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Hevajratantra/HevajradākinījālasaMvaratantra. (T. Kye rdo rje'i rgyud; C. Dabei kongzhi jingang dajiao wang yigui jing; J. Daihi kuchi kongo daikyoo gikikyo; K. Taebi kongji kŭmgang taegyo wang ŭigwe kyong 大悲空智金剛大教王儀軌經). An important Indian Buddhist TANTRA, classified as an ANUTTARAYOGATANTRA, and within that group, a YOGINĪTANTRA and a mother tantra (MĀTṚTANTRA). Likely composed in the eighth century, the work consists of seven hundred fifty stanzas written in a mixture of Sanskrit and APABHRAMsA; it is traditionally said to be a summary of a larger work in five hundred thousand stanzas, now lost. The tantra is presumed to derive from the SIDDHA movement of north India, and the central deity, HEVAJRA, is depicted as a naked siddha. Like most tantras, the text is particularly concerned with ritual, especially those that result in the attainment of worldly (LAUKIKA) powers. It famously recommends the use of "intentional language" or "coded language" (SANDHYĀBHĀsĀ) for tantric practitioners. The widespread ANUTTARAYOGA system of the channels (NĀdĪ), winds (PRĀnA), and drops (BINDU), and the various levels of bliss achieved through the practice of sexual yoga is particularly associated with the Hevajratantra. It sets forth the so-called four joys, the greatest of which is the "innate" or "natural" (SAHAJA) joy. A Chinese translation of the Hevajratantra was made in 1055 by Dharmapāla, but neither the text nor its central deity gained particular popularity in East Asian Buddhism. The text was much more important in Tibet. The tantra was rendered into Tibetan by the Sa skya translator 'BROG MI SHĀKYA YE SHES in the early eleventh century and popularized by MAR PA, whose Indian master NĀROPA wrote a well-known commentary to the text. The scriptures associated with the Hevajratantra were the basis for the Indian adept VIRuPA's LAM 'BRAS ("path and result") systematization of tantric doctrine. This practice is central in the SA SKYA tradition of Tibetan Buddhism. The SaMputatantra is regarded as an explanatory tantra of the Hevajra. There are a number of important commentaries to this tantra written in the Indian tradition and dozens composed in Tibet.

KEYS (10k)

   1 Saul Williams

NEW FULL DB (2.4M)

1:Coded Language Whereas, breakbeats have been the missing link connecting the diasporic community to its drum woven past Whereas the quantised drum has allowed the whirling mathematicians to calculate the ever changing distance between rock and stardom. Whereas the velocity of the spinning vinyl, cross-faded, spun backwards, and re-released at the same given moment of recorded history , yet at a different moment in time's continuum has allowed history to catch up with the present. We do hereby declare reality unkempt by the changing standards of dialogue. Statements, such as, "keep it real", especially when punctuating or anticipating modes of ultra-violence inflicted psychologically or physically or depicting an unchanging rule of events will hence forth be seen as retro-active and not representative of the individually determined is. Furthermore, as determined by the collective consciousness of this state of being and the lessened distance between thought patterns and their secular manifestations, the role of men as listening receptacles is to be increased by a number no less than 70 percent of the current enlisted as vocal aggressors. Motherfuckers better realize, now is the time to self-actualize We have found evidence that hip hops standard 85 rpm when increased by a number as least half the rate of it's standard or decreased at ¾ of it's speed may be a determining factor in heightening consciousness. Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. Equate rhyme with reason, Sun with season Our cyclical relationship to phenomenon has encouraged scholars to erase the centers of periods, thus symbolizing the non-linear character of cause and effect Reject mediocrity! Your current frequencies of understanding outweigh that which as been given for you to understand. The current standard is the equivalent of an adolescent restricted to the diet of an infant. The rapidly changing body would acquire dysfunctional and deformative symptoms and could not properly mature on a diet of apple sauce and crushed pears Light years are interchangeable with years of living in darkness. The role of darkness is not to be seen as, or equated with, Ignorance, but with the unknown, and the mysteries of the unseen. Thus, in the name of: ROBESON, GOD'S SON, HURSTON, AHKENATON, HATHSHEPUT, BLACKFOOT, HELEN LENNON, KHALO, KALI, THE THREE MARIAS, TARA, LILITH, LOURDE, WHITMAN BALDWIN, GINSBERG, KAUFMAN, LUMUMBA, GHANDI, GIBRAN, SHABAZZ, SIDDHARTHA MEDUSA, GUEVARA, GURDJIEFF, RAND, WRIGHT, BANNEKER, TUBMAN, HAMER, HOLIDAY DAVIS, COLTRANE, MORRISON, JOPLIN, DUBOIS, CLARKE, SHAKESPEARE, RACHMANINOV ELLINGTON, CARTER, GAYE, HATHAWAY, HENDRIX, KUTI, DICKINSON, RIPPERTON MARY, ISIS, THERESA, HANSBURY, TESLA, PLATH, RUMI, FELLINI, MICHAUX, NOSTRADAMUS, NEFERTITI LA ROCK, SHIVA, GANESHA, YEMAJA, OSHUN, OBATALA, OGUN, KENNEDY, KING, FOUR LITTLE GIRLS, HIROSHIMA, NAGASAKI, KELLER, BIKO, PERÓN, MARLEY, MAGDALENE, COSBY SHAKUR, THOSE WHO BURN, THOSE STILL AFLAME, AND THE COUNTLESS UNNAMED We claim the present as the pre-sent, as the hereafter. We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness, we trust that the moon shall guide us. We are determining the future at this very moment. We now know that the heart is the philosophers' stone Our music is our alchemy We stand as the manifested equivalent of 3 buckets of water and a hand full of minerals, thus realizing that those very buckets turned upside down supply the percussion factor of forever. If you must count to keep the beat then count. Find you mantra and awaken your subconscious. Curve you circles counterclockwise Use your cipher to decipher, Coded Language, man made laws. Climb waterfalls and trees, commune with nature, snakes and bees. Let your children name themselves and claim themselves as the new day for today we are determined to be the channelers of these changing frequencies into songs, paintings, writings, dance, drama, photography, carpentry, crafts, love, and love. We enlist every instrument: Acoustic, electronic. Every so-called race, gender, and sexual preference. Every per-son as beings of sound to acknowledge their responsibility to uplift the consciousness of the entire fucking World. Any utterance will be un-aimed, will be disclaimed - two rappers slain Any utterance will be un-aimed, will be disclaimed - two rappers slain ~ Saul Williams,

*** WISDOM TROVE ***

*** NEWFULLDB 2.4M ***

1:Coded language allows the speaker to deny any sort of responsibility unless their back is against the wall, in which case they’ll generally offer up a paltry “I’m sorry you feel that way” nonapology. ~ Phoebe Robinson,

2:Jim Crow left no questions or confusion. But now that race isn’t written into the law, she says, look for the codes. Look for the coded language everywhere, she says. They rewrote the laws, but they didn’t rewrite white supremacy. They kept that shit intact, she says. ~ Patrisse Khan Cullors,

3:Look at the coded language the Right is using against President Barack Obama. Openly calling him a liar in Congress, saying he is 'not a Christian, he was not born here, he is not one of us.' That makes addressing such issues trickier for the first African-American in the White House. ~ Jesse Jackson,

4:Catholics speak, like baseball players, in the coded language of gesture. Sure, the Roman Catholic Church is an abomination to man and a disgrace to God, but it comes with a highly structured Mass, several sacred pilgrimages, the oldest songs, the most impressive architecture, and a whole bunch of things to do whenever you enter the church. Taken all together, they make you one with your brother. ~ Joshua Ferris,

5:In addition to pumping the blood of life within our bodies, we may think of the heart as a belief-to-matter translator. It converts the perceptions of our experiences, beliefs, and imagination into the coded language of waves that communicate with the world beyond our bodies. Perhaps this is what philosopher and poet John Mackenzie meant when he stated, "The distinction between what is real and what is imaginary is not one that can be finely maintained ... all existing thing are ... imaginary." ~ Gregg Braden,

6:On the plantations the slave owners would take their slaves’ drums away because they didn’t want them communicating with other slaves. They were afraid that the drum was some kind of magic signal system, a primal, coded language, which it was. And is. When the drums were taken away, other instruments were taken up—fifes and fiddles and the rest, and they were used for celebration and lamentation both, and a new kind of song sprung up, a work song, to document the labor in the fields, to pass the time, to pass on the content of the time, so that people would know what had happened. ~ Ahmir Questlove Thompson,

7:What did E.S. like about dreams? Their similarity to life and their dissimilarity; their salutary effect on body and soul; their unrestricted choice and arrangement of themes and contents; their bottomless depths and eerie heights; their eroticism; their freedom; their openness to guidance by will and suggestion (a perfumed handkerchief under one's pillow, soft music on the radio or gramophone, etc.); their resemblance to death and their power to confer intimations of eternity; their resemblance to madness without the consequences of madness; their cruelty and their gentleness; their power to pry the deepest secrets out of us; their blissful silence, to which cries are not unknown; their telepathic and spiritist faculty of communication with those dead or far away; their coded language, which we manage to understand and translate; their ability to condense the mythical figures of Icarus, Ahasuerus, Jonah, Noah, etc., into images; their monochrome and polychrome quality; their resemblance to the womb and to the jaws of a shark; their faculty of transforming unknown places, people, and landscapes into known ones, and vice versa; their power to diagnose certain ailments and traumas before it is too late; the difficulty of determining how long they last; the fact that they can be mistaken for reality; their power to preserve images and distant memories; their disrespect for chronology and the classical unities of time and action. ~ Danilo Ki,

8:Quan L'Herba Fresqu'El.H Folha Can l'erba fresch' folha par e la flors boton'el verjan e.l rossinhols autet e clar leva sa vots e mou so chan, joi ai de lui, e joi ai de la flor e joi de me e de midons major; daus totas partz sui de joi claus e sens, mas sel es jois que totz autres jois vens. Tan am midons e la tenh car, e tan la dopt' e la reblan c'anc de me auzi parlar, ni re quer ni re man. Pero elh sap mo mal e ma dolor, e can li plai, mi fai be e onor, e can li plai, eu m'en sofert ab mens, per so c'a leis no.n avenha blastens. S'eu saubés la gen enchantar, mei enemic foran efan, que ja us no saubra triar ni dir re tornes a dan. Adoncs sai eu que vira la gensor e sos bels olhs e sa frescha color, e la bocha en totz sens, si que d'un mes i paregra lo sens. Be la volgra sola trobar, que dormis, o.n fezés semblan, per qu' emblès un doutz baizar, pus no valh tan qu'eu deman. Per Deu, domna, pauc esplecham d'amor; vai s'en lo tems, e perdem lo melhor! Parlar degram ab cubertz entresens, e, pus val arditz, valgués nos gens! Ai las! com mor de cossirar! que manhtas vetz en cossir tan: lairó m'en poirian portar 28 que re no sabria que.s fan. Per Deu, Amors! be.m tròbas vensedor: ab pauc d'amics e ses autre senhor. Car una vetz tan midons no destrens abans qu'eu fos del dezirer estens? Messatger, vai, e no m'en prezes mens, s'eu del anar vas midons sui temens. (When the new vegetation and the leaves appear, when the flowers bloom on the branch, and when the nightingale clear and loud raises its voice and begins to sing, I rejoice in the nightingale, and in the flowers, and in myself, and most of all in my lady. I am surrounded by joy on all sides, but she is the joy from which all other joys come. So much do I love my lady, and hold her dear, and so much do I fear and honor her, that I dare not talk to her of myself. I ask her nothing and I send her nothing. But still she knows of my pain and sorrow, and when it pleases her she bestows on me grace and honor, and when it pleases her I submit to even less so that no blame may come to her. If I knew how to cast spells on people, my enemies would become babes, so that none of them could discover anything that could be turned against us. I know now that I will see my lady, and her fair eyes and fresh color, and I will kiss her on the mouth every which way, so that for a month the marks will be visible. I would like to find her alone, sleeping, or pretending to sleep, so that I could steal a sweet kiss from her, since I am not worth so much that I could ask it of her. By God, lady, little do we profit from our love; time passes, and we are losing the best moments. We should speak in a coded language, and since audacity is worth little, may ingenuity be the thing. Alas! I die from desire. For often, I am so full of yearning that theives could carry me off, and I wouldn't even realize what was happening. By God, Love! you find me Defeated (vensedor=Ventadorn), with few friends and without another master. Why don't you, once, ensnare my lady, before I am consumed with passion?) ~ Bernard de Ventadorn,

9:Coded Language Whereas, breakbeats have been the missing link connecting the diasporic community to its drum woven past Whereas the quantised drum has allowed the whirling mathematicians to calculate the ever changing distance between rock and stardom. Whereas the velocity of the spinning vinyl, cross-faded, spun backwards, and re-released at the same given moment of recorded history , yet at a different moment in time's continuum has allowed history to catch up with the present. We do hereby declare reality unkempt by the changing standards of dialogue. Statements, such as, "keep it real", especially when punctuating or anticipating modes of ultra-violence inflicted psychologically or physically or depicting an unchanging rule of events will hence forth be seen as retro-active and not representative of the individually determined is. Furthermore, as determined by the collective consciousness of this state of being and the lessened distance between thought patterns and their secular manifestations, the role of men as listening receptacles is to be increased by a number no less than 70 percent of the current enlisted as vocal aggressors. Motherfuckers better realize, now is the time to self-actualize We have found evidence that hip hops standard 85 rpm when increased by a number as least half the rate of it's standard or decreased at ¾ of it's speed may be a determining factor in heightening consciousness. Studies show that when a given norm is changed in the face of the unchanging, the remaining contradictions will parallel the truth. Equate rhyme with reason, Sun with season Our cyclical relationship to phenomenon has encouraged scholars to erase the centers of periods, thus symbolizing the non-linear character of cause and effect Reject mediocrity! Your current frequencies of understanding outweigh that which as been given for you to understand. The current standard is the equivalent of an adolescent restricted to the diet of an infant. The rapidly changing body would acquire dysfunctional and deformative symptoms and could not properly mature on a diet of apple sauce and crushed pears Light years are interchangeable with years of living in darkness. The role of darkness is not to be seen as, or equated with, Ignorance, but with the unknown, and the mysteries of the unseen. Thus, in the name of: ROBESON, GOD'S SON, HURSTON, AHKENATON, HATHSHEPUT, BLACKFOOT, HELEN LENNON, KHALO, KALI, THE THREE MARIAS, TARA, LILITH, LOURDE, WHITMAN BALDWIN, GINSBERG, KAUFMAN, LUMUMBA, GHANDI, GIBRAN, SHABAZZ, SIDDHARTHA MEDUSA, GUEVARA, GURDJIEFF, RAND, WRIGHT, BANNEKER, TUBMAN, HAMER, HOLIDAY DAVIS, COLTRANE, MORRISON, JOPLIN, DUBOIS, CLARKE, SHAKESPEARE, RACHMANINOV ELLINGTON, CARTER, GAYE, HATHAWAY, HENDRIX, KUTI, DICKINSON, RIPPERTON MARY, ISIS, THERESA, HANSBURY, TESLA, PLATH, RUMI, FELLINI, MICHAUX, NOSTRADAMUS, NEFERTITI LA ROCK, SHIVA, GANESHA, YEMAJA, OSHUN, OBATALA, OGUN, KENNEDY, KING, FOUR LITTLE GIRLS, HIROSHIMA, NAGASAKI, KELLER, BIKO, PERÓN, MARLEY, MAGDALENE, COSBY SHAKUR, THOSE WHO BURN, THOSE STILL AFLAME, AND THE COUNTLESS UNNAMED We claim the present as the pre-sent, as the hereafter. We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness, we trust that the moon shall guide us. We are determining the future at this very moment. We now know that the heart is the philosophers' stone Our music is our alchemy We stand as the manifested equivalent of 3 buckets of water and a hand full of minerals, thus realizing that those very buckets turned upside down supply the percussion factor of forever. If you must count to keep the beat then count. Find you mantra and awaken your subconscious. Curve you circles counterclockwise Use your cipher to decipher, Coded Language, man made laws. Climb waterfalls and trees, commune with nature, snakes and bees. Let your children name themselves and claim themselves as the new day for today we are determined to be the channelers of these changing frequencies into songs, paintings, writings, dance, drama, photography, carpentry, crafts, love, and love. We enlist every instrument: Acoustic, electronic. Every so-called race, gender, and sexual preference. Every per-son as beings of sound to acknowledge their responsibility to uplift the consciousness of the entire fucking World. Any utterance will be un-aimed, will be disclaimed - two rappers slain Any utterance will be un-aimed, will be disclaimed - two rappers slain ~ Saul Williams,

Wikipedia - Category:Articles with text in Uncoded languages

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Wikipedia - Manually coded language -- Signed phonetic representations of verbal languages

Wikipedia - Signed French -- Manually coded language

Manually coded language

Manually coded language in South Africa