KEYS (10k)
1 Shadowgate
1 Franz Kafka
1 Sri Aurobindo
1 Kobayashi Issa
NEW FULL DB (2.4M)
49 J K Rowling
14 Jen Turano
13 Bram Stoker
12 Anonymous
11 Elias Lönnrot
10 Yaa Gyasi
10 Sherwood Smith
10 Shana Abe
9 Michael J Sullivan
9 Liz Braswell
8 Terry Pratchett
8 Paulo Coelho
8 C S Lewis
7 Banjo Paterson
7 Anonymous Olde English
6 Robert Browning
6 John Keats
6 Jen Calonita
6 Alfred Lord Tennyson
5 John Flanagan
1:Many a book is like a key to unknown chambers within the castle of one's own self.
~ Franz Kafka,#KEYS
2:morning fog
the castle's shutters
suddenly opening
~ Kobayashi Issa, @BashoSociety#KEYS
3:In the castle of the lotus twixt the brows
Whence it shoots the arrows of its sight and will ~ Sri Aurobindo, Savitri, The Finding of the Soul,#KEYS
4:The last thing that you remember is standing before the wizard Lakmir as he gestured wildly and chanted in an archaic tongue. Now you find yourself staring at an entryway which lies at the edge of a forest. The Druid's words still ring in your ears: "Within the walls of the Castle Shadowgate lies your quest. If the prophecies hold true, the dreaded Warlock Lord will use his dark magic to raise the Behemoth, the deadliest of the Titans, from the depths of the earth. You are the seed of prophecy, the last of the line of kings, and only you can stop the Warlock Lord from darkening our world FOREVER. Fare thee well. ~ Shadowgate, #KEYS
1:If you want to get to the castle, Groceries, you've got to swim the moat. ~ elizabeth-gilbert, @wisdomtrove 2:Many a book is like a key to unknown chambers within the castle of one's own self. ~ franz-kafka, @wisdomtrove 3:Temptations are enemies outside the castle seeking entrance. If there be no false retainer within who holds treacherous parley, there can scarcely be even an offer. ~ henry-ward-beecher, @wisdomtrove 4:Spake full well, in language quaint and olden, One who dwelleth by the castled Rhine, When he called the flowers, so blue and golden, Stars, that in earth's firmament do shine. ~ henry-wadsworth-longfellow, @wisdomtrove 5:... . Anon from the castle walls The crescent banner falls, And the crowd beholds instead, Like a portent in the sky, Iskander's banner fly, The Black Eagle with double head. And shouts ascend on high ... .." Long live Scanderbeg. ~ henry-wadsworth-longfellow, @wisdomtrove 6:The castled crag of Drachenfels, Frowns o'er the wide and winding Rhine, Whose breast of waters broadly swells Between the banks which bear the vine, And hills all rich with blossom'd trees, And fields which promise corn and wine, And scatter'd cities crowning these, Whose far white walls along them shine. ~ lord-byron, @wisdomtrove 7:The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember? ~ c-s-lewis, @wisdomtrove 8:Merit is a work for the sake of which Christ gives rewards. But no such work is to be found, for Christ gives by promise. Just as if a prince should say to me, "Come to me in my castle, and I will give you a hundred florins." I do a work, certainly, in going to the castle, but the gift is not given me as the reward of my work in going, but because the prince promised it to me. ~ martin-luther, @wisdomtrove 9:When K. looked at the castle, often it seemed to him as if he were observing someone who sat quietly there in front of him gazing, not lost in thought and so oblivious of everything, but free and untroubled, as if he were alone with nobody to observe him, and yet must notice that he was observed, and all the same remained with his calm not even slightly disturbed; and really - one did not know whether it was cause or effect - the gaze of the observer could not remain concentrated there, but slid away. ~ franz-kafka, @wisdomtrove *** NEWFULLDB 2.4M ***
1:Have fun storming the castle! ~ William Goldman, #NFDB
2:Yonder lies the castle of my father. —TONY CURTIS (ATTRIB.), ~ Clive James, #NFDB
3:We admire the castles, because we admire the security! ~ Mehmet Murat ildan, #NFDB
4:I had reached up and pulled the castle of dreams down around him. ~ Susan Kay, #NFDB
5:Heath lost an argument with a porcupine in the castle gardens. ~ Elizabeth Vaughan, #NFDB
6:No castle can protect you, no castle but the Castle of Reason! ~ Mehmet Murat ildan, #NFDB
7:It would mean that the castle is not yet generating enough eroto-energy. ~ Angela Carter, #NFDB
8:You think the queen of the castle is going to let me in the ivory tower? ~ Jay Crownover, #NFDB
9:October arrived, spreading a damp chill over the grounds and into the castle. ~ J K Rowling, #NFDB
10:You can take a Lady out of the castle, but not the castle out of the Lady. ~ Catherine Bybee, #NFDB
11:You may go anywhere you wish in the castle, except where the doors are locked, ~ Bram Stoker, #NFDB
12:If you want to get to the castle, Groceries, you've got to swim the moat. ~ Elizabeth Gilbert, #NFDB
13:Furlough took him on a tour of the castle to demonstrate the art of scurrying. ~ Kate DiCamillo, #NFDB
14:All around the castle, a briary hedge began to grow, with thorns as sharp as barbs. ~ Jane Yolen, #NFDB
15:But I’d like to see the castles in the towns where they live,” the boy explained. ~ Paulo Coelho, #NFDB
16:If there is one door in the castle you have been told not to go through, you must. ~ Anne Lamott, #NFDB
17:Many a book is like a key to unknown chambers within the castle of one’s own self. ~ Franz Kafka, #NFDB
18:Snow White sucks the blood la ola lala" He sang, throwing bear can at the castle. ~ Cameron Jace, #NFDB
19:The castle was round and about them, widespread and as unchartable as a dark day. ~ Mervyn Peake, #NFDB
20:Love is the castle, doubt is the moat, desire is the paddle and hope is the boat. ~ Kellie Elmore, #NFDB
21:Many a book is like a key to unknown chambers within the castle of one's own self.
~ Franz Kafka,#NFDB
22:Saint George and the Dragon!-Bonny Saint George for Merry England!-The castle is won! ~ Walter Scott, #NFDB
23:At last the term ended, and a silence deep as the snow on the grounds descended on the castle. ~ J K Rowling, #NFDB
24:She stared at the castle. She had actually been summoned to a castle. A week before Christmas. ~ Fern Michaels, #NFDB
25:Before I left the castle I so fixed its entrances that never more can the Count enter there Undead. ~ Bram Stoker, #NFDB
26:Mind you, Princess Cassandra used to stalk us when she sneaked out of the castle as a girl. ~ John Flanagan, #NFDB
27:If you wanted to explore the castle forever and ever, you’d need to get hold of the Philosopher’s Stone. ~ J K Rowling, #NFDB
28:You said you were the King of the Castle – and you’re not, not by any means! But that’s the Dirty Rascal. ~ P L Travers, #NFDB
29:[E]xtreme happiness invites religion almost as much as extreme misery. ~ Dodie Smith, I Capture the Castle (1948), Ch. 13, #NFDB
30:The road to the Castle is paved with anonymous letters, deriving from the besetting Irish sin, jealousy. ~ Tim Pat Coogan, #NFDB
31:Fang! Angel?" i yelled, not even trying for stealth. i was storming the castle, not stealing the jewels. ~ James Patterson, #NFDB
32:I’d live anywhere, - in one room, in the castle ruin right now – if it meant we could all just be together. ~ Cecelia Ahern, #NFDB
33:Wouldn't it be fun if all the castles in the air which we make could come true and we could live in them? ~ Louisa May Alcott, #NFDB
34:Norwich is a very fine city, and the castle, which stands in the middle of it, on a hill, is truly majestic. ~ William Cobbett, #NFDB
35:A real island where there had once been real towns, where there stood a real castle—the castle where he was born. ~ Andrew Peterson, #NFDB
36:Since moving to the Castle, she'd discovered that only the white men talked of "black magic." As though magic had a color. ~ Yaa Gyasi, #NFDB
37:You know what I did after I wrote my first novel? I shut up and wrote twenty-three more."
("The Castle") ~ Michael Connelly,#NFDB
38:Old Friend The Witch and the Werecat Of Reading and Plots Thieves in the Castle A Costly Mistake Vision of Perfection ~ Christopher Paolini, #NFDB
39:She's just a friend. Four words that could possibly kill any woman, but they made me smile... And the castle was my witness. ~ Cecelia Ahern, #NFDB
40:Every other guest has left the castle, Harry. Why haven’t you?” “I am here to be your conscience, Adam. To save you from yourself. ~ Sarah M Eden, #NFDB
41:In the castle of the lotus twixt the brows
Whence it shoots the arrows of its sight and will ~ Sri Aurobindo, Savitri, The Finding of the Soul,#NFDB
42:The world had ended, so why had the battle not ceased, the castle fallen silent in horror, and every combatant laid down their arms? ~ J K Rowling, #NFDB
43:Don't live in the castles; freedom is in the fields! But I can also say: Don't live in the fields; security is in the castles! ~ Mehmet Murat ildan, #NFDB
44:Manners!" he said. "Why, it is merely the truth, and truth is good manners; manners are a fiction. The castle is done. Do you like it? ~ Mark Twain, #NFDB
45:The castle’s predecessor, the Roman villa, had been unfortified, depending on Roman law and the Roman legions for its ramparts. ~ Barbara W Tuchman, #NFDB
46:That'd be a cheerful visit, said Ron. Hello, Hagrid. Tell us, have you been setting anything mad and hairy loose in the castle lately? ~ J K Rowling, #NFDB
47:That’d be a cheerful visit,’ said Ron. ‘Hello, Hagrid, tell us,have you been setting anything mad and hairy loose in the castle lately? ~ J K Rowling, #NFDB
48:That'd be a cheerful visit," said Ron. "Hello, Hagrid. Tell us, have you been setting anything mad and hairy loose in the castle lately? ~ J K Rowling, #NFDB
49:That's silly, the people in prison are thieves and murderers.'
'So are the ones in the castle. How else do you get to own a castle? ~ Malcolm Pryce,#NFDB
50:Lie down there in the shade and sleep, and I will soon build the castle for you. If it would be a pleasure to you, you can live in it yourself. ~ Jacob Grimm, #NFDB
51:It was unnerving, to think she was being psychoanalyzed by someone who frequently complained that the castle walls had started bleeding again. ~ Marissa Meyer, #NFDB
52:Before the castle gate all was as the fox had said: so the son went in and found the chamber where the golden bird hung in a wooden cage, and below ~ Jacob Grimm, #NFDB
53:You soon learn there’s no elegance or dignity in death if you spend time in the castle kitchens. You learn how ugly it is, and how good it tastes. ~ Mark Lawrence, #NFDB
54:unoccupied space will never cease to change simply because nothing forbids it to do so. ========== We Have Always Lived in the Castle (Shirley Jackson) ~ Anonymous, #NFDB
55:He bought her a pretty music box with a picture of the castle in winter painted on the lid, and she slept on his shoulder on the train ride home. ~ Michael Schmicker, #NFDB
56:The danger isn't that Big Brother may storm the castle gates. The danger is that Americans don't realize that he is already inside the castle walls. ~ Wayne LaPierre, #NFDB
57:If only a horrible storm can demolish the castle of the devil, then let the storm be victorious! It is not uncommon that heaven comes after hell! ~ Mehmet Murat ildan, #NFDB
58:Half of the castle has, at one point or another, been burned down by a combination of Barbary corsairs, lightning bolts, Napoleon, and smoking in bed. ~ Neal Stephenson, #NFDB
59:wished she had been around the castle the last few days, because he knew she would have found playing with the new vampire weapon prototypes entertaining. ~ Tenaya Jayne, #NFDB
60:Great. So if a dragon and a fairy show up at the castle, what the hell am I supposed to do with that information? Put out a warrant for their arrest?" "No, ~ Daniel Suarez, #NFDB
61:If there is one door in the castle you have been told not to go through, you must. Otherwise, you'll just be rearranging furniture in rooms you've already been in. ~ Anne Lamott, #NFDB
62:Lord Uthe once said I wouldn’t be the one at the head of the army, storming the castle. I’d be the engineer, tunneling beneath to bring the whole thing crashing down. ~ Anonymous, #NFDB
63:Every time I stumbled and fell, something in me hardened, became worse.
By the time I reached the castle gates; I think I was not Lestat. I was someone else altogether. ~ Anne Rice,#NFDB
64:Temptations are enemies outside the castle seeking entrance. If there be no false retainer within who holds treacherous parley, there can scarcely be even an offer. ~ Henry Ward Beecher, #NFDB
65:to the castle feeling Saturday couldn’t come quickly enough. They would have felt sorry for Hagrid when the time came for him to say good-bye to Norbert if they hadn’t been ~ J K Rowling, #NFDB
66:By the time Brand Appleton reached the castle grounds, he had acquired a significant crowd. Never in the history of Toll had one man needed so many people to arrest him. ~ Frances Hardinge, #NFDB
67:everywhere, and all locked and bolted. In no place save from the windows in the castle walls is there an available exit. The castle is a veritable prison, and I am a prisoner! ~ Bram Stoker, #NFDB
68:Ed said, "I can tell you, when we heard that baby was going to be all right, there wasn't a dry seat in the castle."
"I'm so happy to hear that," Marigold sold. "I think. ~ Jean Ferris,#NFDB
69:Kafka’s The Castle came to mind, a book I had not read but that fell into that category of literature that culture reads on your behalf and deposits somewhere inside you. ~ Patrick McGuinness, #NFDB
70:There were grade-schoolers in Texas who could recite the Castle Doctrine, the state’s “stand your ground” law, as easily as the pledge of allegiance. Mack’s was a textbook case. ~ Attica Locke, #NFDB
71:Our heart wanders lost in the dark woods. Our dream wrestles in the castle of doubt. But there’s music in us. Hope is pushed down but the angel flies up again taking us with her. ~ Jack Gilbert, #NFDB
72:Children make prayers so thoughtlessly, building them up like sand castles—and they are always surprised when suddenly the castle becomes real, and the iron gate grinds shut. ~ Catherynne M Valente, #NFDB
73:... No, the office is one thing, and private life is another. When I go into the office, I leave the Castle behind me, and when I come into the Castle, I leave the office behind me. ~ Charles Dickens, #NFDB
74:Julisse and Arielle. The two remaining sisters of Rhys. I’d heard talk around the castle that they were two of the most formidable female witches of our time, but I’d never met them before. ~ Bella Forrest, #NFDB
75:Spake full well, in language quaint and olden, One who dwelleth by the castled Rhine, When he called the flowers, so blue and golden, Stars, that in earth's firmament do shine. ~ Henry Wadsworth Longfellow, #NFDB
76:You're in Ireland the summer after you left college and you're drinking at a pub near the castle where every day bus loads of English and American tourists come to kiss the Blarney Stone. ~ Chuck Palahniuk, #NFDB
77:He apparently intends to pass the castle on to his eldest daughter.'
'His daughter?' This was news to Pagan.
Colin shrugged. 'They're Scots,' he said, as if that would explain it all. ~ Glynnis Campbell,#NFDB
78:Thus the castle of each feudal chieftain became a school of chivalry, into which any noble youth, whose parents were from poverty unable to educate him to the art of war, was readily received. ~ Horatio Alger, #NFDB
79:Dear friend, You are not a freak. You are wanted. You are necessary. You are the only you there is. Don’t be afraid to leave the castle. It’s a great big world out there. Love, a fellow reader ~ Jennifer Niven, #NFDB
80:Doors, doors, doors everywhere, and all locked and bolted. In no place save from the windows in the castle walls is there an available exit. The castle is a veritable prison, and I am a prisoner! ~ Bram Stoker, #NFDB
81:It was a troubled night, the last they spent in the castle. Not many slept. But the lord of it had long understood that what could cease to be his never had been his, and slept like a child. ~ George MacDonald, #NFDB
82:Raindrops the size of bullets thundered on the castle windows for days on end; the lake rose, the flower beds turned into muddy streams, and Hagrid’s pumpkins swelled to the size of garden sheds. ~ J K Rowling, #NFDB
83:From its place of concealment the Grail still calls seekers to the quest and knights still set out upon the way to the castle that is difficult to find, where the treasure is preserved. ~ Marie Louise von Franz, #NFDB
84:The castle will seem very quiet and strange without you here. The stone stairs and the chapel will miss your footstep, the gateway will will miss your laughter, and the wall will miss your shadow. ~ Philippa Gregory, #NFDB
85:When writing down a plan, I suggest numbering the steps. But just in case your plan falls into enemy hands, make sure you number them in the wrong order." - The Hero's Guide to Storming the Castle ~ Christopher Healy, #NFDB
86:Flaevynn wants only to take Treoir so she can bathe in the pool of immortality that runs beneath the castle.” – Cathbad
“Can she swim? Maybe she’ll drown before the immortality kicks in.” – Kizira ~ Sherrilyn Kenyon,#NFDB
87:Now and then they would tell old legends and fairy tales about the castle, the way people always do about old castles. But they would be just that: fairy tales.
Nothing more, and nothing less. ~ Mechthild Gl ser,#NFDB
88:Belle, so brave and noble—willing to take her father’s place as a prisoner in the castle dungeon. What sort of woman would do that—give up her life so easily, sacrificing her freedom for her father’s? ~ Serena Valentino, #NFDB
89:I was shortly again at the castle, and the Princess gave me her hand to kiss and then brought her children, the young princes and princesses, and we played together, as if we had known each other for years. ~ Max Muller, #NFDB
90:After about half an hour, the front doors to the castle creaked open. I looked down and watched as a lone figure stepped out onto the icy entrance steps and sat down. Breathing heavily. Head in his hands. ~ Bella Forrest, #NFDB
91:Copyin’ lines! What good’s that ter anyone? Yeh’ll do summat useful or yeh’ll get out. If yeh think yer father’d rather you were expelled, then get back off ter the castle an’ pack. Go on!” Malfoy didn’t move. ~ J K Rowling, #NFDB
92:Not at all up to your usual standard, Hermione. Only one out of three, I’m afraid. I have not been helping Sirius get into the castle and I certainly don’t want Harry dead. But I won’t deny that I am a werewolf. ~ J K Rowling, #NFDB
93:Star and Ariel looked at each other, aghast. The coven was about to burn two kids from the Castle. What would the Queen have to say about that? It would be goodbye to their free food at Wizard Sandwiches for sure. ~ Angie Sage, #NFDB
94:And as the years flowed by, some villagers told travelers of a beast and a beauty who lived in the castle and could be seen walking on the battlements, and others told of two beauties, and others, of two beasts. ~ Emma Donoghue, #NFDB
95:The big knight fell heavily to the ground, and lay there, as nearly dead as possible. His servants came running from the castle and took him in. He got better in the end, but nobody cared much about that. ~ Roger Lancelyn Green, #NFDB
96:The year since then had been peaceful and prosperous, and in some ways the mood was lighter in the castle with Josh and Poppy installed as King and Queen in place of Quentin and Julia, Fillory’s brooders-in-chief. ~ Lev Grossman, #NFDB
97:What will we do first?” Tabitha asked her. They were soaring high above the castle, descending in lazy loops as Tabitha slid from one warm updraft to another. Tabitha’s starlings glided around them like a halo. ~ Austin J Bailey, #NFDB
98:1) Everyone nodded in silent agreement,
and then one by one
disappeared into the castle’s dark shadows
where night met blackened air
and creepy things
whispered the most haunting words into the wind. ~ Kenya Wright,#NFDB
99:They poured out the lower doors and windows of the castle, howling to the skies. They evolved into a kind of cohesive moving liquid, flowing down the hillside as one silvered blob, like mercury on a scientist’s palm. ~ Gail Carriger, #NFDB
100:When Myst had been in a Horde prison, the Forbearer rebels took the castle, and one of their generals had freed her to make love to her. Before the Valkyrie could rescue her, things had gotten out of hand in a dank cell. ~ Kresley Cole, #NFDB
101:And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same. ~ J K Rowling, #NFDB
102:The castle grounds were gleaming in the sunlight as though freshly painted; the cloudless sky smiled at itself in the smoothly sparkling lake, the satin-green lawns rippled occasionally in a gentle breeze: June had arrived. ~ J K Rowling, #NFDB
103:We dare not harm this little girl," he said to them, "for she is protected by the Power of Good, and that is greater than the Power of Evil. All we can do is carry her to the castle of the Wicked Witch and leave her there. ~ L Frank Baum, #NFDB
104:The castle itself was a huge brick pile, built in the days of William III., which, though they were grand days for the construction of the constitution, were not very grand for architecture of a more material description. ~ Anthony Trollope, #NFDB
105:No man knows where the Castle of King Death is. All men and women, boys and girls, and even little wee children should so live that when they have to enter the Castle and see the grim King, they may not fear to behold his face. ~ Bram Stoker, #NFDB
106:own personal screening process as well. Every person that entered the Castle was a candidate to fight in the coming war against Simon Sterling. Three times a week Howard met in the conference room with Richard Dupree, ~ Richard Stephenson, #NFDB
107:With anger simmering beneath his skin like it hadn't in two and a half years, Vitor went to the drawing room. He was not a murderer, but if any other man in the castle touched her, he might very well become one.
-Vitor ~ Katharine Ashe,#NFDB
108:Annoyed?” said Sophie. “Why should I be annoyed? Someone only filled the castle with rotten aspic, and deafened everyone in Porthaven, and scared Calcifer to a cinder, and broke a few hundred hearts. Why should that annoy me? ~ Diana Wynne Jones, #NFDB
109:This is not a Scooby-Doo episode, Gus said.
Granted, our current adventure may lack the mastery and grace of classic stories like 'Hassle in the Castle' or 'Foul Play in Funland', Shawn said. But as I've always said, aim high. ~ William Rabkin,#NFDB
110:Through dangers untold and hardships unnumbered I have fought my way here to the castle beyond the Goblin City to take back the child you have stolen, for my will is as strong as yours and my kingdom as great. You have no power over me! ~ Jim Henson, #NFDB
111:We write to expose the unexposed. If there is one door in the castle you have been told not to go through, you must. The writer's job is to turn the unspeakable into words - not just into any words, but if we can, into rhythm and blues. ~ Anne Lamott, #NFDB
112:The Encyclopedia Qwghlmiana had made much use of the definite article—the Town, the Castle, the Hotel, the Pub, the Pier. Waterhouse stops in at the Shithouse to deal with some aftershocks of the sea voyage, and then walks up the Street ~ Neal Stephenson, #NFDB
113:in the water is a woman of such beauty that her skin is paler than the white marble and her hair is darker than the night skies. He falls in love with her at once, and she with him, and he takes her to the castle and makes her his wife. ~ Philippa Gregory, #NFDB
114:I saw at once that I had only to rise in my machine, fix my eyes upon the castle, fly over it and speed directly across to the French coast. It seemed so easy that it looked like a cross-country flight. I am glad I thought so and felt so. ~ Harriet Quimby, #NFDB
115:We Have Always Lived in the Castle (Shirley Jackson) - Your Highlight on page 19 | Location 284-284 | Added on Saturday, January 24, 2015 3:56:38 AM I hated them anyway, and wondered why it had been worth while creating them in the first place. ~ Anonymous, #NFDB
116:Since God has given it such great dignity, permitting it to wander at will through the rooms of the castle, from the lowest to the highest. Let it not force itself to remain for very long in the same mansion, even the one of self-knowledge. ~ Teresa of vila, #NFDB
117:.... Anon from the castle walls The crescent banner falls, And the crowd beholds instead, Like a portent in the sky, Iskander's banner fly, The Black Eagle with double head. And shouts ascend on high .....'' Long live Scanderbeg. ~ Henry Wadsworth Longfellow, #NFDB
118:And though age and infirmity overtake me, and I come not within sight of the castle of my dreams, teach me still to be thankful for life, and for time's olden memories that are good and sweet; and may the evening's twilight find me gentle still. ~ Max Ehrmann, #NFDB
119:So I nodded, which Fred took as an indication to continue. “Everything in the theater and the army was in chaos. Iraq exploded in violence. I was the deputy commandant at the Castle, and got overnight orders to proceed to Iraq on the next flight. ~ Brian Haig, #NFDB
120:While hope was a much-needed commodity around the castle, what he was doing went beyond good leadership – it was a blatant disregard of the reality. There are limits to faith, and he shamelessly crossed them and never looked over his shoulder. ~ Terry Mancour, #NFDB
121:Meanwhile the castle rolled. Great walls collapsed, one into another.
The colours of the tracts were horrible. The vilest green. The most hideous purple. Here the foul shimmering of rotting fungi – there a tract of books alive with mice. ~ Mervyn Peake,#NFDB
122:The next morning dawned cool and clear. The early mist had lifted, leaving a thick layer of dew clinging to the hillsides beyond the castle, shimmering in the morning sun like faerie dust sprinkled over a lush bed of emerald.
Like his eyes. ~ Monica McCarty,#NFDB
123:The original fairy tale was about the youngest sister going into a room in the castle and finding all the bodies of the wives that came before her - she is confronted with truth, thinking about how often we think we know people and we really don't. ~ Alice Hoffman, #NFDB
124:Mr. Tall, blond and delicious?” She’s a huge fan of Gabriel’s. Maybe it’s because he kissed her hand, or because he showed her nothing but courtesy during that weekend in the castle. Or maybe, just maybe, it’s because she knows I’m in love with him. ~ Magda Alexander, #NFDB
125:I stand and brush the tears from my eyes. The hen is gone, and the harp that was my mother’s, and all of our gold; my husband is gone, too. The castle I shared with him is an empty shell now, robbed of everything that mattered—but I have one last use for ~ Marie Brennan, #NFDB
126:Merlin’s beard, Harry, you made me jump,” said Slughorn, stopping dead in his tracks and looking wary. “How did you get out of the castle?” “I think Filch must’ve forgotten to lock the doors,” said Harry cheerfully, and was delighted to see Slughorn scowl. ~ J K Rowling, #NFDB
127:With characteristic exuberance Tom named this curiously constructed
house Castel des Tours saunz Nowmbre, which means the Castle of
Innumerable Towers. David Montefiore had counted the innumerable
towers in 1764. There were fourteen of them. ~ Susanna Clarke,#NFDB
128:Kami closed her latest book with a slam. She did not know why the townspeople had not risen up against the Lynburns years ago, frankly. Whatever happened to the folksy and charming tradition of storming the castle with burning torches and pitchforks? ~ Sarah Rees Brennan, #NFDB
129:The clouds behind the castle darkened and rolled, embracing the mountain and the white towers. And as the princess became more animated, the clouds rolled faster and faster. They twisted and deepened in color until a deafening crack sliced through the air. ~ Brittney Joy, #NFDB
130:Merlin’s beard, Harry, you made me jump,” said Slughorn, stopping dead in his tracks and looking wary. “How did you get out of the castle?”
“I think Filch must’ve forgotten to lock the doors,” said Harry cheerfully, and was delighted to see Slughorn scowl. ~ J K Rowling,#NFDB
131:And now, Your Majesty," said Strange, "I think it is time we returned to the Castle. You and I, Your Majesty, are a British King and a British magician. Though Great Britain may desert us, we have no right to desert Great Britain. She may have need of us yet. ~ Susanna Clarke, #NFDB
132:But the boy was there, and he was looking at her. That was when Yorda understood what was drawing out her memories of the castle into the boy. It was him. He wanted to know its dark past. He wanted to know everything. No one could stop this. Not even the queen. ~ Miyuki Miyabe, #NFDB
133:Give me the child. Through dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the Goblin City to take back the child you have stolen. For my will is as strong as yours, and my kingdom is as great.
You have no power over me ~ A C H Smith,#NFDB
134:Above the plains up on the hill there stood a castle bold
A gleaming palace made of white, a pillar to behold
The horsemen lived in service to the castle and the crown
But the knights rose up and killed the kings
And it all burned down. ~ Ally Carter,#NFDB
135:Twelve pillars of the castle of time will bear. Twelve creatures rule land and sea. The eagle is ready to soar in the air, Five's the foundation and also the key. In the Circle of Twelve, Number Twelve becomes Two. The hawk hatches seventh, yet Three is the clue. ~ Kerstin Gier, #NFDB
136:When she wanted to forget the Castle, she thought of these things, but she did not expect joy. Hell was a place of remembering, each beautiful moment passed through the mind's eye until it fell to the ground like a rotten mango, perfectly useless, uselessly perfect. ~ Yaa Gyasi, #NFDB
137:When she wanted to forget the Castle, she thought of these things, but she did not expect joy. Hell was a place of remembering, each beautiful moment passed through the mind’s eye until it fell to the ground like a rotten mango, perfectly useless, uselessly perfect. ~ Yaa Gyasi, #NFDB
138:You expect me to believe that you're being held against your will?" I raised a skeptical eyebrow. "You're roaming around the castle freely." "As are you." He turned away from me then. "Not all prisons have bars. You should know that better than anyone, Princess. ~ Amanda Hocking, #NFDB
139:The thoughts could easily paralyze her, and she needed to be sharp. She needed a plan. For now, it was easier to do something useful with her hands. Cleaning had kept her busy all those lonely years in the castle. It could keep her busy again for another few hours. ~ Jen Calonita, #NFDB
140:This group had a kind of dark glamour within the castle. They were a motley collection; a mixture of the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty. ~ J K Rowling, #NFDB
141:The way to begin healing the wounds of the world is to treasure the Infant Christ in us; to be not the castle but the cradle of Christ; and, in rocking that cradle to the rhythm of love, to swing the whole world back into the beat of the Music of Eternal Life. ~ Caryll Houselander, #NFDB
142:Sam loved to listen to music and make his own songs, to wear soft velvets, to play in the castle kitchen beside the cooks, drinking in the rich smells as he snitched lemon cakes and blueberry tarts. His passions were books and kittens and dancing, clumsy as he was. ~ George R R Martin, #NFDB
143:All the next day the pleasure of his success lingers in Werner's blood, the memory of how it seemed almost holy to him to walk beside big Volkheimer back to the castle, down through the frozen trees, past the rooms of sleeping boys ranked like gold bars in strongrooms... ~ Anthony Doerr, #NFDB
144:How do you curb envy? First, stop comparing yourself to others. Second, find your “circle of competence” and fill it on your own. Create a niche where you are the best. It doesn’t matter how small your area of mastery is. The main thing is that you are king of the castle. ~ Rolf Dobelli, #NFDB
145:She walked to where he stood, where the fire met the water. He took her hand and they both looked out into the abyss of it. The fear that Marcus had felt inside the Castle was still there, but he knew it was like the fire, a wild thing that could still be controlled, contained. ~ Yaa Gyasi, #NFDB
146:I’m not Prince Charming. I’m the bad guy that sneaks into the castle when Prince Charming is off singing songs in the woods. I’m the one with the big cock that bends needy Cinderella over. And I’m the one that makes her scream until her throat’s raw and she can’t sing a note. ~ Kenya Wright, #NFDB
147:Let me advise you, my dear young friend-- nay, let me warn you with all seriousness, that should you leave these rooms you will not by any chance go to sleep in any other part of the castle. It is old, and has many memories, and there are bad dreams for those who sleep unwisely. ~ Bram Stoker, #NFDB
148:The castle? The monster? The man of learning? I only just thought of it. Surely you know that just as the momentous events of the past cast their shadows down the ages, so now, when the sun is drawing toward the dark,our own shadows race into the past to trouble mankind's dreams. ~ Gene Wolfe, #NFDB
149:which was how he had survived the Dark Lord’s attack. Indeed, many of the Dark Lord’s old followers thought Potter might be a standard around which we could all rally once more. I was curious, I admit it, and not at all inclined to murder him the moment he set foot in the castle. ~ J K Rowling, #NFDB
150:Yorda slid down the side of the throne platform and walked again toward Ico. She moved differently now. This was not the Yorda he had led through the castle by the hand, the Yorda who would wander aimlessly if he did not call out to her. This was the queen's double, her puppet. ~ Miyuki Miyabe, #NFDB
151:The unfortunate Elizabeth Bathori was said to bathe in the blood of young girls in order to preserve her youth and beauty. Apparently more than 600 maidens went down the drain before anyone noticed something amiss at the castle. How very inobservant the neighbors must have been. ~ Robert Dunbar, #NFDB
152:The church was simply the former chapel of the castle, fronting upon its grass-grown court, which, however, was of generous enough width to have given up its quaintest corner to a little graveyard. Here the very headstones themselves seemed to sleep, as they slanted into the grass. ~ Henry James, #NFDB
153:I thought of my picture in the Castle. But what would future girls see when they looked at the photograph during their daily comings and goings, peering closely? Not the shade of my hair, rendered colorless. Not anything, really. Just a girl on a horse, like so many other girls. ~ Anton DiSclafani, #NFDB
154:Lloyd George’s main interest seemed to lie in meeting the amazing escapologist ‘Mick’ as he always referred to him. He took a mischievous delight in the rage of ‘the Castle contingent’ at their inability to lay hands on Collins when the Archbishop could apparently see him at will. ~ Tim Pat Coogan, #NFDB
155:In three weeks my betrothed is coming here, to the castle. But Rose, I can’t marry her. I tried to believe that I could love her, and I’m sure I could have had I not met you. But knowing you, Rose, loving you as I do, I can’t possibly marry someone else. So I came up with a plan. ~ Melanie Dickerson, #NFDB
156:By all means," cried the bard, his eyes lighting up. "A Fflam to the rescue! Storm the castle! Carry it by assault! Batter down the gates!"
"There's not much of it left to storm," said Eilonwy.
"Oh?" said Fflewddur, with disappointment. "Very well, we shall do the best we can. ~ Lloyd Alexander,#NFDB
157:A mist still lay all about the walls and floors, hovering like a last breath on the lips of all the sleepers. As he walked through the castle, he marveled at how many lay asleep: the good people, the not-so-good, the young people and the not-so-young, and not one of them stirring. Not one. ~ Jane Yolen, #NFDB
158:Three months previously I had entered the Haunt alone, covered in blood that was not my own and swinging a stolen sword. By Brothers followed me in. Now I left the castle in the hands of another. I had wanted my uncle's blood. His crown I took because other men said I could not have it. ~ Mark Lawrence, #NFDB
159:Well, he would share her, but only for a little while. When the ball was over, he would make sure she slept inside the castle tonight, with his sister Margaretha. In fact, he might just make sure she never left the castle. He didn’t intend for her to ever be without protection again. ~ Melanie Dickerson, #NFDB
160:I wished I could read in their shrivelled faces and watery eyes, I wished I could hear in the bad French which came half through their pinched lips and half through their pointed noses, how the old ladies had got at least on to good terms with the uncanny beings which haunted the castle. ~ E T A Hoffmann, #NFDB
161:Tour the castle (open from 9:30). Then consider catching one of the city bus tours for a one-hour loop (departing from a block below the castle at the Hub/Tolbooth Church; you could munch a sandwich from the top deck if you’re into multitasking). Back near the castle, take my self-guided Royal ~ Rick Steves, #NFDB
162:Five houses?” Lothaire had sneered, cutting Trehan off. “You all live under one roof now. Mine. Because I’m the king of the castle.” Then his red eyes had grown vacant, and he’d begun muttering about “Lizvetta’s lingerie.”
Trehan had been … underwhelmed by the Enemy of Old’s attention span. ~ Kresley Cole,#NFDB
163:The magical force that had sundered everything in the castle had occasionally made some very odd choices in its destruction—Sand found a hammer that had been broken only at the wooden handle and not any of the metal parts, and another hammer whose handle was whole while the metal was broken. ~ Merrie Haskell, #NFDB
164:We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need. ~ Arnold Schwarzenegger, #NFDB
165:Quey had wanted to cry, but the desire embarrassed him. He knew that he was one of the half-caste children of the Castle, and, like the other half-caste children, he could not fully claim half of himself, neither his father's whiteness or his mother's blackness. Neither England nor the Gold Coast. ~ Yaa Gyasi, #NFDB
166:Kafka was a master at the gruesome task of picturing people who do not use their potentialities and therefore lose their sense of being persons. The chief character in The Trial and in The Castle has no name—he is identified only by an initial, a mute symbol of one’s lack of identity in one’s own right. ~ Rollo May, #NFDB
167:The castled crag of Drachenfels, Frowns o'er the wide and winding Rhine, Whose breast of waters broadly swells Between the banks which bear the vine, And hills all rich with blossom'd trees, And fields which promise corn and wine, And scatter'd cities crowning these, Whose far white walls along them shine. ~ Lord Byron, #NFDB
168:The world had ended, so why had the battle not ceased, the castle fallen silent in horror, and every combatant laid down their arms? Harry's mind was in freefall, spinning out of control, unable to grasp the impossiblity, because Fred Weasley could not be dead, the evidence of all his senses must be lying - ~ J K Rowling, #NFDB
169:The Karstarks traced their descent to Karlon Stark, a younger son of Winterfell who had put down a rebel lord a thousand years ago, and been granted lands for his valor. The castle he built had been named Karl’s Hold, but that soon became Karhold, and over the centuries the Karhold Starks had become Karstarks. ~ Anonymous, #NFDB
170:Each man and woman is like a soldier sent by God to guard some part of the castle of the Universe. And some are in the ramparts and some far deep in the darkness of the walls. But each one must remain faithful to his post and must not go running about, else the castle is in danger from the assaults of Hell. ~ John Steinbeck, #NFDB
171:Nobody’s going to save you. No one’s going to cut you down, cut the thorns thick around you. No one’s going to storm the castle walls nor kiss awake your birth, climb down your hair, nor mount you onto the white steed. There is no one who will feed the yearning. Face it. You will have to do, do it yourself. ~ Gloria E Anzald a, #NFDB
172:Nobody’s going to save you. No one’s going to cut you down, cut the thorns thick around you. No one’s going to storm the castle walls nor kiss awake your birth, climb down your hair, nor mount you onto the white steed. There is no one who will feed the yearning. Face it. You will have to do, do it yourself. ~ Gloria E Anzaldua, #NFDB
173:So," said Wood, at long last, jerking Harry from a wistful fantasy about what he could be eating for breakfast at this very moment up at the castle, "is that clear? Any questions?"
"I've got a question, Oliver," said George, who had woken with a start. "Why couldn't you have told us yesterday when we were awake? ~ J K Rowling,#NFDB
174:She had read too many romantic novels of a dark and dreary bent to really be surprised—The Castle of Otranto was one of her favorite English reads. For all intents and purposes, she was the overwrought, terrified heroine wandering around a cursed castle at night, seeing things in the shadows, jumping at noises. Plus ~ Liz Braswell, #NFDB
175:For Ethel, it was exactly as if one of the twisted beech trees behind the castle had knocked at her door one morning to ask for her hand in marriage. What could she say? Yes, she loved those little trees beneath which she used to build her dens, she loved them dearly...but would she have wanted to marry them? ~ Timoth e de Fombelle, #NFDB
176:I told him of the queen's refusal to see me, and"- he hesitated, his cheeks coloring slightly- "about the beautiful maiden I met in the castle gardens."
"You did?" she asked, unsure why she was so taken with the fact that he'd mentioned her.
"Yes," Henri smiled shyly.
"Oh, brother," she heard Grumpy mumble. ~ Jen Calonita,#NFDB
177:And now you have a small map of the princess's heart (hatred, sorrow, kindness, empathy), the heart that she carried down inside her as she went down the golden stairs and through the kitchen and, finally, just as the sky outside the castle began to lighten, down into the dark dungeon with the rat and the serving girl. ~ Kate DiCamillo, #NFDB
178:Common sense was, in fact, the cornerstone of her existence. If she had been the princess in the fairytale who was forbidden to go into the one locked and secret room in the castle, then into that locked and secret room she would never ever have gone, and the happy ending would have happened for her years earlier than scheduled. ~ Anonymous, #NFDB
179:The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember? ~ C S Lewis, #NFDB
180:The three of them fell silent. After a long pause, Hermione voiced the knottiest question of all in a hesitant voice.
“Do you think we should go and ask Hagrid about it all?”
“That’d be a cheerful visit,” said Ron, “ ‘Hello, Hagrid. Tell us, have you been setting anything mad and hairy loose in the castle lately? ~ J K Rowling,#NFDB
181:BILLY CRYSTAL It’s been one of the little jewels of my career. Very often, still to this day, in airports or movie theaters, people will walk by and go, “Have fun storming the castle!” Or the really cool ones will whisper to me, “Don’t go swimming for an hour, a good hour,” and then just walk away. Those are the really cool ones. ~ Cary Elwes, #NFDB
182:If Frau Rasch, in the last and fullest days of her husband’s power in Brno, had idly—during a party, say; a musical recital at the castle—gazed into the core of the diamond that had come to her from Oskar Schindler, she would have seen reflected there the worst incubus from her own dreams and her Führer’s. An armed Marxist Jew. ~ Thomas Keneally, #NFDB
183:The Castle. He’d seen this expression far too many times during their marriage. The Castle was Bryony drawing up the gates and retreating deep into the inner keep. And he’d always hated it. Marriage meant that you shared your goddamn castle. You didn’t leave your poor knight of a husband circling the walls trying to find a way in. ~ Sherry Thomas, #NFDB
184:They come in search of new things, but when they leave they are basically the same people they were when they arrived. They climb the mountain to see the castle, and they wind up thinking that the past was better than what we have now. They have blond hair, or dark skin, but basically they're the same as the people who live right here ~ Paulo Coelho, #NFDB
185:From this height the sleeping city seems like a child's construction, a model which has refused to be constrained by imagination. The volcanic plug might be black Plasticine, the castle balanced solidly atop it a skewed rendition of crenellated building bricks. The orange street lamps are crumpled toffee-wrappers glued to lollipop sticks. ~ Ian Rankin, #NFDB
186:Somewhere out in the darkness, a phoenix was singing in a way Harry had never heard before: a stricken lament of terrible beauty. And Harry felt, as he had felt about phoenix song before, that the music was inside him, not without: It was his own grief turned magically to song that echoed across the grounds and through the castle windows. ~ J K Rowling, #NFDB
187:He felt his heart pounding fiercely in his chest. How strange that in his dread of death, it pumped all the harder, valiantly keeping him alive. But it would have to stop, and soon. Its beats were numbered. How many would there be time for, as he rose and walked through the castle for the last time, out into the grounds and into the forest? ~ J K Rowling, #NFDB
188:I am the lady of the castle. My name is exile. My name is anguish. My name is longing. Far from the world on the windy crests of the mountain, I am kept in absolute seclusion, my time passes in an endless reverie, a perpetual swooning. I am both the Sleeping Beauty and the enchanted castle; the princess drowses in the castle of her flesh. ~ Angela Carter, #NFDB
189:There are moments that change everything, mired in the mass of more ordinary time like insects caught in amber. Without them, life would be a tame, predictable thing. But with them, ah. With them, life does as it will, like lightning, like the wind that blows across the castle battlements, and none may stop it, and none may tell it “no”. ~ Seanan McGuire, #NFDB
190:The first thing that Shaytan (Satan) will try to do is get you to stop praying. You know why? Because he has to kill the guard if he wants to penetrate the castle. Once the guard is gone, then Shaytan(satan) can open the floodgates for evil. And he has a lot of patience. He has done this to many people before so he’s experienced as well. ~ Nouman Ali Khan, #NFDB
191:Probably lots of people have died in the castle,' Susannah was saying sleepily. 'Cats, too. Lots of cats. The whole courtyard is probably full of graves, and we walk over them all the time.'
'I think,' Layla said, quite seriously, 'that people and cats turn back to the earth after a while. So what you walk over is just earth, Susannah. ~ Eloisa James,#NFDB
192:Nobody’s going to save you.
No one’s going to cut you down
cut the thorns around you.
No one’s going to storm
the castle walls nor
kiss awake your birth,
climb down your hair,
nor mount you
onto the white steed.
There is no one who
will feed the yearning.
Face it. You will have
to do, do it yourself. ~ Gloria E Anzald a,#NFDB
193:Of course, few of the conservative politicians—libertarians aside—who have pushed the extension of the castle doctrine would see the clear resonance with the argument for women’s reproductive rights that would naturally flow from such an idea. After all, at its ideological core, this doctrine is about male identity, male property, and male bodies. ~ Marc Lamont Hill, #NFDB
194:Split the Castle open,
find me, find you.
We, two, felt sand,
wind, air.
One felt whip. Whipped,
Once shipped.
We, two, black.
Me, you.
One grew from
cocoa's soil, birthed from nut,
skin uncut, still bleeding.
We two, wade.
The waters seem different
but are same.
Our same. Sister skin.
Who knew? Not me. Not you ~ Yaa Gyasi,#NFDB
195:The Castle—a man haunted by the feeling that he was losing himself or wandering into a strange country, farther than he had ever wandered before, a country so strange that not even the air had anything in common with his native air, where one might die of strangeness, and yet whose enchantment was such that one could only go on and lose oneself further… ~ Miles Harvey, #NFDB
196:Since moving to the Castle, she’d discovered that only the white men talked of “black magic.” As though magic had a color. Effia had seen a traveling witch who carried a snake around her neck and shoulders. This woman had had a son. She’d sung lullabies to him at night and held his hands and kept him fed, same as anyone else. There was nothing dark about her. ~ Yaa Gyasi, #NFDB
197:Doubt tears down the castle walls we have built, with the false security and permanence they give, and forces us outside to walk a lonely, trying, yet cleansing road. In those times, it definitely feels like God is against us, far away, or absent altogether. But what if the darkness is actually a moment of God’s presence that seems like absence, a gift of God ~ Peter Enns, #NFDB
198:She reminds me of Rapunzel. You know, like in the fairytale. The only time she leaves that house is to take her mother to her few social activities, or to run errands for her."
No, Adam thought. That's not the only time she leaves.
He turned to look at her house, more curious than he wanted to be.
Rapunzel had been sneaking out of the castle. ~ Sarah Addison Allen,#NFDB
199:The Castleteria was bustling with activity as students ate lunch. Hagatha, the lunch lady, was an expert at fixing meals for all sorts of palates and all sizes of stomachs. Porridge was always on the menu, as were curds and whey. The day's lunch special was cheeseburgers, grilled by dragon fire, with a helping of enormous green beans, provided by the giants. ~ Suzanne Selfors, #NFDB
200:The door shut behind them all, and locked. The women stared at it, mesmerized, and observed across it the wavering shadow of an uncanny cloud. Behind the chamfered windows the sun was obscured by drifting wreaths of grey smoke, and the silence filled with the crackling of flames. The youngest surviving Crawford, in leaving, had deftly set fire to the castle. ~ Dorothy Dunnett, #NFDB
201:1014
The Spirit Is The Conscious Ear
733
The Spirit is the Conscious Ear.
We actually Hear
When We inspect—that's audible—
That is admitted—Here—
For other Services—as Sound—
There hangs a smaller Ear
Outside the Castle—that Contain—
The other—only—Hear—
~ Emily Dickinson,#NFDB
202:As to what good qualities there may be in our souls, or Who dwells within them, or how precious they are -- those are things which we seldom consider and so we trouble little about carefully preserving the soul's beauty. All our interest is centred in the rough setting of the diamond, and in the outer wall of the castle -- that is to say, in these bodies of ours. ~ Teresa of vila, #NFDB
203:We've witnessed a fire sale of American liberties at bargain basement prices, in return for the false promise of more security... The America being designed right now won't resemble the America we've been defending... The danger isn't that Big Brother may storm the castle gates. The danger is that Americans don't realize that he is already inside the castle walls. ~ Wayne LaPierre, #NFDB
204:October arrived, spreading a damp chill over the grounds and into the castle. Madam Pomfrey, the nurse, was kept busy by a sudden spate of colds among the staff and students. Raindrops the size of bullets thundered on the castle windows for days on end; the lake rose, the flower beds turned into muddy streams, and Hagrid’s pumpkins swelled to the size of garden sheds. ~ J K Rowling, #NFDB
205:And, most vivid of all, there was the dramatic epic of the rats - the scampering army of obscene vermin which had burst forth from the castle three months after the tragedy that doomed it to desertion - the lean, filthy, ravenous army which had swept all before it and devoured fowl, cats, dogs, hogs, sheep, and even two hapless human beings before its fury was spent. ~ H P Lovecraft, #NFDB
206:In this prudent way every portion of the Castle Gorka hogs was utilized: the good cuts for the banquet, the tougher ones in Pani Danusia’s pierogi, the haslet in Anulka’s kielbasa. This good husbandry was symbolic of the rational way in which Poland had organized itself in the year 1646, when magnates, gentry and peasants were about as happy as they had ever been. ~ James A Michener, #NFDB
207:Here, how did you get out of the castle?" said Granny.
"The esteemed Nanny Ogg assisted me," said the king. "I reasoned, if I am anchored to the stones of Lancre, then I can also go where the stones go. I am afraid I indulged in a little trickery to arrange matters. Currently I am haunting her apron."
"Not the first, either," said Granny, automatically. ~ Terry Pratchett,#NFDB
208:Jeb frowns. “You didn’t give Ivory the chance to explain, did you? You went flying all over the castle half-naked to find me without letting her finish.”
I clench my jaw.
He turns me to face him. His face flushes with color and he looks strong and healthy again. His frown turns into a smile, those dimples a vision too lovely for words. “Classic Al.” ~ A G Howard,#NFDB
209:Jimmy said, “Probably very little. If I had to guess, I’d say that he designed the castle, picked the location and period of history he wanted, then built this passage a few hundred years earlier. Why artificially age the place when it’s just as easy to let it age on its own?” Phillip was amazed. “All these years of time-travel experience, and that simply didn’t occur to me. ~ Scott Meyer, #NFDB
210:A heavy wooden door waited at the end of the staircase, blocking all sound from beyond. Aurora stared at it. She had not walked through it in years, not since her father decided that even the rest of the castle was unsafe for her. It was longer than years now. Lifetimes. The door had marked the way out, the way to freedom, for her whole quiet little life. What was it now? ~ Rhiannon Thomas, #NFDB
211:Husband,” she protested. “I can ride. I am not hurt.” “Yer gown is torn and bloodied and ye’ve added yet another bruise to yer pretty face. Do no’ tell me yer no’ hurt,” he said grimly, shifting her about before him until she was pressed snugly up against his groin. Satisfied with her position, he then gestured for the others to follow, and turned his horse toward the castle. ~ Lynsay Sands, #NFDB
212:Merit is a work for the sake of which Christ gives rewards. But no such work is to be found, for Christ gives by promise. Just as if a prince should say to me, "Come to me in my castle, and I will give you a hundred florins." I do a work, certainly, in going to the castle, but the gift is not given me as the reward of my work in going, but because the prince promised it to me. ~ Martin Luther, #NFDB
213:I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey Maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina. ~ Bram Stoker, #NFDB
214:I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey Maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina. In ~ Bram Stoker, #NFDB
215:However strong you may think yourself, you cannot enter the Mansions by your own efforts: God, the Lord of the Castle Himself, must admit you to them. He is a great Lover of humility. Once you have been shown how to enjoy this Castle, you will find rest in everything, even in the things which most try you, and you will cherish the returning to it which nobody can take from you.’27 ~ Padma Aon Prakasha, #NFDB
216:My mother hums a haunting melody, one that I think she made up. She used to sing it to us when she was in her half-lucid state. A wordless tune that is both sad and nostalgic. It may have had words to it at one point because every time I hear it, it evokes a sunset over the ocean, an ancient castle, and a beautiful princess who throws herself off the castle walls into the pounding surf below. ~ Susan Ee, #NFDB
217:Harry hurtled around a corner and found Fred and a small knot of students, including Lee Jordan and Hannah Abbott, standing beside another empty plinth, whose statue had concealed a secret passageway. Their wands were drawn and they were listening at the concealed hole.
“Nice night for it!” Fred shouted as the castle quaked again, and Harry sprinted by, elated and terrified in equal measure. ~ J K Rowling,#NFDB
218:Do you think they’ll keep us together?” Pyp wondered as they gorged themselves happily. Toad made a face. “I hope not. I’m sick of looking at those ears of yours.” “Ho,” said Pyp. “Listen to the crow call the raven black. You’re certain to be a ranger, Toad. They’ll want you as far from the castle as they can. If Mance Rayder attacks, lift your visor and show your face, and he’ll run off screaming. ~ Anonymous, #NFDB
219:Vera and Moira are cuddled up on the couch, both in frilly, pink, little-girl nightgowns.
“Hey, Maddie, you want to watch Miss Lovey’s Luminous Leggings with us?” Vera asks.
Dear Lord, yes. Yes, I would love to do anything other than what I’m about to do.
“Sorry, I have plans. Remember?” I wink at her.
“Right, right, right. Have fun storming the castle!” She waves. ~ Leah Rae Miller,#NFDB
220:Harry took the map and grinned.
"You told me Moony, Wormtail, Padfoot and Prongs would've wanted to lure me out of school... you said they'd have thought it was funny."
"And so we would have done," said Lupin, now reaching down to close his case. "I have no hesitation in saying that James would have been highly disappointed if his son had never found any of the secret passages out of the castle. ~ J K Rowling,#NFDB
221:What I love in a woman is not what she is in and for herself, but the side of herself she turns towards me, what she is for me. I love her as character in our common love story. what wuld Hamlet be without the castle at Elsinore, without Ophelia, without all the concrete situations he goes through, what would he be without the text of his part? What would be left but an empty, dumb, illusory essence? ~ Milan Kundera, #NFDB
222:What are you grinning at?' Nal muttered. As if in response, the gull spread its wings and opened its shadow over the miniature ruins of the castle - too huge, Nal thought, and vaguely humanoid in shape - and then it flew off, laboring heavily against the wind. In the soft moonlight this created the disturbing illusion that the bird had hitched itself to Nal's shadow and was pulling his darkness from him. ~ Karen Russell, #NFDB
223:Doubt tears down the castle walls we have built, with the false security and permanence they give, and forces us outside to walk a lonely, trying, yet cleansing road. In those times, it definitely feels like God is against us, far away, or absent altogether. But what if the darkness is actually a moment of God’s presence that seems like absence, a gift of God to help us grow up out of our little ideas of God? ~ Peter Enns, #NFDB
224:And now--Piertotum Locomotor!” cried Professor McGonagall.
And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same.
“Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school! ~ J K Rowling,#NFDB
225:Even though it was after midnight, the lights were still burning in Baron Arald’s office when Halt and Gilan reached the castle. The Baron and Sir Rodney, Redmont’s Battlemaster, had a lot of planning to do, preparing for the march to the Plains of Uthal, where they would join the rest of the kingdom’s army. When Halt explained Gilan’s need, Sir Rodney was quick to see where the Ranger’s thinking was headed. ~ John Flanagan, #NFDB
226:The castle-building habit, the day-dreaming habit - how it grows! what a luxury it becomes; how we fly to its enchantments at every idle moment, how we revel in them, steep our souls in them, intoxicate ourselves with their beguiling fantasies - oh, yes, and how soon and how easily our dream-life and our material life become so intermingled and so fused together that we can't quite tell which is which, anymore. ~ Mark Twain, #NFDB
227:As a child he was deprived of genuine communication. He suffered unspeakably from this deficiency, and all his works describe nothing other than miscommunication, be it The Castle, The Trial, or The Metamorphosis. In all these novels and stories the questions are never heard—they are answered with strange distortions, and the central figures are totally isolated, totally incapable of getting someone to listen. ~ Alice Miller, #NFDB
228:The king is always watching her out of his pale eyes, wondering what she is, and the king’s son wounds himself with loving her and wonders who she is. And every day she searches the sea and the sky, the castle and the courtyard, the keep and the king’s face, for something she cannot always remember. What is it, what is it that she is seeking in this strange place? She knew a moment ago, but she has forgotten. ~ Peter S Beagle, #NFDB
229:The king is always watching her out of his pale eyes, wondering what she is, and the king’s son wounds himself with loving her and wonders who she is. And every day she searches the sea and the sky, the castle and the courtyard, the keep and the king’s face, for something she cannot always remember. What is it, what is it that she is seeking in this strange place? She knew a moment ago, but she was forgotten. ~ Peter S Beagle, #NFDB
230:What’s going on?” Royce asked as throngs of people suddenly moved toward him from the field and the castle interior. “I mentioned that you saw the thing and now they want to know what it looks like,” Hadrian explained. “What did you think? They were coming to lynch you?” He shrugged. “What can I say? I’m a glass-half-empty kinda guy.” “Half empty?” Hadrian chuckled. “Was there ever any drink in that glass? ~ Michael J Sullivan, #NFDB
231:Within and about the Forest of Tantrevalles existed a hundred or more fairy shees, each the castle of a fairy tribe. Thripsey Shee on Madling Meadow, little more than a mile within the precincts of the forest, was ruled by King Throbius and his spouse Queen Bossum. His realm included Madling Meadow and as much of the forest surrounding as was consistent with his dignity. The fairies at Thripsey numbered eighty-six. ~ Jack Vance, #NFDB
232:At the end of the day faith is a funny thing. It turns up when you don't really expect it. Its like one day you realize that the fairy tale may be slightly different than you dreamed. The castle, well, it may not be a castle. And its not so important happy ever after, just that its happy right now. See once in a while, once in a blue moon, people will surprise you , and once in a while people may even take your breath away. ~ Zane Grey, #NFDB
233:What’s going on?” Royce asked as throngs of people suddenly moved toward him from the field and the castle interior.
“I mentioned that you saw the thing and now they want to know what it looks like,” Hadrian explained. “What did you think? They were coming to lynch you?”
He shrugged. “What can I say? I’m a glass-half-empty kinda guy.”
“Half empty?” Hadrian chuckled. “Was there ever any drink in that glass? ~ Michael J Sullivan,#NFDB
234:He missed Hogwarts so much it was like having a constant stomachache. He missed the castle, with its secret passageways and ghosts, his classes, … the mail arriving by owl, eating banquets in the Great Hall, sleeping in his four-poster bed in the tower dormitory, visiting the gamekeeper, Hagrid, in his cabin next to the Forbidden Forest in the grounds, and especially, Quidditch, the most popular sport in the wizarding world ~ J K Rowling, #NFDB
235:Hey,” she murmured. “There are people in the house.”
“There are always people in the house,” I reminded her. “That’s why we escaped up here to the castle tower. Escape plan number . . . hell, I don’t know. I lost count. We haven’t had to come up with some dreamy escape plan in a while.”
Sydney trailed her fingers down the side of my face. “That’s because we’re living it, Adrian. This is the only escape plan we need. ~ Richelle Mead,#NFDB
236:People from all over the world have passed through this village, son," said his father. "They come in search of new things, but when they leave they are basically the same people they were when they arrived. They climb the mountain to see the castle, and they wind up thinking that the past was better than what we have now. They have blond hair or dark skin, but basically, they're the same as the people who live right here. ~ Paulo Coelho, #NFDB
237:I never wanted to be you. I saw what the weight of being the heir did to you. And I’m not talking about what our mother did to you. I’m talking about the mantle of responsibility thrust upon you. Hell at fourteen you practically ran the castle. God knows our father never did. And all Mother wanted to do was throw one grand party after another.” /“Well, somebody had to take responsibility. The place was falling apart.”
. ~ Magda Alexander,#NFDB
238:Franke writes, “We do know that Holmes advertised his ‘hotel’ as a suitable lodging for visitors to the world’s fair; that no fewer than fifty persons, reported to the police as missing, were traced to the Castle; and that there their trail ended” (109). Schechter: “No one can say exactly how many fairgoers Holmes lured to the Castle between May and October 1893, though he appears to have filled the place to capacity on most nights ~ Erik Larson, #NFDB
239:The symbolic power of Barack Obama’s presidency—that whiteness was no longer strong enough to prevent peons from taking up residence in the castle—assaulted the most deeply rooted notions of white supremacy and instilled fear in its adherents and beneficiaries. And it was that fear that gave the symbols Donald Trump deployed—the symbols of racism—enough potency to make him president, and thus put him in position to injure the world. ~ Ta Nehisi Coates, #NFDB
240:St. George’s Chapel is at the bottom of the hill inside the castle walls, and though it is quaint compared to Westminster Abbey, I love it—the spectacular fan vaulting in the ceiling, the surprisingly intimate chapel with its wood-carved stalls, and the graves of at least ten monarchs, including that infamous cad Henry VIII (buried with his third wife, Jane Seymour, his favorite on account of her not living long enough to irritate him). ~ Heather Cocks, #NFDB
241:When the Whispering Mountain shall scream aloud
And the castle of Malyn ride on a cloud,
Then Malyn's lord shall have and hold
The lost that is found, the harp of gold.
Then Fig-hat Ben shall wear a shroud,
Then shall the despoiler, that was so proud,
Plunge headlong down from Devil's Leap;
Then shall the Children from darkness creep,
And the men of the glen avoid disaster,
And the Harp of Teirtu find her master. ~ Joan Aiken,#NFDB
242:During the long climb down the winding staircase Cornelius whispered many more words of direction and advice. Caspian’s heart was sinking, but he tried to take it all in. Then came the fresh air in the garden, a fervent handclasp with the Doctor, a run across the lawn, a welcoming whinny from Destrier, and so King Caspian the Tenth left the castle of his fathers. Looking back, he saw fireworks going up to celebrate the birth of the new prince. ~ C S Lewis, #NFDB
243:By this time, half the people in High Norland were gathered in Royal Square to stare at the castle. They all watched with disbelief as the castle rose slightly into the air and glided toward the road that led southward. It was hardly more than an alley, really. "It'll never fit!" people said. But the castle somehow squeezed itself narrow enough to drift away along it and out of sight. The citizens of High Norland gave it a cheer as it went. ~ Diana Wynne Jones, #NFDB
244:We are like children building a sand castle. We embellish it with beautiful shells, bits of driftwood, and pieces of colored glass. The castle is ours, off limits to others. We’re willing to attack if others threaten to hurt it. Yet despite all our attachment, we know that the tide will inevitably come in and sweep the sand castle away. The trick is to enjoy it fully but without clinging, and when the time comes, let it dissolve back into the sea. ~ Pema Ch dr n, #NFDB
245:We are like children building a sand castle. We embellish it with beautiful shells, bits of driftwood, and pieces of colored glass. The castle is ours, off limits to others. We’re willing to attack if others threaten to hurt it. Yet despite all our attachment, we know that the tide will inevitably come in and sweep the sand castle away. The trick is to enjoy it fully but without clinging, and when the time comes, let it dissolve back into the sea. ~ Pema Chodron, #NFDB
246:Anon from the castle walls
The crescent banner falls,
And the crowd beholds instead,
Like a portent in the sky,
Iskander's banner fly,
The Black Eagle with double head;
And a shout ascends on high,
For men's souls are tired of the Turks,
And their wicked ways and works,
That have made of Ak-Hissar
A city of the plague;
And the loud, exultant cry
That echoes wide and far
Is: "Long live Scanderbeg! ~ Henry Wadsworth Longfellow,#NFDB
247:At the balls he took me to there were many beautiful young women who didn't say a word. They answered every question with a shrug or a smile. If champagne got spilt down their dresses they only sighed; when the full moon slid out from behind the castle they watched it in silence. I could not understand it. Had they sold their voices too? Even their bodies were silent, always upright, never loosening their lines. They walked like letters on a page. ~ Emma Donoghue, #NFDB
248:But the boy protected Yorda from the shadows-that-walk-alone. He took her hand, defended her, swung his thin arm, and fought with his tiny frame, driving them back. If the shades dragged her into their realm, she would once again become a prisoner, and the boy would turn to stone, a sad adornment in the castle. Yorda knew this. But the boy did not--even as he did not know that Yorda was the property of the queen of the castle--and he protected her. ~ Miyuki Miyabe, #NFDB
249:His smile faded at the sight of his uncles lightsaber.
“i’ll take that” he said. “It belongs to me”…
“Strange, then, that it called to me at the castle” Rey said, studying the ancient weapon almost idly before snapping her gaze back to Kylo. “And not to you”.
The corner of Kylo’s mouth twitched in the beginning of a smile, and he inclined his head at the soldiers filling the hangar.
“You’re in no position to dictate”
— ~ Jason Fry,#NFDB
250:The King sighed. “Sam, ever since the day Morgan brought you to the castle, I knew there was something special about you. It had nothing to do with your magic or whatever Morgan thought you would one day be. It had to do with the size of your heart. You have so much to give to people and I think you sometimes hide it behind your wit and words. I want you to find that someone who makes you feel complete, who allows you to let your guard down and just be. ~ T J Klune, #NFDB
251:Past the turn I might find a mark of Constance’s foot, because she sometimes came that far to wait for me, but most of Constance’s prints were in the garden and in the house. Today she had come to the end of the garden, and I saw her as soon as I came around the turn; she was standing with the house behind her, in the sunlight, and I ran to meet her. “Merricat,” she said, smiling at me, “look how far I came today.” —We Have Always Lived in the Castle ~ Ruth Franklin, #NFDB
252:You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water. ~ Cassandra Clare, #NFDB
253:Half-mast the castle banner droops, The Laird’s lament was played yestreen, An’ mony a widowed cottar wife Is greetin’ at her shank aleen. In Freedom’s cause, for ane that fa’s, We’ll glean the glens an’ send them three, To clip the reivin’ eagle’s claws An’ drook his feathers i’ the sea. For gallant loons, in brochs an’ toons,
Are leavin’ shop an’ yaird an’ mill, A’ keen to show baith friend an’ foe Auld Scotland counts for something still. ~ Winston S Churchill,#NFDB
254:How long would it be before the elements toppled these small structures as they had already toppled the broch and the castle? Would future archaeologists dig here, or had records grown so precise every aspect of the recent past would be charted and ready for those who wanted to know? Maybe, soon enough, there would be no one left, no world to chronicle and argue over. All things must end, why not this too? The thought almost had the power to cheer him. ~ Louise Welsh, #NFDB
255:You are making a great deal of noise considering you have just recovered from a cold.” “I’m celebrating my recovery and the regaining of my independence. One cannot celebrate quietly,” Elle said. It was only partially true—she was also making a sweep of the castle. She had forsaken her duties during her cold and was anxious to get back to them lest she miss something. “I don’t suppose you do much of anything quietly,” Severin said. “Correct. Jock!” Severin ~ K M Shea, #NFDB
256:[on chess]
He had learned the moves, back in Vidin, from Levitzky the tailor, who called it “the Russian game.” Thus, the old man pointed out, the weak were sacrificed. The castles, fortresses, were obvious and basic; the bishops moved obliquely; the knights—an officer class—sought power in devious ways; the queen, second-in-command, was pure aggression; and the king, heart of it all, a helpless target, dependent totally on his forces for survival. ~ Alan Furst,#NFDB
257:The local coachman used to warn visitors, you see. “Don’t go near the castle,” they’d say. “Even if it means spending a night up a tree, never go up there to the castle,” they’d tell people. “Whatever you do, don’t set foot in that castle.” He said it was marvellous publicity. Sometimes he had every bedroom full by 9 p.m. and people would be hammering on the door to get in. Travellers would go miles out of their way to see what all the fuss was about. ~ Terry Pratchett, #NFDB
258:But first,” Morpheus said with a dismissive sweep of his hand, “we have to be sure what we’re up against when we raid the castle. You and Alyssa managed to take out quite a chunk of the opposition with your fancy footwork. We’re here to assess if the numbers match up with the ones Rabid reported. We must ensure that Grenadine doesn’t have any cards hidden up her sleeve.” He slapped Jeb on the back. “See what I did there? ‘Cards up her sleeve’?” He chuckled. ~ A G Howard, #NFDB
259:October arrived, spreading a damp chill over the grounds and into the castle. Madam Pomfrey, the matron, was kept busy by a sudden spate of colds among the staff and students. Her Pepperup Potion worked instantly, though it left the drinker smoking at the ears for several hours afterwards. Ginny Weasley, who had been looking peaky, was bullied into taking some by Percy. The steam pouring from under her vivid hair gave the impression that her whole head was on fire. ~ J K Rowling, #NFDB
260:Boswell and Thompson write, “Every night the rooms on the two upper floors of the Castle were filled to overflowing. Holmes reluctantly accommodated a few men as paying guests, but catered primarily to women—preferably young and pretty ones of apparent means, whose homes were distant from Chicago and who had no one close to them who might make inquiry if they did not soon return. Many never went home. Many, indeed, never emerged from the castle, having once entered it ~ Erik Larson, #NFDB
261:Five damn days, that battle took," said Truckle, "'cos the Duchess was doing a tapestry to commemorate it, right? We had to keep doing the fights over and over again, and there was the devil to pay when she was changing needles. There's no place for the media on the field of battle, I've always said."
"Aye, and I mind you makin' a rude sign to the ladies!" Hamish cackled. "I saw that ol' tapestry in the castle of Rosante years later and I could tell it wuz you! ~ Terry Pratchett,#NFDB
262:There you are!” he shouted at them. “Father has half the castle turned out looking for you.” “Us?” Hadrian asked. “Yes.” Fanen nodded. “He wants to see the two thieves in his chambers right away.” “You didn’t steal the silver or anything, did you, Royce?” Hadrian asked. “I would bet it has more to do with your flirting with Lenare this afternoon and threatening Mauvin just to show off,” Royce retorted. “That was your fault,” Hadrian said, jabbing his finger at him. ~ Michael J Sullivan, #NFDB
263:Binky trotted down over nothingness and touched down on the flagstones of the castle’s topmost tower. Death dismounted and told Mort to sort out the nosebag. ‘Won’t people notice there’s a horse up here?’ he said, as they strolled to a stairwell. Death shook his head. WOULD YOU BELIEVE THERE COULD BE A HORSE AT THE TOP OF THIS TOWER? he said. ‘No. You couldn’t get one up these stairs,’ said Mort. WELL, THEN? ‘Oh. I see. People don’t want to see what can’t possibly exist. ~ Terry Pratchett, #NFDB
264:Yesterday I heard some of the castle servants talking about a funeral for one of the stable lads. He went skating last week on the pond in the village, but the ice was not thick enough and he drowned. I like to skate on the ice,too, Papa, have my own pair of bone skates. I could drown crossing the Channel as Uncle Robert fears... or I could drown back in Angers, if I was unlucky like that stable lad." Geoffrey's mouth twitched. "God help me," he said, "I've sired a lawyer! ~ Sharon Kay Penman, #NFDB
265:When I go out by the gateway, taking the road I drove along that first time I picked up Lotte for the ball, how very different it all is! It is all over, all of it! There is not a hint of the world that once was, not one bulse-beat of those past emotions. I feel like a ghost returning to the burnt-out ruins of the castle he built in his prime as a prince, which he adorned with magnificent splendours and then, on his deathbed, but full of hope, left to his beloved son ~ Johann Wolfgang von Goethe, #NFDB
266:Anyway, Arianna and I left the castle very late one evening. I knew the knight on guard at the drawbridge so I hit hit him over the head because I didn't want to hurt him.
Garion blinked.
"I knew he'd be honor-bound to try to stop us," Lelldorin explained. "I didn't want to have to kill him, so I hit him over the head."
"I suppose that makes sense," Garion said dubiously.
"Arianna's almost positive he won't die."
"DIE?"
"I hit him just a little too hard, I think. ~ David Eddings,#NFDB
267:How did you get into the castle, Alexandre, son of Gilles Smith?”
Sand shrugged. “A saint kidnapped me from his shrine and put me into a fireplace here. So I guess the answer is, a miracle of Saint Melor. Or so I think. He has not told me.”
“If you are trying to antagonize him, you are doing a good job,” Perrotte whispered.
Sand scuffed his shoe at her. “I’m just telling the truth!”
“You’re very good at telling it in the most maddening way possible.”
“Thank you? ~ Merrie Haskell,#NFDB
268:They were climbing now, climbing the hill of hardened mud upon which the castle stood, and once they had left the lee of the dunes the flies grew less; the heat, on the other hand, was greater still. 'You are going a very disagreeable colour,' said Stephen. 'Should not you throw off that thick coat, and loosen your neckcloth? Heavy, corpulent subjects are liable to be carried off in a twinkling, if not by a frank, straightforward apoplexy, then at least by a
cerebral congestion. ~ Patrick O Brian,#NFDB
269:LADY CROOM: You have been reading too many novels by Mrs Radcliffe, that is my opinion. This is a garden for The Castle of Otranto or The Mysteries of Udolpho --
CHATER: The Castle of Otranto, my lady, is by Horace Walpole.
NOAKES: (Thrilled) Mr Walpole the gardener?!
LADY CROOM: Mr Chater, you are a welcome guest at Sidley Park but while you are one, The Castle of Otranto was written by whomsoever I say it was, otherwise what is the point of being a guest or having one? ~ Tom Stoppard,#NFDB
270:A hush of expectancy descended in the chamber as all waited to hear the request. What treasure could he want? Laren inventoried in her mind all the precious trappings of the castle she could think of -jewels, weapons, art-and she saw that the others must be doing the same. What did the Sacoridians possess that would be good enough for the Eletian prince?
"My brother," Graelalea said, "requires many pounds of dark chocolate fudge and Dragon Droppings. We must visit the Master of Chocolate. ~ Kristen Britain,#NFDB
271:From the tower battlements, Dustfinger looked down on a lake as black as night, where the reflection of the castle swam in a sea of stars. The wind passing over his unscarred face was cold from the snow of the surrounding mountains, and Dustfinger relished life as if he were tasting it for the first time. The longing it brought, and the desire. All the bitterness, all the sweetness, even if it was only for a while, never for more than a while, everything gained and lost, lost and found again. ~ Cornelia Funke, #NFDB
272:It looked like someone had been planting stars. The castle was in shreds, flagstone floors tiny islands in a sea of stones and wild grass, but clusters of lights were nestled on the castle floor and the earth of the cliffs alike, lanterns strung from the crumbling battlements.
There were so many lights they cast a shimmering haze over everything, bathing the ruins in a pale glow. Mae walked, hardly aware that she was walking, through Tintagel Castle over stones washed in brightness ~ Sarah Rees Brennan,#NFDB
273:The castle always looks so mysterious," she said, awed. "Is it wonderful, living there?"
"It isn’t so mysterious when you're there. I'd rather look at it from the hills. It's just—full of people, at least the servants' parts are, crowded and ordinary. Things should be mysterious, but there's nothing mysterious in the palace."
"Should things be mysterious?"
"There's mystery in the hills and in the wind on the grass. And in the stories you like. Isn't life mysterious? ~ Shirley Rousseau Murphy,#NFDB
274:There you are!” he shouted at them. “Father has half the castle turned
out looking for you.”
“Us?” Hadrian asked.
“Yes.” Fanen nodded. “He wants to see the two thieves in his chambers
right away.”
“You didn’t steal the silver or anything, did you, Royce?” Hadrian
asked.
“I would bet it has more to do with your flirting with Lenare this afternoon
and threatening Mauvin just to show off,” Royce retorted.
“That was your fault,” Hadrian said, jabbing his finger at him. ~ Michael J Sullivan,#NFDB
275:When K. looked at the castle, often it seemed to him as if he were observing someone who sat quietly there in front of him gazing, not lost in thought and so oblivious of everything, but free and untroubled, as if he were alone with nobody to observe him, and yet must notice that he was observed, and all the same remained with his calm not even slightly disturbed; and really - one did not know whether it was cause or effect - the gaze of the observer could not remain concentrated there, but slid away. ~ Franz Kafka, #NFDB
276:There was also an amazing scent of fresh-baked... something.
Baking wasn't a thing under the sea. When Ariel lived at the castle with Eric she had tried breads, cakes, pies, rolls, and sweets, and found them all mystifying (though delicious). They were like nothing she had ever eaten before and sometimes came to her plate still warm, which was also an odd way to eat food. Eric had bought her twelve different kinds of pie at a fancy shop in town and laughed as she had a bite of each, savoring. ~ Liz Braswell,#NFDB
277:I’m just glad you planned to have your honeymoon away from the castle,” he replied as he smirked knowingly. “Gods know when you two go at it, the entire power grid and magical field around the castle is high voltage.”
“You can feel it?” I gasped.
“What did you expect, Flower? You’re a Goddess of Faery; your mother is a fertility Goddess. When you two fuck, even the flowers feel it. Last night, they bloomed. You know, the ones that only open once a year were awakened by the power you two gave off. ~ Amelia Hutchins,#NFDB
278:And I thought, I am in love. For the first time I am in love. And loved. Someone loves me. And I love them. And within me things clicked and whirled like the insides of some gigantic clock, cog against wheel, spring against spiral, tick against tock, and I knew that nothing would ever be the same again. I had shown someone what I really was. I had shown someone my truth, my secret. Out there, beyond the walls of the Castle, there was a boy who had seen inside my chrysalis. And I would never be safe again. ~ Philip Ridley, #NFDB
279:Martha spoke again. “In case you’ve forgotten, here are the rules, Beast, laid out by all the sisters: You must love her and that love must be returned with true love’s kiss, before your twenty first birthday. She may use the mirror as you do, to see into the world beyond your kingdom, but she must never know the details of the curse or how it’s to be broken. You will notice she sees the castle and its enchantments differently than yourself. The most terrifying aspects of the curse are reserved for you. ~ Serena Valentino, #NFDB
280:Right,” I said once more, because it sounded firm, and because Armand’s brittle desolation was beginning to eat at me. None of this, after all, was his fault. “We get him downstairs. We sneak him out of the castle, back to your motorcar. You take Jesse to a doctor and take your father home. Lock him in a room, pour some wine down his throat. Laudanum. Whatever you have to do to keep him out while I get rid of the guns. None of this ever happened.” I looked at Jesse. “Are there hidden tunnels to use? So no one sees? ~ Shana Abe, #NFDB
281:I think of everything we went through together, me and Lief: His coming to the castle. Our being together. His betrayal. HIs alliance with Aurek. And now I'll never know the truth of him. Perhaps, on the King's Road, he was trying to get me away, not hurt me. Perhaps the reason he hit me at the commune was to stop me from fighting and getting hurt. He gave me the Opus Mortem; he gave me back my note to him. He gave up his life, knowingly, to help us. Yet no one will ever know the whole truth, and he died a villain. ~ Melinda Salisbury, #NFDB
282:Nutt was technically an expert on love poetry throughout the ages and had discussed it at length with Miss Healstether, the castle librarian. He had also tried to discuss it with Ladyship, but she had laughed and said it was frivolity, although quite helpful as a tutorial on the use of vocabulary, scansion, rhythm and affect as a means to an end, to wit getting a young lady to take all her clothes off. At that particular point, Nutt had not really understood what she meant. It sounded like some sort of conjuring trick. ~ Terry Pratchett, #NFDB
283:She didn't know 'this meadow', exactly. But she was familiar with the concept. The types of plants. The 'raven,' which she knew was too big to be a 'crow'. The trees: the way the trees circled meant there was probably a bog or a stream in the middle, where the land dipped. She 'knew' that. She knew that beyond these leafy trees would be gnarled, thicker trees with dark green leaves. And beyond them, pines. And under their heavy boughs, there lay a friendly darkness so complete it put the vines over the castle bailey to shame. ~ Liz Braswell, #NFDB
284:The original castle back in Edinburgh was the seat of Scottish nationalism. It symbolized everything to the diehard believers. Despite all the changes and defeats they endured, the castle stood solid at the center of their capital. They waited for generations for the Scottish nation to be properly reborn after their Bonnie Prince was lost. There were times when the cause seemed impossible, or even cursed; they regained their independence from the English only to lose it again right away with the formation of Federal Europe. ~ Peter F Hamilton, #NFDB
285:And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and wound her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please— even cats?), he's a fairy and I found him, so that makes him my fairy. Back off.
-Gabby's thought on Adam ~ Karen Marie Moning,#NFDB
286:In this life you have to be your own hero. By that I mean you have to win whatever it is that matters to you by your own strength and in your own way. Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who’s usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don’t worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he’ll find the treasure. ~ Jeanette Winterson, #NFDB
287:Anything else you want to tell me?” I asked Valek as we stopped a few feet short of the castle’s south entrance. “Did Ari and Janco set me up for Nix’s attack? Do you have another test of loyalty for me up your sleeve? Maybe the next time, I’ll actually fail. A prospect that seems appealing!” I pushed away Valek’s supporting arm. “When you warned me that you would test me from time to time, I thought you meant spiking my food. But it seems there is more than one way to poison a person’s heart, and it doesn’t even require a meal. ~ Maria V Snyder, #NFDB
288:He tilted back in the decaying lawn chair, almost went over on his back, and used up some more of his screwdriver. The screwdriver was in a glass he had gotten free from a McDonald's restaurant. There was some sort of purple animal on the glass. Something called a Grimace. Gary ate a lot of his meals at the Castle Rock McDonald's, where you could still get a cheap hamburger. Hamburgers were good. But as for the Grimace... and Mayor McCheese... and Monsieur Ronald Fucking McDonald... Gary Pervier didn't give a shit for any of them. ~ Stephen King, #NFDB
289:Your men are watching the border, Torquil is now within the castle walls, and Angus is with Fagan." She raised her brow, "Everything is once again under control. I think we passed the time quite nicely. Wouldn't you say, Laird Sutherland?"
Ruairi chuckled as he fastened his kilt. "I would think so. I have to admit, I've ne'er had so much fun in my study before."
"I would certainly hope not." She ran her hand over the top of his desk. "I dare say, I don't think you'll ever be able to think of your desk the same way again. ~ Victoria Roberts,#NFDB
290:I thought that ground fire couldn’t reach the zeppelins,” I said. “I thought that guns on the ground didn’t have the range.”
“Eleanore. Do you imagine for one particle of one second that he was thinking clearly enough to fathom that?”
“He was thinking clearly enough to fathom all of this,” I retorted, my hand flung out to encompass the roof. Blood stained my palm. “Clearly enough to have men haul all these crates into the castle in broad daylight all week long, so that everyone could see them and wonder what was actually inside! ~ Shana Abe,#NFDB
291:In this life you have to be your own hero.
By that I mean you have to win whatever it is that matters to you by your own strength and in your own way.
Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who’s usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don’t worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he’ll find the treasure. ~ Jeanette Winterson,#NFDB
292:Daydreaming had spun in her head a book-length "soon-to-be" affair with Percy. He would call her when she returned home, ask her out, pick her up in a Porsche, take her to an expensive restaurant and order lobster, then to the theater, kissing her passionately in his leather upholstered seats afterwards, promising that he would see her the following day, and the day after that. She was still working on the castle-in-the-sky and the happily-ever-after chapters. It was incredible the material an innocent, half-hour conversation could generate. ~ Christopher Pike, #NFDB
293:For a moment he came near to sharing their incredible belief—it would do no harm to mutter a prayer of thanks to the God of his childhood, the God of the Common and the castle, that no ill had yet come to Sarah's child. Then a sonic boom scattered the words of the hymn and shook the old glass of the west window and rattled the crusader's helmet which hung on a pillar, and he was reminded again of the grown-up world. He went quickly out and bought the Sunday papers. The Sunday Express had a headline on the front page—"Child's Body Found in Wood. ~ Graham Greene, #NFDB
294:when the illumination did at last come, we felt repaid. It came unexpectedly, of course—things always do, that have been long looked and longed for. With a perfectly breath-taking suddenness several mast sheaves of varicolored rockets were vomited skyward out of the black throats of the Castle towers, accompanied by a thundering crash of sound, and instantly every detail of the prodigious ruin stood revealed against the mountainside and glowing with an almost intolerable splendor of fire and color. For some little time the whole building was a blinding ~ Mark Twain, #NFDB
295:Like a slapstick comedian, Dirk suffered all kinds of iniquities. He battled past Mud Men, skeletons, creepy crawlies, giant bats and an obstinate suit of flying horse armour. If he survived the castle’s traps, he’d ultimately find the shapely Princess Daphne waiting for him, locked away inside a glass bubble in Singe the Dragon’s coin-filled lair. She was a blonde siren with nipples erect enough to hang your coat on - and her design owed more to animator Gary Goldman’s Playboy magazine collection than to the chaste Cinderellas and Snow Whites of Disney. ~ Anonymous, #NFDB
296:How the devil was she fooled into firing in the first place? Don’t tell me that wasn’t your fault,’ said Lord Culter, a familiar wariness displacing the warmth of reunion.
‘All right, I won’t,’ said Lymond. ‘Jerott, did you get shot also? No. Then kindly muster the lady in your monkish arms and ride with her to the castle. Yours is the only reputation that will stand it. And don’t say I don’t endow you with princely rewards for sitting on your bloody arse doing precisely nothing.’
Which was the manner of Lymond’s homecoming from Malta. ~ Dorothy Dunnett,#NFDB
297:I have heard our father tell of it. It was a good idea, but it was against religion, and the Father made that very clear. The loss of the pearl was a punishment visited on those who tried to leave their station. And the Father made it clear that each man and woman is like a soldier sent by God to guard some part of the castle of
the Universe. And some are in the ramparts and some far deep in the darkness of the walls. But each one must remain faithful to his post and must not go running about, else the castle is in danger from the assaults of Hell. ~ John Steinbeck,#NFDB
298:O Mary dear, that you were here
With your brown eyes bright and clear.
And your sweet voice, like a bird
Singing love to its lone mate
In the ivy bower disconsolate;
Voice the sweetest ever heard!
And your brow more...
Than the sky
Of this azure Italy.
Mary dear, come to me soon,
I am not well whilst thou art far;
As sunset to the sphered moon,
As twilight to the western star,
Thou, beloved, art to me.
O Mary dear, that you were here;
The Castle echo whispers 'Here!'
~ Percy Bysshe Shelley, To Mary -
,#NFDB
299:Professor Slughorn met me coming down here, Hagrid.” “Not in trouble, are yeh?” said Hagrid, looking up, alarmed. “Yeh shouldn’ be outta the castle in the evenin’, I know it, it’s my fault —” “No, no, when he heard what I was doing he said he’d like to come and pay his last respects to Aragog too,” said Harry. “He’s gone to change into something more suitable, I think . . . and he said he’d bring some bottles so we can drink to Aragog’s memory. . . .” “Did he?” said Hagrid, looking both astonished and touched. “Tha’s — tha’s righ’ nice of him, that is, an ~ J K Rowling, #NFDB
300:I didn’t think students were allowed below the main floor. I knew the kitchens were there, as were most of the servants’ quarters; the professors and Mrs. Westcliffe had their own aboveground wing on the other side of the castle. No one had ever specifically told me not to go below stairs, however-probably because a true Iverson girl would never, ever dream of mingling with the help.
I could always say I’d gotten lost. The pillars of the world would hardly collapse. The sky would not shatter. I was barely a hairbreadth away from being the help myself. ~ Shana Abe,#NFDB
301:It don’t make no difference how foolish it is, it’s the right way — and it’s the regular way. And there ain’t no other way, that ever I heard of, and I’ve read all the books that gives any information about these things. They always dig out with a case-knife — and not through dirt, mind you; generly it’s through solid rock. And it takes them weeks and weeks and weeks, and for ever and ever. Why, look at one of them prisoners in the bottom dungeon of the Castle Deef, in the harbor of Marseilles, that dug himself out that way; how long was he at it, you reckon? ~ Mark Twain, #NFDB
302:Did this mean he was about to tell her something he wouldn’t normally? Her ears perked—figuratively, since her ears were now feather-covered holes in the sides of her head.
He laughed softly. “You know, you are almost enjoyable to talk to, when you do not say anything back.”
She willed the water in the tub to strike him in the face.
There was a loud splash. “Hey!” He sounded surprised, but not unpleasantly so. “Interesting. You are still capable of elemental powers. But stop—or I will feed you to the castle cats.”
She struck him again. ~ Sherry Thomas,#NFDB
303:I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over the dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow, but I kept looking, and it could be no delusion. I saw the fingers and toes grasp the corners of the stones, worn clear of the mortar by the stress of years, and by thus using every projection and inequality move downwards with considerable speed, just as a lizard moves along a wall. ~ Bram Stoker, #NFDB
304:I think the word despair is much too small to encompass the magnitude of all it defines. For me, right then, despair meant that everything within me-my organs, my spirit, my hope-plunged down into a place of utter density, of blackness so heavy and bleak I had no idea how to lift any of it up again.
I can’t do this. I’m just Lora Jones. I can’t even remember how to tell a shrimp fork from an oyster fork. I can barely find middle C. I can’t save Jesse and Armand and the castle. I can’t defeat them all.
But I had to. We were going to die unless I did. ~ Shana Abe,#NFDB
305:Marriage was a trap. The moment the man said the word “I do” at the altar, he surrendered his freedom. He was no longer free to pursue other women. Staying out past the appointed hour required his wife’s permission. Getting drunk with his friends resulted in a fight when he got home. He’d have to report where he went, when he would be back, who he would be with, and why he would choose to do something else rather than stay home and pick out fabric for new drapes. A married man was no longer carefree. He was a provider, a husband and a father. The castle was no longer his. ~ Ilona Andrews, #NFDB
306:The sky was aquamarine, stroked with clouds. She could smell the grass, and taste the scent of small, crushed flowers. She looked back up over her forehead at the grey-black wall towering behind her, and wondered if the castle had ever been attacked on days like this. Did the sky seem so limitless, the waters of the straits so fresh and clean, the flowers so bright and fragrant, when men fought and screamed, hacked and staggered and fell and watched their blood mat the grass? Mists and dusk, rain and lowering cloud seemed the better background; clothes to cover the shame of battle. ~ Anonymous, #NFDB
307:Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away. ~ Richard Siken,#NFDB
308:A figure came tiptoeing through the dark. Raven and Apple froze. The figure saw them and froze. All three just stood there, frozen, wondering if they were seen. “Ashlynn, is that you?” Apple finally whispered. “What are you doing out here? Leaving the castle at night is against the rules.” “I know. I’m sorry. I just…” Ashlynn tilted her head. “Wait, what are you doing here?” Apple’s mouth hung open. “Uh… official Royal Student Council business. Hey, maybe you could help us get through the briars? We just have some of that official business I mentioned. Outside the briars. At midnight. ~ Shannon Hale, #NFDB
309:O were my love yon Lilac fair,
Wi' purple blossoms to the Spring,
And I, a bird to shelter there,
When wearied on my little wing!
How I wad mourn when it was torn
By Autumn wild, and Winter rude!
But I wad sing on wanton wing,
When youthfu' May its bloom renew'd.
O gin my love were yon red rose,
That grows upon the castle wa';
And I myself a drap o' dew,
Into her bonie breast to fa'!
O there, beyond expression blest,
I'd feast on beauty a' the night;
Seal'd on her silk-saft faulds to rest,
Till fley'd awa by Phoebus' light! ~ Robert Burns,#NFDB
310:puzzles continue to resist critical explication — to become that bane of scholars down through the ages: the apocryphal work. For all of the castle adventures thus far have been based to some extent on truth. The tales told in preceding books were in fact true stories, so far as this castle scribe has been able to ascertain. Indeed, some of the castle’s more harrowing events are forever etched in acid on the copperplate of my memory. But this is not the case with the “events” related in this particular castle book. No such happenings have been recorded in Perilous’s annals. No such drama ~ John DeChancie, #NFDB
311:For a while I thought I was the dragon.
I guess I can tell you that now. And, for a while, I thought I was
the princess,
cotton candy pink, sitting there in my room, in the tower of the castle,
young and beautiful and in love and waiting for you with
confidence
but the princess looks into her mirror and only sees the princess,
while I’m out here, slogging through the mud, breathing fire,
and getting stabbed to death.
Okay, so I’m the dragon. Big deal.
You still get to be the hero.
You get magic gloves! A fish that talks! You get eyes like flashlights! ~ Richard Siken,#NFDB
312:This was because the hawks and falcons in the castle mews were all Lancre birds and therefore naturally possessed of a certain “sod you” independence of mind. After much patient breeding and training Hodgesaargh had managed to get them to let go of someone’s wrist, and now he was working on stopping them viciously attacking the person who had just been holding them, i.e., invariably Hodgesaargh. He was nevertheless a remarkably optimistic and good-natured man who lived for the day when his hawks would be the finest in the world. The hawks lived for the day when they could eat his other ear. ~ Terry Pratchett, #NFDB
313:We can go back to the Dark Ages! The crust of learning and good manners and tolerance is so thin! It would just take a few thousand big shells and gas bombs to wipe out all the eager young men, and all the libraries and historical archives and patent offices, all the laboratories and art galleries, all the castles and Periclean temples and Gothic cathedrals, all the cooperative stores and motor factories—every storehouse of learning. No inherent reason why Sissy's grandchildren—if anybody's grandchildren will survive at all—shouldn't be living in caves and heaving rocks at catamounts. ~ Sinclair Lewis, #NFDB
314:Since moving to the Castle, she'd discovered that only the white men talked of 'black magic.' As though magic had a color. Effia had seen a traveling witch who carried a snake around her neck and shoulders. This woman had had a son. She'd sung lullabies to him at night and held his hands and kept him fed, same as anyone else. There was nothing dark about her.
The need to call this thing 'good' and this thing 'bad,' this thing 'white' and this thing 'black,' was an impulse that Effia did not understand. In her village, everything was everything. Everything bore the weight of everything else. ~ Yaa Gyasi,#NFDB
315:She said being human is being a young child on Christmas Day who receives an absolutely magnificent castle. And there is a perfect photograph of this castle on the box and you want more than anything to play with the castle and the knights and the princesses because it looks like such a perfectly human world, but the only problem is that the castle isn’t built. It’s in tiny intricate pieces, and although there’s a book of instructions you don’t understand it. And nor can your parents or Aunt Sylvie. So you are just left, crying at the ideal castle on the box which no one would ever be able to build ~ Matt Haig, #NFDB
316:Dumbledore had already crossed the crenellated ramparts and was dismounting; Harry landed next to him seconds later and looked around. The ramparts were deserted. The door to the spiral staircase that led back into the castle was closed. There was no sign of a struggle, of a fight to the death, of a body. “What does it mean?” Harry asked Dumbledore, looking up at the green skull with its serpent’s tongue glinting evilly above them. “Is it the real Mark? Has someone definitely been — Professor?” In the dim green glow from the Mark, Harry saw Dumbledore clutching at his chest with his blackened hand. ~ J K Rowling, #NFDB
317:Fighting isn’t all there is to the Art of War. The men who think that way, and are satisfied to have food to eat and a place to sleep, are mere vagabonds. A serious student is much more concerned with training his mind and disciplining his spirit than with developing martial skills. He has to learn about all sorts of things—geography, irrigation, the people’s feelings, their manners and customs, their relationship with the lord of their territory. He wants to know what goes on inside the castle, not just what goes on outside it. He wants, essentially, to go everywhere he can and learn everything he can. ~ Eiji Yoshikawa, #NFDB
318:THE HIDDEN PAINTING THE AMUSEMENT PARK MYSTERY THE MYSTERY OF THE MIXED-UP ZOO THE CAMP-OUT MYSTERY THE MYSTERY GIRL THE MYSTERY CRUISE THE DISAPPEARING FRIEND MYSTERY THE MYSTERY OF THE SINGING GHOST MYSTERY IN THE SNOW THE PIZZA MYSTERY THE MYSTERY HORSE THE MYSTERY AT THE DOG SHOW THE CASTLE MYSTERY THE MYSTERY OF THE LOST VILLAGE THE MYSTERY ON THE ICE THE MYSTERY OF THE PURPLE POOL THE GHOST SHIP MYSTERY THE MYSTERY IN WASHINGTON, DC THE CANOE TRIP MYSTERY THE MYSTERY OF THE HIDDEN BEACH THE MYSTERY OF THE MISSING CAT THE MYSTERY AT SNOWFLAKE INN THE MYSTERY ON STAGE THE DINOSAUR MYSTERY T ~ Gertrude Chandler Warner, #NFDB
319:The last thing that you remember is standing before the wizard Lakmir as he gestured wildly and chanted in an archaic tongue. Now you find yourself staring at an entryway which lies at the edge of a forest. The Druid's words still ring in your ears: "Within the walls of the Castle Shadowgate lies your quest. If the prophecies hold true, the dreaded Warlock Lord will use his dark magic to raise the Behemoth, the deadliest of the Titans, from the depths of the earth. You are the seed of prophecy, the last of the line of kings, and only you can stop the Warlock Lord from darkening our world FOREVER. Fare thee well. ~ Shadowgate, #NFDB
320:The Mennonites have Dirk Willems, who was arrested for his religious beliefs in the sixteenth century and held in a prison tower. With the aid of a rope made of knotted rags, he let himself down from the window and escaped across the castle’s ice-covered moat. A guard gave chase. Willems made it safely to the other side. The guard did not, falling through the ice into the freezing water, and Willems stopped, went back, and pulled his pursuer to safety. For his act of compassion, he was taken back to prison, tortured, and then burned slowly at the stake as he repeated “Oh, my Lord, my God” seventy times over.8 ~ Malcolm Gladwell, #NFDB
321:I can't swim, Damin.'
'Come on! You don't balk at riding dragons.'
...R'shiel decided she didn't have time to be squeamish. She slipped into the water, gasping as the chill salty ocean filled her mouth. She began to panic as the waves crashed over her, then a warm, solid body pushed her clear of the foam. She grabbed for the beast's fin and pulled herself upright as it plunged through the waves in the wake of the creatures carrying Adrina and Damin.
R'shiel clung to the beast in terror as the castle dwindled in the distance, determined never, as long as she lived, to ask another god for his help again. ~ Jennifer Fallon,#NFDB
322:As he moved up the school, he gathered about him a group of dedicated friends; I call them that, for want of a better term, although as I have already indicated, Riddle undoubtedly felt no affection for any of them. This group had a kind of dark glamour within the castle. They were a motley collection; a mixture of the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty. In other words, they were the forerunners of the Death Eaters, and indeed some of them became the first Death Eaters after leaving Hogwarts. ~ J K Rowling, #NFDB
323:YES! a ten!
...eight...nine...ten!"
"Landing you in the Enchanted Forest, which is MY domain.
600 gold, please."
"My Scottie dog will not pay your tyrannical toll!"
"Nimona... "
"He rallied the oppressed woodland creatures and organized a revolt!"
"It just so happens I am a just ruler and am greatly admired by all my subjects."
"Squirrels scale the walls of the castle and bears batter down the gates!
Bloody chaos ensues!
The Enchanted Forest is ours!"
"I'm taking the 600 gold anyway."
"HIGHWAY ROBBERY! "
"Plus another 600 for damages. ~ Noelle Stevenson,#NFDB
324:What people thought of the castle was one of the few things about the kingdom Snow could control, and she took pride in the work... even on days when her back began to ache from scrubbing tiles or her hands grew callused from all the pruning she did in the garden. She tried to break up her day between indoor and outdoor activities when the weather allowed it. Today was a fine day, so she hoped to get out to the garden as soon as possible. She wanted to gather flowers to make bouquets for the castle vases. There wouldn't be many who had the opportunity to see the flowers, but at least the servants' day would be brightened. ~ Jen Calonita, #NFDB
325:They hurried away, Westley’s hand on her elbow as he ushered her away from the house. “As I was saying.” Westley cleared his throat. They were walking across the grassy area in front of the castle, headed back to the road that would take them to the meadow and the festival. “Yes?” “Would you ever consider marrying me, a man without a title, if it meant defying the king?” “Yes. I would consider it.” Did he say what she thought he said? It was not exactly a proposal of marriage, but very nearly. Her insides seemed to go numb at the thought of being so close to her greatest wish coming true. They stared into each other’s eyes. ~ Melanie Dickerson, #NFDB
326:into the West Wing. Not even the sisters came to this part of the castle. He had escaped their mockery for long stretches of time when he spent most of his days here in the beginning—hiding away, letting his anger swell to epic proportions, fearful of what he was becoming, yet intrigued concurrently. It had been that way at first, hadn’t it? Intriguing. The subtle differences in his features, the lines around his eyes that frightened his foes when he narrowed them. Using a look rather than words to strike fear into his enemies was very useful indeed. He had looked upon himself in the mirror in those days, trying to distinguish ~ Serena Valentino, #NFDB
327:Don't be so hard on yourself,
as if you'd been trapped
and sealed in amber.
Since you passed away
I've been following your trail,
traced only with lost words.
Recently I went looking for the castle
and found it in Bohemia.
You'd given orders
for diligent restorers
to renew its façades
on all sides.
They hadn't finished back then,
they're still at it today,
and they will be tomorrow.
Because it crumbles, cracks appear,
mold swells the plaster, withers its bright skin,
on the weather side first.
It comforts me, their toil,
for I too loved you
on all sides, in vain. ~ G nter Grass,#NFDB
328:And as for Vidanric, well, you’re safe there. I’ve never met anyone as closemouthed, when he wants to be. He won’t ask your reasons. What?”
“I said, ‘Hah.’”
“What is it, do you mislike him?” Again she was studying me, her fingers playing with the pretty fan hanging at her waist.
“Yes. No. Not mislike, but more…mistrust. Not what he’ll do, but what he might say,” I babbled. “Oh, never mind. It’s all foolishness. Suffice it to say I feel better when we’re at opposite ends of the country, but I’ll settle for opposite ends of the castle.”
Her eyes widened. If she hadn’t been a lady, I would have said she was on the verge of whistling. ~ Sherwood Smith,#NFDB
329:I decided to walk alongside Beth and the annoying little ass. It seemed right that it wouldn't be her walking toward me or me waiting for her, but us traveling on the journey together. Because sometimes, that's how love is. It isn't a man chasing a woman, it isn't a man storming the castle, and it isn't the girl waiting for love to happen. It's two people making a commitment. It's two people realizing that they hold the keys to their own happiness in their own damn hands. The problem? Most people forget that they have the power to live the fairytale. I'd forgotten I had the power, and in the end, I'd been willing to walk away from my future. ~ Rachel Van Dyken, #NFDB
330:winced as the cold outside wind hit them. Through every mirror they could hear the commotion of doors opening, portcullises rising, bars melting, invisible Magical barriers dropping with electric hisses. And then there was the sound of many, many pairs of running feet and opening wings. ‘Oh by the steaming droppings of the Big-bottomed Bogburper!’ swore the Drood Commander, his eyes popping with disbelief. ‘He’s used the Staff-That-Commands-the-Castle to open all the doors so EVERYBODY can escape!!!!!!’ ‘Your guards are going to have their hands full now, Commander,’ said Encanzo drily. ‘We’ll get to see how they deal with those Grim Annises, ~ Cressida Cowell, #NFDB
331:also by the same author ROSENCRANTZ AND GUILDENSTERN ARE DEAD THE REAL INSPECTOR HOUND ENTER A FREE MAN AFTER MAGRITTE JUMPERS TRAVESTIES DIRTY LINEN AND NEW-FOUND-LAND NIGHT AND DAY DOGG’S HAMLET, CAHOOT’S MACBETH ROUGH CROSSING and ON THE RAZZLE (adapted from Ferenc Molnár’s Play at the Castle and Johann Nestroy’s Einen Jux will er sich machen) THE REAL THING THE DOG IT WAS THAT DIED AND OTHER PLAYS SQUARING THE CIRCLE with EVERY GOOD BOY DESERVES FAVOUR and PROFESSIONAL FOUL HAPGOOD DALLIANCE AND UNDISCOVERED COUNTRY (a version of Arthur Schintzler’s Das weite Land) ARCADIA INDIAN INK (an adaptation of In the Native State) THE INVENTION OF LOVE ~ Tom Stoppard, #NFDB
332:This tragic short story was written in 1829 and published in 1830 in La Mode, followed by another edition in the Gosselin magazine in 1831. The tale also appeared in 1846 in volume II of Études Philosophiques of the Furne edition. Set during the time of the French army’s occupation of Spain under Napoleon, the tale opens with an idyllic moonlit scene in the castle gardens of the coastal town of Menda. The local French commandant, Victor Marchand, stands lost in thought, meditating on the beautiful Clara, the daughter of the local grandee. Thoughts of romance are soon dissipated as he becomes aware that a fleet of ships is approaching the coast. ~ Honor de Balzac, #NFDB
333:My mother was, in the tradition of parents, quite a complicated and contradictory human being. Moralistic but a devout lover of pleasure (food, music, the aesthetics of nature). Deeply religious but seemingly as comforted by singing a secular chanson as by prayer. A lover of the natural world who was visibly anxious every time she left the castle. Fragile, but also though and stubborn. I never knew how many of her oddities had sprung from grief and how many from her own inherent nature. "There is not one blade of grass, there is no colour in this world that is not intended to make us rejoice," my mother told me once, shortly after arriving in England. ~ Matt Haig, #NFDB
334:And now Harry saw clearly what was to be done. “Well,” he said, with a most convincing hesitancy, “well, if you wanted to come, Professor, Hagrid would probably be really pleased. . . . Give Aragog a better send-off, you know . . .” “Yes, of course,” said Slughorn, his eyes now gleaming with enthusiasm. “I tell you what, Harry, I’ll meet you down there with a bottle or two. . . . We’ll drink the poor beast’s — well — not health — but we’ll send it off in style, anyway, once it’s buried. And I’ll change my tie, this one is a little exuberant for the occasion. . . .” He bustled back into the castle, and Harry sped off to Hagrid’s, delighted with himself. ~ J K Rowling, #NFDB
335:One day Cunegonde, while walking near the castle, in a little wood which they called a park, saw between the bushes, Dr. Pangloss giving a lesson in experimental natural philosophy to her mother’s chamber-maid, a little brown wench, very pretty and very docile. As Miss Cunegonde had a great disposition for the sciences, she breathlessly observed the repeated experiments of which she was a witness; she clearly perceived the force of the Doctor’s reasons, the effects, and the causes; she turned back greatly flurried, quite pensive, and filled with the desire to be learned; dreaming that she might well be a sufficient reason for young Candide, and he for her. ~ Voltaire, #NFDB
336:You don’t think she can have been . . . you know . . . in love with Sirius?” Hermione stared at him. “What on earth makes you say that?” “I dunno,” said Harry, shrugging, “but she was nearly crying when I mentioned his name . . . and her Patronus is a big four-legged thing now. . . . I wondered whether it hadn’t become . . . you know . . . him.” “It’s a thought,” said Hermione slowly. “But I still don’t know why she’d be bursting into the castle to see Dumbledore, if that’s really why she was here. . . .” “Goes back to what I said, doesn’t it?” said Ron, who was now shoveling mashed potato into his mouth. “She’s gone a bit funny. Lost her nerve. Women,” he ~ J K Rowling, #NFDB
337:James had heard this speech or something like it many times before. The British were no longer selling slaves to America, but slavery had not ended, and his father did not seem to think that it would end. They would just trade one type of shackles for another, trade physical ones for the invisible ones that wrapped around the mind. James didn't understand this when he was younger, when the legal slave exportation had ended and the illegal one had begun, but he understood now. The British had no intention of leaving Africa, even once the slave trade ended. They owned the Castle, and, though they had yet to speak it aloud, they intended to own the land as well. ~ Yaa Gyasi, #NFDB
338:He kissed her again, bringing both hands up behind her head to hold her still, and his hot lips slanted sideways across her open moutb. Her head spun crazily. She was dizzy. She could not breathe in here. She would fall in front of the queen. They would all know what he had done. There was no time left, surely. The castle portcullis would swing up, the door would be opened and His Grace would see them!
He pulled his mouth away and said against her flushed cheek, "I have never envied any other man his bed before this long, long week. Now two men will possess you and neither really loves you, Mary Bullen. Think of me when you spread your sweet thighs for them! ~ Karen Harper,#NFDB
339:Let's say I will rip your life apart. Me and my banker friends."
How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot. ~ Hilary Mantel,#NFDB
340:They’ve been lying from the start. From the first time we read the words ‘once upon a time,’ we’re fed the idea that these girls—these gorgeous, demure, singing-with-the-wildlife girls—get a happy ending. And I get it. Poor thing had to do some chores around the house, fine. But the idea that she needs a magic old lady to come down and skim off the dirt so the prince will see her beauty? That’s ridiculous. Maybe she should have been working on her lockpicking skills instead of serenading squirrels. She could have busted out, hitched a ride to the castle, and impressed the prince with her safe-cracking prowess. Sorry, magic-fairy lady. She didn’t need your help. ~ Kelsey Macke, #NFDB
341:It was Fidelma's favourite walk, a winding path by the river in the Castle grounds. The Castle with its turrets and ivied walls was a five-star hotel which attracted celebrities and regulars who came for the fishing and shooting. She could do that walk in her sleep, over the bridge, down three steps, by a sign that read 'Please Close the Gate' and all of a sudden the sound of the river, squeezing its way under the bridge and then bursting out as it opened into a wide sweep, making its way upstream, girdling the small islands that it passed. The sound was like water bursting in childbirth, or so a woman who had had many children once told her, and she remembered it. ~ Edna O Brien, #NFDB
342:Do you think the Gilarabrywn knows we’re still in here?”
“Esrahaddon said it was intelligent, so I presume it can count.”
“Then it will come back and find us. We have to reach the castle. The distance across the open is about—what? Two hundred feet?”
“About that,” Royce confirmed.
“I guess we can hope it’s still munching on Millie. Ready?”
“Run spread out so it can’t get both of us. Go.” The grass was slick with dew and filled with stumps and pits. Hadrian got only a dozen yards before falling on his face.
“Stay behind me,” Royce told him.
“I thought we were spreading out?”
“That’s before I remembered you’re blind. ~ Michael J Sullivan,#NFDB
343:Septimus had no need to untie Spit Fyre as the dragon had already chewed his way through the rope. They followed Aunt Zelda and Jenna out the side door at the foot of the turret and down to the Palace Gate. Aunt Zelda kept up a brisk pace. Showing a surprising knowledge of the Castle’s narrow alleyways and sideslips, she hurtled along. Oncoming pedestrians were taken aback at the sight of the large patchwork tent approaching them at full speed. They flattened themselves against the walls, and, as the tent passed by with the Princess, the ExtraOrdinary Apprentice and a feral-looking boy with bandaged hands—not to mention a dragon—in its wake, people rubbed their eyes in disbelief. ~ Angie Sage, #NFDB
344:She never sent the castle to sleep”, said Granny, “that’s just an old wife’s tale. She just stirred up time a little. It’s not as hard as people think, everyone does it all the time. It’s like rubber, is time, you can stretch it to suit yourself.”
Magrat was about to say: That’s not right, time is time, every second lasts a second, that’s its job. The she recalled weeks that had flown past and afternoons that had lasted forever. Some minutes had lasted hours, some hours had gone past so quickly she hadn’t been aware they’d gone past at all.
“But that’s just people’s perception, isn’t it?”
“Oh yes”, said Granny, “of course it is, it all is, what difference does that make? ~ Terry Pratchett,#NFDB
345:Is that all?" asked Flambeau after a long pause. "Have we got to the dull truth at last?"
"Oh, no," said Father Brown.
As the wind died in the most distant pine woods with a long hoot as of mockery Father Brown, with an utterly impassive face, went on:
"I only suggested that because you said one could not plausibly connect snuff with clockwork or candles with bright stones. Ten false philosophies will fit the universe; ten false theories will fit Glengyle Castle. But we want the real explanation of the castle and the universe. But are there no other exhibits?"
Craven laughed, and Flambeau rose smiling to his feet and strolled down the long table.
[Ch.6] ~ G K Chesterton,#NFDB
346:Harry barely slept that night. When he awoke on Monday morning, he seriously considered for the first time ever just running away from Hogwarts. But as he looked around the Great Hall at breakfast time, and thought about what leaving the castle would mean, he knew he couldn’t do it. It was the only place he had ever been happy . . . well, he supposed he must have been happy with his parents too, but he couldn’t remember that. Somehow, the knowledge that he would rather be here and facing a dragon than back on Privet Drive with Dudley was good to know; it made him feel slightly calmer. He finished his bacon with difficulty (his throat wasn’t working too well), and as he and Hermione got up, he ~ J K Rowling, #NFDB
347:He held the papers up to the moonlight. There was a little smudging, there, right where the chorus was supposed to come in with a D major triad. But it wasn't so bad.
His eyes drifted from the pages to the moon, which shone clearly through his unglazed window. A bright star kept it company. A faint breeze blew, causing the thick leaves of the trees below to make shoe-like clacking noises against the castle wall. It carried with it whatever scents it had picked up on its way from the sea: sandalwood, sand, oranges, dust. Dry things, stuff of the land.
Eric looked back at his music, tried to recapture the sound and feel of the ocean that had played in his head before waking, aquamarine and sweet. ~ Liz Braswell,#NFDB
348:the final revelation comes when you look at these City-men on the train; for you realize that for them, the business of escaping is complicated by the fact that they think they are the prison. An astounding situation! Imagine a large castle on an island, with almost inescapable dungeons. The jailor has installed every device to prevent the prisoners escaping, and he has taken one final precaution: that of hypnotizing the prisoners, and then suggesting to them that they and the prison are one. When one of the prisoners awakes to the fact that he would like to be free, and suggests this to his fellow prisoners, they look at him with surprise and say: Tree from what? We are the castle.’ What a situation! ~ Colin Wilson, #NFDB
349:You called me ‘Fluttershy.’ As in the My Little Pony, ‘Fluttershy?’”
“Oh.” He looked a little taken aback for a second. “Yeah.” He sucked in his lips, pinched them between his teeth, and then shrugged. “What can I say? You’re just like her. You care more about animals than you do your own safety. I’m gonna have to kidnap a rabbit and threaten you with bunnicide unless you come quietly back to the castle with me.”
“What?” Diana felt her eyes go wide.
“You heard me,” he said before he took another long swig and swallowing hard. He lowered the bottle and leaned up against the kitchen counter. “And you know I’m right.”
“About kidnapping a bunny?” She felt bewildered. ~ Heather Killough Walden,#NFDB
350:The Two Coffins
In yonder old cathedral
Two lovely coffins lie;
In one, the head of the state lies dead,
And a singer sleeps hard by.
Once had that King great power
And proudly ruled the land-His crown e'en now is on his brow
And his sword is in his hand.
How sweetly sleeps the singer
With calmly folded eyes,
And on the breast of the bard at rest
The harp that he sounded lies.
The castle walls are falling
And war distracts the land,
But the sword leaps not from that mildewed spot
There in that dead king's hand.
But with every grace of nature
There seems to float along-To cheer again the hearts of men
The singer's deathless song.
~ Eugene Field,#NFDB
351:Why hadn’t the Woman in Black called for Raphael? Mathilde’s idea that she’d stopped looking for him seemed out of keeping with most ghost
stories; ghosts didn’t change their behavior, did they?
Whatever the reason, Caitlyn was glad of it. Raphael was hers, and she didn’t want to share him. She hated the idea of a long-lost lover roaming
the halls of the castle, looking for him. It meant there was someone else in his life.
She was, she realized, jealous.
That’s stupid! How can I be jealous of a ghost, over a guy who might not even exist?
And yet, there was no other word for what she felt. Since the moment she’d seen Raphael riding in the valley, her heart had claimed him as her
Knight of Cups ~ Lisa Cach,#NFDB
352:There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three — storyteller, teacher, enchanter — but it is the enchanter in him that predominates and makes him a major writer...The three facets of the great writer — magic, story, lesson — are prone to blend in one impression of unified and unique radiance, since the magic of art may be present in the very bones of the story, in the very marrow of thought...Then with a pleasure which is both sensual and intellectual we shall watch the artist build his castle of cards and watch the castle of cards become a castle of beautiful steel and glass. ~ Vladimir Nabokov, #NFDB
353:You won't get much with only ten men," Will said, in a reasonable tone of voice. Gundar snorted angrily.
"Ten? I've got twenty-seven men behind me!" There was an angry growl of assent from his men-although Ulf didn't join in, Gundar noticed.
This time, when the Ranger spoke, there was no trace of the pleasant, reasonable tone. Instead, the voice was hard and cold.
"You haven't reached the castle yet," Will said. "I've got twenty-three arrows in my quiver still, and a further dozen in my packsaddle. And you've got several kilometers to go-all within bowshot of the trees there. Bad shot as I am, I should be able to account for more than half your men. Then you'll be facing the garrison with just ten men. ~ John Flanagan,#NFDB
354:And what happens to daughters whose mothers betray them? They don’t become huggable like Sadie, Taiwo thinks. They don’t become giggly, adorable like Ling. They grow shells. Become hardened. They stop being girls. Though they look like girls and act like girls and flirt like girls and kiss like girls—really, they’re generals, commandos at war, riding out at first light to preempt further strikes. With an army behind them, their talents their horsemen, their brilliance and beauty and anything else they may have at their disposal dispatched into battle to capture the castle, to bring back the Honor. Of course it doesn’t work. For they burn down the village in search of the safety they lost, every time, Taiwo knows. ~ Taiye Selasi, #NFDB
355:You don’t know what I’m capable of,” said Malfoy more forcefully. “You don’t know what I’ve done!” “Oh yes, I do,” said Dumbledore mildly. “You almost killed Katie Bell and Ronald Weasley. You have been trying, with increasing desperation, to kill me all year. Forgive me, Draco, but they have been feeble attempts. . . . So feeble, to be honest, that I wonder whether your heart has been really in it.” “It has been in it!” said Malfoy vehemently. “I’ve been working on it all year, and tonight —” Somewhere in the depths of the castle below Harry heard a muffled yell. Malfoy stiffened and glanced over his shoulder. “Somebody is putting up a good fight,” said Dumbledore conversationally. “But you were saying . . . yes, ~ J K Rowling, #NFDB
356:At one end of the vast C bitten from the castle a single great bastion-tower stood, almost intact, five kilometres high, and casting a kilometre-wide shadow across the rumpled ground in front of the convoy. The walls had tumbled down around the tower, vanishing completely on one side and leaving only a ridge of fractured material barely five hundred metres high on the other. The plant-mass babilia, unique to the fastness and ubiquitous within it, coated all but the smoothest of vertical surfaces with tumescent hanging forests of lime-green, royal blue and pale, rusty orange; only the heights of scarred wall closest to the more actively venting fissures and fumaroles remained untouched by the tenacious vegetation. ~ Iain M Banks, #NFDB
357:The dinner bell rings, and everyone trots off, Frederick coming in last with his taffy-colored hair and wounded eyes, bootlaces trailing. Werner washes Frederick’s mess tin for him; he shares homework answers, shoe polish, sweets from Dr. Hauptmann; they run next to each other during field exercises. A brass pin weighs lightly on each of their lapels; one hundred and fourteen hobnailed boots spark against pebbles on the trail. The castle with its towers and battlements looms below them like some misty vision of foregone glory. Werner’s blood gallops through his ventricles, his thoughts on Hauptmann’s transceiver, on solder, fuses, batteries, antennas; his boot and Frederick’s touch the ground at the exact same moment. ~ Anthony Doerr, #NFDB
358:Dear lieutenant, I think we all seduced you, deflected you from a course that might have let you live. Seeking something in the quick of us, searching to secure a kind of love with the provenance of age and land and family, you took over our premises; you presumed to the legacy that was ours, and if you did not see that such assumptions have their own ramifying repercussions, and that the stones demand their own continuity of blood, if you did not understand the gravity of their isolation, the solitude of their trapped state or the hardness of their old responsibility, still you cannot fault the castle or either one of us, or complain that you were led to your own conclusion.
I left the castle; you brought us all back. ~ Iain Banks,#NFDB
359:Okay you guys need the dope on the real story of the princess and the frog...So once upon a time a beautiful independent confident princess came upon a frog sitting by a pond. The frog said to the princess 'I was once a handsome prince until an evil Witch put a spell on me.'...So the smart-assed frog said 'If you will just kiss me I will turn back into a prince. And then you'll marry me move into the castle with my mother and you can cook for me and clean my clothes have my children and live happy ever after while I go rescue a damsel in distress'...Later that night the princess laughed as she sat down to dinner. 'I don't think so ' she said and dug hungrily into her plate of frog's legs. And she lived happily ever after. ~ Phyllis Curott, #NFDB
360:The Militiaman
'O warrior with the burnished arms
With bullion cord and tassel
Pray tell me of the lurid charms
Of service and the fierce alarms:
The storming of the castle,
The charge across the smoking field,
The rifles' busy rattle
What thoughts inspire the men who wield
The blade-their gallant souls how steeled
And fortified in battle.'
'Nay, man of peace, seek not to know
War's baleful fascinationThe soldier's hunger for the foe,
His dread of safety, joy to go
To court annihilation.
Though calling bugles blow not now,
Nor drums begin to beat yet,
One fear unmans me, I'll allow,
And poisons all my pleasure: How
If I should get my feet wet!'
~ Ambrose Bierce,#NFDB
361:Begging your pardon, but you being out at this hour is . . . suspicious.” “I got lured, and then locked out of the castle, after being scared half to death by a walking suit of armor.” Ernie stuck his hand into his jacket pocket, pulling out a small pad of paper, which he immediately opened before he pulled out a pen and sent her a nod. “That sounds like a case of shenanigans to be sure, Miss Plum. Now . . . tell me, what did the suit of armor look like?” “It looked like a suit of armor, of course.” “Was there anything of a distinguishing nature about it?” “It was walking across the room.” Ernie scribbled something into the notebook. “Suspicious indeed, and not something one expects to see when they’re a guest at Ravenwood.” “It ~ Jen Turano, #NFDB
362:The big system can be pretty overwhelming. We know that we can’t beat them by competing with them. What we can do is build small systems where we live and work that serve our needs as we define us and not as they ‘re defined for us. The big boys in their shining armor are up there on castle walls hurling their thunderbolts. We’re the ants patiently carrying sand a grain at a time from under the castle wall. We work from the bottom up. The knights up there don’t see the ants and don’t know what we’re doing. They’ll figure it out only when the wall begins to fall. It takes time and quiet persistence. Always remember this: They fight with money and we resist with time, and they’re going to run out of money before we run out of time ~ Utah Phillips, #NFDB
363:I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old-fashioned furniture of the housekeeper’s room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase. They seemed to belong to another age, an older age, an age when things spiritual were different from this of ours, less certain; an age when omens and witches were credible, and ghosts beyond denying. Their very existence was spectral; the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly — the thoughts of vanished men, which still haunted rather than participated in the world of today. ~ E F Benson, #NFDB
364:The Landscape"
I dreamt of loving. The dream remains, but love
is no longer those lilacs and roses whose breath
filled the broad woods, where the sail of a flame
lay at the end of each arrow-straight path.
I dreamt of loving. The dream remains, but love
is no longer that storm whose white nerve sparked
the castle towers, or left the mind unrhymed,
or flared an instant, just where the road forked.
It is the star struck under my heel in the night.
It is the vvord no book on earth defines.
It is the foam on the wave, the cloud in the sky.
As they age, all things grow rigid and bright.
The streets fall nameless, and the knots untie.
Now, with this landscape, I fix; I shine. ~ Robert Desnos,#NFDB
365:Time’s running out, Voldemort’s getting nearer. Professor, I’m acting on Dumbledore’s orders, I must find what he wanted me to find! But we’ve got to get the students out while I’m searching the castle--it’s me Voldemort wants, but he won’t care about killing a few more or less, not now--” not now he knows I’m attacking Horcruxes, Harry finished the sentence in his head.
“You’re acting on Dumbledore’s orders?” she repeated with a look of dawning wonder. Then she drew herself up to her fullest height.
“We shall secure the school against He-Who-Must-Not-Be-Named while you search for this--this object.”
“Is that possible?”
“I think so,” said Professor McGonagall dryly, “we teachers are rather good at magic, you know. ~ J K Rowling,#NFDB
366:She wondered what such a bird would be worth, because in the Castle all beasts were ascribed worth. She had seen James look at a king crown brought in by one of their Asante traders and declare that it was worth four pounds. What about the human beast? How much was he worth? Effia had known, of course, that there were people in the dungeons. People who spoke a different dialect than her, people who had been captured in tribal wars, even people who had been stolen, but she had never thought of where they went from there. She had never thought of what James must think every time he saw them. If he went into the dungeons and saw women who reminded him of her, who looked like her and smelled like her. If he came back to her haunted by what he saw. ~ Yaa Gyasi, #NFDB
367:Alric! Stop it!" Pickering snapped at him. "You mustn't let the men see you crying!"
Fury flared in Alric, and he spun on the count. "No? No? Look at them! They are dying for me. They are dying on my order! I say they do have a right to see their king! They all have a right to see their king!"
Alric wiped the tears from his cheeks and gathered his reins. "I'm tired of this. I'm tired of having my face put in the dirt! I won't stand it. I'm tired of being helpless. That's my city, built by my ancestors! If my people chose to fight, then, by Maribor, I want them to know it's me they fight!"
The prince put on his helm, drew his father's large sword and spurred his horse forward, not at the trench but at the castle gate itself. ~ Michael J Sullivan,#NFDB
368:The princess had accepted her fate in an effort to make the best of things, but she refused to do so any longer.
It wasn't till she was outside those walls that she'd realized the truth: the only one who could truly break her free was herself. That's why she was back. To claim what was truly hers. Not just the castle, but the province and its throne. Not just for her own happiness, but also for that of her people.
Now was the time to strike. It was why she had traveled so far, risked so much, and found strength that she hadn't known she possessed. Queen Ingrid's popularity had never been strong, but in the last few years, the kingdom had gone from indifference to downright terror. She couldn't allow her people to suffer this way any longer. It was time. ~ Jen Calonita,#NFDB
369:A Mystic And A Drunk
The Universe turns on an axis.
Let my soul circle around a table
like a beggar, like a planet
rolling in the vast, totally helpless and free.
The knight and the castle move jaggedly
about the chessboard, but they're actually
centered on the king. They circle.
If love is your center, a ring
gets put on your finger.
Something inside the moth
is made of fire.
A mystic touches the annihilating tip
of pure nothing.
A drunkard thinks peeing is absolution.
Lord, take these impurities from me.
The lord replies, First, understand
the nature of impurity. If your key is bent,
the lock will not open.
I fall silent.
King Shams has come.
Always when I close, he opens. ~ Rumi,#NFDB
370:Belle's mind populated the castle with royalty from all the eras she could imagine:
Recent ones with great powdered wigs and hats in the shapes of fanciful things like ships, great skirts that billowed out, ugly garish makeup on the faces of those who gossiped behind embroidered silk fans.
Renaissance rulers with thick curled collars and poison rings, intellect and conspiracy at every dinner.
Ancient kings and queens in long, heavy dresses and cloaks, wise looks on their faces and solid gold crowns on their heads, innocents in a world they believed to possess unicorns and dragons, and maps whose seas ran off at the edges, beyond where the tygres were.
Of course, maybe around here there were dragons and unicorns. Who knew? They had talking teacups. ~ Liz Braswell,#NFDB
371:But the argument he lays out before the jury is as clear as a row of Lombardy poplars. In silence, he walks his lifelong partner through old and central principles of jurisprudence, one syllable at a time. Stand your ground. The castle doctrine. Self-help. If you could save yourself, your wife, your child, or even a stranger by burning something down, the law allows you. If someone breaks into your home and starts destroying it, you may stop them however you need to. His few syllables are mangled and worthless. She shakes her head. “I can’t get you, Ray. Say it some other way.” He can find no way to say what so badly needs saying. Our home has been broken into. Our lives are being endangered. The law allows for all necessary force against unlawful and imminent harm. ~ Richard Powers, #NFDB
372:I don't know where you get off telling everyone what to do. Did I miss the part where you were crowned top turd? I don't want to play the wicked consort of Eric the Evil. Last time I looked, there wasn't a wicked consort clause in my contract." Donna turned to Eric as he stopped by her side. "I can't believe he thinks he can harass me like he does the rest of the poor wretches who work here." She glared at Holgarth. "Why not rent a wig and you can be the wicked consort?"
As one of the castle's poor wretches, Eric didn't offer anything to the conversation because he was too busy picturing Holgarth in a wig. And from there, he went on to imagine Donna in her wicked consort costume - short on cloth with lots of bare skin showing. Things were looking up. ~ Nina Bangs,#NFDB
373:Up here,” said Harry, and he crossed the common room and led the way through the door to the boys’ staircase. Their dormitory was, as Harry had hoped, empty. He flung open his trunk and began to rummage in it, while Ron watched impatiently. “Harry . . .” “Malfoy’s using Crabbe and Goyle as lookouts. He was arguing with Crabbe just now. I want to know — aha.” He had found it, a folded square of apparently blank parchment, which he now smoothed out and tapped with the tip of his wand. “I solemnly swear that I am up to no good . . . or Malfoy is anyway.” At once, the Marauder’s Map appeared on the parchment’s surface. Here was a detailed plan of every one of the castle’s floors and, moving around it, the tiny, labeled black dots that signified each of the castle’s occupants. ~ J K Rowling, #NFDB
374:Horses At Midnight Without A Moon"
Our heart wanders lost in the dark woods.
Our dream wrestles in the castle of doubt.
But there's music in us. Hope is pushed down
but the angel flies up again taking us with her.
The summer mornings begin inch by inch
while we sleep, and walk with us later
as long-legged beauty through
the dirty streets. It is no surprise
that danger and suffering surround us.
What astonishes is the singing.
We know the horses are there in the dark
meadow because we can smell them,
can hear them breathing.
Our spirit persists like a man struggling
through the frozen valley
who suddenly smells flowers
and realizes the snow is melting
out of sight on top of the mountain,
knows that spring has begun. ~ Jack Gilbert,#NFDB
375:The Bonny Earl Of Murray
YE Highlands and ye Lawlands,
O where hae ye been?
They hae slain the Earl of Murray,
And hae laid him on the green.
Now wae be to thee, Huntley!
And whairfore did ye sae!
I bade you bring him wi' you,
But forbade you him to slay.
He was a braw gallant,
And he rid at the ring;
Ana the bonny Earl of Murray,
O he might hae been a king!
He was a braw gallant,
And he play'd at the ba';
And the bonny Earl of Murray
Was the flower amang them a'!
He was a braw gallant,
And he play'd at the gluve;
And the bonny Earl of Murray,
O he was the Queen's luve!
O lang will his Lady
Look owre the Castle Downe,
Ere she see the Earl of Murray
Come sounding through the town!
~ Anonymous,#NFDB
376:Horses at Midnight Without a Moon”
Our heart wanders lost in the dark woods.
Our dream wrestles in the castle of doubt.
But there’s music in us. Hope is pushed down
but the angel flies up again taking us with her.
The summer mornings begin inch by inch
while we sleep, and walk with us later
as long-legged beauty through
the dirty streets. It is no surprise
that danger and suffering surround us.
What astonishes is the singing.
We know the horses are there in the dark
meadow because we can smell them,
can hear them breathing.
Our spirit persists like a man struggling
through the frozen valley
who suddenly smells flowers
and realizes the snow is melting
out of sight on top of the mountain,
knows that spring has begun. ~ Jack Gilbert,#NFDB
377:I planned a mystical order that should buy or hire the castle, and keep it as a place where its members could retire for a while for contemplation, and where we might establish mysteries like those of Eleusis or Samothrace. ... I had an unshakeable conviction that invisible gates would open, as they opened for Blake, as they opened for Swedenborg, as they opened for Boehme, and that this philosophy would find its manuals of devotion in all imaginative literature..
This idea of Yeats’s is persistently an Outsider-ideal, persistent even in unromantic Outsiders: solitude, retreat, the attempt to order a small corner of the ‘devil-ridden chaos’ to one’s own satisfaction. A Marxist critic would snap: Escapism; and no doubt he would not be entirely wrong, but let us look closer. ~ Colin Wilson,#NFDB
378:She had finally come so far that she seemed to be seeing her own life from the uppermost summit of a mountain pass. Now her path led down into the darkening valley, but first she had been allowed to see that in the solitude of the cloister and in the doorway of death someone was waiting for her who had always seen the lives of people the way villages look from a mountain crest. He had seen sin and sorrow, love and hatred in their hearts, the way the wealthy estates and poor hovels, the bountiful acres and the abandoned wastelands are all borne by the same earth. And he had come down among them, his feet had wandered among the lands, stood in the castles and in huts, gathering the sorrows and sins of the rich and the poor, and lifting them high up with him on the cross." (1081) ~ Sigrid Undset, #NFDB
379:What I saw was the Count’s head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had so many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow; but I kept looking, and it could be no delusion. ~ Bram Stoker, #NFDB
380:We need to think of somewhere else to hide you, somewhere Silas would never discover, and . . .” She stopped talking, her eyes began to gleam, and then she beamed a bright smile Archibald’s way. “We’ll take her to Ravenwood.” Archibald immediately began smiling as well. “That’s an excellent idea.” Looking from one smiling face to the other, Lucetta frowned. “Where, pray tell, is Ravenwood, or more importantly . . . what is Ravenwood, and who owns it?” If anything, Abigail’s smile turned brighter. “Ravenwood is a castle, located in Tarrytown, along the Hudson River, which means it’s not far from the city. The castle is well guarded, comes with its very own moat, and . . . the owner of this castle can be counted on to be discreet, especially since he just happens to be my . . . grandson. ~ Jen Turano, #NFDB
381:It wasna a man,’ said Andrew Kerr broadly. ‘T’was my aunty. I tellt ye. I’m no risking cauld steel in ma wame for a pittance, unless all that’s mine is well lookit after—’ ‘An old lady,’ said Lord Grey with forbearance, ‘in curling papers and a palatial absence of teeth?’ ‘My aunt Lizzie!’ said Andrew Kerr. ‘She has just,’ said Lord Grey austerely, ‘seriously injured one of my men.’ ‘How?’ The old savage looked interested. ‘From an upper window. The castle was burning, and he was climbing a ladder to offer the lady her freedom. She cracked his head with a chamberpot,’ said Lord Grey distastefully, ‘and retired crying that she would have no need of a jurden in Heaven, as the good Lord had no doubt thought of more convenient methods after the seventh day, when He had had a good rest. ~ Dorothy Dunnett, #NFDB
382:The field mice spent their days scampering through the tall grasses and collecting fairyberries and beanstalk seeds. The stable mice helped themselves to oats and barley from the horse stalls, and built nests of straw from the Pegasus pen. The barn mice sat on the rafters, playing their fiddles and enjoying the grains they'd snatched from the golden goose's coop. The pantry mice were the happiest of all because they spent their days sleeping and their nights gorging on a plentiful supply of delicacies. They were the plumpest of mice, roll-poly critters who slumbered in the pantry during the day, then awoke after the kitchen had closed. A lazy waddle beneath the Castleteria tables would yield a cornucopia of delights- thronecake crumbs, hot cross bun bits, and pieces of pickled-plum tart. ~ Suzanne Selfors, #NFDB
383:After a few moments, her eyes became as glossy as his and she also spoke in complete nonsense. “Who are you?” Mother Goose asked the caterpillar. “What I am,” he said. “Where are you?” she said. “Here with you,” the caterpillar said. “And if this were the Castle of Hearts?” Mother Goose asked. “We’d be there,” he said. “But where?” she asked. “In the castle,” he said. “Ah, so there would be here,” she said, and they nodded together. “Here would be what’s left.” The caterpillar nodded. “Am I what’s left?” she asked. “You’re what’s right, of course.” “But what’s right is wrong.” “And what’s left is right.” “I understand completely,” Mother Goose said. “Thank you so much, Mr. Caterpillar.” The others stared at them absolutely dumbfounded. Mother Goose hopped down from the mushroom and moseyed back to them. ~ Chris Colfer, #NFDB
384:Home
The road to laughter beckons me,
The road to all that's best;
The home road where I nightly see
The castle of my rest;
The path where all is fine and fair,
And little children run,
For love and joy are waiting there
As soon as day is done.
There is no rich reward of fame
That can compare with this:
At home I wear an honest name,
My lips are fit to kiss.
At home I'm always brave and strong,
And with the setting sun
They find no trace of shame or wrong
In anything I've done.
There shine the eyes that only see
The good I've tried to do;
They think me what I'd like to be;
They know that I am true.
And whether I have lost my fight
Or whether I have won,
I find a faith that I've been right
As soon as day is done.
~ Edgar Albert Guest,#NFDB
385:In the castle of Koraida was found a great quantity of pikes, lances, cuirasses, and other armor ; and its lands were covered with flocks and herds and camels. In dividing the spoil each foot-soldier had one lot, each horseman three ; two for his horse, and one for himself. A fifth part of the whole was set apart for the prophet. The most precious prize in the eyes of Mahomet was Rihana, daughter of Simeon, a wealthy and powerful Jew ; and the most beautiful female of her tribe. He took her to himself, and, having converted her to the faith, added her to the number of his wives. But, though thus susceptible of the charms of the Israelitish women, Mahomet became more and more vindictive in his hatred of the men ; no longer putting faith in their covenants, and suspecting them of the most insidious attempts upon his life. ~ Washington Irving, #NFDB
386:The small island of Bogoslof, since it was first observed in 1796, has altered its shape and position several times and has even disappeared completely, only to emerge again. The original island was a mass of black rock, sculptured into fantastic, tower-like shapes. Explorers and sealers coming upon it in the fog were reminded of a castle and named it Castle Rock. At the present time there remain only one or two pinnacles of the castle, a long spit of black rocks where sea lions haul out, and a cluster of higher rocks resounding with the cries of thousands of sea birds. Each time the parent volcano erupts, as it has done at least half a dozen times since men have been observing it, new masses of steaming rocks emerge from the heated waters, some to reach heights of several hundred feet before they are destroyed in fresh explosions. ~ Rachel Carson, #NFDB
387:Very quietly, James slipped out of bed and shrugged into his bathrobe. The stone floor was cool under his feet as he stood and listened, tilting his head. He turned slowly, and as he looked toward the door, the figure there moved. He hadn’t seen it appear, it was simply there, floating, where a moment before there had been darkness. James startled and backed into his bed, almost falling backwards onto it. Then he recognized the ghostly shape. It was the same wispy, white figure he’d seen chase the interloper off the school grounds, the ghostly shape that had come to look like a young man as it came back to the castle. In the darkness of the doorway, the figure seemed much brighter than it had appeared in the morning sunlight. It was wispy and shifting, with only the barest suggestion of its human shape. It spoke again without moving. ~ G Norman Lippert, #NFDB
388:Pushing to his feet in an effort to avoid some of the water, Bram gave his wet and distinctly smelly dog a pat before he straightened, his breath becoming lodged in his throat when Miss Plum began walking toward him. Regret settled in as the thought struck him that there was really no way to avoid finally making her acquaintance even while smelling much like his dog. Summoning up a smile, he was about to offer her a greeting when a trace of smoke coming from one of the castle towers captured his attention. Knowing full well there was only one reasonable explanation for the smoke, he stepped toward Miss Plum just as a yell split the air. “Watch out below.” As the roar of a cannon sounded, Bram did the only thing that sprang to mind. He yanked Miss Plum close to him, locked his arms around her slender body, and . . . jumped back into the moat. ~ Jen Turano, #NFDB
389:And while he waited in the castle court,
The voice of Enid, Yniol's daughter, rang
Clear through the open casement of the hall,
Singing; and as the sweet voice of a bird,
Heard by the lander in a lonely isle,
Moves him to think what kind of bird it is
That sings so delicately clear, and make
Conjecture of the plumage and the form;
So the sweet voice of Enid moved Geraint;
And made him like a man abroad at morn
When first the liquid note beloved of men
Comes flying over many a windy wave
To Britain, and in April suddenly
Breaks from a coppice gemmed with green and red,
And he suspends his converse with a friend,
Or it may be the labour of his hands,
To think or say, 'There is the nightingale;'
So fared it with Geraint, who thought and said,
'Here, by God's grace, is the one voice for me. ~ Alfred Tennyson,#NFDB
390:Tearing a piece of bread off the loaf, Briec wandered over to the partially open Great Hall doors and looked out into the courtyard. It was extremely early and things were just beginning to stir as the two suns rose. But Briec saw them easy enough. Gods, how could he miss them standing there, saying nothing—and staring at the castle.
Briec slammed the doors shut.
“Briec?” Fearghus asked as he walked up behind him. “What’s going on?”
“Where the hell is that idiot?”
“Gwenvael?”
“No.”
“Dad?”
“No. The big blue idiot.”
“I don’t know. Why?”
“The Mì-runach are outside.”
“So. They’re probably looking for the big blue idiot.”
“Not the three he brought with him. All of the Mì-runach. They’re standing in our courtyard . . . waiting.”
Fearghus nodded. “All right. We’ll kill all the females first and then kill ourselves. ~ G A Aiken,#NFDB
391:Here are your choices, as I see them. First, you could go to Hampshire in a cloud of social scorn, and content yourself with the knowledge that at least you didn’t get trapped into a loveless marriage. Or you could marry a man who wants you beyond anything, and live like a queen.” He paused. “And don’t forget the country house and carriage.” Poppy could not contain a smile. “Bribery again.” “I’ll throw in the castle and tiara,” Harry said ruthlessly. “Gowns, furs, a yacht—” “Hush,” Poppy whispered, and touched his lips gently with her fingers, not knowing how else to make him stop. She took a deep breath, hardly able to believe what she was about to say. “I’ll settle for a betrothal ring. A small, simple one.” Harry stared at her as if he were afraid to trust his own ears. “Will you?” “Yes,” Poppy said, her voice a bit suffocated. “Yes, I will marry you. ~ Lisa Kleypas, #NFDB
392:They were relaxing at the top of a waterfall, in a small, still pool where the mountain waters hit an upward slope of folded granite. It was sort of a rounded bathtub, carved out of the rock throughout the centuries by the rushing river, a river so hidden that it was without a name. Just below were the falls, about a 30-foot drop into another, much larger pool of clearest water that was gathered for a respite, a compromise in the river's relentless schedule downward, between split-level decks of flat rock. Further on, the river reanimated and released into a sharp ravine, pulling westward, down through the rugged mountains and faceless forest--the Black Hills National Forest--gaining force until it joined with the rush of the Castle River, near the old Custer Trail, and was swallowed into the Deerfield Reservoir to collect and prepare for the touch of man. ~ Ron Parsons, #NFDB
393:Heard You-Know-Who from up in our cave,” said Hagrid grimly. “Voice carried, didn’ it? ‘Yeh got till midnight ter gimme Potter.’ Knew yeh mus’ be here, knew what mus’ be happenin’. Get down, Fang. So we come ter join in, me an’ Grawpy an’ Fang. Smashed our way through the boundary by the forest, Grawpy was carryin’ us, Fang an’ me. Told him ter let me down at the castle, so he shoved me through the window, bless him. Not exac’ly what I meant, bu’ — where’s Ron an’ Hermione?” “That,” said Harry, “is a really good question. Come on.” They hurried together along the corridor, Fang lolloping beside them. Harry could hear movement through the corridors all around: running footsteps, shouts; through the windows, he could see more flashes of light in the dark grounds. “Where’re we goin’?” puffed Hagrid, pounding along at Harry’s heels, making the floorboards quake. ~ J K Rowling, #NFDB
394:The Angevin country begins between Normandy and Brittainy and continues down through Maine and Anjou. In the Middle Ages, this fair and romantic land was dotted with towns and castles of great interest and importance. Here were the castles of Chinon, stretching out like a walled city along a high ridge, here also the famed abbey of Fontevrault where many great figures of English history are buried. Here in the spring and early summer the hedges and fields were yellow with a species of gorse (it still grows in profusion) called the planta genesta. It was an early year of the twelfth century that a handsome young man named Geoffery, son of the Count of Anjou, fell into the habit of wearing a sprig of the yellow bloom in his helmet. This may be called the first stage of the history of the conquering family who came to govern England, and who are called the Plantagenets. ~ Thomas B Costain, #NFDB
395:When I was stuck in Colnora during the siege, your old friends helped get me out.”
“The Diamond?”
Hadrian nodded. “Price arranged for me to slip away one night in exchange for delivering the letter. He preferred risking my neck rather than one of his boys.”
“What did it say? Who was it from?”
Hadrian shrugged. “How would I know?”
“You didn’t read it?” Royce asked incredulously.
“No, it was for Alric.”
“Do you still have it?”
Hadrian shook his head. “Delivered it to the castle on the way in.”
Royce dropped his face into his hands. “Sometimes, I just …” Royce shook his head. “Unbelievable.”
“What’s wrong?” Gwen asked as she joined them.
“Hadrian’s an idiot,” Royce replied, his voice muffled by his hands.
“I’m sure that’s not true.”
“Thank you, Gwen. See? At least she appreciates me. ~ Michael J Sullivan,#NFDB
396:Picture, for example, in 1077, the humbled Henry IV, supreme head of the Holy Roman Empire and heir to Charlemagne (whom Pope Leo III had crowned emperor in 800), crossing the Alps and forced to wait, in penitence, barefoot in a haircloth shirt in the snow outside the castle at Canossa to make his peace with Gregory VII! Claiming to be "King of kings," Gregory, because of a quarrel with Henry, had declared: "On the part of God omnipotent, I forbid Henry to govern the kingdoms of Italy and Germany. I absolve all subjects from every oath they have taken and I excommunicate every person who shall serve him as king." Henry had no defense against that superweapon of the popes. Thus was established that magnificent "whore" portrayed by John in Revelation 17—headquartered in a city located upon seven hills (verse 9) and which "reigneth over the kings of the earth" (verse 18). One eighteenth-century ~ Dave Hunt, #NFDB
397:Tell me the story of the locket.'
'Once upon a time, my lord, in the best and the worst of all possible words, a princess fell in love with a young man who loved to draw pictures.'
'Like Ducon.'
'Very like your cousin. Every day for a year, she gave him a rose. She would pick it at dawn from her father's gardens and then take it to the highest place in the castle, a place so high that everyone had forgotten about it except for the doves that nested beneath the broken roof. There, she had found a secret door between the best and the worst of the worlds. Every day, they would meet on the threshold of that door. She would give him a rose, and he would give her a drawing of the city he lived in. They loved each other very much, but of course they could never marry, because they were from different worlds: she was a princess and he an artist who had to paint tavern signs to keep himself fed. ~ Patricia A McKillip,#NFDB
398:Mendanbar took a deep breath. “You could stay here. At the castle, I mean. With me.” This wasn’t coming out at all the way he had wanted it to, but it was too late to stop now. He hurried on, “As Queen of the Enchanted Forest, if you think you would like that. I would.”
“Would you, really?”
“Yes,” Mendanbar said, looking down. “I love you, and—and—”
“And you should have said that to begin with,” Cimorene interrupted, putting her arms around him.
Mendanbar looked up, and the expression on her face made his heart begin to pound.
“Just to be sure I have this right,” Cimorene went on with a blinding smile, “did you just ask me to marry you?”
“Yes,” Mendanbar said. “At least, that’s what I meant.”
“Good. I will.”
Mendanbar tried to find something to say, but he was too happy to think. He leaned forward two inches and kissed Cimorene, and discovered that he didn’t need to say anything at all. ~ Patricia C Wrede,#NFDB
399:WON!” They beamed up at him as he passed; there was a scrum at the door of the castle and Ron’s head got rather badly bumped on the lintel, but nobody seemed to want to put him down. Still singing, the crowd squeezed itself into the entrance hall and out of sight. Harry and Hermione watched them go, beaming, until the last echoing strains of “Weasley Is Our King” died away. Then they turned to each other, their smiles fading. “We’ll save our news till tomorrow, shall we?” said Harry. “Yes, all right,” said Hermione wearily. “I’m not in any hurry . . .” They climbed the steps together. At the front doors both instinctively looked back at the Forbidden Forest. Harry was not sure whether it was his imagination or not, but he rather thought he saw a small cloud of birds erupting into the air over the treetops in the distance, almost as though the tree in which they had been nesting had just been pulled up by the roots. ~ J K Rowling, #NFDB
400:Having had some time at my disposal when in London, I had visited the British Museum, and made search among the books and maps in the library regarding Transylvania; it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country. I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina. ~ Bram Stoker, #NFDB
401:The Castle Ruins At Balaklava
These castles, whose remains are strewn in heaps for miles,
Once graced and guarded you, Crimea the ungrateful!
Today they sit upon the hills, each like a great skull
In which reptiles reside or men worse than reptiles.
Let’s climb a tower, search for crests upon worn tiles,
For an inscription or a hero’s name, the fateful
Bane of armies now forgotten by the faithful,
A wizened beetle wrapped in vines below the aisles.
Here Greeks wrought Attic ornaments upon the walls,
From which Italians would cast Mongols into chains,
And where the Mecca-bound once stopped to pray and beg.
Today above the tombs the shadow of night falls,
The black-winged buzzards fly like pennants over plains,
As if towards a city ever touched by plague.
— translated from the Polish by Leo Yankevich
first appeared in the Sarmatian Review
~ Adam Mickiewicz,#NFDB
402:That’s quite okay, sir,” Pete said with a smile. “I don’t only like Patsy Cline.” Beatriz caught that sir in midair, like a bird, and studied it in her mind. For some, a sir in this situation might have been used for an equally rude effect, sarcastically spitting politeness at the party who had wronged them. For others, it might have been automatic, someone who said sir so often that it didn’t mean anything at all. For Pete, it was launched with deference. I’m no threat, that sir declared, with a peacekeeping smile. You’re still king of the castle. Antonia’s dogs were always fighting among one another, and the battles ended when one rolled onto its back to show it had no fight in it. That was Pete’s sir in this particular exchange. Beatriz found this unfair, as Pete had done nothing wrong, but also frustrating, as Pete would think Joaquin was always petulant, which was far from the truth. The kindness made Joaquin crosser, ~ Maggie Stiefvater, #NFDB
403:That evening after tea the four children all managed to get down to the beach again and get their shoes and stockings off and feel the sand between their toes. But the next day was more solemn. For then, in the Great Hall of Cair Paravel--that wonderful hall with the ivory roof and the west door all hung with peacock’s feathers and the eastern door which opens right onto the sea, in the presence of all their friends and to the sound of trumpets, Aslan solemnly crowned them and led them onto the four thrones amid deafening shouts of, “Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!”
“Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan.
And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens. ~ C S Lewis,#NFDB
404:There were stalls nestled around the castle the way the lights were, not in rows but in odd spots, as if the stalls had grown there or alighted on random places like birds. There was one stall with ringing chimes that was set halfway up a ruined wall, so the customers had to climb sliding pieces of slate to get to it. There were more stalls set in the grassy hollows among the stones and nestled into the corners of the walls. One woman had actually turned a ruined wall into her stall, brightly colored jars arranged on the jagged, protruding shards of stone.
All through the fragments of a lost castle lit by magic moved the people of the Goblin Market. There was a man hanging up knives alongside wind chimes, which made dangerous and beautiful music as they rang together in the sea breeze. There was a boy who looked about twelve stirring something in a cauldron with a rich-smelling cloud handing over it, and bark cups ranged along his stall. ~ Sarah Rees Brennan,#NFDB
405:Hagrid’s hint about the spiders was far easier to understand — the trouble was, there didn’t seem to be a single spider left in the castle to follow. Harry looked everywhere he went, helped (rather reluctantly) by Ron. They were hampered, of course, by the fact that they weren’t allowed to wander off on their own but had to move around the castle in a pack with the other Gryffindors. Most of their fellow students seemed glad that they were being shepherded from class to class by teachers, but Harry found it very irksome. One person, however, seemed to be thoroughly enjoying the atmosphere of terror and suspicion. Draco Malfoy was strutting around the school as though he had just been appointed Head Boy. Harry didn’t realize what he was so pleased about until the Potions lesson about two weeks after Dumbledore and Hagrid had left, when, sitting right behind Malfoy, Harry overheard him gloating to Crabbe and Goyle. “I always thought Father might be the one who ~ J K Rowling, #NFDB
406:The castle’s chapel has been remade. The glass-and-gold chandelier still floats in the center of the room, the wires holding it up too thin to be seen by candlelight. All these electric miracles. The windows depicting the angels praising Our Lady have remained intact, as have the panels to Saint Theresa and Saint Jerome. The others—and the enameled paintings in the cupola—have been replaced and reimagined according to the New Scripture. There is the Almighty speaking to the Matriarch Rebecca in the form of a dove. There is the Prophet Deborah proclaiming the Holy Word to the disbelieving people. There—although she protested—is Mother Eve, the symbolic tree behind her, receiving the message from the Heavens and extending her hand filled with lightning. In the center of the cupola is the hand with the all-seeing eye at its heart. That is the symbol of God, Who watches over each of us, and Whose mighty hand is outstretched to both the powerful and the enslaved. ~ Naomi Alderman, #NFDB
407:When I was a kid, I just read and read. We were lucky enough to have gone to England and had a whole bunch of Penguin Puffins books, like The Land of Green Ginger by Noel Langley, which is hilarious. I would love to be able to write a book like that, but I don't know that I have a humorous bone in my body when it comes to writing. Once on a Time by A.A. Milne. I read a lot of old, old fantasy stuff. The Carbonelbooks by Barbara Sleigh. Then when I got a little older I loved Zilpha Keatley Snyder. I was a big fan of romance and when I got a little bit older I would read a Harlequin romance or a Georgette Heyer novel and then David Copperfield, and then another genre book and then Irving Stone's The Agony and the Ecstasy. I was that kind of reader. One book that I loved was I Capture the Castle by Dodie Smith. I loved voice and that book had it in spades. And then of course I grew into loving Jane Eyre. ~ Franny Billingsley, #NFDB
408:When you read The Arabian Nights you accept Islam. You accept the fables woven by generations as if they were by one single author or, better still, as if they had no author. And in fact they have one and none. Something so worked on, so polished by generations is no longer associated with and individual. In Kafka's case, it's possible that his fables are now part of human memory. What happened to Quixote could happen to to them. Let's say that all the copies of Quixote, in Spanish and in translation, were lost. The figure of Don Quixote would remain in human memory. I think that the idea of a frightening trial that goes on forever, which is at the core of The Castle and The Trial (both books that Kafka, of course, never wanted to publish because he knew they were unfinished), is now grown infinite, is now part of human memory and can now be rewritten under different titles and feature different circumstances. Kafka's work now forms a part of human memory. ~ Jorge Luis Borges, #NFDB
409:After picking up the lamp, she went to Joyce, who was clutching her injured shoulder. I should leave you here, she thought. She was unaware she had said the words aloud until Joyce replied.
"You can't let me die!"
"You're not going to die." Disgusted, terrified, Sara removed her own petticoat, wadded it up, and pressed it firmly against the wound to staunch the blood. Joyce screamed like an enraged cat, her eyes slitted and demonic. Sara's ears rang from the piercing cry.
"Be quiet, you bitch!" Sara snapped. "Not another sound!" Suddenly her entire body was filled with furious energy. She felt strong enough to push down a stone wall with her bare hands. She went to the crumbling entrance of the castle and saw that the hack driver was still waiting, craning his neck curiously. "You!" she shouted. "Come here right away, or you won't get a bloody shilling of what she promised!" She turned back to Joyce, her blue eyes blazing. "And you... give me back my necklace. ~ Lisa Kleypas,#NFDB
410:Summer, and hot. Full Earth had come to the land like a vampire lover that year, killing the land and the crops of the tenant farmers, turning the fields of the castle-city of Gilead white and sterile. In the west, some miles distant and near the borders that were the end of the civilized world, fighting had already begun. All reports were bad, and all of them paled to insignificance before the heat that rested over this place of the center. Cattle lolled empty-eyed in the pens of the stockyards. Pigs grunted lustlessly, unmindful of sows and sex and knives whetted for the coming fall. People whined about taxes and conscription, as they always did; but there was an apathy beneath the empty passion-play of politics. The center had frayed like a rag rug that had been washed and walked on and shaken and hung and dried. The thread that held the last jewel at the breast of the world was unraveling. Things were not holding together. The earth drew in its breath in the summer of the coming eclipse. ~ Stephen King, #NFDB
411:The castle was as silent as some pole-axed monster. Inert, breathless, spread-eagled. It was a night that seemed to prove by the consolidation of its darkness and its silence the hopelessness of any further dawn. There was no such thing as dawn. It was an invention of the night's or of the old-wives of the night - a fable, immemorially old - recounted century after century in the eternal darkness; retold and retold to the gnomic children in the tunnels and the caves of Gormenghast - a tale of another world where such things happened, where stones and bricks and ivy stems and iron could be seen as well as touched and smelt, could be lit and coloured, and where at certain times a radiance shone like honey from the east and the blackness was scaled away, and this thing they called dawn arose above the woods as though the fable had materialized, the legend come to life. It was a night with a bull's mouth. But the mouth was bound and gagged. It was a night with enormous eyes, but they were hooded. ~ Mervyn Peake, #NFDB
412:At first the only people who cheered were those who had been warned by Bern’s messenger and knew what was happening and wanted it to happen. But then all the children joined in because they liked a procession and had seen very few. And then all the schoolboys joined in because they also liked processions and felt that the more noise and disturbance there was the less likely they would be to have any school that morning. And then all the old women put their heads out of doors and windows and began chattering and cheering because it was a king, and what is a governor compared with that? And all the young women joined in for the same reason and also because Caspian and Drinian and the rest were so handsome. And then all the young men came to see what the young women were looking at, so that by the time Caspian reached the castle gates, nearly the whole town was shouting; and where Gumpas sat in the castle, muddling and messing about with accounts and forms and rules and regulations, he heard the noise. ~ C S Lewis, #NFDB
413:You’ll get paid. I’ll have my uncle set the money aside. You can pick it up at the castle.”
“I hope you don’t mind if we wait a few days, just to make sure.”
“Of course not.” The prince nodded.
“And if we send a representative to pick up the money for us?” Royce asked. Alric stared at him. “One who has no idea how to find us in case he is captured?”
“Oh please, aren’t you being just a tad bit too cautious now?”
“No such thing,” Royce replied.
“Look!” Myron shouted suddenly, pointing at the stable.
All three of them jumped fearfully at the sudden outburst.
“There’s a brown horse!” the monk said in amazement. “I didn’t know they came in brown!”
“By Mar, monk!” Alric shook his head in disbelief, a gesture Royce and Hadrian mirrored.
“Well, I didn’t,” Myron replied sheepishly. His excitement, however, was still evident when he added, “What other colors do they come in? Is there a green horse? A blue one? I would so love to see a blue one. ~ Michael J Sullivan,#NFDB
414:I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes. ~ Iain Banks, #NFDB
415:What I saw was the Count's head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had some many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over the dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow, but I kept looking, and it could be no delusion. I saw the fingers and toes grasp the corners of the stones, worn clear of the mortar by the stress of years, and by thus using every projection and inequality move downwards with considerable speed, just as a lizard moves along a wall. ~ Bram Stoker, #NFDB
416:Our plan depended on the Renselaeus warriors being fast and accurate and brave, for they were as outnumbered as Bran and I had been up in the mountains.
I was also, therefore, intensely aware that my life was now in the hands of people I had considered enemies not two dawns ago. Did they still consider me one?
I tried to calm my nerves by laughing at myself; for someone who so recently had tried her best to ride to her death, my innards were a pit of snakes, and my palms were sweaty despite the rain. Bran was alive, I was alive, and suddenly I wanted to stay that way. I wanted to go home and clean out the castle and replant Mama’s garden. I wanted to see Oria and Julen and Khesot again, and I wanted to walk on the high peaks and dance with the Hill Folk on long summer nights, miming age-old stories to the windborne music…
I blinked. Had I just heard a reed pipe?
I lifted my head and listened, heard nothing but the thud of hooves and clatter of our accoutrements, and the soft rain in the leaves overhead. ~ Sherwood Smith,#NFDB
417:It took the rats a long time to realize they were better off not sprinting straight into the courtyard—rats are not known for their tactical sense. Really rats aren’t known for much, except for being numerous and dying easily. Or at least they died easily that day, even after they started taking cover in the surrounding buildings and trying to snipe at Barley. He was well positioned in the dark, and at this point the mounds of corpses he had made acted as cover. It took twenty minutes for one of the cleverer rodents to remember the heavy artillery, and another twenty to wheel one out from its position on the battlements. They wasted a lot of ammo finding the proper range, though they did a good job of destroying large sections of the castle. And in the meantime Barley continued his work, rat-tat-tat, rat-tat-tat. And to find an equal to his tally, to do that bloody arithmetic—if one was inclined to do so, if one’s mind ran in that sort of direction—one would have needed to compare him against disease, and time, and heartbreak. ~ Daniel Polansky, #NFDB
418:You’re the smartest girl I know. You can’t help knowing everything and being constantly brilliant—and I wouldn’t have it any other way.” I kissed her lips again, but after several moments, she pulled back slightly.
“Hey,” she murmured. “There are people in the house.”
“There are always people in the house,” I reminded her. “That’s why we escaped up here to the castle tower. Escape plan number . . . hell, I don’t know. I lost count. We haven’t had to come up with some dreamy escape plan in a while.”
Sydney trailed her fingers down the side of my face. “That’s because we’re living it, Adrian. This is the only escape plan we need.”
“Are you sure?” I asked, propping myself up on one elbow. I tried to put on a thoughtful, speculative expression. “Because there are things that could be tweaked. Like a bigger house. Or maybe—”
“Adrian,” she interrupted. “Didn’t you just say I’m brilliant and know everything? Then trust me on this.”
“Always,” I said, letting her pull me back down to her. “Always. ~ Richelle Mead,#NFDB
419:Del Ricci is, he’s prepared to act as Santa Claus an’ get the bleedin’ ship back for us.” His small leathery face was puckered with bewilderment as he shook his head and said, “Stands ter reason a bloke’d want payment for a thing like that, especially in this God-forsaken country. But there ain’t no point in our worrying about it like, is there? I mean, we ain’t got nothink to lose.” He was right there. The only thing I’d got to lose was my life—or my liberty if we were arrested for attempting to seize by force something that really belonged to us. I had no illusions about what was going to happen. The Little Octopus wasn’t taking an interest in us out of kindness. This was gang warfare and the party wasn’t likely to be a picnic. We were at the Castello Nuovo shortly before midnight. It was almost cool with a slight breeze coming in from the sea. The great square bulk of the castle crouched black against the moonlit waters of Naples Bay, and beyond it the dim outline of Vesuvius was raised towards the sky. I glanced down at Monique, ~ Hammond Innes, #NFDB
420:Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow. ~ Mervyn Peake, #NFDB
421:There was a pub looking out over the graveyard. The Queen’s Arms, where Pünd had stayed, was actually called the King’s Head. The village noticeboard where Joy had posted her notice of infidelity was on one side of the square. The village shop and the bakery – it was called the Pump House – was on the other. The castle, which cast a shadow over Dr Redwing’s house, and which must have been built around the same time as the one I had seen in Framlingham, was a short distance away. There was even a Daphne Road. In the book it had been Neville Brent’s address but in the real world it was Alan’s sister who lived there. The house was very much as he had described it. I wondered what this meant. Claire Jenkins had been unable to see me the day before but had agreed to meet me at lunchtime. I got there early and strolled around the village, following the main road all the way down to the River Alde. The river doesn’t exist in Alan’s book – it’s been replaced by the main road to Bath. Pye Hall is somewhere over to the left, which would in ~ Anthony Horowitz, #NFDB
422:This trade must stop.”
“I can take no responsibility for any such measure,” said Gumpas.
“Very well, then,” answered Caspian, “we relieve you of your office. My Lord Bern, come here.” And before Gumpas quite realized what was happening, Bern was kneeling with his hands between the King’s hands and taking the oath to govern the Lone Islands in accordance with the old customs, rights, usages and laws of Narnia. And Caspian said, “I think we have had enough of governors,” and made Bern a Duke, the Duke of the Lone Islands.
“As for you, my Lord,” he said to Gumpas, “I forgive you your debt for the tribute. But before noon tomorrow you and yours must be out of the castle, which is now the Duke’s residence.”
“Look here, this is all very well,” said one of Gumpas’s secretaries, “but suppose all you gentlemen stop play-acting and we do a little business. The question before us really is--”
“The question is,” said the Duke, “whether you and the rest of the rabble will leave without a flogging or with one. You may choose which you prefer. ~ C S Lewis,#NFDB
423:I am a harmless old seller of apples," she said, in a voice more appropriate for the opening of hostilities in a middle-range war. "Pray let me past, dearie." The last word had knives in it.
"No-one must enter the castle," said one of the guards. "Orders of the duke."
Granny shrugged. The apple-seller gambit had never worked more than once in the entire history of witchcraft, as far as she knew, but it was traditional.
"I know you, Champett Poldy," she said. "I recall I laid out your grandad and I brought you into the world." She glanced at the crowds, which had regathered a little way off, and turned back to the guard, whose face was already a mask of terror. She leaned a little closer, and said, "I gave you your first good hiding in this valley of tears and by all the gods if you cross me now I will give you your last."
There was a soft metallic noise as the spear fell out of the man's fearful fingers. Granny reached and gave the trembling man a reassuring pat on the shoulder.
"But don't worry about it," she added. "Have an apple. ~ Terry Pratchett,#NFDB
424:I.
Corpses are cold in the tomb;
Stones on the pavement are dumb;
Abortions are dead in the womb,
And their mothers look palelike the death-white shore
Of Albion, free no more.
II.
Her sons are as stones in the way--
They are masses of senseless clay--
They are trodden, and move not away,--
The abortion with which SHE travaileth
Is Liberty, smitten to death.
III.
Then trample and dance, thou Oppressor!
For thy victim is no redresser;
Thou art sole lord and possessor
Of her corpses, and clods, and abortionsthey pave
Thy path to the grave.
IV.
Hearest thou the festival din
Of Death, and Destruction, and Sin,
And Wealth crying "Havoc!" within?
Tis the bacchanal triumph that makes Truth dumb,
Thine Epithalamium.
V.
Ay, marry thy ghastly wife!
Let Fear and Disquiet and Strife
Spread thy couch in the chamber of Life!
Marry Ruin, thou Tyrant! and Hell be thy guide
To the bed of the bride!
~ Percy Bysshe Shelley, Lines Written During The Castlereagh Administration
,#NFDB
425:The magicked dress danced over to the princess. Despite her misgivings, she stood up to receive it- it would have been rude not to. The dress easily smoothed itself over her. Dark green velvet skirts, full and soft, twirled around down to her ankles. Golden buttons fastened themselves up the placket on the bodice and over the elegant, tight sleeves. From her elbows, wisps of dark green mist flowed to the ground for tippets. A collar around her neck drifted out into a cape of the same material.
"Truly, you are the most beautiful princess in the world," a fairy breathed.
Aurora Rose looked at herself in the mirror of dewdrops. She was indeed the most beautiful thing she had ever seen. Long neck, golden hair, wide violet eyes, narrow waist, lips perfectly pink and rosy.
She turned, just a little bit, to see how her figure looked from a different angle. The green velvet flowed softly and majestically, making delicious little noises when its folds rippled. As talented as the castle seamstresses were, the princess had never worn anything as elegant or perfect as this. ~ Liz Braswell,#NFDB
426:Lullaby; By The Sea
Fair is the castle up on the hill-Hushaby, sweet my own!
The night is fair, and the waves are still,
And the wind is singing to you and to me
In this lowly home beside the sea-Hushaby, sweet my own!
On yonder hill is store of wealth-Hushaby, sweet my own!
And revellers drink to a little one's health;
But you and I bide night and day
For the other love that has sailed away-Hushaby, sweet my own!
See not, dear eyes, the forms that creep
Ghostlike, O my own!
Out of the mists of the murmuring deep;
Oh, see them not and make no cry
Till the angels of death have passed us by-Hushaby, sweet my own!
Ah, little they reck of you and me-Hushaby, sweet my own!
In our lonely home beside the sea;
They seek the castle up on the hill,
And there they will do their ghostly will-Hushaby, O my own!
Here by the sea a mother croons
"Hushaby, sweet my own!"
In yonder castle a mother swoons
While the angels go down to the misty deep,
Bearing a little one fast asleep-Hushaby, sweet my own!
~ Eugene Field,#NFDB
427:Where is he?” she demanded, though she wasn’t too worried about the answer. Paris and Zacharel were friends despite their differences, and Wrath had yet to make a peep.
“I took him to the castle and dropped him on the bridge.”
Reevaluation time. Paris and Zacharel were not friends on any level. Wrath, on the other hand, must think angels could do no wrong. “Why would you do that?” Sure, Paris would be carried inside and locked up. Sure, he would escape, and he would be fine. But none of that mattered to her just then. Fury rose, dark and hot and dangerous.
Calm down. Before she whipped out that crystal blade Paris had given her and went to town on angel flesh. She’d so had enough of males and their abuse of supernatural abilities.
Zacharel blinked as if the answer should be obvious to one and all. “That, as you called it, is what one male does to another when they are arguing.”
“No. No, it’s not.”
His lips edged down in the slightest of frowns. “That is what your Paris did to William of the Dark only this morn.”
Well, she had no comeback for that, did she? ~ Gena Showalter,#NFDB
428:Where is he?” she demanded, though she wasn’t too worried about the answer. Paris and Zacharel were friends despite their differences, and Wrath had yet to make a peep.
“I took him to the castle and dropped him on the bridge.”
Reevaluation time. Paris and Zacharel were not friends on any level. Wrath, on the other hand, must think angels could do no wrong. “Why would you do that?” Sure, Paris would be carried inside and locked up. Sure, he would escape, and he would be fine. But none of that mattered to her just then. Fury rose, dark and hot and dangerous.
Calm down. Before she whipped out that crystal blade Paris had given her and went to town on angel flesh. She’d so had enough of males and their abuse of supernatural abilities.
Zacharel blinked as if the answer should be obvious to one and all. “That, as you called it, is what one male does to another when they are arguing.”
“No. No, it’s not.���
His lips edged down in the slightest of frowns. “That is what your Paris did to William of the Dark only this morn.”
Well, she had no comeback for that, did she? ~ Gena Showalter,#NFDB
429:For the next hour, the subject of Pandora's board game business was discarded as the group worked on the sandcastle. They paused at intervals to drink thirstily from jugs of cold water and lemonade that had been sent down from the house. Pandora threw herself into the project with enthusiasm, consulting with Justin, who had decided the castle must have a moat, square corner towers, a front gatehouse with a drawbridge, and battlement walls from which the occupants could drop scalding water or molten tar onto the advancing enemy.
Gabriel, who'd been instructed to dig the moat, stole frequent glances at Pandora, who had enough energy for ten people. Her face glowed beneath her battered straw hat, which she had managed to pry away from Ajax. She was sweaty and covered in sand, a few escaped locks of hair trailing over her neck and back. She played with the unselfconscious ease of a child, this woman of radical thoughts and ambitions. She was beautiful. Complex. Frustrating. He'd never met a woman who was so wholly and resolutely herself.
What the devil was he going to do about her? ~ Lisa Kleypas,#NFDB
430:After a few moments, her eyes became as glossy as his and she also spoke in complete nonsense. “Who are you?” Mother Goose asked the caterpillar. “What I am,” he said. “Where are you?” she said. “Here with you,” the caterpillar said. “And if this were the Castle of Hearts?” Mother Goose asked. “We’d be there,” he said. “But where?” she asked. “In the castle,” he said. “Ah, so there would be here,” she said, and they nodded together. “Here would be what’s left.” The caterpillar nodded. “Am I what’s left?” she asked. “You’re what’s right, of course.” “But what’s right is wrong.” “And what’s left is right.” “I understand completely,” Mother Goose said. “Thank you so much, Mr. Caterpillar.” The others stared at them absolutely dumbfounded. Mother Goose hopped down from the mushroom and moseyed back to them. “The caterpillar said to go back to the fork and take a left,” she said. “He did?” Alex asked. “It’s all about the keywords,” Mother Goose said. “I used to be friends with a sultan who enjoyed the hookah, too. Lester, I’m going to need you to carry me the rest of the way – I’m awfully tired. ~ Chris Colfer, #NFDB
431:We’ll burn those old clothes, my lady--they’re ruined.” And she pointed to where she’d laid out a long, heavy cotton shirt, and one of the blue and black-and-white tunics, and a pair of leggings. Renselaeus’s colors.
“I don’t mind putting that dress back on, dirty or not,” I said. “I’m used to dirt.”
She gave me a friendly shrug but shook her head. “Orders.”
I considered that as I rinsed the last of the sandsoap from my hair and twisted it to get the water out. Orders from whom? Once again my mind filled with recent memories. More awake now, I knew that the rescue at Chovilun had been no dream. Was it possible that the Marquis had seen the justice of our cause and had switched sides? The escort, the humane treatment--surely that meant I was being sent home. Once again I felt relief and gratitude. As soon as I got to the castle I’d write a fine letter of thanks. No, I’d get Oria to write down my words, I decided, picturing the elegant Marquis. At least as embarrassing as had been the idea of waking up in his arms again was the idea of his trying to read my terrible handwriting and worse spelling. ~ Sherwood Smith,#NFDB
432:When we remember we are queens from another kingdom, then the kings in this one will wake up at last and honor our presence and open the gates. We won't storm the castle walls; we will melt the castle walls. Kings will then set a table for us to feast at instead of tossing us bones. They will recognize us when we recognize ourselves. We come bearing gifts from another realm. We bring illumination when our minds are illuminated. We are only visiting here, but our visit is an honor, a mitzvah, and the entire earth kingdom is blessed by our presence. Wake up, damn it, and thank the stars. We have been playing so small and the crown is so huge. We will not wear it until we expand our heads.
Don't your get it? Can't you see? As we change our minds, we will change the world. And until we do, we will remain where we are. And all the laws and all the bashing and all the silly, childish, petty political arguments will continue for years, and for more years beyond, until women remember, followed by men, that a woman is a miracle and her heart lies in God. She is here to love God, passionately and truly... ~ Marianne Williamson,#NFDB
433:The Great Fires"
Love is apart from all things.
Desire and excitement are nothing beside it.
It is not the body that finds love.
What leads us there is the body.
What is not love provokes it.
What is not love quenches it.
Love lays hold of everything we know.
The passions which are called love
also change everything to a newness
at first. Passion is clearly the path
but does not bring us to love.
It opens the castle of our spirit
so that we might find the love which is
a mystery hidden there.
Love is one of many great fires.
Passion is a fire made of many woods,
each of which gives off its special odor
so we can know the many kinds
that are not love. Passion is the paper
and twigs that kindle the flames
but cannot sustain them. Desire perishes
because it tries to be love.
Love is eaten away by appetite.
Love does not last, but it is different
from the passions that do not last.
Love lasts by not lasting.
Isaiah said each man walks in his own fire
for his sins. Love allows us to walk
in the sweet music of our particular heart. ~ Jack Gilbert,#NFDB
434:Isaiah Beethoven
They told me I had three months to live,
So I crept to Bernadotte,
And sat by the mill for hours and hours
Where the gathered waters deeply moving
Seemed not to move:
O world, that's you!
You are but a widened place in the river
Where Life looks down and we rejoice for her
Mirrored in us, and so we dream
And turn away, but when again
We look for the face, behold the low-lands
And blasted cotton-wood trees where we empty
Into the larger stream!
But here by the mill the castled clouds
Mocked themselves in the dizzy water;
And over its agate floor at night
The flame of the moon ran under my eyes
Amid a forest stillness broken
By a flute in a hut on the hill.
At last when I came to lie in bed
Weak and in pain, with the dreams about me,
The soul of the river had entered my soul,
And the gathered power of my soul was moving
So swiftly it seemed to be at rest
Under cities of cloud and under
Spheres of silver and changing worlds -Until I saw a flash of trumpets
Above the battlements over Time!
~ Edgar Lee Masters,#NFDB
435:I have to tell you about these things from the past, because they are so important. The really important things usually lie in the distant past. And until you know about them, if you'll forgive my saying so, you will always to some extent a mere newcomer in my life.
When I was at High School my favourite pastime was walking. Or rather, loitering. If we are talking about my adolescence, it's the more accurate word. Systematically, one by one, I explored all the districts of Pest. I relished the special atmosphere of every quarter and every street. Even now I can still find the same delight in houses that I did then. In this respect I've never grown up. Houses have so much to say to me. For me, they are what Nature used to be to the poets - or rather, what the poets thought of as Nature.
But best of all I loved the Castle Hill District of Buda. I never tired of its ancient streets. Even in those days old things attracted me more than new ones. For me the deepest truth was found only in things suffused with the lives of many generations, which hold the past as permanently as mason Kelemen's wife buried in the high tower of Deva. ~ Antal Szerb,#NFDB
436:All eyes flew to the entrance.
A great gray stallion reared up in the doorway, its breath frosting the air with puffs of steam. It was a scene from every fairy-tale romance she'd ever read: the handsome prince bursting into the castle astride a magnificent stallion, ablaze with desire and honor as he'd declared his undying love before all and sundry. Her heart swelled with joy.
Then her brow puckered as she scrutinized her "prince." Well, it was almost like a fairy tale. Except this prince was dressed in nothing but a drenched and muddy tartan with blood on his face and hands and war braids plaited at his temples. Although determination glittered in his gaze, a declaration of undying love didn't appear to be his first priority.
"Jillian!" he roared.
Her knees buckled. His voice brought her violently to life. Everything in the room receded and there was only Grimm, blue eyes blazing, his massive frame filling the doorway. He was majestic, towering, and ruthless. Here was her fierce warrior ready to battle the world to gain her love.
He urged Occam into the crowd, making his way toward the altar.
"Grimm," she whispered. ~ Karen Marie Moning,#NFDB
437:This is the story of a boy named Pete Coutinho, who had a spell put on him. Some people might have called it a curse. I don't know. It depends on a lot of things, on whether you've got gipsy blood, like old Beatriz Sousa, who learned a lot about magic from the wild gitana tribe in the mountains beyond Lisbon, and whether you're satisfied with a fisherman's life in Cabrillo.
Not that a fisherman's life is a bad one, far from it. By day you go out in the boats that rock smoothly across the blue Gulf waters, and at night you can listen to music and drink wine at the Shore Haven or the Castle or any of the other taverns on Front Street. What more do you want? What more is there?
And what does any sensible man, or any sensible boy, want with that sorcerous sort of glamor that can make everything incredibly bright and shining, deepening colors till they hurt, while wild music swings down from stars that have turned strange and alive? Pete shouldn't have wanted that, I suppose, but he did, and probably that's why there happened to him - what did happen. And the trouble began long before the actual magic started working.
("Before I Wake...") ~ Henry Kuttner,#NFDB
438:In the twelfth century, the vast wealth of Weinsberg Castle lay in peril.15 Enemy forces besieged the stone fortress and threatened the riches that lay within. The inhabitants stood no chance of defending themselves against such a great horde, and the opposing forces demanded a full and complete surrender. If the occupants would agree to give up their wealth and the men would give up their lives, the women and children would be spared. After consultation, the women of Weinsberg Castle asked for one provision: they asked to leave with as many possessions as they could carry. If the opposing forces would agree to this one request, the men inside would lay down their arms and hand over the castle’s riches. Fully aware of the wealth of riches loaded within the castle, the enemy forces agreed. After all, how much could these women take? Finally, the castle gates opened, and the sight that emerged elicited tears from even the most calloused soldiers. Every woman carried her husband on her back. How many of those rescued men were perfect? Not one. But every one of those imperfect men meant more to their wives than anything they owned. Where is your greatest wealth? ~ Gary L Thomas, #NFDB
439:A falcon. I can see that. I thought you said nothing lived here?”
Sand’s face went blank. “There was nothing alive, except for me, until Merlin. And then you.”
Perrotte bit back her exasperation, and said simply, “Go on.”
He twined his blunt-tipped fingers together, staring down at them. “I, erm. I found the falcon in the mews.” “So, it’s not true that there was nothing alive in the castle?”
“The truth is . . . Well, the truth is the truth, and thus worth telling, but sometimes truths are so complicated that it’s exhausting to get them out in the right order.” He glanced up at her. That sounded like an evasion if ever she’d heard one. She raised an eyebrow.
“The falcon was dead!” Sand blurted out. “Stuffed and mounted, and then also damaged in the sundering. I mended him, and put him on the mantel, so I’d have something to talk to. But a couple days before you—you came upstairs—” He gestured helplessly at the bird, who stopped stripping water from its feathers just long enough to glare at the humans. Perrotte stared. “The bird came to life,” she whispered. “After you put it to rights, this falcon came to life. Just like me.”
“Well . . . ~ Merrie Haskell,#NFDB
440:The Castle
All through that summer at ease we lay,
And daily from the turret wall
We watched the mowers in the hay
And the enemy half a mile away
They seemed no threat to us at all.
For what, we thought, had we to fear
With our arms and provender, load on load,
Our towering battlements, tier on tier,
And friendly allies drawing near
On every leafy summer road.
Our gates were strong, our walls were thick,
So smooth and high, no man could win
A foothold there, no clever trick
Could take us, have us dead or quick.
Only a bird could have got in.
What could they offer us for bait?
Our captain was brave and we were true....
There was a little private gate,
A little wicked wicket gate.
The wizened warder let them through.
Oh then our maze of tunneled stone
Grew thin and treacherous as air.
The cause was lost without a groan,
The famous citadel overthrown,
And all its secret galleries bare.
How can this shameful tale be told?
I will maintain until my death
We could do nothing, being sold;
Our only enemy was gold,
And we had no arms to fight it with.
~ Edwin Muir,#NFDB
441:Liam had seen warriors playing chess, and started to pepper me with questions about the rules. As the dishes were removed, nothing would satisfy him but that we play a game. "I know your memory is not like ours," he spoke eagerly as he pulled a wooden box out from under the platform. "So I bartered for this."
He pulled out the first piece with a flourish and pressed it into my hand. I studied it as he set the rest out on the board. The carving was amazing. It was a fierce warrior of the Plains on a galloping horse, poised to fling a lance at his opponent. But it was plain wood, with no color distinction.
Then I glanced at the board and realized that it wouldn't be a problem telling the pieces apart. One side was the Firelanders, clearly, lean and fierce warriors of both sexes, armed to the teeth. The others were all chubby city-dwellers, unarmored, with no weapons, cowering in fear of their attackers. Even the castles looked afraid somehow.
I arched an eyebrow at Liam, and he had the grace to look embarrassed. "The set is well carved," he offered as if in apology.
I chuckled. "Well, let's just see how you fare against me, Warlord. ~ Elizabeth Vaughan,#NFDB
442:After almost two hours, the phone rang. I could guess who it was.
"Hello, Blix," I said before he could say anything. "Adding kidnapping to your long list of felonies?"
"We prefer to think of it as 'vacationing at the specific invitation of His Majesty," replied Blix. "Open the top drawer of the bureau."
I did so, and found a contract for Kazam to concede the competition, with all the details that Blix had already outlined. The document had been prepared by a law firm in Financia and registered with the Ununited Kingdoms Supreme Court, so even if King Snodd had wanted to reverse the deal, he couldn't.
"It's all there," said Blix. "I knew my or the King's word wouldn't be good enough, so I made it official. Sign it and your vacation in the North Tower is over."
"And if I don't?"
"Then you'll stay there until six Mondays from now, and we'll have Kazam for nothing."
"Blix?"
"Yes?"
"Are you in the castle watching the top of the North Tower at the moment?"
"I might be."
I ripped the phone from the wall and tossed it out the open window. The telephone took almost five seconds to hit the ground. It was a pointless gesture, but very satisfying. ~ Jasper Fforde,#NFDB
443:WHAT DOES IT ALL MEAN? The lessons of market history are clear. Styles and fashions in investors’ evaluations of securities can and often do play a critical role in the pricing of securities. The stock market at times conforms well to the castle-in-the-air theory. For this reason, the game of investing can be extremely dangerous. Another lesson that cries out for attention is that investors should be very wary of purchasing today’s hot “new issue.” Most initial public offerings underperform the stock market as a whole. And if you buy the new issue after it begins trading, usually at a higher price, you are even more certain to lose. Investors would be well advised to treat new issues with a healthy dose of skepticism. Certainly investors in the past have built many castles in the air with IPOs. Remember that the major sellers of the stock of IPOs are the managers of the companies themselves. They try to time their sales to coincide with a peak in the prosperity of their companies or with the height of investor enthusiasm for some current fad. In such cases, the urge to get on the bandwagon—even in high-growth industries—produced a profitless prosperity for investors. ~ Burton G Malkiel, #NFDB
444:When I heard the language of men uttered by my mare," continued Aravis, "I said to myself, the fear of death has disordered my reason and subjected me to delusions. And I became full of shame for none of my lineage ought to fear death more than the biting of a gnat. Therefore I addressed myself a second time to the stabbing, but Hwin came near to me and put her head in between me and the dagger and discoursed to me most excellent reasons and rebuked me as a mother rebukes her daughter. And now my wonder was so great that I forgot about killing myself and about Ahoshta and said, 'O my mare, how have you learned to speak like one of the daughters of men?' And Hwin told me what is known to all this company, that in Narnia there are beasts that talk, and how she herself was stolen from thence when she was a little foal. She told me also of the woods and waters of Narnia and the castles and the great ships, till I said, 'In the name of Tash and Azaroth and Zardeenah, Lady of the Night, I have a great wish to be in that country of Narnia,' 'O my mistress,' answered the mare, 'if you were in Narnia you would be happy, for in that land no maiden is forced to marry against her will. ~ C S Lewis, #NFDB
445:Don't even consider it, young lady."
Ariel raised an eyebrow at him incredulously. Young lady? In the years that had passed since the duel with the sea witch, she had aged. Not dramatically, but far more than a mostly immortal mermaid should have. There was something about her eyes- they were deeper, wiser, and wearier than when she was a young mer who had never been on dry land. Her cheeks weren't quite as plump anymore; the angles of her face were more pronounced. Sometimes she wondered if she looked like her mother... aside from her own unreliable memories, the only physical evidence of the former queen was a statue in the castle of her and Triton dancing together. But it was all pale milky marble, no colors at all. Dead.
Ariel's hair no longer flowed behind her as it once had; handmaidens and decorator crabs kept it braided and coiffed, snug and businesslike under the great golden crown that sat on her temples, like the gods wore. Small gold and aquamarine earrings sparkled regally but didn't tinkle; they were quite understated and professional. Her only real nod to youth was the golden ring in the upper part of her left ear.
"Young lady," indeed. ~ Liz Braswell,#NFDB
446:Is it fair to call The Princess Bride a classic? The storybook story about pirates and princesses, giants and wizards, Cliffs of Insanity and Rodents of Unusual Size? It's certainly one of the most often quoted films in cinema history, with lines like:
"Hello. My name is Inigo Montoya. You killed my father. Prepare to die."
"Inconceivable?"
"Anybody want a peanut?"
"Have fun storming the castle."
"Never get involved in a land war in Asia."
"Life is pain, Highness. Anyone who says differently is selling something."
"Rest well, and dream of large women."
"I hate for people to die embarrassed."
"Please consider me as an alternative to suicide."
"This is true love. You think this happens every day?"
"Get used to disappointment."
"I'm not a witch. I'm your wife."
"Mawidege. That bwessed awangement."
"You seem a decent fellow. I hate to kill you."... You seem a decent fellow. I hate to die."
"Death cannot stop true love. All it can do is delay it for a while."
"Never go in against a Sicilian when death is on the line!"
"There's a shortage of perfect breasts in this world. It would be a pity to damage yours."
And of course...
"As you wish. ~ Cary Elwes,#NFDB
447:INTERVIEWER
Why don’t you write tragedy?
BARTHELME
I’m fated to deal in mixtures, slumgullions, which preclude tragedy, which require a pure line. It’s a habit of mind, a perversity. Tom Hess used to tell a story, maybe from Lewis Carroll, I don’t remember, about an enraged mob storming the palace shouting “More taxes! Less bread!” As soon as I hear a proposition I immediately consider its opposite. A double-minded man—makes for mixtures.
INTERVIEWER
Apparently the Yiddish theater, to which Kafka was very addicted, includes as a typical bit of comedy two clowns, more or less identical, who appear even in sad scenes—the parting of two lovers, for instance—and behave comically as the audience is weeping. This shows up especially in The Castle.
BARTHELME
The assistants.
INTERVIEWER
And the audience doesn’t know what to do.
BARTHELME
The confusing signals, the impurity of the signal, gives you verisimilitude. As when you attend a funeral and notice, against your will, that it’s being poorly done. [...] I think of the line from the German writer Heimito von Doderer: “At first you break windows. Then you become a window yourself. ~ Donald Barthelme,#NFDB
448:Now,” said Voldemort, “we go to the castle, and show them what has become of their hero. Who shall drag the body? No--Wait--”
There was a fresh outbreak of laughter, and after a few moments Harry felt the ground trembling beneath him.
“You carry him,” Voldemort said. “He will be nice and visible in your arms, will he not? Pick up your little friend, Hagrid. And the glasses--put on the glasses--he must be recognizable--”
Someone slammed Harry’s glasses back onto his face with deliberate force, but the enormous hands that lifted him into the air were exceedingly gentle. Harry could feel Hagrid’s arms trembling with the force of his heaving sobs; great tears splashed down upon him as Hagrid cradled Harry in his arms, and Harry did not dare, by movement or word, to intimate to Hagrid that all was not, yet, lost.
“Move,” said Voldemort, and Hagrid stumbled forward, forcing his way through the close-growing trees, back through the forest. Branches caught at Harry’s hair and robes, but he lay quiescent, his mouth lolling open, his eyes shut, and in the darkness, while the Death Eaters crowed all around them, and while Hagrid sobbed blindly, nobody looked to see whether a pulse beat in the exposed neck of Harry Potter… ~ J K Rowling,#NFDB
449:The Dream Days
I LIKE the dream days best of all,
The hollyhocks against the wall;
The rambler roses blushing red,
The blue skies bending overhead,
With just enough of summer breeze
To whisper in the leafy trees;
When lazily the plow boys plod,
And lazily the blossoms nod,
And everything about me seems
Wrapt up somehow in pleasant dreams.
I like to lie full length and flat,
And shade my eyes with my old hat;
Building out yonder in the skies
Air castles grand, whose towers rise
Higher than summer swallows fly,
The castles of sweet by and by;
Forgetting care and shirking toil,
Forgetting lust for fame and spoil,
Just dreaming dreams that won't come true,
But living as the flowers do.
I like the dream days best, for then
The world 's in tune with lazy men;
The very flowers droop and sway
In such a restful, lazy way
As though they, too, would like to be
Stretched out beneath this tree with me;
And fleecy, snow white clouds float by
As though no part of earth or sky.
And far off seem the busy marts
Where gather shrewd and sordid hearts,
Just roses, hollyhocks and I,
Dreaming while Father Time goes by.
~ Edgar Albert Guest,#NFDB
450:Her departure left no traces but were speedily repaired by the coming of spring. The sun growing warmer, and the close season putting an end to the Marquess's hunting, it was now Odo's chief pleasure to carry his books to the walled garden between the castle and the southern face of the cliff. This small enclosure, probably a survival of medieval horticulture, had along the upper ledge of its wall a grass walk commanding the flow of the stream, and an angle turret that turned one slit to the valley, the other to the garden lying below like a tranquil well of scent and brightness: its box trees clipped to the shape of peacocks and lions, its clove pinks and simples set in a border of thrift, and a pear tree basking on its sunny wall. These pleasant spaces, which Odo had to himself save when the canonesses walked there to recite their rosary, he peopled with the knights and ladies of the novelle, and the fantastic beings of Pulci's epic: there walked the Fay Morgana, Regulus the loyal knight, the giant Morgante, Trajan the just Emperor and the proud figure of King Conrad; so that, escaping thither from the after-dinner dullness of the tapestry parlour, the boy seemed to pass from the most oppressive solitude to a world of warmth and fellowship. ~ Edith Wharton, #NFDB
451:That night I retreated for the last time to the mountain peaks behind the castle and roamed along moonlit paths in the cool end-of-winter air. In the distance I heard the harpwinds, but this time I saw no one. The harps thrummed their weird threnodies, and from peak to peak reed pipes sounded, clear as winged creatures riding on the air, until the night was filled with the songs of approaching spring, and life, and freedom.
The music quieted my restlessness and buoyed me up with joy. I climbed the white stone peak at Elios and looked down at the castle, silhouetted silvery against the darker peaks in the distance. The air was clear, and I could see on the highest tower a tiny human figure, hatless, his long dark cloak belling and waving, and star-touched pale hair tangling in the wind.
In silence I watched the still figure as music filled the valley between us and drifted into eternity on the night air.
The big moon was high overhead when, one by one, the pipes played a last melody, and at last the music stopped, leaving only the sound of the wind in the trees.
It was time to return, for we would depart early in order to get off the mountain before nightfall. When at last I reached the courtyard and looked up at the tower, no one was there. ~ Sherwood Smith,#NFDB
452:I am short, so I like the little guy/underdog stories, but they are not straightforwardly about one size versus another. Think about, say, Jack and the Beanstalk, which is basically a big ugly stupid giant, and a smart little Jack who is fast on his feet. OK, but the unstable element is the beanstalk, which starts as a bean and grows into a huge tree-like thing that Jack climbs to reach the castle. This bridge between two worlds is unpredictable and very surprising. And later, when the giant tries to climb after Jack, the beanstalk has to be chopped down pronto. This suggests to me that the pursuit of happiness, which we may as well call life, is full of surprising temporary elements -- we get somewhere we couldn't go otherwise and we profit from the trip, but we can't stay there, it isn't our world, and we shouldn't let that world come crashing down into the one we can inhabit. The beanstalk has to be chopped down. But the large-scale riches from the 'other world' can be brought into ours, just as Jack makes off with the singing harp and the golden hen. Whatever we 'win' will accommodate itself to our size and form -- just as the miniature princesses and the frog princes all assume the true form necessary for their coming life, and ours.
Size does matter. ~ Jeanette Winterson,#NFDB
453:I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might just end up having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. that's fine, too. Sometimes it's like that. What you absolutely must not do is turn around and walk out. Otherwise, you will miss the party, and that would be a pity, because - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment. ~ Elizabeth Gilbert, #NFDB
454:Dread flooded Harry at the sound of the words. . . . He turned and looked. There it was, hanging in the sky above the school: the blazing green skull with a serpent tongue, the mark Death Eaters left behind whenever they had entered a building . . . wherever they had murdered. . . . “When did it appear?” asked Dumbledore, and his hand clenched painfully upon Harry’s shoulder as he struggled to his feet. “Must have been minutes ago, it wasn’t there when I put the cat out, but when I got upstairs —” “We need to return to the castle at once,” said Dumbledore. “Rosmerta” — and though he staggered a little, he seemed wholly in command of the situation — “we need transport — brooms —” “I’ve got a couple behind the bar,” she said, looking very frightened. “Shall I run and fetch — ?” “No, Harry can do it.” Harry raised his wand at once. “Accio Rosmerta’s Brooms!” A second later they heard a loud bang as the front door of the pub burst open; two brooms had shot out into the street and were racing each other to Harry’s side, where they stopped dead, quivering slightly at waist height. “Rosmerta, please send a message to the Ministry,” said Dumbledore, as he mounted the broom nearest him. “It might be that nobody within Hogwarts has yet realized anything is wrong. . . . Harry, put on your Invisibility ~ J K Rowling, #NFDB
455:Blaire, do ye remember the time ye shot me in the arse? Did ye really think it necessary? All I did was tell ye that you could no come down to the village with me and Arran.” He turned to watch her closely, hoping she would correct him. He knew why she’d really shot him. His father had spent what seemed like half a day explaining to him why he was never to speak to a lady in such a hurtful way ever again. “Nay, Eoin. That isn’t why I shot ye, that day. I shot ye because ye told me I was the ugliest lass that ye’d ever seen, and ye’d rather kiss Griffin’s arse than be married to me someday. It was the summer we walked in on our fathers discussing the betrothal.” “Aye. That’s right. I do apologize, Blaire. I was young and foolish. At that age, I’d rather have kissed Griffin’s arse than any lass.” He laughed, thinking himself foolish for giving Arran’s notion any thought. As they reached the castle grounds and Eoin stashed their equipment away, he thought of one last question as Bri turned to make her way up to her room in the castle. “I canna remember which ear it is that yer father canna hear from. Which is it?” “It’s his right.” As she turned and walked inside the castle, Eoin felt his heart drop into the deepest depths of his stomach. He knew it had always been her father’s left ear. ~ Bethany Claire, #NFDB
456:A different serving boy came out with a basket of steaming hot bread and, in the Gaulic fashion, little tubs of sweet butter. Eric preferred olive oil, but along with all the other terrible things going on in the castle, Vanessa had embraced Gaulic culture with the tacky enthusiasm of a true nouveau riche.
"I do so love baguettes, my dear, sweet, Mad Prince. Don't you?" she said with a sigh, picking up a piece and buttering it carefully. "You know, we don't have them where I come from."
"Really? Where you come from? What country on Earth doesn't have some form of bread? Tell me. Please, I'd like to know."
"Well, we don't have a grand tradition of baking, in general," she said, opening her mouth wider and wider. Then, all the while looking directly at Eric, she carefully pushed the entire slice in. She chewed, forcefully, largely, and expressively. He could see whole lumps of bread being pushed around her mouth and up against her cheeks.
The prince threw his own baguette back down on the plate in disgust.
She grinned, mouth still working.
"Your appetite is healthy, despite your cold," he growled. "Healthy for a longshoreman. Where do you put it all? You never- seem- to- gain- a -pound."
"Running the castle keeps one trim," she answered modestly. ~ Liz Braswell,#NFDB
457:There was a pause in which Harry glared at her, and her eyes filled slowly with tears. “You didn’t mean that,” said Harry quietly. “No . . . well . . . all right . . . I didn’t,” she said, wiping her eyes angrily. “But why does he have to make life so difficult for himself — for us?” “I dunno —” Weasley is our King, Weasley is our King, He didn’t let the Quaffle in, Weasley is our King . . . “And I wish they’d stop singing that stupid song,” said Hermione miserably, “haven’t they gloated enough?” A great tide of students was moving up the sloping lawns from the pitch. “Oh, let’s get in before we have to meet the Slytherins,” said Hermione. Weasley can save anything, He never leaves a single ring, That’s why Gryffindors all sing: Weasley is our King. “Hermione . . .” said Harry slowly. The song was growing louder, but it was issuing not from a crowd of green-and-silver-clad Slytherins, but from a mass of red and gold moving slowly toward the castle, which was bearing a solitary figure upon its many shoulders. . . . Weasley is our King, Weasley is our King, He didn’t let the Quaffle in, Weasley is our King . . . “No!” said Hermione in a hushed voice. “YES!” said Harry loudly. “HARRY! HERMIONE!” yelled Ron, waving the silver Quidditch Cup in the air and looking quite beside himself. “WE DID IT! WE ~ J K Rowling, #NFDB
458:I have an announcement,” her father said, brandishing a sheaf of official-looking papers. “Since Bramwell has failed to muster the appropriate enthusiasm, I thought I would share the good news with you, his friends.” He adjusted his spectacles. “In honor of his valor and contributions in the liberation of Portugal, Bramwell has been made an earl. I have here the letters patent from the Prince Regent himself. He will henceforth be known as Lord Rycliff.”
Susanna choked on her tea. “What? Lord Rycliff? But that title is extinct. There hasn’t been an Earl of Rycliff since…”
“Since 1354. Precisely. The title has lain dormant for nearly five centuries. When I wrote to him emphasizing Bramwell’s contributions, the Prince Regent was glad of my suggestion to revive it.”
A powder blast in the Red Salon could not have stunned Susanna more. Her gaze darted to the officer in question. For a man elevated to the peerage, he didn’t look happy about it, either.
“Good God,” Payne remarked. “An earl? This can’t be borne. As if it weren’t bad enough that he controls my fortune, my cousin now outranks me. Just what does this earldom include, anyhow?”
“Not much besides the honor of the title. No real lands to speak of, except for the-“
“The castle,” Susanna finished, her voice remote.
Her castle. ~ Tessa Dare,#NFDB
459:I don't think I could ever see her closely," the sentinel replied, "however close she came." His own voice was hushed and regretful, echoing with lost chances. "She has a newness," he said. "Everything is for the first time. See how she moves, how she walks, how she turns her head -- all for the first time, the first time anyone has ever done these things. See how she draws her breath and lets it go again, as though no one else in the world knew that air was good. It is all for her. If I learned that she had been born this very morning, I would only be surprised that she was so old." The second sentinel stared down from his tower at the three wanderers. The tall man saw him first, and next the dour woman. Their eyes reflected nothing but his armor, grim and cankered and empty. But then the girl in the ruined black cloak raised her head, and he stepped back from the parapet, putting out one tin glove against her glance. In a moment she passed into the shadow of the castle with her companions, and he lowered his hand. "She may be mad," he said calmly. "No grown girl looks like that unless she is mad. That would be annoying, but far preferable to the remaining possibility." "Which is?" the younger man prompted after a silence.
"Which is that she was indeed born this morning. I would rather that she were mad. ~ Peter S Beagle,#NFDB
460:This is how you must do it, people. I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might end up just having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. That's fine, too. Sometimes it's like that. What you must not do is turn around and walk out. Otherwise you will miss the party, and that would be a pity because, - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment. ~ Elizabeth Gilbert, #NFDB
461:Pulling his wet shirt over his head, Bram headed for the bathing chamber, pausing as he passed a mirror and getting a glimpse of his reflection—the glimpse reminding him of something he had no idea how to address. Lifting up the patch that covered his eye, he directed his attention to Stanley again. “Why didn’t anyone mention to me that I was wearing this before I charged out of the castle?” Stanley scratched his head. “Begging your pardon, sir, but since your vision has to be obscured while wearing that patch, I assumed you knew you were wearing it. Quite honestly, I thought you kept it on in order to appear more intimidating. You know—a pirate look, if you will.” “I had to admit to Miss Plum that there’s nothing wrong with my eye.” “And . . . that was difficult for you, sir?” “Do you know how odd she must find me now, learning that I run about with a patch over a perfectly good eye?” “She wouldn’t find you odd if you just told her the truth.” “I can’t tell her the truth—or anyone else for that matter. Why, it would kill my mother if she found out.” “Now you’re being a little overly theatrical, sir. But speaking of theatrics, you could tell Miss Plum that you were trying to get into the role you’ll be expected to play later on this week during the theatrical event your mother is hosting here at Ravenwood.” “Mother’s ~ Jen Turano, #NFDB
462:Gilan,” she said, “you’re looking well.” And apart from those wrinkles, he was.
He smiled at her. “And you grow more beautiful every day, Pauline,” he replied.
“What about me?” Halt said, with mock severity. “Do I grow more handsome every day? More impressive, perhaps?”
Gilan eyed him critically, his head to one side. Then he announced his verdict.
“Scruffier,” he said.
Halt raised his eyebrows. “’Scruffier’?” he demanded.
Gilan nodded. I’m not sure if you’re aware of recent advances in technology, Halt,” he said. “But there a wonderful new invention called scissors. People use them for trimming beards and hair.”
“Why?”
Gilan appealed to Pauline. “Still using his saxe knife to do his barbering, is he?”
Pauline nodded, slipping her hand inside her husband’s arm. “Unless I can catch him at it,” she admitted. Halt regarded them both with a withering look. They both refused to wither, so he abandoned the expression.
“You show a fine lack of respect for your former mentor,” he told Gilan.
The younger man shrugged. “It goes with my exalted position as your commander.”
“Not mine,” Halt said. “I’ve retired.”
“So I can expect little in the way of deference from you?” Gilan grinned.
“No. I’ll show proper deference….the day you train your horse to fly back around the castle’s turrets. ~ John Flanagan,#NFDB
463:The Great Journalist In Spain
Good editor Dana-God bless him, we sayWill soon be afloat on the main,
Will be steaming away
Through the mist and the spray
To the sensuous climate of Spain.
Strange sights shall he see in that beautiful land
Which is famed for its soap and its Moor,
For, as we understand,
The scenery is grand
Though the system of railways is poor.
For moonlight of silver and sunlight of gold
Glint the orchards of lemons and mangoes,
And the ladies, we're told,
Are a joy to behold
As they twine in their lissome fandangoes.
What though our friend Dana shall twang a guitar
And murmur a passionate strain;
Oh, fairer by far
Than those ravishments are
The castles abounding in Spain.
These castles are built as the builder may listThey are sometimes of marble or stone,
But they mostly consist
Of east wind and mist
With an ivy of froth overgrown.
A beautiful castle our Dana shall raise
On a futile foundation of hope,
And its glories shall blaze
In the somnolent haze
Of the mythical lake del y Soap.
The fragrance of sunflowers shall swoon on the air
And the visions of Dreamland obtain,
And the song of 'World's Fair'
335
Shall be heard everywhere
Through that beautiful castle in Spain.
~ Eugene Field,#NFDB
464:Louis XI (1423-1483), the great Spider King of France, had a weakness for astrology. He kept a court astrologer whom he admired, until one day the man predicted that a lady of the court would die within eight days. When the prophecy came true, Louis was terrified, thinking that either the man had murdered the woman to prove his accuracy or that he was so versed in his science that his powers threatened Louis himself. In either case he had to be killed. One evening Louis summoned the astrologer to his room, high in the castle. Before the man arrived, the king told his servants that when he gave the signal they were to pick the astrologer up, carry him to the window, and hurl him to the ground, hundreds of feet below. The astrologer soon arrived, but before giving the signal, Louis decided to ask him one last question: “You claim to understand astrology and to know the fate of others, so tell me what your fate will be and how long you have to live.” “I shall die just three days before Your Majesty,” the astrologer replied. The king’s signal was never given. The man’s life was spared. The Spider King not only protected his astrologer for as long as he was alive, he lavished him with gifts and had him tended by the finest court doctors. The astrologer survived Louis by several years, disproving his power of prophecy but proving his mastery of power. ~ Robert Greene, #NFDB
465:This embittered thought brought to her mind the several occasions upon which she might, had she been the kind of female his lordship no doubt admired, have kindled his ardour by a display of sensibility, or even of heroism ... To have thrown herself between the foils, when she had surprised the Earl fencing with Martin, would certainly have been spectacular, but that it would have evoked anything but exasperation in the male breast she was quite unable to believe. She thought she need not blame herself for having refrained upon this occasion; but when she recalled her behaviour in the avenue, when the Earl had been thrown from his horse, she knew that nothing could excuse her. Here had been an opportunity for spasms, swoonings, and a display of sensibility, utterly neglected! How could his lordship have been expected to guess that her heart had been beating so hard and so fast that had felt quite sick, when all she had done was to talk to him in a voice drained of all expression? Not even when his lifeless body had been carried into the Castle had she conducted herself like a heroine of romance! Had she fainted at the sight of his blood-soaked raiment? Had she screamed? No! All she had done had been to direct Ulverston to do one thing, Turvey another, Chard to ride for the doctor, while she herself had done what lay within her power to staunch the bleeding. ~ Georgette Heyer, #NFDB
466:Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!”
“Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan.
And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens.
So the children sat in their thrones and scepters were put into their hands and they gave rewards and honors to all their friends, to Tumnus the Faun, and to the Beavers, and Giant Rumblebuffin, to the leopards, and the good centaurs and the good dwarfs, and to the lion. And that night there was a great feast in Cair Paravel, and revelry and dancing, and gold flashed and wine flowed, and answering to the music inside, but stranger, sweeter, and more piercing, came the music of the sea-people.
But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there, they said nothing about it. For Mr. Beaver had warned them. “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down--and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion. ~ C S Lewis,#NFDB
467:The King and Queen did the best they could. They hired the most superior tutors and governesses to teach Cimorene all the things a princess ought to know— dancing, embroidery, drawing, and etiquette. There was a great deal of etiquette, from the proper way to curtsy before a visiting prince to how loudly it was permissible to scream when being carried off by a giant. (...)
Cimorene found it all very dull, but she pressed her lips together and learned it anyway. When she couldn’t stand it any longer, she would go down to the castle armory and bully the armsmaster into giving her a fencing lesson. As she got older, she found her regular lessons more and more boring. Consequently, the fencing lessons became more and more frequent.
When she was twelve, her father found out.
“Fencing is not proper behavior for a princess,” he told her in the gentle-but-firm tone recommended by the court philosopher.
Cimorene tilted her head to one side. “Why not?”
“It’s ... well, it’s simply not done.”
Cimorene considered. “Aren’t I a princess?”
“Yes, of course you are, my dear,” said her father with relief. He had been bracing himself for a storm of tears, which was the way his other daughters reacted to reprimands.
“Well, I fence,” Cimorene said with the air of one delivering an unshakable argument. “So it is too done by a princess. ~ Patricia C Wrede,#NFDB
468:On Easter Monday there was a great display of fireworks from the Castle of St. Angelo. We hired a room in an opposite house, and made our way, to our places, in good time, through a dense mob of people choking up the square in front, and all the avenues leading to it; and so loading the bridge by which the castle is approached, that it seemed ready to sink into the rapid Tiber below. There are statues on this bridge (execrable works), and, among them, great vessels full of burning tow were placed: glaring strangely on the faces of the crowd, and not less strangely on the stone counterfeits above them. The show began with a tremendous discharge of cannon; and then, for twenty minutes or half an hour, the whole castle was one incessant sheet of fire, and labyrinth of blazing wheels of every colour, size, and speed: while rockets streamed into the sky, not by ones or twos, or scores, but hundreds at a time. The concluding burst - the Girandola - was like the blowing up into the air of the whole massive castle, without smoke or dust. In half an hour afterwards, the immense concourse had dispersed; the moon was looking calmly down upon her wrinkled image in the river; and half - a - dozen men and boys with bits of lighted candle in their hands: moving here and there, in search of anything worth having, that might have been dropped in the press: had the whole scene to themselves. ~ Charles Dickens, #NFDB
469:All the royal tales got their own special festivals. In honor of the Sleeping Beauty tale, Ever After High held the yearly Beauty Sleep Festival. Everyone put on their pajamas and lay down on their beds, and a magical sleep spell rained over the castle, putting them into a restful slumber for two days.
Briar rolled her eyes. "I'd prefer my story got a dance festival with some kicky music and a chocolate fountain."
"It's kind of like a massive slumber party, so that's cool," said Ashlynn.
"Kinda," said Briar. "But the best part of a slumber party isn't the part where you're unconscious. I'm already facing a hundred years of sleep. Worst. Festival. Ever."
"You recall that the royal festival for the Cinderella story is basically just an excuse to get the students to clean the high school," said Ashlynn.
Briar laughed, putting her arm around Ashlynn. "That's true! But at least your Spring Cleaning Festival ends with a Ball."
Apple always enjoyed the Apple Festival in her story's honor- so many pies and turnovers and breads, and none of them poisoned. The whole school smelled of cinnamon and nutmeg for days. The Spring Cleaning Festival was an excellent opportunity to clean out her sock drawer and then wear a ball gown and dance till midnight. The Little Mermaid Festival took place every summer at Looking Glass Beach with swimming, beach volleyball, and a clam dig. ~ Shannon Hale,#NFDB
470:I’d dreamed once of a forest of gold, and Jesse had done what he could to give it to me. His bedroom had been transformed into a wonderland of leaves and flowers, pinecones and branches of birch and oak, all of it glimmering, all of it singing. The bed was covered, his chest of drawers, the sill.
Much of it was jumbled together, beautiful for what it was if not its presentation. Jesse had last left this room on the night of his death, right after he’d called to me, right before he’d gone to the castle. So he would have been scattering his final gift in haste, knowing he worked against the clock.
Knowing, somehow, what was to come.
Which meant he’d been making gold for weeks. When I’d seen him so tired, when he’d told me all those nights that we should rest apart…he had been doing this.
For me.
A folded note had been set upon the bed. My name had been scrawled upon it.
I love you was all it said inside.
I sank to the floor. I looked up and all around as the sun danced through the window and turned Jesse’s room into an ambered heaven of song and shimmer and sparks.
That was how Armand found me, hours later. That was what he saw, as well, what he heard, as he walked slowly into the chamber and eased down beside me to rest his back against the bed.
We sat there together, listening, marveling.
In time, his hand reached out and took firm hold of mine. ~ Shana Abe,#NFDB
471:So, tell me, what did you think of my Bram?” Abigail asked as she settled herself in the chair, looking as if she fully intended to stay for a while. “Don’t you think we should discuss your daughter first?” Abigail immediately turned stubborn. “Not particularly. There’s nothing much to say about Iris other than that she loathes me and we don’t share an amicable relationship. Now Bram, on the other hand, is a delightful subject to speak about.” Lucetta settled into the bubbles. “Why do you imagine he was wearing that patch when there’s evidently nothing wrong with his eye?” “It was so gallant of him to whisk you into the castle and bring you up to this tower room, wasn’t it?” Abigail countered, as if Lucetta hadn’t posed a question. “Do you believe he enjoys assuming a pirate persona when he’s at his leisure? Although . . . now that I consider the matter, what does he do when he’s not at his leisure?” Lucetta countered right back. Abigail crossed her arms over her chest and immediately took to looking a little grumpy. “I’m not exactly certain what Bram does, dear. My son-in-law, Phillip—Bram’s father—made a rather large fortune when he invested in a sugar plantation years ago down in Cuba. Because of that fortune, Bram, along with his brother and sister, aren’t required to pursue professions, or make advantageous marriages, although . . . I’m sure Bram does something to occupy his time.” “And ~ Jen Turano, #NFDB
472:The Light Fae. As a race, they were supposed to be all about good and decency, but there wasn’t a shred of either emotion within the walls of Usaeil’s castle.
Neve observed Talin examining everything around him – from the castle, the Fae walking outside, the trees, and even the sky. His pale silver eyes missed nothing. She wondered what he saw, and how he catalogued things.
His long, black hair had the barest hint of a wave to it as it hung to the shoulders of his pale blue shirt. He shoved one side behind an ear and tilted his head as if listening.
She didn’t think he realized she was still beside him, not that she minded. It gave her a chance to fill her gaze with his sharply chiseled features.
The hard planes of his jaw and chin were in direct contrast to his wide lips and thick eyelashes. It was difficult to look at Talin and notice anything but those beautiful eyes.
Except when she did look down, she saw a body that made her hands itch to touch him. His shirt barely contained wide shoulders that tapered to narrow hips where navy pants encased his legs. Every muscle was honed and defined.
As eye-catching as Talin’s personal package was, it didn’t hold a candle to what drew her interest – his bearing. The way he stood, walked, talked.
In a castle full of Light who believed themselves above others, the only one who had the attitude and demeanor to carry it off was Talin. ~ Donna Grant,#NFDB
473:He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died. ~ Joan Aiken, #NFDB
474:One of the rooms in the castle had a creature in it,” Curran said.
“What kind of creature?”
“A large cat,” Curran said. “It glowed.”
“What happened to the large glowing cat?” Why did I have a feeling I wouldn’t like the answer?
“I killed it,” Curran said.
“Aha.” First, I broke Mishmar, then Curran stole Saiman back and killed my father’s glowing cat. Maybe Roland’s head would explode.
“It was a saber-toothed tiger,” Julie said. “It glowed silver.”
Silver meant divine magic. There was no telling what that saber-toothed tiger was or where my dad had gotten him.
“Snitch,” Derek said.
She waved him off. “He killed it and then he ate it.”
I looked at Curran. “You killed an animal god and then you ate him?”
“Maybe,” Curran said.
“What do you mean maybe?”
“I doubt it was a god.”
“It glowed silver,” Julie said. “It was definitely worshipped.”
Oh boy.
Curran swerved to avoid a speed bump formed by tree roots raising the asphalt. “I could worship a lamp. That doesn’t make it a god.”
“Why did you eat it?” I asked in a small voice.
“It felt right at the time.”
“He devoured it,” Julie said. “Completely. With bones.”
If it was some sort of divine animal and he ate it, there was no telling what the flesh or the magic would do to him. There would be consequences. There were always consequences.
“Do you feel any side effects?”
“Not any I want to talk about with them in the car. ~ Ilona Andrews,#NFDB
475:If the queen catches you in here again, Princess, she'll sentence you to do the dishes right alongside me! she heard another voice ring out.
No one was there, but Snow knew the voice. It was Mrs. Kindred, the cook who had survived her aunt's dismissals over the years. When Snow's mother was alive, she'd encouraged her daughter to be friendly with those who helped them in the castle, and Mrs. Kindred had always been Snow's favorite person to chat with. She could see herself sitting on a chair, no more than six or seven, watching Mrs. Kindred chop onions, carrots, and leeks and throw them all into a giant pot of broth. She and Mrs. Kindred only stole a few moments together most days now- she suspected her aunt must have forbidden the cook from talking to her, what with how Mrs. Kindred always quickly sent Snow on her way- but back then she had always peppered the cook with questions. ("How do you cut the carrots so small? Why do leeks have sand in them? What spices are you going to add? How do you know how much to put in?") On one such occasion, she'd been such a distraction that Mrs. Kindred had finally picked her up, holding her high on her broad chest, and let her stir the pot herself. Eventually, she taught her how to dice and chop, too, since Snow wouldn't stop talking. By suppertime, young Snow had convinced herself she'd made the whole meal. She had been proud, too, carrying the dishes out to the dining table that night. ~ Jen Calonita,#NFDB
476:GRINGOTTS BREAK-IN LATEST Investigations continue into the break-in at Gringotts on 31 July, widely believed to be the work of Dark wizards or witches unknown. Gringotts goblins today insisted that nothing had been taken. The vault that was searched had in fact been emptied the same day. “But we’re not telling you what was in there, so keep your noses out if you know what’s good for you,” said a Gringotts spokesgoblin this afternoon. Harry remembered Ron telling him on the train that someone had tried to rob Gringotts, but Ron hadn’t mentioned the date. “Hagrid!” said Harry, “that Gringotts break-in happened on my birthday! It might’ve been happening while we were there!” There was no doubt about it, Hagrid definitely didn’t meet Harry’s eyes this time. He grunted and offered him another rock cake. Harry read the story again. The vault that was searched had in fact been emptied earlier that same day. Hagrid had emptied vault seven hundred and thirteen, if you could call it emptying, taking out that grubby little package. Had that been what the thieves were looking for? As Harry and Ron walked back to the castle for dinner, their pockets weighed down with rock cakes they’d been too polite to refuse, Harry thought that none of the lessons he’d had so far had given him as much to think about as tea with Hagrid. Had Hagrid collected that package just in time? Where was it now? And did Hagrid know something about Snape that he didn’t want to tell Harry? ~ J K Rowling, #NFDB
477:Psalm Concerning The Castle
Let me be at the place of the castle.
Let the castle be within me.
Let it rise foursquare from the moat's ring.
Let the moat's waters reflect green plumage of ducks, let
the shells of swimming turtles break the surface or be
seen through the rippling depths.
Let horsemen be stationed at the rim of it, and a dog,
always alert on the brink of sleep.
Let the space under the first storey be dark, let the water
lap the stone posts, and vivid green slime glimmer upon
them; let a boat be kept there.
Let the caryatids of the second storey be bears upheld on
beams that are dragons.
On the parapet of the central room, let there be four
archers, looking off to the four horizons. Within, let
the prince be at home, let him sit in deep thought, at
peace, all the windows open to the loggias.
Let the young queen sit above, in the cool air, her child in
her arms; let her look with joy at the great circle, the
pilgrim shadows, the work of the sun and the play of
the wind. Let her walk to and fro. Let the columns uphold
the roof, let the storeys uphold the columns, let there
be dark space below the lowest floor, let the castle rise
foursquare out of the moat, let the moat be a ring and
the water deep, let the guardians guard it, let there be
wide lands around it, let that country where it stands be
within me, let me be where it is.
~ Denise Levertov,#NFDB
478:But Holms had proven stalwart and valiant. When Miss Jones had shown up to discover them in the castle hallway, because she’d heard a suspicious noise and had feared for her schoolchums’ safety, they’ d had to bring her along. She’d wanted to run straight to the headmistress, of course, but Armand had persuaded her not to. How he regretted that decision now!
The duke had fired his guns at them all. They’d retreated, thought to go to the automobile to fetch a doctor and the sheriff, but they’d stumbled the wrong way and fallen down the slope to the beach instead. All three of them. And there, noble Jesse had died.
Fact. Fiction. Likely because so much of it had happened, and because Armand’s red-eyed, stoic distress seemed so genuine, the adults around us had accepted it as truth.
Mostly.
I think if I hadn’t been discovered wearing only Armand’s coat as I knelt next to Jesse’s body, Mrs. Westcliffe might have found the whole thing easier to swallow.
Yet the official version ruled the day. And here we all were basking in it, breathing fresh sea air, warmed by the generous spring sun. Burying a hero. A far, far greater hero than anyone standing around me at his funeral would ever suspect.
Somewhere in deep-blue briny waters, a U-boat rested, filled with live torpedoes and solid-gold men.
I thought I better understood Rue’s letters now. I understood her warning about the pain that would come with my Gifts.
I understood my sacrifice. ~ Shana Abe,#NFDB
479:been to your office, Lupin. You forgot to take your potion tonight, so I took a gobletful along. And very lucky I did . . . lucky for me, I mean. Lying on your desk was a certain map. One glance at it told me all I needed to know. I saw you running along this passageway and out of sight.” “Severus —” Lupin began, but Snape overrode him. “I’ve told the headmaster again and again that you’re helping your old friend Black into the castle, Lupin, and here’s the proof. Not even I dreamed you would have the nerve to use this old place as your hideout —” “Severus, you’re making a mistake,” said Lupin urgently. “You haven’t heard everything — I can explain — Sirius is not here to kill Harry —” “Two more for Azkaban tonight,” said Snape, his eyes now gleaming fanatically. “I shall be interested to see how Dumbledore takes this. . . . He was quite convinced you were harmless, you know, Lupin . . . a tame werewolf —” “You fool,” said Lupin softly. “Is a schoolboy grudge worth putting an innocent man back inside Azkaban?” BANG! Thin, snakelike cords burst from the end of Snape’s wand and twisted themselves around Lupin’s mouth, wrists, and ankles; he overbalanced and fell to the floor, unable to move. With a roar of rage, Black started toward Snape, but Snape pointed his wand straight between Black’s eyes. “Give me a reason,” he whispered. “Give me a reason to do it, and I swear I will.” Black stopped dead. It would have been impossible to say which face showed more hatred. ~ J K Rowling, #NFDB
480:Dinner was a family affair. And oh, how she enjoyed it! Who knew there was so much to talk about each day? She loved when the men shared stories about their work in the mines, while she often regaled them with stories about life in the castle when she was a small child or about the types of birds she spotted from the window. And then there were the questions. She found she had many! After staying silent for so long, there was much she longed to know, and she was always interested in learning more about the men and their lives. She wanted to know who had carved the beautiful wooden doorways and furniture around the cottage, and why the deer and the birds seemed to linger at the kitchen window while she prepped meals.
"They must adore you, as we do," gushed Bashful.
"And I you!" Snow would say. She found she could talk to them till the candle burned out each night.
It felt like she was finally waking up and finding her voice after years of silent darkness. And while she promised the men she would not do more than her share of the housework, she couldn't help trying to find small ways to repay them for their kindness when she wasn't busy strategizing. Despite their protests, she prepared a lunch basket for them to take to work each day. She mended tiny socks. And secretly, she was using yarn and needles she had found to knit them blankets for their beds. It might have been summer, but she couldn't help noticing they had few blankets for the winter months. ~ Jen Calonita,#NFDB
481:ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve ~ E Lockhart, #NFDB
482:As I thought about endings and – being a lover of fairy tales – I knew immediately that the deeply rooted last line in folk stories, ‘And they lived happily ever after’, is the core of what we think we know about endings. We hear it always in our hindbrain because it’s the last line most of us in the West have grown up with. That line stops the story at the point of greatest happiness. The wedding, the homecoming, the mystery unraveled, the villain disposed of, families reunited, babies born. If we went on in the story Cinderella, she might be whispered about in court: after all, her manners are not impeccable, she always has smudges of ash on her nose, and no one can trace her bloodline back enough generations. Perhaps she has grown fat eating all that rich food in the castle, and the prince’s eye has strayed.
If we went on in The Three Little Pigs, the brother who builds with bricks will have kicked the other two lay-abouts out of his house, or hired them to run his successful company and they – angry at their lower status – plot to kill him. But, having little imagination, do it the only way they know how, by trying to boil him in the pot that still holds the memory of the wolf’s demise, so of course the brick building pig finds them out.
But modern books pose a different problem. They present harder choices. It’s no longer fairy tale endings we are talking about, but the other stuff, more realistic, stronger, difficult, and maybe not happy-ever-after stuff. ~ Jane Yolen,#NFDB
483:Your curse still isn't really broken. The castle and everyone in it have been forgotten. No one remembers this place. You could find all les charmantes and bring them here. Bring them home. And get yourself... uncursed."
"Hmmm," Rosalind said, thinking. "Not bad. It's an odd idea, considering this is the place we almost came to our end... but it's intriguing. Yes, I like it. Go find everyone and bring them home. Really, it's the least you could do after what your parents did."
Maurice might have given Rosalind a little frown at that last bit, but she shrugged.
The Beast blinked. "Go... find them? Me?"
"Yes. Why not?" Belle said with a smile, reading his thoughts. "You would have to actually go out into the world that you've been watching for so long in your magic mirror."
"With you," the Beast said without missing a beat. "I could do anything, with you."
Belle grinned and started to answer...
... and then saw Maurice and Rosalind, who were both watching her to see what she would do.
Belle had a family again. She had a mother- the most interesting, perplexing mother in the world- whom she had just met. There was too much to ask her, to talk about.
But this was finally her chance to go out on those adventures she had always dreamed of. Abandoned Greek islands, the hearts of never-before-seen forests, even Paris and Rome.... They would travel the world looking for reclusive charmantes to bring home. Who knew what they might see! ~ Liz Braswell,#NFDB
484:Once upon a time, powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which the inhabitants drank. Whoever drank that water would go mad.
The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take notice of them.
When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. The marched on the castle and called for his abdication.
In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’
And that was what they did: The king and queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such ‘wisdom’, why not allow him to rule the country?
The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days. ~ Paulo Coelho,#NFDB
485:It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually.
Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous. ~ Charles Dickens,#NFDB
486:The last slide is Main Street at night, with the castle lit silver blue in the background. In the sky, fireworks are going off, cresting, cracking open the darkness, shooting long tendrils of colored light down to the buildings, way longer than I’ve ever seen for fireworks… I linger on this slide. I study that blue castle and those fireworks and realize that this is the image I’ve had in my head of Disneyland for all these years. Just like the beginning of the Wonderful World of Disney TV show. Maybe that’s why I wanted to head here this time. I know it’s ridiculous, but part of me wants to think that the world after this one could look like that.
Like I said before, I stopped having notions about religion and heaven long ago—angels and harps and clouds and all that malarkey. Yet some silly, childish side of me still wants to believe in something like this. A gleaming world of energy and light, where nothing is quite the same color as it is on earth—everything bluer, greener, redder. Or maybe we just become the colors, that light spilling from the sky over the castle. Perhaps it would be somewhere we’ve already been, the place we were before we were born, so dying is simply a return. I guess is that were true then somehow we’d remember it. Maybe that’s what I’m doing with this whole trip—looking for somewhere that I remember, deep in some crevice of my soul.
Who knows? Maybe Disneyland is heaven. Isn’t that the damnedest, craziest thing you’ve ever heard? Must be the dope talking.
(pp.253-254) ~ Michael Zadoorian,#NFDB
487:The Ogre Slam-The-Door
There is a certain castle that is beautiful and fair,
And plants, and birds, and pretty things, fill every room and hall,
But alas! for the unhappy folks who make their dwelling there,
A dreadful ogre haunts the house and tries to kill them all.
Some day I fear will find them dead and stretched out in their gore
The victims of this ogre grim, this wicked Slam-the-door!
He's a very tiny ogre just about as tall as you!
He never carries hidden arms, or plays with guns and knives.
And yet he almost splits the heads of people thro' and thro.'
And I think him very dangerous to comfort and to lives.
And he often shakes the castle from the ceiling to the floor.
This awful, awful ogre known as little Slam-the-door.
He gets up bright and early, and he's, oh, so wide awake!
And wo! to all the sleepy heads and invalids who doze,
They dream the sky is caving in, or that a vast earthquake
Has suddenly convulsed the world and ended their repose,
As to and fro, and up and down, still noisier than before,
They hear the hurrying, flurrying feet of ogre Slam-the-door.
Though the Princess of the Castle has a headache, and is ill,
Though the Prince is in his study and wants quiet for an hour,
This wicked little ogre won't be quiet-or keep still
I almost think he sometimes knows he has them in his power.
Alas, alas for all the folks, their sorrows I deploreThe folks shut in that castle with the ogre Slam-the-door.
~ Ella Wheeler Wilcox,#NFDB
488:The Man Who Was Away
The widow sought the lawyer's room with children three in tow,
She told the lawyer man her tale in tones of deepest woe.
She said, "My husband took to drink for pains in his inside,
And never drew a sober breath from then until he died.
"He never drew a sober breath, he died without a will,
And I must sell the bit of land the childer's mouth to fill.
There's some is grown and gone away, but some is childer yet,
And times is very bad indeed -- a livin's hard to get.
"There's Min and Sis and little Chris, they stops at home with me,
And Sal has married Greenhide Bill that breaks for Bidgeree.
And Fred is drovin' Conroy's sheep along the Castlereagh
And Charley's shearin' down the Bland, and Peter is away."
The lawyer wrote the details down in ink of legal blue -"There's Minnie, Susan, Christopher, they stop at home with you;
There's Sarah, Frederick and Charles, I'll write to them today,
But what about the other son -- the one who is away?
"You'll have to furnish his consent to sell the bit of land."
The widow shuffled in her seat, "Oh, don't you understand?
I thought a lawyer ought to know -- I don't know what to say -You'll have to do without him, boss, for Peter is away."
But here the little boy spoke up -- said he, "We thought you knew;
He's done six months in Goulburn gaol -- he's got six more to do."
Thus in one comprehensive flash he made it clear as day,
The mystery of Peter's life -- the man who was away.
~ Banjo Paterson,#NFDB
489:The boy…Is he dead?”
There was complete silence in the clearing. Nobody approached Harry, but he felt their concentrated gaze; it seemed to press him harder into the ground, and he was terrified a finger or an eyelid might twitch.
“You,” said Voldemort, and there was a bang and a small shriek of pain. “Examine him. Tell me whether he is dead.”
Harry did not know who had been sent to verify. He could only lie there, with his heart thumping traitorously, and wait to be examined, but at the same time noting, small comfort though it was, that Voldemort was wary of approaching him, that Voldemort suspected that all had not gone to plan…
Hands, softer than he had been expecting, touched Harry’s face, pulled back an eyelid, crept beneath his shirt, down to his chest, and felt his heart. He could hear the woman’s fast breathing, her long hair tickled his face. He knew that she could feel the steady pounding of life against his ribs.
“Is Draco alive? Is he in the castle?”
The whisper was barely audible; her lips were an inch from his ear, her head bent so low that her long hair shielded his face from the onlookers.
“Yes,” he breathed back.
He felt the hand on his chest contract; her nails pierced him. Then it was withdrawn. She had sat up.
“He is dead!” Narcissa Malfoy called to the watchers.
And now they shouted, now they yelled in triumph. Narcissa knew that the only way she would be permitted to enter Hogwarts, and find her son, was as part of the conquering army. She no longer cared whether Voldemort won. ~ J K Rowling,#NFDB
490:Sir Gerek handed her a gray wool blanket, then lay down next to the fire.
"Don't you have a blanket?"
"I forgot to get one when we were at the castle, but I don't need one. It's warm enough now."
"The nights are still quite cool. Here you take the blanket and I will put on the rest of my clothes. It's the perfect solution."
"No, thank you. I don't need it."
She let out an exasperated sigh...
...Sir Gerek was laying down near the fire, his eyes closed. Rapunzel moved as quietly as she could toward his still form, then carefully laid the the blanket over him.
She lay down with her head near his and closed her eyes.
Her eyes popped open. Something was touching her legs and was gradually being laid over the rest of her body. She suspected it was the gray woolen blanket she had laid on Sir Gerek. When he finished, he walked back over to where he had been sleeping and lay down again.
Gerek awoke with the blanket laying over him. How had she managed to cover him without him waking up? He sat up. She lay asleep on her side, her thick braid touching her cheek. The sun was casting a soft glow over her and making her look even more otherworldly.
He found himself smiling as he draped the blanket over her while she slept.
When she awoke, he already had Donner saddled and breakfast ready.
"When did you do this?" She held out the blanket. With the scolding half frown and lowered her brows, she took his breath away...
... He shrugged. "You looked cold."
She eyed him, shook her head, then folded up the blanket. ~ Melanie Dickerson,#NFDB
491:Royce found Hadrian splitting logs near the stockade gate. He was naked to the waist except for the small silver medallion that dangled from his neck as he bent forward to place another wedge. He had a solid sweat worked up along with a sizable pile of wood.
“Been meddling, have you?” Royce asked, looking around at the hive of activity.
“You must admit they didn’t have much in the way of a defense plan,” Hadrian said, pausing to wipe the sweat from his forehead.
Royce smiled at him. “You just can’t help yourself, can you?”
“And you? Did you find the doorknob?”
Hadrian picked up a jug and downed several swallows, drinking so quickly some of the water dripped down his chin. He poured some in his palm and rinsed his face, running his fingers through his hair.
“I didn’t even get close enough to see a door.”
“Well, look on the bright side”—Hadrian smiled—“at least you weren’t captured and condemned to death this time.”
“That’s the bright side?”
“What can I say? I’m a glass-half-full kinda guy.”
There he is,” Russell Bothwick shouted, pointing. “That’s Royce over there.”
“What’s going on?” Royce asked as throngs of people suddenly moved toward him from the field and the castle interior.
“I mentioned that you saw the thing and now they want to know what it looks like,” Hadrian explained. “What did you think? They were coming to lynch you?”
He shrugged. “What can I say? I’m a glass-half-empty kinda guy.”
“Half empty?” Hadrian chuckled. “Was there ever any drink in that glass? ~ Michael J Sullivan,#NFDB
492:Catherine Marks came to stand on the other side of the doorway as if she were a fellow sentinel guarding the castle gate. Leo glanced at her covertly. She was dressed in lavender, unlike her usual drab of colors. Her mousy brown hair was pulled back into such a tight chignon as to make it difficult for her to blink. The spectacles sat oddly on her nose, one of the wire earpieces crimped. It gave her the appearance of a befuddled owl.
"What are you looking at?" she asked tersely.
"Your spectacles are crooked," Leo said, trying not to smile.
She scowled. "I tried to fix them, but it only made them worse."
"Give them to me." Before she could object, he took them from her face and began to fiddle with the bent wire.
She spluttered in protest. "My lord, I didn't ask you to- if you damage them-"
"How did you bend the earpiece?" Leo asked, patiently straightening the wire.
"I dropped them on the floor, and as I was searching, I stepped on them."
"Nearsighted, are you?"
"Quite."
Having reshaped the earpiece, Leo scrutinized the spectacles carefully. "There." He began to give them to her and paused as he stared into her eyes, all blue, green, and gray, contained in distinct dark rims. Brilliant, warm, changeable. Like opals. Why had he never noticed them before?
Awareness chased over him, making his skin prickle as if exposed to a sudden change in temperature. She wasn't plain at all. She was beautiful, in a fine, subtle way, like winter moonlight, or the sharp linen smell of daisies. So cool and pale... delicious. For a moment, Leo couldn't move. ~ Lisa Kleypas,#NFDB
493:Why do you want to know?”
The shrug again. “Just wondering.”
“Really. You’ve skipped your lawn tennis or duck hunting or whiskey drinking or whatever else people of your sort do all day, only to come all the way out to the island to ask me about the piano piece. Because you were just wondering.” I pushed away from the door. “Coming here to kiss me would have been more believable.”
“Well, it was second on my list.”
“I’m not intimidated by you,” I said, blunt. “If you’re hoping I’ll turn out to be some pathetic, blubbering little rag-girl who begs you not to ruin her, you’re in for a surprise.”
“That’s good.” Lord Armand met my eyes. “I like surprises.”
We gazed at each other, he on the bed and me by the door, neither of us giving quarter. It seemed to me that the room was growing even more dim, that time was repeating the same ploy it had pulled in Jesse’s cottage, drawing out long and slow. The storm outside railed against the castle walls, drowning the air within. It layered darkness through Armand’s eyes, the once-vivid blue now deep as the ocean at night.
Beyond my window the rain fell and fell, fat clouds weeping as if they’d never stop.
“Nice bracelet,” Armand said softly. “Did you steal it?”
I shook my head. “You gave it to me.”
“Did I?”
“As far as everyone else if concerned, yes. You did.”
“Hmm. And what do I get in return for agreeing to be your…benefactor?”
“The answer to your question.”
“No kiss?” he asked, even softer.
“No.”
His lips quirked. “All right, then, waif. I accept your terms. We’ll try the kiss later. ~ Shana Abe,#NFDB
494:O King Arthur, mine uncle, my good brother Sir Gareth is slain, and Sir Gaheris also,’ and the King wept with him. At length Sir Gawaine said, ‘ Sir, I will go and see my brother Sir Gareth.’ ‘ You cannot do that,’ returned the King, ‘for I have caused him to be buried with Sir Gaheris, as I knew well that the sight would cause you overmuch sorrow.’ ‘How came he, Sir Lancelot, to slay Sir Gareth ?’ asked Sir Gawaine; ‘mine own good lord, I pray you tell me, for neither Sir Gareth nor Sir Gaheris bore arms against him.’ ‘It is said,’ answered the King, ‘that Sir Lancelot slew them in the thickest of the press and knew them not. Therefore let us think upon a plan to avenge their deaths.’ ‘My King, my lord and mine uncle,’ said Sir Gawaine, ‘ I swear to you by my knighthood that from this day I will never rest until Sir Lancelot or I be slain. And I will go to the world’s end till I find him.’ ‘ You need not seek him so far,’ answered the King, ‘ for I am told that Sir Lancelot will await me and you in the Castle of Joyous Gard, and many people are flocking to him. But call your friends together, and I will call mine,’ and the King ordered letters to be sent throughout all England summoning his Knights and vassals to the siege of Joyous Gard. The Castle of Joyous Gard was strong, and after fifteen weeks had passed no breach had been made in its walls. And one day, at the time of harvest, Sir Lancelot came forth on a truce, and the King and Sir Gawaine challenged him to do battle. ‘Nay,’ answered Sir Lancelot, ‘with yourself I will never strive, and I grieve sorely that I have slain your Knights. ~ Andrew Lang, #NFDB
495:A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself—confident, yet seemingly unaware of her true beauty.
She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands.
“Pardon me, Ruairi. Ravenna wanted me to tell you that we’re taking little Mary to the beach. We won’t be long. We’ll be in the garden until the mounts are readied, if you need us.”
When the woman’s eyes met Ian’s, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall.
God help him.
This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi’s black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress—still young, but beautiful nevertheless. His musings were interrupted by a male voice.
“Munro, ye do remember Lady Elizabeth, eh?”
How could he forget the reason why he’d avoided Sutherland lands for the past three years? ~ Victoria Roberts,#NFDB
496:Before Iris had an opportunity to respond, a loud noise, one that almost sounded like some type of animal, suddenly drifted into the drawing room from the hallway—mixed with the sound of what could only be pounding feet. Immediately heading for the door, Bram stopped in his tracks when he reached the hall and a sight he’d certainly not been expecting to see met his gaze. Miss Plum was running toward him, her gown practically falling off her, as if it hadn’t been fastened all the way up in the back. She didn’t seem at all concerned with the idea that she was giving him, and anyone else, an eyeful of her chemise, corset, and . . . charms—probably because she was running as if her very life depended on it, holding up the skirt of her dress as she flew ever closer to him, the lifting of that skirt giving him an unobstructed view of legs that were well turned out and feet that were . . . bare. “Don’t just stand there, Mr. Haverstein. Do something about your goat,” she yelled as she pounded past him. The word goat had him looking down the hallway, and sure enough, a goat was charging his way, and not just any goat, but Geoffrey—one of the meanest goats Bram had ever had the misfortune of owning. What the beast was doing inside the castle, he really couldn’t say, but since Geoffrey held an intense dislike for females, or more specifically, females wearing dresses, Bram surged into motion, hoping to intercept the goat before it managed to catch up with Miss Plum. Unfortunately, Geoffrey seemed determined to get past Bram, so with a butt of its head, it sent Bram sprawling and continued charging after its prey, bleating in a menacing sort of way. ~ Jen Turano, #NFDB
497:I.
Brothers! between you and me
Whirlwinds sweep and billows roar:
Yet in spirit oft I see
On thy wild and winding shore
Freedoms bloodless banners wave,--
Feel the pulses of the brave
Unextinguished in the grave,--
See them drenched in sacred gore,--
Catch the warrior's gasping breath
Murmuring 'Liberty or death!'
II.
Shout aloud! Let every slave,
Crouching at Corruption's throne,
Start into a man, and brave
Racks and chains without a groan:
And the castle's heartless glow,
And the hovel's vice and woe,
Fade like gaudy flowers that blow--
Weeds that peep, and then are gone
Whilst, from misery's ashes risen,
Love shall burst the captive's prison.
III.
Cotopaxi! bid the sound
Through thy sister mountains ring,
Till each valley smile around
At the blissful welcoming!
And, O thou stern Ocean deep,
Thou whose foamy billows sweep
Shores where thousands wake to weep
Whilst they curse a villain king,
On the winds that fan thy breast
Bear thou news of Freedom's rest!
IV.
Can the daystar dawn of love,
Where the flag of war unfurled
Floats with crimson stain above
The fabric of a ruined world?
Never but to vengeance driven
When the patriot's spirit shriven
Seeks in death its native Heaven!
There, to desolation hurled,
Widowed love may watch thy bier,
Balm thee with its dying tear.
Published (from the Esdaile manuscript with title as above) by Rossetti, 'Complete Poetical Works of P. B. S.', 1870; dated 1812. Rossettis title is 'The Mexican Revolution'.
~ Percy Bysshe Shelley, To The Republicans Of North America
,#NFDB
498:The Bonnie House O' Airlie
IT fell on a day, and a bonnie simmer day,
When green grew aits and barley,
That there fell out a great dispute
Between Argyll and Airlie.
Argyll has raised an hunder men,
An hunder harness'd rarely,
And he 's awa' by the back of Dunkell,
To plunder the castle of Airlie.
Lady Ogilvie looks o'er her bower-window,
And O but she looks warely!
And there she spied the great Argyll,
Come to plunder the bonnie house of Airlie.
'Come down, come down, my Lady Ogilvie,
Come down and kiss me fairly:'
'O I winna kiss the fause Argyll,
If he shouldna leave a standing stane in Airlie.'
He hath taken her by the left shoulder,
Says, 'Dame, where lies thy dowry?'
'O it 's east and west yon wan water side,
And it 's down by the banks of the Airlie.'
They hae sought it up, they hae sought it down,
They hae sought it maist severely,
Till they fand it in the fair plum-tree
That shines on the bowling-green of Airlie.
He hath taken her by the middle sae small,
And O but she grat sairly!
And laid her down by the bonnie burn-side,
Til they plunder'd the castle of Airlie.
'Gif my gude lord war here this night,
As he is with King Charlie,
Neither you, nor ony ither Scottish lord,
Durst avow to the plundering of Airlie.
254
'Gif my gude lord war now at hame,
As he is with his king,
There durst nae a Campbell in a' Argyll
Set fit on Airlie green.
'Then bonnie sons I have borne unto him,
The eleventh ne'er saw his daddy;
But though I had an hunder mair,
I'd gie them a' to King Charlie!'
~ Anonymous,#NFDB
499:The Barbarous Chief
There was a kingdom known as the Mind,
A kingdom vast as fair,
And the brave king, Brain, had the right to reign,
In royal splendor there.
Oh! that was a beautiful, beautiful land,
Which unto this king was given;
Filled with everything good and grand,
And it reached from earth to heaven.
But a savage monster came one day
From over a distant border;
He warred with the king and disputed his sway,
And set the whole land in disorder.
He mounted the throne, which he made his own,
He sunk the kingdom in grief.
There was trouble and shame from the hour he cameIlltemper, the barbarous chief.
He threw down the castles of love and peace,
He burned up the altars of prayers.
He trod down the grain that was planted by Brain,
And scattered thistles and tares.
He wasted the store-house of knowledge and drove
Queen Wisdom away in fright;
And a terrible gloom, like the cloud of doom,
Shrouded that land in night.
Bent on more havoc away he rushed
To the neighboring kingdom, Heart;
And the blossoms of kindness and hope he crushedAnd patience he pierced with his dart,
And he even went on to the Isthmus Soul,
That unites the mind with God,
And its beautiful bowers of fragrant flowers
With a ruthless heel he trod.
545
To you is given this wonderful land
Where the lordly Brain has sway;
But the border ruffian is near at hand,
Be on your guard, I pray.
Beware of Illtemper, the barbarous chief,
He is cruel as vice or sin,
And your beautiful kingdom will come to grief
If once you let him in.
~ Ella Wheeler Wilcox,#NFDB
500:The vampire live on, and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. “But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. “He can come in mist which he create, that noble ship’s captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. “He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire, solder you call it. He can see in the dark, no small power this, in a world which is one half shut from the light. Ah, but hear me through. ~ Bram Stoker, #NFDB
501:softly. “Not much you can say to a story like that, is there?” “Not really.” “Yep, I win on the ol’ dramatic story front every time.” They stood in silence for a while. Despite the warmth of the night it was chilly up there, but Stephanie didn’t mind. “What happens now?” she asked. “The Elders go to war. They’ll find the castle empty – Serpine wouldn’t stay there after this – so they’ll be looking for him. They’ll also be tracking down his old allies to make sure they don’t get the opportunity to organise.” “And what do we do?” “We get to the Sceptre before Serpine.” “The key,” she said, “where is it?” He turned to her. “Gordon hid it. Clever man, your uncle. He didn’t think anyone should have access to that weapon, but he hid the key in a place where if we truly needed to find it, if the situation got so dire that we truly needed the Sceptre, all it would take was a little detective work.” “So where is it?” “The piece of advice he gave me, in the solicitor’s office, do you remember what it was?” “He said a storm is coming.” “And he also said that sometimes the key to safe harbour is hidden from us and sometimes it is right before our eyes.” “He was talking about the key, literally? It’s right before our eyes?” “It was, when those words were first spoken in the solicitor’s office.” “Fedgewick has the key?” “Not Fedgewick. He gave it away.” Stephanie frowned, remembering the reading of the will then the lock in the cellar, no bigger than Skulduggery’s palm. She looked up at him. “Not the brooch?” “The brooch.” “Gordon gave the key, the key to the most powerful weapon in existence, to Fergus and Beryl?” she asked incredulously. “Why would he do that?” “Would ~ Derek Landy, #NFDB
502:Alex was so confused, she shook her head. The others felt their sanity slipping from their brains just by being in proximity to the caterpillar.
This is going great," Conner said with a massive eye roll. "This worm is clearly insane; let's find someone who can actually help us."
"Let me handle this one, kids," Mother Goose said. "He's not crazy, the hookah is just making his brain sleepy. I might understand him if I get on his level."
Mother Goose walked up to the caterpillar and had a bouncy seat on the mushroom beside him.
"May I?" she asked, and gestured to the hookah.
The caterpillar passed it to her and Mother Goose smoked it. After a few moments, her eyes became as glossy as his and she also spoke in complete nonsense.
"Who are you?" Mother Goose asked the caterpillar.
"What I am," he said.
"Where are you?" she said.
"Here with you," the caterpillar said.
"And if this were the Castle of Hearts?" Mother Goose asked.
"We'd be there," he said.
"But where?" she asked.
"In the castle," he said.
"Ah, so there would be here,: she said, and they nodded together.
"Here would be what's left." The caterpillar nodded.
"Am I what's left?" she asked.
"You're what's right, of course."
"But what's right is wrong."
"And what's left is right."
"I understand completely," Mother Goose said. "Thank you so much, Mr. Caterpillar."
The others stared at them absolutely dumbfounded. Mother Goose hopped down from the mushroom and moseyed back to them.
:The caterpillar said to go back to the fork and take a left," she said.
"He did?" Alex asked.
"It's all about the keywords," Mother Goose said. ~ Chris Colfer,#NFDB
503:p2 I'd seen a photo of the actual red and white checked notebook that was Anne [Frank]'s first diary. I longed to own a similar notebook. Stationery was pretty dire back in the late fifties and early sixties. There was no such thing as Paperchase. I walked round and round the stationery counter in Woolworths and spent most of my pocket money on notebooks, but they weren't strong on variety. You could have shiny red sixpenny notebooks, lined inside, with strange maths details about rods and poles and perches on the back. (I never found out what they were!) Then you could have shiny blue sixpenny notebooks. That was your lot.
I was enchanted to read in Dodie Smith's novel I Capture The Castle that the heroine, Cassandra, was writing her diary in a similar sixpenny notebook. She eventually progressed to a shilling notebook. My Woolworths rarely stocked such expensive luxuries. Then, two thirds of the way through the book, Cassandra is given a two-guinea red leather manuscript book. I lusted after that fictional notebook for years.
I told my mother, Biddy. She rolled her eyes. It could have cost two hundred guineas - both were way out of our league... My dad, Harry, was a civil servant. One of the few perks of his job was that he had an unlimited illegal supply of notepads watermarked SO - Stationery Office. I'd drawn on these pads for years, I'd scribbled stories, I'd written letters. They were serviceable but unexciting: thin cream paper unreliably bound with glue at the top. You couldn't write a journal with these notepads; it would fall apart in days... My spelling wasn't too hot. It still isn't. Thank goodness for the spellcheck on my computer! ~ Jacqueline Wilson,#NFDB
504:But Charles, at that very moment, was roving the house in search of Amy. He had stayed at the ball only long enough to claim the first dance with his sister; then, when the dancing was in full swing, he'd melted into the crush, strode through the doors leading back to the main part of the castle, and gone looking for Amy. But she was not in her rooms. She was not in the dining room, the library, or wandering the halls. It wasn't until he strode into the Gold Parlor and found Juliet — who would not, of course, be attending the ball in her advanced condition — quietly working on a piece of embroidery, that Charles got the first clue to her whereabouts. He bowed to his sister-in-law, who looked up at him in some surprise. "Why, hello, Charles. What are you doing out here? You look most annoyed." "Amy. I can't find her anywhere, haven't seen her all day and I'm sick to death of everyone monopolizing her time. You haven't seen her, have you?" Juliet looked at him peculiarly, then lowered her needlework, a little smile touching her lips. "Actually, I have. You might try checking the ballroom." "She wouldn't be in there." Juliet's eyes sparkled with mirth. "Oh, I wouldn't be so sure." At that moment Gareth, who was dividing his time between his wife and the ball, entered the room, fashionably splendid in raspberry silk, tight breeches, and shoes sporting huge Artois buckles. In his hand were two glasses, one of sherry, the other of cider, the latter of which he handed to his wife. He had caught the tail end of the conversation. "Yes, you really should check the ballroom, Charles," he said, his own blue eyes twinkling. Was there some damned conspiracy going on here? ~ Danelle Harmon, #NFDB
505:Bringing the horse to a stop, Lucetta leaned forward and looked down a well-maintained lane that led directly to what seemed to be some type of a gatehouse, but a gatehouse built to look exactly like a mausoleum, complete with stained-glass windows, stone sculptures on either side of it—not of the expected angels, but of . . . ravens. Turning to Abigail, Lucetta arched a brow. “Should we drive closer?” “I don’t think this could possibly be the lane leading to Bram’s castle,” Abigail said. “I mean, why would anyone build a mausoleum to mark the entrance to their home?” “I have numerous answers to that, but none I’m going to voice until we discover whether or not your grandson resides here. Which, I’m sorry to say, could be a distinct possibility, since the castle’s name is Ravenwood and there are two ravens guarding that building, and . . . if you look over the door, Ravenwood is etched into the stone.” “Oh . . . dear.” Abigail pulled a pair of spectacles out of her pocket, shoved them on, and then looked closely at the building in front of them before immediately pulling the spectacles off again and repocketing them, shuddering ever so slightly as she did so. “Would it be safe to say that your grandson possesses a slightly morbid nature?” Lucetta asked. “Of course not. Bram’s charming, and . . . the ladies find him to be completely delightful, from what I’ve been told—as I do believe I’ve mentioned to you a few times.” Before Lucetta could reply to that, the door to the mausoleum opened with an ominous creak. Abigail grabbed hold of Lucetta’s hand and squeezed it, the squeezing becoming more pronounced as a man stepped through the door—a man who just happened to be carrying a rifle. ~ Jen Turano, #NFDB
506:Harry!” he panted, massaging his immense chest beneath his emerald-green silk pajamas. “My dear boy…what a surprise…Minerva, do please explain…Severus…what…?”
“Our headmaster is taking a short break,” said Professor McGonagall, pointing at the Snape-shaped hole in the window.
“Professor!” Harry shouted, his hands at his forehead. He could see the Inferi-filled lake sliding beneath him, and he felt the ghostly green boat bump into the underground shore, and Voldemort leapt from it with murder in his heart--
“Professor, we’ve got to barricade the school, he’s coming now!”
“Very well. He-Who-Must-Not-Be-Named is coming,” she told the other teachers. Sprout and Flitwick gasped; Slughorn let out a low groan. “Potter has work to do in the castle on Dumbledore’s orders. We need to put in place every protection of which we are capable while Potter does what he needs to do.”
“You realize, of course, that nothing we do will be able to keep out You-Know-Who indefinitely?” squeaked Flitwick.
“But we can hold him up,” said Professor Sprout.
“Thank you, Pomona,” said Professor McGonagall, and between the two witches there passed a look of grim understanding. “I suggest we establish basic protection around the place, then gather our students and meet in the Great Hall. Most must be evacuated, though if any of those who are over age wish to stay and fight, I think they ought to be given the chance.”
“Agreed,” said Professor Sprout, already hurrying toward the door. “I shall meet you in the Great Hall in twenty minutes with my House.”
And as she jogged out of sight, they could hear her muttering, “Tentacula. Devil’s Snare. And Snargaluff pods…yes, I’d like to see the Death Eaters fighting those. ~ J K Rowling,#NFDB
507:For Catherine: Juana, Infanta Of Navarre
Ferdinand was systematic when
he drove his daughter mad.
With a Casanova's careful art,
he moved slowly,
stole only one child at a time
through tunnels specially dug
behind the walls of her royal
chamber, then paid the Duenna
well to remember nothing
but his appreciation.
Imagine how quietly
the servants must have worked,
loosening the dirt, the muffled
ring of pick-ends against
the castle stone. The Duenna,
one eye gauging the drugged girl's
sleep, each night handing over
another light parcel, another
small body vanished
through the mouth of a hole.
Once you were a daughter, too,
then a wife and now the mother
of a baby with a Spanish name.
Paloma, you call her, little dove;
she sleeps in a room beyond you.
Your husband, too, works late,
drinks too much at night, comes
home lit, wanting sex and dinner.
You feign sleep, shrunk
in the corner of the queen-sized bed.
You've confessed, you can't feel things
when they touch you;
take Prozac for depression, Ativan
for the buzz. Drunk, you call your father
who doesn't want to claim
a ha!fsand-niggergrandkid.
He says he never loved your mother.
No one remembers Juana; almost
everything's forgotten in time,
and if I tell her story,
it's only when guessing
what she loved, what she dreamed
about, the lost details of a life
that barely survives history.
God and Latin, I suppose, what she loved.
And dreams of mice pouring out
from a hole. The Duenna, in spite
of her black, widow's veil, leaning
to kiss her, saying Juana, don't listen...
~ Erin Belieu,#NFDB
508:I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.”
“Minerva!” he said, aghast.
“The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.”
Harry did not stay to watch Slughorn splutter: He and Luna ran after Professor McGonagall, who had taken up a position in the middle of the corridor and raised her wand.
“Piertotum--oh, for heaven’s sake, Filch, not now--”
The aged caretaker had just come hobbling into view, shouting, “Students out of bed! Students in the corridors!”
“They’re supposed to be, you blithering idiot!” shouted McGonagall. “Now go and do something constructive! Find Peeves!”
“P-Peeves?” stammered Filch as though he had never heard the name before.
“Yes, Peeves, you fool, Peeves! Haven’t you been complaining about him for a quarter of a century? Go and fetch him, at once!”
Filch evidently thought Professor McGonagall had taken leave of her senses, but hobbled away, hunch-shouldered, muttering under his breath.
“And now--Piertotum Locomotor!” cried Professor McGonagall.
And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same.
“Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school! ~ J K Rowling,#NFDB
509:He’d never taken the sheep to this particular pasture before, and it had been quite the feat, getting his less than trained band of mutts to herd them such a distance. But he’d needed to get as far away from the castle as possible—or rather, get as far away from Miss Lucetta Plum as possible—because quite honestly, he’d needed to seek out a place of peace and quiet in order to finally sort out his thoughts. Lifting his face to the late October sun, he realized that the only thing he’d managed to sort out during the numerous hours he’d been avoiding the castle was the fact that he’d made a complete idiot of himself with Lucetta. He certainly hadn’t intended to offer her a marriage proposal in such an impulsive manner. It had just happened. But then, when she’d very kindly turned down his offer, in a tone of voice one usually reserved for the very ill, he’d begun to get the most unpleasant feeling that he might have spent three very long years pining after a woman who didn’t actually exist. The woman he’d thought he was in love with was a most delicate sort, fragile, needy, a bit melancholy upon occasion, and too beautiful for words, of course. While Lucetta’s beauty was even more impressive close up, that was seemingly the only thing he’d gotten right about the lady. She was not delicate in the least, and didn’t appear to possess a melancholy demeanor. The case couldn’t even be made that she was fragile, considering she’d managed to outrun a goat bent on bodily harm, without dissolving into a bout of hysterics. In all honesty, the best word to describe Miss Lucetta Plum was . . . practical. It was a disappointing word—practical—not romantic at all, and certainly not a word he’d ever thought he’d be using in regard to Lucetta. The ~ Jen Turano, #NFDB
510:The Bonnie Earl Moray
A.
Ye Highlands, and ye Lawlands
Oh where have you been?
They have slain the Earl of Murray,
And they layd him on the green.
'Now wae be to thee, Huntly!
And wherefore did you sae?
I bade you bring him wi you,
But forbade you him to slay.'
He was a braw gallant,
And he rid at the ring;
And the bonny Earl of Murray,
Oh he might have been a King!
He was a braw gallant,
And he playd at the ba;
And the bonny Earl of Murray,
Was the flower amang them a'.
He was a braw gallant,
And he playd at the glove;
And the bonny Earl of Murray,
Oh he was the Queen's love!
Oh lang will his lady
Look oer the castle Down,
Eer she see the Earl of Murray
Come sounding thro the town!
Eer she, etc.
B.
'Open the gates
and let him come in;
He is my brother Huntly,
he'll do him nae harm.'
199
The gates they were opent,
they let him come in,
But fause traitor Huntly,
he did him great harm.
He's ben and ben,
and ben to his bed,
And with a sharp rapier
he stabbed him dead.
The lady came down the stair,
wringing her hands:
'He has slain the Earl o Murray,
the flower o Scotland.'
But Huntly lap on his horse,
rade to the King:
'Ye're welcome hame, Huntly,
and whare hae ye been?
'Where hae ye been?
and how hae ye sped?'
'I've killed the Earl o Murray
dead in his bed.'
'Foul fa you, Huntly!
and why did ye so?
You might have taen the Earl o Murray,
and saved his life too.'
'Her bread it's to bake,
her yill is to brew;
My sister's a widow,
and sair do I rue.
'Her corn grows ripe,
her meadows grow green,
But in bonnie Dinnibristle
I darena be seen.'
200
~ Andrew Lang,#NFDB
511:World's Desire
Love, there is a castle built in a country desolate,
On a rock above a forest where the trees are grim and great,
Blasted with the lightning sharp-giant boulders strewn between,
And the mountains rise above, and the cold ravine
Echoes to the crushing roar and thunder of a mighty river
Raging down a cataract. Very tower and forest quiver
And the grey wolves are afraid and the call of birds is drowned,
And the thought and speech of man in the boiling water's sound.
But upon the further side of the barren, sharp ravine
With the sunlight on its turrets is the castle seen,
Calm and very wonderful, white above the green
Of the wet and waving forest, slanted all away,
Because the driving Northern wind will not rest by night or day.
Yet the towers are sure above, very mighty is the stead,
The gates are made of ivory, the roofs of copper red.
Round and round the warders grave walk upon the walls for ever
And the wakeful dragons couch in the ports of ivory,
Nothing is can trouble it, hate of the gods nor man's endeavour,
And it shall be a resting-place, dear heart, for you and me.
Through the wet and waving forest with an age-old sorrow laden
Singing of the world's regret wanders wild the faerie maiden,
Through the thistle and the brier, through the tangles of the thorn,
Till her eyes be dim with weeping and her homeless feet are torn.
Often to the castle gate up she looks with vain endeavour,
For her soulless loveliness to the castle winneth never.
But within the sacred court, hidden high upon the mountain,
Wandering in the castle gardens lovely folk enough there be,
Breathing in another air, drinking of a purer fountain
And among that folk, beloved, there's a place for you and me
~ Clive Staples Lewis,#NFDB
512:Finding that to be a slightly peculiar conversation to be holding with a horse, especially when Storm kept tossing his head as if he was in perfect agreement with Bram, Lucetta steered Sweet Pea toward them, unable to help but notice that when Bram finally did catch sight of her, he stopped speaking at once even as he took to looking slightly . . . guilty. “Lucetta!” he exclaimed, as his guilty look was replaced with a charming smile when she brought Sweet Pea to a stop. “What in the world are you doing out here, and . . . are you in your wrapper?” Not waiting for her to reply, he shrugged out of his top coat and moved close enough to her to draw the coat around her shoulders. Lovely warmth seeped into her every pore as the scent of sandalwood, lime, and something distinctly male tickled her nose. When she realized he was waiting for some type of reply, she pulled herself from thoughts of warmth and manly smells. “I got locked out of the castle, and when I saw you leaving, I thought I’d try to catch up with you.” Bram frowned. “What do you mean you got locked out of the castle? And what were you doing wandering around the castle at this hour of the night anyway?” “I wasn’t planning on wandering around the castle,” she said with a bit of an edge to her tone. “In all honesty, I’m sure I’d still be fast asleep if a suit of armor hadn’t decided to take a nighttime stroll through the tower.” “What?” “A suit of armor . . .” “Yes, I heard you, but . . . why would a suit of armor be walking through the tower? Or better yet, how would it have gotten up there in the first place?” “Probably the same way Geoffrey did, although why they were in the tower room, well, that’s fairly obvious.” “Not to me.” “Someone wants me gone from Ravenwood.” “Surely not.” “Why else would someone don a suit of armor and try to scare me half to death?” Bram ~ Jen Turano, #NFDB
513:Roads
I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog bitch;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.
And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
202
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.
~ Amy Lowell,#NFDB
514:Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight.
My faery with a soul.
He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist.
And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder.
He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember? ~ Julie Kagawa,#NFDB
515:Rich And Poor
By the castle-gate my lady stands,
Viewing broad acres and spreading lands.
Hill and valley and mead and plain
Are all her own, with their wealth of grain.
In the richest of rich robes she is dressed,
A jewel blazes upon her breast;
And her brow is decked with a diadem
That glitters with many a precious gem.
But what to the Lady Wendoline
Rich satin garments or jewels fine?
Or ripening harvests, or spreading landsSee! she is wringing her milk-white hands!
And her finger is stained with crimson dew
Where the ring with the diamond star cut through.
And a look of pain and wild despair
Rests on the face, so young and fair.
To-morrow will be her bridal day,
And she will barter herself away
For added wealth and a titled name;
'Tis the curse of her station, and whose the blame!
She loathes the man who will call her wife,
And moans o'er her hapless, loveless life.
The joys of wooing she cannot know;
My lord, her father, has willed it so.
She's a piece of merchandise, bought and sold
For name, position, and bags of gold.
493
But people must wed in their own degree,
Though hearts may break in their agony.
Under the hill, in the castle's shade,
At a cottage door sits an humble maid;
In her cheek the blushes come and go
As she stitches away on a robe like snow;
And she sings aloud in her happinessIn a joy she cannot hide or repress.
Close at her side her lover stands,
Watching the nimble, sun-browned hands
As they draw the needle to and fro
Through the robe as white as drift of snow.
Both hearts are singing a wordless lay,
For the morrow will be their bridal day.
They have only their hands, their love, their health,
In place of title, position, and wealth.
But which is the rich, and which the poor,
The maid at the gate, or the maid in the door?
~ Ella Wheeler Wilcox,#NFDB
516:Only Dreams
A maiden sat in teh sunset glow
Of the shadowy, beautiful Long Ago,
That we see through a mist of tears.
She sat and dreamed, with lips apart,
With thoughtful eyes and a beating heart,
Of the mystical future years;
And brighter far than the sunset skies
Was the vision seen by the maiden's eyes.
There were castles built of the summer air,
And beautiful voices were singing there,
In a soft and floating strain.
There were skies of azure and fields of green,
With never a cloud to come between,
And never a thought of pain;
There was the music, sweet as the silvery notes
That flow from a score of thrushes' throats.
There were hands to clasp with a loving hold;
There were lips to kiss, and eyes that told
More than the lips could say.
And all the faces she loved were there,
With their snowy brows untouched by care,
And locks that were never grey.
And Love was the melody each heart beat,
And the beautiful vision was all complete.
But the castles built of the summer wind
I have vainly sought. I only find
Shadows, all grim and cold; For I was the maiden who thought to see
Into the future years, - Ah, me!
And I am grey and old.
My dream of earth was as fair and bright
As my hope of heaven is to-night.
Dreams are but dreams at the very best,
And the friends I loved lay down to rest
With their faces hid away.
442
They had furrowed brows and snowy hair,
And they willing laid one day.
A shadow came over my vision scene
As the clouds of sorrow came in between.
The hands that I thought to clasp are crossed,
The lips and the beautiful eyes are lost,
And I seek them all in vain.
The gushes of melody, sweet and clear,
And the floating voices, I do not hear,
But only a sob of pain;
And the beating hearts have paused to rest.
Ah! dreams are but dreams at the very best.
~ Ella Wheeler Wilcox,#NFDB
517:Let me explain, Eoin. I’m not a witch. I . . .” He immediately interrupted me with more words in Gaelic that I didn’t understand before he turned and walked over to the window seat to stare outside. “What do ye expect me to do with ye now, lass? I should’ve left ye down in the dungeon to rot, but I expect ye spelled me so that I would relent and release ye, aye? What did ye plan to do, Blaire, place spells on us to do yer bidding and torture me for having married ye? I canna believe Arran was right! What a wicked bitch ye are!” Anger flared within me, and I made no effort to continue the accent I’d tried so hard to use over the past weeks. “Are you crazy? Have I done or said anything to anyone since I’ve been here that would make you think that I wanted to hurt you? If you’d just stop all of your insane ranting and listen to me, I could explain what I was doing in the spell room.” “How did ye even know about the room, Blaire? Ye had no business being in that part of the castle at all!” “Mary showed me. It’s where she found me when I showed up here.” “Ye are a damned liar, Blaire! Do ye no remember the day ye arrived? Ye insulted just about everyone in the castle, and ye nearly broke poor Kip’s back with the inconsiderate load ye piled onto him!” “No!” I was no longer afraid, but I was so angry I was on the verge of tears. Each breath seemed painful in my chest. “I don’t remember the day Blaire arrived because I’m not Blaire! I don’t understand why or how I got here, but I’ve spent almost every minute since I showed up in this godforsaken place trying to get back home to Texas.” “Not Blaire? Texas? God, Arran was right! How could I have been so blind? Well, I’ll no more be fooled by ye, and I’ll no have ye causing havoc here anymore.” He reached as if to grab for my arm, but I evaded him, jumping quickly to the left and chunking the nearest object I could reach at his head. It hit him square on the nose. With a ferocious growl, he leapt in my direction once more. ~ Bethany Claire, #NFDB
518:Right about here will do,” I decided. I cast a magelight to illuminate the place. The first faint glow of dawn was arising along the horizon in the east, but it was still as dark as a miner’s butt. “When my father heard that I was having a girl, he gave me some advice,” I said, stripping off my mantle. “As the father of five daughter’s himself, he was full of sage wisdom on the subject of raising girls.” “Are they any different than raising boys?” “Worlds apart,” I nodded. “But he said there are some things that you can count on with girls,” I continued, philosophically. “When a young father has a girl, he’s strong. By the time she grows into a lovely young woman, age takes a toll on a man. He’s not as strong. “So . . . when a young woman enters courting age, you might not be as hale as you are now, my friend. And you will find the nights colder in your bones.” “You . . . you fear I won’t have the strength to show him the door?” He still looked confused. And a little drunk. As big as he is, Arborn is a lightweight when it comes to his cups. “Oh, no. When the wrong sort of suitor shows interest in your daughter,” I explained, as I took out the hoxter wand, “then passion can provide the strength you need to contend with the situation. “But passion fades, when the deed is done. And then you are left with but your decrepit strength, and a long night of work ahead.” I manifested two shovels from the hoxter. “My father told me that the wise father of any daughter has the foresight to dig the hole while he’s still young and strong. It saves the trouble of a long night, when you are old and weary.” “A hole? For . . .?” “My father assures me this is effective: for someone who is not impressed by being shown a hole an attentive father dug before he was born and intended for him, at need,” I supplied. “Mine is behind the stable at the castle. If a young man is worrisome, I’ll show him the hole, and explain the purpose. You have three daughters. That’s three holes. I’ll help you dig. ~ Terry Mancour, #NFDB
519:We do eventually get dressed and look for food, although we only make it to the dining room in time for lunch. Egeria accepts her ousting as Alpha Sinta without a hint of anger or regret. Clearly, it’s what she was expecting all along. Piers is away on a recruitment trip, but the rest of the family is here and overjoyed by our wedding announcement. Jocasta decrees that we have to go shopping, now, and Kaia bounces in her seat, beyond excited about any outing that will actually get her on the other side of the castle gate.
Shopping requires money, so I dig around in Griffin’s pocket under the table, letting my fingers wander enough for him to nearly choke on his stew. I find four gold coins and hold on to them. “You never pay me.”
He looks aghast. “I can’t pay you anymore.”
“We’re about to get married. No one’s going to confuse me with a prostitute.”
Kaia spits out a grape. It bounces across the table and then lands in her mother’s lap. Kaia slaps her hand over her mouth, her blue-gray eyes huge, and Nerissa gives her a quelling look. The look finishes on me, and I might have felt a little quelled myself if Carver hadn’t suddenly made a noise like a donkey, finally belting out the laugh he’d been holding back.
Anatole bangs his hand down on the table and bursts out laughing. He sounds like a donkey, too. It’s contagious, and the whole table erupts, snorting and braying until most of us are wiping tears from our eyes. I shake my head, grinning. I haven’t laughed like this in…well, ever.
Nerissa eventually gets up, comes over to me, and then kisses my cheek, something that would usually make me squirm. Today, it somehow feels normal. “I always wanted to have four daughters.” She squeezes my shoulder. “Now I do.”
I keep smiling like a loon even though my throat suddenly feels thick, and heat stings the backs of my eyes. I have a family that loves me. I would protect them with my life.
Well, maybe not Piers, but I have a feeling he would return the sentiment ~ Amanda Bouchet,#NFDB
520:Tis the middle of night by the castle clock"
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit!—Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.
Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'Tis a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothèd knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.
She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.
The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady's cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky … ~ Samuel Taylor Coleridge,#NFDB
521:warlords battled constantly for supremacy and the possibility of attack was ever present. The castle itself was squat and powerful, with thick walls and heavy towers at each of the four corners. It had none of the soaring grace of Redmont or Castle Araluen. Rather, it was a dark, brooding and forbidding structure, built for war and for no other reason. Halt had told Horace that the word Montsombre translated to mean “dark mountain.” It seemed an appropriate name for the thick-walled building at the end of the winding, tortuous pathway. The name became even more meaningful as they climbed higher. There were poles lining the side of the road, with strange, square structures hanging from them. As they drew closer, Horace could make out, to his horror, that the structures were iron cages, only an arm span wide, containing the remains of what used to be men. They hung high above the roadway, swaying gently in the wind that keened around the upper reaches of the path. Some had obviously been there for many months. The figures inside were dried-out husks, blackened and shriveled by their long exposure, and festooned in fluttering rags of rotting cloth. But others were newer and the men inside were recognizable. The cages were constructed from iron bars arranged in squares, leaving room for ravens and crows to enter and tear at the men’s flesh. The eyes of most of the bodies had been plucked out by the birds. He glanced, sickened, at Halt’s grim face. Deparnieux saw the movement and smiled at him, delighted with the impression his roadside horrors were having on the boy. “Just the occasional criminal,” he said easily. “They’ve all been tried and convicted, of course. I insist on a strict rule of law in Montsombre.” “What were their crimes?” the boy asked. His throat was thick and constricted and it was difficult to form the words. Again, Deparnieux gave him that unconcerned smile. He made a pretense of trying to think. “Let’s say ‘various,’” he replied. “In short, they displeased me.” Horace held the other man’s amused gaze for a few seconds, then, ~ John Flanagan, #NFDB
522:Looking down the south road again, Meliara?”
The voice startled me. I turned and saw my oldest friend, Oria, peering in around the door tapestry. Though I was the countess and she the servant, we had grown up together, scampering barefoot every summer through the mountains, sleeping out under the stars, and dancing to the music of the mysterious Hill Folk. Until last winter, I’d only had Oria’s cast-off clothing to wear; now I had a couple of remade gowns, but I still wore the old clothes to work in.
She smiled a little as she lifted the tapestry the rest of the way and stepped in. “I tapped. Three times.”
“I was not looking at the road. Why should I look at the road? I was just thinking--and enjoying the sunshine.”
“Won’t last.” Oria joined me at the window. “A whole week of mild weather? That usually means three weeks of blizzard on the way.”
“Let it come,” I said, waving a hand. I was just as glad to get off the subject of roads as I was to talk about all the new comforts the castle afforded. “We have windows, and heat vents, and cushions. We could last out a year of blizzards.”
Oria nodded, but--typically--reverted right back to her subject. “If you weren’t looking down the road, then it’s the first time in weeks.”
“Weeks? Huh!” I scoffed.
She just shrugged a little. “Missing your brother?”
“Yes,” I admitted. “I’ll be glad when the roads clear--Branaric did promise to come here.” Then I looked at her. “Do you miss him?”
Oria laughed, tossing her curly black hair over her shoulder. “I know I risk sounding like an old woman rather than someone who is one year past her Flower Day, but my fancy for him was nothing more than a girl’s dream. I much prefer my own flirts now.” She pointed at me. “That’s what you need, Mel, some flirts.”
I too had passed my Flower Day, which meant I was of marriageable age, but I felt sometimes as if I were ten years younger than Oria. She had lots of flirts and seemed to enjoy them all. I’d never had one--and I didn’t want one. “Who has the time? I’m much too busy with Tlanth. ~ Sherwood Smith,#NFDB
523:David strode through the battle raging between his men and the castle defenders in the courtyard and headed straight for the keep, intent on his goal.
The castle would fall quickly. The defenders lacked leadership and were in disarray. His only concern was whether the castle had a secret tunnel for escape. During the siege, he had spread his men out through the fields surrounding the fortress to keep watch. But he had concentrated his forces for the attack and most were now inside the castle. If there was a tunnel, he must secure the widow and her daughters before they had a chance to escape. He did not relish the idea of having to chase them down through the fields with dogs.
The defenders had foolishly waited too long to withdraw to the keep, and most were caught in the courtyard when David’s men burst through the gate. He barely spared them a glance as he ran up the steps of the keep.
With several of his warriors at his back, he burst through the doors brandishing his sword. He paused inside the entrance to hall. Women and children were screaming, and the few Blackadder warriors who had made it inside were overturning tables in a useless attempt to set up a defense.
“If ye hope for mercy, drop your weapons,” David shouted, making his voice heard above the chaos.
He locked gazes with the men who hesitated to obey his order until every weapon clanked to the floor, then he swept his gaze over the women. Their clothing confirmed what he’d known the moment he entered the hall. Blackadder’s widow was not in the room.
“Where is she?” he demanded of the closest Blackadder man.
“Who, m’lord?” the man said, shifting his gaze to the side.
“Your mistress!” David picked him up by the front of his tunic and leaned in close. “Tell me now.”
“In her bedchamber,” the man squeaked, pointing to an arched doorway. “’Tis up the stairs.”
David caught a sudden whiff of urine and dropped the man to the floor in disgust. The wretch had wet himself.
“Take him to the dungeon,” he ordered. The coward had given up his mistress far too easily. ~ Margaret Mallory,#NFDB
524:Cities Vagabonds
These are cities!
And this is the people for whom these
Alleghenys and Lebanons of dream have been raised!
Castles of wood and crystal move on tracks and invisible winches.
Old craters ringed with mammoth statues and
coppery palms roar melodiously in flames.
Festivals of love reverberate
from the canals suspended behind the castles.
Chimes echo through the gorges like a chase.
Corporations of giant singers assemble,
their vestments and oriflames
brilliant as the mountain-peaks.
On platforms in the midst of gulfs,
Rolands brazen their bravuras.
From abysmal catwalks and the rooftops of inns,
a burning sky hoists flags upon the masts.
The collapse of apotheosis
unites the heights to the depths
where seraphic shecentaurs
wind among the avalanches.
Above the plateaus of the highest reaches,
the sea, troubled by the perpetual birth of Venus
and loaded with choral fleets amid
an uproar of pearls and precious conches,
grows dark at times with mortal thunder.
On the slopes,
harvests of flowers
as big as our weapons
and goblets are bellowing.
Processions of Mabs in red-opaline scale the ravines.
On high, their feet in the waterfalls and briars,
stags give suck to Diana.
27
Bacchantes of the suburbs weep,
and the moon burns and howls.
Venus enters the caves
of the black-smiths and hermits.
Clusters of belfries repeat the ideas of the people.
Issues from castles of bone an unknown music.
In the boroughs legends
are born and enthusiasm germinate.
A paradise of storms collapses.
Savages dance without stopping the festival of night.
And, for one hour, I descended into the swarm
of a boulevard of Baghdad
where groups of peple were singing
the joy of the new work,
circulating under a heavy wind
without being able to escape those fabulous phantoms
of the mountains to which one must return.
What good arms, what wondrous hour
will restore to me that region
whence come my slumbers
and least movements?
~ Arthur Rimbaud,#NFDB
525:Sometimes I have thought I heard a Dwarf-drum in the mountains. Sometimes at night, in the woods, I thought I had caught a glimpse of Fauns and Satyrs dancing a long way off; but when I came to the place, there was never anything there. I have often despaired; but something always happens to start me hoping again. I don’t know. But at least you can try to be a King like the High King Peter of old, and not like your uncle.”
“Then it’s true about the Kings and Queens too, and about the White Witch?” said Caspian.
“Certainly it is true,” said Cornelius. “Their reign was the Golden Age in Narnia and the land has never forgotten them.”
“Did they live in this castle, Doctor?”
“Nay, my dear,” said the old man. “This castle is a thing of yesterday. Your great-great-grandfather built it. But when the two sons of Adam and the two daughters of Eve were made Kings and Queens of Narnia by Aslan himself, they lived in the castle of Cair Paravel. No man alive has seen that blessed place and perhaps even the ruins of it have now vanished. But we believe it was far from here, down at the mouth of the Great River, on the very shore of the sea.”
“Ugh!” said Caspian with a shudder. “Do you mean in the Black Woods? Where all the--the--you know, the ghosts live?”
“Your Highness speaks as you have been taught,” said the Doctor. “But it is all lies. There are no ghosts there. That is a story invented by the Telmarines. Your Kings are in deadly fear of the sea because they can never quite forget that in all stories Aslan comes from over the sea. They don’t want to go near it and they don’t want anyone else to go near it. So they have let great woods grow up to cut their people off from the coast. But because they have quarreled with the trees they are afraid of the woods. And because they are afraid of the woods they imagine that they are full of ghosts. And the Kings and great men, hating both the sea and the wood, partly believe these stories, and partly encourage them. They feel safer if no one in Narnia dares to go down to the coast and look out to sea--toward Aslan’s land and the morning and the eastern end of the world. ~ C S Lewis,#NFDB
526:Only twice in literary history has there been a great period of tragedy, in the Athens of Pericles and in Elizabethan England. What these two periods had in common, two thousand years and more apart in time, that they expressed themselves in the same fashion, may give us some hint of the nature of tragedy, for far from being periods of darkness and defeat, each was a time when life was seen exalted, a time of thrilling and unfathomable possibilities. They held their heads high, those men who conquered at Marathon and Salamis, and those who fought Spain and saw the Great Armada sink. The world was a place of wonder; mankind was beauteous; life was lived on the crest of the wave. More than all, the poignant joy of heroism had stirred men’s hearts. Not stuff for tragedy, would you say? But on the crest of the wave one must feel either tragically or joyously; one cannot feel tamely. The temper of mind that sees tragedy in life has not for its opposite the temper that sees joy. The opposite pole to the tragic view of life is the sordid view. When humanity is seen as devoid of dignity and significance, trivial, mean, and sunk in dreary hopelessness, then the spirit of tragedy departs. “Sometime let gorgeous tragedy in sceptred pall come sweeping by.” At the opposite pole stands Gorki with The Lower Depths. Other poets may, the tragedian must, seek for the significance of life. An error strangely common is that this significance for tragic purposes depends, in some sort, upon outward circumstance, on pomp and feast and revelry, With mask, and antique pageantry— Nothing of all that touches tragedy. The surface of life is comedy’s concern; tragedy is indifferent to it. We do not, to be sure, go to Main Street or to Zenith for tragedy, but the reason has nothing to do with their dull familiarity. There is no reason inherent in the house itself why Babbitt’s home in Zenith should not be the scene of a tragedy quite as well as the Castle of Elsinore. The only reason it is not is Babbitt himself. “That singular swing toward elevation” which Schopenhauer discerned in tragedy, does not take any of its impetus from outside things. The ~ Edith Hamilton, #NFDB
527:Those Names
The shearers sat in the firelight, hearty and hale and strong,
After the hard day's shearing, passing the joke along:
The 'ringer' that shore a hundred, as they never were shorn before,
And the novice who, toiling bravely, had tommy-hawked half a score,
The tarboy, the cook and the slushy, the sweeper that swept the board,
The picker-up, and the penner, with the rest of the shearing horde.
There were men from the inland stations where the skies like a furnace glow,
And men from Snowy River, the land of frozen snow;
There were swarthy Queensland drovers who reckoned all land by miles,
And farmers' sons from the Murray, where many a vineyard smiles.
They started at telling stories when they wearied of cards and games,
And to give these stories flavour they threw in some local names,
Then a man from the bleak Monaro, away on the tableland,
He fixed his eyes on the ceiling, and he started to play his hand.
He told them of Adjintoothbong, where the pine-clad mountains freeze,
And the weight of the snow in summer breaks branches off the trees,
And, as he warmed to the business, he let them have it strong -Nimitybelle, Conargo, Wheeo, Bongongolong;
He lingered over them fondly, because they recalled to mind
A thought of the bush homestead, and the girl that he left behind.
Then the shearers all sat silent till a man in the corner rose;
Said he, 'I've travelled a-plenty but never heard names like those.
Out in the western districts, out in the Castlereigh
Most of the names are easy -- short for a man to say.
You've heard of Mungrybambone and the Gundabluey Pine,
Quobbotha, Girilambone, and Terramungamine,
Quambone, Eunonyhareenyha, Wee Waa, and Buntijo --'
But the rest of the shearers stopped him: 'For the sake of your jaw, go slow,
If you reckon thase names are short ones out where such names prevail,
Just try and remember some long ones before you begin the tale.'
And the man from the western district, though never a word he siad,
Just winked with his dexter eyelid, and then he retired to bed.
~ Banjo Paterson,#NFDB
528:Once upon a time, there was a king who ruled a great and glorious nation. Favourite amongst his subjects was the court painter of whom he was very proud. Everybody agreed this wizzened old man pianted the greatest pictures in the whole kingdom and the king would spend hours each day gazing at them in wonder. However, one day a dirty and dishevelled stranger presented himself at the court claiming that in fact he was the greatest painter in the land. The indignant king decreed a competition would be held between the two artists, confident it would teach the vagabond an embarrassing lesson. Within a month they were both to produce a masterpiece that would out do the other. After thirty days of working feverishly day and night, both artists were ready. They placed their paintings, each hidden by a cloth, on easels in the great hall of the castle. As a large crowd gathered, the king ordered the cloth be pulled first from the court artist’s easel. Everyone gasped as before them was revealed a wonderful oil painting of a table set with a feast. At its centre was an ornate bowl full of exotic fruits glistening moistly in the dawn light. As the crowd gazed admiringly, a sparrow perched high up on the rafters of the hall swooped down and hungrily tried to snatch one of the grapes from the painted bowl only to hit the canvas and fall down dead with shock at the feet of the king. ’Aha!’ exclaimed the king. ’My artist has produced a painting so wonderful it has fooled nature herself, surely you must agree that he is the greatest painter who ever lived!’ But the vagabond said nothing and stared solemnly at his feet. ’Now, pull the blanket from your painting and let us see what you have for us,’ cried the king. But the tramp remained motionless and said nothing. Growing impatient, the king stepped forward and reached out to grab the blanket only to freeze in horror at the last moment. ’You see,’ said the tramp quietly, ’there is no blanket covering the painting. This is actually just a painting of a cloth covering a painting. And whereas your famous artist is content to fool nature, I’ve made the king of the whole country look like a clueless little twat. ~ Banksy, #NFDB
529:Marjorie’s Wooing
THE corn was yellow upon the cliffs,
The fluttering grass was green to see,
The waves were blue as the sky above,
And the sun it was shining merrily.
'Marjorie, Marjorie! do you love me,
Faithfully, truly as I love you?'
The little lass reddened, and whitened, and smiled,
And answered him with her clear eyes of blue.
'Marjorie, you are but gentle and young;
I am too old and too rough for you.'
The little lass, trustfully giving her hand,
Answered, 'I love you, faithful and true.'
'Marjorie, Marjorie, when shall we wed?'
'As soon as you will it,—to-morrow, to-day.'
'Marjorie, Marjorie, if you knew all,
Would you still say me the words that you say?'
'If I knew all?' said the little lass,
'I know you are Kenneth, the brave and strong;
I know that I love, and that you are good:
I will know it e'er, and have known it long.'
'Marjorie, Marjorie, if I should say
I fled from prison to come to you;
I stabbed a man all for jealous love;
I am not noble, nor good, nor true?'
'Kenneth, your eyes would belie your words,'
Boldly and bravely the lass replied.
'Why should God fill them with love and truth,
And your heart with cruelty, hate, and pride?'
'Marjorie, Marjorie, if I should say
That I loved many ere I loved you?'
'Ere you had seen me,' Marjorie said,
' How could you know I was loving and true?'
122
'Marjorie, Marjorie, if I should say
That I was outcast on land and on sea?'
'All the more reason,' the little maid said,
' Why you should ever be loved by me.'
'Marjorie, Marjorie, if I should say
That I was noble, and titled, and grand;
Lord of the woods, and the castle, and park,
Lord of the acres of corn o'er the land?'
Dropping a courtesy, the little lass said,
'Still should I love you and ever be true;
But if you found me too lowly and poor,
I should bid farewell and go die for you.'
'Marjorie, darling, I tell you then,
This is the truth, and the land is mine,
And the castle, the park, and the vessel far off,
And whatever is mine, is thine, dear, thine!'
~ Emma Lazarus,#NFDB
530:The Travelling Post Office
The roving breezes come and go, the reed-beds sweep and sway,
The sleepy river murmers low,and loiters on its way,
It is the land of lots o'time along the Castlereagh.
. . .. . . . .
The old man's son had left the farm, he found it full and slow,
He drifted to the great North-west, where all the rovers go.
"He's gone so long," the old man said, "he's dropped right out of mind,
But if you'd write a line to him I'd take it very kind;
He's shearing here and fencing there, a kind of waif and stray-He's droving now with Conroy's sheep along the Castlereagh.
"The sheep are travelling for the grass, and travelling very slow;
Tey may be at Mundooran now, or past the Overflow,
Or tramping down the black-soil flats across by Waddiwong;
But all those little country towns would send the letter wrong.
The mailman, if he's extra tired, would pass them in his sleep;
It's safest to address the note to 'Care of Conroy's sheep,'
For five and twenty thousand head can scarcely go astray,
You write to 'Care of Conroy's sheep along the Castlereagh.'"
. . .. . . ... .. . ...
By rock and ridge and riverside the western mail has gone
Across the great Blue Mountain Range to take the letter on.
A moment on the topmost grade, while open fire-doors glare,
She pauses like a living thing to breathe the mountain air,
Then launches down the other side across the plains away
To bear that note to "Conroy's sheep along the Castlereagh,"
And now by coach and mailman's bag it goes from town to town,
And Conroy's Gap and Conroy's Creek have marked it "Further down."
Beneath a sky of deepest blue, where never cloud abides,
A speck upon the waste of plain the lonely mail-man rides.
Where fierce hot winds have set the pine and myall boughs asweep
He hails the shearers passing by for news of Conroy's sheep.
By big lagoons where wildfowl play and crested pigeons flock,
489
By camp-fires where the drovers ride around their restless stock,
And pass the teamster toiling down to fetch the wool away
My letter chases Conroy's sheep along the Castlereagh.
~ Banjo Paterson,#NFDB
531:harm in allowing them to retain their positions.” “Well, they certainly do fit the roles for caretakers of a haunted castle, but you have yet to truly explain why you bought the place.” Plucking a long piece of grass out of the ground, Bram rolled it between his fingers. “Who doesn’t want to live in a haunted castle?” Lucetta arched a perfect brow his way. “Oh, very well,” he said. “I’ll tell you, but only because I’m not certain I’m quite ready to add nagging to the long list of supposed charms I’ve had to accept about you recently.” “I don’t nag,” Lucetta muttered. “That may well be debatable, but . . . back to my story. You see, the previous owner, Mr. Woodward, had recently suffered some extensive losses in the market, and because of that, he did not have the luxury of taking a financial loss on Ravenwood once rumors spread that it was haunted. However, since his wife refused to step foot inside the castle once she came to the belief it was well and truly haunted, he found himself in a bit of a bind, so . . . I stepped in and bought it from him.” “Good heavens, Mr. Skukman was right. You do enjoy rescuing people,” he heard Lucetta say under her breath before she lifted her head and sent him a smile that showed a great deal of teeth. “It was very nice of you to buy Ravenwood from that man.” Bram shoved aside the peculiar thought that she didn’t actually seem to like the idea that he enjoyed rescuing people, and summoned up a smile of his own. “I had the means to buy Ravenwood, and I love the castle, so helping out Mr. Woodward wasn’t an act of any great consequence.” “I’m certain it was to him.” He turned his attention to the sheep, all of which were back to grazing as Igor slunk around them. Looking back at Lucetta, Bram caught her eye. “Just as I’ve come to discover you don’t care to have people remark on your skills on stage, I don’t particularly care to talk about the assistance I extend to people.” He smiled. “Reverend Gilmore, a dear friend I met about a year ago, once told me that he believes God puts people on certain paths. And when you cross paths with a person who is in need, and you have the solution to that need, well, God expects you to put that solution to use. I don’t know about you, but I’m not one to argue with God.” Lucetta’s ~ Jen Turano, #NFDB
532:David started up the wheeled stairs to the upper floors with his sword at the ready. He expected to encounter Blackadder warriors, protecting the lady of the castle. But there were none on the stairs and none guarding the door on the first floor.
Damn it. She must have escaped. He gritted his teeth as he envisioned the lady’s guards leading her through the tunnel.
He was about to open the chamber door to make sure it was empty when Brian, one of his best men, came down the stairs.
“Laird, I checked all the chambers while ye were in the hall,” he said.
David’s jaw ached from clenching it.
“There’s one door on the floor just above us that wouldn’t open with the latch,” Brian said. “Shall I break it down?”
David waved him aside and pulled the ax from his belt as he raced up the stairs.
“Open it!” he shouted and pounded on the door.
He did not wait. She could be escaping through a secret door this very moment. Three hard whacks with his ax, and the door split. He kicked it until it swung open, then stepped through.
At his first sight of the woman, his feet became fixed to the floor. He felt strange, and his vision was distorted, as if as if he had swallowed a magical potion that narrowed his sight. He could see nothing in the room but her.
She was extraordinarily lovely, with violet eyes, pale skin, and shining black hair. But there was something about her, something beyond her beauty, that held him captive. She was young, much younger than he expected, and her features and form were delicate, in marked contrast to the violent emotion in her eyes.
David knew to the depths of his soul that a brute like him should not be the man to claim this fragile flower, even while the word mine beat in his head like a drum. He had no notion of how long he stood staring at her before he became aware that she held a sword. It was longer still before he noticed the two wee lasses peeking out from behind her like frightened kittens.
Anger boiled up in his chest. Every Blackadder man in the castle who could still draw breath should have been here, standing between him and their lady. Instead, she faced him alone with a sword she could barely lift with both hands.
It was a brave, but ridiculous gesture.
There was no defense against him. ~ Margaret Mallory,#NFDB
533:The closest that most of us come to a direct experience of the centerlessness of capitalism is an encounter with the call center. As a consumer in late capitalism, you increasingly exist in two, distinct realities: the one in which the services are provided without hitch, and another reality entirely, the crazed Kafkaesque labyrinth of call centers, a world without memory, where cause and effect connect together in mysterious, unfathomable ways, where it is a miracle that anything ever happens, and you lose hope of ever passing back over to the other side, where things seem to function smoothly. What exemplifies the failure of the neoliberal world to live up to its own PR better than the call center? Even so, the universality of bad experiences with call centers does nothing to unsettle the operating assumption that capitalism is inherently efficient, as if the problems with call centers weren’t the systemic consequences of a logic of Capital which means organizations are so fixated on making profits that they can’t actually sell you anything. The call center experience distils the political phenomenology of late capitalism: the boredom and frustration punctuated by cheerily piped PR, the repeating of the same dreary details many times to different poorly trained and badly informed operatives, the building rage that must remain impotent because it can have no legitimate object, since – as is very quickly clear to the caller –there is no-one who knows, and no-one who could do anything even if they could. Anger can only be a matter of venting; it is aggression in a vacuum, directed at someone who is a fellow victim of the system but with whom there is no possibility of communality. Just as the anger has no proper object, it will have no effect. In this experience of a system that is unresponsive, impersonal, centerless, abstract and fragmentary, you are as close as you can be to confronting the artificial stupidity of Capital in itself. Call center angst is one more illustration of the way that Kafka is poorly understood as exclusively a writer on totalitarianism; a decentralized, market Stalinist bureaucracy is far more Kafkaesque than one in which there is a central authority. Read, for instance, the bleak farce of K’s encounter with the telephone system in the Castle, and it is hard not to see it as uncannily prophetic of the call center experience. ~ Mark Fisher, #NFDB
534:To-night I'll have my friar -- let me think
About my room, -- I'll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June,
Should look thro' four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower'd with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady's glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish'd but some ringlets of her hair;
A viol, bow-strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon a mat of roses lying,
Ink'd purple with a song concerning dying;
An hour-glass on the turn, amid the trails
Of passion-flower; -- just in time there sails
A cloud across the moon, -- the lights bring in!
And see what more my phantasy can win.
It is a gorgeous room, but somewhat sad;
The draperies are so, as tho' they had
Been made for Cleopatra's winding-sheet;
And opposite the stedfast eye doth meet
A spacious looking-glass, upon whose face,
In letters raven-sombre, you may trace
Old "Mene, Mene, Tekel Upharsin."
Greek busts and statuary have ever been
Held, by the finest spirits, fitter far
Than vase grotesque and Siamesian jar;
Therefore 'tis sure a want of Attic taste
That I should rather love a Gothic waste
Of eyesight on cinque-coloured potter's clay,
Than on the marble fairness of old Greece.
My table-coverlits of Jason's fleece
And black Numidian sheep-wool should be wrought,
Gold, black, and heavy, from the Lama brought.
My ebon sofas should delicious be
With down from Leda's cygnet progeny.
My pictures all Salvator's, save a few
Of Titian's portraiture, and one, though new,
Of Haydon's in its fresh magnificence.
My wine -- O good! 'tis here at my desire,
And I must sit to supper with my friar.
* * * * * * * * * * * * * * * * * * * * *
'This is the third of the undated fragments at the end of Volume I of the Life, Letters &c. (1848).' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Fragment Of The Castle Builder
,#NFDB
535:Once upon a time there was a beautiful princess who was admired by all, but no one dared to ask for her hand in marriage. In despair, the king consulted the god Apollo. He told him that Psyche should be dressed in mourning and left alone on top of a mountain. Before daybreak, a serpent would come to meet and marry her. The king obeyed, and all night the princess waited for her husband to appear, deathly afraid and freezing cold. Finally, she slept. When she awoke, she found herself crowned a queen in a beautiful palace. Every night her husband came to her and they made love, but he had imposed one condition: Psyche could have all she desired, but she had to trust him completely and could never see his face.” How awful, I think, but I don’t dare interrupt him. “The young woman lived happily for a long time. She had comfort, affection, joy, and she was in love with the man who visited her every night. However, occasionally she was afraid that she was married to a hideous serpent. Early one morning, while her husband slept, she lit a lantern and saw Eros, a man of incredible beauty, lying by her side. The light woke him, and seeing that the woman he loved was unable to fulfill his one request, Eros vanished. Desperate to get her lover back, Psyche submitted to a series of tasks given to her by Aphrodite, Eros’s mother. Needless to say, her mother-in-law was incredibly jealous of Psyche’s beauty and she did everything she could to thwart the couple’s reconciliation. In one of the tasks, Psyche opened a box that makes her fall into a deep sleep.” I grow anxious to find out how the story will end. “Eros was also in love and regretted not having been more lenient toward his wife. He managed to enter the castle and wake her with the tip of his arrow. ‘You nearly died because of your curiosity,’ he told her. ‘You sought security in knowledge and destroyed our relationship.’ But in love, nothing is destroyed forever. Imbued with this conviction, they go to Zeus, the god of gods, and beg that their union never be undone. Zeus passionately pleaded the cause of the lovers with strong arguments and threats until he gained Aphrodite’s support. From that day on, Psyche (our unconscious, but logical, side) and Eros (love) were together forever.” I pour another glass of wine. I rest my head on his shoulder. “Those who cannot accept this, and who always try to find an explanation for magical and mysterious human relationships, will miss the best part of life. ~ Paulo Coelho, #NFDB
536:I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.”
“You can’t swim,” broke in Armand. “You told me that you can’t.”
“Maybe I can now. If I’m a dragon.”
“Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?”
I stood again. “Yes! If I must! I don’t hear you coming up with a better-“
“You’ll die out there!”
“Or we’ll all die here!”
“We’re going to find another way!”
“You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me.
Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you.
Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“
“No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.”
Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self.
Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him.
“Armand will take me to the shore. I’ll handle the U-boat.”
“How?” demanded Armand at once.
But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him.
I felt myself shaking my head. Above us, the airship propellers thumped louder and louder.
“Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch.
I felt misery.
“Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.”
I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?”
“I-yes, I will. I do.”
I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky. ~ Shana Abe,#NFDB
537:The Castle In Austria
From 'The Boy's Wonderhorn'
There lies a castle in Austria,
Right goodly to behold,
Walled tip with marble stones so fair,
With silver and with red gold.
Therein lies captive a young boy,
For life and death he lies bound,
Full forty fathoms under the earth,
'Midst vipers and snakes around.
His father came from Rosenberg,
Before the tower he went:-'My son, my dearest son, how hard
Is thy imprisonment!'
'O father, dearest father mine,
So hardly I am bound,
Full forty fathoms under the earth,
'Midst vipers and snakes around!'
His father went before the lord:-'Let loose thy captive to me!
I have at home three casks of gold,
And these for the boy I'll gi'e.'
'Three casks of gold, they help you not:
That boy, and he must die!
He wears round his neck a golden chain;
Therein doth his ruin lie.'
'And if he thus wear a golden chain,
He hath not stolen it; nay!
A maiden good gave it to him
For true love, did she say.'
They led the boy forth from the tower,
And the sacrament took he:--
10
'Help thou, rich Christ, from heaven high,
It's come to an end with me!'
They led him to the scaffold place,
Up the ladder he must go:-'O headsman, dearest headsman, do
But a short respite allow!'
'A short respite I must not grant;
Thou wouldst escape and fly:
Reach me a silken handkerchief
Around his eyes to tie.'
'Oh, do not, do not bind mine eyes!
I must look on the world so fine;
I see it to-day, then never more,
With these weeping eyes of mine.'
His father near the scaffold stood,
And his heart, it almost rends:-'O son, O thou my dearest son,
Thy death I will avenge!'
'O father, dearest father mine!
My death thou shalt not avenge:
'Twould bring to my soul but heavy pains;
Let me die in innocence.
'It is not for this life of mine,
Nor for my body proud;
'Tis but for my dear mother's sake:
At home she weeps aloud.'
Not yet three days had passed away,
When an angel from heaven came down:
'Take ye the boy from the scaffold away;
Else the city shall sink under ground!'
And not six months had passed away,
Ere his death was avenged amain;
And upwards of three hundred men
For the boy's life were slain.
11
Who is it that hath made this lay,
Hath sung it, and so on?
That, in Vienna in Austria,
Three maidens fair have done.
~ Clemens Maria Brentano,#NFDB
538:A Bushman's Song
I’M travellin’ down the Castlereagh, and I’m a station hand,
I’m handy with the ropin’ pole, I’m handy with the brand,
And I can ride a rowdy colt, or swing the axe all day,
But there’s no demand for a station-hand along the Castlereagh. +
So it’s shift, boys, shift, for there isn’t the slightest doubt
That we’ve got to make a shift to the stations further out,
With the pack-horse runnin’ after, for he follows like a dog,
We must strike across the country at the old jig-jog.
This old black horse I’m riding—if you’ll notice what’s his brand,
He wears the crooked R, you see—none better in the land.
He takes a lot of beatin’, and the other day we tried,
For a bit of a joke, with a racing bloke, for twenty pounds a side.
It was shift, boys, shift, for there wasn’t the slightest doubt
That I had to make him shift, for the money was nearly out;
But he cantered home a winner, with the other one at the flog—
He’s a red-hot sort to pick up with his old jig-jog.
I asked a cove for shearin’ once along the Marthaguy:
“We shear non-union here,” says he. “I call it scab,” says I.
I looked along the shearin’ floor before I turned to go—
There were eight or ten dashed Chinamen a-shearin’ in a row.
It was shift, boys, shift, for there wasn’t the slightest doubt
It was time to make a shift with the leprosy about.
So I saddled up my horses, and I whistled to my dog,
And I left his scabby station at the old jig-jog.
I went to Illawarra, where my brother’s got a farm,
He has to ask his landlord’s leave before he lifts his arm;
The landlord owns the country side—man, woman, dog, and cat,
They haven’t the cheek to dare to speak without they touch their hat.
It was shift, boys, shift, for there wasn’t the slightest doubt
Their little landlord god and I would soon have fallen out;
Was I to touch my hat to him?—was I his bloomin’ dog?
So I makes for up the country at the old jig-jog.
18
But it’s time that I was movin’, I’ve a mighty way to go
Till I drink artesian water from a thousand feet below;
Till I meet the overlanders with the cattle comin’ down,
And I’ll work a while till I make a pile, then have a spree in town.
So, it’s shift, boys, shift, for there isn’t the slightest doubt
We’ve got to make a shift to the stations further out;
The pack-horse runs behind us, for he follows like a dog,
And we cross a lot of country at the old jig-jog.
~ Banjo Paterson,#NFDB
539:Poem in October"
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill's shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart's truth
Still be sung
On this high hill in a year's turning. ~ Dylan Thomas,#NFDB
540:Poem In October
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the waterBirds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill's shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
131
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart's truth
Still be sung
On this high hill in a year's turning.
~ Dylan Thomas,#NFDB
541:But before I go, I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon. ~ Paulo Coelho, #NFDB
542:Stop,” Jesse said.
I stared up at him, almost panting with fear.
“Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?”
“How can you say it? It nearly happened on the roof today. You can’t know-“
“I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.”
I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin.
“The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.”
With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm.
“Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added.
It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world.
But he looked up suddenly.
“They’re searching for you,” he said, releasing me at once, moving away.
They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy.
“Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?”
“Yes?”
There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops. ~ Shana Abe,#NFDB
543:Harry!” he panted, massaging his immense chest beneath his emerald-green silk pajamas. “My dear boy…what a surprise…Minerva, do please explain…Severus…what…?”
“Our headmaster is taking a short break,” said Professor McGonagall, pointing at the Snape-shaped hole in the window.
“Professor!” Harry shouted, his hands at his forehead. He could see the Inferi-filled lake sliding beneath him, and he felt the ghostly green boat bump into the underground shore, and Voldemort leapt from it with murder in his heart--
“Professor, we’ve got to barricade the school, he’s coming now!”
“Very well. He-Who-Must-Not-Be-Named is coming,” she told the other teachers. Sprout and Flitwick gasped; Slughorn let out a low groan. “Potter has work to do in the castle on Dumbledore’s orders. We need to put in place every protection of which we are capable while Potter does what he needs to do.”
“You realize, of course, that nothing we do will be able to keep out You-Know-Who indefinitely?” squeaked Flitwick.
“But we can hold him up,” said Professor Sprout.
“Thank you, Pomona,” said Professor McGonagall, and between the two witches there passed a look of grim understanding. “I suggest we establish basic protection around the place, then gather our students and meet in the Great Hall. Most must be evacuated, though if any of those who are over age wish to stay and fight, I think they ought to be given the chance.”
“Agreed,” said Professor Sprout, already hurrying toward the door. “I shall meet you in the Great Hall in twenty minutes with my House.”
And as she jogged out of sight, they could hear her muttering, “Tentacula. Devil’s Snare. And Snargaluff pods…yes, I’d like to see the Death Eaters fighting those.”
“I can act from here,” said Flitwick, and although he could barely see out of it, he pointed his wand through the smashed window and started muttering incantations of great complexity. Harry heard a weird rushing noise, as though Flitwick had unleashed the power of the wind into the grounds.
“Professor,” Harry said, approaching the little Charms master, “Professor, I’m sorry to interrupt, but this is important. Have you got any idea where the diadem of Ravenclaw is?”
“--Protego Horribilis--the diadem of Ravenclaw?” squeaked Flitwick. “A little extra wisdom never goes amiss, Potter, but I hardly think it would be much use in this situation!”
“I only meant--do you know where it is? Have you ever seen it?”
“Seen it? Nobody has seen it in living memory! Long since lost, boy!”
Harry felt a mixture of desperate disappointment and panic. What, then, was the Horcrux? ~ J K Rowling,#NFDB
544:Eyeing stairs that now seemed downright daunting, he drew in a breath, hitched Miss Plum up a little higher in the hopes it would distribute her weight more evenly, then began to climb, counting the steps as he did so. “. . . forty-seven, forty-eight, forty-nine . . . You’re really quite sturdy, aren’t you, Miss Plum? Fifty . . .” By the time he eventually reached the tower room, he was completely out of breath, perspiration was dribbling down his face, and his arms were no longer simply quivering, they were now downright shaking. Stepping through the door of the tower room, he faltered for a moment, wondering what he should do next. “You can just set me down right here, Mr. Haverstein.” Miss Plum’s voice took him by such surprise that he almost dropped her right on the hard stone floor of the tower room. Looking down, he frowned when he saw something in her lovely eyes that he’d never, not once, expected to see, something that resembled, if he wasn’t much mistaken . . . amusement. He’d always been under the impression that Miss Plum, being a fragile sort, possessed a somber and serious demeanor, spending her time away from the theater in a subdued fashion, embroidering samplers, or perhaps pillows, as she lounged on a settee, or learning her lines from the comfort of her bedchamber, but . . . what if he’d been wrong? What if Miss Plum was not as delicate as he’d believed, and what if the woman he’d been enamored with for what seemed like a very long time, turned out to be completely different than what he’d imagined her to be? “How long have you been out of your swoon?” he asked. “Would you be very upset to learn that I never swoon?” His mouth immediately took to gaping open. “Do you mean to tell me that you allowed me to scoop you up off the ground—which wasn’t an easy task by the way—carry you into the castle, and then all the way up a tremendous number of steps when there was absolutely nothing wrong with you?” “I did.” “I could have suffered an injury.” “You seem to be remarkably fit, Mr. Haverstein, and I certainly couldn’t own up to the fact I was feigning my condition, especially since I was doing so to aid dear Abigail.” Bram set her on her feet and rubbed his arms. “My arms feel like jelly.” “I’m sure they do. You carried me a remarkably long distance, and I will admit that I was concerned you were going to drop me a time or two.” She pursed her lips. “Quite honestly, I was going to tell you to put me down right about step number forty-nine, but then you made that remark about how sturdy I am, and . . . I changed my mind.” “I said that out loud?” “Indeed.” “I do beg your pardon.” Miss ~ Jen Turano, #NFDB
545:Looking down, she felt heat traveling up her face when she saw that, in her mad dash to get away from the goat, she’d completely neglected to realize that not only had she forgotten her shoes and stockings, she’d also forgotten that she hadn’t buttoned her gown up all the way. “Goodness,” she muttered as she yanked the neckline of her dress up as high as she could. “If it makes you feel better, I don’t believe anyone took note of your somewhat questionable state of dishabille.” Her head shot up as she met Bram’s eyes. “You obviously noticed.” He sent her a charming smile. “Noticed what?” He extended her his arm. “There’s a lovely grove right through those trees, which is nowhere near the barn, I might add. It’ll afford you a bit of privacy to set yourself to rights since I don’t believe you’ll be keen to face all the people still lingering outside the castle doors.” Glancing to where Bram was now looking, Lucetta found a small cluster of people looking her way, although Mr. Kenton and Archibald were walking back toward the castle, the skirts of their dresses fluttering in the breeze. Abigail, however, seemed to be in the midst of a heated conversation with her daughter, both women gesturing wildly with their hands as the remaining members of Bram’s staff edged ever so slowly away from them. “Should we intervene?” she asked with a nod Abigail’s way. “I willingly admit I’m not that familiar with my grandmother when she’s in a temper, but my mother is not a woman who would appreciate an intervention. I suggest you get yourself straightened about, and then I’ll take you for a lovely walk around the grounds. By the time we get back, they’ll have hopefully settled a few of their differences from the past thirty years.” “It’s fortunate your grounds seem to be extensive.” “Quite,” Bram agreed as she took the arm he was still holding out to her. He turned his attention back to Abigail and Iris. “I’m taking Miss Plum for a tour of the grounds,” he called. “We’ll be back in an hour or two.” Abigail and Iris stopped arguing and turned their attention Bram and Lucetta’s way. It was immediately clear that Abigail took no issue with Bram giving Lucetta a tour of the grounds. She lifted her arm and sent them a cheery wave before she spun on her heel and headed back toward the castle, spinning around again a moment later. Putting her hands on her hips, she marched her way back to Iris—who’d not moved at all—took her daughter’s arm, and with what looked to be a bit of wrestling, hauled Iris inside with her. “Perhaps we’ll mosey around the grounds for more than an hour or two,” Bram said as he steered Lucetta toward the trees. ~ Jen Turano, #NFDB
546:There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient.
It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste.
Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.)
Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire."
The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand.
And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss.
Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off. ~ Karen Marie Moning,#NFDB
547:ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference. ~ E Lockhart, #NFDB
548:I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.’” The shepherd said nothing. He had understood the story the old king had told him. A shepherd may like to travel, but he should never forget about his sheep. The ~ Paulo Coelho, #NFDB
549:The Princess's Finger-Nail: A Tale Of Nonsense Land
All through the Castle of High-bred Ease,
Where the chief employment was do-as-you-please,
Spread consternation and wild despair.
The queen was wringing her hands and hair;
The maids of honor were sad and solemn;
The pages looked blank as they stood in column;
The court-jester blubbered, 'Boo-hoo, boo-hoo';
The cook in the kitchen dropped tears in the stew;
And all through the castle went sob and wail,
For the princess had broken her finger-nail:
The beautiful Princess Red-as-a-Rose,
Bride-elect of the Lord High-Nose,
Broken her finger-nail down to the quickNo wonder the queen and her court were sick.
Never sorrow so dread before
Had dared to enter that castle door.
Oh! what would my Lord His-High-Nose say
When she took off her glove on her wedding-day?
The fairest princess in Nonsense Land,
With a broken finger-nail on her hand!
'Twas a terrible, terrible accident,
And they called a meeting of parliament;
And never before that royal Court
Had come such question of grave import
As 'How could you hurry a nail to grow?'
And the skill of the kingdom was called to show.
They sent for Monsieur File-'em-off;
He smoothed down the corners so ragged and rough.
They sent for Madame la Diamond-Dust,
Who lived on the fingers of upper-crust;
They sent for Professor de Chamois-Skin,
Who took her powder and rubbed it in;
They sent for the pudgy nurse Fat-on-the-bone
To bathe her finger in eau de Cologne;
And they called the Court surgeon, Monsieur Red-Tape,
To hear what he thought of the new nail's shape.
Over the kingdom the telegrams flew
Which told how the finger-nail thrived and grew;
And all through the realm of Nonsense Land
659
They offered up prayers for the princess's hand.
At length the glad tidings were heard with a shout
That the princess's finger-nail had grown out:
Pointed and polished and pink and clean,
Befitting the hand of a some-day queen.
Salutes were fired all over the land
By the home-guard battery pop-gun band;
And great was the joy of my Lord High-Nose,
Who straightway ordered his wedding clothes,
And paid his tailor, Don Wait-for-aye,
Who died of amazement the self-same day.
My lord by a jury was judged insane;
For they said, and the truth of the saying was plain,
That a lord of such very high pedigree
Would never be paying his bills, you see,
Unless he was out of his head; and so
They locked him up without more ado.
And the beautiful Princess Red-as-a-Rose
Pined for her lover, my Lord High-Nose,
Till she entered a convent and took the veilAnd this is the end of my nonsense tale.
~ Ella Wheeler Wilcox,#NFDB
550:I once saw a woman wearing a low-cut dress; she had a glazed look in her eyes, and she was walking the streets of Ljubljana when it was five degrees below zero. I thought she must be drunk, and I went to help her, but she refused my offer to lend her my jacket. Perhaps in her world it was summer and her body was warmed by the desire of the person waiting for her. Even if that person only existed in her delirium, she had the right to live and die as she wanted, don’t you think?”
Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana?
“I’m going to tell you a story,” said Zedka. “A powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which all the inhabitants drank. Whoever drank that water would go mad.
“The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take no notice of them.
“When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. They marched on the castle and called for his abdication.
“In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’
“And that was what they did: The king and the queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such wisdom, why not allow him to continue ruling the country?
“The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.”
Veronika laughed.
“You don’t seem crazy at all,” she said.
“But I am, although I’m undergoing treatment since my problem is that I lack a particular chemical. While I hope that the chemical gets rid of my chronic depression, I want to continue being crazy, living my life the way I dream it, and not the way other people want it to be. Do you know what exists out there, beyond the walls of Villete?”
“People who have all drunk from the same well.”
“Exactly,” said Zedka. “They think they’re normal, because they all do the same thing. Well, I’m going to pretend that I have drunk from the same well as them. ~ Paulo Coelho,#NFDB
551:Death told me the Fool showed you a vision with ten swords in your back.”
I nodded. “The ten of swords card indicates that a devastating catastrophe is headed one’s way and will strike without warning. Bingo, Matthew.”
“Hmm.”
“Hmm, what?”
“That card is also about letting go and accepting one’s current circumstances.”
Accepting that you can’t change fate. As my mom had done with my dad. “Should I let go of Jack? Like you let go of the man you lost?”
She lifted one slim shoulder. “You’d already fallen for another.”
“I swore revenge on Richter. How can I think of surrendering that need?” Richter, I’m . . . not coming for you? “Do you know what I fear more than marching off to die fighting him? That I might have to live with what he did.”
“No one’s suggesting you give up your revenge. But what if we can’t find him for half a year? Two years? Will you cease living till then? Will you force Death to stop as well? He yearns to be a normal man. Even if just for a day. Will you not give that to him?”
“I made the point to him about our limited time,” I said, still cringing at my clumsiness. “All I did was insult him.”
“He wanted a wife. Not a buddy.”
Was she listening to everything in the castle? “I don’t want to hurt him, but I don’t know what to do.”
She pinned my gaze with her own. “Therein lies the lesson of the card, Evie Greene. The lesson of life. When you can’t change your situation, you must change yourself. You must rise and walk—despite the ten swords in your back.”
What was harder than dying? Living a nightmare.
Mom had learned to live without Dad. I had learned to live without Mom. Could I go on without Jack? “I shouldn’t even be thinking about Aric. I disobeyed the dictates of the game, and I got Jack killed. What if I do the same to Aric?”
Circe made a sound of amusement. “You always did think highly of yourself. Do you believe you had something to do with that massacre? Think logically. Richter could have reversed the order of his attacks—targeting Fort Arcana earlier, vaporizing the Magician, one of Fauna’s wolves, and the stronghold of his enemies. He could have shot at the army by helicopter afterward. Instead he targeted mortals and one player. The Moon.”
My lips parted. “Because she was more of a threat to him.”
“She was the only one in the area who could slay him from a distance. Richter will target the Tower as well, since Joules shares that ability,” she said. “So if we should blame any card for your mortal’s death, blame the Moon.”
“I’ll never blame her.”
“Yet you’ll blame yourself?” Circe shook her head, and the river swirled. “I say we blame the Emperor.” Could it be that easy?
Had Richter always had Selena in his sights? If fate couldn’t be changed—then she’d been doomed to die the second we’d saved her from the Lovers. ~ Kresley Cole,#NFDB
552:When she was done, I said, “Thanks, Ria. That’s as good as an afternoon nap in the summer.”
“A shame you have to put it up again,” she said, smiling. “It’s so pretty--the color of autumn leaves. Promise you’ll never cut it.”
“I won’t. It’s the only thing I have left to share with my mother, the color of our hair. And she always wanted me to grow it out.” My fingers worked quickly from old habit as I braided it up again, wrapped it twice around my head, and tucked the end in. “But I can’t parade around in long hair during a war. Or, I suppose I could, except then I’d end up carrying half the mountain in it.”
“You can wear it down after we win, then, and start a new fashion.”
“You’ll be the one starting the fashions,” I said, laughing up at her.
“Duchess Oria,” she said, swishing around my tiny tent. “New silk shoes every day--twice a day! I can hardly wait.”
“That’ll do,” Julen said to Oria. She was vigorously brushing mud off my alternate pair of woolen trousers. “You stop your nonsense and go and get your rest. We’ll have to make a supply run again tomorrow.” Oria stuck her tongue out at her mother, grinned at me, and ran out. Julen laid my other tunic down. “This is the best I can make of these trousers; the mud will not come out. Your brother’s old tunic looks even worse,” she said, frowning heavily. “I wish I could wash these properly! Even so, they wouldn’t look much better. ’Tis shameful, you not dressing to befit your station. Especially on this day.”
I dropped onto my bedroll, grinning. “For whom?” I asked. “Everyone has seen me like this since I was small. And truth to tell, Oria would look a lot prettier in fancy clothes than I would.”
Julen’s square, worn face looked formidable as she considered this. She said slowly, “’Tisn’t proper. When I grew up, we dressed to fit our places in life. Then you know who was what at a glance--and how to deal with ‘em.”
“But that means an orderly life, and when has Tlanth been orderly?” I asked, sobering. “Not in my memory.”
Julen gave a short nod. “It’s just not right, your runnin’ barefoot and ignorant with the village brats. I count my two among ‘em,” she added with a wry smile.
“But they’re my friends,” I said, leaning on one elbow. “We know each other. We’ll defend each other to the death. You think Faeruk and the rest would have left their patches of farm or their work to follow us if I’d stayed in the castle, spending tax money on gowns and putting on airs?”
Julen pursed her lips. “Friends in war--and I hope you’ll remember us when things are put right. But you know we all will eventually have to take up our work again, and you won’t be knowing how to have friends among your own kind.”
“I don’t miss what I never had.”
“I’ve said my piece. Except,” Julen added strongly, “I’ll continue to curse the day Galdran Merindar’s mother didn’t strangle him at birth.”
“Now, that,” I said with a laugh, “is a fine idea, and one I’ll join with enthusiasm! ~ Sherwood Smith,#NFDB
553:Dear Mel:
I trust this finds you recovered. Why did you have to run off like that? But I figured you were safe arrived at home, and well, or Khesot would’ve sent to me here--since you wouldn’t write.
And how was I to pay for sending a letter to Remalna-city? I thought indignantly, then sighed. Of course, I had managed to find enough coin to write to Ara’s family, and to obtain through the father the name of a good bookseller. But the first was an obligation, I told myself. And as for the latter, it was merely the start of the education that Branaric had blabbed to the world that I lacked.
I’m here at Athanarel, finding it to my taste. It helps that Galdran’s personal fortune has been turned over to us, as repayment for what happened to our family--you’ll find the Letter of Intent in with this letter, to be kept somewhere safe. Henceforth, you send your creditors for drafts on Arclor House…
I looked up at the ceiling as the words slowly sank in. “Personal fortune”? How much was that? Whatever it was, it had to be a vast improvement over our present circumstances. I grinned, thinking how I had agonized over which book to choose from the bookseller’s list. Now I could order them all. I could even hire my own scribe…
Shaking my head, I banished the dreams of avarice, and returned to the letter--not that much remained.
…so, outfit yourself in whatever you want, appoint someone responsible as steward, and join me here at Athanarel as soon as you can. Everyone here wants to meet you.
“Now, that’s a frightening thought,” I said grimly.
And I think it’s time for you to make your peace with Vidanric.
He ended with a scrawled signature.
I lowered the letter slowly to the desk, not wanting to consider why I found that last suggestion even more frightening than the first.
Behind Bran’s letter, bearing three official-looking seals, was the Letter of Intent. In very beautiful handwriting, it named in precise terms a sum even higher than I’d dared to let myself think of, the remainder after the taxes for the army had been subtracted. Wondering who was getting that sum, which was even greater, I scanned the rest, which outlined in flowery language pretty much what Branaric had said. It seemed we now had a business house handling our money; previously I’d gathered the scanty sums and redispersed them myself, in coin.
I put that letter down, too. Suddenly the possibilities now available started multiplying in my mind. Not visiting Athanarel. I didn’t even consider that; I’d tried to win a crown, and lost. But supposedly all the wrongs I had fought for were being addressed, and so--I vowed--I was done with royal affairs.
No, I told myself, my work now was Tlanth, and with this money, all my plans could be put into action. Rebuilding, new roads, booksellers…I looked around at the castle, no longer seeing the weather damage and neglect, but how it would look repaired and redecorated.
“Oria!” I yelled, running downstairs. “Oria! Julen! Calaub! We’re rich! ~ Sherwood Smith,#NFDB
554:Briette sighed. “I don’t think your intentions were bad, Sir Ansley. And in the end, you warned Calister of what the king planned to do. I simply have a favor to ask.” She smiled. “Which brings me to Calister.” Calister stiffened. “At your service, my lady.” Briette raised her voice so they would all hear. “At the castle, King Jarrod tried to have me arrested. Calister not only fended off the knights, he fought actually King Jarrod himself. A man nearly a foot taller and three times his weight. I have never seen such courage. Noble deeds deserve a noble reward, don’t you think? Calister… come here, please.” Calister crept toward her, uncertain. Briette carefully extracted the long sword she wore at her side. “I must ask you to kneel before me.” “Kneel?” Calister looked confused, then his eyes popped with understanding. “Oh!” He dropped to one knee. Briette lifted the sword and touched the flat of it to his shoulder. “Calister, do swear that you will honor and defend the kingdom of Runa under Princess Maelyn?” “I will,” said Calister. “That you will defend truth and justice, and strive to protect those weaker than yourself?” “I will,” said Calister. “And that you will uphold the noble ideals of chivalry to the benefit of your good name and the greater glory of our land?” “I will,” said Calister. Briette smiled. “Then, by the power invested in me, I now dub you Sir Calister, a knight of Runa Realm. Quite possibly the youngest knight this kingdom has ever known. You may rise.” Calister stood, blinking hard to hold back tears. “Th-thank you, my lady. I – I promise to be a faithful knight, and….” His face crumpled and he fell against Briette and squeezed her tightly. “Thank you, my lady!” “Bree. I am always Bree to you,” she said, returning the hug. She could see the servants over his shoulder. Rupy sobbed openly, Sir Ansley beamed with pride, Old Shivey nodded her head, and Havi wore a crooked smile. The duke, however, remained hard and impassive, his eyes turned away. Calister released her and wiped his eyes. Briette turned back to the group. “I will send for Calister in a few days. We shall make arrangements for him to be transferred to Lumen Fortress where he will continue his training with the knights there. Sir Ansley, I will rely on you to check on him regularly and see that he is progressing in his studies. Can you do this?” “Of course I can! Gladly!” said Sir Ansley. “Thank you. His lost hand is but a minor setback and I intend to have equipment made that will compensate for it. And please continue taking him to visit his mother. I’m sure she will be very proud of him.” Calister smiled, his face red. He rubbed his eyes again and laughed at himself. “I’m sorry, a knight shouldn’t cry.” “The good ones do.” Briette grinned and held out the sword. “Here. Take this as my gift to you. And wear it proudly! I’m sure you will have many adventures, Sir Calister.” Calister clasped the sword and bowed grandly. “I will strive to be worthy of this honor, my lady Bree.” “Oh, he’s adorable!” Miriella cried. Maelyn’s smile was more reserved. Briette hadn’t told her that she would knight a fourteen-year-old ~ Anita Valle, #NFDB
555:Hullo,” he said sleepily, rubbing a hand along his jaw.
He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room-
I came to life. “Get out!”
He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face.
“But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.”
Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close.
I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up…
Armand shifted a bit, rearranging the pillows behind his shoulders.
I wet my lips. “If this is about the kiss-“
“No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“
“You can’t be in here!”
“And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.”
Dark power. Compel him to leave.
I was desperate enough to try.
“You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.”
Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor.
“That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?”
Blast. I tipped my head back against the wood of the door and clenched my teeth.
“Do you have any idea the trouble I’ll be in if they should find you here? What people will think?”
“Oh, yes. It rather gives me the advantage, doesn’t it?”
“Mrs. Westcliffe will expel me!”
“Nonsense.” He smiled. “All right, probably she will.”
“Just tell me that you want, then!”
His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh.
“All I want,” he said quietly, “is to talk.
“Then pay a call on me later this afternoon,” I hissed.
“No.”
“What, you don’t have the time to tear yourself away from your precious Chloe?”
I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither.
Reasonably certain. ~ Shana Abe,#NFDB
556:Well, if he wants to be king, he’ll just plain have to get used to questions and toadies and all the rest of it,” I said. Remembering the conversation at dinner and wondering if I’d made an idiot of myself, I added crossly, “I don’t have any sympathy at all. In fact, I wish he hadn’t come up here. If he needed rest from the fatigue of taking over a kingdom, why couldn’t he go to that fabulous palace in Renselaeus? Or to Shevraeth, which I’ll just bet has an equally fabulous palace?”
Nee sighed. “Is that a rhetorical or a real question?”
“Real. And I don’t want to ask Bran because he’s so likely to hop out with my question when we’re all together and fry me with embarrassment,” I finished bitterly.
She gave a sympathetic grin. “Well, I suspect it’s to present a united front, politically speaking. You haven’t been to Court, so you don’t quite comprehend how much you and your brother have become heroes--symbols--to the kingdom. Especially you, which is why there were some murmurs and speculations when you never came to the capital.”
I shook my head. “Symbol for failure, maybe. We didn’t win--Shevraeth did.”
She gave me an odd look midway between surprise and curiosity. “But to return to your question, Vidanric’s tendency to keep his own counsel ought to be reassuring as far as people hopping out with embarrassing words are concerned. If I were you--and I know it’s so much easier to give advice than to follow it--I’d sit down with him, when no one else is at hand, and talk it out.”
Just the thought of seeking him out for a private talk made me shudder. “I’d rather walk down the mountain in shoes full of snails.”
It was Nee’s turn to shudder. “Life! I’d rather do almost anything than that--”
A “Ho!” outside the door interrupted her.
Bran carelessly flung the tapestry aside and sauntered in. “There y’are, Nee. Come out on the balcony with me? It’s actually nice out, and we’ve got both moons up.” He extended his hand.
Nee looked over at me as she slid her hand into his. “Want to come?”
I looked at those clasped hands, then away. “No, thanks,” I said airily. “I think I’ll practice my fan, then read myself to sleep. Good night.”
They went out, Bran’s hand sliding round her waist. The tapestry dropped into place on Nee’s soft laugh.
I got up and moved to my window, staring out at the stars.
It seemed an utter mystery to me how Bran and Nimiar enjoyed looking at each other. Touching each other. Even the practical Oria, I realized--the friend who told me once that things were more interesting than people--had freely admitted to liking flirting.
How does that happen? I shook my head, thinking that it would never happen to me. Did I want it to?
Suddenly I was restless and the castle was too confining.
Within the space of a few breaths I had gotten rid of my civilized clothing and soft shoes and had pulled my worn, patched tunic, trousers, and tough old mocs from the trunk in the corner.
I slipped out of my room and down the stair without anyone seeing me, and before the moons had traveled the space of a hand across the sky, I was riding along the silver-lit trails with the wind in my hair and the distant harps of the Hill Folk singing forlornly on the mountaintops. ~ Sherwood Smith,#NFDB
557:The town is old and very steep
A place of bells and cloisters and grey towers,
And black-clad people walking in their sleep—
A nun, a priest, a woman taking flowers
To her new grave; and watched from end to end
By the great Church above, through the still hours:
But in the morning and the early dark
The children wake to dart from doors and call
Down the wide, crooked street, where, at the bend,
Before it climbs up to the park,
Ken's is in the gabled house facing the Castle wall.
When first I came upon him there
Suddenly, on the half-lit stair,
I think I hardly found a trace
Of likeness to a human face
In his. And I said then
If in His image God made men,
Some other must have made poor Ken—
But for his eyes which looked at you
As two red, wounded stars might do.
He scarcely spoke, you scarcely heard,
His voice broke off in little jars
To tears sometimes. An uncouth bird
He seemed as he ploughed up the street,
Groping, with knarred, high-lifted feet
And arms thrust out as if to beat
Always against a threat of bars.
And oftener than not there'd be
A child just higher than his knee
Trotting beside him. Through his dim
Long twilight this, at least, shone clear,
That all the children and the deer,
Whom every day he went to see
Out in the park, belonged to him.
"God help the folk that next him sits
15
He fidgets so, with his poor wits,"
The neighbours said on Sunday nights
When he would go to Church to "see the lights!"
Although for these he used to fix
His eyes upon a crucifix
In a dark corner, staring on
Till everybody else had gone.
And sometimes, in his evil fits,
You could not move him from his chair—
You did not look at him as he sat there,
Biting his rosary to bits.
While pointing to the Christ he tried to say,
"Take it away".
Nothing was dead:
He said "a bird" if he picked up a broken wing,
A perished leaf or any such thing
Was just "a rose"; and once when I had said
He must not stand and knock there any more,
He left a twig on the mat outside my door.
Not long ago
The last thrush stiffened in the snow,
While black against a sullen sky
The sighing pines stood by.
But now the wind has left our rattled pane
To flutter the hedge-sparrow's wing,
The birches in the wood are red again
And only yesterday
The larks went up a little way to sing
What lovers say
Who loiter in the lanes to-day;
The buds begin to talk of May
With learned rooks on city trees,
And if God please
With all of these
We, too, shall see another Spring.
But in that red brick barn upon the hill
I wonder—can one own the deer,
And does one walk with children still
As one did here?
16
Do roses grow
Beneath those twenty windows in a row—
And if some night
When you have not seen any light
They cannot move you from your chair
What happens there?
I do not know.
So, when they took
Ken to that place, I did not look
After he called and turned on me
His eyes. These I shall see—
~ Charlotte Mary Mew,#NFDB
558:Thank goodness you’re not dead, my dear,” Abigail began, stopping a few feet away from Lucetta. “I was certain you were going to drown when you went into the moat the first time, given that you were wearing such a heavy coat. But wasn’t it just so fortunate that my grandson was there to jump in and rescue you?” The reason behind the lack of urgency in Abigail getting to Lucetta immediately became clear. Shooting a glance to the man she’d assumed was the gardener—although the quality of his shirt should have been an indication he was nothing of the sort—Lucetta turned back to Abigail. “This is your grandson?” Abigail sent her a less than subtle wink. “Too right he is.” To Lucetta’s absolute relief, the grandson in question stepped forward before Abigail had an opportunity to begin waxing on about what a dish her grandson had turned out to be, a subject that would have embarrassed Lucetta no small amount, and probably the grandson as well. “Grandmother, this is certainly an unexpected surprise,” the man who was apparently Bram Haverstein said. Abigail beamed a smile Bram’s way and held out her hands, her beaming increasing when Bram immediately strode to her side, picked up both of her hands, and kissed them. “I’m sure you are surprised to see me, dear, just as I’m sure you meant to say delightful surprise, not unexpected, but enough about that. Even though you and Lucetta are dripping wet, we mustn’t ignore the expected pleasantries, so do allow me to formally introduce the two of you. Bram, this is my darling friend, Miss Lucetta Plum, and Lucetta, dear, this is my grandson, the one I’ve been telling you so much about, Mr. Bram Haverstein.” Trepidation was immediate when Bram flashed a big smile her way. Rising to her feet, Lucetta inclined her head. “It’s a pleasure to meet you, Mr. Haverstein.” “The pleasure is mine, Miss Plum,” Bram responded as he moved right up beside her and took her hand firmly in his, the heat from his skin sending a jolt of what she could only assume was alarm straight up her arm. “Do know that I’m a great, great admirer of your work.” Her sense of alarm promptly increased. Gentlemen who had no qualms admitting they were great, great admirers of her work were known to be rather . . . zealous. The very last circumstance Lucetta needed, or wanted for that matter, was to add another great admirer to her unwanted collection of them. Disappointment stole through her as Mr. Haverstein lifted her hand to his lips and placed a lingering kiss on her knuckles, that disappointment increasing when he lowered her hand and began speaking. “I must admit that I do think your role in The Lady of the Tower is your best to date. Why, I’ve come to the conclusion that Mr. Grimstone, the playwright, obviously had you in mind to play the part of Serena Seamore from the moment he began penning the story.” Abigail, apparently realizing that her grandson was not making a favorable impression—which certainly wouldn’t aid her matchmaking attempt—squared her shoulders, looking quite determined. “How lovely to discover you’re already familiar with my dear Lucetta and her work,” Abigail said. “But as both of you are dripping wet and certain to catch a cold if we linger, I’m going to suggest we repair to the castle and leave further talk of, uh, theater behind us.” She ~ Jen Turano, #NFDB
559:Pham Nuwen spent years learning to program/explore. Programming went back to the beginning of time. It was a little like the midden out back of his father’s castle. Where the creek had worn that away, ten meters down, there were the crumpled hulks of machines—flying machines, the peasants said—from the great days of Canberra’s original colonial era. But the castle midden was clean and fresh compared to what lay within the Reprise’s local net. There were programs here that had been written five thousand years ago, before Humankind ever left Earth. The wonder of it—the horror of it, Sura said—was that unlike the useless wrecks of Canberra’s past, these programs still worked! And via a million million circuitous threads of inheritance, many of the oldest programs still ran in the bowels of the Qeng Ho system. Take the Traders’ method of timekeeping. The frame corrections were incredibly complex—and down at the very bottom of it was a little program that ran a counter. Second by second, the Qeng Ho counted from the instant that a human had first set foot on Old Earth’s moon. But if you looked at it still more closely. . .the starting instant was actually some hundred million seconds later, the 0-second of one of Humankind’s first computer operating systems.
So behind all the top-level interfaces was layer under layer of support. Some of that software had been designed for wildly different situations. Every so often, the inconsistencies caused fatal accidents. Despite the romance of spaceflight, the most common accidents were simply caused by ancient, misused programs finally getting their revenge.
“We should rewrite it all,” said Pham.
“It’s been done,” said Sura, not looking up. She was preparing to go off-Watch, and had spent the last four days trying to root a problem out of the coldsleep automation.
“It’s been tried,” corrected Bret, just back from the freezers. “But even the top levels of fleet system code are enormous. You and a thousand of your friends would have to work for a century or so to reproduce it.” Trinli grinned evilly. “And guess what—even if you did, by the time you finished, you’d have your own set of inconsistencies. And you still wouldn’t be consistent with all the applications that might be needed now and then.”
Sura gave up on her debugging for the moment. “The word for all this is ‘mature programming environment.’ Basically, when hardware performance has been pushed to its final limit, and programmers have had several centuries to code, you reach a point where there is far more signicant code than can be rationalized. The best you can do is understand the overall layering, and know how to search for the oddball tool that may come in handy—take the situation I have here.” She waved at the dependency chart she had been working on. “We are low on working fluid for the coffins. Like a million other things, there was none for sale on dear old Canberra. Well, the obvious thing is to move the coffins near the aft hull, and cool by direct radiation. We don’t have the proper equipment to support this—so lately, I’ve been doing my share of archeology. It seems that five hundred years ago, a similar thing happened after an in-system war at Torma. They hacked together a temperature maintenance package that is precisely what we need.”
“Almost precisely. ~ Vernor Vinge,#NFDB
560:We can always pass some time visiting my herd of sheep.” “I think I’ve seen all the animals I care to see today, thank you very much, and even though the thought of avoiding whatever unpleasantness is transpiring between Abigail and Iris is tempting, I really won’t be comfortable leaving Abigail for long, even with Archibald and Mr. Kenton to keep an eye on her.” “That’s very thoughtful of you,” Bram said, sending Lucetta a charming smile that had her knees going a little wobbly. Shoving aside the idea that he was far too attractive when he smiled, and ignoring the curious condition of her knees, Lucetta fell into step beside him and began chatting about the weather, of all things. As they walked into a stand of trees, the temperature dropped, easing some of the heat that still remained on Lucetta’s neck, heat that immediately returned when Bram drew her to a stop and smiled at her again. “If you’ll turn around, I’ll help you with those buttons,” he said. His suggestion had the heat traveling up her neck and settling on her face, a reaction that took her by complete surprise. Being an actress, she’d become used to having many people button her up over the years, male and female, but their assistance had never bothered her before. Out of necessity, she’d rarely given much thought to modesty over the past few years, but now, surrounded only by trees and a gentleman who had one of the nicest smiles she’d ever seen, thoughts of modesty were pushing their way to the forefront of her mind. “Tell me about your sheep,” she said as she stood rooted to the spot, unable to turn around, and unwilling to take him up on his offer to help with her buttons just yet. She was thankful when Bram didn’t press her to turn. “It’s a diverse herd, made up of a wide variety of once abused and neglected sheep, all of them having a mistrust of humans.” He shook his head. “They’re becoming fairly well adjusted now, and I have high hopes that the longer they’re here, the more they’ll realize they’re finally safe and will settle into happy lives, chomping high grass on the castle grounds.” “Where did you get them?” Bram shrugged. “Here and there. It’s become known that I’m always willing to take in strays, so . . . people drop off all sorts of animals at Ravenwood, or people send me letters, letting me know of animals that might need my help. My staff and I spend a lot of time tracking down neglected animals, and once we find them, we bring them here to live out the rest of their lives.” Lucetta’s heart gave a lurch. “You’re a collector of misfits.” Bram smiled. “I like misfits, probably because I’ve always been a bit of a misfit as well.” He moved an inch closer to her. “Shall I button you up?” “I should probably do it myself.” His smile turned remarkably sweet. “I won’t look, in fact, I can close my eyes if it’ll make you feel better.” Drawing in a deep breath even as she realized she was being a complete ninny because there was no way she could reach the buttons on the back of her gown, she presented Bram with her back. A second later she nearly jumped out of her skin when his finger slid against the nape of her neck, pushing hair still wet from her bath out of the way before he began securing one button after another. “There, all done, and I didn’t peek—not once.” He put his hands on her shoulders and turned her around to face him. Still ~ Jen Turano, #NFDB
561:The Legend Of King Arthur
Of Brutus' blood, in Brittaine borne,
King Arthur I am to name;
Through Christendome and Heathynesse
Well knowne is my worthy fame.
In Jesus Christ I doe beleeve;
I am a Christyan bore;
The Father, Sone, and Holy Gost,
One God, I doe adore.
In the four hundred ninetieth yeere,
Oer Brittaine I did rayne,
After my Savior Christ his byrth,
What time I did maintaine
The fellowshipp of the Table Round,
Soe famous in those dayes;
Whereatt a hundred noble knights
And thirty sat alwayes:
Who for their deeds and martiall feates,
As bookes done yett record,
Amongst all other nations
Wer feared through the world
And in the castle of Tyntagill
King Uther mee begate,
Of Agyana, a bewtyous ladye,
And come of hie estate.
And when I was fifteen yeere old,
Then was I crowned kinge:
All Brittaine, that was att an upròre,
I did to quiett bringe;
And drove the Saxons from the realme,
Who had opprest this land;
All Scotland then, throughe manly feates,
I conquered with my hand.
940
Ireland, Denmarke, Norwaye,
These countryes wan I all;
Iseland, Gotheland, and Swetheland;
And made their kings my thrall.
I conquered all Gallya,
That now is called France;
And slew the hardye Froll in feild,
My honor to advance.
And the ugly gyant Dynabus,
Soe terrible to vewe,
That in Saint Barnards mount did lye,
By force of armes I slew.
And Lucyus, the emperour of Rome,
I brought to deadly wracke;
And a thousand more of noble knightes
For feare did turne their backe.
Five kinges of paynims I did kill
Amidst that bloody strife;
Besides the Grecian emperour,
Who alsoe lost his liffe.
Whose carcasse I did send to Rome,
Cladd poorlye on a beere;
And afterward I past Mount-Joye
The next approaching yeere.
Then I came to Rome, where I was mett
Right as a conquerour,
And by all the cardinalls solempnelye
I was crowned an emperour.
One winter there I made abode,
Then word to mee was brought,
How Mordred had oppressd the crowne,
What treason he had wrought
Att home in Brittaine with my queene:
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Therfore I came with speede
To Brittaine backe, with all my power,
To quitt that traiterous deede;
And soone at Sandwiche I arrivde,
Where Mordred me withstoode:
But yett at last I landed there,
With effusion of much blood.
For there my nephew Sir Gawaine dyed,
Being wounded in that sore
The whiche Sir Launcelot in fight
Had given him before.
Then chased I Mordered away,
Who fledd to London right,
From London to Winchester, and
To Cornwalle tooke his flyght.
And still I him pursued with speed,
Till at the last wee mett;
Wherby an appointed day of fight
Was there agreed and set:
Where we did fight, of mortal life
Eche other to deprive,
Till of a hundred thousand men
Scarce one was left alive.
There all the noble chivalrye
Of Brittaine took their end.
O see how fickle is their state
That doe on fates depend!
There all the traiterous men were slaine,
Not one escapte away;
And there dyed all my vallyant knightes.
Alas! that woefull day!
Two and twenty yeere I ware the crowne
In honor and great fame,
And thus by death was suddenlye
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Deprived of the same.
~ Anonymous Olde English,#NFDB
562:A faint movement distracted me as Oria elbow-crawled up to my side. Her profile was outlined by the light from those faraway torches as she looked down on the castle below.
“I’m sorry, Oria,” I breathed.
She did not turn her head. “For what?”
“All our plans when we were growing up. All the fine things we’d have had after we won. Making you a duchess--“
She grunted softly. “That was no more than dream-weaving. I don’t want to be a duchess. Never did. Well, after my fourteenth year, I didn’t. That was you, wanting it for me.”
For the first time a flicker of emotion broke briefly through the aching numbness around my heart. “But when we talked…”
She rested her chin on her tightly folded fists, staring down at the castle. I could see tiny reflections of the ruddy torches in her eyes, so steady and unblinking was her gaze. “The only way for me to be a noble is to become a scribe or a herald and work my way up through the government service ranks, and I don’t want to write others’ things, or to take records, and I don’t want to get mixed up with governments--with the kind of people who want to rule over others. Seems like the wrong people get killed, the nice ones. I want…” She sighed and stopped.
“Tell me,” I said. “We can dream-weave once more.”
“I want to run a house. You can control that--make life comfortable, and pleasant, and beautiful. My dream was always that, or partly that…”
Once again she stopped, and this time the gleam of the torches in her eyes was liquid. A quick motion with her finger, a lowering of her long lashes, and the gleam was gone.
“Go on,” I said.
She dropped her head down. “You never saw it, Mel. You’re just what Mama calls you, a summer flower, a late bloomer.”
“I don’t understand.”
She breathed a laugh. “I know. That’s just it! Well, it’s all nothing now, so why not admit what a henwit I’ve been? There’s another way to be an aristo, and that’s marriage. I never cared about status so much as I did about the idea of marriage. With a specific person.”
“Marriage,” I repeated, and then a blindingly new idea struck me. “You mean--Branaric?”
She shrugged. “I gave it up three summers ago, when I realized that our living like sisters all our lives meant he saw me as one.”
“Oh, Ria.” Pain squeezed my heart. “How I wish our lives had gone differently! If Bran were alive--“
“It still wouldn’t have happened,” she murmured. “And I’ve already made my peace with it. That’s an old dream. I’m here now because Debegri will do his best to kill our new dreams.” She nudged me with her elbow. “Truth is, I rather liked being heart-free last summer, except you didn’t notice that, either--you’ve never tried flirting, much less twoing. You just dance the dances to be dancing, you don’t watch the boys watch you when we dance. You don’t watch them dance.” She chuckled softly. “You don’t even peek at the boys’ side at the bathhouse.”
I reached back in memory, realized how much I had neglected to notice. Not that it had mattered.
My cold lips stretched into a smile. “The boys never looked at me, anyway. Not when they had you to look at.”
“Some of that is who you are,” she responded. “They never forgot that. But the rest is that you never cared when they did look at you.”
And now it’s too late. But I didn’t say that. Instead, I turned my eyes to those four figures in their steady pacing and let my mind drift back to old memories, summer memories. How much of life had I missed while dedicating myself to Papa’s war? ~ Sherwood Smith,#NFDB
563:Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people. ~ Elizabeth Gilbert, #NFDB
564:Lady Meliara?” There was a tap outside the door, and Oria’s mother, Julen, lifted the tapestry. Oria and I both stared in surprise at the three long sticks she carried so carefully.
“More Fire Sticks?” I asked. “In midwinter?”
“Just found them outside the gate.” Julen laid them down, looked from one of us to the other, and went out.
Oria grinned at me. “Maybe they’re a present. You did save the Covenant last year, and the Hill Folk know it.”
“I didn’t do it,” I muttered. “All I did was make mistakes.”
Oria crossed her arms. “Not mistakes. Misunderstandings. Those, at least, can be fixed. Which is all the more reason to go to Court--”
“And what?” I asked sharply. “Get myself into trouble again?”
Oria stood silently, and suddenly I was aware of the social gulf between us, and I knew she was as well. It happened like that sometimes. We’d be working side by side, cleaning or scraping or carrying, and then a liveried equerry would dash up the road with a letter, and suddenly I was the countess and she the servant who waited respectfully for me to read my letter and discuss it or not as I saw fit.
“I’m sorry,” I said immediately, stuffing the Marquise’s letter into the pocket of my faded, worn old gown. “You know how I feel about Court, even if Bran has changed his mind.”
“I promise not to jaw on about it again, but let me say it this once. You need to make your peace,” Oria said quietly. “You left your brother and the Marquis without so much as a by-your-leave, and I think it’s gnawing at you. Because you keep watching that road.”
I felt my temper flare, but I didn’t say anything because I knew she was right. Or half right. And I wasn’t angry with her.
I tried my best to dismiss my anger and force myself to smile. “Perhaps you may be right, and I’ll write to Bran by and by. But here, listen to this!” And I picked up the book I’d been reading before the letter came. “This is one of the ones I got just before the snows closed the roads: ‘And in several places throughout the world there are caves with ancient paintings and Iyon Daiyin glyphs.’” I looked up from the book. “Doesn’t that make you want to jump on the back of the nearest horse and ride and ride until you find these places?”
Oria shuddered. “Not me. I like it fine right here at home.”
“Use your imagination!” I read on. “‘Some of the caves depict constellations never seen in our skies--’” I stopped when we heard the pealing of bells. Not the melodic pattern of the time changes, but the clang of warning bells at the guardhouse just down the road.
“Someone’s coming!” I exclaimed.
Oria nodded, brows arched above her fine, dark eyes. “And the Hill Folk saw them.” She pointed at the Fire Sticks.
“‘Them?’” I repeated, then glanced at the Fire Sticks and nodded. “Means a crowd, true enough.”
Julen reappeared then, and tapped at the door. “Countess, I believe we have company on the road.”
She looked in, and I said, “I hadn’t expected anyone.” Then my heart thumped, and I added, “It could be the fine weather has melted the snows down-mountain--d’you think it might be Branaric at last? I don’t see how it could be anyone else!”
“Branaric needs three Fire Sticks?” Oria asked.
“Maybe he’s brought lots of servants?” I suggested doubtfully. “Perhaps his half year at Court has given him elaborate tastes, ones that only a lot of servants can see to. Or he’s hired artisans from the capital to help forward our work on the castle. I hope it’s artisans,” I added.
“Either way, we’ll be wanted to find space for these newcomers,” Julen said to her daughter. She picked up the Fire Sticks again and looked over her shoulder at me. “You ought to put on one of those gowns of your mother’s that we remade, my lady.”
“For my brother?” I laughed, pulling my blanket closer about me as we slipped out of my room. “I don’t need to impress him, even if he has gotten used to Court ways! ~ Sherwood Smith,#NFDB
565:Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside. ~ Richard Siken,#NFDB
566:There is a charm in footing slow across a silent plain,
Where patriot battle has been fought, where glory had the gain;
There is a pleasure on the heath where Druids old have been,
Where mantles grey have rustled by and swept the nettles green;
There is a joy in every spot made known by times of old,
New to the feet, although each tale a hundred times be told;
There is a deeper joy than all, more solemn in the heart,
More parching to the tongue than all, of more divine a smart,
When weary steps forget themselves upon a pleasant turf,
Upon hot sand, or flinty road, or sea-shore iron scurf,
Toward the castle or the cot, where long ago was born
One who was great through mortal days, and died of fame unshorn.
Light heather-bells may tremble then, but they are far away;
Wood-lark may sing from sandy fern, -- the Sun may hear this lay;
Runnels may kiss the grass on shelves and shallows clear,
But their low voices are not heard, though come on travels drear;
Blood-red the Sun may set behind the black mountain peaks;
Blue tides may sluice and drench their time in caves and weedy creeks;
Eagles may seem to sleep wing-side upon the air;
Ring-dove may fly convuls'd across to some high-cedar'd lair;
But the forgotten eye is still fast lidded to the ground,
As Palmer's, that with weariness, mid-desert shrine hath found.
At such a time the soul's a child, in childhood is the brain;
Forgotten is the worldly heart -- alone, it beats in vain.--
Aye, if a madman could have leave to pass a healthful day
To tell his forehead's swoon and faint when first began decay,
He might make tremble many a one whose spirit had gone forth
To find a Bard's low cradle-place about the silent North!
Scanty the hour and few the steps, because a longer stay
Would bar return, and make a man forget his mortal way:
O horrible! to lose the sight of well remember'd face,
Of Brother's eyes, of Sister's brow -- constant to every place;
Filling the air, as on we move, with portraiture intense;
More warm than those heroic tints that pain a painter's sense,
When shapes of old come striding by, and visages of old,
Locks shining black, hair scanty grey, and passions manifold.
No, no, that horror cannot be, for at the cable's length
Man feels the gentle anchor pull and gladdens in its strength:--
One hour, half-idiot, he stands by mossy waterfall,
But in the very next he reads his soul's memorial:--
He reads it on the mountain's height, where chance he may sit down
Upon rough marble diadem -- that hill's eternal crown.
Yet be his anchor e'er so fast, room is there for a prayer
That man may never lose his mind on mountains black and bare;
That he may stray league after league some great birth-place to find
And keep his vision clear from speck, his inward sight unblind.
'After leaving Ayr Keats and Brown appear to have been detained by rain at some place twelve miles along the road, when Keats took the opportunity of going on with his letter to Reynolds begun at Maybole. They were enroute for Glasgow (casually mentioned in a letter to Bailey begun at Inverary on the 18th of July), which they took on their way from Ayr to Loch Lomond and Inverary. The poem given above is mentioned to Bailey as having been written within a few days of the sonnet in Burns's cottage, so that, although it is headed as above in the manuscript written at the end of Sir Charles Dilke's copy of Endymion, it seems more probable that the term Highlands was used in a lax popular sense than that the poem was composed after the visit to Staffa. Indeed in the letter to Bailey he speaks of the whole tour as in the Highlands. Keats expected to be by Loch Lomond about the 15th of July, and may have written this poem on high ground anywhere about the Loch, with the scenery of which he was very much impressed. They did not ascend Ben Lomond as intended, being deterred by expense and need of rest.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Lines Written In The Highlands After A Visit To Burnss Country
,#NFDB
567:The Frog Prince
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.
Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.
My guilts are what
we catalogue.
I’ll take a knife
and chop up frog.
Frog
Frog
Frog
Frog
Frog
has not nerves.
is as old as a cockroach.
is my father’s genitals.
is a malformed doorknob.
is a soft bag of green.
The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he’s an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.
Mr. Poison
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is at my bed.
He wants my sausage.
He wants my bread.
Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.
Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.
Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.
But I digress.
A loss has taken place.
The ball has sunk like a cast-iron pot
into the bottom of the well.
Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
Balls such as these are not
for sale in Au Bon Marché.
I took the moon, she said,
between my teeth
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and now it is gone
and I am lost forever.
A thief had robbed by day.
Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.
That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King’s youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.
The frog first sat on her lap.
265
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves’ liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn’t exactly hygienic.
From her cup she drank
as if it were Socrates’ hemlock.
Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!
Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.
266
He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
~ Anne Sexton,#NFDB
568:Fair Annie
'It's narrow, narrow, make your bed,
And learn to lie your lane:
For I'm ga'n oer the sea, Fair Annie,
A braw bride to bring hame.
Wi her I will get gowd and gear;
Wi you I neer got nane.
'But wha will bake my bridal bread,
Or brew my bridal ale?
And wha will welcome my brisk bride,
That I bring oer the dale?'
'It's I will bake your bridal bread,
And brew your bridal ale,
And I will welcome your brisk bride,
That you bring oer the dale.'
'But she that welcomes my brisk bride
Maun gang like maiden fair;
She maun lace on her robe sae jimp,
And braid her yellow hair.'
'But how can I gang maiden-like,
When maiden I am nane?
Have I not born seven sons to thee,
And am with child again?'
She's taen her young son in her arms,
Another in her hand,
And she's up to the highest tower,
To see him come to land.
'Come up, come up, my eldest son,
And look oer yon sea-strand,
And see your father's new-come bride,
Before she come to land.'
'Come down, come down, my mother dear,
Come frae the castle wa!
77
I fear, if langer ye stand there,
Ye'll let yoursell down fa.'
And she gaed down, and farther down,
Her love's ship for to see,
And the topmast and the mainmast
Shone like the silver free.
And she's gane down, and farther down,
The bride's ship to behold,
And the topmast and the mainmast
They shone just like the gold.
She's taen her seven sons in her hand,
I wot she didna fail;
She met Lord Thomas and his bride,
As they came oer the dale.
'You're welcome to your house, Lord Thomas,
You're welcome to your land;
You're welcome with your fair ladye,
That you lead by the hand.
'You're welcome to your ha's, ladye,
You're welcome to your bowers;
Your welcome to your hame, ladye,
For a' that's here is yours.'
'I thank thee, Annie; I thank thee, Annie,
Sae dearly as I thank thee;
You're the likest to my sister Annie,
That ever I did see.
'There came a knight out oer the sea,
And steald my sister away;
The shame scoup in his company,
And land where'er he gae!'
She hang ae napkin at the door,
Another in the ha,
And a' to wipe the trickling tears,
Sae fast as they did fa.
78
And aye she served the lang tables
With white bread and with wine,
And aye she drank the wan water,
To had her colour fine.
And aye she served the lang tables,
With white bread and with brown;
And aye she turned her round about,
Sae fast the tears fell down.
And he's taen down the silk napkin,
Hung on a silver pin,
And aye he wipes the tear trickling
A'down her cheek and chin.
And aye he turn'd him round about,
And smiled amang his men;
Says, 'Like ye best the old ladye,
Or her that's new come hame?'
When bells were rung, and mass was sung,
And a' men bound to bed,
Lord Thomas and his new-come bride
To their chamber they were gaed.
Annie made her bed a little forbye,
To hear what they might say;
'And ever alas!' Fair Annie cried,
'That I should see this day!
'Gin my seven sons were seven young rats,
Running on the castle wa,
And I were a grey cat mysell,
I soon would worry them a'.
'Gin my young sons were seven young hares,
Running oer yon lilly lee,
And I were a grew hound mysell,
Soon worried they a' should be.'
And wae and sad Fair Annie sat,
79
And drearie was her sang,
And ever, as she sobbd and grat,
'Wae to the man that did the wrang!'
'My gown is on,' said the new-come bride,
'My shoes are on my feet,
And I will to Fair Annie's chamber,
And see what gars her greet.
'What ails ye, what ails ye, Fair Annie,
That ye make sic a moan?
Has your wine-barrels cast the girds,
Or is your white bread gone?
'O wha was't was your father, Annie,
Or wha was't was your mother?
And had ye ony sister, Annie,
Or had ye ony brother?'
'The Earl of Wemyss was my father,
The Countess of Wemyss my mother;
And a' the folk about the house
To me were sister and brother.'
'If the Earl of Wemyss was your father,
I wot sae was he mine;
And it shall not be for lack o gowd
That ye your love sall fyne.
'For I have seven ships o mine ain,
A' loaded to the brim,
And I will gie them a' to thee
Wi four to thine eldest son:
But thanks to a' the powers in heaven
That I gae maiden hame!'
~ Andrew Lang,#NFDB
569:I.
Low and mournful be the strain,
Haughty thought be far from me;
Tones of penitence and pain,
Moanings of the tropic sea;
Low and tender in the cell
Where a captive sits in chains,
Crooning ditties treasured well
From his Afric's torrid plains.
Sole estate his sire bequeathed--
Hapless sire to hapless son--
Was the wailing song he breathed,
And his chain when life was done.
What his fault, or what his crime?
Or what ill planet crossed his prime?
Heart too soft and will too weak
To front the fate that crouches near,--
Dove beneath the vulture's beak;--
Will song dissuade the thirsty spear?
Dragged from his mother's arms and breast,
Displaced, disfurnished here,
His wistful toil to do his best
Chilled by a ribald jeer.
Great men in the Senate sate,
Sage and hero, side by side,
Building for their sons the State,
Which they shall rule with pride.
They forbore to break the chain
Which bound the dusky tribe,
Checked by the owners' fierce disdain,
Lured by "Union" as the bribe.
Destiny sat by, and said,
'Pang for pang your seed shall pay,
Hide in false peace your coward head,
I bring round the harvest-day.'
II.
Freedom all winged expands,
Nor perches in a narrow place;
Her broad van seeks unplanted lands;
She loves a poor and virtuous race.
Clinging to a colder zone
Whose dark sky sheds the snow-flake down,
The snow-flake is her banner's star,
Her stripes the boreal streamers are.
Long she loved the Northman well:
Now the iron age is done,
She will not refuse to dwell
With the offspring of the Sun;
Foundling of the desert far,
Where palms plume, siroccos blaze,
He roves unhurt the burning ways
In climates of the summer star.
He has avenues to God
Hid from men of Northern brain,
Far beholding, without cloud,
What these with slowest steps attain.
If once the generous chief arrive
To lead him willing to be led,
For freedom he will strike and strive,
And drain his heart till he be dead.
III.
In an age of fops and toys,
Wanting wisdom, void of right,
Who shall nerve heroic boys
To hazard all in Freedom's fight,--
Break sharply off their jolly games,
Forsake their comrades gay,
And quit proud homes and youthful dames,
For famine, toil, and fray?
Yet on the nimble air benign
Speed nimbler messages,
That waft the breath of grace divine
To hearts in sloth and ease.
So nigh is grandeur to our dust,
So near is God to man,
When Duty whispers low, Thou must,
The youth replies, I can.
IV.
O, well for the fortunate soul
Which Music's wings infold,
Stealing away the memory
Of sorrows new and old!
Yet happier he whose inward sight,
Stayed on his subtile thought,
Shuts his sense on toys of time,
To vacant bosoms brought.
But best befriended of the God
He who, in evil times,
Warned by an inward voice,
Heeds not the darkness and the dread,
Biding by his rule and choice,
Feeling only the fiery thread
Leading over heroic ground,
Walled with mortal terror round,
To the aim which him allures,
And the sweet heaven his deed secures.
Stainless soldier on the walls,
Knowing this,--and knows no more,--
Whoever fights, whoever falls,
Justice conquers evermore, Justice after as before,--
And he who battles on her side,
God, though he were ten times slain,
Crowns him victor glorified,
Victor over death and pain;
Forever: but his erring foe,
Self-assured that he prevails,
Looks from his victim lying low,
And sees aloft the red right arm
Redress the eternal scales.
He, the poor foe, whom angels foil,
Blind with pride, and fooled by hate,
Writhes within the dragon coil,
Reserved to a speechless fate.
V.
Blooms the laurel which belongs
To the valiant chief who fights;
I see the wreath, I hear the songs
Lauding the Eternal Rights,
Victors over daily wrongs:
Awful victors, they misguide
Whom they will destroy,
And their coming triumph hide
In our downfall, or our joy:
They reach no term, they never sleep,
In equal strength through space abide;
Though, feigning dwarfs, they crouch and creep,
The strong they slay, the swift outstride:
Fate's grass grows rank in valley clods,
And rankly on the castled steep,--
Speak it firmly, these are gods,
All are ghosts beside.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Voluntaries
,#NFDB
570:Fair Annie
THE reivers they stole Fair Annie,
As she walk'd by the sea;
But a noble knight was her ransom soon,
Wi' gowd and white monie.
She bided in strangers' land wi' him,
And none knew whence she cam;
She lived in the castle wi' her love,
But never told her name.
'It 's narrow, narrow, mak your bed,
And learn to lie your lane;
For I'm gaun owre the sea, Fair Annie,
A braw Bride to bring hame.
Wi' her I will get gowd and gear,
Wi' you I ne'er gat nane.
'But wha will bake my bridal bread,
Or brew my bridal ale?
And wha will welcome my bright Bride,
That I bring owre the dale?'
It 's I will bake your bridal bread,
And brew your bridal ale;
And I will welcome your bright Bride,
That you bring owre the dale.'
'But she that welcomes my bright Bride
Maun gang like maiden fair;
She maun lace on her robe sae jimp,
And comely braid her hair.
'Bind up, bind up your yellow hair,
And tie it on your neck;
And see you look as maiden-like
As the day that first we met.'
'O how can I gang maiden-like,
When maiden I am nane?
111
Have I not borne six sons to thee,
And am wi' child again?'
'I'll put cooks into my kitchen,
And stewards in my hall,
And I'll have bakers for my bread,
And brewers for my ale;
But you're to welcome my bright Bride,
That I bring owre the dale.'
Three months and a day were gane and past,
Fair Annie she gat word
That her love's ship was come at last,
Wi' his bright young Bride aboard.
She 's ta'en her young son in her arms,
Anither in her hand;
And she 's gane up to the highest tower,
Looks over sea and land.
'Come doun, come doun, my mother dear,
Come aff the castle wa'!
I fear if langer ye stand there,
Ye'll let yoursell doun fa'.'
She 's ta'en a cake o' the best bread,
A stoup o' the best wine,
And a' the keys upon her arm,
And to the yett is gane.
'O ye're welcome hame, my ain gude lord,
To your castles and your towers;
Ye're welcome hame, my ain gude lord,
To your ha's, but and your bowers.
And welcome to your hame, fair lady!
For a' that 's here is yours.'
'O whatna lady 's that, my lord,
That welcomes you and me?
Gin I be lang about this place,
Her friend I mean to be.'
112
Fair Annie served the lang tables
Wi' the white bread and the wine;
But ay she drank the wan water
To keep her colour fine.
And she gaed by the first table,
And smiled upon them a';
But ere she reach'd the second table,
The tears began to fa'.
She took a napkin lang and white,
And hung it on a pin;
It was to wipe away the tears,
As she gaed out and in.
When bells were rung and mass was sung,
And a' men bound for bed,
The bridegroom and the bonny Bride
In ae chamber were laid.
Fair Annie's ta'en a harp in her hand,
To harp thir twa asleep;
But ay, as she harpit and she sang,
Fu' sairly did she weep.
'O gin my sons were seven rats,
Rinnin' on the castle wa',
And I mysell a great grey cat,
I soon wad worry them a'!
'O gin my sons were seven hares,
Rinnin' owre yon lily lea,
And I mysell a good greyhound,
Soon worried they a' should be!'
Then out and spak the bonny young Bride,
In bride-bed where she lay:
'That 's like my sister Annie,' she says;
'Wha is it doth sing and play?
'I'll put on my gown,' said the new-come Bride,
'And my shoes upon my feet;
113
I will see wha doth sae sadly sing,
And what is it gars her greet.
'What ails you, what ails you, my housekeeper,
That ye mak sic a mane?
Has ony wine-barrel cast its girds,
Or is a' your white bread gane?'
'It isna because my wine is spilt,
Or that my white bread's gane;
But because I've lost my true love's love,
And he 's wed to anither ane.'
'Noo tell me wha was your father?' she says,
'Noo tell me wha was your mother?
And had ye ony sister?' she says,
'And had ye ever a brother?'
'The Earl of Wemyss was my father,
The Countess of Wemyss my mother,
Young Elinor she was my sister dear,
And Lord John he was my brother.'
'If the Earl of Wemyss was your father,
I wot sae was he mine;
And it 's O my sister Annie!
Your love ye sallna tyne.
'Tak your husband, my sister dear;
You ne'er were wrang'd for me,
Beyond a kiss o' his merry mouth
As we cam owre the sea.
'Seven ships, loaded weel,
Cam owre the sea wi' me;
Ane o' them will tak me hame,
And six I'll gie to thee.'
~ Anonymous,#NFDB
571:Briar Rose (Sleeping Beauty)
Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old sucking her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her uterus an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall prick herself
on a spinning wheel in her fifteenth year
33
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.
The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew to be a goddess
and each night the king
bit the hem of her gown
to keep her safe.
He fastened the moon up
with a safety pin
to give her perpetual light
He forced every male in the court
to scour his tongue with Bab-o
lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.
On her fifteenth birthday
she pricked her finger
on a charred spinning wheel
and the clocks stopped.
Yes indeed. She went to sleep.
The king and queen went to sleep,
the courtiers, the flies on the wall.
The fire in the hearth grew still
and the roast meat stopped crackling.
The trees turned into metal
and the dog became china.
They all lay in a trance,
each a catatonic
stuck in a time machine.
34
Even the frogs were zombies.
Only a bunch of briar roses grew
forming a great wall of tacks
around the castle.
Many princes
tried to get through the brambles
for they had heard much of Briar Rose
but they had not scoured their tongues
so they were held by the thorns
and thus were crucified.
In due time
a hundred years passed
and a prince got through.
The briars parted as if for Moses
and the prince found the tableau intact.
He kissed Briar Rose
and she woke up crying:
Daddy! Daddy!
Presto! She's out of prison!
She married the prince
and all went well
except for the fear the fear of sleep.
Briar Rose
was an insomniac...
She could not nap
or lie in sleep
without the court chemist
mixing her some knock-out drops
and never in the prince's presence.
If if is to come, she said,
sleep must take me unawares
while I am laughing or dancing
so that I do not know that brutal place
where I lie down with cattle prods,
the hole in my cheek open.
Further, I must not dream
for when I do I see the table set
and a faltering crone at my place,
her eyes burnt by cigarettes
as she eats betrayal like a slice of meat.
35
I must not sleep
for while I'm asleep I'm ninety
and think I'm dying.
Death rattles in my throat
like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle
through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl
is yours to do with.
You could lay her in a grave,
an awful package,
and shovel dirt on her face
and she'd never call back: Hello there!
But if you kissed her on the mouth
her eyes would spring open
and she'd call out: Daddy! Daddy!
Presto!
She's out of prison.
There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand
like a bowl of fruit.
Each night I am nailed into place
and forget who I am.
Daddy?
That's another kind of prison.
It's not the prince at all,
but my father
drunkeningly bends over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
What voyage is this, little girl?
36
This coming out of prison?
God help this life after death?
~ Anne Sexton,#NFDB
572:The Battle Of Otterburn
It feel about the Lammas tide,
When the muir-men win their hay,
The doughty Douglas bound him to ride
Into England, to drive a prey.
He chose the Gordons and the Graemes,
With them the Lindesays, light and gay;
But the Jardines wald not with him ride,
And they rue it to this day.
And he has burned the dales of Tyne,
And part of Bambrough shire,
And three good towers on Reidswire fells,
He left them all on fire.
And he marched up to Newcastle,
And rode it round about:
'O wha's the lord of this castle?
Or wha's the lady o't?'
But up spake proud Lord Percy then,
And O but he spake hie!
I am the lord of this castle,
My wife's the lady gay.
'If thou'rt the lord of this castle,
Sae weel it pleases me,
For, ere I cross the Border fells,
The tane of us shall die.'
He took a lang spear in his hand,
Shod with the metal free,
And for to meet the Douglas there
He rode right furiouslie.
But O how pale his lady looked,
Frae aff the castle-wa,
When down before the Scottish spear
She saw proud Percy fa.
714
'Had we twa been upon the green,
And never an eye to see,
I wad hae had you, flesh and fell;
But your sword sall gae wi me.'
'The Otterbourne's a bonnie burn;
'Tis pleasant there to be;
But there is nought at Otterbourne
To feed my men and me.
'The deer rins wild on hill and dale,
The birds fly wild frae tree to tree;
But there is neither bread nor kale
To fend my men and me.
'Yet I will stay at Otterbourne,
Where you shall welcome be;
And, if ye come not at three dayis end,
A fause lord I'll ca thee.
'Thither will I come,' proud Percy said,
'By the might of Our Ladye';
'There will I bide thee' said the Douglas,
'My troth I plight to thee.'
They lighted high on Otterbourne,
Upon the bent sae brown;
They lighted high on Otterbourne,
And threw their pallions down.
And he that had a bonnie boy
Sent out his horse to grass;
And he that had not a bonnie boy
His ain servant he was.
But up then spake a little page,
Before the peep of dawn:
'O waken ye, waken ye, my good lord,
For Percy's hard at hand.'
'Ye lie, ye lie, ye liar loud!
715
Sae loud I hear ye lie:
For Percy had not men yestreen
To dight my men and me.
'But I have dreamed a dreary dream,
Beyond the Isle of Skye;
I saw a dead man win a fight,
And I think that man was I.'
He belted on his guid braid sword,
And to the field he ran,
But he forgot the helmet good,
That should have kept his brain.
When Percy with the Douglas met,
I wat he was fu fain;
They swakked their swords, till sair they swat,
And the blood ran down like rain.
But Percy with his good broad sword,
That could so sharply wound,
has wounded Douglas on the brow,
Till he fel to the ground.
Then he call'd on his little foot-page,
And said, Run speedilie,
And fetch my ain dear sister's son,
Sir Hugh Montgomery.
'My nephew's good,' the Douglas said,
'What recks the death of ane!
Last night I dreamed a dreary dream,
And I ken the day's thy ain.
'My wound is deep; I fain would sleep;
Take thou the vanguard of the three,
And hide me by the braken-bush,
That grows on yonder lilye lee.
'O bury me by the braken-bush,
Beneath the blooming brier,
Let never a living mortal ken
716
That ere a kindly Scot lies here.'
He lifted up that noble lord,
Wi the saut tear in his ee;
He hid him in the braken-bush,
That his merrie men might not see.
The moon was clear, the day drew near,
The spears in flinders flew,
But mony a gallant Englishman
Ere day the Scotsmen slew.
The Gordons good, in English blood
They steepd their hose and shoon;
The Lindsays flew like fire about,
Till all the fray was done.
The Percy and Montgomery met,
That either of other were fain;
They swapped swords, and they twa swat,
And aye the blood ran down between.
'Now yield thee, yield thee, Percy,' he said,
'Or else I vow I'll lay thee low!'
'To whom must I yield,' quoth Earl Percy,
'Now that I see it must be so?'
'Thou shalt not yield to lord nor loun,
Nor shalt thou yield to me;
But yeild to the braken-bush,
That grows upon yon lilye lee.'
'I will not yield to a braken-bush,
Nor yet will I yield to a brier;
But I would yield to Earl Douglas,
Or Sir Hugh Montgomery, if he were here.'
As soon as he knew it was Montgomery,
He struck his sword's point in the gronde;
The Montgomery was a courteous knight,
And quickly took him by the honde.
717
This deed was done at the Otterbourne,
About the breaking of the day;
Earl Douglas was buried at the braken-bush,
And the Percy led captive away.
~ Anonymous Olde English,#NFDB
573:To So-Kin of Rakuyo, ancient friend, Chancellor of
Gen.
Now I remember that you built me a special tavern
By the south side of the bridge at Ten-Shin.
With yellow gold and white jewels, we paid for songs
and laughter
And we were drunk for month on month, forget-
ting the kings and princes.
Intelligent men came drifting in from the sea and
from the west border,
And with them, and with you especially
There was nothing at cross purpose,
And they made nothing of sea-crossing or of
mountain-crossing,
If only they could be of that fellowship,
And we all spoke out our hearts and minds, and
without regret.
And then I was sent off to South Wei,
smothered in laurel groves,
And you to the north of Raku-hoku,
Till we had nothing but thoughts and memories in
common.
And then, when separation had come to its worst,
We met, and travelled into Sen-Go,
Through all the thirty-six folds of the turning and
twisting waters,
Into a valley of the thousand bright flowers,
That was the first valley;
And into ten thousand valleys full of voices and
pine-winds.
And with silver harness and reins of gold,
Out come the East of Kan foreman and his
company.
And there came also the True man of Shi-yo to
meet me,
Playing on a jewelled mouth-organ.
In the storied houses of San-Ko they gave us more
Sennin music,
Many instruments, like the sound of young phoenix
broods.
The foreman of Kan Chu, drunk, danced
because his long sleeves wouldn't keep still
With that music playing,
And I, wrapped in brocade, went to sleep with my
head on his lap,
And my spirit so high it was all over the heavens,
And before the end of the day we were scattered
like stars, or rain.
I had to be off to So, far away over the waters,
You back to your river-bridge.
And your father, who was brave as a leopard,
Was governor in Hei Shu, and put down the bar-
barian rabble.
And one May he had you send for me,
despite the long distance.
And what with broken wheels and so on, I won't
say it wasn't hard going,
Over roads twisted like sheep's guts.
And I was still going, late in the year,
in the cutting wind from the North,
And thinking how little you cared for the cost,
and you caring enough to pay it.
And what a reception:
Red jade cups, food well set on a blue jewelled table,
And I was drunk, and had no thought of returning.
And you would walk out with me to the western
corner of the castle,
To the dynastic temple, with water about it clear
as blue jade,
With boats floating, and the sound of mouth-
organs and drums,
With ripples like dragon-scales, going grass green
on the water,
Pleasure lasting, with courtezans, going and coming
without hindrance,
With the willow-flakes falling like snow,
And the vermilioned girls getting drunk
about sunset,
And the water, a hundred feet deep, reflecting green
eyebrows
--Eyebrows painted green are a fine sight in young
moonlight,
Gracefully painted--
And the girls singing back at each other,
Dancing in transparent brocade,
And the wind lifting the song, and interrupting it,
Tossing it up under the clouds.
And all this comes to an end.
And is not again to be met with.
I went up to the court for examination,
Tried Layu's luck, offered the Choyo song,
And got no promotion,
and went back to the East Mountains
white-headed.
And once again, later, we met at the South bridge-
head.
And then the crowd broke up, you went north to
San palace,
And if you ask how I regret that parting:
It is like the flowers falling at Spring's end
Confused, whirled in a tangle.
What is the use of talking, and there is no end of
talking,
There is no end of things in the heart.
I call in the boy,
Have him sit on his knees here
To seal this,
And send it a thousand miles, thinking.
This poem is from CATHAY (London: Elkin Mathews, 1915), the volume of Chinese poems
The book's widely-applauded publication prompted T.S. Eliot to remark that Pound had "reinvented Chinese poetry for our time."
CATHAY is comprised of 18 translations of various early Chinese poems, eleven poems by T'ang Dynasty poet Li Po ("Rihaku"), and the Anglo-Saxon poem, "The Seafarer," which Pound included for timeline comparison of 8th-Century English poetry with 8th-Century Chinese poetry.
CATHAY ranks among the most pivotal publications in the entire history of translation and of modern poetry in English.
~ Li Bai, Exile's Letter
,#NFDB
574:I.
Christ God who savest man, save most
Of men Count Gismond who saved me!
Count Gauthier, when he chose his post,
Chose time and place and company
To suit it; when he struck at length
My honour, 'twas with all his strength.
II.
And doubtlessly ere he could draw
All points to one, he must have schemed!
That miserable morning saw
Few half so happy as I seemed,
While being dressed in queen's array
To give our tourney prize away.
III.
I thought they loved me, did me grace
To please themselves; 'twas all their deed;
God makes, or fair or foul, our face;
If showing mine so caused to bleed
My cousins' hearts, they should have dropped
A word, and straight the play had stopped.
IV.
They, too, so beauteous! Each a queen
By virtue of her brow and breast;
Not needing to be crowned, I mean,
As I do. E'en when I was dressed,
Had either of them spoke, instead
Of glancing sideways with still head!
V.
But no: they let me laugh, and sing
My birthday song quite through, adjust
The last rose in my garland, fling
A last look on the mirror, trust
My arms to each an arm of theirs,
And so descend the castle-stairs-
VI.
And come out on the morning-troop
Of merry friends who kissed my cheek,
And called me queen, and made me stoop
Under the canopy-(a streak
That pierced it, of the outside sun,
Powdered with gold its gloom's soft dun)-
VII.
And they could let me take my state
And foolish throne amid applause
Of all come there to celebrate
My queen's-day-Oh I think the cause
Of much was, they forgot no crowd
Makes up for parents in their shroud!
VIII.
However that be, all eyes were bent
Upon me, when my cousins cast
Theirs down; 'twas time I should present
The victor's crown, but there, 'twill last
No long time the old mist again
Blinds me as then it did. How vain!
IX,
See! Gismond's at the gate, in talk
With his two boys: I can proceed.
Well, at that moment, who should stalk
Forth boldly-to my face, indeed-
But Gauthier, and he thundered ``Stay!''
And all stayed. ``Bring no crowns, I say!
X.
``Bring torches! Wind the penance-sheet
``About her! Let her shun the chaste,
``Or lay herself before their feet!
``Shall she whose body I embraced
``A night long, queen it in the day?
``For honour's sake no crowns, I say!''
XI.
I? What I answered? As I live,
I never fancied such a thing
As answer possible to give.
What says the body when they spring
Some monstrous torture-engine's whole
Strength on it? No more says the soul.
XII.
Till out strode Gismond; then I knew
That I was saved. I never met
His face before, but, at first view,
I felt quite sure that God had set
Himself to Satan; who would spend
A minute's mistrust on the end?
XIII.
He strode to Gauthier, in his throat
Gave him the lie, then struck his mouth
With one back-handed blow that wrote
In blood men's verdict there. North, South,
East, West, I looked. The lie was dead,
And damned, and truth stood up instead.
XIV.
This glads me most, that I enjoyed
The heart of the joy, with my content
In watching Gismond unalloyed
By any doubt of the event:
God took that on him-I was bid
Watch Gismond for my part: I did.
XV.
Did I not watch him while he let
His armourer just brace his greaves,
Rivet his hauberk, on the fret
The while! His foot my memory leaves
No least stamp out, nor how anon
He pulled his ringing gauntlets on.
XVI.
And e'en before the trumpet's sound
Was finished, prone lay the false knight,
Prone as his lie, upon the ground:
Gismond flew at him, used no sleight
O' the sword, but open-breasted drove,
Cleaving till out the truth he clove.
XVII.
Which done, he dragged him to my feet
And said ``Here die, but end thy breath
``In full confession, lest thou fleet
``From my first, to God's second death!
``Say, hast thou lied?'' And, ``I have lied
``To God and her,'' he said, and died.
XVIII.
Then Gismond, kneeling to me, asked
-What safe my heart holds, though no word
Could I repeat now, if I tasked
My powers forever, to a third
Dear even as you are. Pass the rest
Until I sank upon his breast.
XIX.
Over my head his arm he flung
Against the world; and scarce I felt
His sword (that dripped by me and swung)
A little shifted in its belt:
For he began to say the while
How South our home lay many a mile.
XX.
So 'mid the shouting multitude
We two walked forth to never more
Return. My cousins have pursued
Their life, untroubled as before
I vexed them. Gauthier's dwelling-place
God lighten! May his soul find grace!
XXI.
Our elder boy has got the clear
Great brow; tho' when his brother's black
Full eye slows scorn, it . . . Gismond here?
And have you brought my tercel*
back?
I just was telling Adela
How many birds it struck since May.
*
A male of the peregrine falcon.
~ Robert Browning, Aix In Provence
,#NFDB
575:I.
Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were grey,
II.
Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.
III.
Dearest, three months ago!
When we lived blocked-up with snow,-
When the wind would edge
In and in his wedge,
In, as far as the point could go-
Not to our ingle, though,
Where we loved each the other so!
IV.
Laughs with so little cause!
We devised games out of straws.
We would try and trace
One another's face
In the ash, as an artist draws;
Free on each other's flaws,
How we chattered like two church daws!
V.
What's in the `Times''?-a scold
At the Emperor deep and cold;
He has taken a bride
To his gruesome side,
That's as fair as himself is bold:
There they sit ermine-stoled,
And she powders her hair with gold.
VI.
Fancy the Pampas' sheen!
Miles and miles of gold and green
Where the sunflowers blow
In a solid glow,
And-to break now and then the screen-
Black neck and eyeballs keen,
Up a wild horse leaps between!
VII.
Try, will our table turn?
Lay your hands there light, and yearn
Till the yearning slips
Thro' the finger-tips
In a fire which a few discern,
And a very few feel burn,
And the rest, they may live and learn!
VIII.
Then we would up and pace,
For a change, about the place,
Each with arm o'er neck:
'Tis our quarter-deck,
We are seamen in woeful case.
Help in the ocean-space!
Or, if no help, we'll embrace.
IX.
See, how she looks now, dressed
In a sledging-cap and vest!
'Tis a huge fur cloak-
Like a reindeer's yoke
Falls the lappet along the breast:
Sleeves for her arms to rest,
Or to hang, as my Love likes best.
X.
Teach me to flirt a fan
As the Spanish ladies can,
Or I tint your lip
With a burnt stick's tip
And you turn into such a man!
Just the two spots that span
Half the bill of the young male swan.
XI.
Dearest, three months ago
When the mesmerizer Snow
With his hand's first sweep
Put the earth to sleep:
'Twas a time when the heart could show
All-how was earth to know,
'Neath the mute hand's to-and-fro?
XII.
Dearest, three months ago
When we loved each other so,
Lived and loved the same
Till an evening came
When a shaft from the devil's bow
Pierced to our ingle-glow,
And the friends were friend and foe!
XIII.
Not from the heart beneath-
'Twas a bubble born of breath,
Neither sneer nor vaunt,
Nor reproach nor taunt.
See a word, how it severeth!
Oh, power of life and death
In the tongue, as the Preacher saith!
XIV.
Woman, and will you cast
For a word, quite off at last
Me, your own, your You,-
Since, as truth is true,
I was You all the happy past-
Me do you leave aghast
With the memories We amassed?
XV.
Love, if you knew the light
That your soul casts in my sight,
How I look to you
For the pure and true
And the beauteous and the right,-
Bear with a moment's spite
When a mere mote threats the white!
XVI.
What of a hasty word?
Is the fleshly heart not stirred
By a worm's pin-prick
Where its roots are quick?
See the eye, by a fly's foot blurred-
Ear, when a straw is heard
Scratch the brain's coat of curd!
XVII.
Foul be the world or fair
More or less, how can I care?
'Tis the world the same
For my praise or blame,
And endurance is easy there.
Wrong in the one thing rare-
Oh, it is hard to bear!
XVIII.
Here's the spring back or close,
When the almond-blossom blows:
We shall have the word
In a minor third
There is none but the cuckoo knows:
Heaps of the guelder-rose!
I must bear with it, I suppose.
XIX.
Could but November come,
Were the noisy birds struck dumb
At the warning slash
Of his driver's-lash-
I would laugh like the valiant Thumb
Facing the castle glum
And the giant's fee-faw-fum!
XX.
Then, were the world well stripped
Of the gear wherein equipped
We can stand apart,
Heart dispense with heart
In the sun, with the flowers unnipped,-
Oh, the world's hangings ripped,
We were both in a bare-walled crypt!
XXI.
Each in the crypt would cry
``But one freezes here! and why?
``When a heart, as chill,
``At my own would thrill
``Back to life, and its fires out-fly?
``Heart, shall we live or die?
``The rest. . . . settle by-and-by!''
XXII.
So, she'd efface the score,
And forgive me as before.
It is twelve o'clock:
I shall hear her knock
In the worst of a storm's uproar,
I shall pull her through the door,
I shall have her for evermore!
~ Robert Browning, A Lovers Quarrel
,#NFDB
576:The Legend Of Sir Guy
A pleasant song of the valiant deeds of chivalry atchieved by that noble knight
Sir Guy of Warwick, who, for the love of fair Phelis, became a hermit, and died in
a cave of craggy rocke, a mile distant from Warwick.
Was ever knight for ladyes sake
Soe tost in love, as I, Sir Guy,
For Phelis fayre, that lady bright
As ever man beheld with eye?
She gave me leave myself to try,
The valiant knight with sheeld and speare,
Ere that her love shee wold grant me;
Which made mee venture far and neare.
Then proved I a baron bold,
In deeds of armes the doughtyest knight
That in those dayes in England was,
With sword and speare in feild to fight.
An English man I was by birthe:
In faith of Christ a christyan true:
The wicked lawes of infidells
I sought by prowesse to subdue.
'Nine' hundred twenty yeere and odde
After our Saviour Christ his birth,
When King Athelstone wore the crowne,
I lived heere upon the earth.
Sometime I was of Warwicke erle,
And, as I sayd, of very truth
A ladyes love did me constraine
To seeke strange ventures in my youth;
To win me fame by feates of armes
In strange and sundry heathen lands;
Where I atchieved for her sake
Right dangerous conquests with my hands.
944
For first I sayled to Normandye,
And there I stoutlye wan in fight
The emperours daughter of Almaine,
From manye a vallyant worthye knight.
Then passed I the seas to Greece,
To helpe the emperour in his right,
Against the mightye souldans hoaste
Of puissant Persians for to fight:
Where I did slay of Sarazens,
And heathen pagans, manye a man;
And slew the souldans cozen deere,
Who had to name doughtye Coldran.
Eskeldered, a famous knight,
To death likewise I did pursue;
And Elmayne, King of Tyre, alsoe,
Most terrible in fight to viewe.
I went into the souldans hoast,
To death likewise I did pursue;
And Elmayne, King of Tyre, alsoe,
Most terrible in fight to viewe.
I went into the souldans hoast,
Being thither on embassage sent,
And brought his head awaye with mee;
I having slaine him in his tent.
There was a dragon in that land
Most fiercelye mett me by the waye,
As hee a lyon did pursue,
Which I myself did alsoe slay.
Then soon I past the seas from Greece,
And came to Pavye land aright;
Where I the Duke of Pavye killed,
His hainous treason to requite.
To England then I came with speede,
To wedd faire Phelis, lady bright;
945
For love of whome I travelled farr
To try my manhood and my might.
But when I had espoused her,
I stayd with her but fortye dayes,
Ere that I left this ladye faire,
And went from her beyond the seas.
All cladd in gray, in pilgrim sort,
My voyage from her I did take
Unto the blessed Holy Land,
For Jesus Christ my Saviours sake.
Where I Erle Jonas did redeeme,
And all his sonnes, which were fifteene,
Who with the cruell Sarazens
In prisons for long time had beene.
I slew the giant Amarant
In battel fiercelye hand to hand,
And doughty Barknard killed I,
A treacherous knight of Pavye land.
Then I to England came againe,
And here with Colbronde fell I fought;
An ugly gyant, which the Danes
Had for their champion hither brought.
I overcame him in the field,
And slewe him soone right valliantlye;
Wherebye this land I did redeeme
From Danish tribute utterlye.
And afterwards I offered upp
The use of weapons solemnlye
At Winchester, whereas I fought,
In sight of manye farr and nye.
'But first,' near Windsor, I did slaye
A bore of passing might and strength;
Whose like in England never was
For hugenesse both in bredth and length.
946
Some of his bones in Warwicke yett
Within the castle there doe lye;
One of his sheeld-bones to this day
Hangs in the citye of Coventrye.
On Dunsmore heath I alsoe slewe
A monstrous wyld and cruell beast,
Calld the Dun-cow of Dunsmore heath;
Which manye people had opprest.
Some of her bones in Warwicke yett
Still for a monument doe lye,
And there exposed to lookers viewe,
As wonderous strange, they may espye.
A dragon in Northumberland
I alsoe did in fight destroye,
Which did bothe man and beast oppresse,
And all the countrye sore annoye.
At length to Warwicke I did come,
Like pilgrim poore and was not knowne;
And there I lived a hermitts life
A mile and more out of the towne.
Where with my hands I hewed a house
Out of a craggy rocke of stone,
And lived like a palmer poore
WIthin that cave myself alone;
And daylye came to begg my bread
Of Phelis att my castle gate;
Not knowne unto my loved wiffe,
Who dailye mourned for her mate.
Till att the last I fell sore sicke,
Yea, sicke soe sore that I must dye;
I sent to her a ring of golde
By which shee knewe me presentlye.
Then shee repairing to the cave,
947
Before that I gave up the ghost,
Herself closd up my dying eyes;
My Phelis faire, whom I lovd most.
Thus dreadful death did me arrest,
To bring my corpes unto the grave,
And like a palmer dyed I,
Whereby I sought my soule to save.
My body that endured this toyle,
Though now it be consumed to mold,
My statue, faire engraven in stone,
In Warwicke still you may behold.
~ Anonymous Olde English,#NFDB
577:In A Castle
Over the yawning chimney hangs the fog. Drip -- hiss -- drip -- hiss -fall the raindrops on the oaken log which burns, and steams,
and smokes the ceiling beams. Drip -- hiss -- the rain never stops.
The wide, state bed shivers beneath its velvet coverlet. Above, dim,
in the smoke, a tarnished coronet gleams dully. Overhead hammers and chinks
the rain. Fearfully wails the wind down distant corridors, and there comes
the swish and sigh of rushes lifted off the floors. The arras blows sidewise
out from the wall, and then falls back again.
It is my lady's key, confided with much nice cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to swaling.
The fire flutters and drops. Drip -- hiss -- the rain never stops.
He shuts the door. The rushes fall again to stillness along the floor.
Outside, the wind goes wailing.
The velvet coverlet of the wide bed is smooth and cold. Above,
in the firelight, winks the coronet of tarnished gold. The knight shivers
in his coat of fur, and holds out his hands to the withering flame.
She is always the same, a sweet coquette. He will wait for her.
How the log hisses and drips! How warm and satisfying will be her lips!
It is wide and cold, the state bed; but when her head lies under the coronet,
and her eyes are full and wet with love, and when she holds out her arms,
and the velvet counterpane half slips from her, and alarms
her trembling modesty, how eagerly he will leap to cover her, and blot himself
beneath the quilt, making her laugh and tremble.
Is it guilt to free a lady from her palsied lord, absent and fighting,
terribly abhorred?
95
He stirs a booted heel and kicks a rolling coal. His spur clinks
on the hearth. Overhead, the rain hammers and chinks. She is so pure
and whole. Only because he has her soul will she resign herself to him,
for where the soul has gone, the body must be given as a sign. He takes her
by the divine right of the only lover. He has sworn to fight her lord,
and wed her after. Should he be overborne, she will die adoring him, forlorn,
shriven by her great love.
Above, the coronet winks in the darkness. Drip -- hiss -- fall the raindrops.
The arras blows out from the wall, and a door bangs in a far-off hall.
The candles swale. In the gale the moat below plunges and spatters.
Will the lady lose courage and not come?
The rain claps on a loosened rafter.
Is that laughter?
The room is filled with lisps and whispers. Something mutters.
One candle drowns and the other gutters. Is that the rain
which pads and patters, is it the wind through the winding entries
which chatters?
The state bed is very cold and he is alone. How far from the wall
the arras is blown!
Christ's Death! It is no storm which makes these little chuckling sounds.
By the Great Wounds of Holy Jesus, it is his dear lady, kissing and
clasping someone! Through the sobbing storm he hears her love take form
and flutter out in words. They prick into his ears and stun his desire,
which lies within him, hard and dead, like frozen fire. And the little noise
never stops.
Drip -- hiss -- the rain drops.
He tears down the arras from before an inner chamber's bolted door.
96
II
The state bed shivers in the watery dawn. Drip -- hiss -- fall the raindrops.
For the storm never stops.
On the velvet coverlet lie two bodies, stripped and fair in the cold,
grey air. Drip -- hiss -- fall the blood-drops, for the bleeding never stops.
The bodies lie quietly. At each side of the bed, on the floor, is a head.
A man's on this side, a woman's on that, and the red blood oozes along
the rush mat.
A wisp of paper is twisted carefully into the strands of the dead man's hair.
It says, 'My Lord: Your wife's paramour has paid with his life
for the high favour.'
Through the lady's silver fillet is wound another paper. It reads,
'Most noble Lord: Your wife's misdeeds are as a double-stranded
necklace of beads. But I have engaged that, on your return,
she shall welcome you here. She will not spurn your love as before,
you have still the best part of her. Her blood was red, her body white,
they will both be here for your delight. The soul inside was a lump of dirt,
I have rid you of that with a spurt of my sword point. Good luck
to your pleasure. She will be quite complaisant, my friend, I wager.'
The end was a splashed flourish of ink.
Hark! In the passage is heard the clink of armour, the tread of a heavy man.
The door bursts open and standing there, his thin hair wavering
in the glare of steely daylight, is my Lord of Clair.
Over the yawning chimney hangs the fog. Drip -- hiss -- drip -- hiss -fall the raindrops. Overhead hammers and chinks the rain which never stops.
The velvet coverlet is sodden and wet, yet the roof beams are tight.
Overhead, the coronet gleams with its blackened gold, winking and blinking.
Among the rushes three corpses are growing cold.
III
In the castle church you may see them stand,
Two sumptuous tombs on either hand
97
Of the choir, my Lord's and my Lady's, grand
In sculptured filigrees. And where the transepts of the church expand,
A crusader, come from the Holy Land,
Lies with crossed legs and embroidered band.
The page's name became a brand
For shame. He was buried in crawling sand,
After having been burnt by royal command.
~ Amy Lowell,#NFDB
578:Snow White And The Seven Dwarfs
No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.
Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referredsomething like the weather forecasta mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison.
Suddenly one day the mirror replied,
Queen, you are full fair, 'tis true,
but Snow White is fairer than you.
Until that moment Snow White
172
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.
Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.
The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping virgin. They were wise
and wattled like small czars.
Yes. It's a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up. She told them
about the mirror and the killer-queen
173
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.
Looking glass upon the wall...
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.
Looking glass upon the wall...
Once more the mirror told
and once more the queen dressed in rags
and once more Snow White opened the door.
This time she bought a poison comb,
a curved eight-inch scorpion,
and put it in her hair and swooned again.
The dwarfs returned and took out the comb
and she revived miraculously.
She opened her eyes as wide as Orphan Annie.
Beware, beware, they said,
but the mirror told,
the queen came,
Snow White, the dumb bunny,
174
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.
The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow Whiteits doll's eyes shut foreverto keep in his far-off castle.
As the prince's men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.
And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
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a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.
~ Anne Sexton,#NFDB
579:The Twelve Dancing Princesses
If you danced from midnight
to six A.M. who would understand?
The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.
The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing 'That ole Ace down in the hole,'
would understand.
The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.
The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.
The drunken poet
(a genius by daylight)
who places long-distance calls
321
at three A.M. and then lets you sit
holding the phone while he vomits
(he calls it 'The Night of the Long Knives')
getting his kicks out of the death call,
would understand.
The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.
The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you 'we'
and keeps vigil like a ballistic missile,
would understand.
Once
this king had twelve daughters,
each more beautiful than the other.
They slept together, bed by bed
in a kind of girls' dormitory.
At night the king locked and bolted the door
. How could they possibly escape?
Yet each morning their shoes
were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation
that anyone who could discover
where the princesses did their dancing
could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried,
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each sitting outside the dormitory,
the door ajar so he could observe
what enchantment came over the shoes.
But each time the twelve dancing princesses
gave the snoopy man a Mickey Finn
and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier
heard about these strange goings on
and decided to give it a try.
On his way to the castle
he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine
and gave him a cloak that would make
him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine
but he fastened a sponge beneath his chin,
looking the opposite of Andy Gump.
The sponge soaked up the wine,
and thus he stayed awake.
He feigned sleep however
and the princesses sprang out of their beds
and fussed around like a Miss America Contest.
Then the eldest went to her bed
and knocked upon it and it sank into the earth.
They descended down the opening
one after the other. They crafty soldier
put on his invisible cloak and followed.
Yikes, said the youngest daughter,
something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees,
each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break
and said, Oof! Who goes there?
But the oldest said, Those are
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the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell
and the youngest said: Wait up! He is here!
But the oldest said: Trumpets, my dear.
Next they came to a lake where lay
twelve boats with twelve enchanted princes
waiting to row them to the underground castle.
The soldier sat in the youngest's boat
and the boat was as heavy as if an icebox
had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland
as if those tickets would run right out.
They were painted in kisses with their secret hair
and though the soldier drank from their cups
they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up
naked and angry and so they returned
by the same strange route. The soldier
went forward through the dormitory and into
his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery
like blood in a wound, his purpose brutal
as if facing a battle, hurried with his answer
as if to the Sphinx. The shoes! The shoes!
The soldier told. He brought forth
the silver leaf, the diamond the size of a plum.
He had won. The dancing shoes would dance
no more. The princesses were torn from
their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes
and sagged like old sweatshirts.
Now the runaways would run no more and never
again would their hair be tangled into diamonds,
never again their shoes worn down to a laugh,
324
never the bed falling down into purgatory
to let them climb in after
with their Lucifer kicking.
~ Anne Sexton,#NFDB
580: VIII - EVENING A SMALL, NEATLY KEPT CHAMBER
MARGARET
(plaiting and binding up the braids of her hair)
I'd something give, could I but say
Who was that gentleman, to-day.
Surely a gallant man was he,
And of a noble family;
And much could I in his face behold,
And he wouldn't, else, have been so bold!
[Exit
MEPHISTOPHELES FAUST
MEPHISTOPHELES
Come in, but gently: follow me!
FAUST (after a moment's silence)
Leave me alone, I beg of thee!
MEPHISTOPHELES (prying about)
Not every girl keeps things so neat.
FAUST (looking around)
O welcome, twilight soft and sweet,
That breathes throughout this hallowed shrine!
Sweet pain of love, bind thou with fetters fleet
The heart that on the dew of hope must pine!
How all around a sense impresses
Of quiet, order, and content!
This poverty what bounty blesses!
What bliss within this narrow den is pent!
(He throws himself into a leathern arm-chair near the bed.)
Receive me, thou, that in thine open arms
Departed joy and pain wert wont to gather!
How oft the children, with their ruddy charms,
Hung here, around this throne, where sat the father!
Perchance my love, amid the childish band,
Grateful for gifts the Holy Christmas gave her,
Here meekly kissed the grandsire's withered hand.
I feel, O maid! thy very soul
Of order and content around me whisper,
Which leads thee with its motherly control,
The cloth upon thy board bids smoothly thee unroll,
The sand beneath thy feet makes whiter, crisper.
O dearest hand, to thee 'tis given
To change this hut into a lower heaven!
And here!
(He lifts one of the bed-curtains.)
What sweetest thrill is in my blood!
Here could I spend whole hours, delaying:
Here Nature shaped, as if in sportive playing,
The angel blossom from the bud.
Here lay the child, with Life's warm essence
The tender bosom filled and fair,
And here was wrought, through holier, purer presence,
The form diviner beings wear!
And I? What drew me here with power?
How deeply am I moved, this hour!
What seek I? Why so full my heart, and sore?
Miserable Faust! I know thee now no more.
Is there a magic vapor here?
I came, with lust of instant pleasure,
And lie dissolved in dreams of love's sweet leisure!
Are we the sport of every changeful atmosphere?
And if, this moment, came she in to me,
How would I for the fault atonement render!
How small the giant lout would be,
Prone at her feet, relaxed and tender!
MEPHISTOPHELES
Be quick! I see her there, returning.
FAUST
Go! go! I never will retreat.
MEPHISTOPHELES
Here is a casket, not unmeet,
Which elsewhere I have just been earning.
Here, set it in the press, with haste!
I swear, 'twill turn her head, to spy it:
Some baubles I therein had placed,
That you might win another by it.
True, child is child, and play is play.
FAUST
I know not, should I do it?
MEPHISTOPHELES
Ask you, pray?
Yourself, perhaps, would keep the bubble?
Then I suggest, 'twere fair and just
To spare the lovely day your lust,
And spare to me the further trouble.
You are not miserly, I trust?
I rub my hands, in expectation tender
(He places the casket in the press, and locks it again.)
Now quick, away!
The sweet young maiden to betray,
So that by wish and will you bend her;
And you look as though
To the lecture-hall you were forced to go,
As if stood before you, gray and loath,
Physics and Metaphysics both!
But away!
[Exeunt.
MARGARET (with a lamp)
It is so close, so sultry, here!
(She opens the window)
And yet 'tis not so warm outside.
I feel, I know not why, such fear!
Would mother came!where can she bide?
My body's chill and shuddering,
I'm but a silly, fearsome thing!
(She begins to sing while undressing)
There was a King in Thule,
Was faithful till the grave,
To whom his mistress, dying,
A golden goblet gave.
Naught was to him more precious;
He drained it at every bout:
His eyes with tears ran over,
As oft as he drank thereout.
When came his time of dying,
The towns in his land he told,
Naught else to his heir denying
Except the goblet of gold.
He sat at the royal banquet
With his knights of high degree,
In the lofty hall of his fathers
In the Castle by the Sea.
There stood the old carouser,
And drank the last life-glow;
And hurled the hallowed goblet
Into the tide below.
He saw it plunging and filling,
And sinking deep in the sea:
Then fell his eyelids forever,
And never more drank he!
(She opens the press in order to arrange her clothes, and perceives
the casket of jewels.)
How comes that lovely casket here to me?
I locked the press, most certainly.
'Tis truly wonderful! What can within it be?
Perhaps 'twas brought by some one as a pawn,
And mother gave a loan thereon?
And here there hangs a key to fit:
I have a mind to open it.
What is that? God in Heaven! Whence came
Such things? Never beheld I aught so fair!
Rich ornaments, such as a noble dame
On highest holidays might wear!
How would the pearl-chain suit my hair?
Ah, who may all this splendor own?
(She adorns herself with the jewelry, and steps before the
mirror.)
Were but the ear-rings mine, alone!
One has at once another air.
What helps one's beauty, youthful blood?
One may possess them, well and good;
But none the more do others care.
They praise us half in pity, sure:
To gold still tends,
On gold depends
All, all! Alas, we poor!
~ Johann Wolfgang von Goethe, EVENING A SMALL, NEATLY KEPT CHAMBER
,#NFDB
581: ON SELF-OVERCOMING
'Will to truth," you who are wisest call that which
impels you and fills you with lust?
A will to the thinkability of all beings: this I call
your will. You want to make all being thinkable, for
you doubt with well-founded suspicion that it is already
thinkable. But it shall yield and bend for you. Thus your
will wants it. It shall become smooth and serve the
spirit as its mirror and reflection. That is your whole
will, you who are wisest: a will to power-when you
speak of good and evil too, and of valuations. You still
want to create the world before which you can kneel:
that is your ultimate hope and intoxication.
Ihe unwise, of course, the people-they are like a
river on which a bark drifts; and in the bark sit the
valuations, solemn and muffled up. Your will and your
valuations you have placed on the river of becoming;
and what the people believe to be good and evil, that
betrays to me an ancient will to power.
It was you who are wisest who placed such guests in
this bark and gave them pomp and proud names-you
and your dominant will. Now the river carries your
bark farther; it has to carry it. It avails nothing that the
broken wave foams and angrily opposes the keel. Not
114
the river is your danger and the end of your good and
evil, you who are wisest, but that will itself, the will
to power-the unexhausted procreative will of life.
But to make you understand my word concerning
good and evil, I shall now say to you my word concerning life and the nature of all the living.
I pursued the living; I walked the widest and the
narrowest paths that I might know its nature. With a
hundredfold mirror I still caught its glance when its
mouth was closed, so that its eyes might speak to me.
And its eyes spoke to me.
But wherever I found the living, there I heard also
the speech on obedience. Whatever lives, obeys.
And this is the second point: he who cannot obey
himself is commanded. That is the nature of the living.
This, however, is the third point that I heard: that
commanding is harder than obeying; and not only because he who commands must carry the burden of all
who obey, and because this burden may easily crush
him. An experiment and hazard appeared to me to be
in all commanding; and whenever the living commands,
it hazards itself. Indeed, even when it commands itself,
it must still pay for its commanding. It must become
the judge, the avenger, and the victim of its own law.
How does this happen? I asked myself. What persuades
the living to obey and command, and to practice obedience even when it commands?
Hear, then, my word, you who are wisest. Test in all
seriousness whether I have crawled into the very heart
of life and into the very roots of its heart.
Where I found the living, there I found will to
power; and even in the will of those who serve I found
the will to be master.
That the weaker should serve the stronger, to that
it is persuaded by its own will, which would be master
115
over what is weaker still: this is the one pleasure it does
not want to renounce. And as the smaller yields to the
greater that it may have pleasure and power over the
smallest, thus even the greatest still yields, and for
the sake of power risks life. That is the yielding of the
greatest: it is hazard and danger and casting dice for
death.
And where men make sacrifices and serve and cast
amorous glances, there too is the will to be master.
Along stealthy paths the weaker steals into the castle
and into the very heart of the more powerful-and
there steals power.
And life itself confided this secret to me: "Behold,"
it said, "I am that which must always overcome itself.
Indeed, you call it a will to procreate or a drive to an
end, to something higher, farther, more manifold: but
all this is one, and one secret.
"Rather would I perish than forswear this; and verily,
where there is perishing and a falling of leaves, behold,
there life sacrifices itself-for power. That I must be
struggle and a becoming and an end and an opposition
to ends-alas, whoever guesses what is my will should
also guess on what crooked paths it must proceed.
"Vhatever I create and however much I love itsoon I must oppose it and my love; thus my will wills it.
And you too, lover of knowledge, are only a path and
footprint of my will; verily, my will to power walks
also on the heels of your will to truth.
"Indeed, the truth was not hit by him who shot at it
with the word of the 'will to existence': that will does
not exist. For, what does not exist cannot will; but
what is in existence, how could that still want existence? Only where there is life is there also will: not
will to life but-thus I teach you-will to power.
"There is much that life esteems more highly than
116
life itself; but out of the esteeming itself speaks the will
to power."
Thus life once taught me; and with this I shall yet
solve the riddle of your heart, you who are wisest.
Verily, I say unto you: good and evil that are not
transitory, do not exist. Driven on by themselves, they
must overcome themselves again and again. With your
values and words of good and evil you do violence
when you value; and this is your hidden love and the
splendor and trembling and overflowing of your soul.
But a more violent force and a new overcoming grow
out of your values and break egg and eggshell.
And whoever must be a creator in good and evil,
verily, he must first be an annihilator and break values.
Thus the highest evil belongs to the highest goodness:
but this is creative.
Let us speak of this, you who are wisest, even if it
be bad. Silence is worse; all truths that are kept silent
become poisonous.
And may everything be broken that cannot brook
our truths! There are yet many houses to be built!
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON SELF-OVERCOMING
,#NFDB
582:Tam Lin
O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.
There's nane that gaes by Carterhaugh
But they leave him a wad,
Either their rings, or green mantles,
Or else their maidenhead.
Janet has kilted her green kirtle
A little aboon her knee,
And she has broded her yellow hair
A little aboon her bree,
And she's awa to Carterhaugh
As fast as she can hie.
When she came to carterhaugh
Tam Lin was at the well,
And there she fand his steed standing,
But away was himsel.
She had na pu'd a double rose,
A rose but only twa,
Till upon then started young Tam Lin,
Says, Lady, thou's pu nae mae.
Why pu's thou the rose, Janet,
And why breaks thou the wand?
Or why comes thou to Carterhaugh
Withoutten my command?
"Carterhaugh, it is my own,
My daddy gave it me,
I'll come and gang by Carterhaugh,
And ask nae leave at thee."
Janet has kilted her green kirtle
A little aboon her knee,
246
And she has broded her yellow hair
A little aboon her bree,
And she is to her father's ha,
As fast as she can hie.
Four and twenty ladies fair
Were playing at the ba,
And out then came the fair Janet,
The flower among them a'.
Four and twenty ladies fair
Were playing at the chess,
And out then came the fair Janet,
As green as onie glass.
Out then spake an auld grey knight,
Lay oer the castle wa,
And says, Alas, fair Janet, for thee,
But we'll be blamed a'.
"Haud your tongue, ye auld fac'd knight,
Some ill death may ye die!
Father my bairn on whom I will,
I'll father none on thee."
Out then spak her father dear,
And he spak meek and mild,
"And ever alas, sweet Janet," he says,
"I think thou gaest wi child."
"If that I gae wi child, father,
Mysel maun bear the blame,
There's neer a laird about your ha,
Shall get the bairn's name.
"If my love were an earthly knight,
As he's an elfin grey,
I wad na gie my ain true-love
For nae lord that ye hae.
"The steed that my true love rides on
Is lighter than the wind,
247
Wi siller he is shod before,
Wi burning gowd behind."
Janet has kilted her green kirtle
A little aboon her knee,
And she has broded her yellow hair
A little aboon her bree,
And she's awa to Carterhaugh
As fast as she can hie.
When she came to Carterhaugh,
Tam Lin was at the well,
And there she fand his steed standing,
But away was himsel.
She had na pu'd a double rose,
A rose but only twa,
Till up then started young Tam Lin,
Says, Lady, thou pu's nae mae.
"Why pu's thou the rose, Janet,
Amang the groves sae green,
And a' to kill the bonny babe
That we gat us between?"
"O tell me, tell me, Tam Lin," she says,
"For's sake that died on tree,
If eer ye was in holy chapel,
Or christendom did see?"
"Roxbrugh he was my grandfather,
Took me with him to bide
And ance it fell upon a day
That wae did me betide.
"And ance it fell upon a day
A cauld day and a snell,
When we were frae the hunting come,
That frae my horse I fell,
The Queen o' Fairies she caught me,
In yon green hill do dwell.
248
"And pleasant is the fairy land,
But, an eerie tale to tell,
Ay at the end of seven years,
We pay a tiend to hell,
I am sae fair and fu o flesh,
I'm feard it be mysel.
"But the night is Halloween, lady,
The morn is Hallowday,
Then win me, win me, an ye will,
For weel I wat ye may.
"Just at the mirk and midnight hour
The fairy folk will ride,
And they that wad their true-love win,
At Miles Cross they maun bide."
"But how shall I thee ken, Tam Lin,
Or how my true-love know,
Amang sa mony unco knights,
The like I never saw?"
"O first let pass the black, lady,
And syne let pass the brown,
But quickly run to the milk-white steed,
Pu ye his rider down.
"For I'll ride on the milk-white steed,
And ay nearest the town,
Because I was an earthly knight
They gie me that renown.
"My right hand will be gloved, lady,
My left hand will be bare,
Cockt up shall my bonnet be,
And kaimed down shall my hair,
And thae's the takens I gie thee,
Nae doubt I will be there.
"They'll turn me in your arms, lady,
Into an esk and adder,
But hold me fast, and fear me not,
249
I am your bairn's father.
"They'll turn me to a bear sae grim,
And then a lion bold,
But hold me fast, and fear me not,
And ye shall love your child.
"Again they'll turn me in your arms
To a red het gand of airn,
But hold me fast, and fear me not,
I'll do you nae harm.
"And last they'll turn me in your arms
Into the burning gleed,
Then throw me into well water,
O throw me in with speed.
"And then I'll be your ain true-love,
I'll turn a naked knight,
Then cover me wi your green mantle,
And hide me out o sight."
Gloomy, gloomy was the night,
And eerie was the way,
As fair Jenny in her green mantle
To Miles Cross she did gae.
At the mirk and midnight hour
She heard the bridles sing,
She was as glad at that
As any earthly thing.
First she let the black pass by,
And syne she let the brown,
But quickly she ran to the milk-white steed,
And pu'd the rider down.
Sae weel she minded what he did say,
And young Tam Lin did win,
Syne covered him wi her green mantle,
As blythe's a bird in spring
250
Out then spak the Queen o Fairies,
Out of a bush o broom,
"Them that has gotten young Tam Lin
Has gotten a stately-groom."
Out then spak the Queen o Fairies,
And an angry woman was she,
"Shame betide her ill-far'd face,
And an ill death may she die,
For she's taen awa the bonniest knight
In a' my companie.
"But had I kend, Tam Lin," said she,
"What now this night I see,
I wad hae taen out thy twa grey een,
And put in twa een o tree."
~ Anonymous,#NFDB
583:Dear Reynolds, as last night I lay in bed,
There came before my eyes that wonted thread
Of shapes, and shadows, and remembrances,
That every other minute vex and please:
Things all disjointed come from north and south,--
Two witch's eyes above a cherub's mouth,
Voltaire with casque and shield and habergeon,
And Alexander with his nightcap on;
Old Socrates a-tying his cravat,
And Hazlitt playing with Miss Edgeworth's cat;
And Junius Brutus, pretty well so-so,
Making the best of's way towards Soho.
Few are there who escape these visitings--
Perhaps one or two whose lives have patent wings,
And through whose curtains peeps no hellish nose,
No wild-boar tushes, and no mermaid's toes;
But flowers bursting out with lusty pride,
And young AEolian harps personified;
Some Titian colours touch'd into real life,--
The sacrifice goes on; the pontiff knife
Gleams in the sun, the milk-white heifer lows,
The pipes go shrilly, the libation flows:
A white sail shows above the green-head cliff,
Moves round the point, and throws her anchor stiff;
The mariners join hymn with those on land.
You know the Enchanted Castle -- it doth stand
Upon a rock on the border of a lake,
Nested in trees, which all do seem to shake
From some old magic like Urganda's sword.
O Phoebus! that I had thy sacred word
To show this Castle in fair dreaming wise
Unto my friend, while sick and ill he lies!
You know it well enough, where it doth seem
A mossy place, a Merlin's Hall, a dream;
You know the clear lake, and the little isles,
The mountains blue, and cold near neighbour rills--
All which elsewhere are but half animate,
Here do they look alive to love and hate,
To smiles and frowns; they seem a lifted mound
Above some giant, pulsing underground.
Part of the building was a chosen See
Built by a banish'd Santon of Chaldee;
The other part, two thousand years from him,
Was built by Cuthbert de Saint Aldebrim;
Then there's a little wing, far from the sun,
Built by a Lapland witch turn'd maudlin nun;
And many other juts of aged stone
Founded with many a mason-devil's groan.
The doors all look as if they op'd themselves,
The windows as if latch'd by fays and elves,
And from them comes a silver flash of light
As from the westward of a summer's night;
Or like a beauteous woman's large blue eyes
Gone mad through olden songs and poesies.
See what is coming from the distance dim!
A golden galley all in silken trim!
Three rows of oars are lightening, moment whiles,
Into the verdurous bosoms of those isles;
Towards the shade under the Castle wall
It comes in silence -- now 'tis hidden all.
The clarion sounds, and from a postern-gate
An echo of sweet music doth create
A fear in the poor herdsman who doth bring
His beasts to trouble the enchanted spring,--
He tells of the sweet music and the spot
To all his friends, and they believe him not.
O that our dreamings all, of sleep or wake,
Would all their colours from the sunset take:
From something of material sublime,
Rather than shadow our own soul's day-time
In the dark void of night. For in the world
We jostle- but my flag is not unfurl'd
On the Admiral-staff -- and to philosophize
I dare not yet! Oh, never will the prize,
High reason, and the lore of good and ill,
Be my award! Things cannot to the will
Be settled, but they tease us out of thought;
Or is it that Imagination brought
Beyond its proper bound, yet still confin'd,
Lost in a sort of Purgatory blind,
Cannot refer to any standard law
Of either earth or heaven? It is a flaw
In happiness to see beyond our bourn,--
It forces us in summer skies to mourn,
It spoils the singing of the Nightingale.
Dear Reynolds! I have a mysterious tale
And cannot speak it. The first page I read
Upon a lampit rock of green sea-weed
Among the breakers; 'twas a quiet eve,
The rocks were silent, the wide sea did weave
An untumultuous fringe of silver foam
Along the flat brown sand; I was at home
And should have been most happy,-- but I saw
Too far into the sea, where every maw
The greater on the less feeds evermore.--
But I saw too distinct into the core
Of an eternal fierce destruction,
And so from happiness I far was gone.
Still am I sick of it, and though to-day
I've gather'd young spring-leaves, and flowers gay
Of periwinkle and wild strawberry,
Still do I that most fierce destruction see,--
The Shark at savage prey, the Hawk at pounce,--
The gentle Robin, like a Pard or Ounce,
Ravening a worm -- Away, ye horrid moods!
Moods of one's mind! You know I hate them well.
You know I'd sooner be a clapping Bell
To some Kamschatcan Missionary Church,
Than with these horrid moods be left i' the lurch.
Do you get health -- and Tom the same -- I'll dance,
And from detested moods in new Romance
Take refuge. Of bad lines a Centaine dose
Is sure enough -- and so "here follows prose."
'This epistle with a few lines of introduction in prose was written at Teignmouth, and is dated the 25 of March 1818 in the Life, Letters &c. where it first appeared. Keats says to his friend --
"In hopes of cheering you through a minute or two, I was determined, will he nill he, to send you some lines, so you will excuse the unconnected subject and careless verse. You know, I am sure, Claude's 'Enchanted Castle,' and I wish you may be pleased with my remembrance of it."
Some thirty years ago this picture emerged from Lord Overstone's collection at Wickham Park, Bromley, and was exhibited at the British Institution. It was a favourite in Keats's circle. Hunt, in Imagination and Fancy, says of the "perilous seas in faery lands forlorn" passage in the Ode to a Nightingale, "This beats Claude's Enchanted Castle, and the story of King Beder in the Arabian Nights."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Epistle To John Hamilton Reynolds
,#NFDB
584:Tam Lin
O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.
There's nane that gaes by Carterhaugh
But they leave him a wad,
Either their rings, or green mantles,
Or else their maidenhead.
Janet has kilted her green kirtle
A little aboon her knee,
And she has braided her yellow hair
A little aboon her bree,
And she's awa' to Carterhaugh,
As fast as she can hie.
When she came to Carterhaugh
Tam Lin was at the well,
And there she fand his steed standing,
But away was himsel.
She had na pu'd a double rose,
A rose but only twa,
Till up then started young Tam Lin,
Says, 'Lady, thou's pu nae mae.
'Why pu's thou the rose, Janet,
And why breaks thou the wand?
Or why comes thou to Carterhaugh
Withoutten my command?'
'Carterhaugh, it is my ain,
My daddie gave it me;
I'll come and gang by Carterhaugh,
And ask nae leave at thee.'
*****
184
Janet has kilted her green kirtle
A little aboon her knee,
And she has snooded her yellow hair
A little aboon her bree,
And she is to her father's ha,
As fast as she can hie.
Four and twenty ladies fair
Were playing at the ba,
And out then cam the fair Janet,
Ance the flower amang them a'.
Four and twenty ladies fair
Were playing at the chess,
And out then cam the fair Janet,
As green as onie grass.
Out then spak an auld grey knight,
Lay oer the castle wa,
And says, 'Alas, fair Janet, for thee
But we'll be blamed a'.'
'Haud your tongue, ye auld-fac'd knight,
Some ill death may ye die!
Father my bairn on whom I will,
I'll father nane on thee.'
Out then spak her father dear,
And he spak meek and mild;
'And ever alas, sweet Janet,' he says.
'I think thou gaes wi child.'
'If that I gae wi' child, father,
Mysel maun bear the blame;
There's neer a laird about your ha
Shall get the bairn's name.
'If my love were an earthly knight,
As he's an elfin grey,
I wad na gie my ain true-love
For nae lord that ye hae.
185
'The steed that my true-love rides on
Is lighter than the wind;
Wi siller he is shod before
Wi burning gowd behind.'
Janet has kilted her green kirtle
A little aboon her knee,
And she has snooded her yellow hair
A little aboon her bree,
And she's awa' to Carterhaugh,
As fast as she can hie.
When she cam to Carterhaugh,
Tam Lin was at the well,
And there she fand his steed standing,
But away was himsel.
She had na pu'd a double rose,
A rose but only twa,
Till up then started young Tam Lin,
Says, 'Lady, thou pu's nae mae.
'Why pu's thou the rose, Janet,
Amang the groves sae green,
And a' to kill the bonie babe
That we gat us between?'
'O tell me, tell me, Tam Lin,' she says,
'For's sake that died on tree,
If eer ye was in holy chapel,
Or christendom did see?'
'Roxbrugh he was my grandfather,
Took me with him to bide,
And ance it fell upon a day
That wae did me betide.
'And ance it fell upon a day,
A cauld day and a snell,
When we were frae the hunting come,
That frae my horse I fell;
The Queen o Fairies she caught me,
186
In yon green hill to dwell.
'And pleasant is the fairy land,
But, an eerie tale to tell,
Ay at the end of seven years
We pay a tiend to hell;
I am sae fair and fu' o flesh
I'm feared it be mysel.
'But the night is Halloween, lady,
The morn is Hallowday;
Then win me, win me, an ye will,
For weel I wat ye may.
'Just at the mirk and midnight hour
The fairy folk will ride,
And they that wad their true love win,
At Miles Cross they maun bide.'
'But how shall I thee ken, Tam Lin,
Or how my true-love know,
Amang sae mony unco knights
The like I never saw?'
'O first let pass the black, lady,
And syne let pass the brown,
But quickly run to the milk-white steed,
Pu ye his rider down.
'For I'll ride on the milk-white steed,
And ay nearest the town;
Because I was an earthly knight
They gie me that renown.
'My right hand will be gloyd, lady,
My left hand will be bare,
Cockt up shall my bonnet be,
And kaimd down shall my hair;
And thae's the takens I gie thee,
Nae doubt I will be there.
'They'll turn me in your arms, lady,
187
Into an esk and adder;
But hold me fast, and fear me not,
I am your bairn's father.
'They'll turn me to a bear sae grim,
And then a lion bold;
But hold me fast, and fear me not,
As ye shall love your child.
'Again they'll turn me in your arms
To a red het gaud of airn;
But hold me fast, and fear me not,
I'll do to you nae harm.
'And last they'll turn me in your arms
Into the burning gleed;
Then throw me into well water,
O throw me in wi speed.
'And then I'll be your ain true-love,
I'll turn a naked knight;
Then cover me wi your green mantle,
And cover me out o sight.'
Gloomy, gloomy was the night,
And eerie was the way,
As fair Jenny in her green mantle
To Miles Cross she did gae.
About the middle o' the night
She heard the bridles ring;
This lady was as glad at that
As any earthly thing.
First she let the black pass by,
And syne she let the brown;
But quickly she ran to the milk-white steed,
And pu'd the rider down,
Sae weel she minded whae he did say,
And young Tam Lin did win;
Syne coverd him wi her green mantle,
188
As blythe's a bird in spring.
Out then spak the Queen o Fairies,
Out of a bush o broom:
'Them that has gotten young Tam Lin
Has gotten a stately groom.'
Out then spak the Queen o Fairies,
And an angry woman was she;
'Shame betide her ill-far'd face,
And an ill death may she die,
For she's taen awa the bonniest knight
In a' my companie.
'But had I kend, Tam Lin,' she says,
'What now this night I see,
I wad hae taen out thy twa grey e'en,
And put in twa een o tree.'
~ Andrew Lang,#NFDB
585:Conroy's Gap
This was the way of it, don't you know -Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford -A bushman, too, as I've heard them tell -Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap -Under the shade of that frowning range
The roughest crowd that ever drew breath -Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".
The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap -Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.
"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.
There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
103
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."
Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near -And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;
In every show ring, on every course,
They always counted The Swagman best.
He was a wonder, a raking bay -One of the grand old Snowdon strain -One of the sort that could race and stay
With his mighty limbs and his length of rein.
Born and bred on the mountain side,
He could race through scrub like a kangaroo;
The girl herself on his back might ride,
And The Swagman would carry her safely through.
He would travel gaily from daylight's flush
Till after the stars hung out their lamps;
There was never his like in the open bush,
And never his match on the cattle-camps.
For faster horses might well be found
On racing tracks, or a plain's extent,
But few, if any, on broken ground
Could see the way that The Swagman went.
When this girl's father, old Jim Carew,
Was droving out on the Castlereagh
With Conroy's cattle, a wire came through
To say that his wife couldn't live the day.
And he was a hundred miles from home,
As flies the crow, with never a track
Through plains as pathless as ocean's foam;
He mounted straight on The Swagman's back.
He left the camp by the sundown light,
104
And the settlers out on the Marthaguy
Awoke and heard, in the dead of night,
A single horseman hurrying by.
He crossed the Bogan at Dandaloo,
And many a mile of the silent plain
That lonely rider behind him threw
Before they settled to sleep again.
He rode all noght, and he steered his course
By the shining stars with a bushman's skill,
And every time that he pressed his horse
The Swagman answered him gamely still.
He neared his home as the east was bright.
The doctor met him outside the town
"Carew! How far did you come last night?"
"A hundred miles since the sun went down."
And his wife got round, and an oath he passed,
So long as he or one of his breed
Could raise a coin, though it took their last,
The Swagman never should want a feed.
And Kate Carew, when her father died,
She kept the horse and she kept him well;
The pride of the district far and wide,
He lived in style at the bush hotel.
Such wasThe Swagman; and Ryan knew
Nothing about could pace the crack;
Little he'd care for the man in blue
If once he got on The Swagman's back.
But how to do it? A word let fall
Gave him the hint as the girl passed by;
Nothing but "Swagman -- stable wall;
Go to the stable and mind your eye."
He caught her meaning, and quickly turned
To the trooper: "Reckon you'll gain a stripe
By arresting me, and it's easily earned;
Let's go to the stable and get my pipe,
The Swagman has it." So off they went,
And as soon as ever they turned their backs
The girl slipped down, on some errand bent
105
Behind the stable and seized an axe.
The trooper stood at the stable door
While Ryan went in quite cool and slow,
And then (the trick had been played before)
The girl outside gave the wall a blow.
Three slabs fell out of the stable wall -'Twas done 'fore ever the trooper knew -And Ryan, as soon as he saw them fall,
Mounted The Swagman and rushed him through.
The trooper heard the hoof-beats ring
In the stable yard, and he jammed the gate,
But The Swagman rose with a mighty spring
At the fence, and the trooper fired too late
As they raced away, and his shots flew wide,
And Ryan no longer need care a rap,
For never a horse that was lapped in hide
Could catch The Swagman in Conroy's Gap.
And that's the story. You want to know
If Ryan came back to his Kate Carew;
Of course he should have, as stories go,
But the worst of it is this story's true:
And in real life it's a certain rule,
Whatever poets and authors say
Of high-toned robbers and all their school,
These horsethief fellows aren't built that way.
Come back! Don't hope it -- the slinking hound,
He sloped across to the Queensland side,
And sold The Swagman for fifty pound,
And stole the money, and more beside.
And took to drink, and by some good chance
Was killed -- thrown out of a stolen trap.
And that was the end of this small romance,
The end of the story of Conroy's Gap.
~ Banjo Paterson,#NFDB
586:The Wargeilah Handicap
Wargeilah town is very small,
There's no cathedral nor a club,
In fact the township, all in all,
Is just one unpretentious pub;
And there, from all the stations round,
The local sportsmen can be found.
The sportsmen of Wargeilah-side
Are very few but very fit;
There's scarcely any sport been tried
But they can hold their own at it;
In fact, to search their records o'er,
They hold their own and something more.
The precincts of Wargeilah town
An English new-chum did infest:
He used to wander up and down
In baggy English breeches drest;
His mental aspect seemed to be
Just stolid self-sufficiency.
The local sportsmen vainly sought
His tranquil calm to counteract
By urging that he should be brought
Within the Noxious Creatures Act.
"Nay, harm him not," said one more wise,
"He is a blessing in disguise!
"You see, he wants to buy a horse,
To ride, and hunt, and steeplechase,
And carry ladies, too, of course,
And pull a cart, and win a race.
Good gracious! he must be a flat
To think he'll get a horse like that!
"But, since he has so little sense
And such a lot of cash to burn,
We'll sell him some experience
By which alone a fool can learn.
494
Suppose we let him have The Trap
To win Wargeilah Handicap!"
And her, I must explain to you
That round about Wargeilah run
There lived a very aged screw
Whose days of brilliancy were done.
A grand old warrior in his prime -But age will beat us any time.
A trooper's horse in seasons past
He did his share to keep the peace,
But took to falling, and at last
Was cast for age from the Police.
A publican at Conroy's Gap
Bought him and christened him The Trap.
When grass was good and horses dear,
He changed his owner now and then
At prices ranging somewhere near
The neighbourhood of two-pound-ten:
And manfully he earned his keep
By yarding cows and ration sheep.
They brought him in from off the grass
And fed and groomed the old horse up;
His coat began to shine like glass -You'd think he'd win the Melbourne Cup.
And when they'd got him fat and flash
They asked the new chum -- fifty -- cash!
And when he said the price was high,
Their indignation knew no bounds.
They said, "It's seldom you can buy
A horse like that for fifty pounds!
We'll refund twenty if The Trap
Should fail to win the handicap!"
The deed was done, the price was paid,
The new-chum put the horse in train.
The local sports were much afraid
That he would sad experience gain
495
By racing with some shearer's hack,
Who'd beat him half-way round the track.
So, on this guileless English spark
They did most fervently impress
That he must keep the matter dark,
And not let any person guess
That he was purchasing The Trap
To win Wargeilah Handicap.
They spoke of "spielers from the Bland",
And "champions from the Castlereagh",
And gave the youth to understand
That all of these would stop away,
And spoil the race, if they should hear
That they had got The Trap to fear.
"Keep dark! They'll muster thick as flies
When once the news gets sent around
We're giving such a splendid prize -A Snowdon horse worth fifty pound!
They'll come right in from Dandaloo,
And find -- that it's a gift for you!"
The race came on -- with no display
Nor any calling of the card,
But round about the pub all day
A crowd of shearers, drinking hard,
And using language in a strain
'Twere flattery to call profane.
Our hero, dressed in silk attire -Blue jacket and scarlet cap -With boots that shone like flames of fire,
Now did his canter on The Trap,
And walked him up and round about,
Until other steeds came out.
He eyed them with a haughty look,
But saw a sight that caught his breath!
It was Ah John! the Chinee cook!
In boots and breeches! pale as death!
496
Tied with a rope, like any sack,
Upon a piebald pony's back!
The next, a colt -- all mud and burrs,
Half-broken, with a black boy up,
Who said, "You gim'me pair o' spurs,
I win the bloomin' Melbourne Cup!"
These two were to oppose The Trap
For the Wargeilah Handicap!
They're off! The colt whipped down his head,
And humped his back, and gave a squeal,
And bucked into the drinking shed,
Revolving like a Catherine wheel!
Men ran like rats! The atmosphere
Was filled with oaths and pints of beer!
But up the course the bold Ah John
Beside The Trap raced neck and neck:
The boys had tied him firmly on,
Which ultimately proved his wreck;
The saddle turned, and, like a clown,
He rode some distance upside-down.
His legs around the horse were tied,
His feet towards the heavens were spread,
He swung and bumped at every stride
And ploughed the ground up with his head!
And when they rescued him, The Trap
Had won Wargeilah Handicap!
And no enquiries we could make
Could tell by what false statements swayed
Ah John was led to undertake
A task so foreign to his trade!
He only smiled and said, "Hoo Ki!
I stop topside, I win all li'!"
But never in Wargeilah Town
Was heard so eloquent a cheer
As when the President came down,
And toasted, in Colonial beer,
497
"The finest rider on the course!
The winner of the Snowdon Horse!
"You go and get your prize," he said;
"He's with a wild mob, somewhere round
The mountains near the Watershed;
He's honestly worth fifty pound -A noble horse, indeed, to win,
But none of us can run him in!
"We've chased him poor, we've chased him fat,
We've run him till our horses dropped;
But by such obstacles as that
A man like you will not be stopped;
You'll go and yard him any day,
So here's your health! Hooray! Hooray!"
The day wound up with booze and blow
And fights till all were well content.
But of the new-chum all I know
Is shown by this advertisement -"For sale, the well-known racehorse Trap.
He won Wargeilah Handicap!"
~ Banjo Paterson,#NFDB
587:Stratton Water
“O HAVE you seen the Stratton flood
That's great with rain to-day?
It runs beneath your wall, Lord Sands,
Full of the new-mown hay.
“I led your hounds to Hutton bank
To bathe at early morn:
They got their bath by Borrowbrake
Above the standing corn.”
Out from the castle-stair Lord Sands
Looked up the western lea;
The rook was grieving on her nest,
The flood was round her tree.
Over the castle-wall Lord Sands
Looked down the eastern hill:
The stakes swam free among the boats,
The flood was rising still.
“What's yonder far below that lies
So white against the slope?”
“O it's a sail o' your bonny barks
The waters have washed up.”
“But I have never a sail so white,
And the water's not yet there.”
“O it's the swans o' your bonny lake
The rising flood doth scare.”
“The swans they would not hold so still,
So high they would not win.”
“O it's Joyce my wife has spread her smock
And fears to fetch it in.”
“Nay, knave, it's neither sail nor swans,
Nor aught that you can say;
For though your wife might leave her smock,
Herself she'd bring away.”
Lord Sands has passed the turret-stair,
The court, and yard, and all;
The kine were in the byre that day,
The nags were in the stall.
Lord Sands has won the weltering slope
Whereon the white shape lay:
The clouds were still above the hill,
364
And the shape was still as they.
Oh pleasant is the gaze of life
And sad is death's blind head;
But awful are the living eyes
In the face of one thought dead!
“In God's name, Janet, is it me
Thy ghost has come to seek?”
“Nay, wait another hour, Lord Sands,—
Be sure my ghost shall speak.”
A moment stood he as a stone,
Then grovelled to his knee.
“O Janet, O my love, my love,
Rise up and come with me!”
“O once before you bade me come,
And it's here you have brought me!
“O many's the sweet word, Lord Sands,
You've spoken oft to me;
But all that I have from you to-day
Is the rain on my body.
“And many's the good gift, Lord Sands,
You've promised oft to me;
But the gift of yours I keep to-day
Is the babe in my body.
“O it's not in any earthly bed
That first my babe I'll see;
For I have brought my body here
That the flood may cover me.”
His face was close against her face,
His hands of hers were fain:
O her wet cheeks were hot with tears,
Her wet hands cold with rain.
“They told me you were dead, Janet,—
How could I guess the lie?”
“They told me you were false, Lord Sands,—
What could I do but die?”
“Now keep you well, my brother Giles,—
Through you I deemed her dead!
As wan as your towers seem to-day,
To-morrow they'll be red.
“Look down, look down, my false mother,
That bade me not to grieve:
You'll look up when our marriage fires
365
Are lit to-morrow eve:
“O more than one and more than two
The sorrow of this shall see:
But it's to-morrow, love, for them,—
To-day's for thee and me.”
He's drawn her face between his hands
And her pale mouth to his:
No bird that was so still that day
Chirps sweeter than his kiss.
The flood was creeping round their feet.
“O Janet, come away!
The hall is warm for the marriage-rite,
The bed for the birthday.”
“Nay, but I hear your mother cry,
‘Go bring this bride to bed!
And would she christen her babe unborn,
So wet she comes to wed?’
“I'll be your wife to cross your door
And meet your mother's e'e.
We plighted troth to wed i' the kirk,
And it's there you'll wed with me.”
He's ta'en her by the short girdle
And by the dripping sleeve:
“Go fetch Sir Jock my mother's priest,—
You'll ask of him no leave.
“O it's one half-hour to reach the kirk
And one for the marriage-rite;
And kirk and castle and castle-lands
Shall be our babe's to-night.”
“The flood's in the kirkyard, Lord Sands,
And round the belfry-stair.”
“I bade you fetch the priest,” he said,
“Myself shall bring him there.
“It's for the lilt of wedding bells
We'll have the hail to pour,
And for the clink of bridle-reins
The plashing of the oar.”
Beneath them on the nether hill
A boat was floating wide:
Lord Sands swam out and caught the oars
And rowed to the hill-side.
He's wrapped her in a green mantle
366
And set her softly in;
Her hair was wet upon her face,
Her face was grey and thin;
And “Oh!” she said, “lie still, my babe,
It's out you must not win!”
But woe's my heart for Father John
As hard as he might pray,
There seemed no help but Noah's ark
Or Jonah's fish that day.
The first strokes that the oars struck
Were over the broad leas;
The next strokes that the oars struck
They pushed beneath the trees;
The last stroke that the oars struck,
The good boat's head was met,
And there the gate of the kirk-yard
Stood like a ferry-gate.
He's set his hand upon the bar
And lightly leaped within:
He's lifted her to his left shoulder,
Her knees beside his chin.
The graves lay deep beneath the flood
Under the rain alone;
And when the foot-stone made him slip,
He held by the head-stone.
The empty boat thrawed i' the wind,
Against the postern tied.
“Hold still, you've brought my love with me,
You shall take back my bride.”
But woe's my heart for Father John
And the saints he clamoured to!
There's never a saint but Christopher
Might hale such buttocks through!
And “Oh!” she said, “on men's shoulders
I well had thought to wend,
And well to travel with a priest,
But not to have cared or ken'd.
“And oh!” she said, “it's well this way
That I thought to have fared,—
Not to have lighted at the kirk
But stopped in the kirkyard.
“For it's oh and oh I prayed to God,
367
Whose rest I hoped to win,
That when to-night at your board-head
You'd bid the feast begin,
This water past your window-sill
Might bear my body in.”
Now make the white bed warm and soft
And greet the merry morn;
The night the mother should have died,
The young son shall be born.
~ Dante Gabriel Rossetti,#NFDB
588:An old man cocked his car upon a bridge;
He and his friend, their faces to the South,
Had trod the uneven road. Their hoots were soiled,
Their Connemara cloth worn out of shape;
They had kept a steady pace as though their beds,
Despite a dwindling and late-risen moon,
Were distant still. An old man cocked his ear.
Aherne. What made that Sound?
Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.
Aherne. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?
Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.
Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'
Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!
Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.
Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.
Aherne. All dreams of the soul
End in a beautiful man's or woman's body.
Robartes, Have you not always known it?
Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.
Robartes. The lover's heart knows that.
Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.
Robartes. When the moon's full those creatures of the
full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice
Aherne laughed, thinking of the man within,
His sleepless candle and lahorious pen.
Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.
Aherne. Before the full
It sought itself and afterwards the world.
Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.
Aherne. And what of those
That the last servile crescent has set free?
Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.
Aherne. And then?
Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.
Aherne. But the escape; the song's not finished yet.
Robartes. Hunchback and Saint and Fool are the last
crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter
Out of that raving tide is drawn betwixt
Deformity of body and of mind.
Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard
Should be so simple a bat rose from the hazels
And circled round him with its squeaky cry,
The light in the tower window was put out.
~ William Butler Yeats, The Phases Of The Moon
,#NFDB
589:THE SOOTHSAYER
"-And I saw a great sadness descend upon mankind.
The best grew weary of their works. A doctrine appeared, accompanied by a faith: 'All is empty, all is the
same, all has been!' And from all the hills it echoed:
'All is empty, all is the same, all has been' Indeed we
have harvested: but why did all our fruit turn rotten
and brown? What fell down from the evil moon last
night? In vain was all our work; our wine has turned to
poison; an evil eye has seared our fields and hearts. We
have all become dry; and if fire should descend on us,
we should turn to ashes; indeed, we have wearied the
fire itself. All our wells have dried up; even the sea
has withdrawn. All the soil would crack, but the depth
refuses to devour. 'Alas, where is there still a sea in
which one might drown?' thus are we wailing across
shallow swamps. Verily, we have become too weary
even to die. We are still waking and living on-in
tombs."
Thus Zarathustra heard a soothsayer speak, and the
134
prophecy touched his heart and changed him. He
walked about sad and weary; and he became like those
of whom the soothsayer had spoken.
"Verily," he said to his disciples, "little is lacking and
this long twilight will come. Alas, how shall I save my
light through it? It must not suffocate in this sadness.
For it shall be a light for distant worlds and even more
distant nights."
Thus grieved in his heart, Zarathustra walked about;
and for three days he took neither food nor drink, had
no rest, and lost his speech. At last he fell into a deep
sleep. But his disciples sat around him in long night
watches and waited with great concern for him to wake
and speak again and recover from his melancholy.
And this is the speech of Zarathustra when he awoke;
but his voice came to his disciples as if from a great
distance:
"Listen to the dream which I dreamed, my friends,
and help me guess its meaning. This dream is still a
riddle to me; its meaning is concealed in it and imprisoned and does not yet soar above it with unfettered
wings.
"I had turned my back on all life, thus I dreamed. I
had become a night watchman and a guardian of tombs
upon the lonely mountain castle of death. Up there I
guarded his coffins: the musty vaults were full of such
marks of triumph. Life that had been overcome, looked
at me out of glass coffins. I breathed the odor of dusty
eternities: sultry and dusty lay my soul. And who could
have aired his soul there?
"The brightness of midnight was always about me;
loneliness crouched next to it; and as a third, death-rattle silence, the worst of my friends. I had keys, the
rustiest of all keys; and I knew how to use them to
open the most creaking of all gates. Like a wickedly
135
angry croaking, the sound ran through the long corridors
when the gate's wings moved: fiendishly cried this bird,
ferocious at being awakened. Yet still more terrible and
heart-constricting was the moment when silence returned and it grew quiet about me, and I sat alone in
this treacherous silence.
"Thus time passed and crawled, if time still existedhow should I know? But eventually that happened
which awakened me. Thrice, strokes struck at the gate
like thunder; the vaults echoed and howled thrice; then
I went to the gate. 'Alpa,' I cried, 'who is carrying his
ashes up the mountain? Alpal Alpal Who is carrying his
ashes up the mountain?' And I pressed the key and
tried to lift the gate and exerted myself; but still it did
not give an inch. Then a roaring wind tore its wings
apart; whistling, shrilling, and piercing, it cast up a
black coffin before me.
"And amid the roaring and whistling and shrilling the
coffin burst and spewed out a thousandfold laughter.
And from a thousand grimaces of children, angels, owls,
fools, and butterflies as big as children, it laughed and
mocked and roared at me. Then I was terribly frightened; it threw me to the ground. And I cried in horror
as I have never cried. And my own cry awakened meand I came to my senses."
Thus Zarathustra told his dream and then became
silent; for as yet he did not know the interpretation of
his dream. But the disciple whom he loved most rose
quickly, took Zarathustra's hand, and said:
"Your life itself interprets this dream for us, 0 Zarathustra. Are you not yourself the wind with the shrill
whistling that tears open the gates of the castles of
death? Are you not yourself the coffin full of colorful
sarcasms and the angelic grimaces of life? Verily, like
a thousandfold children's laughter Zarathustra enters
136
all death chambers, laughing at all the night watchmen
and guardians of tombs and at whoever else is rattling
with gloomy keys. You will frighten and prostrate them
with your laughter; and your power over them will
make them faint and wake them. And even when the
long twilight and the weariness of death come, you will
not set in our sky, you advocate of life. New stars you
have let us see, and new wonders of the night; verily,
laughter itself you have spread over us like a colorful
tent. Henceforth children's laughter will well forth from
all coffins; henceforth a strong wind will come triumphantly to all weariness of death: of this you yourself
are our surety and soothsayer. Verily, this is what you
dreamed of: your enemies. That was your hardest
dream. But as you woke from them and came to your
senses, thus they shall awaken from themselves-and
come to you."
Thus spoke the disciple; and all the others crowded
around Zarathustra and took hold of his hands and
wanted to persuade him to leave his bed and his sadness
and to return to them. But Zarathustra sat erect on his
resting place with a strange look in his eyes. Like one
coming home from a long sojourn in strange lands, he
looked at his disciples and examined their faces; and
as yet he did not recognize them. But when they lifted
him up and put him on his feet, behold, his eyes suddenly changed; he comprehended all that had happened, stroked his beard, and said in a strong voice:
"Now then, there is a time for this too. But see to it,
my disciples, that we shall have a good meal, and soon.
Thus I plan to atone for bad dreams. The soothsayer,
however, shall eat and drink by my side; and verily, I
shall show him a sea in which he can drown."
Thus spoke Zarathustra. But then he looked a long
137
time into the face of the disciple who had played the
dream interpreter and he shook his head.
~ Friedrich Nietzsche, THE SOOTHSAYER
,#NFDB
590:Saltbush Bill's Second Flight
The news came down on the Castlereagh, and went to the world at large,
That twenty thousand travelling sheep, with Saltbush Bill in charge,
Were drifting down from a dried-out run to ravage the Castlereagh;
And the squatters swore when they heard the news, and wished they were well
away:
For the name and the fame of Saltbush Bill were over the country-side
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass;
He would come to a run with the boss away, and swear he had leave to pass;
And back of all and behind it all, as well the squatters knew,
If he had to fight, he would fight all day, so long as his sheep got through:
But this is the story of Stingy Smith, the owner of Hard Times Hill,
And the way that he chanced on a fighting man to reckon with Saltbush Bill.
'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring,
When he started at sight of a clean-shaved tramp, who walked with a jaunty
swing;
For a clean-shaved tramp with a jaunty walk a-swinging along the track
Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night;
But Stingy Smith had a bright idea, and called to him, "Can you fight?"
"Why, what's the game?" said the clean-shaved tramp, as he looked at him up
and down;
"If you want a battle, get off that fence, and I'll kill you for half-a-crown!
But, Boss, you'd better not fight with me -- it wouldn't be fair nor right;
I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight:
I served two years for it, fair and square, and now I'm trampin' back,
To look for a peaceful quiet life away on the outside track."
"Oh, it's not myself, but a drover chap," said Stingy Smith with glee,
"A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row,
For he's bullied the whole of the Castlereagh till he's got them under cow -Just pick a quarrel and raise a fight, and leather him good and hard,
And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill,
For there isn't a beak on the Castlereagh will fine you for Saltbush Bill."
"I'll take the job," said the fighting man; "and, hot as this cove appears,
255
He'll stand no chance with a bloke like me, what's lived on the game for years;
For he's maybe learnt in a boxing school, and sparred for a round or so,
But I've fought all hands in a ten-foot ring each night in a travelling show;
They earned a pound if they stayed three rounds, and they tried for it every
night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight,
For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line;
And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait
Till an opening came -- and it always came -- and I settled 'em, sure as fate;
Left on the ribs and right on the jaw -- and, when the chance comes, make sure!
And it's there a professional bloke like me gets home on an amateur:
For it's my experience every day, and I make no doubt it's yours,
That a third-class pro is an over-match for the best of the amateurs --"
"Oh, take your swag to the travellers' hut," said Smith, "for you waste your
breath;
You've a first-class chance, if you lose the fight, of talking your man to death.
I'll tell the cook you're to have your grub, and see that you eat your fill,
And come to the scratch all fit and well to leather this Saltbush Bill."
'Twas Saltbush Bill, and his travelling sheep were wending their weary way
On the Main Stock Route, through the Hard Times Run, on their six-mile stage a
day;
And he strayed a mile from the Main Stock Route, and started to feed along,
And when Stingy Smith came up Bill said that the Route was surveyed wrong;
And he tried to prove that the sheep had rushed and strayed from their camp at
night,
But the fighting man he kicked Bill's dog, and of course that meant a fight.
So they sparred and fought, and they shifted ground, and never a sound was
heard
But the thudding fists on their brawny ribs, and the seconds' muttered word,
Till the fighting man shot home his left on the ribs with a mighty clout,
And his right flashed up with a half-arm blow -- and Saltbush Bill "went out".
He fell face down, and towards the blow; and their hearts with fear were filled,
For he lay as still as a fallen tree, and they thought that he must be killed.
So Stingy Smith and the fighting man, they lifted him from the ground,
And sent back home for a brandy-flask, and they slowly fetched him round;
But his head was bad, and his jaw was hurt -- in fact, he could scarcely speak -So they let him spell till he got his wits; and he camped on the run a week,
While the travelling sheep went here and there, wherever they liked to stray,
256
Till Saltbush Bill was fit once more for the track to the Castlereagh.
Then Stingy Smith he wrote a note, and gave to the fighting man:
'Twas writ to the boss of the neighbouring run, and thus the missive ran:
"The man with this is a fighting man, one Stiffener Joe by name;
He came near murdering Saltbush Bill, and I found it a costly game:
But it's worth your while to employ the chap, for there isn't the slightest doubt
You'll have no trouble from Saltbush Bill while this man hangs about."
But an answer came by the next week's mail, with news that might well appal:
"The man you sent with a note is not a fighting man at all!
He has shaved his beard, and has cut his hair, but I spotted him at a look;
He is Tom Devine, who has worked for years for Saltbush Bill as cook.
Bill coached him up in the fighting yard, and taught him the tale by rote,
And they shammed to fight, and they got your grass, and divided your fivepound note.
'Twas a clean take-in; and you'll find it wise -- 'twill save you a lot of pelf -When next you're hiring a fighting man, just fight him a round yourself."
And the teamsters out on the Castlereagh, when they meet with a week of rain,
And the waggon sinks to its axle-tree, deep down in the black-soil plain,
When the bullocks wade in a sea of mud, and strain at the load of wool,
And the cattle-dogs at the bullocks' heels are biting to make them pull,
When the off-side driver flays the team, and curses tham while he flogs,
And the air is thick with the language used, and the clamour of men and dogs -The teamsters say, as they pause to rest and moisten each hairy throat,
They wish they could swear like Stingy Smith when he read that neighbour's
note.
~ Banjo Paterson,#NFDB
591:Young Calidore is paddling o'er the lake;
His healthful spirit eager and awake
To feel the beauty of a silent eve,
Which seem'd full loath this happy world to leave;
The light dwelt o'er the scene so lingeringly.
He bares his forehead to the cool blue sky,
And smiles at the far clearness all around,
Until his heart is well nigh over wound,
And turns for calmness to the pleasant green
Of easy slopes, and shadowy trees that lean
So elegantly o'er the waters' brim
And show their blossoms trim.
Scarce can his clear and nimble eye-sight follow
The freaks, and dartings of the black-wing'd swallow,
Delighting much, to see it half at rest,
Dip so refreshingly its wings, and breast
'Gainst the smooth surface, and to mark anon,
The widening circles into nothing gone.
And now the sharp keel of his little boat
Comes up with ripple, and with easy float,
And glides into a bed of water lillies:
Broad leav'd are they and their white canopies
Are upward turn'd to catch the heavens' dew.
Near to a little island's point they grew;
Whence Calidore might have the goodliest view
Of this sweet spot of earth. The bowery shore
Went off in gentle windings to the hoar
And light blue mountains: but no breathing man
With a warm heart, and eye prepared to scan
Nature's clear beauty, could pass lightly by
Objects that look'd out so invitingly
On either side. These, gentle Calidore
Greeted, as he had known them long before.
The sidelong view of swelling leafiness,
Which the glad setting sun, in gold doth dress;
Whence ever, and anon the jay outsprings,
And scales upon the beauty of its wings.
The lonely turret, shatter'd, and outworn,
Stands venerably proud; too proud to mourn
Its long lost grandeur: fir trees grow around,
Aye dropping their hard fruit upon the ground.
The little chapel with the cross above
Upholding wreaths of ivy; the white dove,
That on the windows spreads his feathers light,
And seems from purple clouds to wing its flight.
Green tufted islands casting their soft shades
Across the lake; sequesterd leafy glades,
That through the dimness of their twilight show
Large dock leaves, spiral foxgloves, or the glow
Of the wild cats eyes, or the silvery stems
Of delicate birch trees, or long grass which hems
A little brook. The youth had long been viewing
These pleasant things, and heaven was bedewing
The mountain flowers, when his glad senses caught
A trumpet's silver voice. Ah! it was fraught
With many joys for him: the warder's ken
Had found white coursers prancing in the glen:
Friends very dear to him he soon will see;
So pushes off his boat most eagerly,
And soon upon the lake he skims along,
Deaf to the nightingales first under-song;
Nor minds he the white swans that dream so sweetly:
His spirit flies before him so completely.
And now he turns a jutting point of land,
Whence may be seen the castle gloomy, and grand:
Nor will a bee buzz round two swelling peaches,
Before the point of his light shallop reaches
Those marble steps that through the water dip:
Now over them he goes with hasty trip,
And scarcely stays to ope the folding doors:
Anon he leaps along the oaken floors
Of halls and corridors.
Delicious sounds! those little bright-eyed things
That float about the air on azure wings,
Had been less heartfelt by him than the clang
Of clattering hoofs; into the court he sprang,
Just as two noble steeds, and palfreys twain,
Were slanting out their necks with loosened rein;
While from beneath the threat'ning portcullis
They brought their happy burthens. What a kiss,
What gentle squeeze he gave each lady's hand!
How tremblingly their delicate ancles spannd!
Into how sweet a trance his soul was gone,
While whisperings of affection
Made him delay to let their tender feet
Come to the earth; with an incline so sweet
From their low palfreys o'er his neck they bent:
And whether there were tears of languishment,
Or that the evening dew had pearl'd their tresses,
He feels a moisture on his cheek, and blesses
With lips that tremble, and with glistening eye
All the soft luxury
That nestled in his arms. A dimpled hand,
Fair as some wonder out of fairy land,
Hung from his shoulder like the drooping flowers
Of whitest Cassia, fresh from summer showers:
And this he fondled with his happy cheek
As if for joy he would no further seek;
When the kind voice of good Sir Clerimond
Came to his ear, like something from beyond
His present being: so he gently drew
His warm arms, thrilling now with pulses new,
From their sweet thrall, and forward gently bending,
Thank'd heaven that his joy was never ending;
While 'gainst his forehead he devoutly press'd
A hand heaven made to succour the distress'd;
A hand that from the world's bleak promontory
Had lifted Calidore for deeds of glory.
Amid the pages, and the torches' glare,
There stood a knight, patting the flowing hair
Of his proud horse's mane: he was withal
A man of elegance, and stature tall:
So that the waving of his plumes would be
High as the berries of a wild ash tree,
Or as the winged cap of Mercury.
His armour was so dexterously wrought
In shape, that sure no living man had thought
It hard, and heavy steel: but that indeed
It was some glorious form, some splendid weed,
In which a spirit new come from the skies
Might live, and show itself to human eyes.
'Tis the far-fam'd, the brave Sir Gondibert,
Said the good man to Calidore alert;
While the young warrior with a step of grace
Came up,--a courtly smile upon his face,
And mailed hand held out, ready to greet
The large-eyed wonder, and ambitious heat
Of the aspiring boy; who as he led
Those smiling ladies, often turned his head
To admire the visor arched so gracefully
Over a knightly brow; while they went by
The lamps that from the high-roof'd hall were pendent,
And gave the steel a shining quite transcendent.
Soon in a pleasant chamber they are seated;
The sweet-lipp'd ladies have already greeted
All the green leaves that round the window clamber,
To show their purple stars, and bells of amber.
Sir Gondibert has doff'd his shining steel,
Gladdening in the free, and airy feel
Of a light mantle; and while Clerimond
Is looking round about him with a fond,
And placid eye, young Calidore is burning
To hear of knightly deeds, and gallant spurning
Of all unworthiness; and how the strong of arm
Kept off dismay, and terror, and alarm
From lovely woman: while brimful of this,
He gave each damsel's hand so warm a kiss,
And had such manly ardour in his eye,
That each at other look'd half staringly;
And then their features started into smiles
Sweet as blue heavens o'er enchanted isles.
Softly the breezes from the forest came,
Softly they blew aside the taper's flame;
Clear was the song from Philomel's far bower;
Grateful the incense from the lime-tree flower;
Mysterious, wild, the far-heard trumpet's tone;
Lovely the moon in ether, all alone:
Sweet too the converse of these happy mortals,
As that of busy spirits when the portals
Are closing in the west; or that soft humming
We hear around when Hesperus is coming.
Sweet be their sleep. * * * * * * * * *
by owner. provided at no charge for educational purposes
~ John Keats, Calidore - A Fragment
,#NFDB
592:Fauconshawe
[A Ballad]
To fetch clear water out of the spring
The little maid Margaret ran,
From the stream to the castle's western wing
It was but a bowshot span ;
On the sedgy brink where the osiers cling
Lay a dead man, pallid and wan.
The lady Mabel rose from her bed,
And walked in the castle hall,
Where the porch through the western turret led
She met with her handmaid small.
'What aileth thee, Margaret ?' the lady said,
'Hast let thy pitcher fall ?
'Say, what hast thou seen by the streamlet side—
A nymph or a water sprite—
That thou comest with eyes so wild and wide,
And with cheeks so ghostly white ?'
'Nor nymph nor sprite,' the maiden cried,
'But the corpse of a slaughtered knight.'
The lady Mabel summon'd straight
To her presence Sir Hugh de Vere,
Of the guests who tarried within the gate
Of Fauconshawe, most dear
Was he to that lady ; betrothed in state
They had been since many a year.
'Little Margaret sayeth a dead man lies
By the western spring, Sir Hugh ;
I can scarce believe that the maiden lies—
Yet scarce can believe her true.'
And the knight replies, 'Till we test her eyes
Let her words gain credence due.'
Down the rocky path knight and lady led,
While guests and retainers bold
148
Followed in haste, for like wildfire spread
The news by the maiden told.
They found 'twas even as she had said—
The corpse had some while been cold.
How the spirit had pass'd in the moments last
There was little trace to reveal ;
On the still, calm face lay no imprint ghast,
Save the angel's solemn seal,
Yet the hands were clench'd in a death-grip fast,
And the sods stamp'd down by the heel.
Sir Hugh by the side of the dead man knelt,
Said, 'Full well these features I know,
We have faced each other where blows were dealt,
And he was a stalwart foe ;
I had rather met him hilt to hilt,
Than have found him lying low.'
He turned the body up on its face,
And never a word was spoken,
While he ripp'd the doublet, and tore the lace,
And tugg'd—by the self-same token,—
And strain'd, till he wrench'd it out of its place,
The dagger-blade that was broken.
Then he turned the body over again,
And said, while he rose upright,
'May the brand of Cain, with its withering stain,
On the murderer's forehead light,
For he never was slain on the open plain,
Nor yet in the open fight.'
Solemn and stern were the words he spoke,
And he look'd at his lady's men,
But his speech no answering echoes woke,
All were silent there and then,
Till a clear, cold voice the silence broke :—
Lady Mabel cried, 'Amen.'
His glance met hers, the twain stood hush'd,
With the dead between them there ;
149
But the blood to her snowy temples rush'd
Till it tinged the roots of her hair,
Then paled, but a thin red streak still flush'd
In the midst of her forehead fair.
Four yeomen raised the corpse from the ground,
At a sign from Sir Hugh de Vere,
It was borne to the western turret round,
And laid on a knightly bier,
With never a sob nor a mourning sound,—
No friend to the dead was near.
Yet that night was neither revel nor dance
In the halls of Fauconshawe ;
Men looked askance with a doubtful glance
At Sir Hugh, for they stood in awe
Of his prowess, but he, like one in a trance,
Regarded naught that he saw.
Night black and chill, wind gathering still,
With its wail in the turret tall,
And its headlong blast like a catapult cast
On the crest of the outer wall,
And its hail and rain on the crashing pane,
Till the glassy splinters fall.
A moody knight by the fitful light
Of the great hall fire below ;
A corpse upstairs, and a woman at prayers,
Will they profit her, aye or no ?
By'r lady fain, an she comfort gain,
There is comfort for us also.
The guests were gone, save Sir Hugh alone,
And he watched the gleams that broke
On the pale hearth-stone, and flickered and shone
On the panels of polish'd oak ;
He was 'ware of no presence except his own,
Till the voice of young Margaret spoke :
150
'I've risen, Sir Hugh, at the mirk midnight,
I cannot sleep in my bed,
Now, unless my tale can be told aright,
I wot it were best unsaid ;
It lies, the blood of yon northern knight,
On my lady's hand and head.'
'Oh ! the wild wind raves and rushes along,
But thy ravings seem more wild—
She never could do so foul a wrong—
Yet I blame thee not, my child,
For the fever'd dreams on thy rest that throng !'—
He frown'd through his speech was mild.
'Let storm winds eddy, and scream, and hurl
Their wrath, they disturb me naught ;
The daughter she of a high-born earl,
No secret of hers I've sought ;
I am but the child of a peasant churl,
Yet look to the proofs I've brought ;
'This dagger snapp'd so close to the hilt—
Dost remember thy token well ?
Will it match with the broken blade that spilt
His life in the western dell ?
Nay ! read her handwriting, an thou wilt,
From her paramour's breast it fell.'
The knight in silence the letter read,
Oh ! the characters well he knew !
And his face might have match'd the face of the dead,
So ashen white was its hue !
Then he tore the parchment shred by shred,
And the strips in the flames he threw.
And he muttered, 'Densely those shadows fall
In the copse where the alders thicken ;
There she bade him come to her, once for all,—
Now, I well may shudder and sicken ;—
Gramercy ! that hand so white and small,
How strongly it must have stricken.'
151
.
At midnight hour, in the western tower,
Alone with the dead man there,
Lady Mabel kneels, nor heeds nor feels
The shock of the rushing air,
Though the gusts that pass through the riven glass
Have scattered her raven hair.
Across the floor, through the open door,
Where standeth a stately knight,
The lamplight streams, and flickers and gleams,
On his features stern and white—
'Tis Sir Hugh de Vere, and he cometh more near,
And the lady standeth upright.
' 'Tis little,' he said, 'that I know or care
Of the guilt (if guilt there be)
That lies 'twixt thee and yon dead man there,
Nor matters it now to me ;
I thought thee pure, thou art only fair,
And to-morrow I cross the sea.
'He perish'd ! I ask not why or how :
I come to recall my troth ;
Take back, my lady, thy broken vow,
Give back my allegiance oath ;
Let the past be buried between us now
For ever—'tis best for both.
'Yet, Mabel, I could ask, dost thou dare
Lay hand on that corpse's heart,
And call on thy Maker, and boldly swear
That thou hadst in his death no part ?
I ask not, while threescore proofs I share
With one doubt—uncondemn'd thou art.'
Oh ! cold and bleak upon Mabel's cheek
Came the blast of the storm-wind keen,
And her tresses black as the glossy back
Of the raven, glanced between
Her fingers slight, like the ivory white,
152
As she parted their sable sheen.
Yet with steady lip, and with fearless eye,
And with cheek like the flush of dawn,
Unflinchingly she spoke in reply—
'Go hence with the break of morn,
I will neither confess, nor yet deny,
I will return thee scorn for scorn.'
The knight bow'd low as he turn'd to go ;
He travell'd by land and sea,
But naught of his future fate I know,
And naught of his fair ladye ;—
My story is told as, long ago,
My story was told to me.
~ Adam Lindsay Gordon,#NFDB
593:The Warrior's Return
Sir Walter returned from the far Holy Land,
And a blood-tinctured falchion he bore;
But such precious blood as now darkened his sword
Had never distained it before.
Fast fluttered his heart as his own castle towers
He saw on the mountain's green height;
"My wife, and my son!" he exclaimed, while his tears
Obscured for some moments his sight.
For terror now whispered, the wife he had left
Full fifteen long twelvemonths before,
The child he had clasp't in his farewell embrace,
Might both, then, alas! be no more.
Then, sighing, he thought of his Editha's tears
As his steed bore him far from her sight,
And her accents of love, while she fervently cried,
"Great God! guard his life in the fight!"
And then he remembered, in language half formed
How his child strove to bid him adieu;
While scarcely he now can believe, as a man,
That infant may soon meet his view.
But should he not live!....To escape from that fear,
He eagerly spurred his bold steed:
Nor stopped he again, till his own castle moat
Forbade on the way to proceed.
'T was day-break: yet still past the windows he saw
Busy forms lightly trip to and fro:
Blest sight! that she lives," he exclaimed with smile,
"Those symptoms of housewifery show:
"For, stranger to sloth, and on business intent,
The dawn calls her forth from her bed;
And see, through the castle, all busy appear,
By her to their duty still led."
67
That instant the knight by the warder was seen,
For far flamed the cross on his breast;
And while loud blew the horn, now a smile, now a tear,
Sir Walter's mix't feelings expressed.
'Tis I, my loved vassals!" the warrior exclaimed,....
The voice reached his Editha's ears;
Who, breathless and speechless, soon rushed to his arms,
Her transport betraying by tears.
"And dost thou still love me?" he uttered, when first
A silence so rapturous he broke;
She tried to reply, but in vain....while her sobs
A volume of tenderness spoke.
Behold how I'm changed! how I'm scarred!" he exclaimed,
"Each charm that I boasted is o'er:"....
"Thou hast bled for THY GOD ," she replied, "and each scar
Endears thee, my warrior, the more."
"But where is my child?" he cried, pale with alarm,
"Thou namest not my Alfred....my boy!"........
"And comes he not with you?" she said;...."then some woe
Embitters our beverage of joy."
"What meanest thou, my love?"......."When to manhood he grew,
And heard of his father's great name,
'O let me', he cried, 'to the Holy Land go,
To share my sire's dangers, and fame.
"'Perchance my young arm, by the cause nerved with strength,
May lower the Pagan's proud crest:
And the brave Christian knights, in reward of my zeal,
May bind the red cross on my breast,'....
"'And think'st thou,' I said, 'with the son I can part,
Till the father be safe in my arms?
No....hope not I'll add to the fears of the wife
The mother's as poignant alarms.'
"I ceased....and his head on my bosom reclined,
68
While his golden hair shaded his cheek;
When, parting his ringlets, I saw the big tears
His heart's disappointment bespeak.
The sight overcame me: 'Most loved,' I exclaimed,
'Go, share in thy father's renown!
Thy mother will gladly, to dry up thy tears,
Endure an increase of her own .'
"He kissed me...he thanked me....I armed him myself,
And girt his pure sword on his side;
So lovely he looked, that the mother's fond fears
Were lost in the mother's fond pride."
"He went then?...How long has my warrior been gone?"
"A twelvemonth, my Walter, and more."
Indeed!....then he scarcely could reach the far land
Until the last battle was o'er."
"I told him, my Walter, what armour was yours,
And what the device on your shield,
In hopes of your meeting."...."Alas!" he returned:
"My armour I changed on the field!
"A friend whom I loved from the dawning of youth,
For conquest and courage renowned,
Fell, fighting beside me, and thus he exclaimed,
While life issued fast from the wound:
"'And must I then die ere the flag of the Cross
Waves proudly o'er Saracen towers?
But grant me, loved Walter, this dying request,
For victory must surely be ours:
"'My armour well tried, and my falchion, my shield,
In memory of me deign to wear!
'T would sooth me to know, when the victory comes on,
That something of mine will be there!'
"I granted his wish, and his arms I assumed,
While yet he the action could see,
And marked with delight that his last closing look
69
Was fix't with fond pleasure on me.
"Yet now, this remembrance so dear to my heart
Is clouded by anxious regret;
Since, but for this change on the field of the fight,
The father and son would have met!"
But if he has fought, and has fallen, my love!"....
"Suppress," cried the knight with a frown,
"A fear so ill-founded;....if Alfred had died,
He'd have fallen a child of renown ."
Yet vainly he strove by the father's proud hopes
To conquer the father's fond fears;
He feared for the life of his boy, though with smiles
He answered his Editha's tears.
And more and more forced grew the smile on his lip,
His brow more o'erclouded with thought;
At length he exclaimed, "From the field of renown
One mournful memorial I've brought.
"I grieve that I won it!....A Saracen chief
Fell bleeding before me in fight,
When lo! as I claimed him my prisoner and prize,
A warrior disputed my right.
"'I'm new to the battle,' he cried, 'and this prize
Will wreathe my young brow with renown,
Nor will I the conquest resign but with life:....
That chief by this arm was o'erthrown.'
"His daring enraged me,...for mine seemed the stroke
Which laid the proud Saracen low;....
Besides, from his bosom depended no cross,
His right to such daring to show."
"But surely, my Walter, the daring bespoke
A soul nobly eager for fame:
So many your laurels, that one you could spare,....
O tell me you granted his claim !"
70
"No, Editha, no!....martial pride steeled my heart,
The youth I to combat defied;
He fought like a hero! but vainly he fought,...
Beneath my strong falchion he died."
"O ill-fated youth! how I bleed for his fate!
Perhaps that his mother, like me
Had armed him, and blest him, and prays for his life,
As I pray, my Alfred, for thee!....
"But never again shall he gladden her eyes,
And haste her fond blessing to crave!
O Walter! I tremble lest you in return
Be doomed to the sorrow you gave!
"Say, did not the cross, when your victim he fell,
Lie heavy and cold on your breast;....
That symbol of him full of meekness and love,
Whose deeds mercy only expressed?"
Yes....pity, shame, penitence seized on my soul;
So sweet too his voice was in tone!
Methought as he lay, and in agony groaned,
His accents resembled thine own.
"His casque I unlaced, and I chafed his cold brow,
And fain every wound would have healed;
So young, and so lovely he seemed, that I wept
As by him I tenderly kneeled.
He saw my distress, and his last dying grasp
Forgiveness and kindness expressed;
And then, with a look I shall never forget,
He breathed his last sigh on my breast."
"But what's this memorial?" with cheek deadly pale
His Editha falteringly cried:...
"This scarf from his bosom!"....he uttered no more,
For Editha sunk by his side.
Ah then in her danger, her pale look of death,
He forgot all the laurels he'd won.
71
O father accurst!" she exclaimed, "in that youth
You slaughtered your Alfred....your son!"
~ Amelia Opie,#NFDB
594:City Without A Name
Who will honor the city without a name
If so many are dead and others pan gold
Or sell arms in faraway countries?
What shepherd's horn swathed in the bark of birch
Will sound in the Ponary Hills the memory of the absent—
Vagabonds, Pathfinders, brethren of a dissolved lodge?
This spring, in a desert, beyond a campsite flagpole,
—In silence that stretched to the solid rock of yellow and red mountains—
I heard in a gray bush the buzzing of wild bees.
The current carried an echo and the timber of rafts.
A man in a visored cap and a woman in a kerchief
Pushed hard with their four hands at a heavy steering oar.
In the library, below a tower painted with the signs of the zodiac,
Kontrym would take a whiff from his snuffbox and smile
For despite Metternich all was not yet lost.
And on crooked lanes down the middle of a sandy highway
Jewish carts went their way while a black grouse hooted
Standing on a cuirassier's helmet, a relict of La Grande Armée.
In Death Valley I thought about styles of hairdo,
About a hand that shifted spotlights at the Student's Ball
In the city from which no voice could reach me.
Minerals did not sound the last trumpet.
There was only the rustle of a loosened grain of lava.
38
In Death Valley salt gleams from a dried-up lake bed.
Defend, defend yourself, says the tick-tock of the blood.
From the futility of solid rock, no wisdom.
In Death Valley no hawk or eagle against the sky.
The prediction of a Gypsy woman has come true.
In a lane under an arcade, then, I was reading a poem
Of someone who had lived next door, entitled 'An Hour of Thought.'
I looked long at the rearview mirror: there, the one man
Within three miles, an Indian, was walking a bicycle uphill.
With flutes, with torches
And a drum, boom, boom,
Look, the one who died in Istanbul, there, in the first row.
He walks arm in arm with his young lady,
And over them swallows fly.
They carry oars or staffs garlanded with leaves
And bunches of flowers from the shores of the Green Lakes,
As they came closer and closer, down Castle Street.
And then suddenly nothing, only a white puff of cloud
Over the Humanities Student Club,
Division of Creative Writing.
Books, we have written a whole library of them.
Lands, we have visited a great many of them.
Battles, we have lost a number of them.
Till we are no more, we and our Maryla.
Understanding and pity,
We value them highly.
What else?
39
Beauty and kisses,
Fame and its prizes,
Who cares?
Doctors and lawyers,
Well-turned-out majors,
Six feet of earth.
Rings, furs, and lashes,
Glances at Masses,
Rest in peace.
Sweet twin breasts, good night.
Sleep through to the light,
Without spiders.
The sun goes down above the Zealous Lithuanian Lodge
And kindles fire on landscapes 'made from nature':
The Wilia winding among pines; black honey of the Żejmiana;
The Mereczanka washes berries near the Żegaryno village.
The valets had already brought in Theban candelabra
And pulled curtains, one after the other, slowly,
While, thinking I entered first, taking off my gloves,
I saw that all the eyes were fixed on me.
When I got rid of grieving
And the glory I was seeking,
Which I had no business doing,
I was carried by dragons
Over countries, bays, and mountains,
By fate, or by what happens.
40
Oh yes, I wanted to be me.
I toasted mirrors weepily
And learned my own stupidity.
From nails, mucous membrane,
Lungs, liver, bowels, and spleen
Whose house is made? Mine.
So what else is new?
I am not my own friend.
Time cuts me in two.
Monuments covered with snow,
Accept my gift. I wandered;
And where, I don't know.
Absent, burning, acrid, salty, sharp.
Thus the feast of Insubstantiality.
Under a gathering of clouds anywhere.
In a bay, on a plateau, in a dry arroyo.
No density. No harness of stone.
Even the Summa thins into straw and smoke.
And the angelic choirs fly over in a pomegranate seed
Sounding every few instants, not for us, their trumpets.
Light, universal, and yet it keeps changing.
For I love the light too, perhaps the light only.
Yet what is too dazzling and too high is not for me.
So when the clouds turn rosy, I think of light that is level
In the lands of birch and pine coated with crispy lichen,
Late in autumn, under the hoarfrost when the last milk caps
Rot under the firs and the hounds' barking echoes,
And jackdaws wheel over the tower of a Basilian church.
41
10
Unexpressed, untold.
But how?
The shortness of life,
the years quicker and quicker,
not remembering whether it happened in this or that autumn.
Retinues of homespun velveteen skirts,
giggles above a railing, pigtails askew,
sittings on chamberpots upstairs
when the sledge jingles under the columns of the porch
just before the moustachioed ones in wolf fur enter.
Female humanity,
children's snots, legs spread apart,
snarled hair, the milk boiling over,
stench, shit frozen into clods.
And those centuries,
conceiving in the herring smell of the middle of the night
instead of playing something like a game of chess
or dancing an intellectual ballet.
And palisades,
and pregnant sheep,
and pigs, fast eaters and poor eaters,
and cows cured by incantations.
11
Not the Last Judgment, just a kermess by a river.
Small whistles, clay chickens, candied hearts.
So we trudged through the slush of melting snow
To buy bagels from the district of Smorgonie.
A fortune-teller hawking: 'Your destiny, your planets.'
And a toy devil bobbing in a tube of crimson brine.
Another, a rubber one, expired in the air squeaking,
By the stand where you bought stories of King Otto and Melusine.
12
Why should that city, defenseless and pure as the wedding necklace of
42
a forgotten tribe, keep offering itself to me?
Like blue and red-brown seeds beaded in Tuzigoot in the copper desert
seven centuries ago.
Where ocher rubbed into stone still waits for the brow and cheekbone
it would adorn, though for all that time there has been no one.
What evil in me, what pity has made me deserve this offering?
It stands before me, ready, not even the smoke from one chimney is
lacking, not one echo, when I step across the rivers that separate us.
Perhaps Anna and Dora Drużyno have called to me, three hundred miles
inside Arizona, because except fo me no one else knows that they ever
lived.
They trot before me on Embankment Street, two hently born parakeets
from Samogitia, and at night they unravel their spinster tresses of gray
hair.
Here there is no earlier and no later; the seasons of the year and of the
day are simultaneous.
At dawn shit-wagons leave town in long rows and municipal employees
at the gate collect the turnpike toll in leather bags.
Rattling their wheels, 'Courier' and 'Speedy' move against the current
to Werki, and an oarsman shot down over England skiffs past, spreadeagled by his oars.
At St. Peter and Paul's the angels lower their thick eyelids in a smile
over a nun who has indecent thoughts.
43
Bearded, in a wig, Mrs. Sora Klok sits at the ocunter, instructing her
twelve shopgirls.
And all of German Street tosses into the air unfurled bolts of fabric,
preparing itself for death and the conquest of Jerusalem.
Black and princely, an underground river knocks at cellars of the
cathedral under the tomb of St. Casimir the Young and under the
half-charred oak logs in the hearth.
Carrying her servant's-basket on her shoulder, Barbara, dressed in
mourning, returns from the Lithuanian Mass at St. Nicholas to the
Romers' house in Bakszta Street.
How it glitters! the snow on Three Crosses Hill and Bekiesz Hill, not
to be melted by the breath of these brief lives.
And what do I know now, when I turn into Arsenal Street and open
my eyes once more on a useless end of the world?
I was running, as the silks rustled, through room after room without
stopping, for I believed in the existence of a last door.
But the shape of lips and an apple and a flower pinned to a dress were
all that one was permitted to know and take away.
The Earth, neither compassionate nor evil, neither beautiful nor atrocious, persisted, innocent, open to pain and desire.
And the gift was useless, if, later on, in the flarings of distant nights,
there was not less bitterness but more.
44
If I cannot so exhaust my life and their life that the bygone crying is
transformed, at last, into harmony.
Like a Noble Jan Dęboróg in the Straszun's secondhand-book shop, I am
put to rest forever between tow familiar names.
The castle tower above the leafy tumulus grows small and there is still
a hardly audible—is it Mozart's Requiem?—music.
In the immobile light I move my lips and perhaps I am even glad not
to find the desired word.
~ Czeslaw Milosz,#NFDB
595:Guy And Amarant
Guy journeyes towards that sanctifyed ground
Whereas the Jewes fayre citye sometime stood,
Wherin our Saviours sacred head was crownd,
And where for sinfull man he shed his blood.
To see the sepulcher was his intent,
The tombe that Joseph unto Jesus lent.
With tedious miles he tyred his wearye feet,
And passed desart places full of danger;
At last with a most woefull wight did meet,
A man that unto sorrow was noe stranger.
For he had fifteen sonnes made captives all
To slavish bondage, in extremest thrall.
A gyant called Amarant detaind them,
Whom noe man durst encounter for his strength,
Who, in a castle which he held, had chaind them.
Guy questions where, and understands at length
The place not farr. - 'Lend me thy sword,' quoth hee;
'Ile lend my manhood all thy sonnes to free.'
With that he goes and lays upon the dore
Like one that sayes, I must and will come in.
The gyant never was soe rowz'd before,
For noe such knocking at his gate had bin;
Soe takes his keyes and clubb, and cometh out,
Staring with ireful countenance about.
'Sirra,' quoth hee, 'what busines hast thou heere?
Art come to feast the crowes about my walls?
Didst never heare noe ransome can him cleere
That in the compasse of my furye falls?
For making me to take a porters paines,
With this same clubb I will dash out thy braines.'
'Gyant,' quoth Guy, 'y'are quarrelsome, I see;
Choller and you seem very neere of kin;
Most dangerous at the clubb belike you bee;
I have bin better armd, though nowe goe thin.
264
But shew thy utmost hate, enlarge thy spight,
Keene is my weapon, and shall doe me right.'
Soe draws his sword, salutes him with the same
About the head, the shoulders, and the side,
Whilst his erected clubb doth death proclaime,
Standinge with huge Colossus' spacious stride,
Putting such vigour to his knotty beame
That like a furnace he did smoke extreame.
But on the ground he spent his strokes in vaine,
For Guy was nimble to avoyde them still,
And ever ere he heav'd his clubb againe,
Did brush his plated coat against his will:
At such advantage Guy wold never fayle
To bang him soundlye in his coate of mayle.
Att last through thirst the gyant feeble grewe,
And sayd to Guy, 'As thou'rt of humane race,
Show itt in this, give natures wants their dewe;
Let me but goe and drinke in yonder place;
Thou canst not yeeld to 'me' a smaller thing
Than to graunt life thats given by the spring.'
'I graunt thee leave,' quoth Guye, 'goe drink thy last,
Go pledge the dragon and the salvage bore,
Succeed the tragedyes that they have past;
But never thinke to taste cold water more;
Drinke deepe to Death and unto him carouse;
Bid him receive thee in his earthen house.'
Soe to the spring he goes, and slakes his thirst,
Takeing the water in extremely like
Some wracked shipp that one a rocke is burst,
Whose forced hulke against the stones does stryke;
Scooping it in soe fast with both his hands
That Guy, admiring, to behold it stands.
'Come on,' quoth Guy, 'let us to work againe;
Thou stayest about thy liquor overlong;
The fish which in the river doe remaine
Will want thereby; thy drinking doth them wrong;
265
But I will see their satisfaction made;
With gyants blood they must and shall be payd.'
'Villaine,' quoth Amarant, 'Ile crush thee streight;
Thy life shall pay thy daring toungs offence!
This clubb, which is about some hundred weight,
Is deathes commission to dispatch thee hence!
Dresse thee for ravens dyett, I must needes,
And breake thy bones as they were made of reedes!'
Incensed much by these bold pagan bostes,
Which worthye Guy cold ill endure to heare,
He hewes upon those bigg supporting postes
Which like two pillars did his body beare.
Amarant for those wounds in choller growes,
And desperatelye att Guy his clubb he throwes,
Which did directly on his body light
Soe violent and weighty therewithall,
That downe to ground on sudden came the knight;
And ere he cold recover from the fall,
The gyant gott his clubb againe in fist,
And aimd a stroke that wonderfullye mist.
'Traytor,' quoth Guy, 'thy falshood Ile repay,
This coward act to intercept my bloode.'
Sayes Amarant, 'Ile murther any way;
With enemyes, all vantages are good;
O could I poyson in thy nostrills blowe,
Besure of it I wold dispatch thee soe!'
'Its well,' said Guy, 'thy honest thoughts appeare
Within that beastlye bulke where devills dwell,
Which are thy tenants while thou livest heare,
But will be landlords when thou comest in hell.
Vile miscreant, prepare thee for their den,
Inhumane monster, hatefull unto men!
'But breathe thy selfe a time while I goe drinke,
For flameing Phoebus with his fyerye eye
Torments me soe with burning heat, I thinke
My thirst wolde serve to drinke an ocean drye.
266
Forbear a litle, as I delt with thee.'
Quoth Amarant, 'Thou hast noe foole of mee!
'Noe, sillye wretch, my father taught more witt,
How I shold use such enemyes as thou.
By all my gods I doe rejoice at itt,
To understand that thirst constraines thee now;
For all the treasure that the world containes,
One drop of water shall not coole thy vaines.
'Releeve my foe! why, 'twere a madmans part!
Refresh an adversarye, to my wrong!
If thou imagine this, a child thou art.
Noe, fellow, I have known the world too long
To be soe simple now I know thy want;
A minutes space of breathing I'll not grant.'
And with these words, heaving aloft his clubb
Into the ayre, he swings the same about,
Then shakes his lockes, and doth his temples rubb,
And like the Cyclops in his pride doth strout:
'Sirra,' says hee, 'I have you at a lift;
Now you are come unto your latest shift;
'Perish forever; with this stroke I send thee
A medicine that will doe thy thirst much good;
Take noe more care for drinke before I end thee,
And then wee'll have carouses of thy blood!
Here's at thee with a butcher's downright blow,
To please my furye with thine overthrow!'
'Infernall, false, obdurate feend,' said Guy,
'That seemst a lumpe of crueltye from hell;
Ungratefull monster, since thou dost deny
The thing to mee wherein I used thee well,
With more revenge than ere my sword did make,
On thy accursed head revenge Ile take.
'The gyants longitude shall shorter shrinke,
Except thy sun-scorcht skin be weapon proof.
Farewell my thirst! I doe disdaine to drinke.
Streames, keepe your waters to your owne behoof,
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Or let wild beasts be welcome thereunto;
With those pearle drops I will not have to do.
'Here, tyrant, take a taste of my good-will;
For thus I doe begin my bloodye bout;
You cannot chuse but like the greeting ill,It is not that same clubb will beare you out, And take this payment on thy shaggye crowne'A blowe that brought him with a vengeance downe.
Then Guy sett foot upon the monsters brest,
And from his shoulders did his head divide,
Which with a yawninge mouth did gape unblest, Noe dragons jawes were ever seene soe wide
To open and to shut, - till life was spent.
Then Guy tooke keyes, and to the castle went,
Where manye woefull captives he did find,
Which had beene tyred with extremityes,
Whom he in friendly manner did unbind,
And reasoned with them of their miseryes.
Eche told a tale with teares and sighes and cryes,
All weeping to him with complaining eyes.
There tender ladyes in darke dungeons lay,
That were surprised in the desart wood,
And had noe other dyett everye day
But flesh of humane creatures for their food;
Some with their lovers bodyes had beene fed,
And in their wombes their husbands buryed.
Now he bethinkes him of his being there,
To enlarge the wronged brethren from their woes;
And, as he searcheth, doth great clamours heare,
By which sad sound's direction on he goes
Untill he findes a darksome obscure gate,
Arm'd strongly ouer all with iron plate:
That he unlockes, and enters where appeares
The strangest object that he ever saw,
Men that with famishment of many years
Were like deathes picture, which the painters draw!
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Divers of them were hanged by eche thombe;
Others head-downward; by the middle, some.
With diligence he takes them from the walls,
With lybertye their thraldome to acquaint.
Then the perplexed knight their father calls,
And sayes, 'Receive thy sonnes, though poore and faint:
I promised you their lives; accept of that;
But did not warrant you they shold be fat.
'The castle I doe give thee, heere's the keyes,
Where tyranye for many yeeres did dwell;
Procure the gentle tender ladyes ease;
For pittyes sake use wronged women well:
Men easilye revenge the wrongs men do,
But poore weake women have not strength thereto.'
The good old man, even overjoyed with this,
Fell on the ground, and wold have kist Guys feete.
'Father,' quoth he, 'refraine soe base a kiss!
For age to honor youth, I hold unmeete;
Ambitious pryde hath hurt mee all it can,
I goe to mortifie a sinfull man.'
~ Anonymous Olde English,#NFDB
596:The Kalevala - Rune Xliv
BIRTH OF THE SECOND HARP.
Wainamoinen, ancient minstrel,
Long reflecting, sang these measures:
'It is now the time befitting
To awaken joy and gladness,
Time for me to touch the harp-strings,
Time to sing the songs primeval,
In these spacious halls and mansions,
In these homes of Kalevala;
But, alas! my harp lies hidden,
Sunk upon the deep-sea's bottom,
To the salmon's hiding-places,
To the dwellings of the whiting,
To the people of Wellamo,
Where the Northland-pike assemble.
Nevermore will I regain it,
Ahto never will return it,
Joy and music gone forever!
'O thou blacksmith, Ilmarinen,
Forge for me a rake of iron,
Thickly set the teeth of copper,
Many fathoms long the handle;
Make a rake to search the waters,
Search the broad-sea to the bottom,
Rake the weeds and reeds together,
Rake them to the curving sea-shore,
That I may regain my treasure,
May regain my harp of fish-bow
From the whiting's place of resting,
From the caverns of the salmon,
From the castles of Wellamo.'
Thereupon young Ilmarinen,
The eternal metal-worker,
Forges well a rake of iron,
Teeth in length a hundred fathoms,
And a thousand long the handle,
Thickly sets the teeth of copper.
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Straightway ancient Wainamoinen
Takes the rake of magic metals,
Travels but a little distance,
To the cylinders of oak-wood,
To the copper-banded rollers,
Where be finds two ships awaiting,
One was new, the other ancient.
Wainamoinen, old and faithful,
Thus addressed the new-made vessel:
'Go, thou boat of master-magic,
Hasten to the willing waters,
Speed away upon the blue-sea,
And without the hand to move thee;
Let my will impel thee seaward.'
Quick the boat rolled to the billows
On the cylinders of oak-wood,
Quick descended to the waters,
Willingly obeyed his master.
Wainamoinen, the magician,
Then began to rake the sea-beds,
Raked up all the water-flowers,
Bits of broken reeds and rushes,
Deep-sea shells and colored pebbles,
Did not find his harp of fish-bone,
Lost forever to Wainola!
Thereupon the ancient minstrel
Left the waters, homeward hastened,
Cap pulled clown upon his forehead,
Sang this song with sorrow laden:
'Nevermore shall I awaken
With my harp-strings, joy and gladness!
Nevermore will Wainamoinen
Charm the people of the Northland
With the harp of his creation!
Nevermore my songs will echo
O'er the hills of Kalevala!'
Thereupon the ancient singer
Went lamenting through the forest,
Wandered through the sighing pine-woods,
Heard the wailing of a birch-tree,
Heard a juniper complaining;
Drawing nearer, waits and listens,
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Thus the birch-tree he addresses:
'Wherefore, brother, art thou weeping,
Merry birch enrobed in silver,
Silver-leaved and silver-tasselled?
Art thou shedding tears of sorrow,
Since thou art not led to battle,
Not enforced to war with wizards?
Wisely does the birch make answer:
'This the language of the many,
Others speak as thou, unjustly,
That I only live in pleasure,
That my silver leaves and tassels
Only whisper my rejoicings;
That I have no cares, no sorrows,
That I have no hours unhappy,
Knowing neither pain nor trouble.
I am weeping for my smallness,
Am lamenting for my weakness,
Have no sympathy, no pity,
Stand here motionless for ages,
Stand alone in fen and forest,
In these woodlands vast and joyless.
Others hope for coming summers,
For the beauties of the spring-time;
I, alas! a helpless birch-tree,
Dread the changing of the seasons,
I must give my bark to, others,
Lose my leaves and silken tassels.
Men come the Suomi children,
Peel my bark and drink my life-blood:
Wicked shepherds in the summer,
Come and steal my belt of silver,
Of my bark make berry-baskets,
Dishes make, and cups for drinking.
Oftentimes the Northland maidens
Cut my tender limbs for birch-brooms,'
Bind my twigs and silver tassels
Into brooms to sweep their cabins;
Often have the Northland heroes
Chopped me into chips for burning;
Three times in the summer season,
In the pleasant days of spring-time,
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Foresters have ground their axes
On my silver trunk and branches,
Robbed me of my life for ages;
This my spring-time joy and pleasure,
This my happiness in summer,
And my winter days no better!
When I think of former troubles,
Sorrow settles on my visage,
And my face grows white with anguish;
Often do the winds of winter
And the hoar-frost bring me sadness,
Blast my tender leaves and tassels,
Bear my foliage to others,
Rob me of my silver raiment,
Leave me naked on the mountain,
Lone, and helpless, and disheartened!'
Spake the good, old Wainamoinen:
'Weep no longer, sacred birch-tree,
Mourn no more, my friend and brother,
Thou shalt have a better fortune;
I will turn thy grief to joyance,
Make thee laugh and sing with gladness.'
Then the ancient Wainamoinen
Made a harp from sacred birch-wood,
Fashioned in the days of summer,
Beautiful the harp of magic,
By the master's hand created
On the fog-point in the Big-Sea,
On the island forest-covered,
Fashioned from the birch the archings,
And the frame-work from the aspen.
These the words of the magician:
'All the archings are completed,
And the frame is fitly finished;
Whence the hooks and pins for tuning,
That the harp may sing in concord?'
Near the way-side grew an oak-tree,
Skyward grew with equal branches,
On each twig an acorn growing,
Golden balls upon each acorn,
On each ball a singing cuckoo.
As each cuckoo's call resounded,
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Five the notes of song that issued
From the songster's throat of joyance;
From each throat came liquid music,
Gold and silver for the master,
Flowing to the hills and hillocks,
To the silvery vales and mountains;
Thence he took the merry harp-pins,
That the harp might play in concord.
Spake again wise Wainamoinen:
'I the pins have well completed,
Still the harp is yet unfinished;
Now I need five strings for playing,
Where shall I procure the harp-strings?'
Then the ancient bard and minstrel
Journeyed through the fen and forest.
On a hillock sat a maiden,
Sat a virgin of the valley;
And the maiden was not weeping,
Joyful was the sylvan daughter,
Singing with the woodland songsters,
That the eventide might hasten,
In the hope that her beloved
Would the sooner sit beside her.
Wainamoinen, old and trusted,
Hastened, tripping to the virgin,
Asked her for her golden ringleta,
These the words of the magician.
'Give me, maiden, of thy tresses,
Give to me thy golden ringlets;
I will weave them into harp-strings,
To the joy of Wainamoinen,
To the pleasure of his people.'
Thereupon the forest-maiden
Gave the singer of her tresses,
Gave him of her golden ringlets,
And of these he made the harp-strings.
Sources of eternal pleasure
To the people of Wainola.
Thus the sacred harp is finished,
And the minstrel, Wainamoinen,
Sits upon the rock of joyance,
Takes the harp within his fingers,
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Turns the arch up, looking skyward;
With his knee the arch supporting,
Sets the strings in tuneful order,
Runs his fingers o'er the harp-strings,
And the notes of pleasure follow.
Straightway ancient Wainamoinen,
The eternal wisdom-singer,
Plays upon his harp of birch-wood.
Far away is heard the music,
Wide the harp of joy re-echoes;
Mountains dance and valleys listen,
Flinty rocks are tom asunder,
Stones are hurled upon the waters,
Pebbles swim upon the Big-Sea,
Pines and lindens laugh with pleasure,
Alders skip about the heather,
And the aspen sways in concord.
All the daughters of Wainola
Straightway leave their shining needles,
Hasten forward like the current,
Speed along like rapid rivers,
That they may enjoy and wonder.
Laugh the younger men and maidens,
Happy-hearted are the matrons
Flying swift to bear the playing,
To enjoy the common pleasure,
Hear the harp of Wainamoinen.
Aged men and bearded seniors,
Gray-haired mothers with their daughters
Stop in wonderment and listen.
Creeps the babe in full enjoyment
As he hears the magic singing,
Hears the harp of Wainamoinen.
All of Northland stops in wonder,
Speaks in unison these measures:
'Never have we heard such playing,
Never heard such strains of music,
Never since the earth was fashioned,
As the songs of this magician,
This sweet singer, Wainamoinen!'
Far and wide the sweet tones echo,
Ring throughout the seven hamlets,
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O'er the seven islands echo;
Every creature of the Northland
Hastens forth to look and listen,
Listen to the songs of gladness,
To the harp of Wainamoinen.
All the beasts that haunt the woodlands
Fall upon their knees and wonder
At the playing of the minstrel,
At his miracles of concord.
All the songsters of the forests
Perch upon the trembling branches,
Singing to the wondrous playing
Of the harp of Wainamoinen.
All the dwellers of the waters
Leave their beds, and eaves, and grottoes,
Swim against the shore and listen
To the playing of the minstrel,
To the harp of Wainamoinen.
All the little things in nature,
Rise from earth, and fall from ether,
Come and listen to the music,
To the notes of the enchanter,
To the songs of the magician,
To the harp of Wainamoinen.
Plays the singer of the Northland,
Plays in miracles of sweetness,
Plays one day, and then a second,
Plays the third from morn till even;
Plays within the halls and cabins,
In the dwellings of his people,
Till the floors and ceilings echo,
Till resound the roofs of pine-wood,
Till the windows speak and tremble,
Till the portals echo joyance,
And the hearth-stones sing in pleasure.
As he journeys through the forest,
As he wanders through the woodlands,
Pine and sorb-tree bid him welcome,
Birch and willow bend obeisance,
Beech and aspen bow submission;
And the linden waves her branches
To the measure of his playing,
221
To the notes of the magician.
As the minstrel plays and wanders,
Sings upon the mead and heather,
Glen and hill his songs re-echo,
Ferns and flowers laugh in pleasure,
And the shrubs attune their voices
To the music of the harp-strings,
To the songs of Wainamoinen.
~ Elias Lönnrot,#NFDB
597:The Marriage Of Sir Gawaine
Part the First
King Arthur lives in merry Carleile,
And seemely is to see;
And there with him Queene Guenever,
That bride soe bright of blee.
And there with him Queene Guenever,
That bride soe bright in bowre;
And all his barons about him stoode,
That were both stiffe and stowre.
This king a royale Christmasse kept,
With mirth and princelye cheare;
To him repaired many a knighte,
That came both farre and neare.
And when they were to dinner sette
And cups went freely round:
Before them came a faire damselle,
And knelt upon the ground.
'A boone, a boone, O Kinge Arthure,
I beg a boone of thee;
Avenge me of a carlish knighte,
Who hath shent my love and mee.
'At Tearne-Wadling his castle stands,
Near to that lake so fair,
And proudlye rise the battlements,
And streamers deck the air.
'Noe gentle knighte, nor ladye gay,
May pass that castle-wall,
But from that foule discourteous knighte,
Mishappe will them befalle.
'Hee's twice the size of common men,
Wi' thewes and sinewes stronge,
And on his backe he bears a clubbe,
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That is both thicke and longe.
'This grimme barone 'twas our harde happe
But yester morne to see;
When to his bowre he bare my love,
And sore misused mee.
'And when I told him King Arthure
As lyttle shold him spare;
Goe tell, sayd hee, that cuckold kinge
To meete mee if he dare.'
Upp then sterted King Arthure,
And sware by hille and dale,
He ne'er wolde quitt that grimme barone,
Till he had made him quail.
'Goe fetch my sword Excalibar,
Goe saddle me my steede;
Nowe, by my faye, that grimme barone
Shall rue this ruthfulle deede.'
And when he came to Tearne-Wadlinge
Benethe the castle walle:
'Come forth, come forth, thou proude barone,
Or yield thyself my thralle.'
On magicke grounde that castle stoode,
And fenc'd with many a spell:
Noe valiant knighte could tread thereon,
But straite his courage felle.
Forth then rush'd that carlish knight,
King Arthur felte the charme:
His sturdy sinewes lost their strengthe,
Downe sunke his feeble arme.
'Nowe yield thee, yield thee, Kinge Arthure,
Now yield thee unto mee;
Or fighte with mee, or lose thy lande,
Noe better termes maye bee:
992
'Unlesse thou sweare upon the rood,
And promise on thy faye,
Here to returne to Tearne-Wadling,
Upon the new-yeare's day,
'And bringe me worde what thing it is
All women moste desyre:
This is thy ransome, Arthur,' he sayes,
'Ile have noe other hyre.'
King Arthur then helde up his hande,
And sware upon his faye,
Then tooke his leave of the grimme barone,
And faste hee rode awaye.
And he rode east, and he rode west,
And did of all inquyre,
What thing it is all women crave,
And what they most desyre.
Some told him riches, pompe, or state;
Some rayment fine and brighte;
Some told him mirthe; some flatterye;
And some a jollye knighte.
In letters all King Arthur wrote,
And seal'd them with his ringe:
But still his minde was helde in doubte,
Each tolde a different thinge.
As ruthfulle he rode over a more,
He saw a ladye, sette
Betweene an oke and a greene holleye,
All clad in red scarlette.
Her nose was crookt and turned outwarde,
Her chin stoode all awrye;
And where as sholde have been her mouthe,
Lo! there was set her eye:
Her haires, like serpents, clung aboute
Her cheekes of deadlye hewe:
993
A worse-form'd ladye than she was,
No man mote ever viewe.
To hall the king in seemelye sorte
This ladye was fulle faine:
But King Arthure, all sore amaz'd,
No aunswere made againe.
'What wight art thou,' the ladye sayd,
'That wilt not speake to mee;
Sir, I may chance to ease thy paine,
Though I bee foule to see.'
'If thou wilt ease my paine,' he sayd,
'And helpe me in my neede,
Ask what thou wilt, thou grimme ladye,
And it shall bee thy meede.'
'O sweare mee this upon the roode,
And promise on thy faye;
And here the secrette I will telle,
That shall thy ransome paye.'
King Arthur promis'd on his faye,
And sare upon the roode;
The secrette then the ladye told,
As lightlye well shee cou'de.
'Now this shall be my paye, Sir King,
And this my guerdon bee,
That some yong, fair and courtlye knight
Thou bringe to marrye mee.'
Fast then pricked King Arthure
Ore hille, and dale, and downe:
And soone he founde the barone's bowre,
And soone the grimme baroune.
He kare his clubbe upon his backe,
Hee stoode both stiffe and stronge;
And, when he had the letters reade,
Awaye the lettres flunge.
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'Nowe yielde thee, Arthur, and thy lands,
All forfeit unto mee;
For this is not thy paye, Sir King,
Nor may thy ransome bee.'
'Yet hold thy hand, thou proud barone,
I pray thee hold thy hand;
And give mee leave to speake once more
In reskewe of my land.
'This morne, as I came over a more,
I saw a ladye, sette
Betwene an oke and a greene holleye,
All clad in red scarlette.
'Shee sayes, all women will have their wille,
This is their chief desyre;
Now yield, as thou art a barone true,
That I have payd mine hyre.'
'An earlye vengeaunce light on her!'
The carlish baron swore:
'Shee was my sister tolde thee this,
And shee's a mishapen whore.
'But here I will make mine avowe,
To do her as ill a turne:
For an ever I may that foule theefe gette,
In a fyre I will her burne.'
Part the Second
Homewarde pricked King Arthure,
And a wearye man was hee;
And soone he mette Queene Guenever,
That bride so bright of blee.
'What newes! what newes! thou noble king,
Howe, Arthur, hast thou sped?
Where has thou hung the carlish knighte?
And where bestow'd his head?'
995
'The carlish knight is safe for mee,
And free fro mortal harme:
On magicke grounde his castle stands,
And fenc'd with many a charme.
'To bow to him I was fulle faine,
And yielde mee to his hand:
And but for a lothly ladye, there
I sholde have lost my land.
'And nowe this fills my hearte with woe,
And sorrowe of my life;
I swore a yonge and courtlye knight
Shold marry her to his wife.'
Then bespake him Sir Gawaine,
That was ever a gentle knighte:
'That lothly ladye I will wed;
Therefore be merrye and lighte.'
'Now naye, nowe naye, good Sir Gawaine,
My sister's sonne yee bee;
This lothlye ladye's all too grimme,
And all too foule for yee.
'Her nose is crookt and turn'd outwarde,
Her chin stands all awrye;
A worse form'd ladye than shee is
Was never seen with eye.'
'What though her chin stand all awrye,
And shee be foule to see;
I'll marry her, unkle, for thy sake,
And I'll thy ransome bee.'
'Nowe thankes, nowe thankes, good Sir Gawaine,
And a blessing thee betyde!
To-morrow we'll have knights and squires,
And wee'll goe fetch thy bride.
'And wee'll have hawkes and wee'll have houndes
996
To cover our intent;
And wee'll away to the greene forest,
As wee a hunting went.'
Sir Lancelot, Sir Stephen bolde,
They rode with them that daye;
And foremoste of the companye
There rode the stewarde Kaye:
Soe did Sir Banier and Sir Bore,
And eke Sir Garratte keene;
Sir Tristram too, that gentle knight,
To the forest freshe and greene.
And when they came to the greene forrest,
Beneathe a faire holley tree,
There sate that ladye in red scarlette,
That unseemlye was to see.
Sir Kay beheld that lady's face,
And looked upon her sweere;
'Whoever kisses that ladye,' he sayes,
'Of his kisse he stands in feare.'
Sir Kay beheld that ladye againe,
And looked upon her snout;
'Whoever kisses that ladye,' he sayes,
'Of his kisse he stands in doubt.'
'Peace, brother Kay,' sayde Sir Gawaine,
'And amend thee of thy life:
For there is a knight amongst us all
Must marry her to his wife.'
'What, marry this foule queene?' quoth Kay,
'I' the devil's name anone;
Gette mee a wife wherever I maye,
In sooth shee shall be none.'
Then some tooke up their hawkes in haste,
And some took up their houndes,
And sayd they wolde not marry her
997
For cities, nor for townes.
Then bespake him King Arthure,
And sware there 'by this daye,
For a little foule sighte and mislikinge,
Yes shall not say her naye.'
'Peace, lordings, peace,' Sir Gawaine sayd,
'Nor make debate and strife;
This lothlye ladye I will take,
And marry her to my wife.'
'Nowe thankes, nowe thankes, good Sir Gawaine,
And a blessinge be thy meede!
For as I am thine owne ladye,
Thou never shalt rue this deede.'
Then up they took that lothly dame,
And home anone they bringe:
And there Sir Gawaine he her wed,
And married her with a ringe.
And when they were in wed-bed laid,
And all were done awaye:
'Come turne to mee, mine owne wedlord,
Come turne to mee, I praye.'
Sir Gawaine scant could lift his head,
For sorrowe and for eare;
When lo! instead of that lothelye dame,
Hee sawe a young ladye faire.
Sweet blushes stayn'd her rud-red cheeke,
Her eyen were blacke as sloe:
The ripening cherrye swellde her lippe,
And all her necke was snowe.
Sir Gawaine kiss'd that lady faire,
Lying upon the sheete,
And swore, as he was a true knighte,
The spice was never so sweete.
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Sir Gawaine kiss'd that ladye brighte,
Lying there by his side:
'The fairest flower is not soe faire:
Thou never canst bee my bride.'
'I am thy bride, mine owne deare lorde;
The same whiche thou didst knowe,
That was soe lothlye, and was wont
Upon the wild more to goe.
'Nowe, gentle Gawaine, chuse,' quoth shee,
'And make thy choice with care;
Whether by night, or else by daye,
Shall I be foule or faire?'
'To have thee foule still in the night,
When I with thee should playe!
I had rather farre, my lady deare,
To have thee foule by daye.'
'What! when gaye ladyes goe with their lordes
To drinke the ale and wine;
Alas! then I must hide myself,
I must not goe with mine!'
'My faire ladye,' Sir Gawaine sayd,
'I yield me to thy skille;
Because thou art mine owne ladye,
Thou shalt have all thy wille.'
'Nowe blessed be thou, sweete Gawaine,
And the daye that I thee see;
For as thou seest mee at this time,
Soe shall I ever bee.
'My father was an aged knighte,
And yet it chanced soe,
He tooke to wife a false ladye,
Whiche broughte me to this owe.
'Shee witch'd mee, being a faire yonge maide,
In the greene forest to dwelle,
999
And there to abide in lothlye shape,
Most like a fiend of helle;
'Midst mores and mosses, woods and wilds,
To lead a lonesome life,
Till some yong, faire and courtlye knighte
Wolde marrye me to his wife:
'Nor fully to gaine mine owne trewe shape,
Such was her devilish skille,
Until he wolde yielde to be rul'd by mee,
And let mee have all my wille.
'She witchd my brother to a carlish boore,
And made him stiffe and stronge;
And built him a bowre on magicke grounde,
To live by rapine and wronge.
'But now the spelle is broken throughe,
And wronge is turnde to righte;
Henceforth I shall bee a faire ladye,
And hee be a gentle knighte.'
~ Anonymous Olde English,#NFDB
598:The Feud: A Border Ballad
PLATE I
Rixa super mero
They sat by their wine in the tavern that night,
But not in good fellowship true :
The Rhenish was strong and the Burgundy bright,
And hotter the argument grew.
'I asked your consent when I first sought her hand,
Nor did you refuse to agree,
Tho' her father declared that the half of his land
Her dower at our wedding should be.'
'No dower shall be given (the brother replied)
With a maiden of beauty so rare,
Nor yet shall my father my birthright divide,
Our lands with a foeman to share.'
The knight stood erect in the midst of the hall,
And sterner his visage became,
'Now, shame and dishonour my 'scutcheon befall
If thus I relinquish my claim.'
The brother then drained a tall goblet of wine,
And fiercely this answer he made—
'Before like a coward my rights I resign
I'll claim an appeal to the blade.
'The passes at Yarrow are rugged and wide,
There meet me to-morrow alone ;
This quarrel we two with our swords will decide,
And one shall this folly atone.'
They've
They've
They've
To their
settled the time and they've settled the place,
paid for the wine and the ale,
bitten their gloves, and their steps they retrace
castles in Ettrick's Vale.
250
PLATE II
Morituri (te) salutant
Now, buckle my broadsword at my side
And saddle my trusty steed ;
And bid me adieu, my bonnie bride,
To Yarrow I go with speed.
'I've passed through many a bloody fray,
Unharmed in health or limb ;
Then why's your brow so sad this day
And your dark eye so dim ?'
'Oh, belt not on your broadsword bright,
Oh ! leave your steed in the stall,
For I dreamt last night of a stubborn fight,
And I dreamt I saw you fall.'
'On Yarrow's braes there will be strife,
Yet I am safe from ill ;
And if I thought it would cost my life
I must take this journey still.'
He turned his charger to depart
In the misty morning air,
But he stood and pressed her to his heart
And smoothed her glossy hair.
And her red lips he fondly kissed
Beside the castle door,
And he rode away in the morning mist,
And he never saw her more !
PLATE III
Heu ! deserta domus
She sits by the eastern casement now,
And the sunlight enters there,
And settles on her ivory brow
And gleams in her golden hair.
On the deerskin rug the staghound lies
And dozes dreamily,
251
And the quaint carved oak reflects the dyes
Of the curtain's canopy.
The lark has sprung from the new-mown hay,
And the plover's note is shrill
And the song of the mavis far away
Comes from the distant hill ;
And in the wide courtyard below
She heard the horses neigh,
The men-at-arms pass to and fro
The scraps of border-lay.
She heard each boisterous oath and jest
The rough moss-troopers made,
Who scoured the rust from spur or crest,
Or polished bit or blade.
They loved her well, those rugged men,—
How could they be so gay
When he perchance in some lone glen
Lay dying far away ?
She was a fearless Border girl,
Who from her earliest days
Had seen the banners oft unfurl
And the war-beacons blaze—
Had seen her father's men march out,
Roused by the trumpet's call,
And heard the foeman's savage shout
Close to their fortress wall.
And when her kin were arming fast,
Had belted many a brand—
Why was her spirit now o'ercast ?
Where was her self-command ?
She strove to quell those childish fears,
Unworthy of her name ;
She dashed away the rising tears,
And, flushed with pride and shame,
She rose and hurried down the stair,
The castle yard to roam ;
And she met her elder sister there,
Come from their father's home,
'Sister, I've ridden here alone,
Your lord and you to greet.'
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'Sister, to Yarrow he has gone
Our brother there to meet ;
I dreamt last night of a stubborn fray
Where I saw him fall and bleed,
And he rode away at break of day
With his broadsword and his steed.'
'Oh ! sister dear, there will be strife :
Our brother likes him ill,
And one or both must forfeit life
On Yarrow's lonely hill.'
A stout moss-trooper, standing near,
Spoke with a careless smile :
'Now, have no fear for my master dear,—
He may travel many a mile,
And those who ride on the Border side,
Albeit they like him not,
They know his mettle has oft been tried
Where blows were thick and hot.
He left command that none should go
From hence till home he came ;
But, lady, the truth you soon shall know
If you will bear the blame.
Your palfrey fair I'll saddle with care,
Your sister shall ride the grey,
And I'll mount myself on the sorrel mare,
And to Yarrow we'll haste away.'
The sun was low in the western sky,
And steep was the mountain track,
But they rode from the castle rapidly—
Oh ! how will they travel back ?
PLATE IV
Gaudia certaminis
He came to the spot where his foe had agreed
To meet him in Yarrow's dark glade,
And there he drew rein amd dismounted his steed,
And fastened him under the shade.
253
Close by in the greenwood the ambush was set,
And scarce had he entered the glen
When, armed for the combat, the brother he met,
And with him were eight of his men.
'Now, swear to relinquish all claim to our land,
Or to give as a hostage your bride !
Or fly if you're able, or yield where you stand,
Or die as your betters have died !'
His doublet and hat on the greensward he threw,
He wrapt round the left arm his cloak ;
And out of its scabbard his broadsword he drew,
And stood with his back to an oak.
'My claim to your land I refuse to deny,
Nor will I restore you my bride,
Now will I surrender, nor yet will I fly :
Come on, and the steel shall decide !'
Oh ! sudden and sure were the blows that he dealt !
Like lightning the sweep of his blade !
Cut and thrust, point and edge, all around him they fell,
They fell one by one in the glade !
And
And
And
And
pierced in the gullet their leader goes down !
sinks with a curse on the plain ;
his squire falls dead ! cut through headpiece and crown !
his groom by a back stroke is slain.
Now five are stretched lifeless ; disabled are three !
Hard pressed, see the last caitiff reel !
The brother behind struggles up on one knee,
And drives through his body the steel.
PLATE V
Non habeo mihi facta adhuc cur Herculis uxor
Credar coniugii mors mihi pignus erit.
The traitor's father heard the tale,
In haste he mounted then,
254
And spurred his horse from Ettrick Vale
To Yarrow's lonely glen,
Some troopers followed in his track—
For them he tarried not,
He neither halted nor looked back
Until he found the spot.
The earth was trod and trampled bare,
And stained with dark red dew,
A broken blade lay here, and there
A bonnet cut in two ;
And stretched in ghastly shapes around
The lifeless corpses lie,
Some with their faces to the ground,
And some towards the sky.
And there the ancient Border chief
Stood silent and alone—
Too stubborn to give way to grief,
Too stern remorse to own.
A soldier in the midst of strife
Since he had first drawn breath,
He'd grown to undervalue life
And feel at home with death.
And yet he shuddered when he saw
The work that had been done ;
He knew his fearless son-in-law,
He knew his dastard son.
Despite the failings of his race
A brave old man was he,
Who would not stoop to actions base,
And hated treachery.
He loved his younger daughter well,
And though severe and rude,
For her sake he had tried to quell
That foolish Border feud.
Her brother all his schemes had marred,
And given his pledge the lie,
And sense of justice struggled hard
With nature's stronger tie.
He knew his son had richly earned
The stroke that laid him low,
Yet had not quite forgiveness learned
255
For him that dealt the blow.
There came a tramp of horses' feet :
He raised his startled eyes,
And felt his pulses throb and beat
With sorrow and surprise.
He saw his daughter riding fast,
And from her steed she sprung,
And on her lover's corpse she cast
Herself, and round him clung.
Her head she pillowed on his waist,
And all her clustering hair
Hung down, disordered by her haste
In silken masses there.
Her sister and their sturdy guide
Dismounted and drew nigh,
The elder daughter stood aside—
Her tears fell silently.
The stout moss-trooper glanced around
But not a word he said ;
He knelt upon the battered ground
And raised his master's head.
The face had set serene and sad,
Nor was there on the clay
The stamp of that fierce soul which had
In anger passed away.
With dagger blade he ripped the skirt,
The fatal wound to show,
And wiped the stains of blood and dirt
From throat and cheek and brow.
And all the while she did not stir,
She lay there calm and still,
Nor could he hope to comfort her,—
Her case was past his skill.
The father first that silence broke ;
His voice was firm and clear,
And every accent that he spoke
Fell on the listener's ear.
'Daughter, this quarrel to forgo,
I offered half our land
A dower to him—a feudal foe—
256
When first he sought your hand.
I only asked for some brief while,
Some few short weeks' delay,
Till I my son could reconcile ;
For this he would not stay.
He was your husband, so I'm told ;
But you yourself must own
He took you to his fortress-hold
With your consent alone.
Of late the strife broke out anew ;
They blame your brother there ;
But he was hot and headstrong, too—
He doubtless did his share.
Oh ! stout of heart, and strong of hand,
With all his faults was he,
The champion of his Border land ;
I ne'er his judge will be !
Now, grieve no more for what is done ;
Alike we share the cost ;
For, girl, I too have lost a son,
If you your love have lost.
Forget the deed ! and learn to call
A worthier man your lord
Than he whose arm has vexed us all ;
Here lies his fatal sword.
Think, when you seek his guilt to cloak,
Whose blood has dyed it red.
Who fell beneath its deadly stroke,
Whose life is forfeited.'
The old man paused, for while he spoke
The girl had raised her head.
Her silken hair she proudly dashed
Back from her crimson face !
And in her bright eyes once more flashed
The spirit of her race !
He beauty made her stand abashed !
Her voice rang thro' the place !
'Who held the treacherous dagger's hilt
When against odds he fought ?
257
My brother's blood was fairly spilt !
But his was basely sought !
Now, Christ absolve his soul from guilt ;
He sinned as he was taught !
'His next of kin by blood and birth
May claim his house and land !
His groom may slack his saddle-girth,
Or bid his charger stand !
But never a man on God's wide earth
Shall touch his darling's hand !'
The colour faded from her cheek,
Her eyelids drooped and fell,
And when again she sought to speak
Her accents came so low and weak
Her words they scarce could tell.
'Oh ! father, all I ask is rest,—
Here let me once more lie !'
She stretched upon the dead man's breast
With one long weary sigh ;
And the old man bowed his lofty crest
And hid his troubled eye !
They called her, but she spoke no more,
And when they raised her head
She seemed as lovely as before,
Though all her bloom had fled ;
But they grew pale at that they saw—
They knew that she was dead !
PLATE VI
Dies irae : dies illa
The requiem breaks the midnight air, the funeral bell they toll,—
A mass or prayer we well may spare, for a brave moss-trooper's soul ;
And the fairest bride on the Border side, may she too be forgiven !
The dirge we ring, the chant we sing, the rest we leave to Heaven !
~ Adam Lindsay Gordon,#NFDB
599:The Rhyme Of Joyous Garde
Through the lattice rushes the south wind, dense
With fumes of the flowery frankincense
From hawthorn blossoming thickly ;
And gold is shower'd on grass unshorn,
And poppy-fire on shuddering corn,
With May-dew flooded and flush'd with morn,
And scented with sweetness sickly.
The bloom and brilliance of summer days,
The buds that brighten, the fields that blaze,
The fruits that ripen and redden,
And all the gifts of a God-sent light
Are sadder things in my shameful sight
Than the blackest gloom of the bitterest night,
When the senses darken and deaden.
For the days recall what the nights efface,
Scenes of glory and seasons of grace,
For which there is no returning—
Else the days were even as the nights to me,
Now the axe is laid to the root of the tree,
And to-morrow the barren trunk may be
Cut down—cast forth for the burning.
Would God I had died the death that day
When the bishop blessed us before the fray
At the shrine of the Saviour's Mother ;
We buckled the spur, we braced the belt,
Arthur and I—together we knelt,
And the grasp of his kingly hand I felt
As the grasp of an only brother.
The body and the blood of Christ we shared,
Knees bended and heads bow'd down and bared,
We listened throughout the praying.
Eftsoon the shock of the foe we bore,
Shoulder to shoulder on Severn's shore,
Till our hilts were glued to our hands with gore,
And our sinews slacken'd with slaying.
267
Was I far from Thy Kingdom, gracious Lord,
With a shattered casque and a shiver'd sword,
On the threshold of Mary's chapel ?
Pardie ! I had well-nigh won that crown
Which endureth more than a knight's renown,
When the pagan giant had got me down,
Sore spent in the deadly grapple.
May his craven spirit find little grace,
He was seal'd to Satan in any case,
Yet the loser had been the winner ;
Had I waxed fainter or he less faint,
Then my soul was free from this loathsome taint,
I had died as a Christian knight—no saint
Perchance, yet a pardon'd sinner.
But I strove full grimly beneath his weight,
I clung to his poignard desperate
I baffled the thrust that followed,
And writhing uppermost rose, to deal,
With bare three inches of broken steel,
One stroke—Ha ! the headpiece crash'd piecemeal,
And the knave in his black blood wallow'd.
So I lived for worse—in fulness of time,
When peace for a season sway'd the clime,
And spears for a space were idle ;
Trusted and chosen of all the court,
A favoured herald of fair report,
I travell'd eastward, and duly brought
A bride to a queenly bridal.
Pardie ! 'twas a morning even as this
(The skies were warmer if aught, I wis,
Albeit the fields were duller ;
Or it may be that the envious spring,
Abash'd at the sight of a fairer thing,
Wax'd somewhat sadder of colouring
Because of her faultless colour).
With her through the Lyonesse I rode,
268
Till the woods with the noontide fervour glow'd,
And there for a space we halted,
Where the intertwining branches made
Cool carpets of olive-tinted shade,
And the floors with fretwork of flame inlaid
From leafy lattices vaulted.
And scarf and mantle for her I spread,
And strewed them over the grassiest bed
And under the greenest awning,
And loosen'd latch and buckle, and freed
From selle and housing the red roan steed,
And the jennet of swift Iberian breed,
That had carried us since the dawning.
The brown thrush sang through the briar and bower,
All flush'd or frosted with forest flower
In the warm sun's wanton glances ;
And I grew deaf to the song bird—blind
To blossom that sweeten'd the sweet spring wind—
I saw her only—a girl reclined
In her girlhood's indolent trances.
And the song and the scent and sense wax'd weak,
The wild rose withered beside the cheek
She poised on her fingers slender ;
The soft spun gold of her glittering hair
Ran rippling into a wondrous snare,
That flooded the round arm bright and bare,
And the shoulder's silvery splendour.
The deep dusk fires in those dreamy eyes,
Like seas clear-coloured in summer skies,
Were guiltless of future treason ;
And I stood watching her, still and mute
Yet the evil seed in my soul found root,
And the sad plant throve, and the sinful fruit
Grew ripe in the shameful season.
Let the sin be mine as the shame was hers,
In desolate days of departed years
She had leisure for shame and sorrow—
269
There was light repentance and brief remorse,
When I rode against Saxon foes or Norse,
With clang of harness and clatter of horse,
And little heed for the morrow.
And now she is dead, men tell me, and I,
In this living death must I linger and lie
Till my cup to the dregs is drunken ?
I looked through the lattice, worn and grim,
With eyelids darken'd and eyesight dim,
And weary body and wasted limb,
And sinew slacken'd and shrunken.
She is dead ! Gone down to the burial-place,
Where the grave-dews cleave to her faultless face ;
Where the grave-sods crumble around her ;
And that bright burden of burnish'd gold,
That once on those waxen shoulders roll'd,
Will it spoil with the damps of the deadly mould ?
Was it shorn when the church vows bound her ?
Now I know full well that the fair spear shaft
Shall never gladden my hand, nor the haft
Of the good sword grow to my fingers ;
Now the maddest fray, the merriest din,
Would fail to quicken this life-stream thin,
Yet the sleepy poison of that sweet sin
In the sluggish current still lingers.
Would God I had slept with the slain men, long
Or ever the heart conceiv'd a wrong
That the innermost soul abhorred—
Or ever these lying lips were strained
To her lids, pearl-tinted and purple-vein'd,
Or ever those traitorous kisses stained
The snows of her spotless forehead.
Let me gather a little strength to think,
As one who reels on the outermost brink,
To the innermost gulf descending.
In that truce the longest and last of all,
In the summer nights of that festival—
270
Soft vesture of samite and silken pall—
The beginning came of the ending.
And one trod softly with sandall'd feet—
Ah ! why are the stolen waters sweet ?—
And one crept stealthily after ;
I would I had taken him there and wrung
His knavish neck when the dark door swung,
Or torn by the roots his treacherous tongue,
And stifled his hateful laughter.
So the smouldering scandal blazed—but he,
My king, to the last put trust in me—
Aye, well was his trust requited !
Now priests may patter, and bells may toll,
He will need no masses to aid his soul ;
When the angels open the judgment scroll,
His wrong will be tenfold righted.
Then dawn'd the day when the mail was donn'd,
And the steed for the strife caparison'd,
But not ‘gainst the Norse invader.
Then was bloodshed—not by untoward chance,
As the blood that is drawn by the jouster's lance,
The fray in the castle of Melegrance,
The fight in the lists with Mador.
Then the guilt made manifest, then the siege,
When the true men rallying round the liege
Beleaguer'd his base betrayer ;
Then the fruitless parleys, the pleadings vain,
And the hard-fought battles with brave Gawaine,
Twice worsted, and once so nearly slain,
I may well be counted his slayer.
Then the crime of Modred—a little sin
At the side of mine, though the knave was kin
To the king by the knave's hand stricken.
And the once-loved knight, was he there to save
That knightly king who that knighthood gave ?
Ah, Christ ! will he greet me as knight or knave
In the day when the dust shall quicken.
271
Had he lightly loved, had he trusted less,
I had sinn'd perchance with the sinfulness
That through prayer and penance is pardon'd.
Oh, love most loyal ! Oh, faith most sure !
In the purity of a soul so pure
I found my safeguard—I sinn'd secure,
Till my heart to the sin grew harden'd.
We were glad together in gladsome meads,
When they shook to the strokes of our snorting steeds ;
We were joyful in joyous lustre
When it flush'd the coppice or fill'd the glade,
Where the horn of the Dane or the Saxon bray'd,
And we saw the heathen banner display'd,
And the heathen lances cluster.
Then a steel-shod rush and a steel-clad ring,
And a crash of the spear staves splintering,
And the billowy battle blended.
Riot of chargers, revel of blows,
And fierce flush'd faces of fighting foes,
From croup to bridle, that reel'd and rose,
In a sparkle of sword-play splendid.
And the long, lithe sword in the hand became
As a leaping light, as a falling flame,
As a fire through the flax that hasted ;
Slender, and shining, and beautiful,
How it shore through shivering casque and skull,
And never a stroke was void and null,
And never a thrust was wasted.
I have done for ever with all these things—
Deeds that were joyous to knights and kings,
In days that with songs were cherish'd.
The songs are ended, the deeds are done,
There shall none of them gladden me now, not one ;
There is nothing good for me under the sun,
But to perish as these things perish'd.
Shall it profit me aught that the bishop seeks
272
My presence daily, and duly speaks
Soft words of comfort and kindness ?
Shall it aught avail me ? 'Certes,' he said,
'Though thy soul is darken'd, be not afraid—
God hateth nothing that He hath made—
His light shall disperse thy blindness.'
I am not afraid for myself, although
I know I have had that light, and I know
The greater my condemnation.
When I well-nigh swoon'd in the deep-drawn bliss
Of that first long, sweet, slow, stolen kiss,
I would gladly have given, for less than this
Myself, with my soul's salvation.
I would languish thus in some loathsome den,
As a thing of naught in the eyes of men,
In the mouths of men as a byword,
Through years of pain, and when God saw fit,
Singing His praises my soul should flit
To the darkest depth of the nethermost pit,
If hers could be wafted skyward.
Lord Christ ! have patience a little while,
I have sinn'd because I am utterly vile,
Having light, loving darkness rather.
And I pray Thee deal with me as Thou wilt,
Yet the blood of Thy foes I have freely spilt,
And, moreover, mine is the greater guilt
In the sight of Thee and Thy Father.
That saint, Thy servant, was counted dear
Whose sword in the garden grazed the ear
Of Thine enemy, Lord Redeemer !
Not thus on the shattering visor jarr'd
In this hand the iron of the hilt cross-barr'd,
When the blade was swallow'd up to the guard
Through the teeth of the strong blasphemer.
If ever I smote as a man should smite,
If I struck one stroke that seem'd good in Thy sight,
By Thy loving mercy prevailing,
273
Lord ! let her stand in the light of Thy face,
Cloth'd with Thy love and crown'd with Thy grace,
When I gnash my teeth in the terrible place
That is fill'd with weeping and wailing.
Shall I comfort my soul on account of this ?
In the world to come, whatsoever it is,
There is no more earthly ill-doing—
For the dusty darkness shall slay desire,
And the chaff may burn with unquenchable fire,
But for green wild growth of thistle and briar,
At least there is no renewing.
And this grievous burden of life shall change
In the dim hereafter, dreamy and strange,
And sorrows and joys diurnal.
And partial blessings and perishing ills
Shall fade in the praise, or the pang that fills
The glory of God's eternal hills,
Or the gloom of His gulf eternal.
Yet if all things change to the glory of One
Who for all ill-doers gave His Own sweet Son,
To His goodness so shall He change ill,
When the world as a wither'd leaf shall be,
And the sky like a shrivell'd scroll shall flee,
And souls shall be summon'd from land and sea,
At the blast of His bright archangel.
~ Adam Lindsay Gordon,#NFDB
600:The Kalevala - Rune Xxxv
KULLERVO'S EVIL DEEDS.
Kullerwionen, youthful wizard,
In his blue and scarlet stockings,
Henceforth lingered with his parents;
But he could not change his nature,
Could not gain a higher wisdom,
Could not win a better judgment;
As a child he was ill-nurtured,
Early rocked in stupid cradles,
By a nurse of many follies,
By a minister of evil.
To his work went Kullerwoinen,
Strove to make his labors worthy;
First, Kullervo went a-fishing,
Set his fishing-nets in ocean;
With his hands upon the row-locks,
Kullerwoinen spake as follows:
'Shall I pull with all my forces,
Pull with strength of youthful heroes,
Or with weakness of the aged?'
From the stern arose a gray-beard,
And he answered thus Kullervo:
'Pull with all thy youthful vigor;
Shouldst thou row with magic power,
Thou couldst not destroy this vessel,
Couldst not row this boat to fragments.'
Thereupon the youth, Kullervo,
Rowed with all his youthful vigor,
With the mighty force of magic,
Rowed the bindings from the vessel,
Ribs of juniper he shattered,
Rowed the aspen-oars to pieces.
When the aged sire, Kalervo,
Saw the work of Kullerwoinen,
He addressed his son as follows:
'Dost not understand the rowing;
Thou hast burst the bands asunder,
544
Bands of juniper and willow,
Rowed my aspen-boat to pieces;
To the fish-nets drive the salmon,
This, perchance, will suit thee better.'
Thereupon the son, Kullervo,
Hastened to his work as bidden,
Drove the salmon to the fish-nets,
Spake in innocence as follows:
'Shall I with my youthful vigor
Scare the salmon to the fish-nets,
Or with little magic vigor
Shall I drive them to their capture?
Spake the master of the fish-nets:
'That would be but work of women,
Shouldst thou use but little power
In the frighting of the salmon!'
Kullerwoinen does as bidden,
Scares the salmon with the forces
Of his mighty arms and shoulders,
With the strength of youth and magic,
Stirs the water thick with black-earth,
Beats the scare-net into pieces,
Into pulp he beats the salmon.
When the aged sire, Kalervo,
Saw the work of Kullerwoinen,
To his son these words he uttered:
'Dost not understand this labor,
For this work thou art not suited,
Canst not scare the perch and salmon
To the fish-nets of thy father;
Thou hast ruined all my fish-nets,
Torn my scare-net into tatters,
Beaten into pulp the whiting,
Torn my net-props into fragments,
Beaten into bits my wedges.
Leave the fishing to another;
See if thou canst pay the tribute,
Pay my yearly contribution;
See if thou canst better travel,
On the way show better judgment!'
Thereupon the son, Kullervo,
Hapless youth in purple vestments,
545
In his magic shoes of deer-skin,
In his locks of golden color,
Sallied forth to pay the taxes,
Pay the tribute for his people.
When the youth had paid the tribute,
Paid the yearly contribution,
He returned to join the snow-sledge,
Took his place upon the cross-bench,
Snapped his whip above the courser,
And began his journey homeward;
Rattled on along the highway,
Measured as he galloped onward
Wainamoinen's hills and valleys,
And his fields in cultivation.
Came a golden maid to meet him,
On her snow-shoes came a virgin,
O'er the hills of Wainamoinen,
O'er his cultivated lowlands.
Quick the wizard-son, Kullervo,
Checked the motion of his racer,
Thus addressed the charming maiden
'Come, sweet maiden, to my snow-sledge,
In my fur-robes rest and linger!'
As she ran, the maiden answered:
'Let the Death-maid sit beside thee,
Rest and linger in thy fur-robes!'
Thereupon the youth, Kullervo,
Snapped his whip above the courser;
Fleet as wind he gallops homeward,
Dashes down along the highway;
With the roar of falling waters,
Gallops onward, onward, onward,
O'er the broad-back of the ocean,
O'er the icy plains of Lapland.
Comes a winsome maid to meet him,
Golden-haired, and wearing snow-shoes,
On the far outstretching ice-plains;
Quick the wizard checks his racer,
Charmingly accosts the maiden,
Chanting carefully these measures:
'Come, thou beauty, to my snow-sledge,
Hither come, and rest, and linger!
546
Tauntingly the maiden answered:
'Take Tuoni to thy snow-sledge,
At thy side let Manalainen
Sit with thee, and rest, and linger!'
Quick the wizard, Kullerwoinen,
Struck his fiery, prancing racer,
With the birch-whip of his father.
Like the lightning flew the fleet-foot,
Galloped on the highway homeward;
O'er the hills the snow-sledge bounded,
And the coming mountains trembled.
Kullerwoinen, wild magician,
Measures, on his journey homeward,
Northland's far-extending borders,
And the fertile plains of Pohya.
Comes a beauteous maid to meet him,
With a tin-pin on her bosom,
On the heather of Pohyola,
O'er the Pohya-hills and moorlands.
Quick the wizard son, Kullervo,
Holds the bridle of his courser,
Charmingly intones these measures:
'Come, fair maiden, to my snow-sledge,
In these fur-robes rest, and linger;
Eat with me the golden apples,
Eat the hazel-nut in joyance,
Drink with me the beer delicious,
Eat the dainties that I give thee.'
This the answer of the maiden
With the tin-pin on her bosom:
'I have scorn to give thy snow-sledge,
Scorn for thee, thou wicked wizard;
Cold is it beneath thy fur-robes,
And thy sledge is chill and cheerless.
Thereupon the youth, Kullervo,
Wicked wizard of the Northland,
Drew the maiden to his snow-sledge,
Drew her to a seat beside him,
Quickly in his furs enwrapped her;
And the tin-adorned made answer,
These the accents of the maiden:
'Loose me from thy magic power,
547
Let me leave at once thy presence,
Lest I speak in wicked accents,
Lest I say the prayer of evil;
Free me now as I command thee,
Or I'll tear thy sledge to pieces,
Throw these fur-robes to the north-winds.'
Straightway wicked Kullerwoinen,
Evil wizard and magician,
Opens all his treasure-boxes,
Shows the maiden gold and silver,
Shows her silken wraps of beauty,
Silken hose with golden borders,
Golden belts with silver buckles,
Jewelry that dims the vision,
Blunts the conscience of the virgin.
Silver leads one to destruction,
Gold entices from uprightness.
Kullerwoinen, wicked wizard,
Flatters lovingly the maiden,
One hand on the reins of leather,
One upon the maiden's shoulder;
Thus they journey through the evening,
Pass the night in merry-making.
When the day-star led the morning,
When the second day was dawning,
Then the maid addressed Kullervo,
Questioned thus the wicked wizard:
'Of what tribe art thou descended,
Of what race thy hero-father?
Tell thy lineage and kindred.`
This, Kullervo's truthful answer:
'Am not from a mighty nation,
Not the greatest, nor the smallest,
But my lineage is worthy:
Am Kalervo's son of folly,
Am a child of contradictions,
Hapless son of cold misfortune.
Tell me of thy race of heroes,
Tell thine origin and kindred.'
This the answer of the maiden:
'Came not from a race primeval,
Not the largest, nor the smallest,
548
But my lineage is worthy;
Am Kalervo's wretched daughter,
Am his long-lost child of error,
Am a maid of contradictions,
Hapless daughter of misfortune.
'When a child I lived in plenty
In the dwellings of my mother;
To the woods I went for berries,
Went for raspberries to uplands,
Gathered strawberries on mountains,
Gathered one day then a second;
But, alas! upon the third day,
Could not find the pathway homeward,
Forestward the highways led me,
All the footpaths, to the woodlands.
Long I sat in bitter weeping,
Wept one day and then a second,
Wept the third from morn till even.
Then I climbed a. lofty mountain,
There I called in wailing accents,
And the woodlands gave this answer,
Thus the distant hills re-echoed:
'Call no longer, foolish virgin,
All thy calls and tears are useless;
There is none to give thee answer,
Far away, thy home and people.'
'On the third and on the fourth days,
On the fifth, and sixth, and seventh,
Constantly I sought to perish;
But in vain were all my efforts,
Could not die upon the mountains.
If this wretched maid had perished,
In the summer of the third year,
She had fed earth's vegetation,
She had blossomed as a flower,
Knowing neither pain nor sorrow.'
Scarcely had the maiden spoken,
When she bounded from the snow-sledge,
Rushed upon the rolling river,
To the cataract's commotion,
To the fiery stream and whirlpool.
Thus Kullervo's lovely sister
549
Hastened to her own destruction,
To her death by fire and water,
Found her peace in Tuonela,
In the sacred stream of Mana.
Then the wicked Kullerwoinen
Fell to weeping, sorely troubled,
Wailed, and wept, and heavy-hearted,
Spake these words in bitter sorrow:
'Woe is me, my life hard-fated!
I have slain my virgin-sister,
Shamed the daughter of my mother;
Woe to thee, my ancient father!
Woe to thee, my gray-haired mother!
Wherefore was I born and nurtured,
Why this hapless child's existence?
Better fate to Kullerwoinen,
Had he never seen the daylight,
Or, if born, had never thriven
In these mournful days of evil!
Death has failed to do his duty,
Sickness sinned in passing by me,
Should have slain me in the cradle,
When the seventh day had ended!'
Thereupon he slips the collar
Of his prancing royal racer,
Mounts the silver-headed fleet-foot,
Gallops like the lightning homeward;
Gallops only for a moment,
When he halts his foaming courser
At the cabin of his father.
In the court-yard stood the mother,
Thus the wicked son addressed her:
'Faithful mother, fond and tender,
Hadst thou slain me when an infant,
Smoked my life out in the chamber,
In a winding-sheet hadst thrown me
To the cataract and whirlpool,
In the fire hadst set my cradle,
After seven nights had ended,
Worthy would have been thy service.
Had the village-maidens asked thee:
'Where is now the little cradle,
550
Wherefore is the bath-room empty?'
This had been a worthy answer:
'I have burned the wizard's cradle,
Cast the infant to the fire-dogs;
In the bath-room corn is sprouting,
From the barley malt is brewing.''
Thereupon the aged mother
Asks her wizard-son these questions:
'What has happened to my hero,
What new fate has overcome thee?
Comest thou as from Tuoni,
From the castles of Manala?'
This, Kullervo's frank confession:
'Infamous the tale I bring thee,
My confession is dishonor:
On the way I met a maiden,
Met thy long-lost, wayward daughter,
Did not recognize my sister,
Fatal was the sin committed!
When the taxes had been settled,
When the tribute had been gathered,
Came a matchless maid to meet me,
Whom I witless led to sorrow,
This my mother's long-lost daughter.
When she saw in me her brother,
Quick she bounded from the snow-sledge,
Hastened to the roaring waters,
To the cataract's commotion,
To the fiery stream and whirlpool,
Hastened to her full destruction.
'Now, alas! must I determine,
Now must find a spot befitting,
Where thy sinful son may perish;
Tell me, all-forgiving mother,
Where to end my life of trouble;
Let me stop the black-wolf's howling,
Let me satisfy the hunger
Of the vicious bear of Northland;
Let the shark or hungry sea-dog
Be my dwelling-place hereafter!'
This the answer of the mother:
'Do not go to stop the howling
551
Of the hungry wolf of Northland;
Do not haste to still the black-bear
Growling in his forest-cavern;
Let not shark, nor vicious sea-dog
Be thy dwelling-place hereafter.
Spacious are the rooms of Suomi,
Limitless the Sawa-borders,
Large enough to hide transgression,
Man's misdeeds to hide for ages,
With his sins and evil actions.
Six long years man's sins lie hidden
In the border-land of Kalma,
Even nine for magic heroes,
Till the years bring consolation,
Till they quiet all his mourning.'
Kullerwoinen, wicked wizard,
Answers thus his grieving mother:
'I can never hide from sorrow,
Cannot flee from my misconduct;
To the jaws of death I hasten,
To the open courts of Kalma,
To the hunting-grounds of Pohya,
To the battle-fields of heroes.
Untamoinen still is living,
Unmolested roams the wicked,
Unavenged my father's grievance,
Unavenged my mother's tortures,
Unavenged the wrongs I suffer!'
~ Elias Lönnrot,#NFDB
601:The Kalevala - Rune Xlvii
LOUHI STEALS SUN, MOON, AND FIRE.
Wainamoinen, ancient minstrel,
Touched again his magic harp-strings,
Sang in miracles of concord,
Filled the north with joy and gladness.
Melodies arose to heaven,
Songs arose to Luna's chambers,
Echoed through the Sun's bright windows
And the Moon has left her station,
Drops and settles in the birch-tree;
And the Sun comes from his castle,
Settles in the fir-tree branches,
Comes to share the common pleasure,
Comes to listen to the singing,
To the harp of Wainamoinen.
Louhi, hostess of Pohyola,
Northland's old and toothless wizard,
Makes the Sun and Moon her captives;
In her arms she takes fair Luna
From her cradle in the birch-tree,
Calls the Sun down from his station,
From the fir-tree's bending branches,
Carries them to upper Northland,
To the darksome Sariola;
Hides the Moon, no more to glimmer,
In a rock of many colors;
Hides the Sun, to shine no longer,
In the iron-banded mountain;
Thereupon these words she utters:
'Moon of gold and Sun of silver,
Hide your faces in the caverns
Of Pohyola's dismal mountain;
Shine no more to gladden Northland,
Till I come to give ye freedom,
Drawn by coursers nine in number,
Sable coursers of one mother!'
When the golden Moon had vanished,
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And the silver Sun had hidden
In the iron-banded caverns,
Louhi stole the fire from Northland,
From the regions of Wainola,
Left the mansions cold and cheerless,
And the cabins full of darkness.
Night was king and reigned unbroken,
Darkness ruled in Kalevala,
Darkness in the home of Ukko.
Hard to live without the moonlight,
Harder still without the sunshine;
Ukko's life is dark and dismal,
When the Sun and Moon desert him.
Ukko, first of all creators,
Lived in wonder at the darkness;
Long reflected, well considered,
Why this miracle in heaven,
What this accident in nature
To the Moon upon her journey;
Why the Sun no more is shining,
Why has disappeared the moonlight.
Then great Ukko walked the heavens,
To the border of the cloudlets,
In his purple-colored vestments,
In his silver-tinselled sandals,
Seeking for the golden moonlight,
Looking for the silver sunshine.
Lightning Ukko struck in darkness
From the edges of his fire-sword;
Shot the flames in all directions,
From his blade of golden color,
Into heaven's upper spaces,
Into Ether's starry pastures.
When a little fire had kindled,
Ukko hid it in the cloud-space,
In a box of gold and silver,
In a case adorned with silver,
Gave it to the ether-maidens,
Called a virgin then to rock it,
That it might become a new-moon,
That a second sun might follow.
On the long-cloud rocked the virgin,
257
On the blue-edge of the ether,
Rocked the fire of the Creator,
In her copper-colored cradle,
With her ribbons silver-studded.
Lowly bend the bands of silver,
Loud the golden cradle echoes,
And the clouds of Northland thunder,
Low descends the dome of heaven,
At the rocking of the lightning,
Rocking of the fire of Ukko.
Thus the flame was gently cradled
By the virgin of the ether.
Long the fair and faithful maiden
Stroked the Fire-child with her fingers,
Tended it with care and pleasure,
Till in an unguarded moment
It escaped the Ether-virgin,
Slipped the hands of her that nursed it.
Quick the heavens are burst asunder,
Quick the vault of Ukko opens,
Downward drops the wayward Fire-child,
Downward quick the red-ball rushes,
Shoots across the arch of heaven,
Hisses through the startled cloudlets,
Flashes through the troubled welkin,
Through nine starry vaults of ether.
Then the ancient Wainamoinen
Spake and these the words he uttered:
'Blacksmith brother, Ilmarinen,
Let us haste and look together,
What the kind of fire that falleth,
What the form of light that shineth
From the upper vault of heaven,
From the lower earth and ocean.
Has a second moon arisen,
Can it be a ball of sunlight?
Thereupon the heroes wandered,
Onward journeyed and reflected,
How to gain the spot illumined,
How to find the sacred Fire-child.
Came a river rushing by them,
Broad and stately as an ocean.
258
Straightway ancient Wainamoinen
There began to build a vessel,
Build a boat to cross the river.
With the aid of Ilmarinen,
From the oak he cut the row-locks,
From the pine the oars be fashioned,
From the aspen shapes the rudder.
When the vessel they had finished,
Quick they rolled it to the current,
Hard they rowed and ever forward,
On the Nawa-stream and waters,
At the head of Nawa-river.
Ilmatar, the ether-daughter,
Foremost daughter of creation,
Came to meet them on their journey,
Thus addressed the coming strangers:
'Who are ye of Northland heroes,
Rowing on the Nawa-waters?'
Wainamoinen gave this answer:
'This the blacksmith, Ilmarinen,
I the ancient Wainamoinen.
Tell us now thy name and station,
Whither going, whence thou comest,
Where thy tribe-folk live and linger?
Spake the daughter of the Ether:
'I the oldest of the women,
Am the first of Ether's daughters,
Am the first of ancient mothers;
Seven times have I been wedded.
To the heroes of creation.
Whither do ye strangers journey?
Answered thus old Wainamoinen:
'Fire has left Wainola's hearth-stones,
Light has disappeared from Northland;
Have been sitting long in darkness,
Cold and darkness our companions;
Now we journey to discover
What the fire that fell from heaven,
Falling from the cloud's red lining,
To the deeps of earth and ocean.'
Ilmatar returned this answer:
'Hard the flame is to discover,
259
Hard indeed to find the Fire-child;
Has committed many mischiefs,
Nothing good has he accomplished;
Quick the fire-ball fell from ether,
From the red rims of the cloudlets,
From the plains of the Creator,
Through the ever-moving heavens,
Through the purple ether-spaces,
Through the blackened flues of Turi,
To Palwoinen's rooms uncovered.
When the fire had reached the chambers
Of Palwoinen, son of evil,
He began his wicked workings,
He engaged in lawless actions,
Raged against the blushing maidens,
Fired the youth to evil conduct,
Singed the beards of men and heroes.
'Where the mother nursed her baby,
In the cold and cheerless cradle,
Thither flew the wicked Fire-child,
There to perpetrate some mischief;
In the cradle burned the infant,
By the infant burned the mother,
That the babe might visit Mana,
In the kingdom of Tuoni;
Said the child was born for dying,
Only destined for destruction,
Through the tortures of the Fire-child.
Greater knowledge had the mother,
Did not journey to Manala,
Knew the word to check the red-flame,
How to banish the intruder
Through the eyelet of a needle,
Through the death-hole of the hatchet.'
Then the ancient Wainamoinen
Questioned Ilmatar as follows:
'Whither did the Fire-child wander,
Whither did the red-flame hasten,
From the border-fields of Turi,
To the woods, or to the waters?
Straightway Ilmatar thus answers:
'When the fire had fled from Turi,
260
From the castles of Palwoinen,
Through the eyelet of the needle,
Through the death-hole of the hatchet,
First it burned the fields, and forests,
Burned the lowlands, and the heather;
Then it sought the mighty waters,
Sought the Alue-sea and river,
And the waters hissed and sputtered
In their anger at the Fire-child,
Fiery red the boiling Alue!
'Three times in the nights of, summer,
Nine times in the nights of autumn,
Boil the waters to the tree-tops,
Roll and tumble to the mountain,
Through the red-ball's force and fury;
Hurls the pike upon the pastures,
To the mountain-cliffs, the salmon,
Where the ocean-dwellers wonder,
Long reflect and well consider
How to still the angry waters.
Wept the salmon for his grotto,
Mourned the whiting for his cavern,
And the lake-trout for his dwelling,
Quick the crook-necked salmon darted,
Tried to catch the fire-intruder,
But the red-ball quick escaped him;
Darted then the daring whiting,
Swallowed quick the wicked Fire-child,
Swallowed quick the flame of evil.
Quiet grow the Alue-waters,
Slowly settle to their shore-lines,
To their long-accustomed places,
In the long and dismal evening.
'Time had gone but little distance,
When the whiting grow affrighted,
Fear befel the fire-devourer;
Burning pain and writhing tortures
Seized the eater of the Fire-child;
Swam the fish in all directions,
Called, and moaned, and swam, and circled,
Swam one day, and then a second,
Swam the third from morn till even;
261
Swam she to the whiting-island,
To the caverns of the salmon,
Where a hundred islands cluster;
And the islands there assembled
Thus addressed the fire-devourer:
'There is none within these waters,
In this narrow Alue-lakelet,
That will eat the fated Fire-fish
That will swallow thee in trouble,
In thine agonies and torture
From the Fire-child thou hast eaten.'
'Hearing this a trout forth darting,
Swallowed quick as light the whiting,
Quickly ate the fire-devourer.
Time had gone but little distance,
When the trout became affrighted,
Fear befel the whiting-eater;
Burning pain and writhing torment
Seized the eater of the Fire-fish.
Swam the trout in all directions,
Called, and moaned, and swam, and circled,
Swam one day, and then a second,
Swain the third from morn till even;
Swam she to the salmon-island,
Swam she to the whiting-grottoes,
Where a thousand islands cluster,
And the islands there assembled
Thus addressed the tortured lake-trout:
'There is none within this river,
In these narrow Alue-waters,
That will eat the wicked Fire-fish,
That will swallow thee in trouble,
In thine agonies and tortures,
From the Fire-fish thou hast eaten.'
Hearing this the gray-pike darted,
Swallowed quick as light the lake-trout,
Quickly ate the tortured Fire-fish.
'Time had gone but little distance,
When the gray-pike grew affrighted,
Fear befel the lake-trout-eater;
Burning pain and writhing torment
Seized the reckless trout-devourer;
262
Swam the pike in all directions,
Called, and moaned, and swam, and circled,
Swam one day, and then a second,
Swam the third from morn till even,
To the cave of ocean-swallows,
To the sand-hills of the sea-gull,
Where a hundred islands cluster;
And the islands there assembled
Thus addressed the fire-devourer:
'There is none within this lakelet,
In these narrow Alue-waters,
That will eat the fated Fire-fish,
That will swallow thee in trouble,
In thine agonies and tortures,
From the Fire-fish thou hast eaten.''
Wainamoinen, wise and ancient,
With the aid of Ilmarinen,
Weaves with skill a mighty fish-net
From the juniper and sea-grass;
Dyes the net with alder-water,
Ties it well with thongs of willow.
Straightway ancient Wainamoinen
Called the maidens to the fish-net,
And the sisters came as bidden.
With the netting rowed they onward,
Rowed they to the hundred islands,
To the grottoes of the salmon,
To the caverns of the whiting,
To the reeds of sable color,
Where the gray-pike rests and watches.
On they hasten to the fishing,
Drag the net in all directions,
Drag it lengthwise, sidewise, crosswise,
And diagonally zigzag;
But they did not catch the Fire-fish.
Then the brothers went a-fishing,
Dragged the net in all directions,
Backwards, forwards, lengthwise, sidewise,
Through the homes of ocean-dwellers,
Through the grottoes of the salmon,
Through the dwellings of the whiting,
Through the reed-beds of the lake-trout,
263
Where the gray-pike lies in ambush;
But the fated Fire-fish came not,
Came not from the lake's abysses,
Came not from the Alue-waters.
Little fish could not be captured
In the large nets of the masters;
Murmured then the deep-sea-dwellers,
Spake the salmon to the lake-trout,
And the lake-trout to the whiting,
And the whiting to the gray-pike:
Have the heroes of Wainola
Died, or have they all departed
From these fertile shores and waters?
Where then are the ancient weavers,
Weavers of the nets of flax-thread,
Those that frighten us with fish-poles,
Drag us from our homes unwilling?'
Hearing this wise Wainamoinen
Answered thus the deep-sea-dwellers:
'Neither have Wainola's heroes
Died, nor have they all departed
From these fertile shores and waters,
Two are born where one has perished;
Longer poles and finer fish-nets
Have the sons of Kalevala!'
~ Elias Lönnrot,#NFDB
602:1119
Valentine And Ursine
Part the First.
When Flora 'gins to decke the fields
With colours fresh and fine,
Then holy clerkes their mattins sing
To good Saint Valentine!
The King of France that morning fair
He would a hunting-ride,
To Artois forest prancing forth
In all his princelye pride.
To grace his sports a courtly train
Of gallant peers attend;
And with their loud and cheerful cryes
The hills and valleys rend.
Through the deep forest swift they pass,
Through woods and thickets wild;
When down within a lonely dell
They found a new-born child;
All in a scarlet kercher lay'd
Of silk so fine and thin;
A golden mantle wrapt him round,
Pinn'd with a silver pin.
The sudden sight surpriz'd them all;
The courtiers gather'd round;
They look, they call, the mother seek;
No mother could be found.
At length the king himself drew near,
And as he gazing stands,
The pretty babe look'd up and smil'd,
And stretch'd his little hands.
'Now, by the rood,' King Pepin says,
'This child is passing fair;
I wot he is of gentle blood:
1120
Perhaps some prince's heir.
'Goe bear him home unto my court
With all the care ye may
Let him be christen'd Valentine,
In honour of this day;
'And look me out some cunning nurse;
Well nurtur'd let him bee;
Nor ought was wanting that became
A bairn of high degree.
Thus grewe the little Valentine,
Belov'd of king and peers,
And shew'd in all he spake or did
A wit beyond his years.
But chief in gallant feates of arms
He did himself advance,
That ere he grewe to man's estate
He had no peere in France.
And now the early downe began
To shade his youthful chin,
When Valentine was dubb'd a knight,
That he might glory win.
'A boon, a boon, my gracious liege,
I beg a boon of thee!
The first adventure that befalls
May be reserv'd for mee.'
'The first adventure shall be thine;'
The king did smiling say.
Nor many days, when low! there came
Three palmers cald in graye.
'Help, gracious lord,' they weeping say'd;
And knelt, as it was meet;
'From Artoys forest we be come,
With weak and wearye feet.
1121
'Within those deep and drearye woods
There wends a savage boy;
Whose fierce and mortal rage doth yield
Thy subjects dire annoy.
''Mong ruthless beares he sure was bred;
He lurks within their den;
With beares he lives; with beares he feeds,
And drinks the blood of men.
'To more than savage strength he joins
A more than human skill;
For arms, ne cunning may suffice
His cruel rage to still.'
Up then rose Sir Valentine
And claim'd that arduous deed.
'Go forth and conquer,' say'd the king,
'And great shall be thy meed.'
Well mounted on a milk-white steed,
His armour white as snow:
As well beseem'd a virgin knight,
Who ne'er had fought a foe.
To Artoys forest he repairs
With all the haste he may;
And soon he spies the savage youth
A rending of his prey.
His
His
His
His
unkempt hair all matted hung
shaggy shoulders round;
eager eye all fiery glow'd;
face with fury frown'd.
Like eagles' talons grew his nails;
His limbs were thick and strong;
And dreadful was the knotted oak
He bare with him along.
Soon as Sir Valentine approach'd,
He starts with sudden spring;
1122
And yelling forth a hideous howl,
He made the forests ring.
As when a tyger fierce and fell
Hath spied a passing roe,
And leaps at once upon his throat;
So sprung the savage foe;
So lightly leap'd with furious force
The gentle knight to seize,
But met his tall uplifted spear,
Which sunk him on his knees.
A second stroke so stiff and stern
Had laid the savage low;
But springing up, he rais'd his club
And aim'd a dreadful blow.
The watchful warrior bent his head,
And shun'd the coming stroke;
Upon his taper spear it fell,
And all to shivers broke.
Then lighting nimbly from his steed,
He drew his burnisht brand;
The savage quick as lightning flew
To wrest it from his hand.
Three
Three
Three
Three
times he grasp'd the silver hilt;
times he felt the blade;
times it fell with furious force;
ghastly wounds it made.
Now with redoubled rage he roar'd;
His eye-ball flash'd with fire;
Each hairy limb with fury shook;
And all his heart was ire.
Then closing fast with furious gripe
He clasp'd the champion round,
And with a strong and sudden twist
He laid him on the ground.
1123
But soon the knight, with active spring,
O'erturn'd his hairy foe;
And now between their sturdy fists
Past many a bruising blow.
They roll'd and grappled on the ground,
And there they struggled long:
Skilful and active was the knight;
The savage he was strong.
But brutal force and savage strength
To art and skill must yield:
Sir Valentine at legnth prevail'd,
And won the well-fought field.
Then binding strait his conquer'd foe
Fast with an iron chain,
He tyes him to his horse's tail,
And leads him o'er the plain.
To court his hairy captive soon
Sir Valentine doth bring;
And kneeling downe upon his knee,
Presents him to the king.
With loss of blood and loss of strength
The savage tamer grew;
And to Sir Valentine became
A servant, try'd and true.
And 'cause with beares he erst was bred,
Ursine they call his name;
A name which unto future times
The Muses shall proclaime.
Part the Second.
In high renown with prince and peere
Now liv'd Sir Valentine;
His high renown with prince and peere
Made envious hearts repine.
1124
It chanc'd the king upon a day
Prepar'd a sumptuous feast,
And there came lords and dainty dames,
And many a noble guest.
Amid their cups that freely flow'd,
Their revelry and mirth,
A youthful knight tax'd Valentine
Of base and doubtful birth.
The foul reproach, so grossly urg'd,
His generous heart did wound;
And strait he vow'd he ne'er would rest
Till he his parents found.
Then bidding king and peers adieu,
Early one summer's day,
With faithful Ursine by his side,
From court he took his way.
O'er hill and valley, moss and moor,
For many a day they pass;
At length, upon a moated lake,
They found a bridge of brass.
Beyond it rose a castle fair,
Y-built of marble-stone;
The battlements were gilt with gold,
And glittred in the sun.
Beneath the bridge, with strange device,
A hundred bells were hung;
That man, nor beast, might pass thereon
But strait their larum rung.
This quickly found the youthful pair,
Who boldly crossing o'er,
The jangling sound bedaft their ears,
And rung from shore to shore.
Quick at the sound the castle gates
1125
Unlock'd and opened wide,
And strait a gyant huge and grim
Stalk'd forth with stately pride.
'Now yield you, caytiffs, to my will;'
He cried with hideous roar;
'Or else the wolves shall eat your flesh,
And ravens drink your gore.'
'Vain boaster,' said the youthful knight,
'I scorn thy threats and thee;
I trust to force thy brazen gates,
And set thy captives free.'
Then putting spurs unto his steed,
He aim'd a dreadful thrust;
The spear against the gyant glanc'd
And caus'd the blood to burst.
Mad and outrageous with the pain,
He whirl'd his mace ofsteel;
The very wind of such a blow
Had made the champion reel.
It haply mist; and now the knight
His glittering sword display'd,
And riding round with whirlwind speed
Oft made him feel the blade.
As when a large and monstrous oak
Unceasing axes hew,
So fast around the gyant's limbs
The blows quick-darting flew.
As when the boughs with hideous fall
Some hapless woodman crush,
With such a force the enormous foe
Did on the champion rush.
A fearful blow, alas! there came;
Both horse and knight it took,
And laid them senseless in the dust;
1126
So fatal was the stroke.
Then smiling forth a hideous grin,
The gyant strides in haste,
And, stooping, aims a second stroke:
'Now caytiff breathe thy last!'
But ere it fell, two thundering blows
Upon his scull descend;
From Ursine's knotty club they came,
Who ran to save his friend.
Down sunk the gyant gaping wide,
And rolling his grim eyes;
The hairy youth repeats his blows;
He gasps, he groans, he dies.
Quickly Sir Valentine reviv'd
With Ursine's timely care;
And now to search the castle walls
The venturous youths repair.
The blood and bones of murder'd knights
They found where'er they came;
At length within a lonely cell
They saw a mournful dame.
Her gentle eyes were dim'd with tears;
Her cheeks were pale with woe;
And long Sir Valentine besought
Her doleful tale to know.
'Alas! young knight,' she weeping said,
'Condole my wretched fate;
A childless mother here you see;
A wife without a mate.
'These twenty winters here forlorn
I've drawn my hated breath;
Sole witness of a monster's crimes,
And wishing aye for death.
1127
'Know, I am sister of a king,
And in my early years
Was married to a mighty prince,
The fairest of his peers.
'With him I sweetly liv'd in love
A twelvemonth and a day;
When, lo! a foul and treacherous priest
Y-wrought our loves' decay.
'His seeming goodness wan him pow'r,
He had his master's ear,
And long to me and all the world
He did a saint appear.
'One day, when we were all alone,
He proffer'd odious love;
The wretch with horrour I repuls'd,
And from my presence drove.
'He feign'd remorse, and piteous beg'd
His crime I'd not reveal;
Which, for his seeming penitence
I promis'd to conceal.
'With treason, villainy, and wrong,
My goodness he repay'd;
With jealous doubts he fill'd my lord,
And me to woe betray'd;
'He hid a slave within my bed,
Then rais'd a bitter cry.
My lord, possest with rage, condemn'd
Me, all unheard, to dye.
'But, 'cause I then was great with child
At length my life he spar'd;
But bade me instant quit the realme,
One trusty knight my guard.
Forth on my journey I depart,
Opprest with grief and woe,
1128
And tow'rds my brother's distant court,
With breaking heart, I goe.
'Long time thro' sundry foreign lands
We slowly pace along;
At length, within a forest wild,
I fell in labour strong:
'And while the knight for succour sought,
And left me there forlorn,
My childbed pains so fast increast
Two lovely boys were born.
'The eldest fair and smooth, as snow
That tips the mountain hoar;
The younger's little body rough
With hairs was cover'd o'er.
'But here afresh begin my woes:
While tender care I took
To shield my eldest from the cold,
And wrap him in my cloak,
'A prowling bear burst from the wood,
And seiz'd my younger son;
Affection lent my weakness wings
And after them I run.
'But all forewearied, weak and spent,
I quickly swoon'd away;
And there beneath the greenwood shade
Long time I lifeless lay.
'At length the knight brought me relief,
And rais'd me from the ground;
But neither of my pretty babes
Could ever more be found.
'And, while in search we wander'd far,
We met that gyant grim,
Who ruthless slew my trusty knight,
And bare me off with him.
1129
'But charm'd by heav'n, or else my griefs,
He offer'd me no wrong;
Save that within these lonely walls
I've been immur'd so long.'
'Now, surely,' said the youthful knight,
'You are Lady Bellisance,
Wife to the Grecian Emperor;
Your brother's King of France.
'For in your royal brother's court
Myself my breeding had;
Where oft the story of your woes
Hath made my bosom sad.
'If so, know your accuser's dead,
And dying own'd his crime;
And long your lord hath sought you out
Thro' every foreign clime.
'And when no tidings he could learn
Of his much-wronged wife,
He vow'd thenceforth within his court
To lead a hermit's life.'
'Now heaven is kind!' the lady said;
And dropt a joyful tear:
'Shall I once more behold my lord?
That lord I love so dear?'
'But, madam,' said Sir Valentine,
And knelt upon his knee;
'Know you the cloak that wrapt your babe,
If you the same should see?'
And pulling forth the cloth of gold
In which himself was found,
The lady gave a sudden shriek,
And fainted on the ground.
But by his pious care reviv'd,
1130
His tale she heard anon;
And soon by other tokens found
He was indeed her son.
'But who's this hairy youth?' she said;
'He much resembles thee;
The bear devour'd my younger son,
Or sure that son were he.'
'Madam, this youth with bears was bred,
And rear'd within their den.
But recollect ye any mark
To know your son agen?'
'Upon this little side,' quoth she
'Was stampt a bloody rose.'
'Here, lady, see the crimson mark
Upon his body grows!'
Then clasping both her new-found sons
She bath'd their cheeks with tears;
And soon towards her brother's court
Her joyful course she steers.
What pen can paint King Pepin's joy,
His sister thus restor'd!
And soon a messenger was sent
To cheer her drooping lord,
Who came in haste with all his peers,
To fetch her home to Greece;
Where many happy years they reign'd
In perfect love and peace.
To them Sir Ursine did succeed,
And long the sceptre bare.
Sir Valentine he stay'd in France,
And was his uncle's heir.
~ Anonymous Olde English,#NFDB
603:The Kalevala - Rune Xxxix
WAINAMOINEN'S SAILING.
Wainamoinen, old and faithful,
Spake these words to Ilmarinen:
'O thou wonder-working brother,
Let us go to Sariola,
There to gain the magic Sampo,
There to see the lid in colors.'
Ilmarinen gave this answer:
'Hard indeed to seize the Sampo,
Neither can the lid be captured
From the never-pleasant Northland,
From the dismal Sariola.
Louhi took away the Sampo,
Carried off the lid in colors
To the stone-mount of Pohyola;
Hid it in the copper mountain,
Where nine locks secure the treasure.
Many young roots sprout around it,
Grow nine fathoms deep in sand-earth,
One great root beneath the mountain,
In the cataract a second,
And a third beneath the castle
Built upon the mount of ages.'
Spake the ancient Wainamoinen:
'Brother mine, and wonder-worker,
Let us go to Sariola,
That we may secure the Sampo;
Let us build a goodly vessel,
Bring the Sampo to Wainola,
Bring away the lid in colors,
From the stone-berg of Pohyola,
From the copper-bearing mountain.
Where the miracle lies anchored.'
Ilmarinen thus made answer:
'By the land the way is safer,
Lempo travels on the ocean,
Ghastly Death upon his shoulder;
534
On the sea the waves will drift us,
And the storm-winds wreck our vessel;
Then our bands must do the rowing,
And our feet must steer us homeward.'
Spake the ancient Wainamoinen:
'Safe indeed by land to journey,
But the way is rough and trying,
Long the road and full of turnings;
Lovely is the ship on ocean,
Beautiful to ride the billows,
Journey easy o'er the waters,
Sailing in a trusty vessel;
Should the West-wind cross our pathway,
Will the South-wind drive us northward.
Be that as it may, my brother,
Since thou dost not love the water,
By the land then let us journey.
Forge me now the sword of battle,
Forge for me the mighty fire-sword,
That I may destroy the wild-beasts,
Frighten all the Northland people,
As we journey for the Sampo
To the cold and dismal village,
To the never-pleasant Northland,
To the dismal Sariola.'
Then the blacksmith, Ilmarinen,
The eternal forger-artist,
Laid the metals in the furnace,
In the fire laid steel and iron,
In the hot-coals, gold and silver,
Rightful measure of the metals;
Set the workmen at the furnace,
Lustily they plied the bellows.
Like the wax the iron melted,
Like the dough the hard steel softened,
Like the water ran the silver,
And the liquid gold flowed after.
Then the minstrel, Ilmarinen,
The eternal wonder-forger,
Looks within his magic furnace,
On the border of his oven,
There beholds the fire-sword forming,
535
Sees the blade with golden handle;
Takes the weapon from the furnace,
Lays it on his heavy anvil
For the falling of the hammer;
Forges well the blade of magic,
Well the heavy sword be tempers,
Ornaments the hero-weapon
With the finest gold and silver.
Wainamoinen, the magician,
Comes to view the blade of conquest,
Lifts admiringly the fire-sword,
Then these words the hero utters:
'Does the weapon match the soldier,
Does the handle suit the bearer?
Yea, the blade and hilt are molded
To the wishes of the minstrel.'
On the sword-point gleams the moonlight,
On the blade the sun is shining,
On the hilt the bright stars twinkle,
On the edge a horse is neighing,
On the handle plays a kitten,
On the sheath a dog is barking.
Wainamoinen wields his fire-sword,
Tests it on the iron-mountain,
And these words the hero utters:
'With this broadsword I could quickly
Cleave in twain the mount of Pohya,
Cut the flinty rocks asunder.'
Spake the blacksmith, Ilmarinen:
'Wherewith shall I guard from danger,
How protect myself from evil,
From the ills by land and water?
Shall I wear an iron armor,
Belt of steel around my body?
Stronger is a man in armor,
Safer in a mail of copper.'
Now the time has come to journey
To the never-pleasant Northland;
Wainamoinen, ancient minstrel,
And his brother, Ilmarinen,
Hasten to the field and forest,
Searching for their fiery coursers,
536
In each shining belt a bridle,
With a harness on their shoulders.
In the woods they find a race;
In the glen a steed of battle,
Ready for his master's service.
Wainamoinen, old and trusty,
And the blacksmith, Ilmarinen,
Throw the harness on the courser,
Hitch him to the sledge of conquest,
Hasten on their journey Northward;
Drive along the broad-sea's margin
Till they bear some one lamenting
On the strand hear something wailing
Near the landing-place of vessels.
Wainamoinen, ancient minstrel,
Speaks these words in wonder, guessing,
'This must be some maiden weeping,
Some fair daughter thus lamenting;
Let us journey somewhat nearer,
To discover whence this wailing.'
Drew they nearer, nearer, nearer,
Hoping thus to find a maiden
Weeping on the sandy sea-shore.
It was not a maiden weeping,
But a vessel, sad, and lonely,
Waiting on the shore and wailing.
Spake the ancient Wainamoinen:
'Why art weeping, goodly vessel,
What the cause of thy lamenting?
Art thou mourning for thy row-locks,
Is thy rigging ill-adjusted?
Dost thou weep since thou art anchored
On the shore in times of trouble?'
Thus the war-ship spake in answer:
'To the waters would this vessel
Haste upon the well-tarred rollers,
As a happy maiden journeys
To the cottage of her husband.
I, alas! a goodly vessel,
Weep because I lie at anchor,
Weep and wail because no hero
Sets me free upon the waters,
537
Free to ride the rolling billows.
It was said when I was fashioned,
Often sung when I was building,
That this bark should be for battle,
Should become a mighty war-ship,
Carry in my hull great treasures,
Priceless goods across the ocean.
Never have I sailed to conquest,
Never have I carried booty;
Other vessels not as worthy
To the wars are ever sailing,
Sailing to the songs of battle.
Three times in the summer season
Come they home with treasures laden,
In their hulls bring gold and silver;
I, alas! a worthy vessel,
Many months have lain at anchor,
I, a war-ship well constructed,
Am decaying in the harbor,
Never having sailed to conquest;
Worms are gnawing at my vitals,
In my hull their dwelling-places,
And ill-omened birds of heaven
Build their nests within my rigging;
Frogs and lizards of the forest
Play about my oars and rudder;
Three times better for this vessel
Were he but a valley birch-tree,
Or an aspen on the heather,
With the squirrels in his branches,
And the dogs beneath them barking!'
Wainamoinen, old and faithfull
Thus addressed the ship at anchor:
'Weep no more, thou goodly vessel,
Man-of-war, no longer murmur;
Thou shalt sail to Sariola,
Sing the war-songs of the Northland,
Sail with us to deadly combat.
Wert thou built by the Creator,
Thou canst sail the roughest waters,
Sidewise journey o'er the ocean;
Dost not need the hand to touch thee,
538
Dost not need the foot to turn thee,
Needing nothing to propel thee.'
Thus the weeping boat made answer:
'Cannot sail without assistance,
Neither can my brother-vessels
Sail unaided o'er the waters,
Sail across the waves undriven.'
Spake the ancient Wainamoinen:
'Should I lead thee to the broad-sea,
Wilt thou journey north unaided,
Sail without the help of rowers,
Sail without the aid of south-winds,
Sail without the b elm to guide thee?
Thus the wailing ship replying:
Cannot sail without assistance,
Neither can my brother-vessels
Sail without the aid of rowers,
Sail without the help of south-winds,
Nor without the helm to guide them.'
These the words of Wainamoinen:
'Wilt thou run with aid of oarsmen
When the south-winds give assistance,
Guided by a skillful pilot?'
This the answer of the war-ship:
'Quickly can I course these waters,
When my oars are manned by rowers,
When my sails are filled with south-winds,
All my goodly brother-vessels
Sail the ocean with assistance,
When the master holds the rudder.'
Then the ancient Wainamoinen
Left the racer on the sea-side,
Tied him to the sacred birch-tree,
Hung the harness on a willow,
Rolled the vessel to the waters,
Sang the ship upon the broad-sea,
Asked the boat this simple question:
'O thou vessel, well-appearing
From the mighty oak constructed,
Art thou strong to carry treasures
As in view thou art commanding?
Thus the goodly ship made answer:
539
'Strong am I to carry treasures,
In my hull a golden cargo;
I can bear a hundred oarsmen,
And of warriors a thousand.'
Wainamoinen, the magician,
Then began his wondrous singing.
On one side the magic vessel,
Sang he youth with golden virtues,
Bearded youth with strength of heroes,
Sang them into mail of copper.
On the other side the vessel,
Sang he silver-tinselled maidens,
Girded them with belts of copper,
Golden rings upon their fingers.
Sings again the great magician,
Fills the magic ship with heroes,
Ancient heroes, brave and mighty;
Sings them into narrow limits,
Since the young men came before them.
At the helm himself be seated,
Near the last beam of the vessel,
Steered his goodly boat in joyance,
Thus addressed the willing war-ship:
'Glide upon the trackless waters,
Sail away, my ship of magic,
Sail across the waves before thee,
Speed thou like a dancing bubble,
Like a flower upon the billows!'
Then the ancient Wainamoinen
Set the young men to the rowing,
Let the maidens sit in waiting.
Eagerly the youthful heroes
Bend the oars and try the row-locks,
But the distance is not lessened.
Then the minstrel, Wainamoinen,
Set the maidens to the rowing,
Let the young men rest in waiting.
Eagerly the merry maidens
Bend the aspen-oars in rowing,
But the distance is not lessened.
Then the master, Wainamoinen,
Set the old men to the rowing,
540
Let the youth remain in waiting.
Lustily the aged heroes
Bend and try the oars of aspen,
But the distance is not lessened.
Then the blacksmith, Ilmarinen,
Grasped the oars with master-magic,
And the boat leaped o'er the surges,
Swiftly sped across the billows;
Far and wide the oars resounded,
Quickly was the distance lessened.
With a rush and roar of waters
Ilmarinen sped his vessel,
Benches, ribs, and row-locks creaking,
Oars of aspen far resounding;
Flap the sails like wings of moor-cocks,
And the prow dips like a white-swan;
In the rear it croaks like ravens,
Loud the oars and rigging rattle.
Straightway ancient Wainamoinen
Sitting by the bending rudder,
Turns his magic vessel landward,
To a jutting promontory,
Where appears a Northland-village.
On the point stands Lemminkainen,
Kaukomieli, black magician,
Ahti, wizard of Wainola,
Wishing for the fish of Pohya,
Weeping for his fated dwelling,
For his perilous adventures,
Hard at work upon a vessel,
On the sail-yards of a fish-boat,
Near the hunger-point and island,
Near the village-home deserted.
Good the ears of the magician,
Good the wizard's eyes for seeing;
Casts his vision to the South-east,
Turns his eyes upon the sunset,
Sees afar a wondrous rainbow,
Farther on, a cloudlet hanging;
But the bow was a deception,
And the cloudlet a delusion;
'Tis a vessel swiftly sailing,
541
'Tis a war-ship flying northward,
O'er the blue-back of the broad-sea,
On the far-extending waters,
At the helm the master standing,
At the oars a mighty hero.
Spake the reckless Lemminkainen:
'Do not know this wondrous vessel,
Not this well-constructed war-ship,
Coming from the distant Suomi,
Rowing for the hostile Pohya.'
Thereupon wild Lemminkainen
Called aloud in tones of thunder
O'er the waters to the vessel;
Made the distant hills re-echo
With the music of his calling:
'Whence this vessel on the waters,
Whose the war-ship sailing hither?'
Spake the master of the vessel
To the reckless Lemminkainen:
'Who art thou from fen or forest,
Senseless wizard from the woodlands,
That thou dost not know this vessel,
Magic war-ship of Wainola?
Dost not know him at the rudder,
Nor the hero at the row-locks?'
Spake the wizard, Lemminkainen:
'Well I know the helm-director,
And I recognize the rower;
Wainamoinen, old and trusty,
At the helm directs the vessel;
Ilmarinen does the rowing.
Whither is the vessel sailing,
Whither wandering, my heroes?
Spake the ancient Wainamoinen:
'We are sailing to the Northland,
There to gain the magic Sampo,
There to get the lid in colors,
From the stone-berg of Pohyola,
From the copper-bearing mountain.'
Spake the evil Lemminkainen:
'O, thou good, old Wainamoinen,
Take me with thee to Pohyola,
542
Make me third of magic heroes,
Since thou goest for the Sampo,
Goest for the lid in colors;
I shall prove a valiant soldier,
When thy wisdom calls for fighting;
I am skilled in arts of warfare!'
Wainamoinen, ancient minstrel,
Gave assent to Ahti's wishes;
Thereupon wild Lemminkainen
Hastened to Wainola's war-ship,
Bringing floats of aspen-timber,
To the ships of Wainamoinen.
Thus the hero of the Northland
Speaks to reckless Lemminkainen:
'There is aspen on my vessel,
Aspen-floats in great abundance,
And the boat is heavy-laden.
Wherefore dost thou bring the aspen
To the vessel of Wainola?'
Lemminkainen gave this answer:
'Not through caution sinks a vessel,
Nor a hay-stack by its proppings;
Seas abound in hidden dangers,
Heavy storms arise and threaten
Fell destruction to the sailor
That would brave the angry billows.'
Spake the good, old Wainamoinen:
'Therefore is this warlike vessel
Built of trusty steel and copper,
Trimmed and bound in toughest iron,
That the winds may, not destroy it,
May not harm my ship of magic.'
~ Elias Lönnrot,#NFDB
604:SCENE I. An Ante-chamber in the Castle.
Enter LUDOLPH and SIGIFRED.
Ludolph. No more advices, no more cautioning:
I leave it all to fate to any thing!
I cannot square my conduct to time, place,
Or circumstances; to me 'tis all a mist!
Sigifred. I say no more.
Ludolph. It seems I am to wait
Here in the ante-room; that may be a trifle.
You see now how I dance attendance here,
Without that tyrant temper, you so blame,
Snapping the rein. You have medicin'd me
With good advices; and I here remain,
In this most honourable ante-room,
Your patient scholar.
Sigifred. Do not wrong me, Prince.
By Heavens, I'd rather kiss Duke Conrad's slipper,
When in the morning he doth yawn with pride,
Than see you humbled but a half-degree!
Truth is, the Emperor would fain dismiss
The nobles ere he sees you.
Enter GONFRED from the Council-room.
Ludolph. Well, sir! What?
Gonfred. Great honour to the Prince! The Emperor,
Hearing that his brave son had re-appeared,
Instant dismiss 'd the Council from his sight,
As Jove fans off the clouds. Even now they pass.
[Exit.
Enter the Nobles from the Council-room. They cross the stage,
bowing unth respect to LUDOLPH, he frowning on them.
CONRAD follows. Exeunt Nobles.
Ludolph. Not the discoloured poisons of a fen,
Which he who breathes feels warning of his death,
Could taste so nauseous to the bodily sense,
As these prodigious sycophants disgust
The soul's fine palate.
Conrad. Princely Ludolph, hail!
Welcome, thou younger sceptre to the realm!
Strength to thy virgin crownet's golden buds,
That they, against the winter of thy sire,
May burst, and swell, and flourish round thy brows,
Maturing to a weighty diadem!
Yet be that hour far off; and may he live,
Who waits for thee, as the chapp'd earth for rain.
Set my life's star! I have lived long enough,
Since under my glad roof, propitiously,
Father and son each other re-possess.
Ludolph. Fine wording, Duke! but words could never yet
Forestall the fates; have you not learnt that yet?
Let me look well: your features are the same;
Your gait the same; your hair of the same shade;
As one I knew some passed weeks ago,
Who sung far different notes into mine ears.
I have mine own particular comments on 't;
You have your own, perhaps.
Conrad. My gracious Prince,
All men may err. In truth I was deceived
In your great father's nature, as you were.
Had I known that of him I have since known,
And what you soon will learn, I would have turned
My sword to my own throat, rather than held
Its threatening edge against a good King's quiet:
Or with one word fever'd you, gentle Prince,
Who seem'd to me, as rugged times then went,
Indeed too much oppress'd. May I be bold
To tell the Emperor you will haste to him?
Ludolph. Your Dukedom's privilege will grant so much.
[Exit CONRAD
He's very close to Otho, a tight leech!
Your hand I go. Ha! here the thunder comes
Sullen against the wind! If in two angry brows
My safety lies, then Sigifred, I'm safe.
Enter OTHO and CONRAD.
Otho. Will you make Titan play the lackey-page &
To chattering pigmies? I would have you know
That such neglect of our high Majesty
Annuls all feel of kindred. What is son,
Or friend, or brother, or all ties of blood,
When the whole kingdom, centred in ourself,
Is rudely slighted ? Who am I to wait ?
By Peter's chair! I have upon my tongue
A word to fright the proudest spirit here!
Death! and slow tortures to the hardy fool,
Who dares take such large charter from our smiles!
Conrad, we would be private. Sigifred!
Off! And none pass this way on pain of death!
[Exeunt CONRAD and SIGIFRED,
Ludolph. This was but half expected, my good sire,
Yet I am griev'd at it, to the full height,
As though my hopes of favour had been whole.
Otho. How you indulge yourself! What can you hope for?
Ludolph. Nothing, my liege ; I have to hope for nothing.
I come to greet you as a loving son,
And then depart, if I may be so free,
Seeing that blood of yours in my warm veins
Has not yet mitigated into milk.
Otho. What would you, sir?
Ludolph. A lenient banishment;
So please you let me unmolested pass
This Conrad's gates, to the wide air again.
I want no more. A rebel wants no more.
Otho. And shall I let a rebel loose again
To muster kites and eagles 'gainst my head?
No, obstinate boy, you shall be kept cag'd up,
Serv'd with harsh food, with scum for Sunday-drink.
Ludolph. Indeed!
Otho. And chains too heavy for your life:
I'll choose a gaoler, whose swart monstrous face
Shall be a hell to look upon, and she
Ludolph. Ha!
Otho. Shall be your fair Auranthe.
Ludolph. Amaze! Amaze!
Otho. To-day you marry her.
Ludolph. This is a sharp jest!
Otho. No. None at all. When have I said a lie?
Ludolph. If I sleep not, I am a waking wretch.
Otho. Not a word more. Let me embrace my child.
Ludolph. I dare not. 'Twould pollute so good a father!
heavy crime! that your son's blinded eyes
Could not see all his parent's love aright,
As now I see it. Be not kind to me
Punish me not with favour.
Otho. Are you sure,
Ludolph, you have no saving plea in store?
Ludolph. My father, none!
Otho. Then you astonish me.
Ludolph. No, I have no plea. Disobedience,
Rebellion, obstinacy, blasphemy,
Are all my counsellors. If they can make
My crooked deeds show good and plausible,
Then grant me loving pardon, but not else,
Good Gods! not else, in any way, my liege!
Otho. You are a most perplexing, noble boy.
Ludolph. You not less a perplexing noble father.
Otho. Well, you shall have free passport through the gates.
Farewell!
Ludolph. Farewell! and by these tears believe,
And still remember, I repent in pain
All my misdeeds!
Otho. Ludolph, I will! I will!
But, Ludolph, ere you go, I would enquire
If you, in all your wandering, ever met
A certain Arab haunting in these parts.
Ludolph. No, my good lord, I cannot say I did.
Otho. Make not your father blind before his time;
Nor let these arms paternal hunger more
For an embrace, to dull the appetite
Of my great love for thee, my supreme child!
Come close, and let me breathe into thine ear.
knew you through disguise. You are the Arab!
You can't deny it. [Embracing him.
Ludolph. Happiest of days!
Otho. We'll make it so.
Ludolph. 'Stead of one fatted calf
Ten hecatombs shall bellow out their last,
Smote 'twixt the horns by the death-stunning mace
Of Mars, and all the soldiery shall feast
Nobly as Nimrod's masons, when the towers
Of Nineveh new kiss'd the parted clouds!
Otho. Large as a God speak out, where all is thine.
Ludolph. Aye, father, but the fire in my sad breast
Is quench 'd with inward tears! I must rejoice
For you, whose wings so shadow over me
In tender victory, but for myself
I still must mourn. The fair Auranthe mine!
Too great a boon! I prythee let me ask I
What more than I know of could so have changed
Your purpose touching her?
Otho. At a word, this:
In no deed did you give me more offense
Than your rejection of Erminia.
To my appalling, I saw too good proof
Of your keen-eyed suspicion, she is naught!
Ludolph. You are convinced?
Otho. Aye, spite of her sweet looks.
O, that my brother's daughter should so fall!
Her fame has pass'd into the grosser lips
Of soldiers in their cups.
Lndolph. 'Tis very sad.
Otho. No more of her. Auranthe Ludolph, come!
This marriage be the bond of endless peace! [Exeunt.
SCENE II. The Entrance of GERSA'S Tent in the Hungarian Camp.
Enter ERMINIA.
Erminia. Where! where! where shall I find a messenger?
A trusty soul? A good man in the camp?
Shall I go myself? Monstrous wickedness!
O cursed Conrad devilish Auranthe!
Here is proof palpable as the bright sun!
O for a voice to reach the Emperor's ears!
[Shouts in the Camp.
Enter an HUNGARIAN CAPTAIN.
Captain. Fair prisoner, hear you those joyous shouts?
The king aye, now our king, but still your slave,
Young Gersa, from a short captivity
Has just return'd. He bids me say, bright Dame,
That even the homage of his ranged chiefs
Cures not his keen impatience to behold
Such beauty once again. What ails you, lady?
Erminia. Say, is not that a German, yonder? There!
Captain. Methinks by his stout bearing he should be
Yes 'tis one Albert; a brave German knight,
And much in the emperor's favour.
Erminia. I would fain
Enquire of friends and kinsfolk; how they fared
In these rough times. Brave soldier, as you pass
To royal Gersa with my humble thanks,
Will you send yonder knight to me?
Captain. I will. [Exit.
Ermina. Yes, he was ever known to be a man
Frank, open, generous; Albert I may trust.
proof! proof! proof! Albert's an honest man;
Not Ethelbert the monk, if he were here,
Would I hold more trustworthy. Now!
Enter ALBERT.
Albert. Good Gods!
Lady Erminia! are you prisoner
In this beleaguer 'd camp? Or are you here
Of your own will? You pleas'd to send for me.
By Venus, 'tis a pity I knew not
Your plight before, and, by her Son, I swear
To do you every service you can ask.
What would the fairest?
Erminia. Albert, will you swear?
Albert. I have. Well?
Erminia. Albert, you have fame to lose.
If men, in court and camp, lie not outright,
You should be, from a thousand, chosen forth
To do an honest deed. Shall I confide?
Albert. Aye, anything to me, fair creature. Do;
Dictate my task. Sweet woman,
Erminia. Truce with that.
You understand me not; and, in your speech,
see how far the slander is abroad.
Without proof could you think me innocent?
Albert. Lady, I should rejoice to know you so.
Erminia. If you have any pity for a maid,
Suffering a daily death from evil tongues;
Any compassion for that Emperor's niece,
Who, for your bright sword and clear honesty,
Lifted you from the crowd of common men
Into the lap of honour; save me, knight!
Albert. How? Make it clear; if it be possible,
I, by the banner of Saint Maurice, swear
To right you.
Erminia. Possible! Easy. O my heart!
This letter's not so soil'd but you may read it;
Possible! There that letter! Read read it,
[Gives him a letter.
Albert (reading). "To the Duke Conrad. Forget the threat you
made at parting, and I will forget to send the Emperor letters and
papers of your's I have become possessed of. His life is no trifle to
me; his death you shall find none to yourself." (Speaks to himself
Tis me my life that's pleaded for! (Reads.) "He, for his
own sake, will be dumb as the grave. Erminia has my shame fix'd
upon her, sure as a wen. We are safe.
AURANTHE."A she-devil! A dragon! I her imp!
Fire of Hell! Auranthe lewd demon!
Where got you this? Where? When?
Erminia. I found it in the tent, among some spoils
Which, being noble, fell to Gersa's lot.
Come in, and see. [They go in and return.
Albert. Villainy! Villainy!
Conrad's sword, his corslet, and his helm,
And his letter. Caitiff, he shall feel
Erminia. I see you are thunderstruck. Haste, haste away!
Albert. O I am tortured by this villainy.
Erminia. You needs must be. Carry it swift to Otho;
Tell him, moreover, I am prisoner
Here in this camp, where all the sisterhood,
Forc'd from their quiet cells, are parcell'd out
For slaves among these Huns. Away! Away!
Albert. I am gone.
Erminia. Swift be your steed! Within this hour
The Emperor will see it.
Albert. Ere I sleep:
That I can swear. [Hurries out.
Gersa (without). Brave captains! thanks. Enough
Of loyal homage now!
Enter GERSA.
Erminia. Hail, royal Hun!
Gersa. What means this, fair one? Why in such alarm?
Who was it hurried by me so distract?
It seem'd you were in deep discourse together;
Your doctrine has not been so harsh to him
As to my poor deserts. Come, come, be plain.
I am no jealous fool to kill you both,
Or, for such trifles, rob the adorned world
Of such a beauteous vestal.
Erminia. I grieve, my Lord,
To hear you condescend to ribald phrase.
Gersa. This is too much! Hearken, my lady pure!
Erminia. Silence! and hear the magic of a name
Erminia! I am she, the Emperor's niece!
Prais'd be the Heavens, I now dare own myself!
Gersa. Erminia! Indeed! I've heard of her.
Prythee, fair lady, what chance brought you here?
Erminia. Ask your own soldiers.
Gersa. And you dare own your name.
For loveliness you may and for the rest
My vein is not censorious.
Erminia. Alas! poor me!
Tis false indeed.
Gersa. Indeed you are too fair:
the swan, soft leaning on her fledgy breast,
When to the stream she launches, looks not back
With such a tender grace ; nor are her wings
So white as your soul is, if that but be
Twin-picture to your face. Erminia!
To-day, for the first day, I am a king,
Yet would I give my unworn crown away
To know you spotless.
Erminia. Trust me one day more,
Generously, without more certain guarantee,
Than this poor face you deign to praise so much;
After that, say and do whate'er you please.
If I have any knowledge of you, sir,
I think, nay I am sure, you will grieve much
To hear my story. O be gentle to me,
For I am sick and faint with many wrongs,
Tir'd out, and weary-worn with contumelies.
Gersa. Poor lady!
Enter ETHELBERT.
Erminia. Gentle Prince, 'tis false indeed.
Good morrow, holy father! I have had
Your prayers, though I look'd for you in vain.
Ethelbert. Blessings upon you, daughter! Sure you look
Too cheerful for these foul pernicious days.
Young man, you heard this virgin say 'twas false,
Tis false, I say. What! can you not employ
Your temper elsewhere, 'mong these burly tents,
But you must taunt this dove, for she hath lost
The Eagle Otho to beat off assault?
Fie! fie! But I will be her guard myself;
In the Emperor's name. I here demand of you
Herself, and all her sisterhood. She false!
Gersa. Peace! peace, old man! I cannot think she is.
Ethelbert. Whom I have known from her first infancy,
Baptized her in the bosom of the Church,
Watch'd her, as anxious husbandmen the grain,
From the first shoot till the unripe mid-May,
Then to the tender ear of her June days,
Which, lifting sweet abroad its timid green,
Is blighted by the touch of calumny;
You cannot credit such a monstrous tale.
Gersa. I cannot. Take her. Fair Erminia,
I follow you to Friedburg, is't not so?
Erminia. Aye, so we purpose.
Ethelbert. Daughter, do you so?
How's this? I marvel! Yet you look not mad.
Erminia. I have good news to tell you, Ethelbert.
Gersa. Ho! ho, there! Guards!
Your blessing, father! Sweet Erminia,
Believe me, I am well nigh sure
Erminia . Farewell!
Short time will show. [Enter Chiefs.
Yes, father Ethelbert,
I have news precious as we pass along.
Ethelbert. Dear daughter, you shall guide me.
Erminia. To no ill.
Gersa. Command an escort to the Friedburg lines.
[Exeunt Chiefs.
Pray let me lead. Fair lady, forget not
Gersa, how he believ'd you innocent.
I follow you to Friedburg with all speed. [Exeunt.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act II
,#NFDB
605:SCENE I. AURANTHE'S Apartment.
AURANTHE and CONRAD discovered.
Conrad. Well, well, I know what ugly jeopardy
We are cag'd in; you need not pester that
Into my ears. Prythee, let me be spared
A foolish tongue, that I may bethink me
Of remedies with some deliberation.
You cannot doubt but 'tis in Albert's power
To crush or save us?
Auranthe. No, I cannot doubt.
He has, assure yourself, by some strange means,
My secret ; which I ever hid from him,
Knowing his mawkish honesty.
Conrad. Curs'd slave!
Auranthe. Ay, I could almost curse him now myself.
Wretched impediment! Evil genius!
A glue upon my wings, that cannot spread,
When they should span the provinces! A snake,
A scorpion, sprawling on the first gold step,
Conducting to the throne, high canopied.
Conrad. You would not hear my council, when his life
Might have been trodden out, all sure and hush'd;
Now the dull animal forsooth must be
Intreated, managed! When can you contrive
The interview he demands?
Auranthe. As speedily
It must be done as my brib'd woman can
Unseen conduct him to me; but I fear
Twill be impossible, while the broad day
Comes through the panes with persecuting glare.
Methinks, if 't now were night I could intrigue
With darkness, bring the stars to second me,
And settle all this trouble.
Conrad. Nonsense! Child!
See him immediately; why not now?
Auranthe. Do you forget that even the senseless door-posts
Are on the watch and gape through all the house?
How many whispers there are about,
Hungry for evidence to ruin me ;
Men I have spurn 'd, and women I have taunted?
Besides, the foolish prince sends, minute whiles,
His pages so they tell me to enquire
After my health, entreating, if I please,
To see me.
Conrad. Well, suppose this Albert here;
What is your power with him?
Auranthe. He should be
My echo, my taught parrot! but I fear
He will be cur enough to bark at me ;
Have his own say ; read me some silly creed
'Bout shame and pity.
Conrad. What will you do then?
Auranthe. What I shall do, I know not: what L would
Cannot be done; for see, this chain her-floor
Will not yield to the pick-axe and the spade,
Here is no quiet depth of hollow ground.
Conrad. Sister, you have grown sensible and wise,
Seconding, ere I speak it, what is now,
I hope, resolv'd between us.
Auranthe. Say, what is 't?
Conrad. You need not be his sexton too: a man
May carry that with him shall make him die
Elsewhere, give that to him; pretend the while
You will to-morrow succumb to his wishes,
Be what they may, and send him from the Castle
On some fool's errand; let his latest groan
Frighten the wolves!
Auranthe. Alas! he must not die!
Conrad. Would you were both hears'd up in stifling lead!
Detested
Auranthe. Conrad, hold! I would not bear
The little thunder of your fretful tongue,
Tho; I alone were taken in these toils,
And you could free me; but remember, sir,
You live alone in my security:
So keep your wits at work, for your own sake,
Not mine, and be more mannerly.
Conrad. Thou wasp!
If my domains were emptied of these folk,
And I had thee to starve
Auranthe. O, marvellous!
But Conrad, now be gone; the Host is look'd for;
Cringe to the Emperor, entertain the Lords,
And, do ye mind, above all things, proclaim
My sickness, with a brother's sadden'd eye,
Condoling with Prince Ludolph. In fit time
Return to me.
Conrad. I leave you to your thoughts. [Exit.
Auranthe (sola) Down, down, proud temper! down,
Auranthe's pride!
Why do I anger him when I should kneel?
Conrad! Albert! help! help! What can I do?
wretched woman! lost, wreck'd, swallow'd up,
Accursed, blasted ! O, thou golden Crown,
Orbing along the serene firmament
Of a wide empire, like a glowing moon;
And thou, bright sceptre! lustrous in my eyes,
There as the fabled fair Hesperian tree,
Bearing a fruit more precious! graceful thing.
Delicate, godlike, magic! must I leave
Thee to melt in the visionary air,
Ere, by one grasp, this common hand is made
Imperial? I do not know the time
When I have wept for sorrow; but methinks
I could now sit upon the ground, and shed
Tears, tears of misery. O, the heavy day!
How shall I bear my life till Albert comes?
Ludolph! Erminia! Proofs! O heavy day!
Bring me some mourning weeds, that I may 'tire
Myself, as fits one wailing her own death:
Cut off these curls, and brand this lilly hand,
And throw these jewels from my loathing sight,
Fetch me a missal, and a string of beads,
A cup of bitter'd water, and a crust,
I will confess, O holy Abbot How!
What is this? Auranthe! thou fool, dolt,
Whimpering idiot! up! up! act and quell!
I am safe! Coward! why am I in fear?
Albert! he cannot stickle, chew the cud
In such a fine extreme, impossible!
Who knocks? [Goes to the Door, listens, and opens it.
Enter ALBERT.
Albert, I have been waiting for you here
With such an aching heart, such swooning throbs
On my poor brain, such cruel cruel sorrow,
That I should claim your pity! Art not well?
Albert. Yes, lady, well.
Auranthe. You look not so, alas!
But pale, as if you brought some heavy news.
Albert. You know full well what makes me look so pale.
Auranthe. No! Do I? Surely I am still to learn
Some horror; all I know, this present, is
I am near hustled to a dangerous gulph,
Which you can save me from, and therefore safe,
So trusting in thy love; that should not make
Thee pale, my Albert.
Albert. It doth make me freeze.
Auranthe. Why should it, love?
Albert. You should not ask me that,
But make your own heart monitor, and save
Me the great pain of telling. You must know.
Auranthe. Something has vexed you, Albert. There are times
When simplest things put on a sombre cast;
A melancholy mood will haunt a man,
Until most easy matters take the shape
Of unachievable tasks; small rivulets
Then seem impassable.
Albert. Do not cheat yourself
With hope that gloss of words, or suppliant action,
Or tears, or ravings, or self-threaten 'd death,
Can alter my resolve.
Auranthe. You make me tremble;
Not so much at your threats, as at your voice.
Untun'd. and harsh, and barren of all love.
Albert. You suffocate me! Stop this devil's parley,
And listen to me; know me once for all.
Auranthe. I thought I did. Alas! I am deceiv'd.
Albert. No, you are not deceiv'd. You took me for
A man detesting all inhuman crime;
And therefore kept from me your demon's plot
Against Erminia. Silent? Be so still;
For ever! Speak no more; but hear my words,
Thy fate. Your safety I have bought to-day
By blazoning a lie, which in the dawn
I expiate with truth.
Auranthe. O cruel traitor!
Albert. For I would not set eyes upon thy shame;
I would not see thee dragg'd to death by the hair,
Penanc'd, and taunted on a scaffolding!
To-night, upon the skirts of the blind wood
That blackens northward of these horrid towers,
I wait for you with horses. Choose your fate.
Farewell.
Auranthe. Albert, you jest; I'm sure you must.
You, an ambitious Soldier! I, a Queen,
One who could say, Here, rule these Provinces!
Take tribute from those cities for thyself!
Empty these armouries, these treasuries,
Muster thy warlike thousands at a nod !
Go! conquer Italy!
Albert. Auranthe, you have made
The whole world chaff to me. Your doom is fix'd.
Auranthe. Out, villain! dastard!
Albert. Look there to the door!
Who is it?
Auranthe. Conrad, traitor!
Albert. Let him in.
Enter CONRAD.
Do not affect amazement, hypocrite,
At seeing me in this chamber.
Conrad. Auranthe?
Albert. Talk not with eyes, but speak your curses out
Against me, who would sooner crush and grind
A brace of toads, than league with them to oppress
An innocent lady, gull an Emperor,
More generous to me than autumn's sun
To ripening harvests.
Auranthe. No more insult, sir!
Albert. Aye, clutch your scabbard; but, for prudence sake,
Draw not the sword; 'twould make an uproar, Duke,
You would not hear the end of. At nightfall
Your lady sister, if I guess aright,
Will leave this busy castle. You had best
Take farewell too of worldly vanities.
Conrad. Vassal!
Albert. To-morrow, when the Emperor sends
For loving Conrad, see you fawn on him.
Good even !
Auranthe. You'll be seen!
Albert. See the coast clear then.
Auranthe (as he goes). Remorseless Albert! Cruel,
cruel wretch!
[She lets him out.
Conrad. So, we must lick the dust?
Auranthe. I follow him.
Conrad. How? Where? The plan of your escape?
Auranthe. He waits
For me with horses by the forest-side,
Northward.
Conrad. Good, good! he dies. You go, say you?
Auranthe. Perforce.
Conrad. Be speedy, darkness! Till that comes,
Fiends keep you company! [Exit.
Auranthe. And you! And you!
And all men! Vanish!
[Retires to an inner Apartment.
SCENE II. An Apartment in the Castle.
Enter LUDOLPH and Page.
Page. Still very sick, my Lord; but now I went
Knowing my duty to so good a Prince;
And there her women in a mournful throng
Stood in the passage whispering: if any
Mov'd 'twas with careful steps and hush'd as death;
They bid me stop.
Ludolph. Good fellow, once again
Make soft enquiry; prythee be not stay'd
By any hindrance, but with gentlest force
Break through her weeping servants, till thou com'st
E'en to her chamber door, and there, fair boy,
If with thy mother's milk thou hast suck'd in
Any diviner eloquence ; woo her ears
With plaints for me more tender than the voice
Of dying Echo, echoed.
Page. Kindest master!
To know thee sad thus, will unloose my tongue
In mournful syllables. Let but my words reach
Her ears and she shall take them coupled with
Moans from my heart and sighs not counterfeit.
May I speed better! [Exit Page.
Ludolph. Auranthe! My Life!
Long have I lov'd thee, yet till now not lov'd:
Remembering, as I do, hard-hearted times
When I had heard even of thy death perhaps,
And thoughtless, suffered to pass alone
Into Elysium! now I follow thee
A substance or a shadow, wheresoe'er
Thou leadest me, whether thy white feet press,
With pleasant weight, the amorous-aching earth,
Or thro' the air thou pioneerest me,
A shade! Yet sadly I predestinate!
O unbenignest Love, why wilt thou let
Darkness steal out upon the sleepy world
So wearily; as if night's chariot wheels
Were clog'd in some thick cloud. O, changeful Love,
Let not her steeds with drowsy-footed pace
Pass the high stars, before sweet embassage
Comes from the pillow 'd beauty of that fair
Completion of all delicate nature's wit.
Pout her faint lips anew with rubious health
And with thine infant fingers lift the fringe
Of her sick eyelids ; that those eyes may glow
With wooing light upon me, ere the Morn
Peers with disrelish, grey, barren, and cold.
Enter GERSA and Courtiers.
Otho calls me his Lion should I blush
To be so tam'd, so
Gersa. Do me the courtesy
Gentlemen to pass on.
Courtier. We are your servants.
[Exeunt Courtiers.
Ludolph. It seems then, Sir, you have found out the man
You would confer with; me?
Gersa. If I break not
Too much upon your thoughtful mood, I will
Claim a brief while your patience.
Ludolph. For what cause
Soe'er I shall be honour 'd.
Gersa. I not less.
Ludolph. What may it be? No trifle can take place
Of such deliberate prologue, serious 'haviour.
But be it what it may I cannot fail
To listen with no common interest
For though so new your presence is to me,
I have a soldier's friendship for your fame
Please you explain.
Gersa. As thus for, pardon me,
I cannot in plain terms grossly assault
A noble nature ; and would faintly sketch
What your quick apprehension will fill up
So finely I esteem you.
Ludolph. I attend
Gersa. Your generous Father, most illustrious Otho,
Sits in the Banquet room among his chiefs
His wine is bitter, for you are not there
His eyes are fix'd still on the open doors,
And every passer in he frowns upon
Seeing no Ludolph comes.
Ludolph. I do neglect
Gersa. And for your absence, may I guess the cause?
Ludolph. Stay there! no guess? more princely you must be
Than to make guesses at me. Tis enough,
I'm sorry I can hear no more.
Gersa. And I
As griev'd to force it on you so abrupt;
Yet one day you must know a grief whose sting
Will sharpen more the longer 'tis concealed.
Ludolph. Say it at once, sir, dead, dead, is she dead?
Gersa. Mine is a cruel task : she is not dead
And would for your sake she were innocent
Ludolph. Thou liest! thou amazest me beyond
All scope of thought; convulsest my heart's blood
To deadly churning Gersa you are young
As I am ; let me observe you face to face ;
Not grey-brow'd like the poisonous Ethelbert,
No rheumed eyes, no furrowing of age,
No wrinkles where all vices nestle in
Like crannied vermin no, but fresh and young
And hopeful featured. Ha! by heaven you weep
Tears, human tears Do you repent you then
Of a curs'd torturer's office! Why shouldst join
Tell me, the league of Devils? Confess confess
The Lie.
Gersa. Lie!- but begone all ceremonious points
Of honour battailous. I could not turn
My wrath against thee for the orbed world.
Ludolph. Your wrath, weak boy? Tremble at mine unless
Retraction follow close upon the heels
Of that late stounding insult: why has my sword
Not done already a sheer judgment on thee?
Despair, or eat thy words. Why, thou wast nigh
Whimpering away my reason: hark ye, Sir,
It is no secret; that Erminia,
Erminia, Sir, was hidden in your tent;
O bless 'd asylum! comfortable home!
Begone, I pity thee, thou art a Gull
Erminia's last new puppet
Gersa. Furious fire!
Thou mak'st me boil as hot as thou canst flame!
And in thy teeth I give thee back the lie!
Thou liest! Thou, Auranthe's fool, a wittol
Ludolph. Look! look at this bright sword;
There is no part of it to the very hilt
But shall indulge itself about thine heart
Draw but remember thou must cower thy plumes,
As yesterday the Arab made thee stoop
Gersa. Patience! not here, I would not spill thy blood
Here underneath this roof where Otho breathes,
Thy father almost mine
Ludolph. O faltering coward
Re-enter PAGE.
Stay, stay, here is one I have half a word with
Well What ails thee child?
Page. My lord,
Ludolph. Good fellow
Page. They are fled!
Ludolph. They who?
Page. When anxiously
I hasten 'd back, your grieving messenger,
I found the stairs all dark, the lamps extinct,
And not a foot or whisper to be heard.
I thought her dead, and on the lowest step
Sat listening; when presently came by
Two muffled up, one sighing heavily,
The other cursing low, whose voice I knew
For the Duke Conrad's. Close I follow'd them
Thro' the dark ways they chose to the open air;
And, as I follow'd, heard my lady speak.
Ludolph. Thy life answers the truth!
Page. The chamber's empty!
Ludolph. As I will be of mercy! So, at last,
This nail is in my temples!
Gersa. Be calm in this.
Ludolph. I am.
Gersa. And Albert too has disappeared;
Ere I met you, I sought him everywhere ;
You would not hearken.
Ludolph. Which way went they, boy?
Gersa. I'll hunt with you.
Ludolph. No, no, no. My senses are
Still whole. I have surviv'd. My arm is strong
My appetite sharp for revenge! I'll no sharer
In my feast; my injury is all my own,
And so is my revenge, my lawful chattels!
Terrier, ferret them out! Burn burn the witch!
Trace me their footsteps! Away!
[Exeunt.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act IV
,#NFDB
606:The Kalevala - Rune Xvi
WAINAMOINEN'S BOAT-BUILDING.
Wainamoinen, ancient minstrel,
The eternal wisdom-singer,
For his boat was working lumber,
Working long upon his vessel,
On a fog-point jutting seaward,
On an island, forest-covered;
But the lumber failed the master,
Beams were wanting for his vessel,
Beams and scantling, ribs and flooring.
Who will find for him the lumber,
Who procure the timber needed
For the boat of Wainamoinen,
For the bottom of his vessel?
Pellerwoinen of the prairies,
Sampsa, slender-grown and ancient,
He will seek the needful timber,
He procure the beams of oak-wood
For the boat of Wainamoinen,
For the bottom of his vessel.
Soon he starts upon his journey
To the eastern fields and forests,
Hunts throughout the Northland mountain
To a second mountain wanders,
To a third he hastens, searching,
Golden axe upon his shoulder,
In his hand a copper hatchet.
Comes an aspen-tree to meet him
Of the height of seven fathoms.
Sampsa takes his axe of copper,
Starts to fell the stately aspen,
But the aspen quickly halting,
Speaks these words to Pellerwoinen:
'Tell me, hero, what thou wishest,
What the service thou art needing?'
Sampsa Pellerwoinen answers:
'This indeed, the needed service
291
That I ask of thee, O aspen:
Need thy lumber for a vessel,
For the boat of Wainamoinen,
Wisest of the wisdom-singers.'
Quick and wisely speaks the aspen,
Thus its hundred branches answer:
'All the boats that have been fashioned
From my wood have proved but failures;
Such a vessel floats a distance,
Then it sinks upon the bottom
Of the waters it should travel.
All my trunk is filled with hollows,
Three times in the summer seasons
Worms devour my stem and branches,
Feed upon my heart and tissues.'
Pellerwoinen leaves the aspen,
Hunts again through all the forest,
Wanders through the woods of Northland,
Where a pine-tree comes to meet him,
Of the height of fourteen fathoms.
With his axe he chops the pine-tree,
Strikes it with his axe of copper,
As he asks the pine this question:
'Will thy trunk give worthy timber
For the boat of Wainamoinen,
Wisest of the wisdom-singers?'
Loudly does the pine-tree answer:
'All the ships that have been fashioned
From my body are unworthy;
I am full of imperfections,
Cannot give thee needed timber
Wherewithal to build thy vessel;
Ravens live within ray branches,
Build their nests and hatch their younglings
Three times in my trunk in summer.'
Sampsa leaves the lofty pine-tree,
Wanders onward, onward, onward,
To the woods of gladsome summer,
Where an oak-tree comes to meet him,
In circumference, three fathoms,
And the oak he thus addresses:
'Ancient oak-tree, will thy body
292
Furnish wood to build a vessel,
Build a boat for Wainamoinen,
Master-boat for the magician,
Wisest of the wisdom-singers?'
Thus the oak replies to Sampsa:
'I for thee will gladly furnish
Wood to build the hero's vessel;
I am tall, and sound, and hardy,
Have no flaws within my body;
Three times in the months of summer,
In the warmest of the seasons,
Does the sun dwell in my tree-top,
On my trunk the moonlight glimmers,
In my branches sings the cuckoo,
In my top her nestlings slumber.'
Now the ancient Pellerwoinen
Takes the hatchet from his shoulder,
Takes his axe with copper handle,
Chops the body of the oak-tree;
Well he knows the art of chopping.
Soon he fells the tree majestic,
Fells the mighty forest-monarch,
With his magic axe and power.
From the stems he lops the branches,
Splits the trunk in many pieces,
Fashions lumber for the bottom,
Countless boards, and ribs, and braces,
For the singer's magic vessel,
For the boat of the magician.
Wainamoinen, old and skilful,
The eternal wonder-worker,
Builds his vessel with enchantment,
Builds his boat by art of magic,
From the timber of the oak-tree,
From its posts, and planks, and flooring.
Sings a song, and joins the frame-work;
Sings a second, sets the siding;
Sings a third time, sets the row-locks;
Fashions oars, and ribs, and rudder,
Joins the sides and ribs together.
When the ribs were firmly fastened,
When the sides were tightly jointed,
293
Then alas! three words were wanting,
Lost the words of master-magic,
How to fasten in the ledges,
How the stern should be completed,
How complete the boat's forecastle.
Then the ancient Wainamoinen,
Wise and wonderful enchanter,
Heavy-hearted spake as follows:
'Woe is me, my life hard-fated!
Never will this magic vessel
Pass in safety o'er the water,
Never ride the rough sea-billows.'
Then he thought and long considered,
Where to find these words of magic,
Find the lost-words of the Master:
'From the brains of countless swallows,
From the heads of swans in dying,
From the plumage of the gray-duck?'
For these words the hero searches,
Kills of swans a goodly number,
Kills a flock of fattened gray-duck,
Kills of swallows countless numbers,
Cannot find the words of magic,
Not the lost-words of the Master.
Wainamoinen, wisdom-singer,
Still reflected and debated:
'I perchance may find the lost-words
On the tongue of summer-reindeer,
In the mouth of the white squirrel.'
Now again he hunts the lost-words,
Hastes to find the magic sayings,
Kills a countless host of reindeer,
Kills a rafterful of squirrels,
Finds of words a goodly number,
But they are of little value,
Cannot find the magic lost-word.
Long he thought and well considered:
'I can find of words a hundred
In the dwellings of Tuoni,
In the Manala fields and castles.'
Wainamoinen quickly journeys
To the kingdom of Tuoni,
294
There to find the ancient wisdom,
There to learn the secret doctrine;
Hastens on through fen and forest,
Over meads and over marshes,
Through the ever-rising woodlands,
Journeys one week through the brambles,
And a second through the hazels,
Through the junipers the third week,
When appear Tuoni's islands,
And the Manala fields and castles.
Wainamoinen, brave and ancient,
Calls aloud in tones of thunder,
To the Tuonela deeps and dungeons,
And to Manala's magic castle:
'Bring a boat, Tuoni's daughter,
Bring a ferry-boat, O maiden,
That may bear me o'er this channel,
O'er this black and fatal river.'
Quick the daughter of Tuoni,
Magic maid of little stature,
Tiny virgin of Manala,
Tiny washer of the linen,
Tiny cleaner of the dresses,
At the river of Tuoni,
In Manala's ancient castles,
Speaks these words to Wainamoinen,
Gives this answer to his calling:
'Straightway will I bring the row-boat,
When the reasons thou hast given
Why thou comest to Manala
In a hale and active body.'
Wainamoinen, old and artful.,
Gives this answer to the maiden:
'I was brought here by Tuoni,
Mana raised me from the coffin.'
Speaks the maiden of Manala:
'This a tale of wretched liars;
Had Tuoni brought thee hither,
Mana raised thee from the coffin,
Then Tuoni would be with thee,
Manalainen too would lead thee,
With Tuoni's hat upon thee,
295
On thy hands, the gloves of Mana;
Tell the truth now, Wainamoinen,
What has brought thee to Manala?'
Wainamoinen, artful hero,
Gives this answer, still finessing:
'Iron brought me to Manala,
To the kingdom of Tuoni.'
Speaks the virgin of the death-land,
Mana's wise and tiny daughter:
'Well I know that this is falsehood,
Had the iron brought thee hither,
Brought thee to Tuoni's kingdom,
Blood would trickle from thy vesture,
And the blood-drops, scarlet-colored.
Speak the truth now, Wainamoinen,
This the third time that I ask thee.'
Wainamoinen, little heeding,
Still finesses to the daughter:
'Water brought me to Manala,
To the kingdom of Tuoui.'
This the tiny maiden's answer:
'Well I know thou speakest falsely;
If the waters of Manala,
If the cataract and whirlpool,
Or the waves had brought thee hither,
From thy robes the drops would trickle,
Water drip from all thy raiment.
Tell the truth and I will serve thee,
What has brought thee to Manala?'
Then the wilful Wainamoinen
Told this falsehood to the maiden:
'Fire has brought me to Manala,
To the kingdom of Tuoni.'
Spake again Tuoni's daughter:
'Well I know the voice of falsehood.
If the fire had brought thee hither,
Brought thee to Tuoni's empire,
Singed would be thy locks and eyebrows,
And thy beard be crisped and tangled.
O, thou foolish Wainamoinen,
If I row thee o'er the ferry,
Thou must speak the truth in answer,
296
This the last time I will ask thee;
Make an end of thy deception.
What has brought thee to Manala,
Still unharmed by pain or sickness,
Still untouched by Death's dark angel
Spake the ancient Wainamoinen:
'At the first I spake, not truly,
Now I give thee rightful answer:
I a boat with ancient wisdom,
Fashioned with my powers of magic,
Sang one day and then a second,
Sang the third day until evening,
When I broke the magic main-spring,
Broke my magic sledge in pieces,
Of my song the fleetest runners;
Then I come to Mana's kingdom,
Came to borrow here a hatchet,
Thus to mend my sledge of magic,
Thus to join the parts together.
Send the boat now quickly over,
Send me, quick, Tuoni's row-boat,
Help me cross this fatal river,
Cross the channel of Manala.'
Spake the daughter of Tuoni,
Mana's maiden thus replying:
'Thou art sure a stupid fellow,
Foresight wanting, judgment lacking,
Having neither wit nor wisdom,
Coming here without a reason,
Coming to Tuoni's empire;
Better far if thou shouldst journey
To thy distant home and kindred;
Man they that visit Mana,
Few return from Maria's kingdom.'
Spake the good old Wainamoinen:
'Women old retreat from danger,
Not a man of any courage,
Not the weakest of the heroes.
Bring thy boat, Tuoni's daughter,
Tiny maiden of Manala,
Come and row me o'er the ferry.'
Mana's daughter does as bidden,
297
Brings her boat to Wainamoinen,
Quickly rows him through the channel,
O'er the black and fatal river,
To the kingdom of Manala,
Speaks these words to the magician:
'Woe to thee! O Wainamoinen!
Wonderful indeed, thy magic,
Since thou comest to Manala,
Comest neither dead nor dying.'
Tuonetar, the death-land hostess,
Ancient hostess of Tuoni,
Brings him pitchers filled with strong-beer,
Fills her massive golden goblets,
Speaks these measures to the stranger:
'Drink, thou ancient Wainamoinen,
Drink the beer of king Tuoni!'
Wainamoinen, wise and cautious,
Carefully inspects the liquor,
Looks a long time in the pitchers,
Sees the spawning of the black-frogs,
Sees the young of poison-serpents,
Lizards, worms, and writhing adders,
Thus addresses Tuonetar:
'Have not come with this intention,
Have not come to drink thy poisons,
Drink the beer of Tuonela;
Those that drink Tuoni's liquors,
Those that sip the cups of Mana,
Court the Devil and destruction,
End their lives in want and ruin.'
Tuonetar makes this answer:
'Ancient minstrel, Wainamoinen,
Tell me what has brought thee hither,
Brought thee to the, realm of Mana,
To the courts of Tuonela,
Ere Tuoni sent his angels
To thy home in Kalevala,
There to cut thy magic life-thread.'
Spake the singer, Wainamoinen:
'I was building me a vessel,
At my craft was working, singing,
Needed three words of the Master,
298
How to fasten in the ledges,
How the stern should be completed,
How complete the boat's forecastle.
This the reason of my coming
To the empire of Tuoni,
To the castles of Manala:
Came to learn these magic sayings,
Learn the lost-words of the Master.'
Spake the hostess, Tuonetar:
'Mana never gives these sayings,
Canst not learn them from Tuoni,
Not the lost-words of the Master;
Thou shalt never leave this kingdom,
Never in thy magic life-time,
Never go to Kalevala,
To Wainola's peaceful meadows.
To thy distant home and country.'
Quick the hostess, Tuonetar,
Waves her magic wand of slumber
O'er the head of Wainamoinen,
Puts to rest the wisdom-hero,
Lays him on the couch of Mana,
In the robes of living heroes,
Deep the sleep that settles o'er him.
In Manala lived a woman,
In the kingdom of Tuoni,
Evil witch and toothless wizard,
Spinner of the threads of iron,
Moulder of the bands of copper,
Weaver of a hundred fish-nets,
Of a thousand nets of copper,
Spinning in the days of summer,
Weaving in the winter evenings,
Seated on a rock in water.
In the kingdom of Tuoni
Lived a man, a wicked wizard,
Three the fingers of the hero,
Spinner he of iron meshes,
Maker too of nets of copper,
Countless were his nets of metal,
Moulded on a rock in water,
Through the many days of summer.
299
Mana's son with crooked fingers,
Iron-pointed, copper fingers,
Pulls of nets, at least a thousand,
Through the river of Tuoni,
Sets them lengthwise, sets them crosswise,
In the fatal, darksome river,
That the sleeping Wainamomen,
Friend and brother of the waters,
May not leave the isle of Mana,
Never in the course of ages,
Never leave the death-land castles,
Never while the moonlight glimmers
On the empire of Tuoni.
Wainamoinen, wise and wary,
Rising from his couch of slumber,
Speaks these words as he is waking:
'Is there not some mischief brewing,
Am I not at last in danger,
In the chambers of Tuoni,
In the Manala home and household?'
Quick he changes his complexion,
Changes too his form and feature,
Slips into another body;
Like a serpent in a circle,
Rolls black-dyed upon the waters;
Like a snake among the willows,
Crawls he like a worm of magic,
Like an adder through the grasses,
Through the coal-black stream of death-land,
Through a thousand nets of copper
Interlaced with threads of iron,
From the kingdom of Tuoni,
From the castles of Manala.
Mana's son, the wicked wizard,
With his iron-pointed fingers,
In the early morning hastens
To his thousand nets of copper,
Set within the Tuoni river,
Finds therein a countless number
Of the death-stream fish and serpents;
Does not find old Wainamoinen,
Wainamoinen, wise and wary,
300
Friend and fellow of the waters.
When the wonder-working hero
Had escaped from Tuonela,
Spake he thus in supplication:
'Gratitude to thee, O Ukko,
Do I bring for thy protection!
Never suffer other heroes,
Of thy heroes not the wisest,
To transgress the laws of nature;
Never let another singer,
While he lives within the body,
Cross the river of Tuoni,
As thou lovest thy creations.
Many heroes cross the channel,
Cross the fatal stream of Mana,
Few return to tell the story,
Few return from Tuonela,
From Manala's courts and castles.'
Wainamoinen calls his people,
On the plains of Kalevala,
Speaks these words of ancient wisdom,
To the young men, to the maidens,
To the rising generation:
'Every child of Northland, listen:
If thou wishest joy eternal,
Never disobey thy parents,
Never evil treat the guiltless,
Never wrong the feeble-minded,
Never harm thy weakest fellow,
Never stain thy lips with falsehood,
Never cheat thy trusting neighbor,
Never injure thy companion,
Lest thou surely payest penance
In the kingdom of Tuoni,
In the prison of Manala;
There, the home of all the wicked,
There the couch of the unworthy,
There the chambers of the guilty.
Underneath Manala's fire-rock
Are their ever-flaming couches,
For their pillows hissing serpents,
Vipers green their writhing covers,
301
For their drink the blood of adders,
For their food the pangs of hunger,
Pain and agony their solace;
If thou wishest joy eternal,
Shun the kingdom of Tuoui!'
~ Elias Lönnrot,#NFDB
607:SCENE I. The Country.
Enter ALBERT.
Albert. O that the earth were empty, as when Cain
Had no perplexity to hide his head!
Or that the sword of some brave enemy
Had put a sudden stop to my hot breath,
And hurl'd me down the illimitable gulph
Of times past, unremember'd! Better so
Than thus fast-limed in a cursed snare,
The white limbs of a wanton. This the end
Of an aspiring life! My boyhood past
In feud with wolves and bears, when no eye saw
The solitary warfare, fought for love
Of honour 'mid the growling wilderness.
My sturdier youth, maturing to the sword,
Won by the syren-trumpets, and the ring
Of shields upon the pavement, when bright-mail'd
Henry the Fowler pass'd the streets of Prague,
Was't to this end I louted and became
The menial of Mars, and held a spear
Sway'd by command, as corn is by the wind?
Is it for this, I now am lifted up
By Europe's throned Emperor, to see
My honour be my executioner,
My love of fame, my prided honesty
Put to the torture for confessional?
Then the damn'd crime of blurting to the world
A woman's secret! Though a fiend she be,
Too tender of my ignominious life;
But then to wrong the generous Emperor
In such a searching point, were to give up
My soul for foot-ball at Hell's holiday!
I must confess, and cut my throat, to-day?
To-morrow? Ho! some wine!
Enter SIGIFRED.
Sigifred. A fine humour
Albert. Who goes there? Count Sigifred? Ha! Ha!
Sigifred. What, man, do you mistake the hollow sky
For a throng 'd tavern, and these stubbed trees
For old serge hangings, me, your humble friend,
For a poor waiter? Why, man, how you stare!
What gipsies have you been carousing with?
No, no more wine; methinks you've had enough.
Albert. You well may laugh and banter. What a fool
An injury may make of a staid man!
You shall know all anon.
Sigifred. Some tavern brawl?
Albert. 'Twas with some people out of common reach;
Revenge is difficult.
Sigifred. I am your friend;
We meet again to-day, and can confer
Upon it. For the present I'm in haste.
Albert. Whither?
Sigifred. To fetch King Gersa to the feast.
The Emperor on this marriage is so hot,
Pray Heaven it end not in apoplexy!
The very porters, as I pass'd the doors,
Heard his loud laugh, and answer 'd in full choir.
I marvel, Albert, you delay so long
From those bright revelries; go, show yourself,
You may be made a duke.
Albert. Aye, very like:
Pray, what day has his Highness fix'd upon?
Sigifred. For what?
Albert. The marriage. What else can I mean?
Sigifred. To-day! O, I forgot, you could not know;
The news is scarce a minute old with me.
Albert. Married to-day! To-day! You did not say so?
Sigifred. Now, while I speak to you, their comely heads
Are bow'd before the mitre.
Albert. O! Monstrous!
Sigifred. What is this?
Albert. Nothing, Sigifred. Farewell!
We'll meet upon our subject. Farewell, count!
[Exit.
Sigifred. Is this clear-headed Albert? He brain-turned!
Tis as portentous as a meteor. [Exit.
SCENE II. An Apartment in the Castle.
Enter, as from the Marriage, OTHO, LUDOLPH, AURANTHE, CONRAD,
Nobles, Knights, Ladies, &c. Music.
Otho. Now, Ludolph! Now, Auranthe! Daughter fair!
What can I find to grace your nuptial day
More than my love, and these wide realms in fee?
Ludolph. I have too much.
Auranthe. And I, my liege, by far.
Ludolph. Auranthe! I have! O, my bride, my love!
Not all the gaze upon us can restrain
My eyes, too long poor exiles from thy face,
From adoration, and my foolish tongue
From uttering soft responses to the love
I see in thy mute beauty beaming forth!
Fair creature, bless me with a single word!
All mine!
Auranthe. Spare, spare me, my Lord! I swoon else.
Ludolph. Soft beauty! by to-morrow I should die,
Wert thou not mine. [They talk apart,
First Lady. How deep she has bewitch'd him!
First Knight. Ask you for her recipe for love philtres.
Second Lady. They hold the Emperor in admiration,
Otho. If ever king was happy, that am I!
What are the cities 'yond the Alps to me,
The provinces about the Danube's mouth,
The promise of fair soil beyond the Rhone;
Or routing out of Hyperborean hordes,
To those fair children, stars of a new age?
Unless perchance I might rejoice to win
This little ball of earth, and chuck it them
To play with!
Auranthe. Nay, my Lord, I do not know.
Ludolph. Let me not famish.
Otho (to Conrad). Good Franconia,
You heard what oath I sware, as the sun rose,
That unless Heaven would send me back my son,
My Arab, no soft music should enrich
The cool wine, kiss'd off with a soldier's smack;
Now all my empire, barter 'd for one feast,
Seems poverty.
Conrad. Upon the neighbour-plain
The heralds have prepar'd a royal lists;
Your knights, found war-proof in the bloody field,
Speed to the game.
Otho. Well, Ludolph, what say you?
Ludolph. My lord!
Otho. A tourney?
Conrad. Or, if't please you best
Ludolph. I want no morel
First Lady. He soars!
Second Lady. Past all reason.
Ludolph. Though heaven's choir
Should in a vast circumference descend
And sing for my delight, I'd stop my ears!
Though bright Apollo's car stood burning here,
And he put out an arm to bid me mount,
His touch an immortality, not I!
This earth, this palace, this room, Auranthe!
Otho. This is a little painful; just too much.
Conrad, if he flames longer in this wise,
I shall believe in wizard-woven loves
And old romances; but I'll break the spell.
Ludolph!
Conrad. He will be calm, anon.
Ludolph. You call'd?
Yes, yes, yes, I offend. You must forgive me;
Not being quite recover'd from the stun
Of your large bounties. A tourney, is it not?
{A senet heard faintly.
Conrad. The trumpets reach us.
Ethelbert (without). On your peril, sirs,
Detain us!
First Voice (without). Let not the abbot pass.
Second Voice (without). No,
On your lives!
First Voice (without). Holy Father, you must not.
Ethelbert (without). Otho!
Otho. Who calls on Otho?
Ethelhert (without). Ethelbert!
Otho. Let him come in.
Enter ETHELBERT leading in ERMINIA.
Thou cursed abbot, why
Hast brought pollution to our holy rites?
Hast thou no fear of hangman, or the ****?
Ludolph. What portent what strange prodigy is this?
Conrad. Away!
Ethelbert. You, Duke?
Ermmia. Albert has surely fail'd me!
Look at the Emperor's brow upon me bent!
Ethelbert. A sad delay!
Conrad. Away, thou guilty thing!
Ethelbert. You again, Duke? Justice, most mighty Otho!
You go to your sister there and plot again,
A quick plot, swift as thought to save your heads;
For lo! the toils are spread around your den,
The word is all agape to see dragg'd forth
Two ugly monsters.
Ludolph. What means he, my lord?
Conrad. I cannot guess.
Ethelbert. Best ask your lady sister,
Whether the riddle puzzles her beyond
The power of utterance.
Conrad. Foul barbarian, cease;
The Princess faints!
Ludolph. Stab him! , sweetest wife!
[Attendants bear off AURANTHE,
Erminia. Alas!
Ethelbert. Your wife?
Ludolph. Aye, Satan! does that yerk ye?
Ethelbert. Wife! so soon!
Ludolph. Aye, wife! Oh, impudence!
Thou bitter mischief! Venomous mad priest!
How dar'st thou lift those beetle brows at me?
Me the prince Ludolph, in this presence here,
Upon my marriage-day, and scandalize
My joys with such opprobrious surprise? SO
Wife! Why dost linger on that syllable,
As if it were some demon's name pronounc'd
To summon harmful lightning, and make roar
The sleepy thunder? Hast no sense of fear?
No ounce of man in thy mortality?
Tremble! for, at my nod, the sharpen'd axe
Will make thy bold tongue quiver to the roots,
Those grey lids wink, and thou not know it more!
Ethelbert. O, poor deceived Prince! I pity thee!
Great Otho! I claim justice
Ludolph. Thou shalt hav 't!
Thine arms from forth a pulpit of hot fire
Shall sprawl distracted! O that that dull cowl
Were some most sensitive portion of thy life,
That I might give it to my hounds to tear!
Thy girdle some fine zealous-pained nerve
To girth my saddle! And those devil's beads
Each one a life, that I might, every day,
Crush one with Vulcan's hammer!
Otho. Peace, my son;
You far outstrip my spleen in this affair.
Let us be calm, and hear the abbot's plea
For this intrusion.
Ludolph. I am silent, sire.
Otho. Conrad, see all depart not wanted here.
[Exeunt Knights, Ladies, &c.
Ludolph, be calm. Ethelbert, peace awhile.
This mystery demands an audience
Of a just judge, and that will Otho be.
Ludolph. Why has he time to breathe another word?
Otho. Ludolph, old Ethelbert, be sure, comes not
To beard us for no cause ; he's not the man
To cry himself up an ambassador
Without credentials.
Ludolph. Ill chain up myself.
Otho. Old Abbot, stand here forth. Lady Erminia,
Sit. And now, Abbot! what have you to say?
Our ear is open. First we here denounce
Hard penalties against thee, if 't be found
The cause for which you have disturb 'd us here,
Making our bright hours muddy, be a thing
Of little moment.
Ethelbert. See this innocent!
Otho! thou father of the people call'd,
Is her life nothing? Her fair honour nothing?
Her tears from matins until even-song
Nothing? Her burst heart nothing? Emperor!
Is this your gentle niece the simplest flower
Of the world's herbal this fair lilly blanch 'd
Still with the dews of piety, this meek lady
Here sitting like an angel newly-shent,
Who veils its snowy wings and grows all pale,
Is she nothing?
Otho. What more to the purpose, abbot?
Ludolph. Whither is he winding?
Conrad. No clue yet!
Ethelbert. You have heard, my Liege, and so, no
doubt, all here,
Foul, poisonous, malignant whisperings;
Nay open speech, rude mockery grown common,
Against the spotless nature and clear fame
Of the princess Erminia, your niece.
I have intruded here thus suddenly,
Because I hold those base weeds, with tight hand,
Which now disfigure her fair growing stem,
Waiting but for your sign to pull them up
By the dark roots, and leave her palpable,
To all men's sight, a Lady, innocent.
The ignominy of that whisper'd tale
About a midnight gallant, seen to climb
A window to her chamber neighboured near,
I will from her turn off, and put the load
On the right shoulders; on that wretch's head,
Who, by close stratagems, did save herself,
Chiefly by shifting to this lady's room
A rope-ladder for false witness.
Ludolph. Most atrocious!
Otho. Ethelbert, proceed.
Ethelbert. With sad lips I shall:
For in the healing of one wound, I fear
To make a greater. His young highness here
To-day was married.
Ludolph. Good.
Ethelbert. Would it were good!
Yet why do I delay to spread abroad
The names of those two vipers, from whose jaws
A deadly breath went forth to taint and blast
This guileless lady?
Otho. Abbot, speak their names.
Ethelbert. A minute first. It cannot be but may
I ask, great judge, if you to-day have put
A letter by unread?
Otho. Does 'tend in this?
Conrad. Out with their names!
Ethelbert. Bold sinner, say you so?
Ludolph. Out, tedious monk!
Otho. Confess, or by the wheel
Ethelbert. My evidence cannot be far away;
And, though it never come, be on my head
The crime of passing an attaint upon
The slanderers of this virgin.
Ludolph. Speak aloud!
Ethelbert. Auranthe, and her brother there.
Conrad. Amaze!
Ludolph. Throw them from the windows!
Otho. Do what you will!
Ludolph. What shall I do with them?
Something of quick dispatch, for should she hear,
My soft Auranthe, her sweet mercy would
Prevail against my fury. Damned priest!
What swift death wilt thou die? As to the lady
I touch her not.
Ethelbert. Illustrious Otho, stay!
An ample store of misery thou hast,
Choak not the granary of thy noble mind
With more bad bitter grain, too difficult
A cud for the repentance of a man
Grey-growing. To thee only I appeal,
Not to thy noble son, whose yeasting youth
Will clear itself, and crystal turn again.
A young man's heart, by Heaven's blessing, is
A wide world, where a thousand new-born hopes
Empurple fresh the melancholy blood;
But an old man's is narrow, tenantless
Of hopes, and stuffd with many memories,
Which, being pleasant, ease the heavy pulse
Painful, clog up and stagnate. Weigh this matter
Even as a miser balances his coin ;
And, in the name of mercy, give command
That your knight Albert be brought here before you.
He will expound this riddle ; he will show
A noon-day proof of bad Auranthe's guilt.
Otho. Let Albert straight be summon 'd.
[Exit one of the Nobles.
Ludolph. Impossible !
I cannot doubt I will not no to doubt
Is to be ashes! wither 'd up to death!
Otho. My gentle Ludolph, harbour not a fear;
You do yourself much wrong.
Ludolph. O, wretched dolt!
Now, when my foot is almost on thy neck,
Wilt thou infuriate me? Proof! thou fool!
Why wilt thou teaze impossibility
With such a thick-skull'd persevering suit?
Fanatic obstinacy! Prodigy!
Monster of folly! Ghost of a turn'd brain!
You puzzle me, you haunt me, when I dream
Of you my brain will split! Bald sorcerer!
Juggler! May I come near you? On my soul
I know not whether to pity, curse, or laugh.
Enter ALBERT, and the Nobleman.
Here, Albert, this old phantom wants a proof!
Give him his proof! A camel's load of proofs!
Otho. Albert, I speak to you as to a man
Whose words once utter 'd pass like current gold;
And therefore fit to calmly put a close
To this brief tempest. Do you stand possess 'd
Of any proof against the honourableness
Of Lady Auranthe, our new-spoused daughter?
Albert. You chill me with astonishment. How's this?
My Liege, what proof should I have 'gainst a fame
Impossible of slur? [Otho rises.
Erminia. O wickedness!
Ethelbert. Deluded monarch, 'tis a cruel lie.
Otho. Peace, rebel-priest!
Conrad. Insult beyond credence!
Erminia. Almost a dream!
Ludolph. We have awaken'd from
A foolish dream that from my brow hath wrung
A wrathful dew. O folly! why did I
So act the lion with this silly gnat?
Let them depart. Lady Erminia!
I ever griev'd for you, as who did not?
But now you have, with such a brazen front,
So most maliciously, so madly striven
To dazzle the soft moon, when tenderest clouds
Should be unloop'd around to curtain her;
I leave you to the desert of the world
Almost with pleasure. Let them be set free
For me! I take no personal revenge
More than against a nightmare, which a man
forgets in the new dawn.
[Exit LUDOLPH.
Otho. Still in extremes! No, they must not be loose.
Ethelbert. Albert, I must suspect thee of a crime
So fiendish
Otho. Fear'st thou not my fury, monk?
Conrad, be they in your sure custody
Till we determine some fit punishment.
It is so mad a deed, I must reflect
And question them in private ; for perhaps,
By patient scrutiny, we may discover
Whether they merit death, or should be placed
In care of the physicians.
[Exeunt OTHO and Nobles, ALBERT following.
Conrad. My guards, ho!
Erminia. Albert, wilt thou follow there?
Wilt thou creep dastardly behind his back,
And slink away from a weak woman's eye?
Turn, thou court-Janus! thou forget'st thyself;
Here is the Duke, waiting with open arms,
[Enter Guards.
To thank thee; here congratulate each other;
Wring hands; embrace; and swear how lucky 'twas
That I, by happy chance, hit the right man
Of all the world to trust in.
Albert. Trust! to me!
Conrad (aside). He is the sole one in this mystery.
Erminia. Well, I give up, and save my prayers for Heaven!
You, who could do this deed, would ne'er relent,
Though, at my words, the hollow prison-vaults
Would groan for pity.
Conrad. Manacle them both!
Ethelbert. I know itit must be I see it all!
Albert, thou art the minion!
Erminia. Ah ! too plain
Conrad. Silence! Gag up their mouths! I cannot bear
More of this brawling. That the Emperor
Had plac'd you in some other custody!
Bring them away.
[Exeunt all but ALBERT.
Albert. Though my name perish from the book of honour,
Almost before the recent ink is dry,
And be no more remember'd after death,
Than any drummer's in the muster-roll;
Yet shall I season high my sudden fall
With triumph o'er that evil-witted duke!
He shall feel what it is to have the hand
Of a man drowning, on his hateful throat.
Enter GERSA and SIGIFRED.
Gersa. What discord is at ferment in this house?
Sigifred. We are without conjecture; not a soul
We met could answer any certainty.
Gersa. Young Ludolph, like a fiery arrow, shot
By us.
Sigifred. The Emperor, with cross'd arms, in thought.
Gersa. In one room music, in another sadness,
Perplexity every where!
Albert. A trifle more!
Follow; your presences will much avail
To tune our jarred spirits. I'll explain. [Exeunt.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act III
,#NFDB
608:The Kalevala - Rune Xxx
THE FROST-FIEND.
Lemminkainen, reckless minstrel,
Handsome hero, Kaukomieli,
Hastens as the dawn is breaking,
At the dawning of the morning,
To the resting-place of vessels,
To the harbor of the island,
Finds the vessels sorely weeping,
Hears the wailing of the rigging,
And the ships intone this chorus:
'Must we wretched lie forever
In the harbor of this island,
Here to dry and fall in pieces?
Ahti wars no more in Northland,
Wars no more for sixty summers,
Even should he thirst for silver,
Should he wish the gold of battle.'
Lemminkainen struck his vessels
With his gloves adorned with copper,
And addressed the ships as follows:
'Mourn no more, my ships of fir-wood,
Strong and hardy is your rigging,
To the wars ye soon may hasten,
Hasten to the seas of battle;
Warriors may swarm your cabins
Ere to-morrow's morn has risen.!''
Then the reckless Lemminkainen
Hastened to his aged mother,
Spake to her the words that follow:
'Weep no longer, faithful mother,
Do not sorrow for thy hero,
Should he leave for scenes of battle,
For the hostile fields of Pohya;
Sweet revenge has fired my spirit,
And my soul is well determined,
To avenge the shameful insult
That the warriors of Northland
487
Gave to thee, defenseless woman.'
To restrain him seeks his mother,
Warns her son again of danger:
'Do not go, my son beloved,
To the wars in Sariola;
There the jaws of Death await thee,
Fell destruction lies before thee!'
Lemminkainen, little heeding,
Still determined, speaks as follows:
'Where may I secure a swordsman,
Worthy of my race of heroes,
To assist me in the combat?
Often I have heard of Tiera,
Heard of Kura of the islands,
This one I will take to help me,
Magic hero of the broadsword;
He will aid me in the combat,
Will protect me from destruction.'
Then he wandered to the islands,
On the way to Tiera's hamlet,
These the words that Ahti utters
As he nears the ancient dwellings:
Dearest friend, my noble Tiera,
My, beloved hero-brother,
Dost thou other times remember,
When we fought and bled together,
On the battle-fields of Northland?
There was not an island-village
Where there were not seven mansions,
In each mansion seven heroes,
And not one of all these foemen
Whom we did not slay with broadswords,
Victims of our skill and valor.'
Near the window sat the father
Whittling out a javelin-handle;
Near the threshold sat the mother
Skimming cream and making butter;
Near the portal stood the brother
Working on a sledge of birch-wood
Near the bridge-pass were the sisters
Washing out their varied garments.
Spake the father from the window,
488
From the threshold spake the mother,
From the portals spake the brother,
And the sisters from the bridge-pass:
'Tiera has no time for combat,
And his broadsword cannot battle;
Tiera is but late a bridegroom,
Still unveiled his bride awaits him.'
Near the hearth was Tiera lying,
Lying by the fire was Kura,
Hastily one foot was shoeing,
While the other lay in waiting.
From the hook he takes his girdle,
Buckles it around his body,
Takes a javelin from its resting,
Not the largest, nor the smallest,
Buckles on his mighty scabbard,
Dons his heavy mail of copper;
On each javelin pranced a charger,
Wolves were howling from his helmet,
On the rings the bears were growling.
Tiera poised his mighty javelin,
Launched the spear upon its errand;
Hurled the shaft across the pasture,
To the border of the forest,
O'er the clay-fields of Pohyola,
O'er the green and fragrant meadows,
Through the distant bills of Northland.
Then great Tiera touched his javelin
To the mighty spear of Ahti,
Pledged his aid to Lemminkainen,
As his combatant and comrade.
Thereupon wild Kaukomieli
Pushed his boat upon the waters;
Like the serpent through the heather,
Like the creeping of the adder,
Sails the boat away to Pohya,
O'er the seas of Sariola.
Quick the wicked hostess, Louhi,
Sends the black-frost of the heavens
To the waters of Pohyola,
O'er the far-extending sea-plains,
Gave the black-frost these directions:
489
'Much-loved Frost, my son and hero,
Whom thy mother has instructed,
Hasten whither I may send thee,
Go wherever I command thee,
Freeze the vessel of this hero,
Lemminkainen's bark of magic,
On the broad back of the ocean,
On the far-extending waters;
Freeze the wizard in his vessel,
Freeze to ice the wicked Ahti,
That he never more may wander,
Never waken while thou livest,
Or at least till I shall free him,
Wake him from his icy slumber!'
Frost, the son of wicked parents,
Hero-son of evil manners,
Hastens off to freeze the ocean,
Goes to fasten down the flood-gates,
Goes to still the ocean-currents.
As he hastens on his journey,
Takes the leaves from all the forest,
Strips the meadows of their verdure,
Robs the flowers of their colors.
When his journey he had ended,
Gained the border of the ocean,
Gained the sea-shore curved and endless,
On the first night of his visit,
Freezes he the lakes and rivers,
Freezes too the shore of ocean,
Freezes not the ocean-billows,
Does not check the ocean-currents.
On the sea a finch is resting,
Bird of song upon the waters,
But his feet are not yet frozen,
Neither is his head endangered.
When the second night Frost lingered,
He began to grow important,
He became a fierce intruder,
Fearless grew in his invasions,
Freezes everything before him;
Sends the fiercest cold of Northland,
Turns to ice the boundless waters.
490
Ever thicker, thicker, thicker,
Grew the ice on sea and ocean,
Ever deeper, deeper, deeper,
Fell the snow on field and forest,
Froze the hero's ship of beauty,
Cold and lifeless bark of Ahti;
Sought to freeze wild Lemminkainen,
Freeze him lifeless as his vessel,
Asked the minstrel for his life-blood,
For his ears, and feet, and fingers.
Then the hero, Lemminkainen,
Angry grew and filled with magic,
Hurled the black-frost to the fire-god,
Threw him to the fiery furnace,
Held him in his forge of iron,
Then addressed the frost as follows:
'Frost, thou evil son of Northland,
Dire and only son of Winter,
Let my members not be stiffened,
Neither ears, nor feet, nor fingers,
Neither let my head be frozen.
Thou hast other things to feed on,
Many other beads to stiffen;
Leave in peace the flesh of heroes,
Let this minstrel pass in safety,
Freeze the swamps, and lakes, and rivers,
Fens and forests, bills and valleys;
Let the cold stones grow still colder,
Freeze the willows in the waters,
Let the aspens freeze and suffer,
Let the bark peel from the birch-trees,
Let the Pines burst on the mountains,
Let this hero pass in safety,
Do not let his locks be stiffened.
'If all these prove insufficient,
Feed on other worthy matters;
Lot the hot stones freeze asunder,
Let the flaming rocks be frozen,
Freeze the fiery blocks of iron,
Freeze to ice the iron mountains;
Stiffen well the mighty Wuoksi,
Let Imatra freeze to silence;
491
Freeze the sacred stream and whirlpoo4
Let their boiling billows stiffen,
Or thine origin I'll sing thee,
Tell thy lineage of evil.
Well I know thine evil nature,
Know thine origin and power,
Whence thou camest, where thou goest,
Know thine ancestry of evil.
Thou wert born upon the aspen,
Wert conceived upon the willows,
Near the borders of Pohyola,
In the courts of dismal Northland;
Sin-begotten was thy father,
And thy mother was Dishonor.
'While in infancy who fed thee
While thy mother could not nurse thee?
Surely thou wert fed by adders,
Nursed by foul and slimy serpents;
North-winds rocked thee into slumber,
Cradled thee in roughest weather,
In the worst of willow-marshes,
In the springs forever flowing,
Evil-born and evil-nurtured,
Grew to be an evil genius,
Evil was thy mind and spirit,
And the infant still was nameless,
Till the name of Frost was given
To the progeny of evil.
'Then the young lad lived in hedges,
Dwelt among the weeds and willows,
Lived in springs in days of summer,
On the borders of the marshes,
Tore the lindens in the winter,
Stormed among the glens and forests,
Raged among the sacred birch-trees,
Rattled in the alder-branches,
Froze the trees, the shoots, the grasses,
Evened all the plains and prairies,
Ate the leaves within the woodlands,
Made the stalks drop down their blossoms,
Peeled the bark on weeds and willows.
'Thou hast grown to large proportions,
492
Hast become too tall and mighty;
Dost thou labor to benumb me,
Dost thou wish mine ears and fingers,
Of my feet wouldst thou deprive me?
Do not strive to freeze this hero,
In his anguish and misfortune;
In my stockings I shall kindle
Fire to drive thee from my presence,
In my shoes lay flaming faggots,
Coals of fire in every garment,
Heated sandstones in my rigging;
Thus will hold thee at a distance.
Then thine evil form I'll banish
To the farthest Northland borders;
When thy journey is completed,
When thy home is reached in safety,
Freeze the caldrons in the castle,
Freeze the coal upon the hearthstone,
In the dough, the hands of women,
On its mother's lap, the infant,
Freeze the colt beside its mother.
'If thou shouldst not heed this order,
I shall banish thee still farther,
To the carbon-piles of Hisi,
To the chimney-hearth of Lempo,
Hurl thee to his fiery furnace,
Lay thee on the iron anvil,
That thy body may be hammered
With the sledges of the blacksmith,
May be pounded into atoms,
Twixt the anvil and the hammer.
'If thou shouldst not heed this order,
Shouldst not leave me to my freedom,
Know I still another kingdom,
Know another spot of resting;
I shall drive thee to the summer,
Lead thy tongue to warmer climates,
There a prisoner to suffer,
Never to obtain thy freedom
Till thy spirit I deliver,
Till I go myself and free thee.'
Wicked Frost, the son of Winter,
493
Saw the magic bird of evil
Hovering above his spirit,
Straightway prayed for Ahti's mercy,
These the words the Frost-fiend uttered:
'Let us now agree together,
Neither one to harm the other,
Never in the course of ages,
Never while the moonlight glimmers
On the snow-capped hills of Northland.
If thou hearest that I bring thee
Cold to freeze thy feet and fingers,
Hurl me to the fiery furnace,
Hammer me upon the anvil
Of the blacksmith, Ilmarinen;
Lead my tongue to warmer climates,
Banish me to lands of summer,
There a prisoner to suffer,
Nevermore to gain my freedom.'
Thereupon wild Lemminkainen
Left his vessel in the ocean,
Frozen in the ice of Northland,
Left his warlike boat forever,
Started on his cheerless journey
To the borders of Pohyola,
And the mighty Tiera followed
In the tracks of his companion.
On the ice they journeyed northward
Briskly walked upon the ice-plain,
Walked one day, and then a second,
Till the closing of the third day,
When the Hunger-land approached them,
When appeared Starvation-island.
Here the hardy Lemminkainen
Hastened forward to the castle,
This the hero's prayer and question;
'Is there food within this castle,
Fish or fowl within its larders,
To refresh us on our journey,
Mighty heroes, cold and weary?
When the hero, Lemminkainen,
Found no food within the castle,
Neither fish, nor fowl, nor bacon,
494
Thus he cursed it and departed:
'May the fire destroy these chambers,
May the waters flood this dwelling,
Wash it to the seas of Mana!'
Then they hastened onward, onward,
Hastened on through field and forest,
Over by-ways long untrodden,
Over unknown paths and snow-fields;
Here the hardy Lemminkainen,
Reckless hero, Kaukomieli,
Pulled the soft wool from the ledges,
Gathered lichens from the tree-trunks,
Wove them into magic stockings,
Wove them into shoes and mittens,
On the settles of the hoar-frost,
In the stinging cold of Northland.
Then he sought to find some pathway,
That would guide their wayward footsteps,
And the hero spake as follows:
'O thou Tiera, friend beloved,
Shall we reach our destination,
Wandering for days together,
Through these Northland fields and forests?
Kura thus replies to Ahti:
'We, alas! have come for vengeance,
Come for blood and retribution,
To the battle-fields of Northland,
To the dismal Sariola,
Here to leave our souls and bodies,
Here to starve, and freeze, and perish,
In the dreariest of places,
In this sun-forsaken country!
Never shall we gain the knowledge,
Never learn it, never tell it,
Which the pathway that can guide us
To the forest-beds to suffer,
To the Pohya-plains to perish,
In the home-land of the ravens,
Fitting food for crows and eagles.
Often do the Northland vultures
Hither come to feed their fledgelings;
Hither bring the birds of heaven
495
Bits of flesh and blood of heroes;
Often do the beaks of ravens
Tear the flesh of kindred corpses,
Often do the eagle's talons
Carry bones and trembling vitals,
Such as ours, to feed their nestlings,
In their rocky homes and ledges.
'Oh! my mother can but wonder,
Never can divine the answer,
Where her reckless son is roaming,
Where her hero's blood is flowing,
Whether in the swamps and lowlands
Whether in the heat of battle,
Or upon the waves of the ocean,
Or upon the hop-feld mountains,
Or along some forest by-way.
Nothing can her mind discover
Of the frailest of her heroes,
Only think that he has perished.
Thus the hoary-headed mother
Weeps and murmurs in her chambers:
'Where is now my son beloved,
In the kingdom of Manala?
Sow thy crops, thou dread Tuoni,
Harrow well the fields of Kalma!
Now the bow receives its respite
From the fingers of my Tiera;
Bow and arrow now are useless,
Now the merry birds can fatten
In the fields, and fens, and forests;
Bears may live in dens of freedom,
On the fields may sport the elk-herds.''
Spake the reckless Lemminkainen:
'Thus it is, mine aged mother,
Thou that gavest me existence!
Thou hast reared thy broods of chickens,
Hatched and reared thy flights of white-swans
All of them the winds have scattered,
Or the evil Lempo frightened;
One flew hither, and one thither,
And a third one, lost forever!
Think thou of our former pleasures,
496
Of our better days together,
When I wandered like the flowers,
Like the berry in the meadows.
Many saw my form majestic,
Many thought me well-proportioned.
Now is not as then with Ahti,
Into evil days have fallen,
Since I see but storms and darkness!
Then my eyes beheld but sunshine,
Then we did not weep and murmur,
Did not fill our hearts with sorrow,
When the maids in joy were singing,
When the virgins twined their tresses;
Then the women joined in joyance,
Whether brides were happy-wedded,
Whether bridegrooms choose discreetly,
Whether they were wise or unwise.
'But we must not grow disheartened,
Let the Island-maidens cheer us;
Here we are not yet enchanted,
Not bewitched by magic singing,
On the paths not left to perish,
Sink and perish on our journey.
Full of youth we should not suffer,
Strong, we should not die unworthy,
Whom the wizards have enchanted,
Have bewitched with songs of magic;
Sorcerers may charm and conquer,
Bury them within their dungeons,
Hide them spell-bound in their cabins.
Let the wizards charm each other,
And bewitch their magic offspring,
Bring their tribes to fell destruction.
Never did my gray-haired father
Bow submission to a wizard,
Offer worship to magicians.
These the words my father uttered,
These the thoughts his son advances:
'Guard us, thou O great Creator,
Shield us, thou O God of mercy,
With thine arms of grace protect us,
Help us with thy strength and wisdom,
497
Guide the minds of all thy heroes,
Keep aright the thoughts of women,
Keep the old from speaking evil,
Keep the young from sin and folly,
Be to us a help forever,
Be our Guardian and our Father,
That our children may not wander
From the ways of their Creator,
From the path that God has given!''
Then the hero Lemminkainen,
Made from cares the fleetest racers,
Sable racers from his sorrows,
Reins he made from days of evil,
From his sacred pains made saddles.
To the saddle, quickly springing,
Galloped he away from trouble,
To his dear and aged mother;
And his comrade, faithful Tiera,
Galloped to his Island-dwelling.
Now departs wild Lemminkainen,
Brave and reckless Kaukomieli,
From these ancient songs and legends;
Only guides his faithful Kura
To his waiting bride and kindred,
While these lays and incantations
Shall be turned to other heroes.
~ Elias Lönnrot,#NFDB
609:The Emigrants: Book I
Scene, on the Cliffs to the Eastward of the Town of
Brighthelmstone in Sussex. Time, a Morning in November, 1792.
Slow in the Wintry Morn, the struggling light
Throws a faint gleam upon the troubled waves;
Their foaming tops, as they approach the shore
And the broad surf that never ceasing breaks
On the innumerous pebbles, catch the beams
Of the pale Sun, that with reluctance gives
To this cold northern Isle, its shorten'd day.
Alas! how few the morning wakes to joy!
How many murmur at oblivious night
For leaving them so soon; for bearing thus
Their fancied bliss (the only bliss they taste!) ,
On her black wings away! - Changing the dreams
That sooth'd their sorrows, for calamities
(And every day brings its own sad proportion)
For doubts, diseases, abject dread of Death,
And faithless friends, and fame and fortune lost;
Fancied or real wants; and wounded pride,
That views the day star, but to curse his beams.
Yet He, whose Spirit into being call'd
This wond'rous World of Waters; He who bids
The wild wind lift them till they dash the clouds,
And speaks to them in thunder; or whose breath,
Low murmuring, o'er the gently heaving tides,
When the fair Moon, in summer night serene,
Irradiates with long trembling lines of light
Their undulating surface; that great Power,
Who, governing the Planets, also knows
If but a Sea-Mew falls, whose nest is hid
In these incumbent cliffs; He surely means
To us, his reasoning Creatures, whom He bids
Acknowledge and revere his awful hand,
Nothing but good: Yet Man, misguided Man,
Mars the fair work that he was bid enjoy,
And makes himself the evil he deplores.
How often, when my weary soul recoils
154
From proud oppression, and from legal crimes
(For such are in this Land, where the vain boast
Of equal Law is mockery, while the cost
Of seeking for redress is sure to plunge
Th' already injur'd to more certain ruin
And the wretch starves, before his Counsel pleads)
How often do I half abjure Society,
And sigh for some lone Cottage, deep embower'd
In the green woods, that these steep chalky Hills
Guard from the strong South West; where round their base
The Beach wide flourishes, and the light Ash
With slender leaf half hides the thymy turf! There do I wish to hide me; well content
If on the short grass, strewn with fairy flowers,
I might repose thus shelter'd; or when Eve
In Orient crimson lingers in the west,
Gain the high mound, and mark these waves remote
(Lucid tho' distant) , blushing with the rays
Of the far-flaming Orb, that sinks beneath them;
For I have thought, that I should then behold
The beauteous works of God, unspoil'd by Man
And less affected then, by human woes
I witness'd not; might better learn to bear
Those that injustice, and duplicity
And faithlessness and folly, fix on me:
For never yet could I derive relief,
When my swol'n heart was bursting with its sorrows,
From the sad thought, that others like myself
Live but to swell affliction's countless tribes!
- Tranquil seclusion I have vainly sought;
Peace, who delights solitary shade,
No more will spread for me her downy wings,
But, like the fabled Danaïds- or the wretch,
Who ceaseless, up the steep acclivity,
Was doom'd to heave the still rebounding rock,
Onward I labour; as the baffled wave,
Which yon rough beach repulses, that returns
With the next breath of wind, to fail again.Ah! Mourner- cease these wailings: cease and learn,
That not the Cot sequester'd, where the briar
And wood-bine wild, embrace the mossy thatch,
(Scarce seen amid the forest gloom obscure!)
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Or more substantial farm, well fenced and warm,
Where the full barn, and cattle fodder'd round
Speak rustic plenty; nor the statelier dome
By dark firs shaded, or the aspiring pine,
Close by the village Church (with care conceal'd
By verdant foliage, lest the poor man's grave
Should mar the smiling prospect of his Lord) ,
Where offices well rang'd, or dove-cote stock'd,
Declare manorial residence; not these
Or any of the buildings, new and trim
With windows circling towards the restless Sea,
Which ranged in rows, now terminate my walk,
Can shut out for an hour the spectre Care,
That from the dawn of reason, follows still
Unhappy Mortals, 'till the friendly grave
(Our sole secure asylum) 'ends the chace 1.'
Behold, in witness of this mournful truth,
A group approach me, whose dejected looks,
Sad Heralds of distress! proclaim them Men
Banish'd for ever and for conscience sake
From their distracted Country, whence the name
Of Freedom misapplied, and much abus'd
By lawless Anarchy, has driven them far
To wander; with the prejudice they learn'd
From Bigotry (the Tut'ress of the blind) ,
Thro' the wide World unshelter'd; their sole hope,
That German spoilers, thro' that pleasant land
May carry wide the desolating scourge
Of War and Vengeance; yet unhappy Men,
Whate'er your errors, I lament your fate:
And, as disconsolate and sad ye hang
Upon the barrier of the rock, and seem
To murmur your despondence, waiting long
Some fortunate reverse that never comes;
Methinks in each expressive face, I see
Discriminated anguish; there droops one,
Who in a moping cloister long consum'd
This life inactive, to obtain a better,
And thought that meagre abstinence, to wake
From his hard pallet with the midnight bell,
To live on eleemosynary bread,
And to renounce God's works, would please that God.
156
And now the poor pale wretch receives, amaz'd,
The pity, strangers give to his distress,
Because these Strangers are, by his dark creed,
Condemn'd as Heretics- and with sick heart
Regrets 2 his pious prison, and his beads.Another, of more haughty port, declines
The aid he needs not; while in mute despair
His high indignant thoughts go back to France,
Dwelling on all he lost- the Gothic dome,
That vied with splendid palaces 3; the beds
Of silk and down, the silver chalices,
Vestments with gold enwrought for blazing altars;
Where, amid clouds of incense, he held forth
To kneeling crowds the imaginary bones
Of Saints suppos'd, in pearl and gold enchas'd,
And still with more than living Monarchs' pomp
Surrounded; was believ'd by mumbling bigots
To hold the keys of Heaven, and to admit
Whom he thought good to share it- Now alas!
He, to whose daring soul and high ambition
The World seem'd circumscrib'd; who, wont to dream,
Of Fleuri, Richelieu, Alberoni, men
Who trod on Empire, and whose politics
Were not beyond the grasp of his vast mind,
Is, in a Land once hostile, still prophan'd
By disbelief, and rites un-orthodox,
The object of compassion- At his side,
Lighter of heart than these, but heavier far
Than he was wont, another victim comes,
An Abbé- who with less contracted brow
Still smiles and flatters, and still talks of Hope;
Which, sanguine as he is, he does not feel,
And so he cheats the sad and weighty pressure
Of evils present; - - Still, as Men misled
By early prejudice (so hard to break) ,
I mourn your sorrows; for I too have known
Involuntary exile; and while yet
England had charms for me, have felt how sad
It is to look across the dim cold sea,
That melancholy rolls its refluent tides
Between us and the dear regretted land
We call our own- as now ye pensive wait
157
On this bleak morning, gazing on the waves
That seem to leave your shore; from whence the wind
Is loaded to your ears, with the deep groans
Of martyr'd Saints and suffering Royalty,
While to your eyes the avenging power of Heaven
Appears in aweful anger to prepare
The storm of vengeance, fraught with plagues and death.
Even he of milder heart, who was indeed
The simple shepherd in a rustic scene,
And, 'mid the vine-clad hills of Languedoc,
Taught to the bare-foot peasant, whose hard hands
Produc'd 4 the nectar he could seldom taste,
Submission to the Lord for whom he toil'd;
He, or his brethren, who to Neustria's sons
Enforc'd religious patience, when, at times,
On their indignant hearts Power's iron hand
Too strongly struck; eliciting some sparks
Of the bold spirit of their native North;
Even these Parochial Priests, these humbled men;
Whose lowly undistinguish'd cottages
Witness'd a life of purest piety,
While the meek tenants were, perhaps, unknown
Each to the haughty Lord of his domain,
Who mark'd them not; the Noble scorning still
The poor and pious Priest, as with slow pace
He glided thro' the dim arch'd avenue
Which to the Castle led; hoping to cheer
The last sad hour of some laborious life
That hasten'd to its close- even such a Man
Becomes an exile; staying not to try
By temperate zeal to check his madd'ning flock,
Who, at the novel sound of Liberty
(Ah! most intoxicating sound to slaves!) ,
Start into licence- Lo! dejected now,
The wandering Pastor mourns, with bleeding heart,
His erring people, weeps and prays for them,
And trembles for the account that he must give
To Heaven for souls entrusted to his care.Where the cliff, hollow'd by the wintry storm,
Affords a seat with matted sea-weed strewn,
A softer form reclines; around her run,
On the rough shingles, or the chalky bourn,
158
Her gay unconscious children, soon amus'd;
Who pick the fretted stone, or glossy shell,
Or crimson plant marine: or they contrive
The fairy vessel, with its ribband sail
And gilded paper pennant: in the pool,
Left by the salt wave on the yielding sands,
They launch the mimic navy- Happy age!
Unmindful of the miseries of Man! Alas! too long a victim to distress,
Their Mother, lost in melancholy thought,
Lull'd for a moment by the murmurs low
Of sullen billows, wearied by the task
Of having here, with swol'n and aching eyes
Fix'd on the grey horizon, since the dawn
Solicitously watch'd the weekly sail
From her dear native land, now yields awhile
To kind forgetfulness, while Fancy brings,
In waking dreams, that native land again!
Versailles appears- its painted galleries,
And rooms of regal splendour, rich with gold,
Where, by long mirrors multiply'd, the crowd
Paid willing homage- and, united there,
Beauty gave charms to empire- Ah! too soon
From the gay visionary pageant rous'd,
See the sad mourner start! - and, drooping, look
With tearful eyes and heaving bosom round
On drear reality- where dark'ning waves,
Urg'd by the rising wind, unheeded foam
Near her cold rugged seat:- To call her thence
A fellow-sufferer comes: dejection deep
Checks, but conceals not quite, the martial air,
And that high consciousness of noble blood,
Which he has learn'd from infancy to think
Exalts him o'er the race of common men:
Nurs'd in the velvet lap of luxury,
And fed by adulation- could he learn,
That worth alone is true Nobility?
And that the peasant who, 'amid 5 the sons
'Of Reason, Valour, Liberty, and Virtue,
'Displays distinguish'd merit, is a Noble
'Of Nature's own creation! '- If even here,
If in this land of highly vaunted Freedom,
159
Even Britons controvert the unwelcome truth,
Can it be relish'd by the sons of France?
Men, who derive their boasted ancestry
From the fierce leaders of religious wars,
The first in Chivalry's emblazon'd page;
Who reckon Gueslin, Bayard, or De Foix,
Among their brave Progenitors? Their eyes,
Accustom'd to regard the splendid trophies
Of Heraldry (that with fantastic hand
Mingles, like images in feverish dreams,
'Gorgons and Hydras, and Chimeras dire,'
With painted puns, and visionary shapes ;) ,
See not the simple dignity of Virtue,
But hold all base, whom honours such as these
Exalt not from the crowd 6 - As one, who long
Has dwelt amid the artificial scenes
Of populous City, deems that splendid shows,
The Theatre, and pageant pomp of Courts,
Are only worth regard; forgets all taste
For Nature's genuine beauty; in the lapse
Of gushing waters hears no soothing sound,
Nor listens with delight to sighing winds,
That, on their fragrant pinions, waft the notes
Of birds rejoicing in the trangled copse;
Nor gazes pleas'd on Ocean's silver breast,
While lightly o'er it sails the summer clouds
Reflected in the wave, that, hardly heard,
Flows on the yellow sands: so to his mind,
That long has liv'd where Despotism hides
His features harsh, beneath the diadem
Of worldly grandeur, abject Slavery seems,
If by that power impos'd, slavery no more:
For luxury wreathes with silk the iron bonds,
And hides the ugly rivets with her flowers,
Till the degenerate triflers, while they love
The glitter of the chains, forget their weight.
But more the Men, whose ill acquir'd wealth
Was wrung from plunder'd myriads, by the means
Too often legaliz'd by power abus'd,
Feel all the horrors of the fatal change,
When their ephemeral greatness, marr'd at once
(As a vain toy that Fortune's childish hand
160
Equally joy'd to fashion or to crush) ,
Leaves them expos'd to universal scorn
For having nothing else; not even the claim
To honour, which respect for Heroes past
Allows to ancient titles; Men, like these,
Sink even beneath the level, whence base arts
Alone had rais'd them; - unlamented sink,
And know that they deserve the woes they feel.
Poor wand'ring wretches! whosoe'er ye are,
That hopeless, houseless, friendless, travel wide
O'er these bleak russet downs; where, dimly seen,
The solitary Shepherd shiv'ring tends
His dun discolour'd flock (Shepherd, unlike
Him, whom in song the Poet's fancy crowns
With garlands, and his crook with vi'lets binds):
Poor vagrant wretches! outcasts of the world!
Whom no abode receives, no parish owns;
Roving, like Nature's commoners, the land
That boasts such general plenty: if the sight
Of wide-extended misery softens yours
Awhile, suspend your murmurs! - here behold
The strange vicissitudes of fate- while thus
The exil'd Nobles, from their country driven,
Whose richest luxuries were their's, must feel
More poignant anguish, than the lowest poor,
Who, born to indigence, have learn'd to brave
Rigid Adversity's depressing breath! Ah! rather Fortune's worthless favourites!
Who feed on England's vitals- Pensioners
Of base corruption, who, in quick ascent
To opulence unmerited, become
Giddy with pride, and as ye rise, forgetting
The dust ye lately left, with scorn look down
On those beneath ye (tho' your equals once
In fortune, and in worth superior still,
They view the eminence, on which ye stand,
With wonder, not with envy; for they know
The means, by which ye reach'd it, have been such
As, in all honest eyes, degrade ye far
Beneath the poor dependent, whose sad heart
Reluctant pleads for what your pride denies):
Ye venal, worthless hirelings of a Court!
161
Ye pamper'd Parasites! whom Britons pay
For forging fetters for them; rather here
Study a lesson that concerns ye much;
And, trembling, learn, that if oppress'd too long,
The raging multitude, to madness stung,
Will turn on their oppressors; and, no more
By sounding titles and parading forms
Bound like tame victims, will redress themselves!
Then swept away by the resistless torrent,
Not only all your pomp may disappear,
But, in the tempest lost, fair Order sink
Her decent head, and lawless Anarchy
O'erturn celestial Freedom's radiant throne; As now in Gallia; where Confusion, born
Of party rage and selfish love of rule,
Sully the noblest cause that ever warm'd
The heart of Patriot Virtue 8 - There arise
The infernal passions; Vengeance, seeking blood,
And Avarice; and Envy's harpy fangs
Pollute the immortal shrine of Liberty,
Dismay her votaries, and disgrace her name.
Respect is due to principle; and they,
Who suffer for their conscience, have a claim,
Whate'er that principle may be, to praise.
These ill-starr'd Exiles then, who, bound by ties,
To them the bonds of honour; who resign'd
Their country to preserve them, and now seek
In England an asylum- well deserve
To find that (every prejudice forgot,
Which pride and ignorance teaches) , we for them
Feel as our brethren; and that English hearts,
Of just compassion ever own the sway,
As truly as our element, the deep,
Obeys the mild dominion of the MoonThis they have found; and may they find it still!
Thus may'st thou, Britain, triumph! - May thy foes,
By Reason's gen'rous potency subdued,
Learn, that the God thou worshippest, delights
In acts of pure humanity! - May thine
Be still such bloodless laurels! nobler far
Than those acquir'd at Cressy or Poictiers,
Or of more recent growth, those well bestow'd
162
On him who stood on Calpe's blazing height
Amid the thunder of a warring world,
Illustrious rather from the crowds he sav'd
From flood and fire, than from the ranks who fell
Beneath his valour! - Actions such as these,
Like incense rising to the Throne of Heaven,
Far better justify the pride, that swells
In British bosoms, than the deafening roar
Of Victory from a thousand brazen throats,
That tell with what success wide-wasting War
Has by our brave Compatriots thinned the world.
~ Charlotte Smith,#NFDB
610:The Kalevala - Rune Xiv
DEATH OF LEMMINKAINEN.
Lemminkainen, much disheartened,
Deeply thought and long considered,
What to do, what course to follow,
Whether best to leave the wild-moose
In the fastnesses of Hisi,
And return to Kalevala,
Or a third time hunt the ranger,
Hoping thus to bring him captive,
Thus return at last a victor
To the forest home of Louhi,
To the joy of all her daughters,
To the wood-nymph's happy fireside.
Taking courage Lemminkainen
Spake these words in supplication:
'Ukko, thou O God above me,
Thou Creator of the heavens,
Put my snow-shoes well in order,
And endow them both with swiftness,
That I rapidly may journey
Over marshes, over snow-fields,
Over lowlands, over highlands,
Through the realms of wicked Hisi,
Through the distant plains of Lapland,
Through the paths of Lempo's wild-moose,
To the forest hills of Juutas.
To the snow-fields shall I journey,
Leave the heroes to the woodlands,
On the way to Tapiola,
Into Tapio's wild dwellings.
'Greeting bring I to the mountains,
Greeting to the vales and uplands,
Greet ye, heights with forests covered,
Greet ye, ever-verdant fir-trees,
Greet ye, groves of whitened aspen,
Greetings bring to those that greet you,
Fields, and streams, and woods of Lapland.
160
Bring me favor, mountain-woodlands,
Lapland-deserts, show me kindness,
Mighty Tapio, be gracious,
Let me wander through thy forests,
Let me glide along thy rivers,
Let this hunter search thy snow-fields,
Where the wild-moose herds in numbers
Where the bounding reindeer lingers.
'O Nyrikki, mountain hero,
Son of Tapio of forests,
Hero with the scarlet head-gear,
Notches make along the pathway,
Landmarks upward to the mountains,
That this hunter may not wander,
May not fall, and falling perish
In the snow-fields of thy kingdom,
Hunting for the moose of Hisi,
Dowry for the pride of Northland.
'Mistress of the woods, Mielikki,
Forest-mother, formed in beauty,
Let thy gold flow out abundant,
Let thy silver onward wander,
For the hero that is seeking
For the wild-moose of thy kingdom;
Bring me here thy keys of silver,
From the golden girdle round thee;
Open Tapio's rich chambers,
And unlock the forest fortress,
While I here await the booty,
While I hunt the moose of Lempo.
'Should this service be too menial
Give the order to thy servants,
Send at once thy servant-maidens,
And command it to thy people.
Thou wilt never seem a hostess,
If thou hast not in thy service,
Maidens ready by the hundreds,
Thousands that await thy bidding,
Who thy herds may watch and nurture,
Tend the game of thy dominions.
'Tall and slender forest-virgin,
Tapio's beloved daughter,
161
Blow thou now thy honey flute-notes,
Play upon thy forest-whistle,
For the hearing of thy mistress,
For thy charming woodland-mistress,
Make her hear thy sweet-toned playing,
That she may arise from slumber.
Should thy mistress not awaken
At the calling of thy flute-notes,
Play again, and play unceasing,
Make the golden tongue re-echo.'
Wild and daring Lemminkainen
Steadfast prays upon his journey,
Calling on the gods for succor,
Hastens off through fields and moorlands,
Passes on through cruel brush-wood,
To the colliery of Hisi,
To the burning fields of Lempo;
Glided one day, then a second,
Glided all the next day onward,
Till he came to Big-stone mountain,
Climbed upon its rocky summit,
Turned his glances to the north-west,
Toward the Northland moors and marshes;
There appeared the Tapio-mansion.
All the doors were golden-colored,
Shining in the gleam of sunlight
Through the thickets on the mountains,
Through the distant fields of Northland.
Lemminkainen, much encouraged,
Hastens onward from his station
Through the lowlands, o'er the uplands,
Over snow-fields vast and vacant,
Under snow-robed firs and aspens,
Hastens forward, happy-hearted,
Quickly reaches Tapio's court-yards,
Halts without at Tapio's windows,
Slyly looks into her mansion,
Spies within some kindly women,
Forest-dames outstretched before him,
All are clad in scanty raiment,
Dressed in soiled and ragged linens.
Spake the stranger Lemminkainen:
162
'Wherefore sit ye, forest-mothers,
In your old and simple garments,
In your soiled and ragged linen?
Ye, forsooth! are too untidy,
Too unsightly your appearance
In your tattered gowns appareled.
When I lived within the forest,
There were then three mountain castles,
One of horn and one of ivory,
And the third of wood constructed;
In their walls were golden windows,
Six the windows in each castle,
Through these windows I discovered
All the host of Tapio's mansion,
Saw its fair and stately hostess;
Saw great Tapio's lovely daughter,
Saw Tellervo in her beauty,
With her train of charming maidens;
All were dressed in golden raiment,
Rustled all in gold and silver.
Then the forest's queenly hostess,
Still the hostess of these woodlands,
On her arms wore golden bracelets,
Golden rings upon her fingers,
In her hair were sparkling, jewels,
On her bead were golden fillets,
In her ears were golden ear-rings,
On her neck a pearly necklace,
And her braidlets, silver-tinselled.
'Lovely hostess of the forest,
Metsola's enchanting mistress,
Fling aside thine ugly straw-shoes,
Cast away the shoes of birch-bark,
Doff thy soiled and ragged linen,
Doff thy gown of shabby fabric,
Don the bright and festive raiment,
Don the gown of merry-making,
While I stay within thy borders,
While I seek my forest-booty,
Hunt the moose of evil Hisi.
Here my visit will be irksome,
Here thy guest will be ill-humored,
163
Waiting in thy fields and woodlands,
Hunting here the moose of Lempo,
Finding not the Hisi-ranger,
Shouldst thou give me no enjoyment,
Should I find no joy, nor respite.
Long the eve that gives no pleasure,
Long the day that brings no guerdon!
'Sable-bearded god of forests,
In thy hat and coat of ermine,
Robe thy trees in finest fibers,
Deck thy groves in richest fabrics,
Give the fir-trees shining silver,
Deck with gold the slender balsams,
Give the spruces copper belting,
And the pine-trees silver girdles,
Give the birches golden flowers,
Deck their stems with silver fret-work,
This their garb in former ages,
When the days and nights were brighter,
When the fir-trees shone like sunlight,
And the birches like the moonbeams;
Honey breathed throughout the forest,
Settled in the glens and highlands
Spices in the meadow-borders,
Oil out-pouring from the lowlands.
'Forest daughter, lovely virgin,
Golden maiden, fair Tulikki,
Second of the Tapio-daughters,
Drive the game within these borders,
To these far-extending snow-fields.
Should the reindeer be too sluggish,
Should the moose-deer move too slowly
Cut a birch-rod from the thicket,
Whip them hither in their beauty,
Drive the wild-moose to my hurdle,
Hither drive the long-sought booty
To the hunter who is watching,
Waiting in the Hisi-forests.
'When the game has started hither,
Keep them in the proper highway,
Hold thy magic hands before them,
Guard them well on either road-side,
164
That the elk may not escape thee,
May not dart adown some by-path.
Should, perchance, the moose-deer wander
Through some by-way of the forest,
Take him by the ears and antlers,
Hither lead the pride of Lempo.
'If the path be filled with brush-wood
Cast the brush-wood to the road-side;
If the branches cross his pathway,
Break the branches into fragments;
Should a fence of fir or alder
Cross the way that leads him hither.
Make an opening within it,
Open nine obstructing fences;
If the way be crossed by streamlets,
If the path be stopped by rivers,
Make a bridge of silken fabric,
Weaving webs of scarlet color,
Drive the deer-herd gently over,
Lead them gently o'er the waters,
O'er the rivers of thy forests,
O'er the streams of thy dominions.
'Thou, the host of Tapio's mansion,
Gracious host of Tapiola,
Sable-bearded god of woodlands,
Golden lord of Northland forests,
Thou, O Tapio's worthy hostess,
Queen of snowy woods, Mimerkki,
Ancient dame in sky-blue vesture,
Fenland-queen in scarlet ribbons,
Come I to exchange my silver,
To exchange my gold and silver;
Gold I have, as old as moonlight,
Silver of the age of sunshine,
In the first of years was gathered,
In the heat and pain of battle;
It will rust within my pouches,
Soon will wear away and perish,
If it be not used in trading.'
Long the hunter, Lemminkainen,
Glided through the fen and forest,
Sang his songs throughout the woodlands,
165
Through three mountain glens be sang them,
Sang the forest hostess friendly,
Sang he, also, Tapio friendly,
Friendly, all the forest virgins,
All of Metsola's fair daughters.
Now they start the herds of Lempo,
Start the wild-moose from his shelter,
In the realms of evil Hisi,
Tapio's highest mountain-region;
Now they drive the ranger homeward,
To the open courts of Piru,
To the hero that is waiting,
Hunting for the moose of Juutas.
When the herd had reached the castle,
Lemminkainen threw his lasso
O'er the antlers of the blue-moose,
Settled on the neck and shoulders
Of the mighty moose of Hisi.
Then the hunter, Kaukomieli,
Stroked his captive's neck in safety,
For the moose was well-imprisoned.
Thereupon gay Lemminkainen
Filled with joyance spake as follows:
'Pride of forests, queen of woodlands,
Metsola's enchanted hostess,
Lovely forest dame, Mielikki,
Mother-donor of the mountains,
Take the gold that I have promised,
Come and take away the silver;
Spread thy kerchief well before me,
Spread out here thy silken neck-wrap,
Underneath the golden treasure,
Underneath the shining silver,
that to earth it may not settle,
Scattered on the snows of winter.'
Then the hero went a victor
To the dwellings of Pohyola,
And addressed these words to Louhi:
'I have caught the moose of Hisi,
In the Metsola-dominions,
Give, O hostess, give thy daughter,
Give to me thy fairest virgin,
166
Bride of mine to be hereafter.'
Louhi, hostess of the Northland,
Gave this answer to the suitor:
'I will give to thee my daughter,
For thy wife my fairest maiden,
When for me thou'lt put a bridle
On the flaming horse of Hisi,
Rapid messenger of Lempo,
On the Hisi-plains and pastures.'
Nothing daunted, Lemminkainen
Hastened forward to accomplish
Louhi's second test of heroes,
On the cultivated lowlands,
On the sacred fields and forests.
Everywhere he sought the racer,
Sought the fire-expiring stallion,
Fire out-shooting from his nostrils.
Lemminkainen, fearless hunter,
Bearing in his belt his bridle,
On his shoulders, reins and halter,
Sought one day, and then a second,
Finally, upon the third day,
Went he to the Hisi-mountain,
Climbed, and struggled to the summit;
To the east he turned his glances,
Cast his eyes upon the sunrise,
There beheld the flaming courser,
On the heath among the far-trees.
Lempo's fire-expiring stallion
Fire and mingled smoke, out-shooting
From his mouth, and eyes, and nostrils.
Spake the daring Lemminkainen,
This the hero's supplication:
'Ukko, thou O God above me,
Thou that rulest all the storm-clouds,
Open thou the vault of heaven,
Open windows through the ether,
Let the icy rain come falling,
Lot the heavy hailstones shower
On the flaming horse of Hisi,
On the fire-expiring stallion.'
Ukko, the benign Creator,
167
Heard the prayer of Lemminkainen,
Broke apart the dome of heaven,
Rent the heights of heaven asunder,
Sent the iron-hail in showers,
Smaller than the heads of horses,
Larger than the heads of heroes,
On the flaming steed of Lempo,
On the fire-expiring stallion,
On the terror of the Northland.
Lemminkainen, drawing nearer,
Looked with care upon the courser,
Then he spake the words that follow:
'Wonder-steed of mighty Hisi,
Flaming horse of Lempo's mountain,
Bring thy mouth of gold, assenting,
Gently place thy head of silver
In this bright and golden halter,
In this silver-mounted bridle.
I shall never harshly treat thee,
Never make thee fly too fleetly,
On the way to Sariola,
On the tracks of long duration,
To the hostess of Pohyola,
To her magic courts and stables,
Will not lash thee on thy journey;
I shall lead thee gently forward,
Drive thee with the reins of kindness,
Cover thee with silken blankets.'
Then the fire-haired steed of Juutas,
Flaming horse of mighty Hisi,
Put his bead of shining silver,
In the bright and golden bead-stall,
In the silver-mounted bridle.
Thus the hero, Lemminkainen,
Easy bridles Lempo's stallion,
Flaming horse of evil Piru;
Lays the bits within his fire-mouth,
On his silver head, the halter,
Mounts the fire-expiring courser,
Brandishes his whip of willow,
Hastens forward on his journey,
Bounding o'er the hills and mountains,
168
Dashing through the valleys northward,
O'er the snow-capped hills of Lapland,
To the courts of Sariola.
Then the hero, quick dismounting,
Stepped within the court of Louhi,
Thus addressed the Northland hostess:
'I have bridled Lempo's fire-horse,
I have caught the Hisi-racer,
Caught the fire-expiring stallion,
In the Piru plains and pastures,
Ridden him within thy borders;
I have caught the moose of Lempo,
I have done what thou demandest;
Give, I pray thee, now thy daughter,
Give to me thy fairest maiden,
Bride of mine to be forever.'
Louhi, hostess of Pohyola,
Made this answer to the suitor:
'I will only give my daughter,
Give to thee my fairest virgin,
Bride of thine to be forever,
When for me the swan thou killest
In the river of Tuoni,
Swimming in the black death-river,
In the sacred stream and whirlpool;
Thou canst try one cross-bow only,
But one arrow from thy quiver.'
Then the reckless Lemminkainen,
Handsome hero, Kaukomieli,
Braved the third test of the hero,
Started out to hunt the wild-swan,
Hunt the long-necked, graceful swimmer,
In Tuoni's coal-black river,
In Manala's lower regions.
Quick the daring hunter journeyed,
Hastened off with fearless footsteps,
To the river of Tuoni,
To the sacred stream and whirlpool,
With his bow upon his shoulder,
With his quiver and one arrow.
Nasshut, blind and crippled shepherd,
Wretched shepherd of Pohyola,
169
Stood beside the death-land river,
Near the sacred stream and whirlpool,
Guarding Tuonela's waters,
Waiting there for Lemminkainen,
Listening there for Kaukomieli,
Waiting long the hero's coming.
Finally he hears the footsteps
Of the hero on his journey,
Hears the tread of Lemminkainen,
As he journeys nearer, nearer,
To the river of Tuoni,
To the cataract of death-land,
To the sacred stream and whirlpool.
Quick the wretched shepherd, Nasshut,
From the death-stream sends a serpent,
Like an arrow from a cross-bow,
To the heart of Lemminkainen,
Through the vitals of the hero.
Lemminkainen, little conscious,
Hardly knew that be was injured,
Spake these measures as he perished.
'Ah! unworthy is my conduct,
Ah! unwisely have I acted,
That I did not heed my mother,
Did not take her goodly counsel,
Did not learn her words of magic.
Oh I for three words with my mother,
How to live, and bow to suffer,
In this time of dire misfortune,
How to bear the stings of serpents,
Tortures of the reed of waters,
From the stream of Tuonela!
'Ancient mother who hast borne me,
Who hast trained me from my childhood,
Learn, I pray thee, where I linger,
Where alas! thy son is lying,
Where thy reckless hero suffers.
Come, I pray thee, faithful mother,
Come thou quickly, thou art needed,
Come deliver me from torture,
From the death-jaws of Tuoni,
From the sacred stream and whirlpool.'
170
Northland's old and wretched shepherd,
Nasshut, the despised protector
Of the flocks of Sariola,
Throws the dying Lemminkainen,
Throws the hero of the islands,
Into Tuonela's river,
To the blackest stream of death-land,
To the worst of fatal whirlpools.
Lemminkainen, wild and daring,
Helpless falls upon the waters,
Floating down the coal-black current,
Through the cataract and rapids
To the tombs of Tuonela.
There the blood-stained son of death-land,
There Tuoni's son and hero,
Cuts in pieces Lemminkainen,
Chops him with his mighty hatchet,
Till the sharpened axe strikes flint-sparks
From the rocks within his chamber,
Chops the hero into fragments,
Into five unequal portions,
Throws each portion to Tuoni,
In Manala's lowest kingdom,
Speaks these words when he has ended:
'Swim thou there, wild Lemminkainen,
Flow thou onward in this river,
Hunt forever in these waters,
With thy cross-bow and thine arrow,
Shoot the swan within this empire,
Shoot our water-birds in welcome!'
Thus the hero, Lemminkainen,
Thus the handsome Kaukomieli,
The untiring suitor, dieth
In the river of Tuoni,
In the death-realm of Manala.
~ Elias Lönnrot,#NFDB
611:The Legend Of Lady Gertrude
I.
Fallen the lofty halls, where vassal crowds
Drank in the dawn of Gertrude's natal day.
The dungeon roof an Alpine snow-wreath shrouds,
The strong, wild eagle's eyrie in the clouds—
The robber-baron's nest—is swept away.
II.
Bare is the mountain brow of lordly towers;
Only the sunbeams stay, the moon and stars,
The faithful saxifrage and gentian flowers,
The silvery mist, and soft, white, crystal showers,
And torrents rushing through their rocky bars.
III.
More than three hundred years ago, the flag
Charged with that dread device, an Alpine bear—
By many storm-winds rent—a grim, grey rag—
Floated above the castle on the crag,
Above the last whose heads were shelter'd there.
IV.
He was the proudest of an ancient race,
The fiercest of the robber chieftain's band,
That haughty Freiherr, with the iron face:
And she—his lady-sister, by God's grace—
The sweetest, gentlest maiden in the land.
V.
'Twas a rude nest for such a tender bird,
That lonely fortress, with its warrior-lord.
Aye drunken revels the night-stillness stirred;
From morn till eve the battle-cries were heard,
The sound of jingling spur and clanking sword.
VI.
And Lady Gertrude was both young and fair,
A mark for lawless hearts and roving eyes,—
209
With sweet, grave face, and amber-tinted hair,
And a low voice soft-thrilling through the air,
Filling it full of subtlest melodies.
VII.
But the great baron, proudest of his line,
Fetter'd, with jealous care, his white dove's wing;
Guarded his treasure in an inner shrine,
Till such a day as knightly hands should twine
Her slender fingers with the marriage-ring.
VIII.
From all her household rights was she debarred—
Her chair and place within the castle-hall,
Her palfrey's saddle in the castle-yard,
Her nursing ministries when blows fell hard
In border struggles—she was kept from all.
IX.
A stone-paved chamber, and the parapet
Opening above its winding turret-stair;
The castle-chapel, where few men were met,—
Round these the brother's boundaries were set.
The sweet child-sister was so very fair!
X.
She had her faithful nurse, her doves, her lute,
Her broidery and her distaff, and the hound—
Best prized of all—the grand, half-human brute,
Who aye watched near her, beautiful and mute,
With ears love-quicken'd, listening from the ground.
XI.
But the wild bird, so honourably caged,
Grew sick and sad in its captivity;
Longed—like those hills which time nor storm had aged,
And those deep glens where Danube waters raged—
In God's own wind and sunshine to be free.
XII.
And on a day, when she had seen them ride,
Baron and troopers, on some border raid,
210
Wooed by the glory of the summer tide,
The hound's soft-slouching footstep at her side,
Adown the valley Lady Gertrude stray'd.
XIII.
Adown the crag, whose shadow, still and black,
Lay like the death-sleep on a mountain pool;
Through rocky glen, by silvery torrent's track,
Through forest glade, 'neath wild vines, fluttering back
From softest zephyr kisses, green and cool.
XIV.
E'en till the woods and hamlets down below,
And summer meadows, were all broad and clear;
The river, moving statelily and slow,
A crimson ribbon in the sunset glow—
The dim, white, distant city strangely near.
XV.
She sat her down, a-weary, on the ground,
With tremulous long-drawn breath and wistful eyes;
Caress'd the velvet muzzle of the hound,
And listen'd vainly for some little sound
To come up from her world of mysteries.
XVI.
She had forgotten of the time and place,
When clank of warrior's harness smote her dream.
A growl, a spring, a shadow on her face,
And one strode up, with slow and stately pace,
And stood before her in the soft sun-gleam.
XVII.
An armèd knight, in noblest knightly guise,
From golden spur to golden dragon-crest;
Through open vizor gazing with surprise
Into the fair, flush'd face and startled eyes,
While horse and hound stood watchfully at rest.
XVIII.
The sun went down, and, with long, stealthy stride,
The shadows came, blurring the summer light;
211
And there was none the lady's step to guide
Up the lost pathway on the mountain-side—
None to protect her but this stranger knight!
XIX.
He placed her gently on his dappled grey,
Clothed in his mantle—for the air was chill;
He led her all the long and devious way,
Through glens, where starless night held royal sway,
And vine-tressed woodlands, where the leaves were still:
XX.
Through pathless ravines, where swift waters roll'd;
Up dark crag-ramparts, perilously steep,
Where eagles and a she-bear watch'd the fold;—
Facing the mountain breezes, clear and cold—
In shy, sweet silence, eloquent and deep.
XXI.
Holding his charger by the bridle-rein,
He led her through the robber-chieftain's lands;
Led her, unchallenged by the baron's train,
E'en to the low-brow'd castle-gate again,
And there he humbly knelt to kiss her hands.
XXII.
Brave lips, o'er tender palms bent down so low,
Silent and reverent, as it were to bless—
'Twas e'en a knightly love they did bestow,
Love true as steel and undefiled as snow;
No common courtesy, no light caress.
XXIII.
He rode away; and she to turret-lair
Sped, swift and trembling, like a hunted doe.
But wherefore, on the loopholed winding stair
Knelt she till morning, weeping, watching there?—
Because he was her brother's deadliest foe.
XXIV.
Because the golden dragon's blood had mixt
In all those mountain streams, had dyed the grass
212
Now trodden for her sake; because betwixt
Those two proud barons such a gulf was fixt
As never bridge of peace might overpass.
XXV.
A bitter, passionate feud, that was begun
In ages long forgotten, and bequeath'd
With those rich baronies by sire to son—
A sacred charge, a great work never done,
A sharp and fiery weapon never sheath'd.
XXVI.
Yet, e'er a month slipped by, as summer slips
On noiseless wings, another kiss was laid,
Not on white palms or rosy finger-tips,
But softly on shut eyes and quivering lips;
And vows were sealèd in the forest glade.
XXVII.
The robber baron, who had hedged about
That fairest blossom of the sacred plant,
Saw he the insolent mailèd hand stretch'd out
To break down all his barriers, strong and stout?
Knew he aught of that gracious covenant?
XXVIII.
His pride serenely slept. Nor did it wake
Till, in amaze, he saw his enemy stand
In his own castle, praying him to take
The pledge of peace for Lady Gertrude's sake—
Praying him humbly for the lady's hand.
XXIX.
Slowly the knitted brows grew fierce and black;
Slowly the eagle eyes began to shine.
“Sir knight,” he said, “I pray you get you back.
But one hour—and the Bears are on your track.
There's naught but fire and sword 'twixt mine and thine.”
XXX.
And then the doors were barred on every side
213
Upon the innocent traitor, who had done
Such doubly-shameful despite to his pride.
Mocking, “I'll satisfy your heart,” he cried,
“An' you will have a husband, pretty one!”
XXXI.
Yet did she send a message stealthily,
Spurred by the torture of this ominous threat.
“Thou wilt not suffer it?” she said. And he,
“Fear not. To-morrow will I come for thee,—
At eve to-morrow, when the sun has set.”
XXXII.
And on the morrow, when the autumn light
Of red and gold had faded into grey,
She heard his signal up the echoing height,
Like hoarse owl-whistle, quivering through the night;
And in the dark she softly slipped away.
XXXIII.
Her faithful nurse, with trembling hands, untwined
The new-forged fetters and drew back the bars.
The hound look'd up into her face, and whined,
And scratch'd the door; he would not stay behind.
And so she went—watch'd only by the stars.
XXXIV.
Adown the mountain passes, with wing'd feet
And bright, blank eyes—her hand fast clutch'd around
A ragged slip of myrtle, white and sweet;
The hound beside her, velvet-footed, fleet
And silent, with his muzzle to the ground.
XXXV.
The knight was waiting, with his dappled steed,
Hard by the black brink of the waveless pool.
In his strong, tender arms—now safe indeed—
She cross'd the valley, with the wild bird's speed,
Fanned by the whispering night-wind, clear and cool.
XXXVI.
Away—away—far from the trysting-place—
214
Over the blood-stain'd border-lands at last!
One wandering hind alone beheld the race;
A sudden rush—a shadow on his face—
A glint of golden scales—and she was past.
XXXVII.
She felt the shadow of a mighty wall,
And then the glow of torchlight, and again
The gloom of cloister'd stair and passage, fall
Upon her vacant eyes. She heard a call;
And, in the echoing mountains, its refrain.
XXXVIII.
Then all around her a great silence lay;
She knew not why, nor greatly seem'd to care,
Till, in low tones, she heard the baron say,
“Hast thou confess'd, my little one, to-day?”—
The while he weaved the myrtle in her hair.
XXXIX.
She glanced up suddenly, in blank amaze;
And then remember'd. 'Twas an altar, hung
With silk and rich embroidery, met her gaze;
'Twas perfumed, waxen altar-tapers' blaze
On her chill'd face and troubled spirit flung.
XL.
A holy father, with his open book,
Stood by the threshold of the chapel door.
Slowly, with bated breath and hands that shook,
Soft-clasped together—drawn with but a look—
She went, and knelt down humbly on the floor.
XLI.
The baron left her, lowly crouching there,
Her bright, starred tresses trailing on the stones;
And waited, kneeling on the altar-stair—
Holding his sword-hilt to his lips, in prayer—
The while she pleaded in her tremulous tones.
XLII.
A warning voice upon the still air dwelt,
215
A long, low cry of mingled hope and dread;—
A pause—a solemn silence—and she felt
The sweet absolving whisper as she knelt,
And hands of blessing covering her head.
XLIII.
The knight arose in silence, with a brow
Haughty and pale; and, softly drawing nigh,—
Love, life, and death in the new “I and thou”—
He gave and took each solemn marriage vow,
With all his arm'd retainers standing by.
XLIV.
The soft light fell upon their faces—still,
And calm, and full of rest. None now to part
The golden link between them!—naught to chill
The blest assurance that the father's will
Laid hand in hand, and gather'd heart to heart.
XLV.
And so 'twas done. Each finger now had worn
The rings that aye ring'd in the double life;
From each the pledge had been withdrawn in turn,
As one by one the hallow'd oaths were sworn;
And Lady Gertrude was the baron's wife.
XLVI.
He led her to her chamber, when the glow
Of dawn began to quicken earth and sky;
They watch'd the rosy wine-cup overflow
The pale, cool, silvery track upon the snow
Of Alpine crests, uplifted far and high.
XLVII.
They saw the mountain floodgates open'd wide,
The downward streaming of unfetter'd day;
In blessed stillness, standing side by side—
Stillness that told how they were satisfied,
Those hearts whereon the new-born glamour lay.
XLVIII.
And then, down cloister'd aisle and sculptured stair,
216
Through open courts, all bathed in shining mist,
They pass'd together, knight and lady fair;
She with the matron's coif upon her hair,
Her golden hair by lip and finger kiss'd.
XLIX.
He throned her proudly in his castle hall,
High on the daïs above the festive board,
'Neath shields and pennons drooping from the wall;
And they below the salt rose, one and all,
To greet the bride of their puissant lord.
L.
Loud were the shouts, and fair with smiling grace
The blue eyes of the lady baroness;
And bright and eager was the haughty face
Of her brave husband, towering in his place,
Yet aye low-stooping for a mute caress.
LI.
There came a sudden pause—a thunder-cloud,
Darkening the sunshine of the golden noon—
An ominous stillness in the armèd crowd,
While slowly stiffening lips, all stern and proud,
Shut in the kindly laughter—all too soon!
LII.
“To arms! To arms!” A passionate crimson flush
Rose, sank, and blanched the fair face of the bride.
“To arms!” The cry smote sharply on the hush,
And broke it;—all was one tumultuous rush—
“The Bears have cross'd the border-land!” they cried.
LIII.
But a few hours had Lady Gertrude dwelt
With her dear lord. Sad honours now were hers,
With white, hot hands she clasp'd his silver belt;
She held his dinted shield and sword; and knelt,
Like lowly squire, to don his golden spurs.
LIV.
“Thou wilt not fight with him?—thou wilt forbear
217
For my sake?” So she pleaded, while the sun
Shone on her falling tears—each tear a prayer.
He whisper'd gravely, as he kissed her hair,
“I know not if I can, my little one.”
LV.
She held his hands, with infinite mute desire
To hold him back; then watch'd him to the field
With hungry, feverish eyes that could not tire,
Till sunny space absorb'd the fitful fire
Of the bright dragons on his crest and shield.
LVI.
When he was gone—quite gone—she crept away,
Back to the castle chapel, still and dim;
And knelt where he had knelt but yesterday,
Low on the altar step, to watch and pray—
To pour her heart out for the love of him.
LVII.
Her bower-maidens sat alone and spun
The while she pray'd, the terror-stricken wife.
The long hours slowly wanèd, one by one,
And evening came, and, with the setting sun,
The sudden darkness that eclipsed her life.
LVIII.
She listen'd, and she heard the sound at last,—
The ominous pause, the heavy, clanging tread;
She saw the strange, long shadow weirdly cast
Upon the floor, the red blood streaming fast,
The dear face grey and stiffen'd;—he was dead!
LIX.
“Ay, dead, my lady baroness; and slain
By him you call your brother. Curses light
Upon his caitiff soul! Ah, 'tis in vain
To murmur thus,—he will not hear again—
He cannot heed your whisperings to-night.”
LX.
She lay down on her bridal couch—the stone
218
Whereon he lay in his eternal rest;
They, pitying, pass'd out, leaving her alone,
To kiss the rigid lips, and cry, and moan,
With her white face upon his bleeding breast.
LXI.
'Twas night—wakeful, restless, troubled night,
Both wild and soft—fair;
With clouds fast flying through the domheight,
And shrieking winds, and silvery shining light,
And clear bells piercing the transparent air.
LXII.
Down vale and fell a lonely figure stray'd,—
Now a dark shadow on the moonlit ground,
Now flickering white and ghostly in the shade
Of haunted glen and scented forest-glade—
A woman, watched and followed by a hound.
LXIII.
'Twas Lady Gertrude, widow'd and forlorn,
Returning to the wild birds' mountain nest;
Sent out with smiling insult and with scorn,
And creeping to the home where she was born,
To hide her sorrow, to lie down and rest.
LXIV.
She reach'd the gate and cross'd the castle-yard,
And stood upon the threshold, chill'd with fear.
The baron rose and faced her, breathing hard:
“Troopers,” he thunder'd, “let the doors be barred
And double-barred!—we'll have no traitors here.”
LXV.
Such was her welcome. As she turn'd away,
Groping with sightless eyes and hands outspread,
The hound, unnoticed, slowly made his way
Along the hall, as if in track of prey,
With glistening teeth and stealthy velvet tread.
219
LXVI.
There was no clarion cry, none heard the sound
Of knightly challenge, till the champion rose,
Avenging. Lo! they saw upon the ground
The baron struggling with the savage hound,
And grim death grimly waiting for the close!
LXVII.
'Twas done. He lay there unassoilzied, dead,
Ere scarcely fell'd by the relentless paws.
And the fierce hound, with painful, limping tread,
Was following still where Lady Gertrude led,
His own red life-blood dripping from his jaws.
LXVIII.
'Neath shadowy glades, with moonbeams interlaced,
Through valleys, at day—dawning, soft and dim,
Up mountain steeps at sunrise—uplands paced
By her dead lord in childhood—she retraced
The long miles stretching betwixt her and him.
LXIX.
She reach'd the castle, ere the torches' glare
Had wanèd in the brightness of the sky—
Another lord than hers was feasting there!
She shudder'd at the sounds that fill'd the air,
Of drunken laughter and loud revelry,
LXX.
And softly up the cloister'd stairs she crept,
Back to the lonely chapel, where all sound
Of human life in solemn silence slept.
With weary heart and noiseless feet she stept
Beneath the doorway into hallow'd ground.
LXXI.
Low at the altar, wrapped in slumber sweet
And still and deep, her murder'd lord lay here;
With waxen tapers at his head and feet—
Forcing reluctant darkness to retreat—
And cross-embroider'd pall upon his bier.
220
LXXII.
The blood-hound blindly stumbled, and fell prone
Across the threshold. Something came and prest
His huge head downward, stiffening him to stone.
And Lady Gertrude, passing up alone,
Spread her white arms above the baron's breast.
LXXIII.
The weapons which his lowly coffin bore—
His sword and spurs, his helm and shield and belt—
Like him, to rest from battle evermore,
Whose long-drawn shadows barred the chapel floor,—
She kiss'd them, for his dear sake, as she knelt.
LXXIV.
She laid her cheek upon the velvet pall,
With one long, quivering sigh; and tried to creep
Where the soft shadow of the rood would fall,
'Mid light of sunrise and of tapers tall,
Upon them both, and there she fell asleep.
LXXV.
She woke no more. But where her track had been,
On that last night, became a haunted ground.
And when the wild wind blows upon the sheen
Of summer moonlight, there may still be seen
The phantom of a lady and a hound.
~ Ada Cambridge,#NFDB
612:SCENE I. A part of the Forest.
Enter CONRAD and AURANTHE.
Auranthe. Go no further; not a step more; thou art
A master-plague in the midst of miseries.
Go I fear thee. I tremble every limb,
Who never shook before. There's moody death
In thy resolved looks Yes, I could kneel
To pray thee far away. Conrad, go, go
There! yonder underneath the boughs I see
Our horses!
Conrad. Aye, and the man.
Auranthe. Yes, he is there.
Go, go, no blood, no blood; go, gentle Conrad!
Conrad. Farewell!
Auranthe. Farewell, for this Heaven pardon you.
[Exit AURANTHE,
Conrad. If he survive one hour, then may I die
In unimagined tortures or breathe through
A long life in the foulest sink of the world!
He dies 'tis well she do not advertise
The caitiff of the cold steel at his back.
[Exit CONRAD.
Enter LUDOLPH and PAGE.
Ludolph. Miss'd the way, boy, say not that on your peril!
Page. Indeed, indeed I cannot trace them further.
Ludolph. Must I stop here? Here solitary die?
Stifled beneath the thick oppressive shade
Of these dull boughs, this oven of dark thickets,
Silent, without revenge? pshaw! bitter end,
A bitter death, a suffocating death,
A gnawing silent deadly, quiet death!
Escaped? fled? vanish'd? melted into air?
She's gone! I cannot clutch her! no revenge!
A muffled death, ensnar'd in horrid silence!
Suck'd to my grave amid a dreamy calm!
O, where is that illustrious noise of war,
To smother up this sound of labouring breath,
This rustle of the trees!
[AURANTHE shrieks at a distance.
Page. My Lord, a noise!
This way hark!
Ludolph. Yes, yes! A hope! A music!
A glorious clamour! How I live again! [Exeunt.
SCENE II. Another part of the Forest,
Enter ALBERT (wounded).
Albert. O for enough life to support me on
To Otho's feet
Enter LUDOLPH.
Ludolph. Thrice villainous, stay there
Tell me where that detested woman is
Or this is through thee!
Albert. My good Prince, with me
The sword has done its worst; not without worst
Done to another Conrad has it home
I see you know it all
Ludolph. Where is his sister?
AURANTHE rushes in.
Auranthe. Albert!
Ludolph. Ha! There! there! He is the paramour I
There hug him dying! O, thou innocence,
Shrine him and comfort him at his last gasp,
Kiss down his eyelids! Was he not thy love?
Wilt thou forsake him at his latest hour?
Keep fearful and aloof from his last gaze,
His most uneasy moments, when cold death
Stands with the door ajar to let him in?
Albert. O that that door with hollow slam would close
Upon me sudden, for I cannot meet,
In all the unknown chambers of the dead,
Such horrors
Ludolph. Auranthe! what can he mean?
What horrors? Is it not a joyous time?
Am I not married to a paragon
"Of personal beauty and untainted soul"?
A blushing fair-eyed Purity! A Sylph,
Whose snowy timid hand has never sin'd
Beyond a flower pluck'd, white as itself?
Albert, you do insult my Bride your Mistress
To talk of horrors on our wedding night.
Albert. Alas! poor Prince, I would you knew my heart.
'Tis not so guilty
Ludolph. Hear you he pleads not guilty
You are not? or if so what matters it?
You have escap'd me, free as the dusk air
Hid in the forest safe from my revenge;
I cannot catch you--You should laugh at me,
Poor cheated Ludolph, make the forest hiss
With jeers at me You tremble; faint at once,
You will come to again. O Cockatrice,
I have you. Whither wander those fair eyes
To entice the Devil to your help, that he
May change you to a Spider, so to crawl
Into some cranny to escape my wrath?
Albert. Sometimes the counsel of a dying man
Doth operate quietly when his breath is gone
Disjoin those hands part--part, do not destroy
Each other forget her our miseries
Are equal shar'd, and mercy is
Ludolph. A boon
When one can compass it. Auranthe, try
Your oratory your breath is not so hitch'd
Aye, stare for help
[ALBERT groans and dies.
There goes a spotted soul
Howling in vain along the hollow night
Hear him he calls you Sweet Auranthe, come!
Auranthe. Kill me.
Ludolph. No! What? upon our Marriage-night!
The earth would shudder at so foul a deed
A fair Bride, a sweet Bride, an innocent Bride!
No, we must revel it, as 'tis in use
In times of delicate brilliant ceremony:
Come, let me lead you to our halls again
Nay, linger not make no resistance sweet
Will you Ah wretch, thou canst not, for I have
The strength of twenty lions 'gainst a lamb
Now one adieu for Albert come away.
[Exeunt.
SCENE III. An inner Court of the Castle.
Enter SIGIFRED, GONFRED, and THEODORE meeting.
Theodore. Was ever such a night?
Sigifred. What horrors more?
Things unbeliev'd one hour, so strange they are,
The next hour stamps with credit.
Theodore. Your last news ?
Gonfred. After the Page's story of the death
Of Albert and Duke Conrad?
Sigifred. And the return
Of Ludolph with the Princess.
Gonfred. No more save
Prince Gersa's freeing Abbot Ethelbert,
And the sweet lady, fair Erminia,
From prison.
Theodore. Where are they now? hast yet heard?
Gonfred. With the sad Emperor they are closeted ;
I saw the three pass slowly up the stairs,
The lady weeping, the old Abbot cowl'd.
Sigifred. What next?
Thedore. I ache to think on't.
Gonfred. Tis with fate.
Theodore. One while these proud towers are hush'd as death.
Gonfred. The next our poor Prince fills the arched rooms
With ghastly ravings.
Sigifred. I do fear his brain.
Gonfred. I will see more. Bear you so stout a heart?
[Exeunt into the Castle.
SCENE IV. A Cabinet, opening towards a Terrace.
OTHO, ERMINIA, ETHELBERT, and a Physician, discovered.
Otho. O, my poor Boy! my Son! my Son! My Ludolph!
Have ye no comfort for me, ye Physicians
Of the weak Body and Soul?
Ethelbert. Tis not the Medicine
Either of heaven or earth can cure unless
Fit time be chosen to administer
Otho. A kind forbearance, holy Abbot come
Erminia, here sit by me, gentle Girl;
Give me thy hand hast thou forgiven me?
Erminia. Would I were with the saints to pray for you!
Otho. Why will ye keep me from my darling child?
Physician. Forgive me, but he must not see thy face
Otho. Is then a father's countenance a Gorgon?
Hath it not comfort in it? Would it not
Console my poor Boy, cheer him, heal his spirits?
Let me embrace him, let me speak to him
I will who hinders me? Who's Emperor?
Physician. You may not, Sire 'twould overwhelm him quite,
He is so full of grief and passionate wrath,
Too heavy a sigh would kill him or do worse.
He must be sav'd by fine contrivances
And most especially we must keep clear
Out of his sight a Father whom he loves
His heart is full, it can contain no more,
And do its ruddy office.
Ethelbert. Sage advice;
We must endeavour how to ease and slacken
The tight-wound energies of his despair,
Not make them tenser
Otho. Enough! I hear, I hear.
Yet you were about to advise more I listen.
Ethelbert. This learned doctor will agree with me,
That not in the smallest point should he be thwarted
Or gainsaid by one word his very motions,
Nods, becks and hints, should be obey'd with care,
Even on the moment: so his troubled mind
May cure itself
Physician. There is no other means.
Otho. Open the door: let's hear if all is quiet
Physician. Beseech you, Sire, forbear.
Erminia. Do, do.
Otho. I command!
Open it straight hush! quiet my lost Boy!
My miserable Child!
Ludolph (indistinctly without). Fill, fill my goblet,
Here's a health!
Erminia. O, close the door!
Otho. Let, let me hear his voice; this cannot last
And fain would I catch up his dying words
Though my own knell they be this cannot last
O let me catch his voice for lo! I hear
This silence whisper me that he is dead!
It is so. Gersa?
Enter GERSA.
Physician. Say, how fares the prince?
Gersa. More calm his features are less wild and flushed
Once he complain'd of weariness
Physician. Indeed!
'Tis good 'tis good let him but fall asleep,
That saves him.
Otho. Gersa, watch him like a child
Ward him from harm and bring me better news
Physician. Humour him to the height. I fear to go;
For should he catch a glimpse of my dull garb,
It might affright him fill him with suspicion
That we believe him sick, which must not be
Gersa. I will invent what soothing means I can.
[Exit GERSA.
Physician. This should cheer up your Highness weariness
Is a good symptom, and most favourable
It gives me pleasant hopes. Please you walk forth
Onto the Terrace; the refreshing air
Will blow one half of your sad doubts away.
[Exeunt.
SCENE V. A Banqueting Hall, brilliantly illuminated, and set forth
with all costly magnificence, with Supper-tables, laden with services
of Gold and Silver. A door in the back scene, guarded by two Soldiers.
Lords, Ladies, Knights, Gentlemen, &c., whispering sadly,
and ranging themselves; part entering and part discovered.
First Knight. Grievously are we tantaliz'd, one and all
Sway'd here and there, commanded to and fro
As though we were the shadows of a dream
And link'd to a sleeping fancy. What do we here?
Gonfred. I am no Seer you know we must obey
The prince from A to Z though it should be
To set the place in flames. I pray hast heard
Where the most wicked Princess is?
First Knight. There, Sir,
In the next room have you remark'd those two
Stout soldiers posted at the door?
Gonfred. For what?
[They whisper.
First Lady. How ghast a train!
Second Lady. Sure this should be some splendid burial.
First Lady. What fearful whispering! See, see, Gersa there.
Enter GERSA.
Gersa. Put on your brightest looks; smile if you can;
Behave as all were happy; keep your eyes
From the least watch upon him ;
if he speaks
To any one, answer collectedly,
Without surprise, his questions, howe'er strange.
Do this to the utmost, though, alas! with me
The remedy grows hopeless! Here he comes,
Observe what I have said, show no surprise.
Enter LUDOLPH, followed by SIGIFRED and Page.
Ludolph. A splendid company! rare beauties here!
I should have Orphean lips, and Plato's fancy,
Amphion's utterance, toned with his lyre,
Or the deep key of Jove's sonorous mouth,
To give fit salutation. Methought I heard,
As I came in, some whispers, what of that?
'Tis natural men should whisper; at the kiss
Of Psyche given by Love, there was a buzz
Among the gods! and silence is as natural.
These draperies are fine, and, being a mortal,
I should desire no better; yet, in truth,
There must be some superiour costliness,
Some wider-domed high magnificence!
I would have, as a mortal I may not,
Hanging of heaven's clouds, purple and gold,
Slung from the spheres; gauzes of silver mist,
Loop'd up with cords of twisted wreathed light,
And tassell'd round with weeping meteors!
These pendent lamps and chandeliers are bright
As earthly fires from dull dross can be cleansed;
Yet could my eyes drink up intenser beams
Undazzled, this is darkness, when I close
These lids, I see far fiercer brilliances,
Skies full of splendid moons, and shooting stars,
And spouting exhalations, diamond fires,
And panting fountains quivering with deep glows!
Yes this is dark is it not dark?
Sigifred. My Lord,
'Tis late; the lights of festival are ever
Quench'd in the morn.
Ludolph. 'Tis not to-morrow then?
Sigifred. Tis early dawn.
Gersa. Indeed full time we slept;
Say you so, Prince?
Ludolph. I say I quarreled with you ; We did not tilt each other, that's a blessing,
Good gods! no innocent blood upon my head!
Sigifred. Retire, Gersa!
Ludolph. There should be three more here:
For two of them, they stay away perhaps,
Being gloomy-minded, haters of fair revels,
They know their own thoughts best.
As for the third,
Deep blue eyes semi-shaded in white lids,
Finished with lashes fine for more soft shade,
Completed by her twin-arch'd ebon brows
White temples of exactest elegance,
Of even mould felicitous and smooth
Cheeks fashioned tenderly on either side,
So perfect, so divine that our poor eyes
Are dazzled with the sweet proportioning,
And wonder that 'tis so, the magic chance!
Her nostrils, small, fragrant, faery-delicate;
Her lips -I swear no human bones e'er wore
So taking a disguise you shall behold her!
We'll have her presently; aye, you shall see her,
And wonder at her, friends, she is so fair
She is the world's chief Jewel, and by heaven
She's mine by right of marriage she is mine!
Patience, good people, in fit time I send
A Summoner she will obey my call,
Being a wife most mild and dutiful.
First I would hear what music is prepared
To herald and receive her let me hear!
Sigifred. Bid the musicians soothe him tenderly.
[A soft strain of Music.
Ludolph. Ye have none better no I am content;
'Tis a rich sobbing melody, with reliefs
Full and majestic; it is well enough,
And will be sweeter, when ye see her pace
Sweeping into this presence, glisten'd o'er
With emptied caskets, and her train upheld
By ladies, habited in robes of lawn,
Sprinkled with golden crescents; (others bright
In silks, with spangles shower'd,) and bow'd to
By Duchesses and pearled Margravines
Sad, that the fairest creature of the earth
I pray you mind me not 'tis sad, I say,
That the extremest beauty of the world
Should so entrench herself away from me,
Behind a barrier of engender 'd guilt!
Second Lady. Ah! what a moan!
First Knight. Most piteous indeed!
Ludolph. She shall be brought before this company,
And then then
First Lady. He muses.
Gersa. O, Fortune, where will this end?
Sigifred. I guess his purpose! Indeed he must not have
That pestilence brought in, that cannot be,
There we must stop him.
Gersa. I am lost! Hush, hushl
He is about to rave again.
Ludolph. A barrier of guilt! I was the fool.
She was the cheater! Who's the cheater now,
And who the fool? The entrapp'd, the caged fool,
The bird-limy raven? She shall croak to death
Secure! Methinks I have her in my fist,
To crush her with my heel! Wait, wait! I marvel
My father keeps away: good friend, ah! Sigifred!
Do bring him to me and Erminia
I fain would see before I sleep and Ethelbert,
That he may bless me, as I know he will
Though I have curs'd him.
Sigifred. Rather suffer me
To lead you to them
Ludolph. No, excuse me, no
The day is not quite done go bring them hither.
[Exit SIGIFRED.
Certes, a father's smile should, like sunlight,,
Slant on my sheafed harvest of ripe bliss
Besides, I thirst to pledge my lovely Bride
In a deep goblet: let me see what wine?
The strong Iberian juice, or mellow Greek?
Or pale Calabrian? Or the Tuscan grape?
Or of old tna's pulpy wine presses,
Black stain'd with the fat vintage, as it were
The purple slaughter-house, where Bacchus' self
Prick'd his own swollen veins? Where is my Page?
Page. Here, here!
Ludolph. Be ready to obey me; anon thou shalt
Bear a soft message for me for the hour
Draws near when I must make a winding up
Of bridal Mysteries a fine-spun vengeance!
Carve it on my Tomb, that when I rest beneath
Men shall confess This Prince was gulled and cheated,
But from the ashes of disgrace he rose
More than a fiery Phoenix and did burn
His ignominy up in purging fires
Did I not send, Sir, but a moment past,
For my Father?
Gersa. You did.
Ludolph. Perhaps 'twould be
Much better he came not.
Gersa. He enters now!
Enter OTHO, ERMINIA, ETHELBERT, SIGIFRED, and Physician.
Ludolph. O thou good Man, against whose sacred head
I was a mad conspirator, chiefly too
For the sake of my fair newly wedded wife,
Now to be punish'd, do not look so sad!
Those charitable eyes will thaw my heart,
Those tears will wash away a just resolve,
A verdict ten times sworn! Awake awake
Put on a judge's brow, and use a tongue
Made iron-stern by habit! Thou shalt see
A deed to be applauded, 'scribed in gold!
Join a loud voice to mine, and so denounce
What I alone will execute!
Otho. Dear son,
What is it? By your father's love, I sue
That it be nothing merciless!
Ludolph. To that demon?
Not so! No! She is in temple-stall
Being garnish'd for the sacrifice, and I,
The Priest of Justice, will immolate her
Upon the altar of wrath! She stings me through!-
Even as the worm doth feed upon the nut,
So she, a scorpion, preys upon my brain!
I feel her gnawing here! Let her but vanish,
Then, father, I will lead your legions forth,
Compact in steeled squares, and speared files,
And bid our trumpets speak a fell rebuke
To nations drows'd in peace!
Otho. To-morrow, Son,
Be your word law forget to-day
Ludolph. I will
When I have finish 'd it now! now! I'm pight,
Tight-footed for the deed!
Erminia. Alas! Alas!
Ludolph. What Angels voice is that? Erminia!
Ah! gentlest creature, whose sweet innocence
Was almost murder'd; I am penitent,
Wilt thou forgive me? And thou, holy Man,
Good Ethelbert, shall I die in peace with you?
Erminia. Die, my lord!
Ludolph. I feel it possible.
Otho. Physician?
Physician. I fear me he is past my skill.
Otho. Not so!
Ludolph. I see it, I see it I have been wandering
Half-mad not right here I forget my purpose.
Bestir, bestir, Auranthe! ha! ha! ha!
Youngster! Page! go bid them drag her to me!
Obey! This shall finish it! [Draws a dagger.
Otho. O my Son! my Son!
Sigifred. This must not be stop there!
Ludolph. Am I obey'd?
A little talk with her no harm haste ! haste !
[Exit Page.
Set her before me never fear I can strike.
Several Voices. My Lord! My Lord!
Gersa. Good Prince!
Ludolph. Why do ye trouble me? out-out-out away!
There she is! take that! and that! no, no-
That's not well done Where is she?
The doors open. Enter Page. Several women are seen grouped
about AURANTHE in the inner room.
Page. Alas! My Lord, my Lord! they cannot move her!
Her arms are stiff, her fingers clench'd and cold
Ludolph. She's dead!
[Staggers and jails into their arms.
Ethelbert. Take away the dagger.
Gersa. Softly; so!
Otho. Thank God for that!
Sigifred. I fear it could not harm him.
Gersa. No! brief be his anguish!
Ludolph. She's gone I am content Nobles, good night!
We are all weary faint set ope the doors
I will to bed! To-morrow [Dies.
THE CURTAIN FALLS.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act V
,#NFDB
613:The Kalevala - Rune Xix
ILMARINEN'S WOOING.
ILMARINEN, hero-blacksmith,
The eternal metal-worker,
Hastens forward to the court-room
Of the hostess of Pohyola,
Of the master of the Northland,
Hastens through the open portals
Into Louhi's home and presence.
Servants come with silver pitchers,
Filled with Northland's richest brewing;
Honey-drink is brought and offered
To the blacksmith of Wainola,
Ilmarinen thus replying:
'I shall not in all my life-time
Taste the drink that thou hast brought me,
Till I see the Maid of Beauty,
Fairy Maiden of the Rainbow;
I will drink with her in gladness,
For whose hand I journey hither.'
Spake the hostess of Pohyola:
'Trouble does the one selected
Give to him that wooes and watches;
Not yet are her feet in sandals,
Thine affianced is not ready.
Only canst thou woo my daughter,
Only canst thou win the maiden,
When thou hast by aid of magic
Plowed the serpent-field of Hisi,
Plowed the field of hissing vipers,
Touching neither beam nor handles.
Once this field was plowed by Piru,
Lempo furrowed it with horses,
With a plowshare made of copper,
With a beam of flaming iron;
Never since has any hero
Brought this field to cultivation.'
Ilmarinen of Wainola
172
Straightway hastens to the chamber
Of the Maiden of the Rainbow,
Speaks these words in hesitation:
'Thou of Night and Dawn the daughter,
Tell me, dost thou not remember
When for thee I forged the Sampo,
Hammered thee the lid in colors?
Thou didst swear by oath the strougest,
By the forge and by the anvil,
By the tongs and by the hammer,
In the ears of the Almighty,
And before omniscient Ukko,
Thou wouldst follow me hereafter,
Be my bride, my life-companion,
Be my honored wife forever.
Now thy mother is exacting,
Will not give to me her daughter,
Till by means of magic only,
I have plowed the field of serpents,
Plowed the hissing soil of Hisi.'
The affianced Bride of Beauty
Gives this answer to the suitor:
'O, thou blacksmith, Ilmarinen,
The eternal wonder-forger,
Forge thyself a golden plowshare,
Forge the beam of shining silver,
And of copper forge the handles;
Then with ease, by aid of magic,
Thou canst plow the field of serpents,
Plow the hissing soil of Hisi.'
Ilmarinen, welcome suitor,
Straightway builds a forge and smithy,
Places gold within the furnace,
In the forge he lays the silver,
Forges then a golden plowshare,
Forges, too, a beam of silver,
Forges handles out of copper,
Forges boots and gloves of iron,
Forges him a mail of metal,
For his limbs a safe protection,
Safe protection for his body.
Then a horse of fire selecting,
173
Harnesses the flaming stallion,
Goes to plow the field of serpents,
Plow the viper-lands of Hisi.
In the field were countless vipers,
Serpents there of every species,
Crawling, writhing, hissing, stinging,
Harmless all against the hero,
Thus he stills the snakes of Lempo:
'Vipers, ye by God created,
Neither best nor worst of creatures,
Ye whose wisdom comes from Ukko,
And whose venom comes from Hisi,
Ukko is your greater Master,
By His will your heads are lifted;
Get ye hence before my plowing,
Writ-he ye through the grass and stubble,
Crawl ye to the nearest thicket,
Keep your heads beneath the heather,
Hunt our holes to Mana's kingdom
If your poison-heads be lifted,
Then will mighty Ukko smite them
'With his iron-pointed arrows,
With the lightning of his anger.'
Thus the blacksmith, Ilmarinen,
Safely plows the field of serpents,
Lifts the vipers in his plowing,
Buries them beneath the furrow,
Harmless all against his magic.
When the task had been completed,
Ilmarinen, quick returning,
Thus addressed Pohyola's hostess:
'I have plowed the field of Hisi,
Plowed the field of hissing serpents,
Stilled and banished all the vipers;
Give me, ancient dame, thy daughter,
Fairest maiden of the Northland.
Spake the hostess of Pohyola:
'Shall not grant to thee my daughter,
Shall not give my lovely virgin,
Till Tuoni's bear is muzzled,
Till Manala's wolf is conquered,
In the forests of the Death-land,
174
In the boundaries of Mana.
Hundreds have been sent to hunt him,
So one yet has been successful,
All have perished in Manala.'
Thereupon young Ilmarinen
To the maiden's chamber hastens,
Thus addresses his affianced:
'Still another test demanded,
I must go to Tuonela,
Bridle there the bear of Mana,
Bring him from the Death-land forests,
From Tuoni's grove and empire!
This advice the maiden gives him:
'O thou artist, Ilmarinen,
The eternal metal-worker,
Forge of steel a magic bridle,
On a rock beneath the water,
In the foaming triple currents;
Make the straps of steel and copper,
Bridle then the bear of Mana,
Lead him from Tuoni's forests.'
Then the blacksmith, Ilmarinen,
Forged of steel a magic bridle,
On a rock beneath the water,
In the foam of triple currents;
Made the straps of steel and copper,
Straightway went the bear to muzzle,
In the forests of the Death-land,
Spake these words in supplication:
'Terhenetar, ether-maiden,
Daughter of the fog and snow-flake,
Sift the fog and let it settle
O'er the bills and lowland thickets,
Where the wild-bear feeds and lingers,
That he may not see my coming,
May not hear my stealthy footsteps!'
Terhenetar hears his praying,
Makes the fog and snow-flake settle
On the coverts of the wild-beasts;
Thus the bear he safely bridles,
Fetters him in chains of magic,
In the forests of Tuoni,
175
In the blue groves of Manala.
When this task had been completed,
Ilmarinen, quick returning,
Thus addressed the ancient Louhi:
'Give me, worthy dame, thy daughter,
Give me now my bride affianced,
I have brought the bear of Mana
From Tuoni's fields and forests.'
Spake the hostess of Pohyola
To the blacksmith, Ilmarinen:
'I will only give my daughter,
Give to thee the Maid of Beauty,
When the monster-pike thou catchest
In the river of Tuoni,
In Manala's fatal waters,
Using neither hooks, nor fish-nets,
Neither boat, nor fishing-tackle;
Hundreds have been sent to catch him,
No one yet has been successful,
All have perished in Manala.'
Much disheartened, Ilmarinen
Hastened to the maiden's chamber,
Thus addressed the rainbow-maiden:
'Now a third test is demanded,
Much more difficult than ever;
I must catch the pike of Mana,
In the river of Tuoni,
And without my fishing-tackle,
Hard the third test of the hero!
This advice the maiden gives him:
'O thou hero, Ilmarinen,
Never, never be discouraged:
In thy furnace, forge an eagle,
From the fire of ancient magic;
He will catch the pike of Mana,
Catch the monster-fish in safety,
From the death-stream of Tuoni,
From Manala's fatal waters.'
Then the suitor, Ilmarinen,
The eternal artist-forgeman,
In the furnace forged an eagle
From the fire of ancient wisdom;
176
For this giant bird of magic
Forged he talons out of iron,
And his beak of steel and copper;
Seats himself upon the eagle,
On his back between the wing-bones,
Thus addresses he his creature,
Gives the bird of fire, this order:
'Mighty eagle, bird of beauty,
Fly thou whither I direct thee,
To Tuoni's coal-black river,
To the blue deeps of the Death-stream,
Seize the mighty fish of Mana,
Catch for me this water-monster.'
Swiftly flies the magic eagle,
Giant-bird of worth and wonder,
To the river of Tuoni,
There to catch the pike of Mana;
One wing brushes on the waters,
While the other sweeps the heavens;
In the ocean dips his talons,
Whets his beak on mountain-ledges.
Safely landing, Ilmarinen,
The immortal artist-forger,
Hunts the monster of the Death-stream,
While the eagle hunts and fishes
In the waters of Manala.
From the river rose a monster,
Grasped the blacksmith, Ilmarinen,
Tried to drag him to his sea-cave;
Quick the eagle pounced upon him,
With his metal-beak he seized him,
Wrenched his head, and rent his body,
Hurled him back upon the bottom
Of the deep and fatal river,
Freed his master, Ilmarinen.
Then arose the pike of Mana,
Came the water-dog in silence,
Of the pikes was not the largest,
Nor belonged he to the smallest;
Tongue the length of double hatchets,
Teeth as long as fen-rake handles,
Mouth as broad as triple streamlets,
177
Back as wide as seven sea-boats,
Tried to snap the magic blacksmith,
Tried to swallow Ilmarinen.
Swiftly swoops the mighty eagle,
Of the birds was not the largest,
Nor belonged he to the smallest;
Mouth as wide as seven streamlets,
Tongue as long as seven javelins,
Like five crooked scythes his talons;
Swoops upon the pike of Mana.
Quick the giant fish endangered,
Darts and flounders in the river,
Dragging down the mighty eagle,
Lashing up the very bottom
To the surface of the river;
When the mighty bird uprising
Leaves the wounded pike in water,
Soars aloft on worsted pinions
To his home in upper ether;
Soars awhile, and sails, and circles,
Circles o'er the reddened waters,
Swoops again on lightning-pinions,
Strikes with mighty force his talons
Into the shoulder of his victim;
Strikes the second of his talons
On the flinty mountain-ledges,
On the rocks with iron hardened;
From the cliffs rebound his talons,
Slip the flinty rocks o'erhanging,
And the monster-pike resisting
Dives again beneath the surface
To the bottom of the river,
From the talons of the eagle;
Deep, the wounds upon the body
Of the monster of Tuoni.
Still a third time soars the eagle,
Soars, and sails, and quickly circles,
Swoops again upon the monster,
Fire out-shooting from his pinoins,
Both his eyeballs flashing lightning;
With his beak of steel and copper
Grasps again the pike of Mana
178
Firmly planted are his talons
In the rocks and in his victim,
Drags the monster from the river,
Lifts the pike above the waters,
From Tuoni's coal-black river,
From the blue-back of Manala.
Thus the third time does the eagle
Bring success from former failures;
Thus at last the eagle catches
Mana's pike, the worst of fishes,
Swiftest swimmer of the waters,
From the river of Tuoni;
None could see Manala's river,
For the myriad of fish-scales;
Hardly could one see through ether,
For the feathers of the eagle,
Relicts of the mighty contest.
Then the bird of copper talons
Took the pike, with scales of silver,
To the pine-tree's topmost branches,
To the fir-tree plumed with needles,
Tore the monster-fish in pieces,
Ate the body of his victim,
Left the head for Ilmarinen.
Spake the blacksmith to the eagle:
'O thou bird of evil nature,
What thy thought and what thy motive?
Thou hast eaten what I needed,
Evidence of my successes;
Thoughtless eagle, witless instinct,
Thus to mar the spoils of conquest!'
But the bird of metal talons
Hastened onward, soaring upward,
Rising higher into ether,
Rising, flying, soaring, sailing,
To the borders of the long-clouds,
Made the vault of ether tremble,
Split apart the dome of heaven,
Broke the colored bow of Ukko,
Tore the Moon-horns from their sockets,
Disappeared beyond the Sun-land,
To the home of the triumphant.
179
Then the blacksmith, Ilmarinen,
Took the pike-head to the hostess
Of the ever-dismal Northland,
Thus addressed the ancient Louhi:
'Let this head forever serve thee
As a guest-bench for thy dwelling,
Evidence of hero-triumphs;
I have caught the pike of Mana,
I have done as thou demandest,
Three my victories in Death-land,
Three the tests of magic heroes;
Wilt thou give me now thy daughter,
Give to me the Maid of Beauty?'
Spake the hostess of Pohyola:
'Badly is the test accomplished,
Thou has torn the pike in pieces,
From his neck the head is severed,
Of his body thou hast eaten,
Brought to me this worthless relic!
These the words of Ilmarinen:
'When the victory is greatest,
Do we suffer greatest losses!
From the river of Tuoni,
From the kingdom of Manala,
I have brought to thee this trophy,
Thus the third task is completed.
Tell me is the maiden ready,
Wilt thou give the bride affianced?
Spake the hostess of Pohyola:
'I will give to thee my daughter,
Will prepare my snow-white virgin,
For the suitor, Ilmarinen;
Thou hast won the Maid of Beauty,
Bride is she of thine hereafter,
Fit companion of thy fireside,
Help and joy of all thy lifetime.'
On the floor a child was sitting,
And the babe this tale related.
'There appeared within this dwelling,
Came a bird within the castle,
From the East came flying hither,
From the East, a monstrous eagle,
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One wing touched the vault of heaven,
While the other swept the ocean;
With his tail upon the waters,
Reached his beak beyond the cloudlets,
Looked about, and eager watching,
Flew around, and sailing, soaring,
Flew away to hero-castle,
Knocked three times with beak of copper
On the castle-roof of iron;
But the eagle could not enter.
'Then the eagle, looking round him,
Flew again, and sailed, and circled,
Flew then to the mothers' castle,
Loudly rapped with heavy knocking
On the mothers' roof of copper;
But the eagle could not enter.
'Then the eagle, looking round him,
Flew a third time, sailing, soaring,
Flew then to the virgins' castle,
Knocked again with beak of copper,
On the virgins' roof of linen,
Easy for him there to enter;
Flew upon the castle-chimney,
Quick descending to the chamber,
Pulled the clapboards from the studding,
Tore the linen from the rafters,
Perched upon the chamber-window,
Near the walls of many colors,
On the cross-bars gaily-feathered,
Looked upon the curly-beaded,
Looked upon their golden ringlets,
Looked upon the snow-white virgins,
On the purest of the maidens,
On the fairest of the daughters,
On the maid with pearly necklace,
On the maiden wreathed in flowers;
Perched awhile, and looked, admiring,
Swooped upon the Maid of Beauty,
On the purest of the virgins,
On the whitest, on the fairest,
On the stateliest and grandest,
Swooped upon the rainbow-daughter
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Of the dismal Sariola;
Grasped her in his mighty talons,
Bore away the Maid of Beauty,
Maid of fairest form and feature,
Maid adorned with pearly necklace,
Decked in feathers iridescent,
Fragrant flowers upon her bosom,
Scarlet band around her forehead,
Golden rings upon her fingers,
Fairest maiden of the Northland.'
Spake the hostess of Pohyola,
When the babe his tale had ended:
'Tell me bow, my child beloved,
Thou hast learned about the maiden,
Hast obtained the information,
How her flaxen ringlets nestled,
How the maiden's silver glistened,
How the virgin's gold was lauded.
Shone the silver Sun upon thee,
Did the moonbeams bring this knowledge?'
From the floor the child made answer:
'Thus I gained the information,
Moles of good-luck led me hither,
To the home, of the distinguished,
To the guest-room of the maiden,
Good-name bore her worthy father,
He that sailed the magic vessel;
Better-name enjoyed the mother,
She that baked the bread of barley,
She that kneaded wheaten biscuits,
Fed her many guests in Northland.
'Thus the information reached me,
Thus the distant stranger heard it,
Heard the virgin had arisen:
Once I walked within the court-yard,
Stepping near the virgin's chamber,
At an early hour of morning,
Ere the Sun had broken slumber
Whirling rose the soot in cloudlets,
Blackened wreaths of smoke came rising
From the chamber of the maiden,
From thy daughter's lofty chimney;
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There the maid was busy grinding,
Moved the handles of the millstone
Making voices like the cuckoo,
Like the ducks the side-holes sounded,
And the sifter like the goldfinch,
Like the sea-pearls sang the grindstones.
'Then a second time I wandered
To the border of the meadow
In the forest was the maiden
Rocking on a fragrant hillock,
Dyeing red in iron vessels,
And in copper kettles, yellow.
'Then a third time did I wander
To the lovely maiden's window;
There I saw thy daughter weaving,
Heard the flying of her shuttle,
Heard the beating of her loom-lathe,
Heard the rattling of her treddles,
Heard the whirring of her yarn-reel.'
Spake the hostess of Pohyola:
'Now alas! beloved daughter,
I have often taught this lesson:
'Do not sing among the pine-trees,
Do not call adown the valleys,
Do not hang thy head in walking,
Do not bare thine arms, nor shoulders,
Keep the secrets of thy bosom,
Hide thy beauty and thy power.'
'This I told thee in the autumn,
Taught thee in the summer season,
Sang thee in the budding spring-time,
Sang thee when the snows were falling:
'Let us build a place for hiding,
Let us build the smallest windows,
Where may weave my fairest daughter,
Where my maid may ply her shuttle,
Where my joy may work unnoticed
By the heroes of the Northland,
By the suitors of Wainola.''
From the floor the child made answer,
Fourteen days the young child numbered;
'Easy 'tis to hide a war-horse
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In the Northland fields and stables;
Hard indeed to hide a maiden,
Having lovely form and features!
Build of stone a distant castle
In the middle of the ocean,
Keep within thy lovely maiden,
Train thou there thy winsome daughter,
Not long hidden canst thou keep her.
Maidens will not grow and flourish,
Kept apart from men and heroes,
Will not live without their suitors,
Will not thrive without their wooers;
Thou canst never hide a maiden,
Neither on the land nor water.'
Now the ancient Wainamoinen,
Head down-bent and heavy-hearted,
Wanders to his native country,
To Wainola's peaceful meadows,
To the plains of Kalevala,
Chanting as he journeys homeward:
'I have passed the age for wooing,
Woe is me, rejected suitor,
Woe is me, a witless minstrel,
That I did not woo and marry,
When my face was young and winsome,
When my hand was warm and welcome!
Youth dethrones my age and station,
Wealth is nothing, wisdom worthless,
When a hero goes a-wooing
With a poor but younger brother.
Fatal error that a hero
Does not wed in early manhood,
In his youth does not be master
Of a worthy wife and household.'
Thus the ancient Wainamoinen
Sends the edict to his people:
'Old men must not go a-wooing,
Must not swim the sea of anger,
Must not row upon a wager,
Must not run a race for glory,
With the younger sons of Northland.'
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~ Elias Lönnrot,#NFDB
614:The Kalevala - Rune Xvii
WAINAMOINEN FINDS THE LOST-WORD.
Wainamoinen, old and truthful,
Did not learn the words of magic
In Tuoni's gloomy regions,
In the kingdom of Manala.
Thereupon he long debated,
Well considered, long reflected,
Where to find the magic sayings;
When a shepherd came to meet him,
Speaking thus to Wainamoinen:
'Thou canst find of words a hundred,
Find a thousand wisdom-sayings,
In the mouth of wise Wipunen,
In the body of the hero;
To the spot I know the foot-path,
To his tomb the magic highway,
Trodden by a host of heroes;
Long the distance thou must travel,
On the sharpened points of needles;
Then a long way thou must journey
On the edges of the broadswords;
Thirdly thou must travel farther
On the edges of the hatchets.'
Wainamoinen, old and trustful,
Well considered all these journeys,
Travelled to the forge and smithy,
Thus addressed the metal-worker:
'Ilmarinen, worthy blacksmith,
Make a shoe for me of iron,
Forge me gloves of burnished copper,
Mold a staff of strongest metal,
Lay the steel upon the inside,
Forge within the might of magic;
I am going on a journey
To procure the magic sayings,
Find the lost-words of the Master,
From the mouth of the magician,
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From the tongue of wise Wipunen.'
Spake the artist, Ilmarinen:
'Long ago died wise Wipunen,
Disappeared these many ages,
Lays no more his snares of copper,
Sets no longer traps of iron,
Cannot learn from him the wisdom,
Cannot find in him the lost-words.'
Wainamoinen, old and hopeful,
Little heeding, not discouraged,
In his metal shoes and armor,
Hastens forward on his journey,
Runs the first day fleetly onward,
On the sharpened points of needles;
'Wearily he strides the second,
On the edges of the broadswords
Swings himself the third day forward,
On the edges of the hatchets.
Wise Wipunen, wisdom-singer,
Ancient bard, and great magician,
With his magic songs lay yonder,
Stretched beside him, lay his sayings,
On his shoulder grew the aspen,
On each temple grew the birch-tree,
On his mighty chin the alder,
From his beard grew willow-bushes,
From his mouth the dark green fir-tree,
And the oak-tree from his forehead.
Wainamoinen, coming closer,
Draws his sword, lays bare his hatchet
From his magic leathern scabbard,
Fells the aspen from his shoulder,
Fells the birch-tree from his temples,
From his chin he fells the alder,
From his beard, the branching willows,
From his mouth the dark-green fir-tree,
Fells the oak-tree from his forehead.
Now he thrusts his staff of iron
Through the mouth of wise Wipunen,
Pries his mighty jaws asunder,
Speaks these words of master-magic:
'Rise, thou master of magicians,
304
From the sleep of Tuonela,
From thine everlasting slumber!'
Wise Wipunen, ancient singer,
Quickly wakens from his sleeping,
Keenly feels the pangs of torture,
From the cruel staff of iron;
Bites with mighty force the metal,
Bites in twain the softer iron,
Cannot bite the steel asunder,
Opens wide his mouth in anguish.
Wainamoinen of Wainola,
In his iron-shoes and armor,
Careless walking, headlong stumbles
In the spacious mouth and fauces
Of the magic bard, Wipunen.
Wise Wipunen, full of song-charms,
Opens wide his mouth and swallows
Wainamoinen and his magic,
Shoes, and staff, and iron armor.
Then outspeaks the wise Wipunen:
'Many things before I've eaten,
Dined on goat, and sheep, and reindeer,
Bear, and ox, and wolf, and wild-boar,
Never in my recollection,
Have I tasted sweeter morsels!'
Spake the ancient Wainamoinen:
'Now I see the evil symbols,
See misfortune hanging o'er me,
In the darksome Hisi-hurdles,
In the catacombs of Kalma.'
Wainamoinen long considered
How to live and how to prosper,
How to conquer this condition.
In his belt he wore a poniard,
With a handle hewn from birch-wood,
From the handle builds a vessel,
Builds a boat through magic science;
In this vessel rows he swiftly
Through the entrails of the hero,
Rows through every gland and vessel
Of the wisest of magicians.
Old Wipunen, master-singer,
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Barely feels the hero's presence,
Gives no heed to Wainamoinen.
Then the artist of Wainola
Straightway sets himself to forging,
Sets at work to hammer metals;
Makes a smithy from his armor,
Of his sleeves he makes the bellows,
Makes the air-valve from his fur-coat,
From his stockings, makes the muzzle,
Uses knees instead of anvil,
Makes a hammer of his fore-arm;
Like the storm-wind roars the bellows,
Like the thunder rings the anvil;
Forges one day, then a second,
Forges till the third day closes,
In the body of Wipunen,
In the sorcerer's abdomen.
Old Wipunen, full of magic,
Speaks these words in wonder, guessing:
'Who art thou of ancient heroes,
Who of all the host of heroes?
Many heroes I have eaten,
And of men a countless number,
Have not eaten such as thou art;
Smoke arises from my nostrils,
From my mouth the fire is streaming,
In my throat are iron-clinkers.
'Go, thou monster, hence to wander,
Flee this place, thou plague of Northland,
Ere I go to seek thy mother,
Tell the ancient dame thy mischief;
She shall bear thine evil conduct,
Great the burden she shall carry;
Great a mother's pain and anguish,
When her child runs wild and lawless;
Cannot comprehend the meaning,
Nor this mystery unravel,
Why thou camest here, O monster,
Camest here to give me torture.
Art thou Hisi sent from heaven,
Some calamity from Ukko?
Art, perchance, some new creation,
306
Ordered here to do me evil?
If thou art some evil genius,
Some calamity from Ukko,
Sent to me by my Creator,
Then am I resigned to suffer
God does not forsake the worthy,
Does not ruin those that trust him,
Never are the good forsaken.
If by man thou wert created,
If some hero sent thee hither,
I shall learn thy race of evil,
Shall destroy thy wicked tribe-folk.
'Thence arose the violation,
Thence arose the first destruction,
Thence came all the evil-doings:
From the neighborhood of wizards,
From the homes of the magicians,
From the eaves of vicious spirits,
From the haunts of fortune-tellers,
From the cabins of the witches,
From the castles of Tuoni,
From the bottom of Manala,
From the ground with envy swollen,
From Ingratitude's dominions,
From the rocky shoals and quicksands,
From the marshes filled with danger,
From the cataract's commotion,
From the bear-caves in the mountains,
From the wolves within the thickets,
From the roarings of the pine-tree,
From the burrows of the fox-dog,
From the woodlands of the reindeer,
From the eaves and Hisi-hurdles,
From the battles of the giants,
From uncultivated pastures,
From the billows of the oceans,
From the streams of boiling waters,
From the waterfalls of Rutya,
From the limits of the storm-clouds,
From the pathways of the thunders,
From the flashings of the lightnings,
From the distant plains of Pohya,
307
From the fatal stream and whirlpool,
From the birthplace of Tuoni.
'Art thou coming from these places?
Hast thou, evil, hastened hither,
To the heart of sinless hero,
To devour my guiltless body,
To destroy this wisdom-singer?
Get thee hence, thou dog of Lempo,
Leave, thou monster from Manala,
Flee from mine immortal body,
Leave my liver, thing of evil,
In my body cease thy forging,
Cease this torture of my vitals,
Let me rest in peace and slumber.
'Should I want in means efficient,
Should I lack the magic power
To outroot thine evil genius,
I shall call a better hero,
Call upon a higher power,
To remove this dire misfortune,
To annihilate this monster.
I shall call the will of woman,
From the fields, the old-time heroes?
Mounted heroes from the sand-hills,
Thus to rescue me from danger,
From these pains and ceaseless tortures.
'If this force prove inefficient,
Should not drive thee from my body,
Come, thou forest, with thy heroes,
Come, ye junipers and pine-trees,
With your messengers of power,
Come, ye mountains, with your wood-nymphs,
Come, ye lakes, with all your mermaids,
Come, ye hundred ocean-spearmen,
Come, torment this son of Hisi,
Come and kill this evil monster.
'If this call is inefficient,
Does not drive thee from my vitals,
Rise, thou ancient water-mother,
With thy blue-cap from the ocean,
From the seas, the lakes, the rivers,
Bring protection to thy hero,
308
Comfort bring and full assistance,
That I guiltless may not suffer,
May not perish prematurely.
'Shouldst thou brave this invocation,
Kapè, daughter of Creation,
Come, thou beauteous, golden maiden,
Oldest of the race of women,
Come and witness my misfortunes,
Come and turn away this evil,
Come, remove this biting torment,
Take away this plague of Piru.
'If this call be disregarded,
If thou wilt not leave me guiltless,
Ukko, on the arch of heaven,
In the thunder-cloud dominions,
Come thou quickly, thou art needed,
Come, protect thy tortured hero,
Drive away this magic demon,
Banish ever his enchantment,
With his sword and flaming furnace,
With his fire-enkindling bellows.
'Go, thou demon, hence to wander,
Flee, thou plague of Northland heroes;
Never come again for shelter,
Nevermore build thou thy dwelling
In the body of Wipunen;
Take at once thy habitation
To the regions of thy kindred,
To thy distant fields and firesides;
When thy journey thou hast ended,
Gained the borders of thy country,
Gained the meads of thy Creator,
Give a signal of thy coming,
Rumble like the peals of thunder,
Glisten like the gleam of lightning,
Knock upon the outer portals,
Enter through the open windows,
Glide about the many chambers,
Seize the host and seize the hostess,
Knock their evil beads together,
Wring their necks and hurl their bodies
To the black-dogs of the forest.
309
'Should this prove of little value,
Hover like the bird of battle,
O'er the dwellings of the master,
Scare the horses from the mangers,
From the troughs affright the cattle,
Twist their tails, and horns, and forelocks,
Hurl their carcasses to Lempo.
'If some scourge the winds have sent me,
Sent me on the air of spring-tide,
Brought me by the frosts of winter,
Quickly journey whence thou camest,
On the air-path of the heavens,
Perching not upon some aspen,
Resting not upon the birch-tree;
Fly away to copper mountains,
That the copper-winds may nurse thee,
Waves of ether, thy protection.
'Didst those come from high Jumala,
From the hems of ragged snow-clouds,
Quick ascend beyond the cloud-space,
Quickly journey whence thou camest,
To the snow-clouds, crystal-sprinkled,
To the twinkling stars of heaven
There thy fire may burn forever,
There may flash thy forked lightnings,
In the Sun's undying furnace.
'Wert thou sent here by the spring-floods,
Driven here by river-torrents?
Quickly journey whence thou camest,
Quickly hasten to the waters,
To the borders of the rivers,
To the ancient water-mountain,
That the floods again may rock thee,
And thy water-mother nurse thee.
'Didst thou come from Kalma's kingdom,
From the castles of the death-land?
Haste thou back to thine own country,
To the Kalma-halls and castles,
To the fields with envy swollen,
Where contending armies perish.
'Art thou from the Hisi-woodlands,
From ravines in Lempo's forest,
310
From the thickets of the pine-wood,
From the dwellings of the fir-glen?
Quick retrace thine evil footsteps
To the dwellings of thy master,
To the thickets of thy kindred;
There thou mayest dwell at pleasure,
Till thy house decays about thee,
Till thy walls shall mould and crumble.
Evil genius, thee I banish,
Got thee hence, thou horrid monster,
To the caverns of the white-bear,
To the deep abysm of serpents,
To the vales, and swamps, and fenlands,
To the ever-silent waters,
To the hot-springs of the mountains,
To the dead-seas of the Northland,
To the lifeless lakes and rivers,
To the sacred stream and whirlpool.
'Shouldst thou find no place of resting,
I will banish thee still farther,
To the Northland's distant borders,
To the broad expanse of Lapland,
To the ever-lifeless deserts,
To the unproductive prairies,
Sunless, moonless, starless, lifeless,
In the dark abyss of Northland;
This for thee, a place befitting,
Pitch thy tents and feast forever
On the dead plains of Pohyola.
'Shouldst thou find no means of living,
I will banish thee still farther,
To the cataract of Rutya,
To the fire-emitting whirlpool,
Where the firs are ever falling,
To the windfalls of the forest;
Swim hereafter in the waters
Of the fire-emitting whirlpool,
Whirl thou ever in the current
Of the cataract's commotion,
In its foam and boiling waters.
Should this place be unbefitting,
I will drive thee farther onward,
311
To Tuoni's coal-black river,
To the endless stream of Mana,
Where thou shalt forever linger;
Thou canst never leave Manala,
Should I not thy head deliver,
Should I never pay thy ransom;
Thou canst never safely journey
Through nine brother-rams abutting,
Through nine brother-bulls opposing
Through nine brother-stallions thwarting,
Thou canst not re-cross Death-river
Thickly set with iron netting,
Interlaced with threads of copper.
'Shouldst thou ask for steeds for saddle,
Shouldst thou need a fleet-foot courser,
I will give thee worthy racers,
I will give thee saddle-horses;
Evil Hisi has a charger,
Crimson mane, and tail, and foretop,
Fire emitting from his nostrils,
As he prances through his pastures;
Hoofs are made of strongest iron,
Legs are made of steel and copper,
Quickly scales the highest mountains,
Darts like lightning through the valleys,
When a skilful master rides him.
'Should this steed be insufficient,
I will give thee Lempo's snow-shoes,
Give thee Hisi's shoes of elm-wood,
Give to thee the staff of Piru,
That with these thou mayest journey
Into Hisi's courts and castles,
To the woods and fields of Juutas;
If the rocks should rise before thee,
Dash the flinty rocks in pieces,
Hurl the fragments to the heavens;
If the branches cross thy pathway,
Make them turn aside in greeting;
If some mighty hero hail thee,
Hurl him headlong to the woodlands.
'Hasten hence, thou thing of evil,
Heinous monster, leave my body,
312
Ere the breaking of the morning
Ere the Sun awakes from slumber,
Ere the sinning of the cuckoo;
Haste away, thou plague of Northland,
Haste along the track of' moonbeams,
Wander hence, forever wander,
To the darksome fields or Pohya.
'If at once thou dost not leave me,
I will send the eagle's talons,
Send to thee the beaks of vultures,
To devour thine evil body,
Hurl thy skeleton to Hisi.
Much more quickly cruel Lempo
Left my vitals when commanded,
When I called the aid of Ukko,
Called the help of my Creator.
Flee, thou motherless offendant,
Flee, thou fiend of Sariola,
Flee, thou hound without a master,
Ere the morning sun arises,
Ere the Moon withdraws to slumber!'
Wainamoinen, ancient hero,
Speaks at last to old Wipunen:
'Satisfied am I to linger
In these old and spacious caverns,
Pleasant here my home and dwelling;
For my meat I have thy tissues,
Have thy heart, and spleen, and liver,
For my drink the blood of ages,
Goodly home for Wainamoinen.
'I shall set my forge and bellows
Deeper, deeper in thy vitals;
I shall swing my heavy hammer,
Swing it with a greater power
On thy heart, and lungs, and liver;
I shall never, never leave thee
Till I learn thine incantations,
Learn thy many wisdom-sayings,
Learn the lost-words of the Master;
Never must these words be bidden,
Earth must never lose this wisdom,
Though the wisdom-singers perish.'
313
Old Wipunen, wise magician,
Ancient prophet, filled with power,
Opens fall his store of knowledge,
Lifts the covers from his cases,
Filled with old-time incantations,
Filled with songs of times primeval,
Filled with ancient wit and wisdom;
Sings the very oldest folk-songs,
Sings the origin of witchcraft,
Sings of Earth and its beginning
Sings the first of all creations,
Sings the source of good and evil
Sung alas! by youth no longer,
Only sung in part by heroes
In these days of sin and sorrow.
Evil days our land befallen.
Sings the orders of enchantment.
How, upon the will of Ukko,
By command of the Creator,
How the air was first divided,
How the water came from ether,
How the earth arose from water,
How from earth came vegetation,
Fish, and fowl, and man, and hero.
Sings again the wise Wipunen,
How the Moon was first created,
How the Sun was set in heaven,
Whence the colors of the rainbow,
Whence the ether's crystal pillars,
How the skies with stars were sprinkled.
Then again sings wise Wipunen,
Sings in miracles of concord,
Sings in magic tones of wisdom,
Never was there heard such singing;
Songs he sings in countless numbers,
Swift his notes as tongues of serpents,
All the distant hills re-echo;
Sings one day, and then a second,
Sings a third from dawn till evening,
Sings from evening till the morning;
Listen all the stars of heaven,
And the Moon stands still and listens
314
Fall the waves upon the deep-sea,
In the bay the tides cease rising,
Stop the rivers in their courses,
Stops the waterfall of Rutya,
Even Jordan ceases flowing,
And the Wuoksen stops and listens.
When the ancient Wainamoinen
Well had learned the magic sayings,
Learned the ancient songs and legends,
Learned the words of ancient wisdom,
Learned the lost-words of the Master,
Well had learned the secret doctrine,
He prepared to leave the body
Of the wisdom-bard, Wipunen,
Leave the bosom of the master,
Leave the wonderful enchanter.
Spake the hero, Wainamoinen:
'O, thou Antero Wipunen,
Open wide thy mouth and fauces,
I have found the magic lost-words,
I will leave thee now forever,
Leave thee and thy wondrous singing,
Will return to Kalevala,
To Wainola's fields and firesides.'
Thus Wipunen spake in answer:
'Many are the things I've eaten,
Eaten bear, and elk, and reindeer,
Eaten ox, and wolf, and wild-boar,
Eaten man, and eaten hero,
Never, never have I eaten
Such a thing as Wainamoinen;
Thou hast found what thou desirest,
Found the three words of the Master;
Go in peace, and ne'er returning,
Take my blessing on thy going.'
Thereupon the bard Wipunen
Opens wide his mouth, and wider;
And the good, old Wainamoinen
Straightway leaves the wise enchanter,
Leaves Wipunen's great abdomen;
From the mouth he glides and journeys
O'er the hills and vales of Northland,
315
Swift as red-deer or the forest,
Swift as yellow-breasted marten,
To the firesides of Wainola,
To the plains of Kalevala.
Straightway hastes he to the smithy
Of his brother, Ilmarinen,
Thus the iron-artist greets him:
Hast thou found the long-lost wisdom,
Hast thou heard the secret doctrine,
Hast thou learned the master magic,
How to fasten in the ledges,
How the stern should be completed,
How complete the ship's forecastle?
Wainamoinen thus made answer:
'I have learned of words a hundred,
Learned a thousand incantations,
Hidden deep for many ages,
Learned the words of ancient wisdom,
Found the keys of secret doctrine,
Found the lost-words of the Master.'
Wainamoinen, magic-builder,
Straightway journeys to his vessel,
To the spot of magic labor,
Quickly fastens in the ledges,
Firmly binds the stern together
And completes the boat's forecastle.
Thus the ancient Wainamoinen
Built the boat with magic only,
And with magic launched his vessel,
Using not the hand to touch it,
Using not the foot to move it,
Using not the knee to turn it,
Using nothing to propel it.
Thus the third task was completed,
For the hostess of Pohyola,
Dowry for the Maid of Beauty
Sitting on the arch of heaven,
On the bow of many colors.
~ Elias Lönnrot,#NFDB
615:The Kalevala - Rune Xxix
THE ISLE OF REFUGE.
Lemminkainen, full of joyance,
Handsome hero, Kaukomieli,
Took provisions in abundance,
Fish and butter, bread and bacon,
Hastened to the Isle of Refuge,
Sailed away across the oceans,
Spake these measures on departing:
'Fare thee well, mine Island-dwelling,
I must sail to other borders,
To an island more protective,
Till the second summer passes;
Let the serpents keep the island,
Lynxes rest within the glen-wood,
Let the blue-moose roam the mountains,
Let the wild-geese cat the barley.
Fare thee well, my helpful mother!
When the warriors of the Northland,
From the dismal Sariola,
Come with swords, and spears, and cross-bows,
Asking for my head in vengeance,
Say that I have long departed,
Left my mother's Island-dwelling,
When the barley had been garnered.'
Then he launched his boat of copper,
Threw the vessel to the waters,
From the iron-banded rollers,
From the cylinders of oak-wood,
On the masts the sails he hoisted,
Spread the magic sails of linen,
In the stern the hero settled
And prepared to sail his vessel,
One hand resting on the rudder.
Then the sailor spake as follows,
These the words of Lemminkainen:
'Blow, ye winds, and drive me onward,
Blow ye steady, winds of heaven,
409
Toward the island in the ocean,
That my bark may fly in safety
To my father's place of refuge,
To the far and nameless island!'
Soon the winds arose as bidden,
Rocked the vessel o'er the billows,
O'er the blue-back of the waters,
O'er the vast expanse of ocean;
Blew two months and blew unceasing,
Blew a third month toward the island,
Toward his father's Isle of Refuge.
Sat some maidens on the seaside,
On the sandy beach of ocean,
Turned about in all directions,
Looking out upon the billows;
One was waiting for her brother,
And a second for her father,
And a third one, anxious, waited
For the, coming of her suitor;
There they spied young Lemminkainen,
There perceived the hero's vessel
Sailing o'er the bounding billows;
It was like a hanging cloudlet,
Hanging twixt the earth and heaven.
Thus the island-maidens wondered,
Thus they spake to one another:
'What this stranger on the ocean,
What is this upon the waters?
Art thou one of our sea-vessels?
Wert thou builded on this island?
Sail thou straightway to the harbor,
To the island-point of landing
That thy tribe may be discovered.'
Onward did the waves propel it,
Rocked his vessel o'er the billows,
Drove it to the magic island,
Safely landed Lemminkainen
On the sandy shore and harbor.
Spake he thus when he had landed,
These the words that Ahti uttered:
'Is there room upon this island,
Is there space within this harbor,
410
Where my bark may lie at anchor,
Where the sun may dry my vessel?'
This the answer of the virgins,
Dwellers on the Isle of Refuge:
'There is room within this harbor,
On this island, space abundant,
Where thy bark may lie at anchor,
Where the sun may dry thy vessel;
Lying ready are the rollers,
Cylinders adorned with copper;
If thou hadst a hundred vessels,
Shouldst thou come with boats a thousand,
We would give them room in welcome.'
Thereupon wild Lemminkainen
Rolled his vessel in the harbor,
On the cylinders of copper,
Spake these words when he had ended:
'Is there room upon this island,
Or a spot within these forests,
Where a hero may be hidden
From the coming din of battle,
From the play of spears and arrows?
Thus replied the Island-maidens:
'There are places on this island,
On these plains a spot befitting
Where to hide thyself in safety,
Hero-son of little valor.
Here are many, many castles,
Many courts upon this island;
Though there come a thousand heroes,
Though a thousand spearmen. follow,
Thou canst hide thyself in safety.'
Spake the hero, Lemminkainen:
'Is there room upon this island,
Where the birch-tree grows abundant,
Where this son may fell the forest,
And may cultivate the fallow? '
Answered thus the Island-maidens:
'There is not a spot befitting,
Not a place upon the island,
Where to rest thy wearied members,
Not the smallest patch of birch-wood,
411
Thou canst bring to cultivation.
All our fields have been divided,
All these woods have been apportioned,
Fields and forests have their owners.'
Lemminkainen asked this question,
These the words of Kaukomieli:
'Is there room upon this island,
Worthy spot in field or forest,
Where to Sing my songs of magic,
Chant my gathered store of wisdom,
Sing mine ancient songs and legends?'
Answered thus the Island-maidens:
'There is room upon this island,
Worthy place in these dominions,
Thou canst sing thy garnered wisdom,
Thou canst chant thine ancient legends,
Legends of the times primeval,
In the forest, in the castle,
On the island-plains and pastures.'
Then began the reckless minstrel
To intone his wizard-sayings;
Sang he alders to the waysides,
Sang the oaks upon the mountains,
On the oak-trees sang be branches,
On each branch he sang an acorn,
On the acorns, golden rollers,
On each roller, sang a cuckoo;
Then began the cuckoos, calling,
Gold from every throat came streaming,
Copper fell from every feather,
And each wing emitted silver,
Filled the isle with precious metals.
Sang again young Lemminkainen,
Conjured on, and sang, and chanted,
Sang to precious stones the sea-sands,
Sang the stones to pearls resplendent,
Robed the groves in iridescence,
Sang the island full of flowers,
Many-colored as the rainbow.
Sang again the magic minstrel,
In the court a well he conjured,
On the well a golden cover,
412
On the lid a silver dipper,
That the boys might drink the water,
That the maids might lave their eyelids.
On the plains he conjured lakelets,
Sang the duck upon the waters,
Golden-cheeked and silver-headed,
Sang the feet from shining copper;
And the Island-maidens wondered,
Stood entranced at Ahti's wisdom,
At the songs of Lemminkainen,
At the hero's magic power.
Spake the singer, Lemminkainen,
Handsome hero, Kaukomieli:
'I would sing a wondrous legend,
Sing in miracles of sweetness,
If within some hall or chamber,
I were seated at the table.
If I sing not in the castle,
In some spot by walls surrounded
Then I sing my songs to zephyrs,
Fling them to the fields and forests.'
Answered thus the Island-maidens:
'On this isle are castle-chambers,
Halls for use of magic singers,
Courts complete for chanting legends,
Where thy singing will be welcome,
Where thy songs will not be scattered
To the forests of the island,
Nor thy wisdom lost in ether.'
Straightway Lemminkainen journeyed
With the maidens to the castle;
There he sang and conjured pitchers
On the borders of the tables,
Sang and conjured golden goblets
Foaming with the beer of barley;
Sang he many well-filled vessels,
Bowls of honey-drink abundant,
Sweetest butter, toothsome biscuit,
Bacon, fish, and veal, and venison,
All the dainties of the Northland,
Wherewithal to still his hunger.
But the proud-heart, Lemminkainen,
413
Was not ready for the banquet,
Did not yet begin his feasting,
Waited for a knife of silver,
For a knife of golden handle;
Quick he sang the precious metals,
Sang a blade from purest silver,
To the blade a golden handle,
Straightway then began his feasting,
Quenched his thirst and stilled his hunger,
Charmed the maidens on the island.
Then the minstrel, Lemminkainen,
Roamed throughout the island-hamlets,
To the joy of all the virgins,
All the maids of braided tresses;
Wheresoe'er he turned his footsteps,
There appeared a maid to greet him;
When his hand was kindly offered,
There his band was kindly taken;
When he wandered out at evening,
Even in the darksome places,
There the maidens bade him welcome;
There was not an island-village
Where there were not seven castles,
In each castle seven daughters,
And the daughters stood in waiting,
Gave the hero joyful greetings,
Only one of all the maidens
Whom he did not greet with pleasure.
Thus the merry Lemminkainen
Spent three summers in the ocean,
Spent a merry time in refuge,
In the hamlets on the island,
To the pleasure of the maidens,
To the joy of all the daughters;
Only one was left neglected,
She a poor and graceless spinster,
On the isle's remotest border,
In the smallest of the hamlets.
'Then he thought about his journey
O'er the ocean to his mother,
To the cottage of his father.
There appeared the slighted spinster,
414
To the Northland son departing,
Spake these words to Lemminkainen:
'O, thou handsome Kaukomieli,
Wisdom-bard, and magic singer,
Since this maiden thou hast slighted,
May the winds destroy thy vessel,
Dash thy bark to countless fragments
On the ocean-rocks and ledges!'
Lemminkainen's thoughts were homeward,
Did not heed the maiden's murmurs,
Did not rise before the dawning
Of the morning on the island,
To the pleasure of the maiden
Of the much-neglected hamlet.
Finally at close of evening,
He resolved to leave the island,
He resolved to waken early,
Long before the dawn of morning;
Long before the time appointed,
He arose that he might wander
Through the hamlets of the island,
Bid adieu to all the maidens,
On the morn of his departure.
As he wandered hither, thither,
Walking through the village path-ways
To the last of all the hamlets;
Saw he none of all the castle-,
Where three dwellings were not standing;
Saw he none of all the dwellings
Where three heroes were not watching;
Saw he none of all the heroes,
Who was not engaged in grinding
Swords, and spears, and battle-axes,
For the death of Lemminkainen.
And these words the hero uttered:
'Now alas! the Sun arises
From his couch within the ocean,
On the frailest of the heroes,
On the saddest child of Northland;
On my neck the cloak of Lempo
Might protect me from all evil,
Though a hundred foes assail me,
415
Though a thousand archers follow.'
Then he left the maids ungreeted,
Left his longing for the daughters
Of the nameless Isle of Refuge,
With his farewell-words unspoken,
Hastened toward the island-harbor,
Toward his magic bark at anchor;
But he found it burned to ashes,
Sweet revenge had fired his vessel,
Lighted by the slighted spinster.
Then he saw the dawn of evil,
Saw misfortune hanging over,
Saw destruction round about him.
Straightway he began rebuilding
Him a magic sailing-vessel,
New and wondrous, full of beauty;
But the hero needed timber,
Boards, and planks, and beams, and braces,
Found the smallest bit of lumber,
Found of boards but seven fragments,
Of a spool he found three pieces,
Found six pieces of the distaff;
With these fragments builds his vessel,
Builds a ship of magic virtue,
Builds the bark with secret knowledge,
Through the will of the magician;
Strikes one blow, and builds the first part,
Strikes a second, builds the centre,
Strikes a third with wondrous power,
And the vessel is completed.
Thereupon the ship he launches,
Sings the vessel to the ocean,
And these words the hero utters:
'Like a bubble swim these waters,
Like a flower ride the billows;
Loan me of thy magic feathers,
Three, O eagle, four, O raven,
For protection to my vessel,
Lest it flounder in the ocean!'
Now the sailor, Lemminkainen,
Seats himself upon the bottom
Of the vessel he has builded,
416
Hastens on his journey homeward,
Head depressed and evil-humored,
Cap awry upon his forehead,
Mind dejected, heavy-hearted,
That he could not dwell forever
In the castles of the daughters
Of the nameless Isle of Refuge.
Spake the minstrel, Lemminkainen,
Handsome hero, Kaukomieli:
'Leave I must this merry island,
Leave her many joys and pleasures,
Leave her maids with braided tresses,
Leave her dances and her daughters,
To the joys of other heroes;
But I take this comfort with me:
All the maidens on the island,
Save the spinster who was slighted,
Will bemoan my loss for ages,
Will regret my quick departure;
They will miss me at the dances,
In the halls of mirth and joyance,
In the homes of merry maidens,
On my father's Isle of Refuge.'
Wept the maidens on the island,
Long lamenting, loudly calling
To the hero sailing homeward:
'Whither goest, Lemminkainen,
Why depart, thou best of heroes?
Dost thou leave from inattention,
Is there here a dearth of maidens,
Have our greetings been unworthy?'
Sang the magic Lemminkainen
To the maids as he was sailing,
This in answer to their calling:
'Leaving not for want of pleasure,
Do not go from dearth of women
Beautiful the island-maidens,
Countless as the sands their virtues.
This the reason of my going,
I am longing for my home-land,
Longing for my mother's cabins,
For the strawberries of Northland,
417
For the raspberries of Kalew,
For the maidens of my childhood,
For the children of my mother.'
Then the merry Lemminkainen
Bade farewell to all the island;
Winds arose and drove his vessel
On the blue-back of the ocean,
O'er the far-extending waters,
Toward the island of his mother.
On the shore were grouped the daughters
Of the magic Isle of Refuge,
On the rocks sat the forsaken,
Weeping stood the island-maidens,
Golden daughters, loud-lamenting.
Weep the maidens of the island
While the sail-yards greet their vision,
While the copper-beltings glisten;
Do not weep to lose the sail-yards,
Nor to lose the copper-beltings;
Weep they for the loss of Ahti,
For the fleeing Kaukomieli
Guiding the departing vessel.
Also weeps young Lemminkainen,
Sorely weeps, and loud-lamenting,
Weeps while he can see the island,
While the island hill-tops glisten;
Does not mourn the island-mountains,
Weeps he only for the maidens,
Left upon the Isle of Refuge.
Thereupon sailed Kaukomieli
On the blue-back of the ocean;
Sailed one day, and then a second,
But, alas! upon the third day,
There arose a mighty storm-wind,
And the sky was black with fury.
Blew the black winds from the north-west,
From the south-east came the whirlwind,
Tore away the ship's forecastle,
Tore away the vessel's rudder,
Dashed the wooden hull to pieces.
Thereupon wild Lemminkainen
Headlong fell upon the waters;
418
With his head he did the steering,
With his hands and feet, the rowing;
Swam whole days and nights unceasing,
Swam with hope and strength united,
Till at last appeared a cloudlet,
Growing cloudlet to the westward,
Changing to a promontory,
Into land within the ocean.
Swiftly to the shore swam Ahti,
Hastened to a magic castle,
Found therein a hostess baking,
And her daughters kneading barley,
And these words the hero uttered:
'O, thou hostess, filled with kindness,
Couldst thou know my pangs of hunger,
Couldst thou guess my name and station,
Thou wouldst hasten to the storehouse,
Bring me beer and foaming liquor,
Bring the best of thy provisions,
Bring me fish, and veal, and bacon,
Butter, bread, and honeyed biscuits,
Set for me a wholesome dinner,
Wherewithal to still my hunger,
Quench the thirst of Lemminkainen.
Days and nights have I been swimming,
Buffeting the waves of ocean,
Seemed as if the wind protected,
And the billows gave me shelter,'
Then the hostess, filled with kindness,
Hastened to the mountain storehouse,
Cut some butter, veal, and bacon,
Bread, and fish, and honeyed biscuit,
Brought the best of her provisions,
Brought the mead and beer of barley,
Set for him a toothsome dinner,
Wherewithal to still his hunger,
Quench the thirst of Lemminkainen.
When the hero's feast had ended,
Straightway was a magic vessel
Given by the kindly hostess
To the weary Kaukomieli,
Bark of beauty, new and hardy,
419
Wherewithal to aid the stranger
In his journey to his home-land,
To the cottage of his mother.
Quickly sailed wild Lemminkainen
On the blue-back of the ocean;
Sailed he days and nights unceasing,
Till at last he reached the borders
Of his own loved home and country;
There beheld he scenes familiar,
Saw the islands, capes, and rivers,
Saw his former shipping-stations,
Saw he many ancient landmarks,
Saw the mountains with their fir-trees,
Saw the pine-trees on the hill-tops,
Saw the willows in the lowlands;
Did not see his father's cottage,
Nor the dwellings of his mother.
Where a mansion once had risen,
There the alder-trees were growing,
Shrubs were growing on the homestead,
Junipers within the court-yard.
Spake the reckless Lemminkainen:
'In this glen I played and wandered,
On these stones I rocked for ages,
On this lawn I rolled and tumbled,
Frolicked on these woodland-borders,
When a child of little stature.
Where then is my mother's dwelling,
Where the castles of my father?
Fire, I fear, has found the hamlet,
And the winds dispersed the ashes.'
Then he fell to bitter weeping,
Wept one day and then a second,
Wept the third day without ceasing;
Did not mourn the ancient homestead,
Nor the dwellings of his father;
Wept he for his darling mother,
Wept he for the dear departed,
For the loved ones of the island.
Then he saw the bird of heaven,
Saw an eagle flying near him,
And he asked the bird this question:
420
'Mighty eagle, bird majestic,
Grant to me the information,
Where my mother may have wandered,
Whither I may go and find her!'
But the eagle knew but little,
Only knew that Ahti's people
Long ago together perished;
And the raven also answered
That his people had been scattered
By the, swords, and spears, and arrows,
Of his enemies from Pohya.
Spake the hero, Lemminkainen:
'Faithful mother, dear departed,
Thou who nursed me in my childhood,
Art thou dead and turned to ashes,
Didst thou perish for my follies,
O'er thy head are willows weeping,
Junipers above thy body,
Alders watching o'er thy slumbers?
This my punishment for evil,
This the recompense of folly!
Fool was I, a son unworthy,
That I measured swords in Northland
With the landlord of Pohyola,
To my tribe came fell destruction,
And the death of my dear mother,
Through my crimes and misdemeanors.'
Then the ministrel [sic] looked about him,
Anxious, looked in all directions,
And beheld some gentle foot-prints,
Saw a pathway lightly trodden
Where the heather had been beaten.
Quick as thought the path he followed,
Through the meadows, through the brambles,
O'er the hills, and through the valleys,
To a forest, vast and cheerless;
Travelled far and travelled farther,
Still a greater distance travelled,
To a dense and hidden glenwood,
In the middle of the island;
Found therein a sheltered cabin,
Found a small and darksome dwelling
421
Built between the rocky ledges,
In the midst of triple pine-trees;
And within he spied his mother,
Found his gray-haired mother weeping.
Lemminkainen loud rejoices,
Cries in tones of joyful greetings,
These the words that Ahti utters:
'Faithful mother, well-beloved,
Thou that gavest me existence,
Happy I, that thou art living,
That thou hast not yet departed
To the kingdom of Tuoni,
To the islands of the blessed,
I had thought that thou hadst perished,
Hadst been murdered by my foemen,
Hadst been slain with bows and arrows.
Heavy are mine eyes from weeping,
And my checks are white with sorrow,
Since I thought my mother slaughtered
For the sins I had committed!'
Lemminkainen's mother answered:
'Long, indeed, hast thou been absent,
Long, my son, hast thou been living
In thy father's Isle of Refuge,
Roaming on the secret island,
Living at the doors of strangers,
Living in a nameless country,
Refuge from the Northland foemen.'
Spake the, hero, Lemminkainen:
'Charming is that spot for living,
Beautiful the magic island,
Rainbow-colored was the forest,
Blue the glimmer of the meadows,
Silvered were, the pine-tree branches,
Golden were the heather-blossoms;
All the woodlands dripped with honey,
Eggs in every rock and crevice,
Honey flowed from birch and sorb-tree,
Milk in streams from fir and aspen,
Beer-foam dripping from the willows,
Charming there to live and linger,
All their edibles delicious.
422
This their only source of trouble:
Great the fear for all the maidens,
All the heroes filled with envy,
Feared the coming of the stranger;
Thought that all the island-maidens,
Thought that all the wives and daughters,
All the good, and all the evil,
Gave thy son too much attention;
Thought the stranger, Lemminkainen,
Saw the Island-maids too often;
Yet the virgins I avoided,
Shunned the good and shunned the evil,
Shunned the host of charming daughters,
As the black-wolf shuns the sheep-fold,
As the hawk neglects the chickens.'
~ Elias Lönnrot,#NFDB
616:Sir Orfeo
We often read and written find,
as learned men do us remind,
that lays that now the harpers sing
are wrought of many a marvellous thing.
Some are of weal, and some of woe,
and some do joy and gladness know;
in some are guile and treachery told,
in some the deeds that chanced of old;
some are of jests and ribaldry,
and some are tales of Faërie.
Of all the things that men may heed
'tis most of love they sing indeed.
In Britain all these lays are writ,
there issued first in rhyming fit,
concerning adventures in those days
whereof the Britons made their lays;
for when they heard men anywhere
tell of adventures that there were,
they took their harps in their delight
and made a lay and named it right.
Of adventures that did once befall
some can I tell you, but not all.
Listen now, lordings good and true,
and 'Orfeo' I will sing to you.
Sir Orfeo was a king of old,
in England lordship high did hold;
valour he had and hardihood,
a courteous king whose gifts were good.
His father from King Pluto came,
his mother from Juno, king of fame,
who once of old as gods were named
for mighty deeds they did and claimed.
Sir Orfeo, too, all things beyond
of harping's sweet delight was fond,
and sure were all good harpers there
of him to earn them honour fair;
624
himself he loved to touch the harp
and pluck the strings with fingers sharp.
He played so well, beneath the sun
a better harper was there none;
no man hath in this world been born
who would not, hearing him, have sworn
that as before him Orfeo played
to joy of Paradise he had strayed
and sound of harpers heavenly,
such joy was there and melody.
This king abode in Tracience,
a city proud of stout defence;
for Winchester, 'tis certain, then
as Tracience was known to men.
There dwelt his queen in fairest bliss,
whom men called Lady Heurodis,
of ladies then the one most fair
who ever flesh and blood did wear;
in her did grace and goodness dwell,
but none her loveliness can tell.
It so did chance in early May,
when glad and warm doth shine the day,
and gone are bitter winter showers,
and every field is filled with flowers,
on every branch the blossom blows,
in glory and in gladness grows,
the lady Heurodis, the queen,
two maidens fair to garden green
with her she took at drowsy tide
of noon to stroll by orchard-side,
to see the flowers there spread and spring
and hear the birds on branches sing.
There down in shade they sat all three
beneath a fair young grafted tree;
and soon it chanced the gentle queen
fell there asleep upon the green.
Her maidens durst her not awake,
but let her lie, her rest to take;
and so she slept, till midday soon
was passed, and come was afternoon.
625
Then suddenly they heard her wake,
and cry, and grievous clamour make;
she writhed with limb, her hands she wrung,
she tore her face till blood there sprung,
her raiment rich in pieces rent;
thus sudden out of mind she went.
Her maidens two then by her side
no longer durst with her abide,
but to the palace swiftly ran
and told there knight and squire and man
their green, it seemed, was sudden mad;
'Go and restrain her,' they them bade.
Both knights and ladies thither sped,
and more than sixty damsels fled;
to the orchard to the queen they went,
with arms to lift her down they bent,
and brought her to her bed at last,
and raving there they held her fast;
but ceaselessly she still would cry,
and ever strove to rise and fly.
When Orfeo heard these tidings sad,
more grief than ever in life he had;
and swiftly with ten knights he sped
to bower, and stood before her bed,
and looking on her ruefully,
'Dear life,' he said, 'what troubles thee,
who ever quiet hast been and sweet,
why dost thou now so shrilly greet?
Thy body that peerless white was born
is now by cruel nails all torn.
Alas! thy cheeks that were so red
are now as wan as thou wert dead;
thy fingers too, so small and slim,
are stained with blood, their hue is dim.
Alas! thy lovely eyes in woe
now stare on me as on a foe.
A! lady, mercy I implore.
These piteous cries, come, cry no more,
but tell me what thee grieves, and how,
and say what may thee comfort now.'
626
Then, lo! at last she lay there still,
and many bitter tears did spill,
and thus unto the king she spake:
'Alas! my lord, my heart will break.
Since first together came our life,
between us ne'er was wrath nor strife,
but I have ever so loved thee
as very life, and so thou me.
Yet now we must be torn in twain,
and go I must, for all thy pain.'
'Alas!' said he, 'then dark my doom.
Where wilt thou go, and go to whom?
But where thou goest, I come with thee,
and where I go, thou shalt with me.'
'Nay, nay, sir, words avail thee naught.
I will tell thee how this woe was wrought:
as I lay in the quiet noontide
and slept beneath our orchard-side,
there came two noble knights to me
arrayed in armour gallantly.
'We come,' they said, 'thee swift to bring
to meeting with our lord and king.'
Then answered I both bold and true
that dared I not, and would not do.
They spurred then back on swiftest steed;
then came their king himself with speed;
a hundred knights with him and more,
and damsels, too, were many a score,
all riding there on snow-white steeds,
and white as milk were all their weeds;
I saw not ever anywhere
a folk so peerless and so fair.
The king was crowned with crown of light,
not of red gold nor silver white,
but of one single gem 'twas hewn
that shone as bright as sun at noon.
And coming, straightway he me sought,
and would I or no, he up me caught,
and made me by him swiftly ride
627
upon a palfrey at his side;
and to his palace thus me brought,
a dwelling fair and wondrous wrought.
He castles showed me there and towers,
Water and wild, and woods, and flowers,
and pastures rich upon the plain;
and then he brought me home again,
and to our orchard he me led,
and then at parting this he said:
'See, lady, tomorrow thou must be
right here beneath this grafted tree,
and then beside us thou shalt ride,
and with us evermore abide.
If let or hindrance thou dost make,
where'er thou be, we shall thee take,
and all thy limbs shall rend and tear -no aid of man shall help thee there;
and even so, all rent and torn,
thou shalt away with us be borne.''
When all those tidings Orfeo heard,
then spake he many a bitter word:
'Alas! I had liever lose my life
than those thee thus, my queen and wife!'
He counsel find him help or plan.
On the morrow, when the noon drew near,
in arms did Orfeo appear,
and full ten hundred knights with him,
all stoutly armed, all stern and grim;
and with their queen now went that band
beneath the grafted tree to stand.
A serried rank on every side
they made, and vowed there to abide,
and die there sooner for her sake
than let men thence their lady take.
And yet from midst of that array
the queen was sudden snatched away;
by magic was she from them caught,
and none knew whither she was brought.
Then was there wailing, tears, and woe;
628
the king did to his chamber go,
and oft he swooned on floor of stone,
and such lament he made and moan
that nigh his life then came to end;
and nothing could his grief amend.
His barons he summoned to his board,
each mighty earl and famous lord,
and when they all together came,
'My lords,' he said, 'I here do name
my steward high before you all
to keep my realm, whate'er befall,
to hold my place instead of me
and keep my lands where'er they be.
For now that I have lost my queen,
the fairest lady men have seen,
I wish not woman more to see.
Into the wilderness I will flee,
and there will live for evermore
with the wild beasts in forests hoar.
But when ye learn my days are spent,
then summon ye a parliament,
and choose ye there a king anew.
With all I have now deal ye true.'
Then weeping was there in the hall,
and great lament there made they all,
and hardly there might old or young
for weeping utter word with tongue.
They knelt them down in company,
and prayed, if so his will might be,
that never should he from them go.
'Have done!' said he. 'It must be so.'
Now all his kingdom he forsook.
Only a beggar's cloak he took;
he had no kirtle and no hood,
no shirt, nor other raiment good.
His harp yet bore he even so,
and barefoot from the gate did go;
no man might keep him on the way.
A me! the weeping woe that day,
629
when he that had been king with crown
went thus beggarly out of town!
Through wood and over moorland bleak
he now the wilderness doth seek,
and nothing finds to make him glad,
but ever liveth lone and sad.
He once had ermine worn and vair,
on bed had purple linen fair,
now on the heather hard doth lie,
in leaves is wrapped and grasses dry.
He once had castles owned and towers,
water and wild, and woods, and flowers,
now though it turn to frost or snow,
this king with moss his bed must strow.
He once had many a noble knight
before him kneeling, ladies bright,
now nought to please him doth he keep;
only wild serpents by him creep.
He that once had in plenty sweet
all dainties for his drink and meat,
now he must grub and dig all day,
with roots his hunger to allay.
In summer on wildwood fruit he feeds,
or berries poor to serve his needs;
in winter nothing can he find
save roots and herbs and bitter rind.
All his body was wasted thin
by hardship, and all cracked his skin.
A Lord! who can recount the woe
for ten long years that king did know?
His hair and beard all black and rank
down to his waist hung long and lank.
His harp wherein was his delight
in hollow tree he hid from sight;
when weather clear was in the land
his harp he took then in his hand
and harped thereon at his sweet will.
Through all the wood the sound did thrill,
and all the wild beasts that there are
in joy approached him from afar;
and all the birds that might be found
there perched on bough and bramble round
630
to hear his harping to the end,
such melodies he there did blend;
and when he laid his harp aside,
no bird or beast would near him bide.
There often by him would he see,
when noon was hot on leaf and tree,
the king of Faërie with his rout
came hunting in the woods about
with blowing far and crying dim,
and barking hounds that were with him;
yet never a beast they took nor slew,
and where they went he never knew.
At other times he would descry
a mighty host, it seemed, go by,
ten hundred knights all fair arrayed
with many a banner proud displayed.
Each face and mien was fierce and bold,
each knight a drawn sword there did hold,
and all were armed in harness fair
and marching on he knew not where.
Or a sight more strange would meet his eye:
knights and ladies came dancing by
in rich array and raiment meet,
softly stepping with skilful feet;
tabour and trumpet went along,
and marvellous minstrelsy and song.
And one fair day he at his side
saw sixty ladies on horses ride,
each fair and free as bird on spray,
and nnever a man with them that day.
There each on hand a falcon bore,
riding a-hawking by river-shore.
Those haunts with game in plenty teem,
cormorant, heron, and duck in stream;
there off the water fowl arise,
and every falcon them descries;
each falcon stooping slew his prey,
and Orfeo laughing loud did say:
'Behold, in faith, this sport is fair!
Fore Heaven, I will betake me there!
631
I once was wont to see such play.'
He rose and thither made his way,
and to a lady came with speed,
and looked at her, and took good heed,
and saw as sure as once in life
'twas Heurodis, his queen and wife.
Intent he gazed, and so did she,
but no word spake; no word said he.
For hardship that she saw him bear,
who had been royal, and high, and fair,
then from her eyes the tears there fell.
The other ladies marked it well,
and away they made her swiftly ride;
no longer might she near him bide.
'Alas!' said he, 'unhappy day!
Why will not now my death me slay?
Alas! unhappy man, ah why
may I not, seeing her, now die?
Alas! too long hath lasted life,
when I dare not with mine own wife
to speak a word, nor she with me.
Alas! my heart should break,' said he.
'And yet, fore Heaven, tide what betide,
and whithersoever these ladies ride,
that road I will follow they now fare;
for life or death no more I care.'
His beggar's cloak he on him flung,
his harp upon his back he hung;
with right good will his feet he sped,
for stock nor stone he stayed his tread.
Right into a rock the ladies rode,
and in behind he fearless strode.
He went into that rocky hill
a good three miles or more, until
he came into a country fair
as bright as sun in summer air.
Level and smooth it was and green,
and hill nor valley there was seen.
A castle he saw amid the land
princely and proud and lofty stand;
632
the outer wall around it laid
of shining crystal clear was made.
A hundred towers were raised about
with cunning wrought, embattled stout;
and from the moat each buttress bold
in arches sprang of rich red gold.
The vault was carven and adorned
with beasts and birds and figures horned;
within were halls and chambers wide
all made of jewels and gems of pride;
the poorest pillar to behold
was builded all of burnished gold.
And all that land was ever light,
for when it came to dusk of night
from precious stones there issued soon
a light as bright as sun at noon.
No man may tell nor think in thought
how rich the works that there were wrought;
indeed it seemed he gazed with eyes
on the proud court of Paradise.
The ladies to that castle passed.
Behind them Orfeo followed fast.
There knocked he loud upon the gate;
the porter came, and did not wait,
but asked him what might be his will.
'In faith, I have a minstrel's skill
with mirth and music, if he please,
thy lord to cheer, and him to ease.'
The porter swift did then unpin
the castle gates, and let him in.
Then he began to gaze about,
and saw within the walls a rout
of folk that were thither drawn below,
and mourned as dead, but were not so.
For some there stood who had no head,
and some no arms, nor feet; some bled
and through their bodies wounds were set,
and some were strangled as they ate,
and some lay raving, chained and bound,
and some in water had been drowned;
633
and some were withered in the fire,
and some on horse, in war's attire,
and wives there lay in their childbed,
and mad were some, and some were dead;
and passing many there lay beside
as though they slept at quiet noon-tide.
Thus in the world was each one caught
and thither by fairy magic brought.
There too he saw his own sweet wife,
Queen Heurodis, his joy and life,
asleep beneath a grafted tree:
by her attire he knew 'twas she.
When he had marked these marvels all,
he went before the king in hall,
and there a joyous sight did see,
a shining throne and canopy.
Their king and lord there held his seat
beside their lady fair and sweet.
Their crowns and clothes so brightly shone
that scarce his eyes might look thereon.
When he had marked this wondrous thing,
he knelt him down before the king:
'O lord,' said he, 'if it be thy will,
now shalt thou hear my minstrel's skill.'
The king replied: 'What man art thou
that hither darest venture now?
Not I nor any here with me
have ever sent to summon thee,
and since here first my reign began
I have never found so rash a man
that he to us would dare to wend,
unless I first for him should send.'
'My lord,' said he, 'I thee assure,
I am but a wandering minstrel poor;
and, sir, this custom use we all
at the house of many a lord to call,
and little though our welcome be,
to offer there our minstrelsy.'
Before the king upon the ground
634
he sat, and touched his harp to sound;
his harp he tuned as well he could,
glad notes began and music good,
and all who were in palace found
came unto him to hear the sound,
and lay before his very feet,
they thought his melody so sweet.
He played, and silent sat the king
for great delight in listening;
great joy this minstrelsy he deemed,
and joy to his noble queen it seemed.
At last when he his harping stayed,
this speech the king to him then made:
'Minstrel, thy music pleaseth me.
Come, ask of me whate'er it be,
and rich reward I will thee pay.
Come, speak, and prove now what I say!'
'Good sir,' he said, 'I beg of thee
that this thing thou wouldst give to me,
that very lady fair to see
who sleeps beneath the grafted tree.'
'Nay,' said the king, 'that would not do!
for thou art black, and rough, and lean,
and she is faultless, fair and clean.
A monstrous thing then would it be
to see her in thy company.'
'O sir,' he said, 'O gracious king,
but it would be a fouler thing
from mouth of thine to hear a lie.
Thy vow, sir, thou canst not deny,
Whate'er I asked, that should I gain,
and thou must needs thy word maintain.'
The king then said: 'Since that is so,
now take her hand in thine, and go;
I wish thee joy of her, my friend!'
He thanked him well, on knees did bend;
his wife he took then by the hand,
and departed swiftly from that land,
and from that country went in haste;
635
the way he came he now retraced.
Long was the road. The journey passed;
to Winchester he came at last,
his own beloved city free;
but no man knew that it was he.
Beyond the town's end yet to fare,
lest men them knew, he did not dare;
but in a beggar's narrow cot
a lowly lodging there he got
both for himself and for his wife,
as a minstrel poor of wandering life.
He asked for tidings in the land,
and who that kingdom held in hand;
the beggar poor him answered well
and told all things that there befell:
how fairies stole their queen away
ten years before, in time of May;
and how in exile went their king
in unknown countries wandering,
while still the steward rule did hold;
and many things beside he told.
Next day, when hour of noon was near,
he bade his wife await him here;
the beggar's rags he on him flung,
his harp upon his back he hung,
and went into the city's ways
for men to look and on him gaze.
Him earl and lord and baron bold,
lady and burgess, did behold.
'O look! O what a man!' they said,
'How long the hair hands from his head!
His beard is dangling to his knee!
He is gnarled and knotted like a tree!'
Then as he walked along the street
He chanced his steward there to meet,
and after him aloud cried he:
'Mercy, sir steward, have on me!
A harper I am from Heathenesse;
to thee I turn in my distress.'
636
The steward said: 'Come with me, come!
Of what I have thou shalt have some.
All harpers good I welcome make
For my dear lord Sir Orfeo's sake.'
The steward in castle sat at meat,
and many a lord there had his seat;
trumpeters, tabourers there played
harpers and fiddlers music made.
Many a melody made they all,
but Orfeo silent sat in hall
and listened. And when they all were still
he took his harp and tuned it shrill.
Then notes he harped more glad and clear
than ever a man hath heard with ear;
his music delighted all those men.
The steward looked and looked again;
the harp in hand at once he knew,
'Minstrel,' he said, 'come, tell me true,
whence came this harp to thee, and how?
I pray thee, tell me plainly now.'
'My lord,' said he, 'in lands unknown
I walked a wilderness alone,
and there I found in dale forlorn
a man by lions to pieces torn,
by wolves devoured with teeth so sharp;
by him I found this very harp,
and that is full ten years ago.'
'Ah!' said the steward, 'news of woe!
'Twas Orfeo, my master true.
Alas! poor wretch, what shall I do,
who must so dear a master mourn?
A! woe is me that I was born,
for him so hard a fate designed,
a death so vile that he should find!'
Then on the ground he fell in swoon;
his barons stooping raised him soon
and bade him think how all must end for death of man no man can mend.
King Orfeo now had proved and knew
637
his steward was both loyal and true,
and loved him as he duly should.
'Lo!' then he cried, and up he stood,
'Steward, now to my words give ear!
If thy king, Orfeo, were here,
and had in wilderness full long
suffered great hardship sore and strong,
had won his queen by his own hand
out of the deeps of fairy land,
and led at last his lady dear
right hither to the town's end near,
and lodged her in a beggar's cot;
if I were he, whom ye knew not,
thus come among you, poor and ill,
in secret to prove thy faith and will,
if then I thee had found so true,
thy loyalty never shouldst thou rue:
nay, certainly, tide what betide,
thou shouldst be king when Orfeo died.
Hadst thou rejoiced to hear my fate,
I would have thrust thee from the gate.'
Then clearly knew they in the hall
that Orfeo stood before them all.
The steward understood at last;
in his haste the table down he cast
and flung himself before his feet,
and each lord likewise left his seat,
and this one cry they all let ring:
'Ye are our lord, sir, and our king!'
To know he lived so glad they were.
To his chamber soon they brought him there;
they bathed him and they shaved his beard,
and robed him, till royal he appeared;
and brought them in procession long
the queen to town with merry song,
with many a sound of minstrelsy.
A Lord! how great the melody!
For joy the tears were falling fast
of those who saw them safe at last.
Now was King Orfeo crowned anew,
638
and Heurodis his lady too;
and long they lived, till they were dead,
and king was the steward in their stead.
Harpers in Britain in aftertime
these marvels heard, and in their rhyme
a lay they made of fair delight,
and after the king it named aright,
'Orfeo' called it, as was meet:
good is the lay, the music sweet.
Thus came Sir Orfeo out of care.
God grant that well we all may fare!
~ Anonymous Olde English,#NFDB
617:The Kalevala - Rune Xxv
WAINAMOINEN'S WEDDING-SONGS.
At the home of Ilmarinen
Long had they been watching, waiting,
For the coming of the blacksmith,
With his bride from Sariola.
Weary were the eyes of watchers,
Waiting from the father's portals,
Looking from the mother's windows;
Weary were the young knees standing
At the gates of the magician;
Weary grew the feet of children,
Tramping to the walls and watching;
Worn and torn, the shoes of heroes,
Running on the shore to meet him.
Now at last upon a morning
Of a lovely day in winter,
Heard they from the woods the rumble
Of a snow-sledge swiftly bounding.
Lakko, hostess of Wainola,
She the lovely Kalew-daughter,
Spake these words in great excitement:
''Tis the sledge of the magician,
Comes at last the metal-worker
From the dismal Sariola,
By his side the Bride of Beauty!
Welcome, welcome, to this hamlet,
Welcome to thy mother's hearth-stone,
To the dwelling of thy father,
By thine ancestors erected!'
Straightway came great Ilmarinen
To his cottage drove the blacksmith,
To the fireside of his father,
To his mother's ancient dwelling.
Hazel-birds were sweetly singing
On the newly-bended collar;
Sweetly called the sacred cuckoos
From the summit of the break-board;
424
Merry, jumped the graceful squirrel
On the oaken shafts and cross-bar.
Lakko, Kalew's fairest hostess,
Beauteous daughter of Wainola,
Spake these words of hearty welcome:
'For the new moon hopes the village,
For the sun, the happy maidens,
For the boat, the swelling water;
I have not the moon expected,
For the sun have not been waiting,
I have waited for my hero,
Waited for the Bride of Beauty;
Watched at morning, watched at evening,
Did not know but some misfortune,
Some sad fate had overtaken
Bride and bridegroom on their journey;
Thought the maiden growing weary,
Weary of my son's attentions,
Since he faithfully had promised
To return to Kalevala,
Ere his foot-prints had departed
From the snow-fields of his father.
Every morn I looked and listened,
Constantly I thought and wondered
When his sledge would rumble homeward,
When it would return triumphant
To his home, renowned and ancient.
Had a blind and beggared straw-horse
Hobbled to these shores awaiting,
With a sledge of but two pieces,
Well the steed would have been lauded,
Had it brought my son beloved,
Had it brought the Bride of Beauty.
Thus I waited long, impatient,
Looking out from morn till even,
Watching with my head extended,
With my tresses streaming southward,
With my eyelids widely opened,
Waiting for my son's returning
To this modest home of heroes,
To this narrow place of resting.
Finally am I rewarded,
425
For the sledge has come triumphant,
Bringing home my son and hero,
By his side the Rainbow maiden,
Red her cheeks, her visage winsome,
Pride and joy of Sariola.
'Wizard-bridegroom of Wainola,
Take thy-courser to the stable,
Lead him to the well-filled manger,
To the best of grain and clover;
Give to us thy friendly greetings,
Greetings send to all thy people.
When thy greetings thou hast ended,
Then relate what has befallen
To our hero in his absence.
Hast thou gone without adventure
To the dark fields of Pohyola,
Searching for the Maid of Beauty?
Didst thou scale the hostile ramparts,
Didst thou take the virgin's mansion,
Passing o'er her mother's threshold,
Visiting the halls of Louhi?
'But I know without the asking,
See the answer to my question:
Comest from the North a victor,
On thy journey well contented;
Thou hast brought the Northland daughter,
Thou hast razed the hostile portals,
Thou hast stormed the forts of Louhi,
Stormed the mighty walls opposing,
On thy journey to Pohyola,
To the village of the father.
In thy care the bride is sitting,
In thine arms, the Rainbow-maiden,
At thy side, the pride of Northland,
Mated to the highly-gifted.
Who has told the cruel story,
Who the worst of news has scattered,
That thy suit was unsuccessful,
That in vain thy steed had journeyed?
Not in vain has been thy wooing,
Not in vain thy steed has travelled
To the dismal homes of Lapland;
426
He has journeyed heavy laden,
Shaken mane, and tail, and forelock,
Dripping foam from lips and nostrils,
Through the bringing of the maiden,
With the burden of the husband.
'Come, thou beauty, from the snow-sledge,
Come, descend thou from the cross-bench,
Do not linger for assistance,
Do not tarry to be carried;
If too young the one that lifts thee,
If too proud the one in waiting,
Rise thou, graceful, like a young bird,
Hither glide along the pathway,
On the tan-bark scarlet- colored,
That the herds of kine have evened,
That the gentle lambs have trodden,
Smoothened by the tails of horses.
Haste thou here with gentle footsteps,
Through the pathway smooth and tidy,
On the tiles of even surface,
On thy second father's court-yard,
To thy second mother's dwelling,
To thy brother's place of resting,
To thy sister's silent chambers.
Place thy foot within these portals,
Step across this waiting threshold,
Enter thou these halls of joyance,
Underneath these painted rafters,
Underneath this roof of ages.
During all the winter evenings,
Through the summer gone forever,
Sang the tiling made of ivory,
Wishing thou wouldst walk upon it;
Often sang the golden ceiling,
Hoping thou wouldst walk beneath it,
And the windows often whistled,
Asking thee to sit beside them;
Even on this merry morning,
Even on the recent evening,
Sat the aged at their windows,
On the sea-shore ran the children,
Near the walls the maidens waited,
427
Ran the boys upon the highway,
There to watch the young bride's coming,
Coming with her hero-husband.
'Hail, ye courtiers of Wainola,
With the heroes of the fathers,
Hail to thee, Wainola's hamlet,
Hail, ye halls with heroes peopled,
Hail, ye rooms with all your inmates,
Hail to thee, sweet golden moonlight,
Hail to thee, benignant Ukko,
Hail companions of the bridegroom!
Never has there been in Northland
Such a wedding-train of honor,
Never such a bride of beauty.
'Bridegroom, thou beloved hero,
Now untie the scarlet ribbons,
And remove the silken muffler,
Let us see the honey-maiden,
See the Daughter of the Rainbow.
Seven years hast thou been wooing,
Hast thou brought the maid affianced,
Wainamoinen's Wedding-Songs.
Hast thou sought a sweeter cuckoo,
Sought one fairer than the moonlight,
Sought a mermaid from the ocean?
But I know without the asking,
See the answer to my question:
Thou hast brought the sweet-voiced cuckoo,
Thou hast found the swan of beauty
Plucked the sweetest flower of Northland,
Culled the fairest of the jewels,
Gathered Pohya's sweetest berry!'
Sat a babe upon the matting,
And the young child spake as follows:
'Brother, what is this thou bringest,
Aspen-log or trunk of willow,
Slender as the mountain-linden?
Bridegroom, well dost thou remember,
Thou hast hoped it all thy life-time,
Hoped to bring the Maid of Beauty,
Thou a thousand times hast said it,
Better far than any other,
428
Not one like the croaking raven,
Nor the magpie from the border,
Nor the scarecrow from the corn-fields,
Nor the vulture from the desert.
What has this one done of credit,
In the summer that has ended?
Where the gloves that she has knitted,
Where the mittens she has woven?
Thou hast brought her empty-handed,
Not a gift she brings thy father;
In thy chests the nice are nesting,
Long-tails feeding on thy vestments,
And thy bride, cannot repair them.'
Lakko hostess of Wainola,
She the faithful Kalew-daughter,
Hears the young child's speech in wonder,
Speaks these words of disapproval:
Silly prattler, cease thy talking,
Thou Last spoken in dishonor;
Let all others be astonished,
Reap thy malice on thy kindred,
must not harm the Bride of Beauty,
Rainbow-daughter of the Northland.
False indeed is this thy Prattle,
All thy words are full or evil,
Fallen from thy tongue of mischief
From the lips of one unworthy.
Excellent the hero 's young bride,
Best of all in Sariola,
Like the, strawberry in summer,
Like the daisy from the meadow,
Like the cuckoo from the forest,
Like the bluebird from the aspen,
Like the redbreast from the heather,
Like the martin. from the linden;
Never couldst thou find in Ehstland
Such a virgin as this daughter,
Such a graceful beauteous maiden,
With such dignity of Carriage,
With such arms of pearly whiteness,
With. a neck so fair and lovely.
Neither is she empty-handed,
429
She has brought us furs abundant,
Brought us many silken garments,
Richest weavings of Pohyola.
Many beauteous things the maiden,
With the spindle has accomplished,
Spun and woven with her fingers
Dresses of the finest texture
She in winter has upfolded,
Bleached them in the days of spring-time,
Dried them at the hour of noon-day,
For our couches finest linen,
For our heads the softest pillows,
For our comfort woollen blankets,
For our necks the silken ribbons.'
To the bride speaks gracious Lakko:
'Goodly wife, thou Maid of Beauty,
Highly wert thou praised as daughter,
In thy father's distant country;
Here thou shalt be praised forever
By the kindred of thy husband;
Thou shalt never suffer sorrow,
Never give thy heart to grieving;
In the swamps thou wert not nurtured,
Wert not fed beside the brooklets;
Thou wert born 'neath stars auspicious,
Nurtured from the richest garners,
Thou wert taken to the brewing
Of the sweetest beer in Northland.
'Beauteous bride from Sariola,
Shouldst thou see me bringing hither
Casks of corn, or wheat, or barley;
Bringing rye in great abundance,
They belong to this thy household;
Good the plowing of thy husband.
Good his sowing and his reaping.
'Bride of Beauty from the Northland,
Thou wilt learn this home to manage,
Learn to labor with thy kindred;
Good the home for thee to dwell in,
Good enough for bride and daughter.
At thy hand will rest the milk-pail,
And the churn awaits thine order;
430
It is well here for the maiden,
Happy will the young bride labor,
Easy are the resting-benches;
Here the host is like thy father,
Like thy mother is the hostess,
All the sons are like thy brothers,
Like thy sisters are the daughters.
'Shouldst thou ever have a longing
For the whiting of the ocean,
For thy, father's Northland salmon,
For thy brother's hazel-chickens,
Ask them only of thy husband,
Let thy hero-husband bring them.
There is not in all of Northland,
Not a creature of the forest,
Not a bird beneath the ether,
Not a fish within the waters,
Not the largest, nor the smallests
That thy husband cannot capture.
It is well here for the maiden,
Here the bride may live in freedom,
Need not turn the heavy millstone,
Need not move the iron pestle;
Here the wheat is ground by water,
For the rye, the swifter current,
While the billows wash the vessels
And the surging waters rinse them.
Thou hast here a lovely village,
Finest spot in all of Northland,
In the lowlands sweet the verdure,
in the uplands, fields of beauty,
With the lake-shore near the hamlet,
Near thy home the running water,
Where the goslings swim and frolic,
Water-birds disport in numbers.'
Thereupon the bride and bridegroom
Were refreshed with richest viands,
Given food and drink abundant,
Fed on choicest bits of reindeer,
On the sweetest loaves of barley,
On the best of wheaten biscuits,
On the richest beer of Northland.
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Many things were on the table,
Many dainties of Wainola,
In the bowls of scarlet color,
In the platters deftly painted,
Many cakes with honey sweetened,
To each guest was butter given,
Many bits of trout and whiting,
Larger salmon carved in slices,
With the knives of molten silver,
Rimmed with gold the silver handles,
Beer of barley ceaseless flowing,
Honey-drink that was not purchased,
In the cellar flows profusely,
Beer for all, the tongues to quicken,
Mead and beer the minds to freshen.
Who is there to lead the singing,
Lead the songs of Kalevala?
Wainamoinen, old and truthful,
The eternal, wise enchanter,
Quick begins his incantations,
Straightway sings the songs that follow.
'Golden brethren, dearest kindred,
Ye, my loved ones, wise and worthy
Ye companions, highly-gifted,
Listen to my simple sayings:
Rarely stand the geese together,
Sisters do not mate each other,
Not together stand the brothers,
Nor the children of one mother,
In the countries of the Northland.
'Shall we now begin the singing,
Sing the songs of old tradition?
Singers can but sing their wisdom,
And the cuckoo call the spring-time,
And the goddess of the heavens
Only dyes the earth in beauty;
So the goddesses of weaving
Can but weave from dawn till twilight,
Ever sing the youth of Lapland
In their straw-shoes full of gladness,
When the coarse-meat of the roebuck,
Or of blue-moose they have eaten.
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Wherefore should I not be singing,
And the children not be chanting
Of the biscuits of Wainola,
Of the bread of Kalew-waters?
Even Sing the lads of Lapland
In their straw-shoes filled with joyance,
Drinking but a cup of water,
Eating but the bitter tan-bark.
Wherefore should I not be singing,
And the children not be chanting
Of the beer of Kalevala,
Brewed from barley in perfection,
Dressed in quaint and homely costume,
As they sit beside their hearth-stones.
Wherefore should I not be singing,
And the children too be chanting
Underneath these painted rafters,
In these halls renowned and ancient?
This the place for men to linger,
This the court-room for the maidens,
Near the foaming beer of barley,
Honey-brewed in great abundance,
Very near, the salmon-waters,
Near, the nets for trout and whiting,
Here where food is never wanting,
Where the beer is ever brewing.
Here Wainola's sons assemble,
Here Wainola's daughters gather,
Here they never eat in trouble,
Here they live without regretting,
In the life-time of the landlord,
While the hostess lives and prospers.
'Who shall first be sung and lauded?
Shall it be the bride or bridegroom?
Let us praise the bridegroom's father,
Let the hero-host be chanted,
Him whose home is in the forest,
Him who built upon the mountains,
Him who brought the trunks of lindens,
With their tops and slender branches,
Brought them to the best of places,
Joined them skilfully together,
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For the mansion of the nation,
For this famous hero-dwelling,
Walls procured upon the lowlands,
Rafters from the pine and fir-tree,
From the woodlands beams of oak-wood,
From the berry-plains the studding,
Bark was furnished by the aspen,
And the mosses from the fenlands.
Trimly builded is this mansion,
In a haven warmly sheltered;
Here a hundred men have labored,
On the roof have stood a thousand,
As this spacious house was building,
As this roof was tightly jointed.
Here the ancient mansion-builder,
When these rafters were erected,
Lost in storms his locks of sable,
Scattered by the winds of heaven.
Often has the hero-landlord
On the rocks his gloves forgotten,
Left his hat upon the willows,
Lost his mittens in the marshes;
Oftentimes the mansion-builder,
In the early hours of morning,
Ere his workmen had awakened,
Unperceived by all the village,
Has arisen from his slumber,
Left his cabin the snow-fields,
Combed his locks among the branches,
Bathed his eyes in dews of morning.
'Thus obtained the pleasant landlord
Friends to fill his spacious dwelling,
Fill his benches with magicians,
Fill his windows with enchanters,
Fill his halls with wizard-singers,
Fill his floors with ancient speakers,
Fill his ancient court with strangers,
Fill his hurdles with the needy;
Thus the Kalew-host is lauded.
'Now I praise the genial hostess,
Who prepares the toothsome dinner,
Fills with plenty all her tables,
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Bakes the honeyed loaves of barley,
Kneads the dough with magic fingers,
With her arms of strength and beauty,
Bakes her bread in copper ovens,
Feeds her guests and bids them welcome,
Feeds them on the toothsome bacon,
On the trout, and pike, and whiting,
On the rarest fish in ocean,
On the dainties of Wainola.
'Often has the faithful hostess
Risen from her couch in silence,
Ere the crowing of the watcher,
To prepare the wedding-banquet,
Make her tables look attractive.
Brew the honey-beer of wedlock.
Excellently has the housewife,
Has the hostess filled with wisdom,
Brewed the beer from hops and barley,
From the corn of Kalevala,
From the wheat-malt honey-seasoned,
Stirred the beer with graceful fingers,
At the oven in the penthouse,
In the chamber swept and polished.
Neither did the prudent hostess,
Beautiful, and full of wisdom,
Let the barley sprout too freely,
Lest the beer should taste of black-earth,
Be too bitter in the brewing,
Often went she to the garners,
Went alone at hour of midnight,
Was not frightened by the black-wolf,
Did not fear the beasts of woodlands.
'Now the hostess I have lauded,
Let me praise the favored suitor,
Now the honored hero-bridegroom,
Best of all the village-masters.
Clothed in purple is the hero,
Raiment brought from distant nations,
Tightly fitting to his body;
Snugly sets his coat of ermine,
To the floor it hangs in beauty,
Trailing from his neck and shoulders,
435
Little of his vest appearing,
Peeping through his outer raiment,
Woven by the Moon's fair daughters,
And his vestment silver-tinselled.
Dressed in neatness is the suitor,
Round his waist a belt of copper,
Hammered by the Sun's sweet maidens,
Ere the early fires were lighted,
Ere the fire had been discovered.
Dressed in richness is the bridegroom,
On his feet are silken stockings,
Silken ribbons on his ankles,
Gold and silver interwoven.
Dressed in beauty is the bridegroom,
On his feet are shoes of deer-skin,
Like the swans upon the water,
Like the blue-duck on the sea-waves,
Like the thrush among the willows,
Like the water-birds of Northland.
Well adorned the hero-suitor,
With his locks of golden color,
With his gold-beard finely braided,
Hero-hat upon his forehead,
Piercing through the forest branches,
Reaching to the clouds of heaven,
Bought with countless gold and silver,
Priceless is the suitor's head-gear.
'Now the bridegroom has been lauded,
I will praise the young bride's playmate,
Day-companion in her childhood,
In the maiden's magic mansion.
Whence was brought the merry maiden,
From the village of Tanikka?
Thence was never brought the playmate,
Playmate of the bride in childhood.
Has she come from distant nations,
From the waters of the Dwina,
O'er the ocean far-outstretching?
Not from Dwina came the maiden,
Did not sail across the waters;
Grew as berry in the mountains,
As a strawberry of sweetness,
436
On the fields the child of beauty,
In the glens the golden flower.
Thence has come the young bride's playmate,
Thence arose her fair companion.
Tiny are her feet and fingers,
Small her lips of scarlet color,
Like the maiden's loom of Suomi;
Eyes that shine in kindly beauty
Like the twinkling stars of heaven;
Beam the playmate's throbbing temples
Like the moonlight on the waters.
Trinkets has the bride's companion,
On her neck a golden necklace,
In her tresses, silken ribbons,
On her arms are golden bracelets,
Golden rings upon her fingers,
Pearls are set in golden ear-rings,
Loops of gold upon her temples,
And with pearls her brow is studded.
Northland thought the Moon was shining
When her jeweled ear-ringsglistened;
Thought the Sun had left his station
When her girdle shone in beauty;
Thought a ship was homeward sailing
When her colored head-gear fluttered.
Thus is praised the bride's companion,
Playmate of the Rainbow-maiden.
'Now I praise the friends assembled,
All appear in graceful manners;
If the old are wise and silent,
All the youth are free and merry,
All the guests are fair and worthy.
Never was there in Wainola,
Never will there be in Northland,
Such a company assembled;
All the children speak in joyance,
All the aged move sedately;
Dressed in white are all the maidens,
Like the hoar-frost of the morning,
Like the welcome dawn of spring-time,
Like the rising of the daylight.
Silver then was more abundant,
437
Gold among the guests in plenty,
On the hills were money, pockets,
Money-bags along the valleys,
For the friends that were invited,
For the guests in joy assembled.
All the friends have now been lauded,
Each has gained his meed of honor.'
Wainamoinen, old and truthful,
Song-deliverer of Northland,
Swung himself upon the fur-bench
Or his magic sledge of copper,
Straightway hastened to his hamlet,
Singing as he journeyed onward,
Singing charms and incantations,
Singing one day, then a second,
All the third day chanting legends.
On the rocks the runners rattled,
Hung the sledge upon a birch-stump,
Broke it into many pieces,
With the magic of his singing;
Double were the runners bended,
All the parts were torn asunder,
And his magic sledge was ruined.
Then the good, old Wainamoinen
Spake these words in meditation:
'Is there one among this number,
In this rising generation,
Or perchance among the aged,
In the passing generation,
That will go to Mana's kingdom,
To the empire of Tuoni,
There to get the magic auger
From the master of Manala,
That I may repair my snow-sledge,
Or a second sledge may fashion?'
What the younger people answered
Was the answer of the aged:
'Not among the youth of Northland,
Nor among the aged heroes,
Is there one of ample courage,
That has bravery sufficient,
To attempt the reckless journey
438
To the kingdom of Tuoni,
To Manala's fields and castles,
Thence to bring Tuoni's auger,
Wherewithal to mend thy snow-sledge,
Build anew thy sledge of magic.'
Thereupon old Wainamoinen,
The eternal wisdom-singer,
Went again to Mana's empire,
To the kingdom of Tuoni,
Crossed the sable stream of Deathland,
To the castles of Manala,
Found the auger of Tuoni,
Brought the instrument in safety.
Straightway sings old Wainamoinen,
Sings to life a purple forest,
In the forest, slender birches,
And beside them, mighty oak-trees,
Shapes them into shafts and runners,
Moulds them by his will and power,
Makes anew his sledge of magic.
On his steed he lays the harness,
Binds him to his sledge securely,
Seats himself upon the cross-bench,
And the racer gallops homeward,
To the manger filled and waiting,
To the stable of his master;
Brings the ancient Wainamoinen,
Famous bard and wise enchanter,
To the threshold of his dwelling,
To his home in Kalevala.
~ Elias Lönnrot,#NFDB
618:The Coming Of Arthur
Leodogran, the King of Cameliard,
Had one fair daughter, and none other child;
And she was the fairest of all flesh on earth,
Guinevere, and in her his one delight.
For many a petty king ere Arthur came
Ruled in this isle, and ever waging war
Each upon other, wasted all the land;
And still from time to time the heathen host
Swarmed overseas, and harried what was left.
And so there grew great tracts of wilderness,
Wherein the beast was ever more and more,
But man was less and less, till Arthur came.
For first Aurelius lived and fought and died,
And after him King Uther fought and died,
But either failed to make the kingdom one.
And after these King Arthur for a space,
And through the puissance of his Table Round,
Drew all their petty princedoms under him.
Their king and head, and made a realm, and reigned.
And thus the land of Cameliard was waste,
Thick with wet woods, and many a beast therein,
And none or few to scare or chase the beast;
So that wild dog, and wolf and boar and bear
Came night and day, and rooted in the fields,
And wallowed in the gardens of the King.
And ever and anon the wolf would steal
The children and devour, but now and then,
Her own brood lost or dead, lent her fierce teat
To human sucklings; and the children, housed
In her foul den, there at their meat would growl,
And mock their foster mother on four feet,
Till, straightened, they grew up to wolf-like men,
Worse than the wolves. And King Leodogran
Groaned for the Roman legions here again,
And Csar's eagle: then his brother king,
Urien, assailed him: last a heathen horde,
Reddening the sun with smoke and earth with blood,
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And on the spike that split the mother's heart
Spitting the child, brake on him, till, amazed,
He knew not whither he should turn for aid.
But--for he heard of Arthur newly crowned,
Though not without an uproar made by those
Who cried, `He is not Uther's son'--the King
Sent to him, saying, `Arise, and help us thou!
For here between the man and beast we die.'
And Arthur yet had done no deed of arms,
But heard the call, and came: and Guinevere
Stood by the castle walls to watch him pass;
But since he neither wore on helm or shield
The golden symbol of his kinglihood,
But rode a simple knight among his knights,
And many of these in richer arms than he,
She saw him not, or marked not, if she saw,
One among many, though his face was bare.
But Arthur, looking downward as he past,
Felt the light of her eyes into his life
Smite on the sudden, yet rode on, and pitched
His tents beside the forest. Then he drave
The heathen; after, slew the beast, and felled
The forest, letting in the sun, and made
Broad pathways for the hunter and the knight
And so returned.
For while he lingered there,
A doubt that ever smouldered in the hearts
Of those great Lords and Barons of his realm
Flashed forth and into war: for most of these,
Colleaguing with a score of petty kings,
Made head against him, crying, `Who is he
That he should rule us? who hath proven him
King Uther's son? for lo! we look at him,
And find nor face nor bearing, limbs nor voice,
Are like to those of Uther whom we knew.
This is the son of Gorlos, not the King;
This is the son of Anton, not the King.'
And Arthur, passing thence to battle, felt
574
Travail, and throes and agonies of the life,
Desiring to be joined with Guinevere;
And thinking as he rode, `Her father said
That there between the man and beast they die.
Shall I not lift her from this land of beasts
Up to my throne, and side by side with me?
What happiness to reign a lonely king,
Vext--O ye stars that shudder over me,
O earth that soundest hollow under me,
Vext with waste dreams? for saving I be joined
To her that is the fairest under heaven,
I seem as nothing in the mighty world,
And cannot will my will, nor work my work
Wholly, nor make myself in mine own realm
Victor and lord. But were I joined with her,
Then might we live together as one life,
And reigning with one will in everything
Have power on this dark land to lighten it,
And power on this dead world to make it live.'
Thereafter--as he speaks who tells the tale-When Arthur reached a field-of-battle bright
With pitched pavilions of his foe, the world
Was all so clear about him, that he saw
The smallest rock far on the faintest hill,
And even in high day the morning star.
So when the King had set his banner broad,
At once from either side, with trumpet-blast,
And shouts, and clarions shrilling unto blood,
The long-lanced battle let their horses run.
And now the Barons and the kings prevailed,
And now the King, as here and there that war
Went swaying; but the Powers who walk the world
Made lightnings and great thunders over him,
And dazed all eyes, till Arthur by main might,
And mightier of his hands with every blow,
And leading all his knighthood threw the kings
Cardos, Urien, Cradlemont of Wales,
Claudias, and Clariance of Northumberland,
The King Brandagoras of Latangor,
With Anguisant of Erin, Morganore,
And Lot of Orkney. Then, before a voice
575
As dreadful as the shout of one who sees
To one who sins, and deems himself alone
And all the world asleep, they swerved and brake
Flying, and Arthur called to stay the brands
That hacked among the flyers, `Ho! they yield!'
So like a painted battle the war stood
Silenced, the living quiet as the dead,
And in the heart of Arthur joy was lord.
He laughed upon his warrior whom he loved
And honoured most. `Thou dost not doubt me King,
So well thine arm hath wrought for me today.'
`Sir and my liege,' he cried, `the fire of God
Descends upon thee in the battle-field:
I know thee for my King!' Whereat the two,
For each had warded either in the fight,
Sware on the field of death a deathless love.
And Arthur said, `Man's word is God in man:
Let chance what will, I trust thee to the death.'
Then quickly from the foughten field he sent
Ulfius, and Brastias, and Bedivere,
His new-made knights, to King Leodogran,
Saying, `If I in aught have served thee well,
Give me thy daughter Guinevere to wife.'
Whom when he heard, Leodogran in heart
Debating--`How should I that am a king,
However much he holp me at my need,
Give my one daughter saving to a king,
And a king's son?'--lifted his voice, and called
A hoary man, his chamberlain, to whom
He trusted all things, and of him required
His counsel: `Knowest thou aught of Arthur's birth?'
Then spake the hoary chamberlain and said,
`Sir King, there be but two old men that know:
And each is twice as old as I; and one
Is Merlin, the wise man that ever served
King Uther through his magic art; and one
Is Merlin's master (so they call him) Bleys,
Who taught him magic, but the scholar ran
Before the master, and so far, that Bleys,
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Laid magic by, and sat him down, and wrote
All things and whatsoever Merlin did
In one great annal-book, where after-years
Will learn the secret of our Arthur's birth.'
To whom the King Leodogran replied,
`O friend, had I been holpen half as well
By this King Arthur as by thee today,
Then beast and man had had their share of me:
But summon here before us yet once more
Ulfius, and Brastias, and Bedivere.'
Then, when they came before him, the King said,
`I have seen the cuckoo chased by lesser fowl,
And reason in the chase: but wherefore now
Do these your lords stir up the heat of war,
Some calling Arthur born of Gorlos,
Others of Anton? Tell me, ye yourselves,
Hold ye this Arthur for King Uther's son?'
And Ulfius and Brastias answered, `Ay.'
Then Bedivere, the first of all his knights
Knighted by Arthur at his crowning, spake-For bold in heart and act and word was he,
Whenever slander breathed against the King-`Sir, there be many rumours on this head:
For there be those who hate him in their hearts,
Call him baseborn, and since his ways are sweet,
And theirs are bestial, hold him less than man:
And there be those who deem him more than man,
And dream he dropt from heaven: but my belief
In all this matter--so ye care to learn-Sir, for ye know that in King Uther's time
The prince and warrior Gorlos, he that held
Tintagil castle by the Cornish sea,
Was wedded with a winsome wife, Ygerne:
And daughters had she borne him,--one whereof,
Lot's wife, the Queen of Orkney, Bellicent,
Hath ever like a loyal sister cleaved
To Arthur,--but a son she had not borne.
And Uther cast upon her eyes of love:
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But she, a stainless wife to Gorlos,
So loathed the bright dishonour of his love,
That Gorlos and King Uther went to war:
And overthrown was Gorlos and slain.
Then Uther in his wrath and heat besieged
Ygerne within Tintagil, where her men,
Seeing the mighty swarm about their walls,
Left her and fled, and Uther entered in,
And there was none to call to but himself.
So, compassed by the power of the King,
Enforced was she to wed him in her tears,
And with a shameful swiftness: afterward,
Not many moons, King Uther died himself,
Moaning and wailing for an heir to rule
After him, lest the realm should go to wrack.
And that same night, the night of the new year,
By reason of the bitterness and grief
That vext his mother, all before his time
Was Arthur born, and all as soon as born
Delivered at a secret postern-gate
To Merlin, to be holden far apart
Until his hour should come; because the lords
Of that fierce day were as the lords of this,
Wild beasts, and surely would have torn the child
Piecemeal among them, had they known; for each
But sought to rule for his own self and hand,
And many hated Uther for the sake
Of Gorlos. Wherefore Merlin took the child,
And gave him to Sir Anton, an old knight
And ancient friend of Uther; and his wife
Nursed the young prince, and reared him with her own;
And no man knew. And ever since the lords
Have foughten like wild beasts among themselves,
So that the realm has gone to wrack: but now,
This year, when Merlin (for his hour had come)
Brought Arthur forth, and set him in the hall,
Proclaiming, "Here is Uther's heir, your king,"
A hundred voices cried, "Away with him!
No king of ours! a son of Gorlos he,
Or else the child of Anton, and no king,
Or else baseborn." Yet Merlin through his craft,
And while the people clamoured for a king,
578
Had Arthur crowned; but after, the great lords
Banded, and so brake out in open war.'
Then while the King debated with himself
If Arthur were the child of shamefulness,
Or born the son of Gorlos, after death,
Or Uther's son, and born before his time,
Or whether there were truth in anything
Said by these three, there came to Cameliard,
With Gawain and young Modred, her two sons,
Lot's wife, the Queen of Orkney, Bellicent;
Whom as he could, not as he would, the King
Made feast for, saying, as they sat at meat,
`A doubtful throne is ice on summer seas.
Ye come from Arthur's court. Victor his men
Report him! Yea, but ye--think ye this king-So many those that hate him, and so strong,
So few his knights, however brave they be-Hath body enow to hold his foemen down?'
`O King,' she cried, `and I will tell thee: few,
Few, but all brave, all of one mind with him;
For I was near him when the savage yells
Of Uther's peerage died, and Arthur sat
Crowned on the das, and his warriors cried,
"Be thou the king, and we will work thy will
Who love thee." Then the King in low deep tones,
And simple words of great authority,
Bound them by so strait vows to his own self,
That when they rose, knighted from kneeling, some
Were pale as at the passing of a ghost,
Some flushed, and others dazed, as one who wakes
Half-blinded at the coming of a light.
`But when he spake and cheered his Table Round
With large, divine, and comfortable words,
Beyond my tongue to tell thee--I beheld
From eye to eye through all their Order flash
A momentary likeness of the King:
And ere it left their faces, through the cross
And those around it and the Crucified,
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Down from the casement over Arthur, smote
Flame-colour, vert and azure, in three rays,
One falling upon each of three fair queens,
Who stood in silence near his throne, the friends
Of Arthur, gazing on him, tall, with bright
Sweet faces, who will help him at his need.
`And there I saw mage Merlin, whose vast wit
And hundred winters are but as the hands
Of loyal vassals toiling for their liege.
`And near him stood the Lady of the Lake,
Who knows a subtler magic than his own-Clothed in white samite, mystic, wonderful.
She gave the King his huge cross-hilted sword,
Whereby to drive the heathen out: a mist
Of incense curled about her, and her face
Wellnigh was hidden in the minster gloom;
But there was heard among the holy hymns
A voice as of the waters, for she dwells
Down in a deep; calm, whatsoever storms
May shake the world, and when the surface rolls,
Hath power to walk the waters like our Lord.
`There likewise I beheld Excalibur
Before him at his crowning borne, the sword
That rose from out the bosom of the lake,
And Arthur rowed across and took it--rich
With jewels, elfin Urim, on the hilt,
Bewildering heart and eye--the blade so bright
That men are blinded by it--on one side,
Graven in the oldest tongue of all this world,
"Take me," but turn the blade and ye shall see,
And written in the speech ye speak yourself,
"Cast me away!" And sad was Arthur's face
Taking it, but old Merlin counselled him,
"Take thou and strike! the time to cast away
Is yet far-off." So this great brand the king
Took, and by this will beat his foemen down.'
Thereat Leodogran rejoiced, but thought
To sift his doubtings to the last, and asked,
580
Fixing full eyes of question on her face,
`The swallow and the swift are near akin,
But thou art closer to this noble prince,
Being his own dear sister;' and she said,
`Daughter of Gorlos and Ygerne am I;'
`And therefore Arthur's sister?' asked the King.
She answered, `These be secret things,' and signed
To those two sons to pass, and let them be.
And Gawain went, and breaking into song
Sprang out, and followed by his flying hair
Ran like a colt, and leapt at all he saw:
But Modred laid his ear beside the doors,
And there half-heard; the same that afterward
Struck for the throne, and striking found his doom.
And then the Queen made answer, `What know I?
For dark my mother was in eyes and hair,
And dark in hair and eyes am I; and dark
Was Gorlos, yea and dark was Uther too,
Wellnigh to blackness; but this King is fair
Beyond the race of Britons and of men.
Moreover, always in my mind I hear
A cry from out the dawning of my life,
A mother weeping, and I hear her say,
"O that ye had some brother, pretty one,
To guard thee on the rough ways of the world."'
`Ay,' said the King, `and hear ye such a cry?
But when did Arthur chance upon thee first?'
`O King!' she cried, `and I will tell thee true:
He found me first when yet a little maid:
Beaten I had been for a little fault
Whereof I was not guilty; and out I ran
And flung myself down on a bank of heath,
And hated this fair world and all therein,
And wept, and wished that I were dead; and he-I know not whether of himself he came,
Or brought by Merlin, who, they say, can walk
Unseen at pleasure--he was at my side,
And spake sweet words, and comforted my heart,
And dried my tears, being a child with me.
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And many a time he came, and evermore
As I grew greater grew with me; and sad
At times he seemed, and sad with him was I,
Stern too at times, and then I loved him not,
But sweet again, and then I loved him well.
And now of late I see him less and less,
But those first days had golden hours for me,
For then I surely thought he would be king.
`But let me tell thee now another tale:
For Bleys, our Merlin's master, as they say,
Died but of late, and sent his cry to me,
To hear him speak before he left his life.
Shrunk like a fairy changeling lay the mage;
And when I entered told me that himself
And Merlin ever served about the King,
Uther, before he died; and on the night
When Uther in Tintagil past away
Moaning and wailing for an heir, the two
Left the still King, and passing forth to breathe,
Then from the castle gateway by the chasm
Descending through the dismal night--a night
In which the bounds of heaven and earth were lost-Beheld, so high upon the dreary deeps
It seemed in heaven, a ship, the shape thereof
A dragon winged, and all from stern to stern
Bright with a shining people on the decks,
And gone as soon as seen. And then the two
Dropt to the cove, and watched the great sea fall,
Wave after wave, each mightier than the last,
Till last, a ninth one, gathering half the deep
And full of voices, slowly rose and plunged
Roaring, and all the wave was in a flame:
And down the wave and in the flame was borne
A naked babe, and rode to Merlin's feet,
Who stoopt and caught the babe, and cried "The King!
Here is an heir for Uther!" And the fringe
Of that great breaker, sweeping up the strand,
Lashed at the wizard as he spake the word,
And all at once all round him rose in fire,
So that the child and he were clothed in fire.
And presently thereafter followed calm,
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Free sky and stars: "And this the same child," he said,
"Is he who reigns; nor could I part in peace
Till this were told." And saying this the seer
Went through the strait and dreadful pass of death,
Not ever to be questioned any more
Save on the further side; but when I met
Merlin, and asked him if these things were truth-The shining dragon and the naked child
Descending in the glory of the seas-He laughed as is his wont, and answered me
In riddling triplets of old time, and said:
`"Rain, rain, and sun! a rainbow in the sky!
A young man will be wiser by and by;
An old man's wit may wander ere he die.
Rain, rain, and sun! a rainbow on the lea!
And truth is this to me, and that to thee;
And truth or clothed or naked let it be.
Rain, sun, and rain! and the free blossom blows:
Sun, rain, and sun! and where is he who knows?
From the great deep to the great deep he goes."
`So Merlin riddling angered me; but thou
Fear not to give this King thy only child,
Guinevere: so great bards of him will sing
Hereafter; and dark sayings from of old
Ranging and ringing through the minds of men,
And echoed by old folk beside their fires
For comfort after their wage-work is done,
Speak of the King; and Merlin in our time
Hath spoken also, not in jest, and sworn
Though men may wound him that he will not die,
But pass, again to come; and then or now
Utterly smite the heathen underfoot,
Till these and all men hail him for their king.'
She spake and King Leodogran rejoiced,
But musing, `Shall I answer yea or nay?'
Doubted, and drowsed, nodded and slept, and saw,
Dreaming, a slope of land that ever grew,
Field after field, up to a height, the peak
Haze-hidden, and thereon a phantom king,
583
Now looming, and now lost; and on the slope
The sword rose, the hind fell, the herd was driven,
Fire glimpsed; and all the land from roof and rick,
In drifts of smoke before a rolling wind,
Streamed to the peak, and mingled with the haze
And made it thicker; while the phantom king
Sent out at times a voice; and here or there
Stood one who pointed toward the voice, the rest
Slew on and burnt, crying, `No king of ours,
No son of Uther, and no king of ours;'
Till with a wink his dream was changed, the haze
Descended, and the solid earth became
As nothing, but the King stood out in heaven,
Crowned. And Leodogran awoke, and sent
Ulfius, and Brastias and Bedivere,
Back to the court of Arthur answering yea.
Then Arthur charged his warrior whom he loved
And honoured most, Sir Lancelot, to ride forth
And bring the Queen;--and watched him from the gates:
And Lancelot past away among the flowers,
(For then was latter April) and returned
Among the flowers, in May, with Guinevere.
To whom arrived, by Dubric the high saint,
Chief of the church in Britain, and before
The stateliest of her altar-shrines, the King
That morn was married, while in stainless white,
The fair beginners of a nobler time,
And glorying in their vows and him, his knights
Stood around him, and rejoicing in his joy.
Far shone the fields of May through open door,
The sacred altar blossomed white with May,
The Sun of May descended on their King,
They gazed on all earth's beauty in their Queen,
Rolled incense, and there past along the hymns
A voice as of the waters, while the two
Sware at the shrine of Christ a deathless love:
And Arthur said, `Behold, thy doom is mine.
Let chance what will, I love thee to the death!'
To whom the Queen replied with drooping eyes,
`King and my lord, I love thee to the death!'
And holy Dubric spread his hands and spake,
584
`Reign ye, and live and love, and make the world
Other, and may thy Queen be one with thee,
And all this Order of thy Table Round
Fulfil the boundless purpose of their King!'
So Dubric said; but when they left the shrine
Great Lords from Rome before the portal stood,
In scornful stillness gazing as they past;
Then while they paced a city all on fire
With sun and cloth of gold, the trumpets blew,
And Arthur's knighthood sang before the King:-`Blow, trumpet, for the world is white with May;
Blow trumpet, the long night hath rolled away!
Blow through the living world--"Let the King reign."
`Shall Rome or Heathen rule in Arthur's realm?
Flash brand and lance, fall battleaxe upon helm,
Fall battleaxe, and flash brand! Let the King reign.
`Strike for the King and live! his knights have heard
That God hath told the King a secret word.
Fall battleaxe, and flash brand! Let the King reign.
`Blow trumpet! he will lift us from the dust.
Blow trumpet! live the strength and die the lust!
Clang battleaxe, and clash brand! Let the King reign.
`Strike for the King and die! and if thou diest,
The King is King, and ever wills the highest.
Clang battleaxe, and clash brand! Let the King reign.
`Blow, for our Sun is mighty in his May!
Blow, for our Sun is mightier day by day!
Clang battleaxe, and clash brand! Let the King reign.
`The King will follow Christ, and we the King
In whom high God hath breathed a secret thing.
Fall battleaxe, and flash brand! Let the King reign.'
So sang the knighthood, moving to their hall.
There at the banquet those great Lords from Rome,
585
The slowly-fading mistress of the world,
Strode in, and claimed their tribute as of yore.
But Arthur spake, `Behold, for these have sworn
To wage my wars, and worship me their King;
The old order changeth, yielding place to new;
And we that fight for our fair father Christ,
Seeing that ye be grown too weak and old
To drive the heathen from your Roman wall,
No tribute will we pay:' so those great lords
Drew back in wrath, and Arthur strove with Rome.
And Arthur and his knighthood for a space
Were all one will, and through that strength the King
Drew in the petty princedoms under him,
Fought, and in twelve great battles overcame
The heathen hordes, and made a realm and reigned.
~ Alfred Lord Tennyson,#NFDB
619:A TRAGEDY
IN FIVE ACTS
DRAMATIS PERSONS
OTHO THE GREAT, Emperor of Germany.
LUDOLPH, his Son.
CONRAD, Duke of Franconia.
ALBERT, a Knight, favoured by Otho.
SIGIFRED, an Officer, friend of Ludolph.
THEODORE, an Officer
GONFRED, an Officer
ETHELBERT. an Abbot.
GERSA, Prince of Hungary.
An Hungarian Captain.
Physician.
Page.
Nobles, Knights, Attendants, and Soldiers.
ERMINIA, Niece of Otho.
AURANTHE, Conrad's Sister.
Ladies and Attendants.
SCENE. The Castle of Friedburg, its vicinity, and the Hungarian Camp.
TIME. One Day.
SCENE I. An Apartment in the Castle. Enter CONRAD.
Conrad. So, I am safe emerged from these broils!
Amid the wreck of thousands I am whole;
For every crime I have a laurel-wreath,
For every lie a lordship. Nor yet has
My ship of fortune furl'd her silken sails,
Let her glide on! This danger'd neck is saved,
By dexterous policy, from the rebel's axe;
And of my ducal palace not one stone
Is bruised by the Hungarian petards.
Toil hard, ye slaves, and from the miser-earth
Bring forth once more my bullion, treasured deep,
With ah my jewell'd salvers, silver and gold,
And precious goblets that make rich the wine.
But why do I stand babbling to myself?
Where is Auranthe? I have news for her
Shall-
Enter AURANTHE.
Auranthe. Conrad! what tidings? Good, if I may guess
From your alert eyes and high-lifted brows.
What tidings of the battle? Albert? Ludolph? Otho?
Conrad. You guess aright. And, sister, slurring o'er
Our by-gone quarrels, I confess my heart
Is beating with a child's anxiety,
To make our golden fortune known to you.
Auranthe. So serious?
Conrad. Yes, so serious, that before
I utter even the shadow of a hint
Concerning what will make that sin-worn cheek
Blush joyous blood through every lineament,
You must make here a solemn vow to me.
Auranthe. I prythee, Conrad, do not overact
The hypocrite what vow would you impose?
Conrad. Trust me for once, that you may be assured
'Tis not confiding to a broken reed,
A poor Court-bankrupt, outwitted and lost,
Revolve these facts in your acutest mood,
In such a mood as now you listen to me:
A few days since, I was an open rebel
Against the Emperor, had suborn'd his son,
Drawn off his nobles to revolt, and shown
Contented fools causes for discontent
Fresh hatch'd in my ambition's eagle nest
So thrived I as a rebel, and behold
Now I am Otho's favourite, his dear friend,
His right hand, his brave Conrad.
Auranthe. I confess
You have intrigued with these unsteady times
To admiration; but to be a favourite
Conrad. I saw my moment. The Hungarians,
Collected silently in holes and corners,
Appeared, a sudden host, in the open day.
I should have perish'd in our empire's wreck,
But, calling interest loyalty, swore faith
To most believing Otho; and so helped
His blood-stained ensigns to the victory
In yesterday's hard fight, that it has turn'd
The edge of his sharp wrath to eager kindness.
Auranthe. So far yourself. But what is this to me
More than that I am glad? I gratulate you.
Conrad. Yes, sister, but it does regard you greatly,
Nearly, momentously, aye, painfully!
Make me this vow
Auranthe. Concerning whom or what?
Conrad. Albert!
Auranthe. I would inquire somewhat of him:
You had a letter from me touching him?
No treason 'gainst his head in deed or word!
Surely you spar'd him at my earnest prayer?
Give me the letter it should not exist!
Conrad. At one pernicious charge of the enemy,
I, for a moment-whiles, was prisoner ta'en
And rifled, stuff! the horses' hoofs have minc'd it!
Auranthe. He is alive?
Conrad. He is! but here make oath
To alienate him from your scheming brain,
Divorce him from your solitary thoughts,
And cloud him in such utter banishment,
That when his person meets again your eye,
Your vision shall quite lose its memory,
And wander past him as through vacancy.
Auranthe. I'll not be perjured.
Conrad. No, nor great, nor mighty;
You would not wear a crown, or rule a kingdom.
To you it is indifferent.
Auranthe. What means this?
Conrad. You'll not be perjured! Go to Albert then,
That camp-mushroom dishonour of our house.
Go, page his dusty heels upon a march,
Furbish his jingling baldric while he sleeps,
And share his mouldy ration in a siege.
Yet stay, perhaps a charm may call you back,
And make the widening circlets of your eyes
Sparkle with healthy fevers. The Emperor
Hath given consent that you should marry Ludolph!
Auranthe. Can it be, brother? For a golden crown
With a queen's awful lips I doubly thank you!
This is to wake in Paradise ! Farewell
Thou clod of yesterday 'twas not myself!
Not till this moment did I ever feel
My spirit's faculties! I'll flatter you
For this, and be you ever proud of it;
Thou, Jove-like, struck'dst thy forehead,
And from the teeming marrow of thy brain
I spring complete Minerva! But the prince
His highness Ludolph where is he?
Conrad. I know not:
When, lackeying my counsel at a beck,
The rebel lords, on bended knees, received
The Emperor's pardon, Ludolph kept aloof,
Sole, in a stiff, fool-hardy, sulky pride;
Yet, for all this, I never saw a father
In such a sickly longing for his son.
We shall soon see him, for the Emperor
He will be here this morning.
Auranthe. That I heard
Among the midnight rumours from the camp.
Conrad. You give up Albert to me?
Auranthe. Harm him not!
E'en for his highness Ludolph's sceptry hand,
I would not Albert suffer any wrong.
Conrad. Have I not laboured, plotted ?
Auranthe. See you spare him:
Nor be pathetic, my kind benefactor,
On all the many bounties of your hand,
'Twas for yourself you laboured not for me!
Do you not count, when I am queen, to take
Advantage of your chance discoveries
Of my poor secrets, and so hold a rod
Over my life?
Conrad. Let not this slave this villain
Be cause of feud between us. See! he comes!
Look, woman, look, your Albert is quite safe!
In haste it seems. Now shall I be in the way,
And wish'd with silent curses in my grave,
Or side by side with 'whelmed mariners.
Enter ALBERT.
Albert. Fair on your graces fall this early morrow!
So it is like to do, without my prayers,
For your right noble names, like favourite tunes,
Have fallen full frequent from our Emperor's lips,
High commented with smiles.
Auranthe. Noble Albert!
Conrad (aside). Noble!
Auranthe. Such salutation argues a glad heart
In our prosperity. We thank you, sir.
Albert. Lady! O, would to Heaven your poor servant
Could do you better service than mere words!
But I have other greeting than mine own,
From no less man than Otho, who has sent
This ring as pledge of dearest amity;
'Tis chosen I hear from Hymen's jewel'ry,
And you will prize it, lady, I doubt not,
Beyond all pleasures past, and all to come.
To you great duke
Conrad. To me! What of me, ha?
Albert. What pleas'd your grace to say?
Conrad. Your message, sir!
Albert. You mean not this to me?
Conrad. Sister, this way;
For there shall be no '''gentle Alberts" now, [Aside.
No "sweet Auranthes!"
[Exeunt CONRAD and AURANTHE.
Albert (solus). The duke is out of temper; if he knows
More than a brother of a sister ought,
I should not quarrel with his peevishness.
Auranthe Heaven preserve her always fair!
Is in the heady, proud, ambitious vein;
I bicker not with her, bid her farewell!
She has taken flight from me, then let her soar,
He is a fool who stands at pining gaze!
But for poor Ludolph, he is food for sorrow:
No levelling bluster of my licens'd thoughts,
No military swagger of my mind,
Can smother from myself the wrong I've done him,
Without design, indeed, yet it is so,
And opiate for the conscience have I none! [Exit.
SCENE II. The Court-yard of the Castle.
Martial Music. Enter, from the outer gate, OTHO, Nobles, Knights, and
Attendants. The Soldiers halt at the gate, with Banners in sight.
Otho. Where is my noble herald?
Enter CONRAD, from the Castle, attended by two Knights and
Servants. ALBERT following.
Well, hast told
Auranthe our intent imperial?
Lest our rent banners, too o' the sudden shown,
Should fright her silken casements, and dismay
Her household to our lack of entertainment.
A victory!
Conrad. God save illustrious Otho!
Otho. Aye, Conrad, it will pluck out all grey hairs;
It is the best physician for the spleen;
The courtliest inviter to a feast;
The subtlest excuser of small faults;
And a nice judge in the age and smack of wine.
Enter, from the Castle, AURANTHE, followed by Pages holding
up her robes, and a tram of Women. She kneels.
Hail my sweet hostess! I do thank the stars,
Or my good soldiers, or their ladies' eyes,
That, after such a merry battle fought,
I can, all safe in body and in soul,
Kiss your fair hand and lady fortune's too.
My ring! now, on my life, it doth rejoice
These lips to feel 't on this soft ivory!
Keep it, my brightest daughter; it may prove
The little prologue to a line of kings.
I strove against thee and my hot-blood son,
Dull blockhead that I was to be so blind,
But now my sight is clear; forgive me, lady.
Auranthe. My lord, I was a vassal to your frown,
And now your favour makes me but more humble;
In wintry winds the simple snow is safe,
But fadeth at the greeting of the sun:
Unto thine anger I might well have spoken,
Taking on me a woman's privilege,
But this so sudden kindness makes me dumb.
Otho. What need of this? Enough, if you will be
A potent tutoress to my wayward boy,
And teach him, what it seems his nurse could not
To say, for once, I thank you. Sigifred!
Albert. He has not yet return'd, my gracious liege.
Otho. What then! No tidings of my friendly Arab?
Conrad. None, mighty Otho.
[To one of his Knights, who goes out.
Send forth instantly
An hundred horsemen from my honoured gates,
To scour the plains and search the cottages.
Cry a reward, to him who shall first bring
News of that vanished Arabian,
A full-heap'd helmet of the purest gold.
Otho. More thanks, good Conrad; for, except my son's,
There is no face I rather would behold
Than that same quick-eyed pagan's. By the saints,
This coming night of banquets must not light
Her dazzling torches; nor the music breathe
Smooth, without clashing cymbal, tones of peace
And in-door melodies; nor the ruddy wine
Ebb spouting to the lees; if I pledge not
In my first cup, that Arab!
Albert. Mighty Monarch,
I wonder not this stranger's victor-deeds
So, hang upon your spirit. Twice in the fight
It was my chance to meet his olive brow,
Triumphant in the enemy's shatter 'd rhomb;
And, to say truth, in any Christian arm
I never saw such prowess.
Otho. Did you ever?
O, 'tis a noble boy! tut! what do I say?
I mean a triple Saladin, whose eyes,
When in the glorious scuffle they met mine,
Seem'd to say "Sleep, old man, in safety sleep;
I am the victory!"
Conrad. Pity he's not here.
Otho. And my son too, pity he is not here.
Lady Auranthe, I would not make you blush,
But can you give a guess where Ludolph is?
Know you not of him?
Auranthe. Indeed, my liege, no secret
Otho. Nay, nay, without more words, dost know of him?
Auranthe. I would I were so over-fortunate,
Both for his sake and mine, and to make glad
A father's ears with tidings of his son.
Otho. I see 'tis like to be a tedious day.
Were Theodore and Gonfred and the rest
Sent forth with my commands?
Albert. Aye, my lord.
Otho. And no news! No news! 'Faith! 'tis very strange
He thus avoids us. Lady, is't not strange?
Will he be truant to you too? It is a shame.
Conrad. Will 't please your highness enter, and accept
The unworthy welcome of your servant's house?
Leaving your cares to one whose diligence
May in few hours make pleasures of them all.
Otho. Not so tedious, Conrad. No, no, no,
I must see Ludolph or the What's that shout!
Voices without. Huzza! huzza! Long live the Emperor!
Other Voices. Fall back! Away there!
Otho. Say, what noise is that?
[ALBERT advancing from the bark of the Stage, whither he had
hastened on hearing the cheers of the soldiery.
Albert. It is young Gersa, the Hungarian prince,
Pick'd like a red stag from the fallow herd
Of prisoners. Poor prince, forlorn he steps,
Slow, and demure, and proud in his despair.
If I may judge by his so tragic bearing,
His eye not downcast, and his folded arm,
He doth this moment wish himself asleep
Among his fallen captains on yon plains.
Enter GERSA, in chains, and guarded,
Otho. Well said, Sir Albert.
Gersa. Not a word of greeting.
No welcome to a princely visitor,
Most mighty Otho? Will not my great host
Vouchsafe a syllable, before he bids
His gentlemen conduct me with all care
To some securest lodgings? cold perhaps!
Otho. What mood is this? Hath fortune touch'd thy brain?
Gersa. kings and princes of this fev'rous world,
What abject things, what mockeries must ye be,
What nerveless minions of safe palaces!
When here, a monarch, whose proud foot is used
To fallen princes' necks, as to his stirrup,
Must needs exclaim that I am mad forsooth,
Because I cannot flatter with bent knees
My conqueror!
Otho. Gersa, I think you wrong me:
I think I have a better fame abroad.
Gersa. I prythee mock me not with gentle speech,
But, as a favour, bid me from thy presence;
Let me no longer be the wondering food
Of all these eyes; prythee command me hence!
Otho. Do not mistake me, Gersa. That you may not,
Come, fair Auranthe, try if your soft hands
Can manage those hard rivets to set free
So brave a prince and soldier.
Auranthe (sets him free). Welcome task!
Gersa. I am wound up in deep astonishment!
Thank you, fair lady. Otho! emperor!
You rob me of myself; my dignity
Is now your infant; I am a weak child.
Otho. Give me your hand, and let this kindly grasp
Live in our memories.
Gersa. In mine it will.
I blush to think of my unchasten'd tongue;
But I was haunted by the monstrous ghost
Of all our slain battalions. Sire, reflect,
And pardon you will grant, that, at this hour,
The bruised remnants of our stricken camp
Are huddling undistinguish'd my dear friends,
With common thousands, into shallow graves.
Otho. Enough, most noble Gersa. You are free
To cheer the brave remainder of your host
By your own healing presence, and that too,
Not as their leader merely, but their king;
For, as I hear, the wily enemy,
Who eas'd the crownet from your infant brows,
Bloody Taraxa, is among the dead.
Gersa. Then I retire, so generous Otho please,
Bearing with me a weight of benefits
Too heavy to be borne.
Otho. It is not so;
Still understand me, King of Hungary,
Nor judge my open purposes awry.
Though I did hold you high in my esteem
For your self's sake, I do not personate
The stage-play emperor to entrap applause,
To set the silly sort o' the world agape,
And make the politic smile; no, I have heard
How in the Council you condemn 'd this war,
Urging the perfidy of broken faith,
For that I am your friend.
Gersa. If ever, sire,
You are mine enemy, I dare here swear
'Twill not be Gersa's fault. Otho, farewell!
Otho. Will you return, Prince, to our banqueting?
Gersa. As to my father's board I will return.
Otho. Conrad, with all due ceremony, give
The prince a regal escort to his camp;
Albert, go thou and bear him company.
Gersa, farewell!
Gersa. All happiness attend you!
Otho. Return with what good speed you may; for soon
We must consult upon our terms of peace.
[Exeunt GERSA and ALBERT with others.
And thus a marble column do I build
To prop my empire's dome. Conrad, in thee
I have another stedfast one, to uphold
The portals of my state; and, for my own
Pre-eminence and safety, I will strive
To keep thy strength upon its pedestal.
For, without thee, this day I might have been
A show-monster about the streets of Prague,
In chains, as just now stood that noble prince:
And then to me no mercy had been shown,
For when the conquered lion is once dungeon'd,
Who lets him forth again? or dares to give
An old lion sugar-cates of mild reprieve?
Not to thine ear alone I make confession,
But to all here, as, by experience,
I know how the great basement of all power
Is frankness, and a true tongue to the world;
And how intriguing secrecy is proof
Of fear and weakness, and a hollow state.
Conrad, I owe thee much.
Conrad. To kiss that hand,
My emperor, is ample recompense,
For a mere act of duty.
Otho. Thou art wrong;
For what can any man on earth do more?
We will make trial of your house's welcome,
My bright Auranthe!
Conrad. How is Friedburg honoured!
Enter ETHELBERT and six Monks.
Ethelbert. The benison of heaven on your head,
Imperial Otho!
Otho. Who stays me? Speak! Quick!
Ethelbert. Pause but one moment, mighty conqueror
Upon the threshold of this house of joy.
Otho. Pray, do not prose, good Ethelbert, but speak
What is your purpose.
Ethelbert. The restoration of some captive maids,
Devoted to Heaven's pious ministries,
Who, being driven from their religious cells,
And kept in thraldom by our enemy,
When late this province was a lawless spoil,
Still weep amid the wild Hungarian camp,
Though hemm'd around by thy victorious arms.
Otho. Demand the holy sisterhood in our name
From Gersa's tents. Farewell, old Ethelbert.
Ethelbert. The saints will bless you for this pious care.
Otho. Daughter, your hand; Ludolph's would fit it best.
Conrad. Ho ! let the music sound !
[Music. ETHELBERT raises his hands, as in benediction of OTHO.
Exeunt severally. The scene closes on them.
SCENE III. The Country, with the Castle in the distance.
Enter LUDOLPH and SIGIFRED.
Ludolph. You have my secret; let it not be breath 'd.
Sigifred. Still give me leave to wonder that the Prince
Ludolph and the swift Arab are the same ;
Still to rejoice that 'twas a German arm
Death doing in a turban'd masquerade.
Ludolph. The Emperor must not know it, Sigifred.
Sigifred. I prythee, why? What happier hour of time
Could thy pleasd star point down upon from heaven
With silver index, bidding thee make peace?
Ludolph. Still it must not be known, good Sigifred;
The star may point oblique.
Sigifred. If Otho knew
His son to be that unknown Mussulman
After whose spurring heels he sent me forth,
With one of his well-pleas'd Olympian oaths,
The charters of man's greatness, at this hour
He would be watching round the castle walls,
And, like an anxious warder, strain his sight
For the first glimpse of such a son return 'd
Ludolph, that blast of the Hungarians,
That Saracenic meteor of the fight,
That silent fury, whose fell Scymitar
Kept danger all aloof from Otho's head,
And left him space for wonder.
Ludolph. Say no more.
Not as a swordsman would I pardon claim,
But as a son. The bronz'd centurion,
Long toil'd in foreign wars, and whose high deeds
Are shaded in a forest of tall spears,
Known only to his troop, hath greater plea
Of favour with my sire than I can have.
Sigifred. My lord, forgive me that I cannot see
How this proud temper with clear reason squares.
What made you then, with such an anxious love,
Hover around that life, whose bitter days
You vext with bad revolt? Was 't opium,
Or the mad-fumed wine? Nay, do not frown,
I rather would grieve with you than upbraid.
Ludolph. I do believe you. No, 'twas not to make
A father his son's debtor, or to heal
His deep heart-sickness for a rebel child.
Twas done in memory of my boyish days,
Poor cancel for his kindness to my youth,
For all his calming of my childish griefs,
And all his smiles upon my merriment.
No, not a thousand foughten fields could sponge
Those days paternal from my memory,
Though now upon my head he heaps disgrace.
Sigifred. My Prince, you think too harshly
Ludolph. Can I so?
Hath he not gall'd my spirit to the quick?
And with a sullen rigour obstinate
Pour'd out a phial of wrath upon my faults?
Hunted me as the Tartar does the boar,
Driven me to the very edge o' the world,
And almost put a price upon my head?
Sigifred. Remember how he spar'd the rebel lords.
Ludolph. Yes, yes, I know he hath a noble nature
That cannot trample on the fallen. But his
Is not the only proud heart in his realm.
He hath wrong'd me, and I have done him wrong;
He hath lov'd me, and I have shown him kindness;
We should be almost equal.
Sigifred. Yet, for all this,
I would you had appear 'd among those lords,
And ta'en his favour.
Ludolph. Ha! till now I thought
My friend had held poor Ludolph's honour dear.
What ! would you have me sue before his throne
And kiss the courtier's missal, its silk steps?
Or hug the golden housings of his steed,
Amid a camp, whose steeled swarms I dar'd
But yesterday? And, at the trumpet sound,
Bow like some unknown mercenary's flag,
And lick the soiled grass? No, no, my friend,
I would not, I, be pardon'd in the heap,
And bless indemnity with all that scum,
Those men I mean, who on my shoulders propped
Their weak rebellion, winning me with lies,
And pitying forsooth my many wrongs;
Poor self-deceived wretches, who must think
Each one himself a king in embryo,
Because some dozen vassals cry'd my lord!
Cowards, who never knew their little hearts,
Till flurried danger held the mirror up,
And then they own'd themselves without a blush,
Curling, like spaniels, round my father's feet.
Such things deserted me and are forgiven,
While I, least guilty, am an outcast still,
And will be, for I love such fair disgrace.
Sigifred. I know the clear truth; so would Otho see,
For he is just and noble. Fain would I
Be pleader for you
Ludolph. He'll hear none of it;
You know his temper, hot, proud, obstinate;
Endanger not yourself so uselessly.
I will encounter his thwart spleen myself,
To-day, at the Duke Conrad's, where he keeps
His crowded state after the victory.
There will I be, a most unwelcome guest,
And parley with him, as a son should do,
Who doubly loathes a father's tyranny;
Tell him how feeble is that tyranny;
How the relationship of father and son
Is no more valid than a silken leash
Where lions tug adverse, if love grow not
From interchanged love through many years.
Aye, and those turreted Franconian walls,
Like to a jealous casket, hold my pearl
My fair Auranthe! Yes, I will be there.
Sigifred. Be not so rash; wait till his wrath shall pass,
Until his royal spirit softly ebbs
Self-influenced ; then, in his morning dreams
He will forgive thee, and awake in grief
To have not thy good morrow.
Ludolph. Yes, to-day
I must be there, while her young pulses beat
Among the new-plum'd minions of the war.
Have you seen her of late? No? Auranthe,
Franconia's fair sister, 'tis I mean.
She should be paler for my troublous days
And there it is my father's iron lips
Have sworn divorcement 'twixt me and my right.
Sigifred (aside). Auranthe! I had hop'd this whim had pass'd.
Ludolph. And, Sigifred, with all his love of justice,
When will he take that grandchild in his arms,
That, by my love I swear, shall soon be his?
This reconcilement is impossible,
For see but who are these?
Sigifred. They are messengers
From our great emperor; to you, I doubt not,
For couriers are abroad to seek you out.
Enter THEODORE and GONFRED.
Theodore. Seeing so many vigilant eyes explore
The province to invite your highness back
To your high dignities, we are too happy.
Gonfred. We have no eloquence to colour justly
The emperor's anxious wishes.
Ludolph. Go. I follow you.
[Exeunt THEODORE and GONFRED.
I play the prude : it is but venturing
Why should he be so earnest? Come, my friend,
Let us to Friedburg castle.
by owner. provided at no charge for educational purposes
~ John Keats, Otho The Great - Act I
,#NFDB
620:Pelleas And Ettarre
King Arthur made new knights to fill the gap
Left by the Holy Quest; and as he sat
In hall at old Caerleon, the high doors
Were softly sundered, and through these a youth,
Pelleas, and the sweet smell of the fields
Past, and the sunshine came along with him.
`Make me thy knight, because I know, Sir King,
All that belongs to knighthood, and I love.'
Such was his cry: for having heard the King
Had let proclaim a tournament--the prize
A golden circlet and a knightly sword,
Full fain had Pelleas for his lady won
The golden circlet, for himself the sword:
And there were those who knew him near the King,
And promised for him: and Arthur made him knight.
And this new knight, Sir Pelleas of the isles-But lately come to his inheritance,
And lord of many a barren isle was he-Riding at noon, a day or twain before,
Across the forest called of Dean, to find
Caerleon and the King, had felt the sun
Beat like a strong knight on his helm, and reeled
Almost to falling from his horse; but saw
Near him a mound of even-sloping side,
Whereon a hundred stately beeches grew,
And here and there great hollies under them;
But for a mile all round was open space,
And fern and heath: and slowly Pelleas drew
To that dim day, then binding his good horse
To a tree, cast himself down; and as he lay
At random looking over the brown earth
Through that green-glooming twilight of the grove,
It seemed to Pelleas that the fern without
Burnt as a living fire of emeralds,
So that his eyes were dazzled looking at it.
Then o'er it crost the dimness of a cloud
Floating, and once the shadow of a bird
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Flying, and then a fawn; and his eyes closed.
And since he loved all maidens, but no maid
In special, half-awake he whispered, `Where?
O where? I love thee, though I know thee not.
For fair thou art and pure as Guinevere,
And I will make thee with my spear and sword
As famous--O my Queen, my Guinevere,
For I will be thine Arthur when we meet.'
Suddenly wakened with a sound of talk
And laughter at the limit of the wood,
And glancing through the hoary boles, he saw,
Strange as to some old prophet might have seemed
A vision hovering on a sea of fire,
Damsels in divers colours like the cloud
Of sunset and sunrise, and all of them
On horses, and the horses richly trapt
Breast-high in that bright line of bracken stood:
And all the damsels talked confusedly,
And one was pointing this way, and one that,
Because the way was lost.
And Pelleas rose,
And loosed his horse, and led him to the light.
There she that seemed the chief among them said,
`In happy time behold our pilot-star!
Youth, we are damsels-errant, and we ride,
Armed as ye see, to tilt against the knights
There at Caerleon, but have lost our way:
To right? to left? straight forward? back again?
Which? tell us quickly.'
Pelleas gazing thought,
`Is Guinevere herself so beautiful?'
For large her violet eyes looked, and her bloom
A rosy dawn kindled in stainless heavens,
And round her limbs, mature in womanhood;
And slender was her hand and small her shape;
And but for those large eyes, the haunts of scorn,
She might have seemed a toy to trifle with,
And pass and care no more. But while he gazed
The beauty of her flesh abashed the boy,
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As though it were the beauty of her soul:
For as the base man, judging of the good,
Puts his own baseness in him by default
Of will and nature, so did Pelleas lend
All the young beauty of his own soul to hers,
Believing her; and when she spake to him,
Stammered, and could not make her a reply.
For out of the waste islands had he come,
Where saving his own sisters he had known
Scarce any but the women of his isles,
Rough wives, that laughed and screamed against the gulls,
Makers of nets, and living from the sea.
Then with a slow smile turned the lady round
And looked upon her people; and as when
A stone is flung into some sleeping tarn,
The circle widens till it lip the marge,
Spread the slow smile through all her company.
Three knights were thereamong; and they too smiled,
Scorning him; for the lady was Ettarre,
And she was a great lady in her land.
Again she said, `O wild and of the woods,
Knowest thou not the fashion of our speech?
Or have the Heavens but given thee a fair face,
Lacking a tongue?'
`O damsel,' answered he,
`I woke from dreams; and coming out of gloom
Was dazzled by the sudden light, and crave
Pardon: but will ye to Caerleon? I
Go likewise: shall I lead you to the King?'
`Lead then,' she said; and through the woods they went.
And while they rode, the meaning in his eyes,
His tenderness of manner, and chaste awe,
His broken utterances and bashfulness,
Were all a burthen to her, and in her heart
She muttered, `I have lighted on a fool,
Raw, yet so stale!' But since her mind was bent
On hearing, after trumpet blown, her name
And title, `Queen of Beauty,' in the lists
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Cried--and beholding him so strong, she thought
That peradventure he will fight for me,
And win the circlet: therefore flattered him,
Being so gracious, that he wellnigh deemed
His wish by hers was echoed; and her knights
And all her damsels too were gracious to him,
For she was a great lady.
And when they reached
Caerleon, ere they past to lodging, she,
Taking his hand, `O the strong hand,' she said,
`See! look at mine! but wilt thou fight for me,
And win me this fine circlet, Pelleas,
That I may love thee?'
Then his helpless heart
Leapt, and he cried, `Ay! wilt thou if I win?'
`Ay, that will I,' she answered, and she laughed,
And straitly nipt the hand, and flung it from her;
Then glanced askew at those three knights of hers,
Till all her ladies laughed along with her.
`O happy world,' thought Pelleas, `all, meseems,
Are happy; I the happiest of them all.'
Nor slept that night for pleasure in his blood,
And green wood-ways, and eyes among the leaves;
Then being on the morrow knighted, sware
To love one only. And as he came away,
The men who met him rounded on their heels
And wondered after him, because his face
Shone like the countenance of a priest of old
Against the flame about a sacrifice
Kindled by fire from heaven: so glad was he.
Then Arthur made vast banquets, and strange knights
From the four winds came in: and each one sat,
Though served with choice from air, land, stream, and sea,
Oft in mid-banquet measuring with his eyes
His neighbour's make and might: and Pelleas looked
Noble among the noble, for he dreamed
His lady loved him, and he knew himself
Loved of the King: and him his new-made knight
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Worshipt, whose lightest whisper moved him more
Than all the rangd reasons of the world.
Then blushed and brake the morning of the jousts,
And this was called `The Tournament of Youth:'
For Arthur, loving his young knight, withheld
His older and his mightier from the lists,
That Pelleas might obtain his lady's love,
According to her promise, and remain
Lord of the tourney. And Arthur had the jousts
Down in the flat field by the shore of Usk
Holden: the gilded parapets were crowned
With faces, and the great tower filled with eyes
Up to the summit, and the trumpets blew.
There all day long Sir Pelleas kept the field
With honour: so by that strong hand of his
The sword and golden circlet were achieved.
Then rang the shout his lady loved: the heat
Of pride and glory fired her face; her eye
Sparkled; she caught the circlet from his lance,
And there before the people crowned herself:
So for the last time she was gracious to him.
Then at Caerleon for a space--her look
Bright for all others, cloudier on her knight-Lingered Ettarre: and seeing Pelleas droop,
Said Guinevere, `We marvel at thee much,
O damsel, wearing this unsunny face
To him who won thee glory!' And she said,
`Had ye not held your Lancelot in your bower,
My Queen, he had not won.' Whereat the Queen,
As one whose foot is bitten by an ant,
Glanced down upon her, turned and went her way.
But after, when her damsels, and herself,
And those three knights all set their faces home,
Sir Pelleas followed. She that saw him cried,
`Damsels--and yet I should be shamed to say it-I cannot bide Sir Baby. Keep him back
Among yourselves. Would rather that we had
Some rough old knight who knew the worldly way,
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Albeit grizzlier than a bear, to ride
And jest with: take him to you, keep him off,
And pamper him with papmeat, if ye will,
Old milky fables of the wolf and sheep,
Such as the wholesome mothers tell their boys.
Nay, should ye try him with a merry one
To find his mettle, good: and if he fly us,
Small matter! let him.' This her damsels heard,
And mindful of her small and cruel hand,
They, closing round him through the journey home,
Acted her hest, and always from her side
Restrained him with all manner of device,
So that he could not come to speech with her.
And when she gained her castle, upsprang the bridge,
Down rang the grate of iron through the groove,
And he was left alone in open field.
`These be the ways of ladies,' Pelleas thought,
`To those who love them, trials of our faith.
Yea, let her prove me to the uttermost,
For loyal to the uttermost am I.'
So made his moan; and darkness falling, sought
A priory not far off, there lodged, but rose
With morning every day, and, moist or dry,
Full-armed upon his charger all day long
Sat by the walls, and no one opened to him.
And this persistence turned her scorn to wrath.
Then calling her three knights, she charged them, `Out!
And drive him from the walls.' And out they came
But Pelleas overthrew them as they dashed
Against him one by one; and these returned,
But still he kept his watch beneath the wall.
Thereon her wrath became a hate; and once,
A week beyond, while walking on the walls
With her three knights, she pointed downward, `Look,
He haunts me--I cannot breathe--besieges me;
Down! strike him! put my hate into your strokes,
And drive him from my walls.' And down they went,
And Pelleas overthrew them one by one;
And from the tower above him cried Ettarre,
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`Bind him, and bring him in.'
He heard her voice;
Then let the strong hand, which had overthrown
Her minion-knights, by those he overthrew
Be bounden straight, and so they brought him in.
Then when he came before Ettarre, the sight
Of her rich beauty made him at one glance
More bondsman in his heart than in his bonds.
Yet with good cheer he spake, `Behold me, Lady,
A prisoner, and the vassal of thy will;
And if thou keep me in thy donjon here,
Content am I so that I see thy face
But once a day: for I have sworn my vows,
And thou hast given thy promise, and I know
That all these pains are trials of my faith,
And that thyself, when thou hast seen me strained
And sifted to the utmost, wilt at length
Yield me thy love and know me for thy knight.'
Then she began to rail so bitterly,
With all her damsels, he was stricken mute;
But when she mocked his vows and the great King,
Lighted on words: `For pity of thine own self,
Peace, Lady, peace: is he not thine and mine?'
`Thou fool,' she said, `I never heard his voice
But longed to break away. Unbind him now,
And thrust him out of doors; for save he be
Fool to the midmost marrow of his bones,
He will return no more.' And those, her three,
Laughed, and unbound, and thrust him from the gate.
And after this, a week beyond, again
She called them, saying, `There he watches yet,
There like a dog before his master's door!
Kicked, he returns: do ye not hate him, ye?
Ye know yourselves: how can ye bide at peace,
Affronted with his fulsome innocence?
Are ye but creatures of the board and bed,
No men to strike? Fall on him all at once,
And if ye slay him I reck not: if ye fail,
529
Give ye the slave mine order to be bound,
Bind him as heretofore, and bring him in:
It may be ye shall slay him in his bonds.'
She spake; and at her will they couched their spears,
Three against one: and Gawain passing by,
Bound upon solitary adventure, saw
Low down beneath the shadow of those towers
A villainy, three to one: and through his heart
The fire of honour and all noble deeds
Flashed, and he called, `I strike upon thy side-The caitiffs!' `Nay,' said Pelleas, `but forbear;
He needs no aid who doth his lady's will.'
So Gawain, looking at the villainy done,
Forbore, but in his heat and eagerness
Trembled and quivered, as the dog, withheld
A moment from the vermin that he sees
Before him, shivers, ere he springs and kills.
And Pelleas overthrew them, one to three;
And they rose up, and bound, and brought him in.
Then first her anger, leaving Pelleas, burned
Full on her knights in many an evil name
Of craven, weakling, and thrice-beaten hound:
`Yet, take him, ye that scarce are fit to touch,
Far less to bind, your victor, and thrust him out,
And let who will release him from his bonds.
And if he comes again'--there she brake short;
And Pelleas answered, `Lady, for indeed
I loved you and I deemed you beautiful,
I cannot brook to see your beauty marred
Through evil spite: and if ye love me not,
I cannot bear to dream you so forsworn:
I had liefer ye were worthy of my love,
Than to be loved again of you--farewell;
And though ye kill my hope, not yet my love,
Vex not yourself: ye will not see me more.'
While thus he spake, she gazed upon the man
Of princely bearing, though in bonds, and thought,
`Why have I pushed him from me? this man loves,
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If love there be: yet him I loved not. Why?
I deemed him fool? yea, so? or that in him
A something--was it nobler than myself?
Seemed my reproach? He is not of my kind.
He could not love me, did he know me well.
Nay, let him go--and quickly.' And her knights
Laughed not, but thrust him bounden out of door.
Forth sprang Gawain, and loosed him from his bonds,
And flung them o'er the walls; and afterward,
Shaking his hands, as from a lazar's rag,
`Faith of my body,' he said, `and art thou not-Yea thou art he, whom late our Arthur made
Knight of his table; yea and he that won
The circlet? wherefore hast thou so defamed
Thy brotherhood in me and all the rest,
As let these caitiffs on thee work their will?'
And Pelleas answered, `O, their wills are hers
For whom I won the circlet; and mine, hers,
Thus to be bounden, so to see her face,
Marred though it be with spite and mockery now,
Other than when I found her in the woods;
And though she hath me bounden but in spite,
And all to flout me, when they bring me in,
Let me be bounden, I shall see her face;
Else must I die through mine unhappiness.'
And Gawain answered kindly though in scorn,
`Why, let my lady bind me if she will,
And let my lady beat me if she will:
But an she send her delegate to thrall
These fighting hands of mine--Christ kill me then
But I will slice him handless by the wrist,
And let my lady sear the stump for him,
Howl as he may. But hold me for your friend:
Come, ye know nothing: here I pledge my troth,
Yea, by the honour of the Table Round,
I will be leal to thee and work thy work,
And tame thy jailing princess to thine hand.
Lend me thine horse and arms, and I will say
That I have slain thee. She will let me in
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To hear the manner of thy fight and fall;
Then, when I come within her counsels, then
From prime to vespers will I chant thy praise
As prowest knight and truest lover, more
Than any have sung thee living, till she long
To have thee back in lusty life again,
Not to be bound, save by white bonds and warm,
Dearer than freedom. Wherefore now thy horse
And armour: let me go: be comforted:
Give me three days to melt her fancy, and hope
The third night hence will bring thee news of gold.'
Then Pelleas lent his horse and all his arms,
Saving the goodly sword, his prize, and took
Gawain's, and said, `Betray me not, but help-Art thou not he whom men call light-of-love?'
`Ay,' said Gawain, `for women be so light.'
Then bounded forward to the castle walls,
And raised a bugle hanging from his neck,
And winded it, and that so musically
That all the old echoes hidden in the wall
Rang out like hollow woods at hunting-tide.
Up ran a score of damsels to the tower;
`Avaunt,' they cried, `our lady loves thee not.'
But Gawain lifting up his vizor said,
`Gawain am I, Gawain of Arthur's court,
And I have slain this Pelleas whom ye hate:
Behold his horse and armour. Open gates,
And I will make you merry.'
And down they ran,
Her damsels, crying to their lady, `Lo!
Pelleas is dead--he told us--he that hath
His horse and armour: will ye let him in?
He slew him! Gawain, Gawain of the court,
Sir Gawain--there he waits below the wall,
Blowing his bugle as who should say him nay.'
And so, leave given, straight on through open door
Rode Gawain, whom she greeted courteously.
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`Dead, is it so?' she asked. `Ay, ay,' said he,
`And oft in dying cried upon your name.'
`Pity on him,' she answered, `a good knight,
But never let me bide one hour at peace.'
`Ay,' thought Gawain, `and you be fair enow:
But I to your dead man have given my troth,
That whom ye loathe, him will I make you love.'
So those three days, aimless about the land,
Lost in a doubt, Pelleas wandering
Waited, until the third night brought a moon
With promise of large light on woods and ways.
Hot was the night and silent; but a sound
Of Gawain ever coming, and this lay-Which Pelleas had heard sung before the Queen,
And seen her sadden listening--vext his heart,
And marred his rest--`A worm within the rose.'
`A rose, but one, none other rose had I,
A rose, one rose, and this was wondrous fair,
One rose, a rose that gladdened earth and sky,
One rose, my rose, that sweetened all mine air-I cared not for the thorns; the thorns were there.
`One rose, a rose to gather by and by,
One rose, a rose, to gather and to wear,
No rose but one--what other rose had I?
One rose, my rose; a rose that will not die,-He dies who loves it,--if the worm be there.'
This tender rhyme, and evermore the doubt,
`Why lingers Gawain with his golden news?'
So shook him that he could not rest, but rode
Ere midnight to her walls, and bound his horse
Hard by the gates. Wide open were the gates,
And no watch kept; and in through these he past,
And heard but his own steps, and his own heart
Beating, for nothing moved but his own self,
And his own shadow. Then he crost the court,
And spied not any light in hall or bower,
But saw the postern portal also wide
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Yawning; and up a slope of garden, all
Of roses white and red, and brambles mixt
And overgrowing them, went on, and found,
Here too, all hushed below the mellow moon,
Save that one rivulet from a tiny cave
Came lightening downward, and so spilt itself
Among the roses, and was lost again.
Then was he ware of three pavilions reared
Above the bushes, gilden-peakt: in one,
Red after revel, droned her lurdane knights
Slumbering, and their three squires across their feet:
In one, their malice on the placid lip
Frozen by sweet sleep, four of her damsels lay:
And in the third, the circlet of the jousts
Bound on her brow, were Gawain and Ettarre.
Back, as a hand that pushes through the leaf
To find a nest and feels a snake, he drew:
Back, as a coward slinks from what he fears
To cope with, or a traitor proven, or hound
Beaten, did Pelleas in an utter shame
Creep with his shadow through the court again,
Fingering at his sword-handle until he stood
There on the castle-bridge once more, and thought,
`I will go back, and slay them where they lie.'
And so went back, and seeing them yet in sleep
Said, `Ye, that so dishallow the holy sleep,
Your sleep is death,' and drew the sword, and thought,
`What! slay a sleeping knight? the King hath bound
And sworn me to this brotherhood;' again,
`Alas that ever a knight should be so false.'
Then turned, and so returned, and groaning laid
The naked sword athwart their naked throats,
There left it, and them sleeping; and she lay,
The circlet of her tourney round her brows,
And the sword of the tourney across her throat.
And forth he past, and mounting on his horse
Stared at her towers that, larger than themselves
In their own darkness, thronged into the moon.
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Then crushed the saddle with his thighs, and clenched
His hands, and maddened with himself and moaned:
`Would they have risen against me in their blood
At the last day? I might have answered them
Even before high God. O towers so strong,
Huge, solid, would that even while I gaze
The crack of earthquake shivering to your base
Split you, and Hell burst up your harlot roofs
Bellowing, and charred you through and through within,
Black as the harlot's heart--hollow as a skull!
Let the fierce east scream through your eyelet-holes,
And whirl the dust of harlots round and round
In dung and nettles! hiss, snake--I saw him there-Let the fox bark, let the wolf yell. Who yells
Here in the still sweet summer night, but I-I, the poor Pelleas whom she called her fool?
Fool, beast--he, she, or I? myself most fool;
Beast too, as lacking human wit--disgraced,
Dishonoured all for trial of true love-Love?--we be all alike: only the King
Hath made us fools and liars. O noble vows!
O great and sane and simple race of brutes
That own no lust because they have no law!
For why should I have loved her to my shame?
I loathe her, as I loved her to my shame.
I never loved her, I but lusted for her-Away--'
He dashed the rowel into his horse,
And bounded forth and vanished through the night.
Then she, that felt the cold touch on her throat,
Awaking knew the sword, and turned herself
To Gawain: `Liar, for thou hast not slain
This Pelleas! here he stood, and might have slain
Me and thyself.' And he that tells the tale
Says that her ever-veering fancy turned
To Pelleas, as the one true knight on earth,
And only lover; and through her love her life
Wasted and pined, desiring him in vain.
But he by wild and way, for half the night,
535
And over hard and soft, striking the sod
From out the soft, the spark from off the hard,
Rode till the star above the wakening sun,
Beside that tower where Percivale was cowled,
Glanced from the rosy forehead of the dawn.
For so the words were flashed into his heart
He knew not whence or wherefore: `O sweet star,
Pure on the virgin forehead of the dawn!'
And there he would have wept, but felt his eyes
Harder and drier than a fountain bed
In summer: thither came the village girls
And lingered talking, and they come no more
Till the sweet heavens have filled it from the heights
Again with living waters in the change
Of seasons: hard his eyes; harder his heart
Seemed; but so weary were his limbs, that he,
Gasping, `Of Arthur's hall am I, but here,
Here let me rest and die,' cast himself down,
And gulfed his griefs in inmost sleep; so lay,
Till shaken by a dream, that Gawain fired
The hall of Merlin, and the morning star
Reeled in the smoke, brake into flame, and fell.
He woke, and being ware of some one nigh,
Sent hands upon him, as to tear him, crying,
`False! and I held thee pure as Guinevere.'
But Percivale stood near him and replied,
`Am I but false as Guinevere is pure?
Or art thou mazed with dreams? or being one
Of our free-spoken Table hast not heard
That Lancelot'--there he checked himself and paused.
Then fared it with Sir Pelleas as with one
Who gets a wound in battle, and the sword
That made it plunges through the wound again,
And pricks it deeper: and he shrank and wailed,
`Is the Queen false?' and Percivale was mute.
`Have any of our Round Table held their vows?'
And Percivale made answer not a word.
`Is the King true?' `The King!' said Percivale.
`Why then let men couple at once with wolves.
536
What! art thou mad?'
But Pelleas, leaping up,
Ran through the doors and vaulted on his horse
And fled: small pity upon his horse had he,
Or on himself, or any, and when he met
A cripple, one that held a hand for alms-Hunched as he was, and like an old dwarf-elm
That turns its back upon the salt blast, the boy
Paused not, but overrode him, shouting, `False,
And false with Gawain!' and so left him bruised
And battered, and fled on, and hill and wood
Went ever streaming by him till the gloom,
That follows on the turning of the world,
Darkened the common path: he twitched the reins,
And made his beast that better knew it, swerve
Now off it and now on; but when he saw
High up in heaven the hall that Merlin built,
Blackening against the dead-green stripes of even,
`Black nest of rats,' he groaned, `ye build too high.'
Not long thereafter from the city gates
Issued Sir Lancelot riding airily,
Warm with a gracious parting from the Queen,
Peace at his heart, and gazing at a star
And marvelling what it was: on whom the boy,
Across the silent seeded meadow-grass
Borne, clashed: and Lancelot, saying, `What name hast thou
That ridest here so blindly and so hard?'
`No name, no name,' he shouted, `a scourge am I
To lash the treasons of the Table Round.'
`Yea, but thy name?' `I have many names,' he cried:
`I am wrath and shame and hate and evil fame,
And like a poisonous wind I pass to blast
And blaze the crime of Lancelot and the Queen.'
`First over me,' said Lancelot, `shalt thou pass.'
`Fight therefore,' yelled the youth, and either knight
Drew back a space, and when they closed, at once
The weary steed of Pelleas floundering flung
His rider, who called out from the dark field,
`Thou art as false as Hell: slay me: I have no sword.'
Then Lancelot, `Yea, between thy lips--and sharp;
537
But here I will disedge it by thy death.'
`Slay then,' he shrieked, `my will is to be slain,'
And Lancelot, with his heel upon the fallen,
Rolling his eyes, a moment stood, then spake:
`Rise, weakling; I am Lancelot; say thy say.'
And Lancelot slowly rode his warhorse back
To Camelot, and Sir Pelleas in brief while
Caught his unbroken limbs from the dark field,
And followed to the city. It chanced that both
Brake into hall together, worn and pale.
There with her knights and dames was Guinevere.
Full wonderingly she gazed on Lancelot
So soon returned, and then on Pelleas, him
Who had not greeted her, but cast himself
Down on a bench, hard-breathing. `Have ye fought?'
She asked of Lancelot. `Ay, my Queen,' he said.
`And hast thou overthrown him?' `Ay, my Queen.'
Then she, turning to Pelleas, `O young knight,
Hath the great heart of knighthood in thee failed
So far thou canst not bide, unfrowardly,
A fall from HIM?' Then, for he answered not,
`Or hast thou other griefs? If I, the Queen,
May help them, loose thy tongue, and let me know.'
But Pelleas lifted up an eye so fierce
She quailed; and he, hissing `I have no sword,'
Sprang from the door into the dark. The Queen
Looked hard upon her lover, he on her;
And each foresaw the dolorous day to be:
And all talk died, as in a grove all song
Beneath the shadow of some bird of prey;
Then a long silence came upon the hall,
And Modred thought, `The time is hard at hand.'
~ Alfred Lord Tennyson,#NFDB
621:Balin And Balan
Pellam the King, who held and lost with Lot
In that first war, and had his realm restored
But rendered tributary, failed of late
To send his tribute; wherefore Arthur called
His treasurer, one of many years, and spake,
'Go thou with him and him and bring it to us,
Lest we should set one truer on his throne.
Man's word is God in man.'
His Baron said
'We go but harken: there be two strange knights
Who sit near Camelot at a fountain-side,
A mile beneath the forest, challenging
And overthrowing every knight who comes.
Wilt thou I undertake them as we pass,
And send them to thee?'
Arthur laughed upon him.
'Old friend, too old to be so young, depart,
Delay not thou for aught, but let them sit,
Until they find a lustier than themselves.'
So these departed. Early, one fair dawn,
The light-winged spirit of his youth returned
On Arthur's heart; he armed himself and went,
So coming to the fountain-side beheld
Balin and Balan sitting statuelike,
Brethren, to right and left the spring, that down,
From underneath a plume of lady-fern,
Sang, and the sand danced at the bottom of it.
And on the right of Balin Balin's horse
Was fast beside an alder, on the left
Of Balan Balan's near a poplartree.
'Fair Sirs,' said Arthur, 'wherefore sit ye here?'
Balin and Balan answered 'For the sake
Of glory; we be mightier men than all
In Arthur's court; that also have we proved;
For whatsoever knight against us came
Or I or he have easily overthrown.'
'I too,' said Arthur, 'am of Arthur's hall,
26
But rather proven in his Paynim wars
Than famous jousts; but see, or proven or not,
Whether me likewise ye can overthrow.'
And Arthur lightly smote the brethren down,
And lightly so returned, and no man knew.
Then Balin rose, and Balan, and beside
The carolling water set themselves again,
And spake no word until the shadow turned;
When from the fringe of coppice round them burst
A spangled pursuivant, and crying 'Sirs,
Rise, follow! ye be sent for by the King,'
They followed; whom when Arthur seeing asked
'Tell me your names; why sat ye by the well?'
Balin the stillness of a minute broke
Saying 'An unmelodious name to thee,
Balin, "the Savage"--that addition thine-My brother and my better, this man here,
Balan. I smote upon the naked skull
A thrall of thine in open hall, my hand
Was gauntleted, half slew him; for I heard
He had spoken evil of me; thy just wrath
Sent me a three-years' exile from thine eyes.
I have not lived my life delightsomely:
For I that did that violence to thy thrall,
Had often wrought some fury on myself,
Saving for Balan: those three kingless years
Have past--were wormwood-bitter to me. King,
Methought that if we sat beside the well,
And hurled to ground what knight soever spurred
Against us, thou would'st take me gladlier back,
And make, as ten-times worthier to be thine
Than twenty Balins, Balan knight. I have said.
Not so--not all. A man of thine today
Abashed us both, and brake my boast. Thy will?'
Said Arthur 'Thou hast ever spoken truth;
Thy too fierce manhood would not let thee lie.
Rise, my true knight. As children learn, be thou
Wiser for falling! walk with me, and move
To music with thine Order and the King.
Thy chair, a grief to all the brethren, stands
Vacant, but thou retake it, mine again!'
27
Thereafter, when Sir Balin entered hall,
The Lost one Found was greeted as in Heaven
With joy that blazed itself in woodland wealth
Of leaf, and gayest garlandage of flowers,
Along the walls and down the board; they sat,
And cup clashed cup; they drank and some one sang,
Sweet-voiced, a song of welcome, whereupon
Their common shout in chorus, mounting, made
Those banners of twelve battles overhead
Stir, as they stirred of old, when Arthur's host
Proclaimed him Victor, and the day was won.
Then Balan added to their Order lived
A wealthier life than heretofore with these
And Balin, till their embassage returned.
'Sir King' they brought report 'we hardly found,
So bushed about it is with gloom, the hall
Of him to whom ye sent us, Pellam, once
A Christless foe of thine as ever dashed
Horse against horse; but seeing that thy realm
Hath prospered in the name of Christ, the King
Took, as in rival heat, to holy things;
And finds himself descended from the Saint
Arimathan Joseph; him who first
Brought the great faith to Britain over seas;
He boasts his life as purer than thine own;
Eats scarce enow to keep his pulse abeat;
Hath pushed aside his faithful wife, nor lets
Or dame or damsel enter at his gates
Lest he should be polluted. This gray King
Showed us a shrine wherein were wonders--yea-Rich arks with priceless bones of martyrdom,
Thorns of the crown and shivers of the cross,
And therewithal (for thus he told us) brought
By holy Joseph thither, that same spear
Wherewith the Roman pierced the side of Christ.
He much amazed us; after, when we sought
The tribute, answered "I have quite foregone
All matters of this world: Garlon, mine heir,
Of him demand it," which this Garlon gave
28
With much ado, railing at thine and thee.
'But when we left, in those deep woods we found
A knight of thine spear-stricken from behind,
Dead, whom we buried; more than one of us
Cried out on Garlon, but a woodman there
Reported of some demon in the woods
Was once a man, who driven by evil tongues
From all his fellows, lived alone, and came
To learn black magic, and to hate his kind
With such a hate, that when he died, his soul
Became a Fiend, which, as the man in life
Was wounded by blind tongues he saw not whence,
Strikes from behind. This woodman showed the cave
From which he sallies, and wherein he dwelt.
We saw the hoof-print of a horse, no more.'
Then Arthur, 'Let who goes before me, see
He do not fall behind me: foully slain
And villainously! who will hunt for me
This demon of the woods?' Said Balan, 'I'!
So claimed the quest and rode away, but first,
Embracing Balin, 'Good my brother, hear!
Let not thy moods prevail, when I am gone
Who used to lay them! hold them outer fiends,
Who leap at thee to tear thee; shake them aside,
Dreams ruling when wit sleeps! yea, but to dream
That any of these would wrong thee, wrongs thyself.
Witness their flowery welcome. Bound are they
To speak no evil. Truly save for fears,
My fears for thee, so rich a fellowship
Would make me wholly blest: thou one of them,
Be one indeed: consider them, and all
Their bearing in their common bond of love,
No more of hatred than in Heaven itself,
No more of jealousy than in Paradise.'
So Balan warned, and went; Balin remained:
Who--for but three brief moons had glanced away
From being knighted till he smote the thrall,
And faded from the presence into years
Of exile--now would strictlier set himself
29
To learn what Arthur meant by courtesy,
Manhood, and knighthood; wherefore hovered round
Lancelot, but when he marked his high sweet smile
In passing, and a transitory word
Make knight or churl or child or damsel seem
From being smiled at happier in themselves-Sighed, as a boy lame-born beneath a height,
That glooms his valley, sighs to see the peak
Sun-flushed, or touch at night the northern star;
For one from out his village lately climed
And brought report of azure lands and fair,
Far seen to left and right; and he himself
Hath hardly scaled with help a hundred feet
Up from the base: so Balin marvelling oft
How far beyond him Lancelot seemed to move,
Groaned, and at times would mutter, 'These be gifts,
Born with the blood, not learnable, divine,
Beyond MY reach. Well had I foughten--well-In those fierce wars, struck hard--and had I crowned
With my slain self the heaps of whom I slew-So--better!--But this worship of the Queen,
That honour too wherein she holds him--this,
This was the sunshine that hath given the man
A growth, a name that branches o'er the rest,
And strength against all odds, and what the King
So prizes--overprizes--gentleness.
Her likewise would I worship an I might.
I never can be close with her, as he
That brought her hither. Shall I pray the King
To let me bear some token of his Queen
Whereon to gaze, remembering her--forget
My heats and violences? live afresh?
What, if the Queen disdained to grant it! nay
Being so stately-gentle, would she make
My darkness blackness? and with how sweet grace
She greeted my return! Bold will I be-Some goodly cognizance of Guinevere,
In lieu of this rough beast upon my shield,
Langued gules, and toothed with grinning savagery.'
And Arthur, when Sir Balin sought him, said
'What wilt thou bear?' Balin was bold, and asked
30
To bear her own crown-royal upon shield,
Whereat she smiled and turned her to the King,
Who answered 'Thou shalt put the crown to use.
The crown is but the shadow of the King,
And this a shadow's shadow, let him have it,
So this will help him of his violences!'
'No shadow' said Sir Balin 'O my Queen,
But light to me! no shadow, O my King,
But golden earnest of a gentler life!'
So Balin bare the crown, and all the knights
Approved him, and the Queen, and all the world
Made music, and he felt his being move
In music with his Order, and the King.
The nightingale, full-toned in middle May,
Hath ever and anon a note so thin
It seems another voice in other groves;
Thus, after some quick burst of sudden wrath,
The music in him seemed to change, and grow
Faint and far-off.
And once he saw the thrall
His passion half had gauntleted to death,
That causer of his banishment and shame,
Smile at him, as he deemed, presumptuously:
His arm half rose to strike again, but fell:
The memory of that cognizance on shield
Weighted it down, but in himself he moaned:
'Too high this mount of Camelot for me:
These high-set courtesies are not for me.
Shall I not rather prove the worse for these?
Fierier and stormier from restraining, break
Into some madness even before the Queen?'
Thus, as a hearth lit in a mountain home,
And glancing on the window, when the gloom
Of twilight deepens round it, seems a flame
That rages in the woodland far below,
So when his moods were darkened, court and King
And all the kindly warmth of Arthur's hall
Shadowed an angry distance: yet he strove
31
To learn the graces of their Table, fought
Hard with himself, and seemed at length in peace.
Then chanced, one morning, that Sir Balin sat
Close-bowered in that garden nigh the hall.
A walk of roses ran from door to door;
A walk of lilies crost it to the bower:
And down that range of roses the great Queen
Came with slow steps, the morning on her face;
And all in shadow from the counter door
Sir Lancelot as to meet her, then at once,
As if he saw not, glanced aside, and paced
The long white walk of lilies toward the bower.
Followed the Queen; Sir Balin heard her 'Prince,
Art thou so little loyal to thy Queen,
As pass without good morrow to thy Queen?'
To whom Sir Lancelot with his eyes on earth,
'Fain would I still be loyal to the Queen.'
'Yea so' she said 'but so to pass me by-So loyal scarce is loyal to thyself,
Whom all men rate the king of courtesy.
Let be: ye stand, fair lord, as in a dream.'
Then Lancelot with his hand among the flowers
'Yea--for a dream. Last night methought I saw
That maiden Saint who stands with lily in hand
In yonder shrine. All round her prest the dark,
And all the light upon her silver face
Flowed from the spiritual lily that she held.
Lo! these her emblems drew mine eyes--away:
For see, how perfect-pure! As light a flush
As hardly tints the blossom of the quince
Would mar their charm of stainless maidenhood.'
'Sweeter to me' she said 'this garden rose
Deep-hued and many-folded! sweeter still
The wild-wood hyacinth and the bloom of May.
Prince, we have ridden before among the flowers
In those fair days--not all as cool as these,
Though season-earlier. Art thou sad? or sick?
Our noble King will send thee his own leech-Sick? or for any matter angered at me?'
32
Then Lancelot lifted his large eyes; they dwelt
Deep-tranced on hers, and could not fall: her hue
Changed at his gaze: so turning side by side
They past, and Balin started from his bower.
'Queen? subject? but I see not what I see.
Damsel and lover? hear not what I hear.
My father hath begotten me in his wrath.
I suffer from the things before me, know,
Learn nothing; am not worthy to be knight;
A churl, a clown!' and in him gloom on gloom
Deepened: he sharply caught his lance and shield,
Nor stayed to crave permission of the King,
But, mad for strange adventure, dashed away.
He took the selfsame track as Balan, saw
The fountain where they sat together, sighed
'Was I not better there with him?' and rode
The skyless woods, but under open blue
Came on the hoarhead woodman at a bough
Wearily hewing. 'Churl, thine axe!' he cried,
Descended, and disjointed it at a blow:
To whom the woodman uttered wonderingly
'Lord, thou couldst lay the Devil of these woods
If arm of flesh could lay him.' Balin cried
'Him, or the viler devil who plays his part,
To lay that devil would lay the Devil in me.'
'Nay' said the churl, 'our devil is a truth,
I saw the flash of him but yestereven.
And some DO say that our Sir Garlon too
Hath learned black magic, and to ride unseen.
Look to the cave.' But Balin answered him
'Old fabler, these be fancies of the churl,
Look to thy woodcraft,' and so leaving him,
Now with slack rein and careless of himself,
Now with dug spur and raving at himself,
Now with droopt brow down the long glades he rode;
So marked not on his right a cavern-chasm
Yawn over darkness, where, nor far within,
The whole day died, but, dying, gleamed on rocks
Roof-pendent, sharp; and others from the floor,
33
Tusklike, arising, made that mouth of night
Whereout the Demon issued up from Hell.
He marked not this, but blind and deaf to all
Save that chained rage, which ever yelpt within,
Past eastward from the falling sun. At once
He felt the hollow-beaten mosses thud
And tremble, and then the shadow of a spear,
Shot from behind him, ran along the ground.
Sideways he started from the path, and saw,
With pointed lance as if to pierce, a shape,
A light of armour by him flash, and pass
And vanish in the woods; and followed this,
But all so blind in rage that unawares
He burst his lance against a forest bough,
Dishorsed himself, and rose again, and fled
Far, till the castle of a King, the hall
Of Pellam, lichen-bearded, grayly draped
With streaming grass, appeared, low-built but strong;
The ruinous donjon as a knoll of moss,
The battlement overtopt with ivytods,
A home of bats, in every tower an owl.
Then spake the men of Pellam crying 'Lord,
Why wear ye this crown-royal upon shield?'
Said Balin 'For the fairest and the best
Of ladies living gave me this to bear.'
So stalled his horse, and strode across the court,
But found the greetings both of knight and King
Faint in the low dark hall of banquet: leaves
Laid their green faces flat against the panes,
Sprays grated, and the cankered boughs without
Whined in the wood; for all was hushed within,
Till when at feast Sir Garlon likewise asked
'Why wear ye that crown-royal?' Balin said
'The Queen we worship, Lancelot, I, and all,
As fairest, best and purest, granted me
To bear it!' Such a sound (for Arthur's knights
Were hated strangers in the hall) as makes
The white swan-mother, sitting, when she hears
A strange knee rustle through her secret reeds,
Made Garlon, hissing; then he sourly smiled.
'Fairest I grant her: I have seen; but best,
Best, purest? THOU from Arthur's hall, and yet
34
So simple! hast thou eyes, or if, are these
So far besotted that they fail to see
This fair wife-worship cloaks a secret shame?
Truly, ye men of Arthur be but babes.'
A goblet on the board by Balin, bossed
With holy Joseph's legend, on his right
Stood, all of massiest bronze: one side had sea
And ship and sail and angels blowing on it:
And one was rough with wattling, and the walls
Of that low church he built at Glastonbury.
This Balin graspt, but while in act to hurl,
Through memory of that token on the shield
Relaxed his hold: 'I will be gentle' he thought
'And passing gentle' caught his hand away,
Then fiercely to Sir Garlon 'Eyes have I
That saw today the shadow of a spear,
Shot from behind me, run along the ground;
Eyes too that long have watched how Lancelot draws
From homage to the best and purest, might,
Name, manhood, and a grace, but scantly thine,
Who, sitting in thine own hall, canst endure
To mouth so huge a foulness--to thy guest,
Me, me of Arthur's Table. Felon talk!
Let be! no more!'
But not the less by night
The scorn of Garlon, poisoning all his rest,
Stung him in dreams. At length, and dim through leaves
Blinkt the white morn, sprays grated, and old boughs
Whined in the wood. He rose, descended, met
The scorner in the castle court, and fain,
For hate and loathing, would have past him by;
But when Sir Garlon uttered mocking-wise;
'What, wear ye still that same crown-scandalous?'
His countenance blackened, and his forehead veins
Bloated, and branched; and tearing out of sheath
The brand, Sir Balin with a fiery 'Ha!
So thou be shadow, here I make thee ghost,'
Hard upon helm smote him, and the blade flew
Splintering in six, and clinkt upon the stones.
Then Garlon, reeling slowly backward, fell,
And Balin by the banneret of his helm
35
Dragged him, and struck, but from the castle a cry
Sounded across the court, and--men-at-arms,
A score with pointed lances, making at him-He dashed the pummel at the foremost face,
Beneath a low door dipt, and made his feet
Wings through a glimmering gallery, till he marked
The portal of King Pellam's chapel wide
And inward to the wall; he stept behind;
Thence in a moment heard them pass like wolves
Howling; but while he stared about the shrine,
In which he scarce could spy the Christ for Saints,
Beheld before a golden altar lie
The longest lance his eyes had ever seen,
Point-painted red; and seizing thereupon
Pushed through an open casement down, leaned on it,
Leapt in a semicircle, and lit on earth;
Then hand at ear, and harkening from what side
The blindfold rummage buried in the walls
Might echo, ran the counter path, and found
His charger, mounted on him and away.
An arrow whizzed to the right, one to the left,
One overhead; and Pellam's feeble cry
'Stay, stay him! he defileth heavenly things
With earthly uses'--made him quickly dive
Beneath the boughs, and race through many a mile
Of dense and open, till his goodly horse,
Arising wearily at a fallen oak,
Stumbled headlong, and cast him face to ground.
Half-wroth he had not ended, but all glad,
Knightlike, to find his charger yet unlamed,
Sir Balin drew the shield from off his neck,
Stared at the priceless cognizance, and thought
'I have shamed thee so that now thou shamest me,
Thee will I bear no more,' high on a branch
Hung it, and turned aside into the woods,
And there in gloom cast himself all along,
Moaning 'My violences, my violences!'
But now the wholesome music of the wood
Was dumbed by one from out the hall of Mark,
A damsel-errant, warbling, as she rode
36
The woodland alleys, Vivien, with her Squire.
'The fire of Heaven has killed the barren cold,
And kindled all the plain and all the wold.
The new leaf ever pushes off the old.
The fire of Heaven is not the flame of Hell.
'Old priest, who mumble worship in your quire-Old monk and nun, ye scorn the world's desire,
Yet in your frosty cells ye feel the fire!
The fire of Heaven is not the flame of Hell.
'The fire of Heaven is on the dusty ways.
The wayside blossoms open to the blaze.
The whole wood-world is one full peal of praise.
The fire of Heaven is not the flame of Hell.
'The fire of Heaven is lord of all things good,
And starve not thou this fire within thy blood,
But follow Vivien through the fiery flood!
The fire of Heaven is not the flame of Hell!'
Then turning to her Squire 'This fire of Heaven,
This old sun-worship, boy, will rise again,
And beat the cross to earth, and break the King
And all his Table.'
Then they reached a glade,
Where under one long lane of cloudless air
Before another wood, the royal crown
Sparkled, and swaying upon a restless elm
Drew the vague glance of Vivien, and her Squire;
Amazed were these; 'Lo there' she cried--'a crown-Borne by some high lord-prince of Arthur's hall,
And there a horse! the rider? where is he?
See, yonder lies one dead within the wood.
Not dead; he stirs!--but sleeping. I will speak.
Hail, royal knight, we break on thy sweet rest,
Not, doubtless, all unearned by noble deeds.
But bounden art thou, if from Arthur's hall,
To help the weak. Behold, I fly from shame,
A lustful King, who sought to win my love
Through evil ways: the knight, with whom I rode,
37
Hath suffered misadventure, and my squire
Hath in him small defence; but thou, Sir Prince,
Wilt surely guide me to the warrior King,
Arthur the blameless, pure as any maid,
To get me shelter for my maidenhood.
I charge thee by that crown upon thy shield,
And by the great Queen's name, arise and hence.'
And Balin rose, 'Thither no more! nor Prince
Nor knight am I, but one that hath defamed
The cognizance she gave me: here I dwell
Savage among the savage woods, here die-Die: let the wolves' black maws ensepulchre
Their brother beast, whose anger was his lord.
O me, that such a name as Guinevere's,
Which our high Lancelot hath so lifted up,
And been thereby uplifted, should through me,
My violence, and my villainy, come to shame.'
Thereat she suddenly laughed and shrill, anon
Sighed all as suddenly. Said Balin to her
'Is this thy courtesy--to mock me, ha?
Hence, for I will not with thee.' Again she sighed
'Pardon, sweet lord! we maidens often laugh
When sick at heart, when rather we should weep.
I knew thee wronged. I brake upon thy rest,
And now full loth am I to break thy dream,
But thou art man, and canst abide a truth,
Though bitter. Hither, boy--and mark me well.
Dost thou remember at Caerleon once-A year ago--nay, then I love thee not-Ay, thou rememberest well--one summer dawn-By the great tower--Caerleon upon Usk-Nay, truly we were hidden: this fair lord,
The flower of all their vestal knighthood, knelt
In amorous homage--knelt--what else?--O ay
Knelt, and drew down from out his night-black hair
And mumbled that white hand whose ringed caress
Had wandered from her own King's golden head,
And lost itself in darkness, till she cried-I thought the great tower would crash down on both-"Rise, my sweet King, and kiss me on the lips,
38
Thou art my King." This lad, whose lightest word
Is mere white truth in simple nakedness,
Saw them embrace: he reddens, cannot speak,
So bashful, he! but all the maiden Saints,
The deathless mother-maidenhood of Heaven,
Cry out upon her. Up then, ride with me!
Talk not of shame! thou canst not, an thou would'st,
Do these more shame than these have done themselves.'
She lied with ease; but horror-stricken he,
Remembering that dark bower at Camelot,
Breathed in a dismal whisper 'It is truth.'
Sunnily she smiled 'And even in this lone wood,
Sweet lord, ye do right well to whisper this.
Fools prate, and perish traitors. Woods have tongues,
As walls have ears: but thou shalt go with me,
And we will speak at first exceeding low.
Meet is it the good King be not deceived.
See now, I set thee high on vantage ground,
From whence to watch the time, and eagle-like
Stoop at thy will on Lancelot and the Queen.'
She ceased; his evil spirit upon him leapt,
He ground his teeth together, sprang with a yell,
Tore from the branch, and cast on earth, the shield,
Drove his mailed heel athwart the royal crown,
Stampt all into defacement, hurled it from him
Among the forest weeds, and cursed the tale,
The told-of, and the teller.
That weird yell,
Unearthlier than all shriek of bird or beast,
Thrilled through the woods; and Balan lurking there
(His quest was unaccomplished) heard and thought
'The scream of that Wood-devil I came to quell!'
Then nearing 'Lo! he hath slain some brother-knight,
And tramples on the goodly shield to show
His loathing of our Order and the Queen.
My quest, meseems, is here. Or devil or man
Guard thou thine head.' Sir Balin spake not word,
But snatched a sudden buckler from the Squire,
And vaulted on his horse, and so they crashed
39
In onset, and King Pellam's holy spear,
Reputed to be red with sinless blood,
Redded at once with sinful, for the point
Across the maiden shield of Balan pricked
The hauberk to the flesh; and Balin's horse
Was wearied to the death, and, when they clashed,
Rolling back upon Balin, crushed the man
Inward, and either fell, and swooned away.
Then to her Squire muttered the damsel 'Fools!
This fellow hath wrought some foulness with his Queen:
Else never had he borne her crown, nor raved
And thus foamed over at a rival name:
But thou, Sir Chick, that scarce hast broken shell,
Art yet half-yolk, not even come to down-Who never sawest Caerleon upon Usk-And yet hast often pleaded for my love-See what I see, be thou where I have been,
Or else Sir Chick--dismount and loose their casques
I fain would know what manner of men they be.'
And when the Squire had loosed them, 'Goodly!--look!
They might have cropt the myriad flower of May,
And butt each other here, like brainless bulls,
Dead for one heifer!
Then the gentle Squire
'I hold them happy, so they died for love:
And, Vivien, though ye beat me like your dog,
I too could die, as now I live, for thee.'
'Live on, Sir Boy,' she cried. 'I better prize
The living dog than the dead lion: away!
I cannot brook to gaze upon the dead.'
Then leapt her palfrey o'er the fallen oak,
And bounding forward 'Leave them to the wolves.'
But when their foreheads felt the cooling air,
Balin first woke, and seeing that true face,
Familiar up from cradle-time, so wan,
Crawled slowly with low moans to where he lay,
And on his dying brother cast himself
Dying; and HE lifted faint eyes; he felt
One near him; all at once they found the world,
40
Staring wild-wide; then with a childlike wail
And drawing down the dim disastrous brow
That o'er him hung, he kissed it, moaned and spake;
'O Balin, Balin, I that fain had died
To save thy life, have brought thee to thy death.
Why had ye not the shield I knew? and why
Trampled ye thus on that which bare the Crown?'
Then Balin told him brokenly, and in gasps,
All that had chanced, and Balan moaned again.
'Brother, I dwelt a day in Pellam's hall:
This Garlon mocked me, but I heeded not.
And one said "Eat in peace! a liar is he,
And hates thee for the tribute!" this good knight
Told me, that twice a wanton damsel came,
And sought for Garlon at the castle-gates,
Whom Pellam drove away with holy heat.
I well believe this damsel, and the one
Who stood beside thee even now, the same.
"She dwells among the woods" he said "and meets
And dallies with him in the Mouth of Hell."
Foul are their lives; foul are their lips; they lied.
Pure as our own true Mother is our Queen."
'O brother' answered Balin 'woe is me!
My madness all thy life has been thy doom,
Thy curse, and darkened all thy day; and now
The night has come. I scarce can see thee now.
Goodnight! for we shall never bid again
Goodmorrow--Dark my doom was here, and dark
It will be there. I see thee now no more.
I would not mine again should darken thine,
Goodnight, true brother.
Balan answered low
'Goodnight, true brother here! goodmorrow there!
We two were born together, and we die
Together by one doom:' and while he spoke
Closed his death-drowsing eyes, and slept the sleep
With Balin, either locked in either's arm.
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~ Alfred Lord Tennyson,#NFDB
622:Upon Appleton House, To My Lord Fairfax
Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.
Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.
But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?
But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.
And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
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By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.
Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure
The Circle in the Quadrature!
These holy Mathematics can
In ev'ry Figure equal Man.
Yet thus the laden House does sweat,
And scarce indures the Master great:
But where he comes the swelling Hall
Stirs, and the Square grows Spherical;
More by his Magnitude distrest,
Then he is by its straitness prest:
And too officiously it slights
That in it self which him delights.
So Honour better Lowness bears,
Then That unwonted Greatness wears
Height with a certain Grace does bend,
But low Things clownishly ascend.
And yet what needs there here Excuse,
Where ev'ry Thing does answer Use?
Where neatness nothing can condemn,
Nor Pride invent what to contemn?
A Stately Frontispice Of Poor
Adorns without the open Door:
Nor less the Rooms within commends
Daily new Furniture Of Friends.
The House was built upon the Place
Only as for a Mark Of Grace;
And for an Inn to entertain
Its Lord a while, but not remain.
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Him Bishops-Hill, or Denton may,
Or Bilbrough, better hold then they:
But Nature here hath been so free
As if she said leave this to me.
Art would more neatly have defac'd
What she had laid so sweetly wast;
In fragrant Gardens, shaddy Woods,
Deep Meadows, and transparent Floods.
While with slow Eyes we these survey,
And on each pleasant footstep stay,
We opportunly may relate
The progress of this Houses Fate.
A Nunnery first gave it birth.
For Virgin Buildings oft brought forth.
And all that Neighbour-Ruine shows
The Quarries whence this dwelling rose.
Near to this gloomy Cloysters Gates
There dwelt the blooming Virgin Thwates,
Fair beyond Measure, and an Heir
Which might Deformity make fair.
And oft She spent the Summer Suns
Discoursing with the Suttle Nuns.
Whence in these Words one to her weav'd,
(As 'twere by Chance) Thoughts long conceiv'd.
"Within this holy leisure we
"Live innocently as you see.
"these Walls restrain the World without,
"But hedge our Liberty about.
"These Bars inclose the wider Den
"Of those wild Creatures, called Men.
"The Cloyster outward shuts its Gates,
"And, from us, locks on them the Grates.
"Here we, in shining Armour white,
"Like Virgin Amazons do fight.
"And our chast Lamps we hourly trim,
"Lest the great Bridegroom find them dim.
"Our Orient Breaths perfumed are
"With insense of incessant Pray'r.
190
"And Holy-water of our Tears
"Most strangly our complexion clears.
"Not Tears of Grief; but such as those
"With which calm Pleasure overflows;
"Or Pity, when we look on you
"That live without this happy Vow.
"How should we grieve that must be seen
"Each one a Spouse, and each a Queen;
"And can in Heaven hence behold
"Our brighter Robes and Crowns of Gold?
"When we have prayed all our Beads,
"Some One the holy Legend reads;
"While all the rest with Needles paint
"The Face and Graces of the Saint.
"But what the Linnen can't receive
"They in their Lives do interweave
"This work the Saints best represents;
"That serves for Altar's Ornaments.
"But much it to our work would add
"If here your hand, your Face we had:
"By it we would our Lady touch;
"Yet thus She you resembles much.
"Some of your Features, as we sow'd,
"Through ev'ry Shrine should be bestow'd.
"And in one Beauty we would take
"Enough a thousand Saints to make.
"And (for I dare not quench the Fire
"That me does for your good inspire)
"'Twere Sacriledge a Mant t'admit
"To holy things, for Heaven fit.
"I see the Angels in a Crown
"On you the Lillies show'ring down:
"And round about you Glory breaks,
"That something more then humane speaks.
"All Beauty, when at such a height,
"Is so already consecrate.
"Fairfax I know; and long ere this
191
"Have mark'd the Youth, and what he is.
"But can he such a Rival seem
"For whom you Heav'n should disesteem?
"Ah, no! and 'twould more Honour prove
"He your Devoto were, then Love.
Here live beloved, and obey'd:
Each one your Sister, each your Maid.
"And, if our Rule seem strictly pend,
"The Rule it self to you shall bend.
"Our Abbess too, now far in Age,
"Doth your succession near presage.
"How soft the yoke on us would lye,
"Might such fair Hands as yours it tye!
"Your voice, the sweetest of the Quire,
"Shall draw Heav'n nearer, raise us higher.
"And your Example, if our Head,
"Will soon us to perfection lead.
"Those Virtues to us all so dear,
"Will straight grow Sanctity when here:
"And that, once sprung, increase so fast
"Till Miracles it work at last.
"Nor is our Order yet so nice,
"Delight to banish as a Vice.
"Here Pleasure Piety doth meet;
"One perfecting the other Sweet.
"So through the mortal fruit we boyl
"The Sugars uncorrupting Oyl:
"And that which perisht while we pull,
"Is thus preserved clear and full.
"For such indeed are all our Arts;
"Still handling Natures finest Parts.
"Flow'rs dress the Altars; for the Clothes,
"The Sea-born Amber we compose;
"Balms for the griv'd we draw; and pasts
"We mold, as Baits for curious tasts.
"What need is here of Man? unless
"These as sweet Sins we should confess.
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"Each Night among us to your side
"Appoint a fresh and Virgin Bride;
"Whom if Our Lord at midnight find,
"Yet Neither should be left behind.
"Where you may lye as chast in Bed,
"As Pearls together billeted.
"All Night embracing Arm in Arm,
"Like Chrystal pure with Cotton warm.
"But what is this to all the store
"Of Joys you see, and may make more!
"Try but a while, if you be wise:
"The Tryal neither Costs, nor Tyes.
Now Fairfax seek her promis'd faith:
Religion that dispensed hath;
Which She hence forward does begin;
The Nuns smooth Tongue has suckt her in.
Oft, though he knew it was in vain,
Yet would he valiantly complain.
"Is this that Sanctity so great,
"An Art by which you finly'r cheat
"Hypocrite Witches, hence Avant,
"Who though in prison yet inchant!
"Death only can such Theeves make fast,
"As rob though in the Dungeon cast.
"Were there but, when this House was made,
"One Stone that a just Hand had laid,
"It must have fall'n upon her Head
"Who first Thee from thy Faith misled.
"And yet, how well soever ment,
"With them 'twould soon grow fraudulent
"For like themselves they alter all,
"And vice infects the very Wall.
"But sure those Buildings last not long,
"Founded by Folly, kept by Wrong.
"I know what Fruit their Gardens yield,
"When they it think by Night conceal'd.
"Fly from their Vices. 'Tis thy state,
"Not Thee, that they would consecrate.
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"Fly from their Ruine. How I fear
"Though guiltless lest thou perish there.
What should he do? He would respect
Religion, but not Right neglect:
For first Religion taught him Right,
And dazled not but clear'd his sight.
Sometimes resolv'd his Sword he draws,
But reverenceth then the Laws:
"For Justice still that Courage led;
First from a Judge, then Souldier bred.
Small Honour would be in the Storm.
The Court him grants the lawful Form;
Which licens'd either Peace or Force,
To hinder the unjust Divorce.
Yet still the Nuns his Right debar'd,
Standing upon their holy Guard.
Ill-counsell'd Women, do you know
Whom you resist, or what you do?
Is not this he whose Offspring fierce
Shall fight through all the Universe;
And with successive Valour try
France, Poland, either Germany;
Till one, as long since prophecy'd,
His Horse through conquer'd Britain ride?
Yet, against Fate, his Spouse they kept;
And the great Race would intercept.
Some to the Breach against their Foes
Their Wooden Saints in vain oppose
Another bolder stands at push
With their old Holy-Water Brush.
While the disjointed Abbess threads
The gingling Chain-shot of her Beads.
But their lowd'st Cannon were their Lungs;
And sharpest Weapons were their Tongues.
But, waving these aside like Flyes,
Young Fairfax through the Wall does rise.
Then th' unfrequented Vault appear'd,
194
And superstitions vainly fear'd.
The Relicks False were set to view;
Only the Jewels there were true.
But truly bright and holy Thwaites
That weeping at the Altar waites.
But the glad Youth away her bears,
And to the Nuns bequeaths her Tears:
Who guiltily their Prize bemoan,
Like Gipsies that a Child hath stoln.
Thenceforth (as when th' Inchantment ends
The Castle vanishes or rends)
The wasting Cloister with the rest
Was in one instant dispossest.
At the demolishing, this Seat
To Fairfax fell as by Escheat.
And what both Nuns and Founders will'd
'Tis likely better thus fulfill'd,
For if the Virgin prov'd not theirs,
The Cloyster yet remained hers.
Though many a Nun there made her vow,
'Twas no Religious-House till now.
From that blest Bed the Heroe came,
Whom France and Poland yet does fame:
Who, when retired here to Peace,
His warlike Studies could not cease;
But laid these Gardens out in sport
In the just Figure of a Fort;
And with five Bastions it did fence,
As aiming one for ev'ry Sense.
When in the East the Morning Ray
Hangs out the Colours of the Day,
The Bee through these known Allies hums,
Beating the Dian with its Drumms.
Then Flow'rs their drowsie Eylids raise,
Their Silken Ensigns each displayes,
And dries its Pan yet dank with Dew,
And fills its Flask with Odours new.
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These, as their Governour goes by,
In fragrant Vollyes they let fly;
And to salute their Governess
Again as great a charge they press:
None for the Virgin Nymph; for She
Seems with the Flow'rs a Flow'r to be.
And think so still! though not compare
With Breath so sweet, or Cheek so faire.
Well shot ye Fireman! Oh how sweet,
And round your equal Fires do meet;
Whose shrill report no Ear can tell,
But Ecchoes to the Eye and smell.
See how the Flow'rs, as at Parade,
Under their Colours stand displaid:
Each Regiment in order grows,
That of the Tulip Pinke and Rose.
But when the vigilant Patroul
Of Stars walks round about the Pole,
Their Leaves, that to the stalks are curl'd,
Seem to their Staves the Ensigns furl'd.
Then in some Flow'rs beloved Hut
Each Bee as Sentinel is shut;
And sleeps so too: but, if once stir'd,
She runs you through, or askes The Word.
Oh Thou, that dear and happy Isle
The Garden of the World ere while,
Thou Paradise of four Seas,
Which Heaven planted us to please,
But, to exclude the World, did guard
With watry if not flaming Sword;
What luckless Apple did we tast,
To make us Mortal, and The Wast.
Unhappy! shall we never more
That sweet Milltia restore,
When Gardens only had their Towrs,
And all the Garrisons were Flow'rs,
When Roses only Arms might bear,
And Men did rosie Garlands wear?
196
Tulips, in several Colours barr'd,
Were then the Switzers of our Guard.
The Gardiner had the Souldiers place,
And his more gentle Forts did trace.
The Nursery of all things green
Was then the only Magazeen.
The Winter Quarters were the Stoves,
Where he the tender Plants removes.
But War all this doth overgrow:
We Ord'nance Plant and Powder sow.
And yet their walks one on the Sod
Who, had it pleased him and God,
Might once have made our Gardens spring
Fresh as his own and flourishing.
But he preferr'd to the Cinque Ports
These five imaginary Forts:
And, in those half-dry Trenches, spann'd
Pow'r which the Ocean might command.
For he did, with his utmost Skill,
Ambition weed, but Conscience till.
Conscience, that Heaven-nursed Plant,
Which most our Earthly Gardens want.
A prickling leaf it bears, and such
As that which shrinks at ev'ry touch;
But Flow'rs eternal, and divine,
That in the Crowns of Saints do shine.
The sight does from these Bastions ply,
Th' invisible Artilery;
And at proud Cawood Castle seems
To point the Battery of its Beams.
As if it quarrell'd in the Seat
Th' Ambition of its Prelate great.
But ore the Meads below it plays,
Or innocently seems to gaze.
And now to the Abbyss I pass
Of that unfathomable Grass,
Where Men like Grashoppers appear,
197
But Grashoppers are Gyants there:
They, in there squeking Laugh, contemn
Us as we walk more low then them:
And, from the Precipices tall
Of the green spir's, to us do call.
To see Men through this Meadow Dive,
We wonder how they rise alive.
As, under Water, none does know
Whether he fall through it or go.
But, as the Marriners that sound,
And show upon their Lead the Ground,
They bring up Flow'rs so to be seen,
And prove they've at the Bottom been.
No Scene that turns with Engines strange
Does oftner then these Meadows change,
For when the Sun the Grass hath vext,
The tawny Mowers enter next;
Who seem like Israaliies to be,
Walking on foot through a green Sea.
To them the Grassy Deeps divide,
And crowd a Lane to either Side.
With whistling Sithe, and Elbow strong,
These Massacre the Grass along:
While one, unknowing, carves the Rail,
Whose yet unfeather'd Quils her fail.
The Edge all bloody from its Breast
He draws, and does his stroke detest;
Fearing the Flesh untimely mow'd
To him a Fate as black forebode.
But bloody Thestylis, that waites
To bring the mowing Camp their Cates,
Greedy as Kites has trust it up,
And forthwith means on it to sup:
When on another quick She lights,
And cryes, he call'd us Israelites;
But now, to make his saying true,
Rails rain for Quails, for Manna Dew.
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Unhappy Birds! what does it boot
To build below the Grasses Root;
When Lowness is unsafe as Hight,
And Chance o'retakes what scapeth spight?
And now your Orphan Parents Call
Sounds your untimely Funeral.
Death-Trumpets creak in such a Note,
And 'tis the Sourdine in their Throat.
Or sooner hatch or higher build:
The Mower now commands the Field;
In whose new Traverse seemeth wrought
A Camp of Battail newly fought:
Where, as the Meads with Hay, the Plain
Lyes quilted ore with Bodies slain:
The Women that with forks it filing,
Do represent the Pillaging.
And now the careless Victors play,
Dancing the Triumphs of the Hay;
Where every Mowers wholesome Heat
Smells like an Alexanders Sweat.
Their Females fragrant as the Mead
Which they in Fairy Circles tread:
When at their Dances End they kiss,
Their new-made Hay not sweeter is.
When after this 'tis pil'd in Cocks,
Like a calm Sea it shews the Rocks:
We wondring in the River near
How Boats among them safely steer.
Or, like the Desert Memphis Sand,
Short Pyramids of Hay do stand.
And such the Roman Camps do rise
In Hills for Soldiers Obsequies.
This Scene again withdrawing brings
A new and empty Face of things;
A levell'd space, as smooth and plain,
As Clothes for Lilly strecht to stain.
The World when first created sure
Was such a Table rase and pure.
199
Or rather such is the Toril
Ere the Bulls enter at Madril.
For to this naked equal Flat,
Which Levellers take Pattern at,
The Villagers in common chase
Their Cattle, which it closer rase;
And what below the Sith increast
Is pincht yet nearer by the Breast.
Such, in the painted World, appear'd
Davenant with th'Universal Heard.
They seem within the polisht Grass
A landskip drawen in Looking-Glass.
And shrunk in the huge Pasture show
As spots, so shap'd, on Faces do.
Such Fleas, ere they approach the Eye,
In Multiplyiug Glasses lye.
They feed so wide, so slowly move,
As Constellatious do above.
Then, to conclude these pleasant Acts,
Denton sets ope its Cataracts;
And makes the Meadow truly be
(What it but seem'd before) a Sea.
For, jealous of its Lords long stay,
It try's t'invite him thus away.
The River in it self is drown'd,
And Isl's th' astonish Cattle round.
Let others tell the Paradox,
How Eels now bellow in the Ox;
How Horses at their Tails do kick,
Turn'd as they hang to Leeches quick;
How Boats can over Bridges sail;
And Fishes do the Stables scale.
How Salmons trespassing are found;
And Pikes are taken in the Pound.
But I, retiring from the Flood,
Take Sanctuary in the Wood;
And, while it lasts, my self imbark
200
In this yet green, yet growing Ark;
Where the first Carpenter might best
Fit Timber for his Keel have Prest.
And where all Creatures might have shares,
Although in Armies, not in Paires.
The double Wood of ancient Stocks
Link'd in so thick, an Union locks,
It like two Pedigrees appears,
On one hand Fairfax, th' other Veres:
Of whom though many fell in War,
Yet more to Heaven shooting are:
And, as they Natures Cradle deckt,
Will in green Age her Hearse expect.
When first the Eye this Forrest sees
It seems indeed as Wood not Trees:
As if their Neighbourhood so old
To one great Trunk them all did mold.
There the huge Bulk takes place, as ment
To thrust up a Fifth Element;
And stretches still so closely wedg'd
As if the Night within were hedg'd.
Dark all without it knits; within
It opens passable and thin;
And in as loose an order grows,
As the Corinthean Porticoes.
The Arching Boughs unite between
The Columnes of the Temple green;
And underneath the winged Quires
Echo about their tuned Fires.
The Nightingale does here make choice
To sing the Tryals of her Voice.
Low Shrubs she sits in, and adorns
With Musick high the squatted Thorns.
But highest Oakes stoop down to hear,
And listning Elders prick the Ear.
The Thorn, lest it should hurt her, draws
Within the Skin its shrunken claws.
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But I have for my Musick found
A Sadder, yet more pleasing Sound:
The Stock-doves whose fair necks are grac'd
With Nuptial Rings their Ensigns chast;
Yet always, for some Cause unknown,
Sad pair unto the Elms they moan.
O why should such a Couple mourn,
That in so equal Flames do burn!
Then as I carless on the Bed
Of gelid Straw-berryes do tread,
And through the Hazles thick espy
The hatching Thrastles shining Eye,
The Heron from the Ashes top,
The eldest of its young lets drop,
As if it Stork-like did pretend
That Tribute to its Lord to send.
But most the Hewel's wonders are,
Who here has the Holt-felsters care.
He walks still upright from the Root,
Meas'ring the Timber with his Foot;
And all the way, to keep it clean,
Doth from the Bark the Wood-moths glean.
He, with his Beak, examines well
Which fit to stand and which to fell.
The good he numbers up, and hacks;
As if he mark'd them with the Ax.
But where he, tinkling with his Beak,
Does find the hollow Oak to speak,
That for his building he designs,
And through the tainted Side he mines.
Who could have thought the tallest Oak
Should fall by such a feeble Strok'!
Nor would it, had the Tree not fed
A Traitor-worm, within it bred.
(As first our Flesh corrupt within
Tempts impotent and bashful Sin.
And yet that Worm triumphs not long,
But serves to feed the Hewels young.
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While the Oake seems to fall content,
Viewing the Treason's Punishment.
Thus I, easie Philosopher,
Among the Birds and Trees confer:
And little now to make me, wants
Or of the Fowles, or of the Plants.
Give me but Wings as they, and I
Streight floting on the Air shall fly:
Or turn me but, and you shall see
I was but an inverted Tree.
Already I begin to call
In their most-learned Original:
And where I Language want,my Signs
The Bird upon the Bough divines;
And more attentive there doth sit
Then if She were with Lime-twigs knit.
No Leaf does tremble in the Wind
Which I returning cannot find.
Out of these scatter'd Sibyls Leaves
Strange Prophecies my Phancy weaves:
And in one History consumes,
Like Mexique Paintings, all the Plumes.
What Rome, Greece, Palestine, ere said
I in this light Mosaick read.
Thrice happy he who, not mistook,
Hath read in Natures mystick Book.
And see how Chance's better Wit
Could with a Mask my studies hit!
The Oak-Leaves me embroyder all,
Between which Caterpillars crawl:
And Ivy, with familiar trails,
Me licks, and clasps, and curles, and hales.
Under this antick Cope I move
Like some great Prelate of the Grove,
Then, languishing with ease, I toss
On Pallets swoln of Velvet Moss;
While the Wind, cooling through the Boughs,
203
Flatters with Air my panting Brows.
Thanks for my Rest ye Mossy Banks,
And unto you cool Zephyr's Thanks,
Who, as my Hair, my Thoughts too shed,
And winnow from the Chaff my Head.
How safe, methinks, and strong, behind
These Trees have I incamp'd my Mind;
Where Beauty, aiming at the Heart,
Bends in some Tree its useless Dart;
And where the World no certain Shot
Can make, or me it toucheth not.
But I on it securely play,
And gaul its Horsemen all the Day.
Bind me ye Woodbines in your 'twines,
Curle me about ye gadding Vines,
And Oh so close your Circles lace,
That I may never leave this Place:
But, lest your Fetters prove too weak,
Ere I your Silken Bondage break,
Do you, O Brambles, chain me too,
And courteous Briars nail me though.
Here in the Morning tye my Chain,
Where the two Woods have made a Lane;
While, like a Guard on either side,
The Trees before their Lord divide;
This, like a long and equal Thread,
Betwixt two Labyrinths does lead.
But, where the Floods did lately drown,
There at the Ev'ning stake me down.
For now the Waves are fal'n and dry'd,
And now the Meadows fresher dy'd;
Whose Grass, with moister colour dasht,
Seems as green Silks but newly washt.
No Serpent new nor Crocodile
Remains behind our little Nile;
Unless it self you will mistake,
Among these Meads the only Snake.
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See in what wanton harmless folds
It ev'ry where the Meadow holds;
And its yet muddy back doth lick,
Till as a Chrystal Mirrour slick;
Where all things gaze themselves, and doubt
If they be in it or without.
And for his shade which therein shines,
Narcissus like, the Sun too pines.
Oh what a Pleasure 'tis to hedge
My Temples here with heavy sedge;
Abandoning my lazy Side,
Stretcht as a Bank unto the Tide;
Or to suspend my sliding Foot
On the Osiers undermined Root,
And in its Branches tough to hang,
While at my Lines the Fishes twang!
But now away my Hooks, my Quills,
And Angles, idle Utensils.
The Young Maria walks to night:
Hide trifling Youth thy Pleasures slight.
'Twere shame that such judicious Eyes
Should with such Toyes a Man surprize;
She that already is the Law
Of all her Sex, her Ages Aw.
See how loose Nature, in respect
To her, it self doth recollect;
And every thing so whisht and fine,
Starts forth with to its Bonne Mine.
The Sun himself, of Her aware,
Seems to descend with greater Care,
And lest She see him go to Bed,
In blushing Clouds conceales his Head.
So when the Shadows laid asleep
From underneath these Banks do creep,
And on the River as it flows
With Eben Shuts begin to close;
The modest Halcyon comes in sight,
Flying betwixt the Day and Night;
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And such an horror calm and dumb,
Admiring Nature does benum.
The viscous Air, wheres'ere She fly,
Follows and sucks her Azure dy;
The gellying Stream compacts below,
If it might fix her shadow so;
The Stupid Fishes hang, as plain
As Flies in Chrystal overt'ane,
And Men the silent Scene assist,
Charm'd with the saphir-winged Mist.
Maria such, and so doth hush
The World, and through the Ev'ning rush.
No new-born Comet such a Train
Draws through the Skie, nor Star new-slain.
For streight those giddy Rockets fail,
Which from the putrid Earth exhale,
But by her Flames, in Heaven try'd,
Nature is wholly Vitrifi'd.
'Tis She that to these Gardens gave
That wondrous Beauty which they have;
She streightness on the Woods bestows;
To Her the Meadow sweetness owes;
Nothing could make the River be
So Chrystal-pure but only She;
She yet more Pure, Sweet, Streight, and Fair,
Then Gardens, Woods, Meads, Rivers are.
Therefore what first She on them spent,
They gratefully again present.
The Meadow Carpets where to tread;
The Garden Flow'rs to Crown Her Head;
And for a Glass the limpid Brook,
Where She may all her Beautyes look;
But, since She would not have them seen,
The Wood about her draws a Skreen.
For She, to higher Beauties rais'd,
Disdains to be for lesser prais'd.
She counts her Beauty to converse
206
In all the Languages as hers;
Not yet in those her self imployes
But for the Wisdome, not the Noyse;
Nor yet that Wisdome would affect,
But as 'tis Heavens Dialect.
Blest Nymph! that couldst so soon prevent
Those Trains by Youth against thee meant;
Tears (watry Shot that pierce the Mind;)
And Sighs (Loves Cannon charg'd with Wind;)
True Praise (That breaks through all defence;)
And feign'd complying Innocence;
But knowing where this Ambush lay,
She scap'd the safe, but roughest Way.
This 'tis to have been from the first
In a Domestick Heaven nurst,
Under the Discipline severe
Of Fairfax, and the starry Vere;
Where not one object can come nigh
But pure, and spotless as the Eye;
And Goodness doth it self intail
On Females, if there want a Male.
Go now fond Sex that on your Face
Do all your useless Study place,
Nor once at Vice your Brows dare knit
Lest the smooth Forehead wrinkled sit
Yet your own Face shall at you grin,
Thorough the Black-bag of your Skin;
When knowledge only could have fill'd
And Virtue all those Furows till'd.
Hence She with Graces more divine
Supplies beyond her Sex the Line;
And, like a sprig of Misleto,
On the Fairfacian Oak does grow;
Whence, for some universal good,
The Priest shall cut the sacred Bud;
While her glad Parents most rejoice,
And make their Destiny their Choice.
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Mean time ye Fields, Springs, Bushes, Flow'rs,
Where yet She leads her studious Hours,
(Till Fate her worthily translates,
And find a Fairfax for our Thwaites)
Employ the means you have by Her,
And in your kind your selves preferr;
That, as all Virgins She preceds,
So you all Woods, Streams, Gardens, Meads.
For you Thessalian Tempe's Seat
Shall now be scorn'd as obsolete;
Aranjeuz, as less, disdain'd;
The Bel-Retiro as constrain'd;
But name not the Idalian Grove,
For 'twas the Seat of wanton Love;
Much less the Dead's Elysian Fields,
Yet nor to them your Beauty yields.
'Tis not, what once it was, the World;
But a rude heap together hurl'd;
All negligently overthrown,
Gulfes, Deserts, Precipices, Stone.
Your lesser World contains the same.
But in more decent Order tame;
You Heaven's Center, Nature's Lap.
And Paradice's only Map.
But now the Salmon-Fishers moist
Their Leathern Boats begin to hoist;
And, like Antipodes in Shoes,
Have shod their Heads in their Canoos.
How Tortoise like, but not so slow,
These rational Amphibii go?
Let's in: for the dark Hemisphere
Does now like one of them appear.
~ Andrew Marvell,#NFDB
623:The King's Tragedy
February 1437
James I. Of Scots.—20th
I Catherine am a Douglas born,
A name to all Scots dear;
And Kate Barlass they've called me now
Through many a waning year.
This old arm's withered now. 'Twas once
Most deft 'mong maidens all
To rein the steed, to wing the shaft,
To smite the palm-play ball.
In hall adown the close-linked dance
It has shone most white and fair;
It has been the rest for a true lord's head,
And many a sweet babe's nursing-bed,
And the bar to a King's chambère.
Aye, lasses, draw round Kate Barlass,
And hark with bated breath
How good King James, King Robert's son,
Was foully done to death.
Through all the days of his gallant youth
The princely James was pent,
By his friends at first and then by his foes,
In long imprisonment.
For the elder Prince, the kingdom's heir,
By treason's murderous brood
Was slain; and the father quaked for the child
With the royal mortal blood.
I' the Bass Rock fort, by his father's care,
Was his childhood's life assured;
And Henry the subtle Bolingbroke,
Proud England's King, 'neath the southron yoke
His youth for long years immured.
Yet in all things meet for a kingly man
Himself did he approve;
And the nightingale through his prison-wall
Taught him both lore and love.
For once, when the bird's song drew him close
To the opened window-pane,
In her bower beneath a lady stood,
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A light of life to his sorrowful mood,
Like a lily amid the rain.
And for her sake, to the sweet bird's note,
He framed a sweeter Song,
More sweet than ever a poet's heart
Gave yet to the English tongue.
She was a lady of royal blood;
And when, past sorrow and teen,
He stood where still through his crownless years
His Scotish realm had been,
At Scone were the happy lovers crowned,
A heart-wed King and Queen.
But the bird may fall from the bough of youth,
And song be turned to moan,
And Love's storm-cloud be the shadow of Hate,
When the tempest-waves of a troubled State
Are beating against a throne.
Yet well they loved; and the god of Love,
Whom well the King had sung,
Might find on the earth no truer hearts
His lowliest swains among.
From the days when first she rode abroad
With Scotish maids in her train,
I Catherine Douglas won the trust
Of my mistress sweet Queen Jane.
And oft she sighed, “To be born a King!”
And oft along the way
When she saw the homely lovers pass
She has said, “Alack the day!”
Years waned,—the loving and toiling years:
Till England's wrong renewed
Drove James, by outrage cast on his crown,
To the open field of feud.
'Twas when the King and his host were met
At the leaguer of Roxbro' hold,
The Queen o' the sudden sought his camp
With a tale of dread to be told.
And she showed him a secret letter writ
That spoke of treasonous strife,
And how a band of his noblest lords
Were sworn to take his life.
“And it may be here or it may be there,
432
In the camp or the court,” she said:
“But for my sake come to your people's arms
And guard your royal head.”
Quoth he, “'Tis the fifteenth day of the siege,
And the castle's nigh to yield.”
“O face your foes on your throne,” she cried,
“And show the power you wield;
And under your Scotish people's love
You shall sit as under your shield.”
At the fair Queen's side I stood that day
When he bade them raise the siege,
And back to his Court he sped to know
How the lords would meet their Liege.
But when he summoned his Parliament,
The louring brows hung round,
Like clouds that circle the mountain-head
Ere the first low thunders sound.
For he had tamed the nobles' lust
And curbed their power and pride,
And reached out an arm to right the poor
Through Scotland far and wide;
And many a lordly wrong-doer
By the headsman's axe had died.
'Twas then upspoke Sir Robert Græme,
The bold o'ermastering man:—
“O King, in the name of your Three Estates
I set you under their ban!
“For, as your lords made oath to you
Of service and fealty,
Even in like wise you pledged your oath
Their faithful sire to be:—
“Yet all we here that are nobly sprung
Have mourned dear kith and kin
Since first for the Scotish Barons' curse
Did your bloody rule begin.”
With that he laid his hands on his King:—
“Is this not so, my lords?”
But of all who had sworn to league with him
Not one spake back to his words.
Quoth the King:—“Thou speak'st but for one Estate,
Nor doth it avow thy gage.
Let my liege lords hale this traitor hence!”
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The Græme fired dark with rage:—
“Who works for lesser men than himself,
He earns but a witless wage!”
But soon from the dungeon where he lay
He won by privy plots,
And forth he fled with a price on his head
To the country of the Wild Scots.
And word there came from Sir Robert Græme
To the King at Edinbro':—
“No Liege of mine thou art; but I see
From this day forth alone in thee
God's creature, my mortal foe.
“Through thee are my wife and children lost,
My heritage and lands;
And when my God shall show me a way,
Thyself my mortal foe will I slay
With these my proper hands.”
Against the coming of Christmastide
That year the King bade call
I' the Black Friars' Charterhouse of Perth
A solemn festival.
And we of his household rode with him
In a close-ranked company;
But not till the sun had sunk from his throne
Did we reach the Scotish Sea.
That eve was clenched for a boding storm,
'Neath a toilsome moon half seen;
The cloud stooped low and the surf rose high;
And where there was a line of the sky,
Wild wings loomed dark between.
And on a rock of the black beach-side,
By the veiled moon dimly lit,
There was something seemed to heave with life
As the King drew nigh to it.
And was it only the tossing furze
Or brake of the waste sea-wold?
Or was it an eagle bent to the blast?
When near we came, we knew it at last
For a woman tattered and old.
But it seemed as though by a fire within
Her writhen limbs were wrung;
And as soon as the King was close to her,
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She stood up gaunt and strong.
'Twas then the moon sailed clear of the rack
On high in her hollow dome;
And still as aloft with hoary crest
Each clamorous wave rang home,
Like fire in snow the moonlight blazed
Amid the champing foam.
And the woman held his eyes with her eyes:—
“O King, thou art come at last;
But thy wraith has haunted the Scotish Sea
To my sight for four years past.
“Four years it is since first I met,
'Twixt the Duchray and the Dhu,
A shape whose feet clung close in a shroud,
And that shape for thine I knew.
“A year again, and on Inchkeith Isle
I saw thee pass in the breeze,
With the cerecloth risen above thy feet
And wound about thy knees.
“And yet a year, in the Links of Forth,
As a wanderer without rest,
Thou cam'st with both thine arms i' the shroud
That clung high up thy breast.
“And in this hour I find thee here,
And well mine eyes may note
That the winding-sheet hath passed thy breast
And risen around thy throat.
“And when I meet thee again, O King,
That of death hast such sore drouth,—
Except thou turn again on this shore,—
The winding-sheet shall have moved once more
And covered thine eyes and mouth.
“O King, whom poor men bless for their King,
Of thy fate be not so fain;
But these my words for God's message take,
And turn thy steed, O King, for her sake
Who rides beside thy rein!”
While the woman spoke, the King's horse reared
As if it would breast the sea,
And the Queen turned pale as she heard on the gale
The voice die dolorously.
When the woman ceased, the steed was still,
435
But the King gazed on her yet,
And in silence save for the wail of the sea
His eyes and her eyes met.
At last he said:—“God's ways are His own;
Man is but shadow and dust.
Last night I prayed by His altar-stone;
To-night I wend to the Feast of His Son;
And in Him I set my trust.
“I have held my people in sacred charge,
And have not feared the sting
Of proud men's hate,—to His will resign'd
Who has but one same death for a hind
And one same death for a King.
“And if God in His wisdom have brought close
The day when I must die,
That day by water or fire or air
My feet shall fall in the destined snare
Wherever my road may lie.
“What man can say but the Fiend hath set
Thy sorcery on my path,
My heart with the fear of death to fill,
And turn me against God's very will
To sink in His burning wrath?”
The woman stood as the train rode past,
And moved nor limb nor eye;
And when we were shipped, we saw her there
Still standing against the sky.
As the ship made way, the moon once more
Sank slow in her rising pall;
And I thought of the shrouded wraith of the King,
And I said, “The Heavens know all.”
And now, ye lasses, must ye hear
How my name is Kate Barlass:—
But a little thing, when all the tale
Is told of the weary mass
Of crime and woe which in Scotland's realm
God's will let come to pass.
'Twas in the Charterhouse of Perth
That the King and all his Court
Were met, the Christmas Feast being done,
For solace and disport.
'Twas a wind-wild eve in February,
436
And against the casement-pane
The branches smote like summoning hands,
And muttered the driving rain.
And when the wind swooped over the lift
And made the whole heaven frown,
It seemed a grip was laid on the walls
To tug the housetop down.
And the Queen was there, more stately fair
Than a lily in garden set;
And the King was loth to stir from her side;
For as on the day when she was his bride,
Even so he loved her yet.
And the Earl of Athole, the King's false friend,
Sat with him at the board;
And Robert Stuart the chamberlain
Who had sold his sovereign Lord.
Yet the traitor Christopher Chaumber there
Would fain have told him all,
And vainly four times that night he strove
To reach the King through the hall.
But the wine is bright at the goblet's brim
Though the poison lurk beneath;
And the apples still are red on the tree
Within whose shade may the adder be
That shall turn thy life to death.
There was a knight of the King's fast friends
Whom he called the King of Love;
And to such bright cheer and courtesy
That name might best behove.
And the King and Queen both loved him well
For his gentle knightliness;
And with him the King, as that eve wore on,
Was playing at the chess.
And the King said, (for he thought to jest
And soothe the Queen thereby —
“In a book 'tis writ that this same year
A King shall in Scotland die.
“And I have pondered the matter o'er,
And this have I found, Sir Hugh,—
There are but two Kings on Scotish ground,
And those Kings are I and you.
“And I have a wife and a newborn heir,
437
And you are yourself alone;
So stand you stark at my side with me
To guard our double throne.
“For here sit I and my wife and child,
As well your heart shall approve,
In full surrender and soothfastness,
Beneath your Kingdom of Love.”
And the Knight laughed, and the Queen too smiled;
But I knew her heavy thought,
And I strove to find in the good King's jest
What cheer might thence be wrought.
And I said, “My Liege, for the Queen's dear love
Now sing the song that of old
You made, when a captive Prince you lay,
And the nightingale sang sweet on the spray,
In Windsor's castle-hold.”
Then he smiled the smile I knew so well
When he thought to please the Queen;
The smile which under all bitter frowns
Of fate that rose between
For ever dwelt at the poet's heart
Like the bird of love unseen.
And he kissed her hand and took his harp,
And the music sweetly rang;
And when the song burst forth, it seemed
'Twas the nightingale that sang.
“Worship, ye lovers, on this May:
Of bliss your kalends are begun:
Sing with us, Away, Winter, away!
Come, Summer, the sweet season and sun!
Awake for shame,—your heaven is won,—
And amorously your heads lift all:
Thank Love, that you to his grace doth call!”
But when he bent to the Queen, and sang
The speech whose praise was hers,
It seemed his voice was the voice of the Spring
And the voice of the bygone years.
“The fairest and the freshest flower
That ever I saw before that hour,
The which o' the sudden made to start
The blood of my body to my heart.
Ah sweet, are ye a worldly creature
438
Or heavenly thing in form of nature?”
And the song was long, and richly stored
With wonder and beauteous things;
And the harp was tuned to every change
Of minstrel ministerings;
But when he spoke of the Queen at the last,
Its strings were his own heart-strings.
“Unworthy but only of her grace,
Upon Love's rock that's easy and sure,
In guerdon of all my lovè's space
She took me her humble creäture.
Thus fell my blissful aventure
In youth of love that from day to day
Flowereth aye new, and further I say.
“To reckon all the circumstance
As it happed when lessen gan my sore,
Of my rancour and woful chance,
It were too long,—I have done therefor.
And of this flower I say no more,
But unto my help her heart hath tended
And even from death her man defended.”
“Aye, even from death,” to myself I said;
For I thought of the day when she
Had borne him the news, at Roxbro' siege,
Of the fell confederacy.
But Death even then took aim as he sang
With an arrow deadly bright;
And the grinning skull lurked grimly aloof,
And the wings were spread far over the roof
More dark than the winter night.
Yet truly along the amorous song
Of Love's high pomp and state,
There were words of Fortune's trackless doom
And the dreadful face of Fate.
And oft have I heard again in dreams
The voice of dire appeal
In which the King then sang of the pit
That is under Fortune's wheel.
And under the wheel beheld I there
An ugly Pit as deep as hell,
That to behold I quaked for fear:
And this I heard, that who therein fell
439
Came no more up, tidings to tell:
Whereat, astound of the fearful sight,
I wist not what to do for fright.”
And oft has my thought called up again
These words of the changeful song:—
“Wist thou thy pain and thy travàil
To come, well might'st thou weep and wail!”
And our wail, O God! is long.
But the song's end was all of his love;
And well his heart was grac'd
With her smiling lips and her tear-bright eyes
As his arm went round her waist.
And on the swell of her long fair throat
Close clung the necklet-chain
As he bent her pearl-tir'd head aside,
And in the warmth of his love and pride
He kissed her lips full fain.
And her true face was a rosy red,
The very red of the rose
That, couched on the happy garden-bed,
In the summer sunlight glows.
And all the wondrous things of love
That sang so sweet through the song
Were in the look that met in their eyes,
And the look was deep and long.
'Twas then a knock came at the outer gate,
And the usher sought the King.
“The woman you met by the Scotish Sea,
My Liege, would tell you a thing;
And she says that her present need for speech
Will bear no gainsaying.”
And the King said: “The hour is late;
To-morrow will serve, I ween.”
Then he charged the usher strictly, and said:
“No word of this to the Queen.”
But the usher came again to the King.
“Shall I call her back?” quoth he:
“For as she went on her way, she cried,
‘Woe! Woe! then the thing must be!’”
And the King paused, but he did not speak.
Then he called for the Voidee-cup:
And as we heard the twelfth hour strike,
440
There by true lips and false lips alike
Was the draught of trust drained up.
So with reverence meet to King and Queen,
To bed went all from the board;
And the last to leave of the courtly train
Was Robert Stuart the chamberlain
Who had sold his sovereign lord.
And all the locks of the chamber-door
Had the traitor riven and brast;
And that Fate might win sure way from afar,
He had drawn out every bolt and bar
That made the entrance fast.
And now at midnight he stole his way
To the moat of the outer wall,
And laid strong hurdles closely across
Where the traitors' tread should fall.
But we that were the Queen's bower-maids
Alone were left behind;
And with heed we drew the curtains close
Against the winter wind.
And now that all was still through the hall,
More clearly we heard the rain
That clamoured ever against the glass
And the boughs that beat on the pane.
But the fire was bright in the ingle-nook,
And through empty space around
The shadows cast on the arras'd wall
'Mid the pictured kings stood sudden and tall
Like spectres sprung from the ground.
And the bed was dight in a deep alcove;
And as he stood by the fire
The King was still in talk with the Queen
While he doffed his goodly attire.
And the song had brought the image back
Of many a bygone year;
And many a loving word they said
With hand in hand and head laid to head;
And none of us went anear.
But Love was weeping outside the house,
A child in the piteous rain;
And as he watched the arrow of Death,
He wailed for his own shafts close in the sheath
441
That never should fly again.
And now beneath the window arose
A wild voice suddenly:
And the King reared straight, but the Queen fell back
As for bitter dule to dree;
And all of us knew the woman's voice
Who spoke by the Scotish Sea.
“O King,” she cried, “in an evil hour
They drove me from thy gate;
And yet my voice must rise to thine ears;
But alas! it comes too late!
“Last night at mid-watch, by Aberdour,
When the moon was dead in the skies,
O King, in a death-light of thine own
I saw thy shape arise.
“And in full season, as erst I said,
The doom had gained its growth;
And the shroud had risen above thy neck
And covered thine eyes and mouth.
“And no moon woke, but the pale dawn broke,
And still thy soul stood there;
And I thought its silence cried to my soul
As the first rays crowned its hair.
“Since then have I journeyed fast and fain
In very despite of Fate,
Lest Hope might still be found in God's will:
But they drove me from thy gate.
“For every man on God's ground, O King,
His death grows up from his birth
In a shadow-plant perpetually;
And thine towers high, a black yew-tree,
O'er the Charterhouse of Perth!”
That room was built far out from the house;
And none but we in the room
Might hear the voice that rose beneath,
Nor the tread of the coming doom.
For now there came a torchlight-glare,
And a clang of arms there came;
And not a soul in that space but thought
Of the foe Sir Robert Græme.
Yea, from the country of the Wild Scots,
O'er mountain, valley, and glen,
442
He had brought with him in murderous league
Three hundred armèd men.
The King knew all in an instant's flash;
And like a King did he stand;
But there was no armour in all the room,
Nor weapon lay to his hand.
And all we women flew to the door
And thought to have made it fast;
But the bolts were gone and the bars were gone
And the locks were riven and brast.
And he caught the pale pale Queen in his arms
As the iron footsteps fell,—
Then loosed her, standing alone, and said,
“Our bliss was our farewell!”
And 'twixt his lips he murmured a prayer,
And he crossed his brow and breast;
And proudly in royal hardihood
Even so with folded arms he stood,—
The prize of the bloody quest.
Then on me leaped the Queen like a deer:—
“O Catherine, help!” she cried.
And low at his feet we clasped his knees
Together side by side.
“Oh! even a King, for his people's sake,
From treasonous death must hide!”
“For her sake most!” I cried, and I marked
The pang that my words could wring.
And the iron tongs from the chimney-nook
I snatched and held to the king:—
“Wrench up the plank! and the vault beneath
Shall yield safe harbouring.”
With brows low-bent, from my eager hand
The heavy heft did he take;
And the plank at his feet he wrenched and tore;
And as he frowned through the open floor,
Again I said, “For her sake!”
Then he cried to the Queen, “God's will be done!”
For her hands were clasped in prayer.
And down he sprang to the inner crypt;
And straight we closed the plank he had ripp'd
And toiled to smooth it fair.
(Alas! in that vault a gap once was
443
Wherethro' the King might have fled:
But three days since close-walled had it been
By his will; for the ball would roll therein
When without at the palm he play'd.)
Then the Queen cried, “Catherine, keep the door,
And I to this will suffice!”
At her word I rose all dazed to my feet,
And my heart was fire and ice.
And louder ever the voices grew,
And the tramp of men in mail;
Until to my brain it seemed to be
As though I tossed on a ship at sea
In the teeth of a crashing gale.
Then back I flew to the rest; and hard
We strove with sinews knit
To force the table against the door;
But we might not compass it.
Then my wild gaze sped far down the hall
To the place of the hearthstone-sill;
And the Queen bent ever above the floor,
For the plank was rising still.
And now the rush was heard on the stair,
And “God, what help?” was our cry.
And was I frenzied or was I bold?
I looked at each empty stanchion-hold,
And no bar but my arm had I!
Like iron felt my arm, as through
The staple I made it pass:—
Alack! it was flesh and bone—no more!
'Twas Catherine Douglas sprang to the door,
But I fell back Kate Barlass.
With that they all thronged into the hall,
Half dim to my failing ken;
And the space that was but a void before
Was a crowd of wrathful men.
Behind the door I had fall'n and lay,
Yet my sense was wildly aware,
And for all the pain of my shattered arm
I never fainted there.
Even as I fell, my eyes were cast
Where the King leaped down to the pit;
And lo! the plank was smooth in its place,
444
And the Queen stood far from it.
And under the litters and through the bed
And within the presses all
The traitors sought for the King, and pierced
The arras around the wall.
And through the chamber they ramped and stormed
Like lions loose in the lair,
And scarce could trust to their very eyes,—
For behold! no King was there.
Then one of them seized the Queen, and cried,—
“Now tell us, where is thy lord?”
And he held the sharp point over her heart:
She drooped not her eyes nor did she start,
But she answered never a word.
Then the sword half pierced the true true breast:
But it was the Græme's own son
Cried, “This is a woman,—we seek a man!”
And away from her girdle-zone
He struck the point of the murderous steel;
And that foul deed was not done.
And forth flowed all the throng like a sea
And 'twas empty space once more;
And my eyes sought out the wounded Queen
As I lay behind the door.
And I said: “Dear Lady, leave me here,
For I cannot help you now:
But fly while you may, and none shall reck
Of my place here lying low.”
And she said, “My Catherine, God help thee!”
Then she looked to the distant floor,
And clasping her hands, “O God help him,”
She sobbed, “for we can no more!”
But God He knows what help may mean,
If it mean to live or to die;
And what sore sorrow and mighty moan
On earth it may cost ere yet a throne
Be filled in His house on high.
And now the ladies fled with the Queen;
And through the open door
The night-wind wailed round the empty room
And the rushes shook on the floor.
And the bed drooped low in the dark recess
445
Whence the arras was rent away;
And the firelight still shone over the space
Where our hidden secret lay.
And the rain had ceased, and the moonbeams lit
The window high in the wall,—
Bright beams that on the plank that I knew
Through the painted pane did fall,
And gleamed with the splendour of Scotland's crown
And shield armorial.
But then a great wind swept up the skies
And the climbing moon fell back;
And the royal blazon fled from the floor,
And nought remained on its track;
And high in the darkened window-pane
The shield and the crown were black.
And what I say next I partly saw
And partly I heard in sooth,
And partly since from the murderers' lips
The torture wrung the truth.
For now again came the armèd tread,
And fast through the hall it fell;
But the throng was less; and ere I saw,
By the voice without I could tell
That Robert Stuart had come with them
Who knew that chamber well.
And over the space the Græme strode dark
With his mantle round him flung;
And in his eye was a flaming light
But not a word on his tongue.
And Stuart held a torch to the floor,
And he found the thing he sought;
And they slashed the plank away with their swords;
And O God! I fainted not!
And the traitor held his torch in the gap,
All smoking and smouldering;
And through the vapour and fire, beneath
In the dark crypt's narrow ring,
With a shout that pealed to the room's high roof
They saw their naked King.
Half naked he stood, but stood as one
Who yet could do and dare:
With the crown, the King was stript away,—
446
The Knight was 'reft of his battle-array,—
But still the Man was there.
From the rout then stepped a villain forth,—
Sir John Hall was his name;
With a knife unsheathed he leapt to the vault
Beneath the torchlight-flame.
Of his person and stature was the King
A man right manly strong,
And mightily by the shoulder-blades
His foe to his feet he flung.
Then the traitor's brother, Sir Thomas Hall,
Sprang down to work his worst;
And the King caught the second man by the neck
And flung him above the first.
And he smote and trampled them under him;
And a long month thence they bare
All black their throats with the grip of his hands
When the hangman's hand came there.
And sore he strove to have had their knives,
But the sharp blades gashed his hands.
Oh James! so armed, thou hadst battled there
Till help had come of thy bands;
And oh! once more thou hadst held our throne
And ruled thy Scotish lands!
But while the King o'er his foes still raged
With a heart that nought could tame,
Another man sprang down to the crypt;
And with his sword in his hand hard-gripp'd,
There stood Sir Robert Græme.
(Now shame on the recreant traitor's heart
Who durst not face his King
Till the body unarmed was wearied out
With two-fold combating!
Ah! well might the people sing and say,
As oft ye have heard aright:—
“O Robert Græme, O Robert Græme,
Who slew our King, God give thee shame!”
For he slew him not as a knight.)
And the naked King turned round at bay,
But his strength had passed the goal,
And he could but gasp:—“Mine hour is come;
But oh! to succour thine own soul's doom,
447
Let a priest now shrive my soul!”
And the traitor looked on the King's spent strength,
And said:—“Have I kept my word?—
Yea, King, the mortal pledge that I gave?
No black friar's shrift thy soul shall have,
But the shrift of this red sword!”
With that he smote his King through the breast;
And all they three in that pen
Fell on him and stabbed and stabbed him there
Like merciless murderous men.
Yet seemed it now that Sir Robert Græme,
Ere the King's last breath was o'er,
Turned sick at heart with the deadly sight
And would have done no more.
But a cry came from the troop above:—
“If him thou do not slay,
The price of his life that thou dost spare
Thy forfeit life shall pay!”
O God! what more did I hear or see,
Or how should I tell the rest?
But there at length our King lay slain
With sixteen wounds in his breast.
O God! and now did a bell boom forth,
And the murderers turned and fled;—
Too late, too late, O God, did it sound!—
And I heard the true men mustering round,
And the cries and the coming tread.
But ere they came, to the black death-gap
Somewise did I creep and steal;
And lo! or ever I swooned away,
Through the dusk I saw where the white face lay
In the Pit of Fortune's Wheel.
And now, ye Scotish maids who have heard
Dread things of the days grown old,—
Even at the last, of true Queen Jane
May somewhat yet be told,
And how she dealt for her dear lord's sake
Dire vengeance manifold.
'Twas in the Charterhouse of Perth,
In the fair-lit Death-chapelle,
That the slain King's corpse on bier was laid
With chaunt and requiem-knell.
448
And all with royal wealth of balm
Was the body purified;
And none could trace on the brow and lips
The death that he had died.
In his robes of state he lay asleep
With orb and sceptre in hand;
And by the crown he wore on his throne
Was his kingly forehead spann'd.
And, girls, 'twas a sweet sad thing to see
How the curling golden hair,
As in the day of the poet's youth,
From the King's crown clustered there.
And if all had come to pass in the brain
That throbbed beneath those curls,
Then Scots had said in the days to come
That this their soil was a different home
And a different Scotland, girls!
And the Queen sat by him night and day,
And oft she knelt in prayer,
All wan and pale in the widow's veil
That shrouded her shining hair.
And I had got good help of my hurt:
And only to me some sign
She made; and save the priests that were there,
No face would she see but mine.
And the month of March wore on apace;
And now fresh couriers fared
Still from the country of the Wild Scots
With news of the traitors snared.
And still as I told her day by day,
Her pallor changed to sight,
And the frost grew to a furnace-flame
That burnt her visage white.
And evermore as I brought her word,
She bent to her dead King James,
And in the cold ear with fire-drawn breath
She spoke the traitors' names.
But when the name of Sir Robert Græme
Was the one she had to give,
I ran to hold her up from the floor;
For the froth was on her lips, and sore
I feared that she could not live.
449
And the month of March wore nigh to its end,
And still was the death-pall spread;
For she would not bury her slaughtered lord
Till his slayers all were dead.
And now of their dooms dread tidings came,
And of torments fierce and dire;
And nought she spake,—she had ceased to speak,—
But her eyes were a soul on fire.
But when I told her the bitter end
Of the stern and just award,
She leaned o'er the bier, and thrice three times
She kissed the lips of her lord.
And then she said,—“My King, they are dead!”
And she knelt on the chapel-floor,
And whispered low with a strange proud smile,—
“James, James, they suffered more!”
Last she stood up to her queenly height,
But she shook like an autumn leaf,
As though the fire wherein she burned
Then left her body, and all were turned
To winter of life-long grief.
And “O James!” she said,—“My James!” she said,—
“Alas for the woful thing,
That a poet true and a friend of man,
In desperate days of bale and ban,
Should needs be born a King!”
~ Dante Gabriel Rossetti,#NFDB
624:lived most of her life with her family at the parish of Haworth on the Yorkshire
moors. For a couple of years she went to a boarding school. At the age of
nineteen, she left Haworth working as a governess between 1839 and 1845.
After leaving her teaching position, she fulfilled her literary ambitions. She wrote
a volume of poetry with her sisters (Poems by Currer, Ellis, and Acton Bell, 1846)
and in short succession she wrote two novels. Agnes Grey, based upon her
experiences as a governess, was published in 1847. Her second and last novel,
The Tenant of Wildfell Hall appeared in 1848. Anne's life was cut short with her
death of pulmonary tuberculosis when she was 29 years old.
~ Anne Brontë
is somewhat overshadowed by her more famous sisters,
In the summer of 1824, Patrick sent his eldest daughters Maria, Elizabeth,
Charlotte and Emily to Crofton Hall in Crofton, West Yorkshire, and later to the
Clergy Daughter's School, Cowan Bridge, Lancashire. When the two eldest
siblings died of consumption in 1825, Maria on 6 May and Elizabeth on 15 June,
Charlotte and Emily were immediately brought home. The unexpected deaths of
Anne's two eldest sisters distressed the bereaved family enough that Patrick
could not face sending them away again. For the next five years, all the Brontë
children were educated at home, largely by their father and aunt. The young
Brontës made little attempt to mix with others outside the parsonage, but relied
upon each other for friendship and companionship. The bleak moors surrounding
Haworth became their playground.
Education
Anne's studies at home included music and drawing. Anne, Emily and Branwell
had piano lessons at the parsonage from the Keighley parish organist. The
Brontë children received art lessons from John Bradley of Keighley and all of
them drew with some skill. Their aunt tried to make sure the girls knew how to
run a household, but their minds were more inclined to literature. Their father's
well-stocked library was a main source of knowledge.
Those readings fed the Brontës' imaginations. The children's creativity soared
after their father presented Branwell with a set of toy soldiers in June 1826. They
named the soldiers and developed their characters, which they called the
"Twelves". This led to the creation of an imaginary world: the African kingdom of
"Angria". That was illustrated with maps and watercolour renderings. The
children kept themselves busy devising plots about the people of Angria, and its
capital city, "Glass Town", later called Verreopolis, and finally, Verdopolis.
These fantasy worlds and kingdoms gradually acquired all the characteristics of
the real world—sovereigns, armies, heroes, outlaws, fugitives, inns, schools and
publishers. For these peoples and lands the children created newspapers,
magazines and chronicles, all of which were written out in extremely tiny books,
with writing that was so small it was difficult to read without the aid of a
magnifying glass. These juvenile creations and writings served as the
apprenticeship of their later, literary talents.
Juvenilia
Around 1831, when Anne was eleven, she and her sister Emily broke away from
Charlotte and Branwell in the creation and development of the fictional sagas of
Angria establishing their own fantasy world of Gondal. Anne was at this time
particularly close to Emily; the closeness of their relationship was reinforced by
Charlotte's departure for Roe Head School, in January 1831. When Charlotte's
friend Ellen Nussey visited Haworth in 1833, she reported that Emily and Anne
were "like twins", "inseparable companions". She described Anne at this time:
"Anne, dear gentle Anne was quite different in appearance from the others, and
she was her aunt's favourite. Her hair was a very pretty light brown, and fell on
her neck in graceful curls. She had lovely violet-blue eyes; fine pencilled
eyebrows and a clear almost transparent complexion. She still pursued her
studies and especially her sewing, under the surveillance of her aunt." Anne also
took lessons from Charlotte, after she came back from the boarding school, at
Roe Head. Later, Anne began more formal studies at Miss Wooler's school at Roe
Head, Huddersfield. Charlotte returned there on 29 July 1835 as a teacher. Emily
accompanied her as a pupil; her tuition largely financed by Charlotte's teaching.
Within a few months, Emily was unable to adapt to life at school, and by October,
was physically ill from homesickness. She was withdrawn from the school and
replaced by Anne.
At fifteen, it was Anne's first time away from home, and she made few friends at
Roe Head. She was quiet and hard working, and determined to stay and get the
education that would allow her to support herself. Anne stayed for two years,
winning a good-conduct medal in December 1836, and returning home only
during Christmas and the summer holidays. Anne and Charlotte do not appear to
have been close during their time at Roe Head (Charlotte's letters almost never
mention Anne) but Charlotte was concerned about the health of her sister. At
some point before December 1837, Anne became seriously ill with gastritis and
underwent a religious crisis. A Moravian minister was called to see Anne several
times during her illness, suggesting that her distress was caused, at least in part,
by conflict with the local Anglican clergy. Charlotte was sufficiently concerned
about Anne's illness to notify Patrick Brontë, and to take Anne home where she
remained to recover.
Employment at Blake Hall
Little is known about Anne's life during 1838, but in 1839, a year after leaving
the school and at the age of nineteen, she was actively looking for a teaching
position. As the daughter of a poor clergyman, she needed to earn a living. Her
father had no private income and the parsonage would revert to the church on
his death. Teaching or being a governess in a private family were among the few
options available to poor but educated women. In April, 1839, Anne began to
work as a governess with the Ingham family at Blake Hall, near Mirfield.
The children in Anne's charge were spoilt and wild, and persistently disobeyed
and tormented her. She experienced great difficulty controlling them, and had
almost no success in instilling any education. She was not empowered to inflict
any punishment, and when she complained of their behaviour to their parents,
she received no support, but was merely criticised for not being capable of her
job. The Inghams, unsatisfied with their children's progress, dismissed Anne at
the end of the year. She returned home at Christmas, 1839, joining Charlotte
and Emily, who had left their positions, and Branwell. The whole episode at Blake
Hall was so traumatic for Anne, that she reproduced it in almost perfect detail in
her later novel, Agnes Grey.
William Weightman
At Anne's return to Haworth, she met William Weightman (1814–1842), Patrick's
new curate, who began work in the parish in August 1839. Twenty-five years old,
he had obtained a two-year licentiate in theology from the University of Durham.
He quickly became welcome at the parsonage. Anne's acquaintance with William
Weightman parallels the writing of a number of poems, which may suggest that
she fell in love with him. There is considerable disagreement over this point. Not
much outside evidence exists beyond a teasing anecdote of Charlotte's to Ellen
Nussey in January 1842.
It may or may not be relevant that the source of Agnes Grey 's renewed interest
in poetry is the curate to whom she is attracted. As the person to whom Anne
Brontë may have been attracted, William Weightman has aroused much
curiosity. It seems clear that he was a good-looking, engaging young man,
whose easy humour and kindness towards the Brontë sisters made a
considerable impression. It is such a character that she portrays in Edward
Weston, and that her heroine Agnes Grey finds deeply appealing.
If Anne did form an attachment to Weightman, that does not imply that he, in
turn, was attracted to her. Indeed, it is entirely possible that Weightman was no
more aware of her than of her sisters or their friend Ellen Nussey. Nor does it
follow that Anne believed him to be interested in her. If anything, her poems
suggest just the opposite–they speak of quietly experienced but intensely felt
emotions, intentionally hidden from others, without any indication of their being
requited. It is also possible that an initially mild attraction to Weightman
assumed increasing importance to Anne over time, in the absence of other
opportunities for love, marriage, and children.
Anne would have seen William Weightman on her holidays at home, particularly
during the summer of 1842, when her sisters were away. He died of cholera in
the same year. Anne expressed her grief for his death in her poem "I will not
mourn thee, lovely one", in which she called him "our darling".
Governess
Anne soon obtained a second post: this time as a governess to the children of
the Reverend Edmund Robinson and his wife Lydia, at Thorp Green, a wealthy
country house near York. Thorp Green appeared later as Horton Lodge in her
novel Agnes Grey. Anne was to have four pupils: Lydia, age 15, Elizabeth, age
13, Mary, age 12, and Edmund, age 8. Initially, she encountered the same
problems with the unruly children that she had experienced at Blake Hall. Anne
missed her home and family, commenting in a diary paper in 1841 that she did
not like her situation and wished to leave it. Her own quiet, gentle disposition did
not help matters. However, despite her outwardly placid appearance, Anne was
determined and with the experience she gradually gained, she eventually made a
success of her position, becoming well liked by her new employers. Her charges,
the Robinson girls, ultimately became her lifelong friends.
For the next five years, Anne spent no more than five or six weeks a year with
her family, during holidays at Christmas and in June. The rest of her time she
was with the Robinsons at their home Thorp Green. She was also obliged to
accompany the family on their annual holidays to Scarborough. Between 1840
and 1844, Anne spent around five weeks each summer at the resort, and loved
the place. A number of locations in Scarborough formed the setting for Agnes
Grey 's final scenes.
During the time working for the Robinsons, Anne and her sisters considered the
possibility of setting-up their own school. Various locations, including their own
home, the parsonage, were considered as places to establish it. The project
never materialised and Anne chose repeatedly to return to Thorp Green. She
came home at the death of her aunt in early November 1842, while her sisters
were away in Brussels. Elizabeth Branwell left a £350 legacy for each of her
nieces.
Anne returned to Thorp Green in January 1843. She secured a position for
Branwell with her employers: he was to take over from her as tutor to the
Robinsons' son, Edmund, the only boy in the family, who was growing too old to
be under Anne's care. However Branwell did not live in the house with the
Robinson family, as Anne did. Anne's vaunted calm appears to have been the
result of hard-fought battles, balancing deeply felt emotions with careful thought,
a sense of responsibility, and resolute determination. All three Brontë sisters had
spent time working as governesses or teachers, and all had experienced
problems controlling their charges, gaining support from their employers, and
coping with homesickness—but Anne was the only one who persevered and made
a success of her work.
Back at The Parsonage
Anne and Branwell continued to teach at Thorp Green for the next three years.
However, Branwell was enticed into a secret relationship with his employer's
wife, Lydia Robinson. When Anne and her brother returned home for the holidays
in June 1846, she resigned her position. While Anne gave no reason for leaving
Thorp Green, it is generally thought that she wanted to leave upon becoming
aware of the relationship between her brother and Mrs. Robinson. Branwell was
sternly dismissed when his employer found out about his relationship with his
wife. In spite of her brother's behaviour, Anne retained close ties to Elizabeth and
Mary Robinson, exchanging frequent letters with them even after Branwell's
disgrace. The Robinson sisters came to visit Anne in December 1848.
Once free of her position as a governess, Anne took Emily to visit some of the
places she had come to know and love in the past five years. An initial plan of
going to the sea at Scarborough fell through, and the sisters went instead to
York, where Anne showed her sister the York Minster.
A Book of Poems
In the summer of 1845, all four of the Brontës were at home with their father
Patrick. None of the four had any immediate prospect of employment. It was at
this point that Charlotte came across Emily's poems. They had been shared only
with Anne, her partner in the world of Gondal. Charlotte proposed that they be
published. Anne also revealed her own poems. Charlotte's reaction was
characteristically patronising: "I thought that these verses too had a sweet
sincere pathos of their own". Eventually, though not easily, the sisters reached
an agreement. They told neither Branwell, nor their father, nor their friends
about what they were doing. Anne and Emily each contributed 21 poems and
Charlotte with nineteen. With Aunt Branwell's money, the Brontë sisters paid to
have the collection published.
Afraid that their work would be judged differently if they revealed their identity
as women, the book appeared under their three chosen pseudonyms—or pennames, the initials of which were the same as their own. Charlotte became
Currer Bell, Emily became Ellis Bell and Anne became Acton Bell. Poems by
Currer, Ellis, and Acton Bell was available for sale in May 1846. The cost of
publication was about ¾ of Anne's annual salary at Thorp Green. On 7 May 1846,
the first three copies of the book were delivered to Haworth Parsonage. The
volume achieved three somewhat favourable reviews, but was a dismal failure,
with only two copies being sold during the first year. Anne, however, began to
find a market for her more recent poetry. Both the Leeds Intelligencer and
Fraser's Magazine published her poem "The Narrow Way" under her pseudonym,
Acton Bell. Four months earlier, in August, Fraser's Magazine had also published
her poem "The Three Guides".
Novelist
Agnes Grey
Even before the fate of the book of poems became apparent, the three sisters
were working on a new project. They began to work on their first novels.
Charlotte wrote The Professor, Emily Wuthering Heights, and Anne Agnes Grey.
By July 1846, a package with the three manuscripts was making the rounds of
London publishers.
After a number of rejections, Emily's Wuthering Heights and Anne's Agnes Grey
were accepted by a publisher in London, but Charlotte's novel was rejected by
every other publisher to whom it was sent. However, Charlotte was not long in
completing her second novel, the now famous Jane Eyre, and this was
immediately accepted by Smith, Elder & Co., a different publisher from Anne's
and Emily's though also located in London. However, Jane Eyre was the first to
appear in print. While Anne and Emily's novels 'lingered in the press', Charlotte's
second novel was an immediate and resounding success. Meanwhile, Anne and
Emily were obliged to pay fifty pounds to help meet the publishing costs. Their
publisher, urged on by the success of Jane Eyre, finally published Emily's
Wuthering Heights and Anne's Agnes Grey in December 1847. These two sold
exceptionally well, but Agnes Grey was distinctly outshone by Emily's much more
dramatic Wuthering Heights.
The Tenant of Wildfell Hall
Anne's second novel, The Tenant of Wildfell Hall, was published in the last week
of June 1848. It was an instant, phenomenal success; within six weeks it was
sold out.
The Tenant of Wildfell Hall is perhaps the most shocking of the Brontës' novels.
In seeking to present the truth in literature, Anne's depiction of alcoholism and
debauchery was profoundly disturbing to nineteenth-century readers. Helen
Graham, the tenant of the title, intrigues Gilbert Markham and gradually she
reveals her mysterious past as an artist and wife of the dissipated Arthur
Huntingdon. The book's brilliance lies in its revelation of the position of women at
the time, and its multi-layered plot.
It is easy today to underestimate the extent to which the novel challenged
existing social and legal structures. May Sinclair, in 1913, said that the slamming
of Helen Huntingdon's bedroom door against her husband reverberated
throughout Victorian England. Anne's heroine eventually leaves her husband to
protect their young son from his influence. She supports herself and her son by
painting, while living in hiding, fearful of discovery. In doing so, she violates not
only social conventions, but also English law. At the time, a married woman had
no independent legal existence, apart from her husband; could not own her own
property, sue for divorce, or control custody of her children. If she attempted to
live apart from him, her husband had the right to reclaim her. If she took their
child with her, she was liable for kidnapping. In living off her own earnings, she
was held to be stealing her husband's property, since any income she made was
legally his.
London Visit
In July 1848, in order to dispel the rumour that the three "Bell brothers" were all
the same person, Charlotte and Anne went to London to reveal their identities to
the publisher George Smith. The women spent several days in his company.
Many years after Anne's death, he wrote in the Cornhill Magazine his impressions
of her, describing her as: "...a gentle, quiet, rather subdued person, by no means
pretty, yet of a pleasing appearance. Her manner was curiously expressive of a
wish for protection and encouragement, a kind of constant appeal which invited
sympathy."
In the second edition of The Tenant of Wildfell Hall, which appeared in August
1848, Anne clearly stated her intentions in writing it. She presented a forceful
rebuttal to critics who considered her portrayal of Huntingdon overly graphic and
disturbing. (Charlotte was among them.)
When we have to do with vice and vicious characters, I maintain it is better to
depict them as they really are than as they would wish to appear. To represent a
bad thing in its least offensive light, is doubtless the most agreeable course for a
writer of fiction to pursue; but is it the most honest, or the safest? Is it better to
reveal the snares and pitfalls of life to the young and thoughtless traveller, or to
cover them with branches and flowers? O Reader! if there were less of this
delicate concealment of facts–this whispering 'Peace, peace', when there is no
peace, there would be less of sin and misery to the young of both sexes who are
left to wring their bitter knowledge from experience."
Anne also sharply castigated reviewers who speculated on the sex of the authors,
and the appropriateness of their writing to their sex, in words that do little to
reinforce the stereotype of Anne as meek and gentle.
I am satisfied that if a book is a good one, it is so whatever the sex of the author
may be. All novels are or should be written for both men and women to read,
and I am at a loss to conceive how a man should permit himself to write anything
that would be really disgraceful to a woman, or why a woman should be censured
for writing anything that would be proper and becoming for a man."
The increasing popularity of the Bells' work led to renewed interest in the Poems
by Currer, Ellis, and Acton Bell, originally published by Aylott and Jones. The
remaining print run was purchased by Smith and Elder, and reissued under new
covers in November 1848. It still sold poorly.
Family Tragedies
Only in their late twenties, a highly successful literary career appeared a
certainty for Anne and her sisters. However, an impending tragedy was to engulf
the family. Within the next ten months, three of the siblings, including Anne,
would be dead.
Branwell's health had gradually deteriorated over the previous two years, but its
seriousness was half disguised by his persistent drunkenness. He died on the
morning of 24 September 1848. His sudden death came as a shock to the family.
He was aged just thirty-one. The cause was recorded as chronic bronchitis –
marasmus; though, through his recorded symptoms, it is now believed that he
was also suffering from tuberculosis.
The whole family had suffered from coughs and colds during the winter of 1848
and it was Emily who next became severely ill. She deteriorated rapidly over a
two month period, persistently refusing all medical aid until the morning of 19
December, when, being so weak, she declared: "if you will send for a doctor, I
will see him now". It was far too late. At about two o'clock that afternoon, after a
hard, short conflict in which she struggled desperately to hang on to life, she
died, aged just thirty.
Emily's death deeply affected Anne and her grief further undermined her physical
health. Over Christmas, Anne caught influenza. Her symptoms intensified, and in
early January, her father sent for a Leeds physician, who diagnosed her condition
as consumption, and intimated that it was quite advanced leaving little hope of a
recovery. Anne met the news with characteristic determination and self-control.
Unlike Emily, Anne took all the recommended medicines, and responded to all
10
the advice she was given. That same month Anne wrote her last poem, " A
dreadful darkness closes in", in which she deals with the realisation of being
terminally ill. Her health fluctuated as the months passed, but she progressively
grew thinner and weaker.
Death
In February 1849, Anne seemed somewhat better. By this time, she had decided
to make a return visit to Scarborough in the hope that the change of location and
fresh sea air might initiate a recovery, and give her a chance to live. On 24 May
1849, Anne said her goodbyes to her father and the servants at Haworth, and set
off for Scarborough with Charlotte and their friend Ellen Nussey. En route, the
three spent a day and a night in York, where, escorting Anne around in a
wheelchair, they did some shopping, and at Anne's request, visited York Minster.
However, it was clear that Anne had little strength left.
On Sunday, 27 May, Anne asked Charlotte whether it would be easier for her if
she return home to die instead of remaining at Scarborough. A doctor, consulted
the next day, indicated that death was already close. Anne received the news
quietly. She expressed her love and concern for Ellen and Charlotte, and seeing
Charlotte's distress, whispered to her to "take courage". Conscious and calm,
Anne died at about two o'clock in the afternoon, Monday, 28 May 1849.
Over the following few days, Charlotte made the decision to "lay the flower
where it had fallen". Anne was buried not in Haworth with the rest of her family,
but in Scarborough. The funeral was held on Wednesday, 30 May, which did not
allow time for Patrick Brontë to make the 70-mile (110 km) trip to Scarborough,
had he wished to do so. The former schoolmistress at Roe Head, Miss Wooler,
was also in Scarborough at this time, and she was the only other mourner at
Anne's funeral. She was buried in St. Mary's churchyard, beneath the castle
walls, and overlooking the bay. Charlotte commissioned a stone to be placed
over her grave, with the simple inscription "Here lie the remains of ~ Anne Brontë
,
daughter of the Revd. P. Brontë, Incumbent of Haworth, Yorkshire. She died,
Aged 28, 28 May 1849". Anne was actually twenty-nine at the time of her death.
Reputation
A year after Anne's death, further editions of her novels were required; however,
Charlotte prevented re-publication of Anne's second novel, The Tenant of Wildfell
Hall. In 1850, Charlotte wrote damningly "Wildfell Hall it hardly appears to me
desirable to preserve. The choice of subject in that work is a mistake, it was too
little consonant with the character, tastes and ideas of the gentle, retiring
11
inexperienced writer." This act was the predominant cause of Anne's relegation
to the back seat of the Brontë bandwagon. Anne's novel was daring for the
Victorian era with its depiction of scenes of mental and physical cruelty and
approach to divorce. The consequence was that Charlotte's novels, along with
Emily's Wuthering Heights, continued to be published, firmly launching these two
sisters into literary stardom, while Anne's work was consigned to oblivion.
Further, Anne was only twenty-eight when she wrote The Tenant of Wildfell Hall;
at a comparable age, Charlotte had produced only The Professor.
The general view has been that Anne is a mere shadow compared with Charlotte,
the family's most prolific writer, and Emily, the genius. This has occurred to a
large extent because Anne was very different, as a person and as a writer, from
Charlotte and Emily. The controlled, reflective camera eye of Agnes Grey is closer
to Jane Austen's Persuasion than to Charlotte Brontë's Jane Eyre. The
painstaking realism and social criticism of The Tenant of Wildfell Hall directly
counters the romanticised violence of Wuthering Heights. Anne's religious
concerns, reflected in her books and expressed directly in her poems, were not
concerns shared by her sisters. Anne's subtle prose has a fine ironic edge; her
novels also reveal Anne to be the most socially radical of the three. Now, with
increasing critical interest in female authors, her life is being reexamined, and
her work reevaluated. A re-appraisal of Anne's work has begun, gradually leading
to her acceptance, not as a minor Brontë, but as a major literary figure in her
own right.
12
A Fragment
'Maiden, thou wert thoughtless once
Of beauty or of grace,
Simple and homely in attire
Careless of form and face.
Then whence this change, and why so oft
Dost smooth thy hazel hair?
And wherefore deck thy youthful form
With such unwearied care?
'Tell us - and cease to tire our ears
With yonder hackneyed strain Why wilt thou play those simple tunes
So often o'er again?'
'Nay, gentle friends, I can but say
That childhood's thoughts are gone.
Each year its own new feelings brings
And years move swiftly on,
And for these little simple airs,
I love to play them o'er So much I dare not promise now
To play them never more.'
I answered and it was enough;
They turned them to depart;
They could not read my secret thoughts
Nor see my throbbing heart.
I've noticed many a youthful form
Upon whose changeful face
The inmost workings of the soul
The gazer's eye might trace.
The speaking eye, the changing lip,
The ready blushing cheek,
The smiling or beclouded brow
Their different feelings speak.
But, thank God! you might gaze on mine
For hours and never know
The secret changes of my soul
From joy to bitter woe.
13
Last night, as we sat round the fire
Conversing merrily,
We heard without approaching steps
Of one well known to me.
There was no trembling in my voice,
No blush upon my cheek,
No lustrous sparkle in my eyes,
Of hope or joy to speak;
But O my spirit burned within,
My heart beat thick and fast.
He came not nigh - he went away
And then my joy was past.
And yet my comrades marked it not,
My voice was still the same;
They saw me smile, and o'er my face No signs of sadness came;
They little knew my hidden thoughts
And they will never know
The anguish of my drooping heart,
The bitter aching woe!
Olivia Vernon.
~ Anne Brontë,#NFDB
625:The Marriage Of Geraint
The brave Geraint, a knight of Arthur's court,
A tributary prince of Devon, one
Of that great Order of the Table Round,
Had married Enid, Yniol's only child,
And loved her, as he loved the light of Heaven.
And as the light of Heaven varies, now
At sunrise, now at sunset, now by night
With moon and trembling stars, so loved Geraint
To make her beauty vary day by day,
In crimsons and in purples and in gems.
And Enid, but to please her husband's eye,
Who first had found and loved her in a state
Of broken fortunes, daily fronted him
In some fresh splendour; and the Queen herself,
Grateful to Prince Geraint for service done,
Loved her, and often with her own white hands
Arrayed and decked her, as the loveliest,
Next after her own self, in all the court.
And Enid loved the Queen, and with true heart
Adored her, as the stateliest and the best
And loveliest of all women upon earth.
And seeing them so tender and so close,
Long in their common love rejoiced Geraint.
But when a rumour rose about the Queen,
Touching her guilty love for Lancelot,
Though yet there lived no proof, nor yet was heard
The world's loud whisper breaking into storm,
Not less Geraint believed it; and there fell
A horror on him, lest his gentle wife,
Through that great tenderness for Guinevere,
Had suffered, or should suffer any taint
In nature: wherefore going to the King,
He made this pretext, that his princedom lay
Close on the borders of a territory,
Wherein were bandit earls, and caitiff knights,
Assassins, and all flyers from the hand
Of Justice, and whatever loathes a law:
And therefore, till the King himself should please
To cleanse this common sewer of all his realm,
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He craved a fair permission to depart,
And there defend his marches; and the King
Mused for a little on his plea, but, last,
Allowing it, the Prince and Enid rode,
And fifty knights rode with them, to the shores
Of Severn, and they past to their own land;
Where, thinking, that if ever yet was wife
True to her lord, mine shall be so to me,
He compassed her with sweet observances
And worship, never leaving her, and grew
Forgetful of his promise to the King,
Forgetful of the falcon and the hunt,
Forgetful of the tilt and tournament,
Forgetful of his glory and his name,
Forgetful of his princedom and its cares.
And this forgetfulness was hateful to her.
And by and by the people, when they met
In twos and threes, or fuller companies,
Began to scoff and jeer and babble of him
As of a prince whose manhood was all gone,
And molten down in mere uxoriousness.
And this she gathered from the people's eyes:
This too the women who attired her head,
To please her, dwelling on his boundless love,
Told Enid, and they saddened her the more:
And day by day she thought to tell Geraint,
But could not out of bashful delicacy;
While he that watched her sadden, was the more
Suspicious that her nature had a taint.
At last, it chanced that on a summer morn
(They sleeping each by either) the new sun
Beat through the blindless casement of the room,
And heated the strong warrior in his dreams;
Who, moving, cast the coverlet aside,
And bared the knotted column of his throat,
The massive square of his heroic breast,
And arms on which the standing muscle sloped,
As slopes a wild brook o'er a little stone,
Running too vehemently to break upon it.
And Enid woke and sat beside the couch,
Admiring him, and thought within herself,
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Was ever man so grandly made as he?
Then, like a shadow, past the people's talk
And accusation of uxoriousness
Across her mind, and bowing over him,
Low to her own heart piteously she said:
'O noble breast and all-puissant arms,
Am I the cause, I the poor cause that men
Reproach you, saying all your force is gone?
I AM the cause, because I dare not speak
And tell him what I think and what they say.
And yet I hate that he should linger here;
I cannot love my lord and not his name.
Far liefer had I gird his harness on him,
And ride with him to battle and stand by,
And watch his mightful hand striking great blows
At caitiffs and at wrongers of the world.
Far better were I laid in the dark earth,
Not hearing any more his noble voice,
Not to be folded more in these dear arms,
And darkened from the high light in his eyes,
Than that my lord through me should suffer shame.
Am I so bold, and could I so stand by,
And see my dear lord wounded in the strife,
And maybe pierced to death before mine eyes,
And yet not dare to tell him what I think,
And how men slur him, saying all his force
Is melted into mere effeminacy?
O me, I fear that I am no true wife.'
Half inwardly, half audibly she spoke,
And the strong passion in her made her weep
True tears upon his broad and naked breast,
And these awoke him, and by great mischance
He heard but fragments of her later words,
And that she feared she was not a true wife.
And then he thought, 'In spite of all my care,
For all my pains, poor man, for all my pains,
She is not faithful to me, and I see her
Weeping for some gay knight in Arthur's hall.'
Then though he loved and reverenced her too much
To dream she could be guilty of foul act,
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Right through his manful breast darted the pang
That makes a man, in the sweet face of her
Whom he loves most, lonely and miserable.
At this he hurled his huge limbs out of bed,
And shook his drowsy squire awake and cried,
'My charger and her palfrey;' then to her,
'I will ride forth into the wilderness;
For though it seems my spurs are yet to win,
I have not fallen so low as some would wish.
And thou, put on thy worst and meanest dress
And ride with me.' And Enid asked, amazed,
'If Enid errs, let Enid learn her fault.'
But he, 'I charge thee, ask not, but obey.'
Then she bethought her of a faded silk,
A faded mantle and a faded veil,
And moving toward a cedarn cabinet,
Wherein she kept them folded reverently
With sprigs of summer laid between the folds,
She took them, and arrayed herself therein,
Remembering when first he came on her
Drest in that dress, and how he loved her in it,
And all her foolish fears about the dress,
And all his journey to her, as himself
Had told her, and their coming to the court.
For Arthur on the Whitsuntide before
Held court at old Caerleon upon Usk.
There on a day, he sitting high in hall,
Before him came a forester of Dean,
Wet from the woods, with notice of a hart
Taller than all his fellows, milky-white,
First seen that day: these things he told the King.
Then the good King gave order to let blow
His horns for hunting on the morrow morn.
And when the King petitioned for his leave
To see the hunt, allowed it easily.
So with the morning all the court were gone.
But Guinevere lay late into the morn,
Lost in sweet dreams, and dreaming of her love
For Lancelot, and forgetful of the hunt;
But rose at last, a single maiden with her,
Took horse, and forded Usk, and gained the wood;
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There, on a little knoll beside it, stayed
Waiting to hear the hounds; but heard instead
A sudden sound of hoofs, for Prince Geraint,
Late also, wearing neither hunting-dress
Nor weapon, save a golden-hilted brand,
Came quickly flashing through the shallow ford
Behind them, and so galloped up the knoll.
A purple scarf, at either end whereof
There swung an apple of the purest gold,
Swayed round about him, as he galloped up
To join them, glancing like a dragon-fly
In summer suit and silks of holiday.
Low bowed the tributary Prince, and she,
Sweet and statelily, and with all grace
Of womanhood and queenhood, answered him:
'Late, late, Sir Prince,' she said, 'later than we!'
'Yea, noble Queen,' he answered, 'and so late
That I but come like you to see the hunt,
Not join it.' 'Therefore wait with me,' she said;
'For on this little knoll, if anywhere,
There is good chance that we shall hear the hounds:
Here often they break covert at our feet.'
And while they listened for the distant hunt,
And chiefly for the baying of Cavall,
King Arthur's hound of deepest mouth, there rode
Full slowly by a knight, lady, and dwarf;
Whereof the dwarf lagged latest, and the knight
Had vizor up, and showed a youthful face,
Imperious, and of haughtiest lineaments.
And Guinevere, not mindful of his face
In the King's hall, desired his name, and sent
Her maiden to demand it of the dwarf;
Who being vicious, old and irritable,
And doubling all his master's vice of pride,
Made answer sharply that she should not know.
'Then will I ask it of himself,' she said.
'Nay, by my faith, thou shalt not,' cried the dwarf;
'Thou art not worthy even to speak of him;'
And when she put her horse toward the knight,
Struck at her with his whip, and she returned
Indignant to the Queen; whereat Geraint
665
Exclaiming, 'Surely I will learn the name,'
Made sharply to the dwarf, and asked it of him,
Who answered as before; and when the Prince
Had put his horse in motion toward the knight,
Struck at him with his whip, and cut his cheek.
The Prince's blood spirted upon the scarf,
Dyeing it; and his quick, instinctive hand
Caught at the hilt, as to abolish him:
But he, from his exceeding manfulness
And pure nobility of temperament,
Wroth to be wroth at such a worm, refrained
From even a word, and so returning said:
'I will avenge this insult, noble Queen,
Done in your maiden's person to yourself:
And I will track this vermin to their earths:
For though I ride unarmed, I do not doubt
To find, at some place I shall come at, arms
On loan, or else for pledge; and, being found,
Then will I fight him, and will break his pride,
And on the third day will again be here,
So that I be not fallen in fight. Farewell.'
'Farewell, fair Prince,' answered the stately Queen.
'Be prosperous in this journey, as in all;
And may you light on all things that you love,
And live to wed with her whom first you love:
But ere you wed with any, bring your bride,
And I, were she the daughter of a king,
Yea, though she were a beggar from the hedge,
Will clothe her for her bridals like the sun.'
And Prince Geraint, now thinking that he heard
The noble hart at bay, now the far horn,
A little vext at losing of the hunt,
A little at the vile occasion, rode,
By ups and downs, through many a grassy glade
And valley, with fixt eye following the three.
At last they issued from the world of wood,
And climbed upon a fair and even ridge,
And showed themselves against the sky, and sank.
And thither there came Geraint, and underneath
666
Beheld the long street of a little town
In a long valley, on one side whereof,
White from the mason's hand, a fortress rose;
And on one side a castle in decay,
Beyond a bridge that spanned a dry ravine:
And out of town and valley came a noise
As of a broad brook o'er a shingly bed
Brawling, or like a clamour of the rooks
At distance, ere they settle for the night.
And onward to the fortress rode the three,
And entered, and were lost behind the walls.
'So,' thought Geraint, 'I have tracked him to his earth.'
And down the long street riding wearily,
Found every hostel full, and everywhere
Was hammer laid to hoof, and the hot hiss
And bustling whistle of the youth who scoured
His master's armour; and of such a one
He asked, 'What means the tumult in the town?'
Who told him, scouring still, 'The sparrow-hawk!'
Then riding close behind an ancient churl,
Who, smitten by the dusty sloping beam,
Went sweating underneath a sack of corn,
Asked yet once more what meant the hubbub here?
Who answered gruffly, 'Ugh! the sparrow-hawk.'
Then riding further past an armourer's,
Who, with back turned, and bowed above his work,
Sat riveting a helmet on his knee,
He put the self-same query, but the man
Not turning round, nor looking at him, said:
'Friend, he that labours for the sparrow-hawk
Has little time for idle questioners.'
Whereat Geraint flashed into sudden spleen:
'A thousand pips eat up your sparrow-hawk!
Tits, wrens, and all winged nothings peck him dead!
Ye think the rustic cackle of your bourg
The murmur of the world! What is it to me?
O wretched set of sparrows, one and all,
Who pipe of nothing but of sparrow-hawks!
Speak, if ye be not like the rest, hawk-mad,
Where can I get me harbourage for the night?
And arms, arms, arms to fight my enemy? Speak!'
667
Whereat the armourer turning all amazed
And seeing one so gay in purple silks,
Came forward with the helmet yet in hand
And answered, 'Pardon me, O stranger knight;
We hold a tourney here tomorrow morn,
And there is scantly time for half the work.
Arms? truth! I know not: all are wanted here.
Harbourage? truth, good truth, I know not, save,
It may be, at Earl Yniol's, o'er the bridge
Yonder.' He spoke and fell to work again.
Then rode Geraint, a little spleenful yet,
Across the bridge that spanned the dry ravine.
There musing sat the hoary-headed Earl,
(His dress a suit of frayed magnificence,
Once fit for feasts of ceremony) and said:
'Whither, fair son?' to whom Geraint replied,
'O friend, I seek a harbourage for the night.'
Then Yniol, 'Enter therefore and partake
The slender entertainment of a house
Once rich, now poor, but ever open-doored.'
'Thanks, venerable friend,' replied Geraint;
'So that ye do not serve me sparrow-hawks
For supper, I will enter, I will eat
With all the passion of a twelve hours' fast.'
Then sighed and smiled the hoary-headed Earl,
And answered, 'Graver cause than yours is mine
To curse this hedgerow thief, the sparrow-hawk:
But in, go in; for save yourself desire it,
We will not touch upon him even in jest.'
Then rode Geraint into the castle court,
His charger trampling many a prickly star
Of sprouted thistle on the broken stones.
He looked and saw that all was ruinous.
Here stood a shattered archway plumed with fern;
And here had fallen a great part of a tower,
Whole, like a crag that tumbles from the cliff,
And like a crag was gay with wilding flowers:
And high above a piece of turret stair,
Worn by the feet that now were silent, wound
Bare to the sun, and monstrous ivy-stems
668
Claspt the gray walls with hairy-fibred arms,
And sucked the joining of the stones, and looked
A knot, beneath, of snakes, aloft, a grove.
And while he waited in the castle court,
The voice of Enid, Yniol's daughter, rang
Clear through the open casement of the hall,
Singing; and as the sweet voice of a bird,
Heard by the lander in a lonely isle,
Moves him to think what kind of bird it is
That sings so delicately clear, and make
Conjecture of the plumage and the form;
So the sweet voice of Enid moved Geraint;
And made him like a man abroad at morn
When first the liquid note beloved of men
Comes flying over many a windy wave
To Britain, and in April suddenly
Breaks from a coppice gemmed with green and red,
And he suspends his converse with a friend,
Or it may be the labour of his hands,
To think or say, 'There is the nightingale;'
So fared it with Geraint, who thought and said,
'Here, by God's grace, is the one voice for me.'
It chanced the song that Enid sang was one
Of Fortune and her wheel, and Enid sang:
'Turn, Fortune, turn thy wheel and lower the proud;
Turn thy wild wheel through sunshine, storm, and cloud;
Thy wheel and thee we neither love nor hate.
'Turn, Fortune, turn thy wheel with smile or frown;
With that wild wheel we go not up or down;
Our hoard is little, but our hearts are great.
'Smile and we smile, the lords of many lands;
Frown and we smile, the lords of our own hands;
For man is man and master of his fate.
'Turn, turn thy wheel above the staring crowd;
Thy wheel and thou are shadows in the cloud;
Thy wheel and thee we neither love nor hate.'
669
'Hark, by the bird's song ye may learn the nest,'
Said Yniol; 'enter quickly.' Entering then,
Right o'er a mount of newly-fallen stones,
The dusky-raftered many-cobwebbed hall,
He found an ancient dame in dim brocade;
And near her, like a blossom vermeil-white,
That lightly breaks a faded flower-sheath,
Moved the fair Enid, all in faded silk,
Her daughter. In a moment thought Geraint,
'Here by God's rood is the one maid for me.'
But none spake word except the hoary Earl:
'Enid, the good knight's horse stands in the court;
Take him to stall, and give him corn, and then
Go to the town and buy us flesh and wine;
And we will make us merry as we may.
Our hoard is little, but our hearts are great.'
He spake: the Prince, as Enid past him, fain
To follow, strode a stride, but Yniol caught
His purple scarf, and held, and said, 'Forbear!
Rest! the good house, though ruined, O my son,
Endures not that her guest should serve himself.'
And reverencing the custom of the house
Geraint, from utter courtesy, forbore.
So Enid took his charger to the stall;
And after went her way across the bridge,
And reached the town, and while the Prince and Earl
Yet spoke together, came again with one,
A youth, that following with a costrel bore
The means of goodly welcome, flesh and wine.
And Enid brought sweet cakes to make them cheer,
And in her veil enfolded, manchet bread.
And then, because their hall must also serve
For kitchen, boiled the flesh, and spread the board,
And stood behind, and waited on the three.
And seeing her so sweet and serviceable,
Geraint had longing in him evermore
To stoop and kiss the tender little thumb,
That crost the trencher as she laid it down:
But after all had eaten, then Geraint,
670
For now the wine made summer in his veins,
Let his eye rove in following, or rest
On Enid at her lowly handmaid-work,
Now here, now there, about the dusky hall;
Then suddenly addrest the hoary Earl:
'Fair Host and Earl, I pray your courtesy;
This sparrow-hawk, what is he? tell me of him.
His name? but no, good faith, I will not have it:
For if he be the knight whom late I saw
Ride into that new fortress by your town,
White from the mason's hand, then have I sworn
From his own lips to have it--I am Geraint
Of Devon--for this morning when the Queen
Sent her own maiden to demand the name,
His dwarf, a vicious under-shapen thing,
Struck at her with his whip, and she returned
Indignant to the Queen; and then I swore
That I would track this caitiff to his hold,
And fight and break his pride, and have it of him.
And all unarmed I rode, and thought to find
Arms in your town, where all the men are mad;
They take the rustic murmur of their bourg
For the great wave that echoes round the world;
They would not hear me speak: but if ye know
Where I can light on arms, or if yourself
Should have them, tell me, seeing I have sworn
That I will break his pride and learn his name,
Avenging this great insult done the Queen.'
Then cried Earl Yniol, 'Art thou he indeed,
Geraint, a name far-sounded among men
For noble deeds? and truly I, when first
I saw you moving by me on the bridge,
Felt ye were somewhat, yea, and by your state
And presence might have guessed you one of those
That eat in Arthur's hall in Camelot.
Nor speak I now from foolish flattery;
For this dear child hath often heard me praise
Your feats of arms, and often when I paused
Hath asked again, and ever loved to hear;
So grateful is the noise of noble deeds
671
To noble hearts who see but acts of wrong:
O never yet had woman such a pair
Of suitors as this maiden: first Limours,
A creature wholly given to brawls and wine,
Drunk even when he wooed; and be he dead
I know not, but he past to the wild land.
The second was your foe, the sparrow-hawk,
My curse, my nephew--I will not let his name
Slip from my lips if I can help it--he,
When that I knew him fierce and turbulent
Refused her to him, then his pride awoke;
And since the proud man often is the mean,
He sowed a slander in the common ear,
Affirming that his father left him gold,
And in my charge, which was not rendered to him;
Bribed with large promises the men who served
About my person, the more easily
Because my means were somewhat broken into
Through open doors and hospitality;
Raised my own town against me in the night
Before my Enid's birthday, sacked my house;
From mine own earldom foully ousted me;
Built that new fort to overawe my friends,
For truly there are those who love me yet;
And keeps me in this ruinous castle here,
Where doubtless he would put me soon to death,
But that his pride too much despises me:
And I myself sometimes despise myself;
For I have let men be, and have their way;
Am much too gentle, have not used my power:
Nor know I whether I be very base
Or very manful, whether very wise
Or very foolish; only this I know,
That whatsoever evil happen to me,
I seem to suffer nothing heart or limb,
But can endure it all most patiently.'
'Well said, true heart,' replied Geraint, 'but arms,
That if the sparrow-hawk, this nephew, fight
In next day's tourney I may break his pride.'
And Yniol answered, 'Arms, indeed, but old
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And rusty, old and rusty, Prince Geraint,
Are mine, and therefore at thy asking, thine.
But in this tournament can no man tilt,
Except the lady he loves best be there.
Two forks are fixt into the meadow ground,
And over these is placed a silver wand,
And over that a golden sparrow-hawk,
The prize of beauty for the fairest there.
And this, what knight soever be in field
Lays claim to for the lady at his side,
And tilts with my good nephew thereupon,
Who being apt at arms and big of bone
Has ever won it for the lady with him,
And toppling over all antagonism
Has earned himself the name of sparrow-hawk.'
But thou, that hast no lady, canst not fight.'
To whom Geraint with eyes all bright replied,
Leaning a little toward him, 'Thy leave!
Let ME lay lance in rest, O noble host,
For this dear child, because I never saw,
Though having seen all beauties of our time,
Nor can see elsewhere, anything so fair.
And if I fall her name will yet remain
Untarnished as before; but if I live,
So aid me Heaven when at mine uttermost,
As I will make her truly my true wife.'
Then, howsoever patient, Yniol's heart
Danced in his bosom, seeing better days,
And looking round he saw not Enid there,
(Who hearing her own name had stolen away)
But that old dame, to whom full tenderly
And folding all her hand in his he said,
'Mother, a maiden is a tender thing,
And best by her that bore her understood.
Go thou to rest, but ere thou go to rest
Tell her, and prove her heart toward the Prince.'
So spake the kindly-hearted Earl, and she
With frequent smile and nod departing found,
Half disarrayed as to her rest, the girl;
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Whom first she kissed on either cheek, and then
On either shining shoulder laid a hand,
And kept her off and gazed upon her face,
And told them all their converse in the hall,
Proving her heart: but never light and shade
Coursed one another more on open ground
Beneath a troubled heaven, than red and pale
Across the face of Enid hearing her;
While slowly falling as a scale that falls,
When weight is added only grain by grain,
Sank her sweet head upon her gentle breast;
Nor did she lift an eye nor speak a word,
Rapt in the fear and in the wonder of it;
So moving without answer to her rest
She found no rest, and ever failed to draw
The quiet night into her blood, but lay
Contemplating her own unworthiness;
And when the pale and bloodless east began
To quicken to the sun, arose, and raised
Her mother too, and hand in hand they moved
Down to the meadow where the jousts were held,
And waited there for Yniol and Geraint.
And thither came the twain, and when Geraint
Beheld her first in field, awaiting him,
He felt, were she the prize of bodily force,
Himself beyond the rest pushing could move
The chair of Idris. Yniol's rusted arms
Were on his princely person, but through these
Princelike his bearing shone; and errant knights
And ladies came, and by and by the town
Flowed in, and settling circled all the lists.
And there they fixt the forks into the ground,
And over these they placed the silver wand,
And over that the golden sparrow-hawk.
Then Yniol's nephew, after trumpet blown,
Spake to the lady with him and proclaimed,
'Advance and take, as fairest of the fair,
What I these two years past have won for thee,
The prize of beauty.' Loudly spake the Prince,
'Forbear: there is a worthier,' and the knight
With some surprise and thrice as much disdain
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Turned, and beheld the four, and all his face
Glowed like the heart of a great fire at Yule,
So burnt he was with passion, crying out,
'Do battle for it then,' no more; and thrice
They clashed together, and thrice they brake their spears.
Then each, dishorsed and drawing, lashed at each
So often and with such blows, that all the crowd
Wondered, and now and then from distant walls
There came a clapping as of phantom hands.
So twice they fought, and twice they breathed, and still
The dew of their great labour, and the blood
Of their strong bodies, flowing, drained their force.
But either's force was matched till Yniol's cry,
'Remember that great insult done the Queen,'
Increased Geraint's, who heaved his blade aloft,
And cracked the helmet through, and bit the bone,
And felled him, and set foot upon his breast,
And said, 'Thy name?' To whom the fallen man
Made answer, groaning, 'Edyrn, son of Nudd!
Ashamed am I that I should tell it thee.
My pride is broken: men have seen my fall.'
'Then, Edyrn, son of Nudd,' replied Geraint,
'These two things shalt thou do, or else thou diest.
First, thou thyself, with damsel and with dwarf,
Shalt ride to Arthur's court, and coming there,
Crave pardon for that insult done the Queen,
And shalt abide her judgment on it; next,
Thou shalt give back their earldom to thy kin.
These two things shalt thou do, or thou shalt die.'
And Edyrn answered, 'These things will I do,
For I have never yet been overthrown,
And thou hast overthrown me, and my pride
Is broken down, for Enid sees my fall!'
And rising up, he rode to Arthur's court,
And there the Queen forgave him easily.
And being young, he changed and came to loathe
His crime of traitor, slowly drew himself
Bright from his old dark life, and fell at last
In the great battle fighting for the King.
But when the third day from the hunting-morn
Made a low splendour in the world, and wings
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Moved in her ivy, Enid, for she lay
With her fair head in the dim-yellow light,
Among the dancing shadows of the birds,
Woke and bethought her of her promise given
No later than last eve to Prince Geraint-So bent he seemed on going the third day,
He would not leave her, till her promise given-To ride with him this morning to the court,
And there be made known to the stately Queen,
And there be wedded with all ceremony.
At this she cast her eyes upon her dress,
And thought it never yet had looked so mean.
For as a leaf in mid-November is
To what it is in mid-October, seemed
The dress that now she looked on to the dress
She looked on ere the coming of Geraint.
And still she looked, and still the terror grew
Of that strange bright and dreadful thing, a court,
All staring at her in her faded silk:
And softly to her own sweet heart she said:
'This noble prince who won our earldom back,
So splendid in his acts and his attire,
Sweet heaven, how much I shall discredit him!
Would he could tarry with us here awhile,
But being so beholden to the Prince,
It were but little grace in any of us,
Bent as he seemed on going this third day,
To seek a second favour at his hands.
Yet if he could but tarry a day or two,
Myself would work eye dim, and finger lame,
Far liefer than so much discredit him.'
And Enid fell in longing for a dress
All branched and flowered with gold, a costly gift
Of her good mother, given her on the night
Before her birthday, three sad years ago,
That night of fire, when Edyrn sacked their house,
And scattered all they had to all the winds:
For while the mother showed it, and the two
Were turning and admiring it, the work
To both appeared so costly, rose a cry
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That Edyrn's men were on them, and they fled
With little save the jewels they had on,
Which being sold and sold had bought them bread:
And Edyrn's men had caught them in their flight,
And placed them in this ruin; and she wished
The Prince had found her in her ancient home;
Then let her fancy flit across the past,
And roam the goodly places that she knew;
And last bethought her how she used to watch,
Near that old home, a pool of golden carp;
And one was patched and blurred and lustreless
Among his burnished brethren of the pool;
And half asleep she made comparison
Of that and these to her own faded self
And the gay court, and fell asleep again;
And dreamt herself was such a faded form
Among her burnished sisters of the pool;
But this was in the garden of a king;
And though she lay dark in the pool, she knew
That all was bright; that all about were birds
Of sunny plume in gilded trellis-work;
That all the turf was rich in plots that looked
Each like a garnet or a turkis in it;
And lords and ladies of the high court went
In silver tissue talking things of state;
And children of the King in cloth of gold
Glanced at the doors or gamboled down the walks;
And while she thought 'They will not see me,' came
A stately queen whose name was Guinevere,
And all the children in their cloth of gold
Ran to her, crying, 'If we have fish at all
Let them be gold; and charge the gardeners now
To pick the faded creature from the pool,
And cast it on the mixen that it die.'
And therewithal one came and seized on her,
And Enid started waking, with her heart
All overshadowed by the foolish dream,
And lo! it was her mother grasping her
To get her well awake; and in her hand
A suit of bright apparel, which she laid
Flat on the couch, and spoke exultingly:
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'See here, my child, how fresh the colours look,
How fast they hold like colours of a shell
That keeps the wear and polish of the wave.
Why not? It never yet was worn, I trow:
Look on it, child, and tell me if ye know it.'
And Enid looked, but all confused at first,
Could scarce divide it from her foolish dream:
Then suddenly she knew it and rejoiced,
And answered, 'Yea, I know it; your good gift,
So sadly lost on that unhappy night;
Your own good gift!' 'Yea, surely,' said the dame,
'And gladly given again this happy morn.
For when the jousts were ended yesterday,
Went Yniol through the town, and everywhere
He found the sack and plunder of our house
All scattered through the houses of the town;
And gave command that all which once was ours
Should now be ours again: and yester-eve,
While ye were talking sweetly with your Prince,
Came one with this and laid it in my hand,
For love or fear, or seeking favour of us,
Because we have our earldom back again.
And yester-eve I would not tell you of it,
But kept it for a sweet surprise at morn.
Yea, truly is it not a sweet surprise?
For I myself unwillingly have worn
My faded suit, as you, my child, have yours,
And howsoever patient, Yniol his.
Ah, dear, he took me from a goodly house,
With store of rich apparel, sumptuous fare,
And page, and maid, and squire, and seneschal,
And pastime both of hawk and hound, and all
That appertains to noble maintenance.
Yea, and he brought me to a goodly house;
But since our fortune swerved from sun to shade,
And all through that young traitor, cruel need
Constrained us, but a better time has come;
So clothe yourself in this, that better fits
Our mended fortunes and a Prince's bride:
For though ye won the prize of fairest fair,
And though I heard him call you fairest fair,
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Let never maiden think, however fair,
She is not fairer in new clothes than old.
And should some great court-lady say, the Prince
Hath picked a ragged-robin from the hedge,
And like a madman brought her to the court,
Then were ye shamed, and, worse, might shame the Prince
To whom we are beholden; but I know,
That when my dear child is set forth at her best,
That neither court nor country, though they sought
Through all the provinces like those of old
That lighted on Queen Esther, has her match.'
Here ceased the kindly mother out of breath;
And Enid listened brightening as she lay;
Then, as the white and glittering star of morn
Parts from a bank of snow, and by and by
Slips into golden cloud, the maiden rose,
And left her maiden couch, and robed herself,
Helped by the mother's careful hand and eye,
Without a mirror, in the gorgeous gown;
Who, after, turned her daughter round, and said,
She never yet had seen her half so fair;
And called her like that maiden in the tale,
Whom Gwydion made by glamour out of flowers
And sweeter than the bride of Cassivelaun,
Flur, for whose love the Roman Csar first
Invaded Britain, 'But we beat him back,
As this great Prince invaded us, and we,
Not beat him back, but welcomed him with joy
And I can scarcely ride with you to court,
For old am I, and rough the ways and wild;
But Yniol goes, and I full oft shall dream
I see my princess as I see her now,
Clothed with my gift, and gay among the gay.'
But while the women thus rejoiced, Geraint
Woke where he slept in the high hall, and called
For Enid, and when Yniol made report
Of that good mother making Enid gay
In such apparel as might well beseem
His princess, or indeed the stately Queen,
He answered: 'Earl, entreat her by my love,
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Albeit I give no reason but my wish,
That she ride with me in her faded silk.'
Yniol with that hard message went; it fell
Like flaws in summer laying lusty corn:
For Enid, all abashed she knew not why,
Dared not to glance at her good mother's face,
But silently, in all obedience,
Her mother silent too, nor helping her,
Laid from her limbs the costly-broidered gift,
And robed them in her ancient suit again,
And so descended. Never man rejoiced
More than Geraint to greet her thus attired;
And glancing all at once as keenly at her
As careful robins eye the delver's toil,
Made her cheek burn and either eyelid fall,
But rested with her sweet face satisfied;
Then seeing cloud upon the mother's brow,
Her by both hands she caught, and sweetly said,
'O my new mother, be not wroth or grieved
At thy new son, for my petition to her.
When late I left Caerleon, our great Queen,
In words whose echo lasts, they were so sweet,
Made promise, that whatever bride I brought,
Herself would clothe her like the sun in Heaven.
Thereafter, when I reached this ruined hall,
Beholding one so bright in dark estate,
I vowed that could I gain her, our fair Queen,
No hand but hers, should make your Enid burst
Sunlike from cloud--and likewise thought perhaps,
That service done so graciously would bind
The two together; fain I would the two
Should love each other: how can Enid find
A nobler friend? Another thought was mine;
I came among you here so suddenly,
That though her gentle presence at the lists
Might well have served for proof that I was loved,
I doubted whether daughter's tenderness,
Or easy nature, might not let itself
Be moulded by your wishes for her weal;
Or whether some false sense in her own self
Of my contrasting brightness, overbore
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Her fancy dwelling in this dusky hall;
And such a sense might make her long for court
And all its perilous glories: and I thought,
That could I someway prove such force in her
Linked with such love for me, that at a word
(No reason given her) she could cast aside
A splendour dear to women, new to her,
And therefore dearer; or if not so new,
Yet therefore tenfold dearer by the power
Of intermitted usage; then I felt
That I could rest, a rock in ebbs and flows,
Fixt on her faith. Now, therefore, I do rest,
A prophet certain of my prophecy,
That never shadow of mistrust can cross
Between us. Grant me pardon for my thoughts:
And for my strange petition I will make
Amends hereafter by some gaudy-day,
When your fair child shall wear your costly gift
Beside your own warm hearth, with, on her knees,
Who knows? another gift of the high God,
Which, maybe, shall have learned to lisp you thanks.'
He spoke: the mother smiled, but half in tears,
Then brought a mantle down and wrapt her in it,
And claspt and kissed her, and they rode away.
Now thrice that morning Guinevere had climbed
The giant tower, from whose high crest, they say,
Men saw the goodly hills of Somerset,
And white sails flying on the yellow sea;
But not to goodly hill or yellow sea
Looked the fair Queen, but up the vale of Usk,
By the flat meadow, till she saw them come;
And then descending met them at the gates,
Embraced her with all welcome as a friend,
And did her honour as the Prince's bride,
And clothed her for her bridals like the sun;
And all that week was old Caerleon gay,
For by the hands of Dubric, the high saint,
They twain were wedded with all ceremony.
And this was on the last year's Whitsuntide.
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But Enid ever kept the faded silk,
Remembering how first he came on her,
Drest in that dress, and how he loved her in it,
And all her foolish fears about the dress,
And all his journey toward her, as himself
Had told her, and their coming to the court.
And now this morning when he said to her,
'Put on your worst and meanest dress,' she found
And took it, and arrayed herself therein.
~ Alfred Lord Tennyson,#NFDB
626:Rose Mary
Of her two fights with the Beryl-stone
Lost the first, but the second won.
PART I
“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
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That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
A thousand years it lay in the sea
With a treasure wrecked from Thessaly;
Deep it lay 'mid the coiled sea-wrack,
But the ocean-spirits found the track:
A soul was lost to win it back.
The lady upheld the wondrous thing:—
“Ill fare”(she said) “with a fiend's-faring:
But Moslem blood poured forth like wine
Can hallow Hell, 'neath the Sacred Sign;
And my lord brought this from Palestine.
“Spirits who fear the Blessed Rood
Drove forth the accursed multitude
That heathen worship housed herein,—
Never again such home to win,
Save only by a Christian's sin.
“All last night at an altar fair
I burnt strange fires and strove with prayer;
Till the flame paled to the red sunrise,
All rites I then did solemnize;
And the spell lacks nothing but your eyes.”
Low spake maiden Rose Mary:—
“O mother mine, if I should not see!”
“Nay, daughter, cover your face no more,
But bend love's heart to the hidden lore,
And you shall see now as heretofore.”
Paler yet were the pale cheeks grown
As the grey eyes sought the Beryl-stone:
Then over her mother's lap leaned she,
And stretched her thrilled throat passionately,
And sighed from her soul, and said, “I see.”
Even as she spoke, they two were 'ware
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Of music-notes that fell through the air;
A chiming shower of strange device,
Drop echoing drop, once, twice, and thrice,
As rain may fall in Paradise.
An instant come, in an instant gone,
No time there was to think thereon.
The mother held the sphere on her knee:—
“Lean this way and speak low to me,
And take no note but of what you see.”
“I see a man with a besom grey
That sweeps the flying dust away.”
“Ay, that comes first in the mystic sphere;
But now that the way is swept and clear,
Heed well what next you look on there.”
“Stretched aloft and adown I see
Two roads that part in waste-country:
The glen lies deep and the ridge stands tall;
What's great below is above seen small,
And the hill-side is the valley-wall.”
“Stream-bank, daughter, or moor and moss,
Both roads will take to Holy Cross.
The hills are a weary waste to wage;
But what of the valley-road's presage?
That way must tend his pilgrimage.”
“As 'twere the turning leaves of a book,
The road runs past me as I look;
Or it is even as though mine eye
Should watch calm waters filled with sky
While lights and clouds and wings went by.”
“In every covert seek a spear;
They'll scarce lie close till he draws near.”
“The stream has spread to a river now;
The stiff blue sedge is deep in the slough,
But the banks are bare of shrub or bough.’
“Is there any roof that near at hand
Might shelter yield to a hidden band?”
“On the further bank I see but one,
And a herdsman now in the sinking sun
Unyokes his team at the threshold-stone.”
“Keep heedful watch by the water's edge,—
Some boat might lurk 'neath the shadowed sedge.”
“One slid but now 'twixt the winding shores,
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But a peasant woman bent to the oars
And only a young child steered its course.
“Mother, something flashed to my sight!—
Nay, it is but the lapwing's flight.—
What glints there like a lance that flees?—
Nay, the flags are stirred in the breeze,
And the water's bright through the dart-rushes.
“Ah! vainly I search from side to side:—
Woe's me! and where do the foemen hide?
Woe's me! and perchance I pass them by,
And under the new dawn's blood-red sky
Even where I gaze the dead shall lie.”
Said the mother: “For dear love's sake,
Speak more low, lest the spell should break.”
Said the daughter: “By love's control,
My eyes, my words, are strained to the goal;
But oh! the voice that cries in my soul!”
“Hush, sweet, hush! be calm and behold.”
“I see two floodgates broken and old:
The grasses wave o'er the ruined weir,
But the bridge still leads to the breakwater;
And—mother, mother, O mother dear!”
The damsel clung to her mother's knee,
And dared not let the shriek go free;
Low she crouched by the lady's chair,
And shrank blindfold in her fallen hair,
And whispering said, “The spears are there!”
The lady stooped aghast from her place,
And cleared the locks from her daughter's face.
“More's to see, and she swoons, alas!
Look, look again, ere the moment pass!
One shadow comes but once to the glass.
“See you there what you saw but now?”
“I see eight men 'neath the willow bough.
All over the weir a wild growth's spread:
Ah me! it will hide a living head
As well as the water hides the dead.
“They lie by the broken water-gate
As men who have a while to wait.
The chief's high lance has a blazoned scroll,—
He seems some lord of tithe and toll
With seven squires to his bannerole.
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“The little pennon quakes in the air,
I cannot trace the blazon there:—
Ah! now I can see the field of blue,
The spurs and the merlins two and two;—
It is the Warden of Holycleugh!”
“God be thanked for the thing we know!
You have named your good knight's mortal foe.
Last Shrovetide in the tourney-game
He sought his life by treasonous shame;
And this way now doth he seek the same.
“So, fair lord, such a thing you are!
But we too watch till the morning star.
Well, June is kind and the moon is clear:
Saint Judas send you a merry cheer
For the night you lie in Warisweir!
“Now, sweet daughter, but one more sight,
And you may lie soft and sleep to-night.
We know in the vale what perils be:
Now look once more in the glass, and see
If over the hills the road lies free.”
Rose Mary pressed to her mother's cheek,
And almost smiled but did not speak;
Then turned again to the saving spell,
With eyes to search and with lips to tell
The heart of things invisible.
“Again the shape with the besom grey
Comes back to sweep the clouds away.
Again I stand where the roads divide;
But now all's near on the steep hillside,
And a thread far down is the rivertide.”
“Ay, child, your road is o'er moor and moss,
Past Holycleugh to Holy Cross.
Our hunters lurk in the valley's wake,
As they knew which way the chase would take:
Yet search the hills for your true love's sake.”
“Swift and swifter the waste runs by,
And nought I see but the heath and the sky;
No brake is there that could hide a spear,
And the gaps to a horseman's sight lie clear;
Still past it goes, and there's nought to fear.”
“Fear no trap that you cannot see,—
They'd not lurk yet too warily.
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Below by the weir they lie in sight,
And take no heed how they pass the night
Till close they crouch with the morning light.”
“The road shifts ever and brings in view
Now first the heights of Holycleugh:
Dark they stand o'er the vale below,
And hide that heaven which yet shall show
The thing their master's heart doth know.
“Where the road looks to the castle steep,
There are seven hill-clefts wide and deep:
Six mine eyes can search as they list,
But the seventh hollow is brimmed with mist:
If aught were there, it might not be wist.”
“Small hope, my girl, for a helm to hide
In mists that cling to a wild moorside:
Soon they melt with the wind and sun,
And scarce would wait such deeds to be done
God send their snares be the worst to shun.”
“Still the road winds ever anew
As it hastens on towards Holycleugh;
And ever the great walls loom more near,
Till the castle-shadow, steep and sheer,
Drifts like a cloud, and the sky is clear.”
“Enough, my daughter,” the mother said,
And took to her breast the bending head;
“Rest, poor head, with my heart below,
While love still lulls you as long ago:
For all is learnt that we need to know.
“Long the miles and many the hours
From the castle-height to the abbey-towers;
But here the journey has no more dread;
Too thick with life is the whole road spread
For murder's trembling foot to tread.”
She gazed on the Beryl-stone full fain
Ere she wrapped it close in her robe again:
The flickering shades were dusk and dun
And the lights throbbed faint in unison
Like a high heart when a race is run.
As the globe slid to its silken gloom,
Once more a music rained through the room;
Low it splashed like a sweet star-spray,
And sobbed like tears at the heart of May,
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And died as laughter dies away.
The lady held her breath for a space,
And then she looked in her daughter's face:
But wan Rose Mary had never heard;
Deep asleep like a sheltered bird
She lay with the long spell minister'd.
“Ah! and yet I must leave you, dear,
For what you have seen your knight must hear.
Within four days, by the help of God,
He comes back safe to his heart's abode:
Be sure he shall shun the valley-road.”
Rose Mary sank with a broken moan,
And lay in the chair and slept alone,
Weary, lifeless, heavy as lead:
Long it was ere she raised her head
And rose up all discomforted.
She searched her brain for a vanished thing,
And clasped her brows, remembering;
Then knelt and lifted her eyes in awe,
And sighed with a long sigh sweet to draw:—
“Thank God, thank God, thank God I saw!”
The lady had left her as she lay,
To seek the Knight of Heronhaye.
But first she clomb by a secret stair,
And knelt at a carven altar fair,
And laid the precious Beryl there.
Its girth was graved with a mystic rune
In a tongue long dead 'neath sun and moon:
A priest of the Holy Sepulchre
Read that writing and did not err;
And her lord had told its sense to her.
She breathed the words in an undertone:—
“None sees here but the pure alone.”
“And oh!” she said, “what rose may be
In Mary's bower more pure to see
Than my own sweet maiden Rose Mary?”
BERYL-SONG
We whose home is the Beryl,
Fire-spirits of dread desire,
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Who entered in
By a secret sin,
'Gainst whom all powers that strive with ours are sterile,—
We cry, Woe to thee, mother!
What hast thou taught her, the girl thy daughter,
That she and none other
Should this dark morrow to her deadly sorrow imperil?
What were her eyes
But the fiend's own spies,
O mother,
And shall We not fee her, our proper prophet and seër?
Go to her, mother,
Even thou, yea thou and none other,
Thou, from the Beryl:
Her fee must thou take her,
Her fee that We send, and make her,
Even in this hour, her sin's unsheltered avower.
Whose steed did neigh,
Riderless, bridleless,
At her gate before it was day?
Lo! where doth hover
The soul of her lover?
She sealed his doom, she, she was the sworn approver,—
Whose eyes were so wondrous wise,
Yet blind, ah! blind to his peril!
For stole not We in
Through a love-linked sin,
'Gainst whom all powers at war with ours are sterile,—
Fire-spirits of dread desire,
We whose home is the Beryl?
PART II
“PALE Rose Mary, what shall be done
With a rose that Mary weeps upon?”
“Mother, let it fall from the tree,
And never walk where the strewn leaves be
Till winds have passed and the path is free.”
“Sad Rose Mary, what shall be done
With a cankered flower beneath the sun?”
“Mother, let it wait for the night;
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Be sure its shame shall be out of sight
Ere the moon pale or the east grow light.”
“Lost Rose Mary, what shall be done
With a heart that is but a broken one?”
“Mother, let it lie where it must;
The blood was drained with the bitter thrust,
And dust is all that sinks in the dust.”
“Poor Rose Mary, what shall I do,—
I, your mother, that lovèd you?”
“O my mother, and is love gone?
Then seek you another love anon:
Who cares what shame shall lean upon?”
Low drooped trembling Rose Mary,
Then up as though in a dream stood she.
“Come, my heart, it is time to go;
This is the hour that has whispered low
When thy pulse quailed in the nights we know.
“Yet O my heart, thy shame has a mate
Who will not leave thee desolate.
Shame for shame, yea and sin for sin:
Yet peace at length may our poor souls win
If love for love be found therein.
“O thou who seek'st our shrift to-day,”
She cried, “O James of Heronhaye—
Thy sin and mine was for love alone;
And oh! in the sight of God 'tis known
How the heart has since made heavy moan.
“Three days yet!” she said to her heart;
“But then he comes, and we will not part.
God, God be thanked that I still could see!
Oh! he shall come back assuredly,
But where, alas! must he seek for me?
“O my heart, what road shall we roam
Till my wedding-music fetch me home?
For love's shut from us and bides afar,
And scorn leans over the bitter bar
And knows us now for the thing we are.”
Tall she stood with a cheek flushed high
And a gaze to burn the heart-strings by.
'Twas the lightning-flash o'er sky and plain
Ere labouring thunders heave the chain
From the floodgates of the drowning rain.
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The mother looked on the daughter still
As on a hurt thing that's yet to kill.
Then wildly at length the pent tears came;
The love swelled high with the swollen shame,
And their hearts' tempest burst on them.
Closely locked, they clung without speech,
And the mirrored souls shook each to each,
As the cloud-moon and the water-moon
Shake face to face when the dim stars swoon
In stormy bowers of the night's mid-noon.
They swayed together, shuddering sore,
Till the mother's heart could bear no more.
'Twas death to feel her own breast shake
Even to the very throb and ache
Of the burdened heart she still must break.
All her sobs ceased suddenly,
And she sat straight up but scarce could see.
“O daughter, where should my speech begin?
Your heart held fast its secret sin:
How think you, child, that I read therein?”
“Ah me! but I thought not how it came
When your words showed that you knew my shame:
And now that you call me still your own,
I half forget you have ever known.
Did you read my heart in the Beryl-stone?”
The lady answered her mournfully:—
“The Beryl-stone has no voice for me:
But when you charged its power to show
The truth which none but the pure may know,
Did naught speak once of a coming woe?”
Her hand was close to her daughter's heart,
And it felt the life-blood's sudden start:
A quick deep breath did the damsel draw,
Like the struck fawn in the oakenshaw:
“O mother,” she cried, “but still I saw!”
“O child, my child, why held you apart
From my great love your hidden heart?
Said I not that all sin must chase
From the spell's sphere the spirits of grace,
And yield their rule to the evil race?
“Ah! would to God I had clearly told
How strong those powers, accurst of old:
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Their heart is the ruined house of lies;
O girl, they can seal the sinful eyes,
Or show the truth by contraries!”
The daughter sat as cold as a stone,
And spoke no word but gazed alone,
Nor moved, though her mother strove a space
To clasp her round in a close embrace,
Because she dared not see her face.
“Oh!” at last did the mother cry,
“Be sure, as he loved you, so will I!
Ah! still and dumb is the bride, I trow;
But cold and stark as the winter snow
Is the bridegroom's heart, laid dead below!
“Daughter, daughter, remember you
That cloud in the hills by Holycleugh?
'Twas a Hell-screen hiding truth away:
There, not i' the vale, the ambush lay,
And thence was the dead borne home to-day.”
Deep the flood and heavy the shock
When sea meets sea in the riven rock:
But calm is the pulse that shakes the sea
To the prisoned tide of doom set free
In the breaking heart of Rose Mary.
Once she sprang as the heifer springs
With the wolf's teeth at its red heart-strings.
First 'twas fire in her breast and brain,
And then scarce hers but the whole world's pain,
As she gave one shriek and sank again.
In the hair dark-waved the face lay white
As the moon lies in the lap of night;
And as night through which no moon may dart
Lies on a pool in the woods apart,
So lay the swoon on the weary heart.
The lady felt for the bosom's stir,
And wildly kissed and called on her;
Then turned away with a quick footfall,
And slid the secret door in the wall,
And clomb the strait stair's interval.
There above in the altar-cell
A little fountain rose and fell:
She set a flask to the water's flow,
And, backward hurrying, sprinkled now
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The still cold breast and the pallid brow.
Scarce cheek that warmed or breath on the air,
Yet something told that life was there.
“Ah! not with the heart the body dies!”
The lady moaned in a bitter wise;
Then wrung her hands and hid her eyes.
“Alas! and how may I meet again
In the same poor eyes the selfsame pain?
What help can I seek, such grief to guide?
Ah! one alone might avail,” she cried—
“The priest who prays at the dead man's side.”
The lady arose, and sped down all
The winding stairs to the castle-hall.
Long-known valley and wood and stream,
As the loopholes passed, naught else did seem
Than the torn threads of a broken dream.
The hall was full of the castle-folk;
The women wept, but the men scarce spoke.
As the lady crossed the rush-strewn floor,
The throng fell backward, murmuring sore,
And pressed outside round the open door.
A stranger shadow hung on the hall
Than the dark pomp of a funeral.
'Mid common sights that were there alway,
As 'twere a chance of the passing day,
On the ingle-bench the dead man lay.
A priest who passed by Holycleugh
The tidings brought when the day was new.
He guided them who had fetched the dead;
And since that hour, unwearièd,
He knelt in prayer at the low bier's head.
Word had gone to his own domain
That in evil wise the knight was slain:
Soon the spears must gather apace
And the hunt be hard on the hunters' trace;
But all things yet lay still for a space.
As the lady's hurried step drew near,
The kneeling priest looked up to her.
“Father, death is a grievous thing;
But oh! the woe has a sharper sting
That craves by me your ministering.
“Alas for the child that should have wed
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This noble knight here lying dead!
Dead in hope, with all blessed boon
Of love thus rent from her heart ere noon,
I left her laid in a heavy swoon.
“O haste to the open bower-chamber
That's topmost as you mount the stair:
Seek her, father, ere yet she wake;
Your words, not mine, be the first to slake
This poor heart's fire, for Christ's sweet sake!
“God speed!” she said as the priest passed through,
“And I ere long will be with you.”
Then low on the hearth her knees sank prone;
She signed all folk from the threshold-stone,
And gazed in the dead man's face alone.
The fight for life found record yet
In the clenched lips and the teeth hard-set;
The wrath from the bent brow was not gone,
And stark in the eyes the hate still shone
Of that they last had looked upon.
The blazoned coat was rent on his breast
Where the golden field was goodliest;
But the shivered sword, close-gripped, could tell
That the blood shed round him where he fell
Was not all his in the distant dell.
The lady recked of the corpse no whit,
But saw the soul and spoke to it:
A light there was in her steadfast eyes,—
The fire of mortal tears and sighs
That pity and love immortalize.
“By thy death have I learnt to-day
Thy deed, O James of Heronhaye!
Great wrong thou hast done to me and mine;
And haply God hath wrought for a sign
By our blind deed this doom of thine.
“Thy shrift, alas! thou wast not to win;
But may death shrive thy soul herein!
Full well do I know thy love should be
Even yet—had life but stayed with thee—
Our honour's strong security.”
She stooped, and said with a sob's low stir,—
“Peace be thine,—but what peace for her?”
But ere to the brow her lips were press'd,
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She marked, half-hid in the riven vest,
A packet close to the dead man's breast.
'Neath surcoat pierced and broken mail
It lay on the blood-stained bosom pale.
The clot hung round it, dull and dense,
And a faintness seized her mortal sense
As she reached her hand and drew it thence.
'Twas steeped in the heart's flood welling high
From the heart it there had rested by:
'Twas glued to a broidered fragment gay,—
A shred by spear-thrust rent away
From the heron-wings of Heronhaye.
She gazed on the thing with piteous eyne:—
“Alas, poor child, some pledge of thine!
Ah me! in this troth the hearts were twain,
And one hath ebbed to this crimson stain,
And when shall the other throb again?”
She opened the packet heedfully;
The blood was stiff, and it scarce might be.
She found but a folded paper there,
And round it, twined with tenderest care,
A long bright tress of golden hair.
Even as she looked, she saw again
That dark-haired face in its swoon of pain:
It seemed a snake with a golden sheath
Crept near, as a slow flame flickereth,
And stung her daughter's heart to death.
She loosed the tress, but her hand did shake
As though indeed she had touched a snake;
And next she undid the paper's fold,
But that too trembled in her hold,
And the sense scarce grasped the tale it told.
“My heart's sweet lord,” ('twas thus she read,)
“At length our love is garlanded.
At Holy Cross, within eight days' space,
I seek my shrift; and the time and place
Shall fit thee too for thy soul's good grace.
“From Holycleugh on the seventh day
My brother rides, and bides away:
And long or e'er he is back, mine own,
Afar where the face of fear's unknown
We shall be safe with our love alone.
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“Ere yet at the shrine my knees I bow,
I shear one tress for our holy vow.
As round these words these threads I wind,
So, eight days hence, shall our loves be twined,
Says my lord's poor lady, JOCELIND.”
She read it twice, with a brain in thrall,
And then its echo told her all.
O'er brows low-fall'n her hands she drew:—
“O God!” she said, as her hands fell too,—
“The Warden's sister of Holycleugh!”
She rose upright with a long low moan,
And stared in the dead man's face new-known.
Had it lived indeed? She scarce could tell:
'Twas a cloud where fiends had come to dwell,—
A mask that hung on the gate of Hell.
She lifted the lock of gleaming hair
And smote the lips and left it there.
“Here's gold that Hell shall take for thy toll!
Full well hath thy treason found its goal,
O thou dead body and damnèd soul!”
She turned, sore dazed, for a voice was near,
And she knew that some one called to her.
On many a column fair and tall
A high court ran round the castle-hall;
And thence it was that the priest did call.
“I sought your child where you bade me go,
And in rooms around and rooms below;
But where, alas! may the maiden be?
Fear nought,—we shall find her speedily,—
But come, come hither, and seek with me.”
She reached the stair like a lifelorn thing,
But hastened upward murmuring,
“Yea, Death's is a face that's fell to see;
But bitterer pang Life hoards for thee,
Thou broken heart of Rose Mary!”
BERYL-SONG
We whose throne is the Beryl,
Dire-gifted spirits of fire,
Who for a twin
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Leash Sorrow to Sin,
Who on no flower refrain to lour with peril,—
We cry,—O desolate daughter!
Thou and thy mother share newer shame with each other
Than last night's slaughter.
Awake and tremble, for our curses assemble!
What more, that thou know'st not yet,—
That life nor death shall forget?
No help from Heaven,—thy woes heart-riven are sterile!
O once a maiden,
With yet worse sorrow can any morrow be laden?
It waits for thee,
It looms, it must be,
O lost among women,—
It comes and thou canst not flee.
Amen to the omen,
Says the voice of the Beryl.
Thou sleep'st? Awake,—
What dar'st thou yet for his sake,
Who each for other did God's own Future imperil?
Dost dare to live
`Mid the pangs each hour must give?
Nay, rather die,—
With him thy lover 'neath Hell's cloud-cover to fly,—
Hopeless, yet not apart,
Cling heart to heart,
And beat through the nether storm-eddying winds together?
Shall this be so?
There thou shalt meet him, but mayst thou greet him? ah no !
He loves, but thee he hoped nevermore to see,—
He sighed as he died,
But with never a thought for thee.
Alone!
Alone, for ever alone,—
Whose eyes were such wondrous spies for the fate foreshown!
Lo! have not We leashed the twin
Of endless Sorrow to Sin,—
Who on no flower refrain to lour with peril,—
Dire-gifted spirits of fire,
We whose throne is the Beryl?
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PART III
A SWOON that breaks is the whelming wave
When help comes late but still can save.
With all blind throes is the instant rife,—
Hurtling clangour and clouds at strife,—
The breath of death, but the kiss of life.
The night lay deep on Rose Mary's heart,
For her swoon was death's kind counterpart:
The dawn broke dim on Rose Mary's soul,—
No hill-crown's heavenly aureole,
But a wild gleam on a shaken shoal.
Her senses gasped in the sudden air,
And she looked around, but none was there.
She felt the slackening frost distil
Through her blood the last ooze dull and chill:
Her lids were dry and her lips were still.
Her tears had flooded her heart again;
As after a long day's bitter rain,
At dusk when the wet flower-cups shrink,
The drops run in from the beaded brink,
And all the close-shut petals drink.
Again her sighs on her heart were rolled;
As the wind that long has swept the wold,—
Whose moan was made with the moaning sea,—
Beats out its breath in the last torn tree,
And sinks at length in lethargy.
She knew she had waded bosom-deep
Along death's bank in the sedge of sleep:
All else was lost to her clouded mind;
Nor, looking back, could she see defin'd
O'er the dim dumb waste what lay behind.
Slowly fades the sun from the wall
Till day lies dead on the sun-dial:
And now in Rose Mary's lifted eye
'Twas shadow alone that made reply
To the set face of the soul's dark sky.
Yet still through her soul there wandered past
Dread phantoms borne on a wailing blast,—
Death and sorrow and sin and shame;
And, murmured still, to her lips there came
Her mother's and her lover's name.
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How to ask, and what thing to know?
She might not stay and she dared not go.
From fires unseen these smoke-clouds curled;
But where did the hidden curse lie furled?
And how to seek through the weary world?
With toiling breath she rose from the floor
And dragged her steps to an open door:
'Twas the secret panel standing wide,
As the lady's hand had let it bide
In hastening back to her daughter's side.
She passed, but reeled with a dizzy brain
And smote the door which closed again.
She stood within by the darkling stair,
But her feet might mount more freely there,—
'Twas the open light most blinded her.
Within her mind no wonder grew
At the secret path she never knew:
All ways alike were strange to her now,—
One field bare-ridged from the spirit's plough,
One thicket black with the cypress-bough.
Once she thought that she heard her name;
And she paused, but knew not whence it came.
Down the shadowed stair a faint ray fell
That guided the weary footsteps well
Till it led her up to the altar-cell.
No change there was on Rose Mary's face
As she leaned in the portal's narrow space:
Still she stood by the pillar's stem,
Hand and bosom and garment's hem,
As the soul stands by at the requiem.
The altar-cell was a dome low-lit,
And a veil hung in the midst of it:
At the pole-points of its circling girth
Four symbols stood of the world's first birth,—
Air and water and fire and earth.
To the north, a fountain glittered free;
To the south, there glowed a red fruit-tree;
To the east, a lamp flamed high and fair;
To the west, a crystal casket rare
Held fast a cloud of the fields of air.
The painted walls were a mystic show
Of time's ebb-tide and overflow;
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His hoards long-locked and conquering key,
His service-fires that in heaven be,
And earth-wheels whirled perpetually.
Rose Mary gazed from the open door
As on idle things she cared not for,—
The fleeting shapes of an empty tale;
Then stepped with a heedless visage pale,
And lifted aside the altar-veil.
The altar stood from its curved recess
In a coiling serpent's life-likeness:
Even such a serpent evermore
Lies deep asleep at the world's dark core
Till the last Voice shake the sea and shore.
From the altar-cloth a book rose spread
And tapers burned at the altar-head;
And there in the altar-midst alone,
'Twixt wings of a sculptured beast unknown,
Rose Mary saw the Beryl-stone.
Firm it sat 'twixt the hollowed wings,
As an orb sits in the hand of kings:
And lo! for that Foe whose curse far-flown
Had bound her life with a burning zone,
Rose Mary knew the Beryl-stone.
Dread is the meteor's blazing sphere
When the poles throb to its blind career;
But not with a light more grim and ghast
Thereby is the future doom forecast,
Than now this sight brought back the past.
The hours and minutes seemed to whirr
In a clanging swarm that deafened her;
They stung her heart to a writhing flame,
And marshalled past in its glare they came,—
Death and sorrow and sin and shame.
Round the Beryl's sphere she saw them pass
And mock her eyes from the fated glass:
One by one in a fiery train
The dead hours seemed to wax and wane,
And burned till all was known again.
From the drained heart's fount there rose no cry,
There sprang no tears, for the source was dry.
Held in the hand of some heavy law,
Her eyes she might not once withdraw,
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Nor shrink away from the thing she saw.
Even as she gazed, through all her blood
The flame was quenched in a coming flood:
Out of the depth of the hollow gloom
On her soul's bare sands she felt it boom,—
The measured tide of a sea of doom.
Three steps she took through the altar-gate,
And her neck reared and her arms grew straight:
The sinews clenched like a serpent's throe,
And the face was white in the dark hair's flow,
As her hate beheld what lay below.
Dumb she stood in her malisons,—
A silver statue tressed with bronze:
As the fabled head by Perseus mown,
It seemed in sooth that her gaze alone
Had turned the carven shapes to stone.
O'er the altar-sides on either hand
There hung a dinted helm and brand:
By strength thereof, 'neath the Sacred Sign,
That bitter gift o'er the salt sea-brine
Her father brought from Palestine.
Rose Mary moved with a stern accord
And reached her hand to her father's sword;
Nor did she stir her gaze one whit
From the thing whereon her brows were knit;
But gazing still, she spoke to it.
“O ye, three times accurst,” she said,
“By whom this stone is tenanted!
Lo! here ye came by a strong sin's might;
Yet a sinner's hand that's weak to smite
Shall send you hence ere the day be night.
“This hour a clear voice bade me know
My hand shall work your overthrow:
Another thing in mine ear it spake,—
With the broken spell my life shall break.
I thank Thee, God, for the dear death's sake!
“And he Thy heavenly minister
Who swayed erewhile this spell-bound sphere,—
My parting soul let him haste to greet,
And none but he be guide for my feet
To where Thy rest is made complete.”
Then deep she breathed, with a tender moan:—
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“My love, my lord, my only one!
Even as I held the cursed clue,
When thee, through me, these foul ones slew,—
By mine own deed shall they slay me too!
“Even while they speed to Hell, my love,
Two hearts shall meet in Heaven above.
Our shrift thou sought'st, but might'st not bring:
And oh! for me 'tis a blessed thing
To work hereby our ransoming.
“One were our hearts in joy and pain,
And our souls e'en now grow one again.
And O my love, if our souls are three,
O thine and mine shall the third soul be,—
One threefold love eternally.”
Her eyes were soft as she spoke apart,
And the lips smiled to the broken heart:
But the glance was dark and the forehead scored
With the bitter frown of hate restored,
As her two hands swung the heavy sword.
Three steps back from her Foe she trod:—
“Love, for thy sake! In Thy Name, O God!”
In the fair white hands small strength was shown;
Yet the blade flashed high and the edge fell prone,
And she cleft the heart of the Beryl-stone.
What living flesh in the thunder-cloud
Hath sat and felt heaven cry aloud?
Or known how the levin's pulse may beat?
Or wrapped the hour when the whirlwinds meet
About its breast for a winding-sheet?
Who hath crouched at the world's deep heart
While the earthquake rends its loins apart?
Or walked far under the seething main
While overhead the heavens ordain
The tempest-towers of the hurricane?
Who hath seen or what ear hath heard
The secret things unregister'd
Of the place where all is past and done,
And tears and laughter sound as one
In Hell's unhallowed unison?
Nay, is it writ how the fiends despair
In earth and water and fire and air?
Even so no mortal tongue may tell
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How to the clang of the sword that fell
The echoes shook the altar-cell.
When all was still on the air again
The Beryl-stone lay cleft in twain;
The veil was rent from the riven dome;
And every wind that's winged to roam
Might have the ruined place for home.
The fountain no more glittered free;
The fruit hung dead on the leafless tree;
The flame of the lamp had ceased to flare;
And the crystal casket shattered there
Was emptied now of its cloud of air.
And lo! on the ground Rose Mary lay,
With a cold brow like the snows ere May,
With a cold breast like the earth till Spring,
With such a smile as the June days bring
When the year grows warm with harvesting.
The death she had won might leave no trace
On the soft sweet form and gentle face:
In a gracious sleep she seemed to lie;
And over her head her hand on high
Held fast the sword she triumphed by.
'Twas then a clear voice said in the room:—
“Behold the end of the heavy doom.
O come,—for thy bitter love's sake blest;
By a sweet path now thou journeyest,
And I will lead thee to thy rest.
“Me thy sin by Heaven's sore ban
Did chase erewhile from the talisman:
But to my heart, as a conquered home,
In glory of strength thy footsteps come
Who hast thus cast forth my foes therefrom.
“Already thy heart remembereth
No more his name thou sought'st in death:
For under all deeps, all heights above,—
So wide the gulf in the midst thereof,—
Are Hell of Treason and Heaven of Love.
“Thee, true soul, shall thy truth prefer
To blessed Mary's rose-bower:
Warmed and lit is thy place afar
With guerdon-fires of the sweet Love-star
Where hearts of steadfast lovers are:—
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“Though naught for the poor corpse lying here
Remain to-day but the cold white bier,
But burial-chaunt and bended knee,
But sighs and tears that heaviest be,
But rent rose-flower and rosemary.”
BERYL-SONG
We, cast forth from the Beryl,
Gyre-circling spirits of fire,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,—
Woe! must We behold this mother
Find grace in her dead child's face, and doubt of none other
But that perfect pardon, alas! hath assured her guerdon?
Woe! must We behold this daughter,
Made clean from the soil of sin wherewith We had fraught her,
Shake off a man's blood like water?
Write up her story
On the Gate of Heaven's glory,
Whom there We behold so fair in shining apparel,
And beneath her the ruin
Of our own undoing!
Alas, the Beryl!
We had for a foeman
But one weak woman;
In one day's strife,
Her hope fell dead from her life;
And yet no iron,
Her soul to environ,
Could this manslayer, this false soothsayer imperil!
Lo, where she bows
In the Holy House!
Who now shall dissever her soul from its joy for ever
While every ditty
Of love and plentiful pity
Fills the White City,
And the floor of Heaven to her feet for ever is given?
Hark, a voice cries “Flee!”
Woe! woe! what shelter have We,
241
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,
Gyre-circling spirits of fire,
We, cast forth from the Beryl?
~ Dante Gabriel Rossetti,#NFDB
627:I.
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II.
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,-
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
-And the whole is our Duke's country.
III.
I was born the day this present Duke was-
(And O, says the song, ere I was old!)
In the castle where the other Duke was-
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive
To get the killing-place transfixed,
And pin him true, both eyes betwixt?
And that's why the old Duke would rather
He lost a salt-pit than my father,
And loved to have him ever in call;
That's why my father stood in the hall
When the old Duke brought his infant out
To show the people, and while they passed
The wondrous bantling round about,
Was first to start at the outside blast
As the Kaiser's courier blew his horn
Just a month after the babe was born.
``And,'' quoth the Kaiser's courier, ``since
``The Duke has got an heir, our Prince
``Needs the Duke's self at his side: ''
The Duke looked down and seemed to wince,
But he thought of wars o'er the world wide,
Castles a-fire, men on their march,
The toppling tower, the crashing arch;
And up he looked, and awhile he eyed
The row of crests and shields and banners
Of all achievements after all manners,
And ``ay,'' said the Duke with a surly pride.
The more was his comfort when he died
At next year's end, in a velvet suit,
With a gilt glove on his hand, his foot
In a silken shoe for a leather boot,
Petticoated like a herald,
In a chamher next to an ante-room,
Where he breathed the breath of page and groom,
What he called stink, and they, perfume:
-They should have set him on red Berold
Mad with pride, like fire to manage!
They should have got his cheek fresh tannage
Such a day as to-day in the merry sunshine!
Had they stuck on his fist a rough-foot merlin!
(Hark, the wind's on the heath at its game!
Oh for a noble falcon-lanner
To flap each broad wing like a banner,
And turn in the wind, and dance like flame!)
Had they broached a white-beer cask from Berlin
-Or if you incline to prescribe mere wine
Put to his lips, when they saw him pine,
A cup of our own Moldavia fine,
Cotnar for instance, green as May sorrel
And ropy with sweet,-we shall not quarrel.
IV.
So, at home, the sick tall yellow Duchess
Was left with the infant in her clutches,
She being the daughter of God knows who:
And now was the time to revisit her tribe.
Abroad and afar they went, the two,
And let our people rail and gibe
At the empty hall and extinguished fire,
As loud as we liked, but ever in vain,
Till after long years we had our desire,
And back came the Duke and his mother again.
V.
And he came back the pertest little ape
That ever affronted human shape;
Full of his travel, struck at himself.
You'd say, he despised our bluff old ways?
-Not he! For in Paris they told the elf
Our rough North land was the Land of Lays,
The one good thing left in evil days;
Since the Mid-Age was the Heroic Time,
And only in wild nooks like ours
Could you taste of it yet as in its prime,
And see true castles, with proper towers,
Young-hearted women, old-minded men,
And manners now as manners were then.
So, all that the old Dukes had been, without knowing it,
This Duke would fain know he was, without being it;
'Twas not for the joy's self, but the joy of his showing it,
Nor for the pride's self, but the pride of our seeing it,
He revived all usages thoroughly worn-out,
The souls of them fumed-forth, the hearts of them torn-out:
And chief in the chase his neck he perilled
On a lathy horse, all legs and length,
With blood for bone, all speed, no strength;
-They should have set him on red Berold
With the red eye slow consuming in fire,
And the thin stiff ear like an abbey-spire!
VI.
Well, such as he was, he must marry, we heard:
And out of a convent, at the word,
Came the lady, in time of spring.
-Oh, old thoughts they cling, they cling!
That day, I know, with a dozen oaths
I clad myself in thick hunting-clothes
Fit for the chase of urochs or buffle
In winter-time when you need to muffle.
But the Duke had a mind we should cut a figure,
And so we saw the lady arrive:
My friend, I have seen a white crane bigger!
She was the smallest lady alive,
Made in a piece of nature's madness,
Too small, almost, for the life and gladness
That over-filled her, as some hive
Out of the bears' reach on the high trees
Is crowded with its safe merry bees:
In truth, she was not hard to please!
Up she looked, down she looked, round at the mead,
Straight at the castle, that's best indeed
To look at from outside the walls:
As for us, styled the ``serfs and thralls,''
She as much thanked me as if she had said it,
(With her eyes, do you understand?)
Because I patted her horse while I led it;
And Max, who rode on her other hand,
Said, no bird flew past but she inquired
What its true name was, nor ever seemed tired-
If that was an eagle she saw hover,
And the green and grey bird on the field was the plover.
When suddenly appeared the Duke:
And as down she sprung, the small foot pointed
On to my hand,-as with a rebuke,
And as if his backbone were not jointed,
The Duke stepped rather aside than forward,
And welcomed her with his grandest smile;
And, mind you, his mother all the while
Chilled in the rear, like a wind to Nor'ward;
And up, like a weary yawn, with its pullies
Went, in a shriek, the rusty portcullis;
And, like a glad sky the north-wind sullies,
The lady's face stopped its play,
As if her first hair had grown grey;
For such things must begin some one day.
VII.
In a day or two she was well again;
As who should say, ``You labour in vain!
``This is all a jest against God, who meant
``I should ever be, as I am, content
`` And glad in his sight; therefore, glad I will be.''
So, smiling as at first went she.
VIII.
She was active, stirring, all fire-
Could not rest, could not tire-
To a stone she might have given life!
(I myself loved once, in my day)
-For a shepherd's, miner's, huntsman's wife,
(I had a wife, I know what I say)
Never in all the world such an one!
And here was plenty to be done,
And she that could do it, great or small,
She was to do nothing at all.
There was already this man in his post,
This in his station, and that in his office,
And the Duke's plan admitted a wife, at most,
To meet his eye, with the other trophies,
Now outside the hall, now in it,
To sit thus, stand thus, see and be seen,
At the proper place in the proper minute,
And die away the life between.
And it was amusing enough, each infraction
Of rule-(but for after-sadness that came)
To hear the consummate self-satisfaction
With which the young Duke and the old dame
Would let her advise, and criticise,
And, being a fool, instruct the wise,
And, child-like, parcel out praise or blame:
They bore it all in complacent guise,
As though an artificer, after contriving
A wheel-work image as if it were living,
Should find with delight it could motion to strike him!
So found the Duke, and his mother like him:
The lady hardly got a rebuff-
That had not been contemptuous enough,
With his cursed smirk, as he nodded applause,
And kept off the old mother-cat's claws.
IX.
So, the little lady grew silent and thin,
Paling and ever paling,
As the way is with a hid chagrin;
And the Duke perceived that she was ailing,
And said in his heart, ``'Tis done to spite me,
``But I shall find in my power to right me!''
Don't swear, friend! The old one, many a year,
Is in hell, and the Duke's self . . . you shall hear.
X.
Well, early in autumn, at first winter-warning,
When the stag had to break with his foot, of a morning,
A drinking-hole out of the fresh tender ice
That covered the pond till the sun, in a trice,
Loosening it, let out a ripple of gold,
And another and another, and faster and faster,
Till, dimpling to blindness, the wide water rolled:
Then it so chanced that the Duke our master
Asked himself what were the pleasures in season,
And found, since the calendar bade him be hearty,
He should do the Middle Age no treason
In resolving on a hunting-party.
Always provided, old books showed the way of it!
What meant old poets by their strictures?
And when old poets had said their say of it,
How taught old painters in their pictures?
We must revert to the proper channels,
Workings in tapestry, paintings on panels,
And gather up woodcraft's authentic traditions:
Here was food for our various ambitions,
As on each case, exactly stated-
To encourage your dog, now, the properest chirrup,
Or best prayer to Saint Hubert on mounting your stirrup-
We of the house hold took thought and debated.
Blessed was he whose back ached with the jerkin
His sire was wont to do forest-work in;
Blesseder he who nobly sunk ``ohs''
And ``ahs'' while he tugged on his grand-sire's trunk-hose;
What signified hats if they had no rims on,
Each slouching before and behind like the scallop,
And able to serve at sea for a shallop,
Loaded with lacquer and looped with crimson?
So that the deer now, to make a short rhyme on't,
What with our Venerers, Prickers and Yerderers,
Might hope for real hunters at length and not murderers,
And oh the Duke's tailor, he had a hot time on't!
XI.
Now you must know that when the first dizziness
Of flap-hats and buff-coats and jack-boots subsided,
The Duke put this question, ``The Duke's part provided,
``Had not the Duchess some share in the business?''
For out of the mouth of two or three witnesses
Did he establish all fit-or-unfitnesses:
And, after much laying of heads together,
Somebody's cap got a notable feather
By the announcement with proper unction
That he had discovered the lady's function;
Since ancient authors gave this tenet,
``When horns wind a mort and the deer is at siege,
``Let the dame of the castle prick forth on her jennet,
``And, with water to wash the hands of her liege
``In a clean ewer with a fair toweling,
`` Let her preside at the disemboweling.''
Now, my friend, if you had so little religion
As to catch a hawk, some falcon-lanner,
And thrust her broad wings like a banner
Into a coop for a vulgar pigeon;
And if day by day and week by week
You cut her claws, and sealed her eyes,
And clipped her wings, and tied her beak,
Would it cause you any great surprise
If, when you decided to give her an airing,
You found she needed a little preparing?
-I say, should you be such a curmudgeon,
If she clung to the perch, as to take it in dudgeon?
Yet when the Duke to his lady signified,
Just a day before, as he judged most dignified,
In what a pleasure she was to participate,-
And, instead of leaping wide in flashes,
Her eyes just lifted their long lashes,
As if pressed by fatigue even he could not dissipate,
And duly acknowledged the Duke's forethought,
But spoke of her health, if her health were worth aught,
Of the weight by day and the watch by night,
And much wrong now that used to be right,
So, thanking him, declined the hunting,-
Was conduct ever more affronting?
With all the ceremony settled-
With the towel ready, and the sewer
Polishing up his oldest ewer,
And the jennet pitched upon, a piebald,
Black-barred, cream-coated and pink eye-balled,-
No wonder if the Duke was nettled
And when she persisted nevertheless,-
Well, I suppose here's the time to confess
That there ran half round our lady's chamber
A balcony none of the hardest to clamber;
And that Jacynth the tire-woman, ready in waiting,
Stayed in call outside, what need of relating?
And since Jacynth was like a June rose, why, a fervent
Adorer of Jacynth of course was your servant;
And if she had the habit to peep through the casement,
How could I keep at any vast distance?
And so, as I say, on the lady's persistence,
The Duke, dumb-stricken with amazement,
Stood for a while in a sultry smother,
And then, with a smile that partook of the awful,
Turned her over to his yellow mother
To learn what was held decorous and lawful;
And the mother smelt blood with a cat-like instinct,
As her cheek quick whitened thro' all its quince-tinct.
Oh, but the lady heard the whole truth at once!
What meant she?Who was she?-Her duty and station,
The wisdom of age and the folly of youth, at once,
Its decent regard and its fitting relation-
In brief, my friend, set all the devils in hell free
And turn them out to carouse in a belfry
And treat the priests to a fifty-part canon,
And then you may guess how that tongue of hers ran on!
Well, somehow or other it ended at last
And, licking her whiskers, out she passed;
And after her,-making (he hoped) a face
Like Emperor Nero or Sultan Saladin,
Stalked the Duke's self with the austere grace
Of ancient hero or modern paladin,
From door to staircase-oh such a solemn
Unbending of the vertebral column!
XII.
However, at sunrise our company mustered;
And here was the huntsman bidding unkennel,
And there 'neath his bonnet the pricker blustered,
With feather dank as a bough of wet fennel;
For the court-yard walls were filled with fog
You might have cut as an axe chops a log-
Like so much wool for colour and bulkiness;
And out rode the Duke in a perfect sulkiness,
Since, before breakfast, a man feels but queasily,
And a sinking at the lower abdomen
Begins the day with indifferent omen.
And lo, as he looked around uneasily,
The sun ploughed the fog up and drove it asunder
This way and that from the valley under;
And, looking through the court-yard arch,
Down in the valley, what should meet him
But a troop of Gipsies on their march?
No doubt with the annual gifts to greet him.
XIII.
Now, in your land, Gipsies reach you, only
After reaching all lands beside;
North they go, South they go, trooping or lonely,
And still, as they travel far and wide,
Catch they and keep now a trace here, trace there,
That puts you in mind of a place here, a place there.
But with us, I believe they rise out of the ground,
And nowhere else, I take it, are found
With the earth-tint yet so freshly embrowned:
Born, no doubt, like insects which breed on
The very fruit they are meant to feed on.
For the earth-not a use to which they don't turn it,
The ore that grows in the mountain's womb,
Or the sand in the pits like a honeycomb,
They sift and soften it, bake it and burn it-
Whether they weld you, for instance, a snaffle
With side-bars never a brute can baffle;
Or a lock that's a puzzle of wards within wards;
Or, if your colt's fore-foot inclines to curve inwards,
Horseshoes they hammer which turn on a swivel
And won't allow the hoof to shrivel.
Then they cast bells like the shell of the winkle
That keep a stout heart in the ram with their tinkle;
But the sand-they pinch and pound it like otters;
Commend me to Gipsy glass-makers and potters!
Glasses they'll blow you, crystal-clear,
Where just a faint cloud of rose shall appear,
As if in pure water you dropped and let die
A bruised black-blooded mulberry;
And that other sort, their crowning pride,
With long white threads distinct inside,
Like the lake-flower's fibrous roots which dangle
Loose such a length and never tangle,
Where the bold sword-lily cuts the clear waters,
And the cup-lily couches with all the white daughters:
Such are the works they put their hand to,
The uses they turn and twist iron and sand to.
And these made the troop, which our Duke saw sally
Toward his castle from out of the valley,
Men and women, like new-hatched spiders,
Come out with the morning to greet our riders.
And up they wound till they reached the ditch,
Whereat all stopped save one, a witch
That I knew, as she hobbled from the group,
By her gait directly and her stoop,
I, whom Jacynth was used to importune
To let that same witch tell us our fortune.
The oldest Gipsy then above ground;
And, sure as the autumn season came round,
She paid us a visit for profit or pastime,
And every time, as she swore, for the last time.
And presently she was seen to sidle
Up to the Duke till she touched his bridle,
So that the horse of a sudden reared up
As under its nose the old witch peered up
With her worn-out eyes, or rather eye-holes
Of no use now but to gather brine,
And began a kind of level whine
Such as they used to sing to their viols
When their ditties they go grinding
Up and down with nobody minding:
And then, as of old, at the end of the humming
Her usual presents were forthcoming
-A dog-whistle blowing the fiercest of trebles,
(Just a sea-shore stone holding a dozen fine pebbles,)
Or a porcelain mouth-piece to screw on a pipe-end,-
And so she awaited her annual stipend.
But this time, the Duke would scarcely vouchsafe
A word in reply; and in vain she felt
With twitching fingers at her belt
For the purse of sleek pine-martin pelt,
Ready to ptlt what he gave in her pouch safe,-
Till, either to quicken his apprehension,
Or possibly with an after-intention,
She was come, she said, to pay her duty
To the new Duchess, the youthful beauty.
No sooner had she named his lady,
Than a shine lit up the face so shady,
And its smirk returned with a novel meaning-
For it struck him, the babe just wanted weaning;
If one gave her a taste of what life was and sorrow,
She, foolish to-day, would be wiser tomorrow;
And who so fit a teacher of trouble
As this sordid crone bent well-nigh double?
So, glancing at her wolf-skin vesture,
(If such it was, for they grow so hirsute
That their own fleece serves for natural fur-suit)
He was contrasting, 'twas plain from his gesture,
The life of the lady so flower-like and delicate
With the loathsome squalor of this helicat.
I, in brief, was the man the Duke beckoned
From out of the throng, and while I drew near
He told the crone-as I since have reckoned
By the way he bent and spoke into her ear
With circumspection and mystery-
The main of the lady's history,
Her frowardness and ingratitude:
And for all the crone's submissive attitude
I could see round her mouth the loose plaits tightening,
And her brow with assenting intelligence brightening,
As though she engaged with hearty good-will
Whatever he now might enjoin to fulfil,
And promised the lady a thorough frightening.
And so, just giving her a glimpse
Of a purse, with the air of a man who imps
The wing of the hawk that shall fetch the hernshaw,
He bade me take the Gipsy mother
And set her telling some story or other
Of hill or dale, oak-wood or fernshaw,
To wile away a weary hour
For the lady left alone in her bower,
Whose mind and body craved exertion
And yet shrank from all better diversion.
XIV.
Then clapping heel to his horse, the mere curveter,
Out rode the Duke, and after his hollo
Horses and hounds swept, huntsman and servitor,
And back I turned and bade the crone follow.
And what makes me confident what's to be told you
Had all along been of this crone's devising,
Is, that, on looking round sharply, behold you,
There was a novelty quick as surprising:
For first, she had shot up a full head in stature,
And her step kept pace with mine nor faltered,
As if age had foregone its usurpature,
And the ignoble mien was wholly altered,
And the face looked quite of another nature,
And the change reached too, whatever the change meant,
Her shaggy wolf-skin cloak's arrangement:
For where its tatters hung loose like sedges,
Gold coins were glittering on the edges,
Like the band-roll strung with tomans
Which proves the veil a Persian woman's.
And under her brow, like a snail's horns newly
Come out as after the rain he paces,
Two unmistakeable eye-points duly
Live and aware looked out of their places.
So, we went and found Jacynth at the entry
Of the lady's chamber standing sentry;
I told the command and produced my companion,
And Jacynth rejoiced to admit any one,
For since last night, by the same token,
Not a single word had the lady spoken:
They went in both to the presence together,
While I in the balcony watched the weather.
XV.
And now, what took place at the very first of all,
I cannot tell, as I never could learn it:
Jacynth constantly wished a curse to fall
On that little head of hers and burn it
If she knew how she came to drop so soundly
Asleep of a sudden and there continue
The whole time sleeping as profoundly
As one of the boars my father would pin you
'Twixt the eyes where life holds garrison,
-Jacynth forgive me the comparison!
But where I begin asy own narration
Is a little after I took my station
To breathe the fresh air from the balcony,
And, having in those days a falcon eye,
To follow the hunt thro' the open country,
From where the bushes thinlier crested
The hillocks, to a plain where's not one tree.
When, in a moment, my ear was arrested
By-was it singing, or was it saying,
Or a strange musical instrument playing
In the chamber?-and to be certain
I pushed the lattice, pulled the curtain,
And there lay Jacynth asleep,
Yet as if a watch she tried to keep,
In a rosy sleep along the floor
With her head against the door;
While in the midst, on the seat of state,
Was a queen-the Gipsy woman late,
With head and face downbent
On the lady's head and face intent:
For, coiled at her feet like a child at ease,
The lady sat between her knees
And o'er them the lady's clasped hands met,
And on those hands her chin was set,
And her upturned face met the face of the crone
Wherein the eyes had grown and grown
As if she could double and quadruple
At pleasure the play of either pupil
-Very like, by her hands' slow fanning,
As up and down like a gor-crow's flappers
They moved to measure, or bell-clappers.
I said ``Is it blessing, is it banning,
``Do they applaud you or burlesque you-
``Those hands and fingers with no flesh on?''
But, just as I thought to spring in to the rescue,
At once I was stopped by the lady's expression:
For it was life her eyes were drinking
From the crone's wide pair above unwinking,
-Life's pure fire received without shrinking,
Into the heart and breast whose heaving
Told you no single drop they were leaving,
-Life, that filling her, passed redundant
Into her very hair, back swerving
Over each shoulder, loose and abundant,
As her head thrown back showed the white throat curving;
And the very tresses shared in the pleasure,
Moving to the mystic measure,
Bounding as the bosom bounded.
I stopped short, more and more confounded,
As still her cheeks burned and eyes glistened,
As she listened and she listened:
When all at once a hand detained me,
The selfsame contagion gained me,
And I kept time to the wondrous chime,
Making out words and prose and rhyme,
Till it seemed that the music furled
Its wings like a task fulfilled, and dropped
From under the words it first had propped,
And left them midway in the world:
Word took word as hand takes hand,
I could hear at last, and understand,
And when I held the unbroken thread,
The Gipsy said:-
``And so at last we find my tribe.
``And so I set thee in the midst,
``And to one and all of them describe
``What thou saidst and what thou didst,
``Our long and terrible journey through,
``And all thou art ready to say and do
``In the trials that remain:
``I trace them the vein and the other vein
``That meet on thy brow and part again,
``Making our rapid mystic mark;
``And I bid my people prove and probe
``Each eye's profound and glorious globe
``Till they detect the kindred spark
``In those depths so dear and dark,
``Like the spots that snap and burst and flee,
``Circling over the midnight sea.
``And on that round young cheek of thine
``I make them recognize the tinge,
``As when of the costly scarlet wine
``They drip so much as will impinge
``And spread in a thinnest scale afloat
``One thick gold drop from the olive's coat
``Over a silver plate whose sheen
``Still thro' the mixture shall be seen.
``For so I prove thee, to one and all,
``Fit, when my people ope their breast,
``To see the sign, and hear the call,
``And take the vow, and stand the test
``Which adds one more child to the rest-
``When the breast is bare and the arms are wide,
``And the world is left outside.
``For there is probation to decree,
``And many and long must the trials be
``Thou shalt victoriously endure,
``If that brow is true and those eyes are sure;
``Like a jewel-finder's fierce assay
``Of the prize he dug from its mountain-tomb-
``Let once the vindicating ray
``Leap out amid the anxious gloom,
``And steel and fire have done their part
``And the prize falls on its finder's heart;
`'So, trial after trial past,
``Wilt thou fall at the very last
``Breathless, half in trance
``With the thrill of the great deliverance,
``Into our arms for evermore;
``And thou shalt know, those arms once curled
``About thee, what we knew before,
``How love is the only good in the world.
``Henceforth be loved as heart can love,
``Or brain devise, or hand approve!
``Stand up, look below,
``It is our life at thy feet we throw
``To step with into light and joy;
``Not a power of life but we employ
``To satisfy thy nature's want;
``Art thou the tree that props the plant,
``Or the climbing plant that seeks the tree-
``Canst thou help us, must we help thee?
``If any two creatures grew into one,
``They would do more than the world has done.
``Though each apart were never so weak,
``Ye vainly through the world should seek
``For the knowledge and the might
``Which in such union grew their right:
``So, to approach at least that end,
``And blend,-as much as may be, blend
``Thee with us or us with thee,-
``As climbing plant or propping tree,
``Shall some one deck thee, over and down,
``Up and about, with blossoms and leaves?
``Fix his heart's fruit for thy garland crown,
``Cling with his soul as the gourd-vine cleaves,
``Die on thy boughs and disappear
``While not a leaf of thine is sere?
``Or is the other fate in store,
``And art thou fitted to adore,
``To give thy wondrous self away,
``And take a stronger nature's sway?
``I foresee and could foretell
``Thy future portion, sure and well:
``But those passionate eyes speak true, speak true,
``Let them say what thou shalt do!
``Only be sure thy daily life,
``In its peace or in its strife,
``Never shall be unobserved:
``We pursue thy whole career,
``And hope for it, or doubt, or fear,-
``Lo, hast thou kept thy path or swerved,
``We are beside thee in all thy ways,
``With our blame, with our praise,
``Our shame to feel, our pride to show,
``Glad, angry-but indifferent, no!
``Whether it be thy lot to go,
``For the good of us all, where the haters meet
``In the crowded city's horrible street;
``Or thou step alone through the morass
``Where never sound yet was
``Save the dry quick clap of the stork's bill,
``For the air is still, and the water still,
``When the blue breast of the dipping coot
``Dives under, and all is mute.
``So, at the last shall come old age,
``Decrepit as befits that stage;
``How else wouldst thou retire apart
``With the hoarded memories of thy heart,
``And gather all to the very least
``Of the fragments of life's earlier feast,
``Let fall through eagerness to find
``The crowning dainties yet behind?
``Ponder on the entire past
``Laid together thus at last,
``When the twilight helps to fuse
``The first fresh with the faded hues,
``And the outline of the whole,
``As round eve's shades their framework roll,
``Grandly fronts for once thy soul.
``And then as, 'mid the dark, a glean
``Of yet another morning breaks,
``And like the hand which ends a dream,
``Death, with the might of his sunbeam,
``Touches the flesh and the soul awakes,
``Then''
Ay, then indeed something would happen!
But what? For here her voice changed like a bird's;
There grew more of the music and less of the words;
Had Jacynth only been by me to clap pen
To paper and put you down every syllable
With those clever clerkly fingers,
All I've forgotten as well as what lingers
In this old brain of mine that's but ill able
To give you even this poor version
Of the speech I spoil, as it were, with stammering
-More fault of those who had the hammering
Of prosody into me and syntax,
And did it, not with hobnails but tintacks!
But to return from this excursion,-
Just, do you mark, when the song was sweetest,
The peace most deep and the charm completest,
There came, shall I say, a snap-
And the charm vanished!
And my sense returned, so strangely banished,
And, starting as from a nap,
I knew the crone was bewitching my lady,
With Jacynth asleep; and but one spring made I
Down from the casement, round to the portal,
Another minute and I had entered,-
When the door opened, and more than mortal
Stood, with a face where to my mind centred
All beauties I ever saw or shall see,
The Duchess: I stopped as if struck by palsy.
She was so different, happy and beautiful,
I felt at once that all was best,
And that I had nothing to do, for the rest,
But wait her commands, obey and be dutiful.
Not that, in fact, there was any commanding;
I saw the glory of her eye,
And the brow's height and the breast's expanding,
And I was hers to live or to die.
As for finding what she wanted,
You know God Almighty granted
Such little signs should serve wild creatures
To tell one another all their desires,
So that each knows what his friend requires,
And does its bidding without teachers.
I preceded her; the crone
Followed silent and alone;
I spoke to her, but she merely jabbered
In the old style; both her eyes had slunk
Back to their pits; her stature shrunk;
In short, the soul in its body sunk
Like a blade sent home to its scabbard.
We descended, I preceding;
Crossed the court with nobody heeding,
All the world was at the chase,
The courtyard like a desert-place,
The stable emptied of its small fry;
I saddled myself the very palfrey
I remember patting while it carried her,
The day she arrived and the Duke married her.
And, do you know, though it's easy deceiving
Oneself in such matters, I can't help believing
The lady had not forgotten it either,
And knew the poor devil so much beneath her
Would have been only too glad for her service
To dance on hot ploughshares like a Turk dervise,
But, unable to pay proper duty where owing it,
Was reduced to that pitiful method of showing it:
For though the moment I began setting
His saddle on my own nag of Berold's begetting,
(Not that I meant to be obtrusive)
She stopped me, while his rug was shifting,
By a single rapid finger's lifting,
And, with a gesture kind but conclusive,
And a little shake of the head, refused me,-
I say, although she never used me,
Yet when she was mounted, the Gipsy behind her,
And I ventured to remind her,
I suppose with a voice of less steadiness
Than usual, for my feeling exceeded me,
-Something to the effect that I was in readiness
Whenever God should please she needed me,-
Then, do you know, her face looked down on me
With a look that placed a crown on me,
And she felt in her bosom,-mark, her bosom-
And, as a flower-tree drops its blossom,
Dropped me . . . ah, had it been a purse
Of silver, my friend, or gold that's worse,
Why, you see, as soon as I found myself
So understood,-that a true heart so may gain
Such a reward,-I should have gone home again,
Kissed Jacynth, and soberly drowned myself!
It was a little plait of hair
Such as friends in a convent make
To wear, each for the other's sake,-
This, see, which at my breast I wear,
Ever did (rather to Jacynth's grudgment),
And ever shall, till the Day of Judgment.
And then,-and then,-to cut short,-this is idle,
These are feelings it is not good to foster,-
I pushed the gate wide, she shook the bridle,
And the palfrey bounded,-and so we lost her.
XVI.
When the liquor's out why clink the cannikin?
I did think to describe you the panic in
The redoubtable breast of our master the mannikin,
And what was the pitch of his mother's yellowness,
How she turned as a shark to snap the spare-rib
Clean off, sailors say, from a pearl-diving Carib,
When she heard, what she called the flight of the feloness
-But it seems such child's play,
What they said and did with the lady away!
And to dance on, when we've lost the music,
Always made me-and no doubt makes you-sick.
Nay, to my mind, the world's face looked so stern
As that sweet form disappeared through the postern,
She that kept it in constant good humour,
It ought to have stopped; there seemed nothing to do more.
But the world thought otherwise and went on,
And my head's one that its spite was spent on:
Thirty years are fled since that morning,
And with them all my head's adorning.
Nor did the old Duchess die outright,
As you expect, of suppressed spite,
The natural end of every adder
Not suffered to empty its poison-bladder:
But she and her son agreed, I take it,
That no one should touch on the story to wake it,
For the wound in the Duke's pride rankled fiery,
So, they made no search and small inquiry-
And when fresh Gipsies have paid us a visit, I've
Noticed the couple were never inquisitive,
But told them they're folks the Duke don't want here,
And bade them make haste and cross the frontier.
Brief, the Duchess was gone and the Duke was glad of it,
And the old one was in the young one's stead,
And took, in her place, the household's head,
And a blessed time the household had of it!
And were I not, as a man may say, cautious
How I trench, more than needs, on the nauseous,
I could favour you with sundry touches
Of the paint-smutches with which the Duchess
Heightened the mellowness of her cheek's yellowness
(To get on faster) until at last her
Cheek grew to be one master-plaster
Of mucus and focus from mere use of ceruse:
In short, she grew from scalp to udder
Just the object to make you shudder.
XVII.
You're my friend-
What a thing friendship is, world without end!
How it gives the heart and soul a stir-up
As if somebody broached you a glorious runlet,
And poured out, all lovelily, sparklingly, sunlit,
Our green Moldavia, the streaky syrup,
Cotnar as old as the time of the Druids-
Friendship may match with that monarch of fluids;
Each supples a dry brain, fills you its ins-and-outs,
Gives your life's hour-glass a shake when the thin sand doubts
Whether to run on or stop short, and guarantees
Age is not all made of stark sloth and arrant ease.
I have seen my little lady once more,
Jacynth, the Gipsy, Berold, and the rest of it,
For to me spoke the Duke, as I told you before;
I always wanted to make a clean breast of it:
And now it is made-why, my heart's blood, that went trickle,
Trickle, but anon, in such muddy driblets,
Is pumped up brisk now, through the main ventricle,
And genially floats me about the giblets.
I'll tell you what I intend to do:
I must see this fellow his sad life through-
He is our Duke, after all,
And I, as he says, but a serf and thrall.
My father was born here, and I inherit
His fame, a chain he bound his son with;
Could I pay in a lump I should prefer it,
But there's no mine to blow up and get done with:
So, I must stay till the end of the chapter.
For, as to our middle-age-manners-adapter,
Be it a thing to be glad on or sorry on,
Some day or other, his head in a morion
And breast in a hauberk, his heels he'll kick up,
Slain by an onslaught fierce of hiccup.
And then, when red doth the sword of our Duke rust,
And its leathern sheath lie o'ergrown with a blue crust,
Then I shall scrape together my earnings;
For, you see, in the churchyard Jacynth reposes,
And our children all went the way of the roses:
It's a long lane that knows no turnings.
One needs but little tackle to travel in;
So, just one stout cloak shall I indue:
And for a stall, what beats the javelin
With which his boars my father pinned you?
And then, for a purpose you shall hear presently,
Taking some Cotnar, a tight plump skinful,
I shall go journeying, who but I, pleasantly!
Sorrow is vain and despondency sinful.
What's a man's age? He must hurry more, that's all;
Cram in a day, what his youth took a year to hold.
When we mind labour, then only, we're too old-
What age had Methusalem when he begat Saul?
And at last, as its haven some buffeted ship sees,
(Come all the way from the north-parts with sperm oil)
I hope to get safely out of the turmoil
And arrive one day at the land of the Gipsies,
And find my lady, or hear the last news of her
From some old thief and son of Lucifer,
His forehead chapleted green with wreathy hop,
Sunburned all over like an thiop.
And when my Cotnar begins to operate
And the tongue of the rogue to run at a proper rate,
And our wine-skin, tight once, shows each flaccid dent,
I shall drop in with-as if by accident-
``You never knew, then, how it all ended,
``What fortune good or bad attended
``The little lady your Queen befriended?''
-And when that's told me, what's remaining?
This world's too hard for my explaining.
The same wise judge of matters equine
Who still preferred some slim four-year-old
To the big-boned stock of mighty Berold,
And, fur strong Cotnar, drank French weak wine,
He also umst be such a lady's scorner!
Smooth Jacob still rubs homely Esau:
Now up, now down, the world's one see-saw.
-So, I shall find out some snug corner
Under a hedge, like Orson the wood-knight,
Turn myself round and bid the world good night;
And sleep a sound sleep till the trumpet's blowing
Wakes me (unless priests cheat us laymen)
To a world where will be no furtiner throwing
Pearls befare swine that Can't value them. Amen!
~ Robert Browning, The Flight Of The Duchess
,#NFDB
628:TO J. MILSAND, OF DIJON.
1840.
BOOK THE FIRST.
Who will, may hear Sordello's story told:
His story? Who believes me shall behold
The man, pursue his fortunes to the end,
Like me: for as the friendless-people's friend
Spied from his hill-top once, despite the din
And dust of multitudes, Pentapolin
Named o' the Naked Arm, I single out
Sordello, compassed murkily about
With ravage of six long sad hundred years.
Only believe me. Ye believe?
Appears
Verona . . . Never,I should warn you first,
Of my own choice had this, if not the worst
Yet not the best expedient, served to tell
A story I could body forth so well
By making speak, myself kept out of view,
The very man as he was wont to do,
And leaving you to say the rest for him.
Since, though I might be proud to see the dim
Abysmal past divide its hateful surge,
Letting of all men this one man emerge
Because it pleased me, yet, that moment past,
I should delight in watching first to last
His progress as you watch it, not a whit
More in the secret than yourselves who sit
Fresh-chapleted to listen. But it seems
Your setters-forth of unexampled themes,
Makers of quite new men, producing them,
Would best chalk broadly on each vesture's hem
The wearer's quality; or take their stand,
Motley on back and pointing-pole in hand,
Beside him. So, for once I face ye, friends,
Summoned together from the world's four ends,
Dropped down from heaven or cast up from hell,
To hear the story I propose to tell.
Confess now, poets know the dragnet's trick,
Catching the dead, if fate denies the quick,
And shaming her; 't is not for fate to choose
Silence or song because she can refuse
Real eyes to glisten more, real hearts to ache
Less oft, real brows turn smoother for our sake:
I have experienced something of her spite;
But there 's a realm wherein she has no right
And I have many lovers. Say; but few
Friends fate accords me? Here they are: now view
The host I muster! Many a lighted face
Foul with no vestige of the grave's disgrace;
What else should tempt them back to taste our air
Except to see how their successors fare?
My audience! and they sit, each ghostly man
Striving to look as living as he can,
Brother by breathing brother; thou art set,
Clear-witted critic, by . . . but I 'll not fret
A wondrous soul of them, nor move death's spleen
Who loves not to unlock them. Friends! I mean
The living in good earnestye elect
Chiefly for lovesuppose not I reject
Judicious praise, who contrary shall peep,
Some fit occasion, forth, for fear ye sleep,
To glean your bland approvals. Then, appear,
Verona! staythou, spirit, come not near
Nownot this time desert thy cloudy place
To scare me, thus employed, with that pure face!
I need not fear this audience, I make free
With them, but then this is no place for thee!
The thunder-phrase of the Athenian, grown
Up out of memories of Marathon,
Would echo like his own sword's griding screech
Braying a Persian shield,the silver speech
Of Sidney's self, the starry paladin,
Turn intense as a trumpet sounding in
The knights to tilt,wert thou to hear! What heart
Have I to play my puppets, bear my part
Before these worthies?
Lo, the past is hurled
In twain: up-thrust, out-staggering on the world,
Subsiding into shape, a darkness rears
Its outline, kindles at the core, appears
Verona. 'T is six hundred years and more
Since an event. The Second Friedrich wore
The purple, and the Third Honorius filled
The holy chair. That autumn eve was stilled:
A last remains of sunset dimly burned
O'er the far forests, like a torch-flame turned
By the wind back upon its bearer's hand
In one long flare of crimson; as a brand,
The woods beneath lay black. A single eye
From all Verona cared for the soft sky.
But, gathering in its ancient market-place,
Talked group with restless group; and not a face
But wrath made livid, for among them were
Death's staunch purveyors, such as have in care
To feast him. Fear had long since taken root
In every breast, and now these crushed its fruit,
The ripe hate, like a wine: to note the way
It worked while each grew drunk! Men grave and grey
Stood, with shut eyelids, rocking to and fro,
Letting the silent luxury trickle slow
About the hollows where a heart should be;
But the young gulped with a delirious glee
Some foretaste of their first debauch in blood
At the fierce news: for, be it understood,
Envoys apprised Verona that her prince
Count Richard of Saint Boniface, joined since
A year with Azzo, Este's Lord, to thrust
Taurello Salinguerra, prime in trust
With Ecelin Romano, from his seat
Ferrara,over zealous in the feat
And stumbling on a peril unaware,
Was captive, trammelled in his proper snare,
They phrase it, taken by his own intrigue.
Immediate succour from the Lombard League
Of fifteen cities that affect the Pope,
For Azzo, therefore, and his fellow-hope
Of the Guelf cause, a glory overcast!
Men's faces, late agape, are now aghast.
"Prone is the purple pavis; Este makes
"Mirth for the devil when he undertakes
"To play the Ecelin; as if it cost
"Merely your pushing-by to gain a post
"Like his! The patron tells ye, once for all,
"There be sound reasons that preferment fall
"On our beloved" . . .
"Duke o' the Rood, why not?"
Shouted an Estian, "grudge ye such a lot?
"The hill-cat boasts some cunning of her own,
"Some stealthy trick to better beasts unknown,
"That quick with prey enough her hunger blunts,
"And feeds her fat while gaunt the lion hunts."
"Taurello," quoth an envoy, "as in wane
"Dwelt at Ferrara. Like an osprey fain
"To fly but forced the earth his couch to make
"Far inland, till his friend the tempest wake,
"Waits he the Kaiser's coming; and as yet
"That fast friend sleeps, and he too sleeps: but let
"Only the billow freshen, and he snuffs
"The aroused hurricane ere it enroughs
"The sea it means to cross because of him.
"Sinketh the breeze? His hope-sick eye grows dim;
"Creep closer on the creature! Every day
"Strengthens the Pontiff; Ecelin, they say,
"Dozes now at Oliero, with dry lips
"Telling upon his perished finger-tips
"How many ancestors are to depose
"Ere he be Satan's Viceroy when the doze
"Deposits him in hell. So, Guelfs rebuilt
"Their houses; not a drop of blood was spilt
"When Cino Bocchimpane chanced to meet
"Buccio VirtGod's wafer, and the street
"Is narrow! Tutti Santi, think, a-swarm
"With Ghibellins, and yet he took no harm!
"This could not last. Off Salinguerra went
"To Padua, Podest, 'with pure intent,'
"Said he, 'my presence, judged the single bar
"'To permanent tranquillity, may jar
"'No longer'so! his back is fairly turned?
"The pair of goodly palaces are burned,
"The gardens ravaged, and our Guelfs laugh, drunk
"A week with joy. The next, their laughter sunk
"In sobs of blood, for they found, some strange way,
"Old Salinguerra back againI say,
"Old Salinguerra in the town once more
"Uprooting, overturning, flame before,
"Blood fetlock-high beneath him. Azzo fled;
"Who 'scaped the carnage followed; then the dead
"Were pushed aside from Salinguerra's throne,
"He ruled once more Ferrara, all alone,
"Till Azzo, stunned awhile, revived, would pounce
"Coupled with Boniface, like lynx and ounce,
"On the gorged bird. The burghers ground their teeth
"To see troop after troop encamp beneath
"I' the standing corn thick o'er the scanty patch
"It took so many patient months to snatch
"Out of the marsh; while just within their walls
"Men fed on men. At length Taurello calls
"A parley: 'let the Count wind up the war!'
"Richard, light-hearted as a plunging star,
"Agrees to enter for the kindest ends
"Ferrara, flanked with fifty chosen friends,
"No horse-boy more, for fear your timid sort
"Should fly Ferrara at the bare report.
"Quietly through the town they rode, jog-jog;
"'Ten, twenty, thirty,curse the catalogue
"'Of burnt Guelf houses! Strange, Taurello shows
"'Not the least sign of life'whereat arose
"A general growl: 'How? With his victors by?
"'I and my Veronese? My troops and I?
"'Receive us, was your word?' So jogged they on,
"Nor laughed their host too openly: once gone
"Into the trap!"
Six hundred years ago!
Such the time's aspect and peculiar woe
(Yourselves may spell it yet in chronicles,
Albeit the worm, our busy brother, drills
His sprawling path through letters anciently
Made fine and large to suit some abbot's eye)
When the new Hohenstauffen dropped the mask,
Flung John of Brienne's favour from his casque,
Forswore crusading, had no mind to leave
Saint Peter's proxy leisure to retrieve
Losses to Otho and to Barbaross,
Or make the Alps less easy to recross;
And, thus confirming Pope Honorius' fear,
Was excommunicate that very year.
"The triple-bearded Teuton come to life!"
Groaned the Great League; and, arming for the strife,
Wide Lombardy, on tiptoe to begin,
Took up, as it was Guelf or Ghibellin,
Its cry: what cry?
"The Emperor to come!"
His crowd of feudatories, all and some,
That leapt down with a crash of swords, spears, shields,
One fighter on his fellow, to our fields,
Scattered anon, took station here and there,
And carried it, till now, with little care
Cannot but cry for him; how else rebut
Us longer?cliffs, an earthquake suffered jut
In the mid-sea, each domineering crest
Which nought save such another throe can wrest
From out (conceive) a certain chokeweed grown
Since o'er the waters, twine and tangle thrown
Too thick, too fast accumulating round,
Too sure to over-riot and confound
Ere long each brilliant islet with itself,
Unless a second shock save shoal and shelf,
Whirling the sea-drift wide: alas, the bruised
And sullen wreck! Sunlight to be diffused
For that!sunlight, 'neath which, a scum at first,
The million fibres of our chokeweed nurst
Dispread themselves, mantling the troubled main,
And, shattered by those rocks, took hold again,
So kindly blazed itthat same blaze to brood
O'er every cluster of the multitude
Still hazarding new clasps, ties, filaments,
An emulous exchange of pulses, vents
Of nature into nature; till some growth
Unfancied yet, exuberantly clothe
A surface solid now, continuous, one:
"The Pope, for us the People, who begun
"The People, carries on the People thus,
"To keep that Kaiser off and dwell with us!"
See you?
Or say, Two Principles that live
Each fitly by its Representative.
"Hill-cat"who called him so?the gracefullest
Adventurer, the ambiguous stranger-guest
Of Lombardy (sleek but that ruffling fur,
Those talons to their sheath!) whose velvet purr
Soothes jealous neighbours when a Saxon scout
Arpo or Yoland, is it?one without
A country or a name, presumes to couch
Beside their noblest; until men avouch
That, of all Houses in the Trevisan,
Conrad descries no fitter, rear or van,
Than Ecelo! They laughed as they enrolled
That name at Milan on the page of gold,
Godego's lord,Ramon, Marostica,
Cartiglion, Bassano, Loria,
And every sheep cote on the Suabian's fief!
No laughter when his son, "the Lombard Chief"
Forsooth, as Barbarossa's path was bent
To Italy along the Vale of Trent,
Welcomed him at Roncaglia! Sadness now
The hamlets nested on the Tyrol's brow,
The Asolan and Euganean hills,
The Rhetian and the Julian, sadness fills
Them all, for Ecelin vouchsafes to stay
Among and care about them; day by day
Choosing this pinnacle, the other spot,
A castle building to defend a cot,
A cot built for a castle to defend,
Nothing but castles, castles, nor an end
To boasts how mountain ridge may join with ridge
By sunken gallery and soaring bridge.
He takes, in brief, a figure that beseems
The griesliest nightmare of the Church's dreams,
A Signory firm-rooted, unestranged
From its old interests, and nowise changed
By its new neighbourhood: perchance the vaunt
Of Otho, "my own Este shall supplant
"Your Este," come to pass. The sire led in
A son as cruel; and this Ecelin
Had sons, in turn, and daughters sly and tall
And curling and compliant; but for all
Romano (so they styled him) throve, that neck
Of his so pinched and white, that hungry cheek
Proved 't was some fiend, not him, the man's-flesh went
To feed: whereas Romano's instrument,
Famous Taurello Salinguerra, sole
I' the world, a tree whose boughs were slipt the bole
Successively, why should not he shed blood
To further a design? Men understood
Living was pleasant to him as he wore
His careless surcoat, glanced some missive o'er,
Propped on his truncheon in the public way,
While his lord lifted writhen hands to pray,
Lost at Oliero's convent.
Hill-cats, face
Our Azzo, our Guelf Lion! Why disgrace
A worthiness conspicuous near and far
(Atii at Rome while free and consular,
Este at Padua who repulsed the Hun)
By trumpeting the Church's princely son?
Styled Patron of Rovigo's Polesine,
Ancona's march, Ferrara's . . . ask, in fine,
Our chronicles, commenced when some old monk
Found it intolerable to be sunk
(Vexed to the quick by his revolting cell)
Quite out of summer while alive and well:
Ended when by his mat the Prior stood,
'Mid busy promptings of the brotherhood,
Striving to coax from his decrepit brains
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your fingerthusyou push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any . . . does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
For hefor he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,launch once more
That lustre? Dante, pacer of the shore
Where glutted hell disgorgeth filthiest gloom,
Unbitten by its whirring sulphur-spume
Or whence the grieved and obscure waters slope
Into a darkness quieted by hope;
Plucker of amaranths grown beneath God's eye
In gracious twilights where his chosen lie,
I would do this! If I should falter now!
In Mantua territory half is slough,
Half pine-tree forest; maples, scarlet oaks
Breed o'er the river-beds; even Mincio chokes
With sand the summer through: but 't is morass
In winter up to Mantua walls. There was,
Some thirty years before this evening's coil,
One spot reclaimed from the surrounding spoil,
Goito; just a castle built amid
A few low mountains; firs and larches hid
Their main defiles, and rings of vineyard bound
The rest. Some captured creature in a pound,
Whose artless wonder quite precludes distress,
Secure beside in its own loveliness,
So peered with airy head, below, above,
The castle at its toils, the lapwings love
To glean among at grape-time. Pass within.
A maze of corridors contrived for sin,
Dusk winding-stairs, dim galleries got past,
You gain the inmost chambers, gain at last
A maple-panelled room: that haze which seems
Floating about the panel, if there gleams
A sunbeam over it, will turn to gold
And in light-graven characters unfold
The Arab's wisdom everywhere; what shade
Marred them a moment, those slim pillars made,
Cut like a company of palms to prop
The roof, each kissing top entwined with top,
Leaning together; in the carver's mind
Some knot of bacchanals, flushed cheek combined
With straining forehead, shoulders purpled, hair
Diffused between, who in a goat-skin bear
A vintage; graceful sister-palms! But quick
To the main wonder, now. A vault, see; thick
Black shade about the ceiling, though fine slits
Across the buttress suffer light by fits
Upon a marvel in the midst. Nay, stoop
A dullish grey-streaked cumbrous font, a group
Round it,each side of it, where'er one sees,
Upholds it; shrinking Caryatides
Of just-tinged marble like Eve's lilied flesh
Beneath her maker's finger when the fresh
First pulse of life shot brightening the snow.
The font's edge burthens every shoulder, so
They muse upon the ground, eyelids half closed;
Some, with meek arms behind their backs disposed,
Some, crossed above their bosoms, some, to veil
Their eyes, some, propping chin and cheek so pale,
Some, hanging slack an utter helpless length
Dead as a buried vestal whose whole strength
Goes when the grate above shuts heavily.
So dwell these noiseless girls, patient to see,
Like priestesses because of sin impure
Penanced for ever, who resigned endure,
Having that once drunk sweetness to the dregs.
And every eve, Sordello's visit begs
Pardon for them: constant as eve he came
To sit beside each in her turn, the same
As one of them, a certain space: and awe
Made a great indistinctness till he saw
Sunset slant cheerful through the buttress-chinks,
Gold seven times globed; surely our maiden shrinks
And a smile stirs her as if one faint grain
Her load were lightened, one shade less the stain
Obscured her forehead, yet one more bead slipt
From off the rosary whereby the crypt
Keeps count of the contritions of its charge?
Then with a step more light, a heart more large,
He may depart, leave her and every one
To linger out the penance in mute stone.
Ah, but Sordello? 'T is the tale I mean
To tell you.
In this castle may be seen,
On the hill tops, or underneath the vines,
Or eastward by the mound of firs and pines
That shuts out Mantua, still in loneliness,
A slender boy in a loose page's dress,
Sordello: do but look on him awhile
Watching ('t is autumn) with an earnest smile
The noisy flock of thievish birds at work
Among the yellowing vineyards; see him lurk
('T is winter with its sullenest of storms)
Beside that arras-length of broidered forms,
On tiptoe, lifting in both hands a light
Which makes yon warrior's visage flutter bright
Ecelo, dismal father of the brood,
And Ecelin, close to the girl he wooed,
Auria, and their Child, with all his wives
From Agnes to the Tuscan that survives,
Lady of the castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
(The delicate nostril swerving wide and fine,
A sharp and restless lip, so well combine
With that calm brow) a soul fit to receive
Delight at every sense; you can believe
Sordello foremost in the regal class
Nature has broadly severed from her mass
Of men, and framed for pleasure, as she frames
Some happy lands, that have luxurious names,
For loose fertility; a footfall there
Suffices to upturn to the warm air
Half-germinating spices; mere decay
Produces richer life; and day by day
New pollen on the lily-petal grows,
And still more labyrinthine buds the rose.
You recognise at once the finer dress
Of flesh that amply lets in loveliness
At eye and ear, while round the rest is furled
(As though she would not trust them with her world)
A veil that shows a sky not near so blue,
And lets but half the sun look fervid through.
How can such love?like souls on each full-fraught
Discovery brooding, blind at first to aught
Beyond its beauty, till exceeding love
Becomes an aching weight; and, to remove
A curse that haunts such naturesto preclude
Their finding out themselves can work no good
To what they love nor make it very blest
By their endeavour,they are fain invest
The lifeless thing with life from their own soul,
Availing it to purpose, to control,
To dwell distinct and have peculiar joy
And separate interests that may employ
That beauty fitly, for its proper sake.
Nor rest they here; fresh births of beauty wake
Fresh homage, every grade of love is past,
With every mode of loveliness: then cast
Inferior idols off their borrowed crown
Before a coming glory. Up and down
Runs arrowy fire, while earthly forms combine
To throb the secret forth; a touch divine
And the scaled eyeball owns the mystic rod;
Visibly through his garden walketh God.
So fare they. Now revert. One character
Denotes them through the progress and the stir,
A need to blend with each external charm,
Bury themselves, the whole heart wide and warm,
In something not themselves; they would belong
To what they worshipstronger and more strong
Thus prodigally fedwhich gathers shape
And feature, soon imprisons past escape
The votary framed to love and to submit
Nor ask, as passionate he kneels to it,
Whence grew the idol's empery. So runs
A legend; light had birth ere moons and suns,
Flowing through space a river and alone,
Till chaos burst and blank the spheres were strown
Hither and thither, foundering and blind:
When into each of them rushed lightto find
Itself no place, foiled of its radiant chance.
Let such forego their just inheritance!
For there 's a class that eagerly looks, too,
On beauty, but, unlike the gentler crew,
Proclaims each new revealment born a twin
With a distinctest consciousness within,
Referring still the quality, now first
Revealed, to their own soulits instinct nursed
In silence, now remembered better, shown
More thoroughly, but not the less their own;
A dream come true; the special exercise
Of any special function that implies
The being fair, or good, or wise, or strong,
Dormant within their nature all along
Whose fault? So, homage, other souls direct
Without, turns inward. "How should this deject
"Thee, soul?" they murmur; "wherefore strength be quelled
"Because, its trivial accidents withheld,
"Organs are missed that clog the world, inert,
"Wanting a will, to quicken and exert,
"Like thineexistence cannot satiate,
"Cannot surprise? Laugh thou at envious fate,
"Who, from earth's simplest combination stampt
"With individualityuncrampt
"By living its faint elemental life,
"Dost soar to heaven's complexest essence, rife
"With grandeurs, unaffronted to the last,
"Equal to being all!"
In truth? Thou hast
Life, thenwilt challenge life for us: our race
Is vindicated so, obtains its place
In thy ascent, the first of us; whom we
May follow, to the meanest, finally,
With our more bounded wills?
Ah, but to find
A certain mood enervate such a mind,
Counsel it slumber in the solitude
Thus reached nor, stooping, task for mankind's good
Its nature just as life and time accord
"Too narrow an arena to reward
"Emprizethe world's occasion worthless since
"Not absolutely fitted to evince
"Its mastery!" Or if yet worse befall,
And a desire possess it to put all
That nature forth, forcing our straitened sphere
Contain it,to display completely here
The mastery another life should learn,
Thrusting in time eternity's concern,
So that Sordello. . . .
Fool, who spied the mark
Of leprosy upon him, violet-dark
Already as he loiters? Born just now,
With the new century, beside the glow
And efflorescence out of barbarism;
Witness a Greek or two from the abysm
That stray through Florence-town with studious air,
Calming the chisel of that Pisan pair:
If Nicolo should carve a Christus yet!
While at Siena is Guidone set,
Forehead on hand; a painful birth must be
Matured ere Saint Eufemia's sacristy
Or transept gather fruits of one great gaze
At the moon: look you! The same orange haze,
The same blue stripe round thatand, in the midst,
Thy spectral whiteness, Mother-maid, who didst
Pursue the dizzy painter!
Woe, then, worth
Any officious babble letting forth
The leprosy confirmed and ruinous
To spirit lodged in a contracted house!
Go back to the beginning, rather; blend
It gently with Sordello's life; the end
Is piteous, you may see, but much between
Pleasant enough. Meantime, some pyx to screen
The full-grown pest, some lid to shut upon
The goblin! So they found at Babylon,
(Colleagues, mad Lucius and sage Antonine)
Sacking the city, by Apollo's shrine,
In rummaging among the rarities,
A certain coffer; he who made the prize
Opened it greedily; and out there curled
Just such another plague, for half the world
Was stung. Crawl in then, hag, and couch asquat,
Keeping that blotchy bosom thick in spot
Until your time is ripe! The coffer-lid
Is fastened, and the coffer safely hid
Under the Loxian's choicest gifts of gold.
Who will may hear Sordello's story told,
And how he never could remember when
He dwelt not at Goito. Calmly, then,
About this secret lodge of Adelaide's
Glided his youth away; beyond the glades
On the fir-forest border, and the rim
Of the low range of mountain, was for him
No other world: but this appeared his own
To wander through at pleasure and alone.
The castle too seemed empty; far and wide
Might he disport; only the northern side
Lay under a mysterious interdict
Slight, just enough remembered to restrict
His roaming to the corridors, the vault
Where those font-bearers expiate their fault,
The maple-chamber, and the little nooks
And nests, and breezy parapet that looks
Over the woods to Mantua: there he strolled.
Some foreign women-servants, very old,
Tended and crept about himall his clue
To the world's business and embroiled ado
Distant a dozen hill-tops at the most.
And first a simple sense of life engrossed
Sordello in his drowsy Paradise;
The day's adventures for the day suffice
Its constant tribute of perceptions strange,
With sleep and stir in healthy interchange,
Suffice, and leave him for the next at ease
Like the great palmer-worm that strips the trees,
Eats the life out of every luscious plant,
And, when September finds them sere or scant,
Puts forth two wondrous winglets, alters quite,
And hies him after unforeseen delight.
So fed Sordello, not a shard dissheathed;
As ever, round each new discovery, wreathed
Luxuriantly the fancies infantine
His admiration, bent on making fine
Its novel friend at any risk, would fling
In gay profusion forth: a ficklest king,
Confessed those minions!eager to dispense
So much from his own stock of thought and sense
As might enable each to stand alone
And serve him for a fellow; with his own,
Joining the qualities that just before
Had graced some older favourite. Thus they wore
A fluctuating halo, yesterday
Set flicker and to-morrow filched away,
Those upland objects each of separate name,
Each with an aspect never twice the same,
Waxing and waning as the new-born host
Of fancies, like a single night's hoar-frost,
Gave to familiar things a face grotesque;
Only, preserving through the mad burlesque
A grave regard. Conceive! the orpine patch
Blossoming earliest on the log-house thatch
The day those archers wound along the vines
Related to the Chief that left their lines
To climb with clinking step the northern stair
Up to the solitary chambers where
Sordello never came. Thus thrall reached thrall;
He o'er-festooning every interval,
As the adventurous spider, making light
Of distance, shoots her threads from depth to height,
From barbican to battlement: so flung
Fantasies forth and in their centre swung
Our architect,the breezy morning fresh
Above, and merry,all his waving mesh
Laughing with lucid dew-drops rainbow-edged.
This world of ours by tacit pact is pledged
To laying such a spangled fabric low
Whether by gradual brush or gallant blow.
But its abundant will was baulked here: doubt
Rose tardily in one so fenced about
From most that nurtures judgment,care and pain:
Judgment, that dull expedient we are fain,
Less favoured, to adopt betimes and force
Stead us, diverted from our natural course
Of joyscontrive some yet amid the dearth,
Vary and render them, it may be, worth
Most we forego. Suppose Sordello hence
Selfish enough, without a moral sense
However feeble; what informed the boy
Others desired a portion in his joy?
Or say a ruthful chance broke woof and warp
A heron's nest beat down by March winds sharp,
A fawn breathless beneath the precipice,
A bird with unsoiled breast and unfilmed eyes
Warm in the brakecould these undo the trance
Lapping Sordello? Not a circumstance
That makes for you, friend Naddo! Eat fern-seed
And peer beside us and report indeed
If (your word) "genius" dawned with throes and stings
And the whole fiery catalogue, while springs,
Summers, and winters quietly came and went.
Time put at length that period to content,
By right the world should have imposed: bereft
Of its good offices, Sordello, left
To study his companions, managed rip
Their fringe off, learn the true relationship,
Core with its crust, their nature with his own:
Amid his wild-wood sights he lived alone.
As if the poppy felt with him! Though he
Partook the poppy's red effrontery
Till Autumn spoiled their fleering quite with rain,
And, turbanless, a coarse brown rattling crane
Lay bare. That 's gone: yet why renounce, for that,
His disenchanted tributariesflat
Perhaps, but scarce so utterly forlorn,
Their simple presence might not well be borne
Whose parley was a transport once: recall
The poppy's gifts, it flaunts you, after all,
A poppy:why distrust the evidence
Of each soon satisfied and healthy sense?
The new-born judgment answered, "little boots
"Beholding other creatures' attributes
"And having none!" or, say that it sufficed,
"Yet, could one but possess, oneself," (enticed
Judgment) "some special office!" Nought beside
Serves you? "Well then, be somehow justified
"For this ignoble wish to circumscribe
"And concentrate, rather than swell, the tribe
"Of actual pleasures: what, now, from without
"Effects it?proves, despite a lurking doubt,
"Mere sympathy sufficient, trouble spared?
"That, tasting joys by proxy thus, you fared
"The better for them?" Thus much craved his soul,
Alas, from the beginning love is whole
And true; if sure of nought beside, most sure
Of its own truth at least; nor may endure
A crowd to see its face, that cannot know
How hot the pulses throb its heart below.
While its own helplessness and utter want
Of means to worthily be ministrant
To what it worships, do but fan the more
Its flame, exalt the idol far before
Itself as it would have it ever be.
Souls like Sordello, on the contrary,
Coerced and put to shame, retaining will,
Care little, take mysterious comfort still,
But look forth tremblingly to ascertain
If others judge their claims not urged in vain,
And say for them their stifled thoughts aloud.
So, they must ever live before a crowd:
"Vanity," Naddo tells you.
Whence contrive
A crowd, now? From these women just alive,
That archer-troop? Forth glidednot alone
Each painted warrior, every girl of stone,
Nor Adelaide (bent double o'er a scroll,
One maiden at her knees, that eve, his soul
Shook as he stumbled through the arras'd glooms
On them, for, 'mid quaint robes and weird perfumes,
Started the meagre Tuscan up,her eyes,
The maiden's, also, bluer with surprise)
But the entire out-world: whatever, scraps
And snatches, song and story, dreams perhaps,
Conceited the world's offices, and he
Had hitherto transferred to flower or tree,
Not counted a befitting heritage
Each, of its own right, singly to engage
Some man, no other,such now dared to stand
Alone. Strength, wisdom, grace on every hand
Soon disengaged themselves, and he discerned
A sort of human life: at least, was turned
A stream of lifelike figures through his brain.
Lord, liegeman, valvassor and suzerain,
Ere he could choose, surrounded him; a stuff
To work his pleasure on; there, sure enough:
But as for gazing, what shall fix that gaze?
Are they to simply testify the ways
He who convoked them sends his soul along
With the cloud's thunder or a dove's brood-song?
While they live each his life, boast each his own
Peculiar dower of bliss, stand each alone
In some one point where something dearest loved
Is easiest gainedfar worthier to be proved
Than aught he envies in the forest-wights!
No simple and self-evident delights,
But mixed desires of unimagined range,
Contrasts or combinations, new and strange,
Irksome perhaps, yet plainly recognized
By this, the sudden companyloves prized
By those who are to prize his own amount
Of loves. Once care because such make account,
Allow that foreign recognitions stamp
The current value, and his crowd shall vamp
Him counterfeits enough; and so their print
Be on the piece, 't is gold, attests the mint,
And "good," pronounce they whom his new appeal
Is made to: if their casual print conceal
This arbitrary good of theirs o'ergloss
What he has lived without, nor felt the loss
Qualities strange, ungainly, wearisome,
What matter? So must speech expand the dumb
Part-sigh, part-smile with which Sordello, late
Whom no poor woodland-sights could satiate,
Betakes himself to study hungrily
Just what the puppets his crude phantasy
Supposes notablest,popes, kings, priests, knights,
May please to promulgate for appetites;
Accepting all their artificial joys
Not as he views them, but as he employs
Each shape to estimate the other's stock
Of attributes, whereona marshalled flock
Of authorized enjoymentshe may spend
Himself, be men, now, as he used to blend
With tree and flowernay more entirely, else
'T were mockery: for instance, "How excels
"My life that chieftain's?" (who apprised the youth
Ecelin, here, becomes this month, in truth,
Imperial Vicar?) "Turns he in his tent
"Remissly? Be it somy head is bent
"Deliciously amid my girls to sleep.
"What if he stalks the Trentine-pass? Yon steep
"I climbed an hour ago with little toil:
"We are alike there. But can I, too, foil
"The Guelf's paid stabber, carelessly afford
"Saint Mark's a spectacle, the sleight o' the sword
"Baffling the treason in a moment?" Here
No rescue! Poppy he is none, but peer
To Ecelin, assuredly: his hand,
Fashioned no otherwise, should wield a brand
With Ecelin's successtry, now! He soon
Was satisfied, returned as to the moon
From earth; left each abortive boy's-attempt
For feats, from failure happily exempt,
In fancy at his beck. "One day I will
"Accomplish it! Are they not older still
"Not grown-up men and women? 'T is beside
"Only a dream; and though I must abide
"With dreams now, I may find a thorough vent
"For all myself, acquire an instrument
"For acting what these people act; my soul
"Hunting a body out may gain its whole
"Desire some day!" How else express chagrin
And resignation, show the hope steal in
With which he let sink from an aching wrist
The rough-hewn ash-bow? Straight, a gold shaft hissed
Into the Syrian air, struck Malek down
Superbly! "Crosses to the breach! God's Town
"Is gained him back!" Why bend rough ash-bows more?
Thus lives he: if not careless as before,
Comforted: for one may anticipate,
Rehearse the future, be prepared when fate
Shall have prepared in turn real men whose names
Startle, real places of enormous fames,
Este abroad and Ecelin at home
To worship him,Mantua, Verona, Rome
To witness it. Who grudges time so spent?
Rather test qualities to heart's content
Summon them, thrice selected, near and far
Compress the starriest into one star,
And grasp the whole at once!
The pageant thinned
Accordingly; from rank to rank, like wind
His spirit passed to winnow and divide;
Back fell the simpler phantasms; every side
The strong clave to the wise; with either classed
The beauteous; so, till two or three amassed
Mankind's beseemingnesses, and reduced
Themselves eventually,graces loosed,
Strengths lavished,all to heighten up One Shape
Whose potency no creature should escape.
Can it be Friedrich of the bowmen's talk?
Surely that grape-juice, bubbling at the stalk,
Is some grey scorching Saracenic wine
The Kaiser quaffs with the Miramoline
Those swarthy hazel-clusters, seamed and chapped,
Or filberts russet-sheathed and velvet-capped,
Are dates plucked from the bough John Brienne sent
To keep in mind his sluggish armament
Of Canaan:Friedrich's, all the pomp and fierce
Demeanour! But harsh sounds and sights transpierce
So rarely the serene cloud where he dwells
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
Has thunder for its slave; but where 's the need
Of thunder if the stricken multitude
Hearkens, arrested in its angriest mood,
While songs go up exulting, then dispread,
Dispart, disperse, lingering overhead
Like an escape of angels? 'T is the tune,
Nor much unlike the words his women croon
Smilingly, colourless and faint-designed
Each, as a worn-out queen's face some remind
Of her extreme youth's love-tales. "Eglamor
"Made that!" Half minstrel and half emperor,
What but ill objects vexed him? Such he slew.
The kinder sort were easy to subdue
By those ambrosial glances, dulcet tones;
And these a gracious hand advanced to thrones
Beneath him. Wherefore twist and torture this,
Striving to name afresh the antique bliss,
Instead of saying, neither less nor more,
He had discovered, as our world before,
Apollo? That shall be the name; nor bid
Me rag by rag expose how patchwork hid
The youthwhat thefts of every clime and day
Contributed to purfle the array
He climbed with (June at deep) some close ravine
Mid clatter of its million pebbles sheen,
Over which, singing soft, the runnel slipped
Elate with rains: into whose streamlet dipped
He foot, yet trod, you thought, with unwet sock
Though really on the stubs of living rock
Ages ago it crenelled; vines for roof,
Lindens for wall; before him, aye aloof,
Flittered in the cool some azure damsel-fly,
Born of the simmering quiet, there to die.
Emerging whence, Apollo still, he spied
Mighty descents of forest; multiplied
Tuft on tuft, here, the frolic myrtle-trees,
There gendered the grave maple stocks at ease.
And, proud of its observer, straight the wood
Tried old surprises on him; black it stood
A sudden barrier ('twas a cloud passed o'er)
So dead and dense, the tiniest brute no more
Must pass; yet presently (the cloud dispatched)
Each clump, behold, was glistering detached
A shrub, oak-boles shrunk into ilex-stems!
Yet could not he denounce the stratagems
He saw thro', till, hours thence, aloft would hang
White summer-lightnings; as it sank and sprang
To measure, that whole palpitating breast
Of heaven, 't was Apollo, nature prest
At eve to worship.
Time stole: by degrees
The Pythons perish off; his votaries
Sink to respectful distance; songs redeem
Their pains, but briefer; their dismissals seem
Emphatic; only girls are very slow
To disappearhis Delians! Some that glow
O' the instant, more with earlier loves to wrench
Away, reserves to quell, disdains to quench;
Alike in one material circumstance
All soon or late adore Apollo! Glance
The bevy through, divine Apollo's choice,
His Daphne! "We secure Count Richard's voice
"In Este's counsels, good for Este's ends
"As our Taurello," say his faded friends,
"By granting him our Palma!"the sole child,
They mean, of Agnes Este who beguiled
Ecelin, years before this Adelaide
Wedded and turned him wicked: "but the maid
"Rejects his suit," those sleepy women boast.
She, scorning all beside, deserves the most
Sordello: so, conspicuous in his world
Of dreams sat Palma. How the tresses curled
Into a sumptuous swell of gold and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams; breathe not, breathe
Not!poised, see, one leg doubled underneath,
Its small foot buried in the dimpling snow,
Rests, but the other, listlessly below,
O'er the couch-side swings feeling for cool air,
The vein-streaks swollen a richer violet where
The languid blood lies heavily; yet calm
On her slight prop, each flat and outspread palm,
As but suspended in the act to rise
By consciousness of beauty, whence her eyes
Turn with so frank a triumph, for she meets
Apollo's gaze in the pine glooms.
Time fleets:
That 's worst! Because the pre-appointed age
Approaches. Fate is tardy with the stage
And crowd she promised. Lean he grows and pale,
Though restlessly at rest. Hardly avail
Fancies to soothe him. Time steals, yet alone
He tarries here! The earnest smile is gone.
How long this might continue matters not;
For ever, possibly; since to the spot
None come: our lingering Taurello quits
Mantua at last, and light our lady flits
Back to her place disburthened of a care.
Strangeto be constant here if he is there!
Is it distrust? Oh, never! for they both
Goad Ecelin alike, Romano's growth
Is daily manifest, with Azzo dumb
And Richard wavering: let but Friedrich come,
Find matter for the minstrelsy's report
Lured from the Isle and its young Kaiser's court
To sing us a Messina morning up,
And, double rillet of a drinking cup,
Sparkle along to ease the land of drouth,
Northward to Provence that, and thus far south
The other! What a method to apprise
Neighbours of births, espousals, obsequies,
Which in their very tongue the Troubadour
Records! and his performance makes a tour,
For Trouveres bear the miracle about,
Explain its cunning to the vulgar rout,
Until the Formidable House is famed
Over the countryas Taurello aimed,
Who introduced, although the rest adopt,
The novelty. Such games, her absence stopped,
Begin afresh now Adelaide, recluse
No longer, in the light of day pursues
Her plans at Mantua: whence an accident
Which, breaking on Sordello's mixed content
Opened, like any flash that cures the blind,
The veritable business of mankind.
~ Robert Browning, Sordello - Book the First
,#NFDB
629:The woods were long austere with snow: at last
Pink leaflets budded on the beech, and fast
Larches, scattered through pine-tree solitudes,
Brightened, "as in the slumbrous heart o' the woods
"Our buried year, a witch, grew young again
"To placid incantations, and that stain
"About were from her cauldron, green smoke blent
"With those black pines"so Eglamor gave vent
To a chance fancy. Whence a just rebuke
From his companion; brother Naddo shook
The solemnest of brows: "Beware," he said,
"Of setting up conceits in nature's stead!"
Forth wandered our Sordello. Nought so sure
As that to-day's adventure will secure
Palma, the visioned ladyonly pass
O'er you damp mound and its exhausted grass,
Under that brake where sundawn feeds the stalks
Of withered fern with gold, into those walks
Of pine and take her! Buoyantly he went.
Again his stooping forehead was besprent
With dew-drops from the skirting ferns. Then wide
Opened the great morass, shot every side
With flashing water through and through; a-shine,
Thick-steaming, all-alive. Whose shape divine,
Quivered i' the farthest rainbow-vapour, glanced
Athwart the flying herons? He advanced,
But warily; though Mincio leaped no more,
Each foot-fall burst up in the marish-floor
A diamond jet: and if he stopped to pick
Rose-lichen, or molest the leeches quick,
And circling blood-worms, minnow, newt or loach,
A sudden pond would silently encroach
This way and that. On Palma passed. The verge
Of a new wood was gained. She will emerge
Flushed, now, and panting,crowds to see,will own
She loves himBoniface to hear, to groan,
To leave his suit! One screen of pine-trees still
Opposes: butthe startling spectacle
Mantua, this time! Under the wallsa crowd
Indeed, real men and women, gay and loud
Round a pavilion. How he stood!
In truth
No prophecy had come to pass: his youth
In its prime nowand where was homage poured
Upon Sordello?born to be adored,
And suddenly discovered weak, scarce made
To cope with any, cast into the shade
By this and this. Yet something seemed to prick
And tingle in his blood; a sleighta trick
And much would be explained. It went for nought
The best of their endowments were ill bought
With his identity: nay, the conceit,
That this day's roving led to Palma's feet
Was not so vainlist! The word, "Palma!" Steal
Aside, and die, Sordello; this is real,
And thisabjure!
What next? The curtains see
Dividing! She is there; and presently
He will be therethe proper You, at length
In your own cherished dress of grace and strength:
Most like, the very Boniface!
Not so.
It was a showy man advanced; but though
A glad cry welcomed him, then every sound
Sank and the crowd disposed themselves around,
"This is not he," Sordello felt; while, "Place
"For the best Troubadour of Boniface!"
Hollaed the Jongleurs,"Eglamor, whose lay
"Concludes his patron's Court of Love to-day!"
Obsequious Naddo strung the master's lute
With the new lute-string, "Elys," named to suit
The song: he stealthily at watch, the while,
Biting his lip to keep down a great smile
Of pride: then up he struck. Sordello's brain
Swam; for he knew a sometime deed again;
So, could supply each foolish gap and chasm
The minstrel left in his enthusiasm,
Mistaking its true versionwas the tale
Not of Apollo? Only, what avail
Luring her down, that Elys an he pleased,
If the man dared no further? Has he ceased
And, lo, the people's frank applause half done,
Sordello was beside him, had begun
(Spite of indignant twitchings from his friend
The Trouvere) the true lay with the true end,
Taking the other's names and time and place
For his. On flew the song, a giddy race,
After the flying story; word made leap
Out word, rhymerhyme; the lay could barely keep
Pace with the action visibly rushing past:
Both ended. Back fell Naddo more aghast
Than some Egyptian from the harassed bull
That wheeled abrupt and, bellowing, fronted full
His plague, who spied a scarab 'neath the tongue,
And found 't was Apis' flank his hasty prong
Insulted. But the peoplebut the cries,
The crowding round, and proffering the prize!
For he had gained some prize. He seemed to shrink
Into a sleepy cloud, just at whose brink
One sight withheld him. There sat Adelaide,
Silent; but at her knees the very maid
Of the North Chamber, her red lips as rich,
The same pure fleecy hair; one weft of which,
Golden and great, quite touched his cheek as o'er
She leant, speaking some six words and no more.
He answered something, anything; and she
Unbound a scarf and laid it heavily
Upon him, her neck's warmth and all. Again
Moved the arrested magic; in his brain
Noises grew, and a light that turned to glare,
And greater glare, until the intense flare
Engulfed him, shut the whole scene from his sense.
And when he woke 't was many a furlong thence,
At home; the sun shining his ruddy wont;
The customary birds'-chirp; but his front
Was crownedwas crowned! Her scented scarf around
His neck! Whose gorgeous vesture heaps the ground?
A prize? He turned, and peeringly on him
Brooded the women-faces, kind and dim,
Ready to talk"The Jongleurs in a troop
"Had brought him back, Naddo and Squarcialupe
"And Tagliafer; how strange! a childhood spent
"In taking, well for him, so brave a bent!
"Since Eglamor," they heard, "was dead with spite,
"And Palma chose him for her minstrel."
Light
Sordello roseto think, now; hitherto
He had perceived. Sure, a discovery grew
Out of it all! Best live from first to last
The transport o'er again. A week he passed,
Sucking the sweet out of each circumstance,
From the bard's outbreak to the luscious trance
Bounding his own achievement. Strange! A man
Recounted an adventure, but began
Imperfectly; his own task was to fill
The frame-work up, sing well what he sung ill,
Supply the necessary points, set loose
As many incidents of little use
More imbecile the other, not to see
Their relative importance clear as he!
But, for a special pleasure in the act
Of singinghad he ever turned, in fact,
From Elys, to sing Elys?from each fit
Of rapture to contrive a song of it?
True, this snatch or the other seemed to wind
Into a treasure, helped himself to find
A beauty in himself; for, see, he soared
By means of that mere snatch, to many a hoard
Of fancies; as some falling cone bears soft
The eye along the fir-tree-spire, aloft
To a dove's nest. Then, how divine the cause
Why such performance should exact applause
From men, if they had fancies too? Did fate
Decree they found a beauty separate
In the poor snatch itself?"Take Elys, there,
"'Her head that 's sharp and perfect like a pear,
"'So close and smooth are laid the few fine locks
"'Coloured like honey oozed from topmost rocks
"'Sun-blanched the livelong summer'if they heard
"Just those two rhymes, assented at my word,
"And loved them as I love them who have run
"These fingers through those pale locks, let the sun
"Into the white cool skinwho first could clutch,
"Then praiseI needs must be a god to such.
"Or what if some, above themselves, and yet
"Beneath me, like their Eglamor, have set
"An impress on our gift? So, men believe
"And worship what they know not, nor receive
"Delight from. Have they fanciesslow, perchance,
"Not at their beck, which indistinctly glance
"Until, by song, each floating part be linked
"To each, and all grow palpable, distinct?"
He pondered this.
Meanwhile, sounds low and drear
Stole on him, and a noise of footsteps, near
And nearer, while the underwood was pushed
Aside, the larches grazed, the dead leaves crushed
At the approach of men. The wind seemed laid;
Only, the trees shrunk slightly and a shade
Came o'er the sky although 't was midday yet:
You saw each half-shut downcast floweret
Flutter"a Roman bride, when they 'd dispart
"Her unbound tresses with the Sabine dart,
"Holding that famous rape in memory still,
"Felt creep into her curls the iron chill,
"And looked thus," Eglamor would sayindeed
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
"Far from the scene of one's forlorn defeat
"To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
"And home again!" quoth Naddo.
All along,
This man (they rest the bier upon the sand)
This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!mixed
With his own life, unloosed when he should please,
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From menone not to care, take counsel for
Cold hearts, comfortless faces(Eglamor
Was neediest of his tribe)since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here
He well knew, 'mid those April woods he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
At the one weakness! 'T was a fervid child,
That song of his; no brother of the guild
Had e'er conceived its like. The rest you know,
The exaltation and the overthrow:
Our poet lost his purpose, lost his rank,
His lifeto that it came. Yet envy sank
Within him, as he heard Sordello out,
And, for the first time, shoutedtried to shout
Like others, not from any zeal to show
Pleasure that way: the common sort did so,
What else was Eglamor? who, bending down
As they, placed his beneath Sordello's crown,
Printed a kiss on his successor's hand,
Left one great tear on it, then joined his band
In time; for some were watching at the door:
Who knows what envy may effect? "Give o'er,
"Nor charm his lips, nor craze him!" (here one spied
And disengaged the withered crown)"Beside
"His crown? How prompt and clear those verses rang
"To answer yours! nay, sing them!" And he sang
Them calmly. Home he went; friends used to wait
His coming, zealous to congratulate;
But, to a manso quickly runs report
Could do no less than leave him, and escort
His rival. That eve, then, bred many a thought:
What must his future life be? was he brought
So low, who stood so lofty this Spring morn?
At length he said, "Best sleep now with my scorn,
"And by to-morrow I devise some plain
"Expedient!" So, he slept, nor woke again.
They found as much, those friends, when they returned
O'erflowing with the marvels they had learned
About Sordello's paradise, his roves
Among the hills and vales and plains and groves,
Wherein, no doubt, this lay was roughly cast,
Polished by slow degrees, completed last
To Eglamor's discomfiture and death.
Such form the chanters now, and, out of breath,
They lay the beaten man in his abode,
Naddo reciting that same luckless ode,
Doleful to hear. Sordello could explore
By means of it, however, one step more
In joy; and, mastering the round at length,
Learnt how to live in weakness as in strength,
When from his covert forth he stood, addressed
Eglamor, bade the tender ferns invest,
Primval pines o'ercanopy his couch,
And, most of all, his fame(shall I avouch
Eglamor heard it, dead though he might look,
And laughed as from his brow Sordello took
The crown, and laid on the bard's breast, and said
It was a crown, now, fit for poet's head?)
Continue. Nor the prayer quite fruitless fell.
A plant they have, yielding a three-leaved bell
Which whitens at the heart ere noon, and ails
Till evening; evening gives it to her gales
To clear away with such forgotten things
As are an eyesore to the morn: this brings
Him to their mind, and bears his very name.
So much for Eglamor. My own month came;
'T was a sunrise of blossoming and May.
Beneath a flowering laurel thicket lay
Sordello; each new sprinkle of white stars
That smell fainter of wine than Massic jars
Dug up at Bai, when the south wind shed
The ripest, made him happier; filleted
And robed the same, only a lute beside
Lay on the turf. Before him far and wide
The country stretched: Goito slept behind
The castle and its covert, which confined
Him with his hopes and fears; so fain of old
To leave the story of his birth untold.
At intervals, 'spite the fantastic glow
Of his Apollo-life, a certain low
And wretched whisper, winding through the bliss,
Admonished, no such fortune could be his,
All was quite false and sure to fade one day:
The closelier drew he round him his array
Of brilliance to expel the truth. But when
A reason for his difference from men
Surprised him at the grave, he took no rest
While aught of that old life, superbly dressed
Down to its meanest incident, remained
A mystery: alas, they soon explained
Away Apollo! and the tale amounts
To this: when at Vicenza both her counts
Banished the Vivaresi kith and kin,
Those Maltraversi hung on Ecelin,
Reviled him as he followed; he for spite
Must fire their quarter, though that self-same night
Among the flames young Ecelin was born
Of Adelaide, there too, and barely torn
From the roused populace hard on the rear,
By a poor archer when his chieftain's fear
Grew high; into the thick Elcorte leapt,
Saved her, and died; no creature left except
His child to thank. And when the full escape
Was knownhow men impaled from chine to nape
Unlucky Prata, all to pieces spurned
Bishop Pistore's concubines, and burned
Taurello's entire household, flesh and fell,
Missing the sweeter preysuch courage well
Might claim reward. The orphan, ever since,
Sordello, had been nurtured by his prince
Within a blind retreat where Adelaide
(For, once this notable discovery made,
The past at every point was understood)
Might harbour easily when times were rude,
When Azzo schemed for Palma, to retrieve
That pledge of Agnes Esteloth to leave
Mantua unguarded with a vigilant eye,
While there Taurello bode ambiguously
He who could have no motive now to moil
For his own fortunes since their utter spoil
As it were worth while yet (went the report)
To disengage himself from her. In short,
Apollo vanished; a mean youth, just named
His lady's minstrel, was to be proclaimed
How shall I phrase it?Monarch of the World!
For, on the day when that array was furled
Forever, and in place of one a slave
To longings, wild indeed, but longings save
In dreams as wild, suppressedone daring not
Assume the mastery such dreams allot,
Until a magical equipment, strength,
Grace, wisdom, decked him too,he chose at length,
Content with unproved wits and failing frame,
In virtue of his simple will, to claim
That mastery, no lessto do his best
With means so limited, and let the rest
Go by,the seal was set: never again
Sordello could in his own sight remain
One of the many, one with hopes and cares
And interests nowise distinct from theirs,
Only peculiar in a thriveless store
Of fancies, which were fancies and no more;
Never again for him and for the crowd
A common law was challenged and allowed
If calmly reasoned of, howe'er denied
By a mad impulse nothing justified
Short of Apollo's presence. The divorce
Is clear: why needs Sordello square his course
By any known example? Men no more
Compete with him than tree and flower before.
Himself, inactive, yet is greater far
Than such as act, each stooping to his star,
Acquiring thence his function; he has gained
The same result with meaner mortals trained
To strength or beauty, moulded to express
Each the idea that rules him; since no less
He comprehends that function, but can still
Embrace the others, take of might his fill
With Richard as of grace with Palma, mix
Their qualities, or for a moment fix
On one; abiding free meantime, uncramped
By any partial organ, never stamped
Strong, and to strength turning all energies
Wise, and restricted to becoming wise
That is, he loves not, nor possesses One
Idea that, star-like over, lures him on
To its exclusive purpose. "Fortunate!
"This flesh of mine ne'er strove to emulate
"A soul so varioustook no casual mould
"Of the first fancy and, contracted, cold,
"Clogged her foreversoul averse to change
"As flesh: whereas flesh leaves soul free to range,
"Remains itself a blank, cast into shade,
"Encumbers little, if it cannot aid.
"So, range, free soul!who, by self-consciousness,
"The last drop of all beauty dost express
"The grace of seeing grace, a quintessence
"For thee: while for the world, that can dispense
"Wonder on men who, themselves, wondermake
"A shift to love at second-hand, and take
"For idols those who do but idolize,
"Themselves,the world that counts men strong or wise,
"Who, themselves, court strength, wisdom,it shall bow
"Surely in unexampled worship now,
"Discerning me!"
(Dear monarch, I beseech,
Notice how lamentably wide a breach
Is here: discovering this, discover too
What our poor world has possibly to do
With it! As pigmy natures as you please
So much the better for you; take your ease,
Look on, and laugh; style yourself God alone;
Strangle some day with a cross olive-stone!
All that is right enough: but why want us
To know that you yourself know thus and thus?)
"The world shall bow to me conceiving all
"Man's life, who see its blisses, great and small,
"Afarnot tasting any; no machine
"To exercise my utmost will is mine:
"Be mine mere consciousness! Let men perceive
"What I could do, a mastery believe,
"Asserted and established to the throng
"By their selected evidence of song
"Which now shall prove, whate'er they are, or seek
"To be, I amwhose words, not actions speak,
"Who change no standards of perfection, vex
"With no strange forms created to perplex,
"But just perform their bidding and no more,
"At their own satiating-point give o'er,
"While each shall love in me the love that leads
"His soul to power's perfection." Song, not deeds,
(For we get tired) was chosen. Fate would brook
Mankind no other organ; he would look
For not another channel to dispense
His own volition by, receive men's sense
Of its supremacywould live content,
Obstructed else, with merely verse for vent.
Nor should, for instance, strength an outlet seek
And, striving, be admired: nor grace bespeak
Wonder, displayed in gracious attitudes:
Nor wisdom, poured forth, change unseemly moods;
But he would give and take on song's one point.
Like some huge throbbing stone that, poised a-joint,
Sounds, to affect on its basaltic bed,
Must sue in just one accent; tempests shed
Thunder, and raves the windstorm: only let
That key by any little noise be set
The far benighted hunter's halloo pitch
On that, the hungry curlew chance to scritch
Or serpent hiss it, rustling through the rift,
However loud, however lowall lift
The groaning monster, stricken to the heart.
Lo ye, the world's concernment, for its part,
And this, for his, will hardly interfere!
Its businesses in blood and blaze this year
But wile the hour awaya pastime slight
Till he shall step upon the platform: right!
And, now thus much is settled, cast in rough,
Proved feasible, be counselled! thought enough,
Slumber, Sordello! any day will serve:
Were it a less digested plan! how swerve
To-morrow? Meanwhile eat these sun-dried grapes,
And watch the soaring hawk there! Life escapes
Merrily thus.
He thoroughly read o'er
His truchman Naddo's missive six times more,
Praying him visit Mantua and supply
A famished world.
The evening star was high
When he reached Mantua, but his fame arrived
Before him: friends applauded, foes connived,
And Naddo looked an angel, and the rest
Angels, and all these angels would be blest
Supremely by a songthe thrice-renowned
Goito-manufacture. Then he found
(Casting about to satisfy the crowd)
That happy vehicle, so late allowed,
A sore annoyance; 't was the song's effect
He cared for, scarce the song itself: reflect!
In the past life, what might be singing's use?
Just to delight his Delians, whose profuse
Praise, not the toilsome process which procured
That praise, enticed Apollo: dreams abjured,
No overleaping means for endstake both
For granted or take neither! I am loth
To say the rhymes at last were Eglamor's;
But Naddo, chuckling, bade competitors
Go pine; "the master certes meant to waste
"No effort, cautiously had probed the taste
"He 'd please anon: true bard, in short,disturb
"His title if they could; nor spur nor curb,
"Fancy nor reason, wanting in him; whence
"The staple of his verses, common sense:
"He built on man's broad naturegift of gifts,
"That power to build! The world contented shifts
"With counterfeits enough, a dreary sort
"Of warriors, statesmen, ere it can extort
"Its poet-soulthat 's, after all, a freak
"(The having eyes to see and tongue to speak)
"With our herd's stupid sterling happiness
"So plainly incompatible thatyes
"Yesshould a son of his improve the breed
"And turn out poet, he were cursed indeed!"
"Well, there 's Goito and its woods anon,
"If the worst happen; best go stoutly on
"Now!" thought Sordello.
Ay, and goes on yet!
You pother with your glossaries to get
A notion of the Troubadour's intent
In rondel, tenzon, virlai or sirvent
Much as you study arras how to twirl
His angelot, plaything of page and girl
Once; but you surely reach, at last,or, no!
Never quite reach what struck the people so,
As from the welter of their time he drew
Its elements successively to view,
Followed all actions backward on their course,
And catching up, unmingled at the source,
Such a strength, such a weakness, added then
A touch or two, and turned them into men.
Virtue took form, nor vice refused a shape;
Here heaven opened, there was hell agape,
As Saint this simpered past in sanctity,
Sinner the other flared portentous by
A greedy people. Then why stop, surprised
At his success? The scheme was realized
Too suddenly in one respect: a crowd
Praising, eyes quick to see, and lips as loud
To speak, delicious homage to receive,
The woman's breath to feel upon his sleeve,
Who said, "But Anafestwhy asks he less
"Than Lucio, in your verses? how confess,
"It seemed too much but yestereve!"the youth,
Who bade him earnestly, "Avow the truth!
"You love Bianca, surely, from your song;
"I knew I was unworthy!"soft or strong,
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
And condescend with pleasuresone and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
"To the day's task; compel your slave provide
"Its utmost at the soonest; turn the leaf
"Thoroughly conned. These lays of yours, in brief
"Cannot men bear, now, something better?fly
"A pitch beyond this unreal pageantry
"Of essences? the period sure has ceased
"For such: present us with ourselves, at least,
"Not portions of ourselves, mere loves and hates
"Made flesh: wait not!"
Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the lighthis Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,welding words into the crude
Mass from the new speech round him, till a rude
Armour was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the resulta creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armour broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentmentof the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it's to clutch
And reconstructhis office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
"E'en if some wondrous vehicle expressed
"The whole dream, what impertinence in me
"So to express it, who myself can be
"The dream! nor, on the other hand, are those
"I sing to, over-likely to suppose
"A higher than the highest I present
"Now, which they praise already: be content
"Both parties, ratherthey with the old verse,
"And I with the old praisefar go, fare worse!"
A few adhering rivets loosed, upsprings
The angel, sparkles off his mail, which rings
Whirled from each delicatest limb it warps;
So might Apollo from the sudden corpse
Of Hyacinth have cast his luckless quoits.
He set to celebrating the exploits
Of Montfort o'er the Mountaineers.
Then came
The world's revenge: their pleasure, now his aim
Merely,what was it? "Not to play the fool
"So much as learn our lesson in your school!"
Replied the world. He found that, every time
He gained applause by any ballad-rhyme,
His auditory recognized no jot
As he intended, and, mistaking not
Him for his meanest hero, ne'er was dunce
Sufficient to believe himall, at once.
His will . . . conceive it caring for his will!
Mantuans, the main of them, admiring still
How a mere singer, ugly, stunted, weak,
Had Montfort at completely (so to speak)
His fingers' ends; while past the praise-tide swept
To Montfort, either's share distinctly kept:
The true meed for true merit!his abates
Into a sort he most repudiates,
And on them angrily he turns. Who were
The Mantuans, after all, that he should care
About their recognition, ay or no?
In spite of the convention months ago,
(Why blink the truth?) was not he forced to help
This same ungrateful audience, every whelp
Of Naddo's litter, make them pass for peers
With the bright band of old Goito years,
As erst he toiled for flower or tree? Why, there
Sat Palma! Adelaide's funereal hair
Ennobled the next corner. Ay, he strewed
A fairy dust upon that multitude,
Although he feigned to take them by themselves;
His giants dignified those puny elves,
Sublimed their faint applause. In short, he found
Himself still footing a delusive round,
Remote as ever from the self-display
He meant to compass, hampered every way
By what he hoped assistance. Wherefore then
Continue, make believe to find in men
A use he found not?
Weeks, months, years went by
And lo, Sordello vanished utterly,
Sundered in twain; each spectral part at strife
With each; one jarred against another life;
The Poet thwarting hopelessly the Man
Who, fooled no longer, free in fancy ran
Here, there: let slip no opportunities
As pitiful, forsooth, beside the prize
To drop on him some no-time and acquit
His constant faith (the Poet-half's to wit
That waiving any compromise between
No joy and all joy kept the hunger keen
Beyond most methods)of incurring scoff
From the Man-portionnot to be put off
With self-reflectings by the Poet's scheme,
Though ne'er so bright. Who sauntered forth in dream,
Dressed any how, nor waited mystic frames,
Immeasurable gifts, astounding claims,
But just his sorry self?who yet might be
Sorrier for aught he in reality
Achieved, so pinioned Man's the Poet-part,
Fondling, in turn of fancy, verse; the Art
Developing his soul a thousand ways
Potent, by its assistance, to amaze
The multitude with majesties, convince
Each sort of nature that the nature's prince
Accosted it. Language, the makeshift, grew
Into a bravest of expedients, too;
Apollo, seemed it now, perverse had thrown
Quiver and bow away, the lyre alone
Sufficed. While, out of dream, his day's work went
To tune a crazy tenzon or sirvent
So hampered him the Man-part, thrust to judge
Between the bard and the bard's audience, grudge
A minute's toil that missed its due reward!
But the complete Sordello, Man and Bard,
John's cloud-girt angel, this foot on the land,
That on the sea, with, open in his hand,
A bitter-sweetling of a bookwas gone.
Then, if internal struggles to be one,
Which frittered him incessantly piecemeal,
Referred, ne'er so obliquely, to the real
Intruding Mantuans! ever with some call
To action while he pondered, once for all,
Which looked the easier effortto pursue
This course, still leap o'er paltry joys, yearn through
The present ill-appreciated stage
Of self-revealment, and compel the age
Know himor else, forswearing bard-craft, wake
From out his lethargy and nobly shake
Off timid habits of denial, mix
With men, enjoy like men. Ere he could fix
On aught, in rushed the Mantuans; much they cared
For his perplexity! Thus unprepared,
The obvious if not only shelter lay
In deeds, the dull conventions of his day
Prescribed the like of him: why not be glad
'T is settled Palma's minstrel, good or bad,
Submits to this and that established rule?
Let Vidal change, or any other fool,
His murrey-coloured robe for filamot,
And crop his hair; too skin-deep, is it not,
Such vigour? Then, a sorrow to the heart,
His talk! Whatever topics they might start
Had to be groped for in his consciousness
Straight, and as straight delivered them by guess.
Only obliged to ask himself, "What was,"
A speedy answer followed; but, alas,
One of God's large ones, tardy to condense
Itself into a period; answers whence
A tangle of conclusions must be stripped
At any risk ere, trim to pattern clipped,
They matched rare specimens the Mantuan flock
Regaled him with, each talker from his stock
Of sorted-o'er opinions, every stage,
Juicy in youth or desiccate with age,
Fruits like the fig-tree's, rathe-ripe, rotten-rich,
Sweet-sour, all tastes to take: a practice which
He too had not impossibly attained,
Once either of those fancy-flights restrained;
(For, at conjecture how might words appear
To others, playing there what happened here,
And occupied abroad by what he spurned
At home, 't was slipped, the occasion he returned
To seize he 'd strike that lyre adroitlyspeech,
Would but a twenty-cubit plectre reach;
A clever hand, consummate instrument,
Were both brought close; each excellency went
For nothing, else. The question Naddo asked,
Had just a lifetime moderately tasked
To answer, Naddo's fashion. More disgust
And more: why move his soul, since move it must
At minute's notice or as good it failed
To move at all? The end was, he retailed
Some ready-made opinion, put to use
This quip, that maxim, ventured reproduce
Gestures and tonesat any folly caught
Serving to finish with, nor too much sought
If false or true 't was spoken; praise and blame
Of what he said grew pretty nigh the same
Meantime awards to meantime acts: his soul,
Unequal to the compassing a whole,
Saw, in a tenth part, less and less to strive
About. And as for men in turn . . . contrive
Who could to take eternal interest
In them, so hate the worst, so love the best,
Though, in pursuance of his passive plan,
He hailed, decried, the proper way.
As Man
So figured he; and how as Poet? Verse
Came only not to a stand-still. The worse,
That his poor piece of daily work to do
Wasnot sink under any rivals; who
Loudly and long enough, without these qualms,
Turned, from Bocafoli's stark-naked psalms,
To Plara's sonnets spoilt by toying with,
"As knops that stud some almug to the pith
"Prickd for gum, wry thence, and crinkld worse
"Than pursd eyelids of a river-horse
"Sunning himself o' the slime when whirrs the breese"
Gad-fly, that is. He might compete with these!
Butbut
"Observe a pompion-twine afloat;
"Pluck me one cup from off the castle-moat!
"Along with cup you raise leaf, stalk and root,
"The entire surface of the pool to boot.
"So could I pluck a cup, put in one song
"A single sight, did not my hand, too strong,
"Twitch in the least the root-strings of the whole.
"How should externals satisfy my soul?"
"Why that's precise the error Squarcialupe"
(Hazarded Naddo) "finds; 'the man can't stoop
"'To sing us out,' quoth he, 'a mere romance;
"'He'd fain do better than the best, enhance
"'The subjects' rarity, work problems out
"'Therewith.' Now, you 're a bard, a bard past doubt,
"And no philosopher; why introduce
"Crotchets like these? fine, surely, but no use
"In poetrywhich still must be, to strike,
"Based upon common sense; there's nothing like
"Appealing to our nature! what beside
"Was your first poetry? No tricks were tried
"In that, no hollow thrills, affected throes!
"'The man,' said we, 'tells his own joys and woes:
"'We'll trust him.' Would you have your songs endure?
"Build on the human heart!why, to be sure
"Yours is one sort of heartbut I mean theirs,
"Ours, every one's, the healthy heart one cares
"To build on! Central peace, mother of strength,
"That's father of . . . nay, go yourself that length,
"Ask those calm-hearted doers what they do
"When they have got their calm! And is it true,
"Fire rankles at the heart of every globe?
"Perhaps. But these are matters one may probe
"Too deeply for poetic purposes:
"Rather select a theory that . . . yes,
"Laugh! what does that prove?stations you midway
"And saves some little o'er-refining. Nay,
"That's rank injustice done me! I restrict
"The poet? Don't I hold the poet picked
"Out of a host of warriors, statesmen . . . did
"I tell you? Very like! As well you hid
"That sense of power, you have! True bards believe
"All able to achieve what they achieve
"That is, just nothingin one point abide
"Profounder simpletons than all beside.
"Oh, ay! The knowledge that you are a bard
"Must constitute your prime, nay sole, reward!"
So prattled Naddo, busiest of the tribe
Of genius-hauntershow shall I describe
What grubs or nips or rubs or ripsyour louse
For love, your flea for hate, magnanimous,
Malignant, Pappacoda, Tagliafer,
Picking a sustenance from wear and tear
By implements it sedulous employs
To undertake, lay down, mete out, o'er-toise
Sordello? Fifty creepers to elude
At once! They settled staunchly; shame ensued:
Behold the monarch of mankind succumb
To the last fool who turned him round his thumb,
As Naddo styled it! 'T was not worth oppose
The matter of a moment, gainsay those
He aimed at getting rid of; better think
Their thoughts and speak their speech, secure to slink
Back expeditiously to his safe place,
And chew the cudwhat he and what his race
Were really, each of them. Yet even this
Conformity was partial. He would miss
Some point, brought into contact with them ere
Assured in what small segment of the sphere
Of his existence they attended him;
Whence blunders, falsehoods rectifieda grim
Listslur it over! How? If dreams were tried,
His will swayed sicklily from side to side,
Nor merely neutralized his waking act
But tended e'en in fancy to distract
The intermediate will, the choice of means.
He lost the art of dreaming: Mantuan scenes
Supplied a baron, say, he sang before,
Handsomely reckless, full to running-o'er
Of gallantries; "abjure the soul, content
"With body, therefore!" Scarcely had he bent
Himself in dream thus low, when matter fast
Cried out, he found, for spirit to contrast
And task it duly; by advances slight,
The simple stuff becoming composite,
Count Lori grew Apollo: best recall
His fancy! Then would some rough peasant-Paul,
Like those old Ecelin confers with, glance
His gay apparel o'er; that countenance
Gathered his shattered fancies into one,
And, body clean abolished, soul alone
Sufficed the grey Paulician: by and by,
To balance the ethereality,
Passions were needed; foiled he sank again.
Meanwhile the world rejoiced ('t is time explain)
Because a sudden sickness set it free
From Adelaide. Missing the mother-bee,
Her mountain-hive Romano swarmed; at once
A rustle-forth of daughters and of sons
Blackened the valley. "I am sick too, old,
"Half-crazed I think; what good's the Kaiser's gold
"To such an one? God help me! for I catch
"My children's greedy sparkling eyes at watch
"'He bears that double breastplate on,' they say,
"'So many minutes less than yesterday!'
"Beside, Monk Hilary is on his knees
"Now, sworn to kneel and pray till God shall please
"Exact a punishment for many things
"You know, and some you never knew; which brings
"To memory, Azzo's sister Beatrix
"And Richard's Giglia are my Alberic's
"And Ecelin's betrothed; the Count himself
"Must get my Palma: Ghibellin and Guelf
"Mean to embrace each other." So began
Romano's missive to his fighting man
Taurelloon the Tuscan's death, away
With Friedrich sworn to sail from Naples' bay
Next month for Syria. Never thunder-clap
Out of Vesuvius' throat, like this mishap
Startled him. "That accursed Vicenza! I
"Absent, and she selects this time to die!
"Ho, fellows, for Vicenza!" Half a score
Of horses ridden dead, he stood before
Romano in his reeking spurs: too late
"Boniface urged me, Este could not wait,"
The chieftain stammered; "let me die in peace
"Forget me! Was it I who craved increase
"Of rule? Do you and Friedrich plot your worst
"Against the Father: as you found me first
"So leave me now. Forgive me! Palma, sure,
"Is at Goito still. Retain that lure
"Only be pacified!"
The country rung
With such a piece of news: on every tongue,
How Ecelin's great servant, congeed off,
Had done a long day's service, so, might doff
The green and yellow, and recover breath
At Mantua, whither,since Retrude's death,
(The girlish slip of a Sicilian bride
From Otho's house, he carried to reside
At Mantua till the Ferrarese should pile
A structure worthy her imperial style,
The gardens raise, the statues there enshrine,
She never lived to see)although his line
Was ancient in her archives and she took
A pride in him, that city, nor forsook
Her child when he forsook himself and spent
A prowess on Romano surely meant
For his own growthwhither he ne'er resorts
If wholly satisfied (to trust reports)
With Ecelin. So, forward in a trice
Were shows to greet him. "Take a friend's advice,"
Quoth Naddo to Sordello, "nor be rash
"Because your rivals (nothing can abash
"Some folks) demur that we pronounced you best
"To sound the great man's welcome; 't is a test,
"Remember! Strojavacca looks asquint,
"The rough fat sloven; and there 's plenty hint
"Your pinions have received of late a shock
"Outsoar them, cobswan of the silver flock!
"Sing well!" A signal wonder, song 's no whit
Facilitated.
Fast the minutes flit;
Another day, Sordello finds, will bring
The soldier, and he cannot choose but sing;
So, a last shift, quits Mantuaslow, alone:
Out of that aching brain, a very stone,
Song must be struck. What occupies that front?
Just how he was more awkward than his wont
The night before, when Naddo, who had seen
Taurello on his progress, praised the mien
For dignity no crosses could affect
Such was a joy, and might not he detect
A satisfaction if established joys
Were proved imposture? Poetry annoys
Its utmost: wherefore fret? Verses may come
Or keep away! And thus he wandered, dumb
Till evening, when he paused, thoroughly spent,
On a blind hill-top: down the gorge he went,
Yielding himself up as to an embrace.
The moon came out; like features of a face,
A querulous fraternity of pines,
Sad blackthorn clumps, leafless and grovelling vines
Also came out, made gradually up
The picture; 't was Goito's mountain-cup
And castle. He had dropped through one defile
He never dared explore, the Chief erewhile
Had vanished by. Back rushed the dream, enwrapped
Him wholly. 'T was Apollo now they lapped,
Those mountains, not a pettish minstrel meant
To wear his soul away in discontent,
Brooding on fortune's malice. Heart and brain
Swelled; he expanded to himself again,
As some thin seedling spice-tree starved and frail,
Pushing between cat's head and ibis' tail
Crusted into the porphyry pavement smooth,
Suffered remain just as it sprung, to soothe
The Soldan's pining daughter, never yet
Well in her chilly green-glazed minaret,
When rooted up, the sunny day she died,
And flung into the common court beside
Its parent tree. Come home, Sordello! Soon
Was he low muttering, beneath the moon,
Of sorrow saved, of quiet evermore,
Since from the purpose, he maintained before,
Only resulted wailing and hot tears.
Ah, the slim castle! dwindled of late years,
But more mysterious; gone to ruintrails
Of vine through every loop-hole. Nought avails
The night as, torch in hand, he must explore
The maple chamber: did I say, its floor
Was made of intersecting cedar beams?
Worn now with gaps so large, there blew cold streams
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
In the blind darkness water drop. The nests
And nooks retain their long ranged vesture-chests
Empty and smelling of the iris root
The Tuscan grated o'er them to recruit
Her wasted wits. Palma was gone that day,
Said the remaining women. Last, he lay
Beside the Carian group reserved and still.
The Body, the Machine for Acting Will,
Had been at the commencement proved unfit;
That for Demonstrating, Reflecting it,
Mankindno fitter: was the Will Itself
In fault?
His forehead pressed the moonlit shelf
Beside the youngest marble maid awhile;
Then, raising it, he thought, with a long smile,
"I shall be king again!" as he withdrew
The envied scarf; into the font he threw
His crown
Next day, no poet! "Wherefore?" asked
Taurello, when the dance of Jongleurs, masked
As devils, ended; "don't a song come next?"
The master of the pageant looked perplexed
Till Naddo's whisper came to his relief.
"His Highness knew what poets were: in brief,
"Had not the tetchy race prescriptive right
"To peevishness, caprice? or, call it spite,
"One must receive their nature in its length
"And breadth, expect the weakness with the strength!"
So phrasing, till, his stock of phrases spent,
The easy-natured soldier smiled assent,
Settled his portly person, smoothed his chin,
And nodded that the bull-bait might begin.
~ Robert Browning, Sordello - Book the Second
,#NFDB
630:And the font took them: let our laurels lie!
Braid moonfern now with mystic trifoly
Because once more Goito gets, once more,
Sordello to itself! A dream is o'er,
And the suspended life begins anew;
Quiet those throbbing temples, then, subdue
That cheek's distortion! Nature's strict embrace,
Putting aside the past, shall soon efface
Its print as wellfactitious humours grown
Over the trueloves, hatreds not his own
And turn him pure as some forgotten vest
Woven of painted byssus, silkiest
Tufting the Tyrrhene whelk's pearl-sheeted lip,
Left welter where a trireme let it slip
I' the sea, and vexed a satrap; so the stain
O' the world forsakes Sordello, with its pain,
Its pleasure: how the tinct loosening escapes,
Cloud after cloud! Mantua's familiar shapes
Die, fair and foul die, fading as they flit,
Men, women, and the pathos and the wit,
Wise speech and foolish, deeds to smile or sigh
For, good, bad, seemly or ignoble, die.
The last face glances through the eglantines,
The last voice murmurs, 'twixt the blossomed vines,
Of Men, of that machine supplied by thought
To compass self-perception with, he sought
By forcing half himselfan insane pulse
Of a god's blood, on clay it could convulse,
Never transmuteon human sights and sounds,
To watch the other half with; irksome bounds
It ebbs from to its source, a fountain sealed
Forever. Better sure be unrevealed
Than part revealed: Sordello well or ill
Is finished: then what further use of Will,
Point in the prime idea not realized,
An oversight? inordinately prized,
No less, and pampered with enough of each
Delight to prove the whole above its reach.
"To need become all natures, yet retain
"The law of my own natureto remain
"Myself, yet yearn . . . as if that chestnut, think,
"Should yearn for this first larch-bloom crisp and pink,
"Or those pale fragrant tears where zephyrs stanch
"March wounds along the fretted pine-tree branch!
"Will and the means to show will, great and small,
"Material, spiritual,abjure them all
"Save any so distinct, they may be left
"To amuse, not tempt become! and, thus bereft,
"Just as I first was fashioned would I be!
"Nor, moon, is it Apollo now, but me
"Thou visitest to comfort and befriend!
"Swim thou into my heart, and there an end,
"Since I possess thee!nay, thus shut mine eyes
"And know, quite know, by this heart's fall and rise,
"When thou dost bury thee in clouds, and when
"Out-standest: wherefore practise upon men
"To make that plainer to myself?"
Slide here
Over a sweet and solitary year
Wasted; or simply notice change in him
How eyes, once with exploring bright, grew dim
And satiate with receiving. Some distress
Was caused, too, by a sort of consciousness
Under the imbecility,nought kept
That down; he slept, but was aware he slept,
So, frustrated: as who brainsick made pact
Erst with the overhanging cataract
To deafen him, yet still distinguished plain
His own blood's measured clicking at his brain.
To finish. One declining Autumn day
Few birds about the heaven chill and grey,
No wind that cared trouble the tacit woods
He sauntered home complacently, their moods
According, his and nature's. Every spark
Of Mantua life was trodden out; so dark
The embers, that the Troubadour, who sung
Hundreds of songs, forgot, its trick his tongue,
Its craft his brain, how either brought to pass
Singing at all; that faculty might class
With any of Apollo's now. The year
Began to find its early promise sere
As well. Thus beauty vanishes; thus stone
Outlingers flesh: nature's and his youth gone,
They left the world to you, and wished you joy.
When, stopping his benevolent employ,
A presage shuddered through the welkin; harsh
The earth's remonstrance followed. 'T was the marsh
Gone of a sudden. Mincio, in its place,
Laughed, a broad water, in next morning's face,
And, where the mists broke up immense and white
I' the steady wind, burned like a spilth of light
Out of the crashing of a myriad stars.
And here was nature, bound by the same bars
Of fate with him!
"No! youth once gone is gone:
"Deeds, let escape, are never to be done.
"Leaf-fall and grass-spring for the year; for us
"Oh forfeit I unalterably thus
"My chance? nor two lives wait me, this to spend,
"Learning save that? Nature has time, may mend
"Mistake, she knows occasion will recur;
"Landslip or seabreach, how affects it her
"With her magnificent resources?I
"Must perish once and perish utterly.
"Not any strollings now at even-close
"Down the field-path, Sordello! by thorn-rows
"Alive with lamp-flies, swimming spots of fire
"And dew, outlining the black cypress' spire
"She waits you at, Elys, who heard you first
"Woo her, the snow-month through, but ere she durst
"Answer 't was April. Linden-flower-time-long
"Her eyes were on the ground; 't is July, strong
"Now; and because white dust-clouds overwhelm
"The woodside, here or by the village elm
"That holds the moon, she meets you, somewhat pale,
"But letting you lift up her coarse flax veil
"And whisper (the damp little hand in yours)
"Of love, heart's love, your heart's love that endures
"Till death. Tush! No mad mixing with the rout
"Of haggard ribalds wandering about
"The hot torchlit wine-scented island-house
"Where Friedrich holds his wickedest carouse,
"Parading,to the gay Palermitans,
"Soft Messinese, dusk Saracenic clans
"Nuocera holds,those tall grave dazzling Norse,
"High-cheeked, lank-haired, toothed whiter than the morse,
"Queens of the caves of jet stalactites,
"He sent his barks to fetch through icy seas,
"The blind night seas without a saving star,
"And here in snowy birdskin robes they are,
"Sordello!here, mollitious alcoves gilt
"Superb as Byzant domes that devils built!
"Ah, Byzant, there again! no chance to go
"Ever like august cheery Dandolo,
"Worshipping hearts about him for a wall,
"Conducted, blind eyes, hundred years and all,
"Through vanquished Byzant where friends note for him
"What pillar, marble massive, sardius slim,
"'T were fittest he transport to Venice' Square
"Flattered and promised life to touch them there
"Soon, by those fervid sons of senators!
"No more lifes, deaths, loves, hatreds, peaces, wars!
"Ah, fragments of a whole ordained to be,
"Points in the life I waited! what are ye
"But roundels of a ladder which appeared
"Awhile the very platform it was reared
"To lift me on?that happiness I find
"Proofs of my faith in, even in the blind
"Instinct which bade forego you all unless
"Ye led me past yourselves. Ay, happiness
"Awaited me; the way life should be used
"Was to acquire, and deeds like you conduced
"To teach it by a self-revealment, deemed
"Life's very use, so long! Whatever seemed
"Progress to that, was pleasure; aught that stayed
"My reaching itno pleasure. I have laid
"The ladder down; I climb not; still, aloft
"The platform stretches! Blisses strong and soft,
"I dared not entertain, elude me; yet
"Never of what they promised could I get
"A glimpse till now! The common sort, the crowd,
"Exist, perceive; with Being are endowed,
"However slight, distinct from what they See,
"However bounded; Happiness must be,
"To feed the first by gleanings from the last,
"Attain its qualities, and slow or fast
"Become what they behold; such peace-in-strife,
"By transmutation, is the Use of Life,
"The Alien turning Native to the soul
"Or bodywhich instructs me; I am whole
"There and demand a Palma; had the world
"Been from my soul to a like distance hurled,
"'T were Happiness to make it one with me:
"Whereas I must, ere I begin to Be,
"Include a world, in flesh, I comprehend
"In spirit now; and this done, what 's to blend
"With? Nought is Alien in the worldmy Will
"Owns all already; yet can turn itstill
"LessNative, since my Means to correspond
"With Will are so unworthy, 't was my bond
"To tread the very joys that tantalize
"Most now, into a grave, never to rise.
"I die then! Will the rest agree to die?
"Next Age or no? Shall its Sordello try
"Clue after clue, and catch at last the clue
"I miss?that 's underneath my finger too,
"Twice, thrice a day, perhaps,some yearning traced
"Deeper, some petty consequence embraced
"Closer! Why fled I Mantua, then?complained
"So much my Will was fettered, yet remained
"Content within a tether half the range
"I could assign it?able to exchange
"My ignorance (I felt) for knowledge, and
"Idle because I could thus understand
"Could e'en have penetrated to its core
"Our mortal mystery, yetfoolforbore,
"Preferred elaborating in the dark
"My casual stuff, by any wretched spark
"Born of my predecessors, though one stroke
"Of mine had brought the flame forth! Mantua's yoke,
"My minstrel's-trade, was to behold mankind,
"My own concern was just to bring my mind
"Behold, just extricate, for my acquist,
"Each object suffered stifle in the mist
"Which hazard, custom, blindness interpose
"Betwixt things and myself."
Whereat he rose.
The level wind carried above the firs
Clouds, the irrevocable travellers,
Onward.
"Pushed thus into a drowsy copse,
"Arms twine about my neck, each eyelid drops
"Under a humid finger; while there fleets,
"Outside the screen, a pageant time repeats
"Never again! To be deposed, immured
"Clandestinelystill petted, still assured
"To govern were fatiguing workthe Sight
"Fleeting meanwhile! 'T is noontide: wreak ere night
"Somehow my will upon it, rather! Slake
"This thirst somehow, the poorest impress take
"That serves! A blasted bud displays you, torn,
"Faint rudiments of the full flower unborn;
"But who divines what glory coats o'erclasp
"Of the bulb dormant in the mummy's grasp
"Taurello sent?" . . .
"Taurello? Palma sent
"Your Trouvere," (Naddo interposing leant
Over the lost bard's shoulder)"and, believe,
"You cannot more reluctantly receive
"Than I pronounce her message: we depart
"Together. What avail a poet's heart
"Verona's pomps and gauds? five blades of grass
"Suffice him. News? Why, where your marish was,
"On its mud-banks smoke rises after smoke
"I' the valley, like a spout of hell new-broke.
"Oh, the world's tidings! small your thanks, I guess,
"For them. The father of our Patroness,
"Has played Taurello an astounding trick,
"Parts between Ecelin and Alberic
"His wealth and goes into a convent: both
"Wed Guelfs: the Count and Palma plighted troth
"A week since at Verona: and they want
"You doubtless to contrive the marriage-chant
"Ere Richard storms Ferrara." Then was told
The tale from the beginninghow, made bold
By Salinguerra's absence, Guelfs had burned
And pillaged till he unawares returned
To take revenge: how Azzo and his friend
Were doing their endeavour, how the end
O' the siege was nigh, and how the Count, released
From further care, would with his marriage-feast
Inaugurate a new and better rule,
Absorbing thus Romano.
"Shall I school
"My master," added Naddo, "and suggest
"How you may clothe in a poetic vest
"These doings, at Verona? Your response
"To Palma! Wherefore jest? 'Depart at once?
"A good resolve! In truth, I hardly hoped
"So prompt an acquiescence. Have you groped
"Out wisdom in the wilds here?thoughts may be
"Over-poetical for poetry.
"Pearl-white, you poets liken Palma's neck;
"And yet what spoils an orient like some speck
"Of genuine white, turning its own white grey?
"You take me? Curse the cicala!"
One more day,
One eveappears Verona! Many a group,
(You mind) instructed of the osprey's swoop
On lynx and ounce, was gatheringChristendom
Sure to receive, whate'er the end was, from
The evening's purpose cheer or detriment,
Since Friedrich only waited some event
Like this, of Ghibellins establishing
Themselves within Ferrara, ere, as King
Of Lombardy, he 'd glad descend there, wage
Old warfare with the Pontiff, disengage
His barons from the burghers, and restore
The rule of Charlemagne, broken of yore
By Hildebrand.
I' the palace, each by each,
Sordello sat and Palma: little speech
At first in that dim closet, face with face
(Despite the tumult in the market-place)
Exchanging quick low laughters: now would rush
Word upon word to meet a sudden flush,
A look left off, a shifting lips' surmise
But for the most part their two histories
Ran best thro' the locked fingers and linked arms.
And so the night flew on with its alarms
Till in burst one of Palma's retinue;
"Now, Lady!" gasped he. Then arose the two
And leaned into Verona's air, dead-still.
A balcony lay black beneath until
Out, 'mid a gush of torchfire, grey-haired men
Came on it and harangued the people: then
Sea-like that people surging to and fro
Shouted, "Hale forth the carrochtrumpets, ho,
"A flourish! Run it in the ancient grooves!
"Back from the bell! Hammerthat whom behoves
"May hear the League is up! Peallearn who list,
"Verona means not first of towns break tryst
"To-morrow with the League!"
Enough. Now turn
Over the eastern cypresses: discern!
Is any beacon set a-glimmer?
Rang
The air with shouts that overpowered the clang
Of the incessant carroch, even: "Haste
"The candle 's at the gateway! ere it waste,
"Each soldier stand beside it, armed to march
"With Tiso Sampier through the eastern arch!"
Ferrara's succoured, Palma!
Once again
They sat together; some strange thing in train
To say, so difficult was Palma's place
In taking, with a coy fastidious grace
Like the bird's flutter ere it fix and feed.
But when she felt she held her friend indeed
Safe, she threw back her curls, began implant
Her lessons; telling of another want
Goito's quiet nourished than his own;
Palmato serve himto be served, alone
Importing; Agnes' milk so neutralized
The blood of Ecelin. Nor be surprised
If, while Sordello fain had captive led
Nature, in dream was Palma subjected
To some out-soul, which dawned not though she pined
Delaying, till its advent, heart and mind
Their life. "How dared I let expand the force
"Within me, till some out-soul, whose resource
"It grew for, should direct it? Every law
"Of life, its every fitness, every flaw,
"Must One determine whose corporeal shape
"Would be no other than the prime escape
"And revelation to me of a Will
"Orb-like o'ershrouded and inscrutable
"Above, save at the point which, I should know,
"Shone that myself, my powers, might overflow
"So far, so much; as now it signified
"Which earthly shape it henceforth chose my guide,
"Whose mortal lip selected to declare
"Its oracles, what fleshly garb would wear
"The first of intimations, whom to love;
"The next, how love him. Seemed that orb, above
"The castle-covert and the mountain-close,
"Slow in appearing?if beneath it rose
"Cravings, aversions,did our green precinct
"Take pride in me, at unawares distinct
"With this or that endowment,how, repressed
"At once, such jetting power shrank to the rest!
"Was I to have a chance touch spoil me, leave
"My spirit thence unfitted to receive
"The consummating spell?that spell so near
"Moreover! 'Waits he not the waking year?
"'His almond-blossoms must be honey-ripe
"'By this; to welcome him, fresh runnels stripe
"'The thawed ravines; because of him, the wind
"'Walks like a herald. I shall surely find
"'Him now!'
"And chief, that earnest April morn
"Of Richard's Love-court, was it time, so worn
"And white my cheek, so idly my blood beat,
"Sitting that morn beside the Lady's feet
"And saying as she prompted; till outburst
"One face from all the faces. Not then first
"I knew it; where in maple chamber glooms,
"Crowned with what sanguine-heart pomegranate blooms,
"Advanced it ever? Men's acknowledgment
"Sanctioned my own: 't was taken, Palma's bent,
"Sordello,recognized, accepted.
"Dumb
"Sat she still scheming. Ecelin would come
"Gaunt, scared, 'Cesano baffles me,' he 'd say:
"'Better I fought it out, my father's way!
"'Strangle Ferrara in its drowning flats,
"'And you and your Taurello yonder!what's
"'Romano's business there?' An hour's concern
"To cure the froward Chief!induce return
"As heartened from those overmeaning eyes,
"Wound up to persevere,his enterprise
"Marked out anew, its exigent of wit
"Apportioned,she at liberty to sit
"And scheme against the next emergence, I
"To covet her Taurello-sprite, made fly
"Or fold the wingto con your horoscope
"For leave command those steely shafts shoot ope,
"Or straight assuage their blinding eagerness
"In blank smooth snow What semblance of success
"To any of my plans for making you
"Mine and Romano's? Break the first wall through,
"Tread o'er the ruins of the Chief, supplant
"His sons beside, still, vainest were the vaunt:
"There, Salinguerra would obstruct me sheer,
"And the insuperable Tuscan, here,
"Stay me! But one wild eve that Lady died
"In her lone chamber: only I beside:
"Taurello far at Naples, and my sire
"At Padua, Ecelin away in ire
"With Alberic. She held me thusa clutch
"To make our spirits as our bodies touch
"And so began flinging the past up heaps
"Of uncouth treasure from their sunless sleeps
"Within her soul; deeds rose along with dreams,
"Fragments of many miserable schemes,
"Secrets, more secrets, thenno, not the last
"'Mongst others, like a casual trick o' the past,
"How . . . ay, she told me, gathering up her face,
"All left of it, into one arch-grimace
"To die with . . .
"Friend, 't is gone! but not the fear
"Of that fell laughing, heard as now I hear.
"Nor faltered voice, nor seemed her heart grow weak
"When i' the midst abrupt she ceased to speak
"Dead, as to serve a purpose, mark!for in
"Rushed o' the very instant Ecelin
"(How summoned, who divines?)looking as if
"He understood why Adelaide lay stiff
"Already in my arms; for 'Girl, how must
"'I manage Este in the matter thrust
"'Upon me, how unravel your bad coil?
"'Since' (he declared) ''t is on your browa soil
"'Like hers there!' then in the same breath, 'he lacked
"'No counsel after all, had signed no pact
"'With devils, nor was treason here or there,
"'Goito or Vicenza, his affair:
"'He buried it in Adelaide's deep grave,
"'Would begin life afresh, now,would not slave
"'For any Friedrich's nor Taurello's sake!
"'What booted him to meddle or to make
"'In Lombardy?' And afterward I knew
"The meaning of his promise to undo
"All she had donewhy marriages were made,
"New friendships entered on, old followers paid
"With curses for their pains,new friends' amaze
"At height, when, passing out by Gate St. Blaise,
"He stopped short in Vicenza, bent his head
"Over a friar's neck,'had vowed,' he said,
"'Long since, nigh thirty years, because his wife
"'And child were saved there, to bestow his life
"'On God, his gettings on the Church.'
"Exiled
"Within Goito, still one dream beguiled
"My days and nights; 't was found, the orb I sought
"To serve, those glimpses came of Fomalhaut,
"No other: but how serve it?authorize
"You and Romano mingle destinies?
"And straight Romano's angel stood beside
"Me who had else been Boniface's bride,
"For Salinguerra 't was, with neck low bent,
"And voice lightened to music, (as he meant
"To learn, not teach me,) who withdrew the pall
"From the dead past and straight revived it all,
"Making me see how first Romano waxed,
"Wherefore he waned now, why, if I relaxed
"My grasp (even I!) would drop a thing effete,
"Frayed by itself, unequal to complete
"Its course, and counting every step astray
"A gain so much. Romano, every way
"Stable, a Lombard House nowwhy start back
"Into the very outset of its track?
"This patching principle which late allied
"Our House with other Houseswhat beside
"Concerned the apparition, the first Knight
"Who followed Conrad hither in such plight
"His utmost wealth was summed in his one steed?
"For Ecelo, that prowler, was decreed
"A task, in the beginning hazardous
"To him as ever task can be to us;
"But did the weather-beaten thief despair
"When first our crystal cincture of warm air
"That binds the Trevisan,as its spice-belt
"(Crusaders say) the tract where Jesus dwelt,
"Furtive he pierced, and Este was to face
"Despaired Saponian strength of Lombard grace?
"Tried he at making surer aught made sure,
"Maturing what already was mature?
"No; his heart prompted Ecelo, 'Confront
"'Este, inspect yourself. What 's nature? Wont.
"'Discard three-parts your nature, and adopt
"'The rest as an advantage!' Old strength propped
"The man who first grew Podest among
"The Vicentines, no less than, while there sprung
"His palace up in Padua like a threat,
"Their noblest spied a grace, unnoticed yet
"In Conrad's crew. Thus far the object gained,
"Romano was establishedhas remained
"'For are you not Italian, truly peers
"'With Este? Azzo better soothes our ears
"'Than Alberic? or is this lion's-crine
"'From over-mounts' (this yellow hair of mine)
"'So weak a graft on Agnes Este's stock?'
"(Thus went he on with something of a mock)
"'Wherefore recoil, then, from the very fate
"'Conceded you, refuse to imitate
"'Your model farther? Este long since left
"'Being mere Este: as a blade its heft,
"'Este required the Pope to further him:
"'And you, the Kaiserwhom your father's whim
"'Foregoes or, better, never shall forego
"'If Palma dare pursue what Ecelo
"'Commenced, but Ecelin desists from: just
"'As Adelaide of Susa could intrust
"'Her donative,her Piedmont given the Pope,
"'Her Alpine-pass for him to shut or ope
"''Twixt France and Italy,to the superb
"'Matilda's perfecting,so, lest aught curb
"'Our Adelaide's great counter-project for
"'Giving her Trentine to the Emperor
"'With passage here from Germany,shall you
"'Take it,my slender plodding talent, too!'
"Urged me Taurello with his half-smile
"He
"As Patron of the scattered family
"Conveyed me to his Mantua, kept in bruit
"Azzo's alliances and Richard's suit
"Until, the Kaiser excommunicate,
"'Nothing remains,' Taurello said, 'but wait
"'Some rash procedure: Palma was the link,
"'As Agnes' child, between us, and they shrink
"'From losing Palma: judge if we advance,
"'Your father's method, your inheritance!'
"The day I was betrothed to Boniface
"At Padua by Taurello's self, took place
"The outrage of the Ferrarese: again,
"The day I sought Verona with the train
"Agreed for,by Taurello's policy
"Convicting Richard of the fault, since we
"Were present to annul or to confirm,
"Richard, whose patience had outstayed its term,
"Quitted Verona for the siege.
"And now
"What glory may engird Sordello's brow
"Through this? A month since at Oliero slunk
"All that was Ecelin into a monk;
"But how could Salinguerra so forget
"His liege of thirty years as grudge even yet
"One effort to recover him? He sent
"Forthwith the tidings of this last event
"To Ecelindeclared that he, despite
"The recent folly, recognized his right
"To order Salinguerra: 'Should he wring
"'Its uttermost advantage out, or fling
"'This chance away? Or were his sons now Head
"'O' the House?' Through me Taurello's missive sped;
"My father's answer will by me return.
"Behold! 'For him,' he writes, 'no more concern
"'With strife than, for his children, with fresh plots
"'Of Friedrich. Old engagements out he blots
"'For aye: Taurello shall no more subserve,
"'Nor Ecelin impose.' Lest this unnerve
"Taurello at this juncture, slack his grip
"Of Richard, suffer the occasion slip,
"I, in his sons' default (who, mating with
"Este, forsake Romano as the frith
"Its mainsea for that firmland, sea makes head
"Against) I stand, Romano,in their stead
"Assume the station they desert, and give
"Still, as the Kaiser's representative,
"Taurello licence he demands. Midnight
"Morningby noon to-morrow, making light
"Of the League's issue, we, in some gay weed
"Like yours, disguised together, may precede
"The arbitrators to Ferrara: reach
"Him, let Taurello's noble accents teach
"The rest! Then say if I have misconceived
"Your destiny, too readily believed
"The Kaiser's cause your own!"
And Palma's fled.
Though no affirmative disturbs the head,
A dying lamp-flame sinks and rises o'er,
Like the alighted planet Pollux wore,
Until, morn breaking, he resolves to be
Gate-vein of this heart's blood of Lombardy,
Soul of this bodyto wield this aggregate
Of souls and bodies, and so conquer fate
Though he should livea centre of disgust
Evenapart, core of the outward crust
He vivifies, assimilates. For thus
I bring Sordello to the rapturous
Exclaim at the crowd's cry, because one round
Of life was quite accomplished; and he found
Not only that a soul, whate'er its might,
Is insufficient to its own delight,
Both in corporeal organs and in skill
By means of such to body forth its Will
And, after, insufficient to apprise
Men of that Will, oblige them recognize
The Hid by the Revealedbut that,the last
Nor lightest of the struggles overpast,
Will, he bade abdicate, which would not void
The throne, might sit there, suffer he enjoyed
Mankind, a varied and divine array
Incapable of homage, the first way,
Nor fit to render incidentally
Tribute connived at, taken by the by,
In joys. If thus with warrant to rescind
The ignominious exile of mankind
Whose proper service, ascertained intact
As yet, (to be by him themselves made act,
Not watch Sordello acting each of them)
Was to secureif the true diadem
Seemed imminent while our Sordello drank
The wisdom of that golden Palma,thank
Verona's Lady in her citadel
Founded by Gaulish Brennus, legends tell:
And truly when she left him, the sun reared
A head like the first clamberer's who peered
A-top the Capitol, his face on flame
With triumph, triumphing till Manlius came.
Nor slight too much my rhymesthat spring, dispread,
Dispart, disperse, lingering over head
Like an escape of angels! Rather say,
My transcendental platan! mounting gay
(An archimage so courts a novice-queen)
With tremulous silvered trunk, whence branches sheen
Laugh out, thick-foliaged next, a-shiver soon
With coloured buds, then glowing like the moon
One mild flame,last a pause, a burst, and all
Her ivory limbs are smothered by a fall,
Bloom-flinders and fruit-sparkles and leaf-dust,
Ending the weird work prosecuted just
For her amusement; he decrepit, stark,
Dozes; her uncontrolled delight may mark
Apart
Yet not so, surely never so
Only, as good my soul were suffered go
O'er the lagune: forth fare thee, put aside
Entrance thy synod, as a god may glide
Out of the world he fills, and leave it mute
For myriad ages as we men compute,
Returning into it without a break
O' the consciousness! They sleep, and I awake
O'er the lagune, being at Venice.
Note,
In just such songs as Eglamor (say) wrote
With heart and soul and strength, for he believed
Himself achieving all to be achieved
By singerin such songs you find alone
Completeness, judge the song and singer one,
And either purpose answered, his in it
Or its in him: while from true works (to wit
Sordello's dream-performances that will
Never be more than dreamed) escapes there still
Some proof, the singer's proper life was 'neath
The life his song exhibits, this a sheath
To that; a passion and a knowledge far
Transcending these, majestic as they are,
Smouldered; his lay was but an episode
In the bard's life: which evidence you owed
To some slight weariness, some looking-off
Or start-away. The childish skit or scoff
In "Charlemagne," (his poem, dreamed divine
In every point except one silly line
About the restiff daughters)what may lurk
In that? "My life commenced before this work,"
(So I interpret the significance
Of the bard's start aside and look askance)
"My life continues after: on I fare
"With no more stopping, possibly, no care
"To note the undercurrent, the why and how,
"Where, when, o' the deeper life, as thus just now.
"But, silent, shall I cease to live? Alas
"For you! who sigh, 'When shall it come to pass
"'We read that story? How will he compress
"'The future gains, his life's true business,
"'Into the better lay whichthat one flout,
"'Howe'er inopportune it be, lets out
"'Engrosses him already, though professed
"'To meditate with us eternal rest,
"'And partnership in all his life has found?'"
'T is but a sailor's promise, weather-bound:
"Strike sail, slip cable, here the bark be moored
"For once, the awning stretched, the poles assured!
"Noontide above; except the wave's crisp dash,
"Or buzz of colibri, or tortoise' splash,
"The margin 's silent: out with every spoil
"Made in our tracking, coil by mighty coil,
"This serpent of a river to his head
"I' the midst! Admire each treasure, as we spread
"The bank, to help us tell our history
"Aright: give ear, endeavour to descry
"The groves of giant rushes, how they grew
"Like demons' endlong tresses we sailed through,
"What mountains yawned, forests to give us vent
"Opened, each doleful side, yet on we went
"Till . . . may that beetle (shake your cap) attest
"The springing of a land-wind from the West!"
Wherefore? Ah yes, you frolic it to-day!
To-morrow, and, the pageant moved away
Down to the poorest tent-pole, we and you
Part company: no other may pursue
Eastward your voyage, be informed what fate
Intends, if triumph or decline await
The tempter of the everlasting steppe.
I muse this on a ruined palace-step
At Venice: why should I break off, nor sit
Longer upon my step, exhaust the fit
England gave birth to? Who 's adorable
Enough reclaim a - no Sordello's Will
Alack!be queen to me? That Bassanese
Busied among her smoking fruit-boats? These
Perhaps from our delicious Asolo
Who twinkle, pigeons o'er the portico
Not prettier, bind June lilies into sheaves
To deck the bridge-side chapel, dropping leaves
Soiled by their own loose gold-meal? Ah, beneath
The cool arch stoops she, brownest cheek! Her wreath
Endures a montha half-monthif I make
A queen of her, continue for her sake
Sordello's story? Nay, that Paduan girl
Splashes with barer legs where a live whirl
In the dead black Giudecca proves sea-weed
Drifting has sucked down three, four, all indeed
Save one pale-red striped, pale-blue turbaned post
For gondolas.
You sad dishevelled ghost
That pluck at me and point, are you advised
I breathe? Let stay those girls (e'en her disguised
Jewels i' the locks that love no crownet like
Their native field-buds and the green wheat-spike,
So fair!who left this end of June's turmoil,
Shook off, as might a lily its gold soil,
Pomp, save a foolish gem or two, and free
In dream, came join the peasants o'er the sea.)
Look they too happy, too tricked out? Confess
There is such ****rd stock of happiness
To share, that, do one's uttermost, dear wretch,
One labours ineffectually to stretch
It o'er you so that mother and children, both
May equitably flaunt the sumpter-cloth!
Divide the robe yet farther: be content
With seeing just a score pre-eminent
Through shreds of it, acknowledged happy wights,
Engrossing what should furnish all, by rights!
For, these in evidence, you clearlier claim
A like garb for the rest,grace all, the same
As these my peasants. I ask youth and strength
And health for each of you, not moreat length
Grown wise, who asked at home that the whole race
Might add the spirit's to the body's grace,
And all be dizened out as chiefs and bards.
But in this magic weather one discards
Much old requirement. Venice seems a type
Of Life'twixt blue and blue extends, a stripe,
As Life, the somewhat, hangs 'twixt nought and nought:
'T is Venice, and 't is Lifeas good you sought
To spare me the Piazza's slippery stone
Or keep me to the unchoked canals alone,
As hinder Life the evil with the good
Which make up Living, rightly understood.
Only, do finish something! Peasants, queens,
Take them, made happy by whatever means,
Parade them for the common credit, vouch
That a luckless residue, we send to crouch
In corners out of sight, was just as framed
For happiness, its portion might have claimed
As well, and so, obtaining joy, had stalked
Fastuous as any!such my project, baulked
Already; I hardly venture to adjust
The first rags, when you find me. To mistrust
Me!nor unreasonably. You, no doubt,
Have the true knack of tiring suitors out
With those thin lips on tremble, lashless eyes
Inveterately tear-shot: there, be wise,
Mistress of mine, there, there, as if I meant
You insult!shall your friend (not slave) be shent
For speaking home? Beside, care-bit erased
Broken-up beauties ever took my taste
Supremely; and I love you more, far more
Than her I looked should foot Life's temple-floor.
Years ago, leagues at distance, when and where
A whisper came, "Let others seek!thy care
"Is found, thy life's provision; if thy race
"Should be thy mistress, and into one face
"The many faces crowd?" Ah, had I, judge,
Or no, your secret? Rough apparelgrudge
All ornaments save tag or tassel worn
To hint we are not thoroughly forlorn
Slouch bonnet, unloop mantle, careless go
Alone (that's saddest, but it must be so)
Through Venice, sing now and now glance aside,
Aught desultory or undignified,
Then, ravishingest lady, will you pass
Or not each formidable group, the mass
Before the Basilic (that feast gone by,
God's great day of the Corpus Domini)
And, wistfully foregoing proper men,
Come timid up to me for alms? And then
The luxury to hesitate, feign do
Some unexampled grace!when, whom but you
Dare I bestow your own upon? And hear
Further before you say, it is to sneer
I call you ravishing; for I regret
Little that she, whose early foot was set
Forth as she 'd plant it on a pedestal,
Now, i' the silent city, seems to fall
Toward meno wreath, only a lip's unrest
To quiet, surcharged eyelids to be pressed
Dry of their tears upon my bosom. Strange
Such sad chance should produce in thee such change,
My love! Warped souls and bodies! yet God spoke
Of right-hand, foot and eyeselects our yoke,
Sordello, as your poetship may find!
So, sleep upon my shoulder, child, nor mind
Their foolish talk; we 'll manage reinstate
Your old worth; ask moreover, when they prate
Of evil men past hope, "Don't each contrive,
"Despite the evil you abuse, to live?
"Keeping, each losel, through a maze of lies,
"His own conceit of truth? to which he hies
"By obscure windings, tortuous, if you will,
"But to himself not inaccessible;
"He sees truth, and his lies are for the crowd
"Who cannot see; some fancied right allowed
"His vilest wrong, empowered the losel clutch
"One pleasure from a multitude of such
"Denied him." Then assert, "All men appear
"To think all better than themselves, by here
"Trusting a crowd they wrong; but really," say,
"All men think all men stupider than they,
"Since, save themselves, no other comprehends
"The complicated scheme to make amends
"Evil, the scheme by which, thro' Ignorance,
"Good labours to exist." A slight advance,
Merely to find the sickness you die through,
And nought beside! but if one can't eschew
One's portion in the common lot, at least
One can avoid an ignorance increased
Tenfold by dealing out hint after hint
How nought were like dispensing without stint
The water of lifeso easy to dispense
Beside, when one has probed the centre whence
Commotion 's borncould tell you of it all!
"Meantime, just meditate my madrigal
"O' the mugwort that conceals a dewdrop safe!"
What, dullard? we and you in smothery chafe,
Babes, baldheads, stumbled thus far into Zin
The Horrid, getting neither out nor in,
A hungry sun above us, sands that bung
Our throats,each dromedary lolls a tongue,
Each camel churns a sick and frothy chap,
And you, 'twixt tales of Potiphar's mishap,
And sonnets on the earliest **** that spoke,
Remark, you wonder any one needs choke
With founts about! Potsherd him, Gibeonites!
While awkwardly enough your Moses smites
The rock, though he forego his Promised Land
Thereby, have Satan claim his carcass, and
Figure as Metaphysic Poet . . . ah,
Mark ye the dim first oozings? Meribah!
Then, quaffing at the fount my courage gained,
Recallnot that I prompt yewho explained . . .
"Presumptuous!" interrupts one. You, not I
'T is brother, marvel at and magnify
Such office: "office," quotha? can we get
To the beginning of the office yet?
What do we here? simply experiment
Each on the other's power and its intent
When elsewhere tasked,if this of mine were trucked
For yours to either's good,we watch construct,
In short, an engine: with a finished one,
What it can do, is all,nought, how 't is done.
But this of ours yet in probation, dusk
A kernel of strange wheelwork through its husk
Grows into shape by quarters and by halves;
Remark this tooth's spring, wonder what that valve's
Fall bodes, presume each faculty's device,
Make out each other more or less precise
The scope of the whole engine 's to be proved;
We die: which means to say, the whole 's removed,
Dismounted wheel by wheel, this complex gin,
To be set up anew elsewhere, begin
A task indeed, but with a clearer clime
Than the murk lodgment of our building-time.
And then, I grant you, it behoves forget
How 't is doneall that must amuse us yet
So long: and, while you turn upon your heel,
Pray that I be not busy slitting steel
Or shredding brass, camped on some virgin shore
Under a cluster of fresh stars, before
I name a tithe o' the wheels I trust to do!
So occupied, then, are we: hitherto,
At present, and a weary while to come,
The office of ourselves,nor blind nor dumb,
And seeing somewhat of man's state,has been,
For the worst of us, to say they so have seen;
For the better, what it was they saw; the best
Impart the gift of seeing to the rest:
"So that I glance," says such an one, "around,
"And there 's no face but I can read profound
"Disclosures in; this stands for hope, thatfear,
"And for a speech, a deed in proof, look here!
"'Stoop, else the strings of blossom, where the nuts
"'O'erarch, will blind thee! Said I not? She shuts
"'Both eyes this time, so close the hazels meet!
"'Thus, prisoned in the Piombi, I repeat
"'Events one rove occasioned, o'er and o'er,
"'Putting 'twixt me and madness evermore
"'Thy sweet shape, Zanze! Therefore stoop!'
"'That's truth!'
"(Adjudge you) 'the incarcerated youth
"'Would say that!'
"Youth? Plara the bard? Set down
"That Plara spent his youth in a grim town
"Whose cramped ill-featured streets huddled about
"The minster for protection, never out
"Of its black belfry's shade and its bells' roar.
"The brighter shone the suburb,all the more
"Ugly and absolute that shade's reproof
"Of any chance escape of joy,some roof,
"Taller than they, allowed the rest detect,
"Before the sole permitted laugh (suspect
"Who could, 't was meant for laughter, that ploughed cheek's
"Repulsive gleam!) when the sun stopped both peaks
"Of the cleft belfry like a fiery wedge,
"Then sank, a huge flame on its socket edge,
"With leavings on the grey glass oriel-pane
"Ghastly some minutes more. No fear of rain
"The minster minded that! in heaps the dust
"Lay everywhere. This town, the minster's trust,
"Held Plara; who, its denizen, bade hail
"In twice twelve sonnets, Tempe's dewy vale."
"'Exact the town, the minster and the street!'"
"As all mirth triumphs, sadness means defeat:
"Lust triumphs and is gay, Love 's triumphed o'er
"And sad: but Lucio 's sad. I said before,
"Love's sad, not Lucio; one who loves may be
"As gay his love has leave to hope, as he
"Downcast that lusts' desire escapes the springe:
"'T is of the mood itself I speak, what tinge
"Determines it, else colourless,or mirth,
"Or melancholy, as from heaven or earth."
"'Ay, that 's the variation's gist!'
"Indeed?
"Thus far advanced in safety then, proceed!
"And having seen too what I saw, be bold
"And next encounter what I do behold
"(That's sure) but bid you take on trust!"
Attack
The use and purpose of such sights! Alack,
Not so unwisely does the crowd dispense
On Salinguerras praise in preference
To the Sordellos: men of action, these!
Who, seeing just as little as you please,
Yet turn that little to account,engage
With, do not gaze at,carry on, a stage,
The work o' the world, not merely make report
The work existed ere their day! In short,
When at some future no-time a brave band
Sees, using what it sees, then shake my hand
In heaven, my brother! Meanwhile where's the hurt
Of keeping the Makers-see on the alert,
At whose defection mortals stare aghast
As though heaven's bounteous windows were slammed fast
Incontinent? Whereas all you, beneath,
Should scowl at, bruise their lips and break their teeth
Who ply the pullies, for neglecting you:
And therefore have I moulded, made anew
A Man, and give him to be turned and tried,
Be angry with or pleased at. On your side,
Have ye times, places, actors of your own?
Try them upon Sordello when full-grown,
And thenah then! If Hercules first parched
His foot in Egypt only to be marched
A sacrifice for Jove with pomp to suit,
What chance have I? The demigod was mute
Till, at the altar, where time out of mind
Such guests became oblations, chaplets twined
His forehead long enough, and he began
Slaying the slayers, nor escaped a man.
Take not affront, my gentle audience! whom
No Hercules shall make his hecatomb,
Believe, nor from his brows your chaplet rend
That's your kind suffrage, yours, my patron-friend,
Whose great verse blares unintermittent on
Like your own trumpeter at Marathon,
You who, Plata and Salamis being scant,
Put up with tna for a stimulant
And did well, I acknowledged, as he loomed
Over the midland sea last month, presumed
Long, lay demolished in the blazing West
At eve, while towards him tilting cloudlets pressed
Like Persian ships at Salamis. Friend, wear
A crest proud as desert while I declare
Had I a flawless ruby fit to wring
Tears of its colour from that painted king
Who lost it, I would, for that smile which went
To my heart, fling it in the sea, content,
Wearing your verse in place, an amulet
Sovereign against all passion, wear and fret!
My English Eyebright, if you are not glad
That, as I stopped my task awhile, the sad
Dishevelled form, wherein I put mankind
To come at times and keep my pact in mind,
Renewed me,hear no crickets in the hedge,
Nor let a glowworm spot the river's edge
At home, and may the summer showers gush
Without a warning from the missel thrush!
So, to our business, nowthe fate of such
As find our common natureovermuch
Despised because restricted and unfit
To bear the burthen they impose on it
Cling when they would discard it; craving strength
To leap from the allotted world, at length
They do leap,flounder on without a term,
Each a god's germ, doomed to remain a germ
In unexpanded infancy, unless . . .
But that 's the storydull enough, confess!
There might be fitter subjects to allure;
Still, neither misconceive my portraiture
Nor undervalue its adornments quaint:
What seems a fiend perchance may prove a saint.
Ponder a story ancient pens transmit,
Then say if you condemn me or acquit.
John the Beloved, banished Antioch
For Patmos, bade collectively his flock
Farewell, but set apart the closing eve
To comfort those his exile most would grieve,
He knew: a touching spectacle, that house
In motion to receive him! Xanthus' spouse
You missed, made panther's meat a month since; but
Xanthus himself (his nephew 't was, they shut
'Twixt boards and sawed asunder) Polycarp,
Soft Charicle, next year no wheel could warp
To swear by Csar's fortune, with the rest
Were ranged; thro' whom the grey disciple pressed,
Busily blessing right and left, just stopped
To pat one infant's curls, the hangman cropped
Soon after, reached the portal. On its hinge
The door turns and he enters: what quick twinge
Ruins the smiling mouth, those wide eyes fix
Whereon, why like some spectral candlestick's
Branch the disciple's arms? Dead swooned he, woke
Anon, heaved sigh, made shift to gasp, heart-broke,
"Get thee behind me, Satan! Have I toiled
"To no more purpose? Is the gospel foiled
"Here too, and o'er my son's, my Xanthus' hearth,
"Portrayed with sooty garb and features swarth
"Ah Xanthus, am I to thy roof beguiled
"To see thethethe Devil domiciled?"
Whereto sobbed Xanthus, "Father, 't is yourself
"Installed, a limning which our utmost pelf
"Went to procure against to-morrow's loss;
"And that's no twy-prong, but a pastoral cross,
"You 're painted with!"
His puckered brows unfold
And you shall hear Sordello's story told.
~ Robert Browning, Sordello - Book the Third
,#NFDB
631:Gareth And Lynette
The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy-And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to-Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he-Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'
And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
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Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'
And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw
The splendour sparkling from aloft, and thought
"An I could climb and lay my hand upon it,
Then were I wealthier than a leash of kings."
But ever when he reached a hand to climb,
One, that had loved him from his childhood, caught
And stayed him, "Climb not lest thou break thy neck,
I charge thee by my love," and so the boy,
Sweet mother, neither clomb, nor brake his neck,
But brake his very heart in pining for it,
And past away.'
To whom the mother said,
'True love, sweet son, had risked himself and climbed,
And handed down the golden treasure to him.'
And Gareth answered her with kindling eyes,
'Gold?' said I gold?--ay then, why he, or she,
Or whosoe'er it was, or half the world
Had ventured--HAD the thing I spake of been
Mere gold--but this was all of that true steel,
Whereof they forged the brand Excalibur,
And lightnings played about it in the storm,
And all the little fowl were flurried at it,
And there were cries and clashings in the nest,
That sent him from his senses: let me go.'
Then Bellicent bemoaned herself and said,
'Hast thou no pity upon my loneliness?
Lo, where thy father Lot beside the hearth
Lies like a log, and all but smouldered out!
For ever since when traitor to the King
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He fought against him in the Barons' war,
And Arthur gave him back his territory,
His age hath slowly droopt, and now lies there
A yet-warm corpse, and yet unburiable,
No more; nor sees, nor hears, nor speaks, nor knows.
And both thy brethren are in Arthur's hall,
Albeit neither loved with that full love
I feel for thee, nor worthy such a love:
Stay therefore thou; red berries charm the bird,
And thee, mine innocent, the jousts, the wars,
Who never knewest finger-ache, nor pang
Of wrenched or broken limb--an often chance
In those brain-stunning shocks, and tourney-falls,
Frights to my heart; but stay: follow the deer
By these tall firs and our fast-falling burns;
So make thy manhood mightier day by day;
Sweet is the chase: and I will seek thee out
Some comfortable bride and fair, to grace
Thy climbing life, and cherish my prone year,
Till falling into Lot's forgetfulness
I know not thee, myself, nor anything.
Stay, my best son! ye are yet more boy than man.'
Then Gareth, 'An ye hold me yet for child,
Hear yet once more the story of the child.
For, mother, there was once a King, like ours.
The prince his heir, when tall and marriageable,
Asked for a bride; and thereupon the King
Set two before him. One was fair, strong, armed-But to be won by force--and many men
Desired her; one good lack, no man desired.
And these were the conditions of the King:
That save he won the first by force, he needs
Must wed that other, whom no man desired,
A red-faced bride who knew herself so vile,
That evermore she longed to hide herself,
Nor fronted man or woman, eye to eye-Yea--some she cleaved to, but they died of her.
And one--they called her Fame; and one,--O Mother,
How can ye keep me tethered to you--Shame.
Man am I grown, a man's work must I do.
Follow the deer? follow the Christ, the King,
109
Live pure, speak true, right wrong, follow the King-Else, wherefore born?'
To whom the mother said
'Sweet son, for there be many who deem him not,
Or will not deem him, wholly proven King-Albeit in mine own heart I knew him King,
When I was frequent with him in my youth,
And heard him Kingly speak, and doubted him
No more than he, himself; but felt him mine,
Of closest kin to me: yet--wilt thou leave
Thine easeful biding here, and risk thine all,
Life, limbs, for one that is not proven King?
Stay, till the cloud that settles round his birth
Hath lifted but a little. Stay, sweet son.'
And Gareth answered quickly, 'Not an hour,
So that ye yield me--I will walk through fire,
Mother, to gain it--your full leave to go.
Not proven, who swept the dust of ruined Rome
From off the threshold of the realm, and crushed
The Idolaters, and made the people free?
Who should be King save him who makes us free?'
So when the Queen, who long had sought in vain
To break him from the intent to which he grew,
Found her son's will unwaveringly one,
She answered craftily, 'Will ye walk through fire?
Who walks through fire will hardly heed the smoke.
Ay, go then, an ye must: only one proof,
Before thou ask the King to make thee knight,
Of thine obedience and thy love to me,
Thy mother,--I demand.
And Gareth cried,
'A hard one, or a hundred, so I go.
Nay--quick! the proof to prove me to the quick!'
But slowly spake the mother looking at him,
'Prince, thou shalt go disguised to Arthur's hall,
And hire thyself to serve for meats and drinks
Among the scullions and the kitchen-knaves,
110
And those that hand the dish across the bar.
Nor shalt thou tell thy name to anyone.
And thou shalt serve a twelvemonth and a day.'
For so the Queen believed that when her son
Beheld his only way to glory lead
Low down through villain kitchen-vassalage,
Her own true Gareth was too princely-proud
To pass thereby; so should he rest with her,
Closed in her castle from the sound of arms.
Silent awhile was Gareth, then replied,
'The thrall in person may be free in soul,
And I shall see the jousts. Thy son am I,
And since thou art my mother, must obey.
I therefore yield me freely to thy will;
For hence will I, disguised, and hire myself
To serve with scullions and with kitchen-knaves;
Nor tell my name to any--no, not the King.'
Gareth awhile lingered. The mother's eye
Full of the wistful fear that he would go,
And turning toward him wheresoe'er he turned,
Perplext his outward purpose, till an hour,
When wakened by the wind which with full voice
Swept bellowing through the darkness on to dawn,
He rose, and out of slumber calling two
That still had tended on him from his birth,
Before the wakeful mother heard him, went.
The three were clad like tillers of the soil.
Southward they set their faces. The birds made
Melody on branch, and melody in mid air.
The damp hill-slopes were quickened into green,
And the live green had kindled into flowers,
For it was past the time of Easterday.
So, when their feet were planted on the plain
That broadened toward the base of Camelot,
Far off they saw the silver-misty morn
Rolling her smoke about the Royal mount,
That rose between the forest and the field.
111
At times the summit of the high city flashed;
At times the spires and turrets half-way down
Pricked through the mist; at times the great gate shone
Only, that opened on the field below:
Anon, the whole fair city had disappeared.
Then those who went with Gareth were amazed,
One crying, 'Let us go no further, lord.
Here is a city of Enchanters, built
By fairy Kings.' The second echoed him,
'Lord, we have heard from our wise man at home
To Northward, that this King is not the King,
But only changeling out of Fairyland,
Who drave the heathen hence by sorcery
And Merlin's glamour.' Then the first again,
'Lord, there is no such city anywhere,
But all a vision.'
Gareth answered them
With laughter, swearing he had glamour enow
In his own blood, his princedom, youth and hopes,
To plunge old Merlin in the Arabian sea;
So pushed them all unwilling toward the gate.
And there was no gate like it under heaven.
For barefoot on the keystone, which was lined
And rippled like an ever-fleeting wave,
The Lady of the Lake stood: all her dress
Wept from her sides as water flowing away;
But like the cross her great and goodly arms
Stretched under the cornice and upheld:
And drops of water fell from either hand;
And down from one a sword was hung, from one
A censer, either worn with wind and storm;
And o'er her breast floated the sacred fish;
And in the space to left of her, and right,
Were Arthur's wars in weird devices done,
New things and old co-twisted, as if Time
Were nothing, so inveterately, that men
Were giddy gazing there; and over all
High on the top were those three Queens, the friends
Of Arthur, who should help him at his need.
112
Then those with Gareth for so long a space
Stared at the figures, that at last it seemed
The dragon-boughts and elvish emblemings
Began to move, seethe, twine and curl: they called
To Gareth, 'Lord, the gateway is alive.'
And Gareth likewise on them fixt his eyes
So long, that even to him they seemed to move.
Out of the city a blast of music pealed.
Back from the gate started the three, to whom
From out thereunder came an ancient man,
Long-bearded, saying, 'Who be ye, my sons?'
Then Gareth, 'We be tillers of the soil,
Who leaving share in furrow come to see
The glories of our King: but these, my men,
(Your city moved so weirdly in the mist)
Doubt if the King be King at all, or come
From Fairyland; and whether this be built
By magic, and by fairy Kings and Queens;
Or whether there be any city at all,
Or all a vision: and this music now
Hath scared them both, but tell thou these the truth.'
Then that old Seer made answer playing on him
And saying, 'Son, I have seen the good ship sail
Keel upward, and mast downward, in the heavens,
And solid turrets topsy-turvy in air:
And here is truth; but an it please thee not,
Take thou the truth as thou hast told it me.
For truly as thou sayest, a Fairy King
And Fairy Queens have built the city, son;
They came from out a sacred mountain-cleft
Toward the sunrise, each with harp in hand,
And built it to the music of their harps.
And, as thou sayest, it is enchanted, son,
For there is nothing in it as it seems
Saving the King; though some there be that hold
The King a shadow, and the city real:
Yet take thou heed of him, for, so thou pass
Beneath this archway, then wilt thou become
A thrall to his enchantments, for the King
113
Will bind thee by such vows, as is a shame
A man should not be bound by, yet the which
No man can keep; but, so thou dread to swear,
Pass not beneath this gateway, but abide
Without, among the cattle of the field.
For an ye heard a music, like enow
They are building still, seeing the city is built
To music, therefore never built at all,
And therefore built for ever.'
Gareth spake
Angered, 'Old master, reverence thine own beard
That looks as white as utter truth, and seems
Wellnigh as long as thou art statured tall!
Why mockest thou the stranger that hath been
To thee fair-spoken?'
But the Seer replied,
'Know ye not then the Riddling of the Bards?
"Confusion, and illusion, and relation,
Elusion, and occasion, and evasion"?
I mock thee not but as thou mockest me,
And all that see thee, for thou art not who
Thou seemest, but I know thee who thou art.
And now thou goest up to mock the King,
Who cannot brook the shadow of any lie.'
Unmockingly the mocker ending here
Turned to the right, and past along the plain;
Whom Gareth looking after said, 'My men,
Our one white lie sits like a little ghost
Here on the threshold of our enterprise.
Let love be blamed for it, not she, nor I:
Well, we will make amends.'
With all good cheer
He spake and laughed, then entered with his twain
Camelot, a city of shadowy palaces
And stately, rich in emblem and the work
Of ancient kings who did their days in stone;
Which Merlin's hand, the Mage at Arthur's court,
Knowing all arts, had touched, and everywhere
114
At Arthur's ordinance, tipt with lessening peak
And pinnacle, and had made it spire to heaven.
And ever and anon a knight would pass
Outward, or inward to the hall: his arms
Clashed; and the sound was good to Gareth's ear.
And out of bower and casement shyly glanced
Eyes of pure women, wholesome stars of love;
And all about a healthful people stept
As in the presence of a gracious king.
Then into hall Gareth ascending heard
A voice, the voice of Arthur, and beheld
Far over heads in that long-vaulted hall
The splendour of the presence of the King
Throned, and delivering doom--and looked no more-But felt his young heart hammering in his ears,
And thought, 'For this half-shadow of a lie
The truthful King will doom me when I speak.'
Yet pressing on, though all in fear to find
Sir Gawain or Sir Modred, saw nor one
Nor other, but in all the listening eyes
Of those tall knights, that ranged about the throne,
Clear honour shining like the dewy star
Of dawn, and faith in their great King, with pure
Affection, and the light of victory,
And glory gained, and evermore to gain.
Then came a widow crying to the King,
'A boon, Sir King! Thy father, Uther, reft
From my dead lord a field with violence:
For howsoe'er at first he proffered gold,
Yet, for the field was pleasant in our eyes,
We yielded not; and then he reft us of it
Perforce, and left us neither gold nor field.'
Said Arthur, 'Whether would ye? gold or field?'
To whom the woman weeping, 'Nay, my lord,
The field was pleasant in my husband's eye.'
And Arthur, 'Have thy pleasant field again,
And thrice the gold for Uther's use thereof,
According to the years. No boon is here,
But justice, so thy say be proven true.
115
Accursed, who from the wrongs his father did
Would shape himself a right!'
And while she past,
Came yet another widow crying to him,
'A boon, Sir King! Thine enemy, King, am I.
With thine own hand thou slewest my dear lord,
A knight of Uther in the Barons' war,
When Lot and many another rose and fought
Against thee, saying thou wert basely born.
I held with these, and loathe to ask thee aught.
Yet lo! my husband's brother had my son
Thralled in his castle, and hath starved him dead;
And standeth seized of that inheritance
Which thou that slewest the sire hast left the son.
So though I scarce can ask it thee for hate,
Grant me some knight to do the battle for me,
Kill the foul thief, and wreak me for my son.'
Then strode a good knight forward, crying to him,
'A boon, Sir King! I am her kinsman, I.
Give me to right her wrong, and slay the man.'
Then came Sir Kay, the seneschal, and cried,
'A boon, Sir King! even that thou grant her none,
This railer, that hath mocked thee in full hall-None; or the wholesome boon of gyve and gag.'
But Arthur, 'We sit King, to help the wronged
Through all our realm. The woman loves her lord.
Peace to thee, woman, with thy loves and hates!
The kings of old had doomed thee to the flames,
Aurelius Emrys would have scourged thee dead,
And Uther slit thy tongue: but get thee hence-Lest that rough humour of the kings of old
Return upon me! Thou that art her kin,
Go likewise; lay him low and slay him not,
But bring him here, that I may judge the right,
According to the justice of the King:
Then, be he guilty, by that deathless King
Who lived and died for men, the man shall die.'
116
Then came in hall the messenger of Mark,
A name of evil savour in the land,
The Cornish king. In either hand he bore
What dazzled all, and shone far-off as shines
A field of charlock in the sudden sun
Between two showers, a cloth of palest gold,
Which down he laid before the throne, and knelt,
Delivering, that his lord, the vassal king,
Was even upon his way to Camelot;
For having heard that Arthur of his grace
Had made his goodly cousin, Tristram, knight,
And, for himself was of the greater state,
Being a king, he trusted his liege-lord
Would yield him this large honour all the more;
So prayed him well to accept this cloth of gold,
In token of true heart and felty.
Then Arthur cried to rend the cloth, to rend
In pieces, and so cast it on the hearth.
An oak-tree smouldered there. 'The goodly knight!
What! shall the shield of Mark stand among these?'
For, midway down the side of that long hall
A stately pile,--whereof along the front,
Some blazoned, some but carven, and some blank,
There ran a treble range of stony shields,-Rose, and high-arching overbrowed the hearth.
And under every shield a knight was named:
For this was Arthur's custom in his hall;
When some good knight had done one noble deed,
His arms were carven only; but if twain
His arms were blazoned also; but if none,
The shield was blank and bare without a sign
Saving the name beneath; and Gareth saw
The shield of Gawain blazoned rich and bright,
And Modred's blank as death; and Arthur cried
To rend the cloth and cast it on the hearth.
'More like are we to reave him of his crown
Than make him knight because men call him king.
The kings we found, ye know we stayed their hands
From war among themselves, but left them kings;
Of whom were any bounteous, merciful,
117
Truth-speaking, brave, good livers, them we enrolled
Among us, and they sit within our hall.
But as Mark hath tarnished the great name of king,
As Mark would sully the low state of churl:
And, seeing he hath sent us cloth of gold,
Return, and meet, and hold him from our eyes,
Lest we should lap him up in cloth of lead,
Silenced for ever--craven--a man of plots,
Craft, poisonous counsels, wayside ambushings-No fault of thine: let Kay the seneschal
Look to thy wants, and send thee satisfied-Accursed, who strikes nor lets the hand be seen!'
And many another suppliant crying came
With noise of ravage wrought by beast and man,
And evermore a knight would ride away.
Last, Gareth leaning both hands heavily
Down on the shoulders of the twain, his men,
Approached between them toward the King, and asked,
'A boon, Sir King (his voice was all ashamed),
For see ye not how weak and hungerworn
I seem--leaning on these? grant me to serve
For meat and drink among thy kitchen-knaves
A twelvemonth and a day, nor seek my name.
Hereafter I will fight.'
To him the King,
'A goodly youth and worth a goodlier boon!
But so thou wilt no goodlier, then must Kay,
The master of the meats and drinks, be thine.'
He rose and past; then Kay, a man of mien
Wan-sallow as the plant that feels itself
Root-bitten by white lichen,
'Lo ye now!
This fellow hath broken from some Abbey, where,
God wot, he had not beef and brewis enow,
However that might chance! but an he work,
Like any pigeon will I cram his crop,
And sleeker shall he shine than any hog.'
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Then Lancelot standing near, 'Sir Seneschal,
Sleuth-hound thou knowest, and gray, and all the hounds;
A horse thou knowest, a man thou dost not know:
Broad brows and fair, a fluent hair and fine,
High nose, a nostril large and fine, and hands
Large, fair and fine!--Some young lad's mystery-But, or from sheepcot or king's hall, the boy
Is noble-natured. Treat him with all grace,
Lest he should come to shame thy judging of him.'
Then Kay, 'What murmurest thou of mystery?
Think ye this fellow will poison the King's dish?
Nay, for he spake too fool-like: mystery!
Tut, an the lad were noble, he had asked
For horse and armour: fair and fine, forsooth!
Sir Fine-face, Sir Fair-hands? but see thou to it
That thine own fineness, Lancelot, some fine day
Undo thee not--and leave my man to me.'
So Gareth all for glory underwent
The sooty yoke of kitchen-vassalage;
Ate with young lads his portion by the door,
And couched at night with grimy kitchen-knaves.
And Lancelot ever spake him pleasantly,
But Kay the seneschal, who loved him not,
Would hustle and harry him, and labour him
Beyond his comrade of the hearth, and set
To turn the broach, draw water, or hew wood,
Or grosser tasks; and Gareth bowed himself
With all obedience to the King, and wrought
All kind of service with a noble ease
That graced the lowliest act in doing it.
And when the thralls had talk among themselves,
And one would praise the love that linkt the King
And Lancelot--how the King had saved his life
In battle twice, and Lancelot once the King's-For Lancelot was the first in Tournament,
But Arthur mightiest on the battle-field-Gareth was glad. Or if some other told,
How once the wandering forester at dawn,
Far over the blue tarns and hazy seas,
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On Caer-Eryri's highest found the King,
A naked babe, of whom the Prophet spake,
'He passes to the Isle Avilion,
He passes and is healed and cannot die'-Gareth was glad. But if their talk were foul,
Then would he whistle rapid as any lark,
Or carol some old roundelay, and so loud
That first they mocked, but, after, reverenced him.
Or Gareth telling some prodigious tale
Of knights, who sliced a red life-bubbling way
Through twenty folds of twisted dragon, held
All in a gap-mouthed circle his good mates
Lying or sitting round him, idle hands,
Charmed; till Sir Kay, the seneschal, would come
Blustering upon them, like a sudden wind
Among dead leaves, and drive them all apart.
Or when the thralls had sport among themselves,
So there were any trial of mastery,
He, by two yards in casting bar or stone
Was counted best; and if there chanced a joust,
So that Sir Kay nodded him leave to go,
Would hurry thither, and when he saw the knights
Clash like the coming and retiring wave,
And the spear spring, and good horse reel, the boy
Was half beyond himself for ecstasy.
So for a month he wrought among the thralls;
But in the weeks that followed, the good Queen,
Repentant of the word she made him swear,
And saddening in her childless castle, sent,
Between the in-crescent and de-crescent moon,
Arms for her son, and loosed him from his vow.
This, Gareth hearing from a squire of Lot
With whom he used to play at tourney once,
When both were children, and in lonely haunts
Would scratch a ragged oval on the sand,
And each at either dash from either end-Shame never made girl redder than Gareth joy.
He laughed; he sprang. 'Out of the smoke, at once
I leap from Satan's foot to Peter's knee-These news be mine, none other's--nay, the King's--
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Descend into the city:' whereon he sought
The King alone, and found, and told him all.
'I have staggered thy strong Gawain in a tilt
For pastime; yea, he said it: joust can I.
Make me thy knight--in secret! let my name
Be hidden, and give me the first quest, I spring
Like flame from ashes.'
Here the King's calm eye
Fell on, and checked, and made him flush, and bow
Lowly, to kiss his hand, who answered him,
'Son, the good mother let me know thee here,
And sent her wish that I would yield thee thine.
Make thee my knight? my knights are sworn to vows
Of utter hardihood, utter gentleness,
And, loving, utter faithfulness in love,
And uttermost obedience to the King.'
Then Gareth, lightly springing from his knees,
'My King, for hardihood I can promise thee.
For uttermost obedience make demand
Of whom ye gave me to, the Seneschal,
No mellow master of the meats and drinks!
And as for love, God wot, I love not yet,
But love I shall, God willing.'
And the King
'Make thee my knight in secret? yea, but he,
Our noblest brother, and our truest man,
And one with me in all, he needs must know.'
'Let Lancelot know, my King, let Lancelot know,
Thy noblest and thy truest!'
And the King-'But wherefore would ye men should wonder at you?
Nay, rather for the sake of me, their King,
And the deed's sake my knighthood do the deed,
Than to be noised of.'
Merrily Gareth asked,
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'Have I not earned my cake in baking of it?
Let be my name until I make my name!
My deeds will speak: it is but for a day.'
So with a kindly hand on Gareth's arm
Smiled the great King, and half-unwillingly
Loving his lusty youthhood yielded to him.
Then, after summoning Lancelot privily,
'I have given him the first quest: he is not proven.
Look therefore when he calls for this in hall,
Thou get to horse and follow him far away.
Cover the lions on thy shield, and see
Far as thou mayest, he be nor ta'en nor slain.'
Then that same day there past into the hall
A damsel of high lineage, and a brow
May-blossom, and a cheek of apple-blossom,
Hawk-eyes; and lightly was her slender nose
Tip-tilted like the petal of a flower;
She into hall past with her page and cried,
'O King, for thou hast driven the foe without,
See to the foe within! bridge, ford, beset
By bandits, everyone that owns a tower
The Lord for half a league. Why sit ye there?
Rest would I not, Sir King, an I were king,
Till even the lonest hold were all as free
From cursd bloodshed, as thine altar-cloth
From that best blood it is a sin to spill.'
'Comfort thyself,' said Arthur. 'I nor mine
Rest: so my knighthood keep the vows they swore,
The wastest moorland of our realm shall be
Safe, damsel, as the centre of this hall.
What is thy name? thy need?'
'My name?' she said-'Lynette my name; noble; my need, a knight
To combat for my sister, Lyonors,
A lady of high lineage, of great lands,
And comely, yea, and comelier than myself.
She lives in Castle Perilous: a river
Runs in three loops about her living-place;
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And o'er it are three passings, and three knights
Defend the passings, brethren, and a fourth
And of that four the mightiest, holds her stayed
In her own castle, and so besieges her
To break her will, and make her wed with him:
And but delays his purport till thou send
To do the battle with him, thy chief man
Sir Lancelot whom he trusts to overthrow,
Then wed, with glory: but she will not wed
Save whom she loveth, or a holy life.
Now therefore have I come for Lancelot.'
Then Arthur mindful of Sir Gareth asked,
'Damsel, ye know this Order lives to crush
All wrongers of the Realm. But say, these four,
Who be they? What the fashion of the men?'
'They be of foolish fashion, O Sir King,
The fashion of that old knight-errantry
Who ride abroad, and do but what they will;
Courteous or bestial from the moment, such
As have nor law nor king; and three of these
Proud in their fantasy call themselves the Day,
Morning-Star, and Noon-Sun, and Evening-Star,
Being strong fools; and never a whit more wise
The fourth, who alway rideth armed in black,
A huge man-beast of boundless savagery.
He names himself the Night and oftener Death,
And wears a helmet mounted with a skull,
And bears a skeleton figured on his arms,
To show that who may slay or scape the three,
Slain by himself, shall enter endless night.
And all these four be fools, but mighty men,
And therefore am I come for Lancelot.'
Hereat Sir Gareth called from where he rose,
A head with kindling eyes above the throng,
'A boon, Sir King--this quest!' then--for he marked
Kay near him groaning like a wounded bull-'Yea, King, thou knowest thy kitchen-knave am I,
And mighty through thy meats and drinks am I,
And I can topple over a hundred such.
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Thy promise, King,' and Arthur glancing at him,
Brought down a momentary brow. 'Rough, sudden,
And pardonable, worthy to be knight-Go therefore,' and all hearers were amazed.
But on the damsel's forehead shame, pride, wrath
Slew the May-white: she lifted either arm,
'Fie on thee, King! I asked for thy chief knight,
And thou hast given me but a kitchen-knave.'
Then ere a man in hall could stay her, turned,
Fled down the lane of access to the King,
Took horse, descended the slope street, and past
The weird white gate, and paused without, beside
The field of tourney, murmuring 'kitchen-knave.'
Now two great entries opened from the hall,
At one end one, that gave upon a range
Of level pavement where the King would pace
At sunrise, gazing over plain and wood;
And down from this a lordly stairway sloped
Till lost in blowing trees and tops of towers;
And out by this main doorway past the King.
But one was counter to the hearth, and rose
High that the highest-crested helm could ride
Therethrough nor graze: and by this entry fled
The damsel in her wrath, and on to this
Sir Gareth strode, and saw without the door
King Arthur's gift, the worth of half a town,
A warhorse of the best, and near it stood
The two that out of north had followed him:
This bare a maiden shield, a casque; that held
The horse, the spear; whereat Sir Gareth loosed
A cloak that dropt from collar-bone to heel,
A cloth of roughest web, and cast it down,
And from it like a fuel-smothered fire,
That lookt half-dead, brake bright, and flashed as those
Dull-coated things, that making slide apart
Their dusk wing-cases, all beneath there burns
A jewelled harness, ere they pass and fly.
So Gareth ere he parted flashed in arms.
Then as he donned the helm, and took the shield
And mounted horse and graspt a spear, of grain
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Storm-strengthened on a windy site, and tipt
With trenchant steel, around him slowly prest
The people, while from out of kitchen came
The thralls in throng, and seeing who had worked
Lustier than any, and whom they could but love,
Mounted in arms, threw up their caps and cried,
'God bless the King, and all his fellowship!'
And on through lanes of shouting Gareth rode
Down the slope street, and past without the gate.
So Gareth past with joy; but as the cur
Pluckt from the cur he fights with, ere his cause
Be cooled by fighting, follows, being named,
His owner, but remembers all, and growls
Remembering, so Sir Kay beside the door
Muttered in scorn of Gareth whom he used
To harry and hustle.
'Bound upon a quest
With horse and arms--the King hath past his time-My scullion knave! Thralls to your work again,
For an your fire be low ye kindle mine!
Will there be dawn in West and eve in East?
Begone!--my knave!--belike and like enow
Some old head-blow not heeded in his youth
So shook his wits they wander in his prime-Crazed! How the villain lifted up his voice,
Nor shamed to bawl himself a kitchen-knave.
Tut: he was tame and meek enow with me,
Till peacocked up with Lancelot's noticing.
Well--I will after my loud knave, and learn
Whether he know me for his master yet.
Out of the smoke he came, and so my lance
Hold, by God's grace, he shall into the mire-Thence, if the King awaken from his craze,
Into the smoke again.'
But Lancelot said,
'Kay, wherefore wilt thou go against the King,
For that did never he whereon ye rail,
But ever meekly served the King in thee?
Abide: take counsel; for this lad is great
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And lusty, and knowing both of lance and sword.'
'Tut, tell not me,' said Kay, 'ye are overfine
To mar stout knaves with foolish courtesies:'
Then mounted, on through silent faces rode
Down the slope city, and out beyond the gate.
But by the field of tourney lingering yet
Muttered the damsel, 'Wherefore did the King
Scorn me? for, were Sir Lancelot lackt, at least
He might have yielded to me one of those
Who tilt for lady's love and glory here,
Rather than--O sweet heaven! O fie upon him-His kitchen-knave.'
To whom Sir Gareth drew
(And there were none but few goodlier than he)
Shining in arms, 'Damsel, the quest is mine.
Lead, and I follow.' She thereat, as one
That smells a foul-fleshed agaric in the holt,
And deems it carrion of some woodland thing,
Or shrew, or weasel, nipt her slender nose
With petulant thumb and finger, shrilling, 'Hence!
Avoid, thou smellest all of kitchen-grease.
And look who comes behind,' for there was Kay.
'Knowest thou not me? thy master? I am Kay.
We lack thee by the hearth.'
And Gareth to him,
'Master no more! too well I know thee, ay-The most ungentle knight in Arthur's hall.'
'Have at thee then,' said Kay: they shocked, and Kay
Fell shoulder-slipt, and Gareth cried again,
'Lead, and I follow,' and fast away she fled.
But after sod and shingle ceased to fly
Behind her, and the heart of her good horse
Was nigh to burst with violence of the beat,
Perforce she stayed, and overtaken spoke.
'What doest thou, scullion, in my fellowship?
Deem'st thou that I accept thee aught the more
Or love thee better, that by some device
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Full cowardly, or by mere unhappiness,
Thou hast overthrown and slain thy master--thou!-Dish-washer and broach-turner, loon!--to me
Thou smellest all of kitchen as before.'
'Damsel,' Sir Gareth answered gently, 'say
Whate'er ye will, but whatsoe'er ye say,
I leave not till I finish this fair quest,
Or die therefore.'
'Ay, wilt thou finish it?
Sweet lord, how like a noble knight he talks!
The listening rogue hath caught the manner of it.
But, knave, anon thou shalt be met with, knave,
And then by such a one that thou for all
The kitchen brewis that was ever supt
Shalt not once dare to look him in the face.'
'I shall assay,' said Gareth with a smile
That maddened her, and away she flashed again
Down the long avenues of a boundless wood,
And Gareth following was again beknaved.
'Sir Kitchen-knave, I have missed the only way
Where Arthur's men are set along the wood;
The wood is nigh as full of thieves as leaves:
If both be slain, I am rid of thee; but yet,
Sir Scullion, canst thou use that spit of thine?
Fight, an thou canst: I have missed the only way.'
So till the dusk that followed evensong
Rode on the two, reviler and reviled;
Then after one long slope was mounted, saw,
Bowl-shaped, through tops of many thousand pines
A gloomy-gladed hollow slowly sink
To westward--in the deeps whereof a mere,
Round as the red eye of an Eagle-owl,
Under the half-dead sunset glared; and shouts
Ascended, and there brake a servingman
Flying from out of the black wood, and crying,
'They have bound my lord to cast him in the mere.'
Then Gareth, 'Bound am I to right the wronged,
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But straitlier bound am I to bide with thee.'
And when the damsel spake contemptuously,
'Lead, and I follow,' Gareth cried again,
'Follow, I lead!' so down among the pines
He plunged; and there, blackshadowed nigh the mere,
And mid-thigh-deep in bulrushes and reed,
Saw six tall men haling a seventh along,
A stone about his neck to drown him in it.
Three with good blows he quieted, but three
Fled through the pines; and Gareth loosed the stone
From off his neck, then in the mere beside
Tumbled it; oilily bubbled up the mere.
Last, Gareth loosed his bonds and on free feet
Set him, a stalwart Baron, Arthur's friend.
'Well that ye came, or else these caitiff rogues
Had wreaked themselves on me; good cause is theirs
To hate me, for my wont hath ever been
To catch my thief, and then like vermin here
Drown him, and with a stone about his neck;
And under this wan water many of them
Lie rotting, but at night let go the stone,
And rise, and flickering in a grimly light
Dance on the mere. Good now, ye have saved a life
Worth somewhat as the cleanser of this wood.
And fain would I reward thee worshipfully.
What guerdon will ye?'
Gareth sharply spake,
'None! for the deed's sake have I done the deed,
In uttermost obedience to the King.
But wilt thou yield this damsel harbourage?'
Whereat the Baron saying, 'I well believe
You be of Arthur's Table,' a light laugh
Broke from Lynette, 'Ay, truly of a truth,
And in a sort, being Arthur's kitchen-knave!-But deem not I accept thee aught the more,
Scullion, for running sharply with thy spit
Down on a rout of craven foresters.
A thresher with his flail had scattered them.
Nay--for thou smellest of the kitchen still.
But an this lord will yield us harbourage,
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Well.'
So she spake. A league beyond the wood,
All in a full-fair manor and a rich,
His towers where that day a feast had been
Held in high hall, and many a viand left,
And many a costly cate, received the three.
And there they placed a peacock in his pride
Before the damsel, and the Baron set
Gareth beside her, but at once she rose.
'Meseems, that here is much discourtesy,
Setting this knave, Lord Baron, at my side.
Hear me--this morn I stood in Arthur's hall,
And prayed the King would grant me Lancelot
To fight the brotherhood of Day and Night-The last a monster unsubduable
Of any save of him for whom I called-Suddenly bawls this frontless kitchen-knave,
"The quest is mine; thy kitchen-knave am I,
And mighty through thy meats and drinks am I."
Then Arthur all at once gone mad replies,
"Go therefore," and so gives the quest to him-Him--here--a villain fitter to stick swine
Than ride abroad redressing women's wrong,
Or sit beside a noble gentlewoman.'
Then half-ashamed and part-amazed, the lord
Now looked at one and now at other, left
The damsel by the peacock in his pride,
And, seating Gareth at another board,
Sat down beside him, ate and then began.
'Friend, whether thou be kitchen-knave, or not,
Or whether it be the maiden's fantasy,
And whether she be mad, or else the King,
Or both or neither, or thyself be mad,
I ask not: but thou strikest a strong stroke,
For strong thou art and goodly therewithal,
And saver of my life; and therefore now,
For here be mighty men to joust with, weigh
Whether thou wilt not with thy damsel back
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To crave again Sir Lancelot of the King.
Thy pardon; I but speak for thine avail,
The saver of my life.'
And Gareth said,
'Full pardon, but I follow up the quest,
Despite of Day and Night and Death and Hell.'
So when, next morn, the lord whose life he saved
Had, some brief space, conveyed them on their way
And left them with God-speed, Sir Gareth spake,
'Lead, and I follow.' Haughtily she replied.
'I fly no more: I allow thee for an hour.
Lion and stout have isled together, knave,
In time of flood. Nay, furthermore, methinks
Some ruth is mine for thee. Back wilt thou, fool?
For hard by here is one will overthrow
And slay thee: then will I to court again,
And shame the King for only yielding me
My champion from the ashes of his hearth.'
To whom Sir Gareth answered courteously,
'Say thou thy say, and I will do my deed.
Allow me for mine hour, and thou wilt find
My fortunes all as fair as hers who lay
Among the ashes and wedded the King's son.'
Then to the shore of one of those long loops
Wherethrough the serpent river coiled, they came.
Rough-thicketed were the banks and steep; the stream
Full, narrow; this a bridge of single arc
Took at a leap; and on the further side
Arose a silk pavilion, gay with gold
In streaks and rays, and all Lent-lily in hue,
Save that the dome was purple, and above,
Crimson, a slender banneret fluttering.
And therebefore the lawless warrior paced
Unarmed, and calling, 'Damsel, is this he,
The champion thou hast brought from Arthur's hall?
For whom we let thee pass.' 'Nay, nay,' she said,
'Sir Morning-Star. The King in utter scorn
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Of thee and thy much folly hath sent thee here
His kitchen-knave: and look thou to thyself:
See that he fall not on thee suddenly,
And slay thee unarmed: he is not knight but knave.'
Then at his call, 'O daughters of the Dawn,
And servants of the Morning-Star, approach,
Arm me,' from out the silken curtain-folds
Bare-footed and bare-headed three fair girls
In gilt and rosy raiment came: their feet
In dewy grasses glistened; and the hair
All over glanced with dewdrop or with gem
Like sparkles in the stone Avanturine.
These armed him in blue arms, and gave a shield
Blue also, and thereon the morning star.
And Gareth silent gazed upon the knight,
Who stood a moment, ere his horse was brought,
Glorying; and in the stream beneath him, shone
Immingled with Heaven's azure waveringly,
The gay pavilion and the naked feet,
His arms, the rosy raiment, and the star.
Then she that watched him, 'Wherefore stare ye so?
Thou shakest in thy fear: there yet is time:
Flee down the valley before he get to horse.
Who will cry shame? Thou art not knight but knave.'
Said Gareth, 'Damsel, whether knave or knight,
Far liefer had I fight a score of times
Than hear thee so missay me and revile.
Fair words were best for him who fights for thee;
But truly foul are better, for they send
That strength of anger through mine arms, I know
That I shall overthrow him.'
And he that bore
The star, when mounted, cried from o'er the bridge,
'A kitchen-knave, and sent in scorn of me!
Such fight not I, but answer scorn with scorn.
For this were shame to do him further wrong
Than set him on his feet, and take his horse
And arms, and so return him to the King.
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Come, therefore, leave thy lady lightly, knave.
Avoid: for it beseemeth not a knave
To ride with such a lady.'
'Dog, thou liest.
I spring from loftier lineage than thine own.'
He spake; and all at fiery speed the two
Shocked on the central bridge, and either spear
Bent but not brake, and either knight at once,
Hurled as a stone from out of a catapult
Beyond his horse's crupper and the bridge,
Fell, as if dead; but quickly rose and drew,
And Gareth lashed so fiercely with his brand
He drave his enemy backward down the bridge,
The damsel crying, 'Well-stricken, kitchen-knave!'
Till Gareth's shield was cloven; but one stroke
Laid him that clove it grovelling on the ground.
Then cried the fallen, 'Take not my life: I yield.'
And Gareth, 'So this damsel ask it of me
Good--I accord it easily as a grace.'
She reddening, 'Insolent scullion: I of thee?
I bound to thee for any favour asked!'
'Then he shall die.' And Gareth there unlaced
His helmet as to slay him, but she shrieked,
'Be not so hardy, scullion, as to slay
One nobler than thyself.' 'Damsel, thy charge
Is an abounding pleasure to me. Knight,
Thy life is thine at her command. Arise
And quickly pass to Arthur's hall, and say
His kitchen-knave hath sent thee. See thou crave
His pardon for thy breaking of his laws.
Myself, when I return, will plead for thee.
Thy shield is mine--farewell; and, damsel, thou,
Lead, and I follow.'
And fast away she fled.
Then when he came upon her, spake, 'Methought,
Knave, when I watched thee striking on the bridge
The savour of thy kitchen came upon me
A little faintlier: but the wind hath changed:
I scent it twenty-fold.' And then she sang,
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'"O morning star" (not that tall felon there
Whom thou by sorcery or unhappiness
Or some device, hast foully overthrown),
"O morning star that smilest in the blue,
O star, my morning dream hath proven true,
Smile sweetly, thou! my love hath smiled on me."
'But thou begone, take counsel, and away,
For hard by here is one that guards a ford-The second brother in their fool's parable-Will pay thee all thy wages, and to boot.
Care not for shame: thou art not knight but knave.'
To whom Sir Gareth answered, laughingly,
'Parables? Hear a parable of the knave.
When I was kitchen-knave among the rest
Fierce was the hearth, and one of my co-mates
Owned a rough dog, to whom he cast his coat,
"Guard it," and there was none to meddle with it.
And such a coat art thou, and thee the King
Gave me to guard, and such a dog am I,
To worry, and not to flee--and--knight or knave-The knave that doth thee service as full knight
Is all as good, meseems, as any knight
Toward thy sister's freeing.'
'Ay, Sir Knave!
Ay, knave, because thou strikest as a knight,
Being but knave, I hate thee all the more.'
'Fair damsel, you should worship me the more,
That, being but knave, I throw thine enemies.'
'Ay, ay,' she said, 'but thou shalt meet thy match.'
So when they touched the second river-loop,
Huge on a huge red horse, and all in mail
Burnished to blinding, shone the Noonday Sun
Beyond a raging shallow. As if the flower,
That blows a globe of after arrowlets,
Ten thousand-fold had grown, flashed the fierce shield,
All sun; and Gareth's eyes had flying blots
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Before them when he turned from watching him.
He from beyond the roaring shallow roared,
'What doest thou, brother, in my marches here?'
And she athwart the shallow shrilled again,
'Here is a kitchen-knave from Arthur's hall
Hath overthrown thy brother, and hath his arms.'
'Ugh!' cried the Sun, and vizoring up a red
And cipher face of rounded foolishness,
Pushed horse across the foamings of the ford,
Whom Gareth met midstream: no room was there
For lance or tourney-skill: four strokes they struck
With sword, and these were mighty; the new knight
Had fear he might be shamed; but as the Sun
Heaved up a ponderous arm to strike the fifth,
The hoof of his horse slipt in the stream, the stream
Descended, and the Sun was washed away.
Then Gareth laid his lance athwart the ford;
So drew him home; but he that fought no more,
As being all bone-battered on the rock,
Yielded; and Gareth sent him to the King,
'Myself when I return will plead for thee.'
'Lead, and I follow.' Quietly she led.
'Hath not the good wind, damsel, changed again?'
'Nay, not a point: nor art thou victor here.
There lies a ridge of slate across the ford;
His horse thereon stumbled--ay, for I saw it.
'"O Sun" (not this strong fool whom thou, Sir Knave,
Hast overthrown through mere unhappiness),
"O Sun, that wakenest all to bliss or pain,
O moon, that layest all to sleep again,
Shine sweetly: twice my love hath smiled on me."
What knowest thou of lovesong or of love?
Nay, nay, God wot, so thou wert nobly born,
Thou hast a pleasant presence. Yea, perchance,-'"O dewy flowers that open to the sun,
O dewy flowers that close when day is done,
Blow sweetly: twice my love hath smiled on me."
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'What knowest thou of flowers, except, belike,
To garnish meats with? hath not our good King
Who lent me thee, the flower of kitchendom,
A foolish love for flowers? what stick ye round
The pasty? wherewithal deck the boar's head?
Flowers? nay, the boar hath rosemaries and bay.
'"O birds, that warble to the morning sky,
O birds that warble as the day goes by,
Sing sweetly: twice my love hath smiled on me."
'What knowest thou of birds, lark, mavis, merle,
Linnet? what dream ye when they utter forth
May-music growing with the growing light,
Their sweet sun-worship? these be for the snare
(So runs thy fancy) these be for the spit,
Larding and basting. See thou have not now
Larded thy last, except thou turn and fly.
There stands the third fool of their allegory.'
For there beyond a bridge of treble bow,
All in a rose-red from the west, and all
Naked it seemed, and glowing in the broad
Deep-dimpled current underneath, the knight,
That named himself the Star of Evening, stood.
And Gareth, 'Wherefore waits the madman there
Naked in open dayshine?' 'Nay,' she cried,
'Not naked, only wrapt in hardened skins
That fit him like his own; and so ye cleave
His armour off him, these will turn the blade.'
Then the third brother shouted o'er the bridge,
'O brother-star, why shine ye here so low?
Thy ward is higher up: but have ye slain
The damsel's champion?' and the damsel cried,
'No star of thine, but shot from Arthur's heaven
With all disaster unto thine and thee!
For both thy younger brethren have gone down
Before this youth; and so wilt thou, Sir Star;
Art thou not old?'
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'Old, damsel, old and hard,
Old, with the might and breath of twenty boys.'
Said Gareth, 'Old, and over-bold in brag!
But that same strength which threw the Morning Star
Can throw the Evening.'
Then that other blew
A hard and deadly note upon the horn.
'Approach and arm me!' With slow steps from out
An old storm-beaten, russet, many-stained
Pavilion, forth a grizzled damsel came,
And armed him in old arms, and brought a helm
With but a drying evergreen for crest,
And gave a shield whereon the Star of Even
Half-tarnished and half-bright, his emblem, shone.
But when it glittered o'er the saddle-bow,
They madly hurled together on the bridge;
And Gareth overthrew him, lighted, drew,
There met him drawn, and overthrew him again,
But up like fire he started: and as oft
As Gareth brought him grovelling on his knees,
So many a time he vaulted up again;
Till Gareth panted hard, and his great heart,
Foredooming all his trouble was in vain,
Laboured within him, for he seemed as one
That all in later, sadder age begins
To war against ill uses of a life,
But these from all his life arise, and cry,
'Thou hast made us lords, and canst not put us down!'
He half despairs; so Gareth seemed to strike
Vainly, the damsel clamouring all the while,
'Well done, knave-knight, well-stricken, O good knight-knave-O knave, as noble as any of all the knights-Shame me not, shame me not. I have prophesied-Strike, thou art worthy of the Table Round-His arms are old, he trusts the hardened skin-Strike--strike--the wind will never change again.'
And Gareth hearing ever stronglier smote,
And hewed great pieces of his armour off him,
But lashed in vain against the hardened skin,
And could not wholly bring him under, more
Than loud Southwesterns, rolling ridge on ridge,
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The buoy that rides at sea, and dips and springs
For ever; till at length Sir Gareth's brand
Clashed his, and brake it utterly to the hilt.
'I have thee now;' but forth that other sprang,
And, all unknightlike, writhed his wiry arms
Around him, till he felt, despite his mail,
Strangled, but straining even his uttermost
Cast, and so hurled him headlong o'er the bridge
Down to the river, sink or swim, and cried,
'Lead, and I follow.'
But the damsel said,
'I lead no longer; ride thou at my side;
Thou art the kingliest of all kitchen-knaves.
'"O trefoil, sparkling on the rainy plain,
O rainbow with three colours after rain,
Shine sweetly: thrice my love hath smiled on me."
'Sir,--and, good faith, I fain had added--Knight,
But that I heard thee call thyself a knave,-Shamed am I that I so rebuked, reviled,
Missaid thee; noble I am; and thought the King
Scorned me and mine; and now thy pardon, friend,
For thou hast ever answered courteously,
And wholly bold thou art, and meek withal
As any of Arthur's best, but, being knave,
Hast mazed my wit: I marvel what thou art.'
'Damsel,' he said, 'you be not all to blame,
Saving that you mistrusted our good King
Would handle scorn, or yield you, asking, one
Not fit to cope your quest. You said your say;
Mine answer was my deed. Good sooth! I hold
He scarce is knight, yea but half-man, nor meet
To fight for gentle damsel, he, who lets
His heart be stirred with any foolish heat
At any gentle damsel's waywardness.
Shamed? care not! thy foul sayings fought for me:
And seeing now thy words are fair, methinks
There rides no knight, not Lancelot, his great self,
Hath force to quell me.'
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Nigh upon that hour
When the lone hern forgets his melancholy,
Lets down his other leg, and stretching, dreams
Of goodly supper in the distant pool,
Then turned the noble damsel smiling at him,
And told him of a cavern hard at hand,
Where bread and baken meats and good red wine
Of Southland, which the Lady Lyonors
Had sent her coming champion, waited him.
Anon they past a narrow comb wherein
Where slabs of rock with figures, knights on horse
Sculptured, and deckt in slowly-waning hues.
'Sir Knave, my knight, a hermit once was here,
Whose holy hand hath fashioned on the rock
The war of Time against the soul of man.
And yon four fools have sucked their allegory
From these damp walls, and taken but the form.
Know ye not these?' and Gareth lookt and read-In letters like to those the vexillary
Hath left crag-carven o'er the streaming Gelt-'PHOSPHORUS,' then 'MERIDIES'--'HESPERUS'-'NOX'--'MORS,' beneath five figures, armd men,
Slab after slab, their faces forward all,
And running down the Soul, a Shape that fled
With broken wings, torn raiment and loose hair,
For help and shelter to the hermit's cave.
'Follow the faces, and we find it. Look,
Who comes behind?'
For one--delayed at first
Through helping back the dislocated Kay
To Camelot, then by what thereafter chanced,
The damsel's headlong error through the wood-Sir Lancelot, having swum the river-loops-His blue shield-lions covered--softly drew
Behind the twain, and when he saw the star
Gleam, on Sir Gareth's turning to him, cried,
'Stay, felon knight, I avenge me for my friend.'
And Gareth crying pricked against the cry;
But when they closed--in a moment--at one touch
Of that skilled spear, the wonder of the world--
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Went sliding down so easily, and fell,
That when he found the grass within his hands
He laughed; the laughter jarred upon Lynette:
Harshly she asked him, 'Shamed and overthrown,
And tumbled back into the kitchen-knave,
Why laugh ye? that ye blew your boast in vain?'
'Nay, noble damsel, but that I, the son
Of old King Lot and good Queen Bellicent,
And victor of the bridges and the ford,
And knight of Arthur, here lie thrown by whom
I know not, all through mere unhappiness-Device and sorcery and unhappiness-Out, sword; we are thrown!' And Lancelot answered, 'Prince,
O Gareth--through the mere unhappiness
Of one who came to help thee, not to harm,
Lancelot, and all as glad to find thee whole,
As on the day when Arthur knighted him.'
Then Gareth, 'Thou--Lancelot!--thine the hand
That threw me? An some chance to mar the boast
Thy brethren of thee make--which could not chance-Had sent thee down before a lesser spear,
Shamed had I been, and sad--O Lancelot--thou!'
Whereat the maiden, petulant, 'Lancelot,
Why came ye not, when called? and wherefore now
Come ye, not called? I gloried in my knave,
Who being still rebuked, would answer still
Courteous as any knight--but now, if knight,
The marvel dies, and leaves me fooled and tricked,
And only wondering wherefore played upon:
And doubtful whether I and mine be scorned.
Where should be truth if not in Arthur's hall,
In Arthur's presence? Knight, knave, prince and fool,
I hate thee and for ever.'
And Lancelot said,
'Blessd be thou, Sir Gareth! knight art thou
To the King's best wish. O damsel, be you wise
To call him shamed, who is but overthrown?
Thrown have I been, nor once, but many a time.
Victor from vanquished issues at the last,
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And overthrower from being overthrown.
With sword we have not striven; and thy good horse
And thou are weary; yet not less I felt
Thy manhood through that wearied lance of thine.
Well hast thou done; for all the stream is freed,
And thou hast wreaked his justice on his foes,
And when reviled, hast answered graciously,
And makest merry when overthrown. Prince, Knight
Hail, Knight and Prince, and of our Table Round!'
And then when turning to Lynette he told
The tale of Gareth, petulantly she said,
'Ay well--ay well--for worse than being fooled
Of others, is to fool one's self. A cave,
Sir Lancelot, is hard by, with meats and drinks
And forage for the horse, and flint for fire.
But all about it flies a honeysuckle.
Seek, till we find.' And when they sought and found,
Sir Gareth drank and ate, and all his life
Past into sleep; on whom the maiden gazed.
'Sound sleep be thine! sound cause to sleep hast thou.
Wake lusty! Seem I not as tender to him
As any mother? Ay, but such a one
As all day long hath rated at her child,
And vext his day, but blesses him asleep-Good lord, how sweetly smells the honeysuckle
In the hushed night, as if the world were one
Of utter peace, and love, and gentleness!
O Lancelot, Lancelot'--and she clapt her hands-'Full merry am I to find my goodly knave
Is knight and noble. See now, sworn have I,
Else yon black felon had not let me pass,
To bring thee back to do the battle with him.
Thus an thou goest, he will fight thee first;
Who doubts thee victor? so will my knight-knave
Miss the full flower of this accomplishment.'
Said Lancelot, 'Peradventure he, you name,
May know my shield. Let Gareth, an he will,
Change his for mine, and take my charger, fresh,
Not to be spurred, loving the battle as well
As he that rides him.' 'Lancelot-like,' she said,
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'Courteous in this, Lord Lancelot, as in all.'
And Gareth, wakening, fiercely clutched the shield;
'Ramp ye lance-splintering lions, on whom all spears
Are rotten sticks! ye seem agape to roar!
Yea, ramp and roar at leaving of your lord!-Care not, good beasts, so well I care for you.
O noble Lancelot, from my hold on these
Streams virtue--fire--through one that will not shame
Even the shadow of Lancelot under shield.
Hence: let us go.'
Silent the silent field
They traversed. Arthur's harp though summer-wan,
In counter motion to the clouds, allured
The glance of Gareth dreaming on his liege.
A star shot: 'Lo,' said Gareth, 'the foe falls!'
An owl whoopt: 'Hark the victor pealing there!'
Suddenly she that rode upon his left
Clung to the shield that Lancelot lent him, crying,
'Yield, yield him this again: 'tis he must fight:
I curse the tongue that all through yesterday
Reviled thee, and hath wrought on Lancelot now
To lend thee horse and shield: wonders ye have done;
Miracles ye cannot: here is glory enow
In having flung the three: I see thee maimed,
Mangled: I swear thou canst not fling the fourth.'
'And wherefore, damsel? tell me all ye know.
You cannot scare me; nor rough face, or voice,
Brute bulk of limb, or boundless savagery
Appal me from the quest.'
'Nay, Prince,' she cried,
'God wot, I never looked upon the face,
Seeing he never rides abroad by day;
But watched him have I like a phantom pass
Chilling the night: nor have I heard the voice.
Always he made his mouthpiece of a page
Who came and went, and still reported him
As closing in himself the strength of ten,
And when his anger tare him, massacring
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Man, woman, lad and girl--yea, the soft babe!
Some hold that he hath swallowed infant flesh,
Monster! O Prince, I went for Lancelot first,
The quest is Lancelot's: give him back the shield.'
Said Gareth laughing, 'An he fight for this,
Belike he wins it as the better man:
Thus--and not else!'
But Lancelot on him urged
All the devisings of their chivalry
When one might meet a mightier than himself;
How best to manage horse, lance, sword and shield,
And so fill up the gap where force might fail
With skill and fineness. Instant were his words.
Then Gareth, 'Here be rules. I know but one-To dash against mine enemy and win.
Yet have I seen thee victor in the joust,
And seen thy way.' 'Heaven help thee,' sighed Lynette.
Then for a space, and under cloud that grew
To thunder-gloom palling all stars, they rode
In converse till she made her palfrey halt,
Lifted an arm, and softly whispered, 'There.'
And all the three were silent seeing, pitched
Beside the Castle Perilous on flat field,
A huge pavilion like a mountain peak
Sunder the glooming crimson on the marge,
Black, with black banner, and a long black horn
Beside it hanging; which Sir Gareth graspt,
And so, before the two could hinder him,
Sent all his heart and breath through all the horn.
Echoed the walls; a light twinkled; anon
Came lights and lights, and once again he blew;
Whereon were hollow tramplings up and down
And muffled voices heard, and shadows past;
Till high above him, circled with her maids,
The Lady Lyonors at a window stood,
Beautiful among lights, and waving to him
White hands, and courtesy; but when the Prince
Three times had blown--after long hush--at last--
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The huge pavilion slowly yielded up,
Through those black foldings, that which housed therein.
High on a nightblack horse, in nightblack arms,
With white breast-bone, and barren ribs of Death,
And crowned with fleshless laughter--some ten steps-In the half-light--through the dim dawn--advanced
The monster, and then paused, and spake no word.
But Gareth spake and all indignantly,
'Fool, for thou hast, men say, the strength of ten,
Canst thou not trust the limbs thy God hath given,
But must, to make the terror of thee more,
Trick thyself out in ghastly imageries
Of that which Life hath done with, and the clod,
Less dull than thou, will hide with mantling flowers
As if for pity?' But he spake no word;
Which set the horror higher: a maiden swooned;
The Lady Lyonors wrung her hands and wept,
As doomed to be the bride of Night and Death;
Sir Gareth's head prickled beneath his helm;
And even Sir Lancelot through his warm blood felt
Ice strike, and all that marked him were aghast.
At once Sir Lancelot's charger fiercely neighed,
And Death's dark war-horse bounded forward with him.
Then those that did not blink the terror, saw
That Death was cast to ground, and slowly rose.
But with one stroke Sir Gareth split the skull.
Half fell to right and half to left and lay.
Then with a stronger buffet he clove the helm
As throughly as the skull; and out from this
Issued the bright face of a blooming boy
Fresh as a flower new-born, and crying, 'Knight,
Slay me not: my three brethren bad me do it,
To make a horror all about the house,
And stay the world from Lady Lyonors.
They never dreamed the passes would be past.'
Answered Sir Gareth graciously to one
Not many a moon his younger, 'My fair child,
What madness made thee challenge the chief knight
Of Arthur's hall?' 'Fair Sir, they bad me do it.
They hate the King, and Lancelot, the King's friend,
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They hoped to slay him somewhere on the stream,
They never dreamed the passes could be past.'
Then sprang the happier day from underground;
And Lady Lyonors and her house, with dance
And revel and song, made merry over Death,
As being after all their foolish fears
And horrors only proven a blooming boy.
So large mirth lived and Gareth won the quest.
And he that told the tale in older times
Says that Sir Gareth wedded Lyonors,
But he, that told it later, says Lynette.
~ Alfred Lord Tennyson,#NFDB
632:Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
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Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
Had trodden that crowned skeleton, and the skull
Brake from the nape, and from the skull the crown
Rolled into light, and turning on its rims
Fled like a glittering rivulet to the tarn:
And down the shingly scaur he plunged, and caught,
And set it on his head, and in his heart
Heard murmurs, 'Lo, thou likewise shalt be King.'
Thereafter, when a King, he had the gems
Plucked from the crown, and showed them to his knights,
Saying, 'These jewels, whereupon I chanced
Divinely, are the kingdom's, not the King's-For public use: henceforward let there be,
Once every year, a joust for one of these:
For so by nine years' proof we needs must learn
Which is our mightiest, and ourselves shall grow
In use of arms and manhood, till we drive
The heathen, who, some say, shall rule the land
Hereafter, which God hinder.' Thus he spoke:
And eight years past, eight jousts had been, and still
Had Lancelot won the diamond of the year,
With purpose to present them to the Queen,
When all were won; but meaning all at once
To snare her royal fancy with a boon
Worth half her realm, had never spoken word.
Now for the central diamond and the last
And largest, Arthur, holding then his court
Hard on the river nigh the place which now
Is this world's hugest, let proclaim a joust
At Camelot, and when the time drew nigh
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Spake (for she had been sick) to Guinevere,
'Are you so sick, my Queen, you cannot move
To these fair jousts?' 'Yea, lord,' she said, 'ye know it.'
'Then will ye miss,' he answered, 'the great deeds
Of Lancelot, and his prowess in the lists,
A sight ye love to look on.' And the Queen
Lifted her eyes, and they dwelt languidly
On Lancelot, where he stood beside the King.
He thinking that he read her meaning there,
'Stay with me, I am sick; my love is more
Than many diamonds,' yielded; and a heart
Love-loyal to the least wish of the Queen
(However much he yearned to make complete
The tale of diamonds for his destined boon)
Urged him to speak against the truth, and say,
'Sir King, mine ancient wound is hardly whole,
And lets me from the saddle;' and the King
Glanced first at him, then her, and went his way.
No sooner gone than suddenly she began:
'To blame, my lord Sir Lancelot, much to blame!
Why go ye not to these fair jousts? the knights
Are half of them our enemies, and the crowd
Will murmur, "Lo the shameless ones, who take
Their pastime now the trustful King is gone!"'
Then Lancelot vext at having lied in vain:
'Are ye so wise? ye were not once so wise,
My Queen, that summer, when ye loved me first.
Then of the crowd ye took no more account
Than of the myriad cricket of the mead,
When its own voice clings to each blade of grass,
And every voice is nothing. As to knights,
Them surely can I silence with all ease.
But now my loyal worship is allowed
Of all men: many a bard, without offence,
Has linked our names together in his lay,
Lancelot, the flower of bravery, Guinevere,
The pearl of beauty: and our knights at feast
Have pledged us in this union, while the King
Would listen smiling. How then? is there more?
Has Arthur spoken aught? or would yourself,
Now weary of my service and devoir,
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Henceforth be truer to your faultless lord?'
She broke into a little scornful laugh:
'Arthur, my lord, Arthur, the faultless King,
That passionate perfection, my good lord-But who can gaze upon the Sun in heaven?
He never spake word of reproach to me,
He never had a glimpse of mine untruth,
He cares not for me: only here today
There gleamed a vague suspicion in his eyes:
Some meddling rogue has tampered with him--else
Rapt in this fancy of his Table Round,
And swearing men to vows impossible,
To make them like himself: but, friend, to me
He is all fault who hath no fault at all:
For who loves me must have a touch of earth;
The low sun makes the colour: I am yours,
Not Arthur's, as ye know, save by the bond.
And therefore hear my words: go to the jousts:
The tiny-trumpeting gnat can break our dream
When sweetest; and the vermin voices here
May buzz so loud--we scorn them, but they sting.'
Then answered Lancelot, the chief of knights:
'And with what face, after my pretext made,
Shall I appear, O Queen, at Camelot, I
Before a King who honours his own word,
As if it were his God's?'
'Yea,' said the Queen,
'A moral child without the craft to rule,
Else had he not lost me: but listen to me,
If I must find you wit: we hear it said
That men go down before your spear at a touch,
But knowing you are Lancelot; your great name,
This conquers: hide it therefore; go unknown:
Win! by this kiss you will: and our true King
Will then allow your pretext, O my knight,
As all for glory; for to speak him true,
Ye know right well, how meek soe'er he seem,
No keener hunter after glory breathes.
He loves it in his knights more than himself:
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They prove to him his work: win and return.'
Then got Sir Lancelot suddenly to horse,
Wroth at himself. Not willing to be known,
He left the barren-beaten thoroughfare,
Chose the green path that showed the rarer foot,
And there among the solitary downs,
Full often lost in fancy, lost his way;
Till as he traced a faintly-shadowed track,
That all in loops and links among the dales
Ran to the Castle of Astolat, he saw
Fired from the west, far on a hill, the towers.
Thither he made, and blew the gateway horn.
Then came an old, dumb, myriad-wrinkled man,
Who let him into lodging and disarmed.
And Lancelot marvelled at the wordless man;
And issuing found the Lord of Astolat
With two strong sons, Sir Torre and Sir Lavaine,
Moving to meet him in the castle court;
And close behind them stept the lily maid
Elaine, his daughter: mother of the house
There was not: some light jest among them rose
With laughter dying down as the great knight
Approached them: then the Lord of Astolat:
'Whence comes thou, my guest, and by what name
Livest thou between the lips? for by thy state
And presence I might guess thee chief of those,
After the King, who eat in Arthur's halls.
Him have I seen: the rest, his Table Round,
Known as they are, to me they are unknown.'
Then answered Sir Lancelot, the chief of knights:
'Known am I, and of Arthur's hall, and known,
What I by mere mischance have brought, my shield.
But since I go to joust as one unknown
At Camelot for the diamond, ask me not,
Hereafter ye shall know me--and the shield-I pray you lend me one, if such you have,
Blank, or at least with some device not mine.'
Then said the Lord of Astolat, 'Here is Torre's:
Hurt in his first tilt was my son, Sir Torre.
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And so, God wot, his shield is blank enough.
His ye can have.' Then added plain Sir Torre,
'Yea, since I cannot use it, ye may have it.'
Here laughed the father saying, 'Fie, Sir Churl,
Is that answer for a noble knight?
Allow him! but Lavaine, my younger here,
He is so full of lustihood, he will ride,
Joust for it, and win, and bring it in an hour,
And set it in this damsel's golden hair,
To make her thrice as wilful as before.'
'Nay, father, nay good father, shame me not
Before this noble knight,' said young Lavaine,
'For nothing. Surely I but played on Torre:
He seemed so sullen, vext he could not go:
A jest, no more! for, knight, the maiden dreamt
That some one put this diamond in her hand,
And that it was too slippery to be held,
And slipt and fell into some pool or stream,
The castle-well, belike; and then I said
That IF I went and IF I fought and won it
(But all was jest and joke among ourselves)
Then must she keep it safelier. All was jest.
But, father, give me leave, an if he will,
To ride to Camelot with this noble knight:
Win shall I not, but do my best to win:
Young as I am, yet would I do my best.'
'So will ye grace me,' answered Lancelot,
Smiling a moment, 'with your fellowship
O'er these waste downs whereon I lost myself,
Then were I glad of you as guide and friend:
And you shall win this diamond,--as I hear
It is a fair large diamond,--if ye may,
And yield it to this maiden, if ye will.'
'A fair large diamond,' added plain Sir Torre,
'Such be for queens, and not for simple maids.'
Then she, who held her eyes upon the ground,
Elaine, and heard her name so tost about,
Flushed slightly at the slight disparagement
Before the stranger knight, who, looking at her,
Full courtly, yet not falsely, thus returned:
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'If what is fair be but for what is fair,
And only queens are to be counted so,
Rash were my judgment then, who deem this maid
Might wear as fair a jewel as is on earth,
Not violating the bond of like to like.'
He spoke and ceased: the lily maid Elaine,
Won by the mellow voice before she looked,
Lifted her eyes, and read his lineaments.
The great and guilty love he bare the Queen,
In battle with the love he bare his lord,
Had marred his face, and marked it ere his time.
Another sinning on such heights with one,
The flower of all the west and all the world,
Had been the sleeker for it: but in him
His mood was often like a fiend, and rose
And drove him into wastes and solitudes
For agony, who was yet a living soul.
Marred as he was, he seemed the goodliest man
That ever among ladies ate in hall,
And noblest, when she lifted up her eyes.
However marred, of more than twice her years,
Seamed with an ancient swordcut on the cheek,
And bruised and bronzed, she lifted up her eyes
And loved him, with that love which was her doom.
Then the great knight, the darling of the court,
Loved of the loveliest, into that rude hall
Stept with all grace, and not with half disdain
Hid under grace, as in a smaller time,
But kindly man moving among his kind:
Whom they with meats and vintage of their best
And talk and minstrel melody entertained.
And much they asked of court and Table Round,
And ever well and readily answered he:
But Lancelot, when they glanced at Guinevere,
Suddenly speaking of the wordless man,
Heard from the Baron that, ten years before,
The heathen caught and reft him of his tongue.
'He learnt and warned me of their fierce design
Against my house, and him they caught and maimed;
But I, my sons, and little daughter fled
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From bonds or death, and dwelt among the woods
By the great river in a boatman's hut.
Dull days were those, till our good Arthur broke
The Pagan yet once more on Badon hill.'
'O there, great lord, doubtless,' Lavaine said, rapt
By all the sweet and sudden passion of youth
Toward greatness in its elder, 'you have fought.
O tell us--for we live apart--you know
Of Arthur's glorious wars.' And Lancelot spoke
And answered him at full, as having been
With Arthur in the fight which all day long
Rang by the white mouth of the violent Glem;
And in the four loud battles by the shore
Of Duglas; that on Bassa; then the war
That thundered in and out the gloomy skirts
Of Celidon the forest; and again
By castle Gurnion, where the glorious King
Had on his cuirass worn our Lady's Head,
Carved of one emerald centered in a sun
Of silver rays, that lightened as he breathed;
And at Caerleon had he helped his lord,
When the strong neighings of the wild white Horse
Set every gilded parapet shuddering;
And up in Agned-Cathregonion too,
And down the waste sand-shores of Trath Treroit,
Where many a heathen fell; 'and on the mount
Of Badon I myself beheld the King
Charge at the head of all his Table Round,
And all his legions crying Christ and him,
And break them; and I saw him, after, stand
High on a heap of slain, from spur to plume
Red as the rising sun with heathen blood,
And seeing me, with a great voice he cried,
"They are broken, they are broken!" for the King,
However mild he seems at home, nor cares
For triumph in our mimic wars, the jousts-For if his own knight cast him down, he laughs
Saying, his knights are better men than he-Yet in this heathen war the fire of God
Fills him: I never saw his like: there lives
No greater leader.'
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While he uttered this,
Low to her own heart said the lily maid,
'Save your own great self, fair lord;' and when he fell
From talk of war to traits of pleasantry-Being mirthful he, but in a stately kind-She still took note that when the living smile
Died from his lips, across him came a cloud
Of melancholy severe, from which again,
Whenever in her hovering to and fro
The lily maid had striven to make him cheer,
There brake a sudden-beaming tenderness
Of manners and of nature: and she thought
That all was nature, all, perchance, for her.
And all night long his face before her lived,
As when a painter, poring on a face,
Divinely through all hindrance finds the man
Behind it, and so paints him that his face,
The shape and colour of a mind and life,
Lives for his children, ever at its best
And fullest; so the face before her lived,
Dark-splendid, speaking in the silence, full
Of noble things, and held her from her sleep.
Till rathe she rose, half-cheated in the thought
She needs must bid farewell to sweet Lavaine.
First in fear, step after step, she stole
Down the long tower-stairs, hesitating:
Anon, she heard Sir Lancelot cry in the court,
'This shield, my friend, where is it?' and Lavaine
Past inward, as she came from out the tower.
There to his proud horse Lancelot turned, and smoothed
The glossy shoulder, humming to himself.
Half-envious of the flattering hand, she drew
Nearer and stood. He looked, and more amazed
Than if seven men had set upon him, saw
The maiden standing in the dewy light.
He had not dreamed she was so beautiful.
Then came on him a sort of sacred fear,
For silent, though he greeted her, she stood
Rapt on his face as if it were a God's.
Suddenly flashed on her a wild desire,
That he should wear her favour at the tilt.
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She braved a riotous heart in asking for it.
'Fair lord, whose name I know not--noble it is,
I well believe, the noblest--will you wear
My favour at this tourney?' 'Nay,' said he,
'Fair lady, since I never yet have worn
Favour of any lady in the lists.
Such is my wont, as those, who know me, know.'
'Yea, so,' she answered; 'then in wearing mine
Needs must be lesser likelihood, noble lord,
That those who know should know you.' And he turned
Her counsel up and down within his mind,
And found it true, and answered, 'True, my child.
Well, I will wear it: fetch it out to me:
What is it?' and she told him 'A red sleeve
Broidered with pearls,' and brought it: then he bound
Her token on his helmet, with a smile
Saying, 'I never yet have done so much
For any maiden living,' and the blood
Sprang to her face and filled her with delight;
But left her all the paler, when Lavaine
Returning brought the yet-unblazoned shield,
His brother's; which he gave to Lancelot,
Who parted with his own to fair Elaine:
'Do me this grace, my child, to have my shield
In keeping till I come.' 'A grace to me,'
She answered, 'twice today. I am your squire!'
Whereat Lavaine said, laughing, 'Lily maid,
For fear our people call you lily maid
In earnest, let me bring your colour back;
Once, twice, and thrice: now get you hence to bed:'
So kissed her, and Sir Lancelot his own hand,
And thus they moved away: she stayed a minute,
Then made a sudden step to the gate, and there-Her bright hair blown about the serious face
Yet rosy-kindled with her brother's kiss-Paused by the gateway, standing near the shield
In silence, while she watched their arms far-off
Sparkle, until they dipt below the downs.
Then to her tower she climbed, and took the shield,
There kept it, and so lived in fantasy.
Meanwhile the new companions past away
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Far o'er the long backs of the bushless downs,
To where Sir Lancelot knew there lived a knight
Not far from Camelot, now for forty years
A hermit, who had prayed, laboured and prayed,
And ever labouring had scooped himself
In the white rock a chapel and a hall
On massive columns, like a shorecliff cave,
And cells and chambers: all were fair and dry;
The green light from the meadows underneath
Struck up and lived along the milky roofs;
And in the meadows tremulous aspen-trees
And poplars made a noise of falling showers.
And thither wending there that night they bode.
But when the next day broke from underground,
And shot red fire and shadows through the cave,
They rose, heard mass, broke fast, and rode away:
Then Lancelot saying, 'Hear, but hold my name
Hidden, you ride with Lancelot of the Lake,'
Abashed young Lavaine, whose instant reverence,
Dearer to true young hearts than their own praise,
But left him leave to stammer, 'Is it indeed?'
And after muttering 'The great Lancelot,
At last he got his breath and answered, 'One,
One have I seen--that other, our liege lord,
The dread Pendragon, Britain's King of kings,
Of whom the people talk mysteriously,
He will be there--then were I stricken blind
That minute, I might say that I had seen.'
So spake Lavaine, and when they reached the lists
By Camelot in the meadow, let his eyes
Run through the peopled gallery which half round
Lay like a rainbow fallen upon the grass,
Until they found the clear-faced King, who sat
Robed in red samite, easily to be known,
Since to his crown the golden dragon clung,
And down his robe the dragon writhed in gold,
And from the carven-work behind him crept
Two dragons gilded, sloping down to make
Arms for his chair, while all the rest of them
Through knots and loops and folds innumerable
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Fled ever through the woodwork, till they found
The new design wherein they lost themselves,
Yet with all ease, so tender was the work:
And, in the costly canopy o'er him set,
Blazed the last diamond of the nameless king.
Then Lancelot answered young Lavaine and said,
'Me you call great: mine is the firmer seat,
The truer lance: but there is many a youth
Now crescent, who will come to all I am
And overcome it; and in me there dwells
No greatness, save it be some far-off touch
Of greatness to know well I am not great:
There is the man.' And Lavaine gaped upon him
As on a thing miraculous, and anon
The trumpets blew; and then did either side,
They that assailed, and they that held the lists,
Set lance in rest, strike spur, suddenly move,
Meet in the midst, and there so furiously
Shock, that a man far-off might well perceive,
If any man that day were left afield,
The hard earth shake, and a low thunder of arms.
And Lancelot bode a little, till he saw
Which were the weaker; then he hurled into it
Against the stronger: little need to speak
Of Lancelot in his glory! King, duke, earl,
Count, baron--whom he smote, he overthrew.
But in the field were Lancelot's kith and kin,
Ranged with the Table Round that held the lists,
Strong men, and wrathful that a stranger knight
Should do and almost overdo the deeds
Of Lancelot; and one said to the other, 'Lo!
What is he? I do not mean the force alone-The grace and versatility of the man!
Is it not Lancelot?' 'When has Lancelot worn
Favour of any lady in the lists?
Not such his wont, as we, that know him, know.'
'How then? who then?' a fury seized them all,
A fiery family passion for the name
Of Lancelot, and a glory one with theirs.
They couched their spears and pricked their steeds, and thus,
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Their plumes driven backward by the wind they made
In moving, all together down upon him
Bare, as a wild wave in the wide North-sea,
Green-glimmering toward the summit, bears, with all
Its stormy crests that smoke against the skies,
Down on a bark, and overbears the bark,
And him that helms it, so they overbore
Sir Lancelot and his charger, and a spear
Down-glancing lamed the charger, and a spear
Pricked sharply his own cuirass, and the head
Pierced through his side, and there snapt, and remained.
Then Sir Lavaine did well and worshipfully;
He bore a knight of old repute to the earth,
And brought his horse to Lancelot where he lay.
He up the side, sweating with agony, got,
But thought to do while he might yet endure,
And being lustily holpen by the rest,
His party,--though it seemed half-miracle
To those he fought with,--drave his kith and kin,
And all the Table Round that held the lists,
Back to the barrier; then the trumpets blew
Proclaiming his the prize, who wore the sleeve
Of scarlet, and the pearls; and all the knights,
His party, cried 'Advance and take thy prize
The diamond;' but he answered, 'Diamond me
No diamonds! for God's love, a little air!
Prize me no prizes, for my prize is death!
Hence will I, and I charge you, follow me not.'
He spoke, and vanished suddenly from the field
With young Lavaine into the poplar grove.
There from his charger down he slid, and sat,
Gasping to Sir Lavaine, 'Draw the lance-head:'
'Ah my sweet lord Sir Lancelot,' said Lavaine,
'I dread me, if I draw it, you will die.'
But he, 'I die already with it: draw-Draw,'--and Lavaine drew, and Sir Lancelot gave
A marvellous great shriek and ghastly groan,
And half his blood burst forth, and down he sank
For the pure pain, and wholly swooned away.
Then came the hermit out and bare him in,
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There stanched his wound; and there, in daily doubt
Whether to live or die, for many a week
Hid from the wide world's rumour by the grove
Of poplars with their noise of falling showers,
And ever-tremulous aspen-trees, he lay.
But on that day when Lancelot fled the lists,
His party, knights of utmost North and West,
Lords of waste marches, kings of desolate isles,
Came round their great Pendragon, saying to him,
'Lo, Sire, our knight, through whom we won the day,
Hath gone sore wounded, and hath left his prize
Untaken, crying that his prize is death.'
'Heaven hinder,' said the King, 'that such an one,
So great a knight as we have seen today-He seemed to me another Lancelot-Yea, twenty times I thought him Lancelot-He must not pass uncared for. Wherefore, rise,
O Gawain, and ride forth and find the knight.
Wounded and wearied needs must he be near.
I charge you that you get at once to horse.
And, knights and kings, there breathes not one of you
Will deem this prize of ours is rashly given:
His prowess was too wondrous. We will do him
No customary honour: since the knight
Came not to us, of us to claim the prize,
Ourselves will send it after. Rise and take
This diamond, and deliver it, and return,
And bring us where he is, and how he fares,
And cease not from your quest until ye find.'
So saying, from the carven flower above,
To which it made a restless heart, he took,
And gave, the diamond: then from where he sat
At Arthur's right, with smiling face arose,
With smiling face and frowning heart, a Prince
In the mid might and flourish of his May,
Gawain, surnamed The Courteous, fair and strong,
And after Lancelot, Tristram, and Geraint
And Gareth, a good knight, but therewithal
Sir Modred's brother, and the child of Lot,
Nor often loyal to his word, and now
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Wroth that the King's command to sally forth
In quest of whom he knew not, made him leave
The banquet, and concourse of knights and kings.
So all in wrath he got to horse and went;
While Arthur to the banquet, dark in mood,
Past, thinking 'Is it Lancelot who hath come
Despite the wound he spake of, all for gain
Of glory, and hath added wound to wound,
And ridden away to die?' So feared the King,
And, after two days' tarriance there, returned.
Then when he saw the Queen, embracing asked,
'Love, are you yet so sick?' 'Nay, lord,' she said.
'And where is Lancelot?' Then the Queen amazed,
'Was he not with you? won he not your prize?'
'Nay, but one like him.' 'Why that like was he.'
And when the King demanded how she knew,
Said, 'Lord, no sooner had ye parted from us,
Than Lancelot told me of a common talk
That men went down before his spear at a touch,
But knowing he was Lancelot; his great name
Conquered; and therefore would he hide his name
From all men, even the King, and to this end
Had made a pretext of a hindering wound,
That he might joust unknown of all, and learn
If his old prowess were in aught decayed;
And added, "Our true Arthur, when he learns,
Will well allow me pretext, as for gain
Of purer glory."'
Then replied the King:
'Far lovelier in our Lancelot had it been,
In lieu of idly dallying with the truth,
To have trusted me as he hath trusted thee.
Surely his King and most familiar friend
Might well have kept his secret. True, indeed,
Albeit I know my knights fantastical,
So fine a fear in our large Lancelot
Must needs have moved my laughter: now remains
But little cause for laughter: his own kin-Ill news, my Queen, for all who love him, this!-His kith and kin, not knowing, set upon him;
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So that he went sore wounded from the field:
Yet good news too: for goodly hopes are mine
That Lancelot is no more a lonely heart.
He wore, against his wont, upon his helm
A sleeve of scarlet, broidered with great pearls,
Some gentle maiden's gift.'
'Yea, lord,' she said,
'Thy hopes are mine,' and saying that, she choked,
And sharply turned about to hide her face,
Past to her chamber, and there flung herself
Down on the great King's couch, and writhed upon it,
And clenched her fingers till they bit the palm,
And shrieked out 'Traitor' to the unhearing wall,
Then flashed into wild tears, and rose again,
And moved about her palace, proud and pale.
Gawain the while through all the region round
Rode with his diamond, wearied of the quest,
Touched at all points, except the poplar grove,
And came at last, though late, to Astolat:
Whom glittering in enamelled arms the maid
Glanced at, and cried, 'What news from Camelot, lord?
What of the knight with the red sleeve?' 'He won.'
'I knew it,' she said. 'But parted from the jousts
Hurt in the side,' whereat she caught her breath;
Through her own side she felt the sharp lance go;
Thereon she smote her hand: wellnigh she swooned:
And, while he gazed wonderingly at her, came
The Lord of Astolat out, to whom the Prince
Reported who he was, and on what quest
Sent, that he bore the prize and could not find
The victor, but had ridden a random round
To seek him, and had wearied of the search.
To whom the Lord of Astolat, 'Bide with us,
And ride no more at random, noble Prince!
Here was the knight, and here he left a shield;
This will he send or come for: furthermore
Our son is with him; we shall hear anon,
Needs must hear.' To this the courteous Prince
Accorded with his wonted courtesy,
Courtesy with a touch of traitor in it,
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And stayed; and cast his eyes on fair Elaine:
Where could be found face daintier? then her shape
From forehead down to foot, perfect--again
From foot to forehead exquisitely turned:
'Well--if I bide, lo! this wild flower for me!'
And oft they met among the garden yews,
And there he set himself to play upon her
With sallying wit, free flashes from a height
Above her, graces of the court, and songs,
Sighs, and slow smiles, and golden eloquence
And amorous adulation, till the maid
Rebelled against it, saying to him, 'Prince,
O loyal nephew of our noble King,
Why ask you not to see the shield he left,
Whence you might learn his name? Why slight your King,
And lose the quest he sent you on, and prove
No surer than our falcon yesterday,
Who lost the hern we slipt her at, and went
To all the winds?' 'Nay, by mine head,' said he,
'I lose it, as we lose the lark in heaven,
O damsel, in the light of your blue eyes;
But an ye will it let me see the shield.'
And when the shield was brought, and Gawain saw
Sir Lancelot's azure lions, crowned with gold,
Ramp in the field, he smote his thigh, and mocked:
'Right was the King! our Lancelot! that true man!'
'And right was I,' she answered merrily, 'I,
Who dreamed my knight the greatest knight of all.'
'And if I dreamed,' said Gawain, 'that you love
This greatest knight, your pardon! lo, ye know it!
Speak therefore: shall I waste myself in vain?'
Full simple was her answer, 'What know I?
My brethren have been all my fellowship;
And I, when often they have talked of love,
Wished it had been my mother, for they talked,
Meseemed, of what they knew not; so myself-I know not if I know what true love is,
But if I know, then, if I love not him,
I know there is none other I can love.'
'Yea, by God's death,' said he, 'ye love him well,
But would not, knew ye what all others know,
And whom he loves.' 'So be it,' cried Elaine,
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And lifted her fair face and moved away:
But he pursued her, calling, 'Stay a little!
One golden minute's grace! he wore your sleeve:
Would he break faith with one I may not name?
Must our true man change like a leaf at last?
Nay--like enow: why then, far be it from me
To cross our mighty Lancelot in his loves!
And, damsel, for I deem you know full well
Where your great knight is hidden, let me leave
My quest with you; the diamond also: here!
For if you love, it will be sweet to give it;
And if he love, it will be sweet to have it
From your own hand; and whether he love or not,
A diamond is a diamond. Fare you well
A thousand times!--a thousand times farewell!
Yet, if he love, and his love hold, we two
May meet at court hereafter: there, I think,
So ye will learn the courtesies of the court,
We two shall know each other.'
Then he gave,
And slightly kissed the hand to which he gave,
The diamond, and all wearied of the quest
Leapt on his horse, and carolling as he went
A true-love ballad, lightly rode away.
Thence to the court he past; there told the King
What the King knew, 'Sir Lancelot is the knight.'
And added, 'Sire, my liege, so much I learnt;
But failed to find him, though I rode all round
The region: but I lighted on the maid
Whose sleeve he wore; she loves him; and to her,
Deeming our courtesy is the truest law,
I gave the diamond: she will render it;
For by mine head she knows his hiding-place.'
The seldom-frowning King frowned, and replied,
'Too courteous truly! ye shall go no more
On quest of mine, seeing that ye forget
Obedience is the courtesy due to kings.'
He spake and parted. Wroth, but all in awe,
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For twenty strokes of the blood, without a word,
Lingered that other, staring after him;
Then shook his hair, strode off, and buzzed abroad
About the maid of Astolat, and her love.
All ears were pricked at once, all tongues were loosed:
'The maid of Astolat loves Sir Lancelot,
Sir Lancelot loves the maid of Astolat.'
Some read the King's face, some the Queen's, and all
Had marvel what the maid might be, but most
Predoomed her as unworthy. One old dame
Came suddenly on the Queen with the sharp news.
She, that had heard the noise of it before,
But sorrowing Lancelot should have stooped so low,
Marred her friend's aim with pale tranquillity.
So ran the tale like fire about the court,
Fire in dry stubble a nine-days' wonder flared:
Till even the knights at banquet twice or thrice
Forgot to drink to Lancelot and the Queen,
And pledging Lancelot and the lily maid
Smiled at each other, while the Queen, who sat
With lips severely placid, felt the knot
Climb in her throat, and with her feet unseen
Crushed the wild passion out against the floor
Beneath the banquet, where all the meats became
As wormwood, and she hated all who pledged.
But far away the maid in Astolat,
Her guiltless rival, she that ever kept
The one-day-seen Sir Lancelot in her heart,
Crept to her father, while he mused alone,
Sat on his knee, stroked his gray face and said,
'Father, you call me wilful, and the fault
Is yours who let me have my will, and now,
Sweet father, will you let me lose my wits?'
'Nay,' said he, 'surely.' 'Wherefore, let me hence,'
She answered, 'and find out our dear Lavaine.'
'Ye will not lose your wits for dear Lavaine:
Bide,' answered he: 'we needs must hear anon
Of him, and of that other.' 'Ay,' she said,
'And of that other, for I needs must hence
And find that other, wheresoe'er he be,
And with mine own hand give his diamond to him,
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Lest I be found as faithless in the quest
As yon proud Prince who left the quest to me.
Sweet father, I behold him in my dreams
Gaunt as it were the skeleton of himself,
Death-pale, for lack of gentle maiden's aid.
The gentler-born the maiden, the more bound,
My father, to be sweet and serviceable
To noble knights in sickness, as ye know
When these have worn their tokens: let me hence
I pray you.' Then her father nodding said,
'Ay, ay, the diamond: wit ye well, my child,
Right fain were I to learn this knight were whole,
Being our greatest: yea, and you must give it-And sure I think this fruit is hung too high
For any mouth to gape for save a queen's-Nay, I mean nothing: so then, get you gone,
Being so very wilful you must go.'
Lightly, her suit allowed, she slipt away,
And while she made her ready for her ride,
Her father's latest word hummed in her ear,
'Being so very wilful you must go,'
And changed itself and echoed in her heart,
'Being so very wilful you must die.'
But she was happy enough and shook it off,
As we shake off the bee that buzzes at us;
And in her heart she answered it and said,
'What matter, so I help him back to life?'
Then far away with good Sir Torre for guide
Rode o'er the long backs of the bushless downs
To Camelot, and before the city-gates
Came on her brother with a happy face
Making a roan horse caper and curvet
For pleasure all about a field of flowers:
Whom when she saw, 'Lavaine,' she cried, 'Lavaine,
How fares my lord Sir Lancelot?' He amazed,
'Torre and Elaine! why here? Sir Lancelot!
How know ye my lord's name is Lancelot?'
But when the maid had told him all her tale,
Then turned Sir Torre, and being in his moods
Left them, and under the strange-statued gate,
Where Arthur's wars were rendered mystically,
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Past up the still rich city to his kin,
His own far blood, which dwelt at Camelot;
And her, Lavaine across the poplar grove
Led to the caves: there first she saw the casque
Of Lancelot on the wall: her scarlet sleeve,
Though carved and cut, and half the pearls away,
Streamed from it still; and in her heart she laughed,
Because he had not loosed it from his helm,
But meant once more perchance to tourney in it.
And when they gained the cell wherein he slept,
His battle-writhen arms and mighty hands
Lay naked on the wolfskin, and a dream
Of dragging down his enemy made them move.
Then she that saw him lying unsleek, unshorn,
Gaunt as it were the skeleton of himself,
Uttered a little tender dolorous cry.
The sound not wonted in a place so still
Woke the sick knight, and while he rolled his eyes
Yet blank from sleep, she started to him, saying,
'Your prize the diamond sent you by the King:'
His eyes glistened: she fancied 'Is it for me?'
And when the maid had told him all the tale
Of King and Prince, the diamond sent, the quest
Assigned to her not worthy of it, she knelt
Full lowly by the corners of his bed,
And laid the diamond in his open hand.
Her face was near, and as we kiss the child
That does the task assigned, he kissed her face.
At once she slipt like water to the floor.
'Alas,' he said, 'your ride hath wearied you.
Rest must you have.' 'No rest for me,' she said;
'Nay, for near you, fair lord, I am at rest.'
What might she mean by that? his large black eyes,
Yet larger through his leanness, dwelt upon her,
Till all her heart's sad secret blazed itself
In the heart's colours on her simple face;
And Lancelot looked and was perplext in mind,
And being weak in body said no more;
But did not love the colour; woman's love,
Save one, he not regarded, and so turned
Sighing, and feigned a sleep until he slept.
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Then rose Elaine and glided through the fields,
And past beneath the weirdly-sculptured gates
Far up the dim rich city to her kin;
There bode the night: but woke with dawn, and past
Down through the dim rich city to the fields,
Thence to the cave: so day by day she past
In either twilight ghost-like to and fro
Gliding, and every day she tended him,
And likewise many a night: and Lancelot
Would, though he called his wound a little hurt
Whereof he should be quickly whole, at times
Brain-feverous in his heat and agony, seem
Uncourteous, even he: but the meek maid
Sweetly forbore him ever, being to him
Meeker than any child to a rough nurse,
Milder than any mother to a sick child,
And never woman yet, since man's first fall,
Did kindlier unto man, but her deep love
Upbore her; till the hermit, skilled in all
The simples and the science of that time,
Told him that her fine care had saved his life.
And the sick man forgot her simple blush,
Would call her friend and sister, sweet Elaine,
Would listen for her coming and regret
Her parting step, and held her tenderly,
And loved her with all love except the love
Of man and woman when they love their best,
Closest and sweetest, and had died the death
In any knightly fashion for her sake.
And peradventure had he seen her first
She might have made this and that other world
Another world for the sick man; but now
The shackles of an old love straitened him,
His honour rooted in dishonour stood,
And faith unfaithful kept him falsely true.
Yet the great knight in his mid-sickness made
Full many a holy vow and pure resolve.
These, as but born of sickness, could not live:
For when the blood ran lustier in him again,
Full often the bright image of one face,
Making a treacherous quiet in his heart,
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Dispersed his resolution like a cloud.
Then if the maiden, while that ghostly grace
Beamed on his fancy, spoke, he answered not,
Or short and coldly, and she knew right well
What the rough sickness meant, but what this meant
She knew not, and the sorrow dimmed her sight,
And drave her ere her time across the fields
Far into the rich city, where alone
She murmured, 'Vain, in vain: it cannot be.
He will not love me: how then? must I die?'
Then as a little helpless innocent bird,
That has but one plain passage of few notes,
Will sing the simple passage o'er and o'er
For all an April morning, till the ear
Wearies to hear it, so the simple maid
Went half the night repeating, 'Must I die?'
And now to right she turned, and now to left,
And found no ease in turning or in rest;
And 'Him or death,' she muttered, 'death or him,'
Again and like a burthen, 'Him or death.'
But when Sir Lancelot's deadly hurt was whole,
To Astolat returning rode the three.
There morn by morn, arraying her sweet self
In that wherein she deemed she looked her best,
She came before Sir Lancelot, for she thought
'If I be loved, these are my festal robes,
If not, the victim's flowers before he fall.'
And Lancelot ever prest upon the maid
That she should ask some goodly gift of him
For her own self or hers; 'and do not shun
To speak the wish most near to your true heart;
Such service have ye done me, that I make
My will of yours, and Prince and Lord am I
In mine own land, and what I will I can.'
Then like a ghost she lifted up her face,
But like a ghost without the power to speak.
And Lancelot saw that she withheld her wish,
And bode among them yet a little space
Till he should learn it; and one morn it chanced
He found her in among the garden yews,
And said, 'Delay no longer, speak your wish,
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Seeing I go today:' then out she brake:
'Going? and we shall never see you more.
And I must die for want of one bold word.'
'Speak: that I live to hear,' he said, 'is yours.'
Then suddenly and passionately she spoke:
'I have gone mad. I love you: let me die.'
'Ah, sister,' answered Lancelot, 'what is this?'
And innocently extending her white arms,
'Your love,' she said, 'your love--to be your wife.'
And Lancelot answered, 'Had I chosen to wed,
I had been wedded earlier, sweet Elaine:
But now there never will be wife of mine.'
'No, no,' she cried, 'I care not to be wife,
But to be with you still, to see your face,
To serve you, and to follow you through the world.'
And Lancelot answered, 'Nay, the world, the world,
All ear and eye, with such a stupid heart
To interpret ear and eye, and such a tongue
To blare its own interpretation--nay,
Full ill then should I quit your brother's love,
And your good father's kindness.' And she said,
'Not to be with you, not to see your face-Alas for me then, my good days are done.'
'Nay, noble maid,' he answered, 'ten times nay!
This is not love: but love's first flash in youth,
Most common: yea, I know it of mine own self:
And you yourself will smile at your own self
Hereafter, when you yield your flower of life
To one more fitly yours, not thrice your age:
And then will I, for true you are and sweet
Beyond mine old belief in womanhood,
More specially should your good knight be poor,
Endow you with broad land and territory
Even to the half my realm beyond the seas,
So that would make you happy: furthermore,
Even to the death, as though ye were my blood,
In all your quarrels will I be your knight.
This I will do, dear damsel, for your sake,
And more than this I cannot.'
While he spoke
She neither blushed nor shook, but deathly-pale
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Stood grasping what was nearest, then replied:
'Of all this will I nothing;' and so fell,
And thus they bore her swooning to her tower.
Then spake, to whom through those black walls of yew
Their talk had pierced, her father: 'Ay, a flash,
I fear me, that will strike my blossom dead.
Too courteous are ye, fair Lord Lancelot.
I pray you, use some rough discourtesy
To blunt or break her passion.'
Lancelot said,
'That were against me: what I can I will;'
And there that day remained, and toward even
Sent for his shield: full meekly rose the maid,
Stript off the case, and gave the naked shield;
Then, when she heard his horse upon the stones,
Unclasping flung the casement back, and looked
Down on his helm, from which her sleeve had gone.
And Lancelot knew the little clinking sound;
And she by tact of love was well aware
That Lancelot knew that she was looking at him.
And yet he glanced not up, nor waved his hand,
Nor bad farewell, but sadly rode away.
This was the one discourtesy that he used.
So in her tower alone the maiden sat:
His very shield was gone; only the case,
Her own poor work, her empty labour, left.
But still she heard him, still his picture formed
And grew between her and the pictured wall.
Then came her father, saying in low tones,
'Have comfort,' whom she greeted quietly.
Then came her brethren saying, 'Peace to thee,
Sweet sister,' whom she answered with all calm.
But when they left her to herself again,
Death, like a friend's voice from a distant field
Approaching through the darkness, called; the owls
Wailing had power upon her, and she mixt
Her fancies with the sallow-rifted glooms
Of evening, and the moanings of the wind.
And in those days she made a little song,
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And called her song 'The Song of Love and Death,'
And sang it: sweetly could she make and sing.
'Sweet is true love though given in vain, in vain;
And sweet is death who puts an end to pain:
I know not which is sweeter, no, not I.
'Love, art thou sweet? then bitter death must be:
Love, thou art bitter; sweet is death to me.
O Love, if death be sweeter, let me die.
'Sweet love, that seems not made to fade away,
Sweet death, that seems to make us loveless clay,
I know not which is sweeter, no, not I.
'I fain would follow love, if that could be;
I needs must follow death, who calls for me;
Call and I follow, I follow! let me die.'
High with the last line scaled her voice, and this,
All in a fiery dawning wild with wind
That shook her tower, the brothers heard, and thought
With shuddering, 'Hark the Phantom of the house
That ever shrieks before a death,' and called
The father, and all three in hurry and fear
Ran to her, and lo! the blood-red light of dawn
Flared on her face, she shrilling, 'Let me die!'
As when we dwell upon a word we know,
Repeating, till the word we know so well
Becomes a wonder, and we know not why,
So dwelt the father on her face, and thought
'Is this Elaine?' till back the maiden fell,
Then gave a languid hand to each, and lay,
Speaking a still good-morrow with her eyes.
At last she said, 'Sweet brothers, yesternight
I seemed a curious little maid again,
As happy as when we dwelt among the woods,
And when ye used to take me with the flood
Up the great river in the boatman's boat.
Only ye would not pass beyond the cape
That has the poplar on it: there ye fixt
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Your limit, oft returning with the tide.
And yet I cried because ye would not pass
Beyond it, and far up the shining flood
Until we found the palace of the King.
And yet ye would not; but this night I dreamed
That I was all alone upon the flood,
And then I said, "Now shall I have my will:"
And there I woke, but still the wish remained.
So let me hence that I may pass at last
Beyond the poplar and far up the flood,
Until I find the palace of the King.
There will I enter in among them all,
And no man there will dare to mock at me;
But there the fine Gawain will wonder at me,
And there the great Sir Lancelot muse at me;
Gawain, who bad a thousand farewells to me,
Lancelot, who coldly went, nor bad me one:
And there the King will know me and my love,
And there the Queen herself will pity me,
And all the gentle court will welcome me,
And after my long voyage I shall rest!'
'Peace,' said her father, 'O my child, ye seem
Light-headed, for what force is yours to go
So far, being sick? and wherefore would ye look
On this proud fellow again, who scorns us all?'
Then the rough Torre began to heave and move,
And bluster into stormy sobs and say,
'I never loved him: an I meet with him,
I care not howsoever great he be,
Then will I strike at him and strike him down,
Give me good fortune, I will strike him dead,
For this discomfort he hath done the house.'
To whom the gentle sister made reply,
'Fret not yourself, dear brother, nor be wroth,
Seeing it is no more Sir Lancelot's fault
Not to love me, than it is mine to love
Him of all men who seems to me the highest.'
'Highest?' the father answered, echoing 'highest?'
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(He meant to break the passion in her) 'nay,
Daughter, I know not what you call the highest;
But this I know, for all the people know it,
He loves the Queen, and in an open shame:
And she returns his love in open shame;
If this be high, what is it to be low?'
Then spake the lily maid of Astolat:
'Sweet father, all too faint and sick am I
For anger: these are slanders: never yet
Was noble man but made ignoble talk.
He makes no friend who never made a foe.
But now it is my glory to have loved
One peerless, without stain: so let me pass,
My father, howsoe'er I seem to you,
Not all unhappy, having loved God's best
And greatest, though my love had no return:
Yet, seeing you desire your child to live,
Thanks, but you work against your own desire;
For if I could believe the things you say
I should but die the sooner; wherefore cease,
Sweet father, and bid call the ghostly man
Hither, and let me shrive me clean, and die.'
So when the ghostly man had come and gone,
She with a face, bright as for sin forgiven,
Besought Lavaine to write as she devised
A letter, word for word; and when he asked
'Is it for Lancelot, is it for my dear lord?
Then will I bear it gladly;' she replied,
'For Lancelot and the Queen and all the world,
But I myself must bear it.' Then he wrote
The letter she devised; which being writ
And folded, 'O sweet father, tender and true,
Deny me not,' she said--'ye never yet
Denied my fancies--this, however strange,
My latest: lay the letter in my hand
A little ere I die, and close the hand
Upon it; I shall guard it even in death.
And when the heat is gone from out my heart,
Then take the little bed on which I died
For Lancelot's love, and deck it like the Queen's
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For richness, and me also like the Queen
In all I have of rich, and lay me on it.
And let there be prepared a chariot-bier
To take me to the river, and a barge
Be ready on the river, clothed in black.
I go in state to court, to meet the Queen.
There surely I shall speak for mine own self,
And none of you can speak for me so well.
And therefore let our dumb old man alone
Go with me, he can steer and row, and he
Will guide me to that palace, to the doors.'
She ceased: her father promised; whereupon
She grew so cheerful that they deemed her death
Was rather in the fantasy than the blood.
But ten slow mornings past, and on the eleventh
Her father laid the letter in her hand,
And closed the hand upon it, and she died.
So that day there was dole in Astolat.
But when the next sun brake from underground,
Then, those two brethren slowly with bent brows
Accompanying, the sad chariot-bier
Past like a shadow through the field, that shone
Full-summer, to that stream whereon the barge,
Palled all its length in blackest samite, lay.
There sat the lifelong creature of the house,
Loyal, the dumb old servitor, on deck,
Winking his eyes, and twisted all his face.
So those two brethren from the chariot took
And on the black decks laid her in her bed,
Set in her hand a lily, o'er her hung
The silken case with braided blazonings,
And kissed her quiet brows, and saying to her
'Sister, farewell for ever,' and again
'Farewell, sweet sister,' parted all in tears.
Then rose the dumb old servitor, and the dead,
Oared by the dumb, went upward with the flood-In her right hand the lily, in her left
The letter--all her bright hair streaming down-And all the coverlid was cloth of gold
Drawn to her waist, and she herself in white
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All but her face, and that clear-featured face
Was lovely, for she did not seem as dead,
But fast asleep, and lay as though she smiled.
That day Sir Lancelot at the palace craved
Audience of Guinevere, to give at last,
The price of half a realm, his costly gift,
Hard-won and hardly won with bruise and blow,
With deaths of others, and almost his own,
The nine-years-fought-for diamonds: for he saw
One of her house, and sent him to the Queen
Bearing his wish, whereto the Queen agreed
With such and so unmoved a majesty
She might have seemed her statue, but that he,
Low-drooping till he wellnigh kissed her feet
For loyal awe, saw with a sidelong eye
The shadow of some piece of pointed lace,
In the Queen's shadow, vibrate on the walls,
And parted, laughing in his courtly heart.
All in an oriel on the summer side,
Vine-clad, of Arthur's palace toward the stream,
They met, and Lancelot kneeling uttered, 'Queen,
Lady, my liege, in whom I have my joy,
Take, what I had not won except for you,
These jewels, and make me happy, making them
An armlet for the roundest arm on earth,
Or necklace for a neck to which the swan's
Is tawnier than her cygnet's: these are words:
Your beauty is your beauty, and I sin
In speaking, yet O grant my worship of it
Words, as we grant grief tears. Such sin in words
Perchance, we both can pardon: but, my Queen,
I hear of rumours flying through your court.
Our bond, as not the bond of man and wife,
Should have in it an absoluter trust
To make up that defect: let rumours be:
When did not rumours fly? these, as I trust
That you trust me in your own nobleness,
I may not well believe that you believe.'
While thus he spoke, half turned away, the Queen
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Brake from the vast oriel-embowering vine
Leaf after leaf, and tore, and cast them off,
Till all the place whereon she stood was green;
Then, when he ceased, in one cold passive hand
Received at once and laid aside the gems
There on a table near her, and replied:
'It may be, I am quicker of belief
Than you believe me, Lancelot of the Lake.
Our bond is not the bond of man and wife.
This good is in it, whatsoe'er of ill,
It can be broken easier. I for you
This many a year have done despite and wrong
To one whom ever in my heart of hearts
I did acknowledge nobler. What are these?
Diamonds for me! they had been thrice their worth
Being your gift, had you not lost your own.
To loyal hearts the value of all gifts
Must vary as the giver's. Not for me!
For her! for your new fancy. Only this
Grant me, I pray you: have your joys apart.
I doubt not that however changed, you keep
So much of what is graceful: and myself
Would shun to break those bounds of courtesy
In which as Arthur's Queen I move and rule:
So cannot speak my mind. An end to this!
A strange one! yet I take it with Amen.
So pray you, add my diamonds to her pearls;
Deck her with these; tell her, she shines me down:
An armlet for an arm to which the Queen's
Is haggard, or a necklace for a neck
O as much fairer--as a faith once fair
Was richer than these diamonds--hers not mine-Nay, by the mother of our Lord himself,
Or hers or mine, mine now to work my will-She shall not have them.'
Saying which
she seized,
And, through the casement standing wide for heat,
Flung them, and down they flashed, and smote the stream.
Then from the smitten surface flashed, as it were,
Diamonds to meet them, and they past away.
Then while Sir Lancelot leant, in half disdain
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At love, life, all things, on the window ledge,
Close underneath his eyes, and right across
Where these had fallen, slowly past the barge.
Whereon the lily maid of Astolat
Lay smiling, like a star in blackest night.
But the wild Queen, who saw not, burst away
To weep and wail in secret; and the barge,
On to the palace-doorway sliding, paused.
There two stood armed, and kept the door; to whom,
All up the marble stair, tier over tier,
Were added mouths that gaped, and eyes that asked
'What is it?' but that oarsman's haggard face,
As hard and still as is the face that men
Shape to their fancy's eye from broken rocks
On some cliff-side, appalled them, and they said
'He is enchanted, cannot speak--and she,
Look how she sleeps--the Fairy Queen, so fair!
Yea, but how pale! what are they? flesh and blood?
Or come to take the King to Fairyland?
For some do hold our Arthur cannot die,
But that he passes into Fairyland.'
While thus they babbled of the King, the King
Came girt with knights: then turned the tongueless man
From the half-face to the full eye, and rose
And pointed to the damsel, and the doors.
So Arthur bad the meek Sir Percivale
And pure Sir Galahad to uplift the maid;
And reverently they bore her into hall.
Then came the fine Gawain and wondered at her,
And Lancelot later came and mused at her,
And last the Queen herself, and pitied her:
But Arthur spied the letter in her hand,
Stoopt, took, brake seal, and read it; this was all:
'Most noble lord, Sir Lancelot of the Lake,
I, sometime called the maid of Astolat,
Come, for you left me taking no farewell,
Hither, to take my last farewell of you.
I loved you, and my love had no return,
And therefore my true love has been my death.
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And therefore to our Lady Guinevere,
And to all other ladies, I make moan:
Pray for my soul, and yield me burial.
Pray for my soul thou too, Sir Lancelot,
As thou art a knight peerless.'
Thus he read;
And ever in the reading, lords and dames
Wept, looking often from his face who read
To hers which lay so silent, and at times,
So touched were they, half-thinking that her lips,
Who had devised the letter, moved again.
Then freely spoke Sir Lancelot to them all:
'My lord liege Arthur, and all ye that hear,
Know that for this most gentle maiden's death
Right heavy am I; for good she was and true,
But loved me with a love beyond all love
In women, whomsoever I have known.
Yet to be loved makes not to love again;
Not at my years, however it hold in youth.
I swear by truth and knighthood that I gave
No cause, not willingly, for such a love:
To this I call my friends in testimony,
Her brethren, and her father, who himself
Besought me to be plain and blunt, and use,
To break her passion, some discourtesy
Against my nature: what I could, I did.
I left her and I bad her no farewell;
Though, had I dreamt the damsel would have died,
I might have put my wits to some rough use,
And helped her from herself.'
Then said the Queen
(Sea was her wrath, yet working after storm)
'Ye might at least have done her so much grace,
Fair lord, as would have helped her from her death.'
He raised his head, their eyes met and hers fell,
He adding,
'Queen, she would not be content
Save that I wedded her, which could not be.
Then might she follow me through the world, she asked;
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It could not be. I told her that her love
Was but the flash of youth, would darken down
To rise hereafter in a stiller flame
Toward one more worthy of her--then would I,
More specially were he, she wedded, poor,
Estate them with large land and territory
In mine own realm beyond the narrow seas,
To keep them in all joyance: more than this
I could not; this she would not, and she died.'
He pausing, Arthur answered, 'O my knight,
It will be to thy worship, as my knight,
And mine, as head of all our Table Round,
To see that she be buried worshipfully.'
So toward that shrine which then in all the realm
Was richest, Arthur leading, slowly went
The marshalled Order of their Table Round,
And Lancelot sad beyond his wont, to see
The maiden buried, not as one unknown,
Nor meanly, but with gorgeous obsequies,
And mass, and rolling music, like a queen.
And when the knights had laid her comely head
Low in the dust of half-forgotten kings,
Then Arthur spake among them, 'Let her tomb
Be costly, and her image thereupon,
And let the shield of Lancelot at her feet
Be carven, and her lily in her hand.
And let the story of her dolorous voyage
For all true hearts be blazoned on her tomb
In letters gold and azure!' which was wrought
Thereafter; but when now the lords and dames
And people, from the high door streaming, brake
Disorderly, as homeward each, the Queen,
Who marked Sir Lancelot where he moved apart,
Drew near, and sighed in passing, 'Lancelot,
Forgive me; mine was jealousy in love.'
He answered with his eyes upon the ground,
'That is love's curse; pass on, my Queen, forgiven.'
But Arthur, who beheld his cloudy brows,
Approached him, and with full affection said,
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'Lancelot, my Lancelot, thou in whom I have
Most joy and most affiance, for I know
What thou hast been in battle by my side,
And many a time have watched thee at the tilt
Strike down the lusty and long practised knight,
And let the younger and unskilled go by
To win his honour and to make his name,
And loved thy courtesies and thee, a man
Made to be loved; but now I would to God,
Seeing the homeless trouble in thine eyes,
Thou couldst have loved this maiden, shaped, it seems,
By God for thee alone, and from her face,
If one may judge the living by the dead,
Delicately pure and marvellously fair,
Who might have brought thee, now a lonely man
Wifeless and heirless, noble issue, sons
Born to the glory of thine name and fame,
My knight, the great Sir Lancelot of the Lake.'
Then answered Lancelot, 'Fair she was, my King,
Pure, as you ever wish your knights to be.
To doubt her fairness were to want an eye,
To doubt her pureness were to want a heart-Yea, to be loved, if what is worthy love
Could bind him, but free love will not be bound.'
'Free love, so bound, were fre st,' said the King.
'Let love be free; free love is for the best:
And, after heaven, on our dull side of death,
What should be best, if not so pure a love
Clothed in so pure a loveliness? yet thee
She failed to bind, though being, as I think,
Unbound as yet, and gentle, as I know.'
And Lancelot answered nothing, but he went,
And at the inrunning of a little brook
Sat by the river in a cove, and watched
The high reed wave, and lifted up his eyes
And saw the barge that brought her moving down,
Far-off, a blot upon the stream, and said
Low in himself, 'Ah simple heart and sweet,
Ye loved me, damsel, surely with a love
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Far tenderer than my Queen's. Pray for thy soul?
Ay, that will I. Farewell too--now at last-Farewell, fair lily. "Jealousy in love?"
Not rather dead love's harsh heir, jealous pride?
Queen, if I grant the jealousy as of love,
May not your crescent fear for name and fame
Speak, as it waxes, of a love that wanes?
Why did the King dwell on my name to me?
Mine own name shames me, seeming a reproach,
Lancelot, whom the Lady of the Lake
Caught from his mother's arms--the wondrous one
Who passes through the vision of the night-She chanted snatches of mysterious hymns
Heard on the winding waters, eve and morn
She kissed me saying, "Thou art fair, my child,
As a king's son," and often in her arms
She bare me, pacing on the dusky mere.
Would she had drowned me in it, where'er it be!
For what am I? what profits me my name
Of greatest knight? I fought for it, and have it:
Pleasure to have it, none; to lose it, pain;
Now grown a part of me: but what use in it?
To make men worse by making my sin known?
Or sin seem less, the sinner seeming great?
Alas for Arthur's greatest knight, a man
Not after Arthur's heart! I needs must break
These bonds that so defame me: not without
She wills it: would I, if she willed it? nay,
Who knows? but if I would not, then may God,
I pray him, send a sudden Angel down
To seize me by the hair and bear me far,
And fling me deep in that forgotten mere,
Among the tumbled fragments of the hills.'
So groaned Sir Lancelot in remorseful pain,
Not knowing he should die a holy man.
~ Alfred Lord Tennyson,#NFDB
633:The Third Monarchy, Being The Grecian, Beginning
Under Alexander The Great In The 112. Olympiad.
Great Alexander was wise Philips son,
He to Amyntas, Kings of Macedon;
The cruel proud Olympias was his Mother,
She to Epirus warlike King was daughter.
This Prince (his father by Pausanias slain)
The twenty first of's age began to reign.
Great were the Gifts of nature which he had,
His education much to those did adde:
By art and nature both he was made fit,
To 'complish that which long before was writ.
The very day of his Nativity
To ground was burnt Dianaes Temple high:
An Omen to their near approaching woe,
Whose glory to the earth this king did throw.
His Rule to Greece he scorn'd should be confin'd,
The Universe scarce bound his proud vast mind.
This is the He-Goat which from Grecia came,
That ran in Choler on the Persian Ram,
That brake his horns, that threw him on the ground
To save him from his might no man was found:
Philip on this great Conquest had an eye,
But death did terminate those thoughts so high.
The Greeks had chose him Captain General,
Which honour to his Son did now befall.
(For as Worlds Monarch now we speak not on,
But as the King of little Macedon)
Restless both day and night his heart then was,
His high resolves which way to bring to pass;
Yet for a while in Greece is forc'd to stay,
Which makes each moment seem more then a day.
Thebes and stiff Athens both 'gainst him rebel,
Their mutinies by valour doth he quell.
This done against both right and natures Laws,
His kinsmen put to death, who gave no cause;
That no rebellion in in his absence be,
Nor making Title unto Sovereignty.
And all whom he suspects or fears will climbe,
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Now taste of death least they deserv'd in time,
Nor wonder is t if he in blood begin,
For Cruelty was his parental sin,
Thus eased now of troubles and of fears,
Next spring his course to Asia he steers;
Leavs Sage Antipater, at home to sway,
And through the Hellispont his Ships made way.
Coming to Land, his dart on shore he throws,
Then with alacrity he after goes;
And with a bount'ous heart and courage brave,
His little wealth among his Souldiers gave.
And being ask'd what for himself was left,
Reply'd, enough, sith only hope he kept.
Thirty two thousand made up his Foot force,
To which were joyn'd five thousand goodly horse.
Then on he marcht, in's way he view'd old Troy,
And on Achilles tomb with wondrous joy
He offer'd, and for good success did pray
To him, his Mothers Ancestors, (men say)
When news of Alexander came to Court,
To scorn at him Darius had good sport;
Sends him a frothy and contemptuous Letter,
Stiles him disloyal servant, and no better;
Reproves him for his proud audacity
To lift his hand 'gainst such a Monarchy.
Then to's Lieftenant he in Asia sends
That he be ta'ne alive, for he intends
To whip him well with rods, and so to bring
That boy so mallipert before the King.
Ah! fond vain man, whose pen ere while
In lower terms was taught a higher stile.
To River Granick Alexander hyes
Which in Phrygia near Propontike lyes.
The Persians ready for encounter stand,
And strive to keep his men from off the land;
Those banks so steep the Greeks yet scramble up,
And beat the coward Persians from the top,
And twenty thousand of their lives bereave,
Who in their backs did all their wounds receive.
This victory did Alexander gain,
With loss of thirty four of his there slain;
Then Sardis he, and Ephesus did gain,
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VVhere stood of late, Diana's wondrous Phane,
And by Parmenio (of renowned Fame,)
Miletus and Pamphilia overcame.
Hallicarnassus and Pisidia
He for his Master takes with Lycia.
Next Alexander marcht towards the black Sea,
And easily takes old Gordium in his way;
Of Ass ear'd Midas, once the Regal Seat,
VVhose touch turn'd all to gold, yea even his meat
VVhere the Prophetick knot he cuts in twain,
VVhich who so doth, must Lord of all remain.
Now news of Memnon's death (the Kings Viceroy)
To Alexanders heart's no little joy,
For in that Peer, more valour did abide,
Then in Darius multitude beside:
In's stead, was Arses plac'd, but durst not stay,
Yet set one in his room, and ran away;
His substitute as fearfull as his master,
Runs after two, and leaves all to Disaster.
Then Alexander all Cilicia takes,
No stroke for it he struck, their hearts so quakes.
To Greece he thirty thousand talents sends,
To raise more Force to further his intends:
Then o're he goes Darius now to meet,
Who came with thousand thousands at his feet.
Though some there be (perhaps) more likely write
He but four hundred thousand had to fight,
The rest Attendants, which made up no less,
Both Sexes there was almost numberless.
For this wise King had brought to see the sport,
With him the greatest Ladyes of the Court,
His mother, his beauteous Queen and daughters,
It seems to see the Macedonian slaughters.
Its much beyond my time and little art,
To shew how great Darius plaid his part;
The splendor and the pomp he marched in,
For since the world was no such Pageant seen.
Sure 'twas a goodly sight there to behold,
The Persians clad in silk, and glistering gold,
The stately horses trapt, the lances gilt,
As if addrest now all to run a tilt.
The holy fire was borne before the host,
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(For Sun and Fire the Persians worship most)
The Priests in their strange habit follow after,
An object, not so much of fear as laughter.
The King sate in a chariot made of gold,
With crown and Robes most glorious to behold,
And o're his head his golden Gods on high,
Support a party coloured Canopy.
A number of spare horses next were led,
Lest he should need them in his Chariots stead;
But those that saw him in this state to lye,
Suppos'd he neither meant to fight nor flye.
He fifteen hundred had like women drest;
For thus to fright the Greeks he judg'd was best.
Their golden ornaments how to set forth,
Would ask more time then was their bodies worth
Great Sysigambis she brought up the Reer,
Then such a world of waggons did appear,
Like several houses moving upon wheels,
As if she'd drawn whole Shushan at her heels:
This brave Virago to the King was mother,
And as much good she did as any other.
Now lest this gold, and all this goodly stuff
Had not been spoyle and booty rich enough
A thousand mules and Camels ready wait
Loaden with gold, with jewels and with plate:
For sure Darius thought at the first sight,
The Greeks would all adore, but none would fight
But when both Armies met, he might behold
That valour was more worth then pearls or gold,
And that his wealth serv'd but for baits to 'lure
To make his overthrow more fierce and sure.
The Greeks came on and with a gallant grace
Let fly their arrows in the Persians face.
The cowards feeling this sharp stinging charge
Most basely ran, and left their king at large:
Who from his golden coach is glad to 'light,
And cast away his crown for swifter flight:
Of late like some immoveable he lay,
Now finds both legs and horse to run away.
Two hundred thousand men that day were slain,
And forty thousand prisoners also tane,
Besides the Queens and Ladies of the court,
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If Curtius be true in his report.
The Regal Ornaments were lost, the treasure
Divided at the Macedonians pleasure;
Yet all this grief, this loss, this overthrow,
Was but beginning of his future woe.
The royal Captives brought to Alexander
T'ward them demean'd himself like a Commander
For though their beauties were unparaled,
Conquer'd himself now he had conquered,
Preserv'd their honour, us'd them bounteously,
Commands no man should doe them injury:
And this to Alexander is more fame
Then that the Persian King he overcame.
Two hundred eighty Greeks he lost in fight,
By too much heat, not wounds (as authors write)
No sooner had this Victor won the field,
But all Phenicia to his pleasure yield,
Of which the Goverment he doth commit
Unto Parmenio of all most fit.
Darius now less lofty then before,
To Alexander writes he would restore
Those mournfull Ladies from Captivity,
For whom he offers him a ransome high:
But down his haughty stomach could not bring,
To give this Conquerour the Stile of King.
This Letter Alexander doth disdain,
And in short terms sends this reply again,
A King he was, and that not only so,
But of Darius King, as he should know.
Next Alexander unto Tyre doth goe,
His valour and his victoryes they know:
To gain his love the Tyrians intend,
Therefore a crown and great Provision send,
Their present he receives with thankfullness,
Desires to offer unto Hercules,
Protector of their town, by whom defended,
And from whom he lineally descended.
But they accept not this in any wise,
Lest he intend more fraud then sacrifice,
Sent word that Hercules his temple stood
In the old town, (which then lay like a wood)
With this reply he was so deep enrag'd,
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To win the town, his honour he ingag'd:
And now as Babels King did once before,
He leaves not till he made the sea firm shore,
But far less time and cost he did expend,
The former Ruines forwarded his end:
Moreover had a Navy at command,
The other by his men fetcht all by land.
In seven months time he took that wealthy town,
Whose glory now a second time's brought down.
Two thousand of the chief he crucifi'd,
Eight thousand by the sword then also di'd,
And thirteen thousand Gally slaves he made,
And thus the Tyrians for mistrust were paid.
The rule of this he to Philotas gave
Who was the son of that Parmenio brave.
Cilicia to Socrates doth give,
For now's the time Captains like Kings may live.
Zidon he on Ephestion bestowes;
(For that which freely comes, as freely goes)
He scorns to have one worse then had the other,
So gives his little Lordship to another.
Ephestion having chief command of th'Fleet,
At Gaza now must Alexander meet.
Darius finding troubles still increase,
By his Ambassadors now sues for peace,
And layes before great Alexanders eyes
The dangers difficultyes like to rise,
First at Euphrates what he's like to 'bide,
And then at Tygris and Araxis side,
These he may scape, and if he so desire,
A league of friendship make firm and entire.
His eldest daughter he in mariage profers,
And a most princely dowry with her offers.
All those rich Kingdomes large that do abide
Betwixt the Hellespont and Halys side.
But he with scorn his courtesie rejects,
And the distressed King no whit respects,
Tells him, these proffers great, in truth were none
For all he offers now was but his own.
But quoth Parmenio that brave Commander,
Was I as great, as is great Alexander,
Darius offers I would not reject,
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But th'kingdomes and the Lady soon accept.
To which proud Alexander made reply,
And so if I Parmenio was, would I.
He now to Gaza goes, and there doth meet,
His Favorite Ephestion with his Fleet,
Where valiant Betis stoutly keeps the town,
(A loyal Subject to Darius Crown)
For more repulse the Grecians here abide
Then in the Persian Monarchy beside;
And by these walls so many men were slain,
That Greece was forc'd to yield supply again.
But yet this well defended Town was taken,
For 'twas decree'd, that Empire should be shaken;
Thus Betis ta'en had holes bor'd through his feet,
And by command was drawn through every street
To imitate Achilles in his shame,
Who did the like to Hector (of more fame)
What hast thou lost thy magnimity,
Can Alexander deal thus cruelly?
Sith valour with Heroicks is renown'd,
Though in an Enemy it should be found;
If of thy future fame thou hadst regard,
Why didst not heap up honours and reward?
From Gaza to Jerusalem he goes,
But in no hostile way, (as I suppose)
Him in his Priestly Robes high Jaddus meets,
Whom with great reverence Alexander greets;
The Priest shews him good Daniel's Prophesy,
How he should overthrow this Monarchy,
By which he was so much encouraged,
No future dangers he did ever dread.
From thence to fruitful Egypt marcht with speed,
Where happily in's wars he did succeed;
To see how fast he gain'd was no small wonder,
For in few dayes he brought that Kingdome under.
Then to the Phane of Jupiter he went,
To be install'd a God, was his intent.
The Pagan Priest through hire, or else mistake,
The Son of Jupiter did streight him make:
He Diobolical must needs remain,
That his humanity will not retain.
Thence back to Egypt goes, and in few dayes;
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Fair Alexandria from the ground doth raise;
Then setling all things in less Asia;
In Syria, Egypt, and Phenicia,
Unto Euphrates marcht and overgoes,
For no man's there his Army to oppose;
Had Betis now been there but with his band,
Great Alexander had been kept from Land.
But as the King, so is the multitude,
And now of valour both are destitute.
Yet he (poor prince) another Host doth muster,
Of Persians, Scythians, Indians in a cluster;
Men but in shape and name, of valour none
Most fit, to blunt the Swords of Macedon.
Two hundred fifty thousand by account,
Of Horse and Foot his Army did amount;
For in his multitudes his trust still lay,
But on their fortitude he had small stay;
Yet had some hope that on the spacious plain,
His numbers might the victory obtain.
About this time Darius beautious Queen,
Who had sore travail and much sorrow seen,
Now bids the world adue, with pain being spent,
Whose death her Lord full sadly did lament.
Great Alexander mourns as well as he,
The more because not set at liberty;
When this sad news (at first Darius hears,
Some injury was offered he fears:
But when inform'd how royally the King,
Had used her, and hers, in every thing,
He prays the immortal Gods they would reward
Great Alexander for this good regard;
And if they down his Monarchy will throw,
Let them on him this dignity bestow.
And now for peace he sues as once before,
And offers all he did and Kingdomes more;
His eldest daughter for his princely bride,
(Nor was such match in all the world beside)
And all those Countryes which (betwixt) did lye
Phanisian Sea, and great Euphrates high:
With fertile Egypt and rich Syria,
And all those Kingdomes in less Asia.
With thirty thousand Talents to be paid,
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For the Queen Mother, and the royal maid;
And till all this be well perform'd, and sure,
Ochus his Son for Hostage should endure.
To this stout Alexander gives no ear,
No though Parmenio plead, yet will not hear;
Which had he done. (perhaps) his fame he'd kept,
Nor Infamy had wak'd, when he had slept,
For his unlimited prosperity
Him boundless made in vice and Cruelty.
Thus to Darius he writes back again,
The Firmament, two Suns cannot contain.
Two Monarchyes on Earth cannot abide,
Nor yet two Monarchs in one world reside;
The afflicted King finding him set to jar,
Prepares against to morrow, for the war,
Parmenio, Alexander, wisht that night,
To force his Camp, so vanquish them by flight.
For tumult in the night doth cause most dread,
And weakness of a Foe is covered,
But he disdain'd to steal a victory:
The Sun should witness of his valour be,
And careless in his bed, next morne he lyes,
By Captains twice is call'd before hee'l rise,
The Armyes joyn'd a while, the Persians fight,
And spilt the Greeks some bloud before their flight
But long they stood not e're they're forc'd to run,
So made an end, As soon as well begun.
Forty five thousand Alexander had,
But is not known what slaughter here was made,
Some write th'other had a million, some more,
But Quintus Curtius as before.
At Arbela this victory was gain'd,
Together with the Town also obtain'd;
Darius stript of all to Media came,
Accompan'ed with sorrow, fear, and shame,
At Arbela left his Ornaments and Treasure,
Which Alexander deals as suits his pleasure.
This conqueror to Babylon then goes,
Is entertain'd with joy and pompous showes,
With showrs of flours the streets along are strown,
And incense burnt the silver Altars on.
The glory of the Castle he admires,
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The strong Foundation and the lofty Spires,
In this, a world of gold and Treasure lay,
Which in few hours was carried all away.
With greedy eyes he views this City round,
Whose fame throughout the world was so renownd
And to possess he counts no little bliss
The towres and bowres of proud Semiramis,
Though worne by time, and rac'd by foes full sore,
Yet old foundations shew'd and somewhat more.
With all the pleasures that on earth are found,
This city did abundantly abound,
Where four and thirty dayes he now did stay,
And gave himself to banqueting and play:
He and his souldiers wax effeminate,
And former discipline begin to hate.
Whilst revelling at Babylon he lyes,
Antipater from Greece sends fresh supplyes.
He then to Shushan goes with his new bands,
But needs no force, tis rendred to his hands.
He likewise here a world of treasure found;
For 'twas the seat of Persian Kings renownd.
Here stood the royal Houses of delight,
Where Kings have shown their glory wealth and might
The sumptuous palace of Queen Esther here,
And of good Mordicai, her kinsman dear,
Those purple hangings, mixt with green and white
Those beds of gold, and couches of delight.
And furniture the richest in all lands,
Now fall into the Macedonians hands.
From Shushan to Persipolis he goes,
Which news doth still augment Darius woes.
In his approach the governour sends word,
For his receipt with joy they all accord,
With open gates the wealthy town did stand,
And all in it was at his high command.
Of all the Cities that on earth was found,
None like to this in riches did abound:
Though Babylon was rich and Shushan too
Yet to compare with this they might not doe:
Here lay the bulk of all those precious things
That did pertain unto the Persian Kings:
For when the souldiers rifled had their pleasure,
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And taken money plate and golden treasure,
Statues some gold, and silver numberless,
Yet after all, as storyes do express
The share of Alexander did amount
To an hundred thousand talents by account.
Here of his own he sets a Garison,
(As first at Shushan and at Babylon)
On their old Governours titles he laid,
But on their faithfulness he never staid,
Their place gave to his Captains (as was just)
For such revolters false, what King can trust?
The riches and the pleasures of this town
Now makes this King his virtues all to drown,
That wallowing in all licentiousness,
In pride and cruelty to high excess.
Being inflam'd with wine upon a season,
Filled with madness, and quite void of reason,
He at a bold proud strumpets leud desire,
Commands to set this goodly town on fire.
Parmenio wise intreats him to desist
And layes before his eyes if he persist
His fames dishonour, loss unto his state,
And just procuring of the Persians hate:
But deaf to reason, bent to have his will,
Those stately streets with raging flame did fill.
Then to Darius he directs his way,
Who was retir'd as far as Media,
And there with sorrows, fears & cares surrounded
Had now his army fourth and last compounded.
Which forty thousand made, but his intent
Was these in Bactria soon to augment:
But hearing Alexander was so near,
Thought now this once to try his fortunes here,
And rather chose an honourable death,
Then still with infamy to draw his breath:
But Bessus false, who was his chief Commander
Perswades him not to fight with Alexander.
With sage advice he sets before his eyes
The little hope of profit like to rise:
If when he'd multitudes the day he lost,
Then with so few, how likely to be crost.
This counsel for his safety he pretended,
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But to deliver him to's foe intended.
Next day this treason to Darius known
Transported sore with grief and passion,
Grinding his teeth, and plucking off his hair,
Sate overwhelm'd with sorrow and dispair:
Then bids his servant Artabasus true,
Look to himself, and leave him to that crew,
Who was of hopes and comforts quite bereft,
And by his guard and Servitors all left.
Straight Bessus comes, & with his trait'rous hands
Layes hold on's Lord, and binding him with bands
Throws him into a Cart, covered with hides,
Who wanting means t'resist these wrongs abides,
Then draws the cart along with chains of gold,
In more despight the thraled prince to hold,
And thus t'ward Alexander on he goes,
Great recompence for this, he did propose:
But some detesting this his wicked fact,
To Alexander flyes and tells this act,
Who doubling of his march, posts on amain,
Darius from that traitors hands to gain.
Bessus gets knowledg his disloyalty
Had Alexanders wrath incensed high,
Whose army now was almost within sight,
His hopes being dasht prepares himself for flight:
Unto Darius first he brings a horse,
And bids him save himself by speedy course:
The wofull King his courtesie refuses,
Whom thus the execrable wretch abuses,
By throwing darts gave him his mortal wound,
Then slew his Servants that were faithfull found,
Yea wounds the beasts that drew him unto death,
And leaves him thus to gasp out his last breath.
Bessus his partner in this tragedy,
Was the false Governour of Media.
This done, they with their host soon speed away,
To hide themselves remote in Bactria.
Darius bath'd in blood, sends out his groans,
Invokes the heav'ns and earth to hear his moans:
His lost felicity did grieve him sore,
But this unheard of treachery much more:
But above all, that neither Ear nor Eye
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Should hear nor see his dying misery;
As thus he lay, Polistrates a Greek,
Wearied with his long march, did water seek,
So chanc'd these bloudy Horses to espy,
Whose wounds had made their skins of purple dye
To them repairs then looking in the Cart,
Finds poor Darius pierced to the heart,
Who not a little chear'd to have some eye,
The witness of this horrid Tragedy;
Prays him to Alexander to commend
The just revenge of this his woful end:
And not to pardon such disloyalty,
Of Treason, Murther, and base Cruelty.
If not, because Darius thus did pray,
Yet that succeeding Kings in safety may
Their lives enjoy, their Crowns and dignity,
And not by Traitors hands untimely dye.
He also sends his humble thankfulness,
For all the Kingly grace he did express;
To's Mother, Children dear, and wife now gone.
Which made their long restraint seem to be none:
Praying the immortal Gods, that Sea and Land
Might be subjected to his royal hand,
And that his Rule as far extended be,
As men the rising, setting Sun shall see,
This said, the Greek for water doth intreat,
To quench his thirst, and to allay his heat:
Of all good things (quoth he) once in my power,
I've nothing left, at this my dying hour;
Thy service and compassion to reward,
But Alexander will, for this regard.
This said, his fainting breath did fleet away,
And though a Monarch late, now lyes like clay;
And thus must every Son of Adam lye,
Though Gods on Earth like Sons of men they dye.
Now to the East, great Alexander goes,
To see if any dare his might oppose,
For scarce the world or any bounds thereon,
Could bound his boundless fond Ambition;
Such as submits again he doth restore
Their riches, and their honours he makes more,
On Artabaces more then all bestow'd,
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For his fidelity to's Master show'd.
Thalestris Queen of th'Amazons now brought
Her Train to Alexander, (as 'tis thought.)
Though most of reading best and soundest mind,
Such Country there, nor yet such people find.
Then tell her errand, we had better spare
To th'ignorant, her title will declare:
As Alexander in his greatness grows,
So dayly of his virtues doth he lose.
He baseness counts, his former Clemency,
And not beseeming such a dignity;
His past sobriety doth also bate,
As most incompatible to his State;
His temperance is but a sordid thing,
No wayes becoming such a mighty King;
His greatness now he takes to represent
His fancy'd Gods above the Firmament.
And such as shew'd but reverence before,
Now are commanded strictly to adore;
With Persian Robes himself doth dignifie,
Charging the same on his nobility,
His manners habit, gestures, all did fashion
After that conquer'd and luxurious Nation.
His Captains that were virtuously inclin'd,
Griev'd at this change of manners and of mind.
The ruder sort did openly deride,
His feigned Diety and foolish pride;
The certainty of both comes to his Ears,
But yet no notice takes of what he hears:
With those of worth he still desires esteem,
So heaps up gifts his credit to redeem
And for the rest new wars and travails finds,
That other matters might take up their minds,
And hearing Bessus, makes himself a King,
Intends that Traitor to his end to bring.
Now that his Host from luggage might be free,
And with his burthen no man burthened be;
Commands forthwith each man his fardle bring,
Into the market place before the King;
VVhich done, sets fire upon those goodly spoyles,
The recompence of travails wars and toyles.
And thus unwisely in a mading fume,
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The wealth of many Kingdomes did consume,
But marvell 'tis that without mutiny,
The Souldiers should let pass this injury;
Nor wonder less to Readers may it bring,
Here to observe the rashness of the King.
Now with his Army doth he post away
False Bessus to find out in Bactria:
But much distrest for water in their march,
The drought and heat their bodies sore did parch.
At length they came to th'river Oxus brink,
Where so immoderately these thirsty drink,
Which more mortality to them did bring,
Then all their warrs against the Persian King.
Here Alexander's almost at a stand,
To pass the River to the other land.
For boats here's none, nor near it any wood,
To make them Rafts to waft them o're the flood:
But he that was resolved in his mind,
Would without means some transportation find.
Then from the Carriages the hides he takes,
And stuffing them with straw, he bundles makes.
On these together ti'd, in six dayes space,
They all pass over to the other place.
Had Bessus had but valour to his will,
With little pain there might have kept them still:
But Coward durst not fight, nor could he fly,
Hated of all for's former treachery,
Is by his own now bound in iron chains,
A Coller of the same, his neck contains.
And in this sort they rather drag then bring
This Malefactor vile before the King,
Who to Darius brother gives the wretch,
With racks and tortures every limb to stretch.
Here was of Greeks a town in Bactria,
Whom Xerxes from their Country led away,
These not a little joy'd, this day to see,
Wherein their own had got the sov'raignty
And now reviv'd, with hopes held up their head
From bondage long to be Enfranchised.
But Alexander puts them to the sword
Without least cause from them in deed or word;
Nor Sex, nor age, nor one, nor other spar'd,
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But in his cruelty alike they shar'd:
Nor reason could he give for this great wrong,
But that they had forgot their mother tongue.
While thus some time he spent in Bactria,
And in his camp strong and securely lay,
Down from the mountains twenty thousand came
And there most fiercely set upon the same:
Repelling these, two marks of honour got
Imprinted in his leg, by arrows shot.
The Bactrians against him now rebel;
But he their stubborness in time doth quell.
From hence he to Jaxartis River goes,
Where Scythians rude his army doth oppose,
And with their outcryes in an hideous sort
Beset his camp, or military court,
Of darts and arrows, made so little spare,
They flew so thick, they seem'd to dark the air:
But soon his souldiers forc'd them to a flight,
Their nakedness could not endure their might.
Upon this rivers bank in seventeen dayes
A goodly City doth compleatly raise,
Which Alexandria he doth likewise name,
And sixty furlongs could but round the same.
A third Supply Antipater now sent,
Which did his former forces much augment;
And being one hundred twenty thousand strong;
He enters then the Indian Kings among:
Those that submit, he gives them rule again,
Such as do not, both them and theirs are slain.
His warrs with sundry nations I'le omit,
And also of the Mallians what is writ.
His Fights, his dangers, and the hurts he had,
How to submit their necks at last they're glad.
To Nisa goes by Bacchus built long since,
Whose feasts are celebrated by this prince;
Nor had that drunken god one who would take
His Liquors more devoutly for his sake.
When thus ten days his brain with wine he'd soakt,
And with delicious meats his palate choakt:
To th'River Indus next his course he bends,
Boats to prepare, Ephestion first he sends,
Who coming thither long before his Lord,
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Had to his mind made all things to accord,
The vessels ready were at his command,
And Omphis King of that part of the land,
Through his perswasion Alexander meets,
And as his Sov'raign Lord him humbly greets
Fifty six Elephants he brings to's hand,
And tenders him the strength of all his land;
Presents himself first with a golden crown,
Then eighty talents to his captains down:
But Alexander made him to behold
He glory sought, no silver nor no gold;
His presents all with thanks he did restore,
And of his own a thousand talents more.
Thus all the Indian Kings to him submit,
But Porus stout, who will not yeild as yet:
To him doth Alexander thus declare,
His pleasure is that forthwith he repair
Unto his Kingdomes borders, and as due,
His homage to himself as Soveraign doe:
But kingly Porus this brave answer sent,
That to attend him there was his intent,
And come as well provided as he could,
But for the rest, his sword advise him should.
Great Alexander vext at this reply,
Did more his valour then his crown envy,
Is now resolv'd to pass Hydaspes flood,
And there by force his soveraignty make good.
Stout Porus on the banks doth ready stand
To give him welcome when he comes to land.
A potent army with him like a King,
And ninety Elephants for warr did bring:
Had Alexander such resistance seen
On Tygris side, here now he had not been.
Within this spacious River deep and wide
Did here and there Isles full of trees abide.
His army Alexander doth divide
With Ptolemy sends part to th'other side;
Porus encounters them and thinks all's there,
When covertly the rest get o're else where,
And whilst the first he valiantly assail'd,
The last set on his back, and so prevail'd.
Yet work enough here Alexander found,
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For to the last stout Porus kept his ground:
Nor was't dishonour at the length to yield,
When Alexander strives to win the field.
The kingly Captive 'fore the Victor's brought,
In looks or gesture not abased ought,
But him a Prince of an undaunted mind
Did Alexander by his answers find:
His fortitude his royal foe commends,
Restores him and his bounds farther extends.
Now eastward Alexander would goe still,
But so to doe his souldiers had no will,
Long with excessive travails wearied,
Could by no means be farther drawn or led,
Yet that his fame might to posterity
Be had in everlasting memory,
Doth for his Camp a greater circuit take,
And for his souldiers larger Cabbins make.
His mangers he erected up so high
As never horse his Provender could eye.
Huge bridles made, which here and there he left,
Which might be found, and for great wonders kept
Twelve altars then for monuments he rears,
Whereon his acts and travels long appears.
But doubting wearing time might these decay,
And so his memory would fade away,
He on the fair Hydaspes pleasant side,
Two Cities built, his name might there abide,
First Nicea, the next Bucephalon,
Where he entomb'd his stately Stalion.
His fourth and last supply was hither sent,
Then down Hydaspes with his Fleet he went;
Some time he after spent upon that shore,
Whether Ambassadors, ninety or more,
Came with submission from the Indian Kings,
Bringing their presents rare, and precious things,
These all he feasts in state on beds of gold,
His Furniture most sumptuous to behold;
His meat & drink, attendants, every thing,
To th'utmost shew'd the glory of a King.
With rich rewards he sent them home again,
Acknowledged their Masters sovereign;
Then sailing South, and coming to that shore,
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Those obscure Nations yielded as before:
A City here he built, call'd by his Name,
Which could not sound too oft with too much fame
Then sailing by the mouth of Indus floud,
His Gallyes stuck upon the flats and mud;
Which the stout Macedonians amazed sore,
Depriv'd at once the use of Sail and Oar:
Observing well the nature of the Tide,
In those their fears they did not long abide.
Passing fair Indus mouth his course he steer'd
To th'coast which by Euphrates mouth appear'd;
Whose inlets near unto, he winter spent,
Unto his starved Souldiers small content,
By hunger and by cold so many slain,
That of them all the fourth did scarce remain.
Thus winter, Souldiers, and provisions spent,
From hence he then unto Gedrosia went.
And thence he marcht into Carmania,
And so at length drew near to Persia,
Now through these goodly Countryes as he past,
Much time in feasts and ryoting did waste;
Then visits Cyrus Sepulchre in's way,
Who now obscure at Passagardis lay:
Upon his Monument his Robe he spread,
And set his Crown on his supposed head.
From hence to Babylon, some time there spent,
He at the last to royal Shushan went;
A wedding Feast to's Nobles then he makes,
And Statyra, Darius daughter takes,
Her Sister gives to his Ephestian dear,
That by this match he might be yet more near;
He fourscore Persian Ladies also gave,
At this same time unto his Captains brave:
Six thousand guests unto this Feast invites,
Whose Sences all were glutted with delights.
It far exceeds my mean abilities
To shadow forth these short felicities,
Spectators here could scarce relate the story,
They were so rapt with this external glory:
If an Ideal Paradise a man would frame,
He might this Feast imagine by the same;
To every guess a cup of gold he sends,
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So after many dayes the Banquet ends.
Now Alexanders conquests all are done,
And his long Travails past and overgone;
His virtues dead, buried, and quite forgot,
But vice remains to his Eternal blot.
'Mongst those that of his cruelty did tast,
Philotus was not least, nor yet the last,
Accus'd because he did not certifie
The King of treason and conspiracy:
Upon suspition being apprehended,
Nothing was prov'd wherein he had offended
But silence, which was of such consequence,
He was judg'd guilty of the same offence,
But for his fathers great deserts the King
His royal pardon gave for this foul thing.
Yet is Phylotas unto judgment brought,
Must suffer, not for what is prov'd, but thought.
His master is accuser, judge and King,
Who to the height doth aggravate each thing,
Inveighs against his father now absent,
And's brethren who for him their lives had spent.
But Philotas his unpardonable crime,
No merit could obliterate, or time:
He did the Oracle of Jove deride,
By which his Majesty was diefi'd.
Philotas thus o'recharg'd with wrong and grief
Sunk in despair without hope of Relief,
Fain would have spoke and made his own defence,
The King would give no ear, but went from thence
To his malicious Foes delivers him,
To wreak their spight and hate on every limb.
Philotas after him sends out this cry,
O Alexander, thy free clemency
My foes exceeds in malice, and their hate
Thy kingly word can easily terminate.
Such torments great as wit could worst invent,
Or flesh and life could bear, till both were spent
Were now inflicted on Parmenio's son
He might accuse himself, as they had done,
At last he did, so they were justifi'd,
And told the world, that for his guilt he di'd.
But how these Captains should, or yet their master
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Look on Parmenio, after this disaster
They knew not, wherefore best now to be done,
Was to dispatch the father as the son.
This sound advice at heart pleas'd Alexander,
Who was so much ingag'd to this Commander,
As he would ne're confess, nor yet reward,
Nor could his Captains bear so great regard:
Wherefore at once, all these to satisfie,
It was decreed Parmenio should dye:
Polidamus, who seem'd Parmenio's friend
To do this deed they into Media send:
He walking in his garden to and fro,
Fearing no harm, because he none did doe,
Most wickedly was slain without least crime,
(The most renowned captain of his time)
This is Parmenio who so much had done
For Philip dead, and his surviving son,
Who from a petty King of Macedon
By him was set upon the Persian throne,
This that Parmenio who still overcame,
Yet gave his Master the immortal fame,
Who for his prudence, valour, care and trust
Had this reward, most cruel and unjust.
The next, who in untimely death had part,
Was one of more esteem, but less desert;
Clitus belov'd next to Ephestian,
And in his cups his chief companion;
When both were drunk, Clitus was wont to jeer,
Alexander to rage, to kill, and swear;
Nothing more pleasing to mad Clitus tongue,
Then's Masters Godhead to defie and wrong;
Nothing toucht Alexander to the quick,
Like this against his Diety to kick:
Both at a Feast when they had tippled well,
Upon this dangerous Theam fond Clitus fell;
From jest to earnest, and at last so bold,
That of Parmenio's death him plainly told.
Which Alexanders wrath incens'd so high,
Nought but his life for this could satisfie;
From one stood by he snatcht a partizan,
And in a rage him through the body ran,
Next day he tore his face for what he'd done,
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And would have slain himself for Clitus gone:
This pot Companion he did more bemoan,
Then all the wrongs to brave Parmenio done.
The next of worth that suffered after these,
Was learned, virtuous, wise Calisthenes,
VVho lov'd his Master more then did the rest,
As did appear, in flattering him the least;
In his esteem a God he could not be,
Nor would adore him for a Diety:
For this alone and for no other cause,
Against his Sovereign, or against his Laws,
He on the Rack his Limbs in pieces rent,
Thus was he tortur'd till his life was spent.
Of this unkingly act doth Seneca
This censure pass, and not unwisely say,
Of Alexander this th'eternal crime,
VVhich shall not be obliterate by time.
VVhich virtues fame can ne're redeem by far,
Nor all felicity of his in war.
VVhen e're 'tis said he thousand thousands slew,
Yea, and Calisthenes to death he drew.
The mighty Persian King he overcame,
Yea, and he kill'd Calistthenes of fame.
All Countryes, Kingdomes, Provinces, he wan
From Hellispont, to th'farthest Ocean.
All this he did, who knows' not to be true?
But yet withal, Catisthenes he slew.
From Macedon, his Empire did extend
Unto the utmost bounds o' th'orient:
All this he did, yea, and much more, 'tis true,
But yet withal, Catisthenes he slew.
Now Alexander goes to Media,
Finds there the want of wise Parmenio;
Here his chief favourite Ephestian dies,
He celebrates his mournful obsequies:
Hangs his Physitian, the Reason why
He suffered, his friend Ephestian dye.
This act (me-thinks) his Godhead should a shame,
To punish where himself deserved blame;
Or of necessity he must imply,
The other was the greatest Diety.
The Mules and Horses are for sorrow shorne,
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The battlements from off the walls are torne.
Of stately Ecbatane who now must shew,
A rueful face in this so general woe;
Twelve thousand Talents also did intend,
Upon a sumptuous monument to spend:
What e're he did, or thought not so content,
His messenger to Jupiter he sent,
That by his leave his friend Ephestion,
Among the Demy Gods they might inthrone.
From Media to Babylon he went,
To meet him there t'Antipater he'd sent,
That he might act also upon the Stage,
And in a Tragedy there end his age.
The Queen Olimpias bears him deadly hate,
Not suffering her to meddle with the State,
And by her Letters did her Son incite,
This great indignity he should requite;
His doing so, no whit displeas'd the King,
Though to his Mother he disprov'd the thing.
But now Antipater had liv'd so long,
He might well dye though he had done no wrong;
His service great is suddenly forgot,
Or if remembred, yet regarded not:
The King doth intimate 'twas his intent,
His honours and his riches to augment;
Of larger Provinces the rule to give,
And for his Counsel near the King to live.
So to be caught, Antipater's too wise,
Parmenio's death's too fresh before his eyes;
He was too subtil for his crafty foe.
Nor by his baits could be insnared so:
But his excuse with humble thanks he sends,
His Age and journy long he then pretends;
And pardon craves for his unwilling stay,
He shews his grief, he's forc'd to disobey.
Before his Answer came to Babylon,
The thread of Alexanders life was spun;
Poyson had put an end to's dayes ('twas thought)
By Philip and Cassander to him brought,
Sons to Antipater, and bearers of his Cup,
Lest of such like their Father chance to sup;
By others thought, and that more generally,
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That through excessive drinking he did dye:
The thirty third of's Age do all agree,
This Conquerour did yield to destiny.
When this sad news came to Darius Mother,
She laid it more to heart, then any other,
Nor meat, nor drink, nor comfort would she take,
But pin'd in grief till life did her forsake;
All friends she shuns, yea, banished the light,
Till death inwrapt her in perpetual night.
This Monarchs fame must last whilst world doth stand,
And Conquests be talkt of whilest there is land;
His Princely qualities had he retain'd,
Unparalled for ever had remain'd.
But with the world his virtues overcame,
And so with black beclouded, all his fame;
Wise Aristotle Tutor to his youth.
Had so instructed him in moral Truth:
The principles of what he then had learn'd
Might to the last (when sober) be discern'd.
Learning and learned men he much regarded,
And curious Artist evermore rewarded:
The Illiads of Homer he still kept.
And under's pillow laid them when he slept.
Achilles happiness he did envy,
'Cause Homer kept his acts to memory.
Profusely bountifull without desert,
For such as pleas'd him had both wealth and heart
Cruel by nature and by custome too,
As oft his acts throughout his reign doth shew:
Ambitious so, that nought could satisfie,
Vain, thirsting after immortality,
Still fearing that his name might hap to dye,
And fame not last unto eternity.
This Conqueror did oft lament (tis said)
There were no more worlds to be conquered.
This folly great Augustus did deride,
For had he had but wisdome to his pride,
He would had found enough there to be done,
To govern that he had already won.
His thoughts are perisht, he aspires no more,
Nor can he kill or save as heretofore.
A God alive, him all must Idolize,
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Now like a mortal helpless man he lyes.
Of all those Kingdomes large which he had got,
To his Posterity remain'd no jot;
For by that hand which still revengeth bloud,
None of his kindred, nor his race long stood:
But as he took delight much bloud to spill,
So the same cup to his, did others fill.
Four of his Captains now do all divide,
As Daniel before had prophysi'd.
The Leopard down, the four wings 'gan to rise,
The great horn broke, the less did tyranize.
What troubles and contentions did ensue
We may hereafter shew in season due.
Aridæus.
Great Alexander dead, his Armyes left,
Like to that Giant of his Eye bereft;
When of his monstrous bulk it was the guide,
His matchless force no creature could abide.
But by Ulisses having lost his sight,
All men began streight to contemn his might;
For aiming still amiss, his dreadful blows
Did harm himself, but never reacht his Foes.
Now Court and Camp all in confusion be,
A King they'l have, but who, none can agree;
Each Captain wisht this prize to bear away,
But none so hardy found as so durst say:
Great Alexander did leave Issue none,
Except by Artabasus daughter one;
And Roxane fair whom late he married,
Was near her time to be delivered.
By natures right these had enough to claim,
But meaness of their mothers bar'd the same,
Alledg'd by those who by their subtile Plea
Had hope themselves to bear the Crown away.
A Sister Alexander had, but she
Claim'd not, perhaps, her Sex might hindrance be.
After much tumult they at last proclaim'd
His base born brother Aridæus nam'd,
That so under his feeble wit and reign,
Their ends they might the better still attain.
This choice Perdiccas vehemently disclaim'd,
And Babe unborn of Roxane he proclaim'd;
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Some wished him to take the style of King,
Because his Master gave to him his Ring,
And had to him still since Ephestion di'd
More then to th'rest his favour testifi'd.
But he refus'd, with feigned modesty,
Hoping to be elect more generally.
He hold on this occasion should have laid,
For second offer there was never made.
'Mongst these contentions, tumults, jealousies,
Seven dayes the corps of their great master lies
Untoucht, uncovered slighted and neglected,
So much these princes their own ends respected:
A Contemplation to astonish Kings,
That he who late possest all earthly things,
And yet not so content unless that he
Might be esteemed for a Diety;
Now lay a Spectacle to testifie,
The wretchedness of mans mortality.
After some time, when stirs began to calm,
His body did the Egyptians embalme;
His countenance so lively did appear,
That for a while they durst not come so near:
No sign of poyson in his intrails sound,
But all his bowels coloured, well and sound.
Perdiccas seeing Arideus must be King,
Under his name began to rule each thing.
His chief Opponent who Control'd his sway,
Was Meleager whom he would take away,
And by a wile he got him in his power,
So took his life unworthily that hour.
Using the name, and the command of th'King
To authorize his acts in every thing.
The princes seeing Perdiccas power and pride,
For their security did now provide.
Antigonus for his share Asia takes,
And Ptolemy next sure of Egypt makes:
Seleucus afterward held Babylon,
Antipater had long rul'd Macedon.
These now to govern for the king pretends,
But nothing less each one himself intends.
Perdiccas took no province like the rest,
But held command of th'Army (which was best)
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And had a higher project in his head,
His Masters sister secretly to wed:
So to the Lady, covertly he sent,
(That none might know, to frustrate his intent)
But Cleopatra this Suitor did deny,
For Leonatus more lovely in her eye,
To whom she sent a message of her mind,
That if he came good welcome he should find.
In these tumultuous dayes the thralled Greeks,
Their Ancient Liberty afresh now seeks.
And gladly would the yoke shake off, laid on
Sometimes by Philip and his conquering son.
The Athenians force Antipater to fly
To Lamia where he shut up doth lye.
To brave Craterus then he sends with speed
For succours to relieve him in his need.
The like of Leonatus he requires,
(Which at this time well suited his desires)
For to Antipater he now might goe,
His Lady take in th'way, and no man know.
Antiphilus the Athenian General
With speed his Army doth together call;
And Leonatus seeks to stop, that so
He joyne not with Antipater their foe.
The Athenian Army was the greater far,
(Which did his Match with Cleopatra mar)
For fighting still, while there did hope remain
The valiant Chief amidst his foes was slain.
'Mongst all the princes of great Alexander
For personage, none like to this Commander.
Now to Antipater Craterus goes,
Blockt up in Lamia still by his foes,
Long marches through Cilicia he makes,
And the remains of Leonatus takes:
With them and his he into Grecia went,
Antipater releas'd from prisonment:
After which time the Greeks did never more
Act any thing of worth, as heretofore:
But under servitude their necks remain'd,
Nor former liberty or glory gain'd.
Now di'd about the end of th'Lamian war
Demosthenes, that sweet-tongue'd Orator,
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Who fear'd Antipater would take his life
For animating the Athenian strife:
To end his dayes by poison rather chose
Then fall into the hands of mortal foes.
Craterus and Antipater now joyne,
In love and in affinity combine,
Craterus doth his daughter Phila wed
Their friendship might the more be strengthened.
Whilst they in Macedon do thus agree,
In Asia they all asunder be.
Perdiccas griev'd to see the princes bold
So many Kingdomes in their power to hold,
Yet to regain them, how he did not know,
His souldiers 'gainst those captains would not goe
To suffer them go on as they begun,
Was to give way himself might be undone.
With Antipater to joyne he sometimes thought,
That by his help, the rest might low be brought,
But this again dislikes; he would remain,
If not in stile, in deed a soveraign;
(For all the princes of great Alexander
Acknowledged for Chief that old Commander)
Desires the King to goe to Macedon,
Which once was of his Ancestors the throne,
And by his presence there to nullifie
The acts of his Vice-Roy now grown so high.
Antigonus of treason first attaints,
And summons him to answer his complaints.
This he avoids, and ships himself and son,
goes to Antipater and tells what's done.
He and Craterus, both with him do joyne,
And 'gainst Perdiccas all their strength combine.
Brave Ptolemy, to make a fourth then sent
To save himself from danger imminent.
In midst of these garboyles, with wondrous state
His masters funeral doth celebrate:
In Alexandria his tomb he plac'd,
Which eating time hath scarcely yet defac'd.
Two years and more, since natures debt he paid,
And yet till now at quiet was not laid.
Great love did Ptolemy by this act gain,
And made the souldiers on his side remain.
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Perdiccas hears his foes are all combin'd,
'Gainst which to goe, is not resolv'd in mind.
But first 'gainst Ptolemy he judg'd was best,
Neer'st unto him, and farthest from the rest,
Leaves Eumenes the Asian Coast to free
From the invasions of the other three,
And with his army unto Egypt goes
Brave Ptolemy to th'utmost to oppose.
Perdiccas surly cariage, and his pride
Did alinate the souldiers from his side.
But Ptolemy by affability
His sweet demeanour and his courtesie,
Did make his own, firm to his cause remain,
And from the other side did dayly gain.
Perdiccas in his pride did ill intreat
Python of haughty mind, and courage great.
Who could not brook so great indignity,
But of his wrongs his friends doth certifie;
The souldiers 'gainst Perdiccas they incense,
Who vow to make this captain recompence,
And in a rage they rush into his tent,
Knock out his brains: to Ptolemy then went
And offer him his honours, and his place,
With stile of the Protector, him to grace.
Next day into the camp came Ptolemy,
And is receiv'd of all most joyfully.
Their proffers he refus'd with modesty,
Yields them to Python for his courtesie.
With what he held he was now more content,
Then by more trouble to grow eminent.
Now comes there news of a great victory
That Eumenes got of the other three.
Had it but in Perdiccas life ariv'd,
With greater joy it would have been receiv'd.
Thus Ptolemy rich Egypt did retain,
And Python turn'd to Asia again.
Whilst Perdiccas encamp'd in Affrica,
Antigonus did enter Asia,
And fain would Eumenes draw to their side,
But he alone most faithfull did abide:
The other all had Kingdomes in their eye,
But he was true to's masters family,
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Nor could Craterus, whom he much did love.
From his fidelity once make him move:
Two Battles fought, and had of both the best,
And brave Craterus slew among the rest:
For this sad strife he poures out his complaints,
And his beloved foe full sore laments.
I should but snip a story into bits
And his great Acts and glory much eclipse,
To shew the dangers Eumenes befel,
His stratagems wherein he did excel:
His Policies, how he did extricate
Himself from out of Lab'rinths intricate:
He that at large would satisfie his mind,
In Plutarchs Lives his history may find.
For all that should be said, let this suffice,
He was both valiant, faithfull, patient, wise.
Python now chose Protector of the state,
His rule Queen Euridice begins to hate,
Sees Arrideus must not King it long,
If once young Alexander grow more strong,
But that her husband serve for supplement,
To warm his seat, was never her intent.
She knew her birth-right gave her Macedon,
Grand-child to him who once sat on that throne
Who was Perdiccas, Philips eldest brother,
She daughter to his son, who had no other.
Pythons commands, as oft she countermands;
What he appoints, she purposely withstands.
He wearied out at last would needs be gone,
Resign'd his place, and so let all alone:
In's room the souldiers chose Antipater,
Who vext the Queen more then the other far.
From Macedon to Asia he came,
That he might settle matters in the same.
He plac'd, displac'd, control'd rul'd as he list,
And this no man durst question or resist;
For all the nobles of King Alexander
Their bonnets vail'd to him as chief Commander.
When to his pleasure all things they had done,
The King and Queen he takes to Macedon,
Two sons of Alexander, and the rest,
All to be order'd there as he thought best.
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The Army to Antigonus doth leave,
And Government of Asia to him gave.
And thus Antipater the ground-work layes,
On which Antigonus his height doth raise,
Who in few years, the rest so overtops,
For universal Monarchy he hopes.
With Eumenes he diverse Battels fought,
And by his slights to circumvent him sought:
But vain it was to use his policy,
'Gainst him that all deceits could scan and try.
In this Epitome too long to tell
How finely Eumenes did here excell,
And by the self same Traps the other laid,
He to his cost was righteously repaid.
But while these Chieftains doe in Asia fight,
To Greece and Macedon lets turn our sight.
When great Antipater the world must leave,
His place to Polisperchon did bequeath,
Fearing his son Cassander was unstaid,
Too rash to bear that charge, if on him laid.
Antigonus hearing of his decease
On most part of Assyria doth seize.
And Ptolemy next to incroach begins,
All Syria and Phenicia he wins,
Then Polisperchon 'gins to act in's place,
Recalls Olimpias the Court to grace.
Antipater had banish'd her from thence
Into Epire for her great turbulence;
This new Protector's of another mind,
Thinks by her Majesty much help to find.
Cassander like his Father could not see,
This Polisperchons great ability,
Slights his Commands, his actions he disclaims,
And to be chief himself now bends his aims;
Such as his Father had advanc'd to place,
Or by his favours any way had grac'd
Are now at the devotion of the Son,
Prest to accomplish what he would have done;
Besides he was the young Queens favourite,
On whom (t'was thought) she set her chief delight:
Unto these helps at home he seeks out more,
Goes to Antigonus and doth implore,
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By all the Bonds 'twixt him and's Father past,
And for that great gift which he gave him last.
By these and all to grant him some supply,
To take down Polisperchon grown so high;
For this Antigonus did need no spurs,
Hoping to gain yet more by these new stirs,
Streight furnish'd him with a sufficient aid,
And so he quick returns thus well appaid,
With Ships at Sea, an Army for the Land,
His proud opponent hopes soon to withstand.
But in his absence Polisperchon takes
Such friends away as for his Interest makes
By death, by prison, or by banishment,
That no supply by these here might be lent,
Cassander with his Host to Grecia goes,
Whom Polisperchon labours to oppose;
But beaten was at Sea, and foil'd at Land,
Cassanders forces had the upper hand,
Athens with many Towns in Greece beside,
Firm (for his Fathers sake) to him abide.
Whil'st hot in wars these two in Greece remain,
Antigonus doth all in Asia gain;
Still labours Eumenes, would with him side,
But all in vain, he faithful did abide:
Nor Mother could, nor Sons of Alexander,
Put trust in any but in this Commander.
The great ones now began to shew their mind,
And act as opportunity they find.
Aridæus the scorn'd and simple King,
More then he bidden was could act no thing.
Polisperchon for office hoping long,
Thinks to inthrone the Prince when riper grown;
Euridice this injury disdains,
And to Cassandar of this wrong complains.
Hateful the name and house of Alexander,
Was to this proud vindicative Cassander;
He still kept lockt within his memory,
His Fathers danger, with his Family;
Nor thought he that indignity was small,
When Alexander knockt his head to th'wall.
These with his love unto the amorous Queen,
Did make him vow her servant to be seen.
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Olimpias, Aridæus deadly hates,
As all her Husbands, Children by his mates,
She gave him poyson formerly ('tis thought)
Which damage both to mind and body brought;
She now with Polisperchon doth combine,
To make the King by force his Seat resigne:
And her young grand-child in his State inthrone,
That under him, she might rule, all alone.
For aid she goes t'Epire among her friends,
The better to accomplish these her ends;
Euridice hearing what she intends,
In haste unto her friend Cassander sends,
To leave his siege at Tegea, and with speed,
To save the King and her in this their need:
Then by intreaties, promises and Coyne,
Some forces did procure with her to joyn.
Olimpias soon enters Macedon,
The Queen to meet her bravely marches on,
But when her Souldiers saw their ancient Queen,
Calling to mind what sometime she had been;
The wife and Mother of their famous Kings,
Nor darts, nor arrows, now none shoots or flings.
The King and Queen seeing their destiny,
To save their lives t'Amphipolis do fly;
But the old Queen pursues them with her hate,
And needs will have their lives as well as State:
The King by extream torments had his end,
And to the Queen these presents she did send;
A Halter, cup of poyson, and a Sword,
Bids chuse her death, such kindness she'l afford.
The Queen with many a curse, and bitter check,
At length yields to the Halter her fair neck;
Praying that fatal day might quickly haste,
On which Olimpias of the like might taste.
This done the cruel Queen rests not content,
'Gainst all that lov'd Cassander she was bent;
His Brethren, Kinsfolk and his chiefest friends,
That fell within her reach came to their ends:
Dig'd up his brother dead, 'gainst natures right,
And threw his bones about to shew her spight:
The Courtiers wondring at her furious mind,
Wisht in Epire she had been still confin'd.
161
In Peloponesus then Cassander lay,
Where hearing of this news he speeds away,
With rage, and with revenge he's hurried on,
To find this cruel Queen in Macedon;
But being stopt, at streight Thermopoly,
Sea passage gets, and lands in Thessaly:
His Army he divides, sends post away,
Polisperchon to hold a while in play;
And with the rest Olimpias pursues,
For all her cruelty, to give her dues.
She with the chief o' th'Court to Pydna flyes,
Well fortifi'd, (and on the Sea it lyes)
There by Cassander she's blockt up so long,
Untill the Famine grows exceeding strong,
Her Couzen of Epire did what he might,
To raise the Siege, and put her Foes to flight.
Cassander is resolved there to remain,
So succours and endeavours proves but vain;
Fain would this wretched Queen capitulate,
Her foe would give no Ear, (such is his hate)
The Souldiers pinched with this scarcity,
By stealth unto Cassander dayly fly;
Olimpias means to hold out to the last,
Expecting nothing but of death to tast:
But his occasions calling him away,
Gives promise for her life, so wins the day.
No sooner had he got her in his hand,
But made in judgement her accusers stand;
And plead the blood of friends and kindreds spilt,
Desiring justice might be done for guilt;
And so was he acquitted of his word,
For justice sake she being put to th'Sword:
This was the end of this most cruel Queen,
Whose fury scarcely parallel'd hath been.
The daughter, sister, Mother, Wife to Kings,
But Royalty no good conditions brings;
To Husbands death ('tis thought) she gave consent,
The murtherer she did so much lament:
With Garlands crown'd his head, bemoan'd his fates,
His Sword unto Apollo consecrates.
Her Outrages too tedious to relate,
How for no cause but her inveterate hate;
162
Her Husbands wives and Children after's death,
Some slew, some fry'd, of others stopt the breath:
Now in her Age she's forc'd to tast that Cup,
Which she had others often made to sup.
Now many Towns in Macedon supprest,
And Pellas fain to yield among the rest;
The Funerals Cassander celebrates,
Of Aridæus and his Queen with State:
Among their Ancestors by him they're laid,
And shews of lamentation for them made.
Old Thebes he then rebuilt so much of fame,
And Cassandria rais'd after his name.
But leave him building, others in their Urne,
Let's for a while, now into Asia turn.
True Eumenes endeavours by all Skill,
To keep Antigonus from Shushan still;
Having command o'th' Treasure he can hire,
Such as no threats, nor favour could acquire.
In divers Battels he had good success,
Antigonus came off still honourless;
When Victor oft he'd been, and so might still,
Peucestes did betray him by a wile.
T'Antigonus, who took his Life unjust,
Because he never would forgoe his trust;
Thus lost he all for his fidelity,
Striving t'uphold his Masters Family.
But to a period as that did haste,
So Eumenes (the prop) of death must tast;
All Persia now Antigonus doth gain,
And Master of the Treasure sole remain:
Then with Seleucus streight at odds doth fall,
And he for aid to Ptolomy doth call,
The Princes all begin now to envy
Antigonus, he growing up so high;
Fearing his force, and what might hap e're long,
Enters into a Combination strong,
Seleucus, Ptolemy, Cassander joynes,
Lysimachus to make a fourth combines:
Antigonus desirous of the Greeks,
To make Cassander odious to them seeks,
Sends forth his declarations near and far,
And clears what cause he had to make this war,
163
Cassanders outrages at large doth tell,
Shews his ambitious practises as well.
The mother of their King to death he'd put,
His wife and son in prison close had shut:
And aiming now to make himself a king,
And that some title he might seem to bring,
Thessalonica he had newly wed,
Daughter to Philip their renowned head:
Had built and call'd a City by his name,
Which none e're did, but those of royal fame:
And in despight of their two famous Kings
Hatefull Olinthians to Greece rebrings.
Rebellious Thebes he had reedified,
Which their late King in dust had damnified,
Requires them therefore to take up their arms
And to requite this traitor for these harms.
Then Ptolemy would gain the Greeks likewise,
And he declares the others injuryes:
First how he held the Empire in his hands,
Seleucus driven from Goverment and lands,
The valiant Eumenes unjustly slain,
And Lord of royal Shushan did remain;
Therefore requests their help to take him down
Before he wear the universal Crown.
These princes at the sea soon had a fight,
Where great Antigonus was put to flight:
His son at Gaza likewise lost the field,
So Syria to Ptolemy did yield:
And Seleucus recovers Babylon,
Still gaining Countryes eastward he goes on.
Demetrius with Ptolemy did fight,
And coming unawares, put him to flight;
But bravely sends the prisoners back again,
With all the spoyle and booty he had tane.
Courteous as noble Ptolemy, or more,
VVho at Gaza did the like to him before.
Antigonus did much rejoyce, his son
VVith victory, his lost repute had won.
At last these princes tired out with warrs,
Sought for a peace, and laid aside their jarrs:
The terms of their agreement, thus express
That each should hold what now he did possess,
164
Till Alexander unto age was grown,
VVho then should be enstalled in the throne.
This toucht Cassander sore for what he'd done,
Imprisoning both the mother and the son:
He sees the Greeks now favour their young Prince
Whom he in durance held, now, and long since,
That in few years he must be forc'd or glad,
To render up such Kingdomes as he had;
Resolves to quit his fears by one deed done,
So puts to death the Mother and her Son.
This Roxane for her beauty all commend,
But for one act she did, just was her end.
No sooner was great Alexander dead,
But she Darius daughters murthered.
Both thrown into a well to hide her blot,
Perdiccas was her Partner in this plot.
The heavens seem'd slow in paying her the same;
But at the last the hand of vengeance came.
And for that double fact which she had done,
The life of her must goe, and of her son
Perdiccas had before for his amiss,
But by their hands who thought not once of this.
Cassanders deed the princes do detest,
But 'twas in shew; in heart it pleas'd them best.
That he is odious to the world, they'r glad:
And now they were free Lords of what they had.
When this foul tragedy was past and done,
Polysperchon brings the other son
Call'd Hercules, and elder then his brother,
(But Olimpias would prefer the other)
The Greeks toucht with the murther done of late,
This Orphan prince 'gan to compassionate,
Begin to mutter much 'gainst proud Cassander,
And place their hopes on th'heir of Alexander.
Cassander fear'd what might of this ensue,
So Polisperchon to his counsel drew,
And gives Peloponesus for his hire,
Who slew the prince according to desire.
Thus was the race and house of Alexander
Extinct by this inhumane wretch Cassander.
Antigonus, for all this doth not mourn,
He knows to's profit, this at last will turn,
165
But that some Title now he might pretend,
To Cleopatra doth for marriage send;
Lysimachus and Ptolemy the same,
And lewd Cassander too, sticks not for shame:
She then in Lydia at Sardis lay,
Where by Embassage all these Princes pray.
Choice above all, of Ptolemy she makes,
With his Embassador her journy takes;
Antigonus Lieutenant stayes her still,
Untill he further know his Masters will:
Antigonus now had a Wolf by th'Ears,
To hold her still, or let her go he fears.
Resolves at last the Princess should be slain,
So hinders him of her, he could not gain;
Her women are appointed for this deed,
They for their great reward no better speed:
For by command, they streight were put to death,
As vile Conspirators that stopt her breath.
And now he hopes, he's order'd all so well,
The world must needs believe what he doth tell;
Thus Philips house was quite extinguished,
Except Cassanders wife who yet not dead.
And by their means who thought of nothing less,
Then vengeance just, against them to express;
Now blood was paid with blood for what was done
By cruel Father, Mother, cruel Son:
Thus may we hear, and fear, and ever say,
That hand is righteous still which doth repay.
These Captains now the stile of Kings do take,
For to their Crowns their's none can Title make;
Demetrius first the royal stile assum'd,
By his Example all the rest presum'd.
Antigonus himself to ingratiate,
Doth promise liberty to Athens State;
With Arms and with provision stores them well,
The better 'gainst Cassander to rebel.
Demetrius thether goes, is entertain'd
Not like a King, but like some God they feign'd;
Most grosly base was their great Adulation,
Who Incense burnt, and offered oblation:
These Kings afresh fall to their wars again,
Demetrius of Ptolemy doth gain.
166
'Twould be an endless Story to relate
Their several Battels and their several fate,
Their fights by Sea, their victories by Land,
How some when down, straight got the upper hand
Antigonus and Seleucus then fight
Near Ephesus, each bringing all his might,
And he that Conquerour shall now remain,
The Lordship of all Asia shall retain;
This day 'twixt these two Kings ends all the strife,
For here Antigonus lost rule and life:
Nor to his Son, did e're one foot remain
Of those vast Kingdomes, he did sometimes gain.
Demetrius with his Troops to Athens flyes,
Hopes to find succours in his miseries;
But they adoring in prosperity,
Now shut their gates in his adversity:
He sorely griev'd at this his desperate State
Tryes Foes, sith friends will not compassionate.
His peace he then with old Seleucus makes,
Who his fair daughter Stratonica takes,
Antiochus, Seleucus, dear lov'd Son,
Is for this fresh young Lady quite undone;
Falls so extreamly sick, all fear'd his life,
Yet durst not say, he lov'd his Fathers wife,
When his disease the skill'd Physitian found,
His Fathers mind he wittily did sound,
Who did no sooner understand the same,
But willingly resign'd the beautious Dame:
Cassander now must dye his race is run,
And leaves the ill got Kingdomes he had won.
Two Sons he left, born of King Philips daughter,
Who had an end put to their dayes by slaughter;
Which should succeed at variance they fell,
The Mother would, the youngest might excell:
The eld'st inrag'd did play the Vipers part,
And with his Sword did run her through the heart:
Rather then Philips race should longer live,
He whom she gave his life her death shall give.
This by Lysimacus was after slain,
Whose daughter he not long before had ta'ne;
Demetrius is call'd in by th'youngest Son,
Against Lysimachus who from him won.
167
But he a Kingdome more then's friend did eye,
Seaz'd upon that, and slew him traitrously.
Thus Philips and Cassander's race both gone,
And so falls out to be extinct in one;
And though Cassander died in his bed,
His Seed to be extirpt, was destined;
For blood, which was decre'd that he should spill,
Yet must his Children pay for Fathers ill;
Jehu in killing Ahab's house did well,
Yet be aveng'd must blood of Jezerel.
Demetrius thus Cassander's Kingdoms gains,
And now in Macedon as King he reigns;
Though men and mony both he hath at will,
In neither finds content if he sits still:
That Seleucus holds Asia grievs him sore,
Those Countryes large his Father got before.
These to recover, musters all his might,
And with his Son in Law will needs go fight;
A mighty Navy rig'd, an Army stout,
With these he hopes to turn the world about:
Leaving Antigonus his eldest Son,
In his long absence to rule Macedon.
Demetrius with so many troubles met,
As Heaven and Earth against him had been set;
Disaster on disaster him pursue,
His story seems a Fable more then true.
At last he's taken and imprisoned
Within an Isle that was with pleasures fed,
Injoy'd what ere beseem'd his Royalty,
Only restrained of his liberty:
After three years he died, left what he'd won,
In Greece unto Antigonus his Son.
For his Posterity unto this day,
Did ne're regain one foot in Asia;
His Body Seleucus sends to his Son,
Whose obsequies with wondrous pomp was done.
Next di'd the brave and noble Ptolemp,
Renown'd for bounty, valour, clemency,
Rich Egypt left, and what else he had won,
To Philadelphus his more worthy Son.
Of the old Heroes, now but two remain,
Seleucus and Lysimachus these twain,
168
Must needs go try their fortune and their might,
And so Lysimachus was slain in fight;
'Twas no small joy unto Seleucus breast,
That now he had out-lived all the rest:
Possession of Europe thinks to take,
And so himself the only Monarch make;
Whilst with these hopes in Greece he did remain,
He was by Ptolemy Ceraunus slain.
The second Son of the first Ptolemy,
Who for Rebellion unto him did fly;
Seleucus was a Father and a friend,
Yet by him had this most unworthy end.
Thus with these Kingly Captains have we done,
A little now how the Succession run,
Antigonus, Seleucus and Cassander,
With Ptolemy, reign'd after Alexander;
Cassander's Sons soon after's death were slain,
So three Successors only did remain:
Antigonus his Kingdomes lost and life,
Unto Seleucus, Author of that strife.
His Son Demetrius, all Cassanders gains,
And his posterity, the same retains;
Demetrius Son was call'd Antigonus,
And his again was nam'd Demetrius.
I must let pass those many Battels fought,
Betwixt those Kings, and noble Pyrrhus stout,
And his Son Alexander of Epire,
Whereby immortal honour they acquire;
Demetrius had Philip to his Son,
(Part of whose Kingdomes Titus Quintius won)
Philip had Perseus, who was made a Thrale
T'Emilius the Roman General;
Him with his Sons in Triumph lead did he,
Such riches too as Rome did never see:
This of Antigonus, his Seed's the Fate,
VVhose Empire was subdu'd to th'Roman State.
Longer Seleucus held the royalty,
In Syria by his Posterity;
Antiochus Soter his Son was nam'd,
To whom the old Berosus (so much fam'd,)
His Book of Assurs Monarchs dedicates,
Tells of their names, their wars, their riches, fates;
169
But this is perished with many more,
VVhich oft we wish was extant as before.
Antiochus Theos was Soter's Son,
VVho a long war with Egypts King begun;
The Affinityes and Wars Daniel sets forth,
And calls them there the Kings of South & North,
This Theos murther'd was by his lewd wife,
Seleucus reign'd, when he had lost his life.
A third Seleucus next sits on the Seat,
And then Antiochus sirnam'd the great,
VVhose large Dominions after was made small,
By Scipio the Roman General;
Fourth Seleucus Antiochus succeeds,
And next Epiphanes whose wicked deeds,
Horrid Massacres, Murthers, cruelties,
Amongst the Jews we read in Machabees.
Antiochus Eupater was the next,
By Rebels and Impostors dayly vext;
So many Princes still were murthered,
The Royal Blood was nigh extinguished;
Then Tygranes the great Armenian King,
To take the Government was called in,
Lucullus, Him, (the Roman General)
Vanquish'd in fight, and took those Kingdomes all;
Of Greece and Syria thus the rule did end,
In Egypt next, a little time wee'l spend.
First Ptolemy being dead, his famous Son
Call'd Philadelphus, did possess the Throne.
At Alexandria a Library did build,
And with seven hundred thousand Volumes fill'd;
The seventy two Interpreters did seek,
They might translate the Bible into Greek.
His Son was Evergetes the last Prince,
That valour shew'd, virtue, or excellence,
Philopater was Evergetes Son,
After Epiphanes sate on the Throne;
Philometor, Evergetes again,
And after him, did false Lathurus reign:
Then Alexander in Lathurus stead,
Next Auletes, who cut off Pompeys head.
To all these names, we Ptolemy must add,
For since the first, they still that Title had.
170
Fair Cleopatra next, last of that race,
Whom Julius Cæsar set in Royal place,
She with her Paramour, Mark Anthony
Held for a time, the Egyptian Monarchy,
Till great Augustus had with him a fight
At Actium, where his Navy's put to flight;
He seeing his honour lost, his Kingdome end,
Did by his Sword his life soon after send.
His brave Virago Aspes sets to her Arms,
To take her life, and quit her from all harms;
For 'twas not death nor danger she did dread,
But some disgrace in triumph to be led.
Here ends at last the Grecian Monarchy,
Which by the Romans had its destiny;
Thus King & Kingdomes have their times & dates,
Their standings, overturnings, bounds and fates:
Now up, now down now chief, & then broght under,
The heavn's thus rule, to fil the world with wonder
The Assyrian Monarchy long time did stand,
But yet the Persian got the upper hand;
The Grecian them did utterly subdue,
And millions were subjected unto few:
The Grecian longer then the Persian stood,
Then came the Roman like a raging flood;
And with the torrent of his rapid course,
Their Crowns their Titles, riches bears by force.
The first was likened to a head of gold.
Next Arms and breast of silver to behold,
The third, Belly and Thighs of brass in sight,
And last was Iron, which breaketh all with might;
The stone out of the mountain then did rise,
and smote those feet those legs, those arms & thighs
Then gold, silver, brass, Iron and all the store,
Became like Chaff upon the threshing Floor.
The first a Lion, second was a Bear,
The third a Leopard, which four wings did rear;
The last more strong and dreadful then the rest,
Whose Iron teeth devoured every Beast,
And when he had no appetite to eat,
The residue he stamped under feet;
Yet shall this Lion, Bear, this Leopard, Ram,
All trembling stand before the powerful Lamb.
171
With these three Monarchyes now have I done,
But how the fourth, their Kingdomes from them won,
And how from small beginnings it did grow,
To fill the world with terrour and with woe;
My tyred brain leavs to some better pen,
This task befits not women like to men:
For what is past, I blush, excuse to make,
But humbly stand, some grave reproof to take;
Pardon to crave for errours, is but vain,
The Subject was too high, beyond my strain,
To frame Apology for some offence,
Converts our boldness into impudence:
This my presumption some now to requite,
Ne sutor ultra crepidum may write.
The End of the Grecian Monarchy.
~ Anne Bradstreet,#NFDB
634:Ashtaroth: A Dramatic Lyric
Dramatis Personae
HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".
HAROLD, a Danish Knight.
ORION.
THORA,
AGATHA,
ELSPETH, a Nurse of Thora's,
URSULA, Abbess of the Convent on the Rhine, |
NUNS, etc.
| Women.
Men-at-arms, Soldiers, and Robbers; Monks, Friars, and Churchmen, Spirits,
etc.
SCENE — A Castle in Normandy.
A Study in a Tower; HUGO seated at a table covered with maps and charts
of the heavens, astronomical instruments, books, manuscripts,
Enter HENRY, a Page.
Hugo:
Well, boy, what is it?
27
Henry: The feast is spread.
Hugo:
Why tarry the guests for me?
Let Eric sit at the table's head;
Alone I desire to be. [Henry goes out.]
What share have I at their festive board?
Their mirth I can only mar;
To me no pleasure their cups afford,
Their songs on my silence jar.
With an aching eye and a throbbing brain,
And yet with a hopeful heart,
I must toil and strain with the planets again
When the rays of the sun depart;
He who must needs with the topers tope,
And the feasters feast in the hall,
How can he hope with a matter to cope
That is immaterial?
Orion:
He who his appetite stints and curbs,
Shut up in the northern wing,
With his rye-bread flavoured with bitter herbs,
And his draught from the tasteless spring,
Good sooth, he is but a sorry clown.
There are some good things upon earth —
Pleasure and power and fair renown,
And wisdom of worldly worth!
There is wisdom in follies that charm the sense,
In follies that light the eyes,
But the folly to wisdom that makes pretence
Is alone by the fool termed wise.
Hugo:
Thy speech, Orion, is somewhat rude;
Perchance, having jeer'd and scoff'd
To thy fill, thou wilt curb thy jeering mood;
I wot thou hast served me oft.
This plan of the skies seems fairly traced;
What errors canst thou detect?
28
Orion:
Nay, the constellations are misplaced,
And the satellites incorrect;
Leave the plan to me; you have time to seek
An hour of needful rest,
The night is young and the planets are weak;
See, the sun still reddens the west.
Hugo:
I fear I shall sleep too long.
Orion: If you do
It matters not much; the sky
Is cloudy, the stars will be faint and few;
Now, list to my lullaby.
[Hugo reclines on a couch.]
(Sings.)
Still the darkling skies are red,
Though the day-god's course is run;
Heavenly night-lamps overhead
Flash and twinkle one by one.
Idle dreamer — earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
From the tree of knowledge first,
Since his parents pluck'd the fruit,
Man, with partial knowledge curs'd,
Of the tree still seeks the root;
Musty volumes crowd thy shelf —
Which of these true knowledge brings?
Wherefore weariest thou thyself
With thy vain imaginings?
Will the stars from heaven descend?
Can the earth-worm soar and rise?
Can the mortal comprehend
Heaven's own hallow'd mysteries?
Greed and glory, power and pelf —
These are won by clowns and kings;
Wherefore weariest thou thyself
29
With thy vain imaginings?
Sow and reap, and toil and spin;
Eat and drink, and dream and die;
Man may strive, yet never win,
And I laugh the while and cry —
Idle dreamer, earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
He sleeps, and his sleep appears serene,
Whatever dreams it has brought him —
[Looks at the plans.]
If he knows what those hieroglyphics mean,
He's wiser than one who taught him.
Why does he number the Pole-star thus?
Or the Pleiades why combine?
And what is he doing with Sirius,
In the devil's name or in mine?
Man thinks, discarding the beaten track,
That the sins of his youth are slain,
When he seeks fresh sins, but he soon comes back
To his old pet sins again.
SCENE — The Same.
HUGO waking, ORION seated near him. Daybreak.
Hugo:
Oh, weary spirit! oh, cloudy eyes!
Oh, heavy and misty brain!
Yon riddle that lies 'twixt earth and skies,
Ye seek to explore in vain!
See, the east is grey; put those scrolls away,
And hide them far from my sight;
I will toil and study no more by day,
I will watch no longer by night;
I have labour'd and long'd, and now I seem
No nearer the mystic goal;
30
Orion, I fain would devise some scheme
To quiet this restless soul;
To distant climes I would fain depart —
I would travel by sea or land.
Orion:
Nay, I warn'd you of this, "Short life, long art",
The proverb, though stale, will stand;
Full many a sage from youth to age
Has toil'd to obtain what you
Would master at once. In a pilgrimage,
Forsooth, there is nothing new;
Though virtue, I ween, in change of scene,
And vigour in change of air,
Will always be, and has always been,
And travel is a tonic rare.
Still, the restless, discontented mood
For the time alone is eased;
It will soon return with hunger renew'd,
And appetite unappeased.
Nathless I could teach a shorter plan
To win that wisdom you crave,
That lore that is seldom attain'd by man
From the cradle down to the grave.
Hugo:
Such lore I had rather do without,
It hath nothing mystic nor awful
In my eye. Nay, I despise and doubt
The arts that are term'd unlawful;
'Twixt science and magic the line lies plain,
I shall never wittingly pass it;
There is now no compact between us twain.
Orion: But an understanding tacit.
You have prospered much since the day we met;
You were then a landless knight;
You now have honour and wealth, and yet
I never can serve you right.
Hugo:
Enough; we will start this very day,
31
Thurston, Eric, and I,
And the baffled visions will pass away,
And the restless fires will die.
Orion:
Till the fuel expires that feeds those fires
They smoulder and live unspent;
Give a mortal all that his heart desires,
He is less than ever content.
SCENE — A Cliff on the Breton Coast, Overhanging the Sea.
HUGO.
Hugo:
Down drops the red sun; through the gloaming
They burst — raging waves of the sea,
Foaming out their own shame — ever foaming
Their leprosy up with fierce glee;
Flung back from the stone, snowy fountains
Of feathery flakes, scarcely flag
Where, shock after shock, the green mountains
Explode on the iron-grey crag.
The salt spray with ceaseless commotion
Leaps round me. I sit on the verge
Of the cliff — 'twixt the earth and the ocean —
With feet overhanging the surge.
In thy grandeur, oh, sea! we acknowledge,
In thy fairness, oh, earth! we confess,
Hidden truths that are taught in no college,
Hidden songs that no parchments express.
Were they wise in their own generations,
Those sages and sagas of old?
They have pass'd; o'er their names and their nations
Time's billows have silently roll'd;
They have pass'd, leaving little to their children,
Save histories of a truth far from strict;
Or theories more vague and bewildering,
32
Since three out of four contradict.
Lost labour! vain bookworms have sat in
The halls of dull pedants who teach
Strange tongues, the dead lore of the Latin,
The scroll that is god-like and Greek:
Have wasted life's springtide in learning
Things long ago learnt all in vain;
They are slow, very slow, in discerning
That book lore and wisdom are twain.
Pale shades of a creed that was mythic,
By time or by truth overcome,
Your Delphian temples and Pythic
Are ruins deserted and dumb;
Your Muses are hush'd, and your Graces
Are bruised and defaced; and your gods,
Enshrin'd and enthron'd in high places
No longer, are powerless as clods;
By forest and streamlet, where glisten'd
Fair feet of the Naiads that skimm'd
The shallows; where the Oreads listen'd,
Rose-lipp'd, amber-hair'd, marble-limb'd,
No lithe forms disport in the river,
No sweet faces peer through the boughs,
Elms and beeches wave silent for ever,
Ever silent the bright water flows.
(Were they duller or wiser than we are,
Those heathens of old? Who shall say?
Worse or better? Thy wisdom, O "Thea
Glaucopis", was wise in thy day;
And the false gods alluring to evil,
That sway'd reckless votaries then,
Were slain to no purpose; they revel
Re-crowned in the hearts of us men.)
Dead priests of Osiris and Isis,
And Apis! that mystical lore,
Like a nightmare, conceived in a crisis
Of fever, is studied no more;
33
Dead Magian! yon star-troop that spangles
The arch of yon firmament vast
Looks calm, like a host of white angels,
On dry dust of votaries past.
On seas unexplored can the ship shun
Sunk rocks? Can man fathom life's links,
Past or future, unsolved by Egyptian
Or Theban, unspoken by Sphinx?
The riddle remains still unravell'd
By students consuming night oil.
Oh, earth! we have toil'd, we have travail'd,
How long shall we travail and toil?
How long? The short life that fools reckon
So sweet, by how much is it higher
Than brute life? — the false gods still beckon,
And man, through the dust and the mire,
Toils onward, as toils the dull bullock,
Unreasoning, brutish, and blind,
With Ashtaroth, Mammon, and Moloch
In front, and Alecto behind.
The wise one of earth, the Chaldean,
Serves folly in wisdom's disguise;
And the sensual Epicurean,
Though grosser, is hardly less wise;
'Twixt the former, half pedant, half pagan,
And the latter, half sow and half sloth,
We halt, choose Astarte or Dagon,
Or sacrifice freely to both.
With our reason that seeks to disparage,
Brute instinct it fails to subdue;
With our false illegitimate courage,
Our sophistry, vain and untrue;
Our hopes that ascend so and fall so,
Our passions, fierce hates and hot loves,
We are wise (aye, the snake is wise also) —
Wise as serpents, NOT harmless as doves.
Some flashes, like faint sparks from heaven,
34
Come rarely with rushing of wings;
We are conscious at times we have striven,
Though seldom, to grasp better things;
These pass, leaving hearts that have falter'd,
Good angels with faces estranged,
And the skin of the Ethiop unalter'd,
And the spots of the leopard unchanged.
Oh, earth! pleasant earth! have we hanker'd
To gather thy flowers and thy fruits?
The roses are wither'd, and canker'd
The lilies, and barren the roots
Of the fig-tree, the vine, the wild olive,
Sharp thorns and sad thistles that yield
Fierce harvest — so WE live, and SO live
The perishing beasts of the field.
And withal we are conscious of evil
And good — of the spirit and the clod,
Of the power in our hearts of a devil,
Of the power in our souls of a God,
Whose commandments are graven in no cypher,
But clear as His sun — from our youth
One at least we have cherished — "An eye for
An eye, and a tooth for a tooth."
Oh, man! of thy Maker the image;
To passion, to pride, or to wealth,
Sworn bondsman, from dull youth to dim age,
Thy portion the fire or the filth,
Dross seeking, dead pleasure's death rattle
Thy memories' happiest song,
And thy highest hope — scarce a drawn battle
With dark desperation. How long?
Roar louder! leap higher! ye surf-beds,
And sprinkle your foam on the furze;
Bring the dreams that brought sleep to our turf-beds,
To camps of our long ago years,
With the flashing and sparkling of broadswords,
35
With the tossing of banners and spears,
With the trampling of hard hoofs on hard swards,
With the mingling of trumpets and cheers.
The gale has gone down; yet outlasting
The gale, raging waves of the sea,
Casting up their own foam, ever casting
Their leprosy up with wild glee,
Still storm; so in rashness and rudeness
Man storms through the days of his grace;
Yet man cannot fathom God's goodness,
Exceeding God's infinite space.
And coldly and calmly and purely
Grey rock and green hillock lie white
In star-shine dream-laden — so surely
Night cometh — so cometh the night
When we, too, at peace with our neighbour,
May sleep where God's hillocks are piled,
Thanking HIM for a rest from day's labour,
And a sleep like the sleep of a child!
SCENE — The Castle in Normandy.
THORA working at embroidery, ELSPETH spinning.
Thora (sings):
We severed in autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder'd one misty morning,
Ere the hills were dimm'd by the rain,
Through the flowers those hills adorning —
Thou comest not back again.
My heart is heavy and weary
With the weight of a weary soul;
36
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
'Neath the load of the golden grain;
I sigh for a mate more fickle —
Thou comest not back again.
The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too;
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.
Thy voice in mine ear still mingles
With the voices of whisp'ring trees;
Thy kiss on my cheek still tingles
At each kiss of the summer breeze;
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching, and longing —
Thou comest not back again.
Waiting and watching ever,
Longing and lingering yet,
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret;
No answer they bring, no greeting,
No speech save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.
Elspeth:
Thine eldest sister is wedded to Max;
With Biorn, Hilda hath cast her lot.
If the husbands vanish'd, and left no tracks,
Would the wives have cause for sorrow, I wot?
Thora:
How well I remember that dreary ride;
37
How I sigh'd for the lands of ice and snow,
In the trackless wastes of the desert wide,
With the sun o'erhead and the sand below;
'Neath the scanty shades of the feathery palms,
How I sigh'd for the forest of sheltering firs,
Whose shadows environ'd the Danish farms,
Where I sang and sported in childish years.
On the fourteenth day of our pilgrimage
We stayed at the foot of a sandhill high;
Our fever'd thirst we could scarce assuage
At the brackish well that was nearly dry,
And the hot sun rose, and the hot sun set,
And we rode all the day through a desert land,
And we camp'd where the lake and the river met,
On sedge and shingle and shining sand:
Enfolded in Hugo's cloak I slept,
Or watch'd the stars while I lay awake;
And close to our feet the staghound crept,
And the horses were grazing beside the lake;
Now we own castles and serving men,
Lands and revenues. What of that?
Hugo the Norman was kinder then,
And happier was Thora of Armorat.
Elspeth:
Nay, I warn'd thee, with Norman sails unfurl'd
Above our heads, when we wished thee joy,
That men are the same all over the world,
They will worship only the newest toy;
Yet Hugo is kind and constant too,
Though somewhat given to studies of late;
Biorn is sottish, and Max untrue,
And worse than thine is thy sisters' fate.
But a shadow darkens the chamber door.
Enter THURSTON.
Thurston:
'Tis I, Lady Thora; our lord is near.
My horse being fresher, I rode before;
Both he and Eric will soon be here.
38
Thora:
Good Thurston, give me your hand. You are
Most welcome. What has delayed you thus?
Thurston:
Both by sea and land we have travell'd far,
Yet little of note has happened to us —
We were wreck'd on the shores of Brittany,
Near the coast of Morbihan iron-bound;
The rocks were steep and the surf ran high,
Thy kinsman, Eric, was well-nigh drown'd.
By a swarm of knaves we were next beset,
Who took us for corsairs; then released
By a Breton count, whose name I forget.
Now I go, by your leave, to tend my beast.
[He goes out.]
Elspeth:
That man is rude and froward of speech:
My ears are good, though my sight grows dim.
Thora:
Thurston is faithful. Thou canst not teach
Courtly nor servile manners to him.
SCENE — The Castle Hall.
THURSTON, RALPH, EUSTACE, and other followers of HUGO,
seated at a long table. HAROLD seated apart.
Thurston:
Who is that stranger, dark and tall,
On the wooden settle next to the wall —
Mountebank, pilgrim, or wandering bard?
Eustace:
To define his calling is somewhat hard;
Lady Thora has taken him by the hand
Because he has come from the Holy Land.
39
Pilgrims and palmers are all the rage
With her, since she shared in that pilgrimage
With Hugo. The stranger came yesterday,
And would have gone on, but she bade him stay.
Besides, he sings in the Danish tongue
The songs she has heard in her childhood sung.
That's all I know of him, good or bad;
In my own opinion he's somewhat mad.
You must raise your voice if you speak with him,
And he answers as though his senses were dim.
Thurston (to Harold):
Good-morrow, sir stranger.
Harold: Good-morrow, friend.
Thurston:
Where do you come from? and whither wend?
Harold:
I have travelled of late with the setting sun
At my back; and as soon as my task is done
I purpose to turn my face to the north —
Yet we know not what a day may bring forth.
Thurston:
Indeed we don't.
(To Eustace, aside): Nay, I know him now
By that ugly scar that crosses his brow;
And the less we say to him the better.
Your judgment is right to the very letter —
The man is mad.
Eustace: But harmless, I think;
He eats but little, eschews strong drink,
And only speaks when spoken to first.
Thurston:
Harmless or not, he was once the worst
And bitterest foe Lord Hugo had;
And yet his story is somewhat sad.
40
Eustace:
May I hear it?
Thurston: Nay, I never reveal
What concerns me not. Our lord may conceal
Or divulge at pleasure his own affairs, —
Not even his comrade Eric shares
His secrets; though Eric thinks him wise,
Which is more than I do, for I despise
That foolish science he learnt in Rome.
He dreams and mopes when he sits at home,
And now he's not much better abroad;
'Tis hard to follow so tame a lord.
'Twixt us two, he won't be worth a rush
If he will persist in his studies ——
Eustace: Hush!
Ralph has persuaded our guest to sing.
Thurston:
I have known the day when his voice would ring
Till the rafters echoed.
Eustace: 'Tis pleasant still,
Though far too feeble this hall to fill.
Harold (sings):
On the current, where the wide
Windings of the river
Eddy to the North Sea tide,
Shall I in my shallop glide,
As I have done at her side?
Never! never! never!
In the forest, where the firs,
Pines, and larches quiver
To the northern breeze that stirs,
Shall my lips be press'd to hers,
As they were in by-gone years?
Never! never! never!
41
In the battle on the plain,
Where the lance-shafts shiver,
And the sword-strokes fall like rain,
Shall I bear her scarf again
As I have done — not in vain?
Never! never! never!
In a fairer, brighter land,
Where the saints rest ever,
Shall I once more see her stand,
White, amidst a white-robed band,
Harp and palm-branch in her hand?
Never! never! never!
SCENE — The Same.
EUSTACE, THURSTON, and followers of HUGO. HAROLD.
Enter, by the hall door, HUGO, ERIC, and THORA.
Eustace (and others standing up):
Welcome, Lord Hugo!
Hugo: Welcome or not,
Thanks for your greeting all.
Ha, Eustace! what complaints hast thou got?
What grievances to recall?
Eustace:
Count William came with a numerous band,
Ere the snows began to fall,
And slew a buck on your lordship's land,
Within a league of the wall.
Hugo:
Count William has done to us no more
Than we to him. In his vineyard
Last summer, or later, maybe, a boar
Was slaughter'd by Thurston's whinyard.
42
Thurston:
Aye, Hugo! But William kept the buck,
I will wager marks a score,
Though the tale is new to me; and, worse luck,
You made me give back the boar.
Harold (advancing):
Lord Hugo!
Hugo: What! Art thou living yet?
I scarcely knew thee, Sir Dane!
And 'tis not so very long since we met.
Harold:
'Twill be long ere we meet again. (gives a letter)
This letter was traced by one now dead
In the Holy Land; and I
Must wait till his dying request is read,
And in his name ask the reply.
Thora (aside):
Who is that stranger, Hugo?
Hugo: By birth
He is a countryman of thine,
Thora. What writing is this on earth?
I can scarce decipher a line.
Harold:
The pen in the clutch of death works ill.
Hugo:
Nay, I read now; the letters run
More clearly.
Harold: Wilt grant the request?
Hugo: I will.
Harold:
Enough! Then my task is done. (He holds out his hand.)
Hugo, I go to a far-off land,
43
Wilt thou say, "God speed thee!" now?
Hugo:
Sir Harold, I cannot take thy hand,
Because of my ancient vow.
Harold:
Farewell, then.
Thora: Friend, till the morning wait.
On so wild a night as this
Thou shalt not go from my husband's gate;
The path thou wilt surely miss.
Harold:
I go. Kind lady, some future day
Thy care will requited be.
Thora:
Speak, Hugo, speak.
Hugo: He may go or stay,
It matters little to me.
[Harold goes out.]
Thora:
Husband, that man is ill and weak;
On foot he goes and alone
Through a barren moor in a night-storm bleak.
Eric:
Now I wonder where he has gone!
Hugo:
Indeed, I have not the least idea;
The man is certainly mad.
He wedded my sister, Dorothea,
And used her cruelly bad.
He was once my firmest and surest friend,
And once my deadliest foe;
But hate and friendship both find their end —
Now I heed not where he may go.
44
SCENE — A Chamber in the Castle.
HUGO, THORA, and ERIC.
Hugo:
That letter that came from Palestine,
By the hands of yon wandering Dane,
Will cost me a pilgrimage to the Rhine.
Thora:
Wilt thou travel so soon again?
Hugo:
I can scarce refuse the dying request
Of my comrade, Baldwin, now;
His bones are dust. May his soul find rest
He once made a foolish vow,
That at Englemehr, 'neath the watchful care
Of the Abbess, his child should stay,
For a season at least. To escort her there
I must start at the break of day.
Thora:
Is it Agatha that goes, or Clare?
Hugo:
Nay, Clare is dwelling in Spain
With her spouse.
Thora: 'Tis Agatha. She is fair,
I am told; but giddy and vain.
Eric:
Some musty tales on my memory grow
Concerning Count Baldwin's vow;
Thou knew'st his daughter?
Hugo: Aye, years ago.
I should scarcely know her now.
45
It seems, when her father's vow was made,
She was taken sorely ill;
Then he travell'd, and on his return was stay'd;
He could never his oath fulfil.
Eric:
If rightly I've heard, 'twas Agatha
That fled with some Danish knight —
I forget the name.
Hugo: Nay, she fled not far;
She returned again that night.
Thora:
For a nun, I fear, she is too self-willed.
Hugo:
That is no affair of mine.
My task is over, my word fulfilled,
Should I bring her safe to the Rhine.
Come, Thora, sing.
Thora: Nay, I cannot sing,
Nor would I now if I could.
Sing thou.
Hugo: I will, though my voice should bring
No sound save a discord rude.
(Sings.)
Where the storm in its wrath hath lighted,
The pine lies low in the dust;
And the corn is withered and blighted,
Where the fields are red with the rust;
Falls the black frost, nipping and killing,
Where its petals the violet rears,
And the wind, though tempered, is chilling
To the lamb despoiled by the shears.
The strong in their strength are shaken,
The wise in their wisdom fall;
And the bloom of beauty is taken —
Strength, wisdom, beauty, and all,
46
They vanish, their lot fulfilling,
Their doom approaches and nears,
But the wind, though tempered, is chilling
To the lamb despoiled by the shears.
'Tis the will of a Great Creator,
He is wise, His will must be done,
And it cometh sooner or later;
And one shall be taken, and one
Shall be left here, toiling and tilling,
In this vale of sorrows and tears,
Where the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Tell me, mine own one, tell me,
The shadows of life and the fears
Shall neither daunt me nor quell me,
While I can avert thy tears:
Dost thou shrink, as I shrink, unwilling
To realise lonely years?
Since the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Enter HENRY.
Henry:
My lord, Father Luke craves audience straight,
He has come on foot from the chapel;
Some stranger perished beside his gate
When the dawn began to dapple.
SCENE — A Chapel Not Very Far from Hugo's Castle.
HUGO, ERIC, and two Monks (LUKE and HUBERT). The dead body of HAROLD.
Luke:
When the dawn was breaking,
Came a faint sound, waking
Hubert and myself; we hurried to the door,
Found the stranger lying
47
At the threshold, dying.
Somewhere have I seen a face like his before.
Hugo:
Harold he is hight.
Only yester-night
From our gates he wander'd, in the driving hail;
Well his face I know,
Both as friend and foe;
Of my followers only Thurston knows his tale.
Luke:
Few the words he said,
Faint the signs he made,
Twice or thrice he groaned; quoth Hubert, "Thou hast sinn'd.
This is retribution,
Seek for absolution;
Answer me — then cast thy sorrows to the wind.
Do their voices reach thee,
Friends who failed to teach thee,
In thine earlier days, to sunder right from wrong?
Charges 'gainst thee cited,
Cares all unrequited,
Counsels spurned and slighted — do they press and throng?"
But he shook his head.
"'Tis not so," he said;
"They will scarce reproach me who reproached of yore.
If their counsels good,
Rashly I withstood;
Having suffered longer, I have suffered more."
"Do their curses stun thee?
Foes who failed to shun thee,
Stricken by rash vengeance, in some wild career,
As the barbed arrow
Cleaveth bone and marrow,
From those chambers narrow — do they pierce thine ear?"
And he made reply,
Laughing bitterly,
"Did I fear them living — shall I fear them dead?
Blood that I have spilt
Leaveth little guilt;
48
On the hand it resteth, scarcely on the head."
"Is there one whom thou
May'st have wronged ere now,
Since remorse so sorely weigheth down thine heart?
By some saint in heaven,
Sanctified and shriven,
Would'st thou be forgiven ere thy soul depart?"
Not a word he said,
But he bowed his head
Till his temples rested on the chilly sods
And we heard him groan —
"Ah! mine own, mine own!
If I had thy pardon I might ask for God's."
Hubert raised him slowly,
Sunrise, faint and holy,
Lit the dead face, placid as a child's might be.
May the troubled spirit,
Through Christ's saving merit,
Peace and rest inherit. Thus we sent for thee.
Hugo:
God o'erruleth fate.
I had cause for hate;
In this very chapel, years back, proud and strong,
Joined by priestly vows,
He became the spouse
Of my youngest sister, to her bitter wrong.
And he wrought her woe,
Making me his foe;
Not alone unfaithful — brutal, too, was he.
She had scarce been dead
Three months, ere he fled
With Count Baldwin's daughter, then betrothed to me.
Fortune straight forsook him,
Vengeance overtook him;
Heavy crimes will bring down heavy punishment.
All his strength was shatter'd,
Even his wits were scatter'd,
Half-deranged, half-crippled, wandering he went.
We are unforgiving
49
While our foes are living;
Yet his retribution weigh'd so heavily
That I feel remorse,
Gazing on his corpse,
For my rudeness when he left our gates to die.
And his grave shall be
'Neath the chestnut tree,
Where he met my sister many years ago;
Leave that tress of hair
On his bosom there —
Wrap the cerecloth round him! Eric, let us go.
SCENE — A Room in the Castle.
HUGO and ERIC. Early morning.
Hugo:
The morn is fair, the weary miles
Will shorten 'neath the summer's wiles;
Pomona in the orchard smiles,
And in the meadow, Flora!
And I have roused a chosen band
For escort through the troubled land;
And shaken Elspeth by the hand,
And said farewell to Thora.
Comrade and kinsman — for thou art
Comrade and kin to me — we part
Ere nightfall, if at once we start,
We gain the dead Count's castle.
The roads are fair, the days are fine,
Ere long I hope to reach the Rhine.
Forsooth, no friend to me or mine
Is that same Abbot Basil;
I thought he wronged us by his greed.
My father sign'd a foolish deed
For lack of gold in time of need,
And thus our lands went by us;
Yet wrong on our side may have been:
As far as my will goes, I ween,
'Tis past, the grudge that lay between
50
Us twain. Men call him pious —
And I have prosper'd much since then,
And gain'd for one lost acre ten;
And even the ancient house and glen
Rebought with purchase-money.
He, too, is wealthy; he has got
By churchly rights a fertile spot,
A land of corn and wine, I wot,
A land of milk and honey.
Now, Eric, change thy plans and ride
With us; thou hast no ties, no bride.
Eric:
Nay, ties I have, and time and tide,
Thou knowest, wait for no man;
And I go north; God's blessing shuns
The dwellings of forgetful sons,
That proverb he may read who runs,
In Christian lore or Roman.
My good old mother she hath heard,
For twelve long months, from me no word;
At thought of her my heart is stirr'd,
And even mine eyes grow moister.
Greet Ursula from me; her fame
Is known to all. A nobler dame,
Since days of Clovis, ne'er became
The inmate of a cloister.
Our paths diverge, yet we may go
Together for a league or so;
I, too, will join thy band below
When thou thy bugle windest.
[Eric goes out.]
Hugo:
From weaknesses we stand afar,
On us unpleasantly they jar;
And yet the stoutest-hearted are
The gentlest and the kindest.
My mother loved me tenderly;
Alas! her only son was I.
I shudder'd, but my lids were dry,
By death made orphan newly.
51
A braver man than me, I swear,
Who never comprehended fear,
Scarce names his mother, and the tear,
Unbidden, springs unruly.
SCENE — A Road on the Norman Frontiers.
HUGO, AGATHA, ORION, THURSTON, and armed attendants, riding slowly.
Agatha:
Sir Knight, what makes you so grave and glum?
At times I fear you are deaf or dumb,
Or both.
Hugo: And yet, should I speak the truth,
There is little in common 'twixt us, forsooth;
You would think me duller, and still more vain,
If I uttered the thoughts that fill my brain;
Since the matters with which my mind is laden
Would scarcely serve to amuse a maiden.
Agatha:
I am so foolish and you are so wise,
'Tis the meaning your words so ill disguise.
Alas! my prospects are sad enough:
I had rather listen to speeches rough
Than muse and meditate silently
On the coming loss of my liberty.
Sad hope to me can my future bring,
Yet, while I may, I would prattle and sing,
Though it only were to try and assuage
The dreariness of my pilgrimage.
Hugo:
Prattle and sing to your heart's content,
And none will offer impediment.
Agatha (sings):
We were playmates in childhood, my sister and I,
Whose playtime with childhood is done;
52
Through thickets where briar and bramble grew high,
Barefooted I've oft seen her run.
I've known her, when mists on the moorland hung white,
Bareheaded past nightfall remain;
She has followed a landless and penniless knight
Through battles and sieges in Spain.
But I pulled the flower, and shrank from the thorn,
Sought the sunshine, and fled from the mist;
My sister was born to face hardship with scorn —
I was born to be fondled and kiss'd.
Hugo (aside):
She has a sweet voice.
Orion: And a sweet face, too —
Be candid for once, and give her her due.
Agatha:
Your face grows longer, and still more long,
Sir Scholar! how did you like my song?
Hugo:
I thought it rather a silly one.
Agatha:
You are far from a pleasant companion.
SCENE — An Apartment in a Wayside Inn.
HUGO and AGATHA. Evening.
Hugo:
I will leave you now — we have talked enough,
And for one so tenderly reared and nursed
This journey is wearisome, perhaps, and rough.
Agatha: Will you not finish your story first?
53
Hugo:
I repent me that I began it now,
'Tis a dismal tale for a maiden's ears;
Your cheek is pale already, your brow
Is sad, and your eyes are moist with tears.
Agatha:
It may be thus, I am lightly vexed,
But the tears will lightly come and go;
I can cry one moment and laugh the next,
Yet I have seen terrors, as well you know.
I remember that flight through moss and fern,
The moonlit shadows, the hoofs that rolled
In fierce pursuit, and the ending stern,
And the hawk that left his prey on the wold.
Hugo:
I have sorrowed since that I left you there:
Your friends were close behind on the heath,
Though not so close as I thought they were.
(Aside.) Now I will not tell her of Harold's death.
Agatha:
'Tis true, I was justly punished, and men,
As a rule, of pity have little share;
Had I died you had cared but little then.
Hugo: But little then, yet now I should care
More than you think for. Now, good-night.
Tears still? Ere I leave you, child, alone,
Must I dry your cheeks?
Agatha: Nay, I am not quite
Such a child but what I can dry my own.
[Hugo goes out. Agatha retires.]
Orion (singing outside the window of Agatha's chamber):
'Neath the stems with blossoms laden,
'Neath the tendrils curling,
I, thy servant, sing, oh, maiden!
I, thy slave, oh, darling!
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Lo! the shaft that slew the red deer,
At the elk may fly too.
Spare them not! The dead are dead, dear,
Let the living die too.
Where the wiles of serpent mingle,
And the looks of dove lie,
Where small hands in strong hands tingle,
Loving eyes meet lovely:
Where the harder natures soften,
And the softer harden —
Certes! such things have been often
Since we left Eve's garden.
Sweeter follies herald sadder
Sins — look not too closely;
Tongue of asp and tooth of adder
Under leaf of rose lie.
Warned, advised in vain, abandon
Warning and advice too,
Let the child lay wilful hand on
Den of cockatrice too.
I, thy servant, or thy master,
One or both — no matter;
If the former — firmer, faster,
Surer still the latter —
Lull thee, soothe thee with my singing,
Bid thee sleep, and ponder
On my lullabies still ringing
Through thy dreamland yonder.
SCENE — A Wooded Rising Ground, Near the Rhine.
HUGO and AGATHA resting under the trees. THURSTON, EUSTACE,
and followers a little apart. ORION. (Noonday.)
The Towers of the Convent in the distance.
Agatha:
I sit on the greensward, and hear the bird sing,
55
'Mid the thickets where scarlet and white blossoms cling;
And beyond the sweet uplands all golden with flower,
It looms in the distance, the grey convent tower.
And the emerald earth and the sapphire-hued sky
Keep telling me ever my spring has gone by;
Ah! spring premature, they are tolling thy knell,
In the wind's soft adieu, in the bird's sweet farewell.
Oh! why is the greensward with garlands so gay,
That I quail at the sight of my prison-house grey?
Oh! why is the bird's note so joyous and clear?
The caged bird must pine in a cage doubly drear.
Hugo:
May the lances of Dagobert harry their house,
If they coax or intimidate thee to take vows;
May the freebooters pillage their shrines, should they dare
Touch with their scissors thy glittering hair.
Our short and sweet journey now draws to an end,
And homeward my sorrowful way I must wend;
Oh, fair one! oh, loved one! I would I were free,
To squander my life in the greenwood with thee.
Orion (aside):
Ho! seeker of knowledge, so grave and so wise,
Touch her soft curl again — look again in her eyes;
Forget for the nonce musty parchments, and learn
How the slow pulse may quicken — the cold blood may burn.
Ho! fair, fickle maiden, so blooming and shy!
The old love is dead, let the old promise die!
Thou dost well, thou dost wise, take the word of Orion,
"A living dog always before a dead lion!"
Thurston:
Ye varlets, I would I knew which of ye burst
Our wine-skin — what, ho! must I perish with thirst!
Go, Henry, thou hast a glib tongue, go and ask
Thy lord to send Ralph to yon inn for a flask.
Henry:
Nay, Thurston, not so; I decline to disturb
56
Our lord for the present; go thou, or else curb
Thy thirst, or drink water, as I do.
Thurston: Thou knave
Of a page, dost thou wish me the colic to have?
Orion (aside):
That clown is a thoroughbred Saxon. He thinks
With pleasure on naught save hard blows and strong drinks;
In hell he will scarce go athirst if once given
An inkling of any good liquors in heaven.
Hugo:
Our Pontiff to manhood at Englemehr grew,
The priests there are many, the nuns are but few.
I love not the Abbot — 'tis needless to tell
My reason; but all of the Abbess speak well.
Agatha:
Through vineyards and cornfields beneath us, the Rhine
Spreads and winds, silver-white, in the merry sunshine;
And the air, overcharged with a subtle perfume,
Grows faint from the essence of manifold bloom.
Hugo:
And the tinkling of bells, and the bleating of sheep,
And the chaunt from the fields, where the labourers reap
The earlier harvest, comes faint on the breeze,
That whispers so faintly in hedgerows and trees.
Orion:
And a waggon wends slow to those turrets and spires,
To feed the fat monks and the corpulent friars;
It carries the corn, and the oil, and the wine,
The honey and milk from the shores of the Rhine.
The oxen are weary and spent with their load,
They pause, but the driver doth recklessly goad;
Up yon steep, flinty rise they have staggered and reeled,
Even devils may pity dumb beasts of the field.
57
Agatha (sings):
Oh! days and years departed,
Vain hopes, vain fears that smarted,
I turn to you sad-hearted —
I turn to you in tears!
Your daily sun shone brightly,
Your happy dreams came nightly,
Flowers bloomed and birds sang lightly,
Through all your hopes and fears!
You halted not, nor tarried,
Your hopes have all miscarried,
And even your fears are buried,
Since fear with hope must die.
You halted not, but hasted,
And flew past, childhood wasted,
And girlhood scarcely tasted,
Now womanhood is nigh.
Yet I forgive your wronging,
Dead seasons round me thronging,
With yearning and with longing,
I call your bitters sweet.
Vain longing, and vain yearning,
There now is no returning;
Oh! beating heart and burning,
Forget to burn and beat!
Oh! childish suns and showers,
Oh! girlish thorns and flowers,
Oh! fruitless days and hours,
Oh! groundless hopes and fears:
The birds still chirp and twitter,
And still the sunbeams glitter:
Oh! barren years and bitter,
Oh! bitter, barren years!
SCENE — The Summit of a Burning Mountain.
Night. A terrific storm. ORION (undisguised).
58
Orion (sings):
From fathomless depths of abysses,
Where fires unquenchable burst,
From the blackness of darkness, where hisses
The brood of the serpent accurs'd;
From shrines where the hymns are the weeping
And wailing and gnashing of teeth,
Where the palm is the pang never sleeping,
Where the worm never dying is the wreath;
Where all fruits save wickedness wither,
Whence naught save despair can be gleaned —
Come hither! come hither! come hither!
Fall'n angel, fell sprite, and foul fiend.
Come hither! the bands are all broken,
And loosed in hell's innermost womb,
When the spell unpronounceable spoken
Divides the unspeakable gloom.
Evil Spirits approach. The storm increases.
Evil Spirits (singing):
We hear thee, we seek thee, on pinions
That darken the shades of the shade;
Oh! Prince of the Air, with dominions
Encompass'd, with powers array'd,
With majesty cloth'd as a garment,
Begirt with a shadowy shine,
Whose feet scorch the hill-tops that are meant
As footstools for thee and for thine.
Orion (sings):
How it swells through each pause of the thunder,
And mounts through each lull of the gust,
Through the crashing of crags torn asunder,
And the hurtling of trees in the dust;
With a chorus of loud lamentations,
With its dreary and hopeless refrain!
'Tis the cry of all tongues and all nations,
That suffer and shudder in vain.
59
Evil Spirits (singing):
'Tis the cry of all tongues and all nations;
Our song shall chime in with their strain;
Lost spirits blend their wild exultations
With the sighing of mortals in pain.
Orion (sings):
With just light enough to see sorrows
In this world, and terrors beyond,
'Twixt the day's bitter pangs and the morrow's
Dread doubts, to despair and despond,
Man lingers through toils unavailing
For blessings that baffle his grasp;
To his cradle he comes with a wailing,
He goes to his grave with a gasp.
Evil Spirits (singing):
His birth is a weeping and wailing,
His death is a groan and a gasp;
O'er the seed of the woman prevailing,
Thus triumphs the seed of the asp.
SCENE — Chamber of a Wayside Inn.
HUGO sitting alone. Evening.
Hugo:
And now the parting is over,
The parting should end the pain;
And the restless heart may recover,
And so may the troubled brain.
I am sitting within the chamber
Whose windows look on the porch,
Where the roses cluster and clamber;
We halted here on our march
With her to the convent going,
And now I go back alone:
Ye roses, budding and blowing,
Ye heed not though she is flown.
60
I remember the girlish gesture,
The sportive and childlike grace,
With which she crumpled and pressed your
Rose leaves to her rose-hued face.
Shall I think on her ways hereafter —
On those flashes of mirth and grief,
On that April of tears and laughter,
On our parting, bitterly brief?
I remember the bell at sunrise,
That sounded so solemnly,
Bidding monk, and prelate, and nun rise;
I rose ere the sun was high.
Down the long, dark, dismal passage,
To the door of her resting-place
I went, on a farewell message,
I trod with a stealthy pace.
There was no one there to see us
When she opened her chamber door.
"Miserere, mei Deus",
Rang faint from the convent choir.
I remember the dark and narrow
And scantily-furnished room;
And the gleam, like a golden arrow —
The gleam that lighted the gloom.
One couch, one seat, and one table,
One window, and only one —
It stands in the eastern gable,
It faces the rising sun;
One ray shot through it, and one light
On doorway and threshold played.
She stood within in the sunlight,
I stood without in the shade.
I remember that bright form under
The sheen of that slanting ray.
I spoke — "For life we must sunder,
Let us sunder without delay.
Let us sever without preamble,
As brother and sister part,
For the sake of one pleasant ramble,
61
That will live in at least one heart."
Still the choir in my ears rang faintly,
In the distance dying away,
Sweetly and sadly and saintly,
Through arch and corridor grey!
And thus we parted for ever,
Between the shade and the shine;
Not as brother and sister sever —
I fondled her hands in mine.
Still the choir in my ears rang deaden'd
And dull'd, though audible yet;
And she redden'd, and paled, and redden'd —
Her lashes and lids grew wet.
Not as brother severs from sister,
My lips clung fast to her lips;
She shivered and shrank when I kissed her.
On the sunbeam drooped the eclipse.
I remember little of the parting
With the Abbot, down by the gate,
My men were eager for starting;
I think he pressed me to wait.
From the lands where convent and glebe lie,
From manors, and Church's right,
Where I fought temptation so feebly,
I, too, felt eager for flight.
Alas! the parting is over —
The parting, but not the pain —
Oh! sweet was the purple clover,
And sweet was the yellow grain;
And sweet were the woody hollows
On the summery Rhineward track;
But a winter untimely swallows
All sweets as I travel back.
Yet I feel assured, in some fashion,
Ere the hedges are crisp with rime,
I shall conquer this senseless passion,
'Twill yield to toil and to time.
I will fetter these fancies roaming;
Already the sun has dipped;
62
I will trim the lamps in the gloaming,
I will finish my manuscript.
Through the nightwatch unflagging study
Shall banish regrets perforce;
As soon as the east is ruddy
Our bugle shall sound "To Horse!"
SCENE — Another Wayside House, Near the Norman Frontier.
HUGO and ORION in a chamber. Evening.
Orion:
Your eyes are hollow, your step is slow,
And your cheek is pallid as though from toil,
Watching or fasting, by which I know
That you have been burning the midnight oil.
Hugo:
Aye, three nights running.
Orion: 'Twill never do
To travel all day, and study all night;
Will you join in a gallop through mist and dew,
In a flight that may vie with the eagle's flight?
Hugo:
With all my heart. Shall we saddle "Rollo"?
Orion:
Nay, leave him undisturb'd in his stall;
I have steeds he would hardly care to follow.
Hugo:
Follow, forsooth! he can lead them all.
Orion:
Touching his merits we will not quarrel;
But let me mount you for once; enough
Of work may await your favourite sorrel,
And the paths we must traverse to-night are rough.
63
But first let me mix you a beverage,
To invigorate your enfeebled frame.
[He mixes a draught and hands it to Hugo.]
All human ills this draught can assuage.
Hugo:
It hisses and glows like liquid flame;
Say, what quack nostrum is this thou'st brewed?
Speak out; I am learned in the chemist's lore.
Orion:
There is nothing but what will do you good;
And the drugs are simples; 'tis hellebore,
Nepenthe, upas, and dragon's blood,
Absinthe, and mandrake, and mandragore.
Hugo:
I will drink it, although, by mass and rood,
I am just as wise as I was before.
SCENE — A Rough, Hilly Country.
HUGO and ORION riding at speed on black horses.
Mountains in the distance. Night.
Hugo:
See! the sparks that fly from our hoof-strokes make
A fiery track that gleams in our wake;
Like a dream the dim landscape past us shoots,
Our horses fly.
Orion: They are useful brutes,
Though somewhat skittish; the foam is whit'ning
The crest and rein of my courser "Lightning";
He pulls to-night, being short of work,
And takes his head with a sudden jerk;
Still heel and steady hand on the bit,
For that is "Tempest" on which you sit.
Hugo:
64
'Tis the bravest steed that ever I back'd;
Did'st mark how he crossed yon cataract?
From hoof to hoof I should like to measure
The space he clear'd.
Orion: He can clear at leisure
A greater distance. Observe the chasm
We are nearing. Ha! did you feel a spasm
As we flew over it?
Hugo: Not at all.
Orion:
Nathless 'twas an ugly place for a fall.
Hugo:
Let us try a race to yon mountain high,
That rears its dusky peak 'gainst the sky.
Orion:
I won't disparage your horsemanship,
But your steed will stand neither spur nor whip,
And is hasty and hard to steer at times.
We must travel far ere the midnight chimes;
We must travel back ere the east is grey.
Ho! "Lightning"! "Tempest"! Away! Away!
[They ride on faster.]
SCENE — A Peak in a Mountainous Country Overhanging a Rocky Pass.
HUGO and ORION on black horses. Midnight.
Hugo:
These steeds are sprung from no common race,
Their vigour seems to annihilate space;
What hast thou brought me here to see?
Orion:
No boisterous scene of unhallow'd glee,
No sabbat of witches coarse and rude,
65
But a mystic and musical interlude;
You have long'd to explore the scrolls of Fate,
Dismount, as I do, and listen and wait.
[They dismount.]
Orion (chanting):
Spirits of earth, and air, and sea,
Spirits unclean, and spirits untrue,
By the symbols three that shall nameless be,
One of your masters calls on you.
Spirits (chanting in the distance):
From the bowels of earth, where gleams the gold;
From the air where the powers of darkness hold
Their court; from the white sea-foam,
Whence the white rose-tinted goddess sprung,
Whom poets of every age have sung,
Ever we come! we come!
Hugo:
How close to our ears the thunder peals!
How the earth beneath us shudders and reels!
A Voice (chanting):
Woe to the earth! Where men give death!
And women give birth!
To the sons of Adam, by Cain or Seth!
Plenty and dearth!
To the daughters of Eve, who toil and spin,
Barren of worth!
Let them sigh, and sicken, and suffer sin!
Woe to the earth!
Hugo:
What is yon phantom large and dim
That over the mountain seems to swim?
Orion:
'Tis the scarlet woman of Babylon!
Hugo:
Whence does she come? Where has she gone?
66
And who is she?
Orion: You would know too much;
These are subjects on which I dare not touch;
And if I were to try and enlighten you,
I should probably fail, and possibly frighten you.
You had better ask some learned divine,
Whose opinion is p'rhaps worth as much as mine,
In his own conceit; and who, besides,
Could tell you the brand of the beast she rides.
What can you see in the valley yonder?
Speak out; I can hear you, for all the thunder.
Hugo:
I see four shadowy altars rise,
They seem to swell and dilate in size;
Larger and clearer now they loom,
Now fires are lighting them through the gloom.
A Voice (chanting):
The first a golden-hued fire shows,
A blood-red flame on the second glows,
The blaze on the third is tinged like the rose,
From the fourth a column of black smoke goes.
Orion:
Can you see all this?
Hugo: I see and hear;
The lights and hues are vivid and clear.
Spirits (sing at the first altar):
Hail, Mammon! while man buys and barters,
Thy kingdom in this world is sure;
Thy prophets thou hast and thy martyrs,
Great things in thy name they endure;
Thy fetters of gold crush the miser,
The usurer bends at thy shrine,
And the wealthier nations and the wiser
Bow with us at this altar of thine.
Spirits (sing at the second altar):
67
Hail, Moloch! whose banner floats blood-red,
From pole to equator unfurl'd,
Whose laws redly written have stood red,
And shall stand while standeth this world;
Clad in purple, with thy diadem gory,
Thy sceptre the blood-dripping steel,
Thy subjects with us give thee glory,
With us at thine altar they kneel.
Spirits (sing at the third altar):
Hail, Sovereign! whose fires are kindled
By sparks from the bottomless pit,
Has thy worship diminish'd or dwindled?
Do the yokes of thy slaves lightly sit?
Nay, the men of all climes and all races
Are stirr'd by the flames that now stir us;
Then (as we do) they fall on their faces,
Crying, "Hear us! Oh! Ashtaroth, hear us!"
Spirits (all in chorus):
The vulture her carrion swallows,
Returns to his vomit the dog.
In the slough of uncleanliness wallows
The he-goat, and revels the hog.
Men are wise with their schools and their teachers,
Men are just with their creeds and their priests;
Yet, in spite of their pedants and preachers,
They backslide in footprints of beasts!
Hugo:
From the smoky altar there seems to come
A stifled murmur, a droning hum.
Orion:
With that we have nothing at all to do,
Or, at least, not now, neither I nor you;
Though some day or other, possibly
We may see it closer, both you and I;
Let us visit the nearest altar first,
Whence the yellow fires flicker and burst,
Like the flames from molten ore that spring;
We may stand in the pale of the outer ring,
68
But forbear to trespass within the inner,
Lest the sins of the past should find out the sinner.
[They approach the first altar, and stand within the
outer circle which surrounds it, and near the inner.]
Spirits (sing):
Beneath us it flashes,
The glittering gold,
Though it turneth to ashes
And dross in the hold;
Yet man will endeavour,
By fraud or by strife,
To grasp it and never
To yield it with life.
Orion:
What can you see?
Hugo: Some decrepit shapes,
That are neither dwarfs, nor demons, nor apes;
In the hollow earth they appear to store
And rake together great heaps of ore.
Orion:
These are the gnomes, coarse sprites and rough;
Come on, of these we have seen enough.
[They approach second altar and stand as before.]
Spirits (singing):
Above us it flashes,
The glittering steel,
Though the red blood splashes
Where its victims reel;
Yet man will endeavour
To grapple the hilt,
And to wield the blade ever
Till his life be spilt.
Orion:
What see you now?
Hugo: A rocky glen,
69
A horrid jumble of fighting men,
And a face that somewhere I've seen before.
Orion:
Come on; there is naught worth seeing more,
Except the altar of Ashtaroth.
Hugo:
To visit that altar I am loth.
Orion:
Why so?
Hugo: Nay, I cannot fathom why,
But I feel no curiosity.
Orion:
Come on. Stand close to the inner ring,
And hear how sweetly these spirits sing.
[They approach third altar.]
Spirits (sing):
Around us it flashes,
The cestus of one
Born of white foam, that dashes
Beneath the white sun;
Let the mortal take heart, he
Has nothing to dare;
She is fair, Queen Astarte,
Her subjects are fair!
Orion:
What see you now, friend?
Hugo: Wood and wold,
And forms that look like the nymphs of old.
There is nothing here worth looking at twice.
I have seen enough.
Orion: You are far too nice;
Nevertheless, you must look again.
Those forms will fade.
70
Hugo: They are growing less plain.
They vanish. I see a door that seems
To open; a ray of sunlight gleams
From a window behind; a vision as fair
As the flush of dawn is standing there.
[He gazes earnestly.]
Orion (sings):
Higher and hotter the white flames glow,
And the adamant may be thaw'd like snow,
And the life for a single chance may go,
And the soul for a certainty.
Oh! vain and shallow philosopher,
Dost feel them quicken, dost feel them stir,
The thoughts that have stray'd again to HER
From whom thou hast sought to fly?
Lo! the furnace is heated till sevenfold;
Is thy brain still calm? Is thy blood still cold
To the curls that wander in ripples of gold,
On the shoulders of ivory?
Do the large, dark eyes, and the small, red mouth,
Consume thine heart with a fiery drouth,
Like the fierce sirocco that sweeps from the south,
When the deserts are parch'd and dry?
Aye, start and shiver and catch thy breath,
The sting is certain, the venom is death,
And the scales are flashing the fruit beneath,
And the fang striketh suddenly.
At the core the ashes are bitter and dead,
But the rind is fair and the rind is red,
It has ever been pluck'd since the serpent said,
Thou shalt NOT SURELY die.
[Hugo tries to enter the inner ring;
Orion holds him back; they struggle.]
Hugo:
Unhand me, slave! or quail to the rod!
Agatha! Speak! in the name of God!
71
[The vision disappears; the altars vanish.
Hugo falls insensible.]
SCENE — The Wayside House.
HUGO waking in his chamber. ORION unseen at first. Morning.
Hugo:
Vanish, fair and fatal vision!
Fleeting shade of fever'd sleep,
Chiding one whose indecision
Waking substance failed to keep;
Picture into life half starting,
As in life once seen before,
Parting somewhat sadly, parting
Slowly at the chamber door.
Were my waking senses duller?
Have I seen with mental eye
Light and shade, and warmth and colour,
Plainer than reality?
Sunlight that on tangled tresses
Every ripple gilds and tips;
Balm and bloom, and breath of kisses,
Warm on dewy, scarlet lips.
Dark eyes veiling half their splendour
'Neath their lashes' darker fringe,
Dusky, dreamy, deep and tender,
Passing smile and passing tinge;
Dimpling fast and flushing faster,
Ivory chin and coral cheek,
Pearly strings, by alabaster
Neck and arms made faint and weak;
Drooping, downcast lids enduring
Gaze of man unwillingly;
Sudden, sidelong gleams alluring,
Partly arch and partly shy.
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Do I bless or curse that beauty?
Am I longing, am I loth?
Is it passion, is it duty
That I strive with, one or both?
Round about one fiery centre
Wayward thoughts like moths revolve.
[He sees Orion.]
Ha! Orion, thou didst enter
Unperceived. I pray thee solve
These two questions: Firstly, tell me,
Must I strive for wrong or right?
Secondly, what things befell me —
Facts, or phantasies — last night?
Orion:
First, your strife is all a sham, you
Know as well as I which wins;
Second, waking sins will damn you,
Never mind your sleeping sins;
Both your questions thus I answer;
Listen, ere you seek or shun:
I at least am no romancer,
What you long for may be won.
Turn again and travel Rhineward,
Tread once more the flowery path.
Hugo:
Aye, the flowery path that, sinward
Pointing, ends in sin and wrath.
Orion:
Songs by love-birds lightly caroll'd,
Even the just man may allure.
Hugo:
To his shame; in this wise Harold
Sinn'd, his punishment was sure.
Orion:
Nay, the Dane was worse than you are,
Base and pitiless to boot;
73
Doubtless all are bad, yet few are
Cruel, false, and dissolute.
Hugo:
Some sins foreign to our nature
Seem; we take no credit when
We escape them.
Orion: Yet the creature,
Sin-created, lives to sin.
Hugo:
Be it so; come good, come evil,
Ride we to the Rhine again!
Orion (aside):
'Gainst the logic of the devil
Human logic strives in vain.
SCENE — A Camp Near the Black Forest.
RUDOLPH, OSRIC, DAGOBERT, and followers. ORION disguised as
one of the Free-lances. Mid-day.
Osric:
Now, by axe of Odin, and hammer of Thor,
And by all the gods of the Viking's war,
I swear we have quitted our homes in vain:
We have nothing to look to, glory nor gain.
Will our galley return to Norway's shore
With heavier gold, or with costlier store?
Will our exploits furnish the scald with a song?
We have travell'd too far, we have tarried too long.
Say, captains all, is there ever a village
For miles around that is worth the pillage?
Will it pay the costs of my men or yours
To harry the homesteads of German boors?
Have we cause for pride in our feats of arms
When we plunder the peasants or sack the farms?
I tell thee, Rudolph of Rothenstein,
74
That were thy soldiers willing as mine,
And I sole leader of this array,
I would give Prince Otto battle this day.
Dost thou call thy followers men of war?
Oh, Dagobert! thou whose ancestor
On the neck of the Caesar's offspring trod,
Who was justly surnamed "The Scourge of God".
Yet in flight lies safety. Skirmish and run
To forest and fastness, Teuton and Hun,
From the banks of the Rhine to the Danube's shore,
And back to the banks of the Rhine once more;
Retreat from the face of an armed foe,
Robbing garden and hen-roost where'er you go.
Let the short alliance betwixt us cease,
I and my Norsemen will go in peace!
I wot it never will suit with us,
Such existence, tame and inglorious;
I could live no worse, living single-handed,
And better with half my men disbanded.
Rudolph:
Jarl Osric, what would'st thou have me do?
'Gainst Otto's army our men count few;
With one chance of victory, fight, say I!
But not when defeat is a certainty.
If Rudiger joins us with his free-lances,
Our chance will be equal to many chances;
For Rudiger is both prompt and wary;
And his men are gallant though mercenary;
But the knave refuses to send a lance
Till half the money is paid in advance.
Dagobert:
May his avarice wither him like a curse!
I guess he has heard of our late reverse;
But, Rudolph, whether he goes or stays,
There is reason in what Jarl Osric says;
Of provisions we need a fresh supply,
And our butts and flasks are shallow or dry;
My men are beginning to grumble sadly,
'Tis no wonder, since they must fare so badly.
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Rudolph:
We have plenty of foragers out, and still
We have plenty of hungry mouths to fill;
And, moreover, by some means, foul or fair,
We must raise money; 'tis little I care,
So long as we raise it, whence it comes.
Osric:
Shall we sit till nightfall biting our thumbs?
The shortest plan is ever the best;
Has anyone here got aught to suggest?
Orion:
The cornfields are golden that skirt the Rhine,
Fat are the oxen, strong is the wine,
In those pleasant pastures, those cellars deep,
That o'erflow with the tears that those vineyards weep;
Is it silver you stand in need of, or gold?
Ingot or coin? There is wealth untold
In the ancient convent of Englemehr;
That is not so very far from here.
The Abbot, esteem'd a holy man,
Will hold what he has and grasp what he can;
The cream of the soil he loves to skim,
Why not levy a contribution on him?
Dagobert:
The stranger speaks well; not far away
That convent lies; and one summer's day
Will suffice for a horseman to reach the gate;
The garrison soon would capitulate,
Since the armed retainers are next to none,
And the walls, I wot, may be quickly won.
Rudolph:
I kept those walls for two months or more,
When they feared the riders of Melchior!
That was little over three years ago.
Their Abbot is thrifty, as well I know;
He haggled sorely about the price
Of our service.
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Dagobert: Rudolph, he paid thee twice.
Rudolph:
Well, what of that? Since then I've tried
To borrow from him; now I know he lied
When he told me he could not spare the sum
I asked. If we to his gates should come,
He could spare it though it were doubled; and still,
This war with the Church I like it ill.
Osric:
The creed of our fathers is well-nigh dead,
And the creed of the Christian reigns in its stead
But the creed of the Christian, too, may die,
For your creeds or your churches what care I!
If there be plunder at Englemehr,
Let us strike our tents and thitherward steer.
SCENE — A Farm-house on the Rhine (About a mile from the Convent).
HUGO in chamber alone. Enter ERIC.
Eric:
What, Hugo, still at the Rhine! I thought
You were home. You have travell'd by stages short.
Hugo (with hesitation):
Our homeward march was labour in vain,
We had to retrace our steps again;
It was here or hereabouts that I lost
Some papers of value; at any cost
I must find them; and which way lies your course?
Eric:
I go to recruit Prince Otto's force.
I cannot study as you do; I
Am wearied with inactivity;
So I carry a blade engrim'd with rust
(That a hand sloth-slacken'd has, I trust,
Not quite forgotten the way to wield),
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To strike once more on the tented field.
Hugo:
Fighting is all a mistake, friend Eric,
And has been so since the age Homeric,
When Greece was shaken and Troy undone,
Ten thousand lives for a worthless one.
Yet I blame you not; you might well do worse;
Better fight and perish than live to curse
The day you were born; and such has been
The lot of many, and shall, I ween,
Be the lot of more. If Thurston chooses
He may go with you. The blockhead abuses
Me and the life I lead.
Enter ORION.
Orion: Great news!
The Englemehr monks will shake in their shoes;
In the soles of their callous feet will shake
The barefooted friars. The nuns will quake.
Hugo: Wherefore?
Orion: The outlaw of Rothenstein
Has come with his soldiers to the Rhine,
Back'd by those hardy adventurers
From the northern forests of pines and firs,
And Dagobert's horse. They march as straight
As the eagle swoops to the convent gate.
Hugo:
We must do something to save the place.
Orion:
They are sure to take it in any case,
Unless the sum that they ask is paid.
Eric:
Some effort on our part must be made.
Hugo:
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'Tis not so much for the monks I care.
Eric:
Nor I; but the Abbess and nuns are there.
Orion:
'Tis not our business; what can we do?
They are too many, and we are too few;
And yet, I suppose, you will save, if you can,
That lady, your ward, or your kinswoman.
Hugo:
She is no kinswoman of mine;
How far is Otto's camp from the Rhine?
Orion:
Too far for help in such time of need
To be brought, though you used your utmost speed.
Eric:
Nay, that I doubt.
Hugo: And how many men
Have they?
Orion: To your one they could muster ten.
Eric:
I know Count Rudolph, and terms may be made
With him, I fancy; for though his trade
Is a rough one now, gainsay it who can,
He was once a knight and a gentleman.
And Dagobert, the chief of the Huns,
Bad as he is, will spare the nuns;
Though neither he nor the Count could check
Those lawless men, should they storm and sack
The convent. Jarl Osric, too, I know;
He is rather a formidable foe,
And will likely enough be troublesome;
But the others, I trust, to terms will come.
Hugo:
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Eric, how many men have you?
I can count a score.
Eric: I have only two.
Hugo:
At every hazard we must try to save
The nuns.
Eric: Count Rudolph shall think we have
A force that almost equals his own,
If I can confer with him alone.
Orion:
He is close at hand; by this time he waits
The Abbot's reply at the convent gates.
Hugo:
We had better send him a herald.
Eric: Nay,
I will go myself. [Eric goes out.]
Hugo: Orion, stay!
So this is the reed on which I've leaned,
These are the hopes thou hast fostered, these
The flames thou hast fanned. Oh, lying fiend!
Is it thus thou dost keep thy promises?
Orion:
Strong language, Hugo, and most unjust;
You will cry out before you are hurt —
You will live to recall your words, I trust.
Fear nothing from Osric or Dagobert,
These are your friends, if you only knew it,
And would take the advice of a friend sincere;
Neglect his counsels and you must rue it,
For I know by a sign the crisis is near.
Accept the terms of these outlaws all,
And be thankful that things have fallen out
Exactly as you would have had them fall —
You may save the one that you care about;
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Otherwise, how did you hope to gain
Access to her — on what pretence?
What were the schemes that worried your brain
To tempt her there or to lure her thence?
You must have bungled, and raised a scandal
About your ears, that might well have shamed
The rudest Hun, the veriest Vandal,
Long or ever the bird was tamed.
Hugo:
The convent is scarce surrounded yet,
We might reach and hold it against their force
Till another sun has risen and set;
And should I despatch my fleetest horse
To Otto ——
Orion: For Abbot, or Monk, or Friar,
Between ourselves, 'tis little you care
If their halls are harried by steel and fire:
Their avarice left your heritage bare.
Forsake them! Mitres, and cowls, and hoods
Will cover vices while earth endures;
Through the green and gold of the summer woods
Ride out with that pretty bird of yours.
If again you fail to improve your chance,
Why, then, my friend, I can only say
You are duller far than the dullest lance
That rides in Dagobert's troop this day.
"Faemina semper", frown not thus,
The girl was always giddy and wild,
Vain, and foolish, and frivolous,
Since she fled from her father's halls, a child.
I sought to initiate you once
In the mystic lore of the old Chaldean;
But I found you far too stubborn a dunce,
And your tastes are coarser and more plebeian.
Yet mark my words, for I read the stars,
And trace the future in yonder sky;
To the right are wars and rumours of wars,
To the left are peace and prosperity.
Fear naught. The world shall never detect
The cloven hoof, so carefully hid
81
By the scholar so staid and circumspect,
So wise for once to do as he's bid.
Remember what pangs come year by year
For opportunity that has fled;
And Thora in ignorance.
Hugo: Name not her!
I am sorely tempted to strike thee dead!
Orion:
Nay, I hardly think you will take my life,
The angel Michael was once my foe;
He had a little the best of our strife,
Yet he never could deal so stark a blow.
SCENE — A Chamber in the Nuns' Apartments of the Convent.
AGATHA and URSULA.
Agatha:
My sire in my childhood pledged my hand
To Hugo — I know not why —
They were comrades then, 'neath the Duke's command,
In the wars of Lombardy.
I thought, ere my summers had turned sixteen,
That mine was a grievous case;
Save once, for an hour, I had never seen
My intended bridegroom's face;
And maidens vows of their own will plight.
Unknown to my kinsfolk all
My love was vowed to a Danish knight,
A guest in my father's hall.
His foot fell lightest in merry dance,
His shaft never missed the deer;
He could fly a hawk, he could wield a lance,
Our wildest colt he could steer.
His deep voice ringing through hall or glen
Had never its match in song;
And little was known of his past life then,
Or of Dorothea's wrong.
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I loved him — Lady Abbess, I know
That my love was foolish now;
I was but a child five years ago,
And thoughtless as bird on bough.
One evening Hugo the Norman came,
And, to shorten a weary tale,
I fled that night (let me bear the blame)
With Harold by down and dale.
He had mounted me on a dappled steed,
And another of coal-black hue
He rode himself; and away at speed
We fled through mist and dew.
Of miles we had ridden some half a score,
We had halted beside a spring,
When the breeze to our ears through the still night bore
A distant trample and ring;
We listen'd one breathing space, and caught
The clatter of mounted men,
With vigour renewed by their respite short
Our horses dash'd through the glen.
Another league, and we listen'd in vain;
The breeze to our ears came mute;
But we heard them again on the spacious plain,
Faint tidings of hot pursuit.
In the misty light of a moon half hid
By the dark or fleecy rack,
Our shadows over the moorland slid,
Still listening and looking back.
So we fled (with a cheering word to say
At times as we hurried on),
From sounds that at intervals died away,
And at intervals came anon.
Another league, and my lips grew dumb,
And I felt my spirit quailing,
For closer those sounds began to come,
And the speed of my horse was failing.
"The grey is weary and lame to boot,"
Quoth Harold; "the black is strong,
And their steeds are blown with their fierce pursuit,
What wonder! our start was long.
Now, lady, behind me mount the black,
83
The double load he can bear;
We are safe when we reach the forest track,
Fresh horses and friends wait there."
Then I sat behind him and held his waist,
And faster we seemed to go
By moss and moor; but for all our haste
Came the tramp of the nearing foe.
A dyke through the mist before us hover'd,
And, quicken'd by voice and heel,
The black overleap'd it, stagger'd, recover'd;
Still nearer that muffled peal.
And louder on sward the hoof-strokes grew,
And duller, though not less nigh,
On deader sand; and a dark speck drew
On my vision suddenly,
And a single horseman in fleet career,
Like a shadow appear'd to glide
To within six lances' lengths of our rear,
And there for a space to bide.
Quoth Harold, "Speak, has the moon reveal'd
His face?" I replied, "Not so!
Yet 'tis none of my kinsfolk." Then he wheel'd
In the saddle and scanned the foe,
And mutter'd, still gazing in our wake,
"'Tis he; now I will not fight
The brother again, for the sister's sake,
While I can escape by flight."
"Who, Harold?" I asked; but he never spoke.
By the cry of the bittern harsh,
And the bull-frog's dull, discordant croak,
I guess'd that we near'd the marsh;
And the moonbeam flash'd on watery sedge
As it broke from a strip of cloud,
Ragged and jagged about the edge,
And shaped like a dead man's shroud.
And flagg'd and falter'd our gallant steed,
'Neath the weight of his double burden,
As we splash'd through water and crash'd through reed;
Then the soil began to harden,
And again we gain'd, or we seem'd to gain,
With our foe in the deep morass;
But those fleet hoofs thunder'd, and gain'd again,
84
When they trampled the firmer grass,
And I cried, and Harold again look'd back,
And bade me fasten mine eyes on
The forest, that loom'd like a patch of black
Standing out from the faint horizon.
"Courage, sweetheart! we are saved," he said;
"With the moorland our danger ends,
And close to the borders of yonder glade
They tarry, our trusty friends."
Where the mossy uplands rise and dip
On the edge of the leafy dell,
With a lurch, like the lurch of a sinking ship,
The black horse toppled and fell.
Unharm'd we lit on the velvet sward,
And even as I lit I lay,
But Harold uprose, unsheath'd his sword,
And toss'd the scabbard away.
And spake through his teeth, "Good brother-in-law,
Forbearance, at last, is spent;
The strife that thy soul hath lusted for
Thou shalt have to thy soul's content!"
While he spoke, our pursuer past us swept,
Ere he rein'd his war-horse proud,
To his haunches flung, then to the earth he leapt,
And my lover's voice rang loud:
"Thrice welcome! Hugo of Normandy,
Thou hast come at our time of need,
This lady will thank thee, and so will I,
For the loan of thy sorrel steed!"
And never a word Lord Hugo said,
They clos'd 'twixt the wood and the wold,
And the white steel flickered over my head
In the moonlight calm and cold;
'Mid the feathery grasses crouching low,
With face bow'd down to the dust,
I heard the clash of each warded blow,
The click of each parried thrust,
And the shuffling feet that bruis'd the lawn,
As they traversed here and there,
And the breath through the clench'd teeth heavily drawn
When breath there was none to spare;
85
Sharp ringing sword play, dull, trampling heel,
Short pause, spent force to regain,
Quick muffled footfall, harsh grating steel,
Sharp ringing rally again;
They seem'd long hours, those moments fleet,
As I counted them one by one,
Till a dead weight toppled across my feet,
And I knew that the strife was done.
When I looked up, after a little space,
As though from a fearful dream,
The moon was flinging on Harold's face
A white and a weird-like gleam;
And I felt mine ankles moist and warm
With the blood that trickled slow
From a spot on the doublet beneath his arm,
From a ghastly gash on his brow;
I heard the tread of the sorrel's hoof
As he bore his lord away;
They passed me slowly, keeping aloof,
Like spectres, misty and grey.
I thought Lord Hugo had left me there
To die, but it was not so;
Yet then for death I had little care,
My soul seem'd numb'd by the blow;
A faintness follow'd, a sickly swoon,
A long and a dreamless sleep,
And I woke to the light of a sultry noon
In my father's castled keep.
And thus, Lady Abbess, it came to pass
That my father vow'd his vow;
Must his daughter espouse the Church? Alas!
Is she better or wiser now?
For some are feeble and others strong,
And feeble am I and frail.
Mother! 'tis not that I love the wrong,
'Tis not that I loathe the veil,
But with heart still ready to go astray,
If assail'd by a fresh temptation,
I could sin again as I sinned that day,
For a girl's infatuation.
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See! Harold, the Dane, thou say'st is dead,
Yet I weep NOT BITTERLY;
As I fled with the Dane, so I might have fled
With Hugo of Normandy.
Ursula:
My child, I advise no hasty vows,
Yet I pray that in life's brief span
Thou may'st learn that our Church is a fairer spouse
Than fickle and erring man;
Though fenced for a time by the Church's pale,
When that time expires thou'rt free;
And we cannot force thee to take the veil,
Nay, we scarce can counsel thee.
Enter the ABBOT hastily.
Basil (the Abbot):
I am sorely stricken with shame and grief,
It has come by the self-same sign,
A summons brief from the outlaw'd chief,
Count Rudolph of Rothenstein.
Lady Abbess, ere worse things come to pass,
I would speak with thee alone;
Alack and alas! for by the rood and mass
I fear we are all undone.
SCENE — A Farm-house Near the Convent.
A Chamber furnished with writing materials. HUGO, ERIC, and THURSTON
on one side; on the other OSRIC, RUDOLPH, and DAGOBERT.
Osric:
We have granted too much, ye ask for more;
I am not skill'd in your clerkly lore,
I scorn your logic; I had rather die
Than live like Hugo of Normandy:
I am a Norseman, frank and plain;
Ye must read the parchment over again.
87
Eric:
Jarl Osric, twice we have read this scroll.
Osric:
Thou hast read a part.
Eric: I have read the whole.
Osric:
Aye, since I attached my signature!
Eric:
Before and since!
Rudolph: Nay, of this be sure,
Thou hast signed; in fairness now let it rest.
Osric:
I had rather have sign'd upon Hugo's crest;
He has argued the question mouth to mouth
With the wordy lore of the subtle south;
Let him or any one of his band
Come and argue the question hand to hand.
With the aid of my battle-axe I will show
That a score of words are not worth one blow.
Thurston:
To the devil with thee and thy battle-axe;
I would send the pair of ye back in your tracks,
With an answer that even to thy boorish brain
Would scarce need repetition again.
Osric:
Thou Saxon slave to a milksop knight,
I will give thy body to raven and kite.
Thurston:
Thou liest; I am a freeborn man,
And thy huge carcase — in cubit and span
Like the giant's of Gath — 'neath Saxon steel,
Shall furnish the kites with a fatter meal.
88
Osric:
Now, by Odin!
Rudolph: Jarl Osric, curb thy wrath;
Our names are sign'd, our words have gone forth.
Hugo:
I blame thee, Thurston.
Thurston: And I, too, blame
Myself, since I follow a knight so tame!
[Thurston goes out.]
Osric:
The Saxon hound, he said I lied!
Rudolph:
I pray thee, good Viking, be pacified.
Osric:
Why do we grant the terms they ask?
To crush them all were an easy task.
Dagobert:
That know'st thou not; if it come to war,
They are stronger, perhaps, than we bargain for.
Eric:
Jarl Osric, thou may'st recall thy words —
Should we meet again.
Osric: Should we meet with swords,
Thou, too, may'st recall them to thy sorrow.
Hugo:
Eric! we dally. Sir Count, good-morrow.
SCENE — The Guest Chamber of the Convent.
HUGO, ERIC, and ORION.
89
Eric:
Hugo, their siege we might have tried;
This place would be easier fortified
Than I thought at first; it is now too late,
They have cut off our access to the gate.
Hugo:
I have weigh'd the chances and counted the cost,
And I know by the stars that all is lost
If we take up this quarrel.
Eric: So let it be!
I yield to one who is wiser than me. (Aside.)
Nevertheless, I have seen the day
When the stars would scarcely have bade us stay.
Enter the ABBOT, CYRIL, and other Monks.
Hugo:
Lord Abbot, we greet thee. Good fathers all,
We bring you greeting.
Orion (aside): And comfort small.
Abbot:
God's benediction on you, my sons.
Hugo:
May He save you, too, from Norsemen and Huns!
Since the gates are beleaguer'd and walls begirt
By the forces of Osric and Dagobert;
'Tis a heavy price that the knaves demand.
Abbot:
Were we to mortgage the Church's land
We never could raise what they would extort.
Orion (aside):
The price is too long and the notice too short.
Eric:
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And you know the stern alternative.
Abbot:
If we die we die, if we live we live;
God's will be done; and our trust is sure
In Him, though His chast'nings we endure.
Two messengers rode from here last night,
To Otto they carry news of our plight;
On my swiftest horses I saw them go.
Orion (aside):
Then his swiftest horses are wondrous slow.
Eric:
One of these is captive and badly hurt;
By the reckless riders of Dagobert
He was overtaken and well-nigh slain,
Not a league from here on the open plain.
Abbot:
But the other escap'd.
Eric: It may be so;
We had no word of him, but we know
That unless you can keep these walls for a day
At least, the Prince is too far away
To afford relief.
Abbot: Then a hopeless case
Is ours, and with death we are face to face.
Eric:
You have arm'd retainers.
Cyril (a Monk): Aye, some half score;
And some few of the brethren, less or more,
Have in youth the brunt of the battle bided,
Yet our armoury is but ill provided.
Hugo:
We have terms of truce from the robbers in chief,
Though the terms are partial, the truce but brief;
91
To Abbess, to nuns, and novices all,
And to every woman within your wall,
We can offer escort, and they shall ride
From hence in safety whate'er betide.
Abbot:
What escort, Hugo, canst thou afford?
Hugo:
Some score of riders who call me lord
Bide at the farm not a mile from here,
Till we rejoin them they will not stir;
My page and armourer wait below,
And all our movements are watch'd by the foe.
Strict stipulation was made, of course,
That, except ourselves, neither man nor horse
Should enter your gates — they were keen to shun
The chance of increasing your garrison.
Eric:
I hold safe conduct here in my hand,
Signed by the chiefs of that lawless band;
See Rudolph's name, no disgrace to a clerk,
And Dagobert's scrawl, and Osric's mark;
Jarl signed sorely against his will,
With a scratch like the print of a raven's bill;
But the foe have muster'd in sight of the gate.
For another hour they will scarcely wait;
Bid Abbess and dame prepare with haste.
Hugo:
Lord Abbot, I tell thee candidly
There is no great love between thou and I,
As well thou know'st; but, nevertheless,
I would we were more, or thy foes were less.
Abbot:
I will summon the Lady Abbess straight.
[The Abbot and Monks go out.]
Eric:
'Tis hard to leave these men to their fate,
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Norsemen and Hun will never relent;
Their day of grace upon earth is spent.
[Hugo goes out, followed by Orion.]
SCENE — The Corridor Outside the Guest Chamber.
HUGO pacing up and down. ORION leaning against the wall.
Hugo:
My day of grace with theirs is past.
I might have saved them; 'tis too late —
Too late for both. The die is cast,
And I resign me to my fate.
God's vengeance I await.
Orion:
The boundary 'twixt right and wrong
Is not so easy to discern;
And man is weak, and fate is strong,
And destiny man's hopes will spurn,
Man's schemes will overturn.
Hugo:
Thou liest, thou fiend! Not unawares
The sinner swallows Satan's bait,
Nor pits conceal'd nor hidden snares
Seeks blindly; wherefore dost thou prate
Of destiny and fate?
Orion:
Who first named fate? But never mind,
Let that pass by — to Adam's fall
And Adam's curse look back, and find
Iniquity the lot of all,
And sin original.
Hugo:
But I have sinn'd, repented, sinn'd,
Till seven times that sin may be
By seventy multiplied; the wind
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Is constant when compared with me,
And stable is the sea!
My hopes are sacrificed, for what?
For days of folly, less or more,
For years to see those dead hopes rot,
Like dead weeds scatter'd on the shore,
Beyond the surfs that roar!
Orion:
The wiles of Eve are swift to smite;
Aye, swift to smite and not to spare —
Red lips and round limbs sweet and white,
Dark eyes and sunny, silken hair,
Thy betters may ensnare.
Hugo:
Not so; the strife 'twixt hell and heaven
I felt last night, and well I knew
The crisis; but my aid was given
To hell. Thou'st known the crisis too,
For once thou'st spoken true.
Having foretold it, there remains
For grace no time, for hope no room;
Even now I seem to feel the pains
Of hell, that wait beyond the gloom
Of my dishonour'd tomb.
Thou who hast lived and died to save,
Us sinners, Christ of Galilee!
Thy great love pardon'd and forgave
The dying thief upon the tree,
Thou canst not pardon me!
Dear Lord! hear Thou my latest prayer,
For prayer must die since hope is dead;
Thy Father's vengeance let me bear,
Nor let my guilt be visited
Upon a guiltless head!
Ah! God is just! Full sure I am
94
He never did predestinate
Our souls to hell. Ourselves we damn —
[To Orion, with sudden passion]
Serpent! I know thee now, too late;
Curse thee! Work out thy hate!
Orion:
I hate thee not; thy grievous plight
Would move my pity, but I bear
A curse to which thy curse seems light!
Thy wrong is better than my right,
My day is darker than thy night;
Beside the whitest hope I share
How white is thy despair!
SCENE — The Chapel of the Convent.
URSULA, AGATHA, Nuns and Novices.
(Hymn of the Nuns):
Jehovah! we bless Thee,
All works of Thine hand
Extol Thee, confess Thee;
By sea and by land,
By mountain and river,
By forest and glen,
They praise Thee for ever!
And ever! Amen!
The heathen are raging
Against Thee, O Lord!
The ungodly are waging
Rash war against God!
Arise, and deliver
Us, sheep of Thy pen,
Who praise Thee for ever!
And ever! Amen!
Thou Shepherd of Zion!
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Thy firstlings didst tear
From jaws of the lion,
From teeth of the bear;
Thy strength to deliver
Is strong now as then.
We praise Thee for ever!
And ever! Amen!
Thine arm hath delivered
Thy servants of old,
Hath scatter'd and shiver'd
The spears of the bold,
Hath emptied the quiver
Of bloodthirsty men.
We praise Thee for ever!
And ever! Amen!
Nathless shall Thy right hand
Those counsels fulfil
Most wise in Thy sight, and
We bow to Thy will;
Thy children quail never
For dungeon or den,
They praise Thee for ever!
And ever! Amen!
Though fierce tribulation
Endure for a space,
Yet God! our salvation!
We gain by Thy grace,
At end of life's fever,
Bliss passing man's ken;
There to praise Thee for ever!
And ever! Amen!
SCENE — The Guest Room of the Convent.
HUGO, ERIC, and ORION. Enter URSULA, AGATHA, and Nuns.
Ursula:
96
Hugo, we reject thine offers,
Not that we can buy
Safety from the Church's coffers,
Neither can we fly.
Far too great the price they seek is,
Let their lawless throng
Come, we wait their coming; weak is
Man, but God is strong.
Eric:
Think again on our proposals:
It will be too late
When the robbers hold carousals
On this side the gate.
Ursula:
For myself I speak and others
Weak and frail as I;
We will not desert our brothers
In adversity.
Hugo (to the Nuns):
Does the Abbess thus advance her
Will before ye all?
A Nun:
We will stay.
Hugo: Is this thine answer,
Agatha? The wall
Is a poor protection truly,
And the gates are weak,
And the Norsemen most unruly.
Come, then.
A Nun (to Agatha): Sister, speak!
Orion (aside to Hugo):
Press her! She her fears dissembling,
Stands irresolute;
She will yield — her limbs are trembling,
Though her lips are mute.
97
[A trumpet is heard without.]
Eric:
Hark! their savage war-horn blowing
Chafes at our delay.
Hugo:
Agatha, we must be going.
Come, girl!
Agatha (clinging to Ursula): Must I stay?
Ursula:
Nay, my child, thou shalt not make me
Judge; I cannot give
Orders to a novice.
Agatha: Take me,
Hugo! Let me live!
Eric (to Nuns):
Foolish women! will ye tarry,
Spite of all we say?
Hugo:
Must we use our strength and carry
You by force away?
Ursula:
Bad enough thou art, Sir Norman,
Yet thou wilt not do
This thing. Shame! — on men make war, man,
Not on women few.
Eric:
Heed her not — her life she barters,
Of her free accord,
For her faith; and, doubtless, martyrs
Have their own reward.
Ursula:
In the Church's cause thy father
98
Never grudged his blade —
Hugo, did he rue it?
Orion: Rather!
He was poorly paid.
Hugo:
Abbess, this is not my doing;
I have said my say;
How can I avert the ruin,
Even for a day,
Since they count two hundred fairly,
While we count a score;
And thine own retainers barely
Count a dozen more?
Agatha (kneeling to Ursula):
Ah! forgive me, Lady Abbess,
Bless me ere I go;
She who under sod and slab is
Lying, cold and low,
Scarce would turn away in anger
From a child so frail;
Not dear life, but deadly danger,
Makes her daughter quail.
Hugo:
Eric, will those faces tearful
To God's judgment seat
Haunt us?
Eric: Death is not so fearful.
Hugo: No, but life is sweet —
Sweet for once, to me, though sinful.
Orion (to Hugo): Earth is scant of bliss;
Wisest he who takes his skinful
When the chance is his.
(To Ursula):
Lady Abbess! stay and welcome
99
Osric's savage crew;
Yet when pains of death and hell come,
Thou thy choice may'st rue.
Ursula (to Orion):
What dost thou 'neath roof-trees sacred?
Man or fiend, depart!
Orion:
Dame, thy tongue is sharp and acrid,
Yet I bear the smart.
Ursula (advancing and raising up a crucifix):
I conjure thee by this symbol
Leave us!
[Orion goes out hastily.]
Hugo: Ha! the knave,
He has made an exit nimble;
Abbess! thou art brave.
Yet once gone, we're past recalling,
Let no blame be mine.
See, thy sisters' tears are falling
Fast, and so are thine.
Ursula:
Fare you well! The teardrop splashes
Vainly on the ice.
Ye will sorrow o'er our ashes
And your cowardice.
Eric:
Sorry am I, yet my sorrow
Cannot alter fate;
Should Prince Otto come to-morrow,
He will come too late.
Hugo:
Nay, old comrade, she hath spoken
Words we must not hear;
Shall we pause for sign or token —
Taunted twice with fear?
100
Yonder, hilt to hilt adjusted,
Stand the swords in which we trusted
Years ago. Their blades have rusted,
So, perchance, have we.
Ursula! thy words may shame us,
Yet we once were counted famous,
Morituri, salutamus,
Aut victuri, te! [They go out.]
SCENE — The Outskirts of Rudolph's Camp.
RUDOLPH, OSRIC, and DAGOBERT. HUGO.
Rudolph:
Lord Hugo! thy speech is madness;
Thou hast tax'd our patience too far;
We offer'd thee peace — with gladness,
We gladly accept thy war.
Dagobert:
And the clemency we extended
To thee and thine we recall;
And the treaty 'twixt us is ended —
We are ready to storm the wall.
Osric:
Now tear yon parchment to tatters;
Thou shalt make no further use
Of our safeguard; the wind that scatters
The scroll shall scatter the truce.
Hugo:
Jarl Osric, to save the spilling
Of blood, and the waste of life,
I am willing, if thou art willing,
With thee to decide this strife;
Let thy comrades draw their force back;
I defy thee to single fight,
I will meet thee on foot or horseback,
And God shall defend the right.
101
Rudolph:
No single combat shall settle
This strife; thou art overbold —
Thou hast put us all on our mettle,
Now the game in our hands we hold.
Dagobert:
Our lances round thee have hover'd,
Have seen where thy fellows bide;
Thy weakness we have discover'd,
Thy nakedness we have spied.
Osric:
And hearken, knight, to my story —
When sack'd are the convent shrines,
When the convent thresholds are gory,
And quaff'd are the convent wines:
When our beasts with pillage are laden,
And the clouds of our black smoke rise
From yon tower, one fair-haired maiden
Is singled as Osric's prize.
I will fit her with chain and collar
Of red gold, studded with pearls;
With bracelet of gold, Sir Scholar,
The queen of my captive girls.
Hugo (savagely):
May the Most High God of battles
The Lord and Ruler of fights,
Who breaketh the shield that rattles,
Who snappeth the sword that smites,
In whose hands are footmen and horsemen,
At whose breath they conquer or flee,
Never show me His mercy, Norseman!
If I show mercy to thee.
Osric:
What, ho! art thou drunk, Sir Norman?
Has the wine made thy pale cheek red?
Now, I swear by Odin and Thor, man,
Already I count thee dead.
102
Rudolph:
I crave thy pardon for baulking
The flood of thine eloquence,
But thou canst not scare us with talking,
I therefore pray thee go hence.
Osric:
Though I may not take up thy gauntlet,
Should we meet where the steel strikes fire,
'Twixt thy casque and thy charger's frontlet
The choice will perplex thy squire.
Hugo:
When the Norman rowels are goading,
When glitters the Norman glaive,
Thou shalt call upon Thor and Odin:
They shall not hear thee nor save.
"Should we meet!" Aye, the chance may fall so,
In the furious battle drive,
So may God deal with me — more, also!
If we separate, both alive!
SCENE — The Court-yard of the Old Farm.
EUSTACE and other followers of HUGO and ERIC lounging about.
Enter THURSTON hastily, with swords under his arm.
Thurston:
Now saddle your horses and girth them tight,
And see that your weapons are sharp and bright.
Come, lads, get ready as fast as you can.
Eustace:
Why, what's this bustle about, old man?
Thurston:
Well, it seems Lord Hugo has changed his mind,
As the weathercock veers with the shifting wind;
He has gone in person to Osric's camp,
103
To tell him to pack up his tents and tramp!
But I guess he won't.
Eustace: Then I hope he will,
They are plenty to eat us, as well as to kill.
Ralph:
And I hope he won't — I begin to feel
A longing to moisten my thirsty steel.
[They begin to saddle and make preparations
for a skirmish.]
Thurston:
I've a couple of blades to look to here.
In their scabbards I scarcely could make them stir
At first, but I'll sharpen them both ere long.
A Man-at-arms:
Hurrah for a skirmish! Who'll give us a song?
Thurston (sings, cleaning and sharpening):
Hurrah! for the sword! I hold one here,
And I scour at the rust and say,
'Tis the umpire this, and the arbiter,
That settles in the fairest way;
For it stays false tongues and it cools hot blood,
And it lowers the proud one's crest;
And the law of the land is sometimes good,
But the law of the sword is best.
In all disputes 'tis the shortest plan,
The surest and best appeal; —
What else can decide between man and man?
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of Hugo, our lord!
'Tis a trusty friend and a true;
It has held its own on a grassy sward,
When its blade shone bright and blue,
Though it never has stricken in anger hard,
104
And has scarcely been cleansed from rust,
Since the day when it broke through Harold's guard
With our favourite cut and thrust;
Yet Osric's crown will look somewhat red,
And his brain will be apt to reel,
Should the trenchant blade come down on his head —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of our ally bold,
It has done good service to him;
It has held its own on an open wold,
When its edge was in keener trim.
It may baffle the plots of the wisest skull,
It may slacken the strongest limb,
Make the brains full of forethought void and null,
And the eyes full of far-sight dim;
And the hasty hands are content to wait,
And the knees are compelled to kneel,
Where it falls with the weight of a downstroke straight —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword — I've one of my own;
And I think I may safely say,
Give my enemy his, let us stand alone,
And our quarrel shall end one way;
One way or the other — it matters not much,
So the question be fairly tried.
Oh! peacemaker good, bringing peace with a touch,
Thy clients will be satisfied.
As a judge, thou dost judge — as a witness, attest,
And thou settest thy hand and seal,
And the winner is blest, and the loser at rest —
(Chorus of all):
Hurrah! for the bright blue steel!
[Hugo and Eric enter during the last verse
105
of the song.]
Hugo:
Boot and saddle, old friend,
Their defiance they send;
Time is short — make an end
Of thy song.
Let the sword in this fight
Strike as hard for the right
As it once struck for might
Leagued with wrong.
Ha! Rollo, thou champest
Thy bridle and stampest,
For the rush of the tempest
Dost long?
Ho! the kites will grow fatter
On the corpses we scatter,
In the paths where we shatter
Their throng.
Where Osric, the craven,
Hath reared the black raven
'Gainst monks that are shaven
And cowl'd:
Where the Teuton and Hun sit,
In the track of our onset,
Will the wolves, ere the sunset,
Have howl'd.
Retribution is good,
They have revell'd in blood,
Like the wolves of the wood
They have prowl'd.
Birds of prey they have been,
And of carrion unclean,
And their own nests (I ween)
They have foul'd.
Eric:
Two messengers since
Yestermorn have gone hence,
106
And ere long will the Prince
Bring relief.
Shall we pause? — they are ten
To our one, but their men
Are ill-arm'd, and scarce ken
Their own chief;
And for this we give thanks:
Their disorderly ranks,
If assail'd in the flanks,
Will as lief
Run as fight — loons and lords.
Hugo:
Mount your steeds! draw your swords!
Take your places! My words
Shall be brief:
Ride round by the valley,
Through pass and gorge sally —
The linden trees rally
Beneath.
Then, Eric and Thurston,
Their ranks while we burst on,
Try which will be first on
The heath.
(Aside)
Look again, mother mine,
Through the happy starshine,
For my sins dost thou pine?
With my breath,
See! thy pangs are all done,
For the life of thy son:
Thou shalt never feel one
For his death.
[They all go out but Hugo, who lingers to tighten
his girths. Orion appears suddenly in the gateway.]
Orion:
Stay, friend! I keep guard on
Thy soul's gates; hold hard on
Thy horse. Hope of pardon
107
Hath fled!
Bethink once, I crave thee,
Can recklessness save thee?
Hell sooner will have thee
Instead.
Hugo:
Back! My soul, tempest-toss'd,
Hath her Rubicon cross'd,
She shall fly — saved or lost!
Void of dread!
Sharper pang than the steel,
Thou, oh, serpent! shalt feel,
Should I set the bruised heel
On thy head.
[He rides out.]
SCENE — A Room in the Convent Tower Overlooking the Gate.
URSULA at the window. AGATHA and Nuns crouching or kneeling in a corner.
Ursula:
See, Ellinor! Agatha! Anna!
While yet for the ladders they wait,
Jarl Osric hath rear'd the black banner
Within a few yards of the gate;
It faces our window, the raven,
The badge of the cruel sea-kings,
That has carried to harbour and haven
Destruction and death on its wings.
Beneath us they throng, the fierce Norsemen,
The pikemen of Rudolph behind
Are mustered, and Dagobert's horsemen
With faces to rearward inclined;
Come last, on their coursers broad-chested,
Rough-coated, short-pastern'd and strong,
Their casques with white plumes thickly crested,
Their lances barb-headed and long:
They come through the shades of the linden,
Fleet riders and war-horses hot:
108
The Normans, our friends — we have sinn'd in
Our selfishness, sisters, I wot —
They come to add slaughter to slaughter,
Their handful can ne'er stem the tide
Of our foes, and our fate were but shorter
Without them. How fiercely they ride!
And "Hugo of Normandy!" "Hugo!"
"A rescue! a rescue!" rings loud,
And right on the many the few go!
A sway and a swerve of the crowd!
A springing and sparkling of sword-blades!
A crashing and 'countering of steeds!
And the white feathers fly 'neath their broad blades
Like foam-flakes! the spear-shafts like reeds!
A Nun (to Agatha):
Pray, sister!
Agatha: Alas! I have striven
To pray, but the lips move in vain
When the heart with such terror is riven.
Look again, Lady Abbess! Look again!
Ursula:
As leaves fall by wintry gusts scatter'd,
As fall by the sickle ripe ears,
As the pines by the whirlwind fall shatter'd,
As shatter'd by bolt fall the firs —
To the right hand they fall, to the left hand
They yield! They go down! they give back!
And their ranks are divided and cleft, and
Dispers'd and destroy'd in the track!
Where, stirrup to stirrup, and bridle
To bridle, down-trampling the slain!
Our friends, wielding swords never idle,
Hew bloody and desperate lane
Through pikemen, so crowded together
They scarce for their pikes can find room,
Led by Hugo's gilt crest, the tall feather
Of Thurston, and Eric's black plume!
A Nun (to Agatha):
109
Pray, sister!
Agatha: First pray thou that heaven
Will lift this dull weight from my brain,
That crushes like crime unforgiven.
Look again, Lady Abbess! Look again!
Ursula:
Close under the gates men are fighting
On foot where the raven is rear'd!
'Neath that sword-stroke, through helm and skull smiting,
Jarl Osric falls, cloven to the beard!
And Hugo, the hilt firmly grasping,
His heel on the throat of his foe,
Wrenches back. I can hear the dull rasping,
The steel through the bone grating low!
And the raven rocks! Thurston has landed
Two strokes, well directed and hard,
On the standard pole, wielding, two-handed,
A blade crimson'd up to the guard.
Like the mast cut in two by the lightning,
The black banner topples and falls!
Bewildering! back-scattering! affright'ning!
It clears a wide space next the walls.
A Nun (to Agatha):
Pray, sister!
Agatha: Does the sinner unshriven,
With naught beyond this life to gain,
Pray for mercy on earth or in heaven?
Look again, Lady Abbess! Look again!
Ursula:
The gates are flung open, and straightway,
By Ambrose and Cyril led on,
Our own men rush out through the gateway;
One charge, and the entrance is won!
No! our foes block the gate and endeavour
To force their way in! Oath and yell,
Shout and war-cry wax wilder than ever!
Those children of Odin fight well;
110
And my ears are confused by the crashing,
The jarring, the discord, the din;
And mine eyes are perplex'd by the flashing
Of fierce lights that ceaselessly spin;
So when thunder to thunder is calling,
Quick flash follows flash in the shade,
So leaping and flashing and falling,
Blade flashes and follows on blade!
While the sward, newly plough'd, freshly painted,
Grows purple with blood of the slain,
And slippery! Has Agatha fainted?
Agatha:
Not so, Lady Abbess! Look again!
Ursula:
No more from the window; in the old years
I have look'd upon strife. Now I go
To the court-yard to rally our soldiers
As I may — face to face with the foe.
[She goes out.]
SCENE — A Room in the Convent.
THURSTON seated near a small fire.
Enter EUSTACE.
Eustace:
We have come through this skirmish with hardly a scratch.
Thurston:
And without us, I fancy, they have a full batch
Of sick men to look to. Those robbers accurs'd
Will soon put our soundest on terms with our worst.
Nathless I'd have bartered, with never a frown,
Ten years for those seconds when Osric went down.
Where's Ethelwolf?
Eustace: Dying.
111
Thurston: And Reginald?
Eustace: Dead.
And Ralph is disabled, and Rudolph is sped.
He may last till midnight — not longer. Nor Tyrrel,
Nor Brian will ever see sunrise.
Thurston: That Cyril,
The monk, is a very respectable fighter.
Eustace:
Not bad for a monk. Yet our loss had been lighter
Had he and his fellows thrown open the gate
A little more quickly. And now, spite of fate,
With thirty picked soldiers their siege we might weather,
But the Abbess is worth all the rest put together.
[Enter Ursula.]
Thurston:
Here she comes.
Ursula: Can I speak with your lord?
Eustace: 'Tis too late,
He was dead when we carried him in at the gate.
Thurston:
Nay, he spoke after that, for I heard him myself;
But he won't speak again, he must lie on his shelf.
Ursula:
Alas! is he dead, then?
Thurston: As dead as St. Paul.
And what then? to-morrow we, too, one and all,
Die, to fatten these ravenous carrion birds.
I knelt down by Hugo and heard his last words:
"How heavy the night hangs — how wild the waves dash;
Say a mass for my soul — and give Rollo a mash."
Ursula:
112
Nay, Thurston, thou jestest.
Thurston: Ask Eric. I swear
We listened and caught every syllable clear.
Eustace:
Why, his horse was slain, too.
Thurston: 'Neath the linden trees grey,
Ere the onset, young Henry rode Rollo away;
He will hasten the Prince, and they may reach your gate
To-morrow — though to-morrow for us is too late.
Hugo rode the boy's mare, and she's dead — if you like —
Disembowel'd by the thrust of a freebooter's pike.
Eustace:
Neither Henry nor Rollo we ever shall see.
Ursula:
But we may hold the walls till to-morrow.
Thurston: Not we.
In an hour or less, having rallied their force,
They'll storm your old building — and take it, of course,
Since of us, who alone in war's science are skill'd,
One-third are disabled, and two-thirds are kill'd.
Ursula:
Art thou hurt?
Thurston: At present I feel well enough,
But your water is brackish, unwholesome and rough;
Bring a flask of your wine, dame, for Eustace and I,
Let us gaily give battle and merrily die.
[Enter Eric, with arm in sling.]
Eric:
Thou art safe, Lady Abbess! The convent is safe!
To be robbed of their prey how the ravens will chafe!
The vanguard of Otto is looming in sight!
At the sheen of their spears, see! thy foemen take flight,
Their foremost are scarce half a mile from the wall.
113
Thurston:
Bring the wine, lest those Germans should swallow it all.
SCENE — The Chapel of the Convent.
Dirge of the Monks:
Earth to earth, and dust to dust,
Ashes unto ashes go.
Judge not. He who judgeth just,
Judgeth merciful also.
Earthly penitence hath fled,
Earthly sin hath ceased to be;
Pile the sods on heart and head,
Miserere Domine!
Hominum et angelorum,
Domine! precamur te
Ut immemor sis malorum —
Miserere Domine!
(Miserere!)
Will the fruits of life brought forth,
Pride and greed, and wrath and lust,
Profit in the day of wrath,
When the dust returns to dust?
Evil flower and thorny fruit
Load the wild and worthless tree.
Lo! the axe is at the root,
Miserere Domine!
Spes, fidesque, caritasque,
Frustra fatigant per se,
Frustra virtus, forsque, fasque,
Miserere Domine!
(Miserere!)
Fair without and foul within,
When the honey'd husks are reft
From the bitter sweets of sin,
114
Bitterness alone is left;
Yet the wayward soul hath striven
Mostly hell's ally to be,
In the strife 'twixt hell and heaven,
Miserere Domine!
Heu! heu! herba latet anguis —
Caro herba — carni vae —
Solum purgat, Christi sanguis,
Miserere Domine!
(Miserere!)
Pray that in the doubtful fight
Man may win through sore distress,
By His goodness infinite,
And His mercy fathomless.
Pray for one more of the weary,
Head bow'd down and bended knee,
Swell the requiem, Miserere!
Miserere Domine!
Bonum, malum, qui fecisti
Mali imploramus te,
Salve fratrem, causa Christi,
Miserere Domine!
(Miserere!)
[End of Ashtaroth.]
~ Adam Lindsay Gordon,#NFDB
635:DRAMATIS PERSON
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessionslet it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witnessnot the lampshall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:it angers me!
Respited me from Hell!So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.But much yet remains
To which they show no title.
Camillo.
Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished notI marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
Cenci.
For which Aldobrandino owes you now
My fief beyond the Pincian.Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.
Camillo.
Thou execrable man, beware!
Cenci.
Of thee?
Nay this is idle:We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.
Camillo.
Art thou not
Most miserable?
Cenci.
Why, miserable?
No.I am what your theologians call
Hardened;which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:Ay, we must all grow old
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mineI'd doI know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Camillo.
Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.
Enter Andrea.
Andrea.
My Lord, a gentleman from Salamanca
Would speak with you.
Cenci.
Bid him attend me in
The grand saloon.
[Exit Andrea.
Camillo.
Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.
[Exit Camillo.
Cenci.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:then, as to Beatrice [Looking around him suspiciously.
I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!Andrea!
[Enter Andrea.
Andrea.
My lord?
Cenci.
Bid Beatrice attend me in her chamber
This evening:no, at midnight and alone.
[Exeunt.
Scene II.
A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.
Beatrice.
Pervert not truth,
Orsino. You remember where we held
That conversation;nay, we see the spot
Even from this cypress;two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.
Orsino.
You said you loved me then.
Beatrice.
You are a Priest,
Speak to me not of love.
Orsino.
I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
Beatrice.
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,but what can they forbode
Worse than I now endure?
Orsino.
All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Beatrice.
Your zeal for all I wish;Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Alas!
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.
This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till whenfarewell.
Orsino.
Farewell.
(Exit Beatrice.)
I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my lovea net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.Ah, no! A friendless girl
Who clings to me, as to her only hope:
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.
[Exit.
Scene III.
A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.
Cenci.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.
First Guest.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)
I never saw such blithe and open cheer
In any eye!
Second Guest.
Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.
Cenci.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,
Then honour me thus farfor I am he.
Beatrice
(to Lucretia).
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.
Lucretia.
Fear not, Child,
He speaks too frankly.
Beatrice.
Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.
Cenci.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!Why, dead!What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with memy heart is wondrous glad.
[Lucretia sinks, half fainting; Beatrice supports her.
Beatrice.
It is not true!Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.
Cenci.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.
[The Assembly appears confused; several of the guests rise.
First Guest.
Oh, horrible! I will depart
Second Guest.
And I.
Third Guest.
No, stay!
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.
Cenci
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.
A Guest
(rising).
Thou wretch!
Will none among this noble company
Check the abandoned villain?
Camillo.
For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.
Second Guest.
Seize, silence him!
First Guest.
I will!
Third Guest.
And I!
Cenci
(addressing those who rise with a threatening gesture).
Who moves? Who speaks?
(turning to the Company)
'tis nothing
Enjoy yourselves.Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.
[The Banquet is broken up; several of the Guests are departing.
Beatrice.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!
Cenci.
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
I hope my good friends here
Will think of their own daughtersor perhaps
Of their own throatsbefore they lend an ear
To this wild girl.
Beatrice
(not noticing the words of Cenci).
Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!
Camillo.
A bitter wish for one so young and gentle;
Can we do nothing?
Colonna.
Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.
A Cardinal.
And I.
Cenci.
Retire to your chamber, insolent girl!
Beatrice.
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.
Cenci.
My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
Another time.
[Exeunt all but Cenci and Beatrice.
My brain is swimming round;
Give me a bowl of wine!
[To Beatrice.
Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!
[Exit Beatrice.
Here, Andrea,
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do. [Drinking the wine.
Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!
[Exit.
END OF THE FIRST ACT.
ACT II
Scene I.
An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.
Lucretia.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.
Bernardo.
O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!
Lucretia.
Alas! Poor boy, what else couldst thou have done?
Enter Beatrice.
Beatrice
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.
Almighty God, how merciful Thou art!
'Tis but Orsino's servant.Well, what news?
Servant.
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.
And he demands at what hour 'twere secure
To visit you again?
Lucretia.
At the Ave Mary.[Exit Servant.
So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.
Beatrice.
You see I am not mad: I speak to you.
Lucretia.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?
Beatrice.
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet neverOh! Before worse comes of it
'Twere wise to die: it ends in that at last.
Lucretia.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursd feast
One moment in your chamber.Speak to me.
Bernardo.
Oh, sister, sister, prithee, speak to us!
Beatrice
(speaking very slowly with a forced calmness).
It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despairedbut now!
What could I say?
[Recovering herself.
Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.
Lucretia.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.
Beatrice.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!
Bernardo.
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!
Lucretia.
My dear, dear children!
Enter Cenci, suddenly.
Cenci.
What, Beatrice here!
Come hither!
[She shrinks back, and covers her face.
Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell youbut in vain.
Beatrice
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!
Cenci.
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command youfrom this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursd mother, [To Bernardo.
Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
(Aside.)
So much has passed between us as must make
Me bold, her fearful.'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!
Lucretia
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.
Cenci.
Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?
Lucretia.
So help me God,
I never thought the things you charge me with!
Cenci.
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.
Lucretia.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.
Cenci.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All thingsnot question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.
The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.Would that it were done!
[Exit.
Scene II.
A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
Camillo.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing
Giacomo.
Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?
Camillo.
Nay, there is reason in your plea; 'twere hard.
Giacomo.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?
Camillo.
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.
You, my good Lord Orsino, heard those words.
Orsino.
What words?
Giacomo.
Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?
Camillo.
Why, if they would petition to the Pope
I see not how he could refuse ityet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.
[Exit Camillo.
Giacomo.
But you, Orsino,
Have the petition: wherefore not present it?
Orsino.
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in itin truth they might well baffle
Any beliefhave turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.
Giacomo.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would
[Stops abruptly.
Orsino.
What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.
Giacomo.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.My heart denies itself
To think what you demand.
Orsino.
But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected
Giacomo.
Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should bea murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewellfarewell!
I would that to my own suspected self
I could address a word so full of peace.
Orsino.
Farewell!Be your thoughts better or more bold. [Exit Giacomo.
I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.
(After a pause.)
Now what harm
If Cenci should be murdered?Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.
[Exit.
END OF THE SECOND ACT.
ACT III
Scene I.
An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.
Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .
Lucretia.
My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?
Beatrice.
How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
(More wildly.)
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)
What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!
Lucretia.
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .
Beatrice
(franticly).
Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?
Lucretia.
My dearest child, what has your father done?
Beatrice
(doubtfully).
Who art thou, questioner? I have no father.
(Aside.)
She is the madhouse nurse who tends on me,
It is a piteous office.
[To Lucretia, in a slow, subdued voice.
Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .
[Pauses, suddenly recollecting herself.
Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!
Lucretia.
Oh!
My sweet child, know you . . .
Beatrice.
Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .
[Her voice dies away faintly.
Lucretia.
Alas! What has befallen thee, child?
What has thy father done?
Beatrice.
What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?
Lucretia.
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.
Beatrice.
'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.
Lucretia.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.
Beatrice.
I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?
Lucretia.
The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.
Beatrice.
Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.
Enter Orsino.
(She approaches him solemnly.)
Welcome, Friend!
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.
Orsino.
And what is he who has thus injured you?
Beatrice.
The man they call my father: a dread name.
Orsino.
It cannot be . . .
Beatrice.
What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!
Orsino.
Accuse him of the deed, and let the law
Avenge thee.
Beatrice.
Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthd story;
A mock, a byword, an astonishment:
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!
Orsino.
You will endure it then?
Beatrice.
Endure?Orsino,
It seems your counsel is small profit.
[Turns from him, and speaks half to herself.
Ay,
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?
Orsino.
Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?
Beatrice
(to herself).
Mighty death!
Thou double-visaged shadow? Only judge!
Rightfullest arbiter!
[She retires absorbed in thought.
Lucretia.
If the lightning
Of God has e'er descended to avenge . . .
Orsino.
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .
Lucretia.
But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?
Orsino.
Think not
But that there is redress where there is wrong,
So we be bold enough to seize it.
Lucretia.
How?
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .
Orsino.
Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .
Lucretia.
For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.
[Beatrice advances.
Orsino.
Then . . .
Beatrice.
Peace, Orsino!
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.
Orsino.
I swear
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.
Lucretia.
You think we should devise
His death?
Beatrice.
And execute what is devised,
And suddenly. We must be brief and bold.
Orsino.
And yet most cautious.
Lucretia.
For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.
Beatrice.
Be cautious as ye may, but prompt. Orsino,
What are the means?
Orsino.
I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.
Lucretia.
To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .
Beatrice.
He must not arrive.
Orsino.
Will it be dark before you reach the tower?
Lucretia.
The sun will scarce be set.
Beatrice.
But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.
Orsino.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .
Beatrice.
What sound is that?
Lucretia.
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.
Beatrice.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.
[Exeunt Lucretia and Beatrice.
Orsino.
What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.
How! Have you ventured hither? Know you then
That Cenci is from home?
Giacomo.
I sought him here;
And now must wait till he returns.
Orsino.
Great God!
Weigh you the danger of this rashness?
Giacomo.
Ay!
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?
Orsino.
Be calm, dear friend.
Giacomo.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .
Orsino.
Trust me,
The compensation which thou seekest here
Will be denied.
Giacomo.
Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.
Orsino.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.
Giacomo.
Is he dead?
Orsino.
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.
Giacomo.
What outrage?
Orsino.
That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .
Giacomo.
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?
Orsino.
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .
Enter Beatrice.
Beatrice.
'Tis my brother's voice! You know me not?
Giacomo.
My sister, my lost sister!
Beatrice.
Lost indeed!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.
[Exeunt severally.
Scene II.
A mean Apartment in Giacomo's House. Giacomo alone.
Giacomo.
'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.
What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!
[A bell strikes.
One! Two!
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
Like those which I expect. I almost wish
He be not dead, although my wrongs are great;
Yet . . . 'tis Orsino's step . . .
Enter Orsino.
Speak!
Orsino.
I am come
To say he has escaped.
Giacomo.
Escaped!
Orsino.
And safe
Within Petrella. He passed by the spot
Appointed for the deed an hour too soon.
Giacomo.
Are we the fools of such contingencies?
And do we waste in blind misgivings thus
The hours when we should act? Then wind and thunder,
Which seemed to howl his knell, is the loud laughter
With which Heaven mocks our weakness! I henceforth
Will ne'er repent of aught designed or done
But my repentance.
Orsino.
See, the lamp is out.
Giacomo.
If no remorse is ours when the dim air
Has drank this innocent flame, why should we quail
When Cenci's life, that light by which ill spirits
See the worst deeds they prompt, shall sink for ever?
No, I am hardened.
Orsino.
Why, what need of this?
Who feared the pale intrusion of remorse
In a just deed? Although our first plan failed,
Doubt not but he will soon be laid to rest.
But light the lamp; let us not talk i' the dark.
Giacomo
(lighting the lamp).
And yet once quenched I cannot thus relume
My father's life: do you not think his ghost
Might plead that argument with God?
Orsino.
Once gone
You cannot now recall your sister's peace;
Your own extinguished years of youth and hope;
Nor your wife's bitter words; nor all the taunts
Which, from the prosperous, weak misfortune takes;
Nor your dead mother; nor . . .
Giacomo.
O, speak no more!
I am resolved, although this very hand
Must quench the life that animated it.
Orsino.
There is no need of that. Listen: you know
Olimpio, the castellan of Petrella
In old Colonna's time; him whom your father
Degraded from his post? And Marzio,
That desperate wretch, whom he deprived last year
Of a reward of blood, well earned and due?
Giacomo.
I knew Olimpio; and they say he hated
Old Cenci so, that in his silent rage
His lips grew white only to see him pass.
Of Marzio I know nothing.
Orsino.
Marzio's hate
Matches Olimpio's. I have sent these men,
But in your name, and as at your request,
To talk with Beatrice and Lucretia.
Giacomo.
Only to talk?
Orsino.
The moments which even now
Pass onward to to-morrow's midnight hour
May memorize their flight with death: ere then
They must have talked, and may perhaps have done,
And made an end . . .
Giacomo.
Listen! What sound is that?
Orsino.
The house-dog moans, and the beams crack: nought else.
Giacomo.
It is my wife complaining in her sleep:
I doubt not she is saying bitter things
Of me; and all my children round her dreaming
That I deny them sustenance.
Orsino.
Whilst he
Who truly took it from them, and who fills
Their hungry rest with bitterness, now sleeps
Lapped in bad pleasures, and triumphantly
Mocks thee in visions of successful hate
Too like the truth of day.
Giacomo.
If e'er he wakes
Again, I will not trust to hireling hands . . .
Orsino.
Why, that were well. I must be gone; good-night.
When next we meetmay all be done!
Giacomo.
And all
Forgotten: Oh, that I had never been!
[Exeunt.
END OF THE THIRD ACT.
ACT IV
Scene I.
An Apartment in the Castle of Petrella. Enter Cenci.
Cenci.
She comes not; yet I left her even now
Vanquished and faint. She knows the penalty
Of her delay: yet what if threats are vain?
Am I not now within Petrella's moat?
Or fear I still the eyes and ears of Rome?
Might I not drag her by the golden hair?
Stamp on her? Keep her sleepless till her brain
Be overworn? Tame her with chains and famine?
Less would suffice. Yet so to leave undone
What I most seek! No, 'tis her stubborn will
Which by its own consent shall stoop as low
As that which drags it down.
Enter Lucretia.
Thou loathd wretch!
Hide thee from my abhorrence: fly, begone!
Yet stay! Bid Beatrice come hither.
Lucretia.
Oh,
Husband! I pray for thine own wretched sake
Heed what thou dost. A man who walks like thee
Through crimes, and through the danger of his crimes,
Each hour may stumble o'er a sudden grave.
And thou art old; thy hairs are hoary gray;
As thou wouldst save thyself from death and hell,
Pity thy daughter; give her to some friend
In marriage: so that she may tempt thee not
To hatred, or worse thoughts, if worse there be.
Cenci.
What! like her sister who has found a home
To mock my hate from with prosperity?
Strange ruin shall destroy both her and thee
And all that yet remain. My death may be
Rapid, her destiny outspeeds it. Go,
Bid her come hither, and before my mood
Be changed, lest I should drag her by the hair.
Lucretia.
She sent me to thee, husband. At thy presence
She fell, as thou dost know, into a trance;
And in that trance she heard a voice which said,
'Cenci must die! Let him confess himself!
Even now the accusing Angel waits to hear
If God, to punish his enormous crimes,
Harden his dying heart!'
Cenci.
Whysuch things are . . .
No doubt divine revealings may be made.
'Tis plain I have been favoured from above,
For when I cursed my sons they died.Ay . . . so . . .
As to the right or wrong, that's talk . . . repentance . . .
Repentance is an easy moment's work
And more depends on God than me. Well . . . well . . .
I must give up the greater point, which was
To poison and corrupt her soul.
[A pause; Lucretia approaches anxiously, and then shrinks back as he speaks.
One, two;
Ay . . . Rocco and Cristofano my curse
Strangled: and Giacomo, I think, will find
Life a worse Hell than that beyond the grave:
Beatrice shall, if there be skill in hate,
Die in despair, blaspheming: to Bernardo,
He is so innocent, I will bequeath
The memory of these deeds, and make his youth
The sepulchre of hope, where evil thoughts
Shall grow like weeds on a neglected tomb.
When all is done, out in the wide Campagna,
I will pile up my silver and my gold;
My costly robes, paintings and tapestries;
My parchments and all records of my wealth,
And make a bonfire in my joy, and leave
Of my possessions nothing but my name;
Which shall be an inheritance to strip
Its wearer bare as infamy. That done,
My soul, which is a scourge, will I resign
Into the hands of him who wielded it;
Be it for its own punishment or theirs,
He will not ask it of me till the lash
Be broken in its last and deepest wound;
Until its hate be all inflicted. Yet,
Lest death outspeed my purpose, let me make
Short work and sure . . .
[Going.
Lucretia.
(Stops him.)
Oh, stay! It was a feint:
She had no vision, and she heard no voice.
I said it but to awe thee.
Cenci.
That is well.
Vile palterer with the sacred truth of God,
Be thy soul choked with that blaspheming lie!
For Beatrice worse terrors are in store
To bend her to my will.
Lucretia.
Oh! to what will?
What cruel sufferings more than she has known
Canst thou inflict?
Cenci.
Andrea! Go call my daughter,
And if she comes not tell her that I come.
What sufferings? I will drag her, step by step,
Through infamies unheard of among men:
She shall stand shelterless in the broad noon
Of public scorn, for acts blazoned abroad,
One among which shall be . . . What? Canst thou guess?
She shall become (for what she most abhors
Shall have a fascination to entrap
Her loathing will) to her own conscious self
All she appears to others; and when dead,
As she shall die unshrived and unforgiven,
A rebel to her father and her God,
Her corpse shall be abandoned to the hounds;
Her name shall be the terror of the earth;
Her spirit shall approach the throne of God
Plague-spotted with my curses. I will make
Body and soul a monstrous lump of ruin.
Enter Andrea.
Andrea.
The Lady Beatrice . . .
Cenci.
Speak, pale slave! What
Said she?
Andrea.
My Lord, 'twas what she looked; she said:
'Go tell my father that I see the gulf
Of Hell between us two, which he may pass,
I will not.'
[Exit Andrea.
Cenci.
Go thou quick, Lucretia,
Tell her to come; yet let her understand
Her coming is consent: and say, moreover,
That if she come not I will curse her.
[Exit Lucretia.
Ha!
With what but with a father's curse doth God
Panic-strike armd victory, and make pale
Cities in their prosperity? The world's Father
Must grant a parent's prayer against his child,
Be he who asks even what men call me.
Will not the deaths of her rebellious brothers
Awe her before I speak? For I on them
Did imprecate quick ruin, and it came. Enter Lucretia.
Well; what? Speak, wretch!
Lucretia.
She said, 'I cannot come;
Go tell my father that I see a torrent
Of his own blood raging between us.'
Cenci
(kneeling).
God!
Hear me! If this most specious mass of flesh,
Which Thou hast made my daughter; this my blood,
This particle of my divided being;
Or rather, this my bane and my disease,
Whose sight infects and poisons me; this devil
Which sprung from me as from a hell, was meant
To aught good use; if her bright loveliness
Was kindled to illumine this dark world;
If nursed by Thy selectest dew of love
Such virtues blossom in her as should make
The peace of life, I pray Thee for my sake,
As Thou the common God and Father art
Of her, and me, and all; reverse that doom!
Earth, in the name of God, let her food be
Poison, until she be encrusted round
With leprous stains! Heaven, rain upon her head
The blistering drops of the Maremma's dew,
Till she be speckled like a toad; parch up
Those love-enkindled lips, warp those fine limbs
To loathd lameness! All-beholding sun,
Strike in thine envy those life-darting eyes
With thine own blinding beams!
Lucretia.
Peace! Peace!
For thine own sake unsay those dreadful words.
When high God grants He punishes such prayers.
Cenci
(leaping up, and throwing his right hand towards Heaven).
He does His will, I mine! This in addition,
That if she have a child . . .
Lucretia.
Horrible thought!
Cenci.
That if she ever have a child; and thou,
Quick Nature! I adjure thee by thy God,
That thou be fruitful in her, and increase
And multiply, fulfilling his command,
And my deep imprecation! May it be
A hideous likeness of herself, that as
From a distorting mirror, she may see
Her image mixed with what she most abhors,
Smiling upon her from her nursing breast.
And that the child may from its infancy
Grow, day by day, more wicked and deformed,
Turning her mother's love to misery:
And that both she and it may live until
It shall repay her care and pain with hate,
Or what may else be more unnatural.
So he may hunt her through the clamorous scoffs
Of the loud world to a dishonoured grave.
Shall I revoke this curse? Go, bid her come,
Before my words are chronicled in Heaven. [Exit Lucretia.
I do not feel as if I were a man,
But like a fiend appointed to chastise
The offences of some unremembered world.
My blood is running up and down my veins;
A fearful pleasure makes it prick and tingle:
I feel a giddy sickness of strange awe;
My heart is beating with an expectation
Of horrid joy.
Enter Lucretia.
What? Speak!
Lucretia.
She bids thee curse;
And if thy curses, as they cannot do,
Could kill her soul . . .
Cenci.
She would not come. 'Tis well,
I can do both: first take what I demand,
And then extort concession. To thy chamber!
Fly ere I spurn thee: and beware this night
That thou cross not my footsteps. It were safer
To come between the tiger and his prey.[Exit Lucretia.
It must be late; mine eyes grow weary dim
With unaccustomed heaviness of sleep.
Conscience! Oh, thou most insolent of lies!
They say that sleep, that healing dew of Heaven,
Steeps not in balm the foldings of the brain
Which thinks thee an impostor. I will go
First to belie thee with an hour of rest,
Which will be deep and calm, I feel: and then . . .
O, multitudinous Hell, the fiends will shake.
Thine arches with the laughter of their joy!
There shall be lamentation heard in Heaven
As o'er an angel fallen; and upon Earth
All good shall droop and sicken, and ill things
Shall with a spirit of unnatural life
Stir and be quickened . . . even as I am now.
[Exit.
Scene II.
Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.
Beatrice.
They come not yet.
Lucretia.
'Tis scarce midnight.
Beatrice.
How slow
Behind the course of thought, even sick with speed,
Lags leaden-footed time!
Lucretia.
The minutes pass . . .
If he should wake before the deed is done?
Beatrice.
O, mother! He must never wake again.
What thou hast said persuades me that our act
Will but dislodge a spirit of deep hell
Out of a human form.
Lucretia.
'Tis true he spoke
Of death and judgement with strange confidence
For one so wicked; as a man believing
In God, yet recking not of good or ill.
And yet to die without confession! . . .
Beatrice.
Oh!
Believe that Heaven is merciful and just,
And will not add our dread necessity
To the amount of his offences.
Enter Olimpio and Marzio, below.
Lucretia.
See,
They come.
Beatrice.
All mortal things must hasten thus
To their dark end. Let us go down.
[Exeunt Lucretia and Beatrice from above.
Olimpio.
How feel you to this work?
Marzio.
As one who thinks
A thousand crowns excellent market price
For an old murderer's life. Your cheeks are pale.
Olimpio.
It is the white reflection of your own,
Which you call pale.
Marzio.
Is that their natural hue?
Olimpio.
Or 'tis my hate and the deferred desire
To wreak it, which extinguishes their blood.
Marzio.
You are inclined then to this business?
Olimpio.
Ay.
If one should bribe me with a thousand crowns
To kill a serpent which had stung my child,
I could not be more willing.
Enter Beatrice and Lucretia, below.
Noble ladies!
Beatrice.
Are ye resolved?
Olimpio.
Is he asleep?
Marzio.
Is all
Quiet?
Lucretia.
I mixed an opiate with his drink:
He sleeps so soundly . . .
Beatrice.
That his death will be
But as a change of sin-chastising dreams,
A dark continuance of the Hell within him,
Which God extinguish! But ye are resolved?
Ye know it is a high and holy deed?
Olimpio.
We are resolved.
Marzio.
As to the how this act
Be warranted, it rests with you.
Beatrice.
Well, follow!
Olimpio.
Hush! Hark! What noise is that?
Marzio.
Ha! some one comes!
Beatrice.
Ye conscience-stricken cravens, rock to rest
Your baby hearts. It is the iron gate,
Which ye left open, swinging to the wind,
That enters whistling as in scorn. Come, follow!
And be your steps like mine, light, quick and bold.
[Exeunt.
Scene III.
An Apartment in the Castle. Enter Beatrice and Lucretia.
Lucretia.
They are about it now.
Beatrice.
Nay, it is done.
Lucretia.
I have not heard him groan.
Beatrice.
He will not groan.
Lucretia.
What sound is that?
Beatrice.
List! 'tis the tread of feet
About his bed.
Lucretia.
My God!
If he be now a cold stiff corpse . . .
Beatrice.
O, fear not
What may be done, but what is left undone:
The act seals all.
Enter Olimpio and Marzio.
Is it accomplished?
Marzio.
What?
Olimpio.
Did you not call?
Beatrice.
When?
Olimpio.
Now.
Beatrice.
I ask if all is over?
Olimpio.
We dare not kill an old and sleeping man;
His thin gray hair, his stern and reverend brow,
His veind hands crossed on his heaving breast,
And the calm innocent sleep in which he lay,
Quelled me. Indeed, indeed, I cannot do it.
Marzio.
But I was bolder; for I chid Olimpio,
And bade him bear his wrongs to his own grave
And leave me the reward. And now my knife
Touched the loose wrinkled throat, when the old man
Stirred in his sleep, and said, 'God! hear, O, hear,
A father's curse! What, art Thou not our Father?'
And then he laughed. I knew it was the ghost
Of my dead father speaking through his lips,
And could not kill him.
Beatrice.
Miserable slaves!
Where, if ye dare not kill a sleeping man,
Found ye the boldness to return to me
With such a deed undone? Base palterers!
Cowards and traitors! Why, the very conscience
Which ye would sell for gold and for revenge
Is an equivocation: it sleeps over
A thousand daily acts disgracing men;
And when a deed where mercy insults Heaven . . .
Why do I talk?
[Snatching a dagger from one of them and raising it.
Hadst thou a tongue to say,
'She murdered her own father!'I must do it!
But never dream ye shall outlive him long!
Olimpio.
Stop, for God's sake!
Marzio.
I will go back and kill him.
Olimpio.
Give me the weapon. we must do thy will.
Beatrice.
Take it! Depart! Return!
[Exeunt Olimpio and Marzio.
How pale thou art!
We do but that which 'twere a deadly crime
To leave undone.
Lucretia.
Would it were done!
Beatrice.
Even whilst
That doubt is passing through your mind, the world
Is conscious of a change. Darkness and Hell
Have swallowed up the vapour they sent forth
To blacken the sweet light of life. My breath
Comes, methinks, lighter, and the jellied blood
Runs freely through my veins. Hark!
Enter Olimpio and Marzio.
He is . . .
Olimpio.
Dead!
Marzio.
We strangled him that there might be no blood;
And then we threw his heavy corpse i' the garden
Under the balcony; 'twill seem it fell.
Beatrice
(giving them a bag of coin).
Here, take this gold, and hasten to your homes.
And, Marzio, because thou wast only awed
By that which made me tremble, wear thou this! [Clothes him in a rich mantle.
It was the mantle which my grandfather
Wore in his high prosperity, and men
Envied his state: so may they envy thine.
Thou wert a weapon in the hand of God
To a just use. Live long and thrive! And, mark,
If thou hast crimes, repent: this deed is none.
[A horn is sounded.
Lucretia.
Hark, 'tis the castle horn; my God! it sounds
Like the last trump.
Beatrice
Some tedious guest is coming.
Lucretia.
The drawbridge is let down; there is a tramp
Of horses in the court; fly, hide yourselves!
[Exeunt Olimpio and Marzio.
Beatrice.
Let us retire to counterfeit deep rest;
I scarcely need to counterfeit it now:
The spirit which doth reign within these limbs
Seems strangely undisturbed. I could even sleep
Fearless and calm: all ill is surely past.
[Exeunt.
Scene IV.
Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.
Savella.
Lady, my duty to his Holiness
Be my excuse that thus unseasonably
I break upon your rest. I must speak with
Count Cenci; doth he sleep?
Lucretia
(in a hurried and confused manner).
I think he sleeps;
Yet wake him not, I pray, spare me awhile,
He is a wicked and a wrathful man;
Should he be roused out of his sleep to-night,
Which is, I know, a hell of angry dreams,
It were not well; indeed it were not well.
Wait till day break . . . (aside)
O, I am deadly sick!
Savella.
I grieve thus to distress you, but the Count
Must answer charges of the gravest import,
And suddenly; such my commission is.
Lucretia
(with increased agitation).
I dare not rouse him: I know none who dare . . .
'Twere perilous; . . . you might as safely waken
A serpent; or a corpse in which some fiend
Were laid to sleep.
Savella.
Lady, my moments here
Are counted. I must rouse him from his sleep,
Since none else dare.
Lucretia
(aside).
O, terror! O, despair!
(To Bernardo.)
Bernardo, conduct you the Lord Legate to
Your father's chamber.
[Exeunt Savella and Bernardo.
Enter Beatrice.
Beatrice.
'Tis a messenger
Come to arrest the culprit who now stands
Before the throne of unappealable God.
Both Earth and Heaven, consenting arbiters,
Acquit our deed.
Lucretia.
Oh, agony of fear!
Would that he yet might live! Even now I heard
The Legate's followers whisper as they passed
They had a warrant for his instant death.
All was prepared by unforbidden means
Which we must pay so dearly, having done.
Even now they search the tower, and find the body;
Now they suspect the truth; now they consult
Before they come to tax us with the fact;
O, horrible, 'tis all discovered!
Beatrice.
Mother,
What is done wisely, is done well. Be bold
As thou art just. 'Tis like a truant child
To fear that others know what thou hast done,
Even from thine own strong consciousness, and thus
Write on unsteady eyes and altered cheeks
All thou wouldst hide. Be faithful to thyself,
And fear no other witness but thy fear.
For if, as cannot be, some circumstance
Should rise in accusation, we can blind
Suspicion with such cheap astonishment,
Or overbear it with such guiltless pride,
As murderers cannot feign. The deed is done,
And what may follow now regards not me.
I am as universal as the light;
Free as the earth-surrounding air; as firm
As the world's centre. Consequence, to me,
Is as the wind which strikes the solid rock
But shakes it not.
[A cry within and tumult.
Voices.
Murder! Murder! Murder!
Enter Bernardo and Savella.
Savella
(to his followers).
Go search the castle round; sound the alarm;
Look to the gates that none escape!
Beatrice.
What now?
Bernardo.
I know not what to say . . . my father's dead.
Beatrice.
How; dead! he only sleeps; you mistake, brother.
His sleep is very calm, very like death;
'Tis wonderful how well a tyrant sleeps.
He is not dead?
Bernardo.
Dead; murdered.
Lucretia
(with extreme agitation).
Oh no, no
He is not murdered though he may be dead;
I have alone the keys of those apartments.
Savella.
Ha! Is it so?
Beatrice.
My Lord, I pray excuse us;
We will retire; my mother is not well:
She seems quite overcome with this strange horror.
[Exeunt Lucretia and Beatrice.
Savella.
Can you suspect who may have murdered him?
Bernardo.
I know not what to think.
Savella.
Can you name any
Who had an interest in his death?
Bernardo.
Alas!
I can name none who had not, and those most
Who most lament that such a deed is done;
My mother, and my sister, and myself.
Savella.
'Tis strange! There were clear marks of violence.
I found the old man's body in the moonlight
Hanging beneath the window of his chamber,
Among the branches of a pine: he could not
Have fallen there, for all his limbs lay heaped
And effortless; 'tis true there was no blood . . .
Favour me, Sir; it much imports your house
That all should be made clear; to tell the ladies
That I request their presence.
[Exit Bernardo.
Enter Guards bringing in Marzio.
Guard.
We have one.
Officer.
My Lord, we found this ruffian and another
Lurking among the rocks; there is no doubt
But that they are the murderers of Count Cenci:
Each had a bag of coin; this fellow wore
A gold-inwoven robe, which shining bright
Under the dark rocks to the glimmering moon
Betrayed them to our notice: the other fell
Desperately fighting.
Savella.
What does he confess?
Officer.
He keeps firm silence; but these lines found on him
May speak.
Savella.
Their language is at least sincere.
[Reads.
'To the Lady Beatrice.
'That the atonement of what my nature sickens to conjecture may soon arrive, I send thee, at thy brother's desire, those who will speak and do more than I dare write. . .
'Thy devoted servant, Orsino.'
Enter Lucretia, Beatrice, and Bernardo.
Knowest thou this writing, Lady?
Beatrice.
No.
Savella.
Nor thou?
Lucretia.
(Her conduct throughout the scene is marked by extreme agitation.)
Where was it found? What is it? It should be
Orsino's hand! It speaks of that strange horror
Which never yet found utterance, but which made
Between that hapless child and her dead father
A gulf of obscure hatred.
Savella.
Is it so?
Is it true, Lady, that thy father did
Such outrages as to awaken in thee
Unfilial hate?
Beatrice.
Not hate, 'twas more than hate:
This is most true, yet wherefore question me?
Savella.
There is a deed demanding question done;
Thou hast a secret which will answer not.
Beatrice.
What sayest? My Lord, your words are bold and rash.
Savella.
I do arrest all present in the name
Of the Pope's Holiness. You must to Rome.
Lucretia.
O, not to Rome! Indeed we are not guilty.
Beatrice.
Guilty! Who dares talk of guilt? My Lord,
I am more innocent of parricide
Than is a child born fatherless . . . Dear mother,
Your gentleness and patience are no shield
For this keen-judging world, this two-edged lie,
Which seems, but is not. What! will human laws,
Rather will ye who are their ministers,
Bar all access to retribution first,
And then, when Heaven doth interpose to do
What ye neglect, arming familiar things
To the redress of an unwonted crime,
Make ye the victims who demanded it
Culprits? 'Tis ye are culprits! That poor wretch
Who stands so pale, and trembling, and amazed,
If it be true he murdered Cenci, was
A sword in the right hand of justest God.
Wherefore should I have wielded it? Unless
The crimes which mortal tongue dare never name
God therefore scruples to avenge.
Savella.
You own
That you desired his death?
Beatrice.
It would have been
A crime no less than his, if for one moment
That fierce desire had faded in my heart.
'Tis true I did believe, and hope, and pray,
Ay, I even knew . . . for God is wise and just,
That some strange sudden death hung over him.
'Tis true that this did happen, and most true
There was no other rest for me on earth,
No other hope in Heaven . . . now what of this?
Savella.
Strange thoughts beget strange deeds; and here are both:
I judge thee not.
Beatrice.
And yet, if you arrest me,
You are the judge and executioner
Of that which is the life of life: the breath
Of accusation kills an innocent name,
And leaves for lame acquittal the poor life
Which is a mask without it. 'Tis most false
That I am guilty of foul parricide;
Although I must rejoice, for justest cause,
That other hands have sent my father's soul
To ask the mercy he denied to me.
Now leave us free; stain not a noble house
With vague surmises of rejected crime;
Add to our sufferings and your own neglect
No heavier sum: let them have been enough:
Leave us the wreck we have.
Savella.
I dare not, Lady.
I pray that you prepare yourselves for Rome:
There the Pope's further pleasure will be known.
Lucretia.
O, not to Rome! O, take us not to Rome!
Beatrice.
Why not to Rome, dear mother? There as here
Our innocence is as an armd heel
To trample accusation. God is there
As here, and with His shadow ever clothes
The innocent, the injured and the weak;
And such are we. Cheer up, dear Lady, lean
On me; collect your wandering thoughts. My Lord,
As soon as you have taken some refreshment,
And had all such examinations made
Upon the spot, as may be necessary
To the full understanding of this matter,
We shall be ready. Mother; will you come?
Lucretia.
Ha! they will bind us to the rack, and wrest
Self-accusation from our agony!
Will Giacomo be there? Orsino? Marzio?
All present; all confronted; all demanding
Each from the other's countenance the thing
Which is in every heart! O, misery!
[She faints, and is borne out.
Savella.
She faints: an ill appearance this.
Beatrice.
My Lord,
She knows not yet the uses of the world.
She fears that power is as a beast which grasps
And loosens not: a snake whose look transmutes
All things to guilt which is its nutriment.
She cannot know how well the supine slaves
Of blind authority read the truth of things
When written on a brow of guilelessness:
She sees not yet triumphant Innocence
Stand at the judgement-seat of mortal man,
A judge and an accuser of the wrong
Which drags it there. Prepare yourself, my Lord;
Our suite will join yours in the court below.
[Exeunt.
END OF THE FOURTH ACT.
ACT V
Scene I.
An Apartment in Orsino's Palace. Enter Orsino and Giacomo.
Giacomo.
Do evil deeds thus quickly come to end?
O, that the vain remorse which must chastise
Crimes done, had but as loud a voice to warn
As its keen sting is mortal to avenge!
O, that the hour when present had cast off
The mantle of its mystery, and shown
The ghastly form with which it now returns
When its scared game is roused, cheering the hounds
Of conscience to their prey! Alas! Alas!
It was a wicked thought, a piteous deed,
To kill an old and hoary-headed father.
Orsino.
It has turned out unluckily, in truth.
Giacomo.
To violate the sacred doors of sleep;
To cheat kind Nature of the placid death
Which she prepares for overwearied age;
To drag from Heaven an unrepentant soul
Which might have quenched in reconciling prayers
A life of burning crimes . . .
Orsino.
You cannot say
I urged you to the deed.
Giacomo.
O, had I never
Found in thy smooth and ready countenance
The mirror of my darkest thoughts; hadst thou
Never with hints and questions made me look
Upon the monster of my thought, until
It grew familiar to desire . . .
Orsino.
'Tis thus
Men cast the blame of their unprosperous acts
Upon the abettors of their own resolve;
Or anything but their weak, guilty selves.
And yet, confess the truth, it is the peril
In which you stand that gives you this pale sickness
Of penitence; confess 'tis fear disguised
From its own shame that takes the mantle now
Of thin remorse. What if we yet were safe?
Giacomo.
How can that be? Already Beatrice,
Lucretia and the murderer are in prison.
I doubt not officers are, whilst we speak,
Sent to arrest us.
Orsino.
I have all prepared
For instant flight. We can escape even now,
So we take fleet occasion by the hair.
Giacomo.
Rather expire in tortures, as I may.
What! will you cast by self-accusing flight
Assured conviction upon Beatrice?
She, who alone in this unnatural work,
Stands like God's angel ministered upon
By fiends; avenging such a nameless wrong
As turns black parricide to piety;
Whilst we for basest ends . . . I fear, Orsino,
While I consider all your words and looks,
Comparing them with your proposal now,
That you must be a villain. For what end
Could you engage in such a perilous crime,
Training me on with hints, and signs, and smiles,
Even to this gulf? Thou art no liar? No,
Thou art a lie! Traitor and murderer!
Coward and slave! But, no, defend thyself; [Drawing.
Let the sword speak what the indignant tongue
Disdains to brand thee with.
Orsino.
Put up your weapon.
Is it the desperation of your fear
Makes you thus rash and sudden with a friend,
Now ruined for your sake? If honest anger
Have moved you, know, that what I just proposed
Was but to try you. As for me, I think,
Thankless affection led me to this point,
From which, if my firm temper could repent,
I cannot now recede. Even whilst we speak
The ministers of justice wait below:
They grant me these brief moments. Now if you
Have any word of melancholy comfort
To speak to your pale wife, 'twere best to pass
Out at the postern, and avoid them so.
Giacomo.
O, generous friend! How canst thou pardon me?
Would that my life could purchase thine!
Orsino.
That wish
Now comes a day too late. Haste; fare thee well!
Hear'st thou not steps along the corridor? [Exit Giacomo.
I'm sorry for it; but the guards are waiting
At his own gate, and such was my contrivance
That I might rid me both of him and them.
I thought to act a solemn comedy
Upon the painted scene of this new world,
And to attain my own peculiar ends
By some such plot of mingled good and ill
As others weave; but there arose a Power
Which grasped and snapped the threads of my device
And turned it to a net of ruin . . . Ha! [A shout is heard.
Is that my name I hear proclaimed abroad?
But I will pass, wrapped in a vile disguise;
Rags on my back, and a false innocence
Upon my face, through the misdeeming crowd
Which judges by what seems. 'Tis easy then
For a new name and for a country new,
And a new life, fashioned on old desires,
To change the honours of abandoned Rome.
And these must be the masks of that within,
Which must remain unaltered . . . Oh, I fear
That what is past will never let me rest!
Why, when none else is conscious, but myself,
Of my misdeeds, should my own heart's contempt
Trouble me? Have I not the power to fly
My own reproaches? Shall I be the slave
Of . . . what? A word? which those of this false world
Employ against each other, not themselves;
As men wear daggers not for self-offence.
But if I am mistaken, where shall I
Find the disguise to hide me from myself,
As now I skulk from every other eye?
[Exit.
Scene II.
A Hall of Justice. Camillo, Judges, &c., are discovered seated; Marzio is led in.
First Judge.
Accused, do you persist in your denial?
I ask you, are you innocent, or guilty?
I demand who were the participators
In your offence? Speak truth and the whole truth.
Marzio.
My God! I did not kill him; I know nothing;
Olimpio sold the robe to me from which
You would infer my guilt.
Second Judge.
Away with him!
First Judge.
Dare you, with lips yet white from the rack's kiss
Speak false? Is it so soft a questioner,
That you would bandy lover's talk with it
Till it wind out your life and soul? Away!
Marzio.
Spare me! O, spare! I will confess.
First Judge.
Then speak.
Marzio.
I strangled him in his sleep.
First Judge.
Who urged you to it?
Marzio.
His own son Giacomo, and the young prelate
Orsino sent me to Petrella; there
The ladies Beatrice and Lucretia
Tempted me with a thousand crowns, and I
And my companion forthwith murdered him.
Now let me die.
First Judge.
This sounds as bad as truth. Guards, there,
Lead forth the prisoner!
Enter Lucretia, Beatrice, and Giacomo, guarded.
Look upon this man;
When did you see him last?
Beatrice.
We never saw him.
Marzio.
You know me too well, Lady Beatrice.
Beatrice.
I know thee! How? where? when?
Marzio.
You know 'twas I
Whom you did urge with menaces and bribes
To kill your father. When the thing was done
You clothed me in a robe of woven gold
And bade me thrive: how I have thriven, you see.
You, my Lord Giacomo, Lady Lucretia,
You know that what I speak is true.
[Beatrice advances towards him; he covers his face, and shrinks back.
Oh, dart
The terrible resentment of those eyes
On the dead earth! Turn them away from me!
They wound: 'twas torture forced the truth. My Lords,
Having said this let me be led to death.
Beatrice.
Poor wretch, I pity thee: yet stay awhile.
Camillo.
Guards, lead him not away.
Beatrice.
Cardinal Camillo,
You have a good repute for gentleness
And wisdom: can it be that you sit here
To countenance a wicked farce like this?
When some obscure and trembling slave is dragged
From sufferings which might shake the sternest heart
And bade to answer, not as he believes,
But as those may suspect or do desire
Whose questions thence suggest their own reply:
And that in peril of such hideous torments
As merciful God spares even the damned. Speak now
The thing you surely know, which is that you,
If your fine frame were stretched upon that wheel,
And you were told: 'Confess that you did poison
Your little nephew; that fair blue-eyed child
Who was the lodestar of your life:'and though
All see, since his most swift and piteous death,
That day and night, and heaven and earth, and time,
And all the things hoped for or done therein
Are changed to you, through your exceeding grief,
Yet you would say, 'I confess anything:'
And beg from your tormentors, like that slave,
The refuge of dishonourable death.
I pray thee, Cardinal, that thou assert
My innocence.
Camillo.
(much moved).
What shall we think, my Lords?
Shame on these tears! I thought the heart was frozen
Which is their fountain. I would pledge my soul
That she is guiltless.
Judge.
Yet she must be tortured.
Camillo.
I would as soon have tortured mine own nephew
(If he now lived he would be just her age;
His hair, too, was her colour, and his eyes
Like hers in shape, but blue and not so deep)
As that most perfect image of God's love
That ever came sorrowing upon the earth.
She is as pure as speechless infancy!
Judge.
Well, be her purity on your head, my Lord,
If you forbid the rack. His Holiness
Enjoined us to pursue this monstrous crime
By the severest forms of law; nay even
To stretch a point against the criminals.
The prisoners stand accused of parricide
Upon such evidence as justifies
Torture.
Beatrice.
What evidence? This man's?
Judge.
Even so.
Beatrice
(to Marzio).
Come near. And who art thou thus chosen forth
Out of the multitude of living men
To kill the innocent?
Marzio.
I am Marzio,
Thy father's vassal.
Beatrice.
Fix thine eyes on mine;
Answer to what I ask.
[Turning to the Judges.
I prithee mark
His countenance: unlike bold calumny
Which sometimes dares not speak the thing it looks,
He dares not look the thing he speaks, but bends
His gaze on the blind earth.
(To Marzio.)
What! wilt thou say
That I did murder my own father?
Marzio.
Oh!
Spare me! My brain swims round . . . I cannot speak . . .
It was that horrid torture forced the truth.
Take me away! Let her not look on me!
I am a guilty miserable wretch;
I have said all I know; now, let me die!
Beatrice.
My Lords, if by my nature I had been
So stern, as to have planned the crime alleged,
Which your suspicions dictate to this slave,
And the rack makes him utter, do you think
I should have left this two-edged instrument
Of my misdeed; this man, this bloody knife
With my own name engraven on the heft,
Lying unsheathed amid a world of foes,
For my own death? That with such horrible need
For deepest silence, I should have neglected
So trivial a precaution, as the making
His tomb the keeper of a secret written
On a thief's memory? What is his poor life?
What are a thousand lives? A parricide
Had trampled them like dust; and, see, he lives! (Turning to Marzio.)
And thou . . .
Marzio.
Oh, spare me! Speak to me no more!
That stern yet piteous look, those solemn tones,
Wound worse than torture.
(To the Judges.
I have told it all;
For pity's sake lead me away to death.
Camillo.
Guards, lead him nearer the Lady Beatrice,
He shrinks from her regard like autumn's leaf
From the keen breath of the serenest north.
Beatrice.
O thou who tremblest on the giddy verge
Of life and death, pause ere thou answerest me;
So mayst thou answer God with less dismay:
What evil have we done thee? I, alas!
Have lived but on this earth a few sad years,
And so my lot was ordered, that a father
First turned the moments of awakening life
To drops, each poisoning youth's sweet hope; and then
Stabbed with one blow my everlasting soul;
And my untainted fame; and even that peace
Which sleeps within the core of the heart's heart;
But the wound was not mortal; so my hate
Became the only worship I could lift
To our great father, who in pity and love,
Armed thee, as thou dost say, to cut him off;
And thus his wrong becomes my accusation;
And art thou the accuser? If thou hopest
Mercy in heaven, show justice upon earth:
Worse than a bloody hand is a hard heart.
If thou hast done murders, made thy life's path
Over the trampled laws of God and man,
Rush not before thy Judge, and say: 'My maker,
I have done this and more; for there was one
Who was most pure and innocent on earth;
And because she endured what never any
Guilty or innocent endured before:
Because her wrongs could not be told, not thought;
Because thy hand at length did rescue her;
I with my words killed her and all her kin.'
Think, I adjure you, what it is to slay
The reverence living in the minds of men
Towards our ancient house, and stainless fame!
Think what it is to strangle infant pity,
Cradled in the belief of guileless looks,
Till it become a crime to suffer. Think
What 'tis to blot with infamy and blood
All that which shows like innocence, and is,
Hear me, great God! I swear, most innocent,
So that the world lose all discrimination
Between the sly, fierce, wild regard of guilt,
And that which now compels thee to reply
To what I ask: Am I, or am I not
A parricide?
Marzio.
Thou art not!
Judge.
What is this?
Marzio.
I here declare those whom I did accuse
Are innocent. 'Tis I alone am guilty.
Judge.
Drag him away to torments; let them be
Subtle and long drawn out, to tear the folds
Of the heart's inmost cell. Unbind him not
Till he confess.
Marzio.
Torture me as ye will:
A keener pang has wrung a higher truth
From my last breath. She is most innocent!
Bloodhounds, not men, glut yourselves well with me;
I will not give you that fine piece of nature
To rend and ruin.
[Exit Marzio, guarded.
Camillo.
What say ye now, my Lords?
Judge.
Let tortures strain the truth till it be white
As snow thrice sifted by the frozen wind.
Camillo.
Yet stained with blood.
Judge
(to Beatrice).
Know you this paper, Lady?
Beatrice.
Entrap me not with questions. Who stands here
As my accuser? Ha! wilt thou be he,
Who art my judge? Accuser, witness, judge,
What, all in one? Here is Orsino's name;
Where is Orsino? Let his eye meet mine.
What means this scrawl? Alas! ye know not what,
And therefore on the chance that it may be
Some evil, will ye kill us?
Enter an Officer.
Officer.
Marzio's dead.
Judge.
What did he say?
Officer.
Nothing. As soon as we
Had bound him on the wheel, he smiled on us,
As one who baffles a deep adversary;
And holding his breath, died.
Judge.
There remains nothing
But to apply the question to those prisoners,
Who yet remain stubborn.
Camillo.
I overrule
Further proceedings, and in the behalf
Of these most innocent and noble persons
Will use my interest with the Holy Father.
Judge.
Let the Pope's pleasure then be done. Meanwhile
Conduct these culprits each to separate cells;
And be the engines ready: for this night
If the Pope's resolution be as grave,
Pious, and just as once, I'll wring the truth
Out of those nerves and sinews, groan by groan.
[Exeunt.
Scene III.
The Cell of a Prison. Beatrice is discovered asleep on a couch. Enter Bernardo.
Bernardo.
How gently slumber rests upon her face,
Like the last thoughts of some day sweetly spent
Closing in night and dreams, and so prolonged.
After such torments as she bore last night,
How light and soft her breathing comes. Ay me!
Methinks that I shall never sleep again.
But I must shake the heavenly dew of rest
From this sweet folded flower, thus . . . wake! awake!
What, sister, canst thou sleep?
Beatrice
(awaking).
I was just dreaming
That we were all in Paradise. Thou knowest
This cell seems like a kind of Paradise
After our father's presence.
Bernardo.
Dear, dear sister,
Would that thy dream were not a dream! O God!
How shall I tell?
Beatrice.
What wouldst thou tell, sweet brother?
Bernardo.
Look not so calm and happy, or even whilst
I stand considering what I have to say
My heart will break.
Beatrice.
See now, thou mak'st me weep:
How very friendless thou wouldst be, dear child,
If I were dead. Say what thou hast to say.
Bernardo.
They have confessed; they could endure no more
The tortures . . .
Beatrice.
Ha! What was there to confess?
They must have told some weak and wicked lie
To flatter their tormentors. Have they said
That they were guilty? O white innocence,
That thou shouldst wear the mask of guilt to hide
Thine awful and serenest countenance
From those who know thee not!
Enter Judge with Lucretia and Giacomo, guarded.
Ignoble hearts!
For some brief spasms of pain, which are at least
As mortal as the limbs through which they pass,
Are centuries of high splendour laid in dust?
And that eternal honour which should live
Sunlike, above the reek of mortal fame,
Changed to a mockery and a byword? What!
Will you give up these bodies to be dragged
At horses' heels, so that our hair should sweep
The footsteps of the vain and senseless crowd,
Who, that they may make our calamity
Their worship and their spectacle, will leave
The churches and the theatres as void
As their own hearts? Shall the light multitude
Fling, at their choice, curses or faded pity,
Sad funeral flowers to deck a living corpse,
Upon us as we pass to pass away,
And leave . . . what memory of our having been?
Infamy, blood, terror, despair? O thou,
Who wert a mother to the parentless,
Kill not thy child! Let not her wrongs kill thee!
Brother, lie down with me upon the rack,
And let us each be silent as a corpse;
It soon will be as soft as any grave.
'Tis but the falsehood it can wring from fear
Makes the rack cruel.
Giacomo.
They will tear the truth
Even from thee at last, those cruel pains:
For pity's sake say thou art guilty now.
Lucretia.
Oh, speak the truth! Let us all quickly die;
And after death, God is our judge, not they;
He will have mercy on us.
Bernardo.
If indeed
It can be true, say so, dear sister mine;
And then the Pope will surely pardon you,
And all be well.
Judge.
Confess, or I will warp
Your limbs with such keen tortures . . .
Beatrice.
Tortures! Turn
The rack henceforth into a spinning-wheel!
Torture your dog, that he may tell when last
He lapped the blood his master shed . . . not me!
My pangs are of the mind, and of the heart,
And of the soul; ay, of the inmost soul,
Which weeps within tears as of burning gall
To see, in this ill world where none are true,
My kindred false to their deserted selves.
And with considering all the wretched life
Which I have lived, and its now wretched end,
And the small justice shown by Heaven and Earth
To me or mine; and what a tyrant thou art,
And what slaves these; and what a world we make,
The oppressor and the oppressed . . . such pangs compel
My answer. What is it thou wouldst with me?
Judge.
Art thou not guilty of thy father's death?
Beatrice.
Or wilt thou rather tax high-judging God
That He permitted such an act as that
Which I have suffered, and which He beheld;
Made it unutterable, and took from it
All refuge, all revenge, all consequence,
But that which thou hast called my father's death?
Which is or is not what men call a crime,
Which either I have done, or have not done;
Say what ye will. I shall deny no more.
If ye desire it thus, thus let it be,
And so an end of all. Now do your will;
No other pains shall force another word.
Judge.
She is convicted, but has not confessed.
Be it enough. Until their final sentence
Let none have converse with them. You, young Lord,
Linger not here!
Beatrice.
Oh, tear him not away!
Judge.
Guards, do your duty.
Bernardo
(embracing Beatrice).
Oh! would ye divide
Body from soul?
Officer.
That is the headsman's business.
[Exeunt all but Lucretia, Beatrice, and Giacomo.
Giacomo.
Have I confessed? Is it all over now?
No hope! No refuge! O weak, wicked tongue
Which hast destroyed me, would that thou hadst been
Cut out and thrown to dogs first! To have killed
My father first, and then betrayed my sister;
Ay, thee! the one thing innocent and pure
In this black guilty world, to that which I
So well deserve! My wife! my little ones!
Destitute, helpless, and I . . . Father! God!
Canst Thou forgive even the unforgiving,
When their full hearts break thus, thus! . . .
[Covers his face and weeps.
Lucretia.
O my child!
To what a dreadful end are we all come!
Why did I yield? Why did I not sustain
Those torments? Oh, that I were all dissolved
Into these fast and unavailing tears,
Which flow and feel not!
Beatrice.
What 'twas weak to do,
'Tis weaker to lament, once being done;
Take cheer! The God who knew my wrong, and made
Our speedy act the angel of His wrath,
Seems, and but seems, to have abandoned us.
Let us not think that we shall die for this.
Brother, sit near me; give me your firm hand,
You had a manly heart. Bear up! Bear up!
O dearest Lady, put your gentle head
Upon my lap, and try to sleep awhile:
Your eyes look pale, hollow and overworn,
With heaviness of watching and slow grief.
Come, I will sing you some low, sleepy tune,
Not cheerful, nor yet sad; some dull old thing,
Some outworn and unused monotony,
Such as our country gossips sing and spin,
Till they almost forget they live: lie down!
So, that will do. Have I forgot the words?
Faith! They are sadder than I thought they were.
SONG
False friend, wilt thou smile or weep
When my life is laid asleep?
Little cares for a smile or a tear,
The clay-cold corpse upon the bier!
Farewell! Heigho!
What is this whispers low?
There is a snake in thy smile, my dear;
And bitter poison within thy tear.
Sweet sleep, were death like to thee,
Or if thou couldst mortal be,
I would close these eyes of pain;
When to wake? Never again.
O World! Farewell!
Listen to the passing bell!
It says, thou and I must part,
With a light and a heavy heart.
[The scene closes.
Scene IV.
A Hall of the Prison. Enter Camillo and Bernardo.
Camillo.
The Pope is stern; not to be moved or bent.
He looked as calm and keen as is the engine
Which tortures and which kills, exempt itself
From aught that it inflicts; a marble form,
A rite, a law, a custom: not a man.
He frowned, as if to frown had been the trick
Of his machinery, on the advocates
Presenting the defences, which he tore
And threw behind, muttering with hoarse, harsh voice:
'Which among ye defended their old father
Killed in his sleep?' Then to another: 'Thou
Dost this in virtue of thy place; 'tis well.'
He turned to me then, looking deprecation,
And said these three words, coldly: 'They must die.'
Bernardo.
And yet you left him not?
Camillo.
I urged him still;
Pleading, as I could guess, the devilish wrong
Which prompted your unnatural parent's death.
And he replied: 'Paolo Santa Croce
Murdered his mother yester evening,
And he is fled. Parricide grows so rife
That soon, for some just cause no doubt, the young
Will strangle us all, dozing in our chairs.
Authority, and power, and hoary hair
Are grown crimes capital. You are my nephew,
You come to ask their pardon; stay a moment;
Here is their sentence; never see me more
Till, to the letter, it be all fulfilled.'
Bernardo.
O God, not so! I did believe indeed
That all you said was but sad preparation
For happy news. Oh, there are words and looks
To bend the sternest purpose! Once I knew them,
Now I forget them at my dearest need.
What think you if I seek him out, and bathe
His feet and robe with hot and bitter tears?
Importune him with prayers, vexing his brain
With my perpetual cries, until in rage
He strike me with his pastoral cross, and trample
Upon my prostrate head, so that my blood
May stain the senseless dust on which he treads,
And remorse waken mercy? I will do it!
Oh, wait till I return!
[Rushes out.
Camillo.
Alas! poor boy!
A wreck-devoted seaman thus might pray
To the deaf sea.
Enter Lucretia, Beatrice, and Giacomo, guarded.
Beatrice.
I hardly dare to fear
That thou bring'st other news than a just pardon.
Camillo.
May God in heaven be less inexorable
To the Pope's prayers, than he has been to mine.
Here is the sentence and the warrant.
Beatrice
(wildly).
O
My God! Can it be possible I have
To die so suddenly? So young to go
Under the obscure, cold, rotting, wormy ground!
To be nailed down into a narrow place;
To see no more sweet sunshine; hear no more
Blithe voice of living thing; muse not again
Upon familiar thoughts, sad, yet thus lost
How fearful! to be nothing! Or to be . . .
What? Oh, where am I? Let me not go mad!
Sweet Heaven, forgive weak thoughts! If there should be
No God, no Heaven, no Earth in the void world;
The wide, gray, lampless, deep, unpeopled world!
If all things then should be . . . my father's spirit,
His eye, his voice, his touch surrounding me;
The atmosphere and breath of my dead life!
If sometimes, as a shape more like himself,
Even the form which tortured me on earth,
Masked in gray hairs and wrinkles, he should come
And wind me in his hellish arms, and fix
His eyes on mine, and drag me down, down, down!
For was he not alone omnipotent
On Earth, and ever present? Even though dead,
Does not his spirit live in all that breathe,
And work for me and mine still the same ruin,
Scorn, pain, despair? Who ever yet returned
To teach the laws of Death's untrodden realm?
Unjust perhaps as those which drive us now,
Oh, whither, whither?
Lucretia.
Trust in God's sweet love,
The tender promises of Christ: ere night,
Think, we shall be in Paradise.
Beatrice.
'Tis past!
Whatever comes my heart shall sink no more.
And yet, I know not why, your words strike chill:
How tedious, false and cold seem all things. I
Have met with much injustice in this world;
No difference has been made by God or man,
Or any power moulding my wretched lot,
'Twixt good or evil, as regarded me.
I am cut off from the only world I know,
From light, and life, and love, in youth's sweet prime.
You do well telling me to trust in God,
I hope I do trust in Him. In whom else
Can any trust? And yet my heart is cold.
[During the latter speeches Giacomo has retired conversing with Camillo, who now goes out; Giacomo advances.
Giacomo.
Know you not, Mother . . . Sister, know you not?
Bernardo even now is gone to implore
The Pope to grant our pardon.
Lucretia.
Child, perhaps
It will be granted. We may all then live
To make these woes a tale for distant years:
Oh, what a thought! It gushes to my heart
Like the warm blood.
Beatrice.
Yet both will soon be cold.
Oh, trample out that thought! Worse than despair,
Worse than the bitterness of death, is hope:
It is the only ill which can find place
Upon the giddy, sharp and narrow hour
Tottering beneath us. Plead with the swift frost
That it should spare the eldest flower of spring:
Plead with awakening earthquake, o'er whose couch
Even now a city stands, strong, fair, and free;
Now stench and blackness yawn, like death. Oh, plead
With famine, or wind-walking Pestilence,
Blind lightning, or the deaf sea, not with man!
Cruel, cold, formal man; righteous in words,
In deeds a Cain. No, Mother, we must die:
Since such is the reward of innocent lives;
Such the alleviation of worst wrongs.
And whilst our murderers live, and hard, cold men,
Smiling and slow, walk through a world of tears
To death as to life's sleep; 'twere just the grave
Were some strange joy for us. Come, obscure Death,
And wind me in thine all-embracing arms!
Like a fond mother hide me in thy bosom,
And rock me to the sleep from which none wake.
Live ye, who live, subject to one another
As we were once, who now . . .
Bernardo rushes in.
Bernardo.
Oh, horrible!
That tears, that looks, that hope poured forth in prayer,
Even till the heart is vacant and despairs,
Should all be vain! The ministers of death
Are waiting round the doors. I thought I saw
Blood on the face of one . . . What if 'twere fancy?
Soon the heart's blood of all I love on earth
Will sprinkle him, and he will wipe it off
As if 'twere only rain. O life! O world!
Cover me! let me be no more! To see
That perfect mirror of pure innocence
Wherein I gazed, and grew happy and good,
Shivered to dust! To see thee, Beatrice,
Who made all lovely thou didst look upon . . .
Thee, light of life . . . dead, dark! while I say, sister,
To hear I have no sister; and thou, Mother,
Whose love was as a bond to all our loves . . .
Dead! The sweet bond broken!
Enter Camillo and Guards.
They come! Let me
Kiss those warm lips before their crimson leaves
Are blighted . . . white . . . cold. Say farewell, before
Death chokes that gentle voice! Oh, let me hear
You speak!
Beatrice.
Farewell, my tender brother. Think
Of our sad fate with gentleness, as now:
And let mild, pitying thoughts lighten for thee
Thy sorrow's load. Err not in harsh despair,
But tears and patience. One thing more, my child:
For thine own sake be constant to the love
Thou bearest us; and to the faith that I,
Though wrapped in a strange cloud of crime and shame,
Lived ever holy and unstained. And though
Ill tongues shall wound me, and our common name
Be as a mark stamped on thine innocent brow
For men to point at as they pass, do thou
Forbear, and never think a thought unkind
Of those, who perhaps love thee in their graves.
So mayest thou die as I do; fear and pain
Being subdued. Farewell! Farewell! Farewell!
Bernardo.
I cannot say, farewell!
Camillo.
Oh, Lady Beatrice!
Beatrice.
Give yourself no unnecessary pain,
My dear Lord Cardinal. Here, Mother, tie
My girdle for me, and bind up this hair
In any simple knot; ay, that does well.
And yours I see is coming down. How often
Have we done this for one another; now
We shall not do it any more. My Lord,
We are quite ready. Well, 'tis very well.
THE END
Composed at Rome and near Leghorn (Villa Valsovano), May - August 8, 1819; published 1820 (spring) by C. & J. Ollier, London. This edition of 250 copies was printed in Italy 'because,' writes Shelley to Peacock, Sept. 21, 1819, 'it costs, with all duties and freightage, about half what it would cost in London.'
~ Percy Bysshe Shelley, The Cenci - A Tragedy In Five Acts
,#NFDB
28 Poetry
8 Fiction
7 Psychology
6 Integral Yoga
5 Occultism
3 Mythology
2 Philosophy
1 Philsophy
1 Mysticism
1 Education
1 Christianity
1 Alchemy
9 John Keats
5 William Wordsworth
5 Saint Teresa of Avila
5 Robert Browning
5 Nolini Kanta Gupta
5 H P Lovecraft
3 Percy Bysshe Shelley
3 Joseph Campbell
3 Carl Jung
2 The Mother
2 Friedrich Nietzsche
9 Keats - Poems
5 Wordsworth - Poems
5 The Interior Castle or The Mansions
5 Lovecraft - Poems
5 Browning - Poems
3 The Hero with a Thousand Faces
3 Shelley - Poems
3 Collected Works of Nolini Kanta Gupta - Vol 07
2 Thus Spoke Zarathustra
2 The Divine Comedy
2 The Archetypes and the Collective Unconscious
2 Collected Works of Nolini Kanta Gupta - Vol 02
02.03 - The Shakespearean Word, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
We know that almost no paraphernalia are really needed to present a Shakespearean drama on the stage. His magical, all powerful words are sufficient to do the work of the decorative artist. The magic of the articulate word, the mere sound depicts, not only depicts but carries you and puts you face to face with the living reality. I will give you three examples to show how Shakespeare wields his Prosperian wand. First I take the lines from Macbeth, that present before you the Castle of Duncan, almost physicallyperhaps even a little more than physicallywith its characteristic setting and atmosphere:
Dun. This castle hath a pleasant seat; the air
02.06 - Boris Pasternak, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The portrait of the late poet (for he is more of a poet than a novelist, as has been pointed out) on the cover of the British edition of his novel Dr. Zhivago seems to be the very image of the tragic hero. Indeed he reminds one of Hamlet as he stood on the ramparts of the Castle of Elsinore. Curiously, the very first poem in the collection at the end of that book is entitled "Hamlet" and the significant cry rings out of it:
Abba, Father, if it be possible
07.05 - The Finding of the Soul, #Savitri, #Sri Aurobindo, #Integral Yoga
In the Castle of the lotus twixt the brows
Whence it shoots the arrows of its sight and will,
1.01 - Description of the Castle, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
object:1.01 - Description of the Castle
author class:Saint Teresa of Avila
--
THE FIRST MANSIONS:Chapter I. Description of the Castle
CHAPTER I.THIS CHAPTER TREATS OF THE BEAUTY AND DIGNITY OF OUR SOULS AND MAKES A COMPARISON TO EXPLAIN THIS. THE ADVANTAGE OF KNOWING AND UNDERSTANDING THIS AND THE FAVOURS GOD GRANTS TO US IS SHOWN, AND HOW PRAYER IS THE GATE OF THE SPIRITUAL CASTLE.
1. Plan of this book. 2. The Interior Castle. 3. Our curable self ignorance. 4. God dwells in the centre of the soul. 5. Why all souls do not receive certain favours. 6. Reasons for speaking of these favours. 7. The entrance of the Castle. 8. Entering into oneself. 9. Prayer. 10. Those who dwell in the first mansion. 11. Entering. 12. Difficulties of the subject.
1.: WHILE I was begging our Lord to-day to speak for me, since I knew not what to say nor how to commence this work which obedience has laid upon me, an idea occurred to me which I will explain, and which will serve as a foundation for that I am about to write.
--
3.: As this is so, we need not tire ourselves by trying to realize all the beauty of this castle, although, being His creature, there is all the difference between the soul and God that there is between the creature and the Creator; the fact that it is made in God's image teaches us how great are its dignity and loveliness. It is no small misfortune and disgrace that, through our own fault, we neither understand our nature nor our origin. Would it not be gross ignorance, my daughters, if, when a man was questioned about his name, or country, or parents, he could not answer? Stupid as this would be, it is unspeakably more foolish to care to learn nothing of our nature except that we possess bodies, and only to realize vaguely that we have souls, because people say so and it is a doctrine of faith. Rarely do we reflect upon what gifts our souls may possess, Who dwells within them, or how extremely precious they are. Therefore we do little to preserve their beauty; all our care is concentrated on our bodies, which are but the coarse setting of the diamond, or the outer walls of the Castle.6
4.: Let us imagine, as I said, that there are many rooms in this castle, of which some are above, some below, others at the side; in the centre, in the very midst of them all, is the principal chamber in which God and the soul hold their most secret intercourse.7' Think over this comparison very carefully; God grant it may enlighten you about the different kinds of graces He is pleased to bestow upon the soul. No one can know all about them, much less a person so ignorant as I am. The knowledge that such things are possible will console you greatly should our Lord ever grant you any of these favours; people themselves deprived of them can then at least praise Him for His great goodness in bestowing them on others. The thought of heaven and the happiness of the saints does us no harm, but cheers and urges us to win this joy for ourselves, nor will it injure us to know that during this exile God can communicate Himself to us loathsome worms; it will rather make us love Him for such immense goodness and infinite mercy.
--
8.: Certain books on prayer that you have read advise the soul to enter into itself,10' and this is what I mean. I was recently told by a great theologian that souls without prayer are like bodies, palsied and lame, having hands and feet they cannot use.' Just so, there are souls so infirm and accustomed to think of nothing but earthly matters, that there seems no cure for them. It appears impossible for them to retire into their own hearts; accustomed as they are to be with the reptiles and other creatures which live outside the Castle, they have come at last to imitate their habits. Though these souls are by their nature so richly endowed, capable of communion even with God Himself, yet their case seems hopeless. Unless they endeavour to understand and remedy their most miserable plight, their minds will become, as it were, bereft of movement, just as Lot's wife became a pillar of salt for looking backwards in disobedience to God's command.11
9.: As far as I can understand, the gate by which to enter this castle is prayer and meditation. I do not allude more to mental than to vocal prayer, for if it is prayer at all, the mind must take part in it. If a person neither considers to Whom he is addressing himself, what he asks, nor what he is who ventures to speak to God, although his lips may utter many words, I do not call it prayer.12' Sometimes, indeed, one may pray devoutly without making all these considerations through having practised them at other times. The custom of speaking to God Almighty as freely as with a slave-caring nothing whether the words are suitable or not, but simply saying the first thing that comes to mind from being learnt by rote by frequent repetition-cannot be called prayer: God grant that no Christian may address Him in this manner. I trust His Majesty will prevent any of you, sisters, from doing so. Our habit in this Order of conversing about spiritual matters is a good preservative against such evil ways.
10.: Let us speak no more of these crippled souls, who are in a most miserable and dangerous state, unless our Lord bid them rise, as He did the palsied man who had waited more than thirty years at the pool of Bethsaida.13' We will now think of the others who at last enter the precincts of the Castle; they are still very worldly, yet have some desire to do right, and at times, though rarely, commend themselves to God's care. They think about their souls every now and then; although very busy, they pray a few times a month, with minds generally filled with a thousand other matters, for where their treasure is, there is their heart also.14' Still, occasionally they cast aside these cares; it is a great boon for them to realize to some extent the state of their souls, and to see that they will never reach the gate by the road they are following.
11.: At length they enter the first rooms in the basement of the Castle, accompanied by numerous reptiles15' which disturb their peace, and prevent their seeing the beauty of the building; still, it is a great gain that these persons should have found their way in at all.
12.: You may think, my daughters, that all this does not concern you, because, by God's grace, you are farther advanced; still, you must be patient with me, for I can explain myself on some spiritual matters concerning prayer in no other way. May our Lord enable me to speak to the point; the subject is most difficult to understand without personal experience of such graces. Any one who has received them will know how impossible it is to avoid touching on subjects which, by the mercy of God, will never apply to us.
1.01 - the Call to Adventure, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
Now close to the Castle of this king was a great dark forest, and
in the forest under an old lime tree a spring, and when the day
1.01 - The Castle, #unset, #Sri Aurobindo, #Integral Yoga
object:1.01 - the Castle
class: the Castle of Crossed Destinies
--
As I looked around, I felt a curious sensation, or, rather, two distinct sensations, which mingled in my mind, still upset and somewhat unstable in my weariness. I seemed to be at a sumptuous court, which no one would have expected to find in such a rustic and out-of-the-way castle; and its wealth was evident not only in the costly furnishings and the graven vessels, but also in the calm and ease which reigned among those at the table, all handsome of person and clothed with elaborate elegance. But, at the same time, I remarked a feeling of random, of disorder, if not actually of license, as if this were not a lordly dwelling but an inn of passage, where people unknown to one another live together for one night and where, in that enforced promiscuity, all feel a relaxation of the rules by which they live in their own surroundings, and-as one resigns oneself to less comfortable ways of life-so one also indulges in freer, unfamiliar behavior. In fact, the two contradictory impressions could nevertheless refer to a single object: whether the Castle, for years visited only as a stopping place, had gradually degenerated into an inn, and the lord and his lady had found themselves reduced to the roles of host and hostess, though still going through the motions of their aristocratic hospitality; or whether a tavern, such as one often sees in the vicinity of castles, to give drink to soldiers and horsemen, had invaded- the Castle being long abandoned-the ancient, noble halls to install its benches and hogsheads there, and the pomp of those rooms-as well as the coming and going of illustrious customers-had conferred on the inn an unforeseen dignity, sufficient to put ideas in the heads of the host and hostess, who finally came to believe themselves the rulers of a brilliant court.
These thoughts, to tell the truth, occupied me only for a moment; stronger were my relief at being safe and sound in the midst of a select company and my impatience to strike up a conversation (at a nod of invitation from the man who seemed the lord-or the host-I had sat down at the only empty place) and to exchange with my traveling companions tales of the adventures we had undergone. But at this table, contrary to the custom of inns, and also of courts, no one uttered a word. When a guest wished to ask his neighbor to pass the salt or the ginger, he did so with a gesture, and with gestures he also addressed the servants, motioning them to cut him a slice of pheasant pie or to pour him a half pint of wine.
--
When our supper ended in a muteness which the sounds of chewing and the smacking of lips gulping wine did not make more pleasant, we remained seated, looking one another in the face, with the torment of not being able to exchange the many experiences each of us had to communicate. At that point, on the table which had just been cleared, the man who seemed the lord of the Castle set a pack of playing cards. They were tarot cards, larger than the kind we use for ordinary games or that gypsies employ for predicting the future, but it was possible to discern more or less the same figures that are painted in the enamels of the most precious miniatures. Kings, Queens, Knights, and Pages were all young people magnificently dressed, as if for a princely feast; the twenty-two Major Arcana seemed the tapestries of a court theater; and cups, coins, swords, clubs shone like heraldic devices adorned with scrolls and arabesques.
We began to spread out the cards on the table, face up, and to give them their proper value in games, or their true meaning in the reading of fortunes. And yet none of us seemed to wish to begin playing, and still less to question the future, since we were as if drained of all future, suspended in a journey that had not ended nor was to end. There was something else we saw in those tarots, something that no longer allowed us to take our eyes from the gilded pieces of that mosaic.
1.01 - The Path of Later On, #Words Of Long Ago, #The Mother, #Integral Yoga
"The path of later-on and the road of tomorrow lead only to the Castle of nothing-at-all."
BY THE wayside, many-coloured flowers delight the eye, red berries gleam on small trees with knotty branches, and in the distance a brilliant sun shines gold upon the ripe corn.
--
Hollow voices cry out to the traveller, "Flee this place; go back to the cross-roads; there is still time." The young man hesitates, then replies, "Tomorrow." He covers his face with his hands so as not to see the bodies rolling into the ravine, and runs along the road, drawn on by an irresistible urge to go forward. He no longer wonders whether he will find a way out. With furrowed brow and clothes in disorder, he runs on in desperation. At last, thinking himself far away from the accursed place, he opens his eyes: there are no more fir-trees; all around are barren stones and grey dust. The sun has disappeared beyond the horizon; night is coming on. The road has lost itself in an endless desert. The desperate traveller, worn out by his long run, wants to stop; but he must walk on. All around him is ruin; he hears stifled cries; his feet stumble on skeletons. In the distance, the thick mist takes on terrifying shapes; black forms loom up; something huge and misshapen suggests itself. The traveller flies rather than walks towards the goal he senses and which seems to flee from him; wild cries direct his steps; he brushes against phantoms. At last he sees before him a huge edifice, dark, desolate, gloomy, a castle to make one say with a shudder: "A haunted castle." But the young man pays no attention to the bleakness of the place; these great black walls make no impression on him; as he stands on the dusty ground, he hardly trembles at the sight of these formidable towers; he thinks only that the goal is reached, he forgets his weariness and discouragement. As he approaches the Castle, he brushes against a wall, and the wall crumbles; instantly everything collapses around him; towers, battlements, walls have vanished, sinking into dust which is added to the dust already covering the ground.
Owls, crows and bats fly out in all directions, screeching and circling around the head of the poor traveller who, dazed, downcast, overwhelmed, stands rooted to the spot, unable to move; suddenly, horror of horrors, he sees rising up before him terrible phantoms who bear the names of Desolation, Despair, Disgust with life, and amidst the ruins he even glimpses Suicide, pallid and dismal above a bottomless gulf. All these malignant spirits surround him, clutch him, propel him towards the yawning chasm. The poor youth tries to resist this irresistible force, he wants to draw back, to flee, to tear himself away from all these invisible arms entwining and clasping him. But it is too late; he moves on towards the fatal abyss. He feels drawn, hypnotized by it. He calls out; no voice answers to his cries. He grasps at the phantoms, everything gives way beneath him. With haggard eyes he scans the void, he calls out, he implores; the macabre laughter of Evil rings out at last.
The traveller is at the edge of the gulf. All his efforts have been in vain. After a supreme struggle he falls... from his bed. A young student had a long essay to prepare for the following morning. A little tired by his day's work, he had said to himself as he arrived home, "I shall work later." Soon afterwards he thought that if he went to bed early, he could get up early the next morning and quickly finish his task. "Let's go to bed," he said to himself, "I shall work better tomorrow; I shall sleep on it." He did not know how truly he spoke. His sleep was troubled by the terrible nightmare we have described, and his fall awoke him with a start. Thinking over what he had dreamt, he exclaimed, "But it's quite clear: the path is called the path of 'later on', the road is the road of 'tomorrow' and the great building the Castle of 'nothing at all'." Elated at his cleverness, he set to work, vowing to himself that he would never put off until tomorrow what he could do today.
1893
1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
three sons, and they were all in great distress on his account, and they went into the Castle gardens and
wept at the thought that he must die. An old man came up to them and asked the cause of their grief.
--
strike three times on the iron gate of the Castle and it will spring open. Inside you will find two lions
with wide-open jaws, but if you throw a loaf to each they will be quiet. Then you must make haste to
fetch the Water of Life before it strikes twelve, or the gates of the Castle will close, and you will be shut
in.
--
The Prince thanked him, took the rod and the loaves, and set off. When he reached the Castle all was
just as the dwarf had said. At the third knock the gates flew open, and when he had pacified the lions
with their loaves, he walked into the Castle. In the great hall he found several enchanted princes, and he
took the rings from their fingers. He also took a sword and a loaf which were lying by them.
--
of the Castle before the clock struck twelve.
Then he went on and came to a room where there was a beautiful bed freshly made, and as he was
--
drought; is ruler of the Castle in which everything has been brought to a standstill.
173
1.02 - The Human Soul, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
1. Effects of mortal sin. 2. It prevents the soul's gaining merit. 3. The soul compared to a tree. 4. Disorder of the soul in mortal sin. 5. Vision of a sinful soul. 6. Profit of realizing these lessons. 7. Prayer. 8. Beauty of the Castle. 9. Self-knowledge 10. Gained by meditating on the divine perfections. 11. Advantages of such meditation. 12. Christ should be our model. 13. The devil entraps beginners. 14. Our strength must come from God. 15. Sin blinds the soul. 16. Worldliness. 17. The world in the cloister. 18. Assaults of the devil. 19. Examples of the devil's arts. 20. Perfection consists in charity. 21. Indiscreet zeal. 22. Danger of detraction.
1.: BEFORE going farther, I wish you to consider the state to which mortal sin16' brings this magnificent and beautiful castle, this pearl of the East, this tree of life, planted beside the living waters of life17 which symbolize God Himself. No night can be so dark, no gloom nor blackness can compare to its obscurity. Suffice it to say that the sun in the centre of the soul, which gave it such splendour and beauty, is totally eclipsed, though the spirit is as fitted to enjoy God's presence as is the crystal to reflect the sun.18
--
4.: O souls, redeemed by the Blood of Jesus Christ, take these things to heart; have mercy on yourselves! If you realize your pitiable condition, how can you refrain from trying to remove the darkness from the crystal of your souls? Remember, if death should take you now, you would never again enjoy the light of this Sun. O Jesus! how sad a sight must be a soul deprived of light! What a terrible state the chambers of this castle are in! How disorderly must be the senses-the inhabitants of the Castle-the powers of the soul its magistrates, governors, and stewards-blind and uncontrolled as they are! In short, as the soil in which the tree is now planted is in the devil's domain, how can its fruit be anything but evil? A man of great spiritual insight once told me he was not so much surprised at such a soul's wicked deeds as astonished that it did not commit even worse sins. May God in His mercy keep us from such great evil, for nothing in this life merits the name of evil in comparison with this, which delivers us over to evil which is eternal.
5.: This is what we must dread and pray God to deliver us from, for we are weakness itself, and unless He guards the city, in vain shall we labour to defend it.20' The person of whom I spoke21' said that she had learnt two things from the vision granted her. The first was, a great fear of offending God; seeing how terrible were the consequences, she constantly begged Him to preserve her from falling into sin. Secondly, it was a mirror to teach her humility, for she saw that nothing good in us springs from ourselves but comes from the waters of grace near which the soul remains like a tree planted beside a river, and from that Sun which gives life to our works. She realized this so vividly that on seeing any good deed performed by herself or by other people she at once turned to God as to its fountain head-without whose help she knew well we can do nothing-and broke out into songs of praise to Him. Generally she forgot all about herself and only thought of God when she did any meritorious action.
--
9.: A soul which gives itself to prayer, either much or little, should on no account be kept within narrow bounds. Since God has given it such great dignity, permit it to wander at will through the rooms of the Castle, from the lowest to the highest. Let it not force itself to remain for very long in the same mansion, even that of self-knowledge. Mark well, however, that self-knowledge is indispensable, even for those whom God takes to dwell in the same mansion with Himself. Nothing else, however elevated, perfects the soul which must never seek to forget its own nothingness. Let humility be always at work, like the bee at the honeycomb, or all will be lost. But, remember, the bee leaves its hive to fly in search of flowers and the soul should sometimes cease thinking of itself to rise in meditation on the grandeur and majesty of its God. It will learn its own baseness better thus than by self-contemplation, and will be freer from the reptiles which enter the first room where self-knowledge is acquired. The palmito here referred to is not a palm, but a shrub about four feet high and very dense with leaves, resembling palm leaves. The poorer classes and principally children dig it up by the roots, which they peel of its many layers until a sort of kernel is disclosed, which is eaten, not without relish, and is somewhat like a filbert in taste. See St. John of the Cross, Accent of Mount Carmel, bk. ii. ch, xiv, 3. Although it is a great grace from God to practise self-examination, yet 'too much is as bad as too little,' as they say; believe me, by God's help, we shall advance more by contemplating the Divinity than by keeping our eyes fixed on ourselves, poor creatures of earth that we are.
10.: I do not know whether I have put this clearly; self-knowledge is of such consequence that I would not have you careless of it, though you may be lifted to heaven in prayer, because while on earth nothing is more needful than humility. Therefore, I repeat, not only a good way, but the best of all ways, is to endeavour to enter first by the room where humility is practised, which is far better than at once rushing on to the others. This is the right road;-if we know how easy and safe it is to walk by it, why ask for wings with which to fly? Let us rather try to learn how to advance quickly. I believe we shall never learn to know ourselves except by endeavouring to know God, for, beholding His greatness we are struck by our own baseness, His purity shows our foulness, and by meditating on His humility we find how very far we are from being humble.
--
15 :You must notice that the light which comes from the King's palace hardly shines at all in these first mansions; although not as gloomy and black as the soul in mortal sin, yet they are in semi-darkness, and their inhabitants see scarcely anything. I cannot explain myself; I do not mean that this is the fault of the mansions themselves, but that the number of snakes, vipers, and venomous reptiles from outside the Castle prevent souls entering them from seeing the light. They resemble a person entering a chamber full of brilliant sunshine, with eyes clogged and half closed with dust. Though the room itself is light, he cannot see because of his self-imposed impediment. In the same way, these fierce and wild beasts blind the eyes of the beginner, so that he sees nothing but them.
16.: Such, it appears to me, is the soul which, though not in a state of mortal sin, is so worldly and preoccupied with earthly riches, honours, and affairs, that as I said, even if it sincerely wishes to enter into itself and enjoy the beauties of the Castle, it is prevented by these distractions and seems unable to overcome so many obstacles. It is most important to withdraw from all unnecessary cares and business, as far as compatible with the duties of one's state of life, in order to enter the second mansion. This is so essential, that unless done immediately I think it impossible for any one ever to reach the principal room, or even to remain where he is without great risk of losing what is already gained; otherwise, although he is inside the Castle, he will find it impossible to avoid being bitten some time or other by some of the very venomous creatures surrounding him.
17.: What then would become of a religious like ourselves, my daughters, if, after having escaped from all these impediments, and having entered much farther into the more secret mansion, she should, by her own fault, return to all this turmoil? Through her sins, many other people on whom God had bestowed great graces would culpably relapse into their wretched state. In our convents we are free from these exterior evils; please God our minds may be as free from them, and may He deliver us from such ills.
1.02 - The Refusal of the Call, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
Little Briar-rose (Sleeping Beauty) was put to sleep by a jeal ous hag (an unconscious evil-mother image). And not only the child, her entire world went off to sleep; but at last, "after long, long years," there came a prince to wake her. "The king and queen (the conscious good-parent images), who had just come home and were entering the hall, began to fall asleep, and with them the whole estate. All the horses slept in the stalls, the dogs in the yard, the pigeons on the roof, the flies on the walls, yes, the fire that flickered on the hearth grew still and slumbered, and the roast ceased to simmer. And the cook, who was about to pull the hair of the scullery boy because he had forgotten some thing, let him go and fell off to sleep. And the wind went down, and not a leaf stirred in the trees. Then around the Castle a hedge of thorns began to grow, which became taller every year, and finally shut off the whole estate. It grew up taller than the Castle, so that nothing more was seen, not even the weathercock on the roof."
A Persian city once was "enstoned to stone"king and queen, soldiers, inhabitants, and allbecause its people refused the call of Allah. Lot's wife became a pillar of salt for looking back, when she had been summoned forth from her city by Jehovah.
1.08 - EVENING A SMALL, NEATLY KEPT CHAMBER, #Faust, #Johann Wolfgang von Goethe, #Poetry
In the Castle by the Sea.
There stood the old carouser,
1.08 - The Depths of the Divine, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
The first three stages deal with the ordinary mind or ego, "unregenerate" in the gross, manifest world of thought and sense. In the first Mansion, that of Humility, the ego is still in love with the creatures and comforts outside the Castle, and must begin a long and searching discipline in order to turn within. In the second Mansion (the Practice of Prayer), intellectual study, edification, and good company streng then the desire and capacity to interiorize and not merely scatter and disperse the self in exterior distractions. In the Mansion of Exemplary Life, the third stage, discipline and ethics are firmly set as a foundation of all that is to follow (very similar to the Buddhist notion that sila, or moral discipline, is the foundation of dhyana, or meditation, and prajna, or spiritual insight). These are all natural (or personal) developments.
In the fourth mansion, a supernatural (or transpersonal) grace enters the scene with the Prayer of Recollection and the Prayer of Quiet (which Teresa differentiates by their bodily effects). In both, there is a calming and slowing of gross-oriented faculties (memory, thoughts, senses) and a consequent opening to deeper, more interior spaces with correlative "graces," which Teresa calls, at this stage, "spiritual consolations" (because they are consoling to the self, not yet transcending of the self). On the other hand, it is also as if the soul itself is actually beginning to emerge at this stage: "The senses and all external things seem gradually to lose their hold, while the soul, on the other hand, regains its lost control." And this carries a glimmer of the truth to come, "namely, that God is within us."26
1.18 - The Eighth Circle, Malebolge The Fraudulent and the Malicious. The First Bolgia Seducers and Panders. Venedico Caccianimico. Jason. The Second Bolgia Flatterers. Allessio Interminelli. Thais., #The Divine Comedy, #Dante Alighieri, #Christianity
Many and many moats surround the Castles,
The part in which they are a figure forms,
--
For all upon one side towards the Castle
Their faces have, and go unto St. Peter's;
1.22 - Ciampolo, Friar Gomita, and Michael Zanche. The Malabranche quarrel., #The Divine Comedy, #Dante Alighieri, #Christianity
With kettle-drums, and signals of the Castles,
And with our own, and with outlandish things,
1.28 - Need to Define God, Self, etc., #Magick Without Tears, #Aleister Crowley, #Occultism
As "higher" gave the idea of aggression, of conquest, "within" usually implies safety. Always we get back to that stage of history when the social unit, based on the family, was little less than condition No. 1 of survival. The house, the Castle, the fortified camp, the city wall; the "gens," the clan, the tribe, the "patrie," to be outside means danger from cold, hunger and thirst, raiding parties, highway robbers, bears, wolves, and tigers. To go out was to take a risk; and, your labour and courage being assets to your kinsmen, you were also a bad man; in fact, a "bounder" or "outsider." "Debauch" is simply "to go out of doors!" St. John says: "without are dogs and sorcerers and whoremongers and adulterers and idolaters and..." so on.[52]
We of Thelema challenge all this briskly. "The word of Sin is Restriction." (AL I, 41). Our formula, roughly speaking, is to go out and grab what we want. We do this so thoroughly that we grow thereby, extending our conception of "I" by including each new accretion instead of remaining a closely delineated self, proud of possessing other things, as do the Black Brothers.
1.66 - The External Soul in Folk-Tales, #The Golden Bough, #James George Frazer, #Occultism
and disconsolate in the Castle garden, and cheered by the prospect
of escaping with him she went to the warlock and coaxed him with
1f.lovecraft - The Alchemist, #Lovecraft - Poems, #unset, #Philosophy
dislodged from one of the deserted parapets of the Castle; and my
mother having died at my birth, my care and education devolved solely
--
One night the Castle on the hill was thrown into the wildest confusion
by the vanishment of young Godfrey, son to Henri the Comte. A searching
--
deserted portion of the Castle, less than a week before that fatal hour
which I felt must mark the utmost limit of my stay on earth, beyond
--
evil, and how came he within the Castle walls? Why should he seek to
avenge the death of poor Michel Mauvais, and how had the curse been
1f.lovecraft - The Descendant, #Lovecraft - Poems, #unset, #Philosophy
tried to talk of the Castle, and of its reputed Roman origin, he
refused to admit that there was anything unusual about it. He even
--
had had peculiar dreams when sleeping in the older parts of the Castle,
and had acquired a constant habit of looking back through his memory
1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Philosophy
transportation to and from the Castle atop unknown Kadath; the final
journey being either to the marvellous sunset city itself, in case the
1f.lovecraft - The Moon-Bog, #Lovecraft - Poems, #unset, #Philosophy
the Castle, but those days were very remote, so that for generations
the Castle had been empty and decaying. After he went to Ireland Barry
wrote me often, and told me how under his care the grey castle was
--
for he was lonely in the Castle with no one to speak to save the new
servants and labourers he had brought from the north.
--
I came to the Castle. I had reached Kilderry in the summer sunset, as
the gold of the sky lighted the green of the hills and groves and the
--
be awake and in the Castle at Kilderry. Then I heard a clock from some
remote landing below strike the hour of two, and I knew I was awake.
--
piping whined and reverberated through the Castle and over all the
village.
--
of stumbling stragglers zigzagged drunkenly out of the Castle from some
door far below my window, groped sightlessly across the courtyard and
--
of a whole village, and knew I was alone in the Castle with Denys
Barry, whose boldness had brought down a doom. As I thought of him new
--
where the moon had risen, and began to hear the shrieks in the Castle
far below me. Soon those shrieks had attained a magnitude and quality
1f.lovecraft - The Rats in the Walls, #Lovecraft - Poems, #unset, #Philosophy
nothing but evil and frantic fear to tell of the Castle that went up on
the foundations of the old temple and priory. The fireside tales were
--
forth from the Castle three months after the tragedy that doomed it to
desertionthe lean, filthy, ravenous army which had swept all before it
1.jk - Calidore - A Fragment, #Keats - Poems, #John Keats, #Poetry
Whence may be seen the Castle gloomy, and grand:
Nor will a bee buzz round two swelling peaches,
1.jk - Epistle To John Hamilton Reynolds, #Keats - Poems, #John Keats, #Poetry
Towards the shade under the Castle wall
It comes in silence -- now 'tis hidden all.
1.jk - Fragment Of The Castle Builder, #Keats - Poems, #John Keats, #Poetry
object:1.jk - Fragment Of the Castle Builder
author class:John Keats
1.jk - Lines Written In The Highlands After A Visit To Burnss Country, #Keats - Poems, #John Keats, #Poetry
Toward the Castle or the cot, where long ago was born
One who was great through mortal days, and died of fame unshorn.
1.jk - Otho The Great - Act I, #Keats - Poems, #John Keats, #Poetry
SCENE. the Castle of Friedburg, its vicinity, and the Hungarian Camp.
TIME. One Day.
SCENE I. An Apartment in the Castle. Enter CONRAD.
Conrad. So, I am safe emerged from these broils!
--
SCENE II. The Court-yard of the Castle.
Martial Music. Enter, from the outer gate, OTHO, Nobles, Knights, and
--
Enter CONRAD, from the Castle, attended by two Knights and
Servants. ALBERT following.
--
Enter, from the Castle, AURANTHE, followed by Pages holding
up her robes, and a tram of Women. She kneels.
--
SCENE III. The Country, with the Castle in the distance.
Enter LUDOLPH and SIGIFRED.
--
He would be watching round the Castle walls,
And, like an anxious warder, strain his sight
1.jk - Otho The Great - Act II, #Keats - Poems, #John Keats, #Poetry
SCENE I. An Ante-chamber in the Castle.
Enter LUDOLPH and SIGIFRED.
1.jk - Otho The Great - Act III, #Keats - Poems, #John Keats, #Poetry
SCENE II. An Apartment in the Castle.
Enter, as from the Marriage, OTHO, LUDOLPH, AURANTHE, CONRAD,
1.jk - Otho The Great - Act IV, #Keats - Poems, #John Keats, #Poetry
Be what they may, and send him from the Castle
On some fool's errand; let his latest groan
--
SCENE II. An Apartment in the Castle.
Enter LUDOLPH and Page.
1.jk - Otho The Great - Act V, #Keats - Poems, #John Keats, #Poetry
SCENE III. An inner Court of the Castle.
Enter SIGIFRED, GONFRED, and THEODORE meeting.
--
[Exeunt into the Castle.
SCENE IV. A Cabinet, opening towards a Terrace.
1.lb - Exile's Letter, #Li Bai - Poems, #Li Bai, #Poetry
corner of the Castle,
To the dynastic temple, with water about it clear
1.pbs - Lines Written During The Castlereagh Administration, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
object:1.pbs - Lines Written During the Castlereagh Administration
author class:Percy Bysshe Shelley
1.pbs - The Cenci - A Tragedy In Five Acts, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
--
An Apartment in the Castle of Petrella. Enter Cenci.
Cenci.
--
Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.
Beatrice.
--
An Apartment in the Castle. Enter Beatrice and Lucretia.
Lucretia.
--
Hark, 'tis the Castle horn; my God! it sounds
Like the last trump.
--
Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.
Savella.
--
Go search the Castle round; sound the alarm;
Look to the gates that none escape!
1.pbs - To The Republicans Of North America, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
And the Castle's heartless glow,
And the hovel's vice and woe,
1.rb - Aix In Provence, #Browning - Poems, #Robert Browning, #Poetry
And so descend the Castle-stairs-
VI.
1.rb - A Lovers Quarrel, #Browning - Poems, #Robert Browning, #Poetry
Facing the Castle glum
And the giant's fee-faw-fum!
1.rb - Sordello - Book the First, #Browning - Poems, #Robert Browning, #Poetry
Lady of the Castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
1.rb - Sordello - Book the Second, #Browning - Poems, #Robert Browning, #Poetry
"Pluck me one cup from off the Castle-moat!
"Along with cup you raise leaf, stalk and root,
1.rb - The Flight Of The Duchess, #Browning - Poems, #Robert Browning, #Poetry
In the Castle where the other Duke was-
(When I was happy and young, not old!)
--
Straight at the Castle, that's best indeed
To look at from outside the walls:
--
``Let the dame of the Castle prick forth on her jennet,
``And, with water to wash the hands of her liege
1.rwe - Voluntaries, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
And rankly on the Castled steep,--
Speak it firmly, these are gods,
1.wby - The Phases Of The Moon, #Yeats - Poems, #William Butler Yeats, #Poetry
Beside the Castle door, where all is stark
Austerity, a place set out for wisdom
1.ww - Book Third [Residence at Cambridge], #unset, #Sri Aurobindo, #Integral Yoga
Onward we drove beneath the Castle; caught,
While crossing Magdalene Bridge, a glimpse of Cam;
1.ww - Lament Of Mary Queen Of Scots, #Wordsworth - Poems, #unset, #Philosophy
Sounded by the Castle-clock!
From her sunk eyes a stagnant tear
1.ww - The Highland Broach, #Wordsworth - Poems, #unset, #Philosophy
In which the Castle once took pride!
Tokens, once kept as boasted wealth,
1.ww - The Horn Of Egremont Castle, #Wordsworth - Poems, #unset, #Philosophy
Forth they from the Castle went,
And at the head of their Array
--
Where by the Castle-gate it hung forlorn.
'Tis the breath of good Sir Eustace!
1.ww - The Idiot Boy, #Wordsworth - Poems, #unset, #Philosophy
Or in the Castle he's pursuing
Among the ghosts his own undoing;
2.01 - THE ARCANE SUBSTANCE AND THE POINT, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[37] Further paradoxes: I am the black of the white and the red of the white and the yellow of the red;9 or The principle of the art is the raven, who flies without wings in the blackness of night and in the brightness of day.10 The stone is cold and moist in its manifest part, and in its hidden part is hot and dry.11 In lead is the dead life,12 or Burn in water and wash in fire.13 The Allegoriae sapientum speak of two figures, one of which is white and lacking a shadow, the other red and lacking the redness.14 A quotation from Socrates runs: Seek the coldness of the moon and ye shall find the heat of the sun.15 The opus is said to be a running without running, moving without motion.16 Make mercury with mercury.17 The philosophical tree has its roots in the air18 (this is probably a reference to the tree of the Sefiroth). That paradox and ambivalence are the keynotes of the whole work is shown by The Chymical Wedding: over the main portal of the Castle two words are written: Congratulor, Condoleo.19
[38] The paradoxical qualities of Mercurius have already been discussed in a separate study.20 As Mercurius is the principal name for the arcane substance, he deserves mention here as the paradox par excellence. What is said of him is obviously true of the lapis, which is merely another synonym for the thousand-named arcane substance. As the Tractatus aureus de Lapide says: Our matter has as many names as there are things in the world.21 The arcane substance is also synonymous with the Monad and the Son of Man mentioned in Hippolytus:
2.01 - War., #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
2.: In this part of the Castle are found souls which have begun to practise prayer; they realize the importance of their not remaining in the first mansions, yet often lack determination to quit their present condition by avoiding occasions of sin, which is a very perilous state to be in.
3.: However, it is a great grace that they should sometimes make good their escape from the vipers and poisonous creatures around them and should understand the need of avoiding them. In some way these souls suffer a great deal more than those in the first mansions, although not in such danger, as they begin to understand their peril and there are great hopes of their entering farther into the Castle. I say that they suffer a great deal more, for those in an earlier stage are like deaf-mutes and are not so distressed at being unable to speak, while the others, who can hear but cannot talk, find it much harder. At the same time, it is better not to be deaf, and a decided advantage to hear what is said to us.
4.: These souls hear our Lord calling them, for as they approach nearer to where His Majesty dwells He proves a loving Neighbour, though they may still be engaged in the amusements and business, the pleasures and vanities of this world. While in this state we continually fall into sin and rise again, for the creatures amongst whom we dwell are so venomous, so vicious, and so dangerous, that it is almost impossible to avoid being tripped up by them. Yet such are the pity and compassion of this Lord of ours, so desirous is He that we should seek Him and enjoy His company, that in one way or another He never ceases calling us to Him. So sweet is His voice, that the poor soul is disconsolate at being unable to follow His bidding at once, and therefore, as I said, suffers more than if it could not hear Him.
--
12.: It is of the utmost importance for the beginner to associate with those who lead a spiritual life,4' and not only with those in the same mansion as herself, but with others who have travelled farther into the Castle, who will aid her greatly and draw her to join them. The soul should firmly resolve never to submit to defeat, for if the devil sees it staunchly determined to lose life and comfort and all that he can offer, rather than return to the first mansion, he will the sooner leave it alone.
13.: Let the Christian be valiant; let him not be like those who lay down to drink from the brook when they went to battle (I do not remember when).5' Let him resolve to go forth to combat with the host of demons, and be convinced that there is no better weapon than the cross. I have already said,6' yet it is of such importance that I repeat it here: let no one think on starting of the reward to be reaped: this would be a very ignoble way of commencing such a large and stately building. If built on sand it would soon fall down.7' Souls who acted thus would continually suffer from discouragement and temptations, for in these mansions no manna rains;8' farther on, the soul is pleased with all that comes, because it desires nothing but what God wills.
--
19.: You may think, that if it is so very injurious to desist, it would have been better never to have begun, and to have remained outside the Castle. But, as I began by saying, and as God Himself declares: 'He that loves danger shall perish by it,'18' and the door by which A drug greatly in vogue until recent times. It was composed of all the essences supposed to contain life-giving and life-preserving qualities of animals and plants. we must enter this castle is prayer. Remember, we must get to heaven, and it would be madness to think we could do so without sometimes retiring into our souls so as to know ourselves, or thinking of our failings and of what we owe to God, or frequently imploring His mercy. Our Lord also says, 'No man cometh to the Father but by Me'19' (I am not sure whether this quotation is correct, but I think so), and, 'He that seeth Me seeth the Father also.'20
20.: If we never look up at Him and reflect on what we owe Him for having died for us, I do not understand how we can know Him, or perform good deeds in His service. What value is there in faith without works? and what are they worth if they are not united to the merits of Jesus Christ, our only good? What would incite us to love our Lord unless we thought of Him? May He give us grace to understand how much we cost Him; that 'the servant is not above his lord'21 ; that we must toil for Him if we would enjoy His glory; and prayer is a necessity to prevent us from constantly falling into temptation.22
2.02 - Meeting With the Goddess, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
speed of the wind shot past the end of the Castle of Tubber Tintye;
the prince sprang from its back through an open window, and
2.06 - Two Tales of Seeking and Losing, #unset, #Sri Aurobindo, #Integral Yoga
Perhaps the sin of King Amfortas is a cluttered wisdom, a saddened knowledge, kept perhaps at the bottom of the vessel Parsifal sees carried in procession up the steps of the Castle, and he would like to know what it is, but still he remains silent. Parsifal's strong point is that he is so new to the world and so occupied with the fact of being in the world that it never occurs to him to ask questions about what he sees. And yet one question of his would suffice, a first question that releases the question of everything in the world that has never asked anything, and then the deposit of centuries collected at the bottom of pots in excavations is dissolved, the eras crushed among the telluric strata begin to flow again, the future recovers the past, the pollen of the abundant seasons buried for millennia in peat bogs starts drifting once more, rising on the dust of the years of drought.'.'.'.
I do not know for how long (hours or years) Faust and Parsifal have been intent on retracing their routes, card after card, on the table of the tavern. But every time they bend over the tarots, their story reads another way, undergoes corrections, variants, affected by the moods of the day and the train of thoughts, oscillating between two poles: all and nothing.
2.08 - Three Tales of Madness and Destruction, #unset, #Sri Aurobindo, #Integral Yoga
He is interrupted by a lady who, with distraught eye, insists she recognizes in that same Tower the Castle of Dunsinane when the vengeance darkly prophesied by the witches will be unleashed: Birnam Wood will move, climbing the slopes of the hill, hosts and hosts of trees will advance, their roots torn from the earth, their boughs outstretched as in the Ten of Clubs, attacking the fortress, and the usurper will learn that Macduff, born through a sword's slash, is the one who, with a slash of the Sword, will cut off his head. And thus the sinister juxtaposition of cards finds a meaning: Popess, or prophesying sorceress; Moon, or night in which thrice the brinded cat hath mew'd, and the hedgepig whin'd, and newt, frog, and adders allow themselves to be caught for the broth; Wheel, or stirring of the bubbling cauldron where witches' mummy is dissolved with gall of goat, wool of bat, finger of birth-strangled babe, poisoned entrails, tails of shitting monkeys, just as the most senseless signs the witches mix in their brew sooner or later find a meaning that confirms them and reduces you, you and your logic, to a gruel.
But an old man's trembling finger is now pointed at the Arcanum of the Tower and the Thunderbolt. In his other hand he holds up the figure of the King of Cups, surely to make us recognize him, since no royal attri butes remain on his derelict person: nothing in the world has been left him by his unnatural daughters (this is what he seems to say, pointing to two portraits of cruel, crowned ladies and then at the squalid landscape of the Moon), and now others want to usurp even this card from him, the proof of how he was driven from his palace, emptied from the walls like a can of rubbish, abandoned to the fury of the elements. Now he inhabits the storm and the rain and the wind as if he could have no other home, as if the world were allowed to contain only hail and thunder and tempest, just as his mind now houses only wind and thunderbolts and madness. Blow, winds, and crack your cheeks! You cataracts and hurricanoes, spout till you have drench'd our steeples, drown'd the cocks! You sulphurous and thought-executing fires, vaunt-couriers to oak-cleaving thunderbolts, singe my white head! And thou, all-shaking thunder, smite flat the thick rotundity o' the world! Crack nature's molds, all chromosomes spill at once that make ungrateful man! We read this hurricane of thoughts in the eyes of the old sovereign seated in our midst, his bent shoulders huddled no longer in his ermine mantle but in a Hermit's habit, as if he were still wandering by lantern light over the heath without shelter, the Fool his only support and mirror of his madness.
--
Even our less contemplative fellow guest, otherwise known as the Queen of Swords or Lady Macbeth, at the sight of The Hermit's card seems distraught: perhaps she sees there another ghostly apparition, the hooded shade of the butchered Banquo, advancing with difficulty along the corridors of the Castle, to sit down uninvited at the place of honor at the banquet, shaking his gory locks into the soup. Or else she recognizes her husb and in person, Macbeth, who has murdered sleep: by the lantern's glow in the night he visits the guests' rooms, hesitating like a mosquito who dislikes staining the pillowcases. My hands are of your color, but I shame to wear a heart so white!, his wife taunts and drives him, but this does not mean she is so much worse than he: they have shared the roles like a devoted couple, marriage is the encounter of two egoisms that grind each other reciprocally and from which spread the cracks in the foundations of civilized society, the pillars of public welfare stand on the viper's eggshells of private barbarity.
And yet we have seen that in The Hermit, with far more verisimilitude, King Lear has recognized himself, outcast and mad, roaming in search of the angelic Cordelia (there, Temperance is another lost card, and it is all his fault, this time), the daughter he failed to understand and unjustly drove out while lending credence to the lying treachery of Regan and Goneril. With daughters, whatever a father does is wrong: authoritarian or permissive, parents can never expect to be thanked. The generations stare at each other grimly, they speak only to misunderstand each other, to trade blame for growing up unhappy and dying disappointed.
2.12 - ON SELF-OVERCOMING, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
Along stealthy paths the weaker steals into the Castle
and into the very heart of the more powerful-and
2.1.5.4 - Arts, #On Education, #The Mother, #Integral Yoga
Two other details can be noted with interest. One is the snow shower that saves the party from the influence of the wicked witch who by her black magic has stopped their advance towards the emerald castle of beneficent vitality. In the vital world, snow is the symbol of purity. It is the purity of their feelings and intentions that saves them from the great danger. Note also that to go to the Castle of the good wizard they must follow the broad path of golden bricks, the path of luminous confidence and joy.
The second is: when Dorothy throws water on the straw man to save him from burning, some water falls on the face of the wicked witch who lit the fire and at once she gets dissolved and dies. The water is the symbol of the power of purification and no hostile being or force can resist this power handled with goodwill and sincerity.
2.19 - THE SOOTHSAYER, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
whistling that tears open the gates of the Castles of
death? Are you not yourself the coffin full of colorful
30.06 - The Poet and The Seer, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
What Plato says does not, on reflection, appear to be utterly worthless. The vital world is the source of the poet and all other artists who are creators. When the vital is stirred things spring up from it and take shape. This vital itself is the magic power of the urge for enjoyment and action. For the satisfaction of these two urges towards delight and enjoyment the vital is constantly engaged in creating things. The spell of the vital does not care to find how far they are truth, and how much is their worth in terms of the right and the ultimate good. It is enough if it can build a castle in the air and derive joy from it. But it is not at all necessary that the Castle in the air should be a reality.2
The poet says,
32.04 - The Human Body, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
God having become a man shows by example how one can rise to a godly or divine nature from a human nature. God reveals this sadhana through his human life. Man knows himself as sinful, afflicted, weak and helpless. To him the spiritual realisation, the divine Life, the divine Consciousness may seem to be futile and hollow dreams, like the Castle in the air. These are only luxurious idealisms which are not for all, at least for many. Only a few that are heroic, adventurous and self-confident can afford to spend time and labour in this direction. In order to drive away this error, this false notion, this familiar and common disbelief, God has wanted to show, by way of a practical demonstration, as it were, how to rise above human weakness. In man, in spite of his numerous weaknesses, there abides a divine Power by virtue of which even the dumb can be endowed with eloquence.
The second mystery is this that not only for the individual but for the collectivity the human form of God has a special significance. God comes down to the lower level. He abides by His own laws to transform them. He destroys whatever has to be destroyed. He purifies whatever has to be purified. He protects and enriches whatever has to be protected and enriched. This is His mission. That means a collision, a definite battle. Consequently the divine Body too has to undergo scars. That is the law of this plane, that is the rule of His game. But it is thus that God clears the road, makes the path easy. On behalf of man God conquers Nature so that it may be easy for man to reconquer it. A question may be raised here: "the conquest of nature or the transformation of nature - cannot God effect it from His own Self or the World-Self? What necessity is there to accept a human form in order to do the work?" First of all, if God were to do everything in a subtle way, then why was the physical created, for what purpose? We have said that this Matter, this world, this very earth, this earthly body itself, are the field for God's lila,the centre and knot of the mystery of the creation. All disembodied powers and personalities want to come down on earth and be embodied in order to have all the privileges of this place. The Asuras want this, the Gods want this, therefore God too has to come down. He has to experience the full expression of body by becoming an embodied being. Secondly, this body has its own purpose and fulfilment. The body has grown out of inconscient Matter, it is born here below to become purified and transformed into the divine substance. Moreover, from some other sphere, from a consciousness transcendent and immanent, to act on the earth or its Matter or on some particular receptacles, means to apply an alien force, an attempt to impose a different principle. There is a necessity for this process and the power does act in this way, but something else must accompany this process. On our part that something is more important. It is the body's own conscious will, the self-offering and the self-opening of Matter - not because of an influence, impulsion or pressure from elsewhere; the material body of its own accord, by a demand from within, has to seek the Reality beyond Matter and body. That is why the divine Body shows how even Matter can aspire for spirituality and proves that Matter is not absolutely inert, in it too abides a consciousness and a conscious aspiration.
33.17 - Two Great Wars, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
As Hitler was threatening to cover, as with an ominous comet's tail, the whole of earth and sky, one of our sadhaks here sent up to Sri Aurobindo his wail, "What, O Guru, is this happening to the comforting words you gave? Don't you see that the earth is getting on to the verge of ruin? Where, O Saviour, are you?" Sri Aurobindo's reply was a quiet admonition, "Where is the worry? Hitler is not immortal." After a short while the Castle that Hitler had built was blown to the winds like a pack of cards. It was as if an all-englobing fog had been puffed away by a breath, a frightful nightmare had got dissolved in the light of the dawn.
***
4.01 - Sweetness in Prayer, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
9.: Do Thou, O Lord, take into account all that we suffer in this way through our ignorance. We err in thinking that we need only know that we must keep our thoughts fixed on Thee. We do not understand that we should consult those better instructed than ourselves, nor are we aware that there is anything for us to learn. We pass through terrible trials, on account of not understanding our own nature and take what is not merely harmless, but good, for a grave fault. This causes the sufferings felt by many people, particularly by the unlearned, who practise prayer. They complain of interior trials, become melancholy, lose their health, and even give up prayer altogether for want of recognizing that we have within ourselves as it were, an interior world. We cannot stop the revolution of the heavens as they rush with velocity upon their course, neither can we control our imagination. When this wanders we at once imagine that all the powers of the soul follow it; we think everything is lost, and that the time spent in God's presence is wasted. Meanwhile, the soul is perhaps entirely united to Him in the innermost mansions, while the imagination is in the precincts of the Castle, struggling with a thousand wild and venomous creatures and gaining merit by its warfare. Therefore we need not let ourselves be disturbed, nor give up prayer, as the devil is striving to persuade us. As a rule, all our anxieties and troubles come from misunderstanding our own nature.
10.: Whilst writing this I am thinking of the loud noise in my head which I mentioned in the Introduction, and which has made it almost impossible to obey the comm and given me to write this. It sounds as if there were a number of rushing waterfalls within my brain, while in other parts, drowned by the sound of the waters, are the voices of birds singing and whistling. This tumult is not in my ears, but in the upper part of my head, where, they say, is placed the superior part of the soul. I have long thought that this must be so because the flight of the spirit seems to take place from this part with great velocity.13' Please God I may recollect to explain the cause when writing of the latter mansions, this not being the proper place for it. It may be that God has sent this suffering in my head to help me to understand the matter, for all this tumult in my brain does not interfere with my prayer, nor with my speaking to you, but the great calm and love and desires in my soul remain undisturbed and my mind is clear.
4.03 - Prayer of Quiet, #The Interior Castle or The Mansions, #Saint Teresa of Avila, #Christianity
1.: The Prayer of recollection compared to the inhabitants of the Castle. 2. The Shepherd recalls His flock into the Castle. 3. This recollection supernatural. 4. It prepares us for higher favours. 5. The mind must act until God calls it to recollection by love. 6. The soul should here abandon itself into God's hands. 7. The prayer of recollection, and distractions in Prayer. 8. Liberty of spirit gained by consolations. 9. The soul must be watchful. 10. The devil specially tempts such souls. 11. False trances and raptures. 12. How to treat those deluded in this way. 13. Risks of delusion in this mansion.
1.: THE effects of divine consolations are very numerous: before describing them, I will speak of another kind of prayer which usually precedes them. I need not say much on this subject, having written about it elsewhere.26' This is a kind of recollection which, I believe, is supernatural. There is no occasion to retire nor to shut the eyes, nor does it depend on anything exterior; involuntarily the eyes suddenly close and solitude is found. Without any labour of one's own, the temple of which I spoke is reared for the soul in which to pray: the senses and exterior surroundings appear to lose their hold, while the spirit gradually regains its lost sovereignty. Some say the soul enters into itself; others, that it rises above itself.27' I can say nothing about these terms, but had better speak of the subject as I understand it. You will probably grasp my meaning, although, perhaps, I may be the only person who understands it. Let us imagine that the senses and powers of the soul (which I compared in my allegory to the inhabitants of the Castle) have fled and joined the enemy outside. After long days and years of absence, perceiving how great has been their loss, they return to the neighbourhood of the Castle, but cannot manage to re-enter it, for their evil habits are hard to break off; still, they are no longer traitors, and they wander about outside. This is fully borne out by the present chapter. In the corresponding part of her Life she practically confounded the prayer of recollection with the prayer of quiet (the second state of the soul). Likewise, in the Way of Perfection, ch. xxviii., she speaks of but one kind of prayer of recollection and then passes on to the prayer of quiet. Here, however, she mentions a second form of the prayer of recollection. The former is not supernatural, in the sense that with special grace from above it can be acquired; the second is altogether supernatural and more like gratuitous grace (ibid. no. 80 and 81). On the meaning of 'Solitude,' 'Silence,' etc., The edition of Burgos (vol. iv, P. 59) refers appropriately to the following passage in the Tercer Abecedario by the Franciscan friar Francisco de Osuna, a work which exercised a profound influence on St. Teresa: 'Entering within oneself; and rising above oneself, are the two principal points in this exercise, those which, above all others, one ought to strive after, and which give the highest satisfaction to the soul.
2.: The King, Who holds His court within it, sees their good will, and out of His great mercy desires them to return to Him. Like a good Shepherd, He plays so sweetly on His pipe, that although scarcely hearing it they recognize His call and no longer wander, but return, like lost sheep, to the mansions. So strong is this Pastor's power over His flock, that they abandon the worldly cares which misled them and re-enter the Castle.
3.: I think I never put this matter so clearly before. To seek God within ourselves avails us far more than to look for Him amongst creatures; Saint Augustine tells us how he found the Almighty within his own soul, after having long sought for Him elsewhere.28' This recollection helps us greatly when God bestows it upon us. But do not fancy you can gain it by thinking of God dwelling within you, or by imagining Him as present in your soul: this is a good practice and an excellent kind of meditation, for it is founded on the fact that God resides within us;29' it is not, however, the prayer of recollection, for by the divine assistance less labour in entering within oneself than in rising above oneself and therefore it appears to me that when the soul is ready and fit for either, you ought to do the former, because the other will follow without any effort, and will be all the more pure and spiritual; however, follow what course your soul prefers as this will bring you more grace and benefit,' (Tr. ix, ch, viii). Some editors of the Interior Castle think that St. Teresa refers to the following passage taken from the Confessions of St. Augustine: 'Too late have I loved Thee, O Beauty, ever ancient yet ever new! too late have I loved Thee! And behold, Thou wert within me and I abroad, and there I searched for Thee, and, deformed as I was, I pursued the beauties that Thou hast made. Thou wert with me, but I was not with Thee. Those things kept me far from Thee, which, unless they were in Thee, could have had no being' (St. Augustine's Confessions, bk. x, ch. xxvii.). The Confessions of St. Augustine were first translated into Spanish by Sebastian Toscano, a Portuguese Augustinian. This edition, which was published at Salamanca in 1554, was the one used by St. Teresa. St. Teresa quotes a passage which occurs in a pious book entitled Soliloquia, and erroneously attri buted to St. Augustine: 'I have gone about the streets and the broad ways of the city of this world seeking Thee, but have not found Thee for I was wrong in seeking without for what was within.' (ch. xxxi.) This treatise which is also quoted by St. John of the Cross, Spiritual Canticle, stanza i. 7, Ascent of Mount Carmel, bk. i. ch. v. 1, appeared in a Spanish translation at Valladolid in 1515, at Medina del Campo in 1553, and at Toledo in 1565. every one can practise it, but what I mean is quite a different thing. Sometimes, before they have begun to think of God, the powers of the soul find themselves within the Castle. I know not by what means they entered, nor how they heard the Shepherd's pipe; the ears perceived no sound but the soul is keenly conscious of a delicious sense of recollection experienced by those who enjoy this favour, which I cannot describe more clearly.
4.: I think I read somewhere30 that the soul is then like a tortoise or sea-urchin, which retreats into itself. Those who said this no doubt understood what they were talking about; but these creatures can withdraw into themselves at will, while here it is not in our power to retire into ourselves, unless God gives us the grace. In my opinion, His Majesty only bestows this favour on those who have renounced the world, in desire at least, if their state of life does not permit their doing so in fact. He thus specially calls them to devote themselves to spiritual things; if they allow Him power to at freely He will bestow still greater graces on those whom He thus begins calling to a higher life. Those who enjoy this recollection should thank God fervently: it is of the highest importance for them to realize the value of this favour, gratitude for which would prepare them to receive still more signal graces. Some books advise that as a preparation for hearing what our Lord may say to us we should keep our minds at rest, waiting to see what He will work in our souls.31' But unless His Majesty has begun to suspend our faculties, I cannot understand how we are to stop thinking, without doing ourselves more harm than good. This point has been much debated by those learned in spiritual matters; I confess my want of humility in having been unable to yield to their opinion.32
5 - The Phenomenology of the Spirit in Fairytales, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
rooms of the Castle: one room alone she forbids him to enter.
But curiosity is too strong. He unlocks the door, and there in
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locked up in the one forbidden room of the Castle and fixed to
the wall with three nails, as though crucified. He is imprisoned,
6.0 - Conscious, Unconscious, and Individuation, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
moat. The ground round the Castle is laid with black and white
tiles, representing the united opposites. This mandala was done
BOOK XXII. - Of the eternal happiness of the saints, the resurrection of the body, and the miracles of the early Church, #City of God, #Saint Augustine of Hippo, #Christianity
Lucillus bishop of Sinita, in the neighbourhood of the colonial town of Hippo, was carrying in procession some relics of the same martyr, which had been deposited in the Castle of Sinita. A fistula under which he had long laboured, and which his private physician was watching an opportunity to cut, was suddenly cured by the mere carrying of that sacred fardel,[981]at least, afterwards there was no trace of it in his body.
Eucharius, a Spanish priest, residing at Calama, was for a long time a sufferer from stone. By the relics of the same martyr, which the bishop Possidius brought him, he was cured. Afterwards the same priest, sinking under another disease, was lying dead, and already they were binding his hands. By the succour of the same martyr he was raised to life, the priest's cloak having been brought from the oratory and laid upon the corpse.
Chapter III - WHEREIN IS RELATED THE DROLL WAY IN WHICH DON QUIXOTE HAD HIMSELF DUBBED A KNIGHT, #unset, #Sri Aurobindo, #Integral Yoga
calling them knaves and traitors, and the lord of the Castle, who allowed knights-errant to be treated in this
fashion, a villain and a low-born knight whom, had he received the order of knighthood, he would call to
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said, there was no chapel in the Castle, nor was it needed for what remained to be done, for, as he understood
the ceremonial of the order, the whole point of being dubbed a knight lay in the accolade and in the slap on
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be dubbed knight, he would not, he thought, leave a soul alive in the Castle, except such as out of respect he
might spare at his bidding.
Chapter II - WHICH TREATS OF THE FIRST SALLY THE INGENIOUS DON QUIXOTE MADE FROM HOME, #unset, #Sri Aurobindo, #Integral Yoga
sound of trumpet give notice that a knight was approaching the Castle. But seeing that they were slow about it,
and that Rocinante was in a hurry to reach the stable, he made for the inn door, and perceived the two gay
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ease at the Castle gate.
At this moment it so happened that a swineherd who was going through the stubbles collecting a drove of pigs
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for ladies of high degree belonging to the Castle, he said to them with great sprightliness:
Oh, never, surely, was there knight So served by hand of dame, As served was he, Don Quixote hight, When
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and the landlord the castellan of the Castle; and consequently he held that his enterprise and sally had been to
some purpose. But still it distressed him to think he had not been dubbed a knight, for it was plain to him he
Kafka and His Precursors, #Labyrinths, #Jorge Luis Borges, #Poetry
illustrious problem is, exactly, that of the Castle, and the moving object and
the arrow and Achilles are the first Kafkian characters in literature. In the
Liber 46 - The Key of the Mysteries, #unset, #Sri Aurobindo, #Integral Yoga
does mention the Castle at Shusah, cited in the versicle to the right.
Possibly the whole thing is a continuation of a paraphrase of Daniel 8,
The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
the spectator from his bed-sitter in Bays water to the Castle of Elsinore
is merely the bottom step of the ladder. But, nevertheless, it should not
the Castle, #unset, #Sri Aurobindo, #Integral Yoga
In the Castle of the lotus twixt the brows
Whence it shoots the arrows of its sight and will ~ Sri Aurobindo,
The Dwellings of the Philosophers, #unset, #Sri Aurobindo, #Integral Yoga
1-11 - THE SPELLS AND WONDERS OF the Castle OF DAMPIERRE
1-7 - THE BODYGUARDS OF FRANCIS II - DUKE OF BRITTANY
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with no other concerns but his writings, he completed in the Castle of Flers a life of work,
calm and simplicity, in the company of his two friends with whom he had accomplished the
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Vendee). In the Castle of Terre-Neuve, where they are preserved today, we can admire and
study them at leisure. This castle, furthermore, by the abundance, the variety, and the origin of
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The most beautiful ceiling of the Castle of Coulonges, which once upon a time ornamented the
hall and the treasure room, covers today the great salon of Terre-Neuve, called the Workshop.
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monogram of Diane de Poitiers, similar to the one found in the Castle of Anet. This detail led
people to suggest that the plans of the Castle of Coulognes could have belonged to the
architect-priest Philibert de lOrme (5) . Later, while studying a similar dwelling, we will come
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A mere sharecropper farm at first, the Castle of Terre-Neuve, in its current form, was built in
1595 by Jean Morison, on behalf of Count Nicolas Rapin, vice-seneschal of Fontenay-le-
Comte and "distinguished poet", as we leam from a handwritten monograph of the Castle of
Terre-Neuve, probably by Monsieur de Rochebrunes hand. The inscription, in verse, which is
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consoles from the Castle of Chambord, an emblazoned panel of Gobelin tapestry (1670) given
by Luis XIV; very beautiful 15th century wood sculptures, coming from the library of the
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fireplace of the Grand Salon, bought in Coulonges and rebuilt in the Castle of Terre-Neuve in
March 1884. More remarkable even, by the accuracy of the hieroglyphs which decorate it, the
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(6) Monsieur de Rochebrune, born at Fontenay-le-Comte in 1824 and who died at the Castle of Terre-Neuve in
1900, was the grandfa ther of the current owner. Monsieur de Fontenious
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with hieroglyphs, which we have just analyzed. The monograph quoted from the Castle of
Terre-Neuve which we think was written by the late Monsieur Rochebrune, holds a rather
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be observed in the Castle of Coucy (the tympanum of the dungeon gate) and on one of the bas-
reliefs of the golden Carroir (14) in Romorantin (Plate XIX).
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THE SPELLS AND WONDERS OF the Castle OF DAMPIERREI
In the Santoine region to which Coulonges-sur-lAutize, the county town where once stood
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interesting: the Castle of Dampierre-sur-Boutonne (in the French Department of Charente-
Inferieure). Built at the end of the 15th century under Francois de Clermont (1) , the Castle of
Dampierre is presently the property of Dr Texier from Saint-Jean-dAngely (2> . By the
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sagacity of the seeker, the Castle deserves to be better known and we are pleased to
particularly commend it to the attention of the disciples of Hermes.
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the embellishments of the Castle paintings and sculptures is unknown to us and will
perhaps remain so forever.
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that is the reason why I gladly granted your publisher permission to takes several pictures of the Castle". We
warmly thank M. J. Texier.
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compilation made of the high gallery of the Castle of Dampierre an admirable collection, and a
genuine museum of alchemical emblems, and put our Adept among the unknown masters who
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[A] III. When going from Schneeberg to the Castle called Wissembourg, some water comes
out of it towards the mountain; it falls into the Mulde. By walking in the Mulde, facing this