Repulsion

1:The passion of pity with its impure elements of physical repulsion and emotional inability to bear the suffering of others has to be rejected and replaced by the higher divine compassion. ~ Sri Aurobindo, The Synthesis Of Yoga, The Release from the Heart and the Mind,

2:separating from the heart and mind and the benefits of doing so :::
Therefore the mental Purusha has to separate himself from association and self-identification with this desire-mind. He has to say I am not this thing that struggles and suffers, grieves and rejoices, loves and hates, hopes and is baffled, is angry and afraid and cheerful and depressed, a thing of vital moods and emotional passions. All these are merely workings and habits of Prakriti in the sensational and emotional mind. The mind then draws back from its emotions and becomes with these, as with the bodily movements and experiences, the observer or witness. There is again an inner cleavage. There is this emotional mind in which these moods and passions continue to occur according to the habit of the modes of Nature and there is the observing mind which sees them, studies and understands but is detached from them. It observes them as if in a sort of action and play on a mental stage of personages other than itself, at first with interest and a habit of relapse into identification, then with entire calm and detachment, and, finally, attaining not only to calm but to the pure delight of its own silent existence, with a smile at thier unreality as at the imaginary joys and sorrows of a child who is playing and loses himself in the play. Secondly, it becomes aware of itself as master of the sanction who by his withdrawl of sanction can make this play to cease. When the sanction is withdrawn, another significant phenomenon takes place; the emotional mind becomes normally calm and pure and free from these reactions, and even when they come, they no longer rise from within but seem to fall on it as impression from outside to which its fibers are still able to respond; but this habit of reponse dies away and the emotional mind is in time entirely liberated from the passions which it has renounced. Hope and fear, joy and grief, liking and disliking, attraction and repulsion, content and discontent, gladness and depression, horror and wrath and fear and disgust and shame and the passions of love and hatred fall away from the liberated psychic being.
~ Sri Aurobindo, The Synthesis Of Yoga, The Release from the Heart and the Mind, 352,

3:There I waited day and night for the voice of God within me, to know what He had to say to me, to learn what I had to do. In this seclusion the earliest realisation, the first lesson came to me. I remembered then that a month or more before my arrest, a call had come to me to put aside all activity, to go in seclusion and to look into myself, so that I might enter into closer communion with Him. I was weak and could not accept the call. My work was very dear to me and in the pride of my heart I thought that unless I was there, it would suffer or even fail and cease; therefore I would not leave it. It seemed to me that He spoke to me again and said, The bonds you had not the strength to break, I have broken for you, because it is not my will nor was it ever my intention that that should continue. I have had another thing for you to do and it is for that I have brought you here, to teach you what you could not learn for yourself and to train you for my work. Then He placed the Gita in my hands. His strength entered into me and I was able to do the sadhana of the Gita. I was not only to understand intellectually but to realise what Sri Krishna demanded of Arjuna and what He demands of those who aspire to do His work, to be free from repulsion and desire, to do work for Him without the demand for fruit, to renounce self-will and become a passive and faithful instrument in His hands, to have an equal heart for high and low, friend and opponent, success andfailure, yet not to do His work negligently. I realised what the Hindu religion meant. We speak often of the Hindureligion, of the Sanatan Dharma, but few of us really know what that religion is. Other religions are preponderatingly religions of faith and profession, but the Sanatan Dharma is life itself; it is a thing that has not so much to be believed as lived. This is the Dharma that for the salvation of humanity was cherished in the seclusion of this peninsula from of old. It is to give this religion that India is rising. She does not rise as other countries do, for self or when she is strong, to trample on the weak. She is rising to shed the eternal light entrusted to her over the world. India has always existed for humanity and not for herself and it is for humanity and not for herself that she must be great.
~ Sri Aurobindo, Karmayogin,

1:Repulsion is the sentry that guards the gate to all that we most desire. ~ salvador-dali, @wisdomtrove

2:Without contraries is no progression. Attraction and repulsion, reason and energy, love and hate, are necessary to human existence. ~ william-blake, @wisdomtrove

3:A man and a woman are new to one another throughout a life-time, in the rhythm of marriage that matches the rhythm of the year. Sex is the balance of male and female in the universe, the attraction, the repulsion, the transit of neutrality, the new attraction, the repulsion, always different, always new. ~ d-h-lawrence, @wisdomtrove

4:All the forces that we see in nature, such as gravitation, attraction, and repulsion, or as thought, feeling, and nervous motion - all these various forces resolve into that Prana, and the vibration of the Prana ceases. In that state it remains until the beginning of the next cycle. Prana then begins to vibrate, and that vibration acts upon the Akasha, and all these forms are thrown out in regular succession. ~ swami-vivekananda, @wisdomtrove

5:He walked on without resting. He had a terrible longing for some distraction, but he did not know what to do, what to attempt. A new overwhelming sensation was gaining more and more mastery over him every moment; this was an immeasurable, almost physical, repulsion for everything surrounding him, an obstinate, malignant feeling of hatred. All who met him were loathsome to him - he loathed their faces, their movements, their gestures. If anyone had addressed him, he felt that he might have spat at him or bitten him... . ~ fyodor-dostoevsky, @wisdomtrove

* NEWFULLDB 2.4M *

1:Repulsion masks attraction ~ Joe Hill,

2:Repulsion masks attraction. ~ Joe Hill,

3:On the other side of attraction, is repulsion. ~ A S Byatt,

4:There is a thin line between attraction and repulsion ~ Candace Bushnell,

5:Repulsion is the sentry that guards the gate to all that we most desire. ~ Salvador Dal,

6:Repulsion is the sentry that guards the gate to all that we most desire. ~ Salvador Dali,

7:Creation is the harmony of contrary forces—the forces of attraction and repulsion. ~ Anonymous,

8:Was attraction and repulsion all a matter of appearances? Or preconceptions? ~ L E Modesitt Jr,

9:In marriage they legitimized despair; every kiss is the conquest of a repulsion. ~ Lawrence Durrell,

10:Bluh-huh-huh" Minho groaned, a shudder of repulsion, like he'd just stepped in a pile of klunk. ~ James Dashner,

11:I'm hooked on Polanski's films, his psychological thrillers. I love 'Rosemary's Baby,' I love 'Repulsion.' ~ Vera Farmiga,

12:A grocer is attracted to his business by a magnetic force as great as the repulsion which renders it odious to artists. ~ Honore de Balzac,

13:One of the realities we're all called to go through is to move from repulsion to compassion and from compassion to wonderment. ~ Mother Teresa,

14:Like a great bog humanity swamped her, and she sank in, weak at the knees, filled with repulsion and fear of every person she met. ~ D H Lawrence,

15:Without contraries is no progression. Attraction and repulsion, reason and energy, love and hate, are necessary to human existence. ~ William Blake,

16:For the present, it is easier for us to turn away. Our repulsion, you see, will not spur us to revolt until this plague moves much closer to home. ~ Mark Dunn,

17:I don't actually know what 'transgenic' means. I just know that I have to express doubt or repulsion whenever I say it. It impresses people. ~ Ign cio de Loyola Brand o,

18:But the self-controlled man, moving among objects, with his senses under restraint, and free from both attraction and repulsion, attains peace. ~ Chinmayananda Saraswati,

19:To attain to perfect purity one has to become absolutely passion-free in thought, speech and action; to rise above the opposing currents of love and hatred, attachment and repulsion. ~ Mahatma Gandhi,

20:The satirist is prevented by repulsion from gaining a better knowledge of the world he is attracted to, yet he is forced by attraction to concern himself with the world that repels him. ~ Italo Calvino,

21:In Italy, on the breaking up of the Roman Empire, society might be said to be resolved into its original elements, - into hostile atoms, whose only movement was that of mutual repulsion. ~ Edward Everett,

22:An emotion is a thought, yes, an idea, but it is also a sensation, an ache in your body. Desire, love, hate, fear, repulsion - you feel these things in your muscle and bones, not just in your mind. ~ William Landay,

23:The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music. ~ Hazrat Inayat Khan,

24:Anthropology has always struggled with an intense, fascinated repulsion towards its subject.... [The anthropologist] submits himself to the exotic to confirm his own inner alienation as an urban intellectual. ~ Susan Sontag,

25:The fear, the great cold fear of the base-born, everything human and swarming. Like a great bog humanity swamped her, and she sank in, weak at the knees, filled with repulsion and fear of every person she met. ~ D H Lawrence,

26:Make it your goal never to fail in your desires or experience things you would rather avoid; try never to err in impulse and repulsion; aim to be perfect also in the practice of attention and withholding judgment. ~ Epictetus,

27:Your mind is turbulent because you're filled with desires, frustrations. You want too many things. You are afraid of too many things. It is necessary to overcome both attraction and repulsion to still the mind. ~ Frederick Lenz,

28:I was driven, as have been many writers, both by a repulsion of the childhood home's narrow confines and a desire to reach further, to keep desiring more of a future not yet imagined and not yet written down. ~ Shirley Geok lin Lim,

29:This instinctive repulsion which tradespeople inspire in men of sensitive feeling is one of the very rare consolations for being so impoverished which are given to those of us who don’t sell anything to anybody. ~ Louis Ferdinand Celine,

30:This instinctive repulsion which tradespeople inspire in men of sensitive feeling is one of the very rare consolations for being so impoverished which are given to those of us who don’t sell anything to anybody. ~ Louis Ferdinand C line,

31:After telling the hard facts to anyone from lover to friend, I have changed in their eyes. Often it is awe or admiration, sometimes it is repulsion, once or twice it has been fury hurled directly at me for reasons I remain unsure of. ~ Alice Sebold,

32:the path of self-purification is hard and steep. To attain to perfect purity one has to become absolutely passion-free in thought, speech and action; to rise above the opposing currents of love and hatred, attachment and repulsion. ~ Mahatma Gandhi,

33:All things come into being by conflict of opposites. —HERACLITUS,1 C. 500 BCE Without Contraries is no progression. Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence. —WILLIAM BLAKE,2 C. 1790 ~ Jonathan Haidt,

34:But the path of self-purification is hard and steep. To attain to perfect purity one has to become absolutely passion-free in thought, speech and action; to rise above the opposing currents of love and hatred, attachment and repulsion. I ~ Mahatma Gandhi,

35:said the man on the bridge. “Lemmeget up, you swine. I’ll show yer.” A strange disgust, a quivering repulsion came upon the Angel. He walked slowly away from the drunkard towards the man with the grindstone. “What does it all mean?” said the Angel. ~ H G Wells,

36:The passion of pity with its impure elements of physical repulsion and emotional inability to bear the suffering of others has to be rejected and replaced by the higher divine compassion. ~ Sri Aurobindo, The Synthesis Of Yoga, The Release from the Heart and the Mind,

37:You take Seryozha to hurt me,” she said, looking at him from under her brows. “You do not love him. . . . Leave me Seryozha!” “Yes, I have lost even my affection for my son, because he is associated with the repulsion I feel for you. But still I shall take him. Goodbye! ~ Leo Tolstoy,

38:Progress in science is governed by the laws of repulsion, every step forward is made by refutation of prevalent errors and false theories. Forward steps in art are governed by the law of attraction, are the result of imitation of and admiration for beloved predecessors. ~ Boris Pasternak,

39:The feeling of intense repulsion, which had begun to oppress and torture his heart while he was on his way to the old woman, had by now reached such a pitch and had taken such a definite form that he did not know what to do with himself to escape from his wretchedness ~ Fyodor Dostoyevsky,

40:when she removed my hand from her chest for the one hundred thousandth time. Attack and defense, invasion and repulsion... it was as if breasts were little pieces of property that had been unlawfully annexed by the opposite sex - they were rightfully ours and we wanted them back. ~ Nick Hornby,

41:Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement. ~ George Eliot,

42:Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement. We ~ Anonymous,

43:Boredom is the root of all evil. It is very curious that boredom, which itself has such a calm and sedate nature, can have such a capacity to initiate motion. The effect that boredom brings about is absolutely magical, but this effect is one not of attraction but of repulsion. ~ S ren Kierkegaard,

44:Even though flowers fall, don't regret it. Even though weeds grow, don't hate them. Don't arouse the passions of attraction and repulsion, hating and loving. If only we don't arouse the passions, the falling of flowers and the growing of weeds as they are is manifest absolute reality. ~ Hakuun Yasutani,

45:It seems safe to look forward to the time when the conception of attractive and repulsive forces, having served its purpose as a useful piece of scientific scaffolding, will be replaced by the deduction of the phenomena known as attraction and repulsion, from the general laws of motion. ~ Thomas Huxley,

46:The enigmatic "helicopter" image in the Temple of Seti I resembles more probably the arm with the flail signaling 'governance' rather than ('protection' or 'repulsion'). This makes more sense taking into consideration that the iconography show the phrase: [all the peoples give praise]. ~ Ibrahim Ibrahim,

47:IN the year 1888 Herr von Pasenow was seventy, and there were people who felt an extraordinary and inexplicable repulsion when they saw him coming towards them in the streets of Berlin, indeed, who in their dislike of him actually maintained that he must be an evil old man. Small, but well ~ Hermann Broch,

48:Contact with men who wield power and authority still leaves an intangible sense of repulsion. It's very like being in close proximity to fecal matter, the fecal embodiment of something unmentionable, and you wonder what it is made of and when it acquired its historically sacred character. ~ Jean Baudrillard,

49:They fascinated him, the unsubtle cowering of the almost rich in the presence of the rich, and the rich in the presence of the very rich; to have money, it seemed, was to be consumed by money. Obinze felt repulsion and longing; he pitied them, but he also imagined being like them. ~ Chimamanda Ngozi Adichie,

50:A man and a woman are new to one another throughout a life-time, in the rhythm of marriage that matches the rhythm of the year. Sex is the balance of male and female in the universe, the attraction, the repulsion, the transit of neutrality, the new attraction, the repulsion, always different, always new. ~ D H Lawrence,

51:Minds vary in sensitiveness and in self-power, as bodies do in susceptibility of attraction and repulsion. When, when shall we learn that they are governed by laws as inexorable as physical laws, and that a man can as easily refuse to obey what has power over him as a steel atom can resist the magnet? ~ James Anthony Froude,

52:The thought of the harm caused to her husband aroused in her a feeling like repulsion, and akin to what a drowning man might feel who has shaken off another man clinging to him. That man did drown. It was an evil action, of course, but it was the sole means of escape, and better not to brood over these fearful facts. ~ Leo Tolstoy,

53:When Lady Rawlings first demanded to nurse her baby, she had been repulsed, certainly. The very idea of allowing a child to munch from one's private parts was instinctively revolting. But then she had been in the nursery yesterday while Esme nursed William, and it was hard to reconcile that experience with her own repulsion. ~ Eloisa James,

54:But now, since they had been in Rome, with all the depths of her emotion roused to tumultuous activity, and with life made a new problem by new elements, she had been becoming more and more aware, with a certain terror, that her mind was continually sliding into inward fits of anger and repulsion, or else into forlorn weariness. ~ George Eliot,

55:What is it about Trump that acts as an irresistible magnet with ferocious attraction or repulsion? Is Trump the end product of our culture of narcissism? Is he what we get and deserve because he epitomizes the god or gods we currently worship in our mindless, consumerist, hyperindulged cult of continuous stimulation and entertainment? ~ Bandy X Lee,

56:Rather than thinking that genuine religious experience is always comforting, the sense that there is one who can see into the very depths of our being can cause us to turn and run from God. Such repulsion and fear arises from the actual experience of God, for to feel naked and ashamed before God presupposes some kind of relation with God. ~ Peter Rollins,

57:It was as if some magnetic repulsion, which before had kept our two carriages from meeting and passing, had now been reversed, and so sucked me inexorably forward, drawing me towards something my heart made clear I feared - or should fear - utterly, in the way some people are fatally attracted towards an abyss while standing on its very edge. ~ Iain Banks,

58:Progress in science is governed by the laws of repulsion, every step forward is made by refutation of prevalent errors and false theories. Faust was an artist thanks to the inspiring example of his teachers. Forward steps in art are governed by the law of attraction, are the result of the imitation of and admiration for beloved predecessors. ~ Boris Pasternak,

59:"Repulsion" for me was a really big movie where I was like, "OK, technically there's nothing scary going on here but I'm kind of terrified." Something so tiny was devolving this whole world. I guess I've always been obsessed with what I call the "epically small" in cinema, and that's how one tiny, little weird thing can just explode everything. ~ Mark Duplass,

60:Choice—to do and think right Refusal—of temptation Yearning—to be better Repulsion—of negativity, of bad influences, of what isn’t true Preparation—for what lies ahead or whatever may happen Purpose—our guiding principle and highest priority Assent—to be free of deception about what’s inside and outside our control (and be ready to accept the latter) ~ Ryan Holiday,

61:Here in this supreme menace of the will, there approaches a
redeeming, healing, enchantress—art. She alone can turn these
thoughts of repulsion at the horror and absurdity of existence into
ideas compatible with life: these are the sublime—the taming of
horror through art; and comedy—the artistic release from the
repellence of the absurd. ~ Friedrich Nietzsche,

62:What would it be like to live as a butterfly, being admired by the world for your color and beauty and grace? What would it be like to live as a spider, having people shriek and jump and throw a shoe at the very notice of you?
I have tasted both―looks of desire and repulsion.
How sad it is that we judge a life by such a trivial thing as appearance. ~ Richelle E Goodrich,

63:Arjuna, to expand your mind, use intelligence to draw your mind away from sensuality, so that there is no self-obsession, aggression, arrogance, desire, anger, possessiveness, attraction or repulsion. You are content in solitude, consuming little, expressing little, connected with the world and aware.—Bhagavad Gita: Chapter 18, verses 51 to 53 (paraphrased). ~ Devdutt Pattanaik,

64:Horror immobolizes us because it is made of contradictory feelings: fear and seduction, repulsion and attraction. Horror is a fascination...Horror is immobility, the great yawn of empty space, the womb and the hole in the earth, the universal Mother and the great garbage heap...With horror we cannot have recourse to flight or combat, there remains only Adoration or Exorcism. ~ Octavio Paz,

65:My patient was one of those singular and unfortunate people who regard their heart (“a hollow, muscular organ,” according to the gruesome definition in Webster’s New Collegiate Dictionary, which Pnin’s orphaned bag contained) with a queasy dread, a nervous repulsion, a sick hate, as if it were some strong slimy untouchable monster that one had to be parasitized with, alas. ~ Vladimir Nabokov,

66:Everything in this world seems to be created in pairs. If there is a man, there is a woman—in almost equal numbers. In the same way, there is pleasure with pain, love with hatred, wisdom with ignorance, passion with repulsion, ecstasy with depression, and so on. The world seems to have been divided into two attributes—good and evil. Even God seems to be divided--God Himself and His counterpart—the Devil. ~ Awdhesh Singh,

67:Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion. ~ Ralph Waldo Emerson,

68:All the forces that we see in nature, such as gravitation, attraction, and repulsion, or as thought, feeling, and nervous motion - all these various forces resolve into that Prana, and the vibration of the Prana ceases. In that state it remains until the beginning of the next cycle. Prana then begins to vibrate, and that vibration acts upon the Akasha, and all these forms are thrown out in regular succession. ~ Swami Vivekananda,

69:It is quite impossible to understand,’ I commented afterwards, ‘how we can be such strong individualists, so insistent on the rights and claims of every human soul, and yet at the same time countenance (and if we are English, even take quite calmly) this wholesale murder, which if it were applied to animals or birds or indeed anything except men would fill us with a sickness and repulsion greater than we could endure. ~ Vera Brittain,

70:...Van tortured himself with thoughts of insufficient filial affection—a long story of unconcern, amused scorn, physical repulsion, and habitual dismissal. He looked around, making wild amends, willing her spirit to give him an unequivocal, and indeed all-deciding sign, of continued being behind the veil of time, beyond the flesh of space. But no response came, not a petal fell on his bench, not a gnat touched his hand. ~ Vladimir Nabokov,

71:Love has been taken away from the poets, and has been brought within the domain of true science. It may prove to be one of the great cosmic elementary forces. When the atom of hydrogen draws the atom of chlorine towards it to form the perfected molecule of hydrochloric acid, the force which it exerts may be intrinsically similar to that which draws me to you. Attraction and repulsion appear to be the primary forces. This is attraction. ~ Arthur Conan Doyle,

72:The Word 'Repulse': I hate this word. I believe 'repel' is a perfectly good word, and 'repulsion' is the noun, as well as the title of an excellent Dinosaur Jr. song. A compulsion compels you; an impulse impels you. Nobody ever says 'compulse' or 'impulse' as a verb. So why would you ever say 'repulse'? This word haunts me in my sleep, like a silver dagger dancing before my eyes. Renee looked it up and I was wrong. But I still kind of think I'm right. ~ Rob Sheffield,

73:Her nausea increased, the dialect had become unfamiliar, the way our wet throats bathed the words in the liquid of saliva was intolerable. A sense of repulsion had invested all the bodies in movement, their bone structure, the frenzy that shook them. How poorly made we are, she thought, how insufficient. The broad shoulders, the arms, the legs, the ears, noses, eyes, seemed to her attributes of monstrous beings who had fallen from some corner of the black sky. ~ Elena Ferrante,

74:No one spoke of hatred of the Russians. the feeling experienced by all the Chechens, from the youngest to the oldest, was stronger than hate. It was not hatred, for they did not regard those Russian dogs as human beings, but it was such repulsion, disgust, and perplexity at the senseless cruelty of these creatures, that the desire to exterminate them — like the desire to exterminate rats, poisonous spiders, or wolves — was as natural an instinct as that of self-preservation. ~ Leo Tolstoy,

75:The tickling narrative, unlike the sexual narrative, has no climax.

Is the tickling scene, at its most reassuring, not a unique representation of desire and, at its most unsettling, a paradigm of the perverse contract?

Does it not highlight, this delightful game, the impossibility of satisfaction and of reunion, with its continual reenactment of the irresistible attraction and the inevitable repulsion of the object, in which the final satisfaction is frustration? ~ Adam Phillips,

76:She had a ghostly pallor and a dreadful expression, she wore clothes that were out of keeping with the styles of the present-day; she had kept her distance from me and she had not spoken. Something emanating from her still, silent presence, in each case by a grave, had communicated itself to me so strongly that I had felt indescribable repulsion and fear. And she had appeared and then vanished in a way that surely no real, living, fleshly human being could possibly manage to do. And ~ Susan Hill,

77:Just as the office worker dreams of murdering his hated boss and so is saved from really murdering him, so it is with the author; with his great dreams he helps his readers to survive, to avoid their worst intentions. And society, without realizing it respects and even exalts him, albeit with a kind of jealousy, fear and even repulsion, since few people want to discover the horrors that lurk in the depths of their souls. This is the highest mission of great literature, and there is no other. ~ Ernesto Sabato,

78:In every room, in every house, in every street, in every city, movements, relations, and spaces are also defined with regard to logics of sexual attraction-repulsion between individuals. Even the most insurmountable ethnic or religious barriers can suddenly disappear in the furor of intercourse; even the warmest and most cohesive community can rapidly dissolve in the absence of erotic tension. To understand how our cosmopolitan and multigendered cities work, we need a proxemics of urban sexuality. ~ Anonymous,

79:Religion in the West has a very wrong connotation. It has almost reached to a point where the very word 'religion' creates a repulsion, where the very word 'religion' reminds one of dead churches and dead priests. It reminds one of serious looking people, long faces. It has lost the capacity to dance, to sing, to celebrate. And when a religion has lost the capacity to dance, to celebrate, to sing, to love, just to be, then it is no more religion - it is a corpse, it is theology. Theology is dead religion. ~ Rajneesh,

80:Fyodor Pavlovitch was drunk when he heard of his wife's death, and the story is that he ran out into the street and began shouting with joy, raising his hands to Heaven: "Lord, now lettest Thou Thy servant depart in peace," but others say he wept without restraint like a little child, so much so that people were sorry for him, in spite of the repulsion he inspired. It is quite possible that both versions were true, that he rejoiced at his release, and at the same time wept for her who released him. ~ Fyodor Dostoyevsky,

81:The path of self-purification is hard and steep. One has to become absolutely passion-free in thought, speech and action to rise above the opposing currents of love and hatred, attachment and repulsion. I know that I have not in me as yet that triple purity in spite of constant ceaseless striving for it. That is why the world's praise fails to move me, indeed it very often stings me. To conquer the subtle passions seems to me to be harder far than the physical conquest of the world by the force of arms. ~ Mahatma Gandhi,

82:He walked on without resting. He had a terrible longing for some distraction, but he did not know what to do, what to attempt. A new overwhelming sensation was gaining more and more mastery over him every moment; this was an immeasurable, almost physical, repulsion for everything surrounding him, an obstinate, malignant feeling of hatred. All who met him were loathsome to him - he loathed their faces, their movements, their gestures. If anyone had addressed him, he felt that he might have spat at him or bitten him... . ~ Fyodor Dostoevsky,

83:He walked on without resting. He had a terrible longing for some distraction, but he did not know what to do, what to attempt. A new overwhelming sensation was gaining more and more mastery over him every moment; this was an immeasurable, almost physical, repulsion for everything surrounding him, an obstinate, malignant feeling of hatred. All who met him were loathsome to him - he loathed their faces, their movements, their gestures. If anyone had addressed him, he felt that he might have spat at him or bitten him... . ~ Fyodor Dostoyevsky,

84:This had serious implications for the ultimate fate of massive stars. If a star’s mass is less than the Chandrasekhar limit, it can eventually stop contracting and settle down to a possible final state as a ‘white dwarf’ with a radius of a few thousand miles and a density of hundreds of tons per cubic inch. A white dwarf is supported by the exclusion principle repulsion between the electrons in its matter. We observe a large number of these white dwarf stars. One of the first to be discovered is a star that is orbiting around Sirius, the brightest star in the night sky. ~ Stephen Hawking,

85:Our immune system—functionally formal with its select cell types, spatially fuzzy because dispersed throughout our blood—is a vital part of the human border. The fuzzy valence shells of electrons in atoms separate one atom from another by repulsion yet allow bridges of relationship for chemical bonding. Overall, to find the functional as well as the physical borders, we can search for where and how an entity separates from and connects to others, by looking for those parts that relate both to something inside and to something external. ~ Tyler Volk, Metapatterns - Across Space, Time, and Mind,

86:Seeing the world with all the unspoiled simplicity of a young child, you are free from concepts of beauty and ugliness, good and evil, and no longer fall prey to conflicting tendencies driven by desire or repulsion. Why trouble yourself about all the ups and downs of daily life, like a child who delights in building a sand castle but cries when it collapses? To get what they want and be rid of what they dislike, look how people throw themselves into torments, like moths plunging into the flame of a lamp! Would it not be better to put down your heavy burden of dreamlike obsessions once and for all? ~ Dilgo Khyentse,

87:Landau pointed out that there was another possible final state for a star, also with a limiting mass of about one or two times the mass of the sun but much smaller even than a white dwarf. These stars would be supported by the exclusion principle repulsion between neutrons and protons, rather than between electrons. They were therefore called neutron stars. They would have a radius of only ten miles or so and a density of hundreds of millions of tons per cubic inch. At the time they were first predicted, there was no way that neutron stars could be observed. They were not actually detected until much later. ~ Stephen Hawking,

88:our most basic myth would seem to be not Oedipus’s patricide, but matricide and violence against women. Where is Cinderella’s mother, and where is Little Red Riding Hood’s grandmother? The philosopher Julia Kristeva has explained the drive toward matricide as a kind of original, generative anger, expressing a need to destroy the mother, the origin place, to become an individual self. This is messier than an Oedipal reading of history, as the will to matricide is born in confusion and creates only chaos. As Nelson explains, the maternal element returns “via horror, repulsion, the uncanny, haunting, melancholia, depression, guilt. ~ Alice Bolin,

89:He had, indeed, one of those advantages which men who had lived and moved in the world enjoy over others, even men of intelligence and refinement, who have never gone into society, namely that they no longer see it transfigured by the longing or repulsion with which it fills the imagination, but regard it as quite unimportant. Their good nature, freed from all taint of snobbishness and from the fear of seeming too friendly, grown independent, in fact, has the ease, the grace of movement of a trained gymnast each of whose supple limbs will carry out precisely the movement that is required without any clumsy participation by the rest of his body. ~ Marcel Proust,

90:I’m sorry I cannot say I love you when you say
you love me. The words, like moist fingers,
appear before me full of promise but then run away
to a narrow black room that is always dark,
where they are silent, elegant, like antique gold,
devouring the thing I feel. I want the force
of attraction to crush the force of repulsion
and my inner and outer worlds to pierce
one another, like a horse whipped by a man.
I don’t want words to sever me from reality.
I don’t want to need them. I want nothing
to reveal feeling but feeling—as in freedom,
or the knowledge of peace in a realm beyond,
or the sound of water poured into a bowl. ~ Henri Cole,

91:I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium . . . . Shakespeare can not be recognized either as a great genius, or even as an average author. . . . far from being the height of perfection, [King Lear] is a very bad, carelessly composed production, . . . can not evoke among us anything but aversion and weariness. . . . All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language . . . . ~ Leo Tolstoy,

92:In essence the entire generation at the end of the nineteenth century bears in its soul that same reaction against the suffocatingly dead positivism which lay on hearts like a stone. It is quite possible that they will perish, that they will not succeed in accomplishing anything. But others will come and will carry on, all the same, their work, because this work is vital...

Symbols must naturally and effortlessly emerge out of the depth of reality. But if the author unnaturally invents them in order to express some idea or other, they will be transformed into dead allegories which arouse nothing other than repulsion like all that is dead.

("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature") ~ Dmitry Merezhkovsky,

93:What I saw was the Count’s head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had so many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow; but I kept looking, and it could be no delusion. ~ Bram Stoker,

94:Narcissus’s thoughts were far more occupied with Goldmund than Goldmund imagined. He wanted the bright boy as a friend. He sensed in him his opposite, his complement; he would have liked to adopt, lead, enlighten, strengthen, and bring him to bloom. But he held himself back, for many reasons, almost all of them conscious. Most of all, he felt tied and hemmed in by his distaste for teachers or monks who, all too frequently, fell in love with a pupil or a novice. Often enough, he had felt with repulsion the desiring eyes of older men upon him, had met their enticements and cajoleries with wordless rebuttal. He understood them better now that he knew the temptation to love the charming boy, to make him laugh, to run a caressing hand through his blond hair. But he would never do that, never. ~ Hermann Hesse,

95:They pictured the uranium nucleus as a liquid drop gone wobbly with the looseness of its confinement and imagined it hit by even a barely energetic slow neutron. The neutron would add its energy to the whole. The nucleus would oscillate. In one of its many random modes of oscillation it might elongate. Since the strong force operates only over extremely short distances, the electric force repelling the two bulbs of an elongated drop would gain advantage. The two bulbs would push farther apart. A waist would form between them. The strong force would begin to regain the advantage within each of the two bulbs. It would work like surface tension to pull them into spheres. The electric repulsion would work at the same time to push the two separating spheres even farther apart. Eventually the waist would give way. Two smaller nuclei would appear where one large nucleus had been before—barium and krypton, for example: ~ Richard Rhodes,

96:Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heartstrings to the beings that jar us at every movement. We hear a voice with the very cadence of our own uttering the thoughts we despise; we see eyes—ah! so like our mother’s—averted from us in cold alienation; and our last darling child startles us with the air and gestures of the sister we parted from in bitterness long years ago. The father to whom we owe our best heritage—the mechanical instinct, the keen sensibility to harmony, the unconscious skill of the modelling hand—galls us, and puts us to shame by his daily errors; the long-lost mother, whose face we begin to see in the glass as our own wrinkles come, once fretted our young souls with her anxious humours and irrational persistence. ~ George Eliot,

97:My first emotions had been those of pure melancholy and sincerest pity; but just in proportion as the forlornness of Bartleby grew and grew to my imagination, did that same melancholy merge into fear, that pity into repulsion. So true it is, and so terrible too, that up to a certain point the thought or sight of misery enlists our best affections; but, in certain special cases, beyond that point it does not. They err who would assert that invariably this is owing to the inherent selfishness of the human heart. It rather proceeds from a certain hopelessness of remedying excessive and organic ill. To a sensitive being, pity is not seldom pain. And when at last it is perceived that such pity cannot lead to effectual succor, common sense bids the soul rid of it. What I saw that morning persuaded me that the scrivener was the victim of innate and incurable disorder. I might give alms to his body; but his body did not pain him; it was his soul that suffered, and his soul I could not reach. ~ Herman Melville,

98:What I saw was the Count's head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had some many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over the dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow, but I kept looking, and it could be no delusion. I saw the fingers and toes grasp the corners of the stones, worn clear of the mortar by the stress of years, and by thus using every projection and inequality move downwards with considerable speed, just as a lizard moves along a wall. ~ Bram Stoker,

99:The core physics relies on a process known as quantum tunneling. Imagine a particle, an electron for instance, encountering a solid barrier, say a slab of steel ten feet think, that classical physics predicts it can't penetrate. A hallmark of quantum mechanics is that the rigid classical notion of "can't penetrate" often translates into the softer quantum declaration of "has a small but nonzero probability of penetrating." The reason is that the quantum jitters of a particle allow it, every so often, to suddenly materialize on the other side of an otherwise impervious barrier. The moment at which such quantum tunneling happens is random; the best we can do is predict the likelihood that it will take place during one interval or another. But the math says that if you wait long enough, penetration through just about any barrier will happen. And it does happen. If it didn't, the sun wouldn't shine: for hydrogen nuclei to get close enough to fuse, they must tunnel through the barrier created by the electromagnetic repulsion of their protons. ~ Brian Greene,

100:But, as I indicated in the historical overview, many of these same physicists quickly realized that the story for nature's remaining force, gravity, was far subtler. Whenever the equations of general relativity commingled with those of quantum theory, the mathematics balked. Use the combined equations to calculate the quantum probability of some physical process- such as the chance of two electrons ricocheting off each other, given both their electromagnetic repulsion and their gravitational attraction-and you'd typically get the answer infinity. While some things in the universe can be infinite, such as the extent of space and the quantity of matter that may fill it, probabilities are not among them. By definition, the value of a probability must be between 0 and 1 (or, in terms of percentages, between 0 and 100). An infinite probability does not mean that something is very likely to happen, or is certain to happen; rather, it's meaningless, like speaking of the thirteenth egg in an even dozen. An infinite probability sends a clear mathematical message: the combined equations are nonsense. ~ Brian Greene,

101:Waiters began to appear with tureens of soup, platters of fish and meat, and bowls of vegetables. Another with a huge gold tasting spoon hanging like a necklace at his chest showed the Count a bottle of wine, which he approved, and when opened, sniffed the cork, and then nodded so that a glass could be poured for me. He ordered the waiters to put everything on the table and retreat to the rear of the room. "I will serve her," he said. "Tell me what you would like, Mina."
I opened my mouth to speak, but he put a finger to my lips. "Not that way. Tell me with your thoughts."
Without looking at the food, I directed my attention by scent to the tureen of turtle soup, whose aroma I recognized from my first dinner at the asylum. "Yes, good," the Count said, ladling out a small bowlful for me. "What else?"
I relished the aromas of the white fish with wine and capers, the lamb with mint sauce, and the carrots, but rejected the turnips, which I had eaten for so many years at Miss Hadley's that I had come to abhor them. My repulsion made him laugh, and he signaled for a waiter to take the bowl away. ~ Karen Essex,

102:The reason was not hard to discern. The head of the body was also shaven with the tonsure of Columba. What remained of his clothing proclaimed it to have once consisted of the habit of a religieux, though there was no sign of the crucifix, leather belt and satchel that a peregrinus pro Christo would have carried. The leading traveller had drawn near on his mule and gazed up with a terrified expression on his white features. Another of the party, one of the two women, urged her mount nearer and gazed up at the corpse with a steady eye. She rode a horse, a fact that signified that she was no ordinary religieuse but a woman of rank. There was no fear on her pale features, just a slight expression of repulsion and curiosity. She was a young woman, tall but well proportioned, a fact scarcely concealed by her sombre dress. Rebellious strands of red hair streaked from beneath her headdress. Her pale-skinned features were attractive and her eyes were bright and it was difficult to discern whether they were blue or green, so changeable with emotion were they. ‘Come away, Sister Fidelma,’ muttered her male companion in agitation. ‘This is not a sight for your eyes. ~ Peter Tremayne,

103:Further calculations showed that when collapsing stars are a little more massive than the Chandrasekhar limit, the pressure of the resulting neutrons-similar to the pressure of electrons-can stave off collapse for a little while; this is what happens in a neutron star. At this point, the star is so dense that every teaspoon weighs hundreds of millions of tons. There is a limit, though, to even the pressure that neutrons can bear. Some astrophysicists believe that a little more squeezing makes the neutrons break down into their component quarks, creating a quark star. But that is the last stronghold. After that, all hell breaks loose. When an extremely massive star collapses, it disappears. The gravitational attraction is so great that physicists know of no force in the universe that can stop its collapse-not the repulsion of its electrons, not the pressure of neutron against neutron or quark against quark-nothing. The dying star gets smaller and smaller and smaller. Then...zero. The star crams itself into zero space. This is a black hole, an object so paradoxical that some scientists believe that black holes can be used to travel faster than light-and backward in time. ~ Charles Seife,

104:Be In Communion with Sorrow Most of us are not in communion with anything. We are not directly in communion with our friends, with our wives, with our children…. So to understand sorrow, surely you must love it, must you not? That is, you must be in direct communion with it. If you would understand something—your neighbor, your wife, or any relationship—if you would understand something completely, you must be near it. You must come to it without any objection, prejudice, condemnation, or repulsion; you must look at it, must you not? If I would understand you, I must have no prejudices about you. I must be capable of looking at you, not through barriers, screens of my prejudices and conditionings. I must be in communion with you, which means I must love you. Similarly, if I would understand sorrow, I must love it, I must be in communion with it. I cannot do so because I am running away from it through explanations, through theories, through hopes, through postponements, which are all the process of verbalization. So words prevent me from being in communion with sorrow. Words prevent me—words of explanations, rationalizations, which are still words, which are the mental process—from being directly in communion with sorrow. It is only when I am in communion with sorrow that I understand it. ~ Jiddu Krishnamurti,

105:As the following pages deal with the practising life, they lead - in accordance with their topic - to an expedition into the little-explored universe of human vertical tensions. The Platonic Socrates had opened up the phenomenon for occidental culture when he stated expressis verbis that man is a being potentially 'superior to himself'. I translate this remark into the observation that all 'cultures', 'subcultures' or 'scenes' are based on central distinctions by which the field of human behavioural possibilities is subdivided into polarized classes. Thus the ascetic 'cultures' know the central distinction of complete versus incomplete, the religious 'cultures' that of sacred versus profane, the aristocratic 'cultures' that of noble versus common, the military 'cultures' that of brave versus cowardly, the political 'cultures' that of powerful versus powerless, the administrative 'cultures' that of superior versus subordinate, the athletic 'cultures' that of excellence versus mediocrity, the economic 'cultures' that of wealth versus lack, the cognitive 'cultures' that of knowledge versus ignorance, and the sapiental 'cultures' that of illumination versus blindness. What all these differentiations have in common is the espousal of the first value, which is considered the attractor in the respective field, while the second pole consistently functions as a factor of repulsion or object of avoidance. ~ Peter Sloterdijk,

106:The main practical difficulty, with some at least of the Peace-makers, is how to carry themselves toward the undoers of peace, the disuniters of souls. Perhaps the most potent of these are not those powers of the church visible who care for canon and dogma more than for truth, and for the church more than for Christ; who take uniformity for unity; who strain at a gnat and swallow a camel, nor knowing what spirit they are of; such men, I say, are perhaps neither the most active nor the most potent force working for the disintegration of the body of Christ.
I imagine also that neither are the party-liars of politics the worst foes to divine unity, ungenerous, and often knowingly falseas they are t their opponents, to whom they seem to have no desire to be honest and fair.
I think rather, they must be the babbling lairs of the social circle, and the faithless brothers and unloving sisters of disunited human families.
But why inquire?
Every self-assertion, every form of self-seeking however small or poor, world-noble or grotesque, is a separating and scattering force. And these forces are multitudinous, these points of radial repulsion are innumerable, because of the prevailing passion of mean souls to seem great, and feel important.
…the partisan of self will sometimes gnaw asunder the most precious of bonds, poisen whole broods of infant loves.
Such real schismatics go about, where not inventing evil, yet rejoicing in iniquity; mishearing; misrepresenting; paralyzing affection; separating hearts. ~ George MacDonald,

107:The main practical difficulty, with some at least of the Peace-makers, is how to carry themselves toward the undoers of peace, the disuniters of souls. Perhaps the most potent of these are not those powers of the church visible who care for canon and dogma more than for truth, and for the church more than for Christ; who take uniformity for unity; who strain at a gnat and swallow a camel, nor knowing what spirit they are of; such men, I say, are perhaps neither the most active nor the most potent force working for the disintegration of the body of Christ.
I imagine also that neither are the party-liars of politics the worst foes to divine unity, ungenerous, and often knowingly false, as they are to their opponents, to whom they seem to have no desire to be honest and fair.
I think rather, they must be the babbling lairs of the social circle, and the faithless brothers and unloving sisters of disunited human families.
But why inquire?
Every self-assertion, every form of self-seeking however small or poor, world-noble or grotesque, is a separating and scattering force. And these forces are multitudinous, these points of radial repulsion are innumerable, because of the prevailing passion of mean souls to seem great, and feel important.
…the partisan of self will sometimes gnaw asunder the most precious of bonds, poison whole broods of infant loves.
Such real schismatics go about, where not inventing evil, yet rejoicing in iniquity; mishearing; misrepresenting; paralyzing affection; separating hearts. ~ George MacDonald,

108:The formula proposed, as I told you, is energy equals the mass times the speed of light squared, and light is very fast indeed. So that with only a little matter, if any of its energy were released into the world…' She shook her head. 'Of course the strong force means that would never happen. But we continue to investigate this element alactin, that the Travancori physicists call Hand of Tara. I suspect its heartknot is unstable, and Piali is beginning to agree with me. Clearly it is very full of the jinni, both yin and yang, in such a fashion that to me it is acting like a droplet of water held together by surface tension, but so big that the surface tension is just barely holding it, and it stretches out like a water drop in the air, deforming this way and that, but held together, just, except for sometimes, when it stretches too far for surface tension, the strong force in this case, and then the natural repulsion between the jinni makes a heartknot split in two, becoming atoms of lead, but releasing some of its bound power as well, in the form of rays of invisible energy. That's what we are seeing on the photographic plates you help with. It's quite a bit of energy, and that's just one heartknot breaking. What we have been wondering what we have been forced to consider, given the nature of the phenomenon – is, if we gathered enough of these atoms together, and broke even one heartknot apart, would the released qi break a lot more of them at the same time, more and more again all at the speed of light, in a space this big,' holding her hands apart. 'If that might not set off a short chain reaction,' she said. ~ Kim Stanley Robinson,

109:Raskolnikov went out in complete confusion. This confusion became more and more intense. As he went down the stairs, he even stopped short, two or three times, as though suddenly struck by some thought. When he was in the street he cried out, "Oh, God, how loathsome it all is! and can I, can I possibly… . No, it's nonsense, it's rubbish!" he added resolutely. "And how could such an atrocious thing come into my head? What filthy things my heart is capable of. Yes, filthy above all, disgusting, loathsome, loathsome!—and for a whole month I've been… ." But no words, no exclamations, could express his agitation. The feeling of intense repulsion, which had begun to oppress and torture his heart while he was on his way to the old woman, had by now reached such a pitch and had taken such a definite form that he did not know what to do with himself to escape from his wretchedness. He walked along the pavement like a drunken man, regardless of the passers-by, and jostling against them, and only came to his senses when he was in the next street. Looking round, he noticed that he was standing close to a tavern which was entered by steps leading from the pavement to the basement. At that instant two drunken men came out at the door, and abusing and supporting one another, they mounted the steps. Without stopping to think, Raskolnikov went down the steps at once. Till that moment he had never been into a tavern, but now he felt giddy and was tormented by a burning thirst. He longed for a drink of cold beer, and attributed his sudden weakness to the want of food. He sat down at a sticky little table in a dark and dirty corner; ordered some beer, and eagerly drank off the first glassful. At once he felt easier; and his thoughts became clear. ~ Fyodor Dostoyevsky,

110:separating from the heart and mind and the benefits of doing so :::
Therefore the mental Purusha has to separate himself from association and self-identification with this desire-mind. He has to say I am not this thing that struggles and suffers, grieves and rejoices, loves and hates, hopes and is baffled, is angry and afraid and cheerful and depressed, a thing of vital moods and emotional passions. All these are merely workings and habits of Prakriti in the sensational and emotional mind. The mind then draws back from its emotions and becomes with these, as with the bodily movements and experiences, the observer or witness. There is again an inner cleavage. There is this emotional mind in which these moods and passions continue to occur according to the habit of the modes of Nature and there is the observing mind which sees them, studies and understands but is detached from them. It observes them as if in a sort of action and play on a mental stage of personages other than itself, at first with interest and a habit of relapse into identification, then with entire calm and detachment, and, finally, attaining not only to calm but to the pure delight of its own silent existence, with a smile at thier unreality as at the imaginary joys and sorrows of a child who is playing and loses himself in the play. Secondly, it becomes aware of itself as master of the sanction who by his withdrawl of sanction can make this play to cease. When the sanction is withdrawn, another significant phenomenon takes place; the emotional mind becomes normally calm and pure and free from these reactions, and even when they come, they no longer rise from within but seem to fall on it as impression from outside to which its fibers are still able to respond; but this habit of reponse dies away and the emotional mind is in time entirely liberated from the passions which it has renounced. Hope and fear, joy and grief, liking and disliking, attraction and repulsion, content and discontent, gladness and depression, horror and wrath and fear and disgust and shame and the passions of love and hatred fall away from the liberated psychic being.
~ Sri Aurobindo, The Synthesis Of Yoga, The Release from the Heart and the Mind, 352,

111:There I waited day and night for the voice of God within me, to know what He had to say to me, to learn what I had to do. In this seclusion the earliest realisation, the first lesson came to me. I remembered then that a month or more before my arrest, a call had come to me to put aside all activity, to go in seclusion and to look into myself, so that I might enter into closer communion with Him. I was weak and could not accept the call. My work was very dear to me and in the pride of my heart I thought that unless I was there, it would suffer or even fail and cease; therefore I would not leave it. It seemed to me that He spoke to me again and said, The bonds you had not the strength to break, I have broken for you, because it is not my will nor was it ever my intention that that should continue. I have had another thing for you to do and it is for that I have brought you here, to teach you what you could not learn for yourself and to train you for my work. Then He placed the Gita in my hands. His strength entered into me and I was able to do the sadhana of the Gita. I was not only to understand intellectually but to realise what Sri Krishna demanded of Arjuna and what He demands of those who aspire to do His work, to be free from repulsion and desire, to do work for Him without the demand for fruit, to renounce self-will and become a passive and faithful instrument in His hands, to have an equal heart for high and low, friend and opponent, success andfailure, yet not to do His work negligently. I realised what the Hindu religion meant. We speak often of the Hindureligion, of the Sanatan Dharma, but few of us really know what that religion is. Other religions are preponderatingly religions of faith and profession, but the Sanatan Dharma is life itself; it is a thing that has not so much to be believed as lived. This is the Dharma that for the salvation of humanity was cherished in the seclusion of this peninsula from of old. It is to give this religion that India is rising. She does not rise as other countries do, for self or when she is strong, to trample on the weak. She is rising to shed the eternal light entrusted to her over the world. India has always existed for humanity and not for herself and it is for humanity and not for herself that she must be great.
~ Sri Aurobindo, Karmayogin,

112:We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling. ~ Arthur Conan Doyle,

113:The Angel In The House. Book I. Canto Xi.
Preludes.
I The Daughter of Eve
The woman's gentle mood o'erstept
Withers my love, that lightly scans
The rest, and does in her accept
All her own faults, but none of man's.
As man I cannot judge her ill,
Or honour her fair station less,
Who, with a woman's errors, still
Preserves a woman's gentleness;
For thus I think, if one I see
Who disappoints my high desire,
‘How admirable would she be,
‘Could she but know how I admire!’
Or fail she, though from blemish clear,
To charm, I call it my defect;
And so my thought, with reverent fear
To err by doltish disrespect,
Imputes love's great regard, and says,
‘Though unapparent 'tis to me,
‘Be sure this Queen some other sways
‘With well-perceiv'd supremacy.’
Behold the worst! Light from above
On the blank ruin writes ‘Forbear!
‘Her first crime was unguarded love,
‘And all the rest, perhaps, despair.’
Discrown'd, dejected, but not lost,
O, sad one, with no more a name
Or place in all the honour'd host
Of maiden and of matron fame,
Grieve on; but, if thou grievest right,
'Tis not that these abhor thy state,
Nor would'st thou lower the least the height
Which makes thy casting down so great.
Good is thy lot in its degree;
For hearts that verily repent
Are burden'd with impunity
And comforted by chastisement.
110
Sweet patience sanctify thy woes!
And doubt not but our God is just,
Albeit unscathed thy traitor goes,
And thou art stricken to the dust.
That penalty's the best to bear
Which follows soonest on the sin;
And guilt's a game where losers fare
Better than those who seem to win.
II Aurea Dicta
'Tis truth (although this truth's a star
Too deep-enskied for all to see),
As poets of grammar, lovers are
The fountains of morality.
Child, would you shun the vulgar doom,
In love disgust, in death despair?
Know, death must come and love must come,
And so for each your soul prepare.
Who pleasure follows pleasure slays;
God's wrath upon himself he wreaks;
But all delights rejoice his days
Who takes with thanks, and never seeks.
The wrong is made and measured by
The right's inverted dignity.
Change love to shame, as love is high
So low in hell your bed shall be.
How easy to keep free from sin!
How hard that freedom to recall!
For dreadful truth it is that men
Forget the heavens from which they fall.
Lest sacred love your soul ensnare,
With pious fancy still infer
‘How loving and how lovely fair
‘Must He be who has fashion'd her!’
Become whatever good you see,
Nor sigh if, forthwith, fades from view
The grace of which you may not be
The subject and spectator too.
Love's perfect blossom only blows
Where noble manners veil defect.
Angels may be familiar; those
Who err each other must respect.
111
Love blabb'd of is a great decline;
A careless word unsanctions sense;
But he who casts Heaven's truth to swine
Consummates all incontinence.
Not to unveil before the gaze
Of an imperfect sympathy
In aught we are, is the sweet praise
And the main sum of modesty.
The Dance.
‘My memory of Heaven awakes!
‘She's not of the earth, although her light,
‘As lantern'd by her body, makes
‘A piece of it past bearing bright.
‘So innocently proud and fair
‘She is, that Wisdom sings for glee
‘And Folly dies, breathing one air
‘With such a bright-cheek'd chastity;
‘And though her charms are a strong law
‘Compelling all men to admire,
‘They go so clad with lovely awe
‘None but the noble dares desire.
‘He who would seek to make her his
‘Will comprehend that souls of grace
‘Own sweet repulsion, and that 'tis
‘The quality of their embrace
‘To be like the majestic reach
‘Of coupled suns, that, from afar,
‘Mingle their mutual spheres, while each
‘Circles the twin obsequious star;
‘And, in the warmth of hand to hand,
‘Of heart to heart, he'll vow to note
‘And reverently understand
‘How the two spirits shine remote;
‘And ne'er to numb fine honour's nerve,
‘Nor let sweet awe in passion melt,
‘Nor fail by courtesies to observe
‘The space which makes attraction felt;
‘Nor cease to guard like life the sense
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‘Which tells him that the embrace of love
‘Is o'er a gulf of difference
‘Love cannot sound, nor death remove.’
II
This learn'd I, watching where she danced,
Native to melody and light,
And now and then toward me glanced,
Pleased, as I hoped, to please my sight.
III
Ah, love to speak was impotent,
Till music did a tongue confer,
And I ne'er knew what music meant,
Until I danced to it with her.
Too proud of the sustaining power
Of my, till then, unblemish'd joy,
My passion, for reproof, that hour
Tasted mortality's alloy,
And bore me down an eddying gulf;
I wish'd the world might run to wreck,
So I but once might fling myself
Obliviously about her neck.
I press'd her hand, by will or chance
I know not, but I saw the rays
Withdrawn, which did till then enhance
Her fairness with its thanks for praise.
I knew my spirit's vague offence
Was patent to the dreaming eye
And heavenly tact of innocence,
And did for fear my fear defy,
And ask'd her for the next dance. ‘Yes.’
‘No,’ had not fall'n with half the force.
She was fulfill'd with gentleness,
And I with measureless remorse;
And, ere I slept, on bended knee
I own'd myself, with many a tear,
Unseasonable, disorderly,
And a deranger of love's sphere;
Gave thanks that, when we stumble and fall,
We hurt ourselves, and not the truth;
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And, rising, found its brightness all
The brighter through the tears of ruth.
IV
Nor was my hope that night made less,
Though order'd, humbled, and reproved;
Her farewell did her heart express
As much, but not with anger, moved.
My trouble had my soul betray'd;
And, in the night of my despair,
My love, a flower of noon afraid,
Divulged its fulness unaware.
I saw she saw; and, O sweet Heaven,
Could my glad mind have credited
That influence had to me been given
To affect her so, I should have said
That, though she from herself conceal'd
Love's felt delight and fancied harm,
They made her face the jousting field
Of joy and beautiful alarm.
~ Coventry Patmore,

114:Xantippe
(A Fragment)>/i>
What, have I waked again? I never thought
To see the rosy dawn, or ev'n this grey,
Dull, solemn stillness, ere the dawn has come.
The lamp burns low; low burns the lamp of life:
The still morn stays expectant, and my soul,
All weighted with a passive wonderment,
Waiteth and watcheth, waiteth for the dawn.
Come hither, maids; too soundly have ye slept
That should have watched me; nay, I would not chide-Oft have I chidden, yet I would not chide
In this last hour;--now all should be at peace.
I have been dreaming in a troubled sleep
Of weary days I thought not to recall;
Of stormy days, whose storms are hushed long since;
Of gladsome days, of sunny days; alas!
In dreaming, all their sunshine seem'd so sad,
As though the current of the dark To-Be
Had flow'd, prophetic, through the happy hours.
And yet, full well, I know it was not thus;
I mind me sweetly of the summer days,
When, leaning from the lattice, I have caught
The fair, far glimpses of a shining sea;
And, nearer, of tall ships which thronged the bay,
And stood out blackly from a tender sky
All flecked with sulphur, azure, and bright gold;
And in the still, clear air have heard the hum
Of distant voices; and methinks there rose
No darker fount to mar or stain the joy
Which sprang ecstatic in my maiden breast
Than just those vague desires, those hopes and fears,
Those eager longings, strong, though undefined,
Whose very sadness makes them seem so sweet.
What cared I for the merry mockeries
Of other maidens sitting at the loom?
Or for sharp voices, bidding me return
To maiden labour? Were we not apart,--
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I and my high thoughts, and my golden dreams,
My soul which yearned for knowledge, for a tongue
That should proclaim the stately mysteries
Of this fair world, and of the holy gods?
Then followed days of sadness, as I grew
To learn my woman-mind had gone astray,
And I was sinning in those very thoughts-For maidens, mark, such are not woman's thoughts-(And yet, 'tis strange, the gods who fashion us
Have given us such promptings). . . .
Fled the years,
Till seventeen had found me tall and strong,
And fairer, runs it, than Athenian maids
Are wont to seem ; I had not learnt it well-My lesson of dumb patience--and I stood
At Life's great threshold with a beating heart,
And soul resolved to conquer and attain. . . .
Once, walking 'thwart the crowded market place,
With other maidens, bearing in the twigs
White doves for Aphrodite's sacrifice,
I saw him, all ungainly and uncouth,
Yet many gathered round to hear his words,
Tall youths and stranger-maidens--Sokrates-I saw his face and marked it, half with awe,
Half with a quick repulsion at the shape. . . .
The richest gem lies hidden furthest down,
And is the dearer for the weary search;
We grasp the shining shells which strew the shore,
Yet swift we fling them from us; but the gem
We keep for aye and cherish. So a soul,
Found after weary searching in the flesh
Which half repelled our senses, is more dear,
For that same seeking, than the sunny mind
Which lavish Nature marks with thousand hints
Upon a brow of beauty. We are prone
To overweigh such subtle hints, then deem,
In after disappointment, we are fooled. . .
And when, at length, my father told me all,
That I should wed me with great Sokrates,
I, foolish, wept to see at once cast down
The maiden image of a future love,
Where perfect body matched the perfect soul.
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But slowly, softly did I cease to weep;
Slowly I 'gan to mark the magic flash
Leap to the eyes, to watch the sudden smile
Break round the mouth, and linger in the eyes;
To listen for the voice's lightest tone-Great voice, whose cunning modulations seemed
Like to the notes of some sweet instrument.
So did I reach and strain, until at last
I caught the soul athwart the grosser flesh.
Again of thee, sweet Hope, my spirit dreamed!
I, guided by his wisdom and his love,
Led by his words, and counselled by his care,
Should lift the shrouding veil from things which be,
And at the flowing fountain of his soul
Refresh my thirsting spirit. . .
And indeed,
In those long days which followed that strange day
When rites and song, and sacrifice and flow'rs,
Proclaimed that we were wedded, did I learn,
In sooth, a-many lessons; bitter ones
Which sorrow taught me, and not love inspired,
Which deeper knowledge of my kind impressed
With dark insistence on reluctant brain;-But that great wisdom, deeper, which dispels
Narrowed conclusions of a half-grown mind,
And sees athwart the littleness of life
Nature's divineness and her harmony,
Was never poor Xantippe's. . .
I would pause
And would recall no more, no more of life,
Than just the incomplete, imperfect dream
Of early summers, with their light and shade,
Their blossom-hopes, whose fruit was never ripe;
But something strong within me, some sad chord
Which loudly echoes to the later life,
Me to unfold the after-misery
Urges with plaintive wailing in my heart.
Yet, maidens, mark ; I would not that ye thought
I blame my lord departed, for he meant
No evil, so I take it, to his wife.
'Twas only that the high philosopher,
Pregnant with noble theories and great thoughts,
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Deigned not to stoop to touch so slight a thing
As the fine fabric of a woman's brain-So subtle as a passionate woman's soul.
I think, if he had stooped a little, and cared,
I might have risen nearer to his height,
And not lain shattered, neither fit for use
As goodly household vessel, nor for that
Far finer thing which I had hoped to be. . .
Death, holding high his retrospective lamp,
Shows me those first, far years of wedded life,
Ere I had learnt to grasp the barren shape
Of what the Fates had destined for my life.
Then, as all youthful spirits are, was I
Wholly incredulous that Nature meant
So little, who had promised me so much.
At first I fought my fate with gentle words,
With high endeavours after greater things;
Striving to win the soul of Sokrates,
Like some slight bird, who sings her burning love
To human master, till at length she finds
Her tender language wholly misconceived,
And that same hand whose kind caress she sought,
With fingers flippant flings the careless corn. . .
I do remember how, one summer's eve,
He, seated in an arbour's leafy shade,
Had bade me bring fresh wine-skins. . .
As I stood
Ling'ring upon the threshold, half concealed
By tender foliage, and my spirit light
With draughts of sunny weather, did I mark
An instant, the gay group before mine eyes.
Deepest in shade, and facing where I stood,
Sat Plato, with his calm face and low brows
Which met above the narrow Grecian eyes,
The pale, thin lips just parted to the smile,
Which dimpled that smooth olive of his cheek.
His head a little bent, sat Sokrates,
With one swart finger raised admonishing,
And on the air were borne his changing tones.
Low lounging at his feet, one fair arm thrown
Around his knee (the other, high in air
Brandish'd a brazen amphor, which yet rained
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Bright drops of ruby on the golden locks
And temples with their fillets of the vine),
Lay Alkibiades the beautiful.
And thus, with solemn tone, spake Sokrates:
' This fair Aspasia, which our Perikles
Hath brought from realms afar, and set on high
In our Athenian city, hath a mind,
I doubt not, of a strength beyond her race;
And makes employ of it, beyond the way
Of women nobly gifted : woman's frail-Her body rarely stands the test of soul;
She grows intoxicate with knowledge; throws
The laws of custom, order, 'neath her feet,
Feasting at life's great banquet with wide throat.'
Then sudden, stepping from my leafy screen,
Holding the swelling wine-skin o'er my head,
With breast that heaved, and eyes and cheeks aflame,
Lit by a fury and a thought, I spake:
' By all great powers around us ! can it be
That we poor women are empirical?
That gods who fashioned us did strive to make
Beings too fine, too subtly delicate,
With sense that thrilled response to ev'ry touch
Of nature's and their task is not complete?
That they have sent their half-completed work
To bleed and quiver here upon the earth?
To bleed and quiver, and to weep and weep,
To beat its soul against the marble walls
Of men's cold hearts, and then at last to sin!'
I ceased, the first hot passion stayed and stemmed
And frighted by the silence: I could see,
Framed by the arbour foliage, which the sun
In setting softly gilded with rich gold,
Those upturned faces, and those placid limbs;
Saw Plato's narrow eyes and niggard mouth,
Which half did smile and half did criticise,
One hand held up, the shapely fingers framed
To gesture of entreaty--' Hush, I pray,
Do not disturb her; let us hear the rest;
Follow her mood, for here's another phase
Of your black-browed Xantippe. . .'
Then I saw
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Young Alkibiades, with laughing lips
And half-shut eyes, contemptuous shrugging up
Soft, snowy shoulders, till he brought the gold
Of flowing ringlets round about his breasts.
But Sokrates, all slow and solemnly,
Raised, calm, his face to mine, and sudden spake:
' I thank thee for the wisdom which thy lips
Have thus let fall among us : prythee tell
From what high source, from what philosophies
Didst cull the sapient notion of thy words?'
Then stood I straight and silent for a breath,
Dumb, crushed with all that weight of cold contempt;
But swiftly in my bosom there uprose
A sudden flame, a merciful fury sent
To save me; with both angry hands I flung
The skin upon the marble, where it lay
Spouting red rills and fountains on the white;
Then, all unheeding faces, voices, eyes,
I fled across the threshold, hair unbound-White garment stained to redness--beating heart
Flooded with all the flowing tide of hopes
Which once had gushed out golden, now sent back
Swift to their sources, never more to rise. . .
I think I could have borne the weary life,
The narrow life within the narrow walls,
If he had loved me; but he kept his love
For this Athenian city and her sons;
And, haply, for some stranger-woman, bold
With freedom, thought, and glib philosophy. . .
Ah me ! the long, long weeping through the nights,
The weary watching for the pale-eyed dawn
Which only brought fresh grieving : then I grew
Fiercer, and cursed from out my inmost heart
The Fates which marked me an Athenian maid.
Then faded that vain fury ; hope died out;
A huge despair was stealing on my soul,
A sort of fierce acceptance of my fate,-He wished a household vessel--well! 'twas good,
For he should have it! He should have no more
The yearning treasure of a woman's love,
But just the baser treasure which he sought.
I called my maidens, ordered out the loom,
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And spun unceasing from the morn till eve;
Watching all keenly over warp and woof,
Weighing the white wool with a jealous hand.
I spun until, methinks, I spun away
The soul from out my body, the high thoughts
From out my spirit; till at last I grew
As ye have known me,--eye exact to mark
The texture of the spinning; ear all keen
For aimless talking when the moon is up,
And ye should be a-sleeping; tongue to cut
With quick incision, 'thwart the merry words
Of idle maidens. . .
Only yesterday
My hands did cease from spinning; I have wrought
My dreary duties, patient till the last.
The gods reward me! Nay, I will not tell
The after years of sorrow; wretched strife
With grimmest foes--sad Want and Poverty;-Nor yet the time of horror, when they bore
My husband from the threshold; nay, nor when
The subtle weed had wrought its deadly work.
Alas! alas! I was not there to soothe
The last great moment; never any thought
Of her that loved him--save at least the charge,
All earthly, that her body should not starve. . .
You weep, you weep; I would not that ye wept;
Such tears are idle; with the young, such grief
Soon grows to gratulation, as, 'her love
Was withered by misfortune; mine shall grow
All nurtured by the loving,' or, 'her life
Was wrecked and shattered--mine shall smoothly sail.'
Enough, enough. In vain, in vain, in vain!
The gods forgive me! Sorely have I sinned
In all my life. A fairer fate befall
You all that stand there. . .
Ha! the dawn has come;
I see a rosy glimmer--nay ! it grows dark;
Why stand ye so in silence? throw it wide,
The casement, quick; why tarry?--give me air-O fling it wide, I say, and give me light!
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~ Amy Levy,

115:Epilogue
(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A
SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS
ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE
SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)
FIRST VOICE
A game of checkers?
SECOND VOICE
Well, I don't mind.
FIRST VOICE
I move the Will.
SECOND VOICE
You're playing it blind.
FIRST VOICE
Then here's the Soul.
SECOND VOICE
Checked by the Will.
FIRST VOICE
Eternal Good!
SECOND VOICE
And Eternal Ill.
FIRST VOICE
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I haste for the King row.
SECOND VOICE
Save your breath.
FIRST VOICE
I was moving Life.
SECOND VOICE
You're checked by Death.
FIRST VOICE
Very good, here's Moses.
SECOND VOICE
And here's the Jew.
FIRST VOICE
My next move is Jesus.
SECOND VOICE
St. Paul for you!
FIRST VOICE
Yes, but St. Peter –
SECOND VOICE
You might have foreseen –
FIRST VOICE
You're in the King row --
101
SECOND VOICE
With Constantine!
FIRST VOICE
I'll go back to Athens.
SECOND VOICE
Well, here's the Persian.
FIRST VOICE
All right, the Bible.
SECOND VOICE
Pray now, what version?
FIRST VOICE
I take up Buddha.
SECOND VOICE
It never will work.
FIRST VOICE
From the corner Mahomet.
SECOND VOICE
I move the Turk.
FIRST VOICE
The game is tangled; where are we now?
SECOND VOICE
102
You're dreaming worlds. I'm in the King row.
Move as you will, if I can't wreck you
I'll thwart you, harry you, rout you, check you.
FIRST VOICE
I'm tired. I'll send for my Son to play.
I think he can beat you finally -SECOND VOICE
Eh?
FIRST VOICE
I must preside at the stars' convention.
SECOND VOICE
Very well, my lord, but I beg to mention
I'll give this game my direct attention.
FIRST VOICE
A game indeed! But Truth is my quest.
SECOND VOICE
Beaten, you walk away with a jest.
I strike the table, I scatter the checkers.
(A rattle of a falling table and checkers
flying over a floor.)
Aha! You armies and iron deckers,
Races and states in a cataclysm -Now for a day of atheism!
(The screen vanishes and BEELZEBUB steps forward carrying a trumpet, which
he blows faintly. Immediately LOKI and YOGARINDRA start up from the shadows
of night.)
103
BEELZEBUB
Good evening, Loki!
LOKI
The same to you!
BEELZEBUB
And Yogarindra!
YOGARINDRA
My greetings, too.
LOKI
Whence came you, comrade?
BEELZEBUB
From yonder screen.
YOGARINDRA
And what were you doing?
BEELZEBUB
Stirring His spleen.
LOKI
How did you do it?
BEELZEBUB
I made it rough
In a game of checkers.
LOKI
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Good enough!
YOGARINDRA
I thought I heard the sounds of a battle.
BEELZEBUB
No doubt! I made the checkers rattle,
Turning the table over and strewing
The bits of wood like an army pursuing.
YOGARINDRA
I have a game! Let us make a man.
LOKI
My net is waiting him, if you can.
YOGARINDRA
And here's my mirror to fool him with -BEELZEBUB
Mystery, falsehood, creed and myth.
LOKI
But no one can mold him, friend, but you.
BEELZEBUB
Then to the sport without more ado.
YOGARINDRA
Hurry the work ere it grow to day.
BEELZEBUB
105
I set me to it. Where is the clay?
(He scrapes the earth with his hands and begins to model.)
BEELZEBUB
Out of the dust,
Out of the slime,
A little rust,
And a little lime.
Muscle and gristle,
Mucin, stone
Brayed with a pestle,
Fat and bone.
Out of the marshes,
Out of the vaults,
Matter crushes
Gas and salts.
What is this you call a mind,
Flitting, drifting, pale and blind,
Soul of the swamp that rides the wind?
Jack-o'-lantern, here you are!
Dream of heaven, pine for a star,
Chase your brothers to and fro,
Back to the swamp at last you'll go.
Hilloo! Hilloo!
THE VALLEY
Hilloo! Hilloo!
(Beelzebub in scraping up the earth turns out a skull.)
BEELZEBUB
Old one, old one.
Now ere I break you
Crush you and make you
Clay for my use,
Let me observe you:
You were a bold one
106
Flat at the dome of you,
Heavy the base of you,
False to the home of you,
Strong was the face of you,
Strange to all fears.
Yet did the hair of you
Hide what you were.
Now to re-nerve you -(He crushes the skull between his hands and mixes it with the clay.)
Now you are dust,
Limestone and rust.
I mold and I stir
And make you again.
THE VALLEY
Again? Again?
(In the same manner BEELZEBUB has fashioned several figures, standing them
against the trees.)
LOKI
Now for the breath of life. As I remember
You have done right to mold your creatures first,
And stand them up.
BEELZEBUB
From gravitation
I make the will.
YOGARINDRA
Out of sensation
Comes his ill. Out of my mirror
Springs his error.
Who was so cruel
To make him the slave
Of me the sorceress, you the knave,
And you the plotter to catch his thought,
Whatever he did, whatever he sought?
107
With a nature dual
Of will and mind,
A thing that sees, and a thing that's blind.
Come! to our dance! Something hated him
Made us over him, therefore fated him.
(They join hands and dance.)
LOKI
Passion, reason, custom, ruels,
Creeds of the churches, lore of the schools,
Taint in the blood and strength of soul.
Flesh too weak for the will's control;
Poverty, riches, pride of birth,
Wailing, laughter, over the earth,
Here I have you caught again,
Enter my web, ye sons of men.
YOGARINDRA
Look in my mirror! Isn't it real?
What do you think now, what do you feel?
Here is treasure of gold heaped up;
Here is wine in the festal cup.
Tendrils blossoming, turned to whips,
Love with her breasts and scarlet lips.
Breathe in their nostrils.
BEELZEBUB
Falsehood's breath,
Out of nothingness into death.
Out of the mold, out of the rocks,
Wonder, mockery, paradox!
Soaring spirit, groveling flesh,
Bait the trap, and spread the mesh.
Give him hunger, lure him with truth,
Give him the iris hopes of Youth.
Starve him, shame him, fling him down,
Whirled in the vortex of the town.
Break him, age him, till he curse
The idiot face of the universe.
108
Over and over we mix the clay, –
What was dust is alive to-day.
THE THREE
Thus is the hell-born tangle wound
Swiftly, swiftly round and round.
BEELEZEBUB
(Waving his trumpet.)
You live! Away!
ONE OF THE FIGURES
How strange and new!
I am I, and another, too.
ANOTHER FIGURE
I was a sun-dew's leaf, but now
What is this longing? -ANOTHER FIGURE
Earth below
I was a seedling magnet-tipped
Drawn down earth -ANOTHER FIGURE
And I was gripped
Electrons in a granite stone,
Now I think.
ANOTHER FIGURE
Oh, how alone!
ANOTHER FIGURE
109
My lips to thine. Through thee I find
Something alone by love divined!
BEELZEBUB
Begone! No, wait. I have bethought me, friends;
Let's give a play.
(He waves his trumpet.)
To yonder green rooms go.
(The figures disappear.)
YOGARINDRA
Oh, yes, a play! That's very well, I think,
But who will be the audience? I must throw
Illusion over all.
LOKI
And I must shift
The scenery, and tangle up the plot.
BEELZEBUB
Well, so you shall! Our audience shall some
From yonder graves.
(He blows his trumpet slightly louder than before. The scene changes. A stage
arises among the graves. The curtain is down, concealing the creatures just
created, illuminated halfway up by spectral lights. BEELZEBUB stands before the
curtain.)
BEELZEBUB
(A terrific blast of the trumpet.)
Who-o-o-o-o-o!
(Immediately there is a rustling as of the shells of grasshoppers stirred by a
wind; and hundreds of the dead, including those who have appeared in the
Anthology, hurry to the sound of the trumpet.)
110
A VOICE
Gabriel! Gabriel!
MANY VOICES
The Judgment day!
BEELZEBUB
Be quiet, if you please
At least until the stars fall and the moon.
MANY VOICES
Save us! Save us!
(Beelzebub extends his hands over the audience with a benedictory motion and
restores order.)
BEELZEBUB
Ladies and gentlemen, your kind attention
To my interpretation of the scene.
I rise to give your fancy comprehension,
And analyze the parts of the machine.
My mood is such that I would not deceive you,
Though still a liar and the father of it,
From judgment's frailty I would retrieve you,
Though falsehood is my art and though I love it.
Down in the habitations whence I rise,
The roots of human sorrow boundless spread.
Long have I watched them draw the strength that lies
In clay made richer by the rotting dead.
Here is a blossom, here a twisted stalk,
Here fruit that sourly withers ere its prime;
And here a growth that sprawls across the walk,
Food for the green worm, which it turns to slime.
The ruddy apple with a core of cork
Springs from a root which in a hollow dangles,
Not skillful husbandry nor laborious work
111
Can save the tree which lightning breaks and tangles.
Why does the bright nasturtium scarcely flower
But that those insects multiply and grow,
Which make it food, and in the very hour
In which the veined leaves and blossoms blow?
Why does a goodly tree, while fast maturing,
Turn crooked branches covered o'er with scale?
Why does the tree whose youth was not assuring
Prosper and bear while all its fellows fail?
I under earth see much. I know the soil.
I know where mold is heavy and where thin.
I see the stones that thwart the plowman's toil,
The crooked roots of what the priests call sin.
I know all secrets, even to the core,
What seedlings will be upas, pine or laurel;
It cannot change howe'er the field's worked o'er.
Man's what he is and that's the devil's moral.
So with the souls of the ensuing drama
They sprang from certain seed in certain earth.
Behold them in the devil's cyclorama,
Shown in their proper light for all they're worth.
Now to my task: I'll give an exhibition
Of mixing the ingredients of spirit.
(He waves his hand.)
Come, crucible, perform your magic mission,
Come, recreative fire, and hover near it!
I'll make a soul, or show how one is made.
(He waves his wand again. Parti-colored flames appear.)
This is the woman you shall see anon!
(A red flame appears.)
This hectic flame makes all the world afraid:
It was a soldier's scourge which ate the bone.
His daughter bore the lady of the action,
And died at thirty-nine of scrofula.
She-was a creature of a sweet attraction,
Whose sex-obsession no one ever saw.
(A purple flame appears.)
Lo! this denotes aristocratic strains
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Back in the centuries of France's glory.
(A blue flame appears.)
And this the will that pulls against the chains
Her father strove until his hair was hoary.
Sorrow and failure made his nature cold,
He never loved the child whose woe is shown,
And hence her passion for the things which gold
Brings in this world of pride, and brings alone.
The human heart that's famished from its birth
Turns to the grosser treasures, that is plain.
Thus aspiration fallen fills the earth
With jungle growths of bitterness and pain.
Of Celtic, Gallic fire our heroine!
Courageous, cruel, passionate and proud.
False, vengeful, cunning, without fear o' sin.
A head that oft is bloody, but not bowed.
Now if she meet a man -- suppose our hero,
With whom her chemistry shall war yet mix,
As if she were her Borgia to his Nero,
'Twill look like one of Satan's little tricks!
However, it must be. The world's great garden
Is not all mine. I only sow the tares.
Wheat should be made immune, or else the Warden
Should stop their coming in the world's affairs.
But to our hero! Long ere he was born
I knew what would repel him and attract.
Such spirit mathematics, fig or thorn,
I can prognosticate before the fact.
(A yellow flame appears.)
This is a grandsire's treason in an orchard
Against a maid whose nature with his mated.
(Lurid flames appear.)
And this his memory distrait and tortured,
Which marked the child with hate because she hated.
Our heroine's grand dame was that maid's own cousin -But never this our man and woman knew.
The child, in time, of lovers had a dozen,
Then wed a gentleman upright and true.
And thus our hero had a double nature:
113
One half of him was bad, the other good.
The devil must exhaust his nomenclature
To make this puzzle rightly understood.
But when our hero and our heroine met
They were at once attracted, the repulsion
Was hidden under Passion, with her net
Which must enmesh you ere you feel revulsion.
The virus coursing in the soldier's blood,
The orchard's ghost, the unknown kinship 'twixt them,
Our hero's mother's lovers round them stood,
Shadows that smiled to see how Fate had fixed them.
This twain pledge vows and marry, that's the play.
And then the tragic features rise and deepen.
He is a tender husband. When away
The serpents from the orchard slyly creep in.
Our heroine, born of spirit none too loyal,
Picks fruit of knowledge -- leaves the tree of life.
Her fancy turns to France corrupt and royal,
Soon she forgets her duty as a wife.
You know the rest, so far as that's concerned,
She met exposure and her husband slew her.
He lost his reason, for the love she spurned.
He prized her as his own -- how slight he knew her.
(He waves a wand, showing a man in a prison cell.)
Now here he sits condemned to mount the gallows -He could not tell his story -- he is dumb.
Love, says your poets, is a grace that hallows,
I call it suffering and martyrdom.
The judge with pointed finger says, "You killed her."
Well, so he did -- but here's the explanation;
He could not give it. I, the drama-builder,
Show you the various truths and their relation.
(He waves his wand.)
Now, to begin. The curtain is ascending,
They meet at tea upon a flowery lawn.
Fair, is it not? How sweet their souls are blending -The author calls the play "Laocoon."
A VOICE
114
Only an earth dream.
ANOTHER VOICE
With which we are done.
A flash of a comet
Upon the earth stream.
ANOTHER VOICE
A dream twice removed,
A spectral confusion
Of earth's dread illusion.
A FAR VOICE
These are the ghosts
From the desolate coasts.
Would you go to them?
Only pursue them.
Whatever enshrined is
Within you is you.
In a place where no wind is,
Out of the damps,
Be ye as lamps.
Flame-like aspire,
To me alone true,
The Life and the Fire.
(BEELZEBUB, LOKI and YOGARINDRA vanish. The phantasmagoria fades out.
Where the dead seemed to have assembled, only heaps of leaves appear. There
is the light as of dawn. Voices of Spring.)
FIRST VOICE
The springtime is come, the winter departed,
She wakens from slumber and dances light-hearted.
The sun is returning,
We are done with alarms,
Earth lifts her face burning,
Held close in his arms.
The sun is an eagle
115
Who broods o'er his young,
The earth is his nursling
In whom he has flung
The life-flame in seed,
In blossom desire,
Till fire become life,
And life become fire.
SECOND VOICE
I slip and I vanish,
I baffle your eye;
I dive and I climb,
I change and I fly.
You have me, you lose me,
Who have me too well,
Now find me and use me -I am here in a cell.
THIRD VOICE
You are there in a cell?
Oh, now for a rod
With which to divine you -SECOND VOICE
Nay, child, I am God.
FOURTH VOICE
When the waking waters rise from their beds of snow, under the hill,
In little rooms of stone where they sleep when icicles reign,
The April breezes scurry through woodlands, saying
Awaken roots under cover of soil -- it is Spring again."
Then the sun exults, the moon is at peace, and voices
Call to the silver shadows to lift the flowers from their dreams.
And a longing, longing enters my heart of sorrow, my heart that rejoices
In the fleeting glimpse of a shining face, and her hair that gleams.
I arise and follow alone for hours the winding way by the river,
116
Hunting a vanishing light, and a solace for joy too deep.
Where do you lead me, wild one, on and on forever?
Over the hill, over the hill, and down to the meadows of sleep.
THE SUN
Over the soundless depths of space for a hundred million miles
Speeds the soul of me, silent thunder, struck from a harp of fire.
Before my eyes the planets wheel and a universe defiles,
I but a ruminant speck of dust upborne in a vast desire.
What is my universe that obeys me -- myself compelled to obey
A power that holds me and whirls me over a path that has no end?
And there are my children who call me great, the giver of life and day,
Myself a child who cry for life and know not whither I tend.
A million million suns above me, as if the curtain of night
Were hung before creation's flame, that shone through the weave of the cloth,
Each with its worlds and worlds and worlds crying upward for light,
For each is drawn in its course to what? -- as the candle draws the moth.
THE MILKY WAY
Orbits unending,
Life never ending,
Power without end.
A VOICE
Wouldst thou be lord,
Not peace but a sword.
Not heart's desire -Ever aspire.
Worship thy power,
Conquer thy hour,
Sleep not but strive,
So shalt thou live.
INFINITE DEPTHS
Infinite Law,
Infinite Life.
117
~ Edgar Lee Masters,

116:VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V---,
NOW IMPRISONED IN THE CONVENT OF ---

L'anima amante si slancia fuori del creato, e si crea nell' infinito un Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro. ~Her own words.
My Song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do),
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.

EPIPSYCHIDION.

Sweet Spirit! Sister of that orphan one,
Whose empire is the name thou weepest on,
In my heart's temple I suspend to thee
These votive wreaths of withered memory.

Poor captive bird! who, from thy narrow cage,
Pourest such music, that it might assuage
The ruggd hearts of those who prisoned thee,
Were they not deaf to all sweet melody;
This song shall be thy rose: its petals pale
Are dead, indeed, my adored Nightingale!
But soft and fragrant is the faded blossom,
And it has no thorn left to wound thy bosom.

High, spirit-wingd Heart! who dost for ever
Beat thine unfeeling bars with vain endeavour,
Till those bright plumes of thought, in which arrayed
It over-soared this low and worldly shade,
Lie shattered; and thy panting, wounded breast
Stains with dear blood its unmaternal nest!
I weep vain tears: blood would less bitter be,
Yet poured forth gladlier, could it profit thee.

Seraph of Heaven! too gentle to be human,
Veiling beneath that radiant form of Woman
All that is insupportable in thee
Of light, and love, and immortality!
Sweet Benediction in the eternal Curse!
Veiled Glory of this lampless Universe!
Thou Moon beyond the clouds! Thou living Form
Among the Dead! Thou Star above the Storm!
Thou Wonder, and thou Beauty, and thou Terror!
Thou Harmony of Nature's art! Thou Mirror
In whom, as in the splendour of the Sun,
All shapes look glorious which thou gazest on!
Ay, even the dim words which obscure thee now
Flash, lightning-like, with unaccustomed glow;
I pray thee that thou blot from this sad song
All of its much mortality and wrong,
With those clear drops, which start like sacred dew
From the twin lights thy sweet soul darkens through,
Weeping, till sorrow becomes ecstasy:
Then smile on it, so that it may not die.

I never thought before my death to see
Youth's vision thus made perfect. Emily,
I love thee; though the world by no thin name
Will hide that love from its unvalued shame.
Would we two had been twins of the same mother!
Or, that the name my heart lent to another
Could be a sister's bond for her and thee,
Blending two beams of one eternity!
Yet were one lawful and the other true,
These names, though dear, could paint not, as is due,
How beyond refuge I am thine. Ah me!
I am not thine: I am a part of thee.

Sweet Lamp! my moth-like Muse has burned its wings
Or, like a dying swan who soars and sings,
Young Love should teach Time, in his own gray style,
All that thou art. Art thou not void of guile,
A lovely soul formed to be blessed and bless?
A well of sealed and secret happiness,
Whose waters like blithe light and music are,
Vanquishing dissonance and gloom? A Star
Which moves not in the moving heavens, alone?
A Smile amid dark frowns? a gentle tone
Amid rude voices? a belovd light?
A Solitude, a Refuge, a Delight?
A Lute, which those whom Love has taught to play
Make music on, to soothe the roughest day
And lull fond Grief asleep? a buried treasure?
A cradle of young thoughts of wingless pleasure?
A violet-shrouded grave of Woe?I measure
The world of fancies, seeking one like thee,
And findalas! mine own infirmity.

She met me, Stranger, upon life's rough way,
And lured me towards sweet Death; as Night by Day,
Winter by Spring, or Sorrow by swift Hope,
Led into light, life, peace. An antelope,
In the suspended impulse of its lightness,
Were less aethereally light: the brightness
Of her divinest presence trembles through
Her limbs, as underneath a cloud of dew
Embodied in the windless heaven of June
Amid the splendour-wingd stars, the Moon
Burns, inextinguishably beautiful:
And from her lips, as from a hyacinth full
Of honey-dew, a liquid murmur drops,
Killing the sense with passion; sweet as stops
Of planetary music heard in trance.
In her mild lights the starry spirits dance,
The sunbeams of those wells which ever leap
Under the lightnings of the soultoo deep
For the brief fathom-line of thought or sense.
The glory of her being, issuing thence,
Stains the dead, blank, cold air with a warm shade
Of unentangled intermixture, made
By Love, of light and motion: one intense
Diffusion, one serene Omnipresence,
Whose flowing outlines mingle in their flowing,
Around her cheeks and utmost fingers glowing
With the unintermitted blood, which there
Quivers, (as in a fleece of snow-like air
The crimson pulse of living morning quiver,)
Continuously prolonged, and ending never,
Till they are lost, and in that Beauty furled
Which penetrates and clasps and fills the world;
Scarce visible from extreme loveliness.
Warm fragrance seems to fall from her light dress
And her loose hair; and where some heavy tress
The air of her own speed has disentwined,
The sweetness seems to satiate the faint wind;
And in the soul a wild odour is felt,
Beyond the sense, like fiery dews that melt
Into the bosom of a frozen bud.
See where she stands! a mortal shape indued
With love and life and light and deity,
And motion which may change but cannot die;
An image of some bright Eternity;
A shadow of some golden dream; a Splendour
Leaving the third sphere pilotless; a tender
Reflection of the eternal Moon of Love
Under whose motions life's dull billows move;
A Metaphor of Spring and Youth and Morning;
A Vision like incarnate April, warning,
With smiles and tears, Frost the Anatomy
Into his summer grave.

Ah, woe is me!
What have I dared? where am I lifted? how
Shall I descend, and perish not? I know
That Love makes all things equal: I have heard
By mine own heart this joyous truth averred:
The spirit of the worm beneath the sod
In love and worship, blends itself with God.

Spouse! Sister! Angel! Pilot of the Fate
Whose course has been so starless! O too late
Belovd! O too soon adored, by me!
For in the fields of Immortality
My spirit should at first have worshipped thine,
A divine presence in a place divine;
Or should have moved beside it on this earth,
A shadow of that substance, from its birth;
But not as now:I love thee; yes, I feel
That on the fountain of my heart a seal
Is set, to keep its waters pure and bright
For thee, since in those tears thou hast delight.
Weare we not formed, as notes of music are,
For one another, though dissimilar;
Such difference without discord, as can make
Those sweetest sounds, in which all spirits shake
As trembling leaves in a continuous air?

Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.

True Love in this differs from gold and clay,
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human fantasy,
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates,
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.

Mind from its object differs most in this:
Evil from good; misery from happiness;
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought,
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.

There was a Being whom my spirit oft
Met on its visioned wanderings, far aloft,
In the clear golden prime of my youth's dawn,
Upon the fairy isles of sunny lawn,
Amid the enchanted mountains, and the caves
Of divine sleep, and on the air-like waves
Of wonder-level dream, whose tremulous floor
Paved her light steps;on an imagined shore,
Under the gray beak of some promontory
She met me, robed in such exceeding glory,
That I beheld her not. In solitudes
Her voice came to me through the whispering woods,
And from the fountains, and the odours deep
Of flowers, which, like lips murmuring in their sleep
Of the sweet kisses which had lulled them there,
Breathed but of her to the enamoured air;
And from the breezes whether low or loud,
And from the rain of every passing cloud,
And from the singing of the summer-birds,
And from all sounds, all silence. In the words
Of antique verse and high romance, -- in form,
Sound, colour -- in whatever checks that Storm
Which with the shattered present chokes the past;
And in that best philosophy, whose taste
Makes this cold common hell, our life, a doom
As glorious as a fiery martyrdom;
Her Spirit was the harmony of truth.--

Then, from the caverns of my dreamy youth
I sprang, as one sandalled with plumes of fire,
And towards the lodestar of my one desire,
I flitted, like a dizzy moth, whose flight
Is as a dead leaf's in the owlet light,
When it would seek in Hesper's setting sphere
A radiant death, a fiery sepulchre,
As if it were a lamp of earthly flame.
But She, whom prayers or tears then could not tame,
Passed, like a God throned on a wingd planet,
Whose burning plumes to tenfold swiftness fan it,
Into the dreary cone of our life's shade;
And as a man with mighty loss dismayed,
I would have followed, though the grave between
Yawned like a gulf whose spectres are unseen:
When a voice said:--'O thou of hearts the weakest,
The phantom is beside thee whom thou seekest.'
Then I'Where?'--the world's echo answered 'where?'
And in that silence, and in my despair,
I questioned every tongueless wind that flew
Over my tower of mourning, if it knew
Whither 'twas fled, this soul out of my soul;
And murmured names and spells which have control
Over the sightless tyrants of our fate;
But neither prayer nor verse could dissipate
The night which closed on her; nor uncreate
That world within this Chaos, mine and me,
Of which she was the veiled Divinity,
The world I say of thoughts that worshipped her:
And therefore I went forth, with hope and fear
And every gentle passion sick to death,
Feeding my course with expectation's breath,
Into the wintry forest of our life;
And struggling through its error with vain strife,
And stumbling in my weakness and my haste,
And half bewildered by new forms, I passed,
Seeking among those untaught foresters
If I could find one form resembling hers,
In which she might have masked herself from me.
There,One, whose voice was venomed melody
Sate by a well, under blue nightshade bowers;
The breath of her false mouth was like faint flowers,
Her touch was as electric poison,flame
Out of her looks into my vitals came,
And from her living cheeks and bosom flew
A killing air, which pierced like honey-dew
Into the core of my green heart, and lay
Upon its leaves; until, as hair grown gray
O'er a young brow, they hid its unblown prime
With ruins of unseasonable time.

In many mortal forms I rashly sought
The shadow of that idol of my thought.
And some were fairbut beauty dies away:
Others were wisebut honeyed words betray:
And One was trueoh! why not true to me?
Then, as a hunted deer that could not flee,
I turned upon my thoughts, and stood at bay,
Wounded and weak and panting; the cold day
Trembled, for pity of my strife and pain.
When, like a noonday dawn, there shone again
Deliverance. One stood on my path who seemed
As like the glorious shape which I had dreamed
As is the Moon, whose changes ever run
Into themselves, to the eternal Sun;
The cold chaste Moon, the Queen of Heaven's bright isles,
Who makes all beautiful on which she smiles,
That wandering shrine of soft yet icy flame
Which ever is transformed, yet still the same,
And warms not but illumines. Young and fair
As the descended Spirit of that sphere,
She hid me, as the Moon may hide the night
From its own darkness, until all was bright
Between the Heaven and Earth of my calm mind,
And, as a cloud charioted by the wind,
She led me to a cave in that wild place,
And sate beside me, with her downward face
Illumining my slumbers, like the Moon
Waxing and waning o'er Endymion.
And I was laid asleep, spirit and limb,
And all my being became bright or dim
As the Moon's image in a summer sea,
According as she smiled or frowned on me;
And there I lay, within a chaste cold bed:
Alas, I then was nor alive nor dead:
For at her silver voice came Death and Life,
Unmindful each of their accustomed strife,
Masked like twin babes, a sister and a brother,
The wandering hopes of one abandoned mother,
And through the cavern without wings they flew,
And cried 'Away, he is not of our crew.'
I wept, and though it be a dream, I weep.

What storms then shook the ocean of my sleep,
Blotting that Moon, whose pale and waning lips
Then shrank as in the sickness of eclipse;
And how my soul was as a lampless sea,
And who was then its Tempest; and when She,
The Planet of that hour, was quenched, what frost
Crept o'er those waters, till from coast to coast
The moving billows of my being fell
Into a death of ice, immovable;
And thenwhat earthquakes made it gape and split,
The white Moon smiling all the while on it,
These words conceal:If not, each word would be
The key of staunchless tears. Weep not for me!

At length, into the obscure Forest came
The Vision I had sought through grief and shame.
Athwart that wintry wilderness of thorns
Flashed from her motion splendour like the Morn's,
And from her presence life was radiated
Through the gray earth and branches bare and dead;
So that her way was paved, and roofed above
With flowers as soft as thoughts of budding love;
And music from her respiration spread
Like light,all other sounds were penetrated
By the small, still, sweet spirit of that sound,
So that the savage winds hung mute around;
And odours warm and fresh fell from her hair
Dissolving the dull cold in the frore air:
Soft as an Incarnation of the Sun,
When light is changed to love, this glorious One
Floated into the cavern where I lay,
And called my Spirit, and the dreaming clay
Was lifted by the thing that dreamed below
As smoke by fire, and in her beauty's glow
I stood, and felt the dawn of my long night
Was penetrating me with living light:
I knew it was the Vision veiled from me
So many years -- that it was Emily.

Twin Spheres of light who rule this passive Earth,
This world of love, this me; and into birth
Awaken all its fruits and flowers, and dart
Magnetic might into its central heart;
And lift its billows and its mists, and guide
By everlasting laws, each wind and tide
To its fit cloud, and its appointed cave;
And lull its storms, each in the craggy grave
Which was its cradle, luring to faint bowers
The armies of the rainbow-wingd showers;
And, as those married lights, which from the towers
Of Heaven look forth and fold the wandering globe
In liquid sleep and splendour, as a robe;
And all their many-mingled influence blend,
If equal, yet unlike, to one sweet end;
So ye, bright regents, with alternate sway
Govern my sphere of being, night and day!
Thou, not disdaining even a borrowed might;
Thou, not eclipsing a remoter light;
And, through the shadow of the seasons three,
From Spring to Autumn's sere maturity,
Light it into the Winter of the tomb,
Where it may ripen to a brighter bloom.
Thou too, O Comet beautiful and fierce,
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion,
Alternating attraction and repulsion,
Thine went astray and that was rent in twain;
Oh, float into our azure heaven again!
Be there Love's folding-star at thy return;
The living Sun will feed thee from its urn
Of golden fire; the Moon will veil her horn
In thy last smiles; adoring Even and Morn
Will worship thee with incense of calm breath
And lights and shadows; as the star of Death
And Birth is worshipped by those sisters wild
Called Hope and Fearupon the heart are piled
Their offerings,of this sacrifice divine
A World shall be the altar.

Lady mine,
Scorn not these flowers of thought, the fading birth
Which from its heart of hearts that plant puts forth
Whose fruit, made perfect by thy sunny eyes,
Will be as of the trees of Paradise.

The day is come, and thou wilt fly with me.
To whatsoe'er of dull mortality
Is mine, remain a vestal sister still;
To the intense, the deep, the imperishable,
Not mine but me, henceforth be thou united
Even as a bride, delighting and delighted.
The hour is come:the destined Star has risen
Which shall descend upon a vacant prison.
The walls are high, the gates are strong, thick set
The sentinelsbut true Love never yet
Was thus constrained: it overleaps all fence:
Like lightning, with invisible violence
Piercing its continents; like Heaven's free breath,
Which he who grasps can hold not; liker Death,
Who rides upon a thought, and makes his way
Through temple, tower, and palace, and the array
Of arms: more strength has Love than he or they;
For it can burst his charnel, and make free
The limbs in chains, the heart in agony,
The soul in dust and chaos.

Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever ploughed that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remained a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep,
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam, and tone,
With that deep music is in unison:
Which is a soul within the soulthey seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth, and Sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Washed by the soft blue Oceans of young air.
It is a favoured place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th'Eternal, whose own smile
Unfolds itself, and may be felt, not seen
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Reared it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were Titanic; in the heart
Of Earth having assumed its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learnd imagery
Has been erased, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vowed
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury, to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measured by the pants of their calm sleep.
Be this our home in life, and when years heap
Their withered hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea
Trembles and sparkles as with ecstasy,
Possessing and possessed by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one:or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expired night asleep,
Through which the awakened day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confused in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigured; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbued
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The wingd words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire
I pant, I sink, I tremble, I expire!

Weak Verses, go, kneel at your Sovereign's feet,
And say:'We are the masters of thy slave;
What wouldest thou with us and ours and thine?"
Then call your sisters from Oblivion's cave,
All singing loud: 'Love's very pain is sweet,
But its reward is in the world divine
Which, if not here, it builds beyond the grave.'
So shall ye live when I am there. Then haste
Over the hearts of men, until ye meet
Marina, Vanna, Primus, and the rest,
And bid them love each other and be blessed:
And leave the troop which errs, and which reproves,
And come and be my guest,for I am Love's.
Epipsychidion was composed at Pisa, Jan., Feb., 1821, and published without the author's name, in the following summer, by C. & J. Ollier, London. The poem was included by Mrs. Shelley in the Poetical Works, 1839, both edd.
~ Percy Bysshe Shelley, Epipsychidion
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