TERMS STARTING WITH
bronze ::: 1. Any of various alloys of copper and tin in various proportions. 2. A moderate yellowish to olive brown color.
bronze ::: a. --> An alloy of copper and tin, to which small proportions of other metals, especially zinc, are sometimes added. It is hard and sonorous, and is used for statues, bells, cannon, etc., the proportions of the ingredients being varied to suit the particular purposes. The varieties containing the higher proportions of tin are brittle, as in bell metal and speculum metal.
A statue, bust, etc., cast in bronze.
A yellowish or reddish brown, the color of bronze; also, a
bronzed ::: imp. & p. p. --> of Bronze
bronzewing ::: n. --> An Australian pigeon of the genus Phaps, of several species; -- so called from its bronze plumage.
Bronze Age. See DVAPARA YUGA
TERMS ANYWHERE
Ad, Sons of Used by Mahatma KH in response to a question asked by Sinnett whether there had ever been civilizations “as great as our own in regard to intellectual development”: “Do you know that the Chaldees were at the apex of their Occult fame before what you term as the ‘bronze Age’? That the ‘Sons of Ad’ or the children of the Fire Mist preceded by hundreds of centuries the Age of Iron, which was an old age already, when what you now call the Historical Period . . . had hardly begun” (ML 145, 153).
aeneous ::: a. --> Colored like bronze.
age ::: n. **1. A great period or stage of the history of the Earth. 2. Hist. Any great period or portion of human history distinguished by certain characters real or mythical, as the Golden Age, the Patriarchal Age, the Bronze Age, the Age of the Reformation, the Middle Ages, the Prehistoric Age. 3. A generation or a series of generations. 4. Advanced years; old age. age"s, ages, ages". v. 5.** To grow old; to become aged.
Arakan Buddha. A colossal buddha image that is one of the most sacred images in Arakan, a coastal kingdom along the west coast of what eventually became the country of Burma after the Burmese conquest of the region in the eighteenth century; also known as the MAHAMUNI Buddha or the CandasAra Buddha. This twelve-foot, seven-inch, tall bronze image of the Buddha as MahAmuni ("Great Sage") is claimed by tradition to have been cast in 197 CE, during the reign of the Arakan king Candrasurya, and is assumed to be an exact replica of the Buddha himself, which was made at the time of his putative visit to the Arakan kingdom. The image is cast in the "earth-touching gesture" (BHuMISPARsAMUDRA) and is now enshrined in the Arakan pagoda (MahAmuni Paya), located near the old capital of AMARAPURA on the outskirts of the city of Mandalay, which was constructed to house it. The image was coveted by several of Arakan's neighboring kingdoms, including Prome, Pagan, Pegu, and the Shan, but was eventually carried off to Mandalay by the Burmese as war booty in 1784 when King Bodawpaya finally conquered the kingdom. Since its relocation to the shrine, the seated image has been covered by worshippers with so many layers of gold leaf that its torso is now totally obscured, leaving only the head and face fully visible. The image is embellished with a pointed crown and earrings made in 1884 in the JAMBUPATI style, with a royal insignia across its chest; the Buddha is also draped in shawls by the temple vergers every night to ward off the evening chill.
Archaeologists have calculated that these circles date from about 1900 BC in the so-called Early Bronze Age. Blavatsky states that the erection of such great monolithic monuments was supervised by initiated priests, some at least coming from Egypt, belonging to the second subrace of the fifth root-race, at a time when a land connection existed between France and Great Britain, but gives no date for the British stone circles. Recent excavations, however, have disclosed that the great circle cuts right across the site of an older and rather smaller one.
Astraea (Greek) [from astr star] Star maiden; daughter of Astraeus and Eos, or of Zeus and Themis. Themis, born of Uranus and Gaia (heaven and earth), signifies law, order, equity, as does her daughter Astraea, who lived among men in the Golden Age as the goddess of justice. But when wickedness prevailed in the bronze age, she was the last of the gods to withdraw, with her sister Aidos (modesty), and is found among the stars of Virgo. Another myth says that Zeus, when he carried off Ganymedes, the personified object of lust, threw Astraea back on earth again, where she fell on her head. Ganymedes is Aquarius, and the astronomical meaning refers to an inversion of the poles, which brings Aquarius into the northern celestial hemisphere and places Virgo upside down in the southern half (SD 2:785).
Asukadera. (飛鳥寺) In Japanese, "Asuka Temple"; also known as Hokoji ("Monastery of the Flourishing Dharma"), the Asukadera was built during the ASUKA period on a site known as the Amakashi no Oka by the Asuka River near Nara, Japan. Shortly after the death of Emperor Yomei in 587, the powerful vassals Mononobe no Moriya (d. 587), who represented the indigenous ritual specialists, and Soga no Umako (551?-626), a supporter of Buddhism who came from the Korean peninsula, found themselves caught in battle over imperial succession. In celebration of the Soga clan's victory over the Mononobe and the death of Moriya, the Soga commenced the construction of the first complete monastic compound in Japan, which they named Hokoji in 588. Hokoji was completed nine years later in 596 and for more than a century served as the central monastic complex of the Yamato court. The large monastic compound contained a central hall or KONDo and a central pagoda flanked by two other halls. A large lecture hall flanked by a belfry and SuTRA repository was located behind the main monastic complex. According to the NIHON SHOKI ("Historical Records of Japan"), Empress Suiko commissioned two sixteen-feet gilt-bronze icons of the Buddha to be made by Tori Busshi for installment in Hokoji. When the capital was moved from Fujiwarakyo to Heijokyo (modern-day Nara) in 710, the major monasteries including Hokoji were moved as well. Hokoji, otherwise known as Asukadera, was subsequently renamed Gangoji.
bronze ::: 1. Any of various alloys of copper and tin in various proportions. 2. A moderate yellowish to olive brown color.
bronze ::: a. --> An alloy of copper and tin, to which small proportions of other metals, especially zinc, are sometimes added. It is hard and sonorous, and is used for statues, bells, cannon, etc., the proportions of the ingredients being varied to suit the particular purposes. The varieties containing the higher proportions of tin are brittle, as in bell metal and speculum metal.
A statue, bust, etc., cast in bronze.
A yellowish or reddish brown, the color of bronze; also, a
bronzed ::: imp. & p. p. --> of Bronze
bronzewing ::: n. --> An Australian pigeon of the genus Phaps, of several species; -- so called from its bronze plumage.
bell metal ::: --> A hard alloy or bronze, consisting usually of about three parts of copper to one of tin; -- used for making bells.
Boaz: in Kabalistic and Masonic tradition, the white pillar of bronze cast for Solomon’s temple; the symbol of Divine Wisdom (Hokhmah, the second of the Sephiroth—q.v.).
Bodhisena. (C. Putixianna; J. Bodaisenna; K. Porisonna 菩提僊那) (704-760). Indian monk who traveled first to Southeast Asia and China starting in 723 and subsequently continued on to Japan in 736 at the invitation of the Japanese emperor Shomu (r. 724-749), where he resided at DAIANJI in Nara. Bodhisena was instrumental in helping to introduce the teachings of the HUAYAN (Kegon) school of Buddhism to Japan. Shomu also asked Bodhisena to perform the "opening the eyes" (KAIYAN; NETRAPRATIstHAPANA) ceremony for the 752 dedication of the great buddha image of VAIROCANA (see NARA DAIBUTSU; Birushana Nyorai) at ToDAIJI. At forty-eight feet high, this image remains the largest extant gilt-bronze image in the world and the Daibutsuden (Great Buddha Hall) where the image is enshrined is the world's largest surviving wooden building.
brass ::: n. --> An alloy (usually yellow) of copper and zinc, in variable proportion, but often containing two parts of copper to one part of zinc. It sometimes contains tin, and rarely other metals.
A journal bearing, so called because frequently made of brass. A brass is often lined with a softer metal, when the latter is generally called a white metal lining. See Axle box, Journal Box, and Bearing.
Coin made of copper, brass, or bronze.
Bronze Age. See DVAPARA YUGA
bronzine ::: n. --> A metal so prepared as to have the appearance of bronze. ::: a. --> Made of bronzine; resembling bronze; bronzelike.
bronzing ::: p. pr. & vb. n. --> of Bronze ::: n. --> The act or art of communicating to articles in metal, wood, clay, plaster, etc., the appearance of bronze by means of bronze powders, or imitative painting, or by chemical processes.
A material for bronzing.
bronzist ::: n. --> One who makes, imitates, collects, or deals in, bronzes.
bronzite ::: n. --> A variety of enstatite, often having a bronzelike luster. It is a silicate of magnesia and iron, of the pyroxene family.
bronzy ::: a. --> Like bronze.
calaverite ::: n. --> A bronze-yellow massive mineral with metallic luster; a telluride of gold; -- first found in Calaveras County California.
Church in New York City. The bronze of the
cist ::: n. --> A box or chest. Specifically: (a) A bronze receptacle, round or oval, frequently decorated with engravings on the sides and cover, and with feet, handles, etc., of decorative castings. (b) A cinerary urn. See Illustration in Appendix.
See Cyst.
coehorn ::: n. --> A small bronze mortar mounted on a wooden block with handles, and light enough to be carried short distances by two men.
contorniate ::: n. --> Alt. of Contorniate
A species of medal or medallion of bronze, having a deep furrow on the contour or edge; -- supposed to have been struck in the days of Constantine and his successors.
copper ::: n. --> A common metal of a reddish color, both ductile and malleable, and very tenacious. It is one of the best conductors of heat and electricity. Symbol Cu. Atomic weight 63.3. It is one of the most useful metals in itself, and also in its alloys, brass and bronze.
A coin made of copper; a penny, cent, or other minor coin of copper.
A vessel, especially a large boiler, made of copper.
the boilers in the galley for cooking; as, a ship&
daibutsu. (大佛). In Japanese, "great buddha"; referring to colossal wooden or cast-bronze buddha images, such as the forty-eight-foot-high image of VAIROCANA enshrined at ToDAIJI and the image of AMITABHA in KAmakura. As a specific example, see NARA DAIBUTSU.
diallage ::: n. --> A figure by which arguments are placed in various points of view, and then turned to one point.
A dark green or bronze-colored laminated variety of pyroxene, common in certain igneous rocks.
Dvāravatī. Name given to the Mon civilization that flourished in the region of present-day Thailand from roughly the sixth through the eleventh centuries, occupying chiefly the Menam valley and extending northward to Lamphun. Little is known of the political organization of Dvāravatī, that is, whether it was an empire that had one or more capitals, or whether it was instead a collection of autonomous city-states. The geographic distribution of urban sites suggests an economy based on control of trade routes, particularly across the Three Pagodas Pass into Burma, northward up the Chaophraya River toward Chiangmai, and eastward into Cambodia. The chief Dvāravatī centers of the Menam valley were U Thong, Lopburi, Khu Bua, and Nakhon Pathom. In the north near Lamphun was the kingdom of HaripuNjaya, which, according to the Thai chronicles, was founded in the seventh century by sages and governed by a heroic Mon queen named Cāma (cf. CĀMADEVĪVAMSA). Common at all of the sites are inscriptions written in Mon, with a smaller number in Sanskrit and Pāli. The sites are typically fortified with moats and earthen walls and display extensive Buddhist remains, which include ruins of monasteries, temples, and pagodas and stone and bronze sculpture and statuary. Much of Dvāravatī art shows strong Indian influence reminiscent of the Amaravatī and Gupta styles, while in later centuries a distinctive Khmer influence becomes evident. The overall religious culture of the Dvāravatī civilization appears to have been mixed, with evidence of multiple forms of Buddhism, Brahmanism, and indigenous cults receiving patronage. By the mid-eleventh century, the cities occupying the eastern portion of the Dvāravatī cultural zone were absorbed by the expanding Khmer empire of Angkor, while in the west they fell to the newly emergent Burmese empire of Pagan. HaripuNjaya alone retained a degree of autonomy until the thirteenth century, when it was conquered by the northern Thai kingdom of Lānnā (Lan Na).
embronze ::: v. t. --> To embody in bronze; to set up a bronze representation of, as of a person.
To color in imitation of bronze. See Bronze, v. t.
figured on a bronze medallion: obverse, lion¬
figure ::: n. --> The form of anything; shape; outline; appearance.
The representation of any form, as by drawing, painting, modeling, carving, embroidering, etc.; especially, a representation of the human body; as, a figure in bronze; a figure cut in marble.
A pattern in cloth, paper, or other manufactured article; a design wrought out in a fabric; as, the muslin was of a pretty figure.
A diagram or drawing; made to represent a magnitude or the relation of two or more magnitudes; a surface or space inclosed on all
figurine ::: n. --> A very small figure, whether human or of an animal; especially, one in terra cotta or the like; -- distinguished from statuette, which is applied to small figures in bronze, marble, etc.
foolahs ::: n. pl. --> Same as Fulahs.
A peculiar African race of uncertain origin, but distinct from the negro tribes, inhabiting an extensive region of Western Soudan. Their color is brown or yellowish bronze. They are Mohammedans. Called also Fellatahs, Foulahs, and Fellani. Fulah is also used adjectively; as, Fulah empire, tribes, language.
fuzangwu. (J. fukuzomotsu; K. pokchangmul 腹藏物). In Chinese, "interred objects," referring to items enshrined within the cavities of buddha images, a practice widespread in the Buddhist traditions of East Asia (if not throughout all of Buddhism). Typically the "lost-wax" casting process for creating iron or bronze images would leave a substantial cavity inside the image, in which could be interred such sacred objects as written or printed scriptures, DHĀRAnī, and MANTRA; smaller images of buddhas and bodhisattvas; information on the creation of the image, lists of sponsoring donors, and various dedications and vows; replicas of internal organs carved from wood or sown from cloth; or paddy rice, hulled rice, and soy beans as a form of permanent offering to the Buddha. The sealing of such things inside an image often took place as part of the consecration ritual for the image. Wooden images were also often carved in imitation of cast images in order to leave such an interment cavity. By serving as a repository of sacred objects, the image could thus serve not only as an object of worship but also play a role similar to that of a STuPA or CAITYA.
gandhaghatikā. (T. spos snod; C. xianglu; J. koro; K. hyangno 香爐). In Sanskrit, "censer," "incense burner"; a small stove with a perforated lid, both typically made of bronze or pottery, in which incense is burned as an offering during the performance of a ritual. In certain VINAYA traditions, such as the DHARMAGUPTAKA (see SIFEN LÜ), the censer is included in a list of eighteen requisites (S. astādasadravya; see PARIsKĀRA; NIsRAYA) that monks were allowed to keep, along with tooth cleaners, soap, the three robes, water bottle, begging bowl, sitting mat, walking staff, water filter, handkerchief, knife, fire starter, tweezers, sleeping hammock, sutras, vinaya texts, buddha images, and bodhisattva images.
Golden Age The first of the four Hesiodic Ages — Gold, Silver, Bronze, Iron — signifying the beginning of a new root-race and, on a smaller scale, the beginning of any subordinate racial period. This four-fold division applies not only to root-races but to all their subdivisions.
gong ::: a large bronze disk of Asian origin, having an upturned rim that produces a vibrant, hollow tone when struck, usually with a soft mallet.
Hesiodic Cosmogony The cosmogony and theogony of Hesiod, the Greek poet-philosopher of the 8th century BC, are historical but need interpretation to understand the symbology involved and to filter out the accumulation of minor myths which have been mingled with it. His two great works are Works and Days and Theogony. Among the features he mentions are: that gods and mortals have one common origin; that there have been four races preceding ours — called golden, silver, bronze, and iron, the fourth being that of the heroes who fell at Thebes and Troy; that seven is a sacred number in days and in constellations; that the beginning of all things was Chaos (Hesiod having the singular restraint to say nothing about what preceded Chaos); that “night” came before “day.” The giants he mentions parallel the asuras and suras and are reminiscences of Atlanteans. His three cyclopes are said to have been representative figures for the last three subraces of Lemuria, and also for three polar continents (SD 2:769, 776). His Prometheus typifies the Greek moral ideal in representing this rebel demigod as the benefactor of mankind, in contrast with the Christian Satan.
Hŭngch'onsa. (興天寺). In Korean, "Flourishing Heaven Monastery"; the head monastery of the school of Doctrine (KYO) during the Choson dynasty, located in Songbuk-ku in the capital of Seoul. When Queen Sindok (d. 1395) died, King Taejo (r. 1392-1398) ordered in 1396 that this monastery be constructed to the east of the queen's royal tomb. At the king's command, a Sarigak (a three-story reliquary pavilion) and a Sarit'ap (a reliquary STuPA) were erected at the north side of the monastery. Ceremonies to guide the spirit of the deceased queen, including the Uranbun ritual (see ULLAMBANA), were held during the seventh and eighth months. In 1408, Hŭngch'onsa was officially affiliated with the Hwaom school (C. HUAYAN ZONG), but was designated a generic Kyo monastery in 1424, when the seven schools of Choson-dynasty Buddhism were amalgamated into the two schools of Kyo (Doctrine) and SoN (Meditation). The Buddhist canon (taejanggyong; C. DAZANGJING; see KORYo TAEJANGGYoNG) was enshrined at the monastery in the ninth month of 1440. The monastery burned to the ground in 1510, and its large bronze monastery bell was moved to Toksu Palace. At King Sonjo's (r. 1567-1608) command, the monastery was reconstructed in 1569 at the old location of the Hamch'wi kiosk. The monastery's name was changed to Sinhŭngsa in 1794, but then changed back to Hŭngch'onsa in 1865. The monastery is known for its Kŭngnak pojon (SUKHĀVATĪ Hall) and MYoNGBU CHoN (Hall of Judgment), both of which are Seoul municipal cultural properties.
hypersthene ::: n. --> An orthorhombic mineral of the pyroxene group, of a grayish or greenish black color, often with a peculiar bronzelike luster (schiller) on the cleavage surface.
In modern paleoethnology, the iron age follows stone and bronze ages, in accordance with a supposed evolution in the use of materials for implements.
Kamakura daibutsu. (鎌倉大佛). In Japanese, "Great Buddha of Kamakura"; a colossal bronze buddha image located at KoTOKUIN, a JoDOSHu temple in Kamakura City, Kanagawa Prefecture, Japan. The Kamakura daibutsu is a huge bronze statue of Amida (S. AMITĀBHA) and is one of Japan's most renowned buddha images. It is forty-four feet high and weighs about ninety-three tons. The first Kamakura shogun, Minamoto no Yoritomo (1147-1199), saw the colossal buddha image at ToDAIJI (see NARA DAIBUTSU) that had been restored in 1185 and, inspired, proposed erecting a similar image in his capital of Kamakura. After his premature death, the building campaign was carried out by his court lady Ineda no Tsubone (d.u.) and the monk Joko (d.u.) and the image cast by ono Goroemon and Tanji Hisatomo from eight separate bronze plates that were ingeniously pieced together. Casting and gilding of the bronze image began in 1252 and took some twelve years to complete; the new image replaced an earlier wooden statue from 1243 that had been badly damaged in a storm. It was originally located inside a huge wooden shrine hall; the building was destroyed by a tsunami that demolished the entire temple in 1495 but that was not strong enough to budge the massive statue. Without funds for repairs, the image was neglected for years until the Jodo monk Yuten Ken'yo (1637-1718) arranged for needed restorations in 1712; just behind the image are four bronze plates in the shape of lotus petals, on which are engraved the names of the donors who contributed to the restoration project. The image's head is covered with 656 stylized curls and is disproportionately large so that it will not look small to people viewing it from the ground; the hands are in the meditation gesture (DHYĀNAMUDRĀ) typical of Amitābha images, with both hands displaying encircled thumb and index fingers. The image was repaired in 1923 after the Great Kanto earthquake and once again in 1960-1961. The image is one of the most famous sites in Japan and draws well over a million visitors a year.
Kotokuin. (高德院). In Japanese, "High Virtue Cloister"; located in Kamakura, Kanagawa prefecture, Japan. Kotokuin is best known as the home of the colossal buddha image of Kamakura (see KAMAKURA DAIBUTSU), a huge bronze statue of AMITĀBHA Buddha; as a consequence, the temple is often called Daibutsuji. The temple is associated with the Jodoshu, or Pure Land sect. After one crosses the threshold of the entrance gate into the temple compound, the site appears more like a park dedicated to the colossal buddha image than a temple; in fact, the real Kotokuin temple buildings are now located to the east of the image and are off-limits to most tourists. Toward the back of the temple is now located the Kangetsudo, or Moon-Viewing Hall, which was brought from Korea in 1934; it enshrines an Edo-period (1603-1868) statue of Kannon (AVALOKITEsVARA). To the right of the Moon-Viewing Hall is a stone stele on which is inscribed a famous tanka poem by Akiko Yosano (1878-1942) describing her impression on first seeing the Kamakura Daibutsu (although she mistakenly presumes she is viewing sĀKYAMUNI, not Amitābha).
kundikā. (T. ril ba spyi blugs/ril tshags; C. jingping/junchi; J. jobyo/gunji; K. chongbyong/kunji 淨甁/軍持). In Sanskrit and Pāli, "water pot" or "water sprinkler"; also seen spelled as kundika or kundaka (there are similarly many variations in the Chinese transcriptions and translations); the vessel originally used by monks and nuns for carrying water, which later became a common ritual implement used in a wide variety of Buddhist ceremonies for sprinkling water for purification. The kundikā was one of the eighteen requisites (PARIsKĀRA, NIsRAYA) that monks and nuns were allowed to keep and could be used either as a canteen for drinking water or as a pot for carrying water to use at the latrine. The kundikā has a distinctive shape: the oval main vessel, which can typically hold over three liters of water has a separate short spout, which was used to fill the pot with water, and its long neck is topped with a long slender tube through which water was poured (although these functions were sometimes interchanged). The two spouts were capped with metal, bamboo, or even fabric so that insects and dirt would not foul the water. The vessels were commonly made from earthenware, porcelain, or bronze. Scores of metal kundikā that were used in rituals are found in East Asia from the seventh and eighth centuries. During the Koryo dynasty in Korea, such kundikā were widely used by nobility and commoners, monks, and laypersons for storing water. A particularly exquisite twelfth-century bronze kundikā, inlaid with silver willows and aquatic birds, is a Korean national treasure. The BODHISATTVA AVALOKITEsVARA, especially his moon in the water form (SHUIYUE GUANYIN), is often depicted holding a kundikā capped by a willow twig and filled with the nectar of immortality (AMṚTA), which he used to alleviate the suffering of sentient beings.
lapwing ::: n. --> A small European bird of the Plover family (Vanellus cristatus, or V. vanellus). It has long and broad wings, and is noted for its rapid, irregular fight, upwards, downwards, and in circles. Its back is coppery or greenish bronze. Its eggs are the "plover&
magenta ::: n. --> An aniline dye obtained as an amorphous substance having a green bronze surface color, which dissolves to a shade of red; also, the color; -- so called from Magenta, in Italy, in allusion to the battle fought there about the time the dye was discovered. Called also fuchsine, roseine, etc.
Magoksa. (麻谷寺). In Korean, "Hemp Valley Monastery"; the sixth district monastery (PONSA) of the contemporary CHOGYE CHONG of Korean Buddhism, located on T'aehwasan (Exalted Splendor Mountain) outside the city of Kongju in South Ch'ungch'ong province. The origins of the monastery and its name are obscure. One record claims that Magoksa was established by the Silla VINAYA master CHAJANG (fl. c. 590-658) in 643; because so many people attended Chajang's dharma lecture at the monastery's founding, the audience was said to have been "as dense as hemp stalks," so the Sinograph for "hemp" (ma) was given to the name of the monastery. This claim is, however, suspect since the monastery is located in what was then the territory of Silla's rival Paekche. A second theory is that the monastery was founded in 845 by Muju Muyom (799-888), founder of the Songjusan school of the Nine Mountains school of Son (KUSAN SoNMUN). When Muyom returned to Silla in 845 from his training in China, he is said to have named the monastery after his Chinese CHAN teacher Magu Baoche (K. Magok Poch'ol; b. 720?). Finally, it is also said that the monastery's name simply derives from the fact that hemp was grown in the valley before the monastery's establishment. In 1172, during the Koryo dynasty, Magoksa was significantly expanded in scope by POJO CHINUL (1158-1210) and his disciple Suu (d.u.), who turned it into a major monastery in the region. Following the Japanese Hideyoshi invasions of 1592-1598, the monastery sat destroyed for some sixty years until several of its shrine halls were reconstructed by Kakch'ong (d.u.) in 1651 and the monastery returned to prominence. The Taegwang pojon (Basilica of Great Brightness) is Magoksa's central sanctuary and enshrines an image of the buddha VAIROCANA; the building was reconstructed in 1172 by Pojo Chinul and again in 1651. In front of the basilica is a juniper tree planted by the independence fighter Kim Ku (1876-1949), who later lived at the monastery as a monk. Magoksa's main buddha hall (taeung pojon; see TAEUNG CHoN) enshrines a sĀKYAMUNI Buddha statue that is flanked by AMITĀBHA and BHAIsAJYAGURU, and the calligraphy hanging outside this hall is reported to be that of Kim Saeng (711-790/791), one of Silla's most famous calligraphers. One of Magoksa's unique structures is its five-story, Koryo-era stone pagoda, which is built upon a two-story-high stone base; its bronze cap suggests Tibetan influences that may have entered Korea via the Mongol Yuan dynasty. It is one of only three STuPAs of similar style known to exist worldwide. The Yongsan chon (Vulture Peak Hall) is decorated with paintings of the eight stereotypical episodes in the life of the Buddha (p'alsang; see C. BAXIANG); it is also called the Ch'onbul chon, or Thousand Buddhas Hall, for the many buddha statues enshrined around the inside perimeter of the hall. The building, which was reconstructed by Kakch'ong in 1651, is today's Magoksa's oldest extant building, with a plaque that may display the calligraphy of King Sejo (r. 1455-1468).
Mahādhammasamādānasutta. (C. Shoufa jing; J. Juhokyo; K. Subop kyong 受法經). In Pāli, the "Larger Discourse on Undertaking the DHARMA"; the forty-sixth sutta in the MAJJHIMANIKĀYA (a separate SARVĀSTIVĀDA recension appears as the 175th sutra in the Chinese translation of the MADHYAMĀGAMA); preached by the Buddha to a gathering of monks in the JETAVANA grove at Sāvatthi (S. sRĀVASTĪ). The Buddha explains the different consequences that befall those who act with ignorance and those who act with wisdom. He then describes four ways of undertaking things in this life and the good and bad consequences that accrue to one who follows these ways. The first way is to live a painful life now, followed by a painful future existence; the second way is to live a pleasant life now, followed by a painful existence; the third way is to live a painful life now, followed by a pleasant existence; the fourth way is to live a pleasant life now, followed by a pleasant existence. The Buddha illustrates his points using the similes of a bitter gourd of poison, a bronze cup of a flavorful poisoned beverage, a medicine made from cow's urine, and a flavorful medicinal drink.
mandala. (T. dkyil 'khor; C. mantuluo; J. mandara; K. mandara 曼荼羅). In Sanskrit, lit. "circle"; a polysemous term, best known for its usage in tantric Buddhism as a type of "circular diagram." Employed widely throughout South, East, and Central Asia, mandala are highly flexible in form, function, and meaning. The core concept of mandala originates from the Sanskrit meaning "circle," where a boundary is demarcated and increasing significance is accorded to areas closer to the center; the Tibetan translation (dkyil 'khor) "center periphery" emphasizes this general scheme. In certain contexts, mandalas can have the broad sense of referring to circular objects ("mandala of the moon") or a complete collection of constituent parts ("mandala of the universe"). This latter denotation is found in Tibetan Buddhism, where a symbolic representation of the universe is offered to buddhas and bodhisattvas as a means of accumulating merit, especially as a preliminary practice (SNGON 'GRO). Mandalas may have begun as a simple circle drawn on the ground as part of a ritual ceremony, especially for consecration, initiation, or protection. In its developed forms, a mandala is viewed as the residential palace for a primary deity-located at the center-surrounded by an assembly of attendant deities. This portrayal may be considered either a symbolic representation or the actual residence; it may be mentally imagined or physically constructed. The latter constitutes a significant and highly developed contribution to the sacred arts of many Asian cultures. Mandalas are often depicted two dimensionally by a pattern of basic geometric shapes and are most commonly depicted in paint or colored powders. These are thought of almost as architectural floor plans, schematic representations viewed from above of elaborate three-dimensional structures, mapping an ideal cosmos where every element has a symbolic meaning dependent upon the ritual context. Mandalas are occasionally fashioned in three dimensions from bronze or wood, with statues of deities situated in the appropriate locations. When used in a private setting, such as in the Buddhist visualization meditation of deity yoga (DEVATĀYOGA), the practitioner imagines the entire universe as purified and transformed into the transcendent mandala-often identifying himself or herself with the form of the main deity at the center. In other practices, the mandala is visualized within the body, populated by deities at specific locations. In public rituals, including tantric initiations and consecration ceremonies, a central mandala can be used as a common basis for the participation of many individuals, who are said to enter the mandala. The mandala is also understood as a special locus of divine power, worthy of ritual worship and which may confer "blessings" upon devotees. Religious monuments (BOROBUDUR in Java), institutions (BSAM YAS monastery in Tibet), and even geographical locations (WUTAISHAN in China) are often understood as mandalas. Mandalas have also entered the popular vocabulary of the West. Swiss psychologist Carl Jung developed theories of cognition incorporating mandalas as an analytical model. The fourteenth DALAI LAMA has used the KĀLACAKRA mandala as a means of spreading a message of peace throughout the world. See also KONGoKAI; TAIZoKAI.
Mandalay. The last royal capital of the Burmese Konbaung kingdom, prior to the British conquest of Burma (Myanmar). The city is situated on the eastern bank of the Irrawaddy River, twelve miles north of AVA (Inwa) and five miles north of AMARAPURA, both previous capitals of the Konbaung dynasty (1752-1885). Built in 1857 by MINDON MIN (r. 1853-1878) at the base of the eponymous Mandalay Hill, its construction was carried out at the place where the Buddha is said to have made a prophecy that a great Buddhist capital would arise on that spot in the 2,400th year after the parinibbāna. Very similar in plan to Amarapura, Mandalay is laid out in a grid pattern, at the center of which is a royal precinct in the shape of a perfect square surrounded by a wide moat and a brickwork defensive wall. The wall is pierced by twelve gates, three on each side, crowned with multistoried tiered pavilions (B. pyatthat), symbols of royal authority. Broad avenues run perpendicularly from the gates to the center of the royal compound where the palace and ancillary buildings are located. Destroyed during Allied bombing in World War II, these structures have recently been restored. The city's most famous shrine is the MAHĀMUNI pagoda, which houses the colossal bronze Mahāmuni image of Gotama Buddha (see ARAKAN BUDDHA). Originally housed in the palladium of Arakan, the Mahāmuni was seized by King Bodawpaya (r. 1782-1819) when he conquered that kingdom in 1785. As had been the case with the founding of earlier capitals, the construction of Mandalay was regarded as inaugurating a golden age wherein the religion, culture, and political fortunes of the Burmese kingdom would flourish. In connection with the prophecy, in 1868, Mindon Min summoned 2,400 learned monks to the capital from throughout the kingdom to revise the Pāli TIPItAKA in what came to be regarded by the Burmese as the fifth Buddhist council (see COUNCIL, FIFTH). In 1871, the revised Burmese canon was inscribed on 729 stone slabs that were erected, each in its own shrine, in concentric rings around the massive Kuthodaw pagoda (Pagoda of Great Merit). The entire complex occupies fourteen acres and is situated to the northeast of the fortified city at the base of Mandalay Hill. Nearby is the Sandamuni pagoda, constructed along a similar plan, which houses 1,171 slabs on which are inscribed the Pāli commentaries. Another monument constructed for the synod is the Kyauktawgyi pagoda modeled after the ANANDA TEMPLE at PAGAN, which contains a colossal seated statue of the Buddha. Commemorating Mandalay's foundation legend is the Shweyattaw temple, also built by Mindon Min and located halfway up a stairway leading to the top of Mandalay Hill. The structure houses a colossal standing image of the Buddha covered in gold leaf, whose outstretched arm points to the city center, marking the spot where the Buddha delivered his prophecy. In addition to its pagodas and temples, the city boasted numerous monasteries and colleges making it one of the major scholastic centers of the kingdom. Mandalay ceased to be the Burmese capital in 1885 when it fell to British troops at the conclusion of the Third Anglo-Burmese War.
millerite ::: n. --> A believer in the doctrine of William Miller (d. 1849), who taught that the end of the world and the second coming of Christ were at hand.
A sulphide of nickel, commonly occurring in delicate capillary crystals, also in incrustations of a bronze yellow; -- sometimes called hair pyrites.
Mutar ::: Permitted. ::: Mutterkreuz ::: Mother's cross—Promoted Aryan mothers to produce more children. For every 4 kids, a mother received a bronze cross, every 6 she received a silver, and for 8 kids, she got a gold.
Nālandā. (T. Na len dra; C. Nalantuosi; J. Narandaji; K. Narandasa 那爛陀寺). A great monastic university, located a few miles north of RĀJAGṚHA, in what is today the Indian state of Bihar. It was the most famous of the Buddhist monastic universities of India. During the Buddha's time, Nālandā was a flourishing town that he often visited on his peregrinations. It was also frequented by MAHĀVĪRA, the leader of the JAINA mendicants. According to XUANZANG (whose account is confirmed by a seal discovered at the site), the monastery at Nālandā was founded by King sakrāditya of MAGADHA, who is sometimes identified as the fifth-century ruler Kumāragupta I (r. 415-455). It flourished between the sixth and twelfth centuries CE under Gupta and Pāla patronage. According to Tibetan histories, many of the greatest MAHĀYĀNA scholars, including ASAnGA, VASUBANDHU, DHARMAKĪRTI, DHARMAPĀLA, sĪLABHADRA, and sĀNTIDEVA, lived and taught at Nālandā. Several MADHYAMAKA scholars, including CANDRAKĪRTI, are also said to have taught there. At its height, Nālandā was a large and impressive complex of monasteries that had as many as ten thousand students and fifteen hundred teachers in residence. During the reign of Harsa, it was supported by a hundred neighboring villages, each with two hundred households providing rice, butter, and milk to sustain the community of monastic scholars and students. The library, which included a nine-story structure, is said to have contained hundreds of thousands of manuscripts. The university had an extensive curriculum, with instruction offered in the VAIBHĀsIKA school of SARVĀSTIVĀDA ABHIDHARMA, SAUTRĀNTIKA, YOGĀCARA, and MADHYAMAKA, the Vedas and Hindu philosophical schools, as well as mathematics, grammar, logic, and medicine. Nālandā attracted students from across Asia, including the Chinese pilgrims YIJING and Xuanzang, who provided detailed reports of their visits. Both monks were impressed by the strict monastic discipline that was observed at Nālandā, with Xuanzang reporting that no monk had been expelled for a violation of the VINAYA in seven hundred years. In the eleventh century, NĀROPA held a senior teaching position at Nālandā, until he left in search of his teacher TILOPA. In 1192, Nālandā was sacked by Turkic troops under the command of Bakhtiyar Khilji, who may have mistaken it for a fortress; the library was burned, with the thousands of manuscripts smoldering for months. The monastery had been largely abandoned by the time of a Tibetan pilgrim's visit in 1235 CE, although it seems to have survived in some form until around 1400. Archaeological excavations began at Nālandā in the early twentieth century and have continued since, unearthing monasteries and monastic cells, as well as significant works of art in stone, bronze, and stucco.
Nara daibutsu. [alt. Birushana Nyorai] (奈良大佛/毘遮那如來). In Japanese, lit. "The Great Buddha of Nara"; a colossal image of the buddha VAIROCANA located at ToDAIJI in the ancient Japanese capital of Nara. At about forty-eight feet (14.98 meters) high, this image is the largest extant gilt-bronze image in the world, and the Daibutsuden (Great Buddha Hall) where the image is enshrined is the world's largest surviving wooden building. Despite its massive size, however, the current Daibutsuden, which was reconstructed during the middle of the Edo period (1603-1867) to a height of 156 feet (forty-eight meters), is only two-thirds the size of the original structure. The Indian monk BODHISENA (J. Bodaisenchi) (704-760), who traveled to Japan in 736 at the invitation of Emperor Shomu (r. 724-749), performed the "opening the eyes" (KAIYAN; NETRAPRATIstHĀPANA) ceremony for the 752 dedication of the great buddha image. The bronze body of the image was restored in 1185, and the massive head (seventeen feet, or 5.3 meters, in size) was repaired in 1692. See also KAMAKURA DAIBUTSU.
orsedue ::: n. --> Leaf metal of bronze; Dutch metal. See under Dutch.
palstave ::: n. --> A peculiar bronze adz, used in prehistoric Europe about the middle of the bronze age.
patina ::: n. --> A dish or plate of metal or earthenware; a patella.
The color or incrustation which age gives to works of art; especially, the green rust which covers ancient bronzes, coins, and medals.
penny ::: a. --> Denoting pound weight for one thousand; -- used in combination, with respect to nails; as, tenpenny nails, nails of which one thousand weight ten pounds.
Worth or costing one penny. ::: n. --> An English coin, formerly of copper, now of bronze, the
phlogopite ::: n. --> A kind of mica having generally a peculiar bronze-red or copperlike color and a pearly luster. It is a silicate of aluminia, with magnesia, potash, and some fluorine. It is characteristic of crystalline limestone or dolomite and serpentine. See Mica.
phosphor-bronze ::: n. --> A variety of bronze possessing great hardness, elasticity, and toughness, obtained by melting copper with tin phosphide. It contains one or two per cent of phosphorus and from five to fifteen per cent of tin.
Popchusa. (法住寺). In Korean, "Monastery Where the Dharma Abides"; the fifth district monastery (PONSA) of the contemporary CHOGYE CHONG of Korean Buddhism, located at the base of Songni (Leaving Behind the Mundane) Mountain in North Ch'ungch'ong province. Popchusa was founded in 553, during the reign of the Silla King Chinhŭng (r. 540-576), by the monk Ŭisin (d.u.) who, according to legend, returned from the "western regions" (viz. Central Asia and India) with scriptures and resided at the monastery; hence the monastery's name. In 1101, during the Koryo dynasty, ŬICH'oN (1055-1101) held an assembly to recite the RENWANG JING ("Scripture for Humane Kings") here for the protection of the state (see HUGUO FOJIAO), which is said to have been attended by thirty thousand monks. On entering the monastery, to the back and left of the front gate there are two granite pillars that date from the eleventh century, which were used to support the hanging paintings (KWAEBUL) that were unfurled on such important ceremonial occasions as the Buddha's birthday. A pavilion on the right houses a huge iron pot dated to 720 CE, which was purportedly once used to prepare meals for monks and pilgrims; off to the side is a water tank made of stone that would have held about 2,200 gallons (ten cubic meters) of water. There is also a lotus-shaped basin dating from the eighth century and a lion-supported stone lantern sponsored by the Silla monarch Songdok (r. 702-737) in 720. The main shrine hall (TAEUNG CHoN) houses images of VAIROCANA, sĀKYAMUNI, and Rocana buddhas. Behind these three statues are three paintings of the same buddhas, accompanied by BODHISATTVAs, a young ĀNANDA, and the elderly MAHĀKĀsYAPA. In the paintings sākyamuni and Rocana are surrounded by rainbows and Vairocana by a white halo. Popchusa is especially renowned for its five-story high wooden pagoda, which dates from the foundation of the monastery in 553; it may have been the model for the similar pagoda at HoRYuJI in Nara, Japan. The current pagoda was reconstructed in 1624 and is the oldest extant wooden pagoda in Korea. The pagoda is painted with pictures of the eight stereotypical episodes in the life of the Buddha (see BAXIANG). Inside are four images of sākyamuni: the east-facing statue is in the gesture of fearlessness (ABHAYAMUDRĀ); the west, in the teaching pose (DHARMACAKRAMUDRĀ); the south, in the touching-the-earth gesture (BHuMISPARsAMUDRĀ); and the north, in a reclining buddha posture, a rare Korean depiction of the Buddha's PARINIRVĀnA. Around the four buddha images sit 340 smaller white buddhas, representing the myriad buddhas of other world systems. The ceiling inside is three stories high, and the beams, walls, and ceiling are painted with various images, including bodhisattvas and lotus flowers. Outside the pagoda is Popchusa's most striking image, the thirty-three-meter (108-foot), 160-ton bronze statue of the bodhisattva MAITREYA. The original image is said to have been constructed by the Silla VINAYA master CHINP'YO (fl. eighth century), but was removed by the Taewon'gun in 1872 and melted down to be used in the reconstruction of Kyongbok Palace in Seoul. A replacement image was begun in 1939 but was never completed; another temporary statue was crafted from cement and installed in 1964. The current bronze image was finally erected in 1989. Near the base is a statue of a woman with a bowl of food, representing the laywoman SUJĀTĀ, who offered GAUTAMA a meal of milk porridge before his enlightenment.
Pulguksa. (佛國寺). In Korean, "Buddha Land Monastery," located outside KYoNGJU, the ancient capital of the Silla dynasty, on the slopes of T'oham Mountain; this Silla royal monastery is the eleventh district monastery (PONSA) of the contemporary CHOGYE CHONG of Korean Buddhism and administers over sixty subsidiary monasteries and hermitages. According to the SAMGUK YUSA ("Memorabilia of the Three Kingdoms"), Pulguksa was constructed in 751 by Kim Taesong (700-774), chief minister of King Kyongdok (r. 742-765), and completed in 774; it may have been constructed on the site of a smaller temple that dated from c. 528, during the reign of the Silla King Pophŭng (r. 514-539). Although it was a large complex, Pulguksa was not as influential within the Silla Buddhist tradition as other Kyongju monasteries, such as HWANGNYONGSA and PUNHWANGSA. The monastery has since been renovated numerous times, one of the largest projects occurring at the beginning of the seventeenth century, after the monastery was burned during the Japanese Hideyoshi invasions of 1592-1598. Pulguksa's temple complex is built on a series of artificial terraces that were constructed out of giant stone blocks and is entered via two pairs of stone "bridges" cum staircases, which are Korean national treasures in their own right and frequently photographed. The main level of the monastery centers on two courtyards: one anchored by the TAEUNG CHoN, or the main shrine hall, which houses a statue of sĀKYAMUNI Buddha, the other by the kŭngnak chon, or hall of ultimate bliss (SUKHĀVATĪ), which houses an eighth-century bronze statue of the buddha AMITĀBHA. The taeung chon courtyard is graced with two stone pagodas, the Sokka t'ap (sākyamuni STuPA) and the Tabo t'ap (Prabhutaratna stupa), which are so famous that the second of them is depicted on the Korean ten-won coin. The juxtaposition of the two stupas derives from the climax of the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"), where the buddha PRABHuTARATNA (Many Treasures) invites sākyamuni to sit beside him inside his bejeweled stupa, thus validating the teachings sākyamuni delivered in the scripture. The Sokka t'ap represents sākyamuni's solitary quest for enlightenment; it is three stories tall and is notable for its bare simplicity. This stupa is in marked contrast to its ornate twin, the Tabo t'ap, or Pagoda of the buddha Prabhutaratna, which is modeled after a reliquary and has elaborate staircases, parapets, and stone lions (one of which was removed to the British Museum). During a 1966 renovation of the Sokka t'ap, the world's oldest printed document was discovered sealed inside the stupa: the MUGUJoNGGWANG TAEDARANI KYoNG (S. Rasmivimalavisuddhaprabhādhāranī; "Great DHĀRAnĪ of Immaculate Radiance"). The terminus ad quem for the printing of the Dhāranī is 751 CE, when the text was sealed inside the Sokka t'ap, but it may have been printed even earlier. Other important buildings include the Piro chon (VAIROCANA Hall) that enshrines an eighth-century bronze statue of its eponymous buddha, which is presumed to be the oldest bronze image in Korea; the Musol chon (The Wordless Hall), a lecture hall located directly behind the taeung chon, which was built around 670; and the Kwanŭm chon (AVALOKITEsVARA hall), built at the highest point of the complex. Two and a half miles (4 kms) up T'oham Mountain to the east of Pulguksa is its affiliated SoKKURAM grotto temple. Pulguksa and Sokkuram were jointly listed in 1995 as a UNESCO World Heritage Site.
represent ::: v. t. --> To present again or anew; to present by means of something standing in the place of; to exhibit the counterpart or image of; to typify.
To portray by pictoral or plastic art; to delineate; as, to represent a landscape in a picture, a horse in bronze, and the like.
To portray by mimicry or action of any kind; to act the part or character of; to personate; as, to represent Hamlet.
Rje btsun dam pa. (Jetsün Dampa). In Tibetan, "excellent lord," the Tibetan name of the Khalkha Jebtsundamba Khutuktu, the lineage of incarnate lamas who serve as head of the DGE LUGS sect in Mongolia, also known as Bogd Gegen. The lineage was established by the fifth DALAI LAMA, who, after his suppression of the JO NANG sect, declared that the renowned Jo nang scholar TĀRANĀTHA had been reborn in Mongolia, thus taking an important line of incarnations from a rival sect and transferring it to his own Dge lugs sect. The first Rje btsun dam pa was Blo bzang bstan pa'i rgyal mtshan (1635-1723), known in Mongolian as Bogdo Zanabazar or simply Zanabazar. He was the son of the Mongol prince Gombodorj, the Tosiyetu Khan, ruler of the Khan Uula district of Mongolia, and himself became the head of the Khalkha Mongols. He and the second Rje btsun dam pa lama were direct descendants of Genghis Khan. Zanabazar was ordained at the age of five and recognized as the incarnation of Tāranātha, this recognition confirmed by the fifth Dalai Lama and first PAn CHEN LAMA. He spent 1649-1651 in Tibet where he received initiations and teachings from the two Dge lugs hierarchs. Zanabazar is remembered especially as a great sculptor who produced many important bronze images. He was also a respected scholar and a favorite of the Manchu Chinese Kangxi emperor. During the Qing dynasty, the Rje btsun dam pa was selected from Tibet, perhaps in fear that a Mongol lama would become too powerful. During the Qing, it was said that the Qing emperor, the Dalai Lama, and the Rje btsun dam pa were incarnations of MANJUsRĪ, AVALOKITEsVARA, and VAJRAPĀnI, respectively. When northern Mongolia sought independence, the eighth Rje btsun dam pa (1869-1924) assumed the title of emperor of Mongolia, calling himself Boghda Khan (also "Bogd Khan"). He was the head of state until his death in 1924, after which the Communist government declared the end of the incarnation line. However, 'Jam dpal rnam grol chos kyi rgyal mtshan was recognized in LHA SA as the ninth Rje btsun dam pa; he fled into exile in India in 1959.
Saidaiji. (西大寺). In Japanese, "Great Monastery to the West"; one of the seven major monasteries in the ancient Japanese capital of Nara (J. NANTO SHICHIDAIJI); the headquarters of the True Word Precepts (SHINGON-Ritsu) school in Japan. As its name implies, Saidaiji is located in the western part of Nara and was first constructed in 765 in accordance with a decree from SHoTOKU TAISHI (572-622). The monastery originally had two main halls, one dedicated to the buddha BHAIsAJYAGURU and the other to the bodhisattva MAITREYA. After conflagrations in 846 and 860, the monastery began to decline, but revived when Eison (Kosho bosatsu; 1201-1290) moved there in 1235 and made it the center of his movement to restore the VINAYA. After another major fire in 1502, the Tokugawa Shogunate supported a rebuilding project. The monastery enshrines four bronze statues of the four heavenly kings (CATURMAHĀRĀJA), dating to the Nara (710-794) period. The main hall is dominated by a statue of sĀKYAMUNI said to have been carved cooperatively by eleven sculptors in 1249. To its right is a statue of MANJUsRĪ riding a lion, to its left, a statue of Maitreya dating from 1322.
schiller ::: n. --> The peculiar bronzelike luster observed in certain minerals, as hypersthene, schiller spar, etc. It is due to the presence of minute inclusions in parallel position, and is sometimes of secondary origin.
sculptor ::: n. --> One who sculptures; one whose occupation is to carve statues, or works of sculpture.
Hence, an artist who designs works of sculpture, his first studies and his finished model being usually in a plastic material, from which model the marble is cut, or the bronze is cast.
sculptress, did a figure in gold bronze titled the
sheliju. (J. sharigu; K. sarigu 舍利具). In Chinese, a "reliquary container" containing the relics (sARĪRA) of the Buddha or a sage; also written as SHELIQI. The relics were deposited in a set of nested caskets and were placed inside or buried below the foundation of a STuPA. A tiny glass bottle placed inside several layered caskets served as the innermost container for the crystalline relic-grains remaining after cremation. The shape of the caskets differed according to time and region, from a stupa shape to the shape of a bowl or tube, and the caskets were made of gold, silver, gilt bronze, lacquered wood, porcelain, or stone. The sides of the caskets were often incised with buddha images or guardian deities. In addition to the relic, the donors frequently deposited a multitude of objects of intrinsic or artistic value in the containers, including beads, pearls, jewelry, or coins. The earliest known reliquary is a steatite casket found in the stupa of Piprāwā (fifth-fourth centuries BCE) in India. In China, the reliquary chamber excavated at the FAMENSI pagoda is the most widely researched. In contrast to most Chinese reliquary chambers, which were only accessible prior to the construction of a pagoda, the Famensi relic was escorted to and from the imperial palace. Further outstanding examples of reliquaries have been excavated at Songnimsa and Kamŭnsa in Korea. Both reliquaries date from the Silla period and show the refined amalgamation of foreign influences and native Silla craftsmanship. The center of the Songnimsa reliquary is a small green glass bottle, placed in a green glass cup decorated with twelve rings of coiled glass, which derives from Persian or Syrian prototypes. The Kamŭnsa reliquary contains a vessel in the shape of a miniature pavilion and an outer container decorated on each side with the four heavenly kings, pointing to the LOKAPĀLA cult that thrived in Silla society at that time.
Silver In Greek and Roman mythology, a racial or age division in the Hesiodic cycle of gold, silver, bronze, and iron, corresponding in the Hindu yugas to the treta yuga. This metal was regarded as standing next to gold in importance. The quicksilver of Paracelsus was not the mercury of familiar knowledge alone, but also the living spirit of silver. Silver in astrological symbolism corresponds to the moon.
Sinhŭngsa. (神興寺). In Korean, "Divinely Flourishing Monastery"; the third district monastery (PONSA) of the contemporary CHOGYE CHONG of Korean Buddhism, located in Outer Soraksan (Snowy Peaks Mountain) near the town of Sokch'o. The monastery was founded in 652 by the Silla VINAYA master CHAJANG (d.u.; fl. c. mid-seventh century), who named it Hyangsongsa, or City of Fragrances [see GANDHAVATĪ] (monastery), but it has been nicknamed "Monastery of Frequent Changes" because it has changed its location, name, and school affiliation so many times over the centuries. When Hyangsongsa burned down in 698, the Silla Hwaom (C. HUAYAN) teacher ŬISANG (625-702) had it rebuilt three years later near its current site and renamed it Sonjongsa (Meditative Absorption Monastery). The monastery was damaged during the Japanese Hideyoshi invasions of 1592-1598 and burned to the ground in 1642. The three monks who remained after the conflagration each dreamed of a spirit who told them that relocating the monastery's campus would protect it from any future damage by fire, water, or wind. Following the spirit's recommendation, the monks moved the site ten leagues (K. i; C. li) below where the monastery was then located and renamed it Sinhŭngsa, the name it has kept ever since. Sinhŭngsa proper is built on a foundation of natural stone with four large cornerstones. The visitor reaches the monastery along a half-mile-long path that is flanked by reliquaries and memorial stele until reaching the Ilchumun (Single Pillar Gate). Sinhŭngsa's main shrine hall is the Kŭngnak pojon (SUKHĀVATĪ Basilica), which faces west and is decorated on the outside by the ten ox-herding paintings (see OXHERDING PICTURES, TEN). Inside, AMITĀBHA is enshrined together with his companion BODHISATTVAs, AVALOKITEsVARA and MAHĀSTHĀMAPRĀPTA; they sit below a canopy of yellow dragons and in front of a painting of sĀKYAMUNI with an elderly KĀsYAPA and a young-looking ĀNANDA. Right after entering the Ilchumun is found the 14.6-meter (48 foot) high T'ongil Taebul (Unification Great Buddha) sitting on a 4.3 meter (14 foot) pedestal. Casting of this bronze image started in 1987 and was finished ten years later; it is now the largest seated bronze buddha image in the world, larger even than the Japanese KAMAKURA DAIBUTSU (at 13.35 meters, or 44 feet, high). Its pedestal is decorated with images of the sixteen ARHAT protectors of Buddhism (see sOdAsASTHAVIRA). This monastery should be distinguished from the homophonous Sinhŭngsa (Newly Flourishing Monastery), located in the T'aebaek Mountains near the city of Samch'ok in Kangwon province; that temple is the fourth district monastery of the Chogye order.
statue ::: a three-dimensional form or likeness sculpted, modeled, carved, or cast in material such as stone, clay, wood, or bronze. Also fig. statues.
statue ::: n. --> The likeness of a living being sculptured or modeled in some solid substance, as marble, bronze, or wax; an image; as, a statue of Hercules, or of a lion.
A portrait. ::: v. t. --> To place, as a statue; to form a statue of; to make into
statuette ::: n. --> A small statue; -- usually applied to a figure much less than life size, especially when of marble or bronze, or of plaster or clay as a preparation for the marble or bronze, as distinguished from a figure in terra cotta or the like. Cf. Figurine.
stilpnomelane ::: n. --> A black or greenish black mineral occurring in foliated flates, also in velvety bronze-colored incrustations. It is a hydrous silicate of iron and alumina.
Stone Age "jargon" In computer folklore, an ill-defined period from {ENIAC} (ca. 1943) to the mid-1950s; the great age of electromechanical {dinosaurs}. Sometimes used for the entire period up to 1960-61 (see {Iron Age}); however, it is more descriptive to characterise the latter period in terms of a "Bronze Age" era of {transistor}-logic, pre-{ferrite core memory} machines with {drum} or {CRT} mass storage (as opposed to just {mercury delay lines} and/or relays). More generally, the term is used pejoratively for ancient hardware or software, even by survivors from the {Stone Age}. [{Jargon File}] (2003-09-27)
Taehŭngsa. (大興寺). In Korean, "Monastery of Great Flourishing"; the twenty-second district monastery (PONSA) of the contemporary CHOGYE CHONG of Korean Buddhism, located on Turyun Mountain in near Haenam County in South Cholla province. According to memorial stele erected for early Koryo-dynasty monks, the monastery was founded some time before 900 CE, perhaps by either Chonggwan (fl. c. 426) or TOSoN (827-898). During the Japanese Hideyoshi invasions of the late sixteenth century, the monk CH'oNGHo HYUJoNG (1520-1604), also known as SoSAN TAESA, led a monastic militia based at the monastery in fighting the Japanese. After the fighting ended in 1598, Sosan proclaimed that Taehŭngsa would never be touched by the "three disasters" (samjae) of flood, fire, or wind, and it was in part due to his efforts that Taehŭngsa became an important Buddhist center. Sosan requested that his personal belongings be kept there even after his death, and today his calligraphy, portrait, robe, and bowls can be seen in the monastery's museum. A famous resident was the Son master CH'OŬI ŬISUN (1786-1866), the eighteenth-century reviver of the tea traditions of Korea, who developed the tea ceremony as a form of religious practice and is known for synthesizing the tea ceremony and Son practice, as exemplified in his slogan ta Son ilmi (tea and Son are a single taste). The monastery's main shrine hall (TAEŬNG CHoN) is approached by use of the Sinjin Bridge and enshrines images of sĀKYAMUNI, AMITĀBHA, and BHAIsAJYAGURU. Taehŭngsa is also known for its Ch'onbul chon, "Thousand-Buddha Hall," which enshrines a thousand miniature jade statues of the Buddha, all carved in Kyongju about 250 years ago. There is a story that the ship transporting the buddha images was hijacked by Japanese pirates, but the pirates later had a dream in which the Buddha severely admonished them and voluntarily returned the statues to Taehŭngsa. The grounds of the monastery also include a three-story stone pagoda from the Koryo dynasty, which is said to have held relics (K. sari; S. sARĪRA) of the Buddha brought to Korea by the VINAYA master CHAJANG (608-686). A five-inch (twelve-cm) high, seated bronze Buddha was found inside the base during repairs in 1967 to one of the other three-story pagodas, which appears to date back to the Silla dynasty. A seated MAITREYA Buddha is carved on a rock at Taehŭngsa, which is dated to the early Koryo dynasty. Taehŭngsa is also the home of a highly decorated bronze bell formerly owned by T'apsansa, which is held aloft by a hook shaped like a dragon.
The universe is depicted as an ash tree, Yggdrasil, within which every lesser being is an ash tree in its own right. A Tree of Life is part of the traditions in every part of the world. “The Norse Ask, the Hesiodic Ash-tree, whence issued the men of the generation of bronze, the Third Root-Race, and the Tzite tree of the Popol-Vuh, out of which the Mexican third race of men was created, are all one” (SD 2:97).
tin ::: n. --> An elementary substance found as an oxide in the mineral cassiterite, and reduced as a soft white crystalline metal, malleable at ordinary temperatures, but brittle when heated. It is not easily oxidized in the air, and is used chiefly to coat iron to protect it from rusting, in the form of tin foil with mercury to form the reflective surface of mirrors, and in solder, bronze, speculum metal, and other alloys. Its compounds are designated as stannous, or stannic. Symbol Sn (Stannum). Atomic weight 117.4.
Todaiji. (東大寺). In Japanese, "Great Monastery of the East"; a major monastery in the ancient Japanese capital of Nara affiliated with the Kegon (HUAYAN) school of Buddhism, listed as a UNESCO World Heritage site. The monastery was founded by the Hossoshu (FAXIANG ZONG) monk GYoGI (668-749). The monastery is renowned for its colossal buddha image of VAIROCANA (J. Birushana nyorai), which is commonly known as the NARA DAIBUTSU; at forty-eight feet (fifteen meters) high, this image is the largest extant gilt-bronze image in the world and the Daibutsuden where the image is enshrined is the world's largest wooden building. The Indian monk BODHISENA (J. Bodaisenna) (704-760), who traveled to Japan in 736 at the invitation of Emperor Shomu (r. 724-749), performed the "opening the eyes" (KAIYAN; NETRAPRATIstHĀPANA) ceremony for the 752 dedication of the great buddha image. Todaiji was founded on the site of Konshusenji by order of Emperor Shomu and became the headquarters of a network of provincial monasteries and convents in the Yamato region. The first abbot, Ryoben (689-773), is commemorated in the kaisando (founder's hall; see KAISHAN). Other halls include the inner sanctuary of the hokkedo (lotus hall), which was probably once Konshusenji's main hall. The hall enshrines the Fukukensaku Kannon, a dry lacquer statue of the BODHISATTVA AVALOKITEsVARA, which dates from 746. The monastery was renamed Konkomyoji in 741 and, in 747 when major construction began on the large compound, it finally became known as Todaiji, the name it retains today. The Todaiji complex was completed in 798; monastery records state that 50,000 carpenters, 370,000 metal workers, and 2.18 million laborers worked on the compound, its buildings, and their furnishings, almost bankrupting the country. Entering the monastery through the Great Gate to the South (Nandaimon), itself a Japanese national treasure, a visitor would have passed through two seven-storied, 328-foot high pagodas to the east and west (both subsequently destroyed by earthquakes), before passing through the Inner Gate to the Daibutsuden. North of the Daibutsuden, which is flanked by a belfry and a SuTRA repository, is the kodo (lecture hall), which is surrounded on three sides by the monk's quarters. An ordination hall displays exceptional clay-modeled shitenno (four heavenly kings; see LOKAPĀLA) dating from the Tenpyo Era (729-749). Of the eighth-century buildings, only the tegaimon (the western gate) and the Hokkedo's inner sanctuary have survived. After a conflagration in 1180, then-abbot Chogen (1121-1206) spearheaded a major reconstruction in a style he had seen in Southern Song-dynasty China. This style is exemplified by the south gate, which is protected by two humane-kings statues, both twenty-eight feet in height, carved in 1203. The Tokugawa Shogunate sponsored a second reconstruction after another fire in 1567 and the current Daibutsuden dates from about 1709. The Shosoin repository at the monastery, itself a Japanese national treasure (kokuho), contains over nine thousand precious ornamental and fine-art objects that date from the monastery's founding in the eighth century, including scores of objects imported into Japan via the SILK ROAD from all over Asia, including cut-glass bowls and silk brocade from Persia, Byzantine cups, Egyptians chests, and Indian harps, as well as Chinese Tang and Korean Silla musical instruments, etc. Every spring, the two-week long Omizutori (water-drawing) festival is conducted at Todaiji, which is thought to cure physical ailments and cleanse moral transgressions.
troilite ::: n. --> Native iron protosulphide, FeS. It is known only in meteoric irons, and is usually in imbedded nodular masses of a bronze color.
vermeil ::: n. --> Vermilion; also, the color of vermilion, a bright, beautiful red.
Silver gilt or gilt bronze.
A liquid composition applied to a gilded surface to give luster to the gold.
Wat Benchamabophit. In Thai, "Monastery of the Fifth King," deriving from the Sanskrit PaNcamapavitra, with paNcama (Thai, benchama) meaning fifth, and pavitra (Thai, bophit/bophitra) meaning holy or benificent one, a synonym for "king"; the monastery is commonly known in English as the "Marble Temple." Located in Bangkok, it is one of the most renowned modern monasteries in Thailand. Construction began in 1900 at the request of the eponymous RĀMA V (Chulalongkorn), and the complex is built from Italian marble. It houses a large bronze statue of the Buddha called Phra Phuttha Chinnarat (Buddhajinarāja), which is a replica of the original. The ashes of Rāma V are enshrined under the image.
Wat Suthat Thepwararam. [alt. Wat Suthat]. In Thai, "Beautiful Noble Garden of the Devas" (P. Sudassanadevavarārāma); an important Thai monastery in Bangkok, founded by King Rāma I in 1807. It houses an image of the Buddha seated in the "earth-touching" (BHuMISPARsAMUDRĀ) pose. The image, known as Phra Sisakayamuni (derived from srī-sĀKYAMUNI), is considered the largest (over twenty-five feet tall) and oldest bronze buddha image in Thailand; it was brought from SUKHOTHAI by boat. The monastery is also known for its intricately carved wooden doors, created during the reign of Rāma II (r. 1809-1824) and now housed in the National Museum, and its murals of the Buddha's previous lives, from the reign of Rāma III (r. 1824-1851). The large ordination hall of the monastery is considered one of the most beautiful in Thailand. The temple grounds also contain twenty-eight pagodas, representing the twenty-eight buddhas of the auspicious eon. The temple is the traditional seat of the brāhmana priest who oversees important Thai royal ceremonies, such as the annual plowing ceremony. In front of the monastery is a giant swing, once used in an annual festival in which young men tried to swing high enough to retrieve a sack of gold suspended at a height of seventy-five feet. The festival was banned in the 1930s because of the number of deaths that resulted from the competition.
Wat That Luang. In Lao, "Monastery of the Royal STuPA"; located in the Laotian capital of Vientiane, it is one of the most important Buddhist sites in Laos. According to legend, the original monastery was founded by monks sent by AsOKA in the third century BCE. Relics from the early twelfth century have been uncovered, although these may derive instead from a site in modern-day northern Thailand. The prestige of That Luang may have been enhanced due to its proximity to earlier Buddhist sites. The present monastery was constructed on a small hill south of the city in 1818 during the reign of King Manthaturat (r. 1817-1836). It is said to have been built partially from branches of a BODHI TREE located near Wat Keo Fa. The large bronze and gilded buddha in the nave was transferred from the now defunct Wat Aham Mungkhun, located a short distance from That Luang. That Luang has long been one of the important ritual sites in Laos for Buddhist, folk, and royal ceremonials. There are two large STuPAs on the grounds. The golden funerary stupa in front of the main hall contains the ashes of the popular and last crowned Laotian king, Sisavang Vong (r. 1904-1959). The grand stupa, which towers over the rear of the main hall, dates from 1818 and is said to contain relics (DHĀTU; sARĪRA) of the Buddha. The wat also contains a number of smaller stupas that contain ashes of kings, other members of the royal family, and a variety of other dignitaries. The wat has one of Vientiane's larger communities of monks and novices.
Yakin: In Kabalistic and Masonic tradition, the red pillar of bronze cast for Solomon’s temple; the symbol of Intelligence (Binah, the third of the Sephiroth—q.v.).
Yongjusa. (龍珠寺). In Korean, "Dragon Pearl Monastery"; the second district monastery (PONSA) of the contemporary CHOGYE CHONG of Korean Buddhism, located on Mt. Hwa in Kyonggi province. The temple was constructed in 854 and originally named Karyangsa. It was rebuilt in 1790 to serve as the royal tomb of Prince Sado (1735-1762), the father of King Chongjo (r. 1776-1800). During the Japanese colonial period (1910-1945), Yongjusa became one of thirty-one head monasteries (PONSA) and it managed forty-nine branch temples (malsa) in several regions. A monks' training school was established in 1955, followed by a meditation hall in 1969. Yongjusa's main shrine hall (TAEUNG CHoN) was constructed in 1790 and enshrines images of the buddhas sĀKYAMUNI, BHAIsAJYAGURU, and AMITĀBHA. Other cultural properties at the site include the main temple bell, bronze censers, and a hanging painting of the Buddha (KWAEBUL).
Yujomsa. (楡岾寺). In Korean, "Elm Hillock Monastery"; one of the four major monasteries located in the Diamond Mountains (KŬMGANGSAN) in present-day North Korea, and best known traditionally for its fifty-three buddha images. Yujomsa claims to be one of the oldest monasteries on the Korean peninsula. According to its historical record, Kŭmgangsan Yujomsa sajokki, written in 1297 by the Koryo official and diplomat Min Chi (1248-1326), icons of fifty-three buddhas drifted to the Silla seashore in the year 4 CE through the intercession of an Indo-Scythian [alt. Yuezhi, Rouzhi] king from the northwestern region of India. These images were originally cast by MANJUsRĪ in the Indian city of sRĀVASTĪ and enshrined inside a large bell. After landing in Korea, the bell containing these fifty-three icons magically traveled inland and was eventually discovered in a branch of an elm tree by a Korean local official. To house these icons, the Silla king Namhae Ch'ach'aung (r. 4-24 CE) ordered the construction of this monastery, which he named after the elm tree in which the bell was discovered. Despite this legend of the monastery's origins, however, the main construction work at Yujomsa could not have begun before 1168. In the thirteenth century, during the late Koryo period, the monastery enjoyed the patronage of the Mongol-Korean court, which raised its political status and importance. The fifty-three buddhas of Yujomsa remained a popular destination for both literati tourists and Buddhist pilgrims to the Diamond Mountains throughout the Choson dynasty. When the site was surveyed in 1912 by the Japanese scholar Sekino Tadashi (1867-1935), only fifty small gilt bronze icons were displayed in the Nŭngin pojon on a unique screen altar that was ornamented with meandering tree branches. In contrast to Min Chi's description of the iconography, various other images, including bodhisattvas and monastic figures, were included along with the buddha icons. Stylistically, forty-three individual figures could be dated to the Unified Silla period, and the remaining seven were determined to be post-Koryo products. This incongruent mixture of styles is due to continuous devastations of the images by fire and theft and their subsequent restorations. Yujomsa burned to the ground during the Korean War (1950-1953) and the current whereabouts of the fifty-three icons are unknown.
KEYS (10k)
1 Saint Benedict Joseph Labre
NEW FULL DB (2.4M)
77 Rick Riordan
20 Lisa Kleypas
20 Brian Godawa
13 Anonymous
12 Carl Sandburg
9 Homer
7 Leo Tolstoy
6 Sean Patrick
6 Lewis Mumford
6 Catherine Anderson
6 Cassandra Clare
5 Edgar Albert Guest
5 Andrew Sean Greer
4 Terry Pratchett
4 Stephanie Perkins
4 Paullina Simons
4 J K Rowling
4 James Joyce
4 Fiona Paul
4 Brien Foerster
1:To love God, you need three hearts in one — a heart of fire for him, a heart of flesh for your neighbor, and a heart of bronze for yourself. ~ Saint Benedict Joseph Labre, #KEYS
*** WISDOM TROVE ***
1:I have erected amonument more lasting than bronze. ~ horace, @wisdomtrove 2:Bronze is the mirror of form, wine of the heart. ~ aeschylus, @wisdomtrove 3:Ordinary men died, men of iron were taken prisoner: I only brought back with me men of bronze. ~ napoleon-bonaparte, @wisdomtrove 4:If God awarded us medals, as they do in the Olympics, love would win the gold, joy the silver, and peace the bronze. ~ charles-r-swindoll, @wisdomtrove 5:The scandalous bronze-lacquer age of hungry animalisms, spiritual impotences, and mendacities, will have to run its course, till the pit follow it. ~ thomas-carlyle, @wisdomtrove 6:I once loved a girl, her skin it was bronze With the innocence of a lamb, she was gentle like a fawn I courted her proudly but now she is gone Gone as the season she's taken ~ bob-dylan, @wisdomtrove 7:Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought. ~ virginia-woolf, @wisdomtrove 8:A tempest ceases, a cyclone passes over, a wind dies down, a broken mast can be replaced, a leak can be stopped, a fire extinguished, but what will become of this enormous brute of bronze? ~ victor-hugo, @wisdomtrove 9:The Olympics is my favourite sporting event. Although I have a problem with that silver medal. When you think about it, you win the gold - you feel good, you win the bronze - you think, & 10:Ghosts of melodious prophesyings rave Round every spot where trod Apollo's foot; Bronze clarions awake, and faintly bruit, Where long ago a giant battle was; And, from the turf, a lullaby doth pass In every place where infant Orpheus slept. Feel we these things? - that moment have we stept Into a sort of oneness, and our state Is like a floating spirit's. But there are Richer entanglements, enthralments far More self-destroying, leading, by degrees, To the chief intensity: the crown of these Is made of love and friendship, and sits high Upon the forehead of humanity. ~ john-keats, @wisdomtrove 11:Instead of studying old traditions, emphasis is now placed on new observations and experiments. When present observation collides with past tradition, we give precedence to the observation. Of course, physicists analysing the spectra of distant galaxies, archaeologists analysing the finds from a Bronze Age city, and political scientists studying the emergence of capitalism do not disregard tradition. They start by studying what the wise people of the past have said and written. But from their first year in college, aspiring physicists, archaeologists and political scientists are taught that it is their mission to go beyond what Einstein, Heinrich Schliemann and Max Weber ever knew. ~ yuval-noah-harari, @wisdomtrove *** NEWFULLDB 2.4M ***
1:silver Sickles, and bronze Knuts ~ J K Rowling, #NFDB
2:You went for bronze over brains. ~ Mandy M Roth, #NFDB
3:If you're optimistic, think of it as bronze. ~ Markus Zusak, #NFDB
4:I have erected amonument more lasting than bronze. ~ Horace, #NFDB
5:Bronze is the mirror of form, wine of the heart. ~ Aeschylus, #NFDB
6:Fragmento De Um Canto Em Cordas De Bronze
~ Álvares de Azevedo,#NFDB
7:Sparkling bronze azure eyed Blazure's skyblue bow and eyes. ~ James Joyce, #NFDB
8:bronze fox, tarnished with fingerprints. The symbol of Locksley. ~ Saundra Mitchell, #NFDB
9:The bronze dragon spread his wings, and they soared into the unknown. ~ Rick Riordan, #NFDB
10:The image was etching itself into Kalam’s heart like acid into bronze. ~ Steven Erikson, #NFDB
11:patricians also sent wagons stacked high with bronze into the Forum as ~ Elisabeth Storrs, #NFDB
12:I did bronze survival swimming. I could save people in a bronzey kind of way. ~ Eddie Izzard, #NFDB
13:To you, Rhys says.
To you, I respond.
He grins. To us. Bronze and Gold. ~ Sara Barnard,#NFDB
14:He trains my hands for war, so that my arms can bend a bow of bronze ~ Elizabeth George Speare, #NFDB
15:They had the boastful, dead eternity of bronze monuments and marble columns. ~ Boris Pasternak, #NFDB
16:In living and in seeing other men, the heart must break or become as bronze. ~ Nicolas Chamfort, #NFDB
17:On a cement pediment stands the inevitable bronze statue of a man in a cheap suit. ~ Alex Shakar, #NFDB
18:I served two tours of duty in Vietnam. I won the Bronze Star. I won the Purple Heart. ~ Ron Kovic, #NFDB
19:We had the Stone Age and the Bronze Age, now we’re living in the Interfering Age. ~ Karl Pilkington, #NFDB
20:Everything within a half-a-minute or a half-an-inch is gold, silver, bronze or nothing. ~ Nancy Pelosi, #NFDB
21:If Pete Rose brings the Reds in first, they ought to bronze him and put him in cement. ~ Jerry Coleman, #NFDB
22:Only his eyes remain the same. Bronze, red-gold, like iron brought to blazing heat. ~ Victoria Aveyard, #NFDB
23:I see no reason why I should tickle stones or waste time on polishing bronze. ~ Louise Berliawsky Nevelson, #NFDB
24:How could you look more stupid than to be the guy accepting a bronze medal in gold shoes? ~ Michael Johnson, #NFDB
25:then her ladyship, overwhelming in bronze bombazine, regally glided away. Cedric smiled ~ Stephanie Laurens, #NFDB
26:Stone Age. Bronze Age. Iron Age. We define entire epics of humanity by the technology they use. ~ Reed Hastings, #NFDB
27:The metal is called Celestial bronze. It’s deadly to monsters, like Imperial gold, but even rarer. ~ Rick Riordan, #NFDB
28:Ordinary men died, men of iron were taken prisoner: I only brought back with me men of bronze. ~ Napoleon Bonaparte, #NFDB
29:The best pastas are cut with bronze dies that give them a rough texture and allow the sauce to cling. ~ Joe Bastianich, #NFDB
30:When two people are at one in their inmost hearts, they shatter even the strength of iron or bronze. ~ Cassandra Clare, #NFDB
31:Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. ~ Carl Sandburg, #NFDB
32:The frame was one of those faux bronze numbers you get at Rite-Aid or a similar drugstore-cum-frame store. ~ Harlan Coben, #NFDB
33:Is it better to have bronze than copper and tin separately? Is this the marker of some historic advance? ~ Claudia Pi eiro, #NFDB
34:I might have preferred iron - but bronze will do. It won't rust. This time I hope, the head will stay on. ~ Margaret Thatcher, #NFDB
35:I have a bronze statue of myself, naked. I have these really big curls and water comes out of every curl. It's hot. ~ Macy Gray, #NFDB
36:The man who offers an insult writes it in sand, but for the man who receives it, it's chiseled in bronze. ~ Giovannino Guareschi, #NFDB
37:Stone, Bronze, and Iron, naturally enough, he did so in accordance with the physical tools that defined each epoch. ~ Amor Towles, #NFDB
38:When you have a bunch of comfortable upholstered pieces, a single bronze or brass chair really turns the energy up. ~ Nate Berkus, #NFDB
39:Although the wicked rise up against us with violence, let us be of a bronze countenance, as Ezekiel says (3:8 f.). Let ~ John Calvin, #NFDB
40:His eyes were like bronze mirrors that reflected only my loveliness and none of my flaws.
~ Sherry JonesAi’sha ~ Sherry Jones,#NFDB
41:Your men are brave men, And you have won. I can live with that, Earl of Bronze a poor man would I be if I could not. ~ David Gemmell, #NFDB
42:A–Z, and its dusty show windows were crammed with a weird clutter of old and exotic-looking objects—huge bronze ~ Zilpha Keatley Snyder, #NFDB
43:It is entirely seemly for a young man killed in battle to lie mangled by the bronze spear. In his death all things appear fair. ~ Homer, #NFDB
44:Somewhere a dog barked. With the help of fear and echoes and winter silences, that dog had a voice like a big bronze gong. ~ Kurt Vonnegut, #NFDB
45:His work "The Pasture" features cast bronze cows in Toronto's financial district I wanted to remind stockbrokers what real stock is. ~ Joe Fafard, #NFDB
46:I grew to judge every purchase by how many bronze screws I could buy for the boat if I didn't spend on this or made do without that. ~ Lin Pardey, #NFDB
47:Your castles and strongholds shall have bars of iron and bronze, and as your day, so shall your strength, your rest and security, be. ~ Anonymous, #NFDB
48:Fickle as water,
our life is as dreamlike as smoke
- at our expense,
fate's private joke.
-The Bronze Horseman ~ Alexander Pushkin,#NFDB
49:I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper. ~ Patricia Piccinini, #NFDB
50:auma change in Liz, denoting that she is the equivalent of pregnant (“eggnant”?) because of the kindling of the bronze egg by Zanna. ~ Chris d Lacey, #NFDB
51:A writer should show the silver in his hands neither as bronze nor as gold; the gist of the matter is to show silver as silver. ~ Mehmet Murat ildan, #NFDB
52:Percy hefted a bronze grenade. ‘I hope you labelled these right.’
He yelled, ‘Die, Romans!’ and lobbed the grenade over the wall. ~ Rick Riordan,#NFDB
53:The Ethiop gods have Ethiop lips, Bronze cheeks, and woolly hair; The Grecian gods are like the Greeks, As keen-eyed, cold and fair. ~ Walter Bagehot, #NFDB
54:patch-work—like a swath of chain mail. He picked up a delicate curl of bronze and fitted it into place. “Done,” he announced. “It’s done. ~ Rick Riordan, #NFDB
55:figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed ~ Sean Patrick, #NFDB
56:Colours in vibration, peeling like silver bells and clanging like bronze bells, proclaiming happiness, passion and love, soul, blood and death. ~ Emil Nolde, #NFDB
57:Convince yourself that you are working in clay, not marble, on paper not eternal bronze: Let that first sentence be as stupid as it wishes. ~ Jacques Barzun, #NFDB
58:My favorite look would be a fresh, dewy face with a bronze, sun-kissed glow. It looks so tropical and reminds me of a place that feels like true home. ~ Mya, #NFDB
59:As bronze may be much beautified by lying in the dark damp soil, so men who fade in dust of warfare fade fairer, and sorrow blooms their soul. ~ Wilfred Owen, #NFDB
60:He that has fallen, is now of the dead, proud of spirit, a crown on his head, I call his likeness into bronze and plastic instead.” Micah ~ Katherine Harbour, #NFDB
61:And he did it. Dammit, he couldn't stop himself. His eyes traveled up to the bronze sea hag, the source of hundreds of years of ridiculousness. ~ Susan Donovan, #NFDB
62:The scandalous bronze-lacquer age of hungry animalisms, spiritual impotences, and mendacities, will have to run its course, till the pit follow it. ~ Thomas Carlyle, #NFDB
63:figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick ~ Sean Patrick, #NFDB
64:the bronze blade stripped bark and leafage, and now at last the sons of the Achaians carry it in their hands in state when they administer the justice of Zeus. ~ Homer, #NFDB
65:The canopy of the woods was spread out beneath me and it looked as if autumn had taken a great torch to the trees, burnishing them gold, red, and bronze. ~ Kate Morton, #NFDB
66:My father wears his faith like the bronze breastplate of God's footsoldiers while our mother's is more like a good cloth coat with a secondhand fit. ~ Barbara Kingsolver, #NFDB
67:And there were other weapons in the tent, daggers and dirks, a bow and a quiver of arrows, a bronze-headed spear lying beside that big black . . . . . . horn. ~ Anonymous, #NFDB
68:In the fifties I had dreams about touching a naked woman and she would turn to bronze or the dream about hot dogs chasing donuts through the Lincoln Tunnel. ~ Robert Klein, #NFDB
69:Jumping out a window five hundred feet above ground is not usually my idea of fun. Especially when I'm wearing bronze wings and flapping my arms like a duck. ~ Rick Riordan, #NFDB
70:Annabeth laced her fingers through his. In the light of his bronze sword, her face was beautiful. 'We're together,' she reminded him. 'We'll get through this. ~ Rick Riordan, #NFDB
71:Five minutes later, with Calypso’s arms around his waist, Leo spurred Festus into flight. The bronze dragon spread his wings, and they soared into the unknown. ~ Rick Riordan, #NFDB
72:The 2012 Olympics is going to cost £8 billion which is a lot of money. It'll probably bankrupt London. But you can't put a price on two bronze medals in cycling. ~ Jimmy Carr, #NFDB
73:The Ravenclaw heraldic beast is a proud eagle, and the house colours are bronze and blue. The eagle, like a true Ravenclaw, soars to heights others cannot reach ~ J K Rowling, #NFDB
74:This may sound weird, but the first thing I thought as I watched that ten-feet-tall bronze lady plummet toward my face was, "Well, at least it can't kill me. ~ Rachel Hawkins, #NFDB
75:Annabeth laced her fingers through his. In the light of his bronze sword, her face was beautiful.
'We're together,' she reminded him. 'We'll get through this. ~ Rick Riordan,#NFDB
76:Now I know the difference between a rousing reception and a pat on the back. Now I know the difference between a gold in Commonwealth Games and a bronze in Olympics. ~ Gagan Narang, #NFDB
77:The apartment was a disaster.
A consummate disaster.
If mess-making were an Olympic sport, this mess would have won the bronze medal, maybe the silver. ~ Penny Reid,#NFDB
78:I once loved a girl, her skin it was bronze With the innocence of a lamb, she was gentle like a fawn I courted her proudly but now she is gone Gone as the season she's taken ~ Bob Dylan, #NFDB
79:While he and I fought, Tyson played with Mrs. O’Leary, who he called the “little doggie.” They had a great time wrestling for the bronze shield and playing Get the Greek. ~ Rick Riordan, #NFDB
80:Jumping out of a window one hundred and fifty metres above ground is not usually my idea of fun. Especially when I’m wearing bronze wings and flapping my arms like a duck. ~ Rick Riordan, #NFDB
81:The bronze of the door is worthless, alas,
to keep me from seeing her who comes
by the walks of myrtles to search me out
drunk with hatred and crazed by fate. ~ Gabriela Mistral,#NFDB
82:It was as though an animated image of death carved out of old ivory had been shaking its hand with menaces at a motionless crowd of men made of dark and glittering bronze. ~ Joseph Conrad, #NFDB
83:It is very hot tonight," Justin said, and loosed the folds of his light cloak, revealing the sprig of rye-grass thrust through the bronze clasp at the neck of his tunic. ~ Rosemary Sutcliff, #NFDB
84:Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought. ~ Virginia Woolf, #NFDB
85:What is conserved in the ground? Stone, bronze, ivory, bone, sometimes pottery. Never wood objects, no fabric or skins. That completely skews our notions about primitive man. ~ Pablo Picasso, #NFDB
86:And may my bronze name / touch always her thousand fingers / grow brighter with her weeping / until I am fixed like a galaxy / and memorized / in her secret and fragile skies. ~ Leonard Cohen, #NFDB
87:Idolatry is not the use of images, but confusing them with what they represent, and in this respect mental images and lofty abstractions can be more insidious than bronze idols ~ Alan W Watts, #NFDB
88:The morning sun shone over the bronze blade. There were no more traces of blood left. "Would you believe it Ariadne?" said Theseus "The Minotaur almost didn't defend itself. ~ Jorge Luis Borges, #NFDB
89:That night, Beansprout dreamt of Vivian and the large bronze boat with the dragon-headed prow coming to take Arthur to Avalon, in the same way as Vivian had taken Tom to wake the King. ~ T J Green, #NFDB
90:They remained silent, while the bronze tolling passed over their heads so powerfully that they seemed to hear it in the very roots of their hair like a quiver of their flesh. ~ Gabriele D Annunzio, #NFDB
91:We need to build a beautiful granite and bronze monument in our nation's capital to honor American heroes, unsung American heroes. And those unsung American heroes are the rich. ~ Bernard Goldberg, #NFDB
92:When the dark comes rising, six shall turn it back;
Three from the circle, three from the track;
Wood, bronze, iron; water, fire, stone;
Five will return, and one go alone. ~ Susan Cooper,#NFDB
93:The clocks had nothing to do with time but were merely instruments, the clicking and ticking of silver and gold and bronze and pinchbeck arrows, a droll and slapstick rhapsody of lies. ~ Tabitha King, #NFDB
94:A couple of the old ladies sat down on the bench near the fountain and the bronze washerwoman. Others had ambled into the cemetery—to check out the accommodations, Tyler guessed. ~ Thomas Olde Heuvelt, #NFDB
95:...opening up a newspaper is the key to looking classy and smart. Never mind the bronze-plated stuff about the role of the press in a democracy - a newspaper, kiddo, is about Style. ~ Garrison Keillor, #NFDB
96:A tempest ceases, a cyclone passes over, a wind dies down, a broken mast can be replaced, a leak can be stopped, a fire extinguished, but what will become of this enormous brute of bronze? ~ Victor Hugo, #NFDB
97:Gleaming letters spelled out “First Bank of Cleveland Est. 1903” on the wall over two solid metal doors with swirling cast-bronze handles that led to some other room. The doors were closed. ~ D M Pulley, #NFDB
98:New lesson, class. Most monsters will vaporize when sliced with a celestial bronze sword. This change is perfectly normal, and will happen to you right now if you don't BACK OFF!" - Percy ~ Rick Riordan, #NFDB
99:With each success the ability to change is reduced. My longtime friend and coach Grandmaster Yuri Dokhoian, aptly compared it to being dipped in bronze. Each victory added another coat. ~ Garry Kasparov, #NFDB
100:Definitely gymnastics, because I was a gymnast for 11 years. That's my thing. My girlfriend Betty Okino was in the 1992 Olympics and won a bronze medal. She's a gymnast. So I'm a huge fan. ~ Jaime Pressly, #NFDB
101:Destroy it?' Leo was appalled. 'You've got a life-size bronze dragon, and you want to destroy it?' 'It breathes fire,' Nyssa explained. 'It's deadly and out of control.' 'But it's a dragon! ~ Rick Riordan, #NFDB
102:In one liquid movement he rose on an elbow above her, his broad chest a canopy of bronze, his shoulders eclipsing the light so only her face was illuminated. “You have stolen my heart. ~ Catherine Anderson, #NFDB
103:Na Era do Ouro, as pessoas não estavam conscientes de seus governantes. Na Era de Prata, elas os amavam e cantavam. Na Era de Bronze, elas os temiam. E por fim, na Era do Ferro, elas os desprezavam. ~ Lao Tzu, #NFDB
104:New lesson, class,” I announced. “Most monsters will vaporize when sliced with a celestial bronze sword. This change is perfectly normal, and will happen to you right now if you don’t BACK OFF! ~ Rick Riordan, #NFDB
105:I'm working on new techniques. I'm trying to find a way to make fresco that can be detached from a wall, and I'm trying to find new people who can help me work on a very large scale in bronze. ~ Camille Henrot, #NFDB
106:Bronze gods, Mikani. You’ve seen death before. Bloody hells, we’ve buried friends together, you and I.”
“She’s different, Hu.”
“Then tell her that before it’s too late, you sodding imbecile. ~ A A Aguirre,#NFDB
107:Destroy it?' Leo was appalled. 'You've got a life-size bronze dragon, and you want to destroy it?'
'It breathes fire,' Nyssa explained. 'It's deadly and out of control.'
'But it's a dragon! ~ Rick Riordan,#NFDB
108:I like to take long naps. I like long walks on the beach. The perfect day is back home, California, going to the beach with a couple of friends, laying out in the sunshine, get a nice bronze. ~ Keaton Stromberg, #NFDB
109:You saw Bronze Age, the Iron Age, and you may or may not have seen the Stone Age. This is the Condom Age. Today, we have ways to keep girls from getting pregnant from a night of hot, mind-blowing sex. ~ Sara King, #NFDB
110:New lesson class... most monsters will vaporize when sliced with a celestial bronze sword.this change is perfectly normal, and will happen to you RIGHT NOW if you don't BACK OFF!.... CLASS DISMISSED! ~ Rick Riordan, #NFDB
111:What in the world are you thinking?” She sounded pretty flustered. “I try not to think,” Leo admitted. “It interferes with being nuts. Just concentrate on moving that Celestial bronze. Echo, you ready? ~ Rick Riordan, #NFDB
112:You must try,
the voice said, to become colder.
I understood at once.
It's like the bodies of gods: cast in bronze,
braced in stone. Only something heartless
could bear the full weight. ~ Jane Hirshfield,#NFDB
113:What in the world are you thinking?” She sounded pretty flustered.
“I try not to think,” Leo admitted. “It interferes with being nuts. Just concentrate on moving that Celestial bronze. Echo, you ready? ~ Rick Riordan,#NFDB
114:The Thirties dreamed white marble and slip-stream chrome, immortal crystal and burnished bronze, but the rockets on the covers of the Gernsback pulps had fallen on London in the dead of night, screaming. ~ William Gibson, #NFDB
115:I'm also interested in creating a lasting legacy for collectors because bronze will last for thousands of years so I'm not really selling the art to this particular collector but it is being passed on. ~ Richard MacDonald, #NFDB
116:Sadly, a prize for peace is a rarity in this world. Most nations have monuments or memorials to war, bronze salutations to heroic battles, archways of triumph. But peace has no parade, no pantheon of victory. ~ Kofi Annan, #NFDB
117:You may chisel a boy into shape, as you would a rock, or hammer him into it, if he be of a better kind, as you would a piece of bronze. But you cannot hammer a girl into anything. She grows as a flower does. ~ John Ruskin, #NFDB
118:I was Glaucus and he was Diomedes. In the name of some obscure cult among men, I was giving him my golden armor for his bronze. Fair exchange. Neither haggled, just as neither spoke of thrift or extravagance. ~ Andr Aciman, #NFDB
119:will break down gates of bronze and cut through bars of iron. 3 I will give you the treasures of darkness, riches stored in secret places, so that you may know that I am the LORD, the God of Israel, who summons ~ Anonymous, #NFDB
120:Dust webbed the window and the showtrays. Dust darkened the toiling fingers with their vulture nails. Dust slept on dull coils of bronze and silver, lozenges of cinnabar, on rubies, leprous and winedark stones. ~ James Joyce, #NFDB
121:I felt the kiss still there on my forehead. Literally. It was frozen there. I could still feel it. I wanted to bronze it, like people do with baby shoes. I wanted to mount it and hang it over my mantelpiece. ~ Catherine Ryan Hyde, #NFDB
122:Putting up a statue to someone who tried to stop a war is not very, um, statuesque. Of course, if you had butchered five hundred of your own men out of arrogant carelessness, we'd be melting the bronze already. ~ Terry Pratchett, #NFDB
123:La-Z-Boy type thing covered with bronze and silver gears. Kronos slashed, and I managed to jump straight up onto the seat. The throne whirred and hummed with secret mechanisms. Defense mode, it warned. Defense mode. ~ Rick Riordan, #NFDB
124:I want there to be nothing in me that isn't light and pure and good. But of course that's not real. That's what happens when you're a statue in a city square, stripped of any human adornment that can't be cast in bronze. ~ Elan Mastai, #NFDB
125:Landscape-tones: brown to bronze, steep skyline, low cloud, pearl ground with shadowed oyster and violet reflections. The lion-dust of desert: prophets’ tombs turned to zinc and copper at sunset on the ancient lake. ~ Lawrence Durrell, #NFDB
126:Annabeth came up to me. She was dressed in black camouflage with her Celestial bronze knife strapped to her arm and her laptop bag slung over her shoulder—ready for stabbing or surfing the Internet, whichever came first. ~ Rick Riordan, #NFDB
127:At the end of the block, inside an iron fence, the bronze statue of Leif Erikson stood on his pedestal, his hand cupped over his eyes. Leif gazed toward the Charlesgate overpass as if to say Look, I discovered a highway! ~ Rick Riordan, #NFDB
128:The basic material of photographs is not intrinsically beautiful. It's not like ivory or tapestry or bronze or oil on canvas. You're not supposed to look at the thing, you're supposed to look through it. It's a window. ~ John Szarkowski, #NFDB
129:I do admit there are things in the universe I don’t understand. But my response to that is not to make up silly stories...or to believe intellectually embarrassing myths from the Bronze Age, but you believe whatever you want. ~ Bill Maher, #NFDB
130:A group of girls with their hair hanging loose over their shoulders, and the most strident voices imaginable, sold flowers at the foot of an equestrian statue, done in bronze by Thornycroft when the Empress was a young woman. ~ Willa Cather, #NFDB
131:As in dark forests, measureless along
the crests of hills, a conflagration soars,
and the bright bed of fire glows for miles,
now fiery lights from this great host in bronze
played on the earth and flashed high into heaven. ~ Homer,#NFDB
132:He was dressed in Greek combat armor—sandals, kilt, and greaves, a breastplate decorated with elaborate sea monster designs—and everything he wore was gold. Even his sword, a Greek blade like Riptide, was gold instead of bronze. ~ Rick Riordan, #NFDB
133:so many people have been hypnotized by Aristotelian ''yes/ no'' logic to the extent that any step beyond that Bronze Age mythos seems to them a whirling, dizzying plunge into a pit of Chaos and the Dark Night of Nihilism. ~ Robert Anton Wilson, #NFDB
134:If you want someone to be ignored then build a life-size bronze statue of them and stick it in the middle of town. It doesn't matter how great you were, it'll always take an unfunny drunk with climbing skills to make people notice you. ~ Banksy, #NFDB
135:He pulled out a single half-blackened disc of bronze. "Money," he said. "You get it by working, and then you trade it for things you want."
"But it's so small," said Runnel.
"So's your wit," said the man, and turned away. ~ Orson Scott Card,#NFDB
136:Oh, he's not like that," said Favonius.
Jason flinched. "You can read my mind?"
"I don't need to." Favonius tossed his bronze hoop in the air. "Everyone has the wrong impression of Cupid... until they meet him. ~ Rick Riordan,#NFDB
137:Liberty medals...Are they trying to bribe me with coloured ribbons? I wouldn't kill a man for one of those things. Or go and be killed. Any shooting I do is to save my own life, and not for a ribbon and a hunk of bronze. [says Mäkelä] ~ V in Linna, #NFDB
138:In the Age of Bronze, when a canny few discovered the science of metallurgy, how long did it take for them to fashion coins, crowns, and swords? That unholy trinity to which the common man was enslaved for the next one thousand years. ~ Amor Towles, #NFDB
139:Vlad twisted his wrist, pinching his fingers together, spinning the bronze coin on the table. When it fell, he picked it up and did it again, counting. Thirty-two times it had fallen Slayer Society up. Twenty-two times it was down. ~ Heather Brewer, #NFDB
140:championships, and went on to break the U.S. record in distances from three miles to the marathon. At the 2004 Athens Games, Deena outlasted the world-record holder, Paula Radcliffe, to win the bronze, the first Olympic medal ~ Christopher McDougall, #NFDB
141:It isnecessary to destroy the pretended nobility, entirely literaryand traditional, of marble and bronze? The sculptor can use twenty different materials, or even more, in a single work, provided that the plastic emotion requires it. ~ Umberto Boccioni, #NFDB
142:There's no denying his resemblance to the Rodin bronze - the slender, effortless muscularity of youth, the extravagant nonchalance of it; that sense that beauty is in fact the natural human condition and not the rarest of mutations. ~ Michael Cunningham, #NFDB
143:Instead of collapsing, Theseus swung it and smacked Periphetes upside the head, killing him instantly. ‘Yep!’ Theseus said. ‘That’s bronze over wood, all right! Thanks, man. I think I’ll keep this.’ Periphetes didn’t argue, since he was dead. Theseus ~ Rick Riordan, #NFDB
144:Spring is the fresh green of young corn and the pink blush of blossoms. Autumn contrasts the yellowed foilage with violet hues. Winter is the white of snow against its black forms ... Summer is the contrast of blues and the golden bronze of the corn. ~ Vincent Van Gogh, #NFDB
145:Look, ladies, we've been over this. I don't even remember killing Medusa. I don't remember anything! Can't we just call a truce and talk about your weekly specials?" Stheno gave her sister a pouty look, which was hard to do with giant bronze tusks. "Can we? ~ Rick Riordan, #NFDB
146:A cup of coffee - real coffee - home-browned, home ground, home made, that comes to you dark as a hazel-eye, but changes to a golden bronze as you temper it with cream that never cheated, but was real cream from its birth, thick, tenderly yellow, perfect! ~ Henry Ward Beecher, #NFDB
147:Argonauts—and builds the largest ship ever constructed. He then figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick a mighty army guarding the Fleece into ravaging ~ Sean Patrick, #NFDB
148:The society that will organize production on the basis of a free and equal association of the producers will put the whole machinery of the state where it will then belong: into the museum of antiquities, by the side of the spinning wheel and the bronze axe. ~ Friedrich Engels, #NFDB
149:Yes!" Narissus unslung his bow and grabbed an arrow from his dusty quiver. "The first one who get that bronze, I will like you almost as much as I like me. I might even kiss you, right after I kiss my reflection!"
"Oh my gods!" the nymphs squealed. ~ Rick Riordan,#NFDB
150:Most beautiful of all was the tarnished gold of the elms, with a little brown in it, a little bronze, a little blue, even-- a blue like amethyst, which made them melt into the azure haze with a kind of happiness, a harmony of mood that filled the air with content. ~ Willa Cather, #NFDB
151:It was a rigorous result in information theory that once you could learn in a sufficiently flexible manner – something humanity had achieved in the Bronze Age – the only limits you faced were speed and storage; any other structural changes were just a matter of style. ~ Greg Egan, #NFDB
152:Afterwards, wedding photographs were taken, as was customary, at the feet of the great bronze statue of Kim Il-sung on Mansu Hill. This was to demonstrate that however much a couple might love each other their love for the Fatherly Leader was greater. No one smiled. ~ Hyeonseo Lee, #NFDB
153:I go dreaming into the future, where I see nothing, nothing. I have no plans, no idea, no project, and, what is worse, no ambition. Something – the eternal ‘what’s the use?’ – sets its bronze barrier across every avenue that I open up in the realm of hypothesis. ~ Gustave Flaubert, #NFDB
154:Afghanistan, one of the most inconspicuous nations on earth. In 1946 it was just emerging from the bronze age, a land incredibly old, incredibly tied to an ancient past. At the embassy we used to say, “Kabul today shows what Palestine was like at the time of Jesus. ~ James A Michener, #NFDB
155:The bronze rider of Mnementh, Lord F’lar, will require quarters for himself. I, F’nor, brown rider, prefer to be lodged with the wingmen. We are, in number, twelve.” F’lar liked that touch of F’nor’s, totting up the wing strength, as if Fax were incapable of counting. ~ Anne McCaffrey, #NFDB
156:Nico di Angelo ran up to me with a big grin on his face. "Percy, this is awesome!" His blue-feathered bronze helmet was falling in his eyes, and his breastplate was about six sizes too big. I wondered if there was any way I'd looked that ridiculous when I'd first arrived. ~ Rick Riordan, #NFDB
157:The earthly glory is like smoke,
I wanted much more than this.
In all my lovers I evoked
The feelings of joy and bliss.
One is still in love somewhere
With a friend from long ago,
The other stands in the city square,-
A statue of bronze in the snow. ~ Anna Akhmatova,#NFDB
158:Thoth is the Egyptian ibis-headed god of magick and writing, whose name means “Leader”. His worship has been suggested by bronze ibis heads at Chiddingfold (Surrey) and Caerwent (Monmouthshire), indicating his worship found its way to Britain, if only in private villas. ~ David Rankine, #NFDB
159:Nico di Angelo ran up to me with a big grin on his face.
"Percy, this is awesome!" His blue-feathered bronze helmet was falling in his eyes, and his breastplate was about six sizes too big. I wondered if there was any way I'd looked that ridiculous when I'd first arrived. ~ Rick Riordan,#NFDB
160:I'm a very bad impersonator so I can't even remember if I've ever done a sports person. I mean, I think I was Bruce Jenner once but I don't think I said anything in the sketch. I was just sitting there in a like a bronze tracksuit. No dialogue. They don't trust me with dialogue. ~ Will Forte, #NFDB
161:Presently he rose and approached the case before which she stood. Its glass shelves were crowded with small broken objects —hardly recognisable domestic utensils, ornaments and personal trifles — made of glass, of clay, of discoloured bronze and other time-blurred substances. ~ Edith Wharton, #NFDB
162:The scene of Washington cussing out Charles Lee was for some reason not included in the series of bronze illustrations of the Battle of Monmouth on the monument at the county courthouse. Even though it was the most New Jersey–like behavior in the battle, if not the entire war. ~ Sarah Vowell, #NFDB
163:The shadow had followed behind them, clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky. ~ Gaston Leroux, #NFDB
164:I have never got a grip on when the past begins or where it ends, but if cities map the past with statues made from bronze forever frozen in one dignified position, as much as I try to make the past keep still and mind its manners, it moves and murmurs with me through every day. ~ Deborah Levy, #NFDB
165:This may sound weird,but the first thing I thought as I watched that ten-feet-tall bronze lady plummet toward my face was, "Well, at least it can't kill me." Only demonglass could do that, after all, but I wasn't sure even Cal could heal the amount of broken I was about to be. ~ Rachel Hawkins, #NFDB
166:A sharp character—no youth as I feared—a Faubourg Marigny type, Mediterranean, big-nosed, lumpy-jawed, a single stitched-in wrinkle over his eyebrows from just above which there springs up a great pompadour of wiry bronze hair. His face aches with it. He has no use for me at all. ~ Walker Percy, #NFDB
167:This world, that world, doesn't matter. You never make people to see what you see, hear, feel what you feel. Notes don't do it, words don't do it, paints, bronze, marble, nothing. All you can do, you maybe get it a little close, a little closer. But right, like you're talking? No. ~ Peter S Beagle, #NFDB
168:Ich meine, eine Statue für jemanden zu errichten, der einen Krieg verhindern wollte… Das ist nicht besonders… äh… statuenhaft. Wenn du andererseits fünfhundert deiner Männer mit arroganter Fahrlässigkeit umgebracht hättest, so wären wir bereits damit beschäftigt, die Bronze zu gießen. ~ Terry Pratchett, #NFDB
169:Mithradates began minting beautiful silver tetradrachms with his portrait in Pergamon, and the city of Smyrna also stamped bronze coins with his likeness. Other cities, including Ephesus, Miletus, Tralles, and Erythrae, issued new gold staters to trumpet their independence from Rome.19 ~ Adrienne Mayor, #NFDB
170:At the ed of the hall stood a walnut door with a bronze plaque:
ASCLEPIUS
MD, DMD, DME, DC, DVS, FAAN, OMG, EMT, TTYL, FRCP, ME, IOU, OD, OT, PHARMD, BAMF, RN, PHD, INC., SMH
There may have been more acronyms in the list, but by that point Leo's brain had exploded. ~ Rick Riordan,#NFDB
171:At the end of the hall stood a walnut door with a bronze plaque:
ASCLEPIUS
MD, DMD, DME, DC, DVS, FAAN, OMG, EMT, TTYL, FRCP, ME, IOU, OD, OT, PHARMD, BAMF, RN, PHD, INC., SMH
There may have been more acronyms in the list, but by that point Leo's brain had exploded. ~ Rick Riordan,#NFDB
172:But God also helped those who helped themselves, and presumably expected the chosen to bring warm clothing, water purification tablets, basic medication, a weapon such as the bronze knives that were selling these days, possibly a tent - in short, to bring some common sense to the party. ~ Terry Pratchett, #NFDB
173:Lords are gold and knights steel, but two links can't make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people. ~ George R R Martin, #NFDB
174:A Vampire!" I stammered. Then I noticed her legs. Below the cheerleader skirt, her left leg was brown and shaggy with a donkey's hoof. Her right leg was shaped like a human leg was it was made of bronze. "Uhh, a vampire with-" "Don't mention the legs!" Tammi snapped. "It's rude to make fun. ~ Rick Riordan, #NFDB
175:before the huge bronze altar, called a “high place,” that was situated just outside the city. High places were elevated platforms and altars devoted to the worship of the gods. Molech worship included veneration of the dead, which would be invoked to protect their forces against the living. ~ Brian Godawa, #NFDB
176:Philosophy does not promise to secure anything external for man, otherwise it would be admitting something that lies beyond its proper subject-matter. For as the material of the carpenter is wood, and that of statuary bronze, so the subject-matter of the art of living is each person's own life. ~ Epictetus, #NFDB
177:She gripped her new bronze dagger, realizing it was too small and too short to provide much offensive power. But that's why Annabeth liked daggers: they kept her focused. A child of Athena should never rely on a blade if she could use her wits instead. Intelligence won wars, not brute force. ~ Rick Riordan, #NFDB
178:A Vampire!" I stammered. Then I noticed her legs. Below the cheerleader skirt, her left leg was brown and shaggy with a donkey's hoof. Her right leg was shaped like a human leg was it was made of bronze. "Uhh, a vampire with-"
"Don't mention the legs!" Tammi snapped. "It's rude to make fun. ~ Rick Riordan,#NFDB
179:But God also helped those who helped themselves, and presumably expected the chosen to bring warm clothing, water purification tablets, basic medication, a weapon such as the bronze knives that were selling so well these days, possibly a tent – in short, to bring some common sense to the party. ~ Terry Pratchett, #NFDB
180:All I wanted was love. A simple thing, a timeless thing. When men want love they sing for it, or smile for it, or pay for it. And what do women do? They choose. And their lives are struck like bronze medallions. So tell me, gentlemen, tell me the time and place where it was easy to be a woman? ~ Andrew Sean Greer, #NFDB
181:He knew this place, where once in sport/The flood had played and waves had bubbled,/Defiant in their fierce despair;/He knew these lions, and this square,/And him whose bronze head dominated/The darkness from its lofty height –/Whose fateful head will had on this site/Decreed a city be created. ~ Alexander Pushkin, #NFDB
182:The belfry of St Cloud slowly emitted ten strokes from its broad sonorous jaws. There was something melancholy in that voice of bronze, which thus breathed its lamentations in the night. But each of those sounds, which told the hour he sighed for, vibrated harmoniously in the heart of the young man. ~ Alexandre Dumas, #NFDB
183:The spearhead sliced right through to the flesh, And when Diomedes pulled it out, Ares yelled, so loud you would have thought Ten thousand warriors had shouted at once, And the sound reverberated in the guts of Greeks and Trojans, As if Diomedes had struck not a god in armor But a bronze gong nine miles high. ~ Homer, #NFDB
184:I had a dream about riding a black cat, and then the next day I was at this antique mart, and I found this little devil riding a black cat - an Austrian bronze, tiny little thing. It was super tiny. And it was kind of like, "Oh my God, my dream came true." Except it was a devil, of course. Not me. ~ Cassandra Peterson, #NFDB
185:In accordance with the foregoing investigations on mathematical principles, let bronze vessels be made, proportionate to the size of the theatre, and let them be so fashioned that, when touched, they may produce with one another the notes of the fourth, the fifth, and so on up the double octave. ~ Marcus Vitruvius Pollio, #NFDB
186:I don't believe in a lot of things from the Bronze Age, but an eye for an eye does make a sort of symmetrical sense to me. I really believe that if somebody takes a life, that [death penalty] is what they should get. I also think it's a lot more humane than keeping people in a cage for the rest of their life. ~ Bill Maher, #NFDB
187:They’d welcomed him aboard their ship. Nico had never allowed himself the luxury of friends, but the crew of the Argo II was as close as he’d ever come. The idea of any of them dying made him feel empty – like he was back in the giants’ bronze jar, alone in the dark, subsisting only on sour pomegranate seeds. ~ Rick Riordan, #NFDB
188:The text of his speech, including some of the heckling that apparently even an emperor had to endure, was inscribed on bronze and put on display in the province, in what is now the city of Lyon, where it still survives. Claudius, it seems, did not get the chance that Cicero had to make adjustments for publication. ~ Mary Beard, #NFDB
189:Writing is a physical art. And writing a book is a lot more like making a complex sculpture out of bronze than writing a whole bunch of reports. What's in your head does not count, not for sculpture, not for book writing. Pencil on paper is what matters. Words on paper, pages and pages, chapter after chapter. ~ Heather Sellers, #NFDB
190:But like my brother, I too have a crutch. Mine is not metal. It is flesh and fire and bronze eyes. If only I could cast him away. If only I was strong enough to let the prince go and do what he would with his vengeance. To die or live as he saw fit. But I need him. And I can’t find the strength to let him go. ~ Victoria Aveyard, #NFDB
191:The son of Poseidon frowned across at us. 'All right, who unleashed he giant bronze guy? Apollo, did you do this?'
'I am offended!' I cried. 'I am only indirectly responsible for this! Also, I have a plan to fix it.'
'Oh, yeah?' Percy glanced back at the destroyed dinning pavilion. 'How's that going? ~ Rick Riordan,#NFDB
192:A landscape fossilized,
It's stone-wall patternings
Repeated before our eyes
In the stone walls of Mayo.
Before I turned to go
He talked about persistence,
A congruence of lives,
How, stubbed and cleared of stones,
His home accrued growth rings
Of iron, flint and bronze
- "Belderg ~ Seamus Heaney,#NFDB
193:Ren took off his jacket, which slicited a squeak from Jennifer who was now totally focused on Ren's golden-bronze biceps. His perfectly fitted muscle shirt showed off his extremely well-developed arms and chest.
I hissed at him quietly, "For heaven's sake, Ren! You're going to give the women heart palpitations! ~ Colleen Houck,#NFDB
194:The gilded wreaths and crowns that the Legion had won in the days of its honour were gone from the crimson-bound staff; the furious talons still clutched the crossed thunderbolts, but where the great silver wings should have arched back in savage pride, were only empty socket-holes in the flanks of gilded bronze. ~ Rosemary Sutcliff, #NFDB
195:You are lucky in your looks,” she says. “Your mother was always a beauty and you are very like her: fair, slender, skin like a rose petal and that wonderful hair, gold and bronze all at once. Undoubtedly you will have beautiful children. I suppose you are still proud of your looks? I suppose you are still vain?” I ~ Philippa Gregory, #NFDB
196:He gave her a long, worried look, but cars were stacking up behind them and dusk was gathering. A horn blared. Then another. He handed her a business card—Kenny’s Cabinets—and told her to call him anytime. She thanked him and got out of the minivan. As he drove away, she realized the van wasn’t even red. It was bronze. ~ Dennis Lehane, #NFDB
197:He sat in defiance of municipal orders, astride the gun Zam-Zammeh, on her old platform, opposite the old Ajaib gher, the Wonder House, as the natives called the Lahore Museum. Who hold Zam-Zammah, that 'fire-breathing dragon', hold the Punjab, for the great green-bronze piece is always first of the conqueror's loot. ~ Rudyard Kipling, #NFDB
198:I somehow cling to the strange fancy, that, in all men hiddenly reside certain wondrous, occult properties - as in some plants and minerals - which by some happy but very rare accident (as bronze was discovered by the melting of the iron and brass at the burning of Corinth) may change to be called forth here on earth. ~ Herman Melville, #NFDB
199:He could still see the dragon just fine. It was about sixty feet long, snout to tail, its body made of interlocking bronze plates. Its claws were the size of butcher knives, and its mouth was lined with hundreds of dagger-sharp metal teeth. Steam came out of its nostrils. It snarled like a chain saw cutting through a tree. ~ Rick Riordan, #NFDB
200:I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edge blade, a leather-wrapped grip, and a flat hilt riveted with gold studs.
.........
"Its name is Anaklusmos."
"Riptide,'" I translated, surprised the Ancient Greek came so easily. ~ Rick Riordan,#NFDB
201:Caves of blue.
Strike the hue.
Westward, burning.
Pages turning.
Indiana.
Ripe banana.
Happiness approaches.
Serpents and roaches.
There once was a god named Apollo
Who plunged in a cave blue and hollow
Upon a three-seater
The bronze fire-eater
Was forced death and madness to swallow ~ Rick Riordan,#NFDB
202:Count not the cost of honour to the dead!The tribute that a mighty nation paysTo those who loved her well in former daysMeans more than gratitude for glories fled;For every noble man that she hath bred,Lives in the bronze and marble that we raise,Immortalised by art's immortal praise,To lead our sons as he our fathers led. ~ Henry Van Dyke, #NFDB
203:Winning is great, but being able to finish my last Olympic Games on American soil was very important. Even though I was injured, I didn't let my psyche get the best of me and cause me to doubt myself, so I was willing to pull every muscle in my body in '96 in order to get the job done and I came away with the bronze medal. ~ Jackie Joyner Kersee, #NFDB
204:Then, from somewhere above us, a voice yelled, "Hey, Bronze Butt!"
Over the Colossus's head, a cloud of darkness formed like a cartoon dialogue bubble. Out of the shadows dropped a furry black monster dog-a hellhound-and astride his back was a young man with a glowing bronze sword.
The weekend was here. Percy Jackson had arrived. ~ Rick Riordan,#NFDB
205:There is no one there to see it. The world is doing what it always does, demonstrating itself to itself. The world has no interest in the little figures that come and go, the phantoms that worry and worship, that rake the graveled paths and erect the occasional rock garden, the bronze boy-man, the hammered cup for snow to fall into. ~ Michael Cunningham, #NFDB
206:We're living in a Dark Age of macroeconomics. Remember, what defined the Dark Ages wasn’t the fact that they were primitive — the Bronze Age was primitive, too. What made the Dark Ages dark was the fact that so much knowledge had been lost, that so much known to the Greeks and Romans had been forgotten by the barbarian kingdoms that followed. ~ Paul Krugman, #NFDB
207:Ah,steeds,steeds,what is steeds! Has the whirlwind a home in your manes? Is there a sensitive ear, alert as a flame, in your every fiber? Hearing the familiar song from above, all in one accord you strain your bronze chests and, hooves barely touching the ground, turn into straight lines cleaving the air, and all inspired by God it rushes on! ~ Nikolai Gogol, #NFDB
208:Ah, steeds, steeds, what steeds! Has the whirlwind a home in your manes? Is there a sensitive ear, alert as a flame, in your every fiber? Hearing the familiar song from above, all in one accord you strain your bronze chests and, hooves barely touching the ground, turn into straight lines cleaving the air, and all inspired by God it rushes on! ~ Nikolai Gogol, #NFDB
209:[describing Aaron, hero's brother] His hair was shorter and lighter, and his eyes were more green than blue. And even though he was tall, he wasn’t quite super-sized. He was more sculpted, more … elegant. more slender and beautiful and less raw-boned. Less Stone Age and more Bronze Age—but till the kind of man who enjoyed living in a cave. ~ Suzanne Brockmann, #NFDB
210:The advent of agriculture and civilization caused life expectancy to drop significantly, reaching a low of 18 during the Bronze Age of 3,300 B.C. to 1,200 B.C.. Life expectancy remained low (between 20 and 30) through 1500 A.D. and then climbed only gradually, reaching ~ Mark Sisson30 in 1800 and ~ Mark Sisson40-50 in 1900 in the USA and Europe. ~ Mark Sisson, #NFDB
211:14The hairs of his head were white, like white wool, like snow. His eyes were like a flame of fire, 15his feet were like burnished bronze, refined in a furnace, and his voice was like the roar of many waters. 16In his right hand he held seven stars, from his mouth came a sharp two-edged sword, and his face was like the sun shining in full strength. ~ Anonymous, #NFDB
212:Back in the car, we pass turnoffs for the Lakotas Buffalo Reservation and several pioneer homesteads turned into state monuments. There are bronze National Historic Site markers every five miles or so along the road. The quiet, the utter lack of people makes me feel watched. I continue glancing in the rearview as I drive, searching for pursuit. ~ Tessa Gratton, #NFDB
213:Gentlemen, if ever a generation will come after us which is so weak and soft-hearted that it doesn't understand our task, then indeed the whole of National Socialism has been in vain. To the contrary, in my opinion one should bury bronze plates on which it is recorded that we have had the courage to carry out this great and so necessary work. ~ Odilo Globocnik, #NFDB
214:I have aged. When I look in my polished bronze mirror, there are lines upon my face. I am thickened too and my skin has begun growing loose. I cut myself with my herbs and the scars stay. Sometimes I like it. Sometimes I am vain and dissatisfied. But I do not wish myself back. Of course my flesh reaches for the earth. That is where it belongs. ~ Madeline Miller, #NFDB
215:They passed a couple of guys making a bronze windup toy. At least that’s what it looked like. It was a six-inch-tall centaur—half man, half horse—armed with a miniature bow. One of the campers cranked the centaur’s tail, and it whirred to life. It galloped across the table, yelling, “Die, mosquito! Die, mosquito!” and shooting everything in sight. ~ Rick Riordan, #NFDB
216:he gave a thousand measures of the wine
for trading, so the troops could barter for it,
some with bronze and some with shining iron,
others with hides and others still with oxen,
some with slaves. They made a copious feast,
and all night long Akhaians with flowing hair
feasted, while the Trojans and their allies
likewise made a feast. ~ Homer,#NFDB
217:The eating bowl is not one bronze and the looking glass another. Bowl and mirror are one metal Giving back light one becomes a mirror. Aware, one is the Lord's; unaware, a mere human. Worship the lord without forgetting, the lord of the meeting rivers. [1526.jpg] -- from Speaking of Siva, by A K Ramanujan
~ Basava, The eating bowl is not one bronze
,#NFDB
218:the same sorcery that had defeated the attempts of Senar and a handful of other Guardians to punch through the gates of the titan fortress in Karalat two years ago. Memories of that day came back to him: shoving Luker Essendar aside so he could be first up the ladder to the battlements, arrows flitting through an evening sky shot through with bronze ~ Marc Turner, #NFDB
219:In the midst of a hive of customers and clerks, a small boy with blond hair neatly parted on one side stares up into the face of a bronze sculpture. It is Cuchulainn himself---the warrior light. The Hound of Coolan lashed to a boulder with spear drawn. But The Hound is leaning to one side and dying in a public hall of the Dublin Post Office. ~ Laura Treacy Bentley, #NFDB
220:Mythologically speaking, if there's anything I hate worse than trios of old ladies, it's bulls. Last summer, I fought the Minotaur on top of Half-Blood Hill. This time what I saw up there was even worse: two bulls. And not just regular bulls - bronze ones the size of elephants. And even that wasn't bad enough. Naturally they had to breathe fire, too. ~ Rick Riordan, #NFDB
221:The pen didn’t look like much, just a regular cheap ballpoint, but when Percy uncapped it, it grew into a glowing bronze sword. The blade balanced perfectly. The leather grip fit his hand like it had been custom designed for him. Etched along the guard was an Ancient Greek word Percy somehow understood: Anaklusmos—Riptide. He’d woken up with this sword ~ Rick Riordan, #NFDB
222:The whole Mediterranean, the sculpture, the palm, the gold beads, the bearded heroes, the wine, the ideas, the ships, the moonlight, the winged gorgons, the bronze men, the philosophers - all of it seems to rise in the sour, pungent taste of these black olives between the teeth. A taste older than meat, older than wine. A taste as old as cold water. ~ Lawrence Durrell, #NFDB
223:Others may fashion more smoothly images of bronze (I for one believe it), evoke living faces from marble, plead causes better, trace with a wand the wanderings of the heavens and foretell the rising of stars. But you, Roman, remember to rule the peoples with power (these will be your arts); impose the habit of peace, spare the vanquished and war down the proud! ~ Virgil, #NFDB
224:The carriage was crammed: waves of silk, ribs of three crinolines, billowed, clashed, entwined almost to the height of their heads; beneath was a tight press of stockings, girls' silken slippers, the Princess's bronze-colored shoes, the Princes patent-leather pumps; each suffered from the others' feet and could find nowhere to put his own. ~ Giuseppe Tomasi di Lampedusa, #NFDB
225:The massive bronze gates were wide open now, too late. Inside, the cemetery had been turned into a grotesque place gleaming with high-powered searchlights, blue flashlight flares, winking pocket torches. Uniformed men were already swarming about. Red cigarette-embers showed oddly amidst the headstones here and there.
("The Street Of Jungle Death") ~ Cornell Woolrich,#NFDB
226:A giant as we hoped, in truth, a dwarf; A barrel of slop that shines on Lethe's wharf', Which at first seemed a vessel with sweet wine For thirsty lips. So down the swift decline You went through sloven spirit, craven heart And cynic indolence. And here the art Of molding clay has caught you for the nonce And made your shame our shame ~ Your head in bronze! ~ Edgar Lee Masters, #NFDB
227:She slipped both hands into the water. Her skin looked pale and creamy below its surface. Not its usual warm bronze color. She fixed her gaze on the place where the water met the air, on the strange bend that made it seem as though her hands were in a different world beneath the water—
A world that moved more slowly and told stories.
The water lies. ~ Ren e Ahdieh,#NFDB
228:He became deeply sun-browned, and although the bronze hue of his skin clearly proclaimed him to be of the working classes, it enhanced the vivid blue-green of his eyes and made his teeth look even whiter than usual. Not surprisingly, McKenna began to attract the notice of female guests at the estate, one of whom even attempted to hire him away from Stony Cross Park. ~ Lisa Kleypas, #NFDB
229:It is God who arms me with strength and makes my way perfect. He makes my feet like the feet of a deer; he enables me to stand on the heights. He trains my hands for battle; my arms can bend a bow of bronze. You give me your shield of victory, and your right hand sustains me; you stoop down to make me great. You broaden the path beneath me, so that my ankles do not turn. ~ Anonymous, #NFDB
230:He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter. ~ James Joyce, #NFDB
231:Soon after that he drank some soda-water, and went to bed: I did so too, and, I shame to confess, slept soundly, unhaunted by so much as a dream of the poor patient Bronze, whom we had left in the chilly bleak dawn, alone with his hunger and sorrow. We hear a very great chatter of "sympathy" in this world: is there aught of it, I wonder, that is anything beyond fellow-feeling? ~ Ouida, #NFDB
232:So, Wesley Clark is running for president. Pretty amazing guy. Four star general, first in his class at West Point, supreme commander of NATO, saw combat in Vietnam, won the bronze star, silver star, the purple heart for being wounded in battle. See, I'm no political expert, but that sounds pretty good next to choking on a pretzel, falling off a scooter and dropping the dog. ~ Jay Leno, #NFDB
233:The LORD said to Moses, 2“See, I have called by name x Bezalel the son of Uri, son of y Hur, of the tribe of Judah, 3and I have z filled him with the Spirit of God, with ability and intelligence, with knowledge and all craftsmanship, 4to devise artistic designs, to work in gold, silver, and bronze, 5in cutting stones for setting, and in carving wood, to work in every craft. ~ Anonymous, #NFDB
234:It is no longer enough to just be a good person. We must work to be the next Abraham Lincoln or Martin Luther King. It is noble to strive to be the size of the bronze giant they dedicated this morning in the building behind me. Fredrick Douglas’ time was in the 1800; King’s time has passed. This is our time. This is the next long march toward civil rights and we shall overcome. ~ Glenn Beck, #NFDB
235:RECEPTIONIST LOOKED RIGHT through me as I crossed the carpeted lobby between glass-cased tanker models and clipper ship prints. I winked at her, and she spun away on her swivel chair. The frosted doors to the inner sanctum had bronze fouled anchors mounted in place of handles, and I pushed through humming a sea chanty under my breath. “Yo ho, blow the man down …” Beyond ~ William Hjortsberg, #NFDB
236:Nothing is so foolish, they say, as for a man to stand for office and woo the crowd to win its vote, buy its support with presents, court the applause of all those fools and feel self-satisfied when they cry their approval, and then in his hour of triumph to be carried round like an effigy for the public to stare at, and end up cast in bronze to stand in the market place. ~ Desiderius Erasmus, #NFDB
237:walked in under the orange legs of the three-story Calder designed for Chicago’s Federal Building. We pride ourselves in Chicago on our outdoor sculptures by famous artists. My favorite is the bronze wind chimes in front of the Standard Oil Building, but I have a secret fondness for Chagall’s mosaics in front of the First National Bank. My artist friends tell me they are banal. ~ Sara Paretsky, #NFDB
238:What happens when you’re intimidated? Run to the nearest corner and hide, do you?”
“I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.”
Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly. ~ Lisa Kleypas,#NFDB
239:She sprang from Zeus’s forehead and, right in front of their eyes, grew until she was a fully formed adult goddess, dressed in gray robes and battle armor, wearing a bronze helmet and holding a spear and shield. I’m not sure where she got the outfit. Maybe Athena magically created it, or maybe Zeus ate clothing and weaponry for snacks. At any rate, the goddess made quite an entrance. ~ Rick Riordan, #NFDB
240:[...] Some parts were totally inappropriate. The corded length of his arms. The broad shoulders and chest that stretched and molded the fabric. The deep bronze of his skin as if he had been lying in the sun for hours. The animal litheness of his movements. He had grown up, and he was no pretty boy. Nick Ryan was all hot-blooded man—and still looked at her as Maggie’s little playmate. ~ Jennifer Probst, #NFDB
241:Não, esses homens não são assim feitos; o verdadeiro soberano, a quem tudo é permitido, arrasa Toulon, faz uma carnificina em Paris, esquece o exército no Egipto, gasta meio milhão de homens na campanha de Moscovo e sai-se com um trocadilho em Vilna; e erguem-lhe monumentos depois da morte, e portanto tudo é permitido. Não, esses homens pelos vistos , não são de carne, mas de bronze! ~ Fyodor Dostoyevsky, #NFDB
242:Contact with [menstrual blood] turns new wine sour, crops touched by it become barren, grafts die, seed in gardens are dried up, the fruit of trees fall off, the edge of steel and the gleam of ivory are dulled, hives of bees die, even bronze and iron are at once seized by rust, and a horrible smell fills the air; to taste it drives dogs mad and infects their bites with an incurable poison. ~ Pliny the Elder, #NFDB
243:The sun was just touching the western hills as we slid into the dock. Every leaf and twig stood out in the clarity of the tawny light. The sky was green in the north and the wind had died. The slowly rolling water was purple and bronze, dark with the coming night, bright with the fading day. It had been a good day -- and our tomorrows were waiting. What kind of days they would be depended on us. ~ Helen Hoover, #NFDB
244:This was my punishment for breaking an oath on the River Styx. Then, from somewhere above us, a voice yelled, ‘Hey, Bronze Butt!’ Over the Colossus’s head, a cloud of darkness formed like a cartoon dialogue bubble. Out of the shadows dropped a furry black monster dog – a hellhound – and astride his back was a young man with a glowing bronze sword. The weekend was here. Percy Jackson had arrived. ~ Rick Riordan, #NFDB
245:When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing, haloed suns. ~ Flannery O Connor, #NFDB
246:Describing men, of course, I run into the same problems—aquiline nose, chiseled features, bullish neck, leonine hair, steely gaze, bronze tan—but somehow the arsenal of clichés and materials for describing men seems smaller. Many feminists are right to claim that the male is on the whole less objectified than the female; the male is treated more frequently as the subject rather than the object. ~ Josip Novakovich, #NFDB
247:The Olympics is my favourite sporting event. Although I have a problem with that silver medal. When you think about it, you win the gold - you feel good, you win the bronze - you think, 'Well at least I got something'. But when you win silver, it's like, 'Congratulations, you 'almost' won. Of all the losers, you came in first of that group. You're the number one 'loser.' No one lost ahead of you. ~ Jerry Seinfeld, #NFDB
248:We had a sunset of a very fine sort. The vast plain of the sea was marked off in bands of sharply-contrasted colors: great stretches of dark blue, others of purple, others of polished bronze; the billowy mountains showed all sorts of dainty browns and greens, blues and purples and blacks, and the rounded velvety backs of certain of them made one want to stroke them, as one would the sleek back of a cat. ~ Mark Twain, #NFDB
249:I'd walk into the school, smell that institutional smell of the tomato soup, peanut butter, disinfectant, and boys room. Pass the lunchroom, see the familiar lunchroom lady with the white dress and net on her hair. At the end of 50 years of distinguished service the Board of Education gives her a bronze net - with her name on it. It stems from the Board of Education rule to keep her hair out of the food. ~ Robert Klein, #NFDB
250:Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle. ~ Rick Riordan, #NFDB
251:Grace.
Her name whispered through Jack's mind like the silken stroke of a hand.
He'd never seen her look as pretty as she did tonight, the vibrant bronze hue of her gown lending her skin a creamy luminosity, her hair gleaming a rich, fiery red that reminded him of living flame.
And passion.
He wondered if that same intense fire lay hidden inside her, and he relished the idea of finding out. ~ Tracy Anne Warren,#NFDB
252:On A Bust
A giant as we hoped, in truth, a dwarf;
A barrel of slop that shines on Lethe's wharf',
Which at first seemed a vessel with sweet wine
For thirsty lips. So down the swift decline
You went through sloven spirit, craven heart
And cynic indolence. And here the art
Of molding clay has caught you for the nonce
And made your shame our shame-- Your head in bronze!
~ Edgar Lee Masters,#NFDB
253:Wainwright prayed to the graven image of Lafayette, since neither the president nor Congress seemed to be listening. “We, the women of the United States,” she told the bronze Lafayette, “denied the liberty which you helped to gain, and for which we have asked in vain for sixty years, turn to you to plead for us. Speak, Lafayette, dead these hundred years but still living in the hearts of the American people. ~ Sarah Vowell, #NFDB
254:Finnick Odair is something of a living legend in Panem. Since he won the Sixty-fifth Hunger Games when he was only fourteen, he’s still one of the youngest victors. Being from District 4, he was a Career, so the odds were already in his favour, but what no trainer could claim to have given him was his extraordinary beauty. Tall, athletic, with golden skin and bronze-coloured hair and those incredible eyes. ~ Suzanne Collins, #NFDB
255:...the face before him was like nothing he had ever seen before. It was smooth, with a black strip of cloth tied over its forehead, and yet it was deeply furrowed, like the sea, that can have tall waves but not a wrinkle on the surface. The eyes were like dark chasms and yet they were the eyes of a human being and not empty sockets. The skin was a greenish olive colour and looked as if it were made of bronze... ~ Gustav Meyrink, #NFDB
256:Civilization did not rise and flourish as men hammered out hunting scenes on bronze gates and whispered philosophy under the stars, with garbage as a noisome offshoot, swept away and forgotten. No, garbage rose first, inciting people to build a civilization in response, in self-defense. We had to find ways to discard our waste, to use what we couldn't discard, to reprocess what we couldn't use. Garbage pushed back. ~ Don DeLillo, #NFDB
257:BRONZE UPON GOLD DESTROY THE TYRANT
EAST MEETS WEST AID THE WINGED
LEGIONS ARE REDEEMED UNDER GOLDEN HILLS
LIGHT THE DEPTHS GREAT STALLION’S FOAL
ONE AGAINST MANY HARKEN THE TRUMPETS
NEVER SPIRIT DEFEATED TURN RED TIDES
ANCIENT WORDS SPOKEN ENTER STRANGER’S HOME
SHAKING OLD FOUNDATIONS REGAIN LOST GLORY ~ Rick Riordan,#NFDB
258:the sacrifice.” Eleazer took a bull and killed it for his own sins, letting the blood drain into a bronze basin. He would then clean the animal and burn it on the brazen altar of sacrifice that stood before the bronze laver. Caleb quizzed Achsah some more. “And what is the purpose of the high priest sacrificing for himself first?” She said, “He too is in need of forgiveness of sins to be able to represent his people. ~ Brian Godawa, #NFDB
259:Dropping toward the watershed, the sun filled the place with evening light and kindled the windows and the western flanks of cupolas and steeples and many belfries, darkening the eastern walls with shadow; and as we gazed, one of them began to strike the hour and another took up the challenge, followed by a third and soon enormous tonnages of sectarian bronze were tolling their ancient rivalries into the dusk. ~ Patrick Leigh Fermor, #NFDB
260:Then in my mind's eye I see the bronze statue of the college Founder, the cold Father symbol, his hands outstretched in the breathtaking gesture of lifting a veil that flutters in hard, metallic folds above the face of a kneeling slave; and I am standing puzzled, unable to decide whether the veil is really being lifted, or lowered more firmly in place; whether I am witnessing a revelation or a more efficient blinding. ~ Ralph Ellison, #NFDB
261:He should have appeared vulnerable in his nakedness, but he seemed more powerful now than when he'd had his clothes on. His body was hewn with brutal grace, large and muscular and superbly fit. His bronze tan ended at his waistline, fading into the paler skin of his hips. A wealth of thick dark hair covered his chest, and there was another heavy patch of it at his groin, around the dark, upthrust length of his erection. ~ Lisa Kleypas, #NFDB
262:September 11 was a day of de-Enlightenment. Politics stood revealed as a veritable Walpurgis Night of the irrational. And such old, old stuff. The conflicts we now face or fear involve opposed geographical arenas, but also opposed centuries or even millennia. It is a landscape of ferocious anachronisms: nuclear jihad in the Indian subcontinent; the medieval agonism of Islam; the Bronze Age blunderings of the Middle East. ~ Martin Amis, #NFDB
263:The great unmentionable evil at the center of our culture is monotheism. From a barbaric Bronze Age text known as the Old Testament, three anti-human religions have evolved -- Judaism, Christianity, and Islam. These are sky-god religions. They are, literally, patriarchal -- God is the Omnipotent Father -- hence the loathing of women for 2,000 years in those countries afflicted by the sky-god and his earthly male delegates. ~ Gore Vidal, #NFDB
264:But he was not merely a serpent. His name in another sense meant ‘brazen brightness,’ and like other Watchers, he was a Shining One. His body was like beryl, his face like the appearance of lightning, his eyes like torches of fire, his arms and feet like burnished bronze. The ‘Serpent of Eden’ became a useful allusion, because he had been cursed by Elohim to crawl the earth away from his heavenly abode with the Sons of God. ~ Brian Godawa, #NFDB
265:It was nearly sunset when, after passing through a thirty-mile stretch of olive groves, they crested a hill and began to descend toward the edge of the earth. That was how it looked to Andras, who had never before seen the sea. As they drew closer it became a vast plain of liquid metal, a superheated infinity of molten bronze.....They reached a stretch of sand just as the red lozenge of the sun dissolved into the horizon. ~ Julie Orringer, #NFDB
266:The shadow had followed behind them, clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; ~ Gaston Leroux,#NFDB
267:What can you do?”
“Head one of the largest estates in England and vote in the House of Lords,” Jason replied. “And brush down a horse. What can you do?”
“Write a paper on the difference between Brunelleschi’s and Ghiberti’s bronze work,” Winn quipped and then, after a thought, “and argue with the butcher.”
“Well . . . we are two utterly useless people,” Jason surmised. “Except for the butcher.”
“And the horses. ~ Kate Noble,#NFDB
268:After the keen still days of September, the October sun filled the world with mellow warmth...The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her...In October any wonderful unexpected thing might be possible. ~ Elizabeth George Speare, #NFDB
269:Now, I will be the first to admit that human life was not worth much to my generation in the Iron Age, but Flidais and her kind are forever rooted in Bronze Age morality, which goes something like this: If it pleases me, then it is good and I want more; If it displeases me, then it must be destroyed as soon as possible, but preferably in a way that enhances my reputation so that I can achieve immortality in the songs of bards. ~ Kevin Hearne, #NFDB
270:A famous cigarette billboard pictures a curly-headed, bronze-faced, muscular macho with a cigarette hanging out the side of his mouth. The sign reads 'Where a man belongs.' That is a lie. Where a man belongs is at the bedside of his children, leading in devotion and prayer. Where a man belongs is leading his family to the house of God. Where a man belongs is up early and alone with God seeking vision and direction for the family. ~ John Piper, #NFDB
271:On the porch, green-shuttered, cool,
Asleep is Bertram, that bronze boy,
Who, having wound her around a spool,
Sends her spinning like a toy
Out to the garden, all alone,
To sit and weep on a bench of stone.
Soon the purple dark will bruise
Lily and bleeding-heart and rose,
And the little Cupid lose
Eyes and ears and chin and nose,
And Jane lie down with others soon
Naked to the naked moon. ~ Donald Justice,#NFDB
272:The great unmentionable evil at the center of our culture is monotheism. From a barbaric Bronze Age text known as the Old Testament, three anti-human religions have evolved—Judaism, Christianity, and Islam. These are sky-god religions. They are, literally, patriarchal—God is the Omnipotent Father—hence the loathing of women for 2,000 years in those countries afflicted by the sky-god and his earthly male delegates. —GORE VIDAL ~ Richard Dawkins, #NFDB
273:For he – and this is truly what Central European writers do – drags around a terrible burden of linguistic and musical melodies; he hauls a piano and a dead horse behind him, along with everything that has been played on that piano and everything that the horse once bore into battle and to defeat – marble statues and bronze bearded busts, pictures in baroque frames, words and melodies that nobody can understand outside that language. ~ Danilo Ki, #NFDB
274:I stopped myself from reaching up to touch the raven feather I’d tied into my hair before leaving my cell. The thing had become almost a talisman to me. In the darkness a war horn sounded, like the Morrigan herself blowing her bronze carnyx, and I felt the cold finger of fate trace up my spine. As the shrill, shimmering notes died to silence, we stood, shoulder to shoulder, facing the ranks of gladiatrixes we would soon join. ~ Lesley Livingston, #NFDB
275:In their minds it is the mark of an ill-prepared and amateur army to rely in the moments before battle on what they call pseudoandreia, false courage, meaning the artificially inflated martial frenzy produced by a general's eleventh-hour harangue or some peak of bronze-banging bravado built to by shouting, shield-pounding and the like[...] It made no difference. None was a match for the warriors of Lakedaemon, and all knew it. ~ Steven Pressfield, #NFDB
276:in the morning.” “Do oak, forget that bronze and copper crap. We buried Momma last year in oak and it was the prettiest damned thang I’d ever seen. Magargel can get one out of Tupelo in two hours. And forget the vault, too. They’re just rip-offs. Ashes to ashes, dust to dust, bury ’em and let ’em rot is the only way to go. The Episcopalians do it right.” Ray was a little dazed by the torrent of advice, but was thankful nonetheless. ~ John Grisham, #NFDB
277:He could have had everything he wanted if he just reached out his hand and took it…but he could not. The warrior could never break the chains of fear in his mind.” She raised a withered hand and tapped the mummified skin of her forehead. “Do you see, Lord Ridmark? Chains of bronze and prisons of stone can be shattered. But a prison built within the mind itself can never be broken. Those who imprison themselves can never be freed. ~ Jonathan Moeller, #NFDB
278:As the youth came on in front of the others, he got the bronze in his chest beside the right nipple. On through his shoulder it went and he fell to earth in the dust like a sooth black poplar whose branchy top falls in the low grassland of a mighty marsh to the gleaming ax of some chariot-maker, who leaves t to dry by the banks of a river that he may bend him a rim for a beautiful chariot. Even such was the fall of Anthemion's son Simoeisius ~ Homer, #NFDB
279:When he concentrated, a miniature tornado swirled around its three points, getting faster and larger the more he focused. When he planted the spear on the ground, the floor of the pit began to shake and crak.
"Best weapon,"he announced." Right here."
Brontes tossed them a third item. Hades caught this one-a gleaming bronze war helmet decorated with scenes of death and destruction.
"You get weapons" Hades grumbled. "i get a hat ~ Rick Riordan,#NFDB
280:Percy stared at his jelly donut. He had a rocky history with Nico di Angelo. The guy had once tricked him into visiting Hades's palace, and Percy had ended up in a cell. But most of the time, Nico sided with the good guys. He certainly didn't deserve slow suffocation in a bronze jar, and Percy couldn't stand seeing Hazel in pain.
"We'll rescue him," he promised her. "We have to. The prophecy says he holds the key to endless death. ~ Rick Riordan,#NFDB
281:I still respond to that thing you feel in an office, wearing a crisp suit and sensing the linked grids lap around you. It is all about the enfolding drone of the computers and fax machines. It is about the cell phones slotted in the desk chargers, the voice mail and e-mail—a sense of order and command reinforced by the office itself and the bronze tower that encases the office and by all the contact points that shimmer in the air somewhere. ~ Don DeLillo, #NFDB
282:Gazelles are leaping, feeding on the mountains. Near are lakes. Round their shores file shadows black of cedargroves. Aroma rises, a strong hair growth of resin. It burns, the orient, a sky of sapphire, cleft by the bronze flight of eagles. Under it lies the womancity, nude, white, still, cool, in luxury. A fountain murmurs among damask roses. Mammoth roses murmur of scarlet wine grapes. A wine of shame, lust, blood exudes, strangely murmuring. ~ James Joyce, #NFDB
283:The ground crew scrambled into action as Festus the bronze dragon came in for a landing, Leo Valdez riding on his back. The crew waved their orange flashlight cones, guiding Festus to a spot next to the Cessna. None of the mortals seemed to find this at all unusual. One of the crew shouted up at Leo, asking if he needed any fuel. Leo grinned. “Nah. But if you could give my boy a wash and wax, and maybe find him some Tabasco sauce, that would be great. ~ Rick Riordan, #NFDB
284:In the bottom right-hand corner was a decent-sized color photo of Mr. and Mrs. Carl Trudeau posing with their new acquisition. Brianna, ever photogenic, as she damned well be, emanated glamour. Carl looked rich, thin, and young, he thought, and Imelda was as baffling in print as she was in person. Was she really a work of art? Or was she just a hodgepodge of bronze and cement thrown together by some confused soul working hard to appear tortured? ~ John Grisham, #NFDB
285:For nothing is lost, nothing is ever lost. There is always the clue, the canceled check, the smear of lipstick, the footprint in the canna bed, the condom on the park path, the twitch in the old wound, the baby shoes dipped in bronze, the taint in the blood stream. And all times are one time, and all those dead in the past never lived before our definition gives them life, and out of the shadow their eyes implore us. —Robert Penn Warren, All the King’s Men ~ Greg Iles, #NFDB
286:From my vantage point at the top of the grand staircase, the opulent, open floor design of the first level looked like a truck had backed up to the bronze double doors and dumped a load of SpaghettiOs all over the floor. Everything was splattered with red and gunk, like a fleet of cannons had shot an endless stream of ravioli against the walls and ceilings – lots of chunks of lots of different types of matter that usually belonged inside a body. ~ Jennifer L Armentrout, #NFDB
287:the next smallest court, the Court of Priests. This was where the animals were cut and bled and burned on the large horned altar of unhewn stones that stood before the Temple, while a chorus of priests played their instruments and sang hymns of praise to the deity. A bronze laver stood nearby for what appeared to be cleansings. The Temple façade stood sixty feet high behind the altar, with its golden roof visible from anywhere on the entire temple mount. ~ Brian Godawa, #NFDB
288:The Skilled Craftsmen 1 Now the LORD spoke to Moses, saying, 2“See, I have called by name Bezalel, the son of Uri, the son of Hur, of the tribe of Judah. 3I have filled him with the Spirit of God in wisdom, in understanding, in knowledge, and in all kinds of craftsmanship, 4to make artistic designs for work in gold, in silver, and in bronze, 5and in the cutting of stones for settings, and in the carving of wood, that he may work in all kinds of craftsmanship. ~ Anonymous, #NFDB
289:In our town there is a secret spot where you can still see the stars at night, believe it or not. It is the only spot like that left, unclouded by the dwindling skyscrapers rising nearby. It is a good place to go to walk and talk in whispers. Following the little hill that rises from the park to a small clearing which overlooks the statue of the armless general on his bronze steed, most of us later remember this spot as the first place we knew we might be in love. ~ Joe Meno, #NFDB
290:The Bronze Horseman would pursue her into her grave. She felt it. Into her eternity, clambering behind her in the night and in the day, in every hour of sorrow, in every minute of weakness, in darkness, in light, through all of America he would be rattling at her heels, the way he had been relentlessly rattling at her through the past eleven hundred days, through the past eleven hundred nights, right into her maddening dust. How much longer for Tatiana's life? ~ Paullina Simons, #NFDB
291:Finally, then, I conclude with an iconic image of that foundational reconciliation from the later fourth century. It is a bronze hanging lamp from the villa of the aristocratic Valerii on the Celian Hill in Rome, now preserved in the National Archaeological Museum in Florence. The lamp is shaped like a boat. Peter is seated in the stern at the tiller. Paul is standing in the prow looking forward. Peter steers. Paul guides. And the boat sails full before the wind. ~ Marcus J Borg, #NFDB
292:Animals walk around in a state of permanent religious intoxication. This is the natural condition of the mind and intellect, the moment-to-moment perception, of man as well. I heard some computer fool say that religion is the 'older virtual reality' experience, to justify his scam industry. No, the denuded state of the spirit and intellect, where you walk around 'demystified' and 'disenchanted' is the virtual reality condition, and a terrible condition at that. ~ Bronze Age Pervert, #NFDB
293:inlaid in Florentine mosaic, the very flower-stands placed in the recesses of the windows, oozed and sweated with gold. At the four corners of the room were four great lamps placed on pedestals of red marble, to which they were fastened by chains of bronze gilt, that fell with symmetrical grace. And from the ceiling hung three lustres with crystal pendants, streaming with drops of blue and pink light, whose hot glare drew a responding gleam from all the gold in the room. ~ mile Zola, #NFDB
294:The Greeks shape bronze statues so real they seem to breathe,
And carve cold marble until it almost comes to life.
The Greeks compose great orations, and measure
The heavens so well they can predict the rising of the stars.
But you, Romans, remember your great arts;
To govern the peoples with authority,
To establish peace under the rule of law,
To conquer the mighty, and show them mercy once they are conquered."
-Virgil, Aeneid VI, 847-853 ~ Virgil,#NFDB
295:Some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze andstone, and of shadowy companies of heroes that ride caparisoned white horsesalong the edges of thick forests, and then we know that we have looked backthrough the ivory gates into that world of wonder that was ours, before we were wise and unhappy. ~ H P Lovecraft, #NFDB
296:I slashed a wide arc with Riptide and vaporized the entire front row of monsters.
Back off!” I yelled at the rest, trying to sound fierce. Behind them stood their instructor—a six-foot-tall telekhine with Doberman fangs snarling at me. I did my best to stare him down.
New lesson, class,” I announced. “Most monsters will vaporize when sliced with a celestial bronze sword. This change is perfectly normal, and will happen to you right now if you don’t BACK OFF! ~ Rick Riordan,#NFDB
297:Then as I was getting up to the Closerie des Lilas with the light on my old friend, the statue of Marshal Ney with his sword out and the shadows of the trees on the bronze, and he alone there and nobody behind him and what a fiasco he'd made of Waterloo, I thought that all generations were lost by something and always had been and always would be and I stopped at the Lilas to keep the statue company and drank a cold beer before going home to the flat over the sawmill. ~ Ernest Hemingway, #NFDB
298:We had our own civilization in Africa before we were captured and carried off to this land. We smelted iron, danced, made music and folk poems; we sculpted, worked in glass, spun cotton and wool, wove baskets and cloth. We invented a medium of exchange, mined silver and gold, made pottery and cutlery, we fashioned tools and utensils of brass, bronze, ivory, quartz, and granite. We had our own literature, our own systems of law, religion, medicine, science, and education. ~ Richard Wright, #NFDB
299:If you’ve never seen Thalia run into battle, you have never been truly frightened. She uses a huge spear that expands from this collapsible Mace canister she carries in her pocket, but that’s not the scary part. Her shield is modeled after one her dad Zeus uses—also called Aegis—a gift from Athena. The shield has the head of the gorgon Medusa molded into the bronze, and even though it won’t turn you to stone, it’s so horrible, most people will panic and run at the sight of it. ~ Rick Riordan, #NFDB
300:eo took out a pen and autographed the arm of one of the nymphs.
“Narcissus is a loser! He’s so weak, he can’t bench-press a Kleenex. He’s so lame when you look up lame on Wikipedia, it’s got a picture of Narcissus-only the picture is so ugly , no one ever checks it out.”
Narcissus knit his handsome eyebrows. His face was turning from bronze to salmon pink. For the moment, he’d totally forgotten about the pond, and Leo could see the sheet of bronze sinking into the sand. ~ Rick Riordan,#NFDB
301:I BADE, because the wick and oil are spent
And frozen are the channels of the blood,
My discontented heart to draw content
From beauty that is cast out of a mould
In bronze, or that in dazzling marble appears,
Appears, but when we have gone is gone again,
Being more indifferent to our solitude
Than 'twere an apparition. O heart, we are old;
The living beauty is for younger men:
We cannot pay its tribute of wild tears.
~ William Butler Yeats, The Living Beauty
,#NFDB
302:Everyone knows what a penny dropped form the top of the Empire State Building can do. So if it started to rain pennies, millions of pennies, and these tiny bronze disks were streaking to the earth, catching the sunlight, the bronze rain would explode into the pavement and leave craters and you would run for cover. And there you would be, hiding under some overhand with everyone else who has run for cover, pressed in against the other bodies taking shelter. If it started raining money. ~ Nick McDonell, #NFDB
303:Not for the first time, the thought occurred to Hirou that if he'd actually known he was going to be transported into a magical universe, informed he was the long-lost heir to the Throne of Bronze, handed the legendary Sword of Good, and told to fight evil, he would have spent less time reading fantasy novels. Joined the army, maybe. Taken fencing lessons, at least. If there was one thing that didn't prepare you for fantasy real life, it was sitting at home reading fantasy fiction. ~ Eliezer Yudkowsky, #NFDB
304:When the long, varnished buds of beech Point out beyond their reach, And tanned by summer suns Leaves of bright bryony turn bronze, And gossamer floats bright and wet From trees that are their own sunset, Spring, summer, autumn I come here, And what is there to fear? And yet I never lose the feeling That someone else behind is stealing Or else in front has disappeared; Though nothing I have seen or heard, Makes me still walk beneath these boughs With cautious step as in a haunted house. ~ Andrew Young, #NFDB
305:For some people, history is simply what your wife looks good standing in front of. It's what's cast in bronze, or framed in sepia tones, or acted out with wax dummies and period furniture. It takes place in glass bubbles filled with water and chunks of plastic snow; it's stamped on souvenir pencils and summarized in reprint newspapers. History nowadays is recorded in memorabilia. If you can't purchase a shopping bag that alludes to something, people won't believe it ever happened. ~ Elizabeth McCracken, #NFDB
306:For some people, history is simply what your wife looks good standing in front of. It’s what’s cast in bronze, or framed in sepia tones, or acted out with wax dummies and period furniture. It takes place in glass bubbles filled with water and chunks of plastic snow; it’s stamped on souvenir pencils and summarized in reprint newspapers. History nowadays is recorded in memorabilia. If you can’t purchase a shopping bag that alludes to something, people won’t believe it ever happened. ~ Elizabeth McCracken, #NFDB
307:Kira closed her eyes, thought, and said them aloud. "Madder for red. Bedstraw for red too, just the roots. Tops of tansy for yellow, and greenwood for yellow too. And yarrow: yellow and gold. Dark hollyhocks, just the petals, for mauve...."
"Broom sedge," she added, still remembering. "Goldy yellows and browns. And Saint Johnswort for browns too, but it'll stain my hands.
"And bronze fennel--leaves and flowers; use them fresh--and you can eat it too. Chamomile for tea and for green hues. ~ Lois Lowry,#NFDB
308:We don’t know much about the culture of Mohenjo-Daro—there are some findings that suggest that they may have been fairly egalitarian in some interesting ways. But despite the lack of context, the archeologists who unearthed them called the soapstone head illustrated here “Priest King,” while they named the bronze female figure here “Dancing Girl.” They’re still called by those names. Sometimes I think the whole of this book could be communicated with just this set of facts and illustrations. ~ Naomi Alderman, #NFDB
309:She led him past the engine room, which looked like a very dangerous, mechanized jungle gym, with pipes and pistons and tubes jutting from a central bronze sphere. Cables resembling giant metal noodles snaked across the floor and ran up the walls. “How does that thing even work?” Percy asked. “No idea,” Annabeth said. “And I’m the only one besides Leo who can operate it.” “That’s reassuring.” “It should be fine. It’s only threatened to blow up once.” “You’re kidding, I hope.” She smiled. “Come on. ~ Rick Riordan, #NFDB
310:Tate saw the bronze arrow of the elevator moving then. It was already down to four. Tate roared over the racket, “Hold it! Guard mount double up at your outside posts, first squad stays with me. Berry and Howard cover that fucking elevator if it comes—” The needle stopped at three. “First squad, here we go. Don’t pass a door without checking it. Bobby, outside—get a shotgun and the vests and bring ’em up.” Tate’s mind was racing on the first flight of stairs. Caution fought with the terrible need to ~ Thomas Harris, #NFDB
311:Uriah looked better than he did an hour ago--he washed the blood from his mouth, and some of the color returned to his face. I'm struck, suddenly, by how handsome he is-- all his features are proportionate, his eyes dark and lively, his skin bronze-brown. And he has probably always been handsome. Only boys who have been handsome from a young age have that arrogance in their smile. Not like Tobias, who is almost shy when he smiles like he is surprised you bothered to look at him from the first place. ~ Veronica Roth, #NFDB
312:likeness of a bird of prey. She’s terrible and wonderful to look at, with soft, bronze wings that grow from the bottom of her arms and reach down to the ground. I wonder if they ever get tired from such a weight. Instead of hands, she’s got long, red talons. When she sets her hands at her sides and paces on the natural dais around me, I notice her hourglass figure, naked except where feathers form natural sort of clothes. Her movements remind me of a hawk watching its prey with luminous, dark eyes. ~ Zoraida C rdova, #NFDB
313:[Piper] rushed to get dressed. By the time she got up on deck, the others had already gathered—all hastily dressed except for Coach Hedge, who had pulled the night watch. Frank’s Vancouver Winter Olympics shirt was inside out. Percy wore pajama pants and a bronze breastplate, which was an interesting fashion statement. Hazel’s hair was all blown to one side as though she’d walked through a cyclone; and Leo had accidentally set himself on fire. His T-shirt was in charred tatters. His arms were smoking. ~ Rick Riordan, #NFDB
314:figure full of the affluent beauty of womanhood in its prime, bearing unmistakable marks of the polished pupil of the world in the grace that flowed through every motion, the art which taught each feature to play its part with the ease of second nature and made dress the foil to loveliness. The face was delicate and dark as a fine bronze, a low forehead set in shadowy waves of hair, eyes full of slumberous fire, and a passionate yet haughty mouth that seemed shaped alike for caresses and commands. ~ Louisa May Alcott, #NFDB
315:Black for hunting through the night For death and mourning the color's white Gold for a bride in her wedding gown And red to call the enchantment down White silk when our bodies burn Blue banners when the lost return Flame for the birth of a Nephilim And to wash away our sins. Gray for the knowledge best untold Bone for those who don't grow old Saffron lights the victory march Green to mend our broken hearts Silver for the demon towers And bronze to summon wicked powers -Shadowhunter children's rhyme ~ Cassandra Clare, #NFDB
316:Oiled, with tube bones cut from bronze and sunk in gelatin, the robots lay. In coffins for the not dead and not alive, in planked boxes, the metronomes waited to be set in motion. There was a smell of lubrication and lathed brass. There was a silence of the tomb yard. Sexed but sexless, the robots. Named but unnamed, and borrowing from humans everything but humanity, the robots stared at the nailed lids of their labeled F.O.B. boxes, in a death that was not even a death, for there had never been a life. ~ Ray Bradbury, #NFDB
317:Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK IS ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence. ~ David Sedaris, #NFDB
318:It was mossed and lichened with antiquity; and there was a hint of beginning dilapidation in the time-worn stone of the walls. The formal garden had gone a little wild from neglect; the trimmed hedges and trees had taken on fantastic sprawling shapes; and evil, poisonous weeds had invaded the flower-beds. There were statues of cracked marble and verdigris-eaten bronze amid the shrubbery; there were fountains that had long ceased to flow; and dials on which the foliage-intercepted sun no longer fell. ~ Clark Ashton Smith, #NFDB
319:[Piper] rushed to get dressed. By the time she got up on deck, the others had already gathered—all hastily dressed except for Coach Hedge, who had pulled the night watch.
Frank’s Vancouver Winter Olympics shirt was inside out. Percy wore pajama pants and a bronze breastplate, which was an interesting fashion statement. Hazel’s hair was all blown to one side as though she’d walked through a cyclone; and Leo had accidentally set himself on fire. His T-shirt was in charred tatters. His arms were smoking. ~ Rick Riordan,#NFDB
320:He unstrapped his axe and swung it around. It was beautiful in a harsh I’m-going-to-gut-you-like-a-fish kind of way. Each of its twin blades was shaped like an omega: Ω—the last letter of the Greek alphabet. Maybe that was because the axe would be the last thing his victims ever saw. The shaft was about the same height as the Minotaur, bronze wrapped in leather. Tied around the base of each blade were lots of bead necklaces. I realized they were Camp Half-Blood beads—necklaces taken from defeated demigods. ~ Rick Riordan, #NFDB
321:Then, just now, I went into my bedroom to find something else, and Lovecraft looked down on me. He’s dull metallic grey. His head is elongated, his eyes blank discs. It’s a bust of the author I received years ago for winning an award, and it’s always seemed scary. For a while I dressed him up in a D’Artagnan hat, complete with plume, and a pair of sunglasses with pink heart-shaped rims. But a young visitor wanted those for her Barbie. Now he has a bronze-blond fright wig. And “fright” is the defining word. ~ Ellen Datlow, #NFDB
322:Black for hunting through the night For death and mourning the color’s white Gold for a bride in her wedding gown And red to call enchantment down. White silk when our bodies burn, Blue banners when the lost return. Flame for the birth of a Nephilim, And to wash away our sins. Gray for knowledge best untold, Bone for those who don’t grow old. Saffron lights the victory march, Green will mend our broken hearts. Silver for the demon towers, And bronze to summon wicked powers. —Old Nephilim children’s rhyme ~ Cassandra Clare, #NFDB
323:Wiggling, she peeled the shift over her head, dropping it with a loud splat. Her bronze flesh glistened, beads riding across the mantles of her collarbones. Pert breasts. Prominent ribs. Starved arms and legs. Restless feet with bony ankles and high arches.
Jeryn stilled. He had seen this before, under her sodden rags.
What his clinical eyes had not seen before were her hands on those body parts.
She doused water over her hips and underarms. Unconcerned. Immodest. Bathing herself in front of him. ~ Natalia Jaster,#NFDB
324:Practice
To weep unbidden, to wake at night in order to weep,
to wait for the whisker on the face
of the clock to twitch again,
moving the dumb day forward—
is this merely practice?
Some believe in heaven, some in rest.
We'll float, you said. Afterward we'll float
between two worlds— five bronze beetles
stacked like spoons in one peony blossom,
drugged by lust: if I came back as a bird
I'd remember that— until everyone
we love is safe is what you said.
~ Ellen Bryant Voigt,#NFDB
325:The Drowsy Garden
The drowsy garden scatters insects
Bronze as the ash from braziers blown.
Level with me and with my candle,
Hang flowering worlds, their leaves full-grown.
As into some unheard-of dogma
I move across into this night,
Where a worn poplar age has grizzled
Screens the moon's strip of fallow light,
Where the pond lies, an open secret,
Where apple bloom is surf and sigh,
And where the garden, a lake dwelling,
Holds out in front of it the sky.
~ Boris Pasternak,#NFDB
326:He’s a love-’em-and-leave-’em kind of guy. And though he’s not a Lord, he does have a curse hanging over his head. I have the book to prove it.”
William growled low in his throat. “Anya! Must you share my secrets with everyone?” He flattened his palms on the arms of his chair. “Fine. If you can spill, I can, too. Anya’s the reason the Titanic sank. She was playing chicken with the icebergs.”
Scowling, Anya anchored her hands on her hips. “William had a bronze made of his penis and placed it on his mantel. ~ Gena Showalter,#NFDB
327:The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions. ~ Tessa Dare, #NFDB
328:Out of the closets and into the museums, libraries, architectural monuments, concert halls, bookstores, recording studios and film studios of the world. Everything belongs to the inspired and dedicated thief…. Words, colors, light, sounds, stone, wood, bronze belong to the living artist. They belong to anyone who can use them. Loot the Louvre! A bas l’originalité, the sterile and assertive ego that imprisons us as it creates. Vive le vol-pure, shameless, total. We are not responsible. Steal anything in sight. ~ William S Burroughs, #NFDB
329:Our characteristic response to the mutilated statue, the bronze dug up from the earth, is revealing. It is not that we prefer time-worn bas-reliefs, or rusted statuettes as such, nor is it the vestiges of death that grip us in them, but those of life. Mutilation is the scar left by the struggle with Time, and a reminder of it - Time which is as much a part of ancient works of art as the material they are made of, and thrusts up through the fissures, from a dark underworld, where all is at once chaos and determinism. ~ Andre Malraux, #NFDB
330:She led him past the engine room, which looked like a very dangerous, mechanized jungle gym, with pipes and pistons and tubes jutting from a central bronze sphere. Cables resembling giant metal noodles snaked across the floor and ran up the walls.
“How does that thing even work?” Percy asked.
“No idea,” Annabeth said. “And I’m the only one besides Leo who can operate it.”
“That’s reassuring.”
“It should be fine. It’s only threatened to blow up once.”
“You’re kidding, I hope.”
She smiled. “Come on. ~ Rick Riordan,#NFDB
331:They were in the likeness of two wild boars who in the mountains await a rabble of men and dogs advancing upon them and as they go tearing slantwise and rip the timber about them to pieces at the stock, the grinding scream of their teeth sounds 150 high, until some man hits them with his throw and takes the life from them; such was the grinding scream from the bright bronze covering their chests struck hard on by spears, for they fought a very strong battle in the confidence of their own strength and the people above them. ~ Homer, #NFDB
332:There you go. Happiness approaches. Happy is a name-well, the English version, anyway." He stood and scanned the horizon. His eyes fixed on something in the distance. A grin spread across his face. "Yep. Apollo, your escort is on the way."
I followed his gaze. Spiraling down from the clouds was a large winged creature that glinted of Celestial bronze. On its back were two human-size figures.
Their descent was silent, but in my mind a joyous fanfare of Valdezinator music proclaimed the good news.
Leo had returned ~ Rick Riordan,#NFDB
333:After swinging the child easily from his shoulders to the ground, Lord St. Vincent opened the carriage door on Pandora's side. The full blaze of midday gilded his perfect features and struck brilliant lights in his bronze-gold hair.
Fact #13 she wanted to write. Lord St. Vincent walks around with his own personal halo.
The man had too much of everything. Looks, wealth, intelligence, breeding, and virile good health.
Fact #14 Some people are living proof of an unjust universe. ~ Lisa Kleypas,#NFDB
334:his six wings spread out behind him added a sense of glory lost on his rather undeveloped and ugly form. But his voice carried authority, he shined like burnished bronze, and the other gods seemed to defer to him with respect. The truth was, Nachash was a seraph, one of the highest beings in Yahweh’s heavenly court. And in that court, his ordained role was to be “the satan,” the accuser or adversary who challenged Yahweh and his law. On earth he went by other names such as Belial or Diablos. His personal favorite was Mastema. ~ Brian Godawa, #NFDB
335:I took a last nervous glance at myself in the mirror. I’d brushed the thick waves of my hair until they shimmered down my back, and I’d dressed them off my face with a circlet of red gold that twined about my brow. I had to admit, the look suited me. A gown of leaf-green wool under a russet-and-purple mantle draped the lines of my body. The torc around my neck gleamed, and the stacked bronze and silver bangles on my wrists jangled as I pushed aside my door curtain and headed up the winding path to my father’s great hall. ~ Lesley Livingston, #NFDB
336:It’s about time,” he said, without turning around.
He turned slowly, then. The blue eyes. The crooked grin. Cass started to greet him, but her voice stuck in her throat. She reached out for the curlicue bottom of the stairway banister, gripping the bronze for a second, reminding herself that there were no feelings. No. Feelings. She flicked her eyes back up at him, felt her lips forming a smile independent of any command by her brain.
Falco cocked an eyebrow. “A beautiful woman who doesn’t speak. Every man’s dream. ~ Fiona Paul,#NFDB
337:Perry Zoll
My thanks, friends of the County Scientific Association,
For this modest boulder,
And its little tablet of bronze.
Twice I tried to join your honored body,
And was rejected,
And when my little brochure
On the intelligence of plants
Began to attract attention
You almost voted me in.
After that I grew beyond the need of you
And your recognition.
Yet I do not reject your memorial stone,
Seeing that I should, in so doing,
Deprive you of honor to yourselves.
~ Edgar Lee Masters,#NFDB
338:When the sun shouts and people abound One thinks there were the ages of stone and the age of bronze And the iron age; iron the unstable metal; Steel made of iron, unstable as his mother; the tow-ered-up cities Will be stains of rust on mounds of plaster. Roots will not pierce the heaps for a time, kind rains will cure them, Then nothing will remain of the iron age And all these people but a thigh-bone or so, a poem Stuck in the world's thought, splinters of glass In the rubbish dumps, a concrete dam far off in the mountain. ~ Robinson Jeffers, #NFDB
339:At a reception at the National Academy of Sciences on Constitution Avenue, which now boasts the world's most interesting statue of Einstein, a twelve foot high, full-length bronze figure of him reclining, he listened to long speeches from honorees, including Prince Albert I of Monaco, who was an avid oceanographer, a North Carolina scholar of hookworms, and a man who had invented a solar stove. As the evening droned on Einstein turned to a Dutch diplomat seated next him and said, "I've just developed a new theory of eternity. ~ Walter Isaacson, #NFDB
340:She couldn't help stealing a covert glance at the exposed part of his torso, the flesh so firm and tanned it appeared to have been cast in bronze. Lower down near his hip, the satiny brown skin merged into a line of ivory. The sight was so intriguing- and intimate- that she felt her stomach tighten pleasurably. Leaning over him as she was, she couldn't help breathing in the dusty, sweaty, sun-heated scent of him. A stunning urge seized her, to touch that brown-and-white borderline with her fingertip, trace a path across his body. ~ Lisa Kleypas, #NFDB
341:Him! Him! Captain Eliot Rosewater–Silver Star, Bronze Star, Soldier's Medal, and Purple Heart with Cluster! Sailing champion! Ski champion! Him! Him! My God–the number of times life has said, 'Yes, yes, yes,' to him! Millions of dollars, hundreds of significant friends, the most beautiful, intelligent, talented, affectionate wife imaginable! A splendid education, an elegant mind in a big, clean body–and what was his reply when life says nothing but, 'Yes, yes, yes'? "'No, no, no.'
"Why? Will someone tell me why?"
No one did. ~ Kurt Vonnegut,#NFDB
342:The first go out to his brothers, George the golden young man, Duke of Clarence, and the youngest York boy, twelve-year-old Richard, Duke of Gloucester, who smiles shyly at me and dips his head when I send him some braised peacock. He is as unlike his brothers as is possible, small and shy and dark-haired, slight of build and quiet, while they are tall and bronze-headed and filled with their own importance. I like Richard on sight, and I think he will be a good companion and playmate to my boys, who are only a little younger than him. ~ Philippa Gregory, #NFDB
343:When I come to a new city is I combine: I say, well, it's like Barcelona and Edinburgh, though I can't imagine what that would be. But Toronto, the last few times I've been here, what always comes up is Chicago and West Berlin. It's a big, sprawling city beside a lake, of a certain age and a certain architectural complexity. But the high-end retail core looks more like West Germany than the Magnificent Mile. Yonge Street is like K-Damm. There's an excess of surface marble and bronze: it's Germanic and as pretentious as pretentious can be. ~ William Gibson, #NFDB
344:The two forces met with a fearful din of spears and bossed shields, clashing in a fierce and furious melees of bronze-breasted fighters. And there the screams of the dying were mingled with cries of triumph s blood flowed over the earth. As when two winter torrents flow down from great mountain springs to mingle their turbulent floods; where the two streams meet and thunder on down a deep gorge, and the shepherd far off in the mountains hears the roar, so now as the two armies clashed in the fury of battle a terrible roar of toil and shouting arose. ~ Homer, #NFDB
345:10 And the LORD spoke to Manasseh and his people, but they would not listen. 11 Therefore the LORD brought upon them the captains of the army of the king of Assyria, who took Manasseh with hooks,* bound him with bronze fetters, and carried him off to Babylon. 12 Now when he was in affliction, he implored the LORD his God, and humbled himself greatly before the God of his fathers, 13 and prayed to Him; and He received his entreaty, heard his supplication, and brought him back to Jerusalem into his kingdom. Then Manasseh knew that the LORD was God. ~ Anonymous, #NFDB
346:Bronze Trumpets And Sea Water - On Turning Latin
Into English
Alembics turn to stranger things
Strange things, but never while we live
Shall magic turn this bronze that sings
To singing water in a sieve.
The trumpets of Cæsar's guard
Salute his rigorous bastions
With ordered bruit; the bronze is hard
Though there is silver in the bronze.
Our mutable tongue is like the sea,
Curled wave and shattering thunder-fit;
Dangle in strings of sand shall he
Who smoothes the ripples out of it.
~ Elinor Morton Wylie,#NFDB
347:A bronze plaque read: GAIUS PLINIUS CAECILIUS SECUNDUS
Dan made a face. "Get a load of the guy with the funny name."
"I think that's Pliny the younger, the famous Roman writer," Amy supplied. She bent down to read the English portion of the tablet. "Right. In A.D. 79, Pliny chronicled the destruction of Pompeii by the eruption of Mount Vesuvius. It's one of the earliest eyewitness accounts of a major disaster."
Dan yawned. "Doesn't this remind you of the clue hunt? You know–you telling me a bunch of boring stuff, and me not listening? ~ Gordon Korman,#NFDB
348:All over Atlanta that fall, in the blue twilights, girls came clicking home from their jobs in their clunky heels and miniskirts and opened their apartment windows to the winesap air, and got out ice cubes, and put on Petula Clark singing 'Downtown', and sat down to wait.
Soon the young men would come, drifting out of their bachelor apartments in Bermuda shorts and Topsiders, carrying beers and gin and tonics, looking for a refill and a a date and the keeping of promises that hung in the bronze air like fruit on the eve of ripeness. ~ Anne Rivers Siddons,#NFDB
349:There's this Indian fellow who worked out a cycle like the idea of stone-age, bronze-age, only he did it on an Indian one. The cycle goes from nothing until now and 20th century and then on and right around the cycle until the people are really grooving and then just sinks back into ignorance until it gets back into the beginning again. So the 20th century is a fraction of that cycle, and how many of those cycles has it done yet? It's done as many as you think and all these times it's been through exactly the same things, and it'll be this again. ~ George Harrison, #NFDB
350:The Throne of Yahweh Elohim gleamed in the holy temple in the heavens above the waters, unapproachable, a chariot enthroned above the Cherubim and beneath the Seraphim. The Seraphim were a different breed, created exclusively for God’s own guard. The Cherubim were sphinx-like, but these had four faces and four wings, and they sparkled like burnished bronze. Their faces were those of human, lion, ox, and eagle. Beside each one was an object that appeared to be a wheel within a wheel of gleaming beryl, that moved with the living creature as they moved. ~ Brian Godawa, #NFDB
351:Uriel sobered up. “They have skin that shines like burnished bronze. They have four sets of wings, and four faces. Usually one face is of a human, one of a lion, one of an eagle, and one of the cherub itself. They are accompanied by the Flames of the Whirling Sword, divine beings that can smite anything that approaches their custody. The sound of a cherub’s wings alone strikes terror into the hearts of its enemies.” It was all so matter-of-fact for Uriel. He lived in the presence of these beings, not to mention the more terrifying presence of Elohim. ~ Brian Godawa, #NFDB
352:Margaret herself hadn't known her body was a parish bell tolling at every heartbreak she heard of, and that night with Pete calmly sitting on the edge of her favorite chair, invading her private room with words this room was sealed from, she felt it just as a bell would. It struck her right inside, until her bronze skin rang out the news. Not of Pete's story, which had not even made him cry, but some other story she'd been trying not to tell herself. So she sat stiffly there and wept, clanging and clanging like a thing that tested its own breaking. ~ Andrew Sean Greer, #NFDB
353:I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things. ~ Tracey Emin, #NFDB
354:I give you five minutes to spare your blushes. here is the little bronze key that opens the ebony caskets on the mantle piece in the Louise-Phillipe room. In one of the caskets you will find a scorpion, in the other, a grasshopper, both very cleverly imitated in Japanese bronze: they will say yes or no for you. If you turn the scorpion round, that will mean to me, when I return that you have said yes. The grasshopper will mean no... The grasshopper, be careful of the grass hopper! A grasshopper does not only turn: it hops! It hops! And it hops jolly high! ~ Gaston Leroux, #NFDB
355:Flowers
From a golden step,-- among silk cords,
green velvets, gray gauzes,
and crystal disks that
turn black as bronze in the sun,
I see the digitalis opening
on a carpet of silver filigree,
of eyes and hair. Yellow gold-pieces
strewn over agate, mahogany columns supporting
emerald domes, bouquets of white satin
and delicate sprays of rubies,
surround the water-rose.
Like a god with huge blue eyes and limbs of snow,
the sea and sky lure to the marble terraces
the throng of roses, young and strong.
~ Arthur Rimbaud,#NFDB
356:Enchanté!” said Qwilleran, bending low over her hand in a courtly gesture. Then he drew from his pocket a perfect Bosc pear with bronze skin and long, curved stem, offering it in the palm of his hand like a jewel-encrusted Fabergé bauble. “The perfect complement for your beautiful apartment, Mademoiselle.” The Countess was a trifle slow in responding. “How charming . . . Please be seated . . . Ferdinand, you may bring the tea tray.” She seated herself gracefully on an overstuffed sofa in front of the tortoiseshell tea table. “I trust you are well, Mary? ~ Lilian Jackson Braun, #NFDB
357:From the lip of the Ravine I could see the Deeps on the other side, hard gray and brown brick on wood on the nearest structures, shading further in to rose, bronze, black pearl, and verdigris in spires of stone, metals, and brilliant glass. The empress of it all, rising from the center, was Ego, the tallest building in the City, whose reflective flanks had no color of their own, but worse the sky instead--relentless, cloudless blue today. The towers of the Deeps, rising in angles or curves, were made more poignant by the occasional shattered forms of their ruined kin. ~ Emma Bull, #NFDB
358:You're Beautiful
Like the green romance of a bud
and lily's pink, gentle sway.
You: more beautiful than yesterday.
Wildflower's blue surprise.
Daisy's white, sunny play.
You're more beautiful than yesterday.
Orchid's purple mystery
Mum's bronze ole`
You: more beautiful than yesterday.
Rose's orange perfume,
even tulip's yellow secrets say:
You're more beautiful that yesterday.
Poppy's red, teasing lips,
but YOUR beauty will never fade.
You: more lovely than yesterday,
You: my dazzling bouquet. ~ Pat Mora,#NFDB
359:Spring Night In The Imperial Chancellery
Evening falls on palace walls shaded by flowering trees, with cry of birds
flying past on their way to roost. The stars quiver as they look down on the
myriad doors of the palace, and the moon's light increases as she moves into
the ninefold sky. Unable to sleep, I seem to hear the sound of the bronze-clad
doors opening for the audience, or imagine the sound of bridle-bells bourne
upon the wind. Having a sealed memorial to submit at tomorrow's levee, I make
frequent inquiries about the progress of the night.
~ Du Fu,#NFDB
360:To be granite and to doubt! To be the statue of Chastisement cast in one piece in the mould of the law, and suddenly to become aware of the fact that one cherishes beneath one's breast of bronze something absurd and disobedient which almost resembles a heart! To come to the pass of returning good for good, although one has said to oneself up to that day that that good is evil! To be the watch-dog, and to lick the intruder's hand! To be ice and melt! To be the pincers and to turn into a hand! To suddenly feel one's fingers opening! To relax one's grip,—what a terrible thing! ~ Victor Hugo, #NFDB
361:GARCIN: This bronze. Yes, now's the moment; I'm looking at this thing on the mantelpiece, and I understand that I'm in hell. I tell you, everything's been thoughtout beforehand. They knew I'd stand at the fireplace stroking this thing of bronze, with all those eyes intent on me. Devouring me. What? Only two of you? I thought there were more; many more. So this is hell. I'd never have believed it. You remember all we were told about the torture-chambers, the fire and brimstone, the "burning marl." Old wives' tales! There's no need for red-hot pokers. HELL IS-OTHER PEOPLE! ~ Jean Paul Sartre, #NFDB
362:Our patriotism comes straight from the Romans. This is why French children are encouraged to seek inspiration for it in Corneille. It is a pagan virtue, if these two words are compatible. The word pagan, when applied to Rome, early possesses the significance charged with horror which the early Christian controversialists gave it. The Romans really were an atheistic and idolatrous people; not idolatrous with regard to images made of stone or bronze, but idolatrous with regard to themselves. It is this idolatry of self which they have bequeathed to us in the form of patriotism. ~ Simone Weil, #NFDB
363:Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota
Over my head, I see the bronze butterfly,
Asleep on the black trunk,
Blowing like a leaf in green shadow.
Down the ravine behind the empty house,
The cowbells follow one another
Into the distances of the afternoon.
To my right,
In a field of sunlight between two pines,
The droppings of last year’s horses
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.
A chicken hawk floats over, looking for home.
I have wasted my life. ~ James Wright,#NFDB
364:He lifted the thrashing muskellunge, held it up for the world to see, and let the thrash go out of its body in a final, lurking shudder. He had pierced it through, a third of the way behind its head. Pale out of the water, all dull greenish-bronze and insipid vermiculations, except for reddish fins that reminded Henry of his mother's hard tack candy. It had the teeth of a nasty little dog. Sarsen slid its body down off the staff, leaving a watery braid of blood. Off the pike, its wound seemed to close. He lifted it by the tail and hollered.
Sarsen could do anything. ~ Matthew Neill Null,#NFDB
365:I suppose that someday, suddenly, I will be transferred to another age, for example the chivalric or the bronze. The hope is, of course, that I arrive in period dress but not resemble a contemporary luminary, for I wish to simply onlook. But, more probably, thanks to chronologically garbled garb, or my mistakable face—which will lead to expectations of competence—I will have to explain my occurrence. That explained, I will have to explain my age, The Present, also known as "The Future" in the past. This is why I am studying our great inventions and advances: to be ready for questions. ~ Amy Leach, #NFDB
366:When the Dark comes rising six shall turn it back;
Three from the circle, three from the track;
Wood, bronze, iron; Water, fire, stone;
Five will return and one go alone.
Iron for the birthday; bronze carried long;
Wood from the burning; stone out of song;
Fire in the candle ring; water from the thaw;
Six signs the circle and the grail gone before.
Fire on the mountain shall find the harp of gold
Played to wake the sleepers, oldest of old.
Power from the Green Witch, lost beneath the sea.
All shall find the Light at last, silver on the tree. ~ Susan Cooper,#NFDB
367:Of Bronze—and Blaze
290
Of Bronze—and Blaze—
The North—Tonight—
So adequate—it forms—
So preconcerted with itself—
So distant—to alarms—
And Unconcern so sovereign
To Universe, or me—
Infects my simple spirit
With Taints of Majesty—
Till I take vaster attitudes—
And strut upon my stem—
Disdaining Men, and Oxygen,
For Arrogance of them—
My Splendors, are Menagerie—
But their Completeless Show
Will entertain the Centuries
When I, am long ago,
An Island in dishonored Grass—
Whom none but Beetles—know.
~ Emily Dickinson,#NFDB
368:A shrew, a wife, a whore. Those seemed to be my choices. I ask any man reading this, how could you decide whether to be a villain, a worker, or a plaything? A man would refuse to choose; a man would have that right. But I had only three words to choose from, and which of them was happiness? All I wanted was love. A simple thing, a timeless thing. When men want love they sing for it, or smile for it, or pay for it. And what do women do? They choose. And their lives are struck like bronze medallions. So tell me, gentlemen, tell me the time and place where it was easy to be a woman? ~ Andrew Sean Greer, #NFDB
369:I look down, and I'm surprised to find myself standing in the middle of a small stone circle. In the center, directly between my feet, is a coppery-bronze octagon with a star. Words are engraved in the stone around it: POINT ZÉRO DES ROUTES DE FRANCE.
"Mademoiselle Oliphant. It translates to 'Point zero of the roads of France.' In other words, it's the point from which all other distances in France are measured." St. Clair clears his throat. "It's the beginning of everything."
I look back up. He's smiling.
"Welcome to Paris, Anna. I'm glad you've come. ~ Stephanie Perkins,#NFDB
370:I look down, and I'm surprised to find myself standing in the middle of a small stone circle. In the center, directly between my feet, is a coppery-bronze octagon with a star. Words are engraved in the stone around it: POINT ZÉRO DES ROUTES DE FRANCE.
'Mademoiselle Oliphant. It translates to "Point zero of the roads of France." In other words, it's the point from which all other distances in France are measured.' St. Clair clears his throat. 'It's the beginning of everything.'
I look back up. He's smiling.
'Welcome to Paris, Anna. I'm glad you've come. ~ Stephanie Perkins,#NFDB
371:Thunderstorms were common in Sarantium on midsummer nights, sufficiently so to make plausible the oft-repeated tale that the Emperor Apius passed to the god in the midst of a towering storm, with lightning flashing and rolls of thunder besieging the Holy City. Even Pertennius of Eubulus, writing only twenty years after, told the story this way, adding a statue of the Emperor toppling before the bronze gates to the Imperial Precinct and an oak tree split asunder just outside the landward walls. Writers of history often seek the dramatic over the truth. It is a failing of the profession. ~ Guy Gavriel Kay, #NFDB
372:He was still climbing. Here and there doors opened revealing vast rooms, dormitories with heavy joists where bells were sleeping. A vague feeling stirred within Borluut as he went over to them. They were not entirely at rest,just as virgins are never completely at rest. Their sleep was visited by dreams. He felt as if they were about to move, stretch, moan like sleepwalkers. The incessant murmuring among the bells! A noise that persists, like the sound of the sea in shells! They never empty themselves entirely. Sound forming like beads of sweat! A condensation of music on the bronze... ~ Georges Rodenbach, #NFDB
373:The coast is an edgy place. Living on the coast presents certain stark realities and a wild, rare beauty. Continent confronts ocean. Weather intensifies. It's a place of tide and tantrum; of flirtations among fresh- and saltwaters, forests and shores; of tense negotiations with an ocean that gives much but demands more. Every year the raw rim that is this coast gets hammered and reshaped like molten bronze. This place roils with power and a sometimes terrible beauty. The coast remains youthful, daring, uncertain about tomorrow. The guessing, the risk; in a way, we're all thrill seekers here. ~ Carl Safina, #NFDB
374:Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe.
Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.
He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.
He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die--
when he leads his black soldiers to death,
he cannot bend his back. ~ Robert Lowell,#NFDB
375:The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her. The dried brown leaves crackled beneath her feet and gave off a delicious smoky fragrance. No one had ever told her about autumn in New England. The excitement of it beat in her blood. Every morning she woke with a new confidence and buoyancy she could not explain. In October any wonderful unexpected thing might be possible. ~ Elizabeth George Speare, #NFDB
376:Beatrix tilted her head back to look at him. Perspiration had given his skin the sheen of polished metal, strong masculine features worked in bronze. His expression was engrossed, as if her body fascinated him, as if she were made of some precious substance he had never encountered before. She felt the soft, hot shock of his breath as he bent to kiss the inside of her wrist. He let the tip of his tongue rest against a tiny pulse. So new, this intimacy with him, and yet it was as necessary as the beat of her own heart.
She never wanted to be out of his arms again. She wanted to be with him always. ~ Lisa Kleypas,#NFDB
377:Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme ~ Cassandra Clare,#NFDB
378:Hagrid!” said Harry loudly. “There’s an owl —” “Pay him,” Hagrid grunted into the sofa. “What?” “He wants payin’ fer deliverin’ the paper. Look in the pockets.” Hagrid’s coat seemed to be made of nothing but pockets — bunches of keys, slug pellets, balls of string, peppermint humbugs, teabags . . . finally, Harry pulled out a handful of strange-looking coins. “Give him five Knuts,” said Hagrid sleepily. “Knuts?” “The little bronze ones.” Harry counted out five little bronze coins, and the owl held out his leg so Harry could put the money into a small leather pouch tied to it. Then he flew off through ~ J K Rowling, #NFDB
379:Le bronze... (Il le caresse.) Eh bien, voici le moment. Le bronze est là, je le contemple et je comprends que je suis en enfer. Je vous dis que tout était prévu. Ils avaient prévu que je me tiendrais devant cette cheminée, pressant ma main sur ce bronze, avec tous ces regards sur moi. Tous ces regards qui me mangent... (ll se retourne brusquement.) Ha! vous n'êtes que deux? Je vous croyais beaucoup plus nombreuses. (Il rit.) Alors, c'est ça l'enfer. Je n'aurais jamais cru... Vous vous rappelez: le soufre, le bûcher, le gril... Ah! quelle plaisanterie. Pas besoin de gril: l'enfer, c'est les Autres. ~ Jean Paul Sartre, #NFDB
380:The Matrix
Goaded and harassed in the factory
That tears our life up into bits of days
Ticked off upon a clock which never stays,
Shredding our portion of Eternity,
We break away at last, and steal the key
Which hides a world empty of hours; ways
Of space unroll, and Heaven overlays
The leafy, sun-lit earth of Fantasy.
Beyond the ilex shadow glares the sun,
Scorching against the blue flame of the sky.
Brown lily-pads lie heavy and supine
Within a granite basin, under one
The bronze-gold glimmer of a carp; and I
Reach out my hand and pluck a nectarine.
~ Amy Lowell,#NFDB
381:Vladimir Kush , Shell Bronze , Lovers Entwined (painting)
“Why, then, does the man in love hang with complete abandon on the eyes of his chosen one, and is ready to make every sacrifice for her? Because it is his immortal part that longs for her; it is always the mortal part alone that longs for everything else. That eager and even ardent longing, directed to a particular woman, is therefore an immediate pledge of the indestructibility of the kernel of our true nature…”
―from The World as Will and Representation . Translated from the German by E. F. J. Payne. In Two Volumes, Volume II, p. 559 ~ Arthur Schopenhauer,#NFDB
382:Carefully she took hold of the chain dangling from it, the jade pendant he had given her so long ago. The inscription on the back still gleamed as if new:
When two people are at one in their most inmost hearts, they shatter even the strength of iron or bronze.
"You remember, that you left it with me?" she said. "I've never taken it off."
He closed his eyes. His lashes lay against his cheeks, long and fine. "All these years," he said, and his voice was a low whisper, and it was not the voice of the boy he had been once, but it was still a voice she loved. "All these years, you wore it? I never knew. ~ Cassandra Clare,#NFDB
383:Half-a-dozen men had emerged on foot from the woods on the far side of the road. They were led by a man mounted on a horse – a burly man with long unkempt hair curling from underneath a polished bronze helmet and merging into a great bushy black beard. He wore a burnished breastplate and carried himself with some authority. His companions, clustered behind him, carried an assortment of weaponry, mostly staffs and bows with arrows strung but not drawn. Sister Fidelma had no knowledge of what the man shouted, but it was clearly an order, and it took little guessing that it was an order for her to desist in her task. ~ Peter Tremayne, #NFDB
384:The next thing I knew, I was sprawled in the traffic circle, coughing and gasping as a tower of fire roared into the evening sky. My throat burned. My eyes felt like they’d been splashed with acid. I looked for Thalia and instead found myself staring at the bronze face of Medusa. I screamed, somehow found the energy to stand, and ran. I didn’t stop until I was cowering behind the statue of Robert E. Lee. Yeah, I know. It sounds comical now. But it’s a miracle I didn’t have a heart attack or get hit by a car. Finally Thalia caught up to me, her spear back in Mace canister form, her shield reduced to a silver bracelet. ~ Rick Riordan, #NFDB
385:Violet
232 books | 49 friends
see comment history Black for hunting through the night
For death and mourning the color’s white
Gold for a bride in her wedding gown
And red to call enchantment down.
White silk when our bodies burn,
Blue banners when the lost return.
Flame for the birth of a Nephilim,
And to wash away our sins.
Gray for knowledge best untold,
Bone for those who don’t grow old.
Saffron lights the victory march,
Green will mend our broken hearts.
Silver for the demon towers,
And bronze to summon wicked powers. ~ Cassandra Clare,#NFDB
386:As for the actual validity of the notion [of] an immovable self, ever-firm, you're there only by half, at best...
You'll spend decades trying to will 'same self' into being. But you'll keep shape-shifting. Probably everyone must, so long as the body's treading sod or drawing breath.
What's unalterable as bronze is the image of your radiant friend that morning barefoot on the porch, with sun in her rampant hair. She's holding out the bowl of fruit loops, and touching your shoulder as if to bestow the right name upon you: the one you'll bear before you through the world, each letter forged into a gleaming shield. ~ Mary Karr,#NFDB
387:There were opera cloaks stitched of myriad, many-colored silks and furs; there were jewels dripping from arms and throats and ear-tips of white and rose; there were innumerable broad shimmers down the middles of innumerable silk hats; there were shoes of gold and bronze and red and shining black; there were the high-piled, tight-packed coiffures of many women and the slick, watered hair of well-kept men—most of all there was the ebbing, flowing, chattering, chuckling, foaming, slow-rolling wave effect of this cheerful sea of people as to-night it poured its glittering torrent into the artificial lake of laughter…. After ~ F Scott Fitzgerald, #NFDB
388:Battery Park resonates with lust as the sun approaches its zenith. A primal impulse takes hold of the young couples strolling the gravel walkways, the newlyweds who have paused to admire DeModica’s bronze bull, the truant teens laid out on the cool grass. Maybe because all flesh tantalizes in the early summer, in the right light, or because, at this time of year, there is more flesh exposed, midriffs, cleavage, inner thighs, the park is suddenly transformed into a dynamo of panting and groping. This desire is not the tender affection of evening, the wistful intimacy of the twilight’s last gleam. It is raw, concupiscent hunger. ~ Jacob M Appel, #NFDB
389:Contemplation
I muse upon the distant town
In many a dreamy mood.
Above my head the sunbeams crown
The graveyard's giant rood.
The lupin blooms among the tombs.
The quail recalls her brood.
Ah, good it is to sit and trace
The shadow of the cross;
It moves so still from place to place
O'er marble, bronze and moss;
With graves to mark upon its arc
Our time's eternal loss.
And sweet it is to watch the bee
That reve's in the rose,
And sense the fragrance floating free
On every breeze that blows
O'er many a mound, where, safe and sound,
Mine enemies repose.
~ Ambrose Bierce,#NFDB
390:Every Dog Has His Night
The drawing room in his house is filled with animals.
Animals cast in bronze, steel and brass.
Trained to remain quiet, they
turned to quite a noisy racket last night.
It was the turn of the dogs yesterday.
One's bark sparks off the rest.
Restless, on hearing that, the foxes begin to howl.
The brass lion rose up to roar.
Roar's the word in the textbook;
tried, but having caught a cold, forsook
returned to the cave itself.
When the singers were settled after the symphony
I too dozed, but
couldn't bark.
So that's all for now, isn't it enough.
~ Ayyappa Paniker,#NFDB
391:I don’t see any option except to stick to the plan. Split up, infiltrate, find out why they’re here. If things go bad—” “We use the backup plan,” Piper said. Jason hated the backup plan. Before they left the ship, Leo had given each of them an emergency flare the size of a birthday candle. Supposedly, if they tossed one in the air, it would shoot upward in a streak of white phosphorus, alerting the Argo II that the team was in trouble. At that point, Jason and the girls would have a few seconds to take cover before the ship’s catapults fired on their position, engulfing the palace in Greek fire and bursts of Celestial bronze shrapnel. ~ Rick Riordan, #NFDB
392:Any clear thing that blinds us with surprise,
your wandering silences and bright trouvailles,
dolphin let loose to catch the flashing fish...
saying too little, then too much.
Poets die adolescents, their beat embalms them,
the archetypal voices sing offkey;
the old actor cannot read his friends,
and nevertheless he reads himself aloud,
genuis hums the auditorium dead.
The line must terminate.
Yet my heart rises, I know I've gladdened a lifetime
knotting, undoing a fishnet of tarred rope;
the net will hang on the wall when the fish are eaten,
nailed like illegible bronze on the futureless future. ~ Robert Lowell,#NFDB
393:The hour passed in jewels and alleys and winds from the Egyptian desert. The sun was golden and the Nile was muddy where it lapped down to the deltas, and there was someone very young and very quick at the top of the pyramid, laughing, calling to him to
come on up the shadowy side into the sun, and he was climbing, she putting her hand down to help him up the last step, and then they were laughing on camel back, loping
toward the great stretched bulk of the Sphinx, and late at night, in the native quarter, there was the tinkle of small hammers on bronze and silver, and music from some stringed instruments fading away and away and away . . . ~ Ray Bradbury,#NFDB
394:They have statues," Jenna said. "In a hallway." Sure enough, two bronze statues of veiled women guarded the massive staircase, where even more people were now lining up. They were all wearing black uniforms, and had nearly identical smiles plastered on their faces.
"What are those people doing?" Jenna whispered to me.
"I don't know," I replied through a frozen grin, "but I'm afraid a musical number might be involved."
"This is our household staff," Dad said, sweeping his arm toward the group. "Anything you need, they'll be happy to help you with."
"Oh," I said weakly, feeling like my voice echoed in the cavernous room. "Great. ~ Rachel Hawkins,#NFDB
395:I, the most important passenger, the youth who had once been the glorious god Apollo, was forced to sit in the back of the dragon. Oh, the indignities I had suffered since Zeus stripped me of my divine powers! It wasn’t enough that I was now a sixteen-year-old mortal with the ghastly alias Lester Papadopoulos. It wasn’t enough that I had to toil upon the earth doing (ugh) heroic quests until I could find a way back into my father’s good graces, or that I had a case of acne which simply would not respond to over-the-counter zit medicine. Despite my New York State junior driver’s license, Leo Valdez didn’t trust me to operate his aerial bronze steed! ~ Rick Riordan, #NFDB
396:As gale-winds swirl and shatter under the shrilling gusts on days when drifts of dust lie piled thick on the roads and winds whip up the dirt in a dense whirling cloud- so the battle broke, storming chaos, troops inflamed, slashing each other with bronze, carnage mounting, manslaughtering combat bristling with rangy spears, the honed lances brandished in hand and ripping flesh and the eyes dazzled now, blind with the glare of bronze, glittering helmets flashing, breastplates freshly burnished, shields fiery in sunlight, fighters plowing on in a mass. Only a veteran steeled at heart could watch that struggle and still thrill with joy and never feel the terror. ~ Homer, #NFDB
397:A Shakespeare Memorial
Why should we lodge in marble or in bronze
Spirits more vast than earth, or sea, or sky?
Wiser the silent worshipper that cons
Their words for wisdom that will never die.
Unto the favourite of the passing hour
Erect the statue and parade the bust;
Whereon decisive Time will slowly shower
Oblivion's refuse and disdainful dust.
The Monarchs of the Mind, self-sceptred Kings,
Need no memento to transmit their name:
Throned on their thoughts and high imaginings,
They are the Lords, not sycophants of Fame.
Raise pedestals to perishable stuff:
Gods for themselves are monuments enough.
~ Alfred Austin,#NFDB
398:Do you know how to mix our powers?’ I asked.
Carter’s shoes squished in the mud. ‘Well … not exactly.’
‘Oh, please,’ Sadie said. ‘That’s easy. Carter, give your wand to Percy.’
‘Why?’
‘Just do it, brother dear. Annabeth, do you remember when we fought Serapis?’
‘Right!’ Annabeth’s eyes lit up. ‘I grabbed Sadie’s wand and it turned into a Celestial bronze dagger, just like my old one. It was able to destroy Serapis’s staff. Maybe we can create another Greek weapon from an Egyptian wand. Good idea, Sadie.’
‘Cheers. You see, I don’t need to spend hours planning and researching to be brilliant. Now, Carter, if you please. ~ Rick Riordan,#NFDB
399:A Low Temple
A low temple keeps its gods in the dark.
You lend a matchbox to the priest.
One by one the gods come to light.
Amused bronze. Smiling stone. Unsurprised.
For a moment the length of a matchstick
gesture after gesture revives and dies.
Stance after lost stance is found
and lost again.
Who was that, you ask.
The eight-arm goddess, the priest replies.
A sceptic match coughs.
You can count.
But she has eighteen, you protest.
All the same she is still an eight-arm goddess to the priest.
You come out in the sun and light a charminar.
Children play on the back of the twenty-foot tortoise.
~ Arun Kolatkar,#NFDB
400:In the sleep to me is given
Our last eden of stars up high
City of clean water towers,
Golden Bakchisarai
There behind a colored fencing
By the pensive water stalled
Village of the Tsar's gardens
With rejoicing we recalled.
And the eagles of Catherine
Suddenly recognized - it's that!
He had flown to valley bottom
From the ornate bronze-clad gate.
That the song of parting heartache
In the memory longer lives,
The dark-bodied mother autumn
Brought to me the redding leaves
And she sprinkled on her soles
Where we parted in the sun
And from where for land of shadows
You had left, my soothing one. ~ Anna Akhmatova,#NFDB
401:Thistle and Twig had pushed, prodded, pulled, and cajoled me into an elaborate construction of a gown. It was a little out of date from the current fashions of the world above, something a fine lady might have worn fifty or sixty years ago. The gown was a russet and bronze damask, lined with a stomacher of watered silk striped with cream and violet. It was trimmed with rosettes cunningly shaped like alder catkins. Little as I was, the waist of the gown was even littler, the stays pinching my lower ribs so painfully I could not draw a deep breath. Even more impressive was the décolletage the bodice was able to give me. Despite the yards of fabric, I still felt naked. ~ S Jae Jones, #NFDB
402:There is a tree in California, a Great Basin bristlecone pine that was found, after an intensive ring count, to be five thousand and sixty-five years old.
Even to me, that pine seems old. In recent years, whenever I have despaired of my condition and needed to feel a bit more mortal and ordinary, I think of that tree in California. It has been alive since the Pharaohs. It has been alive since the found of Troy. Since the start of the Bronze Age. Since the start of yoga. Since mammoths.
And it has stayed there, calmly in its spot, growing slowly, producing leaves, losing leaves, producing more, as those mammoths became extinct,... the tree had always been the tree. ~ Matt Haig,#NFDB
403:Dina, I’m bored,” Caldenia announced.
Too bad. I guaranteed her safety, not entertainment. “What about your game?”
Her Grace gave me a shrug. “I’ve beaten it five times on the Deity setting. I’ve reduced Paris to ashes because Napoleon annoyed me. I’ve eradicated Gandhi. I’ve crushed George Washington. Empress Wu had potential, so I eliminated her before we even cleared Bronze Age. The Egyptians are my pawns. I dominate the planet. Oddly, I find myself mildly fascinated by Genghis Khan. A shrewd and savage warrior, possessing a certain magnetism. I left him with a single city, and I periodically make ridiculous demands that I know he can’t meet so I can watch him squirm. ~ Ilona Andrews,#NFDB
404:The disabling force of debt was recognized more clearly in the 18th and 19th centuries (not to mention four thousand years ago in the Bronze Age). This has led pro-creditor economists to exclude the history of economic thought from the curriculum. Mainstream economics has become censorially pro-creditor, pro-austerity (that is, anti-labor) and anti-government (except for insisting on the need for taxpayer bailouts of the largest banks and savers). Yet it has captured Congressional policy, universities and the mass media to broadcast a false map of how economies work. So most people see reality as it is written – and distorted – by the One Percent. It is a travesty of reality. ~ Michael Hudson, #NFDB
405:Tomorrow will be our victory.” He gave an angry look at Caleb and added, “But it will be a holy victory. For Yahweh has declared that the city and all that is within is herem, devoted to Yahweh for destruction.” The men gave each other somber looks. Joshua continued, “Only Rahab the harlot and all her family with her in her house shall be spared because she has helped Israel. All items of silver and gold, bronze, and iron are to be brought to the tabernacle. They shall be cleansed and placed in the treasury of Yahweh. But every living thing, men and women, young and old, as well as the oxen, sheep, and donkeys shall be put to the sword. There can be no compromise in this herem. ~ Brian Godawa, #NFDB
406:Dina, I’m bored,” Caldenia announced.
Too bad. I guaranteed her safety, not entertainment. “What about your game?”
Her Grace gave me a shrug. “I’ve beaten it five times on the Deity setting. I’ve reduced
Paris to ashes because Napoleon annoyed me. I’ve eradicated Gandhi. I’ve crushed George Washington. Empress Wu had potential, so I eliminated her before we even cleared Bronze Age. The Egyptians are my pawns. I dominate the planet. Oddly, I find myself mildly fascinated by Genghis Khan. A shrewd and savage warrior, possessing a certain magnetism. I left him with a single city, and I periodically make ridiculous demands that I know he can’t meet so I can watch him squirm. ~ Ilona Andrews,#NFDB
407:The Big House Brought to you by Pete the Palikos This four-storey sky-blue Victorian is a bona fide gem. The vast veranda offers ample space for pinochle players and convalescents alike. The basement is currently set up for strawberry-jam storage, but can also be used to hide the occasional demigod driven insane by the Labyrinth. The ground-floor living quarters, camp infirmary and combination rec room / meeting room are wheelchair accessible, as is a specially designed bronze-lined office. The rooms of the top floors stand ready to welcome overnight guests, while the attic, now free of its resident desiccated mummy, provides the perfect catch-all for camper discards and memorabilia. ~ Rick Riordan, #NFDB
408:Sydney
In her grey majesty of ancient stone
She queens it proudly, though the sun's caress
Her piteous cheeks, ravished of bloom, confess,
And her dark eyes his bridegroom glance have know.
Robed in her flowing parks, serene, alone,
She fronts the east; and with the tropic stress
Her smooth brow ripples into weariness;
Yet hers the sea for footstool, and for throne
A continent predestined. Round her trails
The turbid squalor of her streets, and dim
Into the dark heat-haze her domes flow up;
Her long lean fingers, with their grey-old nails,
Giving her thirsty lips to the cool brim
Of the bronze beauty of her harbour's cup.
~ Arthur Henry Adams,#NFDB
409:The faction opposed to researching lightspeed vessels felt this way for political reasons. They believed that human civilization had suffered many trials before reaching a nearly ideal democratic society, but once humanity headed for space, it would inevitably regress socially. Space was like a distorting mirror that magnified the dark side of humanity to the maximum. A line from one of the Bronze Age defendants, Sebastian Schneider, became their slogan: When humans are lost in space, it takes only five minutes to reach totalitarianism. For a democratic, civilized Earth to scatter innumerable seeds of totalitarianism among the Milky Way was a prospect that these people found intolerable. The ~ Liu Cixin, #NFDB
410:The crowd listened all the more closely for having waited and despaired, especially since this time the bells, ringing softly, demanded a deeper hush. The prelude was muted, a blend in which one could no longer distinguish bells alternating then coming together, it was a concert of bronze united, as if far off and very old. Music in a dream! It did not come from the tower, but from much farther away, from the depths of the sky, from the depths of time. This carillonneur had had the idea of playing some old Christmas carols, Flemish carols born of the race, mirrors in which it recognises itself. Like everything that has passed through the centuries, it was very solemn and a little sad. ~ Georges Rodenbach, #NFDB
411:On Seeing The Diabutsu--At Kamakura, Japan
Long have I searched, Cathedral shrine, and hall,
To find a symbol, from the hand of art,
That gave the full expression (not a part)
Of that ecstatic peace which follows all
Life's pain and passion. Strange it should befall
This outer emblem of the inner heart
Was waiting far beyond the great world's martImmortal answer, to the mortal call.
Unknown the artist, vaguely known his creed:
But the bronze wonder of his work sufficed
To lift me to the heights his faith had trod.
For one rich moment, opulent indeed,
I walked with Krishna, Buddha, and the Christ,
And felt the full serenity of God.
~ Ella Wheeler Wilcox,#NFDB
412:The godly are the bulwark of a nation The godly are the pillars to keep a city and nation from falling; they stave off judgment from a land. It was said of old, that so long as Hector lived, Troy could not be demolished. God could do nothing to Sodom until Lot had gone out of it (Gen. 19:22). Golden Christians are bronze walls. The Lord would soon execute judgment in the world were it not for the sake of a few pious people. Would God preserve the world only for drunkards and swearers? He would soon sink the ship but for the fact that some of his elect are in it. Yet such is the indiscretion of men that they injure the saints and count as burdens, those who are the chief blessings (Isaiah 19:24). ~ Thomas Watson, #NFDB
413:Commander,” Saadi greeted him, but this was ignored by Narian, who instead issued orders.
“There’s nothing to be gained by this. Free her.”
“Rava will be displeased,” Saadi warned. “The High Priestess will be displeased.”
“The longer you argue, the more displeased I will be. How do you think the Hytanicans will react to our making an example of a young woman? Release her. I will report the matter to the High Priestess.”
This time when my Cokyrian captor glanced at me, I dared to look back, noticing his bronze hair and the freckles that danced across his nose. I shifted self-consciously, unable to believe that I was thinking of my appearance. Damn Cokyrians and their damn freckles. ~ Cayla Kluver,#NFDB
414:Even the head of the military power of a civilized State
must envy the head of the clan whom patriarchal society surrounded with voluntary respect, not with
respect imposed by the club." Moreover, Engels has firmly established that the concept of the State and
the concept of a free society are irreconcilable. "Classes will disappear as ineluctably as they appeared.
With the disappearance of classes, the State will inevitably disappear. The society that reorganizes
production on the basis of the free and equal association of the producers will
relegate the machine of State to the place it deserves: to the museum of antiquities, side by side with the spinningwheel
and the bronze ax. ~ Albert Camus,#NFDB
415:the time I got back to my room, I had thoroughly envisioned every wretched scenario imaginable . . . only to find a new, neatly folded tunic lying on the lid of my trunk. Beside the tunic, there was a broad crimson leather belt that cinched tight with fine bronze buckles, and a pair of red-dyed leather sandals that laced all the way up to the knee. There was also a lamp—a fine new oil lamp to replace the dim little lump of tallow candle that sat in a clay dish on my windowsill. I remembered the lamp the Lanista had lowered into the grave of the gladiatrix Ismene, and a shiver ran up my spine. I had been chosen to swear the oath. The lamp would light my cell until the day I won my freedom. Or died. ~ Lesley Livingston, #NFDB
416:The nation’s Charters of Freedom were also evacuated from the capital. The attorney general ruled that the Library of Congress had the inherent authority to remove the founding documents without a presidential or congressional order, and so the day after Christmas in 1941 they were smuggled out of Washington. Even as the wreckage of the U.S. Navy still burned in Pearl Harbor, two Secret Service agents hid the U.S. Constitution, the Declaration of Independence, and other important documents aboard a B&O railroad passenger car en route to Kentucky. All were carefully wrapped in manila paper and then padlocked inside a bronze container, which was then sealed with lead and crated inside a larger box; ~ Garrett M Graff, #NFDB
417:So far, then from the megamachine's being utterly discredited by the colossal errors of its ruling 'elite,' the opposite actually happened: it was rebuilt by the Western allies on advanced scientific lines, with its defective human parts replaced by mechanical and electronic and chemical sustitutes, and finally coupled to a source of power that made all previous modes of power-production as obsolete as Bronze Age missiles. In short, in the very act of dying the Nazis transmitted the germs of their disease to their American opponents: not only the methods of compulsive organization or physical destruction, but the moral corruption that made it feasible to employ these methods without stirring opposition. ~ Lewis Mumford, #NFDB
418:The Temple
Between us leapt a gold and scarlet flame.
Into the hollow of the cupped, arched blue
Of Heaven it rose. Its flickering tongues up-drew
And vanished in the sunshine. How it came
We guessed not, nor what thing could be its name.
From each to each had sprung those sparks which flew
Together into fire. But we knew
The winds would slap and quench it in their game.
And so we graved and fashioned marble blocks
To treasure it, and placed them round about.
With pillared porticos we wreathed the whole,
And roofed it with bright bronze. Behind carved locks
Flowered the tall and sheltered flame. Without,
The baffled winds thrust at a column's bole.
~ Amy Lowell,#NFDB
419:In Bertram's Garden
Jane looks down at her organdy skirt
As if it somehow were the thing disgraced,
For being there, on the floor, in the dirt,
And she catches it up about her waist,
Smooths it out along one hip,
And pulls it over the crumpled slip.
On the porch, green-shuttered, cool,
Asleep is Bertram that bronze boy,
Who, having wound her around a spool,
Sends her spinning like a toy
Out to the garden, all alone,
To sit and weep on a bench of stone.
Soon the purple dark must bruise
Lily and bleeding-heart and rose,
And the little cupid lose
Eyes and ears and chin and nose,
And Jane lie down with others soon,
Naked to the naked moon.
~ Donald Justice,#NFDB
420:Past the projects, the land opened up and water came into view. The breeze carried rain and salt. Jetties and barrier walls supported the shore, which was stacked with crumbling brick warehouses. Out in the channel, the Statue of Liberty stood alone on her little island, her corroding flame held high in the air as the sun set over the industrial shoreline and skyways of New Jersey. Across the narrows, the bluffs of Staten Island wavered in the smoky light of dusk that turned the Verrazano into bronze. Faint light burnished water into busy with freighters and tug boats. A lone sail boat flitted in the distance. On the near shore, on a slip of water between a jetty and the land, a blood red barge bobbed on the tide. ~ Andrew Cotto, #NFDB
421:The idea of the simple linear development of society from the culture of the paleolithic (Old Stone Age) through the successive stages of the neolithic (New Stone Age), Bronze, and Iron Ages must be given up. Today we find primitive cultures co-existing with advanced modern society on all the continents-the Bushmen of Australia, the Bushmen of South Africa, truly primitive peoples in South America, and in New Guinea; some tribal peoples in the United States. We shall now assume that, some 20,000 or more years ago, while paleolithic peoples held out in Europe, more advanced cultures existed elsewhere on the earth, and that we have inherited a part of what they once possessed, passed down from people to people. ~ Charles H Hapgood, #NFDB
422:On moonlight nights the long, straight street and dirty white walls, nowhere darkened by the shadow of a tree, their peace untroubled by footsteps or a dog's bark, glimmered in the pale recession. The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. In lifeless squares and avenues these tawdry idols lorded it under the lowering sky; stolid monsters that might have personified the rule of immobility imposed on us, or, anyhow, its final aspect, that of a defunct city in which plague, stone, and darkness had effectively silenced every voice. ~ Albert Camus, #NFDB
423:The only way that Jason can claim his rightful place as ruler of Iolcus, Greece, is by retrieving the fabled Golden Fleece from distant lands. The problem? Everyone considers the task impossible, fraught with terrifying perils certain to kill any man. Jason isn’t so sure. He assembles a mighty team of warriors—the Argonauts—and builds the largest ship ever constructed. He then figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick a mighty army guarding the Fleece into ravaging itself to pieces, and drug a sleepless dragon into its first slumber. Four months after departing, Jason returns with the Fleece to take his throne. ~ Sean Patrick, #NFDB
424:Karou was mysterious. She had no apparent family, she never talked about herself, and she was expert at evading questions--for all that her friends knew of her background, she might have sprung whole from the head of Zeus. And she was endlessly surprising. Her pockets were always spilling out curious things: ancient bronze coins, teeth, tiny jade tigers no bigger than her thumbnail. She might reveal, while haggling for sunglasses with an African street vendor, that she spoke fluent Yoruba. Once, Kaz had undressed her to discover a knife hidden in her boot. There was the matter of her being impossible to scare and, of course, there were the scars on her abdomen: three shiny divots that could only have been made by bullets. ~ Laini Taylor, #NFDB
425:Spiral pathways wound their way downward like a whirlpool in pursuit of copper, the life food of a new age begun by the discovery of bronze. Bronze was an alloy more durable than its copper predecessor, being used in everything from tools and decoration to weapons and armor. It was discovered by mixing tin with copper, which resulted in the harder bronze that would last longer and kill more efficiently in weaponry. For all those reasons, especially the last, gods and kings needed plenty of bronze to build their kingdoms. Extracting copper ore from the ground was laborious work. It required many men to unearth the volume demanded by such rulers. The necessary work force could be met by only one thing: Slaves, and lots of them. ~ Brian Godawa, #NFDB
426:Last week, on the fifth anniversary of the ghetto uprising, 12,000 Jews assembled on the spot where the first shots were fired. There they dedicated a monument to the heroes of the ghetto and to the 3,500,000 other Jews killed in Poland. Delegations of Jews from 20 nations, including the U.S., laid wreaths and banners against the monument—a wall built of broken bricks from the ghetto‘s rubble piles. Mounted in a front niche was a bronze plaque showing armed men & women straining toward freedom. These were moving symbols to the Jews of Warsaw. But what they liked best, perhaps, was the shining granite that sheathed the monument’s wall: it was some of the Swedish granite that Adolf Hitler had ordered for his monument in Berlin. ~ Anonymous, #NFDB
427:On top of the good was a hideously ugly bronze statue in the modern style. The statue was of a couple, dressed in togas, wrapped in an embrace. Cupped in their hands was a piece of fruit. I couldn’t be sure, because realism did not appear to be the artist’s specialty, but it looked to me like a pomegranate.
“Good God,” Frank, who’d trailed after us, said when he saw the statue. “Rector’s even sicker than any of us thought. I’ve never wished I was blind before, like Graves, but I do now, because then I’d never have to look at that again.”
“Frank,” John said, his gaze on my face. “Be quiet.”
“But what do they do in here?” Frank wanted to know. “Have picnics with their dead relatives and admire their ugly art? ~ Meg Cabot,#NFDB
428:Go! And may Yahweh be with you!” If Saul had been in his right mind, he would never have entrusted the nation into the hands of this unproven shepherd musician. If he had been in his right mind. David bowed and prepared to leave. Saul barked out. “Wait! You will need armor. Nothing but the royal best for my champion.” He snickered and gestured over to his own suit of armor on a six and a half foot tall mannequin. David could see himself weighed down with the helmet of bronze too big for his head, the chain mail too heavy for his smaller torso and the sword too large for his grip. But he knew Saul was being facetious. He knew it was still a joke to him. David said, “Uh, I have not tested your armor, my king. I have another idea. ~ Brian Godawa, #NFDB
429:Does it hurt here?” he asked, his fingers slipping over the swollen entrance of her sex.
“A little.” She leaned back against his arm, her head lolling on the polished wooden rim of the huge porcelain bathtub.
Nick kneaded lightly with his fingertips, as if he could heal her with his touch. “I tried to be gentle.”
“You were,” she managed to say, her thighs floating apart.
Nick’s thick lashes lowered as he stared at the shimmering blur of her body beneath the water. His handsome features were carved with such severity that his face could have been molded from bronze. The edge of his rolled-up sleeve dragged in the water, the velvet turning hot and sodden.
“I won’t ever hurt you again,” he said. “That’s a promise. ~ Lisa Kleypas,#NFDB
430:He climbed up behind Hazel. Arion took off across the water, the nymphs screaming behind them, and Narcissus shouting, "Bring me back! Bring me back!" As Arion raced towards the Argo II, Leo remembered what Nemesis had said about Echo and Narcissus: Perhaps they'll teach you a lesson. Leo had thought she'd meant Narcissus, but now he wondered if the real lesson for him was Echo--invisible to her brethren, cursed to love someone who didn't care for her. A seventh wheel. He tried to shake that thought. He clung to the sheet of bronze like a shield. He was determined never to forget Echo's face. She deserved at least one person who saw her and knew how good she was. Leo closed his eyes, but the memory of her smile was already fading. ~ Rick Riordan, #NFDB
431:Daughter, daughter, shining bright
Precious jewel within mine sight
Oh, if I could soar with thee
As you seek your destiny.
To see with you the caves and skies
Vistas grand beneath your eyes
Taking wing to horizons new
Let us wonder who waits for you.
A dragon bright?
A dragon dark?
Victor of duels with battle mark?
A dragon strong?
A dragon keen?
Singer of honors and triumphs seen?
Red, Gold, Bronze, and Blue
To your lord you shall be true,
Copper, Silver, Black, and White,
Who will win your mating flight?
For in your hearts our future rests
To see our line with hatchlings blessed
And for those who threaten clutch of flame,
To feel the wrath of dragon-dame. ~ E E Knight,#NFDB
432:Symbolically, at the entrance to the new pyramid complexes stands the nuclear reactor, which first manifested its powers to the multitude by a typical trick of Bronze Age deities: the instant extermination of all the inhabitants of a populous city. Of this early display of nuclear power, as of all the vastly augmented potentialities for destruction that so rapidly followed, one can say what Melville's mad captain in 'Moby Dick' said of himself: "All my means and methods are sane: my purpose is mad." For the splitting of the atom was the beautiful consummation-and the confirmation-of the experimental and mathematical modes of thinking that since the seventeenth century have inordinately increased the human command of physical forces. ~ Lewis Mumford, #NFDB
433:Behind its outer walls, the Temple of Inanna was another world. When they entered the bronze gates from the dusty barren city streets, patrons became submerged in a world of sensuality, a garden of earthly delights. Lush flora filled the open courtyard: exotic fruit trees with dates, figs, and pomegranates. Tamarisk and palm trees rose above the floor in a canopy of leaves. The complex artificial irrigation channels of the city watered this botanical paradise of flowers and vegetation. A wisp of incense mixed with perfume wafted through the air, teasing the nostrils. The temple and palace gardens replicated a memory of Eden. It was as if gods and kings sought to retain their ancestral past even as they perverted it into its mirror opposite. ~ Brian Godawa, #NFDB
434:So, before he got sick, he used to tear up her hardware, the designer's, and put the real parts into cases he'd make in his shop. Say he'd make a solid bronze case for a minidisk unit, ebony inlays, carve the control surfaces out of fossil ivory, turquoise, rock crystal. It weighed more, sure, but it turned out a lot of people liked that, like they had their music or their memory, whatever, in some-thing that felt like it was there…. And people liked touching all that stuff: metal, a smooth stone…. And once you had the case, when the manufacturer brought out a new model, well, if the electronics were any better, you just pulled the old ones out and put the new ones in your case. So you still had the same object, just with better functions. ~ William Gibson, #NFDB
435:All Shall Be Restored
The grains shall be collected
From the thousand shores
To which they found their way,
And the boulder restored,
And the boulder itself replaced
In the cliff, and likewise
The cliff shall rise
Or subside until the plate of earth
Is without fissure. Restoration
Knows no half-measure. It will
Not stop when the treasure and lost
Bronze horse remounts the steps.
Even this horse will founder backward
To coin, cannon, and domestic pots,
Which themselves shall bubble and
Drain back to green veins in stone.
And every word written shall lift off
Letter by letter, the backward text
Read ever briefer, ever more antic
In its effort to insist that nothing
Shall be lost. ~ Kay Ryan,#NFDB
436:Beautiful she was by the morning light; with her fair, rich color, and her gleaming eyes, and her crown of halfbright, half-dusky hair, like the bronze in which there much mixture of gold. But I thought I never saw anything of so much greed, or so intensely selfish. There was a vivid animal pleasure in the sight of what were dainties to her senses ; but there was no sort of gratitude or feeling at the generous and thoughtful affection which had been thus tender of her in her absence. She ate all there was on the table; seeming to like to draw the pleasure out to its longest span; when ended, she washed the things and set them away, and did a little house-work, all in a very idle, slovenly manner—like one whose heart was not at all in her occupation. ~ Ouida, #NFDB
437:A thousand years from now" Leonidas declared, "two thousand, three thousand years hence, men a hundred generations yet unborn may, for their private purposes, make journey to our country. They will come, scholars perhaps, or travelers from beyond the sea, prompted by curiosity regarding the past, or appetite for knowledge of the ancients. They will peer out across our plain and probe among the stone and rubble of our nation. What will they learn about us? Their shovels will unearth neither brilliant palaces nor temples. Their picks will prize forth no everlasting architecture or art. What will remain of the Spartans? Not monuments of marble or bronze, but this......what we do here, today." Out beyond the narrows, the enemy trumpets sounded. ~ Steven Pressfield, #NFDB
438:In fact, there are all sorts of great institutions and human enterprises that the Bible doesn’t address or regulate. And so we are free to invent them and operate them in line with the general principles for human life that the Bible gives us. But marriage is different. As the Presbyterian Book of Common Worship says, God “established marriage for the welfare and happiness of humankind.” Marriage did not evolve in the late Bronze Age as a way to determine property rights. At the climax of the Genesis account of creation we see God bringing a woman and a man together to unite them in marriage. The Bible begins with a wedding (of Adam and Eve) and ends in the book of Revelation with a wedding (of Christ and the church). Marriage is God’s idea. ~ Timothy J Keller, #NFDB
439:There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we learn and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy. ~ H P Lovecraft, #NFDB
440:There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy. ~ H P Lovecraft, #NFDB
441:The Stars
ONLY the stars remain to travelers' eyes
Unalterable; the waters change their hue
Beneath the flattery of alien skies
From jade to silver and from bronze to blue.
Sunrise and sunset spread their lovely light
As slow as solemn music in the North;
But southward, like a dart descends the night,
And like a meteor the day breaks forth.
And faiths and manners vary - friends, they say, -
And even lovers of a constant mind; .
Not the light loves we meet upon our way
But those enchained by vows we left behind.
Only unchanged the patterned stars endure,
As when they first assured or threatened man;
Still Vega glitters, crystalline and pure,
Still like an angry eye Aldebaran.
~ Alice Duer Miller,#NFDB
442:Alfonso, Dressing To Wait At Table
Alfonso is a handsome bronze-hued lad
Of subtly-changing and surprising parts;
His moods are storms that frighten and make glad,
His eyes were made to capture women's hearts.
Down in the glory-hole Alfonso sings
An olden song of wine and clinking glasses
And riotous rakes; magnificently flings
Gay kisses to imaginary lasses.
Alfonso's voice of mellow music thrills
Our swaying forms and steals our hearts with joy;
And when he soars, his fine falsetto trills
Are rarest notes of gold without alloy.
But, O Alfonso! wherefore do you sing
Dream-songs of carefree men and ancient places?
Soon we shall be beset by clamouring
Of hungry and importunate palefaces.
~ Claude McKay,#NFDB
443:the Ammonites, but had never seen them because they lived across the river in the Transjordan. They looked like shades of Sheol to him. Pale-skinned people with dark eye paint and masses of matted hair. They wore bones and teeth as jewelry and their clothing fell across their gaunt bodies in rags. They were a death cult. They were known for their sacrifice of children to their underworld god, Molech. Ittai had heard Molech described as the “abomination of the Ammonites.” Now he understood what that meant. He approached the high place and tophet where they had set up their siege camp. A tophet was the location of their burning of sacrifices. A large statue of Molech made of bronze sat with his arms outstretched. Beneath those arms was the tophet of fire. ~ Brian Godawa, #NFDB
444:What do you think of Lord St. Vincent?” Pandora asked eagerly.
West’s gaze moved to a man who appeared to be a younger version of his sire, with bronze-gold hair that gleamed like new-minted coins. Princely handsome. A cross between Adonis and the Royal Coronation Coach.
With deliberate casualness, West said, “He’s not as tall as I expected.”
Pandora looked affronted. “He’s every bit as tall as you!”
“I’ll eat my hat if he’s an inch over four foot seven.” West clicked his tongue in a few disapproving tsk-tsks. “And still in short trousers.”
Half annoyed, half amused, Pandora gave him a little shove. “That’s his younger brother Ivo, who is eleven. The one next to him is my fiancé.”
“Aah. Well, I can see why you’d want to marry that one. ~ Lisa Kleypas,#NFDB
445:The precision of many of the flat surfaces [at Puma Punku] is astonishing. In some cases, they are almost as flat as laser perfection, and the idea that a Bronze Age culture like the Tiwanaku were responsible for this work is clearly impossible. What is also curious is that much of the stone has been partially or fully excavated from the red clay mud of the area, which infers either extreme age, or that a cataclysmic event occurred here, partially burying the site [...]. Further, there are blocks which appear to have been snapped in half - not by the invading Aymara, colonial Spanish, or more recently, but at a time in the distant past. The logic behind this statement is that there are no apparent tool marks or other evidence of attempts to break the stone. ~ Brien Foerster, #NFDB
446:On the fifth night of our search, I see a plesiosaur. It is a megawatt behemoth, bronze and blue-white, streaking across the sea floor like a torpid comet. Watching it, I get this primordial deja vu, like I'm watching a dream return to my body. It wings towards me with a slow, avian grace. Its long neck is arced in an S-shaped curve; its lizard body is the size of Granana's carport. Each of its ghost flippers pinwheels colored light. I try to swim out of its path, but the thing's too big to avoid. That Leviathan fin, it shivers right through me. It's a light in my belly, cold and familiar. And I flash back to a snippet from school, a line from a poem or a science book, I can't remember which: 'There are certain prehistoric things that swim beyond extinction'. ~ Karen Russell, #NFDB
447:I say this simply as a woman rattling the cage to be free. And what do I mean by free? Just to walk down the street. Just to buy a newspaper without a single eye deciding my place. A shrew, a wife, or a whore. Those seemed to be my choices. I ask any man reading this, how could you decide whether to be a villain, a worker, or a plaything? A man would refuse to choose; a man would have that right. But I had only three worlds to choose from, and which of them was happiness? All I wanted was love. A simple thing, a timeless thing. When men want love they sing for it, or smile for it, or pay for it. And what do women do? They choose. And their lives are struck like bronze medallions. So tell me, gentlemen, tell me the time and place where it was easy to be a woman? ~ Andrew Sean Greer, #NFDB
448:In the American Declaration of Independence, Thomas Jefferson translated this idea into the famous words: “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness…” What is interesting about this sentence is that “these truths” are anything but self-evident. They would have been regarded as subversive by Plato, who held that humanity is divided into people of gold, silver and bronze and that hierarchy is written into the structure of society.[7] They would have been incomprehensible to Aristotle who believed that some were born to rule and others to be ruled.[8] They are “self-evident” only to one steeped in the Bible. ~ Jonathan Sacks, #NFDB
449:A demigod!" one snarled.
"Eat it!" yelled another.
But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters.
"Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down.
"New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!"
To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long.
I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit. ~ Rick Riordan,#NFDB
450:At least we’ll sail off with a memory of how happy you look tonight.”
“I am happy. You-know-who isn’t here.” I rolled my eyes in the direction of Medea’s empty chair. “I hear she’s got a headache. It must be a big one, to keep her away from seeing Lord Aetes honor her precious hero.”
“Orpheus tells me she approached him about making a praise-song recounting how Jason won the Golden Fleece. You should have heard the wild ideas she wanted him to include! Fire-breathing oxen with bronze hooves, dragon’s teeth that sprout into hosts of fully armed men, an unsleeping monster guarding the Fleece--”
“As if he needs her help with making imaginary monsters!” I smiled. “The closest thing I saw to a sleeping monster was one old priest, napping near the temple to Ares. ~ Esther M Friesner,#NFDB
451:The cop checked one more time that he was carrying his police ID, even though he sincerely doubted it would be of much use here, and plunged into the lion’s den. He was immediately assailed by a heady odor of hashish, mixed with the smells of mint and mu‘assel from the hookahs. The light was muted; the powerful air conditioner rumbled. The thick wooden tables, old Vienna-style lamps, bronze art objects hanging on the wall, and large steins of beer made the place look like an English pub. A waitress, Caucasian and scantily clad, threaded between the shapes, her tray loaded with glasses brimful of alcohol. Sharko had expected to find faces eaten away by syphilis, drugs, or drink. Instead, he was amazed at how attractive the clientele looked, mostly young and flamboyantly dressed. ~ Franck Thilliez, #NFDB
452:Beethoven In Central Park
(After a glimpse of a certain monument in New York, during the
Victory Celebration)
The thousand-windowed towers were all alight.
Throngs of all nations filled that glittering way;
And, rich with dreams of the approaching day,
Flags of all nations trampled down the night.
No clouds, at sunset, die in airs as bright.
No clouds, at dawn, awake in winds as gay;
For Freedom rose in that august array,
Crowned with the stars and weaponed for the right.
Then, in a place of whispering leaves and gloom,
I saw, too dark, too dumb for bronze or stone,
One tragic head that bowed against the sky;
O, in a hush too deep for any tomb
I saw Beethoven, dreadfully alone
With his own grief, and his own majesty.
~ Alfred Noyes,#NFDB
453:Stop.” She turned her face away. Slipping out from between him and the wall, Cass walked along a path of stepping-stones toward a bronze fountain at the back of the garden. Beyond the fountain was a wrought-iron fence, and beyond the fence was an alley. She rested one hand on the iron bars, feeling a bit like the caged bird Falco had once accused her of being.
He took her hand and led her back to the edge of the fountain, where she sat. Sitting beside her, he pressed his leg against her hip. “What is it?” he asked.
“We came out here to talk, remember?” she said.
“We can talk later.” He squeezed her hand, his fingers massaging the middle of her palm. Mannaggia. Why did every single touch have to make her want things? “When you’re not dressed like that,” he added. ~ Fiona Paul,#NFDB
454:Hear O Israel! We are entering into a land that worships the Serpent! These fiery serpents that have attacked you are an example of what will happen to you in Canaan if you continue to grieve Yahweh with your unfaithful hearts! The Serpent will bite your heel and you will die. Turn now from your unbelief and turn back to Yahweh. If a fiery serpent has bitten you, and you look upon this Nehushtan, you will be healed! Trust in Yahweh and he will do it!” Nehushtan was a Semitic wordplay on the words for bronze and Nachash, as well as a third word for practicing sorcery. It was a sarcastic jab at Israel’s wayward tendencies. Everyone was coming out of their tents to see the great sign before them. And those who had been bitten would merely look upon the bronze serpent and they were healed. ~ Brian Godawa, #NFDB
455:Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world—all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation…the vastness of St. Peter’s the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. ~ George Eliot, #NFDB
456:The mist was very dark in here, white and wet, and the cobwebs festooning the gaunt tree trunks were weighed down with thousands of shimmering, pear-shaped crystals. But it was not cold. Only still and secret and private, a hushed world within a world… They followed the sound, and after a while found a clearing, not open to the sky but clear on the ground. Long, wet grass stood there, and pine needles lay dark around the feet of the surrounding trees. In the centre, a well of water bubbled up and trickled away through the grass in two little channels already grooved in the spongy turf… Together they approached the spring, laying Aricia’s bronze coin and his own gold ring in the ice-cold, pure water, and for a moment they stayed there, hypnotised by the quiet tinkle of the gushing water. ~ Pauline Gedge, #NFDB
457:The universe had once been bright, too. For a short time after the big bang, all matter existed in the form of light, and only after the universe turned to burnt ash did heavier elements precipitate out of the darkness and form planets and life. Darkness was the mother of life and of civilization. On Earth, an avalanche of curses and abuse rolled out into space toward Blue Space and Bronze Age, but the two ships made no reply. They cut off all contact with the Solar System, for to those two worlds, the Earth was already dead. The two dark ships became one with the darkness, separated by the Solar System and drifting further apart. Carrying with them the entirety of human thoughts and memories, and embracing all of the Earth’s glory and dreams, they quietly disappeared into the eternal night. ~ Liu Cixin, #NFDB
458:An Excerpt from “The Greatest Miracle in the World” -
"Consider a painting by Rembrandt or a bronze by Degas or a violin by Stradivarius or a play by Shakespeare. They have great value for two reasons: their creators were masters and they are few in number. Yet there are more than one of each of these.
On that reasoning you are the most valuable treasure on the face of the earth, for you know who created you and there is only one of you.
Never, in all of the seventy billion humans who have walked this planet since the beginning of time has there been anyone exactly like you.
Never, until the end of time, will there be another such as you.
You have shown no knowledge or appreciation of your uniqueness.
Yet, you are the rarest thing in the world. ~ Og Mandino,#NFDB
459:In all the lands ruled by that City, with its domes and its bronze and golden doors, its palaces and gardens and statues, forums and theatres and colonnades, bathhouses and shops and guildhalls, taverns and whorehouses and sanctuaries and the great Hippodrome, its triple landward walls that had never yet been breached, and its deep, sheltered harbour and the guarded and guarding seas, there was a timeworn phrase that had the same meaning in every tongue and every dialect.
To say of a man that he was sailing to Sarantium was to say that his life was on the cusp of change: poised for emergent greatness, brilliance, fortune – or else at the very precipice of a final and absolute fall as he met something to vast for his capacity.
Valerius the Trakesian had become an Emperor. ~ Guy Gavriel Kay,#NFDB
460:We've stopped in front of Notre-Dame again. I point at the familiar star and clear my throat. "Wanna make another wish?"
"You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail.
This time I can't help it. All day long, I've thought about it. Him. Our secret.
I wish St. Clair would spend the night again.
He steps on the coppery-bronze star after me and closes his eyes. I realize he must be wishing about his mother, and I feel guilty that she didn't even cross my mind. My thoughts are only for St. Clair.
( . . . )
Do I see the same St. Clair everyone else does? No. I don't think so. But I could be mistaking our friendship for something more, because I want to mistake it for something more. ~ Stephanie Perkins,#NFDB
461:Deep in the heart of Mount Hermon, a desperate assembly of the gods met in council. The cavern was aflame with the fiery light of over sixty Shining Ones. Their bronze and beryl-like skin flashed with raging emotions of fear and anger. Huge stalagmites and stalactites filled the cave with millennia of their crystalized formations that reflected those flashing lights. It created a lighting spectacle not unlike a rapidly exploding nebulae of stars. Molech, the underworld god, and infamous abomination of the Ammonites, squinted in the brightness. His eyes had become sensitive, along with his pale, calloused skin, from spending so much of his time underground. He led the major complaint with his scratchy, fearful voice. “Jesus is ascending the mountain at this very moment. This is it. This is Armageddon! ~ Brian Godawa, #NFDB
462:Thousands of sheep, cattle, and donkeys were also cleansed through water as spoils of war and divided among the peoples. So too the thousands of shekels of items of silver, gold, bronze, and iron were purified through fire and also apportioned out to the tribes. On the final day of purification, Joshua and Caleb were getting ready to return to camp. They were in Joshua’s tent eating a small meal of goat and bread. Joshua took a sip of wine from his goatskin flask. Caleb watched him closely. He had been watching Joshua closely these seven days. Joshua looked refreshed. And he looked different. Like he was a changed man from the one whose pursuit of rigid excessive holiness rose to a crescendo of self-righteous vengeance and hate. He had come to the end of himself and was crushed by his own unrighteousness. ~ Brian Godawa, #NFDB
463:Look into my eyes. Do you see a new morning with new beginnings?”
He searched her gaze, and then, in a husky voice that reached way down inside her, he whispered, “Yes.” He drew out the word until it seemed to echo and reecho in her mind.
It was then that Loretta knew. He had fallen in love with her. She stared up at his dark face, so close to her own that they breathed the same air, and her heart broke a little, for him, and for herself. She would never love him in return. A canyon of hatred and bitterness separated them. In that, at least, the prophecy was correct.
“Oh, Hunter, don’t look at me like that.”
In one liquid movement he rose on an elbow above her, his broad chest a canopy of bronze, his shoulders eclipsing the light so only her face was illuminated. “You have stolen my heart. ~ Catherine Anderson,#NFDB
464:The Philistines had brought beautiful painted art, sculpture, and pottery to the land of Canaan. The Israelites were still scratching on rocks and using stones for utensils. The Philistines had developed blacksmithing and the new art of forging iron. The Israelites were still using bronze, copper and tin for crude implements and few weapons. The Philistines had iron chariots; the Israelites cowered on foot in the hills and mountains. The Philistines had developed a cosmopolitan culture that traded with the nations of the world, and adopted many ideas and gods into its own. The Israelites still worshipped a primitive invisible demon whose insane jealousy demanded his people avoid contact with other nations. It was a wonder they were having so much trouble overcoming these ignorant, uncouth and uncultured Hebrews. ~ Brian Godawa, #NFDB
465:Tragedy! You finally make it to camp alive – only to discover that you forgot your toothbrush! You could Iris-message your mortal parent for a new one. But do you really want to walk around with drakon breath until it arrives? Instead, hit the camp store! While you’re there, be sure to check out the latest line of wind chimes – available in Celestial bronze, silver and seashell – perfect for interpreting the voices of prophecy-spouting trees! If hanging bling in branches isn’t your thing, how about the new Mythomagic expansion pack, Dual Deity Duel? The cards feature holographic images that change the gods’ aspects from Greek to Roman and back. He’s Ares! No, he’s Mars! No, he’s Ares again! Hours of dizzying head-to-head play! From tees to totes, whatever your needs, the camp store is your perfect one-stop shop. ~ Rick Riordan, #NFDB
466:This place might have been gay, around 1800, with its pink bricks and houses. Now there is
something dry and evil about it, a delicate touch of horror. It comes from that fellow up there on his pedestal. When they cast this scholar in bronze they also turned out a sorcerer.
I look at Impetraz full in the face. He has no eyes, hardly any nose, and beard eaten away by that strange leprosy which sometimes descends, like an epidemic, on all the statues in one neighbourhood.
He bows; on the left hand side near his heart his waistcoat is soiled with a light green stain. He looks.
He does not live, but neither is he inanimate. A mute power emanates from him: like a wind driving me backwards: Impetraz would
like to chase me out of the Cour des Hypotheques. But I shall not leave before I finish this pipe. ~ Jean Paul Sartre,#NFDB
467:The door opened and Keelie came out, still wearing the T-shirt she’d slept in. It was his and he was going to bronze it, or maybe sleep with that damn thing, because it would smell like her . . .
“Can I borrow the shirt?” she asked, tearing him out of his fantasy.
He blinked. “Ah. Yeah.” Okay. Keelie walking around wearing his shirt did something to his brain that just wasn’t conducive to conversation, but he managed a fairly normal smile as he picked up his coffee. “There’s coffee.”
Keelie gave him a grateful smile. “I need it.”
Her hands closed around the cup and she lifted it up to her lips.
He watched, practically mesmerized as she took a sip. A soft sound, somewhere between a moan and a sigh, escaped her.
His dick hardened.
How in the hell could she get him worked up just by drinking coffee? ~ Shiloh Walker,#NFDB
468:Sob os céus enluarados, ela alinhavava os muros esbranquiçados e suas ruas retilíneas, jamais manchadas pela massa negra de uma árvore, jamais perturbadas pelos passos de um transeunte ou pelo latido de um cão. A grande cidade silenciosa não passava então de um aglomerado de cubos maciços e inertes, entre os quais as efígies taciturnas de benfeitores esquecidos ou de grandes homens antigos, sufocados para sempre no bronze, tentavam sozinhos, com seus falsos rostos de pedra ou de bronze, evocar uma imagem degradada do que fora o homem. Esses ídolos medíocres reinavam sob um céu espesso nas encruzilhadas sem vida, brutos insensíveis que bem representavam o reino imóvel em que havíamos entrado ou pelo menos, a sua ordem última, a de uma necrópole em que a peste, a pedra e a noite teriam feito calar, enfim, todas as vozes. ~ Albert Camus, #NFDB
469:With these words of prayer he threw the barley-grains. The two heroes responsible for the oxen, might Ankaios and Herakles, girded themselves in preparation. The latter crashed his club down on the middle of the forehead of one ox; in one movement its heavy body fell to the ground. Ankaios cut the other's broad neck with his bronze axe, slicing through the tough tendons; it fell sprawling over its two horns. Their comrades quickly slaughtered and flayed the oxen, chopping and cutting them up and removing the thigh pieces for sacrifice These they covered all over with a thick layer of fat and burnt them on spits, while the son of Aison poured libations of unmixed wine. Idmon rejoiced as he gazed at the flame, which burnt brightly all around the sacrifices, and the favourable omen of the murky smoke, darting up in dark spirals. ~ Apollonius of Rhodes, #NFDB
470:She twisted her hair as if the question made her uncomfortable. “Seeing the past is simple magic. Seeing the present or the future—that is not.” “Yeah, well,” Leo said. “Watch and learn, Sunshine. I just connect these last two wires, and—” The bronze plate sparked. Smoke billowed from the sphere. A flash of fire raced up Leo’s sleeve. He pulled off his shirt, threw it down, and stomped on it. He could tell Calypso was trying not to laugh, but she was shaking with the effort. “Not a word,” Leo warned. She glanced at his bare chest, which was sweaty, bony, and streaked with old scars from weapon-making accidents. “Nothing worth commenting on,” she assured him. “If you want that device to work, perhaps you should try a musical invocation.” “Right,” he said. “Whenever an engine malfunctions, I like to tap-dance around it. Works every time. ~ Rick Riordan, #NFDB
471:On April 11, 1945, my father’s infantry company was attacked by German forces, and in the early stages of battle, heavy artillery fire led to eight casualties. According to the citation: “With complete disregard for his own safety, Private Pausch leaped from a covered position and commenced treating the wounded men while shells continued to fall in the immediate vicinity. So successfully did this soldier administer medical attention that all the wounded were evacuated successfully.” In recognition of this, my dad, then twenty-two years old, was issued the Bronze Star for valor. In the fifty years my parents were married, in the thousands of conversations my dad had with me, it had just never come up. And so there I was, weeks after his death, getting another lesson from him about the meaning of sacrifice—and about the power of humility. ~ Randy Pausch, #NFDB
472:Paul (2004, 171) discusses the substance theory that makes the de re modal properties of objects primitive consequences of their falling under the sortals that they do: `A statue is essentially statue shaped because it falls under the statue-sort, so cannot persist through remoulding into a pot' (171). This view apparently has `intuitive appeal', but sadly, `any counterintuitive consequences of the view are difficult to explain or make palatable'. The substance theory implies that two numerically distinct objects such as a lump of bronze and a statue can share their matter and their region, but this `is radically counterintuitive, for it seems to contradict our usual way of thinking about material objects as individuated by their matter and region' (172). Such ways of thinking are not `usual' except among metaphysicians and we do not share them. ~ James Ladyman, #NFDB
473:My name is Ferrum. I was the first, born of the forges, when mankind first began to experiment with iron. I rose from their imagination, from their ambition to conquer the world with a metal that could slice through bronze like paper. I was there when the world started to shift, when humans took their first steps out of the Dark Ages into civilization. For many years, I thought I was alone. But mankind is never satisfied. Others came, risen from these dreams of a new world... Then, with the invention of computers, the gremlins came, and the bugs. Given life by the fear of monsters lurking in machines, these were more chaotic than the other fey, violent and destructive. They spread to every part of the world. As technology became a driving force in every country, powerful new fey rose into existence. Virus. Glitch. And Machina, the most powerful of all. ~ Julie Kagawa, #NFDB
474:Lemon Pie
The world is full of gladness,
There are joys of many kinds,
There's a cure for every sadness,
That each troubled mortal finds.
And my little cares grow lighter
And I cease to fret and sigh,
And my eyes with joy grow brighter
When she makes a lemon pie.
When the bronze is on the filling
That's one mass of shining gold,
And its molten joy is spilling
On the plate, my heart grows bold
And the kids and I in chorus
Raise one glad exultant cry
And we cheer the treat before us
Which is mother's lemon pie.
Then the little troubles vanish,
And the sorrows disappear,
Then we find the grit to banish
All the cares that hovered near,
And we smack our lips in pleasure
O'er a joy no coin can buy,
And we down the golden treasure
Which is known as lemon pie.
~ Edgar Albert Guest,#NFDB
475:David’s procession had journeyed through the other side of the city, allowing the opportunity for those who were fortunate to get a glimpse of their future prince. He was clothed like a warrior priest. His long flowing hair was gathered beneath his headdress of gold and ivory. He wore new royal robes of many colored embroidered Phoenician cloth. He wore rings and a necklace of gold and silver embedded with gems. He carried an ornamental bronze sword sheathed to his hip and wore an ephod of linen beneath his robes. A pack of minstrels also led him to the palace with their playing. They arrived at the front entrance to meet Michal’s entourage. When David saw her, his loins burned for her. They had hidden their love for such a long time. They had shared souls in their singing, now they would share their bodies. They would play a concert for their king, Yahweh. ~ Brian Godawa, #NFDB
476:Molech’s signature achievement was his tophet altars where worshippers “passed their children through the fire.” They were usually bronze statues of himself with a bull’s head, seated with outstretched arms to place the child over the flames. It was so bold and brilliant that Ba’al had stolen his idea and used it for his own altars. The muscle-bound brute didn’t have an original thought in his puny little skull. Molech made himself invisible to his worshippers, as the Watcher gods typically did in these latter days. In primeval days, the days of Noah, they had walked amongst men and engaged in the open. It was almost as if the growth of knowledge and technology had the deleterious effect on humans of blinding them more and more to the spiritual world around them. It was just as well. The gods could achieve things through hiding that they could not through visible means. ~ Brian Godawa, #NFDB
477:Next I tested my pupils for ingenuity. I handed out random materials and instructed them to improvise potentially lifesaving objects. ‘This ancient skill is known as MacGyvering,’ I told them. Sadly, none of my inaugural group of students was a child of Hephaestus, so no one did very well with this assignment. When I hinted to Perseus that he could hammer and polish his Celestial bronze to make a mirrored shield, he rolled his eyes and scoffed, ‘What would I ever use that for?’ Likewise, most failed miserably with musical composition. Only Jason came up with something memorable: a mesmerizing stomp-stomp CLAP rhythm that so stirred the blood we adopted it as our prebattle beat. (You can still hear that stomp-stomp CLAP rhythm pounded out at athletic competitions today, along with the chant ‘We will, we will … ROCK YOU!’) It was clear that the demigods had a lot to learn. ~ Rick Riordan, #NFDB
478:He did not appear to be a very tall man; what I could see of legs seemed stumpy, though heavily muscled. His chest was broad and deep. Later I learned that he swam in the sea almost every morning. His thick strong arms were circled with leather wristbands and a bronze armlet above his left elbow that gleamed with polished onyx and lapis lazuli... Puckered white scars from old wounds stood out against the dark skin of his arms, parting the black hairs like roads through a forest... Odysseos wore a sleeveless tunic, his legs and feet bare, but he had thrown a lamb's fleece across his wide shoulders. His face was thickly bearded with dark curly hair that showed a trace of grey. His heavy mop of ringlets came down to his shoulders and across his forehead almost down to his black eyebrows. Those eyes were as grey as the sea outside on this rainy afternoon, probing, searching, judging. ~ Ben Bova, #NFDB
479:Improvisations: Light And Snow: 03
The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me . . .
Rings of sound ebb slowly into the silence.
~ Conrad Potter Aiken,#NFDB
480:He smiled down at the baby, and kissed him on the head. "I give you my blessing, Leo. First male great-grandchild! I have a feeling you are special, like Hazel was. You are more than a regular baby, eh? You will carry on for me. You will see her someday. Tell her hello for me."
"Bisabuelo," Ezperanza said, a little more insistently.
"yes, yes." Sammy chuckled. "El viejo loco rambles on. I am tired, Ezperanza. You are right. But I'll rest soon. It's been a good life. Raise him well, nieta."
The scene faded.
Leo was standing on the deck of the Argo II, holding Hazel's hand. The sun had gone down, and the ship was lit only by bronze lanterns. Hazel's eyes were puffy from crying.
What they'd seen was too much. The whole ocean heaved under them, and now for the first time Leo felt as if they were totally adrift.
"Hello, Hazel Levesque," he said, his voice gravelly. ~ Rick Riordan,#NFDB
481:G. Stanley Hall, a creature of his times, believed strongly that adolescence was determined – a fixed feature of human development that could be explained and accounted for in scientific fashion. To make his case, he relied on Haeckel's faulty recapitulation idea, Lombroso's faulty phrenology-inspired theories of crime, a plethora of anecdotes and one-sided interpretations of data. Given the issues, theories, standards and data-handling methods of his day, he did a superb job. But when you take away the shoddy theories, put the anecdotes in their place, and look for alternate explanations of the data, the bronze statue tumbles hard.
I have no doubt that many of the street teens of Hall's time were suffering or insufferable, but it's a serious mistake to develop a timeless, universal theory of human nature around the peculiarities of the people of one's own time and place. ~ Robert Epstein,#NFDB
482:I’m sorry you got dragged into this.” He waved a hand to indicate he meant the house, the entire situation. “Having to stay here, with me, when you should be home with your family.” A pang of homesickness hit her as she thought of her parents and how disappointed they’d been that her leave had been “cancelled”. That wasn’t his fault though.
To ease his concern, she put on a smile. “Yeah, but hey, I could’ve done way worse in terms of roommates.” She gave his leg a playful nudge with her hand.
His eyes warmed at her words and touch. The firelight brought out the deep bronze undertones in his hair, flickering in tones of gold and orange. She wanted to run her fingers through it to find out if it was as soft as it looked.
He shook his head slightly at her, looking amused. “Why’d you have to be so sweet?”
She shrugged and countered, “Why’d you have to be so damned good looking? ~ Kaylea Cross,#NFDB
483:There is a stillness and everlastingness about the past; it changes not and has a touch of eternity, like a painted picture or a statue in bronze or marble. Unaffected by the storms and upheavals of the present, it maintains its dignity and repose and tempts the troubled spirit and the tortured mind to seek shelter in its vaulted catacombs. There is peace there and security, and one may even sense a spiritual quality.
But it is not life, unless we can find the vital links between it and the present with all its conflicts and problems. It is a kind of art for art's sake, without the passion and the urge to action which are the very stuff of life. Without that passion and urge, there is a gradual oozing out of hope and vitality, a settling down on lower levels of existence, a slow merging into non-existence. We become prisoners of the past and some part of its immobility sticks to us. ~ Jawaharlal Nehru,#NFDB
484:I wore an emerald long-sleeved dress by Vivienne Tam and a pair of tangerine Christian Louboutins. I had seen the same look in one of Emerald's Vogues and asked Giada to overnight it. I learned quickly, though I wasn't very original. I'd changed in a coffee shop next to my apartment, then hopped into a cab.
"Next time we must coordinate outfits beforehand," Michael whispered as we sat down. "I was going for 'salt of the earth' today."
"Oh, I wanted to match the décor," I said.
Tellicherry felt like a sexy, sinister jewel box. A rich sapphire blue stained the walls in large, meandering splotches, like dye dropped into water. Bronze silk leaped and dipped in the cushions. The waitresses wore black dresses with seductive lace panels revealing flesh-colored bits, and the waiters slinked in semi-sheer pajama-like outfits, conjuring bedtime escapades, none of which involved sleeping. ~ Jessica Tom,#NFDB
485:The Sonnets To Orpheus - XXV
But you now, dear girl, whom I loved like a flower whose
name
I didn't know, you who so early were taken away:
I will once more call up your image and show it to them,
beautiful companion of the unsubduable cry.
Dancer whose body filled with your hesitant fate,
pausing, as though your young flesh had been cast in bronze;
grieving and listening. Then, from the high dominions,
unearthly music fell into your altered heart.
Already possessed by shadows, with illness near,
your blood flowed darkly; yet, though for a moment
suspicious,
it burst out into the natural pulses of spring.
Again and again interrupted by downfall and darkness,
earthly, it gleamed. Till, after a terrible pounding,
it entered the inconsolably open door.
Translated by Stephen Mitchell
~ Rainer Maria Rilke, The Sonnets To Orpheus - XXV
,#NFDB
486:Inside the museum [of Egyptian antiquities] itself, on the main floor and in a corner alcove is a box that was never completed [...]. Someone was attempting to cut off a large slab from the bottom in order to likely make the lid. The saws that were being used went off course, causing half of the slab to snap off, and the project was then apparently abandoned [...]. Two circular saws were at work, one from the top and another from the bottom. They were not perfectly aligned but were cutting through the granite stone very efficiently. The only saws we have in modern times that can do such work have diamond abrasives imbedded in either high carbon or cobalt steel blades, powered by very strong electric or petroleum powered engines. As the dynastic Egyptians for most of their history had at best bronze tools, and there is no evidence of them having circular saws, they could not have done this work. ~ Brien Foerster, #NFDB
487:E.C. Culbertson
Is it true, Spoon River,
That in the hall-way of the New Court House
There is a tablet of bronze
Containing the embossed faces
Of Editor Whedon and Thomas Rhodes?
And is it true that my successful labors
In the County Board, without which
Not one stone would have been placed on another,
And the contributions out of my own pocket
To build the temple, are but memories among the people,
Gradually fading away, and soon to descend
With them to this oblivion where I lie?
In truth, I can so believe.
For it is a law of the Kingdom of Heaven
That whoso enters the vineyard at the eleventh hour
Shall receive a full day's pay.
And it is a law of the Kingdom of this World
That those who first oppose a good work
Seize it and make it their own,
When the corner-stone is laid,
And memorial tablets are erected.
~ Edgar Lee Masters,#NFDB
488:Helen’s era was quite different from what most people think of when they hear the words ancient Greece. The Parthenon, the graceful statues, the works of Sophocles, Euripides, Socrates, Aristotle, and Plato, all came nearly a thousand years after Helen’s time, during the classical era. In the Bronze Age, no one yet knew how to make brittle iron flexible enough to use for tools and weapons. Art, especially sculpture of the human form, was stiffer and more stylized. Few people could read or write. Instead of signing important papers, you would use a stone seal to leave an impression on clay tablets. The design on the seal would be as unique as a signature. There was a kind of writing in Bronze Age Greece, but it was mostly used to keep track of financial matters, such as royal tax records. Messages, poems, songs, and stories were not written down but were memorized and passed along by word of mouth. ~ Esther M Friesner, #NFDB
489:Many calls to adventure are puzzles waiting to be solved. Anyone can apply, but the price of admission is paid in imagination. As journeys unfold, new challenges arise and pressures mount. These successive tolls must too be paid in creativity and ingenuity, as they were by history’s most imaginative minds. The only way that Jason can claim his rightful place as ruler of Iolcus, Greece, is by retrieving the fabled Golden Fleece from distant lands. The problem? Everyone considers the task impossible, fraught with terrifying perils certain to kill any man. Jason isn’t so sure. He assembles a mighty team of warriors—the Argonauts—and builds the largest ship ever constructed. He then figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick a mighty army guarding the Fleece into ravaging itself to pieces, and drug a sleepless ~ Sean Patrick, #NFDB
490:Three years earlier her father had been buried (irritable and impatient as he always had been) in the Fladstrand Church cemetery that bordered the lovely park, Plantagen, which shared with the cemetery its trees, shared its beech and ash and maple, in the same plot where her mother, wide eyed and confused, had lain down almost willingly two years before, where her brother had lain for thirty-five years, dazed and unwillingly after too short a life.
A dove was looking down from atop the family gravestone. It was made from metal so it could not fly away, but sometimes it went missing all the same and only a spike would remain. Someone had taken that dove, someone out there maybe had an entire collection of doves and angels and other small, Christian bronze sculptures in a cupboard at home and on long evenings would close the curtains and take them out and run his fingers gently over the smooth, cold bodies. ~ Per Petterson,#NFDB
491:The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for. ~ Francesca Lia Block, #NFDB
492:I wrenched the door out of my way―ridiculously eager―and there he was, my personal miracle.
Time had not made me immune to the perfection of his face, and I was sure that I would never take any aspect of him for granted. My eyes traced over his pale white features: the hard square of his jaw, the softer curve of his full lips―twisted up into a smile now, the straight line of his nose, the sharp angle of his cheekbones, the smooth marble span of his forehead―partially obscured by a tangle of rain-darkened bronze hair . . .
I saved his eyes for last, knowing that when I looked into them I was likely to lose my train of thought. They were wide, warm with liquid gold, and framed by a thick fringe of black lashes. Staring into his eyes always made me feel extraordinary―sort of like my bone were turning spongy. I was also a little lightheaded, but that could have been because I'd forgotten to keep breathing. Again. ~ Stephenie Meyer,#NFDB
493:This undoubtedly accounts for my sense of shock when, on my first visit to Duke University, and by surprise, I came face-to-face with James B. Duke in his dignity, his glory perhaps, as the founder of that university. He stands imperially in bronze in front of a Methodist chapel aspiring to be a cathedral. He holds between two fingers of his left hand a bronze cigar. On one side of his pedestal is the legend: INDUSTRIALIST. On the other side is another single word: PHILANTHROPIST. The man thus commemorated seemed to me terrifyingly ignorant, even terrifyingly innocent, of the connection between his industry and his philanthropy. But I did know the connection. I felt it instantly and physically. The connection was my grandparents and thousands of others more or less like them. If you can appropriate for little or nothing the work and hope of enough such farmers, then you may dispense the grand charity of “philanthropy. ~ Wendell Berry, #NFDB
494:What’s the, like, symbol, for five years? Paper?” “Paper is first year,” I said. At the end of Year One’s unexpectedly wrenching treasure hunt, Amy presented me with a set of posh stationery, my initials embossed at the top, the paper so creamy I expected my fingers to come away moist. In return, I’d presented my wife with a bright red dime-store paper kite, picturing the park, picnics, warm summer gusts. Neither of us liked our presents; we’d each have preferred the other’s. It was a reverse O. Henry. “Silver?” guessed Go. “Bronze? Scrimshaw? Help me out.” “Wood,” I said. “There’s no romantic present for wood.” At the other end of the bar, Sue neatly folded her newspaper and left it on the bartop with her empty mug and a five-dollar bill. We all exchanged silent smiles as she walked out. “I got it,” Go said. “Go home, fuck her brains out, then smack her with your penis and scream, ‘There’s some wood for you, bitch!’ ~ Gillian Flynn, #NFDB
495:For many years Minos has been lucky to have in his court the most gifted inventor, the most skilled artificer outside of the Olympian forges of Hephaestus. His name is Daedalus and he is capable of fashioning moving objects out of metal, bronze, wood, ivory and gemstones. He has mastered the art of tightly coiling leaves of steel into powerful springs, which control wheels and chains to form intricate and marvellous mechanisms that mark the passage of the hours with great precision and accuracy, or control the levels of watercourses. There is nothing this cunning man cannot contrive in his workshop. There are moving statues there, men and women animated by his skill, boxes that play music and devices that can awaken him in the morning. Even if only half the stories of what Daedalus can achieve are true then you can be certain that no more cunning and clever an inventor, architect and craftsman has ever walked this earth. ~ Stephen Fry, #NFDB
496:Alexandros points to the bronze sculpture of Socrates. "His society didn't collapse because of an outside aggressor. It collapsed from within, from the complete breakdown of communication between citizens, and the breakdown of loving sentiment for one another. They ganged up and got rid of Socrates because he was an uncomfortable reminder of the glory days of ancient Athens, when /demokratia/--'people power'--reigned and citizens worked toward a greater good. He epitomized the fact that you're meant to stay open to all views, to all human experiences, because that's how you deepen your love for people and of wisdom. That amazing man sacrificed his life in the name of classic Athenian values of excellence and honor and compassion, so one day they might live on. And they did, here in America, for more than two centuries. I'm worried my beloved America is becoming as loveless as ancient Athens in its days of decline. ~ Christopher Phillips, #NFDB
497:You're the last line of defense. When you're dead, Hitler will march through Leningrad the way he marched through Paris. Do you remember that?'
'That's not fair. The French didn't fight,' Tatiana said, wanting to be anywhere right now but standing in front of men loading artwork from the Hermitage onto armored trucks.
'They didn't fight, Tania, but you will fight. For every street and for every building. And when you lose--'
'The art will be saved.'
'Yes! The art will be saved,' Alexander said emotionally. 'And another artist will paint a glorious picture, immortalizing you, with a club in your raised hand, swinging to hit the German tank as it's about to crush you, all against the backdrop of the statue of Peter the Great atop his bronze horse. And that picture will hang in the Hermitage, and at the start of the next war the curator will once again stand on the street, crying over his vanishing crates. ~ Paullina Simons,#NFDB
498:Water splashes and runs in a film across the glass floor suspended above the mosaics. The Hacı Kadın hamam is a typical post-Union fusion of architectures; Ottoman domes and niches built over some forgotten Byzantine palace, years and decades of trash blinding, gagging, burying the angel-eyed Greek faces in the mosaic floor; century upon century. That haunted face was only exposed to the light again when the builders tore down the cheap apartment blocks and discovered a wonder. But Istanbul is wonder upon wonder, sedimented wonder, metamorphic cross-bedded wonder. You can’t plant a row of beans without turning up some saint or Sufi. At some point every country realizes it must eat its history. Romans ate Greeks, Byzantines ate Romans, Ottomans ate Byzantines, Turks ate Ottomans. The EU eats everything. Again, the splash and run as Ferid Bey scoops warm water in a bronze bowl from the marble basin and pours it over his head. ~ Ian McDonald, #NFDB
499:The Bronze Serpent 4From Mount Hor a they set out by the way to the Red Sea, b to go around the land of Edom. And the people became impatient on the way. 5And the people c spoke against God and against Moses, d “Why have you brought us up out of Egypt to die in the wilderness? For there is no food and no water, and e we loathe this worthless food.” 6 f Then the LORD sent fiery serpents among the people, and g they bit the people, so that many people of Israel died. 7 h And the people came to Moses and said, “We have sinned, for we have spoken against the LORD and against you. i Pray to the LORD, that he take away the serpents from us.” So Moses prayed for the people. 8And the LORD said to Moses, “Make a fiery serpent and set it on a pole, and everyone who is bitten, when he sees it, shall live.” 9So j Moses made a bronze [3] serpent and set it on a pole. And if a serpent bit anyone, he would look at the bronze serpent and live. ~ Anonymous, #NFDB
500:The airport in Sofia was a tiny place; I'd expected a palace of modern communism, but we descended to a modest area of tarmac and strolled across it with the other travelers. Nearly all of them were Bulgarian,
I decided, trying to catch something of their conversations. They were
handsome people, some of them strikingly so, and their faces varied
from the dark-eyed pale Slav to a Middle-Eastern bronze, a kaleidoscope
of rich hues and shaggy black eyebrows, noses long and flaring, or
aquiline, or deeply hooked, young women with curly black hair and noble
foreheads, and energetic old men with few teeth. They smiled or laughed and talked eagerly with one another; one tall man gesticulated to his companion with a folded newspaper. Their clothes were distinctly not Western, although I would have been hard put to say what it was about the cuts of suits and skirts, the heavy shoes and dark hats, that was unfamiliar to me. ~ Elizabeth Kostova,#NFDB
501:Flash Crimson
I SHALL cry God to give me a broken foot.
I shall ask for a scar and a slashed nose.
I shall take the last and the worst.
I shall be eaten by gray creepers in a bunkhouse where no runners of the sun
come and no dogs live.
And yet-of all 'and yets' this is the bronze strongestI shall keep one thing better than all else; there is the blue steel of a great star
of early evening in it; it lives longer than a broken foot or any scar.
The broken foot goes to a hole dug with a shovel or the bone of a nose may
whiten on a hilltop-and yet-'and yet'There is one crimson pinch of ashes left after all; and none of the shifting winds
that whip the grass and none of the pounding rains that beat the dust, know how
to touch or find the flash of this crimson.
I cry God to give me a broken foot, a scar, or a lousy death.
I who have seen the flash of this crimson, I ask God for the last and worst.
~ Carl Sandburg,#NFDB
502:The Princess Pat's
A touch of the plain and the prairie,
A bit of the Motherland, too;
A strain of the fur-trapper wary,
A blend of the old and the new;
A bit of the pioneer splendor
That opened the wilderness' flats,
A touch of the home-lover, tender,
You'll find in the boys they call Pat's.
The glory and grace of the maple,
The strength that is born of the wheat,
The pride of a stock that is staple,
The bronze of a midsummer heat;
A blending of wisdom and daring,
The best of a new land, and that's
The regiment gallantly bearing
The neat little title of Pat's.
A bit of the man who has neighbored
With mountains and forests and streams,
A touch of the man who has labored
To model and fashion his dreams;
The strength of an age of clean living,
Of right-minded fatherly chats,
The best that a land could be giving
Is there in the breasts of the Pat's.
~ Edgar Albert Guest,#NFDB
503:But the deeper root cause could only be found in the minds of humankind. Never explicitly stated, and perhaps not even consciously understood, a gravitational wave ship was too powerful—so powerful that it terrified its creator. If something—a droplet attack or something else—forced such ships to depart for deep space, and they could never return to the Solar System due to the presence of enemy threats, they would turn into copies of Blue Space and Bronze Age, or something even more horrific. Each gravitational wave ship, with its no-longer-human crew, would also possess the power to broadcast to the universe (though limited by the half-life of the vibrating string), thus controlling the fate of humanity. A frightful instability would be permanently scattered among the stars. At its root, this fear was a fear of dark forest deterrence itself. This was characteristic of ultimate deterrence: The deterrer and the deteree shared the same terror of deterrence ~ Liu Cixin, #NFDB
504:Destarte! How musical! What does it mean?" "You can't say it except in Mescalero. It means Morning, but that isn't what it means, either. Indian words are more than just that. They also mean the feel and the sound of the name. It means like Crack of Dawn, the first bronze light that makes the buttes stand out against the gray desert. It means the first sound you hear of a brook curling over some rocks-some trout jumping and a beaver crooning. It means the sound a stallion makes when he whistles at some mares just as the first puff of wind kicks up at daybreak. "It means like you get up in the first light and you and her go out of the wickiup, where it smells smoky and private and just you and her, and kind of safe with just the two of you there, and you stand outside and smell the first bite of the wind coming down from the high divide and promising the first snowfall. Well, you just can't say what it means in English. Anyway, that was her name. Destarte. ~ Louis L Amour, #NFDB
505:In a steamer chair, under a manuka tree that grew in the middle of the front grass patch, Linda Burnell dreamed the morning away. She did nothing. She looked up at the dark, close, dry leaves of the manuka, at the chinks of blue between, and now and again a tiny yellowish flower dropped on her. Pretty—yes, if you held one of those flowers on the palm of your hand and looked at it closely, it was an exquisite small thing. Each pale yellow petal shone as if each was the careful work of a loving hand. The tiny tongue in the centre gave it the shape of a bell. And when you turned it over the outside was a deep bronze colour. But as soon as they flowered, they fell and were scattered. You brushed them off your frock as you talked; the horrid little things got caught in one's hair. Why, then, flower at all? Who takes the trouble—or the joy—to make all these things that are wasted, wasted... It was uncanny. On the grass beside her, lying between two pillows, was ~ Katherine Mansfield, #NFDB
506:Rohan returned, his breath quickened from exertion. A mist of sweat had accumulated on his skin until it gleamed like bronze. “Right on course,” he said to Westcliff and Swansea. “The stabilizing fins worked. It landed at a distance of approximately two thousand yards.”
“Excellent!” Swansea exclaimed. “But where is the rocket?”
Rohan’s white teeth flashed in a grin. “Buried in a deep, smoking hole. I’ll go back to dig it up later.”
“Yes, we’ll want to see the condition of the casing and the inner core.” Swansea was red-faced with satisfaction. He used a handkerchief to blot his steaming, wrinkled countenance. “It’s been an exciting morning, eh?”
“Perhaps it’s time to return to the manor, Captain,” Westcliff suggested.
“Yes, quite.” Swansea bowed to Amelia. “A pleasure, Miss Hathaway. And may I say, you took it rather well, being the target of a surprise attack.”
“The next time I visit, Captain,” she said, “I’ll remember to bring my white flag. ~ Lisa Kleypas,#NFDB
507:The watchful Mishmorat commented while waiting, contemplating Eena’s bare back. “Your people are so plain and pale.”
“Oh?” Eena kinked her neck to look at Niki, zeroing in on her long spotted arms. Her bronze skin was arguably more striking—speckled in beautiful patterns.
“I’m sorry,” the Mishmorat quickly apologized. “I didn’t mean to be rude. It’s just that I’ve never seen such bare skin before. There’s nothing to look at.”
Eena quickly pulled the new t-shirt down over her back. She chuckled at Niki’s comment. “I’ll admit your people are very attractive. But I’m okay with my ‘plainness.’” She glanced over her pale legs before pulling on a clean pair of pants.
“You’re kinda like a clear, cloudless sky,” Niki said, cocking her head wonderingly.
“And you’re like a…..a sky dotted with shapely clouds.”
“Only dark clouds.”
“Storm clouds.”
“Yeah,” Niki grinned devilishly, “That’s me—a sky full of storm clouds. ~ Richelle E Goodrich,#NFDB
508:calls to adventure are puzzles waiting to be solved. Anyone can apply, but the price of admission is paid in imagination. As journeys unfold, new challenges arise and pressures mount. These successive tolls must too be paid in creativity and ingenuity, as they were by history’s most imaginative minds. The only way that Jason can claim his rightful place as ruler of Iolcus, Greece, is by retrieving the fabled Golden Fleece from distant lands. The problem? Everyone considers the task impossible, fraught with terrifying perils certain to kill any man. Jason isn’t so sure. He assembles a mighty team of warriors—the Argonauts—and builds the largest ship ever constructed. He then figures out how to successfully navigate the legendary maze of crushing rocks known as the Symplegades, yoke fire-breathing, bronze-hoofed oxen, trick a mighty army guarding the Fleece into ravaging itself to pieces, and drug a sleepless dragon into its first slumber. Four months after departing, Jason ~ Sean Patrick, #NFDB
509:hesitated for the space of a heartbeat, then Snape turned the bronze handle. The drawing room was full of silent people, sitting at a long and ornate table. The room’s usual furniture had been pushed carelessly up against the walls. Illumination came from a roaring fire beneath a handsome marble mantelpiece surmounted by a gilded mirror. Snape and Yaxley lingered for a moment on the threshold. As their eyes grew accustomed to the lack of light, they were drawn upward to the strangest feature of the scene: an apparently unconscious human figure hanging upside down over the table, revolving slowly as if suspended by an invisible rope, and reflected in the mirror and in the bare, polished surface of the table below. None of the people seated underneath this singular sight was looking at it except for a pale young man sitting almost directly below it. He seemed unable to prevent himself from glancing upward every minute or so. “Yaxley. Snape,” said a high, clear voice from the ~ J K Rowling, #NFDB
510:Finally, the self-operating machine, detached from detailed human supervision if not ultimate control, was implicit in the abstract model of the megamachine. What was once done clumsily, with imperfect human substitutes, always necessarily on a large scale, paved the way for mechanical operations that can now be managed adroitly on a small scale: an automatic hydraulic electric power station can transmit the energy of a hundred thousand horses. Plainly many of the mechanical triumphs of our own age were already latent in the earliest megamachines, and what is more, the gains were fully anticipated in fantasy. But before we become unduly inflated over our own technical progress, let us remember that a single thermonuclear weapon can now easily kill ten million people, and that the minds now in charge of these weapons have already proved as open to practical miscalculations, humanly distorted judgments, corrupt fantasies, and psychotic breakdowns as those of Bronze Age kings. ~ Lewis Mumford, #NFDB
511:He (Lafcadio) was sitting all alone in a compartment of the train which was carrying him away from Rome, & contemplating–not without satisfaction–his hands in their grey doeskin gloves, as they lay on the rich fawn-colored plaid, which, in spite of the heat, he had spread negligently over his knees. Through the soft woolen material of his traveling-suit he breathed ease and comfort at every pore; his neck was unconfined in its collar which without being low was unstarched, & from beneath which the narrow line of a bronze silk necktie ran, slender as a grass snake, over his pleated shirt. He was at ease in his skin, at ease in his shoes, which were cut out of the same doeskin as his gloves; his foot in its elastic prison could stretch, could bend, could feel itself alive. His beaver hat was pulled down over his eyes & kept out the landscape; he was smoking dried juniper, after the Algerian fashion, in a little clay pipe & letting his thoughts wander at their will … ~ Andr Gide, #NFDB
512:A few guttural words caused Helen’s steps to slow as she neared the upstairs parlor. The sounds of Welsh curses had become quite familiar during the past week, as Mr. Winterborne grappled with the limitations of his injuries and the heavy leg cast. Although he never shouted, something about his voice carried farther than the average man’s: It had a deep timbre like bronze bell metal. His accent fell pleasantly on her ears, with singsong vowels and tapped R’s that carried the hint of a burr, and consonants as soft as velvet.
Winterborne’s presence seemed to fill the household, no matter that he was still confined to the upstairs rooms. He was a vigorous man, easily bored, chafing at any restrictions. He craved activity and noise, having even gone so far as to insist that the carpenters and plumbers resume their daily cacophony of work, despite the fact that Devon had told them to stop while Winterborne recovered. Apparently the last thing Winterborne wanted was peace and quiet. ~ Lisa Kleypas,#NFDB
513:How do you expect me to provide
you with a demon tear if I don’t have a
body? I can’t cry you a goddamn river
while stuck in a bronze reproduction of
an ugly-ass alchemist. A dead one, at
that.”
“You can move your eyes,” Navin ventured. “And you’re a demon. Can’t
you do some kind of demon magic and
produce tears?”
“Demon magic? Have you been eating
Ironwood mushrooms? Demons don’t do
magic. Demons curse. We tear apart
reality and feed on the blood of
innocents.”
Navin shivered. “Stop being so
dramatic. You’re hardly in the position
to tear apart reality. You’d have trouble tearing open a packet of potato chips right now.”
Newton made a horrific snorting
sound that might have been laughter.
“Ah, dear boy. And you said you
weren’t interested in comedy. If only I
could cry tears of laughter right now,
we’d be peachy.”
“Shut up a minute. I’m trying to think.”
“I know. I can hear your two brain
cells rubbing together. ~ Karen Mahoney,#NFDB
514:Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence. Place bronze statues beneath the southern California sun, and of course they're going to get hot. Cannons are supposed to be loud, that's their claim to fame, and - like it or not - the moving sidewalk is bound to end sooner or later. It's hard trying to explain a country whose motto has become You can't claim I didn't warn you. What can you say about the family who is suing the railroad after their drunk son was killed walking on the tracks?
This pretty much sums up my trip to Texas. ~ David Sedaris,#NFDB
515:Every thought in his head disappeared the moment Vivien appeared and a collective sigh of admiration escaped the servants. She made her way downstairs unescorted, wearing a glimmering bronze gown that swirled around her hips and legs as if it were liquid metal. No other color could have brought out the richness of her hair or the peaches and cream of her complexion half so well. The low, scooped bodice pushed the mounds of her breasts up and together in a display that literally made Grant's mouth water. Swallowing hard, he stared at her while the brandy snifter wobbled precariously in his fingers. He was hardly aware of Kellow tactfully removing it from his unsteady grasp.
The short, full sleeves exposed the curves of Vivien's shoulders, while her arms were encased in full-length white gloves. A French silk scarf of bronze trimmed in gold was draped loosely around her elbows. The only ornamentation on the gown was a stomacher of woven gold and bronze, cinched just above her small waist. ~ Lisa Kleypas,#NFDB
516:It seems to begin before dawn with the Muslims, when a mosque at the edge of the mangrove forest softly announces, in a lullaby voice, the morning call to prayer. Not to be outdone, the local Christians soon crank up pop-sounding hymns that last anywhere from one to three hours. This is followed by cheerful, though overamplified, kazoo-like refrain from the Hindu temple that reminds Less of the ice cream truck from his childhood. Then comes a later call to prayer. Then the Christians decide to ring some bronze bells. And so on. There are sermons and live singers and thunderous drum performances. In this way, the faiths alternate throughout the day, as at a music festival, growing louder and louder until, during the outright cacophony of sunset, the Muslims, who began the whole thing, declare victory by projecting not only the evening call to prayer but the prayer itself in its entirety. After that, the jungle falls to silence. Perhaps this is the Buddhists' sole contribution. Every morning, it starts again. ~ Andrew Sean Greer, #NFDB
517:Destarte! How musical! What does it mean?” “You can’t say it except in Mescalero. It means Morning, but that isn’t what it means, either. Indian words are more than just that. They also mean the feel and the sound of the name. It means like Crack of Dawn, the first bronze light that makes the buttes stand out against the gray desert. It means the first sound you hear of a brook curling over some rocks—some trout jumping and a beaver crooning. It means the sound a stallion makes when he whistles at some mares just as the first puff of wind kicks up at daybreak. “It means like you get up in the first light and you and her go out of the wickiup, where it smells smoky and private and just you and her, and kind of safe with just the two of you there, and you stand outside and smell the first bite of the wind coming down from the high divide and promising the first snowfall. Well, you just can’t say what it means in English. Anyway, that was her name. Destarte.” Rather amazed, Angie stared at him. “Why, that’s poetry! ~ Louis L Amour, #NFDB
518:get it, but I hoped he would be all afternoon on the job. “Hurry, Cap!” was all I said. Ordinarily Dan is the swiftest of boatmen. To-day he was slower than molasses and all he did went wrong. What he said about the luck was more than melancholy. I had no way to gauge my own feelings because I had never had such an experience before. Nor had I ever heard or read of any one having it. We got a bait on and the kite out just in time to reach the first and larger school. I was so excited that I did not see we were heading right into it. My intent gaze was riveted upon my bait as it skimmed the surface. The swells were long, low, smooth mounds. My bait went out of sight behind one. It was then I saw water fly high and I felt a tug. I jerked so hard I nearly fell over. My bait shot over the top of the swell. Then that swell opened and burst—a bronze back appeared. He missed the hook. Another tuna, also missing, leaped into the air—a fish of one hundred and fifty pounds, glittering green and silver and blue, jaws open, fins stiff, tail ~ Zane Grey, #NFDB
519:Não gosto tanto dos museus. Muitos são admiráveis, nenhum é delicioso. As idéias de classificação, conservação e utilidade pública, que são justas e claras, guardam pouca relação com as delícias.
Ao primeiro passo que dou na direção das belas coisas, retiram-me a bengala, um aviso me proíbe de fumar.
Já enregelado pelo gesto autoritário e a sensação de constrangimento, penetro em alguma sala de escultura na qual reina uma fria confusão. Um busto ofuscante aparece entre as pernas de um atleta de bronze. A calma e as violências, as futilidades, os sorrisos, as contraturas, os equilíbrios mais críticos carreiam uma impressão insuportável. Estou em meio a um tumulto de criaturas congeladas, cada uma exigindo, sem obtê-lo, a inexistência de todas as outras. E não me refiro ao caos de todas essas grandezas sem medida comum, à mistura inexplicável de anões e gigantes, nem mesmo a esse breviário da evolução que nos oferece tal ajuntamento de seres perfeitos e inacabados, mutilados e restaurados, monstros e dignitários... ~ Paul Val ry,#NFDB
520:Clark’s real estate agent turned out to be one of those loud, garrulous people who, as they drive, insist on making eye contact with the passengers in the back seat. ‘You want to see Scott Cook’s house?’ she hollered over her shoulder to a terrified Mr and Mrs Jim Barksdale. Scott Cook was the chairman of Intuit, the financial software company. ‘Is it for sale?’ asked Barksdale. ‘No,’ said the woman. ‘Then I don’t want to see it,’ said Barksdale. Clark’s realtor ignored him and squealed through this enormous bronze gate and into Scott Cook’s driveway. Out of the house shot Mrs Scott Cook to investigate this intrusion. Clark’s realtor had panicked, backed up and tried to make a quick getaway but ended up rolling back into Mrs Cook’s newly planted garden. There she became stuck in the mud. Wheels spun, plants flew. Mrs Cook was livid. She looked at Barksdale as if he were some kind of criminal. They had to call a fire truck and a tow truck to extract him, his wife, and Clark’s realtor from the garden. The episode lasted an hour. ~ Michael Lewis, #NFDB
521:As an archeologist, when Thomsen divided the ages of man into Stone, Bronze, and Iron, naturally enough, he did so in accordance with the physical tools that defined each epoch. But what of man's spiritual development? What of his moral development? I tell you, they progressed along the very same lines. In the Stone Age, the ideas in the caveman's head were as blunt as the club in his hand; they were as rough as the flint from which he struck a spark. In the Age of Bronze, when a canny few discovered the science of metallurgy, how long did it take for them to fashion coins, crowns, and swords? That unholy trinity to which the common man was enslaved for the next one thousand years...Then came the Age of Iron - and with it the steam engine, the printing press, and the gun. Here was a very different trinity, indeed. For while these tools had been developed by the Bourgeoisie to further their own interests, it was through the engine, the press, and the pistol that the Proletariat began to free itself from labor, ignorance, and tyranny. ~ Amor Towles, #NFDB
522:There seemed no sign of common bodily illness about him, nor of the recovery from any. He looked like a man cut away from the stake, when the fire has overrunningly wasted all the limbs without consuming them, or taking away one particle from their compacted aged robustness. His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini’s cast Perseus. Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck, till it disappeared in his clothing, you saw a slender rod-like mark, lividly whitish. It resembled that perpendicular seam sometimes made in the straight, lofty trunk of a great tree, when the upper lightning tearingly darts down it, and without wrenching a single twig, peels and grooves out the bark from top to bottom ere running off into the soil, leaving the tree still greenly alive, but branded. Whether that mark was born with him, or whether it was the scar left by some desperate wound, no one could certainly say. ~ Herman Melville, #NFDB
523:...whenever you find a clearing like this," Beatrix said, leading Christopher to a small, sun-dappled meadow, "it's most likely an ancient field enclosure from the Bronze Age. They knew nothing about fertilizing, so when a patch of land became unproductive, they simply cleared a new area. And the old areas became covered with gorse and bracken and heather. And here-" she showed him the cavity of an oak tree near the clearing- "is where I watched a hobby chick hatch in early summer. Hobbies don't build their own nests, they use ones made by other birds. They're so fast when they fly, they look like sickles cutting through the air."
Christopher listened attentively. With the breeze playing lightly in his dark gold hair, and a slight smile on his lips, he was so handsome that it was difficult not to gape at him. "You know all the secrets of this forest, don't you?" he asked gently.
"There's so much to learn, I've only scratched the surface. I've filled books with sketches of animals and plants, and I keep finding new ones to study. ~ Lisa Kleypas,#NFDB
524:question, albeit speculative, won’t go away. No scholar quarrels with the archaic antiquity of the earliest elements of the Hebrew Bible: the Song of the Sea and of Moses. A strong consensus exists that their form is consistent with other similar archaic ‘song’ literature from the late Bronze Age Near East of the twelfth century BCE. If that’s correct, even though the Song of the Sea has much in common with the Phoenician epic of the storm god Baal’s conquest of the sea, why would early Israelite poets have created, perhaps just a century after the purported event, their own identity-epic, in which the degrading element of enslavement and liberation is entirely distinct from other archetypes, if there was nothing to it lodged in the folk memory? The most sceptical view presupposes an indigenous subset of Canaanites, settled in the Judaean hills, differentiating themselves from the rest of Canaanite tribes and states, through a mythic history of separation, migration and conquest, all with exceptionally detailed topography. Why that story? ~ Simon Schama, #NFDB
525:As we look around the world, especially in Egypt, Lebanon, Turkey, the west coast of Italy, Peru, and Bolivia, there are stone structures and the remains of others which don't easily fit into the standard picture of history. The pyramids of Giza in Egypt, Puma Punku in Bolivia, and the great megalithic wall of Sachsayhuaman in Peru are but three examples of astonishingly well-made stone works which modern engineers, stone masons, and other experts puzzle over. Conventional academics in general date these structures well within the standard timeline of so-called civilization. The generally prescribed creation date of the three pyramids of Giza is about 2500 BC, Puma Punku is alleged to have been constructed around 600 AD, and Sachsayhuaman approximately 1200 to 1400 AD. However, what intrigues engineers, architects, stone masons, and other professionals is the extreme precision of the work, often in very hard stone, which many archaeologists insist was usually achieved using bronze and or copper chisels, wooden measuring devices, and stone hammers. ~ Brien Foerster, #NFDB
526:We look amazing," I repeated, as if I could make up for our brother's rudeness.
And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed.
The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture. ~ S Jae Jones,#NFDB
527:Several yards away – closer to the cathedral’s legendary carved doorways – Anna and St. Clair are standing on top of Point Zéro. It’s been hand-brushed clear of its dusting of snow. Point Zéro is the bronze marker, a star, which designates the official centre of France. There are at least two superstitions about it. One is that anyone who stands on the star will return to France. The other is that you can use it to make a wish.
“Wait for it,” Josh says.
Lola stands straighter, excited. “No!”
“Yes,” Cricket says.
I’m the last one in the dark, until – suddenly – it happens. St. Clair removes something from his pocket. And then he gets down on one knee.
Anna’s entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves – with the biggest smile I’ve ever seen – clearly aware that we’ve been standing here the whole time. ~ Stephanie Perkins,#NFDB
528:The sidewalks were haunted by dust
ghosts all night as the furnace wind summoned them up,
swung them about, and gentled them down in a warm spice on
the lawns. Trees, shaken by the footsteps of late-night strol-
lers, sifted avalanches of dust. From midnight on, it seemed a
volcano beyond the town was showering red-hot ashes every-
where, crusting slumberless night watchmen and irritable
dogs. Each house was a yellow attic smoldering with spon-
taneous combustion at three in the morning.
Dawn, then, was a time where things changed element for
element. Air ran like hot spring waters nowhere, with no
sound. The lake was a quantity of steam very still and deep
over valleys of fish and sand held baking under its serene
vapors. Tar was poured licorice in the streets, red bricks were
brass and gold, roof tops were paved with bronze. The high-
tension wires were lightning held forever, blazing, a threat
above the unslept houses.
The cicadas sang louder and yet louder.
The sun did not rise, it overflowed. ~ Ray Bradbury,#NFDB
529:The forge and dove shall break the cage. Wasn’t that the prophecy line? That meant Piper and he would have to figure out how to break into that magic rock prison, assuming they could find it. Then they’d unleash Hera’s rage, causing a lot of death. Well, that sounded fun! Leo had seen Tía Callida in action; she liked knives, snakes, and putting babies in roaring fires. Yeah, definitely let’s unleash her rage. Great idea. Festus kept flying. The wind got colder, and below them snowy forests seemed to go on forever. Leo didn’t know exactly where Quebec was. He’d told Festus to take them to the palace of Boreas, and Festus kept going north. Hopefully, the dragon knew the way, and they wouldn’t end up at the North Pole. “Why don’t you get some sleep?” Piper said in his ear. “You were up all night.” Leo wanted to protest, but the word sleep sounded really good. “You won’t let me fall off?” Piper patted his shoulder. “Trust me, Valdez. Beautiful people never lie.” “Right,” he muttered. He leaned forward against the warm bronze of the dragon’s neck, and closed his eyes. ~ Rick Riordan, #NFDB
530:SMALLER, BUT I CAN STILL SEE YOU!” said Owen Meany. Then he left us; he was gone. I could tell by his almost cheerful expression that he was at least as high as the palm trees. Major Rawls saw to it that Owen Meany got a medal. I was asked to make an eyewitness report, but Major Rawls was instrumental in pushing the proper paperwork through the military chain of command. Owen Meany was awarded the so-called Soldier’s Medal: “For heroism that involves the voluntary risk of life under conditions other than those of conflict with an opposing armed force.” According to Major Rawls, the Soldier’s Medal rates above the Bronze Star but below the Legion of Merit. Naturally, it didn’t matter very much to me—exactly where the medal was rated—but I think Rawls was right in assuming that the medal mattered to Owen Meany. Major Rawls did not attend Owen’s funeral. When I spoke on the telephone with him, Rawls was apologetic about not making the trip to New Hampshire; but I assured him that I completely understood his feelings. Major Rawls had seen his share of flag-draped caskets; ~ John Irving, #NFDB
531:As an archeologist, when Thomsen divided the ages of man into Stone, Bronze, and Iron, naturally enough, he did so in accordance with the physical tools that defined each epoch. But what of man’s spiritual development? What of his moral development? I tell you, they progressed along the very same lines. In the Stone Age, the ideas in the caveman’s head were as blunt as the club in his hand; they were as rough as the flint from which he struck a spark. In the Age of Bronze, when a canny few discovered the science of metallurgy, how long did it take for them to fashion coins, crowns, and swords? That unholy trinity to which the common man was enslaved for the next one thousand years.” Mishka paused to consider the ceiling. “Then came the Age of Iron—and with it the steam engine, the printing press, and the gun. Here was a very different trinity, indeed. For while these tools had been developed by the Bourgeoisie to further their own interests, it was through the engine, the press, and the pistol that the Proletariat began to free itself from labor, ignorance, and tyranny. ~ Amor Towles, #NFDB
532:Following Peabody's distracted gaze, Eve had her first view of Jess Barrow. He was beautiful. A painting in motion with a long, shining mane of hair the color of polished oak. His eyes were nearly silver, thickly lashed, intensely focused, as he worked the controls of an elaborate console. His complexion was flawless, tanned to bronze set off by rounded cheekbones and a strong chin. His mouth was full and firm, and his hands, as they flew over the controls, were as finely sculptured as marble.
"Roll up your tongue, Peabody," Eve suggested, "before you step on it."
"God. Holy God. He's better in person. Don't you just want to bite him?"
"Not particularly, but you go ahead."
Catching herself, Peabody flushed to the roots of her hair. She shifted on her sturdy legs. This was, she reminded herself, her superior. "I admire his talent."
"Peabody, you're admiring his chest. It's a pretty good one, so I can't hold it against you."
"I wish he would," she murmured, then cleared her throat as Big Mary stomped back with two dark brown bottles. ~ J D Robb,#NFDB
533:If dogs had gods, those they worshiped would wag their tails and bark. If sheep had gods, they would follow woolly deities who grazed. As the world is, almost all folk have many things in common, as if the gods who shaped them were using certain parts of a pattern over and over again. The folk striding towards us through the green, green grass might have been the pattern itself, the pattern from whose rearranged pieces the rest of us had been clumsily reassembled. As bronze, which had brought us here, is an alloy of copper and tin, so I saw that sirens were an alloy of these folk and birds, sphinxes of them and birds and lions, satyrs of them and goats, fauns of them and horses. And I saw that we centaurs blended these folk and horses as well, though in different proportions, as one bronze will differ from another depending on how much is copper and how much tin. Is it any wonder, then, that, on seeing this folk, I at once began to wonder if I had any true right to exist?
“Who are you? What is your folk?” I asked him.
“I am Geraint,” he answered. “I am a man. ~ Harry Turtledove,#NFDB
534:13and in the midst of the lampstands j one like k a son of man, l clothed with a long robe and m with a golden sash around his chest. 14 n The hairs of his head were white, like white wool, like snow. o His eyes were like a flame of fire, 15 p his feet were like burnished bronze, refined in a furnace, and q his voice was like the roar of many waters. 16 r In his right hand he held seven stars, s from his mouth came a sharp two-edged sword, and t his face was like the sun shining u in full strength. 17 v When I saw him, I fell at his feet as though dead. But v he laid his right hand on me, w saying, “Fear not, x I am the first and the last, 18and the living one. y I died, and behold I am alive forevermore, and z I have the keys of Death and Hades. 19 a Write therefore b the things that you have seen, those that are and those that are to take place after this. 20As for the mystery of the seven stars that you saw in my right hand, and c the seven golden lampstands, the seven stars are the angels of the seven churches, and d the seven lampstands are the seven churches. ~ Anonymous, #NFDB
535:The fourteenth-century court artists of Ife made bronze sculptures using a complicated casting process lost to Europe since antiquity, and which was not rediscovered there until the Renaissance. Ife sculptures are equal to the works of Ghiberti or Donatello. From their precision and formal sumptuousness we can extrapolate the contours of a great monarchy, a network of sophisticated ateliers, and a cosmopolitan world of trade and knowledge. And it was not only Ife. All of West Africa was a cultural ferment. From the egalitarian government of the Igbo to the goldwork of the Ashanti courts, the brass sculpture of Benin, the military achievement of the Mandinka Empire and the musical virtuosi who praised those war heroes, this was a region of the world too deeply invested in art and life to simply be reduced to a caricature of “watching the conquerors arrive.” We know better now. We know it with a stack of corroborating scholarship and we know it implicitly, so that even making a list of the accomplishments feels faintly tedious, and is helpful mainly as a counter to Eurocentrism. There ~ Teju Cole, #NFDB
536:It is scarcely an exaggeration to say that mechanical invention until the thirteenth century A.D. owed a greater debt to warfare than to the arts of peace.
This holds over long stretches of history. The Bronze Age chariot preceded the general use of wagons for transportation, burning oil was used to repel enemies besieging a city before it was employed for powering engines or heating buildings: so, too, inflated life preservers were used by Assyrian armies to cross rivers thousands of years before 'water-wings' were invented for civilian swimming. Metallurgical applications, too, developed more rapidly in the military than in the civilian arts: the scythe was attached to chariots for mowing down men before it was attached to agricultural mowing machines; while Archimedes' knowledge of mechanics and optics was applied to destroying the Roman fleet attacking Syracuse before it was put to any more constructive industrial use. From Greek fire to atom bombs, from ballistas to rockets, warfare was the chief source of those mechanical inventions that demanded a metallurgical and chemical background. ~ Lewis Mumford,#NFDB
537:Ready To Kill
Ten minutes now I have been looking at this.
I have gone by here before and wondered about it.
This is a bronze memorial of a famous general
Riding horseback with a flag and a sword and a revolver
on him.
I want to smash the whole thing into a pile of junk to be
hauled away to the scrap yard.
I put it straight to you,
After the farmer, the miner, the shop man, the factory
hand, the fireman and the teamster,
Have all been remembered with bronze memorials,
Shaping them on the job of getting all of us
Something to eat and something to wear,
When they stack a few silhouettes
Against the sky
Here in the park,
And show the real huskies that are doing the work of
the world, and feeding people instead of butchering them,
Then maybe I will stand here
And look easy at this general of the army holding a flag
in the air,
And riding like hell on horseback
Ready to kill anybody that gets in his way,
Ready to run the red blood and slush the bowels of men
all over the sweet new grass of the prairie.
~ Carl Sandburg,#NFDB
538:Bronzes
The bronze General Grant riding a bronze horse in Lincoln Park
Shrivels in the sun by day when the motor cars whirr
by in long processions going somewhere to keep appointment for dinner and matineés and buying and
selling
Though in the dusk and nightfall when high waves are
piling
On the slabs of the promenade along the lake shore near
by
I have seen the general dare the combers come closer
And make to ride his bronze horse out into the hoofs
and guns of the storm.
II
I cross Lincoln Park on a winter night when the snow
is falling.
Lincoln in bronze stands among the white lines of snow,
his bronze forehead meeting soft echoes of the newsies crying forty thousand men are dead along the
Yser, his bronze ears listening to the mumbled roar
of the city at his bronze feet.
A lithe Indian on a bronze pony, Shakespeare seated with
long legs in bronze, Garibaldi in a bronze cape, they
hold places in the cold, lonely snow to-night on their
pedestals and so they will hold them past midnight
and into the dawn.
~ Carl Sandburg,#NFDB
539:Still Life
COOL your heels on the rail of an observation car.
Let the engineer open her up for ninety miles an hour.
Take in the prairie right and left, rolling land and new hay crops, swaths of new
hay laid in the sun.
A gray village flecks by and the horses hitched in front of the post-office never
blink an eye.
A barnyard and fifteen Holstein cows, dabs of white on a black wall map, never
blink an eye.
A signalman in a tower, the outpost of Kansas City, keeps his place at a window
with the serenity of a bronze statue on a dark night when lovers pass whispering.
Sumach And Birds
IF you never came with a pigeon rainbow purple
Shining in the six o'clock September dusk:
If the red sumach on the autumn roads
Never danced on the flame of your eyelashes:
If the red-haws never burst in a million
Crimson fingertwists of your heartcrying:
If all this beauty of yours never crushed me
Then there are many flying acres of birds for me,
Many drumming gray wings going home I shall see,
Many crying voices riding the north wind.
~ Carl Sandburg,#NFDB
540:The cure for HIV?” “In 2007, a man named Timothy Ray Brown, known later as the Berlin patient, was cured of HIV. Brown was diagnosed with acute myeloid leukemia. His HIV-positive status complicated his treatment. During chemotherapy, he battled sepsis, and his physicians had to explore less traditional approaches. His hematologist, Dr. Gero Hutter, decided on a stem cell therapy: a full bone marrow transplant. Hutter actually passed over the matched bone marrow donor for a donor with a specific genetic mutation: CCR5-Delta 32. CCR5-Delta 32 makes cells immune to HIV.” “Incredible.” “Yes. At first, we thought the Delta 32 mutation must have arisen during the Black Death in Europe—about four to sixteen percent of Europeans have at least one copy. But we’ve traced it back further. We thought perhaps smallpox, but we’ve found Bronze Age DNA samples that carry it. The mutation’s origins are a mystery, but one thing is certain: the bone marrow transplant with CCR5-Delta 32 cured both Brown’s leukemia and HIV. After the transplant, he stopped taking his antiretrovirals and has never again tested positive for HIV. ~ A G Riddle, #NFDB
541:Pleasure's Signs
There's a bump on his brow and a smear on his cheek
That is plainly the stain of his tears;
At his neck there's a glorious sun-painted streak,
The bronze of his happiest years.
Oh, he's battered and bruised at the end of the day,
But smiling before me he stands,
And somehow I like to behold him that way.
Yes, I like him with dirt on his hands.
Last evening he painfully limped up to me
His tale of adventure to tell;
He showed me a grime-covered cut on his knee,
And told me the place where he fell.
His clothing was stained to the color of clay,
And he looked to be nobody's lad,
But somehow I liked to behold him that way,
For it spoke of the fun that he'd had.
Let women-folk prate as they will of a boy
Who is heedless of knickers and shirt;
I hold that the badge of a young fellow's joy
Are cheeks that are covered with dirt.
So I look for him nightly to greet me that way,
His joys and misfortunes to tell,
For I know by the signs that he wears of his play
That the lad I'm so fond of is well.
~ Edgar Albert Guest,#NFDB
542:In the Late Bronze and Iron Ages, the region was home to numerous peoples of common origin, sharing a common culture and possessing a common language, which they called SPT KN'N ("the language of Canaan" [Isaiah 19:18]), or Canaanite. At an early period, the peoples of Canaan had differentiated into distinct regional subgroups, part of which development was the emergence of regional dialects, some of which in turn became national languages. Phoenician was one such regional Canaanite dialect: in the strictest meaning, Phoenician was the language spoken along the coast of Lebanon roughly from Sidon in the North to Acco in the South. The indigenous name of this subregion of Canaan was Put (PT), and the name of the Canaanite subgroup inhabiting it, the Ponnim (Phoenicians), the gentilic deriving from the place-name. Ponnim was also the name of the Canaanite dialect of the region. It is this toponym and gentilic that are the origin of Greek φοινικες and Latin Poenus and punicus, the terms by which Greeks and Romans first came to know and call the Phoenicians; and is the term by which they are still called. ~ Charles R Krahmalkov, #NFDB
543:Streets Too Old
I WALKED among the streets of an old city and the streets were lean as the
throats of hard seafish soaked in salt and kept in barrels many years.
How old, how old, how old, we are:-the walls went on saying, street walls leaning
toward each other like old women of the people, like old midwives tired and only
doing what must be done.
The greatest the city could offer me, a stranger, was statues of the kings, on all
corners bronzes of kings-ancient bearded kings who wrote books and spoke of
God's love for all people-and young kings who took forth armies out across the
frontiers splitting the heads of their opponents and enlarging their kingdoms.
Strangest of all to me, a stranger in this old city, was the murmur always
whistling on the winds twisting out of the armpits and fingertips of the kings in
bronze:-Is there no loosening? Is this for always?
In an early snowflurry one cried:-Pull me down where the tired old midwives no
longer look at me, throw the bronze of me to a fierce fire and make me into
neckchains for dancing children.
~ Carl Sandburg,#NFDB
544:From the fourth century on, the stelae and monuments of the great kings abound in insensate boasts of power and vain threats against those who might ransack their tombs or deface their inscriptions-events that nevertheless repeatedly took place. Like Marduk in the Akkadian version of the Creation Epic, the new Bronze Age kings mounted their chariots "irresistible and terrifying," "versed in ravage, in destruction skilled...wrapped in an armor of terror." With such sick-making sentiments we are still all too familiar: they are mimicked in the nuclear press releases of the Pentagon.
Such constant assertions of power were doubtless efforts to make conquest easy by terrifying the enemy beforehand. But they also testify to an increase of irrationality, almost proportional to the instruments of destruction that were available: something we have seen again in our own time. This paranoia was so methodical that the conqueror, on more than one occasion, would level a city to the ground, only to build it again immediately on the same site, thus demonstrating his ambivalent role as destroyer-creator, or devil-god, in one. ~ Lewis Mumford,#NFDB
545:PIPER TUMBLED THROUGH THE SKY. Far below she saw city lights glimmering in the early dawn, and several hundred yards away the body of the bronze dragon spinning out of control, its wings limp, fire flickering in its mouth like a badly wired lightbulb. A body shot past her – Leo, screaming and frantically grabbing at the clouds. ‘Not coooooool!’ She tried to call to him, but he was already too far below. Somewhere above her, Jason yelled, ‘Piper, level out! Extend your arms and legs!’ It was hard to control her fear, but she did what he said and regained some balance. She fell spread-eagle like a skydiver, the wind underneath her like a solid block of ice. Then Jason was there, wrapping his arms around her waist. Thank god, Piper thought. But part of her also thought: Great. Second time this week he’s hugged me, and both times it’s because I’m plummeting to my death. ‘We have to get Leo!’ she shouted. Their fall slowed as Jason controlled the winds, but they still lurched up and down like the winds didn’t want to cooperate. ‘Gonna get rough,’ Jason warned. ‘Hold on!’ Piper locked her arms around him, and Jason shot towards the ground. Piper ~ Rick Riordan, #NFDB
546:Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?'
Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water.
Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for.
Poetry is the journal of a sea animal living on land, wanting to fly the air.
Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams.
Poetry is a type-font design for an alphabet of fun, hate, love, death.
Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower.
Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night.
Poetry is a packsack of invisible keepsakes.
Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters.
Poetry is the achievement of the synthesis of hyacinths and biscuits. ~ Carl Sandburg,#NFDB
547:then things got even stranger.
Mr. Brunner, who'd been out in front of the museum a minute before, wheeled his chair into the doorway of the gallery, holding a pen in his hand.
"What ho, Percy!" he shouted, and tossed the pen through the air.
Mrs. Dodds lunged at me.
With a yelp, I dodged and felt talons slash the air next to my ear. I snatched the ballpoint pen out of the air, but when it hit my hand, it wasn't a pen anymore. It was a sword-Mr. Brunner's bronze sword, which he always used on tourement day.
Mrs. Dodds spun toward me with a murderous look in her eyes.
My knees were jelly. My hands were shaking so bad I almost dropped the sword.
She snarled, "Die, honey!"
And she flew straight at me.
Absolute terror ran through my body. I did the only thing that came naturally:I swung the sword.
The metal blade hit her shoulder and passed through her body as if she were made made of water. Hisss!
Mrs. Dodds was a sand castle in a power fan. She exploded into yellow powder, vaporized on the spot, leaving nothing but the smell of sulfur and a dying screech and a chill of evil in the air, as if those two glowing red eyes were still watching me. ~ Rick Riordan,#NFDB
548:One also finds, even to this day, some amazing works such as the aforementioned Sachsayhuaman and the Coricancha in Cusco, where no mortar of any kind was used. It was stone-on-stone, with astonishing accuracy of fit. In the Inca toolkit, as found in the archaeological record, only copper and bronze chisels have been found, along with wooden measuring instruments and stone pounders or hammers. Conventional archaeologists contend that such tools were responsible for the refined workmanship seen in Cusco and other 'Inca' areas. However, the stone used - granite, andesite, and basalt - are harder than the majority of the tools used, and thus could not have been responsible for the work. The same is true of Tiwanaku and the connected site of Puma Punku. Massive megalithic blocks with sculpted surfaces are found at these locations, made of local sandstone, which would be difficult to shape with bronze chisels and stone hammers. However, the real enigmas are the even harder andesite and basalt stones, cut and shaped with such precision that modern engineers, stone masons, and other professionals question how such work could have been achieved without at least 20th century technology. ~ Brien Foerster, #NFDB
549:When they finished dressing, Jimena wore racy red hot pants, a silky blouse with a star-burst pattern, and crazy ankle boots with thin chains draped around her ankles.
"Too cool." Serena admired Jimena's outfit, then she twirled to show off her own shoulder-baring top that exposed her midriff. She had pasted a crystal in her belly button. Kendra's bell-bottoms had been too long, but when she stepped into a pair of gold 70's platform shoes the length became just right.
Catty wore a backless halter top and a pair of lacy bell-bottoms. She held up some stencils. "Kendra is going to start selling these at the shop. Anyone want to try one?" She had two dragons in one hand and a lacy snowflake pattern in the other.
Jimena and Serena started to examine them, when Vanessa walked into the room. She was wearing a pinstripe shirt unbuttoned over a black leather bra top. Kendra's mini-skirt was too big and the waist fell around Vanessa's hips. Her skin looked golden bronze and she had applied one of the snowflake stencils on her stomach.
"Wow," Serena said.
"Talk about going for the jugular," Jimena teased.
"You like it?" she asked and took off the shirt. "It's too hot to wear. ~ Lynne Ewing,#NFDB
550:What was I thinking?" Chiron cried. " I can't let you get away without this."
He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents.
Gee," I said. "Thanks."
Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one.
I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...?
I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands.
The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos."
Riptide," I translated, surprised the Ancient Greek came so easily.
Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case. ~ Rick Riordan,#NFDB
551:The song just started again, and now I sang it, too. "These strong hands belong to you..."
I found a place between two men. The first was about my age, maybe a little younger, with high cheekbones and small eyes. The other was middle-aged, with a wide forehead and bulb nose, and beside him was a man with a striking face, a square, dimpled chin and high cheekbones... and then there was another, and another--all the kinds of faces in all the colors the world calls black: brown and tan and yellow and orange, copper and bronze and gold.
"These strong hands belong to you..."
They sang--we sang--with no enthusiasm or joy. We used to sing at Bell's, crossing the yard or working on the pile, just like slaves used to sing in Old Slavery, spirituals and work songs, sly lyrics, silly lyrics, yearning for freedom or roasting Massa in nonsense words he couldn't understand. This, though--this was a different kind of singing. I looked from man to man, and they were singing mechanically, eyes front, mouths moving like puppets. Singing this dumb refrain about how much they loved their bosses and loved their work.
Nothing spiritual about this. This was something else altogether. ~ Ben H Winters,#NFDB
552:Trenear plans to take you and your sisters to London when you’ve finished mourning.”
Helen nodded. “I haven’t been to town since I was a child. I remember it as a very large and exciting place.” She paused, vaguely surprised that she was confiding in him. “Now I think I might find it…intimidating.”
A smile tugged at the corners of his mouth. “What happens when you’re intimidated? Run to the nearest corner and hide, do you?”
“I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.”
Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly.
Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated. ~ Lisa Kleypas,#NFDB
553:You’re trying to spoil me,” she murmured, keeping her back to him to hide her reaction to the gift.
“I’m still seducing you.” He kissed her shoulder, a smile curling his lips as he pressed them to her flesh.
“Hmm, so what are you after other than what you’ve had already?” She turned to him, her brow arching as he stared down at her, that sexy little half grin tilting his lips, his gray eyes swirling with whatever emotions he kept within himself.
Didn’t he know he already had all of her?
“You—” He touched her nose with his index finger “—have no clue. Now, see how fast you can make me drool with one of those dresses. I’m betting I can hold out all of ten seconds.”
“Think you can make it ten seconds, do you?” She fingered a bronze “almost there” dress. So soft and buttery she was certain she’d barely feel it against her flesh. It was short, the back low, the straps strappy, the bodice obviously snug, and low as well.
Seth looked at the dress and swallowed tightly. “Five seconds?” he said faintly.
Her lips twitched. “I’ll get dressed.”
She pulled the dress from the rack and bent to pick up the strappy high heels that went with it.
“You have matching panties,” he said hoarsely. “They have a bow at the back too. ~ Lora Leigh,#NFDB
554:Almost nothing can be gained from pinball. The only payoff is a numerical substitution for pride. The loses, however, are considerable. You could probably erect bronze statues of every American president (assuming you are willing to include Richard Nixon) with the coins you will lose, while your lost time is irreplaceable.
When you are standing before the machine engaged in your solitary act of consumption, another guy is plowing through Proust, while still another guy is doing some heavy petting with his girlfriend while watching "True Grit" at the local drive-in. They're the ones who may wind up becoming groundbreaking novelists or happily married men.
No, pinball leads nowhere. The only result is a glowing replay light. Replay, replay, replay — it makes you think the whole aim of the game is to achieve a form of eternity.
We know very little of eternity, although we can infer its existence.
The goal of pinball is self-transformation, not self-expression. It involves not the expansion of the ego but its diminution. Not analysis but all-embracing acceptance.
If it's self-expression, ego expansion or analysis you're after, the tilt light will exact its unsparing revenge.
Have a nice game! ~ Haruki Murakami,#NFDB
555:You’re trying to spoil me,” she murmured, keeping her back to him to hide her reaction to the gift.
“I’m still seducing you.” He kissed her shoulder, a smile curling his lips as he pressed them to her flesh.
“Hmm, so what are you after other than what you’ve had already?” She turned to him, her brow arching as he stared down at her, that sexy little half grin tilting his lips, his gray eyes swirling with whatever emotions he kept within himself.
Didn’t he know he already had all of her?
“You—” He touched her nose with his index finger “—have no clue. Now, see how fast you can make me drool with one of those dresses. I’m betting I can hold out all of ten seconds.”
“Think you can make it ten seconds, do you?” She fingered a bronze “almost there” dress. So soft and buttery she was certain she’d barely feel it against her flesh. It was short, the back low, the straps strappy, the bodice obviously snug, and low as well.
Seth looked at the dress and swallowed tightly. “Five seconds?” he said faintly.
Her lips twitched. “I’ll get dressed.”
She pulled the dress from the rack and bent to pick up the strappy high heels that went with it.
���You have matching panties,” he said hoarsely. “They have a bow at the back too. ~ Lora Leigh,#NFDB
556:Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue. ~ Anthony Doerr, #NFDB
557:Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.
She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue. ~ Anthony Doerr,#NFDB
558:At The Museum Of Natural History
The lessons we learned here
(fumbling with our lunchbags,
handkerchiefs
& secret cheeks of bubblegum)
were graver than any
in the schoolroom:
the dangers of a life
frozen into poses.
Trilobites in their
petrified ghettos,
lumbering dinosaurs
who'd outsized themselves
told how nature was
an endless morality play
in which the cockroach
(& all such beadyeyed
exemplars of adjustment)
might well recite the epilogue.
No one was safe
but stagnation was
the surest suicide.
To mankind's Hamlet,
what six-legged creature would play
Fortinbras? It made you scratch
your head & think
for about two minutes.
Going out, I remember
how we stopped to look at
Teddy Roosevelt,
(Soldier, Statesman, Naturalist,
Hunter, Historian,
et cetera, et cetera).
16
His bronze bulk (four times life size)
bestrode Central Park West
like a colossus.
His monumental horse
snorted towards the park.
Oh, we were full of Evolution & its lessons
When (the girls giggling madly,
the boys blushing) we peeked
between those huge legs to see
those awe-inspiring
Brobdingnagian balls.
~ Erica Jong,#NFDB
559:Married to a naval commander who happened to be Benjamin Franklin’s great-great-grandson, Wainwright prayed to the graven image of Lafayette, since neither the president nor Congress seemed to be listening. “We, the women of the United States,” she told the bronze Lafayette, “denied the liberty which you helped to gain, and for which we have asked in vain for sixty years, turn to you to plead for us. Speak, Lafayette, dead these hundred years but still living in the hearts of the American people.” She beseeched the inanimate Frenchman, “Let that outstretched hand of yours pointing to the White House recall to him”—President Wilson—“his words and promises, his trumpet call for all of us, to see that the world is made safe for democracy. As our army now in France spoke to you there, saying here we are to help your country fight for liberty, will you not speak here and now for us, a little band with no army, no power but justice and right, no strength but in our Constitution and in the Declaration of Independence; and win a great victory again in this country by giving us the opportunity we ask—to be heard through the Susan B. Anthony amendment.” She then echoed the words uttered by the American officer in Paris on July 4, 1917. “Lafayette,” she said, “we are here! ~ Sarah Vowell, #NFDB
560:In 1991 two hikers in the Italian Alps stumbled upon a 5,300-year-old corpse that would later be dubbed “Ötzi the Iceman.” Preserved for more than five millennia in the ice and dry mountain air, Ötzi is the oldest intact corpse ever found. Forensic investigation revealed that Ötzi was most likely a shepherd. Ötzi was also a murder victim. He had been shot in the back with an arrow. As a Bronze Age shepherd who became a murder victim, we might think of Ötzi as the Abel of the Alps. I find it poignant and sadly apropos that the oldest human corpse was not found resting in a peaceful grave with attendant signs of reverence, but sprawled upon a bleak mountainside with an arrow in his back. It’s a distressing commentary on the origins of human civilization. It seems that human civilization is incapable of advancing without shooting brothers in the back. From the lonely death of Ötzi in the Italian Alps to Neda Agha-Soltan in Iran, whose violent death in Tehran during the 2009 election protests was captured on a cell-phone camera and witnessed around the world, the number of Abels who lay slain by a Cain are incalculable. In a world that spills the blood of the innocent, it’s easy to despair. But it’s the world Abel, Ötzi, and Neda were slain in that Jesus came to save. ~ Brian Zahnd, #NFDB
561:Our Lady showed us a great sea of fire which seemed to be under the earth. Plunged in this fire were demons and souls in human form, like transparent burning embers, all blackened, or burnished bronze, floating about in the conflagration, now raised into the air by the flames which issued from within themselves together with great clouds of smoke, now falling back on every side like sparks in a huge fire, without weight or equilibrium, and amid shrieks and groans of pain and despair, which horrified us and made us tremble with fear. The demons could be distinguished by their terrifying and repellent likeness to frightful and unknown animals, all black and transparent. This vision lasted but an instant. How can we ever be grateful enough to Our dear Heavenly Mother, who had already prepared us by promising us in the first Apparition, to take us to Heaven. Otherwise I think we would have died of fear and terror. We then looked up at Our Lady, who said to us so kindly and so sadly: “You have seen hell where the souls if poor sinners go. To save them, God wishes to establish in the world devotion to My Immaculate Heart. If what I say to you is done, many souls will be saved and there will be peace. The war is going to end, but if people do not cease offending God, ~ L cia of F tima, #NFDB
562:He shook hands. With greening faces, with eyes full of sparks, his two friends leaned upon their canes. One had on a crushed bowler (why?)... Both were weary. Both knew that what was approaching was the end. Both had spent the day in their offices and when they interrupted their work with an indiscreet nod, when they turned the conversation toward that end, both broke in "Lord, we have strayed from our business." And ever deeper sunk their eyes, a deathly shadow was descending. The words of his friends had been bought with blood, but they were stolen. Someone, listening, recorded them on a phonograph and thousands of cylinders began to twang. A new enterprise opened, on sale a bronze throat, a screaming cavity; an experienced mechanic installed the throat phonograph. The purchased throat squealed day and night and his friends grew exhausted and one day he said to them both "Lord, I am going." He grinned. And they grinned: they understood everything. Now they stood on the platform, stood with him and saw him off. Someone long and dark with the face of an ox, shoulders crooked as a sorrowful cemetery cross and wrapped up in a frock-coat, swept into the coach. And then the bell rang, and then they waved their bowlers; three wooden arms swung in the air.
("Adam") ~ Andrei Bely,#NFDB
563:The New `our Times' (For Mix Fénéon)
At 3 p.m. yesterday, a Mr Adolphus Edwards, a Jamaican immigrant, was pecked
to death by a large Bronze Eagle in Upper Parliament St. A U.S. State Dept.
spokesman said later, `We have no comment to make as of this time.'
PoliceConstable George Williams, who was partially blinded by a 15 lb. jelly baby
thrown at a passing pop singer, is to be retired on halfpension.
Bearded Liverpool couple put out of misery in night by drip oil heater, court told.
A certain Mrs Elspeth Clout, of Huyton, was killed by an unidentified falling
object. It was thought to be a particularly hard stool evacuated from the toilet of
a passing aeroplane.
2 chipshop proprietors were today accused of selling human ears fried in batter.
One of them said `We believe there is room for innovation in the trade:
Fatality in Kardomah bomb outrage: Waitress buried Alive under two thousand
Danish pastries.
*(a free 1960s Liverpool version of Fénéon's great `Our Times'.)
At the inquest on Paul McCartney, aged 21, described as a popular singer and
guitarist, P.C. Smith said, in evidence, that he saw one of the accused, Miss
Jones, standing waving bloodstained hands shouting `I got a bit of his liver.'
40
~ Adrian Henri,#NFDB
564:Momus
Momus is the name men give your face,
The brag of its tone, like a long low steamboat whistle
Finding a way mid mist on a shoreland,
Where gray rocks let the salt water shatter spray
Against horizons purple, silent.
Yes, Momus,
Men have flung your face in bronze
To gaze in gargoyle downward on a street-whirl of folk.
They were artists did this, shaped your sad mouth,
Gave you a tall forehead slanted with calm, broad wisdom;
All your lips to the corners and your cheeks to the high bones
Thrown over and through with a smile that forever wishes and wishes, purple,
silent, fled from all the iron things of life, evaded like a sought bandit, gone into
dreams, by God.
I wonder, Momus,
Whether shadows of the dead sit somewhere and look with deep laughter
On men who play in terrible earnest the old, known, solemn repetitions of
history.
A droning monotone soft as sea laughter hovers from your kindliness of bronze,
You give me the human ease of a mountain peak, purple, silent;
Granite shoulders heaving above the earth curves,
Careless eye-witness of the spawning tides of men and women
Swarming always in a drift of millions to the dust of toil, the salt of tears,
And blood drops of undiminishing war.
~ Carl Sandburg,#NFDB
565:Two Lyrics From Kilroy's Carnival: A Masque
I Aria
"--Kiss me there where pride is glittering
Kiss me where I am ripened and round fruit
Kiss me wherever, however, I am supple, bare and flare
(Let the bell be rung as long as I am young:
let ring and fly like a great bronze wing!)
"--I'll kiss you wherever you think you are poor,
Wherever you shudder, feeling striped or barred,
Because you think you are bloodless, skinny or marred:
Until, until
your gaze has been stilled-Until you are shamed again no more!
I'll kiss you until your body and soul
the mind in the body being fulfilled-Suspend their dread and civil war!"
II Song
Under the yellow sea
Who comes and looks with me
For the daughters of music, the fountains of poetry?
Both have soared forth from the unending waters
Where all things still are seeds and far from flowers
And since they remain chained to the sea's powers
May wilt to nonentity or loll and arise to comedy
Or thrown into mere accident through irrelevant incident
Dissipate all identity ceaselessly fragmented by the ocean's
immense and intense, irresistible and insistent
action,
Be scattered like the sand is, purposely and relentlessly,
Living in the summer resorts of the dead endlessly.
~ Delmore Schwartz,#NFDB
566:He discovered another bell, huge as well, but not plain and bare. Its metal sides were covered in scenes, bas-reliefs spreading their greenish lace over the bronze dress. Its casting mould must have been as complicated as the plate for an etching. From a distance Borluut could make out figures, hazy scenes, but the bell was too high above to make out precisely what they represented. Seized with curiosity, he found a pair of stepladders and climbed up until he was close to them. The bronze was a wild orgy, a drunken, obscene carnival; naked satyrs and women were swirling round the bell, its curve giving movement to their saraband.
At intervals couples had tumbled to the ground, piling up, body against body, mouth to mouth, flesh mingling in the fury of desire. The bronze picked out, emphasized the details... The vine of sin with its feverish fancies, clinging, thrusting up, falling back down the sides - and the breasts plundered like bunches of grapes!
Here and there, away from the rest, on a curve of the bell far from the stampede of the dance, were lovers silently enjoying their love like a fruit. They looked as if they were each, through the other, discovering their naked flesh, which was not yet ripe for sensual pleasure. The idyllic retreats apart, Sex was everywhere triumphant, howling cynical. ~ Georges Rodenbach,#NFDB
567:Late Afternoon: The Onslaught Of Love
For William and Emily Maxwell
At this time of day
One could hear the caulking irons sound
Against the hulls in the dockyard.
Tar smoke rose between trees
And large oily patches floated on the water,
Undulating unevenly
In the purple sunlight
Like the surfaces of Florentine bronze.
At this time of day
Sounds carried clearly
Through hot silences of fading daylight.
The weedy fields lay drowned
In odors of creosote and salt.
Richer than double-colored taffeta,
Oil floated in the harbor,
Amoeboid, iridescent, limp.
It called to mind the slender limbs
Of Donatello's David.
It was lovely and she was in love.
They had taken a covered boat to one of the islands.
The city sounds were faint in the distance:
Rattling of carriages, tumult of voices,
Yelping of dogs on the decks of barges.
At this time of day
Sunlight empurpled the world.
The poplars darkened in ranks
Like imperial servants.
Water lapped and lisped
In its native and quiet tongue.
Oakum was in the air and the scent of grasses.
There would be fried smelts and cherries and cream.
Nothing designed by Italian artisans
Would match this evening's perfection.
The puddled oil was a miracle of colors.
20
~ Anthony Evan Hecht,#NFDB
568:The Roman general wanted to spare Archimedes, because he was so valuable—sort of like the Einstein of the ancient world—but some stupid Roman soldier killed him.” “There you go again,” Hazel muttered. “Stupid and Roman don’t always go together, Leo.” Frank grunted agreement. “How do you know all this, anyway?” he demanded. “Is there a Spanish tour guide around here?” “No, man,” Leo said. “You can’t be a demigod who’s into building stuff and not know about Archimedes. The guy was seriously elite. He calculated the value of pi. He did all this math stuff we still use for engineering. He invented a hydraulic screw that could move water through pipes.” Hazel scowled. “A hydraulic screw. Excuse me for not knowing about that awesome achievement.” “He also built a death ray made of mirrors that could burn enemy ships,” Leo said. “Is that awesome enough for you?” “I saw something about that on TV,” Frank admitted. “They proved it didn’t work.” “Ah, that’s just because modern mortals don’t know how to use Celestial bronze,” Leo said. “That’s the key. Archimedes also invented a massive claw that could swing on a crane and pluck enemy ships out of the water.” “Okay, that’s cool,” Frank admitted. “I love grabber-arm games.” “Well, there you go,” Leo said. “Anyway, all his inventions weren’t enough. The Romans destroyed his city. Archimedes was killed. ~ Rick Riordan, #NFDB
569:The Church-Porches
(To M.F.R.)
SISTER, first shake we off the dust we have
Upon our feet, lest it defile the stones
Inscriptured, covering their sacred bones
Who lie i' the aisles which keep the names they gave,
Their trust abiding round them in the grave;
Whom painters paint for visible orisons,
And to whom sculptors pray in stone and bronze;
Their voices echo still like a spent wave.
Without here, the church-bells are but a tune,
And on the carven church-door this hot noon
Lays all its heavy sunshine here without:
But having entered in, we shall find there
Silence, and sudden dimness, and deep prayer,
And faces of crowned angels all about.
II
(To C.G.R.)
SISTER, arise: We have no more to sing
Or say. The priest abideth as is meet
To minister. Rise up out of thy seat,
Though peradventure 'tis an irksome thing
To cross again the threshold of our King
Where His doors stand against the evil street,
And let each step increase upon our feet
The dust we shook from them at entering.
Must we of very sooth go home? The air,
Whose heat outside makes mist that can be seen,
Is very clear and cool where we have been.
The priest abideth ministering. Lo!
As he for service, why not we for prayer?
It is so bidden, sister, let us go.
~ Dante Gabriel Rossetti,#NFDB
570:But then Lalita did something odd. Well, not odd, but beautiful. She shifted the clay pot of water from her right hip to her left. She pushed it up against the curve of her waist, wrapped her arm around the neck of the pot, and disappeared around the bend. Mohan knelt to the ground; he could taste the earthen dampness clinging to her waist. He knew then that he'd been wrong: she wasn't simply happy; happiness could not possibly explain the strange loveliness, the utter seductiveness, of that gesture. No, what Lalita had was something even more audacious than happiness. What was it? Mohan trembled....
Sitting on his bed that afternoon, after lunch, Mohan decided that the clay of the pot and the bronze of Lalita's skin were the only true substances. They were why the rains fell, why the sun rose. His fingers traced them all his life. Then he knew. He knew what Lalita had that the others didn't, that he didn't; she had sex. In fact, he realized, what she had was the opposite of what he had. But what was it that he had? What was the opposite of sex? It seemed like a question without an answer. Like where does reality stop and unreality begin? Or, what goes deeper, the human soul or the human imagination? But this one had an answer. That much Mohan knew. He knew that the opposite of sex was fear. And fear was something he had an abundance of. ~ Shobha Rao,#NFDB
571:On one hand the Christian missionaries sought to convert the heathen, by fire and sword if need be, to the gospel of peace, brotherhood, and heavenly beatitude; on the other, the more venturesome spirits wished to throw off the constraining traditions and customs, and begin life afresh, levelling distinctions of class, eliminating superfluities and luxuries, privileges and distinctions, and hierarchical rank. In short, to go back to the Stone Ages, before the institutions of Bronze Age civilization had crystallized. Though the Western hemisphere was indeed inhabited, and many parts of it were artfully cultivated, so much of it was so sparsely occupied that the European thought of it as a virgin continent against whose wildness he pitted his manly strength. In one mood the European invaders preached the Christian gospel to the native idolaters, subverted them with strong liquors, forced them to cover their nakedness with clothes, and worked them to an early death in mines; in another, the pioneer himself took on the ways of the North American Indian, adopted his leather costume, and reverted to the ancient paleolithic economy: hunting, fishing, gathering shellfish and berries, revelling in the wilderness and its solitude, defying orthodox law and order, and yet, under pressure, improvising brutal substitutes. The beauty of that free life still haunted Audubon in his old age. ~ Lewis Mumford, #NFDB
572:a brief history of art
Cave paintings. Clay then bronze statues. Then for about 1,400 years, people painted nothing except bold but rudimentary pictures of either the Virgin Mary and Child or the Crucifixion. Some bright spark realised that things in the distance looked smaller and the pictures of the Virgin Mary and the Crucifixion improved hugely. Suddenly everyone was good at hands and facial expression and now the statues were in marble. Fat cherubs started appearing, while elsewhere there was a craze for domestic interiors and women standing by windows doing needlework. Dead pheasants and bunches of grapes and lots of detail. Cherubs disappeared and instead there were fanciful, idealised landscapes, then portraits of aristocrats on horseback, then huge canvasses of battles and shipwrecks. Then it was back to women lying on sofas or getting out of the bath, murkier this time, less detailed then a great many wine bottles and apples, then ballet dancers. Paintings developed a certain splodginess - critical term - so that they barely resembled what they were meant to be. Someone signed a urinal, and it all went mad. Neat squares of primary colour were followed by great blocks of emulsion, then soup cans, then someone picked up a video camera, someone else poured concrete, and the whole thing became hopelessly fractured into a kind of confusing, anything-goes free for all. ~ David Nicholls,#NFDB
573:The room was dark, though weak autumnal light filtered in through arched windows high on the walls, illuminating the room's rich aubergine brocade wallpaper. Its color cast a soft violet haze that floated through the bedroom, twinkling the huge diamond-shaped crystals that dropped from two immense, many-tiered silver chandeliers. They were larger than any I had ever seen, things out of a palace or a fairy tale. An imposing, heavily carved wardrobe, which looked as if it had been in place since the early fifteenth century, faced the bed where I lay. Beside it on the wall hung a large bronze shield with an iron French cross at its center, crowned by a gilded fleur-de-lis with a dazzling gemstone in the middle of the petal. Large portraits of nude ladies, odalisques that looked as if an Italian master- Titian, perhaps?- had painted them graced the adjacent wall. A heavy crystal vase of white long-stemmed roses sat on a table at the bedside, their petals tight, but their sweet perfume filling the air, mingling with the aroma of fresh baked bread.
I ran my hands down my body. I was not in my own nightdress but in a pale green gown of fine quality damask silk with a triangular neckline and long, full sleeves that cupped my wrists, draping white lace over my hands to the fingers. I had never seen such a rich garment. I imagined it was something that the queen's daughters would have worn. ~ Karen Essex,#NFDB
574:I've lived away from the world for so much in my life, Mr. Winterborne, that I sometimes wonder who I am, or if I belong anywhere."
Winterborne studied her. "Trenear plans to take you and your sisters to London when you've finished mourning."
Helen nodded. "I haven't been to town since I was a child. I remember it as a very large and exciting place." She paused, vaguely surprised that she was confiding in him. "Now I think I might find it... intimidating."
A smile tugged at the corners of his mouth. "What happens when you're intimidated? Run to the nearest corner and hide, do you?"
"I should say not," she said primly, wondering if she were being teased. "I do what has to be done, no matter what the situation."
Winterborne's smile widened until she saw the flash of white teeth against that deep bronze complexion. "I suppose I know that better than most," he said softly.
Understanding that he was referring to how she had helped him through the fever... and remembering how she had held that black head in the crook of her arm, and bathed his face and neck... Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated. ~ Lisa Kleypas,#NFDB
575:He was surrounded. Seven archangels. There was only one reason why they would be here. But he had been preparing. He was not going to let that happen. He was going to gi --. He was suddenly tackled to the ground by the angel from above. The attacker had moved down from the perilous height with surprising speed. Mikael wrestled with Molech to get control. This was the strongest of the archangels. Molech would not ordinarily have much of a chance. But the god had just received sacrifice and was stronger at the moment than Mikael could be. Molech kicked Mikael off him and launched him into the air. The angel hit the bronze statue of Molech with a clang. The large eight foot tall metallic image fell to its side. The remains of the sacrifice scattered to the ground. Mikael shook himself out of his dizziness, to see the deity escaping into the rocky crag of a cave entrance. He picked himself up and ran after the coward. Mikael saw a large stone rolling across the entrance from inside some special groove. He only had a second or two before the stone completed its roll, blocking off the hunter from his prey. He dove and made it through the opening, just as the huge stone slammed shut. He was locked inside the cave with his nemesis. By the time the other angels arrived and moved the stone, Molech would be long gone. Mikael had to go it alone. He bolted off into the darkness of the underground tunnel. ~ Brian Godawa, #NFDB
576:We have been dreaming of robots since Homer. In Book 18 of the Iliad , Achilles’ mother, the nymph Thetis, wants to order a new suit of armor for her son, and so she pays a visit to the Olympian atelier of the blacksmith-god Hephaestus, whom she finds hard at work on a series of automata: . . . He was crafting twenty tripods to stand along the walls of his well-built manse, affixing golden wheels to the bottom of each one so they might wheel down on their own [automatoi] to the gods’ assembly and then return to his house anon: an amazing sight to see. These are not the only animate household objects to appear in the Homeric epics. In Book 5 of the Iliad we hear that the gates of Olympus swivel on their hinges of their own accord, automatai , to let gods in their chariots in or out, thus anticipating by nearly thirty centuries the automatic garage door. In Book 7 of the Odyssey , Odysseus finds himself the guest of a fabulously wealthy king whose palace includes such conveniences as gold and silver watchdogs, ever alert, never aging. To this class of lifelike but intellectually inert household helpers we might ascribe other automata in the classical tradition. In the Argonautica of Apollonius of Rhodes, a third-century-BC epic about Jason and the Argonauts, a bronze giant called Talos runs three times around the island of Crete each day, protecting Zeus’s beloved Europa: a primitive home alarm system. ~ Anonymous, #NFDB
577:After the Accuser trumpeted his philosophical dilemma of an unloving or unjust God, Enoch was about to respond when the entrance of another counselor to his team interrupted him. He came from the right hand of the throne of the Ancient of Days and whispered to Enoch. The hairs of his head were white, like white wool, like snow. His eyes were like a flame of fire, his feet were like burnished bronze, refined in a furnace, and his voice was like the roar of many waters. But when he whispered, it was a still small voice heard only by his listener. It was the Son of Man, the “second power in heaven.” The first one he spoke to was Uriel. The Son of Man whispered something to him and Uriel immediately excused himself from the throne room. Then the Son of Man walked to Enoch and gave him counsel. Enoch could see the Accuser visibly shaken by the presence of this glorious being. It was as if he knew his case was instantly lost. Enoch had seen this “Son of Man” in his dreams when he was on earth, but after ascending into heaven, he came to know him. There he learned that this Son of Man was also a Son of Elohim, but not like all the other heavenly host. He was the Firstborn, a species-unique, uncreated Son of God. And now, he had joined the defense. Everything would change. After receiving counsel, Enoch spoke, “There is a third way, not addressed by the Accuser’s dilemma. And that is substitutionary atonement. ~ Brian Godawa, #NFDB
578:Joseph Brodsky In Venice (1981)
La Serenissima, in morning light, is beautiful.
But you already knew that.
Palette of honeyed ochre and ship's bell bronze,
water precisely the color of the hand-ground pigment
with which the water of Venice has been painted for
centuries,
angled slats of aquamarine chopped by wakes to agate,
matte black backlit with raw opal
and anodized aluminum, rope-work of wisteria, wands
of oleander emerging from hidden gardens. At noon,
near the boat-yard of the last gondola maker, a violin echoes
from deep inside an empty cistern.
Lo and behold. Ecco.
A swirl of wind-blown ashes from yet another cigarette
and for a moment you see December snow
in Saint Petersburg, the Lion's Bridge, crystalline halo
crowning Akhmatova's defiant silhouette.
Sunset: bitter orange and almond milk,
sepia retinting the canals with cartographer's ink
as you study the small gray lagoon crabs
patrolling a kingdom of marble slabs
descending into the depths; rising almost imperceptibly,
the tide licks at, kisses, then barely spills
across the top step's foot-worn, weed-velveted lip
in slippery caravans, dust-laden rivulets.
So another day's cargo of terrestrial grit
enriches their scuttled realm,
and they make haste, like drunken pirates in a silent film,
erratically but steadfastly, to claim it.
~ Campbell McGrath,#NFDB
579:But I suppose if you're friends of Magnus's ..." He went completely still. His runes faded. Then he leaped out of my hand and flew towards Annabeth, his blade twitching as if he was stiffing the air. "Where is she? Where are you hiding the babe?"
Annabeth backed towards the rail. "Whoa, there, sword. Personal space?"
"Jack, behave," Alex said. "What are you doing?"
"She's around here somewhere," Jack insisted. He flew to Percy. "Aha! What's in your pocket, sea boy?"
"Excuse me?" Percy looked a bit nervous about the magical sword hovering at his waistline.
Alex lowered his Ray-Bans. "Okay, now I'm curious. What do you have in your pocket, Percy? Enquiring swords want to know."
Percy pulled a plain-looking ballpoint pen from his jeans. "You mean this?"
"BAM!" Jack said. "Who is this vision of loveliness?"
"Jack," I said. "It's a pen."
"No, it's not! Show me! Show me!"
"Uh ... sure." Percy uncapped the pen.
Immediately it transformed into a three-foot-long sword with a leaf-shaped blade of glowing bronze.. Compared to Jack, the weapon looked delicate, almost petite, but from the way Percy wielded it I had no doubt he'd be able to hold his own on the battlefields of Valhalla with that thing.
Jack turned his point towards me, his runes flashing burgundy. "See Magnus? I told you it wasn't stupid to carry a sword disguised as a pen!"
"Jack, I never said that!" I protested. "You did. ~ Rick Riordan,#NFDB
580:Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him. ~ Rick Riordan, #NFDB
581:When their father, the High King, learnt how that Eochaid had brought about his daughters’ dishonour and death, he rallied auxiliaries to his aid, and marched into Leinster, ravaging it as he went. The province and its king were saved only by Eochald’s humiliated submission, and his binding the province to pay to the High King at Tara, every alternate year for an Indefinite period, the tremendous tribute which came to be known as the Boru or cow-tribute — five thousand cows, five thousand hogs, five thousand cloaks, five thousand vessels of brass and bronze, and five thousand ounces of silver. This crushing tribute was henceforth laid upon Leinster, by the High King of Tara from the time of Tuathal forward till the reign of Fionnachta, a period of five hundred years — but in most cases having to be lifted with steel hands. It caused more bloody history than did almost any other festering sore with which Ireland was ever afflicted. During these five centuries hardly a High King sat upon the throne of Tara, who did not have to carry the bloody sword into Leinster again and again, forcibly to hack his pound of flesh from off that province’s palpitating body. And only sometimes was the fight fought between Meath and Leinster alone. Often, through alliances, mutual sympathies, antagonisms, hopes, or dangers, half of Ireland, and sometimes all of Ireland was embroiled. So, together with much that was good Tuathal left to his country a bloody legacy.[15] ~ Seumas MacManus, #NFDB
582:The energetic kender had already grabbed hold of the dwarf's boot and heaved, propelling Flint head first right into the hard-muscled body of the young bronze dragon. Hands flailing wildly, Flint caught hold of the harness on the dragon's neck and hung on for dear life, revolving slowly in the air like a sack on a hook.
"What are you doing?" Tas asked in disgust, gazing up at Flint. "This is no time to play! Here, let me help--"
"Stop it! Let go!" roared Flint, kicking at Tasselhoff's hands. "Get back! Get back, I say!"
"Get up yourself then," Tas said, hurt, backing up.
Puffing and red-faced, the dwarf dropped to the ground. "I'll get on in my own good time!" he said, glaring at the kender. "Without help from you!"
...The dwarf cast a glance back at the big bronze dragon and folded his arms across his chest stubbornly. "I've got to give this some thought--"
"Oh, come on, Flint!" Tas begged. "You're only stalling. I want to fly! Please, Flint, hurry!" The kender brightened. "I could go by myself..."
...
Khirsah, the dragon, gazed down at the two with amused impatience... yet, young as he was, the bronze dragon held a great reverence and respect for the elders of the world. Though vastly older than the dwarf in years, Khirsah saw in Flint one who had led a long, full, rich life; one worthy of respect. But, Khirsah thought with a sigh, if I don't do something, the kender's right--the battle will be over. ~ Margaret Weis,#NFDB
583:Matthew XV:30”
The first bridge, Constitution Station. At my feet
the shunting trains trace iron labyrinths.
Steam hisses up and up into the night,
which becomes at a stroke the night of the Last Judgment.
From the unseen horizon
and from the very center of my being,
an infinite voice pronounced these things—
things, not words. This is my feeble translation,
time-bound, of what was a single limitless Word:
“Stars, bread, libraries of East and West,
playing-cards, chessboards, galleries, skylights, cellars,
a human body to walk with on the earth,
fingernails, growing at nighttime and in death,
shadows for forgetting, mirrors busily multiplying,
cascades in music, gentlest of all time's shapes.
Borders of Brazil, Uruguay, horses and mornings,
a bronze weight, a copy of the Grettir Saga,
algebra and fire, the charge at Junín in your blood,
days more crowded than Balzac, scent of the honeysuckle,
love and the imminence of love and intolerable remembering,
dreams like buried treasure, generous luck,
and memory itself, where a glance can make men dizzy—
all this was given to you, and with it
the ancient nourishment of heroes—
treachery, defeat, humiliation.
In vain have oceans been squandered on you,
in vain the sun, wonderfully seen through Whitman’s eyes.
You have used up the years and they have used up you,
and still, and still, you have not written the poem. ~ Jorge Luis Borges,#NFDB
584:The door opened and the seven of them came out of the conference room. Alexander walked out last. He saw Tatiana struggle up from her chair, but she couldn’t stand without holding on to it, and she looked so alone and forsaken, he was afraid that she would break down in front of half a dozen strangers. Yet he wanted to say something to her, something to comfort her, and so slightly nodding his head, he said, “We are going home.” She inhaled, and her hand covered her mouth. And then because she was Tatiana and because she couldn’t help herself, and because he wouldn’t have it any other way, she ran to him and was in his arms, generals or no generals. She flung her arms around him, she embraced him, her wet face was in his neck. His head was bent to her, and her feet were off the ground. Though much is taken, much abides; and though we are not now that strength which in old days moved earth and heaven, that which we are, we are— Unyielding. Barrington, Leningrad, Luga, Ladoga, Lazarevo, Ellis Island, the mountains of Holy Cross, their lost families, their lost mothers and fathers, their brothers in arms and brothers are etched on their souls and their fine faces and like the mercurial moon, like Jupiter over Maui, like the Perseus galaxy with its blue, imploding stars they remain, as the stellar wind whispers over the rivers all run red, over the oceans and the seas, murmuring through the moonsilver skies… Tatiana… Alexander… But the bronze horseman is still. ~ Paullina Simons, #NFDB
585:Sri Yukteswar discovered the mathematical application of a 24,000-year equinoctial cycle to our present age. 4 The cycle is divided into an Ascending Arc and a Descending Arc, each of 12,000 years. Within each Arc fall four Yugas or Ages, called Kali, Dwapara, Treta, and Satya, corresponding to the Greek ideas of Iron, Bronze, Silver, and Golden Ages. My guru determined by various calculations that the last Kali Yuga or Iron Age, of the Ascending Arc, started about a.d. 500. The Iron Age, 1200 years in duration, is a span of materialism; it ended about a.d. 1700. That year ushered in Dwapara Yuga, a 2400-year period of electrical and atomic-energy developments: the age of telegraphy, radio, airplanes, and other space-annihilators. The 3600-year period of Treta Yuga will start in a.d. 4100; the age will be marked by common knowledge of telepathic communications and other time-annihilators. During the 4800 years of Satya Yuga, final age in an Ascending Arc, the intelligence of man will be highly developed; he will work in harmony with the divine plan. A Descending Arc of 12,000 years, starting with a Descending Golden Age of 4800 years, then begins for the world (in a.d. 12,500); man gradually sinks into ignorance. These cycles are the eternal rounds of maya, the contrasts and relativities of the phenomenal universe. 5 Men, one by one, escape from creation’s prison of duality as they awaken to consciousness of their inseverable divine unity with the Creator. Master ~ Paramahansa Yogananda, #NFDB
586:first time Calypso came to check on him, it was to complain about the noise. “Smoke and fire,” she said. “Clanging on metal all day long. You’re scaring away the birds!” “Oh, no, not the birds!” Leo grumbled. “What do you hope to accomplish?” He glanced up and almost smashed his thumb with his hammer. He’d been staring at metal and fire so long he’d forgotten how beautiful Calypso was. Annoyingly beautiful. She stood there with the sunlight in her hair, her white skirt fluttering around her legs, a basket of grapes and fresh-baked bread tucked under one arm. Leo tried to ignore his rumbling stomach. “I’m hoping to get off this island,” he said. “That is what you want, right?” Calypso scowled. She set the basket near his bedroll. “You haven’t eaten in two days. Take a break and eat.” “Two days?” Leo hadn’t even noticed, which surprised him, since he liked food. He was even more surprised that Calypso had noticed. “Thanks,” he muttered. “I’ll, uh, try to hammer more quietly.” “Huh.” She sounded unimpressed. After that, she didn’t complain about the noise or the smoke. The next time she visited, Leo was putting the final touches on his first project. He didn’t see her until she spoke right behind him. “I brought you—” Leo jumped, dropping his wires. “Bronze bulls, girl! Don’t sneak up on me like that!” She was wearing red today—Leo’s favorite color. That was completely irrelevant. She looked really good in red. Also irrelevant. “I wasn’t sneaking,” she said. “I was bringing you these. ~ Rick Riordan, #NFDB
587:Pythagoras planned it. Why did the people stare?
His numbers, though they moved or seemed to move
In marble or in bronze, lacked character.
But boys and girls, pale from the imagined love
Of solitary beds, knew what they were,
That passion could bring character enough,
And pressed at midnight in some public place
Live lips upon a plummet-measured face.
No! Greater than Pythagoras, for the men
That with a mallet or a chisel" modelled these
Calculations that look but casual flesh, put down
All Asiatic vague immensities,
And not the banks of oars that swam upon
The many-headed foam at Salamis.
Europe put off that foam when Phidias
Gave women dreams and dreams their looking-glass.
One image crossed the many-headed, sat
Under the tropic shade, grew round and slow,
No Hamlet thin from eating flies, a fat
Dreamer of the Middle Ages. Empty eyeballs knew
That knowledge increases unreality, that
Mirror on mirror mirrored is all the show.
When gong and conch declare the hour to bless
Grimalkin crawls to Buddha's emptiness.
When Pearse summoned Cuchulain to his side.
What stalked through the post Office? What intellect,
What calculation, number, measurement, replied?
We Irish, born into that ancient sect
But thrown upon this filthy modern tide
And by its formless spawning fury wrecked,
Climb to our proper dark, that we may trace
The lineaments of a plummet-measured face.
~ William Butler Yeats, The Statues
,#NFDB
588:A spring sun was shining on the rue St. Honore, as I ran down the church steps. On one corner stood a barrow full of yellow jonquils, pale violets from the Riviera, dark Russian violets, and white Roman hyacinths in a golden cloud of mimosa. The street was full of Sunday pleasure-seekers. I swung my cane and laughed with the rest. Someone overtook and passed me. He never turned, but there was the same deadly malignity in his white profile that there had been in his eyes. I watched him as long as I could see him. His lithe back expressed the same menace; every step that carried him away from me seemed to bear him on some errand connected with my destruction.
I was creeping along, my feet almost refusing to move. There began to dawn in me a sense of responsibility for something long forgotten. It began to seem as if I deserved that which he threatened: it reached a long way back - a long, long way back. It had lain dormant all these. years: it was there though, and presently it would rise and confront me. But I would try to escape; and I stumbled as best I could into the rue de Rivioli, across the Place de la Concorde and on to the Quai. I looked with sick eyes upon the sun, shining through the white foam of the fountain, pouring over the backs of the dusky bronze river-gods, on the far-away Arc, a structure of amethyst mist, on the countless vistas of grey stems and bare branches faintly green. Then I saw him again coming down one of the chestnut alleys of the Cours la Reine.
("In The Court of the Dragon") ~ Robert W Chambers,#NFDB
589:When we examined the detailed history of the evolution, we found large gaps of time in which little happened at all. Then we saw the sudden appearance of a key circuit (an enabling technology) and quick use of this for further technologies. A full adder circuit might appear after say 32,000 steps; and 2-,3-,and 4-bit adders fairly quickly after that. In other words, we found periods of quiescence, followed by miniature "Cambrian explosions" of rapid evolution.
We also found, not surprisingly, that the evolution was history dependent. In different runs of the experiment the same simple technologies would emerge, but in a different sequence. Because more complicated technologies are constructed from simpler ones, they would often be put together from different building blocks. (If bronze appears before iron in the real world, many artifacts are made of bronze; if iron appears before bronze, the same artifacts would be made of iron.) We also found that some complex needs for circuits such as adders or comparators with many inputs-different ones each time-would not be fulfilled at all.
And we found avalanches of destruction. Superior technologies replaced previously functioning ones. And this meant that circuits used only for these now obsolete technologies were themselves no longer needed, and so these in turn were replaced. This yielded avalanches we could study and measure.
In these ways we were able to examine the evolution of technology in action, and it bore out the story I gave earlier in this chapter. ~ W Brian Arthur,#NFDB
590:WITHIN A FEW HOURS of the noon announcement, people all around North Korea began converging on statues of Kim Il-sung to pay their respects. By one frequently cited figure there are 34,000 statues of the Great Leader in the country and at each of them loyal subjects prostrated themselves with grief. People didn’t want to be alone with their grief. They burst out of their homes and ran toward the statues, which were in fact the spiritual centers of each city.
Chongjin is home to some 500,000 people, but has only one twenty-five-foot bronze statue, at Pohang Square. People filled the vast square, and spilled over into the front lawn of the Revolutionary History Museum directly to the east. The crowds extended down the wide Road No. 1 all the way to the Provincial Theater and radiated out into the surrounding streets like spokes from a wheel. From above, the people looked like a line of ants streaming toward a common goal.
Hysteria and crowds make for a lethal combination. People started to surge forward, knocking down those in line, trampling people already prostrate on the ground, flattening the carefully trimmed hedges. From blocks away, the noise from the square carried through the humid air and sounded like the roar of a riot. The weather alternated between violent downpours and searing heat. No one was allowed to wear a hat or carry a parasol. The sun beat down on the bare heads and the wet sidewalks turned the streets into a roiling steambath. People looked like they were melting into a sea of tears and sweat. Many fainted. ~ Barbara Demick,#NFDB
591:Venice, November, 1966
With his head full of Shakespearean tempests
and old notions of poetic justice,
he was ready with his elegies
the day the ocean sailed into the square.
'The sea,' he wrote, 'is a forgiving element,
and history only the old odor of blood.
She will come to rest on the soft floor
of the world, barnacled like a great pirate ship,
and blind fish-mouthing like girls before a glasswill bump, perhaps, San Marco's brittle bones.'
Pleased with these images, he paused
and conjured visions of a wet apocalypse:
the blown church bobbing like a monstrous water toy,
Doge Dandolo's bronze horses from Byzantium
pawing the black waves, incredulous pigeons
hovering like gulls over the drowning square,
mosaic saints floating gently to pieces.
Then he waited as the wind rose, as gondoliers
were rocking in the long furrows of their boats
and small waves licked the marble lions' eyes.
But still this most improbable of cities
hung on, lewdly enjoying her own smell.
Learning later how Florence, with her brown bells,
her dried-up joke of a river, had played
the ark to all his fantasies of flood,
he felt a little foolish. He was walking
in the gallery then, thinking of the doges:
how they tread on clouds which puff and pucker
like the flesh of their fat Venetian whores;
how thanks to Tintoretto's shrewd, old eyes,
they saw themselves amid the holy saints;
how shrewd, old Tintoretto, for a price,
painted his patrons into paradise.
264
~ Erica Jong,#NFDB
592:At William Maclennan's Grave
Here where the cypress tall
Shadows the stucco wall,
Bronze and deep,
Where the chrysanthemums blow,
And the roses--blood and snow-He lies asleep.
Florence dreameth afar;
Memories of foray and war,
Murmur still;
The Certosa crowns with a cold
Cloud of snow and gold
The olive hill.
What has he now for the streams
Born sweet and deep with dreams
From the cedar meres?
Only the Arno's flow,
Turbid, and weary, and slow
With wrath and tears.
What has he now for the song
Of the boatmen, joyous and long,
Where the rapids shine?
Only the sound of toil,
Where the peasants press the soil
For the oil and wine.
Spirit-fellow in sooth
With bold La Salle and Duluth,
And La Vérandrye,-Nothing he has but rest,
Deep in his cypress nest
With memory.
Hearts of steel and of fire,
Why do ye love and aspire,
When follows
Death--all your passionate deeds,
24
Garnered with rust and with weeds
In the hollows?
God that hardened the steel,
Bid the flame leap and reel,
Gave us unrest;
We act in the dusk afar,
In a star beyond your star,
His behest.
'We leave you dreams and names
Still we are iron and flames,
Biting and bright;
Into some virgin world,
Champions, we are hurled,
Of venture and fight.'
Here where the shadows fall,
From the cypress by the wall,
Where the roses are-Here is a dream and a name,
There, like a rose of flame,
Rises--a star.
~ Duncan Campbell Scott,#NFDB
593:For You
THE PEACE of great doors be for you.
Wait at the knobs, at the panel oblongs.
Wait for the great hinges.
The peace of great churches be for you,
Where the players of loft pipe organs
Practice old lovely fragments, alone.
The peace of great books be for you,
Stains of pressed clover leaves on pages,
Bleach of the light of years held in leather.
The peace of great prairies be for you.
Listen among windplayers in cornfields,
The wind learning over its oldest music
The peace of great seas be for you.
Wait on a hook of land, a rock footing
For you, wait in the salt wash.
The peace of great mountains be for you,
The sleep and the eyesight of eagles,
Sheet mist shadows and the long look across.
The peace of great hearts be for you,
Valves of the blood of the sun,
Pumps of the strongest wants we cry.
The peace of great silhouettes be for you,
Shadow dancers alive in your blood now,
Alive and crying, 'Let us out, let us out.'
The peace of great changes be for you.
Whisper, Oh beginners in the hills.
Tumble, Oh cubs-to-morrow belongs to you.
The peace of great loves be for you.
Rain, soak these roots; wind, shatter the dry rot.
Bars of sunlight, grips of the earth, hug these.
149
The peace of great ghosts be for you,
Phantoms of night-gray eyes, ready to go
To the fog-star dumps, to the fire-white doors.
Yes, the peace of great phantoms be for you,
Phantom iron men, mothers of bronze,
Keepers of the lean clean breeds.
~ Carl Sandburg,#NFDB
594:He had his back to Cass, his face resting against a carved cherub as he absentmindedly plucked various strings. Cass stared, watching the movement of his neck and back and shoulders: pieces of motion that were discrete, yet interconnected. She remembered his words from the graveyard. The human form, it’s a symphony. Tiny interlocking movements that join together in song.
“It’s about time,” he said, without turning around.
He turned slowly, then. The blue eyes. The crooked grin. Cass started to greet him, but her voice stuck in her throat. She reached out for the curlicue bottom of the stairway banister, gripping the bronze for a second, reminding herself that there were no feelings. No. Feelings. She flicked her eyes back up at him, felt her lips forming a smile independent of any command by her brain.
Falco cocked an eyebrow. “A beautiful woman who doesn’t speak. Every man’s dream.”
“I see you’ve made yourself comfortable,” Cass shot back. “I wasn’t expecting you tonight.” Or ever.
“I’d thought you might have learned that with me, you must expect the unexpected.” Falco got up from his seat in front of Agnese’s harp, and it was Cass’s turn to raise an eyebrow. Falco was wearing a flowing white chemise overlaid with an embroidered black and silver doublet and knee-length breeches. His hair still curled forward toward his face, but it looked sleeker than usual, as if he had attempted to tame it with some kind of paste.
“Why are you dressed like that?” she asked. “Are you going to Mass?” Not likely since Falco professed not to even believe in God. ~ Fiona Paul,#NFDB
595:HERE at right of the entrance this bronze head,
Human, superhuman, a bird's round eye,
Everything else withered and mummy-dead.
What great tomb-haunter sweeps the distant sky
(Something may linger there though all else die)
And finds there nothing to make its terror less
Hysterica passio of its own emptiness?
No dark tomb-haunter once; her form all full
As though with magnanimity of light,
Yet a most gentle woman; who can tell
Which of her forms has shown her substance right?
Or maybe substance can be composite,
profound McTaggart thought so, and in a breath
A mouthful held the extreme of life and death.
But even at the starting-post, all sleek and new,
I saw the wildness in her and I thought
A vision of terror that it must live through
Had shattered her soul. Propinquity had brought
Imagination to that pitch where it casts out
All that is not itself: I had grown wild
And wandered murmuring everywhere, "My child, my
child! '
Or else I thought her supernatural;
As though a sterner eye looked through her eye
On this foul world in its decline and fall;
On gangling stocks grown great, great stocks run dry,
Ancestral pearls all pitched into a sty,
Heroic reverie mocked by clown and knave,
And wondered what was left for massacre to save.
First published, March 1939, in /The New Republic/.
'The Bronze Head,' Refers to a bronze painted plaster cast of Maud Gonne by Lawrence Campbell, which can be found in the Municipal Gallery of Moden Art in Dublin.
~ William Butler Yeats, A Bronze Head
,#NFDB
596:Funny thing about this world,” Adams said carefully. “Legally, a sovereign government can protect its interests pretty well as long as it doesn’t start open war and involve the big powers. Certainly a sovereign government can arm merchant ships and protect them against harassment by international gangsters. But there are a lot of sovereigns in name who haven’t the means to protect themselves and have to rely on someone else…” “You mean Tonga,” the prince said. He frowned, then shrugged. “But I must agree. We wish the British were still protecting us. But they’re not, and we see no one else we’d like to have as partners.” Adams nodded. “Now also in this world are big companies—like, say, Nuclear General—who have more than enough power to protect their interests but have no legal right to do it because they aren’t sovereign. The United States is supposed to look after our interests, but we don’t see them doing much of it. Delicate state of relations, world opinion—” Adams broke off, his jaw set. “Mostly lack of ability, of course. With welfare payments where they are the U.S. can’t even do proper research, much less—well. If Tonga were to nationalize some of Nuclear General’s ships, you’d have the right to arm them, declare them protected by your sovereignty…” “You’re asking us to expropriate your property?” Toki asked. “Well, we’d expect to be paid for it.” “But we don’t have the money to pay you… This is silly.” “You’d have enough money if you leased the ships to us. We’d pay very well for their use. At least as much, say, as we’d have to ask for if you nationalized them.” A slow grin spread across Toki’s bronze face. ~ Jerry Pournelle, #NFDB
597:Savoir Faire
CAST a bronze of my head and legs and put them on the king's street.
Set the cast of me here alongside Carl XII, making two Carls for the Swedish
people and the utlanders to look at between the palace and the Grand Hotel.
The summer sun will shine on both the Carls, and November drizzles wrap the
two, one in tall leather boots, one in wool leggins.
Also I place it in the record: the Swedish people may name boats after me or
change the name of a long street and give it one of my nicknames.
The old men who beset the soil of Sweden and own the titles to the land-the old
men who enjoy a silken shimmer to their chin whiskers when they promenade
the streets named after old kings-if they forget me-the old men whose varicose
veins stand more and more blue on the calves of their legs when they take their
morning baths attended by old women born to the bath service of old men and
young-if these old men say another King Carl should have a bronze on the king's
street rather than a Fool CarlThen I would hurl them only another fool's laughI would remember last Sunday when I stood on a jutland of fire-born red granite
watching the drop of the sun in the middle of the afternoon and the full moon
shining over Stockholm four o'clock in the afternoon.
If the young men will read five lines of one of my poems I will let the kings have
all the bronze-I ask only that one page of my writings be a knapsack keepsake of
the young men who are the bloodkin of those who laughed nine hundred years
ago: We are afraid of nothing-only-the sky may fall on us.
~ Carl Sandburg,#NFDB
598:My song says I will one day leave my people. I am Comanche. Without them, I will be as nothing, Blue Eyes.”
Loretta stared sightlessly into the shifting shadows, watching the play of firelight. “It’s only a legend, Hunter. A silly legend. Hatred going away on the wind? High places and great canyons of blood! New tomorrows and new nations?” She turned her face toward him. “Look into my eyes. Do you see a new morning with new beginnings?”
He searched her gaze, and then, in a husky voice that reached way down inside her, he whispered, “Yes.” He drew out the word until it seemed to echo and reecho in her mind.
It was then that Loretta knew. He had fallen in love with her. She stared up at his dark face, so close to her own that they breathed the same air, and her heart broke a little, for him, and for herself. She would never love him in return. A canyon of hatred and bitterness separated them. In that, at least, the prophecy was correct.
“Oh, Hunter, don’t look at me like that.”
In one liquid movement he rose on an elbow above her, his broad chest a canopy of bronze, his shoulders eclipsing the light so only her face was illuminated. “You have stolen my heart.”
“No,” she whispered rawly. “Don’t say that, don’t even think it. Can’t you understand? I’ll never love you back, Hunter.” Her pulse started to slam. “I’m terrified of--”
He crossed her lips with a gentle finger, his eyes clouding with warmth. “Of lying with me? I am not blind, Blue Eyes. Your heart is laid upon the ground with memories. That will pass. You will come to me. You will want my hand upon you. It will be so. The Great Ones have spoken it. ~ Catherine Anderson,#NFDB
599:First of all, historically, markets simply did not emerge as some autonomous domain of freedom independent of, and opposed to, state authorities. Exactly the opposite is the case. Historically, markets are generally either a side effects of government operations, especially military operations, or were directly created by government policy. This has been true at least since the invention of coinage, which was first created and promulgated as a means of provisioning soldiers; for most of Eurasian history, ordinary people used informal credit arrangements and physical money, gold, silver, bronze, and the kind of impersonal markets they made possible remained mainly an adjunct to the mobilization of legions, sacking of cities, extraction of tribute, and disposing of loot. Modern central banking systems were likewise first created to finance wars. So there's one initial problem with the conventional history. There's another even more dramatic one. While the idea that the market is somehow opposed to and independent of government has been used at least since the nineteenth century to justify laissez faire economic policies designed to lessen the role of government, they never actually have that effect. English liberalism, for instance, did not lead to a reduction of state bureaucracy, but the exact opposite: an endlessly ballooning array of legal clerks, registrars, inspectors, notaries, and police officials who made the liberal dream of a world of free contract between autonomous individuals possible. It turned out that maintaining a free market economy required a thousand times more paperwork than a Louis XIV-style absolutist monarchy. (p. 8-9) ~ David Graeber, #NFDB
600:Stop!” Leilani’s worried voice cut through the haze in his mind as he pinned Ruari face down on the stone entryway.
He could have let the fight drag on, but the panic in her voice did something strange to him. He wanted to get up and soothe all her fears. But since he didn’t trust the male, or any male, around her, he kept a firm hold on Ruari as he stared at Leilani. And it was impossible not to. Her long, dark hair hung in a single braid draped over one shoulder and breast. The females on the mainland dressed differently than the few females who lived in the mountain clans. Her dress-style was no different than the other Luminet mainlanders he’d seen. The bright red shift dress she had on cinched right under her breasts, the V cut dipping low enough that he could see the soft upper swell of her breasts. Her skin tone was a deep bronze and her shoulders, which he’d never thought of as sexy before, were bare except for straps of gauzy material pinned by jewel-studded dragons.
He wondered where she’d gotten the pins, if some male had given them to her. The thought made something dark and possessive flare inside him. The possessiveness took him off guard.
That was when he realized Cyn and Brandt were both standing there staring at him, clearly wondering if he was going to let Ruari up. Leilani was watching him as well, but her expression was much harder to read. He thought he might have seen a trace of desire in her gaze yesterday when she looked at him but that was before he’d ordered her to give him her files.
“I will let you up, but do not move toward her,” he growled at Ruari. When he stood he immediately moved between Leilani and the other male. ~ Savannah Stuart,#NFDB
601:Legends
CLOWNS DYINGFIVE circus clowns dying this year, morning newspapers told
their lives, how each one horizontal in a last gesture of hands arranged by an
undertaker, shook thousands into convulsions of laughter from behind rouge-red
lips and powder-white face.
STEAMBOAT BILLWhen the boilers of the Robert E. Lee exploded, a steamboat
winner of many races on the Mississippi went to the bottom of the river and
never again saw the wharves of Natchez and New Orleans.
And a legend lives on that two gamblers were blown toward the sky and during
their journey laid bets on which of the two would go higher and which would be
first to set foot on the turf of the earth again.
FOOT AND MOUTH PLAGUEWhen the mysterious foot and mouth epidemic
ravaged the cattle of Illinois, Mrs. Hector Smith wept bitterly over the
government killing forty of her soft-eyed Jersey cows; through the newspapers
she wept over her loss for millions of readers in the Great Northwest.
SEVENSThe lady who has had seven lawful husbands has written seven years for
a famous newspaper telling how to find love and keep it: seven thousand hungry
girls in the Mississippi Valley have read the instructions seven years and found
neither illicit loves nor lawful husbands.
PROFITEERI who saw ten strong young men die anonymously, I who saw ten old
mothers hand over their sons to the nation anonymously, I who saw ten
thousand touch the sunlit silver finalities of undistinguished human glory-why do
I sneeze sardonically at a bronze drinking fountain named after one who
participated in the war vicariously and bought ten farms?
~ Carl Sandburg,#NFDB
602:Come forward."
As he complied, the queen leaned from the horse to pin the bronze cross with its crimson ribbon to his coat. Christopher made to withdraw, but she stopped him with a gesture and a word. "Remain." Her attention switched to Albert, who sat on the dais and cocked his head as he regarded her curiously. "What is your companion's name?"
"His name is Albert, Your Majesty."
Her lips quirked as if she were tempted to smile. She slid a brief glance to her left, at the prince consort. "We are informed that he campaigned with you at Inkerman and Sebastopol."
"Yes, Your Majesty. He performed many difficult and dangerous duties to keep the men safe. This cross belongs partly to him- he assisted in recovering a wounded officer under enemy fire."
The general charged with handing the orders to the queen approached and gave her a curious object. It looked like... a dog collar?
"Come forward, Albert," she said.
Albert obeyed promptly, sitting at the edge of the dais. The queen reached over and fastened the collar around his neck with a deft efficiency that revealed some experience with the procedure. Christopher recalled having heard that she owned several dogs and was partial to collies. "This collar," she said to Albert, as if he could understand her, "has been engraved with regimental distinctions and battle honors. We have added a silver clasp to commend the valor and devotion you have displayed in our service."
Albert waited patiently until the collar was fastened, and then licked her wrist.
"Impertinent," she scolded in a whisper, and patted his head. And she sent a brief, discreet smile to Christopher as they left to make way for the next recipient. ~ Lisa Kleypas,#NFDB
603:Seventeen more days,” Jessi breathed wonderingly. “God, you must be climbing the . . . er, walls . . . or whatever’s in there, huh?”
“Aye.”
“So, just what is in there, anyway?” She tested the glass by shaking it gently, and deemed it secure enough. It shouldn’t slide now.
“Stone,” he said flatly.
“And what else?”
“Stone. Gray. Of varying sizes.” His voice dropped to a colorless monotone. “Fifty-two thousand nine hundred and eighty-seven stones. Twenty-seven
thousand two hundred and sixteen of them
are a slightly paler gray than the rest. Thirty-six thousand and four are more rectangular than square. There are nine hundred and eighteen that have a
vaguely hexagonal shape. Ninety-two of
them have a vein of bronze running through the face. Three are cracked. Two paces from the center is a stone that protrudes slightly above the rest, over which I tripped for the first few
centuries. Any other questions?”
Jessi flinched as his words impacted her, taking her breath away. Her chest and throat felt suddenly tight. Uh, yeah, like, how did you stay sane in
there? What kept you from going stark raving mad? How did you survive over a thousand years in such a hell?
She didn’t ask because it would have been like asking a mountain why it was still standing, as it had been since the dawn of time, perhaps reshaped in subtle ways, but there, always there. Barring cataclysmic planetary upheaval, forever there. The man was strong—not just physically, but mentally and
emotionally. A rock of a man, the kind
a woman could lean on through the worst of times and never have to worry that things might fall apart, because a man like him simply wouldn’t let them. ~ Karen Marie Moning,#NFDB
604:While they waited for the tram, Alexander said, “I brought you something.” He handed her a package wrapped in brown paper. “I know Monday was your birthday. But I didn’t have a chance before today…” “What is it?” Sincerely surprised, she took the package from him. A small lump came up in her throat. Lowering his voice, he said, “In America we have a custom. When you’re given presents for your birthday, you’re supposed to open them and say thank you.” Tatiana nervously looked down at the present. “Thank you.” Gifts were not something she was used to. Wrapped gifts? Unheard of, even when they came wrapped only in plain brown paper. “No. Open first. Then say thank you.” She smiled. “What do I do? Do I take the paper off?” “Yes. You tear it off.” “And then what?” “And then you throw it away.” “The whole present or just the paper?” Slowly he said, “Just the paper.” “But you wrapped it so nicely. Why would I throw it away?” “It’s just paper.” “If it’s just paper, why did you wrap it?” “Will you please open my present?” said Alexander. Eagerly Tatiana tore open the paper. Inside were three books—one hefty hardcover collection by Aleksandr Pushkin called The Bronze Horseman and Other Poems, and two smaller books, one by a man she’d never heard of, named John Stuart Mill; the book was called On Liberty. It was in English. The last one was an English-Russian dictionary. “English-Russian?” Tatiana said, smiling. “It’s less helpful than you might think. I speak no English. Was this yours from when you came here?” “Yes,” he said. “And without it you won’t be able to read Mill.” “Thank you so much for all of them,” she said. “The Bronze Horseman book was my mother’s,” said Alexander. “She gave it to me a few weeks before they came for her. ~ Paullina Simons, #NFDB
605:J'etais arrete a regarder, dans une exposition d'oeuvres de Rodin, une enorme main de bronze, la ,,Main de Dieu''.La paume en etait a moitie fermee et dans cette paume, extatiques, enlaces, luttaient et se melaient un homme et une femme.
Une jeune fille s'approcha et s'arreta a cote de moi.Troublee elle aussi, elle regardait l'inquietant et eternel enlacement de l'homme et de la femme.Elle etait mince, bien habillee, avec d'epais cheveux blonds, un menton fort, des levres etroites.Elle avait quelque chose de decide et de viril.Et moi qui deteste engager des conversations faciles, je ne sais ce qui me poussa.Je me retournai:
-A quoi pensez-vous?
-Si on pouvait s'echapper! murmura-t-elle avec depit.
-Pour aller ou?La main de Dieu est partout.Pas de salut.Vous le regrettez?
-Non.Il se peut que l'amour soit la joie la plus intense sur cette terre.C'est possible.Mais maintenant que je vois cette main de bronze, je voudrais m'echapper.
-Vous preferez la liberte?
-Oui.
-Mais si ce n'est que lorsqu'on obeit a la main de bronze qu'on est libres?Si le mot "Dieu" n'avait pas le sens commode que lui donne la masse?
Elle me regarda,inquiete.Ses yeux etaient d'un gris metallique, ses levres seches et ameres.
-Je ne comprends pas, dit-elle, et elle s'eloigna, comme effrayee.
Elle disparut.[...]Oui , je m'etais mal conduit, Zorba avait raison.C'etait un bon pretexte que cette main de bronze, la premiere prise de contact etait reussie, les premieres douces paroles amorcees, et nous aurions pu, sans en prendre conscience ni l'un ni l'autre, noue etreindre et nous unir en toute tranquillite dans la paume de Dieu.Mais moi je m'etais elance brusquement de la terre vers le ciel et la femme effarouchee s'etait enfuie. ~ Nikos Kazantzakis,#NFDB
606:To The Welsh Critic Who Doesn'T Find Me Identifiably
Indian
You believe you know me,
wide-eyed Eng Lit type
from a sun-scalded colony,
reading my Keats – or is it yours –
while my country detonates
on your television screen.
You imagine you’ve cracked
my deepest fantasy –
oh, to be in an Edwardian vicarage,
living out my dharma
with every sip of dandelion tea
and dreams of the weekend jumble sale…
You may have a point.
I know nothing about silly mid-offs,
I stammer through my Tamil,
and I long for a nirvana
that is hermetic,
odour-free,
bottled in Switzerland,
money-back-guaranteed.
This business about language,
how much of it is mine,
how much yours,
how much from the mind,
how much from the gut,
how much is too little,
how much too much,
how much from the salon,
how much from the slum,
how I say verisimilitude,
how I say Brihadaranyaka,
how I say vaazhapazham –
it’s all yours to measure,
the pathology of my breath,
26
the halitosis of gender,
my homogenised plosives
about as rustic
as a mouth-freshened global village.
Arbiter of identity,
remake me as you will.
Write me a new alphabet of danger,
a new patois to match
the Chola bronze of my skin.
Teach me how to come of age
in a literature you’ve bark-scratched
into scripture.
Smear my consonants
with cow-dung and turmeric and godhuli.
Pity me, sweating,
rancid, on the other side of the counter.
Stamp my papers,
lease me a new anxiety,
grant me a visa
to the country of my birth.
Teach me how to belong,
the way you do,
on every page of world history.
~ Arundhathi Subramaniam,#NFDB
607:News Report, September 1991
U.S. BURIED IRAQI SOLDIERS ALIVE IN GULF WAR
'What you saw was a
bunch of trenches with
arms sticking out.'
'Plows mounted on
tanks. Combat
earthmovers.'
'Defiant.'
'Buried.'
'Carefully planned and
rehearsed.'
'When we
went through there wasn't
anybody left.'
'Awarded
Silver Star.'
'Reporters
banned.'
'Not a single
American killed.'
'Bodycount
impossible.'
'For all I know,
thousands, said
Colonel Moreno.'
'What you
saw was a bunch of
buried trenches
with people's
arms and things
sticking out.'
'Secretary Cheney
made no mention.'
'Every single American
was inside
the juggernaut
impervious
to small-arms
52
fire.' 'I know
burying people
like that sounds
pretty nasty, said
Colonel Maggart,
But . . . .'
'His force buried
about six hundred
and fifty
in a thinner line
of trenches.'
'People's arms
sticking out.'
'Every American
inside.'
'The juggernaut.'
'I'm not
going to sacrifice
the lives
of my soldiers,
Moreno said, it's not
cost-effective.'
'The tactic was designed
to terrorize,
Lieutenant Colonel Hawkins
said, who helped
devise it.'
'Schwartzkopf's staff
privately
estimated fifty to seventy
thousand killed
in the trenches.'
'Private Joe Queen was
awarded
a Bronze Star for burying
trenches with his
earthmover.'
'Inside
the juggernaut.'
'Impervious.'
'A lot of the guys
were scared, he said,
53
but I
enjoyed it.'
'A bunch of
trenches. People's
arms and things
sticking out.'
'Cost-effective.'
~ Denise Levertov,#NFDB
608:The necklace is for you either way. I just--I’ve been meaning to ask you, but I wanted to wait until things had calmed down.” Luca’s shoulders slumped a little as he looked down at the grass.
He was taking her hesitation as a rejection. Cass tried to tell him yes, but what came out of her mouth was a mixture of a squeak and a whisper. She nodded her head rapidly, doing her best to fight back her tears.
“I understand if you still aren’t ready.” Luca was talking to a patch of dead marigolds. He hadn’t even seen her nod.
Cass cleared her throat and tried again. “Yes,” she said. This time she was slightly audible. She sniffed, dabbing at her eyes with her gloved hand. “I want to marry you. I’d like that very much.”
He looked up, and Cass saw a million things reflected in his eyes--bronze sculptures, fields of wheat, wooden ships, glittering gold palazzos. The whole world. It was out there waiting for her, and she wanted to experience it with Luca.
“You’d like that very much,” he repeated, as if he wasn’t quite sure he’d heard her right. Or perhaps he just couldn’t reconcile her answer with the tears streaming down her cheeks.
Cass giggled. It came out as part laugh, part sob. “I love you,” she said. “When you first returned to Venice, you were a stranger. But now I can’t imagine being without you. I’m sorry I had to drive you away to recognize that what I want most in the world is to hold you close.”
Bending down, Luca leaned his forehead against hers. Cass let her eyelids fall closed. His hair whispered across her skin as he kissed away her tears. His mouth touched each eyelid and then found her lips. He pressed one of her hands to his chest and reached out with his other to trace the curve of her cheek. His kiss was warm and sweet, with the promise of wonderful things to come. ~ Fiona Paul,#NFDB
609:The Colours Of Light
This is not easy to understand
For you that come from a distant land
Where all thecolours are low in pitch Deep purples, emeralds deep and rich,
Where autumn's flaming and summer's green Here is a beauty you have not seen.
All is pitched in a higher key,
Lilac, topaz, and ivory,
Palest jade-green and pale clear blue
Like aquamarines that the sun shines through,
Golds and silvers, we have at will Silver and gold on each plain and hill,
Silver-green of the myall leaves,
Tawny gold of the garnered sheaves,
Silver rivers that silent slide,
Golden sands by the water-side,
Golden wattle, and golden broom,
Silver stars of the rosewood bloom;
Amber sunshine, and smoke-blue shade:
Opal colours that glow and fade;
On the gold of the upland grass
Blue cloud-shadows that swiftly pass;
Wood-smoke blown in an azure mist;
Hills of tenuous amethyst. . .
Oft the colours are pitched so high
The deepest note is the cobalt sky;
We have to wait till the sunset comes
For shades that feel like the beat of drums Or like organ notes in their rise and fall Purple and orange and cardinal,
Or the peacock-green that turns soft and slow
To peacock-blue as the great stars show . . .
Sugar-gum boles flushed to peach-blow pink;
Blue-gums, tall at the clearing's brink;
Ivory pillars, their smooth fine slope
13
Dappled with delicate heliotrope;
Grey of the twisted mulga-roots;
Golden-bronze of the budding shoots;
Tints of the lichens that cling and spread,
Nile-green, primrose, and palest red . . .
Sheen of the bronze-wing; blue of the crane;
Fawn and pearl of the lyrebird's train;
Cream of the plover; grey of the dove These are the hues of the land I love.
~ Dorothea Mackellar,#NFDB
610:The first true men had tools and weapons only a little better than those of their ancestors a million years earlier, but they could use them with far greater skill. And somewhere in the shadowy centuries that had gone before they had invented the most essential tool of all, though it could be neither seen nor touched. They had learned to speak, and so had won their first great victory over Time. Now the knowledge of one generation could be handed on to the next, so that each age could profit from those that had gone before.
Unlike the animals, who knew only the present, Man had acquired a past; and he was beginning to grope toward a future.
He was also learning to harness the force of nature; with the taming of fire, he had laid the foundations of technology and left his animal origins far behind. Stone gave way to bronze, and then to iron. Hunting was succeeded by agriculture. The tribe grew into the village, the village into the town. Speech became eternal, thanks to certain marks on stone and clay and papyrus. Presently he invented philosophy, and religion. And he peopled the sky, not altogether inaccurately, with gods.
As his body became more and more defenseless, so his means of offense became steadily more frightful. With stone and bronze and iron and steel he had run the gamut of everything that could pierce and slash, and quite early in time he had learned how to strike down his victims from a distance. The spear, the bow the gun and finally the guided missile had given him weapons of infinite range and all but infinite power.
Without those weapons, often though he had used them against himself, Man would never have conquered his world. Into them he had put his heart and soul, and for ages they had served him well.
But now, as long as they existed, he was living on borrowed time. ~ Arthur C Clarke,#NFDB
611:And now this mofiient also had come and gone. The dark-
red sun still hung, round as a ball, above the blue snowdrifts
on the skyline, and the snowy plain greedily sucked in its
juicy pineapple light, when the sleigh swept into sight and
vanished. “ Good-bye, Lara, until we meet in the next world,
AGAIN YARYKINO 441
good-bye, my Icwe, my inexhaustible, everlasting joy. I’ll
never see you again. I’ll never, never see you again.’*
It was getting dark. Swiftly the bronze-red patches of
sunset on the ^low faded and went out. The soft, ashy dis-
tance filled with lilac dusk turning to deep mauve, and its
smoky haze smudged the fine tracery of the roadside birch^
lightly hand-drawn on the pink sky, pale as thou^ it had
sudd^y grown shallow.
Grief had sharpened Yury’s vision and quickened his per-
ception a hundredfold. The very air surrounding him seemed
unique. The evening breathed witness of all that had befallen him. As if there had never
been such a dusk before and evening were falling now for
the first time in order to console him in his loneliness and
bereavement. As if the valky were not always girded by
woods growing on the surrounding hills and facing away from
the horizon, but the trees had only taken up their places
now, rising out of the ground on purpose to offer their
condolences.
He almost waved away the tangible beauty of the hour like
a crowd of persistent friends, almost said to the lingering
afterglow: “Thank you, thank you, I’ll be all right.”
Still standing on the veranda, he turned his face to the
closed door, his back to the world. “ My bri^t sun has set
something was repeating this inside him, as if to learn it by
heart. He had not the strength to say these words out loud ~ Boris Pasternak,#NFDB
612:The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow. ~ W B Yeats, #NFDB
613:How To Accompany The Moon Without Walking
Harsh, harsh, the maram grass on the salt dune,
seen by the cricket’s eye against the harbor moon,
anchor-frost and seaward, the lighthouse moon—
the bellbuoy-beating moon, the tiderip bronze
ringing above deep channels and old bones,
the hawsehole moon, where blood and money runs—
foremast and mainmast moon, up harbor still,
island and smokestack moon, and the wind-spill
falling from the sail-throat for the moon to fill—
up harbor, the old wharf moon, the capstan moon,
and round it the capstan bars, the heeling tune,
India Wharf, we'll bring you to Rio soon—
the shipyard moon, the grain-elevator moon,
derrick and gantry, and the turbine croon
sweet under seafoam as a bird in June—
red-warehouse moon, yacht-basin moon, where spars
tangle and telegraph with stays and stars—
hi ho, the queen of accordions and guitars—
ship-chandler moon, sea-boots and Wharf Street shine,
the ropewalk moon that spins in turpentine,
sail-loft invaded with a pour of silver twine—
and high! up spinning! skyscraper tipped on purple!
skyscraper moon, and high! for the stare of people—
skysign and belltower moon, moon for the steeple—
bells breaking bronze, gold, down, the scattered tinkle,
silver-bell moon, cornice and rooftop twinkle,
Christmas and graveyard moon, the tinsel sprinkle—
and dead, the stockyard moon, where blood drips down,
dead longhorn and mute snout; the barrelhouse moon,
moonmusic doubling, rigadoon, jigadoon—
54
so down, and down, who will be darkened soon,
red and green lights, the pallid airport moon—
ah! on the flying field, the captive balloon!
and cold; for the rim of night, the earth’s black arc,
swings up, blots out the stars, to the last spark;
while, underworld, the moon drowns dead and dark.
~ Conrad Potter Aiken,#NFDB
614:A shadow passed over me, then Saadi lay down beside me.
“You won,” he said.
“You let me.”
There was a silence--he hadn’t expected me to know. Then I heard the grass rustle as he shrugged. “You’re right. I did.”
Laughing at his candor, I sat up and looked at him. He was relaxing with his arms behind his head, his bronze hair damp and sticking to his forehead.
“Why did you let me win? You know that means I don’t have to spend any more time with you.”
He propped himself up on his elbows, perusing my face. “That doesn’t bother me.”
I frowned. Did he no longer desire my company?
“I never wanted to force you to spend time with me, Shaselle. I wanted you to want to spend time with me.”
“You’re a poet,” I joked, amused by his graceless word choice, and he grinned.
“Besides, a victory is a victory. You won and now have the best of everything--you get your father’s horse, and you can be rid of me if you want.”
With a mischievous glint in my eye, I put my hands on the ground on either side of his waist. “I would have won, anyway.”
He chuckled, once more lying down flat. “You’re shameless.”
I rolled back to my original position, and we both quieted, but there was an aspect of my victory that still bothered me.
“Tell me, why did it matter to you who won? I mean, even if you’d won, you still could have released me from the bargain. You could have said I didn’t have to spend those two days with you.”
“I could have,” he acknowledged. “But after…after you told me about your father, I wanted you to have his horse back. Rava should have had more respect for his memory. She shouldn’t have taken him--them--away.”
Tears stung my eyes, and I swallowed several times to loosen my throat. What a stupid reaction.
“Thank you,” I murmured, and I felt his hand close around mine, giving it a squeeze. I sighed contentedly, letting myself enjoy the moment. ~ Cayla Kluver,#NFDB
615:The Minoan Civilization was the first link in the European chain (as Will Durant describes it) and its handcraft of the bull's-head rhyton suggests a prominent role of the bull for Minoan symbolism just as this animal was for ancient Egyptians. However, since the western biblical narrative started off with the heritage of the Pharaohs (and were passed down by the Jews who plagiarized and tampered the Semitic narrative from the Israelites with elements from ancient Egypt), we expect to find an adherence to the ancient Egyptian agrarian system of Theology that culminated the week with a resting day for JHWH (as I have demonstrated in my earlier slides) in Europe; and that is exactly what we witness in the coding of the Phaistos Disc!
This artifact of fired clay (were numerically investigated before this work of mine by Alan Butler in his great book 'The Bronze Age Computer Disc') consists of 61 groups of symbols in total on its two sides. But if we to inspect these groups linguistically (i.e. as words; as Gareth Owens insists to do so), we find that (through linking the disk's system with that of ancient Egypt's and based on the 366-circle-system interpretation which were devised by Alan Butler) these words on the disk were modulated annually on top of six decans (i.e. 61/6=10) exactly as is the case with the circular zodiac of Dendera (in the case of the latter they are equinoxes and solstices related decans as I have shown on earlier slides). We also know from Isaiah 58:13 that the Jew keeps his/her cow-glorifying mouth shut on the Sabbath restricting thereby the words' utterance (and the work in general) down to six days (i.e. 61 words *6 days=366 and 61 words/ 6 days=10 commandments) and to thirty six decans for the ancient Egyptian (i.e. 366/ 36 decans=10 days per decan and 61 words/ 6 decans = 10 days). The Minoan Libation Formula is after all comprised of ten repeated words according to Gareth Owens, which I find to be eminently resonating with the Jew formula! ~ Ibrahim Ibrahim,#NFDB
616:The question everyone asked me before I went to Birobidzhan and after I returned was: Are there any Jews in the Jewish Autonomous Region? I posed it to Valery Gurevich, the deputy governor responsible for everything Jewish in the region, from the children's song-and-dance ensemble to the statues of imaginary shtetl figures all over the city - a series of illustrations to Sholem Aleichem stories cast in bronze. I felt ridiculous asking a Jew in Birobidzhan if there were Jews in Birobidzhan, but was a master at answering this question. His answer was "Well . . ."
He tried to avoid giving me any figures at all - I had to fill them in later - but the gist of his story was this: Before the Soviet Union collapsed, the census placed the percentage of Jews in the Jewish Autonomous Region at a bit over four, which was about four times the percentage of Jews in the general population of the Soviet Union. In absolute figures, that was about nine thousand Jews. But these figures were based on answers people gave to the census taker, an official, in a country where if one had a choice (for example, if one of one's parents was not Jewish), one did not choose to call oneself Jewish. Just ten years before the last Soviet census, the percentage of Jews in the region's population had been three times higher - suggesting that it had been diluted by intermarriage but the number of people who had some Jewish roots was a lot higher than the official nine thousand.
So it should come as no surprise that the number of people who emigrated to Israel when this became possible, at the turn of the 1990s, far exceeded the official number of Jews in Birobidzhan. And there were still some Jews left - a couple thousand, give or take as many.
Of them, roughly five people - including Iosif Bekerman, Maria Rak, and Valery Gurevich - were engaged on an ongoing basis with Jewish culture. Of them, only one - Bekerman - spoke Yiddish. There were no Yiddish writers left in the Jewish Autonomous Region. ~ Masha Gessen,#NFDB
617:If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up. ~ Arno Schmidt, #NFDB
618:I really don’t think you should be discussing the role of sensuality in art, for, my friends, sensuality is an art, possibly the most beautiful of all the arts. Up until now, however, very few have cultivated it in that spirit. Imagine trembling with waves of incipient pleasure, with ecstasies of fire, aflame with longing – wouldn’t that be a pleasure to thrill you, so much more intense than the vague frisson of beauty a superb painting or a poem in bronze might afford you? Believe me it would. Of course, you would need to know how to kindle those waves of pleasure, how to provoke them. And that is precisely what no one knows, what no one even considers. So the pleasure of the senses are the same for everyone, they are purely carnal pleasures, mere brute embraces, wet kisses, repellently moist caresses. Ah, but what wonderful, extraordinary works could be created by a truly great artist, who took sensuality as his raw material. At his disposal he would have fire, light, air, water, sound, colour, smells, opiates and silks – all those new and as yet unexplored sensual experiences... I would be proud to be that artist! My dream is to hold a great party in my enchanted palace, where I would overwhelm you all with pleasure... where I would rain down on you the tremulous mysteries of light, of many-coloured fires, so that for the first time your flesh would really feel the fire and the light, the perfumes and the sounds, which, penetrating it, would be scattered, dissolved, destroyed!... Have you never considered the strange voluptuousness of fire, the perversity of water, the sensual subtleties of light? Whenever I plunge my bare legs into the waters of a stream, whenever I gaze upon the incandescent flames of a fire or feel my body lit by electric torrents of light, I must confess I feel real sexual excitement – an excitement in which desire has been ennobled by beauty. Believe me, my friends, however refined, however complicated and however much the artist you all pretend to be, you are, in fact, mere barbarians! ~ M rio de S Carneiro, #NFDB
619:The Death Of Goddesses
It used to be hard
for women,
snowed in their white lives,
white lies,
to write books
with that fine frenzy
which commends genius
to posterity,
yet estranges it
from its closest
friends.
Women were friends to all,
& being too friendly
they could not command
the unfriendly prerogatives
of genius,
though some were
geniuses still,
destroying
only themselves
with the torment
of the unfriendly ghost
trapped in a friendly
form.
Oh the women who died
dissembling friendship
for the world!
Oh the women who turned
the dagger inward
when it wished
to go out,
who impaled themselves
on Womanhood itself!
No vampire
could be
as greedy for blood,
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no father or husband
as bullying.
A woman punishing herself
with her own pain
is a fierce opponent indeed.
It is self against self,
dagger to dagger,
blood of her blood,
blood of her daughter,
blood of her mother,
her menses, her moon,
all pooled together,
one crimson sea.
It is the awful auto da fé,
the sublime seppuku,
Sante Sebastiana
as archer
& victim too.
The arrow flies from her bow.
She runs, fleet as Diana,
& stops it
with her breast.
Enough!
cried the Women-Who-Cared.
Henceforth we will turn
our anger where it belongs.
We will banish the whitest lies.
We will speak the black truth as it is.
Our father- we spit back their sperm.
Our husbands- we spit back their names.
Our brothers- we suck back our love.
The self-righteous inherit the earth,
& anger speaks louder that love.
Love is a softness
the weak cannot afford,
& sex a Darwinian bribe.
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But who wants the earth as a gift
when it is empty as space,
when women grow hard
as bronze madonnas
& Diana loves only her stag?
When Persephone stays in hell
the entire year,
then how can spring
begin?
~ Erica Jong,#NFDB
620:I know the value of details. But where shirts are concerned…” He hesitated. “I’ve made a point of wearing the kind that I sell, so that customers know they have the same quality as the store’s owner.”
“That sounds like a clever sales strategy.”
“It is. I sell more shirts than any other store in London. But it didn’t occur to me that the upper class pays close attention to buttonholes.”
It had chafed his pride, she thought, to realize that he had put himself at a disadvantage when mingling with social superiors.
“I’m sure they shouldn’t,” Helen said apologetically. “There are far more important things for them to worry about.”
His gaze turned quizzical. “You speak as if you’re not one of them.”
She smiled slightly. “I’ve lived away from the world for so much of my life, Mr. Winterborne, that I sometimes wonder who I am, or if I belong anywhere.”
Winterborne studied her. “Trenear plans to take you and your sisters to London when you’ve finished mourning.”
Helen nodded. “I haven’t been to town since I was a child. I remember it as a very large and exciting place.” She paused, vaguely surprised that she was confiding in him. “Now I think I might find it…intimidating.”
A smile tugged at the corners of his mouth. “What happens when you’re intimidated? Run to the nearest corner and hide, do you?”
“I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.”
Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly.
Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated. ~ Lisa Kleypas,#NFDB
621:The Old Meeting House
Its quiet graves were made for peace till Gabriel blows his horn.
Those wise old elms could hear no cry
Of all that distant agony—
Only the red-winged blackbird, and the rustle of thick ripe corn.
The blue jay, perched upon that bronze, with bright unweeting eye
Could never read the names that signed
The noblest charter of mankind;
But all of them were names we knew beneath our English skies.
And on the low gray headstones, with their crumbling weather-stains,
—Though cardinal birds, like drops of blood,
Flickered across the haunted wood,—
The names you’d see were names that woke like flowers in English lanes
John Applegate was fast asleep; and Temperance Olden, too.
And David Worth had quite forgot
If Hannah’s lips were red or not;
And Prudence veiled her eyes at last, as Prudence ought to do.
And when, across that patch of heaven, that small blue leaf-edged space
At times, a droning airplane went,
No flicker of astonishment
Could lift the heavy eyelids on one gossip’s upturned face.
For William Speakman could not tell—so thick the grasses grow—
If that strange humming in the sky
Meant that the Judgment Day were nigh,
Or if ’twere but the summer bees that blundered to and fro.
And then, across the breathless wood, a Bell began to sound,
The only Bell that wakes the dead,
And Stockton Signer raised his head,
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And called to all the deacons in the ancient burial-ground.
“The Bell, the Bell is ringing! Give me back my rusty sword.
Though I thought the wars were done,
Though I thought our peace was won,
Yet I signed the Declaration, and the dead must keep their word.
“There’s only one great ghost I know could make that ’larum ring.
It’s the captain that we knew
In the ancient buff and blue,
It’s our Englishman, George Washington, who fought the German king!”
So the sunset saw them mustering beneath their brooding boughs,
Ancient shadows of our sires,
Kindling with the ancient fires,
While the old cracked Bell to southward shook the shadowy meeting house.
~ Alfred Noyes,#NFDB
622:Tortoise Shell
The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.
Then crossways down his sides
Tiger-stripes and wasp-bands.
Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.
Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.
It needed Pythagoras to see life playing with counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise
shell.
The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.
Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven.
Turn him on his back,
The kicking little beetle,
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And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.
The Cross!
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.
So turn him over on his toes again;
Four pin-point toes, and a problematical thumb-piece,
Four rowing limbs, and one wedge-balancing head,
Four and one makes five, which is the clue to all mathematics.
The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvednes,s of an individual creature
Plotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.
~ David Herbert Lawrence,#NFDB
623:The Tarim Mummies’ (Tarim being the name of the river that once drained the now waterless Tarim basin of eastern Xinjiang) are mostly not of Mongoloid race but of now DNA-certified Caucasoid or Europoid descent. Some had brown hair; at least one stood 2 metres (6.5 feet) tall. They are similar to the Cro-Magnon peoples of eastern Europe. So are their clothes and so probably was their language. It is thought to have been ‘proto-Tocharian’, an early branch of the great Indo-European language family that includes the Celtic, Germanic, Greek and Latin tongues as well as Sanskrit and Early Iranian. But Mair and his disciples would not be content to stop there. Several hundred mummies have now been discovered, their preservation being the result of the region’s extreme aridity and the high alkaline content of the desert sands. The graves span a long period, from c. 2000 BC to AD 300, but the forebears of their inmates are thought most probably to have migrated from the Altai region to the north, where there flourished around 2000 BC another Europoid culture, that of Afanasevo. Such a migration would have consisted of several waves and must have involved contact with Indo-European-speaking Iranian peoples as well as Altaic peoples. Since both were acquainted with basic metallurgy and had domesticated numerous animals, including horses and sheep, the mummy people must themselves have acquired such knowledge and may have passed it on to the cultures of eastern China. According to Mair and his colleagues, therefore, the horse, the sheep, the wheel, the horse-drawn chariot, supplies of uncut jade and probably both bronze and iron technology may have reached ‘core’ China courtesy of these Europoid ‘proto-Tocharians’. By implication, it followed that the Europeans who in the seventeenth to nineteenth centuries AD would so embarrass China with their superior technology were not the first. ‘Foreign Devils on the Silk Road’ had been active 4,000 years ago; and thanks to them, China’s ancient civilisation need not be regarded as quite so ‘of itself’. It could in fact be just as derivative, and no more indigenous, than most others. Needless to say, scholars in China have had some difficulty with all this. ~ John Keay, #NFDB
624:The Ships Of Saint John
Where are the ships I used to know,
That came to port on the Fundy tide
Half a century ago,
In beauty and stately pride?
In they would come past the beacon light,
With the sun on gleaming sail and spar,
Folding their wings like birds in flight
From countries strange and far.
Schooner and brig and barkentine,
I watched them slow as the sails were furled,
And wondered what cities they must have seen
On the other side of the world.
Frenchman and Britisher and Dane,
Yankee, Spaniard and Portugee,
And many a home ship back again
With her stories of the sea.
Calm and victorious, at rest
From the relentless, rough sea-play,
The wild duck on the river's breast
Was not more sure than they.
The
The
The
The
creatures of a passing race,
dark spruce forests made them strong,
sea's lore gave them magic grace,
great winds taught them song.
And God endowed them each with lifeHis blessing on the craftsman's skillTo meet the blind unreasoned strife
And dare the risk of ill.
Not mere insensate wood and paint
Obedient to the helm's command,
But often restive as a saint
Beneath the Heavenly hand.
All the beauty and mystery
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Of life were there, adventure bold,
Youth, and the glamour of the sea
And all its sorrows old.
And many a time I saw them go
Out on the flood at morning brave,
As the little tugs had them in tow,
And the sunlight danced on the wave.
There all day long you could hear the sound
Of the caulking iron, the ship's bronze bell,
And the clank of the capstan going round
As the great tides rose and fell.
The sailors' songs, the Captain's shout,
The boatswain's whistle piping shrill,
And the roar as the anchor chain runs out,I often hear them still.
I can see them still, the sun on their gear,
The shining streak as the hulls careen,
And the flag at the peak unfurling,- clear
As a picture on a screen.
The fog still hangs on the long tide-rips,
The gulls go wavering to and fro,
But where are all the beautiful ships
I knew so long ago?
~ Bliss William Carman,#NFDB
625:Both men and women of the race were extremely handsome; the former tall and strong, with fine features, curly hair, and a clear bronze complexion. They wore long tunics and turbans, and carried lances, bucklers, or round shields, and large swords slung across their shoulders, the latter, also very tall and well formed, were dressed in becoming bodices with full skirts, a loose mantle enveloping the whole form in graceful drapery. They wore jewels in their ears, and necklaces, bracelets, bangles, and anklets, made of gold, ivory, or shells. Thousands of oxen paced quietly along with these men, women, old men, and children. They had neither harness nor halter, only bells or red tassels on their heads, and double packs thrown across their backs, which contained wheat and other grains. A whole tribe journeyed in this manner, under the directions of an elected chief, called the “naik,” whose power is despotic while it lasts. He controls the movements of the caravan, fixes the hours for the start and the halt, and arranges the dispositions of the camp. I was struck by the magnificent appearance of a large bull, who with superb and imperial step led the van. He was covered with a bright coloured cloth, ornamented with bells and shell embroidery, and I asked Banks if he knew what was the special office of this splendid animal. “Kâlagani will of course be able to tell us,” answered he. “Where is the fellow?” He was called, but did not make his appearance, and search being made, it was found he had left Steam House. “No doubt he has gone to renew acquaintance with some old comrade,” said Colonel Munro. “He will return before we resume our journey.” This seemed very natural. There was nothing in the temporary absence of the man to occasion uneasiness, but somehow it haunted me uncomfortably. “Well,” said Banks, “to the best of my belief this bull represents, or is an emblem of, their deity. Where he goes they follow; where he stops, there they encamp; but of course we are to suppose he is in reality under the secret control of the ‘naik.’ Anyhow, he is to these wanderers an embodiment of their religion.” The cortege seemed interminable, and for two hours there was no sign of an approaching end. ~ Jules Verne, #NFDB
626:Nothing But Color
I didn't write Etsuko,
I sliced her open.
She was carmine inside
like a sea bass
and empty.
No viscera, nothing but color.
I love you like that, boy.
I pull the kimono down around your shoulders
and kiss you.
Then you let it fall open.
Each time, I cut you a little
and when you leave, I take the piece,
broil it, dip it in ginger sauce
and eat it. It burns my mouth so.
You laugh, holding me belly-down
with your body.
So much hurting to get to this moment,
when I'm beneath you,
wanting it to go on and to end.
At midnight, you say see you tonight
and I answer there won't be any tonight,
but you just smile, swing your sweater
over your head and tie the sleeves around your neck.
I hear you whistling long after you disappear
down the subway steps,
as I walk back home, my whole body tingling.
I undress
and put the bronze sword on my desk
beside the crumpled sheet of rice paper.
I smooth it open
and read its single sentence:
I meant to do it.
No. It should be common and feminine
like I can't go on sharing him,
or something to imply that.
Or the truth:
that I saw in myself
the five signs of the decay of the angel
15
and you were holding on, watching and free,
that I decided to go out
with the pungent odor
of this cold and consuming passion in my nose: death.
Now, I've said it. That vulgar word
that drags us down to the worms, sightless, predestined.
Goddamn you, boy.
Nothing I said mattered to you;
that bullshit about Etsuko or about killing myself.
I tear the note, then burn it.
The alarm clock goes off. 5:45 A.M.
I take the sword and walk into the garden.
I look up. The sun, the moon,
two round teeth rock together
and the light of one chews up the other.
I stab myself in the belly,
wait, then stab myself again. Again.
It's snowing. I'll turn to ice,
but I'll burn anyone who touches me.
I start pulling my guts out,
those red silk cords,
spiraling skyward,
and I'm climbing them
past the moon and the sun,
past darkness
into white.
I mean to live.
~ Ai Ogawa,#NFDB
627:I have heard that hysterical women say
They are sick of the palette and fiddle-bow.
Of poets that are always gay,
For everybody knows or else should know
That if nothing drastic is done
Aeroplane and Zeppelin will come out.
Pitch like King Billy bomb-balls in
Until the town lie bearen flat.
All perform their tragic play,
There struts Hamlet, there is Lear,
That's Ophelia, that Cordelia;
Yet they, should the last scene be there,
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay;
Gaiety transfiguring all that dread.
All men have aimed at, found and lost;
Black out; Heaven blazing into the head:
Tragedy wrought to its uttermost.
Though Hamlet rambles and Lear rages,
And all the drop-scenes drop at once
Upon a hundred thousand stages,
It cannot grow by an inch or an ounce.
On their own feet they came, or On shipboard,'
Camel-back; horse-back, ****-back, mule-back,
Old civilisations put to the sword.
Then they and their wisdom went to rack:
No handiwork of Callimachus,
Who handled marble as if it were bronze,
Made draperies that seemed to rise
When sea-wind swept the corner, stands;
His long lamp-chimney shaped like the stem
Of a slender palm, stood but a day;
All things fall and are built again,
And those that build them again are gay.
Two Chinamen, behind them a third,
Are carved in lapis lazuli,
Over them flies a long-legged bird,
A symbol of longevity;
The third, doubtless a serving-man,
Carries a musical instrument.
Every discoloration of the stone,
Every accidental crack or dent,
Seems a water-course or an avalanche,
Or lofty slope where it still snows
Though doubtless plum or cherry-branch
Sweetens the little half-way house
Those Chinamen climb towards, and I
Delight to imagine them seated there;
There, on the mountain and the sky,
On all the tragic scene they stare.
One asks for mournful melodies;
Accomplished fingers begin to play.
Their eyes mid many wrinkles, their eyes,
Their ancient, glittering eyes, are gay.
For Harry Clifton
~ William Butler Yeats, Lapis Lazuli
,#NFDB
628:Posterity's Award
I'd long been dead, but I returned to earth.
Some small affairs posterity was making
A mess of, and I came to see that worth
Received its dues. I'd hardly finished waking,
The grave-mould still upon me, when my eye
Perceived a statue standing straight and high.
'Twas a colossal figure-bronze and gold
Nobly designed, in attitude commanding.
A toga from its shoulders, fold on fold,
Fell to the pedestal on which 'twas standing.
Nobility it had and splendid grace,
And all it should have had-except a face!
It showed no features: not a trace nor sign
Of any eyes or nose could be detected
On the smooth oval of its front no line
Where sites for mouths are commonly selected.
All blank and blind its faulty head it reared.
Let this be said: 'twas generously eared.
Seeing these things, I straight began to guess
For whom this mighty image was intended.
'The head,' I cried, 'is Upton's, and the dress
Is Parson Bartlett's own.' True, _his_ cloak ended
Flush with his lowest vertebra, but no
Sane sculptor ever made a toga so.
Then on the pedestal these words I read:
'_Erected Eighteen Hundred Ninety-seven_'
(Saint Christofer! how fast the time had sped!
Of course it naturally does in Heaven)
'_To_ --' (here a blank space for the name began)
'_The Nineteenth Century's Great Foremost Man_!'
'_Completed_' the inscription ended, '_in
The Year Three Thousand_'-which was just arriving.
By Jove! thought I, 'twould make the founders grin
To learn whose fame so long has been surviving
395
To read the name posterity will place
In that blank void, and view the finished face.
Even as I gazed, the year Three Thousand came,
And then by acclamation all the people
Decreed whose was our century's best fame;
Then scaffolded the statue like a steeple,
To make the likeness; and the name was sunk
Deep in the pedestal's metallic trunk.
Whose was it? Gentle reader, pray excuse
The seeming rudeness, but I can't consent to
Be so forehanded with important news.
'Twas neither yours nor mine-let that content you.
If not, the name I must surrender, which,
Upon a dead man's word, was George K. Fitch!
~ Ambrose Bierce,#NFDB
629:There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards.
'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.'
That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!'
Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido? ~ Jean Lorrain,#NFDB
630:Les longues nuits semblaient ne s'écarter qu'à regret de la ville, pour quelques heures. Une grise lumière d'aube ou de crépuscule filtrant à travers le plafond de nuées d'un blanc sale se répandait alors sur les choses comme le reflet appauvri d'un lointain glacier. La neige même, qui continuait à tomber, était sans lumière. Cet ensevelissement blanc, léger et silencieux s'étendait à l'infini dans l'espace et le temps. Il fallait déjà allumer les veilleuses vers trois heures. Le soir épaississait sur la neige des tons de cendre, des bleus opaques, des gris tenaces de vieilles pierres. La nuit s'imposait, inexorable et calmante : irréelle. Le delta reprenait dans ces ténèbres sa configuration géographique. De noires falaises de pierre, cassées en angles droits, bordaient les canaux figés. Une sorte de phosphorescence sombre émanait du large fleuve de glace.
Parfois les vents du nord, venus du Spitzberg et de plus loin encore, du Groenland peut-être, peut-être du pôle par l'Océan arctique, la Norvège, la mer Blanche, poussaient leurs rafales sur l'estuaire morne de la Neva. Le froid mordait
tout à coup le granit, les lourdes brumes venues du sud par la Baltique s'évanouissaient tout à coup et les pierres, la terre, les arbres dénudés se couvraient instantanément de cristaux de givre dont chacun était une merveille à peine visible, faite de nombres, de lignes de force et de blancheur. La nuit changeait de face, dépouillant ses voiles d'irréalité. L'étoile polaire apparaissait, les constellations ouvraient l'immensité du monde. Le lendemain, les cavaliers de bronze sur leurs socles de pierre, couverts d'une poudre d'argent, semblaient sortir d'une étrange fête ; les hautes colonnes de granit de la cathédrale Saint-Isaac, son fronton peuplé de saints et jusqu'à sa massive coupole dorée, tout était givré. Les façades et les quais de granit rouge prenaient, sous ce revêtement magnifique, des teintes de cendre rose et blanche. Les jardins, avec les filigranes purs de leurs ■ branchages, paraissaient enchantés. Cette fantasmagorie ravissait les yeux des gens sortis de leurs demeures étouffantes ainsi qu'il y a des millénaires, les hommes vêtus de fourrures sortaient peureusement l'hiver des chaudes cavernes pleines d'une bonne puanteur animale.
Pas une lumière dans des quartiers entiers. Des ténèbres préhistoriques. ~ Victor Serge,#NFDB
631:When I was a young girl, I studied Greek in school. It's a beautiful language and ever so many good things were written in it. When you speak Greek, it feels like a little bird flapping its wings on your tongue as fast as it can. This is why I sometimes put Greek words into my stories, even though not so many people speak Ancient Greek anymore. Anything beautiful deserves to be shared round, and anything I love goes into my stories for safekeeping.
The word I love is Arete.
It has a simple meaning and a complicated meaning. The simple one is: excellence. But if that were all, we'd just use Excellence and I wouldn't bring it up until we got to E. Arete means your own excellence. Your very own. A personal excellence that belongs to no one else, one that comes out of all the things that make you special and different. Arete means whatever you are best at, no matter what that is. You might think the Greeks only meant things like fighting with bronze swords or debating philosophy, but they didn't. They meant whatever you're best at. What makes you feel like you're doing the rightest thing in the world. And that might be fighting with bronze swords and it might mean debating philosophy—but it also might mean building machines, or drawing pictures, or playing the guitar, or acting in Shakespeare plays, or writing books, or making a home for people who need one, or listening so hard and so well that people tell you the things they really need to say even if they didn't mean to, or running faster than anyone else, or teaching people patiently and boldly, or even making pillow forts or marching in parades or baking bread. It could be lending out just the right library book to just the right person at just the right moment. It could be standing up to the powerful even if you don't feel very powerful yourself, even if you're lost and as far away from home as you can get. It could be loving someone with the same care and thoroughness that a Wyvern takes with alphabetizing. It could be anything in the world. And it isn't easy to figure out what that is. It's even harder to get that good at it, because nothing, not even being yourself, comes without practice. But your arete goes with you everywhere, just waiting for you to pay attention to it. You can't lose it. You can only find it. And that's my favorite thing that starts with A. ~ Catherynne M Valente,#NFDB
632:What happens when you’re intimidated? Run to the nearest corner and hide, do you?”
“I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.”
Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly.
Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated.
Her desperate gaze settled upon the battered pianoforte in the corner. “Shall I play something for you?” She stood without waiting for a reply. It was the only alternative to bolting from the room. Out of the periphery of her vision, she saw Winterborne automatically grip the arms of his chair in preparation to rise, before he remembered that he was in a leg cast.
“Yes,” she heard him say. “I’d like that.” He maneuvered the chair a few inches so that he could see her profile as she played.
The pianoforte seemed to offer a small measure of protection as she sat at the keyboard and pushed up the hinged fallboard that covered the keys. Taking a slow, calming breath, Helen arranged her skirts, adjusted her posture, and placed her fingertips on the keys. She launched into a piece she knew by memory: the allegro from Handel’s Piano Suite in F Major. It was full of life and complexity, and challenging enough to force her to think about something besides blushing. Her fingers danced in a blur over the keys, the exuberant pace unfaltering for two and a half minutes. When she finished, she looked at Winterborne, hoping he had liked it.
“You play with great skill,” he said.
“Thank you.”
“Is that your favorite piece?”
“It’s my most difficult,” Helen said, “but not my favorite.”
“What do you play when there’s no one to hear?”
The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen’s stomach to tighten pleasurably. ~ Lisa Kleypas,#NFDB
633:Jeanne-Marie's Hands
Jeanne-Marie has strong hands; dark hands tanned by the summer,
pale hands like dead hands. Are they the hands of Donna Juana?
Did they get their dusky cream colour
sailing on pools of sensual pleasure?
Have
Have
Have
Have
they
they
they
they
dipped into moons, in ponds of serenity?
drunk heat from barbarous skies, calm upon enchanting knees?
rolled cigars, or traded in diamonds?
tossed golden flowers at the glowing feet of Madonnas?
It is the black blood of belladonnas that blazes and sleeps in their palms.
Hands which drive the diptera with which
the auroral bluenesses buzz, towards the nectars?
Hands which measure out poisons?
Oh what Dream has stiffened them in pandiculations?
Some extraordinary dream of the Asias, of Khenghavars or Zions?
These hands have neither sold oranges
nor become sunburnt at the feet of the gods:
these hands have never washed the napkins of heavy babies without eyes.
These are not the hands of a tart,
nor of working women with round foreheads burnt
by a sun which is drunk with the smell of tar,
in woods that sink of factories.
These are benders of backbones; hands that never work harm;
more inevitable than machines, stronger than carthorses!
Stirring like furnaces, shaking off all their chills of fear,
their flesh sings Marseillaises, and never Eleisons!
They could grasp your necks, O evil women;
they could pulverize your hands, noblewomen;
your infamous hands full of white and of carmine.
The splendour of these hands of love turns the heads of the lambs!
On their spicy fingers the great sun sets a ruby!
A dark stain of the common people makes then brown
like the nipples of the women of yesterday,
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but it is the backs of these Hands which every
proud Rebel desires to kiss! Marvelous,
they have paled in the great sunshine full of love of the cause
on the bronze casing of machine-guns throughout insurgent Paris!
Ah, sometimes, O blessed Hands, at your wrists,
Hands where our never-sobered lips tremble,
cries out a chain of bright links!
And there's a strange and sudden
Start in our beings when,
sometimes, they try, angelic Hands,
to make your sunburn fade away
by making your fingers bleed!
~ Arthur Rimbaud,#NFDB
634:Agamemnon’s Tomb
Uplift the ponderous, golden mask of death,
And let the sun shine on him as it did
How many thousand years agone! Beneath
This worm-defying, uncorrupted lid,
Behold the young, heroic face, round-eyed,
Of one who in his full-flowered manhood died;
Of nobler frame than creatures of to-day,
Swathed in fine linen cerecloths fold on fold,
With carven weapons wrought of bronze and gold,
Accoutred like a warrior for the fray.
We gaze in awe at these huge-modeled limbs,
Shrunk in death's narrow house, but hinting yet
Their ancient majesty; these sightless rims
Whose living eyes the eyes of Helen met;
The speechless lips that ah! what tales might tell
Of earth's morning-tide when gods did dwell
Amidst a generous-fashioned, god-like race,
Who dwarf our puny semblance, and who won
The secret soul of Beauty for their own,
While all our art but crudely apes their grace.
We gather all the precious relics up,
The golden buttons chased with wondrous craft,
The sculptured trinkets and the crystal cup,
The sheathed, bronze sword, the knife with brazen haft.
Fain would we wrest with curious eyes from these
Unnumbered long-forgotten histories,
The deeds heroic of this mighty man,
On whom once more the living daylight beams,
To shame our littleness, to mock our dreams,
And the abyss of centuries to span.
Yet could we rouse him from his blind repose,
How might we meet his searching questionings,
Concerning all the follies, wrongs, and woes,
Since his great day whom men call King of Kings,
Victorious Agamemnon? How might we
Those large, clear eyes confront, which scornfully
26
Would view us as a poor, degenerate race,
Base-souled and mean-proportioned? What reply
Give to the beauty-loving Greek's heart-cry,
Seeking his ancient gods in vacant space?
What should he find within a world grown cold,
Save doubt and trouble? To his sunny creed
A thousand gloomy, warring sects succeed.
How of the Prince of Peace might he be told,
When over half the world the war-cloud lowers?
How would he mock these faltering hopes of ours,
Who knows the secret now of death and fate!
Humbly we gaze on the colossal frame,
And mutely we accept the mortal shame,
Of men degraded from a high estate.
~ Emma Lazarus,#NFDB
635:Princeton, May, 1917
Here Freedom stood by slaughtered friend and foe,
And, ere the wrath paled or that sunset died,
Looked through the ages; then, with eyes aglow,
Laid them to wait that future, side by side.
(Lines for a monument to the American and British soldiers of the Revolutionary
War who fell on the Princeton battlefield and were buried in one grave.)
Now lamp-lit gardens in the blue dusk shine
Through dogwood, red and white;
And round the gray quadrangles, line by line,
The windows fill with light,
Where Princeton calls to Magdalen, tower to tower,
Twin lanthorns of the law;
And those cream-white magnolia boughs embower
The halls of "Old Nassau."
The dark bronze tigers crouch on either side
Where redcoats used to pass;
And round the bird-loved house where Mercer died,
And violets dusk the grass,
By Stony Brook that ran so red of old,
But sings of friendship now,
To feed the old enemy's harvest fifty-fold
The green earth takes the plow.
Through this May night, if one great ghost should stray
With deep remembering eyes,
Where that old meadow of battle smiles away
Its blood-stained memories,
If Washington should walk, where friend and foe
Sleep and forget the past,
Be sure his unquenched heart would leap to know
Their souls are linked at last.
Be sure he walks, in shadowy buff and blue,
Where those dim lilacs wave.
He bends his head to bless, as dreams come true,
The promise of that grave;
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Then, with a vaster hope than thought can scan,
Touching his ancient sword,
Prays for that mightier realm of God in man:
"Hasten thy kingdom, Lord.
"Land of our hope, land of the singing stars,
Type of the world to be,
The vision of a world set free from wars
Takes life, takes form from thee;
Where all the jarring nations of this earth,
Beneath the all-blessing sun,
Bring the new music of mankind to birth,
And make the whole world one."
And those old comrades rise around him there,
Old foemen, side by side,
With eyes like stars upon the brave night air,
And young as when they died,
To hear your bells, O beautiful Princeton towers,
Ring for the world's release.
They see you piercing like gray swords through flowers,
And smile, from souls at peace.
~ Alfred Noyes,#NFDB
636:After loud overtures from his daughters, Anthony finally left the house and went up the winding path to the “museum,” to the mobile home where he and his parents had lived from 1949 to 1958. It has been left untouched. The furniture, tables, the paint on the walls, the ’50s cabinets, the dressers, the closets, are all unchanged, remaining as they once were. And in her closet in the bedroom, past the nurse’s uniform, far away in the right-hand corner on the top shelf, lies the black backpack that contains Tatiana’s soul. Every once in a while when she can stand it—or when she can’t stand it—she looks through it. Alexander never looks through it. Tatiana knows what Anthony is about to see. Two cans of Spam in the pack. A bottle of vodka. The nurse’s uniform she escaped from the Soviet Union in that hangs in plastic in the museum closet, next to the PMH nurse’s uniform she nearly lost her marriage in. The Hero of the Soviet Union medal in the pack, in a hidden pocket. The letters she received from Alexander—including the last one from Kontum, which, when she heard about his injuries, she thought would be the last one. That plane ride to Saigon in December 1970 was the longest twelve hours of Tatiana’s life. Francesca and her daughter Emily took care of Tatiana’s kids. Vikki, her good and forgiven friend, came with her, to bring back the body of Tom Richter, to bring back Anthony. In the backpack lies an old yellowed book, The Bronze Horseman and Other Poems. The pages are so old, they splinter if you turn them. You cannot leaf, you can only lift. And between the fracturing pages, photographs are slotted like fragile parchment leaves. Anthony is supposed to find two of these photographs and bring them back. It should take him only a few minutes. Cracked leaves of Tania before she was Alexander’s. Here she is at a few months old, held by her mother, Tania in one arm, Pasha in the other. Here she is, a toddler in the River Luga, bobbing with Pasha. And here a few years older, lying in the hammock with Dasha. A beaming, pretty, dark-haired Dasha is about fourteen. Here is Tania, around ten, with two dangling little braids, doing a fantastic one-armed handstand on top of a tree stump. Here are Tania and Pasha in the boat together, Pasha threateningly raising the oar over her head. Here is the whole family. The parents, side by side, unsmiling, Deda holding Tania’s hand. Babushka holding Pasha’s, Dasha smiling merrily in front. ~ Paullina Simons, #NFDB
637:Heartened up by this story, I began to draw upon his more comprehensive knowledge as to the ages of the pictures and as to certain of the stories connected with them, upon which I was not clear; and I likewise inquired into the causes of the decadence of the present age, in which the most refined arts had perished, and among them painting, which had not left even the faintest trace of itself behind. "Greed of money," he replied, "has brought about these unaccountable changes. In the good old times, when virtue was her own reward, the fine arts flourished, and there was the keenest rivalry among men for fear that anything which could be of benefit to future generations should remain long undiscovered. Then it was that Democritus expressed the juices of all plants and spent his whole life in experiments, in order that no curative property should lurk unknown in stone or shrub. That he might understand the movements of heaven and the stars, Eudoxus grew old upon the summit of a lofty mountain: three times did Chrysippus purge his brain with hellebore, that his faculties might be equal to invention. Turn to the sculptors if you will; Lysippus perished from hunger while in profound meditation upon the lines of a single statue, and Myron, who almost embodied the souls of men and beasts in bronze, could not find an heir. And we, sodden with wine and women, cannot even appreciate the arts already practiced, we only criticise the past! We learn only vice, and teach it, too. What has become of logic? of astronomy? Where is the exquisite road to wisdom? Who even goes into a temple to make a vow, that he may achieve eloquence or bathe in the fountain of wisdom? And they do not pray for good health and a sound mind; before they even set foot upon the threshold of the temple, one promises a gift if only he may bury a rich relative; another, if he can but dig up a treasure, and still another, if he is permitted to amass thirty millions of sesterces in safety! The Senate itself, the exponent of all that should be right and just, is in the habit of promising a thousand pounds of gold to the capitol, and that no one may question the propriety of praying for money, it even decorates Jupiter himself with spoils'. Do not hesitate, therefore, at expressing your surprise at the deterioration of painting, since, by all the gods and men alike, a lump of gold is held to be more beautiful than anything ever created by those crazy little Greek fellows, Apelles and Phydias! ~ Petronius, #NFDB
638:I was soon discharged from the rehab center and sent back to the SAS. But the doctor’s professional opinion was that I shouldn’t military parachute again. It was too risky. One dodgy landing, at night, in full kit, and my patched-up spine could crumple.
He didn’t even mention the long route marches carrying huge weights on our backs.
Every SF soldier knows that a weak back is not a good opener for life in an SAS squadron.
It is also a cliché just how many SAS soldiers’ backs and knees are plated and pinned together, after years of marches and jumps. Deep down I knew the odds weren’t looking great for me in the squadron, and that was a very hard pill to swallow.
But it was a decision that, sooner or later, I would have to face up to. The doctors could give me their strong recommendations, but ultimately I had to make the call.
A familiar story. Life is all about our decisions. And big decisions can often be hard to make.
So I thought I would buy myself some time before I made it.
In the meantime, at the squadron, I took on the role of teaching survival to other units. I also helped the intelligence guys while my old team were out on the ground training.
But it was agony for me. Not physically, but mentally: watching the guys go out, fired up, tight, together, doing the job and getting back excited and exhausted. That was what I should have been doing.
I hated sitting in an ops room making tea for intelligence officers.
I tried to embrace it, but deep down I knew this was not what I had signed up for.
I had spent an amazing few years with the SAS, I had trained with the best, and been trained by the best, but if I couldn’t do the job fully, I didn’t want to do it at all.
The regiment is like that. To keep its edge, it has to keep focused on where it is strongest. Unable to parachute and carry the huge weights for long distances, I was dead weight. That hurt.
That is not how I had vowed to live my life, after my accident. I had vowed to be bold and follow my dreams, wherever that road should lead.
So I went to see the colonel of the regiment and told him my decision. He understood, and true to his word, he assured me that the SAS family would always be there when I needed it.
My squadron gave me a great piss-up, and a little bronze statue of service. (It sits on my mantelpiece, and my boys play soldiers with it nowadays.) And I packed my kit and left 21 SAS forever.
I fully admit to getting very drunk that night. ~ Bear Grylls,#NFDB
639:As soon as Christopher and Albert stepped up to the dais, he was disconcerted to hear a cheer rising from the crowd, spreading and growing until the noise was deafening. It wasn’t right for him to receive more acclamation than the other soldiers--they deserved just as much recognition for their courage and gallantry. And yet the ranks were cheering as well, humbling him utterly. Albert looked up at him uneasily, staying close to his side. “Easy, boy,” he murmured.
The queen regarded the pair of them curiously as they stopped before her.
“Captain Phelan,” she said. “Our subjects’ enthusiasm does you honor.”
Christopher replied carefully. “The honor belongs to all the soldiers who have fought in Your Majesty’s service--and to the families who waited for them to return.”
“Well and modestly said, Captain.” There was a slight deepening of the creases at the corners of her eyes. “Come forward.”
As he complied, the queen leaned from the horse to pin the bronze cross with its crimson ribbon to his coat. Christopher made to withdraw, but she stopped him with a gesture and a word. “Remain.” Her attention switched to Albert, who sat on the dais and cocked his head as he regarded her curiously. “What is your companion’s name?”
“His name is Albert, Your Majesty.”
Her lips quirked as if she were tempted to smile. She slid a brief glance to her left, at the prince consort. “We are informed that he campaigned with you at Inkerman and Sebastopol.”
“Yes, Your Majesty. He performed many difficult and dangerous duties to keep the men safe. This cross belongs partly to him--he assisted in recovering a wounded officer under enemy fire.”
The general charged with handing the orders to the queen approached and gave her a curious object. It looked like…a dog collar?
“Come forward, Albert,” she said.
Albert obeyed promptly, sitting at the edge of the dais. The queen reached over and fastened the collar around his neck with a deft efficiency that revealed some experience with the procedure. Christopher recalled having heard that she owned several dogs and was partial to collies. “This collar,” she said to Albert, as if he could understand her, “has been engraved with regimental distinctions and battle honors. We have added a silver clasp to commend the valor and devotion you have displayed in our service.”
Albert waited patiently until the collar was fastened, and then licked her wrist.
“Impertinent,” she scolded in a whisper, and patted his head. And she sent a brief, discreet smile to Christopher as they left to make way for the next recipient. ~ Lisa Kleypas,#NFDB
640:Water everywhere, falling in thundering cataracts, singular drops, and draping sheets. Kellhus paused next to one of the shining braziers, peered beneath the bronze visage that loomed orange and scowling over his father, watched him lean back into absolute shadow.
“You came to the world,” unseen lips said, “and you saw that Men were like children.”
Lines of radiance danced across the intervening waters.
“It is their nature to believe as their fathers believed,” the darkness continued. “To desire as they desired … Men are like wax poured into moulds: their souls are cast by their circumstances. Why are no Fanim children born to Inrithi parents? Why are no Inrithi children born to Fanim parents? Because these truths are made, cast by the particularities of circumstance. Rear an infant among Fanim and he will become Fanim. Rear him among Inrithi and he will become Inrithi …
“Split him in two, and he would murder himself.”
Without warning, the face re-emerged, water-garbled, white save the black sockets beneath his brow. The action seemed random, as though his father merely changed posture to relieve some vagrant ache, but it was not. Everything, Kellhus knew, had been premeditated. For all the changes wrought by thirty years in the Wilderness, his father remained Dûnyain …
Which meant that Kellhus stood on conditioned ground.
“But as obvious as this is,” the blurred face continued, “it escapes them. Because they cannot see what comes before them, they assume nothing comes before them. Nothing. They are numb to the hammers of circumstance, blind to their conditioning. What is branded into them, they think freely chosen.
So they thoughtlessly cleave to their intuitions, and curse those who dare question. They make ignorance their foundation. They confuse their narrow conditioning for absolute truth.”
He raised a cloth, pressed it into the pits of his eyes. When he withdrew it, two rose-coloured stains marked the pale fabric. The face slipped back into the impenetrable black.
“And yet part of them fears. For even unbelievers share the depth of their conviction. Everywhere, all about them, they see examples of their own self-deception … ‘Me!’ everyone cries. ‘I am chosen!’ How could they not fear when they so resemble children stamping their feet in the dust? So they encircle themselves with yea-sayers, and look to the horizon for confirmation, for some higher sign that they are as central to the world as they are to themselves.”
He waved his hand out, brought his palm to his bare breast. “And they pay with the coin of their devotion. ~ R Scott Bakker,#NFDB
641:Wild Peaches
When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
When April pours the colours of a shell
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Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
~ Elinor Morton Wylie,#NFDB
642:Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death. ~ Elinor Wylie,#NFDB
643:Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair.
Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?”
Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.”
Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?”
Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.”
“I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?”
Beatrix felt her throat tighten. “I can’t.”
“Why not?”
“I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.”
Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.”
“I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.”
“Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?”
“Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.”
“Heavens, don’t do that. Someone might trip over you. ~ Lisa Kleypas,#NFDB
644:My Last Duchess
That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fra Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Fra Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek: perhaps
Fra Pandolf chanced to say “Her mantle laps
Over my lady’s wrist too much,” or “Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat”: such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech—(which I have not)—to make your will
Quite clear to such an one, and say, “Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark”—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
—E’en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me! ~ Robert Browning,#NFDB
645: FERRARA
That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fr Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
``Fr Pandolf'' by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Fr Pandolf chanced to say ``Her mantle laps
``Over my lady's wrist too much,'' or ``Paint
``Must never hope to reproduce the faint
``Half-flush that dies along her throat:'' such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart-how shall I say?-too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace-all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,-good! but thanked
Somehow-I know not how-as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech-(which I have not)-to make your will
Quite clear to such an one, and say, ``Just this
``Or that in you disgusts me; here you miss,
``Or there exceed the mark''-and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
-E'en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will't please you rise? We'll meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay, we'll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
69
~ Robert Browning, My Last Duchess
,#NFDB
646:With these uneasy thoughts urging me onward, I hurried toward home, praying I would make it in time for dinner and thereby avoid having to answer to my mother. That was the only way my day could get worse. I was forced to adjust that conclusion, however, when I spotted Saadi loitering nearby. The moment he laid eyes on me, I knew he’d been waiting for me, and I groaned. Why couldn’t he leave me alone?
“Shaselle!” he called, coming toward me.
I gritted my teeth, knowing I could not escape. The traffic on the thoroughfare had thinned, as was generally the case at this time of day, no longer providing the cover I needed to dart past him. He came abreast of me, but I didn’t slow or acknowledge him.
“I’m glad I caught you,” he said, and in my peripheral vision, I could see him smoothing that damn bronze hair forward, an impossible task, for as always it kinked upward at the midpoint of his hairline.
“Can’t say the same.”
“I didn’t take you to my sister.” He sounded like this small mercy should be eliciting gratitude from me.
“I realize that.”
Saadi exhaled, baffled and exasperated. “How can you be angry with me?”
I halted and stared at him in disbelief. “I’m not! You’re the Cokyrian soldier who arrested me when I broke the law. Our relationship ends there. It would be a waste of my time to be angry with you.”
“That’s it?” he said, eyebrows rising, and I was sure I detected disappointment. “I thought…I don’t know. I thought you were angry with me before, for not having mentioned I’m Rava’s brother. Weren’t you?”
“No,” I lied.
I still didn’t understand why it upset me to know that this annoying tag-along was related to the woman I hated with such intensity that my insides burned. But there was no reason to complicate things by letting him know the truth.
“Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.”
“You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.”
I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop.
“We’re not friends yet. But you’ve thought about it. And you just thanked me.”
“Are you delusional?”
“No. You just said thank you to the faceless Cokyrian soldier who arrested you.”
“Don’t you ever stop?” I demanded, trying in vain to move around him.
“I haven’t even started.”
“What does that mean? ~ Cayla Kluver,#NFDB
647:Listen, I haven’t even seen half of what there is to see in Hytanica. You could show me one day.”
“You seem to be everywhere in this city,” I scoffed. “There can’t be much left for you to explore. Or have you just been following me around?”
“Well, you’re the most interesting feature of the city I’ve come across.”
He smirked, and I gave him a sideways glance. Was he admitting to stalking me? Then he chuckled.
“As long as I’m assigned to oversee the city, we’re bound to run into each other. I would be lying, however, if I denied that I look forward to our encounters.”
Heat again flooded my face. Saadi was making me uncomfortable. I was in danger of liking him too much.
“That reminds me,” I said. “I owe you for a lock.”
I glanced to see that Dahnath was still talking to Drael. He was holding her hands, preparing to depart. Knowing from the general length of their goodbyes that it would be at least five minutes more, I removed a coin from my pocket.
Saadi grinned. “I thought you had forgotten.”
“Not at all.” I pressed the coin into his hand. “But you have to go. My sister will be coming to find me at any moment. She can’t see us together or she’ll tell my mother and probably Cannan. We could both end up in dismal straits.”
I expected him to ridicule me for being afraid of my mother, but he did not.
“What do you say, Shaselle? Two days from now I’ll be off duty.”
“You really want to see me?”
“Yes,” he confirmed, pale blue eyes sparkling, his bronze hair sticking erratically up in front.
“All right then.”
“Wonderful. I can meet you whenever, wherev--”
“On one condition.”
His smile faded and his tone grew wary. “Which is?”
“I’ll spend a day with you only if you can beat me in a horse race.”
He laughed and shook his head. “Of course I can beat you.”
“Then prove it. We’ll each pick a mount and race--I’ll need to borrow one from your Cokyrian stables. Take it or leave it. Either way, I have to go now. But I wouldn’t be so cocky if I were you, boy.”
He smiled, intrigued by my challenge. “I’ll take it, but let’s raise the stakes. Make it more worthwhile.”
Curious, I motioned for him to go on.
“If I win, you agree to spend two days with me, when I’m off duty. If you win, you get to keep the horse you chose to ride.”
I stared into his eyes for a long moment, until I was certain he wasn’t toying with me. He knew as well as I did that I would choose one of my father’s horses--one that had been stolen by his sister. He was giving me a chance to bring one of them home. My spirits soared, and I extended my hand. Saadi shook it, then shoved the basket at me, turning to stride away. Just in time, too, for Dahnath was approaching. ~ Cayla Kluver,#NFDB
648:The Camp Fire
When night hung low and dew fell damp,
There fell athwart the shadows
The gleaming watchfires of the camp,
Like glow-worms on the meadows.
The sentinel his measured beat
With measured tread was keeping,
While like bronze statues at his feet
Lay tired soldiers, sleeping.
On some worn faces of the men
There crept a homesick yearning,
Which made it almost seem again,
The child-look was returning.
While on full many a youthful brow,
Till now to care a stranger,
The premature grave lines told how
They had grown old through danger.
One, in his slumber, laughed with joy,
The laughing echoes mocked him,
He thought beside his baby boy
He sat and gaily rocked him.
O pitying angels! Thou wert kind
To end this brief elysian,
He found what he no more could find
Save in a dreamer's vision.
The clear note of a mocking birdThat star of sound-came falling
Down thro' the night; one, wakeful, heard
And answered to the calling,
And then upon the ear there broke
That sweet, pathetic measure,
That song that wakes-as then it woke,
Such mingled pain and pleasure.
560
One voice at first, and then the sound
Pulsed like a great bell's swinging,
'Tenting to-night on the old camp ground,'
The whole roused camp was singing.
The sense of warfare's discontent
Gave place to warfare's glory;
Right merrily the swift hours went
With song, and jest, and story.
They sang the song of Old John Brown,
Whose march goes on forever;
It made them thirsty for renown,
It fired them with endeavor.
So much of that great heart lives still,
So much of that great spiritHis very name shoots like a thrill
Through all men when they hear it.
They found in tales of march and fight
New courage as they listened,
And while they watched the weird camp-light,
And while the still stars glistened,
Like some stern comrade's voice, there broke
And swept from hill to valley
'Til all the sleeping echoes woke,The bugle's call to rally!
'To arms! to arms! the foe is near!'
Ah, brave hearts were ye equal
To hearing through without one fear
The whole tale's bloody sequel?
The laurel wreath, the victor's cry,
These are not all of glory;
The gaping wound, the glazing eye,
They, too, are in the story.
And when again their tents were spread,
561
And by campfires they slumbered,
The missing faces of the dead
The living ones outnumbered.
And yet, their memories animate
The hearts that still survive them,
And holy seems the task, and great,
For one hour to revive them.
~ Ella Wheeler Wilcox,#NFDB
649:Well?” the guard who discovered me prompted.
“I recognize her,” Saadi answered, staring directly at the woman. “She works for my sister as an errand girl.”
I briefly closed my eyes in relief. Saadi waved the guard back to her post and issued an order to the man behind him to retrieve his cloak. When it was thrust into his hands, he escorted me back across the base, not speaking until we were out of earshot of those on patrol.
“So, Rava has a message for me?”
I shoved him unthinkingly, teasingly, and he laughed, jumping away.
“You wanted to see me, remember?” I pointed out. “But you never picked a time or place!”
“So you decided to do it for me. Fair enough, but I’m dying to know what you have in mind to do.”
“I don’t have anything in mind.”
We had reached the thoroughfare, and he chuckled. “You braved Cokyrian soldiers and the stronghold of the military base, but don’t have a thing in mind for us to do?”
“That’s right,” I admitted, irritated that he was laughing at me. “Would you grow up please?”
“Shaselle, there’s nothing ‘grown-up’ about what we’re doing. I assume you snuck away from home to see me, and I have a five o’clock call in the morning.”
I came to a halt and turned to face him, my eyes issuing a challenge. “If you want to go back, feel free. Tell those soldiers that Rava just wanted to make sure her baby brother went to bed on time.”
He grinned, enjoying my feisty responses, and smoothed his bronze hair forward, a habit I still found annoying. It also served to make my heart flutter.
“Trust me, I’ve survived many a night without sleep.” He came closer, putting his hands on my hips, and I spontaneously leaned in to kiss him. He drew me close, his mouth more hungry than it had been in the barn, and a tingle ran from my lips to my toes. Then I pulled away, smiling mischievously, loving how reckless my actions were.
He took my hand, kissing each of my fingers before tugging me down the street.
“Come on, Shaselle.”
“Where are we going?”
Saadi didn’t answer, but led me in the direction of the Market District. As a Cokyrian solider on horseback trotted by, he pulled me into the shadows of a storefront, placing a finger upon his lips.
“I’ve thought of something for us to do,” he whispered. “Since you came so unprepared.”
Once more he took my hand, and I went with him blindly, happily, until we reached the shop from which I’d stolen fruit and wine when I’d run away from home.
“What are you--?”
He gave the door a strong kick, and I winced at the crack of the wood in the stillness.
“Saadi!” I hissed, glancing around, expecting the mounted Cokyrian to come galloping back.
He ignored me, pushing the door open.
“Come on now. No errand girl of Rava’s would be such a coward! ~ Cayla Kluver,#NFDB
650:I WALK through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way the children's eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.
I dream of a Ledaean body, bent
Above a sinking fire. a tale that she
Told of a harsh reproof, or trivial event
That changed some childish day to tragedy
Told, and it seemed that our two natures blent
Into a sphere from youthful sympathy,
Or else, to alter Plato's parable,
Into the yolk and white of the one shell.
III
And thinking of that fit of grief or rage
I look upon one child or t'other there
And wonder if she stood so at that age
For even daughters of the swan can share
Something of every paddler's heritage
And had that colour upon cheek or hair,
And thereupon my heart is driven wild:
She stands before me as a living child.
Her present image floats into the mind
Did Quattrocento finger fashion it
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat?
And I though never of Ledaean kind
Had pretty plumage once enough of that,
Better to smile on all that smile, and show
There is a comfortable kind of old scarecrow.
What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her Son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?
Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings;
World-famous golden-thighed Pythagoras
Fingered upon a fiddle-stick or strings
What a star sang and careless Muses heard:
Old clothes upon old sticks to scare a bird.
VII
Both nuns and mothers worship images,
But those the candles light are not as those
That animate a mother's reveries,
But keep a marble or a bronze repose.
And yet they too break hearts O presences
That passion, piety or affection knows,
And that all heavenly glory symbolise
O self-born mockers of man's enterprise;
VIII
Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
~ William Butler Yeats, Among School Children
,#NFDB
651:It Was Winter
Winter came as it does in this valley.
After eight dry months rain fell
And the mountains, straw-colored, turned green for a while.
In the canyons where gray laurels
Graft their stony roots to granite,
Streams must have filled the dried-up creek beds.
Ocean winds churned the eucalyptus trees,
And under clouds torn by a crystal of towers
Prickly lights were glowing on the docks.
This is not a place where you sit under a café awning
On a marble piazza, watching the crowd,
Or play the flute at a window over a narrow street
While children’s sandals clatter in the vaulted entryway.
They heard of a land, empty and vast,
Bordered by mountains. So they went, leaving behind crosses
Of thorny wood and traces of campfires.
As it happened, they spent winter in the snow of a mountain pass,
And drew lots and boiled the bones of their companions;
And so afterward a hot valley where indigo could be grown
Seemed beautiful to them. And beyond, where fog
Heaved into shoreline coves, the ocean labored.
Sleep: rocks and capes will lie down inside you,
War councils of motionless animals in a barren place,
Basilicas of reptiles, a frothy whiteness.
Sleep on your coat, while your horse nibbles grass
And an eagle gauges a precipice.
When you wake up, you will have the parts of the world.
West, an empty conch of water and air.
East, always behind you, the voided memory of snow-covered fir.
And extending from your outspread arms
Nothing but bronze grasses, north and south.
63
We are poor people, much afflicted.
We camped under various stars,
Where you dip water with a cup from a muddy river
And slice your bread with a pocketknife.
This is the place; accepted, not chosen.
We remembered that there were streets and houses where we came
from,
So there had to be houses here, a saddler’s signboard,
A small veranda with a chair. But empty, a country where
The thunder beneath the rippled skin of the earth,
The breaking waves, a patrol of pelicans, nullified us.
As if our vases, brought here from another shore,
Were the dug-up spearheads of some lost tribe
Who fed on lizards and acorn flour.
And here I am walking the eternal earth.
Tiny, leaning on a stick.
I pass a volcanic park, lie down at a spring,
Not knowing how to express what is always and everywhere:
The earth I cling to is so solid
Under my breast and belly that I feel grateful
For every pebble, and I don’t know whether
It is my pulse or the earth’s that I hear,
When the hems of invisible silk vestments pass over me,
Hands, wherever they have been, touch my arm,
Or small laughter, once, long ago over wine,
With lanterns in the magnolias, for my house is huge.
~ Czeslaw Milosz,#NFDB
652:Je Te Donne Ces Vers Afin Que Si Mon Nom (I Give
You These Verses So That If My Name)
Je te donne ces vers afin que si mon nom
Aborde heureusement aux époques lointaines,
Et fait rêver un soir les cervelles humaines,
Vaisseau favorisé par un grand aquilon,
Ta mémoire, pareille aux fables incertaines,
Fatigue le lecteur ainsi qu'un tympanon,
Et par un fraternel et mystique chaînon
Reste comme pendue à mes rimes hautaines;
Être maudit à qui, de l'abîme profond
Jusqu'au plus haut du ciel, rien, hors moi, ne répond!
— Ô toi qui, comme une ombre à la trace éphémère,
Foules d'un pied léger et d'un regard serein
Les stupides mortels qui t'ont jugée amère,
Statue aux yeux de jais, grand ange au front d'airain!
I Give You These Verses So That If My Name
I give you these verses so that if my name,
A vessel favored by a strong north wind,
Fortunately reaches the distant future's shore,
And some night sets the minds of men to dreaming,
Your memory, like fables shrouded in the past,
Will weary the reader like a dulcimer,
And by a mystical, brotherly bond
Remain suspended from my haughty verse;
Accurst being to whom, from the deep abysm
To the highest heaven, nothing responds, save me!
— O you who, like an ephemeral ghost,
Trample lightly and with a serene look
Upon the dull mortals who found you repugnant,
Jet eyed statue, tall angel with a brow of bronze!
210
— Translated by William Aggeler
For You This Poem: If My Name Should Reach
For you this poem: if my name should reach
Favoured by mighty gales, to far-off times,
Like a proud vessel sailing to the beach,
To stir the brains of humans with my rhymes —
Your memory, uncertain as a myth,
Will tire the reader like an endless gong,
And be a mystic, kindred chain wherewith
He'll hang suspended to my towering song:
Curs'd soul to whom (from the supernal sky
To hell's abysm) none responds but I!
O you, who like a fleeting shadow pass,
Spurn with light foot and with serenest gaze
The stupid mortals who have grudged you praise,
O jade-eyed statue, angel browed with brass!
— Translated by Roy Campbell
Je te donne ces vers afin que si mon nom
these lines to thee, that if my name should come
to some far harbour, on a favouring main,
and ride the gale to Time's Elysium,
with all its freight of dreams to fret the brain,
that thy report, like legends vague and vain,
may tire my reader as a mighty drum,
and linked in mystic union, may become
a symbol married to my haughty strain;
— accursèd one, to whom, from deepest skies
down to the Pit, naught, save my heart, replies!
— o thou who like a ghost impalpable
211
tramplest upon, serenely as a bonze
the stupid mortals who denied thy spell
— cold jet-eyed statue, angel cast in bronze!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,#NFDB
653:Old Babylonian Period. Thanks substantially to the royal archives from the town of Mari, the eighteenth century BC has become thoroughly documented. As the century opened there was an uneasy balance of power among four cities: Larsa ruled by Rim-Sin, Mari ruled by Yahdun-Lim (and later, Zimri-Lim), Assur ruled by Shamshi-Adad I, and Babylon ruled by Hammurapi. Through a generation of political intrigue and diplomatic strategy, Hammurapi eventually emerged to establish the prominence of the first dynasty of Babylon. The Old Babylonian period covered the time from the fall of the Ur III dynasty (c. 2000 BC) to the fall of the first dynasty of Babylon (just after 1600 BC). This is the period during which most of the narratives in Ge 12–50 occur. The rulers of the first dynasty of Babylon were Amorites. The Amorites had been coming into Mesopotamia as early as the Ur III period, at first being fought as enemies, then gradually taking their place within the society of the Near East. With the accession of Hammurapi to the throne, they reached the height of success. Despite his impressive military accomplishments, Hammurapi is most widely known today for his collection of laws. The first dynasty of Babylon extends for more than a century beyond the time of Hammurapi, though decline began soon after his death and continued unabated, culminating in the Hittite sack of Babylon in 1595 BC. This was nothing more than an incursion on the part of the Hittites, but it dealt the final blow to the Amorite dynasty, opening the doors of power for another group, the Kassites. Eras of Mesopotamian History (Round Dates) Early Dynastic Period 2900–2350 BC Dynasty of Akkad 2350–2200 BC Ur III Empire 2100–2000 BC Old Babylonian Period 2000–1600 BC Go to Chart Index Eras of Egyptian History (Round Dates) Old Kingdom 3100–2200 BC First Intermediate Period 2200–2050 BC Middle Kingdom 2050–1720 BC Second Intermediate Period 1720–1550 BC Hyksos 1650–1550 BC Go to Chart Index Palestine: Middle Bronze Age Abraham entered the Palestine region during the Middle Bronze Age (2200–1550 BC), which was dominated by scattered city-states, much as Mesopotamia had been, though Palestine was not as densely populated or as extensively urbanized as Mesopotamia. The period began about the time of the fall of the dynasty of Akkad in Mesopotamia (c. 2200 BC) and extended until about 1500 BC (plus or minus 50 years, depending on the theories followed). In Syria there were power centers at Yamhad, Qatna, Alalakh and Mari, and the coastal centers of Ugarit and Byblos seemed to be already thriving. In Palestine only Hazor is mentioned in prominence. Contemporary records from Palestine are scarce, though the Egyptian Story of Sinuhe has Middle Bronze Age Palestine as a backdrop and therefore offers general information. Lists of cities in Palestine are also given in the Egyptian texts. Most are otherwise unknown, though Jerusalem and Shechem are mentioned. As the period progresses there is more and more contact with Egypt and extensive caravan travel between Egypt and Palestine. ~ Anonymous, #NFDB
654:When a man seats before his eyes the bronze face of his helmet and steps off from the line of departure, he divides himself, as he divides his ‘ticket,’ in two parts. One part he leaves behind. That part which takes delight in his children, which lifts his voice in the chorus, which clasps his wife to him in the sweet darkness of their bed. “That half of him, the best part, a man sets aside and leaves behind. He banishes from his heart all feelings of tenderness and mercy, all compassion and kindness, all thought or concept of the enemy as a man, a human being like himself. He marches into battle bearing only the second portion of himself, the baser measure, that half which knows slaughter and butchery and turns the blind eye to quarter. He could not fight at all if he did not do this.” The men listened, silent and solemn. Leonidas at that time was fifty-five years old. He had fought in more than two score battles, since he was twenty; wounds as ancient as thirty years stood forth, lurid upon his shoulders and calves, on his neck and across his steel-colored beard. “Then this man returns, alive, out of the slaughter. He hears his name called and comes forward to take his ticket. He reclaims that part of himself which he had earlier set aside. “This is a holy moment. A sacramental moment. A moment in which a man feels the gods as close as his own breath. “What unknowable mercy has spared us this day? What clemency of the divine has turned the enemy’s spear one handbreadth from our throat and driven it fatally into the breast of the beloved comrade at our side? Why are we still here above the earth, we who are no better, no braver, who reverenced heaven no more than these our brothers whom the gods have dispatched to hell? “When a man joins the two pieces of his ticket and sees them weld in union together, he feels that part of him, the part that knows love and mercy and compassion, come flooding back over him. This is what unstrings his knees. “What else can a man feel at that moment than the most grave and profound thanksgiving to the gods who, for reasons unknowable, have spared his life this day? Tomorrow their whim may alter. Next week, next year. But this day the sun still shines upon him, he feels its warmth upon his shoulders, he beholds about him the faces of his comrades whom he loves and he rejoices in their deliverance and his own.” Leonidas paused now, in the center of the space left open for him by the troops. “I have ordered pursuit of the foe ceased. I have commanded an end to the slaughter of these whom today we called our enemies. Let them return to their homes. Let them embrace their wives and children. Let them, like us, weep tears of salvation and burn thank-offerings to the gods. “Let no one of us forget or misapprehend the reason we fought other Greeks here today. Not to conquer or enslave them, our brothers, but to make them allies against a greater enemy. By persuasion, we hoped. By coercion, in the event. But no matter, they are our allies now and we will treat them as such from this moment. “The Persian! ~ Steven Pressfield, #NFDB
655:It was then that I noticed the canvas bag at Saadi’s feet. He must have seen flight in my eyes, for he started running at almost the same moment I did. He caught me before I passed the next shop, snatching my upper arm just as the butcher had. I cried out, hoping he would think me in pain and let me go, but he did not, cocking an eyebrow and strengthening his grip.
“I take it you’re responsible for this?” he said, hauling the bag of fruit, which he had slung over his shoulder, up to eye level with his other hand.
I kept my mouth shut.
“Despite the fact that you’re breaking the law, you’re lucky. The evidence you left at your previous site of conquest sent me on a search for you.”
“Lucky, because you did a lot of saving,” I scoffed.
Releasing me, he smoothed his bronze hair forward, but it stuck up at the center of his hairline, which I suspected was the opposite of his intention.
“I was getting there.”
He was mumbling, disagreeable, an attitude I did not expect. Why was he bothering to make conversation with a Hytanican criminal? And why did he keep smoothing that stupid hair of his?
“I haven’t done anything,” I said, inching backward in preparation for my grand escape, the details of which I was sure would come to me at any moment. Motioning to the bag, I lied again. “That’s not mine.”
“Yes, it is.”
“No, it isn’t.”
“But it is.”
“No, it isn’t.”
“You know, the more you deny it, the more likely I am to arrest you.”
I stared wide-eyed at him. “You weren’t planning to?”
“No, it doesn’t look like you’ve caused any real harm--a couple of coins in payment for the broken lock should resolve the problem. I have a feeling if I arrested you, you wouldn’t make it out this time, not with what your uncle and cousin are guilty of.”
“Bravery?”
“Corza spends an hour terrifying you and I get a confession after a few minutes.”
Shocked and annoyed, I exclaimed, “I didn’t confess anything!”
Saadi smirked. “Nothing I’m going to share. Women and men shouldn’t be killed for bravery.”
“I suppose you condone the pranks and riots then?” I challenged. He was unbelievable--making things up to manipulate me.
“I don’t condone them,” he said more seriously. “I have a different idea of what bravery is.”
“What--compliance?”
“In a sense. Acceptance, resiliency. How strong must one be to throw a temper tantrum?”
“Is that what you’d call this? You and your people storm our homeland, take us all prisoner and any form of resistance is a temper tantrum in your eyes?”
He pondered this for a moment, his freckled nose crinkling. “Yes.”
I threw up my hands, not sure exactly what was going on or why I was still here with my enemy, but not willing to let this go.
“How do you justify that?”
“Well, for a century, our takeover of your kingdom has been inevitable. You should have acclimated yourselves to the idea by now.”
“You’re right. This is our fault, really. We’ve never been superb at preparation here in Hytanica.”
Saadi shrugged, and I thought for one stunned moment that he had taken my statements to be sincere. ~ Cayla Kluver,#NFDB
656:On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre ~ Gaston Leroux,#NFDB
657:Genesis Bk Xviii
(ll. 1082-1089) And there was also in that tribe another son of
Lamech, called Tubal Cain, a smith skilled in his craft. He was
the first of all men on the earth to fashion tools of husbandry;
and far and wide the city-dwelling sons of men made use of bronze
and iron.
(ll. 1090-1103) Then to his two beloved wives, Adah and Zillah,
Lamech rehearsed a tale of shame: "I have struck down a kinsman
unto death! I have defiled my hands with the blood of Cain! I
smote down Enoch's father, slayer of Abel, and poured his blood
upon the ground. Full well I know that for that mortal deed
shall come God's seven-fold vengeance. With fearful torment
shall my deed of death and murder be requited, when I go hence."
(ll. 1104-1111) Then another son was born to Adam in Abel's
stead; and his name was Seth. He was a righteous son and
blessed, a solace to his parents, his father and mother, Adam and
Eve. And he filled the place of Abel in the world. Then Adam
spake, the first of men:
(ll. 1111-1116) "The eternal God of victory, the Lord of life,
hath vouchsafed me another son in place of my beloved whom Cain
slew. So our Lord hath stilled the sorrow of my heart. To Him
be thanks!"
(ll. 1117-1127) Now, when Adam begat another son to be his heir,
that sturdy man had lived an hundred and thirty winters of this
life in the world. The writings tell us that Adam increased his
tribe on earth, begetting sons and daughters eight hundred years.
And all the years of Adam were nine hundred and thirty winters,
and he died.
(ll. 1128-1142) And Seth succeeded Adam: at his father's death
the well-loved son possessed the treasure, and took himself a
wife. And Seth lived an hundred and five winters in the world
and increased his tribe, begetting sons and daughters. Enos was
first-born of the sons of Seth; and he was first of all the sons
of men to call upon the name of God since Adam, first a living
37
spirit, set foot on the green earth. Seth prospered, eight
hundred and seven winters begetting sons and daughters. And all
the years of Seth were nine hundred and twelve winters, and he
died.
(ll. 1143-1154) And after he went hence, and the earth received
the body of seed-bearing Seth, Enos was warden of the heritage.
Dear was he unto God! He lived for ninety winters in the world,
and begat children. And Cainan was first-born of the sons of
Enos. Eight hundred and fifteen winters the man of wisdom lived,
at peace with God, begetting sons and daughters. And all the
years of Enos were nine hundred and five winters, and he died.
(ll. 1155-1166) And after Enos Cainan ruled the tribe as lord and
leader. He lived seventy winters, and begat a son. An heir was
born unto his house, and his name was Mahalaleel. Eight hundred
and forty winters Cainan lived, and increased his tribe. And all
the years of the son of Enos were nine hundred and ten winters,
and he died, and his appointed days beneath the heavens were
fulfilled.
~ Caedmon,#NFDB
658:God’s Acre
In Memory Of. In Fondest Recollection Of.
In Loving Memory Of. In Fond
Remembrance. Died in October. Died at Sea.
Who died at sea? The name of the seaport
Escapes her, gone, blown with the eastwind, over
The tombs and yews, into the apple orchard,
Over the road, where gleams a wagon-top,
And gone. The eastwind gallops up from sea
Bringing salt and gulls. The marsh smell, too,
Strong in September; mud and reeds, the reeds
Rattling like bones.
She shifts the grass-clipper
From right to left hand, clips and clips the grass.
The broken column, carefully broken, on which
The blackbird hen is laughing—in fondest memory.
Burden! Who was this Burden, to be remembered?
Or Potter? The Potter rejected by the Pot.
‘Here lies Josephus Burden, who departed
This life the fourth of August, nineteen hundred.
“And He Said Come.” ’ Josephus Burden, forty,
Gross, ribald, with strong hands on which grew hair,
And red ears kinked with hair, and northblue eyes,
Held in one hand a hammer, in the other
A nail. He drove the nail . . . This was enough?
Or—also—did he love?
She changes back
The clipper. The blades are dull. The grass is wet
And gums the blades. In Loving Recollection.
Four chains, heavy, hang round the vault. What chance
For skeletons? The dead men rise at night,
Rattle the links. ‘Too heavy! can’t be budged . . .
Try once again—together—NOW! . . . no use.’
They sit in moonless shadow, gently talking.
‘Old Jones it must have been, who made those chains.
I’d like to see him lift them now!’ . . . The owl
42
That hunts in Wickham Wood comes over, mewing.
‘An owl,’ says one. ‘Most likely,’ says another.
They turn grey heads.
The seawind brings a breaking
Bell sound among the yews and tombstones, ringing
The twisted whorls of bronze on sunlit stones.
Sacred . . . memory . . . affectionate . . . O God
What travesty is this—the blackbird soils
The broken column; the worm at work in the skull
Feasts on medulla; and the lewd thrush cracks
A snailshell on the vault. He died on shipboard—
Sea-burial, then, were better?
On her knees
She clips and clips, kneeling against the sod,
Holding the world between her two knees, pondering
Downward, as if her thought, like men or apples,
Fell ripely into earth. Seablue, her eyes
Turn to the sea. Sea-gulls are scavengers,
Cruel of face, but lovely. By the dykes
The reeds rattle, leaping in eastwind, rattling
Like bones. In Fond Remembrance Of. O God,
That life is what it is, and does not change.
You there in earth, and I above you kneeling.
You dead, and I alive.
She prods a plantain
Of too ambitious root. That largest yew-tree,
Clutching the hill—
She rises from stiff knees,
Stiffly, and treads the pebble path, that leads
Downward, to sea and town. The marsh smell comes
Healthy and salt, and fills her nostrils. Reeds
Dance in the eastwind, rattling; warblers dart
Flashing, from swaying reed to reed, and sing.
43
~ Conrad Potter Aiken,#NFDB
659:Circumcision is well-known in the ancient Near East from as early as the fourth millennium BC, though the details of its practice and its significance vary from culture to culture. Circumcision was practiced in the ancient Near East by many peoples. The Egyptians practiced circumcision as early as the third millennium BC. West Semitic peoples, Israelites, Ammonites, Moabites and Edomites performed circumcision. Eastern Semitic peoples did not (e.g., Assyrians, Babylonians, Akkadians)—nor did the Philistines, an Aegean or Greek people. Anthropological studies have suggested that the rite always has to do with at least one of four basic themes: fertility, virility, maturity and genealogy. Study of Egyptian mummies demonstrates that the surgical technique in Egypt differed from that used by the Israelites; while the Hebrews amputated the prepuce of the penis, the Egyptians merely incised the foreskin and so exposed the glans penis. Egyptians were not circumcised as children, but in either prenuptial or puberty rites. The common denominator, however, is that it appears to be a rite of passage, giving new identity to the one circumcised and incorporating him into a particular group. Evidence from the Levant comes as early as bronze figurines from the Amuq Valley (Tell el-Judeideh) from the early third millennium BC. An ivory figurine from Megiddo from the mid-second millennium BC shows Canaanite prisoners who are circumcised. Southern Mesopotamia shows no evidence of the practice, nor is any Akkadian term known for the practice. The absence of such evidence is significant since Assyrian and Babylonian medical texts are available in abundance. Abraham is therefore aware of the practice from living in Canaan and visiting Egypt rather than from his roots in Mesopotamia. Since Ishmael is 13 years old at this time, Abraham may even have been wondering whether it was a practice that would characterize this new family of his. In Ge 17 circumcision is retained as a rite of passage, but one associated with identity in the covenant. In light of today’s concerns with gender issues, some have wondered why the sign of the covenant should be something that marks only males. Two cultural issues may offer an explanation: patrilineal descent and identity in the community. (1) The concept of patrilineal descent resulted in males being considered the representatives of the clan and the ones through whom clan identity was preserved (as, e.g., the wife took on the tribal and clan identity of her husband). (2) Individuals found their identity more in the clan and the community than in a concept of self. Decisions and commitments were made by the family and clan more than by the individual. The rite of passage represented in circumcision marked each male as entering a clan committed to the covenant, a commitment that he would then have the responsibility to maintain. If this logic holds, circumcision would not focus on individual participation in the covenant as much as on continuing communal participation. The community is structured around patrilineal descent, so the sign on the males marks the corporate commitment of the clan from generation to generation. ◆ ~ Anonymous, #NFDB
660:Sada ću misliti na tebe, draga, samo na tebe, cele noći. Misliću samo na tebe, to je jedini način da osetim samog sebe, ako te držim u svom središtu kao drvo, ako se malo - pomalo odvojim od stabla koje me drži i vodi, ako oprezno lebdim oko tebe, opipavajući vazduh svakim listom (zelenim, zelenim, ja i ti, sočno stablo i zeleno lišće: zeleno, zeleno) ne udaljavajući se od tebe, ne dopuštajući da bilo ko drugi prodre između mene i tebe, učini da ne mislim na tebe, ma i na trenutak me liši saznanja da ova noć kruži ka svitanju i da će tamo, s druge strane, tamo gde živiš i spavaš, biti ponovo noć kad zajedno stignemo i uđemo u tvoju kuću, popnemo se uza stepenice na tremu, upalimo svetla, pomilujemo tvog psa, popijemo kafu, dugo se gledamo pre nego što te ja zagrlim (da te držim u svom središtu kao drvo) i povedem te ka stepeništu (ali nema nikakve staklene kugle) i počnemo da se penjemo, penjemo, vrata su zatvorena, ali imam ključ u džepu...
Ko će znati kako je moglo da se završi nešto što nije čak ni počelo, što je krenulo iz sredine i nestalo bez jasnih obrisa, raspršivši se na ivici druge magle.
... to odsustvo koje se sada stani u mojoj kući samca, dotiče moj jastuk svojom zlatnom meduzom, primorava me da pišem ovo što pišem u besmislenoj nadi da postoji bajalica, slatki golem od reči.
... tu ima nekih rupa i bičeva, neka voda teče niz lice i zaslepljuje i grize, neki zvuk kao tutnjava iz dubina, trenutak bez vremena, nepodnošljivo lep.
... za mene je bila kao topola od bronze i sna...
... to je pre odgovor na smrt i na ništavilo, stavljanje stvari i vremena na određeno mesto, uvođenje vremena i prolaza, protivljenje vremenu punom rupa i tamnih mesta.
Ti koji me čitaš, nije li se i tebi desilo nešto što počinje kao san i vraća se u mnogim snovima ali to nije to, nije samo san? Nešto što jeste tu, ali gde, i kako; nešto što prolazi kroz snove, razume se, puki san ali posle takođe tu, na drugi način jer je meko i puno rupa, ali tu dok pereš zube, u dnu lavaboa ga i dalje vidiš kad ispljuneš pastu za zube ili stavljaš lice pod hladnu vodu, već istanjeno ali još zalepljeno za pidžamu, u korenu jezika dok podgrevaš kafu, tu ali gde, kako, zalepljeno za jutro, sa svojom tišinom u koju već ulaze zvuci dana, vesti na radiju koje smo pustili jer smo budni i jer smo ustali i svet i dalje ide svojim putem.
... kako je to moguće, šta je to bilo, šta smo to bili u snu koji je međutim nešto drugo, svako malo se vraća i tu je, ali gde je to tu?
... ta trideset i jedna godina nije ono što je važno, mnogo je gori ovaj prelazak iz sna u reči, rupa između onoga što je i dalje ovde ali se sve više predaje jasnoj ošztici stvari s ove strane, tom nožu od reči koje i dalje i dalje ispisujem i koje više nisu to što je i dalje tu, ali gde, kako.
Ovde je nešto trebalo da bude rečeno bez reči, samo slušajući neki neodređen šum.
... postoji neka slika nečega priteranog uza zid, nečega opkoljenog: duboka istina, okružena lažima nepopravljivog konformizma.
Probuditi se, probuditi se na svaki način, ali Valentina je osećala da bi samo nešto što bi ličilo na bič moglo da je razbudi. ~ Julio Cort zar,#NFDB
661:When I swung open the door, there he was: Marlboro Man, wearing Wranglers and a crisp white shirt and boots. And a sweet, heart-melting smile.
What are you doing here? I thought. You’re supposed to be in the shower. You’re supposed to be with the sex kitten.
“Hey,” he said, wasting no time in stepping through the door and winding his arms around my waist. My arms couldn’t help but drape over his strong shoulders; my lips couldn’t help but find his. He felt soft, warm, safe…and our first kiss turned into a third, and a sixth, and a seventh. It was the same kiss as the night before, when the phone call alerting him to the fire had come. My eyes remained tightly closed as I savored every second, trying to reconcile the present with the horror movie I’d imagined just moments earlier. I had no idea what was going on. At that point, I didn’t even care.
“Ummmmm!!! I’m t-t-t-ttellin’!” Mike teased from the top of the stairs, just before running down and embracing Marlboro Man in a bear hug.
“Hi, Mike,” Marlboro Man said, politely patting him on the back.
“Mike?” I said, smiling and blinking my eyes. “Will you excuse us for a couple of minutes?”
Mike obliged, giggling and oooo-ing as he walked toward the kitchen.
Marlboro Man picked me up and brought my eyes to the level of his. Smiling, he said, “I’ve been trying to call you this afternoon.”
“You have?” I said. I hadn’t even heard the phone ring. “I, um…I sort of took a nine-hour nap.”
Marlboro Man chuckled. Oh, that chuckle. I needed it badly that night.
He set my feet back down on the floor. “So…,” he teased. “You still cranky?”
“Nope,” I finally answered, smiling. So, who is that woman in your house? So…what did you do all day? “Did you ever get any sleep?” So, who is that woman in your house?
“Well,” he began. “I had to help Tim with something this morning, then I crashed on the couch for a few hours…it felt pretty good.”
Who was the woman? What’s her name? What’s her cup size?
He continued. “I would’ve slept all day, but Katie and her family showed up in the middle of my nap,” he said. “I forgot they were staying at my house tonight.”
Katie. His cousin Katie. The one with the two young kids, who had probably just gone to bed when I’d called earlier.
“Oh…really?” I said, my chest relaxing with a long, quiet exhale.
“Yeah…but it’s a little crowded over there,” he said. “I thought I’d come over here and take you to a movie.”
I smiled, stroking his back with my hand. “A movie sounds perfect.” The busty, bronze mystery girl slowly faded into oblivion.
Mike came barreling out of the kitchen, where he’d been listening to every word.
“Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled.
“Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.”
And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment:
God help me--I love that man. ~ Ree Drummond,#NFDB
662:The Revolutionary
Look at them standing there in authority
The pale-faces,
As if it could have any effect any more.
Pale-face authority,
Caryatids,
Pillars of white bronze standing rigid, lest the skies fall.
What a job they've got to keep it up.
Their poor, idealist foreheads naked capitals
To the entablature of clouded heaven.
When the skies are going to fall, fall they will
In a great chute and rush of débâcle downwards.
Oh and I wish the high and super-gothic heavens would come down now,
The heavens above, that we yearn to and aspire to.
I do not yearn, nor aspire, for I am a blind Samson.
And what is daylight to me that I should look skyward?
Only I grope among you, pale-faces, caryatids, as among a forest of pillars that
hold up the dome of high ideal heaven
Which is my prison,
And all these human pillars of loftiness, going stiff, metallic-stunned with the
weight of their responsibility
I stumble against them.
Stumbling-blocks, painful ones.
To keep on holding up this ideal civilisation
Must be excruciating: unless you stiffen into metal, when it is easier to stand
stock rigid than to move.
This is why I tug at them, individually, with my arm round their waist
The human pillars.
They are not stronger than I am, blind Samson.
The house sways.
I shall be so glad when it comes down.
I am so tired of the limitations of their Infinite.
149
I am so sick of the pretensions of the Spirit.
I am so weary of pale-face importance.
Am I not blind, at the round-turning mill?
Then why should I fear their pale faces?
Or love the effulgence of their holy light,
The sun of their righteousness?
To me, all faces are dark,
All lips are dusky and valved.
Save your lips, O pale-faces,
Which are slips of metal,
Like slits in an automatic-machine, you columns of give-and-take.
To me, the earth rolls ponderously, superbly
Coming my way without forethought or afterthought.
To me, men's footfalls fall with a dull, soft rumble, ominous and lovely,
Coming my way.
But not your foot-falls, pale-faces,
They are a clicketing of bits of disjointed metal
Working in motion.
To me, men are palpable, invisible nearnesses in the dark
Sending out magnetic vibrations of warning, pitch-dark throbs of invitation.
But you, pale-faces,
You are painful, harsh-surfaced pillars that give off nothing except rigidity,
And I jut against you if I try to move, for you are everywhere, and I am blind,
Sightless among all your visuality,
You staring caryatids.
See if I don't bring you down, and all your high opinion
And all your ponderous roofed-in erection of right and wrong
Your particular heavens,
With a smash.
See if your skies aren't falling!
And my head, at least, is thick enough to stand it, the smash.
See if I don't move under a dark and nude, vast heaven
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When your world is in ruins, under your fallen skies.
Caryatids, pale-faces.
See if I am not Lord of the dark and moving hosts
Before I die.
~ David Herbert Lawrence,#NFDB
663:Hartung tells of a horrifying study by the Israeli psychologist George Tamarin. Tamarin presented to more than a thousand Israeli schoolchildren, aged between eight and fourteen, the account of the battle of Jericho in the book of Joshua: Joshua said to the people, ‘Shout; for the LORD has given you the city. And the city and all that is within it shall be devoted to the LORD for destruction . . . But all silver and gold, and vessels of bronze and iron, are sacred to the LORD; they shall go into the treasury of the LORD.’ . . . Then they utterly destroyed all in the city, both men and women, young and old, oxen, sheep, and asses, with the edge of the sword . . . And they burned the city with fire, and all within it; only the silver and gold, and the vessels of bronze and of iron, they put into the treasury of the house of the LORD. Tamarin then asked the children a simple moral question: ‘Do you think Joshua and the Israelites acted rightly or not?’ They had to choose between A (total approval), B (partial approval) and C (total disapproval). The results were polarized: 66 per cent gave total approval and 26 per cent total disapproval, with rather fewer (8 per cent) in the middle with partial approval. Here are three typical answers from the total approval (A) group: In my opinion Joshua and the Sons of Israel acted well, and here are the reasons: God promised them this land, and gave them permission to conquer. If they would not have acted in this manner or killed anyone, then there would be the danger that the Sons of Israel would have assimilated among the Goyim. In my opinion Joshua was right when he did it, one reason being that God commanded him to exterminate the people so that the tribes of Israel will not be able to assimilate amongst them and learn their bad ways. Joshua did good because the people who inhabited the land were of a different religion, and when Joshua killed them he wiped their religion from the earth. The justification for the genocidal massacre by Joshua is religious in every case. Even those in category C, who gave total disapproval, did so, in some cases, for backhanded religious reasons. One girl, for example, disapproved of Joshua’s conquering Jericho because, in order to do so, he had to enter it: I think it is bad, since the Arabs are impure and if one enters an impure land one will also become impure and share their curse. Two others who totally disapproved did so because Joshua destroyed everything, including animals and property, instead of keeping some as spoil for the Israelites: I think Joshua did not act well, as they could have spared the animals for themselves. I think Joshua did not act well, as he could have left the property of Jericho; if he had not destroyed the property it would have belonged to the Israelites. Once again the sage Maimonides, often cited for his scholarly wisdom, is in no doubt where he stands on this issue: ‘It is a positive commandment to destroy the seven nations, as it is said: Thou shalt utterly destroy them. If one does not put to death any of them that falls into one’s power, one transgresses a negative commandment, as it is said: Thou shalt save alive nothing that breatheth! ~ Richard Dawkins, #NFDB
664:Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back.
As if he sensed Bram’s predicament, Colin started to laugh.
“What’s so amusing?”
“Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.”
“You keep saying that like I should know the name. I don’t.”
“You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.”
“And so…?”
“And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.”
“There have to be men. There’s no such thing as a village with no men.”
“Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.”
Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler.
And then, only then, did he turn to his yammering cousin. “What were you saying?”
“We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.”
Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?”
“These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.”
“Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.”
“You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.”
“These women aren’t my concern.”
Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed. ~ Tessa Dare,#NFDB
665:The Long Shadow of Lincoln: A Litany
(We can succeed only by concert. . . . The dogmas of the quiet past are
inadequate to the stormy present. The occasion is piled high with difficulty, and
we must rise with the occasion. As our case is new so we must think anew and
act anew. We must disenthrall ourselves. . . . December 1, 1862. The President's
Message to Congress.)
Be sad, be cool, be kind,
remembering those now dreamdust
hallowed in the ruts and gullies,
solemn bones under the smooth blue sea,
faces warblown in a falling rain.
Be a brother, if so can be,
to those beyond battle fatigue
each in his own corner of earth
or forty fathoms undersea
beyond all boom of guns,
beyond any bong of a great bell,
each with a bosom and number,
each with a pack of secrets,
each with a personal dream and doorway
and over them now the long endless winds
with the low healing song of time,
the hush and sleep murmur of time.
Make your wit a guard and cover.
Sing low, sing high, sing wide.
Let your laughter come free
remembering looking toward peace:
"We must disenthrall ourselves."
Be a brother, if so can be,
to those thrown forward
for taking hardwon lines,
for holding hardwon points
and their reward so-so,
little they care to talk about,
their pay held in a mute calm,
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highspot memories going unspoken,
what they did being past words,
what they took being hardwon.
Be sad, be kind, be cool.
Weep if you must
And weep open and shameless
before these altars.
There are wounds past words.
There are cripples less broken
than many who walk whole.
There are dead youths
with wrists of silence
who keep a vast music
under their shut lips,
what they did being past words,
their dreams like their deaths
beyond any smooth and easy telling,
having given till no more to give.
There is dust alive
with dreams of The Republic,
with dreams of the Family of Man
flung wide on a shrinking globe
with old timetables,
old maps, old guide-posts
torn into shreds,
shot into tatters
burnt in a firewind,
lost in the shambles,
faded in rubble and ashes.
There is dust alive.
Out of a granite tomb,
Out of a bronze sarcophagus,
Loose from the stone and copper
Steps a whitesmoke ghost
Lifting an authoritative hand
In the name of dreams worth dying for,
In the name of men whose dust breathes
of those dreams so worth dying for,
what they did being past words,
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beyond all smooth and easy telling.
Be sad, be kind, be cool,
remembering, under God, a dreamdust
hallowed in the ruts and gullies,
solemn bones under the smooth blue sea,
faces warblown in a falling rain.
Sing low, sing high, sing wide.
Make your wit a guard and cover.
Let your laughter come free
like a help and a brace of comfort.
The earth laughs, the sun laughs
over every wise harvest of man,
over man looking toward peace
by the light of the hard old teaching:
"We must disenthrall ourselves."
~ Carl Sandburg,#NFDB
666:To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair. ~ Nikolai Gogol, #NFDB
667:Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan. ~ Rick Riordan, #NFDB
668:The Spectral Attitudes
I attach no importance to life
I pin not the least of life's butterflies to importance
I do not matter to life
But the branches of salt the white branches
All the shadow bubbles
And the sea-anemones
Come down and breathe within my thoughts
They come from tears that are not mine
From steps I do not take that are steps twice
And of which the sand remembers the flood-tide
The bars are in the cage
And the birds come down from far above to sing before these bars
A subterranean passage unites all perfumes
A woman pledged herself there one day
This woman became so bright that I could no longer see her
With these eyes which have seen my own self burning
I was then already as old as I am now
And I watched over myself and my thoughts like a night watchman in an
immense factory Keeping watch alone
The circus always enchants the same tramlines
The plaster figures have lost nothing of their expression
They who bit the smile's fig
I know of a drapery in a forgotten town
If it pleased me to appear to you wrapped in this drapery
You would think that your end was approaching
Like mine
At last the fountains would understand that you must not say Fountain
The wolves are clothed in mirrors of snow
I have a boat detached from all climates
I am dragged along by an ice-pack with teeth of flame
I cut and cleave the wood of this tree that will always be green
A musician is caught up in the strings of his instrument
The skull and crossbones of the time of any childhood story
Goes on board a ship that is as yet its own ghost only
Perhaps there is a hilt to this sword
But already there is a duel in this hilt
During the duel the combatants are unarmed
Death is the least offence
The future never comes
12
The curtains that have never been raised
Float to the windows of houses that are to be built
The beds made of lilies
Slide beneath the lamps of dew
There will come an evening
The nuggets of light become still underneath the blue moss
The hands that tie and untie the knots of love and of air
Keep all their transparency for those who have eyes to see
They see the palms of hands
The crowns in eyes
But the brazier of crown and palms
Can scarcely be lit in the deepest part of the forest
There where the stags bend their heads to examine the years
Nothing more than a feeble beating is heard
From which sound a thousand louder or softer sounds proceed
And the beating goes on and on
There are dresses that vibrate
And their vibration is in unison with the beating
When I wish to see the faces of those that wear them
A great fog rises from the ground
At the bottom of the steeples behind the most elegant reservoirs of life and of
wealth
In the gorges which hide themselves between two mountains
On the sea at the hour when the sun cools down
Those who make signs to me are separated by stars
And yet the carriage overturned at full speed
Carries as far as my last hesitation
That awaits me down there in the town where the statues of bronze
and of stone have changed places with statues of wax Banyans banyans.
~ Andre Breton,#NFDB
669:Ballad Of The Old Cypress
In front of the temple of Chu-ko Liang there is an old cypress. Its branches
are like green bronze; its roots like rocks; around its great girth of forty
spans its rimy bark withstands the washing of the rain. Its jet-colored top
rises two thousand feet to greet the sky. Prince and statesman have long since
paid their debt to time; but the tree continues to be cherished among men. When
the clouds come, continuous vapors link it with the mists of the long Wu
Gorge; and when the moon appears, the cypress tree shares the chill of the
Snowy Mountains' whiteness.
I remember a year or so ago, where the road wound east round my Brocade
River pavilion, the First Ruler and Chu-ko Liang shared the same shrine. There,
too, were towering cypresses, on the ancient plain outside the city. The paintwork of the temple's dark interior gleamed dully through derelict doors and
windows. But this cypress here, though it holds its ground well, clinging with
wide-encompassing, snake-like hold, yet, because of its lonely height rising
into the gloom of the sky, meets much of the wind's fierce blast. Nothing but
the power of Divine Providence could have kept it standing for so long; its
straightness must be the work of the Creator himself! If a great hall had
collapsed and beams for it were needed, ten thousand oxen might turn their
heads inquiringly to look at such a mountain of a load. But it is already
marvel enough to astonish the world, without any need to undergo a craftsman's
embellishing. It has never refused the axe: there is simply no one who could
carry it away if it were felled. Its bitter heart has not escaped the ants; but
there are always phoenixes roosting in its scented leaves. Men of ambition, and
you who dwell unseen, do not cry out in despair! From of old the really great
has never been found a use for.
Another Translation:
In front of K'ung-ming Shrine
stands an old cypress,
With branches like green bronze
and roots like granite;
Its hoary bark, far round,
glistens with raindrops,
And blueblack hues, high up,
blend in with Heaven's:
Long ago Statesman, King
21
kept Time's appointment,
But still this standing tree has men's devotion;
United with the mists
of ghostly gorges,
Through which the moon brings cold
from snowy mountains.
(I recall near my hut
on Brocade River
Another Shrine is shared by
King and Statesman
On civil, ancient plains
with stately cypress:
The paint there now is dim,
windows shutterless. . .)
Wide, wide though writhing roots
maintain its station,
Far, far in lonely heights,
many's the tempest
When its hold is the strength
of Divine Wisdom
And straightness by the work of the Creator. . .
Yet if a crumbling Hall
needed a rooftree, Yoked herds would, turning heads,
balk at this mountain:
By art still unexposed all have admired it;
But axe though not refused,
who could transport it?
How can its bitter core deny ants lodging,
All the while scented boughs
give Phoenix housing?
Oh, ambitious unknowns,
sigh no more sadly:
Using timber as big
22
was never easy!
~ Du Fu,#NFDB
670:Aunt Dorothy's Lecture
Come, go and practise—get your work—
Do something, Nelly, pray.
I hate to see you moon about
In this uncertain way!
Why do you look so vacant, child?
I fear you must be ill.
Surely you are not thinking of
That Captain Cameron still?
Ah, yes—I fear'd so! You may blush;
I blush for you, my dear;
And it is scarce a week ago
Since Gerald brought him here—
The day he fell in the hunting-field,
And his pretty horse was lamed.
O child—and with your bringing up!
You ought to be ashamed.
Last night I saw you watching him,
And you danced with him thrice;
You turn'd quite red when he spoke to you—
Such manners are not nice.
You, Nelly Gray, should not be seen
(I don't wish to be harsh)
Running wild, like the servant-girls,
For a red coat and moustache.
Not that he isn't a gentleman
From spur to shako-brim—
I know good blood when I see it—yes,
I will say that for him.
He does not swagger, nor lisp, nor flirt—
Has none of those vulgar ways;
And he does not talk like a stable-boy,
As the fashion is nowadays.
In fact, I admire him very much—
My dear, you need not fret—
I do; he's very different from
The rest of Gerald's set.
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He's very handsome, certainly—
I don't mind saying so.
He reminds me a bit of your uncle, when
I met him long ago.
He had a silky, long moustache
Of just that golden shade;
And broad Greek brows, with a tint of bronze,
That Indian suns had made.
He was a soldier, too, you know—
As big and strong and tall:
He'd just come home when I saw him first
At Lady Talbot's ball.
I remember when we were introduced;
By stealth I look'd him o'er—
Such haughty, indolent, gentle eyes,
I never saw before!
I felt so strange when he look'd at me;
I cannot tell you why—
But I seem'd to feel he was mine, to keep
And love, till I should die.
'Twas very odd—in a moment, too,
Before I knew his name!
But, Nelly—O how the world was changed
And brighten'd, when he came!
I was so restless all that night;—
I did not want to see,
I felt where he moved about the room
While he was away from me.
I was jealous—I could not help it,
Although I struggled hard—
Of the other girls, whose favour'd names
Were written on his card;
They were so rich, and I was poor;
They were so grandly dress'd,
And I so dowdy; and yet, and yet,
I thought he liked me best.
The last long hour he danced with them,
And oh I miss'd him so!
And then I heard our carriage call'd,
72
And I knew that I must go.
A big lump rose up in my throat
That I could hardly bear;
But, passing through the vestibule,
I saw him standing there.
I knew not where he came from,
But I felt no surprise
When he look'd down from his stately height
With his grave and quiet eyes,
And held his hand for a mute good-night
That said all words could say;—
Ah, love! he made me happy then
For ever and for aye.
Well, well,—but this is nonsense;
How I am running on!—
His golden hair grew thin and grey,
And now he's dead and gone.
There, go and dress for dinner, child;
It's getting late, you see;
And—perhaps I'll ask young Cameron
If he'll come in to tea.
~ Ada Cambridge,#NFDB
671:Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant.
“Mr. Kadam, wait. I don’t understand.”
Dining companion? What is he talking about? Maybe he’s confused.
Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.”
I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell.
I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.”
A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry.
“Ren.”
He smiled. “Who else?”
He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly.
He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one.
I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes.
He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him.
Nervous and impatient, I asked, “Are you finished?”
“Almost.” He was now staring at my strappy shoes.
“Well, hurry up!”
His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.”
I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.”
He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.”
“I was being sarcastic, Ren.”
He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit.
I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it.
He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.”
I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.”
“Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.”
He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle. ~ Colleen Houck,#NFDB
672:Canto I
And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us out onward with bellying canvas,
Circe’s this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day’s end.
Sun to his slumber, shadows o’er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wretched men there.
The ocean flowing backward, came we then to the place
Aforesaid by Circe.
Here did they rites, Perimedes and Eurylochus,
And drawing sword from my hip
I dug the ell-square pitkin;
Poured we libations unto each the dead,
First mead and then sweet wine, water mixed with white flour.
Then prayed I many a prayer to the sickly death’s-heads;
As set in Ithaca, sterile bulls of the best
For sacrifice, heaping the pyre with goods,
A sheep to Tiresias only, black and a bell-sheep.
Dark blood flowed in the fosse,
Souls out of Erebus, cadaverous dead, of brides
Of youths and of the old who had borne much;
Souls stained with recent tears, girls tender,
Men many, mauled with bronze lance heads,
Battle spoil, bearing yet dreory arms,
These many crowded about me; with shouting,
Pallor upon me, cried to my men for more beasts;
Slaughtered the herds, sheep slain of bronze;
Poured ointment, cried to the gods,
To Pluto the strong, and praised Proserpine;
Unsheathed the narrow sword,
I sat to keep off the impetuous impotent dead,
Till I should hear Tiresias.
But first Elpenor came, our friend Elpenor,
Unburied, cast on the wide earth,
Limbs that we left in the house of Circe,
Unwept, unwrapped in sepulchre, since toils urged other.
Pitiful spirit. And I cried in hurried speech:
“Elpenor, how art thou come to this dark coast?
“Cam’st thou afoot, outstripping seamen?”
And he in heavy speech:
“Ill fate and abundant wine. I slept in Circe’s ingle.
“Going down the long ladder unguarded,
“I fell against the buttress,
“Shattered the nape-nerve, the soul sought Avernus.
“But thou, O King, I bid remember me, unwept, unburied,
“Heap up mine arms, be tomb by sea-bord, and inscribed:
“A man of no fortune, and with a name to come.
“And set my oar up, that I swung mid fellows.”
And Anticlea came, whom I beat off, and then Tiresias Theban,
Holding his golden wand, knew me, and spoke first:
“A second time? why? man of ill star,
“Facing the sunless dead and this joyless region?
“Stand from the fosse, leave me my bloody bever
“For soothsay.”
And I stepped back,
And he strong with the blood, said then: “Odysseus
“Shalt return through spiteful Neptune, over dark seas,
“Lose all companions.” And then Anticlea came.
Lie quiet Divus. I mean, that is Andreas Divus,
In officina Wecheli, 1538, out of Homer.
And he sailed, by Sirens and thence outward and away
And unto Circe.
Venerandam,
In the Cretan’s phrase, with the golden crown, Aphrodite,
Cypri munimenta sortita est, mirthful, orichalchi, with golden
Girdles and breast bands, thou with dark eyelids
Bearing the golden bough of Argicida. So that: ~ Ezra Pound,#NFDB
673:His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped. ~ Colleen Houck,#NFDB
674:To the river?” he suggested, pointing ahead down the road.
The Recorah River, which flowed south out of the Nineyre Mountains before curving to the west, marked both our eastern and southern borders, and was the reason construction of the wall was necessitated only along the boundary we shared with the Kingdom of Sarterad.
“Won’t there be patrols?”
He shook his head. “One of my duties is to regulate the patrols. I know exactly where they are. So--to the river?”
I nodded, and we lined our horses up as best we could, for our mounts had caught our excitement and were straining against their bits. We locked eyes and counted down together.
“Three, two, one--” I dug my heels into King’s sides and he sprang almost violently forward.
My father had never liked me racing. It was dangerous--the horse could fall, I could drop the reins or lose my seat, and at a full gallop, my chances of survival would be slim. But he had always loved to do it, and so had I. There was such freedom in letting a horse have its head, such joyful abandonment in the feel of the animal’s hooves striking the earth time after time, as fast and as hard as they could go. There was power and exhilaration in leaning forward, moving with the animal, feeling the wind on my cheeks, my hair whipping back. There was a oneness that could not be achieved in any other way, a single purpose represented by the finish line that loomed ahead.
King and I had the advantage at the start, and I turned my head to grin at Saadi before giving my full concentration to the task at hand. I would leave him far behind, but there was no point in testing fate. It wasn’t long before my confidence and my lead were challenged--I caught sight of the gelding’s front legs to my left, gaining ground as they arched and reached in beautiful rhythm. We bumped and battled, following the winding road, the horses breathing hard.
Then it was Saadi’s turn to grin. He gave me a nod, urging his horse up the slight incline that lay before us, gradually inching ahead until he succeeded in passing me completely as we flew down the other side. Knowing the race would be won or lost on the remaining flat ground from here to the river, I lay low against King’s neck, and the stallion pressed forward, sensing my urgency. Race for Papa, King, I thought. You can win for Papa.
The Recorah River spread before us, and both Saadi and I would have to slow soon to avoid surging into it. King’s burst of speed was enough to put us neck-and-neck once more, but my frustration flared, for I doubted we could push ahead. At best, the race would be a tie. And a tie wasn’t good enough, not when King needed to come home with me.
Then suddenly I was in front. I glanced over at Saadi in confusion, and saw him check his gelding, letting me win. King did not want to stop, but I pulled him down just before the river, swerving to let him canter, then trot, along its bank. Saadi came alongside me and we halted, dismounting at the same time. I leaned for a moment against my saddle, panting from my own exertion, then slid it off King’s back. Without a word, Saadi likewise stripped his mount, and we freed the horses to go to the water for a drink. Muscles aching, I flopped down on the grass and stared up through the branches of a tree to the graying sky above.
A shadow passed over me, then Saadi lay down beside me.
“You won,” he said.
“You let me.”
There was a silence--he hadn’t expected me to know. Then I heard the grass rustle as he shrugged. “You’re right. I did.”
Laughing at his candor, I sat up and looked at him. He was relaxing with his arms behind his head, his bronze hair damp and sticking to his forehead. ~ Cayla Kluver,#NFDB
675:You there! What are you doing?” A sentry was approaching, her strides swift and purposeful. “Identify yourself!”
She held a lantern close to me, and I squinted in the light, my heart thrumming loudly. On the chance that I could still pull off the charade, I attempted to mimic a Cokyrian accent. The inflection was subtle, but not terribly different from our own, and I hoped that guard would be none the wiser.
“I was sent to deliver a message.”
“And what message is that?” Her voice was skeptical and she laid a hand on the hilt of the sword at her hip.
“The message is not for you.”
The sentry laughed. “Get out of here, girl. I have no interest in arresting you. I’ll consider this an amusing part of my night duty as long as you don’t cause any trouble.”
“The message is from Rava,” I tried again, my natural stubbornness overcoming my fear. “For her brother.”
“Messages should be taken to the main building,” she pronounced, no longer confident that she should send me away.
“Rava instructed me to deliver it to no one but Saadi. She said he would be in the officer’s barracks.”
The woman deliberated, looking dubiously at me, although she ultimately decided in my favor.
“Then I’ll take you to him. We’ll see what he has to say about this.”
The sentry grabbed my arm and led me toward the building. There were two guards at its entrance, and she instructed one of them to fetch Saadi.
Despite the coolness of the weather, I could feel myself sweating. If Saadi refused to come, I would be locked up and likely taken to Rava in the morning. But if he did come, how did I know he would be happy to see me? He might not approve of the game I was playing. Nausea roiled my stomach, and I glanced at the Cokyrians on each side of me, trying to decide if I should beat a hasty retreat. Too afraid of the consequences if I failed to get away, I waited, praying the fates would smile upon me.
It wasn’t long before footfalls reached my ears, and the door to the barracks swung open. Saadi stood there in breeches and a loose, unlaced shirt, strapping on his weapons, obviously having been awakened. Would he be angry that I had disturbed his sleep?
“Well?” the guard who discovered me prompted.
“I recognize her,” Saadi answered, staring directly at the woman. “She works for my sister as an errand girl.”
I briefly closed my eyes in relief. Saadi waved the guard back to her post and issued an order to the man behind him to retrieve his cloak. When it was thrust into his hands, he escorted me back across the base, not speaking until we were out of earshot of those on patrol.
“So, Rava has a message for me?”
I shoved him unthinkingly, teasingly, and he laughed, jumping away.
“You wanted to see me, remember?” I pointed out. “But you never picked a time or place!”
“So you decided to do it for me. Fair enough, but I’m dying to know what you have in mind to do.”
“I don’t have anything in mind.”
We had reached the thoroughfare, and he chuckled. “You braved Cokyrian soldiers and the stronghold of the military base, but don’t have a thing in mind for us to do?”
“That’s right,” I admitted, irritated that he was laughing at me. “Would you grow up please?”
“Shaselle, there’s nothing ‘grown-up’ about what we’re doing. I assume you snuck away from home to see me, and I have a five o’clock call in the morning.”
I came to a halt and turned to face him, my eyes issuing a challenge. “If you want to go back, feel free. Tell those soldiers that Rava just wanted to make sure her baby brother went to bed on time.”
He grinned, enjoying my feisty responses, and smoothed his bronze hair forward, a habit I still found annoying. It also served to make my heart flutter. ~ Cayla Kluver,#NFDB
676:Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask. “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals, and--”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all--” She broke off and frowned. “Why are you laughing at me?”
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m…I’m not laughing at you.”
“You are!”
“No I’m not. It’s just…” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels…”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.”
That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking.
“What is so amusing about fornicating squirrels?” Beatrix asked irritably.
By this time he had gone into near apoplexy. “No more,” he gasped. “Please.”
“I gather it’s not the same for people,” Beatrix said with great dignity, inwardly mortified. “They don’t go about it the same way that animals do?”
Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. “Yes. No. That is, they do, but…”
“But you don’t prefer it that way?”
Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. “I do. I’m quite enthusiastic about it, actually. But it’s not right for your first time.”
“Why not?”
Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, “Shall I show you?”
Beatrix was transfixed.
Taking her stillness as assent, he pressed her back and moved over her slowly. He touched her with care, arranging her limbs, spreading them to receive him. A gasp escaped her as she felt his hips settle on hers. He was aroused, a thick pressure fitting against her intimately. Bracing some of his weight on his arms, he looked down into her reddening face.
“This way,” he said, with the slightest nudge, “…is usually more pleasing to the lady.”
The gentle movement sent a jolt of pleasure through her. Beatrix couldn’t speak, her senses filled with him, her hips catching a helpless arch. She looked up at the powerful surface of his chest, covered with a tantalizing fleece of bronze-gold hair.
Christopher lowered further, his mouth hovering just over hers. “Front to front…I could kiss you the entire time. And the shape of you would cushion me so sweetly…like this…” His lips took hers and coaxed them open, wringing heat and delight from her yielding flesh. Beatrix shivered, her arms lifting around his neck. She felt him all along her body, his warmth and weight anchoring her. ~ Lisa Kleypas,#NFDB
677:An Experiment In Translation
Blest husbandmen! if they but knew their bliss!
For whom, from war remote, fair-minded Earth
Teems, to light toil, with ready sustenance.
What though from splendid palace streams at dawn
No servile train, gaping at inlaid gates,
Corinthian bronzes, garments tricked with gold;
What though for them no snow-white wool be stained
By Eastern dyes, nor oil be smeared with nard,
Secure tranquillity is theirs, a life
Of rural wealth, from galling failure free,
Of ample leisure amid broad domains,
Cool grots, and shimmering pools, and shady groves,
Lowing of kine, and, after woodland chase,
Delight of slumber under noonday boughs:
Hard-working hinds to homely fare inured,
Fear of the Gods, and reverence for age.
Justice, deserting Earth, forsook them last.
For me, enamoured of the darling Muse,
Whose badge I bear, may she to me reveal
The secret of the stars, the sun's eclipse,
Moon's endless labour, earthquake, storm, and calm,
Why winter suns subside into the sea
So soon, and summer twilights stay so long.
But if not mine the native fire and force
To find my way to Nature's very heart,
Leave me green vales and irrigating rills,
And soothe my lack of fame with woods and streams.
Where are the braes and burns of Thessaly,
And Spartan maidens wantoning in the woods!
O who will hence now wizard me away
To Haemus' dewy dingles, and with dense
Umbrageous branches curtain my retreat!
Thrice blest indeed is he that apprehends
The root and real significance of things,
Who tramples under foot both fear and fate,
Nor dreads the roar of Acheron's yawning surge.
Nor happy less, who knows the rustic gods,
Pan, old Sylvanus, and the sister nymphs.
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To menace of the mob or regal frown,
To Dacian hosts and fratricidal strife,
Future of Rome, and perishable realms,
Insensible alike, his heart is spared
Pain for the poor and envy of the rich.
His wealth the harvest trunk and furrow yield,
Nothing he recks of edicts cast in bronze,
News of the hour, or Senate's wrangling strife.
Some scour the seas in search of war, and storm
The gates of Kings, put cities to the sword,
To drain gemmed goblets, snore in Tyrian sheets;
Some gloat upon their golden hoards, while some
Are dazed by sounding rhetoric or befooled
By cheers repeated from patrician lips
And plebs alike; exult in brother's blood;
Or in sheer lust of exile quit their home
To seek a roof beneath some other sky.
With his curved share the wise swain stirs the soil,
Source of his constant care, and sustenance
Of country, kin, sleek kine, and generous steers.
Respite is none; for still the season teems
With fruits, or lambing flocks; or mellow sheaves
Crest the long furrows, and restock the barns.
Then Winter comes; the olives must be pressed,
The hogs grunt homeward gorged with mast; the grove
Yields arbutus, the Autumn peach and pear,
And the grapes ripen on the warm dry soil.
Meanwhile his children clamber to be kissed,
His honour lives unstained, the foaming pail
Brims with abounding milk, and on the sward
Young kids do mimic battle with their horns.
'Tis he that leads the Feast; and when his folk
Have lit the altar-fire and wreathed the cup,
Thee, Bacchus, with libation he invokes, and then
Tests at the target his head-shepherds' skill,
Or bids them strip and wrestle for the prize.
Such was the life the Sabines led of old,
Such Remus and his twin; and thus it was
Etruria throve; thus seven-hilled Rome became
One with itself, the glory of the world.
Such, too, ere yet unnatural Minos reigned,
And impious mortals banqueted on flesh,
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The simple manners of the Golden Age.
~ Alfred Austin,#NFDB
678:Roosters
At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock
just below
the gun-metal blue window
and immediately there is an echo
off in the distance,
then one from the backyard fence,
then one, with horrible insistence,
grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.
Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,
where in the blue blur
their rusting wives admire,
the roosters brace their cruel feet and glare
with stupid eyes
while from their beaks there rise
the uncontrolled, traditional cries.
Deep from protruding chests
in green-gold medals dressed,
planned to command and terrorize the rest,
the many wives
who lead hens' lives
of being courted and despised;
deep from raw throats
a senseless order floats
all over town. A rooster gloats
75
over our beds
from rusty irons sheds
and fences made from old bedsteads,
over our churches
where the tin rooster perches,
over our little wooden northern houses,
making sallies
from all the muddy alleys,
marking out maps like Rand McNally's:
glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,
each one an active
displacement in perspective;
each screaming, "This is where I live!"
Each screaming
"Get up! Stop dreaming!"
Roosters, what are you projecting?
You, whom the Greeks elected
to shoot at on a post, who struggled
when sacrificed, you whom they labeled
"Very combative..."
what right have you to give
commands and tell us how to live,
cry "Here!" and "Here!"
and wake us here where are
unwanted love, conceit and war?
The crown of red
set on your little head
is charged with all your fighting blood
Yes, that excrescence
76
makes a most virile presence,
plus all that vulgar beauty of iridescence
Now in mid-air
by two they fight each other.
Down comes a first flame-feather,
and one is flying,
with raging heroism defying
even the sensation of dying.
And one has fallen
but still above the town
his torn-out, bloodied feathers drift down;
and what he sung
no matter. He is flung
on the gray ash-heap, lies in dung
with his dead wives
with open, bloody eyes,
while those metallic feathers oxidize.
St. Peter's sin
was worse than that of Magdalen
whose sin was of the flesh alone;
of spirit, Peter's,
falling, beneath the flares,
among the "servants and officers."
Old holy sculpture
could set it all together
in one small scene, past and future:
Christ stands amazed,
Peter, two fingers raised
to surprised lips, both as if dazed.
But in between
a little cock is seen
77
carved on a dim column in the travertine,
explained by gallus canit;
flet Petrus underneath it,
There is inescapable hope, the pivot;
yes, and there Peter's tears
run down our chanticleer's
sides and gem his spurs.
Tear-encrusted thick
as a medieval relic
he waits. Poor Peter, heart-sick,
still cannot guess
those cock-a-doodles yet might bless,
his dreadful rooster come to mean forgiveness,
a new weathervane
on basilica and barn,
and that outside the Lateran
there would always be
a bronze cock on a porphyry
pillar so the people and the Pope might see
that event the Prince
of the Apostles long since
had been forgiven, and to convince
all the assembly
that "Deny deny deny"
is not all the roosters cry.
In the morning
a low light is floating
in the backyard, and gilding
from underneath
the broccoli, leaf by leaf;
how could the night have come to grief?
78
gilding the tiny
floating swallow's belly
and lines of pink cloud in the sky,
the day's preamble
like wandering lines in marble,
The cocks are now almost inaudible.
The sun climbs in,
following "to see the end,"
faithful as enemy, or friend.
~ Elizabeth Bishop,#NFDB
679:Turkey-Cock
You ruffled black blossom,
You glossy dark wind.
Your sort of gorgeousness,
Dark and lustrous
And skinny repulsive
And poppy-glossy,
Is the gorgeousness that evokes my most puzzled admiration.
Your aboriginality
Deep, unexplained,
Like a Red Indian darkly unfinished and aloof,
Seems like the black and glossy seeds of countless centuries.
Your wattles are the colour of steel-slag which has been red-hot
And is going cold,
Cooling to a powdery, pale-oxydised sky-blue.
Why do you have wattles, and a naked, wattled head?
Why do you arch your naked-set eye with a more-than-comprehensible
arrogance?
The vulture is bald, so is the condor, obscenely,
But only you have thrown this amazing mantilla of oxydised sky-blue
And hot red over you.
This queer dross shawl of blue and vermilion,
Whereas the peacock has a diadem.
I wonder why.
Perhaps it is a sort of uncanny decoration, a veil of loose skin.
Perhaps it is your assertion, in all this ostentation, of raw contradictoriness.
Your wattles drip down like a shawl to your breast
And the point of your mantilla drops across your nose, unpleasantly.
Or perhaps it is something unfinished
A bit of slag still adhering, after your firing in the furnace of creation.
Or perhaps there is something in your wattles of a bull's dew-lap
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Which slips down like a pendulum to balance the throbbing mass of a generous
breast,
The over-drip of a great passion hanging in the balance.
Only yours would be a raw, unsmelted passion, that will not quite fuse from the
dross.
You contract yourself,
You arch yourself as an archer's bow
Which quivers indrawn as you clench your spine
Until your veiled head almost touches backward
To the root-rising of your erected tail.
And one intense and backward-curving frisson
Seizes you as you clench yourself together
Like some fierce magnet bringing its poles together.
Burning, pale positive pole of your wattled head!
And from the darkness of that opposite one
The upstart of your round-barred, sun-round tail!
Whilst between the two, along the tense arch of your back
Blows the magnetic current in fierce blasts,
Ruffling black, shining feathers like lifted mail,
Shuddering storm wind, or a water rushing through.
Your brittle, super-sensual arrogance
Tosses the crape of red across your brow and down your breast
As you draw yourself upon yourself in insistence.
It is a declaration of such tension in will
As time has not dared to avouch, nor eternity been able to unbend
Do what it may.
A raw American will, that has never been tempered by life;
You brittle, will-tense bird with a foolish eye.
The peacock lifts his rods of bronze
And struts blue-brilliant out of the far East.
But watch a turkey prancing low on earth
Drumming his vaulted wings, as savages drum
Their rhythms on long-drawn, hollow, sinister drums.
The ponderous, sombre sound of the great drum of Huichilobos
In pyramid Mexico, during sacrifice.
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Drum, and the turkey onrush
Sudden, demonic dauntlessness, full abreast,
All the bronze gloss of all his myriad petals
Each one apart and instant.
Delicate frail crescent of the gentle outline of white
At each feather-tip
So delicate;
Yet the bronze wind-well suddenly clashing
And the eye over-weening into madness.
Turkey-cock, turkey-cock
Are you the bird of the next dawn?
Has the peacock had his day, does he call in vain, screecher, for the sun to rise?
The eagle, the dove, and the barnyard rooster, do they call in vain, trying to
wake the morrow?
And do you await us, wattled father, Westward?
Will your yell do it?
Take up the trail of the vanished American
Where it disappeared at the foot of the crucifix.
Take up the primordial Indian obstinacy,
The more than human, dense insistence of will,
And disdain, and blankness, and onrush, and prise open the new day with them?
The East a dead letter, and Europe moribund. . . . Is that so?
And those sombre, dead, feather-lustrous Aztecs, Amerindians,
In all the sinister splendour of their red blood sacrifices,
Do they stand under the dawn, half-godly, half-demon, awaiting the cry of the
turkey-cock?
Or must you go through the fire once more, till you're smelted pure,
Slag-wattled turkey-cock,
Dross-jabot?
Fiesole.
~ David Herbert Lawrence,#NFDB
680:Glasgow
SING, poet, 'tis a merry world;
That cottage smoke is rolled and curled
In sport, that every moss
Is happy, every inch of soil: Before me runs a road of toil
With my grave cut across.
Sing, trailing showers and breezy downs I know the tragic hearts of towns.
City! I am true son of thine;
Ne'er dwelt I where great mornings shine
Around the bleating pens;
Ne'er by the rivulets I strayed,
And ne'er upon my childhood weighed
The silence of the glens.
Instead of shores where ocean beats
I hear the ebb and flow of streets.
Black Labor draws his weary waves
Into their secret moaning caves;
But, with the morning light,
That sea again will overflow
With a long, weary sound of woe,
Again to faint in night.
Wave am I in that sea of woes,
Which, night and morning, ebbs and flows.
I dwelt within a gloomy court,
Wherein did never sunbeam sport;
Yet there my heart was stirred My very blood did dance and thrill,
When on my narrow window-sill
Spring lighted like a bird.
Poor flowers! I watched them pine for weeks,
With leaves as pale as human cheeks.
Afar, one summer, I was borne;
Through golden vapors of the morn
I heard the hills of sheep:
10
I trod with a wild ecstasy
The bright fringe of the living sea:
And on a ruined keep
I sat, and watched an endless plain
Blacken beneath the gloom of rain.
Oh, fair the lightly-sprinkled waste,
O'er which a laughing shower has raced!
Oh, fair the April shoots!
Oh, fair the woods on summer days,
While a blue hyacinthine haze
Is dreaming round the roots!
In thee, O city! I discern
Another beaity, sad and strern.
Draw thy fierce streams of blinding ore,
Smite on a thousand anvils, roar
Down the harbor-bars;
Smoulder in smoky sunsets, flare
On rainy nights; with street and square
Lie empty to the stars.
From terrace proud to alley base
I know thee as my mother's face.
When sunset bathes thee in his gold,
In wreaths of bronze thy sides are rolled,
They smoke is dusky fire;
And, from the glory round thee poured,
A sunbeam like an angel's sword
Shivers upon a spire.
Thus have I watched thee, Terror! Dream!
While the blue night crept up the stream.
The wild train plunges in the hills,
He shrieks across the midnight rills;
Streams through the shifting glare,
The roar and flap of foundry fires,
That shake with light the sleeping shires;
And on the moorlands bare
He sees afar a crown of light
Hang o'er thee in the hollow night.
11
And through thy heart as through a dream,
Flows on that black disdainful stream;
All scornfully it flows,
Between the huddled gloom of masts,
Silent as pines unvexed by blasts 'Tween lamps in streaming rows,
O wondrous sight! O stream of dread!
O long, dark river of the dead!
Afar, the banner of the year
Unfurls: but dimly prisoned here,
Tis only when I greet
A dropt rose lying in my way,
A butterfly that flutters gay
Athwart the noisy street,
I know the happy Summer smiles
Around thy suburbs, miles on miles.
'Twere neither pæan now, nor dirge,
The flash and thunder of the surge
On flat sands wide and bare;
No haunting joy or anguish dwells
In the green light of sunny dells,
Or in the starry air.
Alike to me the desert flower,
The rainbow laughing o'er the shower
While o'er thy walls the darkness sails,
I lean against the churchyard rails;
Up in the midnight towers
The belfried spire, the street is dead,
I hear in silence overhead
The clang of iron hours:
It moves me not - I know her tomb
Is yonder in the shapeless gloom.
All raptures of this mortal breath,
Solemnities of life and death,
Dwell in thy noise alone:
Of me thou hast become a part Some kindred with my human heart
Lives in thy streets of stone;
12
For we have been familiar more
Than galley-slave and weary oar.
The beech is dipped in wine; the shower
Is burnished; on the swinging flower
The latest bee doth sit.
The low sun stares through dust of gold.
And o'er the darkened heath and wold
The large ghost-moth doth flit.
In every orchard Autumn stands,
With apples in his golden hands.
But all these sights and sounds are strange;
Then wherefore from thee shoud I range?
Thou hast my kith and kin;
My childhood, youth, and manhood brave;
Thou hast that unforgotten grave
Within thy central din.
A sacredness of love and death
Dwells in thy noise and smoky breath.
~ Alexander Smith,#NFDB
681:On Australian Hills
Earth, outward tuning on her path in space
This pensive southern face,
Swathing its smile and shine
In that soft veil that day and darkness twine,
The silver-threaded twilight thin and fine,
With April dews impearled,
Looms like another and diviner world.
Here April brings her garnered harvest-sheaf,
Her withered autumn leaf,
Tintings of bronze and brass;
Her full-plumed reeds, her mushroom in the grass,
Her furrowed fields, where plough and sower pass,
Her laden apple bough.
All are transfigured and transmuted now.
The eastward ranges, so unearthly blue,
Bloom with their richest hue;
Slowly each rose-flushed crest
Deepens to violet where the shadows rest,
Darkens and darkens to the paling west;
The waning sun-fires die;
The first star swims in the pellucid sky.
Soundless to listening ear, on grass and flowers,
The footfall of the hours;
Formless and void to sight
The evolutions of invading night,
The creeping onslaught and the gradual flight,
Until the field is won,
And we look forth to see that day is done.
Then, from their grave of darkness, wood and lawn
Wake to a second dawn.
From unseen wells below
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The pearly moon-tides rise and overflow,
Till vale and peak and wide air-spaces glow
In the transfiguring stream,
And earth and life are but a heavenly dream.
And now we hear the fairy-echoes fall
Where distant curlews call,
And how the silence thrills
With the night-voices of the glens and hills,
Rustling in reeds and tinkling in the rills,
Bubbling in creek and pool
Where frogs are wooing in the shallows cool.
And more than these, in this delicious time,
The melody sublime
That inward spirit hears-The faint and far-off music of the spheres,
Immortal harmonies, too fine for ears
Dulled in the dusty ways,
Deaf with the din of the laborious days.
Whereto, responsive as the vibrant wire
Of some aeolian lyre
Fanned by celestial wings,
The summoned soul in mystic concord brings
The deep notes latent in its trembling strings,
Joining the choir divine
Of all the worlds that in the ether shine.
O sacred hour! O sweet night, calm and fair!
Thou dost rebuke despair;
Thou dost assuage the pain
Of passionate spirit and distempered brain,
And with thy balms, distilled like gentle rain,
Dost heal the fret and smart
And nerve the courage of this coward's heart.
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And lift me up, a Moses on the Mount
To the pure source and fount
Of law transcending law,
Of life that hallows life. I know no more
Of life's great Giver than I knew before,
But these His creatures tell
That He is living, and that all is well.
Oh, to be there to-night!
To see that rose of sunset flame and fade
On ghostly mountain height,
The soft dusk gathering each leaf and blade
From the departing light,
Each tree-fern feather of the wildwood glade.
From arid streets to pass
Down those green aisles where golden wattles bloom,
Over the fragrant grass,
And smell the eucalyptus in a gloom
That is as clear as glass,
The dew-fresh scents of bracken and of broom . . .
These city clamours mute,
To hear the woodland necromancers play
Each his enchanted lute;
That dear bird-laugh, so exquisitely gay,
The magpie's silver flute
In vesper carol to the dying day.
To hear the live wind blow,
The delicate stir and whisper of the trees
As light breaths come and go,
The brooklet murmuring to the vagrant breeze,
The bull-frog twanging low
His deep-toned mandolin to chime with these.
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And then the whispering rills,
The hushed lone wheel, or hoof, or axeman's tool;
The brooding dark that stills
The sweet Pan-piping of the grove and pool;
The dimly glimmering hills;
The sleeping night, so heavenly clean and cool.
Oh, for that mother-breast
That takes the broken spirit for repair,
The worn-out brain for rest-That healing silence, that untainted air,
That Peace of God . . . . . . Blest, blest
The very memory that I once was there.
The thought that someday yet,
In flesh, not dreams, I may return again,
And at those altars, set
In the pure skies, above the smoky plain,
Remember and forget
The joy of living and its price of pain . . . . . .
That sullied earth reserves
Such spacious refuge virgin and apart,
That wasting life preserves
Such sweet retreat for the distracted heart,
Such fount of strength for nerves
Torn in the ruthless struggle of the mart . . . . . .
That Government divine
O'er all this reek of blunders and of woes
Keeps an unravaged shrine
Not here, not there, but in the souls of those
Who neither weep nor whine,
But trust the guidance of the One Who Knows.
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~ Ada Cambridge,#NFDB
682:I, In My Intricate Image
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
85
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
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(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
87
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
~ Dylan Thomas,#NFDB
683:The Sins Of Kalamazoo
THE SINS of Kalamazoo are neither scarlet nor crimson.
The sins of Kalamazoo are a convict gray, a dishwater drab.
And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.
They run to drabs and grays-and some of them sing they shall be washed whiter
than snow-and some: We should worry.
Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
Listen with your ears on a Saturday night in Kalamazoo
And say to yourself: I hear America, I hear, what do I hear?
Main street there runs through the middle of the twon
And there is a dirty postoffice
And a dirty city hall
And a dirty railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on
Lincoln's birthday and the Fourth of July.
Kalamazoo kisses a hand to something far off.
Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping
mystic what-is-it.
'We're here because we're here,' is the song of Kalamazoo.
'We don't know where we're going but we're on our way,' are the words.
There are hound dogs of bronze on the public square, hound dogs looking far
beyond the public square.
Sweethearts there in Kalamazoo
443
Go to the general delivery window of the postoffice
And speak their names and ask for letters
And ask again, 'Are you sure there is nothing for me?
I wish you'd look again-there must be a letter for me.'
And sweethearts go to the city hall
And tell their names and say,'We want a license.'
And they go to an installment house and buy a bed on time and a clock
And the children grow up asking each other, 'What can we do to kill time?'
They grow up and go to the railroad station and buy tickets for Texas,
Pennsylvania, Alaska.
'Kalamazoo is all right,' they say. 'But I want to see the world.'
And when they have looked the world over they come back saying it is all like
Kalamazoo.
The trains come in from the east and hoot for the crossings,
And buzz away to the peach country and Chicago to the west
Or they come from the west and shoot on to the Battle Creek breakfast bazaars
And the speedbug heavens of Detroit.
'I hear America, I hear, what do I hear?'
Said a loafer lagging along on the sidewalks of Kalamazoo,
Lagging along and asking questions, reading signs.
Oh yes, there is a town named Kalamazoo,
A spot on the map where the trains hesitate.
I saw the sign of a five and ten cent store there
And the Standard Oil Company and the International Harvester
And a graveyard and a ball grounds
And a short order counter where a man can get a stack of wheats
And a pool hall where a rounder leered confidential like and said:
'Lookin' for a quiet game?'
The loafer lagged along and asked,
'Do you make guitars here?
Do you make boxes the singing wood winds ask to sleep in?
Do you rig up strings the singing wood winds sift over and sing low?'
The answer: 'We manufacture musical instruments here.'
Here I saw churches with steeples like hatpins,
Undertaking rooms with sample coffins in the show window
And signs everywhere satisfaction is guaranteed,
444
Shooting galleries where men kill imitation pigeons,
And there were doctors for the sick,
And lawyers for people waiting in jail,
And a dog catcher and a superintendent of streets,
And telephones, water-works, trolley cars,
And newspapers with a splatter of telegrams from sister cities of Kalamazoo the
round world over.
And the loafer lagging along said:
Kalamazoo, you ain't in a class by yourself;
I seen you before in a lot of places.
If you are nuts America is nuts.
And lagging along he said bitterly:
Before I came to Kalamazoo I was silent.
Now I am gabby, God help me, I am gabby.
Kalamazoo, both of us will do a fadeaway.
I will be carried out feet first
And time and the rain will chew you to dust
And the winds blow you away.
And an old, old mother will lay a green moss cover on my bones
And a green moss cover on the stones of your postoffice and city hall.
Best of all
I have loved your kiddies playing run-sheep-run
And cutting their initials on the ball ground fence.
They knew every time I fooled them who was fooled and how.
Best of all
I have loved the red gold smoke of your sunsets;
I have loved a moon with a ring around it
Floating over your public square;
I have loved the white dawn frost of early winter silver
And purple over your railroad tracks and lumber yards.
The wishing heart of you I loved, Kalamazoo.
I sang bye-lo, bye-lo to your dreams.
I sang bye-lo to your hopes and songs.
I wished to God there were hound dogs of bronze on your public square,
Hound dogs with bronze paws looking to a long horizon with a shivering silver
angel, a creeping mystic what-is-it.
445
~ Carl Sandburg,#NFDB
684:MANY ingenious lovely things are gone
That seemed sheer miracle to the multitude,
protected from the circle of the moon
That pitches common things about. There stood
Amid the ornamental bronze and stone
An ancient image made of olive wood
And gone are phidias' famous ivories
And all the golden grasshoppers and bees.
We too had many pretty toys when young:
A law indifferent to blame or praise,
To bribe or threat; habits that made old wrong
Melt down, as it were wax in the sun's rays;
Public opinion ripening for so long
We thought it would outlive all future days.
O what fine thought we had because we thought
That the worst rogues and rascals had died out.
All teeth were drawn, all ancient tricks unlearned,
And a great army but a showy thing;
What matter that no cannon had been turned
Into a ploughshare? Parliament and king
Thought that unless a little powder burned
The trumpeters might burst with trumpeting
And yet it lack all glory; and perchance
The guardsmen's drowsy chargers would not prance.
Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.
He who can read the signs nor sink unmanned
Into the half-deceit of some intoxicant
From shallow wits; who knows no work can stand,
Whether health, wealth or peace of mind were spent
On master-work of intellect or hand,
No honour leave its mighty monument,
Has but one comfort left: all triumph would
But break upon his ghostly solitude.
But is there any comfort to be found?
Man is in love and loves what vanishes,
What more is there to say? That country round
None dared admit, if Such a thought were his,
Incendiary or bigot could be found
To burn that stump on the Acropolis,
Or break in bits the famous ivories
Or traffic in the grasshoppers or bees.
When Loie Fuller's Chinese dancers enwound
A shining web, a floating ribbon of cloth,
It seemed that a dragon of air
Had fallen among dancers, had whirled them round
Or hurried them off on its own furious path;
So the platonic Year
Whirls out new right and wrong,
Whirls in the old instead;
All men are dancers and their tread
Goes to the barbarous clangour of a gong.
III
Some moralist or mythological poet
Compares the solitary soul to a swan;
I am satisfied with that,
Satisfied if a troubled mirror show it,
Before that brief gleam of its life be gone,
An image of its state;
The wings half spread for flight,
The breast thrust out in pride
Whether to play, or to ride
Those winds that clamour of approaching night.
A man in his own secret meditation
Is lost amid the labyrinth that he has made
In art or politics;
Some platonist affirms that in the station
Where we should cast off body and trade
The ancient habit sticks,
And that if our works could
But vanish with our breath
That were a lucky death,
For triumph can but mar our solitude.
The swan has leaped into the desolate heaven:
That image can bring wildness, bring a rage
To end all things, to end
What my laborious life imagined, even
The half-imagined, the half-written page;
O but we dreamed to mend
Whatever mischief seemed
To afflict mankind, but now
That winds of winter blow
Learn that we were crack-pated when we dreamed.
We, who seven yeats ago
Talked of honour and of truth,
Shriek with pleasure if we show
The weasel's twist, the weasel's tooth.
Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.
Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.
Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked and where are they?
Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery.
Violence upon the roads: violence of horses;
Some few have handsome riders, are garlanded
On delicate sensitive ear or tossing mane,
But wearied running round and round in their courses
All break and vanish, and evil gathers head:
Herodias' daughters have returned again,
A sudden blast of dusty wind and after
Thunder of feet, tumult of images,
Their purpose in the labyrinth of the wind;
And should some crazy hand dare touch a daughter
All turn with amorous cries, or angry cries,
According to the wind, for all are blind.
But now wind drops, dust settles; thereupon
There lurches past, his great eyes without thought
Under the shadow of stupid straw-pale locks,
That insolent fiend Robert Artisson
To whom the love-lorn Lady Kyteler brought
Bronzed peacock feathers, red combs of her cocks.
~ William Butler Yeats, Nineteen Hundred And Nineteen
,#NFDB
685:Narcissus
THE MIND IS AN ANCIENT AND FAMOUS CAPITAL
The mind is a city like London,
Smoky and populous: it is a capital
Like Rome, ruined and eternal,
Marked by the monuments which no one
Now remembers. For the mind, like Rome, contains
Catacombs, aqueducts, amphitheatres, palaces,
Churches and equestrian statues, fallen, broken or soiled.
The mind possesses and is possessed by all the ruins
Of every haunted, hunted generation’s celebration.
“Call us what you will: we are made such by love.”
We are such studs as dreams are made on, and
Our little lives are ruled by the gods, by Pan,
Piping of all, seeking to grasp or grasping
All of the grapes; and by the bow-and-arrow god,
Cupid, piercing the heart through, suddenly and forever.
Dusk we are, to dusk returning, after the burbing,
After the gold fall, the fallen ash, the bronze,
Scattered and rotten, after the white null statues which
Are winter, sleep, and nothingness: when
Will the houselights of the universe
Light up and blaze?
For it is not the sea
Which murmurs in a shell,
And it is not only heart, at harp o’clock,
It is the dread terror of the uncontrollable
Horses of the apocalypse, running in wild dread
Toward Arcturus—and returning as suddenly ...
THE FEAR AND DREAD OF THE MIND OF THE OTHERS
—The others were the despots of despair—
41
The river’s freshness sailed from unknown sources—
... They snickered giggled, laughed aloud at last,
They mocked and marvelled at the statue which was
A caricature, as strained and stiff, and yet
A statue of self-love!—since self-love was
To them, truly my true love, how, then, was I a stillness of nervousness
So nervous a caricature: did they suppose
Self-love was unrequited, or betrayed?
They thought I had fallen in love with my own face,
And this belief became the night-like obstacle
To understanding all my unbroken suffering,
My studious self-regard, the pain of hope,
The torment of possibility:
How then could I have expected them to see me
As I saw myself, within my gaze, or see
That being thus seemed as a toad, a frog, a wen, a mole.
Knowing their certainty that I was only
A monument, a monster who had fallen in love
With himself alone, how could I have
Told them what was in me, within my heart, trembling and passionate
Within the labyrinth and caves of my mind, which is
Like every mind partly or wholly hidden from itself?
The words for what is in my heart and in my mind
Do not exist. But I must seek and search to find
Amid the vines and orchards of the vivid world of day
Approximate images, imaginary parallels
For what is my heart and dark within my mind:
Comparisons and mere metaphors: for all
Of them are substitutes, both counterfeit and vague:
They are, at most, deceptive resemblances,
False in their very likeness, like the sons
Who are alike and kin and more unlike and false
Because they seem the father’s very self: but each one is
—Although begotten by the same forbears—himself,
The unique self, each one is unique, like every other one,
And everything, older or younger, nevertheless
A passionate nonesuch who has before has been.
Do you hear, do you see? Do you understand me now, and how
42
The words for what is my heart do not exist?
THE RIVER WAS THE EMBLEM OF ALL BEAUTY: ALL
...
The river was the abundant belly of beauty itself
The river was the dream space where I walked,
The river was itself and yet it was—flowing and freshening—
A self anew, another self, or self renewed
At every tick of eternity, and by each glint of light
Mounting or sparkling, descending to shade and black
—Had I but told them my heart, told how it was
Taunted at noon and pacified at dusk, at starfall midnight
Strong in hope once more, ever in eagerness
Jumping like joy, would they have heard? How could they?
How, when what they knew was, like the grass,
Simple and certain, known through the truth of touch, another form and fountain
of falsehood’s fecundity—
Gazing upon their faces as they gazed
Could they have seen my faces as whores who are
Holy and deified as priestesses of hope
—the sacred virgins of futurity—
Promising dear divinity precisely because
They were disfigured ducks who might become
And be, and ever beloved, white swans, noble and beautiful.
Could they have seen how my faces were
Bonfires of worship and vigil, blazes of adoration and hope
—Surely they would have laughed again, renewed their scorn,
Giggled and snickered, cruel. Surely have said
This is the puerile mania of the obsessed,
The living logic of the lunatic:
I was the statue of their merriment,
Dead and a death, Pharoah and monster forsaken and lost.
...
My faces were my apes: my apes became
Performers in the Sundays of their parks,
Buffoons or clowns in the farce or comedy
When they took pleasure in knowing that they were not like me.
43
...
I waited like obsession in solitude:
The sun’s white terror tore and roared at me,
The moonlight, almond white, at night,
Whether awake or sleeping, arrested me
And sang, softly, haunted, unlike the sun
But as the sun. Withheld from me or took away
Despair or peace, making me once more
With thought of what had never been before——
~ Delmore Schwartz,#NFDB
686:THE
SIGN
In the morning after this night, Zarathustra jumped
up from his resting place, girded his loins, and came
out of his cave glowing and strong as a morning sun
that comes out of dark mountains.
"'You great star," he said as he had said once before,
"you deep eye of happiness, what would your happiness
be had you not those for whom you shine? And if they
325
stayed in their chambers even after you had awakened
and come and given and distri buted, how angry would
your proud shame be!
"Well then, they still sleep, these higher men, while
I am awake: these are not my proper companions. It is
not for them that I wait here in my mountains. I want
to go to my work, to my day: but they do not understand the signs of my morning; my stride is for them
no summons to awaken. They still sleep in my cave,
their dream still drinks of my drunken songs. The ear
that listens for me, the heedful ear is lacking in their
limbs."
Thus had Zarathustra spoken to his heart when the
sun rose; then he looked questioning into the height, for
he heard the sharp cry of his eagle above him. "Well
then" he cried back; "thus it pleases and suits me. My
animals are awake, for I am awake. My eagle is awake
and honors the sun as I do. With eagle talons he grasps
for the new light. You are the right animals for me; I
love you. But I still lack the right men."
Thus spoke Zarathustra. But then it happened that
he suddenly heard himself surrounded as by innumerable
swarming and fluttering birds: but the whirring of so
many wings and the thronging about his head were so
great that he closed his eyes. And verily, like a cloud it
came over him, like a cloud of arrows that empties itself over a new enemy. But behold, here it was a cloud
of love, and over a new friend.
"What is happening to me?" thought Zarathustra in
his surprised heart, and slowly he sat down on the big
stone that lay near the exit of his cave. But as he reached
out with his hands around and over and under himself,
warding off the affectionate birds, behold, something
stranger yet happened to him: for unwittingly he
reached into a thick warm mane; and at the same time
326
he heard a roar in front of him-a soft, long lion roar.
"The sign is at hand," said Zarathustra, and a change
came over his heart. And indeed, as it became light
before him, a mighty yellow animal lay at his feet and
pressed its head against his knees and out of love did
not want to let go of him, and acted like a dog that
finds its old master again. But the doves were no less
eager in their love than the lion; and whenever a dove
slipped over the lion's nose, the lion shook its head and
was amazed and laughed.
About all this Zarathustra spoke but a single sentence:
"My children are near, my children." Then he became
entirely silent. But his heart was loosed, and tears
dropped from his eyes and fell on his bands. And he no
longer heeded anything and sat there motionless, without warding off the animals any more. Then the doves
flew about and sat on his shoulders and caressed his
white hair and did not weary of tenderness and jubilation. But the strong lion kept licking up the tears that
fell on Zarathustra's hands and roared and growled
bashfully. Thus acted these animals.
All this lasted a long time, or a short time: for properly
speaking, there is no time on earth for such things. But
meanwhile the higher men in Zarathustra's cave had
awakened and arranged themselves in a procession to
meet Zarathustra and bid him good morning; for they
had found when they awakened that he was no longer
among them. But when they reached the door of the
cave and the sound of their steps ran ahead of them, the
lion started violently, turned away from Zarathustra
suddenly, and jumped toward the cave, roaring savagely.
But when the higher men heard it roar, they all cried
out as with a single mouth, and they fled back and
disappeared in a flash.
327
Zarathustra himself, however, dazed and strange, rose
from his seat, looked around, stood there amazed, questioned his heart, reflected, and was alone. "What did
I hear?" he finally said slowly; "what happened to me
just now?" And presently memory came to him and
with a single glance he grasped everything that had
happened between yesterday and today. "Here is the
stone," he said, stroking his beard, "where I sat yesterday morning; and here the soothsayer came to me, and
here I first heard the cry which I heard just now, the
great cry of distress.
"O you higher men, it was your distress that this old
soothsayer prophesied to me yesterday morning; to your
distress he wanted to seduce and tempt me. 0 Zarathustra, he said to me, I come to seduce you to your
final sin.
"To my final sin?" shouted Zarathustra, and he
laughed angrily at his own words; "what was it that was
saved up for me as my final sin?"
And once more Zarathustra became absorbed in himself, and he sat down again on the big stone and reflected. Suddenly he jumped up. "Pity! Pity for the
higher man!" he cried out, and his face changed to
bronze. "Well then, that has had its time! My suffering
and my pity for suffering-what does it matter? Am I
concerned with happiness? I am concerned with my
work.
"Well then! The lion came, my children are near,
Zarathustra has ripened, my hour has come: this is my
morning, my day is breaking: rise now, rise, thou great
noon!"
Thus spoke Zarathustra, and he left his cave, glowing
and strong as a morning sun that comes out of dark
mountains.
~ Friedrich Nietzsche, THE SIGN
,#NFDB
687:Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephewssons mine . . . ah God, I know not! Well
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
Do I live, am I dead?" Peace, peace seems all.
Saint Praxed's ever was the church for peace;
And so, about this tomb of mine. I fought
With tooth and nail to save my niche, ye know:
Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o' the epistle-side,
And somewhat of the choir, those silent seats,
And up into the aery dome where live
The angels, and a sunbeam's sure to lurk
And I shall fill my slab of basalt there,
And 'neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh-poured red wine of a mighty pulse.
Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find . . . Ah God, I know not, I!
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew's head cut off at the nape,
Blue as a vein o'er the Madonna's breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father's globe on both His hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver's shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black
'Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me,
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph's last garment off,
And Moses with the tables . . . but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o'er with beggar's mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love meall of jasper, then!
'Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There's plenty jasper somewhere in the world
And have I not Saint Praxed's ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
That's if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully's every word,
No gaudy ware like Gandolf's second line
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor's-work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble's language, Latin pure, discreet,
Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard's quick,
They glitter like your mother's for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a vizor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
"Do I live, am I dead?" There, leave me, there!
For ye have stabbed me with ingratitude
To deathye wish itGod, ye wish it! Stone
Gritstone, a-crumble! Clammy squares which sweat
As if the corpse they keep were oozing through
And no more lapis to delight the world!
Well, go! I bless ye. Fewer tapers there,
But in a row: and, going, turn your backs
Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers
Old Gandolf, at me, from his onion-stone,
As still he envied me, so fair she was!
~ Robert Browning, Bishop Orders His Tomb at Saint Praxed's Church, Rome, The
,#NFDB
688:A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked
of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window. His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.
MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep. But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed
nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, "High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, "What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, "I seek your help,
For I am Aengus, and I am crossed in love.'
"How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
He replied,
"I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy house,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
"I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines" children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, "These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,
~ William Butler Yeats, The Old Age Of Queen Maeve
,#NFDB
689:Nina's Reply (Les Reparties De Nina)
HE - Your breast on my breast,
Eh ? We could go,
With our nostrils full of air,
Into the cool light
Of the blue good morning that bathes you
In the wine of daylight ?…
When the whole shivering wood bleeds,
Dumb with love
From every branch green drops,
Pale buds,
You can feel in things unclosing
The quivering flesh :
You would bury in the lucerne
Your white gown,
Changing to rose-colour in the fresh air the blue tint which encircles
Your great black eyes,
In love with the country,
Scattering everywhere,
Like champagne bubbles,
Your crazy laughter :
breast,
Mingling our voices,
Slowly we'd reach the stream,
Then the great woods !…
Then, like a little ghost,
Your heart fainting,
You'd tell me to carry you,
Your eyes half closed…
I'd carry your quivering body
Along the path :
The bird would sping out his andante :
Hard by the hazeltree…
103
I'd speak into your mouth ;
And go on, pressing
Your body like a little girl's I was putting to bed,
Drunk with the blood
That runs blue under your white skin
With its tints of rose :
And speaking to you in that frank tongue…
There !… - that you understand…
Our great woods would smell of sap,
And the sunlight
Would dust with fine gold their great
Green and bronze dream.
……………………………………………
In the evening ?… We'd take the white road
Which meanders,
Like a grazing herd,
All over the place
Oh the pleasant orchards with blue grass,
And twisted apple trees !
How you can smell a whole league
Off their strong perfume !
We'd get back to the village
When the sky was half dark ;
And there'd be a smell of milking
In the evening air ;
It would smell of the cowshed, full
Of warm manure,
Filled with the slow rythm of breathing,
And with great backs
Gleaming under some light or other ;
And, right down at the far end,
There'd be a cow dunging proudly
At every step…
104
- Grandmother's spectacles
And her long nose
Deep in her missal ; the jug of beer
Circled with pewter
Foaming among the big-bowled pipes
Gallantly smoking :
And the frightfull blubber lips
Which, still puffing,
Snatch ham from forks :
So much, and more :
The fire lighting up the bunks
And the cupboards.
The shining fat buttocks
Of the fat baby
On his hands and knees, who nuzzles into the cups,
His white snout
Tickled by a gently
Growling muzzle,
That licks all over the round face
Of the little darling…
Black and haughty on her chair's edge,
A terrifying profile,
And old woman in front of the embers,
Spinning
What sights we shall see, dearest,
In those hovels,
When the bright fire lights up
The grey window panes !…
- And then, small and nestling
Inside the cool
Dark lilacs : the hidden window
Smiling in there…
You'll come, you will come, I love you so !
105
It will be lovely.
You will come, won't you ? and even…
ELLE : - And what about my office ?
Original French
Les reparties de Nina
LUI - Ta poitrine sur ma poitrine,
Hein ? nous irions,
Ayant de l'air plein la narine,
Aux frais rayons
Du bon matin bleu, qui vous baigne
Du vin de jour ?...
Quand tout le bois frissonnant saigne
Muet d'amour
De chaque branche, gouttes vertes,
Des bourgeons clairs,
On sent dans les choses ouvertes
Frémir des chairs :
Tu plongerais dans la luzerne
Ton blanc peignoir,
Rosant à l'air ce bleu qui cerne
Ton grand oeil noir,
Amoureuse de la campagne,
Semant partout,
Comme une mousse de champagne,
Ton rire fou :
Riant à moi, brutal d'ivresse,
Qui te prendrais
Comme cela, - la belle tresse,
Oh ! - qui boirais
Ton goût de framboise et de fraise,
106
O chair de fleur !
Riant au vent vif qui te baise
Comme un voleur,
Au rose, églantier qui t'embête
Aimablement :
Riant surtout, ô folle tête,
À ton amant !....
........................................................
- Ta poitrine sur ma poitrine,
Mêlant nos voix,
Lents, nous gagnerions la ravine,
Puis les grands bois !...
Puis, comme une petite morte,
Le coeur pâmé,
Tu me dirais que je te porte,
L'oeil mi-fermé...
Je te porterais, palpitante,
Dans le sentier :
L'oiseau filerait son andante
Au Noisetier...
Je te parlerais dans ta bouche..
J'irais, pressant
Ton corps, comme une enfant qu'on couche,
Ivre du sang
Qui coule, bleu, sous ta peau blanche
Aux tons rosés.
Et te parlant la langue franche - .....
Tiens !... - que tu sais...
Nos grands bois sentiraient la sève,
Et le soleil
Sablerait d'or fin leur grand rêve
Vert et vermeil
........................................................
107
Le soir ?... Nous reprendrons la route
Blanche qui court
Flânant, comme un troupeau qui broute,
Tout à l'entour
Les bons vergers à l'herbe bleue,
Aux pommiers tors !
Comme on les sent toute une lieue
Leurs parfums forts !
Nous regagnerons le village
Au ciel mi-noir ;
Et ça sentira le laitage
Dans l'air du soir ;
Ca sentira l'étable, pleine
De fumiers chauds,
Pleine d'un lent rythme d'haleine,
Et de grands dos
Blanchissant sous quelque lumière ;
Et, tout là-bas,
Une vache fientera, fière,
À chaque pas...
- Les lunettes de la grand-mère
Et son nez long
Dans son missel ; le pot de bière
Cerclé de plomb,
Moussant entre les larges pipes
Qui, crânement,
Fument : les effroyables lippes
Qui, tout fumant,
Happent le jambon aux fourchettes
Tant, tant et plus :
Le feu qui claire les couchettes
Et les bahuts.
Les fesses luisantes et grasses
108
D'un gros enfant
Qui fourre, à genoux, dans les tasses,
Son museau blanc
Frôlé par un mufle qui gronde
D'un ton gentil,
Et pourlèche la face ronde
Du cher petit.....
Que de choses verrons-nous, chère,
Dans ces taudis,
Quand la flamme illumine, claire,
Les carreaux gris !...
- Puis, petite et toute nichée,
Dans les lilas
Noirs et frais : la vitre cachée,
Qui rit là-bas....
Tu viendras, tu viendras, je t'aime !
Ce sera beau.
Tu viendras, n'est-ce pas, et même...
Elle - Et mon bureau ?
~ Arthur Rimbaud,#NFDB
690:First Communions
Truly, they’re stupid, these village churches
Where fifteen ugly chicks soiling the pillars
Listen, trilling out their divine responses,
To a black freak whose boots stink of cellars:
But the sun wakes now, through the branches,
The irregular stained-glass’s ancient colours.
The stone always smells of its earthly mother.
You’ll see masses of those earthy rocks
In the rutting country that solemnly quivers,
And bears, on ochrous paths, near heavy crops,
Those burnt shrubs where the sloe turns bluer,
Those black mulberries the hedge-roses top.
Once a century, they make the barns respectable
With a wash of curdled milk and blue water:
If grotesque mysteries are viewed as notable,
Near to the straw-stuffed Saint or Madonna,
Flies, that know every inn and every stable,
Gorge on wax there, dotting the sunlit floor.
The child’s duty above all’s to home and family,
Simple cares, honest toil that stupefies;
They go, forgetting how their skin crawls freely
Where the Priest of Christ’s powerful finger lies.
The Priest has a house shaded with hornbeam
So he can loose these tanned brows to the light.
The first black suit, the finest pastries, there,
Beneath the little Drummer or Napoleon
Some plate where Josephs and Marthas stare,
Sticking their tongues out with excess emotion,
Joined, on the day of truth, by maps, a pair,
Are the sole sweet mementoes of Devotion.
The girls always go to church, content forever
To hear themselves called bitches by the sons,
Who put on airs, after Mass or Sung Vespers,
Those who are destined to grace the garrisons,
49
In cafes taunt the important families, snicker,
Dressed in new jackets, yelling frightful songs.
Meanwhile the Curé for the children’s choosing
Pictures; in his garden, and, when Vespers done,
The air fills with the distant sound of dancing,
He feels, despite all celestial inhibition,
His calves beat time, his toes with joy wriggling;
– Night steps, dark pirate, onto skies all golden.
II
The Priest has noted among the catechists,
Gathering from the Faubourgs and the Quarters,
This little unknown girl, her eyes pale mist,
Her sallow brow. Her parents humble porters:
‘On the great Day, seeing her among the Catechists,
God will snow down blessings on this daughter.’
III
On the eve of the great Day, the child feels ill.
Better than in the tall Church’s dismal murmuring,
First a shudder comes – bed’s not uninteresting – still,
The supernatural shudder may return: ‘I’m dying…’
And, like a theft of love from her stupid sisters,
She sees, exhausted and hands on heart, there,
Angels, Jesus, a Holy Virgin that glimmers;
And calmly her whole soul swallows her conqueror.
Adonai! … – In their Latin endings dressed,
Skies shot with green bathe Brows of crimson,
And, stained by pure blood from heavenly breasts,
Across swirling suns, fall great snowy linens!
– For her present and future virginities
She bites on the freshness of your Remission,
But more so than sweetmeats or water-lilies,
Your forgiveness is like ice, O Queen of Zion!
50
IV
Then the Virgin’s no more than the virgin of the book.
Mystical impulses are often thwarted…
The hideous print and the old woodcut come,
Poverty of images, bronze-sheathed by boredom.
Startled, her dream of chaste blueness,
By vaguely indecent curiosities,
Surprises itself among celestial tunics,
Linen with which Christ veils his nudities.
She yearns, she yearns, still, soul in distress,
Brow on the pillow racked by muffled sounds,
To prolong the supreme flashes of tenderness,
And dribbles – Darkness over house and grounds.
And the child can bear it no longer, she stirs,
Arches her back, opens the blue bed-hangings,
To draw the coolness of the room towards her,
Beneath the sheet, to breasts’ and belly’s burning.
Waking – at midnight – the window-panes were
White. Past the blue sleep of moonlit hangings,
The vision of Sunday candours captured her;
She’d dreamed of red. Her nose was bleeding,
And, feeling quite chaste and full of weakness,
Savouring love’s return to a God once known,
She thirsted for night when the heart may guess
At soft skies where it worships and bows down;
For night, impalpable Virgin-Mother, that bathes
All youthful emotion in its shadowy silences;
Thirsted for deep night where the heart, blood-stained,
Pours out without cries rebellion without witnesses.
51
And playing the Victim and the little bride,
Her star saw her, a candle between her fingers,
Descend to the courtyard where clothes dried,
White spectre raising the roofs’ black spectres.
VI
She passed her holy night in the latrine,
To the candle, from roof-holes, white air flowed,
And full of purplish blackness a wild vine,
Skirting the next-door yard hung down below.
The skylight made a heart of living brightness,
In the yard where the low sky, with its red-gold,
Plated the panes; cobbles, stinking with excess
Wet filth, sulphured the sleep-dark wall-shadows.
VII
Who’ll speak of that languor, those unclean pities,
And what hatred will fall on her, O you filthy
Lunatics, whose divine work still warps destinies,
When leprosy finally devours that sweet body?
VIII
And when, having swallowed all her hysterias,
She sees, in the melancholy born of happiness,
Her lover dreaming of the white million Marys
In the dawn of the night of love, her distress:
‘Do you know I killed you? Took your mouth,
Your heart, all that one has, all you possess;
And I, I am ill: Oh, I wish that I were drowned
With the Dead, drenched by nocturnal waters!
I was a child, and Christ has soiled my breath.
Filled me with loathing, through and through!
You kissed my hair thick as a fleece, and yes,
52
I allowed it….Oh, there, it’s all fine for you,
Men! Who don’t see that the most loving woman
Is, behind conscience full of ignoble terror,
The most prostituted and the most saddened,
That our every impulse towards You is error!
For my first Communion is long past.
I have no power ever to know your kisses:
And my heart and flesh, your flesh has clasped,
Seethe with the rotten kisses of Jesus!’
IX
Then, the desolate soul, and the soul that’s putrid,
Both will feel the stream of your maledictions.
– They’ll be at rest in your inviolate Hatred,
Freed, for death’s sake, from honest passions,
Christ! O Christ, the eternal thief of vigour,
God who, for two millennia, bowed to your pallor,
Nailed to the earth, in shame and mental horror,
Or overwhelmed, the brows of women of sorrow.
~ Arthur Rimbaud,#NFDB
691:J'Aime Le Souvenir De Ces Époques Nues (I Love The
Naked Ages Long Ago)
J'aime le souvenir de ces époques nues,
Dont Phoebus se plaisait à dorer les statues.
Alors l'homme et la femme en leur agilité
Jouissaient sans mensonge et sans anxiété,
Et, le ciel amoureux leur caressant l'échine,
Exerçaient la santé de leur noble machine.
Cybèle alors, fertile en produits généreux,
Ne trouvait point ses fils un poids trop onéreux,
Mais, louve au coeur gonflé de tendresses communes
Abreuvait l'univers à ses tétines brunes.
L'homme, élégant, robuste et fort, avait le droit
D'être fier des beautés qui le nommaient leur roi;
Fruits purs de tout outrage et vierges de gerçures,
Dont la chair lisse et ferme appelait les morsures!
Le Poète aujourd'hui, quand il veut concevoir
Ces natives grandeurs, aux lieux où se font voir
La nudité de l'homme et celle de la femme,
Sent un froid ténébreux envelopper son âme
Devant ce noir tableau plein d'épouvantement.
Ô monstruosités pleurant leur vêtement!
Ô ridicules troncs! torses dignes des masques!
Ô pauvres corps tordus, maigres, ventrus ou flasques,
Que le dieu de l'Utile, implacable et serein,
Enfants, emmaillota dans ses langes d'airain!
Et vous, femmes, hélas! pâles comme des cierges,
Que ronge et que nourrit la débauche, et vous, vierges,
Du vice maternel traînant l'hérédité
Et toutes les hideurs de la fécondité!
Nous avons, il est vrai, nations corrompues,
Aux peuples anciens des beautés inconnues:
Des visages rongés par les chancres du coeur,
Et comme qui dirait des beautés de langueur;
Mais ces inventions de nos muses tardives
N'empêcheront jamais les races maladives
202
De rendre à la jeunesse un hommage profond,
— À la sainte jeunesse, à l'air simple, au doux front,
À l'oeil limpide et clair ainsi qu'une eau courante,
Et qui va répandant sur tout, insouciante
Comme l'azur du ciel, les oiseaux et les fleurs,
Ses parfums, ses chansons et ses douces chaleurs!
I Love to Think of Those Naked Epochs
I love to think of those naked epochs
Whose statues Phoebus liked to tinge with gold.
At that time men and women, lithe and strong,
Tasted the thrill of love free from care and prudery,
And with the amorous sun caressing their loins
They gloried in the health of their noble bodies.
Then Cybele, generous with her fruits,
Did not find her children too heavy a burden;
A she-wolf from whose heart flowed boundless love for all,
She fed the universe from her tawny nipples.
Man, graceful, robust, strong, was justly proud
Of the beauties who proclaimed him their king;
Fruits unblemished and free from every scar,
Whose smooth, firm flesh invited biting kisses!
Today, when the Poet wishes to imagine
This primitive grandeur, in places where
Men and women show themselves in a state of nudity,
He feels a gloomy cold enveloping his soul
Before this dark picture full of terror.
Monstrosities bewailing their clothing!
Ridiculous torsos appropriate for masks!
Poor bodies, twisted, thin, bulging or flabby,
That the god Usefulness, implacable and calm,
Wrapped up at tender age in swaddling clothes of brass!
And you, women, alas! pale as candies,
Whom Debauch gnaws and feeds, and you, virgins,
Who trail the heritage of the maternal vice
And all the hideousness of fecundity!
203
Degenerate races, we have, it's true,
Types of beauty unknown to the ancient peoples:
Visages gnawed by cankers of the heart
And what one might say were languor's marks of beauty;
But these inventions of our backward Muses
Will never prevent unhealthy races
From paying to their youth deep and sincere homage,
— To holy youth, with serene brow and guileless air,
With eyes bright and clear, like a running brook,
Which goes spreading over all things, as free from care
As the blue of the sky, the birds and the flowers,
Its perfumes, its songs and its sweet ardor!
— Translated by William Aggeler
I Love the Thought of Those Old Naked Days
I love the thought of those old naked days
When Phoebus gilded torsos with his rays,
When men and women sported, strong and fleet,
Without anxiety or base deceit,
And heaven caressed them, amorously keen
To prove the health of each superb machine.
Cybele then was lavish of her guerdon
And did not find her sons too gross a burden:
But, like a she-wolf, in her love great-hearted,
Her full brown teats to all the world imparted.
Bold, handsome, strong, Man, rightly, might evince
Pride in the glories that proclaimed him prince —
Fruits pure of outrage, by the blight unsmitten,
With firm, smooth flesh that cried out to be bitten.
Today the Poet, when he would assess
Those native splendours in the nakedness
Of man or woman, feels a sombre chill
Enveloping his spirit and his will.
He meets a gloomy picture, which be loathes,
Wherein deformity cries out for clothes.
Oh comic runts! Oh horror of burlesque!
204
Lank, flabby, skewed, pot-bellied, and grotesque!
Whom their smug god, Utility (poor brats!)
Has swaddled in his brazen clouts 'ersatz'
As with cheap tinsel. Women tallow-pale,
Both gnawed and nourished by debauch, who trail
The heavy burden of maternal vice,
Or of fecundity the hideous price.
We have (corrupted nations) it is true
Beauties the ancient people never knew —
Sad faces gnawed by cancers of the heart
And charms which morbid lassitudes impart.
But these inventions of our tardy muse
Can't force our ailing peoples to refuse
Just tribute to the holiness of youth
With its straightforward mien, its forehead couth,
The limpid gaze, like running water bright,
Diffusing, careless, through all things, like the light
Of azure skies, the birds, the winds, the flowers,
The songs, and perfumes, and heart-warming powers.
— Translated by Roy Campbell,
I Love The Naked Ages Long Ago
I love the naked ages long ago
When statues were gilded by Apollo,
When men and women of agility
Could play without lies and anxiety,
And the sky lovingly caressed their spines,
As it exercised its noble machine.
Fertile Cybele, mother of nature, then,
Would not place on her daughters a burden,
But, she-wolf sharing her heart with the people,
Would feed creation from her brown nipples.
Men, elegant and strong, would have the right
To be proud to have beauty named their king;
Virgin fruit free of blemish and cracking,
Whose flesh smooth and firm would summon a bite!
The Poet today, when he would convey
205
This native grandeur, would not be swept away
By man free and woman natural,
But would feel darkness envelop his soul
Before this black tableau full of loathing.
O malformed monsters crying for clothing!
O ludicrous heads! Torsos needing disguise!
O poor writhing bodies of every wrong size,
Children that the god of the Useful swaths
In the language of bronze and brass!
And women, alas! You shadow your heredity,
You gnaw nourishment from debauchery,
A virgin holds maternal lechery
And all the horrors of fecundity!
We have, it is true, corrupt nations,
Beauty unknown to the radiant ancients:
Faces that gnaw through the heart's cankers,
And talk with the cool beauty of languor;
But these inventions of our backward muses
Are never hindered in their morbid uses
Of the old for profound homage to youth,
—To the young saint, the sweet air, the simple truth,
To the eye as limpid as the water current,
To spread out over all, insouciant
Like the blue sky, the birds and the flowers,
Its perfumes, its songs and its sweet fervors.
Translated by William A. Sigler
~ Charles Baudelaire,#NFDB
692:On Dante's Monument, 1818
Though all the nations now
Peace gathers under her white wings,
The minds of Italy will ne'er be free
From the restraints of their old lethargy,
Till our ill-fated land cling fast
Unto the glorious memories of the Past.
Oh, lay it to thy heart, my Italy,
Fit honor to thy dead to pay;
For, ah, their like walk not thy streets to-day!
Nor is there one whom thou canst reverence!
Turn, turn, my country, and behold
That noble band of heroes old,
And weep, and on thyself thy anger vent,
For without anger, grief is impotent:
Oh, turn, and rouse thyself for shame,
Blush at the thought of sires so great,
Of children so degenerate!
Alien in mien, in genius, and in speech,
The eager guest from far
Went searching through the Tuscan soil to find
Where he reposed, whose verse sublime
Might fitly rank with Homer's lofty rhyme;
And oh! to our disgrace he heard
Not only that, e'er since his dying day,
In other soil his bones in exile lay,
But not a stone within thy walls was reared
To him, O Florence, whose renown
Caused thee to be by all the world revered.
Thanks to the brave, the generous band,
Whose timely labor from our land
Will this sad, shameful stain remove!
A noble task is yours,
And every breast with kindred zeal hath fired,
That is by love of Italy inspired.
May love of Italy inspire you still,
Poor mother, sad and lone,
To whom no pity now
56
In any breast is shown,
Now, that to golden days the evil days succeed.
May pity still, ye children dear,
Your hearts unite, your labors crown,
And grief and anger at her cruel pain,
As on her cheeks and veil the hot tears rain!
But how can I, in speech or song,
Your praises fitly sing,
To whose mature and careful thought,
The work superb, in your proud task achieved,
Will fame immortal bring?
What notes of cheer can I now send to you,
That may unto your ardent souls appeal,
And add new fervor to your zeal?
Your lofty theme will inspiration give,
And its sharp thorns within your bosoms lodge.
Who can describe the whirlwind and the storm
Of your deep anger, and your deeper love?
Who can your wonder-stricken looks portray,
The lightning in your eyes that gleams?
What mortal tongue can such celestial themes
In language fit describe?
Away ye souls, profane, away!
What tears will o'er this marble stone be shed!
How can it fall? How fall your fame sublime,
A victim to the envious tooth of Time?
O ye, that can alleviate our woes,
Sole comfort of this wretched land,
Live ever, ye dear Arts divine,
Amid the ruins of our fallen state,
The glories of the past to celebrate!
I, too, who wish to pay
Due honor to our grieving mother, bring
Of song my humble offering,
As here I sit, and listen, where
Your chisel life unto the marble gives.
O thou, illustrious sire of Tuscan song,
If tidings e'er of earthly things,
Of _her_, whom thou hast placed so high,
Could reach your mansions in the sky,
I know, thou for thyself no joy wouldst feel,
57
For, with thy fame compared,
Renowned in every land,
Our bronze and marble are as wax and sand;
If thee we _have_ forgotten, _can_ forget,
May suffering still follow suffering,
And may thy race to all the world unknown,
In endless sorrows weep and moan.
Thou for thyself no joy wouldst feel,
But for thy native land,
If the example of their sires
Could in the cold and sluggish sons
Renew once more the ancient fires,
That they might lift their heads in pride again.
Alas, with what protracted sufferings
Thou seest her afflicted, that, e'en then
Did seem to know no end,
When thou anew didst unto Paradise ascend!
Reduced so low, that, as thou seest her now,
She then a happy Queen appeared.
Such misery her heart doth grieve,
As, seeing, thou canst not thy eyes believe.
And oh, the last, most bitter blow of all,
When on the ground, as she in anguish lay,
It seemed, indeed, thy country's dying day!
O happy thou, whom Fate did not condemn
To live amid such horrors; who
Italian wives didst not behold
By ruffian troops embraced;
Nor cities plundered, fields laid waste
By hostile spear, and foreign rage;
Nor works divine of genius borne away
In sad captivity, beyond the Alps,
The roads encumbered with the precious prey;
Nor foreign rulers' insolence and pride;
Nor didst insulting voices hear,
Amidst the sound of chains and whips,
The sacred name of Liberty deride.
Who suffers not? Oh! at these wretches' hands,
What have we not endured?
From what unholy deed have they refrained?
58
What temple, altar, have they not profaned?
Why have we fallen on such evil times?
Why didst thou give us birth, or why
No sooner suffer us to die,
O cruel Fate? We, who have seen
Our wretched country so betrayed,
The handmaid, slave of impious strangers made,
And of her ancient virtues all bereft;
Yet could no aid or comfort give.
Or ray of hope, that might relieve
The anguish of her soul.
Alas, my blood has not been shed for thee,
My country dear! Nor have I died
That thou mightst live!
My heart with anger and with pity bleeds.
Ah, bitter thought! Thy children fought and fell;
But not for dying Italy, ah, no,
But in the service of her cruel foe!
Father, if this enrage thee not,
How changed art thou from what thou wast on earth!
On Russia's plains, so bleak and desolate,
They died, the sons of Italy;
Ah, well deserving of a better fate!
In cruel war with men, with beasts,
The elements! In heaps they strewed the ground;
Half-clad, emaciated, stained with blood,
A bed of ice for their sick frames they found.
Then, when the parting hour drew near,
In fond remembrance of that mother dear,
They cried: 'Oh had we fallen by the foeman's hand,
And not the victims of the clouds and storms,
And for _thy_ good, our native land!
Now, far from thee, and in the bloom of youth,
Unknown to all, we yield our parting breath,
And die for _her_, who caused our country's death!'
The northern desert and the whispering groves,
Sole witnesses of their lament,
As thus they passed away!
And their neglected corpses, as they lay
Upon that horrid sea of snow exposed,
59
Were by the beasts consumed;
The memories of the brave and good,
And of the coward and the vile,
Unto the same oblivion doomed!
Dear souls, though infinite your wretchedness,
Rest, rest in peace! And yet what peace is yours,
Who can no comfort ever know
While Time endures!
Rest in the depths of your unmeasured woe,
O ye, _her_ children true,
Whose fate alone with hers may vie,
In endless, hopeless misery!
But she rebukes you not,
Ah, no, but these alone,
Who forced you with her to contend;
And still her bitter tears she blends with yours,
In wretchedness that knows no end.
Oh that some pity in the heart were born,
For her, who hath all other glories won,
Of one, who from this dark, profound abyss,
Her weak and weary feet could guide!
Thou glorious shade, oh! say,
Does no one love thy Italy?
Say, is the flame that kindled thee extinct?
And will that myrtle never bloom again,
That hath so long consoled us in our pain?
Must all our garlands wither in the dust?
And shall we a redeemer never see,
Who may, in part, at least, resemble thee?
Are we forever lost?
Is there no limit to our shame?
I, while I live, will never cease to cry:
'Degenerate race, think of thy ancestry!
Behold these ruins vast,
These pictures, statues, temples, poems grand!
Think of the glories of thy native land!
If they thy soul cannot inspire or warn,
Why linger here? Arise! Begone!
This holy ground must not be thus defiled,
And must no shelter give
60
Unto the coward and the slave!
Far better were the silence of the grave!'
~ Count Giacomo Leopardi,#NFDB
693:I
Ancestral Houses
SURELY among a rich man s flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwindling score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist
sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
"Vengeance upon the murderers,' the cry goes up,
"Vengeance for Jacques Molay.' In cloud-pale rags, or
in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading
wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their
eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or
of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the
moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my
worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
~ William Butler Yeats, Meditations In Time Of Civil War
,#NFDB
694:THE UGLIEST MAN
And again Zarathustra's feet ran over mountains and
through woods, and his eyes kept seeking, but he whom
they wanted to see was nowhere to be seen: the great
distressed one who had cried out. All along the way,
however, Zarathustra jubilated in his heart and was
grateful. 'What good things," he said, "has this day
given me to make up for its bad beginning! What
strange people have I found to talk with Now I shall
long chew their words like good grains; my teeth shall
grind them and crush them small till they flow like milk
into my soul."
But when the path turned around a rock again the
scenery changed all at once, and Zarathustra entered a
realm of death. Black and red cliffs rose rigidly: no
grass, no tree, no bird's voice. For it was a valley that
all animals avoided, even the beasts of prey; only a
species of ugly fat green snakes came here to die when
they grew old. Therefore the shepherds called this
valley Snakes' Death.
Zarathustra, however, sank into a black reminiscence,
for he felt as if he had stood in this valley once before.
And much that was grave weighed on his mind; he
walked slowly, and still more slowly, and finally stood
still. But when he opened his eyes he saw something
sitting by the way, shaped like a human being, yet
scarcely like a human being-something inexpressible.
And all at once a profound sense of shame overcame
Zarathustra for having laid eyes on such a thing:
blushing right up to his white hair, he averted his eyes
and raised his feet to leave this dreadful place. But at
that moment the dead waste land was filled with a
noise, for something welled up from the ground, gurgling and rattling, as water gurgles and rattles by night
in clogged waterpipes; and at last it became a human
voice and human speech-thus:
"Zarathustra! Zarathustral Guess my riddle! Speak,
speak! What is the revenge against the witness? I lure
you back, here is slippery ice. Take care, take care that
your pride does not break its legs here! You think yourself wise, proud Zarathustra. Then guess the riddle, you
cracker of hard nuts-the riddle that I am. Speak then:
who am I?"
But when Zarathustra had heard these words-what
do you suppose happened to his soul? Pity seized him;
and he sank down all at once, like an oak tree that has
long resisted many woodcutters-heavily, suddenly,
terrifying even those who had wanted to fell it. But immediately he rose from the ground again, and his face
became hard.
"I recognize you well," he said in a voice of bronze;
'you are the murderer of God! Let me go. You could
not bear him who saw you-who always saw you
through and through, you ugliest man! You took revenge on this witness!"
Thus spoke Zarathustra, and he wanted to leave; but
the inexpressible one seized a corner of his garment and
began again to gurgle and seek for words. "Stayl" he
said finally. "Stay! Do not pass by! I have guessed what
ax struck you to the ground: hail to you, 0 Zarathustra,
that you stand again! You have guessed, I know it
well, how he who killed him feels-the murderer of
God. Stay! Sit down here with me! It is not for nothing.
Whom did I want to reach, if not you? Stay! Sit down!
But do not look at me! In that way honor my ugliness
265
They persecute me; now you are my last refuge. Not
with their hatred, not with their catchpoles: I would
mock such persecution and be proud and glad of itl
"Has not all success hitherto been with the wellpersecuted? And whoever persecutes well, learns readily
how to follow; for he is used to going after somebody
else. But it is their pity-it is their pity that I flee,
fleeing to you. 0 Zarathustra, protect me, you my last
refuge, the only one who has solved my riddle: you
guessed how he who killed him feels. Stay! And if you
would go, you impatient one, do not go the way I
came. That way is bad. Are you angry with me that I
have even now stammered too long-and even advise
you? But know, it is I, the ugliest man, who also has
the largest and heaviest feet. Where I have gone, the
way is bad. I tread all ways till they are dead and
ruined.
"But that you passed me by, silent; that you blushed,
I saw it well: that is how I recognized you as Zarathustra. Everyone else would have thrown his alms to
me, his pity, with his eyes and words. But for that I
am not beggar enough, as you guessed; for that I am
too rich, rich in what is great, in what is terrible, in
what is ugliest, in what is most inexpressible. Your
shame, Zarathustra, honored me! With difficulty I
escaped the throng of the pitying, to find the only one
today who teaches, 'Pity is obtrusive'-you, 0 Zarathustra. Whether it be a god's pity or man's-pity
offends the sense of shame. And to be unwilling to help
can be nobler than that virtue which jumps to help.
"But today that is called virtue itself among all the
little people-pity. They have no respect for great misfortune, for great ugliness, for great failure. Over this
multitude I look away as a dog looks away over the
backs of teeming flocks of sheep. They are little gray
266
people, full of good wool and good will. As a heron
looks away contemptuously over shallow ponds, its
head leaning back, thus I look away over the teeming
mass of gray little waves and wills and souls. Too long
have we conceded to them that they are right, these
little people; so that in the end we have also conceded
them might. Now they teach: 'Good is only what little
people call good.'
"And today 'truth' is what the preacher said, who
himself came from among them, that queer saint and
advocate of the little people who bore witness about
himself: 'I am the truth.' This immodest fellow has long
given the little people swelled heads-he who taught
no small error when he taught, 'I am the truth.' Has an
immodest fellow ever been answered more politely?
You, however, 0 Zarathustra, passed him by and said,
'No! No! Three times no!' You warned against his error,
you, as the first, warned against pity-not all, not none,
but you and your kind.
"You are ashamed of the shame of the great sufferer;
and verily, when you say, 'From pity, a great cloud
approaches; beware, 0 men!'; when you teach, 'All
creators are hard, all great love is over and above its
pity'-O Zarathustra, how well you seem to me to understand storm signs. But you-warn yourself also
against your pity. For many are on their way to you,
many who are suffering, doubting, despairing, drowning, freezing. And I also warn you against myself. You
guessed my best, my worst riddle: myself and what I
did. I know the ax that fells you.
"But he had to die: he saw with eyes that saw everything; he saw man's depths and ultimate grounds, all
his concealed disgrace and ugliness. His pity knew no
shame: he crawled into my dirtiest nooks. This most
curious, overobtrusive, overpitying one had to die. He
267
always saw me: on such a witness I wanted to have
revenge or not live myself. The god who saw everything, even man-this god had to die! Man cannot
bear it that such a witness should live."
Thus spoke the ugliest man. But Zarathustra rose and
was about to leave, for he felt frozen down to his very
entrails. "You inexpressible one," he said, "you have
warned me against your way. In thanks I shall praise
mine to you. Behold, up there lies Zarathustra's cave.
My cave is large and deep and has many nooks; even
the most hidden can find a hiding-place there. And
close by there are a hundred dens and lodges for crawling, fluttering, and jumping beasts. You self-exiled exile,
would you not live among men and men's pity? Well
then Do as I do. Thus you also learn from me; only
the doer learns. And speak first of all to my animals.
The proudest animal and the wisest animal-they
should be the right counselors for the two of us."
Thus spoke Zarathustra, and he went his way, still
more reflectively and slowly than before; for he asked
himself much, and he did not know how to answer himself readily. "How poor man is after all," he thought in
his heart; "how ugly, how wheezing, how full of hidden
shame! I have been told that man loves himself: ah,
how great must this self-love bel How much contempt
stands against it! This fellow too loved himself, even as
he despised himself: a great lover he seems to me, and
a great despiser. None have I found yet who despised
himself more deeply: that too is a kind of height. Alas,
was he perhaps the higher man whose cry I heard? I
love the great despisers. Man, however, is something
that must be overcome."
268
~ Friedrich Nietzsche, THE UGLIEST MAN
,#NFDB
695:Improvisations: Light And Snow
The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.
II
I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.
III
The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
58
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me . . .
Rings of sound ebb slowly into the silence.
IV
On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.
When I was a boy, and saw bright rows of icicles
In many lengths along a wall
I was dissappointed to find
That I could not play music upon them:
I ran my hand lightly across them
And they fell, tinkling.
I tell you this, young man, so that your expectations of life
Will not be too great.
VI
It is now two hours since I left you,
And the perfume of your hands is still on my hands.
And though since then
I have looked at the stars, walked in the cold blue streets,
And heard the dead leaves blowing over the ground
Under the trees,
I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you
Even as long as this?
Will the dust braid your hair?
VII
59
The day opens with the brown light of snowfall
And past the window snowflakes fall and fall.
I sit in my chair all day and work and work
Measuring words against each other.
I open the piano and play a tune
But find it does not say what I feel,
I grow tired of measuring words against each other,
I grow tired of these four walls,
And I think of you, who write me that you have just had a daughter
And named her after your first sweetheart,
And you, who break your heart, far away,
In the confusion and savagery of a long war,
And you who, worn by the bitterness of winter,
Will soon go south.
The snowflakes fall almost straight in the brown light
Past my window,
And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside
As I measure word with word.
VIII
Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.
How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
60
The first word he has learned to say.
IX
This girl gave her heart to me,
And this, and this.
This one looked at me as if she loved me,
And silently walked away.
This one I saw once and loved, and never saw her again.
Shall I count them for you upon my fingers?
Or like a priest solemnly sliding beads?
Or pretend they are roses, pale pink, yellow, and white,
And arrange them for you in a wide bowl
To be set in sunlight?
See how nicely it sounds as I count them for you -'This girl gave her heart to me
And this, and this, . . . !
And nevertheless, my heart breaks when I think of them,
When I think their names,
And how, like leaves, they have changed and blown
And will lie, at last, forgotten,
Under the snow.
It is night time, and cold, and snow is falling,
And no wind grieves the walls.
In the small world of light around the arc-lamp
A swarm of snowflakes falls and falls.
The street grows silent. The last stranger passes.
The sound of his feet, in the snow, is indistinct.
What forgotten sadness is it, on a night like this,
Takes possession of my heart?
Why do I think of a camellia tree in a southern garden,
With pink blossoms among dark leaves,
Standing, surprised, in the snow?
Why do I think of spring?
The snowflakes, helplessly veering,,
Fall silently past my window;
61
They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered
Like that camellia tree,
Beautiful still in its glittering anguish?
And spring so far away!
XI
As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;
And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.
And still, though I know this, and say this, it cannot console me.
XII
How many times have we been interrupted
Just as I was about to make up a story for you!
One time it was because we suddenly saw a firefly
Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself
A little tent of light in the darkness!
And one time it was because we saw a lilac lightning flash
Run wrinkling into the blue top of the mountain, -We heard boulders of thunder rolling down upon us
And the plat-plat of drops on the window,
And we ran to watch the rain
Charging in wavering clouds across the long grass of the field!
Or at other times it was because we saw a star
Slipping easily out of the sky and falling, far off,
Among pine-dark hills;
62
Or because we found a crimson eft
Darting in the cold grass!
These things interrupted us and left us wondering;
And the stories, whatever they might have been,
Were never told.
A fairy, binding a daisy down and laughing?
A golden-haired princess caught in a cobweb?
A love-story of long ago?
Some day, just as we are beginning again,
Just as we blow the first sweet note,
Death itself will interrupt us.
XIII
My heart is an old house, and in that forlorn old house,
In the very centre, dark and forgotten,
Is a locked room where an enchanted princess
Lies sleeping.
But sometimes, in that dark house,
As if almost from the stars, far away,
Sounds whisper in that secret room -Faint voices, music, a dying trill of laughter?
And suddenly, from her long sleep,
The beautiful princess awakes and dances.
Who is she? I do not know.
Why does she dance? Do not ask me! -Yet to-day, when I saw you,
When I saw your eyes troubled with the trouble of happiness,
And your mouth trembling into a smile,
And your fingers pull shyly forward, -Softly, in that room,
The little princess arose
And danced;
And as she danced the old house gravely trembled
With its vague and delicious secret.
XIV
Like an old tree uprooted by the wind
And flung down cruelly
63
With roots bared to the sun and stars
And limp leaves brought to earth -Torn from its house -So do I seem to myself
When you have left me.
XV
The music of the morning is red and warm;
Snow lies against the walls;
And on the sloping roof in the yellow sunlight
Pigeons huddle against the wind.
The music of evening is attenuated and thin -The moon seen through a wave by a mermaid;
The crying of a violin.
Far down there, far down where the river turns to the west,
The delicate lights begin to twinkle
On the dusky arches of the bridge:
In the green sky a long cloud,
A smouldering wave of smoky crimson,
Breaks in the freezing wind: and above it, unabashed,
Remote, untouched, fierly palpitant,
Sings the first star.
~ Conrad Potter Aiken,#NFDB
696:Requiem
Not under foreign skies
Nor under foreign wings protected I shared all this with my own people
There, where misfortune had abandoned us.
[1961]
INSTEAD OF A PREFACE
During the frightening years of the Yezhov terror, I
spent seventeen months waiting in prison queues in
Leningrad. One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me,
her lips blue with cold, who, of course, had never in
her life heard my name. Jolted out of the torpor
characteristic of all of us, she said into my ear
(everyone whispered there) - 'Could one ever describe
this?' And I answered - 'I can.' It was then that
something like a smile slid across what had previously
been just a face.
[The 1st of April in the year 1957. Leningrad]
DEDICATION
Mountains fall before this grief,
A mighty river stops its flow,
But prison doors stay firmly bolted
Shutting off the convict burrows
And an anguish close to death.
Fresh winds softly blow for someone,
Gentle sunsets warm them through; we don't know this,
We are everywhere the same, listening
To the scrape and turn of hateful keys
And the heavy tread of marching soldiers.
Waking early, as if for early mass,
Walking through the capital run wild, gone to seed,
We'd meet - the dead, lifeless; the sun,
Lower every day; the Neva, mistier:
But hope still sings forever in the distance.
The verdict. Immediately a flood of tears,
62
Followed by a total isolation,
As if a beating heart is painfully ripped out, or,
Thumped, she lies there brutally laid out,
But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends,
Captives of my two satanic years?
What miracle do you see in a Siberian blizzard?
What shimmering mirage around the circle of the moon?
I send each one of you my salutation, and farewell.
[March 1940]
INTRODUCTION
[PRELUDE]
It happened like this when only the dead
Were smiling, glad of their release,
That Leningrad hung around its prisons
Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang
Short songs of farewell
To the ranks of convicted, demented by suffering,
As they, in regiments, walked along Stars of death stood over us
As innocent Russia squirmed
Under the blood-spattered boots and tyres
Of the black marias.
You were taken away at dawn. I followed you
As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God. . .
The cold of an icon was on your lips, a death-cold
sweat
On your brow - I will never forget this; I will gather
To wail with the wives of the murdered streltsy (1)
Inconsolably, beneath the Kremlin towers.
[1935. Autumn. Moscow]
II
63
Silent flows the river Don
A yellow moon looks quietly on
Swanking about, with cap askew
It sees through the window a shadow of you
Gravely ill, all alone
The moon sees a woman lying at home
Her son is in jail, her husband is dead
Say a prayer for her instead.
III
It isn't me, someone else is suffering. I couldn't.
Not like this. Everything that has happened,
Cover it with a black cloth,
Then let the torches be removed. . .
Night.
IV
Giggling, poking fun, everyone's darling,
The carefree sinner of Tsarskoye Selo (2)
If only you could have foreseen
What life would do with you That you would stand, parcel in hand,
Beneath the Crosses (3), three hundredth in
line,
Burning the new year's ice
With your hot tears.
Back and forth the prison poplar sways
With not a sound - how many innocent
Blameless lives are being taken away. . .
[1938]
For seventeen months I have been screaming,
Calling you home.
I've thrown myself at the feet of butchers
For you, my son and my horror.
Everything has become muddled forever I can no longer distinguish
64
Who is an animal, who a person, and how long
The wait can be for an execution.
There are now only dusty flowers,
The chinking of the thurible,
Tracks from somewhere into nowhere
And, staring me in the face
And threatening me with swift annihilation,
An enormous star.
[1939]
VI
Weeks fly lightly by. Even so,
I cannot understand what has arisen,
How, my son, into your prison
White nights stare so brilliantly.
Now once more they burn,
Eyes that focus like a hawk,
And, upon your cross, the talk
Is again of death.
[1939. Spring]
VII
THE VERDICT
The word landed with a stony thud
Onto my still-beating breast.
Nevermind, I was prepared,
I will manage with the rest.
I have a lot of work to do today;
I need to slaughter memory,
Turn my living soul to stone
Then teach myself to live again. . .
But how. The hot summer rustles
Like a carnival outside my window;
I have long had this premonition
Of a bright day and a deserted house.
[22 June 1939. Summer. Fontannyi Dom (4)]
VIII
65
TO DEATH
You will come anyway - so why not now?
I wait for you; things have become too hard.
I have turned out the lights and opened the door
For you, so simple and so wonderful.
Assume whatever shape you wish. Burst in
Like a shell of noxious gas. Creep up on me
Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation,
Or, with a simple tale prepared by you
(And known by all to the point of nausea), take me
Before the commander of the blue caps and let me
glimpse
The house administrator's terrified white face.
I don't care anymore. The river Yenisey
Swirls on. The Pole star blazes.
The blue sparks of those much-loved eyes
Close over and cover the final horror.
[19 August 1939. Fontannyi Dom]
IX
Madness with its wings
Has covered half my soul
It feeds me fiery wine
And lures me into the abyss.
That's when I understood
While listening to my alien delirium
That I must hand the victory
To it.
However much I nag
However much I beg
It will not let me take
One single thing away:
Not my son's frightening eyes A suffering set in stone,
Or prison visiting hours
Or days that end in storms
66
Nor the sweet coolness of a hand
The anxious shade of lime trees
Nor the light distant sound
Of final comforting words.
[14 May 1940. Fontannyi Dom]
CRUCIFIXION
Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour,
The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!'
But to his mother, 'Weep not for me. . .'
[1940. Fontannyi Dom]
2.
Magdalena smote herself and wept,
The favourite disciple turned to stone,
But there, where the mother stood silent,
Not one person dared to look.
[1943. Tashkent]
EPILOGUE
1.
I have learned how faces fall,
How terror can escape from lowered eyes,
How suffering can etch cruel pages
Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair
Can suddenly turn white. I've learned to recognise
The fading smiles upon submissive lips,
The trembling fear inside a hollow laugh.
That's why I pray not for myself
But all of you who stood there with me
Through fiercest cold and scorching July heat
Under a towering, completely blind red wall.
67
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you:
The one who resisted the long drag to the open window;
The one who could no longer feel the kick of familiar
soil beneath her feet;
The one who, with a sudden flick of her head, replied,
'I arrive here as if I've come home!'
I'd like to name you all by name, but the list
Has been removed and there is nowhere else to look.
So,
I have woven you this wide shroud out of the humble
words
I overheard you use. Everywhere, forever and always,
I will never forget one single thing. Even in new
grief.
Even if they clamp shut my tormented mouth
Through which one hundred million people scream;
That's how I wish them to remember me when I am dead
On the eve of my remembrance day.
If someone someday in this country
Decides to raise a memorial to me,
I give my consent to this festivity
But only on this condition - do not build it
By the sea where I was born,
I have severed my last ties with the sea;
Nor in the Tsar's Park by the hallowed stump
Where an inconsolable shadow looks for me;
Build it here where I stood for three hundred hours
And no-one slid open the bolt.
Listen, even in blissful death I fear
That I will forget the Black Marias,
Forget how hatefully the door slammed and an old woman
Howled like a wounded beast.
Let the thawing ice flow like tears
From my immovable bronze eyelids
And let the prison dove coo in the distance
While ships sail quietly along the river.
[March 1940. Fontannyi Dom]
68
FOOTNOTES
1 An elite guard which rose up in rebellion
against Peter the Great in 1698. Most were either
executed or exiled.
2 The imperial summer residence outside St
Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the
Finland Station, called The Crosses because of the
shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.
~ Anna Akhmatova,#NFDB
697:KING EOCHAID came at sundown to a wood
Westward of Tara. Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank. King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag. When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse. Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had sucked in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife. On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered
windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noise;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone. Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
"I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused. If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words he paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
"You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And carve his name in Ogham.' Eochaid said,
"He lives?' "He lives and is a healthy man.'
"While I have him and you it matters little
What man you have lost, what evil you have found.'
"I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by. But when I said,
""What is this trouble?'' he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions: ""There are things
That make the heart akin to the dumb stone.''
Then I replied, ""Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath.'' Then I:
Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain.''
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, ""If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men.''
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, ""You, even you yourself, could work the
cure!''
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees
For hope would give his limbs the power and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path. Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
""A weary wooing and a long,'' he said,
""Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
Sucked up the passion out of him again
And left mere sleep. He'll wake when the sun
wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve
months.''
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on: ""Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again.''
I was no longer terrified his voice
Had half awakened some old memory
Yet answered him, ""I am King Eochaid's wife
And with him have found every happiness
Women can find.'' With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, ""What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed.'' ""How should I love,'' I answered,
""Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighed,
"Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my arms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?'' Then he:
""Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?''
Thereon he seized me in his arms, but I
Thrust him away with both my hands and cried,
""Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief.''
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the cocks
Crow upon Tara."
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed
door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.
~ William Butler Yeats, The Two Kings
,#NFDB
698:Bahaman
To T. B. M.
IN the crowd that thronged the pierhead, come to see their friends take ship
For new ventures in seafaring, when the hawsers were let slip
And we swung out in the current, with good-byes on every lip,
'Midst the waving caps and kisses, as we dropped down with the tide
And the faces blurred and faded, last of all your hand I spied
Signalling, Farewell, Good fortune! then my heart rose up and cried:
'While the world holds one such comrade, whose sweet durable regard
Would so speed my safe departure, lest home-leaving should be hard,
What care I who keeps the ferry, whether Charon or Cunard!'
Then we cleared the bar, and laid her on the course, the thousand miles
From the Hook to the Bahamas, from midwinter to the isles
Where frost never laid a finger, and eternal summer smiles.
Three days through the surly storm-beat, while the surf-heads threshed and
flew,
And the rolling mountains thundered to the trample of the screw,
The black liner heaved and scuffled and strained on, as if she knew.
On the fourth, the round blue morning sparkled there, all light and breeze,
Clean and tenuous as a bubble blown from two immensities,
Shot and coloured with sheer sunlight and the magic of those seas.
In that bright new world of wonder, it was life enough to laze
All day underneath the awnings, and through half-shut eyes to gaze
At the marvel of the sea-blue; and I faltered for a phrase
Should half give you the impression, tell you how the very tint
Justified your finest daring, as if Nature gave the hint,
'Plodders, see Imagination set his pallet without stint!'
Cobalt, gobelin, and azure, turquoise, sapphire, indigo,
Changing from the spectral bluish of a shadow upon snow
To the deep of Canton china,—one unfathomable glow.
And the flying-fish,—to see them in a scurry lift and flee,
Silvery as the foam they sprang from, fragile people of the sea,
Whom their heart's great aspiration for a moment had set free.
From the dim and cloudy ocean, thunder-centred, rosy-verged,
At the lord sun's Sursum Corda, as implicit impulse urged,
Frail as vapour, fine as music, these bright spirit-things emerged;
Like those flocks of small white snowbirds we have seen start up before
Our brisk walk in winter weather by the snowy Scituate shore;
And the tiny shining sea-folk brought you back to me once more.
So we ran down Abaco; and passing that tall sentinel
54
Black against the sundown, sighted, as the sudden twilight fell,
Nassau light; and the warm darkness breathed on us from breeze and swell.
Stand-by bell and stop of engine; clank of anchor going down;
And we're riding in the roadstead off a twinkling-lighted town,
Low dark shore with boom of breakers and white beach the palm-trees crown.
In the soft wash of the sea air, on the long swing of the tide,
Here for once the dream came true, the voyage ended close beside
The Hesperides in moonlight on mid-ocean where they ride!
And those Hesperidean joy-lands were not strange to you and me.
Just beyond the lost horizon, every time we looked to sea
From Testudo, there they floated, looming plain as plain could be.
Who believed us? 'Myth and fable are a science in our time.'
'Never saw the sea that colour. ''Never heard of such a rhyme.'
Well, we've proved it, prince of idlers,—knowledge wrong and faith sublime.
Right were you to follow fancy, give the vaguer instinct room
In a heaven of clear colour, where the spirit might assume
All her elemental beauty, past the fact of sky or bloom.
Paint the vision, not the view,—the touch that bids the sense good-bye,
Lifting spirit at a bound beyond the frontiers of the eye,
To suburb unguessed dominions of the soul's credulity.
Never yet was painter, poet, born content with things that are,—
Must divine from every beauty other beauties greater far,
Till the arc of truth be circled, and her lantern blaze, a star.
This alone is art's ambition, to arrest with form and hue
Dominant ungrasped ideals, known to credence, hid from view,
In a mimic of creation,—to the life, yet fairer too,—
Where the soul may take her pleasure, contemplate perfection's plan,
And returning bring the tidings of his heritage to man,—
News of continents uncharted she has stood tip-toe to scan.
So she fires his gorgeous fancy with a cadence, with a line,
Till the artist wakes within him, and the toiler grows divine,
Shaping the rough world about him nearer to some fair design.
Every heart must have its Indies,—an inheritance unclaimed
In the unsubstantial treasure of a province never named,
Loved and longed for through a lifetime, dull, laborious, and unfamed,
Never wholly disillusioned. Spiritus, read, haeres sit
Patriæ quæ tristia mescit. This alone the great king writ
O'er the tomb of her he cherished in this fair world she must quit.
Love in one farewell for ever, taking counsel to implore
Best of human benedictions on its dead, could ask no more.
The heart's country for a dwelling, this at last is all our lore.
But the fairies at your cradle gave you craft to build a home
55
In the wide bright world of colour, with the cunning of a gnome;
Blessed you so above your fellows of the tribe that still must roam.
Still across the world they go, tormented by a strange unrest,
And the unabiding spirit knocks for ever at their breast,
Bidding them away to fortune in some undiscovered West;
While at home you sit and call the Orient up at your command,
Master of the iris seas and Prospero of the purple land.
Listen, here was one world-corner matched the cunning of your hand.
Not, my friend, since we were children, and all wonder-tales were true,—
Jason, Hengest, Hiawatha, fairy prince or pirate crew—
Was there ever such a landing in a country strange and new?
Up the harbour where there gathered, fought and revelled many a year,
Swarthy Spaniard, lost Lucayan, Loyalist, and Buccaneer,
'Once upon a time' was now, and 'far across the sea' was here.
Tropic moonlight, in great floods and fathoms pouring through the trees
On a ground as white as sea-froth its fantastic traceries,
While the poincianas, rustling like the rain, moved in the breeze,
Showed a city, coral-streeted, melting in the mellow shine,
Built of creamstone and enchantment, fairy work in every line,
In a velvet atmosphere that bids the heart her haste resign.
Thanks to Julian Hospitator, saint of travellers by sea,
Roving minstrels and all boatmen,—just such vagabonds as we—
On the shaded wharf we landed, rich in leisure, hale and free.
What more would you for God's creatures, but the little tide of sleep?
In a clean white room I wakened, saw the careless sunlight peep
Through the roses at the window, lay and listened to the creep
Of the soft wind in the shutters, heard the palm-tops stirring high,
And that strange mysterious shuffle of the slipshod foot go by.
In a world all glad with colour, gladdest of all things was I;
In a quiet convent garden, tranquil as the day is long,
Here to sit without intrusion of the world or strife or wrong,—
Watch the lizards chase each other, and the green bird make his song;
Warmed and freshened, lulled yet quickened in that Paradisal air,
Motherly and uncapricious, healing every hurt or care,
Wooing body, mind, and spirit, firmly back to strong and fair;
By the Angelus reminded, silence waits the touch of sound,
As the soul waits her awaking to some Gloria profound;
Till the mighty Southern Cross is lighted at the day's last bound.
And if ever your fair fortune make you good Saint Vincent's guest,
At his door take leave of trouble, welcomed to his decent rest,
Of his ordered peace partaker, by his solace healed and blessed;
Where this flowered cloister garden, hidden from the passing view,
56
Lies behind its yellow walls in prayer the holy hours through:
And beyond, that fairy harbour, floored in malachite and blue.
In that old white-streeted city gladness has her way at last
Under burdens finely poised, and with a freedom unsurpassed,
Move the naked-footed bearers in the blue day deep and vast.
This is Bay Street broad and low-built, basking in its quiet trade;
Here the sponging fleet is anchored; here shell trinkets are displayed;
Here the cable news is posted daily; here the market's made,
With its oranges from Andros, heaps of yam and tamarind,
Red-juiced shadducks from the Current, ripened in the long trade-wind,
Gaudy fish from their sea-gardens, yellow-tailed and azure-tinned.
Here a group of diving boys in bronze and ivory, bright and slim,
Sparkling copper in the high noon, dripping loin-cloth, polished limb,
Poised a moment and then plunged in that deep daylight green and dim.
Here the great rich Spanish laurels spread across the public square
Their dense, solemn shade; and near by, half within the open glare,
Mannerly in their clean cottons, knots of blacks are waiting there
By the court-house, where a magistrate is hearing cases through,
Dealing justice prompt and level, as the sturdy English do,—
One more tent-peg of the Empire, holding that great shelter true.
Last the picture from the town's end, palmed and foam-fringed through the cane,
Where the gorgeous sunset yellows pour aloft and spill and stain
The pure amethystine sea and far faint islands of the main.
Loveliest of the Lucayas, peace be yours till time be done!
In the gray North I shall see you, with your white streets in the sun,
Old pink walls and purple gateways, where the lizards bask and run,
Where the great hibiscus blossoms in their scarlet loll and glow,
And the idling gay bandannas through the hot noons come and go,
While the ever-stirring sea-wind sways the palm-tops to and fro.
Far from stress and storm for ever, dream behind your jalousies,
While the long white lines of breakers crumble on your reefs and keys,
And the crimson oleanders burn against the peacock seas.
~ Bliss William Carman,#NFDB
699:I.
The morn when first it thunders in March,
The eel in the pond gives a leap, they say:
As I leaned and looked over the aloed arch
Of the villa-gate this warm March day,
No flash snapped, no dumb thunder rolled
In the valley beneath where, white and wide
And washed by the morning water-gold,
Florence lay out on the mountain-side.
II.
River and bridge and street and square
Lay mine, as much at my beck and call,
Through the live translucent bath of air,
As the sights in a magic crystal ball.
And of all I saw and of all I praised,
The most to praise and the best to see
Was the startling bell-tower Giotto raised:
But why did it more than startle me?
III.
Giotto, how, with that soul of yours,
Could you play me false who loved you so?
Some slights if a certain heart endures
Yet it feels, I would have your fellows know!
I' faith, I perceive not why I should care
To break a silence that suits them best,
But the thing grows somewhat hard to bear
When I find a Giotto join the rest.
IV.
On the arch where olives overhead
Print the blue sky with twig and leaf,
(That sharp-curled leaf which they never shed)
'Twixt the aloes, I used to lean in chief,
And mark through the winter afternoons,
By a gift God grants me now and then,
In the mild decline of those suns like moons,
Who walked in Florence, besides her men.
V.
They might chirp and chaffer, come and go
For pleasure or profit, her men alive-
My business was hardly with them, I trow,
But with empty cells of the human hive;
-With the chapter-room, the cloister-porch,
The church's apsis, aisle or nave,
Its crypt, one fingers along with a torch,
Its face set full for the sun to shave.
VI.
Wherever a fresco peels and drops,
Wherever an outline weakens and wanes
Till the latest life in the painting stops,
Stands One whom each fainter pulse-tick pains:
One, wishful each scrap should clutch the brick,
Each tinge not wholly escape the plaster,
-A lion who dies of an ****'s kick,
The wronged great soul of an ancient Master.
VII.
For oh, this world and the wrong it does
They are safe in heaven with their backs to it,
The Michaels and Rafaels, you hum and buzz
Round the works of, you of the little wit!
Do their eyes contract to the earth's old scope,
Now that they see God face to face,
And have all attained to be poets, I hope?
'Tis their holiday now, in any case.
VIII.
Much they reck of your praise and you!
But the wronged great souls-can they be quit
Of a world where their work is all to do,
Where you style them, you of the little wit,
Old Master This and Early the Other,
Not dreaming that Old and New are fellows:
A younger succeeds to an elder brother,
Da Vincis derive in good time from Dellos.
IX.
And here where your praise might yield returns,
And a handsome word or two give help,
Here, after your kind, the mastiff girns
And the puppy pack of poodles yelp.
What, not a word for Stefano there,
Of brow once prominent and starry,
Called Nature's Ape and the world's despair
For his peerless painting? (See Vasari.)
X.
There stands the Master. Study, my friends,
What a man's work comes to! So he plans it,
Performs it, perfects it, makes amends
For the toiling and moiling, and then, sic transit!
Happier the thrifty blind-folk labour,
With upturned eye while the hand is busy,
Not sidling a glance at the coin of their neighbour!
'Tis looking downward that makes one dizzy.
XI.
``If you knew their work you would deal your dole.''
May I take upon me to instruct you?
When Greek Art ran and reached the goal,
Thus much had the world to boast in fructu-
The Truth of Man, as by God first spoken,
Which the actual generations garble,
Was re-uttered, and Soul (which Limbs betoken)
And Limbs (Soul informs) made new in marble.
XII.
So, you saw yourself as you wished you were,
As you might have been, as you cannot be;
Earth here, rebuked by Olympus there:
And grew content in your poor degree
With your little power, by those statues' godhead,
And your little scope, by their eyes' full sway,
And your little grace, by their grace embodied,
And your little date, by their forms that stay.
XIII.
You would fain be kinglier, say, than I am?
Even so, you will not sit like Theseus.
You would prove a model? The Son of Priam
Has yet the advantage in arms' and knees' use.
You're wroth-can you slay your snake like Apollo?
You're grieved-still Niobe's the grander!
You live-there's the Racers' frieze to follow:
You die-there's the dying Alexander.
XIV.
So, testing your weakness by their strength,
Your meagre charms by their rounded beauty,
Measured by Art in your breadth and length,
You learned-to submit is a mortal's duty.
-When I say ``you'' 'tis the common soul,
The collective, I mean: the race of Man
That receives life in parts to live in a whole,
And grow here according to God's clear plan.
XV.
Growth came when, looking your last on them all,
You turned your eyes inwardly one fine day
And cried with a start-What if we so small
Be greater and grander the while than they?
Are they perfect of lineament, perfect of stature?
In both, of such lower types are we
Precisely because of our wider nature;
For time, theirs-ours, for eternity.
XVI.
To-day's brief passion limits their range;
It seethes with the morrow for us and more.
They are perfect-how else? they shall never change:
We are faulty-why not? we have time in store.
The Artificer's hand is not arrested
With us; we are rough-hewn, nowise polished:
They stand for our copy, and, once invested
With all they can teach, we shall see them abolished.
XVII.
'Tis a life-long toil till our lump be leaven-
The better! What's come to perfection perishes.
Things learned on earth, we shall practise in heaven:
Works done least rapidly, Art most cherishes.
Thyself shalt afford the example, Giotto!
Thy one work, not to decrease or diminish,
Done at a stroke, was just (was it not?) ``O!''
Thy great Campanile is still to finish.
XVIII.
Is it true that we are now, and shall be hereafter,
But what and where depend on life's minute?
Hails heavenly cheer or infernal laughter
Our first step out of the gulf or in it?
Shall Man, such step within his endeavour,
Man's face, have no more play and action
Than joy which is crystallized for ever,
Or grief, an eternal petrifaction?
XIX.
On which I conclude, that the early painters,
To cries of ``Greek Art and what more wish you?''-
Replied, ``To become now self-acquainters,
``And paint man man, whatever the issue!
``Make new hopes shine through the flesh they fray,
``New fears aggrandize the rags and tatters:
``To bring the invisible full into play!
``Let the visible go to the dogs-what matters?''
XX.
Give these, I exhort you, their guerdon and glory
For daring so much, before they well did it.
The first of the new, in our race's story,
Beats the last of the old; 'tis no idle quiddit.
The worthies began a revolution,
Which if on earth you intend to acknowledge,
Why, honour them now! (ends my allocution)
Nor confer your degree when the folk leave college.
XXI.
There's a fancy some lean to and others hate-
That, when this life is ended, begins
New work for the soul in another state,
Where it strives and gets weary, loses and wins:
Where the strong and the weak, this world's congeries,
Repeat in large what they practised in small,
Through life after life in unlimited series;
Only the scale's to be changed, that's all.
XXII.
Yet I hardly know. When a soul has seen
By the means of Evil that Good is best,
And, through earth and its noise, what is heaven's serene,-
When our faith in the same has stood the test-
Why, the child grown man, you burn the rod,
The uses of labour are surely done;
There remaineth a rest for the people of God:
And I have had troubles enough, for one.
XXIII.
But at any rate I have loved the season
Of Art's spring-birth so dim and dewy;
My sculptor is Nicolo the Pisan,
My painter-who but Cimabue?
Nor ever was man of them all indeed,
From these to Ghiberti and Ghirlandaio,
Could say that he missed my critic-meed.
So, now to my special grievance-heigh ho!
XXIV.
Their ghosts still stand, as I said before,
Watching each fresco flaked and rasped,
Blocked up, knocked out, or whitewashed o'er:
-No getting again what the church has grasped!
The works on the wall must take their chance;
``Works never conceded to England's thick clime!''
(I hope they prefer their inheritance
Of a bucketful of Italian quick-lime.)
XXV.
When they go at length, with such a shaking
Of heads o'er the old delusion, sadly
Each master his way through the black streets taking,
Where many a lost work breathes though badly-
Why don't they bethink them of who has merited?
Why not reveal, while their pictures dree
Such doom, how a captive might be out-ferreted?
Why is it they never remember me?
XXVI.
Not that I expect the great Bigordi,
Nor Sandro to hear me, chivalric, bellicose;
Nor the wronged Lippino; and not a word I
Say of a scrap of Fr Angelico's:
But are you too fine, Taddeo Gaddi,
To grant me a taste of your intonaco,
Some Jerome that seeks the heaven with a sad eye?
Not a churlish saint, Lorenzo Monaco?
XXVII.
Could not the ghost with the close red cap,
My Pollajolo, the twice a craftsman,
Save me a sample, give me the hap
Of a muscular Christ that shows the draughtsman?
No Virgin by him the somewhat petty,
Of finical touch and tempera crumbly-
Could not Alesso Baldovinetti
Contribute so much, I ask him humbly?
XXVIII.
Margheritone of Arezzo,
With the grave-clothes garb and swaddling barret
(Why purse up mouth and beak in a pet so,
You bald old saturnine poll-clawed parrot?)
Not a poor glimmering Crucifixion,
Where in the foreground kneels the donor?
If such remain, as is my conviction,
The hoarding it does you but little honour.
XXIX.
They pass; for them the panels may thrill,
The tempera grow alive and tinglish;
Their pictures are left to the mercies still
Of dealers and stealers, Jews and the English,
Who, seeing mere money's worth in their prize,
Will sell it to somebody calm as Zeno
At naked High Art, and in ecstasies
Before some clay-cold vile Carlino!
XXX.
No matter for these! But Giotto, you,
Have you allowed, as the town-tongues babble it,-
Oh, never! it shall not be counted true-
That a certain precious little tablet
Which Buonarroti eyed like a lover,-
Was buried so long in oblivion's womb
And, left for another than I to discover,
Turns up at last! and to whom?-to whom?
XXXI.
I, that have haunted the dim San Spirito,
(Or was it rather the Ognissanti?)
Patient on altar-step planting a weary toe!
Nay, I shall have it yet! Detur amanti!
My Koh-i-noor-or (if that's a platitude)
Jewel of Giamschid, the Persian Sofi's eye
So, in anticipative gratitude,
What if I take up my hope and prophesy?
XXXII.
When the hour grows ripe, and a certain dotard
Is pitched, no parcel that needs invoicing,
To the worse side of the Mont Saint Gothard,
We shall begin by way of rejoicing;
None of that shooting the sky (blank cartridge),
Nor a civic guard, all plumes and lacquer,
Hunting Radetzky's soul like a partridge
Over Morello with squib and cracker.
XXXIII.
This time we'll shoot better game and bag 'em hot-
No mere display at the stone of Dante,
But a kind of sober Witanagemot
(Ex: ``Casa Guidi,'' quod videas ante)
Shall ponder, once Freedom restored to Florence,
How Art may return that departed with her.
Go, hated house, go each trace of the Loraine's,
And bring us the days of Orgagna hither!
XXXIV.
How we shall prologize, how we shall perorate,
Utter fit things upon art and history,
Feel truth at blood-heat and falsehood at zero rate,
Make of the want of the age no mystery;
Contrast the fructuous and sterile eras,
Show-monarchy ever its uncouth cub licks
Out of the bear's shape into Chimra's,
While Pure Art's birth is still the republic's.
XXXV.
Then one shall propose in a speech (curt Tuscan,
Expurgate and sober, with scarcely an ``issimo,'')
To end now our half-told tale of Cambuscan,
And turn the bell-tower's alt to altissimo:
And fine as the beak of a young beccaccia
The Campanile, the Duomo's fit ally,
Shall soar up in gold full fifty braccia,
Completing Florence, as Florence Italy.
XXXVI.
Shall I be alive that morning the scaffold
Is broken away, and the long-pent fire,
Like the golden hope of the world, unbaffled
Springs from its sleep, and up goes the spire
While ``God and the People'' plain for its motto,
Thence the new tricolour flaps at the sky?
At least to foresee that glory of Giotto
And Florence together, the first am I!
A sculptor, died 1278.
Died 1455. Designed the bronze gates of the Baptistry at Florence.
A painter, died 1498.
The son of Fr Lippo Lippi. Wronged, because some of his
pictures have been attributed to others.
Died 1366. One of Giotto's pupils and assistants.
Rough cast.
Painter, sculptor, and goldsmith.
Distemper-mixture of water and egg yolk.
Sculptor and architect, died 1313-
All Saints.
A Florentine painter, died 1576.
Tartar king.
A woodcock
~ Robert Browning, Old Pictures In Florence
,#NFDB
700:Others have told me
quiet pools are to be found
in the swiftest stream.
Why, then, is this love of mine
all unrelieved turbulence?
Like (0) 3
The Epic of Gilgamesh Tablet I
He who has seen everything, I will make known (?) to the lands.
I will teach (?) about him who experienced all things,
alike,
Anu granted him the totality of knowledge of all.
He saw the Secret, discovered the Hidden,
he brought information of (the time) before the Flood.
He went on a distant journey, pushing himself to exhaustion,
but then was brought to peace.
He carved on a stone stela all of his toils,
and built the wall of Uruk-Haven,
the wall of the sacred Eanna Temple, the holy sanctuary.
Look at its wall which gleams like copper(?),
inspect its inner wall, the likes of which no one can equal!
Take hold of the threshold stoneit dates from ancient times!
Go close to the Eanna Temple, the residence of Ishtar,
such as no later king or man ever equaled!
Go up on the wall of Uruk and walk around,
examine its foundation, inspect its brickwork thoroughly.
Is not (even the core of) the brick structure made of kiln-fired brick,
and did not the Seven Sages themselves lay out its plans?
One league city, one league palm gardens, one league lowlands, the open area(?) of the Ishtar Temple,
three leagues and the open area(?) of Uruk it (the wall) encloses.
Find the copper tablet box,
open the of its lock of bronze,
undo the fastening of its secret opening.
Take and read out from the lapis lazuli tablet
how Gilgamesh went through every hardship.
Supreme over other kings, lordly in appearance,
he is the hero, born of Uruk, the goring wild bull.
He walks our in front, the leader,
and walks at the rear, trusted by his companions.
Mighty net, protector of his people,
raging flood-wave who destroys even walls of stone!
Offspring of Lugalbanda, Gilgamesh is strong to perfection,
son of the august cow, Rimat-Ninsun; Gilgamesh is awesome to perfection.
It was he who opened the mountain passes,
who dug wells on the flank of the mountain.
It was he who crossed the ocean, the vast seas, to the rising sun,
who explored the world regions, seeking life.
It was he who reached by his own sheer strength Utanapishtim, the Faraway,
who restored the sanctuaries (or: cities) that the Flood had destroyed!
for teeming mankind.
Who can compare with him in kingliness?
Who can say like Gilgamesh: "I am King!"?
Whose name, from the day of his birth, was called "Gilgamesh"?
Two-thirds of him is god, one-third of him is human.
The Great Goddess [Aruru] designed(?) the model for his body,
she prepared his form
beautiful, handsomest of men,
perfect
He walks around in the enclosure of Uruk,
Like a wild bull he makes himself mighty, head raised (over others).
There is no rival who can raise his weapon against him.
His fellows stand (at the alert), attentive to his (orders ?),
and the men of Uruk become anxious in
Gilgamesh does not leave a son to his father,
day and night he arrogant[y(?)
[The following lines are interpreted as rhetorical, perhaps spoken by the oppressed citizens of Uruk.]
Is Gilgamesh the shepherd of Uruk-Haven,
is he the shepherd.
bold, eminent, knowing, and wise!
Gilgamesh does not leave a girl to her mother(?)
The daughter of the warrior, the bride of the young man,
the gods kept hearing their complaints, so
the gods of the heavens implored the Lord of Uruk [Anu]
"You have indeed brought into being a mighty wild bull, head raised!
"There is no rival who can raise a weapon against him.
"His fellows stand (at the alert), attentive to his (orders !),
"Gilgamesh does not leave a son to his father,
"day and night he arrogantly
"Is he the shepherd of Uruk-Haven,
"is he their shepherd
"bold, eminent, knowing, and wise,
"Gilgamesh does not leave a girl to her mother(?)!"
The daughter of the warrior, the bride of the young man,
Anu listened to their complaints,
and (the gods) called out to Aruru:
"it was you, Aruru, who created mankind(?),
now create a zikru to it/him.
Let him be equal to his (Gilgamesh's) stormy heart,
let them be a match for each other so that Uruk may find peace!"
When Aruru heard this she created within herself the zikrtt of Anu.
Aruru washed her hands, she pinched off some clay, and threw it into the wilderness.
In the wildness(?) she created valiant Enkidu,
born of Silence, endowed with strength by Ninurta.
His whole body was shaggy with hair,
he had a full head of hair like a woman,
his locks billowed in profusion like Ashnan.
He knew neither people nor settled living,
but wore a garment like Sumukan."
He ate grasses with the gazelles,
and jostled at the watering hole with the animals;
as with animals, his thirst was slaked with (mere) water.
A notorious trapper came face-to-face with him opposite the watering hole.
A first, a second, and a third day
he came face-to-face with him opposite the watering hole.
On seeing him the trapper's face went stark with fear,
and he (Enkidu?) and his animals drew back home.
He was rigid with fear; though stock-still
his heart pounded and his face drained of color.
He was miserable to the core,
and his face looked like one who had made a long journey.
The trapper addressed his father saying:"
"Father, a certain fellow has come from the mountains.
He is the mightiest in the land,
his strength is as mighty as the meteorite(?) of Anu!
He continually goes over the mountains,
he continually jostles at the watering place with the animals,
he continually plants his feet opposite the watering place.
I was afraid, so I did not go up to him.
He filled in the pits that I had dug,
wrenched out my traps that I had spread,
released from my grasp the wild animals.
He does not let me make my rounds in the wilderness!"
The trapper's father spoke to him saying:
"My son, there lives in Uruk a certain Gilgamesh.
There is no one stronger than he,
he is as strong as the meteorite(?) of Anu.
Go, set off to Uruk,
tell Gilgamesh of this Man of Might.
He will give you the harlot Shamhat, take her with you.
The woman will overcome the fellow (?) as if she were strong.
When the animals are drinking at the watering place
have her take off her robe and expose her sex.
When he sees her he will draw near to her,
and his animals, who grew up in his wilderness, will be alien to him."
He heeded his father's advice.
The trapper went off to Uruk,
he made the journey, stood inside of Uruk,
and declared to Gilgamesh:
"There is a certain fellow who has come from the mountains
he is the mightiest in the land,
his strength is as mighty as the meteorite(?) of Anu!
He continually goes over the mountains,
he continually jostles at the watering place with the animals,
he continually plants his feet opposite the watering place.
I was afraid, so I did not go up to him.
He filled in the pits that I had dug,
wrenched out my traps that I had spread,
released from my grasp the wild animals.
He does not let me make my rounds in the wilderness!"
Gilgamesh said to the trapper:
"Go, trapper, bring the harlot, Shamhat, with you.
When the animals are drinking at the watering place
have her take off her robe and expose her sex.
When he sees her he will draw near to her,
and his animals, who grew up in his wilderness, will be alien to him."
The trapper went, bringing the harlot, Shamhat, with him.
They set off on the journey, making direct way.
On the third day they arrived at the appointed place,
and the trapper and the harlot sat down at their posts(?).
A first day and a second they sat opposite the watering hole.
The animals arrived and drank at the watering hole,
the wild beasts arrived and slaked their thirst with water.
Then he, Enkidu, offspring of the mountains,
who eats grasses with the gazelles,
came to drink at the watering hole with the animals,
with the wild beasts he slaked his thirst with water.
Then Shamhat saw hima primitive,
a savage fellow from the depths of the wilderness!
"That is he, Shamhat! Release your clenched arms,
expose your sex so he can take in your voluptuousness.
Do not be restrainedtake his energy!
When he sees you he will draw near to you.
Spread out your robe so he can lie upon you,
and perform for this primitive the task of womankind!
His animals, who grew up in his wilderness, will become alien to him,
and his lust will groan over you."
Shamhat unclutched her bosom, exposed her sex, and he took in her voluptuousness.
She was not restrained, but took his energy.
She spread out her robe and he lay upon her,
she performed for the primitive the task of womankind.
His lust groaned over her;
for six days and seven nights Enkidu stayed aroused,
and had intercourse with the harlot
until he was sated with her charms.
But when he turned his attention to his animals,
the gazelles saw Enkidu and darted off,
the wild animals distanced themselves from his body.
Enkidu his utterly depleted(?) body,
his knees that wanted to go off with his animals went rigid;
Enkidu was diminished, his running was not as before.
But then he drew himself up, for his understanding had broadened.
Turning around, he sat down at the harlot's feet,
gazing into her face, his ears attentive as the harlot spoke.
The harlot said to Enkidu:
"You are beautiful," Enkidu, you are become like a god.
Why do you gallop around the wilderness with the wild beasts?
Come, let me bring you into Uruk-Haven,
to the Holy Temple, the residence of Anu and Ishtar,
the place of Gilgamesh, who is wise to perfection,
but who struts his power over the people like a wild bull."
What she kept saying found favor with him.
Becoming aware of himself, he sought a friend.
Enkidu spoke to the harlot:
"Come, Shamhat, take me away with you
to the sacred Holy Temple, the residence of Anu and Ishtar,
the place of Gilgamesh, who is wise to perfection,
but who struts his power over the people like a wild bull.
I will challenge him
Let me shout out in Uruk: I am the mighty one!'
Lead me in and I will change the order of things;
he whose strength is mightiest is the one born in the wilderness!"
[Shamhat to Enkidu:]
"Come, let us go, so he may see your face.
I will lead you to GilgameshI know where he will be.
Look about, Enkidu, inside Uruk-Haven,
where the people show off in skirted finery,
where every day is a day for some festival,
where the lyre(?) and drum play continually,
where harlots stand about prettily,
exuding voluptuousness, full of laughter
and on the couch of night the sheets are spread (!)."
Enkidu, you who do not know, how to live,
I will show you Gilgamesh, a man of extreme feelings (!).
Look at him, gaze at his face
he is a handsome youth, with freshness(!),
his entire body exudes voluptuousness
He has mightier strength than you,
without sleeping day or night!
Enkidu, it is your wrong thoughts you must change!
It is Gilgamesh whom Shamhat loves,
and Anu, Enlil, and La have enlarged his mind."
Even before you came from the mountain
Gilgamesh in Uruk had dreams about you.""
Gilgamesh got up and revealed the dream, saying to his mother:
"Mother, I had a dream last night.
Stars of the sky appeared,
and some kind of meteorite(?) of Anu fell next to me.
I tried to lift it but it was too mighty for me,
I tried to turn it over but I could not budge it.
The Land of Uruk was standing around it,
the whole land had assembled about it,
the populace was thronging around it,
the Men clustered about it,
and kissed its feet as if it were a little baby (!).
I loved it and embraced it as a wife.
I laid it down at your feet,
and you made it compete with me."
The mother of Gilgamesh, the wise, all-knowing, said to her Lord;
Rimat-Ninsun, the wise, all-knowing, said to Gilgamesh:
"As for the stars of the sky that appeared
and the meteorite(?) of Anu which fell next to you,
you tried to lift but it was too mighty for you,
you tried to turn it over but were unable to budge it,
you laid it down at my feet,
and I made it compete with you,
and you loved and embraced it as a wife."
"There will come to you a mighty man, a comrade who saves his friend
he is the mightiest in the land, he is strongest,
his strength is mighty as the meteorite(!) of Anu!
You loved him and embraced him as a wife;
and it is he who will repeatedly save you.
Your dream is good and propitious!"
A second time Gilgamesh said to his mother: "Mother, I have had another dream:
"At the gate of my marital chamber there lay an axe,
"and people had collected about it.
"The Land of Uruk was standing around it,
"the whole land had assembled about it,
"the populace was thronging around it.
"I laid it down at your feet,
"I loved it and embraced it as a wife,
"and you made it compete with me."
The mother of Gilgamesh, the wise, all-knowing, said to her son;
Rimat-Ninsun, the wise, all-knowing, said to Gilgamesh:
""The axe that you saw (is) a man.
" (that) you love him and embrace as a wife,
"but (that) I have compete with you."
"" There will come to you a mighty man,
"" a comrade who saves his friend
"he is the mightiest in the land, he is strongest,
"he is as mighty as the meteorite(!) of Anu!"
Gilgamesh spoke to his mother saying:
""By the command of Enlil, the Great Counselor, so may it to pass!
"May I have a friend and adviser, a friend and adviser may I have!
"You have interpreted for me the dreams about him!"
After the harlot recounted the dreams of Gilgamesh to Enkidu
the two of them made love.
~ Anonymous, Others have told me
,#NFDB
701:Sun And Flesh (Credo In Unam)
Birth of Venus
The Sun, the hearth of affection and life,
Pours burning love on the delighted earth,
And when you lie down in the valley, you can smell
How the earth is nubile and very full-blooded;
How its huge breast, heaved up by a soul,
Is, like God, made of love, and, like woman, of flesh,
And that it contains, big with sap and with sunlight,
The vast pullulation of all embryos!
And everything grows, and everything rises!
- O Venus, O Goddess!
I long for the days of antique youth,
Of lascivious satyrs, and animal fauns,
Gods who bit, mad with love, the bark of the boughs,
And among water-lilies kissed the Nymph with fair hair!
I long for the time when the sap of the world,
River water, the rose-coloured blood of green trees
Put into the veins of Pan a whole universe!
When the earth trembled, green,beneath his goat-feet;
When, softly kissing the fair Syrinx, his lips formed
Under heaven the great hymn of love;
When, standing on the plain, he heard round about him
Living Nature answer his call;
When the silent trees cradling the singing bird,
Earth cradling mankind, and the whole blue Ocean,
And all living creatures loved, loved in God!
I long for the time of great Cybele,
Who was said to travel, gigantically lovely,
In a great bronze chariot, through splendid cities;
Her twin breasts poured, through the vast deeps,
The pure streams of infinite life.
Mankind sucked joyfully at her blessed nipple,
Like a small child playing on her knees.
- Because he was strong, Man was gentle and chaste.
Misfortune! Now he says: I understand things,
147
And goes about with eyes shut and ears closed.
- And again, no more gods! no more gods! Man is King,
Man is God! But the great faith is Love!
Oh! if only man still drew sustenance from your nipple,
Great mother of gods and of men, Cybele;
If only he had not forsaken immortal Astarte
Who long ago, rising in the tremendous brightness
Of blue waters, flower-flesh perfumed by the wave,
Showed her rosy navel, towards which the foam came snowing
And , being a goddess with the great conquering black eyes,
Made the nightingale sing in the woods and love in men's hearts!
The Birth of Venus
II
I believe! I believe in you! divine mother,
Sea-born Aphrodite! - Oh! the path is bitter
Since the other God harnessed us to his cross;
Flesh, Marble, Flower, Venus, in you I believe!
- yes, Man is sad and ugly, sad under the vast sky.
He possesses clothes, because he is no longer chaste,
Because he has defiled his proud, godlike head
And because he has bent, like an idol in the furnace,
His Olympian form towards base slaveries!
Yes, even after death, in the form of pale skeletons
He wishes to live and insult the original beauty!
- And the Idol in whom you placed such maidenhood,
Woman, in whom you rendered our clay divine,
So that Man might bring light into his poor soul
And slowly ascend, in unbounded love,
From the earthly prison to the beauty of day,
Woman no longer knows even how to be a Courtesan!
- It's a fine farce! and the world snickers
At the sweet and sacred name of great Venus!
III
If only the times which have come and gone might come again!
148
- For Man is finished! Man has played all the parts!
In the broad daylight, wearied with breaking idols
He will revive, free of all his gods,
And, since he is of heaven, he will scan the heavens!
The Ideal, that eternal, invincible thought, which is
All; The living god within his fleshly clay,
Will rise, mount, burn beneath his brow!
An when you see him plumbing the whole horizon,
Despising old yokes, and free from all fear,
You will come and give him holy Redemption!
- Resplendent, radiant, from the bosom of the huge seas
You will rise up and give to the vast Universe
Infinite Love with its eternal smile!
The World will vibrate like an immense lyre
In the trembling of an infinite kiss!
- The World thirsts for love: you will come and slake its thirst.
....................................................
O! Man has raised his free, proud head!
And the sudden blaze of primordial beauty
Makes the god quiver in the altar of the flesh!
Happy in the present good, pale from the ill suffered,
Man wishes to plumb all depths, - and know all things! Thought,
So long a jade, and for so long oppressed,
Springs from his forehead! She will know Why!...
Let her but gallop free, and Man will find Faith!
- Why the blue silence, unfathomable space?
Why the golden stars, teeming like sands?
If one ascended forever, what would one see up there?
Does a sheperd drive this enormous flock
Of worlds on a journey through this horror of space?
And do all these worlds contained in the vast ether,
tremble at the tones of an eternal voice?
- And Man, can he see? can he say: I believe?
Is the langage of thought anymore than a dream?
If man is born so quickly, if life is so short
Whence does he come? Does he sink into the deep Ocean
Of Germs, of Foetuses, of Embryos, to the bottom
of the huge Crucible where Nature the Mother
Will resuscitate him, a living creature,
149
To love in the rose and to grow in the corn?...
We cannot know! - We are weighed down
With a cloak of ignorance, hemmed in by chimaeras!
Men like apes, dropped from our mothers' wombs,
Our feeble reason hides the infinite from us!
We wish to perceive: - and Doubt punishes us!
Doubt, dismal bird, beat us down with its wing...
- And the horizon rushes away in endless flight!...
.......................................................
The vast heaven is open! the mysteries lie dead
Before erect Man, who folds his strong arms
Among the vast splendour of abundant Nature!
He sings... and the woods sing, the river murmurs
A song full of happiness which rises towards the light!...
- it is Redemption! it is love! it is love!...
IV
O splendour of flesh! O ideal splendour!
O renewal of love, triumphal dawn
When, prostrating the Gods and the Heroes,
White Callipyge and little Eros
Covered with the snow of rose petals, will caress
Women and flowers beneath their lovely outstretched feet!
- O great Ariadne who pour out your tears
On the shore, as you see, out there on the waves,
The sail of Theseus flying white under the sun,
O sweet virgin child whom a night has broken,
Be silent! On his golden chariot studded with black grapes,
Lysios, who has been drawn through Phrygian fields
By lascivious tigers and russet panthers,
Reddens the dark mosses along the blue rivers.
- Zeus, the Bull, cradles on his neck like a child
The nude body of Europa who throws her white arm
Round the God's muscular neck which shivers in the wave.
Slowly he turns his dreamy eye towards her;
She, droops her pale flowerlike cheek
On the brow of Zeus; her eyes are closed; she is dying
150
In a divine kiss, and the murmuring waters
Strew the flowers of their golden foam on her hair.
- Between the oleander and the gaudy lotus tree
Slips amorously the great dreaming Swan
Enfloding Leda in the whiteness of his wing;
- And while Cypris goes by, strangely beautiful,
And, arching the marvellous curves of her back,
Proudly displays the golden vision of her big breasts
And snowy belly embroidered with black moss,
- Hercules, Tamer of beasts, in his Strength,
Robes his huge body with the lion's skin as with glory
And faces the horizons, his brow terrible and sweet!
Vaguely lit by the summer moon,
Erect, naked, dreaming in her pallor of gold
Streaked by the heavy wave of her long blue hair,
In the shadowy glade whenre stars spring in the moss,
The Dryade gazes up at the silent sky...
- White Selene, timidly, lets her veil float,
Over the feet of beautiful Endymion,
And throws him a kiss in a pale beam...
- The Spring sobs far off in a long ectasy...
Ii is the nymph who dreams with one elbow on her urn,
Of the handsome white stripling her wave has pressed against.
- A soft wind of love has passed in the night,
And in the sacred woods, amid the standing hair of the great trees,
Erect in majesty, the shadowly Marbles,
The Gods, on whose brows the Bullfinch has his nest,
- the Gods listen to Men, and to the infinite World!
Original French
Soleil et Chair
Le Soleil, le foyer de tendresse et de vie,
Verse l'amour brûlant à la terre ravie,
Et, quand on est couché sur la vallée, on sent
Que la terre est nubile et déborde de sang ;
Que son immense sein, soulevé par une âme,
Est d'amour comme Dieu, de chair comme la femme,
151
Et qu'il renferme, gros de sève et de rayons,
Le grand fourmillement de tous les embryons !
Et tout croît, et tout monte !
spacespacespacespacespacespace- O Vénus, ô Déesse !
Je regrette les temps de l'antique jeunesse,
Des satyres lascifs, des faunes animaux,
Dieux qui mordaient d'amour l'écorce des rameaux
Et dans les nénuphars baisaient la Nymphe blonde !
Je regrette les temps où la sève du monde,
L'eau du fleuve, le sang rose des arbres verts
Dans les veines de Pan mettaient un univers !.
Où le sol palpitait, vert, sous ses pieds de chèvre ;
Où, baisant mollement le clair syrinx, sa lèvre
Modulait sous le ciel le grand hymne d'amour ;
Où, debout sur la plaine, il entendait autour
Répondre à son appel la Nature vivante ;
Où les arbres muets, berçant l'oiseau qui chante,
La terre berçant l'homme, et tout l'Océan bleu
Et tous les animaux aimaient, aimaient en Dieu !
Soleil et Chair, Suite
Je regrette les temps de la grande Cybèle
Qu'on disait parcourir, gigantesquement belle,
Sur un grand char d'airain, les splendides cités ;
Son double sein versait dans les immensités
Le pur ruissellement de la vie infinie.
L'Homme suçait, heureux, sa mamelle bénie,
Comme un petit enfant, jouant sur ses genoux.
- Parce qu'il était fort, l'Homme était chaste et doux.
Misère ! Maintenant il dit : Je sais les choses,
Et va, les yeux fermés et les oreille closes.
- Et pourtant, plus de dieux ! plus de dieux ! l'Homme est Roi,
L'Homme est Dieu ! Mais l'Amour, voilà la grande Foi !
Oh ! si l'homme puisait encore à ta mamelle,
Grande mère des dieux et des hommes, Cybèle ;
S'il n'avait pas laissé l'immortelle Astarté
Qui jadis, émergeant dans l'immense clarté
152
Des flots bleus, fleur de chair que la vague parfume,
Montra son nombril rose où vint neiger l'écume,
Et fit chanter, Déesse aux grands yeux noirs vainqueurs,
Le rossignol aux bois et l'amour dans les coeurs !
II
Je crois en toi ! Je crois en toi ! divine mère,
Aphrodite marine ! - Oh ! la route est amère
Depuis que l'autre Dieu nous attelle à sa croix ;
Chair, Marbre, Fleur, Vénus, c'est en toi que je crois !
- Oui, l'Homme est triste et laid, triste sous le ciel vaste,
Il a des vêtements, parce qu'il n'est plus chaste,
Parce qu'il a sali son fier buste de Dieu,
Et qu'il a rabougri, comme une idole au feu,
Son corps Olympien aux servitudes sales !
Oui, même après la mort, dans les squelettes pâles
Il veut vivre, insultant la première beauté !
- Et l'Idole où tu mis tant de virginité,
Où tu divinisas notre argile, la Femme,
Afin que l'Homme pût éclairer sa pauvre âme
Et monter lentement, dans un immense amour,
De la prison terrestre à la beauté du jour,
La Femme ne sait plus même être Courtisane !
- C'est une bonne farce ! et le monde ricane
Au nom doux et sacré de la grande Vénus !
III
Si les temps revenaient, les temps qui sont venus !
- Car l'Homme a fini ! l'Homme a joué tous les rôles !
Au grand jour, fatigué de briser des idoles
Il ressuscitera, libre de tous ses Dieux,
Et, comme il est du ciel, il scrutera les cieux !
L'idéal, la pensée invincible, éternelle,
Tout ; le dieu qui vit, sous son argile charnelle,
Montera, montera, brûlera sous son front !
Et quand tu le verras sonder tout l'horizon,
Contempteur des vieux jougs, libre de toute crainte,
Tu viendras lui donner la Rédemption sainte !
153
- Splendide, radieuse, au sein des grandes mers
Tu surgiras, jetant sur le vaste Univers
L'Amour infini dans un infini sourire !
Le Monde vibrera comme une immense lyre
Dans le frémissement d'un immense baiser
- Le Monde a soif d'amour : tu viendras l'apaiser.
IV
O splendeur de la chair ! ô splendeur idéale !
O renouveau d'amour, aurore triomphale
Où, courbant à leurs pieds les Dieux et les Héros,
Kallipyge la blanche et le petit Éros
Effleureront, couverts de la neige des roses,
Les femmes et les fleurs sous leurs beaux pieds écloses !
- O grande Ariadné, qui jette tes sanglots
Sur la rive, en voyant fuir là-bas sur les flots
Blanche sous le soleil, la voile de Thésée,
O douce vierge enfant qu'une nuit a brisée,
Tais-toi ! Sur son char d'or brodé de noirs raisins,
Lysios, promené dans les champs Phrygiens
Par les tigres lascifs et les panthères rousses,
Le long des fleuves bleus rougit les sombres mousses.
- Zeus, Taureau, sur son cou berce comme une enfant
Le corps nu d'Europé, qui jette son bras blanc
Au cou nerveux du Dieu frissonnant dans la vague
Il tourne lentement vers elle son oeil vague ;
Elle, laisse traîner sa pâle joue en fleur
Au front de Zeus ; ses yeux sont fermés ; elle meurt
Dans un divin baiser, et le flot qui murmure
De son écume d'or fleurit sa chevelure.
- Entre le laurier-rose et le lotus jaseur
Glisse amoureusement le grand Cygne rêveur
Embrassant la Léda des blancheurs de son aile ;
- Et tandis que Cypris passe, étrangement belle,
Et, cambrant les rondeurs splendides de ses reins,
Étale fièrement l'or de ses larges seins
Et son ventre neigeux brodé de mousse noire,
- Héraclès, le Dompteur, qui, comme d'une gloire
154
Fort, ceint son vaste corps de la peau du lion,
S'avance, front terrible et doux, à l'horizon !
Par la lune d'été vaguement éclairée,
Debout, nue, et rêvant dans sa pâleur dorée
Que tache le flot lourd de ses longs cheveux bleus,
Dans la clairière sombre, où la mousse s'étoile,
La Dryade regarde au ciel silencieux....
- La blanche Séléné laisse flotter son voile,
Craintive, sur les pieds du bel Endymion,
Et lui jette un baiser dans un pâle rayon...
- La Source pleure au loin dans une longue extase...
C'est la nymphe qui rêve, un coude sur son vase,
Au beau jeune homme blanc que son onde a pressé.
- Une brise d'amour dans la nuit a passé,
Et, dans les bois sacrés, dans l'horreur des grands arbres,
Majestueusement debout, les sombres Marbres,
Les Dieux, au front desquels le Bouvreuil fait son nid,
- Les Dieux écoutent l'homme et le Monde infini !
~ Arthur Rimbaud,#NFDB
702:Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.
I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.
Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.
And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.
But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.
And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.
Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.
And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.
And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.
The wood was so Spacious above them, that He who has stars for His flocks
Could fondle the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.
And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow: we drew the reins by his side.
Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's bosom; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.
And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.
And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.
Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.
I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the Fenian lands.'
Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.
Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.
In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.
And, man of the many white croziers, a century there I forgot
How the fetlocks drip blood in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.
And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.
But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of seamen or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.
Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.
And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.
At times our slumber was lightened. When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.
So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.
I awoke: the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his bosom deep
That once more moved in my bosom the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.
O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.
I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!
'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'
Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.
'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.
'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone
'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'
The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.
And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.
And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians. Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.
Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.
Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.
If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.
Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the rath,
And a small and a feeble populace stooping with mattock and spade,
Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.
And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'
A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.
And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'
And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.
And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.
The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.
How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.
S. Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.
Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.
And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.
We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.
S. Patrick. On the flaming stones, without refuge, the limbs of the Fenians are lost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.
Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-cock out on the flood, or a wolf sucked under a weir.
It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.
~ William Butler Yeats, The Wanderings Of Oisin - Book III
,#NFDB
703:Le Forgeron (The Blacksmith)
Le bras sur un marteau gigantesque, effrayant
D'ivresse et de grandeur, le front large, riant
Comme un clairon d'airain, avec toute sa bouche,
Et prenant ce gros-là dans son regard farouche,
Le Forgeron parlait à Louis Seize, un jour
Que le Peuple était là, se tordant tout autour,
Et sur les lambris d'or traînait sa veste sale.
Or le bon roi, debout sur son ventre, était pâle
Pâle comme un vaincu qu'on prend pour le gibet,
Et, soumis comme un chien, jamais ne regimbait,
Car ce maraud de forge aux énormes épaules
Lui disait de vieux mots et des choses si drôles,
Que cela l'empoignait au front, comme cela !
'Donc, Sire, tu sais bien, nous chantions tra la la
Et nous piquions les boeufs vers les sillons des autres :
Le Chanoine au soleil disait ses patenôtres
Sur des chapelets clairs grenés de pièces d'or.
Le Seigneur, à cheval, passait, sonnant du cor,
Et l'un avec la hart, l'autre avec la cravache,
Nous fouaillaient ; Hébétés comme des yeux de vache,
Nos yeux ne pleuraient pas : nous allions ! nous allions !
Et quand nous avions mis le pays en sillons,
Quand nous avions laissé dans cette terre noire
Un peu de notre chair... nous avions un pourboire :
- Nous venions voir flamber nos taudis dans la nuit ;
Nos enfants y faisaient un gâteau fort bien cuit !...
'Oh ! je ne me plains pas. Je te dis mes bêtises :
- C'est entre nous. J'admets que tu me contredises...
Or, n'est-ce pas joyeux de voir, au mois de juin
Dans les granges entrer des voitures de foin
Enormes ? De sentir l'odeur de ce qui pousse,
Des vergers quand il pleut un peu, de l'herbe rousse ?
De voir les champs de blé, les épis pleins de grain,
De penser que cela prépare bien du pain ?...
- Oui, l'on pourrait, plus fort, au fourneau qui s'allume,
Chanter joyeusement en martelant l'enclume,
Si l'on était certain qu'on pourrait prendre un peu,
71
Étant homme, à la fin !, de ce que donne Dieu !...
- Mais voilà, c'est toujours la même vieille histoire !
'... Oh ! je sais, maintenant ! Moi, je ne peux plus croire,
Quand j'ai deux bonnes mains, mon front et mon marteau,
Qu'un homme vienne là, dague sous le manteau
Et me dise : Maraud, ensemence ma terre ;
Que l'on arrive encor, quand ce serait la guerre,
Me prendre mon garçon comme cela, chez moi !...
- Moi, je serais un homme, et toi tu serais roi,
Tu me dirais : Je veux ! - Tu vois bien, c'est stupide !...
Tu crois que j'aime à voir ta baraque splendide,
Tes officiers dorés, tes mille chenapans,
Tes palsembleu bâtards tournant comme des paons ?
Ils ont rempli ton nid de l'odeur de nos filles,
Et de petits billets pour nous mettre aux Bastilles,
Et nous dirions : C'est bien : les pauvres à genoux !...
Nous dorerions ton Louvre en donnant nos gros sous,
Et tu te soûlerais, tu ferais belle fête,
Et tes Messieurs riraient, les reins sur notre tête !...
'Non ! Ces saletés-là datent de nos papas !
Oh ! Le Peuple n'est plus une putain ! Trois pas,
Et, tous, nous avons mis ta Bastille en poussière !
Cette bête suait du sang à chaque pierre...
Et c'était dégoûtant, la Bastille debout
Avec ses murs lépreux qui nous rappelaient tout
Et, toujours, nous tenaient enfermés dans leur ombre !
- Citoyen ! citoyen ! c'était le passé sombre
Qui croulait, qui râlait, quand nous prîmes la tour !
Nous avions quelque chose au coeur comme l'amour :
Nous avions embrassé nos fils sur nos poitrines,
Et, comme des chevaux, en soufflant des narines,
Nous marchions, nous chantions, et ça nous battait là,
Nous allions au soleil, front haut, comme cela,
Dans Paris accourant devant nos vestes sales !...
Enfin ! Nous nous sentions hommes ! Nous étions pâles,
Sire ; nous étions soûls de terribles espoirs,
Et quand nous fûmes là, devant les donjons noirs,
Agitant nos clairons et nos feuilles de chêne,
Les piques à la main ; nous n'eûmes pas de haine :
- Nous nous sentions si forts ! nous voulions être doux !
72
'Et depuis ce jour-là, nous sommes comme fous...
Le flot des ouvriers a monté dans la rue
Et ces maudits s'en vont, foule toujours accrue,
Comme des revenants, aux portes des richards !...
Moi, je cours avec eux assommer les mouchards,
Et je vais dans Paris le marteau sur l'épaule,
Farouche, à chaque coin balayant quelque drôle,
Et, si tu me riais au nez, je te tuerais !...
- Puis, tu dois y compter, tu te feras des frais
Avec tes avocats, qui prennent nos requêtes
Pour se les renvoyer comme sur des raquettes,
Et, tout bas, les malins ! Nous traitant de gros sots !
Pour mitonner des lois, ranger des de petits pots
Pleins de menus décrets, de méchantes droguailles,
S'amuser à couper proprement quelques tailles,
Puis se boucher le nez quand nous passons près d'eux,
- Ces chers avocassiers qui nous trouvent crasseux ! Pour débiter là-bas des milliers de sornettes
Et ne rien redouter sinon les baïonnettes,
Nous en avons assez, de tous ces cerveaux plats !
Ils embêtent le peuple !... Ah ! ce sont là les plats
Que tu nous sers, bourgeois, quand nous sommes féroces,
Quand nous cassons déjà les sceptres et les crosses !...'
Puis il le prend au bras, arrache le velours
Des rideaux, et lui montre, en bas, les larges cours
Où fourmille, où fourmille, où se lève la foule,
La foule épouvantable avec des bruits de houle,
Hurlant comme une chienne, hurlant comme une mer,
Avec ses bâtons forts et ses piques de fer,
Ses clameurs, ses grands cris de halles et de bouges,
Tas sombre de haillons taché de bonnets rouges !
L'Homme, par la fenêtre ouverte, montre tout
Au Roi pâle, suant qui chancelle debout,
Malade à regarder cela !...
spacespacespacespacespacespacespacespace'C'est la Crapule,
Sire ! ça bave aux murs, ça roule, ça pullule...
- Puisqu'ils ne mangent pas, Sire, ce sont les gueux !
- Je suis un forgeron : ma femme est avec eux :
Folle ! Elle vient chercher du pain aux Tuileries :
- On ne veut pas de nous dans les boulangeries !...
73
J'ai trois petits ; -Je suis crapule ! - Je connais
Des vieilles qui s'en vont pleurant sous leurs bonnets,
Parce qu'on leur a pris leur garçon ou leur fille :
- C'est la crapule. - Un homme était à la bastille,
D'autres étaient forçats ; c'étaient des citoyens
Honnêtes ; Libérés, ils sont comme des chiens ;
On les insulte ! Alors, ils ont là quelque chose
Qui leur fait mal, allez ! C'est terrible, et c'est cause
Que, se sentant brisés, que, se sentant damnés,
Ils viennent maintenant hurler sous votre nez !...
- Crapules : - Là-dedans sont des filles, infâmes
Parce que -, sachant bien que c'est faible, les femmes,
Messeigneurs de la cour, que ça veut toujours bien, Vous leur avez sali leur âme, comme rien !
Vos belles, aujourd'hui, sont là : - C'est la Crapule...
'Oh ! tous les Malheureux, tout ceux dont le dos brûle
Sous le soleil féroce, et qui vont, et qui vont,
Et dans ce travail-là sentent crever leur front,
Chapeau bas, mes bourgeois ! Oh ! ceux-là sont les hommes !
- Nous sommes Ouvriers ! Sire, Ouvriers ! - nous sommes
Pour les grands temps nouveaux où l'on voudra savoir,
Où l'homme forgera du matin jusqu'au soir,
Où, lentement vainqueur, il chassera les choses
Poursuivant les grands buts, cherchant les grandes causes,
Et montera sur Tout comme sur un cheval !
Oh ! nous sommes contents, nous aurons bien du mal !
- Tout ce qu'on ne sait pas, c'est peut-être terrible.
Nous pendrons nos marteaux, nous passerons au crible
Tout ce que nous savons, puis, Frères, en avant !...
- Nous faisons quelquefois ce grand rêve émouvant
De vivre simplement, ardemment, sans rien dire
De mauvais, travaillant sous l'auguste sourire
D'une femme qu'on aime avec un noble amour !
Et l'on travaillerait fièrement tout le jour,
Ecoutant le devoir comme un clairon qui sonne :
Et l'on se trouverait fort heureux, et personne,
Oh ! personne ! surtout, ne vous ferait plier !...
On aurait un fusil au-dessus du foyer....
'Oh ! mais ! l'air est tout plein d'une odeur de bataille !
Que te disais-je donc ? Je suis de la canaille !'
74
_____________________________________________________
Translation by A. S. Kline
His hand on a gigantic hammer, terrifying
In size and drunkenness, vast-browed, laughing
Like a bronze trumpet, his whole mouth displayed,
Devouring the fat man, now, with his wild gaze,
The Blacksmith spoke with Louis, with the king,
The People there, all around him, cavorting,
Trailing their dirty coats down gilded panels.
But the dear king, belly upright, was pallid,
Pale as the victim led to the guillotine,
Submissive like a dog, cowed by the scene,
Since that wide-shouldered forge-black soul
Spoke of things past and other things so droll,
He had him by the short hairs, just like that!
‘Now, Sir, you know how we’d sing tra-la-la,
And drive the ox down other people’s furrows:
The Canon spun paternosters in the shadows
On rosaries bright with golden coins adorned,
Some Lord, astride, passed blowing on his horn,
One with the noose, another with whip-blows
Lashed us on. – Dazed like the eyes of cows,
Our eyes no longer wept; on and on we went,
And when we’d ploughed a whole continent,
When we had left behind in that black soil
A little of our own flesh…to reward our toil:
They’d set alight our hovels in the night;
Our little ones made burnt cakes alright.
…Oh, I’m not complaining! All my follies,
They’re between us. I’ll let you contradict.
But, isn’t it fine to see, in the month of June,
The enormous hay-wains entering the barns?
To smell the odour of burgeoning things,
The orchards in fine rain, the oats reddening?
To see wheat, wheat, ears filled with grain,
To think it promises us good bread again?...
Oh! You’d go to the forge, be more cheerful,
Sing and hammer joyfully at the anvil,
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If you were sure to gain a little in the end –
Being, in fact, a man – of what God intends!
– But there it is, always the same old story!...
But now I know! I don’t credit it any more,
Owning two strong hands, a head, a hammer,
That a man in a cloak, wearing a dagger
Can say: go and sow my land, there, fellow;
Or that another, if maybe war should follow,
Can take my son like that, from where I’m living!
– Suppose I were a man, and you a king,
You’d say: I will it!... – What stupidity.
You think your splendid barn pleases me,
Your gilded servants, your thousand rogues,
Your fancy bastards, peacocks in a row:
Filling your nest with our daughters’ odour,
Warrants to the Bastille for us, moreover
That we should say: fine: make the poor poorer!
We’ll give you our last sous to gild the Louvre!
While you get drunk and enjoy the feast,
– And they all laugh, riding our backs beneath!
No. Those puerilities were our fathers!
The People is no one’s whore now, three steps further
And then, we razed your Bastille to the ground.
That monster sweated blood from every mound,
Was an abomination, that Bastille standing,
With leprous walls its every story yielding,
And, we forever held fast in its shadow!
– Citizen! That was the past, its sorrow,
That broke, and died, when we stormed the tower!
We had something in our hearts like true ardour.
We had clutched our children to our breast.
And like chargers, snorting at the contest,
We went, proud and strong, beating here inside…
We marched in the sun – like this – heads high
Into Paris! They greeted us in our ragged clothes.
At last! We felt ourselves Men! We were sallow,
Sire, drunk, and pallid with terrifying hopes:
And there, in front of those black prison slopes,
Waving our bugles and our sprigs of oak,
Pikes in our fists; did we feel hatred, no!
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– We felt such strength we wanted to be gentle! ...
And since that day, we have proved elementals!
A mass of workers sprang up in the street,
And, cursed, are gone, a swelling crowd replete
With ghostly shades, to haunt the rich man’s gate.
I, I run with them, and set informers straight:
I scour Paris, dark-faced, wild, hammer on shoulder,
Sweeping something droll out of every corner,
And, if you smile at me, then I’ll do for you!
– Well, count on it: all this is going to cost you
And your men in black, culling our requests
To bat them about on their racquets all in jest,
And whisper, the rascals, softly: “Oh, what sots!”
To cook up laws, and stick up little pots,
Filled with cute pink decrees, and sugar pills,
Cutting us down to size, to amuse themselves,
Then they hold their noses when we pass by,
– Our kind representatives who hate the sty! –
Fearful of nothing, nothing, but bayonets….
That’s fine. Enough of snuff and lorgnettes!
We’ve had our fill, here, of those dull heads
And bellies of gods. Ah! That’s the bread
You serve us, bourgeoisie, while we rage here,
While we shatter the sceptre and the crozier!...’
He takes his arm, tears back the velvet curtain
And shows the vast courtyards beneath them,
Where the mob swarms, and seethes, where rise,
Out of the frightful mob those storm-filled cries,
Howling as bitches howl, or like the sea,
With their knotted stakes, their pikes of steel,
With the clamour of their market-halls and slums,
A ragged mass of blood-stained caps, and drums:
The Man, through the open window, shows all
To the pale sweating king, reeling, about to fall,
Sick at the sight of it!
‘Those are the Scum, Sire.
Licking the walls, seething, rising higher:
– But then they’ve not eaten, Sire, these beggars!
I’m a blacksmith: my wife, madwoman, is there!
She thinks she’ll get bread at the Tuileries!
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– They’ll have none of us in the bakeries.
I’ve three youngsters. I’m scum, too – I know
Old women weeping under their bonnets so
Because they’ve taken a daughter or a son:
One man was in the Bastille – oh, they’re scum –
Another the galleys: both honest citizens.
Freed, they’re treated like dogs, these men:
Insulted! Then, they have something here
That hurts them, see! It’s terrible, it’s clear
They feel broken, feel themselves damned,
There, screaming beneath you where you stand!
Scum. – Down there girls, infamous, shriek,
Because – well, you knew girls were weak –
Gentlemen of the court – gave all you sought –
You’d spit on their souls, as if they were naught!
Now, your pretty ones are there. They’re scum.
Oh, all the Wretched, whose backs, in the fierce sun
Burn, and yet they still work on and on,
Feeling their heads burst with their exertion,
Hats off, you bourgeoisie! Those are Men.
We are the Workers, Sire! Workers! And then
We’re for the great new age, of knowledge, light,
When Man will forge from morning to night,
Pursuing great effects, chasing great causes,
When he will tame things, slowly victorious,
And like a horse, mount the mighty All!
Oh! Splendour of the forges! And no more
Evil, then! – What’s unknown, its terror maybe
We’ll know! – Hammer in hand, let’s sieve freely
All that we know: then, Brothers, we’ll go on!
Sometimes we dream that dream’s vast emotion
Of the simple ardent life, where you revile
All evil, working beneath the august smile,
Of a woman you love with love’s nobility:
And all day long you labour on proudly,
Hearing the clarion call of duty sounding!
And you feel so happy; and nothing, nothing,
Oh, above all, no-one makes you kneel!
Over the fireplace, there, you’d have a rifle…
Oh! But the air is filled with the scent of battle.
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What did I say? I too am one of the rascals!
And there are still sharks and informers.
But we are free! With our moments of terror
When we feel we are great, so great! Just now
I was talking of peaceful work, of how…
Look at that sky! – Too small for us, you see,
If we feared the heat, we’d live on our knees!
Look at that sky! – I’ll return to the crowd,
To the vast fearful mob who cry aloud
And roll your cannon through the cobbles’ sty;
– Oh! We will wash them clean when we die!
– And if, against our cries and our vengeance,
The claws of old gilded kings, all over France,
Urge on their regiments in full battle-dress,
Well then, you lot? Shit to those dogs, no less!’
– He shoulders his hammer once more.
The crowd
Feels soul-drunk close to that man, and now
Through the great courtyard, all those rooms,
Where Paris pants and the voices boom,
A shudder shakes the immense populace.
Then, with his broad hand, its grimy grace
Gilded, while the pot-bellied king sweats,
The Blacksmith set his red cap on that head!
~ Arthur Rimbaud,#NFDB
704:Raschi In Prague
Raschi of Troyes, the Moon of Israel,
The authoritative Talmudist, returned
From his wide wanderings under many skies,
To all the synagogues of the Orient,
Through Spain and Italy, the isles of Greece,
Beautiful, dolorous, sacred Palestine,
Dead, obelisked Egypt, floral, musk-breathed Persia,
Laughing with bloom, across the Caucasus,
The interminable sameness of bare steppes,
Through dark luxuriance of Bohemian woods,
And issuing on the broad, bright Moldau vale,
Entered the gates of Prague. Here, too, his fame,
Being winged, preceded him. His people swarmed
Like bees to gather the rich honey-dew
Of learning from his lips. Amazement filled
All eyes beholding him. No hoary sage,
He who had sat in Egypt at the feet
Of Moses ben-Maimuni, called him friend;
Raschi the scholiast, poet, and physician,
Who bore the ponderous Bible's storied wisdom,
The Mischna's tangled lore at tip of tongue,
Light as a garland on a lance, appeared
In the just-ripened glory of a man.
From his clear eye youth flamed magnificent;
Force, masked by grace, moved in his balanced frame;
An intellectual, virile beauty reigned
Dominant on domed brow, on fine, firm lips,
An eagle profile cut in gilded bronze,
Strong, delicate as a head upon a coin,
While, as an aureole crowns a burning lamp,
Above all beauty of the body and brain
Shone beauty of a soul benign with love.
Even as a tawny flock of huddled sheep,
Grazing each other's heels, urged by one will,
With bleat and baa following the wether's lead,
Or the wise shepherd, so o'er the Moldau bridge
Trotted the throng of yellow-caftaned Jews,
Chattering, hustling, shuffling. At their head
Marched Rabbi Jochanan ben-Eleazar,
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High priest in Prague, oldest and most revered,
To greet the star of Israel. As a father
Yearns toward his son, so toward the noble Raschi
Leapt at first sight the patriarch's fresh old heart.
'My home be thine in Prague! Be thou my son,
Who have no offspring save one simple girl.
See, glorious youth, who dost renew the days
Of David and of Samuel, early graced
With God's anointing oil, how Israel
Delights to honor who hath honored him.'
Then Raschi, though he felt a ball of fire
Globe itself in his throat, maintained his calm,
His cheek's opaque, swart pallor while he kissed
Silent the Rabbi's withered hand, and bowed
Divinely humble, his exalted head
Craving the benison.
For each who asked
He had the word of counsel, comfort, help;
For all, rich eloquence of thanks. His voice,
Even and grave, thrilled secret chords and set
Plain speech to music. Certain folk were there
Sick in the body, dragging painful limbs,
To the physician. These he solaced first,
With healing touch, with simples from his pouch,
Warming and lulling, best with promises
Of constant service till their ills were cured.
And some, gray-bearded, bald, and curved with age,
Blear-eyed from poring over lines obscure
And knotty riddles of the Talmud, brought
Their problems to this youth, who cleared and solved,
Yielding prompt answer to a lifetime's search.
Then, followed, pushed by his obsequious tribe,
Who fain had pedestaled him on their backs,
Hemming his steps, choking the airs of heaven
With their oppressive honors, he advanced,
Midst shouts, tumultuous welcomes, kisses showered
Upon his road-stained garments, through Prague's streets,
Gaped at by Gentiles, hissed at and reviled,
But no whit altering his majestic mien
For overwhelming plaudits or contempt.
Glad tidings Raschi brought from West and East
Of thriving synagogues, of famous men,
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And flourishing academies. In Rome
The Papal treasurer was a pious Jew,
Rabbi Jehiel, neath whose patronage
Prospered a noble school. Two hundred Jews
Dwelt free and paid no tributary mark.
Three hundred lived in peace at Capua,
Shepherded by the learned Rabbi David,
A prince of Israel. In Babylon
The Jews established their Academy.
Another still in Bagdad, from whose chair
Preached the great rabbi, Samuel Ha-levi,
Versed in the written and the oral law,
Who blindfold could repeat the whole vast text
Of Mischna and Gemara. On the banks
Of Eden-born Euphrates, one day's ride
From Bagdad, Raschi found in the wilderness,
Which once was Babylon, Ezekiel's tomb.
Thrice ten perpetual lamps starred the dim shrine,
Two hundred sentinels held the sleepless vigil,
Receiving offerings. At the Feast of Booths
Here crowded Jews by thousands, out of Persia,
From all the neighboring lands, to celebrate
The glorious memories of the golden days.
Ten thousand Jews with their Academy
Damascus boasted, while in Cairo shone
The pearl, the crown of Israel, ben-Maimuni,
Physician at the Court of Saladin,
The second Moses, gathering at his feet
Sages from all the world.
As Raschi spake,
Forgetting or ignoring the chief shrine,
The Exile's Home, whereunto yearned all hearts,
All ears were strained for tidings. Some one asked:
'What of Jerusalem? Speak to us of Zion.'
The light died from his eyes. From depths profound
Issued his grave, great voice: 'Alas for Zion!
Verily is she fallen! Where our race
Dictated to the nations, not a handful,
Nay, not a score, not ten, not two abide!
One, only one, one solitary Jew,
The Rabbi Abraham Haceba, flits
Ghostlike amid the ruins; every year
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Beggars himself to pay the idolaters
The costly tax for leave to hold a-gape
His heart's live wound; to weep, a mendicant,
Amidst the crumbled stones of palaces
Where reigned his ancestors, upon the graves
Where sleep the priests, the prophets, and the kings
Who were his forefathers. Ask me no more!'
Now, when the French Jew's advent was proclaimed,
And his tumultuous greeting, envious growls
And ominous eyebeams threatened storm in Prague.
'Who may this miracle of learning be?
The Anti-Christ! The century-long-awaited,
The hourly-hoped Messiah, come at last!
Else dared they never wax so arrogant,
Flaunting their monstrous joy in Christian eyes,
And strutting peacock-like, with hideous screams,
Who are wont to crawl, mute reptiles underfoot.'
A stone or two flung at some servile form,
Liveried in the yellow gaberdine
(With secret happiness but half suppressed
On features cast for misery), served at first
For chance expression of the rabble's hate;
But, swelling like a snow-ball rolled along
By mischief-plotting boys, the rage increased,
Grew to a mighty mass, until it reached
The palace of Duke Vladislaw. He heard
With righteous wrath his injured subjects' charge
Against presumptuous aliens: how these blocked
His avenues, his bridges; bared to the sun
The canker-taint of Prague's obscurest coigne;
Paraded past the churches of the Lord
One who denied Him, one by them hailed Christ.
Enough! This cloud, no bigger than one's hand,
Gains overweening bulk. Prague harbored, first,
Out of contemptuous ruth, a wretched band
Of outcast paupers, gave them leave to ply
Their money-lending trade, and leased them land
On all too facile terms. Behold! to-day,
Like leeches bloated with the people's blood,
They batten on Bohemia's poverty;
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They breed and grow; like adders, spit back hate
And venomed perfidy for Christian love.
Thereat the Duke, urged by wise counsellorsNarzerad the statesman (half whose wealth was pledged
To the usurers), abetted by the priest,
Bishop of Olmutz, who had visited
The Holy Sepulchre, whose long, full life
Was one clean record of pure pietyThe Duke, I say, by these persuasive tongues,
Coaxed to his darling aim, forbade his guards
To hinder the just anger of his town,
And ordered to be led in chains to him
The pilgrim and his host.
At noontide meal
Raschi sat, full of peace, with Jochanan,
And the sole daughter of the house, Rebekah,
Young, beautiful as her namesake when she brought
Her firm, frail pitcher balanced on her neck
Unto the well, and gave the stranger drink,
And gave his camels drink. The servant set
The sparkling jar's refreshment from his lips,
And saw the virgin's face, bright as the moon,
Beam from the curled luxuriance of black locks,
And cast-back linen veil's soft-folded cloud,
Then put the golden ear-ring by her cheek,
The bracelets on her hands, his master's pledge,
Isaac's betrothal gift, whom she should wed,
And be the mother of millions-one whose seed
Dwells in the gates of those which hate them.
So
Yearned Raschi to adorn the radiant girl
Who sat at board before him, nor dared lift
Shy, heavy lids from pupils black as grapes
That dart the imprisoned sunshine from their core.
But in her ears keen sense was born to catch,
And in her heart strange power to hold, each tone
O' the low-keyed, vibrant voice, each syllable
O' the eloquent discourse, enriched with tales
Of venturous travel, brilliant with fine points
Of delicate humor, or illustrated
With living portraits of world-famoused men,
169
Jews, Saracens, Crusaders, Islamites,
Whose hand he had grasped-the iron warrior,
Godfrey of Bouillon, the wise infidel
Who in all strength, wit, courtesy excelled
The kings his foes-imperial Saladin.
But even as Raschi spake an abrupt noise
Of angry shouts, of battering staves that shook
The oaken portal, stopped the enchanted voice,
The uplifted wine spilled from the nerveless hand
Of Rabbi Jochanan. 'God pity us!
Our enemies are upon us once again.
Hie thee, Rebekah, to the inmost chamber,
Far from their wanton eyes' polluting gaze,
Their desecrating touch! Kiss me! Begone!
Raschi, my guest, my son'-But no word more
Uttered the reverend man. With one huge crash
The strong doors split asunder, pouring in
A stream of soldiers, ruffians, armed with pikes,
Lances, and clubs-the unchained beast, the mob.
'Behold the town's new guest!' jeered one who tossed
The half-filled golden wine-cup's contents straight
In the noble pure young face. 'What, master Jew!
Must your good friends of Prague break bolts and bars
To gain a peep at this prodigious pearl
You bury in your shell? Forth to the day!
Our Duke himself claims share of your new wealth;
Summons to court the Jew philosopher!'
Then, while some stuffed their pokes with baubles snatched
From board and shelf, or with malignant sword
Slashed the rich Orient rugs, the pictured woof
That clothed the wall; others had seized and bound,
And gagged from speech, the helpless, aged man;
Still others outraged, with coarse, violent hands,
The marble-pale, rigid as stone, strange youth,
Whose eye like struck flint flashed, whose nether lip
Was threaded with a scarlet line of blood,
Where the compressed teeth fixed it to forced calm.
He struggled not while his free limbs were tied,
His beard plucked, torn and spat upon his robeSeemed scarce to know these insults were for him;
But never swerved his gaze from Jochanan.
Then, in God's language, sealed from these dumb brutes,
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Swiftly and low he spake: 'Be of good cheer,
Reverend old man. I deign not treat with these.
If one dare offer bodily hurt to thee,
By the ineffable Name! I snap my chains
Like gossamer, and in his blood, to the hilt,
Bathe the prompt knife hid in my girdle's folds.
The Duke shall hear me. Patience. Trust in me.'
Somewhat the authoritative voice abashed,
Even hoarse and changed, the miscreants, who feared
Some strong curse lurked in this mysterious tongue,
Armed with this evil eye. But brief the spell.
With gibe and scoff they dragged their victims forth,
The abused old man, the proud, insulted youth,
O'er the late path of his triumphal march,
Befouled with mud, with raiment torn, wild hair
And ragged beard, to Vladislaw. He sat
Expectant in his cabinet. On one side
His secular adviser, Narzerad,
Quick-eyed, sharp-nosed, red-whiskered as a fox;
On the other hand his spiritual guide,
Bishop of Olmutz, unctuous, large, and bland.
'So these twain are chief culprits!' sneered the Duke,
Measuring with the noble's ignorant scorn
His masters of a lesser caste. 'Stand forth!
Rash, stubborn, vain old man, whose impudence
Hath choked the public highways with thy brood
Of nasty vermin, by our sufferance hid
In lanes obscure, who hailed this charlatan
With sky-flung caps, bent knees, and echoing shouts,
Due to ourselves alone in Prague; yea, worse,
Who offered worship even ourselves disclaim,
Our Lord Christ's meed, to this blaspheming JewThy crimes have murdered patience. Thou hast wrecked
Thy people's fortune with thy own. But first
(For even in anger we are just) recount
With how great compensation from thy store
Of hoarded gold and jewels thou wilt buy
Remission of the penalty. Be wise.
Hark how my subjects, storming through the streets,
Vent on thy tribe accursed their well-based wrath.'
And, truly, through closed casements roared the noise
Of mighty surging crowds, derisive cries,
171
And victims' screams of anguish and affright.
Then Raschi, royal in his rags, began:
'Hear me, my liege!' At that commanding voice,
The Bishop, who with dazed eyes had perused
The grieved, wise, beautiful, pale face, sprang up,
Quick recognition in his glance, warm joy
Aflame on his broad cheeks. 'No more! No more!
Thou art the man! Give me the hand to kiss
That raised me from the shadow of the grave
In Jaffa's lazar-house! Listen, my liege!
During my pilgrimage to Palestine
I, sickened with the plague and nigh to death,
Languished 'midst strangers, all my crumbling flesh
One rotten mass of sores, a thing for dogs
To shy from, shunned by Christian as by Turk,
When lo! this clean-breathed, pure-souled, blessed youth,
Whom I, not knowing for an infidel,
Seeing featured like the Christ, believed a saint,
Sat by my pillow, charmed the sting from pain,
Quenched the fierce fever's heat, defeated Death;
And when I was made whole, had disappeared,
No man knew whither, leaving no more trace
Than a re-risen angel. This is he!'
Then Raschi, who had stood erect, nor quailed
From glances of hot hate or crazy wrath,
Now sank his eagle gaze, stooped his high head,
Veiling his glowing brow, returned the kiss
Of brother-love upon the Christian's hand,
And dropping on his knees implored the three,
'Grace for my tribe! They are what ye have made.
If any be among them fawning, false,
Insatiable, revengeful, ignorant, meanAnd there are many such-ask your own hearts
What virtues ye would yield for planted hate,
Ribald contempt, forced, menial servitude,
Slow centuries of vengeance for a crime
Ye never did commit? Mercy for these!
Who bear on back and breast the scathing brand
Of scarlet degradation, who are clothed
In ignominious livery, whose bowed necks
Are broken with the yoke. Change these to men!
That were a noble witchcraft simply wrought,
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God's alchemy transforming clods to gold.
If there be one among them strong and wise,
Whose lips anoint breathe poetry and love,
Whose brain and heart served ever Christian needAnd there are many such-for his dear sake,
Lest ye chance murder one of God's high priests,
Spare his thrice-wretched tribe! Believe me, sirs,
Who have seen various lands, searched various hearts,
I have yet to touch that undiscovered shore,
Have yet to fathom that impossible soul,
Where a true benefit's forgot; where one
Slight deed of common kindness sown yields not
As now, as here, abundant crop of love.
Every good act of man, our Talmud says,
Creates an angel, hovering by his side.
Oh! what a shining host, great Duke, shall guard
Thy consecrated throne, for all the lives
Thy mercy spares, for all the tears thy ruth
Stops at the source. Behold this poor old man,
Last of a line of princes, stricken in years,
As thy dead father would have been to-day.
Was that white beard a rag for obscene hands
To tear? a weed for lumpish clowns to pluck?
Was that benignant, venerable face
Fit target for their foul throats' voided rheum?
That wrinkled flesh made to be pulled and pricked,
Wounded by flinty pebbles and keen steel?
Behold the prostrate, patriarchal form,
Bruised, silent, chained. Duke, such is Israel!'
'Unbind these men!' commanded Vladislaw.
'Go forth and still the tumult of my town.
Let no Jew suffer violence. Raschi, rise!
Thou who hast served the Christ-with this priest's life,
Who is my spirit's counselor-Christ serves thee.
Return among thy people with my seal,
The talisman of safety. Let them know
The Duke's their friend. Go, publish the glad news!'
Raschi the Saviour, Raschi the Messiah,
Back to the Jewry carried peace and love.
But Narzerad fed his venomed heart with gall,
Vowing to give his fatal hatred vent,
Despite a world of weak fantastic Dukes
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And heretic bishops. He fulfilled his vow.
~ Emma Lazarus,#NFDB
705:The Princess (Part 6)
My dream had never died or lived again.
As in some mystic middle state I lay;
Seeing I saw not, hearing not I heard:
Though, if I saw not, yet they told me all
So often that I speak as having seen.
For so it seemed, or so they said to me,
That all things grew more tragic and more strange;
That when our side was vanquished and my cause
For ever lost, there went up a great cry,
The Prince is slain. My father heard and ran
In on the lists, and there unlaced my casque
And grovelled on my body, and after him
Came Psyche, sorrowing for Aglaïa.
But high upon the palace Ida stood
With Psyche's babe in arm: there on the roofs
Like that great dame of Lapidoth she sang.
'Our enemies have fallen, have fallen: the seed,
The little seed they laughed at in the dark,
Has risen and cleft the soil, and grown a bulk
Of spanless girth, that lays on every side
A thousand arms and rushes to the Sun.
'Our enemies have fallen, have fallen: they came;
The leaves were wet with women's tears: they heard
A noise of songs they would not understand:
They marked it with the red cross to the fall,
And would have strown it, and are fallen themselves.
'Our enemies have fallen, have fallen: they came,
The woodmen with their axes: lo the tree!
But we will make it faggots for the hearth,
And shape it plank and beam for roof and floor,
And boats and bridges for the use of men.
'Our enemies have fallen, have fallen: they struck;
With their own blows they hurt themselves, nor knew
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There dwelt an iron nature in the grain:
The glittering axe was broken in their arms,
Their arms were shattered to the shoulder blade.
'Our enemies have fallen, but this shall grow
A night of Summer from the heat, a breadth
Of Autumn, dropping fruits of power: and rolled
With music in the growing breeze of Time,
The tops shall strike from star to star, the fangs
Shall move the stony bases of the world.
'And now, O maids, behold our sanctuary
Is violate, our laws broken: fear we not
To break them more in their behoof, whose arms
Championed our cause and won it with a day
Blanched in our annals, and perpetual feast,
When dames and heroines of the golden year
Shall strip a hundred hollows bare of Spring,
To rain an April of ovation round
Their statues, borne aloft, the three: but come,
We will be liberal, since our rights are won.
Let them not lie in the tents with coarse mankind,
Ill nurses; but descend, and proffer these
The brethren of our blood and cause, that there
Lie bruised and maimed, the tender ministries
Of female hands and hospitality.'
She spoke, and with the babe yet in her arms,
Descending, burst the great bronze valves, and led
A hundred maids in train across the Park.
Some cowled, and some bare-headed, on they came,
Their feet in flowers, her loveliest: by them went
The enamoured air sighing, and on their curls
From the high tree the blossom wavering fell,
And over them the tremulous isles of light
Slided, they moving under shade: but Blanche
At distance followed: so they came: anon
Through open field into the lists they wound
Timorously; and as the leader of the herd
That holds a stately fretwork to the Sun,
And followed up by a hundred airy does,
Steps with a tender foot, light as on air,
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The lovely, lordly creature floated on
To where her wounded brethren lay; there stayed;
Knelt on one knee,--the child on one,--and prest
Their hands, and called them dear deliverers,
And happy warriors, and immortal names,
And said 'You shall not lie in the tents but here,
And nursed by those for whom you fought, and served
With female hands and hospitality.'
Then, whether moved by this, or was it chance,
She past my way. Up started from my side
The old lion, glaring with his whelpless eye,
Silent; but when she saw me lying stark,
Dishelmed and mute, and motionlessly pale,
Cold even to her, she sighed; and when she saw
The haggard father's face and reverend beard
Of grisly twine, all dabbled with the blood
Of his own son, shuddered, a twitch of pain
Tortured her mouth, and o'er her forehead past
A shadow, and her hue changed, and she said:
'He saved my life: my brother slew him for it.'
No more: at which the king in bitter scorn
Drew from my neck the painting and the tress,
And held them up: she saw them, and a day
Rose from the distance on her memory,
When the good Queen, her mother, shore the tress
With kisses, ere the days of Lady Blanche:
And then once more she looked at my pale face:
Till understanding all the foolish work
Of Fancy, and the bitter close of all,
Her iron will was broken in her mind;
Her noble heart was molten in her breast;
She bowed, she set the child on the earth; she laid
A feeling finger on my brows, and presently
'O Sire,' she said, 'he lives: he is not dead:
O let me have him with my brethren here
In our own palace: we will tend on him
Like one of these; if so, by any means,
To lighten this great clog of thanks, that make
Our progress falter to the woman's goal.'
She said: but at the happy word 'he lives'
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My father stooped, re-fathered o'er my wounds.
So those two foes above my fallen life,
With brow to brow like night and evening mixt
Their dark and gray, while Psyche ever stole
A little nearer, till the babe that by us,
Half-lapt in glowing gauze and golden brede,
Lay like a new-fallen meteor on the grass,
Uncared for, spied its mother and began
A blind and babbling laughter, and to dance
Its body, and reach its fatling innocent arms
And lazy lingering fingers. She the appeal
Brooked not, but clamouring out 'Mine--mine--not yours,
It is not yours, but mine: give me the child'
Ceased all on tremble: piteous was the cry:
So stood the unhappy mother open-mouthed,
And turned each face her way: wan was her cheek
With hollow watch, her blooming mantle torn,
Red grief and mother's hunger in her eye,
And down dead-heavy sank her curls, and half
The sacred mother's bosom, panting, burst
The laces toward her babe; but she nor cared
Nor knew it, clamouring on, till Ida heard,
Looked up, and rising slowly from me, stood
Erect and silent, striking with her glance
The mother, me, the child; but he that lay
Beside us, Cyril, battered as he was,
Trailed himself up on one knee: then he drew
Her robe to meet his lips, and down she looked
At the armed man sideways, pitying as it seemed,
Or self-involved; but when she learnt his face,
Remembering his ill-omened song, arose
Once more through all her height, and o'er him grew
Tall as a figure lengthened on the sand
When the tide ebbs in sunshine, and he said:
'O fair and strong and terrible! Lioness
That with your long locks play the Lion's mane!
But Love and Nature, these are two more terrible
And stronger. See, your foot is on our necks,
We vanquished, you the Victor of your will.
What would you more? Give her the child! remain
Orbed in your isolation: he is dead,
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Or all as dead: henceforth we let you be:
Win you the hearts of women; and beware
Lest, where you seek the common love of these,
The common hate with the revolving wheel
Should drag you down, and some great Nemesis
Break from a darkened future, crowned with fire,
And tread you out for ever: but howso'er
Fixed in yourself, never in your own arms
To hold your own, deny not hers to her,
Give her the child! O if, I say, you keep
One pulse that beats true woman, if you loved
The breast that fed or arm that dandled you,
Or own one port of sense not flint to prayer,
Give her the child! or if you scorn to lay it,
Yourself, in hands so lately claspt with yours,
Or speak to her, your dearest, her one fault,
The tenderness, not yours, that could not kill,
Give ~me~ it: ~I~ will give it her.
He said:
At first her eye with slow dilation rolled
Dry flame, she listening; after sank and sank
And, into mournful twilight mellowing, dwelt
Full on the child; she took it: 'Pretty bud!
Lily of the vale! half opened bell of the woods!
Sole comfort of my dark hour, when a world
Of traitorous friend and broken system made
No purple in the distance, mystery,
Pledge of a love not to be mine, farewell;
These men are hard upon us as of old,
We two must part: and yet how fain was I
To dream thy cause embraced in mine, to think
I might be something to thee, when I felt
Thy helpless warmth about my barren breast
In the dead prime: but may thy mother prove
As true to thee as false, false, false to me!
And, if thou needs must needs bear the yoke, I wish it
Gentle as freedom'--here she kissed it: then-'All good go with thee! take it Sir,' and so
Laid the soft babe in his hard-mailèd hands,
Who turned half-round to Psyche as she sprang
To meet it, with an eye that swum in thanks;
Then felt it sound and whole from head to foot,
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And hugged and never hugged it close enough,
And in her hunger mouthed and mumbled it,
And hid her bosom with it; after that
Put on more calm and added suppliantly:
'We two were friends: I go to mine own land
For ever: find some other: as for me
I scarce am fit for your great plans: yet speak to me,
Say one soft word and let me part forgiven.'
But Ida spoke not, rapt upon the child.
Then Arac. 'Ida--'sdeath! you blame the man;
You wrong yourselves--the woman is so hard
Upon the woman. Come, a grace to me!
I am your warrior: I and mine have fought
Your battle: kiss her; take her hand, she weeps:
'Sdeath! I would sooner fight thrice o'er than see it.'
But Ida spoke not, gazing on the ground,
And reddening in the furrows of his chin,
And moved beyond his custom, Gama said:
'I've heard that there is iron in the blood,
And I believe it. Not one word? not one?
Whence drew you this steel temper? not from me,
Not from your mother, now a saint with saints.
She said you had a heart--I heard her say it-"Our Ida has a heart"--just ere she died-"But see that some on with authority
Be near her still" and I--I sought for one-All people said she had authority-The Lady Blanche: much profit! Not one word;
No! though your father sues: see how you stand
Stiff as Lot's wife, and all the good knights maimed,
I trust that there is no one hurt to death,
For our wild whim: and was it then for this,
Was it for this we gave our palace up,
Where we withdrew from summer heats and state,
And had our wine and chess beneath the planes,
And many a pleasant hour with her that's gone,
Ere you were born to vex us? Is it kind?
Speak to her I say: is this not she of whom,
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When first she came, all flushed you said to me
Now had you got a friend of your own age,
Now could you share your thought; now should men see
Two women faster welded in one love
Than pairs of wedlock; she you walked with, she
You talked with, whole nights long, up in the tower,
Of sine and arc, spheroïd and azimuth,
And right ascension, Heaven knows what; and now
A word, but one, one little kindly word,
Not one to spare her: out upon you, flint!
You love nor her, nor me, nor any; nay,
You shame your mother's judgment too. Not one?
You will not? well--no heart have you, or such
As fancies like the vermin in a nut
Have fretted all to dust and bitterness.'
So said the small king moved beyond his wont.
But Ida stood nor spoke, drained of her force
By many a varying influence and so long.
Down through her limbs a drooping languor wept:
Her head a little bent; and on her mouth
A doubtful smile dwelt like a clouded moon
In a still water: then brake out my sire,
Lifted his grim head from my wounds. 'O you,
Woman, whom we thought woman even now,
And were half fooled to let you tend our son,
Because he might have wished it--but we see,
The accomplice of your madness unforgiven,
And think that you might mix his draught with death,
When your skies change again: the rougher hand
Is safer: on to the tents: take up the Prince.'
He rose, and while each ear was pricked to attend
A tempest, through the cloud that dimmed her broke
A genial warmth and light once more, and shone
Through glittering drops on her sad friend.
'Come hither.
O Psyche,' she cried out, 'embrace me, come,
Quick while I melt; make reconcilement sure
With one that cannot keep her mind an hour:
Come to the hollow hear they slander so!
Kiss and be friends, like children being chid!
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~I~ seem no more: ~I~ want forgiveness too:
I should have had to do with none but maids,
That have no links with men. Ah false but dear,
Dear traitor, too much loved, why?--why?--Yet see,
Before these kings we embrace you yet once more
With all forgiveness, all oblivion,
And trust, not love, you less.
And now, O sire,
Grant me your son, to nurse, to wait upon him,
Like mine own brother. For my debt to him,
This nightmare weight of gratitude, I know it;
Taunt me no more: yourself and yours shall have
Free adit; we will scatter all our maids
Till happier times each to her proper hearth:
What use to keep them here--now? grant my prayer.
Help, father, brother, help; speak to the king:
Thaw this male nature to some touch of that
Which kills me with myself, and drags me down
From my fixt height to mob me up with all
The soft and milky rabble of womankind,
Poor weakling even as they are.'
Passionate tears
Followed: the king replied not: Cyril said:
'Your brother, Lady,--Florian,--ask for him
Of your great head--for he is wounded too-That you may tend upon him with the prince.'
'Ay so,' said Ida with a bitter smile,
'Our laws are broken: let him enter too.'
Then Violet, she that sang the mournful song,
And had a cousin tumbled on the plain,
Petitioned too for him. 'Ay so,' she said,
'I stagger in the stream: I cannot keep
My heart an eddy from the brawling hour:
We break our laws with ease, but let it be.'
'Ay so?' said Blanche: 'Amazed am I to her
Your Highness: but your Highness breaks with ease
The law your Highness did not make: 'twas I.
I had been wedded wife, I knew mankind,
And blocked them out; but these men came to woo
Your Highness--verily I think to win.'
So she, and turned askance a wintry eye:
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But Ida with a voice, that like a bell
Tolled by an earthquake in a trembling tower,
Rang ruin, answered full of grief and scorn.
'Fling our doors wide! all, all, not one, but all,
Not only he, but by my mother's soul,
Whatever man lies wounded, friend or foe,
Shall enter, if he will. Let our girls flit,
Till the storm die! but had you stood by us,
The roar that breaks the Pharos from his base
Had left us rock. She fain would sting us too,
But shall not. Pass, and mingle with your likes.
We brook no further insult but are gone.'
She turned; the very nape of her white neck
Was rosed with indignation: but the Prince
Her brother came; the king her father charmed
Her wounded soul with words: nor did mine own
Refuse her proffer, lastly gave his hand.
Then us they lifted up, dead weights, and bare
Straight to the doors: to them the doors gave way
Groaning, and in the Vestal entry shrieked
The virgin marble under iron heels:
And on they moved and gained the hall, and there
Rested: but great the crush was, and each base,
To left and right, of those tall columns drowned
In silken fluctuation and the swarm
Of female whisperers: at the further end
Was Ida by the throne, the two great cats
Close by her, like supporters on a shield,
Bow-backed with fear: but in the centre stood
The common men with rolling eyes; amazed
They glared upon the women, and aghast
The women stared at these, all silent, save
When armour clashed or jingled, while the day,
Descending, struck athwart the hall, and shot
A flying splendour out of brass and steel,
That o'er the statues leapt from head to head,
Now fired an angry Pallas on the helm,
Now set a wrathful Dian's moon on flame,
And now and then an echo started up,
And shuddering fled from room to room, and died
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Of fright in far apartments.
Then the voice
Of Ida sounded, issuing ordinance:
And me they bore up the broad stairs, and through
The long-laid galleries past a hundred doors
To one deep chamber shut from sound, and due
To languid limbs and sickness; left me in it;
And others otherwhere they laid; and all
That afternoon a sound arose of hoof
And chariot, many a maiden passing home
Till happier times; but some were left of those
Held sagest, and the great lords out and in,
From those two hosts that lay beside the walls,
Walked at their will, and everything was changed.
Ask me no more: the moon may draw the sea;
The cloud may stoop from heaven and take the shape
With fold to fold, of mountain or of cape;
But O too fond, when have I answered thee?
Ask me no more.
Ask me no more: what answer should I give?
I love not hollow cheek or faded eye:
Yet, O my friend, I will not have thee die!
Ask me no more, lest I should bid thee live;
Ask me no more.
Ask me no more: thy fate and mine are sealed:
I strove against the stream and all in vain:
Let the great river take me to the main:
No more, dear love, for at a touch I yield;
Ask me no more.
~ Alfred Lord Tennyson,#NFDB
706:The Deserted Garden
I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.
Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,
Runs an old wall; long centuries have frayed
Its scalloped edge, and passers to and fro
Heard never from beyond its crumbling height
Sweet laughter ring at noon or plaintive song at night.
But here where little lizards bask and blink
The tendrils of the trumpet-vine have run,
At whose red bells the humming bird to drink
Stops oft before his garden feast is done;
And rose-geraniums, with that tender pink
That cloud-banks borrow from the setting sun,
Have covered part of this old wall, entwined
With fair plumbago, blue as evening heavens behind.
And crowning other parts the wild white rose
Rivals the honey-suckle with the bees.
Above the old abandoned orchard shows
And all within beneath the dense-set trees,
Tall and luxuriant the rank grass grows,
That settled in its wavy depth one sees
Grass melt in leaves, the mossy trunks between,
Down fading avenues of implicated green;
Wherein no lack of flowers the verdurous night
With stars and pearly nebula o'erlay;
Azalea-boughs half rosy and half white
94
Shine through the green and clustering apple-spray,
Such as the fairy-queen before her knight
Waved in old story, luring him away
Where round lost isles Hesperian billows break
Or towers loom up beneath the clear, translucent lake;
And under the deep grass blue hare-bells hide,
And myrtle plots with dew-fall ever wet,
Gay tiger-lilies flammulate and pied,
Sometime on pathway borders neatly set,
Now blossom through the brake on either side,
Where heliotrope and weedy mignonette,
With vines in bloom and flower-bearing trees,
Mingle their incense all to swell the perfumed breeze,
That sprung like Hermes from his natal cave
In some blue rampart of the curving West,
Comes up the valleys where green cornfields wave,
Ravels the cloud about the mountain crest,
Breathes on the lake till gentle ripples pave
Its placid floor; at length a long-loved guest,
He steals across this plot of pleasant ground,
Waking the vocal leaves to a sweet vernal sound.
Here many a day right gladly have I sped,
Content amid the wavy plumes to lie,
And through the woven branches overhead
Watch the white, ever-wandering clouds go by,
And soaring birds make their dissolving bed
Far in the azure depths of summer sky,
Or nearer that small huntsman of the air,
The fly-catcher, dart nimbly from his leafy lair;
Pillowed at case to hear the merry tune
Of mating warblers in the boughs above
And shrill cicadas whom the hottest noon
Keeps not from drowsy song; the mourning dove
Pours down the murmuring grove his plaintive croon
That like the voice of visionary love
Oft have I risen to seek through this green maze
(Even as my feet thread now the great world's garden-ways);
95
And, parting tangled bushes as I passed
Down beechen allies beautiful and dim,
Perhaps by some deep-shaded pool at last
My feet would pause, where goldfish poise and swim,
And snowy callas' velvet cups are massed
Around the mossy, fern-encircled brim.
Here, then, that magic summoning would cease,
Or sound far off again among the orchard trees.
And here where the blanched lilies of the vale
And violets and yellow star-flowers teem,
And pink and purple hyacinths exhale
Their heavy fume, once more to drowse and dream
My head would sink, from many an olden tale
Drawing imagination's fervid theme,
Or haply peopling this enchanting spot
Only with fair creations of fantastic thought.
For oft I think, in years long since gone by,
That gentle hearts dwelt here and gentle hands
Stored all this bowery bliss to beautify
The paradise of some unsung romance;
Here, safe from all except the loved one's eye,
'Tis sweet to think white limbs were wont to glance,
Well pleased to wanton like the flowers and share
Their simple loveliness with the enamored air.
Thrice dear to them whose votive fingers decked
The altars of First Love were these green ways,
These lawns and verdurous brakes forever flecked
With the warm sunshine of midsummer days;
Oft where the long straight allies intersect
And marble seats surround the open space,
Where a tiled pool and sculptured fountain stand,
Hath Evening found them seated, silent, hand in hand.
When twilight deepened, in the gathering shade
Beneath that old titanic cypress row,
Whose sombre vault and towering colonnade
Dwarfed the enfolded forms that moved below,
Oft with close steps these happy lovers strayed,
Till down its darkening aisle the sunset glow
96
Grew less and patterning the garden floor
Faint flakes of filtering moonlight mantled more and more.
And the strange tempest that a touch imparts
Through the mid fibre of the molten frame,
When the sweet flesh in early youth asserts
Its heyday verve and little hints enflame,
Disturbed them as they walked; from their full hearts
Welled the soft word, and many a tender name
Strove on their lips as breast to breast they strained
And the deep joy they drank seemed never, never drained.
Love's soul that is the depth of starry skies
Set in the splendor of one upturned face
To beam adorably through half-closed eyes;
Love's body where the breadth of summer days
And all the beauty earth and air comprise
Come to the compass of an arm's embrace,
To burn a moment on impassioned lips
And yield intemperate joy to quivering finger-tips,
They knew; and here where morning-glories cling
Round carven forms of carefullest artifice,
They made a bower where every outward thing
Should comment on the cause of their own bliss;
With flowers of liveliest hue encompassing
That flower that the beloved body is
That rose that for the banquet of Love's bee
Has budded all the æons of past eternity.
But their choice seat was where the garden wall,
Crowning a little summit, far and near,
Looks over tufted treetops onto all
The pleasant outer country; rising here
From rustling foliage where cuckoos call
On summer evenings, stands a belvedere,
Buff-hued, of antique plaster, overrun
With flowering vines and weatherworn by rain and sun.
Still round the turrets of this antique tower
The bougainvillea hangs a crimson crown,
Wistaria-vines and clematis in flower,
97
Wreathing the lower surface further down,
Hide the old plaster in a very shower
Of motley blossoms like a broidered gown.
Outside, ascending from the garden grove,
A crumbling stairway winds to the one room above.
And whoso mounts by this dismantled stair
Finds the old pleasure-hall, long disarrayed,
Brick-tiled and raftered, and the walls foursquare
Ringed all about with a twofold arcade.
Backward dense branches intercept the glare
Of afternoon with eucalyptus shade;
Eastward the level valley-plains expand,
Sweet as a queen's survey of her own Fairyland.
For through that frame the ivied arches make,
Wide tracts of sunny midland charm the eye,
Frequent with hamlet grove, and lucent lake
Where the blue hills' inverted contours lie;
Far to the east where billowy mountains break
In surf of snow against a sapphire sky,
Huge thunderheads loom up behind the ranges,
Changing from gold to pink as deepening sunset changes;
And over plain and far sierra spread
The fulgent rays of fading afternoon,
Showing each utmost peak and watershed
All clarified, each tassel and festoon
Of floating cloud embroidered overhead,
Like lotus-leaves on bluest waters strewn,
Flushing with rose, while all breathes fresh and free
In peace and amplitude and bland tranquillity.
Dear were such evenings to this gentle pair;
Love's tide that launched on with a blast too strong
Sweeps toward the foaming reef, the hidden snare,
Baffling with fond illusion's siren-song,
Too faint, on idle shoals, to linger there
Far from Youth's glowing dream, bore them along,
With purple sail and steered by seraph hands
To isles resplendent in the sunset of romance.
98
And out of this old house a flowery fane,
A bridal bower, a pearly pleasure-dome,
They built, and furnished it with gold and grain,
And bade all spirits of beauty hither come,
And wingéd Love to enter with his train
And bless their pillow, and in this his home
Make them his priests as Hero was of yore
In her sweet girlhood by the blue Dardanian shore.
Tree-ferns, therefore, and potted palms they brought,
Tripods and urns in rare and curious taste,
Polychrome chests and cabinets inwrought
With pearl and ivory etched and interlaced;
Pendant brocades with massive braid were caught,
And chain-slung, oriental lamps so placed
To light the lounger on some low divan,
Sunken in swelling down and silks from Hindustan.
And there was spread, upon the ample floors,
Work of the Levantine's laborious loom,
Such as by Euxine or Ionian shores
Carpets the dim seraglio's scented gloom.
Each morn renewed, the garden's flowery stores
Blushed in fair vases, ochre and peach-bloom,
And little birds through wicker doors left wide
Flew in to trill a space from the green world outside.
And there was many a dainty attitude,
Bronze and eburnean. All but disarrayed,
Here in eternal doubt sweet Psyche stood
Fain of the bath's delight, yet still afraid
Lest aught in that palatial solitude
Lurked of most menace to a helpless maid.
Therefore forever faltering she stands,
Nor yet the last loose fold slips rippling from her hands.
Close by upon a beryl column, clad
In the fresh flower of adolescent grace,
They set the dear Bithynian shepherd lad,
The nude Antinous. That gentle face,
Forever beautiful, forever sad,
Shows but one aspect, moon-like, to our gaze,
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Yet Fancy pictures how those lips could smile
At revelries in Rome, and banquets on the Nile.
And there were shapes of Beauty myriads more,
Clustering their rosy bridal bed around,
Whose scented breadth a silken fabric wore
Broidered with peacock hues on creamiest ground,
Fit to have graced the barge that Cydnus bore
Or Venus' bed in her enchanted mound,
While pillows swelled in stuffs of Orient dyes,
All broidered with strange fruits and birds of Paradise.
'Twas such a bower as Youth has visions of,
Thither with one fair spirit to retire,
Lie upon rose-leaves, sleep and wake with Love
And feast on kisses to the heart's desire;
Where by a casement opening on a grove,
Wide to the wood-winds and the sweet birds' choir,
A girl might stand and gaze into green boughs,
Like Credhe at the window of her golden house.
Or most like Vivien, the enchanting fay,
Where with her friend, in the strange tower they planned,
She lies and dreams eternity away,
Above the treetops in Broceliande,
Sometimes at twilight when the woods are gray
And wolf-packs howl far out across the lande,
Waking to love, while up behind the trees
The large midsummer moon lifts-even so loved these.
For here, their pleasure was to come and sit
Oft when the sun sloped midway to the west,
Watching with sweet enjoyment interknit
The long light slant across the green earth's breast,
And clouds upon the ranges opposite,
Rolled up into a gleaming thundercrest,
Topple and break and fall in purple rain,
And mist of summer showers trail out across the plain.
Whereon the shafts of ardent light, far-flung
Across the luminous azure overhead,
Ofttimes in arcs of transient beauty hung
100
The fragmentary rainbow's green and red.
Joy it was here to love and to be young,
To watch the sun sink to his western bed,
And streaming back out of their flaming core
The vesperal aurora's glorious banners soar.
Tinging each altitude of heaven in turn,
Those fiery rays would sweep. The cumuli
That peeped above the mountain-tops would burn
Carmine a space; the cirrus-whorls on high,
More delicate than sprays of maiden fern,
Streak with pale rose the peacock-breasted sky,
Then blanch. As water-lilies fold at night,
Sank back into themselves those plumes of fervid light.
And they would watch the first faint stars appear,
The blue East blend with the blue hills below,
As lovers when their shuddering bliss draws near
Into one pulse of fluid rapture grow.
New fragrance on the freshening atmosphere
Would steal with evening, and the sunset glow
Draw deeper down into the wondrous west
Round vales of Proserpine and islands of the blest.
So dusk would come and mingle lake and shore,
The snow-peaks fade to frosty, opaline,
To pearl the doméd clouds the mountains bore,
Where late the sun's effulgent fire had been
Showing as darkness deepened more and more
The incandescent lightnings flare within,
And Night that furls the lily in the glen
And twines impatient arms would fall, and then---and then . . .
Sometimes the peasant, coming late from town
With empty panniers on his little drove
Past the old lookout when the Northern Crown
Glittered with Cygnus through the scented grove,
Would hear soft noise of lute-strings wafted down
And voices singing through the leaves above
Those songs that well from the warm heart that woos
At balconies in Merida or Vera Cruz.
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And he would pause under the garden wall,
Caught in the spell of that voluptuous strain,
With all the sultry South in it, and all
Its importunity of love and pain;
And he would wait till the last passionate fall
Died on the night, and all was still again.
Then to his upland village wander home,
Marvelling whence that flood of elfin song might come.
O lyre that Love's white holy hands caress,
Youth, from thy bosom welled their passionate lays
Sweet opportunity for happiness
So brief, so passing beautiful---O days,
When to the heart's divine indulgences
All earth in smiling ministration pays
Thine was the source whose plenitude, past over,
What prize shall rest to pluck, what secret to discover!
The wake of color that follows her when May
Walks on the hills loose-haired and daisy-crowned,
The deep horizons of a summer's day,
Fair cities, and the pleasures that abound
Where music calls, and crowds in bright array
Gather by night to find and to be found;
What were these worth or all delightful things
Without thine eyes to read their true interpretings!
For thee the mountains open glorious gates,
To thee white arms put out from orient skies,
Earth, like a jewelled bride for one she waits,
Decks but to be delicious in thine eyes,
Thou guest of honor for one day, whose fêtes
Eternity has travailed to devise;
Ah, grace them well in the brief hour they last!
Another's turn prepares, another follows fast.
Yet not without one fond memorial
Let my sun set who found the world so fair!
Frail verse, when Time the singer's coronal
Has rent, and stripped the rose-leaves from his hair,
Be thou my tablet on the temple wall!
Among the pious testimonials there,
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Witness how sweetly on my heart as well
The miracles of dawn and starry evening fell!
Speak of one then who had the lust to feel,
And, from the hues that far horizons take,
And cloud and sunset, drank the wild appeal,
Too deep to live for aught but life's sweet sake,
Whose only motive was the will to kneel
Where Beauty's purest benediction spake,
Who only coveted what grove and field
And sunshine and green Earth and tender arms could yield--A nympholept, through pleasant days and drear
Seeking his faultless adolescent dream,
A pilgrim down the paths that disappear
In mist and rainbows on the world's extreme,
A helpless voyager who all too near
The mouth of Life's fair flower-bordered stream,
Clutched at Love's single respite in his need
More than the drowning swimmer clutches at a reed--That coming one whose feet in other days
Shall bleed like mine for ever having, more
Than any purpose, felt the need to praise
And seek the angelic image to adore,
In love with Love, its wonderful, sweet ways
Counting what most makes life worth living for,
That so some relic may be his to see
How I loved these things too and they were dear to me.
I sometimes think a conscious happiness
Mantles through all the rose's sentient vine
When summer winds with myriad calyces
Of bloom its clambering height incarnadine;
I sometimes think that cleaving lips, no less,
And limbs that crowned desires at length entwine
Are nerves through which that being drinks delight,
Whose frame is the green Earth robed round with day and night.
And such were theirs: the traveller without,
Pausing at night under the orchard trees,
Wondered and crossed himself in holy doubt,
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For through their song and in the murmuring breeze
It seemed angelic choirs were all about
Mingling in universal harmonies,
As though, responsive to the chords they woke,
All Nature into sweet epithalamium broke.
And still they think a spirit haunts the place:
'Tis said, when Night has drawn her jewelled pall
And through the branches twinkling fireflies trace
Their mimic constellations, if it fall
That one should see the moon rise through the lace
Of blossomy boughs above the garden wall,
That surely would he take great ill thereof
And famish in a fit of unexpressive love.
But this I know not, for what time the wain
Was loosened and the lily's petal furled,
Then I would rise, climb the old wall again,
And pausing look forth on the sundown world,
Scan the wide reaches of the wondrous plain,
The hamlet sites where settling smoke lay curled,
The poplar-bordered roads, and far away
Fair snowpeaks colored with the sun's last ray.
Waves of faint sound would pulsate from afar
Faint song and preludes of the summer night;
Deep in the cloudless west the evening star
Hung 'twixt the orange and the emerald light;
From the dark vale where shades crepuscular
Dimmed the old grove-girt belfry glimmering white,
Throbbing, as gentlest breezes rose or fell,
Came the sweet invocation of the evening bell.
~ Alan Seeger,#NFDB
707:The Dunciad: Book Ii.
High on a gorgeous seat, that far out-shone
Henley's gilt tub, or Flecknoe's Irish throne,
Or that where on her Curlls the public pours,
All-bounteous, fragrant grains and golden showers,
Great Cibber sate: the proud Parnassian sneer,
The conscious simper, and the jealous leer,
Mix on his look: all eyes direct their rays
On him, and crowds turn coxcombs as they gaze.
His peers shine round him with reflected grace,
New edge their dulness, and new bronze their face.
So from the sun's broad beam, in shallow urns
Heaven's twinkling sparks draw light, and point their horns.
Not with more glee, by hands Pontific crown'd,
With scarlet hats wide-waving circled round,
Rome in her Capitol saw Querno sit,
Throned on seven hills, the Antichrist of wit.
And now the queen, to glad her sons, proclaims
By herald hawkers, high heroic games.
They summon all her race: an endless band
Pours forth, and leaves unpeopled half the land.
A motley mixture! in long wigs, in bags,
In silks, in crapes, in garters, and in rags,
From drawing-rooms, from colleges, from garrets,
On horse, on foot, in hacks, and gilded chariots:
All who true dunces in her cause appear'd,
And all who knew those dunces to reward.
Amid that area wide they took their stand,
Where the tall maypole once o'er-looked the Strand,
But now (so Anne and piety ordain)
A church collects the saints of Drury Lane.
With authors, stationers obey'd the call,
(The field of glory is a field for all).
Glory and gain the industrious tribe provoke;
And gentle Dulness ever loves a joke.
A poet's form she placed before their eyes,
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And bade the nimblest racer seize the prize;
No meagre, muse-rid mope, adust and thin,
In a dun night-gown of his own loose skin;
But such a bulk as no twelve bards could raise,
Twelve starveling bards of these degenerate days.
All as a partridge plump, full-fed, and fair,
She form'd this image of well-bodied air;
With pert flat eyes she window'd well its head;
A brain of feathers, and a heart of lead;
And empty words she gave, and sounding strain,
But senseless, lifeless! idol void and vain!
Never was dash'd out, at one lucky hit,
A fool, so just a copy of a wit;
So like, that critics said, and courtiers swore,
A wit it was, and call'd the phantom More.
All gaze with ardour: some a poet's name,
Others a sword-knot and laced suit inflame.
But lofty Lintot in the circle rose:
'This prize is mine; who tempt it are my foes;
With me began this genius, and shall end.'
He spoke: and who with Lintot shall contend?
Fear held them mute. Alone, untaught to fear,
Stood dauntless Curll: 'Behold that rival here!
The race by vigour, not by vaunts is won;
So take the hindmost Hell.' He said, and run.
Swift as a bard the bailiff leaves behind,
He left huge Lintot, and out-stripp'd the wind.
As when a dab-chick waddles through the copse
On feet and wings, and flies, and wades, and hops:
So labouring on, with shoulders, hands, and head,
Wide as a wind-mill all his figure spread,
With arms expanded Bernard rows his state,
And left-legg'd Jacob seems to emulate.
Full in the middle way there stood a lake,
Which Curll's Corinna chanced that morn to make:
(Such was her wont, at early dawn to drop
Her evening cates before his neighbour's shop,)
Here fortuned Curll to slide; loud shout the band,
And Bernard! Bernard! rings through all the Strand.
Obscene with filth the miscreant lies bewray'd,
Fallen in the plash his wickedness had laid:
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Then first (if poets aught of truth declare)
The caitiff vaticide conceived a prayer:
'Hear, Jove! whose name my bards and I adore,
As much at least as any god's, or more;
And him and his if more devotion warms,
Down with the Bible, up with the Pope's arms.'
A place there is, betwixt earth, air, and seas,
Where, from Ambrosia, Jove retires for ease.
There in his seat two spacious vents appear,
On this he sits, to that he leans his ear,
And hears the various vows of fond mankind;
Some beg an eastern, some a western wind:
All vain petitions, mounting to the sky,
With reams abundant this abode supply;
Amused he reads, and then returns the bills
Sign'd with that ichor which from gods distils.
In office here fair Cloacina stands,
And ministers to Jove with purest hands.
Forth from the heap she pick'd her votary's prayer,
And placed it next him, a distinction rare!
Oft had the goddess heard her servant's call,
From her black grottos near the Temple-wall,
Listening delighted to the jest unclean
Of link-boys vile, and watermen obscene;
Where as he fish'd her nether realms for wit,
She oft had favour'd him, and favours yet.
Renew'd by ordure's sympathetic force,
As oil'd with magic juices for the course,
Vigorous he rises; from the effluvia strong
Imbibes new life, and scours and stinks along;
Repasses Lintot, vindicates the race,
Nor heeds the brown dishonours of his face.
And now the victor stretch'd his eager hand
Where the tall Nothing stood, or seem'd to stand;
A shapeless shade, it melted from his sight,
Like forms in clouds, or visions of the night.
To seize his papers, Curll, was next thy care;
His papers light, fly diverse, toss'd in air;
Songs, sonnets, epigrams the winds uplift,
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And whisk them back to Evans, Young, and Swift.
The embroider'd suit at least he deem'd his prey,
That suit an unpaid tailor snatch'd away.
No rag, no scrap, of all the beau, or wit,
That once so flutter'd, and that once so writ.
Heaven rings with laughter: of the laughter vain,
Dulness, good queen, repeats the jest again.
Three wicked imps, of her own Grub Street choir,
She deck'd like Congreve, Addison, and Prior;
Mears, Warner, Wilkins run: delusive thought!
Breval, Bond, Bezaleel, the varlets caught.
Curll stretches after Gay, but Gay is gone,
He grasps an empty Joseph for a John:
So Proteus, hunted in a nobler shape,
Became, when seized, a puppy, or an ape.
To him the goddess: 'Son! thy grief lay down,
And turn this whole illusion on the town:
As the sage dame, experienced in her trade,
By names of toasts retails each batter'd jade;
(Whence hapless Monsieur much complains at Paris
Of wrongs from duchesses and Lady Maries
Be thine, my stationer! this magic gift;
Cook shall be Prior, and Concanen, Swift:
So shall each hostile name become our own,
And we too boast our Garth and Addison.'
With that she gave him (piteous of his case,
Yet smiling at his rueful length of face)
A shaggy tapestry, worthy to be spread
On Codrus' old, or Dunton's modern bed;
Instructive work! whose wry-mouth'd portraiture
Display'd the fates her confessors endure.
Earless on high, stood unabash'd Defoe,
And Tutchin flagrant from the scourge below.
There Ridpath, Roper, cudgell'd might ye view,
The very worsted still look'd black and blue.
Himself among the storied chiefs he spies,
As, from the blanket, high in air he flies,
And oh! (he cried) what street, what lane but knows
Our purgings, pumpings, blanketings, and blows?
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In every loom our labours shall be seen,
And the fresh vomit run for ever green!
See in the circle next, Eliza placed,
Two babes of love close clinging to her waist;
Fair as before her works she stands confess'd,
In flowers and pearls by bounteous Kirkall dress'd.
The goddess then: 'Who best can send on high
The salient spout, far-streaming to the sky;
His be yon Juno of majestic size,
With cow-like udders, and with ox-like eyes.
This China Jordan let the chief o'ercome
Replenish, not ingloriously, at home.'
Osborne and Curll accept the glorious strife,
(Though this his son dissuades, and that his wife
One on his manly confidence relies,
One on his vigour and superior size.
First Osborne lean'd against his letter'd post;
It rose, and labour'd to a curve at most.
So Jove's bright bow displays its watery round
(Sure sign, that no spectator shall be drown'd),
A second effort brought but new disgrace,
The wild meander wash'd the artist's face:
Thus the small jet, which hasty hands unlock,
Spurts in the gardener's eyes who turns the cock.
Not so from shameless Curll; impetuous spread
The stream, and smoking flourish'd o'er his head.
So (famed like thee for turbulence and horns)
Eridanus his humble fountain scorns;
Through half the heavens he pours the exalted urn;
His rapid waters in their passage burn.
Swift as it mounts, all follow with their eyes:
Still happy impudence obtains the prize.
Thou triumph'st, victor of the high-wrought day,
And the pleased dame, soft-smiling, lead'st away.
Osborne, through perfect modesty o'ercome,
Crown'd with the Jordan, walks contented home.
But now for authors nobler palms remain;
Room for my lord! three jockeys in his train;
183
Six huntsmen with a shout precede his chair:
He grins, and looks broad nonsense with a stare.
His honour's meaning Dulness thus express'd,
'He wins this patron, who can tickle best.'
He chinks his purse, and takes his seat of state:
With ready quills the dedicators wait;
Now at his head the dext'rous task commence,
And, instant, fancy feels the imputed sense;
Now gentle touches wanton o'er his face,
He struts Adonis, and affects grimace:
Rolli the feather to his ear conveys,
Then his nice taste directs our operas:
Bentley his mouth with classic flattery opes,
And the puff'd orator bursts out in tropes.
But Welsted most the poet's healing balm
Strives to extract from his soft, giving palm;
Unlucky Welsted! thy unfeeling master,
The more thou ticklest, gripes his fist the faster.
While thus each hand promotes the pleasing pain,
And quick sensations skip from vein to vein;
A youth unknown to Phoebus, in despair,
Puts his last refuge all in Heaven and prayer.
What force have pious vows! The Queen of Love
Her sister sends, her votaress, from above.
As taught by Venus, Paris learn'd the art
To touch Achilles' only tender part;
Secure, through her, the noble prize to carry,
He marches off, his Grace's secretary.
'Now turn to different sports (the goddess cries),
And learn, my sons, the wondrous power of noise.
To move, to raise, to ravish every heart,
With Shakspeare's nature, or with Jonson's art,
Let others aim: 'tis yours to shake the soul
With thunder rumbling from the mustard bowl,
With horns and trumpets now to madness swell,
Now sink in sorrows with a tolling bell;
Such happy arts attention can command,
When fancy flags, and sense is at a stand.
Improve we these. Three cat-calls be the bribe
184
Of him whose chattering shames the monkey tribe:
And his this drum whose hoarse heroic bass
Drowns the loud clarion of the braying ass.'
Now thousand tongues are heard in one loud din:
The monkey-mimics rush discordant in;
'Twas chattering, grinning, mouthing, jabbering all,
And noise and Norton, brangling and Breval,
Dennis and dissonance, and captious art,
And snip-snap short, and interruption smart,
And demonstration thin, and theses thick,
And major, minor, and conclusion quick.
'Hold' (cried the queen) 'a cat-call each shall win;
Equal your merits! equal is your din!
But that this well-disputed game may end,
Sound forth, nay brayers, and the welkin rend.'
As when the long-ear'd milky mothers wait
At some sick miser's triple-bolted gate,
For their defrauded, absent foals they make
A moan so loud, that all the guild awake;
Sore sighs Sir Gilbert, starting at the bray,
From dreams of millions, and three groats to pay.
So swells each windpipe; ass intones to ass,
Harmonic twang! of leather, horn, and brass;
Such as from labouring lungs the enthusiast blows,
High sound, attemper'd to the vocal nose,
Or such as bellow from the deep divine;
There, Webster! peal'd thy voice, and, Whitfield! thine.
But far o'er all, sonorous Blackmore's strain;
Walls, steeples, skies, bray back to him again.
In Tottenham fields, the brethren, with amaze,
Prick all their ears up, and forget to graze;
'Long Chancery Lane retentive rolls the sound,
And courts to courts return it round and round;
Thames wafts it thence to Rufus' roaring hall,
And Hungerford re-echoes bawl for bawl.
All hail him victor in both gifts of song,
Who sings so loudly, and who sings so long.
This labour past, by Bridewell all descend,
(As morning prayer, and flagellation end)
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To where Fleet-ditch with disemboguing streams
Rolls the large tribute of dead dogs to Thames,
The king of dikes! than whom no sluice of mud
With deeper sable blots the silver flood.
'Here strip, my children! here at once leap in,
Here prove who best can dash through thick and thin,
And who the most in love of dirt excel,
Or dark dexterity of groping well.
Who flings most filth, and wide pollutes around
The stream, be his the weekly journals bound;
A pig of lead to him who dives the best;
A peck of coals a-piece shall glad the rest.'
In naked majesty Oldmixon stands,
And, Milo-like, surveys his arms and hands;
Then sighing, thus, 'And am I now threescore?
Ah why, ye gods! should two and two make four?'
He said, and climb'd a stranded lighter's height,
Shot to the black abyss, and plunged downright.
The senior's judgment all the crowd admire,
Who but to sink the deeper, rose the higher.
Next Smedley dived; slow circles dimpled o'er
The quaking mud, that closed, and oped no more.
All look, all sigh, and call on Smedley lost;
'Smedley!' in vain, resounds through all the coast.
Then Hill essay'd; scarce vanish'd out of sight,
He buoys up instant, and returns to light:
He bears no token of the sable streams,
And mounts far off among the swans of Thames.
True to the bottom, see Concanen creep,
A cold, long-winded, native of the deep:
If perseverance gain the diver's prize,
Not everlasting Blackmore this denies:
No noise, no stir, no motion can'st thou make,
The unconscious stream sleeps o'er thee like a lake.
Next plunged a feeble, but a desperate pack,
With each a sickly brother at his back:
Sons of a day! just buoyant on the flood,
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Then number'd with the puppies in the mud.
Ask ye their names? I could as soon disclose
The names of these blind puppies as of those.
Fast by, like Niobe (her children gone)
Sits Mother Osborne, stupified to stone!
And monumental brass this record bears,
'These are,-ah no! these were, the gazetteers!'
Not so bold Arnall; with a weight of skull,
Furious he dives, precipitately dull.
Whirlpools and storms his circling arm invest,
With all the might of gravitation bless'd.
No crab more active in the dirty dance,
Downward to climb, and backward to advance.
He brings up half the bottom on his head,
And loudly claims the journals and the lead.
The plunging Prelate, and his ponderous Grace,
With holy envy gave one layman place.
When, lo! a burst of thunder shook the flood,
Slow rose a form, in majesty of mud:
Shaking the horrors of his sable brows,
And each ferocious feature grim with ooze.
Greater he looks, and more than mortal stares:
Then thus the wonders of the deep declares.
First he relates, how sinking to the chin,
Smit with his mien, the mud-nymphs suck'd him in:
How young Lutetia, softer than the down,
Nigrina black, and Merdamante brown,
Vied for his love in jetty bowers below,
As Hylas fair was ravish'd long ago.
Then sung, how, shown him by the nut-brown maids;
A branch of Styx here rises from the shades,
That, tinctured as it runs with Lethe's streams,
And wafting vapours from the land of dreams,
(As under seas Alpheus' secret sluice
Bears Pisa's offerings to his Arethuse,)
Pours into Thames: and hence the mingled wave
Intoxicates the pert, and lulls the grave:
Here brisker vapours o'er the Temple creep,
There, all from Paul's to Aldgate drink and sleep.
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Thence to the banks where reverend bards repose,
They led him soft; each reverend bard arose;
And Milbourn chief, deputed by the rest,
Gave him the cassock, surcingle, and vest.
'Receive (he said) these robes which once were mine,
Dulness is sacred in a sound divine.'
He ceased, and spread the robe; the crowd confess
The reverend Flamen in his lengthen'd dress.
Around him wide a sable army stand,
A low-born, cell-bred, selfish, servile band,
Prompt or to guard or stab, to saint or damn,
Heaven's Swiss, who fight for any god, or man.
Through Lud's famed gates, along the well-known Fleet
Rolls the black troop, and overshades the street,
Till showers of sermons, characters, essays,
In circling fleeces whiten all the ways:
So clouds replenish'd from some bog below,
Mount in dark volumes, and descend in snow.
Here stopp'd the goddess; and in pomp proclaims
A gentler exercise to close the games.
'Ye critics! in whose heads, as equal scales,
I weigh what author's heaviness prevails,
Which most conduce to soothe the soul in slumbers,
My Henley's periods, or my Blackmore's numbers,
Attend the trial we propose to make:
If there be man, who o'er such works can wake,
Sleep's all-subduing charms who dares defy,
And boasts Ulysses' ear with Argus' eye;
To him we grant our amplest powers to sit
Judge of all present, past, and future wit;
To cavil, censure, dictate, right or wrong,
Full and eternal privilege of tongue.'
Three college Sophs, and three pert Templars came,
The same their talents, and their tastes the same;
Each prompt to query, answer, and debate,
And smit with love of poesy and prate.
The ponderous books two gentle readers bring;
The heroes sit, the vulgar form a ring.
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The clamorous crowd is hush'd with mugs of mum,
Till all, tuned equal, send a general hum.
Then mount the clerks, and in one lazy tone
Through the long, heavy, painful page drawl on;
Soft creeping, words on words, the sense compose,
At every line they stretch, they yawn, they doze.
As to soft gales top-heavy pines bow low
Their heads, and lift them as they cease to blow,
Thus oft they rear, and oft the head decline,
As breathe, or pause, by fits, the airs divine;
And now to this side, now to that they nod,
As verse or prose infuse the drowsy god.
Thrice Budgell aim'd to speak, but thrice suppress'd
By potent Arthur, knock'd his chin and breast.
Toland and Tindal, prompt at priests to jeer,
Yet silent bow'd to Christ's no kingdom here.
Who sate the nearest, by the words o'ercome,
Slept first; the distant nodded to the hum.
Then down are roll'd the books; stretch'd o'er 'em lies
Each gentle clerk, and, muttering, seals his eyes,
As what a Dutchman plumps into the lakes,
One circle first, and then a second makes;
What Dulness dropp'd among her sons impress'd
Like motion from one circle to the rest;
So from the midmost the nutation spreads
Round and more round, o'er all the sea of heads.
At last Centlivre felt her voice to fail,
Motteux himself unfinished left his tale,
Boyer the state, and Law the stage gave o'er,
Morgan and Mandeville could prate no more;
Norton, from Daniel and Ostroea sprung,
Bless'd with his father's front and mother's tongue,
Hung silent down his never-blushing head;
And all was hush'd, as Polly's self lay dead.
Thus the soft gifts of sleep conclude the day,
And stretch'd on bulks, as usual, poets lay.
Why should I sing what bards the nightly Muse
Did slumbering visit, and convey to stews;
Who prouder march'd, with magistrates in state,
To some famed round-house, ever open gate!
How Henley lay inspired beside a sink,
189
And to mere mortals seem'd a priest in drink;
While others, timely, to the neighbouring Fleet
(Haunt of the Muses!) made their safe retreat?
~ Alexander Pope,#NFDB
708: Book V: The Book of Achilles
Meanwhile grey from the Trojan gates Talthybius journeyed
Spurred by the secret thought of the Fates who change not nor falter.
Simois sighed round his wheels and Xanthus roared at his passing,
Troas god like a lion wroth and afraid; to meet him
Whistling the ocean breezes came and Ida regarded.
So with his haste in the wheels the herald oceanward driving
Came through the gold of the morn, oer the trampled green of the pastures
Back to the ships and the roar of the sea and the iron-hooped leaguer.
Wide to the left his circle he wrote where the tents of Achilles
Trooped like a flock of the sea-fowl pensive and still on the margin.
He past the outposts rapidly coursed to the fosse of the Argives.
In with a quavering cry to the encampment over the causeway
Bridging the moat of the ships Talthybius drove in his chariot
Out of the wide plains azure-roofed and the silence of Nature
Passing in to the murmur of men and the thick of the leaguer.
There to a thrall of the Hellene he cast his reins and with labour
Down from the high seat climbed of the war-car framed for the mighty.
Then betwixt tent-doors endless, vistaed streets of the canvas,
Slowly the old man toiled with his eager heart, and to meet him
Sauntering forth from his tent at the sound of the driving car-wheels
Strong Automedon came who was charioteer of Achilles.
Grey Talthybius, whence art thou coming? From Troya the ancient?
Or from a distant tent was thy speed and the King Agamemnon?
What in their armoured assembly counsel the kings of the Argives?
Not from the host but from Troy, Automedon, come I with tidings,
Nor have I mixed with the Greeks in their cohorts ranked by the Ocean,
Nor have I stood in their tents who are kings in sceptred Achaia,
But from Achilles sent to Achilles I bring back the message.
Tell me, then, what does Pelides, whether his strength he reposes
Soothed by the lyre or hearing the chanted deeds of the mighty
Or does he walk as he loves by the shore of the far-sounding waters?
And to the Argive herald grey Automedon answered:
Now from the meal he rests and Briseis lyres to him singing
One of the Ilian chants of old in the tongue of the Trojans.
Early, then, he has eaten, Automedon, early reposes?
Early the meat was broached on the spits, Talthybius, early
High on the sands or under the tents we have eaten and rested.
None knows the hour of the hunt, red, fierce, nor the prey he shall leap on,
All are like straining hounds; for Achilles shares not his counsels,
But on the ships, in the tents the talk has run like Peneus;
These upon Troy to be loosed and the hard-fighting wolf-brood of Priam,
These hope starkly with Argos embraced to have done with the Spartan,
Ending his brilliance in blood or to sport on the sands of the margent
Playing at bowls with the heads of the Cretan and crafty Odysseus.
Welcome were either or both; we shall move in the dances of Ares,
Quicken heart-beats dulled and limbs that are numb with reposing.
War we desire and no longer this ease by the drone of the waters.
So as they spoke, they beheld far-off the tent of Achilles
Splendid and spacious even as the hall of a high-crested chieftain,
Lofty, held by a hundred stakes to the Phrygian meadow.
Hung were its sides with memories bronze and trophies of armour,
Sword and spear and helmet and cuirass of fallen heroes
Slain by the hand of the mighty Achilles warring with Troya.
Teemed in its canvas rooms the plundered riches of Troas,
Craftsmans work and the wood well-carved and the ivory painted,
Work of bronze and work of gold and the dreams of the artist.
And in those tents of his pride, in the dreadful guard of the Hellene,
Noble boys and daughters of high-born Phrygians captive,
Borne from the joyless ruins that now were the sites of their childhood,
Served in the land of their sires the will of the Phthian Achilles.
There on a couch reclined in his beauty mighty and golden,
Loved by the Fates and doomed by them, spear of their will against Troya,
Peleus hero son by the foam-white child of the waters
Dreaming reposed and his death-giving hand hung lax oer the couch-side.
Near him dark-eyed Briseis, the fatal and beautiful captive,
Sang to the Grecian victor chants of the land of her fathers,
Sang the chant of Ilus, the tale of the glories of Troya.
Trojan boys and maidens sat near the singer and listened
Heart-delighted if with some tears; for easy are mortal
Hearts to be bent by Fate and soon we consent to our fortunes.
But in the doorway Automedon stood with the shadowy Argive
And at the ominous coming the voice of the singer faltered,
Faltering hushed like a thought melodious ceasing in heaven.
But from his couch the Peleid sprang and he cried to the herald.
Long hast thou lingered in Ilion, envoy, mute in the chambers
Golden of Priam old, while around thee darkened the counsels
Wavering blindly and fiercely of minds that revolt from compulsion,
Natures at war with the gods and their fortunes. Fain would I fathom
What were the thoughts of Deiphobus locked in that nature of iron
Now that he stands confronting his fate in the town of his fathers.
Peace dwells not in thy aspect. Sowst thou a seed then of ruin
Cast from the inflexible heart and the faltering tongue of Aeneas,
Or with the golden laugh of the tameless bright Alexander?
Grey Talthybius answered, Surely their doom has embraced them
Wrapping her locks round their ears and their eyes, lest they see and escape her,
Kissing their tongue with her fatal lips and dictating its answers.
Dire is the hope of their chiefs and fierce is the will of their commons.
Son of the Aeacids, spurned is thy offer. The pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen captive be dragged to the feet of her husband,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail on us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours;
Not of such sires were we born, but of kings and of gods. Larissan,
Not with her gold Troy purchases safety but with her spear-point.
Stand with thy oath in the war-front, Achilles, call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So they reply; they are true to their death, they are constant for ruin.
Humbler answer hope not, O hero, from Penthesilea;
Insolent, warlike, regal and swift as herself is her message.
Sea of renown and of valour that fillest the world with thy rumour,
Speed of the battle incarnate, mortal image of Ares!
Terror and tawny delight like a lion one hunts or is hunted!
Dread of the world and my target, swift-footed glorious hero!
Thus have I imaged thee, son of Peleus, dreaming in countries
Far from thy knowledge, in mountains that never have rung to thy war-cry.
O, I have longed for thee, warrior! Therefore today by thy message
So was I seized with delight that my heart was hurt with its rapture,
Knowing today I shall gaze with my eyes on that which I imaged
Only in air of the mind or met in the paths of my dreaming.
Thus have I praised thee first with my speech; with my spear I would answer.
Yet for thy haughty scorn who deeming of me as some Hellene
Or as a woman weak of these plains fit but for the distaff,
Promisest capture in war and fame as thy slavegirl in Phthia,
Surely I think that death today will reply to that promise,
Now I will give thee my answer and warn thee ere we encounter.
Know me queen of a race that never was conquered in battle!
Know me armed with a spear that never has missed in the combat!
There where my car-wheels run, good fruit gets the husbandman after.
This thou knowest. Ajax has told thee, thy friend, in his dying.
Has not Meriones spirit come in thy dreams then to warn thee?
Didst thou not number the Argives once ere I came to the battle?
Number them now and measure the warrior Penthesilea.
Such am I then whom thy dreams have seen meek-browed in Larissa,
And in the battle behind me thunder the heroes Eoan,
Ranks whose feeblest can match with the vaunted chiefs of the Argives.
Never yet from the shock have they fled; if they turn from the foeman,
Always tis to return like death recircling on mortals.
Yet being such, having such for my armies, this do I promise:
I on the left of the Trojans war with my bright-armed numbers,
Thou on the Argive right come forth, Achilles, and meet me!
If thou canst drive us with rout into Troy, I will own thee for master,
Do thy utmost will and make thee more glorious than gods are
Serving thy couch in Phthia and drawing the jar from thy rivers.
Nay, if thou hast that strength, then hunt me, O hunter, and seize me,
If tis thy hope indeed that the sun can turn back from the Orient,
But if thou canst not, death of myself or thyself thou shalt capture.
Musing heard and was silent awhile the strength of Achilles,
Musing of Fate and the wills of men and the purpose of Heaven,
Then from his thoughts he broke and turned in his soul towards battle.
Well did I know what reply would come winged from the princes of Troya.
Prone are the hearts of heroes to wrath and to God-given blindness
When from their will they are thrust and harried by Fate and disaster:
Fierceness then is the armour of strength against grief and its yieldings.
So have the gods made man for their purpose, cunningly fashioned.
Once had defiance waked from my depths a far-striding fury,
Flaming for justice and vengeance, nor had it, satisfied, rested,
Sunk to its lair, till the insulter died torn or was kneeling for pardon.
Fierce was my heart in my youth and exulted in triumph and slaughter.
Now as I grow in my spirit like to my kin the immortals,
Joy more I find in saving and cherishing than in the carnage.
Greater it seems to my mind to be king over men than their slayer,
Nobler to build and to govern than what the ages have laboured
Putting their godhead forth to create or the high gods have fashioned,
That to destroy in our wrath of a moment. Ripened, more widely
Opens my heart to the valour of man and the beauty of woman,
Works of the world and delight; the cup of my victory sweetens
Not with the joys of hate, but the human pride of the triumph.
Yet was the battle decreed for the means supreme of the mortal
Placed in a world where all things strive from the worm to the Titan.
So will I seize by the onset what peace from my soul would sequester,
So will I woo with the sword and with love the delight of my foeman,
Troy and Polyxena, beauty of Paris and glory of Priam.
This was the ancient wrestling, this was the spirit of warfare
Fit for the demigods. Soon in the city of gold and of marble,
There where Ilus sat and Tros, where Laomedon triumphed,
Peleus house shall reign, the Hellene sit where the Trojan
Thought himself deathless. Arise, Automedon! Out to the people!
Send forth the cry through the ships and the tents of the Myrmidon nation.
Let not a man be found then lingering when oer the causeway
Thunder my chariot-wheels, nor let any give back in the battle,
Good if he wills from me, till through the conquered gates of the foeman
Storming we herd in their remnants and press into Troy as with evening
Helios rushing sinks to the sea. But thou, Briseis,
Put by thy lyre, O girl; it shall gladden my heart in my triumph
Victor returned from Troy to listen pleased to thy singing,
Bearing a captive bound to my car-wheels Penthesilea,
Bearing my valours reward, Polyxena, daughter of Priam,
Won in despite of her city and brothers and spears of her kindred.
So by force it is best to take ones will and be mighty.
Joyful, Automedon ran through the drowsy camp of the Hellenes
Changing the hum of the tents as he raced into shoutings of battle;
For with the giant din of a nation triumphant arising
Hellas sprang from her irksome ease and mounted her war-car;
Donning her armour bright she rejoiced in the trumpets of battle.
But to the herald grey the Peleid turned and the old man
Shuddered under his gaze and shrank from the voice of the hero:
Thou to the tents of thy Kings, Talthybius, herald of Argos!
Stand in the Argive assembly, voice of the strength of Achilles.
Care not at all though the greatest and fiercest be wroth with thy message.
Deem not thyself, old man, as a body and flesh that is mortal,
Rather as living speech from the iron breast of the Hellene.
Thus shalt thou cry to the vanquished chiefs who fled from a woman,
Thus shalt thou speak my will to the brittle and fugitive legions:
Now Achilles turns towards Troya and fast-flowing Xanthus,
Now he leaps at the iron zone, the impregnable city.
Two were the forms of the Gods that oerhung the sails of Pelides
When with a doubtful word in his soul he came wind-helped from Hellas
Cleaving the Aegean deep towards the pine-crested vision of Ida.
Two are the Fates that stride with the hero counting his exploits.
Over all earthly things the soul that is fearless is master,
Only on death he can reckon not whether it comes in the midnight
Treading the couch of Kings in their pride or speeds in the spear-shaft.
Now will I weigh down that double beam of the Olympian balance
Claiming one of the equal Fates that stand robed for the fighter,
For to my last dire wrestle I go with the Archer of heaven,
And ere the morning gleam have awakened the eagles on Ida,
Troy shall lie prone or the earth shall be empty of Phthian Achilles.
But for whatever Fate I accept from the ageless Immortals,
Whether cold Hades dim or Indus waits for my coming
Pouring down vast to the sea with the noise of his numberless waters,
I with Zeus am enough. Your mortal aid I desire not,
Rushing to Troy like the eagle of Zeus when he flies towards the thunders,
Winged with might, the bird of the spaces, upbuoying his pinions.
Nor shall my spirit look back for the surge of your Danaan fighters,
Tramp of the Argive multitudes helping my lonely courage,
Neither the transient swell of the cry Achaian behind me
Seek, nor the far-speeding voice of Atrides guiding his legions.
Need has he none for a leader who himself is the soul of his action.
Zeus and his fate and his spear are enough for the Phthian Achilles.
Rest, O wearied hosts; my arm shall win for you Troya,
Quelled when the stern Eoans break and Penthesilea
Lies like a flower in the dust at my feet. Yet if Ares desire you,
Come then and meet him once more mid the cry and the trampling! Assemble
Round the accustomed chiefs, round the old victorious wrestlers
Wearied strengths Deiphobus leaves you or sternest Aeneas.
But when my arm and my Fate have vanquished their gods and Apollo,
Brilliant with blood when we stand amid Ilions marble splendours,
Then let none seat deaf flame on the glory of Phrygias marbles
Or with his barbarous rapine shatter the chambers of sweetness
Slaying the work of the gods and the beauty the ages have lived for.
For he shall moan in the night remote from the earth and her greenness,
Spurred like a steed to its goal by my spear dug deep in his bosom;
Fast he shall fleet to the waters of wailing, the pleasureless pastures.
Touch not the city Apollo built, where Poseidon has laboured.
Seized and dishelmed and disgirdled of Apollonian ramparts,
Empty of wide-rolling wheels and the tramp of a turbulent people
Troy with her marble domes shall live for our nations in beauty
Hushed mid the trees and the corn and the pictured halls of the ancients,
Watching her image of dreams in the gliding waves of Scamander,
Sacred and still, a city of memory spared by the Grecians.
So shalt thou warn the arrogant hearts of Achaias chieftains
Lest upon Greece an evil should fall and her princes should perish.
Herald, beware how thou soften my speech in the ears of thy nation
Sparing their pride and their hearts but dooming their lives to the death-stroke.
Even thy time-touched snows shall not shield thy days from my sword-edge.
Wroth the old mans heart, but he feared Achilles and slowly
Over the margin grey on the shore of the far-sounding ocean
Silent paced to the tents of the Greeks and the Argive assembly.
There on the sands while the scream of the tide as it dragged at the pebbles
Strove in vain with their droning roar, awaiting their chieftains
Each in his tribe and his people far down the margin Aegean
Argolis sons and Epirote spears and the isles and the southron,
Locris swarms and Messenes pikes and the strength of the Theban,
Hosts bright-armed, bright-eyed, bright-haired, time-hardened to Ares,
Stretched in harsh and brilliant lines with a glitter of spear-points
Far as the eye could toil. All Europe helmeted, armoured
Swarmed upon Asias coasts disgorged from her ships in their hundreds.
There in the wide-winged tent of the council that peered oer the margin,
High where the grass and the meadow-bloom failed on the sand-rifted sward-edge,
Pouring his argent voice Epeus spoke to the princes,
Rapid in battle and speech; and even as a boy in a courtyard
Tosses his ball in the air and changes his hands for the seizing
So he played with counsel and thought and rejoiced in his swiftness.
But now a nearing Fate he felt and his impulse was silenced.
Stilled were his thoughts by the message that speeds twixt our minds in their shadows
Dumb, unthought, unphrased, to us dark, but the caverns of Nature
Hear its cry when Gods moment changing our fate comes visored
Silently into our lives and the spirit too knows, for it watches.
Quiet he fell and all men turned to the face of the herald.
Mute and alone through the ranks of the seated and silent princes
Old Talthybius paced, nor paused till he stood at the midmost
Fronting that council of Kings and nearest to Locrian Ajax
And where Sthenelus sat and where sat the great Diomedes,
Chiefs of the South, but their love was small for the Kings of the Spartans.
There like one close to a refuge he lifted his high-chanting accents.
High was his voice like the winds when it whistles shrill oer a forest
Sole of all sounds at night, for the kite is at rest and the tiger
Sleeps from the hunt returned in the deepest hush of the jungle.
Hearken, O Kings of the world, to the lonely will of the Phthian!
One is the roar of the lion heard by the jungles hundreds,
One is the voice of the great and the many shall hear it inclining.
Lo, he has shaken his mane for the last great leap upon Troya
And when the eagles scream shall arise in the dawn over Ida,
Troy shall have fallen or earth shall be empty of Phthian Achilles.
But by whatever Fate he is claimed that waits for the mortal,
Whether the fast-closed hands above have kept for his morrows
Chill of the joyless shades or earth and her wooings of sunlight
Still shall detain his days with the doubtful meed of our virtues,
He and Zeus shall provide, not mortals. Chaff are mens armies
Threshed by the flails of Fate; tis the soul of the hero that conquers.
Not on the tramp of the multitudes, not on the cry of the legions
Founds the strong man his strength but the god that he carries within him.
Zeus and his Fate and his spear are enough for the Phthian Achilles.
Prudence of men shall curb no more his god-given impulse.
He has no need of thy voice, O Atrides, guiding the legions,
He is the leader, his is the soul of magnificent emprise.
Rest, O ye sons of the Greeks, the Phthian shall conquer for Hellas!
Rest! expose not your hearts to the war-cry of Penthesilea.
Yet if the strength in you thirsts for the war-din, if Ares is hungry,
Meet him stark in the mellay urging Deiphobus coursers,
Guiding Aeneas spear; recover the souls of your fathers.
Bronze must his heart be who looks in the eyes of the implacable war-god!
But when his Fate has conquered their gods and slaughtered their heroes,
And in this marble Ilion forced to the tread of her foemen
Watched by the ancient domes you stand, by the timeless turrets,
Then let no chieftain garbed for the sacrifice lift against Troya,
Counselled of Ate, torch of the burning, hand of the plunder
Groping for gold but finding death in her opulent chambers.
For he shall moan in the night regretting the earth and her greenness,
Spurred by the spear in his arrogant breast like a steed to the gorges:
Fast he shall fleet to the flowerless meadows, the sorrowful pastures.
Touch not the city Apollo built, where Poseidon has laboured,
Slay not the work of the gods and the glory the ages have lived for.
Mute of the voice of her children, void of the roll of her war-cars
Timeless Troy leave solitary dreaming by ancient Scamander
Sacred and still, a city of memory spared by the Phthian.
So Talthybius spoke and anger silenced the Argives.
Mute was the warlike assembly, silent Achaias princes.
Wrath and counsel strove in the hush for the voice of the speakers.
***
~ Sri Aurobindo, 5 - The Book of Achilles
,#NFDB
709: Book IX
Meanwhile moved by their unseen spirits, led by the immortal
Phalanxes, who of our hopes and our fears are the reins and the drivers,
Minds they use as if steam and our bodies like power-driven engines,
Leading our lives towards the goal that the gods have prepared for our striving,
Men upon earth fulfilled their harsh ephemeral labour.
But in the Troad the armies clashed on the plain of the Xanthus.
Swift from their ships the Argives marched,more swiftly through Xanthus
Driving their chariots the Trojans came and Penthesilea
Led and Anchises son and Deiphobus the Priamid hero.
Now ere the armies met, ere their spears were nearer, Apollo
Sent a thought for his bale to the heart of Zethus the Hellene.
He to Achilles car drew close and cried to the hero:
Didst thou not promise a boon to me, son of Peleus and Thetis,
Then when I guarded thy life-breath in Memnons battle from Hades?
Therefore I claim the proudest of boons, one worthy a Hellene.
Here in the front I will fight against dangerous Penthesilea.
Thou on our left make war with the beauty and cunning of Paris.
But from his heart dismayed Achilles made answer to Zethus:
What hast thou said, O Zethus, betrayed by some Power that is hostile?
Art thou then hired by the gods for the bale and the slaughter of Hellas?
Zethus answered him, Alone art thou mighty, Achilles, in Phthia?
Tyrant art thou of this fight and keepst for thee all of its glory
We are but wheels of thy chariot, reins of thy courser, Achilles.
What though dire be thy lust, yet here thou canst gather not glory,
Only thy shame and the Greeks, if a girl must be matched with Achilles!
Zethus, evil thy word and from death are the wings of its folly.
Even a god might hesitate fronting the formidable virgin.
Many the shafts that, borne in her chariot, thirst for the blood-draught.
Pages ride in her car behind and hand to her swiftly
Death in the rapid spears and she hurls them and drives and she stays not.
Forty wind-footed men of the mountains race with her chariot
Shielded and armed and bring back the spears from their hearts whom she slaughters.
So like the lightning she moves incessantly flashing and slaying,
Not like mens warring her fight who battle for glory and plunder.
Never she pauses to pluck back her point nor to strip off the armour.
Only to slay she cares and only the legions to shatter.
Come thou not near to her wheels; preserve thy life for thy father.
Pity Arithoas heart who shall wait in vain for her children.
Wroth at Pelides scorn made answer Zethus the Hellene,
Give me my boon I have chosen and thou fight far from my battle
Lest it be said that Achilles was near and therefore she perished.
Cycnus and I []1 will strike down the terror of Argos.
Moved the mighty Achilles answered him, Zethus and Cycnus,
Granted your will; I am bound by my truth, as are you now by Hades.
So he spoke and cried to his steeds, who the wings of the southwind
Racing outvied to the left where from Xanthus galloping swiftly
Came in a mass the Ilian chariots loud towards the Hellenes.
Phoces was with him and Echemus drove and Drus and Thretaon,
They were like rays of the sun, but nighest him, close to his shadow
Ascanus, Phrinix son, who fought ever near to his war-car.
And from the Trojan battle gleaming in arms like the sungod
Paris beheld that dangerous spear and he cried to the heroes:
See now where death on the Trojans comes in the speed of that war-car.
Warriors, fight not [.] Achilles
But where you see him guiding his spear or turning his coursers,
Menace his days and shield the Trojan life that he threatens.
Fighting together hide with your spear-rain his head from the heavens.
Zeus perhaps shall, blinded, forget to cover the hero.
So as he spoke, the armies neared and they clashed in the mellay.
Who first shed the blood [.] that fell in that combat
Thick with the fall of the mighty, last of the battles of Troya?
Helenus first, King Priams son, smote down in that battle
Phoces, Amarus son, who fought in the front of Pelides.
He by the point twixt his brows surprised left the spear he had lifted;
Down he clanged from his car with his armour sounding upon him.
Echemus wroth let drive at Helenus, grieved for his comrade.
Him he missed but Ahites slew who was Helenus henchman.
Helenus wroth in his turn at Echemus aimed and his spear-point
Bit through the shield and quivering paused,by Ananke arrested.
Back avoiding death the Hellene shrank from the forefront.
Nor had Achilles mingled yet his strength with the fighters.
But like a falconer on a hillock lone in his war-car
Shouting his dreadful cry in the pause ere the shock he had lingered
Wheeling slowly his gaze for the choice of a prey or a victim
For with his host was his heart [.] behind Zethus
Herding in shepherded [.]
Ill at ease was his heart [..] or lying
Slain on the Trojan [..] Ares.
Forward [..] towards the Trojans
[.] helmet.
Helenus [] his shield from the death-blow.
But oer his [] Apollo extended.
And from the left and the right the heroes of Ilion gathered.
Dyus and Polites came and Eumachus threatened Achilles.
Paris fatal shafts sang joyously now from the bowstring.
Fast from the Hellene [..]
Ares iron [..]
Neighing [..] of the war-cries.
Nor could the Trojan fighters break through the wall of their foemen,
Nor could the mighty Pelides slay in his war-rage the Trojans.
Ever he fought surrounded or drew back compelled to his legions;
For to each spear of his strength full twenty hissed round his helmet,
Rang on his shield, attempted his cuirass or leaped at his coursers
Or at Automedon ran like living things in their blood-thirst.
Galled the deathless steeds high-neighing pawed in their anger;
Wrathful Achilles wheeled and threatened seeking a victim.
So might a fire on the high-piled altar of sacrifice blazing
Seek for its tongues an offering fit for the gods, but tis answered
Only by spitting rain that a dense cloud sends out of heaven.
Sibilant hiss the drops on the glowing wood and the altar.
Chill a darkness oerhangs and its brief and envious spirits
Rail at the glorious flame desiring an end of its brilliance.
Meanwhile behind by the ranks of the fighters sheltered from Hades
Paris loosed his lethal shafts at the head of the Hellene.
Then upon Helenus wrath from the gods who are noble descended,
Seized on the tongue of the prophet and framed their thoughts in his accents,
Thoughts by men rejected who follow the beast in their reason,
Only advantage seek, and honour and pride are forgotten:
Paris, not thus shalt thou slay Achilles but only thy glory.
Hast thou no heed that the women should mock in the streets of our city
Thee and thy bow and thy numbers, hearing this shame of the Trojans?
Dost thou not fear the gods and their harms? Not so do they combat
Who have the awe of their deeds and follow the way of the mighty.
Paris the Priamid answered his brother: Helenus, wherefore
Care should I have for fame, or the gods and their punishments, heeding
Breath of men when they praise or condemn me? Victory I ask for,
Joy for my living heart, not a dream and a breath for my ashes.
Work I desire and the wish of my heart and the fruit of my labour.
Nay, let my fame be crushed into mire for the ages to spit at,
But let my country live and her foes be slain on her beaches.
So he spoke and fitted another shaft to the bowstring.
Always they fought and were locked in a fierce unyielding combat.
But on the Hellene right stood the brothers stark in their courage
Waiting the Eoan horsehooves that checked at the difficult crossing
Late arrived through field and through pasture. Zethus exultant
Watched their advent stern and encouraged the legions behind him.
Now is the hour of your highest fame, O ye sons of the Hellenes.
These are the iron squadrons, these are the world-famed fighters.
Here is a swifter than Memnon, here is a greater than Hector.
Who would fight with the war-wearied Trojans, the Lycian remnants,
When there are men in the world like these? O Phthians, we conquer
Asias best today. And you, O my brothers, with courage
Reap all the good I have won for our lives this morn from Achilles.
Glad let our fame go before us to our mother Arithoa waiting
Lonely in Phthia, desiring death or the eyes of her children.
Soon will our sails pursue their herald Fame, with our glory
Bellying out and the winds. They shall bear oer the murmurs of Ocean
Heaped up Ilions wealth and the golden bricks of King Priam
And for the halls of our fathers a famous and noble adornment
Severed the beautiful head of the virgin Penthesilea.
So he cried and the Hellenes shouted, a savage rumour,
Proud of their victories past and incredulous grown of disaster.
Now from the Xanthus dripping-wheeled came the Eoan war-cars
Rolling thunder-voiced with the tramp of the runners behind them,
Dust like a flag and dire with the battle-cry, full on the Hellenes.
They to the mid-plain arrived where the might of the Hellene brothers
Waited their coming. Zethus first with his cry of the cascade
Hurrying-footed, headlong that leaps far down to the valley:
Curb, but curb thy advance, O Amazon Penthesilea!
These are not Gnossus ranks and these are not levies from Sparta.
Hellas spears await thee here and the Myrmidon fighters.
But like the northwind high and clear answered Penthesilea,
High like the northwind racing and whistling over the icefields,
Death at its side and snow for its breath in the pitiless winter:
Who art thou biddest to pause the horsehooves of Penthesilea?
Hellene, thou in thy strength who standest forth from thy shielders,
Turn yet, save thy life; for I deem that thou art not Achilles.
Zethus the Hellene I am and Cycnus and Pindus, my brothers,
Stand at my either side, and thou passest no farther, Bellona.
Lioness, turn thou back, for thou canst not here be a hunter.
Zethus and Cycnus and Pindus, little you loved then your mother
Who in this field that is wide must needs all three perish together
Piled on one altar of death by the spear-shafts of Penthesilea.
Empty for ever your halls shall be, childless the age of your father.
High she rose to the spear-cast, poised like a thunderbolt lifted,
Forward swung to the blow and loosed it hissing and ruthless
Straight at the Hellene shield, and it tore through the bronze and groaning
Butted and pushed through the cuirass and split the breast of the hero.
Round in his car he spun, then putting his hands out before him,
Even as a diver who leaps from the shed of the bath to the current,
Launched out so headlong, struggled, sideward collapsed, then was quiet,
Dead on Trojan earth. But dismay and grief on his brothers
Yet alive now seized, then rage came blinding the eyeballs.
Blindly they hurled, yet attained, for Athene guided the spear-shafts;
Death like a forest beast yet played with the might of the virgin.
One on her shield and one on her cuirass rang, but rejected
Fell back like reeds that are thrown at a boulder by boys on the seashore.
She unmoved replied; her shafts in their angry succession
Hardly endured delay between. Like trees the brothers,
Felled, to each side sank prone. So lifeless these strong ones of Hellas
Lay on their couch of the hostile soil reunited in slumber
As in their childhood they lay in Hellas watched by their mother,
Three of them side by side and she dreamed for her darlings their future.
But on the ranks of the Hellenes fear and amazement descended,
Messengers they from Zeus to discourage the pride and the blood-lust.
Back many yards their foremost recoiled in a god-given terror,
As from a snake a traveller scorned for a bough by the wayside,
But it arises puffing its hood and hisses its hatred.
Forward the henchmen ran and plucked back the spears from the corpses;
Onward the Eoan thousands rolled oer the ground that was conquered
Trampling the fallen men into earth with the wheels of their war-cars.
But in her speed like the sea or the stormwind Penthesilea
Drove towards the ranks of the foe and her spear-shafts hastened before her,
Messengers whistling shrilly to Death; he came like a wolfhound
Called by his masters voice and silently fell on the quarry.
Hyrtamus fell, Admetus was wounded, Charmidas slaughtered;
Cirrhes died, though he faced not the blow while he hastened to shelter.
Itylus, bright and beautiful, went down to night and to Hades.
Back, ever back the Hellenes recoiled from the shock of the Virgin,
Slain by her prowess fierce, alarmed by the might of her helpers.
For at her right Surabdas threatened and iron Surenas,
And at her left hill-shouldered Pharatus slaughtered the Hellenes.
Then in the ranks of the Greeks a shouting arose and the leaders
Cried to their hosts and recalled their unstained fame and their valour
Never so lightly conquered before in the onsets of Ares
And of Achilles they spoke and King Peleus waiting in Phthia,
Listening for Troy oerthrown not his hosts overcome by a woman.
And from the right and the left came heroes mighty to succour.
Chiefs of the Dolopes Ar and Aglauron came mid the foremost,
Hillus fair as a drifting moon but fierce as the winter;
Pryas came the Thessalian and Sebes whom Pharsalus honoured,
Victors in countless fights who had stood against Memnon and Hector.
But though their hands were mighty, though fierce their obdurate natures,
Mightier strengths they met and a sterner brood of the war-god.
Light from the hand of the Virgin the spear ran laughing at Sebes,
Crashed through his helmet and left him supine on the pastures of Troya;
Ar to Surabdas fell and the blood-spirting head of Aglauron
Dropped like a fruit from a branch by its weight to the discus of Sambus;
Iron Surenas mace-head shattered the beauty of Hillus;
Pryas by Pharatus slain lay still and had rest from the war-cry.
Back, ever back reeled the Hellene host with the Virgin pursuing.
Storm-shod the Amazon fought and she slew like a god unresisted.
None now dared to confront her burning eyes; the boldest
Shuddered back from her spear and the cry of her tore at their heart-strings.
Fear, the daughter of Zeus, had gripped at the hearts of the Hellenes.
So as their heroes yielded before her, Penthesilea
Lifted with victory cried to her henchman, Aurus of Ellae,
Who had the foot of the wind and its breath that scants not for running,
Hasten, hasten, Aurus; race to the right where unwarring
Valarus leads his host; bid him close with the strength of the Hellenes.
Soon will they scatter like chaff on the threshing-floor blown to the beaches.
But when he sees their flight by Sumalus shepherded seaward,
Swift let him turn like the wind in its paths and follow me, pouring
All in a victor flood on the Myrmidon left and Achilles.
Then shall no Hellene again dare embark in ships for the Troad.
Cursed shall its beaches be to their sons and their sons and for ever.
So she spoke and Aurus ran by the chariots protected.
Then had all Hellas perished indeed on the beaches of Troas,
But from the Argives right where she battled Pallas Athene
Saw and was wroth and she missioned her thought to Automedon speeding.
Splendid it came and found him out mid the hiss of the spear-shafts
Guiding, endangered, Achilles steeds in the thick of the battle.
Shaped like a woman clad in armour and fleeing from battle,
Helmed with the Hellene crest it knocked at the gates of his spirit
Shaking the heros heart with the vision that came to his eyeballs;
Silent he stared aghast and turned his ear to the war-din.
Dost thou not hear to our right, Achilles, these voices of Ares?
High is the sound of Eoan battle, a womans war-cry
Rings in my ears, but faint and sparse come the shouts of our nation.
Far behind is their call and nearer the ships and the beaches.
Great Pelides heard and groaned in the caves of his spirit:
It is the doom that I feared and the fatal madness of Zethus;
Slain are the men of my nation or routed by Penthesilea.
Drive, Automedon, drive, lest shame and defeat upon Hellas
Fasten their seal and her heroes flee from the strength of a woman.
And to the steeds divine Automedon called and they hearkened,
Rose as if seeking their old accustomed paths in the heavens,
Then through the ranks that parted they galloped as gallops the dust-cloud
When the cyclone is abroad and the high trees snap by the wayside,
And from the press of the Hellenes into the plain of the Xanthus
Thundering, neighing came with the war-car borne like a dead leaf
Chased by the blast. Then Athene opened the eyes of Achilles,
Eyes that in all of us sleep, yet can see the near and the distant,
Eyes that the gods in their pity have sealed from the giant confusion,
Sealed from the bale and the grief. He saw like one high on a summit
Near him the Eoans holding the plain and out in the distance
Breaking the Hellene strengths. Like a dream in the night he regarded
High-crested Sumalus fight, Somaranes swift in the onset,
Bull-shouldered Taurons blows and the hero Artavoruxes.
But in the centre fiercest the cry and the death and the fleeing.
There were his chieftains ever reforming vainly resistance,
Even in defeat these were Hellenes and fit to be hosts of Achilles,
But like a doom on them thundered the war-car of Penthesilea,
Pharatus smote and Surabdas and Sambus and iron Surenas.
Down the leaders fell and the armies reeled towards the Ocean.
Wroth he cried to his coursers and fiercely they heard and they hastened;
Swift like a wind oer the grasses galloped the car of Achilles.
Echemus followed, Ascanus drove and Drus and Thretaon:
Phoces alone in the dust of the Troad lay there and moved not.
Yet brought not all of them help to their brothers oppressed in the combat:
For from the forefront forth on the knot of the swift-speeding war-cars
High an Eoan chariot came drawn fast by its coursers
Bearing a mighty chieftain, Valarus son of Supaures.
Fire-footed thundered past him the hooves of the heavenly coursers,
Nor to his challenging shout nor his spear the warlike Pelides
Answered at all, but made haste like a flood to the throng and the mellay.
But twixt the chariots behind and their leader the mighty Eoan
Drove his dark-maned steeds and stood like a cliff to their onset.
Great is your haste, O ye Kings of the Greeks! Abide yet and converse.
Scatheless your leader has fled from me borne by the hooves of his coursers;
Ye, abide! For we meet from far lands on this soil of the Trojans.
All of us meet from afar, but not all shall return to their hearthsides.
Valarus stays you, O Greeks, and this is the point of his greeting.
So as he spoke he launched out his spear as a cloud hurls its storm-flash;
Nor from that fatal hand parted vainly the pitiless envoy,
But of its blood-thirst had right. Riven through and through with the death-stroke
Drus fell prone and tore with dying fingers the grasses.
Sobbing his soul fled out to the night and the chill and the silence.
They like leaves that are suddenly stayed by the fall of a wind-gust
Ceased from their headlong speed. And Echemus poising his spear-shaft:
Sharp are thy greetings, chieftain Eoan. Message for message
Echemus son of Ates, one of the mighty in Hellas,
Thus returns. Let Ares judge twixt the Greek and the Eastern.
Fast sped the spear but Valarus held forth his shield and re butted
Shouting the deadly point that could pierce not his iron refusal.
Echemus, surely thy vaunt has reached me, but unfelt is thy spear-point.
Weak are mens arms, it seems, in Hellas; a boy there Ares
Aims with reeds not spears at pastoral cheeses not iron.
Judge now my strength. Two spears from him ran at the hearts of his foemen.
Crouching Thretaon heard the keen death over him whistle;
Ascanus hurt in the shoulder cried out and paused from his war-lust.
Echemus hurled now again and hurled with him stalwart Thretaon.
Strong Thretaon missed, but Echemus point at the helmet
Bit and fastened as fastens a hound on the ear of the wild-boar
Wroth with the cry and the hunt that gores the pack and his hunters.
Valarus frowning tugged at the heavy steel; yet his right hand
Smote at Echemus. Him he missed but valiant Thretaon
Sat back dead in his seat and the chariot wild with its coursers
Snorting and galloping bore his corpse oer the plains to the Hellenes.
But while yet Valarus strove with the shaft, obscured and encumbered,
Ascanus sprang down swift from his car and armed with his sword-point
Clove the Eoans neck as the lightning springs at an oak-trunk
Seized in the stride of the storm and severs that might with its sharpness.
Slain the hero fell; his mighty limbs the spirit
Mightier released to the gods and it rose to the heavens of the noble.
Ascanus gathered the spear-shafts; loud was his shout as exulting
Back he leaped to the car triumphant oer death and its menace.
Lie there, Valarus, king of the East, with imperial Troya.
Six rich feet of her soil she gives thee for couch of the nuptials.
Rest then! talk not again on the way with the heroes of Hellas.
So delivered they hastened glad to the ranks of their brothers.
After them rolled the Eoan war-cars, Arithon leading,
Loud with the clamour of hooves and the far-rolling gust of the war-cry;
Wroth at their chieftains fall they moved to the help of their nation
Now by the unearthly horses neared and the might of Achilles.
Then from the Hellenes who heard the noise and the cry of their coming,
Lifted eyes dismayed, but saw the familiar war-car,
Saw the heaven-born steeds and the helm unconquered in battle,
Cry was of other hopefulness. Loud as the outbursting thunder
Rises oer lower sounds of the storm, oer the din of the battle
Rose the Hellene shout and rose the name of Achilles.
Here and below some words have been lost as a result of damage to the manuscript.Ed.
***
~ Sri Aurobindo, 9 - Book IX
,#NFDB
710:The Hammers
Frindsbury, Kent, 1786
Bang!
Bang!
Tap!
Tap-a-tap! Rap!
All through the lead and silver Winter days,
All through the copper of Autumn hazes.
Tap to the red rising sun,
Tap to the purple setting sun.
Four years pass before the job is done.
Two thousand oak trees grown and felled,
Two thousand oaks from the hedgerows of the Weald,
Sussex had yielded two thousand oaks
With huge boles
Round which the tape rolls
Thirty mortal feet, say the village folks.
Two hundred loads of elm and Scottish fir;
Planking from Dantzig.
My! What timber goes into a ship!
Tap! Tap!
Two years they have seasoned her ribs on the ways,
Tapping, tapping.
You can hear, though there's nothing where you gaze.
Through the fog down the reaches of the river,
The tapping goes on like heart-beats in a fever.
The church-bells chime
Hours and hours,
Dropping days in showers.
Bang! Rap! Tap!
Go the hammers all the time.
They have planked up her timbers
And the nails are driven to the head;
They have decked her over,
And again, and again.
The shoring-up beams shudder at the strain.
Black and blue breeches,
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Pigtails bound and shining:
Like ants crawling about,
The hull swarms with carpenters, running in and out.
Joiners, calkers,
And they are all terrible talkers.
Jem Wilson has been to sea and he tells some wonderful tales
Of whales, and spice islands,
And pirates off the Barbary coast.
He boasts magnificently, with his mouth full of nails.
Stephen Pibold has a tenor voice,
He shifts his quid of tobacco and sings:
'The second in command was blear-eyed Ned:
While the surgeon his limb was a-lopping,
A nine-pounder came and smack went his head,
Pull away, pull away, pull away! I say;
Rare news for my Meg of Wapping!'
Every Sunday
People come in crowds
(After church-time, of course)
In curricles, and gigs, and wagons,
And some have brought cold chicken and flagons
Of wine,
And beer in stoppered jugs.
'Dear! Dear! But I tell 'ee 'twill be a fine ship.
There's none finer in any of the slips at Chatham.'
The third Summer's roses have started in to blow,
When the fine stern carving is begun.
Flutings, and twinings, and long slow swirls,
Bits of deal shaved away to thin spiral curls.
Tap! Tap! A cornucopia is nailed into place.
Rap-a-tap! They are putting up a railing filigreed like Irish lace.
The Three Town's people never saw such grace.
And the paint on it! The richest gold leaf!
Why, the glitter when the sun is shining passes belief.
And that row of glass windows tipped toward the sky
Are rubies and carbuncles when the day is dry.
Oh, my! Oh, my!
They have coppered up the bottom,
And the copper nails
Stand about and sparkle in big wooden pails.
Bang! Clash! Bang!
355
'And he swigg'd, and Nick swigg'd,
And Ben swigg'd, and Dick swigg'd,
And I swigg'd, and all of us swigg'd it,
And swore there was nothing like grog.'
It seems they sing,
Even though coppering is not an easy thing.
What a splendid specimen of humanity is a true British workman,
Say the people of the Three Towns,
As they walk about the dockyard
To the sound of the evening church-bells.
And so artistic, too, each one tells his neighbour.
What immense taste and labour!
Miss Jessie Prime, in a pink silk bonnet,
Titters with delight as her eyes fall upon it,
When she steps lightly down from Lawyer Green's whisky;
Such amazing beauty makes one feel frisky,
She explains.
Mr. Nichols says he is delighted
(He is the firm);
His work is all requited
If Miss Jessie can approve.
Miss Jessie answers that the ship is 'a love'.
The sides are yellow as marigold,
The port-lids are red when the ports are up:
Blood-red squares like an even chequer
Of yellow asters and portulaca.
There is a wide 'black strake' at the waterline
And above is a blue like the sky when the weather is fine.
The inner bulwarks are painted red.
'Why?' asks Miss Jessie. ''Tis a horrid note.'
Mr. Nichols clears his throat,
And tells her the launching day is set.
He says, 'Be careful, the paint is wet.'
But Miss Jessie has touched it, her sprigged muslin gown
Has a blood-red streak from the shoulder down.
'It looks like blood,' says Miss Jessie with a frown.
Tap! Tap! Rap!
An October day, with waves running in blue-white lines and a capful of wind.
Three broad flags ripple out behind
Where the masts will be:
Royal Standard at the main,
356
Admiralty flag at the fore,
Union Jack at the mizzen.
The hammers tap harder, faster,
They must finish by noon.
The last nail is driven.
But the wind has increased to half a gale,
And the ship shakes and quivers upon the ways.
The Commissioner of Chatham Dockyard is coming
In his ten-oared barge from the King's Stairs;
The Marine's band will play 'God Save Great George Our King';
And there is to be a dinner afterwards at the Crown, with speeches.
The wind screeches, and flaps the flags till they pound like hammers.
The wind hums over the ship,
And slips round the dog-shores,
Jostling them almost to falling.
There is no time now to wait for Commissioners and marine bands.
Mr. Nichols has a bottle of port in his hands.
He leans over, holding his hat, and shouts to the men below:
'Let her go!'
Bang! Bang! Pound!
The dog-shores fall to the ground,
And the ship slides down the greased planking.
A splintering of glass,
And port wine running all over the white and copper stem timbers.
'Success to his Majesty's ship, the Bellerophon!'
And the red wine washes away in the waters of the Medway.
II
Paris, March, 1814
Fine yellow sunlight down the rue du Mont Thabor.
Ten o'clock striking from all the clock-towers of Paris.
Over the door of a shop, in gilt letters:
'Martin - Parfumeur', and something more.
A large gilded wooden something.
Listen! What a ringing of hammers!
Tap!
Tap!
Squeak!
Tap! Squeak! Tap-a-tap!
'Blaise.'
357
'Oui, M'sieu.'
'Don't touch the letters. My name stays.'
'Bien, M'sieu.'
'Just take down the eagle, and the shield with the bees.'
'As M'sieu pleases.'
Tap! Squeak! Tap!
The man on the ladder hammers steadily for a minute or two,
Then stops.
'He! Patron!
They are fastened well, Nom d'un Chien!
What if I break them?'
'Break away,
You and Paul must have them down to-day.'
'Bien.'
And the hammers start again,
Drum-beating at the something of gilded wood.
Sunshine in a golden flood
Lighting up the yellow fronts of houses,
Glittering each window to a flash.
Squeak! Squeak! Tap!
The hammers beat and rap.
A Prussian hussar on a grey horse goes by at a dash.
From other shops, the noise of striking blows:
Pounds, thumps, and whacks;
Wooden sounds: splinters - cracks.
Paris is full of the galloping of horses and the knocking of hammers.
'Hullo! Friend Martin, is business slack
That you are in the street this morning? Don't turn your back
And scuttle into your shop like a rabbit to its hole.
I've just been taking a stroll.
The stinking Cossacks are bivouacked all up and down the Champs Elysees.
I can't get the smell of them out of my nostrils.
Dirty fellows, who don't believe in frills
Like washing. Ah, mon vieux, you'd have to go
Out of business if you lived in Russia. So!
We've given up being perfumers to the Emperor, have we?
Blaise,
Be careful of the hen,
Maybe I can find a use for her one of these days.
That eagle's rather well cut, Martin.
But I'm sick of smelling Cossack,
Take me inside and let me put my head into a stack
358
Of orris-root and musk.'
Within the shop, the light is dimmed to a pearl-and-green dusk
Out of which dreamily sparkle counters and shelves of glass,
Containing phials, and bowls, and jars, and dishes; a mass
Of aqueous transparence made solid by threads of gold.
Gold and glass,
And scents which whiff across the green twilight and pass.
The perfumer sits down and shakes his head:
'Always the same, Monsieur Antoine,
You artists are wonderful folk indeed.'
But Antoine Vernet does not heed.
He is reading the names on the bottles and bowls,
Done in fine gilt letters with wonderful scrolls.
'What have we here? `Eau Imperial Odontalgique.'
I must say, mon cher, your names are chic.
But it won't do, positively it will not do.
Elba doesn't count. Ah, here is another:
`Baume du Commandeur'. That's better. He needs something to smother
Regrets. A little lubricant, too,
Might be useful. I have it,
`Sage Oil', perhaps he'll be good now; with it we'll submit
This fine German rouge. I fear he is pale.'
'Monsieur Antoine, don't rail
At misfortune. He treated me well and fairly.'
'And you prefer him to Bourbons, admit it squarely.'
'Heaven forbid!' Bang! Whack!
Squeak! Squeak! Crack!
CRASH!
'Oh, Lord, Martin! That shield is hash.
The whole street is covered with golden bees.
They look like so many yellow peas,
Lying there in the mud. I'd like to paint it.
`Plum pudding of Empire'. That's rather quaint, it
Might take with the Kings. Shall I try?' 'Oh, Sir,
You distress me, you do.' 'Poor old Martin's purr!
But he hasn't a scratch in him, I know.
Now let us get back to the powders and patches.
Foolish man,
The Kings are here now. We must hit on a plan
To change all these titles as fast as we can.
`Bouquet Imperatrice'. Tut! Tut! Give me some ink `Bouquet de la Reine', what do you think?
359
Not the same receipt?
Now, Martin, put away your conceit.
Who will ever know?
`Extract of Nobility' - excellent, since most of them are killed.'
'But, Monsieur Antoine -'
'You are self-willed,
Martin. You need a salve
For your conscience, do you?
Very well, we'll halve
The compliments, also the pastes and dentifrices;
Send some to the Kings, and some to the Empresses.
`Oil of Bitter Almonds' - the Empress Josephine can have that.
`Oil of Parma Violets' fits the other one pat.'
Rap! Rap! Bang!
'What a hideous clatter!
Blaise seems determined to batter
That poor old turkey into bits,
And pound to jelly my excellent wits.
Come, come, Martin, you mustn't shirk.
`The night cometh soon' - etc. Don't jerk
Me up like that. `Essence de la Valliere' That has a charmingly Bourbon air.
And, oh! Magnificent! Listen to this! `Vinaigre des Quatre Voleurs'. Nothing amiss
With that - England, Austria, Russia and Prussia!
Martin, you're a wonder,
Upheavals of continents can't keep you under.'
'Monsieur Antoine, I am grieved indeed
At such levity. What France has gone through -'
'Very true, Martin, very true,
But never forget that a man must feed.'
Pound! Pound! Thump!
Pound!
'Look here, in another minute Blaise will drop that bird on the ground.'
Martin shrugs his shoulders. 'Ah, well, what then? -'
Antoine, with a laugh: 'I'll give you two sous for that antiquated hen.'
The Imperial Eagle sells for two sous,
And the lilies go up.
A man must choose!
III
360
Paris, April, 1814
Cold, impassive, the marble arch of the Place du Carrousel.
Haughty, contemptuous, the marble arch of the Place du Carrousel.
Like a woman raped by force, rising above her fate,
Borne up by the cold rigidity of hate,
Stands the marble arch of the Place du Carrousel.
Tap! Clink-a-tink!
Tap! Rap! Chink!
What falls to the ground like a streak of flame?
Hush! It is only a bit of bronze flashing in the sun.
What are all those soldiers? Those are not the uniforms of France.
Alas! No! The uniforms of France, Great Imperial France, are done.
They will rot away in chests and hang to dusty tatters in barn lofts.
These are other armies. And their name?
Hush, be still for shame;
Be still and imperturbable like the marble arch.
Another bright spark falls through the blue air.
Over the Place du Carrousel a wailing of despair.
Crowd your horses back upon the people, Uhlans and Hungarian Lancers,
They see too much.
Unfortunately, Gentlemen of the Invading Armies, what they do not see,
they hear.
Tap! Clink-a-tink!
Tap!
Another sharp spear
Of brightness,
And a ringing of quick metal lightness
On hard stones.
Workmen are chipping off the names of Napoleon's victories
From the triumphal arch of the Place du Carrousel.
Do they need so much force to quell the crowd?
An old Grenadier of the line groans aloud,
And each hammer tap points the sob of a woman.
Russia, Prussia, Austria, and the faded-white-lily Bourbon king
Think it well
To guard against tumult,
A mob is an undependable thing.
Ding! Ding!
Vienna is scattered all over the Place du Carrousel
In glittering, bent, and twisted letters.
361
Your betters have clattered over Vienna before,
Officer of his Imperial Majesty our Father-in-Law!
Tink! Tink!
A workman's chisel can strew you to the winds,
Munich.
Do they think
To pleasure Paris, used to the fall of cities,
By giving her a fall of letters!
It is a month too late.
One month, and our lily-white Bourbon king
Has done a colossal thing;
He has curdled love,
And soured the desires of a people.
Still the letters fall,
The workmen creep up and down their ladders like lizards on a wall.
Tap! Tap! Tink!
Clink! Clink!
'Oh, merciful God, they will not touch Austerlitz!
Strike me blind, my God, my eyes can never look on that.
I would give the other leg to save it, it took one.
Curse them! Curse them! Aim at his hat.
Give me the stone. Why didn't you give it to me?
I would not have missed. Curse him!
Curse all of them! They have got the `A'!'
Ding! Ding!
'I saw the Terror, but I never saw so horrible a thing as this.
`Vive l'Empereur! Vive l'Empereur!''
'Don't strike him, Fritz.
The mob will rise if you do.
Just run him out to the `quai',
That will get him out of the way.
They are almost through.'
Clink! Tink! Ding!
Clear as the sudden ring
Of a bell
'Z' strikes the pavement.
Farewell, Austerlitz, Tilsit, Presbourg;
Farewell, greatness departed.
Farewell, Imperial honours, knocked broadcast by the beating hammers
of ignorant workmen.
Straight, in the Spring moonlight,
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Rises the deflowered arch.
In the silence, shining bright,
She stands naked and unsubdued.
Her marble coldness will endure the march
Of decades.
Rend her bronzes, hammers;
Cast down her inscriptions.
She is unconquerable, austere,
Cold as the moon that swims above her
When the nights are clear.
IV
Croissy, Ile-de-France, June, 1815
'Whoa! Victorine.
Devil take the mare! I've never seen so vicious a beast.
She kicked Jules the last time she was here,
He's been lame ever since, poor chap.'
Rap! Tap!
Tap-a-tap-a-tap! Tap! Tap!
'I'd rather be lame than dead at Waterloo, M'sieu Charles.'
'Sacre Bleu! Don't mention Waterloo, and the damned grinning British.
We didn't run in the old days.
There wasn't any running at Jena.
Those were decent days,
And decent men, who stood up and fought.
We never got beaten, because we wouldn't be.
See!'
'You would have taught them, wouldn't you, Sergeant Boignet?
But to-day it's everyone for himself,
And the Emperor isn't what he was.'
'How the Devil do you know that?
If he was beaten, the cause
Is the green geese in his army, led by traitors.
Oh, I say no names, Monsieur Charles,
You needn't hammer so loud.
If there are any spies lurking behind the bellows,
I beg they come out. Dirty fellows!'
The old Sergeant seizes a red-hot poker
And advances, brandishing it, into the shadows.
The rows of horses flick
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Placid tails.
Victorine gives a savage kick
As the nails
Go in. Tap! Tap!
Jules draws a horseshoe from the fire
And beats it from red to peacock-blue and black,
Purpling darker at each whack.
Ding! Dang! Dong!
Ding-a-ding-dong!
It is a long time since any one spoke.
Then the blacksmith brushes his hand over his eyes,
'Well,' he sighs,
'He's broke.'
The Sergeant charges out from behind the bellows.
'It's the green geese, I tell you,
Their hearts are all whites and yellows,
There's no red in them. Red!
That's what we want. Fouche should be fed
To the guillotine, and all Paris dance the carmagnole.
That would breed jolly fine lick-bloods
To lead his armies to victory.'
'Ancient history, Sergeant.
He's done.'
'Say that again, Monsieur Charles, and I'll stun
You where you stand for a dung-eating Royalist.'
The Sergeant gives the poker a savage twist;
He is as purple as the cooling horseshoes.
The air from the bellows creaks through the flues.
Tap! Tap! The blacksmith shoes Victorine,
And through the doorway a fine sheen
Of leaves flutters, with the sun between.
By a spurt of fire from the forge
You can see the Sergeant, with swollen gorge,
Puffing, and gurgling, and choking;
The bellows keep on croaking.
They wheeze,
And sneeze,
Creak! Bang! Squeeze!
And the hammer strokes fall like buzzing bees
Or pattering rain,
Or faster than these,
Like the hum of a waterfall struck by a breeze.
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Clank! from the bellows-chain pulled up and down.
Clank!
And sunshine twinkles on Victorine's flank,
Starting it to blue,
Dropping it to black.
Clack! Clack!
Tap-a-tap! Tap!
Lord! What galloping! Some mishap
Is making that man ride so furiously.
'Francois, you!
Victorine won't be through
For another quarter of an hour.' 'As you hope to die,
Work faster, man, the order has come.'
'What order? Speak out. Are you dumb?'
'A chaise, without arms on the panels, at the gate
In the far side-wall, and just to wait.
We must be there in half an hour with swift cattle.
You're a stupid fool if you don't hear that rattle.
Those are German guns. Can't you guess the rest?
Nantes, Rochefort, possibly Brest.'
Tap! Tap! as though the hammers were mad.
Dang! Ding! Creak! The farrier's lad
Jerks the bellows till he cracks their bones,
And the stifled air hiccoughs and groans.
The Sergeant is lying on the floor
Stone dead, and his hat with the tricolore
Cockade has rolled off into the cinders. Victorine snorts and lays back
her ears.
What glistens on the anvil? Sweat or tears?
St. Helena, May, 1821
Tap! Tap! Tap!
Through the white tropic night.
Tap! Tap!
Beat the hammers,
Unwearied, indefatigable.
They are hanging dull black cloth about the dead.
Lustreless black cloth
Which chokes the radiance of the moonlight
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And puts out the little moving shadows of leaves.
Tap! Tap!
The knocking makes the candles quaver,
And the long black hangings waver
Tap! Tap! Tap!
Tap! Tap!
In the ears which do not heed.
Tap! Tap!
Above the eyelids which do not flicker.
Tap! Tap!
Over the hands which do not stir.
Chiselled like a cameo of white agate against the hangings,
Struck to brilliance by the falling moonlight,
A face!
Sharp as a frozen flame,
Beautiful as an altar lamp of silver,
And still. Perfectly still.
In the next room, the men chatter
As they eat their midnight lunches.
A knife hits against a platter.
But the figure on the bed
Between the stifling black hangings
Is cold and motionless,
Played over by the moonlight from the windows
And the indistinct shadows of leaves.
Tap! Tap!
Upholsterer Darling has a fine shop in Jamestown.
Tap! Tap!
Andrew Darling has ridden hard from Longwood to see to the work in his shop
in Jamestown.
He has a corps of men in it, toiling and swearing,
Knocking, and measuring, and planing, and squaring,
Working from a chart with figures,
Comparing with their rules,
Setting this and that part together with their tools.
Tap! Tap! Tap!
Haste indeed!
So great is the need
That carpenters have been taken from the new church,
Joiners have been called from shaping pews and lecterns
To work of greater urgency.
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Coffins!
Coffins is what they are making this bright Summer morning.
Coffins - and all to measurement.
There is a tin coffin,
A deal coffin,
A lead coffin,
And Captain Bennett's best mahogany dining-table
Has been sawed up for the grand outer coffin.
Tap! Tap! Tap!
Sunshine outside in the square,
But inside, only hollow coffins and the tapping upon them.
The men whistle,
And the coffins grow under their hammers
In the darkness of the shop.
Tap! Tap! Tap!
Tramp of men.
Steady tramp of men.
Slit-eyed Chinese with long pigtails
Bearing oblong things upon their shoulders
March slowly along the road to Longwood.
Their feet fall softly in the dust of the road;
Sometimes they call gutturally to each other and stop to shift shoulders.
Four coffins for the little dead man,
Four fine coffins,
And one of them Captain Bennett's dining-table!
And sixteen splendid Chinamen, all strong and able
And of assured neutrality.
Ah! George of England, Lord Bathhurst & Co.
Your princely munificence makes one's heart glow.
Huzza! Huzza! For the Lion of England!
Tap! Tap! Tap!
Marble likeness of an Emperor,
Dead man, who burst your heart against a world too narrow,
The hammers drum you to your last throne
Which always you shall hold alone.
Tap! Tap!
The glory of your past is faded as a sunset fire,
Your day lingers only like the tones of a wind-lyre
In a twilit room.
Here is the emptiness of your dream
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Scattered about you.
Coins of yesterday,
Double napoleons stamped with Consul or Emperor,
Strange as those of Herculaneum And you just dead!
Not one spool of thread
Will these buy in any market-place.
Lay them over him,
They are the baubles of a crown of mist
Worn in a vision and melted away at waking.
Tap! Tap!
His heart strained at kingdoms
And now it is content with a silver dish.
Strange World! Strange Wayfarer!
Strange Destiny!
Lower it gently beside him and let it lie.
Tap! Tap! Tap!
~ Amy Lowell,#NFDB
711:The Princess (Part 5)
Now, scarce three paces measured from the mound,
We stumbled on a stationary voice,
And 'Stand, who goes?' 'Two from the palace' I.
'The second two: they wait,' he said, 'pass on;
His Highness wakes:' and one, that clashed in arms,
By glimmering lanes and walls of canvas led
Threading the soldier-city, till we heard
The drowsy folds of our great ensign shake
From blazoned lions o'er the imperial tent
Whispers of war.
Entering, the sudden light
Dazed me half-blind: I stood and seemed to hear,
As in a poplar grove when a light wind wakes
A lisping of the innumerous leaf and dies,
Each hissing in his neighbour's ear; and then
A strangled titter, out of which there brake
On all sides, clamouring etiquette to death,
Unmeasured mirth; while now the two old kings
Began to wag their baldness up and down,
The fresh young captains flashed their glittering teeth,
The huge bush-bearded Barons heaved and blew,
And slain with laughter rolled the gilded Squire.
At length my Sire, his rough cheek wet with tears,
Panted from weary sides 'King, you are free!
We did but keep you surety for our son,
If this be he,--or a dragged mawkin, thou,
That tends to her bristled grunters in the sludge:'
For I was drenched with ooze, and torn with briers,
More crumpled than a poppy from the sheath,
And all one rag, disprinced from head to heel.
Then some one sent beneath his vaulted palm
A whispered jest to some one near him, 'Look,
He has been among his shadows.' 'Satan take
The old women and their shadows! (thus the King
Roared) make yourself a man to fight with men.
Go: Cyril told us all.'
As boys that slink
From ferule and the trespass-chiding eye,
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Away we stole, and transient in a trice
From what was left of faded woman-slough
To sheathing splendours and the golden scale
Of harness, issued in the sun, that now
Leapt from the dewy shoulders of the Earth,
And hit the Northern hills. Here Cyril met us.
A little shy at first, but by and by
We twain, with mutual pardon asked and given
For stroke and song, resoldered peace, whereon
Followed his tale. Amazed he fled away
Through the dark land, and later in the night
Had come on Psyche weeping: 'then we fell
Into your father's hand, and there she lies,
But will not speak, or stir.'
He showed a tent
A stone-shot off: we entered in, and there
Among piled arms and rough accoutrements,
Pitiful sight, wrapped in a soldier's cloak,
Like some sweet sculpture draped from head to foot,
And pushed by rude hands from its pedestal,
All her fair length upon the ground she lay:
And at her head a follower of the camp,
A charred and wrinkled piece of womanhood,
Sat watching like the watcher by the dead.
Then Florian knelt, and 'Come' he whispered to her,
'Lift up your head, sweet sister: lie not thus.
What have you done but right? you could not slay
Me, nor your prince: look up: be comforted:
Sweet is it to have done the thing one ought,
When fallen in darker ways.' And likewise I:
'Be comforted: have I not lost her too,
In whose least act abides the nameless charm
That none has else for me?' She heard, she moved,
She moaned, a folded voice; and up she sat,
And raised the cloak from brows as pale and smooth
As those that mourn half-shrouded over death
In deathless marble. 'Her,' she said, 'my friend-Parted from her--betrayed her cause and mine-Where shall I breathe? why kept ye not your faith?
O base and bad! what comfort? none for me!'
To whom remorseful Cyril, 'Yet I pray
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Take comfort: live, dear lady, for your child!'
At which she lifted up her voice and cried.
'Ah me, my babe, my blossom, ah, my child,
My one sweet child, whom I shall see no more!
For now will cruel Ida keep her back;
And either she will die from want of care,
Or sicken with ill-usage, when they say
The child is hers--for every little fault,
The child is hers; and they will beat my girl
Remembering her mother: O my flower!
Or they will take her, they will make her hard,
And she will pass me by in after-life
With some cold reverence worse than were she dead.
Ill mother that I was to leave her there,
To lag behind, scared by the cry they made,
The horror of the shame among them all:
But I will go and sit beside the doors,
And make a wild petition night and day,
Until they hate to hear me like a wind
Wailing for ever, till they open to me,
And lay my little blossom at my feet,
My babe, my sweet Aglaïa, my one child:
And I will take her up and go my way,
And satisfy my soul with kissing her:
Ah! what might that man not deserve of me
Who gave me back my child?' 'Be comforted,'
Said Cyril, 'you shall have it:' but again
She veiled her brows, and prone she sank, and so
Like tender things that being caught feign death,
Spoke not, nor stirred.
By this a murmur ran
Through all the camp and inward raced the scouts
With rumour of Prince Arab hard at hand.
We left her by the woman, and without
Found the gray kings at parle: and 'Look you' cried
My father 'that our compact be fulfilled:
You have spoilt this child; she laughs at you and man:
She wrongs herself, her sex, and me, and him:
But red-faced war has rods of steel and fire;
She yields, or war.'
Then Gama turned to me:
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'We fear, indeed, you spent a stormy time
With our strange girl: and yet they say that still
You love her. Give us, then, your mind at large:
How say you, war or not?'
'Not war, if possible,
O king,' I said, 'lest from the abuse of war,
The desecrated shrine, the trampled year,
The smouldering homestead, and the household flower
Torn from the lintel--all the common wrong-A smoke go up through which I loom to her
Three times a monster: now she lightens scorn
At him that mars her plan, but then would hate
(And every voice she talked with ratify it,
And every face she looked on justify it)
The general foe. More soluble is this knot,
By gentleness than war. I want her love.
What were I nigher this although we dashed
Your cities into shards with catapults,
She would not love;--or brought her chained, a slave,
The lifting of whose eyelash is my lord,
Not ever would she love; but brooding turn
The book of scorn, till all my flitting chance
Were caught within the record of her wrongs,
And crushed to death: and rather, Sire, than this
I would the old God of war himself were dead,
Forgotten, rusting on his iron hills,
Rotting on some wild shore with ribs of wreck,
Or like an old-world mammoth bulked in ice,
Not to be molten out.'
And roughly spake
My father, 'Tut, you know them not, the girls.
Boy, when I hear you prate I almost think
That idiot legend credible. Look you, Sir!
Man is the hunter; woman is his game:
The sleek and shining creatures of the chase,
We hunt them for the beauty of their skins;
They love us for it, and we ride them down.
Wheedling and siding with them! Out! for shame!
Boy, there's no rose that's half so dear to them
As he that does the thing they dare not do,
Breathing and sounding beauteous battle, comes
With the air of the trumpet round him, and leaps in
767
Among the women, snares them by the score
Flattered and flustered, wins, though dashed with death
He reddens what he kisses: thus I won
You mother, a good mother, a good wife,
Worth winning; but this firebrand--gentleness
To such as her! if Cyril spake her true,
To catch a dragon in a cherry net,
To trip a tigress with a gossamer
Were wisdom to it.'
'Yea but Sire,' I cried,
'Wild natures need wise curbs. The soldier? No:
What dares not Ida do that she should prize
The soldier? I beheld her, when she rose
The yesternight, and storming in extremes,
Stood for her cause, and flung defiance down
Gagelike to man, and had not shunned the death,
No, not the soldier's: yet I hold her, king,
True woman: you clash them all in one,
That have as many differences as we.
The violet varies from the lily as far
As oak from elm: one loves the soldier, one
The silken priest of peace, one this, one that,
And some unworthily; their sinless faith,
A maiden moon that sparkles on a sty,
Glorifying clown and satyr; whence they need
More breadth of culture: is not Ida right?
They worth it? truer to the law within?
Severer in the logic of a life?
Twice as magnetic to sweet influences
Of earth and heaven? and she of whom you speak,
My mother, looks as whole as some serene
Creation minted in the golden moods
Of sovereign artists; not a thought, a touch,
But pure as lines of green that streak the white
Of the first snowdrop's inner leaves; I say,
Not like the piebald miscellany, man,
Bursts of great heart and slips in sensual mire,
But whole and one: and take them all-in-all,
Were we ourselves but half as good, as kind,
As truthful, much that Ida claims as right
Had ne'er been mooted, but as frankly theirs
As dues of Nature. To our point: not war:
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Lest I lose all.'
'Nay, nay, you spake but sense'
Said Gama. 'We remember love ourself
In our sweet youth; we did not rate him then
This red-hot iron to be shaped with blows.
You talk almost like Ida: ~she~ can talk;
And there is something in it as you say:
But you talk kindlier: we esteem you for it.-He seems a gracious and a gallant Prince,
I would he had our daughter: for the rest,
Our own detention, why, the causes weighed,
Fatherly fears--you used us courteously-We would do much to gratify your Prince-We pardon it; and for your ingress here
Upon the skirt and fringe of our fair land,
you did but come as goblins in the night,
Nor in the furrow broke the ploughman's head,
Nor burnt the grange, nor bussed the milking-maid,
Nor robbed the farmer of his bowl of cream:
But let your Prince (our royal word upon it,
He comes back safe) ride with us to our lines,
And speak with Arac: Arac's word is thrice
As ours with Ida: something may be done-I know not what--and ours shall see us friends.
You, likewise, our late guests, if so you will,
Follow us: who knows? we four may build some plan
Foursquare to opposition.'
Here he reached
White hands of farewell to my sire, who growled
An answer which, half-muffled in his beard,
Let so much out as gave us leave to go.
Then rode we with the old king across the lawns
Beneath huge trees, a thousand rings of Spring
In every bole, a song on every spray
Of birds that piped their Valentines, and woke
Desire in me to infuse my tale of love
In the old king's ears, who promised help, and oozed
All o'er with honeyed answer as we rode
And blossom-fragrant slipt the heavy dews
Gathered by night and peace, with each light air
On our mailed heads: but other thoughts than Peace
769
Burnt in us, when we saw the embattled squares,
And squadrons of the Prince, trampling the flowers
With clamour: for among them rose a cry
As if to greet the king; they made a halt;
The horses yelled; they clashed their arms; the drum
Beat; merrily-blowing shrilled the martial fife;
And in the blast and bray of the long horn
And serpent-throated bugle, undulated
The banner: anon to meet us lightly pranced
Three captains out; nor ever had I seen
Such thews of men: the midmost and the highest
Was Arac: all about his motion clung
The shadow of his sister, as the beam
Of the East, that played upon them, made them glance
Like those three stars of the airy Giant's zone,
That glitter burnished by the frosty dark;
And as the fiery Sirius alters hue,
And bickers into red and emerald, shone
Their morions, washed with morning, as they came.
And I that prated peace, when first I heard
War-music, felt the blind wildbeast of force,
Whose home is in the sinews of a man,
Stir in me as to strike: then took the king
His three broad sons; with now a wandering hand
And now a pointed finger, told them all:
A common light of smiles at our disguise
Broke from their lips, and, ere the windy jest
Had laboured down within his ample lungs,
The genial giant, Arac, rolled himself
Thrice in the saddle, then burst out in words.
'Our land invaded, 'sdeath! and he himself
Your captive, yet my father wills not war:
And, 'sdeath! myself, what care I, war or no?
but then this question of your troth remains:
And there's a downright honest meaning in her;
She flies too high, she flies too high! and yet
She asked but space and fairplay for her scheme;
She prest and prest it on me--I myself,
What know I of these things? but, life and soul!
I thought her half-right talking of her wrongs;
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I say she flies too high, 'sdeath! what of that?
I take her for the flower of womankind,
And so I often told her, right or wrong,
And, Prince, she can be sweet to those she loves,
And, right or wrong, I care not: this is all,
I stand upon her side: she made me swear it-'Sdeath--and with solemn rites by candle-light-Swear by St something--I forget her name-Her that talked down the fifty wisest men;
~She~ was a princess too; and so I swore.
Come, this is all; she will not: waive your claim:
If not, the foughten field, what else, at once
Decides it, 'sdeath! against my father's will.'
I lagged in answer loth to render up
My precontract, and loth by brainless war
To cleave the rift of difference deeper yet;
Till one of those two brothers, half aside
And fingering at the hair about his lip,
To prick us on to combat 'Like to like!
The woman's garment hid the woman's heart.'
A taunt that clenched his purpose like a blow!
For fiery-short was Cyril's counter-scoff,
And sharp I answered, touched upon the point
Where idle boys are cowards to their shame,
'Decide it here: why not? we are three to three.'
Then spake the third 'But three to three? no more?
No more, and in our noble sister's cause?
More, more, for honour: every captain waits
Hungry for honour, angry for his king.
More, more some fifty on a side, that each
May breathe himself, and quick! by overthrow
Of these or those, the question settled die.'
'Yea,' answered I, 'for this wreath of air,
This flake of rainbow flying on the highest
Foam of men's deeds--this honour, if ye will.
It needs must be for honour if at all:
Since, what decision? if we fail, we fail,
And if we win, we fail: she would not keep
Her compact.' ''Sdeath! but we will send to her,'
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Said Arac, 'worthy reasons why she should
Bide by this issue: let our missive through,
And you shall have her answer by the word.'
'Boys!' shrieked the old king, but vainlier than a hen
To her false daughters in the pool; for none
Regarded; neither seemed there more to say:
Back rode we to my father's camp, and found
He thrice had sent a herald to the gates,
To learn if Ida yet would cede our claim,
Or by denial flush her babbling wells
With her own people's life: three times he went:
The first, he blew and blew, but none appeared:
He battered at the doors; none came: the next,
An awful voice within had warned him thence:
The third, and those eight daughters of the plough
Came sallying through the gates, and caught his hair,
And so belaboured him on rib and cheek
They made him wild: not less one glance he caught
Through open doors of Ida stationed there
Unshaken, clinging to her purpose, firm
Though compassed by two armies and the noise
Of arms; and standing like a stately Pine
Set in a cataract on an island-crag,
When storm is on the heights, and right and left
Sucked from the dark heart of the long hills roll
The torrents, dashed to the vale: and yet her will
Bred will in me to overcome it or fall.
But when I told the king that I was pledged
To fight in tourney for my bride, he clashed
His iron palms together with a cry;
Himself would tilt it out among the lads:
But overborne by all his bearded lords
With reasons drawn from age and state, perforce
He yielded, wroth and red, with fierce demur:
And many a bold knight started up in heat,
And sware to combat for my claim till death.
All on this side the palace ran the field
Flat to the garden-wall: and likewise here,
Above the garden's glowing blossom-belts,
772
A columned entry shone and marble stairs,
And great bronze valves, embossed with Tomyris
And what she did to Cyrus after fight,
But now fast barred: so here upon the flat
All that long morn the lists were hammered up,
And all that morn the heralds to and fro,
With message and defiance, went and came;
Last, Ida's answer, in a royal hand,
But shaken here and there, and rolling words
Oration-like. I kissed it and I read.
'O brother, you have known the pangs we felt,
What heats of indignation when we heard
Of those that iron-cramped their women's feet;
Of lands in which at the altar the poor bride
Gives her harsh groom for bridal-gift a scourge;
Of living hearts that crack within the fire
Where smoulder their dead despots; and of those,-Mothers,--that, with all prophetic pity, fling
Their pretty maids in the running flood, and swoops
The vulture, beak and talon, at the heart
Made for all noble motion: and I saw
That equal baseness lived in sleeker times
With smoother men: the old leaven leavened all:
Millions of throats would bawl for civil rights,
No woman named: therefore I set my face
Against all men, and lived but for mine own.
Far off from men I built a fold for them:
I stored it full of rich memorial:
I fenced it round with gallant institutes,
And biting laws to scare the beasts of prey
And prospered; till a rout of saucy boys
Brake on us at our books, and marred our peace,
Masked like our maids, blustering I know not what
Of insolence and love, some pretext held
Of baby troth, invalid, since my will
Sealed not the bond--the striplings! for their sport!-I tamed my leopards: shall I not tame these?
Or you? or I? for since you think me touched
In honour--what, I would not aught of false-Is not our case pure? and whereas I know
Your prowess, Arac, and what mother's blood
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You draw from, fight; you failing, I abide
What end soever: fail you will not. Still
Take not his life: he risked it for my own;
His mother lives: yet whatsoe'er you do,
Fight and fight well; strike and strike him. O dear
Brothers, the woman's Angel guards you, you
The sole men to be mingled with our cause,
The sole men we shall prize in the after-time,
Your very armour hallowed, and your statues
Reared, sung to, when, this gad-fly brushed aside,
We plant a solid foot into the Time,
And mould a generation strong to move
With claim on claim from right to right, till she
Whose name is yoked with children's, know herself;
And Knowledge in our own land make her free,
And, ever following those two crownèd twins,
Commerce and conquest, shower the fiery grain
Of freedom broadcast over all the orbs
Between the Northern and the Southern morn.'
Then came a postscript dashed across the rest.
See that there be no traitors in your camp:
We seem a nest of traitors--none to trust
Since our arms failed--this Egypt-plague of men!
Almost our maids were better at their homes,
Than thus man-girdled here: indeed I think
Our chiefest comfort is the little child
Of one unworthy mother; which she left:
She shall not have it back: the child shall grow
To prize the authentic mother of her mind.
I took it for an hour in mine own bed
This morning: there the tender orphan hands
Felt at my heart, and seemed to charm from thence
The wrath I nursed against the world: farewell.'
I ceased; he said, 'Stubborn, but she may sit
Upon a king's right hand in thunder-storms,
And breed up warriors! See now, though yourself
Be dazzled by the wildfire Love to sloughs
That swallow common sense, the spindling king,
This Gama swamped in lazy tolerance.
When the man wants weight, the woman takes it up,
774
And topples down the scales; but this is fixt
As are the roots of earth and base of all;
Man for the field and woman for the hearth:
Man for the sword and for the needle she:
Man with the head and woman with the heart:
Man to command and woman to obey;
All else confusion. Look you! the gray mare
Is ill to live with, when her whinny shrills
From tile to scullery, and her small goodman
Shrinks in his arm-chair while the fires of Hell
Mix with his hearth: but you--she's yet a colt-Take, break her: strongly groomed and straitly curbed
She might not rank with those detestable
That let the bantling scald at home, and brawl
Their rights and wrongs like potherbs in the street.
They say she's comely; there's the fairer chance:
~I~ like her none the less for rating at her!
Besides, the woman wed is not as we,
But suffers change of frame. A lusty brace
Of twins may weed her of her folly. Boy,
The bearing and the training of a child
Is woman's wisdom.'
Thus the hard old king:
I took my leave, for it was nearly noon:
I pored upon her letter which I held,
And on the little clause 'take not his life:'
I mused on that wild morning in the woods,
And on the 'Follow, follow, thou shalt win:'
I thought on all the wrathful king had said,
And how the strange betrothment was to end:
Then I remembered that burnt sorcerer's curse
That one should fight with shadows and should fall;
And like a flash the weird affection came:
King, camp and college turned to hollow shows;
I seemed to move in old memorial tilts,
And doing battle with forgotten ghosts,
To dream myself the shadow of a dream:
And ere I woke it was the point of noon,
The lists were ready. Empanoplied and plumed
We entered in, and waited, fifty there
Opposed to fifty, till the trumpet blared
At the barrier like a wild horn in a land
775
Of echoes, and a moment, and once more
The trumpet, and again: at which the storm
Of galloping hoofs bare on the ridge of spears
And riders front to front, until they closed
In conflict with the crash of shivering points,
And thunder. Yet it seemed a dream, I dreamed
Of fighting. On his haunches rose the steed,
And into fiery splinters leapt the lance,
And out of stricken helmets sprang the fire.
Part sat like rocks: part reeled but kept their seats:
Part rolled on the earth and rose again and drew:
Part stumbled mixt with floundering horses. Down
From those two bulks at Arac's side, and down
From Arac's arm, as from a giant's flail,
The large blows rained, as here and everywhere
He rode the mellay, lord of the ringing lists,
And all the plain,--brand, mace, and shaft, and shield-Shocked, like an iron-clanging anvil banged
With hammers; till I thought, can this be he
From Gama's dwarfish loins? if this be so,
The mother makes us most--and in my dream
I glanced aside, and saw the palace-front
Alive with fluttering scarfs and ladies' eyes,
And highest, among the statues, statuelike,
Between a cymballed Miriam and a Jael,
With Psyche's babe, was Ida watching us,
A single band of gold about her hair,
Like a Saint's glory up in heaven: but she
No saint--inexorable--no tenderness-Too hard, too cruel: yet she sees me fight,
Yea, let her see me fall! and with that I drave
Among the thickest and bore down a Prince,
And Cyril, one. Yea, let me make my dream
All that I would. But that large-moulded man,
His visage all agrin as at a wake,
Made at me through the press, and, staggering back
With stroke on stroke the horse and horseman, came
As comes a pillar of electric cloud,
Flaying the roofs and sucking up the drains,
And shadowing down the champaign till it strikes
On a wood, and takes, and breaks, and cracks, and splits,
And twists the grain with such a roar that Earth
776
Reels, and the herdsmen cry; for everything
Game way before him: only Florian, he
That loved me closer than his own right eye,
Thrust in between; but Arac rode him down:
And Cyril seeing it, pushed against the Prince,
With Psyche's colour round his helmet, tough,
Strong, supple, sinew-corded, apt at arms;
But tougher, heavier, stronger, he that smote
And threw him: last I spurred; I felt my veins
Stretch with fierce heat; a moment hand to hand,
And sword to sword, and horse to horse we hung,
Till I struck out and shouted; the blade glanced,
I did but shear a feather, and dream and truth
Flowed from me; darkness closed me; and I fell.
Home they brought her warrior dead:
She nor swooned, nor uttered cry:
All her maidens, watching, said,
'She must weep or she will die.'
Then they praised him, soft and low,
Called him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.
Stole a maiden from her place,
Lightly to the warrior stept,
Took the face-cloth from the face;
Yet she neither moved nor wept.
Rose a nurse of ninety years,
Set his child upon her knee-Like summer tempest came her tears-'Sweet my child, I live for thee.'
~ Alfred Lord Tennyson,#NFDB
712:Balin And Balan
Pellam the King, who held and lost with Lot
In that first war, and had his realm restored
But rendered tributary, failed of late
To send his tribute; wherefore Arthur called
His treasurer, one of many years, and spake,
'Go thou with him and him and bring it to us,
Lest we should set one truer on his throne.
Man's word is God in man.'
His Baron said
'We go but harken: there be two strange knights
Who sit near Camelot at a fountain-side,
A mile beneath the forest, challenging
And overthrowing every knight who comes.
Wilt thou I undertake them as we pass,
And send them to thee?'
Arthur laughed upon him.
'Old friend, too old to be so young, depart,
Delay not thou for aught, but let them sit,
Until they find a lustier than themselves.'
So these departed. Early, one fair dawn,
The light-winged spirit of his youth returned
On Arthur's heart; he armed himself and went,
So coming to the fountain-side beheld
Balin and Balan sitting statuelike,
Brethren, to right and left the spring, that down,
From underneath a plume of lady-fern,
Sang, and the sand danced at the bottom of it.
And on the right of Balin Balin's horse
Was fast beside an alder, on the left
Of Balan Balan's near a poplartree.
'Fair Sirs,' said Arthur, 'wherefore sit ye here?'
Balin and Balan answered 'For the sake
Of glory; we be mightier men than all
In Arthur's court; that also have we proved;
For whatsoever knight against us came
Or I or he have easily overthrown.'
'I too,' said Arthur, 'am of Arthur's hall,
26
But rather proven in his Paynim wars
Than famous jousts; but see, or proven or not,
Whether me likewise ye can overthrow.'
And Arthur lightly smote the brethren down,
And lightly so returned, and no man knew.
Then Balin rose, and Balan, and beside
The carolling water set themselves again,
And spake no word until the shadow turned;
When from the fringe of coppice round them burst
A spangled pursuivant, and crying 'Sirs,
Rise, follow! ye be sent for by the King,'
They followed; whom when Arthur seeing asked
'Tell me your names; why sat ye by the well?'
Balin the stillness of a minute broke
Saying 'An unmelodious name to thee,
Balin, "the Savage"--that addition thine-My brother and my better, this man here,
Balan. I smote upon the naked skull
A thrall of thine in open hall, my hand
Was gauntleted, half slew him; for I heard
He had spoken evil of me; thy just wrath
Sent me a three-years' exile from thine eyes.
I have not lived my life delightsomely:
For I that did that violence to thy thrall,
Had often wrought some fury on myself,
Saving for Balan: those three kingless years
Have past--were wormwood-bitter to me. King,
Methought that if we sat beside the well,
And hurled to ground what knight soever spurred
Against us, thou would'st take me gladlier back,
And make, as ten-times worthier to be thine
Than twenty Balins, Balan knight. I have said.
Not so--not all. A man of thine today
Abashed us both, and brake my boast. Thy will?'
Said Arthur 'Thou hast ever spoken truth;
Thy too fierce manhood would not let thee lie.
Rise, my true knight. As children learn, be thou
Wiser for falling! walk with me, and move
To music with thine Order and the King.
Thy chair, a grief to all the brethren, stands
Vacant, but thou retake it, mine again!'
27
Thereafter, when Sir Balin entered hall,
The Lost one Found was greeted as in Heaven
With joy that blazed itself in woodland wealth
Of leaf, and gayest garlandage of flowers,
Along the walls and down the board; they sat,
And cup clashed cup; they drank and some one sang,
Sweet-voiced, a song of welcome, whereupon
Their common shout in chorus, mounting, made
Those banners of twelve battles overhead
Stir, as they stirred of old, when Arthur's host
Proclaimed him Victor, and the day was won.
Then Balan added to their Order lived
A wealthier life than heretofore with these
And Balin, till their embassage returned.
'Sir King' they brought report 'we hardly found,
So bushed about it is with gloom, the hall
Of him to whom ye sent us, Pellam, once
A Christless foe of thine as ever dashed
Horse against horse; but seeing that thy realm
Hath prospered in the name of Christ, the King
Took, as in rival heat, to holy things;
And finds himself descended from the Saint
Arimathan Joseph; him who first
Brought the great faith to Britain over seas;
He boasts his life as purer than thine own;
Eats scarce enow to keep his pulse abeat;
Hath pushed aside his faithful wife, nor lets
Or dame or damsel enter at his gates
Lest he should be polluted. This gray King
Showed us a shrine wherein were wonders--yea-Rich arks with priceless bones of martyrdom,
Thorns of the crown and shivers of the cross,
And therewithal (for thus he told us) brought
By holy Joseph thither, that same spear
Wherewith the Roman pierced the side of Christ.
He much amazed us; after, when we sought
The tribute, answered "I have quite foregone
All matters of this world: Garlon, mine heir,
Of him demand it," which this Garlon gave
28
With much ado, railing at thine and thee.
'But when we left, in those deep woods we found
A knight of thine spear-stricken from behind,
Dead, whom we buried; more than one of us
Cried out on Garlon, but a woodman there
Reported of some demon in the woods
Was once a man, who driven by evil tongues
From all his fellows, lived alone, and came
To learn black magic, and to hate his kind
With such a hate, that when he died, his soul
Became a Fiend, which, as the man in life
Was wounded by blind tongues he saw not whence,
Strikes from behind. This woodman showed the cave
From which he sallies, and wherein he dwelt.
We saw the hoof-print of a horse, no more.'
Then Arthur, 'Let who goes before me, see
He do not fall behind me: foully slain
And villainously! who will hunt for me
This demon of the woods?' Said Balan, 'I'!
So claimed the quest and rode away, but first,
Embracing Balin, 'Good my brother, hear!
Let not thy moods prevail, when I am gone
Who used to lay them! hold them outer fiends,
Who leap at thee to tear thee; shake them aside,
Dreams ruling when wit sleeps! yea, but to dream
That any of these would wrong thee, wrongs thyself.
Witness their flowery welcome. Bound are they
To speak no evil. Truly save for fears,
My fears for thee, so rich a fellowship
Would make me wholly blest: thou one of them,
Be one indeed: consider them, and all
Their bearing in their common bond of love,
No more of hatred than in Heaven itself,
No more of jealousy than in Paradise.'
So Balan warned, and went; Balin remained:
Who--for but three brief moons had glanced away
From being knighted till he smote the thrall,
And faded from the presence into years
Of exile--now would strictlier set himself
29
To learn what Arthur meant by courtesy,
Manhood, and knighthood; wherefore hovered round
Lancelot, but when he marked his high sweet smile
In passing, and a transitory word
Make knight or churl or child or damsel seem
From being smiled at happier in themselves-Sighed, as a boy lame-born beneath a height,
That glooms his valley, sighs to see the peak
Sun-flushed, or touch at night the northern star;
For one from out his village lately climed
And brought report of azure lands and fair,
Far seen to left and right; and he himself
Hath hardly scaled with help a hundred feet
Up from the base: so Balin marvelling oft
How far beyond him Lancelot seemed to move,
Groaned, and at times would mutter, 'These be gifts,
Born with the blood, not learnable, divine,
Beyond MY reach. Well had I foughten--well-In those fierce wars, struck hard--and had I crowned
With my slain self the heaps of whom I slew-So--better!--But this worship of the Queen,
That honour too wherein she holds him--this,
This was the sunshine that hath given the man
A growth, a name that branches o'er the rest,
And strength against all odds, and what the King
So prizes--overprizes--gentleness.
Her likewise would I worship an I might.
I never can be close with her, as he
That brought her hither. Shall I pray the King
To let me bear some token of his Queen
Whereon to gaze, remembering her--forget
My heats and violences? live afresh?
What, if the Queen disdained to grant it! nay
Being so stately-gentle, would she make
My darkness blackness? and with how sweet grace
She greeted my return! Bold will I be-Some goodly cognizance of Guinevere,
In lieu of this rough beast upon my shield,
Langued gules, and toothed with grinning savagery.'
And Arthur, when Sir Balin sought him, said
'What wilt thou bear?' Balin was bold, and asked
30
To bear her own crown-royal upon shield,
Whereat she smiled and turned her to the King,
Who answered 'Thou shalt put the crown to use.
The crown is but the shadow of the King,
And this a shadow's shadow, let him have it,
So this will help him of his violences!'
'No shadow' said Sir Balin 'O my Queen,
But light to me! no shadow, O my King,
But golden earnest of a gentler life!'
So Balin bare the crown, and all the knights
Approved him, and the Queen, and all the world
Made music, and he felt his being move
In music with his Order, and the King.
The nightingale, full-toned in middle May,
Hath ever and anon a note so thin
It seems another voice in other groves;
Thus, after some quick burst of sudden wrath,
The music in him seemed to change, and grow
Faint and far-off.
And once he saw the thrall
His passion half had gauntleted to death,
That causer of his banishment and shame,
Smile at him, as he deemed, presumptuously:
His arm half rose to strike again, but fell:
The memory of that cognizance on shield
Weighted it down, but in himself he moaned:
'Too high this mount of Camelot for me:
These high-set courtesies are not for me.
Shall I not rather prove the worse for these?
Fierier and stormier from restraining, break
Into some madness even before the Queen?'
Thus, as a hearth lit in a mountain home,
And glancing on the window, when the gloom
Of twilight deepens round it, seems a flame
That rages in the woodland far below,
So when his moods were darkened, court and King
And all the kindly warmth of Arthur's hall
Shadowed an angry distance: yet he strove
31
To learn the graces of their Table, fought
Hard with himself, and seemed at length in peace.
Then chanced, one morning, that Sir Balin sat
Close-bowered in that garden nigh the hall.
A walk of roses ran from door to door;
A walk of lilies crost it to the bower:
And down that range of roses the great Queen
Came with slow steps, the morning on her face;
And all in shadow from the counter door
Sir Lancelot as to meet her, then at once,
As if he saw not, glanced aside, and paced
The long white walk of lilies toward the bower.
Followed the Queen; Sir Balin heard her 'Prince,
Art thou so little loyal to thy Queen,
As pass without good morrow to thy Queen?'
To whom Sir Lancelot with his eyes on earth,
'Fain would I still be loyal to the Queen.'
'Yea so' she said 'but so to pass me by-So loyal scarce is loyal to thyself,
Whom all men rate the king of courtesy.
Let be: ye stand, fair lord, as in a dream.'
Then Lancelot with his hand among the flowers
'Yea--for a dream. Last night methought I saw
That maiden Saint who stands with lily in hand
In yonder shrine. All round her prest the dark,
And all the light upon her silver face
Flowed from the spiritual lily that she held.
Lo! these her emblems drew mine eyes--away:
For see, how perfect-pure! As light a flush
As hardly tints the blossom of the quince
Would mar their charm of stainless maidenhood.'
'Sweeter to me' she said 'this garden rose
Deep-hued and many-folded! sweeter still
The wild-wood hyacinth and the bloom of May.
Prince, we have ridden before among the flowers
In those fair days--not all as cool as these,
Though season-earlier. Art thou sad? or sick?
Our noble King will send thee his own leech-Sick? or for any matter angered at me?'
32
Then Lancelot lifted his large eyes; they dwelt
Deep-tranced on hers, and could not fall: her hue
Changed at his gaze: so turning side by side
They past, and Balin started from his bower.
'Queen? subject? but I see not what I see.
Damsel and lover? hear not what I hear.
My father hath begotten me in his wrath.
I suffer from the things before me, know,
Learn nothing; am not worthy to be knight;
A churl, a clown!' and in him gloom on gloom
Deepened: he sharply caught his lance and shield,
Nor stayed to crave permission of the King,
But, mad for strange adventure, dashed away.
He took the selfsame track as Balan, saw
The fountain where they sat together, sighed
'Was I not better there with him?' and rode
The skyless woods, but under open blue
Came on the hoarhead woodman at a bough
Wearily hewing. 'Churl, thine axe!' he cried,
Descended, and disjointed it at a blow:
To whom the woodman uttered wonderingly
'Lord, thou couldst lay the Devil of these woods
If arm of flesh could lay him.' Balin cried
'Him, or the viler devil who plays his part,
To lay that devil would lay the Devil in me.'
'Nay' said the churl, 'our devil is a truth,
I saw the flash of him but yestereven.
And some DO say that our Sir Garlon too
Hath learned black magic, and to ride unseen.
Look to the cave.' But Balin answered him
'Old fabler, these be fancies of the churl,
Look to thy woodcraft,' and so leaving him,
Now with slack rein and careless of himself,
Now with dug spur and raving at himself,
Now with droopt brow down the long glades he rode;
So marked not on his right a cavern-chasm
Yawn over darkness, where, nor far within,
The whole day died, but, dying, gleamed on rocks
Roof-pendent, sharp; and others from the floor,
33
Tusklike, arising, made that mouth of night
Whereout the Demon issued up from Hell.
He marked not this, but blind and deaf to all
Save that chained rage, which ever yelpt within,
Past eastward from the falling sun. At once
He felt the hollow-beaten mosses thud
And tremble, and then the shadow of a spear,
Shot from behind him, ran along the ground.
Sideways he started from the path, and saw,
With pointed lance as if to pierce, a shape,
A light of armour by him flash, and pass
And vanish in the woods; and followed this,
But all so blind in rage that unawares
He burst his lance against a forest bough,
Dishorsed himself, and rose again, and fled
Far, till the castle of a King, the hall
Of Pellam, lichen-bearded, grayly draped
With streaming grass, appeared, low-built but strong;
The ruinous donjon as a knoll of moss,
The battlement overtopt with ivytods,
A home of bats, in every tower an owl.
Then spake the men of Pellam crying 'Lord,
Why wear ye this crown-royal upon shield?'
Said Balin 'For the fairest and the best
Of ladies living gave me this to bear.'
So stalled his horse, and strode across the court,
But found the greetings both of knight and King
Faint in the low dark hall of banquet: leaves
Laid their green faces flat against the panes,
Sprays grated, and the cankered boughs without
Whined in the wood; for all was hushed within,
Till when at feast Sir Garlon likewise asked
'Why wear ye that crown-royal?' Balin said
'The Queen we worship, Lancelot, I, and all,
As fairest, best and purest, granted me
To bear it!' Such a sound (for Arthur's knights
Were hated strangers in the hall) as makes
The white swan-mother, sitting, when she hears
A strange knee rustle through her secret reeds,
Made Garlon, hissing; then he sourly smiled.
'Fairest I grant her: I have seen; but best,
Best, purest? THOU from Arthur's hall, and yet
34
So simple! hast thou eyes, or if, are these
So far besotted that they fail to see
This fair wife-worship cloaks a secret shame?
Truly, ye men of Arthur be but babes.'
A goblet on the board by Balin, bossed
With holy Joseph's legend, on his right
Stood, all of massiest bronze: one side had sea
And ship and sail and angels blowing on it:
And one was rough with wattling, and the walls
Of that low church he built at Glastonbury.
This Balin graspt, but while in act to hurl,
Through memory of that token on the shield
Relaxed his hold: 'I will be gentle' he thought
'And passing gentle' caught his hand away,
Then fiercely to Sir Garlon 'Eyes have I
That saw today the shadow of a spear,
Shot from behind me, run along the ground;
Eyes too that long have watched how Lancelot draws
From homage to the best and purest, might,
Name, manhood, and a grace, but scantly thine,
Who, sitting in thine own hall, canst endure
To mouth so huge a foulness--to thy guest,
Me, me of Arthur's Table. Felon talk!
Let be! no more!'
But not the less by night
The scorn of Garlon, poisoning all his rest,
Stung him in dreams. At length, and dim through leaves
Blinkt the white morn, sprays grated, and old boughs
Whined in the wood. He rose, descended, met
The scorner in the castle court, and fain,
For hate and loathing, would have past him by;
But when Sir Garlon uttered mocking-wise;
'What, wear ye still that same crown-scandalous?'
His countenance blackened, and his forehead veins
Bloated, and branched; and tearing out of sheath
The brand, Sir Balin with a fiery 'Ha!
So thou be shadow, here I make thee ghost,'
Hard upon helm smote him, and the blade flew
Splintering in six, and clinkt upon the stones.
Then Garlon, reeling slowly backward, fell,
And Balin by the banneret of his helm
35
Dragged him, and struck, but from the castle a cry
Sounded across the court, and--men-at-arms,
A score with pointed lances, making at him-He dashed the pummel at the foremost face,
Beneath a low door dipt, and made his feet
Wings through a glimmering gallery, till he marked
The portal of King Pellam's chapel wide
And inward to the wall; he stept behind;
Thence in a moment heard them pass like wolves
Howling; but while he stared about the shrine,
In which he scarce could spy the Christ for Saints,
Beheld before a golden altar lie
The longest lance his eyes had ever seen,
Point-painted red; and seizing thereupon
Pushed through an open casement down, leaned on it,
Leapt in a semicircle, and lit on earth;
Then hand at ear, and harkening from what side
The blindfold rummage buried in the walls
Might echo, ran the counter path, and found
His charger, mounted on him and away.
An arrow whizzed to the right, one to the left,
One overhead; and Pellam's feeble cry
'Stay, stay him! he defileth heavenly things
With earthly uses'--made him quickly dive
Beneath the boughs, and race through many a mile
Of dense and open, till his goodly horse,
Arising wearily at a fallen oak,
Stumbled headlong, and cast him face to ground.
Half-wroth he had not ended, but all glad,
Knightlike, to find his charger yet unlamed,
Sir Balin drew the shield from off his neck,
Stared at the priceless cognizance, and thought
'I have shamed thee so that now thou shamest me,
Thee will I bear no more,' high on a branch
Hung it, and turned aside into the woods,
And there in gloom cast himself all along,
Moaning 'My violences, my violences!'
But now the wholesome music of the wood
Was dumbed by one from out the hall of Mark,
A damsel-errant, warbling, as she rode
36
The woodland alleys, Vivien, with her Squire.
'The fire of Heaven has killed the barren cold,
And kindled all the plain and all the wold.
The new leaf ever pushes off the old.
The fire of Heaven is not the flame of Hell.
'Old priest, who mumble worship in your quire-Old monk and nun, ye scorn the world's desire,
Yet in your frosty cells ye feel the fire!
The fire of Heaven is not the flame of Hell.
'The fire of Heaven is on the dusty ways.
The wayside blossoms open to the blaze.
The whole wood-world is one full peal of praise.
The fire of Heaven is not the flame of Hell.
'The fire of Heaven is lord of all things good,
And starve not thou this fire within thy blood,
But follow Vivien through the fiery flood!
The fire of Heaven is not the flame of Hell!'
Then turning to her Squire 'This fire of Heaven,
This old sun-worship, boy, will rise again,
And beat the cross to earth, and break the King
And all his Table.'
Then they reached a glade,
Where under one long lane of cloudless air
Before another wood, the royal crown
Sparkled, and swaying upon a restless elm
Drew the vague glance of Vivien, and her Squire;
Amazed were these; 'Lo there' she cried--'a crown-Borne by some high lord-prince of Arthur's hall,
And there a horse! the rider? where is he?
See, yonder lies one dead within the wood.
Not dead; he stirs!--but sleeping. I will speak.
Hail, royal knight, we break on thy sweet rest,
Not, doubtless, all unearned by noble deeds.
But bounden art thou, if from Arthur's hall,
To help the weak. Behold, I fly from shame,
A lustful King, who sought to win my love
Through evil ways: the knight, with whom I rode,
37
Hath suffered misadventure, and my squire
Hath in him small defence; but thou, Sir Prince,
Wilt surely guide me to the warrior King,
Arthur the blameless, pure as any maid,
To get me shelter for my maidenhood.
I charge thee by that crown upon thy shield,
And by the great Queen's name, arise and hence.'
And Balin rose, 'Thither no more! nor Prince
Nor knight am I, but one that hath defamed
The cognizance she gave me: here I dwell
Savage among the savage woods, here die-Die: let the wolves' black maws ensepulchre
Their brother beast, whose anger was his lord.
O me, that such a name as Guinevere's,
Which our high Lancelot hath so lifted up,
And been thereby uplifted, should through me,
My violence, and my villainy, come to shame.'
Thereat she suddenly laughed and shrill, anon
Sighed all as suddenly. Said Balin to her
'Is this thy courtesy--to mock me, ha?
Hence, for I will not with thee.' Again she sighed
'Pardon, sweet lord! we maidens often laugh
When sick at heart, when rather we should weep.
I knew thee wronged. I brake upon thy rest,
And now full loth am I to break thy dream,
But thou art man, and canst abide a truth,
Though bitter. Hither, boy--and mark me well.
Dost thou remember at Caerleon once-A year ago--nay, then I love thee not-Ay, thou rememberest well--one summer dawn-By the great tower--Caerleon upon Usk-Nay, truly we were hidden: this fair lord,
The flower of all their vestal knighthood, knelt
In amorous homage--knelt--what else?--O ay
Knelt, and drew down from out his night-black hair
And mumbled that white hand whose ringed caress
Had wandered from her own King's golden head,
And lost itself in darkness, till she cried-I thought the great tower would crash down on both-"Rise, my sweet King, and kiss me on the lips,
38
Thou art my King." This lad, whose lightest word
Is mere white truth in simple nakedness,
Saw them embrace: he reddens, cannot speak,
So bashful, he! but all the maiden Saints,
The deathless mother-maidenhood of Heaven,
Cry out upon her. Up then, ride with me!
Talk not of shame! thou canst not, an thou would'st,
Do these more shame than these have done themselves.'
She lied with ease; but horror-stricken he,
Remembering that dark bower at Camelot,
Breathed in a dismal whisper 'It is truth.'
Sunnily she smiled 'And even in this lone wood,
Sweet lord, ye do right well to whisper this.
Fools prate, and perish traitors. Woods have tongues,
As walls have ears: but thou shalt go with me,
And we will speak at first exceeding low.
Meet is it the good King be not deceived.
See now, I set thee high on vantage ground,
From whence to watch the time, and eagle-like
Stoop at thy will on Lancelot and the Queen.'
She ceased; his evil spirit upon him leapt,
He ground his teeth together, sprang with a yell,
Tore from the branch, and cast on earth, the shield,
Drove his mailed heel athwart the royal crown,
Stampt all into defacement, hurled it from him
Among the forest weeds, and cursed the tale,
The told-of, and the teller.
That weird yell,
Unearthlier than all shriek of bird or beast,
Thrilled through the woods; and Balan lurking there
(His quest was unaccomplished) heard and thought
'The scream of that Wood-devil I came to quell!'
Then nearing 'Lo! he hath slain some brother-knight,
And tramples on the goodly shield to show
His loathing of our Order and the Queen.
My quest, meseems, is here. Or devil or man
Guard thou thine head.' Sir Balin spake not word,
But snatched a sudden buckler from the Squire,
And vaulted on his horse, and so they crashed
39
In onset, and King Pellam's holy spear,
Reputed to be red with sinless blood,
Redded at once with sinful, for the point
Across the maiden shield of Balan pricked
The hauberk to the flesh; and Balin's horse
Was wearied to the death, and, when they clashed,
Rolling back upon Balin, crushed the man
Inward, and either fell, and swooned away.
Then to her Squire muttered the damsel 'Fools!
This fellow hath wrought some foulness with his Queen:
Else never had he borne her crown, nor raved
And thus foamed over at a rival name:
But thou, Sir Chick, that scarce hast broken shell,
Art yet half-yolk, not even come to down-Who never sawest Caerleon upon Usk-And yet hast often pleaded for my love-See what I see, be thou where I have been,
Or else Sir Chick--dismount and loose their casques
I fain would know what manner of men they be.'
And when the Squire had loosed them, 'Goodly!--look!
They might have cropt the myriad flower of May,
And butt each other here, like brainless bulls,
Dead for one heifer!
Then the gentle Squire
'I hold them happy, so they died for love:
And, Vivien, though ye beat me like your dog,
I too could die, as now I live, for thee.'
'Live on, Sir Boy,' she cried. 'I better prize
The living dog than the dead lion: away!
I cannot brook to gaze upon the dead.'
Then leapt her palfrey o'er the fallen oak,
And bounding forward 'Leave them to the wolves.'
But when their foreheads felt the cooling air,
Balin first woke, and seeing that true face,
Familiar up from cradle-time, so wan,
Crawled slowly with low moans to where he lay,
And on his dying brother cast himself
Dying; and HE lifted faint eyes; he felt
One near him; all at once they found the world,
40
Staring wild-wide; then with a childlike wail
And drawing down the dim disastrous brow
That o'er him hung, he kissed it, moaned and spake;
'O Balin, Balin, I that fain had died
To save thy life, have brought thee to thy death.
Why had ye not the shield I knew? and why
Trampled ye thus on that which bare the Crown?'
Then Balin told him brokenly, and in gasps,
All that had chanced, and Balan moaned again.
'Brother, I dwelt a day in Pellam's hall:
This Garlon mocked me, but I heeded not.
And one said "Eat in peace! a liar is he,
And hates thee for the tribute!" this good knight
Told me, that twice a wanton damsel came,
And sought for Garlon at the castle-gates,
Whom Pellam drove away with holy heat.
I well believe this damsel, and the one
Who stood beside thee even now, the same.
"She dwells among the woods" he said "and meets
And dallies with him in the Mouth of Hell."
Foul are their lives; foul are their lips; they lied.
Pure as our own true Mother is our Queen."
'O brother' answered Balin 'woe is me!
My madness all thy life has been thy doom,
Thy curse, and darkened all thy day; and now
The night has come. I scarce can see thee now.
Goodnight! for we shall never bid again
Goodmorrow--Dark my doom was here, and dark
It will be there. I see thee now no more.
I would not mine again should darken thine,
Goodnight, true brother.
Balan answered low
'Goodnight, true brother here! goodmorrow there!
We two were born together, and we die
Together by one doom:' and while he spoke
Closed his death-drowsing eyes, and slept the sleep
With Balin, either locked in either's arm.
41
~ Alfred Lord Tennyson,#NFDB
713: Book VI: The Book of the Chieftains
Then as from common hills great Pelion rises to heaven
So from the throng uprearing a brow that no crown could ennoble,
Male and kingly of front like a lion conscious of puissance
Rose a form august, the monarch great Agamemnon.
Wroth he rose yet throwing a rein on the voice of his passion,
Governing the beast and the demon within by the god who is mighty.
Happy thy life and my fame that thou comst with the aegis of heaven
Shadowing thy hoary brows, thou herald of pride and of insult.
Well is it too for his days who sent thee that other and nobler
Heaven made my heart than his who insults and a voice of the immortals
Cries to my soul forbidding its passions. O hardness of virtue,
Thus to be seized and controlled as in fetters by Zeus and Athene.
Free is the peasant to smite in the pastures the mouth that has wronged him,
Chained in his soul is Atrides. Bound by their debt to the fathers,
Curbed by the god in them painfully move the lives of the noble,
Forced to obey the eye that watches within in their bosoms.
Ever since Zeus Cronion turned in our will towards the waters,
Scourged by the heavens in my dearest, wronged by men and their clamours,
Griefs untold I have borne in Argos and Aulis and Troas,
Yoked to this sacred toil of the Greeks for their children and country,
Bound by the gods to a task that is heavy, a load that is bitter.
Seeing the faces of foes in the mask of friends I was silent.
Hateful I hold him who sworn to a cause that is holy and common
Broods upon private wrongs or serving his lonely ambition
Studies to reap his gain from the labour and woe of his fellows.
Mire is the man who hears not the gods when they cry to his bosom.
Grief and wrath I coerced nor carried my heart to its record
All that has hurt its chords and wounded the wings of my spirit.
Nobler must kings be than natures of earth on whom Zeus lays no burden.
Other is Peleus son than the race of his Aeacid fathers,
Nor like his sire of the wise-still heart far-sighted and patient
Bearing the awful rein of the gods, but hastes to his longings,
Dire in his wrath and pursued by the band of his giant ambitions.
Measure and virtue forsake him as Ate grows in his bosom.
Yet not for tyrant wrong nor to serve as a sword for our passions
Zeus created our strength, but that earth might have help from her children.
Not of our moulding its gifts to our soul nor were formed by our labour!
When did we make them, where were they forged, in what workshop or furnace?
Found in what aeon of Time, that pride should bewilder the mortal?
Bowed to our will are the folk and our prowess dreadful and godlike?
Shadows are these of the gods which the deep heavens cast on our spirits.
Transient, we made not ourselves, but at birth from the first we were fashioned
Valiant or fearful and as was our birth by the gods and their thinkings
Formed, so already enacted and fixed by their wills are our fortunes.
What were the strength of Atrides and what were the craft of Odysseus
Save for their triumphing gods? They would fail and be helpless as infants.
Stronger a woman, wiser a child were favoured by Heaven.
Ceased not Sarpedon slain who was son of Zeus and unconquered?
Not to Achilles he fell, but Fate and the gods were his slayers.
Kings, to the arrogant shaft that was launched, the unbearable insult,
Armoured wisdoms oppose, let not Ate seize on your passions.
Be not as common souls, O you who are Greece and her fortunes,
Nor of your spirits of wrath take counsel but of Athene.
Merit the burden laid by Zeus, his demand from your natures
Suffer, O hearts of his seed, O souls who are chosen and mighty,
All forgetting but Greece and her good; resolve what is noble.
I will not speak nor advise, for tis known we are rivals and foemen.
Calmed by his words and his will he sat down mighty and kinglike;
But Menelaus arose, the Spartan, the husb and of Helen,
Atreus younger son from a lesser womb, in his brilliance
Dwarfed by the others port, yet tall was he, gracile and splendid,
As if a panther might hunt by a lions side in the forest.
Smiting his thigh with his firm-clenched hand he spoke mid the Argives:
Woe to me, shameless, born to my country a cause of affliction,
Since for my sake all wrongs must be borne and all shames be encountered;
And for my sake you have spun through the years down the grooves of disaster
Bearing the shocks of the Trojans and ravaged by Zeus and by Hector,
Slaughtered by Rhesus and Memnon, Sarpedon and Penthesilea;
Or by the Archer pierced, the hostile dreadful Apollo,
Evilly end the days of the Greeks remote from their kindred
Slain on an alien soil by Asian Xanthus and Ida.
Doomed to the pyre we have toiled for a woman ungracious who left us
Passing serenely my portals to joy in the chambers of Troya.
Here let it cease, O my brother! how much wilt thou bear for this graceless
Child of thy sire, cause still of thy griefs and never of blessing?
Easily Zeus afflicts who trouble their hearts for a woman;
But in our ships that sailed close-fraught with this dolorous Ate
Worse was the bane they bore which King Peleus begot on white Thetis.
Evil ever was sown by the embrace of the gods with a mortal!
Alien a portent is born and a breaker of men and their labours,
One who afflicts with his light or his force mortalitys weakness
Stripping for falsehoods their verities, shaking the walls they erected.
Hostile all things the scourge divine overbears or, if helpful,
Neither without him his fellows can prosper, nor will his spirit
Fit in the frame of things earthly but shatters their rhythm and order
Rending the measures just that the wise have decreed for our growing.
So have our mortal plannings broken on this fateful Achilles
And with our blood and our anguish Heaven has fostered his greatness.
It is enough; let the dire gods choose between Greece and their offspring.
Even as he bids us, aloof let our hosts twixt the ships and the Xanthus
Stand from the shock and the cry where Hellene meets with Eoan,
Troy and Phthia locked, Achilles and Penthesilea,
Nor any more than watchers care who line an arena;
Calm like the impartial gods, approve the bravest and swiftest.
Sole let him fight! The fates shall preserve him he vaunts of or gather,
Even as death shall gather us all for memorys clusters,
All in their day who were great or were little, heroes or cowards.
So shall he slay or be slain, a boon to mankind and his country.
Since if he mow down this flower of bale, this sickle by Hades
Whirled if he break,for the high gods ride on the hiss of his spear-shaft,
Ours is the gain who shall break rejoicing through obdurate portals
Praising Pallas alone and Hera daughter of Heaven.
But if he sink in this last of his fights, as they say it is fated,
Nor do I deem that the man has been born in Asia or Hellas
Who in the dreadful field can prevail against Penthesilea,
If to their tents the Myrmidons fleeing cumber the meadows
Slain by a girl in her speed and leaving the corpse of their leader,
Ours is the gain, we are rid of a shame and a hate and a danger.
True is it, Troy shall exultant live on in the shadow of Ida,
Yet shall our hearts be light because earth is void of Achilles.
And for the rest of the infinite loss, what we hoped, what we suffered,
Let it all go, let the salt floods swallow it, fate and oblivion
Bury it out in the night; let us sail oer the waves to our country
Leaving Helen in Troy since the gods are the friends of transgressors.
So Menelaus in anger and grief miscounselled the Argives.
Great Idomeneus next, the haughty king of the Cretans,
Raised his brow of pride in the lofty Argive assembly.
Tall like a pine that stands up on the slope of Thessalian mountains
Overpeering a cascades edge and is seen from the valleys,
Such he seemed to their eyes who remembered Greece and her waters,
Heard in their souls the torrents leap and the wind on the hill-tops.
Oft have I marvelled, O Greeks, to behold in this levy of heroes
Armies so many, chieftains so warlike suffer in silence
Pride of a single man when he thunders and lightens in Troas.
Doubtless the nations that follow his cry are many and valiant,
Doubtless the winds of the north have made him a runner and spearman.
Shall not then force be the King? is not strength the seal of the Godhead?
This my soul replies, Agamemnon the Atreid only
Choosing for leader and king I have come to the toil and the warfare.
Wisdom and greatness he owns and the wealth and renown of his fathers.
But for this whelp of the northlands, nursling of rocks and the sea-cliff
Who with his bleak and rough-hewn Myrmidons hastes to the carnage,
Leader of wolves to their prey, not the king of a humanised nation,
Not to such head of the cold-drifting mist and the gloom-vigilled Chaos,
Crude to our culture and light and void of our noble fulfilments
Minos shall bend his knee nor Crete, a barbarians vassal,
Stain her old glories. Oh, but he boasts of a goddess for mother
Born in the senseless seas mid the erring wastes of the Ocean,
White and swift and foam-footed, vast Oceanus daughter.
Gods we adore enough in the heavens, and if from us Hades
Claim one more of this breed, we can bear that excess of his glories,
Not upon earth these new-born deities huge-passioned, sateless
Who with their mouth as of Orcus and stride of the ruinous Ocean
Sole would be seen mid her sons and devour all lifes joy and its greatness.
Millions must empty their lives that a man may oershadow the nations,
Numberless homes must weep, but his hunger of glory is sated!
Troy shall descend to the shadow; gods and men have condemned her,
Weary, hating her fame. Her dreams, her grandeur, her beauty,
All her greatness and deeds that now end in miserable ashes,
Ceasing shall fade and be as a tale that was forged by the poets.
Only a name shall go down from her past and the woe of her ending
Naked to hatred and rapine and punished with rape and with slaughter.
Never again must marble pride high-domed on her hill-top
Look forth dominion and menace over the crested Aegean
Shadowing Achaia. Fire shall abolish the fame of her ramparts,
Earth her foundations forget. Shall she stand affronting the azure?
Dire in our path like a lioness once again must we meet her,
Leap and roar of her led by the spear of Achilles, not Hector?
Asia by Peleus guided shall stride on us after Antenor?
Though one should plan in the night of his thoughts where no eye can pursue him,
Instincts of men discover their foe and like hounds in the darkness
Bay at a danger hid. No silence of servitude trembling
Trains to bondage sons of the race of whom Aeolus father
Storm-voiced was and free, nor like other groupings of mortals
Moulded we were by Zeus, but supremely were sifted and fashioned.
Other are Danaus sons and other the lofty Achaians:
Chainless like Natures tribes in their many-voiced colonies founded
They their god-given impulse shall keep and their natures of freedom.
Only themselves shall rule them, only their equal spirits
Bowed to the voice of a law that is just, obeying their leaders,
Awed by the gods. So with order and balance and harmony noble
Life shall move golden, free in its steps and just in its measure,
Glad of a manhood complete, by excess and defect untormented.
Freedom is life to the Argive soul, to Aeolias peoples.
Dulled by a yoke our nations would perish, or live but as shadows,
Changed into phantoms of men with the name of a Greek for a byword.
Not like the East and her sons is our race, they who bow to a mortal.
Gods there may be in this flesh that suffers and dies; Achaia
Knows them not. Need if he feels of a world to endure and adore him,
Hearts let him seek that are friends with the dust, overpowered by their heavens,
Here in these Asian vastnesses, here where the heats and the perfumes
Sicken the soul and the sense and a soil of indolent plenty
Breeds like the corn in its multitudes natures accustomed to thraldom.
Here let the northern Achilles seek for his slaves and adorers,
Not in the sea-ringed isles and not in the mountains Achaian.
Ten long years of the shock and the war-cry twixt rampart and ocean
Hurting our hearts we have toiled; shall they reap not their ease in the vengeance?
Troas is sown with the lives of our friends and with ashes remembered;
Shall not Meriones slain be reckoned in blood and in treasure?
Cretan Idomeneus girt with the strength of his iron retainers
Slaying and burning will stride through the city of music and pleasure,
Babes of her blood borne high on the spears at the head of my column,
Wives of her princes dragged through her streets in its pomp to their passion,
Gold of Troy stream richly past in the gaze of Achilles.
Then let him threaten my days, then rally the might of his triumphs,
Yet shall a Cretan spear make search in his heart for his godhead.
Limbs of this god can be pierced; not alone shall I fleet down to Hades.
After him rose from the throng the Locrian, swift-footed Ajax.
Kings of the Greeks, throw a veil on your griefs, lay a curb on your anger.
Moved mans tongue in its wrath looses speech that is hard to be pardoned,
Afterwards stilled we regret, we forgive. If all were resented,
None could live on this earth that is thick with our stumblings. Always
This is the burden of man that he acts from his heart and his passions,
Stung by the goads of the gods he hews at the ties that are dearest.
Lust was the guide they sent us, wrath was a whip for his coursers,
Madness they made the hearts comrade, repentance they gave for its scourger.
This too our hearts demand that we bear with our friend when he chides us.
Insult forgive from the noble embittered soul of Achilles!
When with the scorn and the wrath of a lover our depths are tormented,
Who shall forbid the cry and who shall measure the anguish?
Sharper the pain that looses the taunt than theirs who endure it.
Rage has wept in my blood as I lived through the flight oer the pastures,
Shame coils a snake in my back when thought whispers of Penthesilea.
Bright shine his morns if he mows down this hell-bitch armed by the Furies!
But for this shaft of his pity it came from a lesser Pelides,
Not from the slayer of Hector, not from the doom of Sarpedon,
Memnons mighty oerthrower, the blood-stained splendid Achilles.
These are the Trojan snares and the fateful smile of a woman!
This thing the soul of a man shall not bear that blood of his labour
Vainly has brought him victory leaving life to the hated;
This is a wound to our race that a Greek should whisper of mercy.
Who can pardon a foe though a god should descend to persuade him?
Justice is first of the gods, but for Pity twas spawned by a mortal,
Pity that only disturbs Gods measures and false and unrighteous
Holds man back from the joy he might win and troubles his bosom.
Troy has a debt to our hearts; she shall pay it all down to the obol,
Blood of the fall and anguish of flight when the heroes are slaughtered,
Days without joy while we labour and see not the eyes of our parents,
Toil of the war-cry, nights that drag past upon alien beaches,
Helen ravished, Paris triumphant, endless the items
Crowd on a wrath in the memory, kept as in bronze the credit
Stretches out long and blood-stained and savage. Most for the terror
Graved in the hearts of our fathers that still by our youth is remembered,
Hellas waiting and crouching, dreading the spear of the Trojan,
Flattering, sending gifts and pale in her mortal anguish,
Agony long of a race at the mercy of iron invaders,
This she shall pay most, the city of pride, the insolent nation,
Pay with her temples charred and her golden mansions in ruins,
Pay with the shrieks of her ravished virgins, the groans of the aged
Burned in their burning homes for our holiday. Music and dancing
Shall be in Troy of another sort than she loved in her greatness
Merry with conquered gold and insulting the world with her flutings.
All that she boasted of, statue and picture, all shall be shattered;
Out of our shame she chiselled them, rich with our blood they were coloured.
This not the gods from Olympus crowding, this not Achilles,
This not your will, O ye Greeks, shall deny to the Locrian Ajax.
Even though Pallas divine with her aegis counselling mercy
Cumbered my path, I would push her aside to leap on my victims.
Learn shall all men on that day how a warrior deals with his foemen.
Darting flames from his eyes the barbarian sate, and there rose up
Frowning Tydeus son, the Tirynthian, strong Diomedes.
Ajax Oileus, thy words are foam on the lips of a madman.
Cretan Idomeneus, silence the vaunt that thy strength can fulfil not.
Strong art thou, fearless in battle, but not by thy spear-point, O hero,
Hector fell, nor Sarpedon, nor Troilus leading the war-cry.
These were Achilles deeds which a god might have done out of heaven.
Him we upbraid who saved, nor would any now who revile him
Still have a living tongue for ingratitude but for the hero.
Much to the man forgive who has saved his race and his country:
Him shall the termless centuries praise when we are forgotten.
Curb then your speech, crush down in your hearts the grief and the choler;
Has not Atrides curbed who is greatest of all in our nations
Wrath in the heart and the words that are winged for our bale from our bosoms?
For as a load to be borne were these passions given to mortals.
Honour Achilles, conquer Troy by his god-given valour.
Now of our discords and griefs debate not for joy of our foemen!
First over Priams corpse stand victors in Ilions ramparts;
Discord then let arise or concord solder our nations.
Rugged words and few as fit for the soul that he harboured
Great Tydides spoke and ceased; and there rose up impatient
Tall from the spears of the north the hero king Prothonor,
Prince in Cadmeian Thebes who with Leitus led on his thousands.
Loudly thou vauntest thy freedom Ionian Minos recalling,
Lord of thy southern isles who gildst with tri bute Mycenae.
We have not bowed our neck to Pelops line, at Argos
Iron heel have not crouched, nor clasped like thy time-wearied nations,
Python-befriended, gripped in the coils of an iron protection,
Bondage soothed by a name and destruction masked as a helper.
We are the young and lofty and free-souled sons of the Northland.
Nobly Peleus, the Aeacid, seer of a vaster Achaia,
Pride of his strength and his deeds renouncing for joy of that vision,
Yielded his hoary right to the sapling stock of Atrides.
Noble, we gave to that nobleness freely our grandiose approval.
Not as a foe then, O King, who angered sharpens his arrows,
Fits his wrath and hate to the bow and aims at the heart-strings
But from the Truth that is seated within me compelling my accents,
Taught by my fathers stern not to lie nor to hide what I harbour,
Truth the goddess I speak, nor constrain the voice in my bosom.
Monarch, I own thee first of the Greeks save in valour and counsel,
Brave, but less than Achilles, wise, but not as Odysseus,
First still in greatness and calm and majesty. Yet, Agamemnon,
Love of thy house and thy tribe disfigures the king in thy nature;
Thou thy brother preferrest, thy friends and thy nations unjustly,
Even as a common man whose heart is untaught by Athene,
Beastlike favours his brood forgetting the law of the noble.
Therefore Ajax grew wroth and Teucer sailing abandoned
Over the angry seas this fierce-locked toil of the nations;
Therefore Achilles has turned in his soul and gazed towards the Orient.
Yet are we fixed in our truth like hills in heaven, Atrides;
Greece and her safety and good our passions strive to remember.
Not of this stamp was thy brothers speech; such words Lacedaemon
Hearing may praise in her kings; we speak not in Thebes what is shameful.
Shamefuller thoughts have never escaped from lips that were high-born.
We will not send forth earths greatest to die in a friendless battle,
Nor will forsake the daughter of Zeus and white glory of Hellas,
Helen the golden-haired Tyndarid, left for the joy of our foemen,
Chained to Paris delight, earths goddess the slave of the Phrygian,
Though Menelaus the Spartan abandon his wife to the Trojans
And from the field where he lavished the unvalued blood of his people
Flee to a hearth dishonoured. Not the Atreids sullied grandeurs,
Greece to defend we have toiled through the summers and lingering autumns
Blind with our blood; for our country we bleed repelling her foemen.
Dear is that loss to our veins and still that expense we would lavish
Claiming its price from the heavens, though thou sail with thy brother and cohorts.
Weakling, flee! take thy southern ships, take thy Spartan levies.
Still will the Greeks fight on in the Troad helped by thy absence.
For though the beaches vast grow empty, the tents can be numbered
Standing friendless and few on the huge and hostile champaign,
Always a few will be left whom the threatenings of Fate cannot conquer,
Always souls are born whose courage waits not on fortune;
Hellas heart will be firm confronting the threat of the victor,
Sthenelus war and Tydides, Odysseus and Locrian Ajax,
Thebes unconquered sons and the hero chiefs of the northland.
Stern and persistent as Time or the seas and as deaf to affliction
We will clash on in the fight unsatisfied, fain of the war-cry,
Helped by the gods and our cause through the dawns and the blood-haunted evenings,
Rising in armour with morn and outstaying the red of the sunset,
Till in her ashes Troy forgets that she lusted for empire
Or in our own the honour and valour of Greece are extinguished.
So Prothonor spoke nor pleased with his words Agamemnon;
But to the northern kings they were summer rain on the visage.
Last Laertes son, the Ithacan, war-wise Odysseus,
Rose up wide-acclaimed; like an oak was he stunted in stature,
Broad-shouldered, firm-necked, lone and sufficient, as on some island
Regnant one peak whose genial streams flow down to the valley,
Dusk on its slopes are the olives, the storms butt in vain at its shoulders,
Such he stood and pressed the earth with his feet like one vanquished,
Striving, but held to his will. So Atlas might seem were he mortal,
Atlas whose vastness free from impatience suffers the heavens,
Suffering spares the earth, the thought-haunted motionless Titan,
Bearer of worlds. In those jarring tribes no man was his hater;
For as the Master of all guides humanity, so this Odysseus
Dealt with men and helped and guided them, careful and selfless,
Crafty, tender and wise,like the Master who bends oer His creatures,
Suffers their sins and their errors and guides them screening the guidance;
Each through his nature He leads and the world by the lure of His wisdom.
Princes of Argolis, chiefs of the Locrians, spears of the northland,
Warriors vowed to a sacred hate and a vengeance thats holy,
Sateless still is that hate, that vengeance cries for its victims,
Still is the altar unladen, the priest yet waits with the death-knife.
Who while the rites are unfinished, the god unsatisfied, impious
Turns in his heart to the feuds of his house and his strife with his equals?
None will approve the evil that fell from the younger Atrides;
But it was anger and sorrow that spoke, it was not Menelaus.
Who would return from Troy and arrive with his war-wasted legions
Back to his home in populous city or orcharded island;
There from his ships disembarked look round upon eyes that grow joyless
Seeking a father or husb and slain, a brother heart-treasured,
Mothers in tears for their children, and when he is asked, O our chieftain,
What dost thou bring back in place of our dead to fill hearts that are empty?
Who then will say, I bring back my shame and the shame of my nation;
Troy yet stands confronting her skies and Helen in Troya?
Not for such foil will I go back to Ithaca or to Laertes,
Rather far would I sail in my ships past southern Cythera,
Turning away in silence from waters where on some headland
Gazing south oer the waves my father waits for my coming,
Leaving Sicilys shores and on through the pillars of Gades.
Far I would sail whence sound of me never should come to Achaia
Out into tossing worlds and weltering reaches of tempest
Dwarfing the swell of the wide-wayed Aegean,Oceans unbounded
Either by cliff or by sandy margin, only the heavens
Ever receding before my keel as it ploughs on for ever
Frail and alone in a world of waves. Even there would I venture
Seeking some island unknown, not return with shame to my fathers.
Well might they wonder how souls like theirs begot us for their offspring.
Fighters war-afflicted, champions banded by heaven,
Wounds and defeat you have borne; bear too their errors who lead you.
Mortals are kings and have hearts; our leaders too have their passions.
Then if they err, yet still obey lest anarchy fostered,
Discord and deaf rebellion that speed like a poison through kingdoms,
Break all this army in pieces while Ate mocking at mortals
Trails to a shameful end this lofty essay of the nations.
Who among men has not thoughts that he holds for the wisest, though foolish?
Who, though feeble and nought, esteems not his strength oer his fellows?
Therefore the wisest and strongest choose out a king and a leader,
Not as a perfect arbiter armed with impossible virtues
Far oer our heads and our ken like a god high-judging his creatures,
But as a man among men who is valiant, wise and far-seeing,
One of ourselves and the knot of our wills and the sword of our action.
Him they advise and obey and cover his errors with silence.
Not Agamemnon the Atreid, Greeks, we obey in this mortal;
Greece we obey; for she walks in his gait and commands by his gestures.
Evil he works then who loosens this living knot of Achaia;
Falling apart from his nation who, wed to a solitary virtue,
Deeming he does but right, renounces the yoke of his fellows,
Errs more than hearts of the mire that in blindness and weakness go stumbling.
Man when he spurns his kind, when he equals himself with the deathless,
Even in his virtues sins and, erring, calls up Ate:
For among men we were born, not as wild-beasts sole in a fastness.
Oft with a name are misled the passionate hearts of the noble;
Chasing highly some image of good they trample its substance.
Evil is worked, not justice, when into the mould of our thinkings
God we would force and enchain to the throb of our hearts the immortals,
Justice and Virtue, her sister,for where is justice mid creatures
Perfectly? Even the gods are betrayed by our clay to a semblance.
Evil not good he sows who lifted too high for his fellows,
Dreams by his light or his force to compel this deity earth-born,
Evil though his wisdom exceeded the gathered light of the millions,
Evil though his single fate were vaster than Troy and Achaia.
Less is our gain from gods upon earth than from men in our image;
Just is the slow and common march, not a lonely swiftness
Far from our human reach that is vowed to impossible strivings.
Better the stumbling leader of men than inimitable paces.
If he be Peleus son and his name the Phthian Achilles,
Worse is the bane: lo, the Ilian battlefield strewn with his errors!
Yet, O ye Greeks, if the heart returns that was loved, though it wandered,
Though with some pride it return and reproaching the friends that it fled from,
Be not less fond than heart-satisfied parents who yearn oer that coming,
Smile at its pride and accept the wanderer. Happier music
Never has beat on my grief-vexed ears than the steps of Achilles
Turning back to this Greece and the cry of his strength in its rising.
Zeus is awake in this man who his dreadful world-slaying puissance
Gave in an hour of portentous birth to the single Achilles.
Taken today are Ilions towers, a dead man is Priam.
Cross not the heros will in his hour, Agamemnon Atrides,
Cross not the man whom the gods have chosen to work out their purpose
Then when he rises; his hour is his, though thine be all morrows.
First in the chambers of Paris delight let us stable our horses,
Afterwards bale that is best shall be done persuading Achilles;
Doubt not the gods decisions, awful, immutable, ruthless.
Flame shall lick Troys towers and the limbs of her old men and infants.
O not today nor now remember the faults of the hero!
Follow him rather bravely and blindly as children their leader,
Guide your fate through the war-surge loud in the wake of his exploits.
Rise, O ye kings of the Greeks! leave debate for the voices of battle.
Peal forth the war-shout, pour forth the spear-sleet, surge towards Troya.
Ilion falls today; we shall turn in our ships to our children.
So Odysseus spoke and the Achaians heard him applauding;
Ever the pack by the voice of the mighty is seized and attracted!
Then from his seat Agamemnon arising his staff to the herald
Gave and around him arose the Kings of the west and its leaders,
Loud their assembly broke with a stern and martial rumour.
***
~ Sri Aurobindo, 6 - The Book of the Chieftains
,#NFDB
714:Scene. Constantinople; the house of a Greek Conjurer. 1521.
Paracelsus.
Paracelsus.
Over the waters in the vaporous West
The sun goes down as in a sphere of gold
Behind the arm of the city, which between,
With all that length of domes and minarets,
Athwart the splendour, black and crooked runs
Like a Turk verse along a scimitar.
There lie, sullen memorial, and no more
Possess my aching sight! 'T is done at last.
Strangeand the juggles of a sallow cheat
Have won me to this act! 'T is as yon cloud
Should voyage unwrecked o'er many a mountain-top
And break upon a molehill. I have dared
Come to a pause with knowledge; scan for once
The heights already reached, without regard
To the extent above; fairly compute
All I have clearly gained; for once excluding
A brilliant future to supply and perfect
All half-gains and conjectures and crude hopes:
And all because a fortune-teller wills
His credulous seekers should inscribe thus much
Their previous life's attainment, in his roll,
Before his promised secret, as he vaunts,
Make up the sum: and here amid the scrawled
Uncouth recordings of the dupes of this
Old arch-genethliac, lie my life's results!
A few blurred characters suffice to note
A stranger wandered long through many lands
And reaped the fruit he coveted in a few
Discoveries, as appended here and there,
The fragmentary produce of much toil,
In a dim heap, fact and surmise together
Confusedly massed as when acquired; he was
Intent on gain to come too much to stay
And scrutinize the little gained: the whole
Slipt in the blank space 'twixt an idiot's gibber
And a mad lover's dittythere it lies.
And yet those blottings chronicle a life
A whole life, and my life! Nothing to do,
No problem for the fancy, but a life
Spent and decided, wasted past retrieve
Or worthy beyond peer. Stay, what does this
Remembrancer set down concerning "life"?
"'Time fleets, youth fades, life is an empty dream,'
"It is the echo of time; and he whose heart
"Beat first beneath a human heart, whose speech
"Was copied from a human tongue, can never
"Recall when he was living yet knew not this.
"Nevertheless long seasons pass o'er him
"Till some one hour's experience shows what nothing,
"It seemed, could clearer show; and ever after,
"An altered brow and eye and gait and speech
"Attest that now he knows the adage true
"'Time fleets, youth fades, life is an empty dream.'"
Ay, my brave chronicler, and this same hour
As well as any: now, let my time be!
Now! I can go no farther; well or ill,
'T is done. I must desist and take my chance.
I cannot keep on the stretch: 't is no back-shrinking
For let but some assurance beam, some close
To my toil grow visible, and I proceed
At any price, though closing it, I die.
Else, here I pause. The old Greek's prophecy
Is like to turn out true: "I shall not quit
"His chamber till I know what I desire!"
Was it the light wind sang it o'er the sea?
An end, a rest! strange how the notion, once
Encountered, gathers strength by moments! Rest!
Where has it kept so long? this throbbing brow
To cease, this beating heart to cease, all cruel
And gnawing thoughts to cease! To dare let down
My strung, so high-strung brain, to dare unnerve
My harassed o'ertasked frame, to know my place,
My portion, my reward, even my failure,
Assigned, made sure for ever! To lose myself
Among the common creatures of the world,
To draw some gain from having been a man,
Neither to hope nor fear, to live at length!
Even in failure, rest! But rest in truth
And power and recompense . . . I hoped that once!
What, sunk insensibly so deep? Has all
Been undergone for this? This the request
My labour qualified me to present
With no fear of refusal? Had I gone
Slightingly through my task, and so judged fit
To moderate my hopes; nay, were it now
My sole concern to exculpate myself,
End things or mend them,why, I could not choose
A humbler mood to wait for the event!
No, no, there needs not this; no, after all,
At worst I have performed my share of the task
The rest is God's concern; mine, merely this,
To know that I have obstinately held
By my own work. The mortal whose brave foot
Has trod, unscathed, the temple-court so far
That he descries at length the shrine of shrines,
Must let no sneering of the demons' eyes,
Whom he could pass unquailing, fasten now
Upon him, fairly past their power; no, no
He must not stagger, faint, fall down at last,
Having a charm to baffle them; behold,
He bares his front: a mortal ventures thus
Serene amid the echoes, beams and glooms!
If he be priest henceforth, if he wake up
The god of the place to ban and blast him there,
Both well! What's failure or success to me?
I have subdued my life to the one purpose
Whereto I ordained it; there alone I spy,
No doubt, that way I may be satisfied.
Yes, well have I subdued my life! beyond
The obligation of my strictest vow,
The contemplation of my wildest bond,
Which gave my nature freely up, in truth,
But in its actual state, consenting fully
All passionate impulses its soil was formed
To rear, should wither; but foreseeing not
The tract, doomed to perpetual barrenness,
Would seem one day, remembered as it was,
Beside the parched sand-waste which now it is,
Already strewn with faint blooms, viewless then.
I ne'er engaged to root up loves so frail
I felt them not; yet now, 't is very plain
Some soft spots had their birth in me at first,
If not love, say, like love: there was a time
When yet this wolfish hunger after knowledge
Set not remorselessly love's claims aside.
This heart was human once, or why recall
Einsiedeln, now, and Wrzburg which the Mayne
Forsakes her course to fold as with an arm?
And Festusmy poor Festus, with his praise
And counsel and grave fearswhere is he now
With the sweet maiden, long ago his bride?
I surely loved themthat last night, at least,
When we . . . gone! gone! the better. I am saved
The sad review of an ambitious youth
Choked by vile lusts, unnoticed in their birth,
But let grow up and wind around a will
Till action was destroyed. No, I have gone
Purging my path successively of aught
Wearing the distant likeness of such lusts.
I have made life consist of one idea:
Ere that was master, up till that was born,
I bear a memory of a pleasant life
Whose small events I treasure; till one morn
I ran o'er the seven little grassy fields,
Startling the flocks of nameless birds, to tell
Poor Festus, leaping all the while for joy,
To leave all trouble for my future plans,
Since I had just determined to become
The greatest and most glorious man on earth.
And since that morn all life has been forgotten;
All is one day, one only step between
The outset and the end: one tyrant all-
Absorbing aim fills up the interspace,
One vast unbroken chain of thought, kept up
Through a career apparently adverse
To its existence: life, death, light and shadow,
The shows of the world, were bare receptacles
Or indices of truth to be wrung thence,
Not ministers of sorrow or delight:
A wondrous natural robe in which she went.
For some one truth would dimly beacon me
From mountains rough with pines, and flit and wink
O'er dazzling wastes of frozen snow, and tremble
Into assured light in some branching mine
Where ripens, swathed in fire, the liquid gold
And all the beauty, all the wonder fell
On either side the truth, as its mere robe;
I see the robe nowthen I saw the form.
So far, then, I have voyaged with success,
So much is good, then, in this working sea
Which parts me from that happy strip of land:
But o'er that happy strip a sun shone, too!
And fainter gleams it as the waves grow rough,
And still more faint as the sea widens; last
I sicken on a dead gulf streaked with light
From its own putrefying depths alone.
Then, God was pledged to take me by the hand;
Now, any miserable juggle can bid
My pride depart. All is alike at length:
God may take pleasure in confounding pride
By hiding secrets with the scorned and base
I am here, in short: so little have I paused
Throughout! I never glanced behind to know
If I had kept my primal light from wane,
And thus insensibly amwhat I am!
Oh, bitter; very bitter!
And more bitter,
To fear a deeper curse, an inner ruin,
Plague beneath plague, the last turning the first
To light beside its darkness. Let me weep
My youth and its brave hopes, all dead and gone,
In tears which burn! Would I were sure to win
Some startling secret in their stead, a tincture
Of force to flush old age with youth, or breed
Gold, or imprison moonbeams till they change
To opal shafts!only that, hurling it
Indignant back, I might convince myself
My aims remained supreme and pure as ever!
Even now, why not desire, for mankind's sake,
That if I fail, some fault may be the cause,
That, though I sink, another may succeed?
O God, the despicable heart of us!
Shut out this hideous mockery from my heart!
'T was politic in you, Aureole, to reject
Single rewards, and ask them in the lump;
At all events, once launched, to hold straight on:
For now' t is all or nothing. Mighty profit
Your gains will bring if they stop short of such
Full consummation! As a man, you had
A certain share of strength; and that is gone
Already in the getting these you boast.
Do not they seem to laugh, as who should say
"Great master, we are here indeed, dragged forth
"To light; this hast thou done: be glad! Now, seek
"The strength to use which thou hast spent in getting!"
And yet't is much, surely't is very much,
Thus to have emptied youth of all its gifts,
To feed a fire meant to hold out till morn
Arrived with inexhaustible light; and lo,
I have heaped up my last, and day dawns not!
And I am left with grey hair, faded hands,
And furrowed brow. Ha, have I, after all,
Mistaken the wild nursling of my breast?
Knowledge it seemed, and power, and recompense!
Was she who glided through my room of nights,
Who laid my head on her soft knees and smoothed
The damp locks,whose sly soothings just began
When my sick spirit craved repose awhile
God! was I fighting sleep off for death's sake?
God! Thou art mind! Unto the master-mind
Mind should be precious. Spare my mind alone!
All else I will endure; if, as I stand
Here, with my gains, thy thunder smite me down,
I bow me; 't is thy will, thy righteous will;
I o'erpass life's restrictions, and I die;
And if no trace of my career remain
Save a thin corpse at pleasure of the wind
In these bright chambers level with the air,
See thou to it! But if my spirit fail,
My once proud spirit forsake me at the last,
Hast thou done well by me? So do not thou!
Crush not my mind, dear God, though I be crushed!
Hold me before the frequence of thy seraphs
And say"I crushed him, lest he should disturb
"My law. Men must not know their strength: behold
"Weak and alone, how he had raised himself!"
But if delusions trouble me, and thou,
Not seldom felt with rapture in thy help
Throughout my toils and wanderings, dost intend
To work man's welfare through my weak endeavour,
To crown my mortal forehead with a beam
From thine own blinding crown, to smile, and guide
This puny hand and let the work so wrought
Be styled my work,hear me! I covet not
An influx of new power, an angel's soul:
It were no marvel thenbut I have reached
Thus far, a man; let me conclude, a man!
Give but one hour of my first energy,
Of that invincible faith, but only one!
That I may cover with an eagle-glance
The truths I have, and spy some certain way
To mould them, and completing them, possess!
Yet God is good: I started sure of that,
And why dispute it now? I'll not believe
But some undoubted warning long ere this
Had reached me: a fire-labarum was not deemed
Too much for the old founder of these walls.
Then, if my life has not been natural,
It has been monstrous: yet, till late, my course
So ardently engrossed me, that delight,
A pausing and reflecting joy,'t is plain,
Could find no place in it. True, I am worn;
But who clothes summer, who is life itself?
God, that created all things, can renew!
And then, though after-life to please me now
Must have no likeness to the past, what hinders
Reward from springing out of toil, as changed
As bursts the flower from earth and root and stalk?
What use were punishment, unless some sin
Be first detected? let me know that first!
No man could ever offend as I have done . . .
[A voice from within.]
I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice were real or no:
I heard it in my youth when first
The waters of my life outburst:
But, now their stream ebbs faint, I hear
That voice, still low, but fatal-clear
As if all poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do his work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by him for ever,
As if these leaned in airy ring
To take me; this the song they sing.
"Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee,
Knowing what thou sink'st beneath.
So sank we in those old years,
We who bid thee, come! thou last
Who, living yet, hast life o'erpast.
And altogether we, thy peers,
Will pardon crave for thee, the last
Whose trial is done, whose lot is cast
With those who watch but work no more,
Who gaze on life but live no more.
Yet we trusted thou shouldst speak
The message which our lips, too weak,
Refused to utter,shouldst redeem
Our fault: such trust, and all a dream!
Yet we chose thee a birthplace
Where the richness ran to flowers:
Couldst not sing one song for grace?
Not make one blossom man's and ours?
Must one more recreant to his race
Die with unexerted powers,
And join us, leaving as he found
The world, he was to loosen, bound?
Anguish! ever and for ever;
Still beginning, ending never.
Yet, lost and last one, come!
How couldst understand, alas,
What our pale ghosts strove to say,
As their shades did glance and pass
Before thee night and day?
Thou wast blind as we were dumb:
Once more, therefore, come, O come!
How should we clothe, how arm the spirit
Shall next thy post of life inherit
How guard him from thy speedy ruin?
Tell us of thy sad undoing
Here, where we sit, ever pursuing
Our weary task, ever renewing
Sharp sorrow, far from God who gave
Our powers, and man they could not save!"
Aprile enters.
Aprile.
Ha, ha! our king that wouldst be, here at last?
Art thou the poet who shall save the world?
Thy hand to mine! Stay, fix thine eyes on mine!
Thou wouldst be king? Still fix thine eyes on mine!
Paracelsus.
Ha, ha! why crouchest not? Am I not king?
So torture is not wholly unavailing!
Have my fierce spasms compelled thee from thy lair?
Art thou the sage I only seemed to be,
Myself of after-time, my very self
With sight a little clearer, strength more firm,
Who robes him in my robe and grasps my crown
For just a fault, a weakness, a neglect?
I scarcely trusted God with the surmise
That such might come, and thou didst hear the while!
Aprile.
Thine eyes are lustreless to mine; my hair
Is soft, nay silken soft: to talk with thee
Flushes my cheek, and thou art ashy-pale.
Truly, thou hast laboured, hast withstood her lips,
The siren's! Yes, 't is like thou hast attained!
Tell me, dear master, wherefore now thou comest?
I thought thy solemn songs would have their meed
In after-time; that I should hear the earth
Exult in thee and echo with thy praise,
While I was laid forgotten in my grave.
Paracelsus.
Ah fiend, I know thee, I am not thy dupe!
Thou art ordained to follow in my track,
Reaping my sowing, as I scorned to reap
The harvest sown by sages passed away.
Thou art the sober searcher, cautious striver,
As if, except through me, thou hast searched or striven!
Ay, tell the world! Degrade me after all,
To an aspirant after fame, not truth
To all but envy of thy fate, be sure!
Aprile.
Nay, sing them to me; I shall envy not:
Thou shalt be king! Sing thou, and I will sit
Beside, and call deep silence for thy songs,
And worship thee, as I had ne'er been meant
To fill thy throne: but none shall ever know!
Sing to me; for already thy wild eyes
Unlock my heart-strings, as some crystal-shaft
Reveals by some chance blaze its parent fount
After long time: so thou reveal'st my soul.
All will flash forth at last, with thee to hear!
Paracelsus.
(His secret! I shall get his secretfool!)
I am he that aspired to know: and thou?
Aprile.
I would love infinitely, and be loved!
Paracelsus.
Poor slave! I am thy king indeed.
Aprile.
Thou deem'st
Thatborn a spirit, dowered even as thou,
Born for thy fatebecause I could not curb
My yearnings to possess at once the full
Enjoyment, but neglected all the means
Of realizing even the frailest joy,
Gathering no fragments to appease my want,
Yet nursing up that want till thus I die
Thou deem'st I cannot trace thy safe sure march
O'er perils that o'erwhelm me, triumphing,
Neglecting nought below for aught above,
Despising nothing and ensuring all
Nor that I could (my time to come again)
Lead thus my spirit securely as thine own.
Listen, and thou shalt see I know thee well.
I would love infinitely . . . Ah, lost! lost!
Oh ye who armed me at such cost,
How shall I look on all of ye
With your gifts even yet on me?
Paracelsus.
(Ah, 't is some moonstruck creature after all!
Such fond fools as are like to haunt this den:
They spread contagion, doubtless: yet he seemed
To echo one foreboding of my heart
So truly, that . . . no matter! How he stands
With eve's last sunbeam staying on his hair
Which turns to it as if they were akin:
And those clear smiling eyes of saddest blue
Nearly set free, so far they rise above
The painful fruitless striving of the brow
And enforced knowledge of the lips, firm-set
In slow despondency's eternal sigh!
Has he, too, missed life's end, and learned the cause?)
I charge thee, by thy fealty, be calm!
Tell me what thou wouldst be, and what I am.
Aprile.
I would love infinitely, and be loved.
First: I would carve in stone, or cast in brass,
The forms of earth. No ancient hunter lifted
Up to the gods by his renown, no nymph
Supposed the sweet soul of a woodland tree
Or sapphirine spirit of a twilight star,
Should be too hard for me; no shepherd-king
Regal for his white locks; no youth who stands
Silent and very calm amid the throng,
His right hand ever hid beneath his robe
Until the tyrant pass; no lawgiver,
No swan-soft woman rubbed with lucid oils
Given by a god for love of hertoo hard!
Every passion sprung from man, conceived by man,
Would I express and clothe it in its right form,
Or blend with others struggling in one form,
Or show repressed by an ungainly form.
Oh, if you marvelled at some mighty spirit
With a fit frame to execute its will
Even unconsciously to work its will
You should be moved no less beside some strong
Rare spirit, fettered to a stubborn body,
Endeavouring to subdue it and inform it
With its own splendour! All this I would do:
And I would say, this done, "His sprites created,
"God grants to each a sphere to be its world,
"Appointed with the various objects needed
"To satisfy its own peculiar want;
"So, I create a world for these my shapes
"Fit to sustain their beauty and their strength!"
And, at the word, I would contrive and paint
Woods, valleys, rocks and plains, dells, sands and wastes,
Lakes which, when morn breaks on their quivering bed,
Blaze like a wyvern flying round the sun,
And ocean isles so small, the dog-fish tracking
A dead whale, who should find them, would swim thrice
Around them, and fare onwardall to hold
The offspring of my brain. Nor these alone:
Bronze labyrinth, palace, pyramid and crypt,
Baths, galleries, courts, temples and terraces,
Marts, theatres and wharfsall filled with men,
Men everywhere! And this performed in turn,
When those who looked on, pined to hear the hopes
And fears and hates and loves which moved the crowd,
I would throw down the pencil as the chisel,
And I would speak; no thought which ever stirred
A human breast should be untold; all passions,
All soft emotions, from the turbulent stir
Within a heart fed with desires like mine,
To the last comfort shutting the tired lids
Of him who sleeps the sultry noon away
Beneath the tent-tree by the wayside well:
And this in language as the need should be,
Now poured at once forth in a burning flow,
Now piled up in a grand array of words.
This done, to perfect and consummate all,
Even as a luminous haze links star to star,
I would supply all chasms with music, breathing
Mysterious motions of the soul, no way
To be defined save in strange melodies.
Last, having thus revealed all I could love,
Having received all love bestowed on it,
I would die: preserving so throughout my course
God full on me, as I was full on men:
He would approve my prayer, "I have gone through
"The loveliness of life; create for me
"If not for men, or take me to thyself,
"Eternal, infinite love!"
If thou hast ne'er
Conceived this mighty aim, this full desire,
Thou hast not passed my trial, and thou art
No king of mine.
Paracelsus.
Ah me!
Aprile.
But thou art here!
Thou didst not gaze like me upon that end
Till thine own powers for compassing the bliss
Were blind with glory; nor grow mad to grasp
At once the prize long patient toil should claim,
Nor spurn all granted short of that. And I
Would do as thou, a second time: nay, listen!
Knowing ourselves, our world, our task so great,
Our time so brief, 't is clear if we refuse
The means so limited, the tools so rude
To execute our purpose, life will fleet,
And we shall fade, and leave our task undone.
We will be wise in time: what though our work
Be fashioned in despite of their ill-service,
Be crippled every way? 'T were little praise
Did full resources wait on our goodwill
At every turn. Let all be as it is.
Some say the earth is even so contrived
That tree and flower, a vesture gay, conceal
A bare and skeleton framework. Had we means
Answering to our mind! But now I seem
Wrecked on a savage isle: how rear thereon
My palace? Branching palms the props shall be,
Fruit glossy mingling; gems are for the East;
Who heeds them? I can pass them. Serpents' scales,
And painted birds' down, furs and fishes' skins
Must help me; and a little here and there
Is all I can aspire to: still my art
Shall show its birth was in a gentler clime.
"Had I green jars of malachite, this way
"I'd range them: where those sea-shells glisten above,
"Cressets should hang, by right: this way we set
"The purple carpets, as these mats are laid,
"Woven of fern and rush and blossoming flag."
Or if, by fortune, some completer grace
Be spared to me, some fragment, some slight sample
Of the prouder workmanship my own home boasts,
Some trifle little heeded there, but here
The place's one perfectionwith what joy
Would I enshrine the relic, cheerfully
Foregoing all the marvels out of reach!
Could I retain one strain of all the psalm
Of the angels, one word of the fiat of God,
To let my followers know what such things are!
I would adventure nobly for their sakes:
When nights were still, and still the moaning sea
And far away I could descry the land
Whence I departed, whither I return,
I would dispart the waves, and stand once more
At home, and load my bark, and hasten back,
And fling my gains to them, worthless or true.
"Friends," I would say, "I went far, far for them,
"Past the high rocks the haunt of doves, the mounds
"Of red earth from whose sides strange trees grow out,
"Past tracts of milk-white minute blinding sand,
"Till, by a mighty moon, I tremblingly
"Gathered these magic herbs, berry and bud,
"In haste, not pausing to reject the weeds,
"But happy plucking them at any price.
"To me, who have seen them bloom in their own soil,
"They are scarce lovely: plait and wear them, you!
"And guess, from what they are, the springs that fed them,
"The stars that sparkled o'er them, night by night,
"The snakes that travelled far to sip their dew!"
Thus for my higher loves; and thus even weakness
Would win me honour. But not these alone
Should claim my care; for common life, its wants
And ways, would I set forth in beauteous hues:
The lowest hind should not possess a hope,
A fear, but I'd be by him, saying better
Than he his own heart's language. I would live
For ever in the thoughts I thus explored,
As a discoverer's memory is attached
To all he finds; they should be mine henceforth,
Imbued with me, though free to all before:
For clay, once cast into my soul's rich mine,
Should come up crusted o'er with gems. Nor this
Would need a meaner spirit, than the first;
Nay, 't would be but the selfsame spirit, clothed
In humbler guise, but still the selfsame spirit:
As one spring wind unbinds the mountain snow
And comforts violets in their hermitage.
But, master, poet, who hast done all this,
How didst thou'scape the ruin whelming me?
Didst thou, when nerving thee to this attempt,
Ne'er range thy mind's extent, as some wide hall,
Dazzled by shapes that filled its length with light,
Shapes clustered there to rule thee, not obey,
That will not wait thy summons, will not rise
Singly, nor when thy practised eye and hand
Can well transfer their loveliness, but crowd
By thee for ever, bright to thy despair?
Didst thou ne'er gaze on each by turns, and ne'er
Resolve to single out one, though the rest
Should vanish, and to give that one, entire
In beauty, to the world; forgetting, so,
Its peers, whose number baffles mortal power?
And, this determined, wast thou ne'er seduced
By memories and regrets and passionate love,
To glance once more farewell? and did their eyes
Fasten thee, brighter and more bright, until
Thou couldst but stagger back unto their feet,
And laugh that man's applause or welfare ever
Could tempt thee to forsake them? Or when years
Had passed and still their love possessed thee wholly,
When from without some murmur startled thee
Of darkling mortals famished for one ray
Of thy so-hoarded luxury of light,
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
Thy early mission, long ago renounced,
And to that end, select some shape once more?
And did not mist-like influences, thick films,
Faint memories of the rest that charmed so long
Thine eyes, float fast, confuse thee, bear thee off,
As whirling snow-drifts blind a man who treads
A mountain ridge, with guiding spear, through storm?
Say, though I fell, I had excuse to fall;
Say, I was tempted sorely: say but this,
Dear lord, Aprile's lord!
Paracelsus.
Clasp me not thus,
Aprile! That the truth should reach me thus!
We are weak dust. Nay, clasp not or I faint!
Aprile.
My king! and envious thoughts could outrage thee?
Lo, I forget my ruin, and rejoice
In thy success, as thou! Let our God's praise
Go bravely through the world at last! What care
Through me or thee? I feel thy breath. Why, tears?
Tears in the darkness, and from thee to me?
Paracelsus.
Love me henceforth, Aprile, while I learn
To love; and, merciful God, forgive us both!
We wake at length from weary dreams; but both
Have slept in fairy-land: though dark and drear
Appears the world before us, we no less
Wake with our wrists and ankles jewelled still.
I too have sought to know as thou to love
Excluding love as thou refusedst knowledge.
Still thou hast beauty and I, power. We wake:
What penance canst devise for both of us?
Aprile.
I hear thee faintly. The thick darkness! Even
Thine eyes are hid. 'T is as I knew: I speak,
And now I die. But I have seen thy face!
O poet, think of me, and sing of me!
But to have seen thee and to die so soon!
Paracelsus.
Die not, Aprile! We must never part.
Are we not halves of one dissevered world,
Whom this strange chance unites once more? Part? never!
Till thou the lover, know; and I, the knower,
Loveuntil both are saved. Aprile, hear!
We will accept our gains, and use themnow!
God, he will die upon my breast! Aprile!
Aprile.
To speak but once, and die! yet by his side.
Hush! hush!
Ha! go you ever girt about
With phantoms, powers? I have created such,
But these seem real as I.
Paracelsus.
Whom can you see
Through the accursed darkness?
Aprile.
Stay; I know,
I know them: who should know them well as I?
White brows, lit up with glory; poets all!
Paracelsus.
Let him but live, and I have my reward!
Aprile.
Yes; I see now. God is the perfect poet,
Who in his person acts his own creations.
Had you but told me this at first! Hush! hush!
Paracelsus.
Live! for my sake, because of my great sin,
To help my brain, oppressed by these wild words
And their deep import. Live! 't is not too late.
I have a quiet home for us, and friends.
Michal shall smile on you. Hear you? Lean thus,
And breathe my breath. I shall not lose one word
Of all your speech, one little word, Aprile!
Aprile.
No, no. Crown me? I am not one of you!
'T is he, the king, you seek. I am not one.
Paracelsus.
Thy spirit, at least, Aprile! Let me love!
I have attained, and now I may depart.
~ Robert Browning, Paracelsus - Part II - Paracelsus Attains
,#NFDB
715:ON OLD AND NEW TABLETS
I
Here I sit and wait, surrounded by broken old
tablets and new tablets half covered with writing. When
will my hour come? The hour of my going down and
going under; for I want to go among men once more.
For that I am waiting now, for first the signs must
come to me that my hour has come: the laughing lion
with the flock of doves. Meanwhile I talk to myself as
one who has time. Nobody tells me anything new: so
I tell myself-myself.
2
When I came to men I found them sitting on an old
conceit: the conceit that they have long known what
is good and evil for man. All talk of virtue seemed an
old and weary matter to man; and whoever wanted to
sleep well still talked of good and evil before going to
sleep.
I disturbed this sleepiness when I taught: what is
good and evil no one knows yet, unless it be he who
creates. He, however, creates man's goal and gives the
earth its meaning and its future. That anything at all
is good and evil-that is his creation.
And I bade them overthrow their old academic
chairs and wherever that old conceit had sat; I bade
them laugh at their great masters of virtue and saints
and poets and world-redeemers. I bade them laugh at
their gloomy sages and at whoever had at any time sat
on the tree of life like a black scarecrow. I sat down by
their great tomb road among cadavers and vultures,
and I laughed at all their past and its rotting, decaying
glory.
197
Verily, like preachers of repentance and fools, I
raised a hue and cry of wrath over what among them
is great and small, and that their best is still so small.
And that their greatest evil too is still so small-at
that I laughed.
My wise longing cried and laughed thus out of me
-born in the mountains, verily, a wild wisdom-my
great broad-winged longing! And often it swept me
away and up and far, in the middle of my laughter; and
I flew, quivering, an arrow, through sun-drunken delight, away into distant futures which no dream had yet
seen, into hotter souths than artists ever dreamed of,
where gods in their dances are ashamed of all clothesto speak in parables and to limp and stammer like
poets; and verily, I am ashamed that I must still be a
poet.
Where all becoming seemed to me the dance of gods
and the prankishness of gods, and the world seemed
free and frolicsome and as if fleeing back to itself-as
an eternal fleeing and seeking each other again of many
gods, as the happy controverting of each other, conversing again with each other, and converging again
of many gods.
Where all time seemed to me a happy mockery of
moments, where necessity was freedom itself playing
happily with the sting of freedom.
Where I also found again my old devil and archenemy, the spirit of gravity, and all that he created:
constraint, statute, necessity and consequence and purpose and will and good and evil.
For must there not be that over which one dances
and dances away? For the sake of the light and the
lightest, must there not be moles and grave dwarfs?
198
3
There it was too that I picked up the word "overman" by the way, and that man is something that must
be overcome-that man is a bridge and no end: proclaiming himself blessed in view of his noon and
evening, as the way to new dawns-Zarathustra's word
of the great noon, and whatever else I hung up over
man like the last crimson light of evening.
Verily, I also let them see new stars along with new
nights; and over clouds and day and night I still spread
out laughter as a colorful tent.
I taught them all my creating and striving, to create
and carry together into One what in man is fragment
and riddle and dreadful accident; as creator, guesser of
riddles, and redeemer of accidents, I taught them to
work on the future and to redeem with their creation
all that has been. To redeem what is past in man and
to re-create all "it was" until the will says, "Thus I
willed itl Thus I shall will it"-this I called redemption
and this alone I taught them to call redemption.
Now I wait for my own redemption-that I may go
to them for the last time. For I want to go to men
once more; under their eyes I want to go under; dying,
I want to give them my richest gift. From the sun I
learned this: when he goes down, overrich; he pours
gold into the sea out of inexhaustible riches, so that
even the poorest fisherman still rows with golden oars.
For this I once saw and I did not tire of my tears as I
watched it.
Like the sun, Zarathustra too wants to go under; now
he sits here and waits, surrounded by broken old tablets
and new tablets half covered with writing.
199
4
Behold, here is a new tablet; but where are my
brothers to carry it down with me to the valley and
into hearts of flesh?
Thus my great love of the farthest demands it: do
not spare your neighbor! Man is something that must
be overcome.
There are many ways of overcoming: see to that
yourself! But only a jester thinks: "Man can also be
skipped over.'
Overcome yourself even in your neighbor: and a
right that you can rob you should not accept as a gift.
What you do, nobody can do to you in turn. Behold,
there is no retri bution.
He who cannot comm and himself should obey. And
many can comm and themselves, but much is still lacking before they also obey themselves.
5
This is the manner of noble souls: they do not want
to have anything for nothing; least of all, life. Whoever
is of the mob wants to live for nothing; we others,
however, to whom life gave itself, we always think
about what we might best give in return. And verily,
that is a noble speech which says, "What life promises
us, we ourselves want to keep to life."
One shall not wish to enjoy where one does not give
joy. And one shall not wish to enjoy For enjoyment and
innocence are the most bashful things: both do not want
to be sought. One shall possess them-but rather seek
even guilt and suffering.
200
6
My brothers, the firstling is always sacrificed. We,
however, are firstlings. All of us bleed at secret sacrificial altars; all of us burn and roast in honor of old
idols. What is best in us is still young: that attracts old
palates. Our flesh is tender, our hide is a mere lambskin: how could we fail to attract old idol-priests? Even
in ourselves the old idol-priest still lives who roasts
what is best in us for his feast. Alas, my brothers, how
could firstlings fail to be sacrifices?
But thus our kind wants it; and I love those who do
not want to preserve themselves. Those who are going
under I love with my whole love: for they cross over.
7
To be true-only a few are able! And those who are
still lack the will. But the good have this ability least
of all. Oh, these good men! Good men never speak the
truth; for the spirit, to be good in this way is a disease.
They give in, these good men; they give themselves up;
their heart repeats and their ground obeys: but whoever
heeds commands does not heed himself.
Everything that the good call evil must come together
so that one truth may be born. 0 my brothers, are you
evil enough for this truth? The audacious daring, the
long mistrust, the cruel No, the disgust, the cutting into
the living-how rarely does all this come together. But
from such seed is truth begotten.
Alongside the bad conscience, all science has grown
so far. Break, break, you lovers of knowledge, the old
tablets
201
8
When the water is spanned by planks, when bridges
and railings leap over the river, verily, those are not
believed who say, "Everything is in flux." Even the
blockheads contradict them. "How now?" say the blockheads. "Everything should be in flux? After all, planks
and railings are over the river. Whatever is over the
river is firm; all the values of things, the bridges, the
concepts, all 'good' and 'evil'-all that is firm."
But when the hard winter comes, the river-animal
tamer, then even the most quick-witted learn mistrust;
and verily, not only the blockheads then say, "Does not
everything stand still?"
"At bottom everything stands still"-that is truly a
winter doctrine, a good thing for sterile times, a fine
comfort for hibernators and hearth-squatters.
"At bottom everything stands still"-against this the
thawing wind preaches. The thawing wind, a bull
that is no plowing bull, a raging bull, a destroyer who
breaks the ice with wrathful horns. Ice, however, breaks
bridges
O my brothers, is not everything in flux now? Have
not all railings and bridges fallen into the water? Who
could still cling to "good" and "evil"?
"Woe to us! Hail to usl The thawing wind blows!"thus preach in every street, my brothers.
9
There is an old illusion, which is called good and evil.
So far the wheel of this illusion has revolved around
soothsayers and stargazers. Once man believed in soothsayers and stargazers, and therefore believed: "All is
destiny: you ought to, for you must."
Then man again mistrusted all soothsayers and star-
202
gazers, and therefore believed: "All is freedom: you
can, for you will."
0 my brothers, so far there have been only illusions
about stars and the future, not knowledge; and therefore there have been only illusions so far, not knowledge, about good and evil.
10
"Thou shalt not rob! Thou shalt not kill" Such words
were once called holy; one bent the knee and head and
took off one's shoes before them. But I ask you: where
have there ever been better robbers and killers in this
world than such holy words?
Is there not in all life itself robbing and killing? And
that such words were called holy-was not truth itself
killed thereby? Or was it the preaching of death that
was called holy, which contradicted and contravened all
life? 0 my brothers, break, break the old tablets!
11
This is my pity for all that is past: I see how all of
it is abandoned-abandoned to the pleasure, the spirit,
the madness: of every generation, which comes along
and reinterprets all that has been as a bridge to itself.
A great despot might come along, a shrewd monster
who, according to his pleasure and displeasure, might
constrain and strain all that is past till it becomes a
bridge to him, a harbinger and herald and cockcrow.
This, however, is the other danger and what prompts
my further pity: whoever is of the rabble, thinks back
as far as the grandfa ther; with the grandfa ther, however, time ends.
Thus all that is past is abandoned: for one day the
rabble might become master and drown all time in
shallow waters.
203
Therefore, my brothers, a new nobility is needed to
be the adversary of all rabble and of all that is despotic
and to write anew upon new tablets the word "noble."
For many who are noble are needed, and noble men
of many kinds, that there may be a nobility. Or as I
once said in a parable: "Precisely this is godlike that
there are gods, but no God."
12
0 my brothers, I dedicate and direct you to a new
nobility: you shall become procreators and cultivators
and sowers of the future-verily, not to a nobility that
you might buy like shopkeepers and with shopkeepers'
gold: for whatever has its price has little value.
Not whence you come shall henceforth constitute
your honor, but whither you are going Your will and
your foot which has a will to go over and beyond yourselves-that shall constitute your new honor.
Verily, not that you have served a prince-what do
princes matter now?-or that you became a bulwark
for what stands that it might stand more firmly.
Not that your tribe has become courtly at court and
that you have learned, like a flamingo, to stand for long
hours in a colorful costume in shallow ponds-for the
ability to stand is meritorious among courtiers; and all
courtiers believe that blessedness after death must comprise permission to sit.
Nor that a spirit which they call holy led your ancestors into promised lands, which I do not praise-for
where the worst of all trees grew, the cross, that land
deserves no praise. And verily, wherever this "Holy
Spirit" led his knights, on all such crusades goose aids
goat in leading the way, and the contrary and crude
sailed foremost.
0 my brothers, your nobility should not look back-
204
ward but ahead! Exiles shall you be from all father- and
forefa ther-landsl Your children's land shall you love:
this love shall be your new nobility-the undiscovered
land in the most distant sea. For that I bid your sails
search and search.
In your children you shall make up for being the
children of your fathers: thus shall you redeem all that
is past. This new tablet I place over you.
13
"Why live? All is vanity Living-that is threshing
straw; living-that is consuming oneself in flames without becoming warm." Such antiquarian babbling is still
considered "wisdom"; it is honored all the more for
being old and musty. Mustiness too ennobles.
Children might speak thus: they fear the fire because it burned them. There is much childishness in
the old books of wisdom. And why should those who
always "thresh straw" be allowed to blaspheme threshing? Such oxen should be muzzled after all.
Such men sit down to the table and bring nothing
along, not even a good appetite; and then they blaspheme: "All is vanity." But eating and drinking well, 0
my brothers, is verily no vain art. Break, break the old
tablets of the never gay!
14
"To the clean all is clean," the people say. But I say
unto you, "To the mean all becomes mean."
Therefore the swooners and head-hangers, whose
hearts also hang limply, preach, "The world itself is a
filthy monster." For all these have an unclean spirit but especially those who have neither rest nor repose
except when they see the world from abaft, the afterworldly. To these I say to their faces, even though it
205
may not sound nice: the world is like man in having
a backside abaft; that much is true. There is much
filth in the world; that much is true. But that does not
make the world itself a filthy monster.
There is wisdom in this, that there is much in the
world that smells foul: nausea itself creates wings and
water-divining powers. Even in the best there is still
something that nauseates; and even the best is something that must be overcome. 0 my brothers, there is
much wisdom in this, that there is much filth in the
world.
15
Such maxims I heard pious afterworldly people
speak to their conscience-verily, without treachery or
falseness, although there is nothing falser in the whole
world, nothing more treacherous:
'Let the world go its wayl Do not raise one finger
against it't
"Let him who wants to, strangle and stab and fleece
and flay the people. Do not raise one finger against itl
Thus will they learn to renounce the world."
"And your own reason-you yourself should stifle
and strangle it; for it is a reason of this world; thus
will you yourself learn to renounce the world."
Break, break, 0 my brothers, these old tablets of the
pious. Break the maxims of those who slander the
world.
i6
"Whoever learns much will unlearn all violent desire"
-that is whispered today in all the dark lanes.
"Wisdom makes weary; worth while is-nothing;
thou shalt not desire!"-this new tablet I found hanging even in the open market places.
206
Break, 0 my brothers, break this new tablet too.
The world-weary hung it up, and the preachers of
death, and also the jailers; for behold, it is also an
exhortation to bondage. Because they learned badly,
and the best things not at all, and everything too early
and everything too hastily; because they ate badly,
therefore they got upset stomachs; for their spirit is an
upset stomach which counsels death. For verily, my
brothers, the spirit is a stomach. Life is a well of joy;
but for those out of whom an upset stomach speaks,
which is the father of melancholy, all wells are poisoned.
To gain knowledge is a joy for the lion-willedl But
those who have become weary are themselves merely
being "willed," and all the billows play with them. And
this is always the manner of the weak: they get lost on
the way. And in the end their weariness still asks, "Why
did we ever pursue any way at all? It is all the same."
Their ears appreciate the preaching, "Nothing is worth
while! You shall not will!" Yet this is an exhortation to
bondage.
o my brothers, like a fresh roaring wind Zarathustra
comes to all who are weary of the way; many noses he
will yet make sneeze. Through walls too, my free breath
blows, and into prisons and imprisoned spirits. To will
liberates, for to will is to create: thus I teach. And you
shall learn solely in order to create.
And you shall first learn from me how to lear-how
to learn well. He that has ears to hear, let him hear
17
There stands the bark; over there perhaps the great
nothing lies. But who would embark on this "perhaps"?
No one of you wants to embark on the bark of death.
Why then do you want to be world-weary? Worldwearyl And you are not even removed from the earth.
207
Lusting after the earth I have always found you, in
love even with your own earth-weariness. Not for
nothing is your lip hanging; a little earthly wish still
sits on it. And in your eyes-does not a little cloud of
unforgotten earthly joy float there?
There are many good inventions on earth, some useful, some pleasing: for their sake, the earth is to be
loved. And there is such a variety of well-invented
things that the earth is like the breasts of a woman:
useful as well as pleasing.
But you who are world-weary, you who are earthlazy, you should be lashed with switches: with lashes
one should make your legs sprightly again. For when
you are not invalids and decrepit wretches of whom the
earth is weary, you are shrewd sloths or sweet-toothed,
sneaky pleasure-cats. And if you do not want to run
again with pleasure, then you should pass away. To
the incurable, one should not try to be a physicianthus Zarathustra teaches-so you shall pass awayl
But it takes more courage to make an end than to
make a new verse: all physicians and poets know that.
18
o my brothers, there are tablets created by weariness
and tablets created by rotten, rotting sloth; but though
they speak alike, they must be understood differently.
Behold this man languishing here He is but one span
from his goal, but out of weariness he has defiantly
lain down in the dust-this courageous man! Out of
weariness he yawns at the way and the earth and the
goal and himself: not one step farther will he go-this
courageous man! Now the sun glows on him and the
dogs lick his sweat; but he lies there in his defiance
and would sooner die of thirst-die of thirst one span
away from his goal Verily, you will yet have to drag
208
him by the hair into his heaven-this herol Better yet,
let him lie where he lay down, and let sleep, the comforter, come to him with cooling, rushing rain. Let him
lie till he awakes by himself, till he renounces by himself all weariness and whatever weariness taught through
him. Only, my brothers, drive the dogs away from him,
the lazy creepers, and all the ravenous vermin-all the
raving vermin of the "educated," who feast on every
hero's sweat.
19
I draw circles around me and sacred boundaries;
fewer and fewer men climb with me on ever higher
mountains: I am building a mountain range out of ever
more sacred mountains. But wherever you may climb
with me, 0 my brothers, see to it that no parasite
climbs with you. Parasites: creeping, cringing worms
which would batten on your secret sores. And this is
their art, that they find where climbing souls are weary;
in your grief and discouragement, in your tender parts,
they build their nauseating nests. Where the strong are
weak and the noble all-too-soft-there they build their
nauseating nests: the parasites live where the great have
little secret sores.
What is the highest species of all being and what is
the lowest? The parasite is the lowest species; but whoever is of the highest species will nourish the most
parasites. For the soul that has the longest ladder and
reaches down deepest-how should the most parasites
not sit on that? The most comprehensive soul, which
can run and stray and roam farthest within itself; the
most necessary soul, which out of sheer joy plunges itself into chance; the soul which, having being, dives
into becoming; the soul which has, but wants to want
and will; the soul which flees itself and catches up with
209
itself in the widest circle; the wisest soul, which folly
exhorts most sweetly; the soul which loves itself most,
in which all things have their sweep and countersweep
and ebb and flood-oh, how should the highest soul
not have the worst parasites?
20
0 my brothers, am I cruel? But I say: what is falling,
we should still push. Everything today falls and decays:
who would check it? But I-I even want to push it.
Do you know the voluptuous delight which rolls
stones into steep depths? These human beings of today-look at them, how they roll into my depth!
I am a prelude of better players, 0 my brothers! A
precedent! Follow my precedent
And he whom you cannot teach to fly, teach to fall
faster!
21
I love the valiant; but it is not enough to wield a
broadsword, one must also know against whom. And
often there is more valor when one refrains and passes
by, in order to save oneself for the worthier enemy.
You shall have only enemies who are to be hated,
but not enemies to be despised: you must be proud of
your enemy; thus I taught once before. For the worthier
enemy, 0 my friends, you shall save yourselves; therefore you must pass by much-especially much rabble
who raise a din in your ears about the people and about
peoples. Keep your eyes undefiled by their pro and
conl There is much justice, much injustice; and whoever
looks on becomes angry. Sighting and smiting here
become one; therefore go away into the woods and lay
your sword to sleep.
Go your own ways And let the people and peoples
210
go theirs-dark ways, verily, on which not a single hope
flashes any more. Let the shopkeeper rule where all that
still glitters is-shopkeepers' gold. The time of kings is
past: what calls itself a people today deserves no kings.
Look how these peoples are now like shopkeepers: they
pick up the smallest advantages from any rubbish. They
lie around lurking and spy around smirking-and call
that "being good neighbors." 0 blessed remote time
when a people would say to itself, "I want to be master
-over peoples." For, my brothers, the best should rule,
the best also want to rule. And where the doctrine is
different, there the best is lacking.
22
If those got free bread, alas! For what would they
clamor? Their sustenance-that is what sustains their
attention; and it should be hard for them. They are
beasts of prey: in their "work" there is still an element
of preying, in their "earning" still an element of overreaching. Therefore it should be hard for them. Thus
they should become better beasts of prey, subtler, more
prudent, more human; for man is the best beast of prey.
Man has already robbed all the beasts of their virtues,
for of all beasts man has had the hardest time. Only the
birds are still over and above him. And if man were to
learn to fly-woe, to what heights would his rapaciousness fly?
23
Thus I want man and woman: the one fit for war, the
other fit to give birth, but both fit to dance with head
and limbs. And we should consider every day lost on
which we have not danced at least once. And we should
call every truth false which was not accompanied by at
least one laugh.
211
24
Your wedlock: see to it that it not be a bad lock. If
you lock it too quickly, there follows wedlock-breaking:
adultery. And better even such wedlock-breaking than
wedlock-picking, wedlock-tricking. Thus said a woman
to me: "Indeed I committed adultery and broke my
wedlock, but first my wedlock broke me!"
The worst among the vengeful I always found to be
the ill-matched: they would make all the world pay fox
it that they no longer live singly.
Therefore I would have those who are honest say to
each other, "We love each other; let us see to it that we
remain in love. Or shall our promise be a mistake?"
"Give us a probation and a little marriage, so that we
may see whether we are fit for a big marriage. It is a
big thing always to be two."
Thus I counsel all who are honest; and what would
my love for the overman and for all who shall yet come
amount to if I counseled and spoke differently? Not
merely to reproduce, but to produce something higher
-toward that, my brothers, the garden of marriage
should help you.
25
Whoever has gained wisdom concerning ancient
origins will eventually look for wells of the future and
for new origins. 0 my brothers, it will not be overlong
before new peoples originate and new wells roar down
into new depths. For earthquakes bury many wells and
leave many languishing, but they also bring to light
inner powers and secrets. Earthquakes reveal new
wells. In earthquakes that strike ancient peoples, new
wells break open.
And whoever shouts, "Behold, a well for many who
212
are thirsty, a heart for many who are longing, a will for
many instruments"-around that man there will gather
a people; that is: many triers.
Who can command, who must obey-that is tried out
there. Alas, with what long trials and surmises and unpleasant surprises and learning and retrials!
Human society is a trial: thus I teach it-a long trial;
and what it tries to find is the commander. A trial, 0 my
brothers, and not a "contract." Break, break this word
of the softhearted and half-and-halfl
26
o
my brothers, who represents the greatest danger
for all of man's future? Is it not the good and the just?
Inasmuch as they say and feel in their hearts, "We already know what is good and just, and we have it too;
woe unto those who still seek here" And whatever harm
the evil may do, the harm done by the good is the most
harmful harm. And whatever harm those do who slander the world, the harm done by the good is the most
harmful harm.
o my brothers, one man once saw into the hearts of
the good and the just and said, "They are the pharisees." But he was not understood. The good and the
just themselves were not permitted to understand him:
their spirit is imprisoned in their good conscience. The
stupidity of the good is unfathomably shrewd. This,
however, is the truth: the good must be pharisees they have no choice. The good must crucify him who
invents his own virtue. That is the truth
The second one, however, who discovered their land
-the land, heart, and soil of the good and the justwas he who asked, "Whom do they hate most?" The
creator they hate most: he breaks tablets and old values.
He is a breaker, they call him lawbreaker. For the good
are unable to create; they are always the beginning of
the end: they crucify him who writes new values on
new tablets; they sacrifice the future to themselves they crucify all man's future.
The good have always been the beginning of the end.
27
O my brothers, have you really understood this word?
And what I once said concerning the 'last man"? Who
represents the greatest danger for all of man's future?
Is it not the good and the just? Break, break the good
and the just! 0 my brothers, have you really understood
this word?
28
You flee from me? You are frightened? You tremble
at this word?
o my brothers, when I bade you break the good and
the tablets of the good, only then did I embark man on
his high sea. And only now does there come to him the
great fright, the great looking-around, the great sickness, the great nausea, the great seasickness.
False coasts and false assurances the good have
taught you; in the lies of the good you were hatched
and huddled. Everything has been made fraudulent and
has been twisted through and through by the good.
But he who discovered the land "man," also discovered the land "man's future." Now you shall be seafarers, valiant and patient. Walk upright betimes, 0 my
brothers; learn to walk upright. The sea is raging; many
want to right themselves again with your help. The sea
is raging; everything is in the sea. Well then, old sea
dogs What of fatherland? Our helm steers us toward
our children's land Out there, stormier than the sea,
storms our great longingly
214
29
"Why so hard?" the kitchen coal once said to the
diamond. "After all, are we not close kin?"
Why so soft? 0 my brothers, thus I ask you: are you
not after all my brothers?
Why so soft, so pliant and yielding? Why is there so
much denial, self-denial, in your hearts? So little destiny
in your eyes?
And if you do not want to be destinies and inexorable
ones, how can you triumph with me?
And if your hardness does not wish to flash and cut
and cut through, how can you one day create with me?
For creators are hard. And it must seem blessedness
to you to impress your hand on millennia as on wax,
Blessedness to write on the will of millennia as on
bronze-harder than bronze, nobler than bronze. Only
the noblest is altoge ther hard.
This new tablet, 0 my brothers, I place over you:
become hard!
30
0 thou my will Thou cessation of all need, my own
necessity Keep me from all small victories! Thou destination of my soul, which I call destiny! Thou in-mel
Over-mel Keep me and save me for a great destiny
And thy last greatness, my will, save up for thy last
feat that thou mayest be inexorable in thy victory. Alas,
who was not vanquished in his victory? Alas, whose
eye would not darken in this drunken twilight? Alas,
whose foot would not reel in victory and forget how to
stand?
That I may one day be ready and ripe in the great
noon: as ready and ripe as glowing bronze, clouds
pregnant with lightning, and swelling milk udders-
215
ready for myself and my most hidden will: a bow lusting for its arrow, an arrow lusting for its star-a star
ready and ripe in its noon, glowing, pierced, enraptured
by annihilating sun arrows-a sun itself and an inexorable solar will, ready to annihilate in victory
O will, cessation of all need, my own necessity Save
me for a great victory!
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON OLD AND NEW TABLETS
,#NFDB
716:The Great Adventure Of Max Breuck
A yellow band of light upon the street
Pours from an open door, and makes a wide
Pathway of bright gold across a sheet
Of calm and liquid moonshine. From inside
Come shouts and streams of laughter, and a snatch
Of song, soon drowned and lost again in mirth,
The clip of tankards on a table top,
And stir of booted heels. Against the patch
Of candle-light a shadow falls, its girth
Proclaims the host himself, and master of his shop.
This is the tavern of one Hilverdink,
Jan Hilverdink, whose wines are much esteemed.
Within his cellar men can have to drink
The rarest cordials old monks ever schemed
To coax from pulpy grapes, and with nice art
Improve and spice their virgin juiciness.
Here froths the amber beer of many a brew,
Crowning each pewter tankard with as smart
A cap as ever in his wantonness
Winter set glittering on top of an old yew.
Tall candles stand upon the table, where
Are twisted glasses, ruby-sparked with wine,
Clarets and ports. Those topaz bumpers were
Drained from slim, long-necked bottles of the Rhine.
The centre of the board is piled with pipes,
Slender and clean, the still unbaptized clay
Awaits its burning fate. Behind, the vault
Stretches from dim to dark, a groping way
Bordered by casks and puncheons, whose brass stripes
326
And bands gleam dully still, beyond the gay tumult.
'For good old Master Hilverdink, a toast!'
Clamoured a youth with tassels on his boots.
'Bring out your oldest brandy for a boast,
From that small barrel in the very roots
Of your deep cellar, man. Why here is Max!
Ho! Welcome, Max, you're scarcely here in time.
We want to drink to old Jan's luck, and smoke
His best tobacco for a grand climax.
Here, Jan, a paper, fragrant as crushed thyme,
We'll have the best to wish you luck, or may we choke!'
Max Breuck unclasped his broadcloth cloak, and sat.
'Well thought of, Franz; here's luck to Mynheer Jan.'
The host set down a jar; then to a vat
Lost in the distance of his cellar, ran.
Max took a pipe as graceful as the stem
Of some long tulip, crammed it full, and drew
The pungent smoke deep to his grateful lung.
It curled all blue throughout the cave and flew
Into the silver night. At once there flung
Into the crowded shop a boy, who cried to them:
'Oh, sirs, is there some learned lawyer here,
Some advocate, or all-wise counsellor?
My master sent me to inquire where
Such men do mostly be, but every door
Was shut and barred, for late has grown the hour.
I pray you tell me where I may now find
One versed in law, the matter will not wait.'
'I am a lawyer, boy,' said Max, 'my mind
Is not locked to my business, though 'tis late.
327
I shall be glad to serve what way is in my power.
Then once more, cloaked and ready, he set out,
Tripping the footsteps of the eager boy
Along the dappled cobbles, while the rout
Within the tavern jeered at his employ.
Through new-burst elm leaves filtered the white moon,
Who peered and splashed between the twinkling boughs,
Flooded the open spaces, and took flight
Before tall, serried houses in platoon,
Guarded by shadows. Past the Custom House
They took their hurried way in the Spring-scented night.
Before a door which fronted a canal
The boy halted. A dim tree-shaded spot.
The water lapped the stones in musical
And rhythmic tappings, and a galliot
Slumbered at anchor with no light aboard.
The boy knocked twice, and steps approached. A flame
Winked through the keyhole, then a key was turned,
And through the open door Max went toward
Another door, whence sound of voices came.
He entered a large room where candelabra burned.
An aged man in quilted dressing gown
Rose up to greet him. 'Sir,' said Max, 'you sent
Your messenger to seek throughout the town
A lawyer. I have small accomplishment,
But I am at your service, and my name
Is Max Breuck, Counsellor, at your command.'
'Mynheer,' replied the aged man, 'obliged
Am I, and count myself much privileged.
I am Cornelius Kurler, and my fame
328
Is better known on distant oceans than on land.
10
My ship has tasted water in strange seas,
And bartered goods at still uncharted isles.
She's oft coquetted with a tropic breeze,
And sheered off hurricanes with jaunty smiles.'
'Tush, Kurler,' here broke in the other man,
'Enough of poetry, draw the deed and sign.'
The old man seemed to wizen at the voice,
'My good friend, Grootver, --' he at once began.
'No introductions, let us have some wine,
And business, now that you at last have made your choice.'
11
A harsh and disagreeable man he proved to be,
This Grootver, with no single kindly thought.
Kurler explained, his old hands nervously
Twisting his beard. His vessel he had bought
From Grootver. He had thought to soon repay
The ducats borrowed, but an adverse wind
Had so delayed him that his cargo brought
But half its proper price, the very day
He came to port he stepped ashore to find
The market glutted and his counted profits naught.
12
Little by little Max made out the way
That Grootver pressed that poor harassed old man.
His money he must have, too long delay
Had turned the usurer to a ruffian.
'But let me take my ship, with many bales
Of cotton stuffs dyed crimson, green, and blue,
Cunningly patterned, made to suit the taste
Of mandarin's ladies; when my battered sails
Open for home, such stores will I bring you
329
That all your former ventures will be counted waste.
13
Such light and foamy silks, like crinkled cream,
And indigo more blue than sun-whipped seas,
Spices and fragrant trees, a massive beam
Of sandalwood, and pungent China teas,
Tobacco, coffee!' Grootver only laughed.
Max heard it all, and worse than all he heard
The deed to which the sailor gave his word.
He shivered, 'twas as if the villain gaffed
The old man with a boat-hook; bleeding, spent,
He begged for life nor knew at all the road he went.
14
For Kurler had a daughter, young and gay,
Carefully reared and shielded, rarely seen.
But on one black and most unfriendly day
Grootver had caught her as she passed between
The kitchen and the garden. She had run
In fear of him, his evil leering eye,
And when he came she, bolted in her room,
Refused to show, though gave no reason why.
The spinning of her future had begun,
On quiet nights she heard the whirring of her doom.
15
Max mended an old goosequill by the fire,
Loathing his work, but seeing no thing to do.
He felt his hands were building up the pyre
To burn two souls, and seized with vertigo
He staggered to his chair. Before him lay
White paper still unspotted by a crime.
'Now, young man, write,' said Grootver in his ear.
'`If in two years my vessel should yet stay
From Amsterdam, I give Grootver, sometime
330
A friend, my daughter for his lawful wife.' Now swear.'
16
And Kurler swore, a palsied, tottering sound,
And traced his name, a shaking, wandering line.
Then dazed he sat there, speechless from his wound.
Grootver got up: 'Fair voyage, the brigantine!'
He shuffled from the room, and left the house.
His footsteps wore to silence down the street.
At last the aged man began to rouse.
With help he once more gained his trembling feet.
'My daughter, Mynheer Breuck, is friendless now.
Will you watch over her? I ask a solemn vow.'
17
Max laid his hand upon the old man's arm,
'Before God, sir, I vow, when you are gone,
So to protect your daughter from all harm
As one man may.' Thus sorrowful, forlorn,
The situation to Max Breuck appeared,
He gave his promise almost without thought,
Nor looked to see a difficulty. 'Bred
Gently to watch a mother left alone;
Bound by a dying father's wish, who feared
The world's accustomed harshness when he should be dead;
18
Such was my case from youth, Mynheer Kurler.
Last Winter she died also, and my days
Are passed in work, lest I should grieve for her,
And undo habits used to earn her praise.
My leisure I will gladly give to see
Your household and your daughter prosperous.'
The sailor said his thanks, but turned away.
He could not brook that his humility,
So little wonted, and so tremulous,
331
Should first before a stranger make such great display.
19
'Come here to-morrow as the bells ring noon,
I sail at the full sea, my daughter then
I will make known to you. 'Twill be a boon
If after I have bid good-by, and when
Her eyeballs scorch with watching me depart,
You bring her home again. She lives with one
Old serving-woman, who has brought her up.
But that is no friend for so free a heart.
No head to match her questions. It is done.
And I must sail away to come and brim her cup.
20
My ship's the fastest that owns Amsterdam
As home, so not a letter can you send.
I shall be back, before to where I am
Another ship could reach. Now your stipend --'
Quickly Breuck interposed. 'When you once more
Tread on the stones which pave our streets. -- Good night!
To-morrow I will be, at stroke of noon,
At the great wharf.' Then hurrying, in spite
Of cake and wine the old man pressed upon
Him ere he went, he took his leave and shut the door.
21
'Twas noon in Amsterdam, the day was clear,
And sunshine tipped the pointed roofs with gold.
The brown canals ran liquid bronze, for here
The sun sank deep into the waters cold.
And every clock and belfry in the town
Hammered, and struck, and rang. Such peals of bells,
To shake the sunny morning into life,
And to proclaim the middle, and the crown,
Of this most sparkling daytime! The crowd swells,
332
Laughing and pushing toward the quays in friendly strife.
22
The 'Horn of Fortune' sails away to-day.
At highest tide she lets her anchor go,
And starts for China. Saucy popinjay!
Giddy in freshest paint she curtseys low,
And beckons to her boats to let her start.
Blue is the ocean, with a flashing breeze.
The shining waves are quick to take her part.
They push and spatter her. Her sails are loose,
Her tackles hanging, waiting men to seize
And haul them taut, with chanty-singing, as they choose.
23
At the great wharf's edge Mynheer Kurler stands,
And by his side, his daughter, young Christine.
Max Breuck is there, his hat held in his hands,
Bowing before them both. The brigantine
Bounces impatient at the long delay,
Curvets and jumps, a cable's length from shore.
A heavy galliot unloads on the walls
Round, yellow cheeses, like gold cannon balls
Stacked on the stones in pyramids. Once more
Kurler has kissed Christine, and now he is away.
24
Christine stood rigid like a frozen stone,
Her hands wrung pale in effort at control.
Max moved aside and let her be alone,
For grief exacts each penny of its toll.
The dancing boat tossed on the glinting sea.
A sun-path swallowed it in flaming light,
Then, shrunk a cockleshell, it came again
Upon the other side. Now on the lee
It took the 'Horn of Fortune'. Straining sight
333
Could see it hauled aboard, men pulling on the crane.
25
Then up above the eager brigantine,
Along her slender masts, the sails took flight,
Were sheeted home, and ropes were coiled. The shine
Of the wet anchor, when its heavy weight
Rose splashing to the deck. These things they saw,
Christine and Max, upon the crowded quay.
They saw the sails grow white, then blue in shade,
The ship had turned, caught in a windy flaw
She glided imperceptibly away,
Drew farther off and in the bright sky seemed to fade.
26
Home, through the emptying streets, Max took Christine,
Who would have hid her sorrow from his gaze.
Before the iron gateway, clasped between
Each garden wall, he stopped. She, in amaze,
Asked, 'Do you enter not then, Mynheer Breuck?
My father told me of your courtesy.
Since I am now your charge, 'tis meet for me
To show such hospitality as maiden may,
Without disdaining rules must not be broke.
Katrina will have coffee, and she bakes today.'
27
She straight unhasped the tall, beflowered gate.
Curled into tendrils, twisted into cones
Of leaves and roses, iron infoliate,
It guards the pleasance, and its stiffened bones
Are budded with much peering at the rows,
And beds, and arbours, which it keeps inside.
Max started at the beauty, at the glare
Of tints. At either end was set a wide
Path strewn with fine, red gravel, and such shows
334
Of tulips in their splendour flaunted everywhere!
28
From side to side, midway each path, there ran
A longer one which cut the space in two.
And, like a tunnel some magician
Has wrought in twinkling green, an alley grew,
Pleached thick and walled with apple trees; their flowers
Incensed the garden, and when Autumn came
The plump and heavy apples crowding stood
And tapped against the arbour. Then the dame
Katrina shook them down, in pelting showers
They plunged to earth, and died transformed to sugared food.
29
Against the high, encircling walls were grapes,
Nailed close to feel the baking of the sun
From glowing bricks. Their microscopic shapes
Half hidden by serrated leaves. And one
Old cherry tossed its branches near the door.
Bordered along the wall, in beds between,
Flickering, streaming, nodding in the air,
The pride of all the garden, there were more
Tulips than Max had ever dreamed or seen.
They jostled, mobbed, and danced. Max stood at helpless stare.
30
'Within the arbour, Mynheer Breuck, I'll bring
Coffee and cakes, a pipe, and Father's best
Tobacco, brought from countries harbouring
Dawn's earliest footstep. Wait.' With girlish zest
To please her guest she flew. A moment more
She came again, with her old nurse behind.
Then, sitting on the bench and knitting fast,
She talked as someone with a noble store
Of hidden fancies, blown upon the wind,
335
Eager to flutter forth and leave their silent past.
31
The little apple leaves above their heads
Let fall a quivering sunshine. Quiet, cool,
In blossomed boughs they sat. Beyond, the beds
Of tulips blazed, a proper vestibule
And antechamber to the rainbow. Dyes
Of prismed richness: Carmine. Madder. Blues
Tinging dark browns to purple. Silvers flushed
To amethyst and tinct with gold. Round eyes
Of scarlet, spotting tender saffron hues.
Violets sunk to blacks, and reds in orange crushed.
32
Of every pattern and in every shade.
Nacreous, iridescent, mottled, checked.
Some purest sulphur-yellow, others made
An ivory-white with disks of copper flecked.
Sprinkled and striped, tasselled, or keenest edged.
Striated, powdered, freckled, long or short.
They bloomed, and seemed strange wonder-moths new-fledged,
Born of the spectrum wedded to a flame.
The shade within the arbour made a port
To o'ertaxed eyes, its still, green twilight rest became.
33
Her knitting-needles clicked and Christine talked,
This child matured to woman unaware,
The first time left alone. Now dreams once balked
Found utterance. Max thought her very fair.
Beneath her cap her ornaments shone gold,
And purest gold they were. Kurler was rich
And heedful. Her old maiden aunt had died
Whose darling care she was. Now, growing bold,
She asked, had Max a sister? Dropped a stitch
336
At her own candour. Then she paused and softly sighed.
34
Two years was long! She loved her father well,
But fears she had not. He had always been
Just sailed or sailing. And she must not dwell
On sad thoughts, he had told her so, and seen
Her smile at parting. But she sighed once more.
Two years was long; 'twas not one hour yet!
Mynheer Grootver she would not see at all.
Yes, yes, she knew, but ere the date so set,
The 'Horn of Fortune' would be at the wall.
When Max had bid farewell, she watched him from the door.
35
The next day, and the next, Max went to ask
The health of Jufvrouw Kurler, and the news:
Another tulip blown, or the great task
Of gathering petals which the high wind strews;
The polishing of floors, the pictured tiles
Well scrubbed, and oaken chairs most deftly oiled.
Such things were Christine's world, and his was she
Winter drew near, his sun was in her smiles.
Another Spring, and at his law he toiled,
Unspoken hope counselled a wise efficiency.
36
Max Breuck was honour's soul, he knew himself
The guardian of this girl; no more, no less.
As one in charge of guineas on a shelf
Loose in a china teapot, may confess
His need, but may not borrow till his friend
Comes back to give. So Max, in honour, said
No word of love or marriage; but the days
He clipped off on his almanac. The end
Must come! The second year, with feet of lead,
337
Lagged slowly by till Spring had plumped the willow sprays.
37
Two years had made Christine a woman grown,
With dignity and gently certain pride.
But all her childhood fancies had not flown,
Her thoughts in lovely dreamings seemed to glide.
Max was her trusted friend, did she confess
A closer happiness? Max could not tell.
Two years were over and his life he found
Sphered and complete. In restless eagerness
He waited for the 'Horn of Fortune'. Well
Had he his promise kept, abating not one pound.
38
Spring slipped away to Summer. Still no glass
Sighted the brigantine. Then Grootver came
Demanding Jufvrouw Kurler. His trespass
Was justified, for he had won the game.
Christine begged time, more time! Midsummer went,
And Grootver waxed impatient. Still the ship
Tarried. Christine, betrayed and weary, sank
To dreadful terrors. One day, crazed, she sent
For Max. 'Come quickly,' said her note, 'I skip
The worst distress until we meet. The world is blank.'
39
Through the long sunshine of late afternoon
Max went to her. In the pleached alley, lost
In bitter reverie, he found her soon.
And sitting down beside her, at the cost
Of all his secret, 'Dear,' said he, 'what thing
So suddenly has happened?' Then, in tears,
She told that Grootver, on the following morn,
Would come to marry her, and shuddering:
'I will die rather, death has lesser fears.'
338
Max felt the shackles drop from the oath which he had sworn.
40
'My Dearest One, the hid joy of my heart!
I love you, oh! you must indeed have known.
In strictest honour I have played my part;
But all this misery has overthrown
My scruples. If you love me, marry me
Before the sun has dipped behind those trees.
You cannot be wed twice, and Grootver, foiled,
Can eat his anger. My care it shall be
To pay your father's debt, by such degrees
As I can compass, and for years I've greatly toiled.
41
This is not haste, Christine, for long I've known
My love, and silence forced upon my lips.
I worship you with all the strength I've shown
In keeping faith.' With pleading finger tips
He touched her arm. 'Christine! Beloved! Think.
Let us not tempt the future. Dearest, speak,
I love you. Do my words fall too swift now?
They've been in leash so long upon the brink.'
She sat quite still, her body loose and weak.
Then into him she melted, all her soul at flow.
42
And they were married ere the westering sun
Had disappeared behind the garden trees.
The evening poured on them its benison,
And flower-scents, that only night-time frees,
Rose up around them from the beamy ground,
Silvered and shadowed by a tranquil moon.
Within the arbour, long they lay embraced,
In such enraptured sweetness as they found
Close-partnered each to each, and thinking soon
339
To be enwoven, long ere night to morning faced.
43
At last Max spoke, 'Dear Heart, this night is ours,
To watch it pale, together, into dawn,
Pressing our souls apart like opening flowers
Until our lives, through quivering bodies drawn,
Are mingled and confounded. Then, far spent,
Our eyes will close to undisturbed rest.
For that desired thing I leave you now.
To pinnacle this day's accomplishment,
By telling Grootver that a bootless quest
Is his, and that his schemes have met a knock-down blow.'
44
But Christine clung to him with sobbing cries,
Pleading for love's sake that he leave her not.
And wound her arms about his knees and thighs
As he stood over her. With dread, begot
Of Grootver's name, and silence, and the night,
She shook and trembled. Words in moaning plaint
Wooed him to stay. She feared, she knew not why,
Yet greatly feared. She seemed some anguished saint
Martyred by visions. Max Breuck soothed her fright
With wisdom, then stepped out under the cooling sky.
45
But at the gate once more she held him close
And quenched her heart again upon his lips.
'My Sweetheart, why this terror? I propose
But to be gone one hour! Evening slips
Away, this errand must be done.' 'Max! Max!
First goes my father, if I lose you now!'
She grasped him as in panic lest she drown.
Softly he laughed, 'One hour through the town
By moonlight! That's no place for foul attacks.
340
Dearest, be comforted, and clear that troubled brow.
46
One hour, Dear, and then, no more alone.
We front another day as man and wife.
I shall be back almost before I'm gone,
And midnight shall anoint and crown our life.'
Then through the gate he passed. Along the street
She watched his buttons gleaming in the moon.
He stopped to wave and turned the garden wall.
Straight she sank down upon a mossy seat.
Her senses, mist-encircled by a swoon,
Swayed to unconsciousness beneath its wreathing pall.
47
Briskly Max walked beside the still canal.
His step was firm with purpose. Not a jot
He feared this meeting, nor the rancorous gall
Grootver would spit on him who marred his plot.
He dreaded no man, since he could protect
Christine. His wife! He stopped and laughed aloud.
His starved life had not fitted him for joy.
It strained him to the utmost to reject
Even this hour with her. His heart beat loud.
'Damn Grootver, who can force my time to this employ!'
48
He laughed again. What boyish uncontrol
To be so racked. Then felt his ticking watch.
In half an hour Grootver would know the whole.
And he would be returned, lifting the latch
Of his own gate, eager to take Christine
And crush her to his lips. How bear delay?
He broke into a run. In front, a line
Of candle-light banded the cobbled street.
Hilverdink's tavern! Not for many a day
341
Had he been there to take his old, accustomed seat.
49
'Why, Max! Stop, Max!' And out they came pell-mell,
His old companions. 'Max, where have you been?
Not drink with us? Indeed you serve us well!
How many months is it since we have seen
You here? Jan, Jan, you slow, old doddering goat!
Here's Mynheer Breuck come back again at last,
Stir your old bones to welcome him. Fie, Max.
Business! And after hours! Fill your throat;
Here's beer or brandy. Now, boys, hold him fast.
Put down your cane, dear man. What really vicious whacks!'
50
They forced him to a seat, and held him there,
Despite his anger, while the hideous joke
Was tossed from hand to hand. Franz poured with care
A brimming glass of whiskey. 'Here, we've broke
Into a virgin barrel for you, drink!
Tut! Tut! Just hear him! Married! Who, and when?
Married, and out on business. Clever Spark!
Which lie's the likeliest? Come, Max, do think.'
Swollen with fury, struggling with these men,
Max cursed hilarity which must needs have a mark.
51
Forcing himself to steadiness, he tried
To quell the uproar, told them what he dared
Of his own life and circumstance. Implied
Most urgent matters, time could ill be spared.
In jesting mood his comrades heard his tale,
And scoffed at it. He felt his anger more
Goaded and bursting; -- 'Cowards! Is no one loth
To mock at duty --' Here they called for ale,
And forced a pipe upon him. With an oath
342
He shivered it to fragments on the earthen floor.
52
Sobered a little by his violence,
And by the host who begged them to be still,
Nor injure his good name, 'Max, no offence,'
They blurted, 'you may leave now if you will.'
'One moment, Max,' said Franz. 'We've gone too far.
I ask your pardon for our foolish joke.
It started in a wager ere you came.
The talk somehow had fall'n on drugs, a jar
I brought from China, herbs the natives smoke,
Was with me, and I thought merely to play a game.
53
Its properties are to induce a sleep
Fraught with adventure, and the flight of time
Is inconceivable in swiftness. Deep
Sunken in slumber, imageries sublime
Flatter the senses, or some fearful dream
Holds them enmeshed. Years pass which on the clock
Are but so many seconds. We agreed
That the next man who came should prove the scheme;
And you were he. Jan handed you the crock.
Two whiffs! And then the pipe was broke, and you were freed.'
54
'It is a lie, a damned, infernal lie!'
Max Breuck was maddened now. 'Another jest
Of your befuddled wits. I know not why
I am to be your butt. At my request
You'll choose among you one who'll answer for
Your most unseasonable mirth. Good-night
And good-by, -- gentlemen. You'll hear from me.'
But Franz had caught him at the very door,
'It is no lie, Max Breuck, and for your plight
343
I am to blame. Come back, and we'll talk quietly.
55
You have no business, that is why we laughed,
Since you had none a few minutes ago.
As to your wedding, naturally we chaffed,
Knowing the length of time it takes to do
A simple thing like that in this slow world.
Indeed, Max, 'twas a dream. Forgive me then.
I'll burn the drug if you prefer.' But Breuck
Muttered and stared, -- 'A lie.' And then he hurled,
Distraught, this word at Franz: 'Prove it. And when
It's proven, I'll believe. That thing shall be your work.
56
I'll give you just one week to make your case.
On August thirty-first, eighteen-fourteen,
I shall require your proof.' With wondering face
Franz cried, 'A week to August, and fourteen
The year! You're mad, 'tis April now.
April, and eighteen-twelve.' Max staggered, caught
A chair, -- 'April two years ago! Indeed,
Or you, or I, are mad. I know not how
Either could blunder so.' Hilverdink brought
'The Amsterdam Gazette', and Max was forced to read.
57
'Eighteen hundred and twelve,' in largest print;
And next to it, 'April the twenty-first.'
The letters smeared and jumbled, but by dint
Of straining every nerve to meet the worst,
He read it, and into his pounding brain
Tumbled a horror. Like a roaring sea
Foreboding shipwreck, came the message plain:
'This is two years ago! What of Christine?'
He fled the cellar, in his agony
344
Running to outstrip Fate, and save his holy shrine.
58
The darkened buildings echoed to his feet
Clap-clapping on the pavement as he ran.
Across moon-misted squares clamoured his fleet
And terror-winged steps. His heart began
To labour at the speed. And still no sign,
No flutter of a leaf against the sky.
And this should be the garden wall, and round
The corner, the old gate. No even line
Was this! No wall! And then a fearful cry
Shattered the stillness. Two stiff houses filled the ground.
59
Shoulder to shoulder, like dragoons in line,
They stood, and Max knew them to be the ones
To right and left of Kurler's garden. Spine
Rigid next frozen spine. No mellow tones
Of ancient gilded iron, undulate,
Expanding in wide circles and broad curves,
The twisted iron of the garden gate,
Was there. The houses touched and left no space
Between. With glassy eyes and shaking nerves
Max gazed. Then mad with fear, fled still, and left that place.
60
Stumbling and panting, on he ran, and on.
His slobbering lips could only cry, 'Christine!
My Dearest Love! My Wife! Where are you gone?
What future is our past? What saturnine,
Sardonic devil's jest has bid us live
Two years together in a puff of smoke?
It was no dream, I swear it! In some star,
Or still imprisoned in Time's egg, you give
Me love. I feel it. Dearest Dear, this stroke
345
Shall never part us, I will reach to where you are.'
61
His burning eyeballs stared into the dark.
The moon had long been set. And still he cried:
'Christine! My Love! Christine!' A sudden spark
Pricked through the gloom, and shortly Max espied
With his uncertain vision, so within
Distracted he could scarcely trust its truth,
A latticed window where a crimson gleam
Spangled the blackness, and hung from a pin,
An iron crane, were three gilt balls. His youth
Had taught their meaning, now they closed upon his dream.
62
Softly he knocked against the casement, wide
It flew, and a cracked voice his business there
Demanded. The door opened, and inside
Max stepped. He saw a candle held in air
Above the head of a gray-bearded Jew.
'Simeon Isaacs, Mynheer, can I serve
You?' 'Yes, I think you can. Do you keep arms?
I want a pistol.' Quick the old man grew
Livid. 'Mynheer, a pistol! Let me swerve
You from your purpose. Life brings often false alarms --'
63
'Peace, good old Isaacs, why should you suppose
My purpose deadly. In good truth I've been
Blest above others. You have many rows
Of pistols it would seem. Here, this shagreen
Case holds one that I fancy. Silvered mounts
Are to my taste. These letters `C. D. L.'
Its former owner? Dead, you say. Poor Ghost!
'Twill serve my turn though --' Hastily he counts
The florins down upon the table. 'Well,
346
Good-night, and wish me luck for your to-morrow's toast.'
64
Into the night again he hurried, now
Pale and in haste; and far beyond the town
He set his goal. And then he wondered how
Poor C. D. L. had come to die. 'It's grown
Handy in killing, maybe, this I've bought,
And will work punctually.' His sorrow fell
Upon his senses, shutting out all else.
Again he wept, and called, and blindly fought
The heavy miles away. 'Christine. I'm well.
I'm coming. My Own Wife!' He lurched with failing pulse.
65
Along the dyke the keen air blew in gusts,
And grasses bent and wailed before the wind.
The Zuider Zee, which croons all night and thrusts
Long stealthy fingers up some way to find
And crumble down the stones, moaned baffled. Here
The wide-armed windmills looked like gallows-trees.
No lights were burning in the distant thorps.
Max laid aside his coat. His mind, half-clear,
Babbled 'Christine!' A shot split through the breeze.
The cold stars winked and glittered at his chilling corpse.
~ Amy Lowell,#NFDB
717: Book II: The Book of the Statesman
Now from his cycle sleepless and vast round the dance of the earth-globe
Gold Hyperion rose in the wake of the dawn like the eyeball
Flaming of God revealed by his uplifted luminous eyelid.
Troy he beheld and he viewed the transient labour of mortals.
All her marble beauty and pomp were laid bare to the heavens.
Sunlight streamed into Ilion waking the voice of her gardens,
Amorous seized on her ways, lived glad in her plains and her pastures,
Kissed her leaves into brightness of green. As a lover the last time
Yearns to the beauty desired that again shall not wake to his kisses,
So over Ilion doomed leaned the yearning immense of the sunrise.
She like a wordless marble memory dreaming for ever
Lifted the gaze of her perishable immortality sunwards.
All her human past aspired in the clearness eternal,
Temples of Phryx and Dardanus touched with the gold of the morning,
Columns triumphant of Ilus, domes of their greatness enamoured,
Stones that intended to live; and her citadel climbed up to heaven
White like the soul of the Titan Laomedon claiming his kingdoms,
Watched with alarm by the gods as he came. Her bosom maternal
Thrilled to the steps of her sons and a murmur began in her high-roads.
Life renewed its ways which death and sleep cannot alter,
Life that pursuing her boundless march to a goal which we know not,
Ever her own law obeys, not our hopes, who are slaves of her heart-beats.
Then as now men walked in the round which the gods have decreed them
Eagerly turning their eyes to the lure and the tool and the labour.
Chained is their gaze to the span in front, to the gulfs they are blinded
Meant for their steps. The seller opened his shop and the craftsman
Bent oer his instruments handling the work he never would finish,
Busy as if their lives were for ever, today in its evening
Sure of tomorrow. The hammers clanged and the voice of the markets
Waking desired its daily rumour. Nor only the craftsman,
Only the hopes of the earth, but the hearts of her votaries kneeling
Came to her marble shrines and upraised to our helpers eternal
Missioned the prayer and the hymn or silent, subtly adoring
Ventured upwards in incense. Loud too the clash of the cymbals
Filled all the temples of Troy with the cry of our souls to the azure.
Prayers breathed in vain and a cry that fell back with Fate for its answer!
Children laughed in her doorways; joyous they played, by their mothers
Smiled on still, but their tender bodies unknowing awaited
Grecian spearpoints sharpened by Fate for their unripe bosoms,
Tasks of the slave in Greece. Like bees round their honey-filled dwellings
Murmuring swarmed to the well-heads the large-eyed daughters of Troya,
Deep-bosomed, limbed like the gods,glad faces of old that were sentient
Rapturous flowers of the soul, bright bodies that lived under darkness
Nobly massed of their locks like day under night made resplendent,
Daughters divine of the earth in the ages when heaven was our father.
They round Troys well-heads flowerlike satisfied morn with their beauty
Or in the river baring their knees to the embrace of the coolness
Dipped their white feet in the clutch of his streams, in the haste of Scamander,
Lingering this last time with laughter and talk of the day and the morrow
Leaned to the hurrying flood. All his swiftnesses raced down to meet them,
Crowding his channel with dancing billows and turbulent murmurs.
Xanthus primaeval met these waves of our life in its passing
Even as of old he had played with Troys ancient fair generations
Mingling his deathless voice with the laughter and joy of their ages,
Laughter of dawns that are dead and a joy that the earth has rejected.
Still his whispering trees remembered their bygone voices.
Hast thou forgotten, O river of Troy? Still, still we can hear them
Now, if we listen long in our souls, the bygone voices.
Earth in her fibres remembers, the breezes are stored with our echoes.
Over the stone-hewn steps for their limpid orient waters
Joyous they leaned and they knew not yet of the wells of Mycenae,
Drew not yet from Eurotas the jar for an alien master,
Mixed not Peneus yet with their tears. From the clasp of the current
Now in their groups they arose and dispersed through the streets and the byways,
Turned from the freedom of earth to the works and the joy of the hearthside,
Lightly they rose and returned through the lanes of the wind-haunted city
Swaying with rhythmical steps while the anklets jangled and murmured.
Silent temples saw them passing; you too, O houses
Built with such hopes by mortal man for his transient lodging;
Fragrant the gardens strewed on dark tresses their white-smiling jasmines
Dropped like a silent boon of purity soft from the branches:
Flowers by the wayside were budding, cries flew winged round the tree-tops.
Bright was the glory of life in Ilion city of Priam.
Thrice to the city the doom-blast published its solemn alarum;
Blast of the trumpets that call to assembly clamoured through Troya
Thrice and were still. From garden and highway, from palace and temple
Turned like a steed to the trumpet, rejoicing in war and ambition,
Gathered alert to the call the democracy hated of heaven.
First in their ranks upbearing their age as Atlas his heavens,
Eagle-crested, with hoary hair like the snow upon Ida,
Ilions senators paced, Antenor and wide-browed Anchises,
Athamas famous for ships and the war of the waters, Tryas
Still whose name was remembered by Oxus the orient river,
Astyoches and Ucalegon, dateless Pallachus, Aetor,
Aspetus who of the secrets divine knew all and was silent,
Ascanus, Iliones, Alcesiphron, Orus, Aretes.
Next from the citadel came with the voice of the heralds before him
Priam and Priams sons, Aeneas leonine striding,
Followed by the heart of a nation adoring her Penthesilea.
All that was noble in Troy attended the regal procession
Marching in front and behind and the tramp of their feet was a rhythm
Tuned to the arrogant fortunes of Ilion ruled by incarnate
Demigods, Ilus and Phryx and Dardanus, Tros of the conquests,
Tros and far-ruling Laomedon who to his souls strong labour
Drew down the sons of the skies and was served by the ageless immortals.
Into the agora vast and aspirant besieged by its columns
Bathed and anointed they came like gods in their beauty and grandeur.
Last like the roar of the winds came trampling the surge of the people.
Clamorous led by a force obscure to its ultimate fatal
Session of wrath the violent mighty democracy hastened;
Thousands of ardent lives with the heart yet unslain in their bosoms
Lifted to heaven the voice of man and his far-spreading rumour.
Singing the young men with banners marched in their joyous processions,
Trod in martial measure or dancing with lyrical paces
Chanted the glory of Troy and the wonderful deeds of their fathers.
Into the columned assembly where Ilus had gathered his people,
Thousands on thousands the tramp and the murmur poured; in their armoured
Glittering tribes they were ranked, an untameable high-hearted nation
Waiting the voice of its chiefs. Some gazed on the greatness of Priam
Ancient, remote from their days, the last of the gods who were passing,
Left like a soul uncompanioned in worlds where his strength shall not conquer:
Sole like a column gigantic alone on a desolate hill-side
Older than mortals he seemed and mightier. Many in anger
Aimed their hostile looks where calm though by heaven abandoned,
Left to his soul and his lucid mind and its thoughts unavailing,
Leading the age-chilled few whom the might of their hearts had not blinded,
Famous Antenor was seated, the fallen unpopular statesman,
Wisest of speakers in Troy but rejected, stoned and dishonoured.
Silent, aloof from the people he sat, a heart full of ruins.
Low was the rumour that swelled like the hum of the bees in a meadow
When with the thirst of the honey they swarm on the thyme and the linden,
Hundreds humming and flitting till all that place is a murmur.
Then from his seat like a tower arising Priam the monarch
Slowly erect in his vast tranquillity silenced the people:
Lonely, august he stood like one whom death has forgotten,
Reared like a column of might and of silence over the assembly.
So Olympus rises alone with his snows into heaven.
Crowned were his heights by the locks that swept like the mass of the snow-swathe
Clothing his giant shoulders; his eyes of deep meditation,
Eyes that beheld now the end and accepted it like the beginning
Gazed on the throng of the people as on a pomp that is painted:
Slowly he spoke like one who is far from the scenes where he sojourns.
Leader of Ilion, hero Deiphobus, thou who hast summoned
Troy in her people, arise; say wherefore thou callest us. Evil
Speak thou or good, thou canst speak that only: Necessity fashions
All that the unseen eye has beheld. Speak then to the Trojans;
Say on this dawn of her making what issue of death or of triumph
Fate in her suddenness puts to the unseeing, what summons to perish
Send to this nation men who revolt and gods who are hostile.
Rising Deiphobus spoke, in stature less than his father,
Less in his build, yet the mightiest man and tallest whom coursers
Bore or his feet to the fight since Ajax fell by the Xanthus.
People of Ilion, long have you fought with the gods and the Argives
Slaying and slain, but the years persist and the struggle is endless.
Fainting your helpers cease from the battle, the nations forsake you.
Asia weary of strenuous greatness, ease-enamoured
Suffers the foot of the Greek to tread on the beaches of Troas.
Yet have we striven for Troy and for Asia, men who desert us.
Not for ourselves alone have we fought, for our life of a moment!
Once if the Greeks were triumphant, once if their nations were marshalled
Under some far-seeing chief, Odysseus, Peleus, Achilles,
Not on the banks of Scamander and skirts of the azure Aegean
Fainting would cease the audacious emprise, the Titanic endeavour;
Tigris would flee from their tread and Indus be drunk by their coursers.
Now in these days when each sun goes marvelling down that Troy stands yet
Suffering, smiting, alive, though doomed to all eyes that behold her,
Flinging back Death from her walls and bronze to the shock and the clamour,
Driven by a thought that has risen in the dawn from the tents on the beaches
Grey Talthybius chariot waits in the Ilian portals,
Voice of the Hellene demigod challenges timeless Troya.
Thus has he said to us: Know you not Doom when she walks in your heavens?
Feelst thou not then thy set, O sun who illuminedst Nature?
Stripped of helpers you stand alone against Doom and Achilles,
Left by the earth that served you, by heaven that helped you rejected:
Death insists at your gates and the flame and the sword are impatient.
None can escape the wheel of the gods and its vast revolutions!
Fate demands the joy and pride of the earth for the Argive,
Asias wealth for the lust of the young barbarian nations.
City divine, whose fame overroofed like heaven the nations,
Sink eclipsed in the circle vast of my radiance; Troya,
Joined to my northern realms deliver the East to the Hellene;
Ilion, to Hellas be yoked; wide Asia, fringe thou Peneus.
Lay down golden Helen, a sacrifice lovely and priceless
Cast by your weakness and fall on immense Necessitys altar;
Yield to my longing Polyxena, Hecubas deep-bosomed daughter,
Her whom my heart desires. She shall leave with you peace and her healing
Joy of mornings secure and death repulsed from your hearthsides.
Yield these and live, else I leap on you, Fate in front, Hades behind me.
Bound to the gods by an oath I return not again from the battle
Till from high Ida my shadow extends to the Mede and Euphrates.
Let not your victories deceive you, steps that defeat has imagined;
Hear not the voice of your heroes; their fame is a trumpet in Hades:
Only they conquer while yet my horses champ free in their stables.
Earth cannot long resist the man whom Heaven has chosen;
Gods with him walk; his chariot is led; his arm is assisted.
High rings the Hellene challenge, earth waits for the Ilian answer.
Always mans Fate hangs poised on the flitting breath of a moment;
Called by some word, by some gesture it leaps, then tis graven, tis granite.
Speak! by what gesture high shall the stern gods recognise Troya?
Sons of the ancients, race of the gods, inviolate city,
Firmer my spear shall I grasp or cast from my hand and for ever?
Search in your hearts if your fathers still dwell in them, children of Teucer.
So Deiphobus spoke and the nation heard him in silence,
Awed by the shadow vast of doom, indignant with Fortune.
Calm from his seat Antenor arose as a wrestler arises,
Tamer of beasts in the cage of the lions, eyeing the monsters
Brilliant, tawny of mane, and he knows if his courage waver,
Falter his eye or his nerve be surprised by the gods that are hostile,
Death will leap on him there in the crowded helpless arena.
Fearless Antenor arose, and a murmur swelled in the meeting
Cruel and threatening, hoarse like the voice of the sea upon boulders;
Hisses thrilled through the roar and one man cried to another,
Lo he will speak of peace who has swallowed the gold of Achaia!
Surely the people of Troy are eunuchs who suffer Antenor
Rising unharmed in the agora. Are there not stones in the city?
Surely the steel grows dear in the land when a traitor can flourish.
Calm like a god or a summit Antenor stood in the uproar.
But as he gazed on his soul came memory dimming the vision;
For he beheld his past and the agora crowded and cheering,
Passionate, full of delight while Antenor spoke to the people,
Troy that he loved and his fatherl and proud of her eloquent statesman.
Tears to his eyes came thick and he gripped at the staff he was holding.
Mounting his eyes met fully the tumult, mournful and thrilling,
Conquering mens hearts with a note of doom in its sorrowful sweetness.
People of Ilion, blood of my blood, O race of Antenor,
Once will I speak though you slay me; for who would shrink from destruction
Knowing that soon of his city and nation, his house and his dear ones
All that remains will be a couch of trampled ashes? Athene,
Slain today may I join the victorious souls of our fathers,
Not for the anguish be kept and the irremediable weeping.
Loud will I speak the word that the gods have breathed in my spirit,
Strive this last time to save the death-destined. Who are these clamour
Hear him not, gold of the Greeks bought his words and his throat is accursd?
Troy whom my counsels made great, hast thou heard this roar of their frenzy
Tearing thy ancient bosom? Is it thy voice, heaven-abandoned, my mother?
O my country, O my creatress, earth of my longings!
Earth where our fathers lie in their sacred ashes undying,
Memoried temples shelter the shrines of our gods and the altars
Pure where we worshipped, the beautiful children smile on us passing,
Women divine and the men of our nation! O land where our childhood
Played at a mothers feet mid the trees and the hills of our country,
Hoping our manhood toiled and our youth had its seekings for godhead,
Thou for our age keepst repose mid the love and the honour of kinsmen,
Silent our relics shall lie with the city guarding our ashes!
Earth who hast fostered our parents, earth who hast given us our offspring,
Soil that created our race where fed from the bosom of Nature
Happy our children shall dwell in the storied homes of their fathers,
Souls that our souls have stamped, sweet forms of ourselves when we perish!
Once even then have they seen thee in their hearts, or dreamed of thee ever
Who from thy spirit revolt and only thy name make an idol
Hating thy faithful sons and the cult of thy ancient ideal!
Wake, O my mother divine, remember thy gods and thy wisdom,
Silence the tongues that degrade thee, prophets profane of thy godhead.
Madmen, to think that a man who has offered his life for his country,
Served her with words and deeds and adored with victories and triumphs
Ever could think of enslaving her breast to the heel of a foeman!
Surely Antenors halls are empty, he begs from the stranger
Leading his sons and his childrens sons by the hand in the market
Showing his rags since his need is so bitter of gold from the Argives!
You who demand a reply when Laocoon lessens Antenor,
Hush then your feeble roar and your ear to the past and the distance
Turn. You fields that are famous for ever, reply for me calling,
Fields of the mighty mown by my swords edge, Chersonese conquered,
Thrace and her snows where we fought on the frozen streams and were victors
Then when they were unborn who are now your delight and your leaders.
Answer return, you columns of Ilus, here where my counsels
Made Troy mightier guiding her safe through the shocks of her foemen.
Gold! I have heaped it up high, I am rich with the spoils of your haters.
It was your fathers dead who gave me that wealth as my guerdon,
Now my reproach, your fathers who saw not the Greeks round their ramparts:
They were not cooped by an upstart race in the walls of Apollo,
Saw not Hector slain and Troilus dragged by his coursers.
Far over wrathful Jaxartes they rode; the shaken Achaian
Prostrate adored your strength who now shouts at your portals and conquers
Then when Antenor guided Troy, this old man, this traitor,
Not Laocoon, nay, not even Paris nor Hector.
But I have changed, I have grown a niggard of blood and of treasure,
Selfish, chilled as old men seem to the young and the headstrong,
Counselling safety and ease, not the ardour of noble decisions.
Come to my house and behold, my house that was filled once with voices.
Sons whom the high gods envied me crowded the halls that are silent.
Where are they now? They are dead, their voices are silent in Hades,
Fallen slaying the foe in a war between sin and the Furies.
Silent they went to the battle to die unmourned for their country,
Die as they knew in vain. Do I keep now the last ones remaining,
Sparing their blood that my house may endure? Is there any in Troya
Speeds to the front of the mellay outstripping the sons of Antenor?
Let him arise and speak and proclaim it and bid me be silent.
Heavy is this war that you love on my heart and I hold you as madmen
Doomed by the gods, abandoned by Pallas, by Hera afflicted.
Who would not hate to behold his work undone by the foolish?
Who would not weep if he saw Laocoon ruining Troya,
Paris doomed in his beauty, Aeneas slain by his valour?
Still you need to be taught that the high gods see and remember,
Dream that they care not if justice be done on the earth or oppression!
Happy to live, aspire while you violate man and the immortals!
Vainly the sands of Time have been strewn with the ruins of empires,
Signs that the gods had left, but in vain. For they look for a nation,
One that can conquer itself having conquered the world, but they find none.
None has been able to hold all the gods in his bosom unstaggered,
All have grown drunken with force and have gone down to Hell and to Ate.
All have been thrust from their heights, say the fools; we shall live and for ever.
We are the people at last, the children, the favourites; all things
Only to us are permitted. They too descend to the silence,
Death receives their hopes and the void their stirrings of action.
Eviller fate there is none than life too long among mortals.
I have conversed with the great who have gone, I have fought in their war-cars;
Tros I have seen, Laomedons hand has dwelt on my temples.
Now I behold Laocoon, now our greatest is Paris.
First when Phryx by the Hellespont reared to the cry of the ocean
Hewing her stones as vast as his thoughts his high-seated fortress,
Planned he a lair for a beast of prey, for a pantheress dire-souled
Crouched in the hills for her bound or self-gathered against the avenger?
Dardanus shepherded Asias coasts and her sapphire-girt islands.
Mild was his rule like the blessing of rain upon fields in the summer.
Gladly the harried coasts reposed confessing the Phrygian,
Caria, Lycias kings and the Paphlagon, strength of the Mysian;
Minos Crete recovered the sceptre of old Rhadamanthus.
Ilus and Tros had strength in the fight like a far-striding Titans:
Troy triumphant following the urge of their souls to the vastness,
Helmeted, crowned like a queen of the gods with the fates for her coursers
Rode through the driving sleet of the spears to Indus and Oxus.
Then twice over she conquered the vanquished, with peace as in battle;
There where discord had clashed, sweet Peace sat girded with plenty,
There where tyranny counted her blows, came the hands of a father.
Neither had Teucer a soul like your chiefs who refounded this nation.
Such was the antique and noble tradition of Troy in her founders,
Builders of power that endured; but it perishes lost to their offspring,
Trampled, scorned by an arrogant age, by a violent nation.
Strong Anchises trod it down trampling victorious onwards
Stern as his sword and hard as the silent bronze of his armour.
More than another I praise the man who is mighty and steadfast,
Even as Ida the mountain I praise, a refuge for lions;
But in the council I laud him not, he who a god for his kindred,
Lives for the rest without bowels of pity or fellowship, lone-souled,
Scorning the world that he rules, who untamed by the weight of an empire
Holds allies as subjects, subjects as slaves and drives to the battle
Careless more of their wills than the coursers yoked to his war-car.
Therefore they fought while they feared, but gladly abandon us falling.
Yet had they gathered to Teucer in the evil days of our nation.
Where are they now? Do they gather then to the dreaded Anchises?
Or has Aeneas helped with his counsels hateful to wisdom?
Hateful is this, abhorred of the gods, imagined by Ate
When against subjects murmuring discord and faction appointed
Scatter unblest gold, the heart of a people is poisoned,
Virtue pursued and baseness triumphs tongued like a harlot,
Brother against brother arrayed that the rule may endure of a stranger.
Yes, but it lasts! For its hour. The high gods watch in their silence,
Mute they endure for a while that the doom may be swifter and greater.
Hast thou then lasted, O Troy? Lo, the Greeks at thy gates and Achilles.
Dream, when Virtue departs, that Wisdom will linger, her sister!
Wisdom has turned from your hearts; shall Fortune dwell with the foolish?
Fatal oracles came to you great-tongued, vaunting of empires
Stretched from the risen sun to his rest in the occident waters,
Dreams of a city throned on the hills with her foot on the nations.
Meanwhile the sword was prepared for our breasts and the flame for our housetops.
Wake, awake, O my people! the fire-brand mounts up your doorsteps;
Gods who deceived to slay, press swords on your childrens bosoms.
See, O ye blind, ere death in pale countries open your eyelids!
Hear, O ye deaf, the sounds in your ears and the voices of evening!
Young men who vaunt in your strength! when the voice of this aged Antenor
Governed your fathers youth, all the Orient was joined to our banners.
Macedon leaned to the East and her princes yearned to the victor,
Scythians worshipped in Ilions shrines, the Phoenician trader
Bartered her tokens, Babylons wise men paused at our thresholds;
Fair-haired sons of the snows came rapt towards golden Troya
Drawn by the song and the glory. Strymon sang hymns unto Ida,
Hoarse Chalcidice, dim Chersonesus married their waters
Under the oerarching yoke of Troy twixt the term-posts of Ocean.
Meanwhile far through the world your fortunes led by my counsels
Followed their lure like women snared by a magical tempter:
High was their chant as they paced and it came from continents distant.
Turn now and hear! what voice approaches? what glitter of armies?
Loud upon Trojan beaches the tread and the murmur of Hellas!
Hark! tis the Achaians paean rings oer the Pergaman waters!
So wake the dreams of Aeneas; reaped is Laocoons harvest.
Artisans new of your destiny fashioned this far-spreading downfall,
Counsellors blind who scattered your strength to the hooves of the Scythian,
Barren victories, trophies of skin-clad Illyrian pastors.
Who but the fool and improvident, who but the dreamer and madman
Leaves for the far and ungrasped earths close and provident labour?
Children of earth, our mother gives tokens, she lays down her signposts,
Step by step to advance on her bosom, to grow by her seasons,
Order our works by her patience and limit our thought by her spaces.
But you had chiefs who were demigods, souls of an earth-scorning stature,
Minds that saw vaster than life and strengths that Gods hour could not limit!
These men seized upon Troy as the tool of their giant visions,
Dreaming of Africas suns and bright Hesperian orchards,
Carthage our mart and our feet on the sunset hills of the Latins.
Ilions hinds in the dream ploughed Libya, sowed Italys cornfields,
Troy stretched to Gades; even the gods and the Fates had grown Trojan.
So are the natures of men uplifted by Heaven in its satire.
Scorning the bit of the gods, despisers of justice and measure,
Zeus is denied and adored some shadow huge of their natures
Losing the shape of man in a dream that is splendid and monstrous.
Titans, vaunting they stride and the world resounds with their footsteps;
Titans, clanging they fall and the world is full of their ruin.
Children, you dreamed with them, heard the roar of the Atlantic breakers
Welcome your keels and the Isles of the Blest grew your wonderful gardens.
Lulled in the dream, you saw not the black-drifting march of the storm-rack,
Heard not the galloping wolves of the doom and the howl of their hunger.
Greece in her peril united her jarring clans; you suffered
Patient, preparing the north, the wisdom and silence of Peleus,
Atreus craft and the Argives gathered to King Agamemnon.
But there were prophecies, Pythian oracles, mutterings from Delphi.
How shall they prosper who haste after auguries, oracles, whispers,
Dreams that walk in the night and voices obscure of the silence?
Touches are these from the gods that bewilder the brain to its ruin.
One sole oracle helps, still armoured in courage and prudence
Patient and heedful to toil at the work that is near in the daylight.
Leave to the night its phantoms, leave to the future its curtain!
Only today Heaven gave to mortal man for his labour.
If thou hadst bowed not thy mane, O Troy, to the child and the dreamer,
Hadst thou been faithful to Wisdom the counsellor seated and ancient,
Then would the hour not have dawned when Paris lingered in Sparta
Led by the goddess fatal and beautiful, white Aphrodite.
Man, shun the impulses dire that spring armed from thy natures abysms!
Dread the dusk rose of the gods, flee the honey that tempts from its petals!
Therefore the black deed was done and the hearth that welcomed was sullied.
Sin-called the Fury uplifted her tresses of gloom oer the nations
Maddening the earth with the scream of her blood-thirst, bowelless, stone-eyed,
Claiming her victims from God and bestriding the hate and the clamour.
Yet midst the stroke and the wail when mens eyes were blind with the blood-mist,
Still had the high gods mercy recalling Teucer and Ilus.
Just was the heart of their anger. Discord flaming from Ida,
Hundred-voiced glared from the ships through the camp of the victor Achaians,
Love to that discord added her flowerlike lips of Briseis;
Faltering lids of Polyxena conquered the strength of Pelides.
Vainly the gods who pity open the gates of salvation!
Vainly the winds of their mercy brea the on our fevered existence!
Man his passions prefers to the voice that guides from the heavens.
These too were here whom Hera had chosen to ruin this nation:
Charioteers cracking the whips of their speed on the paths of destruction,
Demigods they! they have come down from Heaven glad to that labour,
Deaf is the world with the fame of their wheels as they race down to Hades.
O that alone they could reach it! O that pity could soften
Harsh Necessitys dealings, sparing our innocent children,
Saving the Trojan women and aged from bonds and the sword-edge!
These had not sinned whom you slay in your madness! Ruthless, O mortals,
Must you be then to yourselves when the gods even faltering with pity
Turn from the grief that must come and the agony vast and the weeping?
Say not the road of escape sinks too low for your arrogant treading.
Pride is not for our clay; the earth, not heaven was our mother
And we are even as the ant in our toil and the beast in our dying;
Only who cling to the hands of the gods can rise up from the earth-mire.
Children, lie prone to their scourge, that your hearts may revive in their sunshine.
This is our lot! when the anger of heaven has passed then the mortal
Raises his head; soon he heals his heart and forgets he has suffered.
Yet if resurgence from weakness and shame were withheld from the creature,
Every fall without morrow, who then would counsel submission?
But since the height of mortal fortune ascending must stumble,
Fallen, again ascend, since death like birth is our portion,
Ripening, mowed, to be sown again like corn by the farmer,
Let us be patient still with the gods accepting their purpose.
Deem not defeat I welcome. Think not to Hellas submitting
Death of proud hope I would seal. Not this have I counselled, O nation,
But to be even as your high-crested forefa thers, greatest of mortals.
Troya of old enringed by the hooves of Cimmerian armies
Flamed to the heavens from her plains and her smoke-blackened citadel sheltered
Mutely the joyless rest of her sons and the wreck of her greatness.
Courage and wisdom survived in that fall and a stern-eyed prudence
Helped her to live; disguised from her mightiness Troy crouched waiting.
Teucer descended whose genius worked at this kingdom and nation,
Patient, scrupulous, wise, like a craftsman carefully toiling
Over a helmet or over a breastplate, testing it always,
Toiled in the eye of the Masters of all and had heed of its labour.
So in the end they would not release him like souls that are common;
They out of Ida sent into Ilion Pallas Athene;
Secret she came and he went with her into the luminous silence.
Teucers children after their sire completed his labour.
Now too, O people, front adversity self-gathered, silent.
Veil thyself, leonine mighty Ilion, hiding thy greatness!
Be as thy father Teucer; be as a cavern for lions;
Be as a Fate that crouches! Wordless and stern for your vengeance
Self-gathered work in the night and secrecy shrouding your bosoms.
Let not the dire heavens know of it; let not the foe seize a whisper!
Ripen the hour of your stroke, while your words drip sweeter than honey.
Sure am I, friends, you will turn from death at my voice, you will hear me!
Some day yet I shall gaze on the ruins of haughty Mycenae.
Is this not better than Ilion cast to the sword of her haters,
Is this not happier than Troya captured and wretchedly burning,
Time to await in his stride when the southern and northern Achaians
Gazing with dull distaste now over their severing isthmus
Hate-filled shall move to the shock by the spur of the gods in them driven,
Pelops march upon Attica, Thebes descend on the Spartan?
Then shall the hour now kept in heaven for us ripen to dawning,
Then shall Victory cry to our banners over the Ocean
Calling our sons with her voice immortal. Children of Ilus,
Then shall Troy rise in her strength and stride over Greece up to Gades.
So Antenor spoke and the mind of the hostile assembly
Moved and swayed with his words like the waters ruled by Poseidon.
Even as the billows rebellious lashed by the whips of the tempest
Curvet and rear their crests like the hooded wrath of a serpent,
Green-eyed under their cowls sublime,unwilling they journey,
Foam-bannered, hoarse-voiced, shepherded, forced by the wind to the margin
Meant for their rest and can turn not at all, though they rage, on their driver,
Last with a sullen applause and consenting lapse into thunder,
Where they were led all the while they sink down huge and astonished,
So in their souls that withstood and obeyed and hated the yielding,
Lashed by his censure, indignant, the Trojans moved towards his purpose:
Sometimes a roar arose, then only, weakened, rarer,
Angry murmurs swelled between sullen stretches of silence;
Last, a reluctant applause broke dull from the throats of the commons.
Silent raged in their hearts Laocoons following daunted;
Troubled the faction of Paris turned to the face of their leader.
He as yet rose not; careless he sat in his beauty and smiling,
Gazing with brilliant eyes at the sculptured pillars of Ilus.
Doubtful, swayed by Antenor, waited in silence the nation.
***
~ Sri Aurobindo, 2 - The Book of the Statesman
,#NFDB
718:Rose Mary
Of her two fights with the Beryl-stone
Lost the first, but the second won.
PART I
“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
219
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
A thousand years it lay in the sea
With a treasure wrecked from Thessaly;
Deep it lay 'mid the coiled sea-wrack,
But the ocean-spirits found the track:
A soul was lost to win it back.
The lady upheld the wondrous thing:—
“Ill fare”(she said) “with a fiend's-faring:
But Moslem blood poured forth like wine
Can hallow Hell, 'neath the Sacred Sign;
And my lord brought this from Palestine.
“Spirits who fear the Blessed Rood
Drove forth the accursed multitude
That heathen worship housed herein,—
Never again such home to win,
Save only by a Christian's sin.
“All last night at an altar fair
I burnt strange fires and strove with prayer;
Till the flame paled to the red sunrise,
All rites I then did solemnize;
And the spell lacks nothing but your eyes.”
Low spake maiden Rose Mary:—
“O mother mine, if I should not see!”
“Nay, daughter, cover your face no more,
But bend love's heart to the hidden lore,
And you shall see now as heretofore.”
Paler yet were the pale cheeks grown
As the grey eyes sought the Beryl-stone:
Then over her mother's lap leaned she,
And stretched her thrilled throat passionately,
And sighed from her soul, and said, “I see.”
Even as she spoke, they two were 'ware
220
Of music-notes that fell through the air;
A chiming shower of strange device,
Drop echoing drop, once, twice, and thrice,
As rain may fall in Paradise.
An instant come, in an instant gone,
No time there was to think thereon.
The mother held the sphere on her knee:—
“Lean this way and speak low to me,
And take no note but of what you see.”
“I see a man with a besom grey
That sweeps the flying dust away.”
“Ay, that comes first in the mystic sphere;
But now that the way is swept and clear,
Heed well what next you look on there.”
“Stretched aloft and adown I see
Two roads that part in waste-country:
The glen lies deep and the ridge stands tall;
What's great below is above seen small,
And the hill-side is the valley-wall.”
“Stream-bank, daughter, or moor and moss,
Both roads will take to Holy Cross.
The hills are a weary waste to wage;
But what of the valley-road's presage?
That way must tend his pilgrimage.”
“As 'twere the turning leaves of a book,
The road runs past me as I look;
Or it is even as though mine eye
Should watch calm waters filled with sky
While lights and clouds and wings went by.”
“In every covert seek a spear;
They'll scarce lie close till he draws near.”
“The stream has spread to a river now;
The stiff blue sedge is deep in the slough,
But the banks are bare of shrub or bough.’
“Is there any roof that near at hand
Might shelter yield to a hidden band?”
“On the further bank I see but one,
And a herdsman now in the sinking sun
Unyokes his team at the threshold-stone.”
“Keep heedful watch by the water's edge,—
Some boat might lurk 'neath the shadowed sedge.”
“One slid but now 'twixt the winding shores,
221
But a peasant woman bent to the oars
And only a young child steered its course.
“Mother, something flashed to my sight!—
Nay, it is but the lapwing's flight.—
What glints there like a lance that flees?—
Nay, the flags are stirred in the breeze,
And the water's bright through the dart-rushes.
“Ah! vainly I search from side to side:—
Woe's me! and where do the foemen hide?
Woe's me! and perchance I pass them by,
And under the new dawn's blood-red sky
Even where I gaze the dead shall lie.”
Said the mother: “For dear love's sake,
Speak more low, lest the spell should break.”
Said the daughter: “By love's control,
My eyes, my words, are strained to the goal;
But oh! the voice that cries in my soul!”
“Hush, sweet, hush! be calm and behold.”
“I see two floodgates broken and old:
The grasses wave o'er the ruined weir,
But the bridge still leads to the breakwater;
And—mother, mother, O mother dear!”
The damsel clung to her mother's knee,
And dared not let the shriek go free;
Low she crouched by the lady's chair,
And shrank blindfold in her fallen hair,
And whispering said, “The spears are there!”
The lady stooped aghast from her place,
And cleared the locks from her daughter's face.
“More's to see, and she swoons, alas!
Look, look again, ere the moment pass!
One shadow comes but once to the glass.
“See you there what you saw but now?”
“I see eight men 'neath the willow bough.
All over the weir a wild growth's spread:
Ah me! it will hide a living head
As well as the water hides the dead.
“They lie by the broken water-gate
As men who have a while to wait.
The chief's high lance has a blazoned scroll,—
He seems some lord of tithe and toll
With seven squires to his bannerole.
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“The little pennon quakes in the air,
I cannot trace the blazon there:—
Ah! now I can see the field of blue,
The spurs and the merlins two and two;—
It is the Warden of Holycleugh!”
“God be thanked for the thing we know!
You have named your good knight's mortal foe.
Last Shrovetide in the tourney-game
He sought his life by treasonous shame;
And this way now doth he seek the same.
“So, fair lord, such a thing you are!
But we too watch till the morning star.
Well, June is kind and the moon is clear:
Saint Judas send you a merry cheer
For the night you lie in Warisweir!
“Now, sweet daughter, but one more sight,
And you may lie soft and sleep to-night.
We know in the vale what perils be:
Now look once more in the glass, and see
If over the hills the road lies free.”
Rose Mary pressed to her mother's cheek,
And almost smiled but did not speak;
Then turned again to the saving spell,
With eyes to search and with lips to tell
The heart of things invisible.
“Again the shape with the besom grey
Comes back to sweep the clouds away.
Again I stand where the roads divide;
But now all's near on the steep hillside,
And a thread far down is the rivertide.”
“Ay, child, your road is o'er moor and moss,
Past Holycleugh to Holy Cross.
Our hunters lurk in the valley's wake,
As they knew which way the chase would take:
Yet search the hills for your true love's sake.”
“Swift and swifter the waste runs by,
And nought I see but the heath and the sky;
No brake is there that could hide a spear,
And the gaps to a horseman's sight lie clear;
Still past it goes, and there's nought to fear.”
“Fear no trap that you cannot see,—
They'd not lurk yet too warily.
223
Below by the weir they lie in sight,
And take no heed how they pass the night
Till close they crouch with the morning light.”
“The road shifts ever and brings in view
Now first the heights of Holycleugh:
Dark they stand o'er the vale below,
And hide that heaven which yet shall show
The thing their master's heart doth know.
“Where the road looks to the castle steep,
There are seven hill-clefts wide and deep:
Six mine eyes can search as they list,
But the seventh hollow is brimmed with mist:
If aught were there, it might not be wist.”
“Small hope, my girl, for a helm to hide
In mists that cling to a wild moorside:
Soon they melt with the wind and sun,
And scarce would wait such deeds to be done
God send their snares be the worst to shun.”
“Still the road winds ever anew
As it hastens on towards Holycleugh;
And ever the great walls loom more near,
Till the castle-shadow, steep and sheer,
Drifts like a cloud, and the sky is clear.”
“Enough, my daughter,” the mother said,
And took to her breast the bending head;
“Rest, poor head, with my heart below,
While love still lulls you as long ago:
For all is learnt that we need to know.
“Long the miles and many the hours
From the castle-height to the abbey-towers;
But here the journey has no more dread;
Too thick with life is the whole road spread
For murder's trembling foot to tread.”
She gazed on the Beryl-stone full fain
Ere she wrapped it close in her robe again:
The flickering shades were dusk and dun
And the lights throbbed faint in unison
Like a high heart when a race is run.
As the globe slid to its silken gloom,
Once more a music rained through the room;
Low it splashed like a sweet star-spray,
And sobbed like tears at the heart of May,
224
And died as laughter dies away.
The lady held her breath for a space,
And then she looked in her daughter's face:
But wan Rose Mary had never heard;
Deep asleep like a sheltered bird
She lay with the long spell minister'd.
“Ah! and yet I must leave you, dear,
For what you have seen your knight must hear.
Within four days, by the help of God,
He comes back safe to his heart's abode:
Be sure he shall shun the valley-road.”
Rose Mary sank with a broken moan,
And lay in the chair and slept alone,
Weary, lifeless, heavy as lead:
Long it was ere she raised her head
And rose up all discomforted.
She searched her brain for a vanished thing,
And clasped her brows, remembering;
Then knelt and lifted her eyes in awe,
And sighed with a long sigh sweet to draw:—
“Thank God, thank God, thank God I saw!”
The lady had left her as she lay,
To seek the Knight of Heronhaye.
But first she clomb by a secret stair,
And knelt at a carven altar fair,
And laid the precious Beryl there.
Its girth was graved with a mystic rune
In a tongue long dead 'neath sun and moon:
A priest of the Holy Sepulchre
Read that writing and did not err;
And her lord had told its sense to her.
She breathed the words in an undertone:—
“None sees here but the pure alone.”
“And oh!” she said, “what rose may be
In Mary's bower more pure to see
Than my own sweet maiden Rose Mary?”
BERYL-SONG
We whose home is the Beryl,
Fire-spirits of dread desire,
225
Who entered in
By a secret sin,
'Gainst whom all powers that strive with ours are sterile,—
We cry, Woe to thee, mother!
What hast thou taught her, the girl thy daughter,
That she and none other
Should this dark morrow to her deadly sorrow imperil?
What were her eyes
But the fiend's own spies,
O mother,
And shall We not fee her, our proper prophet and seër?
Go to her, mother,
Even thou, yea thou and none other,
Thou, from the Beryl:
Her fee must thou take her,
Her fee that We send, and make her,
Even in this hour, her sin's unsheltered avower.
Whose steed did neigh,
Riderless, bridleless,
At her gate before it was day?
Lo! where doth hover
The soul of her lover?
She sealed his doom, she, she was the sworn approver,—
Whose eyes were so wondrous wise,
Yet blind, ah! blind to his peril!
For stole not We in
Through a love-linked sin,
'Gainst whom all powers at war with ours are sterile,—
Fire-spirits of dread desire,
We whose home is the Beryl?
PART II
“PALE Rose Mary, what shall be done
With a rose that Mary weeps upon?”
“Mother, let it fall from the tree,
And never walk where the strewn leaves be
Till winds have passed and the path is free.”
“Sad Rose Mary, what shall be done
With a cankered flower beneath the sun?”
“Mother, let it wait for the night;
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Be sure its shame shall be out of sight
Ere the moon pale or the east grow light.”
“Lost Rose Mary, what shall be done
With a heart that is but a broken one?”
“Mother, let it lie where it must;
The blood was drained with the bitter thrust,
And dust is all that sinks in the dust.”
“Poor Rose Mary, what shall I do,—
I, your mother, that lovèd you?”
“O my mother, and is love gone?
Then seek you another love anon:
Who cares what shame shall lean upon?”
Low drooped trembling Rose Mary,
Then up as though in a dream stood she.
“Come, my heart, it is time to go;
This is the hour that has whispered low
When thy pulse quailed in the nights we know.
“Yet O my heart, thy shame has a mate
Who will not leave thee desolate.
Shame for shame, yea and sin for sin:
Yet peace at length may our poor souls win
If love for love be found therein.
“O thou who seek'st our shrift to-day,”
She cried, “O James of Heronhaye—
Thy sin and mine was for love alone;
And oh! in the sight of God 'tis known
How the heart has since made heavy moan.
“Three days yet!” she said to her heart;
“But then he comes, and we will not part.
God, God be thanked that I still could see!
Oh! he shall come back assuredly,
But where, alas! must he seek for me?
“O my heart, what road shall we roam
Till my wedding-music fetch me home?
For love's shut from us and bides afar,
And scorn leans over the bitter bar
And knows us now for the thing we are.”
Tall she stood with a cheek flushed high
And a gaze to burn the heart-strings by.
'Twas the lightning-flash o'er sky and plain
Ere labouring thunders heave the chain
From the floodgates of the drowning rain.
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The mother looked on the daughter still
As on a hurt thing that's yet to kill.
Then wildly at length the pent tears came;
The love swelled high with the swollen shame,
And their hearts' tempest burst on them.
Closely locked, they clung without speech,
And the mirrored souls shook each to each,
As the cloud-moon and the water-moon
Shake face to face when the dim stars swoon
In stormy bowers of the night's mid-noon.
They swayed together, shuddering sore,
Till the mother's heart could bear no more.
'Twas death to feel her own breast shake
Even to the very throb and ache
Of the burdened heart she still must break.
All her sobs ceased suddenly,
And she sat straight up but scarce could see.
“O daughter, where should my speech begin?
Your heart held fast its secret sin:
How think you, child, that I read therein?”
“Ah me! but I thought not how it came
When your words showed that you knew my shame:
And now that you call me still your own,
I half forget you have ever known.
Did you read my heart in the Beryl-stone?”
The lady answered her mournfully:—
“The Beryl-stone has no voice for me:
But when you charged its power to show
The truth which none but the pure may know,
Did naught speak once of a coming woe?”
Her hand was close to her daughter's heart,
And it felt the life-blood's sudden start:
A quick deep breath did the damsel draw,
Like the struck fawn in the oakenshaw:
“O mother,” she cried, “but still I saw!”
“O child, my child, why held you apart
From my great love your hidden heart?
Said I not that all sin must chase
From the spell's sphere the spirits of grace,
And yield their rule to the evil race?
“Ah! would to God I had clearly told
How strong those powers, accurst of old:
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Their heart is the ruined house of lies;
O girl, they can seal the sinful eyes,
Or show the truth by contraries!”
The daughter sat as cold as a stone,
And spoke no word but gazed alone,
Nor moved, though her mother strove a space
To clasp her round in a close embrace,
Because she dared not see her face.
“Oh!” at last did the mother cry,
“Be sure, as he loved you, so will I!
Ah! still and dumb is the bride, I trow;
But cold and stark as the winter snow
Is the bridegroom's heart, laid dead below!
“Daughter, daughter, remember you
That cloud in the hills by Holycleugh?
'Twas a Hell-screen hiding truth away:
There, not i' the vale, the ambush lay,
And thence was the dead borne home to-day.”
Deep the flood and heavy the shock
When sea meets sea in the riven rock:
But calm is the pulse that shakes the sea
To the prisoned tide of doom set free
In the breaking heart of Rose Mary.
Once she sprang as the heifer springs
With the wolf's teeth at its red heart-strings.
First 'twas fire in her breast and brain,
And then scarce hers but the whole world's pain,
As she gave one shriek and sank again.
In the hair dark-waved the face lay white
As the moon lies in the lap of night;
And as night through which no moon may dart
Lies on a pool in the woods apart,
So lay the swoon on the weary heart.
The lady felt for the bosom's stir,
And wildly kissed and called on her;
Then turned away with a quick footfall,
And slid the secret door in the wall,
And clomb the strait stair's interval.
There above in the altar-cell
A little fountain rose and fell:
She set a flask to the water's flow,
And, backward hurrying, sprinkled now
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The still cold breast and the pallid brow.
Scarce cheek that warmed or breath on the air,
Yet something told that life was there.
“Ah! not with the heart the body dies!”
The lady moaned in a bitter wise;
Then wrung her hands and hid her eyes.
“Alas! and how may I meet again
In the same poor eyes the selfsame pain?
What help can I seek, such grief to guide?
Ah! one alone might avail,” she cried—
“The priest who prays at the dead man's side.”
The lady arose, and sped down all
The winding stairs to the castle-hall.
Long-known valley and wood and stream,
As the loopholes passed, naught else did seem
Than the torn threads of a broken dream.
The hall was full of the castle-folk;
The women wept, but the men scarce spoke.
As the lady crossed the rush-strewn floor,
The throng fell backward, murmuring sore,
And pressed outside round the open door.
A stranger shadow hung on the hall
Than the dark pomp of a funeral.
'Mid common sights that were there alway,
As 'twere a chance of the passing day,
On the ingle-bench the dead man lay.
A priest who passed by Holycleugh
The tidings brought when the day was new.
He guided them who had fetched the dead;
And since that hour, unwearièd,
He knelt in prayer at the low bier's head.
Word had gone to his own domain
That in evil wise the knight was slain:
Soon the spears must gather apace
And the hunt be hard on the hunters' trace;
But all things yet lay still for a space.
As the lady's hurried step drew near,
The kneeling priest looked up to her.
“Father, death is a grievous thing;
But oh! the woe has a sharper sting
That craves by me your ministering.
“Alas for the child that should have wed
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This noble knight here lying dead!
Dead in hope, with all blessed boon
Of love thus rent from her heart ere noon,
I left her laid in a heavy swoon.
“O haste to the open bower-chamber
That's topmost as you mount the stair:
Seek her, father, ere yet she wake;
Your words, not mine, be the first to slake
This poor heart's fire, for Christ's sweet sake!
“God speed!” she said as the priest passed through,
“And I ere long will be with you.”
Then low on the hearth her knees sank prone;
She signed all folk from the threshold-stone,
And gazed in the dead man's face alone.
The fight for life found record yet
In the clenched lips and the teeth hard-set;
The wrath from the bent brow was not gone,
And stark in the eyes the hate still shone
Of that they last had looked upon.
The blazoned coat was rent on his breast
Where the golden field was goodliest;
But the shivered sword, close-gripped, could tell
That the blood shed round him where he fell
Was not all his in the distant dell.
The lady recked of the corpse no whit,
But saw the soul and spoke to it:
A light there was in her steadfast eyes,—
The fire of mortal tears and sighs
That pity and love immortalize.
“By thy death have I learnt to-day
Thy deed, O James of Heronhaye!
Great wrong thou hast done to me and mine;
And haply God hath wrought for a sign
By our blind deed this doom of thine.
“Thy shrift, alas! thou wast not to win;
But may death shrive thy soul herein!
Full well do I know thy love should be
Even yet—had life but stayed with thee—
Our honour's strong security.”
She stooped, and said with a sob's low stir,—
“Peace be thine,—but what peace for her?”
But ere to the brow her lips were press'd,
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She marked, half-hid in the riven vest,
A packet close to the dead man's breast.
'Neath surcoat pierced and broken mail
It lay on the blood-stained bosom pale.
The clot hung round it, dull and dense,
And a faintness seized her mortal sense
As she reached her hand and drew it thence.
'Twas steeped in the heart's flood welling high
From the heart it there had rested by:
'Twas glued to a broidered fragment gay,—
A shred by spear-thrust rent away
From the heron-wings of Heronhaye.
She gazed on the thing with piteous eyne:—
“Alas, poor child, some pledge of thine!
Ah me! in this troth the hearts were twain,
And one hath ebbed to this crimson stain,
And when shall the other throb again?”
She opened the packet heedfully;
The blood was stiff, and it scarce might be.
She found but a folded paper there,
And round it, twined with tenderest care,
A long bright tress of golden hair.
Even as she looked, she saw again
That dark-haired face in its swoon of pain:
It seemed a snake with a golden sheath
Crept near, as a slow flame flickereth,
And stung her daughter's heart to death.
She loosed the tress, but her hand did shake
As though indeed she had touched a snake;
And next she undid the paper's fold,
But that too trembled in her hold,
And the sense scarce grasped the tale it told.
“My heart's sweet lord,” ('twas thus she read,)
“At length our love is garlanded.
At Holy Cross, within eight days' space,
I seek my shrift; and the time and place
Shall fit thee too for thy soul's good grace.
“From Holycleugh on the seventh day
My brother rides, and bides away:
And long or e'er he is back, mine own,
Afar where the face of fear's unknown
We shall be safe with our love alone.
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“Ere yet at the shrine my knees I bow,
I shear one tress for our holy vow.
As round these words these threads I wind,
So, eight days hence, shall our loves be twined,
Says my lord's poor lady, JOCELIND.”
She read it twice, with a brain in thrall,
And then its echo told her all.
O'er brows low-fall'n her hands she drew:—
“O God!” she said, as her hands fell too,—
“The Warden's sister of Holycleugh!”
She rose upright with a long low moan,
And stared in the dead man's face new-known.
Had it lived indeed? She scarce could tell:
'Twas a cloud where fiends had come to dwell,—
A mask that hung on the gate of Hell.
She lifted the lock of gleaming hair
And smote the lips and left it there.
“Here's gold that Hell shall take for thy toll!
Full well hath thy treason found its goal,
O thou dead body and damnèd soul!”
She turned, sore dazed, for a voice was near,
And she knew that some one called to her.
On many a column fair and tall
A high court ran round the castle-hall;
And thence it was that the priest did call.
“I sought your child where you bade me go,
And in rooms around and rooms below;
But where, alas! may the maiden be?
Fear nought,—we shall find her speedily,—
But come, come hither, and seek with me.”
She reached the stair like a lifelorn thing,
But hastened upward murmuring,
“Yea, Death's is a face that's fell to see;
But bitterer pang Life hoards for thee,
Thou broken heart of Rose Mary!”
BERYL-SONG
We whose throne is the Beryl,
Dire-gifted spirits of fire,
Who for a twin
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Leash Sorrow to Sin,
Who on no flower refrain to lour with peril,—
We cry,—O desolate daughter!
Thou and thy mother share newer shame with each other
Than last night's slaughter.
Awake and tremble, for our curses assemble!
What more, that thou know'st not yet,—
That life nor death shall forget?
No help from Heaven,—thy woes heart-riven are sterile!
O once a maiden,
With yet worse sorrow can any morrow be laden?
It waits for thee,
It looms, it must be,
O lost among women,—
It comes and thou canst not flee.
Amen to the omen,
Says the voice of the Beryl.
Thou sleep'st? Awake,—
What dar'st thou yet for his sake,
Who each for other did God's own Future imperil?
Dost dare to live
`Mid the pangs each hour must give?
Nay, rather die,—
With him thy lover 'neath Hell's cloud-cover to fly,—
Hopeless, yet not apart,
Cling heart to heart,
And beat through the nether storm-eddying winds together?
Shall this be so?
There thou shalt meet him, but mayst thou greet him? ah no !
He loves, but thee he hoped nevermore to see,—
He sighed as he died,
But with never a thought for thee.
Alone!
Alone, for ever alone,—
Whose eyes were such wondrous spies for the fate foreshown!
Lo! have not We leashed the twin
Of endless Sorrow to Sin,—
Who on no flower refrain to lour with peril,—
Dire-gifted spirits of fire,
We whose throne is the Beryl?
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PART III
A SWOON that breaks is the whelming wave
When help comes late but still can save.
With all blind throes is the instant rife,—
Hurtling clangour and clouds at strife,—
The breath of death, but the kiss of life.
The night lay deep on Rose Mary's heart,
For her swoon was death's kind counterpart:
The dawn broke dim on Rose Mary's soul,—
No hill-crown's heavenly aureole,
But a wild gleam on a shaken shoal.
Her senses gasped in the sudden air,
And she looked around, but none was there.
She felt the slackening frost distil
Through her blood the last ooze dull and chill:
Her lids were dry and her lips were still.
Her tears had flooded her heart again;
As after a long day's bitter rain,
At dusk when the wet flower-cups shrink,
The drops run in from the beaded brink,
And all the close-shut petals drink.
Again her sighs on her heart were rolled;
As the wind that long has swept the wold,—
Whose moan was made with the moaning sea,—
Beats out its breath in the last torn tree,
And sinks at length in lethargy.
She knew she had waded bosom-deep
Along death's bank in the sedge of sleep:
All else was lost to her clouded mind;
Nor, looking back, could she see defin'd
O'er the dim dumb waste what lay behind.
Slowly fades the sun from the wall
Till day lies dead on the sun-dial:
And now in Rose Mary's lifted eye
'Twas shadow alone that made reply
To the set face of the soul's dark sky.
Yet still through her soul there wandered past
Dread phantoms borne on a wailing blast,—
Death and sorrow and sin and shame;
And, murmured still, to her lips there came
Her mother's and her lover's name.
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How to ask, and what thing to know?
She might not stay and she dared not go.
From fires unseen these smoke-clouds curled;
But where did the hidden curse lie furled?
And how to seek through the weary world?
With toiling breath she rose from the floor
And dragged her steps to an open door:
'Twas the secret panel standing wide,
As the lady's hand had let it bide
In hastening back to her daughter's side.
She passed, but reeled with a dizzy brain
And smote the door which closed again.
She stood within by the darkling stair,
But her feet might mount more freely there,—
'Twas the open light most blinded her.
Within her mind no wonder grew
At the secret path she never knew:
All ways alike were strange to her now,—
One field bare-ridged from the spirit's plough,
One thicket black with the cypress-bough.
Once she thought that she heard her name;
And she paused, but knew not whence it came.
Down the shadowed stair a faint ray fell
That guided the weary footsteps well
Till it led her up to the altar-cell.
No change there was on Rose Mary's face
As she leaned in the portal's narrow space:
Still she stood by the pillar's stem,
Hand and bosom and garment's hem,
As the soul stands by at the requiem.
The altar-cell was a dome low-lit,
And a veil hung in the midst of it:
At the pole-points of its circling girth
Four symbols stood of the world's first birth,—
Air and water and fire and earth.
To the north, a fountain glittered free;
To the south, there glowed a red fruit-tree;
To the east, a lamp flamed high and fair;
To the west, a crystal casket rare
Held fast a cloud of the fields of air.
The painted walls were a mystic show
Of time's ebb-tide and overflow;
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His hoards long-locked and conquering key,
His service-fires that in heaven be,
And earth-wheels whirled perpetually.
Rose Mary gazed from the open door
As on idle things she cared not for,—
The fleeting shapes of an empty tale;
Then stepped with a heedless visage pale,
And lifted aside the altar-veil.
The altar stood from its curved recess
In a coiling serpent's life-likeness:
Even such a serpent evermore
Lies deep asleep at the world's dark core
Till the last Voice shake the sea and shore.
From the altar-cloth a book rose spread
And tapers burned at the altar-head;
And there in the altar-midst alone,
'Twixt wings of a sculptured beast unknown,
Rose Mary saw the Beryl-stone.
Firm it sat 'twixt the hollowed wings,
As an orb sits in the hand of kings:
And lo! for that Foe whose curse far-flown
Had bound her life with a burning zone,
Rose Mary knew the Beryl-stone.
Dread is the meteor's blazing sphere
When the poles throb to its blind career;
But not with a light more grim and ghast
Thereby is the future doom forecast,
Than now this sight brought back the past.
The hours and minutes seemed to whirr
In a clanging swarm that deafened her;
They stung her heart to a writhing flame,
And marshalled past in its glare they came,—
Death and sorrow and sin and shame.
Round the Beryl's sphere she saw them pass
And mock her eyes from the fated glass:
One by one in a fiery train
The dead hours seemed to wax and wane,
And burned till all was known again.
From the drained heart's fount there rose no cry,
There sprang no tears, for the source was dry.
Held in the hand of some heavy law,
Her eyes she might not once withdraw,
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Nor shrink away from the thing she saw.
Even as she gazed, through all her blood
The flame was quenched in a coming flood:
Out of the depth of the hollow gloom
On her soul's bare sands she felt it boom,—
The measured tide of a sea of doom.
Three steps she took through the altar-gate,
And her neck reared and her arms grew straight:
The sinews clenched like a serpent's throe,
And the face was white in the dark hair's flow,
As her hate beheld what lay below.
Dumb she stood in her malisons,—
A silver statue tressed with bronze:
As the fabled head by Perseus mown,
It seemed in sooth that her gaze alone
Had turned the carven shapes to stone.
O'er the altar-sides on either hand
There hung a dinted helm and brand:
By strength thereof, 'neath the Sacred Sign,
That bitter gift o'er the salt sea-brine
Her father brought from Palestine.
Rose Mary moved with a stern accord
And reached her hand to her father's sword;
Nor did she stir her gaze one whit
From the thing whereon her brows were knit;
But gazing still, she spoke to it.
“O ye, three times accurst,” she said,
“By whom this stone is tenanted!
Lo! here ye came by a strong sin's might;
Yet a sinner's hand that's weak to smite
Shall send you hence ere the day be night.
“This hour a clear voice bade me know
My hand shall work your overthrow:
Another thing in mine ear it spake,—
With the broken spell my life shall break.
I thank Thee, God, for the dear death's sake!
“And he Thy heavenly minister
Who swayed erewhile this spell-bound sphere,—
My parting soul let him haste to greet,
And none but he be guide for my feet
To where Thy rest is made complete.”
Then deep she breathed, with a tender moan:—
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“My love, my lord, my only one!
Even as I held the cursed clue,
When thee, through me, these foul ones slew,—
By mine own deed shall they slay me too!
“Even while they speed to Hell, my love,
Two hearts shall meet in Heaven above.
Our shrift thou sought'st, but might'st not bring:
And oh! for me 'tis a blessed thing
To work hereby our ransoming.
“One were our hearts in joy and pain,
And our souls e'en now grow one again.
And O my love, if our souls are three,
O thine and mine shall the third soul be,—
One threefold love eternally.”
Her eyes were soft as she spoke apart,
And the lips smiled to the broken heart:
But the glance was dark and the forehead scored
With the bitter frown of hate restored,
As her two hands swung the heavy sword.
Three steps back from her Foe she trod:—
“Love, for thy sake! In Thy Name, O God!”
In the fair white hands small strength was shown;
Yet the blade flashed high and the edge fell prone,
And she cleft the heart of the Beryl-stone.
What living flesh in the thunder-cloud
Hath sat and felt heaven cry aloud?
Or known how the levin's pulse may beat?
Or wrapped the hour when the whirlwinds meet
About its breast for a winding-sheet?
Who hath crouched at the world's deep heart
While the earthquake rends its loins apart?
Or walked far under the seething main
While overhead the heavens ordain
The tempest-towers of the hurricane?
Who hath seen or what ear hath heard
The secret things unregister'd
Of the place where all is past and done,
And tears and laughter sound as one
In Hell's unhallowed unison?
Nay, is it writ how the fiends despair
In earth and water and fire and air?
Even so no mortal tongue may tell
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How to the clang of the sword that fell
The echoes shook the altar-cell.
When all was still on the air again
The Beryl-stone lay cleft in twain;
The veil was rent from the riven dome;
And every wind that's winged to roam
Might have the ruined place for home.
The fountain no more glittered free;
The fruit hung dead on the leafless tree;
The flame of the lamp had ceased to flare;
And the crystal casket shattered there
Was emptied now of its cloud of air.
And lo! on the ground Rose Mary lay,
With a cold brow like the snows ere May,
With a cold breast like the earth till Spring,
With such a smile as the June days bring
When the year grows warm with harvesting.
The death she had won might leave no trace
On the soft sweet form and gentle face:
In a gracious sleep she seemed to lie;
And over her head her hand on high
Held fast the sword she triumphed by.
'Twas then a clear voice said in the room:—
“Behold the end of the heavy doom.
O come,—for thy bitter love's sake blest;
By a sweet path now thou journeyest,
And I will lead thee to thy rest.
“Me thy sin by Heaven's sore ban
Did chase erewhile from the talisman:
But to my heart, as a conquered home,
In glory of strength thy footsteps come
Who hast thus cast forth my foes therefrom.
“Already thy heart remembereth
No more his name thou sought'st in death:
For under all deeps, all heights above,—
So wide the gulf in the midst thereof,—
Are Hell of Treason and Heaven of Love.
“Thee, true soul, shall thy truth prefer
To blessed Mary's rose-bower:
Warmed and lit is thy place afar
With guerdon-fires of the sweet Love-star
Where hearts of steadfast lovers are:—
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“Though naught for the poor corpse lying here
Remain to-day but the cold white bier,
But burial-chaunt and bended knee,
But sighs and tears that heaviest be,
But rent rose-flower and rosemary.”
BERYL-SONG
We, cast forth from the Beryl,
Gyre-circling spirits of fire,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,—
Woe! must We behold this mother
Find grace in her dead child's face, and doubt of none other
But that perfect pardon, alas! hath assured her guerdon?
Woe! must We behold this daughter,
Made clean from the soil of sin wherewith We had fraught her,
Shake off a man's blood like water?
Write up her story
On the Gate of Heaven's glory,
Whom there We behold so fair in shining apparel,
And beneath her the ruin
Of our own undoing!
Alas, the Beryl!
We had for a foeman
But one weak woman;
In one day's strife,
Her hope fell dead from her life;
And yet no iron,
Her soul to environ,
Could this manslayer, this false soothsayer imperil!
Lo, where she bows
In the Holy House!
Who now shall dissever her soul from its joy for ever
While every ditty
Of love and plentiful pity
Fills the White City,
And the floor of Heaven to her feet for ever is given?
Hark, a voice cries “Flee!”
Woe! woe! what shelter have We,
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Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,
Gyre-circling spirits of fire,
We, cast forth from the Beryl?
~ Dante Gabriel Rossetti,#NFDB
719: Ilion
Book I: The Book of the Herald
Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered from starry and shadowy vastness
Woke to the wonder of life and its passion and sorrow and beauty,
All on her bosom sustaining, the patient compassionate Mother.
Out of the formless vision of Night with its look on things hidden
Given to the gaze of the azure she lay in her garment of greenness,
Wearing light on her brow. In the dawn-ray lofty and voiceless
Ida climbed with her god-haunted peaks into diamond lustres,
Ida first of the hills with the ranges silent beyond her
Watching the dawn in their giant companies, as since the ages
First began they had watched her, upbearing Time on their summits.
Troas cold on her plain awaited the boon of the sunshine.
There, like a hope through an emerald dream sole-pacing for ever,
Stealing to wideness beyond, crept Simois lame in his currents,
Guiding his argent thread mid the green of the reeds and the grasses.
Headlong, impatient of Space and its boundaries, Time and its slowness,
Xanthus clamoured aloud as he ran to the far-surging waters,
Joining his call to the many-voiced roar of the mighty Aegean,
Answering Oceans limitless cry like a whelp to its parent.
Forests looked up through their rifts, the ravines grew aware of their shadows.
Closer now gliding glimmered the golden feet of the goddess.
Over the hills and the headlands spreading her garment of splendour,
Fateful she came with her eyes impartial looking on all things,
Bringer to man of the day of his fortune and day of his downfall.
Full of her luminous errand, careless of eve and its weeping,
Fateful she paused unconcerned above Ilions mysteried greatness,
Domes like shimmering tongues of the crystal flames of the morning,
Opalesque rhythm-line of tower-tops, notes of the lyre of the sungod.
High over all that a nation had built and its love and its laughter,
Lighting the last time highway and homestead, market and temple,
Looking on men who must die and women destined to sorrow,
Looking on beauty fire must lay low and the sickle of slaughter,
Fateful she lifted the doom-scroll red with the script of the Immortals,
Deep in the invisible air that folds in the race and its morrows
Fixed it, and passed on smiling the smile of the griefless and deathless,
Dealers of death though death they know not, who in the morning
Scatter the seed of the event for the reaping ready at nightfall.
Over the brooding of plains and the agelong trance of the summits
Out of the sun and its spaces she came, pausing tranquil and fatal,
And, at a distance followed by the golden herds of the sungod,
Carried the burden of Light and its riddle and danger to Hellas.
Even as fleets on a chariot divine through the gold streets of ether,
Swiftly when Life fleets, invisibly changing the arc of the soul-drift,
And, with the choice that has chanced or the fate man has called and now suffers
Weighted, the moment travels driving the past towards the future,
Only its face and its feet are seen, not the burden it carries.
Weight of the event and its surface we bear, but the meaning is hidden.
Earth sees not; lifes clamour deafens the ear of the spirit:
Man knows not; least knows the messenger chosen for the summons.
Only he listens to the voice of his thoughts, his hearts ignorant whisper,
Whistle of winds in the tree-tops of Time and the rustle of Nature.
Now too the messenger hastened driving the car of the errand:
Even while dawn was a gleam in the east, he had cried to his coursers.
Half yet awake in lights turrets started the scouts of the morning
Hearing the jar of the wheels and the throb of the hooves exultation,
Hooves of the horses of Greece as they galloped to Phrygian Troya.
Proudly they trampled through Xanthus thwarting the foam of his anger,
Whinnying high as in scorn crossed Simois tangled currents,
Xanthus reed-girdled twin, the gentle and sluggard river.
One and unarmed in the car was the driver; grey was he, shrunken,
Worn with his decades. To Pergama cinctured with strength Cyclopean
Old and alone he arrived, insignificant, feeblest of mortals,
Carrying Fate in his helpless hands and the doom of an empire.
Ilion, couchant, saw him arrive from the sea and the darkness.
Heard mid the faint slow stirrings of life in the sleep of the city,
Rapid there neared a running of feet, and the cry of the summons
Beat round the doors that guarded the domes of the splendour of Priam.
Wardens charged with the night, ye who stand in Laomedons gateway,
Waken the Ilian kings. Talthybius, herald of Argos,
Parleying stands at the portals of Troy in the grey of the dawning.
High and insistent the call. In the dimness and hush of his chamber
Charioted far in his dreams amid visions of glory and terror,
Scenes of a vivider world,though blurred and deformed in the brain-cells,
Vague and inconsequent, there full of colour and beauty and greatness,
Suddenly drawn by the pull of the conscious thread of the earth-bond
And of the needs of Time and the travail assigned in the transience
Warned by his body, Deiphobus, reached in that splendid remoteness,
Touched through the nerve-ways of life that branch to the brain of the dreamer,
Heard the terrestrial call and slumber startled receded
Sliding like dew from the mane of a lion. Reluctant he travelled
Back from the light of the fields beyond death, from the wonderful kingdoms
Where he had wandered a soul among souls in the countries beyond us,
Free from the toil and incertitude, free from the struggle and danger:
Now, compelled, he returned from the respite given to the time-born,
Called to the strife and the wounds of the earth and the burden of daylight.
He from the carven couch upreared his giant stature.
Haste-spurred he laved his eyes and regained earths memories, haste-spurred
Donning apparel and armour strode through the town of his fathers,
Watched by her gods on his way to his fate, towards Pergamas portals.
Nine long years had passed and the tenth now was wearily ending,
Years of the wrath of the gods, and the leaguer still threatened the ramparts
Since through a tranquil morn the ships came past Tenedos sailing
And the first Argive fell slain as he leaped on the Phrygian beaches;
Still the assailants attacked, still fought back the stubborn defenders.
When the reward is withheld and endlessly leng thens the labour,
Weary of fruitless toil grows the transient heart of the mortal.
Weary of battle the invaders warring hearthless and homeless
Prayed to the gods for release and return to the land of their fathers:
Weary of battle the Phrygians beset in their beautiful city
Prayed to the gods for an end of the danger and mortal encounter.
Long had the high-beached ships forgotten their measureless ocean.
Greece seemed old and strange to her children camped on the beaches,
Old like a life long past one remembers hardly believing
But as a dream that has happened, but as the tale of another.
Time with his tardy touch and Nature changing our substance
Slowly had dimmed the faces loved and the scenes once cherished:
Yet was the dream still dear to them longing for wife and for children,
Longing for hearth and glebe in the far-off valleys of Hellas.
Always like waves that swallow the shingles, lapsing, returning,
Tide of the battle, race of the onset relentlessly thundered
Over the Phrygian corn-fields. Trojan wrestled with Argive,
Caria, Lycia, Thrace and the war-lord mighty Achaia
Joined in the clasp of the fight. Death, panic and wounds and disaster,
Glory of conquest and glory of fall, and the empty hearth-side,
Weeping and fortitude, terror and hope and the pang of remembrance,
Anguish of hearts, the lives of the warriors, the strength of the nations
Thrown were like weights into Destinys scales, but the balance wavered
Pressed by invisible hands. For not only the mortal fighters,
Heroes half divine whose names are like stars in remoteness,
Triumphed and failed and were winds or were weeds on the dance of the surges,
But from the peaks of Olympus and shimmering summits of Ida
Gleaming and clanging the gods of the antique ages descended.
Hidden from human knowledge the brilliant shapes of Immortals
Mingled unseen in the mellay, or sometimes, marvellous, maskless,
Forms of undying beauty and power that made tremble the heart-strings
Parting their deathless secrecy crossed through the borders of vision,
Plain as of old to the demigods out of their glory emerging,
Heard by mortal ears and seen by the eyeballs that perish.
Mighty they came from their spaces of freedom and sorrowless splendour.
Sea-vast, trailing the azure hem of his clamorous waters,
Blue-lidded, maned with the Night, Poseidon smote for the future,
Earth-shaker who with his trident releases the coils of the Dragon,
Freeing the forces unborn that are locked in the caverns of Nature.
Calm and unmoved, upholding the Word that is Fate and the order
Fixed in the sight of a Will foreknowing and silent and changeless,
Hera sent by Zeus and Athene lifting his aegis
Guarded the hidden decree. But for Ilion, loud as the surges,
Ares impetuous called to the fire in mens hearts, and his passion
Woke in the shadowy depths the forms of the Titan and demon;
Dumb and coerced by the grip of the gods in the abyss of the being,
Formidable, veiled they sit in the grey subconscient darkness
Watching the sleep of the snake-haired Erinnys. Miracled, haloed,
Seer and magician and prophet who beholds what the thought cannot witness,
Lifting the godhead within us to more than a human endeavour,
Slayer and saviour, thinker and mystic, leaped from his sun-peaks
Guarding in Ilion the wall of his mysteries Delphic Apollo.
Heavens strengths divided swayed in the whirl of the Earth-force.
All that is born and destroyed is reborn in the sweep of the ages;
Life like a decimal ever recurring repeats the old figure;
Goal seems there none for the ball that is chased throughout Time by the Fate-teams;
Evil once ended renews and no issue comes out of living:
Only an Eye unseen can distinguish the thread of its workings.
Such seemed the rule of the pastime of Fate on the plains of the Troad;
All went backwards and forwards tossed in the swing of the death-game.
Vain was the toil of the heroes, the blood of the mighty was squandered,
Spray as of surf on the cliffs when it moans unappeased, unrequited
Age after fruitless age. Day hunted the steps of the nightfall;
Joy succeeded to grief; defeat only greatened the vanquished,
Victory offered an empty delight without guerdon or profit.
End there was none of the effort and end there was none of the failure.
Triumph and agony changing hands in a desperate measure
Faced and turned as a man and a maiden trampling the grasses
Face and turn and they laugh in their joy of the dance and each other.
These were gods and they trampled lives. But though Time is immortal,
Mortal his works are and ways and the anguish ends like the rapture.
Artists of Nature content with their work in the plan of the transience,
Beautiful, deathless, august, the Olympians turned from the carnage,
Leaving the battle already decided, leaving the heroes
Slain in their minds, Troy burned, Greece left to her glory and downfall.
Into their heavens they rose up mighty like eagles ascending
Fanning the world with their wings. As the great to their luminous mansions
Turn from the cry and the strife, forgetting the wounded and fallen,
Calm they repose from their toil and incline to the joy of the banquet,
Watching the feet of the wine-bearers rosily placed on the marble,
Filling their hearts with ease, so they to their sorrowless ether
Passed from the wounded earth and its air that is ploughed with mens anguish;
Calm they reposed and their hearts inclined to the joy and the silence.
Lifted was the burden laid on our wills by their starry presence:
Man was restored to his smallness, the world to its inconscient labour.
Life felt a respite from height, the winds breathed freer delivered;
Light was released from their blaze and the earth was released from their greatness.
But their immortal content from the struggle titanic departed.
Vacant the noise of the battle roared like the sea on the shingles;
Wearily hunted the spears their quarry; strength was disheartened;
Silence increased with the march of the months on the tents of the leaguer.
But not alone on the Achaians the steps of the moments fell heavy;
Slowly the shadow deepened on Ilion mighty and scornful:
Dragging her days went by; in the rear of the hearts of her people
Something that knew what they dared not know and the mind would not utter,
Something that smote at her soul of defiance and beauty and laughter,
Darkened the hours. For Doom in her sombre and giant uprising
Neared, assailing the skies: the sense of her lived in all pastimes;
Time was pursued by unease and a terror woke in the midnight:
Even the ramparts felt her, stones that the gods had erected.
Now no longer she dallied and played, but bounded and hastened,
Seeing before her the end and, imagining massacre calmly,
Laughed and admired the flames and rejoiced in the cry of the captives.
Under her, dead to the watching immortals, Deiphobus hastened
Clanging in arms through the streets of the beautiful insolent city,
Brilliant, a gleaming husk but empty and left by the daemon.
Even as a star long extinguished whose light still travels the spaces,
Seen in its form by men, but itself goes phantom-like fleeting
Void and null and dark through the uncaring infinite vastness,
So now he seemed to the sight that sees all things from the Real.
Timeless its vision of Time creates the hour by things coming.
Borne on a force from the past and no more by a power for the future
Mighty and bright was his body, but shadowy the shape of his spirit
Only an eidolon seemed of the being that had lived in him, fleeting
Vague like a phantom seen by the dim Acherontian waters.
But to the guardian towers that watched over Pergamas gateway
Out of the waking city Deiphobus swiftly arriving
Called, and swinging back the huge gates slowly, reluctant,
Flung Troy wide to the entering Argive. Ilions portals
Parted admitting her destiny, then with a sullen and iron
Cry they closed. Mute, staring, grey like a wolf descended
Old Talthybius, propping his steps on the staff of his errand;
Feeble his body, but fierce still his glance with the fire within him;
Speechless and brooding he gazed on the hated and coveted city.
Suddenly, seeking heaven with her buildings hewn as for Titans,
Marvellous, rhythmic, a child of the gods with marble for raiment,
Smiting the vision with harmony, splendid and mighty and golden,
Ilion stood up around him entrenched in her giant defences.
Strength was uplifted on strength and grandeur supported by grandeur;
Beauty lay in her lap. Remote, hieratic and changeless,
Filled with her deeds and her dreams her gods looked out on the Argive,
Helpless and dumb with his hate as he gazed on her, they too like mortals
Knowing their centuries past, not knowing the morrow before them.
Dire were his eyes upon Troya the beautiful, his face like a doom-mask:
All Greece gazed in them, hated, admired, grew afraid, grew relentless.
But to the Greek Deiphobus cried and he turned from his passion
Fixing his ominous eyes with the god in them straight on the Trojan:
Messenger, voice of Achaia, wherefore confronting the daybreak
Comest thou driving thy car from the sleep of the tents that besiege us?
Fateful, I deem, was the thought that, conceived in the silence of midnight,
Raised up thy aged limbs from the couch of their rest in the stillness,
Thoughts of a mortal but forged by the Will that uses our members
And of its promptings our speech and our acts are the tools and the image.
Oft from the veil and the shadow they leap out like stars in their brightness,
Lights that we think our own, yet they are but tokens and counters,
Signs of the Forces that flow through us serving a Power that is secret.
What in the dawning bringst thou to Troya the mighty and dateless
Now in the ending of Time when the gods are weary of struggle?
Sends Agamemnon challenge or courtesy, Greek, to the Trojans?
High like the northwind answered the voice of the doom from Achaia:
Trojan Deiphobus, daybreak, silence of night and the evening
Sink and arise and even the strong sun rests from his splendour.
Not for the servant is rest nor Time is his, only his death-pyre.
I have not come from the monarch of men or the armoured assembly
Held on the wind-swept marge of the thunder and laughter of ocean.
One in his singleness greater than kings and multitudes sends me.
I am a voice out of Phthia, I am the will of the Hellene.
Peace in my right I bring to you, death in my left hand. Trojan,
Proudly receive them, honour the gifts of the mighty Achilles.
Death accept, if Ate deceives you and Doom is your lover,
Peace if your fate can turn and the god in you chooses to hearken.
Full is my heart and my lips are impatient of speech undelivered.
It was not made for the streets or the market, nor to be uttered
Meanly to common ears, but where counsel and majesty harbour
Far from the crowd in the halls of the great and to wisdom and foresight
Secrecy whispers, there I will speak among Ilions princes.
Envoy, answered the Laomedontian, voice of Achilles,
Vain is the offer of peace that sets out with a threat for its prelude.
Yet will we hear thee. Arise who are fleetest of foot in the gateway,
Thou, Thrasymachus, haste. Let the domes of the mansion of Ilus
Wake to the bruit of the Hellene challenge. Summon Aeneas.
Even as the word sank back into stillness, doffing his mantle
Started to run at the bidding a swift-footed youth of the Trojans
First in the race and the battle, Thrasymachus son of Aretes.
He in the dawn disappeared into swiftness. Deiphobus slowly,
Measuring Fate with his thoughts in the troubled vasts of his spirit,
Back through the stir of the city returned to the house of his fathers,
Taming his mighty stride to the pace infirm of the Argive.
But with the god in his feet Thrasymachus rapidly running
Came to the halls in the youth of the wonderful city by Ilus
Built for the joy of the eye; for he rested from war and, triumphant,
Reigned adored by the prostrate nations. Now when all ended,
Last of its mortal possessors to walk in its flowering gardens,
Great Anchises lay in that luminous house of the ancients
Soothing his restful age, the far-warring victor Anchises,
High Bucoleons son and the father of Rome by a goddess;
Lonely and vagrant once in his boyhood divine upon Ida
White Aphrodite ensnared him and she loosed her ambrosial girdle
Seeking a mortals love. On the threshold Thrasymachus halted
Looking for servant or guard, but felt only a loneness of slumber
Drawing the souls sight within away from its life and things human;
Soundless, unheeding, the vacant corridors fled into darkness.
He to the shades of the house and the dreams of the echoing rafters
Trusted his high-voiced call, and from chambers still dim in their twilight
Strong Aeneas armoured and mantled, leonine striding,
Came, Anchises son; for the dawn had not found him reposing,
But in the night he had left his couch and the clasp of Cresa,
Rising from sleep at the call of his spirit that turned to the waters
Prompted by Fate and his mother who guided him, white Aphrodite.
Still with the impulse of speed Thrasymachus greeted Aeneas:
Hero Aeneas, swift be thy stride to the Ilian hill-top.
Dardanid, haste! for the gods are at work; they have risen with the morning,
Each from his starry couch, and they labour. Doom, we can see it,
Glows on their anvils of destiny, clang we can hear of their hammers.
Something they forge there sitting unknown in the silence eternal,
Whether of evil or good it is they who shall choose who are masters
Calm, unopposed; they are gods and they work out their iron caprices.
Troy is their stage and Argos their background; we are their puppets.
Always our voices are prompted to speech for an end that we know not,
Always we think that we drive, but are driven. Action and impulse,
Yearning and thought are their engines, our will is their shadow and helper.
Now too, deeming he comes with a purpose framed by a mortal,
Shaft of their will they have shot from the bow of the Grecian leaguer,
Lashing themselves at his steeds, Talthybius sent by Achilles.
Busy the gods are always, Thrasymachus son of Aretes,
Weaving Fate on their looms, and yesterday, now and tomorrow
Are but the stands they have made with Space and Time for their timber,
Frame but the dance of their shuttle. What eye unamazed by their workings
Ever can pierce where they dwell and uncover their far-stretching purpose?
Silent they toil, they are hid in the clouds, they are wrapped with the midnight.
Yet to Apollo I pray, the Archer friendly to mortals,
Yet to the rider on Fate I abase myself, wielder of thunder,
Evil and doom to avert from my fatherland. All night Morpheus,
He who with shadowy hands heaps error and truth upon mortals,
Stood at my pillow with images. Dreaming I erred like a phantom
Helpless in Ilions streets with the fire and the foeman around me.
Red was the smoke as it mounted triumphant the house-top of Priam,
Clang of the arms of the Greeks was in Troya, and thwarting the clangour
Voices were crying and calling me over the violent Ocean
Borne by the winds of the West from a land where Hesperus harbours.
Brooding they ceased, for their thoughts grew heavy upon them and voiceless.
Then, in a farewell brief and unthought and unconscious of meaning,
Parting they turned to their tasks and their lives now close but soon severed:
Destined to perish even before his perishing nation,
Back to his watch at the gate sped Thrasymachus rapidly running;
Large of pace and swift, but with eyes absorbed and unseeing,
Driven like a car of the gods by the whip of his thoughts through the highways,
Turned to his mighty future the hero born of a goddess.
One was he chosen to ascend into greatness through fall and disaster,
Loser of his world by the will of a heaven that seemed ruthless and adverse,
Founder of a newer and greater world by daring adventure.
Now, from the citadels rise with the townships crowding below it
High towards a pondering of domes and the mystic Palladium climbing,
Fronted with the morning ray and joined by the winds of the ocean,
Fate-weighed up Troys slope strode musing strong Aeneas.
Under him silent the slumbering roofs of the city of Ilus
Dreamed in the light of the dawn; above watched the citadel, sleepless
Lonely and strong like a goddess white-limbed and bright on a hill-top,
Looking far out at the sea and the foe and the prowling of danger.
Over the brow he mounted and saw the palace of Priam,
Home of the gods of the earth, Laomedons marvellous vision
Held in the thought that accustomed his will to unearthly achievement
And in the blaze of his spirit compelling heaven with its greatness,
Dreamed by the harp of Apollo, a melody caught into marble.
Out of his mind it arose like an epic canto by canto;
Each of its halls was a strophe, its chambers lines of an epode,
Victor chant of Ilions destiny. Absent he entered,
Voiceless with thought, the brilliant megaron crowded with paintings,
Paved with a splendour of marble, and saw Deiphobus seated,
Son of the ancient house by the opulent hearth of his fathers,
And at his side like a shadow the grey and ominous Argive.
Happy of light like a lustrous star when it welcomes the morning,
Brilliant, beautiful, glamoured with gold and a fillet of gem-fire,
Paris, plucked from the song and the lyre by the Grecian challenge,
Came with the joy in his face and his eyes that Fate could not alter.
Ever a child of the dawn at play near a turn of the sun-roads,
Facing destinys look with the careless laugh of a comrade,
He with his vision of delight and beauty brightening the earth-field
Passed through its peril and grief on his way to the ambiguous Shadow.
Last from her chamber of sleep where she lay in the Ilian mansion
Far in the heart of the house with the deep-bosomed daughters of Priam,
Noble and tall and erect in a nimbus of youth and of glory,
Claiming the world and life as a fief of her strength and her courage,
Dawned through a doorway that opened to distant murmurs and laughter,
Capturing the eye like a smile or a sunbeam, Penthesilea.
She from the threshold cried to the herald, crossing the marble,
Regal and fleet, with her voice that was mighty and dire in its sweetness.
What with such speed has impelled from the wind-haunted beaches of Troas,
Herald, thy car though the sun yet hesitates under the mountains?
Comest thou humbler to Troy, Talthybius, now than thou camest
Once when the streams of my East sang low to my ear, not this Ocean
Loud, and I roamed in my mountains uncalled by the voice of Apollo?
Bringest thou dulcet-eyed peace or, sweeter to Penthesilea,
Challenge of war when the spears fall thick on the shields of the fighters,
Lightly the wheels leap onward chanting the anthem of Ares,
Death is at work in his fields and the heart is enamoured of danger?
What says Odysseus, the baffled Ithacan? what Agamemnon?
Are they then weary of war who were rapid and bold and triumphant,
Now that their gods are reluctant, now victory darts not from heaven
Down from the clouds above Ida directing the luminous legions
Armed by Fate, now Pallas forgets, now Poseidon slumbers?
Bronze were their throats to the battle like bugles blaring in chorus;
Mercy they knew not, but shouted and ravened and ran to the slaughter
Eager as hounds when they chase, till a woman met them and stayed them,
Loud my war-shout rang by Scamander. Herald of Argos,
What say the vaunters of Greece to the virgin Penthesilea?
High was the Argives answer confronting the mighty in Troya.
Princes of Pergama, whelps of the lion who roar for the mellay,
Suffer my speech! It shall ring like a spear on the hearts of the mighty.
Blame not the herald; his voice is an impulse, an echo, a channel
Now for the timbrels of peace and now for the drums of the battle.
And I have come from no cautious strength, from no half-hearted speaker,
But from the Phthian. All know him! Proud is his soul as his fortunes,
Swift as his sword and his spear are the speech and the wrath from his bosom.
I am his envoy, herald am I of the conquering Argives.
Has not one heard in the night when the breezes whisper and shudder,
Dire, the voice of a lion unsatisfied, gnawed by his hunger,
Seeking his prey from the gods? For he prowls through the glens of the mountains,
Errs a dangerous gleam in the woodlands, fatal and silent.
So for a while he endures, for a while he seeks and he suffers
Patient yet in his terrible grace as assured of his banquet;
But he has lacked too long and he lifts his head and to heaven
Roars in his wonder, incensed, impatiently. Startled the valleys
Shrink from the dreadful alarum, the cattle gallop to shelter.
Arming the herdsmen cry to each other for comfort and courage.
So Talthybius spoke, as a harper voicing his prelude
Touches his strings to a varied music, seeks for a concord;
Long his strain he prepares. But one broke in on the speaker,
Sweet was his voice like a harps though heard in the front of the onset,
One of the sons of Fate by the people loved whom he ruined,
Leader in counsel and battle, the Priamid, he in his beauty
Carelessly walking who scattered the seeds of Titanic disaster.
Surely thou dreamedst at night and awaking thy dreams have not left thee!
Hast thou not woven thy words to intimidate children in Argos
Sitting alarmed in the shadows who listen pale to their nurses?
Greek, thou art standing in Ilion now and thou facest her princes.
Use not thy words but thy kings. If friendship their honey-breathed burden,
Friendship we clasp from Achilles, but challenge outpace with our challenge
Meeting the foe ere he moves in his will to the clash of encounter.
Such is the way of the Trojans since Phryx by the Hellespont halting
Seated Troy on her hill with the Ocean for comrade and sister.
Shaking in wrath his filleted head Talthybius answered:
Princes, ye speak their words who drive you! Thus said Achilles:
Rise, Talthybius, meet in her spaces the car of the morning;
Challenge her coursers divine as they bound through the plains of the Troad.
Hasten, let not the day wear gold ere thou stand in her ramparts.
Herald charged with my will to a haughty and obstinate nation,
Speak in the palace of Priam the word of the Phthian Achilles.
Freely and not as his vassal who leads, Agamemnon, the Argive,
But as a ruler in Hellas I send thee, king of my nations.
Long I have walked apart from the mellay of gods in the Troad,
Long has my listless spear leaned back on the peace of my tent-side,
Deaf to the talk of the trumpets, the whine of the chariots speeding;
Sole with my heart I have lived, unheeding the Hellene murmur,
Chid when it roared for the hunt the lion pack of the war-god,
Day after day I walked at dawn and in blush of the sunset,
Far by the call of the seas and alone with the gods and my dreaming,
Leaned to the unsatisfied chant of my heart and the rhythms of ocean,
Sung to by hopes that were sweet-lipped and vain. For Polyxenas brothers
Still are the brood of the Titan Laomedon slain in his greatness,
Engines of God unable to bear all the might that they harbour.
Awe they have chid from their hearts, nor our common humanity binds them,
Stay have they none in the gods who approve, giving calmness to mortals:
But like the Titans of old they have hugged to them grandeur and ruin.
Seek then the race self-doomed, the leaders blinded by heaven
Not in the agora swept by the winds of debate and the shoutings
Lion-voiced, huge of the people! In Troyas high-crested mansion
Speak out my word to the hero Deiphobus, head of the mellay,
Paris the racer of doom and the stubborn strength of Aeneas.
Herald of Greece, when thy feet shall be pressed on the gold and the marble,
Rise in the Ilian megaron, curb not the cry of the challenge.
Thus shalt thou say to them striking the ground with the staff of defiance,
Fronting the tempests of war, the insensate, the gamblers with downfall.
Princes of Troy, I have sat in your halls, I have slept in your chambers;
Not in the battle alone as a warrior glad of his foemen,
Glad of the strength that mates with his own, in peace we encountered.
Marvelling I sat in the halls of my enemies, close to the bosoms
Scarred by the dints of my sword and the eyes I had seen through the battle,
Ate rejoicing the food of the East at the tables of Priam
Served by the delicatest hands in the world, by Hecubas daughter,
Or with our souls reconciled in some careless and rapturous midnight
Drank of the sweetness of Phrygian wine, admiring your bodies
Shaped by the gods indeed, and my spirit revolted from hatred,
Softening it yearned in its strings to the beauty and joy of its foemen,
Yearned from the death that oertakes and the flame that cries and desires
Even at the end to save and even on the verge to deliver
Troy and her wonderful works and her sons and her deep-bosomed daughters.
Warned by the gods who reveal to the heart what the mind cannot hearken
Deaf with its thoughts, I offered you friendship, I offered you bridal,
Hellas for comrade, Achilles for brother, the world for enjoyment
Won by my spear. And one heard my call and one turned to my seeking.
Why is it then that the war-cry sinks not to rest by the Xanthus?
We are not voices from Argolis, Lacedaemonian tricksters,
Splendid and subtle and false; we are speakers of truth, we are Hellenes,
Men of the northl and faithful in friendship and noble in anger,
Strong like our fathers of old. But you answered my truth with evasion
Hoping to seize what I will not yield and you flattered your people.
Long have I waited for wisdom to dawn on your violent natures.
Lonely I paced oer the sands by the thousand-throated waters
Praying to Pallas the wise that the doom might turn from your mansions,
Buildings delightful, gracious as rhythms, lyrics in marble,
Works of the transient gods, and I yearned for the end of the war-din
Hoping that Death might relent to the beautiful sons of the Trojans.
Far from the cry of the spears, from the speed and the laughter of axles,
Heavy upon me like iron the intolerable yoke of inaction
Weighed like a load on a runner. The war-cry rose by Scamander;
Xanthus was crossed on a bridge of the fallen, not by Achilles.
Often I stretched out my hand to the spear, for the Trojan beaches
Rang with the voice of Deiphobus shouting and slaying the Argives;
Often my heart like an anxious mother for Greece and her children
Leaped, for the air was full of the leonine roar of Aeneas.
Always the evening fell or the gods protected the Argives.
Then by the moat of the ships, on the hither plain of the Xanthus
New was the voice that climbed through the din and sailed on the breezes,
High, insistent, clear, and it shouted an unknown war-cry
Threatening doom to the peoples. A woman had come in to aid you,
Regal and insolent, fair as the morning and fell as the northwind,
Freed from the distaff who grasps at the sword and she spurns at subjection
Breaking the rule of the gods. She is turbulent, swift in the battle.
Clanging her voice of the swan as a summons to death and disaster,
Fleet-footed, happy and pitiless, laughing she runs to the slaughter;
Strong with the gait that allures she leaps from her car to the slaying,
Dabbles in blood smooth hands like lilies. Europe astonished
Reels from her shock to the Ocean. She is the panic and mellay,
War is her paean, the chariots thunder of Penthesilea.
Doom was her coming, it seems, to the men of the West and their legions;
Ajax sleeps for ever, Meriones lies on the beaches.
One by one they are falling before you, the great in Achaia.
Ever the wounded are borne like the stream of the ants when they forage
Past my ships, and they hush their moans as they near and in silence
Gaze at the legions inactive accusing the fame of Achilles.
Still have I borne with you, waited a little, looked for a summons,
Longing for bridal torches, not flame on the Ilian housetops,
Blood in the chambers of sweetness, the golden amorous city
Swallowed by doom. Not broken I turned from the wrestle Titanic,
Hopeless, weary of toil in the ebb of my glorious spirit,
But from my stress of compassion for doom of the kindred nations,
But for her sake whom my soul desires, for the daughter of Priam.
And for Polyxenas sake I will speak to you yet as your lover
Once ere the Fury, abrupt from Erebus, deaf to your crying,
Mad with the joy of the massacre, seizes on wealth and on women
Calling to Fire as it strides and Ilion sinks into ashes.
Yield; for your doom is impatient. No longer your helpers hasten,
Legions swift to your call; the yoke of your pride and your splendour
Lies not now on the nations of earth as when Fortune desired you,
Strength was your slave and Troya the lioness hungrily roaring
Threatened the western world from her ramparts built by Apollo.
Gladly released from the thraldom they hated, the insolent shackles
Curbing their manhood the peoples arise and they pray for your ruin;
Piled are their altars with gifts; their blessings help the Achaians.
Memnon came, but he sleeps, and the faces swart of his nation
Darken no more like a cloud over thunder and surge of the onset.
Wearily Lycia fights; far fled are the Carian levies.
Thrace retreats to her plains preferring the whistle of stormwinds
Or on the banks of the Strymon to wheel in her Orphean measure,
Not in the revel of swords and fronting the spears of the Hellenes.
Princes of Pergama, open your gates to our Peace who would enter,
Life in her gracious clasp and forgetfulness, grave of earths passions,
Healer of wounds and the past. In a comity equal, Hellenic,
Asia join with Greece, one world from the frozen rivers
Trod by the hooves of the Scythian to farthest undulant Ganges.
Tyndarid Helen resign, the desirable cause of your danger,
Back to Greece that is empty long of her smile and her movements.
Broider with riches her coming, pomp of her slaves and the waggons
Endlessly groaning with gold that arrive with the ransom of nations.
So shall the Fury be pacified, she who exultant from Sparta
Breathed in the sails of the Trojan ravisher helping his oarsmen.
So shall the gods be appeased and the thoughts of their wrath shall be cancelled,
Justice contented trace back her steps and for brands of the burning
Torches delightful shall break into Troy with the swords of the bridal.
I like a bridegroom will seize on your city and clasp and defend her
Safe from the envy of Argos, from Lacedaemonian hatred,
Safe from the hunger of Crete and the Locrians violent rapine.
But if you turn from my voice and you hearken only to Ares
Crying for battle within you deluded by Hera and Pallas,
Swiftly the fierce deaths surges shall close over Troy and her ramparts
Built by the gods shall be stubble and earth to the tread of the Hellene.
For to my tents I return not, I swear it by Zeus and Apollo,
Master of Truth who sits within Delphi fathomless brooding
Sole in the caverns of Nature and hearkens her underground murmur,
Giving my oath to his keeping mute and stern who forgets not,
Not from the panting of Ares toil to repose, from the wrestle
Locked of hope and death in the ruthless clasp of the mellay
Leaving again the Trojan ramparts unmounted, leaving
Greece unavenged, the Aegean a lake and Europe a province.
Choosing from Hellas exile, from Peleus and Deidamia,
Choosing the field for my chamber of sleep and the battle for hearthside
I shall go warring on till Asia enslaved to my footsteps
Feels the tread of the God in my sandal pressed on her bosom.
Rest shall I then when the borders of Greece are fringed with the Ganges;
Thus shall the past pay its Titan ransom and, Fate her balance
Changing, a continent ravished suffer the fortune of Helen.
This I have sworn allying my will to Zeus and Ananke.
So was it spoken, the Phthian challenge. Silent the heroes
Looked back amazed on their past and into the night of their future.
Silent their hearts felt a grasp from gods and had hints of the heavens.
Hush was awhile in the room, as if Fate were trying her balance
Poised on the thoughts of her mortals. At length with a musical laughter
Sweet as the jangling of bells upon anklets leaping in measure
Answered aloud to the gods the virgin Penthesilea.
Long I had heard in my distant realms of the fame of Achilles,
Ignorant still while I played with the ball and ran in the dances
Thinking not ever to war; but I dreamed of the shock of the hero.
So might a poet inland who imagines the rumour of Ocean,
Yearn with his lust for the giant upheaval, the dance as of hill-tops,
Toss of the yellow mane and the tawny march and the voices
Lionlike claiming earth as a prey for the clamorous waters.
So have I longed as I came for the cry and the speed of Achilles.
But he has lurked in his ships, he has sulked like a boy that is angry.
Glad am I now of his soul that arises hungry for battle,
Glad, whether victor I live or defeated travel the shadows.
Once shall my spear have rung on the shield of the Phthian Achilles.
Peace I desire not. I came to a haughty and resolute nation,
Honour and fame they cherish, not life by the gift of a foeman.
Sons of the ancient house on whom Ilion looks as on Titans,
Chiefs whom the world admires, do you fear then the shock of the Phthian?
Gods, it is said, have decided your doom. Are you less in your greatness?
Are you not gods to reverse their decrees or unshaken to suffer?
Memnon is dead and the Carians leave you? Lycia lingers?
But from the streams of my East I have come to you, Penthesilea.
Virgin of Asia, answered Talthybius, doom of a nation
Brought thee to Troy and her haters Olympian shielded thy coming,
Vainly who feedest mens hearts with a hope that the gods have rejected.
Doom in thy sweet voice utters her counsels robed like a woman.
Answered the virgin disdainfully, wroth at the words of the Argive:
Hast thou not ended the errand they gave thee, envoy of Hellas?
Not, do I think, as our counsellor camst thou elected from Argos,
Nor as a lover to Troy hast thou hastened with amorous footing
Hurting thy heart with her frowardness. Hatred and rapine sent thee,
Greed of the Ilian gold and lust of the Phrygian women,
Voice of Achaian aggression! Doom am I truly; let Gnossus
Witness it, Salamis speak of my fatal arrival and Argos
Silent remember her wounds. But the Argive answered the virgin:
Hearken then to the words of the Hellene, Penthesilea.
Virgin to whom earths strongest are corn in the sweep of thy sickle,
Lioness vain of thy bruit who besiegest the paths of the battle!
Art thou not satiate yet? hast thou drunk then so little of slaughter?
Death has ascended thy car; he has chosen thy hand for his harvest.
But I have heard of thy pride and disdain, how thou scornest the Argives
And of thy fate thou complainest that ever averse to thy wishes
Cloisters the Phthian and matches with weaklings Penthesilea.
Not of the Ithacan boar nor the wild-cat littered in Locris
Nor of the sleek-coat Argive wild-bulls sates me the hunting;
So hast thou said, I would bury my spear in the lion of Hellas.
Blind and infatuate, art thou not beautiful, bright as the lightning?
Were not thy limbs made cunningly linking sweetness to sweetness?
Is not thy laughter an arrow surprising hearts imprudent?
Charm is the seal of the gods upon woman. Distaff and girdle,
Work of the jar at the well and the hush of our innermost chambers,
These were appointed thee, but thou hast scorned them, O Titaness, grasping
Rather the shield and the spear. Thou, obeying thy turbulent nature,
Tramplest oer laws that are old to the pleasure thy heart has demanded.
Rather bow to the ancient Gods who are seated and constant.
But for thyself thou passest and what hast thou gained for the aeons
Mingled with men in their works and depriving the age of thy beauty?
Fair art thou, woman, but fair with a bitter and opposite sweetness
Clanging in war when thou matchest thy voice with the shout of assemblies.
Not to this end was thy sweetness made and the joy of thy members,
Not to this rhythm Heaven tuned its pipe in thy throat of enchantment,
Armoured like men to go warring forth and with hardness and fierceness
Mix in the strife and the hate while the varied meaning of Nature
Perishes hurt in its heart and life is emptied of music.
Long have I marked in your world a madness. Monarchs descending
Court the imperious mob of their slaves and their suppliant gesture
Shameless and venal offends the majestic tradition of ages:
Princes plead in the agora; spurred by the tongue of a coward,
Heroes march to an impious war at a priestly bidding.
Gold is sought by the great with the chaffering heart of the trader.
Asia fails and the Gods are abandoning Ida for Hellas.
Why must thou come here to perish, O noble and exquisite virgin,
Here in a cause not thine, in a quarrel remote from thy beauty,
Leaving a land that is lovely and far to be slain among strangers?
Girl, to thy rivers go back and thy hills where the grapes are aspirant.
Trust not a fate that indulges; for all things, Penthesilea,
Break with excess and he is the wisest who walks by a measure.
Yet, if thou wilt, thou shalt meet me today in the shock of the battle:
There will I give thee the fame thou desirest; captive in Hellas,
Men shall point to thee always, smiling and whispering, saying,
This is the woman who fought with the Greeks, overthrowing their heroes;
This is the slayer of Ajax, this is the slave of Achilles.
Then with her musical laughter the fearless Penthesilea:
Well do I hope that Achilles enslaved shall taste of that glory
Or on the Phrygian fields lie slain by the spear of a woman.
But to the herald Achaian the Priamid, leader of Troya:
Rest in the halls of thy foes and ease thy fatigue and thy winters.
Herald, abide till the people have heard and reply to Achilles.
Not as the kings of the West are Ilions princes and archons,
Monarchs of men who drive their nations dumb to the battle.
Not in the palace of Priam and not in the halls of the mighty
Whispered councils prevail and the few dispose of the millions;
But with their nation consulting, feeling the hearts of the commons
Ilions princes march to the war or give peace to their foemen.
Lightning departs from her kings and the thunder returns from her people
Met in the ancient assembly where Ilus founded his columns
And since her famous centuries, names that the ages remember
Leading her, Troya proclaims her decrees to obedient nations.
Ceasing he cried to the thralls of his house and they tended the Argive.
Brought to a chamber of rest in the luminous peace of the mansion,
Grey he sat and endured the food and the wine of his foemen,
Chiding his spirit that murmured within him and gazed undelighted,
Vexed with the endless pomps of Laomedon. Far from those glories
Memory winged it back to a sward half-forgotten, a village
Nestling in leaves and low hills watching it crowned with the sunset.
So for his hour he abode in earths palace of lordliest beauty,
But in its caverns his heart was weary and, hurt by the splendours,
Longed for Greece and the smoke-darkened roof of a cottage in Argos,
Eyes of a woman faded and children crowding the hearthside.
Joyless he rose and eastward expected the sunrise on Ida.
***
~ Sri Aurobindo, 1 - The Book of the Herald
,#NFDB
720:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.
Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.
Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all weed-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.
Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.
Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,ere their death, oer-taking
The surgy murmurs of the lonely sea.
And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.
Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter hoar. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.Ah, well-a-day,
Why should our young Endymion pine away!
Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of virgin bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."
Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:
"O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinxdo thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!
"O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly 'mong myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completionsbe quickly near,
By every wind that nods the mountain pine,
O forester divine!
"Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown
By all the echoes that about thee ring,
Hear us, O satyr king!
"O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledgesee,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!
Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereala new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknownbut no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!
Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgottenout of memory:
Fair creatures! whose young children's children bred
Thermopyl its heroesnot yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruitsthey danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its bodily tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'Mong shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little Mercury.
Some were athirst in soul to see again
Their fellow huntsmen o'er the wide champaign
In times long past; to sit with them, and talk
Of all the chances in their earthly walk;
Comparing, joyfully, their plenteous stores
Of happiness, to when upon the moors,
Benighted, close they huddled from the cold,
And shar'd their famish'd scrips. Thus all out-told
Their fond imaginations,saving him
Whose eyelids curtain'd up their jewels dim,
Endymion: yet hourly had he striven
To hide the cankering venom, that had riven
His fainting recollections. Now indeed
His senses had swoon'd off: he did not heed
The sudden silence, or the whispers low,
Or the old eyes dissolving at his woe,
Or anxious calls, or close of trembling palms,
Or maiden's sigh, that grief itself embalms:
But in the self-same fixed trance he kept,
Like one who on the earth had never stept.
Aye, even as dead-still as a marble man,
Frozen in that old tale Arabian.
Who whispers him so pantingly and close?
Peona, his sweet sister: of all those,
His friends, the dearest. Hushing signs she made,
And breath'd a sister's sorrow to persuade
A yielding up, a cradling on her care.
Her eloquence did breathe away the curse:
She led him, like some midnight spirit nurse
Of happy changes in emphatic dreams,
Along a path between two little streams,
Guarding his forehead, with her round elbow,
From low-grown branches, and his footsteps slow
From stumbling over stumps and hillocks small;
Until they came to where these streamlets fall,
With mingled bubblings and a gentle rush,
Into a river, clear, brimful, and flush
With crystal mocking of the trees and sky.
A little shallop, floating there hard by,
Pointed its beak over the fringed bank;
And soon it lightly dipt, and rose, and sank,
And dipt again, with the young couple's weight,
Peona guiding, through the water straight,
Towards a bowery island opposite;
Which gaining presently, she steered light
Into a shady, fresh, and ripply cove,
Where nested was an arbour, overwove
By many a summer's silent fingering;
To whose cool bosom she was used to bring
Her playmates, with their needle broidery,
And minstrel memories of times gone by.
So she was gently glad to see him laid
Under her favourite bower's quiet shade,
On her own couch, new made of flower leaves,
Dried carefully on the cooler side of sheaves
When last the sun his autumn tresses shook,
And the tann'd harvesters rich armfuls took.
Soon was he quieted to slumbrous rest:
But, ere it crept upon him, he had prest
Peona's busy hand against his lips,
And still, a sleeping, held her finger-tips
In tender pressure. And as a willow keeps
A patient watch over the stream that creeps
Windingly by it, so the quiet maid
Held her in peace: so that a whispering blade
Of grass, a wailful gnat, a bee bustling
Down in the blue-bells, or a wren light rustling
Among seer leaves and twigs, might all be heard.
O magic sleep! O comfortable bird,
That broodest o'er the troubled sea of the mind
Till it is hush'd and smooth! O unconfin'd
Restraint! imprisoned liberty! great key
To golden palaces, strange minstrelsy,
Fountains grotesque, new trees, bespangled caves,
Echoing grottos, full of tumbling waves
And moonlight; aye, to all the mazy world
Of silvery enchantment!who, upfurl'd
Beneath thy drowsy wing a triple hour,
But renovates and lives?Thus, in the bower,
Endymion was calm'd to life again.
Opening his eyelids with a healthier brain,
He said: "I feel this thine endearing love
All through my bosom: thou art as a dove
Trembling its closed eyes and sleeked wings
About me; and the pearliest dew not brings
Such morning incense from the fields of May,
As do those brighter drops that twinkling stray
From those kind eyes,the very home and haunt
Of sisterly affection. Can I want
Aught else, aught nearer heaven, than such tears?
Yet dry them up, in bidding hence all fears
That, any longer, I will pass my days
Alone and sad. No, I will once more raise
My voice upon the mountain-heights; once more
Make my horn parley from their foreheads hoar:
Again my trooping hounds their tongues shall loll
Around the breathed boar: again I'll poll
The fair-grown yew tree, for a chosen bow:
And, when the pleasant sun is getting low,
Again I'll linger in a sloping mead
To hear the speckled thrushes, and see feed
Our idle sheep. So be thou cheered sweet,
And, if thy lute is here, softly intreat
My soul to keep in its resolved course."
Hereat Peona, in their silver source,
Shut her pure sorrow drops with glad exclaim,
And took a lute, from which there pulsing came
A lively prelude, fashioning the way
In which her voice should wander. 'Twas a lay
More subtle cadenced, more forest wild
Than Dryope's lone lulling of her child;
And nothing since has floated in the air
So mournful strange. Surely some influence rare
Went, spiritual, through the damsel's hand;
For still, with Delphic emphasis, she spann'd
The quick invisible strings, even though she saw
Endymion's spirit melt away and thaw
Before the deep intoxication.
But soon she came, with sudden burst, upon
Her self-possessionswung the lute aside,
And earnestly said: "Brother, 'tis vain to hide
That thou dost know of things mysterious,
Immortal, starry; such alone could thus
Weigh down thy nature. Hast thou sinn'd in aught
Offensive to the heavenly powers? Caught
A Paphian dove upon a message sent?
Thy deathful bow against some deer-herd bent,
Sacred to Dian? Haply, thou hast seen
Her naked limbs among the alders green;
And that, alas! is death. No, I can trace
Something more high perplexing in thy face!"
Endymion look'd at her, and press'd her hand,
And said, "Art thou so pale, who wast so bland
And merry in our meadows? How is this?
Tell me thine ailment: tell me all amiss!
Ah! thou hast been unhappy at the change
Wrought suddenly in me. What indeed more strange?
Or more complete to overwhelm surmise?
Ambition is no sluggard: 'tis no prize,
That toiling years would put within my grasp,
That I have sigh'd for: with so deadly gasp
No man e'er panted for a mortal love.
So all have set my heavier grief above
These things which happen. Rightly have they done:
I, who still saw the horizontal sun
Heave his broad shoulder o'er the edge of the world,
Out-facing Lucifer, and then had hurl'd
My spear aloft, as signal for the chace
I, who, for very sport of heart, would race
With my own steed from Araby; pluck down
A vulture from his towery perching; frown
A lion into growling, loth retire
To lose, at once, all my toil breeding fire,
And sink thus low! but I will ease my breast
Of secret grief, here in this bowery nest.
"This river does not see the naked sky,
Till it begins to progress silverly
Around the western border of the wood,
Whence, from a certain spot, its winding flood
Seems at the distance like a crescent moon:
And in that nook, the very pride of June,
Had I been used to pass my weary eves;
The rather for the sun unwilling leaves
So dear a picture of his sovereign power,
And I could witness his most kingly hour,
When he doth lighten up the golden reins,
And paces leisurely down amber plains
His snorting four. Now when his chariot last
Its beams against the zodiac-lion cast,
There blossom'd suddenly a magic bed
Of sacred ditamy, and poppies red:
At which I wondered greatly, knowing well
That but one night had wrought this flowery spell;
And, sitting down close by, began to muse
What it might mean. Perhaps, thought I, Morpheus,
In passing here, his owlet pinions shook;
Or, it may be, ere matron Night uptook
Her ebon urn, young Mercury, by stealth,
Had dipt his rod in it: such garland wealth
Came not by common growth. Thus on I thought,
Until my head was dizzy and distraught.
Moreover, through the dancing poppies stole
A breeze, most softly lulling to my soul;
And shaping visions all about my sight
Of colours, wings, and bursts of spangly light;
The which became more strange, and strange, and dim,
And then were gulph'd in a tumultuous swim:
And then I fell asleep. Ah, can I tell
The enchantment that afterwards befel?
Yet it was but a dream: yet such a dream
That never tongue, although it overteem
With mellow utterance, like a cavern spring,
Could figure out and to conception bring
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear'd to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And faint away, before my eager view:
At which I sigh'd that I could not pursue,
And dropt my vision to the horizon's verge;
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver'd o'er
A shell for Neptune's goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais'd
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
Again I look'd, and, O ye deities,
Who from Olympus watch our destinies!
Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?
Speak, stubborn earth, and tell me where, O Where
Hast thou a symbol of her golden hair?
Not oat-sheaves drooping in the western sun;
Notthy soft hand, fair sister! let me shun
Such follying before theeyet she had,
Indeed, locks bright enough to make me mad;
And they were simply gordian'd up and braided,
Leaving, in naked comeliness, unshaded,
Her pearl round ears, white neck, and orbed brow;
The which were blended in, I know not how,
With such a paradise of lips and eyes,
Blush-tinted cheeks, half smiles, and faintest sighs,
That, when I think thereon, my spirit clings
And plays about its fancy, till the stings
Of human neighbourhood envenom all.
Unto what awful power shall I call?
To what high fane?Ah! see her hovering feet,
More bluely vein'd, more soft, more whitely sweet
Than those of sea-born Venus, when she rose
From out her cradle shell. The wind out-blows
Her scarf into a fluttering pavilion;
'Tis blue, and over-spangled with a million
Of little eyes, as though thou wert to shed,
Over the darkest, lushest blue-bell bed,
Handfuls of daisies.""Endymion, how strange!
Dream within dream!""She took an airy range,
And then, towards me, like a very maid,
Came blushing, waning, willing, and afraid,
And press'd me by the hand: Ah! 'twas too much;
Methought I fainted at the charmed touch,
Yet held my recollection, even as one
Who dives three fathoms where the waters run
Gurgling in beds of coral: for anon,
I felt upmounted in that region
Where falling stars dart their artillery forth,
And eagles struggle with the buffeting north
That balances the heavy meteor-stone;
Felt too, I was not fearful, nor alone,
But lapp'd and lull'd along the dangerous sky.
Soon, as it seem'd, we left our journeying high,
And straightway into frightful eddies swoop'd;
Such as ay muster where grey time has scoop'd
Huge dens and caverns in a mountain's side:
There hollow sounds arous'd me, and I sigh'd
To faint once more by looking on my bliss
I was distracted; madly did I kiss
The wooing arms which held me, and did give
My eyes at once to death: but 'twas to live,
To take in draughts of life from the gold fount
Of kind and passionate looks; to count, and count
The moments, by some greedy help that seem'd
A second self, that each might be redeem'd
And plunder'd of its load of blessedness.
Ah, desperate mortal! I ev'n dar'd to press
Her very cheek against my crowned lip,
And, at that moment, felt my body dip
Into a warmer air: a moment more,
Our feet were soft in flowers. There was store
Of newest joys upon that alp. Sometimes
A scent of violets, and blossoming limes,
Loiter'd around us; then of honey cells,
Made delicate from all white-flower bells;
And once, above the edges of our nest,
An arch face peep'd,an Oread as I guess'd.
"Why did I dream that sleep o'er-power'd me
In midst of all this heaven? Why not see,
Far off, the shadows of his pinions dark,
And stare them from me? But no, like a spark
That needs must die, although its little beam
Reflects upon a diamond, my sweet dream
Fell into nothinginto stupid sleep.
And so it was, until a gentle creep,
A careful moving caught my waking ears,
And up I started: Ah! my sighs, my tears,
My clenched hands;for lo! the poppies hung
Dew-dabbled on their stalks, the ouzel sung
A heavy ditty, and the sullen day
Had chidden herald Hesperus away,
With leaden looks: the solitary breeze
Bluster'd, and slept, and its wild self did teaze
With wayward melancholy; and r thought,
Mark me, Peona! that sometimes it brought
Faint fare-thee-wells, and sigh-shrilled adieus!
Away I wander'dall the pleasant hues
Of heaven and earth had faded: deepest shades
Were deepest dungeons; heaths and sunny glades
Were full of pestilent light; our taintless rills
Seem'd sooty, and o'er-spread with upturn'd gills
Of dying fish; the vermeil rose had blown
In frightful scarlet, and its thorns out-grown
Like spiked aloe. If an innocent bird
Before my heedless footsteps stirr'd, and stirr'd
In little journeys, I beheld in it
A disguis'd demon, missioned to knit
My soul with under darkness; to entice
My stumblings down some monstrous precipice:
Therefore I eager followed, and did curse
The disappointment. Time, that aged nurse,
Rock'd me to patience. Now, thank gentle heaven!
These things, with all their comfortings, are given
To my down-sunken hours, and with thee,
Sweet sister, help to stem the ebbing sea
Of weary life."
Thus ended he, and both
Sat silent: for the maid was very loth
To answer; feeling well that breathed words
Would all be lost, unheard, and vain as swords
Against the enchased crocodile, or leaps
Of grasshoppers against the sun. She weeps,
And wonders; struggles to devise some blame;
To put on such a look as would say, Shame
On this poor weakness! but, for all her strife,
She could as soon have crush'd away the life
From a sick dove. At length, to break the pause,
She said with trembling chance: "Is this the cause?
This all? Yet it is strange, and sad, alas!
That one who through this middle earth should pass
Most like a sojourning demi-god, and leave
His name upon the harp-string, should achieve
No higher bard than simple maidenhood,
Singing alone, and fearfully,how the blood
Left his young cheek; and how he used to stray
He knew not where; and how he would say, nay,
If any said 'twas love: and yet 'twas love;
What could it be but love? How a ring-dove
Let fall a sprig of yew tree in his path;
And how he died: and then, that love doth scathe,
The gentle heart, as northern blasts do roses;
And then the ballad of his sad life closes
With sighs, and an alas!Endymion!
Be rather in the trumpet's mouth,anon
Among the winds at largethat all may hearken!
Although, before the crystal heavens darken,
I watch and dote upon the silver lakes
Pictur'd in western cloudiness, that takes
The semblance of gold rocks and bright gold sands,
Islands, and creeks, and amber-fretted strands
With horses prancing o'er them, palaces
And towers of amethyst,would I so tease
My pleasant days, because I could not mount
Into those regions? The Morphean fount
Of that fine element that visions, dreams,
And fitful whims of sleep are made of, streams
Into its airy channels with so subtle,
So thin a breathing, not the spider's shuttle,
Circled a million times within the space
Of a swallow's nest-door, could delay a trace,
A tinting of its quality: how light
Must dreams themselves be; seeing they're more slight
Than the mere nothing that engenders them!
Then wherefore sully the entrusted gem
Of high and noble life with thoughts so sick?
Why pierce high-fronted honour to the quick
For nothing but a dream?" Hereat the youth
Look'd up: a conflicting of shame and ruth
Was in his plaited brow: yet his eyelids
Widened a little, as when Zephyr bids
A little breeze to creep between the fans
Of careless butterflies: amid his pains
He seem'd to taste a drop of manna-dew,
Full palatable; and a colour grew
Upon his cheek, while thus he lifeful spake.
"Peona! ever have I long'd to slake
My thirst for the world's praises: nothing base,
No merely slumberous phantasm, could unlace
The stubborn canvas for my voyage prepar'd
Though now 'tis tatter'd; leaving my bark bar'd
And sullenly drifting: yet my higher hope
Is of too wide, too rainbow-large a scope,
To fret at myriads of earthly wrecks.
Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz'd, and free of space. Behold
The clear religion of heaven! Fold
A rose leaf round thy finger's taperness,
And soothe thy lips: hist, when the airy stress
Of music's kiss impregnates the free winds,
And with a sympathetic touch unbinds
Eolian magic from their lucid wombs:
Then old songs waken from enclouded tombs;
Old ditties sigh above their father's grave;
Ghosts of melodious prophecyings rave
Round every spot where trod Apollo's foot;
Bronze clarions awake, and faintly bruit,
Where long ago a giant battle was;
And, from the turf, a lullaby doth pass
In every place where infant Orpheus slept.
Feel we these things?that moment have we stept
Into a sort of oneness, and our state
Is like a floating spirit's. But there are
Richer entanglements, enthralments far
More self-destroying, leading, by degrees,
To the chief intensity: the crown of these
Is made of love and friendship, and sits high
Upon the forehead of humanity.
All its more ponderous and bulky worth
Is friendship, whence there ever issues forth
A steady splendour; but at the tip-top,
There hangs by unseen film, an orbed drop
Of light, and that is love: its influence,
Thrown in our eyes, genders a novel sense,
At which we start and fret; till in the end,
Melting into its radiance, we blend,
Mingle, and so become a part of it,
Nor with aught else can our souls interknit
So wingedly: when we combine therewith,
Life's self is nourish'd by its proper pith,
And we are nurtured like a pelican brood.
Aye, so delicious is the unsating food,
That men, who might have tower'd in the van
Of all the congregated world, to fan
And winnow from the coming step of time
All chaff of custom, wipe away all slime
Left by men-slugs and human serpentry,
Have been content to let occasion die,
Whilst they did sleep in love's elysium.
And, truly, I would rather be struck dumb,
Than speak against this ardent listlessness:
For I have ever thought that it might bless
The world with benefits unknowingly;
As does the nightingale, upperched high,
And cloister'd among cool and bunched leaves
She sings but to her love, nor e'er conceives
How tiptoe Night holds back her dark-grey hood.
Just so may love, although 'tis understood
The mere commingling of passionate breath,
Produce more than our searching witnesseth:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?
"Now, if this earthly love has power to make
Men's being mortal, immortal; to shake
Ambition from their memories, and brim
Their measure of content; what merest whim,
Seems all this poor endeavour after fame,
To one, who keeps within his stedfast aim
A love immortal, an immortal too.
Look not so wilder'd; for these things are true,
And never can be born of atomies
That buzz about our slumbers, like brain-flies,
Leaving us fancy-sick. No, no, I'm sure,
My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully, espy
A hope beyond the shadow of a dream.
My sayings will the less obscured seem,
When I have told thee how my waking sight
Has made me scruple whether that same night
Was pass'd in dreaming. Hearken, sweet Peona!
Beyond the matron-temple of Latona,
Which we should see but for these darkening boughs,
Lies a deep hollow, from whose ragged brows
Bushes and trees do lean all round athwart,
And meet so nearly, that with wings outraught,
And spreaded tail, a vulture could not glide
Past them, but he must brush on every side.
Some moulder'd steps lead into this cool cell,
Far as the slabbed margin of a well,
Whose patient level peeps its crystal eye
Right upward, through the bushes, to the sky.
Oft have I brought thee flowers, on their stalks set
Like vestal primroses, but dark velvet
Edges them round, and they have golden pits:
'Twas there I got them, from the gaps and slits
In a mossy stone, that sometimes was my seat,
When all above was faint with mid-day heat.
And there in strife no burning thoughts to heed,
I'd bubble up the water through a reed;
So reaching back to boy-hood: make me ships
Of moulted feathers, touchwood, alder chips,
With leaves stuck in them; and the Neptune be
Of their petty ocean. Oftener, heavily,
When love-lorn hours had left me less a child,
I sat contemplating the figures wild
Of o'er-head clouds melting the mirror through.
Upon a day, while thus I watch'd, by flew
A cloudy Cupid, with his bow and quiver;
So plainly character'd, no breeze would shiver
The happy chance: so happy, I was fain
To follow it upon the open plain,
And, therefore, was just going; when, behold!
A wonder, fair as any I have told
The same bright face I tasted in my sleep,
Smiling in the clear well. My heart did leap
Through the cool depth.It moved as if to flee
I started up, when lo! refreshfully,
There came upon my face, in plenteous showers,
Dew-drops, and dewy buds, and leaves, and flowers,
Wrapping all objects from my smothered sight,
Bathing my spirit in a new delight.
Aye, such a breathless honey-feel of bliss
Alone preserved me from the drear abyss
Of death, for the fair form had gone again.
Pleasure is oft a visitant; but pain
Clings cruelly to us, like the gnawing sloth
On the deer's tender haunches: late, and loth,
'Tis scar'd away by slow returning pleasure.
How sickening, how dark the dreadful leisure
Of weary days, made deeper exquisite,
By a fore-knowledge of unslumbrous night!
Like sorrow came upon me, heavier still,
Than when I wander'd from the poppy hill:
And a whole age of lingering moments crept
Sluggishly by, ere more contentment swept
Away at once the deadly yellow spleen.
Yes, thrice have I this fair enchantment seen;
Once more been tortured with renewed life.
When last the wintry gusts gave over strife
With the conquering sun of spring, and left the skies
Warm and serene, but yet with moistened eyes
In pity of the shatter'd infant buds,
That time thou didst adorn, with amber studs,
My hunting cap, because I laugh'd and smil'd,
Chatted with thee, and many days exil'd
All torment from my breast;'twas even then,
Straying about, yet, coop'd up in the den
Of helpless discontent,hurling my lance
From place to place, and following at chance,
At last, by hap, through some young trees it struck,
And, plashing among bedded pebbles, stuck
In the middle of a brook,whose silver ramble
Down twenty little falls, through reeds and bramble,
Tracing along, it brought me to a cave,
Whence it ran brightly forth, and white did lave
The nether sides of mossy stones and rock,
'Mong which it gurgled blythe adieus, to mock
Its own sweet grief at parting. Overhead,
Hung a lush screen of drooping weeds, and spread
Thick, as to curtain up some wood-nymph's home.
"Ah! impious mortal, whither do I roam?"
Said I, low voic'd: "Ah whither! 'Tis the grot
Of Proserpine, when Hell, obscure and hot,
Doth her resign; and where her tender hands
She dabbles, on the cool and sluicy sands:
Or 'tis the cell of Echo, where she sits,
And babbles thorough silence, till her wits
Are gone in tender madness, and anon,
Faints into sleep, with many a dying tone
Of sadness. O that she would take my vows,
And breathe them sighingly among the boughs,
To sue her gentle ears for whose fair head,
Daily, I pluck sweet flowerets from their bed,
And weave them dyinglysend honey-whispers
Round every leaf, that all those gentle lispers
May sigh my love unto her pitying!
O charitable echo! hear, and sing
This ditty to her!tell her"so I stay'd
My foolish tongue, and listening, half afraid,
Stood stupefied with my own empty folly,
And blushing for the freaks of melancholy.
Salt tears were coming, when I heard my name
Most fondly lipp'd, and then these accents came:
Endymion! the cave is secreter
Than the isle of Delos. Echo hence shall stir
No sighs but sigh-warm kisses, or light noise
Of thy combing hand, the while it travelling cloys
And trembles through my labyrinthine hair."
At that oppress'd I hurried in.Ah! where
Are those swift moments? Whither are they fled?
I'll smile no more, Peona; nor will wed
Sorrow the way to death, but patiently
Bear up against it: so farewel, sad sigh;
And come instead demurest meditation,
To occupy me wholly, and to fashion
My pilgrimage for the world's dusky brink.
No more will I count over, link by link,
My chain of grief: no longer strive to find
A half-forgetfulness in mountain wind
Blustering about my ears: aye, thou shalt see,
Dearest of sisters, what my life shall be;
What a calm round of hours shall make my days.
There is a paly flame of hope that plays
Where'er I look: but yet, I'll say 'tis naught
And here I bid it die. Have not I caught,
Already, a more healthy countenance?
By this the sun is setting; we may chance
Meet some of our near-dwellers with my car."
This said, he rose, faint-smiling like a star
Through autumn mists, and took Peona's hand:
They stept into the boat, and launch'd from land.
ENDYMION.
A Romance.
"The stretched metre of an antique song." ~
Shakspeare's Sonnets.
INSCRIBED,
With Every Feeling Of Pride and Regret
and With "A Bowed Mind,"
To the Memory of
The Most English of Poets Except Shakspeare,
THOMAS CHATTERON.
------------------------
(line 144): A lovely allusion to the story of Apollo's nine years' sojourn on earth as the herdsman of Admetus, when banished from Olympus for killing the Cyclops who had forged the thunder-bolts wherewith AEsculapius had been slain.
(line 232): It was the Hymn to Pan beginning here that the young poet when engaged in the composition of Endymion was induced to recite in the presence of Wordsworth, on the 28th of December 1817, at Haydon's house. Leigh Hunt records that the elder poet pronounced it "a very pretty piece of paganism."
(line 319): Doubtless meant to refer specially to the Elgin marbles.
(line 347): The reference here is to the passage from the second Book of the Argonautica of Apollonius Rhodius, beginning at verse 674 ... which Shelley had in mind when (Prose Works, Vol. 3, p. 56) he alluded to the Apollo "so finely described by Apollonius Rhodius when the dazzling radiance of his beautiful limbs suddenly shone over the dark Euxine."
__ note found before the Preface of Endymion, in the Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. ...,
'In Woodhouse's copy of Endymion there is a note against the passage "so I will begin" &c., line 39, Book I, to the effect that the poem was begun in the spring of 1817 and finished in the winter of 1817-18; and in the title-page he has inserted April before 1818. The statement corresponds with Keats's own record of May 1817, that he was busying himself at Margate with the commencement of Endymion.'
PREFACE.
Knowing within myself the manner in which this Poem has been produced, it is not without a feeling of regret that I make it public.
What manner I mean, will be quite clear to the reader, who must soon perceive great inexperience, immaturity, and every error denoting a feverish attempt, rather than a deed accomplished. The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a year's castigation would do them any good; -- it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.
This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not a fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honor of English literature.
The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.
I hope I have not in too late a day touched the beautiful mythology of Greece, and dulled its brightness: for I wish to try once more, before I bid it farewell.
Teignmouth, April 10, 1818.
[footnote] Woodhouse notes -- "[for I wish to try once more,] This alluded to his then intention of writing a poem on the fall of Hyperion. He commenced this poem: but, thanks to the critics who fell foul of this work, he discontinued it. The fragment was published in 1820." by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book I
,#NFDB
721: Book IV: The Book of Partings
Eagerly, spurred by Ares swift in their souls to the war-cry,
All now pressed to their homes for the food of their strength in the battle.
Ilion turned her thoughts in a proud expectancy seaward
Waiting to hear the sounds that she loved and the cry of the mellay.
Now to their citadel Priams sons returned with their father,
Now from the gates Talthybius issued grey in his chariot;
But in the halls of Anchises Aeneas not doffing his breastpiece
Hastily ate of the corn of his country, cakes of the millet
Doubled with wild-deers flesh, from the quiet hands of Cresa.
She, as he ate, with her calm eyes watching him smiled on her husband:
Ever thou hastest to battle, O warrior, ever thou fightest
Far in the front of the ranks and thou seekest out Locrian Ajax,
Turnest thy ear to the roar for the dangerous shout of Tydides;
There, once heard, leaving all thou drivest, O stark in thy courage.
Yet am I blest among women who tremble not, left in thy mansion,
Quiet at old Anchises feet when I see thee in vision
Sole with the shafts hissing round thee and say to my quivering spirit,
Now he is striking at Ajax, now he has met Diomedes.
Such are the mighty twain who are ever near to protect thee,
Phoebus, the Thunderers son, and thy mother, gold Aphrodite;
Such are the Fates that demand thee, O destined head of the future.
But though my thoughts for their own are not troubled, always, Aeneas,
Sore is my heart with pity for other Ilian women
Who in this battle are losing their children and well-loved husbands,
Brothers too dear, for the eyes that are wet, for the hearts that are silent.
Will not this war then end that thunders for ever round Troya?
But to Cresa the hero answered, the son of Anchises:
Surely the gods protect, yet is Death too always mighty.
Most in his shadowy envy he strikes at the brave and the lovely,
Grudging works to abridge their days and to widow the sunlight.
Most, disappointed, he rages against the beloved of Heaven;
Striking their lives through their hearts he mows down their loves and their pleasures.
Truly thou sayst, thou needst not to fear for my life in the battle;
Ever for thine I fear lest he find thee out in his anger,
Missing my head in the fight, when he comes here crossed in his godhead.
Yet shall Phoebus protect and my mother, gold Aphrodite.
But to Aeneas answered the tranquil lips of Cresa:
So may it be that I go before thee, seeing, Aeneas,
Over my dying eyes thy lips bend down for the parting.
Blissfullest end is this for a woman here mid earths sorrows;
Afterwards there we hope that the hands shall join which were parted.
So she spoke, not knowing the gods: but Aeneas departing
Clasped his fathers knees, the ancient mighty Anchises.
Bless me, my father; I go to the battle. Strong with thy blessing
Even today may I hurl down Ajax, slay Diomedes,
And on the morrow gaze on the empty beaches of Troas.
Troubled and joyless, nought replying to warlike Aeneas
Long Anchises sat unmoving, silent, sombre,
Gazing into his soul with eyes that were closed to the sunlight.
Prosper, Aeneas, slowly he answered him, son of a goddess,
Prosper, Aeneas; and if for Troy some doom is preparing,
Suffer always the will of the gods with a piety constant.
Only they will what Necessity fashions compelled by the Silence.
Labour and war she has given to man as the law of his transience.
Work; she shall give thee the crown of thy deeds or their ending appointed,
Whether glorious thou pass or in silent shadows forgotten.
But what thy mother commands perform ever, loading thy vessels.
Who can know what the gods have hid with the mist of our hopings?
Then from the house of his fathers Aeneas rapidly striding
Came to the city echoing now with the wheels of the chariots,
Clanging with arms and astream with the warlike tramp of her thousands.
Fast through the press he strode and men turning knew Aeneas,
Greatened in heart and went on with loftier thoughts towards battle.
He through the noise and the crowd to Antenors high-built mansion
Striding came, and he turned to its courts and the bronze of its threshold
Trod which had suffered the feet of so many princes departed.
But as he crossed its brazen square from the hall there came running,
Leaping up light to his feet and laughing with sudden pleasure,
Eurus the youngest son of Polydamas. Clasping the fatal
War-hardened hand with a palm that was smooth as a maidens or infants,
Well art thou come, Aeneas, he said, and good fortune has sent thee!
Now I shall go to the field; thou wilt speak with my grandsire Antenor
And he shall hear thee though chid by his heart reluctant. Rejoicing
I shall go forth in thy car or warring by Penthesilea,
Famous, give to her grasp the spear that shall smite down Achilles.
Smiling answered Aeneas, Surely will, Eurus, thy prowess
Carry thee far to the front; thou shalt fight with Epeus and slay him.
Who shall say that this hand was not chosen to pierce Menelaus?
But for a while with the ball should it rather strive, O hero,
Till in the play and the wrestle its softness is trained for the smiting.
Eagerly Eurus answered, But they have told me, Aeneas,
This is the last of our fights; for today will Penthesilea
Meet Achilles in battle and slay him ending the Argives.
Then shall I never have mixed in this war that is famous for ever.
What shall I say when my hairs are white like the aged Antenors?
Men will ask, And what were thy deeds in the warfare Titanic?
Whom didst thou slay of the Argives, son of Polydamas, venging
Bravely thy father? Then must I say, I lurked in the city.
I was too young and only ascending the Ilian ramparts
Saw the return or the flight, but never the deed and the triumph.
Friend, if you take me not forth, I shall die of grief ere the sunset.
Plucking the hand of Aeneas he drew him into the mansion
Vast; and over the floor of the spacious hall they hastened
Laughing, the gracious child and the mighty hero and statesman,
Flower of a present stock and the burdened star of the future.
Meanwhile girt by his sons and the sons of his sons in his chamber
Cried to the remnants left of his blood the aged Antenor.
Hearken you who are sprung from my loins and children, their offspring!
None shall again go forth to the fight who is kin to Antenor.
Weighed with my curse he shall go and the spear-points athirst of the Argives
Meet him wroth; he shall die in his sin and his name be forgotten.
Oft have I sent forth my blood to be spilled in vain in the battle
Fighting for Troy and her greatness earned by my toil and my fathers.
Now all the debt has been paid; she rejects us driven by the immortals.
Much do we owe to the mother who bore us, much to our country;
But at the last our life is ours and the gods and the futures.
Gather the gold of my house and our kin, O ye sons of Antenor.
Warned by a voice in my soul I will go forth tonight from this city
Fleeing the doom and bearing my treasures; the ships shall receive them
Gathered, new-keeled by my care and the gods, in the narrow Propontis.
Over Gods waters guided, treading the rage of Poseidon,
Bellying out with their sails let them cleave to the untravelled distance
Oceans crests and resign to their Fates the doomed and the evil.
So Antenor spoke and his children heard him in silence;
Awed by his voice and the dread of his curse they obeyed, though in sorrow.
Halamus only replied to his father: Dire are the white hairs
Reverend, loved, of a father, dreadful his curse to his children.
Yet in my heart there is one who cries, tis the voice of my country,
She for whose sake I would be in Tartarus tortured for ever.
Pardon me then, if thou wilt; if the gods can, then let them pardon.
For I will sleep in the dust of Troy embracing her ashes,
There where Polydamas sleeps and the many comrades I cherished.
So let me go to the darkness remembered or wholly forgotten,
Yet having fought for my country, true in my fall to my nation.
Then in his aged wrath to Halamus answered Antenor:
Go then and perish doomed with the doomed and the hated of heaven;
Nor shall the gods forgive thee dying nor shall thy father.
Out from the chamber Halamus strode with grief in his bosom
Wrestling with wrath and he went to his doom nor looked back at his dear ones.
Crossing the hall the son of Antenor and son of Anchises
Met in the paths of their fates where they knotted and crossed for the parting,
One with the curse of the gods and his sire fast wending to Hades,
Fortunate, blessed the other; yet equal their minds were and virtues.
Cypris son to the Antenorid: Thee I have sought and thy brothers,
Bough of Antenor; sore is our need today of thy counsels,
Endless our want of their arms that are strong and their hearts that recoil not
Meeting myriads stark with the spear in unequal battle.
Halamus answered him: I will go forth to the palace of Priam,
There where Troy yet lives and far from the halls of my fathers;
There will I speak, not here. For my kin they repose in the mansion
Sitting unarmed in their halls while their brothers fall in the battle.
Eurus eagerly answered the hero: Me rather, therefore,
Take to the fight with you; I will make war on the Greeks for my uncles;
One for all I will fill their place in the shock with the foemen.
But from his chamber-door Antenor heard and rebuked him:
Scamp of my heart, thou torment! in to thy chamber and rest there,
Bound with cords lest thou cease, thou flutter-brain, scourged into quiet;
So shall thy lust of the fight be healed and our mansion grow tranquil.
Chid by the old man Eurus slunk from the hall discontented,
Yet with a dubious smile like a moonbeam lighting his beauty.
But to Antenor the Dardanid born from the white Aphrodite:
Late the Antenorids learn to flinch from the spears of the Argives,
Even this boy of their blood has Polydamas heart and his valour.
Nor should a life that was honoured and noble be stained in its ending.
Nay, then, the mood of a child would shame a grey-headed wisdom,
If for the fault of the people virtue and Troy were forgotten.
For, though the people hear us not, yet are we bound to our nation:
Over the people the gods are; over a man is his country;
This is the deity first adored by the hearths of the noble.
For by our nations will we are ruled in the home and the battle
And for our nations weal we offer our lives and our childrens.
Not by their own wills led nor their passions men rise to their manhood,
Selfishly seeking their good, but the gods and the States and the fathers.
Wroth Antenor replied to the warlike son of Anchises:
Great is the soul in thee housed and stern is thy will, O Aeneas;
Onward it moves undismayed to its goal though a city be ruined.
They too guide thee who deepest see of the ageless immortals,
One with her heart and one in his spirit, Cypris and Phoebus.
Yet might a man not knowing this think as he watched thee, Aeneas,
Spurring Priams race to its fall he endangers this city,
Hoping to build a throne out of ruins sole in the Troad.
I too have gods who warn me and lead, Athene and Hera.
Not as the ways of other mortals are theirs who are guided,
They whose eyes are the gods and they walk by a light that is secret.
Coldly Aeneas made answer, stirred into wrath by the taunting:
High wert thou always, nurtured in wisdom, ancient Antenor.
Walk then favoured and led, yet watch lest passion and evil
Feign auguster names and mimic the gait of the deathless.
And with a smile on his lips but wrath in his bosom answered,
Wisest of men but with wisdom of mortals, aged Antenor:
Led or misled we are mortals and walk by a light that is given;
Most they err who deem themselves most from error excluded.
Nor shalt thou hear in this battle the shout of the men of my lineage
Holding the Greeks as once and driving back Fate from their country.
His alone will be heard for a space while the stern gods are patient
Even now who went forth a victim self-offered to Hades,
Last whom their wills have plucked from the fated house of Antenor.
They now with wrath in their bosoms sundered for ever and parted.
Forth from the halls of Antenor Aeneas rapidly striding
Passed once more through the city hurrying now with its car-wheels,
Filled with a mightier rumour of war and the march of its thousands,
Till at Troys upward curve he found the Antenorid crestward
Mounting the steep incline that climbed to the palace of Priam
White in her proud and armed citadel. Silent, ascending
Hardly their feet had attempted the hill when behind them they hearkened
Sweet-tongued a call and the patter and hurry of light-running sandals,
Turning they beheld with a flush on his cheeks and a light on his lashes
Challenging mutely and pleading the boyish beauty of Eurus.
Racer to mischief, said Halamus, couldst thou not sit in thy chamber?
Surely cords and the rod await thee, Eurus, returning.
Answered with laughter the child, I have broken through ranks of the fighters,
Dived under chariot-wheels to arrive here and I return not.
I too for counsel of battle have come to the palace of Priam.
Burdened with thought they mounted slowly the road of their fathers
Breasting the Ilian hill where Laomedons mansion was seated,
They from the crest down-gazing saw their countrys housetops
Under their feet and heard the murmur of Troya below them.
But in the palace of Priam coming and going of house-thralls
Filled all the corridors; smoke from the kitchens curled in its plenty
Rich with savour and breathed from the labouring lungs of Hephaestus.
Far in the halls and the chambers voices travelled and clustered,
Anklets jangling ran and sang back from doorway to doorway
Mocking with music of speed and its laughters the haste of the happy,
Sound came of arms, there was tread of the great, there were murmurs of women,
Voices glad of the doomed in Laomedons marvellous mansion.
Six were the halls of its splendour, a hundred and one were its chambers
Lifted on high upon columns that soared like the thoughts of its dwellers,
Thoughts that transcended the earth though they sank down at last into ashes;
So had Apollo dreamed to his lyre; and its tops were a grandeur
Domed, as if seeking to roof mens lives with a hint of the heavens;
Marble his columns rose and with marble his roofs were appointed,
Conquered wealth of the world in its largeness suffered, supporting
Purities of marble, glories of gold. Nor only of matter
Blazed there the brutal pomps, but images mystic or mighty
Crowded ceiling and wall, a work that the gods even admire
Hardly believing that forms like these were imagined by mortals
Here upon earth where sight is a blur and the soul lives encumbered.
Scrolls that remembered in gems the thoughts austere of the ancients
Bordered the lines of the stone and the forms of serpent and Naiad
Ran in relief on those walls of pride in the palace of Priam
Mingled with Dryads who tempted and fled and Satyrs who followed,
Sports of the nymphs in the sea and the woods and their meetings with mortals,
Sessions and battles of Trojan demigods, deaths that were famous,
Wars and loves of men and the deeds of the golden immortals.
Pillars sculptured with gods and with giants soared up from bases
Lion-carved or were seated on bulls and bore into grandeur
Amply those halls where they soared, or in lordliness slenderly fashioned,
Dressed in flowers and reeds like virgins standing on Ida,
Guarded the screens of stone and divided alcove and chamber.
Ivory carved and broidered robes and the riches of Indus
Cherished in sandalwood triumphed and teemed in the palace of Priam;
Doors that were carven and fragrant sheltered the joys of its princes.
Here in a chamber of luminous privacy Paris was arming.
Near him moved Helen, a whiteness divine, and intent on her labour
Fastened his cuirass, bound the greaves and settled the hauberk
Thrilling his limbs with her touch that was heaven to the yearning of mortals.
She with her hands of delight caressing the senseless metal
Pressed her lips to his brilliant armour; she bowed down, she whispered:
Cuirass, allowed by the gods, protect the beauty of Paris;
Keep for me that for which country was lost and my child and my brothers.
Yearning she bent to his feet, to the sandal-strings of her lover;
Then as she gazed up, changed grew her mood; for the Daemon within her
Rose that had banded Greece and was burning Troy into ashes.
Slowly a smile that was perfect and perilous over her beauty
Dawned like the sunlight on Paradise; strangely she looked on her lover.
So might a goddess have gazed as she played with the love of a mortal
Passing an hour on the earth ere she rose up white to Olympus.
So art thou winner, Paris, yet and thy spirit ascendant
Leads this Troy where thou wilt, O thou mighty one veiled in thy beauty.
First in the dance and the revel, first in the joy of the mellay,
Who would not leave for thy sake and repent it not country and homestead?
Winning thou reignest still over Troy, over Fate, over Helen.
Always so canst thou win? Has Death no claim on thy beauty,
Fate no scourge for thy sins? How the years have passed by in a glory,
Years of this heaven of the gods, O ravisher, since from my hearthstone
Seizing thou borest me compelled to thy ships and my joy on the waters.
Troy is enringed with the spears, her children fall and her glories,
Mighty souls of heroes have gone down prone to the darkness;
Thou and I abide! the mothers wail for our pleasure.
Wilt thou then keep me for ever, O son of Priam, in Troya?
Fate was my mother, they say, and Zeus for this hour begot me.
Art thou a god too, O hero, disguised in this robe of the mortal,
Brilliant, careless of death and of sin as if sure of thy rapture?
What then if Fate today were to lay her hands on thee, Paris?
Calmly he looked on the face of which Greece was enamoured, the body
For whose desire great Troy was a sacrifice, tranquil regarded
Lovely and dire on the lips he loved that smile of a goddess,
Saw the daughter of Zeus in the woman, yet was not shaken.
Temptress of Argos, he answered, thou snare for the world to be seized in,
Thou then hopst to escape! But the gods could not take thee, O Helen,
How then thy will that to mine is a captive, or how, though with battle,
He who has lost thee, unhappy, the Spartan, bright Menelaus?
All things yield to a man and Zeus is himself his accomplice
When like a god he wills without remorse or longing.
Thou on this earth art mine since I claimed thee beheld, not speaking,
But with thy lids that fell thou veiledst thy heart of compliance.
Then in whatever beyond I shall know how to take thee, O Helen,
Even as here upon earth I knew, in heaven as in Sparta;
I on Elysian fields will enjoy thee as now in the Troad.
Silent a moment she lingered like one who is lured by a music
Rapturous, heard by himself alone and his lover in heaven,
Then in her beauty compelling she rose up divine among women.
Yes, it is good, she cried, what the gods do and actions of mortals;
Good is this play of the world; it is good, the joy and the torture.
Praised be the hour of the gods when I wedded bright Menelaus!
Praised, more praised the keels that severed the seas towards Helen
Churning the senseless waves that knew not the bliss of their burden!
Praised to the end the hour when I passed through the doors of my husband
Laughing with joy in my heart for the arms that bore and enchained me!
Never can Death undo what life has done for us, Paris.
Nor, whatsoever betide, can the hour be unlived of our rapture.
This too is good that nations should meet in the shock of the battle,
Heroes be slain and a theme be made for the songs of the poets,
Songs that shall thrill with the name of Helen, the beauty of Paris.
Well is this also that empires should fall for the eyes of a woman;
Well that for Helen Hector ended, Memnon was slaughtered,
Strong Sarpedon fell and Troilus ceased in his boyhood.
Troy for Helen burning, her glory, her empire, her riches,
This is the sign of the gods and the type of things that are mortal.
Thou who art kin to the masters of heaven, unconstrained like thy kindred
High on this ancient stage of the Troad with gods for spectators
Play till the end thy part, O thou wondrous and beautiful actor:
Fight and slay the Greeks, my countrymen; victor returning
Take for reward of the play, thy delight of Argive Helen.
Force from my bosom a hint of the joy denied to the death-claimed,
Rob in the kiss of my lips a pang from the raptures of heaven.
Clasping him wholly her arms of desire were a girdle of madness,
Cestus divine of the dread Aphrodite. He with her kisses
Flushed like the gods with unearthly wine and rejoiced in his ruin.
Thus while they conversed now in this hour that was near to their parting
Last upon earth, a fleet-footed slavegirl came to the chamber:
Paris, thy father and mother desire thee; there in the strangers
Outer hall Aeneas and Halamus wait for thy coming.
So with the Argive he wended to Priams ample chamber
Far in Laomedons house where Troy looked upwards to Ida.
Priam and Hecuba there, the ancient grey-haired rulers,
Waiting him sat in their chairs of ivory calm in their greatness;
Hid in her robes at their feet lay Cassandra crouched from her visions.
Since, O my father, said Paris, thy thoughts have been with me, thy blessing
Surely shall help me today in my strife with the strength of Achilles.
Surely the gods shall obey in the end the might of our spirits,
Pallas and Hera, flame-sandalled Artemis, Zeus and Apollo.
Ever serve the immortal brightnesses man when he stands up
Firm with his will uplifted a steadfast flame towards the heavens,
Ares works in his heart and Hephaestus burns in his labour.
Priam replied to his son: Forewilled by the gods, Alexander,
All things happen on earth and yet we must strive who are mortals,
Knowing all vain, yet we strive; for our nature seizing us always
Drives like the flock that is herded and urged towards shambles or pasture.
So have the high gods fashioned these tools of their action and pleasure;
Failure and grief are their engines no less than the might of the victor;
They in the blow descend and resist in the sobs of the smitten.
Such are their goads that I too must walk in the paths that are common,
Even I who know must send for thee, moved by Cassandra.
Speak, O my child, since Apollo has willed it, once, and be silent.
But in her raiment hidden Cassandra answered her father:
No, for my heart has changed since I cried for him, vexed by Apollo.
Why should I speak? For who will believe me in Troy? who believed me
Ever in Troy or the world? Event and disaster approve me
Only, my comrades, not men in their thoughts, not my brothers and kinsmen.
All by their hopes are gladly deceived and grow wroth with the warner,
Half-blind prophets of hope entertained by the gods in the mortal!
Wiser blind, if nothing they saw or only the darkness.
I too once hoped when Apollo pursued me with love in his temple.
Round me already there gleamed the ray of the vision prophetic,
Thrill of that rapture I felt and the joy of the god in his seeing
Nor did I know that the knowledge of mortals is bound unto blindness.
Either only they walk mid the coloured dreams of the senses
Treading the greenness of earth and deeming the touch of things real,
Or if they see, by the curse of the gods their sight into falsehood
Easily turns and leads them more stumbling astray than the sightless.
So are we either blind in a darkness or dazzled by seeing.
Thus have the gods protected their purpose and baffled the sages;
Over the face of the Truth their shield of gold is extended.
But I deemed otherwise, urged by the Dreadful One, he who sits always
Veiled in us fighting the gods whom he uses. I cried to Apollo,
Give me thy vision sheer, not such as thou givst to thy prophets,
Troubled though luminous; clear be the vision and ruthless to error,
Far-darting god who art veiled by the sun and by death thou art shielded.
Then I shall know that thou lovest. He gave, alarmed and reluctant,
Driven by Fate and his heart; but I mocked him, I broke from my promise,
Courage fatal helping my heart to its ruin with laughter.
Always now I remember his face that grew tranquil and ruthless,
Hear the voice divine and implacable: Since thou deceivest
Even the gods and thou hast not feared to lie to Apollo,
Speak shalt thou henceforth only truth, but none shall believe thee:
Scorned in thy words, rejected yet more for their bitter fulfilment,
Scourged by the gods thou must speak though thy sick heart yearns to be silent.
For in this play thou hast dared to play with the masters of heaven,
Girl, it is thou who hast lost; thy voice is mine and thy bosom.
Since then all I foreknow; therefore anguish is mine for my portion:
Since then all whom I love must perish slain by my loving.
Even of that I denied him, violent force shall bereave me
Grasped mid the flames of my city and shouts of her merciless victors.
But to Cassandra answered gently the voice of her brother:
Sister of mine, afflicted and seized by the dreadful Apollo,
All whose eyes can pierce that curtain, gaze into dimness;
This they have glimpsed and that they imagine deceived by their natures
Seeing the forms in their hearts of dreadful things and of joyous;
As in the darkness our eyes are deceived by shadows uncertain,
Such is their sight who rend the veil that the dire gods have woven.
Busy our hearts are weaving thoughts and images always:
After their kind they see what here we call truth. So thy nature
Tender and loving, plagued by this war and its fears for thy loved ones,
Sees calamity everywhere; when the event like the vision
Seems, as in every war the beloved must fall and the cherished,
Then the heart cries, It has happened as all shall happen I mourn for.
All that was bright it misses and only seizes on sorrow.
Dear, on the brightness look and if thou must prophesy, tell us
Rather of great Pelides slain by my spear in the onset.
But with a voice of grief the sister answered her brother:
Yes, he shall fall and his slayer too perish and Troy with his slayer.
But in his spirit rejoicing Paris answered Cassandra:
Let but this word come true; for the rest, the gods shall avert it.
Look once more, O Cassandra, and comfort the heart of thy mother,
See, O seer, my safe return with the spoils of Achilles.
And with a voice of grief the sister answered her brother:
Thou shalt return for thy hour while Troy yet stands in the sunshine.
But in his spirit exultant Paris seizing the omen:
Hearst thou, my father, my mother? She who still prophesied evil
Now perceives of our night this dawning. Yet is it grievous,
Since through a heart that we love must be pierced the heart of Achilles.
Fate, with this evil satisfied, turn in the end from Troya.
Bless me, my father, and thou, O Hecuba, mother long-patient,
Still forgive that thy children have fallen for Helen and Paris.
Tenderly yearning his mother drew him towards her and murmured:
All for thy hyacinth curls was forgiven even from childhood
And for thy sunlit looks, O wonder of charm, O Paris.
Paris, my son, though Troy must fall, thy mother forgives thee,
Blessing the gods who have lent thee to me for a while in their sunshine.
Theirs are fate and result, but ours is the joy of our children;
Even the griefs are dear that come from their hands while they love us.
Fight and slay Achilles, the murderer dire of thy brothers;
Venging Hector return, my son, to the clasp of thy mother.
But in his calm august to Paris Priam the monarch:
Victor so mightst thou come, so gladden the heart of thy mother.
Then to the aged father of Paris Helen the Argive
Bright and immortal and sad like a star that grows near to the dawning
And on its pale companions looks who now fade from its vision:
Me too pardon and love, my parents, even Helen,
Cause of all bane and all death; but I came from the gods for this ruin
Born as a torch for the burning of empires, cursed with this beauty.
Nor have I known a fathers embrace, a mothers caresses,
But to the distant gods I was born and nursed as an alien
Here by earth from fear, not affection, compelled by the thunders.
Two are her monstrous births, from the Furies and from the immortals;
Either touching mortality suffers and bears not the contact.
I have been both, a monster of doom and a portent of beauty.
Slowly Priam the monarch answered to Argive Helen:
That which thou art the gods have made thee; thou couldst not be other:
That which thou didst, the gods have done; thou couldst not prevent them.
Who here shall blame or whom shall he pardon? Should not my people
Rail at me murmuring, Priam has lost what his fathers had gathered;
Cursed is this king by heaven and cursed who are born as his subjects?
Masked the high gods act; the doer is hid by his working.
Each of us bears his punishment, fruit of a seed thats forgotten;
Each of us curses his neighbour protecting his heart with illusions:
Therefore like children we blame each other and hate and are angry.
Take, my child, the joy of the sunshine won by thy beauty.
I who lodge on this earth as an alien bound by the body,
Wearing my sorrow even as I wear the imperial purple,
Praise yet the gods for my days that have seen thee at last in my ending.
Fitly Troy may cease having gazed on thy beauty, O Helen.
He became silent, he ceased from words. But Paris and Helen
Lightly went and gladly; pursuing their footsteps the mother,
Mother once of Troilus, mother once of Hector,
Stood at the door with her death in her eyes, nor returned from her yearning,
But as one after a vanishing sunbeam gazes in prison,
Gazed down the corridors after him, long who had passed from her vision.
Then in the silent chamber Cassandra seized by Apollo
Staggered erect and tossing her snow-white arms of affliction
Cried to the heavens in her pain; for the fierce god tortured her bosom:
Woe is me, woe for the guile and the bitter gift of Apollo!
Woe, thrice woe, for my birth in Troy and the lineage of Teucer!
So do you deal, O gods, with those who have served you and laboured,
Those who have borne for your sake the evil burden of greatness.
Blessed is he who holds mattock in hand or who bends oer the furrow
Taking no thought for the good of mankind, with no yearnings for knowledge.
Woe unto me for my wisdom which none shall value nor hearken!
Woe unto thee, O King, for thy strength which shall not deliver!
Better the eye that is sealed, more blest is the spirit thats feeble.
Vainly your hopes with iron Necessity struggle, O mortals.
Virtue shall lie in her pangs, for the gods have need of her torture;
Sin shall be scourged, though her deeds were compelled by the gods in their anger.
None shall avail in the end, the coward shall die and the hero.
Troy shall fall in her sin and her virtues shall not protect her;
Argos shall grow by her crimes till the gods shall destroy her for ever.
Now have I fruit of thy love, O Loxias, dreadful Apollo.
Woe is me, woe for the flame that approaches the house of my fathers!
Woe is me, woe for the hand of Ajax laid on my tresses!
Woe, thrice woe to him who shall ravish and him who shall cherish!
Woe for the ships that shall bound too swift oer the azure Aegean!
Woe for thy splendid shambles of hell, O Argive Mycenae!
Woe for the evil spouse and the house accursd of Atreus!
So with her voice of the swan she clanged out doom on the peoples,
Over the palace of Priam and over the armd nation
Marching resolved to the war in the pride of its centuries conquered,
Centuries slain by a single day of the anger of heaven.
Dim to the thoughts like a vision of Hades the luminous chamber
Grew; in his ivory chair King Priam sat like a shadow
Throned mid the ghosts of departed kings and forgotten empires.
But in his valiance careless and bli the the Priamid hastened
Seeking the pillared megaron wide where Deiphobus armoured
Waited his coming forth with the warlike chiefs of the Trojans.
Now as he passed by the halls of the women, the chambers that harboured
Daughters and wives of King Priam and wives of his sons and their playmates,
Niches of joy that were peopled with murmurs and sweet-tongued laughters,
Troubled like trees with their birds in a morning of sun and of shadow
Where in some garden of kings one walks with his heart in the sunshine,
Out from her door where she stood for him waiting Polyxena started,
Seized his hand and looked in his face and spoke to her brother.
Then not even the brilliant strength of Paris availed him;
Joyless he turned his face from her eyes of beauty and sorrow.
So it is come, the hour that I feared, and thou goest, O Paris,
Armed with the strength of Fate to strike at my heart in the battle;
For he is doomed and thou and I, a victim to Hades.
This thou preferrest and neither thy father could move nor thy mother
Burning with Troy in their palace, nor could thy country persuade thee,
Nor dost thou care for thy sisters happiness pierced by thy arrows.
Will she remember it all, my sister Helen, in Argos
Passing tranquil days with her husband, bright Menelaus,
Holding her child on her knees? But we shall lie joyless in Hades.
Paris replied: O sister Polyxena, blame me not wholly.
We by the gods are ensnared; for the pitiless white Aphrodite
Doing her will with us both compels this. Helpless our hearts are
And when she drives perforce must love, for death or for gladness:
Weighed in unequal scales she deals them to one or another.
Happy who holding his love can go down into bottomless Hades.
But to her brother replied in her anguish the daughter of Priam:
Evilly deal with my days the immortals happy in heaven;
Yes, I accuse the gods and I curse them who heed not our sorrow.
This they have done with me, forcing my heart to the love of a foeman,
One whose terrible hands have been stained with the blood of my brothers.
This now they do, they have taken the two whom I love beyond heaven,
Brother and husband, and drive to the fight to be slain by each other.
Nay, go thou forth; for thou canst not help it, nor I, nor can Helen.
Since I must die as a pageant to satisfy Zeus and his daughter,
Since now my heart must be borne as a victim bleeding to please them,
So let it be, let me deck myself and be bright for the altar.
Into her chamber she turned with her great eyes blind, unregarding;
He for a moment stood, then passed to the megaron slowly;
Dim was the light in his eyes and clouded his glorious beauty.
Meanwhile armed in the palace of Priam Penthesilea.
Near her her captains silent and mighty stood, from the Orient
Distant clouds of war, Surabdas and iron Surenas,
Pharatus planned like the hills, Somaranes, Valarus, Tauron,
High-crested Sumalus, Arithon, Sambus and Artavoruxes.
There too the princes of Phrygian Troya gathered for counsel
And with them Eurus came, Polydamas son, who most dearly
Loved was of all the Trojan boys by the glorious virgin.
She from her arming stayed to caress his curls and to chide him:
Eurus, forgotten of grace, dost thou gad like a stray in the city
Eager to mix with the armoured men and the chariots gliding?
High on the roofs wouldst thou watch the swaying speck that is battle?
Better to aim with the dart or seek with thy kind the palaestra;
So wilt thou sooner be part of this greatness rather than straining
Yearn from afar to the distance that veils the deeds of the mighty.
But with an anxious lure in his smile on her Eurus answered:
Not that remoteness to see have I come to the palace of Priam
Leaving the house of my fathers, but for the spear and the breastpiece.
Hast thou not promised me long I shall fight in thy car with Achilles?
Doubtful he eyed her, a lions cub at play in his beauty,
And mid the heroes who heard him laughter arose for a moment,
Yet with a sympathy stirred; they remembered the days of their childhood,
Thought of Troy still mighty, life in its rose-touched dawning
When they had longed for the clash of the fight and the burden of armour.
Glad, with the pride of the lioness watching her cub in the desert,
Couchant she lies with her paws before her and joys in his gambols,
Over the prey as he frisks and is careless, answered the virgin:
Younger than thou in my nation have mounted the steed and the war-car.
Eurus, arm; from under my shield thou shalt gaze at the Phthian,
Reaching my shafts for the cast from the rim of my car in the battle
Handle perhaps the spear that shall smite down the Phthian Achilles.
What sayst thou, Halamus? Were not such prowess a perfect beginning
Worthy Polydamas son and the warlike house of Antenor?
Halamus started and smiting his hand on the grief of his bosom,
Sombre replied and threatened with Fate the high-hearted virgin.
Virgin armipotent, wherefore mockst thou thy friend, though unwitting?
Nay, for the world will know at the end and my death cannot hide it,
Slain by a fathers curse we fight who are kin to Antenor.
Take not the boy in thy car, lest the Furies, Penthesilea,
Aim through the shield and the shielder to wreak the curse of the grandsire.
They will not turn nor repent for thy strength nor his delicate beauty.
Swiftly to Halamus answered the high-crested might of the virgin:
Curses leave lightly the lips when the soul of a man is in anger
Even as blessings easily crowd round the head that is cherished.
Yet have I never seen that a curse has sharpened a spear-point;
Never Death drew back from the doomed by the power of a blessing.
Valour and skill and chance are Fate and the gods and the Furies.
Give me the boy; a hero shall come back formed from the onset.
Do as thou wilt, replied Halamus; Fate shall guard or shall end him.
Then to the boy delighted and smiling-eyed and exultant
Cried with her voice like the call of heavens bugles waking the heroes,
Blown by the lips of gold-haired Valkyries, Penthesilea.
Go, find the spear, gird the sword, don the cuirass, child of the mighty.
Armed when thou standst on the plain of the Xanthus, field of thy fathers,
See that thou fight on this day like the comrade of Penthesilea.
Bud of a hero, gaze unalarmed in the eyes of Achilles.
Light as a hound released he ran to the hall of the armour
Where were the shields of the mighty, the arms of the mansion of Teucer;
There from the house-thralls he wrung the greaves and the cuirass and helmet
Troilus wore, the wonderful boy who, ere ripened his prowess,
Conquered the Greeks and drove to the ships and fought with Achilles.
These on his boyish limbs he donned and ran back exulting
Bearing spears and a sword and rejoiced in the clank on his armour.
Meanwhile Deiphobus, head of the mellay, moved by Aeneas
Opened the doors of their warlike debate to the strength of the virgin:
Well do I hope that our courage outwearying every opponent
Triumph shall lift to her ancient seat on the Pergaman turrets;
Clouds from Zeus come and pass; his sunshine eternal survives them.
Yet we are few in the fight and armoured nations besiege us.
Surging on Troy today a numberless foe well-captained
Hardly pushed back in shock after shock with the Myrmidon numbers
Swelled returns; they fight with a hope that broken refashion
Helpful skies and a man now leads them who conquers and slaughters,
One of the sons of the gods and armed by the gods for the struggle.
We unhelped save by Ares stern and the mystic Apollo
And but as mortals striving with stubborn mortal courage,
Hated and scorned and alone in the world, by the nations rejected,
Fight with the gods and mankind and Achilles and numbers against us
Keeping our country from death in this bitter hour of her fortunes.
Therefore have prudence and hardihood severed contending our counsels
Whether far out to fight on the seaward plain with the Argives
Or behind Xanthus the river impetuous friendly to Troya.
This my brother approves and the son of Antenor advises,
Prudent masters of war who prepare by defence their aggression.
But for myself from rashness I seek a more far-seeing wisdom,
Not behind vain defences choosing a tardy destruction,
Rather as Zeus with his spear of the lightning and chariot of tempest
Scatters and chases the heavy mass of the clouds through the heavens,
So would I hunt the Greeks through the plains to their lair by the Ocean,
Straight at the throat of my foeman so would I leap in the battle.
Swiftly to smite at the foe is prudence for armies outnumbered.
Then to the Dardanid answered the high-crested Penthesilea:
There where I find my foe I will fight him, whether by Xanthus
Or at the fosse of the ships where they crouch behind bulwarks for shelter,
Or if they dare by Scamander the higher marching on Troya.
Sternly approved her the Trojan, So should they fight who would triumph
Meeting the foe ere he move in his will to the clash of encounter.
But with his careless laughter the brilliant Priamid Paris:
Joy of the battle, joy of the tempest, joy of the gamble
Mated are in thy blood, O virgin, daughter of Ares.
Thou like the deathless wouldst have us combat, us who are human?
Come, let the gods do their will with us, Ares let lead and his daughter!
Always the blood is wiser and knows what is hid from the thinker.
Life and treasure and fame to cast on the wings of a moment,
Fiercer joy than this the gods have not given to mortals.
Highly to Paris the virgin armipotent Penthesilea,
Paris and Halamus, shafts of the war-god, fear not for Troya.
Not as a vaunt do I speak it, you gods who stern-thoughted watch us,
But in my vision of strength and the soul that is seated within me,
Not while I live and war shall the host of the Myrmidon fighters
Forcing the currents lave, as once they were wont, in Scamander
Vaunting their victor car-wheels red with the blood of the vanquished.
Then when I lie by some war-god slain on the fields of the Troad,
Fight again if you will behind high-banked fast-flowing Xanthus.
Halamus answered her, Never so by my will would I battle
Flinging Troy as a stake on the doubtful diceboard of Ares.
But you have willed it and so let it be; yet hearken my counsel.
Massed in the fight let us aim the storm of our spears at one greatness,
Mighty Pelides head who gives victory still to the Argives.
Easy the Greeks to destroy lay Achilles once slain on the Troad,
But if the Peleid lives the fire shall yet finish with Troya.
Join then Orestes speed to the stubborn might of Aeneas,
Paris fatal shafts and the missiles of Penthesilea.
Others meanwhile, a puissant screen of our bravest and strongest,
Fighting shall hold back Pylos and Argolis, Crete and the Locrian.
Thou, Deiphobus, front the bronze-clad stern Diomedes,
I with Polydamas spear will dare to restrain and discourage
Ajax feet though they yearn for pursuit and are hungry for swiftness.
Knot of retreat behind let some strong experienced captain
Stand with our younger levies guarding the fords of the Xanthus,
Fortify the wavering line and dawn as fresh strength on the wearied.
Then if the fierce gods prevail we shall perish not driven like cattle
Over the plains, but draw back sternly and slowly to Troya.
Answered the Priamid, Wise is thy counsel, branch of Antenor.
Chaff are the southern Achaians, only the hardihood Hellene,
Only the savage speed of the Locrian rescues their legions.
Marshal we so this field. Stand, Halamus, covering Xanthus,
Helping our need when the foe press hard on the Ilian fighters.
Paris, my brother, thou with our masses aid the Eoan.
I with Aeneas single spear am enough for the Argive.
Gladlier Halamus cried would I fight in the front with the Locrian!
This too let be as you will; for one is the glory and service
Fighting in front or guarding behind the fate of our country.
So in their thoughts they ordered battle. Meanwhile Eurus
Gleaming returned and the room grew glad with the light of his armour.
Glad were its conscious walls of that vision of boyhood and valour;
Gods of the household sighed and smiled at his courage and beauty,
They who had seen so many pass over their floors and return not
Hasting to battle, the fair and the mighty, the curled and the grizzled,
All of them treading one path like the conscious masks of one pageant
Winding past through the glare of a light to the shadows beyond them.
But on her captains proudly smiling Penthesilea
Seized him and cried aloud, her wild and warlike nature
Moved by the mothers heart that the woman loses not ever.
Who then shall fear for the fate of Troy when such are her children?
Verily, Eurus, yearning has seized me to meet thee in battle
Rather than Locrian Ajax, rather than Phthian Achilles.
There acquiring a deathless fame I would make thee my captive,
Greedy and glad who feel as a lioness eyeing her booty.
Nay, I can never leave thee behind, my delicate Trojan,
But, when this war ends, will bear thee away to the hills of my country
And, as a robber might, with my captive glad and unwilling
Bring thee a perfect gift to my sisters Ditis and Anna.
Eurus, there in my land thou shalt look on such hills as thy vision
Gazed not on yet, with their craggy tops besieging Cronion,
Sheeted in virgin white and chilling his feet with their vastness.
Thou shalt rejoice in our wooded peaks and our fruit-bearing valleys,
Lakes of Elysium dreaming and wide and rivers of wonder.
All day long thou shalt glide between mystic woodlands in silence
Broken only by call of the birds and the plashing of waters.
There shalt thou see, O Eurus, the childhood of Penthesilea.
Thou shalt repose in my fathers house and walk in the gardens
Green where I played at the ball with my sisters, Ditis and Anna.
Musing she ceased, but if any god had touched her with prescience
Bidding her think for the last time now of the haunts of her childhood,
Gaze in her soul with a parting love at the thought of her sisters
And of the lovely and distant land where she played through her summers,
Brief was the touch; for she changed at once and only of triumph
Dreamed and only yearned in her heart for the shock of Achilles.
So they passed from the halls of Priam fated and lofty,
Halls where the air seemed sobbing yet with the cry of Cassandra;
Clad in their brilliant armour, bright in their beauty and courage,
Sons of the passing demigods, they to their latest battle
Down the ancestral hill of the Pergamans moved to the gateway.
Loud with an endless march, with a tireless gliding to meet them,
All Troy streamed from her streets and her palaces armed for the combat.
Then to the voice of Deiphobus clanging high oer the rumour
Wide the portals swung that shall close on a blood-red evening,
Slow, foreboding, reluctant, and through the yawn of the gateway
Drove with a cry her steeds the virgin Penthesilea
Calling aloud, O steeds of my east, we drive to Achilles.
Bli the in the car behind her Eurus scouted around him
Scared with his eyes lest Antenor his grandsire should rise in the gateway,
Hardly believing his fate that led him safe through the portals.
After her trampled and crashed the ranks of her orient fighters.
Paris next with his hosts came brilliant, gold on his armour,
Gold on his helm; a mighty bow hung slack on his shoulder,
Propped oer his arm a spear, as he drove his car through the gateway.
Next Deiphobus drove and the hero strong Aeneas,
Leading their numbers on. Behind them Dus and Polites,
Helenus, Priams son, Thrasymachus, grizzled Aretes,
Came like the tempest his father, Adamas, son of the Northwind
Orus old in the fight and Eumachus, kin to Aeneas,
Who was Cresas brother and richest of men in the Troad
After Antenor only and Priam, Ilions monarch.
Halamus drove and Arintheus led on his Lycian levies.
Who were the last to speed out of Troya of all those legions
Doomed to the sword? for never again from the ancient city
Foot would march or chariots crash in their pride to the Xanthus.
Aetor the old and Tryas the conqueror known by the Oxus.
They in the portals met and their ancient eyes on each other
Looked amazed, admiring on age the harness of battle.
They in the turreted head of the gateway halted and conversed.
Twenty years have passed, O Tryas, chief of the Trojans,
Since in the battle thy car was seen and the arm of thy prowess
Age has wronged. Why now to the crowded ways of the battle
Move once more thy body infirm and thy eyes that are faded?
And to Antenors brother the Teucrian, Thou too, O Aetor,
Old and weary hast sat in thy halls and desisted from battle.
Now in Troys portals I meet thee driving forth to the mellay.
Aetor answered, Which then is better, to wretchedly perish
Crushed by the stones of my falling house or slain like a victim
Dragged through the blood of my kin on the sacred hearth of my fathers,
Or in the battle to cease mid the war-cry and hymn of the chariots
Knowing that Troy yet stands in her pride though doomed in her morrows?
So have the young men willed and the old like thee who age not,
Old are thy limbs, but thy heart is still young and hot for the war-din.
Tryas replied, To perish is better for man or for nation
Nobly in battle, nor end disgraced by disease or subjection.
So have I come here to offer this shoulder Laomedon leaned on,
Arms that have fought by the Oxus and conquered the Orients heroes
Famous in Priams wars, and a heart that is faithful to Troya.
These I will offer to death on his splendid altar of battle,
Tri bute from Ilion. If she must fall, I shall see not her ending.
Aetor replied to Tryas, Then let us perish together,
Joined by the love of our race who in life were divided in counsel.
All things embrace in death and the strife and the hatred are ended.
Silent together they drove for the last time through Ilions portals
Out with the rest to the fight towards the sea and the spears of the Argives.
Only once, as they drove, they gazed back silent on Troya
Lifting her marble pride in the golden joy of the morning.
So through the ripening morn the army, crossing Scamander,
Filling the heavens with the dust and the war-cry, marched on the Argives.
Far in front Troys plain spread wide to the echoing Ocean.
***
~ Sri Aurobindo, 4 - The Book of Partings
,#NFDB
722: Book VIII: The Book of the Gods
So on the earth the seed that was sown of the centuries ripened;
Europe and Asia, met on their borders, clashed in the Troad.
All over earth men wept and bled and laboured, world-wide
Sowing Fate with their deeds and had other fruit than they hoped for,
Out of desires and their passionate griefs and fleeting enjoyments
Weaving a tapestry fit for the gods to admire, who in silence
Joy, by the cloud and the sunbeam veiled, and men know not their movers.
They in the glens of Olympus, they by the waters of Ida
Or in their temples worshipped in vain or with heart-strings of mortals
Sated their vast desire and enjoying the world and each other
Sported free and unscourged; for the earth was their prey and their playground.
But from his luminous deep domain, from his estate of azure
Zeus looked forth; he beheld the earth in its flowering greenness
Spread like an emerald dream that the eyes have enthroned in the sunlight,
Heard the symphonies old of the ocean recalling the ages
Lost and dead from its marches salt and unharvested furrows,
Felt in the pregnant hour the unborn hearts of the future.
Troubled kingdoms of men he beheld, the hind in the furrow,
Lords of the glebe and the serf subdued to the yoke of his fortunes,
Slavegirls tending the fire and herdsmen driving the cattle,
Artisans labouring long for a little hire in mens cities,
Labour long and the meagre reward for a toil that is priceless.
Kings in their seats august or marching swift with their armies
Founded ruthlessly brittle empires. Merchant and toiler
Patiently heaped up our transient wealth like the ants in their hillock.
And to preserve it all, to protect this dust that must perish,
Hurting the eternal soul and maiming heaven for some metal
Judges condemned their brothers to chains and to death and to torment,
Criminals scourgers of crime, for so are these ant-heaps founded,
Punishing sin by a worse affront to our crucified natures.
All the uncertainty, all the mistaking, all the delusion
Naked were to his gaze; in the moonlit orchards there wandered
Lovers dreaming of love that endurestill the moment of treason;
Helped by the anxious joy of their kindred supported their anguish
Women with travail racked for the child who shall rack them with sorrow.
Hopes that were confident, fates that sprang dire from the seed of a moment,
Yearning that claimed all time for its date and all life for its fuel,
All that we wonder at gazing back when the passion has fallen,
Labour blind and vain expense and sacrifice wasted,
These he beheld with a heart unshaken; to each side he studied
Seas of confused attempt and the strife and the din and the crying.
All things he pierced in us gazing down with his eyelids immortal,
Lids on which sleep dare not settle, the Father of men on his creatures;
Nor by the cloud and the mist was obscured which baffles our eyeballs,
But he distinguished our source and saw to the end of our labour.
He in the animal racked knew the god that is slowly delivered;
Therefore his heart rejoiced. Not alone the mind in its trouble
God beholds, but the spirit behind that has joy of the torture.
Might not our human gaze on the smoke of a furnace, the burning
Red, intolerable, anguish of ore that is fused in the hell-heat,
Shrink and yearn for coolness and peace and condemn all the labour?
Rather look to the purity coming, the steel in its beauty,
Rather rejoice with the master who stands in his gladness accepting
Heat of the glorious god and the fruitful pain of the iron.
Last the eternal gaze was fixed on Troy and the armies
Marching swift to the shock. It beheld the might of Achilles
Helmed and armed, knew all the craft in the brain of Odysseus,
Saw Deiphobus stern in his car and the fates of Aeneas,
Greece of her heroes empty, Troy enringed by her slayers,
Paris a setting star and the beauty of Penthesilea.
These things he saw delighted; the heart that contains all our ages
Blessed our toil and grew full of its fruits, as the Artist eternal
Watched his vehement drama staged twixt the sea and the mountains,
Phrased in the clamour and glitter of arms and closed by the firebrand,
Act itself out in blood and in passions fierce on the Troad.
Yet as a father his children, who sits in the peace of his study
Hearing the noise of his brood and pleased with their play and their quarrels,
So he beheld our mortal race. Then, turned from the armies,
Into his mind he gazed where Time is reflected and, conscient,
Knew the iron knot of our human fates in their warfare.
Calm he arose and left our earth for his limitless kingdoms.
Far from this lower blue and high in the death-scorning spaces
Lifted oer mortal mind where Time and Space are but figures
Lightly imagined by Thought divine in her luminous stillness,
Zeus has his palace high and there he has stabled his war-car.
Thence he descends to our mortal realms; where the heights of our mountains
Meet with the divine air, he touches and enters our regions.
Now he ascended back to his natural realms and their rapture,
There where all life is bliss and each feeling an ecstasy mastered.
Thence his eagle Thought with its flashing pinions extended
Winged through the world to the gods, and they came at the call, they ascended
Up from their play and their calm and their works through the infinite azure.
Some from our mortal domains in grove or by far-flowing river
Cool from the winds of the earth or quivering with perishable fragrance
Came, or our laughter they bore and the song of the sea in their paces.
Some from the heavens above us arrived, our vital dominions
Whence we draw breath; for there all things have life, the stone like the ilex,
Clay of those realms like the children of men and the brood of the giants.
There Enceladus groans oppressed and draws strength from his anguish
Under a living Aetna and flames that have joy of his entrails.
Fiercely he groans and rejoices expecting the end of his foemen
Hastened by every pang and counts long Time by his writhings.
There in the champaigns unending battle the gods and the giants,
There in eternal groves the lovers have pleasure for ever,
There are the faery climes and there are the wonderful pastures.
Some from a marvellous Paradise hundred-realmed in its musings,
Million-ecstasied, climbed like flames that in silence aspire
Windless, erect in a motionless dream, yet ascending for ever.
All grew aware of the will divine and were drawn to the Father.
Grandiose, calm in her gait, imperious, awing the regions,
Hera came in her pride, the spouse of Zeus and his sister.
As at her birth from the foam of the spaces white Aphrodite
Rose in the cloud of her golden hair like the moon in its halo.
Aegis-bearing Athene, shielded and helmeted, answered
Rushing the call and the heavens thrilled with the joy of her footsteps
Dumbly repeating her name, as insulted and trampled by beauty
Thrill might the soul of a lover and cry out the name of its tyrant.
Others there were as mighty; for Artemis, archeress ancient,
Came on her sandals lightning-tasselled. Up the vast incline
Shaking the world with the force of his advent thundered Poseidon;
Space grew full of his stride and his cry. Immortal Apollo
Shone and his silver clang was heard with alarm in our kingdoms.
Ares impetuous eyes looked forth from a cloud-drift of splendour;
Themis steps appeared and Ananke, the mystic Erinnys;
Nor was Hephaestus flaming strength from his father divided.
Even the ancient Dis to arrive dim-featured, eternal,
Seemed; but his rays are the shades and his voice is the call of the silence.
Into the courts divine they crowded, radiant, burning,
Perfect in utter grace and light. The joy of their spirits
Calls to eternal Time and the glories of Space are his answer:
Thence were these bright worlds born and persist by the throb of their heart-beats.
Not in the forms that mortals have seen when assisted they scatter
Mists of this earthly dust from their eyes in their moments of greatness
Shone those unaging Powers; nor as in our centuries radiant
Mortal-seeming bodies they wore when they mixed with our nations.
Then the long youth of the world had not faded still out of our natures,
Flowers and the sunlight were felt and the earth was glad like a mother.
Then for a human delight they were masked in this denser vesture
Earth desires for her bliss, thin veils, for the god through them glimmered.
Quick were mens days with the throng of the brilliant presences near them:
Gods from the wood and the valley, gods from the obvious wayside,
Gods on the secret hills leaped out from their light on the mortal.
Oft in the haunt and the grove they met with our kind and their touches
Seized and subjected our clay to the greatness of passions supernal,
Grasping the earthly virgin and forcing heaven on this death-dust.
Glorifying human beauty Apollo roamed in our regions
Clymene when he pursued or yearned in vain for Marpessa;
Glorifying earth with a human-seeming face of the beauty
Brought from her heavenly climes Aphrodite mixed with Anchises.
Glimpsed in the wilds were the Satyrs, seen in the woodlands the Graces,
Dryad and Naiad in river and forest, Oreads haunting
Glens and the mountain-glades where they played with the manes of our lions
Glimmered on death-claimed eyes; for the gods then were near us and clasped us,
Heaven leaned down in love with our clay and yearned to its transience.
But we have coarsened in heart and in mood; we have turned in our natures
Nearer our poorer kindred; leaned to the ant and the ferret.
Sight we have darkened with sense and power we have stifled with labour,
Likened in mood to the things we gaze at and are in our vestures:
Therefore we toil unhelped; we are left to our weakness and blindness.
Not in those veils now they rose to their skies, but like loose-fitting mantles
Dropped in the vestibules huge of their vigorous realms that besiege us
All that reminded of earth; then clothed with raiment of swiftness
Straight they went quivering up in a glory like fire or the storm-blast.
Even those natural vestures of puissance they leave when they enter
Minds more subtle fields and agree with its limitless regions
Peopled by creatures of bliss and forms more true than earths shadows,
Mind that pure from this density, throned in her splendours immortal
Looks up at Light and suffers bliss from ineffable kingdoms
Where beyond Mind and its rays is the gleam of a glory supernal:
There our sun cannot shine and our moon has no place for her lustres,
There our lightnings flash not, nor fire of these spaces is suffered.
They with bodies impalpable here to our touch and our seeing,
But for a higher delight, to a brighter sense, with more sweetness
Palpable there and visible, thrilled with a lordlier joyance,
Came to the courts of Zeus and his heavens sang to their footsteps.
Harmonies flowed through the blissful coils of the kingdoms of rapture.
Then by his mighty equals surrounded the Thunderer regnant
Veiled his thought in sound that was heard in their souls as they listened.
Veiled are the high gods always lest there should dawn on the mortal
Light too great from the skies and men to their destiny clear-eyed
Walk unsustained like the gods; then Night and Dawn were defeated
And of their masks the deities robbed would be slaves to their subjects.
Children of Immortality, gods who are joyous for ever,
Rapture is ours and eternity measures our lives by his aeons.
For we desireless toil who have joy in the fall as the triumph,
Knowledge eternal possessing we work for an end that is destined
Long already beyond by the Will of which Time is the courser.
Therefore death cannot alter our lives nor pain our enjoyment.
But in the world of mortals twilight is lord of its creatures.
Nothing they perfectly see, but all things seek and imagine,
Out of the clod who have come and would climb from their mire to our heavens.
Yet are the heavenly seats not easy even for the chosen:
Rough and remote is that path; that ascent is too hard for the death-bound.
Hard are Gods terms and few can meet them of men who are mortal.
Mind resists; their breath is a clog; by their tools they are hampered,
Blindly mistaking the throb of their mortal desires for our guidance.
How shall they win in their earth to our skies who are clay and a life-wind,
But that their hearts we invade? Our shocks on their lives come incessant,
Ease discourage and penetrate coarseness; sternness celestial
Forces their souls towards the skies and their bodies by anguish are sifted.
We in the mortal wake an immortal strength by our tortures
And by the flame of our lightnings choose out the vessels of godhead.
This is the nature of earth that to blows she responds and by scourgings
Travails excited; pain is the bed of her blossoms of pleasure.
Earth that was wakened by pain to life and by hunger to thinking
Left to her joys rests inert and content with her gains and her station.
But for the unbearable whips of the gods back soon to her matter
She would go glad and the goal would be missed and the aeons be wasted.
But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his feet to the journey.
But in their minds to impression made subject, by forms of things captured
Blind is the thought and presumptuous the hope and they swerve from our goading;
Blinded are human hearts by desire and fear and possession,
Darkened is knowledge on earth by hope the helper of mortals.
Now too from earth and her children voices of anger and weeping
Beat at our thrones; tis the grief and the wrath of fate-stricken creatures,
Mortals struggling with destiny, hearts that are slaves to their sorrow.
We unmoved by the cry will fulfil our unvarying purpose.
Troy shall fall at last and the ancient ages shall perish.
You who are lovers of Ilion turn from the moans of her people,
Chase from your hearts their prayers, blow back from your nostrils the incense.
Let not one nation resist by its glory the good of the ages.
Twilight thickens over man and he moves to his winter of darkness.
Troy that displaced with her force and her arms the luminous ancients,
Sinks in her turn by the ruder strength of the half-savage Achaians.
They to the Hellene shall yield and the Hellene fall by the Roman.
Rome too shall not endure, but by strengths ill-shaped shall be broken,
Nations formed in the ice and mist, confused and crude-hearted.
So shall the darker and ruder always prevail oer the brilliant
Till in its turn to a ruder and darker it falls and is shattered.
So shall mankind make speed to destroy what twas mighty creating.
Ever since knowledge failed and the ancient ecstasy slackened,
Light has been helper to death and darkness increases the victor.
So shall it last till the fallen ages return to their greatness.
For if the twilight be helped not, night oer the world cannot darken;
Night forbidden how shall a greater dawn be effected?
Gods of the light who know and resist that the doomed may have succour,
Always then shall desire and passion strive with Ananke?
Conquer the cry of your heart-strings that man too may conquer his sorrow,
Stilled in his yearnings. Cease, O ye gods, from the joy of rebellion.
Open the eye of the soul, admit the voice of the Silence.
So in the courts of Heaven august the Thunderer puissant
Spoke to his sons in their souls and they heard him, mighty in silence.
Then to her brother divine the white-armed passionless Hera:
Zeus, we remember; thy sons forget, Apollo and Ares.
Hera, queen of the heavens, they forget not, but choose to be mindless.
This is the greatness of gods that they know and can put back the knowledge;
Doing the work they have chosen they turn not for fruit nor for failure,
Griefless they walk to their goal and strain not their eyes towards the ending.
Light that they have they can lose with a smile, not as souls in the darkness
Clutch at every beam and mistake their one ray for all splendour.
All things are by Time and the Will eternal that moves us,
And for each birth its hour is set in the night or the dawning.
There is an hour for knowledge, an hour to forget and to labour.
Great Cronion ceased and high in the heavenly silence
Rose in their midst the voice of the loud impetuous Ares
Sounding far in the luminous fields of his soul as with thunder.
Father, we know and we have not forgotten. This is our godhead,
Still to strive and never to yield to the evil that conquers.
I will not dwell with the Greeks nor aid them save forced by Ananke
And because lives of the great and the blood of the strong are my portion.
This too thou knowest, our nature enjoys in mankind its fulfilment.
War is my nature and greatness and hardness, the necks of the vanquished;
Force is my soul and strength is my bosom; I shout in the battle
Breaking cities like toys and the nations are playthings of Ares:
Hither and thither I shove them and throw down or range on my table.
Constancy most I love, nobility, virtue and courage;
Fugitive hearts I abhor and the nature fickle as sea-foam.
Now if the ancient spirit of Titan battle is over,
Tros fights no more on the earth, nor now Heracles tramples and struggles,
Bane of the hydra or slaying the Centaurs oer Pelion driven,
Now if the earth no more must be shaken by Titan horsehooves,
Since to a pettier framework all things are fitted consenting,
Yet will I dwell not in Greece nor favour the nurslings of Pallas.
I will await the sons of my loins and the teats of the she-wolf,
Consuls browed like the cliffs and plebeians stern of the wolf-brood,
Senates of kings and armies of granite that grow by disaster;
Such be the nation august that is fit for the favour of Ares!
They shall fulfil me and honour my mother, imperial Hera.
Then with an iron march they shall move to their world-wide dominion,
Through the long centuries rule and at last because earth is impatient,
Slowly with haughtiness perish compelled by mortalitys transience
Leaving a Roman memory stamped on the ages of weakness.
But to his son far-sounding the Father high of the Immortals:
So let it be since such is the will in thee, mightiest Ares;
Thou shalt till sunset prevail, O war-god, fighting for Troya.
So he decreed and the soul of the Warrior sternly consented.
He from his seats arose and down on the summits of Ida
Flaming through Space in his cloud in a headlong glory descended,
Prone like a thunderbolt flaming down from the hand of the Father.
Thence in his chariot drawn by living fire and by swiftness,
Thundered down to earths plains the mighty impetuous Ares.
Far where Deiphobus stern was labouring stark and outnumbered
Smiting the Achaian myriads back on the right of the carnage,
Over the hosts in his car he stood and darkened the Argives.
But in the courts divine the Thunderer spoke to his children:
Ares resisting a present Fate for the hope of the future,
Gods, has gone forth from us. Choose thou thy paths, O my daughter,
More than thy brother assailed by the night that darkens oer creatures.
Choose the silence in heaven or choose the struggle mid mortals,
Golden joy of the worlds, O thou roseate white Aphrodite.
Then with her starry eyes and bosom of bliss from the immortals
Glowing and rosy-limbed cried the wonderful white Aphrodite,
Drawing her fingers like flowers through the flowing gold of her tresses,
Calm, discontented, her perfect mouth like a rose of resistance
Chidingly budded gainst Fate, a charm to their senses enamoured.
Well do I know thou hast given my world to Hera and Pallas.
What though my temples shall stand in Paphos and island Cythera
And though the Greek be a priest for my thoughts and a lyre for my singing,
Beauty pursuing and light through the figures of grace and of rhythm,
Forms shall he mould for mens eyes that the earth has forgotten and mourns for,
Mould even the workings of Pallas to commune with Paphias sweetness,
Mould Hephaestus craft in the gaze of the gold Aphrodite,
Only my form he pursues that I wear for a mortal enchantment,
He to whom now thou givest the world, the Ionian, the Hellene,
But for my might is unfit which Babylon worshipped and Sidon
Palely received from the past in images faint of the gladness
Once that was known by the children of men when the thrill of their members
Was but the immortal joy of the spirit overflowing their bodies,
Wine-cups of Gods desire; but their clay from my natural greatness
Falters betrayed to pain, their delight they have turned into ashes.
Nor to my peaks shall he rise and the perfect fruit of my promptings,
There where the senses swoon but the heart is delivered by rapture:
Never my touch can cling to his soul nor reply from his heart-strings.
Once could my godhead surprise all the stars with the seas of its rapture;
Once the world in its orbit danced to a marvellous rhythm.
Men in their limits, gods in their amplitudes answered my calling;
Life was moved by a chant of delight that sang from the spaces,
Sang from the Soul of the Vast, its rapture clasping its creatures.
Sweetly agreed my fire with their soil and their hearts were as altars.
Pure were its crests; twas not dulled with earth, twas not lost in the hazes
Then when the sons of earth and the daughters of heaven together
Met on lone mountain peaks or, linked on wild beach and green meadow,
Twining embraced. For I danced on Taygetus peaks and oer Ida
Naked and loosing my golden hair like a nimbus of glory
Oer a deep-ecstasied earth that was drunk with my roses and whiteness.
There was no shrinking nor veil in our old Saturnian kingdoms.
Equals were heaven and earth, twin gods on the lap of Dione.
Now shall my waning greatness perish and pass out of Nature.
For though the Romans, my children, shall grasp at the strength of their mother,
They shall not hold the god, but lose in unsatisfied orgies
Yet what the earth has kept of my joy, my glory, my puissance,
Who shall but drink for a troubled hour in the dusk of the sunset
Dregs of my wine Pandemian missing the Uranian sweetness.
So shall the night descend on the greatness and rapture of living;
Creeds that refuse shall persuade the world to revolt from its mother.
Pallas adorers shall loa the me and Heras scorn me for lowness;
Beauty shall pass from mens work and delight from their play and their labour;
Earth restored to the Cyclops shall shrink from the gold Aphrodite.
So shall I live diminished, owned but by beasts in the forest,
Birds of the air and the gods in their heavens, but disgraced in the mortal.
Then to the discontented rosy-mouthed Aphrodite
Zeus replied, the Father divine: O goddess Astarte,
What are these thoughts thou hast suffered to wing from thy rose-mouth immortal?
Bees that sting and delight are the words from thy lips, Cytherea.
Art thou not womb of the world and from thee are the thronging of creatures?
And didst thou cease the worlds too would cease and the aeons be ended.
Suffer my Greeks; accept who accept thee, O gold Dionaean.
They in the works of their craft and their dreams shall enthrone thee for ever,
Building thee temples in Paphos and Eryx and island Cythera,
Building the fane more enduring and bright of thy golden ideal.
Even if natures of men could renounce thee and God do without thee,
Rose of love and sea of delight, O my child Aphrodite,
Still wouldst thou live in the worship they gave thee protected from fading,
Splendidly statued and shrined in mens works and mens thoughts, Cytherea.
Pleased and blushing with bliss of her praise and the thought of her empire
Answered, as cries a harp in heaven, the gold Aphrodite:
Father, I know and I spoke but to hear from another my praises.
I am the womb of the world and the cause of this teeming of creatures,
And if discouraged I ceased, Gods world would lose heart and would perish.
How will you do then without me your works of wisdom and greatness,
Hera, queen of heaven, and thou, O my sister Athene?
Yes, I shall reign and endure though the pride of my workings be conquered.
What though no second Helen find a second Paris,
Lost though their glories of form to the earth, though their confident gladness
Pass from a race misled and forgetting the sap that it sprang from,
They are eternal in man in the worship of beauty and rapture.
Ever while earth is embraced by the sun and hot with his kisses
And while a Will supernal works through the passions of Nature,
Me shall men seek with my light or their darkness, sweetly or crudely,
Cold on the ice of the north or warm in the heats of the southland,
Slowly enduring my touch or with violence rapidly burning.
I am the sweetness of living, I am the touch of the Master.
Love shall die bound to my stake like a victim adorned as for bridal,
Life shall be bathed in my flames and be purified gold or be ashes.
I, Aphrodite, shall move the world for ever and ever.
Yet now since most to me, Father of all, the ages arriving,
Hostile, rebuke my heart and turn from my joy and my sweetness,
I will resist and not yield, nor care what I do, so I conquer.
Often I curbed my mood for your sakes and was gracious and kindly,
Often I lay at Heras feet and obeyed her commandments
Tranquil and proud or oercome by a honeyed and ancient compulsion
Fawned on thy pureness and served thy behests, O my sister Pallas.
Deep was the love that united us, happy the wrestle and clasping;
Love divided, Love united, Love was our mover.
But since you now overbear and would scourge me and chain and control me,
War I declare on you all, O my Father and brothers and sisters.
Henceforth I do my will as the joy in me prompts or the anger.
Ranging the earth with my beauty and passion and golden enjoyments
All whom I can, I will bind; I will drive at the bliss of my workings,
Whether mens hearts are seized by the joy or seized by the torture.
Most I will plague your men, your worshippers and in my malice
Break up your works with confusion divine, O my mother and sister;
Then shall you fume and resist and be helpless and pine with my torments.
Yet will I never relent but always be sweet and malignant,
Cruel and tyrannous, hurtful and subtle, a charm and a torture.
Thou too, O father Zeus, shalt always be vexed with my doings;
Called in each moment to judge thou shalt chafe at our cry and our quarrels,
Often grope for thy thunderbolt, often frown magisterial
Joining in vain thy awful brows oer thy turbulent children.
Yet in thy wrath recall my might and my wickedness, Father;
Hurt me not then too much lest the world and thyself too should suffer.
Save, O my Father, life and grace and the charm of the senses;
Love preserve lest the heart of the world grow dulled and forsaken.
Smiling her smile immortal of love and of mirth and of malice
White Aphrodite arose in her loveliness armed for the conflict.
Golden and careless and joyous she went like a wild bird that winging
Flits from bough to bough and resumes its chant interrupted.
Love where her white feet trod bloomed up like a flower from the spaces;
Mad round her touches billowed incessantly laughter and rapture.
Thrilled with her feet was the bosom of Space, for her amorous motion
Floated, a flower on the wave of her bliss or swayed like the lightning.
Rich as a summer fruit and fresh as Springs blossoms her body
Gleaming and blushing, veiled and bare and with ecstasy smiting
Burned out rosy and white through her happy ambrosial raiment,
Golden-tressed and a charm, her bosom a fragrance and peril.
So was she framed to the gaze as she came from the seats of the Mighty,
So embodied she visits the hearts of men and their dwellings
And in her breathing tenement laughs at the eyes that can see her.
Swift-footed down to the Troad she hastened thrilling the earth-gods.
There with ambrosial secrecy veiled, admiring the heroes
Strong and beautiful, might of the warring and glory of armour,
Over her son Aeneas she stood, his guard in the battle.
But in the courts divine the Thunderer spoke mid his children:
Thou for a day and a night and another day and a nightfall,
White Aphrodite, prevail; oer thee too the night is extended.
She has gone forth who made men like gods in their glory and gladness.
Now in the darkness coming all beauty must wane or be tarnished;
Joy shall fade and mighty Love grow fickle and fretful;
Even as a child that is scared in the night, he shall shake in his chambers.
Yet shall a portion be kept for these, Ares and white Aphrodite.
Thou whom already thy Pythoness bears not, torn by thy advent,
Caverned already who sittest in Delphi knowing thy future,
What wilt thou do with the veil and the night, O burning Apollo?
Then from the orb of his glory unbearable save to immortals
Bright and austere replied the beautiful mystic Apollo:
Zeus, I know that I fade; already the night is around me.
Dusk she extends her reign and obscures my lightnings with error.
Therefore my prophets mislead mens hearts to the ruin appointed,
Therefore Cassandra cries in vain to her sire and her brothers.
All I endure I foresee and the strength in me waits for its coming;
All I foresee I approve; for I know what is willed, O Cronion.
Yet is the fierce strength wroth in my breast at the need of approval
And for the human race fierce pity works in my bosom;
Wroth is my splendid heart with the cowering knowledge of mortals,
Wroth are my burning eyes with the purblind vision of reason.
I will go forth from your seats and descend to the night among mortals
There to guard the flame and the mystery; vast in my moments
Rare and sublime to sound like a sea against Time and its limits,
Cry like a spirit in pain in the hearts of the priest and the poet,
Cry against limits set and disorder sanities bounded.
Jealous for truth to the end my might shall prevail and for ever
Shatter the moulds that men make to imprison their limitless spirits.
Dire, overpowering the brain I shall speak out my oracles splendid.
Then in their ages of barren light or lucidity fruitful
Whenso the clear gods think they have conquered earth and its mortals,
Hidden God from all eyes, they shall wake from their dream and recoiling
Still they shall find in their paths the fallen and darkened Apollo.
So he spoke, repressing his dreadful might in his bosom,
And from their high seats passed, his soul august and resplendent
Drawn to the anguish of men and the fierce terrestrial labour.
Down he dropped with a roar of light invading the regions,
And in his fierce and burning spirit intense and uplifted
Sure of his luminous truth and careless for weakness of mortals
Flaming oppressed the earth with his dire intolerant beauty.
Over the summits descending that slept in the silence of heaven,
He through the spaces angrily drew towards the tramp and the shouting
Over the speeding of Xanthus and over the pastures of Troya.
Clang of his argent bow was the wrath restrained of the mighty,
Stern was his pace like Fates; so he came to the warfare of mortals
And behind Paris strong and inactive waited Gods moment
Knowing what should arrive, nor disturbed like men by their hopings.
But in the courts of Heaven Zeus to his brother immortal
Turned like a menaced king on his counsellor smiling augustly:
Seest thou, Poseidon, this sign that great gods revolting have left us,
Follow their hearts and strive with Ananke? Yet though they struggle,
Thou and I will do our will with the world, O earth-shaker.
Answered to Zeus the besieger of earth, the voice of the waters:
This is our strength and our right, for we are the kings and the masters.
Too much pity has been and yielding of Heaven to mortals.
I will go down with my chariot drawn by my thunder-maned coursers
Into the battle and thrust down Troy with my hand to the silence,
Even though she cling round the snowy knees of our child Aphrodite
Or with Apollos sun take refuge from Night and her shadows.
I will not pity her pain, who am ruthless even as my surges.
Brother, thou knowest, O Zeus, that I am a king and a trader;
For on my paths I receive earths skill and her merchandise gather,
Traffic richly in pearls and bear the swift ships on my bosom.
Blue are my waves and they call mens hearts to wealth and adventure.
Lured by the shifting surges they launch their delight and their treasures
Trusting the toil of years to the perilous moments of Ocean.
Huge mans soul in its petty frame goes wrestling with Nature
Over her vasts and his fragile ships between my horizons
Buffeting death in his solitudes labour through swell and through storm-blast
Bound for each land with her sons and watched for by eyes in each haven.
I from Tyre up to Gades trace on my billows their trade-routes
And on my vast and spuming Atlantic suffer their rudders.
Carthage and Greece are my children, the marts of the world are my term-posts.
Who then deserves the earth if not he who enriches and fosters?
But thou hast favoured thy sons, O Zeus; O Hera, earths sceptres
Still were denied me and kept for strong Ares and brilliant Apollo.
Now all your will shall be done, so you give me the earth for my nations.
Gold shall make men like gods and bind their thoughts into oneness;
Peace I will build with gold and heaven with the pearls of my caverns.
Smiling replied to his brothers craft the mighty Cronion:
Lord of the boundless seas, Poseidon, soul of the surges,
Well thou knowest that earth shall be seized as a booth for the trader.
Rome nor Greece nor France can drive back Carthage for ever.
Always each birth of the silence attaining the field and the movement
Takes from Time its reign; for it came for its throne and its godhead.
So too shall Mammon take and his sons their hour from the ages.
Yet is the flame and the dust last end of the silk and the iron,
And at their end the king and the prophet shall govern the nations.
Even as Troy, so shall Babylon flame up to heaven for the spoiler
Wailed by the merchant afar as he sees the red glow from the ocean.
Up from the seats of the Mighty the Earth-shaker rose. His raiment
Round him purple and dominant rippled and murmured and whispered,
Whispered of argosies sunk and the pearls and the Nereids playing,
Murmured of azure solitudes, sounded of storm and the death-wail.
Even as the march of his waters so was the pace of the sea-god
Flowing on endless through Time; with the glittering symbol of empire
Crowned were his fatal brows; in his grasp was the wrath of the trident,
Tripled force, life-shattering, brutal, imperial, sombre.
Resonant, surging, vast in the pomp of his clamorous greatness
Proud and victorious he came to his home in the far-spuming waters.
Even as a soul from the heights of thought plunges back into living,
So he plunged like a rock through the foam; for it falls from a mountain
Overpeering the waves in some silence of desolate waters
Left to the wind and the sea-gull where Ocean alone with the ages
Dreams of the calm of the skies or tosses its spray to the wind-gods,
Tosses for ever its foam in the solitude huge of its longings
Far from the homes and the noises of men. So the dark-browed Poseidon
Came to his coral halls and the sapphire stables of Nereus
Ever where champ their bits the harnessed steeds of the Ocean
Watched by foam-white girls in the caverns of still Amphitrite.
There was his chariot yoked by the Tritons, drawn by his coursers
Born of the fleeing sea-spray and shod with the northwind who journey
Black like the front of the storm and clothed with their manes as with thunder.
This now rose from its depths to the upper tumults of Ocean
Bearing the awful brows and the mighty form of the sea-god
And from the roar of the surges fast oer the giant margin
Came remembering the storm and the swiftness wide towards the Troad.
So among men he arrived to the clamorous labours of Ares,
Close by the stern Diomedes stood and frowned oer the battle.
He for the Trojan slaughter chose for his mace and his sword-edge
Iron Tydeus son and the adamant heart of young Pyrrhus.
But in the courts divine the Father high of the immortals
Turned in his heart to the brilliant offspring born of his musings,
She who tranquil observes and judges her father and all things.
What shall I say to the thought that is calm in thy breasts, O Athene?
Have I not given thee earth for thy portion, throned thee and armoured,
Darkened Cypris smile, dimmed Heras son and Latonas?
Swift in thy silent ambition, proud in thy radiant sternness,
Girl, thou shalt rule with the Greek and the Saxon, the Frank and the Roman.
Worker and fighter and builder and thinker, light of the reason,
Men shall leave all temples to crowd in thy courts, O Athene.
Go then and do my will, prepare mans tribes for their fullness.
But with her high clear smile on him answered the mighty Athene,
Wisely and soberly, tenderly smiled she chiding her father
Even as a mother might rail at her child when he hides and dissembles:
Zeus, I see and I am not deceived by thy words in my spirit.
We but build forms for thy thought while thou smilest down high oer our toiling;
Even as men are we tools for thee, who are thy children and dear ones.
All this life is thy sport and thou workst like a boy at his engines
Making a toil of the game and a play of the serious labour.
Then to that play thou callest us wearing a sombre visage,
This consulting, that to our wills confiding, O Ruler;
Choosing thy helpers, hastened by those whom thou lurest to oppose thee
Guile thou usest with gods as with mortals, scheming, deceiving,
And at the wrath and the love thou hast prompted laughest in secret.
So we two who are sisters and enemies, lovers and rivals,
Fondled and baffled in turn obey thy will and thy cunning,
I, thy girl of war, and the rosy-white Aphrodite.
Always we served but thy pleasure since our immortal beginnings,
Always each other we helped by our play and our wrestlings and quarrels.
This too I know that I pass preparing the paths of Apollo
And at the end as his sister and slave and bride I must sojourn
Rapt to his courts of mystic light and unbearable brilliance.
Was I not ever condemned since my birth from the toil of thy musings
Seized like a lyre in my body to sob and to laugh out his music,
Shake as a leaf in his fierceness and leap as a flame in his splendours!
So must I dwell overpowered and so must I labour subjected
Robbed of my loneliness pure and coerced in my radiant freedom,
Now whose clearness and pride are the sovereign joy of thy creatures.
Such the reward that thou keepst for my labour obedient always.
Yet I work and I do thy will, for tis mine, O my father.
Proud of her ruthless lust of thought and action and battle,
Swift-footed rose the daughter of Zeus from her sessions immortal:
Breasts of the morning unveiled in a purity awful and candid,
Head of the mighty Dawn, the goddess Pallas Athene!
Strong and rapacious she swooped on the world as her prey and her booty
Down from the courts of the Mighty descending, darting on Ida.
Dire she descended, a god in her reason, a child in her longings,
Joy and woe to the world that is given to the whims of the child-god
Greedy for rule and play and the minds of men and their doings!
So with her aegis scattering light oer the heads of the nations
Shining-eyed in her boyish beauty severe and attractive
Came to the fields of the Troad, came to the fateful warfare,
Veiled, the goddess calm and pure in her luminous raiment
Zoned with beauty and strength. Rejoicing, spurring the fighters
Close oer Odysseus she stood and clear-eyed governed the battle.
Zeus to Hephaestus next, the Cyclopean toiler
Turned, Hephaestus the strong-souled, priest and king and a bond-slave,
Servant of men in their homes and their workshops, servant of Nature,
He who has built these worlds and kindles the fire for a mortal.
Thou, my son, art obedient always. Wisdom is with thee,
Therefore thou knowst and obeyest. Submission is wisdom and knowledge;
He who is blind revolts and he who is limited struggles:
Strife is not for the infinite; wisdom observes to accomplish.
Troy and her sons and her works are thy food today, O Hephaestus.
And to his father the Toiler answered, the silent Seer:
Yes, I obey thee, my Father, and That which than thou is more mighty;
Even as thou obeyest by rule, so I by my labour.
Now must I heap the furnace, now must I toil at the smithy,
I who have flamed on the altar of sacrifice helping the sages.
I am the Cyclops, the lamester, who once was pure and a high-priest.
Holy the pomp of my flames ascendant from pyre and from altar
Robed mens souls for their heavens and my smoke was a pillar to Nature.
Though I have burned in the sight of the sage and the heart of the hero,
Now is no nobler hymn for my ear than the clanging of metal,
Breath of human greed and the dolorous pant of the engines.
Still I repine not, but toil; for to toil I was yoked by my Maker.
I am your servant, O Gods, and his of whom you are servants.
But to the toiler Zeus replied, to the servant of creatures:
What is the thought thou hast uttered betrayed by thy speech, O Hephaestus?
True is it earth shall grow as a smithy, the smoke of the furnace
Fill mens eyes and their souls shall be stunned with the clang of the hammers;
Yet in the end there is rest on the peak of a labour accomplished.
Nor shall the might of the thinker be quelled by that iron oppression,
Nor shall the soul of the warrior despair in the darkness triumphant;
For when the night shall be deepest, dawn shall increase on the mountains
And in the heart of the worst the best shall be born by my wisdom.
Pallas thy sister shall guard mans knowledge fighting the earth-smoke.
Thou too art mighty to live through the clamour even as Apollo.
Work then, endure; expect from the Silence an end and thy wages.
So King Hephaestus arose and passed from the courts of his father;
Down upon earth he came with his lame omnipotent motion;
And with uneven steps absorbed and silent the Master
Worked employed mid the wheels of the cars as a smith in his smithy,
But it was death and bale that he forged, not the bronze and the iron.
Stark, like a fire obscured by its smoke, through the spear-casts he laboured
Helping Ajax war and the Theban and Phocian fighters.
Zeus to his grandiose helper next, who proved and unmoving,
Calm in her greatness waited the mighty comm and of her husband:
Hera, sister and spouse, what my will is thou knowest, O consort.
One are our blood and our hearts, nor the thought for the words of the speaker
Waits, but each other we know and ourselves and the Vast and the heavens,
Life and all between and all beyond and the ages.
That which Space not knows nor Time, we have known, O my sister.
Therefore our souls are one soul and our minds become mirrors of oneness.
Go then and do my will, O thou mighty one, burning down Troya.
Silent she rose from the seats of the Blissful, Hera majestic,
And with her flowing garment and mystical zone through the spaces
Haloed came like the moon on an evening of luminous silence
Down upon Ida descending, a snow-white swan on the greenness,
Down upon Ida the mystic haunted by footsteps immortal
Ever since out of the Ocean it rose and lived gazing towards heaven.
There on a peak of the mountains alone with the sea and the azure
Voiceless and mighty she paused like a thought on the summits of being
Clasped by all heaven; the winds at play in her gust-scattered raiment
Sported insulting her gracious strength with their turbulent sweetness,
Played with their mother and queen; but she stood absorbed and unheeding,
Mute, with her sandalled foot for a moment thrilling the grasses,
Dumbly adored by a soul in the mountains, a thought in the rivers,
Roared to loud by her lions. The voice of the cataracts falling
Entered her soul profound and it heard eternitys rumour.
Silent its gaze immense contained the wheeling of aeons.
Huge-winged through Time flew her thought and its grandiose vast revolutions
Turned and returned. So musing her timeless creative spirit,
Master of Time, its instrument, grieflessly hastening forward
Parted with greatnesses dead and summoned new strengths from their stables;
Maned they came to her call and filled with their pacings the future.
Calm, with the vision satisfied, thrilled by the grandeurs within her,
Down in a billow of whiteness and gold and delicate raiment
Gliding the daughter of Heaven came to the earth that received her
Glad of the tread divine and bright with her more than with sunbeams.
King Agamemnon she found and smiling on Spartas levies
Mixed unseen with the far-glinting spears of haughty Mycenae.
Then to the Mighty who tranquil abode and august in his regions
Zeus, while his gaze over many forms and high-seated godheads
Passed like a swift-fleeing eagle over the peaks and the glaciers
When to his eyrie he flies alone through the vastness and silence:
Artemis, child of my loins and you, O legioned immortals,
All you have heard. Descend, O ye gods, to your sovereign stations,
Labour rejoicing whose task is joy and your bliss is creation;
Shrink from no act that Necessity asks from your luminous natures.
Thee I have given no part in the years that come, O my daughter,
Huntress swift of the worlds who with purity all things pursuest.
Yet not less is thy portion intended than theirs who oerpass thee:
Helped are the souls that wait more than strengths soon fulfilled and exhausted.
Archeress, brilliance, wait thine hour from the speed of the ages.
So they departed, Artemis leading lightning-tasselled.
Ancient Themis remained and awful Dis and Ananke.
Then mid these last of the gods who shall stand when all others have perished,
Zeus to the Silence obscure under iron brows of that goddess,
Griefless, unveiled was her visage, dire and unmoved and eternal:
Thou and I, O Dis, remain and our sister Ananke.
That which the joyous hearts of our children, radiant heaven-moths
Flitting mid flowers of sense for the honey of thought have not captured,
That which Poseidon forgets mid the pomp and the roar of his waters,
We three keep in our hearts. By the Light that I watch for unsleeping,
By thy tremendous consent to the silence and darkness, O Hades,
By her delight renounced and the prayers and the worship of mortals
Making herself as an engine of God without bowels or vision,
Yet in that engine are only heart-beats, yet is her riddle
Only Love that is veiled and pity that suffers and slaughters,
We three are free from ourselves, O Dis, and free from each other.
Do then, O King of the Night, observe then with Time for thy servant
Not my behest, but What she and thou and I are for ever.
Mute the Darkness sat like a soul unmoved through the aeons,
Then came a voice from the silence of Dis, from the night there came wisdom.
Yes, I have chosen and that which I chose I endure, O Cronion,
Though to the courts of the gods I come as a threat and a shadow,
Even though none to their counsels call me, none to their pastime,
None companions me willingly; even thy daughter, my consort,
Trembling whom once from our sister Demeter I plucked like a blossom
Torn from Sicilian fields, while Fate reluctant, consenting,
Bowed her head, lives but by her gasps of the sun and the azure;
Stretched are her hands to the light and she seeks for the clasp of her mother.
I, I am Night and her reign and that of which Night is a symbol.
All to me comes, even thou shalt come to me, brilliant Cronion.
All here exists by me whom all walk fearing and shunning;
He who shuns not, He am I and thou and Ananke.
All things I take to my bosom that Life may be swift in her voyage;
For out of death is Life and not by birth and her motions
And behind Night is light and not in the sun and his splendours.
Troy to the Night I will gather a wreath for my shadows, O grower.
So in his arrogance dire the vast invincible Death-god
Triumphing passed out of heaven with Themis and silent Ananke.
Zeus alone in the spheres of his bliss, in his kingdoms of brilliance
Sat divine and alarmed; for even the gods in their heavens
Scarce shall live who have gazed on the unveiled face of Ananke,
Heard the accents dire of the Darkness that waits for the ages.
Awful and dull grew his eyes and mighty and still grew his members.
Back from his nature he drew to the passionless peaks of the spirit,
Throned where it dwells for ever uplifted and silent and changeless
Far beyond living and death, beyond Nature and ending of Nature.
There for a while he dwelt veiled, protected from Dis and his greatness;
Then to the works of the world he returned and the joy of his musings.
Life and the blaze of the mighty soul that he was of Gods making
Dawned again in the heavenly eyes and the majestied semblance.
Comforted heaven he beheld, to the green of the earth was attracted.
But through this Space unreal, but through these worlds that are shadows
Went the awful Three. None saw them pass, none felt them.
Only in the heavens was a tread as of death, in the air was a winter,
Earth oppressed moaned long like a woman striving with anguish.
Ida saw them not, but her grim lions cowered in their caverns,
Ceased for a while on her slopes the eternal laughter of fountains.
Over the ancient ramparts of Dardanus high-roofed city
Darkening her victor domes and her gardens of life and its sweetness
Silent they came. Unseen and unheard was the dreadful arrival.
Troy and her gods dreamed secure in the moment flattered by sunlight.
Dim to the citadel high they arrived and their silence invaded
Pallas marble shrine where stern and white in her beauty,
Armed on her pedestal, trampling the prostrate image of darkness
Mighty Athenes statue guarded imperial Troya.
Dim and vast they entered in. Then through all the great city
Huge a rushing sound was heard from her gardens and places
And in their musings her seers as they strove with night and with error
And in the fane of Apollo Laocoon torn by his visions
Heard aghast the voice of Troys deities fleeing from Troya,
Saw the flaming lords of her households drive in a death-rout
Forth from her ancient halls and their noble familiar sessions.
Ghosts of her splendid centuries wailed on the wings of the doom-blast.
Moaning the Dryads fled and her Naiads passed from Scamander
Leaving the world to deities dumb of the clod and the earth-smoke,
And from their tombs and their shrines the shadowy Ancestors faded.
Filled was the air with their troops and the sound of a vast lamentation.
Wailing they went, lamenting mortalitys ages of greatness,
Ruthless Anankes deeds and the mortal conquests of Hades.
Then in the fane Palladian the shuddering priests of Athene
Entered the darkened shrine and saw on the suffering marble
Shattered Athenes mighty statue prostrate as conquered,
But on its pedestal rose oer the unhurt image of darkness
Awful shapes, a Trinity dim and dire unto mortals.
Dumb they fell down on the earth and the life-breath was slain in their bosoms.
And in the noon there was night. And Apollo passed out of Troya.
***
~ Sri Aurobindo, 8 - The Book of the Gods
,#NFDB
41 Poetry
25 Integral Yoga
12 Occultism
10 Philosophy
10 Mysticism
6 Fiction
5 Psychology
2 Christianity
1 Mythology
1 Alchemy
14 Sri Aurobindo
13 The Mother
13 Satprem
10 William Butler Yeats
9 James George Frazer
7 H P Lovecraft
5 Robert Browning
3 Nolini Kanta Gupta
3 Lucretius
3 John Keats
3 Carl Jung
3 Aristotle
2 Jorge Luis Borges
2 Friedrich Nietzsche
10 Yeats - Poems
9 The Golden Bough
7 Lovecraft - Poems
6 Collected Poems
6 5.1.01 - Ilion
5 Savitri
5 Browning - Poems
3 Poetics
3 Of The Nature Of Things
3 Keats - Poems
3 Agenda Vol 04
3 Agenda Vol 01
2 Thus Spoke Zarathustra
2 The Secret Doctrine
2 Sri Aurobindo or the Adventure of Consciousness
2 Selected Fictions
2 Mysterium Coniunctionis
2 Labyrinths
2 Agenda Vol 07
01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
And cast his deeds like bronze to front the years.
His walk through Time outstripped the human stride.
0 1958-09-16 - OM NAMO BHAGAVATEH, #Agenda Vol 01, #unset, #Zen
It rose up from here (Mother indicates the solar plexus), like this: Om Namo Bhagavateh OM NAMO BHAGAVATEH OM NAMO BHAGAVATEH. It was formidable. For the entire quarter of an hour that the meditation lasted, everything was filled with Light! In the deeper tones it was of golden bronze (at the throat level it was almost red) and in the higher tones it was a kind of opaline white light: OM NAMO BHAGAVATEH, OM NAMO BHAGAVATEH, OM NAMO BHAGAVATEH.
The other day (I was in my bathroom upstairs), it came; it took hold of the entire body. It rose up in the same way, and all the cells were trembling. And with such a power! So I stopped everything, all movement, and I let the thing grow. The vibration went on expanding, ever widening, as the sound itself was expanding, expanding, and all the cells of the body were seized with an intensity of aspiration as if the entire body were swellingit became overwhelming. I felt that it would all burst.
0 1958-11-20, #Agenda Vol 01, #unset, #Zen
I had the last vision yesterday evening. You were much taller than you are now; you were wearing the orange robe, and you were backed up against a door of bronze, a bronze door like the door of a temple or a palace but at the same time it was symbolic (it was a fact, it actually took place like this, but at the same time it was symbolic). And unfortunately, it didnt last because I was disturbed. But it contained the key.
I was VERY HAPPY with the vision, for there was a great POWER, though it was rather terrible. But it was magnificent. When I saw that, I This vision was given to me because I had concentrated with a will to find the solution, a true solution, an enduring and permanent solution that is, I had this spontaneous gratitude which goes out to the Grace when it brings some effective help. Only, what followed was interrupted by someone who came to call me and that cut it short, but it will return.
0 1958-11-22, #Agenda Vol 01, #unset, #Zen
So this is what I saw for you: that the crystallization of this karma occurred during a life in India in which you were put in the presence of the possibility of liberation and I dont know the details; I dont know the material facts at all. So far, I know nothing, I have only had a vision. I saw you there, as I told you, taller than you are now, in an Indian body, north Indian, for it was not dark but fair. But there was a HARDNESS in the being, the hardness born of a kind of despair mixed with rebellion, incomprehension and an ego that resists. That is all I know. The image was of you backed up against a bronze door: BACKED UP against it. I didnt see what had caused it. As I told you, something interrupted me, so I was unable to follow it.
The other indication is what I told you the other day. When you thought of leaving to join Swami, I immediately saw a stream of light: Ah, the road is opening up! So I said, It is good. And while you were away in Ceylon, I followed you from day to day. You called much more than the second time, when you were in the Himalayas; and with the physical hardships you were undergoing, I was very, very close to you I constantly felt what was happening.
0 1962-08-18, #Agenda Vol 03, #The Mother, #Integral Yoga
But its quite clear that these people cant grasp it; theyre a closed door! Not even a door of bronze, but of bricks and cementimpenetrable.
Poor Sri Aurobindo!
0 1963-02-15, #Agenda Vol 04, #The Mother, #Integral Yoga
The night before last, he had put on a sari of mine. He told me (laughing), Why not? Dont you find it suits me! I answered, It suits you beautifully! A sari of brown georgette, lustrous bronze, with big golden braid! It was a very beautiful sari (I used to have it, it was one of my saris), and he was wearing it. Then he asked me to do his hair. I remember seeing that the nape of his neck and his hair had become almost luminoushis hair was never quite white, there was an auburn shimmer to it, it was almost golden, and it stayed that way, very fine, not at all like the hair people have here. His hair was almost like mine. So while I was doing his hair, I saw the luminous nape of his neck, and his hair, so luminous! And he said to me, Why shouldnt I wear a sari!
That opened up a whole new horizon. Were always so closed, you know.
0 1963-06-29, #Agenda Vol 04, #The Mother, #Integral Yoga
But clay, that was something really newand lovely! Pink. Pink, a warm, golden pink. They were cutting out [of the clay] rooms, stairways, ship decks and funnels, captains cabins. Sri Aurobindo himself is as he was, but more with a harmony of form: very, very broad here (in the chest), broad and solid. And very agile: he comes and goes, sits down, gets up, always with great majesty. His color is a sort of golden bronze, a color like the coagulation of his supramental gold, of his golden supramental being; as if it were very concentrated and coagulated to fashion his appearance; and it doesnt reflect light: it seems as if lit from within (but it doesnt radiate), and it doesnt cast any shadows. But perfectly natural, it doesnt surprise you, the most natural thing in the world: thats the way he is. Ageless; his hair has the same color as his body: he has hair, but you cant say if its hair, its the same color; the eyes too: a golden look. Yet its perfectly natural, nothing surprising. He sits down just as he used to, with his leg as he used to put it [the right leg in front], and at the same time, when he gets up, he is agile: he comes and goes. Then when he went out of the house (he had told me he would have to go, he had an appointment with someone: he had promised to see two people, he had to go), he went out into a big garden, and down to the boatwhich wasnt exactly a boat, it was a flat boatand he had to go to the captains cabin (he had to see the captain about some work), but it was with that boat that he was returning to his room elsewherehe has a room elsewhere. Then after a while I thought, Ill follow him so I can see. So I followed him; as long as I saw him in front of me I followed him. And when I came to the boat, I saw it was entirely built out of pink clay! Some workmen were working thereadmirable workmen. So Sri Aurobindo went down quite naturally, down into the ship under construction, without (I dont think there were any stairs), and I followed him down. Then I saw him enter the captains room; as he had told me he had some work to do, I thought (laughing), I dont want to meddle in others business! Ill go back home (and I did well, I was already late in waking up!), Ill go back home. And I saw one of the workmen leaving (as Sri Aurobindo had come back to the ship, they stopped the work). He was leaving. I called him, but he didnt know my language or any of the languages I know; so I called him in thought and asked him to pull me up, as I was below and there was a sheer wall of slippery clay. Then he smiled and with his head he said, I certainly dont mind helping you, but it isnt necessary! You can climb up all by yourself. And indeed he held out his hand, I took it (I only touched him slightly), and climbed up all by myself without the slightest difficulty I was weightless! I didnt have to pull at his hand, he didnt pull me up. And as soon as I was up, I went back home I woke up and found myself in my bed five minutes later than my usual time.
But what struck me was the clayit means something very material, doesnt it? And pink! A pink, oh, lovely! A golden pink.
0 1963-10-05, #Agenda Vol 04, #The Mother, #Integral Yoga
I kept going up, but all the ways I knew stopped short. First I had started up a very large staircase, a magnificent staircase of pink marble, that was the way I had to go upstairs, but just as I turned on the landingplop! impossible to get through. (But how is it? Impossible to get through, yet I went up just the same?..) And I find myself on another landing, I try again to go up from thereplop! stopped, impossible to get through. I try again and find myself on the third landing (but in fact I was on a higher floor, because I had already climbed two flights before I was stopped), I reach the third landing and find myself on a squarea perfect squareedged with a parapet of pink marble, but with reddish veins, very beautiful: very beautiful, it was chiseledmagnificent. Then a door, a sort of bronze door behind me, which was closed. So I watched and saw the water rising and rising (it wasnt water, but it was liquid like water). And in front of me: an immensity. No limits. I seemed to be above all the other houses; there were no trees, no mountains, nothingan immensity, like a perfectly cloudless sky; and it wasnt white, but there was light in it. I was looking down and I saw the water rising and rising and risinglike the Flood. But it wasnt water.
It will come back until I understand.
0 1966-04-09, #Agenda Vol 07, #The Mother, #Integral Yoga
The vision of the Sannyasin with his back to a bronze door. See Agenda I, November 20, 1958 and November 22, 1958.
***
0 1966-11-09, #Agenda Vol 07, #The Mother, #Integral Yoga
This image [of the Sannyasin with his back to the bronze door] was so strong, you know! Every time you mention it, I see my vision again.1 It was so strong! There was the templeonly the door and the wall could be seen and the top of a mountain with the abrupt slope downward. Then there was a narrow path between the temple and the precipice, and a roaring crowd surging up, coming up the path, and then
And I always, always see the same thing.
0 1967-10-11, #Agenda Vol 08, #The Mother, #Integral Yoga
I also have deities (Mother catches hold of three bronze statuettes, immersed with some others under a flood of papers): this is a standing Ganesh; this is Garuda, Vishnus attendant; and this is Shivas bull. And there (a little farther on the table), I keep three Ganeshas: a tiny little silver Ganesh, between the legs of this deity (a modern-looking one), then another Ganesh, I dont know what its made of, and finally a bronze Ganesh. And in there (Mother points to a drawer in which she keeps money), I have three other Ganeshas: a bronze one, a silver one and a gold one! Its because he promised me that he would give me all the money I need, so this way (laughing) he cant say I forget him (or his promise either!).
This particular Ganesh (on the table) was given to me by a little boy maybe two and a half years old. When that little boy was a few months old and till the age of one, his mother always brought him to me and he would cry and scream and make scenes the parents were desperate. Each time I would tell them, Dont worry, all will be well, well be very good friends. Then the parents would look at me in disbelief. Now he is two and half or three, and as soon as he is in the stairway, waitingMo ther, Mother, Mother! (or Ma, I dont know). But when he comes in (he is the first of the family to enter the room), he comes with a flower; and it was he who gave me this Ganesh, but with such consciousness! He is wonderful. Yesterday, he was absolutely exquisite: he comes in first, so self-assured, so joyful, then gestures to me as if to say, Everything is just fine, dont worry! And I speak to himhe doesnt understand a thing of what I say, but he approves gravely. Absolutely exquisite.
--
It was very beautiful, a beautiful thing, but its the mental fossilization of the Thing. It was very interestingunexpected, I didnt expect to see that: a shape of a coiled snake, in bronze, with bronze inlays, but magnificently wrought! And the burning lamps, the burning light superior to reality: Isnt this superior?
And the symbol of it was so clear to me that I was astounded.
0 1971-10-27, #Agenda Vol 12, #The Mother, #Integral Yoga
The statue in bronze, done by the sculptor Hrishikesh Dasgupta, will be unveiled on 16 August 1975 by the vice-president of India, B.D. Jatti.
A students' strike, public manifestations, parades (the government has had to close all the Pondicherry schools), protesting "Sri Aurobindo University," which was to be inaugurated for the Centenary. There were even graffiti on the walls of the Ashram tennis ground: "Sri Aurobindo, the head of thieves and scoundrels." It was in fact an expression of anger against the businessmen and shopkeepers of the Ashram. Instead of Sri Aurobindo's name ("the foreigner"), the students wanted the name of Gandhi, or a Tamil saint, or even the minister of the State of Madras (!).
02.03 - The Shakespearean Word, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Characteristically of the poet these lines give an image that is bareness itself, chiselled in stone or modelled in bronze.
All these images however, or most of them, belong to one category or genre. They are painted pictures,still life, on the whole, presented in two dimensions. Kalidasa himself has described the nature or character of this artistic effect. In describing a gesture of Uma he says, 'she moved not, she stopped not' (na yayau na tasthau); it was, as it were, a movement suddenly arrested and held up on a canvas. The imagery is as though of a petrification. The figures of statuary present themselves to our eyes in this connection-a violent or intense action held at one point and stilled, as for example, in the Laocoon or the Discabolo.
02.07 - The Descent into Night, #Savitri, #Sri Aurobindo, #Integral Yoga
Erected its bronze pylons of misrule.
Even Light and Love by that cloaked danger's spell
02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
A groove of bronze prescribed for force and act
And shown to each moment its appointed place
--
An idol of bronze replaced her mystic shape
That captures the movements of the cosmic vasts,
04.02 - Human Progress, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
Modern knowledge has taught us that what marks the growth of man is his use of tools. An animal has nothing else than its own limbs as its all-serving tool. Man emerged as man the day he knew how to use tools as an extension of his limbs. And the cycles of human growth have, in consequence, been marked off by the type of tools used. As we all know, anthropologists tell us, there have been four such cycles or ages: (1) the Old Stone Age, (2) the New Stone Age, (3) the bronze Age and (4) the Iron Age.
In the first age, which is by far the longest period, a period of slow and difficult preparation, man had his first lessons in a conscious and victorious dealing with Nature. The day when he first started chipping a stone was a red-letter day for him; for, by that very gesture be began shredding his purely animal vesture. And when he not only chipped but succeeded in grinding and polishing a piece of stone, he moved up one step further and acquired definitely his humanity. Again, ages afterwards when his hand could wield and manipulate as it liked not only a stone but a metal, his skill and dexterity showed a development unique in its kind, establishing and fixing man's manhood as a new emergent factor. In this phase also there was a first period of training and experiment, the period of craftsmanship in bronze; with the age of iron, man's arms and fingers attained a special deftness and a conscious control directed from a cranium centre which has become by now a model of rich growth and complex structure and marvellous organisation. The impetus towards more and more efficiency in the making and handling of tools has not ceased: the craftsmanship in iron soon led to the discovery of steel and steel industry. The temper and structure of steel are symbolic and symptomatic of the temper and structure of the brain that commands the weaponstrong, supple, resistant, resilient, capable of fineness and sharpness and trenchancy to an extraordinary degree.
This growing fineness and efficiency of the tool has served naturally to develop and enrich man's external possession and dominion. But this increasing power and dominion over Nature is not the most important consequence involved; it is only indicative of still greater values, something momentous, something subjective, pregnant with far-reaching possibilities. For the physical change is nothing compared with the psychological change, the change in the consciousness. In taking up his tool to chip a stone man has started hewing out and moulding entire Nature: he has become endowed with the sense of independence and agency. An animal is a part and parcel of Nature, has no life and movement apart from the life and movement of Natureeven like Wordsworth's child of Nature
04.04 - The Quest, #Savitri, #Sri Aurobindo, #Integral Yoga
The spring winds failed; the sky was set like bronze.
End of Canto IV - Book IV
06.01 - The Word of Fate, #Savitri, #Sri Aurobindo, #Integral Yoga
Shaped in a splendour of gold-coloured bronze
As if to seize earth's truth of hidden bliss.
--
Throw its bronze note into her rhythmed days!
Behold her, singer with the prescient gaze,
--
An adamant will, she cast her speech like bronze.
But in the queen's mind listening her words
08.17 - Psychological Perfection, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
When someone comes to me and I look at him, I look into his eyes, straight into his eyes. If the person is sincere, that is to say, transparent, I enter into him through his eyes and I see his soul clearly. But when I look and see in the eyes a cloud, and then a screen or continuing farther I meet a wall or something very black and when I find I have to pass through all that and drill holes at places to go through, even so at the last minute I am not sure if I do not stand against a bronze wall that refuses all entry, then in such cases I do not find the soul and the person I can declare to be not sincere. Literally, such a person is not transparent. So, then, this is the first thing.
The next item which is also obviously necessary for all progress is Faith. There is also another word for it which although seemingly limited, possesses for me at least a greater importance; I mean, trust. If your faith is not made of a complete trust in the Divine or if you begin to lose the trust, then you gradually lose faith in the Divine Power or in the Divine Goodness or in the trust that the Divine has in you. These are the three great stumbling-blocks.
1.02 - The Three European Worlds, #The Ever-Present Origin, #Jean Gebser, #Integral
The transition mirrored in Petrarch's letter of six hundred years ago was primarily an unprecedented extension of man's image of the world. The event that Petrarch describes in almost prophetic terms as "certainly of benefit to himself and many others" inaugurates a new realistic, individualistic, and rational understanding of nature. The freer treatment of space and landscape is already manifest in the work of AmbrogioLorenzetti and Giotto; but although Giotto's landscape with its hill motifs, for example, is still a predominantly symbolic representation of Umbrian nature, his treatment represents a decided shift away from the unperspectival world. This shift is continued by his apprentices, FraAngelico and Masolino, and later by Paolo Uccello and the brothers Limbourg (in the Trs riches heuresduDuc de Berry), who elaborate perspectival painting with ever greater detail. What Giotto merely anticipated, namely the establishment of a clear contour of man, is first achieved by Masaccio. It is a characteristic also expressed in Andrea Pisano'sreliefs, particularly in his "Astronomer's relief" on the campanile in Florence, and notably evident in the works of Donatello. We must also remember Lorenzo Ghiberti, whose early bronze relief, the "Sacrifice of Isaac"(1401-02),is a remarkably au thentic rendering of free, open, and unenclosed space.
To the extent that a relief is able to convey spatiality, this relief depicts a space where neither the transcendental gold illumination nor its complement, the darkness of the all-encompassing cavern, are present but rather one where man is able to breath freely.
1.05 - Character Of The Atoms, #Of The Nature Of Things, #Lucretius, #Poetry
The ice of bronze melts conquered in the flame;
Warmth and the piercing cold through silver seep,
1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
Annam, in India and in the Indian archipelago. The peasants of Tonkin have a saying: Black bronze is
the mother of gold. Gold is engendered naturally by bronze. But this transmutation can materialize only
if the bronze has lain a sufficiently long period in the bosom of the earth...603
The alchemist viewed himself as midwife to Nature as bringing to fruition what Nature endeavoured
--
Moses to make a bronze [or fiery] serpent and to place it on top of a pole so that those who were bitten could behold
it and live. Moses did as he was commanded and, whenever a snake bit someone, that person would look at the
1.05 - The Magical Control of the Weather, #The Golden Bough, #James George Frazer, #Occultism
New Guinea. The people of Crannon in Thessaly had a bronze chariot
which they kept in a temple. When they desired a shower they shook
--
bronze kettles behind his chariot, or by driving over a bronze
bridge, while he hurled blazing torches in imitation of lightning.
1.07 - The Psychic Center, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
Mother also described the experience this way: You are seated before a closed door, as it were, a heavy bronze door, and you are there wishing it would open to let you pass to the other side. So all your concentration, all your aspiration is gathered up in a single beam,
which begins to push and push against that door, to push harder and harder, with increasing energy, until suddenly the door gives way.
1.11 - The Kalki Avatar, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
four ages or yugas: Gold, Silver, bronze and Iron, gradually
degenerating towards the critical point where all is taken
1.15 - The Worship of the Oak, #The Golden Bough, #James George Frazer, #Occultism
of the oak leaves and in the crash of thunder. Perhaps the bronze
gongs which kept up a humming in the wind round the sanctuary were
1.17 - The Burden of Royalty, #The Golden Bough, #James George Frazer, #Occultism
and with a bronze knife and his hair and nails when cut had to be
buried under a lucky tree; he might not touch a dead body nor enter
1.17 - The Transformation, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
hindering the new world like a massive bronze door. It is not our materialism, as we so often imagine for scientists, if they are sincere, may be the first to emerge in the Truth but the enormous spiritual carapace under which we have buried the Spirit. The real mischief of the devil is not to sow falsehood and hatred in the world,
such as Attila or the Nazis have done he is far too clever for that
1.21 - Poetic Diction., #Poetics, #Aristotle, #Philosophy
'There lies my ship'; for lying at anchor is a species of lying. From species to genus, as: 'Verily ten thousand noble deeds hath Odysseus wrought'; for ten thousand is a species of large number, and is here used for a large number generally. From species to species, as: 'With blade of bronze drew away the life,' and 'Cleft the water with the vessel of unyielding bronze.' Here {alpha rho upsilon rho alpha iota},
'to draw away,' is used for {tau alpha mu epsilon iota nu}, 'to cleave,' and {tau alpha mu epsilon iota nu} again for {alpha rho upsilon alpha iota},--each being a species of taking away. Analogy or proportion is when the second term is to the first as the fourth to the third. We may then use the fourth for the second, or the second for the fourth.
1.21 - Tabooed Things, #The Golden Bough, #James George Frazer, #Occultism
priests might not be shaved with iron but only with bronze razors or
shears; and whenever an iron graving-tool was brought into the
--
without the use of iron or bronze. It was expressly provided by law
that the temple of Jupiter Liber at Furfo might be repaired with
1.22 - (Poetic Diction continued.) How Poetry combines elevation of language with perspicuity., #Poetics, #Aristotle, #Philosophy
The perfection of style is to be clear without being mean. The clearest style is that which uses only current or proper words; at the same time it is mean:--witness the poetry of Cleophon and of Sthenelus. That diction, on the other hand, is lofty and raised above the commonplace which employs unusual words. By unusual, I mean strange (or rare) words, metaphorical, leng thened,--anything, in short, that differs from the normal idiom. Yet a style wholly composed of such words is either a riddle or a jargon; a riddle, if it consists of metaphors; a jargon, if it consists of strange (or rare) words. For the essence of a riddle is to express true facts under impossible combinations. Now this cannot be done by any arrangement of ordinary words, but by the use of metaphor it can. Such is the riddle:--'A man I saw who on another man had glued the bronze by aid of fire,' and others of the same kind. A diction that is made up of strange (or rare) terms is a jargon. A certain infusion, therefore, of these elements is necessary to style; for the strange (or rare) word, the metaphorical, the ornamental, and the other kinds above mentioned, will raise it above the commonplace and mean, while the use of proper words will make it perspicuous. But nothing contri butes more to produce a clearness of diction that is remote from commonness than the leng thening, contraction, and alteration of words. For by deviating in exceptional cases from the normal idiom, the language will gain distinction; while, at the same time, the partial conformity with usage will give perspicuity. The critics, therefore, are in error who censure these licenses of speech, and hold the author up to ridicule. Thus
Eucleides, the elder, declared that it would be an easy matter to be a poet if you might leng then syllables at will. He caricatured the practice in the very form of his diction, as in the verse: '{Epsilon pi iota chi alpha rho eta nu / epsilon iota delta omicron nu / Mu alpha rho alpha theta omega nu alpha delta epsilon / Beta alpha delta iota zeta omicron nu tau alpha}, or, {omicron upsilon kappa / alpha nu / gamma / epsilon rho alpha mu epsilon nu omicron sigma / tau omicron nu / epsilon kappa epsilon iota nu omicron upsilon /epsilon lambda lambda epsilon beta omicron rho omicron nu}. To employ such license at all obtrusively is, no doubt, grotesque; but in any mode of poetic diction there must be moderation. Even metaphors, strange (or rare) words, or any similar forms of speech, would produce the like effect if used without propriety and with the express purpose of being ludicrous. How great a difference is made by the appropriate use of leng thening, may be seen in Epic poetry by the insertion of ordinary forms in the verse. So, again, if we take a strange (or rare) word, a metaphor, or any similar mode of expression, and replace it by the current or proper term, the truth of our observation will be manifest. For example Aeschylus and Euripides each composed the same iambic line. But the alteration of a single word by Euripides, who employed the rarer term instead of the ordinary one, makes one verse appear beautiful and the other trivial. Aeschylus in his
1.22 - Tabooed Words, #The Golden Bough, #James George Frazer, #Occultism
probably they were engraved on tablets of bronze or lead, which were
then thrown into deep water in the Gulf of Salamis. The intention
1.24 - The Killing of the Divine King, #The Golden Bough, #James George Frazer, #Occultism
being roasted alive in a bronze image of a bull, or of a bull-headed
man, in order to renew the strength of the king and of the sun, whom
--
Talos, a bronze man who clutched people to his breast and leaped
with them into the fire, so that they were roasted alive. He is said
--
of his mythical features was nothing but a bronze image of the sun
represented as a man with a bull's head. In order to renew the solar
--
children were laid on the hands of a calf-headed image of bronze,
from which they slid into a fiery oven, while the people danced to
1.25 - Critical Objections brought against Poetry, and the principles on which they are to be answered., #Poetics, #Aristotle, #Philosophy
Or by the usage of language. Thus any mixed drink is called {omicron iota nu omicron sigma}, 'wine.' Hence Ganymede is said 'to pour the wine to Zeus,' though the gods do not drink wine. So too workers in iron are called {chi alpha lambda kappa epsilon alpha sigma}, or workers in bronze. This, however, may also be taken as a metaphor.
Again, when a word seems to involve some inconsistency of meaning, we should consider how many senses it may bear in the particular passage.
For example: 'there was stayed the spear of bronze'--we should ask in how many ways we may take 'being checked there.' The true mode of interpretation is the precise opposite of what Glaucon mentions.
Critics, he says, jump at certain groundless conclusions; they pass adverse judgment and then proceed to reason on it; and, assuming that the poet has said whatever they happen to think, find fault if a thing is inconsistent with their own fancy. The question about Icarius has been treated in this fashion. The critics imagine he was a
1.43 - Dionysus, #The Golden Bough, #James George Frazer, #Occultism
foliage of the fading vines, there stood of old a bronze image of a
goat, which the husbandmen plastered with gold-leaf as a means of
1.44 - Demeter and Persephone, #The Golden Bough, #James George Frazer, #Occultism
water in bronze pitchers for their father's house. In her wrath at
her bereavement the goddess suffered not the seed to grow in the
1.49 - Ancient Deities of Vegetation as Animals, #The Golden Bough, #James George Frazer, #Occultism
wheat, or cakes made of them, were laid upon the bronze altar of
Zeus Polieus on the Acropolis. Oxen were driven round the altar, and
1955-08-17 - Vertical ascent and horizontal opening - Liberation of the psychic being - Images for discovery of the psychic being - Sadhana to contact the psychic being, #Questions And Answers 1955, #The Mother, #Integral Yoga
To sit in meditation before a closed door, as though it were a heavy door of bronze and one sits in front of it with the will that it may open and to pass to the other side; and so the whole concentration, the whole aspiration is gathered into a beam and pushes, pushes, pushes against this door, and pushes more and more with an increasing energy until all of a sudden it bursts open and one enters. It makes a very powerful impression. And so one is as though plunged into the light and then one has the full enjoyment of a sudden and radical change of consciousness, with an illumination that captures one entirely, and the feeling that one is becoming another person. And this is a very concrete and very powerful way of entering into contact with ones psychic being.
Sweet Mother, here Sri Aurobindo says: The nexus between the psychic being and the higher consciousness is the principal means of the siddhi. Ordinarily is there not a nexus between the psychic being and the higher consciousness?
1956-01-25 - The divine way of life - Divine, Overmind, Supermind - Material body for discovery of the Divine - Five psychological perfections, #Questions And Answers 1956, #The Mother, #Integral Yoga
Someone is in front of me and I am looking at him; I look into his eyes. And if this person is sincere or transparent, through his eyes I go down and I see his soulclearly. Butthis is precisely the experiencewhen I look at somebody and see a little cloud, then I continue, I see a screen, and then sometimes it is a wall, and afterwards it is something quite black; and all this must be crossed, and holes bored in order to go through; and even then I am not sure if at the last minute I may not find myself before a door of bronze so thick that I shall never get through and see his soul; so, of such a person I can immediately say that he is not sincere. But I can also say, figuratively, that he is not transparent. That is the first thing.
There is a second, which is obviously, as indispensable if you want to go forward; it is to have faith. Or another word, which seems more limited but is for me more important, because (it is a question of experience) if your faith is not made of a complete trust in the Divine, well, you may very easily remain under the impression that you have faith and yet be losing all trust in the divine Power or divine Goodness, or the Trust the Divine has in you. These are the three stumbling-blocks:
1.anon - Others have told me, #Anonymous - Poems, #unset, #Zen
open the of its lock of bronze,
undo the fastening of its secret opening.
1.bsv - The eating bowl is not one bronze, #unset, #Arthur C Clarke, #Fiction
object:1.bsv - The eating bowl is not one bronze
author class:Basava
--
English version by A. K. Ramanujan Original Language Kannada The eating bowl is not one bronze and the looking glass another. Bowl and mirror are one metal Giving back light one becomes a mirror. Aware, one is the Lord's; unaware, a mere human. Worship the lord without forgetting, the lord of the meeting rivers. [1526.jpg] -- from Speaking of Siva, by A K Ramanujan <
1f.lovecraft - Celephais, #Lovecraft - Poems, #unset, #Zen
cities of bronze and stone, and of shadowy companies of heroes that
ride caparisoned white horses along the edges of thick forests; and
--
the marble walls discoloured, nor the polished bronze statues upon them
tarnished. And Kuranes saw that he need not tremble lest the things he
--
past the bronze gates and over the onyx pavements, the merchants and
camel-drivers greeted him as if he had never been away; and it was the
1f.lovecraft - Ex Oblivione, #Lovecraft - Poems, #unset, #Zen
pierced by a little gate of bronze.
Many times I walked through that valley, and longer and longer would I
--
the little gate of bronze therein.
After a while, as the days of waking became less and less bearable from
--
wall pierced by a little bronze gate. When I saw this lore, I knew that
it touched on the scenes I had haunted, and I therefore read long in
--
wall, I saw that the small gate of bronze was ajar. From beyond came a
glow that weirdly lit the giant twisted trees and the tops of the
1f.lovecraft - The Doom That Came to Sarnath, #Lovecraft - Poems, #unset, #Zen
bronze, and flanked by the figures of lions and elephants carven from
some stone no longer known among men. The houses of Sarnath were of
--
Then, close to the hour of midnight, all the bronze gates of Sarnath
burst open and emptied forth a frenzied throng that blackened the
1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
that fabulous town, and the untarnished marble walls with their bronze
statues, and the great stone bridge where Naraxa joins the sea. Then
--
still is the bronze of the great gates, nor are the onyx pavements ever
worn or broken. And the great bronze statues on the walls look down on
merchants and camel drivers older than fable, yet without one grey hair
--
through the bronze gate into Celephas and down the Street of the
Pillars to the old sea-wall, where he talked more with the mariners of
--
saw the sunrise-blazing walls and bronze statues and golden minarets of
ageless Celephas sink into the distance, and the snowy peak of Mount
--
bronze lamps were lighted, and the sailors in that tavern sang songs of
remote places. But when from its high tower the great bell shivered
--
columns, the marvellous scrollwork of the great bronze gates, and the
blossoming vines trained along every inch of the polished walls all
--
thought he discerned a small door of strangely wrought bronze; but for
some reason he felt an unaccountable dread of opening it or even
--
lightless domed hall with its bottomless well and repellent bronze door
lingered restlessly in his fancy. Dawn found the ship in sight of
1f.lovecraft - The Very Old Folk, #Lovecraft - Poems, #unset, #Zen
de Bacchanalibus, graven upon bronze and set open to every eye. Checked
in time, before the progress of the rites might evoke anything with
1f.lovecraft - Under the Pyramids, #Lovecraft - Poems, #unset, #Zen
across the great Nile bridge with its bronze lions, the island of
Ghizereh with its massive lebbakh trees, and the smaller English bridge
--
the bronze lions, and cantered philosophically between the lebbakhs on
the road to Gizeh. Slightly over two hours were consumed by the trip,
1.jk - Hyperion, A Vision - Attempted Reconstruction Of The Poem, #Keats - Poems, #John Keats, #Poetry
And touch'd with shade of bronzed obelisks,
Glares a blood-red thro' all the thousand courts,
1.jk - Hyperion. Book I, #Keats - Poems, #John Keats, #Poetry
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
1.jk - Isabella; Or, The Pot Of Basil - A Story From Boccaccio, #Keats - Poems, #John Keats, #Poetry
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
1.lovecraft - Ex Oblivione, #Lovecraft - Poems, #unset, #Zen
And once I walked through a golden valley that led to shadowy groves and ruins, and ended in a mighty wall green with antique vines, and pierced by a little gate of bronze.
Many times I walked through that valley, and longer and longer would I pause in the spectral half-light where the giant trees squirmed and twisted grotesquely, and the grey ground stretched damply from trunk to trunk, sometimes disclosing the mould-stained stones of buried temples. And always the goal of my fancies was the mighty vine-grown wall with the little gate of bronze therein.
After awhile, as the days of waking became less and less bearable from their greyness and sameness, I would often drift in opiate peace through the valley and the shadowy groves, and wonder how I might seize them for my eternal dwelling-place, so that I need no more crawl back to a dull world stript of interest and new colours. And as I looked upon the little gate in the mighty wall, I felt that beyond it lay a dream-country from which, once it was entered, there would be no return.
--
Then one night in the dream-city of Zakarion I found a yellowed papyrus filled with the thoughts of dream-sages who dwelt of old in that city, and who were too wise ever to be born in the waking world. Therein were written many things concerning the world of dream, and among them was lore of a golden valley and a sacred grove with temples, and a high wall pierced by a little bronze gate. When I saw this lore, I knew that it touched on the scenes I had haunted, and I therefore read long in the yellowed papyrus.
Some of the dream-sages wrote gorgeously of the wonders beyond the irrepassable gate, but others told of horror and disappointment. I knew not which to believe, yet longed more and more to cross forever into the unknown land; for doubt and secrecy are the lure of lures, and no new horror can be more terrible than the daily torture of the commonplace. So when I learned of the drug which would unlock the gate and drive me through, I resolved to take it when next I awaked.
Last night I swallowed the drug and floated dreamily into the golden valley and the shadowy groves; and when I came this time to the antique wall, I saw that the small gate of bronze was ajar. From beyond came a glow that weirdly lit the giant twisted trees and the tops of the buried temples, and I drifted on songfully, expectant of the glories of the land from whence I should never return.
But as the gate swung wider and the sorcery of the drug and the dream pushed me through, I knew that all sights and glories were at an end; for in that new realm was neither land nor sea, but only the white void of unpeopled and illimitable space. So, happier than I had ever dared hope to be, I dissolved again into that native infinity of crystal oblivion from which the daemon Life had called me for one brief and desolate hour.
1.rb - Bishop Orders His Tomb at Saint Praxed's Church, Rome, The, #Browning - Poems, #Robert Browning, #Poetry
The bas-relief in bronze ye promised me,
Some tripod, thyrsus, with a vase or so,
1.rb - My Last Duchess, #Browning - Poems, #Robert Browning, #Poetry
Which Claus of Innsbruck cast in bronze for me!
69
1.rb - Old Pictures In Florence, #Browning - Poems, #Robert Browning, #Poetry
Died 1455. Designed the bronze gates of the Baptistry at Florence.
A painter, died 1498.
1.rb - Pippa Passes - Part II - Noon, #Browning - Poems, #Robert Browning, #Poetry
When cast in bronzean Almaign Kaiser, that,
Swart-green and gold, with truncheon based on hip.
1.rb - Waring, #Browning - Poems, #Robert Browning, #Poetry
``(A neck as bronzed as a Lascar's)
`` `Buy wine of us, you English Brig?
1.rmr - The Sonnets To Orpheus - XXV, #Rilke - Poems, #Rainer Maria Rilke, #Poetry
pausing, as though your young flesh had been cast in bronze;
grieving and listening. Then, from the high dominions,
1.wby - A Bronze Head, #Yeats - Poems, #William Butler Yeats, #Poetry
object:1.wby - A bronze Head
author class:William Butler Yeats
--
HERE at right of the entrance this bronze head,
Human, superhuman, a bird's round eye,
--
'The bronze Head,' Refers to a bronze painted plaster cast of Maud Gonne by Lawrence Campbell, which can be found in the Municipal Gallery of Moden Art in Dublin.
1.wby - Among School Children, #Yeats - Poems, #William Butler Yeats, #Poetry
But keep a marble or a bronze repose.
And yet they too break hearts O presences
1.wby - Lapis Lazuli, #Yeats - Poems, #William Butler Yeats, #Poetry
Who handled marble as if it were bronze,
Made draperies that seemed to rise
1.wby - Meditations In Time Of Civil War, #Yeats - Poems, #William Butler Yeats, #Poetry
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
1.wby - Nineteen Hundred And Nineteen, #Yeats - Poems, #William Butler Yeats, #Poetry
Amid the ornamental bronze and stone
An ancient image made of olive wood
1.wby - The Living Beauty, #Yeats - Poems, #William Butler Yeats, #Poetry
In bronze, or that in dazzling marble appears,
Appears, but when we have gone is gone again,
1.wby - The Old Age Of Queen Maeve, #Yeats - Poems, #William Butler Yeats, #Poetry
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
1.wby - The Statues, #Yeats - Poems, #William Butler Yeats, #Poetry
In marble or in bronze, lacked character.
But boys and girls, pale from the imagined love
1.wby - The Two Kings, #Yeats - Poems, #William Butler Yeats, #Poetry
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
--
Rose round the walls, and through the bronze-ringed
door
1.wby - The Wanderings Of Oisin - Book III, #Yeats - Poems, #William Butler Yeats, #Poetry
And more comely than man can make them with bronze and silver and gold.
And each of the huge white creatures was huger than fourscore men;
1.whitman - Song Of The Exposition, #Whitman - Poems, #unset, #Zen
bronze, lilac, robin's-egg, marine and crimson,
Over whose golden roof shall flaunt, beneath thy banner, Freedom,
1.ww - Book First [Introduction-Childhood and School Time], #unset, #Arthur C Clarke, #Fiction
Were bronzed with deepest radiance, stood alone
Beneath the sky, as if I had been born
2.02 - Meeting With the Goddess, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
the white bronze betwixt her smooth and soft white feet and the
earth; about her was an ample mantle of the choicest fleece pure
3.03 - SULPHUR, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[136] This intimate connection with Mercurius makes it evident that sulphur is a spiritual or psychic substance of universal import, of which nearly everything may be said that is said of Mercurius. Thus sulphur is the soul not only of metals but of all living things; in the Tractatus aureus it is equated with nostra anima (our soul).96 The Turba says: The sulphurs are souls that were hidden in the four bodies.97 Paracelsus likewise calls sulphur the soul.98 In Mylius sulphur produces the ferment or soul which gives life to the imperfect body.99 The Tractatus Micreris says: . . . until the green son appears, who is its100 soul, which the Philosophers have called the green bird and bronze and sulphur.101 The soul is also described as the hidden part [occultum] of the sulphur.102
[137] In the sphere of Christian psychology, green has a spermatic, procreative quality, and for this reason it is the colour attributed to the Holy Ghost as the creative principle.103 Accordingly Dorn says: The male and universal seed, the first and most potent, is the solar sulphur, the first part and most potent cause of all generation.104 It is the life-spirit itself. In his De tenebris contra naturam Dorn says: We have said before that the life of the world is the light of nature and the celestial sulphur, whose substrate [subiectum] is the aetheric moisture and the heat of the firmament, namely Sol and Luna.105 Sulphur has here attained cosmic significance and is equated with the light of nature, the supreme source of knowledge for the natural philosophers. But this light does not shine unhindered, says Dorn. It is obscured by the darkness of the elements in the human body. For him, therefore, sulphur is a shining, heavenly being. Though this sulphur is a son who comes from imperfect bodies, he is ready to put on the white and purple garments.106 In Ripley he is a spirit of generative power, who works in the moisture.107 In the treatise De sulphure he is the virtue of all things and the source of illumination and of all knowledge.108 He knows, in fact, everything.109
3.12 - ON OLD AND NEW TABLETS, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
bronze-harder than bronze, nobler than bronze. Only
the noblest is altogether hard.
--
noon: as ready and ripe as glowing bronze, clouds
pregnant with lightning, and swelling milk udders-
4.04 - THE REGENERATION OF THE KING, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[395] These statements concerning the regimen of Venus are confirmed in Penotuss Table of Symbols, where the peacock is correlated with the mysterium coniugii and with Venus, as is also the green lizard. Green is the colour of the Holy Ghost, of life, procreation and resurrection. I mention this because Penotus correlates the coniugium with the dii mortui (dead gods), presumably because they need resurrecting. The peacock is an ancient Christian symbol of resurrection, like the phoenix. According to a late alchemical text,126 the bronze tablets in the labyrinth at Mero showed Osiris, after his regeneration by Isis, mounting a chariot drawn by peacocks, in which he drives along triumphing in his resurrection, like the sun.
[396] In Dorn the dead spiritual body is the bird without wings. It changes into the ravens head and finally into the peacocks tail, after which it attains to the whitest plumage of the swan and, last of all, to the highest redness, the sign of its fiery nature.127 This plainly alludes to the phoenix, which, like the peacock, plays a considerable role in alchemy as a symbol of renewal and resurrection,128 and more especially as a synonym for the lapis.
4.07 - THE UGLIEST MAN, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
"I recognize you well," he said in a voice of bronze;
'you are the murderer of God! Let me go. You could
5.1.01.2 - The Book of the Statesman, #5.1.01 - Ilion, #unset, #Zen
Flinging back Death from her walls and bronze to the shock and the clamour,
Driven by a thought that has risen in the dawn from the tents on the beaches
--
Stern as his sword and hard as the silent bronze of his armour.
More than another I praise the man who is mighty and steadfast,
5.1.01.4 - The Book of Partings, #5.1.01 - Ilion, #unset, #Zen
Striding came, and he turned to its courts and the bronze of its threshold
Trod which had suffered the feet of so many princes departed.
--
Thou, Deiphobus, front the bronze-clad stern Diomedes,
I with Polydamas spear will dare to restrain and discourage
5.1.01.5 - The Book of Achilles, #5.1.01 - Ilion, #unset, #Zen
Hung were its sides with memories bronze and trophies of armour,
Sword and spear and helmet and cuirass of fallen heroes
--
Work of bronze and work of gold and the dreams of the artist.
And in those tents of his pride, in the dreadful guard of the Hellene,
5.1.01.6 - The Book of the Chieftains, #5.1.01 - Ilion, #unset, #Zen
Crowd on a wrath in the memory, kept as in bronze the credit
Stretches out long and blood-stained and savage. Most for the terror
5.1.01.8 - The Book of the Gods, #5.1.01 - Ilion, #unset, #Zen
But it was death and bale that he forged, not the bronze and the iron.
Stark, like a fire obscured by its smoke, through the spear-casts he laboured
5.1.01.9 - Book IX, #5.1.01 - Ilion, #unset, #Zen
Straight at the Hellene shield, and it tore through the bronze and groaning
Butted and pushed through the cuirass and split the breast of the hero.
6.02 - Great Meteorological Phenomena, Etc, #Of The Nature Of Things, #Lucretius, #Poetry
Through stones, through bronze it passes, and it melts
Upon the instant bronze and gold; and makes,
Likewise, the wines sudden to vanish forth,
6.03 - Extraordinary And Paradoxical Telluric Phenomena, #Of The Nature Of Things, #Lucretius, #Poetry
Through solid bronze the cold and fiery heat
We feel to pass; likewise, we feel them pass
6.0 - Conscious, Unconscious, and Individuation, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
This is a bronze sacrificial vessel equipped with handles and
legs, which held the cooked viands used for festive occasions.
Aeneid, #unset, #Arthur C Clarke, #Fiction
do not doubt, / still cast their bronze to brea the with softer features,
/ or draw out of the marble living lines, / plead causes better, trace
--
He rips the bronze-bound portals off their hinges,
cuts through a beam, digs out tough oak: the breach
--
harmless; the hoarse bronze beat it back at once;
it dangled, useless now, from the shield's boss.
--
I see their gleaming shields, the flashing bronze.'
At this alarm I panicked: some unfriendly
--
while others, in their rum, set out bronze caldrons
and, stretched along the grass, place burning coals
--
of bronze the lots are cast. The first turn falls,
backed by loud cheering, to Hippocoon,
--
bones in an urn of bronze. Three times he circled
around his comrades with clear water, and
--
of bronze and with the tramp of horn-foot horses.
But through the thick cloud banks all-able Jove
--
still cast their bronze to brea the with softer features,
or draw out of the marble living lines,
--
while others hammer breastplates out of bronze
or mold their polished greaves in pliant silver.
--
are glittering with bronze; with bronze, their swords.
Down from its mountains Nersae sent to battle
--
the quivering light of water in bronze basins
reflected from the sun or from the moon's
--
wine as they tilt bronze bowls. The fires burn bright;
the sentries game away the sleepless night.
--
to war; each Latin captain spurs his bronzeclad company to battle, each one stirs
their anger with a different tale of horror.
--
in "Tiger," ship with beak of bronze; he brings
a thousand young men in a band come from
--
and plowed the plains of brine with prows of bronze.
Now day had left the sky; and gracious Phoebe,
--
Well driven through the bronze joints of his shield
and through his tunic rough with scales of gold,
--
so many plates of iron, plates of bronze,
so many layers of bulls' hides, driving through
--
of bronze he bears a giant grove of shafts.
Then, tired of long delays and tired of tearing
BOOK II. -- PART III. ADDENDA. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
fixed. With the taming of the dog begins the pastoral life. We enter on those polished stone and bronze
periods, which succeed each other at irregular intervals, which even overlap one another in the midst
--
tradition about the men of the age of bronze, whom Jupiter had made out of ash-wood and who had
hearts harder than diamond. Clad in bronze from head to foot they passed their lives in fighting.
Monstrous in size, endowed with a terrible strength, invincible arms and hands descended from their
--
in their circle by Kronos. Their gaol is surrounded by a wall of bronze, and the exit is through gates
fabricated by Poseidon (or Neptune, hence by the seas), which they cannot cross; and it is in that damp
BOOK II. -- PART II. THE ARCHAIC SYMBOLISM OF THE WORLD-RELIGIONS, #The Secret Doctrine, #H P Blavatsky, #Theosophy
according to Hesiod, issued the race of the age of bronze* (Opera et Dies, 142-145); and which with
the Greeks is the celestial tree common to every Aryan mythology. This ash is the Yggdrasil of the
--
the silver -- when it reached its maturity: and to the bronze age, when, separating into sexes, they
became the mighty demi-gods of old.
--
origin of the race of bronze, and those which made of Phoroneus the father of the Argians, are an
evidence to us that this thunderbolt (or lightning), as in the legends of Hephaestus or Prometheus, was
--
Plutarch) replaced the wooden numeral in the Delphic Temple by a bronze one; and this one was
transmuted by Livia Augusta into a fac-simile of gold.
--
hand. (See the bronze statue of Tripurantika Siva, "Mahadeva destroying Tripurasura," at the museum
of the India House). It is these two interlaced triangles -- wrongly called "Solomon's seal," which also
Book of Genesis, #The Bible, #Anonymous, #Various
17 Cain made love to his wife, and she became pregnant and gave birth to Enoch. Cain was then building a city, and he named it after his son Enoch. 18 To Enoch was born Irad, and Irad was the father of Mehujael, and Mehujael was the father of Methushael, and Methushael was the father of Lamech. 19 Lamech married two women, one named Adah and the other Zillah. 20 Adah gave birth to Jabal; he was the father of those who live in tents and raise livestock. 21 His brothers name was Jubal; he was the father of all who play stringed instruments and pipes. 22 Zillah also had a son, Tubal-Cain, who forged all kinds of tools out of bronze and iron. Tubal-Cains sister was Naamah.
23 Lamech said to his wives, Adah and Zillah, listen to me; wives of Lamech, hear my words. I have killed a man for wounding me, a young man for injuring me. 24 If Cain is avenged seven times, then Lamech seventy-seven times.
Book of Imaginary Beings (text), #unset, #Arthur C Clarke, #Fiction
pipes of bronze, gristle like plates of steel! None of Gods
works can vie with him, no weapon so strong in the hands
--
way it is depicted in the famous Arezzo bronze that dates
from the fifth century. Springing from the middle of the
--
worked in bronze or stone, are worshipped in the temples of
India. One is found in Gwalior, erected more than a hundred years before the Christian era by a Greek, Heliodorus,
--
And Talos, the man of bronze, as he broke off the rocks
from the hard cliff, stayed them from fastening hawsers
--
haven. He was of the stock of bronze, of the men sprung
from ash-trees, the last left among the sons of the gods;
--
with his feet of bronze. Now in all the rest of his body and
limbs was he fashioned of bronze and invulnerable; but
beneath the sinew by his ankle was a blood-red vein; and
--
would put his arms around a man and kill him. The bronze
giant this time met death at the hands of Castor and Pollux,
--
it already figured on ceremonial bronzes.
Tao Tieh means glutton and it embodies the vices of
BOOK V. - Of fate, freewill, and God's prescience, and of the source of the virtues of the ancient Romans, #City of God, #Saint Augustine of Hippo, #Christianity
"Others, belike, with happier grace, From bronze or stone shall call the face, Plead doubtful causes, map the skies, And tell when planets set or rise; But Roman thou, do thou control The nations far and wide; Be this thy genius, to impose The rule of peace on vanquished foes, Show pity to the humbled soul, And crush the sons of pride."[197]
These arts they exercised with the more skill the less they gave themselves up to pleasures, and to enervation of body and mind in coveting and amassing riches, and through these corrupting morals, by extorting them from the miserable citizens and lavishing them on base stage-players. Hence these men of base character, who abounded when Sallust wrote and Virgil sang these things, did not seek after honours[Pg 201] and glory by these arts, but by treachery and deceit. Wherefore the same says, "But at first it was rather ambition than avarice that stirred the minds of men, which vice, however, is nearer to virtue. For glory, honour, and power are desired alike by the good man and by the ignoble; but the former," he says, "strives onward to them by the true way, whilst the other, knowing nothing of the good arts, seeks them by fraud and deceit."[198] And what is meant by seeking the attainment of glory, honour, and power by good arts, is to seek them by virtue, and not by deceitful intrigue; for the good and the ignoble man alike desire these things, but the good man strives to overtake them by the true way. The way is virtue, along which he presses as to the goal of possessionnamely, to glory, honour, and power. Now that this was a sentiment engrained in the Roman mind, is indicated even by the temples of their gods; for they built in very close proximity the temples of Virtue and Honour, worshipping as gods the gifts of God. Hence we can understand what they who were good thought to be the end of virtue, and to what they ultimately referred it, namely, to honour; for, as to the bad, they had no virtue though they desired honour, and strove to possess it by fraud and deceit. Praise of a higher kind is bestowed upon Cato, for he says of him, "The less he sought glory, the more it followed him."[199] We say praise of a higher kind; for the glory with the desire of which the Romans burned is the judgment of men thinking well of men. And therefore virtue is better, which is content with no human judgment save that of one's own conscience. Whence the apostle says, "For this is our glory, the testimony of our conscience."[200] And in another place he says, "But let every one prove his own work, and then he shall have glory in himself, and not in another."[201] That glory, honour, and power, therefore, which they desired for themselves, and to which the good sought to attain by good arts, should not be sought after by virtue, but virtue by them. For there is no true virtue except that which is directed towards that end in which is the highest and ultimate good[Pg 202] of man. Wherefore even the honours which Cato sought he ought not to have sought, but the state ought to have conferred them on him unsolicited, on account of his virtues.
Ex Oblivione, #unset, #Arthur C Clarke, #Fiction
It is written in first person and tells of the dreams of a presumably dying man. In his dreams, the man is walking through a valley and encounters a vine-covered wall with a locked bronze gate therein. He longs to know what lies beyond the gate.
Then one night, the man dreams of the dream-city Zakarion, in which he finds a yellowed papyrus written by wise dream-sages who exist only within the dream world. The papyrus tells of the gate, with varying accounts of what lies beyond: some of the dream-sages tell of immense wonders, while others tell of horror and disappointment.
--
And once I walked through a golden valley that led to shadowy groves and ruins, and ended in a mighty wall green with antique vines, and pierced by a little gate of bronze.
Many times I walked through that valley, and longer and longer would I pause in the spectral half-light where the giant trees squirmed and twisted grotesquely, and the grey ground stretched damply from trunk to trunk, sometimes disclosing the mould-stained stones of buried temples. And always the goal of my fancies was the mighty vine-grown wall with the little gate of bronze therein.
After a while, as the days of waking became less and less bearable from their greyness and sameness, I would often drift in opiate peace through the valley and the shadowy groves, and wonder how I might seize them for my eternal dwelling-place, so that I need no more crawl back to a dull world stript of interest and new colours. And as I looked upon the little gate in the mighty wall, I felt that beyond it lay a dream-country from which, once it was entered, there would be no return.
--
Then one night in the dream-city of Zakarion I found a yellowed papyrus filled with the thoughts of dream-sages who dwelt of old in that city, and who were too wise ever to be born in the waking world. Therein were written many things concerning the world of dream, and among them was lore of a golden valley and a sacred grove with temples, and a high wall pierced by a little bronze gate. When I saw this lore, I knew that it touched on the scenes I had haunted, and I therefore read long in the yellowed papyrus.
Some of the dream-sages wrote gorgeously of the wonders beyond the irrepassable gate, but others told of horror and disappointment. I knew not which to believe, yet longed more and more to cross forever into the unknown land; for doubt and secrecy are the lure of lures, and no new horror can be more terrible than the daily torture of the commonplace. So when I learned of the drug which would unlock the gate and drive me through, I resolved to take it when next I awaked.
Last night I swallowed the drug and floated dreamily into the golden valley and the shadowy groves; and when I came this time to the antique wall, I saw that the small gate of bronze was ajar. From beyond came a glow that weirdly lit the giant twisted trees and the tops of the buried temples, and I drifted on songfully, expectant of the glories of the land from whence I should never return.
But as the gate swung wider and the sorcery of drug and dream pushed me through, I knew that all sights and glories were at an end; for in that new realm was neither land nor sea, but only the white void of unpeopled and illimitable space. So, happier than I had ever dared hoped to be, I dissolved again into that native infinity of crystal oblivion from which the daemon Life had called me for one brief and desolate hour.
Ion, #unset, #Arthur C Clarke, #Fiction
'Made with Pramnian wine; and she grated cheese of goat's milk with a grater of bronze, and at his side placed an onion which gives a relish to drink (Il.).'
Now would you say that the art of the rhapsode or the art of medicine was better able to judge of the propriety of these lines?
IS - Chapter 1, #Invisible Cities, #Italo Calvino, #Fiction
domes, bronze statues of all the gods, streets paved
with lead, a crystal theater, a golden cock that crows
Tablet 1 -, #The Epic of Gilgamesh, #Anonymous, #Various
open the ... of its lock of bronze,
undo the fastening of its secret opening.
The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
which, since the bronze Age had yielded to the Iron Age, had been
regarded by ordinary mortals as a mere nuisance, were suddenly lifted
The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
with a staggering verve and mastery little gold Egyptian divinities and massive bronze statues,
marvelous imitations over which some antique dealers fight. Who does not remember the
--
one of these brilliant and condensed water called bronze. When the portion of the earth it
contains becomes separated through the agency of time, it becomes visible of itself and it is
--
symbolic Adam, which are described in their proper mineral expression of steel and bronze.
And the body close to the substance named adamas knot or sulphur of gold is the
--
from Avisseau; Florentine bronzes; Chinese dishes of the green period; a library containing
the works of the most famous architects of the 16th and 17th centuries: Ducerceau, Bietterlin,
--
(14) The attri bution of bronze to Mars proves that Rabelais knew the alchemical correspondence between planets
and metals perfectly. In Greek, [*313-4] ( kalkos ), meaning either copper or bronze, was used by the ancient
Hellenic poets to define not copper or one of its compounds, but indeed iron. The author is thus right to assign it
to the planet Mars. As for the Corinthian bronze, Pliny asserts that it presented itself under three forms. It has
sometimes the luster of silver, sometimes that of gold, and could also be the result of an alloy of gold, silver and
copper in approximately equal ratios. This last bronze was believed to have been accidentally produced by the
fusion of precious metals with copper during the Corinth fire started by Mummius (146 BC).
--
particular character, let fly a bronze arrow and severely wounds it. Half paralyzed, it is then
brought back to its mother who, to help this ungrateful son recover, nevertheless gives it of
--
philosophical stone, and that bronze from which mercury and our stone can be extracted, in
little time and without a lot of disbursements, using our brief art. And the stone we obtain
from it is our bronze, and the acute water, which is within it, is our stone. Here are the Stone
and the Water about which philosophers have written mountains of books".
the Eternal Wisdom, #unset, #Arthur C Clarke, #Fiction
Chapter XI View Similar South Indian bronzes
Arya : A Philosophical ReviewVol. 02 - 15th October 1915The Eternal WisdomTo Understand the Unreality of the Ego
--
Chapter XI View Similar South Indian bronzes
The Lost Sun And The Lost Cows View Similar Refuge
The Garden of Forking Paths 1, #Selected Fictions, #unset, #Zen
The damp path zigzagged like those of my childhood. When we reached the house, we went into a library filled with books from both East and West. I recognized some large volumes bound in yellow silk-manuscripts of the Lost Encyclopedia which was edited by the Third Emperor of the Luminous Dynasty. They had never been printed. A phonograph record was spinning near a bronze phoenix. I remember also a rose-glazed jar and yet another, older by many centuries, of that blue color which our potters copied from the Persians . . .
Stephen Albert was watching me with a smile on his face. He was, as I have said, remarkably tall. His face was deeply lined and he had gray eyes and a gray beard.
The Garden of Forking Paths 2, #Selected Fictions, #unset, #Zen
The damp path zigzagged like those of my childhood. We came to a library of Eastern and Western books. I recognized bound in yellow silk several volumes of the Lost Encyclopedia, edited by the Third Emperor of the Luminous Dynasty but never printed. The record on the phonograph revolved next to a bronze phoenix. I also recall a famille rose vase and another, many centuries older, of that shade of blue which our craftsmen copied from the potters of Persia. . .
Stephen Albert observed me with a smile. He was, as I have said, very tall, sharp-featured, with gray eyes and a gray beard. He told me that he had been a missionary in Tientsin "before aspiring to become a Sinologist."
--- Overview of noun bronze
The noun bronze has 2 senses (first 1 from tagged texts)
1. (2) bronze ::: (an alloy of copper and tin and sometimes other elements; also any copper-base alloy containing other elements in place of tin)
2. bronze ::: (a sculpture made of bronze)
--- Overview of verb bronze
The verb bronze has 2 senses (no senses from tagged texts)
1. bronze ::: (give the color and appearance of bronze to something; "bronze baby shoes")
2. tan, bronze ::: (get a tan, from wind or sun)
--- Overview of adj bronze
The adj bronze has 2 senses (first 1 from tagged texts)
1. (1) bronze, bronzy ::: (of the color of bronze)
2. bronze ::: (made from or consisting of bronze)
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun bronze
2 senses of bronze
Sense 1
bronze
=> copper-base alloy
=> alloy, metal
=> mixture
=> substance
=> matter
=> physical entity
=> entity
=> part, portion, component part, component, constituent
=> relation
=> abstraction, abstract entity
=> entity
Sense 2
bronze
=> sculpture
=> plastic art
=> art, fine art
=> creation
=> artifact, artefact
=> whole, unit
=> object, physical object
=> physical entity
=> entity
=> solid figure, three-dimensional figure
=> figure
=> shape, form
=> attribute
=> abstraction, abstract entity
=> entity
--- Hyponyms of noun bronze
1 of 2 senses of bronze
Sense 1
bronze
=> gunmetal
=> phosphor bronze
=> alpha bronze
=> bell metal
=> beryllium bronze
=> leaded bronze
=> nickel bronze
=> silicon bronze
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun bronze
2 senses of bronze
Sense 1
bronze
=> copper-base alloy
Sense 2
bronze
=> sculpture
--- Similarity of adj bronze
2 senses of bronze
Sense 1
bronze, bronzy
=> chromatic (vs. achromatic)
Sense 2
bronze
=> metallic (vs. nonmetallic), metal(prenominal)
--- Antonyms of adj bronze
2 senses of bronze
Sense 1
bronze, bronzy
INDIRECT (VIA chromatic) -> achromatic, neutral
Sense 2
bronze
INDIRECT (VIA metallic) -> nonmetallic, nonmetal
--- Coordinate Terms (sisters) of noun bronze
2 senses of bronze
Sense 1
bronze
-> copper-base alloy
=> brass
=> bronze
=> cupronickel
=> aluminum bronze, aluminium bronze
=> constantan, Eureka
Sense 2
bronze
-> sculpture
=> bronze
=> bust
=> carving
=> marble
=> mobile
=> mold, mould, molding, moulding, modeling, clay sculpture
=> relief, relievo, rilievo, embossment, sculptural relief
=> stabile
=> statue
--- Pertainyms of adj bronze
2 senses of bronze
Sense 1
bronze, bronzy
Sense 2
bronze
--- Derived Forms of adj bronze
--- Grep of noun bronze
alpha bronze
aluminium bronze
aluminum bronze
beryllium bronze
bronze
bronze age
bronze medal
bronze star
bronze star medal
bronzed diabetes
leaded bronze
manganese bronze
nickel bronze
phosphor bronze
silicon bronze
tobin bronze
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Wikipedia - Carn na Marbh -- Bronze Age tumulus
Wikipedia - Casco de Leiro -- Bronze Age ritual hemispherical cap
Wikipedia - Chiyoki Ikeda -- Recipient of the Bronze Star
Wikipedia - Christ in Bronze -- 1955 film
Wikipedia - Christ of the Abyss -- A submerged bronze statue of Jesus Christ in the Mediterranean Sea
Wikipedia - Clava cairn -- Type of Bronze Age chamber tomb
Wikipedia - Collette Hoard -- Bronze Age British hoard
Wikipedia - Common bronzewing -- Species of bird
Wikipedia - Cotofeni culture -- Early Bronze Age archaeological culture
Wikipedia - Cretan hieroglyphs -- Undecyphered bronze-age Cretan writing system
Wikipedia - Dancing Girl (sculpture) -- 4,500 year old bronze sculpture from the Indus Valley Civilisation city of Mohenjo daro
Wikipedia - David (Donatello) -- Bronze statue by Donatello
Wikipedia - Dawn (Journeay) -- Outdoor 1971 bronze sculpture by Helen Journeay
Wikipedia - Denise Bronzetti -- Sammarinese politician
Wikipedia - Devil's Humps, Stoughton -- Bronze Age barrows
Wikipedia - Doll Tor -- Bronze age stone circle in Derbyshire
Wikipedia - Dowris Hoard -- Bronze Age hoard
Wikipedia - East Asian Bronze Age
Wikipedia - Eastern bronze-naped pigeon -- Species of bird
Wikipedia - Egtved Girl -- Bronze age girl found in a Danish burial mound
Wikipedia - Elymians -- Ancient people who inhabited the western part of Sicily during the Bronze Age and Classical antiquity
Wikipedia - En Esur -- Bronze Age Canaanite settlement
Wikipedia - Equestrian statue of George I, Birmingham -- Bronze statue in Birmingham, England
Wikipedia - Equestrian statuette of Charlemagne -- Bronze depiction at the Louvre Museum
Wikipedia - Fearless Girl -- Bronze statue facing the Wall St. Charging Bull
Wikipedia - Filipina Comfort Women -- Bronze sculpture
Wikipedia - Flock bronzewing -- Species of bird
Wikipedia - Flying Horse of Gansu -- Chinese bronze sculpture
Wikipedia - Fonderie Nationale des Bronzes -- Artistic studio and foundry
Wikipedia - French Bronze -- A Bronze or a bronze-like finish
Wikipedia - Fritz von Miller -- German sculptor, goldsmith and bronze caster
Wikipedia - Golden Cone of Ezelsdorf-Buch -- Bronze Age gold artefact
Wikipedia - Golden Hat of Schifferstadt -- Bronze Age artefact
Wikipedia - Golden hat -- Bronze Age artefacts
Wikipedia - Gold grave goods at Grave Circles A and B -- Gold grave goods in the Bronze Age city of Mycenae, Greece
Wikipedia - Gonur Depe -- Early Bronze Age settlement in Turkmenistan
Wikipedia - Hannibal Hamlin (Tefft) -- Bronze sculpture depicting the American attorney and politician of the same name by Charles Tefft, installed at the US Capitol's National Statuary Hall, in Washington, DC
Wikipedia - Hittite language -- an extinct Bronze Age Indo-European language
Wikipedia - Horsehope Craig Hoard -- Bronze Age hoard found in Scotland 1864
Wikipedia - Horses of Saint Mark -- Ancient bronze horse statues in Venice
Wikipedia - Horsfield's bronze cuckoo -- Species of bird
Wikipedia - Huey Long (Keck) -- Bronze sculpture of Huey Long by Charles Keck, installed in the United States Capitol, in Washington, DC
Wikipedia - Indus Valley Civilisation -- Bronze Age civilisation in South Asia
Wikipedia - Island bronze-naped pigeon -- Species of bird
Wikipedia - Isleham Hoard -- Bronze age British hoard
Wikipedia - Javier Culson -- Puerto Rican athlete and Olympiad bronze medalist hurdler
Wikipedia - Jawa, Jordan -- Bronze Age archaeological site in eastern Jordan
Wikipedia - Kamehameha I (Gould) -- Bronze sculpture depicting the founder and first ruler of the Kingdom of Hawaii
Wikipedia - Kaskian language -- Unclassified language of Bronze Age Anatolia
Wikipedia - Kayue culture -- Bronze Age culture in Northwest China in the area of the upper reaches of the Yellow River and its tributary Huang Shui
Wikipedia - Kestel -- Bronze Age archaeological site in Anatolia (now Turkey)
Wikipedia - Kildun Standing Stones -- Bronze age monument in County Mayo, Ireland
Wikipedia - King-Lincoln Bronzeville -- Neighborhood in Columbus, Ohio
Wikipedia - Langdos -- Largest Bronze Age burial mound in Denmark
Wikipedia - Late Bronze Age collapse -- End of several civilizations in the Late Bronze Age
Wikipedia - Leubingen tumulus -- Early bronze age royal grave of the Auntjetitz culture
Wikipedia - Limantepe -- Site of a Bronze Age settlement
Wikipedia - List of Bronze Age hoards in Great Britain -- Wikipedia list article
Wikipedia - List of Bronze Age states -- Wikipedia list article
Wikipedia - Little bronze cuckoo -- Species of bird
Wikipedia - Luristan bronze -- Small cast objects decorated with bronze sculptures from the Early Iron Age found in Iran
Wikipedia - Manilla (money) -- Form of money, usually made of bronze or copper, which were used in West Africa
Wikipedia - Mao Gong ding -- Ancient Chinese bronzeware known for its long inscription
Wikipedia - Meleager of Skopas -- Bronze sculpture
Wikipedia - Meluhha -- Prominent trading partner of Sumer during the Middle Bronze Age
Wikipedia - Meniskos -- Bronze disk mounted above ancient Greek statues
Wikipedia - MeroM-CM-+ Head -- 27-25 BC bronze statue of Roman Emperor Augustus
Wikipedia - Mezhovskaya culture -- Bronze Age archaeological culture in the Southern Urals
Wikipedia - Migdale Hoard -- Bronze age Scottish hoard
Wikipedia - Milton Keynes Hoard -- Bronze age hoards found in and around Milton Keynes, England
Wikipedia - Minoan civilization -- Bronze Age Aegean civilization flourishing on the island of Crete and other Aegean islands from c. 2600 to 1100 BC
Wikipedia - Mitchell's Fold -- Bronze Age stone circle in South-West Shropshire
Wikipedia - Monkodonja -- Bronze Age hill fort, located near Rovinj, Istria, Croatia
Wikipedia - Monochroa bronzella -- Species of moth
Wikipedia - Muri statuette group -- Gallo-Roman bronze figurines
Wikipedia - Mustangs of Las Colinas -- Bronze sculpture in Irving, Texas, U.S.
Wikipedia - Must Farm Bronze Age settlement -- Bronze Age site in Cambridgeshire, England
Wikipedia - Mycenaean Greece -- Late Bronze Age Greek civilization
Wikipedia - Namazga-Tepe -- Bronze Age archaeological site in Turkmenistan,
Wikipedia - Nathan Bedford Forrest Monument (Memphis, Tennessee) -- Bronze sculpture by Charles Henry Niehaus
Wikipedia - New Britain bronzewing -- Species of bird
Wikipedia - New Guinea bronzewing -- Species of bird
Wikipedia - Nine Stones Close -- Bronze age stone circle in Derbyshire, England
Wikipedia - Okunev culture -- Bronze Age archaeological culture
Wikipedia - One Riot, One Ranger -- Bronze statue of a Texas Ranger
Wikipedia - Oxhide ingot -- Metal slabs, usually of copper but sometimes of tin, produced and widely distributed during the Mediterranean Late Bronze Age
Wikipedia - Paramythia Hoard -- Greco-Roman hoard of bronze figurines
Wikipedia - Peebles Hoard -- Bronze Age hoard found in Scotland in 2020
Wikipedia - Piper's Stones -- Bronze Age stone circle in Ireland
Wikipedia - Pitassa -- Undiscovered Bronze Age city in Anatolia
Wikipedia - PokM-CM-)mon Brick Bronze -- Roblox role-playing video game
Wikipedia - Porcellino -- Bronze fountain of a boar in Florence, Italy
Wikipedia - Puranda -- Bronze Age city in Anatolia
Wikipedia - Ringlemere Cup -- Bronze age vessel
Wikipedia - Robert Emmet (Connor) -- Bronze statue by Jerome Connor
Wikipedia - Roman dodecahedron -- Small hollow object made of bronze or stone, with a dodecahedral shape
Wikipedia - Round Loaf -- Late-Neolithic or Bronze Age tumulus on Anglezarke Moor, England
Wikipedia - Rufous-throated bronze cuckoo -- Species of bird
Wikipedia - Shining bronze cuckoo -- Species of bird
Wikipedia - Short chronology -- A chronology of the Near Eastern Bronze and Early Iron Age
Wikipedia - Shropshire bulla -- Late Bronze Age gold pendant discovered in 2018
Wikipedia - Silent Sam -- Bronze statue of a Confederate soldier on the University of North Carolina campus from 1913 to 2018
Wikipedia - Sintashta culture -- Bronze Age archaeological culture
Wikipedia - Spirit of the Confederacy -- Outdoor bronze sculpture in Houston, TX erected by the United Daughters of the Confederacy
Wikipedia - Statue of Christopher Columbus (Houston) -- Bronze sculpture in Houston's Bell Park
Wikipedia - Statue of Edward Douglass White -- Bronze sculpture depicting the American politician and jurist of the same name by Arthur C. Morgan, installed in the United States Capitol Visitor Center, in Washington, D.C
Wikipedia - Statue of Eugene Skinner -- Outdoor bronze sculpture in Eugene, Oregon,
Wikipedia - Statue of Giuseppe Garibaldi (New York City) -- Bronze sculpture of Giuseppe Garibaldi in New York City
Wikipedia - Statue of Jack Swigert -- Bronze sculpture installed in Washington, D.C.
Wikipedia - Statue of Junipero Serra (U.S. Capitol) -- Bronze sculpture depicting the Roman Catholic Spanish priest Junipero Serra
Wikipedia - Statue of Mahatma Gandhi (San Francisco) -- Bronze sculpture in San Francisco
Wikipedia - Statue of Philip Sheridan (New York City) -- Outdoor bronze sculpture in New York
Wikipedia - Statue of Rosa Parks (Eugene, Oregon) -- Outdoor 2009 bronze sculpture depicting Rosa Parks
Wikipedia - Statue of William Shakespeare (New York City) -- bronze statue by John Quincy Adams Ward in Central Park
Wikipedia - Strettweg Cult Wagon -- Bronze cult wagon from ca. 600 BC, found near Judenburg, Austria
Wikipedia - Tel Kabri -- Tell containing one of the largest Middle Bronze Age Canaanite palaces in ancient Palestine
Wikipedia - The Bronze Bell -- 1921 film
Wikipedia - The Bronze Buckaroo -- 1939 film by Richard C. Kahn
Wikipedia - The Bronze Grimoire -- Fantasy tabletop role-playing game supplement
Wikipedia - The Bronze Horseman (poem) -- poem by Alexander Pushkin
Wikipedia - Theodore Roosevelt, Rough Rider -- Bronze sculpture by Alexander Phimister Proctor
Wikipedia - The Sockman -- Bronze statue in Loughborough, England
Wikipedia - The Storyteller (sculpture) -- Outdoor bronze sculpture by Pete Helzer
Wikipedia - The Tempest (Hebald) -- outdoor bronze sculpture in Central Park
Wikipedia - The Thinker -- Bronze sculpture by Auguste Rodin
Wikipedia - The Woman of Bronze -- 1923 film
Wikipedia - TLV mirror -- Type of bronze mirror that was popular during the Han Dynasty in China
Wikipedia - Tor cairn -- Bronze Age sites in Wales and southern England
Wikipedia - Trinity Hoard -- Bronze Age hoard discovered in Trinity Parish, Jersey
Wikipedia - Trundholm sun chariot -- Late Nordic Bronze Age artifact discovered in Denmark
Wikipedia - Trzciniec culture -- Bronze Age archaeological culture in Eastern Europe
Wikipedia - Twelve Local Heroes -- Series of bronze busts in Christchurch, New Zealand
Wikipedia - Ulug Depe -- Ancient Bronze Age site, present-day Turkmenistan
Wikipedia - Umm Al Nar culture -- Bronze Age culture located in the modern-day UAE
Wikipedia - Unetice culture -- Bronze Age archaeological culture in Central Europe
Wikipedia - VaM-DM-^Me Situla -- Early Iron Age ritual bronze vessel found in Slovenia
Wikipedia - Volosovo culture -- Neolithic-Bronze Age archaeological culture of Central Russia
Wikipedia - Weather Machine -- Lumino kinetic bronze sculpture and weather beacon in Portland, Oregon
Wikipedia - Western bronze-naped pigeon -- Species of bird
Wikipedia - Wet Withens -- Bronze Age stone circle in the English Peak District
Wikipedia - White bronze -- Alloy
Wikipedia - White-eared bronze cuckoo -- Species of bird
Wikipedia - Wietenberg culture -- Middle Bronze Age archeological culture in Transylvania
Wikipedia - Xindian culture -- Bronze Age culture in China
Wikipedia - Yantin-'Ammu -- Middle Bronze Age ruler
Wikipedia - Ziggurat of Ur -- Early Bronze Age ziggurat in present-day Iraq
Wikipedia - Zun -- Type of Chinese ritual bronze or ceramic wine vessel
https://www.goodreads.com/book/show/1161498.The_Man_of_Bronze
https://www.goodreads.com/book/show/1286080.Age_Of_Bronze_Volume_3A
https://www.goodreads.com/book/show/12970155-bronze-gods
https://www.goodreads.com/book/show/1576127.Bronze_Mirror
https://www.goodreads.com/book/show/15808271-bronze-gods
https://www.goodreads.com/book/show/15808271.Bronze_Gods__Apparatus_Infernum___1_
https://www.goodreads.com/book/show/19189390-men-of-bronze
https://www.goodreads.com/book/show/225755.Bronzeville_Boys_and_Girls
https://www.goodreads.com/book/show/2375996.Western_Zhou_Bronzes
https://www.goodreads.com/book/show/24408.The_Bronze_Bow
https://www.goodreads.com/book/show/2504935.The_Bronze_Pen
https://www.goodreads.com/book/show/25335389-bronze-fox
https://www.goodreads.com/book/show/26655981-the-bronze-statue-or-the-virgin-s-kiss
https://www.goodreads.com/book/show/2713134-laissez-bronzer-les-cadavres
https://www.goodreads.com/book/show/33596300-the-bronze-key
https://www.goodreads.com/book/show/39603946-bronzed-betrayals
https://www.goodreads.com/book/show/3991934-bronze-mirror
https://www.goodreads.com/book/show/40388177-bronze-age-mindset
https://www.goodreads.com/book/show/409031.Men_of_Bronze
https://www.goodreads.com/book/show/41014505-the-bronze-horseman
https://www.goodreads.com/book/show/41150325-stronger-than-a-bronze-dragon
https://www.goodreads.com/book/show/43470399-the-bronze-bow
https://www.goodreads.com/book/show/44971589-the-bronze-eagle
https://www.goodreads.com/book/show/479921.Age_of_Bronze_Volume_1
https://www.goodreads.com/book/show/517330.The_Bronze_King
https://www.goodreads.com/book/show/583855.Age_of_Bronze_Volume_2
https://www.goodreads.com/book/show/6081408-bronze-canticles-campaign-rulebook
https://www.goodreads.com/book/show/616458.Ranks_of_Bronze
https://www.goodreads.com/book/show/6323104.The_Bronze_Horseman__The_Bronze_Horseman___1_
https://www.goodreads.com/book/show/6480081-o-rapaz-de-bronze
https://www.goodreads.com/book/show/808382.The_Curse_of_the_Bronze_Lamp
https://www.goodreads.com/book/show/8287728-chinese-bronzes
https://www.goodreads.com/book/show/83144.The_Bronze_Horseman
https://www.goodreads.com/book/show/83144.The_Bronze_Horseman__Tatiana_and_Alexander___1_
https://www.goodreads.com/book/show/83144.The_Bronze_Horseman__The_Bronze_Horseman___1_
https://www.goodreads.com/book/show/9580298-a-street-in-bronzeville
https://www.goodreads.com/book/show/972533.Shadows_in_Bronze
https://www.goodreads.com/author/show/18092422.Bronze_Age_Pervert
Goodreads author - Bronze_Age_Pervert
https://greekmythology.wikia.org/wiki/File:2-bronze-tripod-with-horse-handles.jpg
https://military.wikia.org/wiki/Bronze_Star
https://military.wikia.org/wiki/Bronze_Star_Medal
https://military.wikia.org/wiki/Category:Recipients_of_the_Bronze_Star_Medal
https://religion.wikia.org/wiki/Bronze_Age
https://religion.wikia.org/wiki/File:Bronze_coin_of_Herod_the_Star_minted_at_Samaria.jpg
https://religion.wikia.org/wiki/Serpent_(Bible)#Serpent_of_bronze
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/AgeOfBronze
https://tvtropes.org/pmwiki/pmwiki.php/Film/TheBronze
https://tvtropes.org/pmwiki/pmwiki.php/Music/BullOfApisBullOfBronze
https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/TheBronzeAgeOfComicBooks
https://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/TheBronzeAgeofComicBooks
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Bronze
https://tvtropes.org/pmwiki/pmwiki.php/WebComic/BronzeSkinInc
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/BronzeSkinInc
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Bronzethumb
https://en.wikiquote.org/wiki/File:2007_Abigail_Adams_bronze_medal_reverse.jpg
https://en.wikiquote.org/wiki/File:Bronze_statues_of_Don_Quixote_and_Sancho_Panza.jpg
https://en.wikiquote.org/wiki/File:GBShaw_Bronze.jpg
Saint Seiya: The Hades Chapter (2002 - 2008) - Hades is planning to take over the world, to achieve that goal, he sends out deceased Gold Saints to take Athena's head. Seiya and the other Bronze Saints come to help but their help isn't appreciated by the remaining Gold Saints that are still alive.
X Games (1997 - Current) - The X Games is an annual extreme sports event hosted, produced, and broadcast by ESPN. Coverage is also shown on ESPN's sister network, ABC. The inaugural X Games were held during the summer of 1995 in Providence and Newport, Rhode Island. Participants compete to win bronze, silver, and gold medals,...
https://myanimelist.net/anime/3007/Bronze__Kouji_Nanjo_Cathexis -- Music, Shounen Ai
https://myanimelist.net/manga/3564/Bronze_no_Tenshi
https://althistory.fandom.com/wiki/Middle_Bronze_Age_Collapse_(Afraid_of_a_Shadow)
https://ancardia.fandom.com/wiki/Bronze_bones
https://aoc.fandom.com/wiki/Bronzefury_War_Wolf
https://aoc.fandom.com/wiki/Imperial_Bronzesteel_Slaughter_Steed
https://aoc.fandom.com/wiki/Quest:The_Bronze_Serpent
https://banjokazooie.fandom.com/wiki/Bronze_Mystery_Egg
https://batman.fandom.com/wiki/Bronze_Tiger
https://batman.fandom.com/wiki/Bronze_Tiger_(The_Brave_and_the_Bold)
https://britishwildlife.fandom.com/wiki/Bronze_Bream
https://characters.fandom.com/wiki/Bronze_Bull
https://color.fandom.com/wiki/Bronze
https://comics.fandom.com/wiki/Age_of_Bronze
https://dc.fandom.com/wiki/Bronze_Age
https://dc.fandom.com/wiki/Bronze_Tiger
https://dc.fandom.com/wiki/Bronze_Wraith
https://dc.fandom.com/wiki/Wonder_Woman:_The_Bronze_Doors
https://drednotio.fandom.com/wiki/Bronze_Wrench
https://elderscrolls.fandom.com/wiki/Bronzefist_Arcanist
https://elderscrolls.fandom.com/wiki/Bronzefist_Bodyguard
https://elderscrolls.fandom.com/wiki/Bronzefist_Marksman
https://elderscrolls.fandom.com/wiki/Bronzefist_Mender
https://elderscrolls.fandom.com/wiki/Bronzefists
https://elderscrolls.fandom.com/wiki/Bronzefist_Stalker
https://elderscrolls.fandom.com/wiki/Bronzefist_Striker
https://elderscrolls.fandom.com/wiki/Bronzefist_Vanguard
https://elderscrolls.fandom.com/wiki/Bronze_Water_Cave
https://elderscrolls.fandom.com/wiki/Drengr_Bronze-Helm
https://eq2.fandom.com/wiki/Magmatic_Bronze_Rock_Blocker
https://ffxiclopedia.fandom.com/wiki/Bronze_Ballista_Chevron
https://ffxiclopedia.fandom.com/wiki/Bronze_Ingot
https://ffxiclopedia.fandom.com/wiki/Bronze_Knuckles
https://ffxiclopedia.fandom.com/wiki/Bronze_Ribbon_of_Service
https://ffxiclopedia.fandom.com/wiki/Bronze_shovel_cordon
https://ffxiclopedia.fandom.com/wiki/Bronze_Star
https://ffxiclopedia.fandom.com/wiki/Bronze_Sword
https://ffxiclopedia.fandom.com/wiki/Imperial_Bronze_Piece
https://fireemblem.fandom.com/wiki/Bronze_Bow
https://fireemblem.fandom.com/wiki/Bronze_Knife
https://fireemblem.fandom.com/wiki/Bronze_Sword
https://forgottenrealms.fandom.com/wiki/Bronze
https://forgottenrealms.fandom.com/wiki/Bronze_dragon
https://forgottenrealms.fandom.com/wiki/Bronzefume
https://forgottenrealms.fandom.com/wiki/Bronze_Methodology
https://forgottenrealms.fandom.com/wiki/Bronze_Phalanx
https://forgottenrealms.fandom.com/wiki/Bronzewood
https://forgottenrealms.fandom.com/wiki/Zazspar_Bronzefire
https://hasbroheroes.fandom.com/wiki/Batman_(Mutated)_&_Bronze_Tiger_2-Pack
https://hearthstone.fandom.com/wiki/Magni_Bronzebeard
https://istaria.fandom.com/wiki/Bronze_Golem
https://legend-quest.fandom.com/wiki/Bronze_Shield
https://memory-alpha.fandom.com/wiki/Bronze
https://memory-alpha.fandom.com/wiki/Bronze_Age
https://memory-alpha.fandom.com/wiki/Bronzetto
https://nintendo.fandom.com/wiki/Bronze_Fafnir
https://resin.fandom.com/wiki/Faux-Bronze
https://starwars.fandom.com/wiki/Bronzewood_tree
https://tardis.fandom.com/wiki/Bronze_Dalek
https://tardis.fandom.com/wiki/Bronze_God
https://tardis.fandom.com/wiki/Bronze_Knight
https://tardis.fandom.com/wiki/The_Bronze_Door_(short_story)
https://whitewolf.fandom.com/wiki/Bronze_Beylik
https://whitewolf.fandom.com/wiki/Bronze_Faction
https://wowwiki-archive.fandom.com/wiki/Brann_Bronzebeard
https://wowwiki-archive.fandom.com/wiki/Bronze_Bar
https://wowwiki-archive.fandom.com/wiki/Bronzebeard_Clan
https://wowwiki-archive.fandom.com/wiki/Bronzebeard_clan
https://wowwiki-archive.fandom.com/wiki/Bronzebeard_dwarf
https://wowwiki-archive.fandom.com/wiki/Bronzebeard_Encampment
https://wowwiki-archive.fandom.com/wiki/Bronze_Dragonflight
https://wowwiki-archive.fandom.com/wiki/Bronze_dragonflight
https://wowwiki-archive.fandom.com/wiki/Bronze_Dragonshrine
https://wowwiki-archive.fandom.com/wiki/King_Magni_Bronzebeard
https://wowwiki-archive.fandom.com/wiki/Magni_Bronzebeard
https://wowwiki-archive.fandom.com/wiki/Magni_Bronzebeard_(movie)
https://wowwiki-archive.fandom.com/wiki/Muradin_Bronzebeard
https://wowwiki-archive.fandom.com/wiki/Reins_of_the_Bronze_Drake
https://wowwiki-archive.fandom.com/wiki/Server:Bronzebeard_US
Heroic Age -- -- Xebec -- 26 eps -- Original -- Action Mecha Military Sci-Fi Space -- Heroic Age Heroic Age -- When the Golden Race invited other races to join them in the stars, three sentient races answered their call. The Goldens called them the Bronze, Silver and Heroic Tribes. Just before the Gold Tribe left to travel to another Universe, a fourth race appeared, traveling to the stars on their own accomplishments. The Golds named the human race the Iron Tribe. During the passing of time, humanity suffers at the hands of the more dominant races and is now facing extinction. Following a prophecy left by the Gold Tribe, Princess Deianeira sets out to search for the powerful being who might be able to save humankind. She meets a wild haired boy on an abandoned planet—a fateful encounter that will not only change the fortunes of Humanity, but also the fate of the universe. -- -- (Source: AniDB) -- 97,592 7.55
Heroic Age -- -- Xebec -- 26 eps -- Original -- Action Mecha Military Sci-Fi Space -- Heroic Age Heroic Age -- When the Golden Race invited other races to join them in the stars, three sentient races answered their call. The Goldens called them the Bronze, Silver and Heroic Tribes. Just before the Gold Tribe left to travel to another Universe, a fourth race appeared, traveling to the stars on their own accomplishments. The Golds named the human race the Iron Tribe. During the passing of time, humanity suffers at the hands of the more dominant races and is now facing extinction. Following a prophecy left by the Gold Tribe, Princess Deianeira sets out to search for the powerful being who might be able to save humankind. She meets a wild haired boy on an abandoned planet—a fateful encounter that will not only change the fortunes of Humanity, but also the fate of the universe. -- -- (Source: AniDB) -- -- Licensor: -- Funimation -- 97,592 7.55
Knights of the Zodiac: Saint Seiya -- -- Toei Animation -- 12 eps -- Manga -- Sci-Fi Adventure Fantasy Shounen -- Knights of the Zodiac: Saint Seiya Knights of the Zodiac: Saint Seiya -- Zeus had a daughter named Athena, the goddess of war. A group of youths flocked to Athena fighting to protect her amidst heroic battles as her "Saints". Their proof of being a Saint laid with the battle protector known as Sacred Cloth. -- -- After a virtual eternity, a new struggle is about to unfold now again over the Cloth. A boy named Seiya has crossed way over to Greece to undergo the training to become a Saint and obtained the Cloth, Bronze cloth, the lowest position among Saints. Every Saint takes a constellation as their tutelary god. And Seiya's guardian star is Pegasus. Now, the saints gather together from all over the world to participate in the "Galatic War" - championship of Saints, aiming at the Gold Cloth, the symbol of ruler of the Saints. The curtain for Galatic War has been cut open. During the death battle between the Saints, Phoenix, the Black Saint, suddenly appeared on the scene and runs off with Gold Cloth in front of a full house in his ambition to become ruler of the world. Seiya and his fellow bronze cloth warriors go after Phoenix and his "Shadow Army" to retrieve the lost Gold Cloth... -- -- The battles waged among the saints, the strongest young men on earth, begin now! -- -- (Source: Toei Animation) -- ONA - Jul 19, 2019 -- 13,627 5.11
Mahouka Koukou no Yuutousei -- -- Connect -- ? eps -- Manga -- Sci-Fi Magic Fantasy -- Mahouka Koukou no Yuutousei Mahouka Koukou no Yuutousei -- A century has passed since magic—true magic, the stuff of legends—has returned to the world. It is spring, the season of new beginnings, and a new class of students is about to begin their studies at the First National Magic University Affiliated High School, nickname: First High. -- -- A manga spin-off of the immensely popular light novel series Mahouka Koukou no Rettousei (The Irregular at Magic High School), Mahouka Koukou no Yuutousei (The Honor Student at Magic High School) follows the events of the original series as seen through the eyes of Miyuki Shiba, Tatsuya's sister. The life of an honor student comes with a lot of expectations...and unexpected hidden feelings?! -- -- (Source: Yen Press, edited) -- TV - Jul ??, 2021 -- 34,380 N/A -- -- Saint Seiya: Meiou Hades Elysion-hen -- -- Toei Animation -- 6 eps -- Manga -- Action Fantasy Shounen Super Power -- Saint Seiya: Meiou Hades Elysion-hen Saint Seiya: Meiou Hades Elysion-hen -- After the 12 Gold Saints sacrifice their lives to destroy the Wailing Wall, The Bronze Saints enter the deepest realm of the Underworld, Elysion, where they face off aganist Hades's two most powerful servants: The Twin Gods, Hypnos and Thanatos, before they can reach Hades for the final battle. -- OVA - Mar 7, 2008 -- 34,233 7.59
Saint Seiya: Kamigami no Atsuki Tatakai -- -- Toei Animation -- 1 ep -- - -- Adventure Sci-Fi Shounen -- Saint Seiya: Kamigami no Atsuki Tatakai Saint Seiya: Kamigami no Atsuki Tatakai -- In northern Europe, the reincarnation of Odin, Dolbar, rules supreme. One day, Hyoga rescues a man in Siberia so warns him about trouble in the Asgard. Athena goes out to investigate and sends Hyoga in advance but when she and the others arrive at the Asgard, Hyoga is nowhere to be found. When Dolbar captures Athena to take control of the sanctuary, the bronze saints try to help her but are attacked by the God Warriors. -- -- (Source: ANN) -- -- Licensor: -- Discotek Media -- Movie - Mar 12, 1988 -- 14,442 6.90
Saint Seiya: Kamigami no Atsuki Tatakai -- -- Toei Animation -- 1 ep -- - -- Adventure Sci-Fi Shounen -- Saint Seiya: Kamigami no Atsuki Tatakai Saint Seiya: Kamigami no Atsuki Tatakai -- In northern Europe, the reincarnation of Odin, Dolbar, rules supreme. One day, Hyoga rescues a man in Siberia so warns him about trouble in the Asgard. Athena goes out to investigate and sends Hyoga in advance but when she and the others arrive at the Asgard, Hyoga is nowhere to be found. When Dolbar captures Athena to take control of the sanctuary, the bronze saints try to help her but are attacked by the God Warriors. -- -- (Source: ANN) -- Movie - Mar 12, 1988 -- 14,442 6.90
Saint Seiya: Legend of Sanctuary -- -- Toei Animation -- 1 ep -- Manga -- Sci-Fi Adventure Fantasy Shounen -- Saint Seiya: Legend of Sanctuary Saint Seiya: Legend of Sanctuary -- From the dawn of time, there have been warriors who protected the Goddess Athena. Once forces of evil appear, these warriors, called the Saints will present themselves. -- -- A young woman, Saori Kido, learns about this force known as "Cosmos" and that she is the reincarnation of Athena, protector of love and peace on Earth. However, the Pope of the Sanctuary, who is in the charge of all the Saints, does not take kindly to Saori, and targets her for usurping the identity of Athena. An assassin is sent out to kill her. Fortunately, one of the Bronze Saints, Seiya, manages to protect her. But will Seiya be able to protect Saori through to the end in the gripping saga of Saint Seiya: Legend of Sanctuary? -- Movie - Jun 21, 2014 -- 22,689 6.24
Saint Seiya: Meiou Hades Elysion-hen -- -- Toei Animation -- 6 eps -- Manga -- Action Fantasy Shounen Super Power -- Saint Seiya: Meiou Hades Elysion-hen Saint Seiya: Meiou Hades Elysion-hen -- After the 12 Gold Saints sacrifice their lives to destroy the Wailing Wall, The Bronze Saints enter the deepest realm of the Underworld, Elysion, where they face off aganist Hades's two most powerful servants: The Twin Gods, Hypnos and Thanatos, before they can reach Hades for the final battle. -- OVA - Mar 7, 2008 -- 34,233 7.59
Saint Seiya: Meiou Hades Juuni Kyuu-hen -- -- Toei Animation -- 13 eps -- Manga -- Adventure Sci-Fi Shounen -- Saint Seiya: Meiou Hades Juuni Kyuu-hen Saint Seiya: Meiou Hades Juuni Kyuu-hen -- Hades is planning to take over the world, to achieve that goal, he sends out deceased Gold Saints to take Athena's head. Seiya and the other Bronze Saints come to help but their help isn't appreciated by the remaining Gold Saints that are still alive. -- -- (Source: ANN) -- OVA - Nov 9, 2002 -- 46,471 8.06
Saint Seiya: Meiou Hades Meikai-hen -- -- Toei Animation -- 12 eps -- Manga -- Action Adventure Demons Fantasy Sci-Fi Shounen Super Power -- Saint Seiya: Meiou Hades Meikai-hen Saint Seiya: Meiou Hades Meikai-hen -- Seiya and the rest of the Bronze and Gold Saints who have survived the Sanctuary battle have entered the world of the Dead. They are fighting to get to Hades and defeat him. -- -- (Source: ANN) -- OVA - Dec 17, 2005 -- 40,812 7.76
Saint Seiya: Shinku no Shounen Densetsu -- -- Toei Animation -- 1 ep -- - -- Adventure Fantasy Sci-Fi Shounen -- Saint Seiya: Shinku no Shounen Densetsu Saint Seiya: Shinku no Shounen Densetsu -- Sun God Apollo the brother of Athena is here to take Athena back to heaven and taking over the sanctuary. He revived the deceased gold saints and use them and a few god saints as bodyguards. But Athena did not obey him, Apollo had no choice but send her to hell. On the otherhand, the bronze saints are on their way to save Athena. -- -- (Source: ANN) -- -- Licensor: -- Discotek Media -- Movie - Jul 23, 1988 -- 13,505 7.22
Saint Seiya: Tenkai-hen Josou - Overture -- -- Toei Animation -- 1 ep -- Manga -- Adventure Sci-Fi Shounen -- Saint Seiya: Tenkai-hen Josou - Overture Saint Seiya: Tenkai-hen Josou - Overture -- After the Saints' victory against Hades, Seiya is left wounded and motionless in a wheel chair with no possible chance of recovery. Athena's sister Artemis, the Virgin Goddess of the Moon and twin sister of Apollo, makes an elaborate proposal - to restore Seiya's physical health in exchange for the supremacy of Sanctuary. Athena accepts and Artemis and her "Knights of the Sky" swiftly take control of Sanctuary. Now Seiya and his fellow Bronze Saints combat the forces of Zeus to regain their homeland but it will not be so easy. Bronze Saints Hydra Ichi and Unicorn Jabu, and Silver Saint Ophiuchus Shaina have join forces with Artemis and Apollo. -- -- (Source: ANN) -- Movie - Feb 14, 2004 -- 19,915 7.22
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