta de etalonul de aur al literaturii. Pe scurt, gândul meu era să prezint o resurecţie a emoţiilor, să descriu comportamentul unei fiinţe omeneşti în stratosfera ideilor, adică în ghearele delirului. Să zugrăvesc o fiintă presocratică, o făptură jumătate ţap, jumătate titan.’’

‘’Când vâd siluetele bărbaţilor şi femeilor mişcându-se apatic în dosul zidurilor închisorii lor, la adăpost sigur, bine închişi pentru câteva ore fugare, mă înspăimântă potenţialul de dramă umană cuprins în aceste trupuri plăpânde, în dosul acestor ziduri cenuşii e plin de scântei umane şi totuşi nici un incendiu nu izbucneşte. Oare aceştia sunt bărbaţi şi femei, mă întreb eu, sau doar nişte umbre, umbrele unor marionete manevrate de nişte sfori invizibile? Aparent se mişcă fără nici un fel de constrângere, dar n-au unde să se ducă. Doar pe un singur tărâm sunt liberi şi pot hălădui în libertate, dar încă n-au învăţat să-şi ia avânt. Până acum nu se cunoaşte vreun vis care să-şi fi luat avântul. Nici un om n-a venit pe lume destul de uşor, destul de voios pentru a se putea desprinde de pământ!
Vulturii care au bătut o vreme din aripile lor puternice s-au zdrobit de pământ. Ne-au ameţit cu zgomotul pe care-1 fac când bat aerul cu apripile. Rămâneţi pe pământ, o, voi, vulturi ai viitorului! Cerurile au fost explorate şi s-au dovedit a fi pustii. Iar ceea ce zace sub pământ este tot un pustiu, umplut doar de oseminte şi de umbre. Rămâneţi deci pe pământ şi mai plutiţi
câteva sute de mii de ani! ~ Henry Miller,
182:Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" --

"Pagan that you are! what does that signify?"

"I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ...
I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son. ~ Charlotte Bront,
183:Three miles from my adopted city
lies a village where I came to peace.
The world there was a calm place,
even the great Danube no more
than a pale ribbon tossed onto the landscape
by a girl’s careless hand. Into this stillness

I had been ordered to recover.
The hills were gold with late summer;
my rooms were two, plus a small kitchen,
situated upstairs in the back of a cottage
at the end of the Herrengasse.
From my window I could see onto the courtyard
where a linden tree twined skyward —
leafy umbilicus canted toward light,
warped in the very act of yearning —
and I would feed on the sun as if that alone
would dismantle the silence around me.

At first I raged. Then music raged in me,
rising so swiftly I could not write quickly enough
to ease the roiling. I would stop
to light a lamp, and whatever I’d missed —
larks flying to nest, church bells, the shepherd’s
home-toward-evening song — rushed in, and I
would rage again.

I am by nature a conflagration;
I would rather leap
than sit and be looked at.
So when my proud city spread
her gypsy skirts, I reentered,
burning towards her greater, constant light.

Call me rough, ill-tempered, slovenly— I tell you,
every tenderness I have ever known
has been nothing
but thwarted violence, an ache
so permanent and deep, the lightest touch
awakens it. . . . It is impossible

to care enough. I have returned
with a second Symphony
and 15 Piano Variations
which I’ve named Prometheus,
after the rogue Titan, the half-a-god
who knew the worst sin is to take
what cannot be given back.

I smile and bow, and the world is loud.
And though I dare not lean in to shout
Can’t you see that I’m deaf? —
I also cannot stop listening. ~ Rita Dove,
184:There needs to be an intersection of the set of people who wish to go, and the set of people who can afford to go...and that intersection of sets has to be enough to establish a self-sustaining civilisation. My rough guess is that for a half-million dollars, there are enough people that could afford to go and would want to go. But it’s not going to be a vacation jaunt. It’s going to be saving up all your money and selling all your stuff, like when people moved to the early American colonies...even at a million people you’re assuming an incredible amount of productivity per person, because you would need to recreate the entire industrial base on Mars. You would need to mine and refine all of these different materials, in a much more difficult environment than Earth. There would be no trees growing. There would be no oxygen or nitrogen that are just there. No oil.Excluding organic growth, if you could take 100 people at a time, you would need 10,000 trips to get to a million people. But you would also need a lot of cargo to support those people. In fact, your cargo to person ratio is going to be quite high. It would probably be 10 cargo trips for every human trip, so more like 100,000 trips. And we’re talking 100,000 trips of a giant spaceship...If we can establish a Mars colony, we can almost certainly colonise the whole Solar System, because we’ll have created a strong economic forcing function for the improvement of space travel. We’ll go to the moons of Jupiter, at least some of the outer ones for sure, and probably Titan on Saturn, and the asteroids. Once we have that forcing function, and an Earth-to-Mars economy, we’ll cover the whole Solar System. But the key is that we have to make the Mars thing work. If we’re going to have any chance of sending stuff to other star systems, we need to be laser-focused on becoming a multi-planet civilisation. That’s the next step. ~ Elon Musk,
185:Dreamland
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim ThuleFrom a wild clime that lieth, sublime,
Out of SPACE- out of TIME.
Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters- lone and dead,Their still waters- still and chilly
With the snows of the lolling lily.
By the lakes that thus outspread
Their lone waters, lone and dead,Their sad waters, sad and chilly
With the snows of the lolling lily,By the mountains- near the river
Murmuring lowly, murmuring ever,By the grey woods,- by the swamp
Where the toad and the newt encampBy the dismal tarns and pools
Where dwell the Ghouls,By each spot the most unholyIn each nook most melancholyThere the traveller meets aghast
Sheeted Memories of the PastShrouded forms that start and sigh
As they pass the wanderer byWhite-robed forms of friends long given,
32
In agony, to the Earth- and Heaven.
For the heart whose woes are legion
'Tis a peaceful, soothing regionFor the spirit that walks in shadow
'Tis- oh, 'tis an Eldorado!
But the traveller, travelling through it,
May not- dare not openly view it!
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fringed lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.
~ Edgar Allan Poe,
186:Phyllida's Love-Call
Phyllida. CORYDON, arise, my Corydon!
Titan shineth clear.
Corydon. Who is it that calleth Corydon?
Who is it that I hear?
Phyl. Phyllida, thy true love, calleth thee,
Arise then, arise then,
Arise and keep thy flock with me!
Cor. Phyllida, my true love, is it she?
I come then, I come then,
I come and keep my flock with thee.
Phyl. Here are cherries ripe for my Corydon;
Eat them for my sake.
Cor. Here 's my oaten pipe, my lovely one,
Sport for thee to make.
Phyl. Here are threads, my true love, fine as silk,
To knit thee, to knit thee,
A pair of stockings white as milk.
Cor. Here are reeds, my true love, fine and neat,
To make thee, to make thee,
A bonnet to withstand the heat.
Phyl. I will gather flowers, my Corydon,
To set in thy cap.
Cor. I will gather pears, my lovely one,
To put in thy lap.
Phyl. I will buy my true love garters gay,
For Sundays, for Sundays,
To wear about his legs so tall.
Cor. I will buy my true love yellow say,
For Sundays, for Sundays,
To wear about her middle small.
Phyl. When my Corydon sits on a hill
Making melody-Cor. When my lovely one goes to her wheel,
Singing cheerily-Phyl. Sure methinks my true love doth excel
For sweetness, for sweetness,
175
Our Pan, that old Arcadian knight.
Cor. And methinks my true love bears the bell
For clearness, for clearness,
Beyond the nymphs that be so bright.
Phyl. Had my Corydon, my Corydon,
Been, alack! her swain-Cor. Had my lovely one, my lovely one,
Been in Ida plain-Phyl. Cynthia Endymion had refused,
Preferring, preferring,
My Corydon to play withal.
Cor. The Queen of Love had been excused
Bequeathing, bequeathing,
My Phyllida the golden ball.
Phyl. Yonder comes my mother, Corydon!
Whither shall I fly?
Cor. Under yonder beech, my lovely one,
While she passeth by.
Phyl. Say to her thy true love was not here;
Remember, remember,
To-morrow is another day.
Cor. Doubt me not, my true love, do not fear;
Farewell then, farewell then!
Heaven keep our loves alway!
~ Anonymous,
187:The Master
A flying word from here and there
Had sown the name at which we sneered,
But soon the name was everywhere,
To be reviled and then revered:
A presence to be loved and feared,
We cannot hide it, or deny
That we, the gentlemen who jeered,
May be forgotten by and by.
He came when days were perilous
And hearts of men were sore beguiled;
And having made his note of us,
He pondered and was reconciled.
Was ever master yet so mild
As he, and so untamable?
We doubted, even when he smiled,
Not knowing what he knew so well.
He knew that undeceiving fate
Would shame us whom he served unsought;
He knew that he must wince and wait —
The jest of those for whom he fought;
He knew devoutly what he thought
Of us and of our ridicule;
He knew that we must all be taught
Like little children in a school.
We gave a glamour to the task
That he encountered and saw through,
But little of us did he ask,
And little did we ever do.
And what appears if we review
The season when we railed and chaffed?
It is the face of one who knew
That we were learning while we laughed.
The face that in our vision feels
Again the venom that we flung,
Transfigured to the world reveals
326
The vigilance to which we clung.
Shrewd, hallowed, harassed, and among
The mysteries that are untold,
The face we see was never young,
Nor could it ever have been old.
For he, to whom we have applied
Our shopman's test of age and worth,
Was elemental when he died,
As he was ancient at his birth:
The saddest among kings of earth,
Bowed with a galling crown, this man
Met rancor with a cryptic mirth,
Laconic — and Olympian.
The love, the grandeur, and the fame
Are bounded by the world alone;
The calm, the smouldering, and the flame
Of awful patience were his own:
With him they are forever flown
Past all our fond self-shadowings,
Wherewith we cumber the Unknown
As with inept Icarian wings.
For we were not as other men:
'T was ours to soar and his to see.
But we are coming down again,
And we shall come down pleasantly;
Nor shall we longer disagree
On what it is to be sublime,
But flourish in our perigee
And have one Titan at a time.
~ Edwin Arlington Robinson,
188:DREAMLAND             BY a route obscure and lonely,             Haunted by ill angels only,             Where an Eidolon, named NIGHT,             On a black throne reigns upright,             I have reached these lands but newly             From an ultimate dim Thule— From a wild weird clime that lieth, sublime                 Out of SPACE—out of TIME.             Bottomless vales and boundless floods,             And chasms, and caves, and Titan woods             With forms that no man can discover             For the dews that drip all over; WHERE AN EIDOLON NAMED NIGHT ON A BLACK THRONE REIGNS UPRIGHT         Mountains toppling evermore         Into seas without a shore;         Seas that restlessly aspire,         Surging, unto skies of fire;         Lakes that endlessly outspread         Their lone waters—lone and dead,         Their still waters—still and chilly         With the snows of the lolling lily.         By the lakes that thus outspread         Their lone waters, lone and dead,—         Their sad waters, sad and chilly         With the snows of the lolling lily,—         By the mountains—near the river         Murmuring lowly, murmuring ever,—         By the grey woods,—by the swamp         Where the toad and the newt encamp,—         By the dismal tarns and pools                 Where dwell the Ghouls,—         By each spot the most unholy—         In each nook most melancholy,—         There the traveller meets aghast         Sheeted Memories of the Past—         Shrouded forms that start and sigh         As they pass the wanderer by—         White-robed forms of friends long given,         In agony, to the Earth—and Heaven.         For the heart whose woes are legion         ’Tis a peaceful, soothing region—         For the spirit that walks in shadow         ’Tis—oh, ’tis an Eldorado!         But the traveller, travelling through it,         May not—dare not openly view it;         Never its mysteries are exposed         To the weak human eye unclosed;         So wills its King, who hath forbid         The uplifting of the fringèd lid;         And thus the sad Soul that here passes         Beholds it but through darkened glasses.         By a route obscure and lonely,         Haunted by ill angels only,         Where an Eidolon, named NIGHT,         On a black throne reigns upright,         I have wandered home but newly         From this ultimate dim Thule. ~ Edgar Allan Poe,
189:Fumant Dans Le Cristal
Fumant dans le cristal, que Bacchus à longs flots
Partout aille à la ronde éveiller les bons mots.
Reine de mes banquets, que Lycoris y vienne;
Que des fleurs de sa tête elle pare la mienne;
Pour enivrer mes sens, que le feu de ses yeux
S'unisse à la vapeur des vins délicieux.
Amis, que ce bonheur soit notre unique étude;
Nous en perdrons sitôt la charmante habitude!
Hâtons-nous, l'heure fuit. Hâtons-nous de saisir
L'instant, le seul instant donné pour le plaisir.
Un jour, tel est du sort l'arrêt inexorable,
Vénus, qui pour les dieux fit le bonheur durable,
A nos cheveux blanchis refusera des fleurs,
Et le printemps pour nous n'aura plus de couleurs.
Qu'un sein voluptueux, des lèvres demi-closes
Respirent près de nous leur haleine de roses;
Que Phryné sans réserve abandonne à nos yeux
De ses charmes secrets les contours gracieux.
Quand l'âge aura sur nous mis sa main flétrissante,
Que pourra la beauté, quoique toute-puissante?
Vainement exposée à nos regards confus,
Nos coeurs en la voyant ne palpiteront plus.
Il faudra bien qu'armés de la philosophie,
Oubliant le plaisir alors qu'il nous oublie,
La science nous offre un utile secours
Qui dispute à l'ennui le reste de nos jours.
C'est alors qu'exilé dans mon champêtre asile,
De l'antique sagesse admirateur tranquille,
Du mobile univers interrogeant la voix,
J'irai de la nature étudier les lois:
Par quelle main sur soi la terre suspendue
Voit mugir autour d'elle Amphitrite étendue;
Quel Titan foudroyé respire avec effort
Des cavernes d'Etna la ruine et la mort;
Quel bras guide les cieux; à quel ordre enchaîné
Le soleil bienfaisant nous ramène l'année;
Quel signe aux ports lointains arrête l'étranger;
Quel autre sur la mer conduit le passager,
Quand sa patrie absente et longtemps appelée
47
Lui fait tenter l'Euripe et les flots de Malée;
Et quel, de l'abondance heureux avant-coureur,
Arme d'un aiguillon la main du laboureur.
Cependant jouissons; l'âge nous y convie.
Avant de la quitter, il faut user la vie.
Le moment d'être sage est voisin du tombeau.
Allons, jeune homme, allons, marche; prends ce flambeau.
Marche, allons. Mène-moi chez ma belle maîtresse.
J'ai pour elle aujourd'hui mille fois plus d'ivresse.
Je veux que des baisers plus doux, plus dévorants,
N'aient jamais vers le ciel tourné ses yeux mourants.
~ Andre Marie de Chenier,
190:The Revealer
(ROOSEVELT)
He turned aside to see the carcase of the lion: and behold, there was a
swarm of bees and honey in the carcase of the lion … And the men of the city
said unto him, What is sweeter than honey? and what is stronger than a
lion?—Judges, 14.

The palms of Mammon have disowned
The gift of our complacency;
The bells of ages have intoned
Again their rhythmic irony;
And from the shadow, suddenly,
’Mid echoes of decrepit rage,
The seer of our necessity
Confronts a Tyrian heritage.
Equipped with unobscured intent
He smiles with lions at the gate,
Acknowledging the compliment
Like one familiar with his fate;
The lions, having time to wait,
Perceive a small cloud in the skies,
Whereon they look, disconsolate,
With scared, reactionary eyes.
A shadow falls upon the land,—
They sniff, and they are like to roar;
For they will never understand
What they have never seen before.
They march in order to the door,
Not knowing the best thing to seek,
Nor caring if the gods restore
The lost composite of the Greek.
The shadow fades, the light arrives,
And ills that were concealed are seen;
The combs of long-defended hives
Now drip dishonored and unclean;
341
No Nazarite or Nazarene
Compels our questioning to prove
The difference that is between
Dead lions—or the sweet thereof.
But not for lions, live or dead,
Except as we are all as one,
Is he the world’s accredited
Revealer of what we have done;
What You and I and Anderson
Are still to do is his reward;
If we go back when he is gone—
There is an Angel with a Sword.
He cannot close again the doors
That now are shattered for our sake;
He cannot answer for the floors
We crowd on, or for walls that shake;
He cannot wholly undertake
The cure of our immunity;
He cannot hold the stars, or make
Of seven years a century.
So Time will give us what we earn
Who flaunt the handful for the whole,
And leave us all that we may learn
Who read the surface for the soul;
And we’ll be steering to the goal,
For we have said so to our sons:
When we who ride can pay the toll,
Time humors the far-seeing ones.
Down to our nose’s very end
We see, and are invincible,—
Too vigilant to comprehend
The scope of what we cannot sell;
But while we seem to know as well
As we know dollars, or our skins,
The Titan may not always tell
Just where the boundary begins.
342
~ Edwin Arlington Robinson,
191:Proletaria
THE SUNNY rounds of Earth contain
An obverse to its Day,
Our fertile Vagrancy’s domain,
Wan Proletaria.
From pole to pole of Poverty
We stumble through the years,
With hazy-lanterned Memory
And Hope that never nears.
Wherever Plenty’s crop invites
Our pitiful brigades,
Lurk cannoneers of Vested Rights,
Juristic ambuscades;
And here hangs Rent, that squalid cage
Within which Mammon thrusts,
Bound with the fetter of a wage,
The helots of his lusts.
With palsied Doubt as guide, we wind
Among the lanes of Need,
Where meagre Hungers scouting find
But slavered baits of Greed.
The wet-lipped Lamias of Caste,
Awaiting our advance,
Our choicest squadrons’ fealty blast
With magic smile and glance:
Delilah-limbed temptations flit
Among our drowsy rows,
And on our willing captains fit
The badges of our foes.
What wonder sometimes if in stealth
Our starker outposts wait,
And, in the prowling eyes of Wealth,
Dash vitriol of Hate;
33
Or if our Samsons, ere too late,
Their treasons should make good
By whelming in the temple’s fate
Their viper owners’ brood!
Our polyandrous dam has borne
To Satan and to God
The hordes of Night, the clans of Morn,
That through our valleys plod.
Ah, motherhood of misery
For Christ-child as for pest!
The greater her fertility
The drier grows her breast!
Too many linger on the track;
A few outstrip the time:
Some, God has tattooed yellow, black,
And some disguised with crime.
Art’s living archives here abound,
Carraras of Despair,
And those weird masks of Sight and Sound
The Tragic Muses wear.
Tho’ blind and dull, ’tis we supply
The Painter’s dazzling dreams;
The rolling flood of Poetry
From our dumb chaos streams.
Nay, when your world is over-tired,
And Genius comatose,
Our race, by Nemesis inspired,
Old Order overthrows:
With earthquake-life we thrill your land,
Refill the cruse of Art,
Revitalize spent Wisdom, and—
Resume our weary part.
The palace of successful Guilt
34
Is mortared with our shame;
On hecatombs of Us are built
The soaring towers of Fame.
We are the gnomes of Titan works
Whose throbbings never cease;
Our unregarded signet lurks
On every masterpiece.
The floating isles, that shuttling tie
All peoples into one
By adept steermen’s sorcery
Of magnet, steam, and sun;
Religion’s dolmens, Sphinxes, spires,
Her Biblic armouries;
The helot lightning of the wires
That mesh your lands and seas;
The viaducts ’tween Near and Far,
Whereon, o’er range and mead,
Bacchantic Trade’s triumphant car
And iron tigers speed;
The modern steely crops that rise
Where technic Jasons sow:
—All these but feebly symbolize
The largesse we bestow.
And our reward? In this wan land,
In clientage of Greed,
Despised, polluted, maimed and banned,
To wander and—to breed
~ Bernard O'Dowd,
192:Baby Tortoise
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly
forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
18
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
19
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
~ David Herbert Lawrence,
193:Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan. ~ Rick Riordan,
194:The supreme Truth aspect which thus manifests itself to us is an eternal and infinite and absolute self-existence, self-awareness, self-delight of being; this bounds all things and secretly supports and pervades all things. This Self-existence reveals itself again in three terms of its essential nature,-self, conscious being or spirit, and God or the Divine Being. The Indian terms are more satisfactory,-Brahman the Reality is Atman, Purusha, Ishwara; for these terms grew from a root of Intuition and, while they have a comprehensive preciseness, are capable of a plastic application which avoids both vagueness in the use and the rigid snare of a too limiting intellectual concept. The Supreme Brahman is that which in Western metaphysics is called the Absolute: but Brahman is at the same time the omnipresent Reality in which all that is relative exists as its forms or its movements; this is an Absolute which takes all relativities in its embrace. [...] Brahman is the Consciousness that knows itself in all that exists; Brahman is the force that sustains the power of God and Titan and Demon, the Force that acts in man and animal and the forms and energies of Nature; Brahman is the Ananda, the secret Bliss of existence which is the ether of our being and without which none could breathe or live. Brahman is the inner Soul in all; it has taken a form in correspondence with each created form which it inhabits. The Lord of Beings is that which is conscious in the conscious being, but he is also the Conscious in inconscient things, the One who is master and in control of the many that are passive in the hands of Force-Nature. He is the Timeless and Time; He is Space and all that is in Space; He is Causality and the cause and the effect: He is the thinker and his thought, the warrior and his courage, the gambler and his dice-throw. All realities and all aspects and all semblances are the Brahman; Brahman is the Absolute, the Transcendent and incommunicable, the Supracosmic Existence that sustains the cosmos, the Cosmic Self that upholds all beings, but It is too the self of each individual: the soul or psychic entity is an eternal portion of the Ishwara; it is his supreme Nature or Consciousness-Force that has become the living being in a world of living beings. The Brahman alone is, and because of It all are, for all are the Brahman; this Reality is the reality of everything that we see in Self and Nature. Brahman, the Ishwara, is all this by his Yoga-Maya, by the power of his Consciousness-Force put out in self-manifestation: he is the Conscious Being, Soul, Spirit, Purusha, and it is by his Nature, the force of his conscious self-existence that he is all things; he is the Ishwara, the omniscient and omnipotent All-ruler, and it is by his Shakti, his conscious Power, that he manifests himself in Time and governs the universe. These and similar statements taken together are all-comprehensive: it is possible for the mind to cut and select, to build a closed system and explain away all that does not fit within it; but it is on the complete and many-sided statement that we must take our stand if we have to acquire an integral knowledge.
   ~ Sri Aurobindo, The Life Divine, Book 02: The Knowledge and the Ignorance - The Spiritual Evolution, Part I, The Infinite Consciousness and the Ignorance Brahman, Purusha, Ishwara - Maya, Prakriti, Shakti [336-337],
195:War
By the Nile, the sacred river,
I can see the captive hordes,
Strain beneath the lash and quiver
At the long papyrus cords,
While in granite rapt and solemn,
Rising over roof and column,
Amen-hotep dreams, or Ramses,
Lord of Lords.
I can hear the trumpets waken
For a victory old and far–
Carchemish or Kadesh taken–
I can see the conqueror's car
Bearing down some Hittite valley,
Where the bowmen break and sally,
Sargina or Esarhaddon,
Grim with war!
From the mountain streams that sweeten
Indus, to the Spanish foam,
I can feel the broad earth beaten
By the serried tramp of Rome;
Through whatever foes environ
Onward with the might of iron–
Veni, vidi; veni vici–
Crashing home!
I can see the kings grow pallid
With astonished fear and hate,
As the hosts of Amr or Khaled
On their cities fall like fate;
Like the heat-wind from its prison
In the desert burst and risen–
La ilaha illah 'llahu–
God is great!
I can hear the iron rattle,
I can see the arrows sting
In some far-off northern battle,
260
Where the long swords sweep and swing;
I can hear the scalds declaiming,
I can see their eyeballs flaming,
Gathered in a frenzied circle
Round the king.
I can hear the horn of Uri
Roaring in the hills enorm;
Kindled at its brazen fury,
I can see the clansmen form;
In the dawn in misty masses,
Pouring from the silent passes
Over Granson or Morgarten
Like the storm.
On the lurid anvil ringing
To some slow fantastic plan,
I can hear the sword-smith singing
In the heart of old Japan–
Till the cunning blade grows tragic
With his malice and his magic–
Tenka tairan! Tenka tairan!
War to man!
Where a northern river charges
From the murky forest marges,
Round a broken palisade,
I can see the red men leaping,
See the sword of Daulac sweeping,
And the ghostly forms of heroes
Fall and fade.
I can feel the modern thunder
Of the cannon beat and blaze,
When the lines of men go under
On your proudest battle-days;
Through the roar I hear the lifting
Of the bloody chorus drifting
Round the burning mill at Valmy–
Marseillaise!
I can see the ocean rippled
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With the driving shot like rain,
While the hulls are crushed and crippled,
And the guns are piled with slain;
O'er the blackened broad sea-meadow
Drifts a tall and titan shadow,
And the cannon of Trafalgar
Startle Spain.
Still the tides of fight are booming,
And the barren blood is spilt;
Still the banners are up-looming,
And the hands are on the hilt;
But the old world waxes wiser,
From behind the bolted visor
It descries at last the horror
And the guilt.
Yet the eyes are dim, nor wholly
Open to the golden gleam,
And the brute surrenders slowly
To the godhead and the dream.
From his cage of bar and girder,
Still at moments mad with murder,
Leaps the tiger, and his demon
Rules supreme.
One more war with fire and famine
Gathers–I can hear its cries–
And the years of might and Mammon
Perish in a world's demise;
When the strength of man is shattered,
And the powers of earth are scattered,
From beneath the ghastly ruin
Peace shall rise!
~ Archibald Lampman,
196:L'Idéal (The Ideal)
Ce ne seront jamais ces beautés de vignettes,
Produits avariés, nés d'un siècle vaurien,
Ces pieds à brodequins, ces doigts à castagnettes,
Qui sauront satisfaire un coeur comme le mien.
Je laisse à Gavarni, poète des chloroses,
Son troupeau gazouillant de beautés d'hôpital,
Car je ne puis trouver parmi ces pâles roses
Une fleur qui ressemble à mon rouge idéal.
Ce qu'il faut à ce coeur profond comme un abîme,
C'est vous, Lady Macbeth, âme puissante au crime,
Rêve d'Eschyle éclos au climat des autans;
Ou bien toi, grande Nuit, fille de Michel-Ange,
Qui tors paisiblement dans une pose étrange
Tes appas façonnés aux bouches des Titans!
The Ideal
It will never be the beauties that vignettes show, Those damaged products of a
good-for-nothing age,
Their feet shod with high shoes, hands holding castanets,
Who can ever satisfy any heart like mine.
I leave to Gavarni, poet of chlorosis,
His prattling troop of consumptive beauties,
For I cannot find among those pale roses
A flower that is like my red ideal.
The real need of my heart, profound as an abyss,
Is you, Lady Macbeth, soul so potent in crime,
The dream of Aeschylus, born in the land of storms;
Or you, great Night, daughter of Michelangelo,
Who calmly contort, reclining in a strange pose
Your charms molded by the mouths of Titans!
370
— Translated by William Aggeler
The Ideal
It's not with smirking beauties of vignettes,
The shopsoiled products of a worthless age,
With buskined feet and hands for castanets —
A heart like mine its longing could assuage.
I leave Gavarni, poet of chloroses,
His twittering flock, anaemic and unreal.
I could not find among such bloodless roses,
A flower to match my crimson-hued ideal.
To this heart deeper than the deepest canyon,
Lady Macbeth would be a fit companion,
Crime-puissant dream of Aeschylus; or you,
Daughter of Buonarroti, stately Night!
Whose charms to suit a Titan's appetite,
You twist, so strange, yet peaceful, to the view.
— Translated by Roy Campbell
The Ideal
No beauties such as figure in vignettes,
Monsters of a vain era's lame design,
With feet for buskins, hands for castanets,
Can ever satisfy a heart like mine.
I leave to Gavarni's chlorotic Muse
These sickly prattling nymphs, however real;
Not one of these pale roses would I choose
To match the flowers of my red ideal.
What my heart, deep as an abyss, demands,
Lady Macbeth, is your brave bloody hands,
And, Aeschylus, your dreams of rage and fright,
Or you, vast Night, daughter of Angelo's,
Who peacefully twist into a strange pose
Charms fashioned for a Titan's mouth to bite.
371
— Translated by Jacques LeClercq
L'Idéal
'twill be no lovely girls of our vignettes
— spoiled fruits our worthless epoch deems divine —
slim slippered feet, hands made for castagnettes,
that shall content this questing heart of mine.
I leave to great Gavarni, bard of blight,
his prattling beauties with their frail appeal.
I cannot find among his roses white
the flaming flower of my red ideal.
I crave, to fill my heart's abyss of death,
thy passion, fair and merciless Macbeth,
whom Aeschylus might not have dreamed in boreal snows;
or thine, great Night, in Bunarroti's South,
tranquilly turning in a monstrous pose
thy bosom fashioned by a Titan's mouth!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
197:With over 5,000 years of continuous history, the subcontinent known as India has flourished. Its culture, people, and history have added a crucial, colorful chapter to the history of humankind as a whole. India has participated in many events that shaped the progress and future of mankind, and its art, philosophy, literature, and culture have influenced billions. From the culture's inception in the Indus Valley or Harappan Civilization, the people of the Indian subcontinent have acted as the fulcrum between the east and west. Their civilization once flourished as a trading titan and provided the ancient world with a rich and varied society, unlike its contemporaries it did so without succumbing to the horrors of war. This tradition of economic and philosophic focus would be transmitted throughout the ages through each of the different eras in Indian history. In the ancient world, the Indus Valley civilization provided the backbone of what would become Indian culture. As the society eventually collapsed, it left behind traces of its existence to be found and adopted by the Vedic peoples that sprung from their demise. In the Vedic period, Indian culture and history were shaped and transformed into literary masterpieces that survive today as a lynchpin of Hindu philosophy. It also saw the birth of Buddhism, the ascension of the Buddha and the spread of a counter culture that has expanded far across the globe, influencing the lives of millions. This very formative era in Indian history gives modern-day society an idea of what the structure of Indian history and society would become. This feudal period in India was one of ideological development in both the Vedic or Hindu ways and the ways of the Sramana traditions that arose as a countercultural movement. These two ideologies would go on to influence the various empires that would begin to form after the Vedic Age. In the Age of Empires, the Indian subcontinent would witness the birth of empires like that of Cyrus the Great in Persia and Alexander the Great of Macedonia. The disunity of the Indian kingdoms would allow foreign invaders to influence this era, but although the smaller Indian kingdoms were defeated in many ways, India remained unconquered as a whole. From this disunity and vulnerability, the first Indian empires would begin taking shape. From the Mauryan to the Gupta and beyond, the first Indian empires would shape the history of India in ways that are hard to fathom. Science, mathematics, art, architecture, and literature would flourish in this age. This period would provide India with a national identity that hangs on to this day. In the Age of Muslim Expansion, India was introduced to yet another vital part of its history and culture. Though many wars were fought between the Indian kingdoms and the Muslim sultanates, the people of the Indian subcontinent adopted an attitude of religious tolerance that persists to this day. In modern-day India, you can see the influence of the Muslim cultures that put down roots in India during this time, most notably in the Taj Mahal. In the Age of Exploration, the expansion of European power across the globe would shape the history of India under the Portuguese, Dutch, and eventually the British. This period, although known for exploitation, can also be attributed with the birth of Indian democracy and republican values that we would see born in the modern age. Though the modern age is but a minuscule fraction of the gravitas of Indian history, it maintains itself as a colorful portrait of the Indian soul. If one truly wants to understand Indian history, one but has to look at the astounding culture of modern-day India. The 50 events chosen to be illustrated in this book are but a few of the thousands if not millions of crucial events that shaped and built the extravagance of the country we now call India. ~ Hourly History,
198:An Ode To The Hills
AEons ago ye were,
Before the struggling changeful race of man
Wrought into being, ere the tragic stir
Of human toil and deep desire began:
So shall ye still remain,
Lords of an elder and immutable race,
When many a broad metropolis of the plain,
Or thronging port by some renowned shore,
Is sunk in nameless ruin, and its place
Recalled no more.
Empires have come and gone,
And glorious cities fallen in their prime;
Divine, far-echoing, names once writ in stone
Have vanished in the dust and void of time;
But ye, firm-set, secure,
Like Treasure in the hardness of God's palm,
Are yet the same for ever; ye endure
By virtue of an old slow-ripening word,
In your grey majesty and sovereign calm,
Untouched, unstirred.
Tempest and thunderstroke,
With whirlwinds dipped in midnight at the core,
Have torn strange furrows through your forest cloak,
And made your hollow gorges clash and roar,
And scarred your brows in vain.
Around your barren heads and granite steeps
Tempestuous grey battalions of the rain
Charge and recharge, across the plateaued floors,
Drenching the serried pines; and the hail sweeps
Your pitiless scaurs.
The long midsummer heat
Chars the thin leafage of your rocks in fire:
Autumn with windy robe and ruinous feet
On your wide forests wreaks his fell desire,
Heaping in barbarous wreck
The treasure of your sweet and prosperous days;
48
And lastly the grim tyrant, at whose beck
Channels are turned to stone and tempests wheel,
On brow and breast and shining shoulder lays
His hand of steel.
And yet not harsh alone,
Nor wild, nor bitter are your destinies,
O fair and sweet, for all your heart of stone,
Who gather beauty round your Titan knees,
As the lens gathers light.
The dawn gleams rosy on your splendid brows,
The sun at noonday folds you in his might,
And swathes your forehead at his going down,
Last leaving, where he first in pride bestows,
His golden crown.
In unregarded glooms,
Where hardly shall a human footstep pass,
Myriads of ferns and soft maianthemums,
Or lily-breathing slender pyrolas
Distil their hearts for you.
Far in your pine-clad fastnesses ye keep
Coverts the lonely thrush shall wander through,
With echoes that seem ever to recede,
Touching from pine to pine, from steep to steep,
His ghostly reed.
The fierce things of the wild
Find food and shelter in your tenantless rocks,
The eagle on whose wings the dawn hath smiled,
The loon, the wild-cat, and the bright-eyed fox;
For far away indeed
Are all the ominous noises of mankind,
The slaughterer's malice and the trader's greed:
Your rugged haunts endure no slavery:
No treacherous hand is there to crush or bind,
But all are free.
Therefore out of the stir
Of cities and the ever-thickening press
The poet and the worn philosopher
To your bare peaks and radiant loneliness
49
Escape, and breathe once more
The wind of the Eternal: that clear mood,
Which Nature and the elder ages bore,
Lends them new courage and a second prime,
At rest upon the cool infinitude
Of Space and Time.
The mists of troublous days,
The horror of fierce hands and fraudful lips,
The blindness gathered in Life's aimless ways
Fade from them, and the kind Earth-spirit strips
The bandage from their eyes,
Touches their hearts and bids them feel and see;
Beauty and Knowledge with that rare apprise
Pour over them from some divine abode,
Falling as in a flood of memory,
The bliss of God.
I too perchance some day,
When Love and Life have fallen far apart,
Shall slip the yoke and seek your upward way
And make my dwelling in your changeless heart;
And there in some quiet glade,
Some virgin plot of turf, some innermost dell,
Pure with cool water and inviolate shade,
I'll build a blameless altar to the dear
And kindly gods who guard your haunts so well
From hurt or fear.
There I will dream day-long,
And honour them in many sacred ways,
With hushed melody and uttered song,
And golden meditation and with praise.
I'll touch them with a prayer,
To clothe my spirit as your might is clad
With all things bountiful, divine, and fair,
Yet inwardly to make me hard and true,
Wide-seeing, passionless, immutably glad,
And strong like you.
~ Archibald Lampman,
199:A God's Labour
I have gathered my dreams in a silver air
   Between the gold and the blue
And wrapped them softly and left them there,
   My jewelled dreams of you.

I had hoped to build a rainbow bridge
   Marrying the soil to the sky
And sow in this dancing planet midge
   The moods of infinity.

But too bright were our heavens, too far away,
   Too frail their ethereal stuff;
Too splendid and sudden our light could not stay;
   The roots were not deep enough.

He who would bring the heavens here
   Must descend himself into clay
And the burden of earthly nature bear
   And tread the dolorous way.

Coercing my godhead I have come down
   Here on the sordid earth,
Ignorant, labouring, human grown
   Twixt the gates of death and birth.

I have been digging deep and long
   Mid a horror of filth and mire
A bed for the golden river's song,
   A home for the deathless fire.

I have laboured and suffered in Matter's night
   To bring the fire to man;
But the hate of hell and human spite
   Are my meed since the world began.

For man's mind is the dupe of his animal self;
   Hoping its lusts to win,
He harbours within him a grisly Elf
   Enamoured of sorrow and sin.

The grey Elf shudders from heaven's flame
   And from all things glad and pure;
Only by pleasure and passion and pain
   His drama can endure.

All around is darkness and strife;
   For the lamps that men call suns
Are but halfway gleams on this stumbling life
   Cast by the Undying Ones.

Man lights his little torches of hope
   That lead to a failing edge;
A fragment of Truth is his widest scope,
   An inn his pilgrimage.

The Truth of truths men fear and deny,
   The Light of lights they refuse;
To ignorant gods they lift their cry
   Or a demon altar choose.

All that was found must again be sought,
   Each enemy slain revives,
Each battle for ever is fought and refought
   Through vistas of fruitless lives.

My gaping wounds are a thousand and one
   And the Titan kings assail,
But I dare not rest till my task is done
   And wrought the eternal will.

How they mock and sneer, both devils and men!
   "Thy hope is Chimera's head
Painting the sky with its fiery stain;
   Thou shalt fall and thy work lie dead.

"Who art thou that babblest of heavenly ease
   And joy and golden room
To us who are waifs on inconscient seas
   And bound to life's iron doom?

"This earth is ours, a field of Night
   For our petty flickering fires.
How shall it brook the sacred Light
   Or suffer a god's desires?

"Come, let us slay him and end his course!
   Then shall our hearts have release
From the burden and call of his glory and force
   And the curb of his wide white peace."

But the god is there in my mortal breast
   Who wrestles with error and fate
And tramples a road through mire and waste
   For the nameless Immaculate.

A voice cried, "Go where none have gone!
   Dig deeper, deeper yet
Till thou reach the grim foundation stone
   And knock at the keyless gate."

I saw that a falsehood was planted deep
   At the very root of things
Where the grey Sphinx guards God's riddle sleep
   On the Dragon's outspread wings.

I left the surface gauds of mind
   And life's unsatisfied seas
And plunged through the body's alleys blind
   To the nether mysteries.

I have delved through the dumb Earth's dreadful heart
   And heard her black mass' bell.
I have seen the source whence her agonies part
   And the inner reason of hell.

Above me the dragon murmurs moan
   And the goblin voices flit;
I have pierced the Void where Thought was born,
   I have walked in the bottomless pit.

On a desperate stair my feet have trod
   Armoured with boundless peace,
Bringing the fires of the splendour of God
   Into the human abyss.

He who I am was with me still;
   All veils are breaking now.
I have heard His voice and borne His will
   On my vast untroubled brow.

The gulf twixt the depths and the heights is bridged
   And the golden waters pour
Down the sapphire mountain rainbow-ridged
   And glimmer from shore to shore.

Heaven's fire is lit in the breast of the earth
   And the undying suns here burn;
Through a wonder cleft in the bounds of birth
   The incarnate spirits yearn

Like flames to the kingdoms of Truth and Bliss:
   Down a gold-red stairway wend
The radiant children of Paradise
   Clarioning darkness' end.

A little more and the new life's doors
   Shall be carved in silver light
With its aureate roof and mosaic floors
   In a great world bare and bright.

I shall leave my dreams in their argent air,
   For in a raiment of gold and blue
There shall move on the earth embodied and fair
   The living truth of you.
   ~ Sri Aurobindo, Collected Poems, A God's Labour, 534,
200: To the Ganges
Hearken, Ganges, hearken, thou that sweepest golden to the sea,
Hearken, Mother, to my voice.

From the feet of Hari with thy waters pure thou leapest free,
Waters colder-pure than ice.

On Himaloy's grandiose summits upright in his cirque of stones
Shiva sits in breathless air,
Where the outcast seeks his refuge, where the demon army moans,
Ganges erring through his hair.

Down the snowwhite mountains speeding, the immortal peaks and cold,
Crowd thy waves untouched by man.

From Gungotry through the valleys next their icy tops were rolled,
Bursting through Shivadry ran.
Poems from Manuscripts

257

In Benares' stainless city by defilement undefiled
Ghauts and temples lightly touched
With thy fingers as thou ranst, laughed low in pureness like a child
To his mother's bosom clutched.

Where the steps of Rama wandered, where the feet of Krishna came,
There thou flowest, there thy hand
Clasps us, Bhagirathie, Jahnavie or Gunga, and thy name
Holier makes the Aryans' land.

But thou leavest Aryavurtha, but thou leapest to the seas
In thy hundred mighty streams;
Nor in the unquiet Ocean vast thy grandiose journeyings cease,
Mother, say thy children's dreams.

Down thou plungest through the Ocean, far beneath its oozy bed
In Patala's leaden gloom
Moaning o'er her children's pain our mother, Ganges of the dead,
Leads our wandering spirits home.

Mighty with the mighty still thou dwelledst, goddess high and pure;
Iron Bhshma was thy son,
Who against ten thousand rushing chariots could in war endure;
Many heroes fled from one.

Devavrath the mighty, Bhshma with his oath of iron power,
Smilingly who gave up full
Joy of human life and empire, that his father's wish might flower
And his father's son might rule.

Who were these that thronged thereafter? wherefore came these puny hearts
Apter for the cringing slave,
Wrangling, selfish, weak and treacherous, vendors of their nobler parts,
Sorry food for pyre and grave?

258

Baroda and Bengal, c. 1900 - 1909

O but these are men of mind not yet with Europe's brutal mood alloyed,
Poets singing in their chains,
Preachers teaching manly slavery, speakers thundering in the void.

Motley wear these men of brains!
Well it is for hound and watchdog fawning at a master's feet,
Cringing, of the whip afraid!
Well it is for linnet caged to make with song his slavery sweet.

Man for other ends was made.

Man the arrogant, the splendid, man the mighty wise and strong,
Born to rule the peopled earth,
Shall he bear the alien's insult, shall he brook the tyrant's wrong
Like a thing of meaner birth?
Sreepoor in the east of Chand and Kedar, bright with Mogul blood,
And the Kings of Aracan
And the Atlantic pirates helped that hue, - its ruined glory flood
Krtinasha's waters wan.

Buried are our cities; fallen the apexed dome, the Indian arch;
In Chitore the jackals crowd:
Krishna's Dwarca sleeps for ever, o'er its ruined bastions march
All the Oceans thundering loud.

Still, yet still the fire of Kali on her ancient altar burns
Smouldering under smoky pall,
And the deep heart of her peoples to their Mighty Mother turns,
Listening for her Titan call.

Yet Pratapaditya's great fierce spirit shall in might awake
In Jessore he loved and made,
Sitaram the good and mighty for his well-loved people's sake
Leave the stillness and the shade.
Poems from Manuscripts

259

And Bengal the wide and ancient where the Senas swayed of old
Up to far Benares pure,
She shall lead the Aryan peoples to the mighty doom foretold
And her glory shall endure.

By her heart of quick emotion, by her brain of living fire,
By her vibrant speech and great,
She shall lead them, they shall see their destiny in her warm desire
Opening all the doors of Fate.

By the shores of Brahmaputra or where Ganges nears the sea,
Even now a flame is born
Which shall kindle all the South to brilliance and the North shall be
Lighted up as with the morn.

And once more this Aryavurtha fit for heavenly feet to tread,
Free and holy, bold and wise,
Shall lift up her face before the world and she whom men thought dead,
Into strength immortal rise.

Not in icy lone Gungotry nor by Kashi's holy fanes,
Mother, hast thou power to save
Only, nor dost thou grow old near Sagar, nor our vileness stains,
Ganges, thy celestial wave.

Dukkhineswar, Dukkhineswar, wonderful predestined pile,
Tell it to our sons unborn,
Where the night was brooding darkest and the curse was on the soil
Heaviest, God revealed the morn.
260

Baroda and Bengal, c. 1900 - 1909
~ Sri Aurobindo, - To the Ganges
,
201:author class:Sri Aurobindo

A God's Labour
I have gathered my dreams in a silver air
Between the gold and the blue
And wrapped them softly and left them there,
My jewelled dreams of you.

I had hoped to build a rainbow bridge
Marrying the soil to the sky
And sow in this dancing planet midge
The moods of infinity.

But too bright were our heavens, too far away,
Too frail their ethereal stuff;
Too splendid and sudden our light could not stay;
The roots were not deep enough.

He who would bring the heavens here
Must descend himself into clay
And the burden of earthly nature bear
And tread the dolorous way.

Coercing my godhead I have come down
Here on the sordid earth,
Ignorant, labouring, human grown
Twixt the gates of death and birth.

I have been digging deep and long
Mid a horror of filth and mire
A bed for the golden river's song,
A home for the deathless fire.

I have laboured and suffered in Matter's night
To bring the fire to man;
But the hate of hell and human spite
Are my meed since the world began.

For man's mind is the dupe of his animal self;
Hoping its lusts to win,
He harbours within him a grisly Elf
Enamoured of sorrow and sin.

The grey Elf shudders from heaven's flame
And from all things glad and pure;
Only by pleasure and passion and pain
His drama can endure.

All around is darkness and strife;
For the lamps that men call suns
Are but halfway gleams on this stumbling life
Cast by the Undying Ones.

Man lights his little torches of hope
That lead to a failing edge;
A fragment of Truth is his widest scope,
An inn his pilgrimage.

The Truth of truths men fear and deny,
The Light of lights they refuse;
To ignorant gods they lift their cry
Or a demon altar choose.

All that was found must again be sought,
Each enemy slain revives,
Each battle for ever is fought and refought
Through vistas of fruitless lives.

My gaping wounds are a thousand and one
And the Titan kings assail,
But I dare not rest till my task is done
And wrought the eternal will.

How they mock and sneer, both devils and men!
"Thy hope is Chimera's head
Painting the sky with its fiery stain;
Thou shalt fall and thy work lie dead.

"Who art thou that babblest of heavenly ease
And joy and golden room
To us who are waifs on inconscient seas
And bound to life's iron doom?

"This earth is ours, a field of Night
For our petty flickering fires.
How shall it brook the sacred Light
Or suffer a god's desires?

"Come, let us slay him and end his course!
Then shall our hearts have release
From the burden and call of his glory and force
And the curb of his wide white peace."

But the god is there in my mortal breast
Who wrestles with error and fate
And tramples a road through mire and waste
For the nameless Immaculate.

A voice cried, "Go where none have gone!
Dig deeper, deeper yet
Till thou reach the grim foundation stone
And knock at the keyless gate."

I saw that a falsehood was planted deep
At the very root of things
Where the grey Sphinx guards God's riddle sleep
On the Dragon's outspread wings.

I left the surface gauds of mind
And life's unsatisfied seas
And plunged through the body's alleys blind
To the nether mysteries.

I have delved through the dumb Earth's dreadful heart
And heard her black mass' bell.
I have seen the source whence her agonies part
And the inner reason of hell.

Above me the dragon murmurs moan
And the goblin voices flit;
I have pierced the Void where Thought was born,
I have walked in the bottomless pit.

On a desperate stair my feet have trod
Armoured with boundless peace,
Bringing the fires of the splendour of God
Into the human abyss.

He who I am was with me still;
All veils are breaking now.
I have heard His voice and borne His will
On my vast untroubled brow.

The gulf twixt the depths and the heights is bridged
And the golden waters pour
Down the sapphire mountain rainbow-ridged
And glimmer from shore to shore.

Heaven's fire is lit in the breast of the earth
And the undying suns here burn;
Through a wonder cleft in the bounds of birth
The incarnate spirits yearn

Like flames to the kingdoms of Truth and Bliss:
Down a gold-red stairway wend
The radiant children of Paradise
Clarioning darkness' end.

A little more and the new life's doors
Shall be carved in silver light
With its aureate roof and mosaic floors
In a great world bare and bright.

I shall leave my dreams in their argent air,
For in a raiment of gold and blue
There shall move on the earth embodied and fair
The living truth of you.
~ Sri Aurobindo, Collected Poems, A God's Labour, 534

~ Sri Aurobindo, class:poem
,
202:Does pleasant spring return once more?
Does earth her happy youth regain?
Sweet suns green hills are shining o'er;
Soft brooklets burst their icy chain:
Upon the blue translucent river
Laughs down an all-unclouded day,
The winged west winds gently quiver,
The buds are bursting from the spray;
While birds are blithe on every tree;
The Oread from the mountain-shore
Sighs, "Lo! thy flowers come back to thee
Thy child, sad mother, comes no more!"

Alas! how long an age it seems
Since all the earth I wandered over,
And vainly, Titan, tasked thy beams
The lovedthe lost oneto discover!
Though all may seekyet none can call
Her tender presence back to me
The sun, with eyes detecting all,
Is blind one vanished form to see.
Hast thou, O Zeus! hast thou away
From these sad arms my daughter torn?
Has Pluto, from the realms of day,
Enamoredto dark rivers borne?

Who to the dismal phantom-strand
The herald of my grief will venture?
The boat forever leaves the land,
But only shadows there may enter.
Veiled from each holier eye repose
The realms where midnight wraps the dead,
And, while the Stygian river flows,
No living footstep there may tread!
A thousand pathways wind the drear
Descent;none upward lead to-day;
No witness to the mother's ear
The daughter's sorrows can betray.

Mothers of happy human clay
Can share at least their children's doom;
And when the loved ones pass away,
Can trackcan join themin the tomb!
The race alone of heavenly birth
Are banished from the darksome portals;
The Fates have mercy on the earth,
And death is only kind to mortals!
Oh, plunge me in the night of nights,
From heaven's ambrosial halls exiled!
Oh, let the goddess lose the rights
That shut the mother from the child!

Where sits the dark king's joyless bride,
Where midst the dead her home is made;
Oh that my noiseless steps might glide,
Amidst the shades, myself a shade!
I see her eyes, that search through tears,
In vain the golden light to greet;
That yearn for yonder distant spheres,
That pine the mother's face to meet!
Till some bright moment shall renew
The severed hearts' familiar ties;
And softened pity steal in dew,
From Pluto's slow-relenting eyes!

Ah, vain the wish, the sorrows are!
Calm in the changeless paths above
Rolls on the day-god's golden car
Fast are the fixed decrees of Jove!
Far from the ever-gloomy plain,
He turns his blissful looks away.
Alas! night never gives again
What once it seizes as its prey!
Till over Lethe's sullen swell,
Aurora's rosy hues shall glow;
And arching through the midmost hell
Shine forth the lovely Iris-bow!

And is there naught of her; no token
No pledge from that beloved hand?
To tell how love remains unbroken,
How far soever be the land?
Has love no link, no lightest thread,
The mother to the child to bind?
Between the living and the dead,
Can hope no holy compact find?
No! every bond is not yet riven;
We are not yet divided wholly;
To us the eternal powers have given
A symbol language, sweet and holy.

When Spring's fair children pass away,
When, in the north wind's icy air,
The leaf and flower alike decay,
And leave the rivelled branches bare,
Then from Vertumnus' lavish horn
I take life's seeds to strew below
And bid the gold that germs the corn
An offering to the Styx to go!
Sad in the earth the seeds I lay
Laid at thy heart, my childto be
The mournful tokens which convey
My sorrow and my love to thee!

But, when the hours, in measured dance,
The happy smile of spring restore,
Rife in the sun-god's golden glance
The buried dead revive once more!
The germs that perished to thine eyes,
Within the cold breast of the earth,
Spring up to bloom in gentler skies,
The brighter for the second birth!
The stem its blossom rears above
Its roots in night's dark womb repose
The plant but by the equal love
Of light and darkness fosteredgrows!

If half with death the germs may sleep,
Yet half with life they share the beams;
My heralds from the dreary deep,
Soft voices from the solemn streams,
Like her, so them, awhile entombs,
Stern Orcus, in his dismal reign,
Yet spring sends forth their tender blooms
With such sweet messages again,
To tell,how far from light above,
Where only mournful shadows meet,
Memory is still alive to love,
And still the faithful heart can beat!

Joy to ye children of the field!
Whose life each coming year renews,
To your sweet cups the heaven shall yield
The purest of its nectar-dews!
Steeped in the light's resplendent streams,
The hues that streak the Iris-bow
Shall trim your blooms as with the beams
The looks of young Aurora know.
The budding life of happy spring,
The yellow autumn's faded leaf,
Alike to gentle hearts shall bring
The symbols of my joy and grief.

~ Friedrich Schiller, The Complaint Of Ceres
,
203:Châtiment De L'Orgueil (The Punishment Of Pride)
En ces temps merveilleux où la Théologie
Fleurit avec le plus de sève et d'énergie,
On raconte qu'un jour un docteur des plus grands,
— Après avoir forcé les coeurs indifférents;
Les avoir remués dans leurs profondeurs noires;
Après avoir franchi vers les célestes gloires
Des chemins singuliers à lui-même inconnus,
Où les purs Esprits seuls peut-être étaient venus, —
Comme un homme monté trop haut, pris de panique,
S'écria, transporté d'un orgueil satanique:
«Jésus, petit Jésus! je t'ai poussé bien haut!
Mais, si j'avais voulu t'attaquer au défaut
De l'armure, ta honte égalerait ta gloire,
Et tu ne serais plus qu'un foetus dérisoire!»
Immédiatement sa raison s'en alla.
L'éclat de ce soleil d'un crêpe se voila
Tout le chaos roula dans cette intelligence,
Temple autrefois vivant, plein d'ordre et d'opulence,
Sous les plafonds duquel tant de pompe avait lui.
Le silence et la nuit s'installèrent en lui,
Comme dans un caveau dont la clef est perdue.
Dès lors il fut semblable aux bêtes de la rue,
Et, quand il s'en allait sans rien voir, à travers
Les champs, sans distinguer les étés des hivers,
Sale, inutile et laid comme une chose usée,
Il faisait des enfants la joie et la risée.
Punishment for Pride
In that marvelous time in which Theology
Flourished with the greatest energy and vigor,
It is said that one day a most learned doctor
— After winning by force the indifferent hearts,
Having stirred them in the dark depths of their being;
After crossing on the way to celestial glory,
Singular and strange roads, even to him unknown,
Which only pure Spirits, perhaps, had reached, —
Panic-stricken, like one who has clambered too high,
147
He cried, carried away by a satanic pride:
'Jesus, little jesus! I raised you very high!
But had I wished to attack you through the defect
In your armor, your shame would equal your glory,
And you would be no more than a despised fetus!'
At that very moment his reason departed.
A crape of mourning veiled the brilliance of that sun;
Complete chaos rolled in and filled that intellect,
A temple once alive, ordered and opulent,
Within whose walls so much pomp had glittered.
Silence and darkness took possession of it
Like a cellar to which the key is lost.
Henceforth he was like the beasts in the street,
And when he went along, seeing nothing, across
The fields, distinguishing nor summer nor winter,
Dirty, useless, ugly, like a discarded thing,
He was the laughing-stock, the joke, of the children.
— Translated by William Aggeler
The Punishment of Pride
When first Theology in her young prime
Flourished with vigour, in that wondrous time,
Of an illustrious Doctor it was said
That, having forced indifferent hearts to shed
Tears of emotion, moved to depths profound:
And having to celestial glory found
Marvellous paths, to his own self unknown,
Where only purest souls had fared alone —
Like a man raised too high, as in a panic,
Crazed with a vertigo of pride satanic,
He cried 'Poor Christ, I've raised you to renown!
But had I wished to bring you crashing down
Probing your flaws, your shame would match your pride
And you'd be but a foetus to deride!'
Immediately he felt his wits escape,
That flash of sunlight veiled itself in crepe.
148
All chaos through his intellect was rolled,
A temple once, containing hoards of gold,
By opulence and order well controlled,
And topped with ceilings splendid to behold.
Silence and night installed their reign in him.
It seemed he was a cellar dank and dim,
To which no living man could find the key;
And from that day a very beast was he.
And while he wandered senseless on his way,
Not knowing spring from summer, night from day,
Foul, dirty, useless, and with no hereafter,
He served the children as a butt for laughter.
— Translated by Roy Campbell
The Punishment of Pride
Once in that marvelous and unremembered time
When theologic thought was flowering at its prime,
A pious metaphysician, the pundit of his day,
He who could move the hearts of murderers, so they say,
Having attained to a most fearful pitch of grace
By curious pathways he himself could scarcely trace,
For all his subtlety of logic — this austere
And venerable person (like one who climbs a sheer
Peak unperturbed, but at the top grows dizzy) cried,
Suddenly overtaken with satanic pride:
'Jesus, my little Jesus! I have exalted you
Into a very Titan — yet wielding as I do
The wand of dialectic, I could have made you shrink
To fetus-like proportions and fade away, I think!'
He thought no more, for instantly his reason cracked.
The noontide of this great intelligence was blacked
Out. Elemental chaos rolled through this serene
Temple, where so much order and opulence had been.
From its gold floor to its groined ceiling it grew dim:
Silence and utter night installed themselves in him,
As in an antique dungeon whereof the key is lost.
And from that day, through rain and snow, through sleet and frost,
Not knowing spring from winter and too mad to care,
149
He roamed about gesticulating, with the air
Of an old suit of underclothes hung out to dry,
And made the children laugh whenever he went by.
— Translated by George Dillon
~ Charles Baudelaire,
204:The Falls Of The Chaudiere, Ottawa
I have laid my cheek to Nature's, placed my puny hand in hers,
Felt a kindred spirit warming all the life-blood of my face,
Moved amid the very foremost of her truest worshippers,
Studying each curve of beauty, marking every minute grace;
Loved not less the mountain cedar than the flowers at its feet,
Looking skyward from the valley, open-lipped as if in prayer,
Felt a pleasure in the brooklet singing of its wild retreat,
But I knelt before the splendour of the thunderous Chaudiere.
All my manhood waked within me, every nerve had tenfold force,
And my soul stood up rejoicing, looking on with cheerful eyes,
Watching the resistless waters speeding on their downward course,
Titan strength and queenly beauty diademed with rainbow dyes.
Eye and ear, with spirit quickened, mingled with the lovely strife,
Saw the living Genius shrined within her sanctuary fair,
Heard her voice of sweetness singing, peered into her hidden life,
And discerned the tuneful secret of the jubilant Chaudiere:
'Within my pearl-roofed shell,
Whose floor is woven with the iris bright,
Genius and Queen of the Chaudiere I dwell,
As in a world of immaterial light.
My throne, an ancient rock,
Marked by the foot of ages long-departed,
My joy, the cataract's stupendous shock,
Whose roll is music to the grateful-hearted.
I've seen the eras glide
With muffled tread to their eternal dreams,
While I have lived in vale and mountain side,
With leaping torrents and sweet purling streams.
The Red-Man's active life;
His love, pride, passions, courage, and great deeds;
His perfect freedom, and his thirst for strife;
His swift revenge, at which the memory bleeds:
The sanguinary years,
141
When sullen Terror, like a raging Fate,
Swept down the stately tribes like slaughtered deers,
And war and hatred joined to decimate
The remnants of the race,
And spread decay through centuries of painNo more I mark their sure, avenging pace,
And forests wave where war-whoops shook the plain.
Their deeds I envied not.
The royal tyrant on his purple throne,
I, in secluded grove or shady grot,
Had purer joys than he had ever known,
God made the ancient hills,
The valleys and the solemn wildernesses,
The merry-hearted and melodious rills,
And strung with diamond dews the pine-trees' tresses;
But man's hand built the palace,
And he that reigns therein is simply man;
Man turns God's gifts to poison in the chalice
That brimmed with nectar in the primal plan.
Here I abide aloneThe wild Chaudiere's eternal jubilee
Has such sweet divination in its tone,
And utters nature's truest prophecy
In thunderings of zeal!
I've seen the Atheist in terror start,
Awed to contrition by the strong appeal
That waked conviction in his doubting heart:
'Teachers speak throughout all nature,
From the womb of Silence born,
Heed ye not their words, O Scoffer?
Flinging back thy scorn with scorn!
To the desert spring that leapeth,
Pulsing, from the parched sod,
Points the famished trav'ler, saying'Brothers, here, indeed, is God!'
142
From the patriarchal fountains,
Sending forth their tribes of rills,
From the cedar-shadowed lakelets
In the hearts of distant hills,
Whispers softer than the moonbeams
Wisdom's gentle heart have awed,
Till its lips approved the cadence'Surely here, indeed, is God!'
Lo! o'er all, the Torrent Prophet,
An inspired Demosthenes,
To the Doubter's soul appealing,
Louder than the preacher-seas:
Dreamer! wouldst have nature spurn thee
For a dumb, insensate clod?
Dare to doubt! and these shall teach thee
Of a truth there lives a God!'
By day and night, for hours,
I watch the cataract's impulsive leap,
Refreshed and gladdened by the cheering showers
Wrung from the passion of the seething deep.
Pleased when the buried waves
Emerge again, like incorporeal hosts
Rising, white-sheeted, from their gloomy graves,
As if the depths had yielded up their ghosts.
And when the midnight storm
Enfolds the welkin in its robe of clouds,
Through the dim vapours of the cauldron swarm
The sheeted spectres in their whitest shrouds,
By the lightning's flash betrayed.
These gather from the insubstantial vapour
The lunar rainbows, which by them are madeWoven with moonbeams by some starry taper,
To decorate the halls
Of my fair palace, whence I'm pained to see
Thy human brethren watch the waterfalls-
143
Not with such rev'rence as I've found in thee:
Too many with an eye
To speculation and the worldling's dreams;
Others, who seek from nature no reply,
Nor read the oral language of the streams.
But of the few who loved
The beautiful with grateful heart and soul,
Who looked on nature fondly, and were moved
By one sweet glance, as by the mighty whole:
Of these, the thoughtful few,
Thou wert the first to seek the inner temple,
And stand before the Priestess. Thou wert true
To nature and thyself. Be thy example
The harbinger of times
When the Chaudiere's imposing majesty
Will awe the spirits of the heartless mimes
To worship God in truth, with nature's constancy.'
Still I heard the mellow sweetness of her voice at intervals,
Mingling with the fall of waters, rising with the snowy spray,
Ringing through the sportive current like the joy of waterfalls,
Sending up their hearty vespers at the calmy close of day.
Loath to leave the scene of beauty, lover-like I stayed, and stayed,
Folding to my eager bosom memories beyond compare;
Deeper, stronger, more enduring than my dreams of wood and glade,
Were the eloquent appeals of the magnificent Chaudiere.
E'en the solid bridge is trembling, whence I look my last farewell,
Dizzy with the roar and trampling of the mighty herd of waves,
Speeding past the rocky Island, steadfast as a sentinel,
Towards the loveliest bay that ever mirrored the Algonquin Braves.
Soul of Beauty! Genius! Spirit! Priestess of the lovely strife!
In my heart thy words are shrined, as in a sanctuary fair;
Echoes of thy voice of sweetness, rousing all my better life,
Ever haunt my wildest visions of the jubilant Chaudiere.
~ Charles Sangster,
205:In Honour Of That High And Mighty Princess, Queen
Elizabeth
Proem.
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
1.10
1.11
1.12
1.13
1.14
1.15
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1.18
Although great Queen, thou now in silence lie,
Yet thy loud Herald Fame, doth to the sky
Thy wondrous worth proclaim, in every clime,
And so has vow'd, whilst there is world or time.
So great's thy glory, and thine excellence,
The sound thereof raps every human sense
That men account it no impiety
To say thou wert a fleshly Deity.
Thousands bring off'rings (though out of date)
Thy world of honours to accumulate.
'Mongst hundred Hecatombs of roaring Verse,
'Mine bleating stands before thy royal Hearse.
Thou never didst, nor canst thou now disdain,
T' accept the tribute of a loyal Brain.
Thy clemency did yerst esteem as much
The acclamations of the poor, as rich,
Which makes me deem, my rudeness is no wrong,
Though I resound thy greatness 'mongst the throng.
The Poem.
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
2.10
2.11
2.12
2.13
2.14
No Ph{oe}nix Pen, nor Spenser's Poetry,
No Speed's, nor Camden's learned History;
Eliza's works, wars, praise, can e're compact,
The World's the Theater where she did act.
No memories, nor volumes can contain,
The nine Olymp'ades of her happy reign,
Who was so good, so just, so learn'd, so wise,
From all the Kings on earth she won the prize.
Nor say I more than truly is her due.
Millions will testify that this is true.
She hath wip'd off th' aspersion of her Sex,
That women wisdom lack to play the Rex.
Spain's Monarch sa's not so, not yet his Host:
She taught them better manners to their cost.
52
2.15
2.16
2.17
2.18
2.19
2.20
2.21
2.22
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2.24
2.25
2.26
2.27
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2.42
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2.49
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2.51
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2.53
2.54
2.55
2.56
The Salic Law had not in force now been,
If France had ever hop'd for such a Queen.
But can you Doctors now this point dispute,
She's argument enough to make you mute,
Since first the Sun did run, his ne'er runn'd race,
And earth had twice a year, a new old face;
Since time was time, and man unmanly man,
Come shew me such a Ph{oe}nix if you can.
Was ever people better rul'd than hers?
Was ever Land more happy, freed from stirs?
Did ever wealth in England so abound?
Her Victories in foreign Coasts resound?
Ships more invincible than Spain's, her foe
She rack't, she sack'd, she sunk his Armadoe.
Her stately Troops advanc'd to Lisbon's wall,
Don Anthony in's right for to install.
She frankly help'd Franks' (brave) distressed King,
The States united now her fame do sing.
She their Protectrix was, they well do know,
Unto our dread Virago, what they owe.
Her Nobles sacrific'd their noble blood,
Nor men, nor coin she shap'd, to do them good.
The rude untamed Irish she did quell,
And Tiron bound, before her picture fell.
Had ever Prince such Counsellors as she?
Her self Minerva caus'd them so to be.
Such Soldiers, and such Captains never seen,
As were the subjects of our (Pallas) Queen:
Her Sea-men through all straits the world did round,
Terra incognitæ might know her sound.
Her Drake came laded home with Spanish gold,
Her Essex took Cadiz, their Herculean hold.
But time would fail me, so my wit would too,
To tell of half she did, or she could do.
Semiramis to her is but obscure;
More infamy than fame she did procure.
She plac'd her glory but on Babel's walls,
World's wonder for a time, but yet it falls.
Fierce Tomris (Cirus' Heads-man, Sythians' Queen)
Had put her Harness off, had she but seen
Our Amazon i' th' Camp at Tilbury,
(Judging all valour, and all Majesty)
53
2.57
2.58
2.59
2.60
2.61
2.62
2.63
2.64
2.65
2.66
2.67
2.68
2.69
2.70
2.71
2.72
2.73
2.74
2.75
2.76
2.77
2.78
2.79
2.80
2.81
2.82
2.83
2.84
2.85
2.86
2.87
2.88
2.89
2.90
2.91
2.92
Within that Princess to have residence,
And prostrate yielded to her Excellence.
Dido first Foundress of proud Carthage walls
(Who living consummates her Funerals),
A great Eliza, but compar'd with ours,
How vanisheth her glory, wealth, and powers.
Proud profuse Cleopatra, whose wrong name,
Instead of glory, prov'd her Country's shame:
Of her what worth in Story's to be seen,
But that she was a rich Ægyptian Queen.
Zenobia, potent Empress of the East,
And of all these without compare the best
(Whom none but great Aurelius could quell)
Yet for our Queen is no fit parallel:
She was a Ph{oe}nix Queen, so shall she be,
Her ashes not reviv'd more Ph{oe}nix she.
Her personal perfections, who would tell,
Must dip his Pen i' th' Heliconian Well,
Which I may not, my pride doth but aspire
To read what others write and then admire.
Now say, have women worth, or have they none?
Or had they some, but with our Queen is't gone?
Nay Masculines, you have thus tax'd us long,
But she, though dead, will vindicate our wrong.
Let such as say our sex is void of reason
Know 'tis a slander now, but once was treason.
But happy England, which had such a Queen,
O happy, happy, had those days still been,
But happiness lies in a higher sphere.
Then wonder not, Eliza moves not here.
Full fraught with honour, riches, and with days,
She set, she set, like Titan in his rays.
No more shall rise or set such glorious Sun,
Until the heaven's great revolution:
If then new things, their old form must retain,
Eliza shall rule Albian once again.
Her Epitaph.
3.1
3.2
3.3
Here sleeps T H E Queen, this is the royal bed
O' th' Damask Rose, sprung from the white and red,
Whose sweet perfume fills the all-filling air,
54
3.4
3.5
3.6
This Rose is withered, once so lovely fair:
On neither tree did grow such Rose before,
The greater was our gain, our loss the more.
Another.
4.1
4.2
4.3
4.4
4.5
4.6
Here lies the pride of Queens, pattern of Kings:
So blaze it fame, here's feathers for thy wings.
Here lies the envy'd, yet unparallel'd Prince,
Whose living virtues speak (though dead long since).
If many worlds, as that fantastic framed,
In every one, be her great glory famed
~ Anne Bradstreet,
206:A Storm In The Mountains
A lonely boy, far venturing from home
Out on the half-wild herd’s faint tracks I roam;
Mid rock-browned mountains, which with stony frown
Glare into haggard chasms deep adown;
A rude and craggy world, the prospect lies
Bounded in circuit by the bending skies.
Now at some clear pool scooped out by the shocks
Of rain-floods plunging from the upper rocks
Whose liquid disc in its undimpled rest
Glows like a mighty gem brooching the mountain’s breast,
I drink and must, or mark the wide-spread herd,
Or list the thinking of the dingle-bird;
And now towards some wild-hanging shade I stray,
To shun the bright oppression of the day;
For round each crag, and o’er each bosky swell,
The fierce refracted heat flares visible,
Lambently restless, like the dazzling hem
Of some else viewless veil held trembling over them.
Why congregate the swallows in the air,
And northward then in rapid flight repair?
With sudden swelling din, remote yet harsh,
Why roar the bull-frogs in the tea-tree marsh?
Why cease the locusts to throng up in flight
And clap their gay wings in the fervent light?
Why climb they, bodingly demure, instead
The tallest spear-grass to the bending head?
Instinctively, along the sultry sky,
I turn a listless, yet inquiring, eye;
And mark that now with a slow gradual pace
A solemn trance creams northward o’er its face;
Yon clouds that late were labouring past the sun,
Reached by its sure arrest, one after one,
Come to a heavy halt; the airs that played
About the rugged mountains all are laid:
While drawing nearer far-off heights appear,
As in a dream’s wild prospect, strangely near!
Till into wood resolves their robe of blue,
And the grey crags rise bluffly on the view.
Such are the signs and tokens that presage
25
A summer hurricane’s forthcoming rage.
At length the south sends out her cloudy heaps
And up the glens at noontide dimness creeps;
The birds, late warbling in the hanging green
Off steep-set brakes, seek now some safer screen;
The herd, in doubt, no longer wanders wide,
But fast ingathering throngs yon mountain’s side,
Whose echoes, surging to its tramp, might seem
The muttered troubles of some Titan’s dream.
Fast the dim legions of the muttering storm
Throng denser, or protruding columns form;
While splashing forward from their cloudy lair,
Convolving flames, like scouting dragons, glare:
Low thunders follow, labouring up the sky;
And as fore-running blasts go blaring by,
At once the forest, with a mighty stir,
Bows, as in homage to the thunderer!
Hark! From the dingoes blood-polluted dens
In the gloom-hidden chasms of the glens,
Long fitful howls wail up; and in the blast
Strange hissing whispers seem to huddle past;
As if the dread stir had aroused from sleep
Weird spirits, cloistered in yon cavy steep
(On which, in the grim past, some Cain’s offence
Hath haply outraged heaven!) Who rising thence
Wrapped in the boding vapours, laughed again
To wanton in the wild-willed hurricane.
See in the storm’s front, sailing dark and dread,
A wide-winged eagle like a black flag spread!
The clouds aloft flash doom! Short stops his flight!
He seems to shrivel in the blasting light!
The air is shattered with a crashing sound,
And he falls stonelike, lifeless, to the ground.
Now, like a shadow at great nature’s heart,
The turmoil grows. Now wonder, with a start,
Marks where right overhead the storm careers,
Girt with black horrors and wide-flaming fears!
Arriving thunders, mustering on his path,
26
Swell more and more the roarings of his wrath,
As out in widening circles they extend,
And then—at once—in utter silence end.
Portentous silence! Time keeps breathing past,
Yet it continues! May this marvel last?
This wild weird silence in the midst of gloom
So manifestly big with coming doom?
Tingles the boding ear; and up the glens
Instinctive dread comes howling from the wild-dogs dens.
Terrific vision! Heaven’s great ceiling splits,
And a vast globe of writhing fire emits,
Which pouring down in one continuous stream,
Spans the black concave like a burning beam,
A moment;—then from end to end it shakes
With a quick motion—and in thunder breaks!
Peal rolled on peal! While heralding the sound,
As each concussion thrills the solid ground,
Fierce glares coil, snake-like, round the rocky wens
Of the red hills, or hiss into the glens,
Or thick through heaven like flaming falchions swarm,
Cleaving the teeming cisterns of the storm,
From which rain-torrents, searching every gash,
Split by the blast come sheeting with a dash.
On yon grey peak, from rock-encrusted roots,
The mighty patriarch of the wood upshoots,
In whose proud-spreading top’s imperial height,
The mountain-eagle loveth most to light:
Now dimly seen through the tempestuous air,
His form seems harrowed by a mad despair,
As with his ponderous arms uplifted high,
He wrestles with the storm and threshes at the sky!
A swift bolt hurtles through the lurid air,
Another thundering crash! The peak is bare!
Huge hurrying fragments all around are cast,
The wild-winged, mad-limbed monsters of the blast.
The darkness thickens! With despairing cry
From shattering boughs the rain-drenched parrtos fly;
Loose rocks roll rumbling from the mountains round,
27
And half the forest strews the smoking ground;
To the bared crags the blasts now wilder moan,
And the caves labour with a ghostlier groan.
Wide raging torrents down the gorges flow
Swift bearing with them to the vale below
Those sylvan wrecks that littered late the path
Of the loud hurricane s all-trampling wrath.
The storm is past. Yet booming on afar
Is heard the rattling of the thunder-car,
And that low muffled moaning, as of grief,
Which follows with a wood-sigh wide and brief.
The clouds break up; the sun s forth-bursting rays
Clothe the wet landscape with a dazzling blaze;
The birds begin to sing a lively strain,
And merry echoes ring it o’er again;
The clustered herd is spreading out to graze,
Though lessening torrents still a hundred ways
Flash downward, and from many a rock ledge
A mantling gush comes quick and shining o er the edge.
’Tis evening; and the torrent’s furious flow
Runs gentlier now into the lake below,
O’er all the freshened scene no sound is heard,
Save the short twitter of some busied bird,
Or a faint rustle made amongst the trees
By wasting fragments of a broken breeze.
Along the wild and wreck-strewed paths I wind,
Watching earth’s happiness with quiet mind,
And see a beauty all unmarked till now
Flushing each flowery nook and sunny brow;
Wished peace returning like a bird of calm,
Brings to the wounded world its blessed healing balm.
On nerveless, tuneless lines how sadly
Ringing rhymes may wasted be,
While blank verse oft is mere prose madly
Striving to be poetry:
While prose that’s craggy as a mountain
May Apollo’s sun-robe don,
Or hold the well-spring of a fountain
Bright as that in Helicon.
28
~ Charles Harpur,
207:Prothalamion
Calm was the day, and through the trembling air
Sweet-breathing Zephyrus did softly play
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I (whom sullen care,
Through discontent of my long fruitless stay
In prince's court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain),
Walk'd forth to ease my pain
Along the shore of silver-streaming Thames;
Whose rutty bank, the which his river hems,
Was painted all with variable flowers,
And all the meads adorn'd with dainty gems
Fit to deck maidens' bowers,
And crown their paramours,
Against the bridal day, which is not long:
Sweet Thames run softly, till I end my song.
There, in a meadow, by the river's side,
A flock of nymphs I chanced to espy,
All lovely daughters of the flood thereby,
With goodly greenish locks, all loose untied,
As each had been a bride;
And each one had a little wicker basket,
Made of fine twigs, entrailed curiously,
In which they gathered flowers to fill their flasket,
And with fine fingers cropt full feateously
The tender stalks on high.
Of every sort, which in that meadow grew,
They gathered some; the violet, pallid blue,
The little daisy, that at evening closes,
The virgin lily, and the primrose true,
With store of vermeil roses,
To deck their bridegrooms' posies
Against the bridal day, which was not long:
Sweet Thames run softly, till I end my song.
With that I saw two swans of goodly hue
165
Come softly swimming down along the Lee;
Two fairer birds I yet did never see;
The snow which doth the top of Pindus strew,
Did never whiter shew,
Nor Jove himself, when he a swan would be,
For love of Leda, whiter did appear;
Yet Leda was (they say) as white as he,
Yet not so white as these, nor nothing near;
So purely white they were,
That even the gentle stream, the which them bare,
Seem'd foul to them, and bad his billows spare
To wet their silken feathers, lest they might
Soil their fair plumes with water not so fair,
And mar their beauties bright,
That shone as heaven's light,
Against their bridal day, which was not long:
Sweet Thames run softly, till I end my song.
Eftsoons the nymphs, which now had flowers their fill,
Ran all in haste to see that silver brood,
As they came floating on the crystal flood;
Whom when they saw, they stood amazed still,
Their wond'ring eyes to fill;
Them seem'd they never saw a sight so fair,
Of fowls so lovely, that they sure did deem
Them heavenly born, or to be that same pair
Which through the sky draw Venus' silver team;
For sure they did not seem
To be begot of any earthly seed,
But rather angels, or of angels' breed;
Yet were they bred of Somers-heat, they say,
In sweetest season, when each flower and weed
The earth did fresh array;
So fresh they seem'd as day,
Even as their bridal day, which was not long:
Sweet Thames run softly, till I end my song.
Then forth they all out of their baskets drew
Great store of flowers, the honour of the field,
That to the sense did fragrant odours yield,
All which upon those goodly birds they threw
And all the waves did strew,
166
That like old Peneus' waters they did seem,
When down along by pleasant Tempe's shore,
Scatt'red with flowers, through Thessaly they stream,
That they appear through lilies' plenteous store,
Like a bride's chamber floor.
Two of those nymphs, meanwhile, two garlands bound
Of freshest flowers which in that mead they found,
The which presenting all in trim array,
Their snowy foreheads therewithal they crown'd,
Whilst one did sing this lay,
Prepar'd against that day,
Against their bridal day, which was not long:
Sweet Thames run softly, till I end my song.
"Ye gentle birds, the world's fair ornament
And heaven's glory, whom this happy hour
Doth lead unto your lovers' blissful bower,
Joy may you have, and gentle heart's content
Of your love's complement;
And let fair Venus, that is Queen of Love,
With her heart-quelling son upon you smile,
Whose smile, they say, hath virtue to remove
All love's dislike, and friendship's faulty guile
For ever to assoil.
Let endless Peace your steadfast hearts accord,
And blessed Plenty wait upon your board:
And let your bed with pleasures chaste abound,
That fruitful issue may to you afford,
Which may your foes confound,
And make your joys redound
Upon your bridal day, which is not long:
Sweet Thames run softly, till I end my song."
So ended she; and all the rest around
To her redoubled that her undersong,
Which said their bridal day should not be long;
And gentle Echo from the neighbour ground
Their accents did resound.
So forth those joyous birds did pass along,
Adown the Lee, that to them murmur'd low,
As he would speak, but that he lack'd a tongue,
Yet did by signs his glad affection show,
167
Making his stream run slow.
And all the fowl which in his flood did dwell
Gan flock about these twain, that did excel
The rest, so far as Cynthia doth shend
The lesser stars. So they, enranged well,
Did on those two attend,
And their best service lend
Against their wedding day, which was not long:
Sweet Thames run softly, till I end my song.
At length they all to merry London came,
To merry London, my most kindly nurse,
That to me gave this life's first native source,
Though from another place I take my name,
An house of ancient fame.
There when they came, whereas those bricky towers
The which on Thames' broad aged back do ride,
Where now the studious lawyers have their bowers,
There whilom wont the Templar Knights to bide,
Till they decay'd through pride:
Next whereunto there stands a stately place,
Where oft I gained gifts and goodly grace
Of that great lord, which therein wont to dwell,
Whose want too well now feels my friendless case:
But ah! here fits not well
Old woes, but joys, to tell
Against the bridal day, which is not long:
Sweet Thames run softly, till I end my song.
Yet therein now doth lodge a noble peer,
Great England's glory, and the world's wide wonder,
Whose dreadful name late through all Spain did thunder,
And Hercules' two pillars standing near
Did make to quake and fear:
Fair branch of honour, flower of chivalry,
That fillest England with thy triumph's fame,
Joy have thou of thy noble victory,
And endless happiness of thine own name
That promiseth the same;
That through thy prowess, and victorious arms,
Thy country may be freed from foreign harms;
And great Eliza's glorious name may ring
168
Through all the world, fill'd with thy wide alarms,
Which some brave Muse may sing
To ages following,
Upon the bridal day, which is not long:
Sweet Thames run softly, till I end my song.
From those high towers this noble lord issuing,
Like radiant Hesper, when his golden hair
In th' ocean billows he hath bathed fair,
Descended to the river's open viewing,
With a great train ensuing.
Above the rest were goodly to be seen
Two gentle knights of lovely face and feature,
Beseeming well the bower of any queen,
With gifts of wit, and ornaments of nature,
Fit for so goodly stature,
That like the twins of Jove they seem'd in sight,
Which deck the baldric of the heavens bright;
They two, forth pacing to the river's side,
Receiv'd those two fair brides, their love's delight;
Which, at th' appointed tide,
Each one did make his bride
Against their bridal day, which is not long:
Sweet Thames run softly, till I end my song.
~ Edmund Spenser,
208:A Dilettante
Good friend, be patient: goes the world awry?
well, can you groove it straight with all your pains?
and, sigh or scold, and, argue or intreat,
what have you done but waste your part of life
on impotent fool's battles with the winds,
that will blow as they list in spite of you?
Fie, I am weary of your pettish griefs
against the world that's given, like a child
who whines and pules because his bread's not cake,
because the roses have those ugly thorns
that prick if he's not careful of his hands.
Oh foolish spite: what talk you of the world,
and mean the men and women and the sin?
Oh friend, these all pass by, and God remains:
and God has made a world that pleases Him,
and when He wills then He will better it;
let it suffice us as he wills it now.
Nay, hush and look and listen. For this noon,
this summer noon, replies "but be content,"
speaking in voices of a hundred joys.
For lo, we, lying on this mossy knoll,
tasting the vivid musk of sheltering pines,
and balm of odorous flowers and sweet warm air;
feeling the uncadenced music of slow leaves,
and ripples in the brook athwart its stones,
and birds that call each other in the brakes
with sudden questions and smooth long replies,
the gossip of the incessant grasshoppers,
and the contented hum of laden bees;
we, knowing (with the easy restful eye
that, whichsoever way it turns, is filled
with unexacting beauty) this smooth sky,
blue with our English placid silvery blue,
mottled with little lazy clouds, this stretch
of dappled wealds and green and saffron slopes,
and near us these gnarled elm-trunks barred with gold,
23
and ruddy pine-boles, where the slumbrous beams
have slipped through the translucent leafy net
to break the shimmering dimness of the wood;
we, who, like licensed truants from light tasks
which lightly can be banished out of mind,
have all ourselves to give to idleness,
were more unreasoning, if we make moan
of miseries and toils and barrenness,
than if we sitting at a feast told tales
of famines and for the pity of them starved.
Oh, life is good when, on such summer days,
we linger in the dreamful paradise
that lies at every door where so much space
is left to garner in the languid air
as grass may grow in and some verdurous tree,
and some few yards of blueness and of clouds
may stretch above, making immensity;
when, lost out of our petty unit selves,
the heart grows large in the grave trance of peace,
and all things breathing, growing, are its kin,
and all the fair and blossoming earth is home.
And beauty is our lesson: for, look there,
that exquisite curve and cluster of rich leaves,
emerald and shadow, in that patch of sun,
what is it but a nettle? And that knoll
of woven green, where all fantastic grace
of shaggy stems and lush and trailing shoots
and all a thousand delicate varied tints,
are mingled in a wanton symmetry,
what is it but a thorn and bramble copse?
And that far plain, on which, through all the day,
change still grows lovelier and every cloud
makes different softer dimness, every light
an other-coloured glory, what is it?
a desolate barren waste, marshland and moor.
And in some other moment, when the rain
spurts greyly downwards on the soddening fields,
or the dank, autumn fog veils leaden skies,
or the keen baleful east winds nip the bloom
of frightened spring with bleak and parching chills,
24
the waste, the thorns, the nettle, each would seem
cursed with the unloveliness of evil things.
So beauty comes and goes: yet beauty is
a message out of Heaven; can it speak
from evil things? I know not; but I know
that waste and thorns and nettle are to-day
teachers of Love, a prospect not to change,
for use, against a fifty miles of corn.
Can we tell good from evil you and I?
Oh, if the men and women of to-day
seem ill or good to us, why, what know we?
to-morrow they, or those who follow them,
will seem another way; and are they changed,
or are the eyes that see them? Let them be;
are we divine that we should judge and rule?
And they are not the world by several selves
but in a gathered whole, and if that whole
drift heavenward or hellward God can see,
not we, who, ants hived in our colonies,
count the world loam or gravel, stocked with flowers
or weeds or cabbages, as we shall find
within our own small ranges, and (being wise
and full of care for all the universe),
wonder, and blame, and theorize, and plan,
by the broad guide of our experiences!
'Twere a neat world if levelled by the ants;
no ridges, no rough gaps, all fined and soft.
But I will rather use my antish wits
in smoothing just my cell and at my doors
than join in such heroic enterprise.
Selfish, you call me? callous? Hear a tale.
There was a little shallow brook that ran
between low banks, scarcely a child's leap wide,
feeding a foot or two of bordering grass
and, here and there, some tufts of waterflowers
and cresses, and tall sedge, rushes and reeds;
and, where it bubbled past a poor man's cot,
he and his household came and drank of it,
25
and all the children loved it for its flowers
and counted it a playmate made for them:
but, not far off, a sandy arid waste
where, when a winged seed rested, or a bird
would drop a grain in passing, and it grew,
it presently must droop and die athirst,
spread its scorched silent leagues to the fierce sun:
and once a learned man came by and saw,
and "lo," said he, "what space for corn to grow,
could we send vivifying moistures here,
while look, this wanton misdirected brook
watering its useless weeds!" so had it turned,
and made a channel for it through the waste:
but its small waters could not feed that drought,
and, in the wide unshadowed plain, it lagged,
and shrank away, sucked upwards of the sun
and downwards of the sands; so the new bed
lay dry, and dry the old; and the parched reeds
grew brown and dwined, the stunted rushes drooped,
the cresses could not root in that slacked soil,
the blossoms and the sedges died away,
the greenness shrivelled from the dusty banks,
the children missed their playmate and the flowers,
and thirsted in hot noon-tides for the draught
grown over precious now their mother went
a half-mile to the well to fill her pails;
and not two ears of corn the more were green.
Tell me, what should I do? I take my life
as I have found it, and the work it brings;
well, and the life is kind, the work is light,
shall I go fret and scorn myself for that?
and must I sally forth to hack and hew
at giants or at windmills, leave the post
I could have filled, the work I could have wrought,
for some magnificent mad enterprise,
some task to lift a mountain, drain a sea,
tread down a Titan, build a pyramid?
No, let me, like a bird bred in the cage,
that, singing its own self to gladness there,
makes some who hear it gladder, take what part
I have been born to, and make joy of it.
26
Grumbler, what are you muttering in your beard?
"You've a bird-likeness too, to shew me in;
I take life, as a sea-gull takes the sea,
mere skimmingly." I say no otherwise;
'tis a wise bird the sea-gull, does but taste
the hale and briny freshness of the spray:
what would you have me do? plunge in and drown?
Oh chiding friend, I am not of your kind,
you strenuous souls who cannot think you live
unless you feel your limbs, though 'twere by aches:
great boisterous winds you are, who must rush on
and sweep all on your way or drop and die,
but I am only a small fluttering breeze
to coax the roses open: let me be;
perhaps I have my use no less than you.
Ah well! How strange that you and I, who tread
so same a path, perceive it so unlike.
And which sees justly? Maybe both of us:
or maybe one of us is colour-blind,
and sees the tintings blurred, or sees them false,
or does not see, so misses what they shew.
Or likelier each of us is colour-blind,
and sees the world his own way, fit for him:
doubtless we afterwards shall understand
the beauty and the pain are more alike.
~ Augusta Davies Webster,
209:The Shepheardes Calender: July
July: Ægloga Septima. Thomalin & Morrell.
Thomalin.
IS not thilke same a goteheard prowde,
that sittes on yonder bancke,
Whose straying heard them selfe doth shrowde
emong the bushes rancke?
Morrell.
What ho, thou iollye shepheards swayne,
come vp the hill to me:
Better is, then the lowly playne,
als for thy flocke, and thee.
Thomalin.
Ah God shield, man, that I should clime,
and learne to looke alofte,
This reede is ryfe, that oftentime
great clymbers fall vnsoft.
In humble dales is footing fast,
the trode is not so tickle:
And though one fall through heedlesse hast,
yet is his misse not mickle.
And now the Sonne hath reared vp
his fyriefooted teme,
Making his way betweene the Cuppe,
and golden Diademe:
The rampant Lyon hunts he fast,
with Dogge of noysome breath,
Whose balefull barking bringes in hast
pyne, plagues, and dreery death.
Agaynst his cruell scortching heate
where hast thou couerture?
The wastefull hylls vnto his threate
is a playne ouerture.
But if thee lust, to holden chat
with seely shepherds swayne,
Come downe, and learne the little what,
that Thomalin can sayne.
369
Morrell.
Syker, thous but a laesie loord,
and rekes much of thy swinck,
That with fond termes, and weetlesse words
to blere myne eyes doest thinke.
In euill houre thou hentest in hond
thus holy hylles to blame,
For sacred vnto saints they stond,
and of them han theyr name.
S. Michels mount who does not know,
that wardes the Westerne coste?
And of S. Brigets bowre I trow,
all Kent can rightly boaste:
And they that con of Muses skill,
sayne most what, that they dwell
(As goteheards wont) vpon a hill,
beside a learned well.
And wonned not the great god Pan,
vpon mount Oliuet:
Feeding the blessed flocke of Dan,
which dyd himselfe beget?
Thomalin.
O blessed sheepe, O shepheard great,
that bought his flocke so deare,
And them did saue with bloudy sweat
from Wolues, that would them teare.
Morrel.
Besyde, as holy fathers sayne,
there is a hyllye place,
Where Titan ryseth from the mayne,
to renne hys dayly race.
Vpon whose toppe the starres bene stayed,
and all the skie doth leane,
There is the caue, where Phebe layed,
The shepheard long to dreame.
Whilome there vsed shepheards all
to feede theyr flocks at will,
Till by his foly one did fall,
that all the rest did spill.
370
And sithens shepheardes bene foresayd
from places of delight:
For thy I weene thou be affrayed,
to clime this hilles height.
Of Synah can I tell thee more,
and of our Ladyes bowre:
But little needes to strow my store,
suffice this hill of our.
Here han the holy Faunes resourse,
and Syluanes haunten rathe.
Here has the salt Medway his sourse,
wherein the Nymphes doe bathe.
The salt Medway, that trickling stremis
adowne the dales of Kent:
Till with his elder brother Themis
his brackish waues be meynt.
Here growes Melampode euery where,
and Terebinth good for Gotes:
The one, my madding kiddes to smere,
the next, to heale theyr throtes.
Hereto, the hills bene nigher heuen,
and thence the passage ethe.
As well can proue the piercing levin,
that seeldome falls bynethe.
Thomalin.
Syker thou speakes lyke a lewde lorrell,
of Heauen to demen so:
How be I am but rude and borrell,
yet nearer wayes I knowe.
To Kerke the narre, from God more farre,
has bene an old sayd sawe.
And he that striues to touch the starres,
oft stombles at a strawe.
Alsoone may shepheard clymbe to skye,
that leades in lowly dales,
As Goteherd prowd that sitting hye,
vpon the Mountaine sayles.
My seely sheepe like well belowe,
they neede not Melampode:
For they bene hale enough, I trowe,
and liken theyr abode.
371
But if they with thy Gotes should yede,
they soone myght be corrupted:
Or like not of the frowie fede,
or with the weedes be glutted.
The hylls, where dwelled holy saints,
I reuerence and adore:
Not for themselfe, but for the sayncts,
which han be dead of yore.
And nowe they bene to heauen forewent,
theyr good is with them goe:
Theyr sample onely to vs lent,
that als we mought doe soe.
Shepheards they weren of the best,
and liued in lowly leas:
And sith theyr soules bene now at rest,
why done we them disease?
Such one he was, (as I haue heard
old Algrind often sayne)
That whilome was the first shepheard,
and liued with little gayne:
As meeke he was, as meeke mought be,
simple, as simple sheepe,
Humble, and like in eche degree
the flocke, which he did keepe.
Often he vsed of hys keepe
a sacrifice to bring,
Nowe with a Kidde, now with a sheepe
The Altars hallowing.
So lowted he vnto hys Lord,
such fauour couth he fynd,
That sithens neuer was abhord,
the simple shepheards kynd.
And such I weene the brethren were,
that came from Canaan:
The brethren twelue, that kept yfere
The flockes of mighty Pan.
But nothing such thilke shephearde was,
whom Ida hyll dyd beare,
That left hys flocke, to fetch a lasse,
whose loue he bought to deare:
For he was proude, that ill was payd,
(no such mought shepheards bee)
372
And with lewde lust was ouerlayd:
tway things doen ill agree:
But shepheard mought be meeke and mylde,
well eyed, as Argus was,
With fleshly follyes vndefyled,
and stoute as steede of brasse.
Sike one (sayd Algrin) Moses was,
that sawe hys makers face,
His face more cleare, then Christall glasse,
and spake to him in place.
This had a brother, (his name I knewe)
the first of all his cote,
A shepheard trewe, yet not so true,
as he that earst I hote.
Whilome all these were lowe, and lief,
and loued their flocks to feede,
They neuer strouen to be chiefe,
and simple was theyr weede.
But now (thanked be God therefore)
the world is well amend,
Their weedes bene not so nighly wore,
such simplesse mought them shend:
They bene yclad in purple and pall,
so hath theyr god them blist,
They reigne and rulen ouer all,
and lord it, as they list:
Ygyrt with belts of glitterand gold,
(mought they good sheepeheards bene)
Theyr Pan theyr sheepe to them has sold,
I saye as some haue seene.
For Palinode (if thou him ken)
yode late on Pilgrimage
To Rome, (if such be Rome) and then
he sawe thilke misusage.
For shepeheards (sayd he) there doen leade,
As Lordes done other where,
Theyr sheepe han crustes, and they the bread:
the chippes, and they the chere:
They han the fleece, and eke the flesh,
(O seely sheepe the while)
The corn is theyrs, let other thresh,
their hands they may not file.
373
They han great stores, and thriftye stockes,
great freendes and feeble foes:
What neede hem caren for their flocks?
theyr boyes can looke to those.
These wisardsweltre in welths waues,
pampred in pleasures deepe,
They han fatte kernes, and leany knaues,
their fasting flockes to keepe.
Sike mister men bene all misgone,
they heapen hylles of wrath:
Sike syrly shepheards han we none,
they keepen all the path.
Morell.
Here is a great deale of good matter,
lost for lacke of telling,
Now sicker I see, thou doest but clatter:
harme may come of melling.
Thou medlest more, then shall haue thanke,
to wyten shepheards welth:
When folke bene fat, and riches rancke,
it is a signe of helth.
But say to me, what is Algrin he,
that is so oft bynempt.
Thomalin.
He is a shepheard great in gree,
but hath bene long ypent.
One daye he sat vpon a hyll,
(as now thou wouldest me:
But I am tought by Algrins ill,
To loue the lowe degree.)
For sitting so with bared scalpe,
an Eagle sored hye,
That weening hys whyte head was chalke,
A shell fish downe let flye:
Shee weend the shell fish to haue broake,
but therewith bruzd his brayne,
So now astonied with the stroke,
he lyes in lingring payne.
Morrell.
374
Ah good Algrin, his hap was ill,
But shall be bett in time.
Now farwell shepheard, sith thys hyll
thou hast such doubt to climbe.
Thomalins Embleme.
In medio virtus.
Morrells Embleme.
In summo foelicitas
~ Edmund Spenser,
210:directed many of his own productions, and according to ancient critics, he is said
to have brought the Furies onstage in so realistic a manner that women
miscarried in the audience.
Although ~ Aeschylus



is said to have written over ninety plays, only seven have
survived. His first extant work, The Suppliants, reveals a young ~ Aeschylus



still
struggling with the problems of choral drama. The tale revolves around the fifty
daughers of Danaus who seek refuge in Argos from the attentions of the fifty
sons of Aegyptus. His second extant drama, The Persians, recounts the battle of
Salamis--in which ~ Aeschylus



and his brother actually fought--and deals primarily
with the reception of the news at the imperial court. This play contains the first
"ghost scene" of extant drama.
In his third surviving play, Prometheus Bound, ~ Aeschylus



tackles the myth of
Prometheus, the world's first humanitarian. As the play begins, the titan is being
fastened against his will to a peak in the Caucasian mountains for giving mankind
the gift of fire without the consent of the gods. Prometheus knows Zeus is
destined to fall. In fact, he holds the secret of the Olympian's doom--a certain
woman that will be his undoing--but Prometheus will not reveal her name. Even
amid the fire from heaven that is hurled at him in a frightening climax,
Prometheus remains fearless and silent.
In Seven Against Thebes, ~ Aeschylus



deals with themes of patricide and incest. He
was not, however, willing to settle for the conventional explanation of the "family
curse". Instead, ~ Aeschylus



delved deeper, suggesting that heredity is nothing
more than a predisposition--that the true cause of such "acts of wickedness" is
ambition, greed, and a lack of moral fortitude. Thus, eliminating the gods as an
excuse for wickedness, ~ Aeschylus



demanded that men take responsibility for
their actions.
The Oresteia, a trilogy, was performed in 458 BC, less than two years before
~ Aeschylus



' death. Once again, he dealt with the tragedy of a royal house, a
"hereditary curse" which began in a dim, legendary world in which Tantalus was
cast into the pit of Tartarus for revealing to mankind the secrets of the gods. This
situation paralleled events in ~ Aeschylus



' own life. He was reportedly charged with
"impiety" for revealing the Eleusinian mysteries--the secret rites of the city of his
birth--to outsiders. It is likely, however, that these charges were politically
motivated, and he was not convicted.
Legend has it that ~ Aeschylus



met his death when an eagle mistook his bald head
for a rock and dropped a tortoise on it. Whatever the cause of his death, his life
laid the groundwork the dramatic arts would need to flourish, and by the time of
his death, there were two notable successors ready to take his place--
~ Aeschylus



claims at lines 1026-7 that he "taught the Athenians to desire always
to defeat their enemies." ~ Aeschylus



goes on to say at lines 1039ff. that his plays
inspired the Athenians to be brave and virtuous.
Influence outside of Greek Culture
~ Aeschylus



's works were influential beyond his own time. Hugh Lloyd-Jones
(Regius Professor of Greek Emeritus at Oxford University) draws attention to
Wagner's reverence of ~ Aeschylus



. Michael Ewans argues in his Wagner and
~ Aeschylus



. The Ring and the Oresteia (London: Faber. 1982) that the influence
was so great as to merit a direct character by character comparison between
Wagner's Ring and ~ Aeschylus



's Oresteia. A critic of his book however, while not
denying that Wagner read and respected ~ Aeschylus



, has described his arguments
as unreasonable and forced.
Sir J. T. Sheppard argues in the second half of his ~ Aeschylus



and Sophocles:
Their Work and Influence that ~ Aeschylus



, along with Sophocles, have played a
major part in the formation of dramatic literature from the Renaissance to the
present, specifically in French and Elizabethan drama. He also claims that their
influence went beyond just drama and applies to literature in general, citing
href="
During his presidential campaign in 1968, Senator Robert F. Kennedy quoted the
Edith Hamilton translation of ~ Aeschylus



on the night of the assassination of
Martin Luther King, Jr. Kennedy was notified of King's murder before a campaign
stop in Indianapolis, Indiana and was warned not to attend the event due to
fears of rioting from the mostly African-American crowd. Kennedy insisted on
attending and delivered an impromptu speech that delivered news of King's
death to the crowd. Acknowledging the audience's emotions, Kennedy referred to
his own grief at the murder of his brother, President John F. Kennedy and,
quoting a passage from the play Agamemnon, said: "My favorite poet was
~ Aeschylus



. He once wrote: 'Even in our sleep, pain which cannot forget falls drop
by drop upon the heart, until in our own despair, against our will, comes wisdom
through the awful grace of God.' What we need in the United States is not
division; what we need in the United States is not hatred; what we need in the
United States is not violence or lawlessness; but love and wisdom, and
compassion toward one another, and a feeling of justice toward those who still
suffer within our country, whether they be white or they be black... Let us
dedicate ourselves to what the Greeks wrote so many years ago: to tame the
savageness of man and make gentle the life of this world." The speech is
considered to be Kennedy's finest. The quotation from ~ Aeschylus



was later
inscribed on a memorial at the gravesite of Robert Kennedy following his own
assassination
A Prayer For Artemis
STROPHE IV
Though Zeus plan all things right,
Yet is his heart's desire full hard to trace;
Nathless in every place
Brightly it gleameth, e'en in darkest night,
Fraught with black fate to man's speech-gifted race.
ANTISTROPHE IV
Steadfast, ne'er thrown in fight,
The deed in brow of Zeus to ripeness brought;
For wrapt in shadowy night,
Tangled, unscanned by mortal sight,
Extend the pathways of his secret thought.
STROPHE V
From towering hopes mortals he hurleth prone
To utter doom; but for their fall
No force arrayeth he; for all
That gods devise is without effort wrought.
A mindful Spirit aloft on holy throne
By inborn energy achieves his thought.
ANTISTROPHE V
But let him mortal insolence behold:-How with proud contumacy rife,
Wantons the stem in lusty life
My marriage craving;--frenzy over-bold,
Spur ever-pricking, goads them on to fate,
By ruin taught their folly all too late.
STROPHE VI
Thus I complain, in piteous strain,
Grief-laden, tear-evoking, shrill;
Ah woe is me! woe! woe!
Dirge-like it sounds; mine own death-trill
I pour, yet breathing vital air.
Hear, hill-crowned Apia, hear my prayer!
Full well, O land,
My voice barbaric thou canst understand;
While oft with rendings I assail
My byssine vesture and Sidonian veil.
ANTISTROPHE VI
My nuptial right in Heaven's pure sight
Pollution were, death-laden, rude;
Ah woe is me! woe! woe!
Alas for sorrow's murky brood!
Where will this billow hurl me? Where?
Hear, hill-crowned Apia, hear my prayer;
Full well, O land,
My voice barbaric thou canst understand,
While oft with rendings I assail
My byssine vesture and Sidonian veil.
STROPHE VII
The oar indeed and home with sails
Flax-tissued, swelled with favoring gales,
Staunch to the wave, from spear-storm free,
Have to this shore escorted me,
Nor so far blame I destiny.
But may the all-seeing Father send
In fitting time propitious end;
So our dread Mother's mighty brood,
The lordly couch may 'scape, ah me,
Unwedded, unsubdued!
ANTISTROPHE VII
Meeting my will with will divine,
Daughter of Zeus, who here dost hold
Steadfast thy sacred shrine,-Me, Artemis unstained, behold,
Do thou, who sovereign might dost wield,
Virgin thyself, a virgin shield;
So our dread Mother's mighty brood
The lordly couch may 'scape, ah me,
Unwedded, unsubdued!
~ Aeschylus,
211: In the Moonlight
If now must pause the bullocks' jingling tune,
Here let it be beneath the dreaming trees
Supine and huge that hang upon the breeze,
Here in the wide eye of the silent moon.

How living a stillness reigns! The night's hushed rules
All things obey but three, the slow wind's sigh
Among the leaves, the cricket's ceaseless cry,
The frog's harsh discord in the ringing pools.

Yet they but seem the silence to increase
And dreadful wideness of the inhuman night.

The whole hushed world immeasurable might
Be watching round this single spot of peace.

So boundless is the darkness and so rife
With thoughts of infinite reach that it creates
A dangerous sense of space and abrogates
The wholesome littleness of human life.
237

238

Baroda and Bengal, c. 1900 - 1909
The common round that each of us must tread
Now seems a thing unreal; we forget
The heavy yoke the world on us has set,
The slave's vain labour earning tasteless bread.

Space hedges us and Time our hearts o'ertakes;
Our bounded senses and our boundless thought
Strive through the centuries and are slowly brought
Back to the source whence their divergence wakes.

The source that none have traced, since none can know
Whether from Heaven the eternal waters well
Through Nature's matted locks, as Ganges fell,
Or from some dismal nether darkness flow.

Two genii in the dubious heart of man,
Two great unhappy foes together bound
Wrestle and strive to win unhampered ground;
They strive for ever since the race began.

One from his body like a bridge of fire
Mounts upward azure-winged with eager eyes;
One in his brain deep-mansioned labouring lies
And clamps to earth the spirit's high desire.

Here in this moonlight with strange visions rife
I seem to see their vast peripheries
Without me in the sombre mighty trees,
And, hark! their silence turns the wheels of life.

These are the middle and the first. Are they
The last too? Has the duel then no close?
Shall neither vanquish of the eternal foes,
Nor even at length this moonlight turn to day?
Our age has made an idol of the brain,
The last adored a purer presence; yet

Poems from Ahana and Other Poems

239

In Asia like a dove immaculate
He lurks deep-brooding in the hearts of men.

But Europe comes to us bright-eyed and shrill.

"A far delusion was that mounting fire,
An impulse baulked and an unjust desire;
It fades as we ascend the human hill."
She cries to us to labour in the light
Of common things, grow beautiful and wise
On strong material food, nor vex our eyes
With straining after visionary delight.

Ah, beautiful and wise, but to what end?
Europe knows not, nor any of her schools
Who scorn the higher thought for dreams of fools;
Riches and joy and power meanwhile are gained.

Gained and then lost! For Death the heavy grip
Shall loosen, Death shall cloud the laughing eye,
And he who broke the nations soon shall lie
More helpless than a little child asleep.

And after? Nay, for death is end and term.

A fiery dragon through the centuries curled,
He feeds upon the glories of the world
And the vast mammoth dies before the worm.

Stars run their cycle and are quenched; the suns
Born from the night are to the night returned,
When the cold tenebrous spaces have inurned
The listless phantoms of the Shining Ones.

From two dead worlds a burning world arose
Of which the late putrescent fruit is man;
From chill dark space his roll of life began
And shall again in icy quiet close.
240

Baroda and Bengal, c. 1900 - 1909
Our lives are but a transitory breath:
Mean pismires in the sad and dying age
Of a once glorious planet, on the edge
Of bitter pain we wait eternal death.

Watering the ages with our sweat and blood
We pant towards some vague ideal state
And by the effort fiercer ills create,
Working by lasting evil transient good.

Insults and servitude we bear perforce;
With profitable crimes our souls we rack,
Vexing ourselves lest earth our seed should lack
Who needs us not in her perpetual course;
Then down into the earth descend and sleep
For ever, and the lives for which we toiled
Forget us, who when they their turn have moiled,
Themselves forgotten into silence creep.

Why is it all, the labour and the din,
And wherefore do we plague our souls and vex
Our bodies or with doubts our days perplex?
Death levels soon the virtue with the sin.

If Death be end and close the useless strife,
Strive not at all, but take what ease you may
And make a golden glory of the day,
Exhaust the little honey of your life.

Fear not to take her beauty to your heart
Whom you so utterly desire; you do
No hurt to any, for the inner you
So cherished is a dream that shall depart.

The wine of life is sweet; let no man stint
His longing or refuse one passionate hope.
Poems from Ahana and Other Poems
Why should we cabin in such infinite scope,
Restrict the issue of such golden mint?
Society forbids? It for our sakes
Was fashioned; if it seek to fence around
Our joys and pleasures in such narrow bound,
It gives us little for the much it takes.

Nor need we hearken to the gospel vain
That bids men curb themselves to help mankind.

We lose our little chance of bliss, then blind
And silent lie for ever. Whose the gain?
What helps it us if so mankind be served?
Ourselves are blotted out from joy and light,
Having no profit of the sunshine bright,
While others reap the fruit our toils deserved.

O this new god who has replaced the old!
He dies today, he dies tomorrow, dies
At last for ever, and the last sunrise
Shall have forgotten him extinct and cold.

But virtue to itself is joy enough?
Yet if to us sin taste diviner? why
Should we not herd in Epicurus' sty
Whom Nature made not of a Stoic stuff?
For Nature being all, desire must reign.

It is too sweet and strong for us to slay
Upon a nameless altar, saying nay
To honied urgings for no purpose plain.

A strange unreal gospel Science brings, -
Being animals to act as angels might;
Mortals we must put forth immortal might
And flutter in the void celestial wings.
241

242

Baroda and Bengal, c. 1900 - 1909
"Ephemeral creatures, for the future live,"
She bids us, "gather in for unborn men
Knowledge and joy, and forfeit, nor complain,
The present which alone is yours to give."
Man's immortality she first denies
And then assumes what she rejects, made blind
By sudden knowledge, the majestic Mind
Within her smiling at her sophistries.

Not so shall Truth extend her flight sublime,
Pass from the poor beginnings she has made
And with the splendour of her wings displayed
Range through the boundaries of Space and Time.

Clamp her not down to her material finds!
She shall go further. She shall not reject
The light within, nor shall the dialect
Of unprogressive pedants bar men's minds.

We seek the Truth and will not pause nor fear.

Truth we will have and not the sophist's pleas;
Animals, we will take our grosser ease,
Or, spirits, heaven's celestial music hear.

The intellect is not all; a guide within
Awaits our question. He it was informed
The reason, He surpasses; and unformed
Presages of His mightiness begin.

Nor mind submerged, nor self subliminal,
But the great Force that makes the planets wheel
Through ether and the sun in flames reveal
His godhead, is in us perpetual.

That Force in us is body, that is mind,
And what is higher than the mind is He.
Poems from Ahana and Other Poems
This was the secret Science could not see;
Aware of death, to life her eyes were blind.

Through chemistry she seeks the source of life,
Nor knows the mighty laws that she has found,
Are Nature's bye-laws merely, meant to ground
A grandiose freedom building peace by strife.

The organ for the thing itself she takes,
The brain for mind, the body for the soul,
Nor has she patience to explore the whole,
But like a child a hasty period makes.

"It is enough," she says, "I have explored
The whole of being; nothing now remains
But to put details in and count my gains."
So she deceives herself, denies her Lord.

Therefore He manifests Himself; once more
The wonders of the secret world within
Wrapped yet with an uncertain mist begin
To look from that thick curtain out; the door
Opens. Her days are numbered, and not long
Shall she be suffered to belittle thus
Man and restrain from his tempestuous
Uprising that immortal spirit strong.

He rises now; for God has taken birth.

The revolutions that pervade the world
Are faint beginnings and the discus hurled
Of Vishnu speeds down to enring the earth.

The old shall perish; it shall pass away,
Expunged, annihilated, blotted out;
And all the iron bands that ring about
Man's wide expansion shall at last give way.
243

244

Baroda and Bengal, c. 1900 - 1909
Freedom, God, Immortality; the three
Are one and shall be realised at length,
Love, Wisdom, Justice, Joy and utter Strength
Gather into a pure felicity.

It comes at last, the day foreseen of old,
What John in Patmos saw, what Shelley dreamed,
Vision and vain imagination deemed,
The City of Delight, the Age of Gold.

The Iron Age is ended. Only now
The last fierce spasm of the dying past
Shall shake the nations, and when that has passed,
Earth washed of ills shall raise a fairer brow.

This is man's progress; for the Iron Age
Prepares the Age of Gold. What we call sin,
Is but man's leavings as from deep within
The Pilot guides him in his pilgrimage.

He leaves behind the ill with strife and pain,
Because it clings and constantly returns,
And in the fire of suffering fiercely burns
More sweetness to deserve, more strength to gain.

He rises to the good with Titan wings:
And this the reason of his high unease,
Because he came from the infinities
To build immortally with mortal things;
The body with increasing soul to fill,
Extend Heaven's claim upon the toiling earth
And climb from death to a diviner birth
Grasped and supported by immortal Will.

~ Sri Aurobindo, - In the Moonlight
,
212:A Hymn Of Heavenly Beauty
Rapt with the rage of mine own ravish'd thought,
Through contemplation of those goodly sights,
And glorious images in heaven wrought,
Whose wondrous beauty, breathing sweet delights
Do kindle love in high-conceited sprights;
I fain to tell the things that I behold,
But feel my wits to fail, and tongue to fold.
Vouchsafe then, O thou most Almighty Spright,
From whom all gifts of wit and knowledge flow,
To shed into my breast some sparkling light
Of thine eternal truth, that I may show
Some little beams to mortal eyes below
Of that immortal beauty, there with thee,
Which in my weak distraughted mind I see;
That with the glory of so goodly sight
The hearts of men, which fondly here admire
Fair seeming shews, and feed on vain delight,
Transported with celestial desire
Of those fair forms, may lift themselves up higher,
And learn to love, with zealous humble duty,
Th' eternal fountain of that heavenly beauty.
Beginning then below, with th' easy view
Of this base world, subject to fleshly eye,
From thence to mount aloft, by order due,
To contemplation of th' immortal sky;
Of the soare falcon so I learn to fly,
That flags awhile her fluttering wings beneath,
Till she herself for stronger flight can breathe.
Then look, who list thy gazeful eyes to feed
With sight of that is fair, look on the frame
Of this wide universe, and therein reed
The endless kinds of creatures which by name
Thou canst not count, much less their natures aim;
All which are made with wondrous wise respect,
And all with admirable beauty deckt.
16
First th' earth, on adamantine pillars founded,
Amid the sea engirt with brazen bands;
Then th' air still flitting, but yet firmly bounded
On every side, with piles of flaming brands,
Never consum'd, nor quench'd with mortal hands;
And last, that mighty shining crystal wall,
Wherewith he hath encompassed this All.
By view whereof it plainly may appear,
That still as every thing doth upward tend,
And further is from earth, so still more clear
And fair it grows, till to his perfect end
Of purest beauty it at last ascend;
Air more than water, fire much more than air,
And heaven than fire, appears more pure and fair.
Look thou no further, but affix thine eye
On that bright, shiny, round, still moving mass,
The house of blessed gods, which men call sky,
All sow'd with glist'ring stars more thick than grass,
Whereof each other doth in brightness pass,
But those two most, which ruling night and day,
As king and queen, the heavens' empire sway;
And tell me then, what hast thou ever seen
That to their beauty may compared be,
Or can the sight that is most sharp and keen
Endure their captain's flaming head to see?
How much less those, much higher in degree,
And so much fairer, and much more than these,
As these are fairer than the land and seas?
For far above these heavens, which here we see,
Be others far exceeding these in light,
Not bounded, not corrupt, as these same be,
But infinite in largeness and in height,
Unmoving, uncorrupt, and spotless bright,
That need no sun t' illuminate their spheres,
But their own native light far passing theirs.
And as these heavens still by degrees arise,
17
Until they come to their first Mover's bound,
That in his mighty compass doth comprise,
And carry all the rest with him around;
So those likewise do by degrees redound,
And rise more fair; till they at last arrive
To the most fair, whereto they all do strive.
Fair is the heaven where happy souls have place,
In full enjoyment of felicity,
Whence they do still behold the glorious face
Of the divine eternal Majesty;
More fair is that, where those Ideas on high
Enranged be, which Plato so admired,
And pure Intelligences from God inspired.
Yet fairer is that heaven, in which do reign
The sovereign Powers and mighty Potentates,
Which in their high protections do contain
All mortal princes and imperial states;
And fairer yet, whereas the royal Seats
And heavenly Dominations are set,
From whom all earthly governance is fet.
Yet far more fair be those bright Cherubins,
Which all with golden wings are overdight,
And those eternal burning Seraphins,
Which from their faces dart out fiery light;
Yet fairer than they both, and much more bright,
Be th' Angels and Archangels, which attend
On God's own person, without rest or end.
These thus in fair each other far excelling,
As to the highest they approach more near,
Yet is that highest far beyond all telling,
Fairer than all the rest which there appear,
Though all their beauties join'd together were;
How then can mortal tongue hope to express
The image of such endless perfectness?
Cease then, my tongue, and lend unto my mind
Leave to bethink how great that beauty is,
Whose utmost parts so beautiful I find;
18
How much more those essential parts of his,
His truth, his love, his wisdom, and his bliss,
His grace, his doom, his mercy, and his might,
By which he lends us of himself a sight.
Those unto all he daily doth display,
And shew himself in th' image of his grace,
As in a looking-glass, through which he may
Be seen of all his creatures vile and base,
That are unable else to see his face,
His glorious face which glistereth else so bright,
That th' Angels selves cannot endure his sight.
But we, frail wights, whose sight cannot sustain
The sun's bright beams when he on us doth shine,
But that their points rebutted back again
Are dull'd, how can we see with feeble eyne
The glory of that Majesty Divine,
In sight of whom both sun and moon are dark,
Compared to his least resplendent spark?
The means, therefore, which unto us is lent
Him to behold, is on his works to look,
Which he hath made in beauty excellent,
And in the same, as in a brazen book,
To read enregister'd in every nook
His goodness, which his beauty doth declare;
For all that's good is beautiful and fair.
Thence gathering plumes of perfect speculation,
To imp the wings of thy high-flying mind,
Mount up aloft through heavenly contemplation,
From this dark world, whose damps the soul so blind,
And, like the native brood of eagles' kind,
On that bright Sun of Glory fix thine eyes,
Clear'd from gross mists of frail infirmities.
Humbled with fear and awful reverence,
Before the footstool of his majesty
Throw thyself down, with trembling innocence,
Ne dare look up with corruptible eye
On the dread face of that great Deity,
19
For fear, lest if he chance to look on thee,
Thou turn to nought, and quite confounded be.
But lowly fall before his mercy seat,
Close covered with the Lamb's integrity
From the just wrath of his avengeful threat
That sits upon the righteous throne on high;
His throne is built upon eternity,
More firm and durable than steel or brass,
Or the hard diamond, which them both doth pass.
His sceptre is the rod of righteousness,
With which he bruiseth all his foes to dust,
And the great Dragon strongly doth repress,
Under the rigour of his judgement just;
His seat is truth, to which the faithful trust,
From whence proceed her beams so pure and bright
That all about him sheddeth glorious light:
Light far exceeding that bright blazing spark
Which darted is from Titan's flaming head,
That with his beams enlumineth the dark
And dampish air, whereby all things are read;
Whose nature yet so much is marvelled
Of mortal wits, that it doth much amaze
The greatest wizards which thereon do gaze.
But that immortal light, which there doth shine,
Is many thousand times more bright, more clear,
More excellent, more glorious, more divine,
Through which to God all mortal actions here,
And even the thoughts of men, do plain appear;
For from th' eternal truth it doth proceed,
Through heavenly virtue which her beams do breed.
With the great glory of that wondrous light
His throne is all encompassed around,
And hid in his own brightness from the sight
Of all that look thereon with eyes unsound;
And underneath his feet are to be found
Thunder and lightning and tempestuous fire,
The instruments of his avenging ire.
20
There in his bosom Sapience doth sit,
The sovereign darling of the Deity,
Clad like a queen in royal robes, most fit
For so great power and peerless majesty,
And all with gems and jewels gorgeously
Adorn'd, that brighter than the stars appear,
And make her native brightness seem more clear.
And on her head a crown of purest gold
Is set, in sign of highest sovereignty;
And in her hand a sceptre she doth hold,
With which she rules the house of God on high,
And manageth the ever-moving sky,
And in the same these lower creatures all
Subjected to her power imperial.
Both heaven and earth obey unto her will,
And all the creatures which they both contain;
For of her fullness which the world doth fill
They all partake, and do in state remain
As their great Maker did at first ordain,
Through observation of her high behest,
By which they first were made, and still increast.
The fairness of her face no tongue can tell;
For she the daughters of all women's race,
And angels eke, in beauty doth excel,
Sparkled on her from God's own glorious face,
And more increas'd by her own goodly grace,
That it doth far exceed all human thought,
Ne can on earth compared be to aught.
Ne could that painter (had he lived yet)
Which pictured Venus with so curious quill,
That all posterity admired it,
Have portray'd this, for all his mast'ring skill;
Ne she herself, had she remained still,
And were as fair as fabling wits do feign,
Could once come near this beauty sovereign.
But had those wits, the wonders of their days,
21
Or that sweet Teian poet, which did spend
His plenteous vein in setting forth her praise,
Seen but a glimpse of this which I pretend,
How wondrously would he her face commend,
Above that idol of his feigning thought,
That all the world should with his rhymes be fraught.
How then dare I, the novice of his art,
Presume to picture so divine a wight,
Or hope t' express her least perfection's part,
Whose beauty fills the heavens with her light,
And darks the earth with shadow of her sight?
Ah, gentle Muse, thou art too weak and faint
The portrait of so heavenly hue to paint.
Let angels, which her goodly face behold
And see at will, her sovereign praises sing,
And those most sacred mysteries unfold
Of that fair love of mighty heaven's King;
Enough is me t' admire so heavenly thing,
And being thus with her huge love possest,
In th' only wonder of herself to rest.
But whoso may, thrice happy man him hold,
Of all on earth whom God so much doth grace
And lets his own beloved to behold;
For in the view of her celestial face
All joy, all bliss, all happiness, have place;
Ne aught on earth can want unto the wight
Who of herself can win the wishful sight.
For she, out of her secret treasury,
Plenty of riches forth on him will pour,
Even heavenly riches, which there hidden lie
Within the closet of her chastest bower,
Th' eternal portion of her precious dower,
Which mighty God hath given to her free,
And to all those which thereof worthy be.
None thereof worthy be, but those whom she
Vouchsafeth to her presence to receive,
And letteth them her lovely face to see,
22
Whereof such wondrous pleasures they conceive,
And sweet contentment, that it doth bereave
Their soul of sense, through infinite delight,
And them transport from flesh into the spright.
In which they see such admirable things,
As carries them into an ecstasy,
And hear such heavenly notes, and carollings
Of God's high praise, that fills the brazen sky;
And feel such joy and pleasure inwardly,
That maketh them all worldly cares forget,
And only think on that before them set.
Ne from thenceforth doth any fleshly sense,
Or idle thought of earthly things, remain;
But all that erst seem'd sweet seems now offence,
And all that pleased erst now seems to pain;
Their joy, their comfort, their desire, their gain,
Is fixed all on that which now they see;
All other sights but feigned shadows be.
And that fair lamp, which useth to inflame
The hearts of men with self-consuming fire
Thenceforth seems foul, and full of sinful blame;
And all that pomp to which proud minds aspire
By name of honour, and so much desire,
Seems to them baseness, and all riches dross,
And all mirth sadness, and all lucre loss.
So full their eyes are of that glorious sight,
And senses fraught with such satiety,
That in nought else on earth they can delight,
But in th' aspect of that felicity,
Which they have written in their inward eye;
On which they feed, and in their fastened mind
All happy joy and full contentment find.
Ah, then, my hungry soul, which long hast fed
On idle fancies of thy foolish thought,
And, with false beauty's flatt'ring bait misled,
Hast after vain deceitful shadows sought,
Which all are fled, and now have left thee nought
23
But late repentance through thy follies prief;
Ah cease to gaze on matter of thy grief:
And look at last up to that sovereign light,
From whose pure beams all perfect beauty springs,
That kindleth love in every godly sprite,
Even the love of God, which loathing brings
Of this vile world and these gay-seeming things;
With whose sweet pleasures being so possest,
Thy straying thoughts henceforth for ever rest.
~ Edmund Spenser,
213:An Hymn Of Heavenly Beauty
Rapt with the rage of mine own ravish'd thought,
Through contemplation of those goodly sights,
And glorious images in heaven wrought,
Whose wondrous beauty, breathing sweet delights
Do kindle love in high-conceited sprights;
I fain to tell the things that I behold,
But feel my wits to fail, and tongue to fold.
Vouchsafe then, O thou most Almighty Spright,
From whom all gifts of wit and knowledge flow,
To shed into my breast some sparkling light
Of thine eternal truth, that I may show
Some little beams to mortal eyes below
Of that immortal beauty, there with thee,
Which in my weak distraughted mind I see;
That with the glory of so goodly sight
The hearts of men, which fondly here admire
Fair seeming shews, and feed on vain delight,
Transported with celestial desire
Of those fair forms, may lift themselves up higher,
And learn to love, with zealous humble duty,
Th' eternal fountain of that heavenly beauty.
Beginning then below, with th' easy view
Of this base world, subject to fleshly eye,
From thence to mount aloft, by order due,
To contemplation of th' immortal sky;
Of the soare falcon so I learn to fly,
That flags awhile her fluttering wings beneath,
Till she herself for stronger flight can breathe.
Then look, who list thy gazeful eyes to feed
With sight of that is fair, look on the frame
Of this wide universe, and therein reed
The endless kinds of creatures which by name
Thou canst not count, much less their natures aim;
All which are made with wondrous wise respect,
And all with admirable beauty deckt.
43
First th' earth, on adamantine pillars founded,
Amid the sea engirt with brazen bands;
Then th' air still flitting, but yet firmly bounded
On every side, with piles of flaming brands,
Never consum'd, nor quench'd with mortal hands;
And last, that mighty shining crystal wall,
Wherewith he hath encompassed this All.
By view whereof it plainly may appear,
That still as every thing doth upward tend,
And further is from earth, so still more clear
And fair it grows, till to his perfect end
Of purest beauty it at last ascend;
Air more than water, fire much more than air,
And heaven than fire, appears more pure and fair.
Look thou no further, but affix thine eye
On that bright, shiny, round, still moving mass,
The house of blessed gods, which men call sky,
All sow'd with glist'ring stars more thick than grass,
Whereof each other doth in brightness pass,
But those two most, which ruling night and day,
As king and queen, the heavens' empire sway;
And tell me then, what hast thou ever seen
That to their beauty may compared be,
Or can the sight that is most sharp and keen
Endure their captain's flaming head to see?
How much less those, much higher in degree,
And so much fairer, and much more than these,
As these are fairer than the land and seas?
For far above these heavens, which here we see,
Be others far exceeding these in light,
Not bounded, not corrupt, as these same be,
But infinite in largeness and in height,
Unmoving, uncorrupt, and spotless bright,
That need no sun t' illuminate their spheres,
But their own native light far passing theirs.
And as these heavens still by degrees arise,
44
Until they come to their first Mover's bound,
That in his mighty compass doth comprise,
And carry all the rest with him around;
So those likewise do by degrees redound,
And rise more fair; till they at last arrive
To the most fair, whereto they all do strive.
Fair is the heaven where happy souls have place,
In full enjoyment of felicity,
Whence they do still behold the glorious face
Of the divine eternal Majesty;
More fair is that, where those Ideas on high
Enranged be, which Plato so admired,
And pure Intelligences from God inspired.
Yet fairer is that heaven, in which do reign
The sovereign Powers and mighty Potentates,
Which in their high protections do contain
All mortal princes and imperial states;
And fairer yet, whereas the royal Seats
And heavenly Dominations are set,
From whom all earthly governance is fet.
Yet far more fair be those bright Cherubins,
Which all with golden wings are overdight,
And those eternal burning Seraphins,
Which from their faces dart out fiery light;
Yet fairer than they both, and much more bright,
Be th' Angels and Archangels, which attend
On God's own person, without rest or end.
These thus in fair each other far excelling,
As to the highest they approach more near,
Yet is that highest far beyond all telling,
Fairer than all the rest which there appear,
Though all their beauties join'd together were;
How then can mortal tongue hope to express
The image of such endless perfectness?
Cease then, my tongue, and lend unto my mind
Leave to bethink how great that beauty is,
Whose utmost parts so beautiful I find;
45
How much more those essential parts of his,
His truth, his love, his wisdom, and his bliss,
His grace, his doom, his mercy, and his might,
By which he lends us of himself a sight.
Those unto all he daily doth display,
And shew himself in th' image of his grace,
As in a looking-glass, through which he may
Be seen of all his creatures vile and base,
That are unable else to see his face,
His glorious face which glistereth else so bright,
That th' Angels selves cannot endure his sight.
But we, frail wights, whose sight cannot sustain
The sun's bright beams when he on us doth shine,
But that their points rebutted back again
Are dull'd, how can we see with feeble eyne
The glory of that Majesty Divine,
In sight of whom both sun and moon are dark,
Compared to his least resplendent spark?
The means, therefore, which unto us is lent
Him to behold, is on his works to look,
Which he hath made in beauty excellent,
And in the same, as in a brazen book,
To read enregister'd in every nook
His goodness, which his beauty doth declare;
For all that's good is beautiful and fair.
Thence gathering plumes of perfect speculation,
To imp the wings of thy high-flying mind,
Mount up aloft through heavenly contemplation,
From this dark world, whose damps the soul so blind,
And, like the native brood of eagles' kind,
On that bright Sun of Glory fix thine eyes,
Clear'd from gross mists of frail infirmities.
Humbled with fear and awful reverence,
Before the footstool of his majesty
Throw thyself down, with trembling innocence,
Ne dare look up with corruptible eye
On the dread face of that great Deity,
46
For fear, lest if he chance to look on thee,
Thou turn to nought, and quite confounded be.
But lowly fall before his mercy seat,
Close covered with the Lamb's integrity
From the just wrath of his avengeful threat
That sits upon the righteous throne on high;
His throne is built upon eternity,
More firm and durable than steel or brass,
Or the hard diamond, which them both doth pass.
His sceptre is the rod of righteousness,
With which he bruiseth all his foes to dust,
And the great Dragon strongly doth repress,
Under the rigour of his judgement just;
His seat is truth, to which the faithful trust,
From whence proceed her beams so pure and bright
That all about him sheddeth glorious light:
Light far exceeding that bright blazing spark
Which darted is from Titan's flaming head,
That with his beams enlumineth the dark
And dampish air, whereby all things are read;
Whose nature yet so much is marvelled
Of mortal wits, that it doth much amaze
The greatest wizards which thereon do gaze.
But that immortal light, which there doth shine,
Is many thousand times more bright, more clear,
More excellent, more glorious, more divine,
Through which to God all mortal actions here,
And even the thoughts of men, do plain appear;
For from th' eternal truth it doth proceed,
Through heavenly virtue which her beams do breed.
With the great glory of that wondrous light
His throne is all encompassed around,
And hid in his own brightness from the sight
Of all that look thereon with eyes unsound;
And underneath his feet are to be found
Thunder and lightning and tempestuous fire,
The instruments of his avenging ire.
47
There in his bosom Sapience doth sit,
The sovereign darling of the Deity,
Clad like a queen in royal robes, most fit
For so great power and peerless majesty,
And all with gems and jewels gorgeously
Adorn'd, that brighter than the stars appear,
And make her native brightness seem more clear.
And on her head a crown of purest gold
Is set, in sign of highest sovereignty;
And in her hand a sceptre she doth hold,
With which she rules the house of God on high,
And manageth the ever-moving sky,
And in the same these lower creatures all
Subjected to her power imperial.
Both heaven and earth obey unto her will,
And all the creatures which they both contain;
For of her fullness which the world doth fill
They all partake, and do in state remain
As their great Maker did at first ordain,
Through observation of her high behest,
By which they first were made, and still increast.
The fairness of her face no tongue can tell;
For she the daughters of all women's race,
And angels eke, in beauty doth excel,
Sparkled on her from God's own glorious face,
And more increas'd by her own goodly grace,
That it doth far exceed all human thought,
Ne can on earth compared be to aught.
Ne could that painter (had he lived yet)
Which pictured Venus with so curious quill,
That all posterity admired it,
Have portray'd this, for all his mast'ring skill;
Ne she herself, had she remained still,
And were as fair as fabling wits do feign,
Could once come near this beauty sovereign.
But had those wits, the wonders of their days,
48
Or that sweet Teian poet, which did spend
His plenteous vein in setting forth her praise,
Seen but a glimpse of this which I pretend,
How wondrously would he her face commend,
Above that idol of his feigning thought,
That all the world should with his rhymes be fraught.
How then dare I, the novice of his art,
Presume to picture so divine a wight,
Or hope t' express her least perfection's part,
Whose beauty fills the heavens with her light,
And darks the earth with shadow of her sight?
Ah, gentle Muse, thou art too weak and faint
The portrait of so heavenly hue to paint.
Let angels, which her goodly face behold
And see at will, her sovereign praises sing,
And those most sacred mysteries unfold
Of that fair love of mighty heaven's King;
Enough is me t' admire so heavenly thing,
And being thus with her huge love possest,
In th' only wonder of herself to rest.
But whoso may, thrice happy man him hold,
Of all on earth whom God so much doth grace
And lets his own beloved to behold;
For in the view of her celestial face
All joy, all bliss, all happiness, have place;
Ne aught on earth can want unto the wight
Who of herself can win the wishful sight.
For she, out of her secret treasury,
Plenty of riches forth on him will pour,
Even heavenly riches, which there hidden lie
Within the closet of her chastest bower,
Th' eternal portion of her precious dower,
Which mighty God hath given to her free,
And to all those which thereof worthy be.
None thereof worthy be, but those whom she
Vouchsafeth to her presence to receive,
And letteth them her lovely face to see,
49
Whereof such wondrous pleasures they conceive,
And sweet contentment, that it doth bereave
Their soul of sense, through infinite delight,
And them transport from flesh into the spright.
In which they see such admirable things,
As carries them into an ecstasy,
And hear such heavenly notes, and carollings
Of God's high praise, that fills the brazen sky;
And feel such joy and pleasure inwardly,
That maketh them all worldly cares forget,
And only think on that before them set.
Ne from thenceforth doth any fleshly sense,
Or idle thought of earthly things, remain;
But all that erst seem'd sweet seems now offence,
And all that pleased erst now seems to pain;
Their joy, their comfort, their desire, their gain,
Is fixed all on that which now they see;
All other sights but feigned shadows be.
And that fair lamp, which useth to inflame
The hearts of men with self-consuming fire
Thenceforth seems foul, and full of sinful blame;
And all that pomp to which proud minds aspire
By name of honour, and so much desire,
Seems to them baseness, and all riches dross,
And all mirth sadness, and all lucre loss.
So full their eyes are of that glorious sight,
And senses fraught with such satiety,
That in nought else on earth they can delight,
But in th' aspect of that felicity,
Which they have written in their inward eye;
On which they feed, and in their fastened mind
All happy joy and full contentment find.
Ah, then, my hungry soul, which long hast fed
On idle fancies of thy foolish thought,
And, with false beauty's flatt'ring bait misled,
Hast after vain deceitful shadows sought,
Which all are fled, and now have left thee nought
50
But late repentance through thy follies prief;
Ah cease to gaze on matter of thy grief:
And look at last up to that sovereign light,
From whose pure beams all perfect beauty springs,
That kindleth love in every godly sprite,
Even the love of God, which loathing brings
Of this vile world and these gay-seeming things;
With whose sweet pleasures being so possest,
Thy straying thoughts henceforth for ever rest.
~ Edmund Spenser,
214:The spider spreads her webs, whether she be
In poet's tower, cellar, or barn, or tree;
The silk-worm in the dark green mulberry leaves
His winding sheet and cradle ever weaves;
So I, a thing whom moralists call worm,
Sit spinning still round this decaying form,
From the fine threads of rare and subtle thought
No net of words in garish colours wrought
To catch the idle buzzers of the day
But a soft cell, where when that fades away,
Memory may clothe in wings my living name
And feed it with the asphodels of fame,
Which in those hearts which must remember me
Grow, making love an immortality.
Whoever should behold me now, I wist,
Would think I were a mighty mechanist,
Bent with sublime Archimedean art
To breathe a soul into the iron heart
Of some machine portentous, or strange gin,
Which by the force of figured spells might win
Its way over the sea, and sport therein;
For round the walls are hung dread engines, such
As Vulcan never wrought for Jove to clutch
Ixion or the Titan:or the quick
Wit of that man of God, St. Dominic,
To convince Atheist, Turk, or Heretic,
Or those in philanthropic council met,
Who thought to pay some interest for the debt
They owed to Jesus Christ for their salvation,
By giving a faint foretaste of damnation
To Shakespeare, Sidney, Spenser, and the rest
Who made our land an island of the blest,
When lamp-like Spain, who now relumes her fire
On Freedom's hearth, grew dim with Empire:
With thumbscrews, wheels, with tooth and spike and jag,
Which fishers found under the utmost crag
Of Cornwall and the storm-encompassed isles,
Where to the sky the rude sea rarely smiles
Unless in treacherous wrath, as on the morn
When the exulting elements in scorn,
Satiated with destroyed destruction, lay
Sleeping in beauty on their mangled prey,
As panthers sleep;and other strange and dread
Magical forms the brick floor overspread,
Proteus transformed to metal did not make
More figures, or more strange; nor did he take
Such shapes of unintelligible brass,
Or heap himself in such a horrid mass
Of tin and iron not to be understood;
And forms of unimaginable wood,
To puzzle Tubal Cain and all his brood:
Great screws, and cones, and wheels, and groovd blocks,
The elements of what will stand the shocks
Of wave and wind and time.Upon the table
More knacks and quips there be than I am able
To catalogize in this verse of mine:
A pretty bowl of woodnot full of wine,
But quicksilver; that dew which the gnomes drink
When at their subterranean toil they swink,
Pledging the demons of the earthquake, who
Reply to them in lavacry halloo!
And call out to the cities o'er their head,
Roofs, towers, and shrines, the dying and the dead,
Crash through the chinks of earthand then all quaff
Another rouse, and hold their sides and laugh.
This quicksilver no gnome has drunkwithin
The walnut bowl it lies, veind and thin,
In colour like the wake of light that stains
The Tuscan deep, when from the moist moon rains
The inmost shower of its white firethe breeze
Is stillblue Heaven smiles over the pale seas.
And in this bowl of quicksilverfor I
Yield to the impulse of an infancy
Outlasting manhoodI have made to float
A rude idealism of a paper boat:
A hollow screw with cogsHenry will know
The thing I mean and laugh at me,if so
He fears not I should do more mischief.Next
Lie bills and calculations much perplexed,
With steam-boats, frigates, and machinery quaint
Traced over them in blue and yellow paint.
Then comes a range of mathematical
Instruments, for plans nautical and statical;
A heap of rosin, a queer broken glass
With ink in it;a china cup that was
What it will never be again, I think,
A thing from which sweet lips were wont to drink
The liquor doctors rail atand which I
Will quaff in spite of themand when we die
We'll toss up who died first of drinking tea,
And cry out,'Heads or tails?' where'er we be.
Near that a dusty paint-box, some odd hooks,
A half-burnt match, an ivory block, three books,
Where conic sections, spherics, logarithms,
To great Laplace, from Saunderson and Sims,
Lie heaped in their harmonious disarray
Of figures,disentangle them who may.
Baron de Tott's Memoirs beside them lie,
And some odd volumes of old chemistry.
Near those a most inexplicable thing,
With lead in the middleI'm conjecturing
How to make Henry understand; but no
I'll leave, as Spenser says, with many mo,
This secret in the pregnant womb of time,
Too vast a matter for so weak a rhyme.
And here like some weird Archimage sit I,
Plotting dark spells, and devilish enginery,
The self-impelling steam-wheels of the mind
Which pump up oaths from clergymen, and grind
The gentle spirit of our meek reviews
Into a powdery foam of salt abuse,
Ruffling the ocean of their self-content;
I sitand smile or sigh as is my bent,
But not for themLibeccio rushes round
With an inconstant and an idle sound,
I heed him more than themthe thunder-smoke
Is gathering on the mountains, like a cloak
Folded athwart their shoulders broad and bare;
The ripe corn under the undulating air
Undulates like an ocean;and the vines
Are trembling wide in all their trellised lines
The murmur of the awakening sea doth fill
The empty pauses of the blast;the hill
Looks hoary through the white electric rain,
And from the glens beyond, in sullen strain,
The interrupted thunder howls; above
One chasm of Heaven smiles, like the eye of Love
On the unquiet world;while such things are,
How could one worth your friendship heed the war
Of worms? the shriek of the world's carrion jays,
Their censure, or their wonder, or their praise?
You are not here! the quaint witch Memory sees,
In vacant chairs, your absent images,
And points where once you sat, and now should be
But are not.I demand if ever we
Shall meet as then we met;and she replies,
Veiling in awe her second-sighted eyes;
'I know the past alonebut summon home
My sister Hope,she speaks of all to come.'
But I, an old diviner, who knew well
Every false verse of that sweet oracle,
Turned to the sad enchantress once again,
And sought a respite from my gentle pain,
In citing every passage o'er and o'er
Of our communionhow on the sea-shore
We watched the ocean and the sky together,
Under the roof of blue Italian weather;
How I ran home through last year's thunder-storm,
And felt the transverse lightning linger warm
Upon my cheekand how we often made
Feasts for each other, where good will outweighed
The frugal luxury of our country cheer,
As well it might, were it less firm and clear
Than ours must ever be;and how we spun
A shroud of talk to hide us from the sun
Of this familiar life, which seems to be
But is not:or is but quaint mockery
Of all we would believe, and sadly blame
The jarring and inexplicable frame
Of this wrong world:and then anatomize
The purposes and thoughts of men whose eyes
Were closed in distant years;or widely guess
The issue of the earth's great business,
When we shall be as we no longer are
Like babbling gossips safe, who hear the war
Of winds, and sigh, but tremble not;or how
You listened to some interrupted flow
Of visionary rhyme,in joy and pain
Struck from the inmost fountains of my brain,
With little skill perhaps;or how we sought
Those deepest wells of passion or of thought
Wrought by wise poets in the waste of years,
Staining their sacred waters with our tears;
Quenching a thirst ever to be renewed!
Or how I, wisest lady! then endued
The language of a land which now is free,
And, winged with thoughts of truth and majesty,
Flits round the tyrant's sceptre like a cloud,
And bursts the peopled prisons, and cries aloud,
'My name is Legion!'that majestic tongue
Which Calderon over the desert flung
Of ages and of nations; and which found
An echo in our hearts, and with the sound
Startled oblivion;thou wert then to me
As is a nursewhen inarticulately
A child would talk as its grown parents do.
If living winds the rapid clouds pursue,
If hawks chase doves through the aethereal way,
Huntsmen the innocent deer, and beasts their prey,
Why should not we rouse with the spirit's blast
Out of the forest of the pathless past
These recollected pleasures?
               You are now
In London, that great sea, whose ebb and flow
At once is deaf and loud, and on the shore
Vomits its wrecks, and still howls on for more.
Yet in its depth what treasures! You will see
That which was Godwin,greater none than he
Though fallenand fallen on evil timesto stand
Among the spirits of our age and land,
Before the dread tribunal of to come
The foremost,while Rebuke cowers pale and dumb.
You will see Coleridgehe who sits obscure
In the exceeding lustre and the pure
Intense irradiation of a mind,
Which, with its own internal lightning blind,
Flags wearily through darkness and despair
A cloud-encircled meteor of the air,
A hooded eagle among blinking owls.
You will see Huntone of those happy souls
Which are the salt of the earth, and without whom
This world would smell like what it isa tomb;
Who is, what others seem; his room no doubt
Is still adorned with many a cast from Shout,
With graceful flowers tastefully placed about;
And coronals of bay from ribbons hung,
And brighter wreaths in neat disorder flung;
The gifts of the most learned among some dozens
Of female friends, sisters-in-law, and cousins.
And there is he with his eternal puns,
Which beat the dullest brain for smiles, like duns
Thundering for money at a poet's door;
Alas! it is no use to say, 'I'm poor!'
Or oft in graver mood, when he will look
Things wiser than were ever read in book,
Except in Shakespeare's wisest tenderness.
You will see Hogg,and I cannot express
His virtues,though I know that they are great,
Because he locks, then barricades the gate
Within which they inhabit;of his wit
And wisdom, you'll cry out when you are bit.
He is a pearl within an oyster shell,
One of the richest of the deep;and there
Is English Peacock, with his mountain Fair,
Turned into a Flamingo;that shy bird
That gleams i' the Indian airhave you not heard
When a man marries, dies, or turns Hindoo,
His best friends hear no more of him?but you
Will see him, and will like him too, I hope,
With the milk-white Snowdonian Antelope
Matched with this cameleopardhis fine wit
Makes such a wound, the knife is lost in it;
A strain too learnd for a shallow age,
Too wise for selfish bigots; let his page,
Which charms the chosen spirits of the time,
Fold itself up for the serener clime
Of years to come, and find its recompense
In that just expectation.Wit and sense,
Virtue and human knowledge; all that might
Make this dull world a business of delight,
Are all combined in Horace Smith.And these,
With some exceptions, which I need not tease
Your patience by descanting on,are all
You and I know in London.
              I recall
My thoughts, and bid you look upon the night.
As water does a sponge, so the moonlight
Fills the void, hollow, universal air
What see you?unpavilioned Heaven is fair,
Whether the moon, into her chamber gone,
Leaves midnight to the golden stars, or wan
Climbs with diminished beams the azure steep;
Or whether clouds sail o'er the inverse deep,
Piloted by the many-wandering blast,
And the rare stars rush through them dim and fast:
All this is beautiful in every land.
But what see you beside?a shabby stand
Of Hackney coachesa brick house or wall
Fencing some lonely court, white with the scrawl
Of our unhappy politics;or worse
A wretched woman reeling by, whose curse
Mixed with the watchman's, partner of her trade,
You must accept in place of serenade
Or yellow-haired Pollonia murmuring
To Henry, some unutterable thing.
I see a chaos of green leaves and fruit
Built round dark caverns, even to the root
Of the living stems that feed themin whose bowers
There sleep in their dark dew the folded flowers;
Beyond, the surface of the unsickled corn
Trembles not in the slumbering air, and borne
In circles quaint, and ever-changing dance,
Like wingd stars the fire-flies flash and glance,
Pale in the open moonshine, but each one
Under the dark trees seems a little sun,
A meteor tamed; a fixed star gone astray
From the silver regions of the milky way;
Afar the Contadino's song is heard,
Rude, but made sweet by distanceand a bird
Which cannot be the Nightingale, and yet
I know none else that sings so sweet as it
At this late hour;and then all is still
NowItaly or London, which you will!
Next winter you must pass with me; I'll have
My house by that time turned into a grave
Of dead despondence and low-thoughted care,
And all the dreams which our tormentors are;
Oh! that Hunt, Hogg, Peacock, and Smith were there,
With everything belonging to them fair!
We will have books, Spanish, Italian, Greek;
And ask one week to make another week
As like his father, as I'm unlike mine,
Which is not his fault, as you may divine.
Though we eat little flesh and drink no wine,
Yet let's be merry: we'll have tea and toast;
Custards for supper, and an endless host
Of syllabubs and jellies and mince-pies,
And other such lady-like luxuries,
Feasting on which we will philosophize!
And we'll have fires out of the Grand Duke's wood,
To thaw the six weeks' winter in our blood.
And then we'll talk;what shall we talk about?
Oh! there are themes enough for many a bout
Of thought-entangled descant;as to nerves
With cones and parallelograms and curves
I've sworn to strangle them if once they dare
To bother mewhen you are with me there.
And they shall never more sip laudanum,
From Helicon or Himeros[1];well, come,
And in despite of God and of the devil,
We'll make our friendly philosophic revel
Outlast the leafless time; till buds and flowers
Warn the obscure inevitable hours,
Sweet meeting by sad parting to renew;
'To-morrow to fresh woods and pastures new.'
Composed during Shelley's occupation of the Gisbornes' house at Leghorn, July 1820; published in Posthumous Poems, 1824.
~ Percy Bysshe Shelley, Letter To Maria Gisborne
,
215:Monadnoc
Thousand minstrels woke within me,
Our music's in the hills;
Gayest pictures rose to win me,
Leopard-colored rills.
Up!If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;
Up!where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an arial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magicians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dullness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone
Each can only take his own.
Let him heed who can and will,
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile erect
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime grope,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Monadnoc
,
216:SCENE I. An Ante-chamber in the Castle.
Enter LUDOLPH and SIGIFRED.
Ludolph. No more advices, no more cautioning:
I leave it all to fate to any thing!
I cannot square my conduct to time, place,
Or circumstances; to me 'tis all a mist!
Sigifred. I say no more.
Ludolph. It seems I am to wait
Here in the ante-room; that may be a trifle.
You see now how I dance attendance here,
Without that tyrant temper, you so blame,
Snapping the rein. You have medicin'd me
With good advices; and I here remain,
In this most honourable ante-room,
Your patient scholar.
Sigifred. Do not wrong me, Prince.
By Heavens, I'd rather kiss Duke Conrad's slipper,
When in the morning he doth yawn with pride,
Than see you humbled but a half-degree!
Truth is, the Emperor would fain dismiss
The nobles ere he sees you.
Enter GONFRED from the Council-room.
Ludolph. Well, sir! What?
Gonfred. Great honour to the Prince! The Emperor,
Hearing that his brave son had re-appeared,
Instant dismiss 'd the Council from his sight,
As Jove fans off the clouds. Even now they pass.
[Exit.
Enter the Nobles from the Council-room. They cross the stage,
bowing unth respect to LUDOLPH, he frowning on them.
CONRAD follows. Exeunt Nobles.
Ludolph. Not the discoloured poisons of a fen,
Which he who breathes feels warning of his death,
Could taste so nauseous to the bodily sense,
As these prodigious sycophants disgust
The soul's fine palate.
Conrad. Princely Ludolph, hail!
Welcome, thou younger sceptre to the realm!
Strength to thy virgin crownet's golden buds,
That they, against the winter of thy sire,
May burst, and swell, and flourish round thy brows,
Maturing to a weighty diadem!
Yet be that hour far off; and may he live,
Who waits for thee, as the chapp'd earth for rain.
Set my life's star! I have lived long enough,
Since under my glad roof, propitiously,
Father and son each other re-possess.
Ludolph. Fine wording, Duke! but words could never yet
Forestall the fates; have you not learnt that yet?
Let me look well: your features are the same;
Your gait the same; your hair of the same shade;
As one I knew some passed weeks ago,
Who sung far different notes into mine ears.
I have mine own particular comments on 't;
You have your own, perhaps.
Conrad. My gracious Prince,
All men may err. In truth I was deceived
In your great father's nature, as you were.
Had I known that of him I have since known,
And what you soon will learn, I would have turned
My sword to my own throat, rather than held
Its threatening edge against a good King's quiet:
Or with one word fever'd you, gentle Prince,
Who seem'd to me, as rugged times then went,
Indeed too much oppress'd. May I be bold
To tell the Emperor you will haste to him?
Ludolph. Your Dukedom's privilege will grant so much.
[Exit CONRAD
He's very close to Otho, a tight leech!
Your hand I go. Ha! here the thunder comes
Sullen against the wind! If in two angry brows
My safety lies, then Sigifred, I'm safe.
Enter OTHO and CONRAD.
Otho. Will you make Titan play the lackey-page &
To chattering pigmies? I would have you know
That such neglect of our high Majesty
Annuls all feel of kindred. What is son,
Or friend, or brother, or all ties of blood,
When the whole kingdom, centred in ourself,
Is rudely slighted ? Who am I to wait ?
By Peter's chair! I have upon my tongue
A word to fright the proudest spirit here!
Death! and slow tortures to the hardy fool,
Who dares take such large charter from our smiles!
Conrad, we would be private. Sigifred!
Off! And none pass this way on pain of death!
[Exeunt CONRAD and SIGIFRED,
Ludolph. This was but half expected, my good sire,
Yet I am griev'd at it, to the full height,
As though my hopes of favour had been whole.
Otho. How you indulge yourself! What can you hope for?
Ludolph. Nothing, my liege ; I have to hope for nothing.
I come to greet you as a loving son,
And then depart, if I may be so free,
Seeing that blood of yours in my warm veins
Has not yet mitigated into milk.
Otho. What would you, sir?
Ludolph. A lenient banishment;
So please you let me unmolested pass
This Conrad's gates, to the wide air again.
I want no more. A rebel wants no more.
Otho. And shall I let a rebel loose again
To muster kites and eagles 'gainst my head?
No, obstinate boy, you shall be kept cag'd up,
Serv'd with harsh food, with scum for Sunday-drink.
Ludolph. Indeed!
Otho. And chains too heavy for your life:
I'll choose a gaoler, whose swart monstrous face
Shall be a hell to look upon, and she
Ludolph. Ha!
Otho. Shall be your fair Auranthe.
Ludolph. Amaze! Amaze!
Otho. To-day you marry her.
Ludolph. This is a sharp jest!
Otho. No. None at all. When have I said a lie?
Ludolph. If I sleep not, I am a waking wretch.
Otho. Not a word more. Let me embrace my child.
Ludolph. I dare not. 'Twould pollute so good a father!
heavy crime! that your son's blinded eyes
Could not see all his parent's love aright,
As now I see it. Be not kind to me
Punish me not with favour.
Otho. Are you sure,
Ludolph, you have no saving plea in store?
Ludolph. My father, none!
Otho. Then you astonish me.
Ludolph. No, I have no plea. Disobedience,
Rebellion, obstinacy, blasphemy,
Are all my counsellors. If they can make
My crooked deeds show good and plausible,
Then grant me loving pardon, but not else,
Good Gods! not else, in any way, my liege!
Otho. You are a most perplexing, noble boy.
Ludolph. You not less a perplexing noble father.
Otho. Well, you shall have free passport through the gates.
Farewell!
Ludolph. Farewell! and by these tears believe,
And still remember, I repent in pain
All my misdeeds!
Otho. Ludolph, I will! I will!
But, Ludolph, ere you go, I would enquire
If you, in all your wandering, ever met
A certain Arab haunting in these parts.
Ludolph. No, my good lord, I cannot say I did.
Otho. Make not your father blind before his time;
Nor let these arms paternal hunger more
For an embrace, to dull the appetite
Of my great love for thee, my supreme child!
Come close, and let me breathe into thine ear.
knew you through disguise. You are the Arab!
You can't deny it. [Embracing him.
Ludolph. Happiest of days!
Otho. We'll make it so.
Ludolph. 'Stead of one fatted calf
Ten hecatombs shall bellow out their last,
Smote 'twixt the horns by the death-stunning mace
Of Mars, and all the soldiery shall feast
Nobly as Nimrod's masons, when the towers
Of Nineveh new kiss'd the parted clouds!
Otho. Large as a God speak out, where all is thine.
Ludolph. Aye, father, but the fire in my sad breast
Is quench 'd with inward tears! I must rejoice
For you, whose wings so shadow over me
In tender victory, but for myself
I still must mourn. The fair Auranthe mine!
Too great a boon! I prythee let me ask I
What more than I know of could so have changed
Your purpose touching her?
Otho. At a word, this:
In no deed did you give me more offense
Than your rejection of Erminia.
To my appalling, I saw too good proof
Of your keen-eyed suspicion, she is naught!
Ludolph. You are convinced?
Otho. Aye, spite of her sweet looks.
O, that my brother's daughter should so fall!
Her fame has pass'd into the grosser lips
Of soldiers in their cups.
Lndolph. 'Tis very sad.
Otho. No more of her. Auranthe Ludolph, come!
This marriage be the bond of endless peace! [Exeunt.
SCENE II. The Entrance of GERSA'S Tent in the Hungarian Camp.
Enter ERMINIA.
Erminia. Where! where! where shall I find a messenger?
A trusty soul? A good man in the camp?
Shall I go myself? Monstrous wickedness!
O cursed Conrad devilish Auranthe!
Here is proof palpable as the bright sun!
O for a voice to reach the Emperor's ears!
[Shouts in the Camp.
Enter an HUNGARIAN CAPTAIN.
Captain. Fair prisoner, hear you those joyous shouts?
The king aye, now our king, but still your slave,
Young Gersa, from a short captivity
Has just return'd. He bids me say, bright Dame,
That even the homage of his ranged chiefs
Cures not his keen impatience to behold
Such beauty once again. What ails you, lady?
Erminia. Say, is not that a German, yonder? There!
Captain. Methinks by his stout bearing he should be
Yes 'tis one Albert; a brave German knight,
And much in the emperor's favour.
Erminia. I would fain
Enquire of friends and kinsfolk; how they fared
In these rough times. Brave soldier, as you pass
To royal Gersa with my humble thanks,
Will you send yonder knight to me?
Captain. I will. [Exit.
Ermina. Yes, he was ever known to be a man
Frank, open, generous; Albert I may trust.
proof! proof! proof! Albert's an honest man;
Not Ethelbert the monk, if he were here,
Would I hold more trustworthy. Now!
Enter ALBERT.
Albert. Good Gods!
Lady Erminia! are you prisoner
In this beleaguer 'd camp? Or are you here
Of your own will? You pleas'd to send for me.
By Venus, 'tis a pity I knew not
Your plight before, and, by her Son, I swear
To do you every service you can ask.
What would the fairest?
Erminia. Albert, will you swear?
Albert. I have. Well?
Erminia. Albert, you have fame to lose.
If men, in court and camp, lie not outright,
You should be, from a thousand, chosen forth
To do an honest deed. Shall I confide?
Albert. Aye, anything to me, fair creature. Do;
Dictate my task. Sweet woman,
Erminia. Truce with that.
You understand me not; and, in your speech,
see how far the slander is abroad.
Without proof could you think me innocent?
Albert. Lady, I should rejoice to know you so.
Erminia. If you have any pity for a maid,
Suffering a daily death from evil tongues;
Any compassion for that Emperor's niece,
Who, for your bright sword and clear honesty,
Lifted you from the crowd of common men
Into the lap of honour; save me, knight!
Albert. How? Make it clear; if it be possible,
I, by the banner of Saint Maurice, swear
To right you.
Erminia. Possible! Easy. O my heart!
This letter's not so soil'd but you may read it;
Possible! There that letter! Read read it,
[Gives him a letter.
Albert (reading). "To the Duke Conrad. Forget the threat you
made at parting, and I will forget to send the Emperor letters and
papers of your's I have become possessed of. His life is no trifle to
me; his death you shall find none to yourself." (Speaks to himself
Tis me my life that's pleaded for! (Reads.) "He, for his
own sake, will be dumb as the grave. Erminia has my shame fix'd
upon her, sure as a wen. We are safe.
AURANTHE."A she-devil! A dragon! I her imp!
Fire of Hell! Auranthe lewd demon!
Where got you this? Where? When?
Erminia. I found it in the tent, among some spoils
Which, being noble, fell to Gersa's lot.
Come in, and see. [They go in and return.
Albert. Villainy! Villainy!
Conrad's sword, his corslet, and his helm,
And his letter. Caitiff, he shall feel
Erminia. I see you are thunderstruck. Haste, haste away!
Albert. O I am tortured by this villainy.
Erminia. You needs must be. Carry it swift to Otho;
Tell him, moreover, I am prisoner
Here in this camp, where all the sisterhood,
Forc'd from their quiet cells, are parcell'd out
For slaves among these Huns. Away! Away!
Albert. I am gone.
Erminia. Swift be your steed! Within this hour
The Emperor will see it.
Albert. Ere I sleep:
That I can swear. [Hurries out.
Gersa (without). Brave captains! thanks. Enough
Of loyal homage now!
Enter GERSA.
Erminia. Hail, royal Hun!
Gersa. What means this, fair one? Why in such alarm?
Who was it hurried by me so distract?
It seem'd you were in deep discourse together;
Your doctrine has not been so harsh to him
As to my poor deserts. Come, come, be plain.
I am no jealous fool to kill you both,
Or, for such trifles, rob the adorned world
Of such a beauteous vestal.
Erminia. I grieve, my Lord,
To hear you condescend to ribald phrase.
Gersa. This is too much! Hearken, my lady pure!
Erminia. Silence! and hear the magic of a name
Erminia! I am she, the Emperor's niece!
Prais'd be the Heavens, I now dare own myself!
Gersa. Erminia! Indeed! I've heard of her.
Prythee, fair lady, what chance brought you here?
Erminia. Ask your own soldiers.
Gersa. And you dare own your name.
For loveliness you may and for the rest
My vein is not censorious.
Erminia. Alas! poor me!
Tis false indeed.
Gersa. Indeed you are too fair:
the swan, soft leaning on her fledgy breast,
When to the stream she launches, looks not back
With such a tender grace ; nor are her wings
So white as your soul is, if that but be
Twin-picture to your face. Erminia!
To-day, for the first day, I am a king,
Yet would I give my unworn crown away
To know you spotless.
Erminia. Trust me one day more,
Generously, without more certain guarantee,
Than this poor face you deign to praise so much;
After that, say and do whate'er you please.
If I have any knowledge of you, sir,
I think, nay I am sure, you will grieve much
To hear my story. O be gentle to me,
For I am sick and faint with many wrongs,
Tir'd out, and weary-worn with contumelies.
Gersa. Poor lady!
Enter ETHELBERT.
Erminia. Gentle Prince, 'tis false indeed.
Good morrow, holy father! I have had
Your prayers, though I look'd for you in vain.
Ethelbert. Blessings upon you, daughter! Sure you look
Too cheerful for these foul pernicious days.
Young man, you heard this virgin say 'twas false,
Tis false, I say. What! can you not employ
Your temper elsewhere, 'mong these burly tents,
But you must taunt this dove, for she hath lost
The Eagle Otho to beat off assault?
Fie! fie! But I will be her guard myself;
In the Emperor's name. I here demand of you
Herself, and all her sisterhood. She false!
Gersa. Peace! peace, old man! I cannot think she is.
Ethelbert. Whom I have known from her first infancy,
Baptized her in the bosom of the Church,
Watch'd her, as anxious husbandmen the grain,
From the first shoot till the unripe mid-May,
Then to the tender ear of her June days,
Which, lifting sweet abroad its timid green,
Is blighted by the touch of calumny;
You cannot credit such a monstrous tale.
Gersa. I cannot. Take her. Fair Erminia,
I follow you to Friedburg, is't not so?
Erminia. Aye, so we purpose.
Ethelbert. Daughter, do you so?
How's this? I marvel! Yet you look not mad.
Erminia. I have good news to tell you, Ethelbert.
Gersa. Ho! ho, there! Guards!
Your blessing, father! Sweet Erminia,
Believe me, I am well nigh sure
Erminia . Farewell!
Short time will show. [Enter Chiefs.
Yes, father Ethelbert,
I have news precious as we pass along.
Ethelbert. Dear daughter, you shall guide me.
Erminia. To no ill.
Gersa. Command an escort to the Friedburg lines.
[Exeunt Chiefs.
Pray let me lead. Fair lady, forget not
Gersa, how he believ'd you innocent.
I follow you to Friedburg with all speed. [Exeunt.
by owner. provided at no charge for educational purposes

~ John Keats, Otho The Great - Act II
,
217:Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

  Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

  It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!-though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:-O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

  As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.-I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.-
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must-it must
Be of ripe progress-Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he snatch'd
Utterance thus.-"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"-That word
Found way unto Olympus, and made quake
The rebel three.-Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

  "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

  Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;-
Blazing Hyperion on his orbed fire
Still sat, still snuff'd the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he-
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache. His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,-
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came slope upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

  He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.-
Fall!-No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."-
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might. Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,-hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.-Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:-No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire. I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.-This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:-I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:-
But thou canst.-Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.-To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."-
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.
'Lord Houghton records, on the authority of Brown, that "Hyperion" was begun after the death of Tom Keats, when the poet took up his residence at Wentworth Place.

(line 14): It seems to me that the power of realization shown in the first decade, and indeed throughout the fragment, answers all objections to the subject, and is the most absolute security for the nobility of the result which Keats would have achieved had he finished the poem. It is impossible to over-estimate the value of such a landscape, so touched in with a few strokes of titanic meaning and completeness; and the whole sentiment of gigantic despair reflected around the fallen god of the Titan dynasty, and permeating the landscape, is resumed in the most perfect manner in the incident of the motionless fallen leaf, a line almost as intense and full of the essence of poetry as any line in our language. It were ungracious to take exception to the poor Naiad; but she has not the convincing appropriateness of the rest of this sublime opening.'

(line 51): Leigh Hunt's remarks upon Keats's failure to finish the poem are specially appropriate to this passage, "If any living poet could finish this fragment, we believe it is the author himself. But perhaps he feels that he ought not. A story which involves passion, almost of necessity involves speech; and though we may well enough describe beings greater than ourselves by comparison, unfortunately we cannot make them speak by comparison." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.

by owner. provided at no charge for educational purposes

~ John Keats, Hyperion. Book I
,
218: Book V: The Book of Achilles

Meanwhile grey from the Trojan gates Talthybius journeyed
Spurred by the secret thought of the Fates who change not nor falter.
Simois sighed round his wheels and Xanthus roared at his passing,
Troas god like a lion wroth and afraid; to meet him
Whistling the ocean breezes came and Ida regarded.
So with his haste in the wheels the herald oceanward driving
Came through the gold of the morn, oer the trampled green of the pastures
Back to the ships and the roar of the sea and the iron-hooped leaguer.
Wide to the left his circle he wrote where the tents of Achilles
Trooped like a flock of the sea-fowl pensive and still on the margin.
He past the outposts rapidly coursed to the fosse of the Argives.
In with a quavering cry to the encampment over the causeway
Bridging the moat of the ships Talthybius drove in his chariot
Out of the wide plains azure-roofed and the silence of Nature
Passing in to the murmur of men and the thick of the leaguer.
There to a thrall of the Hellene he cast his reins and with labour
Down from the high seat climbed of the war-car framed for the mighty.
Then betwixt tent-doors endless, vistaed streets of the canvas,
Slowly the old man toiled with his eager heart, and to meet him
Sauntering forth from his tent at the sound of the driving car-wheels
Strong Automedon came who was charioteer of Achilles.
Grey Talthybius, whence art thou coming? From Troya the ancient?
Or from a distant tent was thy speed and the King Agamemnon?
What in their armoured assembly counsel the kings of the Argives?
Not from the host but from Troy, Automedon, come I with tidings,
Nor have I mixed with the Greeks in their cohorts ranked by the Ocean,
Nor have I stood in their tents who are kings in sceptred Achaia,
But from Achilles sent to Achilles I bring back the message.
Tell me, then, what does Pelides, whether his strength he reposes
Soothed by the lyre or hearing the chanted deeds of the mighty
Or does he walk as he loves by the shore of the far-sounding waters?
And to the Argive herald grey Automedon answered:
Now from the meal he rests and Briseis lyres to him singing
One of the Ilian chants of old in the tongue of the Trojans.
Early, then, he has eaten, Automedon, early reposes?
Early the meat was broached on the spits, Talthybius, early
High on the sands or under the tents we have eaten and rested.
None knows the hour of the hunt, red, fierce, nor the prey he shall leap on,
All are like straining hounds; for Achilles shares not his counsels,
But on the ships, in the tents the talk has run like Peneus;
These upon Troy to be loosed and the hard-fighting wolf-brood of Priam,
These hope starkly with Argos embraced to have done with the Spartan,
Ending his brilliance in blood or to sport on the sands of the margent
Playing at bowls with the heads of the Cretan and crafty Odysseus.
Welcome were either or both; we shall move in the dances of Ares,
Quicken heart-beats dulled and limbs that are numb with reposing.
War we desire and no longer this ease by the drone of the waters.
So as they spoke, they beheld far-off the tent of Achilles
Splendid and spacious even as the hall of a high-crested chieftain,
Lofty, held by a hundred stakes to the Phrygian meadow.
Hung were its sides with memories bronze and trophies of armour,
Sword and spear and helmet and cuirass of fallen heroes
Slain by the hand of the mighty Achilles warring with Troya.
Teemed in its canvas rooms the plundered riches of Troas,
Craftsmans work and the wood well-carved and the ivory painted,
Work of bronze and work of gold and the dreams of the artist.
And in those tents of his pride, in the dreadful guard of the Hellene,
Noble boys and daughters of high-born Phrygians captive,
Borne from the joyless ruins that now were the sites of their childhood,
Served in the land of their sires the will of the Phthian Achilles.
There on a couch reclined in his beauty mighty and golden,
Loved by the Fates and doomed by them, spear of their will against Troya,
Peleus hero son by the foam-white child of the waters
Dreaming reposed and his death-giving hand hung lax oer the couch-side.
Near him dark-eyed Briseis, the fatal and beautiful captive,
Sang to the Grecian victor chants of the land of her fathers,
Sang the chant of Ilus, the tale of the glories of Troya.
Trojan boys and maidens sat near the singer and listened
Heart-delighted if with some tears; for easy are mortal
Hearts to be bent by Fate and soon we consent to our fortunes.
But in the doorway Automedon stood with the shadowy Argive
And at the ominous coming the voice of the singer faltered,
Faltering hushed like a thought melodious ceasing in heaven.
But from his couch the Peleid sprang and he cried to the herald.
Long hast thou lingered in Ilion, envoy, mute in the chambers
Golden of Priam old, while around thee darkened the counsels
Wavering blindly and fiercely of minds that revolt from compulsion,
Natures at war with the gods and their fortunes. Fain would I fathom
What were the thoughts of Deiphobus locked in that nature of iron
Now that he stands confronting his fate in the town of his fathers.
Peace dwells not in thy aspect. Sowst thou a seed then of ruin
Cast from the inflexible heart and the faltering tongue of Aeneas,
Or with the golden laugh of the tameless bright Alexander?
Grey Talthybius answered, Surely their doom has embraced them
Wrapping her locks round their ears and their eyes, lest they see and escape her,
Kissing their tongue with her fatal lips and dictating its answers.
Dire is the hope of their chiefs and fierce is the will of their commons.
Son of the Aeacids, spurned is thy offer. The pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen captive be dragged to the feet of her husband,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail on us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours;
Not of such sires were we born, but of kings and of gods. Larissan,
Not with her gold Troy purchases safety but with her spear-point.
Stand with thy oath in the war-front, Achilles, call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So they reply; they are true to their death, they are constant for ruin.
Humbler answer hope not, O hero, from Penthesilea;
Insolent, warlike, regal and swift as herself is her message.
Sea of renown and of valour that fillest the world with thy rumour,
Speed of the battle incarnate, mortal image of Ares!
Terror and tawny delight like a lion one hunts or is hunted!
Dread of the world and my target, swift-footed glorious hero!
Thus have I imaged thee, son of Peleus, dreaming in countries
Far from thy knowledge, in mountains that never have rung to thy war-cry.
O, I have longed for thee, warrior! Therefore today by thy message
So was I seized with delight that my heart was hurt with its rapture,
Knowing today I shall gaze with my eyes on that which I imaged
Only in air of the mind or met in the paths of my dreaming.
Thus have I praised thee first with my speech; with my spear I would answer.
Yet for thy haughty scorn who deeming of me as some Hellene
Or as a woman weak of these plains fit but for the distaff,
Promisest capture in war and fame as thy slavegirl in Phthia,
Surely I think that death today will reply to that promise,
Now I will give thee my answer and warn thee ere we encounter.
Know me queen of a race that never was conquered in battle!
Know me armed with a spear that never has missed in the combat!
There where my car-wheels run, good fruit gets the husbandman after.
This thou knowest. Ajax has told thee, thy friend, in his dying.
Has not Meriones spirit come in thy dreams then to warn thee?
Didst thou not number the Argives once ere I came to the battle?
Number them now and measure the warrior Penthesilea.
Such am I then whom thy dreams have seen meek-browed in Larissa,
And in the battle behind me thunder the heroes Eoan,
Ranks whose feeblest can match with the vaunted chiefs of the Argives.
Never yet from the shock have they fled; if they turn from the foeman,
Always tis to return like death recircling on mortals.
Yet being such, having such for my armies, this do I promise:
I on the left of the Trojans war with my bright-armed numbers,
Thou on the Argive right come forth, Achilles, and meet me!
If thou canst drive us with rout into Troy, I will own thee for master,
Do thy utmost will and make thee more glorious than gods are
Serving thy couch in Phthia and drawing the jar from thy rivers.
Nay, if thou hast that strength, then hunt me, O hunter, and seize me,
If tis thy hope indeed that the sun can turn back from the Orient,
But if thou canst not, death of myself or thyself thou shalt capture.
Musing heard and was silent awhile the strength of Achilles,
Musing of Fate and the wills of men and the purpose of Heaven,
Then from his thoughts he broke and turned in his soul towards battle.
Well did I know what reply would come winged from the princes of Troya.
Prone are the hearts of heroes to wrath and to God-given blindness
When from their will they are thrust and harried by Fate and disaster:
Fierceness then is the armour of strength against grief and its yieldings.
So have the gods made man for their purpose, cunningly fashioned.
Once had defiance waked from my depths a far-striding fury,
Flaming for justice and vengeance, nor had it, satisfied, rested,
Sunk to its lair, till the insulter died torn or was kneeling for pardon.
Fierce was my heart in my youth and exulted in triumph and slaughter.
Now as I grow in my spirit like to my kin the immortals,
Joy more I find in saving and cherishing than in the carnage.
Greater it seems to my mind to be king over men than their slayer,
Nobler to build and to govern than what the ages have laboured
Putting their godhead forth to create or the high gods have fashioned,
That to destroy in our wrath of a moment. Ripened, more widely
Opens my heart to the valour of man and the beauty of woman,
Works of the world and delight; the cup of my victory sweetens
Not with the joys of hate, but the human pride of the triumph.
Yet was the battle decreed for the means supreme of the mortal
Placed in a world where all things strive from the worm to the Titan.
So will I seize by the onset what peace from my soul would sequester,
So will I woo with the sword and with love the delight of my foeman,
Troy and Polyxena, beauty of Paris and glory of Priam.
This was the ancient wrestling, this was the spirit of warfare
Fit for the demigods. Soon in the city of gold and of marble,
There where Ilus sat and Tros, where Laomedon triumphed,
Peleus house shall reign, the Hellene sit where the Trojan
Thought himself deathless. Arise, Automedon! Out to the people!
Send forth the cry through the ships and the tents of the Myrmidon nation.
Let not a man be found then lingering when oer the causeway
Thunder my chariot-wheels, nor let any give back in the battle,
Good if he wills from me, till through the conquered gates of the foeman
Storming we herd in their remnants and press into Troy as with evening
Helios rushing sinks to the sea. But thou, Briseis,
Put by thy lyre, O girl; it shall gladden my heart in my triumph
Victor returned from Troy to listen pleased to thy singing,
Bearing a captive bound to my car-wheels Penthesilea,
Bearing my valours reward, Polyxena, daughter of Priam,
Won in despite of her city and brothers and spears of her kindred.
So by force it is best to take ones will and be mighty.
Joyful, Automedon ran through the drowsy camp of the Hellenes
Changing the hum of the tents as he raced into shoutings of battle;
For with the giant din of a nation triumphant arising
Hellas sprang from her irksome ease and mounted her war-car;
Donning her armour bright she rejoiced in the trumpets of battle.
But to the herald grey the Peleid turned and the old man
Shuddered under his gaze and shrank from the voice of the hero:
Thou to the tents of thy Kings, Talthybius, herald of Argos!
Stand in the Argive assembly, voice of the strength of Achilles.
Care not at all though the greatest and fiercest be wroth with thy message.
Deem not thyself, old man, as a body and flesh that is mortal,
Rather as living speech from the iron breast of the Hellene.
Thus shalt thou cry to the vanquished chiefs who fled from a woman,
Thus shalt thou speak my will to the brittle and fugitive legions:
Now Achilles turns towards Troya and fast-flowing Xanthus,
Now he leaps at the iron zone, the impregnable city.
Two were the forms of the Gods that oerhung the sails of Pelides
When with a doubtful word in his soul he came wind-helped from Hellas
Cleaving the Aegean deep towards the pine-crested vision of Ida.
Two are the Fates that stride with the hero counting his exploits.
Over all earthly things the soul that is fearless is master,
Only on death he can reckon not whether it comes in the midnight
Treading the couch of Kings in their pride or speeds in the spear-shaft.
Now will I weigh down that double beam of the Olympian balance
Claiming one of the equal Fates that stand robed for the fighter,
For to my last dire wrestle I go with the Archer of heaven,
And ere the morning gleam have awakened the eagles on Ida,
Troy shall lie prone or the earth shall be empty of Phthian Achilles.
But for whatever Fate I accept from the ageless Immortals,
Whether cold Hades dim or Indus waits for my coming
Pouring down vast to the sea with the noise of his numberless waters,
I with Zeus am enough. Your mortal aid I desire not,
Rushing to Troy like the eagle of Zeus when he flies towards the thunders,
Winged with might, the bird of the spaces, upbuoying his pinions.
Nor shall my spirit look back for the surge of your Danaan fighters,
Tramp of the Argive multitudes helping my lonely courage,
Neither the transient swell of the cry Achaian behind me
Seek, nor the far-speeding voice of Atrides guiding his legions.
Need has he none for a leader who himself is the soul of his action.
Zeus and his fate and his spear are enough for the Phthian Achilles.
Rest, O wearied hosts; my arm shall win for you Troya,
Quelled when the stern Eoans break and Penthesilea
Lies like a flower in the dust at my feet. Yet if Ares desire you,
Come then and meet him once more mid the cry and the trampling! Assemble
Round the accustomed chiefs, round the old victorious wrestlers
Wearied strengths Deiphobus leaves you or sternest Aeneas.
But when my arm and my Fate have vanquished their gods and Apollo,
Brilliant with blood when we stand amid Ilions marble splendours,
Then let none seat deaf flame on the glory of Phrygias marbles
Or with his barbarous rapine shatter the chambers of sweetness
Slaying the work of the gods and the beauty the ages have lived for.
For he shall moan in the night remote from the earth and her greenness,
Spurred like a steed to its goal by my spear dug deep in his bosom;
Fast he shall fleet to the waters of wailing, the pleasureless pastures.
Touch not the city Apollo built, where Poseidon has laboured.
Seized and dishelmed and disgirdled of Apollonian ramparts,
Empty of wide-rolling wheels and the tramp of a turbulent people
Troy with her marble domes shall live for our nations in beauty
Hushed mid the trees and the corn and the pictured halls of the ancients,
Watching her image of dreams in the gliding waves of Scamander,
Sacred and still, a city of memory spared by the Grecians.
So shalt thou warn the arrogant hearts of Achaias chieftains
Lest upon Greece an evil should fall and her princes should perish.
Herald, beware how thou soften my speech in the ears of thy nation
Sparing their pride and their hearts but dooming their lives to the death-stroke.
Even thy time-touched snows shall not shield thy days from my sword-edge.
Wroth the old mans heart, but he feared Achilles and slowly
Over the margin grey on the shore of the far-sounding ocean
Silent paced to the tents of the Greeks and the Argive assembly.
There on the sands while the scream of the tide as it dragged at the pebbles
Strove in vain with their droning roar, awaiting their chieftains
Each in his tribe and his people far down the margin Aegean
Argolis sons and Epirote spears and the isles and the southron,
Locris swarms and Messenes pikes and the strength of the Theban,
Hosts bright-armed, bright-eyed, bright-haired, time-hardened to Ares,
Stretched in harsh and brilliant lines with a glitter of spear-points
Far as the eye could toil. All Europe helmeted, armoured
Swarmed upon Asias coasts disgorged from her ships in their hundreds.
There in the wide-winged tent of the council that peered oer the margin,
High where the grass and the meadow-bloom failed on the sand-rifted sward-edge,
Pouring his argent voice Epeus spoke to the princes,
Rapid in battle and speech; and even as a boy in a courtyard
Tosses his ball in the air and changes his hands for the seizing
So he played with counsel and thought and rejoiced in his swiftness.
But now a nearing Fate he felt and his impulse was silenced.
Stilled were his thoughts by the message that speeds twixt our minds in their shadows
Dumb, unthought, unphrased, to us dark, but the caverns of Nature
Hear its cry when Gods moment changing our fate comes visored
Silently into our lives and the spirit too knows, for it watches.
Quiet he fell and all men turned to the face of the herald.
Mute and alone through the ranks of the seated and silent princes
Old Talthybius paced, nor paused till he stood at the midmost
Fronting that council of Kings and nearest to Locrian Ajax
And where Sthenelus sat and where sat the great Diomedes,
Chiefs of the South, but their love was small for the Kings of the Spartans.
There like one close to a refuge he lifted his high-chanting accents.
High was his voice like the winds when it whistles shrill oer a forest
Sole of all sounds at night, for the kite is at rest and the tiger
Sleeps from the hunt returned in the deepest hush of the jungle.
Hearken, O Kings of the world, to the lonely will of the Phthian!
One is the roar of the lion heard by the jungles hundreds,
One is the voice of the great and the many shall hear it inclining.
Lo, he has shaken his mane for the last great leap upon Troya
And when the eagles scream shall arise in the dawn over Ida,
Troy shall have fallen or earth shall be empty of Phthian Achilles.
But by whatever Fate he is claimed that waits for the mortal,
Whether the fast-closed hands above have kept for his morrows
Chill of the joyless shades or earth and her wooings of sunlight
Still shall detain his days with the doubtful meed of our virtues,
He and Zeus shall provide, not mortals. Chaff are mens armies
Threshed by the flails of Fate; tis the soul of the hero that conquers.
Not on the tramp of the multitudes, not on the cry of the legions
Founds the strong man his strength but the god that he carries within him.
Zeus and his Fate and his spear are enough for the Phthian Achilles.
Prudence of men shall curb no more his god-given impulse.
He has no need of thy voice, O Atrides, guiding the legions,
He is the leader, his is the soul of magnificent emprise.
Rest, O ye sons of the Greeks, the Phthian shall conquer for Hellas!
Rest! expose not your hearts to the war-cry of Penthesilea.
Yet if the strength in you thirsts for the war-din, if Ares is hungry,
Meet him stark in the mellay urging Deiphobus coursers,
Guiding Aeneas spear; recover the souls of your fathers.
Bronze must his heart be who looks in the eyes of the implacable war-god!
But when his Fate has conquered their gods and slaughtered their heroes,
And in this marble Ilion forced to the tread of her foemen
Watched by the ancient domes you stand, by the timeless turrets,
Then let no chieftain garbed for the sacrifice lift against Troya,
Counselled of Ate, torch of the burning, hand of the plunder
Groping for gold but finding death in her opulent chambers.
For he shall moan in the night regretting the earth and her greenness,
Spurred by the spear in his arrogant breast like a steed to the gorges:
Fast he shall fleet to the flowerless meadows, the sorrowful pastures.
Touch not the city Apollo built, where Poseidon has laboured,
Slay not the work of the gods and the glory the ages have lived for.
Mute of the voice of her children, void of the roll of her war-cars
Timeless Troy leave solitary dreaming by ancient Scamander
Sacred and still, a city of memory spared by the Phthian.
So Talthybius spoke and anger silenced the Argives.
Mute was the warlike assembly, silent Achaias princes.
Wrath and counsel strove in the hush for the voice of the speakers.
***
~ Sri Aurobindo, 5 - The Book of Achilles
,
219:The Faerie Queene, Book Iii, Canto Vi
THE THIRD BOOKE OF THE FAERIE QUEENE
Contayning
THE LEGENDE OF BRITOMARTIS
OR OF CHASTITIECANTO VI
The birth of faire Belphoebe and
Of Amoret is told.
The Gardins of Adonis fraught
With pleasures manifold.
Well may I weene, faire Ladies, all this while
Ye wonder, how this noble Damozell
So great perfections did in her compile,
Sith that in salvage forests she did dwell,
So farre from court and royall Citadell,
The great schoolmistresse of all curtesy:
Seemeth that such wild woods should far expell
All civill usage and gentility,
And gentle sprite deforme with rude rusticity.
ii
But to this faire Belphoebe in her berth
The heavens so favourable were and free,
Looking with myld aspect upon the earth,
In th'Horoscope of her nativitee,
That all the gifts of grace and chastitee
On her they poured forth of plenteous horne;
Jove laught on Venus from his soveraigne see,
And Phoebus with faire beames did her adorne,
And all the Graces rockt her cradle being borne.
iii
Her berth was of the wombe of Morning dew,
And her conception of the joyous Prime,
And all her whole creation did her shew
Pure and unspotted from all loathly crime,
294
That is ingenerate in fleshly slime.
So was this virgin borne, so was she bred,
So was she trayned up from time to time,
In all chast vertue, and true bounti-hed
Till to her dew perfection she was ripened.
iv
Her mother was the faire Chrysogonee,
The daughter of Amphisa, who by race
A Faerie was, yborne of high degree,
She bore Belphoebe, she bore in like cace
Faire Amoretta in the second place:
These two were twinnes, and twixt them two did share
The heritage of all celestiall grace.
That all the rest it seem'd they robbed bare
Of bountie, and of beautie, and all vertues rare.
It were a goodly storie, to declare,
By what straunge accident faire Chrysogone
Conceiv'd these infants, and how them she bare,
In this wild forrest wandring all alone,
After she had nine moneths fulfild and gone:
For not as other wemens commune brood,
They were enwombed in the sacred throne
Of her chaste bodie, nor with commune food,
As other wemens babes, they sucked vitall blood.
vi
But wondrously they were begot, and bred
Through influence of th'heavens fruitfull ray,
As it in antique bookes is mentioned.
It was upon a Sommers shynie day,
When Titan faire his beames did display,
In a fresh fountaine, farre from all mens vew,
She bath'd her brest, the boyling heat t'allay;
She bath'd with roses red, and violets blew,
And all the sweetest flowres, that in the forrest grew.
295
vii
Till faint through irkesome wearinesse, adowne
Upon the grassie ground her selfe she layd
To sleepe, the whiles a gentle slombring swowne
Upon her fell all naked bare displayd;
The sunne-beames bright upon her body playd,
Being through former bathing mollifide,
And pierst into her wombe, where they embayd
With so sweet sence and secret power unspide,
That in her pregnant flesh they shortly fructifide.
viii
Miraculous may seeme to him, that reades
So straunge ensample of conception;
But reason teacheth that the fruitfull seades
Of all things living, through impression
Of the sunbeames in moyst complexion,
Doe life conceive and quickned are by kynd:
So after Nilus inundation,
Infinite shapes of creatures men do fynd,
Informed in the mud, on which the Sunne hath shynd.
ix
Great father he of generation
Is rightly cald, th'author of life and light;
And his faire sister for creation
Ministreth matter fit, which tempred right
With heate and humour, breedes the living wight.
So sprong these twinnes in wombe of Chrysogone,
Yet wist she nought thereof, but sore affright,
Wondred to see her belly so upblone,
Which still increast, till she her terme had full outgone.
Whereof conceiving shame and foule disgrace,
Albe her guiltlesse conscience her cleard,
She fled into the wildernesse a space,
Till that unweeldy burden she had reard,
296
And shund dishonor, which as death she feard:
Where wearie of long travell, downe to rest
Her selfe she set, and comfortably cheard;
There a sad cloud of sleepe her overkest,
And seized every sense with sorrow sore opprest.
xi
It fortuned, faire Venus having lost
Her little sonne, the winged god of love,
Who for some light displeasure, which him crost,
Was from her fled, as flit as ayerie Dove,
And left her blisfull bowre of joy above,
(So from her often he had fled away,
When she for ought him sharpely did reprove,
And wandred in the world in strange aray,
Disguiz'd in thousand shapes, that none might him bewray.)
xii
Him for to seeke, she left her heavenly hous,
The house of goodly formes and faire aspects,
Whence all the world derives the glorious
Features of beautie, and all shapes select,
With which high God his workmanship hath deckt;
And searched every way, through which his wings
Had borne him, or his tract she mote detect:
She promist kisses sweet, and sweeter things
Unto the man, that of him tydings to her brings.
xiii
First she him sought in Court, where most he used
Whylome to haunt, but there she found him not;
But many there she found, which sore accused
His falsehood, and with foule infamous blot
His cruell deedes and wicked wyles did spot:
Ladies and Lords she every where mote heare
Complayning, how with his empoysned shot
Their wofull harts he wounded had whyleare,
297
And so had left them languishing twixt hopt and feare.
xiv
She then the Citties sought from gate to gate,
And every one did aske, did he him see;
And every one her answerd, that too late
He had him seene, and felt the crueltie
Of his sharpe darts and whot artillerie;
And every one threw forth reproches rife
Of his mischievous deedes, and said, That hee
Was the disturber of all civill life,
The enimy of peace, and author of all strife.
xv
Then in the countrey she abroad him sought,
And in the rurall cottages inquired,
Where also many plaints to her were brought,
How he their heedlesse harts with love had fyred,
And his false venim through their veines inspyred;
And eke the gentle shepheard swaynes, which sat
Keeping their fleecie flockes, as they were hyred,
She sweetly heard complaine, both how and what
Her sonne had to them doen; yet she did smile thereat.
xvi
But when in none of all these she him got,
She gan avize, where else he mote him hyde:
At last she her bethought, that she had not
Yet sought the salvage woods and forrests wyde,
In which full many lovely Nymphes abyde,
Mongst whom might be, that he did closely lye,
Or that the love of some of them him tyde:
For thy she thither cast her course t'apply,
To search the secret haunts of Dianes company.
xvii
298
Shortly unto the wastefull woods she came,
Whereas she found the Goddesse with her crew,
After late chace of their embrewed game,
Sitting beside a fountaine in a rew,
Some of them washing with the liquid dew
From offtheir dainty limbes the dustie sweat,
And soyle which did deforme their lively hew;
Others lay shaded from the scorching heat;
The rest upon her person gave attendance great.
xviii
She having hong upon a bough on high
Her bow and painted quiver, had unlaste
Her silver buskins from her nimble thigh,
And her lancke loynes ungirt, and brests unbraste,
After her heat the breathing cold to taste;
Her golden lockes, that late in tresses bright
Embreaded were for hindring of her haste,
Now loose about her shoulders hong undight,
And were with sweet Ambrosia all besprinckled light.
xix
Soone as she Venus saw behind her backe,
She was asham'd to be so loose surprized,
And woxe halfe wroth against her damzels slacke,
That had not her thereof before avized,
But suffred her so carelesly disguized
Be overtaken. Soone her garments loose
Upgath'ring, in her bosome she comprized,
Well as she might, and to the Goddesse rose,
Whiles all her Nymphes did like a girlond her enclose.
xx
Goodly she gan faire Cytherea greet,
299
And shortly asked her, what cause her brought
Into that wildernesse for her unmeet,
From her sweete bowres, and beds with pleasures fraught:
That suddein change she strange adventure thought.
To whom halfe weeping, she thus answered,
That she her dearest sonne Cupido sought,
Who in his frowardnesse from her was fled;
That she repented sore, to have him angered.
xxi
Thereat Diana gan to smile, in scorne
Of her vaine plaint, and to her scoffmg sayd;
Great pittie sure, that ye be so forlorne
Of your gay sonne, that gives ye so good ayd
To your disports: ill mote ye bene apayd.
But she was more engrieved, and replide;
Faire sister, ill beseemes it to upbrayd
A dolefull heart with so disdainfull pride;
The like that mine, may be your paine another tide.
xxii
As you in woods and wanton wildernesse
Your glory set, to chace the salvage beasts,
So my delight is all in joyfulnesse,
In beds, in bowres, in banckets, and in feasts:
And ill becomes you with your loftie creasts,
To scorne the joy, that Jove is glad to seeke;
We both are bound to follow heavens beheasts,
And tend our charges with obeisance meeke:
Spare, gentle sister, with reproch my paine to eeke.
xxiii
And tell me, if that ye my sonne have heard,
To lurk emongst your Nymphes in secret wize;
Or keepe their cabins: much I am affeard,
Lest he like one of them him selfe disguize,
300
And turne his arrowes to their exercize:
So may he long himselfe full easie hide:
For he is faire and fresh in face and guize,
As any Nymph (let not it be envyde.)
So saying every Nymph full narrowly she eyde.
xxiv
But Phoebe therewith sore was angered,
And sharply said; Goe Dame, goe seeke your boy,
Where you him lately left, in Mars his bed;
He comes not here, we scorne his foolish joy,
Ne lend we leisure to his idle toy:
But if I catch him in this company,
By Stygian lake I vow, whose sad annoy
The Gods doe dread, he dearely shall abye:
Ile clip his wanton wings, that he no more shall fly.
xxv
Whom when as Venus saw so sore displeased,
She inly sory was, and gan relent,
What she had said: so her she soone appeased,
With sugred words and gentle blandishment,
Which as a fountaine from her sweet lips went,
And welled goodly forth, that in short space
She was well pleasd, and forth her damzels sent,
Through all the woods, to search from place to place,
If any tract of him or tydings they mote trace.
xxvi
To search the God of love, her Nymphes she sent
Throughout the wandring forrest every where:
But after them her selfe eke with her went
To seeke the fugitive, both farre and nere.
So long they sought, till they arrived were
In that same shadie covert, whereas lay
Faire Crysogone in slombry traunce whilere:
301
Who in her sleepe (a wondrous thing to say)
Unwares had borne two babes, as faire as springing day.
xxvii
Unwares she them conceiv'd, unwares she bore:
She bore withouten paine, that she conceived
Withouten pleasure: ne her need implore
Lucinaes aide: which when they both perceived,
They were through wonder nigh of sense bereaved,
And gazing each on other, nought bespake:
At last they both agreed, her seeming grieved
Out of her heavy swowne not to awake,
But from her loving side the tender babes to take.
xxviii
Up they them tooke, each one a babe uptooke,
And with them carried, to be fostered;
Dame Phoebe to a Nymph her babe betooke,
To be upbrought in perfect Maydenhed,
And of her selfe her name Belphoebe red:
But Venus hers thence farre away convayd,
To be upbrought in goodly womanhed,
And in her litle loves stead, which was strayd,
Her Amoretta cald, to comfort her dismayd.
xxix
She brought her to her joyous Paradize,
Where most she wonnes, when she on earth does dwel.
So faire a place, as Nature can devize:
Whether in Paphos, or Cytheron hill,
Or it in Gnidus be, I wote not well;
But well I wote by tryall, that this same
All other pleasant places doth excell,
And called is by her lost lovers name,
The Gardin of Adonis, farre renowmd by fame.
302
xxx
In that same Gardin all the goodly flowres,
Wherewith dame Nature doth her beautifie,
And decks the girlonds of her paramoures,
Are fetcht: there is the first seminarie
Of all things, that are borne to live and die,
According to their kindes. Long worke it were,
Here to account the endlesse progenie
Of all the weedes, that bud and blossome there;
But so much as doth need, must needs be counted here.
xxxi
It sited was in fruitfull soyle of old,
And girt in with two walles on either side;
The one of yron, the other of bright gold,
That none might thorough breake, nor over-stride:
And double gates it had, which opened wide,
By which both in and out men moten pas;
Th'one faire and fresh, the other old and dride:
Old Genius the porter of them was,
Old Genius, the which a double nature has.
xxxii
He letteth in, he letteth out to wend,
All that to come into the world desire;
A thousand thousand naked babes attend
About him day and night, which doe require,
That he with fleshly weedes would them attire:
Such as him list, such as eternall fate
Ordained hath, he clothes with sinfull mire,
And sendeth forth to live in mortall state,
Till they againe returne backe by the hinder gate.
xxxiii
303
After that they againe returned beene,
They in that Gardin planted be againe;
And grow afresh, as they had never seene
Fleshly corruption, nor mortall paine.
Some thousand yeares so doen they there remaine;
And then of him are clad with other hew,
Or sent into the chaungefull world againe,
Till thither they returne, where first they grew:
So like a wheele around they runne from old to new.
xxxiv
Ne needs there Gardiner to set, or sow,
To plant or prune: for of their owne accord
All things, as they created were, doe grow,
And yet remember well the mightie word,
Which first was spoken by th'Almightie lord,
That bad them to increase and multiply:
Ne doe they need with water of the ford,
Or of the clouds to moysten their roots dry;
For in themselves eternall moisture they imply.
xxxv
Infinite shapes of creatures there are bred,
And uncouth formes, which none yet ever knew,
And every sort is in a sundry bed
Set by it selfe, and ranckt in comely rew:
Some fit for reasonable soules t'indew,
Some made for beasts, some made for birds to weare,
And all the fruitfull spawne of fishes hew
In endlesse rancks along enraunged were,
That seem'd the Ocean could not containe them there.
xxxvi
Daily they grow, and daily forth are sent
Into the world, it to replenish more;
Yet is the stocke not lessened, nor spent,
304
But still remaines in everlasting store,
As it at first created was of yore.
For in the wide wombe of the world there lyes,
In hatefull darkenesse and in deepe horrore,
An huge eternall Chaos, which supplyes
The substances of natures fruitfull progenyes.
xxxvii
All things from thence doe their first being fetch,
And borrow matter, whereof they are made,
Which when as forme and feature it does ketch,
Becomes a bodie, and doth then invade
The state of life, out of the griesly shade.
That substance is eterne, and bideth so,
Ne when the life decayes, and forme does fade,
Doth it consume, and into nothing go,
But chaunged is, and often altred to and fro.
xxxviii
The substance is not chaunged, nor altered,
But th'only forme and outward fashion;
For every substance is conditioned
To change her hew, and sundry formes to don,
Meet for her temper and complexion:
For formes are variable and decay,
By course of kind, and by occasion;
And that faire flowre of beautie fades away,
As doth the lilly fresh before the sunny ray.
xxxix
Great enimy to it, and to all the rest,
That in the Gardin of Adonis springs,
Is wicked Time, who with his scyth addrest,
Does mow the flowring herbes and goodly things,
And all their glory to the ground downe flings,
Where they doe wither, and are fowly mard:
305
He flyes about, and with his flaggy wings
Beates downe both leaves and buds without regard,
Ne ever pittie may relent his malice hard.
xl
Yet pittie often did the gods relent,
To see so faire things mard, and spoyled quight:
And their great mother Venus did lament
The losse of her deare brood, her deare delight;
Her hart was pierst with pittie at the sight,
When walking through the Gardin, them she saw,
Yet no'te she find redresse for such despight.
For all that lives, is subject to that law:
All things decay in time, and to their end do draw.
xli
But were it not, that Time their troubler is,
All that in this delightfull Gardin growes,
Should happie be, and have immortall blis:
For here all plentie, and all pleasure flowes,
And sweet love gentle fits emongst them throwes,
Without fell rancor, or fond gealosie;
Franckly each paramour his leman knowes,
Each bird his mate, ne any does envie
Their goodly meriment, and gay felicitie.
xlii
There is continuall spring, and harvest there
Continuall, both meeting at one time:
For both the boughes doe laughing blossomes beare,
And with fresh colours decke the wanton Prime,
And eke attonce the heavy trees they clime,
Which seeme to labour under their fruits lode:
The whiles the joyous birdes make their pastime
Emongst the shadie leaves, their sweet abode,
And their true loves without suspition tell abrode.
306
xliii
Right in the middest of that Paradise,
There stood a stately Mount, on whose round top
A gloomy grove of mirtle trees did rise,
Whose shadie boughes sharpe steele did never lop,
Nor wicked beasts their tender buds did crop,
But like a girlond compassed the hight,
And from their fruitfull sides sweet gum did drop,
That all the ground with precious deaw bedight,
Threw forth most dainty odours, and most sweet delight.
xliv
And in the thickest covert of that shade,
There was a pleasant arbour, not by art,
But of the trees owne inclination made,
Which knitting their rancke braunches part to part,
With wanton yvie twyne entrayld athwart,
And Eglantine, and Caprifole emong,
Fashiond above within their inmost part,
That neither Phoebus beams could through them throng,
Nor Aeolus sharp blast could worke them any wrong.
xlv
And all about grew every sort of flowre,
To which sad lovers were transformd of yore;
Fresh Hyacinthus, Phoebus paramoure,
And dearest love,
Foolish Narcisse, that likes the watry shore,
Sad Amaranthus, made a flowre but late,
Sad Amaranthus, in whose purple gore
Me seemes I see Amintas wretched fate,
To whom sweet Poets verse hath given endlesse date.
xlvi
307
There wont faire Venus often to enjoy
Her deare Adonis joyous company,
And reape sweet pleasure of the wanton boy;
There yet, some say, in secret he does ly,
Lapped in flowres and pretious spycery,
By her hid from the world, and from the skill
Of Stygian Gods, which doe her love envy;
But she her selfe, when ever that she will,
Possesseth him, and of his sweetnesse takes her fill.
xlvii
And sooth it seemes they say: for he may not
For ever die, and ever buried bee
In balefull night, where all things are forgot;
All be he subject to mortalitie,
Yet is eterne in mutabilitie,
And by succession made perpetuall,
Transformed oft, and chaunged diverslie:
For him the Father of all formes they call;
Therefore needs mote he live, that living gives to all.
xlviii
There now he liveth in eternall blis,
Joying his goddesse, and of her enjoyd:
Ne feareth he henceforth that foe of his,
Which with his cruell tuske him deadly cloyd:
For that wilde Bore, the which him once annoyd,
She firmely hath emprisoned for ay,
That her sweet love his malice mote avoyd,
In a strong rocky Cave, which is they say,
Hewen underneath that Mount, that none him losen may.
xlix
There now he lives in everlasting joy,
With many of the Gods in company,
308
Which thither haunt, and with the winged boy
Sporting himselfe in safe felicity:
Who when he hath with spoiles and cruelty
Ransackt the world, and in the wofull harts
Of many wretches set his triumphes hye,
Thither resorts, and laying his sad darts
Aside, with faire Adonis playes his wanton parts.
And his true love faire Psyche with him playes,
Faire Psyche to him lately reconcyld,
After long troubles and unmeet upbrayes,
With which his mother Venus her revyld,
And eke himselfe her cruelly exyld:
But now in stedfast love and happy state
She with him lives, and hath him borne a chyld,
Pleasure, that doth both gods and men aggrate,
Pleasure, the daughter of Cupid and Psyche late.
li
Hither great Venus brought this infant faire,
The younger daughter of Chrysogonee,
And unto Psyche with great trust and care
Committed her, yfostered to bee,
And trained up in true feminitee:
Who no lesse carefully her tendered,
Then her owne daughter Pleasure, to whom shee
Made her companion, and her lessoned
In all the lore of love, and goodly womanhead....
~ Edmund Spenser,
220:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.

Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.

Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?

As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.

The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.

When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.

The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."

Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.

April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.

Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?

Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.

As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.

Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!

Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.

Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.

The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.

The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.

I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.

'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'

Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!

Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.

None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.

So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.

One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.

Who is the Bard thus magnified?
When did he sing, and where abide?

Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.

AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.

Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.

Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?

There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.

For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, May-Day
,
221:My fancies are fireflies,
Specks of living light
twinkling in the dark.

he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.

In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.

Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.

Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.

My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.

Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.

The butterfly counts not months but moments,
and has time enough.

My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.

Let my love, like sunlight, surround you
and yet give you illumined freedom.

Days are coloured vbubbles
that float upon the surface of fathomless night.

My offerings are too timid to claim your remembrance,
and therefore you may remember them.

Leave out my name from the gift
if it be a burden,
but keep my song.

April, like a child,
writes hieroglyphs on dust with flowers,
wipes them away and forgets.

Memory, the priestess,
kills the present
and offers its heart to the shrine of the dead past.

From the solemn gloom of the temple
children run out to sit in the dust,
God watches them play
and forgets the priest.

My mind starts up at some flash
on the flow of its thoughts
like a brook at a sudden liquid note of its own
that is never repeated.

In the mountain, stillness surges up
to explore its own height;
in the lake, movement stands still
to contemplate its own depth.

The departing night's one kiss
on the closed eyes of morning
glows in the star of dawn.

Maiden, thy beauty is like a fruit
which is yet to mature,
tense with an unyielding secret.

Sorrow that has lost its memory
is like the dumb dark hours
that have no bird songs
but only the cricket's chirp.

Bigotry tries to keep turth safe in its hand
with a grip that kills it.
Wishing to hearten a timid lamp
great night lights all her stars.

Though he holds in his arms the earth-bride,
the sky is ever immensely away.

God seeks comrades and claims love,
the Devil seeks slaves and claims obedience.

The soil in return for her service
keeps the tree tied to her,
the sky asks nothing and leaves it free.

Jewel-like immortal
does not boast of its length of years
but of the scintillating point of its moment.

The child ever dwells in the mystery of ageless time,
unobscured by the dust of history.

Alight laughter in the steps of creation
carries it swiftly across time.

One who was distant came near to me in the morning,
and still nearer when taken away by night.

White and pink oleanders meet
and make merry in different dialects.

When peace is active swepping its dirt, it is storm.

The lake lies low by the hill,
a tearful entreaty of love
at the foot of the inflexible.

There smiles the Divine Child
among his playthings of unmeaning clouds
and ephemeral lights and shadows.

The breeze whispers to the lotus,
"What is thy secret?"
"It is myself," says the lotus,
"Steal it and I disappear!"

The freedom of the storm and the bondage of the stem
join hands in the dance of swaying branches.

The jasmine's lisping of love to the sun is her flowers.

The tyrant claims freedom to kill freedom
and yet to keep it for himself.

Gods, tired of their paradise, envy man.

Clouds are hills in vapour,
hills are clouds in stone,
a phantasy in time's dream.

While God waits for His temple to be built of love,
men bring stones.

I touch God in my song
as the hill touches the far-away sea
with its waterfall.

Light finds her treasure of colours
through the antagonism of clouds.

My heart to-day smiles at its past night of tears
like a wet tree glistening in the sun
after the rain is over.

I have thanked the trees that have made my life fruitflul,
but have failed to remember the grass
that has ever kept it green.

The one without second is emptiness,
the other one makes it true.

Life's errors cry for the merciful beauty
that can modulate their isolation
into a harmony with the whole.

They expect thanks for the banished nest
because their cage is shapely and secure.

In love I pay my endless debt to thee
for what thou art.

The pond sends up its lyrics from its dark in lilies,
and the sun says, they are good.

Your calumny against the great is impious,
it hurts yourself;
against the small it is mean,
for it hurts the victim.

The first flower that blossomed on this earth
was an invitation to the unborn song.

Dawnthe many-coloured flowerfades,
and then the simple light-fruit,
the sun appears.

The muscle that has a doubt if its wisdom
throttles the voice that would cry.

The wind tries to take the flame by storm
only to blow it out.

Life's play is swift,
Life's playthings fall behind one by one
and are forgotten.

My flower, seek not thy paradise
in a fool's buttonhole.

Thou hast risen late, my crescent moon,
but my night bird is still awake to greet thee.

Darkness is the veiled bride
silently waiting for the errant light
to return to her bosom.

Trees are the earth's endless effort to
speak to the listening heaven.

The burden of self is lightened
when I laugh at myself.

The weak can be terrible
because they try furiously to appear strong.

The wind of heaven blows,
The anchor desperately clutches the mud,
and my boat is beating its breast against the chain.

The spirit of death is one,
the spirit of life is many,
Whe God is dead religion becomes one.

The blue of the sky longs for the earth's green,
the wind between them sighs, "Alas."
Day's pain muffled by its own glare,
burns among stars in the night.

The stars crowd round the virgin night
in silent awe at her loneliness
that can never be touched.

The cloud gives all its gold
to the departing sun
and greets the rising moon
with only a pale smile.

He who does good comes to the temple gate,
he who loves reaches the shrine.

Flower, have pity for the worm,
it is not a bee,
its love is a blunder and a burden.

With the ruins of terror's triumph
children build their doll's house.

The lamp waits through the long day of neglect
for the flame's kiss in the night.

Feathers in the dust lying lazily content
have forgotten their sky.

The flowers which is single
need not envy the thorns
that are numerous.

The world suffers most from the disinterested tyranny
of its well-wisher.

We gain freedom whrn we have paid the full price
for our right to live.

Your careless gifts of a moment,
like the meteors of an autumn night,
catch fire in the depth of my being.

The faith waiting in the heart of a seed
promises a miracle of life
which it cannot prove at once.

Spring hesitates at winter's door,
but the mango blossom rashly runs our to him
before her time and meets her doom.

The world is the ever-changing foam
thet floats on the surface of a sea of silence.

The two separated shores mingle their voices
in a song of unfathomed tears.

As a river in the sea,
work finds its fulfilment
in the depth of leisure.

I lingered on my way till thy cherry tree lost ist bossom,
but the azalea brins to me, my love, thy forgiveness.

Thy shy little pomegranate bud,
blushing to-day behind her veil,
will burst into a passionate flower
to-morrow when I am away.

The clumsiness of power spoils the key,
and uses the pickaxe.

Birth is from the mystery of night
into the grerater mystery of day.

These paper boats of mine are meant to dance
on the ripples of hours,
and not to reach any destination.

Migratory songs wing from my heart
and seek their nests in your voice of love.

The sea of danger, doubt and denial
around man's little island of certainty
challenges him to dare the unknown.

Love punishes when it forgives,
and injured beauty by its awful silence.

You live alone and unrecompensed
because they are afraid of your great worth.

The same sun is newly born in new lands
in a ring of endless dawns.

God is world is ever renewed by death,
a Titan's ever crushed by its own existence.

The glow-worm while exploring the dust
never knows that stars are in the sky.

The tree is of to-day, the flower is old,
it brings with it the message
of the immemorial seed.

Each rose that comes brings me greetings
from the Rose of an eternal spring.
God honours me when I work,
He loves me when I sing.

My love of to-day finds no home
in the nest deserted by yesterday's love.

The fire of pain tracse for my soul
a luminous path across her sorrow.

The grass survives the hill
through its resurrections from countless deaths.

Thou hast vanished from my reach
leaving an impalpable touch in the blue of the sky,
an invisible image in the wind moving
among the shadows.

In pity for the desolate branch
spring leaves to it a kiss that fluttered in a lonely leaf.

The shy shadow in the farden
loves the sun in silence,
Flowers guess the secret, and mile,
while the leaves whisper.

I leave no trace of wings in the air,
but I am glad I have had my flight.

The fireflies, twinkling among leaves,
make the stars wonder.

The mountain remains unmoved
at its seeming defeat by the mist.

While the rose said to the sun,
"I shall ever remember thee,"
her petals fell to the dust.

Hills are the earth's gesture of despair
for the unreachable.

Though the thorn in thy flower pricked me,
O Beauty,
I am grateful.

The world knows that the few
are more than the many.

Let not my love be a burden on you, my friend,
know that it pays itself.

Dawn plays her lute before the gate of darkness,
and is content to vanish when the sun comes out.

Beauty is truth's smile
when she beholds her own face
in a perfect mirror.

The dew-drop knows the sun
only within its own tiny orb.

Forlorn thoughts from the forsaken hives of all ages,
swarming in the air, hum round my heart
and seek my voice.

The desert is imprisoned in the wall
of its unbounded barrenness.

In the thrill of little leaves
I see the air's invisible dance,
and in their glimmering
the secret heart-beats of the sky.

You are like a flowering tree,
amazed when I praise you for your gifts.

The earth's sacrifical fire
flames up in her trees,
scattering sparks in flowers.

Foretsts, the clouds of earth,
hold up to the sky their silence,
and clouds from above come down
in resonant showers.

The world speaks to me in pictures,
my soul answers in music.

The sky tells its beads all night
on the countless stars
in memory of the sun.

The darkness of night, like pain, is dumb,
the darkness of dawn, like peace, is silent.

Pride engraves his frowns in stones,
loe offers her surrender in flowers.

The obsequious brush curtails truth
in diference to the canvas which is narrow.

The hill in its longing for the far-away sky
wishes to be like the cloud
with its endless urge of seeking.

To justify their own spilling of ink
they spell the day as night.

Profit smiles on goodness
when the good is profitable.

In its swelling pride
the bubble doubts the turth of the sea,
and laughs and bursts into emptiness.

Love is an endless mystery,
for it has nothing else to explain its.

My clouds, sorrowing in the dark,
forget that they themselves
have hidden the sun.

Man discovers his own wealth
when God comes to ask gifts of him.

You leave your memory as a flame
to my lonely lamp of separation.

I came to offer thee a flower,
but thou must have all my garden,
It is thine.

The picturea memory of light
treasured by the shadow.

It is easy to make faces at the sun,
He is exposed by his own light in all
directions.

History slowly smothers its truth,
but hastily struggles to revive it
in the terrible penance of pain.

My work is rewarded in daily wages,
I wait for my final value in love.

Beauty knows to say, "Enough,"
barbarism clamours for still more.

God loves to see in me, not his servant,
but himself who serves all.

The darkness of night is in harmony with day,
the morning of mist is discordant.

In the bounteous time of roses love is wine,
it is food in the famished hour
when their petals are shed.

An unknown flower in a strange land
speaks to the poet:
"Are we not of the same soil, my lover?"

I am able to love my God
because He gives me freedom to deny Him.

My untuned strings beg for music
in their anguished cry of shame.

The worm thinks it strange and foolish
that man does not eat his books.

The clouded sky to-day bears the visior
of the shadow of a divine sadness
on the forehead of brooding eternity.

The shade of my tree is for passers-by,
its fruit for the one for whom I wait.

Flushed with the glow of sunset
earth seems like a ripe fruit
ready to be harvested by night.

Light accepts darkness for his spouse
for the sake of creation.

The reed waits for his master's breath,
the Master goes seeking for his reed.

To the blind pen the hand that writes is unreal,
its writing unmeaning.

The sea smites his own barren breast
because he has no flowers to offer to the moon.

The greed for fruit misses the flower.

God in His temple of stars
waits for man to bring him his lamp.

The fire restrained in the tree fashions flowers.
Released from bonds, the shameless flame
dies in barren ashes.

The sky sets no snare to capture the moon,
it is her own freedom which binds her.
The light that fills the sky
seeks its limit in a dew-drop on the grass.

Wealth is the burden of bigness,
Welfare the fulness of being.

The razor-blade is proud of its keenness
when it sneers at the sun.

The butterfly has leisure to love the lotus,
not the bee busily storing honey.

Child, thou bringest to my heart
the babble of the wind and the water,
the flower's speechless secrets, the clouds' dreams,
the mute gaze of wonder of the morning sky.

The rainbow among the clouds may be great
but the little butterfly among the bushes is greater.

The mist weaves her net round the morning,
captivates him, and makes him blind.

The Morning Star whispers to Dawn,
"Tell me that you are only for me."
"Yes," she answers,
"And also only for that nameless flower."

The sky remains infinitely vacant
for earth there to build its heaven with dreams.

Perhaps the crescent moon smiles in doubt
at being told that it is a fragment
awaiting perfection.

Let the evening forgive the mistakes of the day
and thus win peace for herself.

Beauty smiles in the confinement of the bud,
in the heart of a sweet incompleteness.

Your flitting love lightly brushed with its wings
my sun-flower
and never asked if it was ready to surrender its honey.

Leaves are silences
around flowers which are their words.

The tree bears its thousand years
as one large majestic moment.

My offerings are not for the temple at the end of the road,
but for the wayside shrines
that surprise me at every bend.

Hour smile, my love, like the smell of a strange flower,
is simple and inexplicable.

Death laughs when the merit of the dead is exaggerated
for it swells his store with more than he can claim.

The sigh of the shore follows in vain
the breeze that hastens the ship across the sea.

Truth loves its limits,
for there it meets the beautiful.

Between the shores of Me and Thee
there is the loud ocean, my own surging self,
which I long to cross.

The right to possess boasts foolishly
of its right to enjoy.

The rose is a great deal more
than a blushing apology for the thorn.

Day offers to the silence of stars
his golden lute to be tuned
for the endless life.

The wise know how to teach,
the fool how to smite.

The centre is still and silent in the heart
of an enternal dance of circles.

The judge thinks that he is just when he compares
The oil of another's lamp
with the light of his own.

The captive flower in the King's wreath
smiles bitterly when the meadow-flower envies her.

Its store of snow is the hill's own burden,
its outpouring if streams is borne by all the world.

Listen to the prayer of the forest
for its freedom in flowers.

Let your love see me
even through the barrier of nearness.

The spirit of work in creation is there
to carry and help the spirit of play.

To carry the burden of the insturment,
count the cost of its material,
and never to know that it is for music,
is the tragedy of deaf life.

Faith is the bird that feels the light
and sings when the dawn is still dark.

I bring to thee, night, my day's empty cup,
to be cleansed with thy cool darkness
for a new morning's festival.

The mountain fir, in its rustling,
modulates the memory of its fights with the storm
into a hymn of peace.

God honoured me with his fight
when I was rebellious,
He ignored me when I was languid.

The sectarina thinks
that he has the sea
ladled into his private pond.

In the shady depth of life
are the lonely nests of memories
that shrink from words.

Let my love find its strength
in the service of day,
its peace in the union of night.

Life sends up in blades of grass
its silent hymn of praise
to the unnamed Light.

The stars of night are to me
the memorials of my day's faded flowers.

Open thy door to that which must go,
for the loss becomes unseemly when obstructed.

True end is not in the reaching of the limit,
but in a completion which is limitless.

The shore whispers to the sea:
"Write to me what thy waves struggle to say."
The sea writes in foam again and again
and wipes off the lines in a boisterous despair.

Let the touch ofthy finger thrill my life's strings
and make the music thine and mine.

The inner world rounded in my life like a fruit,
matured in joy and sorrow,
will drop into the darkness of the orogonal soil
for some further course of creation.

Form is in Matter, rhythm in Force,
meaning in the Person.

There are seekers of wisdom and seekers of wealth,
I seek thy company so that I may sing.

As the tree its leaves, I shed my words on the earth,
let my thoughts unuttered flower in thy silence.

My faith in truth, my vision of the perfect,
help thee, Master, in thy creation.

All the delights that I have felt
in life's fruits and flowers
let me offer to thee at the end of the feast,
in a perfect union of love.

Some have thought deeply and explored the
meaning of thy truth,
and they are great;
I have listened to catch the music of thy play,
and I am glad.

The tree is a winged spirit
released from the bondage of seed,
pursuing its adventure of life
across the unknown.

The lotus offers its beauty to the heaven,
the grass its service to the earth.

The sun's kiss mellows into abandonment
the miserliness of the green fruit clinging to its stem.

The flame met the earthen lamp in me,
and what a great marvel of light!

Mistakes live in the neighbourhood of truth
and therefore delude us.

The cloud laughed at the rainbow
saying that is was an upstart
gaudy in its emptiness.
The rainbow calmly answered,
"I am as inevitably real as tha sun himself."

Let me not grope in vain in the dark
but keep my mind still in the faith
that the day will break
and truth will appear
in its simplicity.

Through the silent night
I hear the returning vagrant hopes of the morning
knock at my heart.

My new love comes
bringing to me the eternal wealth of the old.

The earth gazes at the moon and wonders
that she sould have all her music in her smile.

Day with its glare of curiosity
puts the stars to flight.

My mind has itstrue union with thee, O sky,
at the window which is mine own,
and not in the open
where thou hast thy sole kingdom.

Man claims God's flowers as his own
when he weaves them in a garland.

The buried city, laid bare to the sun of a new age,
is ashamed that is has lost all its song.

Like my heart's pain that has long missed its meaning,
the sun's rays robed in dark
hide themselves under the ground.
Like my heart'spain at love's sudden touch,
they change their veil at the spring's call
and come out in the carnival of colours,
in flowers and leaves.

My life's empty flute
waits for its final music
like the primal darkness
before the stars came out.

Emancipation from the bondage of the soil
is no freedom for the tree.

The tapestry of life's story is woven
with the threads of life's ties
ever joining and breaking.

Those thoughts of mine that are never captured by words
perch upon my song and dance.

My soul to-night loses itself
in the silent heart of a tree
standing alone among the whispers of immensity.

Pearl shells cast up by the sea
on death's barren beach,
a magnificent wastefulness of creative life.

The sunlight opens for me the word's gate,
love's light its terasure.

My life like the reed with ist stops,
has its play od colours
through the gaps in its hopes and gains.

Let not my thanks to thee
rob my silence of its fuller homage.

Life's aspirations come
in the guise of children.

The faded flower sighs
that the spring has vanished for ever.

In my life's garden
my wealth has been of the shadows and lights
that are never gathered and stored.

The fruit that I Have gained for ever
is thet which thou hast accepted.

The jasmine knows the sun to be her brother
in the heaven.

Light is young, the ancient light;
shadows are of the moment, they are born old.

I feel that the ferry of my songs at the day's end
will brong me across to the other shore
from where I shall see.

The butterfly flitting from flower to flower
ever remains mine,
I lose the one that is netted by me.

Your voice, free bird, reaches my sleeping nest,
and my drowsy wings dream
of a voyage to the light
above the clouds.

I miss the meaning of my own part
in the play of life
because I know not of the parts
that others play.

The flower sheds all its petals
and finds the fruit.

I leave my songs behind me
to the bloom of the ever-returning honeysuckles
and the joy of the wind from the south.

Dead leaves when they lose themselves in soil
take part in the life of the forest.

The mind ever seeks its words
from its sounds and silence
as the sky from its darkness and light.

The unseen dark plays on his flute
and the rhythm of light
eddies into stars and suns,
into thoughts and reams.

My songs are to sing
that I have loved Thy singing.

When the voice of the Silent touches my words
I know him and therefore I know myself.

My last salutations are to them
who knew me imperfect and loved me.

Love's gift cannot be given,
it waits to be accepted.

When death comes and whispers to me,
"Thy days are ended,"
let me say to him, "I have lived in love
and not in mere time."
He will ask, "Will thy songs remain?"
I shall say, "I know not, but this I know
that often when I sang I found my eternity."

"Let me light my lamp,"
say the star,
'and never debate
if it will help to remove the darkness."

Before the end of my journey
may I reach within myself
the one which is the all,
leaving the outer shell
to float away with the drifting multitude
upon the current of chance and change.
~ Rabindranath Tagore, Fireflies
,
222: Book VI: The Book of the Chieftains

Then as from common hills great Pelion rises to heaven
So from the throng uprearing a brow that no crown could ennoble,
Male and kingly of front like a lion conscious of puissance
Rose a form august, the monarch great Agamemnon.
Wroth he rose yet throwing a rein on the voice of his passion,
Governing the beast and the demon within by the god who is mighty.
Happy thy life and my fame that thou comst with the aegis of heaven
Shadowing thy hoary brows, thou herald of pride and of insult.
Well is it too for his days who sent thee that other and nobler
Heaven made my heart than his who insults and a voice of the immortals
Cries to my soul forbidding its passions. O hardness of virtue,
Thus to be seized and controlled as in fetters by Zeus and Athene.
Free is the peasant to smite in the pastures the mouth that has wronged him,
Chained in his soul is Atrides. Bound by their debt to the fathers,
Curbed by the god in them painfully move the lives of the noble,
Forced to obey the eye that watches within in their bosoms.
Ever since Zeus Cronion turned in our will towards the waters,
Scourged by the heavens in my dearest, wronged by men and their clamours,
Griefs untold I have borne in Argos and Aulis and Troas,
Yoked to this sacred toil of the Greeks for their children and country,
Bound by the gods to a task that is heavy, a load that is bitter.
Seeing the faces of foes in the mask of friends I was silent.
Hateful I hold him who sworn to a cause that is holy and common
Broods upon private wrongs or serving his lonely ambition
Studies to reap his gain from the labour and woe of his fellows.
Mire is the man who hears not the gods when they cry to his bosom.
Grief and wrath I coerced nor carried my heart to its record
All that has hurt its chords and wounded the wings of my spirit.
Nobler must kings be than natures of earth on whom Zeus lays no burden.
Other is Peleus son than the race of his Aeacid fathers,
Nor like his sire of the wise-still heart far-sighted and patient
Bearing the awful rein of the gods, but hastes to his longings,
Dire in his wrath and pursued by the band of his giant ambitions.
Measure and virtue forsake him as Ate grows in his bosom.
Yet not for tyrant wrong nor to serve as a sword for our passions
Zeus created our strength, but that earth might have help from her children.
Not of our moulding its gifts to our soul nor were formed by our labour!
When did we make them, where were they forged, in what workshop or furnace?
Found in what aeon of Time, that pride should bewilder the mortal?
Bowed to our will are the folk and our prowess dreadful and godlike?
Shadows are these of the gods which the deep heavens cast on our spirits.
Transient, we made not ourselves, but at birth from the first we were fashioned
Valiant or fearful and as was our birth by the gods and their thinkings
Formed, so already enacted and fixed by their wills are our fortunes.
What were the strength of Atrides and what were the craft of Odysseus
Save for their triumphing gods? They would fail and be helpless as infants.
Stronger a woman, wiser a child were favoured by Heaven.
Ceased not Sarpedon slain who was son of Zeus and unconquered?
Not to Achilles he fell, but Fate and the gods were his slayers.
Kings, to the arrogant shaft that was launched, the unbearable insult,
Armoured wisdoms oppose, let not Ate seize on your passions.
Be not as common souls, O you who are Greece and her fortunes,
Nor of your spirits of wrath take counsel but of Athene.
Merit the burden laid by Zeus, his demand from your natures
Suffer, O hearts of his seed, O souls who are chosen and mighty,
All forgetting but Greece and her good; resolve what is noble.
I will not speak nor advise, for tis known we are rivals and foemen.
Calmed by his words and his will he sat down mighty and kinglike;
But Menelaus arose, the Spartan, the husb and of Helen,
Atreus younger son from a lesser womb, in his brilliance
Dwarfed by the others port, yet tall was he, gracile and splendid,
As if a panther might hunt by a lions side in the forest.
Smiting his thigh with his firm-clenched hand he spoke mid the Argives:
Woe to me, shameless, born to my country a cause of affliction,
Since for my sake all wrongs must be borne and all shames be encountered;
And for my sake you have spun through the years down the grooves of disaster
Bearing the shocks of the Trojans and ravaged by Zeus and by Hector,
Slaughtered by Rhesus and Memnon, Sarpedon and Penthesilea;
Or by the Archer pierced, the hostile dreadful Apollo,
Evilly end the days of the Greeks remote from their kindred
Slain on an alien soil by Asian Xanthus and Ida.
Doomed to the pyre we have toiled for a woman ungracious who left us
Passing serenely my portals to joy in the chambers of Troya.
Here let it cease, O my brother! how much wilt thou bear for this graceless
Child of thy sire, cause still of thy griefs and never of blessing?
Easily Zeus afflicts who trouble their hearts for a woman;
But in our ships that sailed close-fraught with this dolorous Ate
Worse was the bane they bore which King Peleus begot on white Thetis.
Evil ever was sown by the embrace of the gods with a mortal!
Alien a portent is born and a breaker of men and their labours,
One who afflicts with his light or his force mortalitys weakness
Stripping for falsehoods their verities, shaking the walls they erected.
Hostile all things the scourge divine overbears or, if helpful,
Neither without him his fellows can prosper, nor will his spirit
Fit in the frame of things earthly but shatters their rhythm and order
Rending the measures just that the wise have decreed for our growing.
So have our mortal plannings broken on this fateful Achilles
And with our blood and our anguish Heaven has fostered his greatness.
It is enough; let the dire gods choose between Greece and their offspring.
Even as he bids us, aloof let our hosts twixt the ships and the Xanthus
Stand from the shock and the cry where Hellene meets with Eoan,
Troy and Phthia locked, Achilles and Penthesilea,
Nor any more than watchers care who line an arena;
Calm like the impartial gods, approve the bravest and swiftest.
Sole let him fight! The fates shall preserve him he vaunts of or gather,
Even as death shall gather us all for memorys clusters,
All in their day who were great or were little, heroes or cowards.
So shall he slay or be slain, a boon to mankind and his country.
Since if he mow down this flower of bale, this sickle by Hades
Whirled if he break,for the high gods ride on the hiss of his spear-shaft,
Ours is the gain who shall break rejoicing through obdurate portals
Praising Pallas alone and Hera daughter of Heaven.
But if he sink in this last of his fights, as they say it is fated,
Nor do I deem that the man has been born in Asia or Hellas
Who in the dreadful field can prevail against Penthesilea,
If to their tents the Myrmidons fleeing cumber the meadows
Slain by a girl in her speed and leaving the corpse of their leader,
Ours is the gain, we are rid of a shame and a hate and a danger.
True is it, Troy shall exultant live on in the shadow of Ida,
Yet shall our hearts be light because earth is void of Achilles.
And for the rest of the infinite loss, what we hoped, what we suffered,
Let it all go, let the salt floods swallow it, fate and oblivion
Bury it out in the night; let us sail oer the waves to our country
Leaving Helen in Troy since the gods are the friends of transgressors.
So Menelaus in anger and grief miscounselled the Argives.
Great Idomeneus next, the haughty king of the Cretans,
Raised his brow of pride in the lofty Argive assembly.
Tall like a pine that stands up on the slope of Thessalian mountains
Overpeering a cascades edge and is seen from the valleys,
Such he seemed to their eyes who remembered Greece and her waters,
Heard in their souls the torrents leap and the wind on the hill-tops.
Oft have I marvelled, O Greeks, to behold in this levy of heroes
Armies so many, chieftains so warlike suffer in silence
Pride of a single man when he thunders and lightens in Troas.
Doubtless the nations that follow his cry are many and valiant,
Doubtless the winds of the north have made him a runner and spearman.
Shall not then force be the King? is not strength the seal of the Godhead?
This my soul replies, Agamemnon the Atreid only
Choosing for leader and king I have come to the toil and the warfare.
Wisdom and greatness he owns and the wealth and renown of his fathers.
But for this whelp of the northlands, nursling of rocks and the sea-cliff
Who with his bleak and rough-hewn Myrmidons hastes to the carnage,
Leader of wolves to their prey, not the king of a humanised nation,
Not to such head of the cold-drifting mist and the gloom-vigilled Chaos,
Crude to our culture and light and void of our noble fulfilments
Minos shall bend his knee nor Crete, a barbarians vassal,
Stain her old glories. Oh, but he boasts of a goddess for mother
Born in the senseless seas mid the erring wastes of the Ocean,
White and swift and foam-footed, vast Oceanus daughter.
Gods we adore enough in the heavens, and if from us Hades
Claim one more of this breed, we can bear that excess of his glories,
Not upon earth these new-born deities huge-passioned, sateless
Who with their mouth as of Orcus and stride of the ruinous Ocean
Sole would be seen mid her sons and devour all lifes joy and its greatness.
Millions must empty their lives that a man may oershadow the nations,
Numberless homes must weep, but his hunger of glory is sated!
Troy shall descend to the shadow; gods and men have condemned her,
Weary, hating her fame. Her dreams, her grandeur, her beauty,
All her greatness and deeds that now end in miserable ashes,
Ceasing shall fade and be as a tale that was forged by the poets.
Only a name shall go down from her past and the woe of her ending
Naked to hatred and rapine and punished with rape and with slaughter.
Never again must marble pride high-domed on her hill-top
Look forth dominion and menace over the crested Aegean
Shadowing Achaia. Fire shall abolish the fame of her ramparts,
Earth her foundations forget. Shall she stand affronting the azure?
Dire in our path like a lioness once again must we meet her,
Leap and roar of her led by the spear of Achilles, not Hector?
Asia by Peleus guided shall stride on us after Antenor?
Though one should plan in the night of his thoughts where no eye can pursue him,
Instincts of men discover their foe and like hounds in the darkness
Bay at a danger hid. No silence of servitude trembling
Trains to bondage sons of the race of whom Aeolus father
Storm-voiced was and free, nor like other groupings of mortals
Moulded we were by Zeus, but supremely were sifted and fashioned.
Other are Danaus sons and other the lofty Achaians:
Chainless like Natures tribes in their many-voiced colonies founded
They their god-given impulse shall keep and their natures of freedom.
Only themselves shall rule them, only their equal spirits
Bowed to the voice of a law that is just, obeying their leaders,
Awed by the gods. So with order and balance and harmony noble
Life shall move golden, free in its steps and just in its measure,
Glad of a manhood complete, by excess and defect untormented.
Freedom is life to the Argive soul, to Aeolias peoples.
Dulled by a yoke our nations would perish, or live but as shadows,
Changed into phantoms of men with the name of a Greek for a byword.
Not like the East and her sons is our race, they who bow to a mortal.
Gods there may be in this flesh that suffers and dies; Achaia
Knows them not. Need if he feels of a world to endure and adore him,
Hearts let him seek that are friends with the dust, overpowered by their heavens,
Here in these Asian vastnesses, here where the heats and the perfumes
Sicken the soul and the sense and a soil of indolent plenty
Breeds like the corn in its multitudes natures accustomed to thraldom.
Here let the northern Achilles seek for his slaves and adorers,
Not in the sea-ringed isles and not in the mountains Achaian.
Ten long years of the shock and the war-cry twixt rampart and ocean
Hurting our hearts we have toiled; shall they reap not their ease in the vengeance?
Troas is sown with the lives of our friends and with ashes remembered;
Shall not Meriones slain be reckoned in blood and in treasure?
Cretan Idomeneus girt with the strength of his iron retainers
Slaying and burning will stride through the city of music and pleasure,
Babes of her blood borne high on the spears at the head of my column,
Wives of her princes dragged through her streets in its pomp to their passion,
Gold of Troy stream richly past in the gaze of Achilles.
Then let him threaten my days, then rally the might of his triumphs,
Yet shall a Cretan spear make search in his heart for his godhead.
Limbs of this god can be pierced; not alone shall I fleet down to Hades.
After him rose from the throng the Locrian, swift-footed Ajax.
Kings of the Greeks, throw a veil on your griefs, lay a curb on your anger.
Moved mans tongue in its wrath looses speech that is hard to be pardoned,
Afterwards stilled we regret, we forgive. If all were resented,
None could live on this earth that is thick with our stumblings. Always
This is the burden of man that he acts from his heart and his passions,
Stung by the goads of the gods he hews at the ties that are dearest.
Lust was the guide they sent us, wrath was a whip for his coursers,
Madness they made the hearts comrade, repentance they gave for its scourger.
This too our hearts demand that we bear with our friend when he chides us.
Insult forgive from the noble embittered soul of Achilles!
When with the scorn and the wrath of a lover our depths are tormented,
Who shall forbid the cry and who shall measure the anguish?
Sharper the pain that looses the taunt than theirs who endure it.
Rage has wept in my blood as I lived through the flight oer the pastures,
Shame coils a snake in my back when thought whispers of Penthesilea.
Bright shine his morns if he mows down this hell-bitch armed by the Furies!
But for this shaft of his pity it came from a lesser Pelides,
Not from the slayer of Hector, not from the doom of Sarpedon,
Memnons mighty oerthrower, the blood-stained splendid Achilles.
These are the Trojan snares and the fateful smile of a woman!
This thing the soul of a man shall not bear that blood of his labour
Vainly has brought him victory leaving life to the hated;
This is a wound to our race that a Greek should whisper of mercy.
Who can pardon a foe though a god should descend to persuade him?
Justice is first of the gods, but for Pity twas spawned by a mortal,
Pity that only disturbs Gods measures and false and unrighteous
Holds man back from the joy he might win and troubles his bosom.
Troy has a debt to our hearts; she shall pay it all down to the obol,
Blood of the fall and anguish of flight when the heroes are slaughtered,
Days without joy while we labour and see not the eyes of our parents,
Toil of the war-cry, nights that drag past upon alien beaches,
Helen ravished, Paris triumphant, endless the items
Crowd on a wrath in the memory, kept as in bronze the credit
Stretches out long and blood-stained and savage. Most for the terror
Graved in the hearts of our fathers that still by our youth is remembered,
Hellas waiting and crouching, dreading the spear of the Trojan,
Flattering, sending gifts and pale in her mortal anguish,
Agony long of a race at the mercy of iron invaders,
This she shall pay most, the city of pride, the insolent nation,
Pay with her temples charred and her golden mansions in ruins,
Pay with the shrieks of her ravished virgins, the groans of the aged
Burned in their burning homes for our holiday. Music and dancing
Shall be in Troy of another sort than she loved in her greatness
Merry with conquered gold and insulting the world with her flutings.
All that she boasted of, statue and picture, all shall be shattered;
Out of our shame she chiselled them, rich with our blood they were coloured.
This not the gods from Olympus crowding, this not Achilles,
This not your will, O ye Greeks, shall deny to the Locrian Ajax.
Even though Pallas divine with her aegis counselling mercy
Cumbered my path, I would push her aside to leap on my victims.
Learn shall all men on that day how a warrior deals with his foemen.
Darting flames from his eyes the barbarian sate, and there rose up
Frowning Tydeus son, the Tirynthian, strong Diomedes.
Ajax Oileus, thy words are foam on the lips of a madman.
Cretan Idomeneus, silence the vaunt that thy strength can fulfil not.
Strong art thou, fearless in battle, but not by thy spear-point, O hero,
Hector fell, nor Sarpedon, nor Troilus leading the war-cry.
These were Achilles deeds which a god might have done out of heaven.
Him we upbraid who saved, nor would any now who revile him
Still have a living tongue for ingratitude but for the hero.
Much to the man forgive who has saved his race and his country:
Him shall the termless centuries praise when we are forgotten.
Curb then your speech, crush down in your hearts the grief and the choler;
Has not Atrides curbed who is greatest of all in our nations
Wrath in the heart and the words that are winged for our bale from our bosoms?
For as a load to be borne were these passions given to mortals.
Honour Achilles, conquer Troy by his god-given valour.
Now of our discords and griefs debate not for joy of our foemen!
First over Priams corpse stand victors in Ilions ramparts;
Discord then let arise or concord solder our nations.
Rugged words and few as fit for the soul that he harboured
Great Tydides spoke and ceased; and there rose up impatient
Tall from the spears of the north the hero king Prothonor,
Prince in Cadmeian Thebes who with Leitus led on his thousands.
Loudly thou vauntest thy freedom Ionian Minos recalling,
Lord of thy southern isles who gildst with tri bute Mycenae.
We have not bowed our neck to Pelops line, at Argos
Iron heel have not crouched, nor clasped like thy time-wearied nations,
Python-befriended, gripped in the coils of an iron protection,
Bondage soothed by a name and destruction masked as a helper.
We are the young and lofty and free-souled sons of the Northland.
Nobly Peleus, the Aeacid, seer of a vaster Achaia,
Pride of his strength and his deeds renouncing for joy of that vision,
Yielded his hoary right to the sapling stock of Atrides.
Noble, we gave to that nobleness freely our grandiose approval.
Not as a foe then, O King, who angered sharpens his arrows,
Fits his wrath and hate to the bow and aims at the heart-strings
But from the Truth that is seated within me compelling my accents,
Taught by my fathers stern not to lie nor to hide what I harbour,
Truth the goddess I speak, nor constrain the voice in my bosom.
Monarch, I own thee first of the Greeks save in valour and counsel,
Brave, but less than Achilles, wise, but not as Odysseus,
First still in greatness and calm and majesty. Yet, Agamemnon,
Love of thy house and thy tribe disfigures the king in thy nature;
Thou thy brother preferrest, thy friends and thy nations unjustly,
Even as a common man whose heart is untaught by Athene,
Beastlike favours his brood forgetting the law of the noble.
Therefore Ajax grew wroth and Teucer sailing abandoned
Over the angry seas this fierce-locked toil of the nations;
Therefore Achilles has turned in his soul and gazed towards the Orient.
Yet are we fixed in our truth like hills in heaven, Atrides;
Greece and her safety and good our passions strive to remember.
Not of this stamp was thy brothers speech; such words Lacedaemon
Hearing may praise in her kings; we speak not in Thebes what is shameful.
Shamefuller thoughts have never escaped from lips that were high-born.
We will not send forth earths greatest to die in a friendless battle,
Nor will forsake the daughter of Zeus and white glory of Hellas,
Helen the golden-haired Tyndarid, left for the joy of our foemen,
Chained to Paris delight, earths goddess the slave of the Phrygian,
Though Menelaus the Spartan abandon his wife to the Trojans
And from the field where he lavished the unvalued blood of his people
Flee to a hearth dishonoured. Not the Atreids sullied grandeurs,
Greece to defend we have toiled through the summers and lingering autumns
Blind with our blood; for our country we bleed repelling her foemen.
Dear is that loss to our veins and still that expense we would lavish
Claiming its price from the heavens, though thou sail with thy brother and cohorts.
Weakling, flee! take thy southern ships, take thy Spartan levies.
Still will the Greeks fight on in the Troad helped by thy absence.
For though the beaches vast grow empty, the tents can be numbered
Standing friendless and few on the huge and hostile champaign,
Always a few will be left whom the threatenings of Fate cannot conquer,
Always souls are born whose courage waits not on fortune;
Hellas heart will be firm confronting the threat of the victor,
Sthenelus war and Tydides, Odysseus and Locrian Ajax,
Thebes unconquered sons and the hero chiefs of the northland.
Stern and persistent as Time or the seas and as deaf to affliction
We will clash on in the fight unsatisfied, fain of the war-cry,
Helped by the gods and our cause through the dawns and the blood-haunted evenings,
Rising in armour with morn and outstaying the red of the sunset,
Till in her ashes Troy forgets that she lusted for empire
Or in our own the honour and valour of Greece are extinguished.
So Prothonor spoke nor pleased with his words Agamemnon;
But to the northern kings they were summer rain on the visage.
Last Laertes son, the Ithacan, war-wise Odysseus,
Rose up wide-acclaimed; like an oak was he stunted in stature,
Broad-shouldered, firm-necked, lone and sufficient, as on some island
Regnant one peak whose genial streams flow down to the valley,
Dusk on its slopes are the olives, the storms butt in vain at its shoulders,
Such he stood and pressed the earth with his feet like one vanquished,
Striving, but held to his will. So Atlas might seem were he mortal,
Atlas whose vastness free from impatience suffers the heavens,
Suffering spares the earth, the thought-haunted motionless Titan,
Bearer of worlds. In those jarring tribes no man was his hater;
For as the Master of all guides humanity, so this Odysseus
Dealt with men and helped and guided them, careful and selfless,
Crafty, tender and wise,like the Master who bends oer His creatures,
Suffers their sins and their errors and guides them screening the guidance;
Each through his nature He leads and the world by the lure of His wisdom.
Princes of Argolis, chiefs of the Locrians, spears of the northland,
Warriors vowed to a sacred hate and a vengeance thats holy,
Sateless still is that hate, that vengeance cries for its victims,
Still is the altar unladen, the priest yet waits with the death-knife.
Who while the rites are unfinished, the god unsatisfied, impious
Turns in his heart to the feuds of his house and his strife with his equals?
None will approve the evil that fell from the younger Atrides;
But it was anger and sorrow that spoke, it was not Menelaus.
Who would return from Troy and arrive with his war-wasted legions
Back to his home in populous city or orcharded island;
There from his ships disembarked look round upon eyes that grow joyless
Seeking a father or husb and slain, a brother heart-treasured,
Mothers in tears for their children, and when he is asked, O our chieftain,
What dost thou bring back in place of our dead to fill hearts that are empty?
Who then will say, I bring back my shame and the shame of my nation;
Troy yet stands confronting her skies and Helen in Troya?
Not for such foil will I go back to Ithaca or to Laertes,
Rather far would I sail in my ships past southern Cythera,
Turning away in silence from waters where on some headland
Gazing south oer the waves my father waits for my coming,
Leaving Sicilys shores and on through the pillars of Gades.
Far I would sail whence sound of me never should come to Achaia
Out into tossing worlds and weltering reaches of tempest
Dwarfing the swell of the wide-wayed Aegean,Oceans unbounded
Either by cliff or by sandy margin, only the heavens
Ever receding before my keel as it ploughs on for ever
Frail and alone in a world of waves. Even there would I venture
Seeking some island unknown, not return with shame to my fathers.
Well might they wonder how souls like theirs begot us for their offspring.
Fighters war-afflicted, champions banded by heaven,
Wounds and defeat you have borne; bear too their errors who lead you.
Mortals are kings and have hearts; our leaders too have their passions.
Then if they err, yet still obey lest anarchy fostered,
Discord and deaf rebellion that speed like a poison through kingdoms,
Break all this army in pieces while Ate mocking at mortals
Trails to a shameful end this lofty essay of the nations.
Who among men has not thoughts that he holds for the wisest, though foolish?
Who, though feeble and nought, esteems not his strength oer his fellows?
Therefore the wisest and strongest choose out a king and a leader,
Not as a perfect arbiter armed with impossible virtues
Far oer our heads and our ken like a god high-judging his creatures,
But as a man among men who is valiant, wise and far-seeing,
One of ourselves and the knot of our wills and the sword of our action.
Him they advise and obey and cover his errors with silence.
Not Agamemnon the Atreid, Greeks, we obey in this mortal;
Greece we obey; for she walks in his gait and commands by his gestures.
Evil he works then who loosens this living knot of Achaia;
Falling apart from his nation who, wed to a solitary virtue,
Deeming he does but right, renounces the yoke of his fellows,
Errs more than hearts of the mire that in blindness and weakness go stumbling.
Man when he spurns his kind, when he equals himself with the deathless,
Even in his virtues sins and, erring, calls up Ate:
For among men we were born, not as wild-beasts sole in a fastness.
Oft with a name are misled the passionate hearts of the noble;
Chasing highly some image of good they trample its substance.
Evil is worked, not justice, when into the mould of our thinkings
God we would force and enchain to the throb of our hearts the immortals,
Justice and Virtue, her sister,for where is justice mid creatures
Perfectly? Even the gods are betrayed by our clay to a semblance.
Evil not good he sows who lifted too high for his fellows,
Dreams by his light or his force to compel this deity earth-born,
Evil though his wisdom exceeded the gathered light of the millions,
Evil though his single fate were vaster than Troy and Achaia.
Less is our gain from gods upon earth than from men in our image;
Just is the slow and common march, not a lonely swiftness
Far from our human reach that is vowed to impossible strivings.
Better the stumbling leader of men than inimitable paces.
If he be Peleus son and his name the Phthian Achilles,
Worse is the bane: lo, the Ilian battlefield strewn with his errors!
Yet, O ye Greeks, if the heart returns that was loved, though it wandered,
Though with some pride it return and reproaching the friends that it fled from,
Be not less fond than heart-satisfied parents who yearn oer that coming,
Smile at its pride and accept the wanderer. Happier music
Never has beat on my grief-vexed ears than the steps of Achilles
Turning back to this Greece and the cry of his strength in its rising.
Zeus is awake in this man who his dreadful world-slaying puissance
Gave in an hour of portentous birth to the single Achilles.
Taken today are Ilions towers, a dead man is Priam.
Cross not the heros will in his hour, Agamemnon Atrides,
Cross not the man whom the gods have chosen to work out their purpose
Then when he rises; his hour is his, though thine be all morrows.
First in the chambers of Paris delight let us stable our horses,
Afterwards bale that is best shall be done persuading Achilles;
Doubt not the gods decisions, awful, immutable, ruthless.
Flame shall lick Troys towers and the limbs of her old men and infants.
O not today nor now remember the faults of the hero!
Follow him rather bravely and blindly as children their leader,
Guide your fate through the war-surge loud in the wake of his exploits.
Rise, O ye kings of the Greeks! leave debate for the voices of battle.
Peal forth the war-shout, pour forth the spear-sleet, surge towards Troya.
Ilion falls today; we shall turn in our ships to our children.
So Odysseus spoke and the Achaians heard him applauding;
Ever the pack by the voice of the mighty is seized and attracted!
Then from his seat Agamemnon arising his staff to the herald
Gave and around him arose the Kings of the west and its leaders,
Loud their assembly broke with a stern and martial rumour.
***
~ Sri Aurobindo, 6 - The Book of the Chieftains
,
223:

Book II: The Book of the Statesman



Now from his cycle sleepless and vast round the dance of the earth-globe
Gold Hyperion rose in the wake of the dawn like the eyeball
Flaming of God revealed by his uplifted luminous eyelid.
Troy he beheld and he viewed the transient labour of mortals.
All her marble beauty and pomp were laid bare to the heavens.
Sunlight streamed into Ilion waking the voice of her gardens,
Amorous seized on her ways, lived glad in her plains and her pastures,
Kissed her leaves into brightness of green. As a lover the last time
Yearns to the beauty desired that again shall not wake to his kisses,
So over Ilion doomed leaned the yearning immense of the sunrise.
She like a wordless marble memory dreaming for ever
Lifted the gaze of her perishable immortality sunwards.
All her human past aspired in the clearness eternal,
Temples of Phryx and Dardanus touched with the gold of the morning,
Columns triumphant of Ilus, domes of their greatness enamoured,
Stones that intended to live; and her citadel climbed up to heaven
White like the soul of the Titan Laomedon claiming his kingdoms,
Watched with alarm by the gods as he came. Her bosom maternal
Thrilled to the steps of her sons and a murmur began in her high-roads.
Life renewed its ways which death and sleep cannot alter,
Life that pursuing her boundless march to a goal which we know not,
Ever her own law obeys, not our hopes, who are slaves of her heart-beats.
Then as now men walked in the round which the gods have decreed them
Eagerly turning their eyes to the lure and the tool and the labour.
Chained is their gaze to the span in front, to the gulfs they are blinded
Meant for their steps. The seller opened his shop and the craftsman
Bent oer his instruments handling the work he never would finish,
Busy as if their lives were for ever, today in its evening
Sure of tomorrow. The hammers clanged and the voice of the markets
Waking desired its daily rumour. Nor only the craftsman,
Only the hopes of the earth, but the hearts of her votaries kneeling
Came to her marble shrines and upraised to our helpers eternal
Missioned the prayer and the hymn or silent, subtly adoring
Ventured upwards in incense. Loud too the clash of the cymbals
Filled all the temples of Troy with the cry of our souls to the azure.
Prayers breathed in vain and a cry that fell back with Fate for its answer!
Children laughed in her doorways; joyous they played, by their mothers
Smiled on still, but their tender bodies unknowing awaited
Grecian spearpoints sharpened by Fate for their unripe bosoms,
Tasks of the slave in Greece. Like bees round their honey-filled dwellings
Murmuring swarmed to the well-heads the large-eyed daughters of Troya,
Deep-bosomed, limbed like the gods,glad faces of old that were sentient
Rapturous flowers of the soul, bright bodies that lived under darkness
Nobly massed of their locks like day under night made resplendent,
Daughters divine of the earth in the ages when heaven was our father.
They round Troys well-heads flowerlike satisfied morn with their beauty
Or in the river baring their knees to the embrace of the coolness
Dipped their white feet in the clutch of his streams, in the haste of Scamander,
Lingering this last time with laughter and talk of the day and the morrow
Leaned to the hurrying flood. All his swiftnesses raced down to meet them,
Crowding his channel with dancing billows and turbulent murmurs.
Xanthus primaeval met these waves of our life in its passing
Even as of old he had played with Troys ancient fair generations
Mingling his deathless voice with the laughter and joy of their ages,
Laughter of dawns that are dead and a joy that the earth has rejected.
Still his whispering trees remembered their bygone voices.
Hast thou forgotten, O river of Troy? Still, still we can hear them
Now, if we listen long in our souls, the bygone voices.
Earth in her fibres remembers, the breezes are stored with our echoes.
Over the stone-hewn steps for their limpid orient waters
Joyous they leaned and they knew not yet of the wells of Mycenae,
Drew not yet from Eurotas the jar for an alien master,
Mixed not Peneus yet with their tears. From the clasp of the current
Now in their groups they arose and dispersed through the streets and the byways,
Turned from the freedom of earth to the works and the joy of the hearthside,
Lightly they rose and returned through the lanes of the wind-haunted city
Swaying with rhythmical steps while the anklets jangled and murmured.
Silent temples saw them passing; you too, O houses
Built with such hopes by mortal man for his transient lodging;
Fragrant the gardens strewed on dark tresses their white-smiling jasmines
Dropped like a silent boon of purity soft from the branches:
Flowers by the wayside were budding, cries flew winged round the tree-tops.
Bright was the glory of life in Ilion city of Priam.
Thrice to the city the doom-blast published its solemn alarum;
Blast of the trumpets that call to assembly clamoured through Troya
Thrice and were still. From garden and highway, from palace and temple
Turned like a steed to the trumpet, rejoicing in war and ambition,
Gathered alert to the call the democracy hated of heaven.
First in their ranks upbearing their age as Atlas his heavens,
Eagle-crested, with hoary hair like the snow upon Ida,
Ilions senators paced, Antenor and wide-browed Anchises,
Athamas famous for ships and the war of the waters, Tryas
Still whose name was remembered by Oxus the orient river,
Astyoches and Ucalegon, dateless Pallachus, Aetor,
Aspetus who of the secrets divine knew all and was silent,
Ascanus, Iliones, Alcesiphron, Orus, Aretes.
Next from the citadel came with the voice of the heralds before him
Priam and Priams sons, Aeneas leonine striding,
Followed by the heart of a nation adoring her Penthesilea.
All that was noble in Troy attended the regal procession
Marching in front and behind and the tramp of their feet was a rhythm
Tuned to the arrogant fortunes of Ilion ruled by incarnate
Demigods, Ilus and Phryx and Dardanus, Tros of the conquests,
Tros and far-ruling Laomedon who to his souls strong labour
Drew down the sons of the skies and was served by the ageless immortals.
Into the agora vast and aspirant besieged by its columns
Bathed and anointed they came like gods in their beauty and grandeur.
Last like the roar of the winds came trampling the surge of the people.
Clamorous led by a force obscure to its ultimate fatal
Session of wrath the violent mighty democracy hastened;
Thousands of ardent lives with the heart yet unslain in their bosoms
Lifted to heaven the voice of man and his far-spreading rumour.
Singing the young men with banners marched in their joyous processions,
Trod in martial measure or dancing with lyrical paces
Chanted the glory of Troy and the wonderful deeds of their fathers.
Into the columned assembly where Ilus had gathered his people,
Thousands on thousands the tramp and the murmur poured; in their armoured
Glittering tribes they were ranked, an untameable high-hearted nation
Waiting the voice of its chiefs. Some gazed on the greatness of Priam
Ancient, remote from their days, the last of the gods who were passing,
Left like a soul uncompanioned in worlds where his strength shall not conquer:
Sole like a column gigantic alone on a desolate hill-side
Older than mortals he seemed and mightier. Many in anger
Aimed their hostile looks where calm though by heaven abandoned,
Left to his soul and his lucid mind and its thoughts unavailing,
Leading the age-chilled few whom the might of their hearts had not blinded,
Famous Antenor was seated, the fallen unpopular statesman,
Wisest of speakers in Troy but rejected, stoned and dishonoured.
Silent, aloof from the people he sat, a heart full of ruins.
Low was the rumour that swelled like the hum of the bees in a meadow
When with the thirst of the honey they swarm on the thyme and the linden,
Hundreds humming and flitting till all that place is a murmur.
Then from his seat like a tower arising Priam the monarch
Slowly erect in his vast tranquillity silenced the people:
Lonely, august he stood like one whom death has forgotten,
Reared like a column of might and of silence over the assembly.
So Olympus rises alone with his snows into heaven.
Crowned were his heights by the locks that swept like the mass of the snow-swathe
Clothing his giant shoulders; his eyes of deep meditation,
Eyes that beheld now the end and accepted it like the beginning
Gazed on the throng of the people as on a pomp that is painted:
Slowly he spoke like one who is far from the scenes where he sojourns.
Leader of Ilion, hero Deiphobus, thou who hast summoned
Troy in her people, arise; say wherefore thou callest us. Evil
Speak thou or good, thou canst speak that only: Necessity fashions
All that the unseen eye has beheld. Speak then to the Trojans;
Say on this dawn of her making what issue of death or of triumph
Fate in her suddenness puts to the unseeing, what summons to perish
Send to this nation men who revolt and gods who are hostile.
Rising Deiphobus spoke, in stature less than his father,
Less in his build, yet the mightiest man and tallest whom coursers
Bore or his feet to the fight since Ajax fell by the Xanthus.
People of Ilion, long have you fought with the gods and the Argives
Slaying and slain, but the years persist and the struggle is endless.
Fainting your helpers cease from the battle, the nations forsake you.
Asia weary of strenuous greatness, ease-enamoured
Suffers the foot of the Greek to tread on the beaches of Troas.
Yet have we striven for Troy and for Asia, men who desert us.
Not for ourselves alone have we fought, for our life of a moment!
Once if the Greeks were triumphant, once if their nations were marshalled
Under some far-seeing chief, Odysseus, Peleus, Achilles,
Not on the banks of Scamander and skirts of the azure Aegean
Fainting would cease the audacious emprise, the Titanic endeavour;
Tigris would flee from their tread and Indus be drunk by their coursers.
Now in these days when each sun goes marvelling down that Troy stands yet
Suffering, smiting, alive, though doomed to all eyes that behold her,
Flinging back Death from her walls and bronze to the shock and the clamour,
Driven by a thought that has risen in the dawn from the tents on the beaches
Grey Talthybius chariot waits in the Ilian portals,
Voice of the Hellene demigod challenges timeless Troya.
Thus has he said to us: Know you not Doom when she walks in your heavens?
Feelst thou not then thy set, O sun who illuminedst Nature?
Stripped of helpers you stand alone against Doom and Achilles,
Left by the earth that served you, by heaven that helped you rejected:
Death insists at your gates and the flame and the sword are impatient.
None can escape the wheel of the gods and its vast revolutions!
Fate demands the joy and pride of the earth for the Argive,
Asias wealth for the lust of the young barbarian nations.
City divine, whose fame overroofed like heaven the nations,
Sink eclipsed in the circle vast of my radiance; Troya,
Joined to my northern realms deliver the East to the Hellene;
Ilion, to Hellas be yoked; wide Asia, fringe thou Peneus.
Lay down golden Helen, a sacrifice lovely and priceless
Cast by your weakness and fall on immense Necessitys altar;
Yield to my longing Polyxena, Hecubas deep-bosomed daughter,
Her whom my heart desires. She shall leave with you peace and her healing
Joy of mornings secure and death repulsed from your hearthsides.
Yield these and live, else I leap on you, Fate in front, Hades behind me.
Bound to the gods by an oath I return not again from the battle
Till from high Ida my shadow extends to the Mede and Euphrates.
Let not your victories deceive you, steps that defeat has imagined;
Hear not the voice of your heroes; their fame is a trumpet in Hades:
Only they conquer while yet my horses champ free in their stables.
Earth cannot long resist the man whom Heaven has chosen;
Gods with him walk; his chariot is led; his arm is assisted.
High rings the Hellene challenge, earth waits for the Ilian answer.
Always mans Fate hangs poised on the flitting breath of a moment;
Called by some word, by some gesture it leaps, then tis graven, tis granite.
Speak! by what gesture high shall the stern gods recognise Troya?
Sons of the ancients, race of the gods, inviolate city,
Firmer my spear shall I grasp or cast from my hand and for ever?
Search in your hearts if your fathers still dwell in them, children of Teucer.
So Deiphobus spoke and the nation heard him in silence,
Awed by the shadow vast of doom, indignant with Fortune.
Calm from his seat Antenor arose as a wrestler arises,
Tamer of beasts in the cage of the lions, eyeing the monsters
Brilliant, tawny of mane, and he knows if his courage waver,
Falter his eye or his nerve be surprised by the gods that are hostile,
Death will leap on him there in the crowded helpless arena.
Fearless Antenor arose, and a murmur swelled in the meeting
Cruel and threatening, hoarse like the voice of the sea upon boulders;
Hisses thrilled through the roar and one man cried to another,
Lo he will speak of peace who has swallowed the gold of Achaia!
Surely the people of Troy are eunuchs who suffer Antenor
Rising unharmed in the agora. Are there not stones in the city?
Surely the steel grows dear in the land when a traitor can flourish.
Calm like a god or a summit Antenor stood in the uproar.
But as he gazed on his soul came memory dimming the vision;
For he beheld his past and the agora crowded and cheering,
Passionate, full of delight while Antenor spoke to the people,
Troy that he loved and his fatherl and proud of her eloquent statesman.
Tears to his eyes came thick and he gripped at the staff he was holding.
Mounting his eyes met fully the tumult, mournful and thrilling,
Conquering mens hearts with a note of doom in its sorrowful sweetness.
People of Ilion, blood of my blood, O race of Antenor,
Once will I speak though you slay me; for who would shrink from destruction
Knowing that soon of his city and nation, his house and his dear ones
All that remains will be a couch of trampled ashes? Athene,
Slain today may I join the victorious souls of our fathers,
Not for the anguish be kept and the irremediable weeping.
Loud will I speak the word that the gods have breathed in my spirit,
Strive this last time to save the death-destined. Who are these clamour
Hear him not, gold of the Greeks bought his words and his throat is accursd?
Troy whom my counsels made great, hast thou heard this roar of their frenzy
Tearing thy ancient bosom? Is it thy voice, heaven-abandoned, my mother?
O my country, O my creatress, earth of my longings!
Earth where our fathers lie in their sacred ashes undying,
Memoried temples shelter the shrines of our gods and the altars
Pure where we worshipped, the beautiful children smile on us passing,
Women divine and the men of our nation! O land where our childhood
Played at a mothers feet mid the trees and the hills of our country,
Hoping our manhood toiled and our youth had its seekings for godhead,
Thou for our age keepst repose mid the love and the honour of kinsmen,
Silent our relics shall lie with the city guarding our ashes!
Earth who hast fostered our parents, earth who hast given us our offspring,
Soil that created our race where fed from the bosom of Nature
Happy our children shall dwell in the storied homes of their fathers,
Souls that our souls have stamped, sweet forms of ourselves when we perish!
Once even then have they seen thee in their hearts, or dreamed of thee ever
Who from thy spirit revolt and only thy name make an idol
Hating thy faithful sons and the cult of thy ancient ideal!
Wake, O my mother divine, remember thy gods and thy wisdom,
Silence the tongues that degrade thee, prophets profane of thy godhead.
Madmen, to think that a man who has offered his life for his country,
Served her with words and deeds and adored with victories and triumphs
Ever could think of enslaving her breast to the heel of a foeman!
Surely Antenors halls are empty, he begs from the stranger
Leading his sons and his childrens sons by the hand in the market
Showing his rags since his need is so bitter of gold from the Argives!
You who demand a reply when Laocoon lessens Antenor,
Hush then your feeble roar and your ear to the past and the distance
Turn. You fields that are famous for ever, reply for me calling,
Fields of the mighty mown by my swords edge, Chersonese conquered,
Thrace and her snows where we fought on the frozen streams and were victors
Then when they were unborn who are now your delight and your leaders.
Answer return, you columns of Ilus, here where my counsels
Made Troy mightier guiding her safe through the shocks of her foemen.
Gold! I have heaped it up high, I am rich with the spoils of your haters.
It was your fathers dead who gave me that wealth as my guerdon,
Now my reproach, your fathers who saw not the Greeks round their ramparts:
They were not cooped by an upstart race in the walls of Apollo,
Saw not Hector slain and Troilus dragged by his coursers.
Far over wrathful Jaxartes they rode; the shaken Achaian
Prostrate adored your strength who now shouts at your portals and conquers
Then when Antenor guided Troy, this old man, this traitor,
Not Laocoon, nay, not even Paris nor Hector.
But I have changed, I have grown a niggard of blood and of treasure,
Selfish, chilled as old men seem to the young and the headstrong,
Counselling safety and ease, not the ardour of noble decisions.
Come to my house and behold, my house that was filled once with voices.
Sons whom the high gods envied me crowded the halls that are silent.
Where are they now? They are dead, their voices are silent in Hades,
Fallen slaying the foe in a war between sin and the Furies.
Silent they went to the battle to die unmourned for their country,
Die as they knew in vain. Do I keep now the last ones remaining,
Sparing their blood that my house may endure? Is there any in Troya
Speeds to the front of the mellay outstripping the sons of Antenor?
Let him arise and speak and proclaim it and bid me be silent.
Heavy is this war that you love on my heart and I hold you as madmen
Doomed by the gods, abandoned by Pallas, by Hera afflicted.
Who would not hate to behold his work undone by the foolish?
Who would not weep if he saw Laocoon ruining Troya,
Paris doomed in his beauty, Aeneas slain by his valour?
Still you need to be taught that the high gods see and remember,
Dream that they care not if justice be done on the earth or oppression!
Happy to live, aspire while you violate man and the immortals!
Vainly the sands of Time have been strewn with the ruins of empires,
Signs that the gods had left, but in vain. For they look for a nation,
One that can conquer itself having conquered the world, but they find none.
None has been able to hold all the gods in his bosom unstaggered,
All have grown drunken with force and have gone down to Hell and to Ate.
All have been thrust from their heights, say the fools; we shall live and for ever.
We are the people at last, the children, the favourites; all things
Only to us are permitted. They too descend to the silence,
Death receives their hopes and the void their stirrings of action.
Eviller fate there is none than life too long among mortals.
I have conversed with the great who have gone, I have fought in their war-cars;
Tros I have seen, Laomedons hand has dwelt on my temples.
Now I behold Laocoon, now our greatest is Paris.
First when Phryx by the Hellespont reared to the cry of the ocean
Hewing her stones as vast as his thoughts his high-seated fortress,
Planned he a lair for a beast of prey, for a pantheress dire-souled
Crouched in the hills for her bound or self-gathered against the avenger?
Dardanus shepherded Asias coasts and her sapphire-girt islands.
Mild was his rule like the blessing of rain upon fields in the summer.
Gladly the harried coasts reposed confessing the Phrygian,
Caria, Lycias kings and the Paphlagon, strength of the Mysian;
Minos Crete recovered the sceptre of old Rhadamanthus.
Ilus and Tros had strength in the fight like a far-striding Titans:
Troy triumphant following the urge of their souls to the vastness,
Helmeted, crowned like a queen of the gods with the fates for her coursers
Rode through the driving sleet of the spears to Indus and Oxus.
Then twice over she conquered the vanquished, with peace as in battle;
There where discord had clashed, sweet Peace sat girded with plenty,
There where tyranny counted her blows, came the hands of a father.
Neither had Teucer a soul like your chiefs who refounded this nation.
Such was the antique and noble tradition of Troy in her founders,
Builders of power that endured; but it perishes lost to their offspring,
Trampled, scorned by an arrogant age, by a violent nation.
Strong Anchises trod it down trampling victorious onwards
Stern as his sword and hard as the silent bronze of his armour.
More than another I praise the man who is mighty and steadfast,
Even as Ida the mountain I praise, a refuge for lions;
But in the council I laud him not, he who a god for his kindred,
Lives for the rest without bowels of pity or fellowship, lone-souled,
Scorning the world that he rules, who untamed by the weight of an empire
Holds allies as subjects, subjects as slaves and drives to the battle
Careless more of their wills than the coursers yoked to his war-car.
Therefore they fought while they feared, but gladly abandon us falling.
Yet had they gathered to Teucer in the evil days of our nation.
Where are they now? Do they gather then to the dreaded Anchises?
Or has Aeneas helped with his counsels hateful to wisdom?
Hateful is this, abhorred of the gods, imagined by Ate
When against subjects murmuring discord and faction appointed
Scatter unblest gold, the heart of a people is poisoned,
Virtue pursued and baseness triumphs tongued like a harlot,
Brother against brother arrayed that the rule may endure of a stranger.
Yes, but it lasts! For its hour. The high gods watch in their silence,
Mute they endure for a while that the doom may be swifter and greater.
Hast thou then lasted, O Troy? Lo, the Greeks at thy gates and Achilles.
Dream, when Virtue departs, that Wisdom will linger, her sister!
Wisdom has turned from your hearts; shall Fortune dwell with the foolish?
Fatal oracles came to you great-tongued, vaunting of empires
Stretched from the risen sun to his rest in the occident waters,
Dreams of a city throned on the hills with her foot on the nations.
Meanwhile the sword was prepared for our breasts and the flame for our housetops.
Wake, awake, O my people! the fire-brand mounts up your doorsteps;
Gods who deceived to slay, press swords on your childrens bosoms.
See, O ye blind, ere death in pale countries open your eyelids!
Hear, O ye deaf, the sounds in your ears and the voices of evening!
Young men who vaunt in your strength! when the voice of this aged Antenor
Governed your fathers youth, all the Orient was joined to our banners.
Macedon leaned to the East and her princes yearned to the victor,
Scythians worshipped in Ilions shrines, the Phoenician trader
Bartered her tokens, Babylons wise men paused at our thresholds;
Fair-haired sons of the snows came rapt towards golden Troya
Drawn by the song and the glory. Strymon sang hymns unto Ida,
Hoarse Chalcidice, dim Chersonesus married their waters
Under the oerarching yoke of Troy twixt the term-posts of Ocean.
Meanwhile far through the world your fortunes led by my counsels
Followed their lure like women snared by a magical tempter:
High was their chant as they paced and it came from continents distant.
Turn now and hear! what voice approaches? what glitter of armies?
Loud upon Trojan beaches the tread and the murmur of Hellas!
Hark! tis the Achaians paean rings oer the Pergaman waters!
So wake the dreams of Aeneas; reaped is Laocoons harvest.
Artisans new of your destiny fashioned this far-spreading downfall,
Counsellors blind who scattered your strength to the hooves of the Scythian,
Barren victories, trophies of skin-clad Illyrian pastors.
Who but the fool and improvident, who but the dreamer and madman
Leaves for the far and ungrasped earths close and provident labour?
Children of earth, our mother gives tokens, she lays down her signposts,
Step by step to advance on her bosom, to grow by her seasons,
Order our works by her patience and limit our thought by her spaces.
But you had chiefs who were demigods, souls of an earth-scorning stature,
Minds that saw vaster than life and strengths that Gods hour could not limit!
These men seized upon Troy as the tool of their giant visions,
Dreaming of Africas suns and bright Hesperian orchards,
Carthage our mart and our feet on the sunset hills of the Latins.
Ilions hinds in the dream ploughed Libya, sowed Italys cornfields,
Troy stretched to Gades; even the gods and the Fates had grown Trojan.
So are the natures of men uplifted by Heaven in its satire.
Scorning the bit of the gods, despisers of justice and measure,
Zeus is denied and adored some shadow huge of their natures
Losing the shape of man in a dream that is splendid and monstrous.
Titans, vaunting they stride and the world resounds with their footsteps;
Titans, clanging they fall and the world is full of their ruin.
Children, you dreamed with them, heard the roar of the Atlantic breakers
Welcome your keels and the Isles of the Blest grew your wonderful gardens.
Lulled in the dream, you saw not the black-drifting march of the storm-rack,
Heard not the galloping wolves of the doom and the howl of their hunger.
Greece in her peril united her jarring clans; you suffered
Patient, preparing the north, the wisdom and silence of Peleus,
Atreus craft and the Argives gathered to King Agamemnon.
But there were prophecies, Pythian oracles, mutterings from Delphi.
How shall they prosper who haste after auguries, oracles, whispers,
Dreams that walk in the night and voices obscure of the silence?
Touches are these from the gods that bewilder the brain to its ruin.
One sole oracle helps, still armoured in courage and prudence
Patient and heedful to toil at the work that is near in the daylight.
Leave to the night its phantoms, leave to the future its curtain!
Only today Heaven gave to mortal man for his labour.
If thou hadst bowed not thy mane, O Troy, to the child and the dreamer,
Hadst thou been faithful to Wisdom the counsellor seated and ancient,
Then would the hour not have dawned when Paris lingered in Sparta
Led by the goddess fatal and beautiful, white Aphrodite.
Man, shun the impulses dire that spring armed from thy natures abysms!
Dread the dusk rose of the gods, flee the honey that tempts from its petals!
Therefore the black deed was done and the hearth that welcomed was sullied.
Sin-called the Fury uplifted her tresses of gloom oer the nations
Maddening the earth with the scream of her blood-thirst, bowelless, stone-eyed,
Claiming her victims from God and bestriding the hate and the clamour.
Yet midst the stroke and the wail when mens eyes were blind with the blood-mist,
Still had the high gods mercy recalling Teucer and Ilus.
Just was the heart of their anger. Discord flaming from Ida,
Hundred-voiced glared from the ships through the camp of the victor Achaians,
Love to that discord added her flowerlike lips of Briseis;
Faltering lids of Polyxena conquered the strength of Pelides.
Vainly the gods who pity open the gates of salvation!
Vainly the winds of their mercy brea the on our fevered existence!
Man his passions prefers to the voice that guides from the heavens.
These too were here whom Hera had chosen to ruin this nation:
Charioteers cracking the whips of their speed on the paths of destruction,
Demigods they! they have come down from Heaven glad to that labour,
Deaf is the world with the fame of their wheels as they race down to Hades.
O that alone they could reach it! O that pity could soften
Harsh Necessitys dealings, sparing our innocent children,
Saving the Trojan women and aged from bonds and the sword-edge!
These had not sinned whom you slay in your madness! Ruthless, O mortals,
Must you be then to yourselves when the gods even faltering with pity
Turn from the grief that must come and the agony vast and the weeping?
Say not the road of escape sinks too low for your arrogant treading.
Pride is not for our clay; the earth, not heaven was our mother
And we are even as the ant in our toil and the beast in our dying;
Only who cling to the hands of the gods can rise up from the earth-mire.
Children, lie prone to their scourge, that your hearts may revive in their sunshine.
This is our lot! when the anger of heaven has passed then the mortal
Raises his head; soon he heals his heart and forgets he has suffered.
Yet if resurgence from weakness and shame were withheld from the creature,
Every fall without morrow, who then would counsel submission?
But since the height of mortal fortune ascending must stumble,
Fallen, again ascend, since death like birth is our portion,
Ripening, mowed, to be sown again like corn by the farmer,
Let us be patient still with the gods accepting their purpose.
Deem not defeat I welcome. Think not to Hellas submitting
Death of proud hope I would seal. Not this have I counselled, O nation,
But to be even as your high-crested forefa thers, greatest of mortals.
Troya of old enringed by the hooves of Cimmerian armies
Flamed to the heavens from her plains and her smoke-blackened citadel sheltered
Mutely the joyless rest of her sons and the wreck of her greatness.
Courage and wisdom survived in that fall and a stern-eyed prudence
Helped her to live; disguised from her mightiness Troy crouched waiting.
Teucer descended whose genius worked at this kingdom and nation,
Patient, scrupulous, wise, like a craftsman carefully toiling
Over a helmet or over a breastplate, testing it always,
Toiled in the eye of the Masters of all and had heed of its labour.
So in the end they would not release him like souls that are common;
They out of Ida sent into Ilion Pallas Athene;
Secret she came and he went with her into the luminous silence.
Teucers children after their sire completed his labour.
Now too, O people, front adversity self-gathered, silent.
Veil thyself, leonine mighty Ilion, hiding thy greatness!
Be as thy father Teucer; be as a cavern for lions;
Be as a Fate that crouches! Wordless and stern for your vengeance
Self-gathered work in the night and secrecy shrouding your bosoms.
Let not the dire heavens know of it; let not the foe seize a whisper!
Ripen the hour of your stroke, while your words drip sweeter than honey.
Sure am I, friends, you will turn from death at my voice, you will hear me!
Some day yet I shall gaze on the ruins of haughty Mycenae.
Is this not better than Ilion cast to the sword of her haters,
Is this not happier than Troya captured and wretchedly burning,
Time to await in his stride when the southern and northern Achaians
Gazing with dull distaste now over their severing isthmus
Hate-filled shall move to the shock by the spur of the gods in them driven,
Pelops march upon Attica, Thebes descend on the Spartan?
Then shall the hour now kept in heaven for us ripen to dawning,
Then shall Victory cry to our banners over the Ocean
Calling our sons with her voice immortal. Children of Ilus,
Then shall Troy rise in her strength and stride over Greece up to Gades.
So Antenor spoke and the mind of the hostile assembly
Moved and swayed with his words like the waters ruled by Poseidon.
Even as the billows rebellious lashed by the whips of the tempest
Curvet and rear their crests like the hooded wrath of a serpent,
Green-eyed under their cowls sublime,unwilling they journey,
Foam-bannered, hoarse-voiced, shepherded, forced by the wind to the margin
Meant for their rest and can turn not at all, though they rage, on their driver,
Last with a sullen applause and consenting lapse into thunder,
Where they were led all the while they sink down huge and astonished,
So in their souls that withstood and obeyed and hated the yielding,
Lashed by his censure, indignant, the Trojans moved towards his purpose:
Sometimes a roar arose, then only, weakened, rarer,
Angry murmurs swelled between sullen stretches of silence;
Last, a reluctant applause broke dull from the throats of the commons.
Silent raged in their hearts Laocoons following daunted;
Troubled the faction of Paris turned to the face of their leader.
He as yet rose not; careless he sat in his beauty and smiling,
Gazing with brilliant eyes at the sculptured pillars of Ilus.
Doubtful, swayed by Antenor, waited in silence the nation.
***
~ Sri Aurobindo, 2 - The Book of the Statesman
,
224:Andromeda
Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Poseidon.
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nilebank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
goddess,
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
18
Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;
Wrapping her head in her mantle she stood, and the people were silent.
Answered the dark-browed priests, 'No word, once spoken, returneth,
Even if uttered unwitting. Shall gods excuse our rashness?
That which is done, that abides; and the wrath of the sea is against us;
Hers, and the wrath of her brother, the Sun-god, lord of the sheepfolds.
Fairer than her hast thou boasted thy daughter? Ah folly! for hateful,
Hateful are they to the gods, whoso, impious, liken a mortal,
Fair though he be, to their glory; and hateful is that which is likened,
Grieving the eyes of their pride, and abominate, doomed to their anger.
What shall be likened to gods? The unknown, who deep in the darkness
Ever abide, twyformed, many-handed, terrible, shapeless.
Woe to the queen; for the land is defiled, and the people accursed.
Take thou her therefore by night, thou ill-starred Cassiopoeia,
Take her with us in the night, when the moon sinks low to the westward;
Bind her aloft for a victim, a prey for the gorge of the monster,
Far on the sea-girt rock, which is washed by the surges for ever;
So may the goddess accept her, and so may the land make atonement,
Purged by her blood from its sin: so obey thou the doom of the rulers.'
Bitter in soul they went out, Cepheus and Cassiopoeia,
Bitter in soul; and their hearts whirled round, as the leaves in the eddy.
Weak was the queen, and rebelled: but the king, like a shepherd of people,
Willed not the land should waste; so he yielded the life of his daughter.
Deep in the wane of the night, as the moon sank low to the westward,
They by the shade of the cliffs, with the horror of darkness around them,
Stole, as ashamed, to a deed which became not the light of the sunshine,
Slowly, the priests, and the queen, and the virgin bound in the galley,
Slowly they rowed to the rocks: but Cepheus far in the palace
Sate in the midst of the hall, on his throne, like a shepherd of people,
Choking his woe, dry-eyed, while the slaves wailed loudly around him.
They on the sea-girt rock, which is washed by the surges for ever,
Set her in silence, the guiltless, aloft with her face to the eastward.
19
Under a crag of the stone, where a ledge sloped down to the water;
There they set Andromeden, most beautiful, shaped like a goddess,
Lifting her long white arms wide-spread to the walls of the basalt,
Chaining them, ruthless, with brass; and they called on the might of the
Rulers.
'Mystical fish of the seas, dread Queen whom AEthiops honour,
Whelming the land in thy wrath, unavoidable, sharp as the sting-ray,
Thou, and thy brother the Sun, brain-smiting, lord of the sheepfold,
Scorching the earth all day, and then resting at night in thy bosom,
Take ye this one life for many, appeased by the blood of a maiden,
Fairest, and born of the fairest, a queen, most priceless of victims.'
Thrice they spat as they went by the maid: but her mother delaying
Fondled her child to the last, heart-crushed; and the warmth of her weeping
Fell on the breast of the maid, as her woe broke forth into wailing.
'Daughter! my daughter! forgive me! Oh curse not the murderess! Curse
not!
How have I sinned, but in love? Do the gods grudge glory to mothers?
Loving I bore thee in vain in the fate-cursed bride-bed of Cepheus,
Loving I fed thee and tended, and loving rejoiced in thy beauty,
Blessing thy limbs as I bathed them, and blessing thy locks as I combed them;
Decking thee, ripening to woman, I blest thee: yet blessing I slew thee!
How have I sinned, but in love? Oh swear to me, swear to thy mother,
Never to haunt me with curse, as I go to the grave in my sorrow,
Childless and lone: may the gods never send me another, to slay it!
See, I embrace thy knees-soft knees, where no babe will be fondledSwear to me never to curse me, the hapless one, not in the death-pang.'
Weeping she clung to the knees of the maid; and the maid low answered'Curse thee! Not in the death-pang!' The heart of the lady was lightened.
Slowly she went by the ledge; and the maid was alone in the darkness.
Watching the pulse of the oars die down, as her own died with them,
Tearless, dumb with amaze she stood, as a storm-stunned nestling
Fallen from bough or from eave lies dumb, which the home-going herdsman
Fancies a stone, till he catches the light of its terrified eyeball.
So through the long long hours the maid stood helpless and hopeless,
Wide-eyed, downward gazing in vain at the black blank darkness.
Feebly at last she began, while wild thoughts bubbled within her'Guiltless I am: why thus, then? Are gods more ruthless than mortals?
Have they no mercy for youth? no love for the souls who have loved them?
Even as I loved thee, dread sea, as I played by thy margin,
Blessing thy wave as it cooled me, thy wind as it breathed on my forehead,
Bowing my head to thy tempest, and opening my heart to thy children,
Silvery fish, wreathed shell, and the strange lithe things of the water,
20
Tenderly casting them back, as they gasped on the beach in the sunshine,
Home to their mother-in vain! for mine sits childless in anguish!
O false sea! false sea! I dreamed what I dreamed of thy goodness;
Dreamed of a smile in thy gleam, of a laugh in the plash of thy ripple:
False and devouring thou art, and the great world dark and despiteful.'
Awed by her own rash words she was still: and her eyes to the seaward
Looked for an answer of wrath: far off, in the heart of the darkness,
Blight white mists rose slowly; beneath them the wandering ocean
Glimmered and glowed to the deepest abyss; and the knees of the maiden
Trembled and sunk in her fear, as afar, like a dawn in the midnight,
Rose from their seaweed chamber the choir of the mystical sea-maids.
Onward toward her they came, and her heart beat loud at their coming,
Watching the bliss of the gods, as they wakened the cliffs with their
laughter.
Onward they came in their joy, and before them the roll of the surges
Sank, as the breeze sank dead, into smooth green foam-flecked marble,
Awed; and the crags of the cliff, and the pines of the mountain were silent.
Onward they came in their joy, and around them the lamps of the sea-nymphs,
Myriad fiery globes, swam panting and heaving; and rainbows
Crimson and azure and emerald, were broken in star-showers, lighting
Far through the wine-dark depths of the crystal, the gardens of Nereus,
Coral and sea-fan and tangle, the blooms and the palms of the ocean.
Onward they came in their joy, more white than the foam which they
scattered,
Laughing and singing, and tossing and twining, while eager, the Tritons
Blinded with kisses their eyes, unreproved, and above them in worship
Hovered the terns, and the seagulls swept past them on silvery pinions
Echoing softly their laughter; around them the wantoning dolphins
Sighed as they plunged, full of love; and the great sea-horses which bore
them
Curved up their crests in their pride to the delicate arms of the maidens,
Pawing the spray into gems, till a fiery rainfall, unharming,
Sparkled and gleamed on the limbs of the nymphs, and the coils of the mermen.
Onward they went in their joy, bathed round with the fiery coolness,
Needing nor sun nor moon, self-lighted, immortal: but others,
Pitiful, floated in silence apart; in their bosoms the sea-boys,
Slain by the wrath of the seas, swept down by the anger of Nereus;
Hapless, whom never again on strand or on quay shall their mothers
Welcome with garlands and vows to the temple, but wearily pining
Gaze over island and bay for the sails of the sunken; they heedless
Sleep in soft bosoms for ever, and dream of the surge and the sea-maids.
Onward they passed in their joy; on their brows neither sorrow nor anger;
21
Self-sufficing, as gods, never heeding the woe of the maiden.
She would have shrieked for their mercy: but shame made her dumb; and their
eyeballs
Stared on her careless and still, like the eyes in the house of the idols.
Seeing they saw not, and passed, like a dream, on the murmuring ripple.
Stunned by the wonder she gazed, wide-eyed, as the glory departed.
'O fair shapes! far fairer than I! Too fair to be ruthless!
Gladden mine eyes once more with your splendour, unlike to my fancies;
You, then, smiled in the sea-gleam, and laughed in the plash of the ripple.
Awful I deemed you and formless; inhuman, monstrous as idols;
Lo, when ye came, ye were women, more loving and lovelier, only;
Like in all else; and I blest you: why blest ye not me for my worship?
Had you no mercy for me, thus guiltless? Ye pitied the sea-boys:
Why not me, then, more hapless by far? Does your sight and your knowledge
End with the marge of the waves? Is the world which ye dwell in not our
world?'
Over the mountain aloft ran a rush and a roll and a roaring;
Downward the breeze came indignant, and leapt with a howl to the water,
Roaring in cranny and crag, till the pillars and clefts of the basalt
Rang like a god-swept lyre, and her brain grew mad with the noises;
Crashing and lapping of waters, and sighing and tossing of weed-beds,
Gurgle and whisper and hiss of the foam, while thundering surges
Boomed in the wave-worn halls, as they champed at the roots of the mountain.
Hour after hour in the darkness the wind rushed fierce to the landward,
Drenching the maiden with spray; she shivering, weary and drooping,
Stood with her heart full of thoughts, till the foam-crests gleamed in the
twilight,
Leaping and laughing around, and the east grew red with the dawning.
Then on the ridge of the hills rose the broad bright sun in his glory,
Hurling his arrows abroad on the glittering crests of the surges,
Gilding the soft round bosoms of wood, and the downs of the coastland;
Gilding the weeds at her feet, and the foam-laced teeth of the ledges,
Showing the maiden her home through the veil of her locks, as they floated
Glistening, damp with the spray, in a long black cloud to the landward.
High in the far-off glens rose thin blue curls from the homesteads;
Softly the low of the herds, and the pipe of the outgoing herdsman,
Slid to her ear on the water, and melted her heart into weeping.
Shuddering, she tried to forget them; and straining her eyes to the seaward,
Watched for her doom, as she wailed, but in vain, to the terrible Sun-god.
'Dost thou not pity me, Sun, though thy wild dark sister be ruthless;
Dost thou not pity me here, as thou seest me desolate, weary,
22
Sickened with shame and despair, like a kid torn young from its mother?
What if my beauty insult thee, then blight it: but me-Oh spare me!
Spare me yet, ere he be here, fierce, tearing, unbearable! See me,
See me, how tender and soft, and thus helpless! See how I shudder,
Fancying only my doom. Wilt thou shine thus bright, when it takes me?
Are there no deaths save this, great Sun? No fiery arrow,
Lightning, or deep-mouthed wave? Why thus? What music in shrieking,
Pleasure in warm live limbs torn slowly? And dar'st thou behold them!
Oh, thou hast watched worse deeds! All sights are alike to thy brightness!
What if thou waken the birds to their song, dost thou waken no sorrow;
Waken no sick to their pain; no captive to wrench at his fetters?
Smile on the garden and fold, and on maidens who sing at the milking;
Flash into tapestried chambers, and peep in the eyelids of lovers,
Showing the blissful their bliss-Dost love, then, the place where thou
smilest?
Lovest thou cities aflame, fierce blows, and the shrieks of the widow?
Lovest thou corpse-strewn fields, as thou lightest the path of the vulture?
Lovest thou these, that thou gazest so gay on my tears, and my mother's,
Laughing alike at the horror of one, and the bliss of another?
What dost thou care, in thy sky, for the joys and the sorrows of mortals?
Colder art thou than the nymphs: in thy broad bright eye is no seeing.
Hadst thou a soul-as much soul as the slaves in the house of my father,
Wouldst thou not save? Poor thralls! they pitied me, clung to me weeping,
Kissing my hands and my feet-What, are gods more ruthless than mortals?
Worse than the souls which they rule? Let me die: they war not with ashes!'
Sudden she ceased, with a shriek: in the spray, like a hovering foam-bow,
Hung, more fair than the foam-bow, a boy in the bloom of his manhood,
Golden-haired, ivory-limbed, ambrosial; over his shoulder
Hung for a veil of his beauty the gold-fringed folds of the goat-skin,
Bearing the brass of his shield, as the sun flashed clear on its clearness.
Curved on his thigh lay a falchion, and under the gleam of his helmet
Eyes more blue than the main shone awful; around him Athene
Shed in her love such grace, such state, and terrible daring.
Hovering over the water he came, upon glittering pinions,
Living, a wonder, outgrown from the tight-laced gold of his sandals;
Bounding from billow to billow, and sweeping the crests like a sea-gull;
Leaping the gulfs of the surge, as he laughed in the joy of his leaping.
Fair and majestic he sprang to the rock; and the maiden in wonder
Gazed for a while, and then hid in the dark-rolling wave of her tresses,
Fearful, the light of her eyes; while the boy (for her sorrow had awed him)
Blushed at her blushes, and vanished, like mist on the cliffs at the sunrise.
Fearful at length she looked forth: he was gone: she, wild with amazement,
23
Wailed for her mother aloud: but the wail of the wind only answered.
Sudden he flashed into sight, by her side; in his pity and anger
Moist were his eyes; and his breath like a rose-bed, as bolder and bolder,
Hovering under her brows, like a swallow that haunts by the house-eaves,
Delicate-handed, he lifted the veil of her hair; while the maiden
Motionless, frozen with fear, wept loud; till his lips unclosing
Poured from their pearl-strung portal the musical wave of his wonder.
'Ah, well spoke she, the wise one, the gray-eyed Pallas Athene,Known to Immortals alone are the prizes which lie for the heroes
Ready prepared at their feet; for requiring a little, the rulers
Pay back the loan tenfold to the man who, careless of pleasure,
Thirsting for honour and toil, fares forth on a perilous errand
Led by the guiding of gods, and strong in the strength of Immortals.
Thus have they led me to thee: from afar, unknowing, I marked thee,
Shining, a snow-white cross on the dark-green walls of the sea-cliff;
Carven in marble I deemed thee, a perfect work of the craftsman.
Likeness of Amphitrite, or far-famed Queen Cythereia.
Curious I came, till I saw how thy tresses streamed in the sea-wind,
Glistening, black as the night, and thy lips moved slow in thy wailing.
Speak again now-Oh speak! For my soul is stirred to avenge thee;
Tell me what barbarous horde, without law, unrighteous and heartless,
Hateful to gods and to men, thus have bound thee, a shame to the sunlight,
Scorn and prize to the sailor: but my prize now; for a coward,
Coward and shameless were he, who so finding a glorious jewel
Cast on the wayside by fools, would not win it and keep it and wear it,
Even as I will thee; for I swear by the head of my father,
Bearing thee over the sea-wave, to wed thee in Argos the fruitful,
Beautiful, meed of my toil no less than this head which I carry,
Hidden here fearful-Oh speak!'
But the maid, still dumb with amazement,
Watered her bosom with weeping, and longed for her home and her mother.
Beautiful, eager, he wooed her, and kissed off her tears as he hovered,
Roving at will, as a bee, on the brows of a rock nymph-haunted,
Garlanded over with vine, and acanthus, and clambering roses,
Cool in the fierce still noon, where streams glance clear in the mossbeds,
Hums on from blossom to blossom, and mingles the sweets as he tastes them.
Beautiful, eager, he kissed her, and clasped her yet closer and closer,
Praying her still to speak'Not cruel nor rough did my mother
Bear me to broad-browed Zeus in the depths of the brass-covered dungeon;
Neither in vain, as I think, have I talked with the cunning of Hermes,
Face unto face, as a friend; or from gray-eyed Pallas Athene
24
Learnt what is fit, and respecting myself, to respect in my dealings
Those whom the gods should love; so fear not; to chaste espousals
Only I woo thee, and swear, that a queen, and alone without rival
By me thou sittest in Argos of Hellas, throne of my fathers,
Worshipped by fair-haired kings: why callest thou still on thy mother?
Why did she leave thee thus here? For no foeman has bound thee; no foeman
Winning with strokes of the sword such a prize, would so leave it behind
him.'
Just as at first some colt, wild-eyed, with quivering nostril,
Plunges in fear of the curb, and the fluttering robes of the rider;
Soon, grown bold by despair, submits to the will of his master,
Tamer and tamer each hour, and at last, in the pride of obedience,
Answers the heel with a curvet, and arches his neck to be fondled,
Cowed by the need that maid grew tame; while the hero indignant
Tore at the fetters which held her: the brass, too cunningly tempered,
Held to the rock by the nails, deep wedged: till the boy, red with anger,
Drew from his ivory thigh, keen flashing, a falchion of diamond'Now let the work of the smith try strength with the arms of Immortals!'
Dazzling it fell; and the blade, as the vine-hook shears off the vine-bough,
Carved through the strength of the brass, till her arms fell soft on his
shoulder.
Once she essayed to escape: but the ring of the water was round her,
Round her the ring of his arms; and despairing she sank on his bosom.
Then, like a fawn when startled, she looked with a shriek to the seaward.
'Touch me not, wretch that I am! For accursed, a shame and a hissing,
Guiltless, accurst no less, I await the revenge of the sea-gods.
Yonder it comes! Ah go! Let me perish unseen, if I perish!
Spare me the shame of thine eyes, when merciless fangs must tear me
Piecemeal! Enough to endure by myself in the light of the sunshine
Guiltless, the death of a kid!'
But the boy still lingered around her,
Loth, like a boy, to forego her, and waken the cliffs with his laughter.
'Yon is the foe, then? A beast of the sea? I had deemed him immortal.
Titan, or Proteus' self, or Nereus, foeman of sailors:
Yet would I fight with them all, but Poseidon, shaker of mountains,
Uncle of mine, whom I fear, as is fit; for he haunts on Olympus,
Holding the third of the world; and the gods all rise at his coming.
Unto none else will I yield, god-helped: how then to a monster,
Child of the earth and of night, unreasoning, shapeless, accursed?'
'Art thou, too, then a god?'
'No god I,' smiling he answered;
'Mortal as thou, yet divine: but mortal the herds of the ocean,
25
Equal to men in that only, and less in all else; for they nourish
Blindly the life of the lips, untaught by the gods, without wisdom:
Shame if I fled before such!'
In her heart new life was enkindled,
Worship and trust, fair parents of love: but she answered him sighing.
'Beautiful, why wilt thou die? Is the light of the sun, then, so
worthless,
Worthless to sport with thy fellows in flowery glades of the forest,
Under the broad green oaks, where never again shall I wander,
Tossing the ball with my maidens, or wreathing the altar in garlands,
Careless, with dances and songs, till the glens rang loud to our laughter.
Too full of death the sad earth is already: the halls full of weepers,
Quarried by tombs all cliffs, and the bones gleam white on the sea-floor,
Numberless, gnawn by the herds who attend on the pitiless sea-gods,
Even as mine will be soon: and yet noble it seems to me, dying,
Giving my life for a people, to save to the arms of their lovers
Maidens and youths for a while: thee, fairest of all, shall I slay thee?
Add not thy bones to the many, thus angering idly the dread ones!
Either the monster will crush, or the sea-queen's self overwhelm thee,
Vengeful, in tempest and foam, and the thundering walls of the surges.
Why wilt thou follow me down? can we love in the black blank darkness?
Love in the realms of the dead, in the land where all is forgotten?
Why wilt thou follow me down? is it joy, on the desolate oozes,
Meagre to flit, gray ghosts in the depths of the gray salt water?
Beautiful! why wilt thou die, and defraud fair girls of thy manhood?
Surely one waits for thee longing, afar in the isles of the ocean.
Go thy way; I mine; for the gods grudge pleasure to mortals.'
Sobbing she ended her moan, as her neck, like a storm-bent lily,
Drooped with the weight of her woe, and her limbs sank, weary with watching,
Soft on the hard-ledged rock: but the boy, with his eye on the monster,
Clasped her, and stood, like a god; and his lips curved proud as he answered'Great are the pitiless sea-gods: but greater the Lords of Olympus;
Greater the AEgis-wielder, and greater is she who attends him.
Clear-eyed Justice her name is, the counsellor, loved of Athene;
Helper of heroes, who dare, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens' and the forests
Smite the devourers of men, Heaven-hated, brood of the giants,
Twyformed, strange, without like, who obey not the golden-haired Rulers.
Vainly rebelling they rage, till they die by the swords of the heroes,
Even as this must die; for I burn with the wrath of my father,
Wandering, led by Athene; and dare whatsoever betides me.
Led by Athene I won from the gray-haired terrible sisters
26
Secrets hidden from men, when I found them asleep on the sand-hills,
Keeping their eye and their tooth, till they showed me the perilous pathway
Over the waterless ocean, the valley that led to the Gorgon.
Her too I slew in my craft, Medusa, the beautiful horror;
Taught by Athene I slew her, and saw not herself, but her image,
Watching the mirror of brass, in the shield which a goddess had lent me.
Cleaving her brass-scaled throat, as she lay with her adders around her,
Fearless I bore off her head, in the folds of the mystical goat-skin
Hide of Amaltheie, fair nurse of the AEgis-wielder.
Hither I bear it, a gift to the gods, and a death to my foe-men,
Freezing the seer to stone; to hide thine eyes from the horror.
Kiss me but once, and I go.'
Then lifting her neck, like a sea-bird
Peering up over the wave, from the foam-white swells of her bosom,
Blushing she kissed him: afar, on the topmost Idalian summit
Laughed in the joy of her heart, far-seeing, the queen Aphrodite.
Loosing his arms from her waist he flew upward, awaiting the sea-beast.
Onward it came from the southward, as bulky and black as a galley,
Lazily coasting along, as the fish fled leaping before it;
Lazily breasting the ripple, and watching by sandbar and headland,
Listening for laughter of maidens at bleaching, or song of the fisher,
Children at play on the pebbles, or cattle that pawed on the sand-hills.
Rolling and dripping it came, where bedded in glistening purple
Cold on the cold sea-weeds lay the long white sides of the maiden,
Trembling, her face in her hands, and her tresses afloat on the water.
As when an osprey aloft, dark-eyebrowed, royally crested,
Flags on by creek and by cove, and in scorn of the anger of Nereus
Ranges, the king of the shore; if he see on a glittering shallow,
Chasing the bass and the mullet, the fin of a wallowing dolphin,
Halting, he wheels round slowly, in doubt at the weight of his quarry,
Whether to clutch it alive, or to fall on the wretch like a plummet,
Stunning with terrible talon the life of the brain in the hindhead:
Then rushes up with a scream, and stooping the wrath of his eyebrows
Falls from the sky, like a star, while the wind rattles hoarse in his
pinions.
Over him closes the foam for a moment; and then from the sand-bed
Rolls up the great fish, dead, and his side gleams white in the sunshine.
Thus fell the boy on the beast, unveiling the face of the Gorgon;
Thus fell the boy on the beast; thus rolled up the beast in his horror,
Once, as the dead eyes glared into his; then his sides, death-sharpened,
Stiffened and stood, brown rock, in the wash of the wandering water.
Beautiful, eager, triumphant, he leapt back again to his treasure;
27
Leapt back again, full blest, toward arms spread wide to receive him.
Brimful of honour he clasped her, and brimful of love she caressed him,
Answering lip with lip; while above them the queen Aphrodite
Poured on their foreheads and limbs, unseen, ambrosial odours,
Givers of longing, and rapture, and chaste content in espousals.
Happy whom ere they be wedded anoints she, the Queen Aphrodite!
Laughing she called to her sister, the chaste Tritonid Athene,
'Seest thou yonder thy pupil, thou maid of the AEgis-wielder?
How he has turned himself wholly to love, and caresses a damsel,
Dreaming no longer of honour, or danger, or Pallas Athene?
Sweeter, it seems, to the young my gifts are; so yield me the stripling;
Yield him me now, lest he die in his prime, like hapless Adonis.'
Smiling she answered in turn, that chaste Tritonid Athene:
'Dear unto me, no less than to thee, is the wedlock of heroes;
Dear, who can worthily win him a wife not unworthy; and noble,
Pure with the pure to beget brave children, the like of their father.
Happy, who thus stands linked to the heroes who were, and who shall be;
Girdled with holiest awe, not sparing of self; for his mother
Watches his steps with the eyes of the gods; and his wife and his children
Move him to plan and to do in the farm and the camp and the council.
Thence comes weal to a nation: but woe upon woe, when the people
Mingle in love at their will, like the brutes, not heeding the future.'
Then from her gold-strung loom, where she wrought in her chamber of cedar,
Awful and fair she arose; and she went by the glens of Olympus;
Went by the isles of the sea, and the wind never ruffled her mantle;
Went by the water of Crete, and the black-beaked fleets of the Phoenics;
Came to the sea-girt rock which is washed by the surges for ever,
Bearing the wealth of the gods, for a gift to the bride of a hero.
There she met Andromeden and Persea, shaped like Immortals;
Solemn and sweet was her smile, while their hearts beat loud at her coming;
Solemn and sweet was her smile, as she spoke to the pair in her wisdom.
'Three things hold we, the Rulers, who sit by the founts of Olympus,
Wisdom, and prowess, and beauty; and freely we pour them on mortals;
Pleased at our image in man, as a father at his in his children.
One thing only we grudge to mankind: when a hero, unthankful,
Boasts of our gifts as his own, stiffnecked, and dishonours the givers,
Turning our weapons against us. Him Ate follows avenging;
Slowly she tracks him and sure, as a lyme-hound; sudden she grips him,
Crushing him, blind in his pride, for a sign and a terror to folly.
This we avenge, as is fit; in all else never weary of giving.
Come, then, damsel, and know if the gods grudge pleasure to mortals.'
Loving and gentle she spoke: but the maid stood in awe, as the goddess
28
Plaited with soft swift finger her tresses, and decked her in jewels,
Armlet and anklet and earbell; and over her shoulders a necklace,
Heavy, enamelled, the flower of the gold and the brass of the mountain.
Trembling with joy she gazed, so well Haephaistos had made it,
Deep in the forges of AEtna, while Charis his lady beside him
Mingled her grace in his craft, as he wrought for his sister Athene.
Then on the brows of the maiden a veil bound Pallas Athene;
Ample it fell to her feet, deep-fringed, a wonder of weaving.
Ages and ages agone it was wrought on the heights of Olympus,
Wrought in the gold-strung loom, by the finger of cunning Athene.
In it she wove all creatures that teem in the womb of the ocean;
Nereid, siren, and triton, and dolphin, and arrowy fishes
Glittering round, many-hued, on the flame-red folds of the mantle.
In it she wove, too, a town where gray-haired kings sat in judgment;
Sceptre in hand in the market they sat, doing right by the people,
Wise: while above watched Justice, and near, far-seeing Apollo.
Round it she wove for a fringe all herbs of the earth and the water,
Violet, asphodel, ivy, and vine-leaves, roses and lilies,
Coral and sea-fan and tangle, the blooms and the palms of the ocean:
Now from Olympus she bore it, a dower to the bride of a hero.
Over the limbs of the damsel she wrapt it: the maid still trembled,
Shading her face with her hands; for the eyes of the goddess were awful.
Then, as a pine upon Ida when southwest winds blow landward,
Stately she bent to the damsel, and breathed on her: under her breathing
Taller and fairer she grew; and the goddess spoke in her wisdom.
'Courage I give thee; the heart of a queen, and the mind of Immortals;
Godlike to talk with the gods, and to look on their eyes unshrinking;
Fearing the sun and the stars no more, and the blue salt water;
Fearing us only, the lords of Olympus, friends of the heroes;
Chastely and wisely to govern thyself and thy house and thy people,
Bearing a godlike race to thy spouse, till dying I set thee
High for a star in the heavens, a sign and a hope to the seamen,
Spreading thy long white arms all night in the heights of the aether,
Hard by thy sire and the hero thy spouse, while near thee thy mother
Sits in her ivory chair, as she plaits ambrosial tresses.
All night long thou wilt shine; all day thou wilt feast on Olympus,
Happy, the guest of the gods, by thy husband, the god-begotten.'
Blissful, they turned them to go: but the fair-tressed Pallas Athene
Rose, like a pillar of tall white cloud, toward silver Olympus;
Far above ocean and shore, and the peaks of the isles and the mainland;
Where no frost nor storm is, in clear blue windless abysses,
High in the home of the summer, the seats of the happy Immortals,
29
Shrouded in keen deep blaze, unapproachable; there ever youthful
Hebe, Harmonie, and the daughter of Jove, Aphrodite,
Whirled in the white-linked dance with the gold-crowned Hours and the Graces,
Hand within hand, while clear piped Phoebe, queen of the woodlands.
All day long they rejoiced: but Athene still in her chamber
Bent herself over her loom, as the stars rang loud to her singing,
Chanting of order and right, and of foresight, warden of nations;
Chanting of labour and craft, and of wealth in the port and the garner;
Chanting of valour and fame, and the man who can fall with the foremost,
Fighting for children and wife, and the field which his father bequeathed
him.
Sweetly and solemnly sang she, and planned new lessons for mortals:
Happy, who hearing obey her, the wise unsullied Athene.
Eversley, 1852.
~ Charles Kingsley,
225: Ahana

Ahana
(Ahana, the Dawn of God, descends on the world where amid the strife and trouble of mortality the Hunters of Joy, the
Seekers after Knowledge, the Climbers in the quest of Power are toiling up the slopes or waiting in the valleys. As she stands on the mountains of the East, voices of the Hunters of Joy are the first to greet her.)
Vision delightful alone on the hills whom the silences cover,
Closer yet lean to mortality; human, stoop to thy lover.

Wonderful, gold like a moon in the square of the sun where thou strayest
Glimmers thy face amid crystal purities; mighty thou playest
Sole on the peaks of the world, unafraid of thy loneliness. Glances
Leap from thee down to us, dream-seas and light-falls and magical trances;
Sun-drops flake from thy eyes and the heart's caverns packed are with pleasure
Strange like a song without words or the dance of a measureless measure.

Tread through the edges of dawn, over twilight's grey-lidded margin;
Heal earth's unease with thy feet, O heaven-born delicate virgin.

Children of Time whose spirits came down from eternity, seizing
Joys that escape us, yoked by our hearts to a labour unceasing,
Earth-bound, torn with our longings, our life is a brief incompleteness.

Thou hast the stars to sport with, the winds run like bees to thy sweetness.

Art thou not heaven-bound even as I with the earth? Hast thou ended
All desirable things in a stillness lone and unfriended?
Only is calm so sweet? is our close tranquillity only?
Cold are the rivers of peace and their banks are leafless and lonely.

Heavy is godhead to bear with its mighty sun-burden of lustre.

Art thou not weary of only the stars in their solemn muster,
Sky-hung the chill bare plateaus and peaks where the eagle rejoices
In the inhuman height of his nesting, solitude's voices
Making the heart of the silence lonelier? strong and untiring,
Deaf with the cry of the waterfall, lonely the pine lives aspiring.

Two are the ends of existence, two are the dreams of the Mother:

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Heaven unchanging, earth with her time-beats yearn to each other, -
Earth-souls needing the touch of the heavens peace to recapture,
Heaven needing earth's passion to quiver its peace into rapture.

Marry, O lightning eternal, the passion of a moment-born fire!
Out of thy greatness draw close to the breast of our mortal desire!
Is he thy master, Rudra the mighty, Shiva ascetic?
Has he denied thee his world? In his dance that they tell of, ecstatic,
Slaying, creating, calm in the midst of the movement and madness,
Stole there no rhythm of an earthly joy and a mortal sadness?
Wast thou not made in the shape of a woman? Sweetness and beauty
Move like a song of the gods in thy limbs and to love is thy duty
Graved in thy heart as on tablets of fate; joy's delicate blossom
Sleeps in thy lids of delight; all Nature hides in thy bosom
Claiming her children unborn and the food of her love and her laughter.

Is he the first? was there none then before him? shall none come after?
He who denies and his blows beat down on our hearts like a hammer's,
He whose calm is the silent reply to our passion and clamours!
Is not there deity greater here new-born in a noble
Labour and sorrow and struggle than stilled into rapture immobile?
Earth has beatitudes warmer than heaven's that are bare and undying,
Marvels of Time on the crest of the moments to Infinity flying.

Earth has her godheads; the Tritons sway on the toss of the billows,
Emerald locks of the Nereids stream on their foam-crested pillows,
Dryads peer out from the branches, Naiads glance up from the waters;
High are her flame-points of joy and the gods are ensnared by her daughters.

Artemis calls as she flees through the glades and the breezes pursue her;
Cypris laughs in her isles where the ocean-winds linger to woo her.

Here thou shalt meet amid beauty forgotten the dance of the Graces;
Night shall be haunted for ever with strange and delicate faces.

Music is here of the fife and the flute and the lyre and the timbal,
Wind in the forests, bees in the grove, - spring's ardent cymbal
Thrilling, the cry of the cuckoo; the nightingale sings in the branches,
Human laughter is heard and the cattle low in the ranches.

Frankly and sweetly she gives to her children the bliss of her body,
Breath of her lips and the green of her garments, rain-pourings heady
Tossed from her cloud-carried beaker of tempest, oceans and streamlets,
Dawn and the mountain-air, corn-fields and vineyards, pastures and hamlets,

Ahana

479

Tangles of sunbeams asleep, mooned dream-depths, twilight's shadows,
Taste and scent and the fruits of her trees and the flowers of her meadows,
Life with her wine-cup of longing under the purple of her tenture,
Death as her gate of escape and rebirth and renewal of venture.

Still must they mutter that all here is vision and passing appearance,
Magic of Maya with falsehood and pain for its only inherence.

One is there only, apart in his greatness, the End and Beginning, -
He who has sent through his soul's wide spaces the universe spinning.

One eternal, Time an illusion, life a brief error!
One eternal, Master of heaven - and of hell and its terror!
Spirit of silence and purity rapt and aloof from creation, -
Dreaming through aeons unreal his splendid and empty formation!
Spirit all-wise in omnipotence shaping a world but to break it, -
Pushed by what mood of a moment, the breath of what fancy to make it?
None is there great but the eternal and lonely, the unique and unmated,
Bliss lives alone with the self-pure, the single, the forever-uncreated.

Truths? or thought's structures bridging the vacancy mute and unsounded
Facing the soul when it turns from the stress of the figures around it?
Solely we see here a world self-made by some indwelling Glory
Building with forms and events its strange and magnificent story.

Yet at the last has not all been solved and unwisdom demolished,
Myth cast out and all dreams of the soul, and all worship abolished?
All now is changed, the reverse of the coin has been shown to us; Reason
Waking, detecting the hoax of the spirit, at last has arisen,
Captured the Truth and built round her its bars that she may not skedaddle,
Gallop again with the bit in her teeth and with Fancy in the saddle.

Now have the wise men discovered that all is the craft of a superMagic of Chance and a movement of Void and inconscient Stupor.

Chance by a wonderful accident ever her ripples expanding
Out of a gaseous circle of Nothingness, implacably extending
Freak upon freak, repeating rigidly marvels on marvels,
Making a world out of Nothing, started on the arc of her travels.

Nothingness born into feeling and action dies back to Nothing.

Sea of a vague electricity, romping through space-curves and clothing
Strangely the Void with a semblance of Matter, painfully flowered
Into this giant phenomenon universe. Man who has towered
Out of the plasm and struggled by thought to Divinity's level,

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Man, this miniature second creator of good and of evil,
He too was only a compost of Matter made living, organic,
Forged as her thinking tool by an Energy blind and mechanic.

Once by an accident queer but quite natural, provable, simple,
Out of blind Space-Nought lashed into life, wearing Mind as its wimple,
Dupe of a figment of consciousness, doped with behaviour and feature,
Matter deluded claimed to be spirit and sentient creature.

All the high dreams man has dreamed and his hopes and his deeds, his soul's greatness
Are but a food-seeking animal's acts with the mind for their witness, -
Mind a machine for the flickers of thought, Matter's logic unpremissed, -
Are but a singular fireworks, chemistry lacking the chemist,
Matter's nervous display; the heart's passion, the sorrow and burning
Fire of delight and sweet ecstasy, love and its fathomless yearning,
Boundless spiritual impulses making us one with world-being,
Outbursts of vision opening doors to a limitless seeing,
Gases and glands and the genes and the nerves and the brain-cells have done it,
Brooded out drama and epic, structured the climb of the sonnet,
Studied the stars and discovered the brain and the laws of its thinking,
Sculptured the cave-temple, reared the cathedral, infinity drinking
Wrought manufacturing God and the soul for the uplift of Nature, -
Science, philosophy, head of his mystical chemical stature,
Music and painting revealing the godhead in sound and in colour,
Acts of the hero, thoughts of the thinker, search of the scholar,
All the magnificent planning, all the inquiry and wonder
Only a trick of the atom, its marvellous magical blunder.

Who can believe it? Something or someone, a Force or a Spirit
Conscious, creative, wonderful shaped out a world to inherit
Here for the beings born from its vast universal existence, -
Fields of surprise and adventure, vistas of light-haunted distance,
Play-routes of wisdom and vision and struggle and rapture and sorrow,
Sailing in Time through the straits of today to the sea of tomorrow.

Worlds and their wonders, suns and their flamings, earth and her nations,
Voyages endless of Mind through the surge of its fate-tossed creations,
Star upon star throbbing out in the silence of infinite spaces,
Species on species, bodies on bodies, faces on faces,

Ahana

481

Souls without number crossing through Time towards eternity, aeons
Crowding on aeons, loving and battle, dirges and paeans,
Thoughts ever leaping, hopes ever yearning, lives ever streaming,
Millions and millions on trek through the days with their doings and dreaming,
Herds of the Sun who move on at the cry of the radiant drover, -
Countless, surviving the death of the centuries, lost to recover,
Finished, but only to begin again, who is its tireless creator,
Cause or the force of its driving, its thinker or formless dictator?
Surely no senseless Vacancy made it, surely 'twas fashioned
By an almighty One million-ecstasied, thousand-passioned.

Self-made? then by what self from which thought could arise and emotion,
Waves that well up to the surface, born from what mysteried ocean?
Nature alone is the fountain. But what is she? Is she not only
Figure and name for what none understands, though all feel, or a lonely
Word in which all finds expression, spirit-heights, dumb work of Matter, -
Vague designation filling the gaps of our thought with its clatter?
Power without vision that blunders in man into thinking and sinning?
Rigid, too vast inexhaustible mystery void of a meaning?
Energy blindly devising, unconsciously ranging in order?
Chance in the march of a cosmic Insanity crossing the border
Out of the eternal silence to thought and its strangeness and splendour?
Consciousness born by an accident until an accident end her?
Nought else is she but the power of the Spirit who dwells in her ever,
Witness and cause of her workings, lord of her pauseless endeavour.

All things she knows, though she seems here unseeing; even in her slumber
Wondrous her works are, design and its magic and magic of number,
Plan of her mighty cosmic geometry, balance of forces,
Universe flung beyond universe, law of the stars and their courses,
Cosmos atomic stretched to the scale of the Infinite's measure.

Mute in the trance of the Eternal she sleeps with the stone and the azure.

Now she awakes; for life has just stirred in her, stretching first blindly
Outward for sense and its pleasure and pain and the gifts of the kindly
Mother of all, for her light and her air and the sap from her flowing,
Pleasure of bloom and inconscient beauty, pleasure of growing.

Then into mind she arises; heart's yearning awakes and reflection
Looks out on struggle and harmony, - conscious, her will of selection

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Studies her works and illumines the choice of her way; last, slowly
Inward she turns and stares at the Spirit within her. Holy
Silences brood in her heart and she feels in her ardent recesses
Passions too great for her frame, on her body immortal caresses.

Into the calm of the Greatness beyond her she enters, burning
Now with a light beyond thought's, towards Self and Infinity turning,
Turned to beatitude, turned to eternity, spiritual grandeur,
Power without limit, ecstasy imperishable, shadowless splendour.

Then to her mortals come, flashing, thoughts that are wisdom's fire-kernel;
Leaping her flame-sweeps of might and delight and of vision supernal
Kindle the word and the act, the Divine and humanity fusing,
Illuminations, trance-seeds of silence, flowers of musing, -
Light of our being that yet has to be, its glory and glimmer
Smiting with sunrise the soul of the sage and the heart of the dreamer.

Or is it all but a vain expectation and effort ungrounded,
Wings without body, sight without object, waters unsounded,
Hue of a shimmer that steals through some secret celestial portal,
Glory of a gleam or a dream in an animal brief-lived and mortal?
Are they not radiances native to heaven's more fortunate ether,
Won when we part from this body, this temporal house of a nether
Mystery of life lived in vain? Upon earth is the glory forbidden,
Nature for ever accursed, frustrated, grief-vexed, fate-ridden?
Half of the glory she dreamed of forgotten or lost in earth's darkness,
Half of it mangled and missed as the death-wheels whirl in their starkness,
Cast out from heaven a goddess rebellious with mind for her mirror,
Cursed with desire and self-will and doomed to self-torture and error,
Came she to birth then with God for her enemy? Were we created
He unwilling or sleeping? did someone transgress the fated
Limits he set, outwitting God? In the too hasty vision
Marred of some demiurge filmed there the blur of a fatal misprision,
Making a world that revolves on itself in a circuit of failure,
Aeons of striving, death for a recompense, Time for our tenure?
Out of him rather she came and for him are her cry and her labour;
Deep are her roots in him; topless she climbs, to his greatness a neighbour.

All is himself in her, brooding in darkness, mounting the sun-ways;
Air-flight to him is man's journey with heaven and earth for the runways.

He is the witness and doer, he is the loved and the lover,

Ahana

483

He the eternal Truth that we look in ourselves to discover.

All is his travel in Time; it is he who turns history's pages,
Act and event and result are the trail that he leaves through the ages;
Form and idea are his signs and number and sound are his symbols,
Music and singing, the word and its rhythm are Divinity's cymbals,
Thunder and surge are the drums of his marching. Through us, with urges
Self-ward, form-bound, mute, motionless, slowly inevitably emerges
Vast as the cosmos, minute as the atom, the Spirit eternal.

Often the gusts of his force illumining moments diurnal
Flame into speech and idea; transcendences splendid and subtle
Suddenly shoot through the weft of our lives from a magical shuttle;
Hid in our hearts is his glory; the Spirit works in our members.

Silence is he, with our voices he speaks, in our thoughts he remembers.

Deep in our being inhabits the voiceless invisible Teacher;
Powers of his godhead we live; the Creator dwells in the creature.

Out of his Void we arise to a mighty and shining existence,
Out of Inconscience, tearing the black Mask's giant resistance;
Waves of his consciousness well from him into these bodies in Nature,
Forms are put round him; his oneness, divided by mind's nomenclature,
High on the summits of being ponders immobile and single,
Penetrates atom and cell as the tide drenches sand-grain and shingle.

Oneness unknown to us dwells in these millions of figures and faces,
Wars with itself in our battles, loves in our clinging embraces,
Inly the self and the substance of things and their cause and their mover
Veiled in the depths which the foam of our thoughts and our life's billows cover,
Heaves like the sea in its waves; like heaven with its star-fires it gazes
Watching the world and its works. Interned in the finite's mazes,
Still shall he rise to his vast superconscience, we with him climbing;
Truth of man's thought with the truth of God's spirit faultlessly timing,
That which was mortal shall enter immortality's golden precincts,
Hushed breath of ecstasy, honey of lotus depths where the bee sinks,
Timeless expanses too still for the voice of the hours to inveigle,
Spaces of spirit too vast for the flight of the God-bearing eagle, -
Enter the Splendour that broods now unseen on us, deity invading,
Sight without error, light without shadow, beauty unfading,
Infinite largeness, rapture eternal, love none can sever,

484

Pondicherry, c. 1910 - 1920

Life, not this death-play, but a power God-driven and blissful for ever.

"No," cry the wise, "for a circle was traced, there was pyloned a limit
Only we escape through dream's thin passages. None can disclaim it;
All things created are made by their borders, sketched out and coded;
Vain is the passion to divinise manhood, humanise godhead.

None can exceed himself; even to find oneself hard for our search is:
Only we see as in night by a lustre of flickering torches.

To be content with our measure, our space is the law of our living.

All of thyself to thy manhood and Nature and Circumstance giving,
Be what thou must be or be what thou canst be, one hour in an era.

Knowing the truth of thy days, shun the light of ideal and chimera:
Curb heart's impatience, bind thy desires down, pause from self-vexing."
Who is the nomad then? who is the seeker, the gambler risking
All for a dream in a dream, the old and the sure and the stable
Flung as a stake for a prize that was never yet laid on the table?
Always the world is expanding and growing from minute to minute;
Playing the march of the adventure of Time with our lives for her spinet
Maya or Nature, the wonderful Mother, strikes out surprising
Strains of the spirit disprisoned; creation heavenward rising
Wrestles with Time and Space and the Unknown to give form to the Formless.

Bliss is her goal, but her road is through whirlwind and death-blast and storm-race.

All is a wager and danger, all is a chase and a battle.

Vainly man, crouched in his corner of safety, shrinks from the fatal
Lure of the Infinite. Guided by Powers that surround and precede us
Fearful and faltering steps are our perishing efforts that lead us
On through the rooms of the finite till open the limitless spaces
And we can look into all-seeing eyes and imperishable faces.

But we must pass through the aeons; Space is a bar twixt our ankles,
Time is a weight that we drag and the scar of the centuries rankles:
Caught by the moments, held back from the spirit's timelessness, slowly
Wading in shallows we take not the sea-plunge vastly and wholly.

Hard is the way to the Eternal for the mind-born will of the mortal
Bound by the body and life to the gait of the house-burdened turtle.

Here in this world that knows not its morrow, this reason that stumbles
Onward from error to truth and from truth back to error while crumbles
All that it fashioned, after the passion and travail are ended,

Ahana

485

After the sacrifice offered when the will and the strength are expended,
Nothing is done but to have laid down one stone of a road without issue,
Added our quota of evil and good to an ambiguous tissue.

Destiny's lasso, its slip-knot tied by delight and repining,
Draws us through tangles of failure and victory's inextricable twining.

In the hard reckoning made by the grey-robed accountant at even
Pain is the ransom we pay for the smallest foretaste of heaven.

Ignorance darkens, death and inconscience gape to absorb us;
Thick and persistent the Night confronts us, its hunger enormous
Swallowing our work and our lives. Our love and our knowledge squandered
Lie like a treasure refused and trod down on the ways where we wandered;
All we have done is effaced by the thousands behind us arriving.

Trapped in a round fixed for ever circles our thought and our living.

Fiercely the gods in their jealousy strike down the heads that have neighboured
Even for a moment their skies; in the sands our achievements are gravured.

Yet survives bliss in the rhythm of our heart-beats, yet is there wonder,
Beauty's immortal delight, and the seals of the mystery sunder.

Honied a thousand whispers come, in the birds, in the breezes,
Moonlight, the voices of streams; with a hundred marvellous faces
Always he lures us to love him, always he draws us to pleasure
Leaving remembrance and anguish behind for our only treasure.

Passionate we seek for him everywhere, yearn for some sign of him, calling,
Scanning the dust for his footprints, praying and stumbling and falling;
Nothing is found and no answer comes from the masks that are passing.

Memories linger, lines from the past like a half-faded tracing.

He has passed on into silence wearing his luminous mantle.

Out of the melodied distance a laugh rings pure-toned, infantile,
Sole reminder that he is, last signal recalling his presence.

There is a joy behind suffering; pain digs our road to his pleasance.

All things have bliss for their secret; only our consciousness falters
Fearing to offer itself as a victim on ecstasy's altars.

Is not the world his disguise? when that cloak is tossed back from his shoulders,
Beauty looks out like a sun on the hearts of the ravished beholders.

Mortals, your end is beatitude, rapture eternal his meaning:
Joy, which he most now denies, is his purpose: the hedges, the screening

486

Pondicherry, c. 1910 - 1920

Were but the rules of his play; his denials came to lure farther.

These too were magic of Maya, smiles of the marvellous Mother.

Oh, but the cruelty! oh, but the empty pain we go rueing!
Edges of opposite sweetness, calls to a closer pursuing.

All that we meet is a symbol and gateway; cryptic intention
Lurks in a common appearance, smiles from a casual mention:
Opposites hide in each other; in the laughter of Nature is danger,
Glory and greatness their embryos form in the womb of her anger.

Why are we terrified? wherefore cry out and draw back from the smiting -
Blows from the hands of a lover to direr exactions exciting,
Fiery points of his play! Was he Rudra only the mighty?
Whose were the whispers of sweetness, whose were the murmurs of pity?
Something opposes our grasp on the light and the sweetness and power,
Something within us, something without us, trap-door or tower,
Nature's gap in our being - or hinge! That device could we vanquish,
Once could we clasp him and hold, his joy we could never relinquish.

Then we could not be denied, for our might would be single and flawless.

Sons of the Eternal, sovereigns of Nature absolute and lawless,
Termlessly our souls would possess as he now enjoys and possesses,
Termlessly probe the delight of his laughter's lurking recesses,
Chasing its trail to the apex of sweetness and secrecy. Treasured
Close to the beats of Eternity's heart in a greatness unmeasured,
Locked into a miracle and mystery of Light we would live in him, - seated
Deep in his core of beatitude ceaselessly by Nature repeated,
Careless of Time, with no fear of an end, with no need for endeavour
Caught by his ecstasy dwell in a rapture enduring for ever.

What was the garden he built when the stars were first set in their places,
Soul and Nature together mid streams and in cloudless spaces
Naked and innocent? Someone offered a fruit of derision,
Knowledge of good and of evil, cleaving in God a division.

Though He who made all said, "It is good; I have fashioned perfection,"
"No, there is evil," someone whispered, "'tis screened from detection."
Wisest he of the beasts of the field, one cunning and creeping;
"See it," he said, "be wise; you shall be as the gods are, unsleeping,
They who know all." And they ate. The roots of our being were shaken;
Hatred and weeping and wrath at once trampled a world overtaken,
Terror and fleeing and anguish and shame and desires unsated;

Ahana

487

Cruelty stalked like a lion; Revenge and her brood were created.

Out to the desert he drove the rebellious. Flaming behind them
Streamed out the sword of his wrath and it followed leaping to find them,
Stabbing at random. The pure and the evil, the strong and the tempted,
All are confounded in punishment; justly is no one exempted.

Virtuous? yes, there are many, but who is there innocent? Toiling
Therefore we seek, but find not that Eden. Planting and spoiling,
"This is the garden," we say, "lo, the trees and this is the river."
Vainly redeemers came, not one has availed to deliver.

Never can Nature go back to her careless and childlike beginning,
Laugh of the babe and the song of the wheel in its delicate spinning,
Smile of the sun upon flowers and earth's beauty, life without labour
Plucking the fruits of the soil and rejoicing in cottage and arbour.

Once we have chosen to be as the gods, we must follow that motion.

Knowledge must grow in us, might like a Titan's, bliss like an ocean,
Calmness and purity born of the spirit's gaze on the Real,
Rapture of his oneness embracing the soul in a clasp hymeneal.

Was it not he once in Brindavan? Woods divine to our yearning,
Memorable always! O flowers, O delight on the tree-tops burning,
Grasses his herds have grazed and crushed by his feet in the dancing,
Yamuna flowing with song, through the greenness always advancing,
You unforgotten remind; for his flute with its sweetness ensnaring
Sounds in our ears in the night and our souls of their teguments baring
Hales us out naked and absolute, out to his woodlands eternal,
Out to his moonlit dances, his dalliance sweet and supernal,
And we go stumbling, maddened and thrilled to his dreadful embraces,
Slaves of his rapture to Brindavan crowded with amorous faces,
Luminous kine in the green glades seated, soft-eyed gazing,
Flowers on the branches distressing us, moonbeams unearthly amazing,
Yamuna flowing before us, laughing low with her voices,
Brindavan arching o'er us where Shyama sports and rejoices.

Inly the miracle trembles repeated; mist-walls are broken
Hiding that country of God and we look on the wonderful token,
Clasp the beautiful body of the Eternal; his flute-call of yearning
Cries in our breast with its blissful anguish for ever returning;
Life flows past us with passionate voices, a heavenly river,
All our being goes back as a bride of his bliss to the Giver.
488

Pondicherry, c. 1910 - 1920

Even an hour of the soul can unveil the Unborn, the Everlasting,
Gaze on its mighty Companion; the load of mortality casting,
Mind hushes stilled in eternity; waves of the Infinite wander
Thrilling body and soul and its endless felicity squander;
All world-sorrow is finished, the cry of the parting is over;
Ecstasy laughs in our veins, in our heart is the heart of the Lover.

As when a stream from a highl and plateau green mid the mountains
Draws through broad lakes of delight the gracious sweep of its fountains,
Life from its heaven of desire comes down to the toil of the earth-ways;
Streaming through mire it pours still the mystical joy of its birthplace,
Green of its banks and the green of its trees and the hues of the flower.

Something of child-heart beauty, something of greatness and power,
Dwell with it still in its early torrent laughter and brightness,
Call in the youth of its floods and the voice of the wideness and whiteness.

But in its course are set darkness and fall and the spirit's ordeal.

Hating its narrowness, forced by an ardour to see all and be all,
Dashed on the inconscient rocks and straining through mud, over gravel,
Flows, like an ardent prisoner bound to the scenes of his travail,
Life, the river of the Spirit, consenting to anguish and sorrow
If by her heart's toil a loan-light of joy from the heavens she can borrow.

Out of the sun-rays and moon-rays, the winds' wing-glimmer and revel,
Out of the star-fields of wonder, down to earth's danger and evil
Headlong cast with a stridulant thunder, the doom-ways descending,
Shuddering below into sunless depths, across chasms unending,
Baulked of the might of its waters, a thread in a mountainous vastness,
Parcelled and scanted it hurries as if storming a Titan fastness,
Carving the hills with a sullen and lonely gigantic labour.

Hurled into strangling ravines it escapes with a leap and a quaver,
Breaks from the channels of hiding it grooves out and chisels and twistens,
Angry, afraid, white, foaming. A stony and monstrous resistance
Meets it piling up stubborn limits. Afflicted the river
Treasures a scattered sunbeam, moans for a god to deliver,
Longing to lapse through the plain's green felicity, yearning to widen
Joined to the ocean's shoreless eternity far-off and hidden.

High on the cliffs the Great Ones are watching, the Mighty and Deathless,
Soaring and plunging the roadway of the Gods climbs uplifted and breathless;

Ahana

489

Ever we hear in the heart of the peril a flute go before us,
Luminous beckoning hands in the distance invite and implore us.

Ignorant, circled with death and the abyss, we have dreamed of a human
Paradise made from the mind of a man, from the heart of a woman,
Dreamed of the Isles of the Blest in a light of perpetual summer,
Dreamed of the joy of an earthly life with no pain for incomer.

Never, we said, can these waters from heaven be lost in the marshes,
Cease in the sands of the desert, die where the simoom parches;
Plains are beyond, there are hamlets and fields where the river rejoices
Pacing once more with a quiet step and with amical voices:
Bright amid woodlands red with the berries and cool with the breezes
Glimmer the leaves; all night long the heart of the nightingale eases
Sweetly its burden of pity and sorrow. There amid flowers
We shall take pleasure in arbours delightful, leng thening the hours,
Time for our servitor waiting our fancy through moments unhasting,
Under the cloudless blue of those skies of tranquillity resting,
Lying on beds of lilies, hearing the bells of the cattle
Tinkle, and drink red wine of life and go forth to the battle,
Fight and unwounded return to our beautiful home by the waters,
Fruit of our joy rear tall strong sons and radiant daughters.

Then shall the Virgins of Light come down to us clad in clear raiment
Woven from sunbeam and moonbeam and lightnings, limitless payment
Bring of our toil and our sorrow, carrying life-giving garlands
Plucked by the fountains of Paradise, bring from imperishable star-lands
Hymn-words of wisdom, visions of beauty, heaven-fruit ruddy,
Wine-cups of ecstasy sending the soul like a stream through the body.

Fate shall not know; if her spies come down to our beautiful valley,
They shall grow drunk with its grapes and wander in woodl and and alley.

There leaps the anger of Rudra? there will his lightnings immortal
Circle around with their red eye of cruelty stabbing the portal?
Fearless is there life's play; I shall sport with my dove from his highlands,
Drinking her laughter of bliss like a god in my Grecian islands.

Life in my limbs shall grow deathless, flesh with the God-glory tingle,
Lustre of Paradise, light of the earth-ways marry and mingle.

These are but dreams and the truth shall be greater. Heaven made woman!
Flower of beatitude! living shape of the bliss of the Brahman!
Art thou not she who shall bring into life and time the Eternal?

490

Pondicherry, c. 1910 - 1920

Body of the summer of the Gods, a sweetness virginal, vernal,
Breathes from thy soul into Nature; Love sits dreaming in thy bosom,
Wisdom gazes from thy eyes, thy breasts of God-rapture are the blossom.

If but the joy of thy feet once could touch our spaces smiting
Earth with a ray from the Unknown, on the world's heart heaven's script writing,
All then would change into harmony and beauty, Time's doors shudder
Swinging wide on their hinges into Eternity, other
Voices than earth's would be fire in our speech and make deathless our thinking.

One who is hidden in Light would grow visible, multitudes linking,
Lyres of a single ecstasy, throbs of the one heart beating,
Wonderful bodies and souls in the spirit's identity meeting
Even as stars in sky-vastness know their kindred in grandeur.

Yet may it be that although in the hands of our destiny stands sure
Fixed to its hour the Decree of the Advent, still it is fated
Only when kindling earth's bodies a mightier Soul is created.

Far-off the gold and the greatness, the rapture too splendid and dire.

Are not the ages too young? too low in our hearts burns the fire.

Bringest thou only a gleam on the summits, a cry in the distance,
Seen by the eyes that are wakened, heard by a spirit that listens?
Form of the formless All-Beautiful, lodestar of Nature's aspirance,
Music of prelude giving a voice to the ineffable Silence,
First white dawn of the God-Light cast on these creatures that perish,
Word-key of a divine and eternal truth for mortals to cherish,
Come! let thy sweetness and force be a breath in the breast of the future
Making the god-ways alive, immortality's golden-red suture:
Deep in our lives there shall work out a honeyed celestial leaven,
Bliss shall grow native to being and earth be a kin-soil to heaven.

Open the barriers of Time, the world with thy beauty enamour.

Trailing behind thee the purple of thy soul and the dawn-moment's glamour,
Forcing the heart of the Midnight where slumber and secrecy linger,
Guardians of Mystery, touching her bosom with thy luminous finger,
Daughter of Heaven, break through to me moonlike, mystic and gleaming;
Tread through the margins of twilight, cross over borders of dreaming.

Vision delightful alone on the peaks whom the silences cover,
Vision of bliss, stoop down to mortality, lean to thy lover.
Ahana

491

AHANA
Voice of the sensuous mortal, heart of eternal longing,
Thou who hast lived as in walls, thy soul with thy senses wronging!
But I descend at last. Fickle and terrible, sweet and deceiving,
Poison and nectar one has dispensed to thee, luring thee, leaving.

We two together shall capture the flute and the player relentless.

Son of man, thou hast crowned thy life with the flowers that are scentless,
Chased the delights that wound. But I come and midnight shall sunder.

Lo, I come, and behind me Knowledge descends and with thunder
Filling the spaces Strength, the Angel, bears on his bosom
Joy to thy arms. Thou shalt look on her face like a child's or a blossom,
Innocent, free as in Eden of old, not afraid of her playing,
When thy desires I have seized and devoured like a lioness preying.

Thou shalt not suffer always nor cry to me lured and forsaken:
I have a snare for his footsteps, I have a chain for him taken.

Come then to Brindavan, soul of the joyous; faster and faster
Follow the dance I shall teach thee with Shyama for slave and for master.

Follow the notes of the flute with a soul aware and exulting;
Trample Delight that submits and crouch to a sweetness insulting.

Then shalt thou know what the dance meant, fathom the song and the singer,
Hear behind thunder its rhymes, touched by lightning thrill to his finger,
Brindavan's rustle shalt understand and Yamuna's laughter,
Take thy place in the Ras1 and thy share of the ecstasy after.
1 The dance-round of Krishna with the cowherdesses in the moonlit groves of Brindavan, type of the dance of Divine Delight with the souls of men liberated in the world of
Bliss secret within us.
Poems from Manuscripts
Circa 1912 - 1913
~ Sri Aurobindo, - Ahana
,
226:The thought of Eglamor's least like a thought,
And yet a false one, was, "Man shrinks to nought
"If matched with symbols of immensity;
"Must quail, forsooth, before a quiet sky
"Or sea, too little for their quietude:"
And, truly, somewhat in Sordello's mood
Confirmed its speciousness, while eve slow sank
Down the near terrace to the farther bank,
And only one spot left from out the night
Glimmered upon the river opposite
A breadth of watery heaven like a bay,
A sky-like space of water, ray for ray,
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To die. Nor turned he till Ferrara's din
(Say, the monotonous speech from a man's lip
Who lets some first and eager purpose slip
In a new fancy's birththe speech keeps on
Though elsewhere its informing soul be gone)
Aroused him, surely offered succour. Fate
Paused with this eve; ere she precipitate
Herself,best put off new strange thoughts awhile,
That voice, those large hands, that portentous smile,
What help to pierce the future as the past
Lay in the plaining city?
             And at last
The main discovery and prime concern,
All that just now imported him to learn,
Truth's self, like yonder slow moon to complete
Heaven, rose again, and, naked at his feet,
Lighted his old life's every shift and change,
Effort with counter-effort; nor the range
Of each looked wrong except wherein it checked,
Some otherwhich of these could he suspect,
Prying into them by the sudden blaze?
The real way seemed made up of all the ways
Mood after mood of the one mind in him;
Tokens of the existence, bright or dim,
Of a transcendent all-embracing sense
Demanding only outward influence,
A soul, in Palma's phrase, above his soul,
Power to uplift his power,such moon's control
Over such sea-depths,and their mass had swept
Onward from the beginning and still kept
Its course: but years and years the sky above
Held none, and so, untasked of any love,
His sensitiveness idled, now amort,
Alive now, and, to sullenness or sport
Given wholly up, disposed itself anew
At every passing instigation, grew
And dwindled at caprice, in foam-showers spilt,
Wedge-like insisting, quivered now a gilt
Shield in the sunshine, now a blinding race
Of whitest ripples o'er the reeffound place
For much display; not gathered up and, hurled
Right from its heart, encompassing the world.
So had Sordello been, by consequence,
Without a function: others made pretence
To strength not half his own, yet had some core
Within, submitted to some moon, before
Them still, superior still whate'er their force,
Were able therefore to fulfil a course,
Nor missed life's crown, authentic attribute.
To each who lives must be a certain fruit
Of having lived in his degree,a stage,
Earlier or later in men's pilgrimage,
To stop at; and to this the spirits tend
Who, still discovering beauty without end,
Amass the scintillations, make one star
Something unlike them, self-sustained, afar,
And meanwhile nurse the dream of being blest
By winning it to notice and invest
Their souls with alien glory, some one day
Whene'er the nucleus, gathering shape alway,
Round to the perfect circlesoon or late,
According as themselves are formed to wait;
Whether mere human beauty will suffice
The yellow hair and the luxurious eyes,
Or human intellect seem best, or each
Combine in some ideal form past reach
On earth, or else some shade of these, some aim,
Some love, hate even, take their place, the same,
So to be servedall this they do not lose,
Waiting for death to live, nor idly choose
What must be Hella progress thus pursued
Through all existence, still above the food
That 's offered them, still fain to reach beyond
The widened range, in virtue of their bond
Of sovereignty. Not that a Palma's Love,
A Salinguerra's Hate, would equal prove
To swaying all Sordello: but why doubt
Some love meet for such strength, some moon without
Would match his sea?or fear, Good manifest,
Only the Best breaks faith?Ah but the Best
Somehow eludes us ever, still might be
And is not! Crave we gems? No penury
Of their material round us! Pliant earth
And plastic flamewhat balks the mage his birth
Jacinth in balls or lodestone by the block?
Flinders enrich the strand, veins swell the rock;
Nought more! Seek creatures? Life 's i' the tempest, thought
Clothes the keen hill-top, mid-day woods are fraught
With fervours: human forms are well enough!
But we had hoped, encouraged by the stuff
Profuse at nature's pleasure, men beyond
These actual men!and thus are over-fond
In arguing, from Goodthe Best, from force
Dividedforce combined, an ocean's course
From this our sea whose mere intestine pants
Might seem at times sufficient to our wants.
External power! If none be adequate,
And he stand forth ordained (a prouder fate)
Himself a law to his own sphere? "Remove
"All incompleteness!" for that law, that love?
Nay, if all other laws be feints,truth veiled
Helpfully to weak vision that had failed
To grasp aught but its special want,for lure,
Embodied? Stronger vision could endure
The unbodied want: no partthe whole of truth!
The People were himself; nor, by the ruth
At their condition, was he less impelled
To alter the discrepancy beheld,
Than if, from the sound whole, a sickly part
Subtracted were transformed, decked out with art,
Then palmed on him as alien woethe Guelf
To succour, proud that he forsook himself.
All is himself; all service, therefore, rates
Alike, nor serving one part, immolates
The rest: but all in time! "That lance of yours
"Makes havoc soon with Malek and his Moors,
"That buckler 's lined with many a giant's beard
"Ere long, our champion, be the lance upreared,
"The buckler wielded handsomely as now!
"But view your escort, bear in mind your vow,
"Count the pale tracts of sand to pass ere that,
"And, if you hope we struggle through the flat,
"Put lance and buckler by! Next half-month lacks
"Mere sturdy exercise of mace and axe
"To cleave this dismal brake of prickly-pear
"Which bristling holds Cydippe by the hair,
"Lames barefoot Agathon: this felled, we 'll try
"The picturesque achievements by and by
"Next life!"
      Ay, rally, mock, O People, urge
Your claims!for thus he ventured, to the verge,
Push a vain mummery which perchance distrust
Of his fast-slipping resolution thrust
Likewise: accordingly the Crowd(as yet
He had unconsciously contrived forget
I' the whole, to dwell o' the points . . . one might assuage
The signal horrors easier than engage
With a dim vulgar vast unobvious grief
Not to be fancied off, nor gained relief
In brilliant fits, cured by a happy quirk,
But by dim vulgar vast unobvious work
To correspond . . .) this Crowd then, forth they stood.
"And now content thy stronger vision, brood
"On thy bare want; uncovered, turf by turf,
"Study the corpse-face thro' the taint-worms' scurf!"
Down sank the People's Then; uprose their Now.
These sad ones render service to! And how
Piteously little must that service prove
Had surely proved in any case! for, move
Each other obstacle away, let youth
Become aware it had surprised a truth
'T were service to impartcan truth be seized,
Settled forthwith, and, of the captive eased,
Its captor find fresh prey, since this alit
So happily, no gesture luring it,
The earnest of a flock to follow? Vain,
Most vain! a life to spend ere this he chain
To the poor crowd's complacence: ere the crowd
Pronounce it captured, he descries a cloud
Its kin of twice the plume; which he, in turn,
If he shall live as many lives, may learn
How to secure: not else. Then Mantua called
Back to his mind how certain bards were thralled
Buds blasted, but of breath more like perfume
Than Naddo's staring nosegay's carrion bloom;
Some insane rose that burnt heart out in sweets,
A spendthrift in the spring, no summer greets;
Some Dularete, drunk with truths and wine,
Grown bestial, dreaming how become divine.
Yet to surmount this obstacle, commence
With the commencement, merits crowning! Hence
Must truth be casual truth, elicited
In sparks so mean, at intervals dispread
So rarely, that 't is like at no one time
Of the world's story has not truth, the prime
Of truth, the very truth which, loosed, had hurled
The world's course right, been really in the world
Content the while with some mean spark by dint
Of some chance-blow, the solitary hint
Of buried fire, which, rip earth's breast, would stream
Sky-ward!
     Sordello's miserable gleam
Was looked for at the moment: he would dash
This badge. and all it brought, to earth,abash
Taurello thus, perhaps persuade him wrest
The Kaiser from his purpose,would attest
His own belief, in any case. Before
He dashes it however, think once more!
For, were that little, truly service? "Ay,
"I' the end, no doubt; but meantime? Plain you spy
"Its ultimate effect, but many flaws
"Of vision blur each intervening cause.
"Were the day's fraction clear as the life's sum
"Of service, Now as filled as teems To-come
"With evidence of goodnor too minute
"A share to vie with evil! No dispute,
"'T were fitliest maintain the Guelfs in rule:
"That makes your life's work: but you have to school
"Your day's work on these natures circumstanced
"Thus variously, which yet, as each advanced
"Or might impede the Guelf rule, must be moved
"Now, for the Then's sake,hating what you loved,
"Loving old hatreds! Nor if one man bore
"Brand upon temples while his fellow wore
"The aureole, would it task you to decide:
"But, portioned duly out, the future vied
"Never with the unparcelled present! Smite
"Or spare so much on warrant all so slight?
"The present's complete sympathies to break,
"Aversions bear with, for a future's sake
"So feeble? Tito ruined through one speck,
"The Legate saved by his sole lightish fleck?
"This were work, true, but work performed at cost
"Of other work; aught gained here, elsewhere lost.
"For a new segment spoil an orb half-done?
"Rise with the People one step, and sinkone?
"Were it but one step, less than the whole face
"Of things, your novel duty bids erase!
"Harms to abolish! What, the prophet saith,
"The minstrel singeth vainly then? Old faith,
"Old courage, only born because of harms,
"Were not, from highest to the lowest, charms?
"Flame may persist; but is not glare as staunch?
"Where the salt marshes stagnate, crystals branch;
"Blood dries to crimson; Evil 's beautified
"In every shape. Thrust Beauty then aside
"And banish Evil! Wherefore? After all,
"Is Evil a result less natural
"Than Good? For overlook the seasons' strife
"With tree and flower,the hideous animal life,
"(Of which who seeks shall find a grinning taunt
"For his solution, and endure the vaunt
"Of nature's angel, as a child that knows
"Himself befooled, unable to propose
"Aught better than the fooling)and but care
"For men, for the mere People then and there,
"In these, could you but see that Good and Ill
"Claimed you alike! Whence rose their claim but still
"From Ill, as fruit of Ill? What else could knit
"You theirs but Sorrow? Any free from it
"Were also free from you! Whose happiness
"Could be distinguished in this morning's press
"Of miseries?the fool's who passed a gibe
"'On thee,' jeered he, `so wedded to thy tribe,
"`Thou carriest green and yellow tokens in
"'Thy very face that thou art Ghibellin!'
"Much hold on you that fool obtained! Nay mount
"Yet higherand upon men's own account
"Must Evil stay: for, what is joy?to heave
"Up one obstruction more, and common leave
"What was peculiar, by such act destroy
"Itself; a partial death is every joy;
"The sensible escape, enfranchisement
"Of a sphere's essence: once the vexedcontent,
"The crampedat large, the growing circleround,
"All 's to begin againsome novel bound
"To break, some new enlargement to entreat;
"The sphere though larger is not more complete.
"Now for Mankind's experience: who alone
"Might style the unobstructed world his own?
"Whom palled Goito with its perfect things?
"Sordello's self: whereas for Mankind springs
"Salvation by each hindrance interposed.
"They climb; life's view is not at once disclosed
"To creatures caught up, on the summit left,
"Heaven plain above them, yet of wings bereft:
"But lower laid, as at the mountain's foot.
"So, range on range, the girdling forests shoot
"'Twixt your plain prospect and the throngs who scale
"Height after height, and pierce mists, veil by veil,
"Heartened with each discovery; in their soul,
"The Whole they seek by Partsbut, found that Whole,
"Could they revert, enjoy past gains? The space
"Of time you judge so meagre to embrace
"The Parts were more than plenty, once attained
"The Whole, to quite exhaust it: nought were gained
"But leave to looknot leave to do: Beneath
"Soon sates the lookerlook Above, and Death
"Tempts ere a tithe of Life be tasted. Live
"First, and die soon enough, Sordello! Give
"Body and spirit the first right they claim,
"And pasture soul on a voluptuous shame
"That you, a pageant-city's denizen,
"Are neither vilely lodged midst Lombard men
"Can force joy out of sorrow, seem to truck
"Bright attributes away for sordid muck,
"Yet manage from that very muck educe
"Gold; then subject nor scruple, to your cruce
"The world's discardings! Though real ingots pay
"Your pains, the clods that yielded them are clay
"To all beside,would clay remain, though quenched
"Your purging-fire; who 's robbed then? Had you wrenched
"An ampler treasure forth!As 't is, they crave
"A share that ruins you and will not save
"Them. Why should sympathy command you quit
"The course that makes your joy, nor will remit
"Their woe? Would all arrive at joy? Reverse
"The order (time instructs you) nor coerce
"Each unit till, some predetermined mode,
"The total be emancipate; men's road
"Is one, men's times of travel many; thwart
"No enterprising soul's precocious start
"Before the general march! If slow or fast
"All straggle up to the same point at last,
"Why grudge your having gained, a month ago,
"The brakes at balm-shed, asphodels in blow,
"While they were landlocked? Speed their Then, but how
"This badge would suffer you improve your Now!"
His time of action for, against, or with
Our world (I labour to extract the pith
Of this his problem) grew, that even-tide,
Gigantic with its power of joy, beside
The world's eternity of impotence
To profit though at his whole joy's expense.
"Make nothing of my day because so brief?
"Rather make more: instead of joy, use grief
"Before its novelty have time subside!
"Wait not for the late savour, leave untried
"Virtue, the creaming honey-wine, quick squeeze
"Vice like a biting spirit from the lees
"Of life! Together let wrath, hatred, lust,
"All tyrannies in every shape, be thrust
"Upon this Now, which time may reason out
"As mischiefs, far from benefits, no doubt;
"But long ere then Sordello will have slipt
"Away; you teach him at Goito's crypt,
"There 's a blank issue to that fiery thrill.
"Stirring, the few cope with the many, still:
"So much of sand as, quiet, makes a mass
"Unable to produce three tufts of grass,
"Shall, troubled by the whirlwind, render void
"The whole calm glebe's endeavour: be employed!
"And e'en though somewhat smart the Crowd for this,
"Contribute each his pang to make your bliss,
"'T is but one pangone blood-drop to the bowl
"Which brimful tempts the sluggish asp uncowl
"At last, stains ruddily the dull red cape,
"And, kindling orbs grey as the unripe grape
"Before, avails forthwith to disentrance
"The portent, soon to lead a mystic dance
"Among you! For, who sits alone in Rome?
"Have those great hands indeed hewn out a home,
"And set me there to live? Oh life, life-breath,
"Life-blood,ere sleep, come travail, life ere death!
"This life stream on my soul, direct, oblique,
"But always streaming! Hindrances? They pique:
"Helps? such . . . but why repeat, my soul o'ertops
"Each height, then every depth profoundlier drops?
"Enough that I can live, and would live! Wait
"For some transcendent life reserved by Fate
"To follow this? Oh, never! Fate, I trust
"The same, my soul to; for, as who flings dust,
"Perchance (so facile was the deed) she chequed
"The void with these materials to affect
"My soul diversely: these consigned anew
"To nought by death, what marvel if she threw
"A second and superber spectacle
"Before me? What may serve for sun, what still
"Wander a moon above me? What else wind
"About me like the pleasures left behind,
"And how shall some new flesh that is not flesh
"Cling to me? What 's new laughter? Soothes the fresh
"Sleep like sleep? Fate 's exhaustless for my sake
"In brave resource: but whether bids she slake
"My thirst at this first rivulet, or count
"No draught worth lip save from some rocky fount
"Above i' the clouds, while here she 's provident
"Of pure loquacious pearl, the soft tree-tent
"Guards, with its face of reate and sedge, nor fail
"The silver globules and gold-sparkling grail
"At bottom? Oh, 't were too absurd to slight
"For the hereafter the to-day's delight!
"Quench thirst at this, then seek next well-spring: wear
"Home-lilies ere strange lotus in my hair!
"Here is the Crowd, whom I with freest heart
"Offer to serve, contented for my part
"To give life up in service,only grant
"That I do serve; if otherwise, why want
"Aught further of me? If men cannot choose
"But set aside life, why should I refuse
"The gift? I take itI, for one, engage
"Never to falter through my pilgrimage
"Nor end it howling that the stock or stone
"Were enviable, truly: I, for one,
"Will praise the world, you style mere anteroom
"To palacebe it so! shall I assume
"My foot the courtly gait, my tongue the trope,
"My mouth the smirk, before the doors fly ope
"One moment? What? with guarders row on row,
"Gay swarms of varletry that come and go,
"Pages to dice with, waiting-girls unlace
"The plackets of, pert claimants help displace,
"Heart-heavy suitors get a rank for,laugh
"At yon sleek parasite, break his own staff
"'Cross Beetle-brows the Usher's shoulder,why
"Admitted to the presence by and by,
"Should thought of having lost these make me grieve
"Among new joys I reach, for joys I leave?
"Cool citrine-crystals, fierce pyropus-stone,
"Are floor-work there! But do I let alone
"That black-eyed peasant in the vestibule
"Once and for ever?Floor-work? No such fool!
"Rather, were heaven to forestall earth, I 'd say
"I, is it, must be blest? Then, my own way
"Bless me! Giver firmer arm and fleeter foot,
"I 'll thank you: but to no mad wings transmute
"These limbs of mineour greensward was so soft!
"Nor camp I on the thunder-cloud aloft:
"We feel the bliss distinctlier, having thus
"Engines subservient, not mixed up with us.
"Better move palpably through heaven: nor, freed
"Of flesh, forsooth, from space to space proceed
"'Mid flying synods of worlds! No: in heaven's marge
"Show Titan still, recumbent o'er his targe
"Solid with starsthe Centaur at his game,
"Made tremulously out in hoary flame!
"Life! Yet the very cup whose extreme dull
"Dregs, even, I would quaff, was dashed, at full,
"Aside so oft; the death I fly, revealed
"So oft a better life this life concealed,
"And which sage, champion, martyr, through each path
"Have hunted fearlesslythe horrid bath,
"The crippling-irons and the fiery chair.
"'T was well for them; let me become aware
"As they, and I relinquish life, too! Let
"What masters life disclose itself! Forget
"Vain ordinances, I have one appeal
"I feel, am what I feel, know what I feel;
"So much is truth to me. What Is, then? Since
"One object, viewed diversely, may evince
"Beauty and uglinessthis way attract,
"That way repel,why gloze upon the fact?
"Why must a single of the sides be right?
"What bids choose this and leave the opposite?
"Where 's abstract Right for me?in youth endued
"With Right still present, still to be pursued,
"Thro' all the interchange of circles, rife
"Each with its proper law and mode of life,
"Each to be dwelt at ease in: where, to sway
"Absolute with the Kaiser, or obey
"Implicit with his serf of fluttering heart,
"Or, like a sudden thought of God's, to start
"Up, Brutus in the presence, then go shout
"That some should pick the unstrung jewels out
"Each, well!"
       And, as in moments when the past
Gave partially enfranchisement, he cast
Himself quite through mere secondary states
Of his soul's essence, little loves and hates,
Into the mid deep yearnings overlaid
By these; as who should pierce hill, plain, grove, glade,
And on into the very nucleus probe
That first determined there exist a globe.
As that were easiest, half the globe dissolved,
So seemed Sordello's closing-truth evolved
By his flesh-half's break-up; the sudden swell
Of his expanding soul showed Ill and Well,
Sorrow and Joy, Beauty and Ugliness,
Virtue and Vice, the Larger and the Less,
All qualities, in fine, recorded here,
Might be but modes of Time and this one sphere,
Urgent on these, but not of force to bind
Eternity, as Timeas MatterMind,
If Mind, Eternity, should choose assert
Their attributes within a Life: thus girt
With circumstance, next change beholds them cinct
Quite otherwisewith Good and Ill distinct,
Joys, sorrows, tending to a like result
Contrived to render easy, difficult,
This or the other course of . . . what new bond
In place of flesh may stop their flight beyond
Its new sphere, as that course does harm or good
To its arrangements. Once this understood,
As suddenly he felt himself alone,
Quite out of Time and this world: all was known.
What made the secret of his past despair?
Most imminent when he seemed most aware
Of his own self-sufficiency: made mad
By craving to expand the power he had,
And not new power to be expanded?just
This made it; Soul on Matter being thrust,
Joy comes when so much Soul is wreaked in Time
On Matter: let the Soul's attempt sublime
Matter beyond the scheme and so prevent
By more or less that deed's accomplishment,
And Sorrow follows: Sorrow how avoid?
Let the employer match the thing employed,
Fit to the finite his infinity,
And thus proceed for ever, in degree
Changed but in kind the same, still limited
To the appointed circumstance and dead
To all beyond. A sphere is but a sphere;
Small, Great, are merely terms we bandy here;
Since to the spirit's absoluteness all
Are like. Now, of the present sphere we call
Life, are conditions; take but this among
Many; the body was to be so long
Youthful, no longer: but, since no control
Tied to that body's purposes his soul,
She chose to understand the body's trade
More than the body's selfhad fain conveyed
Her boundless to the body's bounded lot.
Hence, the soul permanent, the body not,
Scarcely its minute for enjoying here,
The soul must needs instruct her weak compeer,
Run o'er its capabilities and wring
A joy thence, she held worth experiencing:
Which, far from half discovered even,lo,
The minute gone, the body's power let go
Apportioned to that joy's acquirement! Broke
Morning o'er earth, he yearned for all it woke
From the volcano's vapour-flag, winds hoist
Black o'er the spread of sea,down to the moist
Dale's silken barley-spikes sullied with rain,
Swayed earthwards, heavily to rise again
The Small, a sphere as perfect as the Great
To the soul's absoluteness. Meditate
Too long on such a morning's cluster-chord
And the whole music it was framed afford,
The chord's might half discovered, what should pluck
One string, his finger, was found palsy-struck.
And then no marvel if the spirit, shown
A saddest sightthe body lost alone
Through her officious proffered help, deprived
Of this and that enjoyment Fate contrived,
Virtue, Good, Beauty, each allowed slip hence,
Vain-gloriously were fain, for recompense,
To stem the ruin even yet, protract
The body's term, supply the power it lacked
From her infinity, compel it learn
These qualities were only Time's concern,
And body may, with spirit helping, barred
Advance the same, vanquishedobtain reward,
Reap joy where sorrow was intended grow,
Of Wrong make Right, and turn Ill Good below.
And the result is, the poor body soon
Sinks under what was meant a wondrous boon,
Leaving its bright accomplice all aghast.
So much was plain then, proper in the past;
To be complete for, satisfy the whole
Series of spheresEternity, his soul
Needs must exceed, prove incomplete for, each
Single sphereTime. But does our knowledge reach
No farther? Is the cloud of hindrance broke
But by the failing of the fleshly yoke,
Its loves and hates, as now when death lets soar
Sordello, self-sufficient as before,
Though during the mere space that shall elapse
'Twixt his enthralment in new bonds perhaps?
Must life be ever just escaped, which should
Have been enjoyed?nay, might have been and would,
Each purpose ordered rightthe soul 's no whit
Beyond the body's purpose under it.
Like yonder breadth of watery heaven, a bay,
And that sky-space of water, ray for ray
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To diewould soul, proportioned thus, begin
Exciting discontent, or surelier quell
The body if, aspiring, it rebel?
But how so order life? Still brutalize
The soul, the sad world's way, with muffled eyes
To all that was before, all that shall be
After this sphereall and each quality
Save some sole and immutable Great, Good
And Beauteous whither fate has loosed its hood
To follow? Never may some soul see All
The Great Before and After, and the Small
Now, yet be saved by this the simplest lore,
And take the single course prescribed before,
As the king-bird with ages on his plumes
Travels to die in his ancestral glooms?
But where descry the Love that shall select
That course? Here is a soul whom, to affect,
Nature has plied with all her means, from trees
And flowers e'en to the Multitude!and these,
Decides he save or no? One word to end!
Ah my Sordello, I this once befriend
And speak for you. Of a Power above you still
Which, utterly incomprehensible,
Is out of rivalry, which thus you can
Love, tho' unloving all conceived by man
What need! And ofnone the minutest duct
To that out-nature, nought that would instruct
And so let rivalry begin to live
But of a Power its representative
Who, being for authority the same,
Communication different, should claim
A course, the first chose but this last revealed
This Human clear, as that Divine concealed
What utter need!
         What has Sordello found?
Or can his spirit go the mighty round,
End where poor Eglamor begun? So, says
Old fable, the two eagles went two ways
About the world: where, in the midst, they met,
Though on a shifting waste of sand, men set
Jove's temple. Quick, what has Sordello found?
For they approachapproachthat foot's rebound
Palma? No, Salinguerra though in mail;
They mount, have reached the threshold, dash the veil
Asideand you divine who sat there dead,
Under his foot the badge: still, Palma said,
A triumph lingering in the wide eyes,
Wider than some spent swimmer's if he spies
Help from above in his extreme despair,
And, head far back on shoulder thrust, turns there
With short quick passionate cry: as Palma pressed
In one great kiss, her lips upon his breast,
It beat.
    By this, the hermit-bee has stopped
His day's toil at Goito: the new-cropped
Dead vine-leaf answers, now 't is eve, he bit,
Twirled so, and filed all day: the mansion 's fit,
God counselled for. As easy guess the word
That passed betwixt them, and become the third
To the soft small unfrighted bee, as tax
Him with one faultso, no remembrance racks
Of the stone maidens and the font of stone
He, creeping through the crevice, leaves alone.
Alas, my friend, alas Sordello, whom
Anon they laid within that old font-tomb,
And, yet again, alas!
           And now is 't worth
Our while bring back to mind, much less set forth
How Salinguerra extricates himself
Without Sordello? Ghibellin and Guelf
May fight their fiercest out? If Richard sulked
In durance or the Marquis paid his mulct,
Who cares, Sordello gone? The upshot, sure,
Was peace; our chief made some frank overture
That prospered; compliment fell thick and fast
On its disposer, and Taurello passed
With foe and friend for an outstripping soul,
Nine days at least. Then,fairly reached the goal,
He, by one effort, blotted the great hope
Out of his mind, nor further tried to cope
With Este, that mad evening's style, but sent
Away the Legate and the League, content
No blame at least the brothers had incurred,
Dispatched a message to the Monk, he heard
Patiently first to last, scarce shivered at,
Then curled his limbs up on his wolfskin mat
And ne'er spoke more,informed the Ferrarese
He but retained their rule so long as these
Lingered in pupilage,and last, no mode
Apparent else of keeping safe the road
From Germany direct to Lombardy
For Friedrich,none, that is, to guarantee
The faith and promptitude of who should next
Obtain Sofia's dowry,sore perplexed
(Sofia being youngest of the tribe
Of daughters, Ecelin was wont to bribe
The envious magnates withnor, since he sent
Henry of Egna this fair child, had Trent
Once failed the Kaiser's purposes"we lost
"Egna last year, and who takes Egna's post
"Opens the Lombard gate if Friedrich knock?")
Himself espoused the Lady of the Rock
In pure necessity, and, so destroyed
His slender last of chances, quite made void
Old prophecy, and spite of all the schemes
Overt and covert, youth's deeds, age's dreams,
Was sucked into Romano. And so hushed
He up this evening's work that, when 't was brushed
Somehow against by a blind chronicle
Which, chronicling whatever woe befell
Ferrara, noted this the obscure woe
Of "Salinguerra's sole son Giacomo
"Deceased, fatuous and doting, ere his sire,"
The townsfolk rubbed their eyes, could but admire
Which of Sofia's five was meant.
                 The chaps
Of earth's dead hope were tardy to collapse,
Obliterated not the beautiful
Distinctive features at a crash: but dull
And duller these, next year, as Guelfs withdrew
Each to his stronghold. Then (securely too
Ecelin at Campese slept; close by,
Who likes may see him in Solagna lie,
With cushioned head and gloved hand to denote
The cavalier he was)then his heart smote
Young Ecelin at last; long since adult.
And, save Vicenza's business, what result
In blood and blaze? (So hard to intercept
Sordello till his plain withdrawal!) Stepped
Then its new lord on Lombardy. I' the nick
Of time when Ecelin and Alberic
Closed with Taurello, come precisely news
That in Verona half the souls refuse
Allegiance to the Marquis and the Count
Have cast them from a throne they bid him mount,
Their Podest, thro' his ancestral worth.
Ecelin flew there, and the town henceforth
Was wholly hisTaurello sinking back
From temporary station to a track
That suited. News received of this acquist,
Friedrich did come to Lombardy: who missed
Taurello then? Another year: they took
Vicenza, left the Marquis scarce a nook
For refuge, and, when hundreds two or three
Of Guelfs conspired to call themselves "The Free,"
Opposing Alberic,vile Bassanese,
(Without Sordello!)Ecelin at ease
Slaughtered them so observably, that oft
A little Salinguerra looked with soft
Blue eyes up, asked his sire the proper age
To get appointed his proud uncle's page.
More years passed, and that sire had dwindled down
To a mere showy turbulent soldier, grown
Better through age, his parts still in repute,
Subtlehow else?but hardly so astute
As his contemporaneous friends professed;
Undoubtedly a brawler: for the rest,
Known by each neighbour, and allowed for, let
Keep his incorrigible ways, nor fret
Men who would miss their boyhood's bugbear: "trap
"The ostrich, suffer our bald osprey flap
"A battered pinion!"was the word. In fine,
One flap too much and Venice's marine
Was meddled with; no overlooking that!
She captured him in his Ferrara, fat
And florid at a banquet, more by fraud
Than force, to speak the truth; there 's slender laud
Ascribed you for assisting eighty years
To pull his death on such a man; fate shears
The life-cord prompt enough whose last fine threads
You fritter: so, presiding his board-head,
The old smile, your assurance all went well
With Friedrich (as if he were like to tell!)
In rushed (a plan contrived before) our friends,
Made some pretence at fighting, some amends
For the shame done his eighty years(apart
The principle, none found it in his heart
To be much angry with Taurello)gained
Their galleys with the prize, and what remained
But carry him to Venice for a show?
Set him, as 't were, down gentlyfree to go
His gait, inspect our square, pretend observe
The swallows soaring their eternal curve
'Twixt Theodore and Mark, if citizens
Gathered importunately, fives and tens,
To point their children the Magnifico,
All but a monarch once in firm-land, go
His gait among them now"it took, indeed,
"Fully this Ecelin to supersede
"That man," remarked the seniors. Singular!
Sordello's inability to bar
Rivals the stage, that evening, mainly brought
About by his strange disbelief that aught
Was ever to be done,this thrust the Twain
Under Taurello's tutelage,whom, brain
And heart and hand, he forthwith in one rod
Indissolubly bound to baffle God
Who loves the worldand thus allowed the thin
Grey wizened dwarfish devil Ecelin,
And massy-muscled big-boned Alberic
(Mere man, alas!) to put his problem quick
To demonstrationprove wherever's will
To do, there's plenty to be done, or ill
Or good. Anointed, then, to rend and rip
Kings of the gag and flesh-hook, screw and whip,
They plagued the world: a touch of Hildebrand
(So far from obsolete!) made Lombards band
Together, cross their coats as for Christ's cause,
And saving Milan win the world's applause.
Ecelin perished: and I think grass grew
Never so pleasant as in Valley R
By San Zenon where Alberic in turn
Saw his exasperated captors burn
Seven children and their mother; then, regaled
So far, tied on to a wild horse, was trailed
To death through raunce and bramble-bush. I take
God's part and testify that 'mid the brake
Wild o'er his castle on the pleasant knoll,
You hear its one tower left, a belfry, toll
The earthquake spared it last year, laying flat
The modern church beneath,no harm in that!
Chirrups the contumacious grasshopper,
Rustles the lizard and the cushats chirre
Above the ravage: there, at deep of day
A week since, heard I the old Canon say
He saw with his own eyes a barrow burst
And Alberic's huge skeleton unhearsed
Only five years ago. He added, "June 's
"The month for carding off our first cocoons
"The silkworms fabricate"a double news,
Nor he nor I could tell the worthier. Choose!
And Naddo gone, all's gone; not Eglamor!
Believe, I knew the face I waited for,
A guest my spirit of the golden courts!
Oh strange to see how, despite ill-reports,
Disuse, some wear of years, that face retained
Its joyous look of love! Suns waxed and waned,
And still my spirit held an upward flight,
Spiral on spiral, gyres of life and light
More and more gorgeousever that face there
The last admitted! crossed, too, with some care
As perfect triumph were not sure for all,
But, on a few, enduring damp must fall,
A transient struggle, haply a painful sense
Of the inferior nature's clingingwhence
Slight starting tears easily wiped away,
Fine jealousies soon stifled in the play
Of irrepressible admirationnot
Aspiring, all considered, to their lot
Who ever, just as they prepare ascend
Spiral on spiral, wish thee well, impend
Thy frank delight at their exclusive track,
That upturned fervid face and hair put back!
Is there no more to say? He of the rhymes
Many a tale, of this retreat betimes,
Was born: Sordello die at once for men?
The Chroniclers of Mantua tired their pen
Telling how Sordello Prince Visconti saved
Mantua, and elsewhere notably behaved
Who thus, by fortune ordering events,
Passed with posterity, to all intents,
For just the god he never could become.
As Knight, Bard, Gallant, men were never dumb
In praise of him: while what he should have been,
Could be, and was notthe one step too mean
For him to take,we suffer at this day
Because of: Ecelin had pushed away
Its chance ere Dante could arrive and take
That step Sordello spurned, for the world's sake:
He did muchbut Sordello's chance was gone.
Thus, had Sordello dared that step alone,
Apollo had been compassed: 't was a fit
He wished should go to him, not he to it
As one content to merely be supposed
Singing or fighting elsewhere, while he dozed
Really at homeone who was chiefly glad
To have achieved the few real deeds he had,
Because that way assured they were not worth
Doing, so spared from doing them henceforth
A tree that covets fruitage and yet tastes
Never itself, itself. Had he embraced
Their cause then, men had plucked Hesperian fruit
And, praising that, just thrown him in to boot
All he was anxious to appear, but scarce
Solicitous to be. A sorry farce
Such life is, after all! Cannot I say
He lived for some one better thing? this way.
Lo, on a heathy brown and nameless hill
By sparkling Asolo, in mist and chill,
Morning just up, higher and higher runs
A child barefoot and rosy. See! the sun's
On the square castle's inner-court's low wall
Like the chine of some extinct animal
Half turned to earth and flowers; and through the haze
(Save where some slender patches of grey maize
Are to be overleaped) that boy has crossed
The whole hill-side of dew and powder-frost
Matting the balm and mountain camomile.
Up and up goes he, singing all the while
Some unintelligible words to beat
The lark, God's poet, swooning at his feet,
So worsted is he at "the few fine locks
"Stained like pale honey oozed from topmost rocks
"Sun-blanched the livelong summer,"all that's left
Of the Goito lay! And thus bereft,
Sleep and forget, Sordello! In effect
He sleeps, the feverish poetI suspect
Not utterly companionless; but, friends,
Wake up! The ghost's gone, and the story ends
I'd fain hope, sweetly; seeing, peri or ghoul,
That spirits are conjectured fair or foul,
Evil or good, judicious authors think,
According as they vanish in a stink
Or in a perfume. Friends, be frank! ye snuff
Civet, I warrant. Really? Like enough!
Merely the savour's rareness; any nose
May ravage with impunity a rose:
Rifle a musk-pod and 't will ache like yours!
I'd tell you that same pungency ensures
An after-gust, but that were overbold.
Who would has heard Sordello's story told.


~ Robert Browning, Sordello - Book the Sixth
,
227:Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:nor can I now--so on
I move to the end in lowliness of heart.--

"Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native airlet me but die at home."

Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

"Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my bosom? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!I am sad and lost."

Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer farO gaze no more:
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?Hist!      "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!My soul doth melt
For the unhappy youthLove! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"

               Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn notno, no, no
While the great waters are at ebb and flow.
I have a triple soul! O fond pretence
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle bosom heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilta very guilt
Not to companion thee, and sigh away
The lightthe duskthe darktill break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delightI bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay
     "O Sorrow,
     Why dost borrow
The natural hue of health, from vermeil lips?
     To give maiden blushes
     To the white rose bushes?
Or is it thy dewy hand the daisy tips?

     "O Sorrow,
     Why dost borrow
The lustrous passion from a falcon-eye?
     To give the glow-worm light?
     Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

     "O Sorrow,
     Why dost borrow
The mellow ditties from a mourning tongue?
     To give at evening pale
     Unto the nightingale,
That thou mayst listen the cold dews among?

     "O Sorrow,
     Why dost borrow
Heart's lightness from the merriment of May?
     A lover would not tread
     A cowslip on the head,
Though he should dance from eve till peep of day
     Nor any drooping flower
     Held sacred for thy bower,
Wherever he may sport himself and play.

     "To Sorrow
     I bade good-morrow,
And thought to leave her far away behind;
     But cheerly, cheerly,
     She loves me dearly;
She is so constant to me, and so kind:
     I would deceive her
     And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,
     And so I kept
Brimming the water-lily cups with tears
     Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
    But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue
    'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din
    'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
    To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:
    I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
    With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
    For Venus' pearly bite;
And near him rode Silenus on his ****,
Pelted with flowers as he on did pass
    Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
    Your lutes, and gentler fate?
We follow Bacchus! Bacchus on the wing?
    A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:
Come hither, lady fair, and joined be
    To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
    Your nuts in oak-tree cleft?
For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
    And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
    With Asian elephants:
Onward these myriadswith song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
    Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
    On spleenful unicorn.

"I saw Osirian Egypt kneel adown
    Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
    To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
    Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
    And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.
Into these regions came I following him,
Sick hearted, wearyso I took a whim
To stray away into these forests drear
    Alone, without a peer:
And I have told thee all thou mayest hear.

     "Young stranger!
     I've been a ranger
In search of pleasure throughout every clime:
     Alas! 'tis not for me!
     Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

     "Come then, Sorrow!
     Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
     I thought to leave thee
     And deceive thee,
But now of all the world I love thee best.

     "There is not one,
     No, no, not one
But thee to comfort a poor lonely maid;
     Thou art her mother,
     And her brother,
Her playmate, and her wooer in the shade."

O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not thinkby Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently murder half my soul, and I
Shall feel the other half so utterly!
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.
This cannot be thy hand, and yet it is;
And this is sure thine other softlingthis
Thine own fair bosom, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this worldsweet dewy blossom!"Woe!
Woe! Woe to that Endymion! Where is he?
Even these words went echoing dismally
Through the wide foresta most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destructionwhen lo,
Foot-feather'd Mercury appear'd sublime
Beyond the tall tree tops; and in less time
Than shoots the slanted hail-storm, down he dropt
Towards the ground; but rested not, nor stopt
One moment from his home: only the sward
He with his wand light touch'd, and heavenward
Swifter than sight was goneeven before
The teeming earth a sudden witness bore
Of his swift magic. Diving swans appear
Above the crystal circlings white and clear;
And catch the cheated eye in wild surprise,
How they can dive in sight and unseen rise
So from the turf outsprang two steeds jet-black,
Each with large dark blue wings upon his back.
The youth of Caria plac'd the lovely dame
On one, and felt himself in spleen to tame
The other's fierceness. Through the air they flew,
High as the eagles. Like two drops of dew
Exhal'd to Phoebus' lips, away they are gone,
Far from the earth awayunseen, alone,
Among cool clouds and winds, but that the free,
The buoyant life of song can floating be
Above their heads, and follow them untir'd.
Muse of my native land, am I inspir'd?
This is the giddy air, and I must spread
Wide pinions to keep here; nor do I dread
Or height, or depth, or width, or any chance
Precipitous: I have beneath my glance
Those towering horses and their mournful freight.
Could I thus sail, and see, and thus await
Fearless for power of thought, without thine aid?
There is a sleepy dusk, an odorous shade
From some approaching wonder, and behold
Those winged steeds, with snorting nostrils bold
Snuff at its faint extreme, and seem to tire,
Dying to embers from their native fire!

There curl'd a purple mist around them; soon,
It seem'd as when around the pale new moon
Sad Zephyr droops the clouds like weeping willow:
'Twas Sleep slow journeying with head on pillow.
For the first time, since he came nigh dead born
From the old womb of night, his cave forlorn
Had he left more forlorn; for the first time,
He felt aloof the day and morning's prime
Because into his depth Cimmerian
There came a dream, shewing how a young man,
Ere a lean bat could plump its wintery skin,
Would at high Jove's empyreal footstool win
An immortality, and how espouse
Jove's daughter, and be reckon'd of his house.
Now was he slumbering towards heaven's gate,
That he might at the threshold one hour wait
To hear the marriage melodies, and then
Sink downward to his dusky cave again.
His litter of smooth semilucent mist,
Diversely ting'd with rose and amethyst,
Puzzled those eyes that for the centre sought;
And scarcely for one moment could be caught
His sluggish form reposing motionless.
Those two on winged steeds, with all the stress
Of vision search'd for him, as one would look
Athwart the sallows of a river nook
To catch a glance at silver throated eels,
Or from old Skiddaw's top, when fog conceals
His rugged forehead in a mantle pale,
With an eye-guess towards some pleasant vale
Descry a favourite hamlet faint and far.

These raven horses, though they foster'd are
Of earth's splenetic fire, dully drop
Their full-veined ears, nostrils blood wide, and stop;
Upon the spiritless mist have they outspread
Their ample feathers, are in slumber dead,
And on those pinions, level in mid air,
Endymion sleepeth and the lady fair.
Slowly they sail, slowly as icy isle
Upon a calm sea drifting: and meanwhile
The mournful wanderer dreams. Behold! he walks
On heaven's pavement; brotherly he talks
To divine powers: from his hand full fain
Juno's proud birds are pecking pearly grain:
He tries the nerve of Phoebus' golden bow,
And asketh where the golden apples grow:
Upon his arm he braces Pallas' shield,
And strives in vain to unsettle and wield
A Jovian thunderbolt: arch Hebe brings
A full-brimm'd goblet, dances lightly, sings
And tantalizes long; at last he drinks,
And lost in pleasure at her feet he sinks,
Touching with dazzled lips her starlight hand.
He blows a bugle,an ethereal band
Are visible above: the Seasons four,
Green-kyrtled Spring, flush Summer, golden store
In Autumn's sickle, Winter frosty hoar,
Join dance with shadowy Hours; while still the blast,
In swells unmitigated, still doth last
To sway their floating morris. "Whose is this?
Whose bugle?" he inquires: they smile"O Dis!
Why is this mortal here? Dost thou not know
Its mistress' lips? Not thou?'Tis Dian's: lo!
She rises crescented!" He looks, 'tis she,
His very goddess: good-bye earth, and sea,
And air, and pains, and care, and suffering;
Good-bye to all but love! Then doth he spring
Towards her, and awakesand, strange, o'erhead,
Of those same fragrant exhalations bred,
Beheld awake his very dream: the gods
Stood smiling; merry Hebe laughs and nods;
And Phoebe bends towards him crescented.
O state perplexing! On the pinion bed,
Too well awake, he feels the panting side
Of his delicious lady. He who died
For soaring too audacious in the sun,
Where that same treacherous wax began to run,
Felt not more tongue-tied than Endymion.
His heart leapt up as to its rightful throne,
To that fair shadow'd passion puls'd its way
Ah, what perplexity! Ah, well a day!
So fond, so beauteous was his bed-fellow,
He could not help but kiss her: then he grew
Awhile forgetful of all beauty save
Young Phoebe's, golden hair'd; and so 'gan crave
Forgiveness: yet he turn'd once more to look
At the sweet sleeper,all his soul was shook,
She press'd his hand in slumber; so once more
He could not help but kiss her and adore.
At this the shadow wept, melting away.
The Latmian started up: "Bright goddess, stay!
Search my most hidden breast! By truth's own tongue,
I have no ddale heart: why is it wrung
To desperation? Is there nought for me,
Upon the bourne of bliss, but misery?"

These words awoke the stranger of dark tresses:
Her dawning love-look rapt Endymion blesses
With 'haviour soft. Sleep yawned from underneath.
"Thou swan of Ganges, let us no more breathe
This murky phantasm! thou contented seem'st
Pillow'd in lovely idleness, nor dream'st
What horrors may discomfort thee and me.
Ah, shouldst thou die from my heart-treachery!
Yet did she merely weepher gentle soul
Hath no revenge in it: as it is whole
In tenderness, would I were whole in love!
Can I prize thee, fair maid, all price above,
Even when I feel as true as innocence?
I do, I do.What is this soul then? Whence
Came it? It does not seem my own, and I
Have no self-passion or identity.
Some fearful end must be: where, where is it?
By Nemesis, I see my spirit flit
Alone about the darkForgive me, sweet:
Shall we away?" He rous'd the steeds: they beat
Their wings chivalrous into the clear air,
Leaving old Sleep within his vapoury lair.

The good-night blush of eve was waning slow,
And Vesper, risen star, began to throe
In the dusk heavens silvery, when they
Thus sprang direct towards the Galaxy.
Nor did speed hinder converse soft and strange
Eternal oaths and vows they interchange,
In such wise, in such temper, so aloof
Up in the winds, beneath a starry roof,
So witless of their doom, that verily
'Tis well nigh past man's search their hearts to see;
Whether they wept, or laugh'd, or griev'd, or toy'd
Most like with joy gone mad, with sorrow cloy'd.

Full facing their swift flight, from ebon streak,
The moon put forth a little diamond peak,
No bigger than an unobserved star,
Or tiny point of fairy scymetar;
Bright signal that she only stoop'd to tie
Her silver sandals, ere deliciously
She bow'd into the heavens her timid head.
Slowly she rose, as though she would have fled,
While to his lady meek the Carian turn'd,
To mark if her dark eyes had yet discern'd
This beauty in its birthDespair! despair!
He saw her body fading gaunt and spare
In the cold moonshine. Straight he seiz'd her wrist;
It melted from his grasp: her hand he kiss'd,
And, horror! kiss'd his ownhe was alone.
Her steed a little higher soar'd, and then
Dropt hawkwise to the earth.    There lies a den,
Beyond the seeming confines of the space
Made for the soul to wander in and trace
Its own existence, of remotest glooms.
Dark regions are around it, where the tombs
Of buried griefs the spirit sees, but scarce
One hour doth linger weeping, for the pierce
Of new-born woe it feels more inly smart:
And in these regions many a venom'd dart
At random flies; they are the proper home
Of every ill: the man is yet to come
Who hath not journeyed in this native hell.
But few have ever felt how calm and well
Sleep may be had in that deep den of all.
There anguish does not sting; nor pleasure pall:
Woe-hurricanes beat ever at the gate,
Yet all is still within and desolate.
Beset with painful gusts, within ye hear
No sound so loud as when on curtain'd bier
The death-watch tick is stifled. Enter none
Who strive therefore: on the sudden it is won.
Just when the sufferer begins to burn,
Then it is free to him; and from an urn,
Still fed by melting ice, he takes a draught
Young Semele such richness never quaft
In her maternal longing. Happy gloom!
Dark Paradise! where pale becomes the bloom
Of health by due; where silence dreariest
Is most articulate; where hopes infest;
Where those eyes are the brightest far that keep
Their lids shut longest in a dreamless sleep.
O happy spirit-home! O wondrous soul!
Pregnant with such a den to save the whole
In thine own depth. Hail, gentle Carian!
For, never since thy griefs and woes began,
Hast thou felt so content: a grievous feud
Hath let thee to this Cave of Quietude.
Aye, his lull'd soul was there, although upborne
With dangerous speed: and so he did not mourn
Because he knew not whither he was going.
So happy was he, not the aerial blowing
Of trumpets at clear parley from the east
Could rouse from that fine relish, that high feast.
They stung the feather'd horse: with fierce alarm
He flapp'd towards the sound. Alas, no charm
Could lift Endymion's head, or he had view'd
A skyey mask, a pinion'd multitude,
And silvery was its passing: voices sweet
Warbling the while as if to lull and greet
The wanderer in his path. Thus warbled they,
While past the vision went in bright array.

"Who, who from Dian's feast would be away?
For all the golden bowers of the day
Are empty left? Who, who away would be
From Cynthia's wedding and festivity?
Not Hesperus: lo! upon his silver wings
He leans away for highest heaven and sings,
Snapping his lucid fingers merrily!
Ah, Zephyrus! art here, and Flora too!
Ye tender bibbers of the rain and dew,
Young playmates of the rose and daffodil,
Be careful, ere ye enter in, to fill
    Your baskets high
With fennel green, and balm, and golden pines,
Savory, latter-mint, and columbines,
Cool parsley, basil sweet, and sunny thyme;
Yea, every flower and leaf of every clime,
All gather'd in the dewy morning: hie
    Away! fly, fly!
Crystalline brother of the belt of heaven,
Aquarius! to whom king Jove has given
Two liquid pulse streams 'stead of feather'd wings,
Two fan-like fountains,thine illuminings
    For Dian play:
Dissolve the frozen purity of air;
Let thy white shoulders silvery and bare
Shew cold through watery pinions; make more bright
The Star-Queen's crescent on her marriage night:
    Haste, haste away!
Castor has tamed the planet Lion, see!
And of the Bear has Pollux mastery:
A third is in the race! who is the third,
Speeding away swift as the eagle bird?
    The ramping Centaur!
The Lion's mane's on end: the Bear how fierce!
The Centaur's arrow ready seems to pierce
Some enemy: far forth his bow is bent
Into the blue of heaven. He'll be shent,
    Pale unrelentor,
When he shall hear the wedding lutes a playing.
Andromeda! sweet woman! why delaying
So timidly among the stars: come hither!
Join this bright throng, and nimbly follow whither
    They all are going.
Danae's Son, before Jove newly bow'd,
Has wept for thee, calling to Jove aloud.
Thee, gentle lady, did he disenthral:
Ye shall for ever live and love, for all
    Thy tears are flowing.
By Daphne's fright, behold Apollo!"

                    More
Endymion heard not: down his steed him bore,
Prone to the green head of a misty hill.

His first touch of the earth went nigh to kill.
"Alas!" said he, "were I but always borne
Through dangerous winds, had but my footsteps worn
A path in hell, for ever would I bless
Horrors which nourish an uneasiness
For my own sullen conquering: to him
Who lives beyond earth's boundary, grief is dim,
Sorrow is but a shadow: now I see
The grass; I feel the solid groundAh, me!
It is thy voicedivinest! Where?who? who
Left thee so quiet on this bed of dew?
Behold upon this happy earth we are;
Let us ay love each other; let us fare
On forest-fruits, and never, never go
Among the abodes of mortals here below,
Or be by phantoms duped. O destiny!
Into a labyrinth now my soul would fly,
But with thy beauty will I deaden it.
Where didst thou melt too? By thee will I sit
For ever: let our fate stop herea kid
I on this spot will offer: Pan will bid
Us live in peace, in love and peace among
His forest wildernesses. I have clung
To nothing, lov'd a nothing, nothing seen
Or felt but a great dream! O I have been
Presumptuous against love, against the sky,
Against all elements, against the tie
Of mortals each to each, against the blooms
Of flowers, rush of rivers, and the tombs
Of heroes gone! Against his proper glory
Has my own soul conspired: so my story
Will I to children utter, and repent.
There never liv'd a mortal man, who bent
His appetite beyond his natural sphere,
But starv'd and died. My sweetest Indian, here,
Here will I kneel, for thou redeemed hast
My life from too thin breathing: gone and past
Are cloudy phantasms. Caverns lone, farewel!
And air of visions, and the monstrous swell
Of visionary seas! No, never more
Shall airy voices cheat me to the shore
Of tangled wonder, breathless and aghast.
Adieu, my daintiest Dream! although so vast
My love is still for thee. The hour may come
When we shall meet in pure elysium.
On earth I may not love thee; and therefore
Doves will I offer up, and sweetest store
All through the teeming year: so thou wilt shine
On me, and on this damsel fair of mine,
And bless our simple lives. My Indian bliss!
My river-lily bud! one human kiss!
One sigh of real breathone gentle squeeze,
Warm as a dove's nest among summer trees,
And warm with dew at ooze from living blood!
Whither didst melt? Ah, what of that!all good
We'll talk aboutno more of dreaming.Now,
Where shall our dwelling be? Under the brow
Of some steep mossy hill, where ivy dun
Would hide us up, although spring leaves were none;
And where dark yew trees, as we rustle through,
Will drop their scarlet berry cups of dew?
O thou wouldst joy to live in such a place;
Dusk for our loves, yet light enough to grace
Those gentle limbs on mossy bed reclin'd:
For by one step the blue sky shouldst thou find,
And by another, in deep dell below,
See, through the trees, a little river go
All in its mid-day gold and glimmering.
Honey from out the gnarled hive I'll bring,
And apples, wan with sweetness, gather thee,
Cresses that grow where no man may them see,
And sorrel untorn by the dew-claw'd stag:
Pipes will I fashion of the syrinx flag,
That thou mayst always know whither I roam,
When it shall please thee in our quiet home
To listen and think of love. Still let me speak;
Still let me dive into the joy I seek,
For yet the past doth prison me. The rill,
Thou haply mayst delight in, will I fill
With fairy fishes from the mountain tarn,
And thou shalt feed them from the squirrel's barn.
Its bottom will I strew with amber shells,
And pebbles blue from deep enchanted wells.
Its sides I'll plant with dew-sweet eglantine,
And honeysuckles full of clear bee-wine.
I will entice this crystal rill to trace
Love's silver name upon the meadow's face.
I'll kneel to Vesta, for a flame of fire;
And to god Phoebus, for a golden lyre;
To Empress Dian, for a hunting spear;
To Vesper, for a taper silver-clear,
That I may see thy beauty through the night;
To Flora, and a nightingale shall light
Tame on thy finger; to the River-gods,
And they shall bring thee taper fishing-rods
Of gold, and lines of Naiads' long bright tress.
Heaven shield thee for thine utter loveliness!
Thy mossy footstool shall the altar be
'Fore which I'll bend, bending, dear love, to thee:
Those lips shall be my Delphos, and shall speak
Laws to my footsteps, colour to my cheek,
Trembling or stedfastness to this same voice,
And of three sweetest pleasurings the choice:
And that affectionate light, those diamond things,
Those eyes, those passions, those supreme pearl springs,
Shall be my grief, or twinkle me to pleasure.
Say, is not bliss within our perfect seisure?
O that I could not doubt?"

               The mountaineer
Thus strove by fancies vain and crude to clear
His briar'd path to some tranquillity.
It gave bright gladness to his lady's eye,
And yet the tears she wept were tears of sorrow;
Answering thus, just as the golden morrow
Beam'd upward from the vallies of the east:
"O that the flutter of this heart had ceas'd,
Or the sweet name of love had pass'd away.
Young feather'd tyrant! by a swift decay
Wilt thou devote this body to the earth:
And I do think that at my very birth
I lisp'd thy blooming titles inwardly;
For at the first, first dawn and thought of thee,
With uplift hands I blest the stars of heaven.
Art thou not cruel? Ever have I striven
To think thee kind, but ah, it will not do!
When yet a child, I heard that kisses drew
Favour from thee, and so I kisses gave
To the void air, bidding them find out love:
But when I came to feel how far above
All fancy, pride, and fickle maidenhood,
All earthly pleasure, all imagin'd good,
Was the warm tremble of a devout kiss,
Even then, that moment, at the thought of this,
Fainting I fell into a bed of flowers,
And languish'd there three days. Ye milder powers,
Am I not cruelly wrong'd? Believe, believe
Me, dear Endymion, were I to weave
With my own fancies garlands of sweet life,
Thou shouldst be one of all. Ah, bitter strife!
I may not be thy love: I am forbidden
Indeed I amthwarted, affrighted, chidden,
By things I trembled at, and gorgon wrath.
Twice hast thou ask'd whither I went: henceforth
Ask me no more! I may not utter it,
Nor may I be thy love. We might commit
Ourselves at once to vengeance; we might die;
We might embrace and die: voluptuous thought!
Enlarge not to my hunger, or I'm caught
In trammels of perverse deliciousness.
No, no, that shall not be: thee will I bless,
And bid a long adieu."

             The Carian
No word return'd: both lovelorn, silent, wan,
Into the vallies green together went.
Far wandering, they were perforce content
To sit beneath a fair lone beechen tree;
Nor at each other gaz'd, but heavily
Por'd on its hazle cirque of shedded leaves.

Endymion! unhappy! it nigh grieves
Me to behold thee thus in last extreme:
Ensky'd ere this, but truly that I deem
Truth the best music in a first-born song.
Thy lute-voic'd brother will I sing ere long,
And thou shalt aidhast thou not aided me?
Yes, moonlight Emperor! felicity
Has been thy meed for many thousand years;
Yet often have I, on the brink of tears,
Mourn'd as if yet thou wert a forester,
Forgetting the old tale.

              He did not stir
His eyes from the dead leaves, or one small pulse
Of joy he might have felt. The spirit culls
Unfaded amaranth, when wild it strays
Through the old garden-ground of boyish days.
A little onward ran the very stream
By which he took his first soft poppy dream;
And on the very bark 'gainst which he leant
A crescent he had carv'd, and round it spent
His skill in little stars. The teeming tree
Had swollen and green'd the pious charactery,
But not ta'en out. Why, there was not a slope
Up which he had not fear'd the antelope;
And not a tree, beneath whose rooty shade
He had not with his tamed leopards play'd.
Nor could an arrow light, or javelin,
Fly in the air where his had never been
And yet he knew it not.

             O treachery!
Why does his lady smile, pleasing her eye
With all his sorrowing? He sees her not.
But who so stares on him? His sister sure!
Peona of the woods!Can she endure
Impossiblehow dearly they embrace!
His lady smiles; delight is in her face;
It is no treachery.

           "Dear brother mine!
Endymion, weep not so! Why shouldst thou pine
When all great Latmos so exalt wilt be?
Thank the great gods, and look not bitterly;
And speak not one pale word, and sigh no more.
Sure I will not believe thou hast such store
Of grief, to last thee to my kiss again.
Thou surely canst not bear a mind in pain,
Come hand in hand with one so beautiful.
Be happy both of you! for I will pull
The flowers of autumn for your coronals.
Pan's holy priest for young Endymion calls;
And when he is restor'd, thou, fairest dame,
Shalt be our queen. Now, is it not a shame
To see ye thus,not very, very sad?
Perhaps ye are too happy to be glad:
O feel as if it were a common day;
Free-voic'd as one who never was away.
No tongue shall ask, whence come ye? but ye shall
Be gods of your own rest imperial.
Not even I, for one whole month, will pry
Into the hours that have pass'd us by,
Since in my arbour I did sing to thee.
O Hermes! on this very night will be
A hymning up to Cynthia, queen of light;
For the soothsayers old saw yesternight
Good visions in the air,whence will befal,
As say these sages, health perpetual
To shepherds and their flocks; and furthermore,
In Dian's face they read the gentle lore:
Therefore for her these vesper-carols are.
Our friends will all be there from nigh and far.
Many upon thy death have ditties made;
And many, even now, their foreheads shade
With cypress, on a day of sacrifice.
New singing for our maids shalt thou devise,
And pluck the sorrow from our huntsmen's brows.
Tell me, my lady-queen, how to espouse
This wayward brother to his rightful joys!
His eyes are on thee bent, as thou didst poise
His fate most goddess-like. Help me, I pray,
To lureEndymion, dear brother, say
What ails thee?" He could bear no more, and so
Bent his soul fiercely like a spiritual bow,
And twang'd it inwardly, and calmly said:
"I would have thee my only friend, sweet maid!
My only visitor! not ignorant though,
That those deceptions which for pleasure go
'Mong men, are pleasures real as real may be:
But there are higher ones I may not see,
If impiously an earthly realm I take.
Since I saw thee, I have been wide awake
Night after night, and day by day, until
Of the empyrean I have drunk my fill.
Let it content thee, Sister, seeing me
More happy than betides mortality.
A hermit young, I'll live in mossy cave,
Where thou alone shalt come to me, and lave
Thy spirit in the wonders I shall tell.
Through me the shepherd realm shall prosper well;
For to thy tongue will I all health confide.
And, for my sake, let this young maid abide
With thee as a dear sister. Thou alone,
Peona, mayst return to me. I own
This may sound strangely: but when, dearest girl,
Thou seest it for my happiness, no pearl
Will trespass down those cheeks. Companion fair!
Wilt be content to dwell with her, to share
This sister's love with me?" Like one resign'd
And bent by circumstance, and thereby blind
In self-commitment, thus that meek unknown:
"Aye, but a buzzing by my ears has flown,
Of jubilee to Dian:truth I heard!
Well then, I see there is no little bird,
Tender soever, but is Jove's own care.
Long have I sought for rest, and, unaware,
Behold I find it! so exalted too!
So after my own heart! I knew, I knew
There was a place untenanted in it:
In that same void white Chastity shall sit,
And monitor me nightly to lone slumber.
With sanest lips I vow me to the number
Of Dian's sisterhood; and, kind lady,
With thy good help, this very night shall see
My future days to her fane consecrate."

As feels a dreamer what doth most create
His own particular fright, so these three felt:
Or like one who, in after ages, knelt
To Lucifer or Baal, when he'd pine
After a little sleep: or when in mine
Far under-ground, a sleeper meets his friends
Who know him not. Each diligently bends
Towards common thoughts and things for very fear;
Striving their ghastly malady to cheer,
By thinking it a thing of yes and no,
That housewives talk of. But the spirit-blow
Was struck, and all were dreamers. At the last
Endymion said: "Are not our fates all cast?
Why stand we here? Adieu, ye tender pair!
Adieu!" Whereat those maidens, with wild stare,
Walk'd dizzily away. Pained and hot
His eyes went after them, until they got
Near to a cypress grove, whose deadly maw,
In one swift moment, would what then he saw
Engulph for ever. "Stay!" he cried, "ah, stay!
Turn, damsels! hist! one word I have to say.
Sweet Indian, I would see thee once again.
It is a thing I dote on: so I'd fain,
Peona, ye should hand in hand repair
Into those holy groves, that silent are
Behind great Dian's temple. I'll be yon,
At vesper's earliest twinklethey are gone
But once, once, once again" At this he press'd
His hands against his face, and then did rest
His head upon a mossy hillock green,
And so remain'd as he a corpse had been
All the long day; save when he scantly lifted
His eyes abroad, to see how shadows shifted
With the slow move of time,sluggish and weary
Until the poplar tops, in journey dreary,
Had reach'd the river's brim. Then up he rose,
And, slowly as that very river flows,
Walk'd towards the temple grove with this lament:
"Why such a golden eve? The breeze is sent
Careful and soft, that not a leaf may fall
Before the serene father of them all
Bows down his summer head below the west.
Now am I of breath, speech, and speed possest,
But at the setting I must bid adieu
To her for the last time. Night will strew
On the damp grass myriads of lingering leaves,
And with them shall I die; nor much it grieves
To die, when summer dies on the cold sward.
Why, I have been a butterfly, a lord
Of flowers, garlands, love-knots, silly posies,
Groves, meadows, melodies, and arbour roses;
My kingdom's at its death, and just it is
That I should die with it: so in all this
We miscal grief, bale, sorrow, heartbreak, woe,
What is there to plain of? By Titan's foe
I am but rightly serv'd." So saying, he
Tripp'd lightly on, in sort of deathful glee;
Laughing at the clear stream and setting sun,
As though they jests had been: nor had he done
His laugh at nature's holy countenance,
Until that grove appear'd, as if perchance,
And then his tongue with sober seemlihed
Gave utterance as he entered: "Ha!" I said,
"King of the butterflies; but by this gloom,
And by old Rhadamanthus' tongue of doom,
This dusk religion, pomp of solitude,
And the Promethean clay by thief endued,
By old Saturnus' forelock, by his head
Shook with eternal palsy, I did wed
Myself to things of light from infancy;
And thus to be cast out, thus lorn to die,
Is sure enough to make a mortal man
Grow impious." So he inwardly began
On things for which no wording can be found;
Deeper and deeper sinking, until drown'd
Beyond the reach of music: for the choir
Of Cynthia he heard not, though rough briar
Nor muffling thicket interpos'd to dull
The vesper hymn, far swollen, soft and full,
Through the dark pillars of those sylvan aisles.
He saw not the two maidens, nor their smiles,
Wan as primroses gather'd at midnight
By chilly finger'd spring. "Unhappy wight!
Endymion!" said Peona, "we are here!
What wouldst thou ere we all are laid on bier?"
Then he embrac'd her, and his lady's hand
Press'd, saying:" Sister, I would have command,
If it were heaven's will, on our sad fate."
At which that dark-eyed stranger stood elate
And said, in a new voice, but sweet as love,
To Endymion's amaze: "By Cupid's dove,
And so thou shalt! and by the lily truth
Of my own breast thou shalt, beloved youth!"
And as she spake, into her face there came
Light, as reflected from a silver flame:
Her long black hair swell'd ampler, in display
Full golden; in her eyes a brighter day
Dawn'd blue and full of love. Aye, he beheld
Phoebe, his passion! joyous she upheld
Her lucid bow, continuing thus; "Drear, drear
Has our delaying been; but foolish fear
Withheld me first; and then decrees of fate;
And then 'twas fit that from this mortal state
Thou shouldst, my love, by some unlook'd for change
Be spiritualiz'd. Peona, we shall range
These forests, and to thee they safe shall be
As was thy cradle; hither shalt thou flee
To meet us many a time." Next Cynthia bright
Peona kiss'd, and bless'd with fair good night:
Her brother kiss'd her too, and knelt adown
Before his goddess, in a blissful swoon.
She gave her fair hands to him, and behold,
Before three swiftest kisses he had told,
They vanish'd far away!Peona went
Home through the gloomy wood in wonderment.

(line 2): This line originally began with 'O Mountain-born in the draft, where also 'while' stands cancelled in favour of 'by.'

(line 158): Keats has been supposed to have invented the variant 'spry' for 'spray' for convenience of rhyming, just as Shelley has been accused of inventing for like reasons the word 'uprest', for example, in Laon And Cythna, Canto III, Stanza xxi. Sandys, the translator of Ovid, may not be a very good authority; but he is not improbably Keats's authority for 'spry', and will certainly do in default of a better.

(line 273): The biblical dissyllabic form 'mayest' is clearly used by deliberate preference, for the line originally stood thus in the draft :
And I have told thee all that thou canst hear.

(line 298): Remember'd from its velvet summer song : The gentleness of summer wind seems to have been a cherished idea with Keats. Compare with Sleep And Poetry, line 1 --
'What is more gentle than a wind in summer?'

(line 585): This was originally a short line consisting of the words "Thine illuminings" alone. The whole stanza, ... was sent by Keats to his friend Baily for his "vote, pro or con," in a letter dated the 22nd of November 1817.

(line 668): An imagination in which Hunt would have found it difficult to discover the reality; but probably Keats had never seen the miserable platform of dry twigs that serves for "a dove's nest among summer trees."

(line 672): Endymion's imaginary home and employments as pictured in the next fifty lines may be compared with Shelley's AEgean island described so wonderfully in Epipsychidion. Both passages are thoroughly characteristic; and they show the divergence between the modes of thought and sentiment of the two men in a very marked way.

(line 885-86): A curious importation from Hebrew theology into a subject from Greek mythology. Compare St. Matthew, X, 29: "Are not two sparrows sold for a farthing? and one of them shall not fall on the ground without your Father." Or, as made familiar to our childhood by the popular hymn-wright,---
'A little sparrow cannot fall,
Unnoticed, Lord, by Thee.'

In the finished manuscript the word "kist" occurs twice instead of "kiss'd" as in the first edition; but "bless'd" is not similarly transformed to "blest."

At the end of the draft Keats wrote "Burford Bridge Nov. 28, 1817--".

The imprint of Endymion is as follows:-- T. Miller, Printer, Noble Street, Cheapside. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book IV
,
228: Ilion

Book I: The Book of the Herald



Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered from starry and shadowy vastness
Woke to the wonder of life and its passion and sorrow and beauty,
All on her bosom sustaining, the patient compassionate Mother.
Out of the formless vision of Night with its look on things hidden
Given to the gaze of the azure she lay in her garment of greenness,
Wearing light on her brow. In the dawn-ray lofty and voiceless
Ida climbed with her god-haunted peaks into diamond lustres,
Ida first of the hills with the ranges silent beyond her
Watching the dawn in their giant companies, as since the ages
First began they had watched her, upbearing Time on their summits.
Troas cold on her plain awaited the boon of the sunshine.
There, like a hope through an emerald dream sole-pacing for ever,
Stealing to wideness beyond, crept Simois lame in his currents,
Guiding his argent thread mid the green of the reeds and the grasses.
Headlong, impatient of Space and its boundaries, Time and its slowness,
Xanthus clamoured aloud as he ran to the far-surging waters,
Joining his call to the many-voiced roar of the mighty Aegean,
Answering Oceans limitless cry like a whelp to its parent.
Forests looked up through their rifts, the ravines grew aware of their shadows.
Closer now gliding glimmered the golden feet of the goddess.
Over the hills and the headlands spreading her garment of splendour,
Fateful she came with her eyes impartial looking on all things,
Bringer to man of the day of his fortune and day of his downfall.
Full of her luminous errand, careless of eve and its weeping,
Fateful she paused unconcerned above Ilions mysteried greatness,
Domes like shimmering tongues of the crystal flames of the morning,
Opalesque rhythm-line of tower-tops, notes of the lyre of the sungod.
High over all that a nation had built and its love and its laughter,
Lighting the last time highway and homestead, market and temple,
Looking on men who must die and women destined to sorrow,
Looking on beauty fire must lay low and the sickle of slaughter,
Fateful she lifted the doom-scroll red with the script of the Immortals,
Deep in the invisible air that folds in the race and its morrows
Fixed it, and passed on smiling the smile of the griefless and deathless,
Dealers of death though death they know not, who in the morning
Scatter the seed of the event for the reaping ready at nightfall.
Over the brooding of plains and the agelong trance of the summits
Out of the sun and its spaces she came, pausing tranquil and fatal,
And, at a distance followed by the golden herds of the sungod,
Carried the burden of Light and its riddle and danger to Hellas.
Even as fleets on a chariot divine through the gold streets of ether,
Swiftly when Life fleets, invisibly changing the arc of the soul-drift,
And, with the choice that has chanced or the fate man has called and now suffers
Weighted, the moment travels driving the past towards the future,
Only its face and its feet are seen, not the burden it carries.
Weight of the event and its surface we bear, but the meaning is hidden.
Earth sees not; lifes clamour deafens the ear of the spirit:
Man knows not; least knows the messenger chosen for the summons.
Only he listens to the voice of his thoughts, his hearts ignorant whisper,
Whistle of winds in the tree-tops of Time and the rustle of Nature.
Now too the messenger hastened driving the car of the errand:
Even while dawn was a gleam in the east, he had cried to his coursers.
Half yet awake in lights turrets started the scouts of the morning
Hearing the jar of the wheels and the throb of the hooves exultation,
Hooves of the horses of Greece as they galloped to Phrygian Troya.
Proudly they trampled through Xanthus thwarting the foam of his anger,
Whinnying high as in scorn crossed Simois tangled currents,
Xanthus reed-girdled twin, the gentle and sluggard river.
One and unarmed in the car was the driver; grey was he, shrunken,
Worn with his decades. To Pergama cinctured with strength Cyclopean
Old and alone he arrived, insignificant, feeblest of mortals,
Carrying Fate in his helpless hands and the doom of an empire.
Ilion, couchant, saw him arrive from the sea and the darkness.
Heard mid the faint slow stirrings of life in the sleep of the city,
Rapid there neared a running of feet, and the cry of the summons
Beat round the doors that guarded the domes of the splendour of Priam.
Wardens charged with the night, ye who stand in Laomedons gateway,
Waken the Ilian kings. Talthybius, herald of Argos,
Parleying stands at the portals of Troy in the grey of the dawning.
High and insistent the call. In the dimness and hush of his chamber
Charioted far in his dreams amid visions of glory and terror,
Scenes of a vivider world,though blurred and deformed in the brain-cells,
Vague and inconsequent, there full of colour and beauty and greatness,
Suddenly drawn by the pull of the conscious thread of the earth-bond
And of the needs of Time and the travail assigned in the transience
Warned by his body, Deiphobus, reached in that splendid remoteness,
Touched through the nerve-ways of life that branch to the brain of the dreamer,
Heard the terrestrial call and slumber startled receded
Sliding like dew from the mane of a lion. Reluctant he travelled
Back from the light of the fields beyond death, from the wonderful kingdoms
Where he had wandered a soul among souls in the countries beyond us,
Free from the toil and incertitude, free from the struggle and danger:
Now, compelled, he returned from the respite given to the time-born,
Called to the strife and the wounds of the earth and the burden of daylight.
He from the carven couch upreared his giant stature.
Haste-spurred he laved his eyes and regained earths memories, haste-spurred
Donning apparel and armour strode through the town of his fathers,
Watched by her gods on his way to his fate, towards Pergamas portals.
Nine long years had passed and the tenth now was wearily ending,
Years of the wrath of the gods, and the leaguer still threatened the ramparts
Since through a tranquil morn the ships came past Tenedos sailing
And the first Argive fell slain as he leaped on the Phrygian beaches;
Still the assailants attacked, still fought back the stubborn defenders.
When the reward is withheld and endlessly leng thens the labour,
Weary of fruitless toil grows the transient heart of the mortal.
Weary of battle the invaders warring hearthless and homeless
Prayed to the gods for release and return to the land of their fathers:
Weary of battle the Phrygians beset in their beautiful city
Prayed to the gods for an end of the danger and mortal encounter.
Long had the high-beached ships forgotten their measureless ocean.
Greece seemed old and strange to her children camped on the beaches,
Old like a life long past one remembers hardly believing
But as a dream that has happened, but as the tale of another.
Time with his tardy touch and Nature changing our substance
Slowly had dimmed the faces loved and the scenes once cherished:
Yet was the dream still dear to them longing for wife and for children,
Longing for hearth and glebe in the far-off valleys of Hellas.
Always like waves that swallow the shingles, lapsing, returning,
Tide of the battle, race of the onset relentlessly thundered
Over the Phrygian corn-fields. Trojan wrestled with Argive,
Caria, Lycia, Thrace and the war-lord mighty Achaia
Joined in the clasp of the fight. Death, panic and wounds and disaster,
Glory of conquest and glory of fall, and the empty hearth-side,
Weeping and fortitude, terror and hope and the pang of remembrance,
Anguish of hearts, the lives of the warriors, the strength of the nations
Thrown were like weights into Destinys scales, but the balance wavered
Pressed by invisible hands. For not only the mortal fighters,
Heroes half divine whose names are like stars in remoteness,
Triumphed and failed and were winds or were weeds on the dance of the surges,
But from the peaks of Olympus and shimmering summits of Ida
Gleaming and clanging the gods of the antique ages descended.
Hidden from human knowledge the brilliant shapes of Immortals
Mingled unseen in the mellay, or sometimes, marvellous, maskless,
Forms of undying beauty and power that made tremble the heart-strings
Parting their deathless secrecy crossed through the borders of vision,
Plain as of old to the demigods out of their glory emerging,
Heard by mortal ears and seen by the eyeballs that perish.
Mighty they came from their spaces of freedom and sorrowless splendour.
Sea-vast, trailing the azure hem of his clamorous waters,
Blue-lidded, maned with the Night, Poseidon smote for the future,
Earth-shaker who with his trident releases the coils of the Dragon,
Freeing the forces unborn that are locked in the caverns of Nature.
Calm and unmoved, upholding the Word that is Fate and the order
Fixed in the sight of a Will foreknowing and silent and changeless,
Hera sent by Zeus and Athene lifting his aegis
Guarded the hidden decree. But for Ilion, loud as the surges,
Ares impetuous called to the fire in mens hearts, and his passion
Woke in the shadowy depths the forms of the Titan and demon;
Dumb and coerced by the grip of the gods in the abyss of the being,
Formidable, veiled they sit in the grey subconscient darkness
Watching the sleep of the snake-haired Erinnys. Miracled, haloed,
Seer and magician and prophet who beholds what the thought cannot witness,
Lifting the godhead within us to more than a human endeavour,
Slayer and saviour, thinker and mystic, leaped from his sun-peaks
Guarding in Ilion the wall of his mysteries Delphic Apollo.
Heavens strengths divided swayed in the whirl of the Earth-force.
All that is born and destroyed is reborn in the sweep of the ages;
Life like a decimal ever recurring repeats the old figure;
Goal seems there none for the ball that is chased throughout Time by the Fate-teams;
Evil once ended renews and no issue comes out of living:
Only an Eye unseen can distinguish the thread of its workings.
Such seemed the rule of the pastime of Fate on the plains of the Troad;
All went backwards and forwards tossed in the swing of the death-game.
Vain was the toil of the heroes, the blood of the mighty was squandered,
Spray as of surf on the cliffs when it moans unappeased, unrequited
Age after fruitless age. Day hunted the steps of the nightfall;
Joy succeeded to grief; defeat only greatened the vanquished,
Victory offered an empty delight without guerdon or profit.
End there was none of the effort and end there was none of the failure.
Triumph and agony changing hands in a desperate measure
Faced and turned as a man and a maiden trampling the grasses
Face and turn and they laugh in their joy of the dance and each other.
These were gods and they trampled lives. But though Time is immortal,
Mortal his works are and ways and the anguish ends like the rapture.
Artists of Nature content with their work in the plan of the transience,
Beautiful, deathless, august, the Olympians turned from the carnage,
Leaving the battle already decided, leaving the heroes
Slain in their minds, Troy burned, Greece left to her glory and downfall.
Into their heavens they rose up mighty like eagles ascending
Fanning the world with their wings. As the great to their luminous mansions
Turn from the cry and the strife, forgetting the wounded and fallen,
Calm they repose from their toil and incline to the joy of the banquet,
Watching the feet of the wine-bearers rosily placed on the marble,
Filling their hearts with ease, so they to their sorrowless ether
Passed from the wounded earth and its air that is ploughed with mens anguish;
Calm they reposed and their hearts inclined to the joy and the silence.
Lifted was the burden laid on our wills by their starry presence:
Man was restored to his smallness, the world to its inconscient labour.
Life felt a respite from height, the winds breathed freer delivered;
Light was released from their blaze and the earth was released from their greatness.
But their immortal content from the struggle titanic departed.
Vacant the noise of the battle roared like the sea on the shingles;
Wearily hunted the spears their quarry; strength was disheartened;
Silence increased with the march of the months on the tents of the leaguer.
But not alone on the Achaians the steps of the moments fell heavy;
Slowly the shadow deepened on Ilion mighty and scornful:
Dragging her days went by; in the rear of the hearts of her people
Something that knew what they dared not know and the mind would not utter,
Something that smote at her soul of defiance and beauty and laughter,
Darkened the hours. For Doom in her sombre and giant uprising
Neared, assailing the skies: the sense of her lived in all pastimes;
Time was pursued by unease and a terror woke in the midnight:
Even the ramparts felt her, stones that the gods had erected.
Now no longer she dallied and played, but bounded and hastened,
Seeing before her the end and, imagining massacre calmly,
Laughed and admired the flames and rejoiced in the cry of the captives.
Under her, dead to the watching immortals, Deiphobus hastened
Clanging in arms through the streets of the beautiful insolent city,
Brilliant, a gleaming husk but empty and left by the daemon.
Even as a star long extinguished whose light still travels the spaces,
Seen in its form by men, but itself goes phantom-like fleeting
Void and null and dark through the uncaring infinite vastness,
So now he seemed to the sight that sees all things from the Real.
Timeless its vision of Time creates the hour by things coming.
Borne on a force from the past and no more by a power for the future
Mighty and bright was his body, but shadowy the shape of his spirit
Only an eidolon seemed of the being that had lived in him, fleeting
Vague like a phantom seen by the dim Acherontian waters.
But to the guardian towers that watched over Pergamas gateway
Out of the waking city Deiphobus swiftly arriving
Called, and swinging back the huge gates slowly, reluctant,
Flung Troy wide to the entering Argive. Ilions portals
Parted admitting her destiny, then with a sullen and iron
Cry they closed. Mute, staring, grey like a wolf descended
Old Talthybius, propping his steps on the staff of his errand;
Feeble his body, but fierce still his glance with the fire within him;
Speechless and brooding he gazed on the hated and coveted city.
Suddenly, seeking heaven with her buildings hewn as for Titans,
Marvellous, rhythmic, a child of the gods with marble for raiment,
Smiting the vision with harmony, splendid and mighty and golden,
Ilion stood up around him entrenched in her giant defences.
Strength was uplifted on strength and grandeur supported by grandeur;
Beauty lay in her lap. Remote, hieratic and changeless,
Filled with her deeds and her dreams her gods looked out on the Argive,
Helpless and dumb with his hate as he gazed on her, they too like mortals
Knowing their centuries past, not knowing the morrow before them.
Dire were his eyes upon Troya the beautiful, his face like a doom-mask:
All Greece gazed in them, hated, admired, grew afraid, grew relentless.
But to the Greek Deiphobus cried and he turned from his passion
Fixing his ominous eyes with the god in them straight on the Trojan:
Messenger, voice of Achaia, wherefore confronting the daybreak
Comest thou driving thy car from the sleep of the tents that besiege us?
Fateful, I deem, was the thought that, conceived in the silence of midnight,
Raised up thy aged limbs from the couch of their rest in the stillness,
Thoughts of a mortal but forged by the Will that uses our members
And of its promptings our speech and our acts are the tools and the image.
Oft from the veil and the shadow they leap out like stars in their brightness,
Lights that we think our own, yet they are but tokens and counters,
Signs of the Forces that flow through us serving a Power that is secret.
What in the dawning bringst thou to Troya the mighty and dateless
Now in the ending of Time when the gods are weary of struggle?
Sends Agamemnon challenge or courtesy, Greek, to the Trojans?
High like the northwind answered the voice of the doom from Achaia:
Trojan Deiphobus, daybreak, silence of night and the evening
Sink and arise and even the strong sun rests from his splendour.
Not for the servant is rest nor Time is his, only his death-pyre.
I have not come from the monarch of men or the armoured assembly
Held on the wind-swept marge of the thunder and laughter of ocean.
One in his singleness greater than kings and multitudes sends me.
I am a voice out of Phthia, I am the will of the Hellene.
Peace in my right I bring to you, death in my left hand. Trojan,
Proudly receive them, honour the gifts of the mighty Achilles.
Death accept, if Ate deceives you and Doom is your lover,
Peace if your fate can turn and the god in you chooses to hearken.
Full is my heart and my lips are impatient of speech undelivered.
It was not made for the streets or the market, nor to be uttered
Meanly to common ears, but where counsel and majesty harbour
Far from the crowd in the halls of the great and to wisdom and foresight
Secrecy whispers, there I will speak among Ilions princes.
Envoy, answered the Laomedontian, voice of Achilles,
Vain is the offer of peace that sets out with a threat for its prelude.
Yet will we hear thee. Arise who are fleetest of foot in the gateway,
Thou, Thrasymachus, haste. Let the domes of the mansion of Ilus
Wake to the bruit of the Hellene challenge. Summon Aeneas.
Even as the word sank back into stillness, doffing his mantle
Started to run at the bidding a swift-footed youth of the Trojans
First in the race and the battle, Thrasymachus son of Aretes.
He in the dawn disappeared into swiftness. Deiphobus slowly,
Measuring Fate with his thoughts in the troubled vasts of his spirit,
Back through the stir of the city returned to the house of his fathers,
Taming his mighty stride to the pace infirm of the Argive.
But with the god in his feet Thrasymachus rapidly running
Came to the halls in the youth of the wonderful city by Ilus
Built for the joy of the eye; for he rested from war and, triumphant,
Reigned adored by the prostrate nations. Now when all ended,
Last of its mortal possessors to walk in its flowering gardens,
Great Anchises lay in that luminous house of the ancients
Soothing his restful age, the far-warring victor Anchises,
High Bucoleons son and the father of Rome by a goddess;
Lonely and vagrant once in his boyhood divine upon Ida
White Aphrodite ensnared him and she loosed her ambrosial girdle
Seeking a mortals love. On the threshold Thrasymachus halted
Looking for servant or guard, but felt only a loneness of slumber
Drawing the souls sight within away from its life and things human;
Soundless, unheeding, the vacant corridors fled into darkness.
He to the shades of the house and the dreams of the echoing rafters
Trusted his high-voiced call, and from chambers still dim in their twilight
Strong Aeneas armoured and mantled, leonine striding,
Came, Anchises son; for the dawn had not found him reposing,
But in the night he had left his couch and the clasp of Cresa,
Rising from sleep at the call of his spirit that turned to the waters
Prompted by Fate and his mother who guided him, white Aphrodite.
Still with the impulse of speed Thrasymachus greeted Aeneas:
Hero Aeneas, swift be thy stride to the Ilian hill-top.
Dardanid, haste! for the gods are at work; they have risen with the morning,
Each from his starry couch, and they labour. Doom, we can see it,
Glows on their anvils of destiny, clang we can hear of their hammers.
Something they forge there sitting unknown in the silence eternal,
Whether of evil or good it is they who shall choose who are masters
Calm, unopposed; they are gods and they work out their iron caprices.
Troy is their stage and Argos their background; we are their puppets.
Always our voices are prompted to speech for an end that we know not,
Always we think that we drive, but are driven. Action and impulse,
Yearning and thought are their engines, our will is their shadow and helper.
Now too, deeming he comes with a purpose framed by a mortal,
Shaft of their will they have shot from the bow of the Grecian leaguer,
Lashing themselves at his steeds, Talthybius sent by Achilles.
Busy the gods are always, Thrasymachus son of Aretes,
Weaving Fate on their looms, and yesterday, now and tomorrow
Are but the stands they have made with Space and Time for their timber,
Frame but the dance of their shuttle. What eye unamazed by their workings
Ever can pierce where they dwell and uncover their far-stretching purpose?
Silent they toil, they are hid in the clouds, they are wrapped with the midnight.
Yet to Apollo I pray, the Archer friendly to mortals,
Yet to the rider on Fate I abase myself, wielder of thunder,
Evil and doom to avert from my fatherland. All night Morpheus,
He who with shadowy hands heaps error and truth upon mortals,
Stood at my pillow with images. Dreaming I erred like a phantom
Helpless in Ilions streets with the fire and the foeman around me.
Red was the smoke as it mounted triumphant the house-top of Priam,
Clang of the arms of the Greeks was in Troya, and thwarting the clangour
Voices were crying and calling me over the violent Ocean
Borne by the winds of the West from a land where Hesperus harbours.
Brooding they ceased, for their thoughts grew heavy upon them and voiceless.
Then, in a farewell brief and unthought and unconscious of meaning,
Parting they turned to their tasks and their lives now close but soon severed:
Destined to perish even before his perishing nation,
Back to his watch at the gate sped Thrasymachus rapidly running;
Large of pace and swift, but with eyes absorbed and unseeing,
Driven like a car of the gods by the whip of his thoughts through the highways,
Turned to his mighty future the hero born of a goddess.
One was he chosen to ascend into greatness through fall and disaster,
Loser of his world by the will of a heaven that seemed ruthless and adverse,
Founder of a newer and greater world by daring adventure.
Now, from the citadels rise with the townships crowding below it
High towards a pondering of domes and the mystic Palladium climbing,
Fronted with the morning ray and joined by the winds of the ocean,
Fate-weighed up Troys slope strode musing strong Aeneas.
Under him silent the slumbering roofs of the city of Ilus
Dreamed in the light of the dawn; above watched the citadel, sleepless
Lonely and strong like a goddess white-limbed and bright on a hill-top,
Looking far out at the sea and the foe and the prowling of danger.
Over the brow he mounted and saw the palace of Priam,
Home of the gods of the earth, Laomedons marvellous vision
Held in the thought that accustomed his will to unearthly achievement
And in the blaze of his spirit compelling heaven with its greatness,
Dreamed by the harp of Apollo, a melody caught into marble.
Out of his mind it arose like an epic canto by canto;
Each of its halls was a strophe, its chambers lines of an epode,
Victor chant of Ilions destiny. Absent he entered,
Voiceless with thought, the brilliant megaron crowded with paintings,
Paved with a splendour of marble, and saw Deiphobus seated,
Son of the ancient house by the opulent hearth of his fathers,
And at his side like a shadow the grey and ominous Argive.
Happy of light like a lustrous star when it welcomes the morning,
Brilliant, beautiful, glamoured with gold and a fillet of gem-fire,
Paris, plucked from the song and the lyre by the Grecian challenge,
Came with the joy in his face and his eyes that Fate could not alter.
Ever a child of the dawn at play near a turn of the sun-roads,
Facing destinys look with the careless laugh of a comrade,
He with his vision of delight and beauty brightening the earth-field
Passed through its peril and grief on his way to the ambiguous Shadow.
Last from her chamber of sleep where she lay in the Ilian mansion
Far in the heart of the house with the deep-bosomed daughters of Priam,
Noble and tall and erect in a nimbus of youth and of glory,
Claiming the world and life as a fief of her strength and her courage,
Dawned through a doorway that opened to distant murmurs and laughter,
Capturing the eye like a smile or a sunbeam, Penthesilea.
She from the threshold cried to the herald, crossing the marble,
Regal and fleet, with her voice that was mighty and dire in its sweetness.
What with such speed has impelled from the wind-haunted beaches of Troas,
Herald, thy car though the sun yet hesitates under the mountains?
Comest thou humbler to Troy, Talthybius, now than thou camest
Once when the streams of my East sang low to my ear, not this Ocean
Loud, and I roamed in my mountains uncalled by the voice of Apollo?
Bringest thou dulcet-eyed peace or, sweeter to Penthesilea,
Challenge of war when the spears fall thick on the shields of the fighters,
Lightly the wheels leap onward chanting the anthem of Ares,
Death is at work in his fields and the heart is enamoured of danger?
What says Odysseus, the baffled Ithacan? what Agamemnon?
Are they then weary of war who were rapid and bold and triumphant,
Now that their gods are reluctant, now victory darts not from heaven
Down from the clouds above Ida directing the luminous legions
Armed by Fate, now Pallas forgets, now Poseidon slumbers?
Bronze were their throats to the battle like bugles blaring in chorus;
Mercy they knew not, but shouted and ravened and ran to the slaughter
Eager as hounds when they chase, till a woman met them and stayed them,
Loud my war-shout rang by Scamander. Herald of Argos,
What say the vaunters of Greece to the virgin Penthesilea?
High was the Argives answer confronting the mighty in Troya.
Princes of Pergama, whelps of the lion who roar for the mellay,
Suffer my speech! It shall ring like a spear on the hearts of the mighty.
Blame not the herald; his voice is an impulse, an echo, a channel
Now for the timbrels of peace and now for the drums of the battle.
And I have come from no cautious strength, from no half-hearted speaker,
But from the Phthian. All know him! Proud is his soul as his fortunes,
Swift as his sword and his spear are the speech and the wrath from his bosom.
I am his envoy, herald am I of the conquering Argives.
Has not one heard in the night when the breezes whisper and shudder,
Dire, the voice of a lion unsatisfied, gnawed by his hunger,
Seeking his prey from the gods? For he prowls through the glens of the mountains,
Errs a dangerous gleam in the woodlands, fatal and silent.
So for a while he endures, for a while he seeks and he suffers
Patient yet in his terrible grace as assured of his banquet;
But he has lacked too long and he lifts his head and to heaven
Roars in his wonder, incensed, impatiently. Startled the valleys
Shrink from the dreadful alarum, the cattle gallop to shelter.
Arming the herdsmen cry to each other for comfort and courage.
So Talthybius spoke, as a harper voicing his prelude
Touches his strings to a varied music, seeks for a concord;
Long his strain he prepares. But one broke in on the speaker,
Sweet was his voice like a harps though heard in the front of the onset,
One of the sons of Fate by the people loved whom he ruined,
Leader in counsel and battle, the Priamid, he in his beauty
Carelessly walking who scattered the seeds of Titanic disaster.
Surely thou dreamedst at night and awaking thy dreams have not left thee!
Hast thou not woven thy words to intimidate children in Argos
Sitting alarmed in the shadows who listen pale to their nurses?
Greek, thou art standing in Ilion now and thou facest her princes.
Use not thy words but thy kings. If friendship their honey-breathed burden,
Friendship we clasp from Achilles, but challenge outpace with our challenge
Meeting the foe ere he moves in his will to the clash of encounter.
Such is the way of the Trojans since Phryx by the Hellespont halting
Seated Troy on her hill with the Ocean for comrade and sister.
Shaking in wrath his filleted head Talthybius answered:
Princes, ye speak their words who drive you! Thus said Achilles:
Rise, Talthybius, meet in her spaces the car of the morning;
Challenge her coursers divine as they bound through the plains of the Troad.
Hasten, let not the day wear gold ere thou stand in her ramparts.
Herald charged with my will to a haughty and obstinate nation,
Speak in the palace of Priam the word of the Phthian Achilles.
Freely and not as his vassal who leads, Agamemnon, the Argive,
But as a ruler in Hellas I send thee, king of my nations.
Long I have walked apart from the mellay of gods in the Troad,
Long has my listless spear leaned back on the peace of my tent-side,
Deaf to the talk of the trumpets, the whine of the chariots speeding;
Sole with my heart I have lived, unheeding the Hellene murmur,
Chid when it roared for the hunt the lion pack of the war-god,
Day after day I walked at dawn and in blush of the sunset,
Far by the call of the seas and alone with the gods and my dreaming,
Leaned to the unsatisfied chant of my heart and the rhythms of ocean,
Sung to by hopes that were sweet-lipped and vain. For Polyxenas brothers
Still are the brood of the Titan Laomedon slain in his greatness,
Engines of God unable to bear all the might that they harbour.
Awe they have chid from their hearts, nor our common humanity binds them,
Stay have they none in the gods who approve, giving calmness to mortals:
But like the Titans of old they have hugged to them grandeur and ruin.
Seek then the race self-doomed, the leaders blinded by heaven
Not in the agora swept by the winds of debate and the shoutings
Lion-voiced, huge of the people! In Troyas high-crested mansion
Speak out my word to the hero Deiphobus, head of the mellay,
Paris the racer of doom and the stubborn strength of Aeneas.
Herald of Greece, when thy feet shall be pressed on the gold and the marble,
Rise in the Ilian megaron, curb not the cry of the challenge.
Thus shalt thou say to them striking the ground with the staff of defiance,
Fronting the tempests of war, the insensate, the gamblers with downfall.
Princes of Troy, I have sat in your halls, I have slept in your chambers;
Not in the battle alone as a warrior glad of his foemen,
Glad of the strength that mates with his own, in peace we encountered.
Marvelling I sat in the halls of my enemies, close to the bosoms
Scarred by the dints of my sword and the eyes I had seen through the battle,
Ate rejoicing the food of the East at the tables of Priam
Served by the delicatest hands in the world, by Hecubas daughter,
Or with our souls reconciled in some careless and rapturous midnight
Drank of the sweetness of Phrygian wine, admiring your bodies
Shaped by the gods indeed, and my spirit revolted from hatred,
Softening it yearned in its strings to the beauty and joy of its foemen,
Yearned from the death that oertakes and the flame that cries and desires
Even at the end to save and even on the verge to deliver
Troy and her wonderful works and her sons and her deep-bosomed daughters.
Warned by the gods who reveal to the heart what the mind cannot hearken
Deaf with its thoughts, I offered you friendship, I offered you bridal,
Hellas for comrade, Achilles for brother, the world for enjoyment
Won by my spear. And one heard my call and one turned to my seeking.
Why is it then that the war-cry sinks not to rest by the Xanthus?
We are not voices from Argolis, Lacedaemonian tricksters,
Splendid and subtle and false; we are speakers of truth, we are Hellenes,
Men of the northl and faithful in friendship and noble in anger,
Strong like our fathers of old. But you answered my truth with evasion
Hoping to seize what I will not yield and you flattered your people.
Long have I waited for wisdom to dawn on your violent natures.
Lonely I paced oer the sands by the thousand-throated waters
Praying to Pallas the wise that the doom might turn from your mansions,
Buildings delightful, gracious as rhythms, lyrics in marble,
Works of the transient gods, and I yearned for the end of the war-din
Hoping that Death might relent to the beautiful sons of the Trojans.
Far from the cry of the spears, from the speed and the laughter of axles,
Heavy upon me like iron the intolerable yoke of inaction
Weighed like a load on a runner. The war-cry rose by Scamander;
Xanthus was crossed on a bridge of the fallen, not by Achilles.
Often I stretched out my hand to the spear, for the Trojan beaches
Rang with the voice of Deiphobus shouting and slaying the Argives;
Often my heart like an anxious mother for Greece and her children
Leaped, for the air was full of the leonine roar of Aeneas.
Always the evening fell or the gods protected the Argives.
Then by the moat of the ships, on the hither plain of the Xanthus
New was the voice that climbed through the din and sailed on the breezes,
High, insistent, clear, and it shouted an unknown war-cry
Threatening doom to the peoples. A woman had come in to aid you,
Regal and insolent, fair as the morning and fell as the northwind,
Freed from the distaff who grasps at the sword and she spurns at subjection
Breaking the rule of the gods. She is turbulent, swift in the battle.
Clanging her voice of the swan as a summons to death and disaster,
Fleet-footed, happy and pitiless, laughing she runs to the slaughter;
Strong with the gait that allures she leaps from her car to the slaying,
Dabbles in blood smooth hands like lilies. Europe astonished
Reels from her shock to the Ocean. She is the panic and mellay,
War is her paean, the chariots thunder of Penthesilea.
Doom was her coming, it seems, to the men of the West and their legions;
Ajax sleeps for ever, Meriones lies on the beaches.
One by one they are falling before you, the great in Achaia.
Ever the wounded are borne like the stream of the ants when they forage
Past my ships, and they hush their moans as they near and in silence
Gaze at the legions inactive accusing the fame of Achilles.
Still have I borne with you, waited a little, looked for a summons,
Longing for bridal torches, not flame on the Ilian housetops,
Blood in the chambers of sweetness, the golden amorous city
Swallowed by doom. Not broken I turned from the wrestle Titanic,
Hopeless, weary of toil in the ebb of my glorious spirit,
But from my stress of compassion for doom of the kindred nations,
But for her sake whom my soul desires, for the daughter of Priam.
And for Polyxenas sake I will speak to you yet as your lover
Once ere the Fury, abrupt from Erebus, deaf to your crying,
Mad with the joy of the massacre, seizes on wealth and on women
Calling to Fire as it strides and Ilion sinks into ashes.
Yield; for your doom is impatient. No longer your helpers hasten,
Legions swift to your call; the yoke of your pride and your splendour
Lies not now on the nations of earth as when Fortune desired you,
Strength was your slave and Troya the lioness hungrily roaring
Threatened the western world from her ramparts built by Apollo.
Gladly released from the thraldom they hated, the insolent shackles
Curbing their manhood the peoples arise and they pray for your ruin;
Piled are their altars with gifts; their blessings help the Achaians.
Memnon came, but he sleeps, and the faces swart of his nation
Darken no more like a cloud over thunder and surge of the onset.
Wearily Lycia fights; far fled are the Carian levies.
Thrace retreats to her plains preferring the whistle of stormwinds
Or on the banks of the Strymon to wheel in her Orphean measure,
Not in the revel of swords and fronting the spears of the Hellenes.
Princes of Pergama, open your gates to our Peace who would enter,
Life in her gracious clasp and forgetfulness, grave of earths passions,
Healer of wounds and the past. In a comity equal, Hellenic,
Asia join with Greece, one world from the frozen rivers
Trod by the hooves of the Scythian to farthest undulant Ganges.
Tyndarid Helen resign, the desirable cause of your danger,
Back to Greece that is empty long of her smile and her movements.
Broider with riches her coming, pomp of her slaves and the waggons
Endlessly groaning with gold that arrive with the ransom of nations.
So shall the Fury be pacified, she who exultant from Sparta
Breathed in the sails of the Trojan ravisher helping his oarsmen.
So shall the gods be appeased and the thoughts of their wrath shall be cancelled,
Justice contented trace back her steps and for brands of the burning
Torches delightful shall break into Troy with the swords of the bridal.
I like a bridegroom will seize on your city and clasp and defend her
Safe from the envy of Argos, from Lacedaemonian hatred,
Safe from the hunger of Crete and the Locrians violent rapine.
But if you turn from my voice and you hearken only to Ares
Crying for battle within you deluded by Hera and Pallas,
Swiftly the fierce deaths surges shall close over Troy and her ramparts
Built by the gods shall be stubble and earth to the tread of the Hellene.
For to my tents I return not, I swear it by Zeus and Apollo,
Master of Truth who sits within Delphi fathomless brooding
Sole in the caverns of Nature and hearkens her underground murmur,
Giving my oath to his keeping mute and stern who forgets not,
Not from the panting of Ares toil to repose, from the wrestle
Locked of hope and death in the ruthless clasp of the mellay
Leaving again the Trojan ramparts unmounted, leaving
Greece unavenged, the Aegean a lake and Europe a province.
Choosing from Hellas exile, from Peleus and Deidamia,
Choosing the field for my chamber of sleep and the battle for hearthside
I shall go warring on till Asia enslaved to my footsteps
Feels the tread of the God in my sandal pressed on her bosom.
Rest shall I then when the borders of Greece are fringed with the Ganges;
Thus shall the past pay its Titan ransom and, Fate her balance
Changing, a continent ravished suffer the fortune of Helen.
This I have sworn allying my will to Zeus and Ananke.
So was it spoken, the Phthian challenge. Silent the heroes
Looked back amazed on their past and into the night of their future.
Silent their hearts felt a grasp from gods and had hints of the heavens.
Hush was awhile in the room, as if Fate were trying her balance
Poised on the thoughts of her mortals. At length with a musical laughter
Sweet as the jangling of bells upon anklets leaping in measure
Answered aloud to the gods the virgin Penthesilea.
Long I had heard in my distant realms of the fame of Achilles,
Ignorant still while I played with the ball and ran in the dances
Thinking not ever to war; but I dreamed of the shock of the hero.
So might a poet inland who imagines the rumour of Ocean,
Yearn with his lust for the giant upheaval, the dance as of hill-tops,
Toss of the yellow mane and the tawny march and the voices
Lionlike claiming earth as a prey for the clamorous waters.
So have I longed as I came for the cry and the speed of Achilles.
But he has lurked in his ships, he has sulked like a boy that is angry.
Glad am I now of his soul that arises hungry for battle,
Glad, whether victor I live or defeated travel the shadows.
Once shall my spear have rung on the shield of the Phthian Achilles.
Peace I desire not. I came to a haughty and resolute nation,
Honour and fame they cherish, not life by the gift of a foeman.
Sons of the ancient house on whom Ilion looks as on Titans,
Chiefs whom the world admires, do you fear then the shock of the Phthian?
Gods, it is said, have decided your doom. Are you less in your greatness?
Are you not gods to reverse their decrees or unshaken to suffer?
Memnon is dead and the Carians leave you? Lycia lingers?
But from the streams of my East I have come to you, Penthesilea.
Virgin of Asia, answered Talthybius, doom of a nation
Brought thee to Troy and her haters Olympian shielded thy coming,
Vainly who feedest mens hearts with a hope that the gods have rejected.
Doom in thy sweet voice utters her counsels robed like a woman.
Answered the virgin disdainfully, wroth at the words of the Argive:
Hast thou not ended the errand they gave thee, envoy of Hellas?
Not, do I think, as our counsellor camst thou elected from Argos,
Nor as a lover to Troy hast thou hastened with amorous footing
Hurting thy heart with her frowardness. Hatred and rapine sent thee,
Greed of the Ilian gold and lust of the Phrygian women,
Voice of Achaian aggression! Doom am I truly; let Gnossus
Witness it, Salamis speak of my fatal arrival and Argos
Silent remember her wounds. But the Argive answered the virgin:
Hearken then to the words of the Hellene, Penthesilea.
Virgin to whom earths strongest are corn in the sweep of thy sickle,
Lioness vain of thy bruit who besiegest the paths of the battle!
Art thou not satiate yet? hast thou drunk then so little of slaughter?
Death has ascended thy car; he has chosen thy hand for his harvest.
But I have heard of thy pride and disdain, how thou scornest the Argives
And of thy fate thou complainest that ever averse to thy wishes
Cloisters the Phthian and matches with weaklings Penthesilea.
Not of the Ithacan boar nor the wild-cat littered in Locris
Nor of the sleek-coat Argive wild-bulls sates me the hunting;
So hast thou said, I would bury my spear in the lion of Hellas.
Blind and infatuate, art thou not beautiful, bright as the lightning?
Were not thy limbs made cunningly linking sweetness to sweetness?
Is not thy laughter an arrow surprising hearts imprudent?
Charm is the seal of the gods upon woman. Distaff and girdle,
Work of the jar at the well and the hush of our innermost chambers,
These were appointed thee, but thou hast scorned them, O Titaness, grasping
Rather the shield and the spear. Thou, obeying thy turbulent nature,
Tramplest oer laws that are old to the pleasure thy heart has demanded.
Rather bow to the ancient Gods who are seated and constant.
But for thyself thou passest and what hast thou gained for the aeons
Mingled with men in their works and depriving the age of thy beauty?
Fair art thou, woman, but fair with a bitter and opposite sweetness
Clanging in war when thou matchest thy voice with the shout of assemblies.
Not to this end was thy sweetness made and the joy of thy members,
Not to this rhythm Heaven tuned its pipe in thy throat of enchantment,
Armoured like men to go warring forth and with hardness and fierceness
Mix in the strife and the hate while the varied meaning of Nature
Perishes hurt in its heart and life is emptied of music.
Long have I marked in your world a madness. Monarchs descending
Court the imperious mob of their slaves and their suppliant gesture
Shameless and venal offends the majestic tradition of ages:
Princes plead in the agora; spurred by the tongue of a coward,
Heroes march to an impious war at a priestly bidding.
Gold is sought by the great with the chaffering heart of the trader.
Asia fails and the Gods are abandoning Ida for Hellas.
Why must thou come here to perish, O noble and exquisite virgin,
Here in a cause not thine, in a quarrel remote from thy beauty,
Leaving a land that is lovely and far to be slain among strangers?
Girl, to thy rivers go back and thy hills where the grapes are aspirant.
Trust not a fate that indulges; for all things, Penthesilea,
Break with excess and he is the wisest who walks by a measure.
Yet, if thou wilt, thou shalt meet me today in the shock of the battle:
There will I give thee the fame thou desirest; captive in Hellas,
Men shall point to thee always, smiling and whispering, saying,
This is the woman who fought with the Greeks, overthrowing their heroes;
This is the slayer of Ajax, this is the slave of Achilles.
Then with her musical laughter the fearless Penthesilea:
Well do I hope that Achilles enslaved shall taste of that glory
Or on the Phrygian fields lie slain by the spear of a woman.
But to the herald Achaian the Priamid, leader of Troya:
Rest in the halls of thy foes and ease thy fatigue and thy winters.
Herald, abide till the people have heard and reply to Achilles.
Not as the kings of the West are Ilions princes and archons,
Monarchs of men who drive their nations dumb to the battle.
Not in the palace of Priam and not in the halls of the mighty
Whispered councils prevail and the few dispose of the millions;
But with their nation consulting, feeling the hearts of the commons
Ilions princes march to the war or give peace to their foemen.
Lightning departs from her kings and the thunder returns from her people
Met in the ancient assembly where Ilus founded his columns
And since her famous centuries, names that the ages remember
Leading her, Troya proclaims her decrees to obedient nations.
Ceasing he cried to the thralls of his house and they tended the Argive.
Brought to a chamber of rest in the luminous peace of the mansion,
Grey he sat and endured the food and the wine of his foemen,
Chiding his spirit that murmured within him and gazed undelighted,
Vexed with the endless pomps of Laomedon. Far from those glories
Memory winged it back to a sward half-forgotten, a village
Nestling in leaves and low hills watching it crowned with the sunset.
So for his hour he abode in earths palace of lordliest beauty,
But in its caverns his heart was weary and, hurt by the splendours,
Longed for Greece and the smoke-darkened roof of a cottage in Argos,
Eyes of a woman faded and children crowding the hearthside.
Joyless he rose and eastward expected the sunrise on Ida.
***
~ Sri Aurobindo, 1 - The Book of the Herald
,
229: Love and Death

Love and Death
In woodlands of the bright and early world,
When love was to himself yet new and warm
And stainless, played like morning with a flower
Ruru with his young bride Priyumvada.

Fresh-cheeked and dew-eyed white Priyumvada
Opened her budded heart of crimson bloom
To love, to Ruru; Ruru, a happy flood
Of passion round a lotus dancing thrilled,
Blinded with his soul's waves Priyumvada.

To him the earth was a bed for this sole flower,
To her all the world was filled with his embrace.

Wet with new rains the morning earth, released
From her fierce centuries and burning suns,
Lavished her breath in greenness; poignant flowers
Thronged all her eager breast, and her young arms
Cradled a childlike bounding life that played
And would not cease, nor ever weary grew
Of her bright promise; for all was joy and breeze
And perfume, colour and bloom and ardent rays
Of living, and delight desired the world.

Then Earth was quick and pregnant tamelessly;
A free and unwalled race possessed her plains
Whose hearts uncramped by bonds, whose unspoiled thoughts
At once replied to light. Foisoned the fields;
Lonely and rich the forests and the swaying
Of those unnumbered tops affected men
With thoughts to their vast music kin. Undammed
The virgin rivers moved towards the sea,
And mountains yet unseen and peoples vague
Winged young imagination like an eagle
To strange beauty remote. And Ruru felt
The sweetness of the early earth as sap
All through him, and short life an aeon made
By boundless possibility, and love,

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Sweetest of all unfathomable love,
A glory untired. As a bright bird comes flying
From airy extravagance to his own home,
And breasts his mate, and feels her all his goal,
So from boon sunlight and the fresh chill wave
Which swirled and lapped between the slumbering fields,
From forest pools and wanderings mid leaves
Through emerald ever-new discoveries,
Mysterious hillsides ranged and buoyant-swift
Races with our wild brothers in the meads,
Came Ruru back to the white-bosomed girl,
Strong-winged to pleasure. She all fresh and new
Rose to him, and he plunged into her charm.

For neither to her honey and poignancy
Artlessly interchanged, nor any limit
To the sweet physical delight of her
He found. Her eyes like deep and infinite wells
Lured his attracted soul, and her touch thrilled
Not lightly, though so light; the joy prolonged
And sweetness of the lingering of her lips
Was every time a nectar of surprise
To her lover; her smooth-gleaming shoulder bared
In darkness of her hair showed jasmine-bright,
While her kissed bosom by rich tumults stirred
Was a moved sea that rocked beneath his heart.

Then when her lips had made him blind, soft siege
Of all her unseen body to his rule
Betrayed the ravishing realm of her white limbs,
An empire for the glory of a God.

He knew not whether he loved most her smile,
Her causeless tears or little angers swift,
Whether held wet against him from the bath
Among her kindred lotuses, her cheeks
Soft to his lips and dangerous happy breasts
That vanquished all his strength with their desire,
Meeting his absence with her sudden face,
Or when the leaf-hid bird at night complained

Love and Death
Near their wreathed arbour on the moonlit lake,
Sobbing delight out from her heart of bliss,
Or in his clasp of rapture laughing low
Of his close bosom bridal-glad and pleased
With passion and this fiery play of love,
Or breaking off like one who thinks of grief,
Wonderful melancholy in her eyes
Grown liquid and with wayward sorrow large.

Thus he in her found a warm world of sweets,
And lived of ecstasy secure, nor deemed
Any new hour could match that early bliss.

But Love has joys for spirits born divine
More bleeding-lovely than his thornless rose.

That day he had left, while yet the east was dark,
Rising, her bosom and into the river
Swam out, exulting in the sting and swift
Sharp-edged desire around his limbs, and sprang
Wet to the bank, and streamed into the wood.

As a young horse upon the pastures glad
Feels greensward and the wind along his mane
And arches as he goes his neck, so went
In an immense delight of youth the boy
And shook his locks, joy-crested. Boundlessly
He revelled in swift air of life, a creature
Of wide and vigorous morning. Far he strayed
Tempting for flower and fruit branches in heaven,
And plucked, and flung away, and brighter chose,
Seeking comparisons for her bloom; and followed
New streams, and touched new trees, and felt slow beauty
And leafy secret change; for the damp leaves,
Grey-green at first, grew pallid with the light
And warmed with consciousness of sunshine near;
Then the whole daylight wandered in, and made
Hard tracts of splendour, and enriched all hues.

But when a happy sheltered heat he felt
And heard contented voice of living things
Harmonious with the noon, he turned and swiftly

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Went homeward yearning to Priyumvada,
And near his home emerging from green leaves
He laughed towards the sun: "O father Sun,"
He cried, "how good it is to live, to love!
Surely our joy shall never end, nor we
Grow old, but like bright rivers or pure winds
Sweetly continue, or revive with flowers,
Or live at least as long as senseless trees."
He dreamed, and said with a soft smile: "Lo, she!
And she will turn from me with angry tears
Her delicate face more beautiful than storm
Or rainy moonlight. I will follow her,
And soo the her heart with sovereign flatteries;
Or rather all tyranny exhaust and taste
The beauty of her anger like a fruit,
Vexing her soul with helplessness; then soften
Easily with quiet undenied demand
Of heart insisting upon heart; or else
Will reinvest her beauty bright with flowers,
Or with my hands her little feet persuade.

Then will her face be like a sudden dawn,
And flower compelled into reluctant smiles."
He had not ceased when he beheld her. She,
Tearing a jasmine bloom with waiting hands,
Stood drooping, petulant, but heard at once
His footsteps and before she was aware,
A sudden smile of exquisite delight
Leaped to her mouth, and a great blush of joy
Surprised her cheeks. She for a moment stood
Beautiful with her love before she died;
And he laughed towards her. With a pitiful cry
She paled; moaning, her stricken limbs collapsed.

But petrified, in awful dumb surprise,
He gazed; then waking with a bound was by her,
All panic expectation. As he came,
He saw a brilliant flash of coils evade
The sunlight, and with hateful gorgeous hood

Love and Death
Darted into green safety, hissing, death.

Voiceless he sank beside her and stretched out
His arms and desperately touched her face,
As if to attract her soul to live, and sought
Beseeching with his hands her bosom. O, she
Was warm, and cruel hope pierced him; but pale
As jasmines fading on a girl's sweet breast
Her cheek was, and forgot its perfect rose.

Her eyes that clung to sunlight yet, with pain
Were large and feebly round his neck her arms
She lifted and, desiring his pale cheek
Against her bosom, sobbed out piteously,
"Ah, love!" and stopped heart-broken; then, "O Love!
Alas the green dear home that I must leave
So early! I was so glad of love and kisses,
And thought that centuries would not exhaust
The deep embrace. And I have had so little
Of joy and the wild day and throbbing night,
Laughter, and tenderness, and strife and tears.

I have not numbered half the brilliant birds
In one green forest, nor am familiar grown
With sunrise and the progress of the eves,
Nor have with plaintive cries of birds made friends,
Cuckoo and rainlark and love-speak-to-me.

I have not learned the names of half the flowers
Around me; so few trees know me by my name;
Nor have I seen the stars so very often
That I should die. I feel a dreadful hand
Drawing me from the touch of thy warm limbs
Into some cold vague mist, and all black night
Descends towards me. I no more am thine,
But go I know not where, and see pale shapes
And gloomy countries and that terrible stream.

O Love, O Love, they take me from thee far,
And whether we shall find each other ever
In the wide dreadful territory of death,
I know not. Or thou wilt forget me quite,

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And life compel thee into other arms.

Ah, come with me! I cannot bear to wander
In that cold cruel country all alone,
Helpless and terrified, or sob by streams
Denied sweet sunlight and by thee unloved."
Slower her voice came now, and over her cheek
Death paused; then, sobbing like a little child
Too early from her bounding pleasures called,
The lovely discontented spirit stole
From her warm body white. Over her leaned
Ruru, and waited for dead lips to move.

Still in the greenwood lay Priyumvada,
And Ruru rose not from her, but with eyes
Emptied of glory hung above his dead,
Only, without a word, without a tear.

Then the crowned wives of the great forest came,
They who had fed her from maternal breasts,
And grieved over the lovely body cold,
And bore it from him; nor did he entreat
One last look nor one kiss, nor yet denied
What he had loved so well. They the dead girl
Into some distant greenness bore away.

But Ruru, while the stillness of the place
Remembered her, sat without voice. He heard
Through the great silence that was now his soul,
The forest sounds, a squirrel's leap through leaves,
The cheeping of a bird just overhead,
A peacock with his melancholy cry
Complaining far away, and tossings dim
And slight unnoticeable stir of trees.

But all these were to him like distant things
And he alone in his heart's void. And yet
No thought he had of her so lately lost.

Rather far pictures, trivial incidents
Of that old life before her delicate face
Had lived for him, dumbly distinct like thoughts

Love and Death
Of men that die, kept with long pomps his mind
Excluding the dead girl. So still he was,
The birds flashed by him with their swift small wings,
Fanning him. Then he moved, then rigorous
Memory through all his body shuddering
Awoke, and he looked up and knew the place,
And recognised greenness immutable,
And saw old trees and the same flowers still bloom.

He felt the bright indifference of earth
And all the lonely uselessness of pain.

Then lifting up the beauty of his brow
He spoke, with sorrow pale: "O grim cold Death!
But I will not like ordinary men
Satiate thee with cries, and falsely woo thee,
And make my grief thy theatre, who lie
Prostrate beneath thy thunderbolts and make
Night witness of their moans, shuddering and crying
When sudden memories pierce them like swords,
And often starting up as at a thought
Intolerable, pace a little, then
Sink down exhausted by brief agony.

O secrecy terrific, darkness vast,
At which we shudder! Somewhere, I know not where,
Somehow, I know not how, I shall confront
Thy gloom, tremendous spirit, and seize with hands
And prove what thou art and what man." He said,
And slowly to the forest wandered. There
Long months he travelled between grief and grief,
Reliving thoughts of her with every pace,
Measuring vast pain in his immortal mind.

And his heart cried in him as when a fire
Roars through wide forests and the branches cry
Burning towards heaven in torture glorious.

So burned, immense, his grief within him; he raised
His young pure face all solemnised with pain,
Voiceless. Then Fate was shaken, and the Gods
Grieved for him, of his silence grown afraid.
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Therefore from peaks divine came flashing down
Immortal Agni and to the uswutth-tree
Cried in the Voice that slays the world: "O tree
That liftest thy enormous branches able
To shelter armies, more than armies now
Shelter, be famous, house a brilliant God.

For the grief grows in Ruru's breast up-piled,
As wrestles with its anguished barricades
In silence an impending flood, and Gods
Immortal grow afraid. For earth alarmed
Shudders to bear the curse lest her young life
Pale with eclipse and all-creating love
Be to mere pain condemned. Divert the wrath
Into thy boughs, Uswuttha - thou shalt be
My throne - glorious, though in eternal pangs,
Yet worth much pain to harbour divine fire."
So ended the young pure destroyer's voice,
And the dumb god consented silently.

In the same noon came Ruru; his mind had paused,
Lured for a moment by soft wandering gleams
Into forgetfulness of grief; for thoughts
Gentle and near-eyed whispering memories
So sweetly came, his blind heart dreamed she lived.

Slow the uswuttha-tree bent down its leaves,
And smote his cheek, and touched his heavy hair.

And Ruru turned illumined. For a moment,
One blissful moment he had felt 'twas she.

So had she often stolen up and touched
His curls with her enamoured fingers small,
Lingering, while the wind smote him with her hair
And her quick breath came to him like spring. Then he,
Turning, as one surprised with heaven, saw
Ready to his swift passionate grasp her bosom
And body sweet expecting his embrace.

Oh, now saw her not, but the guilty tree
Shrinking; then grief back with a double crown
Arose and stained his face with agony.
Love and Death
Nor silence he endured, but the dumb force
Ascetic and inherited, by sires
Fierce-musing earned, from the boy's bosom blazed.

"O uswutth-tree, wantonly who hast mocked
My anguish with the wind, but thou no more
Have joy of the cool wind nor green delight,
But live thy guilty leaves in fire, so long
As Aryan wheels by thy doomed shadow vast
Thunder to war, nor bless with cool wide waves
Lyric Saruswathi nations impure."
He spoke, and the vast tree groaned through its leaves,
Recognising its fate; then smouldered; lines
Of living fire rushed up the girth and hissed
Serpentine in the unconsuming leaves;
Last, all Hutashan in his chariot armed
Sprang on the boughs and blazed into the sky,
And wailing all the great tormented creature
Stood wide in agony; one half was green
And earthly, the other a weird brilliance
Filled with the speed and cry of endless flame.

But he, with the fierce rushing-out of power
Shaken and that strong grasp of anguish, flung
His hands out to the sun; "Priyumvada!"
He cried, and at that well-loved sound there dawned
With overwhelming sweetness miserable
Upon his mind the old delightful times
When he had called her by her liquid name,
Where the voice loved to linger. He remembered
The chompuc bushes where she turned away
Half-angered, and his speaking of her name
Masterfully as to a lovely slave
Rebellious who has erred; at that the slow
Yielding of her small head, and after a little
Her sliding towards him and beautiful
Propitiating body as she sank down
With timid graspings deprecatingly
In prostrate warm surrender, her flushed cheeks

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Upon his feet and little touches soft;
Or her long name uttered beseechingly,
And the swift leap of all her body to him,
And eyes of large repentance, and the weight
Of her wild bosom and lips unsatisfied;
Or hourly call for little trivial needs,
Or sweet unneeded wanton summoning,
Daily appeal that never staled nor lost
Its sudden music, and her lovely speed,
Sedulous occupation left, quick-breathing,
With great glad eyes and eager parted lips;
Or in deep quiet moments murmuring
That name like a religion in her ear,
And her calm look compelled to ecstasy;
Or to the river luring her, or breathed
Over her dainty slumber, or secret sweet
Bridal outpantings of her broken name.

All these as rush unintermitting waves
Upon a swimmer overborne, broke on him
Relentless, things too happy to be endured,
Till faint with the recalled felicity
Low he moaned out: "O pale Priyumvada!
O dead fair flower! yet living to my grief!
But I could only slay the innocent tree,
Powerless when power should have been. Not such
Was Bhrigu from whose sacred strength I spring,
Nor Bhrigu's son, my father, when he blazed
Out from Puloma's side, and burning, blind,
Fell like a tree the ravisher unjust.

But I degenerate from such sires. O Death
That showest not thy face beneath the stars,
But comest masked, and on our dear ones seizing
Fearest to wrestle equally with love!
Nor from thy gloomy house any come back
To tell thy way. But O, if any strength
In lover's constancy to torture dwell
Earthward to force a helping god and such

Love and Death
Ascetic force be born of lover's pain,
Let my dumb pangs be heard. Whoe'er thou art,
O thou bright enemy of Death, descend
And lead me to that portal dim. For I
Have burned in fires cruel as the fire
And lain upon a sharper couch than swords."
He ceased, and heaven thrilled, and the far blue
Quivered as with invisible downward wings.

But Ruru passioned on, and came with eve
To secret grass and a green opening moist
In a cool lustre. Leaned upon a tree
That bathed in faery air and saw the sky
Through branches, and a single parrot loud
Screamed from its top, there stood a golden boy,
Half-naked, with bright limbs all beautiful -
Delicate they were, in sweetness absolute:
For every gleam and every soft strong curve
Magically compelled the eye, and smote
The heart to weakness. In his hands he swung
A bow - not such as human archers use:
For the string moved and murmured like many bees,
And nameless fragrance made the casual air
A peril. He on Ruru that fair face
Turned, and his steps with lovely gesture chained.

"Who art thou here, in forests wandering,
And thy young exquisite face is solemnised
With pain? Luxuriously the Gods have tortured
Thy heart to see such dreadful glorious beauty
Agonise in thy lips and brilliant eyes:
As tyrants in the fierceness of others' pangs
Joy and feel strong, clothing with brilliant fire,
Tyrants in Titan lands. Needs must her mouth
Have been pure honey and her bosom a charm,
Whom thou desirest seeing not the green
And common lovely sounds hast quite forgot."
And Ruru, mastered by the God, replied:

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"I know thee by thy cruel beauty bright,
Kama, who makest many worlds one fire.

Ah, wherefore wilt thou ask of her to increase
The passion and regret? Thou knowest, great love!
Thy nymph her mother, if thou truly art he
And not a dream of my disastrous soul."
But with the thrilled eternal smile that makes
The spring, the lover of Rathi golden-limbed
Replied to Ruru, "Mortal, I am he;
I am that Madan who inform the stars
With lustre and on life's wide canvas fill
Pictures of light and shade, of joy and tears,
Make ordinary moments wonderful
And common speech a charm: knit life to life
With interfusions of opposing souls
And sudden meetings and slow sorceries:
Wing the boy bridegroom to that panting breast,
Smite Gods with mortal faces, dreadfully
Among great beautiful kings and watched by eyes
That burn, force on the virgin's fainting limbs
And drive her to the one face never seen,
The one breast meant eternally for her.

By me come wedded sweets, by me the wife's
Busy delight and passionate obedience,
And loving eager service never sated,
And happy lips, and worshipping soft eyes:
And mine the husband's hungry arms and use
Unwearying of old tender words and ways,
Joy of her hair, and silent pleasure felt
Of nearness to one dear familiar shape.

Nor only these, but many affections bright
And soft glad things cluster around my name.

I plant fraternal tender yearnings, make
The sister's sweet attractiveness and leap
Of heart towards imperious kindred blood,
And the young mother's passionate deep look,
Earth's high similitude of One not earth,

Love and Death
Teach filial heart-beats strong. These are my gifts
For which men praise me, these my glories calm:
But fiercer shafts I can, wild storms blown down
Shaking fixed minds and melting marble natures,
Tears and dumb bitterness and pain unpitied,
Racked thirsting jealousy and kind hearts made stone:
And in undisciplined huge souls I sow
Dire vengeance and impossible cruelties,
Cold lusts that linger and fierce fickleness,
The loves close kin to hate, brute violence
And mad insatiable longings pale,
And passion blind as death and deaf as swords.

O mortal, all deep-souled desires and all
Yearnings immense are mine, so much I can."
So as he spoke, his face grew wonderful
With vast suggestion, his human-seeming limbs
Brightened with a soft splendour: luminous hints
Of the concealed divinity transpired.

But soon with a slight discontented frown:
"So much I can, as even the great Gods learn.

Only with death I wrestle in vain, until
My passionate godhead all becomes a doubt.

Mortal, I am the light in stars, of flowers
The bloom, the nameless fragrance that pervades
Creation: but behind me, older than me,
He comes with night and cold tremendous shade.

Hard is the way to him, most hard to find,
Harder to tread, for perishable feet
Almost impossible. Yet, O fair youth,
If thou must needs go down, and thou art strong
In passion and in constancy, nor easy
The soul to slay that has survived such grief -
Steel then thyself to venture, armed by Love.

Yet listen first what heavy trade they drive
Who would win back their dead to human arms."
So much the God; but swift, with eager eyes
And panting bosom and glorious flushed face,

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The lover: "O great Love! O beautiful Love!
But if by strength is possible, of body
Or mind, battle of spirit or moving speech,
Sweet speech that makes even cruelty grow kind,
Or yearning melody - for I have heard
That when Saruswathi in heaven her harp
Has smitten, the cruel sweetness terrible
Coils taking no denial through the soul,
And tears burst from the hearts of Gods - then I,
Making great music, or with perfect words,
Will strive, or staying him with desperate hands
Match human strength 'gainst formidable Death.

But if with price, ah God! what easier! Tears
Dreadful, innumerable I will absolve,
Or pay with anguish through the centuries,
Soul's agony and torture physical,
So her small hands about my face at last
I feel, close real hair sting me with life,
And palpable breathing bosom on me press."
Then with a lenient smile the mighty God:
"O ignorant fond lover, not with tears
Shalt thou persuade immitigable Death.

He will not pity all thy pangs: nor know
His stony eyes with music to grow kind,
Nor lovely words accepts. And how wilt thou
Wrestle with that grim shadow, who canst not save
One bloom from fading? A sole thing the Gods
Demand from all men living, sacrifice:
Nor without this shall any crown be grasped.

Yet many sacrifices are there, oxen,
And prayers, and Soma wine, and pious flowers,
Blood and the fierce expense of mind, and pure
Incense of perfect actions, perfect thoughts,
Or liberality wide as the sun's,
Or ruthless labour or disastrous tears,
Exile or death or pain more hard than death,
Absence, a desert, from the faces loved;

Love and Death
Even sin may be a sumptuous sacrifice
Acceptable for unholy fruits. But none
Of these the inexorable shadow asks:
Alone of gods Death loves not gifts: he visits
The pure heart as the stained. Lo, the just man
Bowed helpless over his dead, nor all his virtues
Shall quicken that cold bosom: near him the wild
Marred face and passionate and will not leave
Kissing dead lips that shall not chide him more.

Life the pale ghost requires: with half thy life
Thou mayst protract the thread too early cut
Of that delightful spirit - half sweet life.

O Ruru, lo, thy frail precarious days,
And yet how sweet they are! simply to breathe
How warm and sweet! And ordinary things
How exquisite, thou then shalt learn when lost,
How luminous the daylight was, mere sleep
How soft and friendly clasping tired limbs,
And the deliciousness of common food.

And things indifferent thou then shalt want,
Regret rejected beauty, brightnesses
Bestowed in vain. Wilt thou yield up, O lover,
Half thy sweet portion of this light and gladness,
Thy little insufficient share, and vainly
Give to another? She is not thyself:
Thou dost not feel the gladness in her bosom,
Nor with the torture of thy body will she
Throb and cry out: at most with tender looks
And pitiful attempt to feel move near thee,
And weep how far she is from what she loves.

Men live like stars that see each other in heaven,
But one knows not the pleasure and the grief
The others feel: he lonely rapture has,
Or bears his incommunicable pain.

O Ruru, there are many beautiful faces,
But one thyself. Think then how thou shalt mourn
When thou hast shortened joy and feelst at last

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The shadow that thou hadst for such sweet store."
He ceased with a strange doubtful look. But swift
Came back the lover's voice, like passionate rain.

"O idle words! For what is mere sunlight?
Who would live on into extreme old age,
Burden the impatient world, a weary old man,
And look back on a selfish time ill-spent
Exacting out of prodigal great life
Small separate pleasures like an usurer,
And no rich sacrifice and no large act
Finding oneself in others, nor the sweet
Expense of Nature in her passionate gusts
Of love and giving, first of the soul's needs?
Who is so coldly wise, and does not feel
How wasted were our grandiose human days
In prudent personal unshared delights?
Why dost thou mock me, friend of all the stars?
How canst thou be love's god and know not this,
That love burns down the body's barriers cold
And laughs at difference - playing with it merely
To make joy sweeter? O too deeply I know,
The lover is not different from the loved,
Nor is their silence dumb to each other. He
Contains her heart and feels her body in his,
He flushes with her heat, chills with her cold.

And when she dies, oh! when she dies, oh me,
The emptiness, the maim! the life no life,
The sweet and passionate oneness lost! And if
By shortening of great grief won back, O price
Easy! O glad briefness, aeons may envy!
For we shall live not fearing death, nor feel
As others yearning over the loved at night
When the lamp flickers, sudden chills of dread
Terrible; nor at short absence agonise,
Wrestling with mad imagination. Us
Serenely when the darkening shadow comes,
One common sob shall end and soul clasp soul,

Love and Death
Leaving the body in a long dim kiss.

Then in the joys of heaven we shall consort,
Amid the gladness often touching hands
To make bliss sure; or in the ghastly stream
If we must anguish, yet it shall not part
Our passionate limbs inextricably locked
By one strong agony, but we shall feel
Hell's pain half joy through sweet companionship.

God Love, I weary of words. O wing me rather
To her, my eloquent princess of the spring,
In whatsoever wintry shores she roam."
He ceased with eager forward eyes; once more
A light of beauty immortal through the limbs
Gleaming of the boy-god and soft sweet face,
Glorifying him, flushed, and he replied:
"Go then, O thou dear youth, and bear this flower
In thy hand warily. For thou shalt come
To that high meeting of the Ganges pure
With vague and violent Ocean. There arise
And loudly appeal my brother, the wild sea."
He spoke and stretched out his immortal hand,
And Ruru's met it. All his young limbs yearned
With dreadful rapture shuddering through them. He
Felt in his fingers subtle uncertain bloom,
A quivering magnificence, half fire,
Whose petals changed like flame, and from them breathed
Dangerous attraction and alarmed delight,
As at a peril near. He raised his eyes,
But the green place was empty of the God.

Only the faery tree looked up at heaven
Through branches, and with recent pleasure shook.

Then over fading earth the night was lord.

But from Shatudru and Bipasha, streams
Once holy, and loved Iravathi and swift
Clear Chandrabhaga and Bitosta's toil
For man, went Ruru to bright sumptuous lands

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By Aryan fathers not yet paced, but wild,
But virgin to our fruitful human toil,
Where Nature lay reclined in dumb delight
Alone with woodlands and the voiceless hills.

He with the widening yellow Ganges came,
Amazed, to trackless countries where few tribes,
Kirath and Poundrian, warred, worshipping trees
And the great serpent. But robust wild earth,
But forests with their splendid life of beasts
Savage mastered those strong inhabitants.

Thither came Ruru. In a thin soft eve
Ganges spread far her multitudinous waves,
A glimmering restlessness with voices large,
And from the forests of that half-seen bank
A boat came heaving over it, white-winged,
With a sole silent helmsman marble-pale.

Then Ruru by his side stepped in; they went
Down the mysterious river and beheld
The great banks widen out of sight. The world
Was water and the skies to water plunged.

All night with a dim motion gliding down
He felt the dark against his eyelids; felt,
As in a dream more real than daylight,
The helmsman with his dumb and marble face
Near him and moving wideness all around,
And that continual gliding dimly on,
As one who on a shoreless water sails
For ever to a port he shall not win.

But when the darkness paled, he heard a moan
Of mightier waves and had the wide great sense
Of ocean and the depths below our feet.

But the boat stopped; the pilot lifted on him
His marble gaze coeval with the stars.

Then in the white-winged boat the boy arose
And saw around him the vast sea all grey
And heaving in the pallid dawning light.

Loud Ruru cried across the murmur: "Hear me,

Love and Death
O inarticulate grey Ocean, hear.

If any cadence in thy infinite
Rumour was caught from lover's moan, O Sea,
Open thy abysses to my mortal tread.

For I would travel to the despairing shades,
The spheres of suffering where entangled dwell
Souls unreleased and the untimely dead
Who weep remembering. Thither, O, guide me,
No despicable wayfarer, but Ruru,
But son of a great Rishi, from all men
On earth selected for peculiar pangs,
Special disaster. Lo, this petalled fire,
How freshly it blooms and lasts with my great pain!"
He held the flower out subtly glimmering.

And like a living thing the huge sea trembled,
Then rose, calling, and filled the sight with waves,
Converging all its giant crests; towards him
Innumerable waters loomed and heaven
Threatened. Horizon on horizon moved
Dreadfully swift; then with a prone wide sound
All Ocean hollowing drew him swiftly in,
Curving with monstrous menace over him.

He down the gulf where the loud waves collapsed
Descending, saw with floating hair arise
The daughters of the sea in pale green light,
A million mystic breasts suddenly bare,
And came beneath the flood and stunned beheld
A mute stupendous march of waters race
To reach some viewless pit beneath the world.

Ganges he saw, as men predestined rush
Upon a fearful doom foreseen, so run,
Alarmed, with anguished speed, the river vast.

Veiled to his eyes the triple goddess rose.

She with a sound of waters cried to him,
A thousand voices moaning with one pain:
"Lover, who fearedst not sunlight to leave,
With me thou mayst behold that helpless spirit

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Lost in the gloom, if still thy burning bosom
Have courage to endure great Nature's night
In the dire lands where I, a goddess, mourn
Hurting my heart with my own cruelty."
She darkened to the ominous descent,
Unwilling, and her once so human waves
Sent forth a cry not meant for living ears.

And Ruru chilled; but terrible strong love
Was like a fiery finger in his breast
Pointing him on; so he through horror went
Conducted by inexorable sound.

For monstrous voices to his ear were close,
And bodiless terrors with their dimness seized him
In an obscurity phantasmal. Thus
With agony of soul to the grey waste
He came, glad of the pain of passage over,
As men who through the storms of anguish strive
Into abiding tranquil dreariness
And draw sad breath assured; to the grey waste,
Hopeless Patala, the immutable
Country, where neither sun nor rain arrives,
Nor happy labour of the human plough
Fruitfully turns the soil, but in vague sands
And indeterminable strange rocks and caverns
That into silent blackness huge recede,
Dwell the great serpent and his hosts, writhed forms,
Sinuous, abhorred, through many horrible leagues
Coiling in a half darkness. Shapes he saw,
And heard the hiss and knew the lambent light
Loathsome, but passed compelling his strong soul.

At last through those six tired hopeless worlds,
Too hopeless far for grief, pale he arrived
Into a nether air by anguish moved,
And heard before him cries that pierced the heart,
Human, not to be borne, and issued shaken
By the great river accursed. Maddened it ran,
Anguished, importunate, and in its waves

Love and Death
The drifting ghosts their agony endured.

There Ruru saw pale faces float of kings
And grandiose victors and revered high priests
And famous women. Now rose from the wave
A golden shuddering arm and now a face.

Torn piteous sides were seen and breasts that quailed.

Over them moaned the penal waters on,
And had no joy of their fierce cruelty.

Then Ruru, his young cheeks with pity wan,
Half moaned: "O miserable race of men,
With violent and passionate souls you come
Foredoomed upon the earth and live brief days
In fear and anguish, catching at stray beams
Of sunlight, little fragrances of flowers;
Then from your spacious earth in a great horror
Descend into this night, and here too soon
Must expiate your few inadequate joys.

O bargain hard! Death helps us not. He leads
Alarmed, all shivering from his chill embrace,
The naked spirit here. O my sweet flower,
Art thou too whelmed in this fierce wailing flood?
Ah me! But I will haste and deeply plunge
Into its hopeless pools and either bring
Thy old warm beauty back beneath the stars,
Or find thee out and clasp thy tortured bosom
And kiss thy sweet wrung lips and hush thy cries.

Love shall draw half thy pain into my limbs;
Then we shall triumph glad of agony."
He ceased and one replied close by his ear:
"O thou who troublest with thy living eyes
Established death, pass on. She whom thou seekest
Rolls not in the accursed tide. For late
I saw her mid those pale inhabitants
Whom bodily anguish visits not, but thoughts
Sorrowful and dumb memories absolve,
And martyrdom of scourged hearts quivering."
He turned and saw astride the dolorous flood

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A mighty bridge paved with mosaic fire,
All restless, and a woman clothed in flame,
With hands calamitous that held a sword,
Stood of the quaking passage sentinel.

Magnificent and dire her burning face.

"Pass on," she said once more, "O Bhrigu's son;
The flower protects thee from my hands." She stretched
One arm towards him and with violence
Majestic over the horrid arch compelled.

Unhurt, though shaking from her touch, alone
He stood upon an inner bank with strange
Black dreary mosses covered and perceived
A dim and level plain without one flower.

Over it paced a multitude immense
With gentle faces occupied by pain;
Strong men were there and grieving mothers, girls
With early beauty in their limbs and young
Sad children of their childlike faces robbed.

Naked they paced with falling hair and gaze
Drooping upon their bosoms, weak as flowers
That die for want of rain unmurmuring.

Always a silence was upon the place.

But Ruru came among them. Suddenly
One felt him there and looked, and as a wind
Moves over a still field of patient corn,
And the ears stir and shudder and look up
And bend innumerably flowing, so
All those dumb spirits stirred and through them passed
One shuddering motion of raised faces; then
They streamed towards him without sound and caught
With desperate hands his robe or touched his hair
Or strove to feel upon them living breath.

Pale girls and quiet children came and knelt
And with large sorrowful eyes into his looked.

Yet with their silent passion the cold hush
Moved not; but Ruru's human heart half burst
With burden of so many sorrows; tears

Love and Death
Welled from him; he with anguish understood
That terrible and wordless sympathy
Of dead souls for the living. Then he turned
His eyes and scanned their lovely faces strange
For that one face and found it not. He paled,
And spoke vain words into the listless air:
"O spirits once joyous, miserable race,
Happier if the old gladness were forgot!
My soul yearns with your sorrow. Yet ah! reveal
If dwell my love in your sad nation lost.

Well may you know her, O wan beautiful spirits!
But she most beautiful of all that died,
By sweetness recognisable. Her name
The sunshine knew." Speaking his tears made way:
But they with dumb lips only looked at him,
A vague and empty mourning in their eyes.

He murmured low: "Ah, folly! were she here,
Would she not first have felt me, first have raised
Her lids and run to me, leaned back her face
Of silent sorrow on my breast and looked
With the old altered eyes into my own
And striven to make my anguish understand?
Oh joy, had she been here! for though her lips
Of their old excellent music quite were robbed,
Yet her dumb passion would have spoken to me;
We should have understood each other and walked
Silently hand in hand, almost content."
He said and passed through those untimely dead.

Speechless they followed him with clinging eyes.

Then to a solemn building weird he came
With grave colossal pillars round. One dome
Roofed the whole brooding edifice, like cloud,
And at the door strange shapes were pacing, armed.

Then from their fear the sweet and mournful dead
Drew back, returning to their wordless grief.

But Ruru to the perilous doorway strode,
And those disastrous shapes upon him raised

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Their bows and aimed; but he held out Love's flower,
And with stern faces checked they let him pass.

He entered and beheld a silent hall
Dim and unbounded; moving then like one
Who up a dismal stair seeks ever light,
Attained a dais brilliant doubtfully
With flaming pediment and round it coiled
Python and Naga monstrous, Joruthcaru,
Tuxuc and Vasuki himself, immense,
Magic Carcotaca all flecked with fire;
And many other prone destroying shapes
Coiled. On the wondrous dais rose a throne,
And he its pedestal whose lotus hood
With ominous beauty crowns his horrible
Sleek folds, great Mahapudma; high displayed
He bears the throne of Death. There sat supreme
With those compassionate and lethal eyes,
Who many names, who many natures holds;
Yama, the strong pure Hades sad and subtle,
Dharma, who keeps the laws of old untouched,
Critanta, who ends all things and at last
Himself shall end. On either side of him
The four-eyed dogs mysterious rested prone,
Watchful, with huge heads on their paws advanced;
And emanations of the godhead dim
Moved near him, shadowy or serpentine,
Vast Time and cold irreparable Death.

Then Ruru came and bowed before the throne;
And swaying all those figures stirred as shapes
Upon a tapestry moved by the wind,
And the sad voice was heard: "What breathing man
Bows at the throne of Hades? By what force,
Spiritual or communicated, troubles
His living beauty the dead grace of Hell?"
And one replied who seemed a neighbouring voice:
"He has the blood of Gods and Titans old.

An Apsara his mother liquid-orbed

Love and Death
Bore to the youthful Chyavan's strong embrace
This passionate face of earth with Eden touched.

Chyavan was Bhrigu's child, Puloma bore,
The Titaness, - Bhrigu, great Brahma's son.

Love gave the flower that helps by anguish; therefore
He chilled not with the breath of Hades, nor
The cry of the infernal stream made stone."
But at the name of Love all hell was moved.

Death's throne half faded into twilight; hissed
The phantoms serpentine as if in pain,
And the dogs raised their dreadful heads. Then spoke
Yama: "And what needs Love in this pale realm,
The warm great Love? All worlds his breath confounds,
Mars solemn order and old steadfastness.

But not in Hell his legates come and go;
His vernal jurisdiction to bare Hell
Extends not. This last world resists his power
Youthful, anarchic. Here will he enlarge
Tumult and wanton joys?" The voice replied:
"Menaca momentary on the earth,
Heaven's Apsara by the fleeting hours beguiled
Played in the happy hidden glens; there bowed
To yoke of swift terrestrial joys she bore,
Immortal, to that fair Gundhurva king
A mortal blossom of delight. That bloom
Young Ruru found and plucked, but her too soon
Thy fatal hooded snake on earth surprised,
And he through gloom now travels armed by Love."
But then all Hades swaying towards him cried:
"O mortal, O misled! But sacrifice
Is stronger, nor may law of Hell or Heaven
Its fierce effectual action supersede.

Thy dead I yield. Yet thou bethink thee, mortal,
Not as a tedious evil nor to be
Lightly rejected gave the gods old age,
But tranquil, but august, but making easy
The steep ascent to God. Therefore must Time

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Still batter down the glory and form of youth
And animal magnificent strong ease,
To warn the earthward man that he is spirit
Dallying with transience, nor by death he ends,
Nor to the dumb warm mother's arms is bound,
But called unborn into the unborn skies.

For body fades with the increasing soul
And wideness of its limit grown intolerant
Replaces life's impetuous joys by peace.

Youth, manhood, ripeness, age, four seasons
Twixt its return and pale departing life
Describes, O mortal, - youth that forward bends
Midst hopes, delights and dreamings; manhood deepens
To passions, toils and thoughts profound; but ripeness
For large reflective gathering-up of these,
As on a lonely slope whence men look back
Down towards the cities and the human fields
Where they too worked and laughed and loved; next age,
Wonderful age with those approaching skies.

That boon wilt thou renounce? Wherefore? To bring
For a few years - how miserably few! -
Her sunward who must after all return.

Ah, son of Rishis, cease. Lo, I remit
Hell's grasp, not oft relinquished, and send back
Thy beautiful life unborrowed to the stars.

Or thou must render to the immutable
Total all thy fruit-bearing years; then she
Reblossoms." But the Shadow antagonist:
"Let him be shown the glory he would renounce."
And over the flaming pediment there moved,
As on a frieze a march of sculptures, carved
By Phidias for the Virgin strong and pure,
Most perfect once of all things seen in earth
Or Heaven, in Athens on the Acropolis,
But now dismembered, now disrupt! or as
In Buddhist cavern or Orissan temple,
Large aspirations architectural,

Love and Death
Warrior and dancing-girl, adept and king,
And conquering pomps and daily peaceful groups
Dream delicately on, softening with beauty
Great Bhuvanayshwar, the Almighty's house,
With sculptural suggestion so were limned
Scenes future on a pediment of fire.

There Ruru saw himself divine with age,
A Rishi to whom infinity is close,
Rejoicing in some green song-haunted glade
Or boundless mountain-top where most we feel
Wideness, not by small happy things disturbed.

Around him, as around an ancient tree
Its seedlings, forms august or flame-like rose;
They grew beneath his hands and were his work;
Great kings were there whom time remembers, fertile
Deep minds and poets with their chanting lips
Whose words were seed of vast philosophies -
These worshipped; above this earth's half-day he saw
Amazed the dawn of that mysterious Face
And all the universe in beauty merge.

Mad the boy thrilled upwards, then spent ebbed back.

Over his mind, as birds across the sky
Sweep and are gone, the vision of those fields
And drooping faces came; almost he heard
The burdened river with human anguish wail.

Then with a sudden fury gathering
His soul he hurled out of it half its life,
And fell, like lightning, prone. Triumphant rose
The Shadow chill and deepened giant night.

Only the dais flickered in the gloom,
And those snake-eyes of cruel fire subdued.

But suddenly a bloom, a fragrance. Hell
Shuddered with bliss: resentful, overborne,
The world-besetting Terror faded back
Like one grown weak by desperate victory,
And a voice cried in Ruru's tired soul:
"Arise! the strife is over, easy now

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The horror that thou hast to face, the burden
Now shared." And with a sudden burst like spring
Life woke in the strong lover over-tried.

He rose and left dim Death. Twelve times he crossed
Boithorini, the river dolorous,
Twelve times resisted Hell and, hurried down
Into the ominous pit where plunges black
The vast stream thundering, saw, led puissantly
From night to unimaginable night, -
As men oppressed in dreams, who cannot wake,
But measure penal visions, - punishments
Whose sight pollutes, unheard-of tortures, pangs
Monstrous, intolerable mute agonies,
Twisted unmoving attitudes of pain,
Like thoughts inhuman in statuary. A fierce
And iron voicelessness had grasped those worlds.

No horror of cries expressed their endless woe,
No saving struggle, no breathings of the soul.

And in the last hell irremediable
Where Ganges clots into that fatal pool,
Appalled he saw her; pallid, listless, bare -
O other than that earthly warmth and grace
In which the happy roses deepened and dimmed
With come-and-go of swift enamoured blood!
Dumb drooped she; round her shapes of anger armed
Stood dark like thunder-clouds. But Ruru sprang
Upon them, burning with the admitted God.

They from his touch like ineffectual fears
Vanished; then sole with her, trembling he cried
The old glad name and crying bent to her
And touched, and at the touch the silent knots
Of Hell were broken and its sombre dream
Of dreadful stately pains at once dispersed.

Then as from one whom a surpassing joy
Has conquered, all the bright surrounding world
Streams swiftly into distance, and he feels
His daily senses slipping from his grasp,

Love and Death
So that unbearable enormous world
Went rolling mighty shades, like the wet mist
From men on mountain-tops; and sleep outstretched
Rising its soft arms towards him and his thoughts,
As on a bed, sank to ascending void.

But when he woke, he heard the kol insist
On sweetness and the voice of happy things
Content with sunlight. The warm sense was round him
Of old essential earth, known hues and custom
Familiar tranquillising body and mind,
As in its natural wave a lotus feels.

He looked and saw all grass and dense green trees,
And sunshine and a single grasshopper
Near him repeated fierily its note.

Thrilling he felt beneath his bosom her;
Oh, warm and breathing were those rescued limbs
Against the greenness, vivid, palpable, white,
With great black hair and real and her cheek's
Old softness and her mouth a dewy rose.

For many moments comforting his soul
With all her jasmine body sun-ensnared
He fed his longing eyes and, half in doubt,
With touches satisfied himself of her.

Hesitating he kissed her eyelids. Sighing
With a slight sob she woke and earthly large
Her eyes looked upward into his. She stretched
Her arms up, yearning, and their souls embraced;
Then twixt brief sobbing laughter and blissful tears,
Clinging with all her limbs to him, "O love,
The green green world! the warm sunlight!" and ceased,
Finding no words; but the earth breathed round them,
Glad of her children, and the kol's voice
Persisted in the morning of the world.
141

A NOTE ON LOVE AND DEATH
The story of Ruru and Pramadvura - I have substituted a name more manageable to the English tongue - her death in the forest by the snake and restoration at the price of half her husband's life is told in the Mahabharata. It is a companion legend to the story of Savitri but not being told with any poetic skill or beauty has remained generally unknown. I have attempted in this poem to bring it out of its obscurity. For full success, however, it should have had a more faithfully Hindu colouring, but it was written a score of years ago when I had not penetrated to the heart of the Indian idea and its traditions, and the shadow of the Greek underworld and Tartarus with the sentiment of life and love and death which hangs about them has got into the legendary framework of the Indian Patala and hells. The central idea of the narrative alone is in the Mahabharata; the meeting with
Kama and the descent into Hell were additions necessitated by the poverty of incident in the original story.

~ Sri Aurobindo, - Love and Death
,
230: Book VIII: The Book of the Gods

So on the earth the seed that was sown of the centuries ripened;
Europe and Asia, met on their borders, clashed in the Troad.
All over earth men wept and bled and laboured, world-wide
Sowing Fate with their deeds and had other fruit than they hoped for,
Out of desires and their passionate griefs and fleeting enjoyments
Weaving a tapestry fit for the gods to admire, who in silence
Joy, by the cloud and the sunbeam veiled, and men know not their movers.
They in the glens of Olympus, they by the waters of Ida
Or in their temples worshipped in vain or with heart-strings of mortals
Sated their vast desire and enjoying the world and each other
Sported free and unscourged; for the earth was their prey and their playground.
But from his luminous deep domain, from his estate of azure
Zeus looked forth; he beheld the earth in its flowering greenness
Spread like an emerald dream that the eyes have enthroned in the sunlight,
Heard the symphonies old of the ocean recalling the ages
Lost and dead from its marches salt and unharvested furrows,
Felt in the pregnant hour the unborn hearts of the future.
Troubled kingdoms of men he beheld, the hind in the furrow,
Lords of the glebe and the serf subdued to the yoke of his fortunes,
Slavegirls tending the fire and herdsmen driving the cattle,
Artisans labouring long for a little hire in mens cities,
Labour long and the meagre reward for a toil that is priceless.
Kings in their seats august or marching swift with their armies
Founded ruthlessly brittle empires. Merchant and toiler
Patiently heaped up our transient wealth like the ants in their hillock.
And to preserve it all, to protect this dust that must perish,
Hurting the eternal soul and maiming heaven for some metal
Judges condemned their brothers to chains and to death and to torment,
Criminals scourgers of crime, for so are these ant-heaps founded,
Punishing sin by a worse affront to our crucified natures.
All the uncertainty, all the mistaking, all the delusion
Naked were to his gaze; in the moonlit orchards there wandered
Lovers dreaming of love that endurestill the moment of treason;
Helped by the anxious joy of their kindred supported their anguish
Women with travail racked for the child who shall rack them with sorrow.
Hopes that were confident, fates that sprang dire from the seed of a moment,
Yearning that claimed all time for its date and all life for its fuel,
All that we wonder at gazing back when the passion has fallen,
Labour blind and vain expense and sacrifice wasted,
These he beheld with a heart unshaken; to each side he studied
Seas of confused attempt and the strife and the din and the crying.
All things he pierced in us gazing down with his eyelids immortal,
Lids on which sleep dare not settle, the Father of men on his creatures;
Nor by the cloud and the mist was obscured which baffles our eyeballs,
But he distinguished our source and saw to the end of our labour.
He in the animal racked knew the god that is slowly delivered;
Therefore his heart rejoiced. Not alone the mind in its trouble
God beholds, but the spirit behind that has joy of the torture.
Might not our human gaze on the smoke of a furnace, the burning
Red, intolerable, anguish of ore that is fused in the hell-heat,
Shrink and yearn for coolness and peace and condemn all the labour?
Rather look to the purity coming, the steel in its beauty,
Rather rejoice with the master who stands in his gladness accepting
Heat of the glorious god and the fruitful pain of the iron.
Last the eternal gaze was fixed on Troy and the armies
Marching swift to the shock. It beheld the might of Achilles
Helmed and armed, knew all the craft in the brain of Odysseus,
Saw Deiphobus stern in his car and the fates of Aeneas,
Greece of her heroes empty, Troy enringed by her slayers,
Paris a setting star and the beauty of Penthesilea.
These things he saw delighted; the heart that contains all our ages
Blessed our toil and grew full of its fruits, as the Artist eternal
Watched his vehement drama staged twixt the sea and the mountains,
Phrased in the clamour and glitter of arms and closed by the firebrand,
Act itself out in blood and in passions fierce on the Troad.
Yet as a father his children, who sits in the peace of his study
Hearing the noise of his brood and pleased with their play and their quarrels,
So he beheld our mortal race. Then, turned from the armies,
Into his mind he gazed where Time is reflected and, conscient,
Knew the iron knot of our human fates in their warfare.
Calm he arose and left our earth for his limitless kingdoms.
Far from this lower blue and high in the death-scorning spaces
Lifted oer mortal mind where Time and Space are but figures
Lightly imagined by Thought divine in her luminous stillness,
Zeus has his palace high and there he has stabled his war-car.
Thence he descends to our mortal realms; where the heights of our mountains
Meet with the divine air, he touches and enters our regions.
Now he ascended back to his natural realms and their rapture,
There where all life is bliss and each feeling an ecstasy mastered.
Thence his eagle Thought with its flashing pinions extended
Winged through the world to the gods, and they came at the call, they ascended
Up from their play and their calm and their works through the infinite azure.
Some from our mortal domains in grove or by far-flowing river
Cool from the winds of the earth or quivering with perishable fragrance
Came, or our laughter they bore and the song of the sea in their paces.
Some from the heavens above us arrived, our vital dominions
Whence we draw breath; for there all things have life, the stone like the ilex,
Clay of those realms like the children of men and the brood of the giants.
There Enceladus groans oppressed and draws strength from his anguish
Under a living Aetna and flames that have joy of his entrails.
Fiercely he groans and rejoices expecting the end of his foemen
Hastened by every pang and counts long Time by his writhings.
There in the champaigns unending battle the gods and the giants,
There in eternal groves the lovers have pleasure for ever,
There are the faery climes and there are the wonderful pastures.
Some from a marvellous Paradise hundred-realmed in its musings,
Million-ecstasied, climbed like flames that in silence aspire
Windless, erect in a motionless dream, yet ascending for ever.
All grew aware of the will divine and were drawn to the Father.
Grandiose, calm in her gait, imperious, awing the regions,
Hera came in her pride, the spouse of Zeus and his sister.
As at her birth from the foam of the spaces white Aphrodite
Rose in the cloud of her golden hair like the moon in its halo.
Aegis-bearing Athene, shielded and helmeted, answered
Rushing the call and the heavens thrilled with the joy of her footsteps
Dumbly repeating her name, as insulted and trampled by beauty
Thrill might the soul of a lover and cry out the name of its tyrant.
Others there were as mighty; for Artemis, archeress ancient,
Came on her sandals lightning-tasselled. Up the vast incline
Shaking the world with the force of his advent thundered Poseidon;
Space grew full of his stride and his cry. Immortal Apollo
Shone and his silver clang was heard with alarm in our kingdoms.
Ares impetuous eyes looked forth from a cloud-drift of splendour;
Themis steps appeared and Ananke, the mystic Erinnys;
Nor was Hephaestus flaming strength from his father divided.
Even the ancient Dis to arrive dim-featured, eternal,
Seemed; but his rays are the shades and his voice is the call of the silence.
Into the courts divine they crowded, radiant, burning,
Perfect in utter grace and light. The joy of their spirits
Calls to eternal Time and the glories of Space are his answer:
Thence were these bright worlds born and persist by the throb of their heart-beats.
Not in the forms that mortals have seen when assisted they scatter
Mists of this earthly dust from their eyes in their moments of greatness
Shone those unaging Powers; nor as in our centuries radiant
Mortal-seeming bodies they wore when they mixed with our nations.
Then the long youth of the world had not faded still out of our natures,
Flowers and the sunlight were felt and the earth was glad like a mother.
Then for a human delight they were masked in this denser vesture
Earth desires for her bliss, thin veils, for the god through them glimmered.
Quick were mens days with the throng of the brilliant presences near them:
Gods from the wood and the valley, gods from the obvious wayside,
Gods on the secret hills leaped out from their light on the mortal.
Oft in the haunt and the grove they met with our kind and their touches
Seized and subjected our clay to the greatness of passions supernal,
Grasping the earthly virgin and forcing heaven on this death-dust.
Glorifying human beauty Apollo roamed in our regions
Clymene when he pursued or yearned in vain for Marpessa;
Glorifying earth with a human-seeming face of the beauty
Brought from her heavenly climes Aphrodite mixed with Anchises.
Glimpsed in the wilds were the Satyrs, seen in the woodlands the Graces,
Dryad and Naiad in river and forest, Oreads haunting
Glens and the mountain-glades where they played with the manes of our lions
Glimmered on death-claimed eyes; for the gods then were near us and clasped us,
Heaven leaned down in love with our clay and yearned to its transience.
But we have coarsened in heart and in mood; we have turned in our natures
Nearer our poorer kindred; leaned to the ant and the ferret.
Sight we have darkened with sense and power we have stifled with labour,
Likened in mood to the things we gaze at and are in our vestures:
Therefore we toil unhelped; we are left to our weakness and blindness.
Not in those veils now they rose to their skies, but like loose-fitting mantles
Dropped in the vestibules huge of their vigorous realms that besiege us
All that reminded of earth; then clothed with raiment of swiftness
Straight they went quivering up in a glory like fire or the storm-blast.
Even those natural vestures of puissance they leave when they enter
Minds more subtle fields and agree with its limitless regions
Peopled by creatures of bliss and forms more true than earths shadows,
Mind that pure from this density, throned in her splendours immortal
Looks up at Light and suffers bliss from ineffable kingdoms
Where beyond Mind and its rays is the gleam of a glory supernal:
There our sun cannot shine and our moon has no place for her lustres,
There our lightnings flash not, nor fire of these spaces is suffered.
They with bodies impalpable here to our touch and our seeing,
But for a higher delight, to a brighter sense, with more sweetness
Palpable there and visible, thrilled with a lordlier joyance,
Came to the courts of Zeus and his heavens sang to their footsteps.
Harmonies flowed through the blissful coils of the kingdoms of rapture.
Then by his mighty equals surrounded the Thunderer regnant
Veiled his thought in sound that was heard in their souls as they listened.
Veiled are the high gods always lest there should dawn on the mortal
Light too great from the skies and men to their destiny clear-eyed
Walk unsustained like the gods; then Night and Dawn were defeated
And of their masks the deities robbed would be slaves to their subjects.
Children of Immortality, gods who are joyous for ever,
Rapture is ours and eternity measures our lives by his aeons.
For we desireless toil who have joy in the fall as the triumph,
Knowledge eternal possessing we work for an end that is destined
Long already beyond by the Will of which Time is the courser.
Therefore death cannot alter our lives nor pain our enjoyment.
But in the world of mortals twilight is lord of its creatures.
Nothing they perfectly see, but all things seek and imagine,
Out of the clod who have come and would climb from their mire to our heavens.
Yet are the heavenly seats not easy even for the chosen:
Rough and remote is that path; that ascent is too hard for the death-bound.
Hard are Gods terms and few can meet them of men who are mortal.
Mind resists; their breath is a clog; by their tools they are hampered,
Blindly mistaking the throb of their mortal desires for our guidance.
How shall they win in their earth to our skies who are clay and a life-wind,
But that their hearts we invade? Our shocks on their lives come incessant,
Ease discourage and penetrate coarseness; sternness celestial
Forces their souls towards the skies and their bodies by anguish are sifted.
We in the mortal wake an immortal strength by our tortures
And by the flame of our lightnings choose out the vessels of godhead.
This is the nature of earth that to blows she responds and by scourgings
Travails excited; pain is the bed of her blossoms of pleasure.
Earth that was wakened by pain to life and by hunger to thinking
Left to her joys rests inert and content with her gains and her station.
But for the unbearable whips of the gods back soon to her matter
She would go glad and the goal would be missed and the aeons be wasted.
But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his feet to the journey.
But in their minds to impression made subject, by forms of things captured
Blind is the thought and presumptuous the hope and they swerve from our goading;
Blinded are human hearts by desire and fear and possession,
Darkened is knowledge on earth by hope the helper of mortals.
Now too from earth and her children voices of anger and weeping
Beat at our thrones; tis the grief and the wrath of fate-stricken creatures,
Mortals struggling with destiny, hearts that are slaves to their sorrow.
We unmoved by the cry will fulfil our unvarying purpose.
Troy shall fall at last and the ancient ages shall perish.
You who are lovers of Ilion turn from the moans of her people,
Chase from your hearts their prayers, blow back from your nostrils the incense.
Let not one nation resist by its glory the good of the ages.
Twilight thickens over man and he moves to his winter of darkness.
Troy that displaced with her force and her arms the luminous ancients,
Sinks in her turn by the ruder strength of the half-savage Achaians.
They to the Hellene shall yield and the Hellene fall by the Roman.
Rome too shall not endure, but by strengths ill-shaped shall be broken,
Nations formed in the ice and mist, confused and crude-hearted.
So shall the darker and ruder always prevail oer the brilliant
Till in its turn to a ruder and darker it falls and is shattered.
So shall mankind make speed to destroy what twas mighty creating.
Ever since knowledge failed and the ancient ecstasy slackened,
Light has been helper to death and darkness increases the victor.
So shall it last till the fallen ages return to their greatness.
For if the twilight be helped not, night oer the world cannot darken;
Night forbidden how shall a greater dawn be effected?
Gods of the light who know and resist that the doomed may have succour,
Always then shall desire and passion strive with Ananke?
Conquer the cry of your heart-strings that man too may conquer his sorrow,
Stilled in his yearnings. Cease, O ye gods, from the joy of rebellion.
Open the eye of the soul, admit the voice of the Silence.
So in the courts of Heaven august the Thunderer puissant
Spoke to his sons in their souls and they heard him, mighty in silence.
Then to her brother divine the white-armed passionless Hera:
Zeus, we remember; thy sons forget, Apollo and Ares.
Hera, queen of the heavens, they forget not, but choose to be mindless.
This is the greatness of gods that they know and can put back the knowledge;
Doing the work they have chosen they turn not for fruit nor for failure,
Griefless they walk to their goal and strain not their eyes towards the ending.
Light that they have they can lose with a smile, not as souls in the darkness
Clutch at every beam and mistake their one ray for all splendour.
All things are by Time and the Will eternal that moves us,
And for each birth its hour is set in the night or the dawning.
There is an hour for knowledge, an hour to forget and to labour.
Great Cronion ceased and high in the heavenly silence
Rose in their midst the voice of the loud impetuous Ares
Sounding far in the luminous fields of his soul as with thunder.
Father, we know and we have not forgotten. This is our godhead,
Still to strive and never to yield to the evil that conquers.
I will not dwell with the Greeks nor aid them save forced by Ananke
And because lives of the great and the blood of the strong are my portion.
This too thou knowest, our nature enjoys in mankind its fulfilment.
War is my nature and greatness and hardness, the necks of the vanquished;
Force is my soul and strength is my bosom; I shout in the battle
Breaking cities like toys and the nations are playthings of Ares:
Hither and thither I shove them and throw down or range on my table.
Constancy most I love, nobility, virtue and courage;
Fugitive hearts I abhor and the nature fickle as sea-foam.
Now if the ancient spirit of Titan battle is over,
Tros fights no more on the earth, nor now Heracles tramples and struggles,
Bane of the hydra or slaying the Centaurs oer Pelion driven,
Now if the earth no more must be shaken by Titan horsehooves,
Since to a pettier framework all things are fitted consenting,
Yet will I dwell not in Greece nor favour the nurslings of Pallas.
I will await the sons of my loins and the teats of the she-wolf,
Consuls browed like the cliffs and plebeians stern of the wolf-brood,
Senates of kings and armies of granite that grow by disaster;
Such be the nation august that is fit for the favour of Ares!
They shall fulfil me and honour my mother, imperial Hera.
Then with an iron march they shall move to their world-wide dominion,
Through the long centuries rule and at last because earth is impatient,
Slowly with haughtiness perish compelled by mortalitys transience
Leaving a Roman memory stamped on the ages of weakness.
But to his son far-sounding the Father high of the Immortals:
So let it be since such is the will in thee, mightiest Ares;
Thou shalt till sunset prevail, O war-god, fighting for Troya.
So he decreed and the soul of the Warrior sternly consented.
He from his seats arose and down on the summits of Ida
Flaming through Space in his cloud in a headlong glory descended,
Prone like a thunderbolt flaming down from the hand of the Father.
Thence in his chariot drawn by living fire and by swiftness,
Thundered down to earths plains the mighty impetuous Ares.
Far where Deiphobus stern was labouring stark and outnumbered
Smiting the Achaian myriads back on the right of the carnage,
Over the hosts in his car he stood and darkened the Argives.
But in the courts divine the Thunderer spoke to his children:
Ares resisting a present Fate for the hope of the future,
Gods, has gone forth from us. Choose thou thy paths, O my daughter,
More than thy brother assailed by the night that darkens oer creatures.
Choose the silence in heaven or choose the struggle mid mortals,
Golden joy of the worlds, O thou roseate white Aphrodite.
Then with her starry eyes and bosom of bliss from the immortals
Glowing and rosy-limbed cried the wonderful white Aphrodite,
Drawing her fingers like flowers through the flowing gold of her tresses,
Calm, discontented, her perfect mouth like a rose of resistance
Chidingly budded gainst Fate, a charm to their senses enamoured.
Well do I know thou hast given my world to Hera and Pallas.
What though my temples shall stand in Paphos and island Cythera
And though the Greek be a priest for my thoughts and a lyre for my singing,
Beauty pursuing and light through the figures of grace and of rhythm,
Forms shall he mould for mens eyes that the earth has forgotten and mourns for,
Mould even the workings of Pallas to commune with Paphias sweetness,
Mould Hephaestus craft in the gaze of the gold Aphrodite,
Only my form he pursues that I wear for a mortal enchantment,
He to whom now thou givest the world, the Ionian, the Hellene,
But for my might is unfit which Babylon worshipped and Sidon
Palely received from the past in images faint of the gladness
Once that was known by the children of men when the thrill of their members
Was but the immortal joy of the spirit overflowing their bodies,
Wine-cups of Gods desire; but their clay from my natural greatness
Falters betrayed to pain, their delight they have turned into ashes.
Nor to my peaks shall he rise and the perfect fruit of my promptings,
There where the senses swoon but the heart is delivered by rapture:
Never my touch can cling to his soul nor reply from his heart-strings.
Once could my godhead surprise all the stars with the seas of its rapture;
Once the world in its orbit danced to a marvellous rhythm.
Men in their limits, gods in their amplitudes answered my calling;
Life was moved by a chant of delight that sang from the spaces,
Sang from the Soul of the Vast, its rapture clasping its creatures.
Sweetly agreed my fire with their soil and their hearts were as altars.
Pure were its crests; twas not dulled with earth, twas not lost in the hazes
Then when the sons of earth and the daughters of heaven together
Met on lone mountain peaks or, linked on wild beach and green meadow,
Twining embraced. For I danced on Taygetus peaks and oer Ida
Naked and loosing my golden hair like a nimbus of glory
Oer a deep-ecstasied earth that was drunk with my roses and whiteness.
There was no shrinking nor veil in our old Saturnian kingdoms.
Equals were heaven and earth, twin gods on the lap of Dione.
Now shall my waning greatness perish and pass out of Nature.
For though the Romans, my children, shall grasp at the strength of their mother,
They shall not hold the god, but lose in unsatisfied orgies
Yet what the earth has kept of my joy, my glory, my puissance,
Who shall but drink for a troubled hour in the dusk of the sunset
Dregs of my wine Pandemian missing the Uranian sweetness.
So shall the night descend on the greatness and rapture of living;
Creeds that refuse shall persuade the world to revolt from its mother.
Pallas adorers shall loa the me and Heras scorn me for lowness;
Beauty shall pass from mens work and delight from their play and their labour;
Earth restored to the Cyclops shall shrink from the gold Aphrodite.
So shall I live diminished, owned but by beasts in the forest,
Birds of the air and the gods in their heavens, but disgraced in the mortal.
Then to the discontented rosy-mouthed Aphrodite
Zeus replied, the Father divine: O goddess Astarte,
What are these thoughts thou hast suffered to wing from thy rose-mouth immortal?
Bees that sting and delight are the words from thy lips, Cytherea.
Art thou not womb of the world and from thee are the thronging of creatures?
And didst thou cease the worlds too would cease and the aeons be ended.
Suffer my Greeks; accept who accept thee, O gold Dionaean.
They in the works of their craft and their dreams shall enthrone thee for ever,
Building thee temples in Paphos and Eryx and island Cythera,
Building the fane more enduring and bright of thy golden ideal.
Even if natures of men could renounce thee and God do without thee,
Rose of love and sea of delight, O my child Aphrodite,
Still wouldst thou live in the worship they gave thee protected from fading,
Splendidly statued and shrined in mens works and mens thoughts, Cytherea.
Pleased and blushing with bliss of her praise and the thought of her empire
Answered, as cries a harp in heaven, the gold Aphrodite:
Father, I know and I spoke but to hear from another my praises.
I am the womb of the world and the cause of this teeming of creatures,
And if discouraged I ceased, Gods world would lose heart and would perish.
How will you do then without me your works of wisdom and greatness,
Hera, queen of heaven, and thou, O my sister Athene?
Yes, I shall reign and endure though the pride of my workings be conquered.
What though no second Helen find a second Paris,
Lost though their glories of form to the earth, though their confident gladness
Pass from a race misled and forgetting the sap that it sprang from,
They are eternal in man in the worship of beauty and rapture.
Ever while earth is embraced by the sun and hot with his kisses
And while a Will supernal works through the passions of Nature,
Me shall men seek with my light or their darkness, sweetly or crudely,
Cold on the ice of the north or warm in the heats of the southland,
Slowly enduring my touch or with violence rapidly burning.
I am the sweetness of living, I am the touch of the Master.
Love shall die bound to my stake like a victim adorned as for bridal,
Life shall be bathed in my flames and be purified gold or be ashes.
I, Aphrodite, shall move the world for ever and ever.
Yet now since most to me, Father of all, the ages arriving,
Hostile, rebuke my heart and turn from my joy and my sweetness,
I will resist and not yield, nor care what I do, so I conquer.
Often I curbed my mood for your sakes and was gracious and kindly,
Often I lay at Heras feet and obeyed her commandments
Tranquil and proud or oercome by a honeyed and ancient compulsion
Fawned on thy pureness and served thy behests, O my sister Pallas.
Deep was the love that united us, happy the wrestle and clasping;
Love divided, Love united, Love was our mover.
But since you now overbear and would scourge me and chain and control me,
War I declare on you all, O my Father and brothers and sisters.
Henceforth I do my will as the joy in me prompts or the anger.
Ranging the earth with my beauty and passion and golden enjoyments
All whom I can, I will bind; I will drive at the bliss of my workings,
Whether mens hearts are seized by the joy or seized by the torture.
Most I will plague your men, your worshippers and in my malice
Break up your works with confusion divine, O my mother and sister;
Then shall you fume and resist and be helpless and pine with my torments.
Yet will I never relent but always be sweet and malignant,
Cruel and tyrannous, hurtful and subtle, a charm and a torture.
Thou too, O father Zeus, shalt always be vexed with my doings;
Called in each moment to judge thou shalt chafe at our cry and our quarrels,
Often grope for thy thunderbolt, often frown magisterial
Joining in vain thy awful brows oer thy turbulent children.
Yet in thy wrath recall my might and my wickedness, Father;
Hurt me not then too much lest the world and thyself too should suffer.
Save, O my Father, life and grace and the charm of the senses;
Love preserve lest the heart of the world grow dulled and forsaken.
Smiling her smile immortal of love and of mirth and of malice
White Aphrodite arose in her loveliness armed for the conflict.
Golden and careless and joyous she went like a wild bird that winging
Flits from bough to bough and resumes its chant interrupted.
Love where her white feet trod bloomed up like a flower from the spaces;
Mad round her touches billowed incessantly laughter and rapture.
Thrilled with her feet was the bosom of Space, for her amorous motion
Floated, a flower on the wave of her bliss or swayed like the lightning.
Rich as a summer fruit and fresh as Springs blossoms her body
Gleaming and blushing, veiled and bare and with ecstasy smiting
Burned out rosy and white through her happy ambrosial raiment,
Golden-tressed and a charm, her bosom a fragrance and peril.
So was she framed to the gaze as she came from the seats of the Mighty,
So embodied she visits the hearts of men and their dwellings
And in her breathing tenement laughs at the eyes that can see her.
Swift-footed down to the Troad she hastened thrilling the earth-gods.
There with ambrosial secrecy veiled, admiring the heroes
Strong and beautiful, might of the warring and glory of armour,
Over her son Aeneas she stood, his guard in the battle.
But in the courts divine the Thunderer spoke mid his children:
Thou for a day and a night and another day and a nightfall,
White Aphrodite, prevail; oer thee too the night is extended.
She has gone forth who made men like gods in their glory and gladness.
Now in the darkness coming all beauty must wane or be tarnished;
Joy shall fade and mighty Love grow fickle and fretful;
Even as a child that is scared in the night, he shall shake in his chambers.
Yet shall a portion be kept for these, Ares and white Aphrodite.
Thou whom already thy Pythoness bears not, torn by thy advent,
Caverned already who sittest in Delphi knowing thy future,
What wilt thou do with the veil and the night, O burning Apollo?
Then from the orb of his glory unbearable save to immortals
Bright and austere replied the beautiful mystic Apollo:
Zeus, I know that I fade; already the night is around me.
Dusk she extends her reign and obscures my lightnings with error.
Therefore my prophets mislead mens hearts to the ruin appointed,
Therefore Cassandra cries in vain to her sire and her brothers.
All I endure I foresee and the strength in me waits for its coming;
All I foresee I approve; for I know what is willed, O Cronion.
Yet is the fierce strength wroth in my breast at the need of approval
And for the human race fierce pity works in my bosom;
Wroth is my splendid heart with the cowering knowledge of mortals,
Wroth are my burning eyes with the purblind vision of reason.
I will go forth from your seats and descend to the night among mortals
There to guard the flame and the mystery; vast in my moments
Rare and sublime to sound like a sea against Time and its limits,
Cry like a spirit in pain in the hearts of the priest and the poet,
Cry against limits set and disorder sanities bounded.
Jealous for truth to the end my might shall prevail and for ever
Shatter the moulds that men make to imprison their limitless spirits.
Dire, overpowering the brain I shall speak out my oracles splendid.
Then in their ages of barren light or lucidity fruitful
Whenso the clear gods think they have conquered earth and its mortals,
Hidden God from all eyes, they shall wake from their dream and recoiling
Still they shall find in their paths the fallen and darkened Apollo.
So he spoke, repressing his dreadful might in his bosom,
And from their high seats passed, his soul august and resplendent
Drawn to the anguish of men and the fierce terrestrial labour.
Down he dropped with a roar of light invading the regions,
And in his fierce and burning spirit intense and uplifted
Sure of his luminous truth and careless for weakness of mortals
Flaming oppressed the earth with his dire intolerant beauty.
Over the summits descending that slept in the silence of heaven,
He through the spaces angrily drew towards the tramp and the shouting
Over the speeding of Xanthus and over the pastures of Troya.
Clang of his argent bow was the wrath restrained of the mighty,
Stern was his pace like Fates; so he came to the warfare of mortals
And behind Paris strong and inactive waited Gods moment
Knowing what should arrive, nor disturbed like men by their hopings.
But in the courts of Heaven Zeus to his brother immortal
Turned like a menaced king on his counsellor smiling augustly:
Seest thou, Poseidon, this sign that great gods revolting have left us,
Follow their hearts and strive with Ananke? Yet though they struggle,
Thou and I will do our will with the world, O earth-shaker.
Answered to Zeus the besieger of earth, the voice of the waters:
This is our strength and our right, for we are the kings and the masters.
Too much pity has been and yielding of Heaven to mortals.
I will go down with my chariot drawn by my thunder-maned coursers
Into the battle and thrust down Troy with my hand to the silence,
Even though she cling round the snowy knees of our child Aphrodite
Or with Apollos sun take refuge from Night and her shadows.
I will not pity her pain, who am ruthless even as my surges.
Brother, thou knowest, O Zeus, that I am a king and a trader;
For on my paths I receive earths skill and her merchandise gather,
Traffic richly in pearls and bear the swift ships on my bosom.
Blue are my waves and they call mens hearts to wealth and adventure.
Lured by the shifting surges they launch their delight and their treasures
Trusting the toil of years to the perilous moments of Ocean.
Huge mans soul in its petty frame goes wrestling with Nature
Over her vasts and his fragile ships between my horizons
Buffeting death in his solitudes labour through swell and through storm-blast
Bound for each land with her sons and watched for by eyes in each haven.
I from Tyre up to Gades trace on my billows their trade-routes
And on my vast and spuming Atlantic suffer their rudders.
Carthage and Greece are my children, the marts of the world are my term-posts.
Who then deserves the earth if not he who enriches and fosters?
But thou hast favoured thy sons, O Zeus; O Hera, earths sceptres
Still were denied me and kept for strong Ares and brilliant Apollo.
Now all your will shall be done, so you give me the earth for my nations.
Gold shall make men like gods and bind their thoughts into oneness;
Peace I will build with gold and heaven with the pearls of my caverns.
Smiling replied to his brothers craft the mighty Cronion:
Lord of the boundless seas, Poseidon, soul of the surges,
Well thou knowest that earth shall be seized as a booth for the trader.
Rome nor Greece nor France can drive back Carthage for ever.
Always each birth of the silence attaining the field and the movement
Takes from Time its reign; for it came for its throne and its godhead.
So too shall Mammon take and his sons their hour from the ages.
Yet is the flame and the dust last end of the silk and the iron,
And at their end the king and the prophet shall govern the nations.
Even as Troy, so shall Babylon flame up to heaven for the spoiler
Wailed by the merchant afar as he sees the red glow from the ocean.
Up from the seats of the Mighty the Earth-shaker rose. His raiment
Round him purple and dominant rippled and murmured and whispered,
Whispered of argosies sunk and the pearls and the Nereids playing,
Murmured of azure solitudes, sounded of storm and the death-wail.
Even as the march of his waters so was the pace of the sea-god
Flowing on endless through Time; with the glittering symbol of empire
Crowned were his fatal brows; in his grasp was the wrath of the trident,
Tripled force, life-shattering, brutal, imperial, sombre.
Resonant, surging, vast in the pomp of his clamorous greatness
Proud and victorious he came to his home in the far-spuming waters.
Even as a soul from the heights of thought plunges back into living,
So he plunged like a rock through the foam; for it falls from a mountain
Overpeering the waves in some silence of desolate waters
Left to the wind and the sea-gull where Ocean alone with the ages
Dreams of the calm of the skies or tosses its spray to the wind-gods,
Tosses for ever its foam in the solitude huge of its longings
Far from the homes and the noises of men. So the dark-browed Poseidon
Came to his coral halls and the sapphire stables of Nereus
Ever where champ their bits the harnessed steeds of the Ocean
Watched by foam-white girls in the caverns of still Amphitrite.
There was his chariot yoked by the Tritons, drawn by his coursers
Born of the fleeing sea-spray and shod with the northwind who journey
Black like the front of the storm and clothed with their manes as with thunder.
This now rose from its depths to the upper tumults of Ocean
Bearing the awful brows and the mighty form of the sea-god
And from the roar of the surges fast oer the giant margin
Came remembering the storm and the swiftness wide towards the Troad.
So among men he arrived to the clamorous labours of Ares,
Close by the stern Diomedes stood and frowned oer the battle.
He for the Trojan slaughter chose for his mace and his sword-edge
Iron Tydeus son and the adamant heart of young Pyrrhus.
But in the courts divine the Father high of the immortals
Turned in his heart to the brilliant offspring born of his musings,
She who tranquil observes and judges her father and all things.
What shall I say to the thought that is calm in thy breasts, O Athene?
Have I not given thee earth for thy portion, throned thee and armoured,
Darkened Cypris smile, dimmed Heras son and Latonas?
Swift in thy silent ambition, proud in thy radiant sternness,
Girl, thou shalt rule with the Greek and the Saxon, the Frank and the Roman.
Worker and fighter and builder and thinker, light of the reason,
Men shall leave all temples to crowd in thy courts, O Athene.
Go then and do my will, prepare mans tribes for their fullness.
But with her high clear smile on him answered the mighty Athene,
Wisely and soberly, tenderly smiled she chiding her father
Even as a mother might rail at her child when he hides and dissembles:
Zeus, I see and I am not deceived by thy words in my spirit.
We but build forms for thy thought while thou smilest down high oer our toiling;
Even as men are we tools for thee, who are thy children and dear ones.
All this life is thy sport and thou workst like a boy at his engines
Making a toil of the game and a play of the serious labour.
Then to that play thou callest us wearing a sombre visage,
This consulting, that to our wills confiding, O Ruler;
Choosing thy helpers, hastened by those whom thou lurest to oppose thee
Guile thou usest with gods as with mortals, scheming, deceiving,
And at the wrath and the love thou hast prompted laughest in secret.
So we two who are sisters and enemies, lovers and rivals,
Fondled and baffled in turn obey thy will and thy cunning,
I, thy girl of war, and the rosy-white Aphrodite.
Always we served but thy pleasure since our immortal beginnings,
Always each other we helped by our play and our wrestlings and quarrels.
This too I know that I pass preparing the paths of Apollo
And at the end as his sister and slave and bride I must sojourn
Rapt to his courts of mystic light and unbearable brilliance.
Was I not ever condemned since my birth from the toil of thy musings
Seized like a lyre in my body to sob and to laugh out his music,
Shake as a leaf in his fierceness and leap as a flame in his splendours!
So must I dwell overpowered and so must I labour subjected
Robbed of my loneliness pure and coerced in my radiant freedom,
Now whose clearness and pride are the sovereign joy of thy creatures.
Such the reward that thou keepst for my labour obedient always.
Yet I work and I do thy will, for tis mine, O my father.
Proud of her ruthless lust of thought and action and battle,
Swift-footed rose the daughter of Zeus from her sessions immortal:
Breasts of the morning unveiled in a purity awful and candid,
Head of the mighty Dawn, the goddess Pallas Athene!
Strong and rapacious she swooped on the world as her prey and her booty
Down from the courts of the Mighty descending, darting on Ida.
Dire she descended, a god in her reason, a child in her longings,
Joy and woe to the world that is given to the whims of the child-god
Greedy for rule and play and the minds of men and their doings!
So with her aegis scattering light oer the heads of the nations
Shining-eyed in her boyish beauty severe and attractive
Came to the fields of the Troad, came to the fateful warfare,
Veiled, the goddess calm and pure in her luminous raiment
Zoned with beauty and strength. Rejoicing, spurring the fighters
Close oer Odysseus she stood and clear-eyed governed the battle.
Zeus to Hephaestus next, the Cyclopean toiler
Turned, Hephaestus the strong-souled, priest and king and a bond-slave,
Servant of men in their homes and their workshops, servant of Nature,
He who has built these worlds and kindles the fire for a mortal.
Thou, my son, art obedient always. Wisdom is with thee,
Therefore thou knowst and obeyest. Submission is wisdom and knowledge;
He who is blind revolts and he who is limited struggles:
Strife is not for the infinite; wisdom observes to accomplish.
Troy and her sons and her works are thy food today, O Hephaestus.
And to his father the Toiler answered, the silent Seer:
Yes, I obey thee, my Father, and That which than thou is more mighty;
Even as thou obeyest by rule, so I by my labour.
Now must I heap the furnace, now must I toil at the smithy,
I who have flamed on the altar of sacrifice helping the sages.
I am the Cyclops, the lamester, who once was pure and a high-priest.
Holy the pomp of my flames ascendant from pyre and from altar
Robed mens souls for their heavens and my smoke was a pillar to Nature.
Though I have burned in the sight of the sage and the heart of the hero,
Now is no nobler hymn for my ear than the clanging of metal,
Breath of human greed and the dolorous pant of the engines.
Still I repine not, but toil; for to toil I was yoked by my Maker.
I am your servant, O Gods, and his of whom you are servants.
But to the toiler Zeus replied, to the servant of creatures:
What is the thought thou hast uttered betrayed by thy speech, O Hephaestus?
True is it earth shall grow as a smithy, the smoke of the furnace
Fill mens eyes and their souls shall be stunned with the clang of the hammers;
Yet in the end there is rest on the peak of a labour accomplished.
Nor shall the might of the thinker be quelled by that iron oppression,
Nor shall the soul of the warrior despair in the darkness triumphant;
For when the night shall be deepest, dawn shall increase on the mountains
And in the heart of the worst the best shall be born by my wisdom.
Pallas thy sister shall guard mans knowledge fighting the earth-smoke.
Thou too art mighty to live through the clamour even as Apollo.
Work then, endure; expect from the Silence an end and thy wages.
So King Hephaestus arose and passed from the courts of his father;
Down upon earth he came with his lame omnipotent motion;
And with uneven steps absorbed and silent the Master
Worked employed mid the wheels of the cars as a smith in his smithy,
But it was death and bale that he forged, not the bronze and the iron.
Stark, like a fire obscured by its smoke, through the spear-casts he laboured
Helping Ajax war and the Theban and Phocian fighters.
Zeus to his grandiose helper next, who proved and unmoving,
Calm in her greatness waited the mighty comm and of her husband:
Hera, sister and spouse, what my will is thou knowest, O consort.
One are our blood and our hearts, nor the thought for the words of the speaker
Waits, but each other we know and ourselves and the Vast and the heavens,
Life and all between and all beyond and the ages.
That which Space not knows nor Time, we have known, O my sister.
Therefore our souls are one soul and our minds become mirrors of oneness.
Go then and do my will, O thou mighty one, burning down Troya.
Silent she rose from the seats of the Blissful, Hera majestic,
And with her flowing garment and mystical zone through the spaces
Haloed came like the moon on an evening of luminous silence
Down upon Ida descending, a snow-white swan on the greenness,
Down upon Ida the mystic haunted by footsteps immortal
Ever since out of the Ocean it rose and lived gazing towards heaven.
There on a peak of the mountains alone with the sea and the azure
Voiceless and mighty she paused like a thought on the summits of being
Clasped by all heaven; the winds at play in her gust-scattered raiment
Sported insulting her gracious strength with their turbulent sweetness,
Played with their mother and queen; but she stood absorbed and unheeding,
Mute, with her sandalled foot for a moment thrilling the grasses,
Dumbly adored by a soul in the mountains, a thought in the rivers,
Roared to loud by her lions. The voice of the cataracts falling
Entered her soul profound and it heard eternitys rumour.
Silent its gaze immense contained the wheeling of aeons.
Huge-winged through Time flew her thought and its grandiose vast revolutions
Turned and returned. So musing her timeless creative spirit,
Master of Time, its instrument, grieflessly hastening forward
Parted with greatnesses dead and summoned new strengths from their stables;
Maned they came to her call and filled with their pacings the future.
Calm, with the vision satisfied, thrilled by the grandeurs within her,
Down in a billow of whiteness and gold and delicate raiment
Gliding the daughter of Heaven came to the earth that received her
Glad of the tread divine and bright with her more than with sunbeams.
King Agamemnon she found and smiling on Spartas levies
Mixed unseen with the far-glinting spears of haughty Mycenae.
Then to the Mighty who tranquil abode and august in his regions
Zeus, while his gaze over many forms and high-seated godheads
Passed like a swift-fleeing eagle over the peaks and the glaciers
When to his eyrie he flies alone through the vastness and silence:
Artemis, child of my loins and you, O legioned immortals,
All you have heard. Descend, O ye gods, to your sovereign stations,
Labour rejoicing whose task is joy and your bliss is creation;
Shrink from no act that Necessity asks from your luminous natures.
Thee I have given no part in the years that come, O my daughter,
Huntress swift of the worlds who with purity all things pursuest.
Yet not less is thy portion intended than theirs who oerpass thee:
Helped are the souls that wait more than strengths soon fulfilled and exhausted.
Archeress, brilliance, wait thine hour from the speed of the ages.
So they departed, Artemis leading lightning-tasselled.
Ancient Themis remained and awful Dis and Ananke.
Then mid these last of the gods who shall stand when all others have perished,
Zeus to the Silence obscure under iron brows of that goddess,
Griefless, unveiled was her visage, dire and unmoved and eternal:
Thou and I, O Dis, remain and our sister Ananke.
That which the joyous hearts of our children, radiant heaven-moths
Flitting mid flowers of sense for the honey of thought have not captured,
That which Poseidon forgets mid the pomp and the roar of his waters,
We three keep in our hearts. By the Light that I watch for unsleeping,
By thy tremendous consent to the silence and darkness, O Hades,
By her delight renounced and the prayers and the worship of mortals
Making herself as an engine of God without bowels or vision,
Yet in that engine are only heart-beats, yet is her riddle
Only Love that is veiled and pity that suffers and slaughters,
We three are free from ourselves, O Dis, and free from each other.
Do then, O King of the Night, observe then with Time for thy servant
Not my behest, but What she and thou and I are for ever.
Mute the Darkness sat like a soul unmoved through the aeons,
Then came a voice from the silence of Dis, from the night there came wisdom.
Yes, I have chosen and that which I chose I endure, O Cronion,
Though to the courts of the gods I come as a threat and a shadow,
Even though none to their counsels call me, none to their pastime,
None companions me willingly; even thy daughter, my consort,
Trembling whom once from our sister Demeter I plucked like a blossom
Torn from Sicilian fields, while Fate reluctant, consenting,
Bowed her head, lives but by her gasps of the sun and the azure;
Stretched are her hands to the light and she seeks for the clasp of her mother.
I, I am Night and her reign and that of which Night is a symbol.
All to me comes, even thou shalt come to me, brilliant Cronion.
All here exists by me whom all walk fearing and shunning;
He who shuns not, He am I and thou and Ananke.
All things I take to my bosom that Life may be swift in her voyage;
For out of death is Life and not by birth and her motions
And behind Night is light and not in the sun and his splendours.
Troy to the Night I will gather a wreath for my shadows, O grower.
So in his arrogance dire the vast invincible Death-god
Triumphing passed out of heaven with Themis and silent Ananke.
Zeus alone in the spheres of his bliss, in his kingdoms of brilliance
Sat divine and alarmed; for even the gods in their heavens
Scarce shall live who have gazed on the unveiled face of Ananke,
Heard the accents dire of the Darkness that waits for the ages.
Awful and dull grew his eyes and mighty and still grew his members.
Back from his nature he drew to the passionless peaks of the spirit,
Throned where it dwells for ever uplifted and silent and changeless
Far beyond living and death, beyond Nature and ending of Nature.
There for a while he dwelt veiled, protected from Dis and his greatness;
Then to the works of the world he returned and the joy of his musings.
Life and the blaze of the mighty soul that he was of Gods making
Dawned again in the heavenly eyes and the majestied semblance.
Comforted heaven he beheld, to the green of the earth was attracted.
But through this Space unreal, but through these worlds that are shadows
Went the awful Three. None saw them pass, none felt them.
Only in the heavens was a tread as of death, in the air was a winter,
Earth oppressed moaned long like a woman striving with anguish.
Ida saw them not, but her grim lions cowered in their caverns,
Ceased for a while on her slopes the eternal laughter of fountains.
Over the ancient ramparts of Dardanus high-roofed city
Darkening her victor domes and her gardens of life and its sweetness
Silent they came. Unseen and unheard was the dreadful arrival.
Troy and her gods dreamed secure in the moment flattered by sunlight.
Dim to the citadel high they arrived and their silence invaded
Pallas marble shrine where stern and white in her beauty,
Armed on her pedestal, trampling the prostrate image of darkness
Mighty Athenes statue guarded imperial Troya.
Dim and vast they entered in. Then through all the great city
Huge a rushing sound was heard from her gardens and places
And in their musings her seers as they strove with night and with error
And in the fane of Apollo Laocoon torn by his visions
Heard aghast the voice of Troys deities fleeing from Troya,
Saw the flaming lords of her households drive in a death-rout
Forth from her ancient halls and their noble familiar sessions.
Ghosts of her splendid centuries wailed on the wings of the doom-blast.
Moaning the Dryads fled and her Naiads passed from Scamander
Leaving the world to deities dumb of the clod and the earth-smoke,
And from their tombs and their shrines the shadowy Ancestors faded.
Filled was the air with their troops and the sound of a vast lamentation.
Wailing they went, lamenting mortalitys ages of greatness,
Ruthless Anankes deeds and the mortal conquests of Hades.
Then in the fane Palladian the shuddering priests of Athene
Entered the darkened shrine and saw on the suffering marble
Shattered Athenes mighty statue prostrate as conquered,
But on its pedestal rose oer the unhurt image of darkness
Awful shapes, a Trinity dim and dire unto mortals.
Dumb they fell down on the earth and the life-breath was slain in their bosoms.
And in the noon there was night. And Apollo passed out of Troya.
***

~ Sri Aurobindo, 8 - The Book of the Gods
,
231:BOOK THE SIXTH

The Transformation of Arachne into a Spider

Pallas, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
Low was her birth, and small her native town,
She from her art alone obtain'd renown.
Idmon, her father, made it his employ,
To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.

Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.

The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.

Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek
A pardon for your bold presumption seek;
The Goddess will forgive. At this the maid,
With passion fir'd, her gliding shuttle stay'd;
And, darting vengeance with an angry look,
To Pallas in disguise thus fiercely spoke.

Thou doating thing, whose idle babling tongue
But too well shews the plague of living long;
Hence, and reprove, with this your sage advice,
Your giddy daughter, or your aukward neice;
Know, I despise your counsel, and am still
A woman, ever wedded to my will;
And, if your skilful Goddess better knows,
Let her accept the tryal I propose.

She does, impatient Pallas strait replies,
And, cloath'd with heavenly light, sprung from her odd disguise.

The Nymphs, and virgins of the plain adore
The awful Goddess, and confess her pow'r;
The maid alone stood unappall'd; yet show'd
A transient blush, that for a moment glow'd,
Then disappear'd; as purple streaks adorn
The opening beauties of the rosy morn;
Till Phoebus rising prevalently bright,
Allays the tincture with his silver light.
Yet she persists, and obstinately great,
In hopes of conquest hurries on her fate.
The Goddess now the challenge waves no more,
Nor, kindly good, advises as before.
Strait to their posts appointed both repair,
And fix their threaded looms with equal care:
Around the solid beam the web is ty'd,
While hollow canes the parting warp divide;
Thro' which with nimble flight the shuttles play,
And for the woof prepare a ready way;
The woof and warp unite, press'd by the toothy slay.

Thus both, their mantles button'd to their breast,
Their skilful fingers ply with willing haste,
And work with pleasure; while they chear the eye
With glowing purple of the Tyrian dye:
Or, justly intermixing shades with light,
Their colourings insensibly unite.
As when a show'r transpierc'd with sunny rays,
Its mighty arch along the heav'n displays;
From whence a thousand diff'rent colours rise,
Whose fine transition cheats the clearest eyes;
So like the intermingled shading seems,
And only differs in the last extreams.
Then threads of gold both artfully dispose,
And, as each part in just proportion rose,
Some antique fable in their work disclose.

Pallas in figures wrought the heav'nly Pow'rs,
And Mars's hill among th' Athenian tow'rs.
On lofty thrones twice six celestials sate,
Jove in the midst, and held their warm debate;
The subject weighty, and well-known to fame,
From whom the city shou'd receive its name.
Each God by proper features was exprest,
Jove with majestick mein excell'd the rest.
His three-fork'd mace the dewy sea-God shook,
And, looking sternly, smote the ragged rock;
When from the stone leapt forth a spritely steed,
And Neptune claims the city for the deed.

Herself she blazons, with a glitt'ring spear,
And crested helm that veil'd her braided hair,
With shield, and scaly breast-plate, implements of war.
Struck with her pointed launce, the teeming Earth
Seem'd to produce a new surprizing birth;
When, from the glebe, the pledge of conquest sprung,
A tree pale-green with fairest olives hung.

And then, to let her giddy rival learn
What just rewards such boldness was to earn,
Four tryals at each corner had their part,
Design'd in miniature, and touch'd with art.
Haemus in one, and Rodope of Thrace
Transform'd to mountains, fill'd the foremost place;
Who claim'd the titles of the Gods above,
And vainly us'd the epithets of Jove.
Another shew'd, where the Pigmaean dame,
Profaning Juno's venerable name,
Turn'd to an airy crane, descends from far,
And with her Pigmy subjects wages war.
In a third part, the rage of Heav'n's great queen,
Display'd on proud Antigone, was seen:
Who with presumptuous boldness dar'd to vye,
For beauty with the empress of the sky.
Ah! what avails her ancient princely race,
Her sire a king, and Troy her native place:
Now, to a noisy stork transform'd, she flies,
And with her whiten'd pinions cleaves the skies.
And in the last remaining part was drawn
Poor Cinyras that seem'd to weep in stone;
Clasping the temple steps, he sadly mourn'd
His lovely daughters, now to marble turn'd.
With her own tree the finish'd piece is crown'd,
And wreaths of peaceful olive all the work surround.

Arachne drew the fam'd intrigues of Jove,
Chang'd to a bull to gratify his love;
How thro' the briny tide all foaming hoar,
Lovely Europa on his back he bore.
The sea seem'd waving, and the trembling maid
Shrunk up her tender feet, as if afraid;
And, looking back on the forsaken strand,
To her companions wafts her distant hand.
Next she design'd Asteria's fabled rape,
When Jove assum'd a soaring eagle's shape:
And shew'd how Leda lay supinely press'd,
Whilst the soft snowy swan sate hov'ring o'er her breast,

How in a satyr's form the God beguil'd,
When fair Antiope with twins he fill'd.
Then, like Amphytrion, but a real Jove,
In fair Alcmena's arms he cool'd his love.
In fluid gold to Danae's heart he came,
Aegina felt him in a lambent flame.
He took Mnemosyne in shepherd's make,
And for Deois was a speckled snake.

She made thee, Neptune, like a wanton steer,
Pacing the meads for love of Arne dear;
Next like a stream, thy burning flame to slake,
And like a ram, for fair Bisaltis' sake.
Then Ceres in a steed your vigour try'd,
Nor cou'd the mare the yellow Goddess hide.
Next, to a fowl transform'd, you won by force
The snake-hair'd mother of the winged horse;
And, in a dolphin's fishy form, subdu'd
Melantho sweet beneath the oozy flood.

All these the maid with lively features drew,
And open'd proper landskips to the view.
There Phoebus, roving like a country swain,
Attunes his jolly pipe along the plain;
For lovely Isse's sake in shepherd's weeds,
O'er pastures green his bleating flock he feeds,
There Bacchus, imag'd like the clust'ring grape,
Melting bedrops Erigone's fair lap;
And there old Saturn, stung with youthful heat,
Form'd like a stallion, rushes to the feat.
Fresh flow'rs, which twists of ivy intertwine,
Mingling a running foliage, close the neat design.

This the bright Goddess passionately mov'd,
With envy saw, yet inwardly approv'd.
The scene of heav'nly guilt with haste she tore,
Nor longer the affront with patience bore;
A boxen shuttle in her hand she took,
And more than once Arachne's forehead struck.
Th' unhappy maid, impatient of the wrong,
Down from a beam her injur'd person hung;
When Pallas, pitying her wretched state,
At once prevented, and pronounc'd her fate:
Live; but depend, vile wretch, the Goddess cry'd,
Doom'd in suspence for ever to be ty'd;
That all your race, to utmost date of time,
May feel the vengeance, and detest the crime.

Then, going off, she sprinkled her with juice,
Which leaves of baneful aconite produce.
Touch'd with the pois'nous drug, her flowing hair
Fell to the ground, and left her temples bare;
Her usual features vanish'd from their place,
Her body lessen'd all, but most her face.
Her slender fingers, hanging on each side
With many joynts, the use of legs supply'd:
A spider's bag the rest, from which she gives
A thread, and still by constant weaving lives.

The Story of Niobe

Swift thro' the Phrygian towns the rumour flies,
And the strange news each female tongue employs:
Niobe, who before she married knew
The famous nymph, now found the story true;
Yet, unreclaim'd by poor Arachne's fate,
Vainly above the Gods assum'd a state.
Her husband's fame, their family's descent,
Their pow'r, and rich dominion's wide extent,
Might well have justify'd a decent pride;
But not on these alone the dame rely'd.
Her lovely progeny, that far excell'd,
The mother's heart with vain ambition swell'd:
The happiest mother not unjustly styl'd,
Had no conceited thoughts her tow'ring fancy fill'd.

For once a prophetess with zeal inspir'd,
Their slow neglect to warm devotion fir'd;
Thro' ev'ry street of Thebes who ran possess'd,
And thus in accents wild her charge express'd:
Haste, haste, ye Theban matrons, and adore,
With hallow'd rites, Latona's mighty pow'r;
And, to the heav'nly twins that from her spring,
With laurel crown'd, your smoaking incense bring.
Strait the great summons ev'ry dame obey'd,
And due submission to the Goddess paid:
Graceful, with laurel chaplets dress'd, they came,
And offer'd incense in the sacred flame.

Mean-while, surrounded with a courtly guard,
The royal Niobe in state appear'd;
Attir'd in robes embroider'd o'er with gold,
And mad with rage, yet lovely to behold:
Her comely tresses, trembling as she stood,
Down her fine neck with easy motion flow'd;
Then, darting round a proud disdainful look,
In haughty tone her hasty passion broke,
And thus began: What madness this, to court
A Goddess, founded meerly on report?
Dare ye a poor pretended Pow'r invoke,
While yet no altars to my godhead smoke?
Mine, whose immediate lineage stands confess'd
From Tantalus, the only mortal guest
That e'er the Gods admitted to their feast.
A sister of the Pleiads gave me birth;
And Atlas, mightiest mountain upon Earth,
Who bears the globe of all the stars above,
My grandsire was, and Atlas sprung from Jove.
The Theban towns my majesty adore,
And neighb'ring Phrygia trembles at my pow'r:
Rais'd by my husband's lute, with turrets crown'd,
Our lofty city stands secur'd around.
Within my court, where-e'er I turn my eyes,
Unbounded treasures to my prospect rise:
With these my face I modestly may name,
As not unworthy of so high a claim;
Seven are my daughters, of a form divine,
With seven fair sons, an indefective line.
Go, fools! consider this; and ask the cause
From which my pride its strong presumption draws;
Consider this; and then prefer to me
Caeus the Titan's vagrant progeny;
To whom, in travel, the whole spacious Earth
No room afforded for her spurious birth.
Not the least part in Earth, in Heav'n, or seas,
Would grant your out-law'd Goddess any ease:
'Till pitying hers, from his own wand'ring case,
Delos, the floating island, gave a place.
There she a mother was, of two at most;
Only the seventh part of what I boast.
My joys all are beyond suspicion fix'd;
With no pollutions of misfortune mix'd;
Safe on the Basis of my pow'r I stand,
Above the reach of Fortune's fickle hand.
Lessen she may my inexhausted store,
And much destroy, yet still must leave me more.
Suppose it possible that some may dye
Of this my num'rous lovely progeny;
Still with Latona I might safely vye.
Who, by her scanty breed, scarce fit to name,
But just escapes the childless woman's shame.
Go then, with speed your laurel'd heads uncrown,
And leave the silly farce you have begun.

The tim'rous throng their sacred rites forbore,
And from their heads the verdant laurel tore;
Their haughty queen they with regret obey'd,
And still in gentle murmurs softly pray'd.

High, on the top of Cynthus' shady mount,
With grief the Goddess saw the base affront;
And, the abuse revolving in her breast,
The mother her twin-offspring thus addrest.

Lo I, my children, who with comfort knew
Your God-like birth, and thence my glory drew;
And thence have claim'd precedency of place
From all but Juno of the heav'nly race,
Must now despair, and languish in disgrace.
My godhead question'd, and all rites divine,
Unless you succour, banish'd from my shrine.
Nay more, the imp of Tantalus has flung
Reflections with her vile paternal tongue;
Has dar'd prefer her mortal breed to mine,
And call'd me childless; which, just fate, may she repine!

When to urge more the Goddess was prepar'd,
Phoebus in haste replies, Too much we've heard,
And ev'ry moment's lost, while vengeance is defer'd.
Diana spoke the same. Then both enshroud
Their heav'nly bodies in a sable cloud;
And to the Theban tow'rs descending light,
Thro' the soft yielding air direct their flight.

Without the wall there lies a champian ground
With even surface, far extending round,
Beaten and level'd, while it daily feels
The trampling horse, and chariot's grinding wheels.
Part of proud Niobe's young rival breed,
Practising there to ride the manag'd steed,
Their bridles boss'd with gold, were mounted high
On stately furniture of Tyrian dye.
Of these, Ismenos, who by birth had been
The first fair issue of the fruitful queen,
Just as he drew the rein to guide his horse,
Around the compass of the circling course,
Sigh'd deeply, and the pangs of smart express'd,
While the shaft stuck, engor'd within his breast:
And, the reins dropping from his dying hand,
He sunk quite down, and tumbled on the sand.
Sipylus next the rattling quiver heard,
And with full speed for his escape prepar'd;
As when the pilot from the black'ning skies
A gath'ring storm of wintry rain descries,
His sails unfurl'd, and crowded all with wind,
He strives to leave the threat'ning cloud behind:
So fled the youth; but an unerring dart
O'ertook him, quick discharg'd, and sped with art;
Fix'd in his neck behind, it trembling stood,
And at his throat display'd the point besmear'd with blood

Prone, as his posture was, he tumbled o'er,
And bath'd his courser's mane with steaming gore.
Next at young Phaedimus they took their aim,
And Tantalus who bore his grandsire's name:
These, when their other exercise was done,
To try the wrestler's oily sport begun;
And, straining ev'ry nerve, their skill express'd
In closest grapple, joining breast to breast:
When from the bending bow an arrow sent,
Joyn'd as they were, thro' both their bodies went:
Both groan'd, and writhing both their limbs with pain,
They fell together bleeding on the plain;
Then both their languid eye-balls faintly roul,
And thus together brea the away their soul.
With grief Alphenor saw their doleful plight,
And smote his breast, and sicken'd at the sight;
Then to their succour ran with eager haste,
And, fondly griev'd, their stiff'ning limbs embrac'd;
But in the action falls: a thrilling dart,
By Phoebus guided, pierc'd him to the heart.
This, as they drew it forth, his midriff tore,
Its barbed point the fleshy fragments bore,
And let the soul gush out in streams of purple gore.
But Damasichthon, by a double wound,
Beardless, and young, lay gasping on the ground.
Fix'd in his sinewy ham, the steely point
Stuck thro' his knee, and pierc'd the nervous joint:
And, as he stoop'd to tug the painful dart,
Another struck him in a vital part;
Shot thro' his wezon, by the wing it hung.
The life-blood forc'd it out, and darting upward sprung,

Ilioneus, the last, with terror stands,
Lifting in pray'r his unavailing hands;
And, ignorant from whom his griefs arise,
Spare me, o all ye heav'nly Pow'rs, he cries:
Phoebus was touch'd too late, the sounding bow
Had sent the shaft, and struck the fatal blow;
Which yet but gently gor'd his tender side,
So by a slight and easy wound he dy'd.

Swift to the mother's ears the rumour came,
And doleful sighs the heavy news proclaim;
With anger and surprize inflam'd by turns,
In furious rage her haughty stomach burns:
First she disputes th' effects of heav'nly pow'r,
Then at their daring boldness wonders more;
For poor Amphion with sore grief distrest,
Hoping to sooth his cares by endless rest,
Had sheath'd a dagger in his wretched breast.
And she, who toss'd her high disdainful head,
When thro' the streets in solemn pomp she led
The throng that from Latona's altar fled,
Assuming state beyond the proudest queen;
Was now the miserablest object seen.
Prostrate among the clay-cold dead she fell,
And kiss'd an undistinguish'd last farewel.
Then her pale arms advancing to the skies,
Cruel Latona! triumph now, she cries.
My grieving soul in bitter anguish drench,
And with my woes your thirsty passion quench;
Feast your black malice at a price thus dear,
While the sore pangs of sev'n such deaths I bear.
Triumph, too cruel rival, and display
Your conqu'ring standard; for you've won the day.
Yet I'll excel; for yet, tho' sev'n are slain,
Superior still in number I remain.
Scarce had she spoke; the bow-string's twanging sound
Was heard, and dealt fresh terrors all around;
Which all, but Niobe alone, confound.
Stunn'd, and obdurate by her load of grief,
Insensible she sits, nor hopes relief.

Before the fun'ral biers, all weeping sad,
Her daughters stood, in vests of sable clad,
When one, surpriz'd, and stung with sudden smart,
In vain attempts to draw the sticking dart:
But to grim death her blooming youth resigns,
And o'er her brother's corpse her dying head reclines.
This, to asswage her mother's anguish tries,
And, silenc'd in the pious action, dies;
Shot by a secret arrow, wing'd with death,
Her fault'ring lips but only gasp'd for breath.
One, on her dying sister, breathes her last;
Vainly in flight another's hopes are plac'd:
This hiding, from her fate a shelter seeks;
That trembling stands, and fills the air with shrieks.
And all in vain; for now all six had found
Their way to death, each by a diff'rent wound.
The last, with eager care the mother veil'd,
Behind her spreading mantle close conceal'd,
And with her body guarded, as a shield.
Only for this, this youngest, I implore,
Grant me this one request, I ask no more;
O grant me this! she passionately cries:
But while she speaks, the destin'd virgin dies.

The Transformation of Niobe

Widow'd, and childless, lamentable state!
A doleful sight, among the dead she sate;
Harden'd with woes, a statue of despair,
To ev'ry breath of wind unmov'd her hair;
Her cheek still red'ning, but its colour dead,
Faded her eyes, and set within her head.
No more her pliant tongue its motion keeps,
But stands congeal'd within her frozen lips.
Stagnate, and dull, within her purple veins,
Its current stop'd, the lifeless blood remains.
Her feet their usual offices refuse,
Her arms, and neck their graceful gestures lose:
Action, and life from ev'ry part are gone,
And ev'n her entrails turn to solid stone;
Yet still she weeps, and whirl'd by stormy winds,
Born thro' the air, her native country finds;
There fix'd, she stands upon a bleaky hill,
There yet her marble cheeks eternal tears distil.

The Peasants of Lycia transform'd to Frogs

Then all, reclaim'd by this example, show'd
A due regard for each peculiar God:
Both men, and women their devoirs express'd,
And great Latona's awful pow'r confess'd.
Then, tracing instances of older time,
To suit the nature of the present crime,
Thus one begins his tale.- Where Lycia yields
A golden harvest from its fertile fields,
Some churlish peasants, in the days of yore,
Provok'd the Goddess to exert her pow'r.
The thing indeed the meanness of the place
Has made obscure, surprizing as it was;
But I my self once happen'd to behold
This famous lake of which the story's told.
My father then, worn out by length of days,
Nor able to sustain the tedious ways,
Me with a guide had sent the plains to roam,
And drive his well-fed stragling heifers home.
Here, as we saunter'd thro' the verdant meads,
We spy'd a lake o'er-grown with trembling reeds,
Whose wavy tops an op'ning scene disclose,
From which an antique smoaky altar rose.
I, as my susperstitious guide had done,
Stop'd short, and bless'd my self, and then went on;
Yet I enquir'd to whom the altar stood,
Faunus, the Naids, or some native God?
No silvan deity, my friend replies,
Enshrin'd within this hallow'd altar lies.
For this, o youth, to that fam'd Goddess stands,
Whom, at th' imperial Juno's rough commands,
Of ev'ry quarter of the Earth bereav'd,
Delos, the floating isle, at length receiv'd.
Who there, in spite of enemies, brought forth,
Beneath an olive's shade, her great twin-birth.

Hence too she fled the furious stepdame's pow'r,
And in her arms a double godhead bore;
And now the borders of fair Lycia gain'd,
Just when the summer solstice parch'd the land.
With thirst the Goddess languishing, no more
Her empty'd breast would yield its milky store;
When, from below, the smiling valley show'd
A silver lake that in its bottom flow'd:
A sort of clowns were reaping, near the bank,
The bending osier, and the bullrush dank;
The cresse, and water-lilly, fragrant weed,
Whose juicy stalk the liquid fountains feed.
The Goddess came, and kneeling on the brink,
Stoop'd at the fresh repast, prepar'd to drink.
Then thus, being hinder'd by the rabble race,
In accents mild expostulates the case.
Water I only ask, and sure 'tis hard
From Nature's common rights to be debar'd:
This, as the genial sun, and vital air,
Should flow alike to ev'ry creature's share.
Yet still I ask, and as a favour crave,
That which, a publick bounty, Nature gave.
Nor do I seek my weary limbs to drench;
Only, with one cool draught, my thirst I'd quench.
Now from my throat the usual moisture dries,
And ev'n my voice in broken accents dies:
One draught as dear as life I should esteem,
And water, now I thirst, would nectar seem.
Oh! let my little babes your pity move,
And melt your hearts to charitable love;
They (as by chance they did) extend to you
Their little hands, and my request pursue.

Whom would these soft perswasions not subdue,
Tho' the most rustick, and unmanner'd crew?
Yet they the Goddess's request refuse,
And with rude words reproachfully abuse:
Nay more, with spiteful feet the villains trod
O'er the soft bottom of the marshy flood,
And blacken'd all the lake with clouds of rising mud.

Her thirst by indignation was suppress'd;
Bent on revenge, the Goddess stood confess'd.
Her suppliant hands uplifting to the skies,
For a redress, to Heav'n she now applies.
And, May you live, she passionately cry'd,
Doom'd in that pool for ever to abide.

The Goddess has her wish; for now they chuse
To plunge, and dive among the watry ooze;
Sometimes they shew their head above the brim,
And on the glassy surface spread to swim;
Often upon the bank their station take,
Then spring, and leap into the cooly lake.
Still, void of shame, they lead a clam'rous life,
And, croaking, still scold on in endless strife;
Compell'd to live beneath the liquid stream,
Where still they quarrel, and attempt to skream.
Now, from their bloated throat, their voice puts on
Imperfect murmurs in a hoarser tone;
Their noisy jaws, with bawling now grown wide,
An ugly sight! extend on either side:
Their motly back, streak'd with a list of green,
Joyn'd to their head, without a neck is seen;
And, with a belly broad and white, they look
Meer frogs, and still frequent the muddy brook.

The Fate of Marsyas

Scarce had the man this famous story told,
Of vengeance on the Lycians shown of old,
When strait another pictures to their view
The Satyr's fate, whom angry Phoebus slew;
Who, rais'd with high conceit, and puff'd with pride,
At his own pipe the skilful God defy'd.
Why do you tear me from my self, he cries?
Ah cruel! must my skin be made the prize?
This for a silly pipe? he roaring said,
Mean-while the skin from off his limbs was flay'd.
All bare, and raw, one large continu'd wound,
With streams of blood his body bath'd the ground.
The blueish veins their trembling pulse disclos'd,
The stringy nerves lay naked, and expos'd;
His guts appear'd, distinctly each express'd,
With ev'ry shining fibre of his breast.

The Fauns, and Silvans, with the Nymphs that rove
Among the Satyrs in the shady grove;
Olympus, known of old, and ev'ry swain
That fed, or flock, or herd upon the plain,
Bewail'd the loss; and with their tears that flow'd,
A kindly moisture on the earth bestow'd;
That soon, conjoyn'd, and in a body rang'd,
Sprung from the ground, to limpid water chang'd;
Which, down thro' Phrygia's rocks, a mighty stream,
Comes tumbling to the sea, and Marsya is its name.

The Story of Pelops

From these relations strait the people turn
To present truths, and lost Amphion mourn:
The mother most was blam'd, yet some relate
That Pelops pity'd, and bewail'd her fate,
And stript his cloaths, and laid his shoulder bare,
And made the iv'ry miracle appear.
This shoulder, from the first, was form'd of flesh,
As lively as the other, and as fresh;
But, when the youth was by his father slain,
The Gods restor'd his mangled limbs again;
Only that place which joins the neck and arm,
The rest untouch'd, was found to suffer harm:
The loss of which an iv'ry piece sustain'd;
And thus the youth his limbs, and life regain'd.

The Story of Tereus, Procne, and Philomela

To Thebes the neighb'ring princes all repair,
And with condolance the misfortune share.
Each bord'ring state in solemn form address'd,
And each betimes a friendly grief express'd.
Argos, with Sparta's, and Mycenae's towns,
And Calydon, yet free from fierce Diana's frowns.
Corinth for finest brass well fam'd of old,
Orthomenos for men of courage bold:
Cleonae lying in the lowly dale,
And rich Messene with its fertile vale:
Pylos, for Nestor's City after fam'd,
And Troezen, not as yet from Pittheus nam'd.
And those fair cities, which are hem'd around
By double seas within the Isthmian ground;
And those, which farther from the sea-coast stand,
Lodg'd in the bosom of the spacious land.

Who can believe it? Athens was the last:
Tho' for politeness fam'd for ages past.
For a strait siege, which then their walls enclos'd,
Such acts of kind humanity oppos'd:
And thick with ships, from foreign nations bound,
Sea-ward their city lay invested round.

These, with auxiliar forces led from far,
Tereus of Thrace, brave, and inur'd to war,
Had quite defeated, and obtain'd a name,
The warrior's due, among the sons of Fame.
This, with his wealth, and pow'r, and ancient line,
From Mars deriv'd, Pandions's thoughts incline
His daughter Procne with the prince to joyn.

Nor Hymen, nor the Graces here preside,
Nor Juno to befriend the blooming bride;
But Fiends with fun'ral brands the process led,
And Furies waited at the Genial bed:
And all night long the scrieching owl aloof,
With baleful notes, sate brooding o'er the roof.
With such ill Omens was the match begun,
That made them parents of a hopeful son.
Now Thrace congratulates their seeming joy,
And they, in thankful rites, their minds employ.
If the fair queen's espousals pleas'd before,
Itys, the new-born prince, now pleases more;
And each bright day, the birth, and bridal feast,
Were kept with hallow'd pomp above the rest.
So far true happiness may lye conceal'd,
When, by false lights, we fancy 'tis reveal'd!

Now, since their nuptials, had the golden sun
Five courses round his ample zodiac run;
When gentle Procne thus her lord address'd,
And spoke the secret wishes of her breast:
If I, she said, have ever favour found,
Let my petition with success be crown'd:
Let me at Athens my dear sister see,
Or let her come to Thrace, and visit me.
And, lest my father should her absence mourn,
Promise that she shall make a quick return.
With thanks I'd own the obligation due
Only, o Tereus, to the Gods, and you.

Now, ply'd with oar, and sail at his command,
The nimble gallies reach'd th' Athenian land,
And anchor'd in the fam'd Piraean bay,
While Tereus to the palace takes his way;
The king salutes, and ceremonies past,
Begins the fatal embassy at last;
The occasion of his voyage he declares,
And, with his own, his wife's request prefers:
Asks leave that, only for a little space,
Their lovely sister might embark for Thrace.

Thus while he spoke, appear'd the royal maid,
Bright Philomela, splendidly array'd;
But most attractive in her charming face,
And comely person, turn'd with ev'ry grace:
Like those fair Nymphs, that are describ'd to rove
Across the glades, and op'nings of the grove;
Only that these are dress'd for silvan sports,
And less become the finery of courts.

Tereus beheld the virgin, and admir'd,
And with the coals of burning lust was fir'd:
Like crackling stubble, or the summer hay,
When forked lightnings o'er the meadows play.
Such charms in any breast might kindle love,
But him the heats of inbred lewdness move;
To which, tho' Thrace is naturally prone,
Yet his is still superior, and his own.
Strait her attendants he designs to buy,
And with large bribes her governess would try:
Herself with ample gifts resolves to bend,
And his whole kingdom in th' attempt expend:
Or, snatch'd away by force of arms, to bear,
And justify the rape with open war.
The boundless passion boils within his breast,
And his projecting soul admits no rest.

And now, impatient of the least delay,
By pleading Procne's cause, he speeds his way:
The eloquence of love his tongue inspires,
And, in his wife's, he speaks his own desires;
Hence all his importunities arise,
And tears unmanly trickle from his eyes.

Ye Gods! what thick involving darkness blinds
The stupid faculties of mortal minds!
Tereus the credit of good-nature gains
From these his crimes; so well the villain feigns.
And, unsuspecting of his base designs,
In the request fair Philomela joyns;
Her snowy arms her aged sire embrace,
And clasp his neck with an endearing grace:
Only to see her sister she entreats,
A seeming blessing, which a curse compleats.
Tereus surveys her with a luscious eye,
And in his mind forestalls the blissful joy:
Her circling arms a scene of lust inspire,
And ev'ry kiss foments the raging fire.
Fondly he wishes for the father's place,
To feel, and to return the warm embrace;
Since not the nearest ties of filial blood
Would damp his flame, and force him to be good.

At length, for both their sakes, the king agrees;
And Philomela, on her bended knees,
Thanks him for what her fancy calls success,
When cruel fate intends her nothing less.

Now Phoebus, hastning to ambrosial rest,
His fiery steeds drove sloping down the west:
The sculptur'd gold with sparkling wines was fill'd,
And, with rich meats, each chearful table smil'd.
Plenty, and mirth the royal banquet close,
Then all retire to sleep, and sweet repose.
But the lewd monarch, tho' withdrawn apart,
Still feels love's poison rankling in his heart:
Her face divine is stamp'd within his breast,
Fancy imagines, and improves the rest:
And thus, kept waking by intense desire,
He nourishes his own prevailing fire.

Next day the good old king for Tereus sends,
And to his charge the virgin recommends;
His hand with tears th' indulgent father press'd,
Then spoke, and thus with tenderness address'd.

Since the kind instances of pious love,
Do all pretence of obstacle remove;
Since Procne's, and her own, with your request,
O'er-rule the fears of a paternal breast;
With you, dear son, my daughter I entrust,
And by the Gods adjure you to be just;
By truth, and ev'ry consanguineal tye,
To watch, and guard her with a father's eye.
And, since the least delay will tedious prove,
In keeping from my sight the child I love,
With speed return her, kindly to asswage
The tedious troubles of my lingring age.
And you, my Philomel, let it suffice,
To know your sister's banish'd from my eyes;
If any sense of duty sways your mind,
Let me from you the shortest absence find.
He wept; then kiss'd his child; and while he speaks,
The tears fall gently down his aged cheeks.
Next, as a pledge of fealty, he demands,
And, with a solemn charge, conjoyns their hands;
Then to his daughter, and his grandson sends,
And by their mouth a blessing recommends;
While, in a voice with dire forebodings broke,
Sobbing, and faint, the last farewel was spoke.

Now Philomela, scarce receiv'd on board,
And in the royal gilded bark secur'd,
Beheld the dashes of the bending oar,
The ruffled sea, and the receding shore;
When strait (his joy impatient of disguise)
We've gain'd our point, the rough Barbarian cries;
Now I possess the dear, the blissful hour,
And ev'ry wish subjected to my pow'r.
Transports of lust his vicious thoughts employ,
And he forbears, with pain, th' expected joy.
His gloting eyes incessantly survey'd
The virgin beauties of the lovely maid:
As when the bold rapacious bird of Jove,
With crooked talons stooping from above,
Has snatcht, and carry'd to his lofty nest
A captive hare, with cruel gripes opprest;
Secure, with fix'd, and unrelenting eyes,
He sits, and views the helpless, trembling prize.

Their vessels now had made th' intended land,
And all with joy descend upon the strand;
When the false tyrant seiz'd the princely maid,
And to a lodge in distant woods convey'd;
Pale, sinking, and distress'd with jealous fears,
And asking for her sister all in tears.
The letcher, for enjoyment fully bent,
No longer now conceal'd his base intent;
But with rude haste the bloomy girl deflow'r'd,
Tender, defenceless, and with ease o'erpower'd.
Her piercing accents to her sire complain,
And to her absent sister, but in vain:
In vain she importunes, with doleful cries,
Each unattentive godhead of the skies.
She pants and trembles, like the bleating prey,
From some close-hunted wolf just snatch'd away;
That still, with fearful horror, looks around,
And on its flank regards the bleeding wound.
Or, as the tim'rous dove, the danger o'er,
Beholds her shining plumes besmear'd with gore,
And, tho' deliver'd from the faulcon's claw,
Yet shivers, and retains a secret awe.

But when her mind a calm reflection shar'd,
And all her scatter'd spirits were repair'd:
Torn, and disorder'd while her tresses hung,
Her livid hands, like one that mourn'd, she wrung;
Then thus, with grief o'erwhelm'd her languid eyes,
Savage, inhumane, cruel wretch! she cries;
Whom not a parent's strict commands could move,
Tho' charg'd, and utter'd with the tears of love;
Nor virgin innocence, nor all that's due
To the strong contract of the nuptial vow:
Virtue, by this, in wild confusion's laid,
And I compell'd to wrong my sister's bed;
Whilst you, regardless of your marriage oath,
With stains of incest have defil'd us both.
Tho' I deserv'd some punishment to find,
This was, ye Gods! too cruel, and unkind.
Yet, villain, to compleat your horrid guilt,
Stab here, and let my tainted blood be spilt.
Oh happy! had it come, before I knew
The curs'd embrace of vile perfidious you;
Then my pale ghost, pure from incestuous love,
Had wander'd spotless thro' th' Elysian grove.
But, if the Gods above have pow'r to know,
And judge those actions that are done below;
Unless the dreaded thunders of the sky,
Like me, subdu'd, and violated lye;
Still my revenge shall take its proper time,
And suit the baseness of your hellish crime.
My self, abandon'd, and devoid of shame,
Thro' the wide world your actions will proclaim;
Or tho' I'm prison'd in this lonely den,
Obscur'd, and bury'd from the sight of men,
My mournful voice the pitying rocks shall move,
And my complainings eccho thro' the grove.
Hear me, o Heav'n! and, if a God be there,
Let him regard me, and accept my pray'r.

Struck with these words, the tyrant's guilty breast
With fear, and anger, was, by turns, possest;
Now, with remorse his conscience deeply stung,
He drew the faulchion that beside her hung,
And first her tender arms behind her bound,
Then drag'd her by the hair along the ground.
The princess willingly her throat reclin'd,
And view'd the steel with a contented mind;
But soon her tongue the girding pinchers strain,
With anguish, soon she feels the piercing pain:
Oh father! father! would fain have spoke,
But the sharp torture her intention broke;
In vain she tries, for now the blade has cut
Her tongue sheer off, close to the trembling root.
The mangled part still quiver'd on the ground,
Murmuring with a faint imperfect sound:
And, as a serpent writhes his wounded train,
Uneasy, panting, and possess'd with pain;
The piece, while life remain'd, still trembled fast,
And to its mistress pointed to the last.

Yet, after this so damn'd, and black a deed,
Fame (which I scarce can credit) has agreed,
That on her rifled charms, still void of shame,
He frequently indulg'd his lustful flame,
At last he ventures to his Procne's sight,
Loaded with guilt, and cloy'd with long delight;
There, with feign'd grief, and false, dissembled sighs,
Begins a formal narrative of lies;
Her sister's death he artfully declares,
Then weeps, and raises credit from his tears.
Her vest, with flow'rs of gold embroider'd o'er,
With grief distress'd, the mournful matron tore,
And a beseeming suit of gloomy sable wore.
With cost, an honorary tomb she rais'd,
And thus th' imaginary ghost appeas'd.
Deluded queen! the fate of her you love,
Nor grief, nor pity, but revenge should move.

Thro' the twelve signs had pass'd the circling sun,
And round the compass of the Zodiac run;
What must unhappy Philomela do,
For ever subject to her keeper's view?
Huge walls of massy stone the lodge surround,
From her own mouth no way of speaking's found.
But all our wants by wit may be supply'd,
And art makes up, what fortune has deny'd:
With skill exact a Phrygian web she strung,
Fix'd to a loom that in her chamber hung,
Where in-wrought letters, upon white display'd,
In purple notes, her wretched case betray'd:
The piece, when finish'd, secretly she gave
Into the charge of one poor menial slave;
And then, with gestures, made him understand,
It must be safe convey'd to Procne's hand.
The slave, with speed, the queen's apartment sought,
And render'd up his charge, unknowing what he brought.
But when the cyphers, figur'd in each fold,
Her sister's melancholy story told
(Strange that she could!) with silence, she survey'd
The tragick piece, and without weeping read:
In such tumultuous haste her passions sprung,
They choak'd her voice, and quite disarm'd her tongue.
No room for female tears; the Furies rise,
Darting vindictive glances from her eyes;
And, stung with rage, she bounds from place to place,
While stern revenge sits low'ring in her face.

Now the triennial celebration came,
Observ'd to Bacchus by each Thracian dame;
When, in the privacies of night retir'd,
They act his rites, with sacred rapture fir'd:
By night, the tinkling cymbals ring around,
While the shrill notes from Rhodope resound;
By night, the queen, disguis'd, forsakes the court,
To mingle in the festival resort.
Leaves of the curling vine her temples shade,
And, with a circling wreath, adorn her head:
Adown her back the stag's rough spoils appear,
Light on her shoulder leans a cornel spear.

Thus, in the fury of the God conceal'd,
Procne her own mad headstrong passion veil'd;
Now, with her gang, to the thick wood she flies,
And with religious yellings fills the skies;
The fatal lodge, as 'twere by chance, she seeks,
And, thro' the bolted doors, an entrance breaks;
From thence, her sister snatching by the hand,
Mask'd like the ranting Bacchanalian band,
Within the limits of the court she drew,
Shading, with ivy green, her outward hue.
But Philomela, conscious of the place,
Felt new reviving pangs of her disgrace;
A shiv'ring cold prevail'd in ev'ry part,
And the chill'd blood ran trembling to her heart.

Soon as the queen a fit retirement found,
Stript of the garlands that her temples crown'd,
She strait unveil'd her blushing sister's face,
And fondly clasp'd her with a close embrace:
But, in confusion lost, th' unhappy maid,
With shame dejected, hung her drooping head,
As guilty of a crime that stain'd her sister's bed.
That speech, that should her injur'd virtue clear,
And make her spotless innocence appear,
Is now no more; only her hands, and eyes
Appeal, in signals, to the conscious skies.
In Procne's breast the rising passions boil,
And burst in anger with a mad recoil;
Her sister's ill-tim'd grief, with scorn, she blames,
Then, in these furious words her rage proclaims.

Tears, unavailing, but defer our time,
The stabbing sword must expiate the crime;
Or worse, if wit, on bloody vengeance bent,
A weapon more tormenting can invent.
O sister! I've prepar'd my stubborn heart,
To act some hellish, and unheard-of part;
Either the palace to surround with fire,
And see the villain in the flames expire;
Or, with a knife, dig out his cursed eyes,
Or, his false tongue with racking engines seize;
Or, cut away the part that injur'd you,
And, thro' a thousand wounds, his guilty soul pursue.
Tortures enough my passion has design'd,
But the variety distracts my mind.

A-while, thus wav'ring, stood the furious dame,
When Itys fondling to his mother came;
From him the cruel fatal hint she took,
She view'd him with a stern remorseless look:
Ah! but too like thy wicked sire, she said,
Forming the direful purpose in her head.
At this a sullen grief her voice supprest,
While silent passions struggle in her breast.

Now, at her lap arriv'd, the flatt'ring boy
Salutes his parent with a smiling joy:
About her neck his little arms are thrown,
And he accosts her in a pratling tone.
Then her tempestuous anger was allay'd,
And in its full career her vengeance stay'd;
While tender thoughts, in spite of passion, rise,
And melting tears disarm her threat'ning eyes.
But when she found the mother's easy heart,
Too fondly swerving from th' intended part;
Her injur'd sister's face again she view'd:
And, as by turns surveying both she stood,
While this fond boy (she said) can thus express
The moving accents of his fond address;
Why stands my sister of her tongue bereft,
Forlorn, and sad, in speechless silence left?
O Procne, see the fortune of your house!
Such is your fate, when match'd to such a spouse!
Conjugal duty, if observ'd to him,
Would change from virtue, and become a crime;
For all respect to Tereus must debase
The noble blood of great Pandion's race.

Strait at these words, with big resentment fill'd,
Furious her look, she flew, and seiz'd her child;
Like a fell tigress of the savage kind,
That drags the tender suckling of the hind
Thro' India's gloomy groves, where Ganges laves
The shady scene, and rouls his streamy waves.

Now to a close apartment they were come,
Far off retir'd within the spacious dome;
When Procne, on revengeful mischief bent,
Home to his heart a piercing ponyard sent.
Itys, with rueful cries, but all too late,
Holds out his hands, and deprecates his fate;
Still at his mother's neck he fondly aims,
And strives to melt her with endearing names;
Yet still the cruel mother perseveres,
Nor with concern his bitter anguish hears.
This might suffice; but Philomela too
Across his throat a shining curtlass drew.
Then both, with knives, dissect each quiv'ring part,
And carve the butcher'd limbs with cruel art;
Which, whelm'd in boiling cauldrons o'er the fire,
Or turn'd on spits, in steamy smoak aspire:
While the long entries, with their slipp'ry floor,
Run down in purple streams of clotted gore.

Ask'd by his wife to this inhuman feast,
Tereus unknowingly is made a guest:
Whilst she her plot the better to disguise,
Styles it some unknown mystick sacrifice;
And such the nature of the hallow'd rite,
The wife her husb and only could invite,
The slaves must all withdraw, and be debarr'd the sight.

Tereus, upon a throne of antique state,
Loftily rais'd, before the banquet sate;
And glutton like, luxuriously pleas'd,
With his own flesh his hungry maw appeas'd.
Nay, such a blindness o'er his senses falls,
That he for Itys to the table calls.
When Procne, now impatient to disclose
The joy that from her full revenge arose,
Cries out, in transports of a cruel mind,
Within your self your Itys you may find.
Still, at this puzzling answer, with surprise,
Around the room he sends his curious eyes;
And, as he still inquir'd, and call'd aloud,
Fierce Philomela, all besmear'd with blood,
Her hands with murder stain'd, her spreading hair
Hanging dishevel'd with a ghastly air,
Stept forth, and flung full in the tyrant's face
The head of Itys, goary as it was:
Nor ever so much to use her tongue,
And with a just reproach to vindicate her wrong.

The Thracian monarch from the table flings,
While with his cries the vaulted parlour rings;
His imprecations eccho down to Hell,
And rouze the snaky Furies from their Stygian cell.
One while he labours to disgorge his breast,
And free his stomach from the cursed feast;
Then, weeping o'er his lamentable doom,
He styles himself his son's sepulchral tomb.
Now, with drawn sabre, and impetuous speed,
In close pursuit he drives Pandion's breed;
Whose nimble feet spring with so swift a force
Across the fields, they seem to wing their course.
And now, on real wings themselves they raise,
And steer their airy flight by diff'rent ways;
One to the woodland's shady covert hies,
Around the smoaky roof the other flies;
Whose feathers yet the marks of murder stain,
Where stampt upon her breast, the crimson spots remain.
Tereus, through grief, and haste to be reveng'd,
Shares the like fate, and to a bird is chang'd:
Fix'd on his head, the crested plumes appear,
Long is his beak, and sharpen'd like a spear;
Thus arm'd, his looks his inward mind display,
And, to a lapwing turn'd, he fans his way.
Exceeding trouble, for his children's fate,
Shorten'd Pandion's days, and chang'd his date;
Down to the shades below, with sorrow spent,
An earlier, unexpected ghost he went.

Boreas in Love

Erechtheus next th' Athenian sceptre sway'd,
Whose rule the state with joynt consent obey'd;
So mix'd his justice with his valour flow'd,
His reign one scene of princely goodness shew'd.
Four hopeful youths, as many females bright,
Sprung from his loyns, and sooth'd him with delight.

Two of these sisters, of a lovelier air,
Excell'd the rest, tho' all the rest were fair.
Procris, to Cephalus in wedlock ty'd,
Bless'd the young silvan with a blooming bride:
For Orithyia Boreas suffer'd pain,
For the coy maid sued long, but sued in vain;
Tereus his neighbour, and his Thracian blood,
Against the match a main objection stood;
Which made his vows, and all his suppliant love,
Empty as air and ineffectual prove.

But when he found his soothing flatt'ries fail,
Nor saw his soft addresses cou'd avail;
Blust'ring with ire, he quickly has recourse
To rougher arts, and his own native force.
'Tis well, he said; such usage is my due,
When thus disguis'd by foreign ways I sue;
When my stern airs, and fierceness I disclaim,
And sigh for love, ridiculously tame;
When soft addresses foolishly I try,
Nor my own stronger remedies apply.
By force and violence I chiefly live,
By them the lowring stormy tempests drive;
In foaming billows raise the hoary deep,
Wri the knotted oaks, and sandy desarts sweep;
Congeal the falling flakes of fleecy snow,
And bruise, with ratling hall, the plains below.
I, and my brother-winds, when joyn'd above,
Thro' the waste champian of the skies we rove,
With such a boist'rous full career engage,
That Heav'n's whole concave thunders at our rage.
While, struck from nitrous clouds, fierce lightnings play,

Dart thro' the storm, and gild the gloomy day.
Or when, in subterraneous caverns pent,
My breath, against the hollow Earth, is bent,
The quaking world above, and ghosts below,
My mighty pow'r, by dear experience, know,
Tremble with fear, and dread the fatal blow.
This is the only cure to be apply'd,
Thus to Erechtheus I should be ally'd;
And thus the scornful virgin should be woo'd,
Not by intreaty, but by force subdu'd.

Boreas, in passion, spoke these huffing things,
And, as he spoke, he shook his dreadful wings;
At which, afar the shiv'ring sea was fan'd,
And the wide surface of the distant land:
His dusty mantle o'er the hills he drew,
And swept the lowly vallies, as he flew;
Then, with his yellow wings, embrac'd the maid,
And, wrapt in dusky clouds, far off convey'd.
The sparkling blaze of Love's prevailing fire
Shone brighter as he flew, and flam'd the higher.
And now the God, possess'd of his delight,
To northern Thrace pursu'd his airy flight,
Where the young ravish'd nymph became his bride,
And soon the luscious sweets of wedlock try'd.

Two lovely twins, th' effect of this embrace,
Crown their soft labours, and their nuptials grace;
Who, like their mother, beautiful, and fair,
Their father's strength, and feather'd pinions share:
Yet these, at first, were wanting, as 'tis said,
And after, as they grew, their shoulders spread.
Zethes and Calais, the pretty twins,
Remain'd unfledg'd, while smooth their beardless chins;
But when, in time, the budding silver down
Shaded their face, and on their cheeks was grown,
Two sprouting wings upon their shoulders sprung,
Like those in birds, that veil the callow young.
Then as their age advanc'd, and they began
From greener youth to ripen into man,
With Jason's Argonauts they cross'd the seas,
Embark'd in quest of the fam'd golden fleece;
There, with the rest, the first frail vessel try'd,
And boldly ventur'd on the swelling tide.

----------------------------------------------------------------------
~ Ovid, BOOK THE SIXTH

,
232:BOOK THE FOURTH

The Story of Alcithoe and her Sisters

Yet still Alcithoe perverse remains,
And Bacchus still, and all his rites, disdains.
Too rash, and madly bold, she bids him prove
Himself a God, nor owns the son of Jove.
Her sisters too unanimous agree,
Faithful associates in impiety.
Be this a solemn feast, the priest had said;
Be, with each mistress, unemploy'd each maid.
With skins of beasts your tender limbs enclose,
And with an ivy-crown adorn your brows,
The leafy Thyrsus high in triumph bear,
And give your locks to wanton in the air.

These rites profan'd, the holy seer foreshow'd
A mourning people, and a vengeful God.

Matrons and pious wives obedience show,
Distaffs, and wooll, half spun, away they throw:
Then incense burn, and, Bacchus, thee adore,
Or lov'st thou Nyseus, or Lyaeus more?
O! doubly got, O! doubly born, they sung,
Thou mighty Bromius, hail, from light'ning sprung!
Hail, Thyon, Eleleus! each name is thine:
Or, listen parent of the genial vine!
Iachus! Evan! loudly they repeat,
And not one Grecian attri bute forget,
Which to thy praise, great Deity, belong,
Stil'd justly Liber in the Roman song.
Eternity of youth is thine! enjoy
Years roul'd on years, yet still a blooming boy.
In Heav'n thou shin'st with a superior grace;
Conceal thy horns, and 'tis a virgin's face.
Thou taught'st the tawny Indian to obey,
And Ganges, smoothly flowing, own'd thy sway.
Lycurgus, Pentheus, equally profane,
By thy just vengeance equally were slain.
By thee the Tuscans, who conspir'd to keep
Thee captive, plung'd, and cut with finns the deep.
With painted reins, all-glitt'ring from afar,
The spotted lynxes proudly draw thy car.
Around, the Bacchae, and the satyrs throng;
Behind, Silenus, drunk, lags slow along:
On his dull ass he nods from side to side,
Forbears to fall, yet half forgets to ride.
Still at thy near approach, applauses loud
Are heard, with yellings of the female crowd.
Timbrels, and boxen pipes, with mingled cries,
Swell up in sounds confus'd, and rend the skies.
Come, Bacchus, come propitious, all implore,
And act thy sacred orgies o'er and o'er.

But Mineus' daughters, while these rites were pay'd,
At home, impertinently busie, stay'd.
Their wicked tasks they ply with various art,
And thro' the loom the sliding shuttle dart;
Or at the fire to comb the wooll they stand,
Or twirl the spindle with a dext'rous hand.
Guilty themselves, they force the guiltless in;
Their maids, who share the labour, share the sin.
At last one sister cries, who nimbly knew
To draw nice threads, and winde the finest clue,
While others idly rove, and Gods revere,
Their fancy'd Gods! they know not who, or where;
Let us, whom Pallas taught her better arts,
Still working, cheer with mirthful chat our hearts,
And to deceive the time, let me prevail
With each by turns to tell some antique tale.
She said: her sisters lik'd the humour well,
And smiling, bad her the first story tell.
But she a-while profoundly seem'd to muse,
Perplex'd amid variety to chuse:
And knew not, whether she should first relate
The poor Dircetis, and her wond'rous fate.
The Palestines believe it to a man,
And show the lake, in which her scales began.
Or if she rather should the daughter sing,
Who in the hoary verge of life took wing;
Who soar'd from Earth, and dwelt in tow'rs on high,
And now a dove she flits along the sky.
Or how lewd Nais, when her lust was cloy'd,
To fishes turn'd the youths, she had enjoy'd,
By pow'rful verse, and herbs; effect most strange!
At last the changer shar'd herself the change.
Or how the tree, which once white berries bore,
Still crimson bears, since stain'd with crimson gore.
The tree was new; she likes it, and begins
To tell the tale, and as she tells, she spins.

The Story of Pyramus and Thisbe

In Babylon, where first her queen, for state
Rais'd walls of brick magnificently great,
Liv'd Pyramus, and Thisbe, lovely pair!
He found no eastern youth his equal there,
And she beyond the fairest nymph was fair.
A closer neighbourhood was never known,
Tho' two the houses, yet the roof was one.
Acquaintance grew, th' acquaintance they improve
To friendship, friendship ripen'd into love:
Love had been crown'd, but impotently mad,
What parents could not hinder, they forbad.
For with fierce flames young Pyramus still burn'd,
And grateful Thisbe flames as fierce return'd.
Aloud in words their thoughts they dare not break,
But silent stand; and silent looks can speak.
The fire of love the more it is supprest,
The more it glows, and rages in the breast.

When the division-wall was built, a chink
Was left, the cement unobserv'd to shrink.
So slight the cranny, that it still had been
For centuries unclos'd, because unseen.
But oh! what thing so small, so secret lies,
Which scapes, if form'd for love, a lover's eyes?
Ev'n in this narrow chink they quickly found
A friendly passage for a trackless sound.
Safely they told their sorrows, and their joys,
In whisper'd murmurs, and a dying noise,
By turns to catch each other's breath they strove,
And suck'd in all the balmy breeze of love.
Oft as on diff'rent sides they stood, they cry'd,
Malicious wall, thus lovers to divide!
Suppose, thou should'st a-while to us give place
To lock, and fasten in a close embrace:
But if too much to grant so sweet a bliss,
Indulge at least the pleasure of a kiss.
We scorn ingratitude: to thee, we know,
This safe conveyance of our minds we owe.

Thus they their vain petition did renew
'Till night, and then they softly sigh'd adieu.
But first they strove to kiss, and that was all;
Their kisses dy'd untasted on the wall.
Soon as the morn had o'er the stars prevail'd,
And warm'd by Phoebus, flow'rs their dews exhal'd,
The lovers to their well-known place return,
Alike they suffer, and alike they mourn.
At last their parents they resolve to cheat
(If to deceive in love be call'd deceit),
To steal by night from home, and thence unknown
To seek the fields, and quit th' unfaithful town.
But, to prevent their wand'ring in the dark,
They both agree to fix upon a mark;
A mark, that could not their designs expose:
The tomb of Ninus was the mark they chose.
There they might rest secure beneath the shade,
Which boughs, with snowy fruit encumber'd, made:
A wide-spread mulberry its rise had took
Just on the margin of a gurgling brook.
Impatient for the friendly dusk they stay;
And chide the slowness of departing day;
In western seas down sunk at last the light,
From western seas up-rose the shades of night.
The loving Thisbe ev'n prevents the hour,
With cautious silence she unlocks the door,
And veils her face, and marching thro' the gloom
Swiftly arrives at th' assignation-tomb.
For still the fearful sex can fearless prove;
Boldly they act, if spirited by love.
When lo! a lioness rush'd o'er the plain,
Grimly besmear'd with blood of oxen slain:
And what to the dire sight new horrors brought,
To slake her thirst the neighb'ring spring she sought.
Which, by the moon, when trembling Thisbe spies,
Wing'd with her fear, swift, as the wind, she flies;
And in a cave recovers from her fright,
But drop'd her veil, confounded in her flight.
When sated with repeated draughts, again
The queen of beasts scour'd back along the plain,
She found the veil, and mouthing it all o'er,
With bloody jaws the lifeless prey she tore.

The youth, who could not cheat his guards so soon,
Late came, and noted by the glimm'ring moon
Some savage feet, new printed on the ground,
His cheeks turn'd pale, his limbs no vigour found;
But when, advancing on, the veil he spied
Distain'd with blood, and ghastly torn, he cried,
One night shall death to two young lovers give,
But she deserv'd unnumber'd years to live!
'Tis I am guilty, I have thee betray'd,
Who came not early, as my charming maid.
Whatever slew thee, I the cause remain,
I nam'd, and fix'd the place where thou wast slain.
Ye lions from your neighb'ring dens repair,
Pity the wretch, this impious body tear!
But cowards thus for death can idly cry;
The brave still have it in their pow'r to die.
Then to th' appointed tree he hastes away,
The veil first gather'd, tho' all rent it lay:
The veil all rent yet still it self endears,
He kist, and kissing, wash'd it with his tears.
Tho' rich (he cry'd) with many a precious stain,
Still from my blood a deeper tincture gain.
Then in his breast his shining sword he drown'd,
And fell supine, extended on the ground.
As out again the blade lie dying drew,
Out spun the blood, and streaming upwards flew.
So if a conduit-pipe e'er burst you saw,
Swift spring the gushing waters thro' the flaw:
Then spouting in a bow, they rise on high,
And a new fountain plays amid the sky.
The berries, stain'd with blood, began to show
A dark complexion, and forgot their snow;
While fatten'd with the flowing gore, the root
Was doom'd for ever to a purple fruit.

Mean-time poor Thisbe fear'd, so long she stay'd,
Her lover might suspect a perjur'd maid.
Her fright scarce o'er, she strove the youth to find
With ardent eyes, which spoke an ardent mind.
Already in his arms, she hears him sigh
At her destruction, which was once so nigh.
The tomb, the tree, but not the fruit she knew,
The fruit she doubted for its alter'd hue.
Still as she doubts, her eyes a body found
Quiv'ring in death, and gasping on the ground.
She started back, the red her cheeks forsook,
And ev'ry nerve with thrilling horrors shook.
So trembles the smooth surface of the seas,
If brush'd o'er gently with a rising breeze.
But when her view her bleeding love confest,
She shriek'd, she tore her hair, she beat her breast.
She rais'd the body, and embrac'd it round,
And bath'd with tears unfeign'd the gaping wound.
Then her warm lips to the cold face apply'd,
And is it thus, ah! thus we meet, she cry'd!
My Pyramus! whence sprung thy cruel fate?
My Pyramus!- ah! speak, ere 'tis too late.
I, thy own Thisbe, but one word implore,
One word thy Thisbe never ask'd before.
At Thisbe's name, awak'd, he open'd wide
His dying eyes; with dying eyes he try'd
On her to dwell, but clos'd them slow, and dy'd.

The fatal cause was now at last explor'd,
Her veil she knew, and saw his sheathless sword:
From thy own hand thy ruin thou hast found,
She said, but love first taught that hand to wound,
Ev'n I for thee as bold a hand can show,
And love, which shall as true direct the blow.
I will against the woman's weakness strive,
And never thee, lamented youth, survive.
The world may say, I caus'd, alas! thy death,
But saw thee breathless, and resign'd my breath.
Fate, tho' it conquers, shall no triumph gain,
Fate, that divides us, still divides in vain.

Now, both our cruel parents, hear my pray'r;
My pray'r to offer for us both I dare;
Oh! see our ashes in one urn confin'd,
Whom love at first, and fate at last has join'd.
The bliss, you envy'd, is not our request;
Lovers, when dead, may sure together rest.
Thou, tree, where now one lifeless lump is laid,
Ere-long o'er two shalt cast a friendly shade.
Still let our loves from thee be understood,
Still witness in thy purple fruit our blood.
She spoke, and in her bosom plung'd the sword,
All warm and reeking from its slaughter'd lord.
The pray'r, which dying Thisbe had preferr'd,
Both Gods, and parents, with compassion heard.
The whiteness of the mulberry soon fled,
And rip'ning, sadden'd in a dusky red:
While both their parents their lost children mourn,
And mix their ashes in one golden urn.

Thus did the melancholy tale conclude,
And a short, silent interval ensu'd.
The next in birth unloos'd her artful tongue,
And drew attentive all the sister-throng.

The Story of Leucothoe and the Sun

The Sun, the source of light, by beauty's pow'r
Once am'rous grew; then hear the Sun's amour.
Venus, and Mars, with his far-piercing eyes
This God first spy'd; this God first all things spies.
Stung at the sight, and swift on mischief bent,
To haughty Juno's shapeless son he went:
The Goddess, and her God gallant betray'd,
And told the cuckold, where their pranks were play'd.
Poor Vulcan soon desir'd to hear no more,
He drop'd his hammer, and he shook all o'er:
Then courage takes, and full of vengeful ire
He heaves the bellows, and blows fierce the fire:
From liquid brass, tho' sure, yet subtile snares
He forms, and next a wond'rous net prepares,
Drawn with such curious art, so nicely sly,
Unseen the mashes cheat the searching eye.
Not half so thin their webs the spiders weave,
Which the most wary, buzzing prey deceive.
These chains, obedient to the touch, he spread
In secret foldings o'er the conscious bed:
The conscious bed again was quickly prest
By the fond pair, in lawless raptures blest.
Mars wonder'd at his Cytherea's charms,
More fast than ever lock'd within her arms.
While Vulcan th' iv'ry doors unbarr'd with care,
Then call'd the Gods to view the sportive pair:
The Gods throng'd in, and saw in open day,
Where Mars, and beauty's queen, all naked, lay.
O! shameful sight, if shameful that we name,
Which Gods with envy view'd, and could not blame;
But, for the pleasure, wish'd to bear the shame.
Each Deity, with laughter tir'd, departs,
Yet all still laugh'd at Vulcan in their hearts.

Thro' Heav'n the news of this surprizal run,
But Venus did not thus forget the Sun.
He, who stol'n transports idly had betray'd,
By a betrayer was in kind repay'd.
What now avails, great God, thy piercing blaze,
That youth, and beauty, and those golden rays?
Thou, who can'st warm this universe alone,
Feel'st now a warmth more pow'rful than thy own:
And those bright eyes, which all things should survey,
Know not from fair Leucothoe to stray.
The lamp of light, for human good design'd,
Is to one virgin niggardly confin'd.
Sometimes too early rise thy eastern beams,
Sometimes too late they set in western streams:
'Tis then her beauty thy swift course delays,
And gives to winter skies long summer days.
Now in thy face thy love-sick mind appears,
And spreads thro' impious nations empty fears:
For when thy beamless head is wrapt in night,
Poor mortals tremble in despair of light.
'Tis not the moon, that o'er thee casts a veil
'Tis love alone, which makes thy looks so pale.
Leucothoe is grown thy only care,
Not Phaeton's fair mother now is fair.
The youthful Rhodos moves no tender thought,
And beauteous Porsa is at last forgot.
Fond Clytie, scorn'd, yet lov'd, and sought thy bed,
Ev'n then thy heart for other virgins bled.
Leucothoe has all thy soul possest,
And chas'd each rival passion from thy breast.
To this bright nymph Eurynome gave birth
In the blest confines of the spicy Earth.
Excelling others, she herself beheld
By her own blooming daughter far excell'd.
The sire was Orchamus, whose vast command,
The sev'nth from Belus, rul'd the Persian Land.

Deep in cool vales, beneath th' Hesperian sky,
For the Sun's fiery steeds the pastures lye.
Ambrosia there they eat, and thence they gain
New vigour, and their daily toils sustain.
While thus on heav'nly food the coursers fed,
And night, around, her gloomy empire spread,
The God assum'd the mother's shape and air,
And pass'd, unheeded, to his darling fair.
Close by a lamp, with maids encompass'd round,
The royal spinster, full employ'd, he found:
Then cry'd, A-while from work, my daughter, rest;
And, like a mother, scarce her lips he prest.
Servants retire!- nor secrets dare to hear,
Intrusted only to a daughter's ear.
They swift obey'd: not one, suspicious, thought
The secret, which their mistress would be taught.
Then he: since now no witnesses are near,
Behold! the God, who guides the various year!
The world's vast eye, of light the source serene,
Who all things sees, by whom are all things seen.
Believe me, nymph! (for I the truth have show'd)
Thy charms have pow'r to charm so great a God.
Confus'd, she heard him his soft passion tell,
And on the floor, untwirl'd, the spindle fell:
Still from the sweet confusion some new grace
Blush'd out by stealth, and languish'd in her face.
The lover, now inflam'd, himself put on,
And out at once the God, all-radiant, shone.
The virgin startled at his alter'd form,
Too weak to bear a God's impetuous storm:
No more against the dazling youth she strove,
But silent yielded, and indulg'd his love.

This Clytie knew, and knew she was undone,
Whose soul was fix'd, and doated on the Sun.
She rag'd to think on her neglected charms,
And Phoebus, panting in another's arms.
With envious madness fir'd, she flies in haste,
And tells the king, his daughter was unchaste.
The king, incens'd to hear his honour stain'd,
No more the father nor the man retain'd.
In vain she stretch'd her arms, and turn'd her eyes
To her lov'd God, th' enlightner of the skies.
In vain she own'd it was a crime, yet still
It was a crime not acted by her will.
The brutal sire stood deaf to ev'ry pray'r,
And deep in Earth entomb'd alive the fair.
What Phoebus could do, was by Phoebus done:
Full on her grave with pointed beams he shone:
To pointed beams the gaping Earth gave way;
Had the nymph eyes, her eyes had seen the day,
But lifeless now, yet lovely still, she lay.
Not more the God wept, when the world was fir'd,
And in the wreck his blooming boy expir'd.
The vital flame he strives to light again,
And warm the frozen blood in ev'ry vein:
But since resistless Fates deny'd that pow'r,
On the cold nymph he rain'd a nectar show'r.
Ah! undeserving thus (he said) to die,
Yet still in odours thou shalt reach the sky.
The body soon dissolv'd, and all around
Perfum'd with heav'nly fragrancies the ground,
A sacrifice for Gods up-rose from thence,
A sweet, delightful tree of frankincense.

The Transformation of Clytie

Tho' guilty Clytie thus the sun betray'd,
By too much passion she was guilty made.
Excess of love begot excess of grief,
Grief fondly bad her hence to hope relief.
But angry Phoebus hears, unmov'd, her sighs,
And scornful from her loath'd embraces flies.
All day, all night, in trackless wilds, alone
She pin'd, and taught the list'ning rocks her moan.
On the bare earth she lies, her bosom bare,
Loose her attire, dishevel'd is her hair.
Nine times the morn unbarr'd the gates of light,
As oft were spread th' alternate shades of night,
So long no sustenance the mourner knew,
Unless she drunk her tears, or suck'd the dew.
She turn'd about, but rose not from the ground,
Turn'd to the Sun, still as he roul'd his round:
On his bright face hung her desiring eyes,
'Till fix'd to Earth, she strove in vain to rise.
Her looks their paleness in a flow'r retain'd,
But here, and there, some purple streaks they gain'd.
Still the lov'd object the fond leafs pursue,
Still move their root, the moving Sun to view,
And in the Heliotrope the nymph is true.

The sisters heard these wonders with surprise,
But part receiv'd them as romantick lies;
And pertly rally'd, that they could not see
In Pow'rs divine so vast an energy.
Part own'd, true Gods such miracles might do,
But own'd not Bacchus, one among the true.
At last a common, just request they make,
And beg Alcithoe her turn to take.
I will (she said) and please you, if I can.
Then shot her shuttle swift, and thus began.

The fate of Daphnis is a fate too known,
Whom an enamour'd nymph transform'd to stone,
Because she fear'd another nymph might see
The lovely youth, and love as much as she:
So strange the madness is of jealousie!
Nor shall I tell, what changes Scython made,
And how he walk'd a man, or tripp'd a maid.
You too would peevish frown, and patience want
To hear, how Celmis grew an adamant.
He once was dear to Jove, and saw of old
Jove, when a child; but what he saw, he told.
Crocus, and Smilax may be turn'd to flow'rs,
And the Curetes spring from bounteous show'rs;
I pass a hundred legends stale, as these,
And with sweet novelty your taste will please.

The Story of Salmacis and Hermaphroditus

How Salmacis, with weak enfeebling streams
Softens the body, and unnerves the limbs,
And what the secret cause, shall here be shown;
The cause is secret, but th' effect is known.

The Naids nurst an infant heretofore,
That Cytherea once to Hermes bore:
From both th' illustrious authors of his race
The child was nam'd, nor was it hard to trace
Both the bright parents thro' the infant's face.
When fifteen years in Ida's cool retreat
The boy had told, he left his native seat,
And sought fresh fountains in a foreign soil:
The pleasure lessen'd the attending toil,
With eager steps the Lycian fields he crost,
A river here he view'd so lovely bright,
It shew'd the bottom in a fairer light,
Nor kept a sand conceal'd from human sight.
The stream produc'd nor slimy ooze, nor weeds,
Nor miry rushes, nor the spiky reeds;
But dealt enriching moisture all around,
The fruitful banks with chearful verdure crown'd,
And kept the spring eternal on the ground.
A nymph presides, not practis'd in the chace,
Nor skilful at the bow, nor at the race;
Of all the blue-ey'd daughters of the main,
The only stranger to Diana's train:
Her sisters often, as 'tis said, wou'd cry,
"Fie Salmacis: what, always idle! fie.
Or take thy quiver, or thy arrows seize,
And mix the toils of hunting with thy ease."
Nor quiver she nor arrows e'er wou'd seize,
Nor mix the toils of hunting with her ease.
But oft would ba the her in the chrystal tide,
Oft with a comb her dewy locks divide;
Now in the limpid streams she views her face,
And drest her image in the floating glass:
On beds of leaves she now repos'd her limbs,
Now gather'd flow'rs that grew about her streams,
And then by chance was gathering, as he stood
To view the boy, and long'd for what she view'd.

Fain wou'd she meet the youth with hasty feet,
She fain wou'd meet him, but refus'd to meet
Before her looks were set with nicest care,
And well deserv'd to be reputed fair.
"Bright youth," she cries, "whom all thy features prove
A God, and, if a God, the God of love;
But if a mortal, blest thy nurse's breast,
Blest are thy parents, and thy sisters blest:
But oh how blest! how more than blest thy bride,
Ally'd in bliss, if any yet ally'd.
If so, let mine the stoln enjoyments be;
If not, behold a willing bride in me."

The boy knew nought of love, and toucht with shame,
He strove, and blusht, but still the blush became:
In rising blushes still fresh beauties rose;
The sunny side of fruit such blushes shows,
And such the moon, when all her silver white
Turns in eclipses to a ruddy light.
The nymph still begs, if not a nobler bliss,
A cold salute at least, a sister's kiss:
And now prepares to take the lovely boy
Between her arms. He, innocently coy,
Replies, "Or leave me to my self alone,
You rude uncivil nymph, or I'll be gone."
"Fair stranger then," says she, "it shall be so";
And, for she fear'd his threats, she feign'd to go:
But hid within a covert's neighbouring green,
She kept him still in sight, herself unseen.
The boy now fancies all the danger o'er,
And innocently sports about the shore,
Playful and wanton to the stream he trips,
And dips his foot, and shivers as he dips.
The coolness pleas'd him, and with eager haste
His airy garments on the banks he cast;
His godlike features, and his heav'nly hue,
And all his beauties were expos'd to view.
His naked limbs the nymph with rapture spies,
While hotter passions in her bosom rise,
Flush in her cheeks, and sparkle in her eyes.
She longs, she burns to clasp him in her arms,
And looks, and sighs, and kindles at his charms.

Now all undrest upon the banks he stood,
And clapt his sides, and leapt into the flood:
His lovely limbs the silver waves divide,
His limbs appear more lovely through the tide;
As lillies shut within a chrystal case,
Receive a glossy lustre from the glass.
He's mine, he's all my own, the Naid cries,
And flings off all, and after him she flies.
And now she fastens on him as he swims,
And holds him close, and wraps about his limbs.
The more the boy resisted, and was coy,
The more she clipt, and kist the strugling boy.
So when the wrigling snake is snatcht on high
In Eagle's claws, and hisses in the sky,
Around the foe his twirling tail he flings,
And twists her legs, and wriths about her wings.

The restless boy still obstinately strove
To free himself, and still refus'd her love.
Amidst his limbs she kept her limbs intwin'd,
"And why, coy youth," she cries, "why thus unkind!
Oh may the Gods thus keep us ever join'd!
Oh may we never, never part again!"

So pray'd the nymph, nor did she pray in vain:
For now she finds him, as his limbs she prest,
Grow nearer still, and nearer to her breast;
'Till, piercing each the other's flesh, they run
Together, and incorporate in one:
Last in one face are both their faces join'd,
As when the stock and grafted twig combin'd
Shoot up the same, and wear a common rind:
Both bodies in a single body mix,
A single body with a double sex.

The boy, thus lost in woman, now survey'd
The river's guilty stream, and thus he pray'd.
(He pray'd, but wonder'd at his softer tone,
Surpriz'd to hear a voice but half his own.)
You parent-Gods, whose heav'nly names I bear,
Hear your Hermaphrodite, and grant my pray'r;
Oh grant, that whomsoe'er these streams contain,
If man he enter'd, he may rise again
Supple, unsinew'd, and but half a man!

The heav'nly parents answer'd from on high,
Their two-shap'd son, the double votary
Then gave a secret virtue to the flood,
And ting'd its source to make his wishes good.

Alcithoe and her Sisters transform'd to Bats

But Mineus' daughters still their tasks pursue,
To wickedness most obstinately true:
At Bacchus still they laugh, when all around,
Unseen, the timbrels hoarse were heard to sound.
Saffron and myrrh their fragrant odours shed,
And now the present deity they dread.
Strange to relate! Here ivy first was seen,
Along the distaff crept the wond'rous green.
Then sudden-springing vines began to bloom,
And the soft tendrils curl'd around the loom:
While purple clusters, dangling from on high,
Ting'd the wrought purple with a second die.

Now from the skies was shot a doubtful light,
The day declining to the bounds of night.
The fabrick's firm foundations shake all o'er,
False tigers rage, and figur'd lions roar.
Torches, aloft, seem blazing in the air,
And angry flashes of red light'nings glare.
To dark recesses, the dire sight to shun,
Swift the pale sisters in confusion run.
Their arms were lost in pinions, as they fled,
And subtle films each slender limb o'er-spread.
Their alter'd forms their senses soon reveal'd;
Their forms, how alter'd, darkness still conceal'd.
Close to the roof each, wond'ring, upwards springs,
Born on unknown, transparent, plumeless wings.
They strove for words; their little bodies found
No words, but murmur'd in a fainting sound.
In towns, not woods, the sooty bats delight,
And, never, 'till the dusk, begin their flight;
'Till Vesper rises with his ev'ning flame;
From whom the Romans have deriv'd their name.

The Transformation of Ino and Melicerta to Sea-Gods

The pow'r of Bacchus now o'er Thebes had flown:
With awful rev'rence soon the God they own.
Proud Ino, all around the wonder tells,
And on her nephew deity still dwells.
Of num'rous sisters, she alone yet knew
No grief, but grief, which she from sisters drew.

Imperial Juno saw her with disdain,
Vain in her offspring, in her consort vain,
Who rul'd the trembling Thebans with a nod,
But saw her vainest in her foster-God.
Could then (she cry'd) a bastard-boy have pow'r
To make a mother her own son devour?
Could he the Tuscan crew to fishes change,
And now three sisters damn to forms so strange?
Yet shall the wife of Jove find no relief?
Shall she, still unreveng'd, disclose her grief?
Have I the mighty freedom to complain?
Is that my pow'r? is that to ease my pain?
A foe has taught me vengeance; and who ought
To scorn that vengeance, which a foe has taught?
What sure destruction frantick rage can throw,
The gaping wounds of slaughter'd Pentheus show.
Why should not Ino, fir'd with madness, stray,
Like her mad sisters her own kindred slay?
Why, she not follow, where they lead the way?

Down a steep, yawning cave, where yews display'd
In arches meet, and lend a baleful shade,
Thro' silent labyrinths a passage lies
To mournful regions, and infernal skies.
Here Styx exhales its noisome clouds, and here,
The fun'ral rites once paid, all souls appear.
Stiff cold, and horror with a ghastly face
And staring eyes, infest the dreary place.
Ghosts, new-arriv'd, and strangers to these plains,
Know not the palace, where grim Pluto reigns.
They journey doubtful, nor the road can tell,
Which leads to the metropolis of Hell.
A thousand avenues those tow'rs command,
A thousand gates for ever open stand.
As all the rivers, disembogu'd, find room
For all their waters in old Ocean's womb:
So this vast city worlds of shades receives,
And space for millions still of worlds she leaves.
Th' unbody'd spectres freely rove, and show
Whate'er they lov'd on Earth, they love below.
The lawyers still, or right, or wrong, support,
The courtiers smoothly glide to Pluto's court.
Still airy heroes thoughts of glory fire,
Still the dead poet strings his deathless lyre,
And lovers still with fancy'd darts expire.

The Queen of Heaven, to gratify her hate,
And sooth immortal wrath, forgets her state.
Down from the realms of day, to realms of night,
The Goddess swift precipitates her flight.
At Hell arriv'd, the noise Hell's porter heard,
Th' enormous dog his triple head up-rear'd:
Thrice from three grizly throats he howl'd profound,
Then suppliant couch'd, and stretch'd along the ground.
The trembling threshold, which Saturnia prest,
The weight of such divinity confest.

Before a lofty, adamantine gate,
Which clos'd a tow'r of brass, the Furies sate:
Mis-shapen forms, tremendous to the sight,
Th' implacable foul daughters of the night.
A sounding whip each bloody sister shakes,
Or from her tresses combs the curling snakes.
But now great Juno's majesty was known;
Thro' the thick gloom, all heav'nly bright, she shone:
The hideous monsters their obedience show'd,
And rising from their seats, submissive bow'd.

This is the place of woe, here groan the dead;
Huge Tityus o'er nine acres here is spread.
Fruitful for pain th' immortal liver breeds,
Still grows, and still th' insatiate vulture feeds.
Poor Tantalus to taste the water tries,
But from his lips the faithless water flies:
Then thinks the bending tree he can command,
The tree starts backwards, and eludes his hand.
The labour too of Sisyphus is vain,
Up the steep mount he heaves the stone with pain,
Down from the summet rouls the stone again.
The Belides their leaky vessels still
Are ever filling, and yet never fill:
Doom'd to this punishment for blood they shed,
For bridegrooms slaughter'd in the bridal bed.
Stretch'd on the rolling wheel Ixion lies;
Himself he follows, and himself he flies.
Ixion, tortur'd, Juno sternly ey'd,
Then turn'd, and toiling Sisyphus espy'd:
And why (she said) so wretched is the fate
Of him, whose brother proudly reigns in state?
Yet still my altars unador'd have been
By Athamas, and his presumptuous queen.

What caus'd her hate, the Goddess thus confest,
What caus'd her journey now was more than guest.
That hate, relentless, its revenge did want,
And that revenge the Furies soon could grant:
They could the glory of proud Thebes efface,
And hide in ruin the Cadmean race.
For this she largely promises, entreats,
And to intreaties adds imperial threats.

Then fell Tisiphone with rage was stung,
And from her mouth th' untwisted serpents flung.
To gain this trifling boon, there is no need
(She cry'd) in formal speeches to proceed.
Whatever thou command'st to do, is done;
Believe it finish'd, tho' not yet begun.
But from these melancholly seats repair
To happier mansions, and to purer air.
She spoke: the Goddess, darting upwards, flies,
And joyous re-ascends her native skies:
Nor enter'd there, till 'round her Iris threw
Ambrosial sweets, and pour'd celestial dew.

The faithful Fury, guiltless of delays,
With cruel haste the dire comm and obeys.
Girt in a bloody gown, a torch she shakes,
And round her neck twines speckled wreaths of snakes.
Fear, and dismay, and agonizing pain,
With frantick rage, compleat her loveless train.
To Thebes her flight she sped, and Hell forsook;
At her approach the Theban turrets shook:
The sun shrunk back, thick clouds the day o'er-cast,
And springing greens were wither'd as she past.

Now, dismal yellings heard, strange spectres seen,
Confound as much the monarch as the queen.
In vain to quit the palace they prepar'd,
Tisiphone was there, and kept the ward.
She wide extended her unfriendly arms,
And all the Fury lavish'd all her harms.
Part of her tresses loudly hiss, and part
Spread poyson, as their forky tongues they dart.
Then from her middle locks two snakes she drew,
Whose merit from superior mischief grew:
Th' envenom'd ruin, thrown with spiteful care,
Clung to the bosoms of the hapless pair.
The hapless pair soon with wild thoughts were fir'd,
And madness, by a thousand ways inspir'd.
'Tis true, th' unwounded body still was sound,
But 'twas the soul which felt the deadly wound.
Nor did th' unsated monster here give o'er,
But dealt of plagues a fresh, unnumber'd store.
Each baneful juice too well she understood,
Foam, churn'd by Cerberus, and Hydra's blood.
Hot hemlock, and cold aconite she chose,
Delighted in variety of woes.
Whatever can untune th' harmonious soul,
And its mild, reas'ning faculties controul,
Give false ideas, raise desires profane,
And whirl in eddies the tumultuous brain,
Mix'd with curs'd art, she direfully around
Thro' all their nerves diffus'd the sad compound.
Then toss'd her torch in circles still the same,
Improv'd their rage, and added flame to flame.
The grinning Fury her own conquest spy'd,
And to her rueful shades return'd with pride,
And threw th' exhausted, useless snakes aside.

Now Athamas cries out, his reason fled,
Here, fellow-hunters, let the toils be spread.
I saw a lioness, in quest of food,
With her two young, run roaring in this wood.
Again the fancy'd savages were seen,
As thro' his palace still he chac'd his queen;
Then tore Learchus from her breast: the child
Stretch'd little arms, and on its father smil'd:
A father now no more, who now begun
Around his head to whirl his giddy son,
And, quite insensible to Nature's call,
The helpless infant flung against the wall.
The same mad poyson in the mother wrought,
Young Melicerta in her arms she caught,
And with disorder'd tresses, howling, flies,
O! Bacchus, Evoe, Bacchus! loud she cries.
The name of Bacchus Juno laugh'd to hear,
And said, Thy foster-God has cost thee dear.

A rock there stood, whose side the beating waves
Had long consum'd, and hollow'd into caves.
The head shot forwards in a bending steep,
And cast a dreadful covert o'er the deep.
The wretched Ino, on destruction bent,
Climb'd up the cliff; such strength her fury lent:
Thence with her guiltless boy, who wept in vain,
At one bold spring she plung'd into the main.

Her neice's fate touch'd Cytherea's breast,
And in soft sounds she Neptune thus addrest:
Great God of waters, whose extended sway
Is next to his, whom Heav'n and Earth obey:
Let not the suit of Venus thee displease,
Pity the floaters on th' Ionian seas.
Encrease thy Subject-Gods, nor yet disdain
To add my kindred to that glorious train.
If from the sea I may such honours claim,
If 'tis desert, that from the sea I came,
As Grecian poets artfully have sung,
And in the name confest, from whence I sprung.

Pleas'd Neptune nodded his assent, and free
Both soon became from frail mortality.
He gave them form, and majesty divine,
And bad them glide along the foamy brine.
For Melicerta is Palaemon known,
And Ino once, Leucothoe is grown.

The Transformation of the Theban Matrons

The Theban matrons their lov'd queen pursu'd,
And tracing to the rock, her footsteps view'd.
Too certain of her fate, they rend the skies
With piteous shrieks, and lamentable cries.
All beat their breasts, and Juno all upbraid,
Who still remember'd a deluded maid:
Who, still revengeful for one stol'n embrace,
Thus wreak'd her hate on the Cadmean race.
This Juno heard: And shall such elfs, she cry'd,
Dispute my justice, or my pow'r deride?
You too shall feel my wrath not idly spent;
A Goddess never for insults was meant.

She, who lov'd most, and who most lov'd had been,
Said, Not the waves shall part me from my queen.
She strove to plunge into the roaring flood;
Fix'd to the stone, a stone her self she stood.
This, on her breast would fain her blows repeat,
Her stiffen'd hands refus'd her breast to beat.
That, stretch'd her arms unto the seas; in vain
Her arms she labour'd to unstretch again.
To tear her comely locks another try'd,
Both comely locks, and fingers petryfi'd.
Part thus; but Juno with a softer mind
Part doom'd to mix among the feather'd kind.
Transform'd, the name of Theban birds they keep,
And skim the surface of that fatal deep.

Cadmus and his Queen transform'd to Serpents

Mean-time, the wretched Cadmus mourns, nor knows,
That they who mortal fell, immortal rose.
With a long series of new ills opprest,
He droops, and all the man forsakes his breast.
Strange prodigies confound his frighted eyes;
From the fair city, which he rais'd, he flies:
As if misfortune not pursu'd his race,
But only hung o'er that devoted place.
Resolv'd by sea to seek some distant land,
At last he safely gain'd th' Illyrian strand.
Chearless himself, his consort still he chears,
Hoary, and loaden'd both with woes and years.
Then to recount past sorrows they begin,
And trace them to the gloomy origin.
That serpent sure was hallow'd, Cadmus cry'd,
Which once my spear transfix'd with foolish pride;
When the big teeth, a seed before unknown,
By me along the wond'ring glebe were sown,
And sprouting armies by themselves o'erthrown.
If thence the wrath of Heav'n on me is bent,
May Heav'n conclude it with one sad event;
To an extended serpent change the man:
And while he spoke, the wish'd-for change began.
His skin with sea-green spots was vary'd 'round,
And on his belly prone he prest the ground.
He glitter'd soon with many a golden scale,
And his shrunk legs clos'd in a spiry tail.
Arms yet remain'd, remaining arms he spread
To his lov'd wife, and human tears yet shed.
Come, my Harmonia, come, thy face recline
Down to my face; still touch, what still is mine.
O! let these hands, while hands, be gently prest,
While yet the serpent has not all possest.
More he had spoke, but strove to speak in vain,
The forky tongue refus'd to tell his pain,
And learn'd in hissings only to complain.

Then shriek'd Harmonia, Stay, my Cadmus, stay,
Glide not in such a monstrous shape away!
Destruction, like impetuous waves, rouls on.
Where are thy feet, thy legs, thy shoulders gone?
Chang'd is thy visage, chang'd is all thy frame;
Cadmus is only Cadmus now in name.
Ye Gods, my Cadmus to himself restore,
Or me like him transform; I ask no more.

The husband-serpent show'd he still had thought,
With wonted fondness an embrace he sought;
Play'd 'round her neck in many a harmless twist,
And lick'd that bosom, which, a man, he kist.
The lookers-on (for lookers-on there were)
Shock'd at the sight, half-dy'd away with fear.
The transformation was again renew'd,
And, like the husband, chang'd the wife they view'd.
Both, serpents now, with fold involv'd in fold,
To the next covert amicably roul'd.
There curl'd they lie, or wave along the green,
Fearless see men, by men are fearless seen,
Still mild, and conscious what they once have been.

The Story of Perseus

Yet tho' this harsh, inglorious fate they found,
Each in the deathless grandson liv'd renown'd.
Thro' conquer'd India Bacchus nobly rode,
And Greece with temples hail'd the conqu'ring God.
In Argos only proud Acrisius reign'd,
Who all the consecrated rites profan'd.
Audacious wretch! thus Bacchus to deny,
And the great Thunderer's great son defie!
Nor him alone: thy daughter vainly strove,
Brave Perseus of celestial stem to prove,
And her self pregnant by a golden Jove.
Yet this was true, and truth in time prevails;
Acrisius now his unbelief bewails.
His former thought, an impious thought he found,
And both the heroe, and the God were own'd.
He saw, already one in Heav'n was plac'd,
And one with more than mortal triumphs grac'd,
The victor Perseus with the Gorgon-head,
O'er Libyan sands his airy journey sped.
The gory drops distill'd, as swift he flew,
And from each drop envenom'd serpents grew,
The mischiefs brooded on the barren plains,
And still th' unhappy fruitfulness remains.

Atlas transform'd to a Mountain

Thence Perseus, like a cloud, by storms was driv'n,
Thro' all th' expanse beneath the cope of Heaven.
The jarring winds unable to controul,
He saw the southern, and the northern pole:
And eastward thrice, and westward thrice was whirl'd,
And from the skies survey'd the nether world.
But when grey ev'ning show'd the verge of night,
He fear'd in darkness to pursue his flight.
He pois'd his pinions, and forgot to soar,
And sinking, clos'd them on th' Hesperian shore:
Then beg'd to rest, 'till Lucifer begun
To wake the morn, the morn to wake the sun.

Here Atlas reign'd, of more than human size,
And in his kingdom the world's limit lies.
Here Titan bids his weary'd coursers sleep,
And cools the burning axle in the deep.
The mighty monarch, uncontrol'd, alone,
His sceptre sways: no neighb'ring states are known.
A thousand flocks on shady mountains fed,
A thousand herds o'er grassy plains were spread.
Here wond'rous trees their shining stores unfold,
Their shining stores too wond'rous to be told,
Their leafs, their branches, and their apples, gold.
Then Perseus the gigantick prince addrest,
Humbly implor'd a hospitable rest.
If bold exploits thy admiration fire,
He said, I fancy, mine thou wilt admire.
Or if the glory of a race can move,
Not mean my glory, for I spring from Jove.
At this confession Atlas ghastly star'd,
Mindful of what an oracle declar'd,
That the dark womb of Time conceal'd a day,
Which should, disclos'd, the bloomy gold betray:
All should at once be ravish'd from his eyes,
And Jove's own progeny enjoy the prize.
For this, the fruit he loftily immur'd,
And a fierce dragon the strait pass secur'd.
For this, all strangers he forbad to land,
And drove them from th' inhospitable strand.
To Perseus then: Fly quickly, fly this coast,
Nor falsly dare thy acts and race to boast.
In vain the heroe for one night entreats,
Threat'ning he storms, and next adds force to threats.
By strength not Perseus could himself defend,
For who in strength with Atlas could contend?
But since short rest to me thou wilt not give,
A gift of endless rest from me receive,
He said, and backward turn'd, no more conceal'd
The present, and Medusa's head reveal'd.
Soon the high Atlas a high mountain stood,
His locks, and beard became a leafy wood.
His hands, and shoulders, into ridges went,
The summit-head still crown'd the steep ascent.
His bones a solid, rocky hardness gain'd:
He, thus immensely grown (as fate ordain'd),
The stars, the Heav'ns, and all the Gods sustain'd.

Andromeda rescu'd from the Sea Monster

Now Aeolus had with strong chains confin'd,
And deep imprison'd e'vry blust'ring wind,
The rising Phospher with a purple light
Did sluggish mortals to new toils invite.
His feet again the valiant Perseus plumes,
And his keen sabre in his hand resumes:
Then nobly spurns the ground, and upwards springs,
And cuts the liquid air with sounding wings.
O'er various seas, and various lands he past,
'Till Aethiopia's shore appear'd at last.
Andromeda was there, doom'd to attone
By her own ruin follies not her own:
And if injustice in a God can be,
Such was the Libyan God's unjust decree.
Chain'd to a rock she stood; young Perseus stay'd
His rapid flight, to view the beauteous maid.
So sweet her frame, so exquisitely fine,
She seem'd a statue by a hand divine,
Had not the wind her waving tresses show'd,
And down her cheeks the melting sorrows flow'd.
Her faultless form the heroe's bosom fires;
The more he looks, the more he still admires.
Th' admirer almost had forgot to fly,
And swift descended, flutt'ring from on high.
O! Virgin, worthy no such chains to prove,
But pleasing chains in the soft folds of love;
Thy country, and thy name (he said) disclose,
And give a true rehearsal of thy woes.

A quick reply her bashfulness refus'd,
To the free converse of a man unus'd.
Her rising blushes had concealment found
From her spread hands, but that her hands were bound.
She acted to her full extent of pow'r,
And bath'd her face with a fresh, silent show'r.
But by degrees in innocence grown bold,
Her name, her country, and her birth she told:
And how she suffer'd for her mother's pride,
Who with the Nereids once in beauty vy'd.
Part yet untold, the seas began to roar,
And mounting billows tumbled to the shore.
Above the waves a monster rais'd his head,
His body o'er the deep was widely spread:
Onward he flounc'd; aloud the virgin cries;
Each parent to her shrieks in shrieks replies:
But she had deepest cause to rend the skies.
Weeping, to her they cling; no sign appears
Of help, they only lend their helpless tears.
Too long you vent your sorrows, Perseus said,
Short is the hour, and swift the time of aid,
In me the son of thund'ring Jove behold,
Got in a kindly show'r of fruitful gold.
Medusa's snaky head is now my prey,
And thro' the clouds I boldly wing my way.
If such desert be worthy of esteem,
And, if your daughter I from death redeem,
Shall she be mine? Shall it not then be thought,
A bride, so lovely, was too cheaply bought?
For her my arms I willingly employ,
If I may beauties, which I save, enjoy.
The parents eagerly the terms embrace:
For who would slight such terms in such a case?
Nor her alone they promise, but beside,
The dowry of a kingdom with the bride.

As well-rigg'd gallies, which slaves, sweating, row,
With their sharp beaks the whiten'd ocean plough;
So when the monster mov'd, still at his back
The furrow'd waters left a foamy track.
Now to the rock he was advanc'd so nigh,
Whirl'd from a sling a stone the space would fly.
Then bounding, upwards the brave Perseus sprung,
And in mid air on hov'ring pinions hung.
His shadow quickly floated on the main;
The monster could not his wild rage restrain,
But at the floating shadow leap'd in vain.
As when Jove's bird, a speckl'd serpent spies,
Which in the shine of Phoebus basking lies,
Unseen, he souses down, and bears away,
Truss'd from behind, the vainly-hissing prey.
To writh his neck the labour nought avails,
Too deep th' imperial talons pierce his scales.
Thus the wing'd heroe now descends, now soars,
And at his pleasure the vast monster gores.
Full in his back, swift stooping from above,
The crooked sabre to its hilt he drove.
The monster rag'd, impatient of the pain,
First bounded high, and then sunk low again.
Now, like a savage boar, when chaf'd with wounds,
And bay'd with opening mouths of hungry hounds,
He on the foe turns with collected might,
Who still eludes him with an airy flight;
And wheeling round, the scaly armour tries
Of his thick sides; his thinner tall now plies:
'Till from repeated strokes out gush'd a flood,
And the waves redden'd with the streaming blood.
At last the dropping wings, befoam'd all o'er,
With flaggy heaviness their master bore:
A rock he spy'd, whose humble head was low,
Bare at an ebb, but cover'd at a flow.
A ridgy hold, he, thither flying, gain'd,
And with one hand his bending weight sustain'd;
With th' other, vig'rous blows he dealt around,
And the home-thrusts the expiring monster own'd.
In deaf'ning shouts the glad applauses rise,
And peal on peal runs ratling thro' the skies.
The saviour-youth the royal pair confess,
And with heav'd hands their daughter's bridegroom bless.

The beauteous bride moves on, now loos'd from chains,
The cause, and sweet reward of all the heroe's pains,

Mean-time, on shore triumphant Perseus stood,
And purg'd his hands, smear'd with the monster's blood:
Then in the windings of a sandy bed
Compos'd Medusa's execrable head.
But to prevent the roughness, leafs he threw,
And young, green twigs, which soft in waters grew,
There soft, and full of sap; but here, when lay'd,
Touch'd by the head, that softness soon decay'd.
The wonted flexibility quite gone,
The tender scyons harden'd into stone.
Fresh, juicy twigs, surpriz'd, the Nereids brought,
Fresh, juicy twigs the same contagion caught.
The nymphs the petrifying seeds still keep,
And propagate the wonder thro' the deep.
The pliant sprays of coral yet declare
Their stiff'ning Nature, when expos'd to air.
Those sprays, which did, like bending osiers, move,
Snatch'd from their element, obdurate prove,
And shrubs beneath the waves, grow stones above.

The great immortals grateful Perseus prais'd,
And to three Pow'rs three turfy altars rais'd.
To Hermes this; and that he did assign
To Pallas: the mid honours, Jove, were thine,
He hastes for Pallas a white cow to cull,
A calf for Hermes, but for Jove a bull.
Then seiz'd the prize of his victorious fight,
Andromeda, and claim'd the nuptial rite.
Andromeda alone he greatly sought,
The dowry kingdom was not worth his thought.

Pleas'd Hymen now his golden torch displays;
With rich oblations fragrant altars blaze,
Sweet wreaths of choicest flow'rs are hung on high,
And cloudless pleasure smiles in ev'ry eye.
The melting musick melting thoughts inspires,
And warbling songsters aid the warbling lyres.
The palace opens wide in pompous state,
And by his peers surrounded, Cepheus sate.
A feast was serv'd, fit for a king to give,
And fit for God-like heroes to receive.
The banquet ended, the gay, chearful bowl
Mov'd round, and brighten'd, and enlarg'd each soul.
Then Perseus ask'd, what customs there obtain'd,
And by what laws the people were restrain'd.
Which told; the teller a like freedom takes,
And to the warrior his petition makes,
To know, what arts had won Medusa's snakes.

The Story of Medusa's Head

The heroe with his just request complies,
Shows, how a vale beneath cold Atlas lies,
Where, with aspiring mountains fenc'd around,
He the two daughters of old Phorcus found.
Fate had one common eye to both assign'd,
Each saw by turns, and each by turns was blind.
But while one strove to lend her sister sight,
He stretch'd his hand, and stole their mutual light,
And left both eyeless, both involv'd in night.
Thro' devious wilds, and trackless woods he past,
And at the Gorgon-seats arriv'd at last:
But as he journey'd, pensive he survey'd,
What wasteful havock dire Medusa made.
Here, stood still breathing statues, men before;
There, rampant lions seem'd in stone to roar.
Nor did he, yet affrighted, quit the field,
But in the mirror of his polish'd shield
Reflected saw Medusa slumbers take,
And not one serpent by good chance awake.
Then backward an unerring blow he sped,
And from her body lop'd at once her head.
The gore prolifick prov'd; with sudden force
Sprung Pegasus, and wing'd his airy course.

The Heav'n-born warrior faithfully went on,
And told the num'rous dangers which he run.
What subject seas, what lands he had in view,
And nigh what stars th' advent'rous heroe flew.
At last he silent sate; the list'ning throng
Sigh'd at the pause of his delightful tongue.
Some beg'd to know, why this alone should wear,
Of all the sisters, such destructive hair.

Great Perseus then: With me you shall prevail,
Worth the relation, to relate a tale.
Medusa once had charms; to gain her love
A rival crowd of envious lovers strove.
They, who have seen her, own, they ne'er did trace
More moving features in a sweeter face.
Yet above all, her length of hair, they own,
In golden ringlets wav'd, and graceful shone.
Her Neptune saw, and with such beauties fir'd,
Resolv'd to compass, what his soul desir'd.
In chaste Minerva's fane, he, lustful, stay'd,
And seiz'd, and rifled the young, blushing maid.
The bashful Goddess turn'd her eyes away,
Nor durst such bold impurity survey;
But on the ravish'd virgin vengeance takes,
Her shining hair is chang'd to hissing snakes.
These in her Aegis Pallas joys to bear,
The hissing snakes her foes more sure ensnare,
Than they did lovers once, when shining hair.

----------------------------------------------------------------------
~ Ovid, BOOK THE FOURTH

,
233:BOOK THE SEVENTH

The Story of Medea and Jason

The Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
Meanwhile Medea, seiz'd with fierce desire,
By reason strives to quench the raging fire;
But strives in vain!- Some God (she said) withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,
And with the tragick scene my eyes prophane?
My magick's art employ, not to asswage
The Salvages, but to enflame their rage?
His earth-born foes to fiercer fury move,
And accessary to his murder prove?
The Gods forbid- But pray'rs are idle breath,
When action only can prevent his death.
Shall I betray my father, and the state,
To intercept a rambling hero's fate;
Who may sail off next hour, and sav'd from harms
By my assistance, bless another's arms?
Whilst I, not only of my hopes bereft,
But to unpity'd punishment am left.
If he is false, let the ingrateful bleed!
But no such symptom in his looks I read.
Nature wou'd ne'er have lavish'd so much grace
Upon his person, if his soul were base.
Besides, he first shall plight his faith, and swear
By all the Gods; what therefore can'st thou fear?
Medea haste, from danger set him free,
Jason shall thy eternal debtor be.
And thou, his queen, with sov'raign state enstall'd,
By Graecian dames the Kind Preserver call'd.
Hence idle dreams, by love-sick fancy bred!
Wilt thou, Medea, by vain wishes led,
To sister, brother, father bid adieu?
Forsake thy country's Gods, and country too?
My father's harsh, my brother but a child,
My sister rivals me, my country's wild;
And for its Gods, the greatest of 'em all
Inspires my breast, and I obey his call.
That great endearments I forsake, is true,
But greater far the hopes that I pursue:
The pride of having sav'd the youths of Greece
(Each life more precious than our golden fleece);
A nobler soil by me shall be possest,
I shall see towns with arts and manners blest;
And, what I prize above the world beside,
Enjoy my Jason- and when once his bride,
Be more than mortal, and to Gods ally'd.
They talk of hazards I must first sustain,
Of floating islands justling in the main;
Our tender barque expos'd to dreadful shocks
Of fierce Charybdis' gulf, and Scylla's rocks,
Where breaking waves in whirling eddies rowl,
And rav'nous dogs that in deep caverns howl:
Amidst these terrors, while I lye possest
Of him I love, and lean on Jason's breast,
In tempests unconcern'd I will appear,
Or, only for my husband's safety fear.
Didst thou say husband?- canst thou so deceive
Thy self, fond maid, and thy own cheat believe?
In vain thou striv'st to varnish o'er thy shame,
And grace thy guilt with wedlock's sacred name.
Pull off the coz'ning masque, and oh! in time
Discover and avoid the fatal crime.
She ceas'd- the Graces now, with kind surprize,
And virtue's lovely train, before her eyes
Present themselves, and vanquish'd Cupid flies.

She then retires to Hecate's shrine, that stood
Far in the covert of a shady wood:
She finds the fury of her flames asswag'd,
But, seeing Jason there, again they rag'd.
Blushes, and paleness did by turns invade
Her tender cheeks, and secret grief betray'd.
As fire, that sleeping under ashes lyes,
Fresh-blown, and rous'd, does up in blazes rise,
So flam'd the virgin's breast-
New kindled by her lover's sparkling eyes.
For chance, that day, had with uncommon grace
Adorn'd the lovely youth, and through his face
Display'd an air so pleasing as might charm
A Goddess, and a Vestal's bosom warm.
Her ravish'd eyes survey him o'er and o'er,
As some gay wonder never seen before;
Transported to the skies she seems to be,
And thinks she gazes on a deity.
But when he spoke, and prest her trembling hand,
And did with tender words her aid demand,
With vows, and oaths to make her soon his bride,
She wept a flood of tears, and thus reply'd:
I see my error, yet to ruin move,
Nor owe my fate to ignorance, but love:
Your life I'll guard, and only crave of you
To swear once more- and to your oath be true.
He swears by Hecate he would all fulfil,
And by her grandfa ther's prophetick skill,
By ev'ry thing that doubting love cou'd press,
His present danger, and desir'd success.
She credits him, and kindly does produce
Enchanted herbs, and teaches him their use:
Their mystick names, and virtues he admires,
And with his booty joyfully retires.

The Dragon's Teeth transform'd to Men

Impatient for the wonders of the day,
Aurora drives the loyt'ring stars away.
Now Mars's mount the pressing people fill,
The crowd below, the nobles crown the hill;
The king himself high-thron'd above the rest,
With iv'ry scepter, and in purple drest.

Forthwith the brass-hoof'd bulls are set at large,
Whose furious nostrils sulph'rous flame discharge:
The blasted herbage by their breath expires;
As forges rumble with excessive fires,
And furnaces with fiercer fury glow,
When water on the panting mass ye throw;
With such a noise, from their convulsive breast,
Thro' bellowing throats, the struggling vapour prest.

Yet Jason marches up without concern,
While on th' advent'rous youth the monsters turn
Their glaring eyes, and, eager to engage,
Brandish their steel-tipt horns in threatning rage:
With brazen hoofs they beat the ground, and choak
The ambient air with clouds of dust and smoak:
Each gazing Graecian for his champion shakes,
While bold advances he securely makes
Thro' sindging blasts; such wonders magick art
Can work, when love conspires, and plays his part.
The passive savages like statues stand,
While he their dew-laps stroaks with soothing hand;
To unknown yokes their brawny necks they yield,
And, like tame oxen, plow the wond'ring field.
The Colchians stare; the Graecians shout, and raise
Their champion's courage with inspiring praise.

Embolden'd now, on fresh attempts he goes,
With serpent's teeth the fertile furrows sows;
The glebe, fermenting with inchanted juice,
Makes the snake's teeth a human crop produce.
For as an infant, pris'ner to the womb,
Contented sleeps, 'till to perfection come,
Then does the cell's obscure confinement scorn,
He tosses, throbs, and presses to be born;
So from the lab'ring Earth no single birth,
But a whole troop of lusty youths rush forth;
And, what's more strange, with martial fury warm'd,
And for encounter all compleatly arm'd;
In rank and file, as they were sow'd, they stand,
Impatient for the signal of command.
No foe but the Aemonian youth appears;
At him they level their steel-pointed spears;
His frighted friends, who triumph'd, just before,
With peals of sighs his desp'rate case deplore:
And where such hardy warriors are afraid,
What must the tender, and enamour'd maid?
Her spirits sink, the blood her cheek forsook;
She fears, who for his safety undertook:
She knew the vertue of the spells she gave,
She knew the force, and knew her lover brave;
But what's a single champion to an host?
Yet scorning thus to see him tamely lost,
Her strong reserve of secret arts she brings,
And last, her never-failing song she sings.
Wonders ensue; among his gazing foes
The massy fragment of a rock he throws;
This charm in civil war engag'd 'em all;
By mutual wounds those Earth-born brothers fall.

The Greeks, transported with the strange success,
Leap from their seats the conqu'ror to caress;
Commend, and kiss, and clasp him in their arms:
So would the kind contriver of the charms;
But her, who felt the tenderest concern,
Honour condemns in secret flames to burn;
Committed to a double guard of fame,
Aw'd by a virgin's, and a princess' name.
But thoughts are free, and fancy unconfin'd,
She kisses, courts, and hugs him in her mind;
To fav'ring Pow'rs her silent thanks she gives,
By whose indulgence her lov'd hero lives.

One labour more remains, and, tho' the last,
In danger far surmounting all the past;
That enterprize by Fates in store was kept,
To make the dragon sleep that never slept,
Whose crest shoots dreadful lustre; from his jaws
A tripple tire of forked stings he draws,
With fangs, and wings of a prodigious size:
Such was the guardian of the golden prize.
Yet him, besprinkled with Lethaean dew,
The fair inchantress into slumber threw;
And then, to fix him, thrice she did repeat
The rhyme, that makes the raging winds retreat,
In stormy seas can halcyon seasons make,
Turn rapid streams into a standing lake;
While the soft guest his drowzy eye-lids seals,
Th' ungarded golden fleece the stranger steals;
Proud to possess the purchase of his toil,
Proud of his royal bride, the richer spoil;
To sea both prize, and patroness he bore,
And lands triumphant on his native shore.

Old Aeson restor'd to Youth

Aemonian matrons, who their absence mourn'd,
Rejoyce to see their prosp'rous sons return'd:
Rich curling fumes of incense feast the skies,
An hecatomb of voted victims dies,
With gilded horns, and garlands on their head,
And all the pomp of death, to th' altar led.
Congratulating bowls go briskly round,
Triumphant shouts in louder musick drown'd.
Amidst these revels, why that cloud of care
On Jason's brow? (to whom the largest share
Of mirth was due)- His father was not there.
Aeson was absent, once the young, and brave,
Now crush'd with years, and bending to the grave.
At last withdrawn, and by the crowd unseen,
Pressing her hand (with starting sighs between),
He supplicates his kind, and skilful queen.

O patroness! preserver of my life!
(Dear when my mistress, and much dearer wife)
Your favours to so vast a sum amount,
'Tis past the pow'r of numbers to recount;
Or cou'd they be to computation brought,
The history would a romance be thought:
And yet, unless you add one favour more,
Greater than all that you conferr'd before,
But not too hard for love and magick skill,
Your past are thrown away, and Jason's wretched still.
The morning of my life is just begun,
But my declining father's race is run;
From my large stock retrench the long arrears,
And add 'em to expiring Aeson's years.

Thus spake the gen'rous youth, and wept the rest.
Mov'd with the piety of his request,
To his ag'd sire such filial duty shown,
So diff'rent from her treatment of her own,
But still endeav'ring her remorse to hide,
She check'd her rising sighs, and thus reply'd.

How cou'd the thought of such inhuman wrong
Escape (said she) from pious Jason's tongue?
Does the whole world another Jason bear,
Whose life Medea can to yours prefer?
Or cou'd I with so dire a change dispence,
Hecate will never join in that offence:
Unjust is the request you make, and I
In kindness your petition shall deny;
Yet she that grants not what you do implore,
Shall yet essay to give her Jason more;
Find means t' encrease the stock of Aeson's years,
Without retrenchment of your life's arrears;
Provided that the triple Goddess join
A strong confed'rate in my bold design.

Thus was her enterprize resolv'd; but still
Three tedious nights are wanting to fulfil
The circling crescents of th' encreasing moon;
Then, in the height of her nocturnal noon,
Medea steals from court; her ankles bare,
Her garments closely girt, but loose her hair;
Thus sally'd, like a solitary sprite,
She traverses the terrors of the night.

Men, beasts, and birds in soft repose lay charm'd,
No boistrous wind the mountain-woods alarm'd;
Nor did those walks of love, the myrtle-trees,
Of am'rous Zephir hear the whisp'ring breeze;
All elements chain'd in unactive rest,
No sense but what the twinkling stars exprest;
To them (that only wak'd) she rears her arm,
And thus commences her mysterious charms.

She turn'd her thrice about, as oft she threw
On her pale tresses the nocturnal dew;
Then yelling thrice a most enormous sound,
Her bare knee bended on the flinty ground.
O night (said she) thou confident and guide
Of secrets, such as darkness ought to hide;
Ye stars and moon, that, when the sun retires,
Support his empire with succeeding fires;
And thou, great Hecate, friend to my design;
Songs, mutt'ring spells, your magick forces join;
And thou, O Earth, the magazine that yields
The midnight sorcerer drugs; skies, mountains, fields;
Ye wat'ry Pow'rs of fountain, stream, and lake;
Ye sylvan Gods, and Gods of night, awake,
And gen'rously your parts in my adventure take.

Oft by your aid swift currents I have led
Thro' wand'ring banks, back to their fountain head;
Transformed the prospect of the briny deep,
Made sleeping billows rave, and raving billows sleep;
Made clouds, or sunshine; tempests rise, or fall;
And stubborn lawless winds obey my call:
With mutter'd words disarm'd the viper's jaw;
Up by the roots vast oaks, and rocks cou'd draw,
Make forests dance, and trembling mountains come,
Like malefactors, to receive their doom;
Earth groan, and frighted ghosts forsake their tomb.
Thee, Cynthia, my resistless rhymes drew down,
When tinkling cymbals strove my voice to drown;
Nor stronger Titan could their force sustain,
In full career compell'd to stop his wain:
Nor could Aurora's virgin blush avail,
With pois'nous herbs I turn'd her roses pale;
The fury of the fiery bulls I broke,
Their stubborn necks submitting to my yoke;
And when the sons of Earth with fury burn'd,
Their hostile rage upon themselves I turn'd;
The brothers made with mutual wounds to bleed,
And by their fatal strife my lover freed;
And, while the dragon slept, to distant Greece,
Thro' cheated guards, convey'd the golden fleece.
But now to bolder action I proceed,
Of such prevailing juices now have need,
That wither'd years back to their bloom can bring,
And in dead winter raise a second spring.
And you'll perform't-
You will; for lo! the stars, with sparkling fires,
Presage as bright success to my desires:
And now another happy omen see!
A chariot drawn by dragons waits for me.

With these last words he leaps into the wain,
Stroaks the snakes' necks, and shakes the golden rein;
That signal giv'n, they mount her to the skies,
And now beneath her fruitful Tempe lies,
Whose stories she ransacks, then to Crete she flies;
There Ossa, Pelion, Othrys, Pindus, all
To the fair ravisher, a booty fall;
The tri bute of their verdure she collects,
Nor proud Olympus' height his plants protects.
Some by the roots she plucks; the tender tops
Of others with her culling sickle crops.
Nor could the plunder of the hills suffice,
Down to the humble vales, and meads she flies;
Apidanus, Amphrysus, the next rape
Sustain, nor could Enipeus' bank escape;
Thro' Beebe's marsh, and thro' the border rang'd
Whose pasture Glaucus to a Triton chang'd.

Now the ninth day, and ninth successive night,
Had wonder'd at the restless rover's flight;
Mean-while her dragons, fed with no repast,
But her exhaling simples od'rous blast,
Their tarnish'd scales, and wrinkled skins had cast.
At last return'd before her palace gate,
Quitting her chariot, on the ground she sate;
The sky her only canopy of state.
All conversation with her sex she fled,
Shun'd the caresses of the nuptial bed:
Two altars next of grassy turf she rears,
This Hecate's name, that Youth's inscription bears;
With forest-boughs, and vervain these she crown'd;
Then delves a double trench in lower ground,
And sticks a black-fleec'd ram, that ready stood,
And drench'd the ditches with devoted blood:
New wine she pours, and milk from th' udder warm,
With mystick murmurs to compleat the charm,
And subterranean deities alarm.
To the stern king of ghosts she next apply'd,
And gentle Proserpine, his ravish'd bride,
That for old Aeson with the laws of Fate
They would dispense, and leng then his short date;
Thus with repeated pray'rs she long assails
Th' infernal tyrant and at last prevails;
Then calls to have decrepit Aeson brought,
And stupifies him with a sleeping draught;
On Earth his body, like a corpse, extends,
Then charges Jason and his waiting friends
To quit the place, that no unhallow'd eye
Into her art's forbidden secrets pry.
This done, th' inchantress, with her locks unbound,
About her altars trips a frantick round;
Piece-meal the consecrated wood she splits,
And dips the splinters in the bloody pits,
Then hurles 'em on the piles; the sleeping sire
She lustrates thrice, with sulphur, water, fire.

In a large cauldron now the med'cine boils,
Compounded of her late-collected spoils,
Blending into the mesh the various pow'rs
Of wonder-working juices, roots, and flow'rs;
With gems i' th' eastern ocean's cell refin'd,
And such as ebbing tides had left behind;
To them the midnight's pearly dew she flings,
A scretch-owl's carcase, and ill boding wings;
Nor could the wizard wolf's warm entrails scape
(That wolf who counterfeits a human shape).
Then, from the bottom of her conj'ring bag,
Snakes' skins, and liver of a long-liv'd stag;
Last a crow's head to such an age arriv'd,
That he had now nine centuries surviv'd;
These, and with these a thousand more that grew
In sundry soils, into her pot she threw;
Then with a wither'd olive-bough she rakes
The bubling broth; the bough fresh verdure takes;
Green leaves at first the perish'd plant surround,
Which the next minute with ripe fruit were crown'd.
The foaming juices now the brink o'er-swell;
The barren heath, where-e'er the liquor fell,
Sprang out with vernal grass, and all the pride
Of blooming May- When this Medea spy'd,
She cuts her patient's throat; th' exhausted blood
Recruiting with her new enchanted flood;
While at his mouth, and thro' his op'ning wound,
A double inlet her infusion found;
His feeble frame resumes a youthful air,
A glossy brown his hoary beard and hair.
The meager paleness from his aspect fled,
And in its room sprang up a florid red;
Thro' all his limbs a youthful vigour flies,
His empty'd art'ries swell with fresh supplies:
Gazing spectators scarce believe their eyes.
But Aeson is the most surpriz'd to find
A happy change in body and in mind;
In sense and constitution the same man,
As when his fortieth active year began.

Bacchus, who from the clouds this wonder view'd,
Medea's method instantly pursu'd,
And his indulgent nurse's youth renew'd.

The Death of Pelias

Thus far obliging love employ'd her art,
But now revenge must act a tragick part;

Medea feigns a mortal quarrel bred
Betwixt her, and the partner of her bed;
On this pretence to Pelias' court she flies,
Who languishing with age and sickness lies:
His guiltless daughters, with inveigling wiles,
And well dissembled friendship, she beguiles:
The strange achievements of her art she tells,
With Aeson's cure, and long on that she dwells,
'Till them to firm perswasion she has won,
The same for their old father may be done:
For him they court her to employ her skill,
And put upon the cure what price she will.
At first she's mute, and with a grave pretence
Of difficulty, holds 'em in suspense;
Then promises, and bids 'em, from the fold
Chuse out a ram, the most infirm and old;
That so by fact their doubts may be remov'd,
And first on him the operation prov'd.

A wreath-horn'd ram is brought, so far o'er-grown
With years, his age was to that age unknown
Of sense too dull the piercing point to feel,
And scarce sufficient blood to stain the steel.
His carcass she into a cauldron threw,
With drugs whose vital qualities she knew;
His limbs grow less, he casts his horns, and years,
And tender bleatings strike their wond'ring ears.
Then instantly leaps forth a frisking lamb,
That seeks (too young to graze) a suckling dam.
The sisters, thus confirm'd with the success,
Her promise with renew'd entreaty press;
To countenance the cheat, three nights and days
Before experiment th' inchantress stays;
Then into limpid water, from the springs,
Weeds, and ingredients of no force she flings;
With antique ceremonies for pretence
And rambling rhymes without a word of sense.

Mean-while the king with all his guards lay bound
In magick sleep, scarce that of death so sound;
The daughters now are by the sorc'ress led
Into his chamber, and surround his bed.
Your father's health's concern'd, and can ye stay?
Unnat'ral nymphs, why this unkind delay?
Unsheath your swords, dismiss his lifeless blood,
And I'll recruit it with a vital flood:
Your father's life and health is in your hand,
And can ye thus like idle gazers stand?
Unless you are of common sense bereft,
If yet one spark of piety is left,
Dispatch a father's cure, and disengage
The monarch from his toilsome load of age:
Come- drench your weapons in his putrid gore;
'Tis charity to wound, when wounding will restore.

Thus urg'd, the poor deluded maids proceed,
Betray'd by zeal, to an inhumane deed,
And, in compassion, make a father bleed.
Yes, she who had the kindest, tend'rest heart,
Is foremost to perform the bloody part.

Yet, tho' to act the butchery betray'd,
They could not bear to see the wounds they made;
With looks averted, backward they advance,
Then strike, and stab, and leave the blows to chance.

Waking in consternation, he essays
(Weltring in blood) his feeble arms to raise:
Environ'd with so many swords- From whence
This barb'rous usage? what is my offence?
What fatal fury, what infernal charm,
'Gainst a kind father does his daughters arm?

Hearing his voice, as thunder-struck they stopt,
Their resolution, and their weapons dropt:
Medea then the mortal blow bestows,
And that perform'd, the tragick scene to close,
His corpse into the boiling cauldron throws.

Then, dreading the revenge that must ensue,
High mounted on her dragon-coach she flew;
And in her stately progress thro' the skies,
Beneath her shady Pelion first she spies,
With Othrys, that above the clouds did rise;
With skilful Chiron's cave, and neighb'ring ground,
For old Cerambus' strange escape renown'd,
By nymphs deliver'd, when the world was drown'd;
Who him with unexpected wings supply'd,
When delug'd hills a safe retreat deny'd.
Aeolian Pitane on her left hand
She saw, and there the statu'd dragon stand;
With Ida's grove, where Bacchus, to disguise
His son's bold theft, and to secure the prize,
Made the stoln steer a stag to represent;
Cocytus' father's sandy monument;
And fields that held the murder'd sire's remains,
Where howling Moera frights the startled plains.
Euryphilus' high town, with tow'rs defac'd
By Hercules, and matrons more disgrac'd
With sprouting horns, in signal punishment,
From Juno, or resenting Venus sent.
Then Rhodes, which Phoebus did so dearly prize,
And Jove no less severely did chastize;
For he the wizard native's pois'ning sight,
That us'd the farmer's hopeful crops to blight,
In rage o'erwhelm'd with everlasting night.
Cartheia's ancient walls come next in view,
Where once the sire almost a statue grew
With wonder, which a strange event did move,
His daughter turn'd into a turtle-dove.
Then Hyrie's lake, and Tempe's field o'er-ran,
Fam'd for the boy who there became a swan;
For there enamour'd Phyllius, like a slave,
Perform'd what tasks his paramour would crave.
For presents he had mountain-vultures caught,
And from the desart a tame lion brought;
Then a wild bull commanded to subdue,
The conquer'd savage by the horns he drew;
But, mock'd so oft, the treatment he disdains,
And from the craving boy this prize detains.
Then thus in choler the resenting lad:
Won't you deliver him?- You'll wish you had:
Nor sooner said, but, in a peevish mood,
Leapt from the precipice on which he stood:
The standers-by were struck with fresh surprize,
Instead of falling, to behold him rise
A snowy swan, and soaring to the skies.

But dearly the rash prank his mother cost,
Who ignorantly gave her son for lost;
For his misfortune wept, 'till she became
A lake, and still renown'd with Hyrie's name.

Thence to Latona's isle, where once were seen,
Transform'd to birds, a monarch, and his queen.
Far off she saw how old Cephisus mourn'd
His son, into a seele by Phoebus turn'd;
And where, astonish'd at a stranger sight,
Eumelus gaz'd on his wing'd daughter's flight.

Aetolian Pleuron she did next survey,
Where sons a mother's murder did essay,
But sudden plumes the matron bore away.
On her right hand, Cyllene, a fair soil,
Fair, 'till Menephron there the beauteous hill
Attempted with foul incest to defile.

Her harness'd dragons now direct she drives
For Corinth, and at Corinth she arrives;
Where, if what old tradition tells, be true,
In former ages men from mushrooms grew.

But here Medea finds her bed supply'd,
During her absence, by another bride;
And hopeless to recover her lost game,
She sets both bride and palace in a flame.
Nor could a rival's death her wrath asswage,
Nor stopt at Creon's family her rage,
She murders her own infants, in despight
To faithless Jason, and in Jason's sight;
Yet e'er his sword could reach her, up she springs,
Securely mounted on her dragon's wings.

The Story of Aegeus

From hence to Athens she directs her flight,
Where Phineus, so renown'd for doing right;
Where Periphas, and Polyphemon's neece,
Soaring with sudden plumes amaz'd the towns of Greece.

Here Aegeus so engaging she addrest,
That first he treats her like a royal guest;
Then takes the sorc'ress for his wedded wife;
The only blemish of his prudent life.

Mean-while his son, from actions of renown,
Arrives at court, but to his sire unknown.
Medea, to dispatch a dang'rous heir
(She knew him), did a pois'nous draught prepare;
Drawn from a drug, was long reserv'd in store
For desp'rate uses, from the Scythian shore;
That from the Echydnaean monster's jaws
Deriv'd its origin, and this the cause.

Thro' a dark cave a craggy passage lies,
To ours, ascending from the nether skies;
Thro' which, by strength of hand, Alcides drew
Chain'd Cerberus, who lagg'd, and restive grew,
With his blear'd eyes our brighter day to view.
Thrice he repeated his enormous yell,
With which he scares the ghosts, and startles Hell;
At last outragious (tho' compell'd to yield)
He sheds his foam in fury on the field,-
Which, with its own, and rankness of the ground,
Produc'd a weed, by sorcerers renown'd,
The strongest constitution to confound;
Call'd Aconite, because it can unlock
All bars, and force its passage thro' a rock.

The pious father, by her wheedles won,
Presents this deadly potion to his son;
Who, with the same assurance takes the cup,
And to the monarch's health had drank it up,
But in the very instant he apply'd
The goblet to his lips, old Aegeus spy'd
The iv'ry hilted sword that grac'd his side.
That certain signal of his son he knew,
And snatcht the bowl away; the sword he drew,
Resolv'd, for such a son's endanger'd life,
To sacrifice the most perfidious wife.
Revenge is swift, but her more active charms
A whirlwind rais'd, that snatch'd her from his arms.
While conjur'd clouds their baffled sense surprize,
She vanishes from their deluded eyes,
And thro' the hurricane triumphant flies.

The gen'rous king, altho' o'er-joy'd to find
His son was safe, yet bearing still in mind
The mischief by his treach'rous queen design'd;
The horrour of the deed, and then how near
The danger drew, he stands congeal'd with fear.
But soon that fear into devotion turns,
With grateful incense ev'ry altar burns;
Proud victims, and unconscious of their fate,
Stalk to the temple, there to die in state.
In Athens never had a day been found
For mirth, like that grand festival, renown'd.
Promiscuously the peers, and people dine,
Promiscuously their thankful voices join,
In songs of wit, sublim'd by spritely wine.
To list'ning spheres their joint applause they raise,
And thus resound their matchless Theseus' praise.

Great Theseus! Thee the Marathonian plain
Admires, and wears with pride the noble stain
Of the dire monster's blood, by valiant Theseus slain.
That now Cromyon's swains in safety sow,
And reap their fertile field, to thee they owe.
By thee th' infested Epidaurian coast
Was clear'd, and now can a free commerce boast.
The traveller his journey can pursue,
With pleasure the late dreadful valley view,
And cry, Here Theseus the grand robber slew.
Cephysus' cries to his rescu'd shore,
The merciless Procrustes is no more.
In peace, Eleusis, Ceres' rites renew,
Since Theseus' sword the fierce Cercyon slew.
By him the tort'rer Sinis was destroy'd,
Of strength (but strength to barb'rous use employ'd)
That tops of tallest pines to Earth could bend,
And thus in pieces wretched captives rend.
Inhuman Scyron now has breath'd his last,
And now Alcatho's roads securely past;
By Theseus slain, and thrown into the deep:
But Earth nor Sea his scatter'd bones wou'd keep,
Which, after floating long, a rock became,
Still infamous with Scyron's hated name.
When Fame to count thy acts and years proceeds,
Thy years appear but cyphers to thy deeds.
For thee, brave youth, as for our common-wealth,
We pray; and drink, in yours, the publick health.
Your praise the senate, and plebeians sing,
With your lov'd name the court, and cottage ring.
You make our shepherds and our sailors glad,
And not a house in this vast city's sad.

But mortal bliss will never come sincere,
Pleasure may lead, but grief brings up the rear;
While for his sons' arrival, rev'ling joy
Aegeus, and all his subjects does employ;
While they for only costly feasts prepare,
His neighb'ring monarch, Minos, threatens war:
Weak in land-forces, nor by sea more strong,
But pow'rful in a deep resented wrong
For a son's murder, arm'd with pious rage;
Yet prudently before he would engage,
To raise auxiliaries resolv'd to sail,
And with the pow'rful princes to prevail.

First Anaphe, then proud Astypalaea gains,
By presents that, and this by threats obtains:
Low Mycone, Cymolus, chalky soil,
Tall Cythnos, Scyros, flat Seriphos' isle;
Paros, with marble cliffs afar display'd;
Impregnable Sithonia; yet betray'd
To a weak foe by a gold-admiring maid,
Who, chang'd into a daw of sable hue,
Still hoards up gold, and hides it from the view.

But as these islands chearfully combine,
Others refuse t' embark in his design.
Now leftward with an easy sail he bore,
And prosp'rous passage to Oenopia's shore;
Oenopia once, but now Aegina call'd,
And with his royal mother's name install'd
By Aeacus, under whose reign did spring
The Myrmidons, and now their reigning king.

Down to the port, amidst the rabble, run
The princes of the blood; with Telamon,
Peleus the next, and Phocus the third son:
Then Aeacus, altho' opprest with years,
To ask the cause of their approach appears.

That question does the Gnossian's grief renew,
And sighs from his afflicted bosom drew;
Yet after a short solemn respite made,
The ruler of the hundred cities said:

Assist our arms, rais'd for a murder'd son,
In this religious war no risque you'll run:
Revenge the dead- for who refuse to give
Rest to their urns, unworthy are to live.

What you request, thus Aeacus replies,
Not I, but truth and common faith denies;
Athens and we have long been sworn allies:
Our leagues are fix'd, confed'rate are our pow'rs,
And who declare themselves their foes, are ours.

Minos rejoins, Your league shall dearly cost
(Yet, mindful how much safer 'twas to boast,
Than there to waste his forces, and his fame,
Before in field with his grand foe he came),
Parts without blows- nor long had left the shore,
E're into port another navy bore,
With Cephalus, and all his jolly crew;
Th' Aeacides their old acquaintance knew:
The princes bid him welcome, and in state
Conduct the heroe to their palace gate;
Who entr'ring, seem'd the charming mein to wear,
As when in youth he paid his visit there.
In his right hand an olive-branch he holds,
And, salutation past, the chief unfolds
His embassy from the Athenian state,
Their mutual friendship, leagues of ancient date;
Their common danger, ev'ry thing cou'd wake
Concern, and his address successful make:
Strength'ning his plea with all the charms of sense,
And those, with all the charms of eloquence.

Then thus the king: Like suitors do you stand
For that assistance which you may command?
Athenians, all our listed forces use
(They're such as no bold service will refuse);
And when y' ave drawn them off, the Gods be prais'd,
Fresh legions can within our isle be rais'd:
So stock'd with people, that we can prepare
Both for domestick, and for distant war,
Ours, or our friends' insulters to chastize.

Long may ye flourish thus, the prince replies.
Strange transport seiz'd me as I pass'd along,
To meet so many troops, and all so young,
As if your army did of twins consist;
Yet amongst them my late acquaintance miss'd:
Ev'n all that to your palace did resort,
When first you entertain'd me at your court;
And cannot guess the cause from whence cou'd spring
So vast a change- Then thus the sighing king:

Illustrious guest, to my strange tale attend,
Of sad beginning, but a joyful end:
The whole to a vast history wou'd swell,
I shall but half, and that confus'dly, tell.
That race whom so deserv'dly you admir'd,
Are all into their silent tombs retir'd:
They fell; and falling, how they shook my state,
Thought may conceive, but words can ne'er relate.

The Story of Ants chang'd to Men

A dreadful plague from angry Juno came,
To scourge the land, that bore her rival's name;
Before her fatal anger was reveal'd,
And teeming malice lay as yet conceal'd,
All remedies we try, all med'cines use,
Which Nature cou'd supply, or art produce;
Th' unconquer'd foe derides the vain design,
And art, and Nature foil'd, declare the cause divine.

At first we only felt th' oppressive weight
Of gloomy clouds, then teeming with our fate,
And lab'ring to discarge unactive heat:
But ere four moons alternate changes knew,
With deadly blasts the fatal South-wind blew,
Infected all the air, and poison'd as it flew.
Our fountains too a dire infection yield,
For crowds of vipers creep along the field,
And with polluted gore, and baneful steams,
Taint all the lakes, and venom all the streams.

The young disease with milder force began,
And rag'd on birds, and beasts, excusing Man.
The lab'ring oxen fall before the plow,
Th' unhappy plow-men stare, and wonder how:
The tabid sheep, with sickly bleatings, pines;
Its wool decreasing, as its strength declines:
The warlike steed, by inward foes compell'd,
Neglects his honours, and deserts the field;
Unnerv'd, and languid, seeks a base retreat,
And at the manger groans, but wish'd a nobler fate:
The stags forget their speed, the boars their rage,
Nor can the bears the stronger herds engage:
A gen'ral faintness does invade 'em all,
And in the woods, and fields, promiscuously they fall.
The air receives the stench, and (strange to say)
The rav'nous birds and beasts avoid the prey:
Th' offensive bodies rot upon the ground,
And spread the dire contagion all around.

But now the plague, grown to a larger size,
Riots on Man, and scorns a meaner prize.
Intestine heats begin the civil war,
And flushings first the latent flame declare,
And breath inspir'd, which seem'd like fiery air.
Their black dry tongues are swell'd, and scarce can move,

And short thick sighs from panting lung are drove.
They gape for air, with flatt'ring hopes t' abate
Their raging flames, but that augments their heat.
No bed, no cov'ring can the wretches bear,
But on the ground, expos'd to open air,
They lye, and hope to find a pleasing coolness there.
The suff'ring Earth with that oppression curst,
Returns the heat which they imparted first.

In vain physicians would bestow their aid,
Vain all their art, and useless all their trade;
And they, ev'n they, who fleeting life recall,
Feel the same Pow'rs, and undistinguish'd fall.
If any proves so daring to attend
His sick companion, or his darling friend,
Th' officious wretch sucks in contagious breath,
And with his friend does sympathize in death.

And now the care and hopes of life are past,
They please their fancies, and indulge their taste;
At brooks and streams, regardless of their shame,
Each sex, promiscuous, strives to quench their flame;
Nor do they strive in vain to quench it there,
For thirst, and life at once extinguish'd are.
Thus in the brooks the dying bodies sink,
But heedless still the rash survivors drink.

So much uneasy down the wretches hate,
They fly their beds, to struggle with their fate;
But if decaying strength forbids to rise,
The victim crawls and rouls, 'till on the ground he lies.

Each shuns his bed, as each wou'd shun his tomb,
And thinks th' infection only lodg'd at home.

Here one, with fainting steps, does slowly creep
O'er heaps of dead, and strait augments the heap;
Another, while his strength and tongue prevail'd,
Bewails his friend, and falls himself bewail'd:
This with imploring looks surveys the skies,
The last dear office of his closing eyes,
But finds the Heav'ns implacable, and dies.

What now, ah! what employ'd my troubled mind?
But only hopes my subjects' fate to find.
What place soe'er my weeping eyes survey,
There in lamented heaps the vulgar lay;
As acorns scatter when the winds prevail,
Or mellow fruit from shaken branches fall.

You see that dome which rears its front so high:
'Tis sacred to the monarch of the sky:
How many there, with unregarded tears,
And fruitless vows, sent up successless pray'rs?
There fathers for expiring sons implor'd,
And there the wife bewail'd her gasping lord;
With pious off'rings they'd appease the skies,
But they, ere yet th' attoning vapours rise,
Before the altars fall, themselves a sacrifice:
They fall, while yet their hands the gums contain,
The gums surviving, but their off'rers slain.

The destin'd ox, with holy garlands crown'd,
Prevents the blow, and feels th' expected wound:
When I my self invok'd the Pow'rs divine,
To drive the fatal pest from me and mine;
When now the priest with hands uplifted stood,
Prepar'd to strike, and shed the sacred blood,
The Gods themselves the mortal stroke bestow,
The victim falls, but they impart the blow:
Scarce was the knife with the pale purple stain'd,
And no presages cou'd be then obtain'd,
From putrid entrails, where th' infection reign'd.

Death stalk'd around with such resistless sway,
The temples of the Gods his force obey,
And suppliants feel his stroke, while yet they pray.
Go now, said he, your deities implore
For fruitless aid, for I defie their pow'r.
Then with a curst malicious joy survey'd
The very altars, stain'd with trophies of the dead.

The rest grown mad, and frantick with despair,
Urge their own fate, and so prevent the fear.
Strange madness that, when Death pursu'd so fast,
T' anticipate the blow with impious haste.

No decent honours to their urns are paid,
Nor cou'd the graves receive the num'rous dead;
For, or they lay unbury'd on the ground,
Or unadorn'd a needy fun'ral found:
All rev'rence past, the fainting wretches fight
For fun'ral piles which were another's right.

Unmourn'd they fall: for, who surviv'd to mourn?
And sires, and mothers unlamented burn:
Parents, and sons sustain an equal fate,
And wand'ring ghosts their kindred shadows meet.
The dead a larger space of ground require,
Nor are the trees sufficient for the fire.

Despairing under grief's oppressive weight,
And sunk by these tempestuous blasts of Fate,
O Jove, said I, if common fame says true,
If e'er Aegina gave those joys to you,
If e'er you lay enclos'd in her embrace,
Fond of her charms, and eager to possess;
O father, if you do not yet disclaim
Paternal care, nor yet disown the name;
Grant my petitions, and with speed restore
My subjects num'rous as they were before,
Or make me partner of the fate they bore.
I spoke, and glorious lightning shone around,
And ratling thunder gave a prosp'rous sound;
So let it be, and may these omens prove
A pledge, said I, of your returning love.

By chance a rev'rend oak was near the place,
Sacred to Jove, and of Dodona's race,
Where frugal ants laid up their winter meat,
Whose little bodies bear a mighty weight:
We saw them march along, and hide their store,
And much admir'd their number, and their pow'r;
Admir'd at first, but after envy'd more.
Full of amazement, thus to Jove I pray'd,
O grant, since thus my subjects are decay'd,
As many subjects to supply the dead.
I pray'd, and strange convulsions mov'd the oak,
Which murmur'd, tho' by ambient winds unshook:
My trembling hands, and stiff-erected hair,
Exprest all tokens of uncommon fear;
Yet both the earth and sacred oak I kist,
And scarce cou'd hope, yet still I hop'd the best;
For wretches, whatsoe'er the Fates divine,
Expound all omens to their own design.

But now 'twas night, when ev'n distraction wears
A pleasing look, and dreams beguile our cares,
Lo! the same oak appears before my eyes,
Nor alter'd in his shape, nor former size;
As many ants the num'rous branches bear,
The same their labour, and their frugal care;
The branches too a like commotion sound,
And shook th' industrious creatures on the ground,
Who, by degrees (what's scarce to be believ'd)
A nobler form, and larger bulk receiv'd,
And on the earth walk'd an unusual pace,
With manly strides, and an erected face-
Their num'rous legs, and former colour lost,
The insects cou'd a human figure boast.

I wake, and waking find my cares again,
And to the unperforming Gods complain,
And call their promise, and pretences, vain.
Yet in my court I heard the murm'ring voice
Of strangers, and a mixt uncommon noise:
But I suspected all was still a dream,
'Till Telamon to my apartment came,
Op'ning the door with an impetuous haste,
O come, said he, and see your faith and hopes surpast:
I follow, and, confus'd with wonder, view
Those shapes which my presaging slumbers drew:
I saw, and own'd, and call'd them subjects; they
Confest my pow'r, submissive to my sway.
To Jove, restorer of my race decay'd,
My vows were first with due oblations paid,
I then divide with an impartial hand
My empty city, and my ruin'd land,
To give the new-born youth an equal share,
And call them Myrmidons, from what they were.
You saw their persons, and they still retain
The thrift of ants, tho' now transform'd to men.
A frugal people, and inur'd to sweat,
Lab'ring to gain, and keeping what they get.
These, equal both in strength and years, shall join
Their willing aid, and follow your design,
With the first southern gale that shall present
To fill your sails, and favour your intent.

With such discourse they entertain the day;
The ev'ning past in banquets, sport, and play:
Then, having crown'd the night with sweet repose,
Aurora (with the wind at east) arose.
Now Pallas' sons to Cephalus resort,
And Cephalus with Pallas' sons to court,
To the king's levee; him sleep's silken chain,
And pleasing dreams, beyond his hour detain;
But then the princes of the blood, in state,
Expect, and meet 'em at the palace gate.

The Story of Cephalus and Procris

To th' inmost courts the Grecian youths were led,
And plac'd by Phocus on a Tyrian bed;
Who, soon observing Cephalus to hold
A dart of unknown wood, but arm'd with gold:
None better loves (said he) the huntsman's sport,
Or does more often to the woods resort;
Yet I that jav'lin's stem with wonder view,
Too brown for box, too smooth a grain for yew.
I cannot guess the tree; but never art
Did form, or eyes behold so fair a dart!
The guest then interrupts him- 'Twou'd produce
Still greater wonder, if you knew its use.
It never fails to strike the game, and then
Comes bloody back into your hand again.
Then Phocus each particular desires,
And th' author of the wond'rous gift enquires.
To which the owner thus, with weeping eyes,
And sorrow for his wife's sad fate, replies,
This weapon here (o prince!) can you believe
This dart the cause for which so much I grieve;
And shall continue to grieve on, 'till Fate
Afford such wretched life no longer date.
Would I this fatal gift had ne'er enjoy'd,
This fatal gift my tender wife destroy'd:
Procris her name, ally'd in charms and blood
To fair Orythia courted by a God.
Her father seal'd my hopes with rites divine,
But firmer love before had made her mine.
Men call'd me blest, and blest I was indeed.
The second month our nuptials did succeed;
When (as upon Hymettus' dewy head,
For mountain stags my net betimes I spread)
Aurora spy'd, and ravish'd me away,
With rev'rence to the Goddess, I must say,
Against my will, for Procris had my heart,
Nor wou'd her image from my thoughts depart.
At last, in rage she cry'd, Ingrateful boy
Go to your Procris, take your fatal joy;
And so dismiss'd me: musing, as I went,
What those expressions of the Goddess meant,
A thousand jealous fears possess me now,
Lest Procris had prophan'd her nuptial vow:
Her youth and charms did to my fancy paint
A lewd adultress, but her life a saint.
Yet I was absent long, the Goddess too
Taught me how far a woman cou'd be true.
Aurora's treatment much suspicion bred;
Besides, who truly love, ev'n shadows dread.
I strait impatient for the tryal grew,
What courtship back'd with richest gifts cou'd do.
Aurora's envy aided my design,
And lent me features far unlike to mine.
In this disguise to my own house I came,
But all was chaste, no conscious sign of blame:
With thousand arts I scarce admittance found,
And then beheld her weeping on the ground
For her lost husband; hardly I retain'd
My purpose, scarce the wish'd embrace refrain'd.
How charming was her grief! Then, Phocus, guess
What killing beauties waited on her dress.
Her constant answer, when my suit I prest,
Forbear, my lord's dear image guards this breast;
Where-e'er he is, whatever cause detains,
Who-e'er has his, my heart unmov'd remains.
What greater proofs of truth than these cou'd be?
Yet I persist, and urge my destiny.
At length, she found, when my own form return'd,
Her jealous lover there, whose loss she mourn'd.
Enrag'd with my suspicion, swift as wind,
She fled at once from me and all mankind;
And so became, her purpose to retain,
A nymph, and huntress in Diana's train:
Forsaken thus, I found my flames encrease,
I own'd my folly, and I su'd for peace.
It was a fault, but not of guilt, to move
Such punishment, a fault of too much love.
Thus I retriev'd her to my longing arms,
And many happy days possess'd her charms.
But with herself she kindly did confer,
What gifts the Goddess had bestow'd on her;
The fleetest grey-hound, with this lovely dart,
And I of both have wonders to impart.
Near Thebes a savage beast, of race unknown,
Laid waste the field, and bore the vineyards down;
The swains fled from him, and with one consent
Our Grecian youth to chase the monster went;
More swift than light'ning he the toils surpast,
And in his course spears, men, and trees o'er-cast.
We slipt our dogs, and last my Lelaps too,
When none of all the mortal race wou'd do:
He long before was struggling from my hands,
And, e're we cou'd unloose him, broke his bands.
That minute where he was, we cou'd not find,
And only saw the dust he left behind.
I climb'd a neighb'ring hill to view the chase,
While in the plain they held an equal race;
The savage now seems caught, and now by force
To quit himself, nor holds the same strait course;
But running counter, from the foe withdraws,
And with short turning cheats his gaping jaws:
Which he retrieves, and still so closely prest,
You'd fear at ev'ry stretch he were possess'd;
Yet for the gripe his fangs in vain prepare;
The game shoots from him, and he chops the air.
To cast my jav'lin then I took my stand;
But as the thongs were fitting to my hand,
While to the valley I o'er-look'd the wood,
Before my eyes two marble statues stood;
That, as pursu'd appearing at full stretch,
This barking after, and at point to catch:
Some God their course did with this wonder grace,
That neither might be conquer'd in the chase.
A sudden silence here his tongue supprest,
He here stops short, and fain wou'd wave the rest.

The eager prince then urg'd him to impart,
The Fortune that attended on the dart.
First then (said he) past joys let me relate,
For bliss was the foundation of my fate.
No language can those happy hours express,
Did from our nuptials me, and Procris bless:
The kindest pair! What more cou'd Heav'n confer?
For she was all to me, and I to her.
Had Jove made love, great Jove had been despis'd;
And I my Procris more than Venus priz'd:
Thus while no other joy we did aspire,
We grew at last one soul, and one desire.
Forth to the woods I went at break of day
(The constant practice of my youth) for prey:
Nor yet for servant, horse, or dog did call,
I found this single dart to serve for all.
With slaughter tir'd, I sought the cooler shade,
And winds that from the mountains pierc'd the glade:
Come, gentle air (so was I wont to say)
Come, gentle air, sweet Aura come away.
This always was the burden of my song,
Come 'swage my flames, sweet Aura come along.
Thou always art most welcome to my breast;
I faint; approach, thou dearest, kindest guest!
These blandishments, and more than these, I said
(By Fate to unsuspected ruin led),
Thou art my joy, for thy dear sake I love
Each desart hill, and solitary grove;
When (faint with labour) I refreshment need,
For cordials on thy fragrant breath I feed.
At last a wand'ring swain in hearing came,
And cheated with the sound of Aura's name,
He thought I some assignation made;
And to my Procris' ear the news convey'd.
Great love is soonest with suspicion fir'd:
She swoon'd, and with the tale almost expir'd.
Ah! wretched heart! (she cry'd) ah! faithless man.
And then to curse th' imagin'd nymph began:
Yet oft she doubts, oft hopes she is deceiv'd,
And chides herself, that ever she believ'd
Her lord to such injustice cou'd proceed,
'Till she her self were witness of the deed.
Next morn I to the woods again repair,
And, weary with the chase, invoke the air:
Approach, dear Aura, and my bosom chear:
At which a mournful sound did strike my ear;
Yet I proceeded, 'till the thicket by,
With rustling noise and motion, drew my eye:
I thought some beast of prey was shelter'd there,
And to the covert threw my certain spear;
From whence a tender sigh my soul did wound,
Ah me! it cry'd, and did like Procris sound.
Procris was there, too well the voice I knew,
And to the place with headlong horror flew;
Where I beheld her gasping on the ground,
In vain attempting from the deadly wound
To draw the dart, her love's dear fatal gift!
My guilty arms had scarce the strength to lift
The beauteous load; my silks, and hair I tore
(If possible) to stanch the pressing gore;
For pity beg'd her keep her flitting breath,
And not to leave me guilty of her death.
While I intreat she fainted fast away,
And these few words had only strength to say:
By all the sacred bonds of plighted love,
By all your rev'rence to the Pow'rs above,
By all the truth for which you held me dear,
And last by love, the cause through which I bleed,
Let Aura never to my bed succeed.
I then perceiv'd the error of our fate,
And told it her, but found and told too late!
I felt her lower to my bosom fall,
And while her eyes had any sight at all,
On mine she fix'd them; in her pangs still prest
My hand, and sigh'd her soul into my breast;
Yet, being undeceiv'd, resign'd her breath
Methought more chearfully, and smil'd in death.

With such concern the weeping heroe told
This tale, that none who heard him cou'd with-hold
From melting into sympathizing tears,
'Till Aeacus with his two sons appears;
Whom he commits, with their new-levy'd bands,
To Fortune's, and so brave a gen'ral's hands.

----------------------------------------------------------------------
~ Ovid, BOOK THE SEVENTH

,
234:Obiit Mdcccxxxiii (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
414
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
Confusions of a wasted youth;
Forgive them where they fail in truth,
And in thy wisdom make me wise.
I.
I held it truth, with him who sings
To one clear harp in divers tones,
That men may rise on stepping-stones
Of their dead selves to higher things.
But who shall so forecast the years
And find in loss a gain to match?
Or reach a hand thro’ time to catch
The far-off interest of tears?
Let Love clasp Grief lest both be drown’d,
Let darkness keep her raven gloss:
Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
Than that the victor Hours should scorn
The long result of love, and boast,
‘Behold the man that loved and lost,
But all he was is overworn.’
II.
415
Old Yew, which graspest at the stones
That name the under-lying dead,
Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
The seasons bring the flower again,
And bring the firstling to the flock;
And in the dusk of thee, the clock
Beats out the little lives of men.
O not for thee the glow, the bloom,
Who changest not in any gale,
Nor branding summer suns avail
To touch thy thousand years of gloom:
And gazing on thee, sullen tree,
Sick for thy stubborn hardihood,
I seem to fail from out my blood
And grow incorporate into thee.
III.
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
‘The stars,’ she whispers, ‘blindly run;
A web is wov’n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
‘And all the phantom, Nature, stands–
With all the music in her tone,
A hollow echo of my own,–
A hollow form with empty hands.’
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
416
IV.
To Sleep I give my powers away;
My will is bondsman to the dark;
I sit within a helmless bark,
And with my heart I muse and say:
O heart, how fares it with thee now,
That thou should’st fail from thy desire,
Who scarcely darest to inquire,
‘What is it makes me beat so low?’
Something it is which thou hast lost,
Some pleasure from thine early years.
Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
Such clouds of nameless trouble cross
All night below the darken’d eyes;
With morning wakes the will, and cries,
‘Thou shalt not be the fool of loss.’
V.
I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.
But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
In words, like weeds, I’ll wrap me o’er,
Like coarsest clothes against the cold:
But that large grief which these enfold
Is given in outline and no more.
417
VI.
One writes, that ‘Other friends remain,’
That ‘Loss is common to the race’–
And common is the commonplace,
And vacant chaff well meant for grain.
That loss is common would not make
My own less bitter, rather more:
Too common! Never morning wore
To evening, but some heart did break.
O father, wheresoe’er thou be,
Who pledgest now thy gallant son;
A shot, ere half thy draught be done,
Hath still’d the life that beat from thee.
O mother, praying God will save
Thy sailor,–while thy head is bow’d,
His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
Ye know no more than I who wrought
At that last hour to please him well;
Who mused on all I had to tell,
And something written, something thought;
Expecting still his advent home;
And ever met him on his way
With wishes, thinking, ‘here to-day,’
Or ‘here to-morrow will he come.’
O somewhere, meek, unconscious dove,
That sittest ranging golden hair;
And glad to find thyself so fair,
Poor child, that waitest for thy love!
For now her father’s chimney glows
In expectation of a guest;
And thinking ‘this will please him best,’
She takes a riband or a rose;
418
For he will see them on to-night;
And with the thought her colour burns;
And, having left the glass, she turns
Once more to set a ringlet right;
And, even when she turn’d, the curse
Had fallen, and her future Lord
Was drown’d in passing thro’ the ford,
Or kill’d in falling from his horse.
O what to her shall be the end?
And what to me remains of good?
To her, perpetual maidenhood,
And unto me no second friend.
VII.
Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,
A hand that can be clasp’d no more–
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.
He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.
VIII.
A happy lover who has come
To look on her that loves him well,
Who ’lights and rings the gateway bell,
And learns her gone and far from home;
419
He saddens, all the magic light
Dies off at once from bower and hall,
And all the place is dark, and all
The chambers emptied of delight:
So find I every pleasant spot
In which we two were wont to meet,
The field, the chamber and the street,
For all is dark where thou art not.
Yet as that other, wandering there
In those deserted walks, may find
A flower beat with rain and wind,
Which once she foster'd up with care;
So seems it in my deep regret,
O my forsaken heart, with thee
And this poor flower of poesy
Which little cared for fades not yet.
But since it pleased a vanish’d eye,
I go to plant it on his tomb,
That if it can it there may bloom,
Or dying, there at least may die.
IX.
Fair ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur’s loved remains,
Spread thy full wings, and waft him o’er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror’d mast, and lead
Thro’ prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro’ early light
Shall glimmer on the dewy decks.
420
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow’d race be run;
Dear as the mother to the son,
More than my brothers are to me.
X.
I hear the noise about thy keel;
I hear the bell struck in the night:
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring’st the sailor to his wife,
And travell’d men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish’d life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp’d in mine,
Should toss with tangle and with shells.
XI.
421
Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro’ the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
XII.
Lo, as a dove when up she springs
To bear thro’ Heaven a tale of woe,
Some dolorous message knit below
The wild pulsation of her wings;
Like her I go; I cannot stay;
I leave this mortal ark behind,
A weight of nerves without a mind,
And leave the cliffs, and haste away
O’er ocean-mirrors rounded large,
And reach the glow of southern skies,
And see the sails at distance rise,
And linger weeping on the marge,
422
And saying; ‘Comes he thus, my friend?
Is this the end of all my care?’
And circle moaning in the air:
‘Is this the end? Is this the end?’
And forward dart again, and play
About the prow, and back return
To where the body sits, and learn
That I have been an hour away.
XIII.
Tears of the widower, when he sees
A late-lost form that sleep reveals,
And moves his doubtful arms, and feels
Her place is empty, fall like these;
Which weep a loss for ever new,
A void where heart on heart reposed;
And, where warm hands have prest and closed,
Silence, till I be silent too.
Which weeps the comrade of my choice,
An awful thought, a life removed,
The human-hearted man I loved,
A Spirit, not a breathing voice.
Come Time, and teach me, many years,
I do not suffer in a dream;
For now so strange do these things seem,
Mine eyes have leisure for their tears;
My fancies time to rise on wing,
And glance about the approaching sails,
As tho’ they brought but merchants’ bales,
And not the burthen that they bring.
XIV.
423
If one should bring me this report,
That thou hadst touch’d the land to-day,
And I went down unto the quay,
And found thee lying in the port;
And standing, muffled round with woe,
Should see thy passengers in rank
Come stepping lightly down the plank,
And beckoning unto those they know;
And if along with these should come
The man I held as half-divine;
Should strike a sudden hand in mine,
And ask a thousand things of home;
And
And
And
And
I should tell him all my pain,
how my life had droop’d of late,
he should sorrow o’er my state
marvel what possess’d my brain;
And I perceived no touch of change,
No hint of death in all his frame,
But found him all in all the same,
I should not feel it to be strange.
XV.
To-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl’d away,
The rooks are blown about the skies;
The forest crack’d, the waters curl’d,
The cattle huddled on the lea;
And wildly dash’d on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
424
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
XVI.
What words are these have fall’n from me?
Can calm despair and wild unrest
Be tenants of a single breast,
Or sorrow such a changeling be?
Or doth she only seem to take
The touch of change in calm or storm;
But knows no more of transient form
In her deep self, than some dead lake
That holds the shadow of a lark
Hung in the shadow of a heaven?
Or has the shock, so harshly given,
Confused me like the unhappy bark
That strikes by night a craggy shelf,
And staggers blindly ere she sink?
And stunn’d me from my power to think
And all my knowledge of myself;
And made me that delirious man
Whose fancy fuses old and new,
And flashes into false and true,
And mingles all without a plan?
XVII.
425
Thou comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro’ circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou may’st roam,
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow’d race be run.
XVIII.
’Tis well; ’tis something; we may stand
Where he in English earth is laid,
And from his ashes may be made
The violet of his native land.
’Tis little; but it looks in truth
As if the quiet bones were blest
Among familiar names to rest
And in the places of his youth.
Come then, pure hands, and bear the head
That sleeps or wears the mask of sleep,
And come, whatever loves to weep,
And hear the ritual of the dead.
426
Ah yet, ev’n yet, if this might be,
I, falling on his faithful heart,
Would breathing thro’ his lips impart
The life that almost dies in me;
That dies not, but endures with pain,
And slowly forms the the firmer mind,
Treasuring the look it cannot find,
The words that are not heard again.
XIX.
The Danube to the Severn gave
The darken’d heart that beat no more;
They laid him by the pleasant shore,
And in the hearing of the wave.
There twice a day the Severn fills;
That salt sea-water passes by,
And hushes half the babbling Wye,
And makes a silence in the hills.
The Wye is hush’d nor moved along,
And hush’d my deepest grief of all,
When fill’d with tears that cannot fall,
I brim with sorrow drowning song.
The tide flows down, the wave again
Is vocal in its wooded walls;
My deeper anguish also falls,
And I can speak a little then.
XX.
The lesser griefs that may be said,
That breathe a thousand tender vows,
Are but as servants in a house
Where lies the master newly dead;
427
Who speak their feeling as it is,
And weep the fulness from the mind:
‘It will be hard,’ they say, ‘to find
Another service such as this.’
My lighter moods are like to these,
That out of words a comfort win;
But there are other griefs within,
And tears that at their fountain freeze;
For by the hearth the children sit
Cold in that atmosphere of Death,
And scarce endure to draw the breath,
Or like to noiseless phantoms flit:
But open converse is there none,
So much the vital spirits sink
To see the vacant chair, and think,
‘How good! how kind! and he is gone.’
XXI.
I sing to him that rests below,
And, since the grasses round me wave,
I take the grasses of the grave,
And make them pipes whereon to blow.
The traveller hears me now and then,
And sometimes harshly will he speak:
‘This fellow would make weakness weak,
And melt the waxen hearts of men.’
Another answers, ‘Let him be,
He loves to make parade of pain,
That with his piping he may gain
The praise that comes to constancy.’
A third is wroth: ‘Is this an hour
For private sorrow’s barren song,
When more and more the people throng
The chairs and thrones of civil power?
428
‘A time to sicken and to swoon,
When Science reaches forth her arms
To feel from world to world, and charms
Her secret from the latest moon?’
Behold, ye speak an idle thing:
Ye never knew the sacred dust:
I do but sing because I must,
And pipe but as the linnets sing:
And one is glad; her note is gay,
For now her little ones have ranged;
And one is sad; her note is changed,
Because her brood is stol’n away.
XXII.
The path by which we twain did go,
Which led by tracts that pleased us well,
Thro’ four sweet years arose and fell,
From flower to flower, from snow to snow:
And we with singing cheer’d the way,
And, crown’d with all the season lent,
From April on to April went,
And glad at heart from May to May:
But where the path we walk’d began
To slant the fifth autumnal slope,
As we descended following Hope,
There sat the Shadow fear’d of man;
Who broke our fair companionship,
And spread his mantle dark and cold,
And wrapt thee formless in the fold,
And dull’d the murmur on thy lip,
And bore thee where I could not see
Nor follow, tho’ I walk in haste,
And think, that somewhere in the waste
429
The Shadow sits and waits for me.
XXIII.
Now, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak’d from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro’ lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
XXIV.
And was the day of my delight
As pure and perfect as I say?
The very source and fount of Day
430
Is dash’d with wandering isles of night.
If all was good and fair we met,
This earth had been the Paradise
It never look’d to human eyes
Since our first Sun arose and set.
And is it that the haze of grief
Makes former gladness loom so great?
The lowness of the present state,
That sets the past in this relief?
Or that the past will always win
A glory from its being far;
And orb into the perfect star
We saw not, when we moved therein?
XXV.
I know that this was Life,–the track
Whereon with equal feet we fared;
And then, as now, the day prepared
The daily burden for the back.
But this it was that made me move
As light as carrier-birds in air;
I loved the weight I had to bear,
Because it needed help of Love:
Nor could I weary, heart or limb,
When mighty Love would cleave in twain
The lading of a single pain,
And part it, giving half to him.
XXVI.
Still onward winds the dreary way;
I with it; for I long to prove
No lapse of moons can canker Love,
Whatever fickle tongues may say.
431
And if that eye which watches guilt
And goodness, and hath power to see
Within the green the moulder’d tree,
And towers fall’n as soon as built–
Oh, if indeed that eye foresee
Or see (in Him is no before)
In more of life true life no more
And Love the indifference to be,
Then might I find, ere yet the morn
Breaks hither over Indian seas,
That Shadow waiting with the keys,
To shroud me from my proper scorn.
XXVII.
I envy not in any moods
The captive void of noble rage,
The linnet born within the cage,
That never knew the summer woods:
I envy not the beast that takes
His license in the field of time,
Unfetter’d by the sense of crime,
To whom a conscience never wakes;
Nor, what may count itself as blest,
The heart that never plighted troth
But stagnates in the weeds of sloth;
Nor any want-begotten rest.
I hold it true, whate’er befall;
I feel it, when I sorrow most;
’Tis better to have loved and lost
Than never to have loved at all.
XXVIII.
432
The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:
Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.
This year I slept and woke with pain,
I almost wish’d no more to wake,
And that my hold on life would break
Before I heard those bells again:
But they my troubled spirit rule,
For they controll’d me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.
XXIX.
With such compelling cause to grieve
As daily vexes household peace,
And chains regret to his decease,
How dare we keep our Christmas-eve;
Which brings no more a welcome guest
To enrich the threshold of the night
With shower’d largess of delight
In dance and song and game and jest?
Yet go, and while the holly boughs
Entwine the cold baptismal font,
Make one wreath more for Use and Wont,
That guard the portals of the house;
433
Old sisters of a day gone by,
Gray nurses, loving nothing new;
Why should they miss their yearly due
Before their time? They too will die.
XXX.
With trembling fingers did we weave
The holly round the Christmas hearth;
A rainy cloud possess’d the earth,
And sadly fell our Christmas-eve.
At our old pastimes in the hall
We gambol’d, making vain pretence
Of gladness, with an awful sense
Of one mute Shadow watching all.
We paused: the winds were in the beech:
We heard them sweep the winter land;
And in a circle hand-in-hand
Sat silent, looking each at each.
Then echo-like our voices rang;
We sung, tho’ every eye was dim,
A merry song we sang with him
Last year: impetuously we sang:
We ceased: a gentler feeling crept
Upon us: surely rest is meet:
‘They rest,’ we said, ‘their sleep is sweet,’
And silence follow’d, and we wept.
Our voices took a higher range;
Once more we sang: ‘They do not die
Nor lose their mortal sympathy,
Nor change to us, although they change;
‘Rapt from the fickle and the frail
With gather’d power, yet the same,
Pierces the keen seraphic flame
From orb to orb, from veil to veil.’
434
Rise, happy morn, rise, holy morn,
Draw forth the cheerful day from night:
O Father, touch the east, and light
The light that shone when Hope was born.
XXXI.
When Lazarus left his charnel-cave,
And home to Mary’s house return’d,
Was this demanded–if he yearn’d
To hear her weeping by his grave?
‘Where wert thou, brother, those four days?’
There lives no record of reply,
Which telling what it is to die
Had surely added praise to praise.
From every house the neighbours met,
The streets were fill’d with joyful sound,
A solemn gladness even crown’d
The purple brows of Olivet.
Behold a man raised up by Christ!
The rest remaineth unreveal’d;
He told it not; or something seal’d
The lips of that Evangelist.
XXXII.
Her eyes are homes of silent prayer,
Nor other thought her mind admits
But, he was dead, and there he sits,
And he that brought him back is there.
Then one deep love doth supersede
All other, when her ardent gaze
Roves from the living brother’s face,
And rests upon the Life indeed.
435
All subtle thought, all curious fears,
Borne down by gladness so complete,
She bows, she bathes the Saviour’s feet
With costly spikenard and with tears.
Thrice blest whose lives are faithful prayers,
Whose loves in higher love endure;
What souls possess themselves so pure,
Or is there blessedness like theirs?
XXXIII.
O thou that after toil and storm
Mayst seem to have reach’d a purer air,
Whose faith has centre everywhere,
Nor cares to fix itself to form,
Leave thou thy sister when she prays,
Her early Heaven, her happy views;
Nor thou with shadow’d hint confuse
A life that leads melodious days.
Her faith thro’ form is pure as thine,
Her hands are quicker unto good:
Oh, sacred be the flesh and blood
To which she links a truth divine!
See thou, that countest reason ripe
In holding by the law within,
Thou fail not in a world of sin,
And ev’n for want of such a type.
XXXIV.
My own dim life should teach me this,
That life shall live for evermore,
Else earth is darkness at the core,
And dust and ashes all that is;
This round of green, this orb of flame,
436
Fantastic beauty; such as lurks
In some wild Poet, when he works
Without a conscience or an aim.
What then were God to such as I?
’Twere hardly worth my while to choose
Of things all mortal, or to use
A little patience ere I die;
’Twere best at once to sink to peace,
Like birds the charming serpent draws,
To drop head-foremost in the jaws
Of vacant darkness and to cease.
XXXV.
Yet if some voice that man could trust
Should murmur from the narrow house,
‘The cheeks drop in; the body bows;
Man dies: nor is there hope in dust:’
Might I not say? ‘Yet even here,
But for one hour, O Love, I strive
To keep so sweet a thing alive:’
But I should turn mine ears and hear
The moanings of the homeless sea,
The sound of streams that swift or slow
Draw down Æonian hills, and sow
The dust of continents to be;
And Love would answer with a sigh,
‘The sound of that forgetful shore
Will change my sweetness more and more,
Half-dead to know that I shall die.’
O me, what profits it to put
And idle case? If Death were seen
At first as Death, Love had not been,
Or been in narrowest working shut,
437
Mere fellowship of sluggish moods,
Or in his coarsest Satyr-shape
Had bruised the herb and crush’d the grape,
And bask’d and batten’d in the woods.
XXXVI.
Tho’ truths in manhood darkly join,
Deep-seated in our mystic frame,
We yield all blessing to the name
Of Him that made them current coin;
For Wisdom dealt with mortal powers,
Where truth in closest words shall fail,
When truth embodied in a tale
Shall enter in at lowly doors.
And so the Word had breath, and wrought
With human hands the creed of creeds
In loveliness of perfect deeds,
More strong than all poetic thought;
Which he may read that binds the sheaf,
Or builds the house, or digs the grave,
And those wild eyes that watch the wave
In roarings round the coral reef.
XXXVII.
Urania speaks with darken’d brow:
‘Thou pratest here where thou art least;
This faith has many a purer priest,
And many an abler voice than thou.
‘Go down beside thy native rill,
On thy Parnassus set thy feet,
And hear thy laurel whisper sweet
About the ledges of the hill.’
And my Melpomene replies,
438
A touch of shame upon her cheek:
‘I am not worthy ev’n to speak
Of thy prevailing mysteries;
‘For I am but an earthly Muse,
And owning but a little art
To lull with song an aching heart,
And render human love his dues;
‘But brooding on the dear one dead,
And all he said of things divine,
(And dear to me as sacred wine
To dying lips is all he said),
‘I murmur’d, as I came along,
Of comfort clasp’d in truth reveal’d;
And loiter’d in the master’s field,
And darken’d sanctities with song.’
XXXVIII.
With weary steps I loiter on,
Tho’ always under alter’d skies
The purple from the distance dies,
My prospect and horizon gone.
No joy the blowing season gives,
The herald melodies of spring,
But in the songs I love to sing
A doubtful gleam of solace lives.
If any care for what is here
Survive in spirits render’d free,
Then are these songs I sing of thee
Not all ungrateful to thine ear.
XXXIX.
Old warder of these buried bones,
439
And answering now my random stroke
With fruitful cloud and living smoke,
Dark yew, that graspest at the stones
And dippest toward the dreamless head,
To thee too comes the golden hour
When flower is feeling after flower;
But Sorrow–fixt upon the dead,
And darkening the dark graves of men,–
What whisper’d from her lying lips?
Thy gloom is kindled at the tips,
And passes into gloom again.
XL.
Could we forget the widow’d hour
And look on Spirits breathed away,
As on a maiden in the day
When first she wears her orange-flower!
When crown’d with blessing she doth rise
To take her latest leave of home,
And hopes and light regrets that come
Make April of her tender eyes;
And doubtful joys the father move,
And tears are on the mother’s face,
As parting with a long embrace
She enters other realms of love;
Her office there to rear, to teach,
Becoming as is meet and fit
A link among the days, to knit
The generations each with each;
And, doubtless, unto thee is given
A life that bears immortal fruit
In those great offices that suit
The full-grown energies of heaven.
Ay me, the difference I discern!
440
How often shall her old fireside
Be cheer’d with tidings of the bride,
How often she herself return,
And tell them all they would have told,
And bring her babe, and make her boast,
Till even those that miss’d her most
Shall count new things as dear as old:
But thou and I have shaken hands,
Till growing winters lay me low;
My paths are in the fields I know,
And thine in undiscover’d lands.
XLI.
The spirit ere our fatal loss
Did ever rise from high to higher;
As mounts the heavenward altar-fire,
As flies the lighter thro’ the gross.
But thou art turn’d to something strange,
And I have lost the links that bound
Thy changes; here upon the ground,
No more partaker of thy change.
Deep folly! yet that this could be–
That I could wing my will with might
To leap the grades of life and light,
And flash at once, my friend, to thee.
For tho’ my nature rarely yields
To that vague fear implied in death;
Nor shudders at the gulfs beneath,
The howlings from forgotten fields;
Yet oft when sundown skirts the moor
An inner trouble I behold,
A spectral doubt which makes me cold,
That I shall be thy mate no more,
441
Tho’ following with an upward mind
The wonders that have come to thee,
Thro’ all the secular to-be,
But evermore a life behind.
XLII.
I vex my heart with fancies dim:
He still outstript me in the race;
It was but unity of place
That made me dream I rank’d with him.
And so may Place retain us still,
And he the much-beloved again,
A lord of large experience, train
To riper growth the mind and will:
And what delights can equal those
That stir the spirit’s inner deeps,
When one that loves but knows not, reaps
A truth from one that loves and knows?
XLIII.
If Sleep and Death be truly one,
And every spirit’s folded bloom
Thro’ all its intervital gloom
In some long trance should slumber on;
Unconscious of the sliding hour,
Bare of the body, might it last,
And silent traces of the past
Be all the colour of the flower:
So then were nothing lost to man;
So that still garden of the souls
In many a figured leaf enrolls
The total world since life began;
And love will last as pure and whole
442
As when he loved me here in Time,
And at the spiritual prime
Rewaken with the dawning soul.
XLIV.
How fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish’d, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs),
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
XLV.
The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that ‘this is I:’
But as he grows he gathers much,
And learns the use of ‘I,’ and ‘me,’
And finds ‘I am not what I see,
And other than the things I touch.’
So rounds he to a separate mind
From whence clear memory may begin,
443
As thro’ the frame that binds him in
His isolation grows defined.
This use may lie in blood and breath,
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.
XLVI.
We ranging down this lower track,
The path we came by, thorn and flower,
Is shadow’d by the growing hour,
Lest life should fail in looking back.
So be it: there no shade can last
In that deep dawn behind the tomb,
But clear from marge to marge shall bloom
The eternal landscape of the past;
A lifelong tract of time reveal’d;
The fruitful hours of still increase;
Days order’d in a wealthy peace,
And those five years its richest field.
O Love, thy province were not large,
A bounded field, nor stretching far;
Look also, Love, a brooding star,
A rosy warmth from marge to marge.
XLVII.
That each, who seems a separate whole,
Should move his rounds, and fusing all
The skirts of self again, should fall
Remerging in the general Soul,
Is faith as vague as all unsweet:
Eternal form shall still divide
The eternal soul from all beside;
444
And I shall know him when we meet:
And we shall sit at endless feast,
Enjoying each the other’s good:
What vaster dream can hit the mood
Of Love on earth? He seeks at least
Upon the last and sharpest height,
Before the spirits fade away,
Some landing-place, to clasp and say,
‘Farewell! We lose ourselves in light.’
XLVIII.
If these brief lays, of Sorrow born,
Were taken to be such as closed
Grave doubts and answers here proposed,
Then these were such as men might scorn:
Her care is not to part and prove;
She takes, when harsher moods remit,
What slender shade of doubt may flit,
And makes it vassal unto love:
And hence, indeed, she sports with words,
But better serves a wholesome law,
And holds it sin and shame to draw
The deepest measure from the chords:
Nor dare she trust a larger lay,
But rather loosens from the lip
Short swallow-flights of song, that dip
Their wings in tears, and skim away.
XLIX.
From art, from nature, from the schools,
Let random influences glance,
Like light in many a shiver’d lance
445
That breaks about the dappled pools:
The lightest wave of thought shall lisp,
The fancy’s tenderest eddy wreathe,
The slightest air of song shall breathe
To make the sullen surface crisp.
And look thy look, and go thy way,
But blame not thou the winds that make
The seeming-wanton ripple break,
The tender-pencil’d shadow play.
Beneath all fancied hopes and fears
Ay me, the sorrow deepens down,
Whose muffled motions blindly drown
The bases of my life in tears.
L.
Be near me when my light is low,
When the blood creeps, and the nerves prick
And tingle; and the heart is sick,
And all the wheels of Being slow.
Be near me when the sensuous frame
Is rack’d with pangs that conquer trust;
And Time, a maniac scattering dust,
And Life, a Fury slinging flame.
Be near me when my faith is dry,
And men the flies of latter spring,
That lay their eggs, and sting and sing
And weave their petty cells and die.
Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.
LI.
446
Do we indeed desire the dead
Should still be near us at our side?
Is there no baseness we would hide?
No inner vileness that we dread?
Shall he for whose applause I strove,
I had such reverence for his blame,
See with clear eye some hidden shame
And I be lessen’d in his love?
I wrong the grave with fears untrue:
Shall love be blamed for want of faith?
There must be wisdom with great Death:
The dead shall look me thro’ and thro’.
Be near us when we climb or fall:
Ye watch, like God, the rolling hours
With larger other eyes than ours,
To make allowance for us all.
LII.
I cannot love thee as I ought,
For love reflects the thing beloved;
My words are only words, and moved
Upon the topmost froth of thought.
‘Yet blame not thou thy plaintive song,’
The Spirit of true love replied;
‘Thou canst not move me from thy side,
Nor human frailty do me wrong.
‘What keeps a spirit wholly true
To that ideal which he bears?
What record? not the sinless years
That breathed beneath the Syrian blue:
‘So fret not, like an idle girl,
That life is dash’d with flecks of sin.
Abide: thy wealth is gather’d in,
When Time hath sunder’d shell from pearl.’
447
LIII.
How many a father have I seen,
A sober man, among his boys,
Whose youth was full of foolish noise,
Who wears his manhood hale and green:
And dare we to this fancy give,
That had the wild oat not been sown,
The soil, left barren, scarce had grown
The grain by which a man may live?
Or, if we held the doctrine sound
For life outliving heats of youth,
Yet who would preach it as a truth
To those that eddy round and round?
Hold thou the good: define it well:
For fear divine Philosophy
Should push beyond her mark, and be
Procuress to the Lords of Hell.
LIV.
Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life shall be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another’s gain.
448
Behold, we know not anything;
I can but trust that good shall fall
At last–far off–at last, to all,
And every winter change to spring.
So runs my dream: but what am I?
An infant crying in the night:
An infant crying for the light:
And with no language but a cry.
LV.
The wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
LVI.
449
‘So careful of the type?’ but no.
From scarped cliff and quarried stone
She cries, ‘A thousand types are gone:
I care for nothing, all shall go.
‘Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.’ And he, shall he,
Man, her last work, who seem’d so fair,
Such splendid purpose in his eyes,
Who roll’d the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation’s final law–
Tho’ Nature, red in tooth and claw
With ravine, shriek’d against his creed–
Who loved, who suffer’d countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match’d with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
LVII.
Peace; come away: the song of woe
Is after all an earthly song:
Peace; come away: we do him wrong
To sing so wildly: let us go.
450
Come; let us go: your cheeks are pale;
But half my life I leave behind:
Methinks my friend is richly shrined;
But I shall pass; my work will fail.
Yet in these ears, till hearing dies,
One set slow bell will seem to toll
The passing of the sweetest soul
That ever look’d with human eyes.
I hear it now, and o’er and o’er,
Eternal greetings to the dead;
And ‘Ave, Ave, Ave,’ said,
‘Adieu, adieu’ for evermore.
LVIII.
In those sad words I took farewell:
Like echoes in sepulchral halls,
As drop by drop the water falls
In vaults and catacombs, they fell;
And, falling, idly broke the peace
Of hearts that beat from day to day,
Half-conscious of their dying clay,
And those cold crypts where they shall cease.
The high Muse answer’d: ‘Wherefore grieve
Thy brethren with a fruitless tear?
Abide a little longer here,
And thou shalt take a nobler leave.’
LIX.
O Sorrow, wilt thou live with me
No casual mistress, but a wife,
My bosom-friend and half of life;
As I confess it needs must be;
O Sorrow, wilt thou rule my blood,
451
Be sometimes lovely like a bride,
And put thy harsher moods aside,
If thou wilt have me wise and good.
My centred passion cannot move,
Nor will it lessen from to-day;
But I’ll have leave at times to play
As with the creature of my love;
And set thee forth, for thou art mine,
With so much hope for years to come,
That, howsoe’er I know thee, some
Could hardly tell what name were thine.
LX.
He past; a soul of nobler tone:
My spirit loved and loves him yet,
Like some poor girl whose heart is set
On one whose rank exceeds her own.
He mixing with his proper sphere,
She finds the baseness of her lot,
Half jealous of she knows not what,
And envying all that meet him there.
The little village looks forlorn;
She sighs amid her narrow days,
Moving about the household ways,
In that dark house where she was born.
The foolish neighbours come and go,
And tease her till the day draws by:
At night she weeps, ‘How vain am I!
How should he love a thing so low?’
LXI.
If, in thy second state sublime,
452
Thy ransom’d reason change replies
With all the circle of the wise,
The perfect flower of human time;
And if thou cast thine eyes below,
How dimly character’d and slight,
How dwarf’d a growth of cold and night,
How blanch'd with darkness must I grow!
Yet turn thee to the doubtful shore,
Where thy first form was made a man:
I loved thee, Spirit, and love, nor can
The soul of Shakespeare love thee more.
LXII.
Tho’ if an eye that’s downward cast
Could make thee somewhat blench or fail,
Then be my love an idle tale,
And fading legend of the past;
And thou, as one that once declined,
When he was little more than boy,
On some unworthy heart with joy,
But lives to wed an equal mind;
And breathes a novel world, the while
His other passion wholly dies,
Or in the light of deeper eyes
Is matter for a flying smile.
LXIII.
Yet pity for a horse o’er-driven,
And love in which my hound has part,
Can hang no weight upon my heart
In its assumptions up to heaven;
And I am so much more than these,
As thou, perchance, art more than I,
And yet I spare them sympathy,
453
And I would set their pains at ease.
So mayst thou watch me where I weep,
As, unto vaster motions bound,
The circuits of thine orbit round
A higher height, a deeper deep.
LXIV.
Dost thou look back on what hath been,
As some divinely gifted man,
Whose life in low estate began
And on a simple village green;
Who breaks his birth’s invidious bar,
And grasps the skirts of happy chance,
And breasts the blows of circumstance,
And grapples with his evil star;
Who makes by force his merit known
And lives to clutch the golden keys,
To mould a mighty state’s decrees,
And shape the whisper of the throne;
And moving up from high to higher,
Becomes on Fortune’s crowning slope
The pillar of a people’s hope,
The centre of a world’s desire;
Yet feels, as in a pensive dream,
When all his active powers are still,
A distant dearness in the hill,
A secret sweetness in the stream,
The limit of his narrower fate,
While yet beside its vocal springs
He play’d at counsellors and kings,
With one that was his earliest mate;
Who ploughs with pain his native lea
And reaps the labour of his hands,
454
Or in the furrow musing stands;
‘Does my old friend remember me?’
LXV.
Sweet soul, do with me as thou wilt;
I lull a fancy trouble-tost
With ‘Love’s too precious to be lost,
A little grain shall not be spilt.’
And in that solace can I sing,
Till out of painful phases wrought
There flutters up a happy thought,
Self-balanced on a lightsome wing:
Since we deserved the name of friends,
And thine effect so lives in me,
A part of mine may live in thee
And move thee on to noble ends.
LXVI.
You thought my heart too far diseased;
You wonder when my fancies play
To find me gay among the gay,
Like one with any trifle pleased.
The shade by which my life was crost,
Which makes a desert in the mind,
Has made me kindly with my kind,
And like to him whose sight is lost;
Whose feet are guided thro’ the land,
Whose jest among his friends is free,
Who takes the children on his knee,
And winds their curls about his hand:
He plays with threads, he beats his chair
For pastime, dreaming of the sky;
His inner day can never die,
455
His night of loss is always there.
LXVII.
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o’er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
LXVIII.
When in the down I sink my head,
Sleep, Death’s twin-brother, times my breath;
Sleep, Death’s twin-brother, knows not Death,
Nor can I dream of thee as dead:
I walk as ere I walk’d forlorn,
When all our path was fresh with dew,
And all the bugle breezes blew
Reveillée to the breaking morn.
But what is this? I turn about,
I find a trouble in thine eye,
Which makes me sad I know not why,
Nor can my dream resolve the doubt:
456
But ere the lark hath left the lea
I wake, and I discern the truth;
It is the trouble of my youth
That foolish sleep transfers to thee.
LXIX.
I dream’d there would be Spring no more,
That Nature’s ancient power was lost:
The streets were black with smoke and frost,
They chatter’d trifles at the door:
I wander’d from the noisy town,
I found a wood with thorny boughs:
I took the thorns to bind my brows,
I wore them like a civic crown:
I met with scoffs, I met with scorns
From youth and babe and hoary hairs:
They call’d me in the public squares
The fool that wears a crown of thorns:
They call’d me fool, they call’d me child:
I found an angel of the night;
The voice was low, the look was bright;
He look’d upon my crown and smiled:
He reach’d the glory of a hand,
That seem’d to touch it into leaf:
The voice was not the voice of grief,
The words were hard to understand.
LXX.
I cannot see the features right,
When on the gloom I strive to paint
The face I know; the hues are faint
And mix with hollow masks of night;
457
Cloud-towers by ghostly masons wrought,
A gulf that ever shuts and gapes,
A hand that points, and palled shapes
In shadowy thoroughfares of thought;
And crowds that stream from yawning doors,
And shoals of pucker’d faces drive;
Dark bulks that tumble half alive,
And lazy lengths on boundless shores;
Till all at once beyond the will
I hear a wizard music roll,
And thro’ a lattice on the soul
Looks thy fair face and makes it still.
LXXI.
Sleep, kinsman thou to death and trance
And madness, thou hast forged at last
A night-long Present of the Past
In which we went thro’ summer France.
Hadst thou such credit with the soul?
Then bring an opiate trebly strong,
Drug down the blindfold sense of wrong
That so my pleasure may be whole;
While now we talk as once we talk’d
Of men and minds, the dust of change,
The days that grow to something strange,
In walking as of old we walk’d
Beside the river’s wooded reach,
The fortress, and the mountain ridge,
The cataract flashing from the bridge,
The breaker breaking on the beach.
LXXII.
458
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown’d estate begun
To pine in that reverse of doom,
Which sicken’d every living bloom,
And blurr’d the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might’st have heaved a windless flame
Up the deep East, or, whispering, play’d
A chequer-work of beam and shade
Along the hills, yet look’d the same.
As wan, as chill, as wild as now;
Day, mark’d as with some hideous crime,
When the dark hand struck down thro’ time,
And cancell’d nature’s best: but thou,
Lift as thou may’st thy burthen’d brows
Thro’ clouds that drench the morning star,
And whirl the ungarner’d sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
LXXIII.
So many worlds, so much to do,
So little done, such things to be,
How know I what had need of thee,
For thou wert strong as thou wert true?
459
The fame is quench’d that I foresaw,
The head hath miss’d an earthly wreath:
I curse not nature, no, nor death;
For nothing is that errs from law.
We pass; the path that each man trod
Is dim, or will be dim, with weeds:
What fame is left for human deeds
In endless age? It rests with God.
O hollow wraith of dying fame,
Fade wholly, while the soul exults,
And self-infolds the large results
Of force that would have forged a name.
LXXIV.
As sometimes in a dead man’s face,
To those that watch it more and more,
A likeness, hardly seen before,
Comes out–to some one of his race:
So, dearest, now thy brows are cold,
I see thee what thou art, and know
Thy likeness to the wise below,
Thy kindred with the great of old.
But there is more than I can see,
And what I see I leave unsaid,
Nor speak it, knowing Death has made
His darkness beautiful with thee.
LXXV.
I leave thy praises unexpress’d
In verse that brings myself relief,
And by the measure of my grief
I leave thy greatness to be guess’d;
What practice howsoe’er expert
460
In fitting aptest words to things,
Or voice the richest-toned that sings,
Hath power to give thee as thou wert?
I care not in these fading days
To raise a cry that lasts not long,
And round thee with the breeze of song
To stir a little dust of praise.
Thy leaf has perish’d in the green,
And, while we breathe beneath the sun,
The world which credits what is done
Is cold to all that might have been.
So here shall silence guard thy fame;
But somewhere, out of human view,
Whate’er thy hands are set to do
Is wrought with tumult of acclaim.
LXXVI.
Take wings of fancy, and ascend,
And in a moment set thy face
Where all the starry heavens of space
Are sharpen’d to a needle’s end;
Take wings of foresight; lighten thro’
The secular abyss to come,
And lo, thy deepest lays are dumb
Before the mouldering of a yew;
And if the matin songs, that woke
The darkness of our planet, last,
Thine own shall wither in the vast,
Ere half the lifetime of an oak.
Ere these have clothed their branchy bowers
With fifty Mays, thy songs are vain;
And what are they when these remain
The ruin’d shells of hollow towers?
461
LXXVII.
What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten’d in the tract of time?
These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden’s locks;
Or when a thousand moons shall wane
A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.
But what of that? My darken’d ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.
LXXVIII.
Again at Christmas did we weave
The holly round the Christmas hearth;
The silent snow possess’d the earth,
And calmly fell our Christmas-eve:
The yule-clog sparkled keen with frost,
No wing of wind the region swept,
But over all things brooding slept
The quiet sense of something lost.
As in the winters left behind,
Again our ancient games had place,
The mimic picture’s breathing grace,
And dance and song and hoodman-blind.
Who show’d a token of distress?
462
No single tear, no mark of pain:
O sorrow, then can sorrow wane?
O grief, can grief be changed to less?
O last regret, regret can die!
No–mixt with all this mystic frame,
Her deep relations are the same,
But with long use her tears are dry.
LXXIX.
‘More than my brothers are to me,’–
Let this not vex thee, noble heart!
I know thee of what force thou art
To hold the costliest love in fee.
But thou and I are one in kind,
As moulded like in Nature’s mint;
And hill and wood and field did print
The same sweet forms in either mind.
For us the same cold streamlet curl’d
Thro’ all his eddying coves; the same
All winds that roam the twilight came
In whispers of the beauteous world.
At one dear knee we proffer’d vows,
One lesson from one book we learn’d,
Ere childhood’s flaxen ringlet turn’d
To black and brown on kindred brows.
And so my wealth resembles thine,
But he was rich where I was poor,
And he supplied my want the more
As his unlikeness fitted mine.
LXXX.
If any vague desire should rise,
463
That holy Death ere Arthur died
Had moved me kindly from his side,
And dropt the dust on tearless eyes;
Then fancy shapes, as fancy can,
The grief my loss in him had wrought,
A grief as deep as life or thought,
But stay’d in peace with God and man.
I make a picture in the brain;
I hear the sentence that he speaks;
He bears the burthen of the weeks
But turns his burthen into gain.
His credit thus shall set me free;
And, influence-rich to soothe and save,
Unused example from the grave
Reach out dead hands to comfort me.
LXXXI.
Could I have said while he was here,
‘My love shall now no further range;
There cannot come a mellower change,
For now is love mature in ear.’
Love, then, had hope of richer store:
What end is here to my complaint?
This haunting whisper makes me faint,
‘More years had made me love thee more.’
But Death returns an answer sweet:
‘My sudden frost was sudden gain,
And gave all ripeness to the grain,
It might have drawn from after-heat.’
LXXXII.
I wage not any feud with Death
For changes wrought on form and face;
464
No lower life that earth’s embrace
May breed with him, can fright my faith.
Eternal process moving on,
From state to state the spirit walks;
And these are but the shatter’d stalks,
Or ruin’d chrysalis of one.
Nor blame I Death, because he bare
The use of virtue out of earth:
I know transplanted human worth
Will bloom to profit, otherwhere.
For this alone on Death I wreak
The wrath that garners in my heart;
He put our lives so far apart
We cannot hear each other speak.
LXXXIII.
Dip down upon the northern shore,
O sweet new-year delaying long;
Thou doest expectant nature wrong;
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the foxglove spire,
The little speedwell’s darling blue,
Deep tulips dash’d with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud
And flood a fresher throat with song.
465
LXXXIV.
When I contemplate all alone
The life that had been thine below,
And fix my thoughts on all the glow
To which thy crescent would have grown;
I see thee sitting crown’d with good,
A central warmth diffusing bliss
In glance and smile, and clasp and kiss,
On all the branches of thy blood;
Thy blood, my friend, and partly mine;
For now the day was drawing on,
When thou should’st link thy life with one
Of mine own house, and boys of thine
Had babbled ‘Uncle’ on my knee;
But that remorseless iron hour
Made cypress of her orange flower,
Despair of Hope, and earth of thee.
I seem to meet their least desire,
To clap their cheeks, to call them mine.
I see their unborn faces shine
Beside the never-lighted fire.
I see myself an honour’d guest,
Thy partner in the flowery walk
Of letters, genial table-talk,
Or deep dispute, and graceful jest;
While now thy prosperous labour fills
The lips of men with honest praise,
And sun by sun the happy days
Descend below the golden hills
With promise of a morn as fair;
And all the train of bounteous hours
Conduct by paths of growing powers,
To reverence and the silver hair;
Till slowly worn her earthly robe,
466
Her lavish mission richly wrought,
Leaving great legacies of thought,
Thy spirit should fail from off the globe;
What time mine own might also flee,
As link’d with thine in love and fate,
And, hovering o’er the dolorous strait
To the other shore, involved in thee,
Arrive at last the blessed goal,
And He that died in Holy Land
Would reach us out the shining hand,
And take us as a single soul.
What reed was that on which I leant?
Ah, backward fancy, wherefore wake
The old bitterness again, and break
The low beginnings of content.
LXXXV.
This truth came borne with bier and pall,
I felt it, when I sorrow’d most,
’Tis better to have loved and lost,
Than never to have loved at all–
O true in word, and tried in deed,
Demanding, so to bring relief
To this which is our common grief,
What kind of life is that I lead;
And whether trust in things above
Be dimm’d of sorrow, or sustain’d;
And whether love for him have drain’d
My capabilities of love;
Your words have virtue such as draws
A faithful answer from the breast,
Thro’ light reproaches, half exprest,
And loyal unto kindly laws.
467
My blood an even tenor kept,
Till on mine ear this message falls,
That in Vienna’s fatal walls
God’s finger touch’d him, and he slept.
The great Intelligences fair
That range above our mortal state,
In circle round the blessed gate,
Received and gave him welcome there;
And led him thro’ the blissful climes,
And show'd him in the fountain fresh
All knowledge that the sons of flesh
Shall gather in the cycled times.
But I remained, whose hopes were dim,
Whose life, whose thoughts were little worth,
To wander on a darkened earth,
Where all things round me breathed of him.
friendship, equal poised control,
heart, with kindliest motion warm,
sacred essence, other form,
solemn ghost, O crowned soul!
Yet none could better know than I,
How much of act at human hands
The sense of human will demands
By which we dare to live or die.
Whatever way my days decline,
I felt and feel, tho’ left alone,
His being working in mine own,
The footsteps of his life in mine;
A life that all the Muses decked
With gifts of grace, that might express
All comprehensive tenderness,
All-subtilising intellect:
And so my passion hath not swerved
To works of weakness, but I find
468
An image comforting the mind,
And in my grief a strength reserved.
Likewise the imaginative woe,
That loved to handle spiritual strife,
Diffused the shock thro’ all my life,
But in the present broke the blow.
My pulses therefore beat again
For other friends that once I met;
Nor can it suit me to forget
The mighty hopes that make us men.
I woo your love: I count it crime
To mourn for any overmuch;
I, the divided half of such
A friendship as had master’d Time;
Which masters Time indeed, and is
Eternal, separate from fears:
The all-assuming months and years
Can take no part away from this:
But Summer on the steaming floods,
And Spring that swells the narrow brooks,
And Autumn, with a noise of rooks,
That gather in the waning woods,
And every pulse of wind and wave
Recalls, in change of light or gloom,
My old affection of the tomb,
And my prime passion in the grave:
My old affection of the tomb,
A part of stillness, yearns to speak:
‘Arise, and get thee forth and seek
A friendship for the years to come.
‘I watch thee from the quiet shore;
Thy spirit up to mine can reach;
But in dear words of human speech
We two communicate no more.’
469
And I, ‘Can clouds of nature stain
The starry clearness of the free?
How is it? Canst thou feel for me
Some painless sympathy with pain?’
And lightly does the whisper fall;
‘’Tis hard for thee to fathom this;
I triumph in conclusive bliss,
And that serene result of all.’
So hold I commerce with the dead;
Or so methinks the dead would say;
Or so shall grief with symbols play
And pining life be fancy-fed.
Now looking to some settled end,
That these things pass, and I shall prove
A meeting somewhere, love with love,
I crave your pardon, O my friend;
If not so fresh, with love as true,
I, clasping brother-hands aver
I could not, if I would, transfer
The whole I felt for him to you.
For which be they that hold apart
The promise of the golden hours?
First love, first friendship, equal powers,
That marry with the virgin heart.
Still mine, that cannot but deplore,
That beats within a lonely place,
That yet remembers his embrace,
But at his footstep leaps no more,
My heart, tho’ widow’d, may not rest
Quite in the love of what is gone,
But seeks to beat in time with one
That warms another living breast.
Ah, take the imperfect gift I bring,
470
Knowing the primrose yet is dear,
The primrose of the later year,
As not unlike to that of Spring.
LXXXVI.
Sweet after showers, ambrosial air,
That rollest from the gorgeous gloom
Of evening over brake and bloom
And meadow, slowly breathing bare
The round of space, and rapt below
Thro’ all the dewy-tassell’d wood,
And shadowing down the horned flood
In ripples, fan my brows and blow
The fever from my cheek, and sigh
The full new life that feeds thy breath
Throughout my frame, till Doubt and Death,
Ill brethren, let the fancy fly
From belt to belt of crimson seas
On leagues of odour streaming far,
To where in yonder orient star
A hundred spirits whisper ‘Peace.’
LXXXVII.
I past beside the reverend walls
In which of old I wore the gown;
I roved at random thro’ the town,
And saw the tumult of the halls;
And heard one more in college fanes
The storm their high-built organs make,
And thunder-music, rolling, shake
The prophet blazon’d on the panes;
And caught one more the distant shout,
The measured pulse of racing oars
471
Among the willows; paced the shores
And many a bridge, and all about
The same gray flats again, and felt
The same, but not the same; and last
Up that long walk of limes I past
To see the rooms in which he dwelt.
Another name was on the door:
I linger’d; all within was noise
Of songs, and clapping hands, and boys
That crash’d the glass and beat the floor;
Where once we held debate, a band
Of youthful friends, on mind and art,
And labour, and the changing mart,
And all the framework of the land;
When one would aim an arrow fair,
But send it slackly from the string;
And one would pierce an outer ring,
And one an inner, here and there;
And last the master-bowman, he,
Would cleave the mark. A willing ear
We lent him. Who, but hung to hear
The rapt oration flowing free
From point to point, with power and grace
And music in the bounds of law,
To those conclusions when we saw
The God within him light his face,
And seem to lift the form, and glow
In azure orbits heavenly wise;
And over those ethereal eyes
The bar of Michael Angelo.
LXXXVIII.
472
Wild bird, whose warble, liquid sweet,
Rings Eden thro’ the budded quicks,
O tell me where the senses mix,
O tell me where the passions meet,
Whence radiate: fierce extremes employ
Thy spirits in the darkening leaf,
And in the midmost heart of grief
Thy passion clasps a secret joy:
And I–my harp would prelude woe–
I cannot all command the strings;
The glory of the sum of things
Will flash along the chords and go.
LXXXIX.
Witch-elms that counterchange the floor
Of this flat lawn with dusk and bright;
And thou, with all thy breadth and height
Of foliage, towering sycamore;
How often, hither wandering down,
My Arthur found your shadows fair,
And shook to all the liberal air
The dust and din and steam of town:
He brought an eye for all he saw;
He mixt in all our simple sports;
They pleased him, fresh from brawling courts
And dusty purlieus of the law.
O joy to him in this retreat,
Immantled in ambrosial dark,
To drink the cooler air, and mark
The landscape winking thro’ the heat:
O sound to rout the brood of cares,
The sweep of scythe in morning dew,
The gust that round the garden flew,
And tumbled half the mellowing pears!
473
O bliss, when all in circle drawn
About him, heart and ear were fed
To hear him, as he lay and read
The Tuscan poets on the lawn:
Or in the all-golden afternoon
A guest, or happy sister, sung,
Or here she brought the harp and flung
A ballad to the brightening moon:
Nor less it pleased in livelier moods,
Beyond the bounding hill to stray,
And break the livelong summer day
With banquet in the distant woods;
Whereat we glanced from theme to theme,
Discuss’d the books to love or hate,
Or touch’d the changes of the state,
Or threaded some Socratic dream;
But if I praised the busy town,
He loved to rail against it still,
For ‘ground in yonder social mill
We rub each other’s angles down,
‘And merge’ he said ‘in form and gloss
The picturesque of man and man.’
We talk’d: the stream beneath us ran,
The wine-flask lying couch’d in moss,
Or cool’d within the glooming wave;
And last, returning from afar,
Before the crimson-circled star
Had fall’n into her father’s grave,
And brushing ankle-deep in flowers,
We heard behind the woodbine veil
The milk that bubbled in the pail,
And buzzings of the honied hours.
474
XC.
He tasted love with half his mind,
Nor ever drank the inviolate spring
Where nighest heaven, who first could fling
This bitter seed among mankind;
That could the dead, whose dying eyes
Were closed with wail, resume their life,
They would but find in child and wife
An iron welcome when they rise:
’Twas well, indeed, when warm with wine,
To pledge them with a kindly tear,
To talk them o’er, to wish them here,
To count their memories half divine;
But if they came who past away,
Behold their brides in other hands;
The hard heir strides about their lands,
And will not yield them for a day.
Yea, tho’ their sons were none of these,
Not less the yet-loved sire would make
Confusion worse than death, and shake
The pillars of domestic peace.
Ah dear, but come thou back to me:
Whatever change the years have wrought,
I find not yet one lonely thought
That cries against my wish for thee.
XCI.
When rosy plumelets tuft the larch,
And rarely pipes the mounted thrush;
Or underneath the barren bush
Flits by the sea-blue bird of March;
Come, wear the form by which I know
Thy spirit in time among thy peers;
The hope of unaccomplish’d years
475
Be large and lucid round thy brow.
When summer’s hourly-mellowing change
May breathe, with many roses sweet,
Upon the thousand waves of wheat,
That ripple round the lonely grange;
Come: not in watches of the night,
But where the sunbeam broodeth warm,
Come, beauteous in thine after form,
And like a finer light in light.
XCII.
If any vision should reveal
Thy likeness, I might count it vain
As but the canker of the brain;
Yea, tho’ it spake and made appeal
To chances where our lots were cast
Together in the days behind,
I might but say, I hear a wind
Of memory murmuring the past.
Yea, tho’ it spake and bared to view
A fact within the coming year;
And tho’ the months, revolving near,
Should prove the phantom-warning true,
They might not seem thy prophecies,
But spiritual presentiments,
And such refraction of events
As often rises ere they rise.
XCIII.
I shall not see thee. Dare I say
No spirit ever brake the band
That stays him from the native land
476
Where first he walk’d when claspt in clay?
No visual shade of some one lost,
But he, the Spirit himself, may come
Where all the nerve of sense is numb;
Spirit to Spirit, Ghost to Ghost.
O, therefore from thy sightless range
With gods in unconjectured bliss,
O, from the distance of the abyss
Of tenfold-complicated change,
Descend, and touch, and enter; hear
The wish too strong for words to name;
That in this blindness of the frame
My Ghost may feel that thine is near.
XCIV.
How pure at heart and sound in head,
With what divine affections bold
Should be the man whose thought would hold
An hour’s communion with the dead.
In vain shalt thou, or any, call
The spirits from their golden day,
Except, like them, thou too canst say,
My spirit is at peace with all.
They haunt the silence of the breast,
Imaginations calm and fair,
The memory like a cloudless air,
The conscience as a sea at rest:
But when the heart is full of din,
And doubt beside the portal waits,
They can but listen at the gates,
And hear the household jar within.
XCV.
477
By night we linger’d on the lawn,
For underfoot the herb was dry;
And genial warmth; and o’er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr’d:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel’d or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal’d
From knoll to knoll, where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall’n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love’s dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro’ wordy snares to track
Suggestion to her inmost cell.
So word by word, and line by line,
The dead man touch’d me from the past,
478
And all at once it seem’d at last
The living soul was flash’d on mine,
And mine in this was wound, and whirl’d
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time–the shocks of Chance–
The blows of Death. At length my trance
Was cancell’d, stricken thro’ with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev’n for intellect to reach
Thro’ memory that which I became:
Till now the doubtful dusk reveal’d
The knolls once more where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field:
And suck’d from out the distant gloom
A breeze began to tremble o’er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock’d the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
‘The dawn, the dawn,’ and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
XCVI.
479
You say, but with no touch of scorn,
Sweet-hearted, you, whose light-blue eyes
Are tender over drowning flies,
You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Sinaï’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
XCVII.
My love has talk’d with rocks and trees;
He finds on misty mountain-ground
His own vast shadow glory-crown’d;
He sees himself in all he sees.
Two partners of a married life–
I look’d on these and thought of thee
In vastness and in mystery,
And of my spirit as of a wife.
480
These two–they dwelt with eye on eye,
Their hearts of old have beat in tune,
Their meetings made December June,
Their every parting was to die.
Their love has never past away;
The days she never can forget
Are earnest that he loves her yet,
Whate’er the faithless people say.
Her life is lone, he sits apart,
He loves her yet, she will not weep,
Tho’ rapt in matters dark and deep
He seems to slight her simple heart.
He
He
He
He
thrids the labyrinth of the mind,
reads the secret of the star,
seems so near and yet so far,
looks so cold: she thinks him kind.
She keeps the gift of years before,
A wither’d violet is her bliss:
She knows not what his greatness is,
For that, for all, she loves him more.
For him she plays, to him she sings
Of early faith and plighted vows;
She knows but matters of the house,
And he, he knows a thousand things.
Her faith is fixt and cannot move,
She darkly feels him great and wise,
She dwells on him with faithful eyes,
‘I cannot understand: I love.’
XCVIII.
You leave us: you will see the Rhine,
And those fair hills I sail’d below,
When I was there with him; and go
481
By summer belts of wheat and vine
To where he breathed his latest breath,
That City. All her splendour seems
No livelier than the wisp that gleams
On Lethe in the eyes of Death.
Let her great Danube rolling fair
Enwind her isles, unmark’d of me:
I have not seen, I will not see
Vienna; rather dream that there,
A treble darkness, Evil haunts
The birth, the bridal; friend from friend
Is oftener parted, fathers bend
Above more graves, a thousand wants
Gnarr at the heels of men, and prey
By each cold hearth, and sadness flings
Her shadow on the blaze of kings:
And yet myself have heard him say,
That not in any mother town
With statelier progress to and fro
The double tides of chariots flow
By park and suburb under brown
Of lustier leaves; nor more content,
He told me, lives in any crowd,
When all is gay with lamps, and loud
With sport and song, in booth and tent,
Imperial halls, or open plain;
And wheels the circled dance, and breaks
The rocket molten into flakes
Of crimson or in emerald rain.
XCIX.
Risest thou thus, dim dawn, again,
So loud with voices of the birds,
482
So thick with lowings of the herds,
Day, when I lost the flower of men;
Who tremblest thro’ thy darkling red
On yon swoll’n brook that bubbles fast
By meadows breathing of the past,
And woodlands holy to the dead;
Who murmurest in the foliaged eaves
A song that slights the coming care,
And Autumn laying here and there
A fiery finger on the leaves;
Who wakenest with thy balmy breath
To myriads on the genial earth,
Memories of bridal, or of birth,
And unto myriads more, of death.
O wheresoever those may be,
Betwixt the slumber of the poles,
To-day they count as kindred souls;
They know me not, but mourn with me.
C.
I climb the hill: from end to end
Of all the landscape underneath,
I find no place that does not breathe
Some gracious memory of my friend;
No gray old grange, or lonely fold,
Or low morass and whispering reed,
Or simple stile from mead to mead,
Or sheepwalk up the windy wold;
Nor hoary knoll of ash and haw
That hears the latest linnet trill,
Nor quarry trench’d along the hill
And haunted by the wrangling daw;
Nor runlet tinkling from the rock;
Nor pastoral rivulet that swerves
483
To left and right thro’ meadowy curves,
That feed the mothers of the flock;
But each has pleased a kindred eye,
And each reflects a kindlier day;
And, leaving these, to pass away,
I think once more he seems to die.
CI.
Unwatch’d, the garden bough shall sway,
The tender blossom flutter down,
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sun-flower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
484
CII.
We leave the well-beloved place
Where first we gazed upon the sky;
The roofs, that heard our earliest cry,
Will shelter one of stranger race.
We go, but ere we go from home,
As down the garden-walks I move,
Two spirits of a diverse love
Contend for loving masterdom.
One whispers, ‘Here thy boyhood sung
Long since its matin song, and heard
The low love-language of the bird
In native hazels tassel-hung.’
The other answers, ‘Yea, but here
Thy feet have stray’d in after hours
With thy lost friend among the bowers,
And this hath made them trebly dear.’
These two have striven half the day,
And each prefers his separate claim,
Poor rivals in a losing game,
That will not yield each other way.
I turn to go: my feet are set
To leave the pleasant fields and farms;
They mix in one another’s arms
To one pure image of regret.
CIII.
On that last night before we went
From out the doors where I was bred,
I dream’d a vision of the dead,
Which left my after-morn content.
Methought I dwelt within a hall,
And maidens with me: distant hills
485
From hidden summits fed with rills
A river sliding by the wall.
The hall with harp and carol rang.
They sang of what is wise and good
And graceful. In the centre stood
A statue veil’d, to which they sang;
And which, tho’ veil’d, was known to me,
The shape of him I loved, and love
For ever: then flew in a dove
And brought a summons from the sea:
And when they learnt that I must go
They wept and wail’d, but led the way
To where a little shallop lay
At anchor in the flood below;
And on by many a level mead,
And shadowing bluff that made the banks,
We glided winding under ranks
Of iris, and the golden reed;
And still as vaster grew the shore
And roll’d the floods in grander space,
The maidens gather’d strength and grace
And presence, lordlier than before;
And I myself, who sat apart
And watch’d them, wax’d in every limb;
I felt the thews of Anakim,
The pulses of a Titan’s heart;
As one would sing the death of war,
And one would chant the history
Of that great race, which is to be,
And one the shaping of a star;
Until the forward-creeping tides
Began to foam, and we to draw
From deep to deep, to where we saw
A great ship lift her shining sides.
486
The man we loved was there on deck,
But thrice as large as man he bent
To greet us. Up the side I went,
And fell in silence on his neck:
Whereat those maidens with one mind
Bewail’d their lot; I did them wrong:
‘We served thee here’ they said, ‘so long,
And wilt thou leave us now behind?’
So rapt I was, they could not win
An answer from my lips, but he
Replying, ‘Enter likewise ye
And go with us:’ they enter’d in.
And while the wind began to sweep
A music out of sheet and shroud,
We steer’d her toward a crimson cloud
That landlike slept along the deep.
CIV.
The time draws near the birth of Christ;
The moon is hid, the night is still;
A single church below the hill
Is pealing, folded in the mist.
A single peal of bells below,
That wakens at this hour of rest
A single murmur in the breast,
That these are not the bells I know.
Like strangers’ voices here they sound,
In lands where not a memory strays,
Nor landmark breathes of other days,
But all is new unhallow’d ground.
CV.
487
To-night ungather’d let us leave
This laurel, let this holly stand:
We live within the stranger’s land,
And strangely falls our Christmas-eve.
Our father’s dust is left alone
And silent under other snows:
There in due time the woodbine blows,
The violet comes, but we are gone.
No more shall wayward grief abuse
The genial hour with mask and mime;
For change of place, like growth of time,
Has broke the bond of dying use.
Let cares that petty shadows cast,
By which our lives are chiefly proved,
A little spare the night I loved,
And hold it solemn to the past.
But let no footstep beat the floor,
Nor bowl of wassail mantle warm;
For who would keep an ancient form
Thro’ which the spirit breathes no more?
Be neither song, nor game, nor feast;
Nor harp be touch’d, nor flute be blown;
No dance, no motion, save alone
What lightens in the lucid east
Of rising worlds by yonder wood.
Long sleeps the summer in the seed;
Run out your measured arcs, and lead
The closing cycle rich in good.
CVI.
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
488
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring
Ring
Ring
Ring
out old shapes of foul disease;
out the narrowing lust of gold;
out the thousand wars of old,
in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.
CVII.
It is the day when he was born,
A bitter day that early sank
489
Behind a purple-frosty bank
Of vapour, leaving night forlorn.
The time admits not flowers or leaves
To deck the banquet. Fiercely flies
The blast of North and East, and ice
Makes daggers at the sharpen’d eaves,
And bristles all the brakes and thorns
To yon hard crescent, as she hangs
Above the wood which grides and clangs
Its leafless ribs and iron horns
Together, in the drifts that pass
To darken on the rolling brine
That breaks the coast. But fetch the wine,
Arrange the board and brim the glass;
Bring in great logs and let them lie,
To make a solid core of heat;
Be cheerful-minded, talk and treat
Of all things ev’n as he were by;
We keep the day. With festal cheer,
With books and music, surely we
Will drink to him, whate’er he be,
And sing the songs he loved to hear.
CVIII.
I will not shut me from my kind,
And, lest I stiffen into stone,
I will not eat my heart alone,
Nor feed with sighs a passing wind:
What profit lies in barren faith,
And vacant yearning, tho’ with might
To scale the heaven’s highest height,
Or dive below the wells of Death?
What find I in the highest place,
But mine own phantom chanting hymns?
490
And on the depths of death there swims
The reflex of a human face.
I'll rather take what fruit may be
Of sorrow under human skies:
’Tis held that sorrow makes us wise,
Whatever wisdom sleep with thee.
CIX.
Heart-affluence in discursive talk
From household fountains never dry;
The critic clearness of an eye,
That saw thro’ all the Muses’ walk;
Seraphic intellect and force
To seize and throw the doubts of man;
Impassion’d logic, which outran
The hearer in its fiery course;
High nature amorous of the good,
But touch’d with no ascetic gloom;
And passion pure in snowy bloom
Thro’ all the years of April blood;
A love of freedom rarely felt,
Of freedom in her regal seat
Of England; not the schoolboy heat,
The blind hysterics of the Celt;
And manhood fused with female grace
In such a sort, the child would twine
A trustful hand, unask’d, in thine,
And find his comfort in thy face;
All these have been, and thee mine eyes
Have look’d on: if they look’d in vain,
My shame is greater who remain,
Nor let thy wisdom make me wise.
491
CX.
Thy converse drew us with delight,
The men of rathe and riper years:
The feeble soul, a haunt of fears,
Forgot his weakness in thy sight.
On thee the loyal-hearted hung,
The proud was half disarm’d of pride,
Nor cared the serpent at thy side
To flicker with his double tongue.
The stern were mild when thou wert by,
The flippant put himself to school
And heard thee, and the brazen fool
Was soften’d, and he knew not why;
While I, thy nearest, sat apart,
And felt thy triumph was as mine;
And loved them more, that they were thine,
The graceful tact, the Christian art;
Nor mine the sweetness or the skill,
But mine the love that will not tire,
And, born of love, the vague desire
That spurs an imitative will.
CXI.
The churl in spirit, up or down
Along the scale of ranks, thro’ all,
To him who grasps a golden ball,
By blood a king, at heart a clown;
The churl in spirit, howe’er he veil
His want in forms for fashion’s sake,
Will let his coltish nature break
At seasons thro’ the gilded pale:
For who can always act? but he,
To whom a thousand memories call,
492
Not being less but more than all
The gentleness he seem’d to be,
Best seem’d the thing he was, and join’d
Each office of the social hour
To noble manners, as the flower
And native growth of noble mind;
Nor ever narrowness or spite,
Or villain fancy fleeting by,
Drew in the expression of an eye,
Where God and Nature met in light;
And thus he bore without abuse
The grand old name of gentleman,
Defamed by every charlatan,
And soil’d with all ignoble use.
CXII.
High wisdom holds my wisdom less,
That I, who gaze with temperate eyes
On glorious insufficiencies,
Set light by narrower perfectness.
But thou, that fillest all the room
Of all my love, art reason why
I seem to cast a careless eye
On souls, the lesser lords of doom.
For what wert thou? some novel power
Sprang up for ever at a touch,
And hope could never hope too much,
In watching thee from hour to hour,
Large elements in order brought,
And tracts of calm from tempest made,
And world-wide fluctuation sway’d
In vassal tides that follow’d thought.
493
CXIII.
’Tis held that sorrow makes us wise;
Yet how much wisdom sleeps with thee
Which not alone had guided me,
But served the seasons that may rise;
For can I doubt, who knew thee keen
In intellect, with force and skill
To strive, to fashion, to fulfil–
I doubt not what thou wouldst have been:
life in civic action warm,
soul on highest mission sent,
potent voice of Parliament,
pillar steadfast in the storm,
Should licensed boldness gather force,
Becoming, when the time has birth,
A lever to uplift the earth
And roll it in another course,
With thousand shocks that come and go,
With agonies, with energies,
With overthrowings, and with cries,
And undulations to and fro.
CXIV.
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
But on her forehead sits a fire:
She sets her forward countenance
And leaps into the future chance,
Submitting all things to desire.
Half-grown as yet, a child, and vain–
She cannot fight the fear of death.
494
What is she, cut from love and faith,
But some wild Pallas from the brain
Of Demons? fiery-hot to burst
All barriers in her onward race
For power. Let her know her place;
She is the second, not the first.
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child:
For she is earthly of the mind,
But Wisdom heavenly of the soul.
O, friend, who camest to thy goal
So early, leaving me behind,
I would the great world grew like thee,
Who grewest not alone in power
And knowledge, but by year and hour
In reverence and in charity.
CXV.
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown’d in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
495
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
CXVI.
Is it, then, regret for buried time
That keenlier in sweet April wakes,
And meets the year, and gives and takes
The colours of the crescent prime?
Not all: the songs, the stirring air,
The life re-orient out of dust,
Cry thro’ the sense to hearten trust
In that which made the world so fair.
Not all regret: the face will shine
Upon me, while I muse alone;
And that dear voice, I once have known,
Still speak to me of me and mine:
Yet less of sorrow lives in me
For days of happy commune dead;
Less yearning for the friendship fled,
Than some strong bond which is to be.
CXVII.
O days and hours, your work is this
To hold me from my proper place,
A little while from his embrace
For fuller gain of after bliss:
That out of distance might ensue
Desire of nearness doubly sweet;
496
And unto meeting when we meet,
Delight a hundredfold accrue,
For every grain of sand that runs,
And every span of shade that steals,
And every kiss of toothed wheels,
And all the courses of the suns.
CXVIII.
Contemplate all this work of Time,
The giant labouring in his youth;
Nor dream of human love and truth,
As dying Nature’s earth and lime;
But trust that those we call the dead
Are breathers of an ampler day
For ever nobler ends. They say,
The solid earth whereon we tread
In tracts of fluent heat began,
And grew to seeming-random forms,
The seeming prey of cyclic storms,
Till at the last arose the man;
Who throve and branch’d from clime to clime,
The herald of a higher race,
And of himself in higher place,
If so he type this work of time
Within himself, from more to more;
Or, crown’d with attributes of woe
Like glories, move his course, and show
That life is not as idle ore,
But iron dug from central gloom,
And heated hot with burning fears,
And dipt in baths of hissing tears,
And batter’d with the shocks of doom
To shape and use. Arise and fly
497
The reeling Faun, the sensual feast;
Move upward, working out the beast,
And let the ape and tiger die.
CXIX.
Doors, where my heart was used to beat
So quickly, not as one that weeps
I come once more; the city sleeps;
I smell the meadow in the street;
I hear a chirp of birds; I see
Betwixt the black fronts long-withdrawn
A light-blue lane of early dawn,
And think of early days and thee,
And bless thee, for thy lips are bland,
And bright the friendship of thine eye;
And in my thoughts with scarce a sigh
I take the pressure of thine hand.
CXX.
I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;
Not only cunning casts in clay:
Let Science prove we are, and then
What matters Science unto men,
At least to me? I would not stay.
Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was born to other things.
498
CXXI.
Sad Hesper o’er the buried sun
And ready, thou, to die with him,
Thou watchest all things ever dim
And dimmer, and a glory done:
The team is loosen’d from the wain,
The boat is drawn upon the shore;
Thou listenest to the closing door,
And life is darken’d in the brain.
Bright Phosphor, fresher for the night,
By thee the world’s great work is heard
Beginning, and the wakeful bird;
Behind thee comes the greater light:
The market boat is on the stream,
And voices hail it from the brink;
Thou hear’st the village hammer clink,
And see’st the moving of the team.
Sweet Hesper-Phosphor, double name
For what is one, the first, the last,
Thou, like my present and my past,
Thy place is changed; thou art the same.
CXXII.
Oh, wast thou with me, dearest, then,
While I rose up against my doom,
And yearn’d to burst the folded gloom,
To bare the eternal Heavens again,
To feel once more, in placid awe,
The strong imagination roll
A sphere of stars about my soul,
In all her motion one with law;
If thou wert with me, and the grave
Divide us not, be with me now,
And enter in at breast and brow,
499
Till all my blood, a fuller wave,
Be quicken’d with a livelier breath,
And like an inconsiderate boy,
As in the former flash of joy,
I slip the thoughts of life and death;
And all the breeze of Fancy blows,
And every dew-drop paints a bow,
The wizard lightnings deeply glow,
And every thought breaks out a rose.
CXXIII.
There rolls the deep where grew the tree.
O earth, what changes hast thou seen!
There where the long street roars, hath been
The stillness of the central sea.
The hills are shadows, and they flow
From form to form, and nothing stands;
They melt like mist, the solid lands,
Like clouds they shape themselves and go.
But in my spirit will I dwell,
And dream my dream, and hold it true;
For tho’ my lips may breathe adieu,
I cannot think the thing farewell.
CXXIV.
That which we dare invoke to bless;
Our dearest faith; our ghastliest doubt;
He, They, One, All; within, without;
The Power in darkness whom we guess;
I found Him not in world or sun,
Or eagle’s wing, or insect’s eye;
Nor thro’ the questions men may try,
The petty cobwebs we have spun:
500
If e’er when faith had fall’n asleep,
I heard a voice ‘believe no more’
And heard an ever-breaking shore
That tumbled in the Godless deep;
A warmth within the breast would melt
The freezing reason’s colder part,
And like a man in wrath the heart
Stood up and answer’d ‘I have felt.’
No, like a child in doubt and fear:
But that blind clamour made me wise;
Then was I as a child that cries,
But, crying, knows his father near;
And what I am beheld again
What is, and no man understands;
And out of darkness came the hands
That reach thro’ nature, moulding men.
CXXV.
Whatever I have said or sung,
Some bitter notes my harp would give,
Yea, tho’ there often seem’d to live
A contradiction on the tongue,
Yet Hope had never lost her youth;
She did but look through dimmer eyes;
Or Love but play’d with gracious lies,
Because he felt so fix’d in truth:
And if the song were full of care,
He breathed the spirit of the song;
And if the words were sweet and strong
He set his royal signet there;
Abiding with me till I sail
To seek thee on the mystic deeps,
And this electric force, that keeps
501
A thousand pulses dancing, fail.
CXXVI.
Love is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho’ as yet I keep
Within his court on earth, and sleep
Encompass’d by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
CXXVII.
And all is well, tho’ faith and form
Be sunder’d in the night of fear;
Well roars the storm to those that hear
A deeper voice across the storm,
Proclaiming social truth shall spread,
And justice, ev’n tho’ thrice again
The red fool-fury of the Seine
Should pile her barricades with dead.
But ill for him that wears a crown,
And him, the lazar, in his rags:
They tremble, the sustaining crags;
The spires of ice are toppled down,
And molten up, and roar in flood;
The fortress crashes from on high,
The brute earth lightens to the sky,
And the great Æon sinks in blood,
502
And compass’d by the fires of Hell;
While thou, dear spirit, happy star,
O’erlook’st the tumult from afar,
And smilest, knowing all is well.
CXXVIII.
The love that rose on stronger wings,
Unpalsied when he met with Death,
Is comrade of the lesser faith
That sees the course of human things.
No doubt vast eddies in the flood
Of onward time shall yet be made,
And throned races may degrade;
Yet O ye mysteries of good,
Wild Hours that fly with Hope and Fear,
If all your office had to do
With old results that look like new;
If this were all your mission here,
To
To
To
To
draw, to sheathe a useless sword,
fool the crowd with glorious lies,
cleave a creed in sects and cries,
change the bearing of a word,
To shift an arbitrary power,
To cramp the student at his desk,
To make old bareness picturesque
And tuft with grass a feudal tower;
Why then my scorn might well descend
On you and yours. I see in part
That all, as in some piece of art,
Is toil coöperant to an end.
CXXIX.
503
Dear friend, far off, my lost desire,
So far, so near in woe and weal;
O loved the most, when most I feel
There is a lower and a higher;
Known and unknown; human, divine;
Sweet human hand and lips and eye;
Dear heavenly friend that canst not die,
Mine, mine, for ever, ever mine;
Strange friend, past, present, and to be;
Loved deeplier, darklier understood;
Behold, I dream a dream of good,
And mingle all the world with thee.
CXXX.
Thy voice is on the rolling air;
I hear thee where the waters run;
Thou standest in the rising sun,
And in the setting thou art fair.
What art thou then? I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less:
My love involves the love before;
My love is vaster passion now;
Tho’ mix’d with God and Nature thou,
I seem to love thee more and more.
Far off thou art, but ever nigh;
I have thee still, and I rejoice;
I prosper, circled with thy voice;
I shall not lose thee tho’ I die.
CXXXI.
504
O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro’ our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer’d years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.
_________
O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;
Tho’ I since then have number’d o’er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;
No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.
Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;
Which makes appear the songs I made
505
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.
But where is she, the bridal flower,
That must he made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:
On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.
O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.
And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.
But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.
For I that danced her on my knee,
That watch’d her on her nurse’s arm,
That shielded all her life from harm
At last must part with her to thee;
Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life
Breathed in her ear. The ring is on,
The ‘wilt thou’ answer’d, and again
The ‘wilt thou’ ask’d, till out of twain
506
Her sweet ‘I will’ has made you one.
Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign’d, and overhead
Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.
O happy hour, and happier hours
Await them. Many a merry face
Salutes them–maidens of the place,
That pelt us in the porch with flowers.
O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.
To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.
Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.
It circles round, and fancy plays,
And hearts are warm’d and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.
Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho’ in silence, wishing joy.
507
But they must go, the time draws on,
And those white-favour’d horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.
A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,
Discussing how their courtship grew,
And talk of others that are wed,
And how she look’d, and what he said,
And back we come at fall of dew.
Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,
And last the dance;–till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:
And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,
The white-faced halls, the glancing rills,
And catch at every mountain head,
And o’er the friths that branch and spread
Their sleeping silver thro’ the hills;
And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores
By which they rest, and ocean sounds,
And, star and system rolling past,
508
A soul shall draw from out the vast
And strike his being into bounds,
And, moved thro’ life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race
Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth’s, and in their hand
Is Nature like an open book;
No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer’d, is but seed
Of what in them is flower and fruit;
Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,
That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.
~ Alfred Lord Tennyson,
235:A Lyrical Drama, In Four Acts.
Audisne haec amphiarae, sub terram abdite?

ACT I
Scene.A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea andIone are seated at his feet. Time, night. During the Scene, morning slowly breaks.
Prometheus.
Monarch of Gods and Dmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things
Behold with sleepless eyes! regard this Earth
Made multitudinous with thy slaves, whom thou
Requitest for knee-worship, prayer, and praise,
And toil, and hecatombs of broken hearts,
With fear and self-contempt and barren hope.
Whilst me, who am thy foe, eyeless in hate,
Hast thou made reign and triumph, to thy scorn,
O'er mine own misery and thy vain revenge.
Three thousand years of sleep-unsheltered hours,
And moments aye divided by keen pangs
Till they seemed years, torture and solitude,
Scorn and despair,these are mine empire:
More glorious far than that which thou surveyest
From thine unenvied throne, O Mighty God!
Almighty, had I deigned to share the shame
Of thine ill tyranny, and hung not here
Nailed to this wall of eagle-baffling mountain,
Black, wintry, dead, unmeasured; without herb,
Insect, or beast, or shape or sound of life.
Ah me! alas, pain, pain ever, for ever!
No change, no pause, no hope! Yet I endure.
I ask the Earth, have not the mountains felt?
I ask yon Heaven, the all-beholding Sun,
Has it not seen? The Sea, in storm or calm,
Heaven's ever-changing Shadow, spread below,
Have its deaf waves not heard my agony?
Ah me! alas, pain, pain ever, for ever!
The crawling glaciers pierce me with the spears
Of their moon-freezing crystals, the bright chains
Eat with their burning cold into my bones.
Heaven's wingd hound, polluting from thy lips
His beak in poison not his own, tears up
My heart; and shapeless sights come wandering by,
The ghastly people of the realm of dream,
Mocking me: and the Earthquake-fiends are charged
To wrench the rivets from my quivering wounds
When the rocks split and close again behind:
While from their loud abysses howling throng
The genii of the storm, urging the rage
Of whirlwind, and afflict me with keen hail.
And yet to me welcome is day and night,
Whether one breaks the hoar frost of the morn,
Or starry, dim, and slow, the other climbs
The leaden-coloured east; for then they lead
The wingless, crawling hours, one among whom
As some dark Priest hales the reluctant victim
Shall drag thee, cruel King, to kiss the blood
From these pale feet, which then might trample thee
If they disdained not such a prostrate slave.
Disdain! Ah no! I pity thee. What ruin
Will hunt thee undefended through wide Heaven!
How will thy soul, cloven to its depth with terror,
Gape like a hell within! I speak in grief,
Not exultation, for I hate no more,
As then ere misery made me wise. The curse
Once breathed on thee I would recall. Ye Mountains,
Whose many-voicd Echoes, through the mist
Of cataracts, flung the thunder of that spell!
Ye icy Springs, stagnant with wrinkling frost,
Which vibrated to hear me, and then crept
Shuddering through India! Thou serenest Air,
Through which the Sun walks burning without beams!
And ye swift Whirlwinds, who on poisd wings
Hung mute and moveless o'er yon hushed abyss,
As thunder, louder than your own, made rock
The orbd world! If then my words had power,
Though I am changed so that aught evil wish
Is dead within; although no memory be
Of what is hate, let them not lose it now!
What was that curse? for ye all heard me speak.
First Voice
(from the Mountains).
Thrice three hundred thousand years
O'er the Earthquake's couch we stood:
Oft, as men convulsed with fears,
We trembled in our multitude.
Second Voice
(from the Springs).
Thunderbolts had parched our water,
We had been stained with bitter blood,
And had run mute, 'mid shrieks of slaughter,
Thro' a city and a solitude.
Third Voice
(from the Air).
I had clothed, since Earth uprose,
Its wastes in colours not their own,
And oft had my serene repose
Been cloven by many a rending groan.
Fourth Voice
(from the Whirlwinds).
We had soared beneath these mountains
Unresting ages; nor had thunder,
Nor yon volcano's flaming fountains,
Nor any power above or under
Ever made us mute with wonder.
First Voice.
But never bowed our snowy crest
As at the voice of thine unrest.
Second Voice.
Never such a sound before
To the Indian waves we bore.
A pilot asleep on the howling sea
Leaped up from the deck in agony,
And heard, and cried, 'Ah, woe is me!'
And died as mad as the wild waves be.
Third Voice.
By such dread words from Earth to Heaven
My still realm was never riven:
When its wound was closed, there stood
Darkness o'er the day like blood.
Fourth Voice.
And we shrank back: for dreams of ruin
To frozen caves our flight pursuing
Made us keep silencethusand thus
Though silence is as hell to us.
The Earth.
The tongueless Caverns of the craggy hills
Cried, 'Misery!' then; the hollow Heaven replied,
'Misery!' And the Ocean's purple waves,
Climbing the land, howled to the lashing winds,
And the pale nations heard it, 'Misery!'
Prometheus.
I heard a sound of voices: not the voice
Which I gave forth. Mother, thy sons and thou
Scorn him, without whose all-enduring will
Beneath the fierce omnipotence of Jove,
Both they and thou had vanished, like thin mist
Unrolled on the morning wind. Know ye not me,
The Titan? He who made his agony
The barrier to your else all-conquering foe?
Oh, rock-embosomed lawns, and snow-fed streams,
Now seen athwart frore vapours, deep below,
Through whose o'ershadowing woods I wandered once
With Asia, drinking life from her loved eyes;
Why scorns the spirit which informs ye, now
To commune with me? me alone, who checked,
As one who checks a fiend-drawn charioteer,
The falsehood and the force of him who reigns
Supreme, and with the groans of pining slaves
Fills your dim glens and liquid wildernesses:
Why answer ye not, still? Brethren!
The Earth.
                   They dare not.
                   Prometheus.
Who dares? for I would hear that curse again.
Ha, what an awful whisper rises up!
'Tis scarce like sound: it tingles through the frame
As lightning tingles, hovering ere it strike.
Speak, Spirit! from thine inorganic voice
I only know that thou art moving near
And love. How cursed I him?
The Earth.
               How canst thou hear
Who knowest not the language of the dead?
Prometheus.
Thou art a living spirit; speak as they.
The Earth.
I dare not speak like life, lest Heaven's fell King
Should hear, and link me to some wheel of pain
More torturing than the one whereon I roll.
Subtle thou art and good, and though the Gods
Hear not this voice, yet thou art more than God,
Being wise and kind: earnestly hearken now.
Prometheus.
Obscurely through my brain, like shadows dim,
Sweep awful thoughts, rapid and thick. I feel
Faint, like one mingled in entwining love;
Yet 'tis not pleasure.
The Earth.
            No, thou canst not hear:
Thou art immortal, and this tongue is known
Only to those who die.
Prometheus.
            And what art thou,
O, melancholy Voice?
The Earth.
           I am the Earth,
Thy mother; she within whose stony veins,
To the last fibre of the loftiest tree
Whose thin leaves trembled in the frozen air,
Joy ran, as blood within a living frame,
When thou didst from her bosom, like a cloud
Of glory, arise, a spirit of keen joy!
And at thy voice her pining sons uplifted
Their prostrate brows from the polluting dust,
And our almighty Tyrant with fierce dread
Grew pale, until his thunder chained thee here.
Then, see those million worlds which burn and roll
Around us: their inhabitants beheld
My spherd light wane in wide Heaven; the sea
Was lifted by strange tempest, and new fire
From earthquake-rifted mountains of bright snow
Shook its portentous hair beneath Heaven's frown;
Lightning and Inundation vexed the plains;
Blue thistles bloomed in cities; foodless toads
Within voluptuous chambers panting crawled:
When Plague had fallen on man, and beast, and worm,
And Famine; and black blight on herb and tree;
And in the corn, and vines, and meadow-grass,
Teemed ineradicable poisonous weeds
Draining their growth, for my wan breast was dry
With grief; and the thin air, my breath, was stained
With the contagion of a mother's hate
Breathed on her child's destroyer; ay, I heard
Thy curse, the which, if thou rememberest not,
Yet my innumerable seas and streams,
Mountains, and caves, and winds, and yon wide air,
And the inarticulate people of the dead,
Preserve, a treasured spell. We meditate
In secret joy and hope those dreadful words,
But dare not speak them.
Prometheus.
             Venerable mother!
All else who live and suffer take from thee
Some comfort; flowers, and fruits, and happy sounds,
And love, though fleeting; these may not be mine.
But mine own words, I pray, deny me not.
The Earth.
They shall be told. Ere Babylon was dust,
The Magus Zoroaster, my dead child,
Met his own image walking in the garden.
That apparition, sole of men, he saw.
For know there are two worlds of life and death:
One that which thou beholdest; but the other
Is underneath the grave, where do inhabit
The shadows of all forms that think and live
Till death unite them and they part no more;
Dreams and the light imaginings of men,
And all that faith creates or love desires,
Terrible, strange, sublime and beauteous shapes.
There thou art, and dost hang, a writhing shade,
'Mid whirlwind-peopled mountains; all the gods
Are there, and all the powers of nameless worlds,
Vast, sceptred phantoms; heroes, men, and beasts;
And Demogorgon, a tremendous gloom;
And he, the supreme Tyrant, on his throne
Of burning gold. Son, one of these shall utter
The curse which all remember. Call at will
Thine own ghost, or the ghost of Jupiter,
Hades or Typhon, or what mightier Gods
From all-prolific Evil, since thy ruin
Have sprung, and trampled on my prostrate sons.
Ask, and they must reply: so the revenge
Of the Supreme may sweep through vacant shades,
As rainy wind through the abandoned gate
Of a fallen palace.
Prometheus.
          Mother, let not aught
Of that which may be evil, pass again
My lips, or those of aught resembling me.
Phantasm of Jupiter, arise, appear!
Ione.
My wings are folded o'er mine ears:
  My wings are crossd o'er mine eyes:
Yet through their silver shade appears,
  And through their lulling plumes arise,
A Shape, a throng of sounds;
  May it be no ill to thee
O thou of many wounds!
Near whom, for our sweet sister's sake,
Ever thus we watch and wake.
Panthea.
The sound is of whirlwind underground,
  Earthquake, and fire, and mountains cloven;
The shape is awful like the sound,
  Clothed in dark purple, star-inwoven.
A sceptre of pale gold
  To stay steps proud, o'er the slow cloud
His veind hand doth hold.
Cruel he looks, but calm and strong,
Like one who does, not suffers wrong.
Phantasm of Jupiter.
Why have the secret powers of this strange world
Driven me, a frail and empty phantom, hither
On direst storms? What unaccustomed sounds
Are hovering on my lips, unlike the voice
With which our pallid race hold ghastly talk
In darkness? And, proud sufferer, who art thou?
Prometheus.
Tremendous Image, as thou art must be
He whom thou shadowest forth. I am his foe,
The Titan. Speak the words which I would hear,
Although no thought inform thine empty voice.
The Earth.
Listen! And though your echoes must be mute,
Gray mountains, and old woods, and haunted springs,
Prophetic caves, and isle-surrounding streams,
Rejoice to hear what yet ye cannot speak.
Phantasm.
A spirit seizes me and speaks within:
It tears me as fire tears a thunder-cloud.
Panthea.
See, how he lifts his mighty looks, the Heaven
Darkens above.
Ione.
       He speaks! O shelter me!
       Prometheus.
I see the curse on gestures proud and cold,
And looks of firm defiance, and calm hate,
And such despair as mocks itself with smiles,
Written as on a scroll: yet speak: Oh, speak!
Phantasm.
Fiend, I defy thee! with a calm, fixed mind,
  All that thou canst inflict I bid thee do;
Foul Tyrant both of Gods and Human-kind,
  One only being shalt thou not subdue.
Rain then thy plagues upon me here,
Ghastly disease, and frenzying fear;
And let alternate frost and fire
Eat into me, and be thine ire
Lightning, and cutting hail, and legioned forms
Of furies, driving by upon the wounding storms.
Ay, do thy worst. Thou art omnipotent.
  O'er all things but thyself I gave thee power,
And my own will. Be thy swift mischiefs sent
  To blast mankind, from yon ethereal tower.
Let thy malignant spirit move
In darkness over those I love:
On me and mine I imprecate
The utmost torture of thy hate;
And thus devote to sleepless agony,
This undeclining head while thou must reign on high.
But thou, who art the God and Lord: O, thou,
  Who fillest with thy soul this world of woe,
To whom all things of Earth and Heaven do bow
  In fear and worship: all-prevailing foe!
I curse thee! let a sufferer's curse
Clasp thee, his torturer, like remorse;
Till thine Infinity shall be
A robe of envenomed agony;
And thine Omnipotence a crown of pain,
To cling like burning gold round thy dissolving brain.
Heap on thy soul, by virtue of this Curse,
  Ill deeds, then be thou damned, beholding good;
Both infinite as is the universe,
  And thou, and thy self-torturing solitude.
An awful image of calm power
Though now thou sittest, let the hour
Come, when thou must appear to be
That which thou art internally;
And after many a false and fruitless crime
Scorn track thy lagging fall through boundless space and time.
Prometheus.
Were these my words, O Parent?
The Earth.
                They were thine.
                Prometheus.
It doth repent me: words are quick and vain;
Grief for awhile is blind, and so was mine.
I wish no living thing to suffer pain.
The Earth.
Misery, Oh misery to me,
That Jove at length should vanquish thee.
Wail, howl aloud, Land and Sea,
The Earth's rent heart shall answer ye.
Howl, Spirits of the living and the dead,
Your refuge, your defence lies fallen and vanquishd.
First Echo.
Lies fallen and vanquishd!
Second Echo.
Fallen and vanquishd!
Ione.
Fear not: 'tis but some passing spasm,
The Titan is unvanquished still.
But see, where through the azure chasm
Of yon forked and snowy hill
Trampling the slant winds on high
With golden-sandalled feet, that glow
Under plumes of purple dye,
Like rose-ensanguined ivory,
A Shape comes now,
Stretching on high from his right hand
A serpent-cinctured wand.
Panthea.
'Tis Jove's world-wandering herald, Mercury.
Ione.
And who are those with hydra tresses
And iron wings that climb the wind,
Whom the frowning God represses
Like vapours steaming up behind,
Clanging loud, an endless crowd
Panthea.
These are Jove's tempest-walking hounds,
Whom he gluts with groans and blood,
When charioted on sulphurous cloud
He bursts Heaven's bounds.
Ione.
Are they now led, from the thin dead
On new pangs to be fed?
Panthea.
The Titan looks as ever, firm, not proud.
First Fury.
Ha! I scent life!
Second Fury.
         Let me but look into his eyes!
         Third Fury.
The hope of torturing him smells like a heap
Of corpses, to a death-bird after battle.
First Fury.
Darest thou delay, O Herald! take cheer, Hounds
Of Hell: what if the Son of Maia soon
Should make us food and sportwho can please long
The Omnipotent?
Mercury.
        Back to your towers of iron,
And gnash, beside the streams of fire and wail,
Your foodless teeth. Geryon, arise! and Gorgon,
Chimra, and thou Sphinx, subtlest of fiends
Who ministered to Thebes Heaven's poisoned wine,
Unnatural love, and more unnatural hate:
These shall perform your task.
First Fury.
                Oh, mercy! mercy!
We die with our desire: drive us not back!
Mercury.
Crouch then in silence.
            Awful Sufferer!
To thee unwilling, most unwillingly
I come, by the great Father's will driven down,
To execute a doom of new revenge.
Alas! I pity thee, and hate myself
That I can do no more: aye from thy sight
Returning, for a season, Heaven seems Hell,
So thy worn form pursues me night and day,
Smiling reproach. Wise art thou, firm and good,
But vainly wouldst stand forth alone in strife
Against the Omnipotent; as yon clear lamps
That measure and divide the weary years
From which there is no refuge, long have taught
And long must teach. Even now thy Torturer arms
With the strange might of unimagined pains
The powers who scheme slow agonies in Hell,
And my commission is to lead them here,
Or what more subtle, foul, or savage fiends
People the abyss, and leave them to their task.
Be it not so! there is a secret known
To thee, and to none else of living things,
Which may transfer the sceptre of wide Heaven,
The fear of which perplexes the Supreme:
Clothe it in words, and bid it clasp his throne
In intercession; bend thy soul in prayer,
And like a suppliant in some gorgeous fane,
Let the will kneel within thy haughty heart:
For benefits and meek submission tame
The fiercest and the mightiest.
Prometheus.
                 Evil minds
Change good to their own nature. I gave all
He has; and in return he chains me here
Years, ages, night and day: whether the Sun
Split my parched skin, or in the moony night
The crystal-wingd snow cling round my hair:
Whilst my belovd race is trampled down
By his thought-executing ministers.
Such is the tyrant's recompense: 'tis just:
He who is evil can receive no good;
And for a world bestowed, or a friend lost,
He can feel hate, fear, shame; not gratitude:
He but requites me for his own misdeed.
Kindness to such is keen reproach, which breaks
With bitter stings the light sleep of Revenge.
Submission, thou dost know I cannot try:
For what submission but that fatal word,
The death-seal of mankind's captivity,
Like the Sicilian's hair-suspended sword,
Which trembles o'er his crown, would he accept,
Or could I yield? Which yet I will not yield.
Let others flatter Crime, where it sits throned
In brief Omnipotence: secure are they:
For Justice, when triumphant, will weep down
Pity, not punishment, on her own wrongs,
Too much avenged by those who err. I wait,
Enduring thus, the retributive hour
Which since we spake is even nearer now.
But hark, the hell-hounds clamour: fear delay:
Behold! Heaven lowers under thy Father's frown.
Mercury.
Oh, that we might be spared: I to inflict
And thou to suffer! Once more answer me:
Thou knowest not the period of Jove's power?
Prometheus.
I know but this, that it must come.
Mercury.
                   Alas!
Thou canst not count thy years to come of pain?
Prometheus.
They last while Jove must reign: nor more, nor less
Do I desire or fear.
Mercury.
           Yet pause, and plunge
Into Eternity, where recorded time,
Even all that we imagine, age on age,
Seems but a point, and the reluctant mind
Flags wearily in its unending flight,
Till it sink, dizzy, blind, lost, shelterless;
Perchance it has not numbered the slow years
Which thou must spend in torture, unreprieved?
Prometheus.
Perchance no thought can count them, yet they pass.
Mercury.
If thou might'st dwell among the Gods the while
Lapped in voluptuous joy?
Prometheus.
              I would not quit
This bleak ravine, these unrepentant pains.
Mercury.
Alas! I wonder at, yet pity thee.
Prometheus.
Pity the self-despising slaves of Heaven,
Not me, within whose mind sits peace serene,
As light in the sun, throned: how vain is talk!
Call up the fiends.
Ione.
          O, sister, look! White fire
Has cloven to the roots yon huge snow-loaded cedar;
How fearfully God's thunder howls behind!
Mercury.
I must obey his words and thine: alas!
Most heavily remorse hangs at my heart!
Panthea.
See where the child of Heaven, with wingd feet,
Runs down the slanted sunlight of the dawn.
Ione.
Dear sister, close thy plumes over thine eyes
Lest thou behold and die: they come: they come
Blackening the birth of day with countless wings,
And hollow underneath, like death.
First Fury.
                  Prometheus!
                  Second Fury.
Immortal Titan!
Third Fury.
        Champion of Heaven's slaves!
        Prometheus.
He whom some dreadful voice invokes is here,
Prometheus, the chained Titan. Horrible forms,
What and who are ye? Never yet there came
Phantasms so foul through monster-teeming Hell
From the all-miscreative brain of Jove;
Whilst I behold such execrable shapes,
Methinks I grow like what I contemplate,
And laugh and stare in loathsome sympathy.
First Fury.
We are the ministers of pain, and fear,
And disappointment, and mistrust, and hate,
And clinging crime; and as lean dogs pursue
Through wood and lake some struck and sobbing fawn,
We track all things that weep, and bleed, and live,
When the great King betrays them to our will.
Prometheus.
Oh! many fearful natures in one name,
I know ye; and these lakes and echoes know
The darkness and the clangour of your wings.
But why more hideous than your loathd selves
Gather ye up in legions from the deep?
Second Fury.
We knew not that: Sisters, rejoice, rejoice!
Prometheus.
Can aught exult in its deformity?
Second Fury.
The beauty of delight makes lovers glad,
Gazing on one another: so are we.
As from the rose which the pale priestess kneels
To gather for her festal crown of flowers
The areal crimson falls, flushing her cheek,
So from our victim's destined agony
The shade which is our form invests us round,
Else we are shapeless as our mother Night.
Prometheus.
I laugh your power, and his who sent you here,
To lowest scorn. Pour forth the cup of pain.
First Fury.
Thou thinkest we will rend thee bone from bone,
And nerve from nerve, working like fire within?
Prometheus.
Pain is my element, as hate is thine;
Ye rend me now: I care not.
Second Fury.
               Dost imagine
We will but laugh into thy lidless eyes?
Prometheus.
I weigh not what ye do, but what ye suffer,
Being evil. Cruel was the power which called
You, or aught else so wretched, into light.
Third Fury.
Thou think'st we will live through thee, one by one,
Like animal life, and though we can obscure not
The soul which burns within, that we will dwell
Beside it, like a vain loud multitude
Vexing the self-content of wisest men:
That we will be dread thought beneath thy brain,
And foul desire round thine astonished heart,
And blood within thy labyrinthine veins
Crawling like agony?
Prometheus.
           Why, ye are thus now;
Yet am I king over myself, and rule
The torturing and conflicting throngs within,
As Jove rules you when Hell grows mutinous.
Chorus of Furies.
From the ends of the earth, from the ends of the earth,
Where the night has its grave and the morning its birth,
     Come, come, come!
Oh, ye who shake hills with the scream of your mirth,
When cities sink howling in ruin; and ye
Who with wingless footsteps trample the sea,
And close upon Shipwreck and Famine's track,
Sit chattering with joy on the foodless wreck;
     Come, come, come!
Leave the bed, low, cold, and red,
Strewed beneath a nation dead;
Leave the hatred, as in ashes
  Fire is left for future burning:
It will burst in bloodier flashes
  When ye stir it, soon returning:
Leave the self-contempt implanted
In young spirits, sense-enchanted,
  Misery's yet unkindled fuel:
  Leave Hell's secrets half unchanted
   To the maniac dreamer; cruel
  More than ye can be with hate
    Is he with fear.
     Come, come, come!
We are steaming up from Hell's wide gate
And we burthen the blast of the atmosphere,
But vainly we toil till ye come here.
Ione.
Sister, I hear the thunder of new wings.
Panthea.
These solid mountains quiver with the sound
Even as the tremulous air: their shadows make
The space within my plumes more black than night.
First Fury.
Your call was as a wingd car
Driven on whirlwinds fast and far;
It rapped us from red gulfs of war.
Second Fury.
From wide cities, famine-wasted;
Third Fury.
Groans half heard, and blood untasted;
Fourth Fury.
Kingly conclaves stern and cold,
Where blood with gold is bought and sold;
Fifth Fury.
From the furnace, white and hot,
In which
A Fury.
     Speak not: whisper not:
I know all that ye would tell,
But to speak might break the spell
Which must bend the Invincible,
The stern of thought;
He yet defies the deepest power of Hell.
A Fury.
Tear the veil!
Another Fury.
       It is torn.
       Chorus.
              The pale stars of the morn
Shine on a misery, dire to be borne.
Dost thou faint, mighty Titan? We laugh thee to scorn.
Dost thou boast the clear knowledge thou waken'dst for man?
Then was kindled within him a thirst which outran
Those perishing waters; a thirst of fierce fever,
Hope, love, doubt, desire, which consume him for ever.
  One came forth of gentle worth
  Smiling on the sanguine earth;
  His words outlived him, like swift poison
   Withering up truth, peace, and pity.
  Look! where round the wide horizon
   Many a million-peopled city
  Vomits smoke in the bright air.
  Hark that outcry of despair!
  'Tis his mild and gentle ghost
   Wailing for the faith he kindled:
  Look again, the flames almost
   To a glow-worm's lamp have dwindled:
The survivors round the embers
Gather in dread.
    Joy, joy, joy!
Past ages crowd on thee, but each one remembers,
And the future is dark, and the present is spread
Like a pillow of thorns for thy slumberless head.
Semichorus I.
Drops of bloody agony flow
From his white and quivering brow.
Grant a little respite now:
See a disenchanted nation
Springs like day from desolation;
To Truth its state is dedicate,
And Freedom leads it forth, her mate;
A legioned band of linkd brothers
Whom Love calls children
Semichorus II.
              'Tis another's:
See how kindred murder kin:
'Tis the vintage-time for death and sin:
Blood, like new wine, bubbles within:
  Till Despair smothers
The struggling world, which slaves and tyrants win.
[All the Furies vanish, except one.
Ione.
Hark, sister! what a low yet dreadful groan
Quite unsuppressed is tearing up the heart
Of the good Titan, as storms tear the deep,
And beasts hear the sea moan in inland caves.
Darest thou observe how the fiends torture him?
Panthea.
Alas! I looked forth twice, but will no more.
Ione.
What didst thou see?
Panthea.
           A woful sight: a youth
With patient looks nailed to a crucifix.
Ione.
What next?
Panthea.
     The heaven around, the earth below
Was peopled with thick shapes of human death,
All horrible, and wrought by human hands,
And some appeared the work of human hearts,
For men were slowly killed by frowns and smiles:
And other sights too foul to speak and live
Were wandering by. Let us not tempt worse fear
By looking forth: those groans are grief enough.
Fury.
Behold an emblem: those who do endure
Deep wrongs for man, and scorn, and chains, but heap
Thousandfold torment on themselves and him.
Prometheus.
Remit the anguish of that lighted stare;
Close those wan lips; let that thorn-wounded brow
Stream not with blood; it mingles with thy tears!
Fix, fix those tortured orbs in peace and death,
So thy sick throes shake not that crucifix,
So those pale fingers play not with thy gore.
O, horrible! Thy name I will not speak,
It hath become a curse. I see, I see,
The wise, the mild, the lofty, and the just,
Whom thy slaves hate for being like to thee,
Some hunted by foul lies from their heart's home,
An early-chosen, late-lamented home;
As hooded ounces cling to the driven hind;
Some linked to corpses in unwholesome cells:
SomeHear I not the multitude laugh loud?
Impaled in lingering fire: and mighty realms
Float by my feet, like sea-uprooted isles,
Whose sons are kneaded down in common blood
By the red light of their own burning homes.
Fury.
Blood thou canst see, and fire; and canst hear groans;
Worse things, unheard, unseen, remain behind.
Prometheus.
Worse?
Fury.
   In each human heart terror survives
The ravin it has gorged: the loftiest fear
All that they would disdain to think were true:
Hypocrisy and custom make their minds
The fanes of many a worship, now outworn.
They dare not devise good for man's estate,
And yet they know not that they do not dare.
The good want power, but to weep barren tears.
The powerful goodness want: worse need for them.
The wise want love; and those who love want wisdom;
And all best things are thus confused to ill.
Many are strong and rich, and would be just,
But live among their suffering fellow-men
As if none felt: they know not what they do.
Prometheus.
Thy words are like a cloud of wingd snakes;
And yet I pity those they torture not.
Fury.
Thou pitiest them? I speak no more!
[Vanishes.
Prometheus.
                   Ah woe!
Ah woe! Alas! pain, pain ever, for ever!
I close my tearless eyes, but see more clear
Thy works within my woe-illumd mind,
Thou subtle tyrant! Peace is in the grave.
The grave hides all things beautiful and good:
I am a God and cannot find it there,
Nor would I seek it: for, though dread revenge,
This is defeat, fierce king, not victory.
The sights with which thou torturest gird my soul
With new endurance, till the hour arrives
When they shall be no types of things which are.
Panthea.
Alas! what sawest thou more?
Prometheus.
               There are two woes:
To speak, and to behold; thou spare me one.
Names are there, Nature's sacred watchwords, they
Were borne aloft in bright emblazonry;
The nations thronged around, and cried aloud,
As with one voice, Truth, liberty, and love!
Suddenly fierce confusion fell from heaven
Among them: there was strife, deceit, and fear:
Tyrants rushed in, and did divide the spoil.
This was the shadow of the truth I saw.
The Earth.
I felt thy torture, son; with such mixed joy
As pain and virtue give. To cheer thy state
I bid ascend those subtle and fair spirits,
Whose homes are the dim caves of human thought,
And who inhabit, as birds wing the wind,
Its world-surrounding aether: they behold
Beyond that twilight realm, as in a glass,
The future: may they speak comfort to thee!
Panthea.
Look, sister, where a troop of spirits gather,
Like flocks of clouds in spring's delightful weather,
Thronging in the blue air!
Ione.
              And see! more come,
Like fountain-vapours when the winds are dumb,
That climb up the ravine in scattered lines.
And, hark! is it the music of the pines?
Is it the lake? Is it the waterfall?
Panthea.
'Tis something sadder, sweeter far than all.
Chorus of Spirits.
From unremembered ages we
Gentle guides and guardians be
Of heaven-oppressed mortality;
And we breathe, and sicken not,
The atmosphere of human thought:
Be it dim, and dank, and gray,
Like a storm-extinguished day,
Travelled o'er by dying gleams;
Be it bright as all between
Cloudless skies and windless streams,
Silent, liquid, and serene;
As the birds within the wind,
As the fish within the wave,
As the thoughts of man's own mind
Float through all above the grave;
We make there our liquid lair,
Voyaging cloudlike and unpent
Through the boundless element:
Thence we bear the prophecy
Which begins and ends in thee!
Ione.
More yet come, one by one: the air around them
Looks radiant as the air around a star.
First Spirit.
On a battle-trumpet's blast
I fled hither, fast, fast, fast,
'Mid the darkness upward cast.
From the dust of creeds outworn,
From the tyrant's banner torn,
Gathering 'round me, onward borne,
There was mingled many a cry
Freedom! Hope! Death! Victory!
Till they faded through the sky;
And one sound, above, around,
One sound beneath, around, above,
Was moving; 'twas the soul of Love;
'Twas the hope, the prophecy,
Which begins and ends in thee.
Second Spirit.
A rainbow's arch stood on the sea,
Which rocked beneath, immovably;
And the triumphant storm did flee,
Like a conqueror, swift and proud,
Between, with many a captive cloud,
A shapeless, dark and rapid crowd,
Each by lightning riven in half:
I heard the thunder hoarsely laugh:
Mighty fleets were strewn like chaff
And spread beneath a hell of death
O'er the white waters. I alit
On a great ship lightning-split,
And speeded hither on the sigh
Of one who gave an enemy
His plank, then plunged aside to die.
Third Spirit.
I sate beside a sage's bed,
And the lamp was burning red
Near the book where he had fed,
When a Dream with plumes of flame,
To his pillow hovering came,
And I knew it was the same
Which had kindled long ago
Pity, eloquence, and woe;
And the world awhile below
Wore the shade, its lustre made.
It has borne me here as fleet
As Desire's lightning feet:
I must ride it back ere morrow,
Or the sage will wake in sorrow.
Fourth Spirit.
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
But feeds on the areal kisses
Of shapes that haunt thought's wildernesses.
He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy-bloom,
Nor heed nor see, what things they be;
But from these create he can
Forms more real than living man,
Nurslings of immortality!
One of these awakened me,
And I sped to succour thee.
Ione.
Behold'st thou not two shapes from the east and west
Come, as two doves to one belovd nest,
Twin nurslings of the all-sustaining air
On swift still wings glide down the atmosphere?
And, hark! their sweet, sad voices! 'tis despair
Mingled with love and then dissolved in sound.
Panthea.
Canst thou speak, sister? all my words are drowned.
Ione.
Their beauty gives me voice. See how they float
On their sustaining wings of skiey grain,
Orange and azure deepening into gold:
Their soft smiles light the air like a star's fire.
Chorus of Spirits.
Hast thou beheld the form of Love?
Fifth Spirit.
                  As over wide dominions
I sped, like some swift cloud that wings the wide air's wildernesses,
That planet-crested shape swept by on lightning-braided pinions,
Scattering the liquid joy of life from his ambrosial tresses:
His footsteps paved the world with light; but as I passed 'twas fading,
And hollow Ruin yawned behind: great sages bound in madness,
And headless patriots, and pale youths who perished, unupbraiding,
Gleamed in the night. I wandered o'er, till thou, O King of sadness,
Turned by thy smile the worst I saw to recollected gladness.
Sixth Spirit.
Ah, sister! Desolation is a delicate thing:
It walks not on the earth, it floats not on the air,
But treads with lulling footstep, and fans with silent wing
The tender hopes which in their hearts the best and gentlest bear;
Who, soothed to false repose by the fanning plumes above
And the music-stirring motion of its soft and busy feet,
Dream visions of areal joy, and call the monster, Love,
And wake, and find the shadow Pain, as he whom now we greet.
Chorus.
Though Ruin now Love's shadow be,
Following him, destroyingly,
On Death's white and wingd steed,
Which the fleetest cannot flee,
Trampling down both flower and weed,
Man and beast, and foul and fair,
Like a tempest through the air;
Thou shalt quell this horseman grim,
Woundless though in heart or limb.
Prometheus.
Spirits! how know ye this shall be?
Chorus.
In the atmosphere we breathe,
As buds grow red when the snow-storms flee,
From Spring gathering up beneath,
Whose mild winds shake the elder brake,
And the wandering herdsmen know
That the white-thorn soon will blow:
Wisdom, Justice, Love, and Peace,
When they struggle to increase,
  Are to us as soft winds be
  To shepherd boys, the prophecy
  Which begins and ends in thee.
  Ione.
Where are the Spirits fled?
Panthea.
               Only a sense
Remains of them, like the omnipotence
Of music, when the inspired voice and lute
Languish, ere yet the responses are mute,
Which through the deep and labyrinthine soul,
Like echoes through long caverns, wind and roll.
Prometheus.
How fair these airborn shapes! and yet I feel
Most vain all hope but love; and thou art far,
Asia! who, when my being overflowed,
Wert like a golden chalice to bright wine
Which else had sunk into the thirsty dust.
All things are still: alas! how heavily
This quiet morning weighs upon my heart;
Though I should dream I could even sleep with grief
If slumber were denied not. I would fain
Be what it is my destiny to be,
The saviour and the strength of suffering man,
Or sink into the original gulf of things:
There is no agony, and no solace left;
Earth can console, Heaven can torment no more.
Panthea.
Hast thou forgotten one who watches thee
The cold dark night, and never sleeps but when
The shadow of thy spirit falls on her?
Prometheus.
I said all hope was vain but love: thou lovest.
Panthea.
Deeply in truth; but the eastern star looks white,
And Asia waits in that far Indian vale,
The scene of her sad exile; rugged once
And desolate and frozen, like this ravine;
But now invested with fair flowers and herbs,
And haunted by sweet airs and sounds, which flow
Among the woods and waters, from the aether
Of her transforming presence, which would fade
If it were mingled not with thine. Farewell!
END OF THE FIRST ACT.

ACT II
Scene I.
Morning. A lovely Vale in the Indian Caucasus. Asia alone.
Asia.
From all the blasts of heaven thou hast descended:
Yes, like a spirit, like a thought, which makes
Unwonted tears throng to the horny eyes,
And beatings haunt the desolated heart,
Which should have learnt repose: thou hast descended
Cradled in tempests; thou dost wake, O Spring!
O child of many winds! As suddenly
Thou comest as the memory of a dream,
Which now is sad because it hath been sweet;
Like genius, or like joy which riseth up
As from the earth, clothing with golden clouds
The desert of our life.
This is the season, this the day, the hour;
At sunrise thou shouldst come, sweet sister mine,
Too long desired, too long delaying, come!
How like death-worms the wingless moments crawl!
The point of one white star is quivering still
Deep in the orange light of widening morn
Beyond the purple mountains. through a chasm
Of wind-divided mist the darker lake
Reflects it: now it wanes: it gleams again
As the waves fade, and as the burning threads
Of woven cloud unravel in pale air:
'Tis lost! and through yon peaks of cloud-like snow
The roseate sunlight quivers: hear I not
The olian music of her sea-green plumes
Winnowing the crimson dawn?
[Panthea enters.
               I feel, I see
Those eyes which burn through smiles that fade in tears,
Like stars half quenched in mists of silver dew.
Belovd and most beautiful, who wearest
The shadow of that soul by which I live,
How late thou art! the spherd sun had climbed
The sea; my heart was sick with hope, before
The printless air felt thy belated plumes.
Panthea.
Pardon, great Sister! but my wings were faint
With the delight of a remembered dream,
As are the noontide plumes of summer winds
Satiate with sweet flowers. I was wont to sleep
Peacefully, and awake refreshed and calm
Before the sacred Titan's fall, and thy
Unhappy love, had made, through use and pity,
Both love and woe familiar to my heart
As they had grown to thine: erewhile I slept
Under the glaucous caverns of old Ocean
Within dim bowers of green and purple moss,
Our young Ione's soft and milky arms
Locked then, as now, behind my dark, moist hair,
While my shut eyes and cheek were pressed within
The folded depth of her life-breathing bosom:
But not as now, since I am made the wind
Which fails beneath the music that I bear
Of thy most wordless converse; since dissolved
Into the sense with which love talks, my rest
Was troubled and yet sweet; my waking hours
Too full of care and pain.
Asia.
              Lift up thine eyes,
And let me read thy dream.
Panthea.
              As I have said
With our sea-sister at his feet I slept.
The mountain mists, condensing at our voice
Under the moon, had spread their snowy flakes,
From the keen ice shielding our linkd sleep.
Then two dreams came. One, I remember not.
But in the other his pale wound-worn limbs
Fell from Prometheus, and the azure night
Grew radiant with the glory of that form
Which lives unchanged within, and his voice fell
Like music which makes giddy the dim brain,
Faint with intoxication of keen joy:
'Sister of her whose footsteps pave the world
With lovelinessmore fair than aught but her,
Whose shadow thou artlift thine eyes on me.'
I lifted them: the overpowering light
Of that immortal shape was shadowed o'er
By love; which, from his soft and flowing limbs,
And passion-parted lips, and keen, faint eyes,
Steamed forth like vaporous fire; an atmosphere
Which wrapped me in its all-dissolving power,
As the warm aether of the morning sun
Wraps ere it drinks some cloud of wandering dew.
I saw not, heard not, moved not, only felt
His presence flow and mingle through my blood
Till it became his life, and his grew mine,
And I was thus absorbed, until it passed,
And like the vapours when the sun sinks down,
Gathering again in drops upon the pines,
And tremulous as they, in the deep night
My being was condensed; and as the rays
Of thought were slowly gathered, I could hear
His voice, whose accents lingered ere they died
Like footsteps of weak melody: thy name
Among the many sounds alone I heard
Of what might be articulate; though still
I listened through the night when sound was none.
Ione wakened then, and said to me:
'Canst thou divine what troubles me to-night?
I always knew what I desired before,
Nor ever found delight to wish in vain.
But now I cannot tell thee what I seek;
I know not; something sweet, since it is sweet
Even to desire; it is thy sport, false sister;
Thou hast discovered some enchantment old,
Whose spells have stolen my spirit as I slept
And mingled it with thine: for when just now
We kissed, I felt within thy parted lips
The sweet air that sustained me, and the warmth
Of the life-blood, for loss of which I faint,
Quivered between our intertwining arms.'
I answered not, for the Eastern star grew pale,
But fled to thee.
Asia.
         Thou speakest, but thy words
Are as the air: I feel them not: Oh, lift
Thine eyes, that I may read his written soul!
Panthea.
I lift them though they droop beneath the load
Of that they would express: what canst thou see
But thine own fairest shadow imaged there?
Asia.
Thine eyes are like the deep, blue, boundless heaven
Contracted to two circles underneath
Their long, fine lashes; dark, far, measureless,
Orb within orb, and line through line inwoven.
Panthea.
Why lookest thou as if a spirit passed?
Asia.
There is a change: beyond their inmost depth
I see a shade, a shape: 'tis He, arrayed
In the soft light of his own smiles, which spread
Like radiance from the cloud-surrounded moon.
Prometheus, it is thine! depart not yet!
Say not those smiles that we shall meet again
Within that bright pavilion which their beams
Shall build o'er the waste world? The dream is told.
What shape is that between us? Its rude hair
Roughens the wind that lifts it, its regard
Is wild and quick, yet 'tis a thing of air,
For through its gray robe gleams the golden dew
Whose stars the noon has quenched not.
Dream.
                     Follow! Follow!
                     Panthea.
It is mine other dream.
Asia.
            It disappears.
            Panthea.
It passes now into my mind. Methought
As we sate here, the flower-infolding buds
Burst on yon lightning-blasted almond-tree,
When swift from the white Scythian wilderness
A wind swept forth wrinkling the Earth with frost:
I looked, and all the blossoms were blown down;
But on each leaf was stamped, as the blue bells
Of Hyacinth tell Apollo's written grief,
O, follow, follow!
Asia.
          As you speak, your words
Fill, pause by pause, my own forgotten sleep
With shapes. Methought among these lawns together
We wandered, underneath the young gray dawn,
And multitudes of dense white fleecy clouds
Were wandering in thick flocks along the mountains
Shepherded by the slow, unwilling wind;
And the white dew on the new-bladed grass,
Just piercing the dark earth, hung silently;
And there was more which I remember not:
But on the shadows of the morning clouds,
Athwart the purple mountain slope, was written
Follow, O, follow! as they vanished by;
And on each herb, from which Heaven's dew had fallen,
The like was stamped, as with a withering fire;
A wind arose among the pines; it shook
The clinging music from their boughs, and then
Low, sweet, faint sounds, like the farewell of ghosts,
Were heard: O, follow, follow, follow me!
And then I said: 'Panthea, look on me.'
But in the depth of those belovd eyes
Still I saw, follow, follow!
Echo.
               Follow, follow!
               Panthea.
The crags, this clear spring morning, mock our voices
As they were spirit-tongued.
Asia.
               It is some being
Around the crags. What fine clear sounds! O, list!
Echoes
(unseen).
Echoes we: listen!
We cannot stay:
As dew-stars glisten
Then fade away
  Child of Ocean!
  Asia.
Hark! Spirits speak. The liquid responses
Of their areal tongues yet sound.
Panthea.
                  I hear.
                  Echoes.
O, follow, follow,
As our voice recedeth
Through the caverns hollow,
Where the forest spreadeth; (More distant.)

O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
Where the wild bee never flew,
Through the noontide darkness deep,
By the odour-breathing sleep
Of faint night flowers, and the waves
At the fountain-lighted caves,
While our music, wild and sweet,
Mocks thy gently falling feet,
  Child of Ocean!
  Asia.
Shall we pursue the sound? It grows more faint And distant.
Panthea.
List! the strain floats nearer now.
Echoes.
In the world unknown
Sleeps a voice unspoken;
By thy step alone
Can its rest be broken;
  Child of Ocean!
  Asia.
How the notes sink upon the ebbing wind!
Echoes.
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
By the woodland noontide dew;
By the forest, lakes, and fountains,
Through the many-folded mountains;
To the rents, and gulfs, and chasms,
Where the Earth reposed from spasms,
On the day when He and thou
Parted, to commingle now;
  Child of Ocean!
  Asia.
Come, sweet Panthea, link thy hand in mine,
And follow, ere the voices fade away.
Scene II.
A Forest, intermingled with Rocks and Caverns. Asia and Panthea pass into it. Two young Fauns are sitting on a Rock listening.
Semichorus I. of Spirits.
The path through which that lovely twain
Have passed, by cedar, pine, and yew,
And each dark tree that ever grew,
Is curtained out from Heaven's wide blue;
Nor sun, nor moon, nor wind, nor rain,
  Can pierce its interwoven bowers,
Nor aught, save where some cloud of dew,
Drifted along the earth-creeping breeze,
Between the trunks of the hoar trees,
  Hangs each a pearl in the pale flowers
Of the green laurel, blown anew;
And bends, and then fades silently,
One frail and fair anemone:
Or when some star of many a one
That climbs and wanders through steep night,
Has found the cleft through which alone
Beams fall from high those depths upon
Ere it is borne away, away,
By the swift Heavens that cannot stay,
It scatters drops of golden light,
Like lines of rain that ne'er unite:
And the gloom divine is all around,
And underneath is the mossy ground.
Semichorus II.
There the voluptuous nightingales,
Are awake through all the broad noonday.
When one with bliss or sadness fails,
  And through the windless ivy-boughs,
Sick with sweet love, droops dying away
On its mate's music-panting bosom;
Another from the swinging blossom,
  Watching to catch the languid close
Of the last strain, then lifts on high
The wings of the weak melody,
'Till some new strain of feeling bear
The song, and all the woods are mute;
When there is heard through the dim air
The rush of wings, and rising there
Like many a lake-surrounded flute,
Sounds overflow the listener's brain
So sweet, that joy is almost pain.
Semichorus I.
There those enchanted eddies play
Of echoes, music-tongued, which draw,
By Demogorgon's mighty law,
With melting rapture, or sweet awe,
All spirits on that secret way;
As inland boats are driven to Ocean
Down streams made strong with mountain-thaw:
  And first there comes a gentle sound
  To those in talk or slumber bound,
And wakes the destined soft emotion,
Attracts, impels them; those who saw
Say from the breathing earth behind
There steams a plume-uplifting wind
Which drives them on their path, while they
Believe their own swift wings and feet
The sweet desires within obey:
And so they float upon their way,
Until, still sweet, but loud and strong,
The storm of sound is driven along,
Sucked up and hurrying: as they fleet
Behind, its gathering billows meet
And to the fatal mountain bear
Like clouds amid the yielding air.
First Faun.
Canst thou imagine where those spirits live
Which make such delicate music in the woods?
We haunt within the least frequented caves
And closest coverts, and we know these wilds,
Yet never meet them, though we hear them oft:
Where may they hide themselves?
Second Faun.
                 'Tis hard to tell:
I have heard those more skilled in spirits say,
The bubbles, which the enchantment of the sun
Sucks from the pale faint water-flowers that pave
The oozy bottom of clear lakes and pools,
Are the pavilions where such dwell and float
Under the green and golden atmosphere
Which noontide kindles through the woven leaves;
And when these burst, and the thin fiery air,
The which they breathed within those lucent domes,
Ascends to flow like meteors through the night,
They ride on them, and rein their headlong speed,
And bow their burning crests, and glide in fire
Under the waters of the earth again.
First Faun.
If such live thus, have others other lives,
Under pink blossoms or within the bells
Of meadow flowers, or folded violets deep,
Or on their dying odours, when they die,
Or in the sunlight of the spherd dew?
Second Faun.
Ay, many more which we may well divine.
But, should we stay to speak, noontide would come,
And thwart Silenus find his goats undrawn,
And grudge to sing those wise and lovely songs
Of Fate, and Chance, and God, and Chaos old,
And Love, and the chained Titan's woful doom,
And how he shall be loosed, and make the earth
One brotherhood: delightful strains which cheer
Our solitary twilights, and which charm
To silence the unenvying nightingales.
Scene III.
A Pinnacle of Rock among Mountains.
Asia and Panthea.
Panthea.
Hither the sound has borne usto the realm
Of Demogorgon, and the mighty portal,
Like a volcano's meteor-breathing chasm,
Whence the oracular vapour is hurled up
Which lonely men drink wandering in their youth,
And call truth, virtue, love, genius, or joy,
That maddening wine of life, whose dregs they drain
To deep intoxication; and uplift,
Like Mnads who cry loud, Evoe! Evoe!
The voice which is contagion to the world.
Asia.
Fit throne for such a Power! Magnificent!
How glorious art thou, Earth! And if thou be
The shadow of some spirit lovelier still,
Though evil stain its work, and it should be
Like its creation, weak yet beautiful,
I could fall down and worship that and thee.
Even now my heart adoreth: Wonderful!
Look, sister, ere the vapour dim thy brain:
Beneath is a wide plain of billowy mist,
As a lake, paving in the morning sky,
With azure waves which burst in silver light,
Some Indian vale. Behold it, rolling on
Under the curdling winds, and islanding
The peak whereon we stand, midway, around,
Encinctured by the dark and blooming forests,
Dim twilight-lawns, and stream-illumd caves,
And wind-enchanted shapes of wandering mist;
And far on high the keen sky-cleaving mountains
From icy spires of sun-like radiance fling
The dawn, as lifted Ocean's dazzling spray,
From some Atlantic islet scattered up,
Spangles the wind with lamp-like water-drops.
The vale is girdled with their walls, a howl
Of cataracts from their thaw-cloven ravines,
Satiates the listening wind, continuous, vast,
Awful as silence. Hark! the rushing snow!
The sun-awakened avalanche! whose mass,
Thrice sifted by the storm, had gathered there
Flake after flake, in heaven-defying minds
As thought by thought is piled, till some great truth
Is loosened, and the nations echo round,
Shaken to their roots, as do the mountains now.
Panthea.
Look how the gusty sea of mist is breaking
In crimson foam, even at our feet! it rises
As Ocean at the enchantment of the moon
Round foodless men wrecked on some oozy isle.
Asia.
The fragments of the cloud are scattered up;
The wind that lifts them disentwines my hair;
Its billows now sweep o'er mine eyes; my brain
Grows dizzy; see'st thou shapes within the mist?
Panthea.
A countenance with beckoning smiles: there burns
An azure fire within its golden locks!
Another and another: hark! they speak!
Song of Spirits.
To the deep, to the deep,
  Down, down!
Through the shade of sleep,
Through the cloudy strife
Of Death and of Life;
Through the veil and the bar
Of things which seem and are
Even to the steps of the remotest throne,
  Down, down!
   While the sound whirls around,
  Down, down!
As the fawn draws the hound,
As the lightning the vapour,
As a weak moth the taper;
Death, despair; love, sorrow;
Time both; to-day, to-morrow;
As steel obeys the spirit of the stone,
  Down, down!
   Through the gray, void abysm,
  Down, down!
Where the air is no prism,
And the moon and stars are not,
And the cavern-crags wear not
The radiance of Heaven,
Nor the gloom to Earth given,
Where there is One pervading, One alone,
  Down, down!
   In the depth of the deep,
  Down, down!
Like veiled lightning asleep,
Like the spark nursed in embers,
The last look Love remembers,
Like a diamond, which shines
On the dark wealth of mines,
A spell is treasured but for thee alone.
  Down, down!
   We have bound thee, we guide thee;
  Down, down!
With the bright form beside thee;
Resist not the weakness,
Such strength is in meekness
That the Eternal, the Immortal,
Most unloose through life's portal
The snake-like Doom coiled underneath his throne
  By that alone.
  Scene IV.
The Cave of Demogorgon.
Asia and Panthea.
Panthea.
What viled form sits on that ebon throne?
Asia.
The veil has fallen.
Panthea.
           I see a mighty darkness
Filling the seat of power, and rays of gloom
Dart round, as light from the meridian sun.
Ungazed upon and shapeless; neither limb,
Nor form, nor outline; yet we feel it is
A living Spirit.
Demogorgon.
         Ask what thou wouldst know.
         Asia.
What canst thou tell?
Demogorgon.
           All things thou dar'st demand.
           Asia.
Who made the living world?
Demogorgon.
              God.
              Asia.
                Who made all
That it contains? thought, passion, reason, will, Imagination?
Demogorgon.
God: Almighty God.
Asia.
Who made that sense which, when the winds of Spring
In rarest visitation, or the voice
Of one belovd heard in youth alone,
Fills the faint eyes with falling tears which dim
The radiant looks of unbewailing flowers,
And leaves this peopled earth a solitude
When it returns no more?
Demogorgon.
             Merciful God.
             Asia.
And who made terror, madness, crime, remorse,
Which from the links of the great chain of things,
To every thought within the mind of man
Sway and drag heavily, and each one reels
Under the load towards the pit of death;
Abandoned hope, and love that turns to hate;
And self-contempt, bitterer to drink than blood;
Pain, whose unheeded and familiar speech
Is howling, and keen shrieks, day after day;
And Hell, or the sharp fear of Hell?
Demogorgon.
                    He reigns.
                    Asia.
Utter his name: a world pining in pain
Asks but his name: curses shall drag him down.
Demogorgon.
He reigns.
Asia.
     I feel, I know it: who?
     Demogorgon.
                  He reigns.
                  Asia.
Who reigns? There was the Heaven and Earth at first,
And Light and Love; then Saturn, from whose throne
Time fell, an envious shadow: such the state
Of the earth's primal spirits beneath his sway,
As the calm joy of flowers and living leaves
Before the wind or sun has withered them
And semivital worms; but he refused
The birthright of their being, knowledge, power,
The skill which wields the elements, the thought
Which pierces this dim universe like light,
Self-empire, and the majesty of love;
For thirst of which they fainted. Then Prometheus
Gave wisdom, which is strength, to Jupiter,
And with this law alone, 'Let man be free,'
Clothed him with the dominion of wide Heaven.
To know nor faith, nor love, nor law; to be
Omnipotent but friendless is to reign;
And Jove now reigned; for on the race of man
First famine, and then toil, and then disease,
Strife, wounds, and ghastly death unseen before,
Fell; and the unseasonable seasons drove
With alternating shafts of frost and fire,
Their shelterless, pale tribes to mountain caves:
And in their desert hearts fierce wants he sent,
And mad disquietudes, and shadows idle
Of unreal good, which levied mutual war,
So ruining the lair wherein they raged.
Prometheus saw, and waked the legioned hopes
Which sleep within folded Elysian flowers,
Nepenthe, Moly, Amaranth, fadeless blooms,
That they might hide with thin and rainbow wings
The shape of Death; and Love he sent to bind
The disunited tendrils of that vine
Which bears the wine of life, the human heart;
And he tamed fire which, like some beast of prey,
Most terrible, but lovely, played beneath
The frown of man; and tortured to his will
Iron and gold, the slaves and signs of power,
And gems and poisons, and all subtlest forms
Hidden beneath the mountains and the waves.
He gave man speech, and speech created thought,
Which is the measure of the universe;
And Science struck the thrones of earth and heaven,
Which shook, but fell not; and the harmonious mind
Poured itself forth in all-prophetic song;
And music lifted up the listening spirit
Until it walked, exempt from mortal care,
Godlike, o'er the clear billows of sweet sound;
And human hands first mimicked and then mocked,
With moulded limbs more lovely than its own,
The human form, till marble grew divine;
And mothers, gazing, drank the love men see
Reflected in their race, behold, and perish.
He told the hidden power of herbs and springs,
And Disease drank and slept. Death grew like sleep.
He taught the implicated orbits woven
Of the wide-wandering stars; and how the sun
Changes his lair, and by what secret spell
The pale moon is transformed, when her broad eye
Gazes not on the interlunar sea:
He taught to rule, as life directs the limbs,
The tempest-wingd chariots of the Ocean,
And the Celt knew the Indian. Cities then
Were built, and through their snow-like columns flowed
The warm winds, and the azure aether shone,
And the blue sea and shadowy hills were seen.
Such, the alleviations of his state,
Prometheus gave to man, for which he hangs
Withering in destined pain: but who rains down
Evil, the immedicable plague, which, while
Man looks on his creation like a God
And sees that it is glorious, drives him on,
The wreck of his own will, the scorn of earth,
The outcast, the abandoned, the alone?
Not Jove: while yet his frown shook Heaven, ay, when
His adversary from adamantine chains
Cursed him, he trembled like a slave. Declare
Who is his master? Is he too a slave?
Demogorgon.
All spirits are enslaved which serve things evil:
Thou knowest if Jupiter be such or no.
Asia.
Whom calledst thou God?
Demogorgon.
            I spoke but as ye speak,
For Jove is the supreme of living things.
Asia.
Who is the master of the slave?
Demogorgon.
                 If the abysm
Could vomit forth its secrets. . . But a voice
Is wanting, the deep truth is imageless;
For what would it avail to bid thee gaze
On the revolving world? What to bid speak
Fate, Time, Occasion, Chance, and Change? To these
All things are subject but eternal Love.
Asia.
So much I asked before, and my heart gave
The response thou hast given; and of such truths
Each to itself must be the oracle.
One more demand; and do thou answer me
As mine own soul would answer, did it know
That which I ask. Prometheus shall arise
Henceforth the sun of this rejoicing world:
When shall the destined hour arrive?
Demogorgon.
                    Behold!
                    Asia.
The rocks are cloven, and through the purple night
I see cars drawn by rainbow-wingd steeds
Which trample the dim winds: in each there stands
A wild-eyed charioteer urging their flight.
Some look behind, as fiends pursued them there,
And yet I see no shapes but the keen stars:
Others, with burning eyes, lean forth, and drink
With eager lips the wind of their own speed,
As if the thing they loved fled on before,
And now, even now, they clasped it. Their bright locks
Stream like a comet's flashing hair: they all
Sweep onward.
Demogorgon.
       These are the immortal Hours,
Of whom thou didst demand. One waits for thee.
Asia.
A spirit with a dreadful countenance
Checks its dark chariot by the craggy gulf.
Unlike thy brethren, ghastly charioteer,
Who art thou? Whither wouldst thou bear me? Speak!
Spirit.
I am the shadow of a destiny
More dread than is my aspect: ere yon planet
Has set, the darkness which ascends with me
Shall wrap in lasting night heaven's kingless throne.
Asia.
What meanest thou?
Panthea.
          That terrible shadow floats
Up from its throne, as may the lurid smoke
Of earthquake-ruined cities o'er the sea.
Lo! it ascends the car; the coursers fly
Terrified: watch its path among the stars
Blackening the night!
Asia.
           Thus I am answered: strange!
           Panthea.
See, near the verge, another chariot stays;
An ivory shell inlaid with crimson fire,
Which comes and goes within its sculptured rim
Of delicate strange tracery; the young spirit
That guides it has the dove-like eyes of hope;
How its soft smiles attract the soul! as light
Lures wingd insects through the lampless air.
Spirit.
My coursers are fed with the lightning,
They drink of the whirlwind's stream,
And when the red morning is bright'ning
They bathe in the fresh sunbeam;
They have strength for their swiftness I deem,
Then ascend with me, daughter of Ocean.
I desire: and their speed makes night kindle;
I fear: they outstrip the Typhoon;
Ere the cloud piled on Atlas can dwindle
We encircle the earth and the moon:
We shall rest from long labours at noon:
Then ascend with me, daughter of Ocean.
Scene V.
The Car pauses within a Cloud on the top of a snowy Mountain. Asia, Panthea, and the Spirit of the Hour.
Spirit.
On the brink of the night and the morning
My coursers are wont to respire;
But the Earth has just whispered a warning
That their flight must be swifter than fire:
They shall drink the hot speed of desire!
Asia.
Thou breathest on their nostrils, but my breath
Would give them swifter speed.
Spirit.
                Alas! it could not.
                Panthea.
Oh Spirit! pause, and tell whence is the light
Which fills this cloud? the sun is yet unrisen.
Spirit.
The sun will rise not until noon. Apollo
Is held in heaven by wonder; and the light
Which fills this vapour, as the areal hue
Of fountain-gazing roses fills the water,
Flows from thy mighty sister.
Panthea.
                Yes, I feel
                Asia.
What is it with thee, sister? Thou art pale.
Panthea.
How thou art changed! I dare not look on thee;
I feel but see thee not. I scarce endure
The radiance of thy beauty. Some good change
Is working in the elements, which suffer
Thy presence thus unveiled. The Nereids tell
That on the day when the clear hyaline
Was cloven at thine uprise, and thou didst stand
Within a veind shell, which floated on
Over the calm floor of the crystal sea,
Among the gean isles, and by the shores
Which bear thy name; love, like the atmosphere
Of the sun's fire filling the living world,
Burst from thee, and illumined earth and heaven
And the deep ocean and the sunless caves
And all that dwells within them; till grief cast
Eclipse upon the soul from which it came:
Such art thou now; nor is it I alone,
Thy sister, thy companion, thine own chosen one,
But the whole world which seeks thy sympathy.
Hearest thou not sounds i' the air which speak the love
Of all articulate beings? Feelest thou not
The inanimate winds enamoured of thee? List!
[Music.
Asia.
Thy words are sweeter than aught else but his
Whose echoes they are: yet all love is sweet,
Given or returned. Common as light is love,
And its familiar voice wearies not ever.
Like the wide heaven, the all-sustaining air,
It makes the reptile equal to the God:
They who inspire it most are fortunate,
As I am now; but those who feel it most
Are happier still, after long sufferings,
As I shall soon become.
Panthea.
            List! Spirits speak.
            Voice in the Air, singing.
Life of Life! thy lips enkindle
With their love the breath between them;
And thy smiles before they dwindle
Make the cold air fire; then screen them
In those looks, where whoso gazes
Faints, entangled in their mazes.
Child of Light! thy limbs are burning
Through the vest which seems to hide them;
As the radiant lines of morning
Through the clouds ere they divide them;
And this atmosphere divinest
Shrouds thee wheresoe'er thou shinest.
Fair are others; none beholds thee,
But thy voice sounds low and tender
Like the fairest, for it folds thee
From the sight, that liquid splendour,
And all feel, yet see thee never,
As I feel now, lost for ever!
Lamp of Earth! where'er thou movest
Its dim shapes are clad with brightness,
And the souls of whom thou lovest
Walk upon the winds with lightness,
Till they fail, as I am failing,
Dizzy, lost, yet unbewailing!
Asia.
My soul is an enchanted boat,
Which, like a sleeping swan, doth float
Upon the silver waves of thy sweet singing;
And thine doth like an angel sit
Beside a helm conducting it,
Whilst all the winds with melody are ringing.
It seems to float ever, for ever,
Upon that many-winding river,
Between mountains, woods, abysses,
A paradise of wildernesses!
Till, like one in slumber bound,
Borne to the ocean, I float down, around,
Into a sea profound, of ever-spreading sound:
Meanwhile thy spirit lifts its pinions
In music's most serene dominions;
Catching the winds that fan that happy heaven.
And we sail on, away, afar,
Without a course, without a star,
But, by the instinct of sweet music driven;
Till through Elysian garden islets
By thee, most beautiful of pilots,
Where never mortal pinnace glided,
The boat of my desire is guided:
Realms where the air we breathe is love,
Which in the winds and on the waves doth move,
Harmonizing this earth with what we feel above.
We have passed Age's icy caves,
And Manhood's dark and tossing waves,
And Youth's smooth ocean, smiling to betray:
Beyond the glassy gulfs we flee
Of shadow-peopled Infancy,
Through Death and Birth, to a diviner day;
A paradise of vaulted bowers,
Lit by downward-gazing flowers,
And watery paths that wind between
Wildernesses calm and green,
Peopled by shapes too bright to see,
And rest, having beheld; somewhat like thee;
Which walk upon the sea, and chant melodiously!
END OF THE SECOND ACT.

ACT III
Scene I.
Heaven. Jupiter on his Throne; Thetis and the other Deities assembled.
Jupiter.
Ye congregated powers of heaven, who share
The glory and the strength of him ye serve,
Rejoice! henceforth I am omnipotent.
All else had been subdued to me; alone
The soul of man, like unextinguished fire,
Yet burns towards heaven with fierce reproach, and doubt,
And lamentation, and reluctant prayer,
Hurling up insurrection, which might make
Our antique empire insecure, though built
On eldest faith, and hell's coeval, fear;
And though my curses through the pendulous air,
Like snow on herbless peaks, fall flake by flake,
And cling to it; though under my wrath's night
It climbs the crags of life, step after step,
Which wound it, as ice wounds unsandalled feet,
It yet remains supreme o'er misery,
Aspiring, unrepressed, yet soon to fall:
Even now have I begotten a strange wonder,
That fatal child, the terror of the earth,
Who waits but till the destined hour arrive,
Bearing from Demogorgon's vacant throne
The dreadful might of ever-living limbs
Which clothed that awful spirit unbeheld,
To redescend, and trample out the spark.
Pour forth heaven's wine, Idan Ganymede,
And let it fill the Ddal cups like fire,
And from the flower-inwoven soil divine
Ye all-triumphant harmonies arise,
As dew from earth under the twilight stars:
Drink! be the nectar circling through your veins
The soul of joy, ye ever-living Gods,
Till exultation burst in one wide voice
Like music from Elysian winds.
                And thou
Ascend beside me, veild in the light
Of the desire which makes thee one with me,
Thetis, bright image of eternity!
When thou didst cry, 'Insufferable might!
God! Spare me! I sustain not the quick flames,
The penetrating presence; all my being,
Like him whom the Numidian seps did thaw
Into a dew with poison, is dissolved,
Sinking through its foundations:' even then
Two mighty spirits, mingling, made a third
Mightier than either, which, unbodied now,
Between us floats, felt, although unbeheld,
Waiting the incarnation, which ascends,
(Hear ye the thunder of the fiery wheels
Griding the winds?) from Demogorgon's throne.
Victory! victory! Feel'st thou not, O world,
The earthquake of his chariot thundering up
Olympus?
[The Car of the Hour arrives. Demogorgon descends, and moves towards the Throne of Jupiter.
    Awful shape, what art thou? Speak!
    Demogorgon.
Eternity. Demand no direr name.
Descend, and follow me down the abyss.
I am thy child, as thou wert Saturn's child;
Mightier than thee: and we must dwell together
Henceforth in darkness. Lift thy lightnings not.
The tyranny of heaven none may retain,
Or reassume, or hold, succeeding thee:
Yet if thou wilt, as 'tis the destiny
Of trodden worms to writhe till they are dead,
Put forth thy might.
Jupiter.
           Detested prodigy!
Even thus beneath the deep Titanian prisons
I trample thee! thou lingerest?
                 Mercy! mercy!
No pity, no release, no respite! Oh,
That thou wouldst make mine enemy my judge,
Even where he hangs, seared by my long revenge,
On Caucasus! he would not doom me thus.
Gentle, and just, and dreadless, is he not
The monarch of the world? What then art thou?
No refuge! no appeal!
           Sink with me then,
We two will sink on the wide waves of ruin,
Even as a vulture and a snake outspent
Drop, twisted in inextricable fight,
Into a shoreless sea. Let hell unlock
Its mounded oceans of tempestuous fire,
And whelm on them into the bottomless void
This desolated world, and thee, and me,
The conqueror and the conquered, and the wreck
Of that for which they combated.
                 Ai! Ai!
The elements obey me not. I sink
Dizzily down, ever, for ever, down.
And, like a cloud, mine enemy above
Darkens my fall with victory! Ai, Ai!
Scene II.
The Mouth of a great River in the Island Atlantis.Ocean is discovered reclining near the Shore; Apollo stands beside him.
Ocean.
He fell, thou sayest, beneath his conqueror's frown?
Apollo.
Ay, when the strife was ended which made dim
The orb I rule, and shook the solid stars,
The terrors of his eye illumined heaven
With sanguine light, through the thick ragged skirts
Of the victorious darkness, as he fell:
Like the last glare of day's red agony,
Which, from a rent among the fiery clouds,
Burns far along the tempest-wrinkled deep.
Ocean.
He sunk to the abyss? To the dark void?
Apollo.
An eagle so caught in some bursting cloud
On Caucasus, his thunder-baffled wings
Entangled in the whirlwind, and his eyes
Which gazed on the undazzling sun, now blinded
By the white lightning, while the ponderous hail
Beats on his struggling form, which sinks at length
Prone, and the areal ice clings over it.
Ocean.
Henceforth the fields of heaven-reflecting sea
Which are my realm, will heave, unstained with blood,
Beneath the uplifting winds, like plains of corn
Swayed by the summer air; my streams will flow
Round many-peopled continents, and round
Fortunate isles; and from their glassy thrones
Blue Proteus and his humid nymphs shall mark
The shadow of fair ships, as mortals see
The floating bark of the light-laden moon
With that white star, its sightless pilot's crest,
Borne down the rapid sunset's ebbing sea;
Tracking their path no more by blood and groans,
And desolation, and the mingled voice
Of slavery and command; but by the light
Of wave-reflected flowers, and floating odours,
And music soft, and mild, free, gentle voices,
And sweetest music, such as spirits love.
Apollo.
And I shall gaze not on the deeds which make
My mind obscure with sorrow, as eclipse
Darkens the sphere I guide; but list, I hear
The small, clear, silver lute of the young Spirit
That sits i' the morning star.
Ocean.
                Thou must away;
Thy steeds will pause at even, till when farewell:
The loud deep calls me home even now to feed it
With azure calm out of the emerald urns
Which stand for ever full beside my throne.
Behold the Nereids under the green sea,
Their wavering limbs borne on the wind-like stream,
Their white arms lifted o'er their streaming hair
With garlands pied and starry sea-flower crowns,
Hastening to grace their mighty sister's joy. [A sound of waves is heard.

It is the unpastured sea hungering for calm.
Peace, monster; I come now. Farewell.
Apollo.
                    Farewell.
                    Scene III.
Caucasus. Prometheus, Hercules, Ione, the Earth, Spirits, Asia, and Panthea, borne in the Car with the Spirit of the Hour. Hercules unbinds Prometheus, who descends.
Hercules.
Most glorious among Spirits, thus doth strength
To wisdom, courage, and long-suffering love,
And thee, who art the form they animate,
Minister like a slave.
Prometheus.
            Thy gentle words
Are sweeter even than freedom long desired
And long delayed.
         Asia, thou light of life,
Shadow of beauty unbeheld: and ye,
Fair sister nymphs, who made long years of pain
Sweet to remember, through your love and care:
Henceforth we will not part. There is a cave,
All overgrown with trailing odorous plants,
Which curtain out the day with leaves and flowers,
And paved with veind emerald, and a fountain
Leaps in the midst with an awakening sound.
From its curved roof the mountain's frozen tears
Like snow, or silver, or long diamond spires,
Hang downward, raining forth a doubtful light:
And there is heard the ever-moving air,
Whispering without from tree to tree, and birds,
And bees; and all around are mossy seats,
And the rough walls are clothed with long soft grass;
A simple dwelling, which shall be our own;
Where we will sit and talk of time and change,
As the world ebbs and flows, ourselves unchanged.
What can hide man from mutability?
And if ye sigh, then I will smile; and thou,
Ione, shalt chant fragments of sea-music,
Until I weep, when ye shal smile away
The tears she brought, which yet were sweet to shed.
We will entangle buds and flowers and beams
Which twinkle on the fountain's brim, and make
Strange combinations out of common things,
Like human babes in their brief innocence;
And we will search, with looks and words of love,
For hidden thoughts, each lovelier than the last,
Our unexhausted spirits; and like lutes
Touched by the skill of the enamoured wind,
Weave harmonies divine, yet ever new,
From difference sweet where discord cannot be;
And hither come, sped on the charmd winds,
Which meet from all the points of heaven, as bees
From every flower areal Enna feeds,
At their known island-homes in Himera,
The echoes of the human world, which tell
Of the low voice of love, almost unheard,
And dove-eyed pity's murmured pain, and music,
Itself the echo of the heart, and all
That tempers or improves man's life, now free;
And lovely apparitions,dim at first,
Then radiant, as the mind, arising bright
From the embrace of beauty (whence the forms
Of which these are the phantoms) casts on them
The gathered rays which are reality
Shall visit us, the progeny immortal
Of Painting, Sculpture, and rapt Poesy,
And arts, though unimagined, yet to be.
The wandering voices and the shadows these
Of all that man becomes, the mediators
Of that best worship love, by him and us
Given and returned; swift shapes and sounds, which grow
More fair and soft as man grows wise and kind,
And, veil by veil, evil and error fall:
Such virtue has the cave and place around. [Turning to the Spirit of the Hour.

For thee, fair Spirit, one toil remains. Ione,
Give her that curvd shell, which Proteus old
Made Asia's nuptial boon, breathing within it
A voice to be accomplished, and which thou
Didst hide in grass under the hollow rock.
Ione.
Thou most desired Hour, more loved and lovely
Than all thy sisters, this is the mystic shell;
See the pale azure fading into silver
Lining it with a soft yet glowing light:
Looks it not like lulled music sleeping there?
Spirit.
It seems in truth the fairest shell of Ocean:
Its sound must be at once both sweet and strange.
Prometheus.
Go, borne over the cities of mankind
On whirlwind-footed coursers: once again
Outspeed the sun around the orbd world;
And as thy chariot cleaves the kindling air,
Thou breathe into the many-folded shell,
Loosening its mighty music; it shall be
As thunder mingled with clear echoes: then
Return; and thou shalt dwell beside our cave.
And thou, O, Mother Earth!
The Earth.
               I hear, I feel;
Thy lips are on me, and their touch runs down
Even to the adamantine central gloom
Along these marble nerves; 'tis life, 'tis joy,
And through my withered, old, and icy frame
The warmth of an immortal youth shoots down
Circling. Henceforth the many children fair
Folded in my sustaining arms; all plants,
And creeping forms, and insects rainbow-winged,
And birds, and beasts, and fish, and human shapes,
Which drew disease and pain from my wan bosom,
Draining the poison of despair, shall take
And interchange sweet nutriment; to me
Shall they become like sister-antelopes
By one fair dam, snow-white and swift as wind,
Nursed among lilies near a brimming stream.
The dew-mists of my sunless sleep shall float
Under the stars like balm: night-folded flowers
Shall suck unwithering hues in their repose:
And men and beasts in happy dreams shall gather
Strength for the coming day, and all its joy:
And death shall be the last embrace of her
Who takes the life she gave, even as a mother
Folding her child, says, 'Leave me not again.'
Asia.
Oh, mother! wherefore speak the name of death?
Cease they to love, and move, and breathe, and speak,
Who die?
The Earth.
    It would avail not to reply:
Thou art immortal, and this tongue is known
But to the uncommunicating dead.
Death is the veil which those who live call life:
They sleep, and it is lifted: and meanwhile
In mild variety the seasons mild
With rainbow-skirted showers, and odorous winds,
And long blue meteors cleansing the dull night,
And the life-kindling shafts of the keen sun's
All-piercing bow, and the dew-mingled rain
Of the calm moonbeams, a soft influence mild,
Shall clothe the forests and the fields, ay, even
The crag-built deserts of the barren deep,
With ever-living leaves, and fruits, and flowers.
And thou! There is a cavern where my spirit
Was panted forth in anguish whilst thy pain
Made my heart mad, and those who did inhale it
Became mad too, and built a temple there,
And spoke, and were oracular, and lured
The erring nations round to mutual war,
And faithless faith, such as Jove kept with thee;
Which breath now rises, as amongst tall weeds
A violet's exhalation, and it fills
With a serener light and crimson air
Intense, yet soft, the rocks and woods around;
It feeds the quick growth of the serpent vine,
And the dark linkd ivy tangling wild,
And budding, blown, or odour-faded blooms
Which star the winds with points of coloured light,
As they rain through them, and bright golden globes
Of fruit, suspended in their own green heaven,
And through their veind leaves and amber stems
The flowers whose purple and translucid bowls
Stand ever mantling with areal dew,
The drink of spirits: and it circles round,
Like the soft waving wings of noonday dreams,
Inspiring calm and happy thoughts, like mine,
Now thou art thus restored. This cave is thine.
Arise! Appear!
[A Spirit rises in the likeness of a winged child.
       This is my torch-bearer;
Who let his lamp out in old time with gazing
On eyes from which he kindled it anew
With love, which is as fire, sweet daughter mine,
For such is that within thine own. Run, wayward,
And guide this company beyond the peak
Of Bacchic Nysa, Mnad-haunted mountain,
And beyond Indus and its tribute rivers,
Trampling the torrent streams and glassy lakes
With feet unwet, unwearied, undelaying,
And up the green ravine, across the vale,
Beside the windless and crystalline pool,
Where ever lies, on unerasing waves,
The image of a temple, built above,
Distinct with column, arch, and architrave,
And palm-like capital, and over-wrought,
And populous with most living imagery,
Praxitelean shapes, whose marble smiles
Fill the hushed air with everlasting love.
It is deserted now, but once it bore
Thy name, Prometheus; there the emulous youths
Bore to thy honour through the divine gloom
The lamp which was thine emblem; even as those
Who bear the untransmitted torch of hope
Into the grave, across the night of life,
As thou hast borne it most triumphantly
To this far goal of Time. Depart, farewell.
Beside that temple is the destined cave.
Scene IV.
A Forest. In the Background a Cave. Prometheus, Asia, Panthea, Ione, and the Spirit of the Earth.
Ione.
Sister, it is not earthly: how it glides
Under the leaves! how on its head there burns
A light, like a green star, whose emerald beams
Are twined with its fair hair! how, as it moves,
The splendour drops in flakes upon the grass!
Knowest thou it?
Panthea.
         It is the delicate spirit
That guides the earth through heaven. From afar
The populous constellations call that light
The loveliest of the planets; and sometimes
It floats along the spray of the salt sea,
Or makes its chariot of a foggy cloud,
Or walks through fields or cities while men sleep,
Or o'er the mountain tops, or down the rivers,
Or through the green waste wilderness, as now,
Wondering at all it sees. Before Jove reigned
It loved our sister Asia, and it came
Each leisure hour to drink the liquid light
Out of her eyes, for which it said it thirsted
As one bit by a dipsas, and with her
It made its childish confidence, and told her
All it had known or seen, for it saw much,
Yet idly reasoned what it saw; and called her
For whence it sprung it knew not, nor do I
Mother, dear mother.
The Spirit of the Earth
(running to Asia).
           Mother, dearest mother;
May I then talk with thee as I was wont?
May I then hide my eyes in thy soft arms,
After thy looks have made them tired of joy?
May I then play beside thee the long noons,
When work is none in the bright silent air?
Asia.
I love thee, gentlest being, and henceforth
Can cherish thee unenvied: speak, I pray:
Thy simple talk once solaced, now delights.
Spirit of the Earth.
Mother, I am grown wiser, though a child
Cannot be wise like thee, within this day;
And happier too; happier and wiser both.
Thou knowest that toads, and snakes, and loathly worms,
And venomous and malicious beasts, and boughs
That bore ill berries in the woods, were ever
An hindrance to my walks o'er the green world:
And that, among the haunts of humankind,
Hard-featured men, or with proud, angry looks,
Or cold, staid gait, or false and hollow smiles,
Or the dull sneer of self-loved ignorance,
Or other such foul masks, with which ill thoughts
Hide that fair being whom we spirits call man;
And women too, ugliest of all things evil,
(Though fair, even in a world where thou art fair,
When good and kind, free and sincere like thee),
When false or frowning made me sick at heart
To pass them, though they slept, and I unseen.
Well, my path lately lay through a great city
Into the woody hills surrounding it:
A sentinel was sleeping at the gate:
When there was heard a sound, so loud, it shook
The towers amid the moonlight, yet more sweet
Than any voice but thine, sweetest of all;
A long, long sound, as it would never end:
And all the inhabitants leaped suddenly
Out of their rest, and gathered in the streets,
Looking in wonder up to Heaven, while yet
The music pealed along. I hid myself
Within a fountain in the public square,
Where I lay like the reflex of the moon
Seen in a wave under green leaves; and soon
Those ugly human shapes and visages
Of which I spoke as having wrought me pain,
Passed floating through the air, and fading still
Into the winds that scattered them; and those
From whom they passed seemed mild and lovely forms
After some foul disguise had fallen, and all
Were somewhat changed, and after brief surprise
And greetings of delighted wonder, all
Went to their sleep again: and when the dawn
Came, wouldst thou think that toads, and snakes, and efts,
Could e'er be beautiful? yet so they were,
And that with little change of shape or hue:
All things had put their evil nature off:
I cannot tell my joy, when o'er a lake
Upon a drooping bough with nightshade twined,
I saw two azure halcyons clinging downward
And thinning one bright bunch of amber berries,
With quick long beaks, and in the deep there lay
Those lovely forms imaged as in a sky;
So, with my thoughts full of these happy changes,
We meet again, the happiest change of all.
Asia.
And never will we part, till thy chaste sister
Who guides the frozen and inconstant moon
Will look on thy more warm and equal light
Till her heart thaw like flakes of April snow
And love thee.
Spirit of the Earth.
       What; as Asia loves Prometheus?
       Asia.
Peace, wanton, thou art yet not old enough.
Think ye by gazing on each other's eyes
To multiply your lovely selves, and fill
With spherd fires the interlunar air?
Spirit of the Earth.
Nay, mother, while my sister trims her lamp
'Tis hard I should go darkling.
Asia.
                 Listen; look!
                 [The Spirit of the Hour enters.
Prometheus.
We feel what thou hast heard and seen: yet speak.
Spirit of the Hour.
Soon as the sound had ceased whose thunder filled
The abysses of the sky and the wide earth,
There was a change: the impalpable thin air
And the all-circling sunlight were transformed,
As if the sense of love dissolved in them
Had folded itself round the spherd world.
My vision then grew clear, and I could see
Into the mysteries of the universe:
Dizzy as with delight I floated down,
Winnowing the lightsome air with languid plumes,
My coursers sought their birthplace in the sun,
Where they henceforth will live exempt from toil,
Pasturing flowers of vegetable fire;
And where my moonlike car will stand within
A temple, gazed upon by Phidian forms
Of thee, and Asia, and the Earth, and me,
And you fair nymphs looking the love we feel,
In memory of the tidings it has borne,
Beneath a dome fretted with graven flowers,
Poised on twelve columns of resplendent stone,
And open to the bright and liquid sky.
Yoked to it by an amphisbaenic snake
The likeness of those wingd steeds will mock
The flight from which they find repose. Alas,
Whither has wandered now my partial tongue
When all remains untold which ye would hear?
As I have said, I floated to the earth:
It was, as it is still, the pain of bliss
To move, to breathe, to be; I wandering went
Among the haunts and dwellings of mankind,
And first was disappointed not to see
Such mighty change as I had felt within
Expressed in outward things; but soon I looked,
And behold, thrones were kingless, and men walked
One with the other even as spirits do,
None fawned, none trampled; hate, disdain, or fear,
Self-love or self-contempt, on human brows
No more inscribed, as o'er the gate of hell,
'All hope abandon ye who enter here;'
None frowned, none trembled, none with eager fear
Gazed on another's eye of cold command,
Until the subject of a tyrant's will
Became, worse fate, the abject of his own,
Which spurred him, like an outspent horse, to death.
None wrought his lips in truth-entangling lines
Which smiled the lie his tongue disdained to speak;
None, with firm sneer, trod out in his own heart
The sparks of love and hope till there remained
Those bitter ashes, a soul self-consumed,
And the wretch crept a vampire among men,
Infecting all with his own hideous ill;
None talked that common, false, cold, hollow talk
Which makes the heart deny the yes it breathes,
Yet question that unmeant hypocrisy
With such a self-mistrust as has no name.
And women, too, frank, beautiful, and kind
As the free heaven which rains fresh light and dew
On the wide earth, past; gentle radiant forms,
From custom's evil taint exempt and pure;
Speaking the wisdom once they could not think,
Looking emotions once they feared to feel,
And changed to all which once they dared not be,
Yet being now, made earth like heaven; nor pride,
Nor jealousy, nor envy, nor ill shame,
The bitterest of those drops of treasured gall,
Spoilt the sweet taste of the nepenthe, love.
Thrones, altars, judgement-seats, and prisons; wherein,
And beside which, by wretched men were borne
Sceptres, tiaras, swords, and chains, and tomes
Of reasoned wrong, glozed on by ignorance,
Were like those monstrous and barbaric shapes,
The ghosts of a no-more-remembered fame,
Which, from their unworn obelisks, look forth
In triumph o'er the palaces and tombs
Of those who were their conquerors: mouldering round,
These imaged to the pride of kings and priests
A dark yet mighty faith, a power as wide
As is the world it wasted, and are now
But an astonishment; even so the tools
And emblems of its last captivity,
Amid the dwellings of the peopled earth,
Stand, not o'erthrown, but unregarded now.
And those foul shapes, abhorred by god and man,
Which, under many a name and many a form
Strange, savage, ghastly, dark and execrable,
Were Jupiter, the tyrant of the world;
And which the nations, panic-stricken, served
With blood, and hearts broken by long hope, and love
Dragged to his altars soiled and garlandless,
And slain amid men's unreclaiming tears,
Flattering the thing they feared, which fear was hate,
Frown, mouldering fast, o'er their abandoned shrines:
The painted veil, by those who were, called life,
Which mimicked, as with colours idly spread,
All men believed or hoped, is torn aside;
The loathsome mask has fallen, the man remains
Sceptreless, free, uncircumscribed, but man
Equal, unclassed, tribeless, and nationless,
Exempt from awe, worship, degree, the king
Over himself; just, gentle, wise: but man
Passionless?no, yet free from guilt or pain,
Which were, for his will made or suffered them,
Nor yet exempt, though ruling them like slaves,
From chance, and death, and mutability,
The clogs of that which else might oversoar
The loftiest star of unascended heaven,
Pinnacled dim in the intense inane.
END OF THE THIRD ACT.

ACT IV
Scene.A Part of the Forest near the Cave of Prometheus.Panthea and Ione are sleeping: they awaken gradually during the first Song.
Voice of unseen Spirits.
The pale stars are gone!
For the sun, their swift shepherd,
To their folds them compelling,
In the depths of the dawn,
Hastes, in meteor-eclipsing array, and they flee
Beyond his blue dwelling,
As fawns flee the leopard.
  But where are ye?
  A Train of dark Forms and Shadows passes by confusedly, singing.
Here, oh, here:
We bear the bier
Of the Father of many a cancelled year!
Spectres we
Of the dead Hours be,
We bear Time to his tomb in eternity.
Strew, oh, strew
Hair, not yew!
Wet the dusty pall with tears, not dew!
Be the faded flowers
Of Death's bare bowers
Spread on the corpse of the King of Hours!
Haste, oh, haste!
As shades are chased,
Trembling, by day, from heaven's blue waste.
We melt away,
Like dissolving spray,
From the children of a diviner day,
With the lullaby
Of winds that die
On the bosom of their own harmony!
Ione.
What dark forms were they?
Panthea.
The past Hours weak and gray,
With the spoil which their toil
Raked together
From the conquest but One could foil.
Ione.
Have they passed?
Panthea.
         They have passed;
They outspeeded the blast,
While 'tis said, they are fled:
Ione.
Whither, oh, whither?
Panthea.
To the dark, to the past, to the dead.
Voice of unseen Spirits.
Bright clouds float in heaven,
Dew-stars gleam on earth,
Waves assemble on ocean,
They are gathered and driven
By the storm of delight, by the panic of glee!
They shake with emotion,
They dance in their mirth.
  But where are ye?
   The pine boughs are singing
Old songs with new gladness,
The billows and fountains
Fresh music are flinging,
Like the notes of a spirit from land and from sea;
The storms mock the mountains
With the thunder of gladness.
  But where are ye?
  Ione.
What charioteers are these?
Panthea.
               Where are their chariots?
               Semichorus of Hours.
The voice of the Spirits of Air and of Earth
Have drawn back the figured curtain of sleep
Which covered our being and darkened our birth
In the deep.
A Voice.
      In the deep?
      Semichorus II.
             Oh, below the deep.
             Semichorus I.
An hundred ages we had been kept
Cradled in visions of hate and care,
And each one who waked as his brother slept,
Found the truth
Semichorus II.
          Worse than his visions were!
          Semichorus I.
We have heard the lute of Hope in sleep;
We have known the voice of Love in dreams;
We have felt the wand of Power, and leap
Semichorus II.
As the billows leap in the morning beams!
Chorus.
Weave the dance on the floor of the breeze,
Pierce with song heaven's silent light,
Enchant the day that too swiftly flees,
To check its flight ere the cave of Night.
Once the hungry Hours were hounds
Which chased the day like a bleeding deer,
And it limped and stumbled with many wounds
Through the nightly dells of the desert year.
But now, oh weave the mystic measure
Of music, and dance, and shapes of light,
Let the Hours, and the spirits of might and pleasure,
Like the clouds and sunbeams, unite.
A Voice.
                    Unite!
                    Panthea.
See, where the Spirits of the human mind
Wrapped in sweet sounds, as in bright veils, approach.
Chorus of Spirits.
We join the throng
Of the dance and the song,
By the whirlwind of gladness borne along;
As the flying-fish leap
From the Indian deep,
And mix with the sea-birds, half asleep.
Chorus of Hours.
Whence come ye, so wild and so fleet,
For sandals of lightning are on your feet,
And your wings are soft and swift as thought,
And your eyes are as love which is veild not?
Chorus of Spirits.
We come from the mind
Of human kind
Which was late so dusk, and obscene, and blind,
Now 'tis an ocean
Of clear emotion,
A heaven of serene and mighty motion
From that deep abyss
Of wonder and bliss,
Whose caverns are crystal palaces;
From those skiey towers
Where Thought's crowned powers
Sit watching your dance, ye happy Hours!
From the dim recesses
Of woven caresses,
Where lovers catch ye by your loose tresses
From the azure isles,
Where sweet Wisdom smiles,
Delaying your ships with her siren wiles.
From the temples high
Of Man's ear and eye,
Roofed over Sculpture and Poesy;
From the murmurings
Of the unsealed springs
Where Science bedews her Ddal wings.
Years after years,
Through blood, and tears,
And a thick hell of hatreds, and hopes, and fears;
We waded and flew,
And the islets were few
Where the bud-blighted flowers of happiness grew.
Our feet now, every palm,
Are sandalled with calm,
And the dew of our wings is a rain of balm;
And, beyond our eyes,
The human love lies
Which makes all it gazes on Paradise.
Chorus of Spirits and Hours.
Then weave the web of the mystic measure;
From the depths of the sky and the ends of the earth,
Come, swift Spirits of might and of pleasure,
Fill the dance and the music of mirth,
As the waves of a thousand streams rush by
To an ocean of splendour and harmony!
Chorus of Spirits.
Our spoil is won,
Our task is done,
We are free to dive, or soar, or run;
Beyond and around,
Or within the bound
Which clips the world with darkness round.
We'll pass the eyes
Of the starry skies
Into the hoar deep to colonize:
Death, Chaos, and Night,
From the sound of our flight,
Shall flee, like mist from a tempest's might.
And Earth, Air, and Light,
And the Spirit of Might,
Which drives round the stars in their fiery flight;
And Love, Thought, and Breath,
The powers that quell Death,
Wherever we soar shall assemble beneath.
And our singing shall build
In the void's loose field
A world for the Spirit of Wisdom to wield;
We will take our plan
From the new world of man,
And our work shall be called the Promethean.
Chorus of Hours.
Break the dance, and scatter the song;
Let some depart, and some remain.
Semichorus I.
We, beyond heaven, are driven along:
Semichorus II.
Us the enchantments of earth retain:
Semichorus I.
Ceaseless, and rapid, and fierce, and free,
With the Spirits which build a new earth and sea,
And a heaven where yet heaven could never be.
Semichorus II.
Solemn, and slow, and serene, and bright,
Leading the Day and outspeeding the Night,
With the powers of a world of perfect light.
Semichorus I.
We whirl, singing loud, round the gathering sphere,
Till the trees, and the beasts, and the clouds appear
From its chaos made calm by love, not fear.
Semichorus II.
We encircle the ocean and mountains of earth,
And the happy forms of its death and birth
Change to the music of our sweet mirth.
Chorus of Hours and Spirits.
Break the dance, and scatter the song,
Let some depart, and some remain,
Wherever we fly we lead along
In leashes, like starbeams, soft yet strong,
The clouds that are heavy with love's sweet rain.
Panthea.
Ha! they are gone!
Ione.
          Yet feel you no delight
From the past sweetness?
Panthea.
             As the bare green hill
When some soft cloud vanishes into rain,
Laughs with a thousand drops of sunny water
To the unpavilioned sky!
Ione.
             Even whilst we speak
New notes arise. What is that awful sound?
Panthea.
'Tis the deep music of the rolling world
Kindling within the strings of the waved air
olian modulations.
Ione.
          Listen too,
How every pause is filled with under-notes,
Clear, silver, icy, keen, awakening tones,
Which pierce the sense, and live within the soul,
As the sharp stars pierce winter's crystal air
And gaze upon themselves within the sea.
Panthea.
But see where through two openings in the forest
Which hanging branches overcanopy,
And where two runnels of a rivulet,
Between the close moss violet-inwoven,
Have made their path of melody, like sisters
Who part with sighs that they may meet in smiles,
Turning their dear disunion to an isle
Of lovely grief, a wood of sweet sad thoughts;
Two visions of strange radiance float upon
The ocean-like enchantment of strong sound,
Which flows intenser, keener, deeper yet
Under the ground and through the windless air.
Ione.
I see a chariot like that thinnest boat,
In which the Mother of the Months is borne
By ebbing light into her western cave,
When she upsprings from interlunar dreams;
O'er which is curved an orblike canopy
Of gentle darkness, and the hills and woods,
Distinctly seen through that dusk aery veil,
Regard like shapes in an enchanter's glass;
Its wheels are solid clouds, azure and gold,
Such as the genii of the thunderstorm
Pile on the floor of the illumined sea
When the sun rushes under it; they roll
And move and grow as with an inward wind;
Within it sits a wingd infant, white
Its countenance, like the whiteness of bright snow,
Its plumes are as feathers of sunny frost,
Its limbs gleam white, through the wind-flowing folds
Of its white robe, woof of ethereal pearl.
Its hair is white, the brightness of white light
Scattered in strings; yet its two eyes are heavens
Of liquid darkness, which the Deity
Within seems pouring, as a storm is poured
From jaggd clouds, out of their arrowy lashes,
Tempering the cold and radiant air around,
With fire that is not brightness; in its hand
It sways a quivering moonbeam, from whose point
A guiding power directs the chariot's prow
Over its wheeld clouds, which as they roll
Over the grass, and flowers, and waves, wake sounds,
Sweet as a singing rain of silver dew.
Panthea.
And from the other opening in the wood
Rushes, with loud and whirlwind harmony,
A sphere, which is as many thousand spheres,
Solid as crystal, yet through all its mass
Flow, as through empty space, music and light:
Ten thousand orbs involving and involved,
Purple and azure, white, and green, and golden,
Sphere within sphere; and every space between
Peopled with unimaginable shapes,
Such as ghosts dream dwell in the lampless deep,
Yet each inter-transpicuous, and they whirl
Over each other with a thousand motions,
Upon a thousand sightless axles spinning,
And with the force of self-destroying swiftness,
Intensely, slowly, solemnly roll on,
Kindling with mingled sounds, and many tones,
Intelligible words and music wild.
With mighty whirl the multitudinous orb
Grinds the bright brook into an azure mist
Of elemental subtlety, like light;
And the wild odour of the forest flowers,
The music of the living grass and air,
The emerald light of leaf-entangled beams
Round its intense yet self-conflicting speed,
Seem kneaded into one areal mass
Which drowns the sense. Within the orb itself,
Pillowed upon its alabaster arms,
Like to a child o'erwearied with sweet toil,
On its own folded wings, and wavy hair,
The Spirit of the Earth is laid asleep,
And you can see its little lips are moving,
Amid the changing light of their own smiles,
Like one who talks of what he loves in dream.
Ione.
'Tis only mocking the orb's harmony.
Panthea.
And from a star upon its forehead, shoot,
Like swords of azure fire, or golden spears
With tyrant-quelling myrtle overtwined,
Embleming heaven and earth united now,
Vast beams like spokes of some invisible wheel
Which whirl as the orb whirls, swifter than thought,
Filling the abyss with sun-like lightenings,
And perpendicular now, and now transverse,
Pierce the dark soil, and as they pierce and pass,
Make bare the secrets of the earth's deep heart;
Infinite mines of adamant and gold,
Valueless stones, and unimagined gems,
And caverns on crystalline columns poised
With vegetable silver overspread;
Wells of unfathomed fire, and water springs
Whence the great sea, even as a child is fed,
Whose vapours clothe earth's monarch mountain-tops
With kingly, ermine snow. The beams flash on
And make appear the melancholy ruins
Of cancelled cycles; anchors, beaks of ships;
Planks turned to marble; quivers, helms, and spears,
And gorgon-headed targes, and the wheels
Of scythd chariots, and the emblazonry
Of trophies, standards, and armorial beasts,
Round which death laughed, sepulchred emblems
Of dead destruction, ruin within ruin!
The wrecks beside of many a city vast,
Whose population which the earth grew over
Was mortal, but not human; see, they lie,
Their monstrous works, and uncouth skeletons,
Their statues, homes and fanes; prodigious shapes
Huddled in gray annihilation, split,
Jammed in the hard, black deep; and over these,
The anatomies of unknown wingd things,
And fishes which were isles of living scale,
And serpents, bony chains, twisted around
The iron crags, or within heaps of dust
To which the tortuous strength of their last pangs
Had crushed the iron crags; and over these
The jaggd alligator, and the might
Of earth-convulsing behemoth, which once
Were monarch beasts, and on the slimy shores,
And weed-overgrown continents of earth,
Increased and multiplied like summer worms
On an abandoned corpse, till the blue globe
Wrapped deluge round it like a cloak, and they
Yelled, gasped, and were abolished; or some God
Whose throne was in a comet, passed, and cried,
'Be not!' And like my words they were no more.
The Earth.
The joy, the triumph, the delight, the madness!
The boundless, overflowing, bursting gladness,
The vaporous exultation not to be confined!
Ha! ha! the animation of delight
Which wraps me, like an atmosphere of light,
And bears me as a cloud is borne by its own wind.
The Moon.
Brother mine, calm wanderer,
Happy globe of land and air,
Some Spirit is darted like a beam from thee,
Which penetrates my frozen frame,
And passes with the warmth of flame,
With love, and odour, and deep melody
  Through me, through me!
  The Earth.
Ha! ha! the caverns of my hollow mountains,
My cloven fire-crags, sound-exulting fountains
Laugh with a vast and inextinguishable laughter.
The oceans, and the deserts, and the abysses,
And the deep air's unmeasured wildernesses,
Answer from all their clouds and billows, echoing after.
They cry aloud as I do. Sceptred curse,
Who all our green and azure universe
Threatenedst to muffle round with black destruction, sending
A solid cloud to rain hot thunderstones,
And splinter and knead down my children's bones,
All I bring forth, to one void mass battering and blending,
Until each crag-like tower, and storied column,
Palace, and obelisk, and temple solemn,
My imperial mountains crowned with cloud, and snow, and fire;
My sea-like forests, every blade and blossom
Which finds a grave or cradle in my bosom,
Were stamped by thy strong hate into a lifeless mire:
How art thou sunk, withdrawn, covered, drunk up
By thirsty nothing, as the brackish cup
Drained by a desert-troop, a little drop for all;
And from beneath, around, within, above,
Filling thy void annihilation, love
Burst in like light on caves cloven by the thunder-ball.
The Moon.
The snow upon my lifeless mountains
Is loosened into living fountains,
My solid oceans flow, and sing, and shine:
A spirit from my heart bursts forth,
It clothes with unexpected birth
My cold bare bosom: Oh! it must be thine
  On mine, on mine!
   Gazing on thee I feel, I know
Green stalks burst forth, and bright flowers grow,
And living shapes upon my bosom move:
Music is in the sea and air,
Wingd clouds soar here and there,
Dark with the rain new buds are dreaming of:
  'Tis love, all love!
  The Earth.
It interpenetrates my granite mass,
Through tangled roots and trodden clay doth pass
Into the utmost leaves and delicatest flowers;
Upon the winds, among the clouds 'tis spread,
It wakes a life in the forgotten dead,
They breathe a spirit up from their obscurest bowers.
And like a storm bursting its cloudy prison
With thunder, and with whirlwind, has arisen
Out of the lampless caves of unimagined being:
With earthquake shock and swiftness making shiver
Thought's stagnant chaos, unremoved for ever,
Till hate, and fear, and pain, light-vanquished shadows, fleeing,
Leave Man, who was a many-sided mirror,
Which could distort to many a shape of error,
This true fair world of things, a sea reflecting love;
Which over all his kind, as the sun's heaven
Gliding o'er ocean, smooth, serene, and even,
Darting from starry depths radiance and life, doth move:
Leave Man, even as a leprous child is left,
Who follows a sick beast to some warm cleft
Of rocks, through which the might of healing springs is poured;
Then when it wanders home with rosy smile,
Unconscious, and its mother fears awhile
It is a spirit, then, weeps on her child restored.
Man, oh, not men! a chain of linkd thought,
Of love and might to be divided not,
Compelling the elements with adamantine stress;
As the sun rules, even with a tyrant's gaze,
The unquiet republic of the maze
Of planets, struggling fierce towards heaven's free wilderness.
Man, one harmonious soul of many a soul,
Whose nature is its own divine control,
Where all things flow to all, as rivers to the sea;
Familiar acts are beautiful through love;
Labour, and pain, and grief, in life's green grove
Sport like tame beasts, none knew how gentle they could be!
His will, with all mean passions, bad delights,
And selfish cares, its trembling satellites,
A spirit ill to guide, but mighty to obey,
Is as a tempest-wingd ship, whose helm
Love rules, through waves which dare not overwhelm,
Forcing life's wildest shores to own its sovereign sway.
All things confess his strength. Through the cold mass
Of marble and of colour his dreams pass;
Bright threads whence mothers weave the robes their children wear;
Language is a perpetual Orphic song,
Which rules with Ddal harmony a throng
Of thoughts and forms, which else senseless and shapeless were.
The lightning is his slave; heaven's utmost deep
Gives up her stars, and like a flock of sheep
They pass before his eye, are numbered, and roll on!
The tempest is his steed, he strides the air;
And the abyss shouts from her depth laid bare,
Heaven, hast thou secrets? Man unveils me; I have none.
The Moon.
The shadow of white death has passed
From my path in heaven at last,
A clinging shroud of solid frost and sleep;
And through my newly-woven bowers,
Wander happy paramours,
Less mighty, but as mild as those who keep
  Thy vales more deep.
  The Earth.
As the dissolving warmth of dawn may fold
A half unfrozen dew-globe, green, and gold,
And crystalline, till it becomes a wingd mist,
And wanders up the vault of the blue day,
Outlives the moon, and on the sun's last ray
Hangs o'er the sea, a fleece of fire and amethyst.
The Moon.
Thou art folded, thou art lying
In the light which is undying
Of thine own joy, and heaven's smile divine;
All suns and constellations shower
On thee a light, a life, a power
Which doth array thy sphere; thou pourest thine
  On mine, on mine!
  The Earth.
I spin beneath my pyramid of night,
Which points into the heavens dreaming delight,
Murmuring victorious joy in my enchanted sleep;
As a youth lulled in love-dreams faintly sighing,
Under the shadow of his beauty lying,
Which round his rest a watch of light and warmth doth keep.
The Moon.
As in the soft and sweet eclipse,
When soul meets soul on lovers' lips,
High hearts are calm, and brightest eyes are dull;
So when thy shadow falls on me,
Then am I mute and still, by thee
Covered; of thy love, Orb most beautiful,
  Full, oh, too full!
   Thou art speeding round the sun
Brightest world of many a one;
Green and azure sphere which shinest
With a light which is divinest
Among all the lamps of Heaven
To whom life and light is given;
I, thy crystal paramour
Borne beside thee by a power
Like the polar Paradise,
Magnet-like of lovers' eyes;
I, a most enamoured maiden
Whose weak brain is overladen
With the pleasure of her love,
Maniac-like around thee move
Gazing, an insatiate bride,
On thy form from every side
Like a Mnad, round the cup
Which Agave lifted up
In the weird Cadman forest.
Brother, wheresoe'er thou soarest
I must hurry, whirl and follow
Through the heavens wide and hollow,
Sheltered by the warm embrace
Of thy soul from hungry space,
Drinking from thy sense and sight
Beauty, majesty, and might,
As a lover or a chameleon
Grows like what it looks upon,
As a violet's gentle eye
Gazes on the azure sky
Until its hue grows like what it beholds,
As a gray and watery mist
Glows like solid amethyst
Athwart the western mountain it enfolds,
When the sunset sleeps
  Upon its snow
  The Earth.
  And the weak day weeps
   That it should be so.
Oh, gentle Moon, the voice of thy delight
Falls on me like thy clear and tender light
Soothing the seaman, borne the summer night,
Through isles for ever calm;
Oh, gentle Moon, thy crystal accents pierce
The caverns of my pride's deep universe,
Charming the tiger joy, whose tramplings fierce
Made wounds which need thy balm.
Panthea.
I rise as from a bath of sparkling water,
A bath of azure light, among dark rocks,
Out of the stream of sound.
Ione.
               Ah me! sweet sister,
The stream of sound has ebbed away from us,
And you pretend to rise out of its wave,
Because your words fall like the clear, soft dew
Shaken from a bathing wood-nymph's limbs and hair.
Panthea.
Peace! peace! A mighty Power, which is as darkness,
Is rising out of Earth, and from the sky
Is showered like night, and from within the air
Bursts, like eclipse which had been gathered up
Into the pores of sunlight: the bright visions,
Wherein the singing spirits rode and shone,
Gleam like pale meteors through a watery night.
Ione.
There is a sense of words upon mine ear.
Panthea.
An universal sound like words: Oh, list!
Demogorgon.
Thou, Earth, calm empire of a happy soul,
Sphere of divinest shapes and harmonies,
Beautiful orb! gathering as thou dost roll
The love which paves thy path along the skies:
The Earth.
I hear: I am as a drop of dew that dies.
Demogorgon.
Thou, Moon, which gazest on the nightly Earth
With wonder, as it gazes upon thee;
Whilst each to men, and beasts, and the swift birth
Of birds, is beauty, love, calm, harmony:
The Moon.
I hear: I am a leaf shaken by thee!
Demogorgon.
Ye Kings of suns and stars, Dmons and Gods,
Aetherial Dominations, who possess
Elysian, windless, fortunate abodes
Beyond Heaven's constellated wilderness:
A Voice from above.
Our great Republic hears, we are blest, and bless.
Demogorgon.
Ye happy Dead, whom beams of brightest verse
Are clouds to hide, not colours to portray,
Whether your nature is that universe
Which once ye saw and suffered
A Voice from beneath.
                 Or as they
Whom we have left, we change and pass away.
Demogorgon.
Ye elemental Genii, who have homes
From man's high mind even to the central stone
Of sullen lead; from heaven's star-fretted domes
To the dull weed some sea-worm battens on:
A confused Voice.
We hear: thy words waken Oblivion.
Demogorgon.
Spirits, whose homes are flesh: ye beasts and birds,
Ye worms, and fish; ye living leaves and buds;
Lightning and wind; and ye untameable herds,
Meteors and mists, which throng air's solitudes:
A Voice.
Thy voice to us is wind among still woods.
Demogorgon.
Man, who wert once a despot and a slave;
A dupe and a deceiver; a decay;
A traveller from the cradle to the grave
Through the dim night of this immortal day:
All.
Speak: thy strong words may never pass away.
Demogorgon.
This is the day, which down the void abysm
At the Earth-born's spell yawns for Heaven's despotism,
And Conquest is dragged captive through the deep:
Love, from its awful throne of patient power
In the wise heart, from the last giddy hour
Of dread endurance, from the slippery, steep,
And narrow verge of crag-like agony, springs
And folds over the world its healing wings.
Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.
To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory.
Composed at Este, Sept., Oct., 1818 (Act I); at Rome, March - April 6, 1819 (Acts II, III); at Florence, close of 1819 (Act IV). Published by C. and J. Ollier, London, summer of 1820.

Note from Mrs. Shelley: 'On the 12th of March, 1818, Shelley quitted England, never to return. His principal motive was the hope that his health would be improved by a milder climate; he suffered very much during the winter previous to his emigration, and this decided his vacillating purpose. .....Through the whole poem there reigns a sort of calm and holy spirit of love; it soothes the tortured, and is hope to the expectant, till the prophecy is fulfilled, and Love, untainted by any evil, becomes the law of the world. ....And, as he wandered among the ruins made one with Nature in their decay, or gaed on the Praxitelean shapes that throng the Vatican, the Capitol, and the palaces of Rome, his soul imbibed forms of loveliness which became a portion of itself. There are many passages in the Prometheus which show the intense delight he received from such studies, and give back the impression with a beauty of poetical description peculiarly his own. He felt this, as a poet must feel when he satisfies himself by the result of his labours; and he wrote from Rome, ''My Prometheus Unbound is just finished, and in a month or two I shall send it. It is a drama, with characters and mechanism of a kind yet unattempted; and I think the execution is better than any of my former attempts.'''
~ Percy Bysshe Shelley, Prometheus Unbound
,

IN CHAPTERS [243/243]



   79 Integral Yoga
   58 Poetry
   44 Fiction
   5 Occultism
   5 Mythology
   4 Psychology
   3 Christianity
   2 Philsophy
   2 Philosophy
   2 Hinduism
   1 Science
   1 Mysticism
   1 Integral Theory
   1 Cybernetics


  110 Sri Aurobindo
   40 H P Lovecraft
   24 Nolini Kanta Gupta
   18 The Mother
   10 Satprem
   9 John Keats
   5 Percy Bysshe Shelley
   4 Ovid
   3 George Van Vrekhem
   3 Edgar Allan Poe
   3 Aleister Crowley
   3 A B Purani
   2 Vyasa
   2 Robert Browning
   2 Ralph Waldo Emerson
   2 Pierre Teilhard de Chardin
   2 Jorge Luis Borges
   2 Johann Wolfgang von Goethe
   2 Friedrich Schiller
   2 Carl Jung


   40 Lovecraft - Poems
   28 Savitri
   16 Collected Poems
   13 The Synthesis Of Yoga
   9 Keats - Poems
   7 Essays In Philosophy And Yoga
   7 Collected Works of Nolini Kanta Gupta - Vol 03
   7 5.1.01 - Ilion
   6 The Secret Doctrine
   6 Essays Divine And Human
   5 The Life Divine
   5 Shelley - Poems
   5 Collected Works of Nolini Kanta Gupta - Vol 01
   4 The Human Cycle
   4 On Thoughts And Aphorisms
   4 Metamorphoses
   4 Essays On The Gita
   4 Agenda Vol 01
   3 Vedic and Philological Studies
   3 Record of Yoga
   3 Questions And Answers 1953
   3 Preparing for the Miraculous
   3 Poe - Poems
   3 Isha Upanishad
   3 Evening Talks With Sri Aurobindo
   3 Collected Works of Nolini Kanta Gupta - Vol 08
   3 Collected Works of Nolini Kanta Gupta - Vol 07
   3 Collected Works of Nolini Kanta Gupta - Vol 02
   2 Vishnu Purana
   2 Sri Aurobindo or the Adventure of Consciousness
   2 Schiller - Poems
   2 Questions And Answers 1956
   2 Liber ABA
   2 Hymns to the Mystic Fire
   2 Emerson - Poems
   2 Browning - Poems
   2 Agenda Vol 02


00.01 - The Approach to Mysticism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   The mystic forces are not only of immense potency but of a definite moral disposition and character, that is to say, they are of immense potency either for good or for evil. They are not mechanical and amoral forces like those that physical sciences deal with; they are forces of consciousness and they are conscious forces, they act with an aim and a purpose. The mystic forces are forces either of light or of darkness, either Divine or Titanic. And it is most often the powers of darkness that the naturally ignorant consciousness of man contacts when it seeks to cross the borderline without training or guidance, by the sheer arrogant self-sufficiency of mental scientific reason.
   Ignorance, certainly, is not man's ideal conditionit leads to death and dissolution. But knowledge also can be equally disastrous if it is not of the right kind. The knowledge that is born of spiritual disobedience, inspired by the Dark ones, leads to the soul's fall and its calvary through pain and suffering on earth. The seeker of true enlightenment has got to make a distinction, learn to separate the true and the right from the false and the wrong, unmask the luring Mra say clearly and unfalteringly to the dark light of Luciferapage Satana, if he is to come out into the true light and comm and the right forces. The search for knowledge alone, knowledge for the sake of knowledge, the path of pure scientific inquiry and inquisitiveness, in relation to the mystic world, is a dangerous thing. For such a spirit serves only to encourage and enhance man's arrogance and in the end not only limits but warps and falsifies the knowledge itself. A knowledge based on and secured exclusively through the reason and mental light can go only so far as that faculty can be reasonably stretched and not infinitelyto stretch it to infinity means to snap it. This is the warning that Yajnavalkya gave to Gargi when the latter started renewing her question ad infinitum Yajnavalkya said, "If you do not stop, your head will fall off."

01.02 - The Issue, #Savitri, #Sri Aurobindo, #Integral Yoga
  The genius of Titanic silences
  Steeping her soul in its wide loneliness
  --
  Restrain the Titan in us and the God:
  Pain with its lash, joy with its silver bribe

01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
  It beat his soil to bear a Titan's weight,
  Refining half-hewn blocks of natural strength
  --
  The gods of light and Titans of the dark
  Battled for his soul as for a costly prize.
  --
  Replace the Titan will for ever to climb,
  On the heart's altar dim the sacred fire.

01.04 - The Intuition of the Age, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   This then is the mantra of the new ageLife with Intuition as its guide and not Reason and mechanical efficiency, not Man but Superman. The right mantra has been found, the principle itself is irreproachable. But the interpretation, the application, does not seem to have been always happy. For, Nietzsche's conception of the Superman is full of obvious lacunae. If we have so long been adoring the intellectual man, Nietzsche asks us, on the other hand, to deify the vital man. According to him the superman is he who has (1) the supreme sense of the ego, (2) the sovereign will to power and (3) who lives dangerously. All this means an Asura, that is to say, one who has, it may be, dominion over his animal and vital impulsions in order, of course, that he may best gratify them but who has not purified them. Purification does not necessarily mean, annihilation but it does mean sublimation and transformation. So if you have to transcend man, you have to transcend egoism also. For a conscious egoism is the very characteristic of man and by increasing your sense of egoism you do not supersede man but simply aggrandise your humanity, fashion it on a larger, a Titanic scale. And then the will to power is not the only will that requires fulfilment, there is also the will to knowledge and the will to love. In man these three fundamental constitutive elements coexist, although they do it, more often than not, at the expense of each other and in a state of continual disharmony. The superman, if he is to be the man "who has surmounted himself", must embody a poise of being in which all the three find a fusion and harmonya perfect synthesis. Again, to live dangerously may be heroic, but it is not divine. To live dangerously means to have eternal opponents, that is to say, to live ever on the same level with the forces you want to dominate. To have the sense that one has to fight and control means that one is not as yet the sovereign lord, for one has to strive and strain and attain. The supreme lord is he who is perfectly equanimous with himself and with the world. He has not to batter things into a shape in order to create. He creates means, he manifests. He wills and he achieves"God said 'let there be light' and there was light."
   As a matter of fact, the superman is not, as Nietzsche thinks him to be, the highest embodiment of the biological force of Nature, not even as modified and refined by the aesthetic and aristocratic virtues of which the higher reaches of humanity seem capable. For that is after all humanity only accentuated in certain other fundamentally human modes of existence. It does not carry far enough the process of surmounting. In reality it is not a surmounting but a new channelling. Instead of the ethical and intellectual man, we get the vital and aesthetic man. It may be a change but not a transfiguration.
  --
   Certainly this does not go far enough into the motive of the change. The cosmic order does not mean mentalised vitalism which is also in its turn a section of the integral reality. It means the order of the spirit, it means the transfiguration of the physical, the vital and the intellectual into the supernal Substance, Power and Light of that Spirit. The real transcendence of humanity is not the transcendence of one or other of its levels but the total transcendence to an altogether different status and the transmutation of humanity in the mould of that statusnot a Nietzschean Titan nor a Bergsonian Dionysus but the tranquil vision and delight and dynamism of the Spirit the incarnation of a god-head.
   ***

01.04 - The Secret Knowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  His chosen partner in a Titan game,
  Her will he has made the master of his fate,

01.05 - Rabindranath Tagore: A Great Poet, a Great Man, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   In an age when Reason was considered as the highest light given to man, Tagore pointed to the Vision of the mystics as always the still greater light; when man was elated with undreamt-of worldly success, puffed up with incomparable material possessions and powers, Tagore's voice rang clear and emphatic in tune with the cry of the ancients: "What shall I do with all this mass of things, if I am not made immortal by that?" When men, in their individual as well as collective egoism, were scrambling for earthly gains and hoards, he held before them vaster and cleaner horizons, higher and deeper ways of being and living, maintained the sacred sense of human solidarity, the living consciousness of the Divine, one and indivisible. When the Gospel of Power had all but hypnotised men's minds, and Superman or God-man came to be equated with the Titan, Tagore saw through the falsehood and placed in front and above all the old-world eternal verities of love and self-giving, harmony and mutuality, sweetness and light. When pessimism, cynicism, agnosticism struck the major chord of human temperament, and grief and frustration and death and decay were taken as a matter of course to be the inevitable order of earthlylifebhasmantam idam shariramhe continued to sing the song of the Rishis that Ananda and Immortality are the breath of things, the birth right of human beings. When Modernism declared with a certitude never tobe contested that Matter is Brahman, Tagore said with the voice of one who knows that Spirit is Brahman.
   Tagore is in direct line with those bards who have sung of the Spirit, who always soared high above the falsehoods and uglinesses of a merely mundane life and lived in the undecaying delights and beauties of a diviner consciousness. Spiritual reality was the central theme of his poetic creation: only and naturally he viewed it in a special way and endowed it with a special grace. We know of another God-intoxicated man, the Jewish philosopher Spinoza, who saw things sub specie aeternitatis, under the figure or mode of eternity. Well, Tagore can be said to see things, in their essential spiritual reality, under the figure or mode of beauty. Keats indeed spoke of truth being beauty and beauty truth. But there is a great difference in the outlook and inner experience. A worshipper of beauty, unless he rises to the Upanishadic norm, is prone to become sensuous and pagan. Keats was that, Kalidasa was that, even Shelley was not far different. The spiritual vein in all these poets remains secondary. In the old Indian master, it is part of his intellectual equipment, no doubt, but nothing much more than that. In the other two it comes in as strange flashes from an unknown country, as a sort of irruption or on the peak of the poetic afflatus or enthousiasmos.

01.05 - The Nietzschean Antichrist, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   The real secret of Nietzsche's philosophy is not an adoration of brute force, of blind irrational joy in fighting and killing. Far from it, Nietzsche has no kinship with Treitschke or Bernhard. What Nietzsche wanted was a world purged of littleness and ugliness, a humanity, not of saints, perhaps, but of heroes, lofty in their ideal, great in their achievement, majestic in their empirea race of Titanic gods breathing the glory of heaven itself.
   ***

01.05 - The Yoga of the King - The Yoga of the Spirits Freedom and Greatness, #Savitri, #Sri Aurobindo, #Integral Yoga
  He saw unpathed, unwalled, his Titan scope.
  \tAll was uncovered to his sealless eye.

0.10 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
  "The Titans are stronger than the gods because they have agreed with God to front
  and bear the burden of His wrath and enmity; the gods were able to accept only the
  --
  worship inferior entities? And the Titans must be the
  most lovable sons of the Divine!

0 1959-03-26 - Lord of Death, Lord of Falsehood, #Agenda Vol 01, #unset, #Zen
   Behind the Titan attacking us particularly now, there is something else. This Titan has been delegated by someone else. He has been there since my birth, was born with me. I felt him when I was very young, but only gradually, as I became conscious of myself, did I understand WHO he was and what was behind him.
   This Titan has been specially sent to attack this body, but he cant do it directly, so he uses people in my entourage. It is something fated: all those around me, who are close to me, and especially those capable of love, have been attacked by him; a few have succumbed, such as that girl in my entourage who was absorbed by him. He follows me like a shadow, and each time there is the least little opening in someone near me, he is there.
   The power of this Titan comes from an Asura. There are four Asuras. Two have already been converted, and the other two, the Lord of Death and the Lord of Falsehood, made an attempt at conversion by taking on a physical bodythey have been intimately associated with my life. The story of these Asuras would be very interesting to recount The Lord of Death disappeared; he lost his physical body, and I dont know what has become of him.1 As for the other, the Lord of Falsehood, the one who now rules over this earth, he tried hard to be converted, but he found it disgusting!
   At times he calls himself the Lord of Nations. It is he who sets all wars in motion, and only by thwarting his plans could the last war be won This one does not want to be converted, not at all. He wants neither the physical transformation nor the supramental world, for that would spell his end. Besides, he knows We talk to each other; beyond all this, we have our relationship. For after all, you see (laughing), I am his mother! One day he told me, I know you will destroy me, but meanwhile, I will create all the havoc possible.
   This Asura of Falsehood is the one who delegated the Titan that is always near me. He chose the most powerful Titan there is on earth and sent him specially to attack this body. So even if one manages to enchain or kill this Titan, it is likely that the Lord of Falsehood will delegate another form, and still another, and still another, in order to achieve his aim.
   In the end, only the Supramental will have the power to destroy it. When the hour comes, all this will disappear, without any need to do anything.

0 1959-05-28, #Agenda Vol 01, #unset, #Zen
   I did not utter the words that you heard I wanted to speak to you of my experience during the night, but I was paralyzed because I clearly felt that you no longer understood me. As soon as I received your letter, I concentrated on you in an effort to help you, and when night fell, just at the hour I enter into contact with X, I called for his helpwhereupon he sent me this little Kali whom he had already sent once before. So I went to your house, I took you in my arms and pressed you tightly to my heart to keep you as sheltered as possible from blows, and I let Kali do her warrior dance against this Titan who is always trying to possess you, creating this rebelliousness in you. She must have at least partially succeeded in her work, because very early in the morning the Titan went away somewhat discomfited, but while leaving, he flung this at me as he went by: You will regret it, for you would have had less trouble if he had left. I flung his suggestion back in his face with a laugh and told him, Take that, along with all the rest of your ugly person! I have no need of it! And the atmosphere cleared up.
   I wanted to tell you all this, but I couldnt because you were still far away from me and it would have seemed like boasting. Also the misunderstanding created by the distance made you hear other words than those I uttered.

0 1960-05-16, #Agenda Vol 01, #unset, #Zen
   If there is one fundamental necessity, it is humility. To be humble. Not humble as it is normally understood, such as merely saying, I am so small, Im nothing at allno, something else Because the pitfalls are innumerable, and the further you progress in yoga, the more subtle they become, and the more the ego masks itself behind marvelous and saintly appearances. So when somebody says, I no longer want to rely on anything but Him. I want to close my eyes and rest in Him alone, this comfortable Him, which is exactly what you want him to be, is the egoor a formidable Asura, or a Titan (depending on each ones capacity). Theyre all over the earth, the earth is their domain. So the first thing to do is to pocket your egonot preserve it, but get rid of it as soon as possible!
   You can be sure that the God youve created is a God of the ego whenever something within you insists, This is what I feel, this is what I think, this is what I see; its my way, my very ownits my way of being, my way of understanding, my relationship with the Divine, etc.

0 1960-07-12 - Mothers Vision - the Voice, the ashram a tiny part of myself, the Mothers Force, sparkling white light compressed - enormous formation of negative vibrations - light in evil, #Agenda Vol 01, #unset, #Zen
   I had a startling experience one day when X was doing his pujas to encircle the Titans. He was in difficulty and I was about to intervene to help him when I was abruptly stopped. I was faced by a massive blackness (blacker than the blackest physical thing) and suddenly, right at its center, I saw the Divine Love shining with such a splendor I had never seen it so splendid.
   And now it has become constant; each time I hear or see something ugly or horrible, or each time something ugly or horrible happens, something which is a negation of the divine life just behind is this flameso wonderful. And then the effect is annulled.

0 1961-10-30, #Agenda Vol 02, #The Mother, #Integral Yoga
   Since the time of Adam, it seems we have been choosing to eat of the fruit of the Tree of Knowledge, and there can be no half-measures or regrets along this way, for if we remain prostrate in a false humility, our noses in the dust, the Titans or the djinns among us will know all too well how to snatch the Power left unclaimed; this is in fact what they are doingthey would crush the god within us. It is a question of knowingyes or nowhether we want to escape once again into our various paradises, abandoning the earth to the hands of Darkness, or find and seize hold of the Power to refashion this earth into a diviner imagein the words of the Rishis, make earth and heaven equal and one.
   There is obviously a Secret, and all the traditions bear witness to it the Rishis, the Mages of Iran, the priests of Chaldea or Memphis or Yucatan.

0 1961-12-23, #Agenda Vol 02, #The Mother, #Integral Yoga
   See Agenda of March 26, 1959 (Vol. I, p. 288): the Titan sent especially to attack Mother's body, and who uses the people around her for this purpose.
   One of Mother's personalities.

0 1969-12-13, #Agenda Vol 10, #The Mother, #Integral Yoga
   221"The saint and the angel are not the only divinities; admire also the Titan and the Giant."
   222"The old writings call the Titans the elder gods. So they still are; nor is any god entirely divine unless there is hidden in him also a Titan."
   223"If I cannot be Rama, then I would be Ravana; for he is the dark side of Vishnu." (Rama is a divine incarnation, whereas Ravana is the incarnation of a demon.)

02.01 - A Vedic Story, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   There is another point which requires clarification. As a reason for his nervousness and flight he alleges that greater people who preceded him had attempted the work, but evidently failed in the attempt; so how can he, a younger novice, dare to go the same way? Putting the imagery back to its psychological bearing, one play explain that the predecessors refer to the deities of the physical, vital and mental consciousness who ruled the earth before the emergence of the psychic or soul consciousness. It is precisely because of the failure or insufficiency of these anteriorin the evolutionary movementand inferior gods that Agni's service is being requisitioned. Mythologically also a parallelism is found in the Greek legends where it is said that the Olympian godsZeus and his companywere a younger generation that replaced, after of course a bloody warfare, their ancestors, the more ancient race of Kronos, the Titans. Titans were the Asuras and Rakshasas who reigned upon earth before the advent of the mentalsattwichuman being, Manu, as referred here.
   Now, here I give you the original text in translation:

02.01 - The World War, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Modern thinkers do not speak of the Asura the Demon or the Titanalthough the religiously minded sometimes refer to the Anti-Christ; but the real, the inner significance of the terms, is lost to a mind nurtured in science and empiricism; they are considered as more or less imaginative symbols for certain undesirable qualities of nature and character. Yet some have perceived and expressed the external manifestation and activities of the Asura in a way sufficient to open men's eyes to the realities involved. Thus they have declared that the present war is a conflict between two ideals, to be sure, but also that the two ideals are so different that they do not belong to the same plane or order; they belong to different planes and different orders. On one side the whole endeavour is to bring man down from the level to which he has arisen in the course of evolution to something like his previous level and to keep him imprisoned there. That this is really their aim, the protagonists and partisans themselves have declared frankly and freely and loudly enough, without any hesitation or reservation. Hitler's 'Mein Kampf' has become the Scripture of the New Order; it has come with a more categorical imperative, a more supernal authority than the Veda, the Bible or the Koran.
   When man was a dweller of the forest,a jungle man,akin to his forbear the ape, his character was wild and savage, his motives and impulsions crude, violent, egoistic, almost wholly imbedded in, what we call, the lower vital level; the light of the higher intellect and intelligence had not entered into them. Today there is an uprush of similar forces to possess and throw man back to a similar condition. This new order asks only one thing of man, namely, to be strong and powerful, that is to say, fierce, ruthless, cruel and regimented. Regimentation can be said to be the very characteristic of the order, the regimentation of a pack of wild dogs or wolves. A particular country, nation or raceit is Germany in Europe and, in her wake, Japan in Asiais to be the sovereign nation or master race (Herrenvolk); the rest of mankindo ther countries and peoplesshould be pushed back to the status of servants and slaves, mere hewers of wood and drawers of water. What the helots were in ancient times, what the serfs were in the mediaeval ages, and what the subject peoples were under the worst forms of modern imperialism, even so will be the entire mankind under the new overlordship, or something still worse. For whatever might have been the external conditions in those ages and systems, the upward aspirations of man were never doubted or questioned they were fully respected and honoured. The New Order has pulled all that down and cast them to the winds. Furthermore in the new regime, it is not merely the slaves that suffer in a degraded condition, the masters also, as individuals, fare no better. The individual here has no respect, no freedom or personal value. This society or community of the masters even will be like a bee-hive or an ant-hill; the individuals are merely functional units, they are but screws and bolts and nuts and wheels in a huge relentless machinery. The higher and inner realities, the spontaneous inspirations and self-creations of a free soulart, poetry, literaturesweetness and light the good and the beautifulare to be banished for ever; they are to be regarded as things of luxury which enervate the heart, diminish the life-force, distort Nature's own virility. Man perhaps would be the worshipper of Science, but of that Science which brings a tyrannical mastery over material Nature, which serves to pile up tools and instruments, arms and armaments, in order to ensure a dire efficiency and a grim order in practical life.

02.02 - Lines of the Descent of Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   The Asura or the Titan stands where consciousness descends from the Mind into the Vital or Life-Force. He is the personification of ambition and authority and arrogance, he is the intolerant and absolute self-seekerhe is Daitya, the son of division. The Asura belongs to what we call the Higher Vital; but lower down in the Mid Vital, made wholly of unmixed life impulses, appear beings that are still less luminous, less controlled, more passionate, vehement and violent in their self-regarding appetite. They are the Rakshasas. If the Asura is perverse power, the Rakshasa is insatiate hunger.
   All the ancient legends about a principle and a personalityof Denial and Ignorance, of an Everlasting Nayrefer to this fact of a descending consciousness, a Fall. The Vedantic my, spoken of sometimes as the Dark Mother, seems to be the personification of the lower Overmind, Jehovah and Satan of the Hebrews, Olympians and Titans of the Greeks, Ahriman and Ahura Mazda of old Iran, the sons of Diti and Aditi the Indian Puranas speak of, are powers and personalities of consciousness when it has descended entirely into the mind and the vital where the division is complete. These lower reaches have completely lost the unitary consciousness; still there are beings even here that have succeeded in maintaining it as a memory or an aspiration, although in a general way the living reality of the oneness is absent. It is significant that the term asura which came to mean in classical and mythological ages a + sura, not-god, the Titan, had originally a different connotation and etymology, asu + ra, one having force or strength, and was used as a general attri bute of all the gods. The degradation in the sense of the word is a pointer to the spiritual Fall: Satan was once Lucifer, the bringer or bearer of light. We may mention in this connection that these beings of which we are speaking, dwelling in unseen worlds, are of two broad categories(1) beings that are native to each plane and immutably confined and bound to that plane, and (2) those that extend their existence through many or all planes and assume on each plane the norm and form appropriate to that plane. But this is a problem of individual destiny with which we are not concerned at present.
   We were speaking of the descent into the Vital, the domain of dynamism, desire and hunger. The Vital is also the field of some strong creative Powers who follow, or are in secret contact with the line of unitary consciousness, who are open to influences from a deeper or higher or subtler consciousness. Along with the demons there is also a line of daimona, guardian angels, in the hierarchy of vital beings. Much of what is known as aesthetic or artistic creation derives its spirit from this sphere. Many of the gods of beauty and delight are denizens of this heaven. Gandharvas and Kinnaras are here, Dionysus and even Apollo perhaps (at least in their mythological aspectin their occult reality they properly belong to the Overmind which is the own home of the gods), many of the angels, seraphs and cherubs dwell here. In fact, the mythological heaven for the most part can be located in this region.

02.03 - The Glory and the Fall of Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  Then, Titan-statured, took all earth for food,
  Ambitioned the seas for robe, for crown the stars
  --
  In fields of grandeur and of Titan power,
  Life played at ease with her immense desires.

02.04 - The Kingdoms of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  Admiring themselves as Titans and as gods
  Proudly they sang their high and glorious deeds

02.05 - The Godheads of the Little Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  Only to Titan force their will lies prone.
  45.24
  --
  A thin life-curve crosses the Titan whirl
  Of the orbit of a soulless universe,

02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
  Or a Titan passion goads to a proud unrest:
  At Wisdom's altar they are kings and priests
  --
  The thread beginnings of her Titan works,
  Watched her charade of action for some hint,

02.06 - Vansittartism, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Hence it is suggested that for the postwar reconstruction of Germany what is required is the re-education of its people. For, only a psychological change can bring about a durable and radical change. But certain proposals towards this end raise serious misgivings, since they mean iron regimentation under foreign control. Even if such a thing were possible and feasible, it is doubtful if the purpose could be best served in this way. Measures have to be taken, no doubt, to uproot Prussianism and Junkerism and prevent their revival, no false mercy or sympathy should be extended to the enemies of God and man. But this is only a negative step, and cannot be sufficient by itself. A more positive and more important work lies ahead. The re-education of Germany must come from within, if it is to be permanent and effective. What others can do is to help her in this new orientation. As we have said, there are the progressive elements in Germany too, although submerged for the moment. The task of reconstruction will precisely consist in calling up and organising and marshalling these forces that are for the Light. The Allied organisation, it may be noted, itself has grown up in this way. When one remembers how Britain stood alone at one time against the all-sweeping victorious march of the Titan, how slowly and gradually America was persuaded to join hands, at first in a lukewarm way, finally with all its heart and soul and might and main, how a new France is being built up out of a mass of ruins, we can hope that the same process will be adopted in the work that lies ahead even after victory, with regard to Italy and with regard to Germany. In the second case the task is difficult but it has got to be done.
   ***

02.07 - The Descent into Night, #Savitri, #Sri Aurobindo, #Integral Yoga
    Mighty, obeyed, approved by the Titan's law,
    The huge laughter of a giant cruelty

02.08 - The World of Falsehood, the Mother of Evil and the Sons of Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
  Great Titan beings and demoniac powers,
  World-egos racked with lust and thought and will,
  --
  In Nature's Titan embryo, Ignorance.
  Then in a fatal and stupendous hour
  --
  To Titan and demoniac agencies
  That aggrandise earth-nature and disframe:
  --
  Assaults of Hell endured and Titan strokes
  And bore the fierce inner wounds that are slow to heal.

02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  Mind, life the playthings of a Titan's babe.
  As one it works who builds a mimic fort

02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
  Their Titan labour made all knowledge one,
  A mental algebra of the Spirit's ways,

02.12 - The Heavens of the Ideal, #Savitri, #Sri Aurobindo, #Integral Yoga
  A dream of giant contours, Titan lines,
  Homes of unfallen and illumined Might,

03.01 - The New Year Initiation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   The scope of this New Year Prayer does not limit itself only to our individual sadhanait embraces also the collective consciousness which is specially the field of its application. It is the muffled voice of entire humanity in its secret aspiration that is given expression here. It is by the power of this mantra, protected by this invulnerable armour,if we choose to accept it as such,that the collective life of man will attain its fulfilment. We have often stated that the outstanding feature of the modern world is that it has become a Kurukshetra of Gods and Titans. It is no doubt an eternal truth of creation, this conflict between the divine and the anti-divine, and it has been going on in the heart of humanity since its advent upon earth. In the inner life of the world this is a fact of the utmost importance, its most significant principle and mystery. Still it must be said that never in the annals of the physical world has this truth taken such momentous proportions as in the grim present. It is pregnant with all good and evil that may make or mar human destiny in the near future. Whether man will transcend his half-animal state and rise to the full height of his manhood, nay even to the godhead in him, or descend back to the level of his gross brute naturethis is the problem of problems which is being dealt with and solved in the course of the mighty holocaust of the present World War.
   In her last year's message1 the Mother gave a clear warning that we must have no more hesitation, that we must renounce one side, free ourselves from all its influence and embrace the other side without hesitation, without reservation. At the decisive moment in the life of the world and of mankind, one must definitely, irrevocably choose one's loyalty. It will not do to say, like the over-wise and the over-liberal, that both sides the Allies and the Axis Powersare equalequally right or equally wrong and that we can afford to be outside or above the prejudices or interests of either. There is no room today for a neutral. He who pretends to be a neutral is an enemy to the cause of truth. Whoever is Dot with us is against us.

03.02 - The Adoration of the Divine Mother, #Savitri, #Sri Aurobindo, #Integral Yoga
  No longer could the Titan Opposites,
  Antagonist poles of the world's artifice,

03.04 - The Body Human, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   The human frame is the abode of the gods; it is a temple of God, as we all know. But the most significant thing about it is that the gods alone do not dwell there: all being, all creatures crowd there, even the ungodly and the undivine. The Pashu (the animal), the Pishacha (the demon), the Asura (the Titan), and the Deva (the god), all find comfortable lodging in itthere are many chambers indeed in this mansion of the Lord. Man was made after the image of God and yet Lucifer had access into that tabernacle and all his entire host with him. This duality of the divine and the undivine, the characteristic mark of human nature as it is, presents a field and a labour through which man's progress has to be worked out. The soul, the divine flame, has, been placed in Ignorance, that is to say, what is apparent Ignorance, the frame of Matter, just because this Matter in Ignorance is to be smelted, purified, given its original and intrinsic substance, shape and character. The human person in its actual form is not obviously something absolutely perfect and divine. The type, the norm it represents is divine, but it has been overlaid with all obscure and base elementsit has to be washed and cleaned thoroughly, smelted and reconditioned. The dark ungodly elements mar and vitiate; they must be removed on the one hand, but on the other, they point out and test the salvaging work that has to be done and is being done. Man is always at the crossroads. This is his especial difficulty and this is also his unique opportunity. His consciousness has a double valency, in contradistinction to the animal's which is, it can be said, monovalent, in that it is amoral, has not the sense of divided loyalty and hence the merit of choice. The movements of the animal follow a fixed stereotyped pattern; it has not got to deviate from the beaten track of its instincts. But man with his sense of the moral, of the good, of the progressive is at every step of his life faced with a dilemma, has to pause at a parting of the ways, always looks before and after and is puzzled at a cas de conscience. That, we have said, has been made for him the condition of growth, of a conscious and willed change with an ever-increasing tempo towards perfect perfection. That furnishes the occasion and circumstance by which he rises to divinity itself, becomes the Divine. He becomes the Divine thus not merely in the own home of the Divine, but on all the levels of the manifestation: all the planes of consciousness with all the hierarchy of beingspowers and personalitiesfind a new play of harmony, a supreme and global fulfilment in the transfigured human vehicle. The frame itself that encases the human consciousness acts as a living condenser: the very contour in its definiteness seems to exert a pressure towards an ever larger and higher synthesis, it may be compared to a kind of field office (Einsteinian, for example) that controls, regulates, moves and configurates all elements within its range. The human frame even as a frame possesses a magic virtue.
   Vaishnavism sees the Divine as a human person, the human person par excellence. Krishna's body is a radiant form of consciousness (cinmaya), no doubt, but it is as definite, determinate, and concrete as the physical body, it is the physical itself but in its true substance. And its exquisiteness consists in its being human in form. The Vedantin's Maya does not touch it, it is beyond the illusory consciousness. For they say Goloka stands above Brahmaloka.

03.04 - The Vision and the Boon, #Savitri, #Sri Aurobindo, #Integral Yoga
  A Titan influence stops his Godward gaze.
  Around him hungers the unpitying Void,
  --
  Let not the impatient Titan drive thy heart,
  Ask not the imperfect fruit, the partial prize.
  --
  The Titan's battle-cry was in my ears,
  Alarm and rumour shook the armoured Night.

04.04 - A Global Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   Viewed as a progressive growth of consciousness and transformation of nature, man's advance has been marked out in a few very definite stages. The first was the purely animal manPasuwhen man lived merely as a physical being, concerned solely about his body. Then came the Pisacha, the man of vital urges in their crudest form, the man of ignorant passions and dark instincts who has been imaged in the popular mind as the ghoul. At the next stage, with a further release of the consciousness, when the larger vital impulses come into play man becomes the Rakshasa, the demon. Egoistic hunger for possession, enjoyment, enlarged and increased appetite are his characteristics. Next came the Asura, the Titan, the egoistic mental man in his earlier avatar seeking to emerge out of the purely vital nature. Ambition and pride are his guiding spirit. Prometheus is his prototype. There are still two higher types which have been established in the human consciousness and in the world atmosphere as dynamic ideals, if not as common concrete facts of the material world. The first is the ethical man, who seeks to govern his life according to some principles of light and purity, such, for example, as unselfishness, altruism, chivalry, self-abnegation, rectitude, truthfulness etc. He is the Sattwic man, as known in India. There is also a still higher category, where consciousness endeavours to go beyond mind, enters into the consciousness of the Spirit; then we have the spiritual man, the saint and the sage. Beyond lie the supra-mental domains formed of the consciousness of the gods.
   Man, individually and collectively, has passed and is passing through these steps of evolution. The last one is his goal at the present stage. To be a saint, seer or sage is not enough for man. He must be a god. Indeed when he has succeeded to be a god then only would it be possible for him to become what a saint or a seer or sage has to be in order to fulfil himself totally and integrally. The human race as a whole is progressing along the same line towards the same consummation. That is the secret purpose and end of Nature, to evolve a growing developing material form housing, embodying higher and wider ranges of consciousness, integrating all elements into a more and more intimate and inviolable unity and harmony.

04.04 - The Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
  Along these lonely ways, his Titan pace
  Forgotten and his stark and ruinous rounds.

05.02 - Satyavan, #Savitri, #Sri Aurobindo, #Integral Yoga
  The Titan murmur of the endless woods.
  As if a wicket gate to joy were there

05.12 - The Soul and its Journey, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   First then there are the supreme divinities, aspects or own personalities of the Divine in his supreme status, the Super-mind; next come the first emanations, the true or pure gods in the Overmind. Thence or simultaneously there is the line of deformation, that of the false gods and godheads, the Asuras and Titans. These too extend in a series of emanations down to the subtle physical; except when they themselves incarnate on the earth in an earthly body.
   Man, the soul, we said, comes direct from the Divine and is thrown and almost stuck into the earth as a spark, as a point of luminous consciousness-force. This soul, as it develops, we find, belongs to one or other of the fundamental type of divine personality, it is a lineal descendant, as it were, of one of the quaternary and its growth means growing into the nature of that particular godhead and its fulfilment means identification with that.

06.01 - The Word of Fate, #Savitri, #Sri Aurobindo, #Integral Yoga
  The autarchy of the rash Titan's mood
  To whom his own fierce will is the one law
  --
  The giant's and the Titan's furious march
  Climbs to usurp the kingdom of the gods
  --
  My strength is not the Titan's; it is God's.
  I have discovered my glad reality

06.02 - The Way of Fate and the Problem of Pain, #Savitri, #Sri Aurobindo, #Integral Yoga
  Lifting the hammers of Titanic toil
  The demiurges of the universe work;
  --
  And feels a joy in every Titan pang.
  He who would save himself lives bare and calm;
  --
  The Titan adversary's clutch he bears;
  His march is a battle and a pilgrimage.
  --
  And justifies the Titan's erring pride
  And the falsehood lurking in earth's crooked dreams:
  --
  Climb not to Godhead by the Titan's road.
  Against the Law he pits his single will,
  --
  The Titan's heart is a sea of fire and force;
  He exults in the death of things and ruin and fall,

06.05 - The Story of Creation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   In the graded descent, in the hierarchy of planes and levels, there appeared forces and beings also proper to each domain. The earliest, the first among them are the Asuras, rather the original Asuras the first quaternary (some memory of them seemed to linger in the Greek legend of Chronos and his brood). For they embody the powers of division, of Inconscience: they are the Affirmations of the Negation. Against the Asuras there came and ranged-at the first line of division, on the one side of the descent of the Light the first godheads, the major powers and personalities of the Divine Consciousness. The battle of the gods and Titans for the possession of the earth has been going on ever since. The end will come one day: it will mean the dissolution of the forces of Negation, at least within the earthly sphere, and the establishment there of the reign of ,Light.
   ***

06.16 - A Page of Occult History, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Into the heart of this Darkness and Falsehood and Pain and Death, a seed was sown, a grain that is to be the epitome and symbol of material creation and in and through which the Divine will claim back all the elements gone astray, the prodigal ones who will return to recognise and fulfil the Divine. That was Earth. And the earth, in her turn, in her labour towards the Divine Fulfilment, out of her bosom, threw up a being who would again symbolise and epitomise the earth and material creation. That is Man. For, man came with the soul in him, the Psychic Being, the Divine Flame, the spark of consciousness in the midst of universal unconsciousness, a miniature of the original Divine Light-Truth-Love-Life. In the meantime, to help the evolution, to join hands with the aspiring soul in the human being, there was created, on the defection of the First Lords the Asuric Quaternitya second hierarchy of luminous beingsDevas, gods. (Some-thing of this inner history of the world is reflected in the Greek legend of struggle between the Titans and the Olympians.) These gods, however, being a latter creation, perhaps because they were young and inexperienced, could not cope immediately with their strong Elders. It is why we see in the mythological legends the gods very often worsted at the hands of the Asuras: Indra hiding under the sea, Zeus threatened often with defeat and disaster. It is only an intervention from the Supreme (the Greeks called it Fate) that saved them in the end and restored the balance.
   However, the Asuras came to think better of the game and consented to use their freedom on the side of the Divine, for the fulfilment of the Divine; that is to say, they agreed to conversion. Thus they took birth as or in human beings, so that they may be in contact with the human soulPsychewhich is the only door or passage to the Divine in this material world. But the matter was not easy; the process was not straight. For, even agreeing to be converted, even basking in the sunshine of the human psyche, these incorrigible Elders could not forget or wholly give up their old habit and nature. They now wanted to work for the Divine Fulfilment in order to magnify themselves thereby; they consented to serve the Divine in order to make the Divine serve them, utilise the Divine End for their own purposes. They wished to see the new creation after their own heart's desire.

07.01 - The Joy of Union; the Ordeal of the Foreknowledge, #Savitri, #Sri Aurobindo, #Integral Yoga
  And austere peaks and Titan solitudes.
  Once more was near the fair and fated place,
  --
  And storm became the forest's Titan voice.
  Then listening to the thunder's fatal crash

07.02 - The Parable of the Search for the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
  The Titan and the Fury and the Djinn
  Lie bound in the subconscient's cavern pit

07.04 - The Triple Soul-Forces, #Savitri, #Sri Aurobindo, #Integral Yoga
  Voice of a tortured Titan once a God.
  122.24 - The Man of Sorrows
  --
  If once the Titan's strength could wake in me,
  If Enceladus from Etna could arise,
  --
  I am the victim of Titanic ills,
  I am the doer of demoniac deeds;
  --
  From the cruelty of the Titan and his pain.
  There shall be peace and joy for ever more."
  --
  I smite the Titan who bestrides the world
  And slay the ogre in his blood-stained den.
  --
  He is the war of Right with Titan wrong;
  He is Freedom rising deathless from her pyre;

07.06 - Nirvana and the Discovery of the All-Negating Absolute, #Savitri, #Sri Aurobindo, #Integral Yoga
  Men then can hope to learn that Titan climb.
  God must be born on earth and be as man

07.19 - Bad Thought-Formation, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   I do not think so. Things spoken of in relation to animals as monstrous are not really due to a bad will. Let us take for example the insect world. Of all animals it is this species which seems to have most the attribute of wickedness, something akin to a bad will. It may, however, be simply that we are applying our own mode of consciousness to theirs, we impute bad will to an action which is not really of the kind. For example, there are insects whose larva can live only upon a living being; they have to feed upon a living creature, they do not get nourishment from dead flesh. So the parent insect before laying the eggs that are to become larvae first prepares the ground: it finds another insect or a small animal, stings into a nerve centre and paralyses it; then safely lays eggs in that paralysed body, which not being dead feeds the larvae when they come out of the eggs. All this looks very much Machiavellian. But nothing is reasoned out there, it is pure instinct. Would you call it bad will? It is simply the will to propagate. You can say perhaps that these insects are moved by a spirit of the species which is conscious and has a conscious will and that this will is an evil will. These beings that create or form the various species of the insect worldmany working in a much more monstrous way than the example I have givenmust then truly be frightful, inspired by a perverse and diabolic imagination. Quite possible. For it is said that the origin of the insect world is in the vital; the builders of that world belong to the vital and not to the material plane of consciousness; in other words, they not only symbolise, but they represent and live the evil will. They are fully conscious of their evil will and they exercise that will deliberately and with a set purpose. Man's bad will is often only a reflection, an imitation of the bad will of vital beings which is a will clearly hostile to created world and whose express intention it is to make things as painful, as difficult, as ugly, as monstrous as possible. It is these beings, some say, that have created the insects. Even then, the insects cannot be described as representing the evil will, since they do not do mischief purposely, they are moved by an unconscious will in them. The bad will is really that will which does evil for the sake of doing evil, which seeks to destroy for the sake of destroying, that takes pleasure in doing wrong. In the animal I do not think there is this kind of evil will, especially in the higher species. What is there is the instinct of self-preservation, obscure and violent reactions, but not the kind of evil that human will shows in the perverse human mental. I believe it is the human mind under the direct influence of vital beings that begins to work in the perverse way. Titans, Asuras are the beings of ill-will, they belong totally to the vital world and when they manifest themselves in this world of ours, they mean mischief, they do evil for the sake of doing evil, they destroy for the sake of destroying, they have the delight of negation.
   What is instinct exactly? It is Nature's consciousness. Nature is conscious of her action; it is not an individual consciousness. It is a global or collective consciousness. There is also a consciousness of the species. Each species has its consciousness which is called sometimes the spirit of the species, that is to say, a conscious being presiding over a particular species. Nature is conscious in the sense that she knows what she wants, she knows her whither and her how, her end and the way to go towards it. To man much of Nature seems incoherent, because his consciousness is narrow and he has not an overall vision. When you look at the small details, the little fragments, you do not understand; you do not find any link, sequence, sense. But Nature has a conscious will, she is a conscious being. Perhaps the word being is too human. When we speak of Nature's being, we naturally think of the human being, only a little bigger, or perhaps much bigger but working more or less in the same way. But it is not so. Instead of the word being, I would prefer the word entity. The conscious entity that is Nature has a conscious will and it does things much more deliberately and purposively than map, and it has formidable forces at its disposal. Man speaks of blind and violent Nature. But it is man who is blind and violent, not nature. You say an earthquake is a terrible affair. Thousands of houses crash into dust, millions of people are killed, whole cities devastated, entire portions of earth are swallowed up etc., etc. Yes, from the human point of view Nature seems monstrous. But what has she done after all? When you get a knock on your body somewhere there appears a blue patch. Are you worried about it? Your earthquake is nothing more than a reshuffling of a cell in your body. You destroy thousands of cells every moment of your life. You are monstrous! That is the relative proportion. And consider, we are speaking of earth alone and earthly events. But what is this earth itself in the bosom of the universe? A point, a zero. You are walking on the ground and are not looking down. You place one step forward and then another and you trample thousands of innocent ants under your feet. If you were an ant you would have cried out, what a cruel and stupid force! Imagine other forces stalking about much bigger than yourself and under their casual steps millions of creatures like you are crushed, continents are pressed down and mountains kicked up. They do not even notice such catastrophic happenings! The only difference between man and ant is that man knows what happens to him and the ant does not. But even there are you sure?

09.01 - Towards the Black Void, #Savitri, #Sri Aurobindo, #Integral Yoga
  And monuments of her Titanic reign,
  Opening to depths like dumb appalling jaws

09.02 - The Journey in Eternal Night and the Voice of the Darkness, #Savitri, #Sri Aurobindo, #Integral Yoga
  Assembled by the Titan hands of Chance.
  There was none with her in the dreadful Vast:
  --
  As when the storm-haired Titan-striding sea
  Throws on a swimmer its tremendous laugh

10.03 - The Debate of Love and Death, #Savitri, #Sri Aurobindo, #Integral Yoga
  As if transmuted by a Titan spell
  The eternal Powers assumed a dubious face:
  --
  It grows towards the Titan and the God.
  On earth it lingers drinking its deep fill,

10.04 - The Dream Twilight of the Earthly Real, #Savitri, #Sri Aurobindo, #Integral Yoga
  Constructions of the Titan and the worm.
  As if lost remnants of forgotten light,
  --
  Use not thy strength like the wild Titan souls!
  Touch not the seated lines, the ancient laws,

10.12 - Awake Mother, #Writings In Bengali and Sanskrit, #Sri Aurobindo, #Integral Yoga
  In wrath She swings in Her hands the heads of two Titans.
  The Mother rises and sends out a grim invocation.
  Who art thou at this dead of night swinging the Titan heads in Thy hands?
  Thou sprayest rain of blood over the land.
  --
  Gods and Titans and men, all,
  A cruel roar here, a high cry of joy there.
  --
  Wiping off with Her mighty breath the whole kingdom of the Titans and the violent goddess comes smiling
  Then shall we know the Mother.

1.01 - Isha Upanishad, #Isha Upanishad, #unset, #Zen
  4 We have two readings, asurya, sunless, and asurya, Titanic or undivine. The third verse is, in the thought structure of the Upanishad, the starting-point for the final movement in the last four verses. Its suggestions are there taken up and worked out. The prayer to the Sun refers back in thought to the sunless worlds and their blind gloom, which are recalled in the ninth and twelfth verses. The sun and his rays are intimately connected in other Upanishads also with the worlds of Light and their natural opposite is the dark and sunless, not the Titanic worlds.
  5 Matarisvan seems to mean "he who extends himself in the Mother or the container" whether that be the containing mother element, Ether, or the material energy called

1.02 - The Development of Sri Aurobindos Thought, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  And the Titan kings assail...
  Our yoga is not a retreading of old walks, but a spirit

1.02 - The Doctrine of the Mystics, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  And this is no easy or peaceful march; it is for long seasons a fierce and relentless battle. Constantly the Aryan man has to labour and to fight and conquer; he must be a tireless toiler and traveller and a stern warrior, he must force open and storm and sack city after city, win kingdom after kingdom, overthrow and tread down ruthlessly enemy after enemy. His whole progress is a warring of Gods and Titans, Gods and Giants, Indra and the Python, Aryan and Dasyu. Aryan adversaries even he has to face in the open field; for old friends and helpers turn into enemies; the kings of Aryan states whom he would conquer and overpass join themselves to the Dasyus and are leagued against him in supreme battle to prevent his free and utter passing on.
  But the Dasyu is the natural enemy. These dividers, plunderers, harmful powers, these Danavas, sons of the Mother of division, are spoken of by the Rishis under many general appellations. There are Rakshasas; there are Eaters and Devourers, Wolves and Tearers; there are hurters and haters; there are dualisers; there are confiners or censurers. But we are given also many specific names. Vritra, the Serpent, is the grand Adversary; for he obstructs with his coils of darkness all possibility of divine existence and divine action. And even when Vritra is slain by the light, fiercer enemies arise out of him. Shushna afflicts us with his impure and ineffective force, Namuchi fights man by his weaknesses, and others too assail, each with his proper evil. Then there are Vala and the Panis, miser traffickers in the sense-life, stealers and concealers of the higher Light and its illuminations which they can only darken and misuse, - an impious host who are jealous of their store and will not offer sacrifice to the Gods. These and other personalities - they are much more than personifications - of our ignorance, evil, weakness and many limitations make constant war upon man; they encircle him from near or they shoot their arrows at him from afar or even dwell in his gated house in the place of the Gods and with their shapeless stammering mouths and their insufficient breath of force mar his self-expression. They must be expelled, overpowered, slain, thrust down into their nether darkness by the aid of the mighty and helpful deities.

1.02 - The Great Process, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  An animal is simple. It is wholly contained in its claws, its prey, its senses, in the northerly wind that raises the imperceptible scent of rain and the image of a deer in the tall grass. And when it is not in motion, it is perfectly still, without a quiver of doubt about the past or anticipation of the future. It does exactly what is needed, at the moment it is needed. And as for the rest, it is in harmony with the universal rhythm. But when the first great apes began to emerge from their forests, something had already changed. They cast a less direct look at the world: the past already had a weight and the future its worries they were engaged in the first act of introspection, which we know well, with its burden of pain and error. What seemed such a futile and vain exercise in terms of simian efficiency has become the cornerstone of our towering mental edifice; everything, even Einstein, was contained in that simple and totally superfluous exercise. And at the edge of another forest, made of concrete and Titanium, we may be standing before an identical, even more stupendous mystery, and no less superfluous, as we stop for a second amid the rush of things, this time not to reflect but to cast a mute look, as if blinded, at this thinking and speculating and suffering and struggling first person. We thus raise a strange new antenna, quite meaningless and seemingly pointing at nothing, yet it holds the secret of the next cycle, and marvels next to which the splendid twentieth-century rockets are like clumsy children's toys. We are engaged in the introspection of the second kind; we are knocking at the door of the unknown of the third circle, holding the thread of the Great Process.
  The secrets are simple, as we have said. Unfortunately the mind has seized this one, as it seizes everything, and has pressed it into the service of its mental, vital or spiritual ego. It has discovered certain powers of meditation or concentration, more refined energies, higher mental planes that were like the divine source of our existence, lights that were not from the moon or stars, more direct and almost superhuman faculties it has climbed the ladder of consciousness but all that only served to sublimate and rarefy a rare human elite; sublimate it so much, in fact, that there did not seem to be any other issue to this climb than an ultimate leap out of the dualities and into the changeless peace of eternal truths. A few souls were saved, possibly, while the earth went on its dark course, increasingly dark. And what should have been the earth's secret became heaven's. The most frightful schism of all time was accomplished, the bleakest duality was imprinted on the heart of the earth. And the very ones who should have been humankind's supreme unifiers became its dividers, the Founding Fathers of atheism, materialism and all the other isms that struggle for our world. The earth, duped, had no other recourse but to believe exclusively in herself and her own strength.

1.02 - The Refusal of the Call, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  His flowering world becomes a wastel and of dry stones and his life feels meaninglesseven though, like King Minos, he may through Titanic effort succeed in building an empire of renown.
  Whatever house he builds, it will be a house of death: a labyrinth of cyclopean walls to hide from him his Minotaur. All he can do is create new problems for himself and await the gradual approach of his disintegration.

1.04 - BOOK THE FOURTH, #Metamorphoses, #Ovid, #Poetry
  Here Titan bids his weary'd coursers sleep,
  And cools the burning axle in the deep.

1.04 - THE APPEARANCE OF ANOMALY - CHALLENGE TO THE SHARED MAP, #Maps of Meaning, #Jordan Peterson, #Psychology
  Bible, the Titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into
  nothingness; that is both an enemy of God outside the creation and, as notably in Job, a creature within it
  --
  between the Titanic and the demonic that Verlaine expressed in his phrase poete maudit, the attitude of
  poets who feel, like Ahab, that the right worship of the powers they invoke is defiance.448
  --
  between the Titanic and the heavenly trapped in the realm where spirit and matter or heaven and hell
  or order and chaos eternally interact and transform. The upper kingdom, finally, is heaven, the

1.04 - The Discovery of the Nation-Soul, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  It may be said, indeed, that the last result of the something done the war, the collapse, the fierce reaction towards the rigid, armoured, aggressive, formidable Nazi State,is not only discouraging enough, but a clear warning to abandon that path and go back to older and safer ways. But the misuse of great powers is no argument against their right use. To go back is impossible; the attempt is always, indeed, an illusion; we have all to do the same thing which Germany has attempted, but to take care not to do it likewise. Therefore we must look beyond the red mist of blood of the War and the dark fuliginous confusion and chaos which now oppress the world to see why and where was the failure. For her failure which became evident by the turn her action took and was converted for the time being into total collapse, was clear even then to the dispassionate thinker who seeks only the truth. That befell her which sometimes befalls the seeker on the path of Yoga, the art of conscious self-finding,a path exposed to far profounder perils than beset ordinarily the average man,when he follows a false light to his spiritual ruin. She had mistaken her vital ego for herself; she had sought for her soul and found only her force. For she had said, like the Asura, I am my body, my life, my mind, my temperament, and become attached with a Titanic force to these; especially she had said, I am my life and body, and than that there can be no greater mistake for man or nation. The soul of man or nation is something more and diviner than that; it is greater than its instruments and cannot be shut up in a physical, a vital, a mental or a temperamental formula. So to confine it, even though the false formation be embodied in the armour-plated social body of a huge collective human dinosaurus, can only stifle the growth of the inner Reality and end in decay or the extinction that overtakes all that is unplastic and unadaptable.
  It is evident that there is a false as well as a true subjectivism and the errors to which the subjective trend may be liable are as great as its possibilities and may well lead to capital disasters. This distinction must be clearly grasped if the road of this stage of social evolution is to be made safe for the human race.

1.04 - The Gods of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  The immediate or at any rate the earliest known successors of the Rishis, the compilers of the Brahmanas, the writers of theUpanishads give a clear & definite answer to this question.The Upanishads everywhere rest their highly spiritual & deeply mystic doctrines on the Veda.We read in the Isha Upanishad of Surya as the Sun God, but it is the Sun of spiritual illumination, of Agni as the Fire, but it is the inner fire that burns up all sin & crookedness. In the Kena Indra, Agni & Vayu seek to know the supreme Brahman and their greatness is estimated by the nearness with which they touched him,nedistham pasparsha. Uma the daughter of Himavan, the Woman, who reveals the truth to them is clearly enough no natural phenomenon. In the Brihadaranyaka, the most profound, subtle & mystical of human scriptures, the gods & Titans are the masters, respectively, of good and of evil. In the Upanishads generally the word devah is used as almost synonymous with the forces & functions of sense, mind & intellect. The element of symbolism is equally clear. To the terms of the Vedic ritual, to their very syllables a profound significance is everywhere attached; several incidents related in the Upanishads show the deep sense then & before entertained that the sacrifices had a spiritual meaning which must be known if they were to be conducted with full profit or even with perfect safety. The Brahmanas everywhere are at pains to bring out a minute symbolism in the least circumstances of the ritual, in the clarified butter, the sacred grass, the dish, the ladle. Moreover, we see even in the earliest Upanishads already developed the firm outlines and minute details of an extraordinary psychology, physics, cosmology which demand an ancient development and centuries of Yogic practice and mystic speculation to account for their perfect form & clearness. This psychology, this physics, this cosmology persist almost unchanged through the whole history of Hinduism. We meet them in the Puranas; they are the foundation of the Tantra; they are still obscurely practised in various systems of Yoga. And throughout, they have rested on a declared Vedic foundation. The Pranava, the Gayatri, the three Vyahritis, the five sheaths, the five (or seven) psychological strata, (bhumi, kshiti of the Vedas), the worlds that await us, the gods who help & the demons who hinder go back to Vedic origins.All this may be a later mystic misconception of the hymns & their ritual, but the other hypothesis of direct & genuine derivation is also possible. If there was no common origin, if Greek & Indian separated during the naturalistic period of the common religion supposed to be recorded in the Vedas it is surprising that even the little we know of Greek rites & mysteries should show us ideas coincident with those of Indian Tantra & Yoga.
  When we go back to the Veda itself, we find in the hymns which are to us most easily intelligible by the modernity of their language, similar & decisive indications. The moralistic conception of Varuna, for example, is admitted even by the Europeans. We even find the sense of sin, usually supposed to be an advanced religious conception, much more profoundly developed in prehistoric India than it was in any other old Aryan nation even in historic times. Surely, this is in itself a significant indication. Surely, this conception cannot have become so clear & strong without a previous history in the earlier hymns. Nor is it psychologically possible that a cult capable of so advanced an idea, should have been ignorant of all other moral & intellectual conceptions reverencing only natural forces & seeking only material ends. Neither can there have been a sudden leap filled up only by a very doubtful henotheism, a huge hiatus between the naturalism of early Veda and the transcendentalism of the Vedic Brahmavada admittedly present in the later hymns. The European interpretation in the face of such conflicting facts threatens to become a brilliant but shapeless monstrosity. And is there no symbolism in the details of the Vedic sacrifice? It seems to me that the peculiar language of the Veda has never been properly studied or appreciated in this connection. What are we to say of the Vedic anxiety to increase Indra by the Soma wine? Of the description of Soma as the amritam, the wine of immortality, & of its forces as the indavah or moon powers? Of the constant sense of the attacks delivered by the powers of evil on the sacrifice? Of the extraordinary powers already attri buted to the mantra & the sacrifice? Have the neshtram potram, hotram of the Veda no symbolic significance? Is there no reason for the multiplication of functions at the sacrifice or for the subtle distinctions between Gayatrins, Arkins, Brahmas? These are questions that demand a careful consideration which has never yet been given for the problems they raise.
  --
  The characteristics of Varuna in the Veda have given pause even to its naturalistic interpreters and compelled them to admit the presence of moral ideas and a subjective element in the Rishis conception of their divinities. They admit it grudgingly and attempt to give it as crude and primitive an appearance as possible, but the moral & supernatural functions of Varuna are undeniable. Yet Varuna is the Greek Ouranos, which is simply & plainly the sky, Akasha. Ouranos in Greek myth is a colourless presence, parent by his union with Earth, Akasha with Prithivi, of all beings but especially of Kronos & the Titans, the elder gods, the first masters of heaven. There is no resemblance here to Varuna. Farther to complicate the task of the modern mythologists, Varuna in later Sanscrit has fallen from his skies & become the god of the Ocean. By what extraordinary chemical process of the imagination was the god of the sky converted into the god of the Ocean? Because both are blue, one is driven to suppose! That would be material enough and crude enough to satisfy the firmest believer in the intellectual crudity & semi-savagery of the Vedic Rishis. But let us leave aside the shadowy Greek Ouranos and look a little from our own standpoint at this mighty Vedic Varuna.
  We get our first mention of Varuna at the end of the second hymn in the Rigveda, the hymn of Madhuchchhandas in which he calls, as in the third, on several gods, first to Vayu, then to Vayu and Indra together, last, Varuna and Mitra. Arrive, he says, O Vayu, O beautiful one, lo these Soma-powers in their array (is it not a battle-array?), protect them, hear their call! O Vayu, strongly thy lovers woo thee with prayers (or, desires), they have distilled the nectar, they have found their strength (or, they know the day?). O Vayu, thy abounding stream moves for the giver, it is wide for the drinking of the Soma-juice. O Indra & Vayu, here are the outpourings, come to them with outputtings of strength, the powers of delight desire you both. Thou, O Vayu, awake, and Indra, to the outpourings of the Soma, you who are rich in power of your plenty; so (that is, rich in power) come to me, for the foe has attacked. Come O Vayu, and Indra, to the distiller of the nectar, expel the foe, swiftly hither strong by the understanding. And then comes the closing call to Mitra & Varuna. I call Mitra of purified discernment and Varuna who destroys the foe, they who effect a bright and gracious understanding. By Law of Truth, Mitra and Varuna, who by the Truth increase and to the Truth attain, enjoy a mighty strength. Mitra and Varuna, the seers, born in Force, dwellers in the Vast, uphold Daksha (the discerning intelligence) at his work.

1.04 - The Sacrifice the Triune Path and the Lord of the Sacrifice, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  This profounder idea of the world-wide law is at the heart of the teaching about works given in the Gita; a spiritual union with the Highest by sacrifice, an unreserved self-giving to the Eternal is the core of its doctrine. The vulgar conception of sacrifice is an act of painful self-immolation, austere self-mortification, difficult self-effacement; this kind of sacrifice may go even as far as self-mutilation and self-torture. These things may be temporarily necessary in mans hard endeavour to exceed his natural self; if the egoism in his nature is violent and obstinate, it has to be met sometimes by an answering strong internal repression and counterbalancing violence. But the Gita discourages any excess of violence done to oneself; for the self within is really the Godhead evolving, it is Krishna, it is the Divine; it has not to be troubled and tortured as the Titans of the world trouble and torture it, but to be increased, fostered, cherished, luminously opened to a divine light and strength and joy and wideness. It is not ones self, but the band of the spirits inner enemies that we have to discourage, expel, slay upon the altar of the growth of the spirit; these can be ruthlessly excised, whose names are desire, wrath, inequality, greed, attachment to outward pleasures and pains, the cohort of usurping demons that are the cause of the souls errors and sufferings. These should be regarded not as part of oneself but as intruders and perverters of our selfs real and diviner nature; these have to be sacrificed in the harsher sense of the word, whatever pain in going they may throw by reflection on the consciousness of the seeker.
  But the true essence of sacrifice is not self-immolation, it is self-giving; its object not self-effacement, but self-fulfilment; its method not self-mortification, but a greater life, not self-mutilation, but a transformation of our natural human parts into divine members, not self-torture, but a passage from a lesser satisfaction to a greater Ananda. There is only one thing painful in the beginning to a raw or turbid part of the surface nature; it is the indispensable discipline demanded, the denial necessary for the merging of the incomplete ego. But for that there can be a speedy and enormous compensation in the discovery of a real greater or ultimate completeness in others, in all things, in the cosmic oneness, in the freedom of the transcendent Self and Spirit, in the rapture of the touch of the Divine. Our sacrifice is not a giving without any return or any fruitful acceptance from the other side; it is an interchange between the embodied soul and conscious Nature in us and the eternal Spirit. For even though no return is demanded, yet there is the knowledge deep within us that a marvellous return is inevitable. The soul knows that it does not give itself to God in vain; claiming nothing, it yet receives the infinite riches of the divine Power and Presence.
  --
  This fundamental experience will yet begin differently for different natures and take long to develop all the Truth that it conceals in its thousand aspects. I see perhaps or feel in myself or as myself first the eternal Presence and afterwards only can extend the vision or sense of this greater self of mine to all creatures. I then see the world in me or as one with me. I perceive the universe as a scene in my being, the play of its processes as a movement of forms and souls and forces in my cosmic spirit; I meet myself and none else everywhere. Not, be it well noted, with the error of the Asura, the Titan, who lives in his own inordinately magnified shadow, mistakes ego for the self and spirit and tries to impose his fragmentary personality as the one dominant existence upon all his surroundings. For, having the knowledge, I have already seized this reality that my true self is the non-ego, so always my greater Self is felt by me either as an impersonal vastness or an essential Person containing yet beyond all personalities or as both these together; but in any case, whether Impersonal or illimitable Personal or both together, it is an ego-exceeding Infinite. If I have sought it out and found it first in the form of it I call myself rather than in others, it is only because there it is easiest for me, owing to the subjectivity of my consciousness, to find it, to know it at once and to realise it. But if the narrow instrumental ego does not begin to merge in this Self as soon as it is seen, if the smaller external mind-constructed I refuses to disappear into that greater permanent uncreated spiritual I, then my realisation is either not genuine or radically imperfect. There is somewhere in me an egoistic obstacle; some part of my nature has opposed a self-regarding and self-preserving denial to the all-swallowing truth of the Spirit.
  On the other hand and to some this is an easier way I may see the Divinity first in the world outside me, not in myself but in others. I meet it there from the beginning as an indwelling and all-containing Infinite that is not bound up with all these forms, creatures and forces which it bears on its surface. Or else I see and feel it as a pure solitary Self and Spirit which contains all these powers and existences, and I lose my sense of ego in the silent Omnipresence around me. Afterwards it is this that begins to pervade and possess my instrumental being and out of it seem to proceed all my impulsions to action, all my light of thought and speech, all the formations of my consciousness and all its relations and impacts with other soul-forms of this one worldwide Existence. I am already no longer this little personal self, but That with something of itself put forward which sustains a selected form of its workings in the universe.

1.04 - What Arjuna Saw - the Dark Side of the Force, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  and flecked with the blood of the slaughtered Titans, who
  is the cyclone and the fire and the earthquake and pain and
  --
  Assaults of Hell endured and Titan strokes
  And bore the fierce inner wounds that are slow to heal. 20
  --
   And the Titan kings assail,
  But I dare not rest till my task is done

1.05 - Vishnu as Brahma creates the world, #Vishnu Purana, #Vyasa, #Hinduism
  ga, and Vāyu with more detail. The Bhāgavata, as usual, amplifies still more copiously, and mixes up much absurdity with the account. Thus the person of Sandhyā, 'evening twilight,' is thus described: "She appeared with eyes rolling with passion, whilst her lotus-like feet sounded with tinkling ornaments: a muslin vest depended from her waist, secured by a golden zone: her breasts were protuberant, and close together; her nose was elegant; her tongue beautiful; her face was bright with smiles, and she modestly concealed it with the skirts of her robe; whilst the dark curls clustered round her brow." The Asuras address her, and win her to become their bride. To the four forms of our text, the same work adds, Tandrī, 'sloth;' Jrimbhikā, 'yawning;' Nidrā, 'sleep;' Unmāda, 'insanity;' Antarddhāna, 'disappearance;' Pratibimba, 'reflexion;' which become the property of Pisācas, Kinnaras, Bhūtas, Gandherbas, Vidyādharas, Sādhyas, Pitris, and Menus. The notions of night, day, twilight, and moonlight being derived from Brahmā, seem to have originated with the Vedas. Thus the commentator on the Bhāgavata p. 41 observes, 'That which was his body, and was left, was darkness: this is the Śruti.' All the authorities place night before day, and the Asuras or Titans before the gods, in the order of appearance; as did Hesiod and other ancient theogonists.
  [16]: From Rakṣa, 'to preserve'

1.05 - War And Politics, #Twelve Years With Sri Aurobindo, #Nirodbaran, #Integral Yoga
  Sri Aurobindo: That is the sign that he is the enemy of our work. And from the values involved in the conflict, it should be quite clear that what is behind him is the Asuric, the Titanic power....
  Q: It is strange how he takes his decisions.

1.06 - BOOK THE SIXTH, #Metamorphoses, #Ovid, #Poetry
  Caeus the Titan's vagrant progeny;
  To whom, in travel, the whole spacious Earth

1.06 - Psycho therapy and a Philosophy of Life, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  results. The Titans could not take Olympus by storm, and still less may a
  Christian take Heaven. The most healing, and psychologically the most

1.06 - The Ascent of the Sacrifice 2 The Works of Love - The Works of Life, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  This physical mind of inertia believes in no divinity other than its own small earth-gods; it aspires perhaps to a greater comfort, order, pleasure, but asks for no uplifting and no spiritual deliverance. At the centre we meet a stronger Will of life with a greater gusto, but it is a blinded Daemon, a perverted spirit and exults in the very elements that make of life a striving turmoil and an unhappy imbroglio. It is a soul of human or Titanic desire clinging to the garish colour, disordered poetry, violent tragedy or stirring melodrama of this mixed flux of good and evil, joy and sorrow, light and darkness, heady rapture and bitter torture.
  It loves these things and would have more and more of them or, even when it suffers and cries out against them, can accept or joy in nothing else; it hates and revolts against higher things and in its fury would trample, tear or crucify any diviner Power that has the presumption to offer to make life pure, luminous and happy and snatch from its lips the fiery brew of that exciting mixture. Another Will-in-Life there is that is ready to follow the ameliorating ideal Mind and is allured by its offer to extract some harmony, beauty, light, nobler order out of life, but this is a smaller part of the vital nature and can be easily overpowered by its more violent or darker duller yoke-comrades; nor does it readily lend itself to a call higher than that of the
  --
  Chance or dark Titanic impulse, however obscure or perverted may be its actual appearance. In Life itself there is the seed of its own salvation, it is from the Life-Energy that we must get our leverage; for though there is a saving light in Knowledge, a redeeming and transforming force in Love, these cannot be effective here unless they secure the consent of Life and can use the instrumentation of some delivered energy at its centre for a sublimation of the erring human into a divine Life-Force.
  It is not possible to cut the difficulty by a splitting up of the works of sacrifice; we cannot escape it by deciding that we shall
  --
  Knowledge to diminished and corrupted motions or make them accomplices of its own inferior or perverse workings. Life is indispensable to the completeness of the creative spiritual realisation, but life released, transformed, uplifted, not the ordinary mentalised human-animal life, nor the demoniac or Titanic, nor even the divine and the undivine mixed together. Whatever may be done by other world-shunning or heaven-seeking disciplines, this is the difficult but unavoidable task of the integral Yoga; it cannot afford to leave unsolved the problem of the outward works of Life, it must find in them their native Divinity and ally it firmly and for ever to the divinities of Love and Knowledge.
  It is no solution either to postpone dealing with the works of Life till Love and Knowledge have been evolved to a point
  --
  It is the use of it made in the Ignorance by brute, man or Titan
  The Ascent of the Sacrifice - 2

1.07 - BOOK THE SEVENTH, #Metamorphoses, #Ovid, #Poetry
  Nor stronger Titan could their force sustain,
  In full career compell'd to stop his wain:

1.07 - Cybernetics and Psychopathology, #Cybernetics, or Control and Communication in the Animal and the Machine, #Norbert Wiener, #Cybernetics
  horns of the last of the Titanotheres.

1.07 - Note on the word Go, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  There is only one other passage we have now left for examination but it is of considerable importance & interest. It is in the hymn ascribed to the son of Madhuchchhanda, though very probably it isMadhuchchhandas own, the eleventh hymn and the fifth verse. Twam Valasya gomato apavar adrivo bilam, Twam deva abibhyushas tujyamanasa avishuh. Thou, O dweller on the mountain, didst uncover the lair of Vala the luminous, Thee the gods entered unfearing & protected. Indra, the dweller on the mountain of being, he who established in Swarga looks ever upward, has, to assist the strivings of man, uncovered the lair of Vala the luminous. Who is Vala the luminous? Does gomat mean the fellow who has the cows & is Vala a demon of cloud or darkness afflicted with the cow-stealing propensities, the Titanic bovi-kleptomania attributed by tradition to the Panis? He is, I suggest, one of the Titans who deny a higher ascent to man, a Titan who possesses but withholds & hides the luminous realms of ideal truth from man,interposing the hiranmayam patram of the Isha Upanishad, the golden cover or lid, by which the face of truth is concealed, satyasyapihitam mukham. Tat twam Pushan apavrinu, cries the Vedantic sage, using the same word apavri, but he calls to Surya, not to Indra, because he seeks the possession of the Vedanta, the sight of the rupam kalyanatamam which belongs to those who can meet Surya in his own home. The Vedic seer, at an earlier stage of the struggle, is satisfied with the minor conquests of Indra. He does not yet rise to those heights where Indra working in the mind is no longer a supreme helper, but may even be, as the Puranas tell us, an obstacle and an opponentbecause activity of mind even the highest, so long as it is not abandoned and overpassed, interferes with a yet higher attainment. It is only by rejecting Indra that we can dwell with Surya in his luminous halls, Tena tyaktena bhunjithah. Nevertheless the conquest over Bala is for humanity in its present stage a great conquest, and when & because it is accomplished the other gods can enter safely into the mental force & work in it, fearless because protected by Indras victorious might. For he is now Balabhid; he has pierced Bala & is no longer liable to that fear which overtook him when Vritra only had been overthrowna fear due to his perceiving the immensity of the task that still remained & the more formidable enemies beyond. We shall come again to Bala & the Titans & the meaning of these divine battles,viryani yani chakara prathamani vajri.
  All the passages I have quoted proceed from the hymns of Madhuchchhanda son of Viswamitra, the opening eleven hymns of the Rigveda. This seer is one of the deepest & profoundest of the spirits chosen as vessels & channels of the divine knowledge of the Veda, one of those who least loses the thing symbolised in the material symbol, but who tends rather to let the symbol disappear in that which it symbolises. The comparison of the maker of beautiful images to the milch cow & Indra to the milker is an example of his constant tendency the word gavam is avoided with sudugham, so that the idea of milking or pressing forth may be suggested without insisting on the material image of the cow, & in goduhe, the symbol of the cow melts away into the thing symbolised, knowledge, light, illumination. A comparison with Medhatithi son of Kanwa brings out the difference. In Madhuchchhandas hymns the materialist rendering is often inapplicable & even when applicable yields a much poorer sense than the symbolic renderingbecause the seer is little concerned with the symbol except as the recognised means of suggesting things supramaterial. But Medhatithi is much concerned with the symbol & not indifferent to the outer life; in his hymns the materialist rendering gives us a good sense without excluding the symbolic, but often the symbolic has to be sought for & if we did not know the true Vedic tradition from Madhuchchhanda we could not gather it unaided from Medhatithi. The son of Viswamitra is deeply concerned with knowledge & with immortality & rapture as its attendant circumstances & conditions, the son of Kanwa, though not indifferent to knowledge, with the intoxication of the wine of immortality & its outpouring in mortal life & action. To use Vedic symbolism, one is a herder of kine, the other a herder of horses; Madhuchchhandas totem is the meditative cow, Medhatithis the rapid & bounding horse. There is a great calm, depth & nobility in the first eleven hymns, a great verve, joy, energy & vibrant force in the twelve that follow.

1.08 - Civilisation and Barbarism, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  The essential barbarism of all this is its pursuit of vital success, satisfaction, productiveness, accumulation, possession, enjoyment, comfort, convenience for their own sake. The vital part of the being is an element in the integral human existence as much as the physical part; it has its place but must not exceed its place. A full and well-appointed life is desirable for man living in society, but on condition that it is also a true and beautiful life. Neither the life nor the body exist for their own sake, but as vehicle and instrument of a good higher than their own. They must be subordinated to the superior needs of the mental being, chastened and purified by a greater law of truth, good and beauty before they can take their proper place in the integrality of human perfection. Therefore in a commercial age with its ideal, vulgar and barbarous, of success, vitalistic satisfaction, productiveness and possession the soul of man may linger a while for certain gains and experiences, but cannot permanently rest. If it persisted too long, Life would become clogged and perish of its own plethora or burst in its straining to a gross expansion. Like the too massive Titan it will collapse by its own mass, mole ruet sua.
  ***

1.09 - Equality and the Annihilation of Ego, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  8:This equality cannot come except by a protracted ordeal and patient self-discipline; so long as desire is strong, equality cannot come at all except in periods of quiescence and the fatigue of desire, and it is then more likely to be an inert indifference or desire's recoil from itself than the true calm and the positive spiritual oneness. Moreover, this discipline or this growth into equality of spirit has its necessary epochs and stages. Ordinarily we have to begin with a period of endurance; for we must learn to confront, to suffer and to assimilate all contacts. Each fibre in us must be taught not to wince away from that which pains and repels and not to run eagerly towards that which pleases and attracts, but rather to accept, to face, to bear and to conquer. All touches we must be strong to bear, not only those that are proper and personal to us but those born of our sympathy or our conflict with the worlds around, above or below us and with their peoples. We shall endure tranquilly the action and impact on us of men and things and forces, the pressure of the Gods and the assaults of Titans; we shall face and engulf in the unstirred seas of our spirit all that can possibly come to us down the ways of the soul's infinite experience. This is the stoical period of the preparation of equality, its most elementary and yet its heroic age. But this steadfast endurance of the flesh and heart and mind must be reinforced by a sustained sense of spiritual submission to a divine Will: this living clay must yield not only with a stern or courageous acquiescence, but with knowledge or with resignation, even in suffering, to the touch of the divine Hand that is preparing its perfection. A sage, a devout or even a tender stoicism of the God-lover is possible, and these are better than the merely pagan self-reliant endurance which may lend itself to a too great hardening of the vessel of God: for this kind prepares the strength that is capable of wisdom and of love; its tranquillity is a deeply moved calm that passes easily into bliss. The gain of this period of resignation and endurance is the soul's strength equal to all shocks and contacts.
  9:There is next a period of high-seated impartiality and indifference in which the soul becomes free from exultation and depression and escapes from the snare of the eagerness of joy as from the dark net of the pangs of grief and suffering. All things and persons and forces, all thoughts and feelings and sensations and actions, one's own no less than those of others, are regarded from above by a spirit that remains intact and immutable and is not disturbed by these things. This is the philosophic period of the preparation of equality, a wide and august movement. But indifference must not settle into an inert turning away from action and experience; it must not be an aversion born of weariness, disgust and distaste, a recoil of disappointed or satiated desire, the sullenness of a baffled and dissatisfied egoism forced back from its passionate aims. These recoils come inevitably in the unripe soul and may in some way help the progress by a discouragement of the eager desire-driven vital nature, but they are not the perfection towards which we labour. The indifference or the impartiality that we must seek after is a calm superiority of the high-seated soul above the contacts of things;1 it regards and accepts or rejects them but is not moved in the rejection and is not subjected by the acceptance. It begins to feel itself near, kin to, one with a silent Self and Spirit self-existent and separate from the workings of Nature which it supports and makes possible, part of or merged in the motionless calm Reality that transcends the motion and action of the universe. The gain of this period of high transcendence is the soul's peace unrocked and unshaken by the pleasant ripplings or by the tempestuous waves and billows of the world's movement.

11.01 - The Eternal Day The Souls Choice and the Supreme Consummation, #Savitri, #Sri Aurobindo, #Integral Yoga
  On Titan wings of rhythmic grandeur borne
  Poured from some deep spiritual heart of sound,
  --
  A senseless whirlwind is the Titan's force
  And without thee a snare the strength of gods.

1.1.04 - Philosophy, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  To withdraw from contact with emotion and life and weave a luminous colourless shadowless web of thought, alone and far away in the infinite azure empyrean of pure ideas, can be an enthralling pastime fit for Titans or even for Gods. The ideas so found have always their value and it is no objection to their truth that, when tested by the rude ordeal of life and experience, they go to pieces. All that inopportune disaster proves is that they are no fit guides to ordinary human conduct; for material life which is the field of conduct is only intellectual on its mountaintops; in the plains and valleys ideas must undergo limitation by unideal conditions and withstand the shock of crude sub-ideal forces.
  Nevertheless conduct is a great part of our existence and the mere metaphysical, logical or scientific knowledge that either does not help me to act or even limits my self-manifestation through action, cannot be my only concern. For God has not set me here merely to think, to philosophise, to weave metaphysical systems, to play with words and syllogisms, but to act, love and know. I must act divinely so that I may become divine in being and deed; I must learn to love God not only in Himself but in all beings, appearances, objects, enjoyments, events, whether men call them good or bad, real or mythical, fortunate or calamitous; and I must know Him with the same divine impartiality and completeness in order that I may come to be like Him, perfect, pure and unlimited - that which all sons of Man must one day be. This, I cannot help thinking, is the meaning and purpose of the Lila. It is not true that because I think, I am; but rather because I think, feel and act, and even while I am doing any or all of these things, can transcend the thought, feeling and

1.11 - FAITH IN MAN, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  all time, that of the Titans, of Prometheus, of Babel and of Faust;
  that of Christ on the mountain; a temptation as old as Earth itself;

1.11 - The Kalki Avatar, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  destroy the rule of the Titan Bali. But obviously the purely
  practical, ethical or social and political mission of the Avatar
  --
  the assailing Titan kings? It is obviously a distortion to see
  46 Sri Aurobindo: Essays on the Gita, p. 161.the kalki avatar
  --
  And the Titan kings assail,
  But I cannot rest till my task is done

1.11 - The Master of the Work, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
     This perception, this sense of a greater Power in us or above and moving us, is not a hallucination or a megalomania. Those who thus feel and see have a larger sight than ordinary men and have advanced a step beyond the limited physical intelligence, but theirs is riot the plenary vision or the direct experience. For, because they are not clear in mind and aware in the soul, because their awakening is more in the vital parts than into the spiritual substance of Self, they cannot be the conscious instruments of the Divine or come face to face with the Master, but are used through their fallible arid imperfect nature. The most they see of the Divinity is a Fate or a cosmic Force or else they give his name to a limited Godhead or, worse, to a Titanic or demoniac Power that veils him. Even certain religious founders have erected the image of the God of a sect or a national God or a Power of terror and punishment or a Numen of sattwic love and mercy and virtue and seem not to have seen the One and Eternal. The Divine accepts the image they make of him and does his work in them through that medium, but, since the one Force is felt and acts in their imperfect nature but more intensely than in others, the motive principle of egoism too can be more intense in them than in others. An exalted rajasic or sattwic ego still holds them and stands between them and the integral Truth. Even this is something, a beginning, although far from the true and perfect experience. A much worse thing may befall those who break something of the human bonds but have not purity and have not -- the knowledge, for they may become instruments, but not of the Divine; too often, using his name, they serve unconsciously his masks and black Contraries, the Powers of Darkness. Our nature must house the cosmic Force but not in its lower aspect or in its rajasic or sattwic movement; it must serve the universal Will, but in the light of a greater liberating knowledge. There must be no egoism of any kind in the attitude of the instrument, even when we are fully conscious of the greatness of the Force within us. Every man is knowingly or unknowingly the instrument of a universal Power and, apart from the inner Presence, there is no such essential difference between one action and another, one kind of instrumentation and another as would warrant the folly of an egoistic pride. The difference between knowledge and ignorance is a grace of the Spirit; the breath of divine Power blows where it lists and fills today one and tomorrow another with the word or the puissance. If the potter shapes one pot more perfectly than another, the merit lies not in the vessel but the maker. The attitude of our mind must not be "This is my strength" or "Behold God's power in me", but rather "A Divine Power works in this mind and body and it is the same that works in all men and in the animal, in the plant and in the metal, in conscious and living things and in things appearing to be inconscient arid inanimate." This large view of the One working in all and of the whole world as the equal instrument of a divine action and gradual self-expression, if it becomes our entire experience, will help to eliminate all rajasic egoism out of us and even the sattwic ego-sense will begin to pass away from our nature.
     The elimination of this form of ego leads straight towards the true instrumental action which Is the essence of a perfect Karmayoga. For while we cherish the instrumental ego, we may pretend to ourselves that we are conscious instruments of the Divine, but in reality we are trying to make of the Divine shakti an instrument of our own desires or our egoistic purpose. And even if the ego is subjected but not eliminated, we may indeed be engines of the divine Work, but we shall be imperfect tools and deflect or impair the working by our mental errors, our vital distortions or the obstinate incapacities of our physical nature. If this ego disappears, then we can truly become, not only pure instruments consciously consenting to every turn of the divine Hand that moves us, but aware of our true nature, conscious portions of the one Eternal and Infinite put out in herself for her works by the supreme shakti.

1.12 - Sleep and Dreams, #Words Of The Mother III, #The Mother, #Integral Yoga
  One still occupied by the Titanic forces (the last, most material one).
  The servant: who showed us the way through the labyrinth, gave us some food and even a smoky light (torch, very poor) to find our way in the dark, the lower nature; she asked

1.13 - BOOK THE THIRTEENTH, #Metamorphoses, #Ovid, #Poetry
  He seeks Titanian Circe's horrid court.
  ----------------------------------------------------------------------

1.13 - SALVATION, DELIVERANCE, ENLIGHTENMENT, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  The Devas (gods or angels) and the Asuras (demons or Titans) both heard of this Truth. They thought: Let us seek after and realize this Self, so that we can obtain all worlds and the fulfilment of all desires.
  Thereupon Indra from the Devas and Virochana from the Asuras approached Prajapati, the famous teacher. They lived with him as pupils for thirty-two years. Then Prajapati asked them: For what reason have you both lived here all this time?
  --
  The false or at best imperfect salvations described in the Chandogya Upanishad are of three kinds. There is first the pseudo-salvation associated with the belief that matter is the ultimate Reality. Virochana, the demonic being who is the apotheosis of power-loving, extraverted somatotonia, finds it perfectly natural to identify himself with his body, and he goes back to the other Titans to seek a purely material salvation. Incarnated in the present century, Virochana would have been an ardent Communist, Fascist or nationalist. Indra sees through material salvationism and is then offered dreamsalvation, deliverance out of bodily existence into the intermediate world between matter and spirit that fascinatingly odd and exciting psychic universe, out of which miracles and foreknowledge, spirit communications and extra-sensory perceptions make their startling irruptions into ordinary life. But this freer kind of individualized existence is still all too personal and ego-centric to satisfy a soul conscious of its own incompleteness and eager to be made whole. Indra accordingly goes further and is tempted to accept the undifferentiated consciousness of deep sleep, of false samadhi and quietistic trance, as the final deliverance. But he refuses, in Brahmanandas words, to mistake tamas for sattvas, sloth and sub-consciousness for poise and super-consciousness. And so, by discrimination, he comes to the realization of the Self, which is the enlightenment of the darkness that is ignorance and the deliverance from the mortal consequences of that ignorance.
  The illusory salvations, against which we are warned in the other extracts, are of a different kind. The emphasis here is upon idolatry and superstitionabove all the idolatrous worship of the analytical reason and its notions, and the superstitious belief in rites, dogmas and confessions of faith as being somehow magically efficacious in themselves. Many Christians, as Law implies, have been guilty of these idolatries and superstitions. For them, complete deliverance into union with the divine Ground is impossible, either in this world or posthumously. The best they can hope for is a meritorious but still egocentric life in the body and some sort of happy posthumous longevity, as the Chinese call it, some form of survival, paradisal perhaps, but still involved in time, separateness and multiplicity.

1.13 - Under the Auspices of the Gods, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
  while others would be in the beam of integral Communism based on fraternal love (given the current evolutionary trend, however, these beams would more than likely be made of a hard light, centered around some economic or Titanic ideology). Yet even if such divine centers were to appear on the earth, not only would their brand of unity go against life's diversity, but they would also be constantly threatened by the surrounding darkness; humans are at unequal stages of development a fact we always tend to forget. This is the eternal weakness in all our grand schemes. Our centers of grace would be like
  215

1.15 - The Supramental Consciousness, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
  Body-Force, is always spiritual in its origin and divine in its character. It is the use made of it in the Ignorance by brute, man or Titan that has to be cast aside and replaced by its greater natural
  even if to us supernormal action led by an inner consciousness which is in tune with the Infinite and the Eternal. The integral Yoga cannot reject the works of Life and be satisfied with an inward experience only; it has to go inward in order to change the outward.275

1.15 - The world overrun with trees; they are destroyed by the Pracetasas, #Vishnu Purana, #Vyasa, #Hinduism
  Soma having concluded, the Pracetasas took Māṛṣā, as he had enjoined them, righteously to wife, relinquishing their indignation against the trees: and upon her they begot the eminent patriarch Dakṣa, who had (in a former life) been born as the son of Brahmā[5]. This great sage, for the furtherance of creation, and the increase of mankind, created progeny. Obeying the command of Brahmā, he made movable and immovable things, bipeds and quadrupeds; and subsequently, by his will, gave birth to females, ten of whom he bestowed on Dharma, thirteen on Kaśyapa, and twenty-seven, who regulate the course of time, on the moon[6]. Of these, the gods, the Titans, the snake-gods, cattle, and birds, the singers and dancers of the courts of heaven, the spirits of evil, and other beings, were born. From that period forwards living creatures were engendered by sexual intercourse: before the time of Dakṣa they were variously propagated, by the will, by sight, by touch, and by the influence of religious austerities practised by devout sages and holy saints.
  Maitreya said:-
  --
  Narrate to me, venerable Brahman, at length, the birth of the gods, Titans, Gandharvas, serpents, and goblins.
  Parāśara said:-
  In what manner Dakṣa created living creatures, as commanded by Brahmā, you shall hear. In the first place he willed into existence the deities, the Ṛṣis, the quiristers of heaven, the Titans, and the snake-gods. Finding that his will-born progeny did not multiply themselves, he determined, in order to secure their increase, to establish sexual intercourse as the means of multiplication. For this purpose he espoused Asiknī, the daughter of the patriarch Vīraṇa[8], a damsel addicted to devout practices, the eminent supportress of the world. By her the great father of mankind begot five thousand mighty sons, through whom he expected the world should be peopled. Nārada, the divine Ṛṣi, observing them desirous to multiply posterity, approached them, and addressed them in a friendly tone: "Illustrious Haryaswas, it is evident that your intention is to beget posterity; but first consider this: why should you, who, like fools, know not the middle, the height, and depth of the world[9], propagate offspring? When your intellect is no more obstructed by interval, height, or depth, then how, fools, shall ye not all behold the term of the universe?" Having heard the words of Nārada, the sons of Dakṣa dispersed themselves through the regions, and to the present day have not returned; as rivers that lose themselves in the ocean come back no more.
  The Haryaswas having disappeared, the patriarch Dakṣa begot by the daughter of Vīraṇa a thousand other sons. They, who were named Savalāswas, were desirous of engendering posterity, but were dissuaded by Nārada in a similar manner. They said to one another, "What the Muni has observed is perfectly just. We must follow the path that our brothers have travelled, and when we have ascertained the extent of the universe, we will multiply our race." Accordingly they scattered themselves through the regions, and, like rivers flowing into the sea, they returned not again. Henceforth brother seeking for brother disappears, through ignorance of the products of the first principle of things. Dakṣa the patriarch, on finding that all these his sons had vanished, was incensed, and denounced an imprecation upon Nārada[10].

1.17 - The Divine Birth and Divine Works, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
   in Duryodhana and his brothers became so great a burden to the earth that she had to call upon God to descend and lighten her load; accordingly Vishnu incarnated as Krishna, delivered the oppressed Pandavas and destroyed the unjust Kauravas. A similar account is given of the descent of the previous Vishnu avatars, of Rama to destroy the unrighteous oppression of Ravana, of Parashurama to destroy the unrighteous license of the military and princely caste, the Kshatriyas, of the dwarf Vamana to destroy the rule of the Titan Bali. But obviously the purely practical, ethical or social and political mission of the Avatar which is thus thrown into popular and mythical form, does not give a right account of the phenomenon of Avatarhood. It does not cover its spiritual sense, and if this outward utility were all, we should have to exclude Buddha and Christ whose mission was not at all to destroy evil-doers and deliver the good, but to bring to all men a new spiritual message and a new law of divine growth and spiritual realisation. On the other hand, if we give to the word dharma only its religious sense, in which it means a law of religious and spiritual life, we shall indeed get to the kernel of the matter, but we shall be in danger of excluding a most important part of the work done by the Avatar. Always we see in the history of the divine incarnations the double work, and inevitably, because the Avatar takes up the workings of God in human life, the way of the divine Will and Wisdom in the world, and that always fulfils itself externally as well as internally, by inner progress in the soul and by an outer change in the life.
  The Avatar may descend as a great spiritual teacher and saviour, the Christ, the Buddha, but always his work leads, after he has finished his earthly manifestation, to a profound and powerful change not only in the ethical, but in the social and outward life and ideals of the race. He may, on the other hand, descend as an incarnation of the divine life, the divine personality and power in its characteristic action, for a mission ostensibly social, ethical and political, as is represented in the story of Rama or Krishna; but always then this descent becomes in the soul of the race a permanent power for the inner living and the spiritual rebirth. It is indeed curious to note that the
  --
  Dharma is generally spoken of as something eternal and unchanging, and so it is in the fundamental principle, in the ideal, but in its forms it is continually changing and evolving, because man does not already possess the ideal or live in it, but aspires more or less perfectly towards it, is growing towards its knowledge and practice. And in this growth dharma is all that helps us to grow into the divine purity, largeness, light, freedom, power, strength, joy, love, good, unity, beauty, and against it stands its shadow and denial, all that resists its growth and has not undergone its law, all that has not yielded up and does not will to yield up its secret of divine values, but presents a front of perversion and contradiction, of impurity, narrowness, bondage, darkness, weakness, vileness, discord and suffering and division, and the hideous and the crude, all that man has to leave behind in his progress. This is the adharma, notdharma, which strives with and seeks to overcome the dharma, to draw backward and downward, the reactionary force which makes for evil, ignorance and darkness. Between the two there is perpetual battle and struggle, oscillation of victory and defeat in which sometimes the upward and sometimes the downward forces prevail. This has been typified in the Vedic image of the struggle between the divine and the Titanic powers, the sons
  The word means "holding" from the root dhr., to hold.
  --
   the individual, and the slaying of desire, ignorance, egoism is the victory. But there is an outer struggle between the powers of the Dharma and the Adharma in the human collectivity. The former is supported by the divine, the godlike nature in man, and by those who represent it or strive to realise it in human life, the latter by the Titanic or demoniac, the Asuric and Rakshasic nature whose head is a violent egoism, and by those who represent and strive to satisfy it. This is the war of the Gods and Titans, the symbol of which the old Indian literature is full, the struggle of the Mahabharata of which Krishna is the central figure being often represented in that image; the Pandavas who fight for the establishment of the kingdom of the
  Dharma, are the sons of the Gods, their powers in human form, their adversaries are incarnations of the Titanic powers, they are
  Asuras. This outer struggle too the Avatar comes to aid, directly or indirectly, to destroy the reign of the Asuras, the evil-doers, and in them depress the power they represent and to restore the oppressed ideals of the Dharma. He comes to bring nearer the kingdom of heaven on earth in the collectivity as well as to build the kingdom of heaven within in the individual human soul.

1.18 - The Human Fathers, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  Sambaras and Valas, the Titans, Giants, Pythons, subconscient
  Powers who hold the light and the force in themselves, in their cities of darkness and illusion, but can neither use it aright nor will give it up to man, the mental being. Their ignorance, evil and limitation have not merely to be cut away from us, but broken up and into and made to yield up the secret of light and good and infinity. Out of this death that immortality has to be conquered. Pent up behind this ignorance is a secret knowledge

1.22 - OBERON AND TITANIA's GOLDEN WEDDING, #Faust, #Johann Wolfgang von Goethe, #Poetry
  object:1.22 - OBERON AND TitanIA's GOLDEN WEDDING
  author class:Johann Wolfgang von Goethe
  --
  OBERON AND TitanIA's GOLDEN WEDDING
  INTERMEZZO

1.22 - The Necessity of the Spiritual Transformation, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  Such a period was the recent materialistic age, when the intellect of man seemed decided to study thoroughly Life and Matter, to admit only that, to recognise mind only as an instrument of Life and Matter, and to devote all its knowledge to a tremendous expansion of the vital and physical life, its practicality, its efficiency, its comfort and the splendid ordering of its instincts of production, possession and enjoyment. That was the character of the materialistic, commercial, economic age of mankind, a period in which the ethical mind persisted painfully, but with decreasing self-confidence, an increasing self-questioning and a tendency to yield up the fortress of the moral law to the life-instinct, the aesthetic instinct and intelligence flourished as a rather glaring exotic ornament, a sort of rare orchid in the button-hole of the vital man, and reason became the magnificent servant of Life and Matter. The Titanic development of the vital Life which followed, is ending as the Titans always end; it lit its own funeral pyre in the conflagration of a world-war, its natural upshot, a struggle between the most efficient and civilised nations for the possession and enjoyment of the world, of its wealth, its markets, its available spaces, an inflated and plethoric commercial expansion, largeness of imperial size and rule. For that is what the great war signified and was in its real origin, because that was the secret or the open intention of all pre-war diplomacy and international politics; and if a nobler idea was awakened at least for a time, it was only under the scourge of Death and before the terrifying spectre of a gigantic mutual destruction. Even so the awakening was by no means complete, nor everywhere quite sincere, but it was there and it was struggling towards birth even in Germany, once the great protagonist of the vitalistic philosophy of life. In that awakening lay some hope of better things. But for the moment at least the vitalistic aim has once more raised its head in a new form and the hope has dimmed in a darkness and welter in which only the eye of faith can see chaos preparing a new cosmos.
  The first result of this imperfect awakening seemed likely to be a return to an older ideal, with a will to use the reason and the ethical mind better and more largely in the ordering of individual, of national and of international life. But such an attempt, though well enough as a first step, cannot be the real and final solution; if our effort ends there, we shall not arrive. The solution lies, we have said, in an awakening to our real, because our highest self and nature,that hidden self which we are not yet, but have to become and which is not the strong and enlightened vital Will hymned by Nietzsche, but a spiritual self and spiritual nature that will use the mental being which we already are, but the mental being spiritualised, and transform by a spiritual ideality the aim and action of our vital and physical nature. For this is the formula of man in his highest potentiality, and safety lies in tending towards our highest and not in resting content with an inferior potentiality. To follow after the highest in us may seem to be to live dangerously, to use again one of Nietzsches inspired expressions, but by that danger comes victory and security. To rest in or follow after an inferior potentiality may seem safe, rational, comfortable, easy, but it ends badly, in some futility or in a mere circling, down the abyss or in a stagnant morass. Our right and natural road is towards the summits.

1.23 - Conditions for the Coming of a Spiritual Age, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  A subjective age may stop very far short of spirituality; for the subjective turn is only a first condition, not the thing itself, not the end of the matter. The search for the Reality, the true self of man, may very easily follow out the natural order described by the Upanishad in the profound apologue of the seekings of Bhrigu, son of Varuna. For first the seeker found the ultimate reality to be Matter and the physical, the material being, the external man our only self and spirit. Next he fixed on life as the Reality and the vital being as the self and spirit; in the third essay he penetrated to Mind and the mental being; only afterwards could he get beyond the superficial subjective through the supramental Truth-Consciousness to the eternal, the blissful, the ever creative Reality of which these are the sheaths. But humanity may not be as persistent or as plastic as the son of Varuna, the search may stop short anywhere. Only if it is intended that he shall now at last arrive and discover, will the Spirit break each insufficient formula as soon as it has shaped itself and compel the thought of man to press forward to a larger discovery and in the end to the largest and most luminous of all. Something of the kind has been happening, but only in a very external way and on the surface. After the material formula which governed the greater part of the nineteenth century had burdened man with the heaviest servitude to the machinery of the outer material life that he has ever yet been called upon to bear, the first attempt to break through, to get to the living reality in things and away from the mechanical idea of life and living and society, landed us in that surface vitalism which had already begun to govern thought before the two formulas inextricably locked together lit up and flung themselves on the lurid pyre of the world-war. The vital lan has brought us no deliverance, but only used the machinery already created with a more feverish insistence, a vehement attempt to live more rapidly, more intensely, an inordinate will to act and to succeed, to enlarge the mere force of living or to pile up a gigantic efficiency of the collective life. It could not have been otherwise even if this vitalism had been less superficial and external, more truly subjective. To live, to act, to grow, to increase the vital force, to understand, utilise and fulfil the intuitive impulse of life are not things evil in themselves: rather they are excellent things, if rightly followed and rightly used, that is to say, if they are directed to something beyond the mere vitalistic impulse and are governed by that within which is higher than Life. The Life-power is an instrument, not an aim; it is in the upward scale the first great subjective supraphysical instrument of the Spirit and the base of all action and endeavour. But a Life-power that sees nothing beyond itself, nothing to be served except its own organised demands and impulses, will be very soon like the force of steam driving an engine without the driver or an engine in which the locomotive force has made the driver its servant and not its controller. It can only add the uncontrollable impetus of a high-crested or broad-based Titanism, or it may be even a nether flaming demonism, to the Nature forces of the material world with the intellect as its servant, an impetus of measureless unresting creation, appropriation, expansion which will end in something violent, huge and colossal, foredoomed in its very nature to excess and ruin, because light is not in it nor the souls truth nor the sanction of the gods and their calm eternal will and knowledge.
  But beyond the subjectivism of the vital self there is the possibility of a mental subjectivism which would at first perhaps, emerging out of the predominant vitalism and leaning upon the already realised idea of the soul as a soul of Life in action but correcting it, appear as a highly mentalised pragmatism. This first stage is foreshadowed in an increasing tendency to rationalise entirely man and his life, to govern individual and social existence by an ordered scientific plan based upon his discovery of his own and of lifes realities. This attempt is bound to fail because reason and rationality are not the whole of man or of life, because reason is only an intermediate interpreter, not the original knower, creator and master of our being or of cosmic existence. It can besides only mechanise life in a more intelligent way than in the past; to do that seems to be all that the modern intellectual leaders of the race can discover as the solution of the heavy problem with which we are impaled. But it is conceivable that this tendency may hereafter rise to the higher idea of man as a mental being, a soul in mind that must develop itself individually and collectively in the life and body through the play of an ever-expanding mental existence. This greater idea would realise that the elevation of the human existence will come not through material efficiency alone or the complex play of his vital and dynamic powers, not solely by mastering through the aid of the intellect the energies of physical Nature for the satisfaction of the life-instincts, which can only be an intensification of his present mode of existence, but through the greatening of his mental and psychic being and a discovery, bringing forward and organisation of his subliminal nature and its forces, the utilisation of a larger mind and a larger life waiting for discovery within us. It would see in life an opportunity for the joy and power of knowledge, for the joy and power of beauty, for the joy and power of the human will mastering not only physical Nature, but vital and mental Nature. It might discover her secret yet undreamed-of mind-powers and life-powers and use them for a freer liberation of man from the limitations of his shackled bodily life. It might arrive at new psychic relations, a more sovereign power of the idea to realise itself in the act, inner means of overcoming the obstacles of distance and division which would cast into insignificance even the last miraculous achievements of material Science. A development of this kind is far enough away from the dreams of the mass of men, but there are certain pale hints and presages of such a possibility and ideas which lead to it are already held by a great number who are perhaps in this respect the yet unrecognised vanguard of humanity. It is not impossible that behind the confused morning voices of the hour a light of this kind, still below the horizon, may be waiting to ascend with its splendours.
  --
  Nor will that mean a breaking up of all human society into the isolated action of individuals; for the third word of the Spirit is unity. The spiritual life is the flower not of a featureless but a conscious and diversified oneness. Each man has to grow into the Divine Reality within himself through his own individual being, therefore is a certain growing measure of freedom a necessity of the being as it develops and perfect freedom the sign and the condition of the perfect life. But also, the Divine whom he thus sees in himself, he sees equally in all others and as the same Spirit in all. Therefore too is a growing inner unity with others a necessity of his being and perfect unity the sign and condition of the perfect life. Not only to see and find the Divine in oneself, but to see and find the Divine in all, not only to seek ones own individual liberation or perfection, but to seek the liberation and perfection of others is the complete law of the spiritual being. If the divinity sought were a separate godhead within oneself and not the one Divine, or if one sought God for oneself alone, then indeed the result might be a grandiose egoism, the Olympian egoism of a Goe the or the Titanic egoism imagined by Nietzsche, or it might be the isolated self-knowledge or asceticism of the ivory tower or the Stylites pillar. But he who sees God in all, will serve freely God in all with the service of love. He will, that is to say, seek not only his own freedom, but the freedom of all, not only his own perfection, but the perfection of all. He will not feel his individuality perfect except in the largest universality, nor his own life to be full life except as it is one with the universal life. He will not live either for himself or for the State and society, for the individual ego or the collective ego, but for something much greater, for God in himself and for the Divine in the universe.
  The spiritual age will be ready to set in when the common mind of man begins to be alive to these truths and to be moved or desire to be moved by this triple or triune Spirit. That will mean the turning of the cycle of social development which we have been considering out of its incomplete repetitions on a new upward line towards its goal. For having set out, according to our supposition, with a symbolic age, an age in which man felt a great Reality behind all life which he sought through symbols, it will reach an age in which it will begin to live in that Reality, not through the symbol, not by the power of the type or of the convention or of the individual reason and intellectual will, but in our own highest nature which will be the nature of that Reality fulfilled in the conditionsnot necessarily the same as nowof terrestrial existence. This is what the religions have seen with a more or less adequate intuition, but most often as in a glass darkly, that which they called the kingdom of God on earth,his kingdom within in mans spirit and therefore, for the one is the material result of the effectivity of the other, his kingdom without in the life of the peoples.

1.43 - Dionysus, #The Golden Bough, #James George Frazer, #Occultism
  the throne long; for the treacherous Titans, their faces whitened
  with chalk, attacked him with knives while he was looking at himself
  --
  where her satellites, the Titans, rushed upon him, cut him limb from
  limb, boiled his body with various herbs, and ate it. But his sister
  --
  crime. In his rage, Jupiter put the Titans to death by torture, and,
  to soo the his grief for the loss of his son, made an image in which
  --
  of a bull that he was torn to pieces by the Titans; and the Cretans,
  when they acted the sufferings and death of Dionysus, tore a live

17.09 - Victory to the World Master, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   slays the Titans, confounds Bali, destroys the Kshattriyas,
   conquers the son of Pulastya, wields the Plough, who

1953-06-10, #Questions And Answers 1953, #The Mother, #Integral Yoga
   You know the story of Durga, dont you? Durga who every year has to destroy her asura; and always she is compelled to begin again. It goes on in this way till the end of the reign allotted to the Titans. When they will be banished from this world, it will not be thus any longer. But till then, that is as long as they are useful (as I have said in this book) for intensifying the aspiration, clarifying the consciousness, for putting to the test the sincerity of people, they will be there. The day the test will not be needed, the day the sincerity will be pure and self-existent they will disappear. Then that day, Durga will no longer need to begin her battle over again every year.
   Would it not be better to change them?

1953-07-08, #Questions And Answers 1953, #The Mother, #Integral Yoga
   Perhaps, if we say that these insects are moved by the spirit of the species which in itself is conscious and has a conscious will, we can then say that all these imaginations (I give you this one instance, but there are any number of them as terrible, as monstrous for our human consciousness), all these beings, fashioners, who have created these insects must be frightful beings (dont you think so?) and have a perverse and diabolical imagination. It is quite possible, for indeed it is said that the origin of the insect species is a vital origin, that the fashioners are those of a vital type, that is, beings who not only symbolise but represent and live upon the ill-will in the world. These are very conscious of their ill-will, and it is deliberate. The ill-will of men is usually only a kind of reflectionan imitation or a reflectionof the will of the beings of the vital, a will clearly hostile to creation, a will to make things as painful, as ugly, as sorrowful, as monstrous as possible. It is said that it is these who have created insects, and so the insect species would perhaps be But they do not wilfully represent evil, you understand, they are moved by an unconscious instinct. They do not do evil intentionally. They do it because it is in their nature. What I call ill-will is truly the will to do evil for the sake of doing evil, destroying for the sake of destroying, harming for harmings sake and taking pleasure in the fact of doing evil. That really is ill-will. Egoism, I do believe, begins with the birth of mind. I cant tell for certain, for always new things are being found. But what I have seen of the animal species, specially of the higher animals, may be the instinct of preservation, may be violence, obscure and brutal reactions, but is that truly what is called ill-will? It is possible. If someone were to tell me a story he has witnessed which proves the opposite, I am ready to admit it but for the time being I havent seen it. All that I know of animals is their instinct which pushes them into action, but they dont have that perversity thats in the human mind. I believe it is with this kind of mental functioning and under the direct influence of the vital that man has become an ill-willed being. The Titans are ill-willed beings but the Titans are beings of the vital world manifested in the forces of Nature: they want to do evil for the pleasure of doing it, to destroy for the pleasure of destroying.
   People always speak about the wickedness of cats, for instance, playing with the mouse before eating it. Thats an example given to children; but I have seen cats. I know what they do. It is not at all true. They dont do this at all through malice. Usually it happens like this: the mother-cat hunts for the little ones and catches a mouse. If it were to give the mouse immediately to the kittens to eat, they wouldnt be able to eat it, for it is hard, tough, and they dont have the capacity to eat such hard, tough flesh. Besides, it is also bad when it is like that. So they play with it (they seem to be playing with it), they toss it about, roll it, catch it, let it run, run after it, until it is very nicely softened. And then, when it is well softened, ready for eating, and the meat already worked upon, then they give it to the little ones who can now eat it. But certainly they dont go and play with the mouse for the pleasure of playing! They hunt first, you see, and then prepare the dinner. They have neither furnace nor fire to cook and soften the thing. They must prepare it and make it ready for eating.

1953-09-16, #Questions And Answers 1953, #The Mother, #Integral Yoga
   It is perhaps their way of progressing! (Laughter) You do not progress always in an apparently harmonious way. All who do Yoga know that it is not a thing that always goes on in peace and harmony, that sometimes there are inner battles, you have to give battle to enemies within you who want to prevent you from progressing. That means war. Well, when it is the whole earth thats progressing and there are things that resist and do not want to move, sometimes you have to give battle and that means war. You must not believe that progress consists in sitting down and meditating! There are difficulties to be conquered. To conquer, what does it mean?To fight against something. When you fight, it means war. There are small wars, there are big wars; but what is this war of men upon earth, if seen, for example, by Titans to whom men are no bigger than ants? When you look at a war of ants, you find it quite natural! You can even look at it with interest and smile and say: Look, the ants are having a fight. Well, to the Titanic forces of the universe, men fighting on earth are like ants fighting, it is nothing at all. You must not judge things according to the measure of human consciousness. For man Nature is a monstrous thing. It is so formidable, all the forces at her disposal, all the movements she creates. And what we know is only what is happening on earth! You know, directly or indirectly, by a kind of speculative knowledge, what is happening in the rest of the universe; but these are conflicts and plays of forces that are formidable in proportion to human consciousness. These are things that in comparison with human duration last almost eternally. So, in time it is immensity, in space it is immensity, and for the human consciousness it is something almost incomprehensible. But to these forces, human dimensions and movements have truly almost the same proportions as (perhaps are even less than) the consciousness of the swarming ant-world for us; it is the same thing. There are Nordic legendsSwedish and Norwegianabout these mighty universal Titans who are like that. And so stories are told naturally so that children may understand. It is said that there were two Titans sitting on some summit in the universe, not on earth, and then one Titan breathed a sigh. Then a thousand years pass, and the other asks, Why do you sigh? Another thousand years pass and the first one replies: I am bored! Yet another thousand years pass. They try to give an idea. Probably the Titans took some hundreds of years to say, I am bored. It is a question of proportions!
   Is it not possible, by yogic force, to prevent the body from being rigid?

1956-03-07 - Sacrifice, Animals, hostile forces, receive in proportion to consciousness - To be luminously open - Integral transformation - Pain of rejection, delight of progress - Spirit behind intention - Spirit, matter, over-simplified, #Questions And Answers 1956, #The Mother, #Integral Yoga
    Sweet Mother, here it is written: The vulgar conception of sacrifice is an act of painful self-immolation, austere self-mortification, difficult self-effacement. But the Gita discourages any excess of violence done to oneself; for the self within is really the Godhead evolving, it is Krishna, it is the Divine; it is not to be troubled and tortured as the Titans of the world trouble and torture it, but to be increasingly fostered, cherished, luminously opened to a divine Light.
    The Synthesis of Yoga, p. 100

1956-09-05 - Material life, seeing in the right way - Effect of the Supermind on the earth - Emergence of the Supermind - Falling back into the same mistaken ways, #Questions And Answers 1956, #The Mother, #Integral Yoga
    A principle of dark and dull inertia is at its [lifes] base; all are tied down by the body and its needs and desires to a trivial mind, petty desires and emotions, an insignificant repetition of small worthless functionings, needs, cares, occupations, pains, pleasures that lead to nothing beyond themselves and bear the stamp of an ignorance that knows not its own why and whither. This physical mind of inertia believes in no divinity other than its small earth-gods; it aspires perhaps to a greater fort, order, pleasure, but asks for no uplifting and no spiritual deliverance. At the centre we meet a stronger Will of life with a greater gusto, but it is a blinded Daemon, a perverted spirit and exults in the very elements that make of life a striving turmoil and an unhappy imbroglio. It is a soul of human or Titanic desire clinging to the garish colour, disordered poetry, violent tragedy or stirring melodrama of the mixed flux of good and evil, joy and sorrow, light and darkness, heady rapture and bitter torture. It loves these things and would have more and more of them or, even when it suffers and cries out against them, can accept or joy in nothing else; it hates and revolts against higher things and in its fury would trample, tear or crucify any diviner Power that has the presumption to offer to make life pure, luminous and happy and snatch from its lips the fiery brew of that exciting mixture. Another Will-in-Life there is that is ready to follow the ameliorating ideal Mind and is allured by its offer to extract some harmony, beauty, light, nobler order out of life, but this is a smaller part of the vital nature and can be easily overpowered by its more violent or darker duller yoke-comrades; nor does it readily lend itself to a call higher than that of the Mind unless that call defeats itself, as Religion usually does, by lowering its demand to conditions more intelligible to our obscure vital nature. All these forces the spiritual seeker grows aware of in himself and finds all around him and has to struggle and combat incessantly to be rid of their grip and dislodge the long-entrenched mastery they have exercised over his own being as over the environing human existence. The difficulty is great; for their hold is so strong, so apparently invincible that it justifies the disdainful dictum which pares human nature to a dogs tail,for, straighten it never so much by force of ethics, religion, reason or any other redemptive effort, it returns in the end always to the crooked curl of Nature. And so great is the vim, the clutch of that more agitated Life-Will, so immense the peril of its passions and errors, so subtly insistent or persistently invasive, so obstinate up to the very gates of Heaven the fury of its attack or the tedious obstruction of its obstacles that even the saint and the Yogin cannot be sure of their liberated purity or their trained self-mastery against its intrigue or its violence.
    Sri Aurobindo, The Synthesis of Yoga, SABCL, Vol. 20, pp. 160-61

1957-03-27 - If only humanity consented to be spiritualised, #Questions And Answers 1957-1958, #The Mother, #Integral Yoga
    Wherefore he selected or made such a material, when he had all infinite possibility to choose from? Because of his divine Idea which saw before it not only beauty and sweetness and purity, but also force and will and greatness. Despise not force, nor hate it for the ugliness of some of its faces, nor think that love only is God. All perfect perfection must have something in it of the stuff of the hero and even of the Titan. But the greatest force is born out of the greatest difficulty.
    Thoughts and Glimpses, SABCL, Vol. 16, pp. 392-93

1969 08 15? - 133, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
   133The Titans are stronger than the gods because they have agreed with God to front and bear the burden of His wrath and enmity; the gods were able to accept only the pleasant burden of His love and kindlier rapture.
   To understand rightly what Sri Aurobindo truly means, one must know the wonderful sense of humour in his way of thinking.
  --
   So the gods are cowards! Then where is their greatness and splendour? Why do we worship inferior beings? And the Titans must be the most lovable sons of the Divine?
   What Sri Aurobindo writes here is a paradox to awaken sluggish minds. But one must understand all the irony these phrases contain and above all the intention he puts behind the words. Besides, cowardly or not, I see no need for us to worship the gods, great or small. Our worship must go to the Supreme Lord alone, one in all things and beings.

1969 12 11, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
   222The saint and the angel are not the only divinities; admire also the Titan and the Giant.
   223The old writings call the Titans the elder gods. So they still are; nor is any god entirely divine unless there is hidden in him also a Titan.
   224If I cannot be Rama, then I would be Ravana; for he is the dark side of Vishnu.1
  --
   Rama was an avatar or incarnation of Vishnu; Ravana was a Titan (Asura), mortal enemy of Rama.
   ***

1970 05 12, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
   509Has thy effort succeeded, O thou Titan? Dost thou sit, like Ravana and Hiranyakashipou,1 served by the gods and the worlds master? But that which thy soul was really hunting after, has escaped from thee.
   510Ravanas mind thought it was hungering after universal sovereignty and victory over Rama; but the aim his soul kept its vision fixed upon all the time was to get back to its heaven as soon as possible and be again Gods menial. Therefore, as the shortest way, it hurled itself against God in a furious clasp of enmity.

1970 05 17, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
   519Sumbha1 first loved Kali with his heart and body, then was furious with her and fought her, at last prevailed against her, seized her by the hair and whirled her thrice round him in the heavens; the next moment he was slain by her. These are the Titans four strides to immortality and of them all the last is the longest and mightiest.
   I do not understand the meaning of the Titans four strides to immortality.
   Whatever the nature of an individual may be, ultimately, in one way or another, whether he fights him or loves him, the End is always the Divine.

1.ac - The Titanic, #Crowley - Poems, #Aleister Crowley, #Philosophy
  object:1.ac - The Titanic
  author class:Aleister Crowley
  --
  The gods upon the Titans shower
  Their high intolerable scorn;

1f.lovecraft - At the Mountains of Madness, #Lovecraft - Poems, #unset, #Zen
   Thought of this Titanic mountain rampart 700 miles away inflamed our
   deepest sense of adventure; and we rejoiced that our expedition, if not
  --
   oreodons, and Titanotheres. There was nothing as recent as a mastodon,
   elephant, true camel, deer, or bovine animal; hence Lake concluded that
  --
   to hold it in place amidst the rising gale, for the Titan mountains
   seemed about to deliver some gravely severe blasts. Early apprehensions
  --
   that the Titan barrier range extended endlessly to right and left
   alike, without any diminution in height or essential structure. On some
  --
   Titan towers my imagination sometimes escaped all bounds and roved
   aimlessly in realms of fantastic associationseven weaving links
  --
   us guess how such Titanic blocks could have been handled in that
   unbelievably remote age when the city and its outskirts were built up.
  --
   Cretaceous age after a Titanic earth-buckling had obliterated a still
   vaster predecessor not far distant. It appeared that this general
  --
   But the salient object of the place was the Titanic stone ramp which,
   eluding the archways by a sharp turn outward into the open floor, wound
  --
   contiguous honeycombings of the land and the Titan mountains, might
   conceal. We wondered, too, whether the trace of mountain-top smoke at
  --
   Titanic mausoleum, and I hope the end of this planet will find them
   still undisturbed.

1f.lovecraft - Beyond the Wall of Sleep, #Lovecraft - Poems, #unset, #Zen
   reflect upon the occasionally Titanic significance of dreams, and of
   the obscure world to which they belong. Whilst the greater number of
  --
   inferior in mentality and language alike; but his glowing, Titanic
   visions, though described in a barbarous and disjointed jargon, were

1f.lovecraft - Herbert West-Reanimator, #Lovecraft - Poems, #unset, #Zen
   Titan claw had seemed to reach down through sixteen years. Something
   fearsome and incredible had happened at Sefton Asylum fifty miles away,

1f.lovecraft - Ibid, #Lovecraft - Poems, #unset, #Zen
   moreand at last one fateful night a Titan thing occurred. Subtle
   Nature, convulsed with a spiritual ecstasy, like the froth of that

1f.lovecraft - Nyarlathotep, #Lovecraft - Poems, #unset, #Zen
   between the Titanic snowdrifts, quivering and afraid, into the
   sightless vortex of the unimaginable.

1f.lovecraft - Out of the Aeons, #Lovecraft - Poems, #unset, #Zen
   the lost Knaa, the dreaded peak of Yaddith-Gho, and the Titan fortress
   of the Devil-God had lain.

1f.lovecraft - Poetry and the Gods, #Lovecraft - Poems, #unset, #Zen
   Tartarus the Titans writhe, and beneath the fiery Aetna groan the
   children of Uranus and Gaea. The day now dawns when man must answer for

1f.lovecraft - The Call of Cthulhu, #Lovecraft - Poems, #unset, #Zen
   great Cyclopean cities of Titan blocks and sky-flung monoliths, all
   dripping with green ooze and sinister with latent horror. Hieroglyphics
  --
   Acropolis, and clambered slipperily up over Titan oozy blocks which
   could have been no mortal staircase. The very sun of heaven seemed
  --
   the masonry of that charnel shore that was not of earth the Titan Thing
   from the stars slavered and gibbered like Polypheme cursing the fleeing

1f.lovecraft - The Case of Charles Dexter Ward, #Lovecraft - Poems, #unset, #Zen
   Georgian grandeur. It was getting to be a slum here; but the Titan elms
   cast a restoring shadow over the place, and the boy used to stroll
  --
   himself felt the throb of Titanic and thunderous words resounding in
   upper air. It was just before dawn that a single haggard messenger with
  --
   that here lay the mortal relics of half the Titan thinkers of all the
   ages; snatched by supreme ghouls from crypts where the world thought
  --
   Titan explosion in the Transylvanian mountains east of Rakus, and the
   utter extirpation with all its inmates of the ill-regarded Castle

1f.lovecraft - The Challenge from Beyond, #Lovecraft - Poems, #unset, #Zen
   revulsion were drowned in the excitement of Titanic adventure.
   What was his former body but a cloak, eventually to be cast off at

1f.lovecraft - The Crawling Chaos, #Lovecraft - Poems, #unset, #Zen
   desolate shore after a storm of Titanic magnitude. Then I opened my
   eyes.

1f.lovecraft - The Diary of Alonzo Typer, #Lovecraft - Poems, #unset, #Zen
   to that Titanic paw which tried to push me down the stairs night before
   lastand must of course be phantoms of my disturbed imagination. What I
  --
   I turned to flee, but found that vision of the Titan paws before methe
   great talons seeming to swell and become more tangible as I gazed. Out
  --
   and paws haunt my vision more and more now, and seem even more Titanic
   than at first. Nor am I ever long free from those vague, unhuman

1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
   the hidden side that secret Titan image whereof rumour told. And there
   were caves in that mountain, which might be empty and alone with elder
  --
   aloud, and clutched at the jagged rock in awe; for the Titan bulge had
   not stayed as earths dawn had shaped it, but gleamed red and
  --
   understood the occasional Titan bones he had felt beneath him in the
   vale of Pnath.
  --
   where Titan towers and monoliths arose, but it was still more
   unpleasant when they spoke among themselves in the coughing gutturals
  --
   with dignity through that enchanted and phosphorescent wood of Titan
   trees, talking of his quest with the old general and his grandson
  --
   music or breaths of exotic fragrance. Always ahead loomed those Titan
   walls, mighty buttresses, and clustered and bulbous domes for which the
  --
   Titanic flappings and whirrings. That he was losing ground seemed
   unhappily clear to him, and he knew he was hopelessly lost in this
  --
   lose consciousness. Lofty and horrible those Titan gargoyles towered
   above him, while the slant-eyed merchant leaped down from his yak and
  --
   first true human saw the light, and whose twin Titan lions guard
   eternally the steps that lead down from dreamland to the Great Abyss.
  --
   pillars and crumbling sphinx-crowned gates and Titan stones and
   monstrous winged lions against the sickly glow of those luminous night
  --
   so that in a short time he had found a spot behind a Titan pillar
   whence he could watch the whole green-litten scene of action. There,
  --
   mountains till some Titan hand carved fright into their virgin rock.
   There they squatted, in a hellish half-circle, their legs on the desert
  --
   against the stars. There were towers on that Titan mountain-top;
   horrible domed towers in noxious and incalculable tiers and clusters
  --
   which the voyagers were swept. All was night in the Titan courtyard,
   and then came the deeper blackness of inmost things as a huge arched

1f.lovecraft - The Dreams in the Witch House, #Lovecraft - Poems, #unset, #Zen
  position among the Titan prisms, labyrinths, cube-and-plane clusters,
  and quasi-buildings; and all the while the vague shrieking and roaring

1f.lovecraft - The Dunwich Horror, #Lovecraft - Poems, #unset, #Zen
   like Titan phantasms beyond all spheres of force and matter, space and
   time. Presently Wilbur raised his head and began speaking in that
  --
   occurred. Two Titan swaths of destruction stretched from the glen to
   the Frye farmyard, monstrous prints covered the bare patches of ground,

1f.lovecraft - The Festival, #Lovecraft - Poems, #unset, #Zen
   Fainting and gasping, I looked at that unhallowed Erebus of Titan
   toadstools, leprous fire, and slimy water, and saw the cloaked throngs

1f.lovecraft - The Haunter of the Dark, #Lovecraft - Poems, #unset, #Zen
   stood a grim, Titan bulk whose identity, despite Blakes new
   perspective, was beyond dispute.
  --
   sounding-board, and its Titanic ropes of cobweb stretching among the
   pointed arches of the gallery and entwining the clustered Gothic
  --
   alien orbs with great stone towers, and other orbs with Titan mountains
   and no mark of life, and still remoter spaces where only a stirring in

1f.lovecraft - The Horror at Red Hook, #Lovecraft - Poems, #unset, #Zen
   crypts, those Titan arcades, and those half-formed shapes of hell that
   strode gigantically in silence holding half-eaten things whose still

1f.lovecraft - The Hound, #Lovecraft - Poems, #unset, #Zen
   watching moon, the horrible shadows, the grotesque trees, the Titanic
   bats, the antique church, the dancing death-fires, the sickening

1f.lovecraft - The Last Test, #Lovecraft - Poems, #unset, #Zen
   be proud of him, for he started out to help mankind, and was Titanic
   even in his sins. Ill tell you more sometime. What he did, be it good

1f.lovecraft - The Lurking Fear, #Lovecraft - Poems, #unset, #Zen
   impression save of wild-armed Titan trees, daemoniac mutterings of
   thunder, and Charonian shadows athwart the low mounds that dotted and
  --
   the middle man till the last, when the Titan fireball had scared it
   away. Why had it not taken its victims in natural order, with myself

1f.lovecraft - The Moon-Bog, #Lovecraft - Poems, #unset, #Zen
   effulgence. The effect was Titanicaltogether unthinkableand I might
   have stared indefinitely had not the sound of the piping seemed to grow

1f.lovecraft - The Mound, #Lovecraft - Poems, #unset, #Zen
   odd vistas glimpsed from balustraded plazas and tiers of Titan
   terraces, and the enveloping grey haze which seemed to press down on
  --
   bearing loathsome and Titanic images of shockingly familiar pattern.
   There in the dark unclean Yig and hideous Tulu squatted eternally,

1f.lovecraft - The Other Gods, #Lovecraft - Poems, #unset, #Zen
   riven by some Titanic chisel. And the symbol was like to one that
   learned men have discerned in those frightful parts of the Pnakotic

1f.lovecraft - The Picture in the House, #Lovecraft - Poems, #unset, #Zen
   shut my eyes. A moment later came the Titanic thunderbolt of
   thunderbolts; blasting that accursed house of unutterable secrets and

1f.lovecraft - The Shadow out of Time, #Lovecraft - Poems, #unset, #Zen
   from the Titanic flat roof, with its curious gardens, wide barren area,
   and high, scalloped parapet of stone, to which the topmost of the
  --
   the habitable world in Titan airships or on the huge boat-like
   atomic-engined vehicles which traversed the great roads, and to delve
  --
   the fiercest of earths convulsions, this Titan repository surpassed
   all other buildings in the massive, mountain-like firmness of its
  --
   that I had not thought I possessed, I wrenched aside first one Titan
   fragment of stone and then another, till there welled up a strong
  --
   the deserts sands lay directly upon a floor of some Titan structure of
   earths youthhow preserved through aeons of geologic convulsion I
  --
   subterrene mazes which had underlain the city and linked all its Titan
   towers, how much had still survived the writhings of earths crust?
  --
   cellar levels in this Titan edifice, and trembled with fresh panic as I
   recalled the metal-clamped trap-door on the lowest one. There could be
  --
   Titan masonry. Here and there a dust-covered heap below a gaping empty
   shelf seemed to indicate where cases had been shaken down by
  --
   delirious dream began. There had seemed to be a mound of Titan blocks,
   an abyss beneath it, a monstrous revelation from the past, and a
  --
   annals of my own world for the metal cases of those Titan archives? And
   were those othersthose shocking Elder Things of the mad winds and

1f.lovecraft - The Shadow over Innsmouth, #Lovecraft - Poems, #unset, #Zen
   through Titanic sunken porticos and labyrinths of weedy Cyclopean walls
   with grotesque fishes as my companions. Then the other shapes began to

1f.lovecraft - The Shunned House, #Lovecraft - Poems, #unset, #Zen
   whose Titan elbow I had seen.
   The blinding maelstrom of greenish-yellow vapour which surged

1f.lovecraft - The Strange High House in the Mist, #Lovecraft - Poems, #unset, #Zen
   world of mystery along the Titan steps of The Causeway. Morning after
   morning he would lie on the cliffs and look over the worlds rim at the
  --
   sight that they are lost. Years of the Titans were recalled, but the
   host grew timid when he spoke of the dim first age of chaos before the

1f.lovecraft - The Street, #Lovecraft - Poems, #unset, #Zen
   awoke, and joined the Mother Land in her Titanic struggle for
   civilisation. Over the cities once more floated the Old Flag,

1f.lovecraft - The Temple, #Lovecraft - Poems, #unset, #Zen
   Titanic thing I can only make conjectures. The facade, of immense
   magnitude, apparently covers a continuous hollow recess; for its

1f.lovecraft - The Transition of Juan Romero, #Lovecraft - Poems, #unset, #Zen
   chain of caves, and estimating the future of the Titanic mining
   enterprise. He considered the auriferous cavities the result of the

1f.lovecraft - The Unnamable, #Lovecraft - Poems, #unset, #Zen
   entity of Titanic size but undetermined nature; knocked sprawling on
   the root-clutched mould of that abhorrent graveyard, while from the

1f.lovecraft - The Very Old Folk, #Lovecraft - Poems, #unset, #Zen
   clearness and vividness, and such Titanic adumbrations of hidden
   horror, that I verily believe I shall some day employ it in fiction.

1f.lovecraft - The Whisperer in Darkness, #Lovecraft - Poems, #unset, #Zen
   you will appreciate the Titanic opportunity I have stumbled upon. I
   want you to share as much of it as is possible, and to that end must
  --
   were vast hieroglyphs left by a rumoured Titan race whose glories live
   only in rare, deep dreams. All the legends of the past, and all the

1f.lovecraft - The White Ship, #Lovecraft - Poems, #unset, #Zen
   waters, and to our eyes appeared on the far horizon ahead the Titanic
   spray of a monstrous cataract, wherein the oceans of the world drop

1f.lovecraft - Through the Gates of the Silver Key, #Lovecraft - Poems, #unset, #Zen
   alien-souled men have blasted through Titan walls betwixt the world and
   the outside absolute. Here, he felt, and on this day of the year, he
  --
   irresistibly drawn, there appeared the outline of a Titanic arch not
   unlike that which he thought he had glimpsed so long ago in that cave

1f.lovecraft - Till A the Seas, #Lovecraft - Poems, #unset, #Zen
   belt was spared; no people left unrouted. It was an epic, a Titan
   tragedy whose plot was unrevealed to the actorsthis wholesale
  --
   Titanic, wildly impressive migration. Madness and frenzy stalked
   through them, and fanatics screamed of an Armageddon close at hand.
  --
   how Titanically meaningless it all had been! Now indeed had come an end
   and climax to all the efforts of humanityhow monstrous and incredible

1f.lovecraft - Under the Pyramids, #Lovecraft - Poems, #unset, #Zen
   subterraneous labyrinths and avenues of Titanic propylaea beside which
   a man is as a fly, and offering unnamable sacrifices to indescribable
  --
   in the likeness of his own, and built that Titanic gateway temple whose
   myriad corridors the archaeologists think they have dug out of the
  --
   hundred wounds, as though some malign, Titanic ibis had been pecking at
   it. Assuredly the agency which had removed the rope was a hostile one,
  --
   on, I encountered other Titan columns at incomprehensible distances
   apart; when suddenly my attention was captured by the realisation of
  --
   landing above the Titanic aperture. This placed the last stages of my
   crawl at some distance from the noisome herd, though the spectacle

1.fs - The Artists, #Schiller - Poems, #Friedrich Schiller, #Poetry
  Telling of Titans, and of giant's frays
   And lion-slayers, turning, as he spoke,

1.fs - The Complaint Of Ceres, #Schiller - Poems, #Friedrich Schiller, #Poetry
  And vainly, Titan, tasked thy beams
   The lovedthe lost oneto discover!

1.jk - Endymion - Book IV, #Keats - Poems, #John Keats, #Poetry
  What is there to plain of? By Titan's foe
  I am but rightly serv'd." So saying, he

1.jk - Hyperion, A Vision - Attempted Reconstruction Of The Poem, #Keats - Poems, #John Keats, #Poetry
  The Titans fierce, self-hid or prison-bound,
  Groan for the old allegiance once more,

1.jk - Hyperion. Book I, #Keats - Poems, #John Keats, #Poetry
  The Titans fierce, self-hid, or prison-bound,
  Groan'd for the old allegiance once more,
  --
  And the bright Titan, phrenzied with new woes,
  Unus'd to bend, by hard compulsion bent
  --
  (line 14): It seems to me that the power of realization shown in the first decade, and indeed throughout the fragment, answers all objections to the subject, and is the most absolute security for the nobility of the result which Keats would have achieved had he finished the poem. It is impossible to over-estimate the value of such a landscape, so touched in with a few strokes of Titanic meaning and completeness; and the whole sentiment of gigantic despair reflected around the fallen god of the Titan dynasty, and permeating the landscape, is resumed in the most perfect manner in the incident of the motionless fallen leaf, a line almost as intense and full of the essence of poetry as any line in our language. It were ungracious to take exception to the poor Naiad; but she has not the convincing appropriateness of the rest of this sublime opening.'
  (line 51): Leigh Hunt's remarks upon Keats's failure to finish the poem are specially appropriate to this passage, "If any living poet could finish this fragment, we believe it is the author himself. But perhaps he feels that he ought not. A story which involves passion, almost of necessity involves speech; and though we may well enough describe beings greater than ourselves by comparison, unfortunately we cannot make them speak by comparison."

1.jk - Hyperion. Book II, #Keats - Poems, #John Keats, #Poetry
  Where Cybele and the bruised Titans mourn'd.
  It was a den where no insulting light
  --
  O Titans, shall I say 'Arise!'-Ye groan:
  Shall I say 'Crouch!'-Ye groan. What can I then?
  --
  Speak! roar! shout! yell! ye sleepy Titans all.
  Do ye forget the blows, the buffets vile?

1.jk - Hyperion. Book III, #Keats - Poems, #John Keats, #Poetry
  Amazed were those Titans utterly.
  O leave them, Muse! O leave them to their woes;

1.jk - On Receiving A Curious Shell, #Keats - Poems, #John Keats, #Poetry
  When lovely Titania was far, far away,
   And cruelly left him to sorrow, and anguish.

1.jk - Otho The Great - Act II, #Keats - Poems, #John Keats, #Poetry
  Otho. Will you make Titan play the lackey-page &
  To chattering pigmies? I would have you know

1.jk - Sonnet V. To A Friend Who Sent Me Some Roses, #Keats - Poems, #John Keats, #Poetry
  As is the wand that Queen Titania wields.
  And, as I feasted on its fragrancy,

1.jk - To Charles Cowden Clarke, #Keats - Poems, #John Keats, #Poetry
  From the sequester'd haunts of gay Titania,
  To the blue dwelling of divine Urania:

1.jwvg - Prometheus, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  Against the Titans' insolence?
  Who rescued me from certain death,

1.lovecraft - Psychopompos- A Tale in Rhyme, #Lovecraft - Poems, #unset, #Zen
  And with full force the Titan tempest breaks:
  Down crash the walls, and oer their shrinking forms

1.pbs - Epipsychidion, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  But, as it were Titanic; in the heart
  Of Earth having assumed its form, then grown

1.pbs - Epipsychidion (Excerpt), #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  But, as it were, Titanic; in the heart
  Of Earth having assum'd its form, then grown

1.pbs - Hellas - A Lyrical Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   From ruin her Titanian walls?
  Whose spirit shakes the sapless bones

1.pbs - Letter To Maria Gisborne, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Ixion or the Titan:or the quick
  Wit of that man of God, St. Dominic,

1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The Titan? He who made his agony
  The barrier to your else all-conquering foe?
  --
  The Titan. Speak the words which I would hear,
  Although no thought inform thine empty voice.
  --
   The Titan is unvanquished still.
  But see, where through the azure chasm
  --
  The Titan looks as ever, firm, not proud.
  First Fury.
  --
  Immortal Titan!
  Third Fury.
  --
  Prometheus, the chained Titan. Horrible forms,
  What and who are ye? Never yet there came
  --
  Dost thou faint, mighty Titan? We laugh thee to scorn.
  Dost thou boast the clear knowledge thou waken'dst for man?
  --
  Of the good Titan, as storms tear the deep,
  And beasts hear the sea moan in inland caves.
  --
  Before the sacred Titan's fall, and thy
  Unhappy love, had made, through use and pity,
  --
  And Love, and the chained Titan's woful doom,
  And how he shall be loosed, and make the earth
  --
  Even thus beneath the deep Titanian prisons
  I trample thee! thou lingerest?
  --
  This, like thy glory, Titan, is to be
  Good, great and joyous, beautiful and free;

1.poe - Dreamland, #Poe - Poems, #unset, #Zen
  And chasms, and caves, and Titan woods,
  With forms that no man can discover

1.poe - Eureka - A Prose Poem, #Poe - Poems, #unset, #Zen
  Let us now, expanding our conceptions, look upon each of these system as in itself an atom; which in fact it is, when we consider it as but one of the countless myriads of systems which constitute the Universe. Regarding all, then, as but colossal atoms, each with the same ineradicable tendency to Unity which characterizes the actual atoms of which it consists -we enter at once upon a new order of aggregations. The smaller systems, in the vicinity of a larger one, would, inevitably, be drawn into still closer vicinity. A thousand would assemble here; a million there -perhaps here, again, even a billion -leaving, thus, immeasurable vacancies in space. And if, now, it be demanded why, in the case of these systems -of these merely Titanic atoms -I speak, simply, of an "assemblage," and not, as in the case of the actual atoms, of a more or less consolidated agglomeration: -if it be asked, for instance, why I do not carry what I suggest to its legitimate conclusion, and describe, at once, these assemblages of system-atoms as rushing to consolidation in spheres -as each becoming condensed into one magnificent sun -my reply is that mellonta tauta -I am but pausing, for a moment, on the awful threshold of the Future. For the present, calling these assemblages "clusters," we see them in the incipient stages of their consolidation. Their absolute consolidation is to come.
  We have now reached a point from which we behold the Universe as a spherical space, interspersed, unequably, with clusters. It will be noticed that I here prefer the adverb "unequably" to the phrase "with a merely general equability," employed before. It is evident, in fact, that the equability of distribution will diminish in the ratio of the agglomerative processes -that is to say, as the things distributed diminish in number. Thus the increase of in equability an increase which must continue until, sooner or later an epoch will arrive at which the largest agglomeration will absorb all the others -should be viewed as, simply, a corroborative indication of the tendency to One.
  --
  Our fancies thus occupied with the cosmical distances, let us take the opportunity of referring to the difficulty which we have so often experienced, while pursuing the beaten path of astronomical reflection, in accounting for the immeasurable voids alluded to in comprehending why chasms so totally unoccupied and therefore apparently so needless, have been made to intervene between star and star -between cluster and cluster -in understanding, to be brief, a sufficient reason for the Titanic scale, in respect of mere Space, on which the Universe is seen to be constructed. A rational cause for the phaenomenon, I maintain that Astronomy has palpably failed to assign: -but the considerations through which, in this Essay, we have proceeded step by step, enable us clearly and immediately to perceive that Space and Duration are one. That the Universe might endure throughout an aera at all commensurate with the grandeur of its component material portions and with the high majesty of its spiritual purposes, it was necessary that the original atomic diffusion be made to so inconceivable an extent as to be only not infinite. It was required, in a word, that the stars should be gathered into visibility from invisible nebulosity -proceed from nebulosity to consolidation -and so grow grey in giving birth and death to unspeakably numerous and complex variations of vitalic development it was required that the stars should do all this should have time thoroughly to accomplish all these Divine purposes during the period in which all things were effecting their return into Unity with a velocity accumulating in the inverse proportion of the squares of the distances at which lay the inevitable End.
  Throughout all this we have no difficulty in understanding the absolute accuracy of the Divine adaptation. The density of the stars, respectively, proceeds, of course, as their condensation diminishes; condensation and heterogeneity keep pace with each other; through the latter, which is the index of the former, we estimate the vitalic and spiritual development. Thus, in the density of the globes, we have the measure in which their purposes are fulfilled. As density proceeds -as the divine intentions are accomplished -as less and still less remains to be accomplished so -in the same ratio -should we expect to find an acceleration of the End: -and thus the philosophical mind will easily comprehend that the Divine designs in constituting the stars, advance mathematically to their fulfilment: -and more; it will readily give the advance a mathematical expression; it will decide that this advance is inversely proportional with the squares of the distances of all created things from the starting-point and goal of their creation.
  --
  Recurring, then, to a previous suggestion, let us understand the systems -let us understand each star, with its attendant planets -as but a Titanic atom existing in space with precisely the same inclination for Unity which characterized, in the beginning, the actual atoms after their irradiation throughout the Universal sphere. As these original atoms rushed towards each other in generally straight lines, so let us conceive as at least generally rectilinear, the paths of the system-atoms towards their respective centres of aggregation: -and in this direct drawing together of the systems into clusters, with a similar and simultaneous drawing together of the clusters themselves while undergoing consolidation, we have at length attained the great Now -the awful Present -the Existing Condition of the Universe.
  Of the still more awful Future a not irrational analogy may guide us in framing an hypothesis. The equilibrium between the centripetal and centrifugal forces of each system, being necessarily destroyed upon attainment of a certain proximity to the nucleus of the cluster to which it belongs, there must occur, at once, a chaotic or seemingly chaotic precipitation, of the moons upon the planets, of the planets upon the suns, and of the suns upon the nuclei; and the general result of this precipitation must be the gathering of the myriad now-existing stars of the firmament into an almost infinitely less number of almost infinitely superior spheres. In being immeasurably fewer, the worlds of that day will be immeasurably greater than our own. Then, indeed, amid unfathomable abysses, will be glaring unimaginable suns. But all this will be merely a climacic magnificence foreboding the great End. Of this End the new genesis described, can be but a very partial postponement. While undergoing consolidation, the clusters themselves, with a speed prodigiously accumulative, have been rushing towards their own general centre -and now, with a thousandfold electric velocity, commensurate only with their material grandeur and with the spiritual passion of their appetite for oneness, the majestic remnants of the tribe of Stars flash, at length, into a common embrace. The inevitable catastrophe is at hand.

1.poe - Ulalume, #Poe - Poems, #unset, #Zen
   Here once, through an alley Titanic,
   Of cypress, I roamed with my Soul

1.rb - Paracelsus - Part V - Paracelsus Attains, #Browning - Poems, #Robert Browning, #Poetry
  'T is an old tale: Jove strikes the Titans down,
  Not when they set about their mountain-piling

1.rb - Sordello - Book the Sixth, #Browning - Poems, #Robert Browning, #Poetry
  "Show Titan still, recumbent o'er his targe
  "Solid with starsthe Centaur at his game,

1.rt - Fireflies, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  a Titan's ever crushed by its own existence.
  The glow-worm while exploring the dust

1.rwe - Monadnoc, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  The Titan minds his sky-affairs,
  Rich rents and wide alliance shares;

1.rwe - The Adirondacs, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  And other Titans without muse or name.
  Pleased with these grand companions, we glide on,

2.01 - Mandala One, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  (2) He upheld the earth and made it wide and smote with the thunderbolt and let loose the waters. He slew the Serpent and broke the Titan son of Rohina; the King of Riches severed with his powers the shoulderless Demon.
  (3) This upholder of birth because he has faith in his puissance ranges breaking open the Titan cities. O Thunderer, hurl by thy knowledge thy weapon at the Destroyer; increase the Aryan force, the Aryan light.
  (4) O then for the speaker the King of Riches bearing the human ages, bearing the glorious Name, advancing thunder-armed to the slaying of the Destroyer, when the Son bears the name for the inspired word!

2.01 - The Yoga and Its Objects, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Adhyatmayoga is, in knowledge, the realisation of all things that we see or do not see but are aware of, - men, things, ourselves, events, gods, Titans, angels, - as one divine Brahman, and in action and attitude, an absolute self-surrender to the Paratpara Purusha, the transcendent, infinite and universal Personality who is at once personal and impersonal, finite and infinite, self-limiting and illimitable, one and many, and informs with his being not only the Gods above, but man and the worm and the clod below.
  The surrender must be complete. Nothing must be reserved, no desire, no demand, no opinion, no idea that this must be, that cannot be, that this should be and that should not be; - all must be given. The heart must be purified of all desire, the intellect of all self-will, every duality must be renounced, the whole world seen and unseen must be recognised as one supreme expression of concealed Wisdom, Power and Bliss, and the entire being given up, as an engine is passive in the hands of the driver, for the divine Love, Might and perfect Intelligence to do its work and fulfil its divine Lila. Ahankara must be blotted out in order that we may have, as God intends us ultimately to have, the perfect bliss, the perfect calm and knowledge and the perfect activity of

2.02 - Brahman, Purusha, Ishwara - Maya, Prakriti, Shakti, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  The Supreme Brahman is that which in Western metaphysics is called the Absolute: but Brahman is at the same time the omnipresent Reality in which all that is relative exists as its forms or its movements; this is an Absolute which takes all relativities in its embrace. The Upanishads affirm that all this is the Brahman; Mind is Brahman, Life is Brahman, Matter is Brahman; addressing Vayu, the Lord of Air, of Life, it is said "O Vayu, thou art manifest Brahman"; and, pointing to man and beast and bird and insect, each separately is identified with the One, "O Brahman, thou art this old man and boy and girl, this bird, this insect." Brahman is the Consciousness that knows itself in all that exists; Brahman is the Force that sustains the power of God and Titan and Demon, the Force that acts in man and animal and the forms and energies of Nature; Brahman is the Ananda, the secret Bliss of existence which is the ether of our being and without which none could brea the or live. Brahman is the inner Soul in all; it has taken a form in correspondence with each created form which it inhabits. The Lord of Beings is that which is conscious in the conscious being, but he is also the Conscious in inconscient things, the One who is master and in control of the many that are passive in the hands of ForceNature. He is the Timeless and Time; He is Space and all that is in Space; He is Causality and the cause and the effect: He is the thinker and his thought, the warrior and his courage, the gambler and his dice-throw. All realities and all aspects and all semblances are the Brahman; Brahman is the Absolute, the Transcendent and incommunicable, the Supracosmic Existence that sustains the cosmos, the Cosmic Self that upholds all beings, but It is too the self of each individual: the soul or psychic entity is an eternal portion of the Ishwara; it is his supreme Nature or Consciousness-Force that has become the living being in a world of living beings. The Brahman alone is, and because of It all are, for all are the Brahman; this Reality is the reality of everything that we see in Self and Nature. Brahman, the Ishwara, is all this by his Yoga-Maya, by the power of his Consciousness-Force put out in self-manifestation: he is the Conscious Being, Soul, Spirit, Purusha, and it is by his Nature, the force of his conscious self-existence that he is all things; he is the Ishwara, the omniscient and omnipotent All-ruler, and it is by his Shakti, his conscious Power, that he manifests himself in Time and governs the universe. These and similar statements taken together are all-comprehensive: it is possible for the mind to cut and select, to build a closed system and explain away all that does not fit within it; but it is on the complete and many-sided statement that we must take our stand if we have to acquire an integral knowledge.
  An absolute, eternal and infinite Self-existence, Self-awareness, Self-delight of being that secretly supports and pervades the universe even while it is also beyond it, is, then, the first truth of spiritual experience. But this truth of being has at once an impersonal and a personal aspect; it is not only Existence, it is the one Being absolute, eternal and infinite. As there are three fundamental aspects in which we meet this Reality, Self, Conscious Being or Spirit and God, the Divine Being, or to use the Indian terms, the absolute and omnipresent Reality, Brahman, manifest to us as Atman, Purusha, Ishwara, - so too its power of Consciousness appears to us in three aspects: it is the self-force of that consciousness conceptively creative of all things, Maya; it is Prakriti, Nature or Force made dynamically executive, working out all things under the witnessing eye of the Conscious Being, the Self or Spirit; it is the conscious Power of the Divine Being, Shakti, which is both conceptively creative and dynamically executive of all the divine workings. These three aspects and their powers base and comprise the whole of existence and all Nature and, taken together as a single whole, they reconcile the apparent disparateness and incompatibility of the supracosmic Transcendence, the cosmic universality and the separativeness of our individual existence; the Absolute, cosmic Nature and ourselves are linked in oneness by this triune aspect of the one Reality. For taken by itself the existence of the Absolute, the Supreme Brahman, would be a contradiction of the relative universe and our own real existence would be incompatible with its sole incommunicable Reality. But the Brahman is at the same time omnipresent in all relativities; it is the Absolute independent of all relatives, the Absolute basing all relatives, the Absolute governing, pervading, constituting all relatives; there is nothing that is not the omnipresent Reality. In observing the triple aspect and the triple power we come to see how this is possible.

2.02 - Habit 2 Begin with the End in Mind, #The 7 Habits of Highly Effective People, #Stephen Covey, #unset
  Efficient management without effective leadership is, as one individual phrased it, "like straightening deck chairs on the Titanic." No management success can compensate for failure in leadership. But leadership is hard because we're often caught in a management paradigm.
  At the final session of a year-long executive development program in Seattle, the president of an oil company came up to me and said, "Stephen, when you pointed out the difference between leadership and management in the second month, I looked at my role as the president of this company and realized that I had never been into leadership. I was deep into management, buried by pressing challenges and the details of day-to-day logistics. So I decided to withdraw from management. I could get other people to do that. I wanted to really lead my organization.

2.02 - THE EXPANSION OF LIFE, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  crowd of tapirs, the short but astonishing branch of the Titano-
  theridae, the Chalicotheridae with digging claws which man

2.02 - The Ishavasyopanishad with a commentary in English, #Isha Upanishad, #unset, #Zen
  the Titanic type like Napoleon; only the Asura, his Jnana being
  limited and muddied, is always confusing the Eternal with the
  --
  a banner, the modern spirit overthrew the mediaeval Titan; the
  final uprush of those ideas we see in the French revolution. The
  --
  like that of a hundred-armed Titan wielding all the arms of
  the Gods in those hundred hands. If man believes himself to

2.03 - Karmayogin A Commentary on the Isha Upanishad, #Isha Upanishad, #unset, #Zen
  terms referring to the gods and Titans, precisely as Titanic and
  Olympian are opposed terms in English. For instance in the Gita
  --
  as of the Titans and tamasic nature as of the Rakshasa; daivic
  nature implies sattwic nature as of the Gods. Such is always

2.04 - Positive Aspects of the Mother-Complex, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  up a counter-position to the Titanic forces of the earth and the
  underworld that have been unleashed. In the same way that the

2.07 - The Supreme Word of the Gita, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  - for the form and nature, if we can use such language, of this transcendental Being, his svarupa, are necessarily unthinkable by the mind, acintyarupa, - liberates mortal man from all confusion of ignorance and from all bondage of sin, suffering and evil, yo vetti asammud.hah. sa martyes.u sarva-papaih. pramucyate. The human soul that can dwell in the light of this supreme spiritual knowledge is lifted by it beyond the ideative or sensible formulations of the universe. It rises into the ineffable power of an all-exceeding, yet all-fulfilling identity, the same beyond and here. This spiritual experience of the transcendental Infinite breaks down the limitations of the pantheistic conception of existence. The infinite of a cosmic monism which makes God and the universe one, tries to imprison the Divine in his world manifestation and leaves us that as our sole possible means of knowing him; but this experience liberates us into the timeless and spaceless Eternal. "Neither the Gods nor the Titans know thy manifestation" cries Arjuna in his reply: the whole universe or even numberless universes cannot manifest him, cannot contain his ineffable light and infinite greatness. All other lesser
  God-knowledge has its truth only by dependence on the ever unmanifested and ineffable reality of the transcendent Godhead.

2.08 - God in Power of Becoming, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
  He acclaims in him the original Godhead, adores the Unborn who is the pervading, indwelling, self-extending master of all existence, adi-devam ajam vibhum. He accepts him therefore not only as that Wonderful who is beyond expression of any kind, for nothing is sufficient to manifest him, - "neither the Gods nor the Titans, O blessed Lord, know thy manifestation," na hi te bhagavan vyaktim vidur deva na danavah., - but as the lord of all existences and the one divine efficient cause of all their becoming, God of the gods from whom all godheads have sprung, master of the universe who manifests and governs it from above by the power of his supreme and his universal Nature, bhutabhavana bhutesa deva-deva jagat-pate. And lastly he accepts him as that Vasudeva in and around us who is all things here by virtue of the world-pervading, all-inhabiting, all-constituting master powers of his becoming, vibhutayah., "the sovereign powers of thy becoming by which thou standest pervading these worlds," yabhir vibhutibhir lokan imams tvam vyapya tis.t.hasi.1
  He has accepted the truth with the adoration of his heart, the submission of his will and the understanding of his intelligence.
  --
  Shiva among the Rudras, Indra among the gods, Prahlada among the Titans, Brihaspati the chief of the high priests of the world,
  Skanda the war-god, leader of the leaders of battle, Marichi among the Maruts, the lord of wealth among the Yakshas and

2.09 - On Sadhana, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Disciple: It is said that in the Vmana incarnation, God in the form of the dwarf, demanded three steps from the Titan Bali. Does that signify that the three worlds the physical, the vital and the mental were in the Asuras possession and the Divine demanded that they should be liberated and become the dominions of God himself?
   Sri Aurobindo: I suppose so; but as yet the liberation remains unaccomplished.

2.1.02 - Love and Death, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Tyrants in Titan lands. Needs must her mouth
  Have been pure honey and her bosom a charm,
  --
  "He has the blood of Gods and Titans old.
  An Apsara his mother liquid-orbed
  --
  The Titaness, - Bhrigu, great Brahma's son.
  Love gave the flower that helps by anguish; therefore

2.1.03 - Man and Superman, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  Plant-life is a most significant progress upon the mineral, but the difference is as nothing compared with the gulf that divides the dumb vitality of the plant from the conscious experience of the animal. The hiatus between the animal and the human is so great in consciousness, however physically small, that the scientists' alleged cousinship of monkey and man looks psychologically almost incredible. And yet the difference between vital animal and mental man is as nothing to that which will be between man's mind and the superman's vaster consciousness and richer powers. That past step will be to this new one as the snail's slow march in the grass to a Titan's sudden thousand league stride from continent to continent.
  Evolution on the terrestrial plane, even in the dullest brute matter is only in outward appearance a progression of physical function and form; in its essential fact, in its inner meaning, in its significant power, it is a progression of consciousness, a spiritual or psychological change.
  --
  But only if the mind is no less intense in its purity than its silence. For in an impure mind the silence will soon fill with misleading lights and false voices, the echo or sublimation of its own vain conceits and opinions or the response to its secret pride, vanity, ambition, lust, greed or desire. The Titans and the
  Demons will speak to it more readily than the divine Voices.
  --
  Human consciousness is a half term in earth nature's climb from the electron and atom, gas and metal through the vegetable and animal and human formulas to the god and Titan and through the god to the Divine. It is not in the light of the realised alone that we should read the earth-riddle; it is in the light of the unrealised that we shall understand the realised and know why all was and to what all was moving in Nature.
  At present what we know best is man and mind and what mind and its several senses see or infer about the universe. But mind is not the highest possible instrument and mental man is not the last creation possible to the capacities of creative evolution in the material universe.

2.10 - The Vision of the World-Spirit - Time the Destroyer, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
   and moons, has a face of blazing fire and is ever burning up the whole universe with the flame of his energy. The form of him is fierce and marvellous and alone it fills all the regions and occupies the whole space between earth and heaven. The companies of the gods enter it, afraid, adoring; the Rishis and the Siddhas crying "May there be peace and weal" praise it with many praises; the eyes of Gods and Titans and Giants are fixed on it in amazement. It has enormous burning eyes; it has mouths that gape to devour, terrible with many tusks of destruction; it has faces like the fires of Death and Time. The kings and the captains and the heroes on both sides of the world-battle are hastening into its tusked and terrible jaws and some are seen with crushed and bleeding heads caught between its teeth of power; the nations are rushing to destruction with helpless speed into its mouths of flame like many rivers hurrying in their course towards the ocean or like moths that cast themselves on a kindled fire. With those burning mouths the Form of Dread is licking all the regions around; the whole world is full of his burning energies and baked in the fierceness of his lustres. The world and its nations are shaken and in anguish with the terror of destruction and Arjuna shares in the trouble and panic around him; troubled and in pain is the soul within him and he finds no peace or gladness. He cries to the dreadful Godhead, "Declare to me who thou art that wearest this form of fierceness. Salutation to thee, O thou great Godhead, turn thy heart to grace. I would know who thou art who wast from the beginning, for I know not the will of thy workings."
  This last cry of Arjuna indicates the double intention in the vision. This is the figure of the supreme and universal Being, the
  --
  By destruction of the Titans the gods maintain the continuity of the divine Law in the cosmos. Whoever prematurely attempts to get rid of this law of battle and destruction, strives vainly against the greater will of the World-Spirit. Whoever turns from it in the weakness of his lower members, as did Arjuna in the beginning, - therefore was his shrinking condemned as a small and false pity, an inglorious, an un-Aryan and unheavenly feebleness of heart and impotence of spirit, klaibyam, ks.udram hr.daya-daurbalyam, - is showing not true virtue, but a want of spiritual courage to face the sterner truths of Nature and of action and existence. Man can only exceed the law of battle by discovering the greater law of his immortality. There are those who seek this where it always exists and must primarily be found, in the higher reaches of the pure spirit, and to find it turn away from a world governed by the law of Death. That is an individual solution which makes no difference to mankind and the world, or rather makes only this difference that they are deprived of so much spiritual power which might have helped them forward in the painful march of their evolution.
  What then is the master man, the divine worker, the opened channel of the universal Will to do when he finds the WorldSpirit turned towards some immense catastrophe, figured before his eyes as Time the destroyer arisen and increased for the destruction of the nations, and himself put there in the forefront whether as a fighter with physical weapons or a leader and guide or an inspirer of men, as he cannot fail to be by the very force of his nature and the power within him, svabhavajena svena karman.a? To abstain, to sit silent, to protest by nonintervention? But abstention will not help, will not prevent the fulfilment of the destroying Will, but rather by the lacuna it creates increase confusion. Even without thee, cries the Godhead, my will of destruction would still be accomplished, r.te'pi tvam. If

2.14 - The Origin and Remedy of Falsehood, Error, Wrong and Evil, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  Whatever is formulated in the universe has a Force or Forces that support it, seek to fulfil or further it, find their foundation in its functioning, their account of success in its success and growth and domination, their self-fulfilment or their prolongation of being in its victory or survival. As there are Powers of Knowledge or Forces of the Light, so there are Powers of Ignorance and tenebrous Forces of the Darkness whose work is to prolong the reign of Ignorance and Inconscience. As there are Forces of Truth, so there are Forces that live by the Falsehood and support it and work for its victory; as there are powers whose life is intimately bound up with the existence, the idea and the impulse of Good, so there are Forces whose life is bound up with the existence and the idea and the impulse of Evil. It is this truth of the cosmic Invisible that was symbolised in the ancient belief of a struggle between the powers of Light and Darkness, Good and Evil for the possession of the world and the government of the life of man; - this was the significance of the contest between the Vedic Gods and their opponents, sons of Darkness and Division, figured in a later tradition as Titan and Giant and Demon, Asura, Rakshasa, Pisacha; the same tradition is found in the Zoroastrian Double Principle and the later Semitic opposition of God and his Angels on the one side and Satan and his hosts on the other, - invisible Personalities and Powers that draw man to the divine Light and Truth and Good or lure him into subjection to the undivine principle of Darkness and
  626
  --
   embodied soul through whose action cosmic Nature is seeking to fulfil itself, the living ground of a vast debate between a darkness of Ignorance out of which it emerges here and a light of Knowledge which is growing upwards towards an unforeseen culmination. The Forces which seek to move him, and among them the Forces of good and evil, present themselves as powers of universal Nature; but they seem to belong not only to the physical universe, but to planes of Life and Mind beyond it. The first thing that we have to note of importance to the problem preoccupying us is that these Forces in their action seem often to surpass the measures of human relativity; they are in their larger action superhuman, divine, Titanic or demoniac, but they may create their formations in him in large or in little, in his greatness or his smallness, they may seize and drive him at moments or for periods, they may influence his impulses or his acts or possess his whole nature. If that possession happens, he may himself be pushed to an excess of the normal humanity of good or evil; especially the evil takes forms which shock the sense of human measure, exceed the bounds of human personality, approach the gigantic, the inordinate, the immeasurable. It may then be questioned whether it is not a mistake to deny absoluteness to evil; for as there is a drive, an aspiration, a yearning in man towards an absolute truth, good, beauty, so these movements
  - as also the transcending intensities attainable by pain and suffering - seem to indicate the attempt at self-realisation of an absolute evil. But the immeasurable is not a sign of absoluteness: for the absolute is not in itself a thing of magnitude; it is beyond measure, not in the sole sense of vastness, but in the freedom of its essential being; it can manifest itself in the infinitesimal as well as in the infinite. It is true that as we pass from the mental to the spiritual, - and that is a passage towards the absolute, - a subtle wideness and an increasing intensity of light, of power, of peace, of ecstasy mark our passing out of our limitations: but this is at first only a sign of freedom, of height, of universality, not yet of an inward absoluteness of self-existence which is the essence of the matter. To this absoluteness pain and evil cannot attain, they are bound to limitation and they are

2.15 - On the Gods and Asuras, #Evening Talks With Sri Aurobindo, #unset, #Zen
   Sri Aurobindo: I meant there 'Asura' in the Vedic sense. The mental Asura is a mistranslation of something in the Supermind and in the original Puissance. Pure Power is called Asura. It is the Vedic Asura and not the Puranic Asura. In the Veda 'Asura' is a title applied to all the gods in many places Indra is called Asura. It was later that the derivation from Sura was found and A-sura became the Titan. Originally, 'Asura' indicates the highest Puissance. It is perhaps in the tenth Mandala that it is used in the Puranic sense.
   9 DECEMBER 1925
  --
   The Devas and the Asuras the Gods and the Titans manifest in man to lead this world or creation to the goal. The Devas manifest to effect a new principle or bring about a change.
   The Avatar does not come to do that kind of work, i.e., the work of the Gods. He comes to uphold the Dharma. Some beings also come with him for the purpose.

2.18 - January 1939, #Evening Talks With Sri Aurobindo, #unset, #Zen
   The Roman poet says: "The Titans fall by their own mass." There is a similar idea in India when it is said: "The Asuras are too heavy for the earth to bear their weight." But some Asuras are clever enough to flourish in spite of proverbs.
   Disciple: Can it be said that the Asuras by their action contradict the law of evolution or that they contradict something fundamental in human nature?

2.21 - The Ladder of Self-transcendence, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  In proportion as the power of this vital plane manifests itself in him and takes hold of his physical being, this son of earth becomes a vehicle of the life energy, forceful in his desires, vehement in his passions and emotions, intensely dynamic in his action, more and more the rajasic man. It is possible now for him to awaken in his consciousness to the vital plane and to become the vital soul, pranamaya purusa, put on the vital nature and live in the secret vital as well as the visible physical body. If he achieves this change with some fullness or one-pointedness -- usually it is under great and salutary limitations, or attended by saving complexities -- and without rising beyond these things, without climbing to a supra-vital height from which they can be used, purified, uplifted, he becomes the lower type of Asura or Titan, a Rakshasa ill nature, a soul of sheer power and life-energy, magnified or racked by a force of unlimited desire and passion, hunted and driven by an active capacity and colossal rajasic ego, but in possession of far greater and more various powers than those of the physical man in the ordinary more inert earth-nature. Even if he develops mind greatly on the vital plane and uses its dynamic energy for self-control as well as for self-satisfaction, it will still be with an Asuric energism (tapasya) although of a higher type and directed to a more governed satisfaction of the rajasic ego.
  But for the vital plane also it is possible, even as on the physical, to rise to a certain spiritual greatness in its own kind. It is open to the vital man to lift himself beyond the conceptions and energies natural to the desire-soul and the desire-plane. He can develop a higher mentality and, within the conditions of the vital being, concentrate upon some realisation of the Spirit or Self behind or beyond its forms and powers. In this spiritual realisation there would be a less strong necessity of quietism; for there would be a greater possibility of an active effectuation of the bliss and power of the Eternal, mightier and more self-satisfied powers, a richer flowering of the dynamic Infinite. Nevertheless that effectuality could never come anywhere near to a true and integral perfection; for the conditions of the desire-world are, like those of the physical, improper to the development of the complete spiritual life. The vital being too must develop spirit to the detriment of his fullness, activity and force of life in the lower hemisphere of our existence and turn in the end away from the vital formula, away from life either to the Silence or to an ineffable Power beyond him. If he does not withdraw from life, he must remain enchained by life, limited in his self-fulfilment by the downward pull of the desire-world in its own right alone, and its dominant rajasic principle. On the vital plane also a perfect perfection is impossible; the soul that attains only so far would have to return to the physical life for a greater experience, a higher self-development, a more direct ascent to the Spirit.

2.21 - The Order of the Worlds, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  Powers or Forces are such that we think of them as divine; they are luminous, benignant or powerfully helpful: there are others that are Titanic, gigantic or demoniac, inordinate Influences, instigators or creators often of vast and formidable inner upheavals or of actions that overpass the normal human measure.
  There may also be an awareness of influences, presences, beings that do not seem to belong to other worlds beyond us but are here as a hidden element behind the veil in terrestrial nature.
  --
  These worlds of a larger life would then hold in themselves both the more luminous and the darker formations of our world's life in a medium in which they could arrive freely at their independent expression, their own type's full freedom and natural completeness and harmony for good or for evil, - if indeed that distinction applies in these ranges, - a completeness and independence impossible here in our existence where all is mingled in the complex interaction necessary to the field of a many-sided evolution leading towards a final integration. For we find what we call false, dark or evil seems there to have a truth of its own and to be entirely content with its own type because it possesses that in a full expression which creates in it a sense of a satisfied power of its own being, an accord, a complete adaptation of all its circumstances to its principle of existence; it enjoys there its own consciousness, its own self-power, its own delight of being, obnoxious to our minds but to itself full of the joy of satisfied desire. Those life impulses which are to earth-nature inordinate and out of measure and appear here as perverse and abnormal, find in their own province of being an independent fulfilment and an unrestricted play of their type and principle. What is to us divine or Titanic, Rakshasic, demoniac and therefore supernatural, is, each in its own domain, normal to itself and gives to the beings that embody these things the feeling of self-nature and the harmony of their own principle. Discord itself, struggle, incapacity, suffering enter into a certain kind of life-satisfaction which would feel itself baulked or deficient without them. When these powers are seen in their isolated working, building their own life-edifices, as they do in those secret worlds where they dominate, we perceive more clearly their origin and reason of existence and the reason also for the hold they have on human life and the attachment of man to his own imperfections, to his life-drama of victory and failure, happiness and suffering, laughter and tears, sin and virtue. Here on earth these things exist in an unsatisfied and therefore unsatisfactory and obscure state of struggle and mixture, but there reveal their secret and their motive of being because they are there established in their native power and full form of nature in their own world and their own exclusive atmosphere. Man's heavens and hells or worlds of light and worlds of darkness, however imaginative in their building, proceed from a perception of these powers existing in their own principle and throwing their influences on him in life from a beyond-life which provides the elements of his evolutionary existence.
  In the same way as the powers of Life are self-founded, perfect and full in a greater Life beyond us, so too the powers of Mind, its ideas and principles that influence our earth-being, are found to have in the greater Mind-world their own field of fullness of self-nature, while here in human existence they throw out only partial formations which have much difficulty in establishing themselves because of their meeting and mixture with other powers and principles; this meeting, this mixture curbs their completeness, alloys their purity, disputes and defeats their influence. These other worlds, then, are not evolutionary, but typal; but it is one though not the sole reason of their existence that they provide things that must arise in the involutionary manifestation as well as things thrown up in the evolution with a field of satisfaction of their own significance where they can exist in their own right; this established condition is a base from which their functions and workings can be cast as elements into the complex process of evolutionary Nature.

2.25 - The Triple Transformation, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  Some of these experiences can come by an opening of the inner mental and vital being, the inner and larger and subtler mind and heart and life within us, without any full emergence of the soul, the psychic entity, since there too there is a power of direct contact of consciousness: but the experience might then be of a mixed character; for there could be an emergence not only of the subliminal knowledge but of the subliminal ignorance. An insufficient expansion of the being, a limitation by mental idea, by narrow and selective emotion or by the form of the temperament so that there would be only an imperfect self-creation and action and not the free soul-emergence, could easily occur. In the absence of any or of a complete psychic emergence, experiences of certain kinds, experiences of a greater knowledge and force, a surpassing of the ordinary limits, might lead to a magnified ego and even bring about instead of an outflowering of what is divine or spiritual an uprush of the Titanic or demoniac, or might call in agencies and powers which, though not of this disastrous type, are of a powerful but inferior cosmic character. But the rule and guidance of the soul brings into all experience the tendency of light, of integration, of harmony and intimate rightness which is native to the psychic essence. A psychic or, more widely speaking, a psycho-spiritual transformation of this kind would be already a vast change of our mental human nature.
  But all this change and all this experience, though psychic and spiritual in essence and character, would still be, in its parts of life-effectuation, on the mental, vital and physical level; its dynamic spiritual outcome6 would be a flowering of the soul in mind and life and body, but in act and form it would be circumscribed within the limitations - however enlarged, uplifted and rarefied - of an inferior instrumentation. It would be a reflected and modified manifestation of things whose full reality, intensity, largeness, oneness and diversity of truth and power and delight are above us, above mind and therefore above any perfection, within mind's own formula, of the foundations or superstructure of our present nature. A highest spiritual transformation must intervene on the psychic or psycho-spiritual change; the psychic movement inward to the inner being, the Self or Divinity within us, must be completed by an opening upward to a supreme spiritual status or a higher existence. This can be done by our opening into what is above us, by an ascent of consciousness into the ranges of overmind and supramental nature in which the sense of self and spirit is ever unveiled and permanent and in which the self-luminous instrumentation of the self and spirit is not restricted or divided as in our mind-nature, life-nature, body-nature. This also the psychic change makes possible; for lead away from life or to a Nirvana; but they are here being considered solely as steps in a transformation of the nature. as it opens us to the cosmic consciousness now hidden from us by many walls of limiting individuality, so also it opens us to what is now superconscient to our normality because it is hidden from us by the strong, hard and bright lid of mind, - mind constricting, dividing and separative. The lid thins, is slit, breaks asunder or opens and disappears under the pressure of the psycho-spiritual change and the natural urge of the new spiritualised consciousness towards that of which it is an expression here. This effectuation of an aperture and its consequences may not at all take place if there is only a partial psychic emergence satisfied with the experience of the Divine Reality in the normal degrees of the spiritualised mind: but if there is any awakening to the existence of these higher supernormal levels, then an aspiration towards them may break the lid or operate a rift in it. This may happen long before the psycho-spiritual change is complete or even before it has well begun or proceeded far, because the psychic personality has become aware and has an eager concentration towards the superconscience. An early illumination from above or a rending of the upper velamen can come as an outcome of aspiration or some inner readiness, or it may even come uncalled-for or not called for by any conscious part of the mind, - perhaps by a secret subliminal necessity or by an action or pressure from the higher levels, by something which is felt as the touch of the Divine Being, the touch of the Spirit, - and its results can be exceedingly powerful. But if it is brought about by a premature pressure from below, it can be attended with difficulties and dangers which are absent when the full psychic emergence precedes this first admission to the superior ranges of our spiritual evolution. The choice, however, does not always rest with our will, for the operations of the spiritual evolution in us are very various, and according to the line it has followed will be the turn taken at any critical phase by the action of the Consciousness-Force in its urge towards a higher self-manifestation and formation of our existence.

2.28 - The Divine Life, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  16: In the growth into a divine life the spirit must be our first preoccupation; until we have revealed and evolved it in our self out of its mental, vital, physical wrappings and disguises, extricated it with patience from our own body, as the Upanishad puts it, until we have built up in ourselves an inner life of the spirit, it is obvious that no outer divine living can become possible. Unless, indeed, it is a mental or vital godhead that we perceive and would be, - but even then the individual mental being or the being of power and vital force and desire in us must grow into a form of that godhead before our life can be divine in that inferior sense, the life of the infraspiritual superman, mental demi-god or vital Titan, Deva or Asura. This inner life once created, to convert our whole surface being, our thought, feeling, action in the world, into a perfect power of that inner life, must be our other preoccupation. Only if we live in that deeper and greater way in our dynamic parts, can there be a force for creating a greater life or the world be remade whether in some power or perfection of Mind and Life or the power and perfection of the Spirit. A perfected human world cannot be created by men or composed of men who are themselves imperfect. Even if all our actions are scrupulously regulated by education or law or social or political machinery, what will be achieved is a regulated pattern of minds, a fabricated pattern of lives, a cultivated pattern of conduct; but a conformity of this kind cannot change, cannot re-create the man within, it cannot carve or cut out a perfect soul or a perfect thinking man or a perfect or growing living being. For soul and mind and life are powers of being and can grow but cannot be cut out or made; an outer process or formation can assist or can express soul and mind and life but cannot create or develop it. One can indeed help the being to grow, not by an attempt at manufacture, but by throwing on it stimulating influences or by lending to it one's forces of soul or mind or life; but even so the growth must still come from within it, determining from there what shall be made of these influences and forces, and not from outside. This is the first truth that our creative zeal and aspiration have to learn, otherwise all our human endeavour is foredoomed to turn in a futile circle and can end only in a success that is a specious failure.
  17: To be or become something, to bring something into being is the whole labour of the force of Nature; to know, feel, do are subordinate energies that have a value because they help the being in its partial self-realisation to express what it is and help it too in its urge to express the still more not yet realised that it has to be. But knowledge, thought, action, - whether religious, ethical, political, social, economic, utilitarian or hedonistic, whether a mental, vital or physical form or construction of existence, - cannot be the essence or object of life; they are only activities of the powers of being or the powers of its becoming, dynamic symbols of itself, creations of the embodied spirit, its means of discovering or formulating what it seeks to be. The tendency of man's physical mind is to see otherwise and to turn the true method of things upside down, because it takes as essential or fundamental the surface forces or appearances of Nature; it accepts her creation by a visible or exterior process as the essence of her action and does not see that it is only a secondary appearance and covers a greater secret process: for Nature's occult process is to reveal the being through the bringing out of its powers and forms, her external pressure is only a means of awakening the involved being to the need of this evolution, of this self-formation. When the spiritual stage of her evolution is reached, this occult process must become the whole process; to get through the veil of forces and get at their secret mainspring, which is the spirit itself, is of cardinal importance. To become ourselves is the one thing to be done; but the true ourself is that which is within us, and to exceed our outer self of body, life and mind is the condition for this highest being, which is our true and divine being, to become self-revealed and active. It is only by growing within and living within that we can find it; once that is done, to create from there the spiritual or divine mind, life, body and through this instrumentation to arrive at the creation of a world which shall be the true environment of a divine living, - this is the final object that Force of Nature has set before us. This then is the first necessity, that the individual, each individual, shall discover the spirit, the divine reality within him and express that in all his being and living. A divine life must be first and foremost an inner life; for since the outward must be the expression of what is within, there can be no divinity in the outer existence if there is not the divinisation of the inner being.
  --
  95: A life of gnostic beings carrying the evolution to a higher supramental status might fitly be characterised as a divine life; for it would be a life in the Divine, a life of the beginnings of a spiritual divine light and power and joy manifested in material Nature. That might be described, since it surpasses the mental human level, as a life of spiritual and supramental supermanhood. But this must not be confused with past and present ideas of supermanhood; for supermanhood in the mental idea consists of an overtopping of the normal human level, not in kind but in degree of the same kind, by an enlarged personality, a magnified and exaggerated ego, an increased power of mind, an increased power of vital force, a refined or dense and massive exaggeration of the forces of the human Ignorance; it carries also, commonly implied in it, the idea of a forceful domination over humanity by the superman. That would mean a supermanhood of the Nietzschean type; it might be at its worst the reign of the "blonde beast" or the dark beast or of any and every beast, a return to barbaric strength and ruthlessness and force: but this would be no evolution, it would be a reversion to an old strenuous barbarism. Or it might signify the emergence of the Rakshasa or Asura out of a tense effort of humanity to surpass and transcend itself, but in the wrong direction. A violent and turbulent exaggerated vital ego satisfying itself with a supreme tyrannous or anarchic strength of self-fulfilment would be the type of a Rakshasic supermanhood: but the giant, the ogre or devourer of the world, the Rakshasa, though he still survives, belongs in spirit to the past; a larger emergence of that type would be also a retrograde evolution. A mighty exhibition of an overpowering force, a self-possessed, self-held, even, it may be, an ascetically self-restrained mind-capacity and life-power, strong, calm or cold or formidable in collected vehemence, subtle, dominating, a sublimation at once of the mental and vital ego, is the type of the Asura. But earth has had enough of this kind in her past and its repetition can only prolong the old lines; she can get no true profit for her future, no power of self-exceeding, from the Titan, the Asura: even a great or supernormal power in it could only carry her on larger circles of her old orbit. But what has to emerge is something much more difficult and much more simple; it is a self-realised being, a building of the spiritual self, an intensity and urge of the soul and the deliverance and sovereignty of its light and power and beauty, - not an egoistic supermanhood seizing on a mental and vital domination over humanity, but the sovereignty of the Spirit over its own instruments, its possession of itself and its possession of life in the power of the spirit, a new consciousness in which humanity itself shall find its own self-exceeding and self-fulfilment by the revelation of the divinity that is striving for birth within it. This is the sole true supermanhood and the one real possibility of a step forward in evolutionary Nature.
  96: This new status would indeed be a reversal of the present law of human consciousness and life, for it would reverse the whole principle of the life of the Ignorance. It is for the taste of the Ignorance, its surprise and adventure, one might say, that the soul has descended into the Inconscience and assumed the disguise of Matter, for the adventure and the joy of creation and discovery, an adventure of the spirit, an adventure of the mind and life and the hazardous surprises of their working in Matter, for the discovery and conquest of the new and the unknown; all this constitutes the enterprise of life and all this, it might seem, would cease with the cessation of the Ignorance. Man's life is made up of the light and the darkness, the gains and losses, the difficulties and dangers, the pleasures and pains of the Ignorance, a play of colours moving on a soil of the general neutrality of Matter which has as its basis the nescience and insensibility of the Inconscient. To the normal life-being an existence without the reactions of success and frustration, vital joy and grief, peril and passion, pleasure and pain, the vicissitudes and uncertainties of fate and struggle and battle and endeavour, a joy of novelty and surprise and creation projecting itself into the unknown, might seem to be void of variety and therefore void of vital savour. Any life surpassing these things tends to appear to it as something featureless and empty or cast in the figure of an immutable sameness; the human mind's picture of heaven is the incessant repetition of an eternal monotone. But this is a misconception; for an entry into the gnostic consciousness would be an entry into the Infinite. It would be a self-creation bringing out the Infinite infinitely into form of being, and the interest of the Infinite is much greater and multitudinous as well as more imperishably delightful than the interest of the finite. The evolution in the Knowledge would be a more beautiful and glorious manifestation with more vistas ever unfolding themselves and more intensive in all ways than any evolution could be in the Ignorance. The delight of the Spirit is ever new, the forms of beauty it takes innumerable, its godhead ever young and the taste of delight, rasa, of the Infinite eternal and inexhaustible. The gnostic manifestation of life would be more full and fruitful and its interest more vivid than the creative interest of the Ignorance; it would be a greater and happier constant miracle.

2.3.03 - Integral Yoga, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  Rakshasa and Pishacha, - Titan, vital giant and demon, - are superhuman in the pitch and force and movement and in the make of their characteristic nature, but these are not divine and those not supremely divine, for they live in a greater mind power or life power only, but they do not live in the supreme Truth, and only the supreme Truth is divine. Only those who live in a
  366

2.3.2 - Chhandogya Upanishad, #Kena and Other Upanishads, #Sri Aurobindo, #Integral Yoga
  overcome these Titans."
  2. The Gods worshipped OM as Breath in the nostrils; but the

30.02 - Greek Drama, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   Our Ramayana and Mahabharata too, no doubt, are replete with instances of this type of mentality. But it has been characterised there as being typical not of man, but of the Titan, the demon and the ogre, it is not truly human. The names given to these types indicate their nature. These belong to the undivine nature, whereas man belongs to the divine. The struggle between the divine and the undivine, the gods and the Titans, and the final victory of the divine and the gods, this has been the keynote of great creative work in Indian art and literature, this is the characteristic manner of the Indian conception of life.
   Undoubtedly, man in his beginnings was like a primitive beast. But a way had to be found to evolve out of this primitive state a superior kind of humanity. The attacks of the lower nature, the primitive impulses were to be squarely met and caught by the hands and held under like the horns of a bull. He was to learn to endure calmly the elements that create difficulties, dangers and disorders. He had to cross through them into a superior status. He had to see if the mad unseeing impulses could not be changed into the prowess of the warrior, anger into fiery energy, cruelty into valour; he was to see how far the greed for things could be transformed into pure enjoyment. This has been a necessary step in the evolution of humanity.

3.03 - The Godward Emotions, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
     The moment we come well into these developments and their deeper spiritual meaning, the motive of the fear of God becomes otiose, superfluous and even impossible. It is of importance chiefly in the ethical field when the soul has not yet grown sufficiently to follow good for its own sake and needs an authority above it whose wrath or whose stern passionless judgment it can fear and found upon that fear its fidelity to virtue. When we grow into spirituality, this motive can no longer remain except by the lingering on of some confusion in the mind, some persistence of the old mentality. Moreover, the ethical aim in Yoga is different from that of the external idea of virtue. Ordinarily, ethics is regarded as a sort of machinery of right action, the act is everything and how to do the right act is the whole question and the whole trouble. But to the Yogin action is chiefly important not for its own sake, but rather as a means for the growth of the soul Godward. Therefore what Indian spiritual writings lay stress upon is not so much the quality of the action to be done as the quality of the soul from which the action flows, upon its truth, fearlessness, purity, love, compassion, benevolence, absence of the will to hurt, and upon the actions as their outflowings. The old western idea that human nature is intrinsically bad and virtue is a thing to be followed out in despite of our fallen nature to which it is contrary, is foreign to the Indian mentality trained from ancient times in the ideas of the Yogins. Our nature contains, as well as its passionate rajasic and its downward-tending tamasic quality, a purer sattwic element and it is the encouragement of this, its highest part, which is the business of ethics. By it we increase the divine nature, daivi prakrti, which is present in us and get rid of the Titanic and demoniac elements. Not therefore the Hebraic righteousness of the God-fearing man, but the purity, love, beneficence, truth, fearlessness, harmlessness of the saint and the God-lover are the goal of the ethical growth according to this notion. And, speaking more largely, to grow into the divine nature is the consummation of the ethical being. This can be done best by realising God as the higher Self, the guiding and uplifting Will or the Master whom we love and serve. Not fear of him, but love of him and aspiration to the freedom and eternal purity of his being must be the motive.
     Certainly, fear enters into the relations of the master and the servant and even of the father and the child, but only when they are on the human level, when control and subjection and punishment figure predominantly in them and love is obliged to efface itself more or less behind the mask of authority. The Divine even as the Master does not punish anybody, does not threaten, does not force obedience. It is the human soul that has freely to come to the Divine and offer itself to his overpowering force that he may seize and uplift it towards his own divine levels, and give it that joy of mastery of the finite nature by the Infinite and of service to the Highest by which there comes freedom from the ego and the lower nature. Love is the key of this relation, and this service, dasyam, is in Indian Yoga the happy service of the divine Friend or the passionate service to the divine Beloved. The Master of the worlds who in the Gita demands of his servant, the Bhakta, to be nothing more in life than his instrument, makes this claim as the friend, the guide, the higher Self, and describes himself as the Lord of all worlds who is the friend of all creatures, sarvalokamahesvaram smhrdanl suhrdam sarvabhutaman; the two relations in fact must go together and neither can be perfect without the other. So too it is not the fatherhood of God as the Creator who demands obedience because he is the maker of our being, but the fatherhood of love which leads us towards the closer soul-union of Yoga. Love is the real key in both, and perfect love is inconsistent with the admission of the motive of fear. Closeness of the human soul to the Divine is the object, and fear sets always a barrier and a distance; even awe and reverence for the divine Power are a sign of distance and division and they disappear in the intimacy of the union of love.

3.10 - Of the Gestures, #Liber ABA, #Aleister Crowley, #Philosophy
  forces Typhon is the type, and the war of the Titans against the Olympians the
  legend. (Teitan, Titan, has in Greek the numerical value of 666). [For examples of
  rituals, nominally of invocation, which employ widdershins circumabulations, see

3.1.12 - A Child.s Imagination, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Recollects the Titan play;
  Woodlands touched by sunlight
  --
  Giant meetings, Titan greetings,
  Fancies of a youthful God.

3.1.24 - In the Moonlight, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  He rises to the good with Titan wings:
  And this the reason of his high unease,

3.18 - Of Clairvoyance and the Body of Light, #Liber ABA, #Aleister Crowley, #Philosophy
  other adept dared to do before him. But the thief, the Titan, must
  foreknow and consent to his doom to be chained upon a lonely
  --
  that hath availed them, the Titan, the Magus, the Man whose
  number is six hundred and three score and six.

3.2.03 - To the Ganges, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Listening for her Titan call.
  Yet Pratapaditya's great fierce spirit shall in might awake

32.04 - The Human Body, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   There is a tradition that if the inhabitants of the other worlds - the Demons, the Giants, the Titans and even the Gods - want liberation or seek to be raised to a higher or to the highest status, then they have to come down to the earth and be born as men. In this human body alone the sadhana for ascension is possible. To use the language of the Puranas, the other worlds are the fields for enjoyment while this earth is the field for work. That means the other worlds are the regions for some definite and fixed qualities. They are typal existences. The inherent quality of any of them does not change. One's own nature or one's own accumulated actions find their manifestation. One spends and enjoys there. But to acquire new merit, to introduce a new trend in one's nature, to turn its course, one will have to accept this human body. For, as we have said at the outset, man is a combination of all the planes of creation. Therefore, the consciousness can go up and come down and can stay on any level. It can be said that in man there is, like his very spine, a stair of consciousness - the Vedic seer has spoken of the possibilities of going up as on a bamboo ladder. But the most secret mystery is this that in man there is that unique part - the divine heart-cave - which is the fount of a new sight and a new creation and which guides and gives sanction for the change and the return, and which is the open and illumined gate towards the supreme fulfilment, the highest consciousness, an immortal bridge between this world and the other worlds. All want to possess and enjoy the plenitude of the earth, and want to establish themselves in an embodied existence here on the earth. Men as well as the denizens of the other worlds - all of them are given one more and a greater opportunity. Many of them accept, some consciously, some unconsciously so that they may evolve without remaining confined to their own characteristic qualities for all time, may gain a footing on the ascending levels of consciousness and thus make a constant progress, nirarata(Rig Veda), may accept other qualities and transformation and thereby achieve the higher and the nobler existence. The human receptacle acts as a unique catalytic agent in this chemical progress.
   A benediction, a divine Grace reposes on this apparently weak and perishable human body.

3.2.05 - Our Ideal, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Nature have been too strong for the Titanism of the human spirit and for the Titanism of the human intellect.
  The salvation of the human race lies in a more sane and integral development of the possibilities of mankind in the individual and in the community. The safety of Europe has to be sought in the recognition of the spiritual aim of human existence, otherwise she will be crushed by the weight of her own unillumined knowledge and soulless organisation. The safety of

3.3.01 - The Superman, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Especially, in his concept of the Superman he never cleared his mind of a preliminary confusion. For if a sort of human godhead is the goal to which the race must advance, the first difficulty is that we have to decide to which of two very different types of divinity the idea in us should owe allegiance. For the deity within may confront us either with the clear, joyous and radiant countenance of the God or the stern convulsed visage of the Titan. Nietzsche hymned the Olympian but presented him with the aspect of the Asura. His hostile preoccupation with the Christ-idea of the crucified God and its consequences was perhaps responsible for this distortion, as much as his subjection to the imperfect ideas of the Greeks. He presents to us sometimes a superman who fiercely and arrogantly repels the burden of simple sorrow and service, not one who arises victorious over mortality and suffering, his ascension vibrant with the triumphsong of a liberated humanity. To lose the link of Nature's moral evolution is a capital fault in the apostle of supermanhood; for only out of the unavoidable line of the evolution can that emerge in the bosom of a humanity long tested, ripened and purified by the fire of egoistic and altruistic suffering.
  God and Titan, Deva and Asura, are indeed close kin in their differences; nor could either have been spared in the evolution.
  Yet do they inhabit opposite poles of a common existence and common nature. The one descends from the light and the infinity, satisfied, to the play; the other ascends from the obscurity and the vagueness, angry, to the struggle. All the acts of the God derive from the universal and tend to the universal. He was born out of a victorious harmony. His qualities join pure and
  --
  But the Titan will have nothing of all this; it is too great and subtle for his comprehension. His instincts call for a visible, tangible mastery and a sensational domination. How shall he
  154
  --
  The Titan would unify by devouring, not by harmonising; he must conquer and trample what is not himself either out of existence or into subservience so that his own image may stand out stamped upon all things and dominating all his environment.
  In Nature, since it started from division and egoism, the
  --
  Deva and the Asura laboured together to churn the ocean of life for the supreme draught of immortality, but, once it had been won, Vishnu kept it for the God and defrauded the fiercer and more violent worker. And this seems unjust; for the Asura has the heavier and less grateful portion of the burden. He begins and leads; he goes his way hewing, shaping, planting: the God follows, amends, concludes, reaps. He prepares fiercely and with anguish against a thousand obstacles the force that we shall use: the other enjoys the victory and the delight. And therefore to the great God Shiva the stained and stormy Titan is very dear,
  - Shiva who took for himself the fierce, dark and bitter poison first churned up from the sea of life and left to others the nectar.
  But the choice that Shiva made with knowledge and from love, the Titans made from darkness and passion, - desirous really of something very different and deceived by their stormy egoism.
  Therefore the award of Vishnu stands; to the God shall fall the crown and the immortality and not, unless he divinise himself, to the proud and strenuous Asura.

3.3.02 - All-Will and Free-Will, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  On the other hand a great man of action will often seize on the idea of Fate to divinise to himself the mighty energy that he feels driving him on the path of world-altering deeds. He is like a shell discharged from some dim Titanic howitzer planted in concealment far behind this first line of trenches which we see thrown out by Life into the material world; or he is like a planet sped out from Natures hands with its store of primal energy sufficient for its given time, its fixed service to the world-life, its settled orbit round a distant and sovereign Light. He expresses in the idea of Fate his living and constant sense of the energy which has cast him down here whether to break like some Vedic Marut the worlds firm and established things or to cut through mountains a path down which new rivers of human destiny can pour. Like Indra or Bhagirath he precedes; the throng of the divine waters follow. His movement decides their course; here Indus shall flow, there Ganges pace yellow and leonine to the sea. Therefore we find that the greatest men of action the world has known were believers in Fate or in a divine Will. Caesar, Mahomet, Napoleon, what more colossal workers has our past than these? The superman believes more readily in Destiny, feels more vitally conscious of God than the average human mind.
  A saying of Napoleons is pregnant of the true truth of this matter Questioned why, since he talked continually of fate, he thought it worth while to be always thinking and planning, he answered with just reason, Because it is still Fate who wills that I should plan. This is the truth. There is a Will or Force in the world that determines the result of my actions as part of the great whole; there is a Will in me that determines, concealed by my thought and personal choice, the part that I shall take in determining the whole. It is this that my mind seizes on and calls my will. But I and mine are masks. It is All-existence that gives me my reality; it is the All-will and All-knowledge that, while I calculate, works in me for its own incalculable purpose.

33.17 - Two Great Wars, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   The two Wars were identical in their inner nature and import. From our point of view, they were both of them a battle of the gods and Titans. On one side were the instruments of the gods, on the other of the Titans. It is a curious thing, if not altogether strange, that Germany and, to some extent, Russia should have sided with the Titans and England and France and America fought on the side of the gods.
   This is something that happens always in the history of man, this battle of the gods and Titans. Whenever there is a New Creation in the offing, and man is to be carried a step forward in his evolution, there comes up ranged against him the forces of Evil who do not want him to rise to a higher level of consciousness, towards the godhead. They want to hold man bound down in their grip.
   Such a moment of crisis came to man in the time of Sri Krishna. The Kurukshetra War is known as a war of righteousness, dharma-yuddha;it was a war of the gods and Titans. On the battlefield of Kurukshetra Sri Krishna gave his message that was to initiate the New Age that was coming. In exactly the same way, Sri Aurobindo began to proclaim his message with the opening of the guns in the first World War. The War began in August 1914; on the 15th August of the same year came out the first number of his Review, the Arya.Another point of note: the Aryacontinued almost as long as the War lasted. The "official end" of the War came towards the close of May, 1921; the Aryaceased in January of the same year. The Mother had arrived in the meantime to make Pondicherry her home.
   The War left India practically untouched and without any major upheaval. It came and blew over like a stray wind, even as the raids of the Emden did on the Indian seas. Our memories of the War are still associated with that strange episode. The German cruiser passed by the shores of Pondicherry without doing any damage here, though Madras city received a few shell-shots. But I distinctly remember how many of the local residents, that is, those who lived on the Pondicherry sea-face, fled pen-mell towards the west, in the direction of the present Lake Estate. They packed themselves into rows of "push-push" carts - we had no rickshaws in those days - and looked for safety among the ravines of the Red Hills, or perhaps was it to hide themselves in the waters of the Lake, like Mainaka of the Indian legend?
  --
   The ideal now was to create a race of men endowed with the highest gifts of education and training - what in the view of the sages and mystics would be a race of god - men the transformation of man from the animal-state to that of the gods. But that was precisely what stirred the opposing Forces to action. They were to keep man distracted, lure him from the good path into evil ways, change him, not into a god but into a demon, a Titan, a ghoul. (Goe the once had presented this picture.) That is how man got his notion of the super-race, and the notion took concrete shape among a particular people and some particular individuals. That is what lay behind the rise of Hitler and his Nazis in Germany. Stalin and his Bolsheviks appeared as their counterparts in Russia. Mussolini was their henchman, a "satellite" in modern parlance; Our Puranic scriptures tell of the ancient Shumbha and Nishumbha, Hiranyaksha and Hiranyakashipu, Shishupala and Raktadanta, dual power of Evil defying the Divine Power. Something similar seemed to be happening again.
   Here was precisely what lay behind the origins of the second Great War: the descent of Evil incarnate to bar the descent of the Divine Power.

3.5.02 - Thoughts and Glimpses, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Wherefore he selected or made such a material, when he had all infinite possibility to choose from? Because of his divine Idea which saw before it not only beauty and sweetness and purity, but also force and will and greatness. Despise not force, nor hate it for the ugliness of some of its faces, nor think that love only is God. All perfect perfection must have something in it of the stuff of the hero and even of the Titan. But the greatest force is born out of the greatest difficulty.
  ***

3.7.1.06 - The Ascending Unity, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  But after all perhaps when we come to think more at large about the matter, we may find that Nature and Existence are not of the same mind as man in this respect, that there is here a great complexity which we must follow with patience and that those ways of thinking have most chance of a fruitful truth-yielding, which like the inspired thinking of the Upanishads take in many sides at once and reconcile many conflicting conclusions. One can hew material for a hundred philosophies out of the Upanishads as if from some bottomless Titans' quarry and yet no more exhaust it than one can exhaust the opulent bosom of our mother Earth or the riches of our father Ether.
  Man began this familiar process of simple cuttings by emphasising his sense of himself as man; he made of himself a being separate, unique and peculiar in this world, for whom or round whom everything else was supposed to be created, - and all the rest, the subhuman existence, animal, plant, inanimate object, everything to the original atom seemed to him a creation different from himself, separate, of another nature; he condemned all to be without a soul, he was the one ensouled being. He saw life, defined it by certain characters that struck his mind, and set apart all other existence as non-living, inanimate. He looked at his earth, made it the centre of the universe, because the one inhabited scene of embodied souls or living beings; but the innumerable other heavenly bodies were only lights to illumine earth's day or to relieve her night. He perceived the insufficiency of this one earthly life only to create another opposite definition of a perfect heavenly existence and set it in the skies he saw above him. He perceived his "I" or self and conceived of it as a

3.7.1.09 - Karma and Freedom, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  Our mind is compelled to think always by oppositions, from the practical validity of which we cannot escape, but which yet seem always in some sort questionable. We get a perception of a law of Karma, the constant unavoidable successions of the acts of energy and its insistent stream of consequences and reactions, the chain of causality, the great mass of past causes behind us from which all future consequence ought infallibly to unroll itself, and by this we try to explain the universe; but then immediately there arises the opposite idea and the challenging problem of liberty. Whence comes this notion of liberty, this divine or this Titanic thirst in man for freedom, born perhaps of something in him by which, however finite be his mind and life and body, he participates in the nature of infinity? For when we look round on the world as it is, everything seems to be by necessity and to move under a leaden constraint and compulsion. This is the aspect of the unthinking world of Force and Matter in which we live; and even in ourselves, in man the thinker, how little is free from some kind of present constraint and of compelling previous necessity! So much of what we are and do is determined by our environment, so much has been shaped by our education and upbringing,we are made by life and by the hands of others, are clay for many potters: and, as for what is left, was it not determined, even that which is most ourselves, by our individual, our racial, our human heredity or in the last resort by universal Nature who has shaped man and each man to what he is for her blind or her conscient uses?
  But we insist and say that we have a will which is aware of a however heavily burdened freedom and can shape to its own purpose and change by its effort environment and upbringing and the formations of heredity and even our apparently immutable common nature. But this will and its effort, is it not itself an instrument, even a mechanical engine of Nature, the active universal energy, and is not its freedom an arbitrary illusion of our mentality which lives in each moment of the present and separates it by ignorance, by an abstraction of the mind from its determining past, so that I seem at every critical moment to exercise a free and virgin choice, while all the time my choice is dominated by its own previous formation and by all that obscure past which I ignore? Granted that Nature works through our will and can create and change, can, that is to say, produce a new formation out of the stuff she has provided for her workings, is it not by a past impulsion and a continuous energy from it that the thing is done? That is the first idea of Karma. Certainly, our present will must come in as one though not by any means the sole element of the act and formation, but in this view it is not a free ever-new will, but in the first place a child and birth of all the past nature, our action, our present karma the result of an already formed shape of the force of that nature, swabhava. And in the second place our will is an instrument constantly shaped and used by something greater than ourselves. Only if there is a soul or self which is not a creation, but a master of Nature, not a formation of the stream of universal energy, but itself the former and creator of its own Karma, are we justified in our claim of an actual freedom or at least in our aspiration to a real liberty. There is the whole heart of the debate, the nodus and escape of this perplexed issue.

38.05 - Living Matter, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   As though the artifact of a Titan. During the wild rains
   On the banks abroad spreading its body allover the skies
   In rude delight the Titan has laboured,
   Happy at Nature's cruel game.

38.06 - Ravana Vanquished, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   TitanS, assembled here, the race supreme on this earthly globe!
   A city supreme bejewelled in this sea-girt isle
  --
   Here are we the same Titans. Here is our city, Lanka.
   Is that might of the arms turned limp?
   Say, Titans, has that pride lost its brilliance?
   Has that power evaporated unnoticed
  --
   Petty man is victorious in Titan's land!
   I could understand, if Rudra with his trident rushed in,
  --
   A Titan's tongue cannot speak it out.
   A proud Rakshasa clad in iron-strength, with iron weapons,
  --
   Pardon me, Titans, for the first time today the earth
   Under Ravana's power is wet with Ravana's tears.
  --
   This entire great city I shall light up into a Titanic funeral pyre.
   The three heavens with Earth I have won in battle,

38.07 - A Poem, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   Demoness, Titaness, Ogress - all their brood run riot in wild strife.
   This Buddhist cult was created in illusion and delusion
  --
   Who is this Titan? Whose this imperious tyranny
   In the guise of a play? Whose this ruthless embrace?
  --
   In vain you say cruelty is Titan's fancy.
   This violent cruel play is His

3 - Commentaries and Annotated Translations, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  of the adhara or sevenfold medium of manifestation; the Titans
  or Daityas, equally divine, try to upset this perfect functioning.
  --
  as Gods or Titans, not like the men of the Kali Yuga who shout
  and quarrel over their imperfect philosophies and little bounded
  --
  impulses; he is now the Asura, Titan or demi-god satisfying
  in the heart & buddhi his emotional and intellectual egoism.
  --
  Ones as opposed to the dark Titans, but I see no reason in
  this passage, or in any other, to give it its etymological sense of
  --
  the Gods aided by Aryan men on one side and the Titans or
  destroyers on the opposite faction, Dasyus, Vritras, Panis, Rakshasas, later called Daityas and Asuras, between the powers

4.15 - Soul-Force and the Fourfold Personality, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  On the other hand, the turn of the nature may be to the predominance of the will-force and the capacities which make for strength, energy, courage, leadership, protection, rule, victory in every kind of battle, a creative and formative action, the willpower which lays its hold on the material of life and on the wills of other men and compels the environment into the shapes which the shakti within us seeks to impose on life or acts powerfully according to the work to be done to maintain what is in being or to destroy it and make clear the paths of the world or to bring out into definite shape what is to be. This may be there in lesser or greater power or form and according to its grade and force we have successively the mere fighter or man of action, the man of self-imposing active will and personality and the ruler, conqueror, leader of a cause, creator, founder in whatever field of the active formation of life. The various imperfections of the soul and mind produce many imperfections and perversities of this type, -- the man of mere brute force of will, the worshipper of power without any other ideal or higher purpose, the selfish, dominant personality, the aggressive violent rajasic man, the grandiose egoist, the Titan, Asura, Rakshasa. But the soul-powers to which this type of nature opens on its higher grades are as necessary as those of the Brahmana to the perfection of our human nature. The high fearlessness which no danger or difficulty can daunt and which feels its power equal to meet and face and bear whatever assault of man or fortune or adverse gods, the dynamic audacity and daring which shrinks from no adventare or enterprise as beyond the powers of a human soul free from disabling weakness and fear, the love of honour which would scale the heights of the highest nobility of man and stoop to nothing little, base, vulgar or weak, but maintains untainted the ideal of high courage, chivalry, truth, straightforwardness, sacrifice of the lower to the higher self, helpfulness to men, unflinching resistance to injustice and oppression, self-control and mastery, noble leading, warriorhood and captainship of the journey and the battle, the high self-confidence of power, capacity, character and courage indispensable to the man of action, -- these are the things that build the make of the Kshatriya. To carry these things to their highest degree and give them a certain divine fullness, purity and grandeur is the perfection of those who have this Swabhava and follow this Dharma.
  A third turn is one that brings out into relief the practical arranging intelligence and the instinct of life to produce, exchange, possess, enjoy, contrive, put things in order and balance, spend itself and get and give and take, work out to the best advantage the active relations of existence. In its outward action it is this power that appears as the skilful devising intelligence, the legal, professional, commercial, industrial, economical, practical and scientific, mechanical, technical and utilitarian mind. This nature is accompanied at the normal level of its fullness by a general temperament which is at once grasping and generous, prone to amass and treasure, to enjoy, show and use, bent upon efficient exploitation of the world or its surroundings, but well capable too of practical philanthropy, humanity, ordered benevolence, orderly and ethical by rule but without any high distinction of the finer ethical spirit, a mind of the middle levels, not straining towards the heights, not great to break and create noble moulds of life, but marked by capacity, adaptation and measure The powers, limitations and perversions of this type are familiar to us on a large scale, because this is the very spirit which has made our modern commercial and industrial civilisation. But if we look at 'the greater inner capacities and soul-values, we shall find that here also there are things that enter into the completeness of human perfection. The Power that thus outwardly expresses itself on our present lower levels is one that can throw itself out in the great utilities of life and at its freest and widest makes, not for oneness and identity which is the highest reach of knowledge or the mastery and spiritual kingship which is the highest reach of strength, but still for something which is also essential to the wholeness of existence, equal mutuality and the exchange of soul with soul arid life with life. Its powers are, first, a skill, kausala, which fashions and obeys law, recognises the uses and limits of relations, adapts itself to settled and developing movements, produces and perfects the outer technique of creation and action and life, assures possession and proceeds from possession to growth, is watchful over order and careful in progress and makes the most of the material of existence and its means and ends; then a power of self-spending skilful in lavishness and skilful in economy, which recognises the great law of interchange and amasses in order to throw out in a large return, increasing the currents of interchange and the fruitfulness of existence; a power of giving and ample creative liberality, mutual helpfulness and utility to others which becomes the source in an open soul of just beneficence, humanitarianism, altruism of a practical kind; finally, a power of enjoyment, a productive, possessive, active opulence luxurious of the prolific Ananda of existence. A largeness of mutuality, a generous fullness of the relations of life, a lavish self-spending and return and ample interchange between existence and existence, a full enjoyment and use of the rhythm and balance of fruitful and productive life are the perfection of those who have this Swabhava and follow this Dharma.

4.17 - The Action of the Divine Shakti, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
  And equally when we first become aware of the infinite shakti above us or around or in us, the impulse of the egoistic sense in us is to lay hold on it and use this increased might for our egoistic purpose. This is a most dangerous thing, for it brings with it a sense and some increased reality of a great, sometimes a Titanic power, and the rajasic ego, delighting in this sense of new enormous strength, may instead of waiting for it to be purified and transformed throw itself out in a violent and impure action and even turn us for a time or partially into the selfish and arrogant Asura using the strength given him for his own and not for the divine purpose: but on that way lies, in the end, if it is persisted in, spiritual perdition and material ruin. And even to regard oneself as the instrument of the Divine is not a perfect remedy; for, when a strong ego meddles in the matter, it falsifies the spiritual relation and under cover of making itself an instrument of the Divine is really bent on making instead God its instrument. The one remedy is to still the egoistic claim of whatever kind, to lessen persistently the personal effort and individual straining which even the sattwic ego cannot avoid and instead of laying hold on the shakti and using it for its purpose, rather to let the shakti lay hold on us and use us for the divine purpose. This cannot be done perfectly at once, -- nor can it be done safely if it is only the lower form of the universal energy of which we are aware, for then, as has already been said, there must be some other control, either of the mental Purusha or from above, -- but still it is the aim which we must have before us and which can be wholly carried out when we become insistently aware of the highest spiritual presence and form of the divine shakti. This surrender too of the whole action of the individual self to the shakti is in fact a form of real self-surrender to the Divine.
  It has been seen that a most effective way of purification is for the mental Purusha to draw back, to stand as the passive witness and observe and know himself and the workings of Nature in the lower, the normal being; but this must be combined, for perfection, with a will to raise the purified nature into the higher spiritual being. When that is done, the Purusha is no longer only a witness, but also the master of his prakriti, isvara. At first it may not be apparent how this ideal of active self-mastery can be reconciled with the apparently opposite ideal of self-surrender and of becoming the assenting instrument of the divine shakti. But in fact on the spiritual plane there is no difficulty. The Jiva cannot really become master except in proportion as he arrives at oneness with the Divine who is his supreme Self. And in that oneness and in his unity with the universe he is one too in the universal self with the will that directs all the operations of Nature. But more directly, less transcendentally, in his individual action too, he is a portion of the Divine and participates in the mastery over his nature of that to which he has surrendered himself. Even as instrument, he is not a mechanical but a conscious instrument. On the Purusha side of him he is one with the Divine and participates in the divine mastery of the Ishwara. On the nature side of him he is in his universality one with the power of the Divine, while in his individual natural being he is an instrument of the universal divine shakti, because the individualised power is there to fulfil the purpose of the universal Power. The Jiva, as has been seen, is the meeting-place of the play of the dual aspect of the Divine, prakriti and Purusha, and in the higher spiritual consciousness he becomes simultaneously one with both these aspects, and there he takes up and combines all the divine relations created by their interaction. This it is that makes possible the dual attitude.

4.1 - Jnana, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  133. The Titans are stronger than the gods because they have agreed with God to front and bear the burden of His wrath and enmity; the gods were able to accept only the pleasant burden of His love and kindlier rapture.
  134. When thou art able to see how necessary is suffering to final delight, failure to utter effectiveness and retardation to the last rapidity, then thou mayst begin to understand something, however faintly and dimly, of God's workings.

4.2 - Karma, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  221. The saint and the angel are not the only divinities; admire also the Titan and the giant.
  Karma
  --
  222. The old writings call the Titans the elder gods. So they still are; nor is any god entirely divine unless there is hidden in him also a Titan.
  223. If I cannot be Rama, then I would be Ravana; for he is the dark side of Vishnu.

4.3 - Bhakti, #Essays Divine And Human, #Sri Aurobindo, #Integral Yoga
  508. Has thy effort succeeded, O thou Titan? Dost thou sit, like Ravana and Hiranyakashipou, served by the gods and the
  Bhakti

5.1.01.1 - The Book of the Herald, #5.1.01 - Ilion, #unset, #Zen
  Woke in the shadowy depths the forms of the Titan and demon;
  Dumb and coerced by the grip of the gods in the abyss of the being,
  --
  But their immortal content from the struggle Titanic departed.
  Vacant the noise of the battle roared like the sea on the shingles;
  --
  Suddenly, seeking heaven with her buildings hewn as for Titans,
  Marvellous, rhythmic, a child of the gods with marble for raiment,
  --
  Carelessly walking who scattered the seeds of Titanic disaster.
  Surely thou dreamedst at night and awaking thy dreams have not left thee!
  --
  Still are the brood of the Titan Laomedon slain in his greatness,
  Engines of God unable to bear all the might that they harbour.
  --
  But like the Titans of old they have hugged to them grandeur and ruin.
  Seek then the race self-doomed, the leaders blinded by heaven
  --
  Swallowed by doom. Not broken I turned from the wrestle Titanic,
  Hopeless, weary of toil in the ebb of my glorious spirit,
  --
  Thus shall the past pay its Titan ransom and, Fate her balance
  Changing, a continent ravished suffer the fortune of Helen.
  --
  Sons of the ancient house on whom Ilion looks as on Titans,
  Chiefs whom the world admires, do you fear then the shock of the Phthian?
  --
  These were appointed thee, but thou hast scorned them, O Titaness, grasping
  Rather the shield and the spear. Thou, obeying thy turbulent nature,

5.1.01.2 - The Book of the Statesman, #5.1.01 - Ilion, #unset, #Zen
  White like the soul of the Titan Laomedon claiming his kingdoms,
  Watched with alarm by the gods as he came. Her bosom maternal
  --
  Fainting would cease the audacious emprise, the Titanic endeavour;
  Tigris would flee from their tread and Indus be drunk by their coursers.
  --
  Ilus and Tros had strength in the fight like a far-striding Titans:
  Troy triumphant following the urge of their souls to the vastness,

5.1.01.3 - The Book of the Assembly, #5.1.01 - Ilion, #unset, #Zen
  Heaviest toils they must bear; they must wrestle with Fate and her Titans,
  And when some leader returns from the battle sole of his thousands

5.1.01.4 - The Book of Partings, #5.1.01 - Ilion, #unset, #Zen
  Men will ask, And what were thy deeds in the warfare Titanic?
  Whom didst thou slay of the Argives, son of Polydamas, venging

5.1.01.5 - The Book of Achilles, #5.1.01 - Ilion, #unset, #Zen
  Placed in a world where all things strive from the worm to the Titan.
  So will I seize by the onset what peace from my soul would sequester,

5.1.01.6 - The Book of the Chieftains, #5.1.01 - Ilion, #unset, #Zen
  Suffering spares the earth, the thought-haunted motionless Titan,
  Bearer of worlds. In those jarring tribes no man was his hater;

5.1.01.8 - The Book of the Gods, #5.1.01 - Ilion, #unset, #Zen
  Now if the ancient spirit of Titan battle is over,
  Tros fights no more on the earth, nor now Heracles tramples and struggles,
  --
  Now if the earth no more must be shaken by Titan horsehooves,
  Since to a pettier framework all things are fitted consenting,

5.1.02 - Ahana, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Knowledge must grow in us, might like a Titan's, bliss like an ocean,
  Calmness and purity born of the spirit's gaze on the Real,
  --
  Parcelled and scanted it hurries as if storming a Titan fastness,
  Carving the hills with a sullen and lonely gigantic labour.

5.2.01 - The Descent of Ahana, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Came of the hunted prey of the Titans in desert places
  Trod by thee once, when the world was mighty and violent. Risen,
  --
  When shall I have from my labour? What term has your tyranny, Titans?
  Masters fierce of your worlds who would conquer the higher creation,
  --
  Is it not thou who shalt rescue us, freeing the Titans, the Graces?
  Hast thou not hidden thyself with the mask of a million faces?
  --
  Demoness gnashing thy teeth in the burial-ground! Titaness striding
  Restless through worlds for thy rest, the brain and the bosom not ridding
  --
  Strength from thy breasts drawing force of the Titans shall unrelaxing
  Stride through the worlds at his work. One shall drive him ruthlessly taxing
  --
  Man in his sojourn, Gods in their going, Titans exultant
  Thrill with thy fall, O Ahana, and wait for the godhead resultant.
  --
  You have accepted death for your pastime, Titans rebelling!
  Hope then from pain delight and from death an immortal stature!
  --
  Yet, O you Titans and Gods, O Rudras, O strong Aditeians,
  Man is the centre and knot; he is first, though the last in the ages.

6.1.07 - Life, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Like a Titan I would take,
  Like a God enjoy,

7.3.10 - The Lost Boat, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  In her dire Titan caprice, strength that to death drifts and to doom, hidden a Will labours.
  Not with one moment of sharp close or the slow fall of a dim curtain the play ceases:

7 - Yoga of Sri Aurobindo, #unset, #Arthur C Clarke, #Fiction
  perverse way. Titans, Asuras are the beings of ill-will,
  they belong totally to the vital world and when they

Aeneid, #unset, #Arthur C Clarke, #Fiction
  this urgent matter. When tomorrow's Titan
  first shows his rays of light, reveals the world,
  --
  the sons of Titan who had been cast down
  by thunderbolts, wri the in the deepest gulf.
  --
  globe of the moon, the Titan sun, the stars;
  and mind, that pours through every member, mingles
  --
  Coe'us son of Earth, one of the Titans, iv, 237.
  Colla'tia town of the Sabines near Rome, vi, 1022.
  --
  Ti'tan one of the Titans, pre-Olympian deities. One of them,
  Hyperion ("Going-on-High"), was lord of the sun. iv, 769.

A God's Labour, #Collected Poems, #Sri Aurobindo, #Integral Yoga
   And the Titan kings assail,
  But I dare not rest till my task is done

Appendix 4 - Priest Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
        The effect is centered on and moves with the creature touched. Any protected creature within the circle will break the warding against enchanted/summoned monsters if he attacks those monsters. A creature unable to fit completely into the area of effect (for example, a 21-foot-tall Titan) remains partially exposed and subject to whatever penalties the DM decides. If such a creature is the recipient of the spell, the spell acts as a normal protection from evil spell for that creature only.
        The reverse, protection from good, 10' radius, wards against good creatures.

BOOK II. -- PART I. ANTHROPOGENESIS., #The Secret Doctrine, #H P Blavatsky, #Theosophy
  every available proof at this juncture, even at the risk of repetition. The Titans and Kabirs have been
  http://www.theosociety.org/pasadena/sd/sd2-1-21.htm (3 von 26) [06.05.2003 03:36:05]
  --
  Lares, Penates, Manes,** Titans, and Aletae with the KABIRI. And we have shown that the latter
  were the same as the Manus, the Rishis and our Dhyan Chohans, who incarnated in the Elect of the
  --
  and astronomically the Titans were called Atlantes, because, perhaps, as Faber says, they were
  connected
  --
  But the fact that, astronomically, the Titans-Kabirim were also the generators and regulators of the
  seasons, and cosmically the great Volcanic Energies, the gods presiding over all the metals and
  --
  such they lived for ages in the memory of nations. To them -- the Kabiri or Titans -- is ascribed the
  invention of letters (the Devanagari, or the alphabet and language of the gods), of laws and legislature;
  --
  being the giants (or Titans) who warred against the gods, they are thus shown identical with the
  "Dragons" and "Serpents" of Wisdom.
  --
  Dragon, who is also Porphyrion, the scarlet or red Titan.
  [[Vol. 2, Page]] 384 THE SECRET DOCTRINE.
  --
  myth along with the others, or one whose legend was built upon the Kabirian or Titanic tradition, as
  taught in Samothrace; he has, therefore, no claim to be monopolized by either Jew or Christian. If, as
  Faber tried to demonstrate at such cost of learning and research, Noah is an Atlantean and a Titan, and
  his family are the Kabiri or pious Titans, etc. -- then biblical chronology falls by its own weight, and
  along with it all the patriarchs -- the antediluvian and pre-Atlantean Titans. As now discovered and
  proven, Cain is Mars, the god of power and generation, and of the first (sexual) bloodshed.** TubalCain is a Kabir, "an instructor of every artificer in brass and iron"; or -- if this will please better -- he is
  --
  The Telchines are simply the Kabiri and the Titans, in another form. They are the Atlanteans also.
  "Like Lemnos and Samothrace," says Decharme, "Rhodes, the birth-place of the Telchines, is an island
  --
  fresh dew of their own spirit and essence. The divine Titan has then suffered in vain; and one feels
  inclined to regret his benefaction to mankind, and sigh for those days so graphically depicted by
  AEschylus, in his "Prometheus Bound," when, at the close of the first Titanic age (the age that
  followed that of ethereal man, of the pious Kandu and Pramlocha), nascent, physical mankind, still
  --
  or, as the suffering Titan is made to say: -"From sinking blasted down to Hades' gloom.
  For this by the dire tortures I am bent,
  --
  responsibility of free-will; the Titanic passions which represent humanity in its darkest aspect; "the
  restless insatiability of the lower passions and desires, when, with self-asserting insolence, they bid
  --
  have, thus, the Titan, the symbol of finite reason and free will (of intellectual humanity, or the higher
  aspect of Manas), depicted as the sublime philanthropist, while Zeus, the supreme deity of Hellas, is
  --
  themselves," for it belongs, in truth, to the dawn of human consciousness. The Crucified Titan is the
  personified symbol of the collective Logos, the "Host," and of the "Lords of Wisdom" or the
  --
  volumes of "The Dramas of AEschylus," "considers the name of the Titan to be derived from the
  Sanskrit word Pramantha, the instrument used for kindling fire. The root mand or manth, implies
  --
  Caucasus and condemned to suffer torture. But the triform Fates (Karma), whose decrees, as the Titan
  says, even Zeus: -"E'en he the fore-ordained cannot escape. . . "
  --
  Says the crucified Titan: -"And, portent past belief, the speaking oaks
  By which full clearly, in no riddling phrase
  --
  the Titan telling her: -http://www.theosociety.org/pasadena/sd/sd2-1-23.htm (14 von 21) [06.05.2003 03:36:17]
  The Secret Doctrine by H. P. Blavatsky, vol 2, pt 1, stanza 12 c
  --
  And here comes, between verses 825 and 835, a puzzle to all the European interpreters. Says the Titan:
  -"To these (Arimaspi and Grypes) approach not; a far border land
  --
  When this hero shall arise, the Titan does not reveal; for as he remarks: -"This, to set forth at large needs lengthy speech."
  [[Footnote(s)]] -------------------------------------------------
  --
  and without any mind; while the divine Titan stands for the Spiritual creators, the devas who "fell" into
  generation. The former are spiritually lower, but physically stronger, than the "Prometheans":
  therefore, the latter are shown conquered. "The lower Host, whose work the Titan spoiled and thus
  defeated the plans of Zeus," was on this earth in its own sphere and plane of action; whereas, the
  --
  inferior "Host") were masters of all the Cosmic and lower Titanic forces; the higher Titan possessed
  only the intellectual and spiritual fire. This drama of the struggle of Prometheus with the Olympic
  --
  as the divine Titan is moved by altruism, but the mortal man by Selfishness and Egoism in every
  instance.
  --
  will rebecome the free Titan of old, but not before cyclic evolution has re-established the broken
  harmony between the two natures -- the terrestrial and the divine; after which he becomes impermeable
  to the lower Titanic forces, invulnerable in his personality, and immortal in his individuality, which
  cannot happen before every animal element is eliminated from his nature. When man understands that

BOOK II. -- PART III. ADDENDA. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  even the giants of California, in comparison with the Titan-trees of past geological periods. Surely the
  organisms of the megas thenian world of the Tertiary and the Mesozoic Ages must have been more
  --
  modern theory that would make of the Titans mere symbols standing for cosmic forces. They were real
  living men, whether twenty or only twelve feet high. Even the Homeric heroes, who, of course,
  --
  gave birth to the Titans of the Third Race, and it is they who (personified by Saturn-Kronos) mutilated
  him. For as it is the Titans who fell into generation, when "creation by will was superseded by physical
  procreation," they needed Uranos no more.
  --
  Eurymedon, the race which is the father of Polyphemus, the Titan and one-eyed Cyclops. Though Zeus
  reigns over the Fourth Race, it is Poseidon who rules, and who is the true key to the triad of the Kronid
  --
  Atlantis before the beginning of its submersion, the latter, after. Neptune is the Titanic strength of the
  living race; Nereus, its spirit reincarnated in the subsequent Fifth or Aryan Race: and this is what the
  --
  Hyperboreans were of the race of the Titans, which race descended from the earliest giants, and that it
  was that Hyperborean region which was the birth-place of the first giants. The Commentaries on the
  --
  the Tartaros. When the gods and Titans rebelled in their turn against Zeus -- the deity of the Fourth
  http://www.theosociety.org/pasadena/sd/sd2-3-08.htm (15 von 17) [06.05.2003 03:38:01]
  --
  and Titans, and to precipitate the latter into Hades; or, in clearer words, to have Lemuria hurled amid
  thunder and lightning to the bottom of the seas, so as to make room for Atlantis, which was to be
  --
  average European on the continent. Thus also the giants of Atlantis, and hence the Titans of Hesiod,
  are all Northerners.
  --
  peopled. The Alps, Himalayas and Cordilleras were all the result of depositions drifted on to seabottoms and upheaved by Titanic forces to their present elevation. The Sahara was the basin of a
  Miocene sea. Within the last five or six thousand years the shores of Sweden, Denmark and Norway

BOOK II. -- PART II. THE ARCHAIC SYMBOLISM OF THE WORLD-RELIGIONS, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  ------XX. PROMETHEUS, THE Titan ... 519
  His Origin in Ancient India ... 519
  --
  Fourth Race was Mount Atlas, the last form of one of the divine Titans, so high in those days that the
  ancients believed that the heavens rested on its top. Did not Atlas assist the giants in their war against
  --
  names is Jishnu "leader of the (celestial) Host." Both fight, as some Titans did against other Titans in
  defence of revengeful gods, one -- of Jupiter tonans (in India, Brihaspati is the planet Jupiter, which is
  --
  This served as a prototype, he thinks, for the Western nations to build their war of the Titans upon. The
  author is not quite wrong, but neither is he quite right. If the sidereal prototype refers indeed to a premanvantaric period, and rests entirely on the Knowledge claimed by the Aryan Initiates of the whole
  programme and progress of cosmogony,* the war of the Titans is but a legendary and deified copy of
  the real war that took place in the Himalayan Kailasa (heaven) instead of in the depths of Cosmic
  --
  the Titans, the demons and giants whom we find in the Bible (Gen. vi.) -- the progeny of the "Sons of
  God" and the "Daughters of Men." Their generic name shows their alleged character, and discloses at
  --
  Typhon the Egyptian, Python, the Titans, the Suras and the Asuras, all belong to the same legend of
  Spirits peopling the Earth. They are not "demons commissioned to create and organize this visible
  --
  PROMETHEUS, THE Titan.
  HIS ORIGIN IN ANCIENT INDIA.
  --
  generally known than Prometheus, whose legend offers remarkable analogies with that of the Titan.
  The name of this second ancestor and generator is Phoroneus, the hero of an ancient poem, now
  --
  him as his father Inachos, the river, reminds one of that of Prometheus, which makes that Titan the
  son of the Oceanid Clymene. But the mother of Phoroneus was the nymph Melia; a significant descent
  --
  Hindus, that he was a Deva. Hence "with the Greeks he was the son of the Titan lapetos,"
  [[Iapetonides]] (Theog. 528) . . . . "But celestial fire belonged in the beginning to the gods alone; it
  --
  ** The more so since he is the reputed slayer of Tripurasura and the Titan Taraka. Michael is the
  conqueror of the dragon, and Indra and Karttikeya are often made identical.
  --
  Lucentemque globum lunae, Titaniaque astra*
  SPIRITUS intus alit; totamque infusa per artus

BOOK I. -- PART I. COSMIC EVOLUTION, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  XX. PROMETHEUS THE Titan ... 519
  His Origin in Ancient India ... 519
  --
  The Titans in Prison ... 776
  -------
  --
  meaning. The great "Wars in Heaven," in the Puranas; the wars of the Titans, in Hesiod and other
  classical writers; the "struggles," also in the Egyptian legend between Osiris and Typhon, and even
  --
  and foot-notes. And she says:.......... The creation of the visible world by the 'working gods' or Titans,
  as agents of the Supreme God,* is a thoroughly Hermetic idea, recognisable in all religious systems,

BOOK I. -- PART III. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  gallium, indium, and thallium; silicon, germanium, and tin; carbon, Titanium, and
  zirconium."
  --
  that which could not hurt him. The modern anthropologist is quite welcome to laugh at our Titans, as
  he laughs at the Biblical Adam, and as the theologian laughs at his pithecoid ancestor. The Occultists

BOOK I. -- PART II. THE EVOLUTION OF SYMBOLISM IN ITS APPROXIMATE ORDER, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  allowed to follow neither caste nor ritual; hence all those Puranic giants and Titans are called Devils.
  The Missionaries, ever on the watch to show, if they can, the Hindu traditions no better than a
  --
  races which preceded our present race, to learn what were the ideas of those Titans and giants -giants, verily, mentally as well as physically. The whole of antiquity was imbued with that philosophy
  which teaches the involution of spirit into matter, the progressive, downward cyclic descent, or active,
  --
  twelve wings that draws down after himself, in his Fall, the solar system, or the Titans." But Schemal,
  the alter ego and the Sabean type of Samael, meant, in his philosophical and esoteric aspect, the
  --
  Uranian Titans, the antediluvian giants (also Titans), and those post-diluvian giants in whom they (the
  Roman Catholics) will see the descendants of the mythical Ham. In clearer words, there is a difference
  --
  fighting Celestial Host, the bodyguard of Jehovah," as it would seem (see de Mirville) is also a Titan,
  only with the adjective of "divine" before the cognomen. Thus those "Uranides" who are called
  everywhere "divine Titans," and who, having rebelled against Kronos (Saturn), are therefore also
  shown to be the enemies of Samael (an Elohim, also and synonymous with Jehovah in his
  --
  The Titans of Hesiod's Theogony were copied in Greece from the Suras and Asuras of India. These
  Hesiodic Titans, the Uranides, numbered once upon a time as only six, have been recently discovered
  to be seven -- the seventh being called Phoreg -- in an old fragment relating to the Greek myth. Thus
  --
  herself all the Titanidae, "who are seven."
  The Seven Creations are found in almost every Purana. They are all preceded by what Wilson

BOOK IV. - That empire was given to Rome not by the gods, but by the One True God, #City of God, #Saint Augustine of Hippo, #Christianity
  Cicero the augur laughs at auguries, and reproves men for regulating the purposes of life by the cries of crows and jackdaws.[177] But it will be said that an academic philosopher, who argues that all things are uncertain, is unworthy to have any authority in these matters. In the second book of his De Natura Deorum,[178] he introduces Lucilius Balbus, who, after showing that superstitions have their origin in physical and philosophical truths, expresses his indignation at the setting up[Pg 171] of images and fabulous notions, speaking thus: "Do you not therefore see that from true and useful physical discoveries the reason may be drawn away to fabulous and imaginary gods? This gives birth to false opinions and turbulent errors, and superstitions well-nigh old-wifeish. For both the forms of the gods, and their ages, and clothing, and ornaments, are made familiar to us; their genealogies, too, their marriages, kinships, and all things about them, are debased to the likeness of human weakness. They are even introduced as having perturbed minds; for we have accounts of the lusts, cares, and angers of the gods. Nor, indeed, as the fables go, have the gods been without their wars and battles. And that not only when, as in Homer, some gods on either side have defended two opposing armies, but they have even carried on wars on their own account, as with the Titans or with the Giants. Such things it is quite absurd either to say or to believe: they are utterly frivolous and groundless." Behold, now, what is confessed by those who defend the gods of the nations. Afterwards he goes on to say that some things belong to superstition, but others to religion, which he thinks good to teach according to the Stoics. "For not only the philosophers," he says, "but also our forefa thers, have made a distinction between superstition and religion. For those," he says, "who spent whole days in prayer, and offered sacrifice, that their children might outlive them, are called superstitious."[179] Who does not see that he is trying, while he fears the public prejudice, to praise the religion of the ancients, and that he wishes to disjoin it from superstition, but cannot find out how to do so? For if those who prayed and sacrificed all day were called superstitious by the ancients, were those also called so who instituted (what he blames) the images of the gods of diverse age and distinct clothing, and invented the genealogies of gods, their marriages, and kinships? When, therefore, these things are found fault with as superstitious, he implicates in that fault the ancients who instituted and worshipped such images. Nay, he implicates himself, who, with whatever eloquence he may strive to extricate himself[Pg 172] and be free, was yet under the necessity of venerating these images; nor dared he so much as whisper in a discourse to the people what in this disputation he plainly sounds forth. Let us Christians, therefore, give thanks to the Lord our God,not to heaven and earth, as that author argues, but to Him who has made heaven and earth; because these superstitions, which that Balbus, like a babbler,[180] scarcely reprehends, He, by the most deep lowliness of Christ, by the preaching of the apostles, by the faith of the martyrs dying for the truth and living with the truth, has overthrown, not only in the hearts of the religious, but even in the temples of the superstitious, by their own free service.
    31. Concerning the opinions of Varro, who, while reprobating the popular belief, thought that their worship should be confined to one god, though he was unable to discover the true God.

Book of Imaginary Beings (text), #unset, #Arthur C Clarke, #Fiction
  frightening and that Plutarch identifies him with the Titan
  who fathered the Chimera.
  --
  In one myth, Acheron is a Titan suflering punishment; in
  another, dating earlier, he is placed close to the South Pole,
  --
  It was also a god or a Titan, perhaps the most ancient of all
   Titans, since Sleep in Book XIV of the Iliad calls it the source

Liber 46 - The Key of the Mysteries, #unset, #Arthur C Clarke, #Fiction
   divine love, hidden love, love insensate and sublime, Titan who takest
   Heaven in both hands, and forcest it to earth, final and ineffable
  --
   and Abel. It is the war of the Titans and the Gods. The two armies are
   everywhere invisible, disciplined and always ready for attack or

r1912 02 08, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   The flight of some score of butterflies & many birds foretold in their turns, only two or three errors due to speculation or tejasic action. Usually siddhi of power & siddhi of knowledge seem to be one. Future movement of animals in rest can now be told with some exactitude, but error is easier because of stronger habit of tejasic speculation. Aishwarya & trikaldrishti have not yet been harmonised. Drishti of an eye, prakasha-chhaya-tejas, in the akasha, perfect but momentary,an indication of the richer drishti (dense & developed) perfect but not yet capable of stability. This is already developing. The vani strongly anandamaya, first of the vijnanamaya ananda, then of the others, reappears full of the Vishnu or Pradyumna personality, taking into it Rudra (Balarama), Shiva (Mahavira) and Aniruddha (Kama). The definite personality of the Master in his personal relations to this Yoga and the Jiva in the Yoga has to develop out of the laya; for Vishnu is the Ishwara who incarnates. The present method of the Yoga is a progressive replacement of buddha bhavas by vijnana & ananda bhavas, and of the lower of these by the higher. The firmness and clearness of the stable rupas is much interfered with [ ]1 by unsteady floating waves of the subtle-gross etheric material of which it is formed; these waves mix with the clear form and blur it by excess of material in the attempt to reinforce its distinctness. Perfect satisfaction has now been given to the Aniruddha element in the Jiva, so far as the Yoga is concerned, by the revelation of the scientific means & steady progress used in the siddhi, but the Balarama element awaits satisfaction. The Mahavira element has also been satisfied by the floods of knowledge that are being poured down, but the Pradyumna element awaits satisfaction. In the Adeshasiddhi there has as yet been no perfect satisfaction even to the Aniruddha element. Lipi (on Sultans back, chitra formed by the hairs). Satisfaction to Brihaspati, not yet to the other deities. Satisfaction to Bala (due). N.B. Bala is the Titanic force from the Mahat which must eventually conquer & replace Rudra, though conquered by him in the Buddha, because descending into the Buddha he becomes a Daitya disturbing evolution by a premature effort towards perfection. The same is true of all the greater Daityas who are not Rakshasic in temper (Asurim Rakshasincaiva prakritim apaunah). Sahitya siddhi in ordinary poetical forms. Satiety of interest in what is old and familiar, staleness, is being overcome. Lipi zoology indicating a superior light on the science of life forms bringing zoology into harmony with the general satyam and getting rid of materialistic difficulties; immediately after while casually seeking a book to read, I picked up Haeckel, opened at the chapter on Worm forms ancestral to man and had the predicted illumination. Such detailed trikaldrishti is now becoming very frequent.
   MS it

r1912 07 01, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   2) The heart and nature of the child (including the animal), the strength of the Titan, the appetites of the old giants, the intellectuality of Gods.
   3) Kindly in intention, tragic in result. (Dharma in the Kali).

r1912 07 02, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   I may note that a former sortilege occurring after the Titanic disaster and pointing to fresh disasters in the struggle of machinery with Nature, which I had supposed to be false or falsely interpreted, is today vindicated. No less than four accidents (three fatal, one extensive) in two days in aviation! It is noteworthy that I was wondering only a day or two ago at the comparative freedom of Germany from these accidents but these accidents (except one, I think) are in Germany.
   8, 9 and 7 constantly reappear in the lipi. They indicate the chief points on which the struggle with the objective resistance is now concentrated. The secondary utthapana commenced feebly on the first attained on the night of the second some strength. There was perfect mahima & laghima (perfect in nature, not intensity) in the legs, but the defect of anima prevented sustainment for more than 15 minutes. In the arms it is general adhogati working through unease and general hostile physical sanskara that opposes; the special defect of anima is less prominent, though entirely absent only in one or two positions. Even in those the adhogati works through kala to recreate it.

The Coming Race Contents, #The Coming Race, #Nolini Kanta Gupta, #Integral Yoga
  fashion it on a larger, a Titanic scale. And
  then the will to power is not the only will
  --
  statusnot a Nietzschean Titan nor a
  Bergsonian Dionysus but the tranquil vision
  --
  race of Titanic gods breathing the glory of
  heaven itself.

The Shadow Out Of Time, #unset, #Arthur C Clarke, #Fiction
  Still later my dreams included vistas from the great round windows, and from the Titanic
  flat roof, with its curious gardens, wide barren area, and high, scalloped parapet of stone,
  --
  all over the habitable world in Titan airships or on the huge boatlike atomic-engined
  vehicles which traversed the great roads, and to delve freely into the libraries containing
  --
  earth's convulsions, this Titan repository surpassed all other buildings in the massive,
  mountain-like firmness of its construction.
  --
  wrenched aside first one Titan fragment of stone and then another, till there welled up a
  strong draught whose dampness contrasted oddly with the deserts dry air. A black rift
  --
  deserts sands lay directly upon a floor of some Titan structure of earth's youth - how
  preserved through aeons of geologic convulsion I could not then and cannot now even
  --
  city and linked all the Titan towers, how much had still survived the writhings of earth's
  crust?
  --
  I knew there were two more cellar levels in this Titan edifice, and trembled with fresh
  panic as I recalled the metal-clamped trap-door on the lowest one. There could be no
  --
  enough to shatter the Titan masonry.
  The Shadow Out of Time
  --
  dream left off and true memory began. There had seemed to be a mound of Titan blocks,
  an abyss beneath it, a monstrous revelation from the past, and a nightmare horror at the
  --
  metal cases of those Titan archives? And were those others - those shocking elder things
  of the mad winds and daemon pipings - in truth a lingering, lurking menace, waiting and

Valery as Symbol, #Labyrinths, #Jorge Luis Borges, #Poetry
  Whitman, of an almost incoherent but Titanic vocation of felicity; Valry
  illustriously personifies the labyrinths of the mind; Whitman, the

WORDNET



--- Overview of noun titan

The noun titan has 3 senses (no senses from tagged texts)
                    
1. colossus, behemoth, giant, heavyweight, titan ::: (a person of exceptional importance and reputation)
2. Titan ::: ((Greek mythology) any of the primordial giant gods who ruled the Earth until overthrown by Zeus; the Titans were offspring of Uranus (Heaven) and Gaea (Earth))
3. Titan ::: (the largest of the satellites of Saturn; has a hazy nitrogen atmosphere)


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun titan

3 senses of titan                          

Sense 1
colossus, behemoth, giant, heavyweight, titan
   => important person, influential person, personage
     => adult, grownup
       => person, individual, someone, somebody, mortal, soul
         => organism, being
           => living thing, animate thing
             => whole, unit
               => object, physical object
                 => physical entity
                   => entity
         => causal agent, cause, causal agency
           => physical entity
             => entity

Sense 2
Titan
   INSTANCE OF=> Greek deity
     => deity, divinity, god, immortal
       => spiritual being, supernatural being
         => belief
           => content, cognitive content, mental object
             => cognition, knowledge, noesis
               => psychological feature
                 => abstraction, abstract entity
                   => entity

Sense 3
Titan
   INSTANCE OF=> satellite
     => celestial body, heavenly body
       => natural object
         => whole, unit
           => object, physical object
             => physical entity
               => entity


--- Hyponyms of noun titan

1 of 3 senses of titan                        

Sense 2
Titan
   HAS INSTANCE=> Cronus
   HAS INSTANCE=> Hyperion
   HAS INSTANCE=> Oceanus
   HAS INSTANCE=> Cocus
   HAS INSTANCE=> Crius
   HAS INSTANCE=> Iapetus
   HAS INSTANCE=> Atlas
   => Epimetheus
   HAS INSTANCE=> Prometheus


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun titan

3 senses of titan                          

Sense 1
colossus, behemoth, giant, heavyweight, titan
   => important person, influential person, personage

Sense 2
Titan
   INSTANCE OF=> Greek deity

Sense 3
Titan
   INSTANCE OF=> satellite




--- Coordinate Terms (sisters) of noun titan

3 senses of titan                          

Sense 1
colossus, behemoth, giant, heavyweight, titan
  -> important person, influential person, personage
   => big shot, big gun, big wheel, big cheese, big deal, big enchilada, big fish, head honcho
   => celebrity, famous person
   => colossus, behemoth, giant, heavyweight, titan
   => elder statesman
   => eminence grise
   => Excellency
   => fixer, influence peddler
   => heavy hitter
   => hierarch
   => high-muck-a-muck, pooh-bah
   => kingmaker
   => kingpin, top banana, bigwig
   => magnifico
   => name, figure, public figure
   => nepotist
   => policy maker
   => power broker, powerbroker
   => sacred cow
   => sirdar
   => socialite
   => sun
   => very important person, VIP, high-up, dignitary, panjandrum, high muckamuck
   => worthy

Sense 2
Titan
  -> Greek deity
   => Grace
   => satyr, forest god
   => silenus
   HAS INSTANCE=> Olympian, Olympic god
   HAS INSTANCE=> Aeolus
   => Aether
   HAS INSTANCE=> Apollo, Phoebus, Phoebus Apollo
   HAS INSTANCE=> Aphrodite, Cytherea
   HAS INSTANCE=> Ares
   HAS INSTANCE=> Eris
   HAS INSTANCE=> Thanatos
   HAS INSTANCE=> Nyx
   HAS INSTANCE=> Artemis, Cynthia
   HAS INSTANCE=> Boreas
   HAS INSTANCE=> Ate
   HAS INSTANCE=> Athena, Athene, Pallas, Pallas Athena, Pallas Athene
   HAS INSTANCE=> Chaos
   HAS INSTANCE=> Demeter
   HAS INSTANCE=> Dionysus
   HAS INSTANCE=> Doris
   HAS INSTANCE=> Erebus
   HAS INSTANCE=> Eros
   HAS INSTANCE=> Gaea, Gaia, Ge
   HAS INSTANCE=> Hebe
   HAS INSTANCE=> Helios
   HAS INSTANCE=> Hecate
   HAS INSTANCE=> Hephaestus, Hephaistos
   HAS INSTANCE=> Hermes
   HAS INSTANCE=> Hermaphroditus
   HAS INSTANCE=> Hygeia
   HAS INSTANCE=> Panacea
   HAS INSTANCE=> Hera, Here
   HAS INSTANCE=> Hestia
   HAS INSTANCE=> Hymen
   HAS INSTANCE=> Minos
   HAS INSTANCE=> Ariadne
   => Moirai, Moirae
   HAS INSTANCE=> Clotho, Klotho
   HAS INSTANCE=> Lachesis
   HAS INSTANCE=> Atropos
   HAS INSTANCE=> Momus, Momos
   => Muse
   HAS INSTANCE=> Nemesis
   HAS INSTANCE=> Nereus
   HAS INSTANCE=> Nike
   HAS INSTANCE=> Ouranos, Uranus
   HAS INSTANCE=> Pan, goat god
   HAS INSTANCE=> Pasiphae
   => Pontus, Pontos
   HAS INSTANCE=> Poseidon
   HAS INSTANCE=> Proteus
   HAS INSTANCE=> Persephone, Despoina, Kore, Cora
   HAS INSTANCE=> Phaethon
   HAS INSTANCE=> Pluto, Hades, Aides, Aidoneus
   HAS INSTANCE=> Pythia, Pythoness
   => Rhadamanthus
   HAS INSTANCE=> Selene
   HAS INSTANCE=> Eos
   HAS INSTANCE=> Titan
   HAS INSTANCE=> Titaness
   HAS INSTANCE=> Triton
   HAS INSTANCE=> Tyche
   HAS INSTANCE=> Zephyr
   HAS INSTANCE=> Zeus

Sense 3
Titan
  -> satellite
   HAS INSTANCE=> Deimos
   => Galilean satellite, Galilean
   => moon
   HAS INSTANCE=> Moon, moon
   HAS INSTANCE=> Phobos
   HAS INSTANCE=> Titan




--- Grep of noun titan
anatotitan
genus anatotitan
titan
titan arum
titaness
titania
titanic acid
titanic oxide
titanium
titanium dioxide
titanium oxide
titanosaur
titanosaurian
titanosauridae
titanosaurus



IN WEBGEN [10000/3042]

Wikipedia - 1960 New York Titans season -- Inaugural season for New York's AFL franchise
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Wikipedia - Guerra de Titanes (2012) -- 2012 Lucha Libre AAA World Wide event
Wikipedia - Guerra de Titanes (2013) -- 2013 Lucha Libre AAA World Wide event
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Wikipedia - List of Attack on Titan chapters -- Wikimedia list article
Wikipedia - List of Attack on Titan characters -- Wikipedia list article
Wikipedia - List of Attack on Titan episodes -- Wikipedia list article
Wikipedia - List of Class of the Titans episodes -- Wikipedia list article
Wikipedia - List of countries by titanium production -- Wikipedia list article
Wikipedia - List of films about the Titanic -- Wikipedia list article
Wikipedia - List of geological features on Titania
Wikipedia - List of geological features on Titan -- Wikipedia list article
Wikipedia - List of Gold Coast Titans players -- Wikimedia list article
Wikipedia - List of Gold Coast Titans records -- Wikipedia list article
Wikipedia - List of Gold Coast Titans representatives -- Wikimedia list article
Wikipedia - List of Gold Coast Titans results -- Wikipedia list article
Wikipedia - List of publicised titan arum blooms in cultivation -- Wikipedia list article
Wikipedia - List of sports teams nicknamed Titans -- Wikipedia list article
Wikipedia - List of Teen Titans comics -- Wikipedia list article
Wikipedia - List of Teen Titans episodes -- Wikipedia list article
Wikipedia - List of Teen Titans Go! characters -- Wikipedia list article
Wikipedia - List of Teen Titans Go! episodes -- Wikipedia list article
Wikipedia - List of Teen Titans members -- Wikipedia list article
Wikipedia - List of Teen Titans (TV series) characters -- Wikipedia list article
Wikipedia - List of Tennessee Titans broadcasters -- Wikipedia list article
Wikipedia - List of Tennessee Titans first-round draft picks -- Wikimedia list article
Wikipedia - List of Tennessee Titans head coaches -- Wikipedia list article
Wikipedia - List of Tennessee Titans players -- Wikimedia list article
Wikipedia - List of Tennessee Titans seasons -- Wikipedia list article
Wikipedia - List of Tennessee Titans starting quarterbacks -- Wikimedia list article
Wikipedia - List of Titan FC events -- Wikimedia list article
Wikipedia - List of Titan launches -- Wikipedia list article
Wikipedia - List of Titanoecidae species -- Wikipedia list article
Wikipedia - List of Vancouver Titans players -- Wikipedia list article
Wikipedia - Lithium-titanate battery -- Fast rechargeable lithium ion battery
Wikipedia - Lotte Chemical Titan -- Company
Wikipedia - Lusotitan -- Sauropod dinosaur genus from the late Jurassic Period
Wikipedia - Magneto and Titanium Man
Wikipedia - Margaret Brown -- Survivor of the sinking of the Titanic
Wikipedia - Michel Marcel Navratil -- French philosopher and professor, Titanic survivor
Wikipedia - Millvina Dean -- British civil servant and Titanic survivor
Wikipedia - Monte Titano -- A mountain of the Apennines and the highest peak in San Marino
Wikipedia - Nvidia Titan -- Wikimedia disambiguation page
Wikipedia - Oceanus (Titan orbiter)
Wikipedia - Pakotitanops -- Genus of mammals (fossil)
Wikipedia - Paralititan -- Genus of a titanosaurian sauropod dinosaur
Wikipedia - Passengers of the Titanic -- Wikimedia list article
Wikipedia - Path of Titans -- Online survival simulation game
Wikipedia - Perses (Titan) -- Ancient Greek mythological Titan
Wikipedia - Pleurothallis titan -- Species of plant
Wikipedia - Prometheus -- Titan, culture hero, and trickster figure in Greek mythology
Wikipedia - Raise the Titanic! -- 1976 novel by Clive Cussler
Wikipedia - Remember the Titans -- 2000 film by Boaz Yakin
Wikipedia - Revenge of the Titans -- 2010 video game
Wikipedia - Rhea (mythology) -- Ancient Greek goddess and Titan
Wikipedia - RL-83 Blindicide -- 1950s Belgian/Swiss antitank rocket launcher
Wikipedia - RMS Titanic conspiracy theories
Wikipedia - RMS Titanic
Wikipedia - Romandisea Titanic -- Replica ship of the RMS Titanic in Sichuan, China
Wikipedia - Rotherham Titans -- English rugby union team
Wikipedia - Saved from the Titanic -- 1912 film
Wikipedia - Scopula latitans -- Species of geometer moth in subfamily Sterrhinae
Wikipedia - Selk (crater) -- Impact crater on the moon Titan
Wikipedia - Sinking of the Titanic -- 1912 maritime disaster
Wikipedia - Sloped armour -- Armour that is neither in a vertical nor a horizontal position, often mounted on tanks and naval vessels, making it harder to penetrate for antitank-weapons
Wikipedia - SS Californian -- Steamship that ignore Titanic distress signal
Wikipedia - Starfire (Teen Titans) -- Fictional Alien character from DC comics
Wikipedia - Starship Titanic
Wikipedia - Star Trek: Titan -- Book series
Wikipedia - Sym-Bionic Titan
Wikipedia - T-12 antitank gun
Wikipedia - Tambatitanis -- Genus of titanosauriform dinosaur from the Early Cretaceous Period of Japan
Wikipedia - Tattoo Titans -- American reality TV show
Wikipedia - Teen Titans Go! To the Movies -- 2018 American animated superhero fantasy comedy film by [[Peter Rida Michail]] and Aaron Horvath
Wikipedia - Teen Titans Go! (TV series) -- American children animated series
Wikipedia - Teen Titans: The Judas Contract -- 2017 animated film directed by Sam Liu
Wikipedia - Teen Titans (TV series) -- American animated superhero television series
Wikipedia - Teen Titans -- Group of fictional characters
Wikipedia - Terex 33-19 "Titan" -- Prototype off-highway ultra class haul truck
Wikipedia - The Game-Players of Titan
Wikipedia - Theia -- female Titan in Greek mythology
Wikipedia - Themis -- ancient Greek Titaness
Wikipedia - The Quarrel of Oberon and Titania
Wikipedia - The Titan Games -- Sports competition television program
Wikipedia - The Titan's Bride -- Japanese manga series by Itkz
Wikipedia - The Titan's Goblet -- Painting by Thomas Cole
Wikipedia - The Titan: Story of Michelangelo -- 1950 film
Wikipedia - Thomas Byles -- Catholic priest who remained on board the RMS Titanic as it was sinking
Wikipedia - Titan (1963 computer)
Wikipedia - Titan A.E.
Wikipedia - Titan beetle -- Genus of beetles
Wikipedia - Titan Company -- Indian watch manufacturing company
Wikipedia - TitanCon -- Speculative fiction convention in Ireland
Wikipedia - Titan Dome -- Ice dome on the Antarctic Plateau
Wikipedia - Titanes en el ring -- Argentine television series
Wikipedia - Titanfall (video game) -- 2014 multiplayer first-person shooter video game
Wikipedia - Titan FC 27 -- Mixed martial arts event
Wikipedia - Titan FC 28 -- Mixed martial arts event
Wikipedia - Titan FC 29 -- Mixed martial arts event
Wikipedia - Titan FC 30 -- Mixed martial arts event
Wikipedia - Titan FC events -- MMA promoter based in Florida
Wikipedia - Titan (game engine)
Wikipedia - Titania and Bottom -- c. 1790 painting by the Anglo-Swiss painter Henry Fuseli
Wikipedia - Titania (DC Comics)
Wikipedia - Titania (Marvel Comics)
Wikipedia - Titania McGrath -- Parody Twitter user by Andrew Doyle
Wikipedia - Titania -- character in A Midsummer Night's Dream
Wikipedia - Titanic (1943 film) -- 1943 German propaganda film
Wikipedia - Titanic (1953 film) -- 1953 film by Jean Negulesco
Wikipedia - Titanic (1997 film) -- 1997 American romantic disaster film directed by James Cameron
Wikipedia - Titanic Belfast -- Visitor attraction in Northern Ireland
Wikipedia - Titanic: Challenge of Discovery -- 1998 video game
Wikipedia - Titanic Days -- album by Kirsty MacColl
Wikipedia - Titanic II (film) -- 2010 film by Shane Van Dyke
Wikipedia - Titanic International Society -- An historical society dedicated to ''Titanic''
Wikipedia - Titanic Kadhalum Kavundhu Pogum -- 2018 film
Wikipedia - Titanic Memorial (New York City) {{DISPLAYTITLE:''Titanic'' Memorial (New York City) -- Titanic Memorial (New York City) {{DISPLAYTITLE:''Titanic'' Memorial (New York City)
Wikipedia - Titanic prime
Wikipedia - Titanic Quarter -- Dockland regeneration zone in Belfast
Wikipedia - Titanic Sinclair -- American musician and YouTube personality
Wikipedia - Titanic Thompson -- American gambler, golfer, and hustler
Wikipedia - Titanic -- British transatlantic passenger liner, launched and foundered in 1912
Wikipedia - Titan II GLV -- expendable launch system
Wikipedia - Titanine, Incorporated (Union City, New Jersey) -- Defunct industrial company based in Hudson County, New Jersey, US
Wikipedia - Titanio normalis -- Species of moth
Wikipedia - Titanio tarraconensis -- Species of moth
Wikipedia - Titanio venustalis -- Species of moth
Wikipedia - Titanite -- Nesosilicate mineral
Wikipedia - Titanium alloy
Wikipedia - Titanium (band) -- New Zealand pop music band
Wikipedia - Titanium carbide
Wikipedia - Titanium diboride
Wikipedia - Titanium dioxide
Wikipedia - Titanium in Africa -- Overview of ore deposits and extraction
Wikipedia - Titanium (malware) -- advanced Backdoor Advanced persistent threat, developed by PLATINUM
Wikipedia - Titanium Man -- Fictional comic book character
Wikipedia - Titanium Metals Corporation -- American manufacturer
Wikipedia - Titanium nitride
Wikipedia - Titanium oxide
Wikipedia - Titanium (song) -- 2011 single by David Guetta
Wikipedia - Titanium -- Chemical element with atomic number 22
Wikipedia - Titan Klin -- Russian ice hockey team
Wikipedia - Titan Leeds -- American publisher
Wikipedia - Titan Mare Explorer
Wikipedia - Titan Media -- American pornographic film studio
Wikipedia - Titan (moon) -- Largest moon of Saturn
Wikipedia - Titan (mythology)
Wikipedia - Titannus
Wikipedia - Titanoecidae -- Family of spiders
Wikipedia - Titanogomphodon -- Genus of gomphodontian cynodonts
Wikipedia - Titanomachy
Wikipedia - Titanomis -- Genus of insects
Wikipedia - Titanophoneus -- Genus of therapsid vertebrate
Wikipedia - Titanosaurus (Godzilla) -- Fictional Godzilla monster or kaiju
Wikipedia - Titanosuchidae -- Extinct family of tetrapods
Wikipedia - Titanothere
Wikipedia - Titano
Wikipedia - Titan Quest -- 2006 action role playing hack and slash video game
Wikipedia - Titans (2018 TV series) -- American web television series
Wikipedia - Titans All Access -- US television program
Wikipedia - Titans (cricket team) -- Cricket team
Wikipedia - Titan Souls
Wikipedia - Titan Sports (newspaper) -- Simplified Chinese newspaper
Wikipedia - Titans (season 1) -- Season of television series
Wikipedia - Titans Tomorrow
Wikipedia - Titan (supercomputer) -- American supercomputer
Wikipedia - Titans -- Second order of divine beings in Greek mythology
Wikipedia - Titan Tower (Fisher Towers) -- Mountain in Utah, United States
Wikipedia - Titan Towers -- Headquarters of American professional wrestling promotion WWE
Wikipedia - Tools of Titans
Wikipedia - Toronto Titans -- Canadian swim team
Wikipedia - Transformers: Titans Return
Wikipedia - Travancore Titanium Products -- Largest Titanium producing factory in India
Wikipedia - Tyrannotitan -- Carcharodontosaurid dinosaur genus from the early Cretaceous period
Wikipedia - Vancouver Titans -- Canadian professional esports team
Wikipedia - Violet Jessop -- Titanic crew member
Wikipedia - Waking Titan (ARG) -- Alternate reality game associated with the game No Man's Sky
Wikipedia - Woytchugga Lacuna -- Lacuna on Titan
Wikipedia - Wreck of the Titanic -- Shipwreck in the North Atlantic Ocean
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Goodreads author - Tehya_Titan
Goodreads author - Titania_Hardie
http://de.titanfall.wikia.com/wiki/
http://es.titanfall.wikia.com/
http://es.titanfall.wikia.com/wiki/Wiki_Titanfall
http://fr.titanfall.wikia.com/wiki/Wiki_Titanfall
http://ja.titanfall.wikia.com/wiki/
http://pl.titanic.wikia.com/wiki/
http://pt-br.titanfall.wikia.com/wiki/Wiki_Titanfall
http://ru.titanfall.wikia.com/wiki/
https://clash-of-the-titans.wikia.com/
https://greekmythology.wikia.org/wiki/Category:Titans
https://greekmythology.wikia.org/wiki/Dione_(Titaness)
https://greekmythology.wikia.org/wiki/Kronos#Titanomachy_and_Kronos.27s_punishment
https://greekmythology.wikia.org/wiki/Menoitios_(Titan)
https://greekmythology.wikia.org/wiki/Metis_(Titaness)
https://greekmythology.wikia.org/wiki/Ouranos#Titanesses
https://greekmythology.wikia.org/wiki/Ouranos#Titans
https://greekmythology.wikia.org/wiki/Perses_(Titan)
https://greekmythology.wikia.org/wiki/Template:Titans-nav
https://greekmythology.wikia.org/wiki/Titanomachy
https://greekmythology.wikia.org/wiki/Titans
https://military.wikia.org/wiki/File:Antitankrails.jpg
https://religion.wikia.org/wiki/Perses_(Titan)
https://religion.wikia.org/wiki/Titan_(mythology)
https://religion.wikia.org/wiki/Titanomachy
https://religion.wikia.org/wiki/Titans
https://titanquest.wikia.com
https://titanquest.wikia.com/wiki/Centaur
https://twitter.com/TitanfallWikia
http://titanfall.wikia.com/wiki/Apex_Legends
http://titanfall.wikia.com/wiki/Titanfall
http://titanfall.wikia.com/wiki/Titanfall_2
http://titanfall.wikia.com/wiki/Titanfall:_Assault
http://titanfall.wikia.com/wiki/Titanfall:_Frontline
http://titanfall.wikia.com/wiki/Titanfall_Online
http://titanfall.wikia.com/wiki/Titanfall_Wiki
http://titanstv.wikia.com/d/f
http://zh.titanfall.wikia.com/wiki/
dedroidify.blogspot - titans-of-yoga
Occultopedia - titanic
Occultopedia - titans
https://tvtropes.org/pmwiki/pmwiki.php/AbortedArc/TeenTitans
https://tvtropes.org/pmwiki/pmwiki.php/AdoredByTheNetwork/TeenTitansGo
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https://en.wikiquote.org/wiki/Titanic
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Teen Titans (2003 - 2006) - Teen Titans is an American TV show based on the DC Comics characters of the same name, that premiered on Cartoon Network and The WB Television Network in 2003. Teen Titans centers around the five main members of the superhero team: Cyborg, Beast Boy, Starfire, Raven and their leader Robin. They are...
Attack on Titan: Junior High (2015 - 2015) - The parody/spinoff re-imagines Eren, Mikasa, Armin, and other characters from the original manga as students and teachers at Titan Junior High School.
Mobile Suit Zeta Gundam (1985 - 1986) - "Mobile Suit Zeta Gundam" is a sequel to "Mobile Suit Gundam." The year is Universal Century 0087. Seven years have passed since the end of the One Year War. In its zeal to stamp out any remaining opposition, the Earth Federation has organized the Titans, an elite fighting force. However, the Titans...
Titans (2000 - 2000) - Aviation magnate Richard Williams (Perry King) is engaged to the much-younger Heather (Yasmine Bleeth), but is unaware that she previously had an affair with his son, Chandler (Casper Van Dien). A pilot, Chandler is unsure whether he should tell his father the truth, but Chandler soon discovers that...
Attack on Titan (2013 - Current) - Several hundred years ago, humans were nearly exterminated by giants. Giants are typically several stories tall, seem to have no intelligence, devour human beings and, worst of all, seem to do it for the pleasure rather than as a food source. A small percentage of humanity survived by enclosing them...
Super Robot Monkey Team Hyperforce Go! (2004 - 2006) - Super Robot Monkey Team Hyperforce Go! (commonly known by its initialism, SRMTHFG) is an American/Japanese animated television series, and was created by Ciro Nieli, one of the directors of Teen Titans, Produced by Jetix Animation Concepts with animation being done by a Japanese studio known as The...
Teen Titans Go! (2013 - Current) - an American animated television series airing in the U.S. on Cartoon Network since April 23, 2013 and based on the DC Comics fictional superhero team. The series was announced following the popularity of DC Nation's New Teen Titans shorts.
Class of the Titans (2005 - 2008) - Class of the Titans
Titanic(1997) - Deep-sea explorer Brock Lovett has reached the most famous shipwreck of all - the Titanic. Emerging with a safe believed to contain a diamond called 'The Heart of the Ocean', he discovers the safe does not hold the diamond but a drawing of a beautiful woman wearing it. When Brock is later interviewe...
Clash of the Titans(1981) - A fantasy movie based on the Greek mythology of Perseus featuring stop motion animation creatures by the great Ray Harryhausen. Perseus must save Princess Andromeda from being sacrificed to the sea creature the Kraken ,so he embarks on a quest aided by his companions and a mechanical owl named Bubo.
Attack on Titan: The Movie(2015) - Attack on Titan ( Shingeki no Kyojin) is a 2015 Japanese tokusatsu film based on the manga of the same name by Hajime Isayama. The film is directed by Shinji Higuchi, written by Ysuke Watanabe and Tomohiro Machiyama and stars Haruma Miura, Hiroki Hasegawa, Kiko Mizuhara, Kanata Hong, Takahiro...
Titanic (TV miniseries)(1996) - Titanic has three different storylines. Mrs. Isabella Paradine is traveling on the Titanic to join her husband. On the Titanic, she meets Wynn Park, her former lover. She falls in love with him again, sending her husband a telegram saying that they can't be together anymore. When the ship starts sin...
Titan A.E.(2000) - In the year 3028. an energy based species of aliens known as the Drej attack and destroy Earth. Professor Sam Tucker is leader of the Titan Project sends his son Cale with a ring and puts him on one of th evacuation ships. Sam also escape with the ship known as the Titan as the Earth is destroyed....
Clash Of The Titans (2010)(2010) - Perseus, mortal son of Zeus, battles the minions of the underworld to stop them from conquering the Earth and the heavens.
Wrath Of The Titans(2012) - Perseus braves the treacherous underworld to rescue his father, Zeus, captured by his son, Ares, and brother Hades who unleash the ancient Titans upon the world.
Teen Titans Go! To the Movies(2018) - Based on the mega popular TV series, the Teen Titans have to create a movie to prove their true Hollywood stardom, like any big superheroes. Pitching right to Warner Bros Studios they meet Jade, the director who is responsible for all of the world's past superhero movies, but they soon find that Jad...
A Night to Remember (1958) ::: 7.9/10 -- Not Rated | 2h 3min | Biography, Drama, History | 16 December 1958 -- A Night to Remember Poster -- On its maiden voyage in April 1912, the supposedly unsinkable RMS Titanic hits an iceberg in the Atlantic Ocean. Director: Roy Ward Baker (as Roy Baker) Writers:
Attack on Titan Abridged ::: 7.5/10 -- Attack on Titan Abridged Poster -- Director: Curtis Arnott (as Takahata101) Writers: Curtis Arnott (as Takahata101), Howard Wang (as TehExorcist) Stars: Howard Wang, Kimlinh Tran, Curtis Arnott
Attack on Titan ::: Shingeki no kyojin (original tit ::: TV-MA | 24min | Animation, Action, Adventure | TV Series (2013- ) Episode Guide 84 episodes Attack on Titan Poster -- After his hometown is destroyed and his mother is killed, young Eren Jaeger vows to cleanse the earth of the giant humanoid Titans that have brought humanity to the brink of extinction. Stars:
Clash of the Titans (1981) ::: 6.9/10 -- PG | 1h 58min | Action, Adventure, Family | 12 June 1981 (USA) -- Perseus must battle Medusa and the Kraken to save the Princess Andromeda. Director: Desmond Davis Writer: Beverley Cross
Pure Genius ::: TV-14 | 1h | Drama | TV Series (20162017) -- A young Silicon Valley tech-titan enlists a veteran surgeon with a controversial past in starting a hospital with a cutting-edge, new school approach to medicine. Creators:
Remember the Titans (2000) ::: 7.8/10 -- PG | 1h 53min | Biography, Drama, Sport | 29 September 2000 (USA) -- The true story of a newly appointed African-American coach and his high school team on their first season as a racially integrated unit. Director: Boaz Yakin Writer: Gregory Allen Howard
Remember the Titans (2000) ::: 7.8/10 -- PG | 1h 53min | Biography, Drama, Sport | 29 September 2000 (USA) -- The true story of a newly appointed African-American coach and his high school team on their first season as a racially integrated unit.
Shadows in the Sun (2005) ::: 6.7/10 -- The Shadow Dancer (original title) -- Shadows in the Sun Poster An aspiring young writer (Jackson) tracks a literary titan (Keitel) suffering from writers block to his refuge in rural Italy and learns about life and love from the irascible genius and his daughters. Director: Brad Mirman Writer: Brad Mirman
Teen Titans GO! To the Movies (2018) ::: 6.8/10 -- Teen Titans Go! To the Movies (original title) -- Teen Titans GO! To the Movies Poster -- A villain's maniacal plan for world domination sidetracks five teenage superheroes who dream of Hollywood stardom. Directors: Aaron Horvath, Peter Rida Michail Writers:
Teen Titans: Trouble in Tokyo (2006) ::: 7.1/10 -- TV-Y7 | 1h 15min | Animation, Action, Adventure | TV Movie 15 September -- Teen Titans: Trouble in Tokyo Poster After a battle with a high-tech villain named, Saiko-Tek, the Teen Titans travel to the city of Tokyo where they find themselves embroiled in a conflict with an ancient enemy. Directors: Michael Chang, Ben Jones | 1 more credit Writer: David Slack
Teen Titans ::: TV-Y7-FV | 23min | Animation, Action, Adventure | TV Series (20032006) -- A team of five teenaged superheroes save the world from many villains around their city while experiencing things normal teens face today. Creators: David Slack, Bob Haney, Bruno Premiani | 4 more credits
The Current War: Director's Cut (2017) ::: 6.5/10 -- The Current War (original title) -- The Current War: Director's Cut Poster -- The dramatic story of the cutthroat race between electricity titans Thomas A. Edison and George Westinghouse to determine whose electrical system would power the modern world. Director: Alfonso Gomez-Rejon Writer:
The Titan Games ::: TV-G | 1h | Reality-TV | TV Series (2019 ) -- Dwayne Johnson presents and stars in "The Titan Games," a groundbreaking new athletic competition based on Dwayne's belief that within each and every one of us is the potential for greatness. Creator:
The Unsinkable Molly Brown (1964) ::: 6.8/10 -- Approved | 2h 8min | Biography, Comedy, Musical | 11 June 1964 (USA) -- A poor, uneducated mountain girl leaves her cabin in search of respect, a wealthy husband, and a better life in this fictionalized biopic of Margaret "Molly" Brown, who survived the 1912 sinking of the RMS Titanic. Director: Charles Walters Writers:
Titan A.E. (2000) ::: 6.6/10 -- PG | 1h 34min | Animation, Action, Adventure | 16 June 2000 (USA) -- A young man learns that he has to find a hidden Earth ship before an enemy alien species does in order to secure the survival of humanity. Directors: Don Bluth, Gary Goldman Writers: Hans Bauer (story), Randall McCormick (story) | 3 more credits
Titanic (1953) ::: 7.0/10 -- Not Rated | 1h 38min | Drama, History, Romance | 13 July 1953 (UK) -- An unhappily married couple struggle to deal with their problems while on board the ill-fated ship. Director: Jean Negulesco Writers: Charles Brackett, Walter Reisch | 1 more credit Stars:
Titanic (1997) ::: 7.8/10 -- PG-13 | 3h 14min | Drama, Romance | 19 December 1997 (USA) -- A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.M.S. Titanic. Director: James Cameron Writer: James Cameron
Titans ::: TV-MA | 45min | Action, Adventure, Crime | TV Series (2018 ) -- A team of young superheroes combat evil and other perils. Creators: Greg Berlanti, Akiva Goldsman, Geoff Johns
Titans ::: TV-MA | 45min | Action, Adventure, Crime | TV Series (2018- ) Season 3 Premiere 2021 Episode Guide 34 episodes Titans Poster -- A team of young superheroes combat evil and other perils. Creators:
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https://wowwiki-archive.fandom.com/wiki/Charged_Titanium_Specs
https://wowwiki-archive.fandom.com/wiki/Flask_of_Titanic_Strength
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https://wowwiki-archive.fandom.com/wiki/Titanic_creations
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https://wowwiki-archive.fandom.com/wiki/Titanium
https://wowwiki-archive.fandom.com/wiki/Titanium_Bar
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Bubuki Buranki -- -- SANZIGEN -- 12 eps -- Original -- Action Sci-Fi Drama Mecha -- Bubuki Buranki Bubuki Buranki -- Away from home for 10 years, Azuma Kazuki had no idea what was awaiting him upon his return. He certainly did not expect to be attacked by dozens of heavily armed people and taken as their prisoner. Fortunately, Azuma's stay in captivity is short. Wielding a strange sentient weapon—known as "Bubuki"—upon her right arm, his childhood friend, Kogane Asabuki, rescues him. -- -- After escaping, Azuma learns that he too has the power to control Bubuki. Together with his new companions, he must revive the Buranki titan named Oubu, that sleeps somewhere deep underground. With this knowledge and purpose, a new path to unearth the truths behind the Buranki opens before Azuma. -- -- 67,375 6.29
Campione!: Matsurowanu Kamigami to Kamigoroshi no Maou -- -- Diomedéa -- 13 eps -- Light novel -- Comedy Ecchi Fantasy Harem Magic Romance -- Campione!: Matsurowanu Kamigami to Kamigoroshi no Maou Campione!: Matsurowanu Kamigami to Kamigoroshi no Maou -- Some people suddenly find religion, but for 16-year-old Kusanagi Godou, it's that REALLY old time religion that's found him! As the result of defeating the God of War in mortal combat, Godou's stuck with the unwanted position of Campione!, or God Slayer, whose duty is to fight Heretical Gods whenever they try to muscle in on the local turf. Not only is this likely to make Godou roadkill on the Highway to Heaven, it's also a job that comes with a lot of other problems. Like how to deal with the fact that his "enhanced status" is attracting a bevy of overly-worshippy female followers. After all, they're just there to aid him in his demi-godly duties, right? So why is it that their leader, the demonically manipulative sword-mistress Erica Blandelli, seems to have such a devilish interest in encouraging some VERY unorthodox activities? Get ready for immortal affairs, heavenly harems and lots of dueling deities taking pious in the face as the ultimate smash, bash and thrash of the Titans rocks both Heaven and Earth. -- -- (Source: Sentai Filmworks) -- -- Licensor: -- Sentai Filmworks -- TV - Jul 6, 2012 -- 314,959 7.02
Campione!: Matsurowanu Kamigami to Kamigoroshi no Maou -- -- Diomedéa -- 13 eps -- Light novel -- Comedy Ecchi Fantasy Harem Magic Romance -- Campione!: Matsurowanu Kamigami to Kamigoroshi no Maou Campione!: Matsurowanu Kamigami to Kamigoroshi no Maou -- Some people suddenly find religion, but for 16-year-old Kusanagi Godou, it's that REALLY old time religion that's found him! As the result of defeating the God of War in mortal combat, Godou's stuck with the unwanted position of Campione!, or God Slayer, whose duty is to fight Heretical Gods whenever they try to muscle in on the local turf. Not only is this likely to make Godou roadkill on the Highway to Heaven, it's also a job that comes with a lot of other problems. Like how to deal with the fact that his "enhanced status" is attracting a bevy of overly-worshippy female followers. After all, they're just there to aid him in his demi-godly duties, right? So why is it that their leader, the demonically manipulative sword-mistress Erica Blandelli, seems to have such a devilish interest in encouraging some VERY unorthodox activities? Get ready for immortal affairs, heavenly harems and lots of dueling deities taking pious in the face as the ultimate smash, bash and thrash of the Titans rocks both Heaven and Earth. -- -- (Source: Sentai Filmworks) -- TV - Jul 6, 2012 -- 314,959 7.02
Concrete Revolutio: Choujin Gensou - The Last Song -- -- Bones -- 11 eps -- Original -- Action Sci-Fi Mystery Super Power Demons Supernatural Drama Fantasy -- Concrete Revolutio: Choujin Gensou - The Last Song Concrete Revolutio: Choujin Gensou - The Last Song -- Titans from outer space, life forms from a mystical world, phantoms and goblins from ancient times, cyborgs created by scientists, relics that rose out of the ruins of ancient civilizations. In another Japan, it's not just a question of "what if"—it's a reality. Some of the superhumans choose to keep their identities a secret, while others bask in their superhuman fame. Jiro Hitoyoshi, member of the Superhuman Bureau, keeps track of their doings. -- -- (Source: ANN) -- 30,686 7.04
Concrete Revolutio: Choujin Gensou - The Last Song -- -- Bones -- 11 eps -- Original -- Action Sci-Fi Mystery Super Power Demons Supernatural Drama Fantasy -- Concrete Revolutio: Choujin Gensou - The Last Song Concrete Revolutio: Choujin Gensou - The Last Song -- Titans from outer space, life forms from a mystical world, phantoms and goblins from ancient times, cyborgs created by scientists, relics that rose out of the ruins of ancient civilizations. In another Japan, it's not just a question of "what if"—it's a reality. Some of the superhumans choose to keep their identities a secret, while others bask in their superhuman fame. Jiro Hitoyoshi, member of the Superhuman Bureau, keeps track of their doings. -- -- (Source: ANN) -- -- Licensor: -- Funimation -- 30,686 7.04
Gundam Neo Experience 0087: Green Divers -- -- Sunrise -- 1 ep -- - -- Adventure Space Mecha -- Gundam Neo Experience 0087: Green Divers Gundam Neo Experience 0087: Green Divers -- During the closing days of the Gryps conflict of Mobile Suit Zeta Gundam, two siblings—Asagi and Takuya—ride aboard a civilian transport bound for Earth. Caught in a battle between the Titans and AEUG, they must somehow guide their ship through atmospheric entry. Luckily, they're not completely alone, as they find aid from a custom-painted Zeta Gundam, whose pilot sounds a lot like One Year War ace Amuro Ray. -- -- (Source: ANN) -- Movie - Aug 10, 2001 -- 2,957 6.45
Isekai Quartet 3 -- -- - -- ? eps -- Original -- Comedy Parody Fantasy -- Isekai Quartet 3 Isekai Quartet 3 -- Third season of Isekai Quartet. -- TV - ??? ??, ???? -- 45,702 N/AShingeki no Kyojin Season 2 Movie: Kakusei no Houkou -- -- Wit Studio -- 1 ep -- Manga -- Action Drama Fantasy Shounen Super Power -- Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou -- Eren Yeager and others of the 104th Training Corps have just begun to become full members of the Survey Corps. As they ready themselves to face the Titans once again, their preparations are interrupted by the invasion of Wall Rose—but all is not as it seems as more mysteries are unraveled. As the Survey Corps races to save the wall, they uncover more about the invading Titans and the dark secrets of their own members. -- -- -- Licensor: -- Funimation -- Movie - Jan 13, 2018 -- 45,694 7.78
Kyojinzoku no Hanayome -- -- Studio Hokiboshi -- 9 eps -- Manga -- Fantasy Shounen Ai -- Kyojinzoku no Hanayome Kyojinzoku no Hanayome -- Kouichi Mizuki ends his high school basketball career on a high note, bringing his team to victory during their final match at nationals. Now free from club activities, he looks forward to spending more time socializing, maybe even finding room for romance. But fate has slightly different plans for him when a magical circle transports Kouichi to Tildant, the land of giants. -- -- Upon his arrival, Kouichi comes face-to-face with Caius Lao Bistail, the titan king and the culprit behind his summoning. Caius is overjoyed, claiming Kouichi to be his fated bride and asking him to bear his children! It soon becomes evident to Kouichi that his species, let alone gender, is not a problem as Caius pushes him down onto a lavish bed. Will Kouichi ever find romance in this relationship that is bound to end in tears? -- -- -- -- The complete edition with explicit scenes was distributed online via Comic Festa Anime Zone. The censored version was broadcast on Tokyo MX. This database entry reflects censored TV version of the anime. -- 19,067 5.26
Mobile Suit Gundam ZZ -- -- Sunrise -- 47 eps -- Original -- Space Comedy Mecha Military Drama Sci-Fi -- Mobile Suit Gundam ZZ Mobile Suit Gundam ZZ -- In Universal Century 0088, the Anti-Earth Union Group (AEUG) has emerged victorious in its war with the Earth Federation's Titans at the cost of devastating losses. Neo-Zeon, the third faction in the war formerly known as Axis Zeon, remains as powerful as ever. Led by Newtype Haman Karn, Neo-Zeon has been implementing plans to take over both Earth and the space colonies. -- -- The AEUG flagship Argama heads to the Side 1 colony Shangri-La for repairs. Living in the colony is Judau Ashta, a 14-year-old junk dealer who is struggling to make enough money to put his younger sister through school. Upon the discovery of an escape pod containing a former Titans pilot, Judau and his friends are quickly led to the Argama in hopes of stealing a mobile suit which they can sell for a fortune. However, with the arrival of a Neo-Zeon ship seeking to defeat the Argama, Judau and his friends are dragged into to a conflict that will bring them across space and Earth. -- -- -- Licensor: -- Nozomi Entertainment -- 31,465 6.66
Mobile Suit Zeta Gundam -- -- Sunrise -- 50 eps -- Original -- Military Sci-Fi Space Drama Romance Mecha -- Mobile Suit Zeta Gundam Mobile Suit Zeta Gundam -- It is Universal Century 0087, and the One Year War between the Earth Federation and Principality of Zeon is over. The Earth Federation has created an elite task force, known as the Titans, who are responsible for hunting the remaining Zeon forces. However, the power-hungry Titans have shown themselves to be no better than Zeon, spurring the creation of a rebellious faction called the Anti-Earth Union Group (AEUG). -- -- 17-year-old Kamille Bidan lives in the colony Green Noa, home to a Titan base. Kamille gets in trouble after assaulting a Titan officer, an event that coincides with an attack led by former Zeon ace Char Aznable, now known as AEUG pilot Quattro Bajeena. When Kamille steals a Titan's prototype Gundam, he soon finds himself in the middle of the dangerous conflict. -- -- -- Licensor: -- Bandai Entertainment, Nozomi Entertainment -- TV - Mar 2, 1985 -- 55,136 7.92
Pokemon Movie 02: Maboroshi no Pokemon Lugia Bakutan -- -- OLM -- 1 ep -- Game -- Adventure Comedy Kids Drama Fantasy -- Pokemon Movie 02: Maboroshi no Pokemon Lugia Bakutan Pokemon Movie 02: Maboroshi no Pokemon Lugia Bakutan -- An ancient prophecy tells of a day when the titans of ice, lightning, and fire are disturbed. When this occurs, Lugia, the guardian of the sea, will rise up and restore harmony. Enchanted by the words of the prophecy, Gelardan, a Pokémon collector, sets out on his airship with a dreadful plan to capture Lugia by going after these three titans. -- -- After Gelardan makes his move, drastic climate change begins to take place, as terrible storms start popping up all over the globe. One such storm causes the ship carrying Pokémon trainers Satoshi, Kasumi, and Kenji to drift off course and land on Earthia Island. Upon arriving, Satoshi is told of the ancient prophecy, and of his destiny as the chosen one who will help Lugia restore balance to the world. -- -- With the fate of the world in his hands, Satoshi must summon the courage to face the chaos that threatens to tear everything apart and stop Gelardan. -- -- -- Licensor: -- 4Kids Entertainment, Warner Bros. Japan -- Movie - Jul 17, 1999 -- 150,877 7.35
Rokushin Gattai GodMars -- -- Tokyo Movie Shinsha -- 64 eps -- - -- Action Mecha Sci-Fi Space -- Rokushin Gattai GodMars Rokushin Gattai GodMars -- In the year 1999, humanity begins to advance beyond the solar system. The planet Gishin, led by the Emperor Zule, which aims to conquer the galaxy, runs into conflict with Earth. He targets Earth for elimination and to do this, he sends a baby called Mars to live among humanity. Accompanying the baby is a giant robot named Gaia, which utilizes a new power source strong enough to destroy an entire planet. As planned, Mars is expected to grow up, where he will activate the bomb within Gaia to fulfill the mission of destroying the Earth. However, when Mars arrives on Earth his is adopted into a Japanese family and given the name Takeru. Seventeen years later, Takeru would grow up with a love for humanity and refuses to detonate the bomb as ordered by Zule. However, if Takeru was to die, the bomb within Gaia would explode destroying the earth. -- -- Takeru possesses psychic powers ( ESP ) and decides to join the Earth defense forces and becomes a member of the Crasher Squad (an elite space defense force) where he and his friends take a last stand against the Gishin's attack. -- -- The relationship of Takeru with his brother Maag, which fate would have it, pitted the two against each other in the war. -- -- Unknown to the Gishin five other robots were created in secrecy along side Gaia by Takeru's father and sent with Gaia to protect Takeru. Whenever Earth is in danger, Takeru is able to summon the five other robots to combine with Gaia form the giant robot Godmars. The five other robots are Sphinx, Uranus, Titan, Shin and Ra. -- -- Licensor: -- Discotek Media -- TV - Oct 2, 1981 -- 1,949 6.24
Shingeki! Kyojin Chuugakkou -- -- Production I.G -- 12 eps -- Manga -- Comedy Parody School Shounen -- Shingeki! Kyojin Chuugakkou Shingeki! Kyojin Chuugakkou -- On his first day of junior high, Eren Yeager comes face-to-face with a titan—and has his lunch stolen! From that day on, he holds a grudge against titans for taking his favorite food from him, a cheeseburger, vowing to eliminate their kind once and for all. Along with his adoptive sister Mikasa Ackerman and their friend Armin Arlert, the trio traverse the halls of Titan Junior High, encountering familiar faces and participating in various extracurricular activities as part of the Wall Cleanup Club. -- -- A parody of the immensely popular parent series, Shingeki! Kyojin Chuugakkou places beloved characters as junior high school students, fighting to protect their lunches from gluttonous titans. -- -- 173,648 7.10
Shingeki no Kyojin -- -- Wit Studio -- 25 eps -- Manga -- Action Military Mystery Super Power Drama Fantasy Shounen -- Shingeki no Kyojin Shingeki no Kyojin -- Centuries ago, mankind was slaughtered to near extinction by monstrous humanoid creatures called titans, forcing humans to hide in fear behind enormous concentric walls. What makes these giants truly terrifying is that their taste for human flesh is not born out of hunger but what appears to be out of pleasure. To ensure their survival, the remnants of humanity began living within defensive barriers, resulting in one hundred years without a single titan encounter. However, that fragile calm is soon shattered when a colossal titan manages to breach the supposedly impregnable outer wall, reigniting the fight for survival against the man-eating abominations. -- -- After witnessing a horrific personal loss at the hands of the invading creatures, Eren Yeager dedicates his life to their eradication by enlisting into the Survey Corps, an elite military unit that combats the merciless humanoids outside the protection of the walls. Based on Hajime Isayama's award-winning manga, Shingeki no Kyojin follows Eren, along with his adopted sister Mikasa Ackerman and his childhood friend Armin Arlert, as they join the brutal war against the titans and race to discover a way of defeating them before the last walls are breached. -- -- -- Licensor: -- Funimation -- 2,727,137 8.50
Shingeki no Kyojin OVA -- -- Wit Studio -- 3 eps -- Manga -- Action Super Power Drama Fantasy Shounen -- Shingeki no Kyojin OVA Shingeki no Kyojin OVA -- Ilse no Techou: Aru Chousa Heidanin no Shuki -- During the Survey Corps' 49th recon mission, Hange Zoë is determined to capture a titan specimen. Despite not receiving clearance from Commander Erwin Smith, when a titan is spotted in nearby forestland, Hange rides out alone to meet it. Recklessly luring it out, she asks the titan numerous questions and puts her life on the line for the sake of her research. However, the behavior of this particular titan is far from normal. It quickly turns back and enters the wood once again, leading Hange to somewhere specific. What Hange finds is the legacy of former scout Ilse Langnar. In spite of her death, she provides a valuable piece of information that may serve to turn the tide for titan research—a diary documenting her last moments. -- -- Totsuzen no Raihousha: Sainamareru Seishun no Noroi -- Jean Kirstein would do anything to escape his boring home life and overbearing mother. After enlisting in the military, it became his ultimate goal to join the Military Police regiment and live out in peace and luxury. However, during his time with the 104th Training Corps, things never really go the way Jean wants them to. Eventually, the stolen glory and condescending banter of his comrades become too much—and Jean challenges fellow cadet Sasha Blouse to a battle, in order to determine which of them is strongest—but who will come out on top? -- -- Konnan -- The 104th Training Corps' most recent mission is a trek on horseback into the forest. Although a test of their ability to stay alert even in non-threatening situations, the task is boring and can lead to in-fighting. This is especially true for one of the groups, lead by Marco Bott. Some want to stay true to the mission they have been tasked with, and the rest would rather slack off, occupying themselves with more exciting activities. But when trouble strikes, they are completely unprepared. -- -- OVA - Dec 9, 2013 -- 324,896 7.84
Shingeki no Kyojin Season 2 -- -- Wit Studio -- 12 eps -- Manga -- Action Military Mystery Super Power Drama Fantasy Shounen -- Shingeki no Kyojin Season 2 Shingeki no Kyojin Season 2 -- For centuries, humanity has been hunted by giant, mysterious predators known as the Titans. Three mighty walls—Wall Maria, Rose, and Sheena—provided peace and protection for humanity for over a hundred years. That peace, however, was shattered when the Colossus Titan and Armored Titan appeared and destroyed the outermost wall, Wall Maria. Forced to retreat behind Wall Rose, humanity waited with bated breath for the Titans to reappear and destroy their safe haven once more. -- -- In Shingeki no Kyojin Season 2, Eren Yeager and others of the 104th Training Corps have just begun to become full members of the Survey Corps. As they ready themselves to face the Titans once again, their preparations are interrupted by the invasion of Wall Rose—but all is not as it seems as more mysteries are unraveled. As the Survey Corps races to save the wall, they uncover more about the invading Titans and the dark secrets of their own members. -- -- -- Licensor: -- Funimation -- 1,759,438 8.47
Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou -- -- Wit Studio -- 1 ep -- Manga -- Action Drama Fantasy Shounen Super Power -- Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou -- Eren Yeager and others of the 104th Training Corps have just begun to become full members of the Survey Corps. As they ready themselves to face the Titans once again, their preparations are interrupted by the invasion of Wall Rose—but all is not as it seems as more mysteries are unraveled. As the Survey Corps races to save the wall, they uncover more about the invading Titans and the dark secrets of their own members. -- -- -- Licensor: -- Funimation -- Movie - Jan 13, 2018 -- 45,694 7.78
Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou -- -- Wit Studio -- 1 ep -- Manga -- Action Drama Fantasy Shounen Super Power -- Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou Shingeki no Kyojin Season 2 Movie: Kakusei no Houkou -- Eren Yeager and others of the 104th Training Corps have just begun to become full members of the Survey Corps. As they ready themselves to face the Titans once again, their preparations are interrupted by the invasion of Wall Rose—but all is not as it seems as more mysteries are unraveled. As the Survey Corps races to save the wall, they uncover more about the invading Titans and the dark secrets of their own members. -- -- Movie - Jan 13, 2018 -- 45,694 7.78
Shingeki no Kyojin Season 3 -- -- Wit Studio -- 12 eps -- Manga -- Action Military Mystery Super Power Drama Fantasy Shounen -- Shingeki no Kyojin Season 3 Shingeki no Kyojin Season 3 -- Still threatened by the "Titans" that rob them of their freedom, mankind remains caged inside the two remaining walls. Efforts to eradicate these monsters continue; however, threats arise not only from the Titans beyond the walls, but from the humans within them as well. -- -- After being rescued from the Colossal and Armored Titans, Eren Yaeger devotes himself to improving his Titan form. Krista Lenz struggles to accept the loss of her friend, Captain Levi chooses Eren and his friends to form his new personal squad, and Commander Erwin Smith recovers from his injuries. All seems well for the soldiers, until the government suddenly demands custody of Eren and Krista. The Survey Corps' recent successes have drawn attention, and a familiar face from Levi's past is sent to collect the wanted soldiers. Sought after by the government, Levi and his new squad must evade their adversaries in hopes of keeping Eren and Krista safe. -- -- In Shingeki no Kyojin Season 3, Eren and his fellow soldiers are not only fighting for their survival against the terrifying Titans, but also against the terror of a far more conniving foe: humans. -- -- -- Licensor: -- Funimation -- 1,381,806 8.62
Shingeki no Kyojin Season 3 Part 2 -- -- Wit Studio -- 10 eps -- Manga -- Action Drama Fantasy Military Mystery Shounen Super Power -- Shingeki no Kyojin Season 3 Part 2 Shingeki no Kyojin Season 3 Part 2 -- Seeking to restore humanity's diminishing hope, the Survey Corps embark on a mission to retake Wall Maria, where the battle against the merciless "Titans" takes the stage once again. -- -- Returning to the tattered Shiganshina District that was once his home, Eren Yeager and the Corps find the town oddly unoccupied by Titans. Even after the outer gate is plugged, they strangely encounter no opposition. The mission progresses smoothly until Armin Arlert, highly suspicious of the enemy's absence, discovers distressing signs of a potential scheme against them. -- -- Shingeki no Kyojin Season 3 Part 2 follows Eren as he vows to take back everything that was once his. Alongside him, the Survey Corps strive—through countless sacrifices—to carve a path towards victory and uncover the secrets locked away in the Yeager family's basement. -- -- -- Licensor: -- Funimation -- 1,244,399 9.11
Shingeki no Kyojin-ten 360° Taikan Theater -- -- - -- 3 eps -- Manga -- Action Fantasy Shounen Super Power -- Shingeki no Kyojin-ten 360° Taikan Theater Shingeki no Kyojin-ten 360° Taikan Theater -- Virtual reality movies included with the Blu-ray/DVD releases of Shingeki no Kyojin Season 2. -- -- The first volume contained "Roar," in which Eren first achieves a titan form. The second volume came with two more episodes. In the first, Levi speaks with new recruits; in the second, Mikasa makes a confession. -- Special - Jun 21, 2017 -- 14,957 7.17
Shingeki no Kyojin: The Final Season -- -- MAPPA -- 16 eps -- Manga -- Action Military Mystery Super Power Drama Fantasy Shounen -- Shingeki no Kyojin: The Final Season Shingeki no Kyojin: The Final Season -- Gabi Braun and Falco Grice have been training their entire lives to inherit one of the seven titans under Marley's control and aid their nation in eradicating the Eldians on Paradis. However, just as all seems well for the two cadets, their peace is suddenly shaken by the arrival of Eren Yeager and the remaining members of the Survey Corps. -- -- Having finally reached the Yeager family basement and learned about the dark history surrounding the titans, the Survey Corps has at long last found the answer they so desperately fought to uncover. With the truth now in their hands, the group set out for the world beyond the walls. -- -- In Shingeki no Kyojin: The Final Season, two utterly different worlds collide as each party pursues its own agenda in the long-awaited conclusion to Paradis' fight for freedom. -- -- -- Licensor: -- Funimation -- 1,003,199 9.05
Shingeki no Kyotou -- -- - -- 1 ep -- Manga -- Action Fantasy Shounen -- Shingeki no Kyotou Shingeki no Kyotou -- A special anime featuring a battle against the Colossal Titan screened at the Tokyo Skytree. -- -- In the short, the characters from Shingeki no Kyojin are part of the Sky Survey Corps, protecting the Wall Skytree, a section of the walled city that contains the Skytree. The Sky Survey Corps find that the Wall Skytree is under attack by an army of titans, including a giant 350 meter-class titan that has suddenly appeared next to the Skytree and remains motionless. -- -- (Source: Anime Now!) -- Special - Apr 10, 2017 -- 19,441 6.37
Slam Dunk: Shouhoku Saidai no Kiki! Moero Sakuragi Hanamichi -- -- Toei Animation -- 1 ep -- Manga -- Comedy Drama School Shounen Slice of Life Sports -- Slam Dunk: Shouhoku Saidai no Kiki! Moero Sakuragi Hanamichi Slam Dunk: Shouhoku Saidai no Kiki! Moero Sakuragi Hanamichi -- After losing the titanic match against Kainan High, Team Shohoku and a newly shaven Hanamichi Sakuragi are challenged to an exhibition match by virtual basketball unknowns Ryoukufu High. Coach Anzai sees this as an opportunity for Shohoku to regain their confidence, but Ryoukufu are revealed to have a newly assembled championship calibre lineup and may give Sakuragi & Co their toughest test yet. -- -- (Source: ANN) -- Movie - Mar 4, 1995 -- 12,932 7.58
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1980 Damascus Titan missile explosion
200708 Coppa Titano
200809 Coppa Titano
200910 Coppa Titano
201011 Coppa Titano
201112 Coppa Titano
201213 Coppa Titano
201314 Coppa Titano
201415 Coppa Titano
201516 Coppa Titano
201617 Coppa Titano
201718 Coppa Titano
201819 Coppa Titano
201920 Coppa Titano
2019 TitansRX International Europe Series
202021 Coppa Titano
AcadieBathurst Titan
Acrophylla titan
Aellopos titan
Aerotitan
Age of Mythology: The Titans
Agreement Concerning the Shipwrecked Vessel RMS Titanic
Airfer Titan
All for You (Titanium album)
Amargatitanis
Amorphophallus titanum
Angolatitan
Animals aboard the Titanic
Antaeotricha nictitans
Archernis nictitans
Atacamatitan
Atmosphere of Titan
Attack on Titan
Attack on Titan 2
Attack on Titan: Before the Fall
Attack on Titan: Counter Rockets
Attack on Titan (film)
Attack on Titan: Harsh Mistress of the City
Attack on Titan: Junior High
Attack on Titan: Lost Girls
Attack on Titan: No Regrets
Attack on Titan (TV series)
Attack on Titan (video game)
Australian floating crane Titan
Back to Titanic
Balochititanops
Barium orthotitanate
Barium titanate
Battle of the Titans
Baurutitan
Bis(cyclopentadienyl)titanium(III) chloride
Bismuth titanate
Boloria titania
Bonatitan
Boron aluminum titanium hydride
Brasilotitan
Bristol Titan
British Titan Products
British Wreck Commissioner's inquiry into the sinking of the Titanic
Bury Titans
Calcium copper titanate
Calcium titanate
Caloptilia titanitis
Central Valley Titans
Cessna 404 Titan
Chamaecrista nictitans
Changes in safety practices after the sinking of the Titanic
Chess Titans
Clanis titan
Clash of the Titans
Clash of the Titans (1981 film)
Clash of the Titans (2010 film)
Clash of the Titans (film series)
Clash of the Titans (tour)
Class of the Titans
Climate of Titan
Colonization of Titan
Compsolechia titanota
Crash of the Titans
Crew of the Titanic
Cultural legacy of the Titanic
(Cyclopentadienyl)titanium trichloride
Cydia saltitans
Dance Band on the Titanic
Daxiatitan
Deathstalker IV: Match of Titans
Der Untergang der Titanic
Detroit Mercy Titans
Detroit Mercy Titans men's soccer
Detroit Mercy Titans track and field
Dione (Titaness)
Dongbeititan
Dorcus titanus
Douglas Adams's Starship Titanic: A Novel
Dow Jones Global Titans 50
Duel of the Titans
Duriatitan
Elaltitan
Ellipse Titan
Eotitanops
Eotitanosuchidae
Eotitanosuchus
Eramet Titanium & Iron
Erupa titanalis
Eupithecia latitans
Fairfield Titan
FC Titan Klin
Ferrotitanium
First-class facilities of the Titanic
Flight on Titan
Fukuititan
Garden of the Titans: Live at Red Rocks Amphitheater
Giraffatitan
Gobititan
Gold Coast Titans
Gondwanatitan
Grand Staircase of the Titanic
Guerra de Titanes
Guerra de Titanes (1997)
Guerra de Titanes (1998)
Guerra de Titanes (1999)
Guerra de Titanes (2000)
Guerra de Titanes (2001)
Guerra de Titanes (2002)
Guerra de Titanes (2003)
Guerra de Titanes (2004)
Guerra de Titanes (2005)
Guerra de Titanes (2006)
Guerra de Titanes (2007)
Guerra de Titanes (2008)
Guerra de Titanes (2009)
Guerra de Titanes (2013)
Guerra de Titanes (January 2018)
Gunatitanand Swami
Gyas titanus
Halomonas titanicae
Hexafluorotitanic acid
HGM-25A Titan I
History of the Gold Coast Titans
History of the Tennessee Titans
HMS Titania
HTC Titan
HTC Titan II
HTC Titan (Windows Mobile phone)
Huanghetitan
Hyperion (Titan)
Isotopes of titanium
JaguarsTitans rivalry
Kaijutitan
Kenrickodes titanica
Lakes of Titan
Lanthanum aluminate-strontium titanate interface
Laval Titan
Lead zirconate titanate
Legends and myths regarding the Titanic
Leyland Titan
Leyland Titan (B15)
Leyland Titan (front-engined double-decker)
LGM-25C Titan II
Liaoningotitan
Lifeboats of the Titanic
Life on Titan
List of accolades received by Titanic
List of Attack on Titan chapters
List of Attack on Titan characters
List of Attack on Titan episodes
List of Class of the Titans episodes
List of countries by titanium production
List of films about the Titanic
List of Gold Coast Titans players
List of Gold Coast Titans records
List of Gold Coast Titans representatives
List of Teen Titans comics
List of Teen Titans episodes
List of Teen Titans Go! episodes
List of Teen Titans members
List of Teen Titans (TV series) characters
List of Tennessee Titans first-round draft picks
List of Tennessee Titans head coaches
List of Tennessee Titans starting quarterbacks
List of Titan FC events
List of Titans (TV series) characters
Lithium titanate
Lithium-titanate battery
Lohuecotitan
Lotte Chemical Titan
Lusotitan
Lynchburg Titans
Machaerium nyctitans
Mazda Titan
Memorials and monuments to victims of the Titanic
Mines of Titan
Monte Titano
Morris Titanic
Mount Titanus
Musicians of the Titanic
MY Titanic
Narambuenatitan
Narrative of Some Things of New Spain and of the Great City of Temestitan
Nephanes titan
New Jersey Titans (NAHL)
Newport Titans
New York Titans
New York Titans (lacrosse)
Nickel titanium
Nickel titanium rotary file
Nimble Titan
Niobiumtitanium
Nvidia Titan
Nyceryx nictitans
Oberonia titania
Oceanotitan
Oceanus (Titan orbiter)
Olorotitan
Organotitanium compound
Orlando Titans
Ottawa Titans
Pallas (Titan)
Paludititan
Pangang Group Vanadium Titanium & Resources
Pantelemidis-TITAN
Paralititan
Passengers of the Titanic
Patagotitan
Perses (Titan)
Phoebe (Titaness)
Plymouth Titans
Polar the Titanic Bear
Potassium titanyl phosphate
Princeville Titans
Pristimantis cantitans
Project Titan
QIT-Fer et Titane
Raise the Titanic!
Raise the Titanic (film)
RavensTitans rivalry
Remember the Titans
Replica Titanic
Rhinotitan
Risen 3: Titan Lords
RMS Titanic Maritime Memorial Act
Romandisea Titanic
Rotherham Titans
Rukwatitan
Saved from the Titanic
Saving the Titanic
Scaphoideus titanus
Second- and third-class facilities on the Titanic
Shangri-La (Titan)
Sibirotitan
Sinking of the Titanic
Sinking of the Titanic (disambiguation)
SM-68 Titan
Sodium bismuth titanate
Sodium metatitanate
Soriatitan
S.O.S. Titanic
Sparganothis pettitana
Sphenotitan
SS Titan (1894)
Starfire (Teen Titans)
Starship Titanic
Star Trek: Titan
SteelersTitans rivalry
Stemorrhages titanicalis
Stenoma latitans
Strontium titanate
Submarine Titans
Sym-Bionic Titan
Tallahassee Titans
Tamaki Titans
Tambatitanis
Teen Titans
Teen Titans (2005 video game)
Teen Titans (2006 video game)
Teen Titans (disambiguation)
Teen Titans Go!
Teen Titans Go! To the Movies
Teen Titans Go! (TV series)
Teen Titans Go! vs. Teen Titans
Teen Titans: The Judas Contract
Teen Titans: Trouble in Tokyo
Teen Titans (TV series)
Telford Titans
Temiscaming Titans
Tennessee Titans
Tennessee Titans Cheerleaders
Terex 33-19 "Titan"
Termitomyces titanicus
Tetrakis(dimethylamido)titanium
TexansTitans rivalry
The Chambermaid on the Titanic
The Daily Titan
The Fall of the Titans
The Game-Players of Titan
The Legend of the Titanic
The Next Titan
The Sirens of Titan
The Titan's Curse
The Titan's Goblet
The Titan (EP)
The Titan Games
The Titanic (song)
The Titan: Story of Michelangelo
The Wreck of the Titan (audio drama)
The Wreck of the Titan: Or, Futility
Thorhild Titans
Tiny Titans
Titan
Titan (1988 video game)
TITAN2D
Titan Advisors
Titan A.E.
Titan Airways
Titan A/S
Titanate nanosheet
Titanattus
Titan-Barrikady
Titan (Baxter novel)
Titan beetle
Titan (Blizzard Entertainment project)
Titan (board game)
Titan (Bova novel)
Titan (cave)
Titan Cement
Titan-Centaur
Titan Clydebank
Titan Company
TitanCon
Titan Corporation
Titan Cup
Titan Distributors
Titane
Titanes del Distrito Nacional
Titanes de Tulancingo
Titanes en el ring
Titane (Sicyon)
Titan (esports)
Titanfall
Titanfall 2
Titanfall: Frontline
Titanfall (video game)
Titan FC 27
Titan FC 28
Titan FC 29
Titan FC 30
Titan (Fighting Fantasy book)
Titan (game engine)
Titani
Titania
Titania's woolly bat
Titania (ballet)
Titania (DC Comics)
Titania (disambiguation)
Titania Hotel
Titania (Marvel Comics)
Titania McGrath
Titania (moon)
Titanic
Titanic (1943 film)
Titanic (1953 film)
Titanic (1996 miniseries)
Titanic (1997 film)
Titanic (2012 miniseries)
Titanic acid
Titanic: Adventure Out of Time
Titanic (band)
Titanic Belfast
Titanic: Blood and Steel
Titanic Brewery
Titanic conspiracy theories
Titanic (disambiguation)
Titanic Engineers' Memorial
Titanic Express massacre
Titanic: Honor and Glory
Titanichthys
Titanic II
Titanic II (film)
Titanic in popular culture
Titanic International Society
Titanic Kadhalum Kavundhu Pogum
Titanic Kit
Titanic Lifeboat No. 1
Titanic Love
Titanic (magazine)
Titanic Memorial
Titanic Memorial, Belfast
Titanic Memorial (Washington, D.C.)
Titanic Museum
Titanic Museum (Branson, Missouri)
Titanic Museum (Pigeon Forge, Tennessee)
Titanic (musical)
Titanic: Music from the Motion Picture
Titanic Musicians' Memorial
Titanic (Nautilus Pompilius album)
Titanic, Oklahoma
Titanic prime
Titanic Quarter
Titanic, Saskatchewan
Titanic Sinclair
Titanic: The Complete Story
Titanic: The Legend Goes On
Titanic: The Long Night
Titanic Waltz
Titanides
Titan II GLV
Titan IIIB
Titan IIIC
Titan IIIM
Titanilla Bogdnyi
Titaniloricus
Titanine, Incorporated (Union City, New Jersey)
Titanine Ltd.
Titanio
Titanio caradjae
Titanio heliothalis
Titanio magnificalis
Titanio modestalis
Titanio normalis
Titanio originalis
Titanio pulchellalis
Titanio sultanalis
Titanio venustalis
Titan, Iran
Titanis
Titanite
Titanites
Titanium
Titanium adhesive bonding
Titanium alloy
Titanium aluminide
Titanium aluminium nitride
Titanium (band)
Titanium Beta C
Titanium bis(acetylacetonate)dichloride
Titanium butoxide
Titanium carbide
Titanium diboride
Titanium dioxide
Titanium dioxide nanoparticle
Titanium diselenide
Titanium disilicide
Titanium disulfide
Titanium ethoxide
Titanium Explorer
Titanium foam
Titanium gold
Titanium hydride
Titanium(II) chloride
Titanium(III) chloride
Titanium(III) fluoride
Titanium(III) oxide
Titanium(III) phosphide
Titanium(II) oxide
Titanium(II) sulfide
Titanium in Africa
Titanium in zircon geothermometry
Titanium isopropoxide
Titanium(IV) hydride
Titanium La Portada
Titanium Man
Titanium Metals Corporation
Titanium nitride
Titanium oxide
Titanium-rich scaffold formation
Titanium silicon carbide
Titanium (song)
Titanium tetrabromide
Titanium tetrachloride
Titanium tetrafluoride
Titanium tetraiodide
Titan IV
Titan (Jean Paul novel)
Titankayuq
Titan Lake In-situ Sampling Propelled Explorer
Titan language
Titan Mare Explorer
Titan Maximum
Titan Media
Titan (microprocessor)
Titan Missile Museum
Titan (moon)
Titano
Titanoboa
Titanobochica
Titanocene dicarbonyl
Titanocene dichloride
Titanocene pentasulfide
Titanocene Y
Titanoceratops
Titanoceros malefica
Titanoceros mirandalis
Titanoceros thermoptera
Titanoceros vinotinctalis
Titanoceros viridibasalis
Titanoeca quadriguttata
Titanoeca spominima
Titanoecidae
Titanohierax
Titanoides
Titanomachy
Titanomachy (epic poem)
Titanomis
Titanomyrma
Titanophoneus
Titanophyllum
Titanoptilus
Titanoptilus stenodactylus
Titanosauria
Titanosaurus
Titanosaurus (Godzilla)
Titanostrombus galeatus
Titanosuchidae
Titanosuchus
Titanotylopus
Titan (prison)
Titan Publishing Group
Titan Quest
Titan Quest: Immortal Throne
Titan Rain
Titan (rocket family)
Titan, Russia
Titans
Titans (2000 TV series)
Titans (2018 TV series)
Titan, Saghar District
Titan Saturn System Mission
Titans East
Titan Siege
Titans of Creation
Titans of Mavericks
Titans of Myth
Titans of Myth (comics)
Titan Souls
Titan Sports
Titan Sports (newspaper)
Titans Radio Network
Titans-RX
Titan Stadium
Titan Stadium (UWOshkosh)
Titans Tomorrow
Titans Tower
Titan Strike!
Titan Sud
Titan (supercomputer)
Titan T-51 Mustang
Titan: The Arena
Titan the Robot
Titan Tire Corporation
Titan Tornado
Titan Tower (Fisher Towers)
Titan Towers
Titan (transit advertising company)
Titan triggerfish
Titanus
Titan (Varley novel)
Titan worm snake
Titan (yacht)
Titan yellow
Titanyl sulfate
Toho Titanium SC
Toronto Titans
Torre Titanium
Transformers: Titans Return
Trash of the Titans
Traukutitan
Travancore Titanium Products
Trenton Titans
Trigunatitananda
Tri Valley Titans
Tuesday Night Titans
Tyrannotitan
Uberabatitan
University of Wollongong Titans
USNS Titan (T-AGOS-15)
USS Titania (AKA-13)
Vancouver Titans
Vertical Expandable Prosthetic Titanium Rib
Volgatitan
Voyage on the Great Titanic
Wintonotitan
Wrath of the Titans
Wreck of the Titanic
Wrestling Titans
Xanadu (Titan)
Xinjiangtitan
Xylophanes titana
Yamantaka // Sonic Titan
Zhuchengtitan



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