TERMS STARTING WITH
beaded ::: imp. & p. p. --> of Bead
beadhouse ::: n. --> Alt. of Bedehouse
beading ::: p. pr. & vb. n. --> of Bead ::: n. --> Molding in imitation of beads.
The beads or bead-forming quality of certain liquors; as, the beading of a brand of whisky.
beadlery ::: n. --> Office or jurisdiction of a beadle.
beadleship ::: n. --> The state of being, or the personality of, a beadle.
beadle ::: v. --> A messenger or crier of a court; a servitor; one who cites or bids persons to appear and answer; -- called also an apparitor or summoner.
An officer in a university, who precedes public processions of officers and students.
An inferior parish officer in England having a variety of duties, as the preservation of order in church service, the chastisement of petty offenders, etc.
bead ::: n. --> A prayer.
A little perforated ball, to be strung on a thread, and worn for ornament; or used in a rosary for counting prayers, as by Roman Catholics and Mohammedans, whence the phrases to tell beads, to at one&
bead proof ::: --> Among distillers, a certain degree of strength in alcoholic liquor, as formerly ascertained by the floating or sinking of glass globules of different specific gravities thrown into it; now ascertained by more accurate meters.
A degree of strength in alcoholic liquor as shown by beads or small bubbles remaining on its surface, or at the side of the glass, when shaken.
beadroll ::: n. --> A catalogue of persons, for the rest of whose souls a certain number of prayers are to be said or counted off on the beads of a chaplet; hence, a catalogue in general.
beadsman ::: n. --> Alt. of Bedesman
beadsnake ::: n. --> A small poisonous snake of North America (Elaps fulvius), banded with yellow, red, and black.
beadswoman ::: n. --> Alt. of Bedeswoman
beadwork ::: n. --> Ornamental work in beads.
beady ::: a. --> Resembling beads; small, round, and glistening.
Covered or ornamented with, or as with, beads.
Characterized by beads; as, beady liquor.
TERMS ANYWHERE
Abacus (Latin) [from Greek abax slab from Hebrew ’abaq dust] Anciently a sand-strewn board or table used for writing, geometrical figures, etc.; a counting-board on which sums were worked with counters on the board or beads in vertical grooves; and also a calculating device consisting of balls strung on wires set in a frame.
aggri ::: a. --> Applied to a kind of variegated glass beads of ancient manufacture; as, aggry beads are found in Ashantee and Fantee in Africa.
amber ::: n. --> A yellowish translucent resin resembling copal, found as a fossil in alluvial soils, with beds of lignite, or on the seashore in many places. It takes a fine polish, and is used for pipe mouthpieces, beads, etc., and as a basis for a fine varnish. By friction, it becomes strongly electric.
Amber color, or anything amber-colored; a clear light yellow; as, the amber of the sky.
Ambergris.
Angaja. (T. Yan lag 'byung; C. Yinjietuo; J. Inkatsuda; K. In'get'a 因陀). The Sanskrit name of the thirteenth of the sixteen ARHAT elders (sOdAsASTHAVIRA), who were charged by the Buddha with protecting his dispensation until the advent of the next buddha, MAITREYA. He is said to reside on Guangxie Mountain with thirteen hundred disciples. According to the Chinese tradition, Angaja had been a snake wrangler before he was ordained, so whenever he went into the mountains, he carried a cloth bag with him to catch snakes, which he would release after removing their fangs so they would not injure people. For this reason, he earned the nickname "Cloth-Bag Arhat" (BUDAILUOHAN/heshang). In CHANYUE GUANXIU's standard Chinese depiction, Angaja leans against a staff, with his head lowered, reading a SuTRA that he holds in his left hand, his right hand counting recitation beads (JAPAMALA).
arango ::: n. --> A bead of rough carnelian. Arangoes were formerly imported from Bombay for use in the African slave trade.
azedarach ::: n. --> A handsome Asiatic tree (Melia azedarach), common in the southern United States; -- called also, Pride of India, Pride of China, and Bead tree.
The bark of the roots of the azedarach, used as a cathartic and emetic.
baguette ::: n. --> A small molding, like the astragal, but smaller; a bead.
One of the minute bodies seen in the divided nucleoli of some Infusoria after conjugation.
beaded ::: imp. & p. p. --> of Bead
beadhouse ::: n. --> Alt. of Bedehouse
beading ::: p. pr. & vb. n. --> of Bead ::: n. --> Molding in imitation of beads.
The beads or bead-forming quality of certain liquors; as, the beading of a brand of whisky.
beadlery ::: n. --> Office or jurisdiction of a beadle.
beadleship ::: n. --> The state of being, or the personality of, a beadle.
beadle ::: v. --> A messenger or crier of a court; a servitor; one who cites or bids persons to appear and answer; -- called also an apparitor or summoner.
An officer in a university, who precedes public processions of officers and students.
An inferior parish officer in England having a variety of duties, as the preservation of order in church service, the chastisement of petty offenders, etc.
bead ::: n. --> A prayer.
A little perforated ball, to be strung on a thread, and worn for ornament; or used in a rosary for counting prayers, as by Roman Catholics and Mohammedans, whence the phrases to tell beads, to at one&
bead proof ::: --> Among distillers, a certain degree of strength in alcoholic liquor, as formerly ascertained by the floating or sinking of glass globules of different specific gravities thrown into it; now ascertained by more accurate meters.
A degree of strength in alcoholic liquor as shown by beads or small bubbles remaining on its surface, or at the side of the glass, when shaken.
beadroll ::: n. --> A catalogue of persons, for the rest of whose souls a certain number of prayers are to be said or counted off on the beads of a chaplet; hence, a catalogue in general.
beadsman ::: n. --> Alt. of Bedesman
beadsnake ::: n. --> A small poisonous snake of North America (Elaps fulvius), banded with yellow, red, and black.
beadswoman ::: n. --> Alt. of Bedeswoman
beadwork ::: n. --> Ornamental work in beads.
beady ::: a. --> Resembling beads; small, round, and glistening.
Covered or ornamented with, or as with, beads.
Characterized by beads; as, beady liquor.
bedehouse ::: n. --> An almshouse for poor people who pray daily for their benefactors.
Same as Beadhouse.
bedell ::: n. --> Same as Beadle.
bedelry ::: n. --> Beadleship.
bedesman ::: n. --> A poor man, supported in a beadhouse, and required to pray for the soul of its founder; an almsman.
Same as Beadsman.
bedeswoman ::: n. --> Fem. of Beadsman.
Bhadra. (P. Bhadda; T. Bzang po; C. Batuoluo zunzhe; J. Batsudara sonja; K. Palt'ara chonja 跋陀羅尊者). The Sanskrit name of the sixth of the sixteen ARHAT elders (sOdAsASTHAVIRA), who are charged by the Buddha with protecting his dispensation until the advent of the next buddha, MAITREYA. He is said to reside in Sri Lanka with nine hundred disciples. His mother gave birth to him under the bhadra (auspicious) tree, hence his name. A cousin of the Buddha, he served as his attendant and was famed for his clear exposition of the teachings. In the Chinese tradition, he is charged with matters related to bathing and his image is therefore enshrined in bath houses in some mountain monasteries. In CHANYUE GUANXIU's standard Chinese depiction, Bhadra typically sits on a rock in meditation. His forehead is high, his cheeks plump, and his gaze is turned slightly upward. His right hand is hidden under his robes and his left hand rests on his knee, holding prayer beads (JAPAMALA). Some East Asian images also show him accompanied by a tiger. In Tibetan iconography, he holds his left hand at his chest in VITARKAMUDRA, his right at his lap in DHYANAMUDRA.
bluecoat ::: n. --> One dressed in blue, as a soldier, a sailor, a beadle, etc.
bluegown ::: n. --> One of a class of paupers or pensioners, or licensed beggars, in Scotland, to whim annually on the king&
brachistochrone: The trajectory of fastest travel between 2 points if a bead is considered to be guided by a smooth wire, under gravity only, between the 2 points starting from rest. Note that the starting point must not be the lower of the 2 points or the bead would never reach the other point. (At the starting point, the bead has zero Kinectic energy. It will never reach the point with higher gravitational potential energy. However, due tot he smoothness of the wire, points of equal heights are possible.)
bubble ::: n. --> A thin film of liquid inflated with air or gas; as, a soap bubble; bubbles on the surface of a river.
A small quantity of air or gas within a liquid body; as, bubbles rising in champagne or aerated waters.
A globule of air, or globular vacuum, in a transparent solid; as, bubbles in window glass, or in a lens.
A small, hollow, floating bead or globe, formerly used for testing the strength of spirits.
bugle ::: n. --> A sort of wild ox; a buffalo.
A horn used by hunters.
A copper instrument of the horn quality of tone, shorter and more conical that the trumpet, sometimes keyed; formerly much used in military bands, very rarely in the orchestra; now superseded by the cornet; -- called also the Kent bugle.
An elongated glass bead, of various colors, though commonly black.
chaplet ::: n. --> A garland or wreath to be worn on the head.
A string of beads, or part of a string, used by Roman Catholic in praying; a third of a rosary, or fifty beads.
A small molding, carved into beads, pearls, olives, etc.
A chapelet. See Chapelet, 1.
A bent piece of sheet iron, or a pin with thin plates on its ends, for holding a core in place in the mold.
A tuft of feathers on a peacock&
comboloio ::: n. --> A Mohammedan rosary, consisting of ninety-nine beads.
creaser ::: n. --> A tool, or a sewing-machine attachment, for making lines or creases on leather or cloth, as guides to sew by.
A tool for making creases or beads, as in sheet iron, or for rounding small tubes.
A tool for making the band impression distinct on the back.
dharmasarīra. (T. chos sku'i ring bsrel; C. fa[shen] sheli; J. hosshinshari/hoshari; K. pop[sin] sari 法[身]舍利). In Sanskrit, "relics of the dharma [body]"; the Buddha's incorporeal relics, viz., his scriptures, verses, and doctrines, or the immutable truth "embodied" therein. "Relics" (sARĪRA) literally means "body," but in Buddhist usage comes to refer most often to the sacred physical relics found in the cremated remains of the Buddha or of an eminent monk. In contrast to these physical relics remaining after cremation, "the relics of the dharma [body]" refers to the corpus of Buddhist literature and/or the DHARMAVINAYA embodied therein that were left behind by the Buddha as his incorporeal legacy; therefore they can be worshiped as sarīra. As the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"), for example, notes, "Wherever this sutra is spoken, read, recited, written out, or stored, one should build a STuPA of the seven jewels (RATNA), making it high, broad, and adorned. It is not necessary to place sarīra in it. Why is this? Within it already is the complete body of the TATHĀGATA. To this stupa one should make offerings of all kinds of flowers, incenses, beads, silk canopies, banners, vocal and instrumental music, honoring and praising it."
enamel ::: v. t. --> A variety of glass, used in ornament, to cover a surface, as of metal or pottery, and admitting of after decoration in color, or used itself for inlaying or application in varied colors.
A glassy, opaque bead obtained by the blowpipe.
That which is enameled; also, any smooth, glossy surface, resembling enamel, especially if variegated.
The intensely hard calcified tissue entering into the composition of teeth. It merely covers the exposed parts of the teeth
faqi. (S. *dharmabhājana; T. chos kyi snod; J. hoki; K. popki 法器). In Chinese, "dharma vessel" or "implement of dharma." When referring to objects, faqi is the collective name for all the implements used either for ritual and liturgical purposes (e.g., bells, drums, and wooden fish) or for decorative purposes (e.g., canopies, banners, flower vases, censers, and lamps). The term is also used to refer to the few possessions allowable to a monk or nun, such as the begging bowl (PĀTRA), recitation beads (JAPAMĀLĀ), and the staff; see also PARIsKĀRA. One of the six forms of AVALOKITEsVARA, the Thousand-Hands and Thousand-Eyes emanation (S. SĀHASRABHUJASĀHASRANETRĀVALOKITEsVARA; C. Qianshou Qianyan Guanshiyin Pusa), is commonly depicted in abbreviated form with forty hands, each of which holds a different faqi (cf. T. phyag mtshan, lag cha). According to the Nīlakantha[ka]sutra, these forty faqi include weapons, precious jewels, liturgical instruments, the sun and moon, and plants. The bodhisattva uses these various faqi to protect and save the sentient beings of the continent of JAMBUDVĪPA. When used metaphorically to refer to a person, faqi is a term of praise, meaning "one who has been, or has the potential to be, molded into a vessel of the dharma," or "someone who is suitably prepared to believe in and understand the teachings of Buddhism." In the CHAN tradition, one who is capable of being entrusted with the store of the proper dharma eye (ZHENFAYANZANG), the sublime mind of NIRVĀnA, is called a "dharma vessel."
full-winged ::: a. --> Having large and strong or complete wings.
Beady for flight; eager.
gaudy ::: superl. --> Ostentatiously fine; showy; gay, but tawdry or meretricious.
Gay; merry; festal. ::: n. --> One of the large beads in the rosary at which the paternoster is recited.
hermit ::: n. --> A person who retires from society and lives in solitude; a recluse; an anchoret; especially, one who so lives from religious motives.
A beadsman; one bound to pray for another.
hexadecimal ::: (mathematics) (Or hex) Base 16. A number representation using the digits 0-9, with their usual meaning, plus the letters A-F (or a-f) to represent hexadecimal digits with values of (decimal) 10 to 15. The right-most digit counts ones, the next counts multiples of 16, then 16^2 = 256, etc.For example, hexadecimal BEAD is decimal 48813: digit weight valueB = 11 16^3 = 4096 11*4096 = 45056 decimal or other bases in programs. In C for example, the prefix 0x is used, e.g. 0x694A11.Hexadecimal is more succinct than binary for representing bit-masks, machines addresses, and other low-level constants but it is still reasonably easy to split a hex number into different bit positions, e.g. the top 16 bits of a 32-bit word are the first four hex digits.The term was coined in the early 1960s to replace earlier sexadecimal, which was too racy and amusing for stuffy IBM, and later adopted by the rest of the industry.Actually, neither term is etymologically pure. If we take binary to be paradigmatic, the most etymologically correct term for base ten, for example, is of a choice between two *correct* forms; both ternary and trinary have a claim to this throne.[Jargon File] (1996-03-09)
hexadecimal "mathematics" (Or "hex") {Base} 16. A number representation using the digits 0-9, with their usual meaning, plus the letters A-F (or a-f) to represent hexadecimal digits with values of (decimal) 10 to 15. The right-most digit counts ones, the next counts multiples of 16, then 16^2 = 256, etc. For example, hexadecimal BEAD is decimal 48813: digit weight value B = 11 16^3 = 4096 11*4096 = 45056 E = 14 16^2 = 256 14* 256 = 3584 A = 10 16^1 = 16 10* 16 = 160 D = 13 16^0 = 1 13* 1 = 13 ----- BEAD = 48813 There are many conventions for distinguishing hexadecimal numbers from decimal or other bases in programs. In {C} for example, the prefix "0x" is used, e.g. 0x694A11. Hexadecimal is more succinct than {binary} for representing {bit-masks}, machines addresses, and other low-level constants but it is still reasonably easy to split a hex number into different bit positions, e.g. the top 16 bits of a 32-bit word are the first four hex digits. The term was coined in the early 1960s to replace earlier "sexadecimal", which was too racy and amusing for stuffy {IBM}, and later adopted by the rest of the industry. Actually, neither term is etymologically pure. If we take "binary" to be paradigmatic, the most etymologically correct term for base ten, for example, is "denary", which comes from "deni" (ten at a time, ten each), a Latin "distributive" number; the corresponding term for base sixteen would be something like "sendenary". "Decimal" is from an ordinal number; the corresponding prefix for six would imply something like "sextidecimal". The "sexa-" prefix is Latin but incorrect in this context, and "hexa-" is Greek. The word {octal} is similarly incorrect; a correct form would be "octaval" (to go with decimal), or "octonary" (to go with binary). If anyone ever implements a base three computer, computer scientists will be faced with the unprecedented dilemma of a choice between two *correct* forms; both "ternary" and "trinary" have a claim to this throne. [{Jargon File}] (1996-03-09)
In a more relative sense the sutratman is the egoic pilgrim, the immortal individuality, or that thread of being which animates a person and passes through all the countless personalities which he uses during the course of his manvantara-long evolutionary progress. “In each of us that golden thread of continuous life — periodically broken into active and passive cycles of sensuous existence on Earth, and super-sensuous in Devachan — is from the beginning of our appearance upon this earth. It is the Sutratma, the luminous thread of immortal impersonal monadship, on which our earth lives or evanescent Egos are strung as so many beads . . .” (SD 2:513).
japamālā. (T. bzlas brjod kyi 'phreng ba; C. shuzhu/nianzhu; J. juzu/nenju; K. suju/yomju 數珠/念珠). In Sanskrit and Pāli, lit. "garland for recitation," thus "prayer beads" or "rosary"; a string of beads held usually in the right hand and fingered by adherents to keep count of the number of recitations made in the course of a worship service, MANTRA recitation, or meditation session. The beads are often made from sandalwood or seeds of the BODHI TREE (Ficus religiosa), the tree under which the Buddha gained enlightenment, although rosaries made from a range of other materials are also common; in some tantric practices, a rosary with beads made from human bone is used. The number of beads on a rosary varies widely. The most common number is 108, the significance of which receives widely varying explanations. One common interpretation is that this number refers to a list of 108 afflictions (KLEsA); fingering all 108 beads in the course of a recitation would then be either a reminder to remain mindful of these afflictions or would constitute their symbolic purification. Alternatively, this 108 can refer to all of phenomenal existence, i.e., the eighteen elements (DHĀTU), viz., the six sense bases, six sense objects, and six sensory consciousnesses, in all of the six states of existence (GATI) (18 × 6 = 108). In Tibetan Buddhism, the number 111 is sometimes used, based on the assumption that for each ten mantras recited, one will be mistaken and need to be repeated, thus adding an additional ten beads for 110. An additional bead is then added to account for the mistaken recitation among the additional ten. Thus, although a mantra might be recited 111 times, only 100 are counted. The Chinese PURE LAND advocate DAOCHUO (562-645) is famous for having used small beans (xiaodou) to keep track of the number of times he had recited the buddha AMITĀBHA's name (see NIANFO); some believe his habit of using such counting beans is the origin of the East Asian japamālā. In many Buddhist traditions, carrying a rosary serves almost as a symbol of the faith. In East Asia, Buddhist monks and nuns, and even many lay adherents, will commonly wear the full-length rosary around their necks. Rosaries of abbreviated lengths, which are more typically worn around the wrist, are sometimes designated duanzhu (J. tanju; K. tanju), or "short rosary." These rosaries will be a maximum of fifty-four beads in length (half the usual length), which would require two repetitions to complete a full round of recitation, and a minimum of nine beads, which would take twelve repetitions. In Tibetan Buddhism, a short rosary is sometimes worn around the right hand while doing prostrations. The CHAN school often uses a short rosary with eighteen beads, requiring six repetitions. See also JAPA.
Maala: Rosary; beads used for counting the number of Japa done.
Mala ::: Buddhist prayer beads. Examples of use include counting iterations of a mantra or number of breaths.
mala. ::: taint; impurity; defilement; defect; ignorance; limitation of consciousness; also a flower garland or string of beads, usually 108, used to count off repetitions of a mantra
mālā. (T. 'phreng ba; C. man; J. man; K. man 鬘). In Sanskrit and Pāli, lit. "garland" a "rosary," viz., a string of beads usually held in the right hand and used for counting the recitations of prayers or MANTRAs; also called a JAPAMĀLĀ. The number of beads on the rosary varies by tradition, with some rosaries in pure land traditions having twenty-seven beads, and rosaries in Tibetan Buddhism commonly having 108 or 111 beads. The rationale for 111 beads is as follows: it is assumed that in each set of ten repetitions, one repetition will be faulty and need to be redone. Thus ten beads are added for the first hundred beads and one bead is added for the additional ten beads. The significance of the more common number of 108 is less clear. One common interpretation is that this number refers to a list of 108 afflictions (KLEsA); fingering all 108 beads in the course of a recitation would then be either a reminder to remain mindful of these afflictions or would constitute their symbolic purification. Alternatively, this 108 can refer to all of phenomenal existence, i.e., the eighteen elements (DHĀTU), viz., the six sense bases, six sense objects, and six sensory consciousnesses, in all of the six realms of existence (GATI) (18 × 6 = 108). See also JAPAMĀLĀ.
margosa ::: n. --> A large tree of genus Melia (M. Azadirachta) found in India. Its bark is bitter, and used as a tonic. A valuable oil is expressed from its seeds, and a tenacious gum exudes from its trunk. The M. Azedarach is a much more showy tree, and is cultivated in the Southern United States, where it is known as Pride of India, Pride of China, or bead tree. Various parts of the tree are considered anthelmintic.
moniliform ::: a. --> Joined or constricted, at regular intervals, so as to resemble a string of beads; as, a moniliform root; a moniliform antenna. See Illust. of Antenna.
musbaha ::: string of prayer beads; rosary; also known as tasbih
necklace ::: n. --> A string of beads, etc., or any continuous band or chain, worn around the neck as an ornament.
A rope or chain fitted around the masthead to hold hanging blocks for jibs and stays.
null ::: a. --> Of no legal or binding force or validity; of no efficacy; invalid; void; nugatory; useless. ::: n. --> Something that has no force or meaning.
That which has no value; a cipher; zero.
One of the beads in nulled work.
pair ::: n. --> A number of things resembling one another, or belonging together; a set; as, a pair or flight of stairs. "A pair of beads." Chaucer. Beau. & Fl. "Four pair of stairs." Macaulay. [Now mostly or quite disused, except as to stairs.]
Two things of a kind, similar in form, suited to each other, and intended to be used together; as, a pair of gloves or stockings; a pair of shoes.
Two of a sort; a span; a yoke; a couple; a brace; as, a pair
passementerie ::: n. --> Beaded embroidery for women&
paternoster ::: n. --> The Lord&
ferrite bead - Ferrite composition in the form of a bead. Running a wire through the bead increases the inductance of the wire.
Phra Kaew Morakot. In Thai, "The Emerald Buddha" (full name: Phra Phuttha Maha Mani Ratana Patimakorn; P. Buddhamahāmaniratnapatimā); this most sacred and venerated buddha image in Thailand is currently enshrined at Wat Phra Kaew (Temple of the Emerald Buddha), an ornate temple located on the grounds of the royal palace in the Thai capital of Bangkok. The image, which is in the seated meditation posture, is 29.5 inches (forty-five centimeters) tall; despite its name, it is in fact not made of emerald, but is carved from a single block of a green stone thought to be either jasper or jade. Kaew is an indigenous Thai word for "glass" or "translucence"; morakot derives from the Sanskrit word for emerald (S. morakata). According to legend, the Emerald Buddha was the first buddha image ever made and was carved five hundred years after the Buddha's death out of a sacred gem that came from INDRA's palace. The image is said to have been made by NĀGASENA (c. 150 BCE), the interlocutor of the MILINDAPANHA, in the north Indian city of PĀtALIPUTRA around 43 BCE. The image was then taken to Sri Lanka in the fourth century CE, and was on its way to Burma in 457, when the ship carrying it went off course and the image next appeared in Cambodia. The image eventually came into Thai hands and made its way to AYUTHAYA, Chiangrai, Chiangmai, and ultimately Bangkok. The image's actual provenance is a matter of debate. Some art historians argue that on stylistic grounds the Emerald Buddha appears to have been carved in northern Thailand around the fifteenth century, while others argue for a south Indian or Sri Lankan origin based on its meditative posture, which is uncommon in Thai buddha images. The Emerald Buddha first enters the historical record upon its discovery in 1434 CE, in the area that is now the northern Thai province of Chiangrai, when lightning struck a chedi (P. cetiya, S. CAITYA) and a buddha image made of stucco was found inside. As the stucco began to flake off, the image of the Emerald Buddha was revealed. At that time, Chiangrai was ruled by the Lānnā Thai kingdom, whose king attempted to bring the image back to his capital of Chiangmai. The chronicles relate that three times he sent an elephant to bring the Emerald Buddha to Chiangmai, but each time the elephant went to Lampang instead, so the king finally relented and allowed the image to remain there. In 1468, the new Chiangmai monarch, King Tiloka, finally succeeded in moving the image to Chiangmai and installed it in the eastern niche of a large STuPA at Wat Chedi Luang. The image remained there until 1552, when it was taken to LUANG PRABANG, then the capital of Laos, by the Lao ruler, who was also ruling Chiangmai at the time. In 1564, the king then took the image to Vientiane, where he set up a new capital after fleeing the Burmese. The Emerald Buddha remained in Vientiane for 214 years, until 1778 when the Siamese general Taksin captured the city and took the Emerald Buddha to Thonburi, then the Siamese capital. In 1784, when Bangkok was established as the capital, the image was installed there, in Wat Phra Kaew, the Temple of the Emerald Buddha, as the palladium of the nation (then known as Siam). Because Wat Phra Kaew is located within the palace grounds, the temple is unique in Thai Buddhism for having no monastic residences; the grounds contain only sacred shrines, stupas, and the main ubosoth (UPOsADHA hall), where the Buddha resides. The image of the Emerald Buddha is always clothed in golden raiments, which are changed according to the seasons. King Rāma I (r. 1782-1809) had two seasonal costumes made for the statue: a ceremonial robe for the hot season and a monastic robe for the rainy season. King Rāma III (1824-1851) had another costume made for the cold season: a mantle of gold beads. The ruling monarch performs the ceremonial changing of the garments each season.
psalter ::: n. --> The Book of Psalms; -- often applied to a book containing the Psalms separately printed.
Specifically, the Book of Psalms as printed in the Book of Common Prayer; among the Roman Catholics, the part of the Breviary which contains the Psalms arranged for each day of the week.
A rosary, consisting of a hundred and fifty beads, corresponding to the number of the psalms.
rigoll ::: n. --> A musical instrument formerly in use, consisting of several sticks bound together, but separated by beads, and played with a stick with a ball at its end.
rosary ::: n. --> A bed of roses, or place where roses grow.
A series of prayers (see Note below) arranged to be recited in order, on beads; also, a string of beads by which the prayers are counted.
A chapelet; a garland; a series or collection, as of beautiful thoughts or of literary selections.
A coin bearing the figure of a rose, fraudulently circulated in Ireland in the 13th century for a penny.
Rosary ::: Prayer beads in the form of a necklace used in many religious traditions. See also Mala.
seawant ::: n. --> The name used by the Algonquin Indians for the shell beads which passed among the Indians as money.
sheliju. (J. sharigu; K. sarigu 舍利具). In Chinese, a "reliquary container" containing the relics (sARĪRA) of the Buddha or a sage; also written as SHELIQI. The relics were deposited in a set of nested caskets and were placed inside or buried below the foundation of a STuPA. A tiny glass bottle placed inside several layered caskets served as the innermost container for the crystalline relic-grains remaining after cremation. The shape of the caskets differed according to time and region, from a stupa shape to the shape of a bowl or tube, and the caskets were made of gold, silver, gilt bronze, lacquered wood, porcelain, or stone. The sides of the caskets were often incised with buddha images or guardian deities. In addition to the relic, the donors frequently deposited a multitude of objects of intrinsic or artistic value in the containers, including beads, pearls, jewelry, or coins. The earliest known reliquary is a steatite casket found in the stupa of Piprāwā (fifth-fourth centuries BCE) in India. In China, the reliquary chamber excavated at the FAMENSI pagoda is the most widely researched. In contrast to most Chinese reliquary chambers, which were only accessible prior to the construction of a pagoda, the Famensi relic was escorted to and from the imperial palace. Further outstanding examples of reliquaries have been excavated at Songnimsa and Kamŭnsa in Korea. Both reliquaries date from the Silla period and show the refined amalgamation of foreign influences and native Silla craftsmanship. The center of the Songnimsa reliquary is a small green glass bottle, placed in a green glass cup decorated with twelve rings of coiled glass, which derives from Persian or Syrian prototypes. The Kamŭnsa reliquary contains a vessel in the shape of a miniature pavilion and an outer container decorated on each side with the four heavenly kings, pointing to the LOKAPĀLA cult that thrived in Silla society at that time.
string ::: n. --> A small cord, a line, a twine, or a slender strip of leather, or other substance, used for binding together, fastening, or tying things; a cord, larger than a thread and smaller than a rope; as, a shoe string; a bonnet string; a silken string.
A thread or cord on which a number of objects or parts are strung or arranged in close and orderly succession; hence, a line or series of things arranged on a thread, or as if so arranged; a succession; a concatenation; a chain; as, a string of shells or beads;
tasbih ::: glorification; repeating the Names of Allah with the help of prayer beads; prayer beads
Tasbih Prayer beads for the recitation of wazaif (e.g. mala or japa mala (Hinduism) akshamala (Buddhism)). All are forerunners of the catholic rosary which came into use in the 15th century
“The human Ego is neither Atman nor Buddhi, but the higher Manas: the intellectual fruition and the efflorescence of the intellectual self-conscious Egotism — in the higher spiritual sense. The ancient works refer to it as Karana Sarira on the plane of Sutratma, which is the golden thread on which, like beads, the various personalities of this higher Ego are strung” (SD 2:79).
The tendency of specialized animal or plant species to revert to their primitive racial type conflicts with the Darwinian idea that changes result from the gradual accretion of small differentiations. Scientists see heredity as a string of beads, connected one to the other without any thread running through the whole; whereas the theosophical philosophy regards each bead as springing from the connecting vital thread or line, so that the characteristics of all ancestors may be transmitted in latency, ready to appear at any time, should circumstances favor it.
T'ongdosa. (通度寺). In Korean, "Breakthrough Monastery" (lit. "Penetrating Crossing-Over Monastery"); the fifteenth district monastery (PONSA) in the contemporary CHOGYE CHONG of Korean Buddhism, located at the base of Yongch'uksan (S. GṚDHRAKutAPARVATA, or Vulture Peak) in Yangsan, South Kyongsang province. Along with HAEINSA and SONGGWANGSA, T'ongdosa is one of the "three-jewel monasteries" (SAMBO SACH'AL) that represent one of the three jewels (RATNATRAYA) of Buddhism; T'ONGDOSA is the buddha-jewel monastery (pulbo sach'al), because of its ordination platform and the relics (K. sari; S. sARĪRA) of the Buddha enshrined in back of its main shrine hall (TAEUNG CHoN). The oldest of the three-jewel monasteries, T'ongdosa has long been regarded as the center of Buddhist disciplinary studies (VINAYA) in Korea, and has been one of the major sites of ordination ceremonies since the Unified Silla period (668-935). Relics, reputed to be those of the Buddha himself, are enshrined at the monastery, and its taeung chon is famous for being one of four in Korea that does not enshrine an image of the Buddha; instead, a window at the back of the main hall, where the image ordinarily would be placed, looks out on the Diamond Ordination Platform (Kŭmgang kyedan), which includes a reliquary (STuPA) that enshrines the Buddha's relics. This focus on vinaya and the presence of these relics, both of which are reminders of the Buddha, have led the monastery to be designated the buddha-jewel monastery of Korea. T'ongdosa is said to have been established by the vinaya master CHAJANG (608-686) in 646 to enshrine a portion of the relics that he brought back with him from his sojourn into China. While on pilgrimage at WUTAISHAN, Chajang had an encounter with the bodhisattva MANJUsRĪ, who entrusted Chajang with a gold studded monk's robe (K. kasa; S. KAsĀYA) wrapped in purple silk gauze, one hundred pieces of relics of the Buddha's skull bone and his finger joint, beads, and sutras. One portion of the relics was enshrined together with the Buddha's robe in a bell-shaped stone stupa at the center of the Diamond Ordination Platform; another portion was enshrined in the nine-story pagoda at HWANGNYONGSA in the Silla capital of Kyongju. Under Chajang's leadership, the monastery grew into a major center of Silla Buddhism and the monastery continued to thrive throughout the Silla and Koryo dynasties, until the whole monastery except the taeung chon was destroyed by invading Japanese troops in the late sixteenth century. In 1641, the monk Uun (d.u.) rebuilt the monastery in its current configuration. The Diamond Ordination Platform was periodically damaged during the sporadic Japanese invasions that occurred during the Choson dynasty. In the fourth month of 1377, Japanese pirates invaded, seeking to plunder the sarīra; to keep them from falling into Japanese hands, the abbot went into hiding with the relics. Two years later, on the fifteenth day of the fifth month of 1379, the pirates came again, and the monks quickly whisked away the relics and hid them deep in the forest behind the monastery. The Japanese went in pursuit of the relics, but the abbot Wolsong (d.u.) took them to Seoul to keep them safe, returning with them once the danger had passed. During the Hideyoshi Invasions in the late sixteenth century, the relics were also removed in order to keep them safe. SAMYoNG YUJoNG, who was leading a monk's militia fighting the Japanese invaders, sent the relics to the Diamond Mountains (KŬMGANGSAN) in the north, where his teacher and the supreme commander, CH'oNGHo HYUJoNG, was staying. Hyujong decided that the relics were no safer there than back at their home monastery, so he returned them to T'ongdosa. Yujong covered the hiding place of the relics with weeds and thorn bushes and, once the Japanese threat was rebuffed, he restored the site to its former glory and the relics were reenshrined in 1603. The platform was repaired again in 1653 and on a grand scale in 1705. The Diamond Ordination Platform remains the site where BHIKsU and BHIKsUnĪ ordinations are held in Korea. In 1972, T'ongdosa was elevated to the status of an ecumenical monastery (CH'ONGNIM), and is one of the five such centers in the contemporary Chogye order, which are all expected to provide training in the full range of practices that exemplify the major strands of the Korean Buddhist tradition; the monastery is thus also known as the Yongch'uk Ch'ongnim.
unstring ::: v. t. --> To deprive of a string or strings; also, to take from a string; as, to unstring beads.
To loosen the string or strings of; as, to unstring a harp or a bow.
To relax the tension of; to loosen.
Used also figuratively; as, his nerves were unstrung by fear.
wampum ::: n. --> Beads made of shells, used by the North American Indians as money, and also wrought into belts, etc., as an ornament.
KEYS (10k)
1 Hakuin Ekaku
NEW FULL DB (2.4M)
3 Charles Dickens
2 William Shakespeare
2 Sarah Dessen
2 Michelle Beadle
2 Laini Taylor
2 Kurt Vonnegut
2 Kabir
2 John Geddes
2 Jodi Picoult
2 Hakuin Ekaku
2 Chinua Achebe
1:I learned that you should feel when writing, not like Lord Byron on a mountain top, but like a child stringing beads in kindergarten - happy, absorbed and quietly putting one bead on after another.
~ Brenda Ueland,#KEYS
*** WISDOM TROVE ***
1:Mastery is great, but even that is not enough. You have to be able to change course without a bead of sweat, or remorse. ~ tom-peters, @wisdomtrove 2:Among mathematicians, even in those days, the reputation of being a good Glass Bead Game player meant a great deal; it was equivalent to being a very good mathematician. ~ hermann-hesse, @wisdomtrove 3:It was as if someone had taken a tiny bead of pure life and decking it as lightly as possible with down and feathers, had set it dancing and zigzagging to show us the true nature of life. ~ virginia-woolf, @wisdomtrove 4:Deciding to chant the mantra a certain number of times daily will help foster the japa habit. We should always keep a rosary with us for doing japa. A rosary can be made of 108, 54, 27 or 18 beads of rudraksha, tulsi, crystal, sandalwood, gems, etc, with one & 5:Again, somehow, one saw life, a pure bead. I lifted the pencil again, useless though I knew it to be. But even as I did so, the unmistakable tokens of death showed themselves. The body relaxed, and instantly grew stiff. The struggle was over. The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange. ~ virginia-woolf, @wisdomtrove *** NEWFULLDB 2.4M ***
1:blue bead on the wick, ~ Denise Levertov, #NFDB
2:The dew-bead Gem of earth and sky begotten. ~ George Eliot, #NFDB
3:...every vertebrae on his back was a prayer bead under my hands. ~ Amy Lane, #NFDB
4:In a dung heap, even a plastic bead can gleam like a sapphire. ~ Stephen Fry, #NFDB
5:Sometimes you get the bead. Sometimes the bear get you. - Coach Carr ~ Emily Giffin, #NFDB
6:He grinned, but a bead of sweat ran down his temple. “Then with your permission. ~ Elizabeth Hoyt, #NFDB
7:Thy voice I seem in ev'ry hymn to hear, with ev'ry bead I drop too soft a tear... ~ Alexander Pope, #NFDB
8:Get you gone, you dwarf,
You minimus of hindering knotgrass made,
You bead, you acorn! ~ William Shakespeare,#NFDB
9:Water still streamed from his hair, and I watched it bead, tracing across his arms and the lines of his chest. ~ Madeline Miller, #NFDB
10:Mastery is great, but even that is not enough. You have to be able to change course without a bead of sweat, or remorse. ~ Tom Peters, #NFDB
11:I can't tell anybody else how to run their life or their business, but I really believe I've got a good bead on myself. ~ Dolly Parton, #NFDB
12:A bead of sweat began to form on Crowley’s forehead, and trickled down into one eye. He flicked it away. Then, with care ~ Terry Pratchett, #NFDB
13:You think you know yourself, the world. You believe you've got a bead on everybody else's bullshit, but what about your own? ~ Sam Lipsyte, #NFDB
14:You know that every bead of sweat falling off your head, every weight you've pumped - the history of that is all in your eyes. ~ Gerard Butler, #NFDB
15:The cream and hot butter mingled and overflowed separating each glucose bead of caviar from its fellows, capping it in white and gold. ~ Evelyn Waugh, #NFDB
16:There was an invisible necklace of nows, stretching out in front of her along the crazy, twisting road, each bead a golden second. ~ Frances Hardinge, #NFDB
17:I used to think the 109th bead was an emergency spare. Like the extra button on a fancy sweater, or the youngest son in a royal family. ~ Elizabeth Gilbert, #NFDB
18:As a water bead on a lotus leaf, as water on a red lily, does not adhere, so the sage does not adhere to the seen, the heard, or the sensed. ~ Gautama Buddha, #NFDB
19:Remember the time Pamela stuffed a bead up her nose and we had to take her to the emergency room to get it out? That bead cost us a fortune. ~ Debbie Macomber, #NFDB
20:Among mathematicians, even in those days, the reputation of being a good Glass Bead Game player meant a great deal; it was equivalent to being a very good mathematician. ~ Hermann Hesse, #NFDB
21:I cup the bead in my hand and smile as I drift toward sleep, wondering what my rainy days are going to look like now. As good as my snowy ones, I think. I’m going to need a bigger umbrella. ~ Laini Taylor, #NFDB
22:It was as if someone had taken a tiny bead of pure life and decking it as lightly as possible with down and feathers, had set it dancing and zigzagging to show us the true nature of life. ~ Virginia Woolf, #NFDB
23:This room
is very powerful:
Buddha, golden,
holding down one side;
the primordial
Great Mother, black,
offering her
bead
of mitochondria
holding down
the other. ~ Alice Walker,#NFDB
24:One of these was a cage of fine golden wire, within it a bird fashioned of tiny shells. And there were more baskets, made of cloves strung on wire with a glass bead inset on every wire crossing. ~ Andre Norton, #NFDB
25:I learned that you should feel when writing, not like Lord Byron on a mountain top, but like a child stringing beads in kindergarten - happy, absorbed and quietly putting one bead on after another. ~ Brenda Ueland, #NFDB
26:I learned that you should feel when writing, not like Lord Byron on a mountain top, but like a child stringing beads in kindergarten - happy, absorbed and quietly putting one bead on after another.
~ Brenda Ueland,#NFDB
27:It's a crime, when you think about how little time we get, that a man should ever be bored. When you are lying on your death bead, I expect you regret those weeks wasted more than your worst mistakes. ~ Joe Abercrombie, #NFDB
28:I tell you what, I don't like a hostile red skin any more than you do. And when they are hostile, I've fought 'em, hard as any man. But I never yet drew a bead on a squaw or papoose, and I despise the man who would. ~ Kit Carson, #NFDB
29:My knuckles go white as my grip on the porcelain tightens. Now I know what Desmond cashed that one particular bead in for. Sobriety. Forget the supernatural bounty hunters that are after him; that fucker is mine. That ~ Laura Thalassa, #NFDB
30:At birth, every child was given a Kiyomo Bracelet to wear. Each bead had a purpose—from storing medical records to taking a picture or projecting a free-floating informational screen, much like a web page but suspended in midair. ~ Ronald L Smith, #NFDB
31:I stood between her and Jenna.
So she punched me instead.
I punched her back.
Right now, my mother was reciting her nightly mala bead prayers to cleanse me of my violent tendencies.
Not enough chanting in the world, Mom. ~ Alyxandra Harvey,#NFDB
32:Ribbons Of The Year
873
Ribbons of the Year—
Multitude Brocade—
Worn to Nature's Party once
Then, as flung aside
As a faded Bead
Or a Wrinkled Pearl
Who shall charge the Vanity
Of the Maker's Girl?
~ Emily Dickinson,#NFDB
33:A bead of liquid appears at her hairline and slides down her face. When it hits her cheek, I can’t tell if the drop is from the beer or from her eyes. My hand moves, the need to touch her more powerful than thought. Before I know what I’m doing, I wipe away the wetness. ~ Katie McGarry, #NFDB
34:Imagine the pressure Tesla faced: both the world’s most powerful financier—one of the last enemies you’d want—and the world’s greatest inventor were trying to draw a bead on him and pull the trigger. Most men would’ve quietly resigned, or begged for scraps, but not Tesla. ~ Sean Patrick, #NFDB
35:Life is a train of moods like a string of beads and as we pass through them they prove to be many-colored lenses which paint the world their own hue, and each shows only what lies in it's focus. To find oneself trapped in any one bead, no matter what it's hue, can be deadly. ~ Maggie Nelson, #NFDB
36:A bead of cold sweat dangled on my fingertip before dripping onto the doorbell. What if I got electrocuted from my wet fingers? I would die literally inches from my first high school party. And everyone would be like, oh, poor thing was so nervous, what a tragedy. Death by sweat. ~ Lindsey Leavitt, #NFDB
37:After the economy collapsed following the mill closure, the townspeople apparently tried to find other ways to make money. The two-block main street has boarded-up signs for the Bead Store Emporium and Nature’s Gifts. She has come to recognize bead stores as indicators of economic doom. ~ Rene Denfeld, #NFDB
38:This late-adolescent camaraderie gave their time at Meadow a fraught emotional quality that was like the shimmering fullness of a bead of water before it falls. They were all about to scatter and become different from one another, and this made them exult in their closeness and alikeness. ~ Mary Gaitskill, #NFDB
39:From the most ancient days of China to the myths of the Greeks we find the concept of an ideal, heavenly life for men under the hegemony of music. The Glass Bead Game is intimately bound up with this cult of music (“in eternal transmutations the secret power of song greets us here below,” says Novalis). ~ Hermann Hesse, #NFDB
40:The translucence that comes when life hardens into a bead of such cruel perfection you see it with the purest clarity. Everything suddenly there--life as it truly is, enormous, appalling, devastating. You see the great sinkholes it makes in people and the harrowing lengths to which love will go to fill them. ~ Sue Monk Kidd, #NFDB
41:There was only one way I could see managing this. I got out, ran around the car, opened his door, and straddled him with one leg outside and one foot on the console. Beeeeeep! My ass was on the horn. Beeeep, beeeep, beeeep, beepbeepbeepbeepbeep! A bead of sweat streaked down the side of Ranger’s face. “Babe. ~ Janet Evanovich, #NFDB
42:If there had been some tiny bead present in the brain of all humans, that had told each other, They are like you; that had drawn some thin silk thread of empathy, person to person, in a planet-wide net – what might then have happened? Would there have been the same wars, massacres, persecutions and crusades? ~ Adrian Tchaikovsky, #NFDB
43:You earn your future, Malta Vestrit." The bead-maker cocked her head at her. "What does tomorrow owe you?" "Tomorrow owes me?" Malta repeated in confusion.
"Tomorrow owes you the sum of your yesterdays. No more than that." Amber looked out to sea again. "And no less. Sometimes folk wish tomorrow did not pay them off so completely. ~ Robin Hobb,#NFDB
44:Earth, withal, is a Body, like our own, with its network of Points, dispos'd along its Meridians,— much as our medicine in China has identified, upon the Human body, a like set of Lines invisible, upon which, bead wise, are strung Points, where the Flow of Chee may be beneficially strengthen'd by insertions of Gold Needles. ~ Thomas Pynchon, #NFDB
45:You could wither away waiting for gin here,” the woman just in front of me warned. She spoke with a clipped English accent and was tall and slim, wearing a deep-green Ascot gown and a matching ostrich-feather hat. “Thank God I planned ahead.” She reached into a small jet-bead handbag and pulled out a silver flask, handing it to me. I ~ Paula McLain, #NFDB
46:the running bead of loss of our pulling the color from our hair, pulling the flat out of the skin into the bunched meat of long windows in us purpled over and caved in and laughed and asked and rinsed off and here again Flood is laughing and the floods of Flood are watching Flood. Here again Flood sees Flood forced forever left unending. ~ Blake Butler, #NFDB
47:You know that for sure because Godzilla was killed by an ordinary missile. He spends most of that film dodging them but then the Army finally gets a bead on him and they shoot a missile at him and he blows up and dies, and that's not what Godzilla is. Godzilla is supposed to be a thing that you can't possibly kill, no matter how hard you try. ~ Brad Warner, #NFDB
48:Kya leaned over gently, as if to kiss a baby. The microscope's light reflected in her dark pupils, and she drew in a breath as a Mardi Gras of costumed players pirouetted and careened into view. Unimaginable headdresses adorned astonishing bodies so eager for more life, they frolicked as though caught in a circus tent, not a single bead of water. ~ Delia Owens, #NFDB
49:Deciding to chant the mantra a certain number of times daily will help foster the japa habit. We should always keep a rosary with us for doing japa. A rosary can be made of 108, 54, 27 or 18 beads of rudraksha, tulsi, crystal, sandalwood, gems, etc, with one 'guru bead'. We should resolve to chant a certain number of rosaries (rounds) daily. ~ Mata Amritanandamayi, #NFDB
50:She was either never or always afraid... She knew now that the difference between never and always was small. Never and always are separated by a wasp’s waist, a small sliver of safety glass, one bead of sweat; separated by the seven seconds it takes to exhale the air from your lungs, to make your body as still as the corpse you are about to create. ~ Cara Hoffman, #NFDB
51:She watched as Michael stripped and walked toward the bed, his erection standing proud. The bed dipped as he got in the other side. She rolled toward him, and he pulled her into his arms. His skin was cool against hers, making her nipples bead. She wrapped her arms around him and pressed herself against him, offering him her heat.
Offering him everything. ~ Sarah Mayberry,#NFDB
52:PARC techs also try to keep a bead on doggy interactions in the yards. “We need to know,” says McCarthy. “‘Are you down because you don’t like the food or because Pipes stole your bone earlier?’” Theresa volunteers that a dog named Rover has lately had a stomach upset, and Porkchop likes to eat the vomit. “So that’s cutting into Porkchop’s appetite.” And probably yours. ~ Mary Roach, #NFDB
53:You’re worth ever bead of sweat and every groan of frustration. You’re worth the work, you’re worth the wait, you’re worth everything I have to give you.” I moved closer, so our foreheads were pressed together, our eyes aligned. “So make me work for it. Make me work hard for it. I will. You won’t hear one complaint from me working myself to the bone for you. Not one. ~ Nicole Williams, #NFDB
54:the bead now?” Pippa reached into the front pouch of her laptop case and pulled out a small plastic bag. She produced a bead and passed it to Mike. “Be careful with it.” He held it toward the strip light on the ceiling, rolling it between his fingers. “Holy … We need to get to work on this.” Mike passed the bead to Charlie and wheeled away to his laptop. Charlie’s first ~ Darren Wearmouth, #NFDB
55:It’s a shame you fear the stage,” I said without thinking, my voice low. She looked at me, the comment taking her off guard. “Why?” I moved closer so that my lips almost touched her ear. “Because a beauty like yours deserves an audience.” I could see her skin bead as a tremble moved through her. “Damon,” she whispered, her hand going to my knee, the touch soft. “What is it, petal? ~ L H Cosway, #NFDB
56:We did make use, from time to time, of candles, neckties, scarves, shoelaces, a little water-color paintbrush, her hairbrush, butter, whipped cream, strawberry jam, Johnson’s Baby Oil, my Swedish hand vibrator, a fascinating bead necklace she had, miscellaneous common household items, and every molecule of flesh that was exposed to air or could be located with strenuous search. ~ Spider Robinson, #NFDB
57:The Plains Indians made cuffs and gauntlets which they wore on ceremonial occasions. The Blackfoot especially liked the gauntlet with its large beaded and fringed tops. These were no doubt copied after the riding gauntlets of the United States Cavalry in the Indian territory.
The Sioux, Crow, Ute, and Cheyenne made the cuff part only. These, too, were decorated with bead and quill work. ~ W Ben Hunt,#NFDB
58:Before Amy and I got serious, got engaged, got married, I would get glimpses of Go’s thoughts in a sentence here or there. It’s funny, I can’t quite get a bead on her, like who she really is. And: You just seem kind of not yourself with her. And: There’s a difference between really loving someone and loving the idea of her. And finally: The important thing is she makes you really happy. Back ~ Gillian Flynn, #NFDB
59:The Hope & Glory would carry forty cases of muskets, 32,000 gunflints, coral necklaces, Aphrikan prints, bead jewellery, quills, papyrus, household objects such as kettles and musical instruments such as the talking drum, with which to barter for livestock. My host joked that the guns would encourage the Europanes to start more wars which would result in more prisoners offered up as slaves. ~ Bernardine Evaristo, #NFDB
60:And Kern guesses, then, that the spiders’ meddling might go further than they had thought. If there had been some tiny bead present in the brain of all humans, that had told each other, They are like you; that had drawn some thin silk thread of empathy, person to person, in a planet-wide net – what might then have happened? Would there have been the same wars, massacres, persecutions and crusades? ~ Adrian Tchaikovsky, #NFDB
61:Oh come now," Bast reproached, his smile falling away. "That's just insulting."
"By earth and stone, I abjure you!" Kote dipped his fingers into the cup by his side and flicked droplets
casually in Bast's direction. "Glamour be banished!"
"With cider?" Bast managed to look amused and annoyed at the same time as he daubed a bead of liquid
from the front of his shirt. "This better not stain. ~ Patrick Rothfuss,#NFDB
62:This is where the prayer beads around my neck come in,” Julian added with rising enthusiasm. “Every time I catch myself thinking a negative thought, I take this necklace off and remove another bead. These beads of worry go into a cup I keep in my knapsack. Together they serve as gentle reminders that I still have a distance to travel on the road to mental mastery and responsibility over the thoughts that fill my mind. ~ Robin S Sharma, #NFDB
63:The dead did not call to me from the underworlds, but spoke to me from the rustling pine needles. They did not gaze down upon me from the skyworlds, but smiled up at me from a bead of dew trembling precariously upon a blade of grass. They told me I have never been alone. Not for one instant. Every soul is a thread in the fabric of the world. All I must do to see my relatives is gaze into the shining water that sleeps, ~ Kathleen O Neal Gear, #NFDB
64:Every time Amazons swarmed beneath them, demanding their surrender, Hazel made a crate of jewelry explode, burying their enemies in a Niagara Falls of gold and silver. When they got to the bottom of the ladder, they found a scene that looked like Mardi Gras Armageddon—Amazons trapped up to their necks in bead necklaces, several more upside down in a mountain of amethyst earrings, and a battle forklift buried in silver charm bracelets. ~ Rick Riordan, #NFDB
65:Slavery, that was a kind of alchemy for such White folk, or so they reckoned. They calculated a way of turning each bead of a Black man's sweat into gold and each moan of despair from a Black woman's throat into the sweet clear sound of a silver coin ringing on the money-changer's table. There was buying and selling of souls in that place. Yet there was nary a one of them who understood the whole price they paid for owning other folk. ~ Orson Scott Card, #NFDB
66:It’s a shame you fear the stage,” I said without thinking, my voice low. She looked at me, the comment taking her off guard. “Why?” I moved closer so that my lips almost touched her ear. “Because a beauty like yours deserves an audience.” I could see her skin bead as a tremble moved through her. “Damon,” she whispered, her hand going to my knee, the touch soft. “What is it, petal?” She exhaled a shaky breath. “You’re the only audience I want. ~ L H Cosway, #NFDB
67:She plucked a raspberry. Sweet juice, sweet pleasure. Within the tangle of tendrils, inside a blossom, a tiny bead was kisses and blessed by the sun, from which it took in light and warmth and heaven's rain imbued with the richness of the soil of France. All of the elements of the river world helped that bead to expand and multiply into sheer casings for sweet pulp, wedge together in a knobby globe until it released its juice in her mouth ~ Susan Vreeland, #NFDB
68:No.” He wouldn’t lie about that. Not to her. And not because she’d rip him to pieces when she discovered the truth. “I can’t give you forever.”
The nibbling increased in intensity, leaving a bead of blood in the center of her mouth. “Because we’re not a good match?”
Of course she would remember every insult he’d ever thrown at her. “Yes.”
“Then what can you give me?”
“Here. Now.” Something his body craved more with every second that passed. ~ Gena Showalter,#NFDB
69:I’ll just leave my hat with the footman,” said Jace. Madame Dorothea shot him a dark look. “If you were half as funny as you thought you were, my boy, you’d be twice as funny as you are.” She disappeared back through the curtain, her loud “Hmph!” nearly drowned out by rattling beads. Jace frowned. “I’m not quite sure what she meant by that.” “Really,” said Clary. “It made perfect sense to me.” She marched through the bead curtain before he could reply. ~ Cassandra Clare, #NFDB
70:The second guy moved the gun, trying to track me, the movements overlarge and shaking. Then, maybe because he saw the cool bead I was drawing on him, his nerve broke. He started shooting in a spray-and-pray pattern, his eyes closed, his body hunching forward involuntarily. Pffft. Pffft. Pffft. Small clouds of dust kicked up along the concrete around me, puffing out lazily in my adrenalized slow-motion vision. I heard the sounds of ricochets. Someone screamed. ~ Barry Eisler, #NFDB
71:Just tell me, Percy, do you still have the birthday gift I gave you last summer?" I nodded and pulled out my camp necklace. It had a bead for every summer I'd been at Camp Half-Blood, but since last year I'd also kept a sand dollar on the cord. My father had given it to me for my fifteenth birthday. He'd told me I would know when to "spend it," but so far I hadn't figured out what he meant. All I knew that it didn't fit the vending machines in the school cafeteria. ~ Rick Riordan, #NFDB
72:Perhaps you yourself have notions about the Glass Bead Game, expecting more of it than it will give you, or perhaps the reverse. There is no doubt that the Game has its dangers. For that very reason we love it; only the weak are sent out on paths without perils. But never forget what I have told you so often: our mission is to recognize contraries for what they are: first of all as contraries, but then as opposite poles of a unity. Such is the nature of the Glass Bead Game. ~ Hermann Hesse, #NFDB
73:Women want a family life that glitters and is stable. They don't want some lump spouse watching ice hockey in the late hours of his eighteenth beer. They want a family that is so much fun and is so smart that they look forward to Thanksgiving rather than regarding it with a shudder. That's the glitter part. The stable part is, obviously, they don't want to be one bead on a long necklace of wives. They want, just like men, fun, love, fame, money and power. And equal pay for equal work. ~ Carolyn See, #NFDB
74:Thank goodness,” she said. “I was worried—” A second hedgehog came out of the brambles after it. Rhea blinked. “You brought a friend . . . ?” And then a third hedgehog emerged, and a fourth, and before she knew it, there were a dozen, and then twenty and thirty, and the whole clearing was full of tiny, fist-sized animals with prickly backs and blinking black-bead eyes. “Oh . . . ,” said Rhea, because she could think of nothing else to say. The first hedgehog—her hedgehog—patted her ankle. ~ T Kingfisher, #NFDB
75:I held that last gown of plain undyed wool in my hands, feeling like it was a rope I was clinging to, and then in a burst of defiance I left it on my bead, and pulled myself in the green-and-russet gown.
I couldn't fasten the buttons in the back, so I took the long veil from the headdress, wound it twice around my waist and made a knot, just barely good enough to keep the whole thing from falling off me, and marched downstairs to the kitchens. I didn't even try to keep myself clean this time. ~ Naomi Novik,#NFDB
76:Again, somehow, one saw life, a pure bead. I lifted the pencil again, useless though I knew it to be. But even as I did so, the unmistakable tokens of death showed themselves. The body relaxed, and instantly grew stiff. The struggle was over. The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange. ~ Virginia Woolf, #NFDB
77:He unstrapped his axe and swung it around. It was beautiful in a harsh I’m-going-to-gut-you-like-a-fish kind of way. Each of its twin blades was shaped like an omega: Ω—the last letter of the Greek alphabet. Maybe that was because the axe would be the last thing his victims ever saw. The shaft was about the same height as the Minotaur, bronze wrapped in leather. Tied around the base of each blade were lots of bead necklaces. I realized they were Camp Half-Blood beads—necklaces taken from defeated demigods. ~ Rick Riordan, #NFDB
78:She lit the candelabras which stood on the mantelpiece. Placed at the head of the bead, on a side-table, they looked like two burning bushes, their flames solemn and inextinguishable. But beneath that avalanche of light the dead man became hideous: the pale head displayed a whiteness more livid than the bedsheet, ghastly against the cambric of the pillow; pits of shadow were hollowed out under the eyes and his nose was villainously elongated, and even the mouth seemed wicked – his mouth, which was so very gentle!
~ R my de Gourmont,#NFDB
79:The people who have put their minds to translating the Mayan hieroglyphics have come to the conclusion that many of the symbols are puns and puzzles. ‘Xoc,’ for example, means ‘to count.’ It is also the name of a mythical fish that lives in the heavens. So the Maya used the head of the fish to represent counting. But since the fish was difficult to carve, they substituted the symbol for water, since that’s where fish live. The symbol for water is a jade bead, since both are green and precious. So jade means water means fish means to count. ~ Pat Murphy, #NFDB
80:These rules, the sign language and grammar of the Game, constitute a kind of highly developed secret language drawing upon several sciences and arts, but especially mathematics and music (and/or musicology), and capable of expressing and establishing interrelationships between the content and conclusions of nearly all scholarly disciplines. The Glass Bead Game is thus a mode of playing with the total contents and values of our culture; it plays with them as, say, in the great age of the arts a painter might have played with the colours on his palette. ~ Hermann Hesse, #NFDB
81:People slip spontaneously into moments of concentration all the time—while reading a book, exercising, playing chess, or creating art. A yogi seeks to experience that same level of concentration intentionally in a practice known as dharana—the act of purposefully narrowing the mind’s focus on the breath, the sensations of the body, a mantra, or a prayer bead. This consistent and purposeful focusing of the mind while on the yoga mat or meditation cushion gives the yogi the same level of focus in life, allowing for wild creativity and unfathomable productivity. ~ Darren Main, #NFDB
82:The God you imagine looks like Father Brennan, the man who baptized you: tall and Irish, with white hair and kind blue eyes, shooting a basketball in black vestments on the parish playground. The Virgin is one of the nuns who ran the adjoining schoolhouse: a spinster with a downy chin, her veil a habit. Old and sacred words, they taught you. You would not invent your own any more than you would try to build your own cathedral. Bead by bead, you whisper the same words Saint Peter spoke in Rome, the same words spoken today by all believers in São Paulo and Boston and Limerick and Cebu. ~ Mia Alvar, #NFDB
83:But I affirm that you are: so much depressed that a few more words would bring tears to your eyes-indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my -' He stopped, bit his lip, and abruptly left me. ~ Charlotte Bront, #NFDB
84:A SUDDEN GOLDFINCH The branch is bare and black against the fog; Cold droplets bead along the twigs, and fall. The hours are passing, ready to be gone, And now they’re past, dissolved, beyond recall, Beyond my reach. A sudden goldfinch clings And bends the twig so slightly with its weight It seems as if it’s painted on: its wings In motion are a glimpse of summer, bright, Quick, and now already gone. This moment, So brief but still so clear against the blur Of unattended time, in memory Connects the things that are, the things that were. Fleeting as it is, almost a ghost, It may be time is never truly lost. ~ Holly Ordway, #NFDB
85:A person places a drop of DNA from blood onto a tiny chip, and a smartphone snaps a picture and can read out whether a virus is present. The chip is coated with microscopic beads containing quantum dots. Each bead is coated with a material designed to recognize a particular strand of DNA — for instance, a sequence that is specific to a hepatitis virus. If there is virus in a blood sample, the DNA will connect to the beads designed to detect hepatitis. If there is HIV in the sample, the DNA will connect instead to the HIV beads. “It really took about 10 years to get the chemistry to work,” Chan says. Next, a cheap laser just ~ Anonymous, #NFDB
86:The women of the Plains tribes made their clothing of soft, tanned elk skin. Their principal garment was a simple, sleeveless dress made from two hides. The style of the garment followed the natural shape of the skins with little change from tribe to tribe. These dresses usually hung loose from the shoulders. Belts were sometimes worn to draw them in at the waist.
Cowrie and other shells were used for decorations by the Crow, Sioux, and Blackfoot tribes. The shells were obtained by barter. Elk and buffalo teeth, leather thongs, bead and quill work, and tin cones were also used.
Originally, Indian women wore their hair straight or in braids. ~ W Ben Hunt,#NFDB
87:I’ll have tea,” Clary said, realizing how long it had been since she had eaten or drunk anything. She felt as if she’d been running on pure adrenaline since she woke up. Jace succumbed. “All right. As long as it isn’t Earl Grey,” he added, wrinkling his fine-boned nose. “I hate bergamot.” Madame Dorothea cackled loudly and disappeared back through the bead curtain, leaving it swaying gently behind her. Clary raised an eyebrow at Jace. “You hate bergamot?” Jace had wandered over to the narrow bookshelf and was examining its contents. “You have a problem with that?” “You may be the only guy my age I’ve ever met who knows what bergamot is, much less that it’s in Earl Grey tea. ~ Cassandra Clare, #NFDB
88:No. That’s not it at all.” “Last chance,” she said. “Annie. About Jack—” She slammed her palm down on the table. I saw her grit her teeth in pain. A bead of blood grew on her finger where the Swiss Army knife had cut the skin. I stood to help her. “I’m fine,” she said, watched it for a moment, then dabbed a red stain on an envelope. “This isn’t about Jack, Mike. It’s about us.” She pushed back her chair. “You know what? I’m exhausted. I don’t think I can do this now. We can talk more in the morning.” We were both burned out on too much work and too little sleep. “I can explain all this, Annie. It’s going to be okay.” I followed her as she walked toward the landing. “I think I’d like to be alone. ~ Matthew Quirk, #NFDB
89:Because, Seaweed Brain, it’s the first time we really talked, you and me. I told you about my family, and…” She took out her camp necklace, strung with her dad’s college ring and a colorful clay bead for each year at Camp Half-Blood. Now there was something else on the leather cord: a red coral pendant Percy had given her when they had started dating. He’d brought it from his father’s palace at the bottom of the sea. “And,” Annabeth continued, “it reminds me how long we’ve known each other. We were twelve, Percy. Can you believe that?” “No,” he admitted. “So…you knew you liked me from that moment?” She smirked. “I hated you at first. You annoyed me. Then I tolerated you for a few years. Then—” “Okay, fine. ~ Rick Riordan, #NFDB
90:The man wrote his message.
Are you really a boy, like Xash says? the god asked Arin. You’ve been mine for twenty years. I raised you.
The Valorian signed the scrap of paper.
Cared for you.
The message was rolled, sealed, and pushed into a tiny leather tube.
Watched over you when you thought you were alone.
The captain tied the tube to a hawk’s leg. The bird was too large to be a kestrel. It didn’t have a kestrel’s markings. It cocked its head, turning its glass-bead eyes on Arin.
No, not a boy. A man made in my image . . . one who knows he can’t afford to be seen as weak.
The hawk launched into the sky.
You’re mine, Arin. You know what you must do.
Arin cut the Valorian’s throat. ~ Marie Rutkoski,#NFDB
91:How would I know? I don’t hold with prophecies and predictions and long-lost kings. I don’t have giants in my family tree, like you Nevilles. I don’t have three suns in the sky like you Yorks. I am not descended from a water goddess who comes out of a river to mate with mortals! When your family was founded, no one had ever heard of us. When your uncles were on the throne, mine were quiet City men. I don’t know what you might have, what you might have kept from those times—a banner or a standard, a bead-roll or letter. Anything that shows your descent, anything that shows your royal blood, any prophecy that you once had the throne and will have it again. But whatever you have, your ladyship, clear it out and burn it. Nothing is worth the risk of keeping. ~ Philippa Gregory, #NFDB
92:A sutra is, so to speak, the bare thread of an exposition, the absolute minimum that is necessary to hold it together, unadorned by a single "bead" of elaboration. Only essential words are used. Often, there is no complete sentence-structure. There was a good reason for this method. Sutras were composed at a period when there were no books. The entire work had to be memorized, and so it had to be expressed as tersely as possible. Patanjali's Sutras, like all others, were intended to be expanded and explained. The ancient teachers would repeat an aphorism by heart and then proceed to amplify it with their own comments, for the benefit of their pupils. In some instances these comments, also, were memorized, transcribed at a later date, and thus preserved for us. ~ Prabhavananda, #NFDB
93:Have you ever seen a hawk catch a bird in your back garden? I’ve not, but I know it’s happened. I’ve found evidence. Out on the patio flagstones, sometimes, tiny fragments: a little, insect-like songbird leg, with a foot clenched tight where the sinews have pulled it; or – even more gruesomely – a disarticulated beak, a house-sparrow beak top, or bottom, a little conical bead of blushed gunmetal, slightly translucent, with a few faint maxillary feathers adhering to it. But maybe you have: maybe you’ve glanced out of the window and seen there, on the lawn, a bloody great hawk murdering a pigeon, or a blackbird, or a magpie, and it looks the hugest, most impressive piece of wildness you’ve ever seen, like someone’s tipped a snow leopard into your kitchen and you find it eating the cat. ~ Helen Macdonald, #NFDB
94:The human attitude of which classical music is the expression is always the same; it is always based on the same kind of insight into life and strives for the same kind of victory over blind chance. Classical music as gesture signifies knowledge of the tragedy of the human condition, affirmation of human destiny, courage, cheerful serenity. The grace of a minuet by Handel or Couperin, the sensuality sublimated into delicate gesture to be found in many Italian composers or in Mozart, the tranquil, composed readiness for death in Bach – always there may be heard in these works a defiance, a death-defying intrepidity, a gallantry, and a note of superhuman laughter, of immortal gay serenity. Let that same note also sound in our Glass Bead Games, and in our whole lives, acts, and sufferings. ~ Hermann Hesse, #NFDB
95:Rike gave him a look as if he’d gone mad. Fat Burlow covered a chuckle. “I have spoken about that, Makin,” I said. “I will break the cycle.” I drew my sword and laid it across my knees. “You know how to break the cycle of hatred?” I asked. “Love,” said Gomst, all quiet-like. “The way to break the cycle is to kill every single one of the bastards that fucked you over,” I said. “Every last one of them. Kill them all. Kill their mothers, kill their brothers, kill their children, kill their dog.” I ran my thumb along the blade of my sword and watched the blood bead crimson on the wound. “People think I hate the Count, but in truth I’m a great advocate of his methods. He has only two failings. Firstly, he goes far, but not far enough. Secondly, he isn’t me. He taught me valuable lessons though. And when we meet, I will thank him for it, with a quick death. ~ Mark Lawrence, #NFDB
96:Playing With Fire
something is always burning, passion,
pride, envy, desire, the internal organs
going chokingly up in smoke, as something outside the body exerts a pull
that drags us like a match across sandpaper. something is always burning,
london, paris, detroit, l.a., the neighborhoods no one outside seems to see until
they're backlit by flames, when the outsiders, peering through dense, acrid,
black-&-orange-rimmed fumes, mistake their dark reflections for savages
altogether alien. how hot are the london
riots for west end pearls? how hot in tottenham? if one bead of cream rolls down
one precious neck, heads will roll in brixton: the science of sociology. the mark
duggan principle of cause and effect:
under conditions of sufficient pressure—
measured roughly in years + lead ÷ £s—
black blood is highly combustible.
~ Evie Shockley,#NFDB
97:Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue. ~ Ian McEwan, #NFDB
98:You really think I’m pretty enough for a man to love?”
“You’re more than pretty enough.” He sounded embarrassed.
“Chris, remember when Momma told us that it was money that made the world go around and not love? Well, I think she’s wrong.”
“Yeah? Give that a bit more thought. Why can’t you have both?”
I gave it thought. Plenty of thought. I lay and stared up at the ceiling that was my dancing floor, and I mulled life and love over and over. And from every book I’d ever read, I took one wise bead of philosophy and strung them all into a rosary to believe in for the rest of my life.
Love, when it came and knocked on my door, was going to be enough.
And that unknown author who’d written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love . . . still it was not enough—boy, did I feel sorry for him. ~ V C Andrews,#NFDB
99:It’s all as if words, phrases, images, syntax were small glass beads from a necklace which was wrenched from some neck and spilled on the floor and down the sides of sofa cushions and armchairs and under bookshelves and maybe swallowed by the cat. I’ve got to find all the glass pieces before I can even reorder the color sequence, and restring it and tie it tighter than before. There’s always a splendor in beginning all over. Even if it means getting on one’s knees to search beneath that bookshelf or prospecting through years of lint and ashes beneath those cushions. Even if it means breaking open that cat’s shit, which it conveniently has deposited in a plastic box, more orderly than any secretary could ever hope to be.
Then I’ll appreciate the value of each bead – rather, each word and image – that much more, never wasting another. And I will, I swear to myself, get it all back in time, string it all together, tighter, as I said, than before. ~ Jim Carroll,#NFDB
100:A Refusal To Mourn The Death, By Fire, Of A Child In
London
Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness
And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn
The majesty and burning of the child's death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further
Elegy of innocence and youth.
Deep with the first dead lies London's daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.
~ Dylan Thomas,#NFDB
101:For the next hour and a half he tried all the magic he could think of. He cast spells of remembering, spells of finding, spells of awakening, spells to concentrate the mind, spells to dispel nightmares and evil thoughts, spells to find patterns in chaos, spells to find a path when one was lost, spells of demystification, spells of discernment, spells to increase intelligence, spells to cure sickness and spells to repair a limb that is shattered. Some of the spells were long and complicated. Some were a single word. Some had to be said out loud. Some had only to be thought. Some had no words at all but consisted of a single gesture. Some were spells that Strange and Norrell had employed in some form or other every day for the last five years. Some had probably not been used for centuries. Some used a mirror; two used a tiny bead of blood from the magician’s finger; and one used a candle and a piece of ribbon. But they all had this in common: they had no effect upon the King whatsoever. ~ Susanna Clarke, #NFDB
102:Other centuries sought safety in the union of reason and religion, research and asceticism. In their Universitas Litterarum, theology ruled. Among us we use meditation, the fine gradations of yoga technique, in our efforts to exorcise the beast within us and the diabolus dwelling in every branch of knowledge. Now you know as well as I that the Glass Bead Game also has its hidden diabolus, that it can lead to empty virtuosity, to artistic vanity, to self-advancement, to the seeking of power over others and then to the abuse of that power. This is why we need another kind of education beside the intellectual and submit ourselves to the morality of the Order, not in order to reshape our mentally active life into a psychically vegetative dream-life, but on the contrary to make ourselves fit for the summit of intellectual achievement. We do not intend to flee from the vita activa to the vita contemplativa, nor vice versa, but to keep moving forward while alternating between the two, being at home in both, partaking of both. ~ Hermann Hesse, #NFDB
103:She had no need in her heart for either book or magazine. She had her own way of escape, her own passage into contentment: her rosary. That string of white beads, the tiny links worn in a dozen places and held together by strands of white thread which in turn broke regularly, was, bead for bead, her quiet flight out of the world. Hail Mary, full of grace, the Lord is with thee. And Maria began to climb. Bead for bead, life and living fell away. Hail Mary, Hail Mary. Dream without sleep encompassed her. Passion without flesh lulled her. Love without death crooned the melody of belief. She was away: she was free; she was no longer Maria, American or Italian, poor or rich, with or without electric washing machines and vacuum cleaners; here was the land of all-possessing. Hail Mary, Hail Mary, over and over, a thousand and a hundred thousand times, prayer upon prayer, the sleep of the body, the escape of the mind, the death of memory, the slipping away of pain, the deep silent reverie of belief. Hail Mary and Hail Mary. It was for this that she lived. ~ John Fante, #NFDB
104:The Dance Of The Rain
The Dance of the Rain
Oh, the dance of our Sister!
First, over the hilltop she peeps stealthily
and her eyes are shy
and she laughs softly
From afar she begs with her one hand
her wrist-bands shimmering and her bead-work sparkling
softly she calls
She tells the wind about the dance
and she invites it, because the yard is spacious and the wedding large
The big game rush about the plains
they gather on the hilltop
their nostrils flared-up
and they swallow the wind
and they crouch to see her tracks in the sand
The small game, deep down under the floor, hear the rhythm of her feet
and they creep, come closer and sing softly
"Our Sister! Our Sister! You've come! You've come!"
and her bead-work shake,
and her copper wrist-bands shine in the disappearance of the sun
On her forehead, rests the eagle's plume
She decends down from the hilltop
She spreads her ashened cloak with both arms
the breath of the wind disappears
Oh, the dance of our Sister!
~ Eugene Marais,#NFDB
105:On Claud, though, the look is very cool.) For example, today she was wearing a neon green tank top under a white oversized man’s shirt and fuschia pink stirrup pants. The shirt was rolled at the sleeves and belted with a colorful woven belt. Claud finished the outfit with dangly ceramic-bead earrings she’d made herself in pottery class. She’s super artistic. She paints, sketches, draws, sculpts. You name it! Besides art and cool clothing, Claudia loves junk food. Her parents disapprove of Ho-Ho’s and Twinkies and stuff like that, so she hides them all over her room. You never know when you’re going to pick up a pillow and find a bag of potato chips or something behind it. The other thing she stashes away are her Nancy Drew books. Her parents don’t approve of those, either. They don’t think the mysteries are “intellectual” enough. Claudia couldn’t care less if the books are “intellectual.” One thing Claud is not interested in is school work. Although she can’t spell for anything, she’s definitely not dumb. She just doesn’t like school. And, unfortunately, her grades show it. She’s the complete ~ Ann M Martin, #NFDB
106:Ten thousand years ago, her husband, Abraham the Mage, had presented her with the weapons and armor. “To keep you safe,” he said, his speech a slurred mumble. “Now and always. When you wear it, think of me.”
“I’ll think of you even when I’m not wearing it,” she promised, and never a day went by when she did not think of the man who had worked so hard and sacrificed so much to make and save the world. The memory of him was vivid.
Abraham stood tall and slender in a darkened room at the top of the crystal tower, the Tor Ri. He was wrapped in shadow, turned away from her so she wouldn’t see the Change that had almost completely claimed his flesh, transforming it to solid gold. She remembered turning him to the light so she could look at him for what she knew might be the very last time. Then she had held him, pressing his flesh and metal against her skin, and wept against his shoulder. And when she looked into his face, a single tear, a solid bead of gold, rolled down his cheek. Rising up on her toes, she had kissed the tear off his face, swallowing it. Tsagaglalal pressed her hands to her stomach. It nestled within her still. ~ Michael Scott,#NFDB
107:What have you been doing during my absence?'
'Nothing particular; teaching Adele as usual.'
'And getting a good deal paler than you were - as I saw at first sight. What is the matter?'
'Nothing at all, sir.'
'Did you take any cold that night you half drowned me?'
'Not the least.'
'Return to the drawing-room: you are deserting too early.'
'I am tired, sir.'
He looked at me for a minute.
'And a little depressed,' he said. 'What about? Tell me.'
'Nothing - nothing, sir. I am not depressed.'
'But I affirm that you are: so much depressed that a few more words would bring tears to your eyes - indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my..' He stopped, bit his lip, and abruptly left me.
(Jane and Mr Rochester) ~ Charlotte Bront,#NFDB
108:In LA, you can’t do anything unless you drive. Now I can’t do anything unless I drink. And the drink-drive combination, it really isn’t possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it’s an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there’s a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug.
So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God’s green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE – NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON’T WALK, all of them, all the time. That is the message, the content of Los Angeles: don’t walk. Stay inside. Don’t walk. Drive. Don’t walk. Run! ~ Martin Amis,#NFDB
109:My sour cherry liqueur is especially popular, though I feel a little guilty that I cannot remember the cherry's name. The secret is to leave the stones in. Layer cherries and sugar one on the other in a widemouthed glass jar, covering each layer gradually with clear spirit (kirsch is best, but you can use vodka or even Armagnac) up to half the jar's capacity. Top up with spirit and wait. Every month, turn the jar carefully to release any accumulated sugar. In three years' time the spirit has bled the cherries white, itself stained deep red now, penetrating even to the stone and the tiny almond inside it, becoming pungent, evocative, a scent of autumn past. Serve in tiny liqueur glasses, with a spoon to scoop out the cherry, and leave it in the mouth until the macerated fruit dissolves under the tongue. Pierce the stone with the point of a tooth to release the liqueur trapped inside and leave it for along time in the mouth, playing it with the tip of the tongue, rolling it under, over, like a single prayer bead. Try to remember the time of its ripening, that summer, that hot autumn, the time the well ran dry, the time we had the wasp's nests, time past, lost, found again in the hard place at the heart of the fruit... ~ Joanne Harris, #NFDB
110:Bullocky Bill
FROM a river siding, the railway town,
Or the dull new port there three days down,
Forward and back on the up-hill track,
With a creak of the jinker, a ringing crack,
Slow as a funeral, sure as steam,
Bullocky Bill and his old red team.
Ploughing around by the ti-tree scrub,
Four wheels down to the creeping hub,
Swaying they go, with their heads all low,
Bally, and Splodger, and Spot, and Jo.
Men in the ranges much esteem
Bullocky Bill and his old red team.
Worming about where the tall trees spring,
Surging ahead when the clay bogs cling;
A rattle of lash and of language rash
On the narrow edge of immortal smash.
He’d thread a bead or walk a beam,
Bullocky Bill with his old red team.
Climbing a ridge where the red stars ride;
Straddling down on the other side,
With a whistle and grind, and a scramble blind,
And a thundering gum-tree slung behind.
But they always get there, hill or stream,
Bullocky Bill and his old red team.
Engines or stamps for the mines about,
Tools for the men who are leading out;
Tucker, and boose, and the latest news
Back where the bunyip stirs the ooze.
Pioneers with the best we deem
Bullocky Bill and his old red team.
~ Edward George Dyson,#NFDB
111:Come here. Straddle me,” I demanded. With bashful eyes, Josh threw a leg over me, sitting on my hips. What a view! His lean, muscular chest rose up above me. Josh had only a little hair trailing down the center of his abs, thickening as it approached his beautiful dick. I put my palms on his torso, rubbing him sweetly. “What are you thinking about right now?” “Kissing you,” he said immediately. “Get to it, then.” He put his hands down onto the mattress and gave me his mouth. Lord, I’d missed this. His wet lips skimmed me first, and then his tongue came out to play with mine. We lost ourselves in those kisses. After only a few minutes, we were both moaning and fucking our hips against one another. It was awesome. But I didn’t want to come like this, though I was already close. “Sit up, baby,” I begged. Josh obeyed me immediately. I grabbed his dick in my hand and gave it a squeeze. “I want this in my mouth.” His breath stuttered. And then he tried to slide off me. But I caught his hip in my free hand. “No. Stay here. Slide forward on me. All the way up.” His eyes went wide, but he began to scoot up my body. I was hard as nails, too, with Josh spread wide for me, and right in my face. The musky scent of him made me desperate. And the bead of cum on the tip of his dick made me lick my lips. I craned my neck and licked it off. Josh gasped. ~ Sarina Bowen, #NFDB
112:years. She, like Robie, operated at the highest level and had taken down people in situations that would have challenged Robie to the fullest. He’d never doubted that Reel was good. But he was a little surprised that she was that good. And she may have a spy on the inside telling her all she needs to know to get enough of an advantage to take me out before I get to her. Which means my own agency is a threat. Robie kept reading until he came to the hit on Doug Jacobs. Quick, clean, ingenious really. Nail the handler while he thinks you’re about to take out someone else. And a sniper’s nest had been found in the hotel in the Middle East. The gun muzzle had been placed perfectly so that when Jacobs did the satellite zoom Reel had suggested, he could see the gun barrel. But there had been no sniper. There was no evidence that Reel had been the shooter who had ended Jacobs’s life. But the email Robie had just received left no doubt that she was involved somehow. So the woman was supposed to be in the Middle East, but she might have been in D.C. drawing a bead on the man talking to her through a headset. Other things being equal, it probably was Reel who took the shot on Jacobs. If it were Robie, he would want to make sure the kill was done correctly. He wouldn’t have wanted anyone else pulling the trigger. Which meant he had to go somewhere right ~ David Baldacci, #NFDB
113:In front of me, maybe a foot away, I saw a bead of milky liquid appear on the tip of Caleb’s cock. He was hard and leaking for me. Reaching out, I closed my hand around him. He gave a happy gasp as I began to stroke. The only dick I’d ever held before was mine. His was hot and throbbing under my hand, the way I’d always hoped he would be. “Good morning,” Caleb whispered from below. My answer was a shout, because he chose that second to suck me all the way into his mouth. “Ahh!” I gasped. I’d never get used to that. It was heaven. Caleb moaned, and the vibration made my cock practically sing. I began to thrust my hips gently, because I was lying on my side, and holding still seemed impossible. In my hand, Caleb’s dick was undulating gently, the darkened tip only a couple of inches of my mouth. Feeling impossibly bold, I opened my mouth, allowing that pretty cock to hit my tongue when I drew it near. His moan was loud enough to wake the neighborhood. So I got bolder and took more of him in my mouth, taking care to keep my teeth away. But he was too thick. I gagged immediately when his cock hit the back of my tongue. Caleb stilled his hips, reaching up to put a hand on my hip. “Easy, baby. Try just taking the tip.” That was much better. I wrapped my hand around the base of him, and sucked on the top half. And that was fun, because Caleb began moaning up a storm. So I did it again. Harder. I loved the musky, slightly salty taste of him. Pure Caleb. ~ Sarina Bowen, #NFDB
114:Fiddle-Dee-Dee
There once was a bird that lived up in a tree,
And all he could whistle was "Fiddle-dee-dee" A very provoking, unmusical song
For one to be whistling the summer day long!
Yet always contented and busy was he
With that vocal recurrence of "Fiddle-dee-dee."
Hard by lived a brave little soldier of four,
That weird iteration repented him sore;
"I prithee, Dear-Mother-Mine! fetch me my gun,
For, by our St. Didy! the deed must be done
That shall presently rid all creation and me
Of that ominous bird and his 'Fiddle-dee-dee'!"
Then out came Dear-Mother-Mine, bringing her son
His awfully truculent little red gun;
The stock was of pine and the barrel of tin,
The "bang" it came out where the bullet went in The right kind of weapon I think you'll agree
For slaying all fowl that go "Fiddle-dee-dee"!
The brave little soldier quoth never a word,
But he up and he drew a straight bead on that bird;
And, while that vain creature provokingly sang,
The gun it went off with a terrible bang!
Then loud laughed the youth - "By my Bottle," cried he,
I've put a quietus on 'Fiddle-dee-dee'!"
Out came then Dear-Mother-Mine, saying: "My son,
Right well have you wrought with your little red gun!
Hereafter no evil at all need I fear,
With such a brave soldier as You-My-Love here!"
She kissed the dear boy.
(The bird in the tree
Continued to whistle his "Fiddle-dee-dee")
~ Eugene Field,#NFDB
115:The Day's Ration
When I was born,
From all the seas of strength Fate filled a chalice,
Saying, This be thy portion, child; this chalice,
Less than a lily's, thou shalt daily draw
From my great arteries; nor less, nor more.
All substances the cunning chemist Time
Melts down into that liquor of my life,
Friends, foes, joys, fortunes, beauty, and disgust,
And whether I am angry or content,
Indebted or insulted, loved or hurt,
All he distils into sidereal wine,
And brims my little cup; heedless, alas!
Of all he sheds how little it will hold,
How much runs over on the desert sands.
If a new muse draw me with splendid ray,
And I uplift myself into her heaven,
The needs of the first sight absorb my blood,
And all the following hours of the day
Drag a ridiculous age.
To-day, when friends approach, and every hour
Brings book or starbright scroll of genius,
The tiny cup will hold not a bead more,
And all the costly liquor runs to waste,
Nor gives the jealous time one diamond drop
So to be husbanded for poorer days.
Why need I volumes, if one word suffice?
Why need I galleries, when a pupil's draught
After the master's sketch, fills and o'erfills
My apprehension? Why should I roam,
Who cannot circumnavigate the sea
Of thoughts and things at home, but still adjourn
The nearest matters to another moon?
Why see new men
Who have not understood the old?
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, The Days Ration
,#NFDB
116:Althea leaned back in her chair and crossed her arms stubbornly. ‘I can’t help it. That’s what I want.’ When Amber said nothing, Althea asked, almost angrily, ‘Don’t try to tell me that that is what love is, giving it all up for someone else!’ ‘But for some people, it is,’ Amber pointed out inexorably. She bound another bead into the necklace, then held it up to look at it critically. ‘Others are like two horses in harness, pulling together towards a goal.’ ‘I suppose that wouldn’t be so bad,’ Althea conceded. Her knitted brows said she did not entirely believe it. ‘Why can’t people love one another and still remain free?’ she demanded suddenly. Amber paused to rub her eyes, then tug thoughtfully at her earring. ‘One can love that way,’ she conceded regretfully. ‘But the price on that kind of love may be the highest of all.’ She strung her words together as carefully as she strung her beads. ‘To love another person like that, you have to admit that his life is as important as yours. Harder still, you have to admit to yourself that perhaps he has needs you cannot fill, and that you have tasks that will take you far away from him. It costs loneliness and longing and doubt and –’ ‘Why must love cost anything? Why does need have to be mixed up with love? Why can’t people be like butterflies, coming together in bright sunshine and parting while the day is still bright?’ ‘Because they are people, not butterflies. To pretend that people can come together, love, and then part with no pain or consequences is more false a role than pretending to be a proper Trader’s daughter. ~ Robin Hobb, #NFDB
117:You want to cut off my leg.” His face tightened and a bead of sweat ran down his forehead to soak into the pillow.
“It is our only option,” I said. “The only way you are going to live.”
“Live?” He snorted. “Even if this works, what good will I be?” he asked bitterly. “What good is a miner with one leg – you’d be saving me from death only to see me sent off to feed the sluag.”
“Don’t say that,” I snapped, rising to my feet. “Your worth isn’t determined by your leg – it is determined by your heart and your mind. It is determined by what you do with your life.”
“Pretty words.” He turned his head away from us. “Just let me die.”
“No!” I shouted. “You listen to me, Tips, and you listen well. It isn’t your leg that can smell gold. It isn’t your leg that has ensured your gang never missed quota. And it isn’t your leg that all your friends chose to have as their leader. They need you, Tips. Without you, it will be your friends who will be facing the labyrinth.” I took a deep breath, trying to calm myself. “The odds have been stacked against you from the day you were born, yet here you are. Alive. And having persevered through all of that, how dare you turn your head and tell me to let you die. You’re better than that.” My voice trembled. “You once told me that power doesn’t determine worth. Well, neither does a leg.”
He kept his head turned away from me, and the silence hung long and heavy.
“You make a compelling argument.” His voice was choked, and when he turned his head, I could see the gleam of tears on his cheeks. “Do it then. ~ Danielle L Jensen,#NFDB
118:The artistically inclined delight in the Game because it provides opportunities for improvisation and fantasy. The strict scholars and scientists despise it – and so do some musicians also – because, they say, it lacks that degree of strictness which their specialties can achieve. Well and good, you will encounter these antinomies, and in time you will discover that they are subjective, not objective – that, for example, a fancy-free artist avoids pure mathematics or logic not because he understands them and could say something about them if he wished, but because he instinctively inclines toward other things. Such instinctive and violent inclinations and disinclinations are signs by which you can recognize the pettier souls. In great souls and superior minds, these passions are not found. Each of us is merely one human being, merely an experiment, a way station. But each of us should be on the way toward perfection, should be striving to reach the center, not the periphery. Remember this: one can be a strict logician or grammarian, and at the same time full of imagination and music. One can be a musician or Glass Bead Game player and at the same time wholly devoted to rule and order. The kind of person we want to develop, the kind of person we aim to become, would at any time be able to exchange his discipline or art for any other. He would infuse the Glass Bead Game with crystalline logic, and grammar with creative imagination. That is how we ought to be. We should be so constituted that we can at any time be placed in a different position without offering resistance or losing our heads. ~ Hermann Hesse, #NFDB
119:We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted— ~ Hampton Sides, #NFDB
120:ODE TO A HAGGIS
Fair fa’ your honest, sonsie face,
Great Chieftan o’ the Puddin-race!
Aboon them a’ ye tak your place,
Painch, tripe, or thairm:
Weel are ye wordy of a grace
As lang’s my arm
The groaning trencher there ye fill,
Your hurdies like a distant hill,
You pin wad help to mend a mill
In time o’need
While thro’ your pores the dews distil
Like amber bead
His knife see Rustic-labour dight,
An’ cut you up wi’ ready slight,
Trenching your gushing entrails bright
Like onie ditch;
And then, O what a glorious sight,
Warm-reeking, rich!
Then, horn for horn they stretch an’ strive,
Deil tak the hindmost, on they drive,
Till a’ their weel-swall’d kytes belyve
Are bent like drums;
Then auld Guidman, maist like to rive
Bethankit hums
Is there that owre his French ragout,
Or olio that wad staw a sow,
Or fricassee wad mak her spew
Wi’ perfect sconner,
Looks down wi’ sneering, scornfu’ view
On sic a dinner?
Poor devil! see him owre his trash,
As feckless as a wither’d rash
His spindle-shank a guid whip-lash,
His nieve a nit;
Thro’ bluidy flood or field to dash,
O how unfit!
But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his walie nieve a blade,
He’ll mak it whissle;
An’ legs, an’ arms an’ heads will sned,
Like taps o’ thrissle
Ye pow’rs wha mak mankind your care,
An’ dish them out their bill o’fare,
Auld Scotland wants nae skinking ware
That jaups in luggies;
But, if ye wish her gratefu’ pray’r,
Gie her a Haggis! ~ Robert Burns,#NFDB
121:Ever since the 1960s, upon the urging of Dr. T. Berry Brazelton and the all-knowing Dr. Spock,* mothers have been encouraged to read to their children at a very early age. For toddlers and preschoolers who relish this early diet of literacy, libraries become a second home, story hour is never long enough, and parents can’t finish a book without hearing a little voice beg, “Again… again.” For most literary geek girls, it’s at this age that they discover their passion for reading. Whether it’s Harold and the Purple Crayon or Strega Nona, books provide the budding literary she-geek with a glimpse into an all-new world of magic and make-believe—and once she visits, she immediately wants to apply for full-time citizenship. “We tell ourselves stories in order to live.” —author Joan Didion, in The White Album While some children spend their summers sweating on community sports teams or learning Indigo Girls songs at sleep-away camp, our beloved bookworms are more interested in joining their local library’s summer reading program, completing twenty-five books during vacation, and earning a certificate of recognition signed by their city’s mayor. (Plus, that Sony Bloggie Touch the library is giving away to the person who logs the most hours reading isn’t the worst incentive, either. It’ll come in handy for that book review YouTube channel she’s been thinking about starting!) When school starts back up again, her friends will inevitably show off their tan lines and pony bead friendship bracelets, and our geek girl will politely oblige by oohing and aahing accordingly. But secretly she’s bursting with pride over her summer’s battle scars—the numerous paper cuts she got while feverishly turning the pages of all seven Harry Potter books. ~ Leslie Simon, #NFDB
122:How It Was
Stalking a deer I wandered deep into the mountains and from there I saw.
Or perhaps it was for some other reason that I rose above the setting sun.
Above the hills of blackwood and a slab of ocean and the steps of a glacier,
carmine-colored in the dusk.
I saw absence; the mighty power of counter-fulfillment; the penalty of a promise
lost forever.
If, in tepees of plywood, tire shreds, and grimy sheet iron, ancient inhabitants of
this land shook their rattles, it was all in vain.
No eagle-creator circled in the air from which the thunderbolt of its glory had
been cast out.
Protective spirits hid themselves in subterranean beds of bubbling ore, jolting the
surface from time to time so that the fabric of freeways was bursting asunder.
God the Father didn’t walk about any longer tending the new shoots of a cedar,
no longer did man hear his rushing spirit.
His son did not know his sonship and turned his eyes away when passing by a
neon cross flat as a movie screen showing a striptease.
This time it was really the end of the Old and the New Testament.
No one implored, everyone picked up a nodule of agate or diorite to whisper in
loneliness: I cannot live any longer.
Bearded messengers in bead necklaces founded clandestine communes in
imperial cities and in ports overseas.
But none of them announced the birth of a child-savior.
Soldiers from expeditions sent to punish nations would go disguised and masked
to take part in forbidden rites, not looking for any hope.
They inhaled smoke soothing all memory and, rocking from side to side, shared
55
with each other a word of nameless union.
Carved in black wood the Wheel of Eternal Return stood before the tents of
wandering monastic orders.
And those who longed for the Kingdom took refuge like me in the mountains to
become the last heirs of a dishonored myth.
~ Czeslaw Milosz,#NFDB
123:The short pieces of his black hair are spiked out every which way. The poor lighting from the singular bulb on the ceiling over the shower exaggerates the dark circles under his eyes. He looks rough.
And why I find it incredibly hot is beyond me.
“Late night?” I ask.
I’m staring. I shouldn’t stare. Biting back a smirk at his disheveledness, I pull the band out of my hair, pretending that I need to redo my ponytail. Really, I just need a distraction.
“I’m going back to work today,” I say, when he doesn’t reply.
He snatches my hand to keep me from putting my hair back up. “It is lovely down,” he says softly.
I’m frozen, watching him in the mirror as he smooths a section of my hair, grazing my bare neck with his fingers. Everything Chiara’s said about him rushes to the front of my mind.
“Don’t,” I tell him, immediately wishing I hadn’t.
His hands are at my waist in an instant and he rotates me, pinning me between him and the counter. “Why?”
Because your cousin already wants to kill me for kissing you. Because I like it too much. Because you make me feel wanted.
I clear my throat. “Because you haven’t brushed your teeth yet.”
I twist my upper body around and grab his toothbrush--the neon green one. I squeeze out a bead of toothpaste from my tube, get the brush wet, and hold it close to his mouth. With the tiniest hint of a smile, Bruno opens his mouth maybe half an inch and shifts his body even closer to mine. His eyes dart down to my lips and back to my eyes, down and up, down and up, leaning closer. I should dodge him but I don’t--can’t. All I can do is stare at his mouth, knowing full well I don’t really care if he’s brushed his teeth yet or not.
Our noses nearly touch. He tilts his head to his right, I tilt mine to my right. We’re lined up and ready for impact. His warm breath tickles my chin as he whispers, “Grazie.”
He turns his head, wraps his mouth around the toothbrush, taking it from me, and walks out of the bathroom. ~ Kristin Rae,#NFDB
124:Designori's face had clouded over once more. "Some times," he said resignedly, "it seems to me that we have not only two different languages and ways of expressing ourselves, each of which can only vaguely be translated into the other, but that we are altogether and fundamentally different creatures who can never understand each other. Which of us is really the authentic and integral human being, you or me? Every so often I doubt that either of us is. There were times when I looked up to you members of the Order and Glass Bead Game players with such reverence, such a sense of inferiority, and such envy that you might have been gods or supermen, forever serene, forever playing, forever enjoying your own existences, forever immune to suffering. At other times you seemed to me either pitiable or contemptible, eunuchs, artificially confined to an eternal childhood, child-like and childish in your cool, tightly fenced, neatly tidied playground and kindergarten, where every nose is carefully wiped and every troublesome emotion is soothed, every dangerous thought repressed, where everyone plays nice, safe, bloodless games for a lifetime and every jagged stirring of life, every strong feeling, every genuine passion, every rapture is promptly checked, deflected, and neutralized by meditation therapy. Isn't it artificial, sterilized, didactically pruned world, a mere sham world in which you cravenly vegetate, a world without vices, without passions, without hunger, without sap and salt, a world without family, without mothers, without children, almost without women? The instinctual life is tamed by meditation. For generations you have left to others dangerous, daring, and responsible things like economics, law, and politics. Cowardly and well-protected, fed by others, and having few burdensome duties, you lead your drones' lives, and so that they won't be too boring you busy yourselves with all these erudite specialties, count syllables and letters, make music, and play the Glass Bead Game, while outside in the filth of the world poor harried people live real lives and do real work. ~ Hermann Hesse, #NFDB
125:The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always. ~ Margery Williams Bianco,#NFDB
126:Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept.
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive.
But the Skin Horse only smiled. ~ Margery Williams Bianco,#NFDB
127:He was a good, even a shining light as a Castalian to the extent that he had a many-sided mind, tirelessly active in scholarship as well as in the art of the Glass Bead Game, and enormously hard-working; but in character, in his attitude toward the hierarchy and the morality of the Order he was a very mediocre, not to say bad Castalian. The greatest of his vices was a persistent neglect of meditation, which he refused to take seriously. The purpose of meditation, after all, is adaptation of the individual to the hierarchy, and application in it might very well have cured him of his neurasthenia. For it infallibly helped him whenever, after a period of bad conduct, excessive excitement, or melancholia, his superiors disciplined him by prescribing strict meditation exercises under supervision. Even Knecht, kindly disposed and forgiving though he was, frequently had to resort to this measure.
There was no question about it: Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestiblity he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. And, to our mind, this was the very reason his friend cherished him. ~ Hermann Hesse,#NFDB
128:Red River Valley
To the Red River Valley we are going,
For to get us some trains and some trucks.
But if I had my say so about it,
I'd still be at home in the sack.
Come and sit by my side at the briefing,
Do not hasten to bid me adieu.
To the Red River Valley we're going,
And I'm flying four in Flight Blue.
We went for to check on the weather,
And they said it was clear as could be.
I lost my wingman 'round the field,
And the rest augured in out at sea.
S-2 said there's no flak where we're going,
S-2 said there's no flak on the way.
There's a dark overcast o'er the target,
I'm beginning to doubt what they say.
To the valley they say we are going,
And many strange sights will we see.
But the one there that held my attention,
Was the SAM that they threw up at me.
To the valley he said he was flying,
And he never saw the medal that he earned.
Many jocks have flown into the valley,
And a number have never returned.
So I listened as he briefed on the mission,
Tonight at the bar Teak Flight will sing.
But we're going to the Red River Valley,
And today you are flying my wing.
Oh, the flak is so thick in the valley,
That the MIGS and the SAMs we don't need.
So fly high and down-sun in the valley,
And guard well the ass of Teak Lead.
184
Now things turn to shit in the valley,
And the briefing I gave, you don't heed.
They'll be waiting at the Hanoi Hilton,
And it's fish heads and rice for Teak Lead.
We refueled on the way to the valley,
In the States it had always been fun.
But with thunder and lightning all around us,
'Twas the last AAR for Teak One.
When he came to a bridge in the valley,
He saw a duty that he couldn't shun.
For the first to roll in on the target,
Was my leader, old Teak Number One.
Oh, he flew through the flak toward the target,
With his bombs and his rockets drew a bead.
But he never pulled out of his bomb run,
'Twas fatal for another Teak Lead.
So come sit by my side at the briefing,
We will sit there and tickle the beads.
For we're going to the Red River Valley,
And my call sign for today is Teak Lead.
~ Anonymous,#NFDB
129:For The Year Of The Insane
A prayer
O Mary, fragile mother,
hear me, hear me now
although I do not know your words.
The black rosary with its silver Christ
lies unblessed in my hand
for I am the unbeliever.
Each bead is round and hard between my fingers,
a small black angel.
O Mary, permit me this grace,
this crossing over,
although I am ugly,
submerged in my own past
and my own madness.
Although there are chairs
I lie on the floor.
Only my hands are alive,
touching beads.
Word for word, I stumble.
A beginner, I feel your mouth touch mine.
I count beads as waves,
hammering in upon me.
I am ill at their numbers,
sick, sick in the summer heat
and the window above me
is my only listener, my awkward being.
She is a large taker, a soother.
The giver of breath
she murmurs,
exhaling her wide lung like an enormous fish.
Closer and closer
comes the hour of my death
as I rearrange my face, grow back,
grow undeveloped and straight-haired.
All this is death.
In the mind there is a thin alley called death
86
and I move through it as
through water.
My body is useless.
It lies, curled like a dog on the carpet.
It has given up.
There are no words here except the half-learned,
the Hail Mary and the full of grace.
Now I have entered the year without words.
I note the queer entrance and the exact voltage.
Without words they exist.
Without words on my touch bread
and be handed bread
and make no sound.
O Mary, tender physician,
come with powders and herbs
for I am in the center.
It is very small and the air is gray
as in a steam house.
I am handed wine as a child is handed milk.
It is presented in a delicate glass
with a round bowl and a thin lip.
The wine itself is pitch-colored, musty and secret.
The glass rises in its own toward my mouth
and I notice this and understand this
only because it has happened.
I have this fear of coughing
but I do not speak,
a fear of rain, a fear of the horseman
who comes riding into my mouth.
The glass tilts in on its own
and I amon fire.
I see two thin streaks burn down my chin.
I see myself as one would see another.
I have been cut int two.
O Mary, open your eyelids.
I am in the domain of silence,
the kingdom of the crazy and the sleeper.
There is blood here.
and I haven't eaten it.
87
O mother of the womb,
did I come for blood alone?
O little mother,
I am in my own mind.
I am locked in the wrong house.
~ Anne Sexton,#NFDB
130:Doan be scared, bébé,” he rasped with a brief kiss to my lips. “I’m goan to take care of you.” Staring down into my eyes, he began prodding deeper. “I’ve wanted you for so long.” And deeper. “My God, woman!” When he was all the way in, a strangled groan burst from his chest.
Pain. I just stifled a wince, far from enamored with this.
Voice gone hoarse, he said, “You’re mine now, Evangeline. No one else’s.”
He must be right—because Death’s presence had disappeared completely.
Jack held himself still, murmuring, “Doan hurt, doan hurt.”
“It’s getting better.”
“Ready for more?”
I nodded. Then regretted it. Pain.
Between gritted teeth, he said, “Evie, I got to touch you, got to kiss you. Or you woan like this.” A bead of sweat dropped from his forehead onto my neck, tickling its way down to my collarbone.
“O-okay.”
Still inside me, he raised himself up on his knees, his damp chest flexing. His hands covered me, cupped, kneaded, his thumbs rubbing. When I started arching my back for more, his body moved. And it was . . .
Rapture.
“Jack! Yes!”
In a strained tone, he said, “God almighty—I am home, Evangeline.” Another thrust had me soaring. “Finally found the place . . . I’m supposed to be.”
He leaned down, delivering scorching kisses up my neck and down to my br**sts, bringing me closer and closer to a just-out-of-reach peak.
Each time he rocked over me, I sensed a barely harnessed aggression in him. Between panting breaths, I said, “Don’t hold back! You don’t have to with me.” I lightly grazed my nails over his back, spurring him until he was taking me with all his might—growling with need as I moaned.
Pleasure built and built . . . broke free . . . wicked bliss seized me, seized him.
As I cried out uncontrollably, he yelled, “À moi, Evangeline!” Mine.
“Yes, Jack, yes. . . .”
Then after-shudders. A final moan. A last groan.
As his weight sank heavily over me, I ran my hands up and down his back, wanting him to know how much I loved that.
How much I loved him.
He raised himself up on his forearms, cheeks flushed, lids heavy with satisfaction. “I knew it would be like this.” His voice was even more hoarse. “I knew from the first moment I saw you.” Stroking my hair, he started kissing my face, pressing his lips to my jaw, my forehead, the tip of my nose. “I am home, Evie Greene,” he repeated between kisses.
I never wanted him to stop. He’d been an amazing lover, but his afterplay? He was adoring.
“The first priest I find, I’m goan to marry you. I’m all in, peekôn.” His kisses grew more and more heated. Against my lips, he rasped, “How come I can’t ever get enough of you? ~ Kresley Cole,#NFDB
131:A PICTURE AT FANO.
I.
Dear and great Angel, wouldst thou only leave
That child, when thou hast done with him, for me!
Let me sit all the day here, that when eve
Shall find performed thy special ministry,
And time come for departure, thou, suspending
Thy flight, mayst see another child for tending,
Another still, to quiet and retrieve.
II.
Then I shall feel thee step one step, no more,
From where thou standest now, to where I gaze,
-And suddenly my head is covered o'er
With those wings, white above the child who prays
Now on that tomb-and I shall feel thee guarding
Me, out of all the world; for me, discarding
Yon heaven thy home, that waits and opes its door.
III.
I would not look up thither past thy head
Because the door opes, like that child, I know,
For I should have thy gracious face instead,
Thou bird of God! And wilt thou bend me low
Like him, and lay, like his, my hands together,
And lift them up to pray, and gently tether
Me, as thy lamb there, with thy garment's spread?
IV.
If this was ever granted, I would rest
My bead beneath thine, while thy healing hands
Close-covered both my eyes beside thy breast,
Pressing the brain, which too much thought expands,
Back to its proper size again, and smoothing
Distortion down till every nerve had soothing,
And all lay quiet, happy and suppressed.
V.
How soon all worldly wrong would be repaired!
I think how I should view the earth and skies
And sea, when once again my brow was bared
After thy healing, with such different eyes.
O world, as God has made it! All is beauty:
And knowing this, is love, and love is duty.
What further may be sought for or declared?
VI.
Guercino drew this angel I saw teach
(Alfred, dear friend!)-that little child to pray,
Holding the little hands up, each to each
Pressed gently,-with his own head turned away
Over the earth where so much lay before him
Of work to do, though heaven was opening o'er him,
And he was left at Fano by the beach.
VII.
We were at Fano, and three times we went
To sit and see him in his chapel there,
And drink his beauty to our soul's content
-My angel with me too: and since I care
For dear Guercino's fame (to which in power
And glory comes this picture for a dower,
Fraught with a pathos so magnificent)-
VIII.
And since he did not work thus earnestly
At all times, and has else endured some wrong-
I took one thought his picture struck from me,
And spread it out, translating it to song.
My love is here. Where are you, dear old friend?
How rolls the Wairoa at your world's far end?
This is Ancona, yonder is the sea.
~ Robert Browning, The Guardian-Angel
,#NFDB
132:Though it’s best not to be born a chicken at all, it is especially bad luck to be born a cockerel. From the perspective of the poultry farmer, male chickens are useless. They can’t lay eggs, their meat is stringy, and they’re ornery to the hens that do all the hard work of putting food on our tables. Commercial hatcheries tend to treat male chicks like fabric cutoffs or scrap metal: the wasteful but necessary by-product of an industrial process. The sooner they can be disposed of—often they’re ground into animal feed—the better. But a costly problem has vexed egg farmers for millennia: It’s virtually impossible to tell the difference between male and female chickens until they’re four to six weeks old, when they begin to grow distinctive feathers and secondary sex characteristics like the rooster’s comb. Until then, they’re all just indistinguishable fluff balls that have to be housed and fed—at considerable expense. Somehow it took until the 1920s before anyone figured out a solution to this costly dilemma. The momentous discovery was made by a group of Japanese veterinary scientists, who realized that just inside the chick’s rear end there is a constellation of folds, marks, spots, and bumps that to the untrained eye appear arbitrary, but when properly read, can divulge the sex of a day-old bird. When this discovery was unveiled at the 1927 World Poultry Congress in Ottawa, it revolutionized the global hatchery industry and eventually lowered the price of eggs worldwide. The professional chicken sexer, equipped with a skill that took years to master, became one of the most valuable workers in agriculture. The best of the best were graduates of the two-year Zen-Nippon Chick Sexing School, whose standards were so rigorous that only 5 to 10 percent of students received accreditation. But those who did graduate earned as much as five hundred dollars a day and were shuttled around the world from hatchery to hatchery like top-flight business consultants. A diaspora of Japanese chicken sexers spilled across the globe. Chicken sexing is a delicate art, requiring Zen-like concentration and a brain surgeon’s dexterity. The bird is cradled in the left hand and given a gentle squeeze that causes it to evacuate its intestines (too tight and the intestines will turn inside out, killing the bird and rendering its gender irrelevant). With his thumb and forefinger, the sexer flips the bird over and parts a small flap on its hindquarters to expose the cloaca, a tiny vent where both the genitals and anus are situated, and peers deep inside. To do this properly, his fingernails have to be precisely trimmed. In the simple cases—the ones that the sexer can actually explain—he’s looking for a barely perceptible protuberance called the “bead,” about the size of a pinhead. If the bead is convex, the bird is a boy, and gets thrown to the left; concave or flat and it’s a girl, sent down a chute to the right. ~ Joshua Foer, #NFDB
133:Seven Decades
At ten I read Mayakovsky had died,
learned my first word of Russian, lyublyu;
watched my English teacher poke his earwax
with a well-chewed HB and get the class
to join his easy mocking of my essay
where I'd used verdant herbage for green grass.
So he was right? So I hated him!
And he was not really right, the ass.
A writer knows what he needs,
as came to pass.
At twenty I got marching orders, kitbag,
farewell to love, not arms, (though our sole arms
were stretchers), a freezing Glentress winter
where I was coaxing sticks at six to get
a stove hot for the cooks, found myself picked
quartermaster's clerk – 'this one seems a bit
less gormless than the bloody others' – did
gas drill in the stinging tent, met
Tam McSherry who farted at will
a musical set.
At thirty I thought life had passed me by,
translated Beowulf for want of love.
And one night stands in city centre lanes –
they were dark in those days – were wild but bleak.
Sydney Graham in London said, 'you know
I always thought so', kissed me on the cheek.
And I translated Rilke's Loneliness
is like a rain, and week after week after week
strained to unbind myself,
sweated to speak.
At forty I woke up, saw it was day,
found there was love, heard a new beat, heard Beats,
sent airmail solidarity to Saõ
Paulo's poetic-concrete revolution,
knew Glasgow – what? – knew Glasgow new – somehow –
new with me, with John, with cranes, diffusion
10
of another concrete revolution, not bad,
not good, but new. And new was no illusion:
a spring of words, a sloughing,
an ablution.
At fifty I began to have bad dreams
of Palestine, and saw bad things to come,
began to write my long unwritten war.
I was a hundred-handed Sindbad then,
rolled and unrolled carpets of blood and love,
raised tents of pain, made the dust into men
and laid the dust with men. I supervised
a thesis on Doughty, that great Englishman
who brought all Arabia back
in his hard pen.
At sixty I was standing by a grave.
The winds of Lanarkshire were loud and high.
I knew what I had lost, what I had had.
The East had schooled me about fate, but still
it was the hardest time, oh more, it was
the worst of times in self-reproach, the will
that failed to act, the mass of good not done.
Forgiveness must be like the springs that fill
deserted furrows till they wait
until – until –
At seventy I thought I had come through,
like parting a bead curtain in Port Said,
to something that was shadowy before,
figures and voices of late times that might
be surprising yet. The beads clash faintly
behind me as I go forward. No candle-light
please, keep that for Europe. Switch the whole thing
right on. When I go in I want it bright,
I want to catch whatever is there
in full sight.
~ Edwin Morgan,#NFDB
134:Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive.
As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle.
“Keemah,” he growled.
Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet.
“Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.”
Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back.
With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot.
“We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!”
The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back.
“Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.”
Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick. ~ Catherine Anderson,#NFDB
135:You do not lie so good, Yellow Hair. Your eyes make big talk against you. But that is okay. We have had this one moment together, no? And you did not spit.”
Chuckling, he ducked his head and tightened his arm around her with such crushing strength that she couldn’t breathe, let alone fight. Then he wheeled his horse, yelling gibberish. The young man who held Amy nudged his pony out of the ranks and galloped it toward the house. In a skid of hooves and flying dust, he dumped her none too gently onto the dirt and rode off. Amy scrambled to her feet, holding out her arms.
“Loretta, no…Loretta, please…”
To Loretta’s relief, Rachel burst out of the cabin, grabbed Amy, and dragged her up the steps. After shoving the child through the door, she reappeared with a rifle in her hands. Lifting the stock to her shoulder, she took careful aim. At Loretta…
It happened so fast that even the Comanche was taken by surprise. His body snapped taut. For the space of a heartbeat, Loretta felt a shattering sense of betrayal, of fear. Then she understood. Aunt Rachel was going to kill her rather than see her taken by Comanches.
The blast of the gun and a roar from the Comanche came almost simultaneously. He threw his body forward, slamming Loretta against the stallion’s neck. Pain exploded in her chest, a flattening, mind-searing pain. Insane as it was, the thought crossed her mind that the Comanche hadn’t won after all.
The stallion reared, striking the air, then leaped forward, nearly tossing both his riders. Loretta was squashed between the long ridge of the animal’s neck and the Comanche’s chest. Sitting sideways as she was, her body was twisted at an impossible angle. Instinctively she clutched the horse’s mane to hold her seat. She was going to fall. The hooves of the other horses thundered all around her. If she lost her grip, the other riders would surely trample her.
Desperation filled her. She was slipping. At the last moment, when her fingers lost their hold and she felt herself falling, her captor’s arm clamped around her ribs, pulling her back onto the horse. Then the weight of his chest anchored her, so heavy she couldn’t breathe. Wind blew against her face. Slack-jawed, she labored for air, pressure building to a pulsating intensity in her temples.
The Indians rode a safe distance from the house before stopping. When Hunter finally drew rein and leaped off the horse, Loretta fell with him and landed in a heap at his feet. Dust plumed around her. Men dismounted, yelling, running in her direction. For a moment she thought they were going to swoop down on her, but they circled her captor instead, jabbering and touching his shoulder. There were so many legs, some naked. Brown buttocks flashed everywhere she looked. Hunter snarled something and peeled off his shirt. A furrowed flesh wound angled across his right shoulder.
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body? ~ Catherine Anderson,#NFDB
136:Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer. ~ Natalie D az,#NFDB
137:But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?”
He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.”
“No one has lavender eyes.”
“Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?”
Sophia nodded.
“The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.”
She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look.
He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.”
Sophia felt a hot blush spreading from her bosom to her throat.
He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.”
Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.”
He turned a leaf of his book, then fell silent.
Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs.
Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes.
Sophia smiled. She always won at cards.
“Balderdash,” she said calmly.
He looked up at her, eyebrow raised.
“No one has violet lips.”
“Don’t they?”
She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.”
His lips quirked in a lopsided grin. “Really.”
“Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.”
“Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster. ~ Tessa Dare,#NFDB
138:He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm. ~ Stephanie Perkins,#NFDB
139:The Progress Of Spring
THE groundflame of the crocus breaks the mould,
Fair Spring slides hither o'er the Southern sea,
Wavers on her thin stem the snowdrop cold
That trembles not to kisses of the bee:
Come Spring, for now from all the dripping eaves
The spear of ice has wept itself away,
And hour by hour unfolding woodbine leaves
O'er his uncertain shadow droops the day.
She comes! The loosen'd rivulets run;
The frost-bead melts upon her golden hair;
Her mantle, slowly greening in the Sun,
Now wraps her close, now arching leaves her bar
To breaths of balmier air;
Up leaps the lark, gone wild to welcome her,
About her glance the tits, and shriek the jays,
Before her skims the jubilant woodpecker,
The linnet's bosom blushes at her gaze,
While round her brows a woodland culver flits,
Watching her large light eyes and gracious looks,
And in her open palm a halcyon sits
Patient--the secret splendour of the brooks.
Come Spring! She comes on waste and wood,
On farm and field: but enter also here,
Diffuse thyself at will thro' all my blood,
And, tho' thy violet sicken into sere,
Lodge with me all the year!
Once more a downy drift against the brakes,
Self-darken'd in the sky, descending slow!
But gladly see I thro' the wavering flakes
Yon blanching apricot like snow in snow.
These will thine eyes not brook in forest-paths,
On their perpetual pine, nor round the beech;
They fuse themselves to little spicy baths,
Solved in the tender blushes of the peach;
They lose themselves and die
On that new life that gems the hawthorn line;
Thy gay lent-lilies wave and put them by,
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And out once more in varnish'd glory shine
Thy stars of celandine.
She floats across the hamlet. Heaven lours,
But in the tearful splendour of her smiles
I see the slowl-thickening chestnut towers
Fill out the spaces by the barren tiles.
Now past her feet the swallow circling flies,
A clamorous cuckoo stoops to meet her hand;
Her light makes rainbows in my closing eyes,
I hear a charm of song thro' all the land.
Come, Spring! She comes, and Earth is glad
To roll her North below thy deepening dome,
But ere thy maiden birk be wholly clad,
And these low bushes dip their twigs in foam,
Make all true hearths thy home.
Across my garden! and the thicket stirs,
The fountain pulses high in sunnier jets,
The blackcap warbles, and the turtle purrs,
The starling claps his tiny castanets.
Still round her forehead wheels the woodland dove,
And scatters on her throat the sparks of dew,
The kingcup fills her footprint, and above
Broaden the glowing isles of vernal blue.
Hail ample presence of a Queen,
Bountiful, beautiful, apparell'd gay,
Whose mantle, every shade of glancing green,
Flies back in fragrant breezes to display
A tunic white as May!
She whispers, 'From the South I bring you balm,
For on a tropic mountain was I born,
While some dark dweller by the coco-palm
Watch'd my far meadow zoned with airy morn;
From under rose a muffled moan of floods;
I sat beneath a solitude of snow;
There no one came, the turf was fresh, the woods
Plunged gulf on gulf thro' all their vales below
I saw beyond their silent tops
The steaming marshes of the scarlet cranes,
The slant seas leaning oll the mangrove copse,
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And summer basking in the sultry plains
About a land of canes;
'Then from my vapour-girdle soaring forth
I scaled the buoyant highway of the birds,
And drank the dews and drizzle of the North,
That I might mix with men, and hear their words
On pathway'd plains; for--while my hand exults
Within the bloodless heart of lowly flowers
To work old laws of Love to fresh results,
Thro' manifold effect of simple powers-I too would teach the man
Beyond the darker hour to see the bright,
That his fresh life may close as it began,
The still-fulfilling promise of a light
Narrowing the bounds of night.'
So wed thee with my soul, that I may mark
The coming year's great good and varied ills,
And new developments, whatever spark
Be struck from out the clash of warring wills;
Or whether, since our nature cannot rest,
The smoke of war's volcano burst again
From hoary deeps that belt the changeful West,
Old Empires, dwellings of the kings of men;
Or should those fail, that hold the helm,
While the long day of knowledge grows and warms,
And in the heart of this most ancient realm
A hateful voice be utter'd, and alarms
Sounding 'To arms! to arms!'
A simpler, saner lesson might he learn
Who reads thy gradual process, Holy Spring.
Thy leaves possess the season in their turn,
And in their time thy warblers rise on wing.
How surely glidest thou from March to May,
And changest, breathing it, the sullen wind,
Thy scope of operation, day by day,
Larger and fuller, like the human mind '
Thy warmths from bud to bud
Accomplish that blind model in the seed,
And men have hopes, which race the restless blood
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That after many changes may succeed
Life, which is Life indeed.
~ Alfred Lord Tennyson,#NFDB
140:The Vigil Of Venus
Tomorrow let loveless, let lover tomorrow make love :
O spring, singing spring, spring of the world renew!
In spring lovers consent and the birds marry
When the grove receives in her hair the nuptial dew.
Tomorrow may loveless, may lover tomorrow make love.
II
Tomorrow's the day when the prime Zeus made love:
Out of lightning foam shot deep in the heaving sea
(Witnessed by green crowds of finny horses)
Dione rising and falling, he made to be!
Tomorrow may loveless, may lover tomorrow make love.
III
Tomorrow the Joiner of love in the gracious shade
Twines her green huts with boughs of myrtle claws,
Tomorrow leads her gangs to the singing woods:
Tomorrow Dione, on high, lays down the laws.
Tomorrow may loveless, may lover tomorrow make love.
IV
She shines the tarnished year with glowing buds
That, wakening, head up to the western wind
In eager clusters. Goddess! You deign to scatter
Lucent night-drip of dew; for you are kind.
Tomorrow may loveless, may lover tomorrow make love.
The heavy teardrops stretch, ready to fall,
Then falls each glistening bead to the earth beneath:
The moisture that the serene stars sent down
Loosens the virgin bud from the sliding sheath.
Tomorrow may loveless, may lover tomorrow make love.
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VI
Look, the high crimsons have revealed their shame.
The burning rose turns in her secret bed,
The goddess has bidden the girdle to loose its folds
That the rose at dawn may give her maidenhead.
Tomorrow may loveless, may lover tomorrow make love.
VII
The blood of Venus enters her blood, Love's kiss
Has made the drowsy virgin modestly bold;
Tomorrow the bride is not ashamed to take
The burning taper from its hidden fold.
Tomorrow may loveless, may lover tomorrow make love.
VIII
The goddess herself has sent nymphs to the woods,
The Boy with girls to the myrtles; perhaps you think
That Love's not truly tame if he shows his arrows?
Go, girls! Unarmed, Love beckons. You must not shrink.
Tomorrow may loveless, may lover tomorrow make love.
IX
Bidden unarmed to go and to go naked
Lest he destroy with bow, with dart, with brandYet, girls, Cupid is pretty, and you must know
That Love unarmed can pierce with naked hand!
Tomorrow may loveless, may lover tomorrow make love.
Here will be girls of the farm and girls of the mountain
And girls who live by forest, or grove, or spring.
The mother of the Flying Boy has smiled
And said: Now, girls, beware his naked sting!
Tomorrow may loveless, may lover tomorrow make love.
XI
Gently she asks may she bend virginity?
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Gently that you, a modest girl, may yield.
Now, should you come, for three nights you would see
Delirious bands in every grove and field.
Tomorrow may loveless, may lover tomorrow make love.
XII
Venus herself has maidens as pure as you;
So, Delia, one thing only we ask: Go away!
That the wood shall not be bloody with slaughtered beasts
When Venus flicks the shadows with greening spray.
Tomorrow may loveless, may lover tomorrow make love.
XIII
Among the garlands, among the myrtle bowers
Ceres and Bacchus, and the god of verse, delay.
Nightlong the watch must be kept with votive cry
Dione's queen of the woods: Diana, make way!
Tomorrow may loveless, may lover tomorrow make love.
XIV
She places her court among the flowers of Hybla;
Presiding, she speaks her laws; the Graces are near.
Hybla, give all your blossoms, and bring, Hybla,
The brightest plain of Enna for the whole year.
Tomorrow may loveless, may lover tomorrow make love.
XV
With spring the father-sky remakes the world:
The male shower has flowed into the bride,
Earth's body; then shifted through sky and sea and land
To touch the quickening child in her deep side.
Tomorrow may loveless, may lover tomorrow make love.
XVI
Over sky and land and down under the sea
On the path of the seed the goddess brought to earth
And dropped into our veins created fire,
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That men might know the mysteries of birth.
Tomorrow may loveless, may lover tomorrow make love.
XVII
Body and mind the inventive Creatress fills
With spirit blowing its invariable power:
The Sabine girls she gave to the sons of Rome
And sowed the seed exiled from the Trojan tower.
Tomorrow may loveless, may lover tomorrow make love.
XVIII
Lavinia of Laurentum she chose to bed
Her son Aeneas, and for the black Mars won
The virgin Silvia, to found the Roman line:
Sire Romulus, and Caesar her grandson.
Tomorrow may loveless, may lover tomorrow make love.
XIX
Venus knows country matters: country knows Venus:
For Love, Dione's boy, was born on the farm.
From the rich furrow she snatched him to her breast,
With tender flowers taught him peculiar charm.
Tomorrow may loveless, may lover tomorrow make love.
XX
See how the bullocks rub their flanks with broom!
See the ram pursue through the shade the bleating ewe,
For lovers' union is Venus in kind pursuit;
And she tells the birds to forget their winter woe.
Tomorrow may loveless, may lover tomorrow make love.
XXI
Now the tall swans with hoarse cries thrash the lake:
The girl of Tereus pours from the poplar ring
Musical change sad sister who bewails
Her act of darkness with the barbarous king!
112
Tomorrow may loveless, may lover tomorrow make
love.
XXII
She sings, we are silent. When will my spring come?
Shall I find my voice when I shall be as the swallow?
Silence destroyed the Amyclae: they were dumb.
Silent, I lost the muse. Return, Apollo!
Tomorrow let loveless, let lover tomorrow make love.
~ Allen Tate,#NFDB
141:Towns In Colour
Red Slippers
Red slippers in a shop-window, and outside in the street, flaws of grey,
windy sleet!
Behind the polished glass, the slippers hang in long threads of red,
festooning from the ceiling like stalactites of blood, flooding the eyes
of passers-by with dripping colour, jamming their crimson reflections
against the windows of cabs and tram-cars, screaming their claret and salmon
into the teeth of the sleet, plopping their little round maroon lights
upon the tops of umbrellas.
The row of white, sparkling shop fronts is gashed and bleeding,
it bleeds red slippers. They spout under the electric light,
fluid and fluctuating, a hot rain - and freeze again to red slippers,
myriadly multiplied in the mirror side of the window.
They balance upon arched insteps like springing bridges of crimson lacquer;
they swing up over curved heels like whirling tanagers sucked
in a wind-pocket; they flatten out, heelless, like July ponds,
flared and burnished by red rockets.
Snap, snap, they are cracker-sparks of scarlet in the white, monotonous
block of shops.
They plunge the clangour of billions of vermilion trumpets
into the crowd outside, and echo in faint rose over the pavement.
People hurry by, for these are only shoes, and in a window, farther down,
is a big lotus bud of cardboard whose petals open every few minutes
and reveal a wax doll, with staring bead eyes and flaxen hair,
lolling awkwardly in its flower chair.
One has often seen shoes, but whoever saw a cardboard lotus bud before?
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The flaws of grey, windy sleet beat on the shop-window where there are only
red slippers.
II
Thompson's Lunch Room - Grand Central Station
Study in Whites
Wax-white Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook's cap
Moves unglossily against the vaguely bright wall Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting - greener, bluer - with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: 'Oyster Stew, Cornbeef Hash, Frankfurters':
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
425
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated `epergnes'.
The electric clock jerks every half-minute:
'Coming! - Past!'
'Three beef-steaks and a chicken-pie,'
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.
III
An Opera House
Within the gold square of the proscenium arch,
A curtain of orange velvet hangs in stiff folds,
Its tassels jarring slightly when someone crosses the stage behind.
Gold carving edges the balconies,
Rims the boxes,
Runs up and down fluted pillars.
Little knife-stabs of gold
Shine out whenever a box door is opened.
Gold clusters
Flash in soft explosions
On the blue darkness,
Suck back to a point,
And disappear.
Hoops of gold
Circle necks, wrists, fingers,
Pierce ears,
Poise on heads
And fly up above them in coloured sparkles.
Gold!
Gold!
426
The opera house is a treasure-box of gold.
Gold in a broad smear across the orchestra pit:
Gold of horns, trumpets, tubas;
Gold - spun-gold, twittering-gold, snapping-gold
Of harps.
The conductor raises his baton,
The brass blares out
Crass, crude,
Parvenu, fat, powerful,
Golden.
Rich as the fat, clapping hands in the boxes.
Cymbals, gigantic, coin-shaped,
Crash.
The orange curtain parts
And the prima-donna steps forward.
One note,
A drop: transparent, iridescent,
A gold bubble,
It floats . . . floats . . .
And bursts against the lips of a bank president
In the grand tier.
IV
Afternoon Rain in State Street
Cross-hatchings of rain against grey walls,
Slant lines of black rain
In front of the up and down, wet stone sides of buildings.
Below,
Greasy, shiny, black, horizontal,
The street.
And over it, umbrellas,
Black polished dots
Struck to white
An instant,
Stream in two flat lines
Slipping past each other with the smoothness of oil.
Like a four-sided wedge
The Custom House Tower
Pokes at the low, flat sky,
427
Pushing it farther and farther up,
Lifting it away from the house-tops,
Lifting it in one piece as though it were a sheet of tin,
With the lever of its apex.
The cross-hatchings of rain cut the Tower obliquely,
Scratching lines of black wire across it,
Mutilating its perpendicular grey surface
With the sharp precision of tools.
The city is rigid with straight lines and angles,
A chequered table of blacks and greys.
Oblong blocks of flatness
Crawl by with low-geared engines,
And pass to short upright squares
Shrinking with distance.
A steamer in the basin blows its whistle,
And the sound shoots across the rain hatchings,
A narrow, level bar of steel.
Hard cubes of lemon
Superimpose themselves upon the fronts of buildings
As the windows light up.
But the lemon cubes are edged with angles
Upon which they cannot impinge.
Up, straight, down, straight - square.
Crumpled grey-white papers
Blow along the side-walks,
Contorted, horrible,
Without curves.
A horse steps in a puddle,
And white, glaring water spurts up
In stiff, outflaring lines,
Like the rattling stems of reeds.
The city is heraldic with angles,
A sombre escutcheon of argent and sable
And countercoloured bends of rain
Hung over a four-square civilization.
When a street lamp comes out,
I gaze at it for fully thirty seconds
To rest my brain with the suffusing, round brilliance of its globe.
428
An Aquarium
Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver - gold Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
429
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.
Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.
~ Amy Lowell,#NFDB
142:The Star-Apple Kingdom
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
'Herefords at Sunset in the valley of the Wye.'
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
'Herefords at Sunset in the Valley of the Wye.'
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
74
the tenants, the good Negroes down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
75
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside. He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name. No vowels left
in the mill wheel, the river. Rock stone. Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
76
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
'San Salvador, pray for us,St. Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes,' and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
'Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.'
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
77
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls. Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth. He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,'I am powerless, except for love.'
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain. He rose in his dream.
~ Derek Walcott,#NFDB
143:The Talking Oak
Once more the gate behind me falls;
Once more before my face
I see the moulder'd Abbey-walls,
That stand within the chace.
Beyond the lodge the city lies,
Beneath its drift of smoke;
And ah! with what delighted eyes
I turn to yonder oak.
For when my passion first began,
Ere that, which in me burn'd,
The love, that makes me thrice a man,
Could hope itself return'd;
To yonder oak within the field
I spoke without restraint,
And with a larger faith appeal'd
Than Papist unto Saint.
For oft I talk'd with him apart
And told him of my choice,
Until he plagiarized a heart,
And answer'd with a voice.
Tho' what he whisper'd under Heaven
None else could understand;
I found him garrulously given,
A babbler in the land.
But since I heard him make reply
Is many a weary hour;
'Twere well to question him, and try
If yet he keeps the power.
Hail, hidden to the knees in fern,
Broad Oak of Sumner-chace,
Whose topmost branches can discern
The roofs of Sumner-place!
827
Say thou, whereon I carved her name,
If ever maid or spouse,
As fair as my Olivia, came
To rest beneath thy boughs.--"O Walter, I have shelter'd here
Whatever maiden grace
The good old Summers, year by year
Made ripe in Sumner-chace:
"Old Summers, when the monk was fat,
And, issuing shorn and sleek,
Would twist his girdle tight, and pat
The girls upon the cheek,
"Ere yet, in scorn of Peter's-pence,
And number'd bead, and shrift,
Bluff Harry broke into the spence
And turn'd the cowls adrift:
"And I have seen some score of those
Fresh faces that would thrive
When his man-minded offset rose
To chase the deer at five;
"And all that from the town would stroll,
Till that wild wind made work
In which the gloomy brewer's soul
Went by me, like a stork:
"The slight she-slips of royal blood,
And others, passing praise,
Straight-laced, but all-too-full in bud
For puritanic stays:
"And I have shadow'd many a group
Of beauties, that were born
In teacup-times of hood and hoop,
Or while the patch was worn;
"And, leg and arm with love-knots gay
828
About me leap'd and laugh'd
The modish Cupid of the day,
And shrill'd his tinsel shaft.
"I swear (and else may insects prick
Each leaf into a gall)
This girl, for whom your heart is sick,
Is three times worth them all.
"For those and theirs, by Nature's law,
Have faded long ago;
But in these latter springs I saw
Your own Olivia blow,
"From when she gamboll'd on the greens
A baby-germ, to when
The maiden blossoms of her teens
Could number five from ten.
"I swear, by leaf, and wind, and rain,
(And hear me with thine ears,)
That, tho' I circle in the grain
Five hundred rings of years--"Yet, since I first could cast a shade,
Did never creature pass
So slightly, musically made,
So light upon the grass:
"For as to fairies, that will flit
To make the greensward fresh,
I hold them exquisitely knit,
But far too spare of flesh."
Oh, hide thy knotted knees in fern,
And overlook the chace;
And from thy topmost branch discern
The roofs of Sumner-place.
But thou, whereon I carved her name,
That oft hast heard my vows,
Declare when last Olivia came
829
To sport beneath thy boughs.
"O yesterday, you know, the fair
Was holden at the town;
Her father left his good arm-chair,
And rode his hunter down.
"And with him Albert came on his.
I look'd at him with joy:
As cowslip unto oxlip is,
So seems she to the boy.
"An hour had past---and, sitting straight
Within the low-wheel'd chaise,
Her mother trundled to the gate
Behind the dappled grays.
"But as for her, she stay'd at home,
And on the roof she went,
And down the way you use to come,
She look'd with discontent.
"She left the novel half-uncut
Upon the rosewood shelf;
She left the new piano shut:
She could not please herseif
"Then ran she, gamesome as the colt,
And livelier than a lark
She sent her voice thro' all the holt
Before her, and the park.
"A light wind chased her on the wing,
And in the chase grew wild,
As close as might be would he cling
About the darling child:
"But light as any wind that blows
So fleetly did she stir,
The flower, she touch'd on, dipt and rose,
And turn'd to look at her.
830
"And here she came, and round me play'd,
And sang to me the whole
Of those three stanzas that you made
About my Ôgiant bole;'
"And in a fit of frolic mirth
She strove to span my waist:
Alas, I was so broad of girth,
I could not be embraced.
"I wish'd myself the fair young beech
That here beside me stands,
That round me, clasping each in each,
She might have lock'd her hands.
"Yet seem'd the pressure thrice as sweet
As woodbine's fragile hold,
Or when I feel about my feet
The berried briony fold."
O muffle round thy knees with fern,
And shadow Sumner-chace!
Long may thy topmost branch discern
The roofs of Sumner-place!
But tell me, did she read the name
I carved with many vows
When last with throbbing heart I came
To rest beneath thy boughs?
"O yes, she wander'd round and round
These knotted knees of mine,
And found, and kiss'd the name she found,
And sweetly murmur'd thine.
"A teardrop trembled from its source,
And down my surface crept.
My sense of touch is something coarse,
But I believe she wept.
"Then flush'd her cheek with rosy light,
She glanced across the plain;
831
But not a creature was in sight:
She kiss'd me once again.
"Her kisses were so close and kind,
That, trust me on my word,
Hard wood I am, and wrinkled rind,
But yet my sap was stirr'd:
"And even into my inmost ring
A pleasure I discern'd,
Like those blind motions of the Spring,
That show the year is turn'd.
"Thrice-happy he that may caress
The ringlet's waving balm--The cushions of whose touch may press
The maiden's tender palm.
"I, rooted here among the groves
But languidly adjust
My vapid vegetable loves
With anthers and with dust:
"For ah! my friend, the days were brief
Whereof the poets talk,
When that, which breathes within the leaf,
Could slip its bark and walk.
"But could I, as in times foregone,
From spray, and branch, and stem,
Have suck'd and gather'd into one
The life that spreads in them,
"She had not found me so remiss;
But lightly issuing thro',
I would have paid her kiss for kiss,
With usury thereto."
O flourish high, with leafy towers,
And overlook the lea,
Pursue thy loves among the bowers
But leave thou mine to me.
832
O flourish, hidden deep in fern,
Old oak, I love thee well;
A thousand thanks for what I learn
And what remains to tell.
" ÔTis little more: the day was warm;
At last, tired out with play,
She sank her head upon her arm
And at my feet she lay.
"Her eyelids dropp'd their silken eaves
I breathed upon her eyes
Thro' all the summer of my leaves
A welcome mix'd with sighs.
"I took the swarming sound of life--The music from the town--The murmurs of the drum and fife
And lull'd them in my own.
"Sometimes I let a sunbeam slip,
To light her shaded eye;
A second flutter'd round her lip
Like a golden butterfly;
"A third would glimmer on her neck
To make the necklace shine;
Another slid, a sunny fleck,
From head to ankle fine,
"Then close and dark my arms I spread,
And shadow'd all her rest--Dropt dews upon her golden head,
An acorn in her breast.
"But in a pet she started up,
And pluck'd it out, and drew
My little oakling from the cup,
And flung him in the dew.
"And yet it was a graceful gift---
833
I felt a pang within
As when I see the woodman lift
His axe to slay my kin.
"I shook him down because he was
The finest on the tree.
He lies beside thee on the grass.
O kiss him once for me.
"O kiss him twice and thrice for me,
That have no lips to kiss,
For never yet was oak on lea
Shall grow so fair as this.'
Step deeper yet in herb and fern,
Look further thro' the chace,
Spread upward till thy boughs discern
The front of Sumner-place.
This fruit of thine by Love is blest,
That but a moment lay
Where fairer fruit of Love may rest
Some happy future day.
I kiss it twice, I kiss it thrice,
The warmth it thence shall win
To riper life may magnetise
The baby-oak within.
But thou, while kingdoms overset,
Or lapse from hand to hand,
Thy leaf shall never fail, nor yet
Thine acorn in the land.
May never saw dismember thee,
Nor wielded axe disjoint,
That art the fairest-spoken tree
From here to Lizard-point.
O rock upon thy towery-top
All throats that gurgle sweet!
All starry culmination drop
834
Balm-dews to bathe thy feet!
All grass of silky feather grow--And while he sinks or swells
The full south-breeze around thee blow
The sound of minster bells.
The fat earth feed thy branchy root,
That under deeply strikes!
The northern morning o'er thee shoot,
High up, in silver spikes!
Nor ever lightning char thy grain,
But, rolling as in sleep,
Low thunders bring the mellow rain,
That makes thee broad and deep!
And hear me swear a solemn oath,
That only by thy side
Will I to Olive plight my troth,
And gain her for my bride.
And when my marriage morn may fall,
She, Dryad-like, shall wear
Alternate leaf and acorn-ball
In wreath about her hair.
And I will work in prose and rhyme,
And praise thee more in both
Than bard has honour'd beech or lime,
Or that Thessalian growth,
In which the swarthy ringdove sat,
And mystic sentence spoke;
And more than England honours that,
Thy famous brother-oak,
Wherein the younger Charles abode
Till all the paths were dim,
And far below the Roundhead rode,
And humm'd a surly hymn.
835
~ Alfred Lord Tennyson,#NFDB
144:A Proper Trewe Idyll Of Camelot
Whenas ye plaisaunt Aperille shoures have washed and purged awaye
Ye poysons and ye rheums of earth to make a merrie May,
Ye shraddy boscage of ye woods ben full of birds that syng
Right merrilie a madrigal unto ye waking spring,
Ye whiles that when ye face of earth ben washed and wiped ycleane
Her peeping posies blink and stare like they had ben her een;
Then, wit ye well, ye harte of man ben turned to thoughts of love,
And, tho' it ben a lyon erst, it now ben like a dove!
And many a goodly damosel in innocence beguiles
Her owne trewe love with sweet discourse and divers plaisaunt wiles.
In soche a time ye noblesse liege that ben Kyng Arthure hight
Let cry a joust and tournament for evereche errant knyght,
And, lo! from distant Joyous-garde and eche adjacent spot
A company of noblesse lords fared unto Camelot,
Wherein were mighty feastings and passing merrie cheere,
And eke a deale of dismal dole, as you shall quickly heare.
It so befell upon a daye when jousts ben had and while
Sir Launcelot did ramp around ye ring in gallaunt style,
There came an horseman shriking sore and rashing wildly home,-A mediaeval horseman with ye usual flecks of foame;
And he did brast into ye ring, wherein his horse did drop,
Upon ye which ye rider did with like abruptness stop,
And with fatigue and fearfulness continued in a swound
Ye space of half an hour or more before a leech was founde.
"Now tell me straight," quod Launcelot, "what varlet knyght you be,
Ere that I chine you with my sworde and cleave your harte in three!"
Then rolled that knyght his bloudy een, and answered with a groane,-"By worthy God that hath me made and shope ye sun and mone,
There fareth hence an evil thing whose like ben never seene,
And tho' he sayeth nony worde, he bode the ill, I ween.
So take your parting, evereche one, and gird you for ye fraye,
By all that's pure, ye Divell sure doth trend his path this way!"
Ye which he quoth and fell again into a deadly swound,
And on that spot, perchance (God wot), his bones mought yet be founde.
Then evereche knight girt on his sworde and shield and hied him straight
To meet ye straunger sarasen hard by ye city gate;
23
Full sorely moaned ye damosels and tore their beautyse haire
For that they feared an hippogriff wolde come to eate them there;
But as they moaned and swounded there too numerous to relate,
Kyng Arthure and Sir Launcelot stode at ye city gate,
And at eche side and round about stode many a noblesse knyght
With helm and speare and sworde and shield and mickle valor dight.
Anon there came a straunger, but not a gyaunt grim,
Nor yet a draggon,--but a person gangling, long, and slim;
Yclad he was in guise that ill-beseemed those knyghtly days,
And there ben nony etiquette in his uplandish ways;
His raiment was of dusty gray, and perched above his lugs
There ben the very latest style of blacke and shiny pluggs;
His nose ben like a vulture beake, his blie ben swart of hue,
And curly ben ye whiskers through ye which ye zephyrs blewe;
Of all ye een that ben yseene in countries far or nigh,
None nonywhere colde hold compare unto that straunger's eye;
It was an eye of soche a kind as never ben on sleepe,
Nor did it gleam with kindly beame, nor did not use to weepe;
But soche an eye ye widdow hath,--an hongrey eye and wan,
That spyeth for an oder chaunce whereby she may catch on;
An eye that winketh of itself, and sayeth by that winke
Ye which a maiden sholde not knowe nor never even thinke;
Which winke ben more exceeding swift nor human thought ben thunk,
And leaveth doubting if so be that winke ben really wunke;
And soch an eye ye catte-fysshe hath when that he ben on dead
And boyled a goodly time and served with capers on his head;
A rayless eye, a bead-like eye, whose famisht aspect shows
It hungereth for ye verdant banks whereon ye wild time grows;
An eye that hawketh up and down for evereche kind of game,
And, when he doth espy ye which, he tumbleth to ye same.
Now when he kenned Sir Launcelot in armor clad, he quod,
"Another put-a-nickel-in-and-see-me-work, be god!"
But when that he was ware a man ben standing in that suit,
Ye straunger threw up both his hands, and asked him not to shoote.
Then spake Kyng Arthure: "If soe be you mind to do no ill,
Come, enter into Camelot, and eat and drink your fill;
But say me first what you are hight, and what mought be your quest."
Ye straunger quod, "I'm five feet ten, and fare me from ye West!"
"Sir Fivefeetten," Kyng Arthure said, "I bid you welcome here;
24
So make you merrie as you list with plaisaunt wine and cheere;
This very night shall be a feast soche like ben never seene,
And you shall be ye honored guest of Arthure and his queene.
Now take him, good sir Maligraunce, and entertain him well
Until soche time as he becomes our guest, as I you tell."
That night Kyng Arthure's table round with mighty care ben spread,
Ye oder knyghts sate all about, and Arthure at ye heade:
Oh, 't was a goodly spectacle to ken that noblesse liege
Dispensing hospitality from his commanding siege!
Ye pheasant and ye meate of boare, ye haunch of velvet doe,
Ye canvass hamme he them did serve, and many good things moe.
Until at last Kyng Arthure cried: "Let bring my wassail cup,
And let ye sound of joy go round,--I'm going to set 'em up!
I've pipes of Malmsey, May-wine, sack, metheglon, mead, and sherry,
Canary, Malvoisie, and Port, swete Muscadelle and perry;
Rochelle, Osey, and Romenay, Tyre, Rhenish, posset too,
With kags and pails of foaming ales of brown October brew.
To wine and beer and other cheere I pray you now despatch ye,
And for ensample, wit ye well, sweet sirs, I'm looking at ye!"
Unto which toast of their liege lord ye oders in ye party
Did lout them low in humble wise and bid ye same drink hearty.
So then ben merrisome discourse and passing plaisaunt cheere,
And Arthure's tales of hippogriffs ben mervaillous to heare;
But stranger far than any tale told of those knyghts of old
Ben those facetious narratives ye Western straunger told.
He told them of a country many leagues beyond ye sea
Where evereche forraine nuisance but ye Chinese man ben free,
And whiles he span his monstrous yarns, ye ladies of ye court
Did deem ye listening thereunto to be right plaisaunt sport;
And whiles they listened, often he did squeeze a lily hande,
Ye which proceeding ne'er before ben done in Arthure's lande;
And often wank a sidelong wink with either roving eye,
Whereat ye ladies laughen so that they had like to die.
But of ye damosels that sat around Kyng Arthure's table
He liked not her that sometime ben ron over by ye cable,
Ye which full evil hap had harmed and marked her person so
That in a passing wittie jest he dubbeth her ye crow.
But all ye oders of ye girls did please him passing well
And they did own him for to be a proper seeming swell;
25
And in especial Guinevere esteemed him wondrous faire,
Which had made Arthure and his friend, Sir Launcelot, to sware
But that they both ben so far gone with posset, wine, and beer,
They colde not see ye carrying-on, nor neither colde not heare;
For of eche liquor Arthure quafft, and so did all ye rest,
Save only and excepting that smooth straunger from the West.
When as these oders drank a toast, he let them have their fun
With divers godless mixings, but he stock to willow run,
Ye which (and all that reade these words sholde profit by ye warning)
Doth never make ye head to feel like it ben swelled next morning.
Now, wit ye well, it so befell that when the night grew dim,
Ye Kyng was carried from ye hall with a howling jag on him,
Whiles Launcelot and all ye rest that to his highness toadied
Withdrew them from ye banquet-hall and sought their couches loaded.
Now, lithe and listen, lordings all, whiles I do call it shame
That, making cheer with wine and beer, men do abuse ye same;
Though eche be well enow alone, ye mixing of ye two
Ben soche a piece of foolishness as only ejiots do.
Ye wine is plaisaunt bibbing whenas ye gentles dine,
And beer will do if one hath not ye wherewithal for wine,
But in ye drinking of ye same ye wise are never floored
By taking what ye tipplers call too big a jag on board.
Right hejeous is it for to see soche dronkonness of wine
Whereby some men are used to make themselves to be like swine;
And sorely it repenteth them, for when they wake next day
Ye fearful paynes they suffer ben soche as none mought say,
And soche ye brenning in ye throat and brasting of ye head
And soche ye taste within ye mouth like one had been on dead,--Soche
be ye foul conditions that these unhappy men
Sware they will never drink no drop of nony drinke again.
Yet all so frail and vain a thing and weak withal is man
That he goeth on an oder tear whenever that he can.
And like ye evil quatern or ye hills that skirt ye skies,
Ye jag is reproductive and jags on jags arise.
Whenas Aurora from ye east in dewy splendor hied
King Arthure dreemed he saw a snaix and ben on fire inside,
And waking from this hejeous dreeme he sate him up in bed,-"What, ho! an absynthe cocktail, knave! and make it strong!" he said;
Then, looking down beside him, lo! his lady was not there-He called, he searched, but, Goddis wounds! he found her nonywhere;
26
And whiles he searched, Sir Maligraunce rashed in, wood wroth, and cried,
"Methinketh that ye straunger knyght hath snuck away my bride!"
And whiles he spake a motley score of other knyghts brast in
And filled ye royall chamber with a mickle fearfull din,
For evereche one had lost his wiffe nor colde not spye ye same,
Nor colde not spye ye straunger knyght, Sir Fivefeetten of name.
Oh, then and there was grevious lamentation all arounde,
For nony dame nor damosel in Camelot ben found,-Gone, like ye forest leaves that speed afore ye autumn wind.
Of all ye ladies of that court not one ben left behind
Save only that same damosel ye straunger called ye crow,
And she allowed with moche regret she ben too lame to go;
And when that she had wept full sore, to Arthure she confess'd
That Guinevere had left this word for Arthure and ye rest:
"Tell them," she quod, "we shall return to them whenas we've made
This little deal we have with ye Chicago Bourde of Trade."
~ Eugene Field,#NFDB
145:Julia, Or The Convent Of St. Claire
Stranger, that massy, mouldering pile,
Whose ivied ruins load the ground,
Reechoed once to pious strains
By holy sisters breathed around.
There many a noble virgin came
To bid the world she loved....adieu;
There, victim of parental pride,
To years of hopeless grief withdrew.
Yes, proud St. Claire! thy costly walls
Have witnessed oft the mourner's pain;
And hearts in joyless durance bound,
Which sighed for kindred hearts in vain.
But never more within thy cells
Shall beauty breathe the fruitless sigh,
Nor hid beneath the envious veil
Shall sorrow dim the sparkling eye.
For now, a sight by reason blest,
Thy gloomy dome in ruins falls,
While bats and screechowls harbour there,
Sole tenants of thy crumbling walls.
And soon, blest change! as those dread plains,
Where Etna's burning torrents poured,
Become, when Time its power has shed,
With softly-smiling verdure stored:
So, when thy darkly-frowning towers
The verdant plain no longer load,
These scenes, where sorrow reigned, may prove
Fond, faithful lovers' blest abode.
And they shall pledge the nuptial vow,
Where once far different vows were heard;
And where thy pining virgins mourned,
Shall babes, sweet smiling babes, be reared.
Hail, glorious change, to Nature dear!
Methinks I see the bridal throng;
And hark, where lonely sisters prayed,
How sweetly swells the social song!
But nought, O! nought can her restore
To social life, to happy love,
Who once amidst thy cloistered train
With passion's hopeless sorrow strove.
Lamented maid! my faithful Muse
To pity's ear shall tell thy tale;
Shall tell, at midnight's awful hour
Why groaning ghosts affright the vale.
On Julia's softly dimpled cheek
Just bloom'd to view youth's opening rose,
When, proudly stern, her father bade
St. Claire's dark walls her bloom enclose.
But no reluctance to obey
With tears bedewed her beauteous cheek,
Since love with soft persuasive power
Not yet had taught her heart to speak.
"Yes,....be a nun's vocation mine,
So I my brother's bliss improve;
His be their wealth," sweet Julia cried,
So I may boast my parent's love!"
Proud Clermont blessed his generous child;
Her gentler mother dropped a tear,
As if her boding heart foretold
That love and Julia's woes were near.
For lo! where glows the nuptial feast,
And Clermont's heir leads in his bride,
While Julia, called that feast to grace,
Sits by a blooming baron's side.
Dear, fatal hour! the feast is o'er,
But still in faithful memory charms,
And Julia's conscious heart has learnt
To throb with passion's new alarms.
"Now then I feel the power of love,"
She on her sleepless pillow cried,
"Then must I still my sire obey,
And this warm heart in cloisters hide?
"But hold, fond girl! thy throbbing breast
May be with hopeless fondness fraught;
Yet sure Montrose's speaking eyes
Declared he felt the love he taught."
And well her hopes his glance had read,....
Montrose a mutual passion felt,
Nor long his tender pangs concealed,
But at her feet impassioned knelt.
Her downcast eye, her blush, her smile
To crown her lover's suit conspired,
Who, bold in hope, to Clermont told
The artless wish by fondness fired.
But told in vain--"Away!" he cried;
"O'er me your pleadings boast no power:
Think not my son his rights shall yield,
To swell my pining daughter's dower."
"No:--let his rights still sacred be,"
Montrose with throbbing heart replied,
"Give me but Julia's willing hand,
I ask, I wish for nought beside."
"And darest thou think that Clermont's child
Shall e'er pronounce the nuptial vow
Unless," he said, "I could a dower
Equal to Clermont's rank bestow!
"Away, young lord! entreat no more!
Nor thus with vain complainings mourn;
For, ere tomorrow's sun has set,
My child shall to her cell return."
He spoke, and frown'd.--Alas, Montrose!
In vain thy manly bosom mourned
For, ere tomorrow's sun had set,
Thy Julia to her cell returned.
But changed indeed! Youth's opening rose
Now on her cheek no longer glowed;
And now, with earthly cares opprest,
Before the holy shrine she bowed.
Now to religion's rites no more
Her heart with ready zeal impelled;
No more with genuine fervour warm,
Her voice the holy anthem swelled.
"Whence thy pale cheek? and whence, my child,
Proceeds this change?" the abbess said,
"Why heaves thy breast with deep-drawn sighs,
And wherefore droops thy youthful head?"
"Yes,....you shall know," the sufferer cried,
"And let my fate your pity move!
See Passion's victim! Morn and eve
This struggling soul is lost in love.
"And I yon sacred shrine profane;
The cross with languid zeal I press;
Montrose's image claims the vows
Which my false lips to Heaven address.
"Yes:--while I drop the sacred bead,
His form obtrudes upon my view,
And love's warm tears my rosary wet,
Love claims the sigh devotion's due.
"Inhuman Father! wilt thou risk
My peace on earth, and hopes of heaven?
Tremble, tyrannic parent, think
What love may do to madness driven!"
With pitying heart the abbess heard;
For she an answering pang had known,
And well her gentle soul could mourn
A fate, a grief, so like her own.
"But why despair, my child?" she said,
"Before thy father lowly kneel,
And teach that heart, though fenced by pride,
Compassion's generous throb to feel."
Julia the kind advice obeyed;
And when the haughty Clermont came,
Before his feet she lowly knelt,
And hailed him by a parent's name.
"Think'st thou to wrong thy brother's rights
I e'er can be by thee beguiled?"
"Father!" her trembling lips replied,
"Say, is not Julia too your child?
"For him you bid the nuptial feast,
And all life's dearest blessings glow,
While I, alike your child, you doom
To hopeless love, and lonely woe."
But vain remonstrance, tears, and prayers;
The Count's proud heart could all deride,
For Nature's voice can never melt
The callous bosom fenced by pride.
"Urge me no more," he fiercely said,
"But know, not long these prayers can last;
Reflect, fond girl! at morning's dawn
The year of thy probation's past!"
Pale, pale grew then her youthful cheek,
Heart-piercing seemed her mournful cry:
"Clermont! relent," her mother cried,
"Nor coldly doom thy child to die."
But vain was Julia's piercing shriek;
Nor justice he nor mercy knew:
"Receive," he said, "my last embrace,"....
Then from the mournful scene withdrew.
Loud called the evening bell to prayers,
But still on Julia vainly called,
Who, leaning on her mother's breast,
With desperate words that breast appalled.
"Suppress, suppress thy grief, my child,
Or fear to call dread vengeance down:
Wouldst thou not tremble, impious girl!
Before thy God's avenging frown?"
"Paint not that gracious God in frowns,
Did not for us a Saviour bleed?
In mercy clothe his awful power,
For I shall soon that mercy need."
Dark, cheerless, awful is the night
When tempests load the troubled air;
But darker, gloomier is the mind
Where reigns the ghastly fiend Despair.
Fond mother! in thy Julia's eyes
Canst thou not see his reign is near?
Inhuman father! hark! loud groans
Shall swell the blast;....Beware! beware!
"Mother, the hour commands thee hence,"
Sad Julia cried, "we now must part;
And never may thy bosom know
A grief like that which rends my heart!
"In all thy prayers tonight for me,
The awful throne of Heaven address,
While I with grateful bosom kneel,
And bid its power thy goodness bless."
Speechless the mourning mother heard;
Her tongue denied the word 'farewell!'
At length her quivering lips she pressed,
And Julia hurried to her cell.....
10
Now chill and loud the North wind blew,
Through the long aisles hoarse murmurs ran;
The shuddering sisters' cheeks were pale,
When they their midnight tasks began.
Mock'd by deep groans each anthem seemed,
The vaulted roofs still gloomier grew:
The blast of night was swelled by shrieks,
The bird of night ill-omened flew.
The trembling tapers grew more pale,
While, where their languid radiance fell,
A phantom dimly seemed to glide,
And loud was heard the passing bell.
"Did you not see a phantom flit?
Did you not hear the passing bell?"
Each sister cried; while, pale with dread,
With hurried steps she sought her cell.
At length arose the fatal morn
Decreed to seal sad Julia's doom,
And make the worm of hopeless love
Feed on her beauty's opening bloom.
"Julia, thy bridal vest prepare;
Thy heavenly spouse expects thee; rise!"
The abbess cried.--"Oh, stay awhile,"
Julia with broken tones replies.
"The tapers burn, the altar glows,
Robed are the priests in costly pride,
The organ sounds! Prepare!"--Again
"One moment stay!" the victim cried.
When through the long and echoing aisles
An unknown voice the abbess hears-It seems with wild, impatience fraught-And lo! Montrose himself appears!
"I come," he cries, "to claim my bride;
11
A father's frown no more impedes:
His son's no more!--and Julia now
To Clermont's wealth and power succeeds."
Distrest, yet pleased, the abbess heard,
While on to Julia's cell she led,
And, as she went, to pitying Heaven
Her arms in pious homage spread.
"Julia, come forth! come forth, my child!
Unlock thy cell, Montrose's bride!
Now thou art his, a father's frown
No longer will your fates divide.
"Behold him here to snatch thee hence,
And give thee to thy father's sight."
"How! silent still?" Montrose exclaimed;
"Why thus thy lover's soul affright?"
The door with trembling speed he forced....
Ah me! what object meets their eyes!
Stretcht on her bed in death's last pangs,
And bathed in blood, his Julia lies.
Presumptuous girl! when Heaven afflicts
Should we its dread decrees arraign?
Lo! Heaven thy woe with mercy saw,
But thou hast made its mercy vain.
"Behold the work of rash despair!"
In fluttering, feeble words she said:
"Had I been patient still, Montrose,
This day had blessings on me shed.
"Didst thou not say my father's heart
Had deigned at length thy vows to hear?
Too late remorse! but oh, to him
My pardon, and my blessing bear.
"But must I die? and canst not thou
Thy Julia from death's terrors save?
We should have been so blest, Montrose!
12
And must I leave thee for the grave?
"Help me! they tear me from thy arms,
Save me, O save thy destin'd bride!
It will not be;....forgive me, Heaven!"
She feebly said, then groaned and died.
Oh! who can paint the lover's woe,
Or childless father's deep remorse,
While, bending o'er the blood-stained bed,
He clasped his daughter's pallid corse!
But from this scene of dreadful woe,
Learn why the village swain turns pale,
When he at midnight wanders near
The mouldering Convent in the vale.
There, faintly heard through whispering trees,
A mournful voice on Julia calls;
There, dimly seen, a blood-stained vest
Streams ghastly o'er the ivied walls.
~ Amelia Opie,#NFDB
146:Fragmentary Scenes From The Road To Avernus
Scene I
'Discontent'
LAURENCE RABY.
Laurence:
I said to young Allan M'Ilveray,
Beside the swift swirls of the North,
When, in lilac shot through with a silver ray,
We haul'd the strong salmon fish forth
Said only, 'He gave us some trouble
To land him, and what does he weigh?
Our friend has caught one that weighs double,
The game for the candle won't pay
Us to-day,
We may tie up our rods and away.'
I said to old Norman M'Gregor,
Three leagues to the west of Glen Dhu
I had drawn, with a touch of the trigger,
The best BEAD that ever I drew
Said merely, 'For birds in the stubble
I once had an eye-I could swear
He's down-but he's not worth the trouble
Of seeking. You once shot a bear
In his lair'Tis only a buck that lies there.'
I said to Lord Charles only last year,
The time that we topp'd the oak rail
Between Wharton's plough and Whynne's pasture,
And clear'd the big brook in Blakesvale
We only-at Warburton's double
He fell, then I finish'd the run
And kill'd clean-said, 'So bursts a bubble
That shone half an hour in the sun
What is won?
Your sire clear'd and captured a gun.'
159
I said to myself, in true sorrow,
I said yestere'en, 'A fair prize
Is won, and it may be to-morrow
'Twill not seem so fair in thine eyes
Real life is a race through sore trouble,
That gains not an inch on the goal,
And bliss an intangible bubble
That cheats an unsatisfied soul,
And the whole
Of the rest an illegible scroll.'
Scene VII
'Two Exhortations'
A Shooting-box in the West of Ireland. A Bedchamber.
LAURENCE RABY and MELCHIOR. Night.
Melchior:
Surely in the great beginning God made all things good, and still
That soul-sickness men call sinning entered not without His will.
Nay, our wisest have asserted that, as shade enhances light,
Evil is but good perverted, wrong is but the foil of right.
Banish sickness, then you banish joy for health to all that live;
Slay all sin, all good must vanish, good being but comparative.
Sophistry, you say-yet listen: look you skyward, there 'tis known
Worlds on worlds in myriads glisten-larger, lovelier than our own
This has been, and this still shall be, here as there, in sun or star;
These things are to be and will be, those things were to be and are.
Man in man's imperfect nature is by imperfection taught:
Add one cubit to your stature if you can by taking thought.
Laurence:
Thus you would not teach that peasant, though he calls you 'father'.
Melchior: True,
I should magnify this present, mystify that future, too
We adapt our conversation always to our hearer's light.
Laurence:
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I am not of your persuasion.
Melchior: Yet the difference is but slight.
Laurence:
I, EVEN I, say, 'He who barters worldly weal for heavenly worth
He does well'-your saints and martyrs were examples here on earth.
Melchior:
Aye, in earlier Christian ages, while the heathen empire stood,
When the war 'twixt saints and sages cried aloud for saintly blood,
Christ was then their model truly. Now, if all were meek and pure,
Save the ungodly and the unruly, would the Christian Church endure?
Shall the toiler or the fighter dream by day and watch by night,
Turn the left cheek to the smiter, smitten rudely on the right?
Strong men must encounter bad men-so-called saints of latter days
Have been mostly pious madmen, lusting after righteous praise
Or the thralls of superstition, doubtless worthy some reward,
Since they came by their condition hardly of their free accord.
'Tis but madness, sad and solemn, that these fakir-Christians feel
Saint Stylites on his column gratified a morbid zeal.
Laurence:
By your showing, good is really on a par (of worth) with ill.
Melchior:
Nay, I said not so; I merely tell you both some ends fulfil
Priestly vows were my vocation, fast and vigil wait for me.
You must work and face temptation. Never should the strong man flee,
Though God wills the inclination with the soul at war to be. (Pauses.)
In the strife 'twixt flesh and spirit, while you can the spirit aid.
Should you fall not less your merit, be not for a fall afraid.
Whatsoe'er most right, most fit is you shall do. When all is done
Chaunt the noble Nunc Dimittis-Benedicimur, my son.
[Exit MELCHIOR.]
Laurence (alone):
Why do I provoke these wrangles? Melchior talks (as well he may)
With the tongues of men and angels.
(Takes up a pamphlet.) What has this man got to say?
(Reads.) Sic sacerdos fatur (ejus nomen quondam erat Burgo.)
Mala mens est, caro pejus, anima infirma, ergo
161
I nunc, ora, sine mora-orat etiam Sancta Virgo.
(Thinks.)
(Speaks.) So it seems they mean to make her wed the usurer, Nathan Lee.
Poor Estelle! her friends forsake her; what has this to do with me?
Glad I am, at least, that Helen still refuses to discard
Her, through tales false gossips tell
in spite or heedlessness.-'Tis hard!
Lee, the Levite!-some few years back Herbert horsewhipp'd him-the cur
Show'd his teeth and laid his ears back. Now his wealth has purchased her.
Must his baseness mar her brightness? Shall the callous, cunning churl
Revel in the rosy whiteness of that golden-headed girl?
(Thinks and smokes.)
(Reads.) Cito certe venit vitae finis (sic sacerdos fatur),
Nunc audite omnes, ite, vobis fabula narratur
Nunc orate et laudate, laudat etiam Alma Mater.
(Muses.) Such has been, and such shall still be,
here as there, in sun or star;
These things are to be and will be, those things were to be and are.
If I thought that speech worth heeding I should-Nay, it seems to me
More like Satan's special pleading than like Gloria Domine.
(Lies down on his couch.)
(Reads.) Et tuquoque frater meus facta mala quod fecisti
Denique confundit Deus omnes res quas tetegisti.
Nunc si unquam, nunc aut nunquam, sanguine adjuro Christi.
Scene IX
'In the Garden'
Aylmer's Garden, near the Lake. LAURENCE RABY and ESTELLE.
He:
Come to the bank where the boat is moor'd to the willow-tree low;
Bertha, the baby, won't notice, Brian, the blockhead, won't know.
She:
Bertha is not such a baby, sir, as you seem to suppose;
Brian, a blockhead he may be, more than you think for he knows.
He:
This much, at least, of your brother, from the beginning he knew
Somewhat concerning that other made such a fool of by you.
162
She:
Firmer those bonds were and faster, Frank was my spaniel, my slave.
You! you would fain be my master; mark you! the difference is grave.
He:
Call me your spaniel, your starling, take me and treat me as these,
I would be anything, darling! aye, whatsoever you please.
Brian and Basil are 'punting', leave them their dice and their wine,
Bertha is butterfly hunting, surely one hour shall be mine.
See, I have done with all duty; see, I can dare all disgrace,
Only to look at your beauty, feasting my eyes on your face.
She:
Look at me, aye, till your eyes ache! How, let me ask, will it end?
Neither for your sake, nor my sake, but for the sake of my friend?
He:
Is she your friend then? I own it, this is all wrong, and the rest,
Frustra sed anima monet, caro quod fortius est.
She:
Not quite so close, Laurence Raby, not with your arm round my waist;
Something to look at I may be, nothing to touch or to taste.
He:
Wilful as ever and wayward; why did you tempt me, Estelle?
She:
You misinterpret each stray word, you for each inch take an ell.
Lightly all laws and ties trammel me, I am warn'd for all that.
He (aside):
Perhaps she will swallow her camel when she has strained at her gnat.
She:
Therefore take thought and consider, weigh well, as I do, the whole,
You for mere beauty a bidder, say, would you barter a soul?
He:
Girl! THAT MAY happen, but THIS IS; after this welcome the worst;
Blest for one hour by your kisses, let me be evermore curs'd.
Talk not of ties to me reckless, here every tie I discard
163
Make me your girdle, your necklace
She: Laurence, you kiss me too hard.
He:
Aye, 'tis the road to Avernus, n'est ce pas vrai donc, ma belle?
There let them bind us or burn us, mais le jeu vaut la chandelle.
Am I your lord or your vassal? Are you my sun or my torch?
You, when I look at you, dazzle, yet when I touch you, you scorch.
She:
Yonder are Brian and Basil watching us fools from the porch.
Scene X
'After the Quarrel'
Laurence Raby's Chamber. LAURENCE enters, a little the worse for liquor.
Laurence:
He never gave me a chance to speak,
And he call'd her-worse than a dog
The girl stood up with a crimson cheek,
And I fell'd him there like a log.
I can feel the blow on my knuckles yet
He feels it more on his brow.
In a thousand years we shall all forget
The things that trouble us now.
Scene XI
'Ten Paces Off'
An open country. LAURENCE RABY and FORREST, BRIAN AYLMER and PRESCOT.
Forrest:
I've won the two tosses from Prescot;
Now hear me, and hearken and heed,
And pull that vile flower from your waistcoat,
And throw down that beast of a weed;
I'm going to give you the signal
I gave Harry Hunt at Boulogne,
The morning he met Major Bignell,
And shot him as dead as a stone;
For he must look round on his right hand
To watch the white flutter-that stops
His aim, for it takes off his sight, and
164
I COUGH WHILE THE HANDKERCHIEF DROPS.
And you keep both eyes on his figure,
Old fellow, and don't take them off.
You've got the sawhandled hair trigger
You sight him and shoot when I cough.
Laurence (aside):
Though God will never forgive me,
Though men make light of my name,
Though my sin and my shame outlive me,
I shall not outlast my shame.
The coward, does he mean to miss me?
His right hand shakes like a leaf;
Shall I live for my friends to hiss me,
Of fools and of knaves the chief?
Shall I live for my foes to twit me?
He has master'd his nerve again
He is firm, he will surely hit me
Will he reach the heart or the brain?
One long look eastward and northward
One prayer-'Our Father which art'
And the cough chimes in with the fourth word,
And I shoot skyward-the heart.
Last Scene
'Exeunt'
HELEN RABY.
Where the grave-deeps rot, where the grave-dews rust,
They dug, crying, 'Earth to earth'
Crying, 'Ashes to ashes and dust to dust'
And what are my poor prayers worth?
Upon whom shall I call, or in whom shall I trust,
Though death were indeed new birth.
And they bid me be glad for my baby's sake
That she suffered sinless and young
Would they have me be glad when my breasts still ache
165
Where that small, soft, sweet mouth clung?
I am glad that the heart will so surely break
That has been so bitterly wrung.
He was false, they tell me, and what if he were?
I can only shudder and pray,
Pouring out my soul in a passionate prayer
For the soul that he cast away;
Was there nothing that once was created fair
In the potter's perishing clay?
Is it well for the sinner that souls endure?
For the sinless soul is it well?
Does the pure child lisp to the angels pure?
And where does the strong man dwell,
If the sad assurance of priests be sure,
Or the tale that our preachers tell?
The unclean has follow'd the undefiled,
And the ill MAY regain the good,
And the man MAY be even as the little child!
We are children lost in the wood
Lord! lead us out of this tangled wild,
Where the wise and the prudent have been beguil'd,
And only the babes have stood.
~ Adam Lindsay Gordon,#NFDB
147:The Bounty
[for Alix Walcott]
Between the vision of the Tourist Board and the true
Paradise lies the desert where Isaiah's elations
force a rose from the sand. The thirty-third canto
cores the dawn clouds with concentric radiance,
the breadfruit opens its palms in praise of the bounty,
bois-pain, tree of bread, slave food, the bliss of John Clare,
torn, wandering Tom, stoat-stroker in his county
of reeds and stalk-crickets, fiddling the dank air,
lacing his boots with vines, steering glazed beetles
with the tenderest prods, knight of the cockchafer,
wrapped in the mists of shires, their snail-horned steeples
palms opening to the cupped pool—but his soul safer
than ours, though iron streams fetter his ankles.
Frost whitening his stubble, he stands in the ford
of a brook like the Baptist lifting his branches to bless
cathedrals and snails, the breaking of this new day,
and the shadows of the beach road near which my mother lies,
with the traffic of insects going to work anyway.
The lizard on the white wall fixed on the hieroglyph
of its stone shadow, the palms' rustling archery,
the souls and sails of circling gulls rhyme with:
"In la sua volont è nostra pace,"
In His will is our peace. Peace in white harbours,
in marinas whose masts agree, in crescent melons
left all night in the fridge, in the Egyptian labours
of ants moving boulders of sugar, words in this sentence,
shadow and light, who live next door like neighbours,
57
and in sardines with pepper sauce. My mother lies
near the white beach stones, John Clare near the sea-almonds,
yet the bounty returns each daybreak, to my surprise,
to my surprise and betrayal, yes, both at once.
I am moved like you, mad Tom, by a line of ants;
I behold their industry and they are giants.
ii
There on the beach, in the desert, lies the dark well
where the rose of my life was lowered, near the shaken plants,
near a pool of fresh tears, tolled by the golden bell
of allamanda, thorns of the bougainvillea, and that is
their bounty! They shine with defiance from weed and flower,
even those that flourish elsewhere, vetch, ivy, clematis,
on whom the sun now rises with all its power,
not for the Tourist Board or for Dante Alighieri,
but because there is no other path for its wheel to take
except to make the ruts of the beach road an allegory
of this poem's career, of yours, that she died for the sake
of a crowning wreath of false laurel; so, John Clare, forgive me,
for this morning's sake, forgive me, coffee, and pardon me,
milk with two packets of artificial sugar,
as I watch these lines grow and the art of poetry harden me
into sorrow as measured as this, to draw the veiled figure
of Mamma entering the standard elegiac.
No, there is grief, there will always be, but it must not madden,
like Clare, who wept for a beetle's loss, for the weight
of the world in a bead of dew on clematis or vetch,
and the fire in these tinder-dry lines of this poem I hate
as much as I love her, poor rain-beaten wretch,
redeemer of mice, earl of the doomed protectorate
of cavalry under your cloak; come on now, enough!
58
iii
Bounty!
In the bells of tree-frogs with their steady clamour
in the indigo dark before dawn, the fading morse
of fireflies and crickets, then light on the beetle's armour,
and the toad's too-late presages, nettles of remorse
that shall spring from her grave from the spade's heartbreak.
And yet not to have loved her enough is to love more,
if I confess it, and I confess it. The trickle of underground
springs, the babble of swollen gulches under drenched ferns,
loosening the grip of their roots, till their hairy clods
like unclenching fists swirl wherever the gulch turns
them, and the shuddering aftermath bends the rods
of wild cane. Bounty in the ant's waking fury,
in the snail's chapel stirring under wild yams,
praise in decay and process, awe in the ordinary
in wind that reads the lines of the breadfruit's palms
in the sun contained in a globe of the crystal dew,
bounty in the ants' continuing a line of raw flour,
mercy on the mongoose scuttling past my door,
in the light's parallelogram laid on the kitchen floor,
for Thine is the Kingdom, the Glory, and the Power,
the bells of Saint Clement's in the marigolds on the altar,
in the bougainvillea's thorns, in the imperial lilac
and the feathery palms that nodded at the entry
into Jerusalem, the weight of the world on the back
of an ass; dismounting, He left His cross there for sentry
and sneering centurion; then I believed in His Word,
in a widow's immaculate husband, in pews of brown wood,
when the cattle-bell of the chapel summoned our herd
59
into the varnished stalls, in whose rustling hymnals I heard
the fresh Jacobean springs, the murmur Clare heard
of bounty abiding, the clear language she taught us,
"as the hart panteth," at this, her keen ears pronged
while her three fawns nibbled the soul-freshening waters,
"as the hart panteth for the water-brooks" that belonged
to the language in which I mourn her now, or when
I showed her my first elegy, her husband's, and then her own.
iv
But can she or can she not read this? Can you read this,
Mamma, or hear it? If I took the pulpit, lay-preacher
like tender Clare, like poor Tom, so that look, Miss!
the ants come to you like children, their beloved teacher
Alix, but unlike the silent recitation of the infants,
the choir that Clare and Tom heard in their rainy county,
we have no solace but utterance, hence this wild cry.
Snails move into harbour, the breadfruit plants on the Bounty
will be heaved aboard, and the white God is Captain Bligh.
Across white feathery grave-grass the shadow of the soul
passes, the canvas cracks open on the cross-trees of the Bounty,
and the Trades lift the shrouds of the resurrected sail.
All move in their passage to the same mother-country,
the dirt-clawing weasel, the blank owl or sunning seal.
Faith grows mutinous. The ribbed body with its cargo
stalls in its doldrums, the God-captain is cast adrift
by a mutinous Christian, in the wake of the turning Argo
plants bob in the ocean's furrows, their shoots dip and lift,
and the soul's Australia is like the New Testament
after the Old World, the code of an eye for an eye;
the horizon spins slowly and Authority's argument
60
diminishes in power, in the longboat with Captain Bligh.
This was one of your earliest lessons, how the Christ-Son
questions the Father, to settle on another island, haunted by Him,
by the speck of a raging deity on the ruled horizon,
diminishing in meaning and distance, growing more dim:
all these predictable passages that we first disobey
before we become what we challenged; but you never altered
your voice, either sighing or sewing, you would pray
to your husband aloud, pedalling the hymns we all heard
in the varnished pew: "There Is a Green Hill Far Away,"
"Jerusalem the Golden." Your melody faltered
but never your faith in the bounty which is His Word.
All of these waves crepitate from the culture of Ovid,
its sibilants and consonants; a universal metre
piles up these signatures like inscriptions of seaweed
that dry in the pungent sun, lines ruled by mitre
and laurel, or spray swiftly garlanding the forehead
of an outcrop (and I hope this settles the matter
of presences). No soul was ever invented,
yet every presence is transparent; if I met her
(in her nightdress ankling barefoot, crooning to the shallows),
should I call her shadow that of a pattern invented
by Graeco-Roman design, columns of shadows
cast by the Forum, Augustan perspectives—
poplars, casuarina-colonnades, the in-and-out light of almonds
made from original Latin, no leaf but the olive's?
Questions of pitch. Faced with seraphic radiance
(don't interrupt!), mortals rub their skeptical eyes
that hell is a beach-fire at night where embers dance,
with temporal fireflies like thoughts of Paradise;
61
but there are inexplicable instincts that keep recurring
not from hope or fear only, that are real as stones,
the faces of the dead we wait for as ants are transferring
their cities, though we no longer believe in the shining ones.
I half-expect to see you no longer, then more than half,
almost never, or never then—there I have said it—
but felt something less than final at the edge of your grave,
some other something somewhere, equally dreaded,
since the fear of the infinite is the same as death,
unendurable brightness, the substantial dreading
its own substance, dissolving to gases and vapours,
like our dread of distance; we need a horizon,
a dividing line that turns the stars into neighbours
though infinity separates them, we can think of only one sun:
all I am saying is that the dread of death is in the faces
we love, the dread of our dying, or theirs;
therefore we see in the glint of immeasurable spaces
not stars or falling embers, not meteors, but tears.
vi
The mango trees serenely rust when they are in flower,
nobody knows the name for that voluble cedar
whose bell-flowers fall, the pomme-arac purples its floor.
The blue hills in late afternoon always look sadder.
The country night waiting to come in outside the door;
the firefly keeps striking matches, and the hillside fumes
with a bluish signal of charcoal, then the smoke burns
into a larger question, one that forms and unforms,
then loses itself in a cloud, till the question returns.
Buckets clatter under pipes, villages begin at corners.
A man and his trotting dog come back from their garden.
62
The sea blazes beyond the rust roofs, dark is on us
before we know it. The earth smells of what's done,
small yards brighten, day dies and its mourners
begin, the first wreath of gnats; this was when we sat down
on bright verandahs watching the hills die. Nothing is trite
once the beloved have vanished; empty clothes in a row,
but perhaps our sadness tires them who cherished delight;
not only are they relieved of our customary sorrow,
they are without hunger, without any appetite,
but are part of earth's vegetal fury; their veins grow
with the wild mammy-apple, the open-handed breadfruit,
their heart in the open pomegranate, in the sliced avocado;
ground-doves pick from their palms; ants carry the freight
of their sweetness, their absence in all that we eat,
their savour that sweetens all of our multiple juices,
their faith that we break and chew in a wedge of cassava,
and here at first is the astonishment: that earth rejoices
in the middle of our agony, earth that will have her
for good: wind shines white stones and the shallows' voices.
vii
In spring, after the bear's self-burial, the stuttering
crocuses open and choir, glaciers shelve and thaw,
frozen ponds crack into maps, green lances spring
from the melting fields, flags of rooks rise and tatter
the pierced light, the crumbling quiet avalanches
of an unsteady sky; the vole uncoils and the otter
worries his sleek head through the verge's branches;
crannies, culverts, and creeks roar with wrist-numbing water.
Deer vault invisible hurdles and sniff the sharp air,
squirrels spring up like questions, berries easily redden,
63
edges delight in their own shapes (whoever their shaper).
But here there is one season, our viridian Eden
is that of the primal garden that engendered decay,
from the seed of a beetle's shard or a dead hare
white and forgotten as winter with spring on its way.
There is no change now, no cycles of spring, autumn, winter,
nor an island's perpetual summer; she took time with her;
no climate, no calendar except for this bountiful day.
As poor Tom fed his last crust to trembling birds,
as by reeds and cold pools John Clare blest these thin musicians,
let the ants teach me again with the long lines of words,
my business and duty, the lesson you taught your sons,
to write of the light's bounty on familiar things
that stand on the verge of translating themselves into news:
the crab, the frigate that floats on cruciform wings,
and that nailed and thorn riddled tree that opens its pews
to the blackbird that hasn't forgotten her because it sings.
~ Derek Walcott,#NFDB
148:The Kalevala - Rune Vii
WAINIOINEN'S RESCUE.
Wainamoinen, old and truthful,
Swam through all the deep-sea waters,
Floating like a branch of aspen,
Like a withered twig of willow;
Swam six days in summer weather,
Swam six nights in golden moonlight;
Still before him rose the billows,
And behind him sky and ocean.
Two days more he swam undaunted,
Two long nights be struggled onward.
On the evening of the eighth day,
Wainamoinen grew disheartened,
Felt a very great discomfort,
For his feet had lost their toe-nails,
And his fingers dead and dying.
Wainamoinen, ancient minstrel,
Sad and weary, spake as follows:
'Woe is me, my old life fated!
Woe is me, misfortune's offspring!
Fool was I when fortune, favored,
To forsake my home and kindred,
For a maiden fair and lovely,
Here beneath the starry heavens,
In this cruel waste of waters,
Days and nights to swim and wander,
Here to struggle with the storm-winds,
To be tossed by heaving billows,
In this broad sea's great expanses,
In this ocean vast and boundless.
'Cold my life and sad and dreary,
Painful too for me to linger
Evermore within these waters,
Thus to struggle for existence!
Cannot know how I can prosper,
How to find me food and shelter,
In these cold and lifeless waters,
97
In these days of dire misfortune.
Build I in the winds my dwelling?
It will find no sure foundation.
Build my home upon the billows?
Surely would the waves destroy it.'
Comes a bird from far Pohyola,
From the occident, an eagle,
Is not classed among the largest,
Nor belongs he to the smallest;
One wing touches on the waters,
While the other sweeps the heavens;
O'er the waves he wings his body,
Strikes his beak upon the sea-cliffs,
Flies about, then safely perches,
Looks before him, looks behind him,
There beholds brave Wainamoinen,
On the blue-back of the ocean,
And the eagle thus accosts him:
'Wherefore art thou, ancient hero,
Swimming in the deep-sea billows?
Thus the water-minstrel answered:
'I am ancient Wainamoinen,
Friend and fellow of the waters
I, the famous wisdom-singer;
Went to woo a Northland maiden,
Maiden from the dismal Darkland,
Quickly galloped on my journey,
Riding on the plain of ocean.
I arrived one morning early,
At the breaking of the day-dawn.
At the bay of Luotola,
Near Youkola's foaming river,
Where the evil Youkahainen
Slew my steed with bow and arrow,
Tried to slay me with his weapons.
On the waters fell I headlong,
Plunged beneath the salt-sea's surface,
From the saddle of the courser,
From my dappled steed of magic.
'Then arose a mighty storm-wind,
From the East and West a whirlwind,
Washed me seaward on the surges,
98
Seaward, seaward, further, further,
Where for many days I wandered,
Swam and rocked upon the billows,
Where as many nights I struggled,
In the dashing waves and sea-foam,
With the angry winds and waters.
'Woe is me, my life hard-fated!
Cannot solve this heavy problem,
How to live nor how to perish
In this cruel salt-sea water.
Build I in the winds my dwelling?
It will find no sure foundation.
Build my home upon the waters?
Surely will the waves destroy it.
Must I swim the sea forever,
Must I live, or must I perish?
What will happen if I perish,
If I sink below the billows,
Perish here from cold and hunger?'
Thus the bird of Ether answered
'Be not in the least disheartened,
Place thyself between my shoulders,
On my back be firmly seated,
I will lift thee from the waters,
Bear thee with my pinions upward,
Bear thee wheresoe'er thou willest.
Well do I the day remember
Where thou didst the eagle service,
When thou didst the birds a favor.
Thou didst leave the birch-tree standing,
When were cleared the Osmo-forests,
From the lands of Kalevala,
As a home for weary song-birds,
As a resting-place for eagles.'
Then arises Wainamoinen,
Lifts his head above the waters,
Boldly rises from the sea-waves,
Lifts his body from the billows,
Seats himself upon the eagle,
On the eagle's feathered shoulders.
Quick aloft the huge bird bears him,
Bears the ancient Wainamoinen,
99
Bears him on the path of zephyrs,
Floating on the vernal breezes,
To the distant shore of Northland,
To the dismal Sariola,
Where the eagle leaves his burden,
Flies away to join his fellows.
Wainamoinen, lone and weary,
Straightway fell to bitter weeping,
Wept and moaned in heavy accents,
On the border of the blue-sea.
On a cheerless promontory,
With a hundred wounds tormented,
Made by cruel winds and waters,
With his hair and beard dishevelled
By the surging of the billows.
Three long days he wept disheartened
Wept as many nights in anguish,
Did not know what way to journey,
Could not find a woodland foot-print,
That would point him to the highway,
To his home in Kalevala,
To his much-loved home and kindred.
Northland's young and slender maiden,
With complexion fair and lovely,
With the Sun had laid a wager,
With the Sun and Moon a wager,
Which should rise before the other,
On the morning of the morrow.
And the maiden rose in beauty,
Long before the Sun had risen,
Long before the Moon bad wakened,
From their beds beneath the ocean.
Ere the cock had crowed the day-break,
Ere the Sun had broken slumber
She had sheared six gentle lambkins,
Gathered from them six white fleeces,
Hence to make the rolls for spinning,
Hence to form the threads for weaving,
Hence to make the softest raiment,
Ere the morning dawn had broken,
Ere the sleeping Sun had risen.
When this task the maid had ended,
100
Then she scrubbed the birchen tables,
Sweeps the ground-floor of the stable,
With a broom of leaves and branches
From the birches of the Northland,
Scrapes the sweepings well together
On a shovel made of copper,
Carries them beyond the stable,
From the doorway to the meadow,
To the meadow's distant border,
Near the surges of the great-sea,
Listens there and looks about her,
Hears a wailing from the waters,
Hears a weeping from the sea-shore,
Hears a hero-voice lamenting.
Thereupon she hastens homeward,
Hastens to her mother's dwelling,
These the words the maiden utters:
'I have heard a wail from ocean,
Heard a weeping from the sea-coast,
On the shore some one lamenting.'
Louhi, hostess of Pohyola,
Ancient, toothless dame of Northland,
Hastens from her door and court-yard,
Through the meadow to the sea-shore,
Listens well for sounds of weeping,
For the wail of one in sorrow;
Hears the voice of one in trouble,
Hears a hero-cry of anguish.
Thus the ancient Louhi answers:
'This is not the wail of children,
These are not the tears of women,
In this way weep bearded heroes;
This the hero-cry of anguish.'
Quick she pushed her boat to water,
To the floods her goodly vessel,
Straightway rows with lightning swiftness,
To the weeping Wainamoinen;
Gives the hero consolation,
Comfort gives she to the minstrel
Wailing in a grove of willows,
In his piteous condition,
Mid the alder-trees and aspens,
101
On the border of the salt-sea,
Visage trembling, locks dishevelled.
Ears, and eyes, and lips of sadness.
Louhi, hostess of Pohyola,
Thus addresses Wainamoinen:
'Tell me what has been thy folly,
That thou art in this condition.'
Old and truthful Wainamoinen
Lifts aloft his bead and answers:
'Well I know that it is folly
That has brought me all this trouble,
Brought me to this land of strangers,
To these regions unbefitting
Happy was I with my kindred,
In my distant home and country,
There my name was named in honor.'
Louhi, hostess of Pohyola,
Thus replied to Wainamoinen:
'I would gain the information,
Should I be allowed to ask thee,
Who thou art of ancient heroes,
Who of all the host of heroes?
This is Wainamoinen's answer:
'Formerly my name was mentioned,
Often was I heard and honored,
As a minstrel and magician,
In the long and dreary winters,
Called the 'Singer of the Northland,
In the valleys of Wainola,
On the plains of Kalevala;
No one thought that such misfortune
Could befall wise Wainamoinen.'
Louhi, hostess of Pohyola,
Thus replied in cheering accents
'Rise, O hero, from discomfort,
From thy bed among the willows;
Enter now upon the new-way,
Come with me to yonder dwelling,
There relate thy strange adventures,
Tell the tale of thy misfortunes.'
Now she takes the hapless hero,
Lifts him from his bed of sorrow,
102
In her boat she safely seats him,
And begins at once her rowing,
Rows with steady hand and mighty
To her home upon the sea-shore,
To the dwellings of Pohyola.
There she feeds the starving hero,
Rests the ancient Wainamoinen,
Gives him warmth, and food, and shelter,
And the hero soon recovers.
Then the hostess of Pohyola
Questioned thus the ancient singer:
'Wherefore didst thou, Wainamoinen,
Friend and fellow of the waters,
Weep in sad and bitter accents,
On the border of the ocean,
Mid the aspens and the willows?'
This is Wainamoinen's answer:
Had good reason for my weeping,
Cause enough for all my sorrow;
Long indeed had I been swimming,
Had been buffeting the billows,
In the far outstretching waters.
This the reason for my weeping;
I have lived in toil and torture,
Since I left my home and country,
Left my native land and kindred,
Came to this the land of strangers,
To these unfamiliar portals.
All thy trees have thorns to wound me,
All thy branches, spines to pierce me,
Even birches give me trouble,
And the alders bring discomfort,
My companions, winds and waters,
Only does the Sun seem friendly,
In this cold and cruel country,
Near these unfamiliar portals.'
Louhi thereupon made answer,
Weep no longer, Wainamoinen,
Grieve no more, thou friend of waters,
Good for thee, that thou shouldst linger
At our friendly homes and firesides;
Thou shalt live with us and welcome,
103
Thou shalt sit at all our tables,
Eat the salmon from our platters,
Eat the sweetest of our bacon,
Eat the whiting from our waters.'
Answers thus old Wainamoinen,
Grateful for the invitation:
'Never do I court strange tables,
Though the food be rare and toothsome;
One's own country is the dearest,
One's own table is the sweetest,
One's own home, the most attractive.
Grant, kind Ukko, God above me,
Thou Creator, full of mercy,
Grant that I again may visit
My beloved home and country.
Better dwell in one's own country,
There to drink Its healthful waters
From the simple cups of birch-wood,
Than in foreign lands to wander,
There to drink the rarest liquors
From the golden bowls of strangers.'
Louhi, hostess of Pohyola,
Thus replied to the magician:
'What reward wilt thou award me,
Should I take thee where thou willest,
To thy native land and kindred,
To thy much-loved home and fireside,
To the meadows of Wainola,
To the plains of Kalevala?'
These the words of Wainamoinen:
'What would be reward sufficient,
Shouldst thou take me to my people,
To my home and distant country,
To the borders of the Northland,
There to hear the cuckoo singing,
Hear the sacred cuckoo calling?
Shall I give thee golden treasures,
Fill thy cups with finest silver?'
This is Louhi's simple answer:
'O thou ancient Wainamoinen,
Only true and wise magician,
Never will I ask for riches,
104
Never ask for gold nor silver;
Gold is for the children's flowers,
Silver for the stallion's jewels.
Canst thou forge for me the Sampo,
Hammer me the lid in colors,
From the tips of white-swan feathers
From the milk of greatest virtue,
From a single grain of barley,
From the finest wool of lambkins?
'I will give thee too my daughter,
Will reward thee through the maiden,
Take thee to thy much-loved home-land,
To the borders of Wainola,
There to hear the cuckoo singing,
Hear the sacred cuckoo calling.'
Wainamoinen, much regretting,
Gave this answer to her question:
'Cannot forge for thee the Sampo,
Cannot make the lid in colors.
Take me to my distant country,
I will send thee Ilmarinen,
He will forge for thee the Sampo,
Hammer thee the lid in colors,
He may win thy lovely maiden;
Worthy smith is Ilmarinen,
In this art is first and master;
He, the one that forged the heavens.
Forged the air a hollow cover;
Nowhere see we hammer-traces,
Nowhere find a single tongs-mark.'
Thus replied the hostess, Louhi:
'Him alone I'll give my daughter,
Promise him my child in marriage,
Who for me will forge the Sampo,
Hammer me the lid in colors,
From the tips of white-swan feathers,
From the milk of greatest virtue,
From a single grain of barley,
From the finest wool of lambkins.'
Thereupon the hostess Louhi,
Harnessed quick a dappled courser,
Hitched him to her sledge of birch-wood,
105
Placed within it Wainamoinen,
Placed the hero on the cross-bench,
Made him ready for his journey;
Then addressed the ancient minstrel,
These the words that Louhi uttered:
'Do not raise thine eyes to heaven,
Look not upward on thy journey,
While thy steed is fresh and frisky,
While the day-star lights thy pathway,
Ere the evening star has risen;
If thine eyes be lifted upward,
While the day-star lights thy pathway,
Dire misfortune will befall thee,
Some sad fate will overtake thee.'
Then the ancient Wainamoinen
Fleetly drove upon his journey,
Merrily he hastened homeward,
Hastened homeward, happy-hearted
From the ever-darksome Northland
From the dismal Sariola.
~ Elias Lönnrot,#NFDB
149:Monadnoc
Thousand minstrels woke within me,
Our music's in the hills;
Gayest pictures rose to win me,
Leopard-colored rills.
Up!If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;
Up!where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.
Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.
I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.
Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.
In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an arial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.
The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?
I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!
Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magicians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dullness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,
Nought the mountain yields thereof
But savage health and sinews tough.
On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:
Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.
Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone
Each can only take his own.
Let him heed who can and will,
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.
Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.
Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.
Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.
He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?
Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile erect
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime grope,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Monadnoc
,#NFDB
150:Eloisa To Abelard
In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love!--From Abelard it came,
And Eloisa yet must kiss the name.
Dear fatal name! rest ever unreveal'd,
Nor pass these lips in holy silence seal'd.
Hide it, my heart, within that close disguise,
Where mix'd with God's, his lov'd idea lies:
O write it not, my hand--the name appears
Already written--wash it out, my tears!
In vain lost Eloisa weeps and prays,
Her heart still dictates, and her hand obeys.
Relentless walls! whose darksome round contains
Repentant sighs, and voluntary pains:
Ye rugged rocks! which holy knees have worn;
Ye grots and caverns shagg'd with horrid thorn!
Shrines! where their vigils pale-ey'd virgins keep,
And pitying saints, whose statues learn to weep!
Though cold like you, unmov'd, and silent grown,
I have not yet forgot myself to stone.
All is not Heav'n's while Abelard has part,
Still rebel nature holds out half my heart;
Nor pray'rs nor fasts its stubborn pulse restrain,
Nor tears, for ages, taught to flow in vain.
Soon as thy letters trembling I unclose,
That well-known name awakens all my woes.
Oh name for ever sad! for ever dear!
Still breath'd in sighs, still usher'd with a tear.
I tremble too, where'er my own I find,
Some dire misfortune follows close behind.
Line after line my gushing eyes o'erflow,
Led through a sad variety of woe:
54
Now warm in love, now with'ring in thy bloom,
Lost in a convent's solitary gloom!
There stern religion quench'd th' unwilling flame,
There died the best of passions, love and fame.
Yet write, oh write me all, that I may join
Griefs to thy griefs, and echo sighs to thine.
Nor foes nor fortune take this pow'r away;
And is my Abelard less kind than they?
Tears still are mine, and those I need not spare,
Love but demands what else were shed in pray'r;
No happier task these faded eyes pursue;
To read and weep is all they now can do.
Then share thy pain, allow that sad relief;
Ah, more than share it! give me all thy grief.
Heav'n first taught letters for some wretch's aid,
Some banish'd lover, or some captive maid;
They live, they speak, they breathe what love inspires,
Warm from the soul, and faithful to its fires,
The virgin's wish without her fears impart,
Excuse the blush, and pour out all the heart,
Speed the soft intercourse from soul to soul,
And waft a sigh from Indus to the Pole.
Thou know'st how guiltless first I met thy flame,
When Love approach'd me under Friendship's name;
My fancy form'd thee of angelic kind,
Some emanation of th' all-beauteous Mind.
Those smiling eyes, attemp'ring ev'ry day,
Shone sweetly lambent with celestial day.
Guiltless I gaz'd; heav'n listen'd while you sung;
And truths divine came mended from that tongue.
From lips like those what precept fail'd to move?
Too soon they taught me 'twas no sin to love.
Back through the paths of pleasing sense I ran,
Nor wish'd an Angel whom I lov'd a Man.
Dim and remote the joys of saints I see;
Nor envy them, that heav'n I lose for thee.
How oft, when press'd to marriage, have I said,
Curse on all laws but those which love has made!
55
Love, free as air, at sight of human ties,
Spreads his light wings, and in a moment flies,
Let wealth, let honour, wait the wedded dame,
August her deed, and sacred be her fame;
Before true passion all those views remove,
Fame, wealth, and honour! what are you to Love?
The jealous God, when we profane his fires,
Those restless passions in revenge inspires;
And bids them make mistaken mortals groan,
Who seek in love for aught but love alone.
Should at my feet the world's great master fall,
Himself, his throne, his world, I'd scorn 'em all:
Not Caesar's empress would I deign to prove;
No, make me mistress to the man I love;
If there be yet another name more free,
More fond than mistress, make me that to thee!
Oh happy state! when souls each other draw,
When love is liberty, and nature, law:
All then is full, possessing, and possess'd,
No craving void left aching in the breast:
Ev'n thought meets thought, ere from the lips it part,
And each warm wish springs mutual from the heart.
This sure is bliss (if bliss on earth there be)
And once the lot of Abelard and me.
Alas, how chang'd! what sudden horrors rise!
A naked lover bound and bleeding lies!
Where, where was Eloise? her voice, her hand,
Her poniard, had oppos'd the dire command.
Barbarian, stay! that bloody stroke restrain;
The crime was common, common be the pain.
I can no more; by shame, by rage suppress'd,
Let tears, and burning blushes speak the rest.
Canst thou forget that sad, that solemn day,
When victims at yon altar's foot we lay?
Canst thou forget what tears that moment fell,
When, warm in youth, I bade the world farewell?
As with cold lips I kiss'd the sacred veil,
The shrines all trembl'd, and the lamps grew pale:
Heav'n scarce believ'd the conquest it survey'd,
And saints with wonder heard the vows I made.
56
Yet then, to those dread altars as I drew,
Not on the Cross my eyes were fix'd, but you:
Not grace, or zeal, love only was my call,
And if I lose thy love, I lose my all.
Come! with thy looks, thy words, relieve my woe;
Those still at least are left thee to bestow.
Still on that breast enamour'd let me lie,
Still drink delicious poison from thy eye,
Pant on thy lip, and to thy heart be press'd;
Give all thou canst--and let me dream the rest.
Ah no! instruct me other joys to prize,
With other beauties charm my partial eyes,
Full in my view set all the bright abode,
And make my soul quit Abelard for God.
Ah, think at least thy flock deserves thy care,
Plants of thy hand, and children of thy pray'r.
From the false world in early youth they fled,
By thee to mountains, wilds, and deserts led.
You rais'd these hallow'd walls; the desert smil'd,
And Paradise was open'd in the wild.
No weeping orphan saw his father's stores
Our shrines irradiate, or emblaze the floors;
No silver saints, by dying misers giv'n,
Here brib'd the rage of ill-requited heav'n:
But such plain roofs as piety could raise,
And only vocal with the Maker's praise.
In these lone walls (their days eternal bound)
These moss-grown domes with spiry turrets crown'd,
Where awful arches make a noonday night,
And the dim windows shed a solemn light;
Thy eyes diffus'd a reconciling ray,
And gleams of glory brighten'd all the day.
But now no face divine contentment wears,
'Tis all blank sadness, or continual tears.
See how the force of others' pray'rs I try,
(O pious fraud of am'rous charity!)
But why should I on others' pray'rs depend?
Come thou, my father, brother, husband, friend!
Ah let thy handmaid, sister, daughter move,
And all those tender names in one, thy love!
The darksome pines that o'er yon rocks reclin'd
57
Wave high, and murmur to the hollow wind,
The wand'ring streams that shine between the hills,
The grots that echo to the tinkling rills,
The dying gales that pant upon the trees,
The lakes that quiver to the curling breeze;
No more these scenes my meditation aid,
Or lull to rest the visionary maid.
But o'er the twilight groves and dusky caves,
Long-sounding aisles, and intermingled graves,
Black Melancholy sits, and round her throws
A death-like silence, and a dread repose:
Her gloomy presence saddens all the scene,
Shades ev'ry flow'r, and darkens ev'ry green,
Deepens the murmur of the falling floods,
And breathes a browner horror on the woods.
Yet here for ever, ever must I stay;
Sad proof how well a lover can obey!
Death, only death, can break the lasting chain;
And here, ev'n then, shall my cold dust remain,
Here all its frailties, all its flames resign,
And wait till 'tis no sin to mix with thine.
Ah wretch! believ'd the spouse of God in vain,
Confess'd within the slave of love and man.
Assist me, Heav'n! but whence arose that pray'r?
Sprung it from piety, or from despair?
Ev'n here, where frozen chastity retires,
Love finds an altar for forbidden fires.
I ought to grieve, but cannot what I ought;
I mourn the lover, not lament the fault;
I view my crime, but kindle at the view,
Repent old pleasures, and solicit new;
Now turn'd to Heav'n, I weep my past offence,
Now think of thee, and curse my innocence.
Of all affliction taught a lover yet,
'Tis sure the hardest science to forget!
How shall I lose the sin, yet keep the sense,
And love th' offender, yet detest th' offence?
How the dear object from the crime remove,
Or how distinguish penitence from love?
Unequal task! a passion to resign,
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For hearts so touch'd, so pierc'd, so lost as mine.
Ere such a soul regains its peaceful state,
How often must it love, how often hate!
How often hope, despair, resent, regret,
Conceal, disdain--do all things but forget.
But let Heav'n seize it, all at once 'tis fir'd;
Not touch'd, but rapt; not waken'd, but inspir'd!
Oh come! oh teach me nature to subdue,
Renounce my love, my life, myself--and you.
Fill my fond heart with God alone, for he
Alone can rival, can succeed to thee.
How happy is the blameless vestal's lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray'r accepted, and each wish resign'd;
Labour and rest, that equal periods keep;
"Obedient slumbers that can wake and weep;"
Desires compos'd, affections ever ev'n,
Tears that delight, and sighs that waft to Heav'n.
Grace shines around her with serenest beams,
And whisp'ring angels prompt her golden dreams.
For her th' unfading rose of Eden blooms,
And wings of seraphs shed divine perfumes,
For her the Spouse prepares the bridal ring,
For her white virgins hymeneals sing,
To sounds of heav'nly harps she dies away,
And melts in visions of eternal day.
Far other dreams my erring soul employ,
Far other raptures, of unholy joy:
When at the close of each sad, sorrowing day,
Fancy restores what vengeance snatch'd away,
Then conscience sleeps, and leaving nature free,
All my loose soul unbounded springs to thee.
Oh curs'd, dear horrors of all-conscious night!
How glowing guilt exalts the keen delight!
Provoking Daemons all restraint remove,
And stir within me every source of love.
I hear thee, view thee, gaze o'er all thy charms,
And round thy phantom glue my clasping arms.
I wake--no more I hear, no more I view,
59
The phantom flies me, as unkind as you.
I call aloud; it hears not what I say;
I stretch my empty arms; it glides away.
To dream once more I close my willing eyes;
Ye soft illusions, dear deceits, arise!
Alas, no more--methinks we wand'ring go
Through dreary wastes, and weep each other's woe,
Where round some mould'ring tower pale ivy creeps,
And low-brow'd rocks hang nodding o'er the deeps.
Sudden you mount, you beckon from the skies;
Clouds interpose, waves roar, and winds arise.
I shriek, start up, the same sad prospect find,
And wake to all the griefs I left behind.
For thee the fates, severely kind, ordain
A cool suspense from pleasure and from pain;
Thy life a long, dead calm of fix'd repose;
No pulse that riots, and no blood that glows.
Still as the sea, ere winds were taught to blow,
Or moving spirit bade the waters flow;
Soft as the slumbers of a saint forgiv'n,
And mild as opening gleams of promis'd heav'n.
Come, Abelard! for what hast thou to dread?
The torch of Venus burns not for the dead.
Nature stands check'd; Religion disapproves;
Ev'n thou art cold--yet Eloisa loves.
Ah hopeless, lasting flames! like those that burn
To light the dead, and warm th' unfruitful urn.
What scenes appear where'er I turn my view?
The dear ideas, where I fly, pursue,
Rise in the grove, before the altar rise,
Stain all my soul, and wanton in my eyes.
I waste the matin lamp in sighs for thee,
Thy image steals between my God and me,
Thy voice I seem in ev'ry hymn to hear,
With ev'ry bead I drop too soft a tear.
When from the censer clouds of fragrance roll,
And swelling organs lift the rising soul,
One thought of thee puts all the pomp to flight,
Priests, tapers, temples, swim before my sight:
60
In seas of flame my plunging soul is drown'd,
While altars blaze, and angels tremble round.
While prostrate here in humble grief I lie,
Kind, virtuous drops just gath'ring in my eye,
While praying, trembling, in the dust I roll,
And dawning grace is op'ning on my soul:
Come, if thou dar'st, all charming as thou art!
Oppose thyself to Heav'n; dispute my heart;
Come, with one glance of those deluding eyes
Blot out each bright idea of the skies;
Take back that grace, those sorrows, and those tears;
Take back my fruitless penitence and pray'rs;
Snatch me, just mounting, from the blest abode;
Assist the fiends, and tear me from my God!
No, fly me, fly me, far as pole from pole;
Rise Alps between us! and whole oceans roll!
Ah, come not, write not, think not once of me,
Nor share one pang of all I felt for thee.
Thy oaths I quit, thy memory resign;
Forget, renounce me, hate whate'er was mine.
Fair eyes, and tempting looks (which yet I view!)
Long lov'd, ador'd ideas, all adieu!
Oh Grace serene! oh virtue heav'nly fair!
Divine oblivion of low-thoughted care!
Fresh blooming hope, gay daughter of the sky!
And faith, our early immortality!
Enter, each mild, each amicable guest;
Receive, and wrap me in eternal rest!
See in her cell sad Eloisa spread,
Propp'd on some tomb, a neighbour of the dead.
In each low wind methinks a spirit calls,
And more than echoes talk along the walls.
Here, as I watch'd the dying lamps around,
From yonder shrine I heard a hollow sound.
"Come, sister, come!" (it said, or seem'd to say)
"Thy place is here, sad sister, come away!
Once like thyself, I trembled, wept, and pray'd,
Love's victim then, though now a sainted maid:
But all is calm in this eternal sleep;
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Here grief forgets to groan, and love to weep,
Ev'n superstition loses ev'ry fear:
For God, not man, absolves our frailties here."
I come, I come! prepare your roseate bow'rs,
Celestial palms, and ever-blooming flow'rs.
Thither, where sinners may have rest, I go,
Where flames refin'd in breasts seraphic glow:
Thou, Abelard! the last sad office pay,
And smooth my passage to the realms of day;
See my lips tremble, and my eye-balls roll,
Suck my last breath, and catch my flying soul!
Ah no--in sacred vestments may'st thou stand,
The hallow'd taper trembling in thy hand,
Present the cross before my lifted eye,
Teach me at once, and learn of me to die.
Ah then, thy once-lov'd Eloisa see!
It will be then no crime to gaze on me.
See from my cheek the transient roses fly!
See the last sparkle languish in my eye!
Till ev'ry motion, pulse, and breath be o'er;
And ev'n my Abelard be lov'd no more.
O Death all-eloquent! you only prove
What dust we dote on, when 'tis man we love.
Then too, when fate shall thy fair frame destroy,
(That cause of all my guilt, and all my joy)
In trance ecstatic may thy pangs be drown'd,
Bright clouds descend, and angels watch thee round,
From op'ning skies may streaming glories shine,
And saints embrace thee with a love like mine.
May one kind grave unite each hapless name,
And graft my love immortal on thy fame!
Then, ages hence, when all my woes are o'er,
When this rebellious heart shall beat no more;
If ever chance two wand'ring lovers brings
To Paraclete's white walls and silver springs,
O'er the pale marble shall they join their heads,
And drink the falling tears each other sheds;
Then sadly say, with mutual pity mov'd,
"Oh may we never love as these have lov'd!"
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From the full choir when loud Hosannas rise,
And swell the pomp of dreadful sacrifice,
Amid that scene if some relenting eye
Glance on the stone where our cold relics lie,
Devotion's self shall steal a thought from Heav'n,
One human tear shall drop and be forgiv'n.
And sure, if fate some future bard shall join
In sad similitude of griefs to mine,
Condemn'd whole years in absence to deplore,
And image charms he must behold no more;
Such if there be, who loves so long, so well;
Let him our sad, our tender story tell;
The well-sung woes will soothe my pensive ghost;
He best can paint 'em, who shall feel 'em most.
~ Alexander Pope,#NFDB
151:The Kalevala - Rune Xiv
DEATH OF LEMMINKAINEN.
Lemminkainen, much disheartened,
Deeply thought and long considered,
What to do, what course to follow,
Whether best to leave the wild-moose
In the fastnesses of Hisi,
And return to Kalevala,
Or a third time hunt the ranger,
Hoping thus to bring him captive,
Thus return at last a victor
To the forest home of Louhi,
To the joy of all her daughters,
To the wood-nymph's happy fireside.
Taking courage Lemminkainen
Spake these words in supplication:
'Ukko, thou O God above me,
Thou Creator of the heavens,
Put my snow-shoes well in order,
And endow them both with swiftness,
That I rapidly may journey
Over marshes, over snow-fields,
Over lowlands, over highlands,
Through the realms of wicked Hisi,
Through the distant plains of Lapland,
Through the paths of Lempo's wild-moose,
To the forest hills of Juutas.
To the snow-fields shall I journey,
Leave the heroes to the woodlands,
On the way to Tapiola,
Into Tapio's wild dwellings.
'Greeting bring I to the mountains,
Greeting to the vales and uplands,
Greet ye, heights with forests covered,
Greet ye, ever-verdant fir-trees,
Greet ye, groves of whitened aspen,
Greetings bring to those that greet you,
Fields, and streams, and woods of Lapland.
160
Bring me favor, mountain-woodlands,
Lapland-deserts, show me kindness,
Mighty Tapio, be gracious,
Let me wander through thy forests,
Let me glide along thy rivers,
Let this hunter search thy snow-fields,
Where the wild-moose herds in numbers
Where the bounding reindeer lingers.
'O Nyrikki, mountain hero,
Son of Tapio of forests,
Hero with the scarlet head-gear,
Notches make along the pathway,
Landmarks upward to the mountains,
That this hunter may not wander,
May not fall, and falling perish
In the snow-fields of thy kingdom,
Hunting for the moose of Hisi,
Dowry for the pride of Northland.
'Mistress of the woods, Mielikki,
Forest-mother, formed in beauty,
Let thy gold flow out abundant,
Let thy silver onward wander,
For the hero that is seeking
For the wild-moose of thy kingdom;
Bring me here thy keys of silver,
From the golden girdle round thee;
Open Tapio's rich chambers,
And unlock the forest fortress,
While I here await the booty,
While I hunt the moose of Lempo.
'Should this service be too menial
Give the order to thy servants,
Send at once thy servant-maidens,
And command it to thy people.
Thou wilt never seem a hostess,
If thou hast not in thy service,
Maidens ready by the hundreds,
Thousands that await thy bidding,
Who thy herds may watch and nurture,
Tend the game of thy dominions.
'Tall and slender forest-virgin,
Tapio's beloved daughter,
161
Blow thou now thy honey flute-notes,
Play upon thy forest-whistle,
For the hearing of thy mistress,
For thy charming woodland-mistress,
Make her hear thy sweet-toned playing,
That she may arise from slumber.
Should thy mistress not awaken
At the calling of thy flute-notes,
Play again, and play unceasing,
Make the golden tongue re-echo.'
Wild and daring Lemminkainen
Steadfast prays upon his journey,
Calling on the gods for succor,
Hastens off through fields and moorlands,
Passes on through cruel brush-wood,
To the colliery of Hisi,
To the burning fields of Lempo;
Glided one day, then a second,
Glided all the next day onward,
Till he came to Big-stone mountain,
Climbed upon its rocky summit,
Turned his glances to the north-west,
Toward the Northland moors and marshes;
There appeared the Tapio-mansion.
All the doors were golden-colored,
Shining in the gleam of sunlight
Through the thickets on the mountains,
Through the distant fields of Northland.
Lemminkainen, much encouraged,
Hastens onward from his station
Through the lowlands, o'er the uplands,
Over snow-fields vast and vacant,
Under snow-robed firs and aspens,
Hastens forward, happy-hearted,
Quickly reaches Tapio's court-yards,
Halts without at Tapio's windows,
Slyly looks into her mansion,
Spies within some kindly women,
Forest-dames outstretched before him,
All are clad in scanty raiment,
Dressed in soiled and ragged linens.
Spake the stranger Lemminkainen:
162
'Wherefore sit ye, forest-mothers,
In your old and simple garments,
In your soiled and ragged linen?
Ye, forsooth! are too untidy,
Too unsightly your appearance
In your tattered gowns appareled.
When I lived within the forest,
There were then three mountain castles,
One of horn and one of ivory,
And the third of wood constructed;
In their walls were golden windows,
Six the windows in each castle,
Through these windows I discovered
All the host of Tapio's mansion,
Saw its fair and stately hostess;
Saw great Tapio's lovely daughter,
Saw Tellervo in her beauty,
With her train of charming maidens;
All were dressed in golden raiment,
Rustled all in gold and silver.
Then the forest's queenly hostess,
Still the hostess of these woodlands,
On her arms wore golden bracelets,
Golden rings upon her fingers,
In her hair were sparkling, jewels,
On her bead were golden fillets,
In her ears were golden ear-rings,
On her neck a pearly necklace,
And her braidlets, silver-tinselled.
'Lovely hostess of the forest,
Metsola's enchanting mistress,
Fling aside thine ugly straw-shoes,
Cast away the shoes of birch-bark,
Doff thy soiled and ragged linen,
Doff thy gown of shabby fabric,
Don the bright and festive raiment,
Don the gown of merry-making,
While I stay within thy borders,
While I seek my forest-booty,
Hunt the moose of evil Hisi.
Here my visit will be irksome,
Here thy guest will be ill-humored,
163
Waiting in thy fields and woodlands,
Hunting here the moose of Lempo,
Finding not the Hisi-ranger,
Shouldst thou give me no enjoyment,
Should I find no joy, nor respite.
Long the eve that gives no pleasure,
Long the day that brings no guerdon!
'Sable-bearded god of forests,
In thy hat and coat of ermine,
Robe thy trees in finest fibers,
Deck thy groves in richest fabrics,
Give the fir-trees shining silver,
Deck with gold the slender balsams,
Give the spruces copper belting,
And the pine-trees silver girdles,
Give the birches golden flowers,
Deck their stems with silver fret-work,
This their garb in former ages,
When the days and nights were brighter,
When the fir-trees shone like sunlight,
And the birches like the moonbeams;
Honey breathed throughout the forest,
Settled in the glens and highlands
Spices in the meadow-borders,
Oil out-pouring from the lowlands.
'Forest daughter, lovely virgin,
Golden maiden, fair Tulikki,
Second of the Tapio-daughters,
Drive the game within these borders,
To these far-extending snow-fields.
Should the reindeer be too sluggish,
Should the moose-deer move too slowly
Cut a birch-rod from the thicket,
Whip them hither in their beauty,
Drive the wild-moose to my hurdle,
Hither drive the long-sought booty
To the hunter who is watching,
Waiting in the Hisi-forests.
'When the game has started hither,
Keep them in the proper highway,
Hold thy magic hands before them,
Guard them well on either road-side,
164
That the elk may not escape thee,
May not dart adown some by-path.
Should, perchance, the moose-deer wander
Through some by-way of the forest,
Take him by the ears and antlers,
Hither lead the pride of Lempo.
'If the path be filled with brush-wood
Cast the brush-wood to the road-side;
If the branches cross his pathway,
Break the branches into fragments;
Should a fence of fir or alder
Cross the way that leads him hither.
Make an opening within it,
Open nine obstructing fences;
If the way be crossed by streamlets,
If the path be stopped by rivers,
Make a bridge of silken fabric,
Weaving webs of scarlet color,
Drive the deer-herd gently over,
Lead them gently o'er the waters,
O'er the rivers of thy forests,
O'er the streams of thy dominions.
'Thou, the host of Tapio's mansion,
Gracious host of Tapiola,
Sable-bearded god of woodlands,
Golden lord of Northland forests,
Thou, O Tapio's worthy hostess,
Queen of snowy woods, Mimerkki,
Ancient dame in sky-blue vesture,
Fenland-queen in scarlet ribbons,
Come I to exchange my silver,
To exchange my gold and silver;
Gold I have, as old as moonlight,
Silver of the age of sunshine,
In the first of years was gathered,
In the heat and pain of battle;
It will rust within my pouches,
Soon will wear away and perish,
If it be not used in trading.'
Long the hunter, Lemminkainen,
Glided through the fen and forest,
Sang his songs throughout the woodlands,
165
Through three mountain glens be sang them,
Sang the forest hostess friendly,
Sang he, also, Tapio friendly,
Friendly, all the forest virgins,
All of Metsola's fair daughters.
Now they start the herds of Lempo,
Start the wild-moose from his shelter,
In the realms of evil Hisi,
Tapio's highest mountain-region;
Now they drive the ranger homeward,
To the open courts of Piru,
To the hero that is waiting,
Hunting for the moose of Juutas.
When the herd had reached the castle,
Lemminkainen threw his lasso
O'er the antlers of the blue-moose,
Settled on the neck and shoulders
Of the mighty moose of Hisi.
Then the hunter, Kaukomieli,
Stroked his captive's neck in safety,
For the moose was well-imprisoned.
Thereupon gay Lemminkainen
Filled with joyance spake as follows:
'Pride of forests, queen of woodlands,
Metsola's enchanted hostess,
Lovely forest dame, Mielikki,
Mother-donor of the mountains,
Take the gold that I have promised,
Come and take away the silver;
Spread thy kerchief well before me,
Spread out here thy silken neck-wrap,
Underneath the golden treasure,
Underneath the shining silver,
that to earth it may not settle,
Scattered on the snows of winter.'
Then the hero went a victor
To the dwellings of Pohyola,
And addressed these words to Louhi:
'I have caught the moose of Hisi,
In the Metsola-dominions,
Give, O hostess, give thy daughter,
Give to me thy fairest virgin,
166
Bride of mine to be hereafter.'
Louhi, hostess of the Northland,
Gave this answer to the suitor:
'I will give to thee my daughter,
For thy wife my fairest maiden,
When for me thou'lt put a bridle
On the flaming horse of Hisi,
Rapid messenger of Lempo,
On the Hisi-plains and pastures.'
Nothing daunted, Lemminkainen
Hastened forward to accomplish
Louhi's second test of heroes,
On the cultivated lowlands,
On the sacred fields and forests.
Everywhere he sought the racer,
Sought the fire-expiring stallion,
Fire out-shooting from his nostrils.
Lemminkainen, fearless hunter,
Bearing in his belt his bridle,
On his shoulders, reins and halter,
Sought one day, and then a second,
Finally, upon the third day,
Went he to the Hisi-mountain,
Climbed, and struggled to the summit;
To the east he turned his glances,
Cast his eyes upon the sunrise,
There beheld the flaming courser,
On the heath among the far-trees.
Lempo's fire-expiring stallion
Fire and mingled smoke, out-shooting
From his mouth, and eyes, and nostrils.
Spake the daring Lemminkainen,
This the hero's supplication:
'Ukko, thou O God above me,
Thou that rulest all the storm-clouds,
Open thou the vault of heaven,
Open windows through the ether,
Let the icy rain come falling,
Lot the heavy hailstones shower
On the flaming horse of Hisi,
On the fire-expiring stallion.'
Ukko, the benign Creator,
167
Heard the prayer of Lemminkainen,
Broke apart the dome of heaven,
Rent the heights of heaven asunder,
Sent the iron-hail in showers,
Smaller than the heads of horses,
Larger than the heads of heroes,
On the flaming steed of Lempo,
On the fire-expiring stallion,
On the terror of the Northland.
Lemminkainen, drawing nearer,
Looked with care upon the courser,
Then he spake the words that follow:
'Wonder-steed of mighty Hisi,
Flaming horse of Lempo's mountain,
Bring thy mouth of gold, assenting,
Gently place thy head of silver
In this bright and golden halter,
In this silver-mounted bridle.
I shall never harshly treat thee,
Never make thee fly too fleetly,
On the way to Sariola,
On the tracks of long duration,
To the hostess of Pohyola,
To her magic courts and stables,
Will not lash thee on thy journey;
I shall lead thee gently forward,
Drive thee with the reins of kindness,
Cover thee with silken blankets.'
Then the fire-haired steed of Juutas,
Flaming horse of mighty Hisi,
Put his bead of shining silver,
In the bright and golden bead-stall,
In the silver-mounted bridle.
Thus the hero, Lemminkainen,
Easy bridles Lempo's stallion,
Flaming horse of evil Piru;
Lays the bits within his fire-mouth,
On his silver head, the halter,
Mounts the fire-expiring courser,
Brandishes his whip of willow,
Hastens forward on his journey,
Bounding o'er the hills and mountains,
168
Dashing through the valleys northward,
O'er the snow-capped hills of Lapland,
To the courts of Sariola.
Then the hero, quick dismounting,
Stepped within the court of Louhi,
Thus addressed the Northland hostess:
'I have bridled Lempo's fire-horse,
I have caught the Hisi-racer,
Caught the fire-expiring stallion,
In the Piru plains and pastures,
Ridden him within thy borders;
I have caught the moose of Lempo,
I have done what thou demandest;
Give, I pray thee, now thy daughter,
Give to me thy fairest maiden,
Bride of mine to be forever.'
Louhi, hostess of Pohyola,
Made this answer to the suitor:
'I will only give my daughter,
Give to thee my fairest virgin,
Bride of thine to be forever,
When for me the swan thou killest
In the river of Tuoni,
Swimming in the black death-river,
In the sacred stream and whirlpool;
Thou canst try one cross-bow only,
But one arrow from thy quiver.'
Then the reckless Lemminkainen,
Handsome hero, Kaukomieli,
Braved the third test of the hero,
Started out to hunt the wild-swan,
Hunt the long-necked, graceful swimmer,
In Tuoni's coal-black river,
In Manala's lower regions.
Quick the daring hunter journeyed,
Hastened off with fearless footsteps,
To the river of Tuoni,
To the sacred stream and whirlpool,
With his bow upon his shoulder,
With his quiver and one arrow.
Nasshut, blind and crippled shepherd,
Wretched shepherd of Pohyola,
169
Stood beside the death-land river,
Near the sacred stream and whirlpool,
Guarding Tuonela's waters,
Waiting there for Lemminkainen,
Listening there for Kaukomieli,
Waiting long the hero's coming.
Finally he hears the footsteps
Of the hero on his journey,
Hears the tread of Lemminkainen,
As he journeys nearer, nearer,
To the river of Tuoni,
To the cataract of death-land,
To the sacred stream and whirlpool.
Quick the wretched shepherd, Nasshut,
From the death-stream sends a serpent,
Like an arrow from a cross-bow,
To the heart of Lemminkainen,
Through the vitals of the hero.
Lemminkainen, little conscious,
Hardly knew that be was injured,
Spake these measures as he perished.
'Ah! unworthy is my conduct,
Ah! unwisely have I acted,
That I did not heed my mother,
Did not take her goodly counsel,
Did not learn her words of magic.
Oh I for three words with my mother,
How to live, and bow to suffer,
In this time of dire misfortune,
How to bear the stings of serpents,
Tortures of the reed of waters,
From the stream of Tuonela!
'Ancient mother who hast borne me,
Who hast trained me from my childhood,
Learn, I pray thee, where I linger,
Where alas! thy son is lying,
Where thy reckless hero suffers.
Come, I pray thee, faithful mother,
Come thou quickly, thou art needed,
Come deliver me from torture,
From the death-jaws of Tuoni,
From the sacred stream and whirlpool.'
170
Northland's old and wretched shepherd,
Nasshut, the despised protector
Of the flocks of Sariola,
Throws the dying Lemminkainen,
Throws the hero of the islands,
Into Tuonela's river,
To the blackest stream of death-land,
To the worst of fatal whirlpools.
Lemminkainen, wild and daring,
Helpless falls upon the waters,
Floating down the coal-black current,
Through the cataract and rapids
To the tombs of Tuonela.
There the blood-stained son of death-land,
There Tuoni's son and hero,
Cuts in pieces Lemminkainen,
Chops him with his mighty hatchet,
Till the sharpened axe strikes flint-sparks
From the rocks within his chamber,
Chops the hero into fragments,
Into five unequal portions,
Throws each portion to Tuoni,
In Manala's lowest kingdom,
Speaks these words when he has ended:
'Swim thou there, wild Lemminkainen,
Flow thou onward in this river,
Hunt forever in these waters,
With thy cross-bow and thine arrow,
Shoot the swan within this empire,
Shoot our water-birds in welcome!'
Thus the hero, Lemminkainen,
Thus the handsome Kaukomieli,
The untiring suitor, dieth
In the river of Tuoni,
In the death-realm of Manala.
~ Elias Lönnrot,#NFDB
152:He gazed and gazed and gazed and gazed,
Amazed, amazed, amazed, amazed.
Like (7) 2
Saul
I.
Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.
II.
``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''
III.
Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, ``Here is David, thy servant!'' And no voice replied.
At the first I saw nought but the blackness but soon I descried
A something more black than the blackness-the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst thro' the tent-roof, showed Saul.
IV.
He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,-so agonized Saul, drear and stark, blind and dumb.
V.
Then I tuned my harp,-took off the lilies we twine round its chords
Lest they snap 'neath the stress of the noon-tide-those sunbeams like swords!
And I first played the tune all our sheep know, as, one after one,
So docile they come to the pen-door till folding be done.
They are white and untorn by the bushes, for lo, they have fed
Where the long grasses stifle the water within the stream's bed;
And now one after one seeks its lodging, as star follows star
Into eve and the blue far above us,-so blue and so far!
VI.
-Then the tune, for which quails on the cornland will each leave his mate
To fly after the player; then, what makes the crickets elate
Till for boldness they fight one another: and then, what has weight
To set the quick jerboa amusing outside his sand house-
There are none such as he for a wonder, half bird and half mouse!
God made all the creatures and gave them our love and our fear,
To give sign, we and they are his children, one family here.
VII.
Then I played the help-tune of our reapers, their wine-song, when hand
Grasps at hand, eye lights eye in good friendship, and great hearts expand
And grow one in the sense of this world's life.-And then, the last song
When the dead man is praised on his journey-``Bear, bear him along
``With his few faults shut up like dead flowerets! Are balm-seeds not here
``To console us? The land has none left such as he on the bier.
``Oh, would we might keep thee, my brother!''-And then, the glad chaunt
Of the marriage,-first go the young maidens, next, she whom we vaunt
As the beauty, the pride of our dwelling.-And then, the great march
Wherein man runs to man to assist him and buttress an arch
Nought can break; who shall harm them, our friends?-Then, the chorus intoned
As the Levites go up to the altar in glory enthroned.
But I stopped here: for here in the darkness Saul groaned.
VIII.
And I paused, held my breath in such silence, and listened apart;
And the tent shook, for mighty Saul shuddered: and sparkles 'gan dart
From the jewels that woke in his turban, at once with a start,
All its lordly male-sapphires, and rubies courageous at heart.
So the head: but the body still moved not, still hung there erect.
And I bent once again to my playing, pursued it unchecked,
As I sang,-
IX.
``Oh, our manhood's prime vigour! No spirit feels waste,
``Not a muscle is stopped in its playing nor sinew unbraced.
``Oh, the wild joys of living! the leaping from rock up to rock,
``The strong rending of boughs from the fir-tree, the cool silver shock
``Of the plunge in a pool's living water, the hunt of the bear,
``And the sultriness showing the lion is couched in his lair.
``And the meal, the rich dates yellowed over with gold dust divine,
``And the locust-flesh steeped in the pitcher, the full draught of wine,
``And the sleep in the dried river-channel where bulrushes tell
``That the water was wont to go warbling so softly and well.
``How good is man's life, the mere living! how fit to employ
``All the heart and the soul and the senses for ever in joy!
``Hast thou loved the white locks of thy father, whose sword thou didst guard
``When he trusted thee forth with the armies, for glorious reward?
``Didst thou see the thin hands of thy mother, held up as men sung
``The low song of the nearly-departed, and bear her faint tongue
``Joining in while it could to the witness, `Let one more attest,
`` `I have lived, seen God's hand thro'a lifetime, and all was for best'?
``Then they sung thro' their tears in strong triumph, not much, but the rest.
``And thy brothers, the help and the contest, the working whence grew
``Such result as, from seething grape-bundles, the spirit strained true:
``And the friends of thy boyhood-that boyhood of wonder and hope,
``Present promise and wealth of the future beyond the eye's scope,-
``Till lo, thou art grown to a monarch; a people is thine;
``And all gifts, which the world offers singly, on one head combine!
``On one head, all the beauty and strength, love and rage (like the throe
``That, a-work in the rock, helps its labour and lets the gold go)
``High ambition and deeds which surpass it, fame crowning them,-all
``Brought to blaze on the head of one creature-King Saul!''
X.
And lo, with that leap of my spirit,-heart, hand, harp and voice,
Each lifting Saul's name out of sorrow, each bidding rejoice
Saul's fame in the light it was made for-as when, dare I say,
The Lord's army, in rapture of service, strains through its array,
And up soareth the cherubim-chariot-``Saul!'' cried I, and stopped,
And waited the thing that should follow. Then Saul, who hung propped
By the tent's cross-support in the centre, was struck by his name.
Have ye seen when Spring's arrowy summons goes right to the aim,
And some mountain, the last to withstand her, that held (he alone,
While the vale laughed in freedom and flowers) on a broad bust of stone
A year's snow bound about for a breastplate,-leaves grasp of the sheet?
Fold on fold all at once it crowds thunderously down to his feet,
And there fronts you, stark, black, but alive yet, your mountain of old,
With his rents, the successive bequeathings of ages untold-
Yea, each harm got in fighting your battles, each furrow and scar
Of his head thrust 'twixt you and the tempest-all hail, there they are!
-Now again to be softened with verdure, again hold the nest
Of the dove, tempt the goat and its young to the green on his crest
For their food in the ardours of summer. One long shudder thrilled
All the tent till the very air tingled, then sank and was stilled
At the King's self left standing before me, released and aware.
What was gone, what remained? All to traverse, 'twixt hope and despair;
Death was past, life not come: so he waited. Awhile his right hand
Held the brow, helped the eyes left too vacant forthwith to remand
To their place what new objects should enter: 'twas Saul as before.
I looked up and dared gaze at those eyes, nor was hurt any more
Than by slow pallid sunsets in autumn, ye watch from the shore,
At their sad level gaze o'er the ocean-a sun's slow decline
Over hills which, resolved in stern silence, o'erlap and entwine
Base with base to knit strength more intensely: so, arm folded arm
O'er the chest whose slow heavings subsided.
XI.
What spell or what charm,
(For, awhile there was trouble within me) what next should I urge
To sustain him where song had restored him?-Song filled to the verge
His cup with the wine of this life, pressing all that it yields
Of mere fruitage, the strength and the beauty: beyond, on what fields,
Glean a vintage more potent and perfect to brighten the eye
And bring blood to the lip, and commend them the cup they put by?
He saith, ``It is good;'' still he drinks not: he lets me praise life,
Gives assent, yet would die for his own part.
XII.
Then fancies grew rife
Which had come long ago on the pasture, when round me the sheep
Fed in silence-above, the one eagle wheeled slow as in sleep;
And I lay in my hollow and mused on the world that might lie
'Neath his ken, though I saw but the strip 'twixt the hill and the sky:
And I laughed-``Since my days are ordained to be passed with my flocks,
``Let me people at least, with my fancies, the plains and the rocks,
``Dream the life I am never to mix with, and image the show
``Of mankind as they live in those fashions I hardly shall know!
``Schemes of life, its best rules and right uses, the courage that gains,
``And the prudence that keeps what men strive for.'' And now these old trains
Of vague thought came again; I grew surer; so, once more the string
Of my harp made response to my spirit, as thus-
XIII.
``Yea, my King,''
I began-``thou dost well in rejecting mere comforts that spring
``From the mere mortal life held in common by man and by brute:
``In our flesh grows the branch of this life, in our soul it bears fruit.
``Thou hast marked the slow rise of the tree,-how its stem trembled first
``Till it passed the kid's lip, the stag's antler then safely outburst
``The fan-branches all round; and thou mindest when these too, in turn
``Broke a-bloom and the palm-tree seemed perfect: yet more was to learn,
``E'en the good that comes in with the palm-fruit. Our dates shall we slight,
``When their juice brings a cure for all sorrow? or care for the plight
``Of the palm's self whose slow growth produced them? Not so! stem and branch
``Shall decay, nor be known in their place, while the palm-wine shall staunch
``Every wound of man's spirit in winter. I pour thee such wine.
``Leave the flesh to the fate it was fit for! the spirit be thine!
``By the spirit, when age shall o'ercome thee, thou still shalt enjoy
``More indeed, than at first when inconscious, the life of a boy.
``Crush that life, and behold its wine running! Each deed thou hast done
``Dies, revives, goes to work in the world; until e'en as the sun
``Looking down on the earth, though clouds spoil him, though tempests efface,
``Can find nothing his own deed produced not, must everywhere trace
``The results of his past summer-prime'-so, each ray of thy will,
``Every flash of thy passion and prowess, long over, shall thrill
``Thy whole people, the countless, with ardour, till they too give forth
``A like cheer to their sons, who in turn, fill the South and the North
``With the radiance thy deed was the germ of. Carouse in the past!
``But the license of age has its limit; thou diest at last:
``As the lion when age dims his eyeball, the rose at her height
``So with man-so his power and his beauty for ever take flight.
``No! Again a long draught of my soul-wine! Look forth o'er the years!
``Thou hast done now with eyes for the actual; begin with the seer's!
``Is Saul dead? In the depth of the vale make his tomb-bid arise
``A grey mountain of marble heaped four-square, till, built to the skies,
``Let it mark where the great First King slumbers: whose fame would ye know?
``Up above see the rock's naked face, where the record shall go
``In great characters cut by the scribe,-Such was Saul, so he did;
``With the sages directing the work, by the populace chid,-
``For not half, they'll affirm, is comprised there! Which fault to amend,
``In the grove with his kind grows the cedar, whereon they shall spend
``(See, in tablets 'tis level before them) their praise, and record
``With the gold of the graver, Saul's story,-the statesman's great word
``Side by side with the poet's sweet comment. The river's a-wave
``With smooth paper-reeds grazing each other when prophet-winds rave:
``So the pen gives unborn generations their due and their part
``In thy being! Then, first of the mighty, thank God that thou art!''
XIV.
And behold while I sang but O Thou who didst grant me that day,
And before it not seldom hast granted thy help to essay,
Carry on and complete an adventure,-my shield and my sword
In that act where my soul was thy servant, thy word was my word,-
Still be with me, who then at the summit of human endeavour
And scaling the highest, man's thought could, gazed hopeless as ever
On the new stretch of heaven above me-till, mighty to save,
Just one lift of thy hand cleared that distance-God's throne from man's grave!
Let me tell out my tale to its ending-my voice to my heart
Which can scarce dare believe in what marvels last night I took part,
As this morning I gather the fragments, alone with my sheep,
And still fear lest the terrible glory evanish like sleep!
For I wake in the grey dewy covert, while Hebron upheaves
The dawn struggling with night on his shoulder, and Kidron retrieves
Slow the damage of yesterday's sunshine.
XV.
I say then,-my song
While I sang thus, assuring the monarch, and ever more strong
Made a proffer of good to console him-he slowly resumed
His old motions and habitudes kingly. The right-hand replumed
His black locks to their wonted composure, adjusted the swathes
Of his turban, and see-the huge sweat that his countenance bathes,
He wipes off with the robe; and he girds now his loins as of yore,
And feels slow for the armlets of price, with the clasp set before.
He is Saul, ye remember in glory,-ere error had bent
The broad brow from the daily communion; and still, though much spent
Be the life and the bearing that front you, the same, God did choose,
To receive what a man may waste, desecrate, never quite lose.
So sank he along by the tent-prop till, stayed by the pile
Of his armour and war-cloak and garments, he leaned there awhile,
And sat out my singing,-one arm round the tent-prop, to raise
His bent head, and the other hung slack-till I touched on the praise
I foresaw from all men in all time, to the man patient there;
And thus ended, the harp falling forward. Then first I was 'ware
That he sat, as I say, with my head just above his vast knees
Which were thrust out on each side around me, like oak-roots which please
To encircle a lamb when it slumbers. I looked up to know
If the best I could do had brought solace: he spoke not, but slow
Lifted up the hand slack at his side, till he laid it with care
Soft and grave, but in mild settled will, on my brow: thro' my hair
The large fingers were pushed, and he bent back my bead, with kind power-
All my face back, intent to peruse it, as men do a flower.
Thus held he me there with his great eyes that scrutinized mine-
And oh, all my heart how it loved him! but where was the sign?
I yearned-``Could I help thee, my father, inventing a bliss,
``I would add, to that life of the past, both the future and this;
``I would give thee new life altogether, as good, ages hence,
``As this moment,-had love but the warrant, love's heart to dispense!''
XVI.
Then the truth came upon me. No harp more-no song more! outbroke-
XVII.
``I have gone the whole round of creation: I saw and I spoke:
``I, a work of God's hand for that purpose, received in my brain
``And pronounced on the rest of his hand-work-returned him again
``His creation's approval or censure: I spoke as I saw:
``I report, as a man may of God's work-all's love, yet all's law.
``Now I lay down the judgeship he lent me. Each faculty tasked
``To perceive him, has gained an abyss, where a dewdrop was asked.
``Have I knowledge? confounded it shrivels at Wisdom laid bare.
``Have I forethought? how purblind, how blank, to the Infinite Care!
``Do I task any faculty highest, to image success?
``I but open my eyes,-and perfection, no more and no less,
``In the kind I imagined, full-fronts me, and God is seen God
``In the star, in the stone, in the flesh, in the soul and the clod.
``And thus looking within and around me, I ever renew
``(With that stoop of the soul which in bending upraises it too)
``The submission of man's nothing-perfect to God's all-complete,
``As by each new obeisance in spirit, I climb to his feet.
``Yet with all this abounding experience, this deity known,
``I shall dare to discover some province, some gift of my own.
``There's a faculty pleasant to exercise, hard to hoodwink,
``I am fain to keep still in abeyance, (I laugh as I think)
``Lest, insisting to claim and parade in it, wot ye, I worst
``E'en the Giver in one gift.-Behold, I could love if I durst!
``But I sink the pretension as fearing a man may o'ertake
``God's own speed in the one way of love: I abstain for love's sake.
``-What, my soul? see thus far and no farther? when doors great and small,
``Nine-and-ninety flew ope at our touch, should the hundredth appal?
``In the least things have faith, yet distrust in the greatest of all?
``Do I find love so full in my nature, God's ultimate gift,
``That I doubt his own love can compete with it? Here, the parts shift?
``Here, the creature surpass the Creator,-the end, what Began?
``Would I fain in my impotent yearning do all for this man,
``And dare doubt he alone shall not help him, who yet alone can?
``Would it ever have entered my mind, the bare will, much less power,
``To bestow on this Saul what I sang of, the marvellous dower
``Of the life he was gifted and filled with? to make such a soul,
``Such a body, and then such an earth for insphering the whole?
``And doth it not enter my mind (as my warm tears attest)
``These good things being given, to go on, and give one more, the best?
``Ay, to save and redeem and restore him, maintain at the height
``This perfection,-succeed with life's day-spring, death's minute of night?
``Interpose at the difficult minute, snatch Saul the mistake,
``Saul the failure, the ruin he seems now,-and bid him awake
``From the dream, the probation, the prelude, to find himself set
``Clear and safe in new light and new life,-a new harmony yet
``To be run, and continued, and ended-who knows?-or endure!
``The man taught enough, by life's dream, of the rest to make sure;
``By the pain-throb, triumphantly winning intensified bliss,
``And the next world's reward and repose, by the struggles in this.
XVIII.
``I believe it! 'Tis thou, God, that givest, 'tis I who receive:
``In the first is the last, in thy will is my power to believe.
``All's one gift: thou canst grant it moreover, as prompt to my prayer
``As I breathe out this breath, as I open these arms to the air.
``From thy will, stream the worlds, life and nature, thy dread Sabaoth:
``I will?-the mere atoms despise me! Why am I not loth
``To look that, even that in the face too? Why is it I dare
``Think but lightly of such impuissance? What stops my despair?
``This;-'tis not what man Does which exalts him, but what man Would do!
``See the King-I would help him but cannot, the wishes fall through.
``Could I wrestle to raise him from sorrow, grow poor to enrich,
``To fill up his life, starve my own out, I would-knowing which,
``I know that my service is perfect. Oh, speak through me now!
``Would I suffer for him that I love? So wouldst thou-so wilt thou!
``So shall crown thee the topmost, ineffablest, uttermost crown-
``And thy love fill infinitude wholly, nor leave up nor down
``One spot for the creature to stand in! It is by no breath,
``Turn of eye, wave of hand, that salvation joins issue with death!
``As thy Love is discovered almighty, almighty be proved
``Thy power, that exists with and for it, of being Beloved!
``He who did most, shall bear most; the strongest shall stand the most weak.
``'Tis the weakness in strength, that I cry for! my flesh, that I seek
``In the Godhead! I seek and I find it. O Saul, it shall be
``A Face like my face that receives thee; a Man like to me,
``Thou shalt love and be loved by, for ever: a Hand like this hand
``Shall throw open the gates of new life to thee! See the Christ stand!''
XIX.
I know not too well how I found my way home in the night.
There were witnesses, cohorts about me, to left and to right,
Angels, powers, the unuttered, unseen, the alive, the aware:
I repressed, I got through them as hardly, as strugglingly there,
As a runner beset by the populace famished for news-
Life or death. The whole earth was awakened, hell loosed with her crews;
And the stars of night beat with emotion, and tingled and shot
Out in fire the strong pain of pent knowledge: but I fainted not,
For the Hand still impelled me at once and supported, suppressed
All the tumult, and quenched it with quiet, and holy behest,
Till the rapture was shut in itself, and the earth sank to rest.
Anon at the dawn, all that trouble had withered from earth-
Not so much, but I saw it die out in the day's tender birth;
In the gathered intensity brought to the grey of the hills;
In the shuddering forests' held breath; in the sudden wind-thrills;
In the startled wild beasts that bore off, each with eye sidling still
Though averted with wonder and dread; in the birds stiff and chill
That rose heavily, as I approached them, made stupid with awe:
E'en the serpent that slid away silent,-he felt the new law.
The same stared in the white humid faces upturned by the flowers;
The same worked in the heart of the cedar and moved the vine-bowers:
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices-``E'en so, it is so!''
The jumping hare.
One of the three cities of Refuge.
*
A brook in Jerusalem.
~ Robert Browning, Rhyme for a Child Viewing a Naked Venus in a Painting of 'The Judgement of Paris'
,#NFDB
153:The Kalevala - Rune Xviii
THE RIVAL SUITORS
Wainamoinen, old and truthful,
Long considered, long debated,
How to woo and win the daughter
Of the hostess of Pohyola,
How to lead the Bride of Beauty,
Fairy maiden of the rainbow,
To the meadows of Wainola,
From the dismal Sariola.
Now he decks his magic vessel,
Paints the boat in blue and scarlet,
Trims in gold the ship's forecastle,
Decks the prow in molten silver;
Sings his magic ship down gliding,
On the cylinders of fir-tree:
Now erects the masts of pine-wood,
On each mast the sails of linen,
Sails of blue, and white, and scarlet,
Woven into finest fabric.
Wainamoinen, the magician,
Steps aboard his wondrous vessel,
Steers the bark across the waters,
On the blue back of the broad-sea,
Speaks these words in sailing northward,
Sailing to the dark Pohyola:
'Come aboard my ship, O Ukko,
Come with me, thou God of mercy,
To protect thine ancient hero,
To support thy trusting servant,
On the breasts of raging billows,
On the far out-stretching waters.
'Rock, O winds, this wondrous vessel,
Causing not a single ripple;
Rolling waves, bear ye me northward,
That the oar may not be needed
In my journey to Pohyola,
O'er this mighty waste of waters.'
317
Ilmarinen's beauteous sister,
Fair and goodly maid, Annikki,
Of the Night and Dawn, the daughter,
Who awakes each morning early,
Rises long before the daylight,
Stood one morning on the sea-shore,
Washing in the foam her dresses,
Rinsing out her silken ribbons,
On the bridge of scarlet color,
On the border of the highway,
On a headland jutting seaward,
On the forest-covered island.
Here Annikki, looking round her,
Looking through the fog and ether,
Looking through the clouds of heaven,
Gazing far out on the blue-sea,
Sees the morning sun arising,
Glimmering along the billows,
Looks with eyes of distant vision
Toward the sunrise on the waters,
Toward the winding streams of Suomi,
Where the Wina-waves were flowing.
There she sees, on the horizon,
Something darkle in the sunlight,
Something blue upon the billows,
Speaks these words in wonder guessing:
What is this upon the surges,
What this blue upon the waters,
What this darkling in the sunlight?
'Tis perhaps a flock of wild-geese,
Or perchance the blue-duck flying;
Then upon thy wings arising,
Fly away to highest heaven.
'Art thou then a shoal of sea-trout,
Or perchance a school of salmon?
Dive then to the deep sea-bottom,
In the waters swim and frolic.
'Art thou then a cliff of granite,
Or perchance a mighty oak-tree,
Floating on the rough sea-billows?
May the floods then wash and beat thee
Break thee to a thousand fragments.'
318
Wainamoinen, sailing northward,
Steers his wondrous ship of magic
Toward the headland jutting seaward,
Toward the island forest-covered.
Now Annikki, goodly maiden,
Sees it is the magic vessel
Of a wonderful enchanter,
Of a mighty bard and hero,
And she asks this simple question:
'Art thou then my father's vessel,
Or my brother's ship of magic?
Haste away then to thy harbor,
To thy refuge in Wainola.
Hast thou come a goodly distance?
Sail then farther on thy journey,
Point thy prow to other waters.'
It was not her father's vessel,
Not a sail-boat from the distance,
'Twas the ship of Wainamoinen,
Bark of the eternal singer;
Sails within a hailing distance,
Swims still nearer o'er the waters,
Brings one word and takes another,
Brings a third of magic import.
Speaks the goodly maid, Annikki,
Of the Night and Dawn, the daughter,
To the sailor of the vessel:
'Whither sailest, Wainamoinen,
Whither bound, thou friend of waters,
Pride and joy of Kalevala?'
From the vessel Wainamomen
Gives this answer to the maiden:
'I have come to catch some sea-trout,
Catch the young and toothsome whiting,
Hiding in tbese-reeds and rushes.'
This the answer of Annikki:
'Do not speak to me in falsehood,
Know I well the times of fishing;
Long ago my honored father
Was a fisherman in Northland,
Came to catch the trout and whiting,
Fished within these seas and rivers.
319
Very well do I remember
How the fisherman disposes,
How he rigs his fishing vessel,
Lines, and gaffs, and poles, and fish-nets;
Hast not come a-fishing hither.
Whither goest, Wainamoinen,
Whither sailest, friend of waters?
Spake the ancient Wainamoinen:
'I have come to catch some wild-geese,
Catch the hissing birds of Suomi,
In these far-extending borders,
In the Sachsensund dominions.'
Good Annikki gives this answer:
'Know I well a truthful speaker,
Easily detect a falsehood;
Formerly my aged father
Often came a-hunting hither,
Came to hunt the hissing wild-geese,
Hunt the red-bill of these waters.
Very well do I remember
How the hunter rigs his vessel,
Bows, and arrows, knives, and quiver,
Dogs enchained within the vessel,
Pointers hunting on the sea-shore,
Setters seeking in the marshes,
Tell the truth now Wainamoinen,
Whither is thy vessel sailing?'
Spake the hero of the Northland:
'To the wars my ship is sailing,
To the bloody fields of battle,
Where the streams run scarlet-colored,
Where the paths are paved with bodies!'
These the words of fair Annikki:
'Know I well the paths to battle.
Formerly my aged father
Often sounded war's alarum,
Often led the hosts to conquest;
In each ship a hundred rowers,
And in arms a thousand heroes,
Oil the prow a thousand cross-bows,
Swords, and spears, and battle-axes;
Know I well the ship of battle.
320
Speak Do longer fruitless falsehoods,
Whither sailest, Wainamoinen,
Whither steerest, friend of waters?
These the words of Wainamoinen:
'Come, O maiden, to my vessel,
In my magic ship be seated,
Then I'll give thee truthful answer.'
Thus Annikki, silver-tinselled,
Answers ancient Wainamoinen:
'With the winds I'll fill thy vessel,
To thy bark I'll send the storm-winds
And capsize thy ship of magic,
Break in pieces its forecastle,
If the truth thou dost not tell me,
If thou dost not cease thy falsehoods,
If thou dost not tell me truly
Whither sails thy magic vessel.'
These the words of Wainamoinen:
'Now I make thee truthful answer,
Though at first I spake deception:
I am sailing to the Northland
To the dismal Sariola,
Where the ogres live and flourish,
Where they drown the worthy heroes,
There to woo the Maid of Beauty
Sitting on the bow of heaven,
Woo and win the fairy virgin,
Bring her to my home and kindred,
To the firesides of Walnola.'
Then Aunikki, graceful maiden,
Of the Night and Dawn, the daughter,
As she heard the rightful answer,
Knew the truth was fully spoken,
Straightway left her coats unbeaten,
Left unwashed her linen garments,
Left unrinsed her silks and ribbons
On the highway by the sea-shore,
On the bridge of scarlet color
On her arm she threw her long-robes,
Hastened off with speed of roebuck
To the shops of Ilmarinen,
To the iron-forger's furnace,
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To the blacksmith's home and smithy,
Here she found the hero-artist,
Forging out a bench of iron,
And adorning it with silver.
Soot lay thick upon his forehead,
Soot and coal upon his shoulders.
On the threshold speaks Annikki,
These the words his sister uses:
'Ilmarinen, dearest brother,
Thou eternal artist-forger,
Forge me now a loom of silver,
Golden rings to grace my fingers,
Forge me gold and silver ear-rings,
Six or seven golden girdles,
Golden crosslets for my bosom,
For my head forge golden trinkets,
And I'll tell a tale surprising,
Tell a story that concerns thee
Truthfully I'll tell the story.'
Then the blacksmith Ilmarinen
Spake and these the words he uttered:
'If thou'lt tell the tale sincerely,
I will forge the loom of silver,
Golden rings to grace thy fingers,
Forge thee gold and silver ear-rings,
Six or seven golden girdles,
Golden crosslets for thy bosom,
For thy head forge golden trinkets;
But if thou shouldst tell me falsely,
I shall break thy beauteous jewels,
Break thine ornaments in pieces,
Hurl them to the fire and furnace,
Never forge thee other trinkets.'
This the answer of Annikki:
'Ancient blacksmith, Ilmarinen,
Dost thou ever think to marry
Her already thine affianced,
Beauteous Maiden of the Rainbow,
Fairest virgin of the Northland,
Chosen bride of Sariola?
Shouldst thou wish the Maid of Beauty,
Thou must forge, and forge unceasing,
322
Hammering the days and nights through;
Forge the summer hoofs for horses,
Forge them iron hoofs for winter,
In the long nights forge the snow-sledge,
Gaily trim it in the daytime,
Haste thou then upon thy journey
To thy wooing in the Northland,
To the dismal Sariola;
Thither journeys one more clever,
Sails another now before thee,
There to woo thy bride affianced,
Thence to lead thy chosen virgin,
Woo and win the Maid of Beauty;
Three long years thou hast been wooing.
Wainamoinen now is sailing
On the blue back of the waters,
Sitting at his helm of copper;
On the prow are golden carvings,
Beautiful his boat of magic,
Sailing fleetly o'er the billows,
To the never-pleasant Northland,
To the dismal Sariola.'
Ilmarinen stood in wonder,
Stood a statue at the story;
Silent grief had settled o'er him,
Settled o'er the iron-artist;
From one hand the tongs descended,
From the other fell the hammer,
As the blacksmith made this answer:
'Good Annikki, worthy sister,
I shall forge the loom of silver,
Golden rings to grace thy fingers,
Forge thee gold and silver ear-rings,
Six or seven golden girdles,
Golden crosslets for thy bosom;
Go and heat for me the bath-room,
Fill with heat the honey-chambers,
Lay the faggots on the fire-place,
Lay the smaller woods around them,
Pour some water through the ashes,
Make a soap of magic virtue,
Thus to cleanse my blackened visage,
323
Thus to cleanse the blacksmith's body,
Thus remove the soot and ashes.'
Then Annikki, kindly sister,
Quickly warmed her brother's bath-room,
Warmed it with the knots of fir-trees,
That the thunder-winds had broken;
Gathered pebbles from the fire-stream,
Threw them in the heating waters;
Broke the tassels from the birch-trees,
Steeped the foliage in honey,
Made a lye from milk and ashes,
Made of these a strong decoction,
Mixed it with the fat and marrow
Of the reindeer of the mountains,
Made a soap of magic virtue,
Thus to cleanse the iron-artist,
Thus to beautify the suitor,
Thus to make the hero worthy.
Ilmarinen, ancient blacksmith,
The eternal metal-worker,
Forged the wishes of his sister,
Ornaments for fair Annikki,
Rings, and bracelets, pins and ear-drops,
Forged for her six golden girdles,
Forged a weaving loom of silver,
While the maid prepared the bath-room,
Set his toilet-room in order.
To the maid he gave the trinkets,
Gave the loom of molten silver,
And the sister thus made answer:
'I have heated well thy bath-room,
Have thy toilet-things in order,
Everything as thou desirest;
Go prepare thyself for wooing,
Lave thy bead to flaxen whiteness,
Make thy cheeks look fresh and ruddy,
Lave thyself in Love's aroma,
That thy wooing prove successful.'
Ilmarinen, magic artist,
Quick repairing to his bath-room,
Bathed his head to flaxen whiteness,
Made his cheeks look fresh and ruddy,
324
Laved his eyes until they sparkled
Like the moonlight on the waters;
Wondrous were his form and features,
And his cheeks like ruddy berries.
These the words of Ilmarinen:
'Fair Annikki, lovely sister,
Bring me now my silken raiment,
Bring my best and richest vesture,
Bring me now my softest linen,
That my wooing prove successful.'
Straightway did the helpful sister
Bring the finest of his raiment,
Bring the softest of his linen,
Raiment fashioned by his mother;
Brought to him his silken stockings,
Brought him shoes of marten-leather,
Brought a vest of sky-blue color,
Brought him scarlet-colored trousers,
Brought a coat with scarlet trimming,
Brought a red shawl trimmed in ermine
Fourfold wrapped about his body;
Brought a fur-coat made of seal-skin,
Fastened with a thousand bottons,
And adorned with countless jewels;
Brought for him his magic girdle,
Fastened well with golden buckles,
That his artist-mother fashioned;
Brought him gloves with golden wristlets,
That the Laplanders had woven
For a head of many ringlets;
Brought the finest cap in Northland,
That his ancient father purchased
When he first began his wooing.
Ilmarinen, blacksmith-artist,
Clad himself to look his finest,
When he thus addressed a servant:
'Hitch for me a fleet-foot racer,
Hitch him to my willing snow-sledge,
For I start upon a journey
To the distant shores of Pohya,
To the dismal Sariola.'
Spake the servant thus in answer:
325
'Thou hast seven fleet-foot racers,
Munching grain within their mangers,
Which of these shall I make ready?'
Spake the blacksmith, Ilmarinen:
'Take the fleetest of my coursers,
Put the gray steed in the harness,
Hitch him to my sledge of magic;
Place six cuckoos on the break-board,
Seven bluebirds on the cross-bars,
Thus to charm the Northland maidens,
Thus to make them look and listen,
As the cuckoos call and echo.
Bring me too my largest bear-skin,
Fold it warm about the cross-bench;
Bring me then my marten fur-robes,
As a cover and protection.'
Straightway then the trusty servant
Of the blacksmith, Ilmarinen,
Put the gray steed in the harness,
Hitched the racer to the snow-sledge,
Placed six cuckoos on the break-board,
Seven bluebirds on the cross-bars,
On the front to sing and twitter;
Then he brought the largest bear-skin,
Folded it upon the cross-bench;
Brought the finest robes of marten,
Warm protection for the master.
Ilmarinen, forger-artist,
The eternal metal-worker,
Earnestly entreated Ukko:
'Send thy snow-flakes, Ukko, father,
Let them gently fall from heaven,
Let them cover all the heather,
Let them hide the berry-bushes,
That my sledge may glide in freedom
O'er the hills to Sariola!'
Ukko sent the snow from heaven,
Gently dropped the crystal snow-flakes,
Lending thus his kind assistance
To the hero, Ilmarinen,
On his journey to the Northland.
Reins in hand, the ancient artist
326
Seats him in his metal snow-sledge,
And beseeches thus his Master:
'Good luck to my reins and traces,
Good luck to my shafts and runners!
God protect my magic snow-sledge,
Be my safeguard on my journey
To the dismal Sariola!'
Now the ancient Ilmarinen
Draws the reins upon the racer,
Snaps his whip above the courser,
To the gray steed gives this order,
And the charger plunges northward:
'Haste away, my flaxen stallion,
Haste thee onward, noble white-face,
To the never-pleasant Pohya,
To the dreary Sariola!'
Fast and faster flies the fleet-foot,
On the curving snow-capped sea-coast,
On the borders of the lowlands,
O'er the alder-hills and mountains.
Merrily the steed flies onward,
Bluebirds singing, cuckoos calling,
On the sea-shore looking northward,
Through the sand and falling snow-flakes
Blinding winds, and snow, and sea-foam,
Cloud the hero, Ilmarinen,
As he glides upon his journey,
Looking seaward for the vessel
Of the ancient Wainamoinen;
Travels one day, then a second,
Travels all the next day northward,
Till the third day Ilmarinen
Overtakes old Wainamoinen,
Rails him in his magic vessel,
And addresses thus the minstrel:
'O thou ancient Wainamoinen,
Let us woo in peace the maiden,
Fairest daughter or the Northland,
Sitting on the bow of heaven,
Let each labor long to win her,
Let her wed the one she chooses,
Him selecting, let her follow.'
327
Wainamoinen thus makes answer:
'I agree to thy proposal,
Let us woo in peace the maiden,
Not by force, nor faithless measures,
Shall we woo the Maid of Beauty,
Let her follow him she chooses;
Let the unsuccessful suitor
Harbor neither wrath nor envy
For the hero that she follows.'
Thus agreeing, on they journey,
Each according to his pleasure;
Fleetly does the steed fly onward,
Quickly flies the magic vessel,
Sailing on the broad-sea northward;
Ilmarinen's fleet-foot racer
Makes the hills of Northland tremble,
As he gallops on his journey
To the dismal Sariola.
Wainamoinen calls the South-winds,
And they fly to his assistance;
Swiftly sails his ship of beauty,
Swiftly plows the rough sea-billows
In her pathway to Pohyola.
Time had gone but little distance,
Scarce a moment had passed over,
Ere the dogs began their barking,
In the mansions of the Northland,
In the courts of Sariola,
Watch-dogs of the court of Louhi;
Never had they growled so fiercely,
Never had they barked so loudly,
Never with their tails had beaten
Northland into such an uproar.
Spake the master of Pohyola:
'Go and learn, my worthy daughter,
Why the watch-dogs have been barking,
Why the black-dog signals danger.'
Quickly does the daughter answer:
'I am occupied, dear father,
I have work of more importance,
I must tend my flock of lambkins,
I must turn the nether millstone,
328
Grind to flour the grains of barley,
Run the grindings through the sifter,
Only have I time for grinding.'
Lowly growls the faithful watch-dog,
Seldom does he growl so strangely.
Spake the master of Pohyola:
'Go and learn, my trusted consort,
Why the Northland dogs are barking,
Why the black-dog signals danger.'
Thus his aged wife makes answer;
'Have no time, nor inclination,
I must feed my hungry household,
Must prepare a worthy dinner,
I must bake the toothsome biscuit,
Knead the dough till it is ready,
Only have I strength for kneading.'
Spake the master of Pohyola:
'Dames are always in a hurry,
Maidens too are ever busy,
Whether warming at the oven,
Or asleep upon their couches;
Go my son, and learn the danger,
Why the black-dog growls displeasure,'
Quickly does the son give answer:
'Have no time, nor inclination,
Am in haste to grind my hatchet;
I must chop this log to cordwood,
For the fire must cut the faggots,
I must split the wood in fragments,
Large the pile and small the fire-wood,
Only have I strength for chopping.'
Still the watch-dog growls in anger,
Growl the whelps within the mansion,
Growl the dogs chained in the kennel,
Growls the black-dog on the hill-top,
Setting Northland in an uproar.
Spake the master of Pohyola:
'Never, never does my black-dog
Growl like this without a reason;
Never does he bark for nothing,
Does not growl at angry billows,
Nor the sighing of the pine-trees.'
329
Then the master of Pohyola
Went himself to learn the reason
For the barking of the watch-dogs;
Strode he through the spacious court-yard,
Through the open fields beyond it,
To the summit of the uplands.
Looking toward his black-dog barking,
He beholds the muzzle pointed
To a distant, stormy hill-top,
To a mound with alders covered;
There he learned the rightful reason,
Why his dogs had barked so loudly,
Why had growled the wool-tail bearer,
Why his whelps had signalled danger.
At full sail, he saw a vessel,
And the ship was scarlet-colored,
Entering the bay of Lempo;
Saw a sledge of magic colors,
Gliding up the curving sea-shore,
O'er the snow-fields of Pohyola.
Then the master of the Northland
Hastened straightway to his dwelling,
Hastened forward to his court-room,
These the accents of the master:
'Often strangers journey hither,
On the blue back of the ocean,
Sailing in a scarlet vessel,
Rocking in the bay of Lempo;
Often strangers come in sledges
To the honey-lands of Louhi.'
Spake the hostess of Pohyola:
How shall we obtain a token
Why these strangers journey hither?
My beloved, faithful daughter,
Lay a branch upon the fire-place,
Let it burn with fire of magic
If it trickle drops of scarlet,
War and bloodshed do they bring us;
If it trickle drops of water,
Peace and plenty bring the strangers.'
Northland's fair and slender maiden,
Beautiful and modest daughter,
330
Lays a sorb-branch on the fire-place,
Lights it with the fire of magic;
Does not trickle drops of scarlet,
Trickles neither blood, nor water,
From the wand come drops of honey.
From the corner spake Suowakko,
This the language of the wizard:
'If the wand is dripping honey,
Then the strangers that are coming
Are but worthy friends and suitors.'
Then the hostess of the Northland,
With the daughter of the hostess,
Straightway left their work, and hastened
From their dwelling to the court-yard;
Looked about in all directions,
Turned their eyes upon the waters,
Saw a magic-colored vessel
Rocking slowly in the harbor,
Having sailed the bay of Lempo,
Triple sails, and masts, and rigging,
Sable was the nether portion,
And the upper, scarlet-colored,
At the helm an ancient hero
Leaning on his oars of copper;
Saw a fleet-foot racer running,
Saw a red sledge lightly follow,
Saw the magic sledge emblazoned,
Guided toward the courts of Louhi;
Saw and heard six golden cuckoos
Sitting on the break-board, calling,
Seven bluebirds richly colored
Singing from the yoke and cross-bar;
In the sledge a magic hero,
Young, and strong, and proud, and handsome,
Holding reins upon the courser.
Spake the hostess of Pohyola:
'Dearest daughter, winsome maiden,
Dost thou wish a noble suitor?
Should these heroes come to woo thee,
Wouldst thou leave thy home and country,
Be the bride of him that pleases,
Be his faithful life-companion?
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'He that comes upon the waters,
Sailing in a magic vessel,
Having sailed the bay of Lempo,
Is the good, old Wainamoinen;
In his ship are countless treasures,
Richest presents from Wainola.
'He that rides here in his snow-sledge
In his sledge of magic beauty,
With the cuckoos and the bluebirds,
Is the blacksmith, Ilmarinen,
Cometh hither empty-handed,
Only brings some wisdom-sayings.
When they come within the dwelling,
Bring a bowl of honeyed viands,
Bring a pitcher with two handles,
Give to him that thou wouldst follow
Give it to old Wainamoinen,
Him that brings thee countless treasures,
Costly presents in his vessel,
Priceless gems from Kalevala.'
Spake the Northland's lovely daughter,
This the language of the maiden
'Good, indeed, advice maternal,
But I will not wed for riches,
Wed no man for countless treasures;
For his worth I'll choose a husband,
For his youth and fine appearance,
For his noble form and features;
In the olden times the maidens
Were not sold by anxious mothers
To the suitors that they loved not.
I shall choose without his treasures
Ilmarinen for his wisdom,
For his worth and good behavior,
Him that forged the wondrous Sampo,
Hammered thee the lid in colors.'
Spake the hostess of Pohyola:
'Senseless daughter, child of folly,
Thus to choose the ancient blacksmith,
From whose brow drips perspiration,
Evermore to rinse his linen,
Lave his hands, and eyes, and forehead,
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Keep his ancient house in order;
Little use his wit and wisdom
When compared with gold and silver.'
This the answer of the daughter:
'I will never, never, never,
Wed the ancient Wainamoinen
With his gold and priceless jewels;
Never will I be a helpmate
To a hero in his dotage,
Little thanks my compensation.'
Wainamoinen, safely landing
In advance of Ilmarinen,
Pulls his gaily-covered vessel
From the waves upon the sea-beach,
On the cylinders of birch-wood,
On the rollers copper-banded,
Straightway hastens to the guest-room
Of the hostess of Pohyola,
Of the master of the Northland,
Speaks these words upon the threshold
To the famous Maid of Beauty:
'Come with me, thou lovely virgin,
Be my bride and life-companion,
Share with me my joys and sorrows,
Be my honored wife hereafter!'
This the answer of the maiden:
'Hast thou built for me the vessel,
Built for me the ship of magic
From the fragments of the distaff,
From the splinters of the spindle?'
Wainamoinen thus replying:
'I have built the promised vessel,
Built the wondrous ship for sailing,
Firmly joined the parts by magic;
It will weather roughest billows,
Will outlive the winds and waters,
Swiftly glide upon the blue-back
Of the deep and boundless ocean
It will ride the waves in beauty,
Like an airy bubble rising,
Like a cork on lake and river,
Through the angry seas of Northland,
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Through Pohyola's peaceful waters.'
Northland's fair and slender daughter
Gives this answer to her suitor:
'Will not wed a sea-born hero,
Do not care to rock the billows,
Cannot live with such a husband
Storms would bring us pain and trouble,
Winds would rack our hearts and temples;
Therefore thee I cannot follow,
Cannot keep thy home in order,
Cannot be thy life-companion,
Cannot wed old Wainamoinen.'
~ Elias Lönnrot,#NFDB
154:The Kalevala - Rune Xxiii
OSMOTAR THE BRIDE-ADVISER
Now the bride must be instructed,
Who will teach the Maid of Beauty,
Who instruct the Rainbow-daughter?
Osmotar, the wisdom-maiden,
Kalew's fair and lovely virgin,
Osmotar will give instructions
To the bride of Ilmarinen,
To the orphaned bride of Pohya,
Teach her how to live in pleasure,
How to live and reign in glory,
Win her second mother's praises,
Joyful in her husband's dwelling.
Osmotar in modest accents
Thus the anxious bride addresses;
'Maid of Beauty, lovely sister,
Tender plant of Louhi's gardens,
Hear thou what thy sister teaches,
Listen to her sage instructions:
Go thou hence, my much beloved,
Wander far away, my flower,
Travel on enwrapped in colors,
Glide away in silks and ribbons,
From this house renowned and ancient,
From thy father's halls and court-yards
Haste thee to thy husband's village,
Hasten to his mother's household;
Strange, the rooms in other dwellings,
Strange, the modes in other hamlets.
'Full of thought must be thy going,
And thy work be well considered,
Quite unlike thy home in Northland,
On the meadows of thy father,
On the high-lands of thy brother,
Singing through thy mother's fenlands,
Culling daisies with thy sister.
'When thou goest from thy father
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Thou canst take whatever pleases,
Only three things leave behind thee:
Leave thy day-dreams to thy sister,
Leave thou kindness for thy mother,
To thy brother leave thy labors,
Take all else that thou desirest.
Throw away thine incantations,
Cast thy sighing to the pine-trees,
And thy maidenhood to zephyrs,
Thy rejoicings to the couches,
Cast thy trinkets to the children,
And thy leisure to the gray-beards,
Cast all pleasures to thy playmates,
Let them take them to the woodlands,
Bury them beneath the mountain.
'Thou must hence acquire new habits,
Must forget thy former customs,
Mother-love must be forsaken,
Thou must love thy husband's mother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Father-love must be forsaken,
Thou must love thy husband's father,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Brother-love must be forsaken,
Thou must love thy husband's brother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits
Must forget thy former customs,
Sister-love must be forsaken,
Thou must love thy husband's sister,
Lower must thy head be bended,
Kind words only must thou utter.
'Never in the course of ages,
Never while the moonlight glimmers,
Wickedly approach thy household,
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Nor unworthily, thy servants,
Nor thy courts with indiscretion;
Let thy dwellings sing good manners,
And thy walls re-echo virtue.
After mind the hero searches.
And the best of men seek honor,
Seek for honesty and wisdom;
If thy home should be immoral,
If thine inmates fail in virtue,
Then thy gray-beards would be black-dogs
In sheep's clothing at thy firesides;
All thy women would be witches,
Wicked witches in thy chambers,
And thy brothers be as serpents
Crawling through thy husband's mansion;
All thy sisters would be famous
For their evil thoughts and conduct.
'Equal honors must be given
To thy husband's friends and kindred;
Lower must thy head be bended,
Than within thy mother's dwelling,
Than within thy father's guest-room,
When thou didst thy kindred honor.
Ever strive to give good counsel,
Wear a countenance of sunshine,
Bear a head upon thy shoulders
Filled with wise and ancient sayings;
Open bright thine eyes at morning
To behold the silver sunrise,
Sharpen well thine ears at evening,
Thus to hear the rooster crowing;
When he makes his second calling,
Straightway thou must rise from slumber,
Let the aged sleep in quiet;
Should the rooster fail to call thee,
Let the moonbeams touch thine eyelids,
Let the Great Bear be thy keeper
Often go thou and consult them,
Call upon the Moon for counsel,
Ask the Bear for ancient wisdom,
From the stars divine thy future;
When the Great Bear faces southward,
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When his tail is pointing northward,
This is time to break with slumber,
Seek for fire within the ashes,
Place a spark upon the tinder,
Blow the fire through all the fuel.
If no spark is in the ashes,
Then go wake thy hero-husband,
Speak these words to him on waking:
'Give me fire, O my beloved,
Give a single spark, my husband,
Strike a little fire from flintstone,
Let it fall upon my tinder.'
'From the spark, O Bride of Beauty,
Light thy fires, and heat thine ovens,
In the holder, place the torch-light,
Find thy pathway to the stables,
There to fill the empty mangers;
If thy husband's cows be lowing,
If thy brother's steeds be neighing,
Then the cows await thy coming,
And the steeds for thee are calling,
Hasten, stooping through the hurdles,
Hasten through the yards and stables,
Feed thy husband's cows with pleasure,
Feed with care the gentle lambkins,
Give the cows the best of clover,
Hay, and barley, to the horses,
Feed the calves of lowing mothers,
Feed the fowl that fly to meet thee.
'Never rest upon the haymow,
Never sleep within the hurdles,
When the kine are fed and tended,
When the flocks have all been watered;
Hasten thence, my pretty matron,
Like the snow-flakes to thy dwelling,
There a crying babe awaits thee,
Weeping in his couch neglected,
Cannot speak and tell his troubles,
Speechless babe, and weeping infant,
Cannot say that he is hungry,
Whether pain or cold distresses,
Greets with joy his mother's footsteps.
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Afterward repair in silence
To thy husband's rooms and presence,
Early visit thou his chambers,
In thy hand a golden pitcher,
On thine arm a broom of birch-wood,
In thy teeth a lighted taper,
And thyself the fourth in order.
Sweep thou then thy hero's dwelling,
Dust his benches and his tables,
Wash the flooring well with water.
'If the baby of thy sister
Play alone within his corner,
Show the little child attention,
Bathe his eyes and smoothe his ringlets,
Give the infant needed comforts;
Shouldst thou have no bread of barley,
In his hand adjust some trinket.
'Lastly, when the week has ended,
Give thy house a thorough cleansing,
Benches, tables, walls, and ceilings;
What of dust is on the windows,
Sweep away with broom of birch-twigs,
All thy rooms must first be sprinkled,
at the dust may not be scattered,
May not fill the halls and chambers.
Sweep the dust from every crevice,
Leave thou not a single atom;
Also sweep the chimney-corners,
Do not then forget the rafters,
Lest thy home should seem untidy,
Lest thy dwelling seem neglected.
'Hear, O maiden, what I tell thee,
Learn the tenor of my teaching:
Never dress in scanty raiment,
Let thy robes be plain and comely,
Ever wear the whitest linen,
On thy feet wear tidy fur-shoes,
For the glory of thy husband,
For the honor of thy hero.
Tend thou well the sacred sorb-tree,
Guard the mountain-ashes planted
In the court-yard, widely branching;
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Beautiful the mountain-ashes,
Beautiful their leaves and flowers,
Still more beautiful the berries.
Thus the exiled one demonstrates
That she lives to please her husband,
Tries to make her hero happy.
'Like the mouse, have ears for hearing,
Like the hare, have feet for running,
Bend thy neck and turn thy visage
Like the juniper and aspen,
Thus to watch with care thy goings,
Thus to guard thy feet from stumbling,
That thou mayest walk in safety.
'When thy brother comes from plowing,
And thy father from his garners,
And thy husband from the woodlands,
From his chopping, thy beloved,
Give to each a water-basin,
Give to each a linen-towel,
Speak to each some pleasant greeting.
'When thy second mother hastens
To thy husband's home and kindred,
In her hand a corn-meal measure,
Haste thou to the court to meet her,
Happy-hearted, bow before her,
Take the measure from her fingers,
Happy, bear it to thy husband.
'If thou shouldst not see distinctly
What demands thy next attention,
Ask at once thy hero's mother:
'Second mother, my beloved,
Name the task to be accomplished
By thy willing second daughter,
Tell me how to best perform it.'
'This should be the mother's answer:
'This the manner of thy workings,
Thus thy daily work accomplish:
Stamp with diligence and courage,
Grind with will and great endurance,
Set the millstones well in order,
Fill the barley-pans with water,
Knead with strength the dough for baking,
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Place the fagots on the fire-place,
That thy ovens may be heated,
Bake in love the honey-biscuit,
Bake the larger loaves of barley,
Rinse to cleanliness thy platters,
Polish well thy drinking-vessels.
'If thou hearest from the mother,
From the mother of thy husband,
That the cask for meal is empty,
Take the barley from the garners,
Hasten to the rooms for grinding.
When thou grindest in the chambers,
Do not sing in glee and joyance,
Turn the grinding-stones in silence,
To the mill give up thy singing,
Let the side-holes furnish music;
Do not sigh as if unhappy,
Do not groan as if in trouble,
Lest the father think thee weary,
Lest thy husband's mother fancy
That thy groans mean discontentment,
That thy sighing means displeasure.
Quickly sift the flour thou grindest,
Take it to the casks in buckets,
Bake thy hero's bread with pleasure,
Knead the dough with care and patience,
That thy biscuits may be worthy,
That the dough be light and airy.
'Shouldst thou see a bucket empty,
Take the bucket on thy shoulder,
On thine arm a silver-dipper,
Hasten off to fill with water
From the crystal river flowing;
Gracefully thy bucket carry,
Bear it firmly by the handles,
Hasten houseward like the zephyrs,
Hasten like the air of autumn;
Do not tarry near the streamlet,
At the waters do not linger,
That the father may not fancy,
Nor the ancient dame imagine,
That thou hast beheld thine image,
381
Hast admired thy form and features,
Hast admired thy grace and beauty
In the mirror of the fountain,
In the crystal streamlet's eddies.
'Shouldst thou journey to the woodlands,
There to gather aspen-fagots,
Do not go with noise and bustle,
Gather all thy sticks in silence,
Gather quietly the birch-wood,
That the father may not fancy,
And the mother not imagine,
That thy calling came from anger,
And thy noise from discontentment.
'If thou goest to the store-house
To obtain the flour of barley,
Do not tarry on thy journey,
On the threshold do not linger,
That the father may not fancy,
And the mother not imagine,
That the meal thou hast divided
With the women of the village.
'If thou goest to the river,
There to wash thy birchen platters,
There to cleanse thy pans and buckets,
Lest thy work be done in neatness,
Rinse the sides, and rinse the handles,
Rinse thy pitchers to perfection,
Spoons, and forks, and knives, and goblets,
Rinse with care thy cooking-vessels,
Closely watch the food-utensils,
That the dogs may not deface them,
That the kittens may not mar them,
That the eagles may not steal them,
That the children may not break them;
Many children in the village,
Many little heads and fingers,
That will need thy careful watching,
Lest they steal the things of value.
'When thou goest to thy bathing,
Have the brushes ready lying
In the bath-room clean and smokeless;
Do not, linger in the water,
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At thy bathing do not tarry,
That the father may not fancy,
And the mother not imagine,
Thou art sleeping on the benches,
Rolling in the laps of comfort.
'From thy bath, when thou returnest,
To his bathing tempt the father,
Speak to him the words that follow:
'Father of my hero-husband,
Clean are all the bath-room benches,
Everything in perfect order;
Go and bathe for thine enjoyment,
Pour the water all-sufficient,
I will lend thee needed service.'
'When the time has come for spinning,
When the hours arrive for weaving,
Do not ask the help of others,
Look not in the stream for knowledge,
For advice ask not the servants,
Nor the spindle from the sisters,
Nor the weaving-comb from strangers.
Thou thyself must do the spinning,
With thine own hand ply the shuttle,
Loosely wind the skeins of wool-yarn,
Tightly wind the balls of flax-thread,
Wind them deftly in the shuttle
Fit the warp upon the rollers,
Beat the woof and warp together,
Swiftly ply the weaver's shuttle,
Weave good cloth for all thy vestments,
Weave of woolen, webs for dresses
From the finest wool of lambkins,
One thread only in thy weaving.
'Hear thou what I now advise thee:
Brew thy beer from early barley,
From the barley's new-grown kernels,
Brew it with the magic virtues,
Malt it with the sweets of honey,
Do not stir it with the birch-rod,
Stir it with thy skilful fingers;
When thou goest to the garners,
Do not let the seed bring evil,
383
Keep the dogs outside the brew-house,
Have no fear of wolves in hunger,
Nor the wild-beasts of the mountains,
When thou goest to thy brewing,
Shouldst thou wander forth at midnight.
'Should some stranger come to see thee,
Do not worry for his comfort;
Ever does the worthy household
Have provisions for the stranger,
Bits of meat, and bread, and biscuit,
Ample for the dinner-table;
Seat the stranger in thy dwelling,
Speak with him in friendly accents,
Entertain the guest with kindness,
While his dinner is preparing.
When the stranger leaves thy threshold,
When his farewell has been spoken,
Lead him only to the portals,
Do not step without the doorway,
That thy husband may not fancy,
And the mother not imagine,
Thou hast interest in strangers.
'Shouldst thou ever make a journey
To the centre of the village,
There to gain some needed object,
While thou speakest in the hamlet,
Let thy words be full of wisdom,
That thou shamest not thy kindred,
Nor disgrace thy husband's household.
'Village-maidens oft will ask thee,
Mothers of the hamlet question:
'Does thy husband's mother greet thee
As in childhood thou wert greeted,
In thy happy home in Pohya?'
Do not answer in negation,
Say that she has always given
Thee the best of her provisions,
Given thee the kindest greetings,
Though it be but once a season.
'Listen well to what I tell thee:
As thou goest from thy father
To thy husband's distant dwelling,
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Thou must not forget thy mother,
Her that gave thee life and beauty,
Her that nurtured thee in childhood,
Many sleepless nights she nursed thee;
Often were her wants neglected,
Numberless the times she rocked thee;
Tender, true, and ever faithful,
Is the mother to her daughter.
She that can forget her mother,
Can neglect the one that nursed her,
Should not visit Mana's castle,
In the kingdom of Tuoni;
In Manala she would suffer,
Suffer frightful retribution,
Should her mother be forgotten;
Should her dear one be neglected,
Mana's daughters will torment her,
And Tuoni's sons revile her,
They will ask her much as follows:
'How couldst thou forget thy mother,
How neglect the one that nursed thee?
Great the pain thy mother suffered,
Great the trouble that thou gavest
When thy loving mother brought thee
Into life for good or evil,
When she gave thee earth-existence,
When she nursed thee but an infant,
When she fed thee in thy childhood,
When she taught thee what thou knowest,
Mana's punishments upon thee,
Since thy mother is forgotten!''
On the floor a witch was sitting,
Near the fire a beggar-woman,
One that knew the ways of people,
These the words the woman uttered:
'Thus the crow calls in the winter:
'Would that I could be a singer,
And my voice be full of sweetness,
But, alas! my songs are worthless,
Cannot charm the weakest creature;
I must live without the singing
Leave the songs to the musicians,
385
Those that live in golden houses,
In the homes of the beloved;
Homeless therefore I must wander,
Like a beggar in the corn-fields,
And with none to do me honor.'
'Hear now, sister, what I tell thee,
Enter thou thy husband's dwelling,
Follow not his mind, nor fancies,
As my husband's mind I followed;
As a flower was I when budding,
Sprouting like a rose in spring-time,
Growing like a slender maiden,
Like the honey-gem of glory,
Like the playmates of my childhood,
Like the goslings of my father,
Like the blue-ducks of my mother,
Like my brother's water-younglings,
Like the bullfinch of my sister;
Grew I like the heather-flower,
Like the berry of the meadow,
Played upon the sandy sea-shore,
Rocked upon the fragrant upland,
Sang all day adown the valley,
Thrilled with song the hill and mountain,
Filled with mirth the glen and forest,
Lived and frolicked in the woodlands.
'Into traps are foxes driven
By the cruel pangs of hunger,
Into traps, the cunning ermine;
Thus are maidens wooed and wedded,
In their hunger for a husband.
Thus created is the virgin,
Thus intended is the daughter,
Subject to her hero-husband,
Subject also to his mother.
'Then to other fields I hastened,
Like a berry from the border,
Like a cranberry for roasting,
Like a strawberry for dinner;
All the elm-trees seemed to wound me,
All the aspens tried to cut me,
All the willows tried to seize me,
386
All the forest tried to slay me.
Thus I journeyed to my husband,
Thus I travelled to his dwelling,
Was conducted to his mother.
Then there were, as was reported,
Six compartments built of pine-wood,
Twelve the number of the chambers,
And the mansion filled with garrets,
Studding all the forest border,
Every by-way filled with flowers
Streamlets bordered fields of barley,
Filled with wheat and corn, the islands,
Grain in plenty in the garners,
Rye unthrashed in great abundance,
Countless sums of gold and silver,
Other treasures without number.
When my journey I had ended,
When my hand at last was given,
Six supports were in his cabin,
Seven poles as rails for fencing.
Filled with anger were the bushes,
All the glens disfavor showing,
All the walks were lined with trouble,
Evil-tempered were the forests,
Hundred words of evil import,
Hundred others of unkindness.
Did not let this bring me sorrow,
Long I sought to merit praises,
Long I hoped to find some favor,
Strove most earnestly for kindness;
When they led me to the cottage,
There I tried some chips to gather,
Knocked my head against the portals
Of my husband's lowly dwelling.
'At the door were eyes of strangers,
Sable eyes at the partition,
Green with envy in his cabin,
Evil heroes in the back-ground,
From each mouth the fire was streaming,
From each tongue the sparks out-flying,
Flying from my second father,
From his eyeballs of unkindness.
387
Did not let this bring me trouble,
Tried to live in peace and pleasure,
In the homestead of my husband
In humility I suffered,
Skipped about with feet of rabbit,
Flew along with steps of ermine,
Late I laid my head to slumber,
Early rose as if a servant,
Could not win a touch of kindness,
Could not merit love nor honor,
Though I had dislodged the mountains,
Though the rocks had I torn open.
'Then I turned the heavy millstone,
Ground the flour with care and trouble,
Ground the barley-grains in patience,
That the mother might be nourished,
That her fury-throat might swallow
What might please her taste and fancy,.
From her gold-enamelled platters,
From the corner of her table.
'As for me, the hapless daughter,
All my flour was from the siftings
On the table near the oven,
Ate I from the birchen ladle;
Oftentimes I brought the mosses
Gathered in the lowland meadows,
Baked them into loaves for eating;
Brought the water from the river,
Thirsty, sipped it from the dipper,
Ate of fish the worst in Northland,
Only smelts, and worthless swimmers,
Rocking in my boat of birch-bark
Never ate I fish or biscuit
From my second mother's fingers.
'Blades I gathered in the summers,
Twisted barley-stalks in winter,
Like the laborers of heroes,
Like the servants sold in bondage.
In the thresh-house of my husband,
Evermore to me was given
Flail the heaviest and longest,
And to me the longest lever,
388
On the shore the strongest beater,
And the largest rake in haying;
No one thought my burden heavy,
No one thought that I could suffer,
Though the best of heroes faltered,
And the strongest women weakened.
'Thus did I, a youthful housewife,
At the right time, all my duties,
Drenched myself in perspiration,
Hoped for better times to follow;
But I only rose to labor,
Knowing neither rest nor pleasure.
I was blamed by all the household,
With ungrateful tongues derided,
Now about my awkward manners,
Now about my reputation,
Censuring my name and station.
Words unkind were heaped upon me,
Fell like hail on me unhappy,
Like the frightful flash of lightning,
Like the heavy hail of spring-time.
I did not despair entirely,
Would have lived to labor longer
Underneath the tongue of malice,
But the old-one spoiled Lay temper,
Roused my deepest ire and hatred
Then my husband grew a wild-bear,
Grew a savage wolf of Hisi.
'Only then I turned to weeping,
And reflected in my chamber,
Thought of all my former pleasures
Of the happy days of childhood,
Of my father's joyful firesides,
Of my mother's peaceful cottage,
Then began I thus to murmur:
'Well thou knowest, ancient mother,
How to make thy sweet bud blossom,
How to train thy tender shootlet;
Did not know where to ingraft it,
Placed, alas! the little scion
In the very worst of places,
On an unproductive hillock,
389
In the hardest limb of cherry,
Where it could not grow and flourish,
There to waste its life, in weeping,
Hapless in her lasting sorrow.
Worthier had been my conduct
In the regions that are better,
In the court-yards that are wider,
In compartments that are larger,
Living with a loving husband,
Living with a stronger hero.
Shoe of birch-bark was my suitor,
Shoe of Laplanders, my husband;
Had the body of a raven,
Voice and visage like the jackdaw,
Mouth and claws were from the black-wolf,
The remainder from the wild-bear.
Had I known that mine affianced
Was a fount of pain and evil,
To the hill-side I had wandered,
Been a pine-tree on the highway,
Been a linden on the border,
Like the black-earth made my visage,
Grown a beard of ugly bristles,
Head of loam and eyes of lightning,
For my ears the knots of birches,
For my limbs the trunks of aspens.'
'This the manner of my singing
In the hearing of my husband,
Thus I sang my cares and murmurs
Thus my hero near the portals
Heard the wail of my displeasure,
Then he hastened to my chamber;
Straightway knew I by his footsteps,
Well concluded be was angry,
'Knew it by his steps implanted;
All the winds were still in slumber,
Yet his sable locks stood endwise,
Fluttered round his bead in fury,
While his horrid mouth stood open;
To and fro his eyes were rolling,
In one hand a branch of willow,
In the other, club of alder;
390
Struck at me with might of malice,
Aimed the cudgel at my forehead.
'When the evening had descended,
When my husband thought of slumber
Took he in his hand a whip-stalk,
With a whip-lash made of deer-skin,
Was not made for any other,
Only made for me unhappy.
'When at last I begged for mercy,
When I sought a place for resting,
By his side I courted slumber,
Merciless, my husband seized me,
Struck me with his arm of envy,
Beat me with the whip of torture,
Deer-skin-lash and stalk of birch-wood.
From his couch I leaped impulsive,
In the coldest night of winter,
But the husband fleetly followed,
Caught me at the outer portals,
Grasped me by my streaming tresses,
Tore my ringlets from my forehead,
Cast in curls upon the night-winds
To the freezing winds of winter.
What the aid that I could ask for,
Who could free me from my torment?
Made I shoes of magic metals,
Made the straps of steel and copper,
Waited long without the dwelling,
Long I listened at the portals,
Hoping he would end his ravings,
Hoping he would sink to slumber,
But he did not seek for resting,
Did not wish to still his fury.
Finally the cold benumbed me;
As an outcast from his cabin,
I was forced to walk and wander,
When I, freezing, well reflected,
This the substance of my thinking:
'I will not endure this torture,
Will not bear this thing forever,
Will not bear this cruel treatment,
Such contempt I will not suffer
391
In the wicked tribe of Hisi,
In this nest of evil Piru.'
'Then I said, 'Farewell forever!'
To my husband's home and kindred,
To my much-loved home and husband;
Started forth upon a journey
To my father's distant hamlet,
Over swamps and over snow-fields,
Wandered over towering mountains,
Over hills and through the valleys,
To my brother's welcome meadows,
To my sister's home and birthplace.
'There were rustling withered pine-trees.
Finely-feathered firs were fading,
Countless ravens there were cawing,
All the jackdaws harshly singing,
This the chorus of the ravens:
'Thou hast here a home no longer,
This is not the happy homestead
Of thy merry days of childhood.'
'Heeding not this woodland chorus,
Straight I journeyed to the dwelling
Of my childhood's friend and brother,
Where the portals spake in concord,
And the hills and valleys answered,
This their saddened song and echo:
'Wherefore dost thou journey hither,
Comest thou for joy or sorrow,
To thy father's old dominions?
Here unhappiness awaits thee,
Long departed is thy father,
Dead and gone to visit Ukko,
Dead and gone thy faithful mother,
And thy brother is a stranger,
While his wife is chill and heartless!'
'Heeding not these many warnings,
Straightway to my brother's cottage
Were my weary feet directed,
Laid my hand upon the door-latch
Of my brother's dismal cottage,
But the latch was cold and lifeless.
When I wandered to the chamber,
392
When I waited at the doorway,
There I saw the heartless hostess,
But she did not give me greeting,
Did not give her hand in welcome;
Proud, alas! was I unhappy,
Did not make the first advances,
Did not offer her my friendship,
And my hand I did not proffer;
Laid my hand upon the oven,
All its former warmth departed!
On the coal I laid my fingers,
All the latent heat had left it.
On the rest-bench lay my brother,
Lay outstretched before the fire-place,
Heaps of soot upon his shoulders,
Heaps of ashes on his forehead.
Thus the brother asked the stranger,
Questioned thus his guest politely:
'Tell me what thy name and station,
Whence thou comest o'er the waters!'
This the answer that I gave him:
Hast thou then forgot thy sister,
Does my brother not remember,
Not recall his mother's daughter
We are children of one mother,
Of one bird were we the fledgelings,
In one nest were hatched and nurtured.'
'Then the brother fell to weeping,
From his eyes great tear-drops flowing,
To his wife the brother whispered,
Whispered thus unto the housewife.
'Bring thou beer to give my sister,
Quench her thirst and cheer her spirits.'
'Full of envy, brought the sister
Only water filled with evil,
Water for the infant's eyelids,
Soap and water from the bath-room.
'To his wife the brother whispered,
Whispered thus unto the housewife:
'Bring thou salmon for my sister,
For my sister so long absent,
Thus to still her pangs of hunger.'
393
'Thereupon the wife obeying,
Brought, in envy, only cabbage
That the children had been eating,
And the house-dogs had been licking,
Leavings of the black-dog's breakfast.
'Then I left my brother's dwelling,
Hastened to the ancient homestead,
To my mother's home deserted;
Onward, onward did I wander,
Hastened onward by the cold-sea,
Dragged my body on in anguish,
To the cottage-doors of strangers,
To the unfamiliar portals,
For the care of the neglected,
For the needy of the village,
For the children poor and orphaned.
'There are many wicked people,
Many slanderers of women,
Many women evil-minded,
That malign their sex through envy.
Many they with lips of evil,
That belie the best of maidens,
Prove the innocent are guilty
Of the worst of misdemeanors,
Speak aloud in tones unceasing,
Speak, alas! with wicked motives,
Spread the follies of their neighbors
Through the tongues of self-pollution.
Very few, indeed, the people
That will feed the poor and hungry,
That will bid the stranger welcome;
Very few to treat her kindly,
Innocent, and lone, and needy,
Few to offer her a shelter
From the chilling storms of winter,
When her skirts with ice are stiffened,
Coats of ice her only raiment!
'Never in my days of childhood,
Never in my maiden life-time,
Never would believe the story
Though a hundred tongues had told
Though a thousand voices sang it,
394
That such evil things could happen,
That such misery could follow,
Such misfortune could befall one
Who has tried to do her duty,
Who has tried to live uprightly,
Tried to make her people happy.'
Thus the young bride was instructed,
Beauteous Maiden of the Rainbow,
Thus by Osmotar, the teacher.
~ Elias Lönnrot,#NFDB
155:I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.
II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.
III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.
IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.
V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
And so she journey'd, sleeping or awake,
Save when, for healthful exercise and air,
She chose to "promener l'aile," or take
A pigeon's somerset, for sport or change's sake.
VI.
"Dear Princess, do not whisper me so loud,"
Quoth Corallina, nurse and confidant,
"Do not you see there, lurking in a cloud,
Close at your back, that sly old Crafticant?
He hears a whisper plainer than a rant:
Dry up your tears, and do not look so blue;
He's Elfinan's great state-spy militant,
His running, lying, flying foot-man too,--
Dear mistress, let him have no handle against you!
VII.
"Show him a mouse's tail, and he will guess,
With metaphysic swiftness, at the mouse;
Show him a garden, and with speed no less,
He'll surmise sagely of a dwelling house,
And plot, in the same minute, how to chouse
The owner out of it; show him a" --- "Peace!
Peace! nor contrive thy mistress' ire to rouse!"
Return'd the Princess, "my tongue shall not cease
Till from this hated match I get a free release.
VIII.
"Ah, beauteous mortal!" "Hush!" quoth Coralline,
"Really you must not talk of him, indeed."
"You hush!" reply'd the mistress, with a shinee
Of anger in her eyes, enough to breed
In stouter hearts than nurse's fear and dread:
'Twas not the glance itself made nursey flinch,
But of its threat she took the utmost heed;
Not liking in her heart an hour-long pinch,
Or a sharp needle run into her back an inch.
IX.
So she was silenc'd, and fair Bellanaine,
Writhing her little body with ennui,
Continued to lament and to complain,
That Fate, cross-purposing, should let her be
Ravish'd away far from her dear countree;
That all her feelings should be set at nought,
In trumping up this match so hastily,
With lowland blood; and lowland blood she thought
Poison, as every staunch true-born Imaian ought.
X.
Sorely she griev'd, and wetted three or four
White Provence rose-leaves with her faery tears,
But not for this cause; -- alas! she had more
Bad reasons for her sorrow, as appears
In the fam'd memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak'd up ev'ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal's Head.
XI.
Where, after a long hypercritic howl
Against the vicious manners of the age,
He goes on to expose, with heart and soul,
What vice in this or that year was the rage,
Backbiting all the world in every page;
With special strictures on the horrid crime,
(Section'd and subsection'd with learning sage,)
Of faeries stooping on their wings sublime
To kiss a mortal's lips, when such were in their prime.
XII.
Turn to the copious index, you will find
Somewhere in the column, headed letter B,
The name of Bellanaine, if you're not blind;
Then pray refer to the text, and you will see
An article made up of calumny
Against this highland princess, rating her
For giving way, so over fashionably,
To this new-fangled vice, which seems a burr
Stuck in his moral throat, no coughing e'er could stir.
XIII.
There he says plainly that she lov'd a man!
That she around him flutter'd, flirted, toy'd,
Before her marriage with great Elfinan;
That after marriage too, she never joy'd
In husband's company, but still employ'd
Her wits to 'scape away to Angle-land;
Where liv'd the youth, who worried and annoy'd
Her tender heart, and its warm ardours fann'd
To such a dreadful blaze, her side would scorch her hand.
XIV.
But let us leave this idle tittle-tattle
To waiting-maids, and bed-room coteries,
Nor till fit time against her fame wage battle.
Poor Elfinan is very ill at ease,
Let us resume his subject if you please:
For it may comfort and console him much,
To rhyme and syllable his miseries;
Poor Elfinan! whose cruel fate was such,
He sat and curs'd a bride he knew he could not touch.
XV.
Soon as (according to his promises)
The bridal embassy had taken wing,
And vanish'd, bird-like, o'er the suburb trees,
The Emperor, empierc'd with the sharp sting
Of love, retired, vex'd and murmuring
Like any drone shut from the fair bee-queen,
Into his cabinet, and there did fling
His limbs upon a sofa, full of spleen,
And damn'd his House of Commons, in complete chagrin.
XVI.
"I'll trounce some of the members," cry'd the Prince,
"I'll put a mark against some rebel names,
I'll make the Opposition-benches wince,
I'll show them very soon, to all their shames,
What 'tis to smother up a Prince's flames;
That ministers should join in it, I own,
Surprises me! -- they too at these high games!
Am I an Emperor? Do I wear a crown?
Imperial Elfinan, go hang thyself or drown!
XVII.
"I'll trounce 'em! -- there's the square-cut chancellor,
His son shall never touch that bishopric;
And for the nephew of old Palfior,
I'll show him that his speeches made me sick,
And give the colonelcy to Phalaric;
The tiptoe marquis, mortal and gallant,
Shall lodge in shabby taverns upon tick;
And for the Speaker's second cousin's aunt,
She sha'n't be maid of honour,-- by heaven that she sha'n't!
XVIII.
"I'll shirk the Duke of A.; I'll cut his brother;
I'll give no garter to his eldest son;
I won't speak to his sister or his mother!
The Viscount B. shall live at cut-and-run;
But how in the world can I contrive to stun
That fellow's voice, which plagues me worse than any,
That stubborn fool, that impudent state-dun,
Who sets down ev'ry sovereign as a zany,--
That vulgar commoner, Esquire Biancopany?
XIX.
"Monstrous affair! Pshaw! pah! what ugly minx
Will they fetch from Imaus for my bride?
Alas! my wearied heart within me sinks,
To think that I must be so near ally'd
To a cold dullard fay,--ah, woe betide!
Ah, fairest of all human loveliness!
Sweet Bertha! what crime can it be to glide
About the fragrant plaintings of thy dress,
Or kiss thine eyes, or count thy locks, tress after tress?"
XX.
So said, one minute's while his eyes remaind'
Half lidded, piteous, languid, innocent;
But, in a wink, their splendour they regain'd,
Sparkling revenge with amorous fury blent.
Love thwarted in bad temper oft has vent:
He rose, he stampt his foot, he rang the bell,
And order'd some death-warrants to be sent
For signature: -- somewhere the tempest fell,
As many a poor fellow does not live to tell.
XXI.
"At the same time, Eban," -- (this was his page,
A fay of colour, slave from top to toe,
Sent as a present, while yet under age,
From the Viceroy of Zanguebar, -- wise, slow,
His speech, his only words were "yes" and "no,"
But swift of look, and foot, and wing was he,--)
"At the same time, Eban, this instant go
To Hum the soothsayer, whose name I see
Among the fresh arrivals in our empery.
XXII.
"Bring Hum to me! But stay -- here, take my ring,
The pledge of favour, that he not suspect
Any foul play, or awkward murdering,
Tho' I have bowstrung many of his sect;
Throw in a hint, that if he should neglect
One hour, the next shall see him in my grasp,
And the next after that shall see him neck'd,
Or swallow'd by my hunger-starved asp,--
And mention ('tis as well) the torture of the wasp."
XXIII.
These orders given, the Prince, in half a pet,
Let o'er the silk his propping elbow slide,
Caught up his little legs, and, in a fret,
Fell on the sofa on his royal side.
The slave retreated backwards, humble-ey'd,
And with a slave-like silence clos'd the door,
And to old Hun thro' street and alley hied;
He "knew the city," as we say, of yore,
And for short cuts and turns, was nobody knew more.
XXIV.
It was the time when wholesale dealers close
Their shutters with a moody sense of wealth,
But retail dealers, diligent, let loose
The gas (objected to on score of health),
Convey'd in little solder'd pipes by stealth,
And make it flare in many a brilliant form,
That all the powers of darkness it repell'th,
Which to the oil-trade doth great scaith and harm,
And superseded quite the use of the glow-worm.
XXV.
Eban, untempted by the pastry-cooks,
(Of pastry he got store within the palace,)
With hasty steps, wrapp'd cloak, and solemn looks,
Incognito upon his errand sallies,
His smelling-bottle ready for the allies;
He pass'd the Hurdy-gurdies with disdain,
Vowing he'd have them sent on board the gallies;
Just as he made his vow; it 'gan to rain,
Therefore he call'd a coach, and bade it drive amain.
XXVI.
"I'll pull the string," said he, and further said,
"Polluted Jarvey! Ah, thou filthy hack!
Whose springs of life are all dry'd up and dead,
Whose linsey-woolsey lining hangs all slack,
Whose rug is straw, whose wholeness is a crack;
And evermore thy steps go clatter-clitter;
Whose glass once up can never be got back,
Who prov'st, with jolting arguments and bitter,
That 'tis of modern use to travel in a litter.
XXVII.
"Thou inconvenience! thou hungry crop
For all corn! thou snail-creeper to and fro,
Who while thou goest ever seem'st to stop,
And fiddle-faddle standest while you go;
I' the morning, freighted with a weight of woe,
Unto some lazar-house thou journeyest,
And in the evening tak'st a double row
Of dowdies, for some dance or party drest,
Besides the goods meanwhile thou movest east and west.
XXVIII.
"By thy ungallant bearing and sad mien,
An inch appears the utmost thou couldst budge;
Yet at the slightest nod, or hint, or sign,
Round to the curb-stone patient dost thou trudge,
School'd in a beckon, learned in a nudge,
A dull-ey'd Argus watching for a fare;
Quiet and plodding, thou dost bear no grudge
To whisking Tilburies, or Phaetons rare,
Curricles, or Mail-coaches, swift beyond compare."
XXIX.
Philosophizing thus, he pull'd the check,
And bade the Coachman wheel to such a street,
Who, turning much his body, more his neck,
Louted full low, and hoarsely did him greet:
"Certes, Monsieur were best take to his feet,
Seeing his servant can no further drive
For press of coaches, that to-night here meet,
Many as bees about a straw-capp'd hive,
When first for April honey into faint flowers they dive."
XXX.
Eban then paid his fare, and tiptoe went
To Hum's hotel; and, as he on did pass
With head inclin'd, each dusky lineament
Show'd in the pearl-pav'd street, as in a glass;
His purple vest, that ever peeping was
Rich from the fluttering crimson of his cloak,
His silvery trowsers, and his silken sash
Tied in a burnish'd knot, their semblance took
Upon the mirror'd walls, wherever he might look.
XXXI.
He smil'd at self, and, smiling, show'd his teeth,
And seeing his white teeth, he smil'd the more;
Lifted his eye-brows, spurn'd the path beneath,
Show'd teeth again, and smil'd as heretofore,
Until he knock'd at the magician's door;
Where, till the porter answer'd, might be seen,
In the clear panel more he could adore,--
His turban wreath'd of gold, and white, and green,
Mustachios, ear-ring, nose-ring, and his sabre keen.
XXXII.
"Does not your master give a rout to-night?"
Quoth the dark page. "Oh, no!" return'd the Swiss,
"Next door but one to us, upon the right,
The Magazin des Modes now open is
Against the Emperor's wedding;--and, sir, this
My master finds a monstrous horrid bore;
As he retir'd, an hour ago I wis,
With his best beard and brimstone, to explore
And cast a quiet figure in his second floor.
XXXIII.
"Gad! he's oblig'd to stick to business!
For chalk, I hear, stands at a pretty price;
And as for aqua vitae -- there's a mess!
The dentes sapientiae of mice,
Our barber tells me too, are on the rise,--
Tinder's a lighter article, -- nitre pure
Goes off like lightning, -- grains of Paradise
At an enormous figure! -- stars not sure! --
Zodiac will not move without a slight douceur!
XXXIV.
"Venus won't stir a peg without a fee,
And master is too partial, entre nous,
To" -- "Hush -- hush!" cried Eban, "sure that is he
Coming down stairs, -- by St. Bartholomew!
As backwards as he can, -- is't something new?
Or is't his custom, in the name of fun?"
"He always comes down backward, with one shoe"--
Return'd the porter -- "off, and one shoe on,
Like, saving shoe for sock or stocking, my man John!"
XXXV.
It was indeed the great Magician,
Feeling, with careful toe, for every stair,
And retrograding careful as he can,
Backwards and downwards from his own two pair:
"Salpietro!" exclaim'd Hum, "is the dog there?
He's always in my way upon the mat!"
"He's in the kitchen, or the Lord knows where,"--
Reply'd the Swiss, -- "the nasty, yelping brat!"
"Don't beat him!" return'd Hum, and on the floor came pat.
XXXVI.
Then facing right about, he saw the Page,
And said: "Don't tell me what you want, Eban;
The Emperor is now in a huge rage,--
'Tis nine to one he'll give you the rattan!
Let us away!" Away together ran
The plain-dress'd sage and spangled blackamoor,
Nor rested till they stood to cool, and fan,
And breathe themselves at th' Emperor's chamber door,
When Eban thought he heard a soft imperial snore.
XXXVII.
"I thought you guess'd, foretold, or prophesy'd,
That's Majesty was in a raving fit?"
"He dreams," said Hum, "or I have ever lied,
That he is tearing you, sir, bit by bit."
"He's not asleep, and you have little wit,"
Reply'd the page; "that little buzzing noise,
Whate'er your palmistry may make of it,
Comes from a play-thing of the Emperor's choice,
From a Man-Tiger-Organ, prettiest of his toys."
XXXVIII.
Eban then usher'd in the learned Seer:
Elfinan's back was turn'd, but, ne'ertheless,
Both, prostrate on the carpet, ear by ear,
Crept silently, and waited in distress,
Knowing the Emperor's moody bitterness;
Eban especially, who on the floor 'gan
Tremble and quake to death,-- he feared less
A dose of senna-tea or nightmare Gorgon
Than the Emperor when he play'd on his Man-Tiger-Organ.
XXXIX.
They kiss'd nine times the carpet's velvet face
Of glossy silk, soft, smooth, and meadow-green,
Where the close eye in deep rich fur might trace
A silver tissue, scantly to be seen,
As daisies lurk'd in June-grass, buds in green;
Sudden the music ceased, sudden the hand
Of majesty, by dint of passion keen,
Doubled into a common fist, went grand,
And knock'd down three cut glasses, and his best ink-stand.
XL.
Then turning round, he saw those trembling two:
"Eban," said he, "as slaves should taste the fruits
Of diligence, I shall remember you
To-morrow, or next day, as time suits,
In a finger conversation with my mutes,--
Begone! -- for you, Chaldean! here remain!
Fear not, quake not, and as good wine recruits
A conjurer's spirits, what cup will you drain?
Sherry in silver, hock in gold, or glass'd champagne?"
XLI.
"Commander of the faithful!" answer'd Hum,
"In preference to these, I'll merely taste
A thimble-full of old Jamaica rum."
"A simple boon!" said Elfinan; "thou may'st
Have Nantz, with which my morning-coffee's lac'd."
"I'll have a glass of Nantz, then," -- said the Seer,--
"Made racy -- (sure my boldness is misplac'd!)--
With the third part -- (yet that is drinking dear!)--
Of the least drop of crme de citron, crystal clear."
XLII.
"I pledge you, Hum! and pledge my dearest love,
My Bertha!" "Bertha! Bertha!" cry'd the sage,
"I know a many Berthas!" "Mine's above
All Berthas!" sighed the Emperor. "I engage,"
Said Hum, "in duty, and in vassalage,
To mention all the Berthas in the earth;--
There's Bertha Watson, -- and Miss Bertha Page,--
This fam'd for languid eyes, and that for mirth,--
There's Bertha Blount of York, -- and Bertha Knox of Perth."
XLIII.
"You seem to know" -- "I do know," answer'd Hum,
"Your Majesty's in love with some fine girl
Named Bertha; but her surname will not come,
Without a little conjuring." "'Tis Pearl,
'Tis Bertha Pearl! What makes my brain so whirl?
And she is softer, fairer than her name!"
"Where does she live?" ask'd Hum. "Her fair locks curl
So brightly, they put all our fays to shame!--
Live? -- O! at Canterbury, with her old grand-dame."
XLIV.
"Good! good!" cried Hum, "I've known her from a child!
She is a changeling of my management;
She was born at midnight in an Indian wild;
Her mother's screams with the striped tiger's blent,
While the torch-bearing slaves a halloo sent
Into the jungles; and her palanquin,
Rested amid the desert's dreariment,
Shook with her agony, till fair were seen
The little Bertha's eyes ope on the stars serene."
XLV.
"I can't say," said the monarch; "that may be
Just as it happen'd, true or else a bam!
Drink up your brandy, and sit down by me,
Feel, feel my pulse, how much in love I am;
And if your science is not all a sham.
Tell me some means to get the lady here."
"Upon my honour!" said the son of Cham,
"She is my dainty changeling, near and dear,
Although her story sounds at first a little queer."
XLVI.
"Convey her to me, Hum, or by my crown,
My sceptre, and my cross-surmounted globe,
I'll knock you" -- "Does your majesty mean -- down?
No, no, you never could my feelings probe
To such a depth!" The Emperor took his robe,
And wept upon its purple palatine,
While Hum continued, shamming half a sob,--
"In Canterbury doth your lady shine?
But let me cool your brandy with a little wine."
XLVII.
Whereat a narrow Flemish glass he took,
That since belong'd to Admiral De Witt,
Admir'd it with a connoisseuring look,
And with the ripest claret crowned it,
And, ere the lively bead could burst and flit,
He turn'd it quickly, nimbly upside down,
His mouth being held conveniently fit
To catch the treasure: "Best in all the town!"
He said, smack'd his moist lips, and gave a pleasant frown.
XLVIII.
"Ah! good my Prince, weep not!" And then again
He filled a bumper. "Great Sire, do not weep!
Your pulse is shocking, but I'll ease your pain."
"Fetch me that Ottoman, and prithee keep
Your voice low," said the Emperor; "and steep
Some lady's-fingers nice in Candy wine;
And prithee, Hum, behind the screen do peep
For the rose-water vase, magician mine!
And sponge my forehead, -- so my love doth make me pine.
XLIX.
"Ah, cursed Bellanaine!" "Don't think of her,"
Rejoin'd the Mago, "but on Bertha muse;
For, by my choicest best barometer,
You shall not throttled be in marriage noose;
I've said it, Sire; you only have to choose
Bertha or Bellanaine." So saying, he drew
From the left pocket of his threadbare hose,
A sampler hoarded slyly, good as new,
Holding it by his thumb and finger full in view.
L.
"Sire, this is Bertha Pearl's neat handy-work,
Her name, see here, Midsummer, ninety-one."
Elfinan snatch'd it with a sudden jerk,
And wept as if he never would have done,
Honouring with royal tears the poor homespun;
Whereon were broider'd tigers with black eyes,
And long-tail'd pheasants, and a rising sun,
Plenty of posies, great stags, butterflies
Bigger than stags,-- a moon,-- with other mysteries.
LI.
The monarch handled o'er and o'er again
Those day-school hieroglyphics with a sigh;
Somewhat in sadness, but pleas'd in the main,
Till this oracular couplet met his eye
Astounded -- Cupid, I do thee defy!
It was too much. He shrunk back in his chair,
Grew pale as death, and fainted -- very nigh!
"Pho! nonsense!" exclaim'd Hum, "now don't despair;
She does not mean it really. Cheer up, hearty -- there!
LII.
"And listen to my words. You say you won't,
On any terms, marry Miss Bellanaine;
It goes against your conscience -- good! Well, don't.
You say you love a mortal. I would fain
Persuade your honour's highness to refrain
From peccadilloes. But, Sire, as I say,
What good would that do? And, to be more plain,
You would do me a mischief some odd day,
Cut off my ears and limbs, or head too, by my fay!
LIII.
"Besides, manners forbid that I should pass any
Vile strictures on the conduct of a prince
Who should indulge his genius, if he has any,
Not, like a subject, foolish matters mince.
Now I think on't, perhaps I could convince
Your Majesty there is no crime at all
In loving pretty little Bertha, since
She's very delicate,-- not over tall, --
A fairy's hand, and in the waist why -- very small."
LIV.
"Ring the repeater, gentle Hum!" "'Tis five,"
Said the gentle Hum; "the nights draw in apace;
The little birds I hear are all alive;
I see the dawning touch'd upon your face;
Shall I put out the candles, please your Grace?"
"Do put them out, and, without more ado,
Tell me how I may that sweet girl embrace,--
How you can bring her to me." "That's for you,
Great Emperor! to adventure, like a lover true."
LV.
"I fetch her!" -- "Yes, an't like your Majesty;
And as she would be frighten'd wide awake
To travel such a distance through the sky,
Use of some soft manoeuvre you must make,
For your convenience, and her dear nerves' sake;
Nice way would be to bring her in a swoon,
Anon, I'll tell what course were best to take;
You must away this morning." "Hum! so soon?"
"Sire, you must be in Kent by twelve o'clock at noon."
LVI.
At this great Caesar started on his feet,
Lifted his wings, and stood attentive-wise.
"Those wings to Canterbury you must beat,
If you hold Bertha as a worthy prize.
Look in the Almanack -- Moore never lies --
April the twenty- fourth, -- this coming day,
Now breathing its new bloom upon the skies,
Will end in St. Mark's Eve; -- you must away,
For on that eve alone can you the maid convey."
LVII.
Then the magician solemnly 'gan to frown,
So that his frost-white eyebrows, beetling low,
Shaded his deep green eyes, and wrinkles brown
Plaited upon his furnace-scorched brow:
Forth from his hood that hung his neck below,
He lifted a bright casket of pure gold,
Touch'd a spring-lock, and there in wool or snow,
Charm'd into ever freezing, lay an old
And legend-leaved book, mysterious to behold.
LVIII.
"Take this same book,-- it will not bite you, Sire;
There, put it underneath your royal arm;
Though it's a pretty weight it will not tire,
But rather on your journey keep you warm:
This is the magic, this the potent charm,
That shall drive Bertha to a fainting fit!
When the time comes, don't feel the least alarm,
But lift her from the ground, and swiftly flit
Back to your palace. * * * * * * * * * *
LIX.
"What shall I do with that same book?" "Why merely
Lay it on Bertha's table, close beside
Her work-box, and 'twill help your purpose dearly;
I say no more." "Or good or ill betide,
Through the wide air to Kent this morn I glide!"
Exclaim'd the Emperor. "When I return,
Ask what you will, -- I'll give you my new bride!
And take some more wine, Hum; -- O Heavens! I burn
To be upon the wing! Now, now, that minx I spurn!"
LX.
"Leave her to me," rejoin'd the magian:
"But how shall I account, illustrious fay!
For thine imperial absence? Pho! I can
Say you are very sick, and bar the way
To your so loving courtiers for one day;
If either of their two archbishops' graces
Should talk of extreme unction, I shall say
You do not like cold pig with Latin phrases,
Which never should be used but in alarming cases."
LXI.
"Open the window, Hum; I'm ready now!"
Zooks!" exclaim'd Hum, as up the sash he drew.
"Behold, your Majesty, upon the brow
Of yonder hill, what crowds of people!" "Whew!
The monster's always after something new,"
Return'd his Highness, "they are piping hot
To see my pigsney Bellanaine. Hum! do
Tighten my belt a little, -- so, so, -- not
Too tight, -- the book! -- my wand! -- so, nothing is forgot."
LXII.
"Wounds! how they shout!" said Hum, "and there, -- see, see!
Th' ambassador's return'd from Pigmio!
The morning's very fine, -- uncommonly!
See, past the skirts of yon white cloud they go,
Tinging it with soft crimsons! Now below
The sable-pointed heads of firs and pines
They dip, move on, and with them moves a glow
Along the forest side! Now amber lines
Reach the hill top, and now throughout the valley shines."
LXIII.
"Why, Hum, you're getting quite poetical!
Those 'nows' you managed in a special style."
"If ever you have leisure, Sire, you shall
See scraps of mine will make it worth your while,
Tid-bits for Phoebus! -- yes, you well may smile.
Hark! hark! the bells!" "A little further yet,
Good Hum, and let me view this mighty coil."
Then the great Emperor full graceful set
His elbow for a prop, and snuff'd his mignonnette.
LXIV.
The morn is full of holiday; loud bells
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
In echoing places; when the winds respire,
Light flags stream out like gauzy tongues of fire;
A metropolitan murmur, lifeful, warm,
Comes from the northern suburbs; rich attire
Freckles with red and gold the moving swarm;
While here and there clear trumpets blow a keen alarm.
LXV.
And now the fairy escort was seen clear,
Like the old pageant of Aurora's train,
Above a pearl-built minister, hovering near;
First wily Crafticant, the chamberlain,
Balanc'd upon his grey-grown pinions twain,
His slender wand officially reveal'd;
Then black gnomes scattering sixpences like rain;
Then pages three and three; and next, slave-held,
The Imaian 'scutcheon bright, -- one mouse in argent field.
LXVI.
Gentlemen pensioners next; and after them,
A troop of winged Janizaries flew;
Then slaves, as presents bearing many a gem;
Then twelve physicians fluttering two and two;
And next a chaplain in a cassock new;
Then Lords in waiting; then (what head not reels
For pleasure?) -- the fair Princess in full view,
Borne upon wings, -- and very pleas'd she feels
To have such splendour dance attendance at her heels.
LXVII.
For there was more magnificence behind:
She wav'd her handkerchief. "Ah, very grand!"
Cry'd Elfinan, and clos'd the window-blind;
"And, Hum, we must not shilly-shally stand,--
Adieu! adieu! I'm off for Angle-land!
I say, old Hocus, have you such a thing
About you, -- feel your pockets, I command,--
I want, this instant, an invisible ring,--
Thank you, old mummy! -- now securely I take wing."
LXVIII.
Then Elfinan swift vaulted from the floor,
And lighted graceful on the window-sill;
Under one arm the magic book he bore,
The other he could wave about at will;
Pale was his face, he still look'd very ill;
He bow'd at Bellanaine, and said -- "Poor Bell!
Farewell! farewell! and if for ever! still
For ever fare thee well!" -- and then he fell
A laughing! -- snapp'd his fingers! -- shame it is to tell!
LXIX.
"By'r Lady! he is gone!" cries Hum, "and I --
(I own it) -- have made too free with his wine;
Old Crafticant will smoke me. By-the-bye!
This room is full of jewels as a mine,--
Dear valuable creatures, how ye shine!
Sometime to-day I must contrive a minute,
If Mercury propitiously incline,
To examine his scutoire, and see what's in i,
For of superfluous diamonds I as well may thin it.
LXX.
"The Emperor's horrid bad; yes, that's my cue!"
Some histories say that this was Hum's last speech;
That, being fuddled, he went reeling through
The corridor, and scarce upright could reach
The stair-head; that being glutted as a leech,
And us'd, as we ourselves have just now said,
To manage stairs reversely, like a peach
Too ripe, he fell, being puzzled in his head
With liquor and the staircase: verdict -- found stone dead.
LXXI.
This as a falsehood Crafticanto treats;
And as his style is of strange elegance,
Gentle and tender, full of soft conceits,
(Much like our Boswell's,) we will take a glance
At his sweet prose, and, if we can, make dance
His woven periods into careless rhyme;
O, little faery Pegasus! rear -- prance --
Trot round the quarto -- ordinary time!
March, little Pegasus, with pawing hoof sublime!
LXXII.
Well, let us see, -- tenth book and chapter nine,--
Thus Crafticant pursues his diary:--
"'Twas twelve o'clock at night, the weather fine,
Latitude thirty-six; our scouts descry
A flight of starlings making rapidly
Towards Thibet. Mem.: -- birds fly in the night;
From twelve to half-past -- wings not fit to fly
For a thick fog -- the Princess sulky quite;
Call'd for an extra shawl, and gave her nurse a bite.
LXXIII.
"Five minutes before one -- brought down a moth
With my new double-barrel -- stew'd the thighs
And made a very tolerable broth --
Princess turn'd dainty, to our great surprise,
Alter'd her mind, and thought it very nice;
Seeing her pleasant, try'd her with a pun,
She frown'd; a monstrous owl across us flies
About this time, -- a sad old figure of fun;
Bad omen -- this new match can't be a happy one.
LXXIV.
"From two to half-past, dusky way we made,
Above the plains of Gobi, -- desert, bleak;
Beheld afar off, in the hooded shade
Of darkness, a great mountain (strange to speak),
Spitting, from forth its sulphur-baken peak,
A fan-shap'd burst of blood-red, arrowy fire,
Turban'd with smoke, which still away did reek,
Solid and black from that eternal pyre,
Upon the laden winds that scantly could respire.
LXXV.
"Just upon three o'clock a falling star
Created an alarm among our troop,
Kill'd a man-cook, a page, and broke a jar,
A tureen, and three dishes, at one swoop,
Then passing by the princess, singed her hoop:
Could not conceive what Coralline was at,
She clapp'd her hands three times and cry'd out 'Whoop!'
Some strange Imaian custom. A large bat
Came sudden 'fore my face, and brush'd against my hat.
LXXVI.
"Five minutes thirteen seconds after three,
Far in the west a mighty fire broke out,
Conjectur'd, on the instant, it might be,
The city of Balk -- 'twas Balk beyond all doubt:
A griffin, wheeling here and there about,
Kept reconnoitring us -- doubled our guard --
Lighted our torches, and kept up a shout,
Till he sheer'd off -- the Princess very scar'd --
And many on their marrow-bones for death prepar'd.
LXXVII.
"At half-past three arose the cheerful moon--
Bivouack'd for four minutes on a cloud --
Where from the earth we heard a lively tune
Of tambourines and pipes, serene and loud,
While on a flowery lawn a brilliant crowd
Cinque-parted danc'd, some half asleep reposed
Beneath the green-fan'd cedars, some did shroud
In silken tents, and 'mid light fragrance dozed,
Or on the opera turf their soothed eyelids closed.
LXXVIII.
"Dropp'd my gold watch, and kill'd a kettledrum--
It went for apoplexy -- foolish folks! --
Left it to pay the piper -- a good sum --
(I've got a conscience, maugre people's jokes,)
To scrape a little favour; 'gan to coax
Her Highness' pug-dog -- got a sharp rebuff --
She wish'd a game at whist -- made three revokes --
Turn'd from myself, her partner, in a huff;
His majesty will know her temper time enough.
LXXIX.
"She cry'd for chess -- I play'd a game with her --
Castled her king with such a vixen look,
It bodes ill to his Majesty -- (refer
To the second chapter of my fortieth book,
And see what hoity-toity airs she took).
At half-past four the morn essay'd to beam --
Saluted, as we pass'd, an early rook --
The Princess fell asleep, and, in her dream,
Talk'd of one Master Hubert, deep in her esteem.
LXXX.
"About this time, -- making delightful way,--
Shed a quill-feather from my larboard wing --
Wish'd, trusted, hop'd 'twas no sign of decay --
Thank heaven, I'm hearty yet! -- 'twas no such thing:--
At five the golden light began to spring,
With fiery shudder through the bloomed east;
At six we heard Panthea's churches ring --
The city wall his unhiv'd swarms had cast,
To watch our grand approach, and hail us as we pass'd.
LXXXI.
"As flowers turn their faces to the sun,
So on our flight with hungry eyes they gaze,
And, as we shap'd our course, this, that way run,
With mad-cap pleasure, or hand-clasp'd amaze;
Sweet in the air a mild-ton'd music plays,
And progresses through its own labyrinth;
Buds gather'd from the green spring's middle-days,
They scatter'd, -- daisy, primrose, hyacinth,--
Or round white columns wreath'd from capital to plinth.
LXXXII.
"Onward we floated o'er the panting streets,
That seem'd throughout with upheld faces paved;
Look where we will, our bird's-eye vision meets
Legions of holiday; bright standards waved,
And fluttering ensigns emulously craved
Our minute's glance; a busy thunderous roar,
From square to square, among the buildings raved,
As when the sea, at flow, gluts up once more
The craggy hollowness of a wild reefed shore.
LXXXIII.
"And 'Bellanaine for ever!' shouted they,
While that fair Princess, from her winged chair,
Bow'd low with high demeanour, and, to pay
Their new-blown loyalty with guerdon fair,
Still emptied at meet distance, here and there,
A plenty horn of jewels. And here I
(Who wish to give the devil her due) declare
Against that ugly piece of calumny,
Which calls them Highland pebble-stones not worth a fly.
LXXXIV.
"Still 'Bellanaine!' they shouted, while we glide
'Slant to a light Ionic portico,
The city's delicacy, and the pride
Of our Imperial Basilic; a row
Of lords and ladies, on each hand, make show
Submissive of knee-bent obeisance,
All down the steps; and, as we enter'd, lo!
The strangest sight -- the most unlook'd for chance --
All things turn'd topsy-turvy in a devil's dance.
LXXXV.
"'Stead of his anxious Majesty and court
At the open doors, with wide saluting eyes,
Conges and scrape-graces of every sort,
And all the smooth routine of gallantries,
Was seen, to our immoderate surprise,
A motley crowd thick gather'd in the hall,
Lords, scullions, deputy-scullions, with wild cries
Stunning the vestibule from wall to wall,
Where the Chief Justice on his knees and hands doth crawl.
LXXXVI.
"Counts of the palace, and the state purveyor
Of moth's-down, to make soft the royal beds,
The Common Council and my fool Lord Mayor
Marching a-row, each other slipshod treads;
Powder'd bag-wigs and ruffy-tuffy heads
Of cinder wenches meet and soil each other;
Toe crush'd with heel ill-natur'd fighting breeds,
Frill-rumpling elbows brew up many a bother,
And fists in the short ribs keep up the yell and pother.
LXXXVII.
"A Poet, mounted on the Court-Clown's back,
Rode to the Princess swift with spurring heels,
And close into her face, with rhyming clack,
Began a Prothalamion; -- she reels,
She falls, she faints! while laughter peels
Over her woman's weakness. 'Where!' cry'd I,
'Where is his Majesty?' No person feels
Inclin'd to answer; wherefore instantly
I plung'd into the crowd to find him or die.
LXXXVIII.
"Jostling my way I gain'd the stairs, and ran
To the first landing, where, incredible!
I met, far gone in liquor, that old man,
That vile impostor Hum. ----"
So far so well,--
For we have prov'd the Mago never fell
Down stairs on Crafticanto's evidence;
And therefore duly shall proceed to tell,
Plain in our own original mood and tense,
The sequel of this day, though labour 'tis immense!
* * * * * * * * * * * * * * * * * * * * * *
'Lord Houghton first gave this composition in the Life, Letters &c. (1848), and in Volume II, page 51, refers to it as "the last of Keats's literary labours." The poet says in a letter to Brown, written after the first attack of blood-spitting,
"I shall soon begin upon 'Lucy Vaughan Lloyd.' I do not begin composition yet, being willing, in case of a relapse, to have nothing to reproach myself with."
I presume, therefore, that the composition may be assigned to the Spring or Summer of 1820. In August of that year, Leigh Hunt seems to have had the manuscript in his hands, for, in the first part of his article on Coaches, which fills The Indicator for the 23rd of August 1820, he quotes four stanzas and four lines from the poem, as by "a very good poetess, of the name of Lucy V---- L----, who has favoured us with a sight of a manuscript poem," &c. The stanzas quoted are XXV to XXIX. Lord Houghton gives, in the Aldine Edition of 1876, the following note by Brown: --
"This Poem was written subject to future amendments and omissions: it was begun without a plan, and without any prescribed laws for the supernatural machinery."
His Lordship adds an interesting passage from a letter written to him by Lord Jeffrey: --
"There are beautiful passages and lines of ineffable sweetness in these minor pieces, and strange outbursts of individual fancy and felicitous expressions in the 'Cap and Bells,' though the general extravagance of the poetry is more suited to an Italian than to an English taste."
The late Dante Gabriel Rossetti wrote to me of this poem as "the only unworthy stuff Keats ever wrote except an early trifle or two," and again as "the to me hateful Cap and Bells." I confess that it seems to me entirely unworthy of Keats, though certainly a proof, if proof were needed, of his versatility. It has the character of a mere intellectual and mechanical exercise, performed at a time when those higher forces constituting the mainspring of poetry were exhausted; but even so I find it difficult to figure Keats as doing anything so aimless as this appears when regarded solely as an effort of the fancy. He probably had a satirical under-current of meaning; and it needs no great stretch of the imagination to see the illicit passion of Emperor Elfinan, and his detestation for his authorized bride-elect, an oblique glance at the martial relations of George IV.
It is not difficult to suggest prototypes for many of the faery-land statesmen against whom Elfinan vows vengeance; and there are many particulars in which earthly incidents are too thickly strewn to leave one in the settled belief that the poet's programme was wholly unearthly.--- H. B. F.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished
,#NFDB
156:TO J. MILSAND, OF DIJON.
1840.
BOOK THE FIRST.
Who will, may hear Sordello's story told:
His story? Who believes me shall behold
The man, pursue his fortunes to the end,
Like me: for as the friendless-people's friend
Spied from his hill-top once, despite the din
And dust of multitudes, Pentapolin
Named o' the Naked Arm, I single out
Sordello, compassed murkily about
With ravage of six long sad hundred years.
Only believe me. Ye believe?
Appears
Verona . . . Never,I should warn you first,
Of my own choice had this, if not the worst
Yet not the best expedient, served to tell
A story I could body forth so well
By making speak, myself kept out of view,
The very man as he was wont to do,
And leaving you to say the rest for him.
Since, though I might be proud to see the dim
Abysmal past divide its hateful surge,
Letting of all men this one man emerge
Because it pleased me, yet, that moment past,
I should delight in watching first to last
His progress as you watch it, not a whit
More in the secret than yourselves who sit
Fresh-chapleted to listen. But it seems
Your setters-forth of unexampled themes,
Makers of quite new men, producing them,
Would best chalk broadly on each vesture's hem
The wearer's quality; or take their stand,
Motley on back and pointing-pole in hand,
Beside him. So, for once I face ye, friends,
Summoned together from the world's four ends,
Dropped down from heaven or cast up from hell,
To hear the story I propose to tell.
Confess now, poets know the dragnet's trick,
Catching the dead, if fate denies the quick,
And shaming her; 't is not for fate to choose
Silence or song because she can refuse
Real eyes to glisten more, real hearts to ache
Less oft, real brows turn smoother for our sake:
I have experienced something of her spite;
But there 's a realm wherein she has no right
And I have many lovers. Say; but few
Friends fate accords me? Here they are: now view
The host I muster! Many a lighted face
Foul with no vestige of the grave's disgrace;
What else should tempt them back to taste our air
Except to see how their successors fare?
My audience! and they sit, each ghostly man
Striving to look as living as he can,
Brother by breathing brother; thou art set,
Clear-witted critic, by . . . but I 'll not fret
A wondrous soul of them, nor move death's spleen
Who loves not to unlock them. Friends! I mean
The living in good earnestye elect
Chiefly for lovesuppose not I reject
Judicious praise, who contrary shall peep,
Some fit occasion, forth, for fear ye sleep,
To glean your bland approvals. Then, appear,
Verona! staythou, spirit, come not near
Nownot this time desert thy cloudy place
To scare me, thus employed, with that pure face!
I need not fear this audience, I make free
With them, but then this is no place for thee!
The thunder-phrase of the Athenian, grown
Up out of memories of Marathon,
Would echo like his own sword's griding screech
Braying a Persian shield,the silver speech
Of Sidney's self, the starry paladin,
Turn intense as a trumpet sounding in
The knights to tilt,wert thou to hear! What heart
Have I to play my puppets, bear my part
Before these worthies?
Lo, the past is hurled
In twain: up-thrust, out-staggering on the world,
Subsiding into shape, a darkness rears
Its outline, kindles at the core, appears
Verona. 'T is six hundred years and more
Since an event. The Second Friedrich wore
The purple, and the Third Honorius filled
The holy chair. That autumn eve was stilled:
A last remains of sunset dimly burned
O'er the far forests, like a torch-flame turned
By the wind back upon its bearer's hand
In one long flare of crimson; as a brand,
The woods beneath lay black. A single eye
From all Verona cared for the soft sky.
But, gathering in its ancient market-place,
Talked group with restless group; and not a face
But wrath made livid, for among them were
Death's staunch purveyors, such as have in care
To feast him. Fear had long since taken root
In every breast, and now these crushed its fruit,
The ripe hate, like a wine: to note the way
It worked while each grew drunk! Men grave and grey
Stood, with shut eyelids, rocking to and fro,
Letting the silent luxury trickle slow
About the hollows where a heart should be;
But the young gulped with a delirious glee
Some foretaste of their first debauch in blood
At the fierce news: for, be it understood,
Envoys apprised Verona that her prince
Count Richard of Saint Boniface, joined since
A year with Azzo, Este's Lord, to thrust
Taurello Salinguerra, prime in trust
With Ecelin Romano, from his seat
Ferrara,over zealous in the feat
And stumbling on a peril unaware,
Was captive, trammelled in his proper snare,
They phrase it, taken by his own intrigue.
Immediate succour from the Lombard League
Of fifteen cities that affect the Pope,
For Azzo, therefore, and his fellow-hope
Of the Guelf cause, a glory overcast!
Men's faces, late agape, are now aghast.
"Prone is the purple pavis; Este makes
"Mirth for the devil when he undertakes
"To play the Ecelin; as if it cost
"Merely your pushing-by to gain a post
"Like his! The patron tells ye, once for all,
"There be sound reasons that preferment fall
"On our beloved" . . .
"Duke o' the Rood, why not?"
Shouted an Estian, "grudge ye such a lot?
"The hill-cat boasts some cunning of her own,
"Some stealthy trick to better beasts unknown,
"That quick with prey enough her hunger blunts,
"And feeds her fat while gaunt the lion hunts."
"Taurello," quoth an envoy, "as in wane
"Dwelt at Ferrara. Like an osprey fain
"To fly but forced the earth his couch to make
"Far inland, till his friend the tempest wake,
"Waits he the Kaiser's coming; and as yet
"That fast friend sleeps, and he too sleeps: but let
"Only the billow freshen, and he snuffs
"The aroused hurricane ere it enroughs
"The sea it means to cross because of him.
"Sinketh the breeze? His hope-sick eye grows dim;
"Creep closer on the creature! Every day
"Strengthens the Pontiff; Ecelin, they say,
"Dozes now at Oliero, with dry lips
"Telling upon his perished finger-tips
"How many ancestors are to depose
"Ere he be Satan's Viceroy when the doze
"Deposits him in hell. So, Guelfs rebuilt
"Their houses; not a drop of blood was spilt
"When Cino Bocchimpane chanced to meet
"Buccio VirtGod's wafer, and the street
"Is narrow! Tutti Santi, think, a-swarm
"With Ghibellins, and yet he took no harm!
"This could not last. Off Salinguerra went
"To Padua, Podest, 'with pure intent,'
"Said he, 'my presence, judged the single bar
"'To permanent tranquillity, may jar
"'No longer'so! his back is fairly turned?
"The pair of goodly palaces are burned,
"The gardens ravaged, and our Guelfs laugh, drunk
"A week with joy. The next, their laughter sunk
"In sobs of blood, for they found, some strange way,
"Old Salinguerra back againI say,
"Old Salinguerra in the town once more
"Uprooting, overturning, flame before,
"Blood fetlock-high beneath him. Azzo fled;
"Who 'scaped the carnage followed; then the dead
"Were pushed aside from Salinguerra's throne,
"He ruled once more Ferrara, all alone,
"Till Azzo, stunned awhile, revived, would pounce
"Coupled with Boniface, like lynx and ounce,
"On the gorged bird. The burghers ground their teeth
"To see troop after troop encamp beneath
"I' the standing corn thick o'er the scanty patch
"It took so many patient months to snatch
"Out of the marsh; while just within their walls
"Men fed on men. At length Taurello calls
"A parley: 'let the Count wind up the war!'
"Richard, light-hearted as a plunging star,
"Agrees to enter for the kindest ends
"Ferrara, flanked with fifty chosen friends,
"No horse-boy more, for fear your timid sort
"Should fly Ferrara at the bare report.
"Quietly through the town they rode, jog-jog;
"'Ten, twenty, thirty,curse the catalogue
"'Of burnt Guelf houses! Strange, Taurello shows
"'Not the least sign of life'whereat arose
"A general growl: 'How? With his victors by?
"'I and my Veronese? My troops and I?
"'Receive us, was your word?' So jogged they on,
"Nor laughed their host too openly: once gone
"Into the trap!"
Six hundred years ago!
Such the time's aspect and peculiar woe
(Yourselves may spell it yet in chronicles,
Albeit the worm, our busy brother, drills
His sprawling path through letters anciently
Made fine and large to suit some abbot's eye)
When the new Hohenstauffen dropped the mask,
Flung John of Brienne's favour from his casque,
Forswore crusading, had no mind to leave
Saint Peter's proxy leisure to retrieve
Losses to Otho and to Barbaross,
Or make the Alps less easy to recross;
And, thus confirming Pope Honorius' fear,
Was excommunicate that very year.
"The triple-bearded Teuton come to life!"
Groaned the Great League; and, arming for the strife,
Wide Lombardy, on tiptoe to begin,
Took up, as it was Guelf or Ghibellin,
Its cry: what cry?
"The Emperor to come!"
His crowd of feudatories, all and some,
That leapt down with a crash of swords, spears, shields,
One fighter on his fellow, to our fields,
Scattered anon, took station here and there,
And carried it, till now, with little care
Cannot but cry for him; how else rebut
Us longer?cliffs, an earthquake suffered jut
In the mid-sea, each domineering crest
Which nought save such another throe can wrest
From out (conceive) a certain chokeweed grown
Since o'er the waters, twine and tangle thrown
Too thick, too fast accumulating round,
Too sure to over-riot and confound
Ere long each brilliant islet with itself,
Unless a second shock save shoal and shelf,
Whirling the sea-drift wide: alas, the bruised
And sullen wreck! Sunlight to be diffused
For that!sunlight, 'neath which, a scum at first,
The million fibres of our chokeweed nurst
Dispread themselves, mantling the troubled main,
And, shattered by those rocks, took hold again,
So kindly blazed itthat same blaze to brood
O'er every cluster of the multitude
Still hazarding new clasps, ties, filaments,
An emulous exchange of pulses, vents
Of nature into nature; till some growth
Unfancied yet, exuberantly clothe
A surface solid now, continuous, one:
"The Pope, for us the People, who begun
"The People, carries on the People thus,
"To keep that Kaiser off and dwell with us!"
See you?
Or say, Two Principles that live
Each fitly by its Representative.
"Hill-cat"who called him so?the gracefullest
Adventurer, the ambiguous stranger-guest
Of Lombardy (sleek but that ruffling fur,
Those talons to their sheath!) whose velvet purr
Soothes jealous neighbours when a Saxon scout
Arpo or Yoland, is it?one without
A country or a name, presumes to couch
Beside their noblest; until men avouch
That, of all Houses in the Trevisan,
Conrad descries no fitter, rear or van,
Than Ecelo! They laughed as they enrolled
That name at Milan on the page of gold,
Godego's lord,Ramon, Marostica,
Cartiglion, Bassano, Loria,
And every sheep cote on the Suabian's fief!
No laughter when his son, "the Lombard Chief"
Forsooth, as Barbarossa's path was bent
To Italy along the Vale of Trent,
Welcomed him at Roncaglia! Sadness now
The hamlets nested on the Tyrol's brow,
The Asolan and Euganean hills,
The Rhetian and the Julian, sadness fills
Them all, for Ecelin vouchsafes to stay
Among and care about them; day by day
Choosing this pinnacle, the other spot,
A castle building to defend a cot,
A cot built for a castle to defend,
Nothing but castles, castles, nor an end
To boasts how mountain ridge may join with ridge
By sunken gallery and soaring bridge.
He takes, in brief, a figure that beseems
The griesliest nightmare of the Church's dreams,
A Signory firm-rooted, unestranged
From its old interests, and nowise changed
By its new neighbourhood: perchance the vaunt
Of Otho, "my own Este shall supplant
"Your Este," come to pass. The sire led in
A son as cruel; and this Ecelin
Had sons, in turn, and daughters sly and tall
And curling and compliant; but for all
Romano (so they styled him) throve, that neck
Of his so pinched and white, that hungry cheek
Proved 't was some fiend, not him, the man's-flesh went
To feed: whereas Romano's instrument,
Famous Taurello Salinguerra, sole
I' the world, a tree whose boughs were slipt the bole
Successively, why should not he shed blood
To further a design? Men understood
Living was pleasant to him as he wore
His careless surcoat, glanced some missive o'er,
Propped on his truncheon in the public way,
While his lord lifted writhen hands to pray,
Lost at Oliero's convent.
Hill-cats, face
Our Azzo, our Guelf Lion! Why disgrace
A worthiness conspicuous near and far
(Atii at Rome while free and consular,
Este at Padua who repulsed the Hun)
By trumpeting the Church's princely son?
Styled Patron of Rovigo's Polesine,
Ancona's march, Ferrara's . . . ask, in fine,
Our chronicles, commenced when some old monk
Found it intolerable to be sunk
(Vexed to the quick by his revolting cell)
Quite out of summer while alive and well:
Ended when by his mat the Prior stood,
'Mid busy promptings of the brotherhood,
Striving to coax from his decrepit brains
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your fingerthusyou push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any . . . does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
For hefor he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,launch once more
That lustre? Dante, pacer of the shore
Where glutted hell disgorgeth filthiest gloom,
Unbitten by its whirring sulphur-spume
Or whence the grieved and obscure waters slope
Into a darkness quieted by hope;
Plucker of amaranths grown beneath God's eye
In gracious twilights where his chosen lie,
I would do this! If I should falter now!
In Mantua territory half is slough,
Half pine-tree forest; maples, scarlet oaks
Breed o'er the river-beds; even Mincio chokes
With sand the summer through: but 't is morass
In winter up to Mantua walls. There was,
Some thirty years before this evening's coil,
One spot reclaimed from the surrounding spoil,
Goito; just a castle built amid
A few low mountains; firs and larches hid
Their main defiles, and rings of vineyard bound
The rest. Some captured creature in a pound,
Whose artless wonder quite precludes distress,
Secure beside in its own loveliness,
So peered with airy head, below, above,
The castle at its toils, the lapwings love
To glean among at grape-time. Pass within.
A maze of corridors contrived for sin,
Dusk winding-stairs, dim galleries got past,
You gain the inmost chambers, gain at last
A maple-panelled room: that haze which seems
Floating about the panel, if there gleams
A sunbeam over it, will turn to gold
And in light-graven characters unfold
The Arab's wisdom everywhere; what shade
Marred them a moment, those slim pillars made,
Cut like a company of palms to prop
The roof, each kissing top entwined with top,
Leaning together; in the carver's mind
Some knot of bacchanals, flushed cheek combined
With straining forehead, shoulders purpled, hair
Diffused between, who in a goat-skin bear
A vintage; graceful sister-palms! But quick
To the main wonder, now. A vault, see; thick
Black shade about the ceiling, though fine slits
Across the buttress suffer light by fits
Upon a marvel in the midst. Nay, stoop
A dullish grey-streaked cumbrous font, a group
Round it,each side of it, where'er one sees,
Upholds it; shrinking Caryatides
Of just-tinged marble like Eve's lilied flesh
Beneath her maker's finger when the fresh
First pulse of life shot brightening the snow.
The font's edge burthens every shoulder, so
They muse upon the ground, eyelids half closed;
Some, with meek arms behind their backs disposed,
Some, crossed above their bosoms, some, to veil
Their eyes, some, propping chin and cheek so pale,
Some, hanging slack an utter helpless length
Dead as a buried vestal whose whole strength
Goes when the grate above shuts heavily.
So dwell these noiseless girls, patient to see,
Like priestesses because of sin impure
Penanced for ever, who resigned endure,
Having that once drunk sweetness to the dregs.
And every eve, Sordello's visit begs
Pardon for them: constant as eve he came
To sit beside each in her turn, the same
As one of them, a certain space: and awe
Made a great indistinctness till he saw
Sunset slant cheerful through the buttress-chinks,
Gold seven times globed; surely our maiden shrinks
And a smile stirs her as if one faint grain
Her load were lightened, one shade less the stain
Obscured her forehead, yet one more bead slipt
From off the rosary whereby the crypt
Keeps count of the contritions of its charge?
Then with a step more light, a heart more large,
He may depart, leave her and every one
To linger out the penance in mute stone.
Ah, but Sordello? 'T is the tale I mean
To tell you.
In this castle may be seen,
On the hill tops, or underneath the vines,
Or eastward by the mound of firs and pines
That shuts out Mantua, still in loneliness,
A slender boy in a loose page's dress,
Sordello: do but look on him awhile
Watching ('t is autumn) with an earnest smile
The noisy flock of thievish birds at work
Among the yellowing vineyards; see him lurk
('T is winter with its sullenest of storms)
Beside that arras-length of broidered forms,
On tiptoe, lifting in both hands a light
Which makes yon warrior's visage flutter bright
Ecelo, dismal father of the brood,
And Ecelin, close to the girl he wooed,
Auria, and their Child, with all his wives
From Agnes to the Tuscan that survives,
Lady of the castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
(The delicate nostril swerving wide and fine,
A sharp and restless lip, so well combine
With that calm brow) a soul fit to receive
Delight at every sense; you can believe
Sordello foremost in the regal class
Nature has broadly severed from her mass
Of men, and framed for pleasure, as she frames
Some happy lands, that have luxurious names,
For loose fertility; a footfall there
Suffices to upturn to the warm air
Half-germinating spices; mere decay
Produces richer life; and day by day
New pollen on the lily-petal grows,
And still more labyrinthine buds the rose.
You recognise at once the finer dress
Of flesh that amply lets in loveliness
At eye and ear, while round the rest is furled
(As though she would not trust them with her world)
A veil that shows a sky not near so blue,
And lets but half the sun look fervid through.
How can such love?like souls on each full-fraught
Discovery brooding, blind at first to aught
Beyond its beauty, till exceeding love
Becomes an aching weight; and, to remove
A curse that haunts such naturesto preclude
Their finding out themselves can work no good
To what they love nor make it very blest
By their endeavour,they are fain invest
The lifeless thing with life from their own soul,
Availing it to purpose, to control,
To dwell distinct and have peculiar joy
And separate interests that may employ
That beauty fitly, for its proper sake.
Nor rest they here; fresh births of beauty wake
Fresh homage, every grade of love is past,
With every mode of loveliness: then cast
Inferior idols off their borrowed crown
Before a coming glory. Up and down
Runs arrowy fire, while earthly forms combine
To throb the secret forth; a touch divine
And the scaled eyeball owns the mystic rod;
Visibly through his garden walketh God.
So fare they. Now revert. One character
Denotes them through the progress and the stir,
A need to blend with each external charm,
Bury themselves, the whole heart wide and warm,
In something not themselves; they would belong
To what they worshipstronger and more strong
Thus prodigally fedwhich gathers shape
And feature, soon imprisons past escape
The votary framed to love and to submit
Nor ask, as passionate he kneels to it,
Whence grew the idol's empery. So runs
A legend; light had birth ere moons and suns,
Flowing through space a river and alone,
Till chaos burst and blank the spheres were strown
Hither and thither, foundering and blind:
When into each of them rushed lightto find
Itself no place, foiled of its radiant chance.
Let such forego their just inheritance!
For there 's a class that eagerly looks, too,
On beauty, but, unlike the gentler crew,
Proclaims each new revealment born a twin
With a distinctest consciousness within,
Referring still the quality, now first
Revealed, to their own soulits instinct nursed
In silence, now remembered better, shown
More thoroughly, but not the less their own;
A dream come true; the special exercise
Of any special function that implies
The being fair, or good, or wise, or strong,
Dormant within their nature all along
Whose fault? So, homage, other souls direct
Without, turns inward. "How should this deject
"Thee, soul?" they murmur; "wherefore strength be quelled
"Because, its trivial accidents withheld,
"Organs are missed that clog the world, inert,
"Wanting a will, to quicken and exert,
"Like thineexistence cannot satiate,
"Cannot surprise? Laugh thou at envious fate,
"Who, from earth's simplest combination stampt
"With individualityuncrampt
"By living its faint elemental life,
"Dost soar to heaven's complexest essence, rife
"With grandeurs, unaffronted to the last,
"Equal to being all!"
In truth? Thou hast
Life, thenwilt challenge life for us: our race
Is vindicated so, obtains its place
In thy ascent, the first of us; whom we
May follow, to the meanest, finally,
With our more bounded wills?
Ah, but to find
A certain mood enervate such a mind,
Counsel it slumber in the solitude
Thus reached nor, stooping, task for mankind's good
Its nature just as life and time accord
"Too narrow an arena to reward
"Emprizethe world's occasion worthless since
"Not absolutely fitted to evince
"Its mastery!" Or if yet worse befall,
And a desire possess it to put all
That nature forth, forcing our straitened sphere
Contain it,to display completely here
The mastery another life should learn,
Thrusting in time eternity's concern,
So that Sordello. . . .
Fool, who spied the mark
Of leprosy upon him, violet-dark
Already as he loiters? Born just now,
With the new century, beside the glow
And efflorescence out of barbarism;
Witness a Greek or two from the abysm
That stray through Florence-town with studious air,
Calming the chisel of that Pisan pair:
If Nicolo should carve a Christus yet!
While at Siena is Guidone set,
Forehead on hand; a painful birth must be
Matured ere Saint Eufemia's sacristy
Or transept gather fruits of one great gaze
At the moon: look you! The same orange haze,
The same blue stripe round thatand, in the midst,
Thy spectral whiteness, Mother-maid, who didst
Pursue the dizzy painter!
Woe, then, worth
Any officious babble letting forth
The leprosy confirmed and ruinous
To spirit lodged in a contracted house!
Go back to the beginning, rather; blend
It gently with Sordello's life; the end
Is piteous, you may see, but much between
Pleasant enough. Meantime, some pyx to screen
The full-grown pest, some lid to shut upon
The goblin! So they found at Babylon,
(Colleagues, mad Lucius and sage Antonine)
Sacking the city, by Apollo's shrine,
In rummaging among the rarities,
A certain coffer; he who made the prize
Opened it greedily; and out there curled
Just such another plague, for half the world
Was stung. Crawl in then, hag, and couch asquat,
Keeping that blotchy bosom thick in spot
Until your time is ripe! The coffer-lid
Is fastened, and the coffer safely hid
Under the Loxian's choicest gifts of gold.
Who will may hear Sordello's story told,
And how he never could remember when
He dwelt not at Goito. Calmly, then,
About this secret lodge of Adelaide's
Glided his youth away; beyond the glades
On the fir-forest border, and the rim
Of the low range of mountain, was for him
No other world: but this appeared his own
To wander through at pleasure and alone.
The castle too seemed empty; far and wide
Might he disport; only the northern side
Lay under a mysterious interdict
Slight, just enough remembered to restrict
His roaming to the corridors, the vault
Where those font-bearers expiate their fault,
The maple-chamber, and the little nooks
And nests, and breezy parapet that looks
Over the woods to Mantua: there he strolled.
Some foreign women-servants, very old,
Tended and crept about himall his clue
To the world's business and embroiled ado
Distant a dozen hill-tops at the most.
And first a simple sense of life engrossed
Sordello in his drowsy Paradise;
The day's adventures for the day suffice
Its constant tribute of perceptions strange,
With sleep and stir in healthy interchange,
Suffice, and leave him for the next at ease
Like the great palmer-worm that strips the trees,
Eats the life out of every luscious plant,
And, when September finds them sere or scant,
Puts forth two wondrous winglets, alters quite,
And hies him after unforeseen delight.
So fed Sordello, not a shard dissheathed;
As ever, round each new discovery, wreathed
Luxuriantly the fancies infantine
His admiration, bent on making fine
Its novel friend at any risk, would fling
In gay profusion forth: a ficklest king,
Confessed those minions!eager to dispense
So much from his own stock of thought and sense
As might enable each to stand alone
And serve him for a fellow; with his own,
Joining the qualities that just before
Had graced some older favourite. Thus they wore
A fluctuating halo, yesterday
Set flicker and to-morrow filched away,
Those upland objects each of separate name,
Each with an aspect never twice the same,
Waxing and waning as the new-born host
Of fancies, like a single night's hoar-frost,
Gave to familiar things a face grotesque;
Only, preserving through the mad burlesque
A grave regard. Conceive! the orpine patch
Blossoming earliest on the log-house thatch
The day those archers wound along the vines
Related to the Chief that left their lines
To climb with clinking step the northern stair
Up to the solitary chambers where
Sordello never came. Thus thrall reached thrall;
He o'er-festooning every interval,
As the adventurous spider, making light
Of distance, shoots her threads from depth to height,
From barbican to battlement: so flung
Fantasies forth and in their centre swung
Our architect,the breezy morning fresh
Above, and merry,all his waving mesh
Laughing with lucid dew-drops rainbow-edged.
This world of ours by tacit pact is pledged
To laying such a spangled fabric low
Whether by gradual brush or gallant blow.
But its abundant will was baulked here: doubt
Rose tardily in one so fenced about
From most that nurtures judgment,care and pain:
Judgment, that dull expedient we are fain,
Less favoured, to adopt betimes and force
Stead us, diverted from our natural course
Of joyscontrive some yet amid the dearth,
Vary and render them, it may be, worth
Most we forego. Suppose Sordello hence
Selfish enough, without a moral sense
However feeble; what informed the boy
Others desired a portion in his joy?
Or say a ruthful chance broke woof and warp
A heron's nest beat down by March winds sharp,
A fawn breathless beneath the precipice,
A bird with unsoiled breast and unfilmed eyes
Warm in the brakecould these undo the trance
Lapping Sordello? Not a circumstance
That makes for you, friend Naddo! Eat fern-seed
And peer beside us and report indeed
If (your word) "genius" dawned with throes and stings
And the whole fiery catalogue, while springs,
Summers, and winters quietly came and went.
Time put at length that period to content,
By right the world should have imposed: bereft
Of its good offices, Sordello, left
To study his companions, managed rip
Their fringe off, learn the true relationship,
Core with its crust, their nature with his own:
Amid his wild-wood sights he lived alone.
As if the poppy felt with him! Though he
Partook the poppy's red effrontery
Till Autumn spoiled their fleering quite with rain,
And, turbanless, a coarse brown rattling crane
Lay bare. That 's gone: yet why renounce, for that,
His disenchanted tributariesflat
Perhaps, but scarce so utterly forlorn,
Their simple presence might not well be borne
Whose parley was a transport once: recall
The poppy's gifts, it flaunts you, after all,
A poppy:why distrust the evidence
Of each soon satisfied and healthy sense?
The new-born judgment answered, "little boots
"Beholding other creatures' attributes
"And having none!" or, say that it sufficed,
"Yet, could one but possess, oneself," (enticed
Judgment) "some special office!" Nought beside
Serves you? "Well then, be somehow justified
"For this ignoble wish to circumscribe
"And concentrate, rather than swell, the tribe
"Of actual pleasures: what, now, from without
"Effects it?proves, despite a lurking doubt,
"Mere sympathy sufficient, trouble spared?
"That, tasting joys by proxy thus, you fared
"The better for them?" Thus much craved his soul,
Alas, from the beginning love is whole
And true; if sure of nought beside, most sure
Of its own truth at least; nor may endure
A crowd to see its face, that cannot know
How hot the pulses throb its heart below.
While its own helplessness and utter want
Of means to worthily be ministrant
To what it worships, do but fan the more
Its flame, exalt the idol far before
Itself as it would have it ever be.
Souls like Sordello, on the contrary,
Coerced and put to shame, retaining will,
Care little, take mysterious comfort still,
But look forth tremblingly to ascertain
If others judge their claims not urged in vain,
And say for them their stifled thoughts aloud.
So, they must ever live before a crowd:
"Vanity," Naddo tells you.
Whence contrive
A crowd, now? From these women just alive,
That archer-troop? Forth glidednot alone
Each painted warrior, every girl of stone,
Nor Adelaide (bent double o'er a scroll,
One maiden at her knees, that eve, his soul
Shook as he stumbled through the arras'd glooms
On them, for, 'mid quaint robes and weird perfumes,
Started the meagre Tuscan up,her eyes,
The maiden's, also, bluer with surprise)
But the entire out-world: whatever, scraps
And snatches, song and story, dreams perhaps,
Conceited the world's offices, and he
Had hitherto transferred to flower or tree,
Not counted a befitting heritage
Each, of its own right, singly to engage
Some man, no other,such now dared to stand
Alone. Strength, wisdom, grace on every hand
Soon disengaged themselves, and he discerned
A sort of human life: at least, was turned
A stream of lifelike figures through his brain.
Lord, liegeman, valvassor and suzerain,
Ere he could choose, surrounded him; a stuff
To work his pleasure on; there, sure enough:
But as for gazing, what shall fix that gaze?
Are they to simply testify the ways
He who convoked them sends his soul along
With the cloud's thunder or a dove's brood-song?
While they live each his life, boast each his own
Peculiar dower of bliss, stand each alone
In some one point where something dearest loved
Is easiest gainedfar worthier to be proved
Than aught he envies in the forest-wights!
No simple and self-evident delights,
But mixed desires of unimagined range,
Contrasts or combinations, new and strange,
Irksome perhaps, yet plainly recognized
By this, the sudden companyloves prized
By those who are to prize his own amount
Of loves. Once care because such make account,
Allow that foreign recognitions stamp
The current value, and his crowd shall vamp
Him counterfeits enough; and so their print
Be on the piece, 't is gold, attests the mint,
And "good," pronounce they whom his new appeal
Is made to: if their casual print conceal
This arbitrary good of theirs o'ergloss
What he has lived without, nor felt the loss
Qualities strange, ungainly, wearisome,
What matter? So must speech expand the dumb
Part-sigh, part-smile with which Sordello, late
Whom no poor woodland-sights could satiate,
Betakes himself to study hungrily
Just what the puppets his crude phantasy
Supposes notablest,popes, kings, priests, knights,
May please to promulgate for appetites;
Accepting all their artificial joys
Not as he views them, but as he employs
Each shape to estimate the other's stock
Of attributes, whereona marshalled flock
Of authorized enjoymentshe may spend
Himself, be men, now, as he used to blend
With tree and flowernay more entirely, else
'T were mockery: for instance, "How excels
"My life that chieftain's?" (who apprised the youth
Ecelin, here, becomes this month, in truth,
Imperial Vicar?) "Turns he in his tent
"Remissly? Be it somy head is bent
"Deliciously amid my girls to sleep.
"What if he stalks the Trentine-pass? Yon steep
"I climbed an hour ago with little toil:
"We are alike there. But can I, too, foil
"The Guelf's paid stabber, carelessly afford
"Saint Mark's a spectacle, the sleight o' the sword
"Baffling the treason in a moment?" Here
No rescue! Poppy he is none, but peer
To Ecelin, assuredly: his hand,
Fashioned no otherwise, should wield a brand
With Ecelin's successtry, now! He soon
Was satisfied, returned as to the moon
From earth; left each abortive boy's-attempt
For feats, from failure happily exempt,
In fancy at his beck. "One day I will
"Accomplish it! Are they not older still
"Not grown-up men and women? 'T is beside
"Only a dream; and though I must abide
"With dreams now, I may find a thorough vent
"For all myself, acquire an instrument
"For acting what these people act; my soul
"Hunting a body out may gain its whole
"Desire some day!" How else express chagrin
And resignation, show the hope steal in
With which he let sink from an aching wrist
The rough-hewn ash-bow? Straight, a gold shaft hissed
Into the Syrian air, struck Malek down
Superbly! "Crosses to the breach! God's Town
"Is gained him back!" Why bend rough ash-bows more?
Thus lives he: if not careless as before,
Comforted: for one may anticipate,
Rehearse the future, be prepared when fate
Shall have prepared in turn real men whose names
Startle, real places of enormous fames,
Este abroad and Ecelin at home
To worship him,Mantua, Verona, Rome
To witness it. Who grudges time so spent?
Rather test qualities to heart's content
Summon them, thrice selected, near and far
Compress the starriest into one star,
And grasp the whole at once!
The pageant thinned
Accordingly; from rank to rank, like wind
His spirit passed to winnow and divide;
Back fell the simpler phantasms; every side
The strong clave to the wise; with either classed
The beauteous; so, till two or three amassed
Mankind's beseemingnesses, and reduced
Themselves eventually,graces loosed,
Strengths lavished,all to heighten up One Shape
Whose potency no creature should escape.
Can it be Friedrich of the bowmen's talk?
Surely that grape-juice, bubbling at the stalk,
Is some grey scorching Saracenic wine
The Kaiser quaffs with the Miramoline
Those swarthy hazel-clusters, seamed and chapped,
Or filberts russet-sheathed and velvet-capped,
Are dates plucked from the bough John Brienne sent
To keep in mind his sluggish armament
Of Canaan:Friedrich's, all the pomp and fierce
Demeanour! But harsh sounds and sights transpierce
So rarely the serene cloud where he dwells
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
Has thunder for its slave; but where 's the need
Of thunder if the stricken multitude
Hearkens, arrested in its angriest mood,
While songs go up exulting, then dispread,
Dispart, disperse, lingering overhead
Like an escape of angels? 'T is the tune,
Nor much unlike the words his women croon
Smilingly, colourless and faint-designed
Each, as a worn-out queen's face some remind
Of her extreme youth's love-tales. "Eglamor
"Made that!" Half minstrel and half emperor,
What but ill objects vexed him? Such he slew.
The kinder sort were easy to subdue
By those ambrosial glances, dulcet tones;
And these a gracious hand advanced to thrones
Beneath him. Wherefore twist and torture this,
Striving to name afresh the antique bliss,
Instead of saying, neither less nor more,
He had discovered, as our world before,
Apollo? That shall be the name; nor bid
Me rag by rag expose how patchwork hid
The youthwhat thefts of every clime and day
Contributed to purfle the array
He climbed with (June at deep) some close ravine
Mid clatter of its million pebbles sheen,
Over which, singing soft, the runnel slipped
Elate with rains: into whose streamlet dipped
He foot, yet trod, you thought, with unwet sock
Though really on the stubs of living rock
Ages ago it crenelled; vines for roof,
Lindens for wall; before him, aye aloof,
Flittered in the cool some azure damsel-fly,
Born of the simmering quiet, there to die.
Emerging whence, Apollo still, he spied
Mighty descents of forest; multiplied
Tuft on tuft, here, the frolic myrtle-trees,
There gendered the grave maple stocks at ease.
And, proud of its observer, straight the wood
Tried old surprises on him; black it stood
A sudden barrier ('twas a cloud passed o'er)
So dead and dense, the tiniest brute no more
Must pass; yet presently (the cloud dispatched)
Each clump, behold, was glistering detached
A shrub, oak-boles shrunk into ilex-stems!
Yet could not he denounce the stratagems
He saw thro', till, hours thence, aloft would hang
White summer-lightnings; as it sank and sprang
To measure, that whole palpitating breast
Of heaven, 't was Apollo, nature prest
At eve to worship.
Time stole: by degrees
The Pythons perish off; his votaries
Sink to respectful distance; songs redeem
Their pains, but briefer; their dismissals seem
Emphatic; only girls are very slow
To disappearhis Delians! Some that glow
O' the instant, more with earlier loves to wrench
Away, reserves to quell, disdains to quench;
Alike in one material circumstance
All soon or late adore Apollo! Glance
The bevy through, divine Apollo's choice,
His Daphne! "We secure Count Richard's voice
"In Este's counsels, good for Este's ends
"As our Taurello," say his faded friends,
"By granting him our Palma!"the sole child,
They mean, of Agnes Este who beguiled
Ecelin, years before this Adelaide
Wedded and turned him wicked: "but the maid
"Rejects his suit," those sleepy women boast.
She, scorning all beside, deserves the most
Sordello: so, conspicuous in his world
Of dreams sat Palma. How the tresses curled
Into a sumptuous swell of gold and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams; breathe not, breathe
Not!poised, see, one leg doubled underneath,
Its small foot buried in the dimpling snow,
Rests, but the other, listlessly below,
O'er the couch-side swings feeling for cool air,
The vein-streaks swollen a richer violet where
The languid blood lies heavily; yet calm
On her slight prop, each flat and outspread palm,
As but suspended in the act to rise
By consciousness of beauty, whence her eyes
Turn with so frank a triumph, for she meets
Apollo's gaze in the pine glooms.
Time fleets:
That 's worst! Because the pre-appointed age
Approaches. Fate is tardy with the stage
And crowd she promised. Lean he grows and pale,
Though restlessly at rest. Hardly avail
Fancies to soothe him. Time steals, yet alone
He tarries here! The earnest smile is gone.
How long this might continue matters not;
For ever, possibly; since to the spot
None come: our lingering Taurello quits
Mantua at last, and light our lady flits
Back to her place disburthened of a care.
Strangeto be constant here if he is there!
Is it distrust? Oh, never! for they both
Goad Ecelin alike, Romano's growth
Is daily manifest, with Azzo dumb
And Richard wavering: let but Friedrich come,
Find matter for the minstrelsy's report
Lured from the Isle and its young Kaiser's court
To sing us a Messina morning up,
And, double rillet of a drinking cup,
Sparkle along to ease the land of drouth,
Northward to Provence that, and thus far south
The other! What a method to apprise
Neighbours of births, espousals, obsequies,
Which in their very tongue the Troubadour
Records! and his performance makes a tour,
For Trouveres bear the miracle about,
Explain its cunning to the vulgar rout,
Until the Formidable House is famed
Over the countryas Taurello aimed,
Who introduced, although the rest adopt,
The novelty. Such games, her absence stopped,
Begin afresh now Adelaide, recluse
No longer, in the light of day pursues
Her plans at Mantua: whence an accident
Which, breaking on Sordello's mixed content
Opened, like any flash that cures the blind,
The veritable business of mankind.
~ Robert Browning, Sordello - Book the First
,#NFDB
157:Last Instructions To A Painter
After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth-Of his hound's mouth to feign the raging froth-His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.
Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
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Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.
Paint then again Her Highness to the life,
Philosopher beyond Newcastle's wife.
She, nak'd, can Archimedes self put down,
For an experiment upon the crown,
She pérfected that engine, oft assayed,
How after childbirth to renew a maid,
And found how royal heirs might be matured
In fewer months than mothers once endured.
Hence Crowther made the rare inventress free
Of's Higness's Royal Society-Happiest of women, if she were but able
To make her glassen Dukes once malleáble!
Paint her with oyster lip and breath of fame,
Wide mouth that 'sparagus may well proclaim;
With Chancellor's belly and so large a rump,
There--not behind the coach--her pages jump.
Express her study now if China clay
Can, without breaking, venomed juice convey,
Or how a mortal poison she may draw
Out of the cordial meal of the cacao.
Witness, ye stars of night, and thou the pale
Moon, that o'ercame with the sick steam didst fail;
Ye neighboring elms, that your green leaves did shed,
And fawns that from the womb abortive fled;
Not unprovoked, she tries forbidden arts,
But in her soft breast love's hid cancer smarts,
While she resoloves, at once, Sidney's disgrace
And her self scorned for emulous Denham's face,
And nightly hears the hated guards, away
Galloping with the Duke to other prey.
81
Paint Castlemaine in colours that will hold
(Her, not her picture, for she now grows old):
She through her lackey's drawers, as he ran,
Discerned love's cause and a new flame began.
Her wonted joys thenceforth and court she shuns,
And still within her mind the footman runs:
His brazen calves, his brawny thighs--the face
She slights--his feet shaped for a smoother race.
Poring within her glass she readjusts
Her looks, and oft-tried beauty now distrusts,
Fears lest he scorn a woman once assayed,
And now first wished she e'er had been a maid.
Great Love, how dost thou triumph and how reign,
That to a groom couldst humble her disdain!
Stripped to her skin, see how she stooping stands,
Nor scorns to rub him down with those fair hands,
And washing (lest the scent her crime disclose)
His sweaty hooves, tickles him 'twixt the toes.
But envious Fame, too soon, began to note
More gold in's Fob, more lace upon his coat;
And he, unwary, and of tongue too fleet,
No longer could conceal his fortune sweet.
Justly the rogue was shipped in porter's den,
And Jermyn straight has leave to come again.
Ah, Painter, now could Alexander live,
And this Campaspe thee, Apelles, give!
Draw next a pair of tables opening, then
The House of Commons clattering like the men.
Describe the Court and Country, both set right
On opp'site points, the black against the white.
Those having lost the nation at tric-trac,
These now adventuring how to win it back.
The dice betwixt them must the fate divide
(As chance doth still in multitudes decide).
But here the Court does its advantage know,
For the cheat Turner for them both must throw.
As some from boxes, he so from the chair
Can strike the die and still with them goes share.
Here, Painter, rest a little, and survey
With what small arts the public game they play.
82
For so too Rubens, with affairs of state,
His labouring pencil oft would recreate.
The close Cabal marked how the Navy eats,
And thought all lost that goes not to the cheats,
So therefore secretly for peace decrees,
Yet as for war the Parliament should squeeze,
And fix to the revénue such a sum
Should Goodrick silence and strike Paston dumb,
Should pay land armies, should dissolve the vain
Commons, and ever such a court maintain;
Hyde's avarice, Bennet's luxury should suffice,
And what can these defray but the Excise?
Excise a monster worse than e'er before
Frighted the midwife and the mother tore.
A thousand hands she has and thousand eyes,
Breaks into shops and into cellars pries,
And on all trade like cassowar she feeds:
Chops off the piece wheres'e'er she close the jaw,
Else swallows all down her indented maw.
She stalks all day in streets concealed from sight
And flies, like bats with leathern wings, by night;
She wastes the country and on cities preys.
Her, of a female harpy, in dog days,
Black Birch, of all the earth-born race most hot
And most rapacious, like himself, begot,
And, of his brat enamoured, as't increased,
Buggered in incest with the mongrel beast.
Say, Muse, for nothing can escape thy sight
(And, Painter, wanting other, draw this fight),
Who, in an English senate, fierce debate
Could raise so long for this new whore of state.
Of early wittols first the troop marched in-For diligence renowned and discipline-In loyal haste they left young wives in bed,
And Denham these by one consent did head.
Of the old courtiers, next a squadron came,
That sold their master, led by Ashburnham.
To them succeeds a desipicable rout,
But know the word and well could face about;
83
Expectants pale, with hopes of spoil allured,
Though yet but pioneers, and led by Stew'rd.
Then damning cowards ranged the vocal plain,
Wood these command, the Knight of the Horn and Cane.
Still his hook-shoulder seems the blow to dread,
And under's armpit he defends his head.
The posture strange men laughed at of his poll,
Hid with his elbow like the spice he stole.
Headless St Denys so his head does bear,
And both of them alike French martyrs were.
Court officers, as used, the next place took,
And followed, Fox, but with disdainful look.
His birth, his youth, his brokage all dispraise
In vain, for always he commands that pays.
Then the procurers under Progers filed-Gentlest of men-- and his lieutenant mild,
Brounker--Love's squire--through all the field arrayed,
No troop was better clad, nor so well paid.
Then marched the troop of Clarendon, all full
Haters of fowl, to teal preferring bull:
Gross bodies, grosser minds, and grossest cheats,
And bloated Wren conducts them to their seats.
Charlton advances next, whose coif does awe
The Mitre troop, and with his looks gives law.
He marched with beaver cocked of bishop's brim,
And hid much fraud under an aspect grim.
Next the lawyers' merecenary band appear:
Finch in the front, and Thurland in the rear.
The troop of privilege, a rabble bare
Of debtors deep, fell to Trelawney's care.
Their fortune's error they supplied in rage,
Nor any further would than these engage.
Then marched the troop, whose valiant acts before
(Their public acts) obliged them still to more.
For chimney's sake they all Sir Pool obeyed,
Or in his absence him that first it laid.
Then comes the thrifty troop of privateers,
Whose horses each with other interfered.
Before them Higgons rides with brow compact,
Mourning his Countess, anxious for his Act.
Sir Frederick and Sir Solomon draw lots
For the command of politics or sots,
84
Thence fell to words, but quarrel to adjourn;
Their friends agreed they should command by turn.
Carteret the rich did the accountants guide
And in ill English all the world defied.
The Papists--but of these the House had none
Else Talbot offered to have led them on.
Bold Duncombe next, of the projectors chief,
And old Fitz-harding of the Eaters Beef.
Late and disordered out the drinkers drew,
Scarce them their leaders, they their leaders knew.
Before them entered, equal in command,
Apsley and Brod'rick, marching hand in hand.
Last then but one, Powell that could not ride,
Led the French standard, weltering in his stride.
He, to excuse his slowness, truth confessed
That 'twas so long before he could be dressed.
The Lord's sons, last, all these did reinforce:
Cornb'ry before them managed hobby-horse.
Never before nor since, an host so steeled
Trooped on to muster in the Tothill Field:
Not the first cock-horse that with cork were shod
To rescue Albemarle from the sea-cod,
Nor the late feather-men, whom Tomkins fierce
Shall with one breath, like thistledown disperse.
All the two Coventrys their generals chose
For one had much, the other nought to lose;
Nor better choice all accidents could hit,
While Hector Harry steers by Will the Wit.
They both accept the charge with merry glee,
To fight a battle, from all gunshot free.
Pleased with their numbers, yet in valour wise,
They feign a parley, better to surprise;
They that ere long shall the rude Dutch upbraid,
Who in the time of treaty durst invade.
Thick was the morning, and the House was thin,
The Speaker early, when they all fell in.
Propitious heavens, had not you them crossed,
Excise had got the day, and all been lost.
For the other side all in loose quarters lay,
Without intelligence, command, or pay:
85
A scattered body, which the foe ne'er tried,
But oftener did among themselves divide.
And some ran o'er each night, while others sleep,
And undescried returned ere morning peep.
But Strangeways, that all night still walked the round
(For vigilance and courage both renowned)
First spied he enemy and gave the 'larm,
Fighting it single till the rest might arm.
Such Romand Cocles strid before the foe,
The falling bridge behind, the stream below.
Each ran, as chance him guides to several post,
And all to pattern his example boast.
Their former trophies they recall to mind
And to new edge their angry courage grind.
First entered forward Temple, conqueror
Of Irish cattle and Solicitor;
Then daring Seymour, that with spear and shield
Had stretched the Monster Patent on the field;
Keen Whorwood next, in aid of damsel frail,
That pierced the giant Mordaunt through his mail;
And surly Williams, the accountants' bane;
And Lovelace young, of chimney-men the cane.
Old Waller, trumpet-general, swore he'd write
This combat truer than the naval fight.
How'rd on's birth, wit, strength, courage much presumes
And in his breast wears many Montezumes.
These and some more with single valour stay
The adverse troops, and hold them all at bay.
Each thinks his person represents the whole,
And with that thought does multiply his soul,
Believes himself an army, theirs, one man
As easily conquered, and believing can,
With heart of bees so full, and head of mites,
That each, though duelling, a battle fights.
Such once Orlando, famous in romance,
Broached whole brigades like larks upon his lance.
But strength at last still under number bows,
And the faint sweat trickled down Temple's brows.
E'en iron Strangeways, chafing, yet gave back,
Spent with fatigue, to breathe a while toback.
86
When marching in, a seasonable recruit
Of citizens and merchants held dispute;
And, charging all their pikes, a sullen band
Of Presyterian Switzers made a stand.
Nor could all these the field have long maintained
But for th' unknown reserve that still remained:
A gross of English gentry, nobly born,
Of clear estates, and to no faction sworn,
Dear lovers of their king, and death to meet
For country's cause, that glorious think and sweet;
To speak not forward, but in action brave,
In giving generous, but in counsel grave;
Candidly credulous for once, nay twice,
But sure the Devil cannot cheat them thrice.
The van and battle, though retiring, falls
Without dosorder in their intervals.
Then, closing all in equal front, fall on,
Led by great Garway and great Littleton.
Lee, ready to obey or to command,
Adjutant-general, was still at hand.
The martial standard, Sandys displaying, shows
St Dunstan in it, tweaking Satan's nose.
See sudden chance of war! To paint or write
Is longer work and harder than to fight.
At the first charge the enemy give out,
And the Excise receives a total rout.
Broken in courage, yet the men the same
Resolve henceforth upon their other game:
Where force had failed, with stratagem to play,
And what haste lost, recover by delay.
St Albans straight is sent to, to forbear,
Lest the sure peace, forsooth, too soon appear.
The seamen's clamour to three ends they use:
To cheat their pay, feign want, the House accuse.
Each day they bring the tale, and that too true,
How strong the Dutch their equipage renew.
Meantime through all the yards their orders run
To lay the ships up, cease the keels begun.
The timber rots, and useless axe doth rust,
Th' unpracticed saw lies buried in its dust,
87
The busy hammer sleeps, the ropes untwine,
The stores and wages all are mine and thine.
Along the coast and harbours they make care
That money lack, nor forts be in repair.
Long thus they could against the House conspire,
Load them with envy, and with sitting tire.
And the loved King, and never yet denied,
Is brought to beg in public and to chide;
But when this failed, and months enow were spent,
They with the first day's proffer seem content,
And to Land-Tax from the Excise turn round,
Bought off with eighteen-hundred-thousand pound.
Thus like fair theives, the Commons' purse they share,
But all the members' lives, consulting, spare.
Blither than hare that hath escaped the hounds,
The House prorogued, the Chancellor rebounds.
Not so decrepit Aeson, hashed and stewed,
With bitter herbs, rose from the pot renewed,
And with fresh age felt his glad limbs unite;
His gout (yet still he cursed) had left him quite.
What frosts to fruit, what arsenic to the rat,
What to fair Denham, mortal chocolate,
What an account to Carteret, that, and more,
A Parliament is to the Chancellor.
So the Sad-tree shrinks from the morning's eye,
But blooms all night and shoots its branches high.
So, at the sun's recess, again returns
The comet dread, and earth and heaven burns.
Now Mordaunt may, within his castle tower,
Imprison parents, and the child deflower.
The Irish herd is now let loose and comes
By millions over, not by hecatombs;
And now, now the Canary Patent may
Be broached again for the great holiday.
See how he reigns in his new palace culminant,
And sits in state divine like Jove the fulminant!
First Buckingham, that durst to him rebel,
Blasted with lightning, struck wtih thunder, fell.
Next the twelve Commons are condemned to groan
88
And roll in vain at Sisyphus's stone.
But still he cared, while in revenge he braved
That peace secured and money might be saved:
Gain and revenge, revenge and gain are sweet
United most, else when by turns they meet.
France had St Albans promised (so they sing),
St Albans promised him, and he the King:
The Count forthwith is ordered all to close,
To play for Flanders and the stake to lose,
While, chained together, two ambassadors
Like slaves shall beg for peace at Holland's doors.
This done, among his Cyclops he retires
To forge new thunder and inspect their fires.
The court as once of war, now fond of peace,
All to new sports their wanton fears release.
From Greenwich (where intelligence they hold)
Comes news of pastime martial and old,
A punishment invented first to awe
Masculine wives transgressing Nature's law,
Where, when the brawny female disobeys,
And beats the husband till for peace he prays,
No concerned jury for him damage finds,
Nor partial justice her behavior binds,
But the just street does the next house invade,
Mounting the neighbour couple on lean jade,
The distaff knocks, the grains from kettle fly,
And boys and girls in troops run hooting by:
Prudent antiquity, that knew by shame,
Better than law, domestic crimes to tame,
And taught youth by spectácle innocent!
So thou and I, dear Painter, represent
In quick effigy, others' faults, and feign
By making them ridiculous, to restrain.
With homely sight they chose thus to relax
The joys of state, for the new Peace and Tax.
So Holland with us had the mastery tried,
And our next neighbours, France and Flanders, ride.
But a fresh news the great designment nips,
Of, at the Isle of Candy, Dutch and ships!
Bab May and Arlington did wisely scoff
89
And thought all safe, if they were so far off.
Modern geographers, 'twas there, they thought,
Where Venice twenty years the Turk had fought,
While the first year our navy is but shown,
The next divided, and the third we've none.
They, by the name, mistook it for that isle
Where Pilgrim Palmer travelled in exile
With the bull's horn to measure his own head
And on Pasiphaë's tomb to drop a bead.
But Morice learn'd demónstrates, by the post,
This Isle of Candy was on Essex' coast.
Fresh messengers still the sad news assure;
More timorous now we are than first secure.
False terrors our believing fears devise,
And the French army one from Calais spies.
Bennet and May and those of shorter reach
Change all for guineas, and a crown for each,
But wiser men and well foreseen in chance
In Holland theirs had lodged before, and France.
Whitehall's unsafe; the court all meditates
To fly to Windsor and mure up the gates.
Each does the other blame, and all distrust;
(That Mordaunt, new obliged, would sure be just.)
Not such a fatal stupefaction reigned
At London's flame, nor so the court complained.
The Bloodworth_Chancellor gives, then does recall
Orders; amazed, at last gives none at all.
St Alban's writ to, that he may bewail
To Master Louis, and tell coward tale
How yet the Hollanders do make a noise,
Threaten to beat us, and are naughty boys.
Now Dolman's dosobedient, and they still
Uncivil; his unkindness would us kill.
Tell him our ships unrigged, our forts unmanned,
Our money spent; else 'twere at his command.
Summon him therefore of his word and prove
To move him out of pity, if not love;
Pray him to make De Witt and Ruyter cease,
And whip the Dutch unless they'll hold their peace.
But Louis was of memory but dull
90
And to St Albans too undutiful,
Nor word nor near relation did revere,
But asked him bluntly for his character.
The gravelled Count did with the answer faint-His character was that which thou didst paint-Trusses his baggage and the camp does fly.
Yet Louis writes and, lest our heart should break,
Consoles us morally out of Seneque.
Two letters next unto Breda are sent:
In cipher one to Harry Excellent;
The first instructs our (verse the name abhors)
Plenipotentiary ambassadors
To prove by Scripture treaty does imply
Cessation, as the look adultery,
And that, by law of arms, in martial strife,
Who yields his sword has title to his life.
Presbyter Holles the first point should clear,
The second Coventry the Cavalier;
But, whould they not be argued back from sea,
Then to return home straight, infecta re.
But Harry's ordered, if they won't recall
Their fleet, to threaten--we will grant them all.
The Dutch are then in proclamation shent
For sin against th' eleventh commandment.
Hyde's flippant style there pleasantly curvets,
Still his sharp wit on states and princes whets
(So Spain could not escape his laughter's spleen:
None but himsef must choose the King a Queen),
But when he came the odious clause to pen
That summons up the Parliament again,
His writing master many a time he banned
And wished himself the gout to seize his hand.
Never old lecher more repugnance felt,
Consenting, for his rupture, to be gelt;
But still then hope him solaced, ere they come,
To work the peace and so to send them home,
Or in their hasty call to find a flaw,
Their acts to vitiate, and them overawe;
But most relied upon this Dutch pretence
To raise a two-endged army for's defence.
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First then he marched our whole militia's force
(As if indeed we ships or Dutch had horse);
Then from the usual commonplace, he blames
These, and in standing army's praise declaims;
And the wise court that always loved it dear,
Now thinks all but too little for their fear.
Hyde stamps, and straight upon the ground the swarms
Of current Myrmidons appear in arms,
And for their pay he writes, as from the King-With that cursed quill plucked from a vulture's wing-Of the whole nation now to ask a loan
(The eighteen-hundred-thousand pound was gone).
This done, he pens a proclamation stout,
In rescue of the banquiers banquerout,
His minion imps that, in his secret part,
Lie nuzzling at the sacremental wart,
Horse-leeches circling at the hem'rrhoid vein:
He sucks the King, they him, he them again.
The kingdom's farm he lets to them bid least
(Greater the bribe, and that's at interest).
Here men, induced by safety, gain, and ease,
Their money lodge; confiscate when he please.
These can at need, at instant, with a scrip
(This liked him best) his cash beyond sea whip.
When Dutch invade, when Parliament prepare,
How can he engines so convenient spare?
Let no man touch them or demand his own,
Pain of displeasure of great Clarendon.
The state affairs thus marshalled, for the rest
Monck in his shirt against the Dutch is pressed.
Often, dear Painter, have I sat and mused
Why he should still be 'n all adventures used,
If they for nothing ill, like ashen wood,
Or think him, like Herb John for nothing good;
Whether his valour they so much admire,
Or that for cowardice they all retire,
As heaven in storms, they call in gusts of state
On Monck and Parliament, yet both do hate.
All causes sure concur, but most they think
Under Hercúlean labours he may sink.
92
Soon then the independent troops would close,
And Hyde's last project would his place dispose.
Ruyter the while, that had our ocean curbed,
Sailed now among our rivers undistrubed,
Surveyed their crystal streams and banks so green
And beauties ere this never naked seen.
Through the vain sedge, the bashful nymphs he eyed:
Bosoms, and all which from themselves they hide.
The sun much brighter, and the skies more clear,
He finds the air and all things sweeter here.
The sudden change, and such a tempting sight
Swells his old veins with fresh blood, fresh delight.
Like am'rous victors he begins to shave,
And his new face looks in the English wave.
His sporting navy all about him swim
And witness their complacence in their trim.
Their streaming silks play through the weather fair
And with inveigling colours court the air,
While the red flags breathe on their topmasts high
Terror and war, but want an enemy.
Among the shrouds the seamen sit and sing,
And wanton boys on every rope do cling.
Old Neptune springs the tides and water lent
(The gods themselves do help the provident),
And where the deep keel on the shallow cleaves,
With trident's lever, and great shoulder heaves.
&Aelig;olus their sails inspires with eastern wind,
Puffs them along, and breathes upon them kind.
With pearly shell the Tritons all the while
Sound the sea-march and guide to Sheppey Isle.
So I have seen in April's bud arise
A fleet of clouds, sailing along the skies;
The liquid region with their squadrons filled,
Their airy sterns the sun behind does gild;
And gentle gales them steer, and heaven drives,
When, all on sudden, their calm bosom rives
With thunder and lightning from each armèd cloud;
Shepherds themselves in vain in bushes shroud.
Such up the stream the Belgic navy glides
And at Sheerness unloads its stormy sides.
93
Spragge there, though practised in the sea command,
With panting heart lay like a fish on land
And quickly judged the fort was not tenáble-Which, if a house, yet were not tenantáble-No man can sit there safe: the cannon pours
Thorough the walls untight and bullet showers,
The neighbourhood ill, and an unwholesome seat,
So at the first salute resolves retreat,
And swore that he would never more dwell there
Until the city put it in repair.
So he in front, his garrison in rear,
March straight to Chatham to increase the fear.
There our sick ships unrigged in summer lay
Like moulting fowl, a weak and easy prey,
For whose strong bulk earth scarce could timber find,
The ocean water, or the heavens wind-Those oaken giants of the ancient race,
That ruled all seas and did our Channel grace.
The conscious stag so, once the forest's dread,
Flies to the wood and hides his armless head.
Ruyter forthwith a squadron does untack;
They sail securely through the river's track.
An English pilot too (O shame, O sin!)
Cheated of pay, was he that showed them in.
Our wretched ships within their fate attend,
And all our hopes now on frail chain depend:
(Engine so slight to guard us from the sea,
It fitter seemed to captivate a flea).
A skipper rude shocks it without respect,
Filling his sails more force to re-collect.
Th' English from shore the iron deaf invoke
For its last aid: `Hold chain, or we are broke.'
But with her sailing weight, the Holland keel,
Snapping the brittle links, does thorough reel,
And to the rest the opened passage show;
Monck from the bank the dismal sight does view.
Our feathered gallants, which came down that day
To be spectators safe of the new play,
Leave him alone when first they hear the gun
(Cornb'ry the fleetest) and to London run.
94
Our seamen, whom no danger's shape could fright,
Unpaid, refuse to mount our ships for spite,
Or to their fellows swim on board the Dutch,
Which show the tempting metal in their clutch.
Oft had he sent of Duncombe and of Legge
Cannon and powder, but in vain, to beg;
And Upnor Castle's ill-deserted wall,
Now needful, does for ammunition call.
He finds, wheres'e'er he succor might expect,
Confusion, folly, treach'ry, fear, neglect.
But when the Royal Charles (what rage, what grief)
He saw seized, and could give her no relief!
That sacred keel which had, as he, restored
His exiled sovereign on its happy board,
And thence the British Admiral became,
Crowned, for that merit, with their master's name;
That pleasure-boat of war, in whose dear side
Secure so oft he had this foe defied,
Now a cheap spoil, and the mean victor's slave,
Taught the Dutch colours from its top to wave;
Of former glories the reproachful thought
With present shame compared, his mind destraught.
Such from Euphrates' bank, a tigress fell
After the robber for her whelps doth yell;
But sees enraged the river flow between,
Frustrate revenge and love, by loss more keen,
At her own breast her useless claws does arm:
She tears herself, since him she cannot harm.
The guards, placed for the chain's and fleet's defence,
Long since were fled on many a feigned pretence.
Daniel had there adventured, man of might,
Sweet Painter, draw his picture while I write.
Paint him of person tall, and big of bone,
Large limbs like ox, not to be killed but shown.
Scarce can burnt ivory feign an hair so black,
Or face so red, thine ocher and thy lac.
Mix a vain terror in his martial look,
And all those lines by which men are mistook;
But when, by shame constrained to go on board,
He heard how the wild cannon nearer roared,
And saw himself confined like sheep in pen,
95
Daniel then thought he was in lion's den.
And when the frightful fireships he saw,
Pregnant with sulphur, to him nearer draw,
Captain, lieutenant, ensign, all make haste
Ere in the fiery furnace they be cast-Three children tall, unsinged, away they row,
Like Shadrack, Meschack, and Abednego.
Not so brave Douglas, on whose lovely chin
The early down but newly did begin,
And modest beauty yet his sex did veil,
While envious virgins hope he is a male.
His yellow locks curl back themselves to seek,
Nor other courtship knew but to his cheek.
Oft, as he in chill Esk or Seine by night
Hardened and cooled his limbs, so soft, so white,
Among the reeds, to be espied by him,
The nymphs would rustle; he would forward swim.
They sighed and said, `Fond boy, why so untame
That fliest love's fires, reserved for other flame?'
Fixed on his ship, he faced that horrid day
And wondered much at those that ran away.
Nor other fear himself could comprehend
Then, lest heaven fall ere thither he ascend,
But entertains the while his time too short
With birding at the Dutch, as if in sport,
Or waves his sword, and could he them conjúre
Within its circle, knows himself secure.
The fatal bark him boards with grappling fire,
And safely through its port the Dutch retire.
That precious life he yet disdains to save
Or with known art to try the gentle wave.
Much him the honours of his ancient race
Inspire, nor would he his own deeds deface,
And secret joy in his calm soul does rise
That Monck looks on to see how Douglas dies.
Like a glad lover, the fierce flames he meets,
And tries his first embraces in their sheets.
His shape exact, which the bright flames enfold,
Like the sun's statue stands of burnished gold.
Round the transparent fire about him flows,
As the clear amber on the bee does close,
96
And, as on angels' heads their glories shine,
His burning locks adorn his face divine.
But when in this immortal mind he felt
His altering form and soldered limbs to melt,
Down on the deck he laid himself and died,
With his dear sword reposing by his side,
And on the flaming plank, so rests his head
As one that's warmed himself and gone to bed.
His ship burns down, and with his relics sinks,
And the sad stream beneath his ashes drinks.
Fortunate boy, if either pencil's fame,
Or if my verse can propagate thy name,
When Oeta and Alcides are forgot,
Our English youth shall sing the valiant Scot.
Each doleful day still with fresh loss returns:
The Loyal London now the third time burns,
And the true Royal Oak and Royal James,
Allied in fate, increase, with theirs, her flames.
Of all our navy none should now survive,
But that the ships themselves were taught to dive,
And the kind river in its creek them hides,
Fraughting their piercèd keels with oozy tides.
Up to the bridge contagious terror struck:
The Tower itself with the near danger shook,
And were not Ruyter's maw with ravage cloyed,
E'en London's ashes had been then destroyed.
Officious fear, however, to prevent
Our loss does so much more our loss augment:
The Dutch had robbed those jewels of the crown;
Our merchantmen, lest they be burned, we drown.
So when the fire did not enough devour,
The houses were demolished near the Tower.
Those ships that yearly from their teeming hole
Unloaded here the birth of either Pole-Furs from the north and silver from the west,
Wines from the south, and spices from the east;
From Gambo gold, and from the Ganges gems-Take a short voyage underneath the Thames,
Once a deep river, now with timber floored,
And shrunk, least navigable, to a ford.
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Now (nothing more at Chatham left to burn),
The Holland squadron leisurely return,
And spite of Ruperts and of Albemarles,
To Ruyter's triumph lead the captive Charles.
The pleasing sight he often does prolong:
Her masts erect, tough cordage, timbers strong,
Her moving shapes, all these he does survey,
And all admires, but most his easy prey.
The seamen search her all within, without:
Viewing her strength, they yet their conquest doubt;
Then with rude shouts, secure, the air they vex,
With gamesome joy insulting on her decks.
Such the feared Hebrew, captive, blinded, shorn,
Was led about in sport, the public scorn.
Black day accursed! On thee let no man hale
Out of the port, or dare to hoist a sail,
Nor row a boat in thy unlucky hour.
Thee, the year's monster, let thy dam devour,
And constant time, to keep his course yet right,
Fill up thy space with a redoubled night.
When agèd Thames was bound with fetters base,
And Medway chaste ravished before his face,
And their dear offspring murdered in their sight,
Thou and thy fellows held'st the odious light.
Sad change since first that happy pair was wed,
When all the rivers graced their nuptial bed,
And Father Neptune promised to resign
His empire old to their immortal line!
Now with vain grief their vainer hopes they rue,
Themselves dishonoured, and the gods untrue,
And to each other, helpless couple, moan,
As the sad tortoise for the sea does groan.
But most they for their darling Charles complain,
And were it burnt, yet less would be their pain.
To see that fatal pledge of sea command
Now in the ravisher De Ruyter's hand,
The Thames roared, swooning Medway turned her tide,
And were they mortal, both for grief had died.
The court in farthing yet itself does please,
98
(And female Stuart there rules the four seas),
But fate does still accumulate our woes,
And Richmond her commands, as Ruyter those.
After this loss, to relish discontent,
Someone must be accused by punishment.
All our miscarriages on Pett must fall:
His name alone seems fit to answer all.
Whose counsel first did this mad war beget?
Who all commands sold through the navy? Pett.
Who would not follow when the Dutch were beat?
Who treated out the time at Bergen? Pett.
Who the Dutch fleet with storms disabled met,
And rifling prizes, them neglected? Pett.
Who with false news prevented the Gazette,
The fleet divided, writ for Rupert? Pett.
Who all our seamen cheated of their debt,
And all our prizes who did swallow? Pett.
Who did advise no navy out to set,
And who the forts left unrepairèd? Pett.
Who to supply with powder did forget
Languard, Sheerness, Gravesend and Upnor? Pett.
Who should it be but the Fanatic Pett?
Pett, the sea-architect, in making ships
Was the first cause of all these naval slips:
Had he not built, none of these faults had been;
If no creation, there had been no sin.
But his great crime, one boat away he sent,
That lost our fleet and did our flight prevent.
Then (that reward might in its turn take place,
And march with punishment in equal pace),
Southhampton dead, much of the Treasure's care
And place in council fell to Dunscombe's share.
All men admired he to that pitch could fly:
Powder ne'er blew man up so soon so high,
But sure his late good husbandry in petre
Showed him to manage the Exchequer meeter;
And who the forts would not vouchsafe a corn,
To lavish the King's money more would scorn.
Who hath no chimneys, to give all is best,
And ablest Speaker, who of law has least;
99
Who less estate, for Treasurer most fit,
And for a couns'llor, he that has least wit.
But the true cause was that, in's brother May,
The Exchequer might the Privy Purse obey.
But now draws near the Parliament's return;
Hyde and the court again begin to mourn:
Frequent in council, earnest in debate,
All arts they try how to prolong its date.
Grave Primate Sheldon (much in preaching there)
Blames the last session and this more does fear:
With Boynton or with Middleton 'twere sweet,
But with a Parliament abohors to meet,
And thinks 'twill ne'er be well within this nation,
Till it be governed by Convocation.
But in the Thames' mouth still De Ruyter laid;
The peace not sure, new army must be paid.
Hyde saith he hourly waits for a dispatch;
Harry came post just as he showed his watch,
All to agree the articles were clear-The Holland fleet and Parliament so near-Yet Harry must job back, and all mature,
Binding, ere the Houses meet, the treaty sure,
And 'twixt necessity and spite, till then,
Let them come up so to go down again.
Up ambles country justice on his pad,
And vest bespeaks to be more seemly clad.
Plain gentlemen in stagecoach are o'erthrown
And deputy-lieutenants in their own.
The portly burgess through the weather hot
Does for his corporation sweat and trot;
And all with sun and choler come adust
And threaten Hyde to raise a greater dust.
But fresh as from the Mint, the courtiers fine
Salute them, smiling at their vain design,
And Turner gay up to his perch does march
With face new bleached, smoothened and stiff with starch;
Tells them he at Whitehall had took a turn
And for three days thence moves them to adjourn.
`Not so!' quoth Tomkins, and straight drew his tongue,
Trusty as steel that always ready hung,
100
And so, proceeding in his motion warm,
The army soon raised, he doth as soon disarm.
True Trojan! While this town can girls afford,
And long as cider lasts in Herford,
The girls shall always kiss thee, though grown old,
And in eternal healths thy name be trolled.
Meanwhile the certain news of peace arrives
At court, and so reprieves their guilty lives.
Hyde orders Turner that he should come late,
Lest some new Tomkins spring a fresh debate.
The King that day raised early from his rest,
Expects (as at a play) till Turner's dressed.
At last together Ayton come and he:
No dial more could with the sun agree.
The Speaker, summoned, to the Lords repairs,
Nor gave the Commons leave to say their prayers,
But like his prisoners to the bar them led,
Where mute they stand to hear their sentence read.
Trembling with joy and fear, Hyde them prorogues,
And had almost mistook and called them rogues.
Dear Painter, draw this Speaker to the foot;
Where pencil cannot, there my pen shall do't:
That may his body, this his mind explain.
Paint him in golden gown, with mace's brain,
Bright hair, fair face, obscure and dull of head,
Like knife with ivory haft and edge of lead.
At prayers his eyes turn up the pious white,
But all the while his private bill's in sight.
In chair, he smoking sits like master cook,
And a poll bill does like his apron look.
Well was he skilled to season any question
And made a sauce, fit for Whitehall's digestion,
Whence every day, the palate more to tickle,
Court-mushrumps ready are, sent in in pickle.
When grievance urged, he swells like squatted toad,
Frisks like a frog, to croak a tax's load;
His patient piss he could hold longer than
An urinal, and sit like any hen;
At table jolly as a country host
And soaks his sack with Norfolk, like a toast;
101
At night, than Chanticleer more brisk and hot,
And Sergeant's wife serves him for Pertelotte.
Paint last the King, and a dead shade of night
Only dispersed by a weak taper's light,
And those bright gleams that dart along and glare
From his clear eyes, yet these too dark with care.
There, as in the calm horror all alone
He wakes, and muses of th' uneasy throne;
Raise up a sudden shape with virgin's face,
(Though ill agree her posture, hour, or place),
Naked as born, and her round arms behind
With her own tresses, interwove and twined;
Her mouth locked up, a blind before her eyes,
Yet from beneath the veil her blushes rise,
And silent tears her secret anguish speak
Her heart throbs and with very shame would break.
The object strange in him no terror moved:
He wondered first, then pitied, then he loved,
And with kind hand does the coy vision press
(Whose beauty greater seemed by her distress),
But soon shrunk back, chilled with her touch so cold,
And th' airy picture vanished from his hold.
In his deep thoughts the wonder did increase,
And he divined 'twas England or the Peace.
Express him startling next with listening ear,
As one that some unusual noise does hear.
With cannon, trumpets, drums, his door surround-But let some other painter draw the sound.
Thrice did he rise, thrice the vain tumult fled,
But again thunders, when he lies in bed.
His mind secure does the known stroke repeat
And finds the drums Louis's march did beat.
Shake then the room, and all his curtains tear
And with blue streaks infect the taper clear,
While the pale ghosts his eye does fixed admire
Of grandsire Harry and of Charles his sire.
Harry sits down, and in his open side
The grisly wound reveals of which he died,
And ghastly Charles, turning his collar low,
102
The purple thread about his neck does show,
Then whispering to his son in words unheard,
Through the locked door both of them disappeared.
The wondrous night the pensive King revolves,
And rising straight on Hyde's disgrace resolves.
At his first step, he Castlemaine does find,
Bennet, and Coventry, as 't were designed;
And they, not knowing, the same thing propose
Which his hid mind did in its depths enclose.
Through their feigned speech their secret hearts he knew:
To her own husband, Castlemaine untrue;
False to his master Bristol, Arlington;
And Coventry, falser than anyone,
Who to the brother, brother would betray,
Nor therefore trusts himself to such as they.
His Father's ghost, too, whispered him one note,
That who does cut his purse will cut his throat,
But in wise anger he their crimes forbears,
As thieves reprived for executioners;
While Hyde provoked, his foaming tusk does whet,
To prove them traitors and himself the Pett.
Painter, adieu! How well our arts agree,
Poetic picture, painted poetry;
But this great work is for our Monarch fit,
And henceforth Charles only to Charles shall sit.
His master-hand the ancients shall outdo,
Himself the painter and the poet too.
To the King
So his bold tube, man to the sun applied
And spots unknown to the bright star descried,
Showed they obscure him, while too near they please
And seem his courtiers, are but his disease.
Through optic trunk the planet seemed to hear,
And hurls them off e'er since in his career.
And you, Great Sir, that with him empire share,
Sun of our world, as he the Charles is there,
Blame not the Muse that brought those spots to sight,
103
Which in you splendour hid, corrode your light:
(Kings in the country oft have gone astray
Nor of a peasant scorned to learn the way.)
Would she the unattended throne reduce,
Banishing love, trust, ornament, and use,
Better it were to live in cloister's lock,
Or in fair fields to rule the easy flock.
She blames them only who the court restrain
And where all England serves, themselves would reign.
Bold and accursed are they that all this while
Have strove to isle our Monarch from his isle,
And to improve themselves, on false pretence,
About the Common-Prince have raised a fence;
The kingdom from the crown distinct would see
And peel the bark to burn at last the tree.
(But Ceres corn, and Flora is the spring,
Bacchus is wine, the country is the King.)
Not so does rust insinuating wear,
Nor powder so the vaulted bastion tear,
Nor earthquake so an hollow isle o'er whelm
As scratching courtiers undermine a realm,
And through the palace's foundations bore,
Burrowing themselves to hoard their guilty store.
The smallest vermin make the greatest waste,
And a poor warren once a city rased.
But they, whom born to virtue and to wealth,
Nor guilt to flattery binds, nor want to wealth,
Whose generous conscience and whose courage high
Does with clear counsels their large souls supply;
That serve the King with their estates and care,
And, as in love, on Parliaments can stare,
(Where few the number, choice is there less hard):
Give us this court, and rule without a guard.
~ Andrew Marvell,#NFDB
158:O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.
Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.
Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."
Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than beI care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burstthat I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!my spirit fails
Dear goddess, help! or the wide-gaping air
Will gulph mehelp!"At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"
He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.
'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonderspast the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.
What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue
O let me slake it at the running springs!
Upon my ear a noisy nothing rings
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"
Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.
Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goeshe stopshis bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.
O did he ever live, that lonely man,
Who lov'dand music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.
And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.
After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.
At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparklesnever, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaimyet, justly mightst thou call
Curses upon his head.I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.
O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With lovehebut alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'dgave a solitary moan
And left him once again in twilight lone.
He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alonealone
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.
Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.
It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperan; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."
Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Isis it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surernow
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties
These tenderest, and by the nectar-wine,
The passion""O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape usO felicity!
How he does love me! His poor temples beat
To the very tune of lovehow sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!Horror rushes
Too palpable before methe sad look
Of JoveMinerva's startno bosom shook
With awe of purityno Cupid pinion
In reverence veiledmy crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce
Perhaps her love like mine is but unknown
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringlyO dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tonguelute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondnessI am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.
Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.
Thus the tradition of the gusty deep.
Now turn we to our former chroniclers.
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?list!"Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'dfor it seem'd that one
Ever pursued, the other strove to shun
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!
"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me.""Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:tease me not
With syren wordsAh, have I really got
Such power to madden thee? And is it true
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal.""Alas, I burn,
I shuddergentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing.""Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.
He turn'dthere was a whelming soundhe stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled
He saw the giant sea above his head.
(line 31): The reference is of course not to the story of Hero and Leander but to the tears of Hero in Much Ado About Nothing, shed when she was falsely accused; and Imogen must, equally of course, be Shakespeare's heroine in Cymbeline, though she is not the only Imogen of fiction who has swooned. For Pastorella see Faerie Queene, Book VI, Canto II, stanza I. et seq.
(line 168): For the three occasions which Endymion had seen Diana, refer to the account given to Peona; beginning with line 540, Book I, -- to the passage about the well, line 896, Book I, -- and to the passage in which he hurried into the grotto, line 971, Book I.
(line 430): In the draft, Endymion was described as The mortal Latmian.
(line 434): It was a peculiarly happy piece of poetic realism to translate Ariadne's relations with Bacchus into her becoming a vintager; and I presume this was Keats's own thought, as well as the idea immediately following, that the God of Orchards conciliated Love with a gift of pears when paying his addresses to Pomona.
(line 676) Hesperan, I presume, not Hesprean as invariably accented by Milton. The precise value of 'capable' as used here is of course regulated by past and not by present custom. In this case it simply stands for receptive, able to receive, as in Hamlet (Act III, Scene IV).
(lines 689-92) Endymion conjectures whether his unknown love is one of the Hours, or one of the nymph Pleione's daughters by Atlas, transferred to heaven as the Pleiades.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book II
,#NFDB
40 Poetry
23 Yoga
13 Fiction
8 Mysticism
6 Occultism
5 Philosophy
3 Sufism
3 Integral Yoga
2 Psychology
2 Philsophy
1 Zen
1 Mythology
1 Buddhism
21 Sri Ramakrishna
12 H P Lovecraft
8 John Keats
5 James George Frazer
4 William Wordsworth
4 Walt Whitman
4 Robert Browning
4 Rabindranath Tagore
3 Kabir
2 Sri Ramana Maharshi
2 Ralph Waldo Emerson
2 Percy Bysshe Shelley
2 Nolini Kanta Gupta
2 Mahendranath Gupta
2 Aleister Crowley
20 The Gospel of Sri Ramakrishna
12 Lovecraft - Poems
8 Keats - Poems
5 The Golden Bough
4 Wordsworth - Poems
4 Whitman - Poems
4 Tagore - Poems
4 Browning - Poems
3 Talks
3 Songs of Kabir
2 The Secret Doctrine
2 Shelley - Poems
2 Emerson - Poems
0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
About this time, on the Sivaratri night, consecrated to the worship of Siva, a dramatic performance was arranged. The principal actor, who was to play the part of Siva, suddenly fell ill, and Gadadhar was persuaded to act in his place. While friends were dressing him for the role of Siva — smearing his body with ashes, matting his locks, placing a trident in his hand and a string of rudraksha Beads around his neck — the boy appeared to become absent-minded. He approached the stage with slow and measured step, supported by his friends. He looked the living image of Siva. The audience loudly applauded what it took to be his skill as an actor, but it was soon discovered that he was really lost in meditation. His countenance was radiant and tears flowed from his eyes. He was lost to the outer world. The effect of this scene on the audience was tremendous. The people felt blessed as by a vision of Siva Himself. The performance had to be stopped, and the boy's mood lasted till the following morning.
Gadadhar himself now organized a dramatic company with his young friends. The stage was set in the mango orchard. The themes were selected from the stories of the Ramayana and the Mahabharata. Gadadhar knew by heart almost all the roles, having heard them from professional actors. His favourite theme was the Vrindavan episode of Krishna's life, depicting those exquisite love-stories of Krishna and the milkmaids and the cowherd boys. Gadadhar would play the parts of Radha or Krishna and would often lose himself in the character he was portraying. His natural feminine grace heightened the dramatic effect. The mango orchard would ring with the loud kirtan of the boys. Lost in song and merry-making, Gadadhar became indifferent to the routine of school.
0 1960-12-31, #Agenda Vol 01, #unset, #Zen
Mala: a kind of necklace of wooden Beads with which one repeats a mantra.
The room where Mother distributed to the disciples their needs (soap, paper, etc.) on the first of each month.
1.028 - Bringing About Whole-Souled Dedication, #The Study and Practice of Yoga, #Swami Krishnananda, #Yoga
Our love for the practice should be such that the moment we sit, our hair should stand on end that we are, after all, blessed with this glorious opportunity to dedicate ourselves to the supreme cause of our very existence. As if we are floating in an ocean of honey such should be the joy when we sit for meditation. We should not be worried, "Oh, how long have I to sit?" Some people go on looking at the timepiece, "How far it is over? Half an hour over? Not over? It is a great boredom, indeed. The bell is not ringing." Sometimes we do japa and look at the mala: "How far is it? Has it not finished?" This sort of practice is a mockery, and we should not play jokes with that which we have undertaken of our own accord. We cannot count the Beads, and look at the watch; it is stupid to do so. It is a practice for the regeneration of our entire soul, of everything that we are. It is a process of rebirth in every sense of the term, and so it is a tremendously hard job very bitter, very awful, full of difficulties, and we have to encounter much opposition. All sorts of difficulties will be expected, and must be expected. But we will see the result almost every day if the practice is wholehearted, which means to say, our whole being is present in the practice.
As mentioned earlier, it is difficult for us to place our whole being in anything. We are always distracted by certain other things which continue to be present in the conscious level of our mind. We are conscious of many things the work that we have not done or the things that we have yet to do in the immediate future, heat and cold, hunger and thirst, sleepiness, exhaustion and fatigue, annoyance, the unfriendly attitude of people around us umpteen such things will come and make themselves heard, so that the wholehearted attention that is expected in the practice will not come. But once it comes, once we are able to dedicate ourselves wholeheartedly even for a few minutes not for hours, even for a few minutes we will see the result following. It is something like touching a live wire. It does not take hours to see the result of having touched a live wire. We have only to touch an open wire that is not covered or insulated, and the moment we touch it, the result is instantaneous.
1.02 - IN THE COMPANY OF DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER: "Everybody will surely be liberated. But one should follow the instructions of the guru; if one follows a devious path, one will suffer in trying to retrace one's steps. It takes a long time to achieve liberation. A man may fail to obtain it in this life. Perhaps he will realize God only after many births. Sages like Janaka performed worldly duties. They performed them, bearing God in their minds, as a dancing-girl dances, keeping jars or trays on her head. Haven't you seen how the women in northwest India walk, talking and laughing while carrying water-pitchers on their Beads?"
NEIGHBOUR: "You just referred to the instructions of the guru. How shall we find him?"
1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
dark mustache, Beady eyes, balding pate, thick horn-rimmed glasses, dark beard, skinny neck, large ears,
and weak chin. Perhaps there are six Smith brothers, in total, none of whom has all the properties of the
--
hear, small ears, and a normal neck. Phineas has a receding hairline, Beady eyes, and a dark beard and
mustache and so on, for George, Everett and Sam. None of the brothers precisely resembles one another
1.02 - The Refusal of the Call, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
The king was confounded and ashamed, since this befell in the presence of his grandees and soldier-officers assembled on a high festival and state occasion; but presently the majesty of kingship took him, and he cried out at his son and made him tremble. Then he called to the guards standing before him and commanded, "Seize him!" So they came forward and laid hands on him and, binding him, brought him before his sire, who bade them pinion his elbows behind his back and in this guise make him stand before the presence. And the prince bowed down his head for fear and apprehension, and his brow and face were Beaded and spangled with sweat; and shame and confusion trou bled him sorely. Thereupon his father abused him and reviled him and cried, "Woe to thee, thou son of adultery and nursling of abomination! How durst thou answer me in this wise before my captains and soldiers? But hitherto none hath chastised thee.
Knowest thou not that this deed thou hast done were a disgrace to him had it been done by the meanest of my subjects?" And the king ordered his mamelukes to loose his elbow-bonds and imprison him in one of the bastions of the citadel.
1.03 - Japa Yoga, #Amrita Gita, #Swami Sivananda Saraswati, #Hinduism
22. Use not the index finger while rolling the Beads. Use the thumb, the middle and the ring fingers. When counting of one Mala is over, revert it and come back again. Cross not the Meru. Cover your hand with a towel.
23. Be vigilant. Keep an alert attention during Japa. Stand up and do the Japa when sleep tries to overpower you.
1.03 - Of some imperfections which some of these souls are apt to have, with respect to the second capital sin, which is avarice, in the spiritual sense, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
another who said his prayers using Beads that were made of bones from the spine of
a fish; his devotion was certainly no less precious on that account in the sight of
1.03 - Sympathetic Magic, #The Golden Bough, #James George Frazer, #Occultism
persons with Beads and charms. On the day when a battle is expected
to take place, they run about armed with guns, or sticks carved to
1.03 - The Void, #Of The Nature Of Things, #Lucretius, #Poetry
And Beady drops stand out like plenteous tears;
And food finds way through every frame that lives;
1.04 - ADVICE TO HOUSEHOLDERS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Balaram comes from a family of devout Vaishnavas. His father, now an old man, is a pious devotee. He has a tuft of hair on his head, a rosary of tulsi Beads round his neck, and a string of Beads in his hand. He devotes his time to the repetition of God's name.
He owns much property in Orissa and has built temples to Radha-Krishna in Kothar, Vrindvan, and other places, establishing free guesthouses as well.
1.05 - Dharana, #Liber ABA, #Aleister Crowley, #Philosophy
8:The student is supposed to count the number of times that his thought wanders; this he can do on his fingers or on a string of Beads.
9:If these breaks seem to become more frequent instead of less frequent, the student must not be discourage; this is partially caused by his increased accuracy of observation. In exactly the same way, the introduction of vaccination resulted in an apparent increase in the number of cases of smallpox, the reason being that people began to tell the truth about the disease instead of faking.
1.05 - The Magical Control of the Weather, #The Golden Bough, #James George Frazer, #Occultism
and children, telling their Beads, had lain whole nights before the
holy images. Consecrated candles had burned day and night in the
1.06 - THE MASTER WITH THE BRAHMO DEVOTEES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"An aspirant possessed of rajasic bhakti puts a tilak on his forehead and a necklace of holy rudraksha Beads, interspersed with gold ones, around his neck. (All laugh.) At worship he wears a silk cloth.
"A man endowed with tamasic bhakti has burning faith. Such a devotee literally extorts boons from God, even as a robber falls upon a man and plunders his money. 'Bind!
1.07 - The Prophecies of Nostradamus, #Aion, #Carl Jung, #Psychology
shall snatch him from his place" (In Expositionem Bead Job Moralia; Migne,
P.L., vol. 76, cols. 54, 55).
1.14 - INSTRUCTION TO VAISHNAVS AND BRHMOS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"At the beginning of spiritual life the devotee should observe such rites as pilgrimage, putting a string of Beads around his neck, and so forth. But outward ceremonies gradually drop off as he attains the goal, the vision of God. Then his only activity is the repetition of God's name, and contemplation and meditation on Him.
"The pennies equivalent to sixteen rupees make a great heap. But sixteen silver coins do not look like such a big amount. Again, the quantity becomes much smaller when you change the sixteen rupees into one gold mohur. And if you change the gold into a tiny piece of diamond, people hardly notice it."
--
MASTER (to Balarm's father): "The Kartabhajas group the devotees into four classes: the pravartaka, the sadhaka, the siddha, and the siddha of the siddha. The pravartaka, the beginner, puts the mark of his religion on his forehead, wears a string of Beads around his neck, and observes other outer conventions. The sadhaka, the struggling devotee, does not care so much for elaborate rites. An example of this class is the Baul. The siddha, the perfect, firmly believes that God exists. The siddha of the siddha, the supremely perfect, like Chaitanya, not only has realized God but also has become intimate with Him and talks with Him all the time. This is the last limit of realization.
Different classes of spiritual aspirants
--
"Aspirants endowed with rajas exhibit outward pomp-a string of Beads around the neck, a mark on the forehead, an ochre robe, a silk cloth, a rosary with a gold Bead, and so on. They are like stall-keepers advertising their wares with signboards.
"All religions and all paths call upon their followers to pray to one and the same God.
--
All sat in silence. Balarm's aged father was silently telling his Beads.
Futility of worship without yearning
1.18 - M. AT DAKSHINESWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"One must pray to God without any selfish desire. But selfish worship, if practised with perseverance, is gradually turned into selfless worship. Dhruva practised tapasya to obtain his kingdom, but at last he realized God. He said, 'Why should a man give up gold if he gets it while searching for glass Beads?'
Master and philanthropy
1.240 - 1.300 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
Srimad Bhagavad Gita says: mattah parataram nanyat kinchit and later on sutre manigana iva - "there is nothing different from Me" and later on "like Beads strung on a thread." If there is nothing but Sri
Krishna, how can the world be said to be like " Beads on a string?"
M.: It means that the sutra (string) and the mani (jewel Beads) are not apart from ME. There are no maniganah (row of Beads) apart from the string (sutra) and no string apart from Me. The sloka emphasises unity and not multiplicity which is only on the surface.
D.: Unity can only be after merging into Bhagavan. True - but till then there must be diversity. That is samsara.
1.240 - Talks 2, #Talks, #Sri Ramana Maharshi, #Hinduism
Srimad Bhagavad Gita says: mattah parataram nanyat kinchit and later on sutre manigana iva - there is nothing different from Me and later on like Beads strung on a thread. If there is nothing but Sri
Krishna, how can the world be said to be like Beads on a string?
M.: It means that the sutra (string) and the mani (jewel Beads) are not apart from ME. There are no maniganah (row of Beads) apart from the string (sutra) and no string apart from Me. The sloka emphasises unity and not multiplicity which is only on the surface.
D.: Unity can only be after merging into Bhagavan. True - but till then there must be diversity. That is samsara.
1.24 - PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Pundit Shashadhar, a man of fair complexion and no longer young, had a string of rudraksha Beads around his neck. He was one of the renowned Sanskrit scholars of his time-a pillar of orthodox Hinduism, which had reasserted itself after the first wave of Christianity and Western culture had passed over Hindu society. His clear exposition of the Hindu scriptures, his ringing sincerity, and, his stirring eloquence had brought back a large number of the educated young Hindus of Bengal to the religion of their forefa thers.
The pundit saluted the Master with reverence. Narendra, Rkhl , Ram, Hazra, and M., who had come with the Master, seated themselves in the room as near the Master as they could, anxious not to miss one of his words.
1.25 - ADVICE TO PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"A man with rajasic bhakti feels like making a display of his devotion before others. He worships the Deity with 'sixteen ingredients', enters the temple wearing a silk cloth, and puts around his neck a string of rudrksha Beads interspersed here and there with Beads of gold and ruby.
"A man with tamasic bhakti shows the courage and boisterousness of a highway robber.
1.52 - Killing the Divine Animal, #The Golden Bough, #James George Frazer, #Occultism
the river with _khakwa_ (white shell Beads) and turquoise Beads as
offerings to Council of the Gods." This account at all events
1.53 - The Propitation of Wild Animals By Hunters, #The Golden Bough, #James George Frazer, #Occultism
have of his tusks to enable them to procure Beads and supply their
wants. When they have killed him they bury in the ground, along with
1.60 - Between Heaven and Earth, #The Golden Bough, #James George Frazer, #Occultism
girls that I might make them a present of a few Beads. He told me
that it was '_tabu,_' forbidden for any men but their own relations
to look at them; but I suppose the promised Beads acted as an
inducement, and so he sent away for some old lady who had charge,
--
told to do so, they held out their hands for the Beads. I, however,
purposely sat at some distance away and merely held out the Beads to
them, as I wished to draw them quite outside, that I might inspect
--
they wished to get the Beads, and so the old lady had to go outside
and collect a lot of pieces of wood and bamboo, which she placed on
--
until she came near enough to get the Beads I held out to her. I
then went to inspect the inside of the cage out of which she had
1.74 - Obstacles on the Path, #Magick Without Tears, #Aleister Crowley, #Philosophy
I tempted you, it seems with The Chymical Marriage of Christian Rosencreutz, its incomparable mystery and glamour, its fugitive beauty, its ineffable romance, its chivalry and its adventure, pellucid gleams as of sunlight under the sea, vast brooding wings of horror overshadowing the firmament, yet with strong Starlight constant over- Bead. And then I let you down!
You did expect at least something of the atmosphere of the Arabian Nights; if not so high, of Apuleius and Petronius Arbiter; of Rabelais, Meinhold, de la Motte Fouqu; and the Morte d'Arthur in later times, of Balzac, Dumas, Lytton, Huysmans, Mabel Collins and Arthur Machen.
1.asak - A pious one with a hundred beads on your rosary, #unset, #Arthur C Clarke, #Fiction
object:1.asak - A pious one with a hundred Beads on your rosary
author class:Abu-Said Abil-Kheir
--
English version by Vraje Abramian Original Language Persian/Farsi A pious one with a hundred Beads on your rosary, or a drunkard in a tavern, any gift you bring the Beloved will be accepted as long as you come in longing. It is this most secret pain, this bleeding separation, which will guide you to your Heart of Hearts. [1472.jpg] -- from Nobody, Son of Nobody: Poems of Shaikh Abu-Saeed Abil-Kheir, Translated by Vraje Abramian
1f.lovecraft - Cool Air, #Lovecraft - Poems, #unset, #Zen
basso. Fiendish things were in the air, and lodgers told over the Beads
of their rosaries as they caught the odour from beneath the doctors
1f.lovecraft - Ibid, #Lovecraft - Poems, #unset, #Zen
the expense of many glass Beads; yet after his time it found itself in
many other hands, being traded to settlements at the head of Lake
1f.lovecraft - The Cats of Ulthar, #Lovecraft - Poems, #unset, #Zen
In the market-place they told fortunes for silver, and bought gay Beads
from the merchants. What was the land of these wanderers none could
1f.lovecraft - The Colour out of Space, #Lovecraft - Poems, #unset, #Zen
heated on charcoal, being wholly negative in the borax Bead, and soon
proving itself absolutely non-volatile at any producible temperature,
1f.lovecraft - The Curse of Yig, #Lovecraft - Poems, #unset, #Zen
it looked up to hiss at me I saw that the Beady little black eyes were
damnably anthropoid, but I could not bear to study them long. They
1f.lovecraft - The Dreams in the Witch House, #Lovecraft - Poems, #unset, #Zen
from her grandmother. It was wise to pray and count one's Beads at this
season. For three months Keziah and Brown Jenkin had not been near
1f.lovecraft - The Mound, #Lovecraft - Poems, #unset, #Zen
he atoned by frequent countings of the Beads of his rosary. He explored
the entire world of Kn-yan, including the deserted machine-cities of
--
Spaniard crossed himself and counted his Beads more often than usual in
those days.
--
Pamphilus and other guardian saints, and counted the Beads of his
rosary. The last entry in the manuscript, which toward the end took the
1f.lovecraft - The Night Ocean, #Lovecraft - Poems, #unset, #Zen
a fish; and I kept this, along with a large metal Bead whose minutely
carven design was rather unusual. This latter depicted a fishy thing
1f.lovecraft - The Shadow over Innsmouth, #Lovecraft - Poems, #unset, #Zen
ordering stacks of glass Beads and trinkets such as seafaring men used
to get for native trade. Others thought and still think hed found an
1f.lovecraft - The Tree on the Hill, #Lovecraft - Poems, #unset, #Zen
was trembling; cold perspiration Beaded my brow. I had a mad impulse to
flee; run insanely from that sinister tree on the hillbut I checked
1f.lovecraft - Under the Pyramids, #Lovecraft - Poems, #unset, #Zen
incense, Beads, rugs, silks, and brassold Mahmoud Suleiman squats
cross-legged amidst his gummy bottles while chattering youths pulverise
1.he - You no sooner attain the great void, #unset, #Arthur C Clarke, #Fiction
English version by Lucien Stryk and Takashi Ikemoto Original Language Japanese You no sooner attain the great void Than body and mind are lost together. Heaven and Hell -- a straw. The Buddha-realm, Pandemonium -- shambles. Listen: a nightingale strains her voice, serenading the snow. Look: a tortoise wearing a sword climbs the lampstand. Should you desire the great tranquility, Prepare to sweat white Beads. [1506.jpg] -- from Zen Poetry: Let the Spring Breeze Enter, Translated by Lucien Stryk / Translated by Takashi Ikemoto <
1.jk - Endymion - Book III, #Keats - Poems, #John Keats, #Poetry
To taste the gentle moon, and freshening Beads,
Lashed from the crystal roof by fishes' tails.
--
A clammy dew is Beading on my brow,
At mere remembering her pale laugh, and curse.
1.jk - Hyperion. Book II, #Keats - Poems, #John Keats, #Poetry
Like pearl Beads dropping sudden from their string:
And then another, then another strain,
1.jk - Lamia. Part I, #Keats - Poems, #John Keats, #Poetry
It cannot Beadieu! So said, she rose
Tiptoe with white arms spread. He, sick to lose
1.jk - Ode To A Nightingale, #Keats - Poems, #John Keats, #Poetry
With Beaded bubbles winking at the brim,
And purple-stained mouth;
1.jk - Otho The Great - Act III, #Keats - Poems, #John Keats, #Poetry
To girth my saddle! And those devil's Beads
Each one a life, that I might, every day,
1.jk - Otho The Great - Act IV, #Keats - Poems, #John Keats, #Poetry
Fetch me a missal, and a string of Beads,
A cup of bitter'd water, and a crust,
1.jk - The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished, #Keats - Poems, #John Keats, #Poetry
And, ere the lively Bead could burst and flit,
He turn'd it quickly, nimbly upside down,
1.jk - The Eve Of St. Agnes, #Keats - Poems, #John Keats, #Poetry
Numb were the Beadsman's fingers, while he told
His rosary, and while his frosted breath,
--
That ancient Beadsman heard the prelude soft;
And so it chanc'd, for many a door was wide,
--
The Beadsman, after thousand aves told,
For aye unsought for slept among his ashes cold.
1.kbr - I have been thinking, #Songs of Kabir, #Kabir, #Sufism
pass through his hands like Beads.
That is a string of Beads one should look at with luminous eyes.
1.kbr - Poem 15, #Songs of Kabir, #Kabir, #Sufism
Kabr says: "I may never express how sweet my Lord is. Yoga and the telling of Beads, virtue and vicethese are naught to Him."
Translated by Rabindranath Tagore
1.kbr - Poem 8, #Songs of Kabir, #Kabir, #Sufism
Within the Supreme Brahma, the worlds are being told like Beads:
Look upon that rosary with the eyes of wisdom.
1.lb - Talk in the Mountains [Question & Answer on the Mountain], #unset, #Arthur C Clarke, #Fiction
White dew Beads the green moss.
by owner. provided at no charge for educational purposes
1.lovecraft - Psychopompos- A Tale in Rhyme, #Lovecraft - Poems, #unset, #Zen
And count their Beads in revrence oer and oer.
Now fades the light, and dies the raging blast,
1.mb - on buddhas deathbed, #Basho - Poems, #Masho Basho, #unset
the prayer Beads' sound
1.mb - Why Mira Cant Come Back to Her Old House, #unset, #Arthur C Clarke, #Fiction
English version by Robert Bly The colors of the Dark One have penetrated Mira's body; all the other colors washed out. Making love with the Dark One and eating little, those are my pearls and my carnelians. Meditation Beads and the forehead streak, those are my scarves and my rings. That's enough feminine wiles for me. My teacher taught me this. Approve me or disapprove me: I praise the Mountain Energy night and day. I take the path that ecstatic human beings have taken for centuries. I don't steal money, I don't hit anyone. What will you charge me with? I have felt the swaying of the elephant's shoulders; and now you want me to climb on a jackass? Try to be serious. [2226.jpg] -- from The Winged Energy of Delight, Translated by Robert Bly <
1.nmdv - He is the One in many, #unset, #Arthur C Clarke, #Fiction
English version by Nirmal Dass Original Language Hindi He is the One in many, countless are His shapes and forms. He pervades all that exists; wherever I look, He is there. But very few perceive this reality, for Maya ever enchants us with her multiple reflections of color and alluring beauty. Everything is Gobind, Gobind is everything. Nothing that exists is without Gobind: the one thread strings innumerable Beads -- Prabhu Himself is the thread, the threader, the threaded. River and waves, foam and bubbles have all their being within water itself. This play of things is the sport of Parbhama. The One cannot be thought different from the other. Hope is a lie and desire a mere dream -- yet both are construed as actual reality. But when my guru gave me his holy wisdom, I awoke from my dream and my heart yielded. Namdeva says, Behold Hari's creation; ponder upon it with all your heart, and you will see that in every pore, in every living thing, there is only the one Murari. [2184.jpg] -- from Songs of the Saints from the Adi Granth, Translated by Nirmal Dass
1.pbs - Peter Bell The Third, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
As many Beads as he had boroughs,
At length replies; from his mean front,
1.pbs - Saint Edmonds Eve, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
He paused, told his Beads, and the threshold passed.
Oh! horror, the chancel doors close,
1.rb - Rhyme for a Child Viewing a Naked Venus in a Painting of 'The Judgement of Paris', #Browning - Poems, #Robert Browning, #Poetry
The large fingers were pushed, and he bent back my Bead, with kind power-
All my face back, intent to peruse it, as men do a flower.
1.rb - Sordello - Book the First, #Browning - Poems, #Robert Browning, #Poetry
Obscured her forehead, yet one more Bead slipt
From off the rosary whereby the crypt
1.rb - The Englishman In Italy, #Browning - Poems, #Robert Browning, #Poetry
As you tell your Beads;
All the Plain saw me gather, I garland
1.rb - The Guardian-Angel, #Browning - Poems, #Robert Browning, #Poetry
My Bead beneath thine, while thy healing hands
Close-covered both my eyes beside thy breast,
1.rt - Fireflies, #Tagore - Poems, #Rabindranath Tagore, #Poetry
The sky tells its Beads all night
on the countless stars
1.rt - Gitanjali, #Tagore - Poems, #Rabindranath Tagore, #Poetry
Leave this chanting and singing and telling of Beads! Whom dost thou worship in this lonely dark corner of a temple with doors all shut? Open thine eyes and see thy God is not before thee!
He is there where the tiller is tilling the hard ground and where the pathmaker is breaking stones. He is with them in sun and in shower, and his garment is covered with dust. Put of thy holy mantle and even like him come down on the dusty soil!
1.rt - Leave This, #Tagore - Poems, #Rabindranath Tagore, #Poetry
Leave this chanting and singing and telling of Beads!
Whom dost thou worship in this lonely dark corner of a temple with doors all shut?
1.rt - Shyama, #Tagore - Poems, #Rabindranath Tagore, #Poetry
She wore a necklace of coral Beads
In great astonishment I used to look at her
1.rwe - Monadnoc, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
But Beads are of a rosary
On prayer and music strung;
--
Shall string Monadnoc like a Bead.
Comes that cheerful troubadour,
1.rwe - The Days Ration, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
The tiny cup will hold not a Bead more,
And all the costly liquor runs to waste,
1.wby - The Wild Old Wicked Man, #Yeats - Poems, #William Butler Yeats, #Poetry
Hands that are busy with His Beads
Can never close those eyes.'
1.whitman - Crossing Brooklyn Ferry, #Whitman - Poems, #unset, #Zen
The glories strung like Beads on my smallest sights and hearingson
the walk in the street, and the passage over the river;
1.whitman - Song of Myself, #Whitman - Poems, #unset, #Zen
The squaw wrapt in her yellow-hemm'd cloth is offering moccasins and Bead-bags for sale,
The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways,
1.whitman - Song Of Myself- XV, #Whitman - Poems, #unset, #Zen
The squaw wrapt in her yellow-hemm'd cloth is offering moccasins and Bead-bags for sale,
The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways,
1.whitman - Song Of The Broad-Axe, #Whitman - Poems, #unset, #Zen
bolt, line, square, gouge, and Bead-plane.
The shapes arise!
1.ww - Book Fifth-Books, #Wordsworth - Poems, #unset, #Zen
The whole world over, tight as Beads of dew
Upon a gossamer thread; he sifts, he weighs;
1.ww - The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816, #Wordsworth - Poems, #unset, #Zen
Whose memory, spotless as the crystal Beads
Of morning dew upon the untrodden meads,
1.ww - The Recluse - Book First, #Wordsworth - Poems, #unset, #Zen
Cased with its several Beads; what myriads these
Upon one tree, while all the distant grove,
1.ww - The Waggoner - Canto Second, #Wordsworth - Poems, #unset, #Zen
Its Bead-roll of midnight,
Then, when the Hero of my tale
20.01 - Charyapada - Old Bengali Mystic Poems, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
Scriptures and books, Beads and rosaries,
Tell me, how can the simple truth be uttered?
2.01 - AT THE STAR THEATRE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"The Vaishnava priests of the village came and almost started a quarrel. They thought I would take their share of the fees from the devotees. But soon they discovered that I didn't touch a piece of cloth or even a thread. Someone remarked that I was a Brahmajnani. So the Vaishnava pundits wanted to test me. One said, 'Why hasn't he Beads, and a mark on his forehead?' Another of them replied, They have dropped from him, as the dry branch from a coconut tree. It was there that I learnt this illustration of the dry branch of a coconut tree. The upadhis, limitations, drop when one attains Knowledge.
"People came thronging from distant villages. They even spent the night there. At Syambazar I learnt the meaning of divine attraction. When God incarnates Himself on earth He attracts people through the help of Yogamaya, His Divine Power. People become spellbound."
--
Hazra entered the room. He had been living with Sri Ramakrishna in the temple garden for the past two years and had first met the Master in 1880 at Sihore in the house of Hriday, the Master's nephew. Hazra's native village was near Sihore, and he owned some property there. He had a wife and children and also some debts. From youth he had felt a spirit of renunciation and sought the company of holy men and devotees. The Master had asked him to live with him at Dakshineswar and looked after his necessities. Hazra's mind was a jumble of undigested religious moods. He professed the path of knowledge and disapproved of Sri Ramakrishna's attitude of bhakti and his longing for the young devotees. Now and then he thought of the Master as a great soul, but again he slighted him as an ordinary human being. He spent much of his time in telling his Beads, and he criticized Rkhl and the other young men for their indifference to the practice. He was a strong advocate of religious conventions and rules of conduct, and made a fad of them.
He was about thirty-eight years old.
--
About half past eight in the evening the carriage with the Master and the devotees drew up in front of the Star Theatre on Beadon Street. He was accompanied by M., Baburam, Mahendra and two or three others. They were talking about engaging seats, when Girish Chandra Ghosh, the manager of the theatre, accompanied by several officials, came out to the carriage, greeted the Master, and took him and the party upstairs. Girish had heard of the Master and was very glad to see him at the theatre. The Master was conducted to one of the boxes. M. sat next to him; Baburam and one or two devotees sat behind.
The hall was brilliantly lighted. The Master looked down at the pit and saw that it was crowded. The boxes also were full. For every box there was a man to fan those who occupied it. Sri Ramakrishna was filled with joy and said to M., with his childlike smile: "Ah, it is very nice here! I am glad to have come. I feel inspired when I see so many people together. Then I clearly perceive that God Himself has become everything."
2.02 - THE DURGA PUJA FESTIVAL, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (to Vijay and the others); "Four desires have come into my mind. I shall eat fish curry cooked with eggplant. I shall visit Shivanath. The devotees will repeat the name of Hari over their Beads, and I shall watch them. And the Tantrik devotees will drink consecrated wine, eight nns worth, on the ashtami day, and I shall watch them and salute them."
Narendra was seated in front of the Master. He was about twenty-two years old. While Sri Ramakrishna was talking thus his eyes fell upon his beloved disciple. At once the Master stood up and went into samdhi. He placed one foot on Narendra's knee. He was in a deep spiritual mood, his eyes unblinking, his mind completely unconscious of the outer world. After a long time he came down to the relative plane of consciousness; but he still appeared dazed, for the intoxication of divine bliss had not altogether left him.
--
Hazra was sitting on the northeast verandah counting the Beads of his rosary. The Master went and sat in front of him, taking the rosary in his own hands.
MASTER (to Hazra): "You see, I cannot use the rosary. No, perhaps I can. Yes, I can with my left hand. But I cannot repeat the name of God with it."
--
Sri Ramakrishna had set out from Dakshineswar for Adhar's house in Calcutta. Narayan and Gangadhar were with him. In the carriage, in an ecstatic mood, he said: "Shall I count the Beads? How shameful that would be! This emblem of iva has sprung from the bowels of the earth; it is self created and not set up by man's hands."
They arrived at Adhar's house, where many devotees, including Kedr, Baburam, and Vijay, had assembled. Vaishnavcharan, the musician, was present. At the Master's behest, Adhar heard Vaishnavcharan's music daily after his return from the office.
2.03 - THE MASTER IN VARIOUS MOODS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
(To Manilal) "Keshab Sen's mother came here the other day. The young boys of her family sang the name of Hari. She went around them clapping her hands. I noticed she was not very much stricken with grief over Keshab's death. She observed the fast of ekadasi here and counted her Beads. I was pleased to see her devotion to God."
About Keshab and Vijay
--
MASTER: "One day I was returning from the Pine-grove, when I saw you telling your Beads. I said to the Divine Mother: 'Mother, what a small minded fellow he is! He lives here and still he pratises japa with a rosary! Whoever comes he [referring to himself]
will have his spiritual consciousness awakened all a once; he won't have to bother much, about japa. Go to Calcutta and you will find thousands telling their Beads-even the prostitutes.'
(To M.) "Please bring Naran here in a carriage. I am making the same request to Mukherji. I shall give Naran something to eat when he comes. There is great significance in feeding boys like him."
--
Hazra had been living with the Master at Dakshineswar a long time. He was a little conceited about his knowledge and even criticized the Master now and then before others. Again, he would sit on the verandah of the Master's room and tell his Beads with apparent concentration. He spoke slightingly of Chaitanya as a "modern Incarnation". He would say: "God gives not only pure devotion but also wealth. He has no lack of it. By attaining God one obtains the eight occult powers as well." Hazra had a small debt to clear up, about one thousand rupees. He had incurred it for the building of his house and was worried about paying it.
The elder Kli had a position in an office, from which he received a small salary. He had a large family to maintain. He was devoted to the Master and visited him now and then, even absenting himself from the office.
2.05 - VISIT TO THE SINTHI BRAMO SAMAJ, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"The characteristics of sattva, rajas, and tamas are very different. Egotism sleep, gluttony, lust, anger, and the like, are the traits of' people with tamas. Men with rajas entangle themselves in many activities. Such a man has clothes all spick and span. His house is immaculately clean. A portrait of the Queen hangs on a wall in his drawing-room. When he worships God he wears a silk cloth. He has a string of rudraksha Beads around his neck, and in between the Beads he puts a few gold ones. When someone comes to visit the worship hall in his house, he himself acts as guide. After showing the hall, he says to the visitor: 'Please come this way, sir. There are other things too-the floor of white marble and the natmandir with its exquisite carvings.' When he gives in charity he makes a show of it. But a man endowed with sattva is quiet and peaceful. So far as dress is concerned, anything will do. He earns only enough money to give his stomach the simplest of food; he never flatters men to get money. His house is out of repair. He never worries about his children's clothing. He does not hanker for name and fame. His worship, charity, and meditation are all done in secret; people do not know, about them at all. He meditates inside his mosquito curtain. People think he doesn't sleep well at night and for that reason sleeps late in the morning. Sattva is the last step of the stairs; next is the roof. As soon as sattva is acquired there is no further delay in attaining God. One step forward and God is realized. (To the sub-judge) Didn't you say that all men were equal? Now you see that there are so many varieties of human nature.
Four classes of men
2.07 - BANKIM CHANDRA, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (smiling): "Let me tell you. At a certain place there is a goldsmith's shop. The workers there are known as pious Vaishnavas: they have strings of Beads around their necks, religious marks on their foreheads, and bags containing rosaries in their hands.
They repeat the names of God aloud. One can almost call them sdhus; only they have to work as goldsmiths to earn their bread and support their wives and children. Many customers, hearing of their piety, come to the shop because they believe that in that shop there will be no trickery with their gold or silver. When the customers enter the shop, they see the workers repeating the name of Hari with their tongues and doing their work with their hands. No sooner do the customers take seats in the shop than one of the workers cries out, 'Kesava! Kesava! Kesava!' A few minutes later another says, 'Gopal! Gopal! Gopal!' After they talk a little while, the third man cries out, 'Hari! Hari!
2.08 - AT THE STAR THEATRE (II), #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
SRI RAMAKRISHNA arrived at the Star Theatre on Beadon Street in Calcutta to see a play about the life of Prahlada. M., Baburam, Narayan, and other devotees were with him. The hall was brightly lighted. The play had not yet begun. The Master was seated in a box, talking with Girish.
MASTER (smiling): "Ah! You have written nice plays."
2.09 - THE MASTERS BIRTHDAY, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Sri Ramakrishna arrived at the Star Theatre, on Beadon Street, to see a performance of Vrishaketu He sat in a box, facing the south. M. and other devotees were near him.
MASTER (to M.): "Has Narendra come?"
2.10 - THE MASTER AND NARENDRA, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (to the devotees): "There are people who indulge in all kinds of gossip at the time of their daily devotions. As you know, one is not permitted to talk then; so they make all kinds of signs, keeping their lips closed. In order to say, 'Bring this', 'Bring that', they make sounds like 'Huh', 'Uhuh'. All such things they do! (Laughter.) "Again, there are some who bargain for fish while telling their Beads. As they count the rosary, with a finger they point out the fish, indicating, That one, please.' They reserve all their business for that time! (Laughter.)
"There are women who come to the Ganges for their bath and, instead of thinking of God, gossip about no end of things. 'What jewels did you offer at the time of your son's marriage?'- 'Has so-and-so returned from her father-in law's house?' - 'So-and-so is seriously ill.' - 'So-and-so went to see the bride; we hope that they will offer a magnificent dowry and that there will be a great feast.' - 'Harish always nags at me; he can't stay away from me even an hour.' - 'My child, I couldn't come to see you all these days; I was so busy with the betrothal of so-and-so's daughter.'
2.13 - THE MASTER AT THE HOUSES OF BALARM AND GIRISH, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"One realizes God through sattva. Rajas and tamas take one away from Him. The scriptures describe sattva as white, rajas as red, and tamas as black. Once I asked Hazra: Tell me what you think of the people that come here. How much sattva does each one possess?' He said, 'Narendra has one hundred per cent and I have one hundred and ten per cent.' 'What about me?' I asked. And he said: 'You still have a trace of pink. You have only seventy five per cent, I should say.' (All laugh.) "Hazra used to practise japa at Dakshineswar. While telling his Beads, he would also try to do a little brokerage business. He has a debt of a few thousand rupees which he must clear up. About the brahmin cooks of the temple he remarked, 'Do you think I talk with people of that sort?'
"The truth is that you cannot attain God if you have even a trace of desire. Subtle is the way of dharma. If you are trying to thread a needle, you will not succeed if the thread has even a slight fibre sticking out.
2.20 - THE MASTERS TRAINING OF HIS DISCIPLES, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
MASTER (with a smile): "There was a goldsmith who kept a jewellery shop. He looked like a great devotee, a true Vaishnava, with Beads around his neck, rosary in his hand, and the holy marks on his forehead. Naturally people trusted him and came to his shop on business. They thought that, being such a pious man, he would never cheat them.
Whenever a party of customers entered the shop, they would hear one of his craftsmen say, 'Kesava! Kesava!' Another would say, after a while, 'Gopal! Gopal!' Then a third would mutter, 'Hari! Hari!' Finally someone would say, 'Hara! Hara!' Now these are, as you know, different names of God. Hearing so much chanting of God's names, the customers naturally thought that this goldsmith must be a very superior person. But can you guess the goldsmith's true intention? The man who said 'Kesava! Kesava!' meant to ask, who are these?-'who are these customers?' The man who said 'Gopal! Gopal!'
2.23 - THE MASTER AND BUDDHA, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
NARENDRA: "No, sir. He seems to have a sort of crown; his head seems to be covered by strings of rudraksha Beads placed on top of one another."
MASTER: "And his eyes?"
33.04 - Deoghar, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
Counting the Beads and doing austerities,
All your yoga and prayers and worship,
9.99 - Glossary, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
rudraksha: Beads made from rudraksha pits, used in making rosaries.
Rukmini: One of Sri Krishna's wives.
Appendix 4 - Priest Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
The priest needs a silver holy symbol, prayer Beads, or a similar device as the material component of this spell.
SPELL - Protection From Fire (Abjuration)
--
The priest needs his religious symbol, prayer Beads or wheel or book, and burning
incense.
--
The material components for this spell are the priest's religious symbol, incense, and prayer Beads or similar prayer object. Obviously, the spell functions only in areas where there are appropriate climatic conditions.
If Weather is a major sphere for the priest (as it is for druids), duration and area are doubled, and the caster can change the prevailing weather by two places. For example, he can cause precipitation to go from partly cloudy to heavy sleet, temperature to go from cool to arctic, and wind to go from calm to strong.
--
By casting this spell, the priest creates a powerful magic aura in some specially prepared object--a string of prayer Beads, a small clay tablet, an ivory baton, etc. This object radiates magic, for it contains the power to instantaneously transport its possessor to the sanctuary of the priest who created its magic. Once the item is enchanted, the priest must give it willingly to an individual, at the same time informing him of a comm and word to be spoken when the item is to be used. To make use of the item, the recipient must speak the comm and word at the same time that he rends or breaks the item. When this is done, the individual and all that he is wearing and carrying (up to the maximum encumbrance limit for the character) are instantly transported to the sanctuary of the priest, just as if the individual were capable of speaking a word of recall spell. No other creatures can be affected.
The reversed application of the spell causes the priest to be transported to the immediate vicinity of the possessor of the item when it is broken and the comm and word said. The priest has a general idea of the location and situation of the item's possessor, and can choose not to be affected by this summons. This decision is made at the instant when the transportation is to take place. However, if he chooses not to go, the opportunity is gone forever and the spell is wasted.
Blazing P1 - Preconventional consciousness, #unset, #Arthur C Clarke, #Fiction
sensorimotor. For example, when the child aged 4 to 6 pours liquid or Beads from one glass
bottle into another of a different shape, he still believes that the actual quantity in the
BOOK II. -- PART II. THE ARCHAIC SYMBOLISM OF THE WORLD-RELIGIONS, #The Secret Doctrine, #H P Blavatsky, #Theosophy
are strung as so many Beads -- according to the beautiful expression of Vedantic philosophy.
And now it stands proven that Satan, or the Red Fiery Dragon, the "Lord of Phosphorus" (brimstone
BOOK I. -- PART I. COSMIC EVOLUTION, #The Secret Doctrine, #H P Blavatsky, #Theosophy
COUNTLESS RAYS THE LIFE-RAY, THE ONE, LIKE A THREAD THROUGH MANY BeadS
(pearls) (a).
Guru Granth Sahib first part, #unset, #Arthur C Clarke, #Fiction
He Himself is the Supreme Master of all; wealth and miraculous spiritual powers, and all other external tastes and pleasures, are all like Beads on a string.
Union with Him, and separation from Him, come by His Will. We come to receive what is written in our destiny.
Sayings of Sri Ramakrishna (text), #Sayings of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
places of pilgrimage, or bathing in the holy Ganges, or counting Beads; if there are worldly attachments
in the heart, they are sure to manifest themselves at the dying moment. Hence 'bound souls' indulge in
--
677. A certain pious man used to tell the Beads constantly, uttering the 'name' of the Deity silently. To
him the Master said, "Why do you stick to one place? Go forward." The pious man replied, "It cannot be
--
The Rajasic devotee has perhaps distinctive sectarian marks on his body and a string of Beads round his
neck, with perhaps a few golden ones interspersed. He is particular about outward observances such as
--
telling of Beads, and worldly activities. In the beginning there is a great fuss of work. But the more one
proceeds towards God, the less becomes the bustle until even prayer and the singing of the Lord's
--
meditate according to her directions. I could hardly tell my Beads, for as soon as I began to do so I was
always overwhelmed with divine fervour and fell into deep Samadhi. I cannot now relate the varieties of
Talks 151-175, #Talks, #Sri Ramana Maharshi, #Hinduism
Sri Bhagavan asked if she had made japa (rolling Beads as Roman
Catholics do). She said: No.
Talks With Sri Aurobindo 2, #Talks With Sri Aurobindo, #unset, #Zen
DR. MANILAL: Do they count them as Beads are counted?
SRI AUROBINDO: I don't know. You can ask them. (After a while) He, perhaps, wants to know if there is any Punya in it. (Laughter)
Verses of Vemana, #is Book, #unset, #Zen
Illusion (or death) is not an inconstant woman with glancing eyes, wearing Beads and earrings and mounting on her husband's shoulder, she delays not to slay those who yield to her.
p. 197
--- Overview of noun bead
The noun bead has 3 senses (first 1 from tagged texts)
1. (1) bead ::: (a small ball with a hole through the middle)
2. drop, bead, pearl ::: (a shape that is spherical and small; "he studied the shapes of low-viscosity drops"; "beads of sweat on his forehead")
3. beading, bead, beadwork, astragal ::: (a beaded molding for edging or decorating furniture)
--- Overview of verb bead
The verb bead has 3 senses (no senses from tagged texts)
1. bead ::: (form into beads, as of water or sweat, for example)
2. bead ::: (decorate by sewing beads onto; "bead the wedding gown")
3. bead ::: (string together like beads)
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun bead
3 senses of bead
Sense 1
bead
=> jewelry, jewellery
=> adornment
=> decoration, ornament, ornamentation
=> artifact, artefact
=> whole, unit
=> object, physical object
=> physical entity
=> entity
Sense 2
drop, bead, pearl
=> sphere
=> round shape
=> shape, form
=> attribute
=> abstraction, abstract entity
=> entity
Sense 3
beading, bead, beadwork, astragal
=> molding, moulding
=> decoration, ornament, ornamentation
=> artifact, artefact
=> whole, unit
=> object, physical object
=> physical entity
=> entity
--- Hyponyms of noun bead
3 senses of bead
Sense 1
bead
=> bugle
Sense 2
drop, bead, pearl
=> dewdrop
=> teardrop
Sense 3
beading, bead, beadwork, astragal
=> quirk bead, bead and quirk
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun bead
3 senses of bead
Sense 1
bead
=> jewelry, jewellery
Sense 2
drop, bead, pearl
=> sphere
Sense 3
beading, bead, beadwork, astragal
=> molding, moulding
--- Coordinate Terms (sisters) of noun bead
3 senses of bead
Sense 1
bead
-> jewelry, jewellery
=> bead
=> bijou
=> bling, bling bling
=> bracelet, bangle
=> clip
=> cufflink
=> earring
=> jewel, gem, precious stone
=> necklace
=> pin
=> ring, band
=> tie clip
Sense 2
drop, bead, pearl
-> sphere
=> conglomeration, conglobation
=> ball, globe, orb
=> drop, bead, pearl
Sense 3
beading, bead, beadwork, astragal
-> molding, moulding
=> annulet, bandelet, bandelette, bandlet, square and rabbet
=> architrave
=> baseboard, mopboard, skirting board
=> beading, bead, beadwork, astragal
=> cavetto
=> conge, congee
=> cornice
=> cyma, cymatium
=> egg-and-dart, egg-and-anchor, egg-and-tongue
=> gorgerin, necking
=> ovolo, thumb, quarter round
=> quirk molding, quirk moulding
=> rib
=> subbase
=> surbase
=> torus, tore
--- Grep of noun bead
bead
bead and quirk
bead fern
bead tree
beaded lizard
beading
beading plane
beadle
beads
beadsman
beadwork
black bead
jumbie bead
jumby bead
quirk bead
white bead
Wikipedia - Andy Beadsworth -- Olympic sailor from Great Britain
Wikipedia - Anglican prayer beads
Wikipedia - Baily's beads -- Feature of total and annular solar eclipses
Wikipedia - Beadlet anemone -- Species of cnidarian, a sea anemone
Wikipedia - Bead probe technology
Wikipedia - Beads from a Petal -- 1972 film by Noboru Tanaka
Wikipedia - Beadsman -- People employed to make special prayers in Medieval Britain
Wikipedia - Bead stringing -- Method of stringing beads
Wikipedia - Bead test -- A test for the presence of certain metals
Wikipedia - Beadwork -- Decoration technique
Wikipedia - Beady Eye -- English rock band formed in 2009
Wikipedia - Buddhist prayer beads
Wikipedia - Darren Beadman -- Australian champion jockey
Wikipedia - Dzi bead
Wikipedia - Emily Waheneka -- Native American beadwork artist
Wikipedia - Gary Beadle -- British actor
Wikipedia - Gemma Beadsworth -- Australian water polo centre forward
Wikipedia - George Beadle -- American geneticist
Wikipedia - George Wells Beadle
Wikipedia - Glass Bead Games -- album by Clifford Jordan
Wikipedia - Glass Bead -- 2015 single by GFriend
Wikipedia - Grevillea beadleana -- Species of shrub in the family Proteaceae endemic to New South Wales in Australia
Wikipedia - Hugh Beadle
Wikipedia - Love beads
Wikipedia - Magnetic immunoassay -- Diagnostic immunoassay using magnetic beads
Wikipedia - Maude Kegg -- Ojibwe traditionalist, bead artist, and author from Minnesota
Wikipedia - Necklace polynomial -- Counts the number of necklaces of n colored beads picked from M-NM-1 available colors
Wikipedia - Nellie Two Bears Gates -- Native American bead artist
Wikipedia - Peranakan beaded slippers -- Peranakan traditional beadwork
Wikipedia - Prayer beads -- String of beads used in various religious traditions
Wikipedia - Puka shell -- Naturally occurring bead-like objects
Wikipedia - Reticule (handbag) -- Small handbag, originally with a drawstring closure, and often decorated with beadwork
Wikipedia - Richard Aitson -- Kiowa-Kiowa Apache bead artist and poet from Oklahoma
Wikipedia - Rudraksha -- Seed used as a prayer bead in Hinduism
Wikipedia - Sequin -- Small, shiny, disc-shaped bead
Wikipedia - St. Cuthbert's beads
Wikipedia - Tahnee Ahtoneharjo-Growingthunder -- Beadwork and regalia artist
Wikipedia - The Glass Bead Game
Wikipedia - Thomas Beadle -- American politician
Wikipedia - Trade beads -- Glass beads used from the 16th to 20th century to exchange for goods, services and slaves
Wikipedia - Vanessa Jennings -- Native American Kiowa textile and beadwork artist
Wikipedia - Wampum -- A traditional shell bead of the Eastern Woodlands tribes of American Indians
Wikipedia - Win Beadle's Money -- British television series
Wikipedia - Zag and the Coloured Beads -- English experimental rock band
George Wells Beadle ::: Born: October 22, 1903; Died: June 9, 1989; Occupation: Scientist;
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https://www.goodreads.com/book/show/2038373.Beads_Boys_and_the_Buddha
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https://www.goodreads.com/book/show/2478241.Beads_of_Faith
https://www.goodreads.com/book/show/26404146-the-magical-use-of-prayer-beads
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https://www.goodreads.com/book/show/36085161-the-girl-who-smiled-beads
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https://www.goodreads.com/book/show/37537863-seed-bead-revolution
https://www.goodreads.com/book/show/37796752-assault-and-beadery
https://www.goodreads.com/book/show/40092435-to-bead-or-not-to-bead
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https://www.goodreads.com/book/show/551707.Chic_and_Easy_Beading
https://www.goodreads.com/book/show/593089.The_Beaders_Palette
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https://www.goodreads.com/book/show/649032.Pagan_Prayer_Beads
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https://www.goodreads.com/book/show/7003422-creative-beading-vol-4
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https://www.goodreads.com/author/show/1544194.Len_Beadell
https://www.goodreads.com/author/show/18642695.Beadcraft_Books
https://www.goodreads.com/author/show/212091.Richard_Beadle
https://www.goodreads.com/author/show/4062033.Bead_Button_Magazine
https://www.goodreads.com/author/show/8034983.Hollie_Beadell
Goodreads author - Len_Beadell
Goodreads author - Bead_Button_Magazine
Goodreads author - Hollie_Beadell
https://religion.wikia.org/wiki/Bead-roll
https://religion.wikia.org/wiki/Buddhist_prayer_beads
https://religion.wikia.org/wiki/Buddhist_prayer_beads#Ba-di
https://religion.wikia.org/wiki/Buddhist_prayer_beads#External_links
https://religion.wikia.org/wiki/Buddhist_prayer_beads#Juzu
https://religion.wikia.org/wiki/Buddhist_prayer_beads#Mala
https://religion.wikia.org/wiki/Buddhist_prayer_beads#Numbers_and_Symbolism
https://religion.wikia.org/wiki/Buddhist_prayer_beads#References
https://religion.wikia.org/wiki/Buddhist_prayer_beads#See_also
https://religion.wikia.org/wiki/Buddhist_prayer_beads#Shu_zhu
https://religion.wikia.org/wiki/Buddhist_prayer_beads#Usage
https://religion.wikia.org/wiki/Category:Prayer_beads
https://religion.wikia.org/wiki/File:Japa_mala_(prayer_beads)_of_Tulasi_wood_with_108_beads_-_20040101-01.jpg
https://religion.wikia.org/wiki/Hindu_prayer_beads
https://religion.wikia.org/wiki/Juzu_beads
https://religion.wikia.org/wiki/Prayer_beads
https://religion.wikia.org/wiki/Talk:Buddhist_prayer_beads
https://religion.wikia.org/wiki/Talk:Juzu_beads
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheGlassBeadGame
https://tvtropes.org/pmwiki/pmwiki.php/Main/BeadyEyedLoser
https://tvtropes.org/pmwiki/pmwiki.php/Main/BlackBeadEyes
https://tvtropes.org/pmwiki/pmwiki.php/Main/BraidsBeadsAndBuckskins
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/BeadGame
https://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/HowToBeADetective
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/GlassBeadGamer
https://en.wikiquote.org/wiki/George_Beadle
https://en.wikiquote.org/wiki/The_Glass_Bead_Game
https://allpoetry.com/Samuel-Alfred-Beadle
Beadle's About (1987 - 1996) - Beadle's About was a British television programme hosted by Jeremy Beadle, where members of the public became victims of practical jokes behind hidden cameras. It was produced by LWT for ITV, and ran from 1987 to 1996.
https://myanimelist.net/manga/3493/Otokomae_Beads_Club
https://britishwildlife.fandom.com/wiki/Beadlet_Anemone
https://characters.fandom.com/wiki/Nora_Beady
https://darksouls.fandom.com/wiki/Dark_Bead
https://ffxiclopedia.fandom.com/wiki/Beadeaux
https://ffxiclopedia.fandom.com/wiki/Beadeaux_Coffer_Key
https://ffxiclopedia.fandom.com/wiki/Beadeaux_(S)
https://ffxiclopedia.fandom.com/wiki/Beadeaux_Smog
https://ffxiclopedia.fandom.com/wiki/Fu's_bead
https://ffxiclopedia.fandom.com/wiki/Gin's_bead
https://ffxiclopedia.fandom.com/wiki/Kei's_bead
https://ffxiclopedia.fandom.com/wiki/Kin's_bead
https://ffxiclopedia.fandom.com/wiki/Kyou's_bead
https://forgottenrealms.fandom.com/wiki/Bead_of_force
https://forgottenrealms.fandom.com/wiki/Bead_of_nourishment
https://forgottenrealms.fandom.com/wiki/Bead_of_refreshment
https://forgottenrealms.fandom.com/wiki/Firebead_Elvenhair
https://forgottenrealms.fandom.com/wiki/Necklace_of_prayer_beads
https://fruitsbasket.fandom.com/wiki/Juzu_Bead
https://marvel.fandom.com/wiki/Kimoyo_Beads
https://starwars.fandom.com/wiki/Mourning_bead
https://starwars.fandom.com/wiki/Silka_bead
https://starwars.fandom.com/wiki/Silka_bead/Legends
https://wowwiki-archive.fandom.com/wiki/Obsidian_Warbeads
https://wowwiki-archive.fandom.com/wiki/Quest:Beads_for_Salfa
https://wowwiki-archive.fandom.com/wiki/Quest:More_Obsidian_Warbeads
https://wowwiki-archive.fandom.com/wiki/Quest:More_Warbeads
https://wowwiki-archive.fandom.com/wiki/Quest:More_Warbeads!
https://wowwiki-archive.fandom.com/wiki/Winterfall_Spirit_Bead
Bakukyuu Renpatsu!! Super B-Daman -- -- Xebec -- 18 eps -- - -- Game Adventure Kids -- Bakukyuu Renpatsu!! Super B-Daman Bakukyuu Renpatsu!! Super B-Daman -- Tamago Tosaka is a fifth-grader who loves nothing more than a B-Daman battle. One day, Ganma Nishibe, a talented bead-warrior, is transferred to Tamago's school. Their B-Daman battles set the stage for this story. Beginning as rivals, the two come together to prepare for the B-Daman championships. The two boys come to trust and help one another as they work toward their shared goal. -- -- (Source: d-rights) -- TV - Jan 4, 1999 -- 1,046 6.21
https://commons.wikimedia.org/wiki/Category:Beads
https://commons.wikimedia.org/wiki/Category:Prayer_beads
Aggry beads
Al Beadle
Alfred N. Beadleston
Anal beads
Anglican prayer beads
Baily's beads
Baubles, Bangles, & Beads
Bead
Bead and reel
Bead (disambiguation)
Beaded darter
Beaded gecko
Beaded wood mouse
Bead Hill
Bead knitting
Beadlam
Beadle
Beadle's About
Beadlet anemone
Bead lily
Beadlock
Beadlow
Beadnell
Beadon
Bead-roll
Beads Friend
Beads from a Petal
Beadsman
Bead sort
Bead test
Bead tree
Beaduheard
Bead weaving
Beadwork
Beadwulf
Beady Eye
Beady-eyed mouse
Be (Beady Eye album)
Beadikov
Beadikovce
Beadovo
Beadalar
Captive bead ring
Cecil Beadon
Charles Beadle
Chauncey Beadle
Christmas and the Beads of Sweat
C. Marsh Beadnell
Darren Beadman
Dzi bead
Erastus Flavel Beadle
Etched carnelian beads
Ferrite bead
Four Letter Word (Beady Eye song)
Gaz Beadle
Gemma Beadsworth
George Beadle
Glass Bead
Glass beadmaking
Haplochromis beadlei
Henry Beadman Bryant
Hronsk Beadik
Hugh Beadle
Indian bead
James Princip Beadle
Jean Beadle
Jeremy Beadle
John Beadle
Jos Mendes Cabeadas
Kraikiat Beadtaku
Len Beadell
Len Beadle
Li'l Missy Beaded Dolls
List of songs recorded by Beady Eye
Mexican beaded lizard
Michelle Beadle
Microbead
Microbead (research)
Millionaire (Beady Eye song)
Murano beads
Noel Beadle
Pace count beads
Parrel beads
Peranakan beaded slippers
Peranakan cut beads
Perry Beadle T.1
Peter Beadle (artist)
Pleurobema beadleianum
Prayer beads
Prayer Bead with the Adoration of the Magi and the Crucifixion
Raymond Beadle
Richard Beadon
Rikki Beadle-Blair
Robert Beadell
Samuel Alfred Beadle
Seed bead
St. Cuthbert's beads
The Beaded Moccasins
The Beat Goes On (Beady Eye song)
The Blue Bead
The Glass Bead Game
Thomas Beadle
Tire bead
Tom Beadling
Trade beads
Tube beading
Ultraviolet-sensitive bead
Walco Bead Co.
Walter Beadsmoore
William Beadel
William Beadling
William Henry Harrison Beadle
Worry beads
Zag and the Coloured Beads
Zane Beadles
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authors -- Crowley - Peterson - Borges - Wilber - Teresa -Aurobindo -Ramakrishna - Maharshi -Mother
places -- Garden - Inf. Art Gallery - Inf. Building - Inf. Library - Labyrinth - Library - School -Temple - Tower - Tower of MEM
powers -- Aspiration - Beauty - Concentration - Effort - Faith - Force - Grace - inspiration -Presence - Purity - Sincerity - surrender
difficulties -- cowardice - depres. - distract. - distress - dryness - evil - fear - forget - habits - impulse - incapacity - irritation - lost - mistakes - obscur. - problem - resist - sadness - self-deception - shame - sin - suffering
practices -- Lucid Dreaming - meditation - project - programming - Prayer - read Savitri - studysubjects -- CS - Cybernetics - Game Dev - Integral Theory - Integral Yoga - Kabbalah - Language - Philosophy - Poetry - Zen
6.01 books -- KC - ABA - Null -Savitri - SA O TAOC -SICP - The Gospel of SRK - TIC - The Library of Babel -TLD -TSOY - TTYODAS - TSZ - WOTM II
8 unsorted / add here -- Always - Everyday - Verbs